1557 lines
123 KiB
Plaintext
1557 lines
123 KiB
Plaintext
|
|
|
|
** ************
|
|
*** *********** **** **** ********* *** **** ***********
|
|
**** ** *** ** *** *** *** ** *** *** **** **
|
|
***** *** *** *** *** **** *** ****
|
|
****** *** ******** ****** ******** ****
|
|
*** *** *** *** *** *** *** **** *******
|
|
*** *** *** *** *** *** ** *** *** ****
|
|
********* ***** **** **** ********* **** *** ****
|
|
*** *** **** **
|
|
*** *** ------------------- **** ***
|
|
****** ***** The Online Magazine ***********
|
|
****** ***** of Amateur Creative Writing ************
|
|
---------------------------
|
|
|
|
======================================================================
|
|
December 1989 Circulation: 483 Volume I, Issue 4
|
|
======================================================================
|
|
|
|
|
|
Contents
|
|
|
|
Etc... .................................................. Jim McCabe
|
|
Editorial
|
|
|
|
No One Ever Said Time Travel Would Be Easy ...... Phillip McReynolds
|
|
------------------------------------------ Fiction
|
|
|
|
Master of Delusion ..................................... Jason Snell
|
|
------------------ Fiction
|
|
|
|
A Night on the Net .................................... Jeff Okamoto
|
|
------------------ Fiction
|
|
|
|
|
|
******************************************************************
|
|
* *
|
|
* ATHENE, Copyright 1989 By Jim McCabe *
|
|
* This magazine may be archived and reproduced without charge *
|
|
* under the condition that it is left in its entirety. *
|
|
* The individual works within are the sole property of their *
|
|
* respective authors, and no further use of these works is *
|
|
* permitted without their explicit consent. *
|
|
* Athene is published quasi-monthly *
|
|
* by Jim McCabe, MCCABE@MTUS5.BITNET. *
|
|
* This ASCII edition was created on an IBM 4381 mainframe *
|
|
* using the Xedit System Product Editor. *
|
|
* *
|
|
******************************************************************
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Etc...
|
|
Jim McCabe
|
|
MCCABE@MTUS5.BITNET
|
|
======================================================================
|
|
|
|
Not only does this month mark the end of a decade, it also flags
|
|
the end of Athene's very first volume. It seems that the beginning of
|
|
the nineties makes as good of a place as any to start the next one.
|
|
|
|
Keeping with the spirit, Athene will also be sporting a new look
|
|
after this issue, helped in part by an upgrade in the software used to
|
|
make the PostScript editions. I was tempted to incorporate some of
|
|
the improvements into this month's issue, but decided against it for
|
|
two reasons. Most importantly, I wanted to maintain some consistency
|
|
within the issues of this volume. Secondly, this one was already late
|
|
enough as it was.
|
|
|
|
Speaking of late, expect January's issue to come out in the
|
|
second half of the month. I will be gone on vacation from December 21
|
|
through January 6, and so I won't be able to read my mail, much less
|
|
work on the magazine. Since my size purges mail older than two weeks
|
|
of age, there is a good chance that any mail sent before December 26th
|
|
will get lost. Because of this, I wouldn't try to contact me until
|
|
after that date.
|
|
|
|
Dan pointed out an error with the Quanta information in last
|
|
month's issue. The Bitnet node listed is incorrect, and should be
|
|
CMCCVB instead of CMUCCVMA.
|
|
|
|
I would like to thank everyone who contributed stories since the
|
|
last issue! This month brought in more submissions than usual, a
|
|
trend I only hope will continue as Athene gains more readers.
|
|
Finally, I send a big "thank you" to you, the readers, for your great
|
|
support and encouragement throughout these first few issues!
|
|
|
|
|
|
|
|
-- Jim
|
|
|
|
|
|
|
|
|
|
|
|
No One Ever Said Time Travel Would Be Easy
|
|
By Phillip McReynolds
|
|
DBEATTIE@MSSTATE.BITNET
|
|
======================================================================
|
|
|
|
Jesus Millagros looked up from under the blue '57 Chevy in his
|
|
small Los Angeles garage to see a fish-faced man snooping around the
|
|
auto-body-parts littered the shop.
|
|
|
|
"May I help you, Mister," he asked as he rolled out from under
|
|
the car and wiped his hands on his greasy coveralls. The fish-faced
|
|
stranger cautiously approached the small Mexican man and took his hand
|
|
firmly.
|
|
|
|
"Name's Azul, Gordon Azul, and I wonder if you can do a job for
|
|
me."
|
|
|
|
The stranger led Jesus out into the parking lot to a brand new
|
|
1973 tan Volare. There was no licence plate on the car and it still
|
|
bore the dealer's decals upon its windows. "Caramba!" Jesus cried.
|
|
"Great wheels, man. I'll bet Nixon can't afford one of these!" The
|
|
stranger said nothing. He went to the trunk, opened it, and with-
|
|
drew a roll of technical drawings and blueprints. He brought these
|
|
over to Jesus and spread them out on the hood.
|
|
|
|
"I want you to make some alterations," the stranger said.
|
|
|
|
Jesus studied the drawings with care. He was not at all sure
|
|
what all the symbols stood for--he had no idea what the equations
|
|
scrawled along the margins of the document meant--but he easily
|
|
recognized most of the parts and modifications specified in the body
|
|
of the plans.
|
|
|
|
"You want to do this to a car?!? Are you sure you don't want to
|
|
be talkin' to a rocket scientist instead of me, man? This is some
|
|
pretty weird shit. Even my brother Julio doesn't have a car that..."
|
|
|
|
Gordon took his hands from the diagrams where they had held the
|
|
sheets spread out on the hood of the car and grabbed the Mexican's
|
|
shirt by its wide collars, hoisting him into the air.
|
|
|
|
"Can you do it?" Gordon hissed between closed teeth.
|
|
|
|
Startled, the little man was happy to oblige this ill-tempered
|
|
honkey. "Yeah, sure man! You pay and Jesus will play! I'll make any
|
|
changes you want--just put me down!" Gordon dropped him, turned
|
|
around, and began walking away, down the street.
|
|
|
|
"I'll be back on Friday," he said over his shoulder.
|
|
|
|
Jesus gathered himself up, straightened his collar, and picked up
|
|
the blueprints. As he did this, a wad of crisp C-notes fell to the
|
|
ground out of the papers. "Holy Maria," Jesus said to himself as he
|
|
walked back into the garage, crossing himself and counting his loot.
|
|
|
|
|
|
Jesus worked diligently over the next five days. He spent a lot
|
|
of time in the mechanical engineering section of the UCLA library, as
|
|
well as in the sections on experimental physics and applied
|
|
thermodynamics. He ordered parts from parts houses all over the
|
|
basin. A few had to come from as far away as San Diego, Chicago, and
|
|
Duluth. He spent every waking hour in the project, often working 23
|
|
hour days. A few of the parts he had to machine himself, relying
|
|
primarily upon the technical specifications given in the blueprints.
|
|
The lamps of the garage burned continuously as Jesus shaped and
|
|
rearranged the guts of the infernal machine. As he was working, he
|
|
had no idea what end this engine was meant to perform. After he had
|
|
finished installing a set of parts, he would try out various theories
|
|
as to their function. None suited him. In all of his fifteen years
|
|
as an auto-mechanic and body man, he had never seen anything as
|
|
strange as the components he was so meticulously packing into that tan
|
|
Volare.
|
|
|
|
By sunrise on Friday morning, the job was complete. Every
|
|
modification had been performed. Every technical specification
|
|
fulfilled. Jesus stood back and admired what he had wrought as the
|
|
early rays of the sun glinted on the chrome of his beloved. "I wonder
|
|
when the gringo will show," he wondered to himself. "Time enough for
|
|
a test drive, maybe?" "Naah, better not," he thought, remembering the
|
|
strength of his mysterious customer. "It could use some paint,
|
|
though..."
|
|
|
|
|
|
Gordon arrived at sunset to find a glistening tan Volare (with
|
|
three new coats of tan paint) fully equipped with front and rear
|
|
hydraulics.
|
|
|
|
|
|
A red stripe starting from the front fender on each side made its
|
|
way along the sides of the car, expanding and finally exploding in a
|
|
blaze of glory in red-yellow-orange flames painted on the rear
|
|
fenders. Raised, knife- blade encrusted, Spartacus-style hubcaps
|
|
finished the masterpiece. Jesus Millagros stood with his arms crossed
|
|
in pride as Gordon completely ignored every one of these cosmetic
|
|
additions.
|
|
|
|
"Is it done?" Gordon asked bluntly.
|
|
|
|
"Yes! She is finished!" Jesus beamed back at him. He had
|
|
expected at least some praise for the fine job he'd performed, but
|
|
none was forth- coming.
|
|
|
|
"Good," said Gordon. "Here's your money," he said as he handed
|
|
Jesus another wad of 100's. "Get in."
|
|
|
|
Jesus was perplexed. "Is she not beautiful, senor? Don't you
|
|
want to open her up and look her over? Her parts have been installed
|
|
just as you ordered. She is..."
