1658 lines
75 KiB
Plaintext
1658 lines
75 KiB
Plaintext
BTN: Birmingham Telecommunications News
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COPYRIGHT 1990
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May 1990 Volume 3, Issue 4
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Table Of Contents
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-----------------
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Article Title Author
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Policy Statement and Disclaimer................Staff
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Editorial Column...............................Dean Costello
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Another BTN Party..............................Jet Thomas
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WWIV: Part 1 of ???...........................Duck Capps
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Conversational Telecommunicating...............Tyros
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BTN Party Questionnaire Results................Chris Mohney
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Gamer's Corner: Welltris......................Eric Hunt
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Gamer's Corner: Catch'em......................Dean Costello
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Ode To A Friend Of Mine........................Lisa Straughn
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Profile: Kristina Morros & Marie Huffstutler...Chris Mohney
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Known BBS Numbers..............................Staff
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EzNet Multiple Echo List.......................Staff
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-----------------------------------------------------------------------
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Disclaimer and Statement of Policy for BTN
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We at BTN try our best to assure the accuracy of articles and
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information in our publication. We assume no responsibility for
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damage due to errors, omissions, etc. The liability,if any for BTN, its
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editors and writers, for damages relating to any errors or omissions,
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etc., shall be limited to the cost of a one year subscription to BTN,
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even if BTN, its editors or writers have been advised of the likelihood
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of such damages occurring.
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With the conclusion of that nasty business, we can get on with our
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policy for publication and reproduction of BTN articles. We publish
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monthly with a deadline of the fifteenth of the month prior to
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publication. If you wish to submit an article, you may do so at any
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time but bear in mind the deadline if you wish for your work to appear
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in a particular issue. It is not our purpose to slander or otherwise
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harm a person or reputation and we accept no responsibility for the
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content of the articles prepared by our writers. Our writers own their
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work and it is protected by copyright. We allow reprinting of articles
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from BTN with only a few restrictions. The author may object to a
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reprint, in which case he will specify in the content of his article.
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Otherwise, please feel free to reproduce any article from BTN as long as
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the source, BTN, is specified, and as long as the author's name and the
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article's original title are retained. If you use one of our articles,
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please forward a copy of your publication to:
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Mark Maisel
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Editor, BTN
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221 Chestnut St.
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BHM, AL 35210-3219
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We thank you for taking the time to read our offering and we hope that
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you like it. We also reserve the right to have a good time while doing
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all of this and not get too serious about it.
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-----------------------------------------------------------------------
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N E W S F L A S H
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For those of you who read BTN regularly, please pay
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attention! Several boards in town that maintain
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transfer ratios allow BTN to be downloaded freely
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through ProDoor. You may download BTN from these
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boards without penalty to your ratio. Among these
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that I am aware of are CONNECTION, LZ BIRMINGHAM,
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and CHANNEL 8250. I am sure that there are more of
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them out there.
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If you are a sysop and you allow BTN to be downloaded
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freely, please let me know via EzNet so that I can
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post your board as a free BTN distributor. Thanks.
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I am also looking for a new, more useful format for
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the Known BBS List. Please send me your suggestions
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via EzNet or upload them to Channel 8250, Bus, or
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Crunchy Frog. The best way to demonstrate a
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suggestion would be to edit the bbs list in this
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issue and show how you want it to look. Should
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there be more WWIV info, PC Board info, FidoNet
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info, other networks and/or systems info???
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Remember, I can't do it if you don't suggest it. I
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gave up telepathy a few years ago.
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MM
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-----------------------------------------------------------------------
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Well, Now What?
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Yeah! It's another article by me. I trust you are so happy and
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overjoyed that you can hardly contain yourself. Same to you. Anyway,
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now is the time that I need to think of something to write. Yes, Mark
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and Kathy took me out to dinner again, and now it is time to extract the
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proper two or three screens of flesh.
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So, let's see what is happening in the telecomputing world right now.
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Well, Tyros has a real computer for a change; Randy and Rocky's MetroNet
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seems to be working fairly well (Always remember: A national echo is a
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terrible thing to waste); and there seems to be another party coming up
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on the horizon (April 21st in case you haven't seen announcements); and
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this is the...
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SECOND ANNUAL BTN ANNIVERSARY!
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Yeeeeaaaaahhhah, buddy. We are starting on our third year of this
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august and respectful periodical, the one that allowed me to get my name
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in print. Imagine, the third year of this nonsense. Absolute proof that
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there cannot be a God; or that there is a God, and she/he doesn't like
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me very much.
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Figure though, what were you doing in April of 1988? I personally was
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still working for Perdue, Inc. as a lab technician at their oil
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refinery, hoping and praying that the job would come to an end and I
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could go to graduate school. And you? Are you still doing the same
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thing that you were two years ago? Now, who needs to 'get a life'? At
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least I AM in graduate school, doing something completely different.
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Yeah, you see how much work I am doing for my degree, don't you? I
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should be at the apartment right now doing Important And Scientific
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Things to my data, but I'm not. I am instead trying to pump out this
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screed on BTN, one more time. If nothing else, I do like these
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editorials better than real articles. Where else can I rant for this
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long about something or another; whatever subject that catches my
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imagination at a particular time; and still get credit for it from Mark?
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And believe me, he does keep track of who writes and who said that they
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would write, and who didn't follow through...
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I have found that when all is said and done, it is probably more
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advantageous to be on the positive side of Mark than on the negative
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side. Look at it from my point of view? I have all these neat little
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do-hickies that I have picked up from over there, dinners beyond
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counting, and a release of sexual tension with his wife. What more can
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a simple person such as myself want? That's right, not a whole lot more.
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So to recap, Tyros has a computer, MetroNet is neat, there is a party
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coming up on the 21st, it is the beginning of the third year of BTN
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publications, and you need to get a life. Hope to see a couple of you
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(not all, mind you, just a couple here and there. The ones I want to
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see probably already know who they are, the rest need not even come if
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they have something else to do that night) at the party.
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Sincerely Yours,
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__ __
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/ ) / )
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/ / _ __. ____ /
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/__/_</_(_/|_/ / < (__/ o
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Dean C.
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Editor-at-Large
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editor's note: Is that "Editor-at-Large" or "Large-Editor"? MM
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Take 2 <snap>.
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Well, guess who missed a deadline. Yes, Mark screwed up here. He went
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and blew off April. So, the entire above screed is really all for
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naught. Annoying trait.
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Anyway, Now I need to think of something else clever and neat to write
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about. It is the night before the BTN party, in which a whole pile of
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people have planned to attend. I am personally kind of curious as to
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who will actually drop by. Claims and actuality are all too often two
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entirely different things.
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I honestly don't know what we are going to do with Mark. To paraphrase
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Bill Cosby, the boy needs help. But who am I to say anything, you ask.
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Which is indeed an entirely correct attitude to have, if you think about
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it for a minute. Let us look at my record when it comes to my research.
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1). It is October, 89. My advisor, John Manning, says that there is an
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chance of me being able to finish before the end of the fall
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quarter. And if not by then, then definitely by the first of the
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year. Maggie says nice things about missing me. Others either
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ignore it completely, or say such pleasant things like it will be
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such a nice place with me gone. Come to find out, I had to start
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the entire sequence over when my bacteria died, and the methyl
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parathion plant burned down.
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2). It is February, 90. It is said that I could very easily be done by
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midterms. So I only take 3 credit hours of research so that I can
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be at least a part time student. Mark starts making jokes about
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how Scott Hollifield is his dupe in a strange and curious plan to
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wreck my experiment.
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3). It is March, 90. It is said that I could very easily be done by
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the end of Winter quarter. Jokes about my ever completing begin to
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surface in EZNet. Scorn and derision are heaped upon me, and Doug
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Reinsch brings me a clipping that said that Mobile Bay froze over.
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4). It is now. My advisor says that the research is coming along
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nicely, and that there is finally light at the end of the tunnel.
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I get turned down in my sole interview as of yet. Life is really
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starting to suck, especially with the weather getting hotter.
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Not really important, but I seem to have missed a few deadlines also, as
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I look back on it. But that does not take Mark off the hook. So he had
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some things to do during the first week of April. BFD. We are not all
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that impressed. Busy was me at the end of Winter Quarter 1989, when I
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had 4 finals, 2 papers, 2 presentations, a car accident, and knee
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surgery. Now that is a full week, and don't you forget it.
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And he thinks that changing careers is a proper excuse for...Where was
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I? Oh yes, why there wasn't an April BTN. Alas, one of those things, I
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suppose. What's the point of bitching about it, when you get right down
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to it? No one is going to die if one of these things doesn't hit the
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BBSs on time. Hell, I only read them because of my articles (and
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articles with me in them, for that matter). Mental masturbation, I
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suppose. And I want as many people as possible to watch (read) as I get
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off. So I suppose I am personally annoyed that I won't get another
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issue to jack off in, but those are the problems of life. I believe it
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was brother Mick who said, "You can't always get what you want, but if
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you try sometime you might find that you get what you need." I would
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assume that this will probably be the last issue of BTN I will be
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writing for, so I intend to wax philosophical about it. And as a
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result, I will take this as far as is possible.
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I was just thinking about the way I write these damned things. I am
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sitting in Mark's back room, where it is about 14 degrees hotter than
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body temperature, banging this puppy out. Did I have any idea as to
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what I was going to write? Not hardly. In fact, it is a constant
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struggle to keep going from text line to text line, and yet keep some
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semblance of continuity going.
