1889 lines
76 KiB
Plaintext
1889 lines
76 KiB
Plaintext
+----------------------------------------------------------------------+
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////////////////////////////// WARNING! \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
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This is an ADULTS ONLY comedy file. Some language and descriptions
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may offend some people. If you feel you are one of these people,
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stop reading now.
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[I would say something like THATSAGODDAMMUTHAFUKINGWARNING but
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Raph told me not to! -Ed]
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+----------------------------------------------------------------------+
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They're lean... green... and on your computer screen!
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______/| __
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| __ | / \
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\ | \| | /
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| | ___ ___ _/\ | |
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| |__/| | | | | \_/ | |
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| | | | | | ___ | |
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/ __ | \ \ | | | | | |
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| | \| \ \/ _/ | | / /
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| | \__/ | | | |/|
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| |__/| |_| |____|
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_____ |_____ |
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/ _ \ _ \| _ __
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/ / \ \ | |___ _____/ | ______ / \
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/_ / \ | | __ \ / __ | / ___ | | / _____
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| |___| | | / \ \ | / \ | | | \ | | | / _ \
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| ___ | | | | | | | | | | | | / | | \_ \\_|
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| / | | | | | | | | _| | | \__/ | | | \ \
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| | | | |_| |/ \ \_/ | | ___/ | | __ | |
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/__| | | \___/| | \ |____ | | __ \ \/ /
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\___\ | | \_____/ \ \/ / \___/
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/|________/ | \__/
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/ __________/
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\_|
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____
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/ / ___ ___ ____ ___ ___ _/_ ____
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/___/ / /__/ /___ /__/ / / / /___
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/ / /___ ___/ /___ / / / ___/ o o o
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Another Expedition into the Realms of Stupidity with
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Anarchistic Tendencies Part XIV.
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____________________________________________________________________
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\ /
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\ T E E N A G E M U T A N T N I N J A /
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\______________________________________________________________/
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________ __ __ _______ ________ __ ______ ____
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/ _| | | | | | \ | | | | | ___| / \
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\__ _/ | | | | | ,--, | |__ __| | | | |___ \_ |\/
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\ \ \ | | | | |,-' ,/ | | | |___ | ___| _ \ \
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\ \ | `--' / | |\ \ | | | | | |___ / \/ |
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\_/ \______/ |__| \___\ |__| |______| |______| \____/
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I N M E L B O U R N E : "Telecom Trouble"
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A tribute to Peter Laird and Kevin Eastman (without whom there would never
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have been the incredible Teenage Mutant Ninja Turtles), Mark Freedman
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(executive producer of the cartoon series), and the late Jim Henson (designer
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of the turtles costumes in the TMNT movie).
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Written by Raphael Turtle and Fearless Fred.
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Edited and Released by Fearless Fred.
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[He's the Evil Angels' answer to
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Burne Thomson. (except Burne Thomson
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does MORE WORK) - Raph]
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[Who the hell's Burne Thomson? -Ed]
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+----------------------------------------------------------------------+
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Teenage mutant ninja turtles,
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Teenage mutant ninja turtles,
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Teenage mutant ninja turtles,
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Heroes in a half-shell,
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Turtle Power!
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They're the world's most fearsome fighting team.
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[We're really hip!]
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Teenage mutant ninja turtles
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They're heroes in a half-shell, and they're green!
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[Hey, get a grip!]
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Teenage mutant ninja turtles
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When the evil Shredder attacks,
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These turtle boys don't cut him no slack!
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Teenage mutant ninja turtles,
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Teenage mutant ninja turtles,
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Splinter taught them to be ninja teens,
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[He's a radical rat!]
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Teenage mutant ninja turtles
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Leonardo leads,
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Donatello does machines.
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[That's a fact, Jack!]
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Teenage mutant ninja turtles
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Raphael is cool but crude,
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[Gimme a break!]
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Michaelangelo is a party dude!
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[Paaarrrtttyyyyyyyy!]
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Teenage mutant ninja turtles,
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Teenage mutant ninja turtles,
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Teenage mutant ninja turtles,
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Heroes in a half-shell,
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Turtle power!
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| \
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| \
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__ |\ | |
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\ \| |__________ | |
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`--,' \ | |
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|\__________/| | |
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_|_ __ __ _|_ | |
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/ \________/ \ | |
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| __ __ | | |
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| ===\ /=== | | |
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_/`-----\______/-----'\| |
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/ \__ ========
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| `--,_ ______,-,/_|__|
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\__ / | | | _____)
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| `--,_/ |______|_|______)
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| ----' (|__| \
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(\_________||______ (_____ |
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|\_________________ (______/
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\ || |__|
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|\_________||_________/,
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| _ _ |___
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\ / \/ \_ / \_
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| / \___ / _/\
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|_____| ---\__/ |
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/ \ | |
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\_____/ | '---,
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| | (___ --|
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| | `----'
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/ _ \
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(__/ \__)
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+---------------------------------------------------------------------+
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+----------------+
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Call These Boards!
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+----------------+
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For interstate callers prefix with 03
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For international callers prefix with + 61-3
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The Twilight Zone. 878-3539 All Speeds to 2400.
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Home of the Anarchy Files.
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Further Regions. 725-1923 All Speeds Modem, lots of Philes.
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Delta BBS. 793-4548 For RPG Players and Homosexuals.