|
|
|
|
"Get in," Gordon repeated, as he opened the door and lowered
|
|
himself into the driver's seat. Jesus said nothing as he got into the
|
|
car (pausing to admire the fiery sheen of the hood as it was
|
|
illuminated by the dying rays of the sun.) Gordon started the engine,
|
|
and to Jesus, it purred beautifully, although with a dampened fury
|
|
that he'd never heard in a car before.
|
|
|
|
"We're going for a test drive," Gordon said. "Ever been to the
|
|
Los Angeles Speedway?"
|
|
|
|
"Sure, many times, Senor." Jesus was disgusted. Cars were his
|
|
life. He lived, ate, and breathed paint primer, axle grease, and
|
|
ether (respectively). Ever since he had worked on his first
|
|
automobile at the age of thirteen, he had always served the steel,
|
|
chrome, and glass god with a zeal that was atypical, even in his
|
|
neighborhood. This car, in which they were now passing under the
|
|
amber streetlamps of Greater L.A., had become his idol. It was
|
|
mysterious and beautiful and it seemed to have a power that was not of
|
|
this world. It had taken every bit of knowledge and expertise that
|
|
Jesus had acquired over the years to assemble this monster of
|
|
mechanical mastery.
|
|
|
|
As they pulled into the unlit speedway, the security guard was
|
|
conspicuously absent. Gordon slowly pulled onto the track and put the
|
|
transmission in park. "Get out," he said. Jesus got out of the car.
|
|
"You're here in case anything goes wrong. I'm going to make three
|
|
laps around the track to pick up speed. Stay out of the way. I don't
|
|
want your intertia to slow me down one bit. If I haven't made the
|
|
third lap in twenty seconds or less, I want you to wave this
|
|
flashlight at me," he said handing a flashlight to the mechanic. "Got
|
|
it?" Jesus nodded his head. "Do you have a watch?" Gordon asked.
|
|
|
|
"Several," Jesus replied.
|
|
|
|
"Good."
|
|
|
|
Jesus closed the passenger's door and stepped out of the way.
|
|
Gordon revved the engine several times and threw the car into gear.
|
|
The wheels squealed and the car was gone, already well into its first
|
|
lap. Jesus bit his lip.
|
|
|
|
The small man looked at his watch. The Volare did its first lap
|
|
in sixty-one seconds. The second in thirty. Jesus swayed to the
|
|
music of the high-pitched squeal of the engine. As the car came
|
|
around for its last lap, he studied it carefully. It was going over
|
|
three- hundred miles per hour, and yet it seemed to be handling as if
|
|
it were only doing sixty. Tears welled in his eyes as he saw his
|
|
beautiful beast race by for what would be the last time. Gordon was
|
|
finishing his last lap. Sixteen, seventeen, eighteen, he was almost
|
|
around... nineteen... Jesus trembled with the beauty and excitement
|
|
of the thing he had helped to bring to life. Twenty! Gordon was
|
|
around!...but he wasn't stopping. Faster and faster he went. The car
|
|
continued to race around the track, its tires beginning to glow redly.
|
|
The high- pitched wine had become a wail. The air crackled and
|
|
smelled faintly of ozone. The ground shuddered. The sky opened up.
|
|
Great hosts of angels came down and danced and flitted around Jesus'
|
|
head. Suddenly, a great wall of flame sprang up in front of the
|
|
five-speed, automatic, family-sedan-shaped demon.
|
|
|
|
|
|
And in an instant, it was over.
|
|
|
|
|
|
An explosion rocked the ground. An enormous fireball shot from
|
|
the place where the car had (apparently) collided with the barrier
|
|
wall. Flaming shards of metal and ash rained down upon Jesus' head as
|
|
he watched the brilliant demise of his beloved. All that remained was
|
|
the chassis and tires (all blown). The hydraulics had remained in
|
|
tact. The skeleton of the car sat in flames as it jerked up and down
|
|
with the nervous twitch of a decapitated insect. Other than that, all
|
|
was still--except for the crackling of the embers which rained down
|
|
upon Jesus' head.
|
|
|
|
|
|
* * *
|
|
|
|
|
|
Jesus wept.
|
|
|
|
|
|
* * *
|
|
|
|
|
|
Gordon's eyes felt as though they were going to jump out of their
|
|
sockets, turn a cartwheel in the air before him, salute, and whistle
|
|
"Dixie" in the cloud of ammonia that had coalesced about his body.
|
|
Upon his exit of the car (in 1972) the glass of the windshield had
|
|
retorn his face on each side from the edges of his mouth to his ears.
|
|
It had not taken much force to reopen the scar tissue along the sides
|
|
of his face and the auto-glass had not yet melted from the heat of the
|
|
explosion. Gordon, of course, had had nothing to fear from the
|
|
destruction wreaked by his slightly modified 1973 Volare. He had left
|
|
1972 and was now hurtling backward through a glassy tunnel filled with
|
|
the past events of his own life. He struggled to raise his hand to
|
|
his wound. The viscous liquid that encircled him restricted his
|
|
motion and, in the end, he gave up all attempts at wiping away the
|
|
blood and simply rode the current. The life of a time-traveller is
|
|
never easy. The horrors of life: college, boot camp, and the senior
|
|
prom, hurtled past him with dizzying speed. Occasionally, a figure in
|
|
the menagerie would reach out and try to draw him into one of the
|
|
blurry scenes. Mary Jo Simpleton, summer camp, eleventh grade,
|
|
necking in the woods. Her tiny hand pressed through the walls of the
|
|
multicolored tunnel, glowing redly for an instant before receding into
|
|
the mists of time. Attempting to reorient his hurtling body, Gordon
|
|
managed to get his face up over the rest of his body, but his feet
|
|
kept wanting to fly up behind him, forcing him into a double
|
|
somersault. Finally, he managed to face forward (or backward,
|
|
temporally) in a more or less upright sitting position.
|
|
|
|
Up ahead, at the end of the tunnel, was darkness. He was now
|
|
nearing the end of *his* portion of the journey. Scenes of his early
|
|
years were now flitting by with an ever-increasing speed so they
|
|
appeared about as dim as did his memories of those same years. From
|
|
the end of the tunnel a great wailing noise resounded. Someone was in
|
|
great pain. Suddenly, legs spread wide surrounding a large vagina
|
|
loomed before him. Would he be able to make it? "I really shouldn't
|
|
have eaten that cheeseburger in '73," Gordon thought to himself,
|
|
remembering the size and weight restrictions imposed by time travel.
|
|
He braced himself for impact. The soft material, at this speed, had
|
|
the force of hitting a brick wall at thirty miles per hour. Just
|
|
barely, he squeezed through the small opening. An instant later,
|
|
Gordon lost consciousness in the sweet taste of amniotic fluid.
|
|
|
|
|
|
The surgeon looked nervous behind his white mask. This woman was
|
|
far too old to be having a child. The labor had already been hell
|
|
(the last seventy-two hours of it.) However, it now looked as though
|
|
she was going to make it.
|
|
|
|
"That's it, Mrs. Azul. Easy. Now B R E A T H ! That's good!"
|
|
A nurse blotted the sweat-covered forehead of the middle-aged woman,
|
|
whose screams and moans filled the delivery room. "We're just about
|
|
there, Mrs. Azul. Now one or two more good pushes, and we'll have
|
|
him," said the Doctor. He now took an instrument that vaguely
|
|
resembled ice-tongues and approached the birth canal. "I'm going to
|
|
have to pull him out by the head," the doctor warned. "Now, when I
|
|
give you the signal, push. OK, now, PUSH!"
|
|
|
|
The doctor reached into the body cavity and now pulled at the
|
|
tiny head that appeared at the opening with his metal instrument.
|
|
"One more time." He almost had him, then, there was the sound of an
|
|
explosion somewhere within the body of the middle-aged woman. The
|
|
doctor lost his grip upon the baby, badly scarring its tiny face on
|
|
each side from its little blue mouth to its little blue ears. This
|
|
child would carry these scars for the rest of his life. The doctor
|
|
fell backward on the floor as the woman's body shuddered again. There
|
|
was another dampened explosion and a loud "Pop!" and suddenly the baby
|
|
shot out of the opening, flew five feet across the room, and landed in
|
|
a pile of linens that were being stored there. A nurse rushed over to
|
|
the place where the baby had landed.
|
|
|
|
The EKG responded with a steady "Beeeeeeeeeeeeee..." The woman
|
|
was dead. Suddenly, the scream of a newborn infant's first tears
|
|
filled the room. There was much applause.
|
|
|
|
|
|
---------------------------------------------------
|
|
Phillip is a senior, majoring in Philosophy at
|
|
Mississippi State University. His philosophical
|
|
interests center around epistemology, literary
|
|
criticism, and the philosophy of language. His
|
|
current philosophical project has been to "whip the
|
|
dead horse of Logical Positivism until it is
|
|
nothing but a bloody pulp." Even so, he remains
|
|
convinced that Rudolph Carnap is one of the premier
|
|
philosophers of the last two centuries, next to
|
|
C.S. Peirce. He has also been influenced by
|
|
contemporary literature, especially Thomas Pynchon
|
|
and Allain Robbe-Grillet. Phillip's most
|
|
noteworthy accomplishment to date, he says, is his
|
|
marriage to the "beautiful and talented" Rebecca
|
|
Beattie McReynolds.
