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*** *** ------------------- **** ***
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****** ***** The Online Magazine ***********
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****** ***** of Amateur Creative Writing ************
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---------------------------
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======================================================================
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July 1990
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Volume II, Issue 3
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Contents
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Etc... .................................................. Jim McCabe
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Editorial
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"Pearl Highway" ....................................... Philip Nolte
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NU020061@NDSUVM1.BITNET
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"Memories of Blue" .............................. David B. O'Donnell
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Atropos@Drycas.Club.CC.CMU.EDU
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"The Fundamental Nature of Research" ............. Kenneth A. Kousen
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KAK%UTRC@utrcgw.utc.com
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"Hibicus" ............................................... H. Newcomb
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(c/o UCS_KAS@SHSU.BITNET)
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ATHENE, Copyright 1990 By Jim McCabe.
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Circulation: 747 (20% PostScript)
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This magazine may be archived and reproduced without charge under the
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condition that it remains in its entirety. The individual works
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within are the sole property of their respective authors, and no
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further use of these works is permitted without their explicit
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consent. This ASCII edition was created on an IBM 4381 mainframe,
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using the Xedit System Product Editor.
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Subscriptions: Athene is available in PostScript and ASCII form, and
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is distributed exclusively over electronic computer networks. All
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subscriptions are free. To subscribe, send email to
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MCCABE@MTUS5.BITNET, with a message inicating which format (PostScript
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or ASCII) is desired.
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Etc...
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By Jim McCabe
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MCCABE@MTUS5.BITNET
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======================================================================
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Sometimes things just don't go the way we want them to.
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In September 1989, the first issue of Athene hit the network and
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I had the stories and time to spare for the next month. Gradually,
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free time has become an increasingly sparse luxury for me, which may
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be evident from the sporadic distribution schedule Athene has had
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lately. This latest delay has shown me that it is time for a slight
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change in the way the magazine is put together each month.
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The most time-consuming factor is in reviewing the many story
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submissions that arrive. Currently, I sometimes don't even get to
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read a story until weeks after I have received it. Not only is this a
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pain for the author who submits it, but I sometimes feel like I am in
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a hurry to get the work done. But, the best work isn't done at a
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hurried pace.
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What Athene needs is a few good assistant editors. As a group,
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we would have an expanded view of each submission, and I would get
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some idea of other people's opinions of a story instead of relying
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completely on my own. Hopefully, this will only improve the quality
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of the magazine. If nothing else, it will help to keep Athene on time
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each month. I would like to hear from anyone who is interested in
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becoming part of the Athene staff in this respect.
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So, it's been forever since the last issue, but in a way it was
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worth it. This issue is one of the best ever, with four excellent
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stories. Three of the four featured authors this month have appeared
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in Athene before, and I would like to send a special thank-you out to
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these people who continue to write good stories for us. And of
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course, I welcome all newcomers who wish to contribute as well.
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For those readers who receive the text version of Athene on IBM
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CMS mainframes, Bill Harvey has written an XEDIT macro that adds
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carriage control, page numbers, and page titles to your file for more
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attractive printouts. If you would like a copy of this program, Bill
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can be reached at HARVEY@WUVMD.BITNET.
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I'm not going to make any predictions on when the next issue will
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be out, but I can assure everyone that there will not be another delay
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like the one we just finished. I already have more stories to rewiew
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for August, but, as always, I would enjoy seeing some new faces. In
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the meantime, I hope you enjoy this July issue.
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"Pearl Highway"
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By Phillip Nolte
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NU020061@NDSUVM1.BITNET
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======================================================================
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On December 7, 1941 the Japanese Imperial Navy staged a
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vicious and very effective attack on the United States Naval
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base at Pearl Harbor in the Hawaiian Islands. The result
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was the loss of many lives and the almost total destruction
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of the U.S. Pacific fleet. Suddenly, overnight, America
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was a reluctant and unready participant in the conflict of
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nations that is referred to as World War II.
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That action will be remembered as one of the most infamous
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sneak attacks in history...
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Jap cars, thought Marvin, the damned things look like they were
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designed by some alien from outer space. Front wheel drive, engines
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mounted sideways, bodies made of tin foil, he shook his head. Give me
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American any time! And not those damned American cars that are trying
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to be just like the Japs either. No sir! Give me an American car
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with some metal in it and lots of good old-fashioned V-8 horsepower.
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Auto repair was Marvin's moonlight occupation, one that he
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preferred to his regular job. In the evenings or, like today -- on
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Saturdays, he could usually be found working out in the big double
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garage behind his house -- A garage that was really a well- equipped
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workshop. Marvin was in his mid-fifties with the lines and creases in
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his face to prove it but his short, stout body was still as hard as
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steel. In fact, around his neighborhood, Marv's incredible strength
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was legend; stories abounded. No slave to fashion, he was wearing a
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ragged and incredibly dirty pair of coveralls over a faded and
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nearly-as-soiled red flannel shirt -- clothing that was practical and
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couldn't be damaged much further, no matter what he did. He wore his
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graying red hair in an efficient and equally practical crew-cut. Up
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on the shelf above his workbench, a battered and grease-spotted old
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radio was droning a country-western song as he worked under the hood
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of a late model Nissan Sentra.
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Oh well, he thought, Jap or not, a minor tune-up and valve
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adjustment was good for about fifty bucks. Not bad for an hour's
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work. The price was not at all out-of-hand, Marvin was a pretty good
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mechanic.
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He was almost done, ready to replace the cam-cover and take her
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out for a test run to make sure everything worked the way it was
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supposed to when his wife Dorothy called him into the house to answer
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the phone. It was Dean Torkildsen, a friend of Marv's from the local
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university where both men worked. Dean was a foreman in the
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carpenter's shop and Marv drove the campus garbage truck. Dean had
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run into something strange while trying to install a trailer hitch on
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the family car. He didn't think he could handle it and could he come
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over and have Marv take a look at it?
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Marvin told him about half an hour.
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He was just parking the little blue car in the street when Dean
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pulled up into the driveway in his own Sentra, nearly identical to the
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one Marvin had just parked except that Dean's was red and it was a
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wagon. Dean grabbed a cardboard box off the passenger seat and
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unfolded his long, lanky frame out of the little car. The flaps of
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the box were open, revealing a mound of trailer hitch parts, plastic
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wrappers, electrical wires, and installation instructions.
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"Mornin' Marv," said Dean, balancing the awkward load as he
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entered the garage. "Really appreciate you takin' the time to help me
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out."
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"No sweat," replied Marvin. "What's the problem?"
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"Well, everything was goin' just fine," replied Dean, setting the
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box and its jumbled assortment of parts down on Marv's not very neat
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workbench. He rummaged around in the box until he found the paper
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mounting template, turned it right side up, and pointed to the spot in
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question. "Until I had to drill a hole, right there, in the frame, to
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bolt the stupid thing on." His voice took on a note of concern as he
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continued. "I hit something inside the frame rail with the drill. I
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don't know what the hell it is, Marv. I mean I've even got the shop
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manual for my Sentra and it just doesn't show this thing. I'm really
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worried that I screwed something up."
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"Bring her in," said Marvin. "We'll put her up on the jack and
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have a look."
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Marvin stood at the end of the garage stall and guided him in.
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When Marv was satisfied with the alignment, Dean turned off the
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ignition and again squeezed out of the tiny car, like some kind of
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wingless praying mantis emerging from an egg case of red metal and
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glass. Marvin rolled his hydraulic jack around to the back of the car
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and, with a few powerful strokes, lifted the rear end up off the
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floor. After carefully placing two jackstands under the frame to
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insure that it was safe, he crawled under the little car to see what
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the problem was.
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An hour's worth of work poking, prodding and cussing had Marvin
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confused too. Dean had drilled right through the middle of some kind
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of electrical device. Marv pointed out that Dean had made the mistake
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of reversing the hitch kit's mounting template. As a result, he had
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drilled the hole in the wrong place. It seemed like a simple enough
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error but Marvin had not only checked Dean's shop manual, but two of
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his own and no hint of what the thing might be could be found. In
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addition, he'd never seen anything like it before and he'd worked on a
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lot of cars. Marvin was indeed puzzled.
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Dean had obviously destroyed whatever it was or at least severely
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damaged it, but the car seemed none the worse for it -- everything
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still worked perfectly.
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"I'm gonna get my air chisel and open up the hole a little so's
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we can take the damned thing out," said Marvin, showing some of his
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frustration. "Maybe the Nissan dealer can just give us a new one."
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A couple of minutes work with the air chisel and Marvin was able
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to remove the mystery part. He disconnected a black electrical lead
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and emerged triumphantly from under the car, handing the prize to
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Dean, who took it gingerly. The two men then piled into Marvin's 1974
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Ford LTD Station wagon and headed off, in plush and smooth V-8
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comfort, to the Nissan dealer.
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An hour later they were back, as confused as ever. The Nissan
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parts man had never seen anything like it and he'd been in the
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business for more than twenty years. They had left with the man
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chuckling after them, convinced that they were trying to play some
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kind of elaborate joke on him.
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"Let's open the sonofabitch up," said Dean, after they were again
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in the garage. "It's for damned sure wrecked and the car still works
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fine. What have we got to lose?"