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The Crossover. 364-1282 All Speeds with LOTS of hard disk and an
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AD LIB card (as if you didn't know!)
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Chicago. 728-6698 1200 & 2400 CCITT, 300 Bell.
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The Hard Rock Cafe. 894-2815 Four Lines.
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The BlackBoard. 776-5206 NO NERDS!
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+---------------------------------------------------------------------+
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And Now... _
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/ | ____
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/ | | |
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_ | | | |
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| \| | | | __
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| | | | ____ ___ ___ |
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_____ | | | |__| |_| |_| | |
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_____ | |_|__ |\ |___| | ____ |
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| |__| \ \| |__________ |__| | |
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___| `--,/ \ | |
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__| |\__________/| |__|
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_|_ __ __ _|_
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__ ,--,___ / \________/ \ ___----,
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_/ / / \__ | __ __ | __/ | |
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_|\ _| |_ \| ===\ /=== |/ | _/ \
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_/ \\/ `--' \_ /`-----\______/-----'\ \/ |
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/ `| \_ | _______ _______ __/ | |
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|__|__/_/ \_|| \ / ||__/ |___|
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|| || || || || || |___|_
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|| ||--------||--------|| / \
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|| (\________||________/) | __ , |
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|| __ ___ |\__________________/| //`//|_|\\
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/ \-- \| \ || / |__ //
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/ \ \ \_____||_____/ / \__ //
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| \__ ____ _____ ____ //_
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\ \___________ ________ ___\
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\_ _/ \/ \ ___/ |
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|-----| \/ |
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( ) |__ |
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| _| ___ ___/ \_____/
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_| | \ / \_/ /
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/ \ | | | _/
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\ \_/ \ \ ______/
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| | | |
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\_ \ \ \
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\__ | | _, \
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\___/ |_| |_|rt90
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TEENAGE MUTANT NINJA TURTLES IN MELBOURNE : TELECOM TROUBLE
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by Raphael Turtle.
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The glowing skyline of New York stood out starkly against the black night
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sky. New York was a city that never closed up for the night... things just
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got a little quieter.
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At night, certain minorities crept out of the dives... drunks, muggers, drug
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pushers... and turtles.
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Leonardo surveyed the lonely street intently from under the slightly raised
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manhole cover, then looked down and whispered, "It's all clear, fellas, let's
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go."
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The manhole cover grated against the bitumen road surface, and four
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figures crept into the night.
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---------------
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Meanwhile, ten miles below the city, in the spherical armoured fortress known
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as the Technodrome...
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"Ooohh, Shredder, I can't stand this!", ranted Krang as the lights on the
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bridge dimmed and wavered uncertainly like Disk Destroyer at the front door
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of a girl's house. "We must get more power, WE MUST!"
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Krang nudged a joystick in front of him with one of his protuberances, and
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his body flicked a row of switches on the console in front of him. The lights
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blacked out completely for a moment, then returned to normal brightness.
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Krang turned around to face Shredder. "All we have left is the energy in a
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few backup storage cells. When that's gone we're finished!"
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Shredder knew it was unwise to ask stupid questions when Krang was in a mood,
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but he eventually asked "So how are we going to get more energy?"
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"By eating Nutri Grain of course!", spat Krang sarcastically, "You fool
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Shredder, don't you think if I knew how to get more power I'd have done it
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by now!?" Krang turned angrily back to the console. "And where are those
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moronic mutants of yours?"
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"I gave them the night off."
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"Hmm... what's this?", Krang wondered aloud as he turned up the sound of a
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nearby television monitor.
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"... This is April O'Neil, with a Channel Six News Update. Four people are
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missing feared dead when a boat sank five miles off the New York coast. The
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boat was being used for the laying of underwater telecommunications cables
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at the time, and authorities say-"
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Krang flicked the monitor off with a snicker. "This gives me an idea,
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Shredder. The telecommunications system. THERE'S a line of attack we haven't
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tried yet."
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"Yes", moaned Shredder, "but a line of attack that will be foiled by the
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turtles as usual."
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"If we do it HERE perhaps, but the turtles couldn't stop us if we tried it
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overseas. In, say, Melbourne, in Australia?"
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"In AUSTRALIA? How on earth are we going to get there?"
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"We may not have enough power to raise the Technodrome but I'm certain we
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have enough to bore our way under the crust to Melbourne."
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"Are you sure?"
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"I'm as positive as Lance Link's blood tests."
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"Well, if you're THAT certain, I'm going to get Bebop and Rocksteady. I'm
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taking my usual transport module."
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"Why do you always take the biggest module?", asked Krang suspiciously.
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"I happen to like it", answered Shredder vaguely.
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"I bet it's just a penis extension!", hissed Krang.
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"Ha! Well at least I've got something to extend Krang!"
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"Ooooh Shredder, you can be cruel!"
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---------------
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Meanwhile, topside, in the "Cefiar's Face" pizza parlour on 69th street,
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the waitress, Blue Fox, looked down with distaste at the pizza she was
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carrying, and set it down at the table where the turtles were gathered
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wearing trenchcoats and hats. Then she left to talk to her boyfriend and
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chef, Ivan Trotsky.
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"Oh, perfectamondo!", exclaimed Michaelangelo, "the banana and mushroom pizza
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we ordered!"