|
|
---------------------------------------------------
|
|
|
|
|
|
|
|
|
|
|
|
Master of Delusion
|
|
By Jason Snell
|
|
pa1033%sdcc13@ucsd.edu
|
|
======================================================================
|
|
|
|
"Don't worry," I said to her in a calm voice as we sat in my room,
|
|
which was darkened just enough to project the right mood for a first
|
|
hypnosis session (well, that's what I've read). "I can't make you do
|
|
anything you don't want to do, and this first session will only get you
|
|
prepared for later. You won't forget anything, and it won't even seem
|
|
like you're under hypnosis."
|
|
|
|
She nodded and smiled. "I'm not worried," she said, "I don't know
|
|
if you know it or not, but everyone at school trusts you."
|
|
|
|
I nodded, while laughing a little bit inside. The small two-page
|
|
hypnosis guide I got from the local computer hacker was the only thing
|
|
separating me from all the other people at the high school, including
|
|
Sandy.
|
|
|
|
"Now, I want you to sit back and relax." I took a candle out of my
|
|
desk drawer. Her eyes, which had begun to drift closed, popped open.
|
|
|
|
"What's the candle for?" she asked, not as suspiciously as
|
|
curiously.
|
|
|
|
What was it that the "Guide to Hypnotism" had said?
|
|
|
|
"The candle is to, uh, relax and calm you, so your mind is more
|
|
susceptible to suggestion. That way, I can begin to prepare you for
|
|
the next session."
|
|
|
|
"Oh, okay." She closed her eyes, and left it at that. I honestly
|
|
don't know why these people trust me. I certainly wouldn't trust
|
|
myself.
|
|
|
|
"Now, relax and concentrate on the candle flame. Watch the flame
|
|
slowly move back and forth. As it moves back and forth, you can feel
|
|
yourself becoming calmer. All your stress leaves your body, and you
|
|
are completely relaxed. Your mind is floating free of all tensions,
|
|
and your worries have left you." My relaxing talk went on for a few
|
|
more minutes, but I was wondering if I really needed it. After all,
|
|
everybody always seemed to be completely relaxed in my presence.
|
|
|
|
"You are now experiencing hypnosis," I said in my soft tones, "and
|
|
it does not feel in the least bit menacing. This is but the first in a
|
|
series of hypnosis sessions which will increase your self assurance and
|
|
my Biology grade. You can now open your eyes and the hypnosis session
|
|
will be concluded."
|
|
|
|
As she opened her eyes I blew out the candle and walked over to
|
|
the window. I pulled the shade down, and it rolled back up into place
|
|
at the top of the window. Light filled the room.
|
|
|
|
"Well, that's all for today," I said to Sandy. "We can do this
|
|
again... maybe next week?"
|
|
|
|
"Sure, that'd be nice," she said in a relaxed tone. My little
|
|
suggestions seemed to work wonders.
|
|
|
|
|
|
On Wednesday, I called Sandy and asked if she could come over on
|
|
Friday. She said she could stop by for a few minutes, but she was
|
|
planning on doing things Friday night. I didn't bother to ask what.
|
|
Partying's not my kind of thing. If I lost control of my faculties, I
|
|
might let it slip that I'm not as competent as they all think I am.
|
|
And I can't let that happen.
|
|
|
|
Friday, after school, I met Sandy on the way to the school parking
|
|
lot. I don't have a car, and it's just as well because I'd probably
|
|
wreck it in a split second.
|
|
|
|
Now let me make this perfectly clear-- Sandy's a really nice girl,
|
|
and she's actually quite pretty, but I was never interested in her.
|
|
Really. Now, I know that guys like me always seem to have a reputation
|
|
for slobbering all over any girl who might give us the time of day, but
|
|
that's just not true. Besides, my friend Steve always had it bad for
|
|
Sandy. He wanted her. Everywhere she went, he followed. In fact, he
|
|
was the one who suggested I get Sandy as my subject.
|
|
|
|
Do you get the impression that my hypnosis experiment wasn't
|
|
exactly based on scientific curiosity? Very smart, my friend, very
|
|
smart. Indeed it wasn't.
|
|
|
|
So, anyway, Sandy and I got into her car, a cute little '68
|
|
Mustang, and we drove on over to my house. She had her car radio
|
|
blasting "Tequila Sunrise" and was wearing tight blue jeans and a denim
|
|
jacket. I must tell you, I felt like quite an important guy, riding
|
|
out of the high school parking lot in a hot car, driven by a cute babe,
|
|
blasting some tunes. And we were going back to my house, no less. Not
|
|
bad.
|
|
|
|
Then again, everyone thought I was an expert before then. No
|
|
doubt I just hypnotized her into being this way. Yeah, right. I
|
|
couldn't hypnotize a chicken into laying an egg. Hell, I couldn't
|
|
hypnotize it into clucking.
|
|
|
|
When we got to my house and had gone inside, I pulled out my
|
|
calendar and began planning when we'd hold the next four hypnosis
|
|
sessions over the next week. Then I'd have the entire week to write up
|
|
my report and get an excellent grade in Biology. The teacher loved me,
|
|
and besides, he probably thought I was an expert too. My Biology grade
|
|
was most definitely cake.
|
|
|
|
"Tommy," Sandy said to me in a deep, sexy voice, "I want you to
|
|
read something of mine. Would you?"
|
|
|
|
My voice went up two octaves, but I still managed to squeak out
|
|
"Sure!" to her. Sign me up for the Mormon Tabernacle Choir, and fast.
|
|
Either that, or gag me and tie me to a tree.
|
|
|
|
Sandy took a piece of paper from her purse and handed it to me. I
|
|
unfolded it and found that it was a poem. A love poem. The first
|
|
part, "My heart's passion is for you/My life breaks without you near"
|
|
was really dumb. But I liked the end bit: "Wherever you go, my Love,/I
|
|
will follow in the skies above." I mean, she rhymed love and above.
|
|
Now that's good poetry.
|
|
|
|
"Now that's good poetry," I said to her.
|
|
|
|
"Really? Oh, thanks, Tommy! I'm so glad you like it!" She gave
|
|
me a kiss on the cheek. Sigh.
|
|
|
|
After we completed our little planning session and poetry
|
|
workshop, we headed for the door. As I opened my front door for her, I
|
|
began to speak out words that I had been composing for all of-- well,
|
|
all of two seconds. They dropped right out of my mouth.
|
|
|
|
"I really want to thank you, Sandy. Without you, my Biology grade
|
|
would be in serious trouble." Yeah, sure. "And you know how hard it
|
|
would have been for me to find anyone willing to volunteer to be
|
|
hypnotized-- hypnotism scares people." Mister humble.
|
|
|
|
She batted her eyelashes at me, in a way that made me wish Steve
|
|
was here to see it. "Oh, Tommy," she said, "every girl I know would
|
|
have done this. Anything to be able to experience you in action." I
|
|
don't know whether there was an underlying meaning to that statement,
|
|
but I was afraid to find out.
|
|
|
|
"Oh. Well, whatever," I said.
|
|
|
|
I guess I'm just the master of impromptu speaking. Somebody
|
|
please stop me, before I stick both of my feet in my mouth.
|
|
|
|
She bid me farewell, muttering a typical high school "seeyalater",
|
|
and was about to turn around when my good buddy Steve, wonderful master
|
|
of timing Steve, walked up the driveway. Sandy turned around, and,
|
|
seeing him, smiled politely. She then turned around, crossed her eyes
|
|
at me, and got into her car. I guess it was her sly way of telling me
|
|
that she liked me better than him.
|
|
|
|
Sandy had started up the car and driven out when Steve's voice
|
|
crept into my head.
|
|
|
|
"Oh, man, she smiled at me," he was saying in his pathetic
|
|
love-induced tone which I had heard far too much for comfort. "This is
|
|
great. Now look, Tom. I called her up, begged her to call you, and
|
|
she's now your hypnosis subject. She wouldn't have done it if it
|
|
weren't for me."
|
|
|
|
I didn't have the heart to mention about how well-loved I was,
|
|
about how all of the girls wanted me to pick them for my Biology
|
|
project.
|
|
|
|
"So you've got to do this for me, Tom." Then he started with his
|
|
scheme. "We agreed that if I got Sandy to be your guinea pig, you'd
|
|
hypnotize her into loving me."
|
|
|
|
"Oh, was that the plan, Steve? I seem to recall something vaguely
|
|
along those lines." I had agreed to Steve's plan, of course. If you've
|
|
been paying close attention, though, you'll realize that I had
|
|
absolutely nothing backing up that little promise of mine. Relaxing
|
|
her was going to be tough enough as it was.
|
|
|
|
"Good. Thanks, Tom!" Steve was happy again. "Can I watch Dave
|
|
with you?"
|
|
|
|
Sure, I told him, I'djustloveit. Watching Letterman with Steve
|
|
was a seriously lame experience. Not only were the subtleties of
|
|
Stupid Pet Tricks beyond his grasp, but even the meaning of Paul
|
|
Shaffer completely eluded him. Simpleton.