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Something else that had occurred to me was that it seems that my shock
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value is gone. I can say the most sensational, most outrageous, the
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most sick things, and no one will even bat an eye anymore. It is
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getting frustrating, to say the least. But unfortunately, when I am
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being more or less straight about things, no one is taking me seriously.
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For example, it occurred to me that Jesus was probably a member of the
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Zealots, and that to make the group look like it was sanctioned by God,
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they set up Jesus as a martyr after he got caught in the Temple doing
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naughty things to the local vendors. Now, no one would argue the point
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with me. I still feel to this day that it is a viable, logical argument
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that explains the creation of Christianity without resorting to a deity.
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And No One Would Argue It. I have always felt that ignoring something
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is tacit approval, which is why you see me get worked up about very
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marginal, very superficial issues <shut the hell up, Mark>. Now, have a
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whole bunch of people on Bill Freeman's board all given up their
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Christianity and decided that I held the key of knowledge that they all
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have been looking for? Hell no, they just assumed it was me just
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spouting off something again as I try to get a rise out of them
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(coincidentally, this was the week of Easter, but it was not intended
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that way). Very frustrating; especially if one deals with a lot of
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topics that are controversial. It is kind of sad to know that there is
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no way in hell that I will even again be voted Most Favorite User in
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Birmingham. I feel kind of like Morton Downey Jr., in that my escapades
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no longer stir emotions as much as are just kind of tolerated and then
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ignored. But I can always depend on Mark K. to call me a loser (even
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when it takes two to exchange nasty messages, right Richard, Doug, and
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Mark M?).
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Take 3 <snap>
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It is now after the party. This issue still hasn't gone to the
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metaphorical press. And accordingly, I need to update once again. The
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party was a couple of days ago, and it seems to have gone fairly well.
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At least, that is the way I perceived it. And as you will soon find
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out, Jet Thomas didn't quite perceive things the way I did. But, I am
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not allowed to continue on this vein, so I am going to stop now.
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So, let's see what else I need to talk about. I discovered FIDONet a
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couple of days ago. There is a good conference there, called Science,
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that I have taken a liking to. I am impressed. I heartily recommend
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that you use it if you have an interest in science. In the couple of
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days I have been involved, the discussion has ranged from UFOs to
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Creationism to alternative energies to the Cold Fusion experiments. A
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fairly wide-ranging discussion set.
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Mark really needs to cut the grass in his side yard, but I suppose that
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is neither here nor there. Can't hardly blame him, though, with all the
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Milky Way candy bars that are out in the yard, you know. It was a
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function of the party, but I can't talk about it right now, for the
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reasons mentioned above.
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I would like to take this opportunity to protest the crappy way I was
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treated at the party. When I was torn up (from a combination of Joey I,
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II, and IIIs), they, about 9 different sysops, tried to get me to do a
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strip tease. Yeah, that's right. Appalling, isn't it? Anyway, they
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were willing to give me up to $4.07, a button, an option on another
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button, and a tie. And if I didn't, I would lose somewhere in the
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neighborhood of about 10-16 hours of daily access to the BBSs that I
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regularly call. In case you are curious, I call on a rigidly daily
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basis 5 boards (7.75 hours/day access time) and on at least a weekly
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basis, another boards (10.5 hours/day access time). And they had the
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gall to say to me "Get a life"? If all they have to do is to pick on
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some poor drunk party goer, I think that says an awful lot more about
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them than the time says about me.
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But nonetheless, it has been an interesting time here on the BBSs in
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Birmingham. Without you, I would have long since slit my wrists.
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Especially last summer. Since this is probably the proverbial 'It' for
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my writing here, there are some I would like to mention. I have met
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some nice people including Randy (Dammit, 2.5 hours is NOT enough),
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Chris (I still can't believe that you liked tequila & ginger ale),
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Maggie (My 'Outrageousness Meter', but I am not going to strip for you,
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no matter how sadly you look at me), Scott (But, will I be voted "Most
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Favorite User" next year...), Chris (Praise "Bob" and pass the
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camcorder) and Kathy (Oh, please? It is only for effect, you know); a
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few normals such as Doug (The Censor King), Velina (Maybe henna WILL do
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the trick, it sure can't hurt...), Tamara (I still think the accent is
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on the wrong syllable), Karsten (You're who? Nah...), Kelly (Why are you
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hitting me?), Rocky (The Discordian Connection), Terry (The Discordian),
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Dave (The Disciple), Jeff (But why an entire box? Are they rotten?),
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Brett (You are way too sensitive about the South), and Kristina (And
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don't forget that 'K', dammit, but first, can I ask you a personal
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question?); plus some just plain warped individuals, ie. Jet (Well,
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right! Right! Well, no!), and Mark.
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It was also neat to listen to everyone else's ludicrous ideas about
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society. It is sad that you are wrong, but alas, such is life. There is
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really little else left to say. I appreciate the friendship and the
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tolerance many of you have extended this poor graduate student. I like
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to think I reciprocated in kind; in my own way.
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Farewell, my friends. May you survive.
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-----------------------------------------------------------------------
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Another BTN Party
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by Jet Thomas
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Mark Maisel asked me to write about what happened at the BTN party.
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I don't know about most of it, of course, since I only got to watch what
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was going on in front of my eyes, and I don't have room to write all of
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that.
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I really enjoyed the party. It gave me an opportunity to push my
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new C&C game, and I learned more about human nature in late 20th century
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America than I had at any previous party.
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I brought some friends, Bruce Oliver and his girlfriend Chris. Both
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of them have computers but neither have gotten modems yet. Bruce stayed
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in the computer room for a while, and when he came out he said, "I sat
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in there for half an hour and I never heard a complete sentence I could
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understand."
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I showed people copies of the C&C game rules. I concentrated on
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getting copies to women, since the women tend to be more conservative,
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and there was no point in getting men interested if their wives or
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girlfriends refused to play. The response was better than I hoped, only
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3 outright no's (including 2 who wouldn't look at it, who might change
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their minds someday), 2 conditional no's (they said, "Yes, that looks
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really interesting and we really ought to try it someday," which is a
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polite way to say no) 5 conditional yeses (they seemed really interested
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and talked about it to each other) and 2 outright yeses (they told their
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boyfriends somebody else would play if the boyfriends wouldn't; these
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women were serious). I'll upload the men's manual under the name
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CONIND.TXT, on various boards.
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Mark Maisel wore a special necktie. It was salmon pink, except at
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the knot where it was a sort of matted brown. The end wasn't cut like
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most neckties, but had a sort of rounded, sigmoid shape. It looked kind
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of peculiar seeing Mark barefoot wearing a necktie. It was a symbolic
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thing, the necktie represented a circumcised penis. I had read that all
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neckties had similar symbolism, but I had never seen one so blatant.
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Late in the evening I noticed various women wearing Mark's tie; I didn't
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ask them how they got it.
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I listened to various people. Brett Thorn was his usual superior
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self. He went around with a little smile, like he understood everything
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that was going on but there wasn't anything worth participating in. He's
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smarter than I am and much better acculturated, but it seems like it
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still doesn't get him what he wants. I discussed the new RTX chip with
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Blake Miller. Blake is handsome, suave, brainy, and apparently totally
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competent at everything he does, but he didn't have much to say.
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I talked with Sid and Michelle Browning. They seemed to be new to
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the boards, and were acting like they felt like strangers at the party.
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I had a lot of trouble remembering their names, and eventually set up
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mnemonics, but I forgot the mnemonic for his. They seemed like nice
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people.
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Doug and Velina Reinsch were there. Velina had a hairstyle and a
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sort of face-set that made her look middle-aged and dull. I knew from
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that, that she had a responsible job. She looked like a dentist's
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assistant or a librarian, the sort of person that you want to assume is
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totally competent at doing things by the book, and utterly
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unimaginative. I was AMAZED that Velina could achieve this sort of
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protective coloration. She isn't like that at all. It was an
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interesting twist for her to come to the party in disguise.
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There was a little girl about Sarah Maisel's size who stood in the
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kitchen doorway working on a tantrum. When asked, she came out of it
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enough to explain that her mother had told her she couldn't play with
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the other kids because she was bad. We played with Mark's synthesizer
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for a while, but her mother came in and told her to stop.
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Kelly Rosato started hitting me gently behind the knee or on the
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temporalis when he walked by. After a while I asked him why, and he
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said he liked to see me jump. Pretty often little social problems clear
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up if you talk about them. I thought he maybe didn't like me or wanted
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to threaten me, but he was just having fun. I started doing the same to
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him, and he asked me about it. Then we both slacked off, and pretty
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much quit. I made sure he got the last lick. It's easier for people to
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make social agreements when they're winning, and it didn't cost me
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anything. I don't know what Kelly will do the first time we meet after
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he reads this, though. It's easy for unstated social agreements to
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break down when people talk about them. It's like people can
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tentatively provisionally behave in an agreeable way, but when they find
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out the other person is thinking about it differently from them,
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suddenly the question isn't what to do, but what it all means and what
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it "really" means to the other person, and people find themselves making
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points that would be totally unnecessary if they had no idea what the
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other guy was thinking and didn't care. Oh well.