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"Y'know", said Leonardo, as he reached for a slice, "it sure has been quiet
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recently."
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"Yeah", said Donatello between mouthfuls, "it's probably about time for
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Shredder to hatch another evil scheme."
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[Fearless Fred has similar paranoia attacks; when his board has
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been running a few weeks without any hiccoughs, he begins to wonder
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what horrific problem is slowly manifesting itself - Raph]
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The turtle's chatter was interrupted as the restaurant doors were kicked in,
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and a certain rhino and warthog bounded towards the turtles' table with
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blasters ready.
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"Hey, looks like we found the turtles!", said Bebop.
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"Yeah", grinned Rocksteady, "and am I in the mood for turtle-trashing!"
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"Sorry horn-head", said Michaelangelo, "but we've got other plans!"
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Leonardo and Michaelangelo lifted the table and heaved it at Bebop and
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Rocksteady, sending cutlery and pizza everywhere. Rocksteady fired blindly,
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his shots blowing fragments of plaster out of the ceiling.
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As the four turtles dived for cover in different corners of the pizza
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parlour, the other patrons began screaming and running for the exit.
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By the disintegrated door, Blue Fox and Ivan Trotsky looked on with horror.
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"I'm getting out of here!", Blue Fox yelled to Ivan.
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"Yeah, this is too much for me as well. Animals talking and destroying the
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place. We'll go to my house. Oh, but if my pet sheep has started talking as
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well, anything it says about me is LIES, okay?"
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Blue Fox and Ivan joined the rush through the door.
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Meanwhile, Bebop and Rocksteady were firing randomly, hoping to hit one of
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the hidden turtles. Raphael bobbed up from behind one of the tables, and
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threw one of his sai at a hanging ceiling lamp. The sai severed the cable,
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and the lamp crashed onto Rocksteady's skull.
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Avoiding Bebop's fire by doing a back flip, Raphael joined Leonardo behind
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the salad bar.
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[Remember kids, these guys are professionals, don't try this at
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home! -Ed]
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"Got any plans, Leonardo?", asked Raphael.
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"Yeah! This!"
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Leonardo leapt over the salad bar at Bebop as he drew one of the katanas that
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were strapped across his shell. As Bebop levelled his blaster, Leonardo
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sliced the barrel off.
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"Hey!", grunted Bebop, "no fair circumcising the weapons!"
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"Got you now, shellback!" Rocksteady had found Donatello crouching behind an
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overturned table. Donatello quickly swung his bo and connected with
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Rocksteady's head.
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"Oww, I wish you guys would stop doin' that!"
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As the mutant rhino unsteadily brought his blaster up, Michaelangelo jumped
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up from behind the counter, and threw one of his nunchakus. Rocksteady gasped
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as his blaster was knocked to the other side of the room.
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Michaelangelo followed up the attack by hitting Bebop with an entire deep-pan
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pizza.
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"Ahhhh... what a waste of good pizza!", he sighed.
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"BEBOP! ROCKSTEADY!"
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All turned to see Shredder silhouetted in the doorway.
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"Leave those turtles, we've got a Melbourne telecommunications system to take
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over! Get outside into the module."
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As the mutant rhino and warthog ran across the splintered tables and chairs,
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Leonardo stepped forward.
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"Right Shredder, time for us to settle a few old scores."
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"Sorry, reptile, but as much as I'd like to oblige, I've got more important
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things to do!"
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With that, Shredder hurled a small canister at Leonardo's feet. It broke
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open, and the parlour was instantly filled with a choking red haze.
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[SMOKING CAUSES LUNG CANCER. Health Authority Warning - Ed]
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"Boy", coughed Donatello, "there's more smoke in here than Fred's bedroom
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when he lights up after sex!"
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"I've found the door", yelled Raphael, "over this way!"
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Outside in the carpark, the turtles found a circular hole in the bitumen
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brimming with molten lava.
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"We're too late", said Leonardo bitterly, "they got away."
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"Hey, listen up compadres...", said Michaelangelo as the sound of police
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sirens became audible, "We'd best be making turtle tracks."
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The four turtles headed for the nearest manhole.
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---------------
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"... and that's what happened, Master." Back in the lair, Leonardo finished
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telling Master Splinter, the mutant half-rat who had trained them in the art
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of ninjitsu, his account of what had happened on the surface.
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"Hmmm...", mused Splinter, "this is very bad."
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"And who or what is this Melbourne?", asked Raphael.
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"Not who or what, but WHERE, Raphael", said Splinter as he got up and ran a
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claw over the titles on a bookshelf.
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Finding what he was looking for, Splinter brought an atlas back to the circle
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of seated turtles, and opened it to a map of Australia.
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"Australia, huh?", said Donatello, as he left the room, struck by a thought,
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"maybe we should rename this story `Shredhead Goes DownUnder'."
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"See here", said Splinter, pointing, "Melbourne is the capital of Victoria."
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"I though Victoria didn't have any capital any more." Michaelangelo put in.
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"Melbourne is the Capital City." Splinter corrected him.
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"Like, what would old tin grin want with a branch of Australia Telecom?",
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asked Michaelangelo.
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"I don't know", said Leonardo, "but we've got to follow him to Melbourne and
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find out."
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"Wait a minute, what if Shredder's just trying to slip us a red herring?",
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asked Raphael.