|
|
|
|
He was probably my best friend, though, so I put up with it.
|
|
|
|
|
|
Saturday was a pretty lousy day, in the grand scheme of things. I
|
|
was, of course, anxiously awaiting my second special session Sunday
|
|
with Sandy. You know that any event involving that much alliteration
|
|
has gotta be good. But that was still a day away, and so my Saturday
|
|
was instead spent with Steve. What a weenie.
|
|
|
|
I mean, first off, I had to listen to him moan and complain about
|
|
Sandy, which was bad enough. But then he conned me into going to the
|
|
movies with him.
|
|
|
|
Going to see the new Stallone movie might sound fun to you,
|
|
especially if you've got the I.Q. of wood pulp, but to me it sounded
|
|
like no fun sent down to walk among us in human form. Come to think
|
|
of, that was Steve, too. The personification of no fun.
|
|
|
|
So, what did I do? I went to the movies with him on Saturday
|
|
night, to see Sly blow stuff up.
|
|
|
|
About twenty people were outside the theater, in line to see
|
|
Stallone, I guess. At the door, one of those typical employees at the
|
|
Cinema 10 was selling tickets-- he had what I could only call big hair.
|
|
Piles of it. Poofing up all over the place. There were ten screens in
|
|
the place, all about the size of a shoebox (with mono sound, no less)
|
|
and they probably had fifteen employees for those ten screens. And
|
|
they all had big hair.
|
|
|
|
While Steve was rambling on about one thing or another, about how
|
|
"cool" it was when Stallone shot at communists or homosexuals or
|
|
whoever he shoots at, my eyes were scanning the line in front of us. I
|
|
was specifically looking at a girl, about seventeen, standing in the
|
|
middle of the line. She was about 5'6", with teased blonde hair. Her
|
|
lips were shiny with red lipstick, and her eyes were shaded with dark
|
|
blue eyeshadow. She looked great.
|
|
|
|
From the neck down, it was even better. She was wearing a tight
|
|
blouse, her fair-sized breasts straining against the buttons. She wore
|
|
a tight leather miniskirt, which drew my attention to her legs, made
|
|
even more appealing by the black stockings she wore. And, at the
|
|
bottom, spiked heels.
|
|
|
|
She looked at me, snapping her gum (they always snap their gum,
|
|
girls like that), and I stopped slouching, pushed my hair back from my
|
|
forehead a little, just to be subtle, and smiled at her. She smiled
|
|
back, and then licked her lips. Soft pink tongue over bright, shiny
|
|
red lipstick. I wanted her.
|
|
|
|
And Steve was with me, damn him.
|
|
|
|
I listened carefully when she and the two girls she was with
|
|
reached the ticket window, and discovered that they were going to see a
|
|
comedy. Thank God-- I wouldn't be able to accept a girl who actually
|
|
wanted to see Sly in action. So what if she popped her gum?
|
|
|
|
Anyway, Steve and I bought our tickets and went into the fifth
|
|
theater. In there we found a huge collection of mental misfits, many
|
|
more than I'd ever seen before. They wore Rambo T-Shirts. One couple
|
|
sang the Over the Top theme while they arm-wrestled.
|
|
|
|
|
|
All of this time, of course, I was planning my escape from Steve.
|
|
I figured that if I excused myself to go to the bathroom, he'd probably
|
|
go with me. Steve was like that. If I went to get refreshments,
|
|
though, I might be able to go alone and offer to bring some back for
|
|
him. Then I was home free.
|
|
|
|
Steve had me get him a small Coke and a medium popcorn-- he gave
|
|
me $20 to cover the Coke-and-corn. My plan worked like a charm. Of
|
|
course. It was my plan, after all.
|
|
|
|
|
|
The comedy that my girl had gone to see with her two friends
|
|
started five minutes after ours. In other words, while Steve sat
|
|
through the trailers-- which were no doubt advertising another movie
|
|
featuring an adult and child switching bodies, or maybe a second-rate
|
|
comedian teamed with a dog, or, better yet, a second-rate comedian
|
|
switching bodies with a puppy-- I could set about wooing my desire.
|
|
|
|
Wooing my desire-- that's right, isn't it? That's how the Romeos,
|
|
the Don Juans of history put it, isn't it? I doubt they talked about
|
|
trying to get into a girl's pants. I really do. Talk like that was
|
|
for, uh, uncouth cretins. So I walked into the still filling theater
|
|
(it wasn't Bargain Night-- all seats $3, so it wasn't that full) and
|
|
looked for my woman and her two friends.
|
|
|
|
They were six rows back, and three seats in. My love was on the
|
|
aisle side, and there were three empty seats next to her. I set a
|
|
course for the middle of the three empties, warp factor one Mister
|
|
Sulu, damn the (photon) torpedoes.
|
|
|
|
I sat down in the chair. Lock phasers on charm. Then I turned
|
|
and looked at her, feigning surprise. She smiled.
|
|
|
|
"Hi!" she said in a high voice. Well, I didn't expect poetry.
|
|
|
|
"Hi there," I said, shrewdly, and wiggled my fingers in a sort of
|
|
low-profile, cutesy wave.
|
|
|
|
"Aren't you Tommy Baker?" she asked me, saying my name in the way
|
|
you might say the name of a movie star.
|
|
|
|
"How do you know that?" I asked in a semblance of modesty. How
|
|
did she know it?
|
|
|
|
"Oh, you're kinda famous around school." She cracked her gum.
|
|
"You're hypnotizing Sandy Chambers, right?"
|
|
|
|
"Yeah, that's me." I smiled. "What's your name?" Oh, I must be
|
|
the king of originality.
|
|
|
|
"Trish. Trish Brooks." She paused for a second, but I was
|
|
enthralled, watching her lips, her eyes, (her breasts), and said
|
|
nothing. Fortunately, she continued. "You know, Sandy's pretty lucky.
|
|
I would have been glad to let you hypnotize me-- just for a chance to
|
|
see you in action."
|
|
|
|
Hadn't I heard this somewhere before?
|
|
|
|
"Wow. Thanks." Me, the master of dialogue.
|
|
|
|
Then a thought came to mind. I don't know why I did it, but I
|
|
did. It just slipped out of my mouth, probably because of some
|
|
chemical reactions a bit lower down in my body.
|
|
|
|
"Say," I said slyly, "I don't know about how I'm progressing with
|
|
Sandy. I might need some more data from someone else."
|
|
|
|
She gave sort of a questioning half-smile. "Really?"
|
|
|
|
"Sure! If you're interested, and you have some spare time during
|
|
a few evenings over the next week or so..."
|
|
|
|
"Great!" she said, and smiled again. Those lips. Wow. We
|
|
watched the movie together, just us and her two friends.
|
|
|
|
I've never been so glad that Stallone movies tend to run longer
|
|
than comedies. I managed to bring Steve his Coke and popcorn toward
|
|
the end of the climax.
|
|
|
|
"Where have you been?" he asked faintly as he kept his eyes fixed
|
|
on the screen.
|
|
|
|
"Long line," I murmured, and handed him his nourishment. He gave
|
|
an understanding grunt and left it at that. What a guy. What a moron.
|
|
|
|
|
|
Sandy was out like a light. I had really done it-- but, then, one
|
|
episode of Cosby would have probably done the same thing. It was a
|
|
good idea not to get cocky.
|
|
|
|
"Imagine yourself on a cloud," I said. "You are resting
|
|
peacefully, with a slight breeze caressing your gorgeous body." I guess
|
|
positive reinforcement during hypnosis is always a good idea.
|
|
|
|
"A tingling sensation begins to work its way through your toes,
|
|
moving slowly up through your feet, making them warm, heavy, and
|
|
relaxed."
|
|
|
|
It was working. I could see her toes wriggling in her shoes. I
|
|
was actually hypnotizing her-- of course, all I had done was put her
|
|
feet to sleep, which wouldn't exactly get Steve a date. Unless he had
|
|
a foot fetish.
|
|
|
|
"The cloud is soft," I continued in my New And Improved Hypnosis
|
|
Monotone, "and your body is supported by that softness." The cloud she
|
|
was lying on was actually my bed. And no, I didn't buy the Garfield
|
|
sheets-- my mother did. Besides, Sandy said that they were cute.
|
|
|
|
"The tingling gently and slowly moves up your sexy legs, relaxing
|
|
them. Making them warm and heavy." I theorized that I could probably
|
|
have had my way with Sandy's kneecaps if I wanted to, but I was much
|
|
too big a man to do such a thing.
|
|
|
|
"That feeling moves slowly into your, uh, chest, making your
|
|
breathing relaxed as well." With that, she let out a deep sigh, her
|
|
breasts straining against her shirt as she made her final deep
|
|
inhalation. I knew then that I should have set up the video camera.
|
|
|
|
"And now it reaches your head. You drift away into the blue sky
|
|
as you rest blissfully in the cloud." That cloud was exactly where I
|
|
wanted her. I figured that it was about time to start the suggestions.
|
|
Sure it was.
|
|
|
|
"On a nearby cloud," I began, "you see someone drifting toward
|
|
you. As he gets closer and closer, you see that he's unbelievably
|
|
attractive. You seem to recognize him from somewhere..."
