1046 lines
51 KiB
Plaintext
1046 lines
51 KiB
Plaintext
BTN: Birmingham Telecommunications News
|
||
COPYRIGHT 1989
|
||
|
||
July 1989 Volume 2, Issue 7
|
||
|
||
Table Of Contents
|
||
-----------------
|
||
Article Title Author
|
||
|
||
Policy Statement and Disclaimer................Mark Maisel
|
||
Editorial Column...............................Randy Hilliard
|
||
From The Halls Of Comdex.......................Doug Reinsch
|
||
PCBVerify Door.................................Joe Kearley
|
||
Insights.......................................Ron Albright
|
||
The World Of MIDI Part 1: MIDI History........Keith Cahoon
|
||
Transfer Protocols Part 2......................Tom Egan
|
||
Profile: Gary Godsey..........................Chris Mohney
|
||
From The Kitchen...............................Chez Stephan
|
||
Message Board..................................Barry Bowden
|
||
Known BBS Numbers..............................Mark Maisel
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Disclaimer and Statement of Policy for BTN
|
||
|
||
We at BTN try our best to assure the accuracy of articles and
|
||
information in our publication. We assume no responsibility for
|
||
damage due to errors, omissions, etc. The liability,if any for BTN, its
|
||
editors and writers, for damages relating to any errors or omissions,
|
||
etc., shall be limited to the cost of a one year subscription to BTN,
|
||
even if BTN, its editors or writers have been advised of the likelihood
|
||
of such damages occurring.
|
||
|
||
With the conclusion of that nasty business, we can get on with our
|
||
policy for publication and reproduction of BTN articles. We publish
|
||
monthly with a deadline of the fifteenth of the month prior to
|
||
publication. If you wish to submit an article, you may do so at any
|
||
time but bear in mind the deadline if you wish for your work to appear
|
||
in a particular issue. It is not our purpose to slander or otherwise
|
||
harm a person or reputation and we accept no responsibility for the
|
||
content of the articles prepared by our writers. Our writers own their
|
||
work and it is protected by copyright. We allow reprinting of articles
|
||
from BTN with only a few restrictions. The author may object to a
|
||
reprint, in which case he will specify in the content of his article.
|
||
Otherwise, please feel free to reproduce any article from BTN as long as
|
||
the source, BTN, is specified, and as long as the author's name and the
|
||
article's original title are retained. If you use one of our articles,
|
||
please forward a copy of your publication to:
|
||
|
||
Mark Maisel
|
||
Editor, BTN
|
||
221 Chestnut St.
|
||
BHM, AL 35210-3219
|
||
|
||
We thank you for taking the time to read our offering and we hope that
|
||
you like it. We also reserve the right to have a good time while doing
|
||
all of this and not get too serious about it.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
A M E R I C A O N L I N E
|
||
|
||
America OnLine's phone numbers are now
|
||
|
||
Node 1 323-2016 --\
|
||
Node 2 323-2031 \on rotary from 2016
|
||
Node 3 323-2032 /(300/1200/2400)
|
||
Node 4 ???-???? --/
|
||
|
||
NODE 5 251-2344 -- USR HST 9600
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
S P A R T A P C B O A R D
|
||
|
||
Tentative move date is now set for July 17th. New numbers have been
|
||
reserved in Monroe, LA., as follows:
|
||
|
||
US Robotics 9600 Callers - (318) 396-0764
|
||
Hayes 9600 V Series - (318) 396-0870
|
||
|
||
The board should not be down over a couple of days during the move.
|
||
However, I am moving into an area where cable facilities are very
|
||
sparse and South Central Bell is working to clear a couple of extra
|
||
cable pairs to accommodate the BBS lines. Bear with us during the
|
||
move!
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Editorial
|
||
by Randy Hilliard
|
||
|
||
I'd like to begin this editorial by letting all of you fine folks
|
||
out there how happy I am to be here...
|
||
...
|
||
... no I'm not.
|
||
|
||
Actually I am a little happier about offering the editorial for BTN
|
||
this month since Mark has promised me a 15% pay raise. I haven't taken
|
||
the time to figure out exactly how much the increase will come to yet
|
||
because the batteries in my calculator died and I'm too lazy to do the
|
||
math in my head. Can anyone out there tell me what 15% of zero is?
|
||
|
||
Anyway, Doug Reinsch has a very nice article this month on Comdex.
|
||
Comdex is sort of like the candy store for us tech freaks and if we go
|
||
into the display areas we usually come out with a severe case of
|
||
schizophrenia trying to decide what we want the most.
|
||
|
||
A new type of automated verification system is in use on at least
|
||
three local BBS's and Joe Kearley was gracious enough to take the time
|
||
to write and let us know what to expect when we use this mode of
|
||
verification.
|
||
|
||
Ron Albright is back again (two issues in a row; takes a lot to
|
||
scare this man) and this time he is writing about on-line information
|
||
retrieval systems.
|
||
|
||
There is a special treat this month for the computer oriented
|
||
musicians in this issue. Keith Cahoon has a very nice article on the
|
||
need for the MIDI interface.
|
||
|
||
Here is another surprise; Mark managed to sucker... I mean entice
|
||
Tom Egan into writing his second article on transfer protocols. Watch
|
||
this space next month to see if Mark can pull three rabbits out of his
|
||
hat...
|
||
|
||
The ProFile victim this month is Gary Godsey. So far Mark has
|
||
managed to turn down all of Gary's monetary offers to A) select another
|
||
victim or B) tell him who nominated him for this honor.
|
||
|
||
Chez Stephan declined to pull his grill out this month (I think due
|
||
to the negative scarcity of rain) but he has gifted us with some very
|
||
thoughtful suggestions for a breakfast spread.
|
||
|
||
Barry Bowden's Message Board is here again this month as is Mark's
|
||
Known BBS listing.
|
||
|
||
I'd like to take the time to personally thank the authors of this
|
||
months articles for two reasons: A) I think they have done both
|
||
themselves and BTN proud with their creative efforts and B) by the sheer
|
||
volume of their creative output this month, they have edged our
|
||
Idiot-in-Cheif out of an article slot in this issue. Keep up the good
|
||
work fellows! If you continue at this rate and quality I'm sure that you
|
||
can finagle Mark into a 15% raise the same way I did. Let's see, 15% of
|
||
zero dollars is...is.. Whaddaya mean ZERO! This calculator is obviously
|
||
broken or something. Mark wouldn't do that to me... would he...?