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I carried the girl-who-couldn't-play-with-the-others piggyback, but
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her mother made her quit that too. She had been bad, so she couldn't
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have any fun the whole weekend. That was strange, how do you stop
|
||
somebody from having fun? If they're sitting quietly by themselves, how
|
||
do you know if they're having fun or not? Riddle: How can you keep a
|
||
mathematician from having fun? Answer: Sit behind him with a big stick
|
||
and hit him every now and then. But the kid was buying into it, she
|
||
believed she couldn't have any fun. Chris Mohney would say she didn't
|
||
have any slack. I talked to the mother, who reminded me of a bobcat.
|
||
Small, sort of friendly, but utterly ferocious.
|
||
|
||
I talked with Mitch White, who seemed very wise. But afterward I
|
||
couldn't remember what he'd said. I hope I incorporated his comments
|
||
into my own thinking. But all I remember in context are his criticisms
|
||
of what I said.
|
||
|
||
Jeff had brought a giant box of candy bars, things that had just
|
||
expired at the place he worked. I ate a lot of them and drank some
|
||
Pepsi. I started getting high. Some other people were drinking things
|
||
that smelled like spoiled orange juice, and rotten apples, and juniper
|
||
berries. And beer, of course. It seemed like over the evening people
|
||
had less and less to say, but they said it with more and more intensity.
|
||
People I talked with late in the evening seemed like simpler people than
|
||
the ones I met earlier. They had been degraded (that's what degradation
|
||
means -- to break up into simpler pieces) but they didn't seem to mind
|
||
much.
|
||
|
||
I played some with the bobcat's son. He hit me a couple of times,
|
||
once in the Adam's apple, but when I distracted him quickly, he got real
|
||
happy,began to have fun and quit hitting. I've noticed sometimes the
|
||
same method works with angry people who have guns, but it isn't the sort
|
||
of thing you want to depend on.
|
||
|
||
Some of the women asked me when we'd play the C&C game. I
|
||
explained that it needed a hostess, and Mark had volunteered Kathy for
|
||
the job, but Kathy kept putting him off. Nobody volunteered on the
|
||
spot, but several women took home copies of the Hostess's Manual, so
|
||
with luck it will happen fairly soon.
|
||
|
||
Chris Mohney had a questionnaire with really goofy questions. I
|
||
liked it. I was a little concerned about it in a superstitious way,
|
||
though. The ancient Israelites used to take their censuses just before
|
||
the plagues, and we've had things like that with the BTN surveys, too.
|
||
The Connection was voted worst BBS just before its big surge in
|
||
popularity. Dean Costello was voted Most Popular User just before he
|
||
showed everybody how bigoted he was about the South. What will change
|
||
after Chris's questionnaire?
|
||
|
||
Randy asked me about a message I didn't leave on his board. I'd
|
||
announced that I wouldn't respond to any more idiots on a particular
|
||
political topic. Then he answered one of my messages and I didn't
|
||
respond. Was he one of the idiots? I tried to explain what I'd meant,
|
||
which was completely different, and in the back of my mind a new idea
|
||
was forming. What happens if you tell somebody you won't leave him any
|
||
more messages because he's an idiot, and then you don't leave him any
|
||
more messages no matter what he does? You've insulted him worse than the
|
||
most insulting message you could leave! Because the long strings of
|
||
messages, even the "you idiot" messages, are a form of social
|
||
agreement!! You're telling him he's worth talking to, that his opinion
|
||
matters!!! Even if you utterly disagree with everything he says!!!! It's
|
||
a peculiar form of friendship. But when you ignore him, you're telling
|
||
him he's really an idiot. He might believe it's because you aren't
|
||
logical enough to argue with him, but that's not what you're telling
|
||
him. But the method doesn't always work. I suddenly realized that
|
||
nearly a quarter of the people on Randy's MetroNet Current conference
|
||
had left me such messages and then ignored me, and I hadn't noticed.
|
||
Because I was looking at the arguments and how they fit together, and
|
||
ignoring questions of who "won".
|
||
|
||
I'd expected that some guys would ask how to get into the C&C game,
|
||
but nobody did. The answer would have been that they had to get a woman
|
||
to invite them. The game hadn't even started yet and my social
|
||
intuition was already proving very fallible....
|
||
|
||
The bobcat's husband came to the party late. His son ran to him
|
||
joyfully and started hitting him. The father gave him a severe
|
||
talking-to on his method of greeting.
|
||
|
||
Some of the kids wanted to tell jokes, but when I heard their jokes
|
||
I realized that I'd completely forgotten how to tell children's jokes.
|
||
Their jokes didn't seem the least bit funny to me, and I figured they
|
||
wouldn't get my jokes either. I shifted gears and tried to remember
|
||
some grape jokes or elephant jokes, but I couldn't remember any. Then
|
||
Velina told a Knock-Knock joke, and I found out I could make up those
|
||
jokes pretty fast. Here's one:
|
||
|
||
Knock-knock.
|
||
Who's there?
|
||
Boo.
|
||
Boo who?
|
||
Oh, I'm sorry you're so sad.
|
||
|
||
And my very best one:
|
||
|
||
Knock-knock.
|
||
Who's there?
|
||
Knock-knock.
|
||
Who's there?
|
||
Knock-knock.
|
||
Who's there?
|
||
You're supposed to say, "Knock-knock who?"
|
||
Oh.
|
||
Knock-knock.
|
||
Who's there?
|
||
Knock-knock.
|
||
Knock-knock who?
|
||
Knock-knock jokes don't have to make sense!
|
||
|
||
It doesn't seem that funny now, but at the time it went over real
|
||
well. Maybe you have to eat 10 or 15 candy bars first....
|
||
|
||
Ed O'Neill was playing a flirting game with Kristina from TOPS BBS.
|
||
He'd pretend to grab her in a drunken embrace, and she'd scream and slip
|
||
away, and she'd run off and ask somebody else to protect her. Then she'd
|
||
look back at him and smile, and giggle, and when he came to her she'd
|
||
scream and run away again. It's just like a game my guppies play. It
|
||
looked like fun.
|
||
|
||
"That looks like fun, may I play too?"
|
||
|
||
She smiled and giggled. I gently tickled her flank. She screamed
|
||
and ran, and got behind Dean Costello. That seemed really humorous,
|
||
asking Dean to protect her from me seemed like a case of "out of the
|
||
briar patch, into the frying pan". She played the game exactly the same
|
||
way with me as she did with Ed. Except her screams seemed louder, her
|
||
motions more jerky, her giggling more hysterical. She couldn't have had
|
||
much to drink, she was so graceful. For that matter, Ed was pretty
|
||
steady on his feet. She followed exactly the same flight path each
|
||
time, which would have made her easy to intercept except according to
|
||
the game I was supposed to follow the same path too. She got behind
|
||
Chris Mohney and shrieked for him to protect her, but then darted back
|
||
to Dean again. She rolled her eyes and gave some signs of distress.
|
||
|
||
"Are you OK? Are you enjoying this?"
|
||
|
||
"Stay away from me! Leave me alone!"
|
||
|
||
She turned sideways and threw her shoulders back and took a deep
|
||
breath. She turned her head away and looked at me sideways. She giggled
|
||
and ran off. I'd seen this sort of thing before, although I'd never
|
||
played it myself. The rule is that the woman can't admit she knows what
|
||
she's doing. She seemed to be giving some mixed signals, though. Her
|
||
screams sounded kind of sincere and she ran jerky, if slow. But when
|
||
she stopped her smiles and giggles seemed sincere, too. Then suddenly
|
||
she broke the pattern. She ran screaming into the house, calling for
|
||
her friend Tamara to protect her. I walked after her and stopped 8 feet
|
||
away. (For Americans the distance is supposed to be 6', but I'd
|
||
approached a timid cat that morning and for cats it's 8'.)
|
||
|
||
"You look like you want to quit the game. So why do you keep
|
||
signaling that you want to keep playing?"
|
||
|
||
"Stay away from me! Help! Everybody leave me alone!"
|
||
|
||
"I'm over here I'm not getting any closer what's wrong?"
|
||
|
||
She gave a long giggle that ended in a sort of sob.
|
||
|
||
"I'm not giving any signals! I'm not doing anything! Just go away,
|
||
don't talk to me!"
|
||
|
||
I went away. Was it possible she didn't understand the game
|
||
either? I hate games where people can't even discuss it afterward. She
|
||
might not even know the signals that told us to keep playing, but she
|
||
didn't want to be told about them. And I might have given wrong signals
|
||
too, maybe I didn't smile enough or act drunk enough or something, and
|
||
she wouldn't tell me about it. How do you get better when you can't see
|
||
the results? Oh well. Chris and Tamara took her home. Somebody asked
|
||
Ed if he was serious about catching her. He said something like, no,
|
||
she was under the limit, he'd have had to throw her back. But he played
|
||
with her anyway.
|
||
|
||
"A man's gotta do what a man's gotta do."
|
||
|
||
Lee Harden got to the party late and Maggie greeted him joyously. I
|
||
didn't notice her hitting him, though.
|
||
|
||
The people in the computer room kept playing games and looking at
|
||
GIF files and talking about programs and protocols I'd never heard of.
|
||
They played with Mark's peculiar disk drive, which sometimes grabs
|
||
diskettes and won't let go. You have to reach your hand into its mouth
|
||
and tickle it just so to get it to spit your diskette out. Kathy had
|
||
hidden the Crunchy Frog keyboard, probably for security reasons.
|
||
Somebody logged on and did a Page to get people to Chat with him. He
|
||
knew the computer room would be full of people, but nobody would talk to
|
||
him at all (not without the keyboard, they wouldn't). He started
|
||
cursing them out at the Command Prompts. Later he came to the party and
|
||
laughed with them about it.