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"He's not", said Donatello, coming back into the room with some sheets of
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computer paper, "I just took some seismic readings. Take a look. The
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Technodrome's definitely moving."
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Michaelangelo looked doubtfully at the squiggly lines. "Couldn't that
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vibration just be Eliminator breaking someone's foundations?"
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"NO, it could only be the technodrome. Besides, if you look here, the
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readings show that the source is going, not..."
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Leonardo turned to Splinter interrupting Donatello, "Will you be coming to
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Australia with us, Master?"
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"Yes Leonardo, Shredder already has a head start on us. It will take our
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combined skill to defeat him."
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"Umm, how are we actually going to GET there?", asked Raphael.
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"No probs", said Donatello, handing out small booklets, "by plane. I once
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forged us some passports in case we ever needed to go anywhere."
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Michaelangelo opened his passport and looked at his photo. "Don't you think
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our turtle faces in these photos are gonna look a bit suspicious?"
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"Are you kidding?", asked Raphael, "have you seen the average passport photo?
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Even Star Hawk looks like a paper-bag job."
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"Well what are we waiting for", asked Leonardo, getting up, "lets pack
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whatever's essential, tell April where we're going, put timers on the lights,
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and head for the airport!"
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---------------
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Somewhere under the Pacific, the technodrome was chewing through the Earth's
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crust and making good time.
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On the bridge, Krang was piloting the technodrome while Shredder looked on.
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The door behind them slid open, and Bebop and Rocksteady lumbered in, wearing
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fresh band-aids. Bebop leaned over to Shredder.
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"Hey, boss", whispered Bebop, "what's the plan?"
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"Krang refuses to tell me the whole plan, but stage one is to take over the
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Telecom building in Melbourne, Australia."
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"Err, how we gonna do that?"
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"By increasing the amount of chloroform they put in their air-conditioning
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system."
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"Awwww", whined Rocksteady, "but I don't wanna go to Australia!"
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"Shuddup", answered Bebop, "and keep swimming. Ha ha, I made a funny!"
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---------------
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At dawn, the scene at La Guardia Airport was one of organised chaos. Having
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purchased tickets for the next flight to Melbourne, the turtles and Splinter
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were being bored in the concourse lounge, and watching people sneaking drugs
|
|
through customs and not finding their luggage on the carousel.
|
|
|
|
On the tannoy, Inka Princess announced in nasal tones, "Trans-World Airlines
|
|
announces the last call for flight 33 to Finland. And would the passengers
|
|
taking the early flight to Brazil fucking put it back on the runway!"
|
|
|
|
"Boy, this is an ultimo snore, dudes", moaned Michaelangelo, looking glumly
|
|
at the carpet.
|
|
|
|
Getting up, he wandered over to the observation window, and pressed his beak
|
|
up against the glass.
|
|
|
|
Another announcement came over the PA, "Attention passengers, TWA flight 12
|
|
to Melbourne, Australia, is now boarding at gate five. And a special
|
|
announcement to our ground staff, would Brett MacMillan and Taxi Cab PLEASE
|
|
stop kissing each other near the hangars!"
|
|
|
|
"That's our flight!", said Leonardo, "let's go!"
|
|
|
|
Splinter and the turtles boarded the plane and found their seats. Raphael was
|
|
sitting next to a window on the left side of the plane. To his right sat
|
|
Splinter, and next to him was Donatello.
|
|
|
|
Across the aisle from Donatello sat Michaelangelo, and next to him was
|
|
Leonardo's seat.
|
|
|
|
As Splinter settled back in his seat, he told Donatello, "You know, the last
|
|
time I flew in an aeroplane was when I fled from Japan."
|
|
|
|
The stewardesses - Brigitte Lambert, Julie Alderman, and Ech!? - boarded the
|
|
plane and headed for the rear section.
|
|
|
|
By the galley, Brigitte Lambert, picked up the PA microphone and "advised"
|
|
the passengers in her best plastic voice, "Good morning ladies and gentlemen.
|
|
Welcome aboard TWA flight twelve to Melbourne Airport, Australia. Before
|
|
takeoff, we advise you to lock your seats and trays in the upright
|
|
position... hmm, upright position, wonder if there's anything under that name
|
|
in the karma sutra... err, where was I? Oh, fasten your safety belts,
|
|
extinguish all smoking material, and glance over the emergency instructions
|
|
card.
|
|
|
|
"Remember that in the event in a mid-air explosion, there will be a notable
|
|
lack of wings, and a sudden depressurisation problem. This sudden drop in
|
|
pressure will be apparent by your ears popping and by Julie Alderman's tits
|
|
exploding. You will all find a TWA-regulation parachute under your seat. If
|
|
used, women are advised to pull the right cord or risk bleeding to death. If
|
|
Steven Pastry is onboard, he is advised HIS chute will open on impact."
|
|
|
|
"Shortly after takeoff Ech!? will be bringing around the refreshments
|
|
trolley, and let me just say now she's a right little tart and a full-fledged
|
|
member of the Mile-High Club. So if you like doing it in aeroplane dunnies,
|
|
she's the one to grope!"
|
|
|
|
[I hope ECH!? never reads that, and if she does I didn't write it -Ed]
|
|
|
|
Not long after that, the plane began moving forward. The vibration of its
|
|
motion along the tarmac suddenly fell away as the plane left the ground. When
|
|
the plane had stopped climbing, the captain made an announcement over the
|
|
P.A.