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
From the Halls of COMDEX
|
||
by Douglas A. Reinsch
|
||
|
||
Flying to Chicago is not my idea of a good time, but we must all
|
||
pay the price of our addiction. My addiction is technology, and as a
|
||
veteran of Spring Comdex I had boundless expectations and unbridled
|
||
enthusiasm for Comdex Spring '89. Though this year's Spring Comdex
|
||
lacked some of the landmark introductions of Comdex-Past, it was still
|
||
filled with a wealth of information and ideas, a parade of the best and
|
||
most wonderful aspects of computer technology.
|
||
|
||
A word to the wise: Comdex is not for the weak of heart. Imagine
|
||
spending four days on your feet in a strange city, with no companions,
|
||
eating questionable food (at best), in a building with precious few
|
||
water fountains, surrounded by hundreds of obnoxious technophiles, and
|
||
to top it all off, there weren't any decent malls nearby (in fact I
|
||
didn't find any at all). Now, if you still feel like you would have
|
||
wanted to be there, then you are probably about as crazy as I am.
|
||
|
||
Comdex had an interesting flavor this year. This was the year of
|
||
the side-show. Most of the major exhibitors hired varied talent to
|
||
entertain the masses. Between Hewlett Packard with "Accompany Success!"
|
||
and WordPerfect's talk show motif I was dazzled by how much talent a few
|
||
dollars can buy. Sony actually hired a juggler, who at the peak of his
|
||
performance juggled odd items (including an ax!) while balanced on a
|
||
rope three feet off the floor. Boy, that sure has a lot to do with
|
||
computers. It was fun to watch though. Even more fun was seeing the
|
||
full color VGA LCD monitors that Toshiba, Mitsubishi and a couple of
|
||
others displayed. Seeing is believing, and those babies are even
|
||
sharper than full blown VGA monitors.
|
||
|
||
Intel was mildly disappointing with a limited seating movie that
|
||
looked like 2030 - A Space Odyssey, but then what do you expect from a
|
||
chip manufacturer? Are they going to give a demonstration? Intel did
|
||
announce the coming 80486 chip, but we were all expecting that soon
|
||
anyway.
|
||
|
||
A total surprise was a relative newcomer to the high-tech arena,
|
||
Vendex. Evidently Vendex has been around for a long time (or so THEY
|
||
told me), but recently they have decided to market under their own name.
|
||
While I have seen quite a few ads for Vendex machines, their huge
|
||
display complete with an open movie theater was all but devoid of life,
|
||
which is hard to accomplish in a large, crowded room.
|
||
|
||
One of the more interesting exhibits was by another newcomer to
|
||
Comdex, Kyocera. Some of you may have seen Kyocera involved with video
|
||
equipment, but they are into printers and scanners in a big way. They
|
||
have low-end laser printers (if several thousand dollars can be
|
||
considered low-end) that deftly put the HP Laserjet II to shame. They
|
||
come standard with more memory and more paper trays than an HPII,
|
||
optional collating trays and a new sort of font cartridge. A
|
||
traditional HP II font cartridge is about four by six inches and is
|
||
about half an inch thick. Kyocera doesn't really have cartridges. They
|
||
have font cards. These cards are about the size of a credit card (in all
|
||
dimensions) and can contain printer fonts (type styles) or even
|
||
graphics. For a small fee, they will load company logos, letterheads,
|
||
unpopulated forms or any other graphic onto one of their cards, and that
|
||
graphic will be immediately usable by the printer.
|
||
|
||
If you're not impressed by credit card sized font cartridges, you
|
||
may be impressed by the Kyocera flat-bed scanner. Yes friends, for a
|
||
mere $2000.00 you can be the proud owner of an 800 DPI (dots per inch)
|
||
flat-bed scanner that will blow the socks off of just about any other
|
||
scanner in that price range (and a couple of price ranges above). If I
|
||
weren't already poor, they would have had a sale right there. (Note:
|
||
Technojunkies should never attend Comdex without first acquiring
|
||
considerable debt.) Comparing this scanner to the MicroTech MSF300 isn't
|
||
fair. The Kyocera wins hands down. I wonder if they would consider a
|
||
trade-in...
|
||
|
||
Haven't you always wanted a Mickey Mouse watch? I always did, but
|
||
now I have the latest -- a Logitech Mouse watch (they just couldn't
|
||
resist). Otherwise, Logitech had only their new form factor mouse to
|
||
show off along with increased resolution on the mouse (Hi-Res, 320 DPI)
|
||
and hand scanner (ScanMan, 400 DPI).
|
||
|
||
Off in a dusty corner of the same room where Logitech, Sony, HP
|
||
and even IBM were displaying their wares was a sad little place called
|
||
MacDex. With high hopes I had scheduled a fair amount of time for
|
||
MacDex, thinking it to be a smaller version of Comdex. At the gates of
|
||
MacDex I discovered why town criers had been dispersed into the mobs of
|
||
Comdex to generate interest in the "sister show". Only a handful of
|
||
companies had booths in MacDex, leaving most of the reserved floor space
|
||
empty. It takes very little to draw my attention in a convention like
|
||
this, but I walked through MacDex in less than five minutes. In all
|
||
fairness I should note that many companies who sell products for
|
||
MacIntoshes (or any other type of micro) had very interesting and
|
||
successful displays in Comdex. After all this wasn't a PC Expo.
|
||
|
||
Back to the lighter side, there were a number of very interesting
|
||
products introduced at Comdex. One which comes to mind is a chassis the
|
||
size of a 5 1/4 inch, half height disk drive which is designed to mount
|
||
a 3 1/2 inch hard drive. The chassis has a sturdy plastic handle on the
|
||
front with clever plug-in connectors on the back and a key-lock as well.
|
||
You guessed it. East Asian ingenuity has turned a simple 3 1/2 inch
|
||
hard drive into an expensive 5 1/4 inch removable hard drive. The
|
||
design was very attractive, and the low cost of their chassis will
|
||
probably compete very well with "show-nuff" removable hard drives. If
|
||
only such ideas could grow on trees.
|
||
|
||
There were a number of "new" products centered around sound.
|
||
Speech synthesizer boards were talking up a storm under PC control, and
|
||
Voice recognition products were displayed also. Some of these were
|
||
quite good. In at least one instance, a combined speech
|
||
recognition/voice synthesizer product was being billed as a user
|
||
interface for blind people. Maybe one day we really will talk TO
|
||
computers instead of AT them. Imagine... User: "You #$@^%& computer, why
|
||
did you do that!?!" Computer: "Because you told me to ____Head, and now
|
||
I simply don't feel like working for you any more." Oh boy.