|
||
|
||
Lisa Patterson and her boyfriend spent most of the party out on the
|
||
porch. They both looked like they could be fashion models. I didn't
|
||
catch their names when they were introduced, but somebody told me Lisa's
|
||
name later. I never got his name, everybody always referred to him as
|
||
'her boyfriend'. They drank tequila. By the time I talked with them
|
||
their personalities had degraded pretty much. I didn't understand much
|
||
of what they said, and I got the feeling it was mutual. Lisa said
|
||
something I didn't understand that sounded something like: "When I was
|
||
in high school I had to pretend to be a bubblehead when I was around my
|
||
friends, or they wouldn't have anything to do with me. But I could be
|
||
myself around my teachers." I tried to ask her why they were her friends
|
||
if she couldn't be herself around them, but I couldn't get it across. It
|
||
might not have had anything to do with what she really said. I was
|
||
pretty wired by that time. I started thinking. A complex person can
|
||
pretend to be simple, just like a sober person can pretend to be drunk.
|
||
But a simple person can't successfully pose as complex, except to other
|
||
simple people, just like a drunk has trouble posing as sober. On the
|
||
other hand, a thin man can disguise himself as a fat man, but a fat man
|
||
can't put on a thin disguise. Anybody should be able to pretend to be a
|
||
bubblehead, but a bubblehead can't pose as anybody else. So -- and this
|
||
is the important part -- if a computer nerd can't pose as a human being,
|
||
does that mean he's less than a human being, or maybe just different?
|
||
After all, humans can't pose as computer nerds, except to other humans.
|
||
But clearly, a computer nerd who can convincingly act human, must be
|
||
more than human. The Turing Test is truly appropriate here. I don't
|
||
think any of this got across. I probably talked much too fast, and they
|
||
were pretty simplified by that time. And like I said, I was wired. At 3
|
||
AM Kathy was lying on the floor resting. People kept wanting to answer
|
||
the phone, which rang pretty often, and she kept telling them not to,
|
||
and they kept not understanding. They were simplified to the point of
|
||
answering phones by habit, and they didn't get the logic of it: Most of
|
||
the people who'd call the Maisels at 3 AM are people you don't want to
|
||
talk to.
|
||
|
||
At 3:30 Richard Foshee came by with a pretty woman whose name I
|
||
didn't catch. The party was mostly wound down by then.
|
||
|
||
About 4 AM everybody who was awake went off to Denny's or some such
|
||
place to eat. I went home. They locked the door, so anybody who got
|
||
there later than that probably decided the party was over.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
WWIV: Part 1 of ??
|
||
By: Duck The Everpresent
|
||
Co-Sysop: The Cathouse
|
||
|
||
About three years ago, a new bulletin board system entered on the
|
||
scene by the name of WWIV Net software. The first version was in
|
||
Q-Basic, and wasn't really all that powerful. As time has passed and
|
||
the versions have piled up, WWIV has become one of the most powerful
|
||
pieces of BBS software available. It can be registered for a meager fee
|
||
of $50.00, which entitles you to the source code and any new updates.
|
||
You can also run it un-registered, but unless you know someone with the
|
||
source code, you'll have to run it unmodified. The latest version is
|
||
4.10. During it's progression, WWIV has come to be programed in C, a
|
||
diverse programming language. WWIV is easily modified, provided you
|
||
have the source and the ability to program in C. If you can't program in
|
||
C, there are many pre-made modifications that are available for
|
||
download. In the next few articles, I will attempt to show off some of
|
||
the unique feature of WWIV, as well as how to get around in the system.
|
||
The first place to start is the logon sequence.
|
||
|
||
When you log into a WWIV net system, you are greeted by a prompt
|
||
asking if you want ANSI graphics or not. If you type Y for yes, the ANSI
|
||
screen will appear. (Alternately, if you type N for no, a text screen
|
||
will appear.) Both of these screens can be aborted by pressing the space
|
||
bar. Then you are met with a prompt that looks like this:
|
||
|
||
PW:
|
||
|
||
At this time you will be able to type in your user number, alias,
|
||
or new for new users. If you are a new user, you will have to go through
|
||
the usual registration process. Be sure to read and follow instructions
|
||
carefully. If you don't, you might be auto-purged by the computer. On
|
||
the board I'm Co-Sysop of, for instance, it is modified where if you
|
||
skip new user feedback, you are auto-purged immediately. Many WWIV
|
||
boards have modified the logon screens.
|
||
|
||
Now that you are in, you will probably be met by one or more of the
|
||
diverse modifications that can be added to the post-logon jargon.
|
||
Quoters, date and time information, and ANSI art are just a few you
|
||
might see. At the end of this you are given your status on the board,
|
||
then shown the main menu. The next thing that is essential information
|
||
is how to send mail.
|
||
|
||
The mail system on the WWIV system is one of the easiest to use I
|
||
have encountered on any BBS. You simply press E (you don't have to press
|
||
the <CR> key, it does it for you), and it asks for the users name or
|
||
number. If you only know part of a users alias, you can type in that
|
||
partial and it will spot-check all the names in the system for you. Once
|
||
you've found your user, it asks for the title of the message and then
|
||
you can enter your message up to 80 lines long. After you are through,
|
||
typing /S will take out of the mode. Depending on your security, you
|
||
might be asked if you want to post anonymously. WWIV also can have a
|
||
full-screen text editor, which you can bring up with the defaults menu,
|
||
which will be covered at a later time.
|
||
|
||
The public message system is accessed one of three ways: 1) By
|
||
pressing the corresponding number of the sub you want to be in and
|
||
pressing S for scan.
|
||
|
||
2) By pressing the corresponding number of the sub you want to be in and
|
||
pressing Q for Quick Scanning that sub for new posts.
|
||
|
||
3) By pressing N which will Global Quick Scan all the message bases.
|
||
|
||
The Global Quick Scan can be set to only monitor the message bases
|
||
you wish to scan in the defaults menu. Entering a post is easy. If you
|
||
Q-scan or Global Q-scan, at the end of each message base you will be
|
||
asked if you want to post in that sub. If you see a post you want to
|
||
reply to within a sub, type the number of the post in at the message
|
||
prompt and then press W (with regards to). After that simply input the
|
||
reply and press /S. (If you want a list of available commands at your
|
||
disposal in the message base, type /HELP).
|
||
|
||
Well, that's it for now. In my next article (Mark permitting), I
|
||
will go over some of the options of the other important part of a BBS:
|
||
The transfer section. Also, will review some more of the unique features
|
||
and modifications that WWIV offers.
|
||
|
||
Until next time.......
|
||
|
||
|
||
WWIV Bulletin Board System copyright Wayne Bell 1987,1990.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
CONVERSATIONAL TELECOMMUNICATING
|
||
|
||
or, How To Gain Sheer Fame and Adulation
|
||
Without Really Improving The Quality of Your Normal Life At All
|
||
|
||
|
||
*** Tyros ***
|
||
|
||
People walk up to the street and ask me about my status in the
|
||
Birmingham BBS community. No, they really do. Wearing gray woolen
|
||
coats and little baseball caps that say "CAN IT", they come running up
|
||
to me on the sidewalk and demand that I tell them a multitude of things,
|
||
among them how I manage to keep in the forefront of Birmingham
|
||
telecommunications culture without even posting all that many messages.
|
||
And now YOU would like to know the secret. Of course, you do, or you
|
||
wouldn't be reading this article. Yes, yes, I know that it was embedded
|
||
inside an issue of BTN, but the TITLE of the article, as well as my
|
||
name, was listed in the Table of Contents, and if you DIDN'T want to
|
||
read my article, you'd have spotted the listing and skipped over it,
|
||
right? You'd have skipped right over it. You either did or did not want
|
||
to read the article, make up your mind. Well, forget it, it's too late
|
||
now.
|
||
|
||
Anyhow, the point is, when people read messages on a BBS, their
|
||
attention span fluctuates as the messages scroll up the screen. It
|
||
happens to everyone. Heck, I even fall asleep sometimes. Whether the
|
||
message is part of an on-going discussion, a request for technical
|
||
information, or complete nonsense (Crunchy Frog users), the awful awful
|
||
truth is that NOT ALL MESSAGES ARE AFFORDED THE SAME AMOUNT OF
|
||
ATTENTION. And the ones that stick in peoples' minds are the ones that
|
||
will have roses on your doorstep.
|
||
|
||
Okay, so the trick, obviously enough, is to fix your message so
|
||
that people will remember you. This is a daunting task, because
|
||
scientifically speaking, there are hundreds and hundreds of BBS users
|
||
and only a sharply limited amount of brain storage per each average
|
||
user. There are two basic keys to spicing up your messages: Style
|
||
and....um.. Style. Yes, that's right - two different contexts of the
|
||
word "style". It means two different things.
|
||
|
||
The first style is the kind of style you learn about in journalism
|
||
class at college. This sort of style is not what most people think of
|
||
when they think of style (i.e. "flair", "nuance", "soul", etc.). In
|
||
fact, journalism has absolutely no style of that kind, so they teach you
|
||
something else and call it "style" to compensate. What I'm talking about
|
||
is simple technique - punctuation, capitalization, grammar, and all
|
||
that. The idea here is simple: Do it all. I mean it. Type two spaces
|
||
between sentences, one space after commas, the works. Another awful
|
||
truth is that if you don't at least put in a moderate amount of
|
||
technical work into your typing, you tend to look, well, illiterate. You
|
||
people who saw Dean Costello's messages when he was laid up with a leg
|
||
injury know what I mean; because Dean didn't think it was worth it to
|
||
strain and make sure all of his messages presented his usual high
|
||
technical standards, he ended up looking sort of like he had suffered a
|
||
blow to the head, if you catch my drift. The amazing part of all this
|
||
was that I talked to him on the phone and he sounded just as he always
|
||
had! His typing style, even though I knew better, had fooled me into
|
||
subconsciously thinking that his thought processes has similarly
|
||
suffered. The reason for this was because messages that are poorly
|
||
typed look as if that hardly any effort was put into typing them, and
|
||
thus there must not have been much on the sending end in the first
|
||
place. Here's an example:
|
||
|
||
murray you promissed you were going to give me that disk now
|
||
where is it at.