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"Hand me that pliers," said Marvin.
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The "thing" was slender canister about six inches long and one
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inch in diameter. Dean's drill had hit it near one end -- from the
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side. A couple of thin copper wires hung loosely from the rather
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jagged hole. Marv peeled back the thin metal skin of the canister
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with the pliers to expose the innards of the strange device. After
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five minutes of intense concentration, it lay disassembled on the
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workbench.
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It was really quite simple. There was a small cylinder about
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four inches long, covered with paper. Dean's drill bit had severed
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the wires that connected it to a tiny bundle of electronic components.
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"You ever take a radio apart, Marv?" asked Dean. "I ain't no
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expert but that thing looks like some kind of transmitter."
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"Could be," said Marvin. "Look at this, the little paper
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cylinder has some kind of plastic goop in it."
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Their eyes met and grew large as the suddenly obvious truth
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occurred to both men at the same time.
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"That thing is a God-damned bomb!" said Dean, backing quickly
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away from the workbench, his voice quavering.
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"What've you been doing lately, Dean?" asked Marvin, taking the
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hint and backing away too. He shifted his gaze back and forth between
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the device and his friend. "Runnin' drugs? Messin' with the Mafia?
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By God, you must have pissed somebody off!"
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"I swear to God I haven't done nothing like that," said Dean.
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"This is really weird, Marv. It's gotta be some kind of mistake." He
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looked pleadingly at his friend. "Marv, what are we gonna do?"
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"I don't know! Let me think a minute!" said Marvin. He went
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cautiously back up to the device and, without touching it, studied it
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for a few minutes. "There's only one thing to do," he said. "We need
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someone who knows somethin' about bombs. Let's call the Captain."
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"Yeah!" said Dean, with relief. "The Captain. He'll know what
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to do!"
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E. W. Strang, the Captain, lived only a couple of blocks away.
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He was also associated with the university -- as an ROTC officer. He
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and Marv and Dean were avid football fans. In fact, they often sat
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together on the forty-yard line at the university's home games, which
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is how they came to be friends in the first place. Strang was a man
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with an interesting, one might even say fascinating, past. Before
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getting involved in college life he had served in 'Nam where his area
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of expertise had been in that of E.O.D. (Explosives and Ordinance
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Disposal) -- Strang had disarmed booby traps and unexploded shells for
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a living! He hadn't actually disarmed any live ordinance lately but
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he still had the steel nerves and sure fingers required. Well, at
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least he was pretty sure he still did. The experience had prepared
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him well for his present career -- after disarming bombs and such,
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almost any kind of job would have been a snap!
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Strang was there in just under five minutes. Trim, athletic and
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all-business, he had a military look about him -- even in casual
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clothing. He stood ramrod straight with his short, dark hair neatly
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combed and parted. The red sport shirt he was wearing fit him
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perfectly -- so perfectly that it looked brand new, like it had just
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come off the rack and even his faded blue jeans had a knife-edge
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crease down the front. He cautiously approached the device on
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Marvin's work bench.
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"It's a bomb," he declared, after a brief examination. "But
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don't worry, it's safe, probably has been since you cut the red wire.
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Besides that black lead has to hook up to a battery of some kind.
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Where the hell did you guys get this?"
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"You ain't gonna believe this, Cap'n, but we found it in my car."
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said Dean, still obviously shaken.
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"It's a nice piece of work," said the Captain. "This little
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cylinder is a charge of plastique explosive. That other thing is a
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receiver. Just a simple radio signal and kaboom! You're history.
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What've you been doing, Dean? You must have pissed somebody off!"
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Dean just shook his head and looked even more miserable.
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"Maybe not," said Marvin, his voice muffled.
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The two men looked around at the sound of his voice, finally
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noticing that Marvin's legs were sticking out from under the car
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again.
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"I've been thinkin'. The way that thing was buried in the frame
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here, someone would've had to go to a hell of a lot of trouble to put
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it there. No, by the way it looks, I'd hafta say it's more likely the
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damned thing was built into the car, right from the factory!" He
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crawled out from under the car, stood up and looked around for a rag
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to wipe his hands. He found one, but from the looks of it, it was
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highly unlikely that his hands would be any cleaner after contact with
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it. Seeming not to notice, he wiped his hands with it anyway.
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"Why would they want to do somethin' like that to my car?" asked
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Dean, with a puzzled frown.
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"I don't know anything about why, but whoever put it there sure
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picked a perfect spot," said Marvin. "That thing was only inches away
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from the gas tank and the rear brake lines. If that bomb had gone
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off, the tank and the brakes would've both gone with it. Your car
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would've become a flaming runaway. Not something I'd care to be in
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out on the freeway!"
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"No shit, Marv," said the Captain, getting into the game. "She'd
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have been a handful on the freeway but, make no mistake, that bomb
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would've raised a lot of hell even if the car was just innocently
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parked in the garage!"
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"God-damned foreign-built junk!" spat Marvin. "Wouldn't surprise
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me if all them God-damned Nissans had bombs in them!"
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"C'mon, Marv!" said Dean, "I know you ain't got a high regard for
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Japanese cars, but that's ridiculous -- Even a little sick!"
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"Well, why don't we just find out if I'm right?" said Marvin.
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"And how are you gonna do that?" asked Dean.
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"There's another Sentra right out there in the street," replied
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Marvin, "Let's bring it in and see if it's got one of those things in
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it too."
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The other two men agreed that the idea sounded pretty good.
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They immediately drove the little car into the garage, jacked it
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up and carefully opened up an inspection hole in the same spot on the
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frame where they had found the bomb in Dean's car. To their horror
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they found an identical device.
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"Ain't that a son of a bitch!" said Dean, "Somebody wanna tell me
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just what the hell is going on?"
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"I don't have a clue," said the Captain. "But it sure looks like
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trouble. If every Nissan in town has one of those things in it and
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they start going off, there's no way that the cops and the fire
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department could possibly keep up with all the calls! Jesus, what a
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mess!"
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"Well, what if it ain't just Nissan," said Marvin, listing the
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possibilities and ticking them off on his fingers. "How 'bout Toyota,
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Mazda, Honda, Mitzubishi -- all those damned Jap cars? Listen you
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guys, how many times have you heard about one of those little cars
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blowing up when they get rear-ended? If you ask me now, I'd say it's
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probably those damned bombs going off that's the cause of it!"
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"I thought those were Ford Pintos?" said Dean.
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"Don't kid yourself," said the Captain, "There's a lot of
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Japanese parts, even on American cars. It really wouldn't be all that
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much trouble to build in a bomb like this one. If you weren't looking
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for it you'd never find it!"
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"What the hell have we found?" asked Dean. Then he scared
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himself even more. "Holy shit! Captain, do you really think they
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could all be set off at once?"
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"Why not?" replied the Captain. "They could use a satellite
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broadcast and blanket the whole country!"
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"Can you imagine something like the Brooklyn Bridge or the Golden
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Gate with twenty-five or thirty out-of-control, flaming little Jap
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cars on them?" said Marvin. "The bridge becomes totally useless in
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less than two minutes!"
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"How about the rush hour traffic in Los Angeles or New York or
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any of our major cities?" said the Captain. "That would slow up the
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traffic a bit! It boggles the mind -- flaming cars careening out of
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control, fires in garages and parking lots and service stations -- the
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entire country would be in chaos! We'd be helpless!"
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The announcer on Marv's country-western station broke in on a
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Merle Haggard song with a late-breaking news headline. He was
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laughing so hard he could barely read it.
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"This just in from Washington. Ha Ha!" said the announcer, "The
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Japanese ambassador has just delivered an ultimatum (chuckle). If the
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United States Government doesn't immediately begin proceedings to turn
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over the rule of the country to Japan, they will begin to take
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action."
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"And we thought Pearl Harbor was a Japanese sneak attack!" said
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Dean, shaking his head. "It ain't nothin' compared to what this is
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gonna be!"
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"Yeah," said the Captain, "This time it'll be a sneak attack on
|
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the roads that carry the very lifeblood of our nation, sort of
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a...'Pearl Highway'!" Gentlemen, say good-bye to our much vaunted
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transportation system!"
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The broadcast was interrupted by a pause while the announcer
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regained control of himself. The three friends looked at one another.
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None of them felt much like laughing. They didn't share the
|
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announcer's scepticism either. They quickly moved both of the little
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Jap cars a safe distance away from Marv's garage and waited
|
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expectantly for the action to begin. It was not an overlong wait.
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"Kaawump!" The little blue Sentra sedan went up in searing,
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smoking blast of yellow flame. "Kaawump! Kaawump!" The red RX-7 down
|
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the block with the "KUTI PI" license plate and the Jones's shiny new
|
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black Honda Accord went too. Here and there even an occasional late
|
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model American vehicle became a flaming car-bomb as a strategically
|
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placed Japanese component went Kamikaze. Marvin did have one small
|
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consolation. In spite of the uproar going on around it, his loyal,
|
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true blue, made-in- the-USA Ford LTD wagon remained untouched by the
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carnage.