|
||
|
||
Zenith was one of a couple of vendors who displayed new 33 MHz,
|
||
80386 based machines. I might have been truly impressed if I thought
|
||
that this plateau might remain standard for more than a few weeks.
|
||
Zenith deserves credit though, since they were the only vendor who
|
||
openly displayed support for the coming EISA standard (they gave out
|
||
campaign buttons). I firmly believe that IBM is close to breathing its
|
||
last in the micro arena, but it makes you wonder when Compaq doesn't
|
||
even deign to show up for Comdex. Is that over-confidence or what?
|
||
|
||
Another most interesting display was put on by Brother. Believe
|
||
it or not, they conducted a running ping-pong tournament throughout
|
||
Comdex. Aside from that, they displayed their new HL-8e Laser Printer.
|
||
Even if you choose to ignore the fairly recent reviews showing the HL-8e
|
||
to be superior to virtually all Laserjet II type printers, take it from
|
||
my personal experience, they are hot. Just to give you a taste, the
|
||
HL-8e has 7 internal fonts, 5 of which also have bold and italics
|
||
included and all of which may be printed in portrait or landscape mode
|
||
(regular or sideways). It will emulate the HP Laserjet II, the Diablo
|
||
630, the IBM Proprinter XL, the Epson FX-80, the Brother Twinriter and
|
||
(icing on the cake) a generic HP Plotter (HPGL plotter language). To
|
||
cap it all off, the HL-8e has 1 Megabyte of memory standard. Nothing
|
||
short of brain surgery will make an HP Laserjet that good.
|
||
|
||
My personal favorite of the Brother display was a full color
|
||
photocopier. "Sure," you say, "I've seen those advertised on TV." Well
|
||
all I can say is that the output from these things is fantastic, and it
|
||
isn't produced with colored wax like most high-end color printers.
|
||
Special paper (translation: expensive paper) is used which has tiny
|
||
containers of dye embedded in it. Different colored dye is placed in
|
||
different little containers in the paper. When the paper is exposed to
|
||
varied frequencies of laser light, certain of the little containers
|
||
weaken. The paper is then passed through a crusher which uses several
|
||
thousand pounds of pressure to burst the various weakened containers
|
||
leaving a stunning color photocopy (Rube Goldberg would be proud).
|
||
|
||
Tectronix and QMS were among the few displaying high-end color
|
||
printers. Don't get me wrong, colored wax makes a beautiful printout as
|
||
I will gladly show if you are interested, but colored wax also has a
|
||
tendency to melt when exposed to high temperatures. That doesn't seem
|
||
to be a very reliable method to print lasting color images.
|
||
|
||
Another interesting product I saw for the first time at Comdex is a
|
||
keyboard with a built-in graphics tablet. Though several vendors showed
|
||
versions of this idea, Keytronics seemed to have the most durable
|
||
design. If you decide to replace your old keyboard with a new one, you
|
||
might consider paying an extra couple of bucks for the graphics tablet
|
||
(assuming you want such a thing).
|
||
|
||
For the AutoCad users out there, there is a neat little Cad drawing
|
||
utility that allows you to view and file AutoCad drawings without
|
||
starting up AutoCad. The images are smaller, but are really quite good
|
||
representations of the actual drawings, and access is extremely fast.
|
||
|
||
On the subject of graphics, there were three companies showing new
|
||
graphic overlays for Microsoft Windows. These products effectively
|
||
remove the remaining differences between MS Windows and the MacIntosh
|
||
(except that these are in color). Icons can be used to manipulate
|
||
programs without ever typing on the keyboard. Did someone say
|
||
"Lawsuit"?
|
||
|
||
Out of deference to the aging giant "Big Blue", I have saved IBM
|
||
for last. Many of you have probably never seen a real, full-blown IBM
|
||
display, but as usual IBM did itself proud. IBM's exhibit spanned the
|
||
largest hunk of real-estate in the middle of a Comdex hall (there were
|
||
two). Row upon row of computers, peripherals and software were on
|
||
display with more-than-eager salespeople standing next to each and every
|
||
piece. I find it amusing that despite this huge show of force, IBM
|
||
commanded less attention than many of the small booths at Comdex. Many
|
||
attendees seemed to intentionally avoid walking by the IBM display for
|
||
fear that they might be sucked into a heavy discussion on Token Rings or
|
||
some such. I, unfortunately, have never exercised enough caution and
|
||
typically seek arguments where I ought to remain silent. This
|
||
propensity for combat placed me in a head-to-head dual with an IBM Rep
|
||
about the merits of Token Ring architecture. After a short sermon I
|
||
decided that it wasn't fair to pick on the poor guy, so I moved on.
|
||
|
||
All in all, this year's Spring Comdex did not show as many new
|
||
products as in the past, but enthusiasm was not lacking. Comdex mirrors
|
||
the power that microcomputers have become in our world, and I can only
|
||
hope that it will continue to do so for years to come. Maybe next year
|
||
you can spare a day trip to Atlanta for Spring Comdex 1990. Hope to see
|
||
you there!
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
PCBverify Door
|
||
by Joe Kearley
|
||
|
||
PCBverify is a door program that lets new users gain instant
|
||
access to a BBS by establishing callback verification.
|
||
|
||
Why I, as a SysOp, like PCBverify
|
||
|
||
PCBverify allows callers to to gain verified access to my
|
||
bulletin board without me having to voice verify each one. Because of
|
||
past experiences with a few obnoxious callers, I set up my system to
|
||
allow only partial access to the board until I had voice validated each
|
||
user. This rapidly became a royal pain in the neck. Some of my
|
||
callers were having to wait about one or two weeks before I found the
|
||
time to call and voice valedate them. I also kept getting a lot of
|
||
busy signals or no answers.
|
||
|
||
With Call back verification, the user can gain instant access and
|
||
does not have to wait a week or two be validated. It also allows more
|
||
users to get on the board and build up the user base. As all SysOps
|
||
like a large user base, I think they will like this program. They will
|
||
have more control over who their users are because you will have an
|
||
accurate record of their phone number and can call to check if they see
|
||
a problem developing.
|
||
|
||
Why you, as a user, would like PCBverify
|
||
|
||
Have you ever called a new board to see what it had to offer only
|
||
to find out that you could not do anything on it until you had been
|
||
validated? Now you have the opportunity to gain instant access with
|
||
the call back verify door. No more waiting to get a phone call
|
||
validating you for the board. You will be able to check out what the
|
||
board has to offer right away. Then you can decide if you like the
|
||
board and will continue to call it or don't like what you see and
|
||
never call back again.