|
|
|
|
Sandy was breathing harder and harder. I wasn't sure if this was
|
|
the right thing to do-- besides, hypnotism wasn't meant to work so
|
|
well. I was afraid that if I suggested that the man on the cloud was
|
|
Abe Vigoda, Sandy would fall in love with him.
|
|
|
|
Nobody should have that kind of power.
|
|
|
|
|
|
"You told her it was who?"
|
|
|
|
Steve needed a little calming. I theorized that a blow to the
|
|
head with a frozen TV dinner might do the trick, but I decided to try
|
|
talking him down.
|
|
|
|
"Tom Cruise. Don't worry about it. I decided that it was far too
|
|
soon to have her fall in love with you." I mean, I wasn't sure if I
|
|
could hypnotize anyone before, but now I was afraid that I might be too
|
|
good.
|
|
|
|
"But why Tom Cruise?" he whined. I suppose I could have picked
|
|
some other media stud, like Val Kilmer, Kirk Cameron, William Shatner,
|
|
or Don Knotts, but I decided that Cruise would be safe.
|
|
|
|
"I wanted to see how powerful the suggestion would be, stupid!"
|
|
Oh, yeah, big shot-- make Steve feel dumb. Choose the hard jobs.
|
|
|
|
"So now she thinks that Tom Cruise wants her to be relaxed? Why
|
|
not have her think that he wants her to love me?"
|
|
|
|
"You don't get it, do you, Steve? Look." I sat down next to him,
|
|
placed my hand on his shoulder, and hoped that I could keep physical
|
|
contact at a minimum. "My Biology project is supposed to be about
|
|
hypnosis relieving stress in individuals. I have to make an effort.
|
|
Besides, she's got two more sessions, on Wednesday and Friday. I've
|
|
got plenty of time to make her love you. Or want you. Or whatever you
|
|
like."
|
|
|
|
Then Steve did something quite amazing. He smiled, let out a big
|
|
laugh, and patted me on the back. "Thanks, pal!" he said.
|
|
|
|
It was at this point that I wondered if a nice, smart girl like
|
|
Sandy deserved a gullible dweeb like Steve, especially considering his
|
|
horrible hypnosis plot. I mean, Sandy was one of the most caring and
|
|
feeling people I had ever met. She wrote love poems. She told me that
|
|
she cries whenever she sees a movie any more dramatic than the Three
|
|
Stooges. And sometimes she cries at the Stooges, too.
|
|
|
|
She was a beautiful person. Did I really have the right to force
|
|
her to love a guy like Steve?
|
|
|
|
Fortunately, it was a philosophical argument that I wouldn't have
|
|
to worry too much about. I had to get ready-- in a few minutes, I
|
|
would be having a session with a girl who had teased blonde hair, wore
|
|
leather minis, and cracked her gum.
|
|
|
|
|
|
They were pink this time-- her lips, I mean. And she wore tight
|
|
jeans and a short top that exposed her waist. But she was still
|
|
gorgeous, and I still wanted her.
|
|
|
|
Now, I know that I said I couldn't make someone do anything they
|
|
didn't want to. But you've got to remember, Trish told me that she'd
|
|
do anything to see me in action. So I figured that she probably liked
|
|
me already. I just had to bring it out.
|
|
|
|
And I know what I said about easing into hypnosis gradually, over
|
|
several sessions. But things had gone so well before, with Sandy's
|
|
relaxation and Tom Cruise on the cloud, that I figured I must have this
|
|
hypnosis thing down by now. So I didn't wait-- the first time Trish
|
|
Brooks came over for a session, we worked our way around to the cloud
|
|
pretty quick.
|
|
|
|
The guy on the cloud, the one she was amazingly attracted to, was
|
|
none other that yours truly. Who did you think I'd put on Trish
|
|
Brooks' cloud-- Don Rickles?
|
|
|
|
After I had finished the session, counting from ten back to one,
|
|
and filling in all of my typical suggestions of rest and relaxation,
|
|
Trish didn't seem much different. I guess that she was already
|
|
interested in me, and so it didn't make much difference.
|
|
|
|
Standing by the front door, I decided to make my move. "Trish," I
|
|
began, "I was wondering if you'd like to do something Friday night." I
|
|
was getting pretty good at this.
|
|
|
|
"Oh--" she smiled for a second, and then frowned. "I have
|
|
something to do with my family on Friday night. It's my sister's
|
|
birthday."
|
|
|
|
"Oh..." For a second, I thought that my hypnosis scheme was
|
|
nothing but a sham, that I was nothing but a phony, a fake, a
|
|
charlatan...
|
|
|
|
"I'm free Saturday night. How about then?"
|
|
|
|
...but just for a second.
|
|
|
|
"Saturday night would be great. How about dinner and a movie?"
|
|
|
|
"Sounds great," she said, and licked her lips.
|
|
|
|
I had the power. I really, really did.
|
|
|
|
Of course, I had known it all along.
|
|
|
|
|
|
It was Thursday when Steve got his list of demands to me. I had
|
|
already completed my Wednesday session with Sandy, which had went well,
|
|
even if it wasn't very exciting. I wasn't getting much data for my
|
|
Biology project, but I figured that I'd wait for the final session on
|
|
Sunday night before interviewing Sandy and assembling the report.
|
|
|
|
Steve's demands were scrawled in blunt pencil on a torn sheet of
|
|
binder paper-- it wasn't exactly neat. It looked more like a list of
|
|
demands that a terrorist might have. Except, of course, that it said
|
|
things like "Undying Affection" and "Everlasting Love", not to mention
|
|
"Faithful Devotion". It was as if the terrorists had kidnapped the
|
|
president of Hallmark Cards.
|
|
|
|
On top of all of those demands (which he made as if he was
|
|
ordering a pizza or something), Steve required that I force Sandy to
|
|
ask him out on a date. Steve was so gutless that he couldn't even
|
|
stand asking out someone who had been bent to his will by my expertise
|
|
in hypnosis. What a weenie.
|
|
|
|
So my Friday session with Sandy started to bother me. When we
|
|
were in her car, driving to my house, I began asking myself if I really
|
|
wanted to do this to her. Steve was just a geek, but Sandy was a
|
|
beautiful person. She didn't deserve him.
|
|
|
|
As we walked into my house and Sandy sat down on the bed, I tried
|
|
to think of ways to explain the reasons for my not hypnotizing Sandy.
|
|
He was such an idiot that I could probably work something up by Sunday,
|
|
when the experiment ended. And he'd buy it, as usual.
|
|
|
|
I mean, really-- who would doubt my word?
|
|
|
|
|
|
Sandy shifted on my bed as I began to finish my suggestions for
|
|
the day and bring her out of hypnosis. The suggestions had been
|
|
working great, too. She said that she hadn't gotten into any fights
|
|
with her parents in the past week, and that she knew that my hypnosis
|
|
was responsible. I had no way of knowing if my suggestion that she
|
|
cluck like a boneless chicken while she was in bed had worked.
|
|
|
|
"As you awaken," I said, "You'll feel relaxed and invigorated.
|
|
You will have the confidence to do well in life and in school, the
|
|
energy to put your best effort into all that you do, and a relaxed
|
|
attitude which will keep your mind free from stress."
|
|
|
|
I counted from 20 back to one, and then she slowly opened her
|
|
eyes. Her legs trembled a little as she threw her arms above her head
|
|
and stretched.
|
|
|
|
"Oh, Tommy," she said, "I feel so great!" She sat up, lifting her
|
|
head from my pillow, and dangled her feet over the edge of my bed.
|
|
"You've done so much for me, Tommy," she said. "I really owe you a
|
|
lot."
|
|
|
|
I smiled, deciding that it would be best to be the King o'
|
|
Humility in this circumstance.
|
|
|
|
"It's no problem, really," I said. "Besides, you're helping my
|
|
Biology project along, remember? Without you, there'd be no Biology
|
|
project. You're my subject! You're the key!"
|
|
|
|
Hey-- I had managed to be humble and throw out a big compliment at
|
|
the same time. Sometimes I impress even myself.
|
|
|
|
"How would you like to come with me to Brad Johnson's party
|
|
tonight?"
|
|
|
|
Brad Johnson? The most popular guy at school?
|
|
|
|
Party? Me, invited to a party?
|
|
|
|
With Sandy? Me, going to a party with a babe like Sandy?
|
|
|
|
"Sure!" I said, trying not to sound too excited, but failing.
|
|
"When would be a good time?"
|
|
|
|
"I'll pick you up at ten," she said.
|
|
|
|
"No problem!" I smiled again. It seemed to work well.
|
|
|
|
Sandy walked out the door, into the driveway, got in her Mustang,
|
|
and drove away.
|
|
|
|
|
|
I had just fast forwarded past the end of my pirated copy of
|
|
|
|
"The Full Figured Woman's Workout" that I watched every once in a
|
|
while and was preparing to watch last night's Letterman when the phone
|
|
rang. It was Steve again, and this time he seemed more anxious than
|
|
ever.
|
|
|
|
"I just talked to Sandy," he said.
|
|
|
|
Uh-Oh.