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...The so-called "Pearl Highway" affair will also be
|
|
remembered as a notorious sneak attack. But when a nation
|
|
initiates a war should its objective be to lose that war?
|
|
Or should it instead attempt to create the most favorable
|
|
environment possible? The answer is obvious: Wars are
|
|
fought to be won! The Japanese nation would have had little
|
|
chance against the mighty U.S. Navy in World War II and
|
|
they would have fared poorly in the War of 1995 also without
|
|
employing these brilliant surprise tactics. Sneak attack?
|
|
We remain the only nation on earth that has had nuclear
|
|
weapons used against us -- weapons that were used by the
|
|
United States of America. Such memories do not die easily.
|
|
|
|
May the sun shine gloriously on the new empire for many
|
|
thousands of years to come!
|
|
|
|
Honshiro Suzuki
|
|
Official Historian
|
|
The New Imperium of Japan
|
|
|
|
|
|
---------------------------------------------------
|
|
Phil is a research specialist in Plant Pathology at
|
|
NDSU in Fargo, North Dakota. He is also a Ph.D.
|
|
candidate at the same time. He's been writing
|
|
science fiction for about three years but has
|
|
enjoyed reading all his life. He comments, "I got
|
|
interested in the writing end because of the many
|
|
disappointments I've had while attending science
|
|
fiction movies and coming away wondering how they
|
|
could have spent so much money on actors and
|
|
special effects, and so damned little on a decent
|
|
story!" This story marks Phil's third appearance in
|
|
Athene, and in no way represents his real opinions
|
|
of the subject. In fact, he owns two Japanese
|
|
cars, two Japanese motorcycles, and has "nothing
|
|
but the highest regard for the Japanese people."
|
|
---------------------------------------------------
|
|
|
|
|
|
|
|
|
|
"Memories of Blue"
|
|
By David B. O'Donnell
|
|
Atropos@Drycas.Club.CC.CMU.EDU
|
|
Copyright 1990 David B. O'Donnell
|
|
======================================================================
|
|
|
|
My friends tell me that I'm in the grip of an "unnatural
|
|
possession", but I know better than that. You see, I can't stand the
|
|
color blue. Any shade of it. Every time I see something that's blue,
|
|
I break down into tears. My psychoanalyst shakes his head, pats me on
|
|
the back, and charges me $90 an hour. But that's about the limit of
|
|
his help. I don't really blame him, I wouldn't want to have to
|
|
counsel me either. Poor fellow has to remove everything from his
|
|
office that's blue - he even can't wear blue underwear anymore, I can
|
|
tell when he has it on. I guess it could be worse - I could be unable
|
|
to stand the presence of green, or yellow. Well, come to think of it,
|
|
I can stand the sky, and water and they are blue. But every time I
|
|
see someone wearing blue, or a blue Audi drives by, it brings back
|
|
memories.
|
|
|
|
We met, like most people do, by accident. I was at a party in
|
|
New York City, given by the new-wave activist artist J------. It was
|
|
one of those open ones that everyone seems to know about so no
|
|
invitations were necessary. I saw him by one of the large paintings,
|
|
a study in blue of the PWA ward at some nameless New York hospital.
|
|
He appeared to be studying it intently, until one followed his gaze
|
|
past the edge of the painting, to the cluster of pseudo-intellectuals
|
|
raving over some small erotic sculpture in bronze. He wasn't
|
|
interested in the painting nearly as much as he was interested in what
|
|
was in the faded jeans of the "Villagers". Someone - Joan, I think -
|
|
who knew us both and had an eye for potentials brought me over to meet
|
|
him. I was shy, then, not nearly as reclusive as I have been, but
|
|
certainly not an "out" person. You chuckled over the difficulty Joan
|
|
(?) had saying my last name correctly, and then proceeded to greet me
|
|
in flawless Romanian. At least I thought it was flawless - I can't
|
|
speak a word of the language, never had an aptitude for anything more
|
|
foreign than a few pieces of Yiddish.
|
|
|
|
It wasn't much of a meeting, that is certain, and I probably
|
|
would have never seen him again, except that somehow we met in the
|
|
airport as I was preparing to head out West for graduate work at
|
|
Berkeley. I am sure it was fate then for he was going to the same
|
|
place, for the same reason. Fate is an evil bitch. At the party, I
|
|
was led to believe you were at least moderately well-off, by the
|
|
studied way your clothes looked tailored to be second-hand. Your
|
|
luggage assured me you were more than fairly well-off, though. It
|
|
placed you a few steps up on the social ladder from me, and I was
|
|
happy to let it slide by and let us go our separate ways. Already I
|
|
could sense a growing enjoyment in staring into your slate-grey eyes,
|
|
which constantly seemed to shift from that grey to a deep, almost
|
|
midnight blue. In fact I recall clearly having this terrible
|
|
fantastic desire to run my fingers through your hair when I saw you at
|
|
the gate to our jet; I've always loved black hair, especially in the
|
|
curled cut yours was in then and that you favored. You said
|
|
something, which I missed, and I was even more embarrassed. Luckily
|
|
we were several rows apart, you being in first class, and I somewhere
|
|
in the desolate wastes of "economy" class, wedged between a fat,
|
|
sweaty housewife from Chicago and a neurotic banker who kept taking
|
|
his briefcase, opening it, murmuring incoherently, then closing and
|
|
restowing it. He never did a damn thing with it.
|
|
|
|
Look - I've switched persons already. Sigh. I had hoped to keep
|
|
this impersonal, but it's not possible. At least the screen isn't
|
|
blue; you and that damn color!
|
|
|
|
Thankfully the graphic arts program at Berkeley was just large
|
|
enough that we seldom crossed paths. But every time, you were wearing
|
|
something blue, to accent your complexion. I began to pick you out
|
|
across the campus by your clothing, by your lilting voice which always
|
|
greeted me in Romanian. By the time we were sleeping together, I'd
|
|
learned how to say "Hello" and "Good Afternoon" in Romanian; I guess
|
|
that is good, at least.
|
|
|
|
I'm going to diverge from the usual here and not bother to
|
|
describe California. Yes it was sunny and yes there were beautiful
|
|
bodies everywhere. The state flower should be a fucking Narcissus. I
|
|
managed to get a tan, something next to impossible to accomplish in
|
|
the dreary climates out East, and I lost weight. I even joined a
|
|
health club, though I soon quit when, passing by one day, I saw you
|
|
entering with your gym bag. I don't know why I tried to avoid you
|
|
with such fervor - I should have known by then we were fated to be
|
|
together, and that I was fated to lose you.
|
|
|
|
New Year's Eve, 198-. No date, no snow, no celebration with my
|
|
new colleagues at the Technical Publications House I now worked at.
|
|
Instead I was in a bar - not quite a dive, I decided to step up a bit
|
|
for once and enjoy myself, even if it was alone. Now, don't get me
|
|
wrong: I wasn't celibate before we met. I am not the best looking man
|
|
in the world, but I am good-looking enough to be able to get a trick
|
|
when the need for release becomes overwhelming. It all sounds so
|
|
lurid now, the one night stands or occasional week-long flings, but I
|
|
was never much for permanency either. In two years, I went through
|
|
three apartments, five battles with my parents (who still expected me
|
|
to marry a nice girl and raise kids - Yecch), two beat-up Volkswagons,
|
|
and ten affairs. On the average, I had sex once every two weeks. Not
|
|
bad (though I could have done better among the timid sex-starved
|
|
Midwesteners where I grew up) but not enough. Funny, isn't it? I'm
|
|
mister impermanent, and yet the thing I desire the most in life is
|
|
security. "Big Fat Hairy Deal".
|
|
|
|
So there I was, New Year's Eve, alone, in a bar, with no one I
|
|
knew around, staring into a drink. So wrapped up in memory no one
|
|
even thought to try and pick me up - or if they did, I was too
|
|
absorbed in the colored liquors to care. I wasn't very drunk - I
|
|
needed to drive across town to get home later - but I was loose enough
|
|
that I didn't immediately cringe when someone dressed in midnight blue
|
|
sat down across the table from me. Of course I knew it was you. No
|
|
one else smells that color. Smelled, that is. Sigh.
|
|
|
|
We chatted, though god only knows how, for over an hour. You
|
|
were doing well, working on your thesis. I was nearly done with mine.
|
|
You weren't seeing anyone, and wondered how I was doing? It was so
|
|
obvious, I missed it completely. To this day I think you were simply
|
|
too drunk to realize who you were talking to. And I was too drunk to
|
|
realize that I was too hooked on you to possibly go home with you. Of
|
|
course, we did. I have to admit, it was wonderful. Your apartment
|
|
was tastefully done - in blues, of course - and you were far the
|
|
superior love-maker. By the third time (it was nearly sunny out) I
|
|
meant it when I said "I love you" and you were even replying in kind.
|
|
We could have stopped it, then. We should have.
|
|
|
|
Instead, that next weekend, you called me. I don't know how you
|
|
got my number - Joan, maybe? - I know it wasn't listed, and she is
|
|
about the only person I still talked to from out East. It doesn't
|
|
really matter; the damage was done, and nothing we can say or do will
|
|
avert the past. You called, you goddamn faggot, and invited me to a
|
|
party of all things - that silly activist J------ was in town, and you
|
|
wanted to commemorate our "first happenstance crossing". Sigh. Why
|
|
did I acquiesce? I really detested the man's work, it had no taste
|
|
whatsoever. I told you that, when we got there, expecting - hoping?