|
||
steve
|
||
|
||
Ecch! Horrendous. Note that not only is there no capitalization or
|
||
correct punctuation, but there is a misspelled word! Now, a great myth
|
||
that has allowed to be festered in the BBS scene is that message
|
||
misspellings aren't anything to worry about, and people who point them
|
||
out are dictionary fiends who sit at home with their index finger roving
|
||
the terminal screen just looking for these things. The awful truth
|
||
(another one) is that misspellings really do jump out at people. It's
|
||
extremely easy to correct misspellings, and it makes a world of
|
||
difference. And for god's sake, if you're not sure about how to spell a
|
||
word, don't cop out by using that annoying appendation "(sp?)" !! Either
|
||
look it up and find out how to spell the word, or TYPE OUT "I'm not
|
||
exactly sure how that's spelled" (or some palatable variant). Using
|
||
"(sp?)" merely calls attention to the fact that you're a lazy apathetic
|
||
goof who only wants to avoid getting jumped at instead of trying to
|
||
actually solve the problem. Trust me.
|
||
|
||
Notice also, in the above example, that "Steve" apparently doesn't
|
||
respect himself, or his friend for that matter, enough to capitalize the
|
||
name. (At least we assume they're friends. Doesn't sound much like it,
|
||
does it?) Now, to correct the technical faults in that example, you
|
||
would type:
|
||
|
||
|
||
Murray, you promised that you were going to give me that disk.
|
||
Now, where is it at?
|
||
Steve
|
||
|
||
|
||
Mmm. It's still not much of a message, is it? Which brings us to
|
||
the second key: Style. Yes, this time I'm talking about the REAL style,
|
||
the way you express yourself, the words you use to make you you. You.
|
||
Or whatever.
|
||
|
||
There really isn't a whole lot of straight bread-and-butter tips I
|
||
can give on this one. Everyone has a style all their own, and the awful
|
||
truth (jeez, another one!) is that if you have a lousy conversational
|
||
style, you're likely to translate that to the screen, unless you have
|
||
some sort of repressed split personality. Someone I know types with a
|
||
decidedly egocentric lilt to his messages, a little arrogant and leering
|
||
- and that works for him. (I'm not naming any names, but I will say
|
||
that his name has been mentioned in this article already and it wasn't
|
||
Murray or Steve.) Myself, I try as much as possible to translate as
|
||
direct of a rendition of my conversational style as possible. The way
|
||
this works is that when I type something, whether it's a new message or
|
||
a response to someone else, what I type is close to what I would
|
||
actually say in person. This often includes little unnecessary words
|
||
like "well" and "uh", but often that's the sort of feel I'm trying to
|
||
get across. I've seen some people even word their messages as if they
|
||
were being charged money by the line, like a want-ad. Boy, I hate that!
|
||
I enjoy humanizing my messages so that it actually sounds as if it's
|
||
coming from a real person, rather than the elaborate mobile computer
|
||
simulation you see slurping up all the Dr. Pepper at BTN parties. Here's
|
||
a revised version of the above example.
|
||
|
||
|
||
Murray, you lousy mole, you have something that belongs to me
|
||
and I think you know what it is. Yes, it's a DISK. Everyone:
|
||
Murray is a rabid thief who makes promises only to break them,
|
||
and that includes to his women. Murray, go eat moss and die.
|
||
|
||
Steve
|
||
|
||
|
||
Okay, so it's not all that hospitable, but you DO remember it! And,
|
||
I think if truth be told, this little missive does indeed reflect the
|
||
spirit in which the original, above, was written.
|
||
|
||
So the idea is to make your messages interesting by putting as much
|
||
of yourself into them as you can cram. At this point, you may be
|
||
asking, "Why the hell do I have to go through all this crap just to make
|
||
my messages look better? All I want to know is if anyone has a cheap
|
||
2400 baud modem for sale." Well, if that's all you want, type any way
|
||
you want to. But if you want splendor, admiration, friends, notoriety
|
||
without peer and people to buy dinner for you, you have to work at it.
|
||
Be personal. Type clearly. Spout pithy sayings. Make witty
|
||
rejoinders. Study up on your vocabulary so you can find out what
|
||
"pithy" and "rejoinder" mean. Before long, you too will have people of
|
||
the opposite sex begging for 3-inch cut swatches from your wardrobe, so
|
||
be patient.
|
||
|
||
Thank you and good morning.
|
||
|
||
&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
|
||
& This article was typed in personally by the author on his own &
|
||
& brand-new personal PC-compatible machine and his own personal &
|
||
& fabulous 80-column word processor. Keen, isn't it? &
|
||
&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
BTN Party Questionnaire Results
|
||
by Chris Mohney
|
||
|
||
On the twentieth of June, 1990, a ragtag collection of people
|
||
assembled at the Maisel fiefdom for a long-overdue celebration. There
|
||
were deviants and bizarros of every stripe; there were even a few normal
|
||
people (but these were asked to leave). Never before have I seen as
|
||
many strange people or flying Milky Way bars as I saw on that night.
|
||
Still, I had a plan. I would force these creatures to fill out a
|
||
questionnaire, meaningless in the extreme but nontheless very
|
||
thought-provoking, to judge from some of the answers. Surprisingly, most
|
||
obliged ... and so, I have tabulated the most amusing and/or original
|
||
answers to the 13 questions I asked. Originally I had thought to
|
||
publish the top 10 responses, but varying numbers of good responses
|
||
crowded me out of that, as I wanted to put in too many. Ergo, you'll
|
||
see the "Top Responses" to each question, the responses being in no
|
||
particular order because I was simply at a loss to come up with a system
|
||
to rank them. Approximately 25 questionnaires were answered in all.
|
||
|
||
First off, I warn those of delicate temperament to seek
|
||
entertainment elsewhere. I actually have chosen very few of the viler
|
||
responses, but nontheless I wouldn't want to offend anybody (snort), so
|
||
if you are one of those who is easily offended, go watch Joanie Loves
|
||
Chachi or something.
|
||
|
||
Also, this is not a survey, poll, or what have you. It barely
|
||
fits a loose interpretation of "questionnaire." I imply no fairness or
|
||
equality in my choosing of the answers to be published here; it's all
|
||
completely arbitrary.
|
||
|
||
If you see an answer here that looks like yours but might have been
|
||
edited a bit, there are several possible reasons. Some of the scrawled
|
||
answers were hard to read, and I had to do some guesswork. Sometimes
|
||
the questionnaire was crumpled, or had some strange unidentifiable stain
|
||
that obscured the writing. I suspect that severe inebriation also
|
||
contributed to distorting the answers of some. Nevertheless, I think I
|
||
have remained true to the "spirit" of each answer.
|
||
|
||
If a particular response appeared more than once, its number of
|
||
appearances along with any other extraneous info will be in parentheses
|
||
( ), while editorial comments from yours truly will be in brackets [ ].
|
||
I also think I am unconsciously cribbing from the style of that Grand
|
||
Surveyteer, namely Tyros. But what can I say?
|
||
|
||
Onward!
|
||
|
||
T H E R E S U L T S
|
||
|
||
|
||
Question #1:
|
||
-------------------
|
||
Just who do you think you are?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* Descartes
|
||
* Don Juan
|
||
* God, demigods, various deities & goddesses (Variations appeared 6
|
||
times)
|
||
* Gunga Din
|
||
* Me (Appeared 3 times)
|
||
* Just an evil bastard, I suppose
|
||
* I yam what I yam
|
||
* Who do you think you are to ask?
|
||
* The sole member of Gamma Omicron Delta
|
||
* Every other day of the week I believe I'm the man in the moon.
|
||
* Your WORST nightmare
|
||
* Joan of Arc
|
||
|
||
|
||
Question #2:
|
||
-------------------
|
||
And why should we believe that?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* Have we met?
|
||
* Who the hell else would want to be me for christsake!
|
||
* For whatever reason you wish
|
||
* Why shouldn't you?
|
||
* Look at your security level the next time you log on
|
||
* It's self evident, but I don't care if you believe me or not
|
||
* Because I am the sole member
|
||
* Because (Appeared 3 times)
|
||
* You shouldn't
|
||
* Why not, it's a life
|
||
* I'm hot, baby
|
||
* Would I lie to you? (Variations appeared 3 times)
|
||
* Because I'm bigger than you
|
||
|
||
|
||
Question #3:
|
||
-------------------
|
||
Next to an unclothed Mark Maisel, what is the most awful sight you have
|
||
ever beheld? If you haven't seen Mark unclothed, don't feel bad, but
|
||
answer anyway.