|
||
|
||
PCBVerify also has a nice feature called "call back mode". If you
|
||
are a validated user, call the board, and happen to get a noisy line,
|
||
you can enter the door in the "call back mode". Pcb Verify auto-
|
||
matically detects a user level above new-user status and switches to
|
||
a call-back mode. The door will accept your phone number (same
|
||
as in the verification process) and call you back in hopes of getting
|
||
a clean line. I know it works because I had a user do just that the
|
||
other night. He was having a hard time on the board because of line
|
||
noise. He used the call back feature and got a clean line.
|
||
|
||
How call back verification works
|
||
|
||
When you call a board that is using the PCBverify door you enter
|
||
the door, read the instructions, and enter your phone number. The door
|
||
will ask if the number you entered is correct. If you answer yes, it
|
||
will then ask if the number is long distance otherwise it will begin
|
||
asking for the phone number again. The SysOp can elect to allow or
|
||
disallow long distance calls and the time frame to allow them (when
|
||
rates are cheapest). If the number is long distance, (again depending
|
||
on the SysOp), the door will drop carrier and call the phone number you
|
||
entered. When you enter the number and see the board dropping carrier
|
||
you will need to set your terminal mode so you can answer the call. When
|
||
you see a ring you will need to answer by typing ATA (in capital
|
||
letters) or use your auto-answer mode if your communication program
|
||
supports one. You will then see "This is (the boards name) looking for
|
||
(your name)." After a few seconds, It will ask for your password. If
|
||
you type in your password correctly (and you are long distance) the door
|
||
will update your security level and hang up. You then can call back and
|
||
enjoy full access to the board. If you make a local call (answer no to
|
||
the long distance question) the door will reconnect you to the board,
|
||
update your security level, and give you full access.
|
||
|
||
If your verification was successful your phone number will then
|
||
be put into what is called the "trashcan" file and cannot be used
|
||
again for verification. If more than one user lives in the same
|
||
household and shares the same phone number, you will need to leave
|
||
a comment to the SysOp or fill out a Script Questionnaire, if there
|
||
is one available, in order for the second user to be validated.
|
||
|
||
Personally, I think the PCBverify door is a great program. I have
|
||
used it for the past few weeks and it is working very well. I have had
|
||
a dozen or so users gain access to the board using the door so far.
|
||
Although some users have tried without success (did not know how to
|
||
answer the call or gave a wrong phone number or entered their password
|
||
incorrectly) they have called back and filled out the script
|
||
questionnaire. The PCBverify door has saved me from having to call
|
||
quite a few users to have to voice validate them.
|
||
|
||
If any of you users out there are using a communications program
|
||
other than Procomm Plus and know how to answer a call, I would
|
||
appreciate it if you would leave some comments on a few boards
|
||
explaining how to do so. This would help some of the users that are
|
||
unfamiliar with their communications program to be able to use the
|
||
PCBverify door.
|
||
|
||
The latest version of PCB Verify can be downloaded from
|
||
|
||
Premier BBS
|
||
(615) 675-3244
|
||
2400/1200/300 N,8,1
|
||
24 hours a day
|
||
Curtis Kowolski, Sysop (and author)
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
INSIGHTS
|
||
by Ron Albright
|
||
|
||
For some time now, I have been sermonizing about the benefits of
|
||
being "connected," electronically, to my friend Alan. Alan, is a busy
|
||
cardiologist who, like many in his profession, has more money than time.
|
||
Alan is burned out by medicine (it happens, trust me) and is looking for
|
||
a way to branch out into something new. Namely, a business venture. He
|
||
has the dream of becoming an entrepreneur and developing some product or
|
||
service that will bring some challenge and excitement back into his
|
||
life. He doesn't have a clue as to what that enterprise might be, but he
|
||
knows it's out there - waiting.
|
||
|
||
Back to the story at hand. I have long been expounding on how, if
|
||
Alan used a PC and got into communications and information access by
|
||
modem, he could really have a better way of selectively looking for what
|
||
is hot and what is not in business. I have told him about information
|
||
services and how he can search for data about virtually anything. He can
|
||
use the medium to screen for what he is interested and quiet the noise
|
||
of "information overload" that deafens even those with enough time to
|
||
read the Wall Street Journal and Business week.
|
||
|
||
Alan has been skeptical all along. Finally, after my latest
|
||
discourse, he challenged my hypothesis.
|
||
|
||
"OK, Ron, I have a test for you. I am going to call your bluff. I
|
||
want you to find some facts for me with your computer."
|
||
|
||
There was almost a snarl in his voice as he gave me the challenge.
|
||
|
||
"I want you find out the following:
|
||
|
||
- where, when, and by whom was the Subway Sandwich franchise
|
||
started
|
||
|
||
- what is their growth rate and projections
|
||
|
||
- how much does a franchise cost
|
||
|
||
- and what is their best selling sandwich
|
||
|
||
and I want you to call me back when you have the results."
|
||
|
||
He gleefully barked out the order, said goodbye and left me alone
|
||
to deal with the problem.
|
||
|
||
Now picture yourself trying to deal with this in a traditional way.
|
||
You would go to the library, fumble through a dozen or so dusty indexes,
|
||
write down what you found on index cards, and pray that the library had
|
||
the journals you needed. Seldom were all of the processes simple much
|
||
less fast or efficient.
|
||
|
||
I, on the other hand, leaned back in my office chair, and thought
|
||
about where best to look for the information. The possible resources
|
||
were myriad. I could log on to the Dow-Jones News/Retrieval and scan
|
||
their full-text coverage of the Wall Street Journal (since January,
|
||
1984), Baron's (from January, 1987), their "Business Library" (covering
|
||
7 national magazines - like Inc., Forbes, and Fortune - and 2 news
|
||
wires), or their "Business dateline (covering 140 regional business
|
||
publications since 1985). I could call up NewsNet and scan their
|
||
collection of over 300 newsletters covering 30 industries, including
|
||
food services. A smile (or was it a snicker?) came to my face as I
|
||
diabolically accessed just how I was going to handle the dare.
|
||
|
||
I settled on using a service called "InfoMaster" available on
|
||
Western Union's EasyLink electronic mail service. InfoMaster is an
|
||
incarnation of Telebase Systems' "EasyNet" information bank. It is also
|
||
available on CompuServe as "IQuest." Regardless of where you use the
|
||
network, you get the same thing. Specifically, a simple, fast "gateway"
|
||
to over 700 different electronic databases.