|
|
- that you would fly into a huff and take me home, never to see me
|
|
again. Not a chance. No, you agreed with me, said that the only
|
|
reason you went to his stupid parties was to gaze fondly at the
|
|
too-tight asses of the pseudos who always hung around his stuff. I
|
|
had to laugh at that, since there were only women at the party that
|
|
night (other than the host, his lover, and us). So we cut out and
|
|
went to see a film that had just debuted. A mindless comedy -
|
|
something with the guy from "Mr. Mom" I think - but we barely watched
|
|
it. Instead we held hands! Of all the pubescent things to do. But I
|
|
relished your touch, feeling your thin, almost fragile hands, sensing
|
|
the warmth of your body through the fabric of your (dark blue) shirt.
|
|
It seemed so natural that we would go back to my apartment,
|
|
eclectically furnished. You loved cats, you said. That was the
|
|
clincher for me, I was yours, body and soul. Three weeks later, you
|
|
moved in. Sigh.
|
|
|
|
Life with you was - wonderful? stupendous? - certainly the most
|
|
enjoyable time I ever had. You were witty, you loved cats, you liked
|
|
my work, and listened to my critiques with rapt attention. You
|
|
weren't pushy, but after time it was clear that in matters of the
|
|
home, you were the master. The redecorating was gradual, and at that
|
|
time blue was only another color, albeit one I associated with you.
|
|
You cooked well, and made me breakfast in bed on Saturday's. You even
|
|
gave up your church for me, when it was clear that I was terribly
|
|
unhappy going. I loved you with every ounce of my will. How could
|
|
you do what you did to me?!
|
|
|
|
Four years, two apartments - larger each time - and an Audi
|
|
(yours) later. Me, a successful consultant to several large
|
|
advertising agencies. You, finishing your Doctoral thesis. Five
|
|
cats; Malachi, Gabriel, Fuffi, Esmerelda, and Clarice. Joint checking
|
|
account. I even started hyphenating my last name with yours. Your
|
|
picture was everywhere in my office, and everyone was always
|
|
commenting on what a lovely couple we made. Then one day, I came
|
|
home, and you weren't there. It wasn't unusual at first; often you
|
|
were gone for long stretches of time, putting the finishing touches on
|
|
your thesis at school. The apartment felt a little funny, but I
|
|
didn't realize there was anything wrong till I went to get ready for
|
|
bed, and found your clothes gone. No note. No forwarding address.
|
|
No phone number. The police just laughed at me. Called me a "queer"
|
|
on the phone, first time anyone's ever done that to me. I had a hairy
|
|
fit.
|
|
|
|
No one knew where you were. Well, maybe Joan. But she wasn't
|
|
telling. It wasn't until almost a year later that I heard from you.
|
|
Your lawyer called, it was a Friday afternoon in August. I had just
|
|
finished off a huge presentation for a large firm in the area, and was
|
|
ready to head out of the office to hit the bars. I still thought of
|
|
you a lot, but as the time passed, moss grew on your memories, and I
|
|
started to go out again. I wasn't seeing anyone, but I was getting
|
|
more offers to move in with the guys I was sleeping with. At home,
|
|
four cats remained; Fuffi, your favorite, had been struck by a car a
|
|
month after your absence, and killed immediately. The decor was the
|
|
same, though perhaps a little more of me was projected into the
|
|
arrangement in the kitchen. I was becoming something of a chef, with
|
|
the resources your books provided. Instead of leaving immediately,
|
|
though, I had stopped by the receptionist, to wish her a happy weekend
|
|
and congratulate her on her engagement to a nice Jewish lawyer (really
|
|
a schmuck but well-off, and from what I'd heard well-hung, so who's to
|
|
argue with that?). I had a message, she said. To call some "Shyster
|
|
and So-and-so and Sons" in New York City. I didn't know who it was,
|
|
but she said it sounded important, so I went back to my office and
|
|
called.
|
|
|
|
I think the entire office heard my scream, though everyone was
|
|
conspicuously absent when I finally left the office and drove home.
|
|
Your mother called me that night - had been calling all day - she
|
|
wanted to contest the will. You had left me everything you owned, a
|
|
fairly sizable chunk of cash and bonds, and she didn't think I was fit
|
|
to get it. My lawyer talked to hers, and a few months later I was a
|
|
couple hundred thousand richer. Whoopie. You were gone. Without a
|
|
sound you had left my life, and had gone off to Europe to die in a
|
|
clinic. They wouldn't tell me at first, but I knew why. I remembered
|
|
that painting, in that trite little gallery in New York so long ago.
|
|
I knew what had happened to you.
|
|
|
|
Of course I was tested, immediately. I was in the clear, by some
|
|
twist of malign fate. You died, I lived. I went home and tore
|
|
everything down, made a complete wreck of the place. Took three
|
|
weeks' mourning leave from work. I even sent your mother flowers. It
|
|
didn't help. It's been two years now, since that phone call. I know
|
|
you're up there, reading over my shoulder as I type this into the
|
|
machine. I'm coming to visit you soon, but not until I get this out
|
|
on paper...
|
|
|
|
|
|
----------------------------------------------------
|
|
David B. O'Donnell, aka Atropos, is a technical
|
|
communications major currently on a leave of absence
|
|
from his undergraduage degree. When not sweating
|
|
over the keyboard at his job programming for GTE,
|
|
David enjoys reading, chatting on BITNET, Connect
|
|
and IRC, and dabbling in the "fine" arts. In
|
|
addition to the address above, he may be reached at
|
|
EL407006@BrownVM.Brown.EDU or LUTHER@MTUS5.BITNET.
|
|
This marks David's second appearance in Athene.
|
|
----------------------------------------------------
|
|
|
|
|
|
|
|
|
|
"The Fundamental Nature of Research"
|
|
By Kenneth A. Kousen
|
|
KAK%UTRC@utrcgw.utc.com
|
|
Copyright 1990 Kenneth A. Kousen
|
|
======================================================================
|
|
|
|
On the morning of September 9, James Alton had the dubious
|
|
privilege of watching all of his technical problems solved before his
|
|
very eyes.
|
|
|
|
Naturally, he felt elated. To finally understand the problems on
|
|
which he had spent his entire professional career was thrilling. Just
|
|
as naturally, he was devastated, because he was not the man to solve
|
|
them. Worse, the solution as it stood represented a change so basic
|
|
in character that it rendered all of his previous work obsolete.
|
|
|
|
You think this can't happen? You think it doesn't happen all the
|
|
time? Wrong on both counts. It has to do with the fundamental nature
|
|
of research. Before addressing this, first consider the specific case
|
|
of James Alton.
|
|
|
|
His field of interest was the dynamical behavior of fractal basin
|
|
boundaries. Actually, it doesn't matter what his field was. It could
|
|
have been quantum chromodynamics, or neural networks, or computational
|
|
aeroelasticity, or any of a dozen others. It helped, however, that it
|
|
was one of the so-called `hard' sciences, like physics or mathematics,
|
|
as opposed to one of the so-called `soft' sciences, like history or
|
|
literature. Any time a subject contains problems that have `definite'
|
|
answers of some sort, a person's career can be destroyed overnight by
|
|
a new breakthrough. It can happen in the soft sciences as well, but
|
|
not as often. In this particular case, however, it was the dynamical
|
|
behavior of fractal basin boundaries.
|
|
|
|
James W. Alton, Ph.D., Associate Professor of Applied Mechanics
|
|
at the Holmes Center for Nonlinear Physics at Cornell University,
|
|
cared more about the dynamical behavior of fractal basin boundaries
|
|
than life itself. He remembered the excitement he felt when he first
|
|
learned about them, and the thrill it gave him when he presented his
|
|
first contribution to the subject. He believed the problems in his
|
|
field had a special esthetic beauty about them, and he had built his
|
|
entire career on their solution. They had rewarded him with success,
|
|
recognition, and feelings of accomplishment, which is as much as any
|
|
researcher could want. The dynamical behavior of fractal basin
|
|
boundaries was his life.
|
|
|
|
What happened was this. Professor Alton was one of the world
|
|
authorities on the use of Smale methods. He had used them for years.
|
|
He liked them, and he was comfortable with them. He had been one of
|
|
the first to use them in the field of fractal basin boundaries, and
|
|
his results had gotten him tenure. Since then, he had become an
|
|
editor for the Journal of Nonlinear Mechanics, had become a University
|
|
Fellow, and had signed a contract to write an advanced text on his
|
|
subject.
|
|
|
|
As part of the last chapter of this book, he wanted to include a
|
|
survey of the newest results in the field. To accomplish this, he
|
|
decided to attend the 42nd annual AIAA/ASME/ASCE/AHS Structures,
|
|
Structural Dynamics and Materials Conference, which traditionally held
|
|
a session on novel new techniques in nonlinear dynamics. He prepared
|
|
a survey paper for this conference, giving the history of Smale
|
|
methods in the dynamical behavior of fractal basin boundary problems.
|
|
He felt that by presenting this work, he could simultaneously continue
|
|
to popularize his methods, encourage new researchers to enter the
|
|
field, and deduct the trip as a business expense.
|
|
|
|
He spent a considerable amount of time on the paper. In a sense,
|
|
it was a labor of love, and a welcome opportunity to immerse himself
|
|
in the older literature in the field.