|
|
|
|
"Good morning ladies and gentlemen. This is Horace Mash, your pilot. We have
|
|
achieved our cruising altitude of 30,000 feet and should be landing at
|
|
Melbourne in the evening, local time, where it is currently 14 degrees. Enjoy
|
|
your flight."
|
|
|
|
There was a thud over the PA system as the microphone was put down, but
|
|
turning it off had apparently been forgotten.
|
|
|
|
"Another boooooooring flight", complained Cadet Ace, the co-pilot.
|
|
|
|
"Well, it has its compensations", argued the pilot.
|
|
|
|
"Like what? There's NOTHING to do in Melbourne."
|
|
|
|
"Well, when we land we can always head off to St. Kilda."
|
|
|
|
"What's there?"
|
|
|
|
"YOU KNOW. FITZROY street, in St. Kilda!? Visit some bars, get pissed, pick
|
|
up some cheap root-rats."
|
|
|
|
All the passengers were almost pissing themselves laughing by this time, so
|
|
Julie Alderman ran, red-faced, to the cockpit to turn off the P.A.
|
|
|
|
"Hey, you needn't hurry!", yelled Raphael, "he wants to visit a bar and get
|
|
pissed first!"
|
|
|
|
Soon, Ech!? appeared from behind the galley curtains, pushing a squeaky
|
|
trolley laden with food and drinks.
|
|
|
|
"Ah, excuse me", Michaelangelo called to her, leaning out into the aisle, "I
|
|
wonder if you might get me a little snack? A little peperoni and honey pizza
|
|
would be bodacious."
|
|
|
|
"Michaelangelo", warned Leonardo, "you'll spoil your lunch."
|
|
|
|
"Hey chill out, I'm not spoiling my lunch, I'm just supplementing breakfast."
|
|
|
|
"I'll see what I can do", said Ech, "but I don't know if we have that sort
|
|
of thing." She turned to Donatello, and asked sweetly, "Can I get you
|
|
anything? Would you like some of our TWA coffee?"
|
|
|
|
"Oh, no thanks lady, I don't like coffee very much, but I wouldn't mind your
|
|
TWA tea."
|
|
|
|
{Slap!}
|
|
|
|
"Owwww! Hey, what was that for? What did I say?"
|
|
|
|
The flight to Melbourne was fairly uneventful, with Splinter and the turtles
|
|
alternately dozing and flipped through the boring in-flight magazine. The
|
|
plane touched down at Melbourne Airport at about 5:30 pm local time.
|
|
Michaelangelo bounded into the arrival lounge, "Alright! Australia at last,
|
|
I can't wait to try my first lamington and vegemite pizza!"
|
|
|
|
"Lamington and vaginal WHAT?", exclaimed Leonardo.
|
|
|
|
"Vegemite!"
|
|
|
|
"Yuck, it sounds disgusting!", said Raphael, "What is it?"
|
|
|
|
"I think it's a mineral extract", said Donatello, as he thumbed through a
|
|
small glossy booklet.
|
|
|
|
"What makes you think that, Donatello?", asked Splinter.
|
|
|
|
"Well in this `Guide to Melbourne BBSes', it specifically states Ice Man
|
|
drills for vegemite."
|
|
|
|
"Boy, it sure is cold in Melbourne", shivered Leonardo.
|
|
|
|
"I agree", said Donatello, "I'd forgotten it would be winter here. I wish I'd
|
|
brought my turtle-neck sweater."
|
|
|
|
After getting their luggage and going through customs, the turtles sought to
|
|
hitch a ride into the city.
|
|
|
|
A heavily battered Gemini pulled over beside them and the hung-over looking
|
|
driver with a crumpled cigarette in his mouth wound the window down.
|
|
"Where you (hic) headed?", he slurred.
|
|
|
|
"To the Telecom exchange, in the city, are you headed in that direction?",
|
|
asked Splinter.
|
|
|
|
"Well, more or less", said Fearless Fred (who was the driver, if you hadn't
|
|
guessed), "I can drop you off by the Queen Victoria Market. Get in."
|
|
|
|
Not realising the danger, Splinter and the turtles got into Fred's car.
|
|
|
|
[My driving is NOT that bad any more! I haven't hit anything for
|
|
days! Well, nothing important anyway. -Ed]
|
|
|
|
The trip passed uneventfully for a while (if you call ripping two phone
|
|
boxes, three small shrubs and a letter box out of the ground uneventful),
|
|
before Fred turned around and spoke.
|
|
|
|
"So who are you guys, anyway?"
|
|
|
|
"We're the Teenage Mutant Ninja Turtles.", said Leonardo.
|
|
|
|
"You're TURTLES? And I thought it was my driving making you green! So, what
|
|
do you do, as turtles?"
|
|
|
|
"We're here to save your city from two evil tyrants named Krang and
|
|
Shredder", said Donatello, "so you could say we fight for peace."
|
|
|
|
"Fighting for peace", said Fred quizzically, "isn't that like fucking for
|
|
chastity? Or investing in Pyramid?"
|
|
|
|
"Well, they're going to take over Telecom", said Leonardo.
|
|
|
|
"Oh, that's all I need", said Fred. "Something else to endanger Melbourne's
|
|
BBSes. I'm a SysOp, you know. Well, semi-SysOp, anyway."