|
||
|
||
A "gateway," in electronic vernacular, is a single inlet to several
|
||
different systems. It works this way. InfoMaster maintains accounts on
|
||
almost all the available database providers - including Dialog, BRS,
|
||
Mead Data General's LEXIS/NEXIS, and others. Instead of you subscribing
|
||
and maintaining accounts on all this hosts (an expensive proposition, to
|
||
say the least), you only use and pay InfoMaster. You need not learn the
|
||
multiplicity of interfaces for these information giants. You only work
|
||
through a single set of prompts on InfoMaster. Unless you are a search
|
||
specialist, it's the easiest way to go.
|
||
|
||
After hooking up to Western Union, I chose InfoMaster from its
|
||
menu. I was then carried to the main set of selections on the system.
|
||
InfoMaster allows you to chose the specific database you want (if you
|
||
happen to know the name of it - there are some 700 to choose from) or,
|
||
based on your response to several menus, it will pick what it thinks is
|
||
the appropriate database for your search. Usually, it is right. You
|
||
simply tell IM if you want to look for a specific topic (business,
|
||
science, medicine, etc) or for a company or product. After narrowing
|
||
down your area of interest, you are asked for the word or phrase you
|
||
want to search for. Completing that, you sit back and relax. IM goes
|
||
through the process of calling the appropriate network, sending in your
|
||
search, collecting the results, disconnecting and returning to you with
|
||
the treasures. You can then browse through the ones that appear
|
||
worthwhile. You only get the articles' titles, authors, and journal
|
||
reference to start. If any appear particularly "hot," IM will go back
|
||
and get the full-text of the paper if available. You get the ten most
|
||
recent titles IM finds and 1 full-text article for a flat $8.00. If
|
||
nothing was found, you get billed nothing. Sounds fair enough to me.
|
||
|
||
Back to the "Alan Challenge." I gathered just what I needed on IM
|
||
and all within ten minutes of hanging up with Alan. Loading my guns, I
|
||
called him back.
|
||
|
||
"Alan, I have some information for you. Fred DeLuca, a college
|
||
student in Connecticut, opened the first Subway Sandwich and Salads
|
||
store in Milford, CT in 1965. He was 17 at the time. His current
|
||
franchise fee is a modest $7500 with an 8% royalty. They currently have
|
||
3000 stores and the company goal is to have 5000 in place by 1994.
|
||
DeLuca won the 1988 "Entrepreneur of the Year" award from Venture
|
||
Magazine..."
|
||
|
||
Alan and, I hope, you, got the point. That being, and I will defend
|
||
it to the death, if you need information, if it is important to you, and
|
||
you are willing to pay for it, "computer-assisted information retrieval"
|
||
(or "C.A.I.R.", pronounced "care") is the best way to go. Information
|
||
access by PC is one of the most underutilized but, potentially, valuable
|
||
capabilities of computers.
|
||
|
||
Once the sacred haunt of those skilled few sporting a Masters
|
||
Degree in library science, information networks are constantly improving
|
||
the ease with which "Joe Sixpack" - you and I - can pinpoint useful
|
||
data. Rather than having to weed through stacks of journals, we can sit
|
||
back, content in knowing that, when we need something, we can find it.
|
||
Not only are the providers, themselves, moving away from stark, cryptic
|
||
command-driven system to simple, menu interfaces, there is a growing
|
||
number of communications packages that do most of the work for you.
|
||
Offline, while the meter is not running.
|
||
|
||
Lest you think I am howling at the moon, check these figures out.
|
||
Based on a $1750 report filed by Frost & Sullivan, a New York-based
|
||
consulting firm, online databases are "the premier glamour industry in
|
||
the information field." They add that the industry should "continue to
|
||
boom at an annual growth rate of 18 percent or more." The report
|
||
outlines the industry's growth from overall revenues of $469 million in
|
||
1978 to an estimated $2.2 billion in 1986. "Assuming a moderate 18
|
||
percent average annual growth rate," it concludes, "projected revenues
|
||
will exceed $4.2 billion in 1990."
|
||
|
||
The point of all this is a simple one. Let me put it in computer
|
||
terms: if your information input exceeds your processing speed, you need
|
||
C.A.I.R. With a little study and dedication, you can start using your
|
||
computer and modem for more than just a way to download software. You
|
||
can use it as a magical library providing you with all the selectivity
|
||
you need to stem the "Information Flood."
|
||
|
||
Alan was convinced. I hope you are as well. Think about it. Oh
|
||
yeah, I am still looking for Subway's best-selling sandwich. Nothing is
|
||
perfect.
|
||
|
||
Comments to this series are solicited. You can reach me on the
|
||
following networks:
|
||
|
||
Compuserve 75166,2473 GEnie RALBRIGHT
|
||
Delphi INFOINC
|
||
|
||
Services Discussed:
|
||
|
||
DIALOG
|
||
Services: DIALOG, DIALOG Business Connection, Knowledge Index
|
||
Address: DIALOG Information Services, Inc.
|
||
3460 Hillview Avenue
|
||
Palo Alto, CA 94304
|
||
|
||
1-800-334-2564
|
||
TELEX: 3344999 (DIALOG)
|
||
TWX: 910-339-9221
|
||
|
||
BRS
|
||
Services: BRS, BRS/After Dark, BRS/Colleague
|
||
Address: BRS Information Technologies
|
||
1200 Route 7
|
||
Latham, NY 12110
|
||
|
||
1-800-227-5277
|
||
TWX: 710-44-4965
|
||
|
||
Dow Jones News/Retrieval
|
||
Address: DJNR Service
|
||
P.O. Box 300
|
||
Princeton, NJ 08540
|
||
|
||
1-800-522-3567
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
The World Of MIDI
|
||
by Keith Cahoon
|
||
Part 1: MIDI History
|
||
|
||
An Introduction To MIDI
|
||
|
||
The Musical Instrument Digital Interface (MIDI) is a specification
|
||
which enables various manufacturers to design equipment that is
|
||
basically compatible with that of other manufacturers. This is most
|
||
beneficial for the owner, whose equipment is thereby protected from
|
||
obsolescence. As MIDI-compatible equipment is introduced, one will be
|
||
able to freely choose keyboards, sequencers, and rhythm units from a
|
||
variety of manufacturers with confidence that they will work together as
|
||
one programmable system through which complete pieces can be composed
|
||
and realized.