|
|
|
|
As he did so, however, clouds began to appear on the horizon.
|
|
Certain fundamental problems had a tendency to reappear every so
|
|
often. They generally looked simple at first glance, but had an
|
|
annoying tendency to resist solution. Alton found that each
|
|
generation of researchers had encountered them and applied the latest
|
|
techniques for their solution, completely confident of the outcome.
|
|
To their chagrin, the answers never came out quite right. They were
|
|
close, but somehow the discrepancies between what they got and what
|
|
they thought they should have gotten were always a bit too large.
|
|
What usually happened then is that each researcher would attribute the
|
|
errors to higher order effects, with the comment that a more detailed
|
|
analysis would take care of them. It was a natural, even obvious
|
|
conclusion.
|
|
|
|
It was also wrong.
|
|
|
|
Don't be so smug. These people were not stupid. If they had
|
|
known then what they know now, of course they would have realized that
|
|
these errors were indicative of some pretty basic faults in the
|
|
current theory. It's also possible that some of them did suspect
|
|
this, but lacked the time or the skills necessary to follow up on
|
|
their suspicions. This is part of the fundamental nature of research.
|
|
You damn well can't solve everything, so some things have to be taken
|
|
on faith. If every once in a while an assumption like this gets you
|
|
into trouble, well, that's just an occupational hazard. The
|
|
researchers were doing the best they could at the time.
|
|
|
|
James Alton was, naturally, aware of these problems. What had
|
|
never struck him, though, was how one particular problem, the
|
|
so-called Hyperbolic Singularity Problem, kept coming up again and
|
|
again. It had defied all attempts at solution by some of the biggest
|
|
names in the field.
|
|
|
|
He received a nasty shock when he discovered that he himself had
|
|
encountered the problem as a young man during the course of his own
|
|
work. It had been only a small side detail at the time, but it had
|
|
proven necessary to get a solution. He found that he, like everyone
|
|
else, had been unable to solve the problem with techniques known at
|
|
the time. He personally had encountered the Error That Wouldn't Die,
|
|
and to his dismay had swept it under the rug, calling it a
|
|
`pathological' case, of no real importance.
|
|
|
|
Now he knew better. "Pathological, my foot," he muttered.
|
|
|
|
He dropped his other projects and spent the better part of two
|
|
months attacking the problem. He ate, drank, and slept the Hyperbolic
|
|
Singularity Problem. Its solution became an obsession, partly as a
|
|
matter of pride, and partly because he dimly glimpsed what the
|
|
inability of his methods to solve it could mean. There was no reason,
|
|
he believed, that the problem could not be solved by Smale methods,
|
|
but the problem refused to listen. Something was terribly wrong, and
|
|
disaster lurked over the horizon.
|
|
|
|
He tried all sorts of odd approaches to the problem. Some made
|
|
progress; some didn't. One thing he did not try, for the
|
|
understandable reason that he had never heard of it, was a technique
|
|
from outside his field known as Renormalization Group Theory. After
|
|
all, who knew it might help? Who could have suspected? Is it fair to
|
|
blame the man in retrospect?
|
|
|
|
It's funny how much difference little errors can make. It has
|
|
happened over and over again throughout history. The change in the
|
|
orbit of Mercury due to the effects of general relativity is
|
|
vanishingly small, yet the implications of that change altered physics
|
|
forever. Before, gravity was action at a distance. Now, it's all a
|
|
question of geometry.
|
|
|
|
Don't worry if you didn't follow that analogy. It doesn't
|
|
matter. There are plenty of others. Is the curvature of the Earth
|
|
zero, or not quite zero? Has the universe existed forever, or not
|
|
quite forever? Can you specify both where a particle is and how fast
|
|
it is moving exactly, or not quite exactly? Each answer is, of
|
|
course, `not quite,' and the result is that the world is round, the
|
|
universe is expanding from an initial Big Bang, and Werner Heisenberg
|
|
deserves his Nobel Prize, among other things. The lesson for the
|
|
researcher is that sometimes little errors _do_ matter. The question
|
|
here is, what happens to the poor sap who missed it?
|
|
|
|
In the case of Professor Alton, the answer wasn't pretty. After
|
|
much soul searching, he decided to center his entire paper on the
|
|
solution of Hyperbolic Singularity Problem with Smale methods. He
|
|
hated to call attention to the problem, but his basic honesty
|
|
tragically won through. He submitted the paper, including several
|
|
false tries and a desperate plea (if you read between the lines) for a
|
|
solution using his methods.
|
|
|
|
As luck would have it, his paper was scheduled to be presented on
|
|
the morning of the last day of the conference. Immediately preceeding
|
|
was the paper by Samuel Ware that would make history.
|
|
|
|
On the day in question, Alton entered the long, low lecture hall
|
|
with trepidation. He moved down the rows of padded metal chairs until
|
|
he reached a seat about one third of the way from the podium. Gentle
|
|
fluorescent lighting glowed from above, casting few shadows on the
|
|
amber carpeting. In front, a slide projector and an overhead
|
|
projector both hummed quietly to themselves. He felt that the silence
|
|
was deafening, and only made worse by the hush of his colleagues as
|
|
they entered and saw him. He tried mightily not to show the
|
|
nervousness that he felt.
|
|
|
|
He basically succeeded. In reality, of course, no one paid him
|
|
the slightest attention. They were far more concerned with getting a
|
|
good seat for this talk, or discussing the last one with a friend, or
|
|
getting a cup of coffee to help them stay awake. The rare individual
|
|
who did notice Alton simply assumed that he was nervous about his
|
|
presentation. In this case, that was prescient, but nervousness in a
|
|
speaker is sufficiently common that it engendered little commentary.
|
|
|
|
Promptly at nine o'clock, the session chairman introduced the
|
|
first speaker. His rather uninteresting paper concerned a certain
|
|
extension of the known theory into an area about which few people
|
|
cared. This was normal, and is another aspect of the fundamental
|
|
nature of research, this time involving production research to fill
|
|
out a resume. The only relevant point here is that such events are so
|
|
common that its very familiarity helped Alton relax a bit. There were
|
|
a few questions afterward, and most of them were silly. Again, this
|
|
was normal.
|
|
|
|
At nine-thirty, the chairman introduced Samuel Ware. This was
|
|
far from normal. Ware was a wunderkind; one of the brilliant young
|
|
men who published little but revealed entire new continents of theory.
|
|
Ware had a knack for knowing exactly what questions to ask that would
|
|
challenge the current understanding. Speakers dreaded seeing him in
|
|
the audience, as his questions usually drove them nuts.
|
|
|
|
Was Ware a genius? Who knows? What is genius, anyway? He was
|
|
often described as brilliant, but that only means that he was more
|
|
intelligent than the person who said it. If one person is ten times
|
|
smarter than you are, and another person is fifty times smarter than
|
|
you are, the one person who won't be able to tell them apart is you.
|
|
All you know is that they both can blow you away without trying.
|
|
|
|
Ware was one of those people who seemed to be smarter than
|
|
everybody.
|
|
|
|
Incidentally, if you think there aren't plenty of these people
|
|
around, you're wrong about that, too. Any professional researcher can
|
|
point to one or two. If one of them enters your chosen field, you
|
|
just hope that all they do is solve the problems you want solved and
|
|
verify the things you did yourself. This is due to yet another factor
|
|
in the fundamental nature of research. If you want to make progress
|
|
in a field, and you are not in the class of Samuel Ware, you have few
|
|
choices. In any established field, all of the easy problems have been
|
|
solved, and the vast majority of the unsolved problems are virtually
|
|
impossible. To survive, therefore, you either must spend your entire
|
|
career trying to work on one of the known unsolved problems, hoping
|
|
all the while that it will generate enough of interest to make you a
|
|
success, or you have to find a wholly new field, and make your
|
|
reputation by solving all the easy problems you find there. The
|
|
latter course is risky because new fields are tough to find, but has
|
|
the potential to make you famous, at least until one of the Samuel
|
|
Ware types wanders in and takes it for himself.
|
|
|
|
Some time earlier, Samuel Ware had decided that the dynamical
|
|
behavior of fractal basin boundaries was "interesting." He had quickly
|
|
mastered the commonly used Smale methods, and then stumbled upon the
|
|
Hyperbolic Singularity Problem. After some effort, he decided that
|
|
Smale methods were never going to be able to solve the problem. He
|
|
set about developing a new technique that would work.
|
|
|
|
Think about what this means. It looks noble on the surface.
|
|
Here is a guy that has the stuff of legends, attacking a problem that
|
|
had frustrated the best workers in the field for decades. Here is
|
|
Samuel Ware, a young, bright individual with a "fresh" outlook, who is
|
|
going to succeed where all the rest have failed. Leave it at that,
|
|
and it sounds like a hero-worshipping TV movie. But look further.
|
|
Someone had to develop the methods already in existence. Someone in
|
|
all likelihood staked his career on their accuracy and ability to
|
|
succeed. Someone cares very much about these methods, and Ware is
|
|
going to destroy that person. It may be necessary in this case (after
|
|
all, the problem still has to be solved), but the human cost is real,
|
|
and shouldn't be ignored.