|
|
|
|
"We only talked for about a minute. She said she had to do a lot
|
|
of things before she goes out tonight."
|
|
|
|
"Uh-huh..." I said, trying not to give anything away.
|
|
|
|
"She didn't ask me out, Tom! Did you give her the suggestion
|
|
yet?"
|
|
|
|
"No, not yet," I said, trying to get him back on the defensive.
|
|
"I'm still setting it up. You don't want me to blow this whole thing,
|
|
do you?"
|
|
|
|
"You've had three sessions with her, for God's sake!" he cried.
|
|
"You should have been able to do something by now! She didn't even
|
|
want to talk with me!"
|
|
|
|
"Everything will be fine," I lied. "You'll get your woman, Steve.
|
|
Don't worry."
|
|
|
|
"I'd better," he said. Steve didn't seem to be buying my
|
|
explanation. "So, I'll be over at 7:30, right?"
|
|
|
|
Huh?
|
|
|
|
"7:30, Steve? What's at 7:30?"
|
|
|
|
"What do you mean, what's at 7:30? I'm coming over, and we're
|
|
going to watch Rambo III!"
|
|
|
|
"Oh... right. See you then."
|
|
|
|
Those Rambo movies only lasted two hours. Steve would be gone by
|
|
9:30. Plenty of time to get ready for the party.
|
|
|
|
|
|
Yeah, well, Steve got there late, and the movie was over two hours
|
|
long, so it finished at 9:50. At least I had enough foresight to
|
|
change into my party outfit before Steve came over. He didn't even
|
|
notice that I was wearing nice clothes.
|
|
|
|
As soon as the movie ended, I jumped up and hit the rewind button
|
|
on my VCR. I was hoping to get him out of the house as quickly as
|
|
possible.
|
|
|
|
There was a knock on the front door.
|
|
|
|
Now, any normal person would probably be panicked at such a turn
|
|
of events. I mean, I was going to a party with the girl that my friend
|
|
was in love with, and he was still a little mad about the fact that I
|
|
hadn't hypnotized her into loving him. You can see where Steve's
|
|
misconceptions might lead. He might come to the conclusion that I had
|
|
hypnotized her into liking me.
|
|
|
|
I didn't panic, though. Of course not. I would find some way
|
|
out. I could explain my way out of anything.
|
|
|
|
"Wait here, and I'll get the door," I said. Steve always did as
|
|
he was told-- he was like a faithful dog in that respect. Actually, he
|
|
was like a dog in a lot of respects, one of which was his intelligence.
|
|
|
|
He stayed in the room, just as I thought.
|
|
|
|
I went to the door and opened it. It was Sandy, of course, and
|
|
she looked better than ever. She was made up a little more, because
|
|
she was going to a big party. And I was going, too.
|
|
|
|
It was then that I figured out my grand scheme: I'd just yell to
|
|
Steve that I had to go with my mother somewhere, like to the store, and
|
|
ask him to close the door behind him when he left. A perfect plan.
|
|
|
|
That was, of course, when Steve walked out from my room, holding
|
|
his well-worn Rambo III tape, and looked at Sandy and I with bug-eyes.
|
|
|
|
"Sandy!" he said, shocked. "What are you doing here?"
|
|
|
|
I was about to wince. But I didn't have enough time.
|
|
|
|
"Tommy and I are going to a party tonight. Didn't he tell you?"
|
|
|
|
Ouch.
|
|
|
|
"You're what?" Steve cried.
|
|
|
|
Like I said, you can guess the inferences he made. I had, in his
|
|
mind, used my hypnotism for evil instead of good. The ultimate comic
|
|
book sin. (I always had a hunch that comic books comprised Steve's
|
|
entire reading list.)
|
|
|
|
After he was through yelling at me, he ran out the door, screaming
|
|
something like "Friends don't betray friends! I'll never be your
|
|
friend again, you jerk!"
|
|
|
|
I don't remember his exact words. But you get the idea.
|
|
|
|
Sandy actually looked a little worried, though. I tried to
|
|
reassure her.
|
|
|
|
"Don't worry," I said. "He's a real geek-- I should have ditched
|
|
him years ago. You know what he did tonight? He wanted me to watch
|
|
Rambo III with him." I laughed.
|
|
|
|
Sandy laughed a little, too. "Come on," she said. We started out
|
|
to the car.
|
|
|
|
|
|
Brad Johnson's house was filled with all sorts of popular people,
|
|
most of whom I did not know. Most of them knew me, though. I guess I
|
|
was more famous than popular.
|
|
|
|
"Tommy Baker," one tall, well-muscled guy said, "you're the guy
|
|
who's hypnotizing Sandy!" He reached out his hand, and shook mine.
|
|
"Glad to meet you, buddy!" he said, laughed, and drank some more beer.
|
|
|
|
"To tell you the truth," he said, "if I could hypnotize Sandy, the
|
|
first thing I'd do would be to make her take off her clothes!" He
|
|
laughed again, and slapped me on the back.
|
|
|
|
I wanted to tell him that I wanted to use my power for good, and
|
|
not evil, but that smelled like something Steve would say.
|
|
|
|
Sandy came walking over, then, and the guy turned to walk away.
|
|
As he passed her, he put his fist out in a thumbs-up sign, as if he
|
|
were a slimmed down, pumped up Roger Ebert (sort of an Ebert without
|
|
the daily supply of rasinets and goobers), giving me approval.
|
|
|
|
"Are you having a good time, Tommy?" she asked.
|
|
|
|
"Sure," I said. And I was.
|
|
|
|
"Great!" she said, "I'm going to go get something to drink. Would
|
|
you like me to get you something?" She was being quite hospitable
|
|
toward me. I felt more and more relieved that I hadn't made her fall
|
|
in love with Steve-- especially now that Steve had shown how much of a
|
|
friend he really was.
|
|
|
|
"Um, I'd like a Coke." I smiled.
|
|
|
|
"Just a Coke?"
|
|
|
|
"Yeah, just a Coke."
|
|
|
|
She nodded, turned, and walked across the room. I kept her in my
|
|
field of vision as she walked through different groups of people. Over
|
|
at the other end of the room, she picked up a can of Coke and a bottle
|
|
of beer. Just as she was opening the beer, a girl walked up to her.
|
|
They began talking.
|
|
|
|
Of course, I have no idea what they actually said. But I've
|
|
reconstructed the conversation by considering what happened after it
|
|
ended. So pretend that this is like In Search Of..., and I'm Leonard
|
|
Nimoy (just imagine I've got the pointed ears), and you'll be fine.
|
|
|
|
GIRL: It was nice of you to bring Tommy to the party.
|
|
|
|
SANDY: Well, he's been really nice, and those sessions of ours
|
|
have helped me a lot. He's done a great job.
|
|
|
|
GIRL: Sessions? I thought that you didn't work out and that he
|
|
had to find a new subject.
|
|
|
|
SANDY: What? Where'd you hear that?
|
|
|
|
GIRL: From Trish Brooks. She says that she's his new subject.
|
|
|
|
(At this point, Sandy set down her beer, an act that I am now
|
|
very grateful for. She still held my can of Coke in her hand,
|
|
however. At the same time, another girl joined in the conversation.)
|
|
|
|
GIRL 2: Consider yourself lucky that Tommy couldn't use you. I
|
|
heard that his geeky friend Steve was going to have Tommy
|
|
hypnotize his subject into falling in love with him.
|
|
|
|
GIRL 1: Gross! (This is an assessment that I agree with.)
|
|
|
|
Then Sandy turned and started walking very quickly toward me,
|
|
plowing through the groups of people that she had properly skirted
|
|
around before.
|
|
|
|
"Tommy, do you have another subject? And were you going to
|
|
hypnotize me into falling in love with Steve?" She yelled this to me
|
|
from halfway across the room.
|
|
|
|
It was at this point that I realized that I might be in the
|
|
middle of a little confrontation.
|
|
|
|
By the time Sandy reached me, she had about six people behind
|
|
her, three of whom were tall, strong guys. One of them was that guy
|
|
who I had talked to earlier-- the "hypnotize her naked" guy. You
|
|
remember.
|
|
|
|
"Um-- well," I stammered, "I'm also having sessions with Trish
|
|
Brooks."
|
|
|
|
"That slut!" one of the girls behind her muttered.
|
|
|
|
"And Steve did want me to hypnotize you into loving him..."
|
|
|
|
I was going to use my diplomatic skills to explain how I had
|
|
evaluated the situation and decided to use my abilities for good, and
|
|
not evil, but I didn't have the time.
|
|
|
|
That was when Sandy threw that can of Coke at me. So now you see
|
|
why I'm glad she set down the beer. Aluminum is lighter than glass.
|
|
|
|
Then those big guys started advancing on me, as if I had insulted
|
|
Sandy by even considering to hypnotize her into loving Steve. As if I
|
|
had hurt her by adding Trish as a second subject.
|
|
|
|
I mean, Mister "hypnotize her naked" was even coming to get me.
|
|
As if he was any better than me. What a hypocrite.
|
|
|
|
Nevertheless, he was a big hypocrite, and I've been 5'8" for
|
|
quite a while now. So I did the intelligent thing, and ran for my
|
|
life.