|
||
|
||
The problem of instrument compatibility is not new. It can
|
||
probably be said of any two keyboards, that someone has desired if not
|
||
actually tried to interconnect them. Keyboard couplers were developed
|
||
for both pipe organs and harpsichords. In the heyday of electric organ
|
||
technology this interest occasionally led to the installation of thick
|
||
cables wiring keyboards in parallel. The first synthesizers were easier
|
||
to interface, because of the nature of the modular equipment. However
|
||
modules from different manufacturers might have incompatible control
|
||
voltage, trigger, gate and output levels or polarities. These
|
||
differences have been promulgated in scores of synthesizer, keyboard and
|
||
effect devices, ultimately giving rise to an entire industry devoted to
|
||
modifications and interfacing. And though they provide the best
|
||
opportunity for interface so far, even microcomputer-based synthesizer
|
||
equipment has been developed along independent, incompatible lines.
|
||
|
||
Like many other defacto "standards", the MIDI has risen primarily
|
||
from the activities of those concerned that the incompatibility of
|
||
current equipment discourages wider availability of the kinds of complex
|
||
systems which can be envisioned utilizing even current technology. (The
|
||
S-100 microcomputer buss evolved for similar reasons.) The popularity of
|
||
the home computer has forced music manufacturers to finally address
|
||
the issue of compatibility. For the musician, the keyboard interface
|
||
to the computer terminal offers the possibility of multi-track
|
||
sequencing and editing, score display and printing. In this light,
|
||
the usefulness and need for a standard computer keyboard interface is
|
||
obvious. Only with some such standard can these musical tools be developed.
|
||
|
||
The following explains how the MIDI specification resulted from
|
||
this industry-wide consensus. The MIDI specifications neither possesses
|
||
nor claims any authority over equipment design. Rather, it is merely an
|
||
informal agreement on some simple interface circuitry and the "grammer"
|
||
of a non-proprietary language which can carry meaningful information
|
||
between instruments. The incorporation or support of the MIDI facility
|
||
in a product remains entirely a decision for each manufacturer.
|
||
|
||
The SCI Digital Interface
|
||
|
||
SCI first became interested in microcomputer interfacing in
|
||
conjunction with the design of the Prophet-10 polyphonic synthesizer and
|
||
it's internal polyphonic sequencer. The Prophet and its sequencer each
|
||
were based on Z-80 microcomputers. To record, as notes were playing,
|
||
every few milliseconds the Prophet would send its complete keyboard
|
||
"status" to the sequencer. The sequencer had to figure out which notes
|
||
were going on and off, and record these events in the reference clock
|
||
count. On playback, the sequencer computer also sent the complete
|
||
keyboard status every clock pulse, with events as counted out by the
|
||
clock. The Prophet would play these notes just as if they came from its
|
||
own keyboard. Later, this sequencer was made available as an accessory
|
||
for the Prophet-5. The Prophet-5 Remote Keyboard was also developed
|
||
which used this interface. SCI published the data protocol upon which
|
||
this interface was based, in the hopes that the programming public would
|
||
be encouraged to develop their own interfaces for the Prophet-5.
|
||
|
||
This did not occur, apparently because in being conceived for a
|
||
specific application, the interface was very fast but too clumsy for the
|
||
general-purpose use. It was criticized as requiring too much
|
||
programming "overhead", in the constant transmission of meaningless
|
||
keyboard information. As a result of this experience, SCI resolved to
|
||
pursue a more streamline interface that would be easier for programmers
|
||
to work with.
|
||
|
||
The Universal Synthesizer Interface
|
||
|
||
In the meantime, occasional discussions between the president's of
|
||
Sequential Circuits (SCI), Oberheim Electronics, and Roland also
|
||
revealed a shared interest in the interface problem and development of
|
||
an interface widely acceptable to the industry.
|
||
|
||
Smith then outlined a specification for a "Universal Synthesizer
|
||
Interface" (USI). It was developed with the assistance of SCI's Chet
|
||
Wood and the president at the Fall, 1981 convention of the Audio
|
||
Engineering Society (AES).
|
||
|
||
The USI differed markedly from the earlier SCI Digital interface in
|
||
that rather than being polled at the sequencer clock rate, information
|
||
was only sent when an event actually occurred - for example, a note
|
||
going on or off. The USI was proposed to be a serial, operating at 19.2
|
||
kBaud, with TTL levels, and connected through phone jacks.
|
||
|
||
After incorporating changes in response to comments from AES, Smith
|
||
sent a questionnaire to all manufacturers and industry consultants he
|
||
could find, asking for their suggestions and any special requirements.
|
||
There was a strong response to this initiative; some saying, for
|
||
example, that it would not be possible to do it serially, that a
|
||
parallel interface was necessary. Others thought the proposed serial
|
||
speed too fast for operation with home computers. Many other issues
|
||
were raised.
|
||
|
||
All respondents were invited to a conference in coincidence with
|
||
the January, 1982 Western National Association of Music Merchants (NAMM)
|
||
convention in Anaheim. This meeting was attended by representatives
|
||
from SCI, Roland, Oberheim, CBS/Rhodes, Yamaha, E-mu, Unicord (Korg),
|
||
Music Technology Inc., Kawai, Octave Plateau, Passport Designs and
|
||
Syntauri. Other manufacturers seemed to be maintaining a "wait-and-see"
|
||
policy. At this meeting the chief changes which occurred to the USI
|
||
were to add opto-isolation to prevent audio ground loops, and to
|
||
increase the speed to 31.25 kBaud.
|
||
|
||
The Japanese Interface Proposal
|
||
|
||
Following the USI discussions at Anaheim, an alternative
|
||
specification was presented by some of the Japanese companies which had
|
||
grown out of their own research. Whereas the USI was basically content
|
||
to specify note on/off codes, this new proposal went on to define many
|
||
more complex operations. It also offered a different data structure,
|
||
with status and data bytes being flagged by bit 7 (1=status, 0=data).
|
||
This greatly simplified the protocol by eliminating all the checks which
|
||
were otherwise needed to distinguish the data category. With the most
|
||
significant bit now defined as a "flag," data is thereby limited to 7
|
||
bits, but this is sufficient for most synth data, and when not, can
|
||
simply be sent as multiple 4-bit nibbles.
|
||
|
||
The MIDI
|
||
|
||
After the Anaheim meeting, Smith and Wood integrated the USI and
|
||
Japanese proposals, forming the first MIDI specification. This was sent
|
||
to all of the meeting participants but, curiously, provoked no further
|
||
comment from this continent. The final document was therefore arrived
|
||
at after several exchanges between SCI and Roland, which is serving
|
||
as liaison with Yamaha, Korg, and Kawai.