|
|
|
|
Like James Alton, Samuel Ware tried several ideas to solve the
|
|
Hyperbolic Singularity Problem. Unlike James Alton, Samuel Ware knew
|
|
about Renormalization Group Theory.
|
|
|
|
After his introduction, Ware proceeded to the podium and began
|
|
his talk. At his mention of the Hyperbolic Singularity Problem, Alton
|
|
sat bolt upright in his seat. During Ware's subsequent demonstration
|
|
of the inadequacy of Smale methods to solve the problem, Alton hardly
|
|
moved a muscle. Ware's formal proof that no foreseeable variation on
|
|
Smale methods would ever be sufficient caused his jaw to drop in
|
|
astonishment.
|
|
|
|
Ware continued. "It is therefore fortunate," he said, "that the
|
|
recent advances in Renormalization Group Theory have allowed the
|
|
following reconstruction of the basic problem..."
|
|
|
|
Alton's brow furrowed in puzzlement. `Renormala-who?' he
|
|
thought. `What in the world?'
|
|
|
|
"... and therefore," Ware said, sometime later, "it can now be
|
|
seen that the imaginary time transform solves the whole problem.
|
|
Better than that, actually; it removes the singularity entirely. The
|
|
Hyperbolic Singularity Problem no longer exists!
|
|
|
|
"If we take these ideas to their logical conclusion, the entire
|
|
field can be reconstructed from the bottom, and the singularities
|
|
never appear at all. Were it not for an accident of history, the
|
|
original problems would have been developed in this form and the
|
|
entire issue would have been resolved long ago..."
|
|
|
|
He continued in this vein for some time, but Alton no longer
|
|
heard him. His wildest dream and his worst nightmare had come true
|
|
simultaneously. The problem he had wracked his brains over was now
|
|
solved. Actually, all the problems in his field were now solved.
|
|
|
|
In the process, though, all the work he had done during his
|
|
entire career was now made obsolete. Superfluous. Out-dated in the
|
|
span of half an hour.
|
|
|
|
His first reaction was to search desperately for a flaw in Ware's
|
|
reasoning, but that led nowhere. He didn't know the first thing about
|
|
Renormalization Group Theory, and he wasn't likely to find an error on
|
|
the spot. He did know about the Hyperbolic Singularity Problem,
|
|
however, and his years of experience in the field made him familiar
|
|
with what form the answer must take. Ware's answer looked right. It
|
|
felt right. He admitted to himself that it was right.
|
|
|
|
His next thought was to attack the intruder. He quickly scanned
|
|
the room, and noticed that Ware's presentation had left most of those
|
|
in attendance unmoved. This was due to one more facet of the
|
|
fundamental nature of research; the fact that great discoveries are
|
|
almost invariably made in retrospect. Few of the others in the room
|
|
had Alton's direct experience with the Hyperbolic Singularity Problem,
|
|
and most of them didn't know much about Ware. All they saw was a
|
|
person they didn't know presenting a technique they'd never used based
|
|
on a field with which they were unfamiliar. Alton realized that he,
|
|
and he alone, knew what Ware's solution really meant. Someday the
|
|
next generation of researchers would look back at this presentation
|
|
with awe and call it the beginning of true understanding in the field.
|
|
It would take time, though. Right now, the only people who knew what
|
|
had just happened were Samuel Ware and James Alton. If he so chose,
|
|
Alton could delay that time of understanding, perhaps indefinitely.
|
|
|
|
The opportunity was there. He could denounce Ware and his new
|
|
technique. Better yet, he could ensure that it be ignored entirely.
|
|
All he would have to do was to take the attitude of a patronizing
|
|
elder. "Very good, my boy," he could say. "Quite clever. Who knows?
|
|
Maybe your little trick will lead to something important someday." It
|
|
would be easy. He had seen it done before. These people knew him and
|
|
they didn't know Ware. They will listen to the person they knew.
|
|
|
|
`But Ware is right,' he thought, and his basic honesty warred
|
|
with his impulse for self-defense. `Can I betray the advancement of
|
|
the field I've cared about for so long?' He simply couldn't, and anger
|
|
and frustration welled up inside of him, to the point that he slapped
|
|
his fist into his other hand. The resulting noise caused everyone to
|
|
stop what they were doing and stare at him.
|
|
|
|
To understand what he did next, it is necessary to understand
|
|
what psychologists call a "displacement reaction." The classic example
|
|
is the following.
|
|
|
|
The arctic tern builds its nest at ground level, digging into the
|
|
snow above the arctic tundra. The tern relies on its white coloration
|
|
to provide camouflage and thereby hide it from its enemies. One of
|
|
these enemies is the arctic fox.
|
|
|
|
Consider this situation. The male and female arctic terns have
|
|
built a nest on the ground and the female has laid her eggs. Now here
|
|
comes the arctic fox. Each individual now has a decision to make.
|
|
|
|
For the fox, the decision is easy. Go get the eggs. Attack.
|
|
|
|
For the female tern, the decision is also easy. Protect the
|
|
eggs. Defend, even at the cost of her own life.
|
|
|
|
For the male tern, however, the decision is not so obvious. If
|
|
he stays with the female and defends the nest, he will probably die in
|
|
the process, though the nest will have a far better chance of
|
|
surviving. If he abandons the nest and the female, both will
|
|
inevitably fall to the fox. What to do? Self-preservation, or
|
|
survival of the species?
|
|
|
|
Such a conflict is too much for the male arctic term. Given two
|
|
choices, both imperative and both impossible, he chooses a third
|
|
alternative, a displacement reaction. He tries to mate with the
|
|
female. Pointless, counterproductive, and suicidal, but at least the
|
|
tern didn't have to make a decision it couldn't handle.
|
|
|
|
James Alton was not an arctic tern. He was a human being, and
|
|
though he too was faced with two imperative, impractical alternatives,
|
|
his displacement reaction took a different form, one uniquely human.
|
|
|
|
He laughed.
|
|
|
|
A chuckle at first, followed by a guffaw and then a full belly
|
|
laugh. Before long, he was on his knees, roaring with laughter, tears
|
|
streaming down his face. Someone asked him what was wrong, and he
|
|
doubled up with laughter and rolled on the floor, waving his arms as
|
|
though begging some nonexistent jokester to stop.
|
|
|
|
At long last he calmed himself enough to return to his seat,
|
|
still giggling but under control. The session chairman, not knowing
|
|
what else to do, then announced him as the next speaker, which of
|
|
course set him off again.
|
|
|
|
This time he really lost it. He banged his head against his
|
|
arms. He made outlandish faces at people around him. He danced a
|
|
maniacal dance of glee around the room, until he finally collapsed in
|
|
exhaustion at the podium. He looked out at the shocked audience.
|
|
|
|
"Paper withdrawn," he said, and he left the auditorium.
|
|
|
|
|
|
Samuel Ware found him later, standing in a bay window looking out
|
|
over the hotel gardens. It was a quiet place, and relatively
|
|
secluded. Ware hesitated for a moment before disturbing the older
|
|
man. With a shrug, he came forward.
|
|
|
|
"Nice day," he said to Alton, looking outside.
|
|
|
|
Alton glanced at him briefly and nodded. He sighed.
|
|
"Congratulations," he said. "That was a nice piece of work."
|
|
|
|
"Thank you," Ware replied. "I appreciate your opinion."
|
|
|
|
Alton dismissed the comment with a wave. "Nice of you to say so,
|
|
but it's hardly necessary." He chuckled. "As of a few hours ago, I am
|
|
no longer qualified to have an opinion."
|
|
|
|
Ware raised his eyebrows in surprise. "Ridiculous. I think you
|
|
were the only one in there who understood what I was talking about.
|
|
Those fools," he said disgustedly. "They didn't follow me at all.
|
|
But _you_ did. I'm sure of it."
|
|
|
|
"Yes, well, like I said, it was a nice piece of work."
|
|
|
|
"Again, thanks." Ware swayed from side to side, apparently unsure
|
|
of himself. "Anyway," he said, "that's why I came to see you."
|
|
|
|
Alton frowned and turned toward him. "That's right. Why did you
|
|
come in here?"
|
|
|
|
"I don't know exactly how to say this," Ware stammered. "I
|
|
always, uh, thought that the situation you've set up at Cornell was
|
|
awfully nice. I mean, it's very convenient and helpful, and you seem
|
|
to welcome new ideas, and---"
|
|
|
|
Realization dawned on Alton. "You mean you're looking for a
|
|
_job?"_ he exclaimed in astonishment.
|
|
|
|
Ware looked acutely embarrassed. "Well, when you come right down
|
|
to it, yes. Everyone knows that the Center is the best place in the
|
|
world for nonlinear dynamic research. There's lots of freedom, and
|
|
good people there. I sort of hoped you might let me come and join."
|
|
|
|
Alton stared at Ware in amazement. "Fascinating," he said
|
|
slowly. "But why did you come to me?"
|
|
|
|
"You're the best person there," Ware said, somewhat surprised.
|
|
"Everybody knows that. The Center would never turn down your
|
|
request."
|
|
|
|
"I think you overrate my importance," Alton said, but he could
|
|
see that Ware plainly didn't believe him. He shook his head. "I
|
|
don't understand. I thought you were happy in your present job. I
|
|
never heard anything different. What suddenly changed your mind?"