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* I have seen Mark unclothed and it is too terrible a sight to compare
|
||
anything to.
|
||
* An unclothed Mark being chased and raped by an unclothed or otherwise
|
||
Kathy
|
||
* This questionnaire. Seriously, the most awful sight was the dream I
|
||
had of Mark naked.
|
||
* Mark has had babies from his armpits and has the stretch marks to
|
||
prove it.
|
||
* A clothed Mark Maisel (Appeared 3 times)
|
||
* An unclothed Kelly Rosato
|
||
* A clothed Kelly Rosato
|
||
* An unclothed Jeff Hollingsworth
|
||
* An unclothed Dean Costello [And to think we almost got to see that!]
|
||
* A gay sumo wrestler
|
||
* Dean Costello's messages
|
||
* I'm blind
|
||
* How can I answer this question? Can you give me a list of the things
|
||
that were next to the unclothed Mark that you saw?
|
||
* C Drive is Inaccessable
|
||
* The ground, some 15 feet below me, as I jumped a 2 foot wall
|
||
(A strange diagram accompanies this response)
|
||
* My mamma chews popcorn and chews rice
|
||
|
||
|
||
Question #4:
|
||
-------------------
|
||
Assuming there is a hidden camera in this room (what a silly idea), in
|
||
what location or on whose person (and where) would it be?
|
||
-------------------
|
||
|
||
[ Some really vulgar answers to this question, but not amusing enough to
|
||
include here. You people are SICK! ]
|
||
|
||
Top responses:
|
||
|
||
* Sometimes, it's better not to know
|
||
* A porch potato sitting next to a Cardinal
|
||
* Kristina, probably
|
||
* In the toilet (Appeared 3 times)
|
||
* Mark Maisel's stomach
|
||
* Mark Maisel's belly button
|
||
* Dean Costello's belly button
|
||
* Probably on one of the anonymous teens
|
||
* Next to the herring
|
||
* On me as I perform a short edition of "The Miller's Tale"
|
||
* In Dean's 151 bottle top
|
||
|
||
|
||
Question #5:
|
||
-------------------
|
||
Slap the nearest person and then write down what they say or do.
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* giggle, giggle ... what? .... giggle, etc.
|
||
* Laughed, looked at me, took a swing
|
||
* Ou! [ Obviously a Frenchman ]
|
||
* I'm going back up north dammit!
|
||
* Laughed twice, then "Stop hitting me, you're spilling my beer."
|
||
* Aaa .. Aaaa... Aaaaaauuugh!
|
||
* They punched me out. Dean sat on me.
|
||
* I slapped myself and I didn't say anything but I wrote this message.
|
||
* No more for me, thanks
|
||
* What !? (Scott Hollifield)
|
||
* They didn't say anything, they just threw up in my lap. OK, they said
|
||
"Ralph."
|
||
* Do it again! (Variations appeared 3 times)
|
||
* Patrick slapped me back
|
||
|
||
|
||
Question #6:
|
||
-------------------
|
||
What is the last thing you would ever expect Jet Thomas to say?
|
||
-------------------
|
||
|
||
[ I think Jet should now rush out and say all these things, thus
|
||
proving us all wrong. But then again, perhaps there are things that
|
||
Jet just shouldn't say without risking the fragile sanity of those
|
||
around him. ]
|
||
|
||
Top responses:
|
||
|
||
* "I'm horny."
|
||
* "Please walk on my back."
|
||
* "Take me, take me, I'm yours!"
|
||
* "OK, OK, I understand ... and I agree with you."
|
||
* "Groovy man, hand over the whip and let me try!"
|
||
* Last rites
|
||
* "Let's get naked, baby!"
|
||
* Who is Jet Thomas?
|
||
* "This green starship does cooking lessons while on Mars."
|
||
* "Cowabunga, Dude!"
|
||
* I don't know this person too well, but he talks an awful lot, about
|
||
everything.
|
||
* I put nothing past Jet Thomas.
|
||
* Dunno. Jet often surprises me.
|
||
* "Yes! That is absolutely the way it is!"
|
||
* "Bring on the Babes!"
|
||
|
||
|
||
Question #7:
|
||
-------------------
|
||
Just how long is it, exactly? Use the unit of measurement of your
|
||
choice.
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* 1/4" is all I need for my type of satisfaction.
|
||
* 100
|
||
* 72
|
||
* Long enough to reach as deep as it really counts
|
||
* It is exactly as long as nature and/or manufacture intended it to be
|
||
* 14 AU
|
||
* 6.02 x 10^23 AU
|
||
* (Infinity symbol)-1 (and then there's an A with a circle over it)
|
||
* (A bunch of long division obsucres much of the question)
|
||
0.00085 furlongs
|
||
* Longer than yours
|
||
* A long, long time. More than 10^5 seconds.
|
||
* 22 kilometers
|
||
* Oh. 5280 feet. Whoops! That was the measure of a mile, not me.
|
||
* Bigger than a breadbox
|
||
* Seven rods, give or take some
|
||
* 28 dworks
|
||
|
||
|
||
Question #8:
|
||
-------------------
|
||
List the object(s) you would most like to strike Dean Costello with.
|
||
-------------------
|
||
|
||
[ This question definitely got the most enthusiastic response. ]
|
||
|
||
Top responses:
|
||
|
||
* Food, most likely Italian. Or Milky Way bars or Three Musketeers.
|
||
* A crucifix and a joystick.
|
||
* 1 bubu
|
||
* His ego. That should really hurt.
|
||
* Oversized genitalia from all over the animal kingdom
|
||
* A pointed stick
|
||
* Sara Maisel
|
||
* Being that he is an incredibly nice person, I would never, ever want
|
||
to strike him
|
||
* Himself or <Oh my GOD!> an actual degree
|
||
* Jello, or a Milky Way bar
|
||
* A truck
|
||
* A bat, a car, a house. Who is Dean Costello?
|
||
* A flat Georgia opossum
|
||
* A lime (Appeared twice)
|
||
* I'd like to pummel Dean into subconsciousness with a wet carp
|
||
* The Toy
|
||
* A mixed drink, a New York cabbie, or Dukakis
|
||
* A metaphor so large it would make his eyes cross
|
||
|
||
|
||
Question #9:
|
||
-------------------
|
||
What was the real reason Lee Harvey Oswald shot JFK?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* To kill him
|
||
* Tricky. Not allowed to say.
|
||
* His momma told him to
|
||
* JFK sodomized him in elementary school
|
||
* Penis envy
|
||
* He wanted to see JFK on a coin
|
||
* To fuck up the Martian invasion
|
||
* JFK used too much mousse
|
||
* He wanted to get closer to Jackie, he liked her wardrobe
|
||
* PMS
|
||
* Doris Day
|
||
* He didn't like his tie
|
||
* To impress Jody Foster
|
||
* Fame
|
||
* I think because Jackie Kennedy wouldn't go to bed with Lee and his aim
|
||
was way off and JFK was just in the way
|
||
|
||
|
||
Question #10:
|
||
|
||
[ The wording of this question apparently taxed the already-overstrained
|
||
intellect of the average BTN partygoer. So the answers will be put in
|
||
three categories ... ]
|
||
|
||
-------------------
|
||
List the one word or phrase you like never to see again on a BBS ...
|
||
-------------------
|
||
|
||
* Call this new wonderful BBS!
|
||
* More?(Y/N) <-- I HATE that prompt. It should be able read my mind as
|
||
to when I want the screen to stop.
|
||
* Toe Cutter Says ...
|
||
* Let's start a new topic.
|
||
* Byte Me!
|
||
* IMHO
|
||
* Loser
|
||
* Get a life
|
||
|
||
-------------------
|
||
List the one word or phrase you would like to see more often on a
|
||
BBS ...
|
||
-------------------
|
||
|
||
* Dean, you are God.
|
||
* Dean, I want your body
|
||
* Free Sex!
|
||
* I'm sorry, could you explain your position better, or more fully?
|
||
* Yes, Yes, Yes!
|
||
* Fastadigitalis is our favorite user!
|
||
[ What is a "fastadigitalis?" It sounds like a venereal disease. ]
|
||
* SPAM, SPAM and more SPAM!
|
||
* Who gives a rip.
|
||
|
||
-------------------
|
||
And then there's these other three responses which make no sense, little
|
||
sense, or I can't tell which thing they wanted to see and which thing
|
||
they did not want to see.
|
||
-------------------
|
||
|
||
* Sex
|
||
* Cushy and lint
|
||
* I myself am more of a couch potato and love TV. What's a BBS anyway?
|
||
Big Boob Straps?
|
||
|
||
|
||
Question #11:
|
||
-------------------
|
||
What's that thing on your shoulder?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* Oh, you know, just one of those things, a mole with a giant hair
|
||
coming out that I just can't seem to keep trimmed.
|
||
* It was a head (until UAB's EE department got a hold of it)
|
||
* A weed flower
|
||
* Your hand! Get away from me!
|
||
* A spider
|
||
* Bill Moxim
|
||
* Dean Costello
|
||
* Just a pet.
|
||
* A little devil whispering into my ear!
|
||
* Sex
|
||
* My shirt (Appeared twice)
|
||
* Lint
|
||
* A swollen lymphnode - does it show?
|
||
* The same thing that's on your shoulder and I'm REALLY enjoying it!
|
||
|
||
|
||
Question #12:
|
||
-------------------
|
||
If you had to eat an article of clothing belonging to someone in this
|
||
room, whose would it be and which garment in particular?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* I plead the 5th! [ Wimp. ]
|
||
* Jet Thomas' soft shoe - you know, the one he did on Rocky's porch at
|
||
the last party.
|
||
* Anything clean
|
||
* My own shirt
|
||
* I'm sort of picky about this subject, and I doubt you would want to
|
||
know anyway.