|
||
|
||
The development of MIDI was first made public by Robert Moog, in
|
||
his October, 1982 column in KEYBOARD magazine.
|
||
|
||
In December of 1983, SCI began shipping the Prophet-600, the first
|
||
commercially available instrument to include the MIDI.
|
||
|
||
|
||
This is part 1 of a series. This section was about the history around
|
||
the MIDI and it's development.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
FILE TRANSFER PROTOCOLS PART 2
|
||
by Tom Egan Sysop [Remote]
|
||
America Online
|
||
|
||
|
||
MEGALINK
|
||
|
||
Megalink is a relative newcomer to the file transfer protocol
|
||
scene. It provides several of the advantages of XModem, YModem, and
|
||
ZModem in one package. It is not compatible with them, but does utilize
|
||
several of their features.
|
||
|
||
Megalink uses 512 byte blocks for transfer. This is 4 times the
|
||
size of XModem, but only half that of XModem-1K and YModem. It is whats
|
||
known as a FULL-STREAMING protocol, and therefore eliminates the back
|
||
and forth hand-shaking required by XModem and YModem type protocols.
|
||
Full Streaming means that it sends a block of data, then a CRC check
|
||
block. If the data was received without error, nothing is done, and
|
||
transmission continues. If an error IS received, then the receiving end
|
||
sends a NAK signal back to the transmitter signifying a need to re-send
|
||
that block of data that was in error. XModem and YModem require an
|
||
acknowledge signal after each block, regardless of whether the transfer
|
||
was successful or in error.
|
||
|
||
Megalink also uses the CRC-32 error correction method used by
|
||
ZModem, and developed by Chuck Forsberg, which is theoretically more
|
||
accurate than either XModem or YModem CRC methods.
|
||
|
||
JMODEM
|
||
|
||
JModem is a very new protocol, the newest one I am aware of. JModem
|
||
has several features that are of interest to the BBS user and others who
|
||
communicate via computer.
|
||
|
||
JModem uses 16 bit CRC error correction. It features variable size
|
||
transmission blocks, as does ZModem, ranging from 512 up to 8192 byte
|
||
blocks if few errors are detected, making it VERY efficient on clean and
|
||
noise free phone lines. These are determined automatically by the
|
||
program and changed as the need arises.
|
||
|
||
JModem also supports communication Ports 1 through 4, while most
|
||
of the protocols only support Com1 or Com2 ( if they support them at
|
||
all, some rely on the program using them to set the Com Ports ).
|
||
|
||
A surprising feature, JModem also has built-in data compression.
|
||
Although I am not familiar with the method used, data compression is
|
||
like what you get with ARC and ZIP compression programs. I don't know if
|
||
JModem's compression is needed or used when transferring these type
|
||
files, but is very useful when you need to send files that are not
|
||
compressed already, saving much time spent on transmission.
|
||
|
||
The stated probability of an error slipping through and getting
|
||
into your file without being caught and corrected automatically is 1
|
||
error in 54,445,000,000,000,000,000,000,000,000,000,000,000,000 bytes of
|
||
transmitted data. By the way, if you get this in a CRC 16 bit mode, just
|
||
think what CRC 32 gives you !!!!! I doubt that most of us would send
|
||
this much data in a lifetime ( maybe 10 lifetimes even ), so
|
||
effectively, these protocols are error-free when received.
|
||
|
||
I've run short on time this month, 3 or 4 more protocols will
|
||
follow next month.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
PRO FILE
|
||
by Chris Mohney
|
||
|
||
The Pro File is a short, half-serious biographical sketch given to
|
||
various computer telecommunications personalities around Birmingham.
|
||
Victims are selected randomly from a group of names put into the
|
||
notorious Hat. Anyone who thinks himself brave or witty enough may
|
||
petition for admittance to the Hat by leaving E-Mail to me (Chris
|
||
Mohney, most boards around town) to that effect. Anyone who wishes to
|
||
suggest more questions or sneakily nominate someone without their
|
||
knowledge may take the same route ....
|
||
|
||
|
||
PRO FILE: Gary Steven Godsey
|
||
|
||
---------
|
||
|
||
Age: 36
|
||
|
||
Birthplace: Birmingham, Alabama
|
||
|
||
Occupation: Funeral Director
|
||
|
||
My hobbies include: Computing, Music, Watching TV, Safe Sex
|
||
|
||
Years telecomputing: I bought my first computer in 1978
|
||
|
||
Sysop, past/present/future of: I would like to run a board that would
|
||
use professional people to help others
|
||
with emotional and spiritual problems. I
|
||
said spiritual not religious.
|
||
|
||
My oddest habit is: Touring cemeteries when I go on vacation
|
||
|
||
My greatest unfulfilled ambition is: A trip on the Space Shuttle
|
||
|
||
The single accomplishment of
|
||
which I am most proud is: My work. It is most fulfilling to be able
|
||
to help people in a time of true need.
|
||
|
||
My favorite performers are: Micky Rourke, Kim Bassinger, John Lennon,
|
||
Prince
|
||
|
||
The last good movie I saw was: "Cannibal Women of the Avocado Jungle"
|
||
|
||
The last good book I read was: "The Road Less Traveled"
|
||
by M. Scott Peck, M.D.
|
||
|
||
If they were making a movie of my life, I'd like to see my part played
|
||
by: Micky Rourke
|
||
|
||
My pet peeves are: Whiners. People that want to legislate my morality.
|
||
|
||
When nobody's looking, I like to: Read "Mad" magazine.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
From The Kitchen
|
||
by Chez Stephan
|
||
|
||
Hello dudes and dudettes. It is thyme for the old round-up.
|
||
Seems that some of you guys are wanting to sleep in on weekends rather
|
||
than get out there and work in the yard or get in an early round of
|
||
golf. Well hey, that's all right buckeroos. Just when you do get up
|
||
let's have one hell of a breakfast. It's the most important meal of the
|
||
day you know. Gets the body systems working and the brain in the go
|
||
mode. Anyway here it is.