|
|
|
|
"Oh, the government's okay, but when I started learning about
|
|
fractal basin boundaries, I just fell in love with the stuff. It's
|
|
great fun." He smiled, wistfully. "I decided that that was the field
|
|
I wanted to settle down in. So naturally, I wanted to come to the
|
|
Center. You guys are the best, and I wanted to be one of them."
|
|
|
|
"I see. Why didn't you say anything about this until now?"
|
|
|
|
Ware reddened slightly. "Well, I wanted to show you that I was
|
|
worth taking on. I figured the best way to do that was to solve some
|
|
problem you were interested in." He grew excited. "It worked, too.
|
|
I'm so happy I found a way to solve that damned Hyperbolic Singularity
|
|
Problem. What a bear! It's a good thing I knew about Renormalization
|
|
Group Theory, or I never would have gotten anywhere."
|
|
|
|
"Yes, I suppose it is." He slowly shook his head. "You solved
|
|
the problem to impress me. Amazing. Simply unbelievable." He
|
|
laughed.
|
|
|
|
Ware looked at him worriedly. "Boy, you laugh a lot, don't you?"
|
|
he said.
|
|
|
|
A broad grin flashed across Alton's face. "More and more often,
|
|
it would appear. Look, the sun's come out at last. Let's go for a
|
|
walk in the gardens and talk about the job." He put his arm around
|
|
Ware's shoulders to lead him outside. As they reached the door,
|
|
however, he stopped. "Oh, there's one condition."
|
|
|
|
"Oh? What is it?"
|
|
|
|
"Next time you decide to impress me, please let me know about it
|
|
before hand, all right?"
|
|
|
|
"Uh, sure," Ware said, puzzled.
|
|
|
|
"Good." He gave Ware an amused grin. "You know, in about twenty
|
|
years, you and I are going to have to sit down and have a long talk."
|
|
|
|
"Really? What about?"
|
|
|
|
Alton smiled. "The fundamental nature of research," he replied,
|
|
and led the younger man out into the garden.
|
|
|
|
|
|
----------------------------------------------------
|
|
Ken Kousen is an associate research engineer at
|
|
United Technologies Research Center in East
|
|
Hartford, CT, where he does not work on fractals,
|
|
singularity problems, or renormalization group
|
|
theory. He has also met neither Stephen Smale nor
|
|
any arctic terns (at least, not yet). He does like
|
|
to write though. This is Ken's second appearance in
|
|
Athene.
|
|
----------------------------------------------------
|
|
|
|
|
|
|
|
|
|
"Hibicus"
|
|
By H. Newcomb
|
|
(Communications may be made via Ken Selvia, who can be reached at
|
|
UCS_KAS@SHSU.BITNET)
|
|
======================================================================
|
|
|
|
My luck was actually holding up, buy you wouldn't have known it
|
|
by the way I was cussing as I dressed that evening.
|
|
|
|
It was only the fourth time I had ever been trapped into actually
|
|
attending a (shiver) cocktail party. Still, I had gone through the
|
|
trouble of shocking my family and friends -- if they can be called
|
|
that -- by going to a southern A & M college instead of Harvard or
|
|
some other such place because I could not stand anything having the
|
|
odor of the preppie outlook anymore, and desired to establish a
|
|
reputation they would not care for. I'm no rebel, dropout, or hippie,
|
|
although you'd think so after listening to some of those people. I
|
|
just don't buy the idea that good clothes, fine food and drink,
|
|
etcetera, are only earned with plastic smiles and atrophied
|
|
intelligence. No Brooks Brothers suits or cordon bleu for me if I
|
|
have to read Buckley or Buchanan to keep up with my peers. I'll
|
|
settle for jeans, hot dogs with chili, Anderson, and Royko, thank you.
|
|
|
|
I thought six years away at college would see me safely past the
|
|
preppie threat. Uh-uh. Some bastard went and evolved them into
|
|
yuppies. Young, upwardly mobile pinheads -- don't have the slightest
|
|
idea what the structure they're moving up on consists of, or if it is
|
|
stable. Often they live by computer, speak computerese, and don't
|
|
know what one is or how it works.
|
|
|
|
I minored in sociology and computer programming, and took my
|
|
major and advanced degree in electronic engineering. I know how to
|
|
build a computer from scratch, tell it how to work, tell if it is
|
|
situated physically and socially in a stable environment, and I make
|
|
more money per effort than any of them I've heard of. Still, one of
|
|
them hears where I went to school and starts acting superior. Doesn't
|
|
make me the least bit sore, though, don't get me wrong -- it's just
|
|
that as an engineer, I hate to see potentially good material made into
|
|
a second rate product.
|
|
|
|
Usually I avoid situations where I might have such encounters,
|
|
such as that night's cocktail party I was trapped into going to. My
|
|
favorite (well, only, but still deserving of the adjective) sister was
|
|
hosting this one, though. Some sort of introduction party. Probably
|
|
for some completely useless geek someone else was convinced was an
|
|
artist, since she had gone through the bother of pulling in all the
|
|
favors I owed her to get me to attend. I suspected that immediately,
|
|
and that she cared so little for this party or its guest of honor that
|
|
inviting me was a way of getting back at whoever was to blame.
|
|
|
|
I asked her, but she just smiled. That, more than anything, made
|
|
me feel sure I was right and agree to come. It was scheduled for
|
|
eight, in highsocietyese nine-fifteen, but Carol (my sister) knew I
|
|
didn't hold with that kind of math, couldn't face this sort of thing
|
|
straight, and wouldn't stay past ten anyhow, so she met me at the door
|
|
right on the dot, led me to a den where we had a quick drink and
|
|
visit, then left me to finish preparing myself while she finished
|
|
preparing herself. I enjoyed a few drinks, and welcomed a few
|
|
individuals who shared my liking for being on time.
|
|
|
|
Carol was back down at a quarter of, just in time for the real
|
|
flow of arrivals to start. It only took twenty minutes before she
|
|
signaled me that all the invited guests had arrived. I was a bit
|
|
surprised by this at first, then remembered that in this crowd it was
|
|
usually a sign that there was another party to hit later. I only had
|
|
a small round to make to be done with it, checked and confirmed my
|
|
guess about the other party, then found a relatively quiet corner and
|
|
sat down to watch.
|
|
|
|
The guest of honor was really pitiful. I didn't say a single
|
|
word -- didn't have to, his pretensions were ripped by a lady I'd
|
|
often heard my sister describe -- not unkindly -- as the blankest spot
|
|
on the circuit. The crowd didn't turn ugly or get restless, though,
|
|
but seemed pleased with the outcome.
|
|
|
|
Carol wandered by about ten minutes later, so I intruded upon her
|
|
and quietly asked, "Mary was really the guest of honor tonight, wasn't
|
|
she? A little something to cheer her up or boost her spirits?"
|
|
|
|
She frowned and nodded, then shrugged her shoulders and said,
|
|
"Before you ask, smartass, we drew lots. I expect you to keep your
|
|
mouth shut. Don't, and I'll give you another one of these -- meaning
|
|
it." She walked off, spiking me close to the big toe. Nothing really
|
|
painful, so I grinned at her as a sign I'd behave before seeking out
|
|
my quiet corner again.
|
|
|
|
It was twenty to ten, but the party hadn't been all that
|
|
offensive, I didn't have anything on for the next day, and Carol owed
|
|
me for the foot business, so I figured I'd stick around for another
|
|
hour unless too many other people left and give her bar stock a good
|
|
working over. Besides, this one lady had been giving me a very strong
|
|
eye all evening, and I wanted to give her a bad impression before I
|
|
left lest she try to look me up. I did mention that I couldn't stand
|
|
those kind, right?
|
|
|
|
I even indulged in a rare cigar, luckily having one on hand, but
|
|
it didn't work. She came over about fifteen minutes later, catching
|
|
me alone, sat down, and asked, "Does it seem likely to you that the
|
|
true first law of any physical universe is inertia, and violating this
|
|
law is what leads to entropy?"
|
|
|
|
I had been set to frown and say something nasty, expecting her to
|
|
say something polite and brainless. I nearly sprained my tongue
|
|
swallowing the comment I had ready, regrouped, and finally grinned. I
|
|
still believed she was being pretentious, but her line was interesting
|
|
and intriguing enough to play around with for awhile. "It's
|
|
possible," I said. "I'm not an astronomer, and don't know that much
|
|
about current thinking on celestial mechanics. I am an engineer,
|
|
though, and if what I've worked with is any guide, I'd say you got it
|
|
dead to rights."
|
|
|
|
"Ah," she responded. "I thought you looked too real to fit in
|
|
with this bunch."
|
|
|
|
"Your hostess is my sister," I nodded.
|
|
|
|
"You're Carol's brother?" she said. "That's cheering. I didn't
|
|
know she had any good influences."
|
|
|
|
I laughed. Not especially brilliant, flattery seldom is, but
|
|
enjoyable. "Mind if I tell you a story?" she continued. "It'll be
|
|
brief."
|
|
|
|
"Full drinks for us both first," I insisted. "No worthwhile
|
|
story is that short."
|
|
|
|
She cocked an eye at me and smiled. "Thank you! I hope I'll
|
|
meet your optimistic expectations. Make mine water, since I've had my
|
|
limit, but throw in plenty of ice and a slice of lime."