|
|
|
|
"Uhhhh...", moaned Splinter, as Fred rounded a corner with two wheels off the
|
|
ground, "how much longer is this ride going to last?"
|
|
|
|
"Well we're getting nearer to the city now."
|
|
|
|
"Like, how can you tell, dude?", asked Michaelangelo.
|
|
|
|
"It's obvious, he's hitting more cars", observed Raphael.
|
|
|
|
"Not to mention pedestrians!", gasped Donatello as Fred's car hit a speed
|
|
hump and left the road briefly, landing with a distinct thud.
|
|
|
|
"What the hell are you talking about?", asked Fred irritably, as one of the
|
|
panels from the rear didn't make the last jump.
|
|
|
|
"I'm talking about those two nuns, that guy on the bicycle, the traffic cop
|
|
and that gardener in the park.", said Donatello.
|
|
|
|
"That gardener doesn't count", complained Fred, "all I did was get his hose
|
|
caught up in the bumper bar."
|
|
|
|
"Yeah, and now he'll never have sex again!", said Leonardo.
|
|
|
|
Fred suddenly spotted a convenient parking space, and wrenched the steering
|
|
wheel around violently, expertly applied the hard brake, preyed, and entered
|
|
the space at 60 km/hr and slewing into the parked car in front. Fred reversed
|
|
to straighten up, and smashed the headlights of the car behind. Driving
|
|
forward into the car in front again, Fred turned off the engine.
|
|
|
|
While Fred got out to moodily flick specks of foreign car paint off his
|
|
bumper bar, Splinter and the turtles fell out of the car and staggered onto
|
|
the footpath.
|
|
|
|
Fred walked up to Splinter, scribbling something down on a notepad.
|
|
|
|
"Look, I don't want anything to endanger my board... so, if you need any help
|
|
or anything, here's my number and address, okay?"
|
|
|
|
Fred tore the top sheet off the notepad, handed it to Splinter, and hurried
|
|
off into the night on some errand of his own.
|
|
|
|
"Alright Leonardo", said Raphael, "you're the leader. What next?"
|
|
|
|
"We have to infiltrate the Telecom Building. I propose we disguise ourselves
|
|
as Telecom workers and sneak in."
|
|
|
|
"Ha!", laughed Raphael, "Telecom workers, what a contradiction in terms!"
|
|
|
|
"Yeah", agreed Michaelangelo, "like that's almost as bad as saying you're
|
|
an Arts student!"
|
|
|
|
"One problem, Leo", said Donatello, "don't you think these green beaks of
|
|
ours are gonna look a little conspicuous? Not to mention Master Splinter's
|
|
fur."
|
|
|
|
"Don't worry... I've got an idea...", said Leonardo as he gazed thoughtfully
|
|
at a freshly painted sign on a nearby building:
|
|
|
|
---------------------------------------
|
|
| VAGABOND'S RUBBER DOLLS - SEE INSIDE. |
|
|
---------------------------------------
|
|
|
|
[I wonder what his girlfriend will have to say about this? -Ed]
|
|
|
|
Splinter, Donatello, Raphael and Michaelangelo followed Leonardo into the
|
|
large warehouse full of clothes racks. Each of the racks held several
|
|
coat-hangers with alligator clips which gripped the shoulders of a
|
|
sad-looking, deflated rubber doll.
|
|
|
|
"Heeeey, guys!", bubbled Vagabond as he approached them from the other side
|
|
of the store, "NICE trenchcoats! And nice dressing gown too!", he added,
|
|
seeing Splinter's kimono.
|
|
|
|
Splinter drew himself up indignantly, "This happens to be a kimono."
|
|
|
|
"Kimono? What, is she Yoko's sister or something? Anyway, you after a doll?
|
|
I've got all the latest."
|
|
|
|
Vagabond lifted a coat hanger holding a limp female form from one of the
|
|
racks. "This one's a life-sized doll of Julie Alderman, just one hundred
|
|
dollars. Or I've got some Satan's Daughters back there, again only one
|
|
hundred dollars."
|
|
As far as it is possible for something totally green to turn red, that is
|
|
what Leonardo's face did right now.
|
|
"Ahh, no... that's not quite what we're looking for... my god this is
|
|
embarrassing"
|
|
|
|
"Heeeey, guys, I UNDERSTAND. Fortunately for you I have some excellent,
|
|
realistic male dolls, each with a life-sized solid rubber digit."
|
|
|
|
Vagabond began sorting through a number of dolls on coat-hangers, reading the
|
|
attached labels. "I've got a Lensman here for a hundred bucks. Or for the
|
|
same price I can get you a Thelonius Monk. Or I can get you a Masked Avenger
|
|
for fifty."
|
|
|
|
"Why is this Masked Avenger fellow so cheap?", asked Splinter.
|
|
|
|
"Well, you need less rubber..."
|
|
|
|
"Look", said Leonardo, grabbing five dolls at random from the closest rack,
|
|
"we'll just take these."
|
|
|
|
"Certainly sir", said Vagabond, taking the cash that Leonardo offered him,
|
|
"would you like them gift-wrapped or will you eat them here?"
|
|
|
|
"Let's get OUT of here", muttered Leonardo.
|
|
|
|
Outside, Michaelangelo asked, "Hey dude, what did we get these bogus things
|
|
for?"