|
||
|
||
Lets have French Toast: 2 Eggs beaten
|
||
1 egg yolk beaten
|
||
3/4 cup of heavy cream
|
||
1 teaspoon cinnamon
|
||
1 tablespoon sugar
|
||
1/2 teaspoon ground cloves
|
||
1/2 teaspoon vanilla
|
||
|
||
Mix all ingredients together in a bowl. If you can find it, use
|
||
fresh baked un-sliced bread for toast. Cut bread in 1 inch slices. Heat
|
||
an iron skillet over medium high heat. Melt 2 to 3 table spoons of
|
||
butter in pan. DO NOT let butter brown. Dip bread slices in mixture
|
||
and place in buttered pan and cook. Cook to desired crispness. Serve
|
||
hot.
|
||
|
||
What, breakfast without Ham???
|
||
|
||
Select a good country ham from your local grocer. There are
|
||
usually packages back in the meat department somewhere around where they
|
||
keep the 4 year old turkeys and frozen white fish. Make sure that you
|
||
select ham that is of a deep red color as this shows the length of the
|
||
curing process. The deeper the color the longer the curing process.
|
||
Take the ham out of the package and wash under cold running water for at
|
||
least 5 minutes. This washes the salt out of the ham. Cut all the fat
|
||
away from the ham. Heat an iron skillet to hot and use the fat to
|
||
release the grease needed to fry the ham. After the fat has been
|
||
rendered, remove the fat and cut the heat down to medium. Place the ham
|
||
in the skillet and brown. After the ham has been browned then add 1 cup
|
||
of cold water to the skillet (PLEASE BE CAREFUL. IT WILL SPLATTER AND
|
||
STEAM) and cover. Let cook 15 to 20 minutes on low heat. For those of
|
||
you that want it; Red Eye Gravy can be made by removing the ham when
|
||
done and adding a small amount of black coffee to the juices in the pan.
|
||
This is good stuff over hot buttered homemade buttermilk biscuits.
|
||
|
||
Poach a couple of eggs. Have a couple of glasses of fresh
|
||
squeezed orange juice. Add the ham and the French toast to the plate.
|
||
Grab the morning paper and have at it. After you've finished off
|
||
breakfast have a couple of cups of good dark coffee and enjoy your day.
|
||
|
||
Catch you guys and gals Later,
|
||
Ciao and hearty eating.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
MESSAGE BOARD
|
||
by Barry Bowden
|
||
|
||
|
||
JULY 1989
|
||
|
||
S M T W T F S
|
||
1
|
||
2 3 4 5 6 7 8
|
||
9 10 11 12 13 14 15
|
||
16 17 18 19 20 21 22
|
||
23 24 25 26 27 28 29
|
||
30 31
|
||
|
||
|
||
July 1 BIPUG
|
||
July 8 BCCC
|
||
July 11 CCS (C64)
|
||
July 17 CCS (Amiga)
|
||
July 21 BEPCUG
|
||
July 22 BCCC
|
||
July 25 CCS (C64)
|
||
|
||
BEPCUG CCS
|
||
Birmingham East PC Users Group Commodore Club South
|
||
Jefferson Sate Jr. College Springville Road Library
|
||
Ruby Carson Hall, Rm 114 2nd & 4th Tuesday (C64/C128)
|
||
3rd Friday, 7-9 PM 3rd Monday (Amiga)
|
||
Paula Ballard 251-6058 (after 5PM) 7:30-10 PM
|
||
Maurice Lovelady 684-6843
|
||
|
||
BCCC BIPUG
|
||
Birmingham Commodore Computer Club Birmingham IBM-PC Users Group
|
||
POB 59564 UAB Nutrition Science Blg
|
||
Birmingham, Al 35259 RM 535/541
|
||
UAB School of Education, Rm 153 1st Sunday (delayed one week
|
||
2nd and 4th Sundays, 2 PM if meeting is a holiday)
|
||
Rusty Hargett 854-5172 Marty Schulman 967-5883
|
||
|
||
|
||
If you belong to or know of a user group that is not listed,
|
||
please let me know by sending E-Mail to me thru EzNet or on
|
||
The Bus System BBS. Please leave the group name and a contact
|
||
person/phone number.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Known BBS Numbers For The Birmingham Area
|
||
|
||
NAME NUMBER BAUD RATES SUPPORTED MODEM TYPE
|
||
|
||
America Online Nodes 1-4 323-2016 300, 1200, 2400
|
||
America Online Node 5 251-2344 300, 1200, 2400, 9600 HST
|
||
*American BBS 674-1851 300, 1200, 2400
|
||
*Byte Me 979-2983 1200, 2400
|
||
*Bus System BBS 595-1627 300, 1200, 2400
|
||
*Channel 8250 744-8546 300, 1200, 2400
|
||
Club Phoenix 942-0252 300, 1200, 2400
|
||
*Crunchy Frog 956-1755 300, 1200, 2400
|
||
D3 Systems BBS 663-2759 300, 1200, 2400
|
||
Duck Pond BBS 822-0956 300, 1200, 2400
|
||
Gizmo's Atari BBS 854-0698 300, 1200
|
||
Fortress BBS 664-9040 300, 1200
|
||
I.S.A. BBS 995-6590 300, 1200, 2400
|
||
Jim's Place 787-5512 300, 1200, 2400
|
||
*Joker's Castle 744-6120 300, 1200, 2400
|
||
LZ Birmingham 870-7770 300, 1200, 2400
|
||
*Magnolia BBS 854-6407 300, 1200, 2400, 9600 HST
|
||
ProSoft Systems BBS 853-8718 300, 1200, 2400
|
||
Radio Free TROAD 592-2545 300, 1200, 2400
|
||
*Role Player's Paradise 631-7654 300, 1200, 2400
|
||
Smitty's BBS 849-7349 300, 1200
|
||
Sperry BBS 853-6144 300, 1200, 2400, 9600 Hayes
|
||
*ST BBS 836-9311 300, 1200, 2400
|
||
*The Connection Node 1 854-9074 1200, 2400
|
||
*The Connection Node 2 854-2308 1200, 2400
|
||
*The Outer Limits 969-3262 1200, 2400, 9600 HST
|
||
The Islands BBS 870-7776 300, 1200
|
||
*The Professional's Board 856-0679 300, 1200, 2400
|
||
Twilight Zone 856-3783 300, 1200
|
||
Willie's DYM Node 1 979-1629 300, 1200, 2400
|
||
Willie's DYM Node 2 979-7739 300, 1200, 2400
|
||
Willie's RBBS 979-7743 300, 1200, 2400
|
||
Ziggy Unaxess 991-5696 300, 1200
|
||
|
||
Boards with a "*" before their name are members of our local network,
|
||
EzNet, and public messages left in the EzNet Conferences of any of these
|
||
boards will be echoed to all members.
|
||
|
||
|