|
|
|
|
I got home at about 12:30. The moment I walked in the room, the
|
|
VCR began taping David Letterman.
|
|
|
|
As I slid into bed, I considered the day's events.
|
|
|
|
It wasn't so bad a day.
|
|
|
|
I had ridden myself of that geek, Steve. He would no longer
|
|
plague me with Sylvester Stallone. The can of Coke only hit me in the
|
|
shoulder, so I wasn't visibly scarred. Sandy had found out about the
|
|
true plan behind my hypnosis project, which meant that it would get
|
|
back to my Biology teacher. I suppose it might hurt my Biology grade,
|
|
especially if I had no project to turn in at all.
|
|
|
|
But what do I care? I mean, really. I'm still me, the same guy
|
|
I've always been. I'm still well known around the school, and I was
|
|
able to control a girl's desires through hypnosis.
|
|
|
|
And better yet, I had a date the next night.
|
|
|
|
So what if she cracks her gum?
|
|
|
|
|
|
|
|
---------------------------------------------------
|
|
Jason Snell is a sophomore at UC San Diego,
|
|
majoring in Communication with a possible double
|
|
major in either Media or Writing. He claims that
|
|
he doesn't resemble the character in "Master of
|
|
Delusion" one bit. His story "Into Gray" won him
|
|
$100 in high school, has been shot (in a much
|
|
altered form) as a student film, and appeared in
|
|
the first issue of Quanta. He is currently trying
|
|
to write something which "looks like cyberpunk and
|
|
feels like meaningful literature." He says he's
|
|
afraid that it will come out looking more like a
|
|
long haiku.
|
|
---------------------------------------------------
|
|
|
|
|
|
|
|
|
|
|
|
A Night on the Net
|
|
By Jeff Okamoto
|
|
okamoto@hpccc.hp.com
|
|
Copyright 1989 Jeff Okamoto
|
|
======================================================================
|
|
|
|
Thank God it's Wednesday, Johnny thought to himself as he walked
|
|
home. It was the only thing that let him let off steam from work.
|
|
Ever since taking that promotion to first-level manager, things had
|
|
only gotten worse. When he was just a programmer, all he had to do
|
|
was get the job done. As a manager, he had to meet unreasonable
|
|
deadlines, deal with the financial analysts, make sure the legal
|
|
department had okayed everything, listen to his employee's complaints,
|
|
excuses, and demands and still meet his personal goals. No wonder
|
|
some of them took the Concrete Swan Dive.
|
|
|
|
He checked his posture. Gotta be careful, he thought. If you
|
|
looked nervous, you were a prime target and the gangs would rip you.
|
|
If you looked tough, the gangs would still rip you, to see if you
|
|
really were tough. Unless you could fight them off or run faster than
|
|
they could, you'd end up the same way. Red Stain Street.
|
|
|
|
The streets hadn't been cleaned in years. They held the stench
|
|
of millions of bodily excretions, intentional and otherwise. The
|
|
concrete absorbed it all, mixed them into an exquisite odor, and
|
|
infused the air with it. Johnny didn't know how the beggars could
|
|
take it. Every so often, some new wretches would try to make it on
|
|
the streets. Many of them ended up dead, or worse. Food was
|
|
sometimes hard to find.
|
|
|
|
He punched his codeword into the door lock and slid it open.
|
|
Home, sweet home, Johnny snorted. The apartment, more like a rabbit
|
|
hutch he thought, was just large enough for a person to stay sane. It
|
|
consisted of a small main room, a tiny bathroom and small kitchenette.
|
|
A thin mattress occupied one corner, nearly buried beneath a pile of
|
|
dirty clothes. A plastic desk, almost too large to fit separated the
|
|
bed from the rest of the room. With it went a stained and old chair.
|
|
The only item of obvious value sat upon the desk -- his deck.
|
|
|
|
Stepping over piles of dishes, making sure not to spill their
|
|
contents onto the floor, Johnny threw his backpack on the bed. Last
|
|
time, the spoiled food damned near burned through the plastic.
|
|
Fortunately, it had only left a dark brown spot on the floor.
|
|
Selecting a not too dirty shirt and shorts, he put them on and sat in
|
|
the chair.
|
|
|
|
He ran his hands along the deck's smooth worn sides. It wasn't a
|
|
top of the line model, but it was good enough, he thought. Ripping
|
|
out a new set of diamond fiber patchcords, he plugged one end into the
|
|
deck, the other into the sockets on the backs of his hands. The
|
|
sockets were unnecessary and were expensive as hell, but Johnny had
|
|
had them since his college days. It was a mark of pride to him.
|
|
|
|
He felt them seat firmly. He powered on the deck and adjusted
|
|
himself in his chair, making sure that his head wouldn't fall and his
|
|
neck get stiff.
|
|
|
|
The Blind Spot slowly grew and surrounded him. After a few more
|
|
seconds, he was in.
|
|
|
|
Information technology had come a long way since Gutenburg first
|
|
perfected the printing press. Information, originally kept in the
|
|
minds of people, could now be stored on paper. As science and
|
|
technology improved, information was stored magnetically, then
|
|
optically, finally holographically, although biologically stored
|
|
information was "coming soon." In this day and age, print truly was
|
|
dead.
|
|
|
|
So too had the way people accessed information. With
|
|
bio-technology, direct links to the brain were possible. Electrical
|
|
stimulus to the optic nerve made words and pictures appear before
|
|
one's eyes. Similar stimuli to the other major nerves created
|
|
illusions of sounds, smells, tastes, and touches.
|
|
|
|
What shall I be tonight, he asked himself. While out in the Net,
|
|
he could, through the correct programming, make himself look to others
|
|
like anyone he could imagine. He settled on his usual persona,
|
|
himself with some cosmetic defects erased. He was comfortable in it,
|
|
like a favorite pair of pants. It also meant he didn't have to
|
|
role-play or over-play any specific caricature.
|
|
|
|
He'd been out countless numbers of times, yet it was always a
|
|
thrill. Leaving his home node, he entered the Net.
|
|
|
|
A comfortable darkness surrounded him; then suddenly a thousand
|
|
and more brightly lit points, other data on the Net, appeared before
|
|
him; like fireflies, they were constantly in motion. There were so
|
|
many of them, you couldn't discern a pattern. It looked like chaos
|
|
itself.
|
|
|
|
Though potentially as infinite as space itself, the Net reflected
|
|
the thoughts of those who'd given birth to it. He was almost
|
|
completely surrounded by the many structures that seemed to form a
|
|
tunnel surrounding the main routes, partially protecting newcomers
|
|
from acrophobia, though it was not the sky that caused the fear, but
|
|
rather the Net itself.
|
|
|
|
Pundits called the Net an electronic counterpart to the human
|
|
circulatory system. Data packets were the red blood cells, holding
|
|
the vital information, transferring it from one "cell" to another, in
|
|
much the same way as the real one transferred oxygen. The analogy
|
|
broke down in two places. The Net's pathways were bidirectional, and
|
|
users were considerable more than mere red-blood cells.
|
|
|
|
As Johnny traversed the Net's routes, he could see the myriad
|
|
institutions that lined this portion of the Net. The highly
|
|
symmetrical and sterile multinational subnetworks, the more loosely
|
|
arranged but just as large universities and research centers, and the
|
|
small fry, the haphazard public networks.
|
|
|
|
He went at his usual pace, checking if anything new had been
|
|
added, something worth checking out. There was nothing new this time,
|
|
which surprised him. Normally the turnover rate was pretty high.
|
|
|
|
He stayed on the normal routes. Stray too far and you might get
|
|
lost permanently, as though the red blood cell decided to take a tour
|
|
of the rest of the human body. A very few had gotten lost and made
|
|
their way back, telling stories of demons, which were definitely not
|
|
believed.
|
|
|
|
He was also very careful not to approach certain nodes too
|
|
closely. Though quiescent enough now, if approached the wrong way,
|
|
especially the multinationals, their defensive sub-systems would
|
|
activate. Johnny had heard that some of the ultra-secure networks
|
|
used defense systems that erased yet another line between biology and
|
|
technology. Their security resembled the immune system. Special
|
|
drones would check how you were organized. If you didn't have the
|
|
right antigens, then antibodies would be produced to neutralize you.
|
|
Flatline EKG.
|
|
|
|
Johnny arrived in what was the electronic equivalent of Downtown.
|
|
Huge glowing signs beckoned to the Net travelers. Their barker
|
|
programs endlessly repeated the same spiel: "You won't find a better
|
|
sensory stimulus simulation anywhere else! Anything you want to do,
|
|
anyone you want to be! For only a minor charge, you too...."
|
|
|
|
He passed them by, like he always did. They were traps, he'd
|
|
decided long ago. They'd suck you in and fleece you for all your
|
|
credit before you could blink. He switched at the next nexus and
|
|
arrived at his destination: Chuqui's.
|
|
|
|
Nobody seemed to know if Chuqui was real or an AI. He was always
|
|
there, 24 hours a day, but no AI had yet passed the Petersen test.