|
|
|
|
"You'll see", said Leonardo with a smile. Drawing his katana, he neatly
|
|
decapitated one of the dolls with a single stroke.
|
|
|
|
"I don't get it, what are you doing?", asked Donatello.
|
|
|
|
"I think I know", said Raphael, drawing one of sai. Raphael cut out the eyes
|
|
and mouth of the plastic face, which Leonardo squeezed down onto his own
|
|
head.
|
|
|
|
"Hmmm...", said Splinter, "not a wonderful fit, but I do believe it will
|
|
pass."
|
|
|
|
With a whoop of excitement, the turtles set about shredding the dolls and
|
|
trying on their new human facemasks.
|
|
|
|
"Well", said Donatello, as he pulled his mask down, "at least we don't look
|
|
like turtles and a rat now."
|
|
|
|
"Yeah", said Michaelangelo, "but with these trenchcoats and plastic faces we
|
|
look like a whole army of living Inspector Gadget dolls."
|
|
|
|
"Come on", said Leonardo impatiently, "let's not waste time."
|
|
|
|
They headed for the Telecom Exchange.
|
|
|
|
---------------
|
|
|
|
Roughly forty-five minutes later, they arrived at the Telecom Building.
|
|
|
|
In the foyer, they walked past the snoozing receptionist, and an out-of-order
|
|
pay phone, and tried to walk nonchalantly passed the two foot soldiers
|
|
guarding the elevator, hoping their disguises would work.
|
|
The two foot robots leaned forward to look blindly at them, but apparently
|
|
considered them authorised personal, since they did not hinder them as they
|
|
stepped into the lift.
|
|
|
|
Leonardo hit the button for the top floor, and the elevator took them past
|
|
several floors. They past a floor of directory-assistance operators ignoring
|
|
the phones ringing in front of them... a floor of line-noise generating
|
|
specialists... the floor of professional line-crossers... and a floor of
|
|
people listening in on conferences conversations and going "beep" every
|
|
twenty seconds. Finally the lift delivered them at the executive level.
|
|
|
|
When the lift doors opened, Splinter looked up and down the corridor, then
|
|
beckoned for the turtles to follow him.
|
|
|
|
They arrived at a large door labelled "Private", with a window in the upper
|
|
half. Peeping through the glass, Donatello gasped, "It's Shredder and Krang!"
|
|
|
|
"You were expecting Peter Garret?", whispered Raphael, pulling him away from
|
|
the window.
|
|
|
|
Splinter and the turtles knelt down and listened at the door.
|
|
|
|
---------------
|
|
|
|
"Well Krang", they heard Shredder say, "now we have total control of Telecom,
|
|
what's the next stage of the plan?"
|
|
|
|
Gleefully, Krang boasted his plan. "I now have unchecked access to Telecom's
|
|
computers, and their lists of phone numbers. I shall breach their security
|
|
and compile a list of all Melbourne Bulletin Board numbers."
|
|
|
|
"Oh, you're a hacker are you? Got any calling cards, NUIs or other phreaky
|
|
things?"
|
|
|
|
"Shut up! I shall also find out who runs these boards and where to find them.
|
|
Then I shall kidnap these `SysOps' to get top access to every board, and then
|
|
via these boards spread a new, malignant computer virus which will rapidly
|
|
infect every machine in Melbourne. With my virus controlling every computer
|
|
in this city, my power will be unmatched. Ha ha ha!"
|
|
|
|
---------------
|
|
|
|
"I think we've heard enough", whispered Splinter.
|
|
|
|
Splinter and the turtles crept back along the corridor. When they were
|
|
half-way to the elevator, its doors opened, and out stepped Bebop and
|
|
Rocksteady.
|
|
|
|
"Hey, what are you twerps doing here? You know this floor is out of bounds!",
|
|
snarled Bebop.
|
|
|
|
"Err.. yeah, our mistake", bluffed Michaelangelo, inching towards the lift.
|
|
|
|
"Hey, wait a minute!", yelled Bebop, squinting closely at Splinter's mask.
|
|
A quizzical expression crossed the mutant warthog's face before he reached
|
|
out and ripped the plastic face away.
|
|
|
|
The two mutants almost fell backwards with surprise.
|
|
"It's that ninja rat!", cried Rocksteady.
|
|
|
|
"That's not all, Rocksteady!", said Leonardo as the four turtles removed
|
|
their masks and drew their weapons.
|
|
|
|
As Rocksteady and Bebop reached for their blasters, Splinter jumped into the
|
|
air, and dealt Bebop a vicious kick to the stomach. As he folded up like a
|
|
house of cards, Raphael and Donatello tackled Bebop and brought him to the
|
|
floor.
|
|
|
|
Behind them, Michaelangelo knocked out a window pane with one of his
|
|
nunchakus, and Leonardo attached a grappling hook to the frame. Trailing his
|
|
climbing rope down the side of the building, Leonardo climbed out of the
|
|
window saying, "I'm outa here, and you're all invited!"
|
|
|
|
While Bebop and Rocksteady lay winded on the floor, the turtles and Splinter
|
|
hurriedly scaled down the rope.
|
|
|
|
Wincing, Rocksteady climbed to his feet, drew his sword, and began hacking
|
|
at the rope.