|
||
* My own underwear, and I already ate it.
|
||
* I would eat Dean's shirt; that way I wouldn't have to eat again for
|
||
another year.
|
||
* Socks ... I don't know who they belong to but they look mighty tasty.
|
||
* Mark's tie (Appeared 3 times)
|
||
* Lisa's panties (Appeared 4 times)
|
||
|
||
|
||
Question #13:
|
||
-------------------
|
||
Why in the world did you fill out such a silly questionnaire?
|
||
-------------------
|
||
|
||
Top responses:
|
||
|
||
* Well, I was bored and the company sucked, so what the heck.
|
||
* Before I realized I was doing it, it was too late.
|
||
* I'm drunk
|
||
* It was there
|
||
* Becuase I have had too many beers
|
||
* I am a silly person
|
||
* Just for the ... well, you know, the hell of it.
|
||
* Because ... I Rule!
|
||
* (In very small print) I was threatened.
|
||
* Why in the world did you make out such a silly questionnaire?
|
||
(Appeared 3 times)
|
||
* (This response was just a drawing of one of those triangular faces
|
||
that is frowining when you look at it right-side-up, but smiles
|
||
when you turn it upside down)
|
||
* Because I'm a masochist.
|
||
* Peer pressure (Appeared twice)
|
||
* Seemed like the thing to do at the time
|
||
|
||
|
||
|
||
T H A T ' S I T !
|
||
|
||
Finis. I hope that the answers to these questions have enabled
|
||
you to better grasp the perverse monstrosity that is a BTN Party.
|
||
|
||
If you still don't understand, well, you probably weren't there.
|
||
But fear not! And endless procession of possible BTN parties stretches
|
||
infinite into the future horizon, and someday you might attend one.
|
||
Then, you also could have your words immortalized along with these other
|
||
worthies. Of course, you could also get slapped, beaten, drunk,
|
||
arrested, abused, or screeched at, but that's half the fun right there!
|
||
|
||
Salud!
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Gamer's Corner: Welltris
|
||
by Eric Hunt
|
||
|
||
Glastnost has hit the computer world. First there was Tetris, the
|
||
geometric mind boggler that has addicted millions, then there was
|
||
WELLTRIS! Alexey Pajitnov has created this latest masterpiece and
|
||
Spectrum Holobyte has brought it to the US from Russia.
|
||
|
||
Welltris expands upon the basic theme of Tetris (Interlocking
|
||
geometric pieces that eliminate themselves once a row is filled) by
|
||
adding a three-dimensional twist to the game. The pieces fall down not
|
||
one plane, but FOUR. Pieces can be rotated to find the best fit, but
|
||
they can also move around the four different walls in order to find an
|
||
even better fit. Only one piece falls at a time, and it is attracted to
|
||
the bottom and center.
|
||
|
||
To start the game, type Welltris. A list of display options
|
||
appears. You can choose from IBM CGA and EGA, Hercules, Tandy 16- color,
|
||
Reverse Hercules, and Reverse CGA. The next two screens are title and
|
||
credits. The following screen is where the unique copy protection comes
|
||
in. In the margins of most pages of the manual, there are the flags,
|
||
names, sizes, and capitals of the different Russian republics. Before
|
||
starting a session, a flag is displayed and a question about that flag's
|
||
republic is asked. You must correctly answer the question to continue,
|
||
and, after two incorrect answers, the program returns to DOS. After
|
||
that, the options menu appears. Here you select level, sound on or off,
|
||
movement mode, speed, next piece preview, and the option to save those
|
||
parameters permanently.
|
||
|
||
Hit the spacebar to begin playing. Pieces will begin to fall,
|
||
appearing randomly on one of the four walls. A note about the pieces
|
||
themselves: On level one, the pieces can occupy 2, 3, or 4 squares. On
|
||
level 2, the pieces only occupy 4 squares. Level 3 pieces occupy 2, 3,
|
||
4, or 5 squares. The basic Tetris pieces are still present, with some
|
||
unusual additions. Moving the pieces around is accomplished with the
|
||
arrow keys and rotation is done with the 'k' key. Dropping a piece uses
|
||
the spacebar. Once a piece is dropped, it moves rapidly down the wall,
|
||
and races across the bottom until it hits another piece or the opposite
|
||
wall. When a row or column is eliminated, the rest of the pieces move in
|
||
to fill up the 'hole.' But it what direction do they move? All the
|
||
pieces are attracted to the center of the bottom grid, making for some
|
||
different combinations. An interesting fact about the edges of walls:
|
||
When a pieces straddles two walls and is dropped, it will split up along
|
||
independent vectors upon reaching the bottom. This is very
|
||
unpredictable, so consequently I have yet to understand exactly how each
|
||
piece behaves when used this way. When enough lines have been
|
||
accumulated to move up a level, a bigger, stranger shaped "bonus" piece
|
||
descends. Bonus, HAH! It usually makes a mess of everything and I have
|
||
come to dread them. When a piece cannot fully make it onto the bottom
|
||
grid and is left part-way on the wall, the wall turns colors and is
|
||
"blocked." The wall remains blocked until three more pieces have
|
||
finished falling, either by touching bottom, or by being caught by
|
||
another piece on the wall. While a wall is blocked, it is totally
|
||
useless; no piece will fall down the wall and other pieces cannot be
|
||
moved onto it. The game ends when either all four walls have been
|
||
blocked, or there is no room left on the bottom.
|
||
|
||
Welltris offers a wider variety of sound effects than does Tetris.
|
||
Neat little blurbs, bells, and buzzes happen after almost every action.
|
||
Fortunately, the option to remove sound is present, to prevent
|
||
disturbing those around you in a restricted environment.
|
||
|
||
Welltris is a game that exercises the mind, and a game that can be
|
||
enjoyed by all. One word of caution: If you see interlocking geometric
|
||
pieces in your sleep, you have caught true Welltris mania!
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Gamer's Corner: Catch'em
|
||
by Dean Costello
|
||
|
||
Well, imagine your collective surprise. Yes, me, Dean Costello,
|
||
avid (or rabid, depending on your point of view) Atari ST user, am
|
||
indeed reviewing shareware for the IBM. This should give you an idea of
|
||
how impressed I am with this little gem of a program. It is file called
|
||
"Catch'Em" by Dave Edson.
|
||
|
||
Now "Catch'Em" is a neat little game. What the deal is is that you
|
||
start with three little 'catchers' stacked on top of each other. You
|
||
then move the 'catchers' across the bottom of the screen with the mouse.
|
||
Here are some specs. for the game (came from the .DOC file that comes
|
||
with the program):
|
||
|
||
This game was written for a 16mhz 386 machine,
|
||
it will automatically compensate for slower machines,
|
||
but will not compensate for faster machines. Therefore,
|
||
if you have a 20, 25, or 33mhz machine you will
|
||
need to set your clock speed to 16mhz or you will
|
||
have a lot tougher time getting on the high score
|
||
table.
|
||
|
||
Now, a lot of you might be thinking, "Hey Dean, this reminds me of
|
||
something that I used to play on my Atari 2600. Does it remind you of
|
||
something?" Yes, yes it does. In fact, it is a directly, ahh,
|
||
"inspired" by the game, "Kaboom!" for the 2600, circa 1979.
|
||
|
||
I think that it is great that you advanced IBM users have access to
|
||
such mindboggling and incredible programs that use the full extent of
|
||
your machine. I don't have any files that are derived this directly
|
||
from the Atari 2600, and I feel shortchanged. I think it is indeed the
|
||
time to get such programs for my Atari. And it makes my heart full to
|
||
know that you, the IBM user, can have access to such advanced software.
|
||
|
||
I heartily recommend that whomever you are, assuming you have spent
|
||
the $2000 or so required to get a system up to this level, you should
|
||
get this program.
|
||
|
||
All in all, a very impressive piece of work. To run this, you need:
|
||
|
||
1. VGA (256K on board).
|
||
2. Mouse and Driver installed.
|
||
3. UnSlow Machine (80286's and up).
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Ode To A Friend Of Mine
|
||
by Lisa Straughn
|
||
|
||
Hung like a horse at the Christmas den
|
||
The man, I'm told is no hen
|
||
likes the way guppies get pregnant
|
||
has a mind like a pheasant
|
||
blooming ideas here and there
|
||
we all wonder next---where.
|
||
|
||
Wife as nice as she could be
|
||
got to be crazy just like he
|
||
puts up with him no matter what
|
||
how she does it is the key.
|
||
|
||
Daughter as sweet as pumpkin pie
|
||
devil shining in her eye
|
||
music she likes to play
|
||
maybe she will make it one day.
|
||
|
||
Guppies, penis's, widows and more
|
||
Maisel, just don't know what for
|
||
how far will you go this time?
|
||
Who knows about this friend of mine.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
ProFile
|
||
by Chris Mohney
|
||
|
||
ProFile is a short, half-serious biographical sketch given to
|
||
various computer telecommunications personalities around Birmingham.
|
||
Victims are selected randomly from a group of names put into the
|
||
notorious Hat. Anyone who thinks himself brave or witty enough may
|
||
petition for admittance to the Hat by leaving E-Mail to me (Chris
|
||
Mohney, most boards around town) to that effect. Anyone who wishes to
|
||
suggest more questions or sneakily nominate someone without their
|
||
knowledge may take the same route....