|
|
|
|
The decor was different every night. Chuqui's looked like what
|
|
Chuqui wanted it to look like. Tonight it looked like Chuqui was in a
|
|
nostalgic mood. It was a combination bar and restaurant, the kind
|
|
that you found in the late Eighties or early Nineties. Period music
|
|
filled the air. The smell of fine wood grain and sizzling meat filled
|
|
the air.
|
|
|
|
"Hey Johnny, how are you?" asked Chuqui. He always recognized
|
|
everyone. Johnny wasn't quite sure how he did it. After hearing
|
|
about Chuqui's unusual talent, Johnny had tried using different
|
|
personas to fool Chuqui: he'd even come in as a woman once. Chuqui
|
|
always saw through it. So he just gave up trying.
|
|
|
|
"Fine, Chuqui, just fine," he replied. "Any action going on
|
|
here?"
|
|
|
|
"No, not really. The usual?" Johnny nodded in reply.
|
|
|
|
He walked past the bar that lined one side of the room, mementoes
|
|
of past dreams hanging on the wall above it, into a section of
|
|
restaurant stools lining two walls. You could watch the people across
|
|
the aisle watching you in the mirrors. Beyond that, a multi-layered
|
|
area with both booths and tables.
|
|
|
|
Johnny found himself a table and drank in the atmosphere. Chuqui
|
|
brought him his dinner. He smelled real steak, not the yeast he
|
|
usually ate. And his drink was a golden-colored beer in a frosted
|
|
mug.
|
|
|
|
He looked up from his plate and discovered that someone was
|
|
watching him from a booth near one corner. Johnny was sure that the
|
|
booth had been empty when he'd come in. And he hadn't seen anyone sit
|
|
down there. No matter, he thought, there were plenty of back doors
|
|
into Chuqui's and some people preferred not to walk in.
|
|
|
|
She was beautiful. Her brown eyes had small epicanthic folds,
|
|
with long lashes. Her hair was long and raven, bangs spilling forward
|
|
over her face. Her skin was perfectly smooth and tanned and her teeth
|
|
were a sparkling white, set in a smile between scarlet lips. She was
|
|
dressed in a shiny velvet-black dress, which was cut low enough to
|
|
reveal the swell of perfectly formed breasts. She smiled and winked
|
|
at him.
|
|
|
|
Johnny walked over to the booth and sat down across from her. He
|
|
caught a whiff of something indescribable which jolted his pleasure
|
|
center like an electric current. He had never smelled anything like
|
|
it before. But it was recognizable all the same. It was the
|
|
indescribable scent of woman.
|
|
|
|
"Hello", he said. He'd learned long ago that snappy pick-up
|
|
lines often didn't.
|
|
|
|
"Hello yourself", she replied. Her voice was low and husky. A
|
|
corner of her lips twisted upwards in a small smile.
|
|
|
|
"What do you think of Chuqui's tonight?" It never hurt to talk
|
|
about the place they were at.
|
|
|
|
"This is the first time I've seen it like this. Do you come here
|
|
often?"
|
|
|
|
"Yes, it's one of my favorite places. He always seems to come up
|
|
with the most interesting decors."
|
|
|
|
"You call Chuqui a 'he'. Rumor has it that Chuqui is an AI. Do
|
|
you know what I think?" The last was in a playful voice.
|
|
|
|
"No, what do you think", in the same playful tone.
|
|
|
|
"I think it's a computer with a human brain connected to it. An
|
|
experiment in permanent man-machine symbiosis. A rather powerful
|
|
tool, the computer's speed with a human's intuition. What do you
|
|
think?"
|
|
|
|
"That's an interesting theory. But what about sleep? A man
|
|
can't stay awake forever, and some people I know have stayed with
|
|
Chuqui for ten days straight. If he was human, he'd have gone crazy."
|
|
|
|
"Well, I'd be willing to bet that they didn't keep him constantly
|
|
occupied. That'd be how he could get sleep. A "Russian Sleep"
|
|
inducer implanted in the brain. Instant deep sleep for seconds or
|
|
minutes at a time. Granted, Russian Sleep isn't REM sleep, but the
|
|
computer could take over for an hour or two to cover for him."
|
|
|
|
It wasn't until some time later that Johnny noticed that he
|
|
wasn't intimidated by her intelligence. Her theory was interesting,
|
|
and she seemed to have thought it out completely. He was totally at
|
|
ease with her. And those beautiful eyes continued to look at him, and
|
|
that mouth still framed that smile.
|
|
|
|
Chuqui brought a bottle of champagne in an ice bucket that Johnny
|
|
didn't remember ordering. He expertly cracked it open and together
|
|
they shared the bubbly sweetness.
|
|
|
|
After finishing the bottle, he asked the inevitable question,
|
|
knowing she'd say yes.
|
|
|
|
They left Chuqui's and went over to a nearby love hotel. For a
|
|
fee, two or more people could rent a room by the hour or for the
|
|
night. The room was tastefully done, and looked much like an
|
|
expensive hotel suite.
|
|
|
|
They kissed, his tongue and hers nuzzling, his pleasure center
|
|
being jolted repeatedly. Then she stepped back and shrugged out of
|
|
her dress. Johnny was not surprised to find that besides the dress
|
|
and her shoes, she wore nothing else. He caressed her silky skin
|
|
while she undressed him. Then she gently pushed him onto the bed and
|
|
she straddled on top of him.
|
|
|
|
They moved together as men and women had done for thousands of
|
|
years. As they got closer and closer to the explosion, she seemed to
|
|
blaze like an aurora borealis.
|
|
|
|
He fell asleep with her head on his chest, his arm laid across
|
|
her smooth back.
|
|
|
|
Johnny woke up back in his seat, his chin on his chest, his neck
|
|
painfully stretched. He jacked out and switched off the deck.
|
|
|
|
After stretching the kinks out of his neck, he took a shower, two
|
|
one-minute blasts of tepid water. It felt oily and only slightly
|
|
brown. Putting on the same shirt and tie as yesterday, he
|
|
hop-scotched his way back to the door and left. Time for another
|
|
lousy day at work. After another night on the Net.
|
|
|
|
|
|
---------------------------------------------------
|
|
Jeff Okamoto is currently working for
|
|
Hewlett-Packard. He is an avid Japanese animation
|
|
fan and is a staff writer for Animag, an American
|
|
magazine on Japanese animation. He is also fond of
|
|
gaming and reading.
|
|
---------------------------------------------------
|
|
|
|
|
|
|
|
|
|
|
|
QQQQQ tt
|
|
QQ QQ tttttt
|
|
QQ QQ uu uu aaaa nnnn tt aaaa
|
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
|
QQ QQ uu uu aa aa nn nn tt aa aa
|
|
QQQQQQ uuu aaaaa nn nn tt aaaaa
|
|
QQQ
|
|
______________________________________
|
|
|
|
A Journal of Fact, Fiction and Opinion
|
|
______________________________________
|
|
|
|
Quanta is an electronically distributed magazine of science fiction.
|
|
Published monthly, each issue contains short fiction, articles and
|
|
editorials by authors around the world and across the net. Quanta
|
|
publishes in two formats: straight ascii and PostScript* for
|
|
PostScript compatible printers. To subscribe to Quanta, or just to
|
|
get more info, send mail to:
|
|
|
|
da1n@andrew.cmu.edu
|
|
r746da1n@CMCCVB.bitnet
|
|
|
|
Quanta is a relatively new magazine but is growing fast, with over
|
|
three hundred subscribers to date from nine different countries.
|
|
Electronic publishing is the way of the future. Become part of that
|
|
future by subscribing to Quanta today.
|
|
|
|
*PostScript is a registered trademark of Adobe Systems Incorporated.
|
|
|
|
|
|
|
|
|
|
/
|
|
DDDDD ZZZZZZ //
|
|
D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
|
|
D D A A R R G O O N N N Z I N N N E ||
|
|
-=========================================================+<OOOOOOOOO>|)
|
|
D D AAAA RRR G GG O O N N N Z I N N N E ||
|
|
DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
|
|
\\
|
|
\
|
|
The Magazine of the Dargon Project Editor: Dafydd <White@DUVM>
|
|
|
|
DargonZine is an electronic magazine printing stories written for
|
|
the Dargon Project, a shared-world anthology similar to (and inspired
|
|
by) Robert Asprin's Thieves' World anthologies, created by David
|
|
"Orny" Liscomb in his now retired magazine, FSFNet. The Dargon Project
|
|
centers around a medieval-style duchy called Dargon in the far reaches
|
|
of the Kingdom of Baranur on the world named Makdiar, and as such
|
|
contains stories with a fantasy fiction/sword and sorcery flavor.
|
|
DargonZine is (at this time) only available in flat-file,
|
|
text-only format. For a subscription, please send a request via MAIL
|
|
to the editor, Dafydd, at the userid White@DUVM.BitNet. This request
|
|
should contain your full userid (logonid and node, or a valid internet
|
|
address) as well as your full name. InterNet (all non-BitNet sites)
|
|
subscribers will receive their issues in Mail format. BitNet users
|
|
have the option of specifying the file transfer format you prefer
|
|
(either DISK DUMP, PUNCH/MAIL, or SENDFILE/NETDATA). Note: all
|
|
electronic subscriptions are Free!
|