|
|
|
|
I took her glass, did the honors, then returned and sat down a
|
|
bit closer to be in good position to listen. "This story," she
|
|
started, "concerns a man I've known for a long, long time. He and I
|
|
have known each other by many names.
|
|
|
|
"We've been married a number of times. Other times, we've just
|
|
been partners in business. It depended on whatever situation we were
|
|
in. Basic survival, court intrigues, smuggling, tavern keeping,
|
|
homesteading, sometimes just farming."
|
|
|
|
"A busy life," I observed, feeling slightly uncomfortable without
|
|
understanding why.
|
|
|
|
"Usually," she agreed. "Sad to say, though, I've not been in
|
|
touch with him for years."
|
|
|
|
"Thought about placing an ad?" I ventured.
|
|
|
|
"Yes. I've even got one written. I know, from past experience,
|
|
that he seldom remembers to look for me. Not that he doesn't want to,
|
|
or that he's not glad to have me find him. It just is not something
|
|
he's learned to do yet, so up to now it's always been up to me. I
|
|
don't mind, because he's worth it. The only thing is, I'm not sure
|
|
the ad as I've written it will catch his notice. Would you listen to
|
|
it and tell me what you think?"
|
|
|
|
"Sure," I said, reluctantly and nervously.
|
|
|
|
"Seeking -- long time partner, to resume partnership as per
|
|
understanding. Arrival in this area approximately 1958, avoids the
|
|
artificial, impatient with phony. Is seeking deeper under- standing
|
|
and patience, lessons on which I will trade for ones in his many areas
|
|
of expertise, as per understanding. Reply ASAP."
|
|
|
|
"1958 is not very long for all the things you mentioned," I said.
|
|
"The ad seems pretty vague, also."
|
|
|
|
"I know, but I don't really have any way of knowing what will
|
|
stir his memory," she said, looking sad. "He has that skill. We were
|
|
hoping I could master it this time around. He always knows what will
|
|
ring a bell, whether it would be a meeting, a chance phrase, or,
|
|
sometimes, even a dream." "What sort of dream?" I asked.
|
|
|
|
"Past exploits, usually, according to him. Making wine in
|
|
France, selling ale in Williamsburg or Sidney, sailing the North Sea,
|
|
fighting in Turkey, making love in a field of hibicus on Vanua Levu."
|
|
|
|
I was shook. As she mentioned these things, memories of dreams I
|
|
had had about similar occurrences had come to mind, but the topper was
|
|
her mention of Vanua Levu. Immediately upon hearing her say that name
|
|
I knew it was one of the Fiji Islands, but could not recall how I knew
|
|
it. The world history I had taken in college had been centered on
|
|
European history, and I had mostly taken it because the alternative
|
|
for freshmen was geography, which I loathed. Sure, we had spent a
|
|
week on the major explorations of the 1400's through the 1700's, but I
|
|
didn't remember getting anything out of it. I looked at her
|
|
helplessly.
|
|
|
|
She looked hopeful for just a minute, then sighed. "Oh, well,
|
|
don't worry about it if it didn't strike a cord."
|
|
|
|
"Something did," I admitted, frowning. "I just don't know what.
|
|
Something that seems long ago."
|
|
|
|
"Very long ago," she said, looking hopeful again.
|
|
|
|
"But you're what, only twenty or so?" I stammered. She nodded.
|
|
"I don't see how -- . Except another life."
|
|
|
|
She didn't reply. I tried to pinpoint my thoughts, failed. "I
|
|
don't really believe this story," I finally said. "Too improbable.
|
|
Too many accomplishments, not enough time. Even if there were other
|
|
lives. The timing would never work out right." Not very well put, but
|
|
I was disturbed.
|
|
|
|
"Timing is no problem if two souls are in agreement," she told
|
|
me. "Not that I remember all that much, but I do recall that. He and
|
|
I have the arrangement needed. Certainly, we sometimes have bodies
|
|
that are out of sync by a number of years, but he and I never have
|
|
been."
|
|
|
|
I had dealt with a lot of weirdness, including a motorcycle club
|
|
membership Carol didn't know about, and once talked an armed 'Namvet
|
|
friend of mine out of re-enacting the OK Corral shootout, but this
|
|
lady stated her thoughts with such self-assurance that it shook me
|
|
like nothing else I had ever had to deal with. All I could do was
|
|
stammer (without desiring to) "Then these thoughts -- "
|
|
|
|
"Can be trusted," she assured me.
|
|
|
|
"Some -- "
|
|
|
|
"Ten percent are pure dreams."
|
|
|
|
"And the rest -- ?"
|
|
|
|
"Are memories, a great deal of which I share," she finished.
|
|
"But I'm going to have to leave now. I'm running late."
|
|
|
|
She stood and headed out. I got moving in time to catch her at
|
|
the door and asked, "Can we continue this some other time?"
|
|
|
|
"Sure, come by anytime."
|
|
|
|
"I don't know where you live. Or your name," I objected.
|
|
|
|
"Carol does," she said. "However, I've given you enough clues.
|
|
Please, try. Trust your thoughts. If you can, and find me that way,
|
|
well, it's not what we had hoped for, but it is a start and may lead
|
|
elsewhere faster." She then turned and left.
|
|
|
|
Five days later, I still hadn't figured it out. But my dreams
|
|
have come through now, I believe. Last night, I dreamed once again of
|
|
a wide field of hibicus. This morning I checked the city map. This
|
|
town does have a Hibicus street, in the same general area my sister
|
|
lives in.
|
|
|
|
Also, according to my encyclopedia, the Fiji Islands were found
|
|
by the Dutch sailor Tasman in 1643. It might be the whole story was a
|
|
fable, but I have a feeling that 1643 Hibicus is where I'll find out
|
|
for sure. I could call Carol and check, but I wouldn't want to cheat.
|
|
If I'm wrong, I'll do so then, I guess.
|
|
|
|
* * *
|
|
|
|
I couldn't take it, and I was too nervous with the basic elements
|
|
of this situation to just go there and possibly make a fool of myself.
|
|
I didn't ask Carol, but I did go to her house and sneaked a peek in
|
|
her address book. She does have a listing for someone in the 1600
|
|
block of Hibicus, though not 1643 as it happens. I don't know if it
|
|
is this lady, but I feel comfortable enough now to go find out. I'll
|
|
admit I checked after figuring it out if I find her there.
|
|
|
|
|
|
|
|
======================================================================
|
|
|
|
|
|
QQQQQ tt
|
|
QQ QQ tttttt
|
|
QQ QQ uu uu aaaa nnnn tt aaaa
|
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
|
QQQQQQ uuu aaaaa nn nn tt aaaaa
|
|
QQQ
|
|
______________________________________
|
|
|
|
A Journal of Fact, Fiction and Opinion
|
|
______________________________________
|
|
|
|
Quanta is an electronically distributed magazine of science fiction.
|
|
Published monthly, each issue contains short fiction, articles and
|
|
editorials by authors around the world and across the net. Quanta
|
|
publishes in two formats: straight ascii and PostScript* for
|
|
PostScript compatible printers. To subscribe to Quanta, or just to
|
|
get more info, send mail to:
|
|
|
|
da1n@andrew.cmu.edu
|
|
r746da1n@CMCCVB.bitnet
|
|
|
|
Quanta is a relatively new magazine but is growing fast, with over
|
|
eight hundred subscribers to date from nine different countries.
|
|
Electronic publishing is the way of the future. Become part of that
|
|
future by subscribing to Quanta today.
|
|
|
|
*PostScript is a registered trademark of Adobe Systems Incorporated.
|
|
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|
|
|
|
|
|
|
/
|
|
DDDDD ZZZZZZ //
|
|
D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
|
|
D D A A R R G O O N N N Z I N N N E ||
|
|
-=========================================================+<OOOOOOOOO>|)
|
|
D D AAAA RRR G GG O O N N N Z I N N N E ||
|
|
DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
|
|
\\
|
|
\
|
|
The Magazine of the Dargon Project Editor: Dafydd <White@DUVM>
|
|
|
|
DargonZine is an electronic magazine printing stories written for
|
|
the Dargon Project, a shared-world anthology similar to (and inspired
|
|
by) Robert Asprin's Thieves' World anthologies, created by David
|
|
"Orny" Liscomb in his now retired magazine, FSFNet. The Dargon
|
|
Project centers around a medieval-style duchy called Dargon in the far
|
|
reaches of the Kingdom of Baranur on the world named Makdiar, and as
|
|
such contains stories with a fantasy fiction/sword and sorcery flavor.
|
|
|
|
DargonZine is (at this time) only available in flat-file,
|
|
text-only format. For a subscription, please send a request via MAIL
|
|
to the editor, Dafydd, at the userid White@DUVM.BitNet. This request
|
|
should contain your full userid (logonid and node, or a valid internet
|
|
address) as well as your full name. InterNet (all non-BitNet sites)
|
|
subscribers will receive their issues in Mail format. BitNet users
|
|
have the option of specifying the file transfer format you prefer
|
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(either DISK DUMP, PUNCH/MAIL, or SENDFILE/NETDATA). Note: all
|
|
electronic subscriptions are Free!
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