|
||
|
||
************************************************************************
|
||
NOTICE - A special treat this time, kiddies. This month's subjects are
|
||
the two resident babes of the beloved "Top BBS", the sysop "Alice"
|
||
(Marie) and her sidekick "Melanie" (Kristina). They both answer all the
|
||
questions, and sometimes even tell the truth! So enjoy this double
|
||
whammy while you can.
|
||
************************************************************************
|
||
|
||
---------
|
||
|
||
Pro File on KRISTINA MORROS and MARIE HUFFSTUTLER
|
||
|
||
---------
|
||
|
||
Age:
|
||
KM - 18
|
||
MF - 17
|
||
|
||
Birthplace:
|
||
KM - Seattle, Washington
|
||
MF - Brookwood Hospital, Birmingham
|
||
|
||
Occupation:
|
||
KM - Student
|
||
MF - Student
|
||
|
||
My hobbies include:
|
||
KM - Photography and art
|
||
MF - Running a BBS, writing
|
||
|
||
Years telecomputing:
|
||
KM - 1
|
||
MF - 3
|
||
|
||
Sysop, past/present/future of:
|
||
KM - Nothing!
|
||
MF - Top BBS
|
||
|
||
My oddest habit is:
|
||
KM - Laughing uncontrollably
|
||
MF - (Author's insertion) Going on strange midnight commando missions
|
||
|
||
My greatest unfulfilled ambition is:
|
||
KM - To be a famous rock guitarist
|
||
MF - To bring peace to the Mideast
|
||
|
||
The single accomplishment of which I am most proud is:
|
||
KM - Meeting Jane's Addiction
|
||
MF - Coming up with a precise answer for pi
|
||
|
||
My favorite performers are:
|
||
KM - The Doors, Jane's Addiction, drivin' & cryin', 9 Inch Nails,
|
||
Sound Garden
|
||
MF - They Might Be Giants, Jesus & Mary Chain, The B-52's, Wonder Stuff,
|
||
The Cult
|
||
|
||
The last good movie I saw was:
|
||
KM - Pretty Woman
|
||
MF - Pretty Woman
|
||
|
||
The last good book I read was:
|
||
KM - Lord of the Flies by William Golding
|
||
MF - My Turn by Nancy Reagan
|
||
|
||
If they were making a movie of my life, I'd like to see my part played by:
|
||
KM - Kathleen Turner
|
||
MF - Jodi Foster
|
||
|
||
My pet peeves are:
|
||
KM - Hypocrites
|
||
MF - People who drink and smoke and don't offer me any
|
||
|
||
When nobody's looking, I like to:
|
||
KM - Make horrible faces at them behind their back
|
||
MF - Make bodily gestures at them behind their back
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Known BBS Numbers For The Birmingham Area
|
||
|
||
NAME NUMBER BAUD RATES SUPPORTED MODEM TYPE
|
||
|
||
*American BBS 674-1851 300, 1200, 2400
|
||
*Bus System BBS 595-1627 300, 1200, 2400
|
||
#*Byte Me 979-2983 1200, 2400, 9600 HST
|
||
Cat House 854-5907 300, 1200, 2400
|
||
-*Channel 8250 Node 1 744-8546 300, 1200, 2400, 9600 HST, V.32
|
||
-*Channel 8250 Node 2 744-5166 300, 1200, 2400
|
||
*Crow's Nest 951-5678 300, 1200, 2400
|
||
*Crunchy Frog 956-1755 300, 1200, 2400
|
||
D3 Systems BBS 663-2759 300, 1200, 2400, 9600 HST, V.32
|
||
+Duck Pond BBS 822-0956 300, 1200, 2400, 9600 HST, V.32
|
||
#*Eazy's Playhouse 870-0434 1200, 2400 MNP4
|
||
Elite Fleet 853-1257 300, 1200, 2400
|
||
Emerald Castle 871-6510 300, 1200, 2400
|
||
EzNet Central 785-7417 1200, 2400, 9600 HST
|
||
Hacker's Corner 674-5449 300. 1200, 2400
|
||
+I.S.A. BBS 995-6590 300, 1200, 2400, 9600 HST
|
||
*Joker's Castle 744-6120 300, 1200, 2400
|
||
#*Lands Of Brittania 791-0421 1200, 2400
|
||
*Little Kingdom Node 1 823-9175 300, 1200, 2400 MNP4
|
||
*Little Kingdom Node 2 823-9192 300, 1200, 2400 MNP4
|
||
LZ Birmingham 870-7770 300, 1200, 2400
|
||
*Magnolia BBS 854-6407 300, 1200, 2400, 9600 HST
|
||
Posys BBS 854-5131 300, 1200, 2400
|
||
*Radio Free Troad 592-6234 300, 1200, 2400 (moving soon)
|
||
Role Player's Paradise 631-7654 300, 1200, 2400
|
||
Shadetree BBS 787-6723 300, 1200, 2400
|
||
Sperry BBS 853-6144 300, 1200, 2400, 9600 Hayes
|
||
*ST BBS 836-9311 300, 1200, 2400
|
||
The Commodore Zone 856-3783 300, 1200, 2400
|
||
The Connection 854-9074 1200, 2400
|
||
The Islands BBS 870-7776 300, 1200, 2400
|
||
The Kingdom Of Teletech 674-0852 300, 1200, 2400
|
||
-The Matrix Nodes 1-4 323-2016 300, 1200, 2400
|
||
-The Matrix Node 5 251-2344 300, 1200, 2400, 9600 HST
|
||
*The Professional's Board 856-0679 300, 1200, 2400
|
||
VCM(ee) BBS Node 1 655-4059 300, 1200, 2400
|
||
VCM(ee) BBS Node 2 655-4065 300, 1200, 2400
|
||
Victory Express 425-0731 300, 1200
|
||
Willie's DYM Node 1 979-1629 300, 1200, 2400
|
||
Willie's DYM Node 2 979-7739 300, 1200, 2400
|
||
Willie's RBBS 979-7743 300, 1200, 2400
|
||
Ziggy Unaxess 991-5696 300, 1200
|
||
|
||
Boards with a "*" before their name are members of our local network,
|
||
EzNet, and public messages left in the EzNet Conferences of any of these
|
||
boards will be echoed to all members.
|
||
|
||
Boards with a "+" before their name are members of FidoNet, an
|
||
international network that provides a variety of public forums as well
|
||
as private mail services all over the world.
|
||
|
||
Boards with a "#" before their name are members of our local WWIV
|
||
network, and public messages left in any of the netowrk conferences
|
||
will be echoed to all members.
|
||
|
||
Boards with a "-" before their name are members of MetroNet, an
|
||
international network that provides a variety of public forums as well
|
||
as private mail services all over the world.
|
||
|
||
If you have any corrections, additions, deletions, etc., please let us
|
||
know via EzNet.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
EzNet Multiple Echo List
|
||
|
||
EzNet now supports multiple conference echoing but there are a few
|
||
things you should be aware of regarding private mail.
|
||
|
||
A. You have one 'address' for private mail. If you are registered for
|
||
private mail on Channel 8250 and someone sends you a private
|
||
message in the MS-DOS conference from Crunchy Frog it will wind
|
||
up in the Hardware conference on Channel 8250 as it should.
|
||
|
||
However, if you were registered for private mail on Magnolia and
|
||
someone sends you a private message in a conference that Magnolia
|
||
does not support (echo) then the message will wind up in the
|
||
twilight zone.
|
||
|
||
B. If you go by a handle on one BBS and your real name on another even
|
||
if the private message goes where it is supposed to, you will not
|
||
be able to read it because it is addressed to someone else as far
|
||
as PC Board is concerned. PC Board has no way of knowing that Red
|
||
Foxx and John Doe are the same person. No tickee, no washee.
|
||
|
||
Advice on sending private mail: If you don't know if the person you
|
||
are sending private mail to is registered for private mail then keep a
|
||
copy of the message in case you have to find an alternate route. EzNet
|
||
Central will delete your private, undelivered message and inform you
|
||
that the user you attempted to reach is not registered for private mail
|
||
on any EzNet Node.
|
||
|
||
This is a list of the current echoes that I am aware of. More are
|
||
in the making and will be posted in future issues. If you are a sysop
|
||
and are running an echo not listed for your board, please make us aware
|
||
of it so we may correct it next issue.
|
||
|
||
|
||
Eznet Program IBM Adult Scitech BTNWA
|
||
|
||
American BBS ........ * ..... ..... ..... ..... ..... ..
|
||
Bus System BBS ...... * ..... * ..... * ..... ..... * ..... * ..
|
||
Byte Me ............. * ..... * ..... * ..... * ..... ..... ..
|
||
Channel 8250 ........ * ..... * ..... * ..... ..... * ..... ..
|
||
Crow's Nest ......... * ..... ..... ..... ..... ..... ..
|
||
Crunchy Frog ........ * ..... ..... * ..... * ..... ..... * ..
|
||
Eazy's Playhouse .... * ..... * ..... * ..... * ..... ..... ..
|
||
Joker's Castle ...... * ..... ..... ..... * ..... ..... ..
|
||
Lands Of Brittania .. * ..... * ..... * ..... ..... ..... ..
|
||
Little Kingdom ...... * ..... * ..... * ..... * ..... * ..... ..
|
||
Magnolia BBS ........ * ..... ..... ..... ..... ..... ..
|
||
Professional's Board * ..... ..... ..... ..... ..... ..
|
||
Radio Free Troad .... * ..... ..... ..... ..... ..... ..
|
||
ST BBS .............. * ..... ..... ..... * ..... ..... ..
|
||
|
||
|