|
|
|
|
One or two floors up from street level, Raphael stopped climbing down the
|
|
rope, and asked in a worried voice, "Hey, why's the rope vibrating?"
|
|
|
|
"I dunno", said Leonardo, "just keep cliiiiii..."
|
|
|
|
The rope went totally slack as, several floors above them, Rocksteady
|
|
succeeded in his attack on the rope.
|
|
|
|
The turtles and Splinter were suspended in mid-air for a moment, still
|
|
clutching the useless rope before gravity asserted itself and they plunged
|
|
to the ground.
|
|
|
|
"Saved by the shell", muttered Raphael, as he got up and checked for broken
|
|
bones.
|
|
|
|
"Uh, I feel as if the technodrome just flattened me!", moaned Donatello.
|
|
|
|
"Yeah, I know what you mean, dude!", said Michaelangelo, hobbling on a jarred
|
|
ankle.
|
|
|
|
"We must leave here, and quickly", said Splinter, rubbing a sprained wrist.
|
|
|
|
"Yeah", agreed Leonardo, "this place'll be swarming with Foot as soon as
|
|
those two freaks report to Shredder."
|
|
|
|
The small group headed towards the centre of the city, eventually passing a
|
|
public phone booth.
|
|
|
|
"Hey", said Raphael, "let's call that SysOp who gave us a lift. I bet he'd
|
|
help us, especially when he finds out what danger his board's in."
|
|
|
|
"Yeah, great idea", said Leonardo, pulling some change out of his coat
|
|
pocket.
|
|
|
|
They waited outside the booth while, inside, Thelonius Monk made a call.
|
|
|
|
"Hello son, is mummy at home?"
|
|
"She's busy."
|
|
|
|
"Busy doing what?"
|
|
|
|
"She's in bed with her gym instructor."
|
|
|
|
"What!?"
|
|
|
|
"I said she's in bed with her-"
|
|
|
|
"I heard you, now look, you've got to kill them. Both. Use my hunting rifle."
|
|
|
|
{Pause}
|
|
|
|
"Okay, done that."
|
|
|
|
"Alright son, you have to get rid of the gun. Throw it the lake at the park."
|
|
|
|
"But we don't live near a park."
|
|
|
|
|
|
"Oh, err, oops, wrong number."
|
|
|
|
Monk hung up guiltily, and slunk off into the night.
|
|
|
|
Leonardo entered the booth, and dialled. The phone burred twice, then there
|
|
was a click and an ambient crackling.
|
|
|
|
"... Hello, this Fearless Fred speaking. I can't come to the phone right now,
|
|
cos I'm probably coming somewhere else. But if you're an extremely
|
|
promiscuous young woman, please leave your name, number, address, height, eye
|
|
and hair colour, bra size, annual income, and details of diseases and
|
|
favoured sexual position after the beep, and I'll get back to you... or back
|
|
inside you... as soon as I can. And please don't tell Lonnie about this
|
|
recording. And if you ARE Lonni this is all crap anyway..."
|
|
|
|
{Beeeeeeep}
|
|
|
|
Leonardo looked dismayed, and put the phone down. "It's a recording", he told
|
|
the others, "we'll just have to... catch a cab, I guess."
|
|
|
|
When the taxi dropped them off at Fearless Fred's house, it was obvious, from
|
|
the sound of loud music and disintegrating furniture, that a typically
|
|
destructive Fearless Fred Party was in full swing.
|
|
|
|
Leonardo walked up the front steps, and rang the doorbell.
|
|
|
|
When the front door opened, their ears were assaulted by an unresolvable
|
|
mish-mash of sounds: bottles and tinnies being opened, Masky throwing up,
|
|
people shouting to each other, a rhythmic squeaking of bed-springs, people
|
|
telling obscene jokes, other people shrieking with laughter, eggs exploding
|
|
in the microwave, and the stereo playing the Hi Tek 3's "Spin That Wheel" at
|
|
full decibels.
|
|
|
|
Fred stared from the doorway.
|
|
|
|
"Hey, you guys, I wasn't expecting you!" He noticed their haggard, injured
|
|
expressions, "What happened?"
|
|
"We had a nasty fall", said Leonardo, briefly, "We'll explain later, but
|
|
right now we have to ask you if..."
|
|
|
|
Leonardo was interrupted as a female voice from inside called out over the
|
|
din.
|
|
|
|
"Hey, Fred!"
|
|
|
|
"Oh NO", muttered Fred, then as loudly and brightly as he could, "Yes,
|
|
Syn?"
|
|
|
|
"I've just been looking through your medicine cupboard", shouted Syn as she
|
|
weaved her way through the heaving crowd towards the door, "and I've found
|
|
something weird."
|
|
|
|
"Oh shit", whispered Fred, "she's found the flavoured ones." Shouting again:
|
|
"Oh yes, what's that?"
|
|
|
|
Syn was by the front door now. "It's this little box. On it, it says `Toupe
|
|
Tape', what's that?"
|
|
|
|
"I'll take that", snapped Fred. "Oh, Syn, these are the Teenage Mutant Ninja
|
|
Turtles and... err, a rat."
|
|
|
|
The turtles and Splinter introduced themselves by name, then Splinter turned
|
|
to Fred. "We hate to impose on you, but we need a place to rest. We were
|
|
badly injured."
|
|
|
|
"Yeah", said Syn, looking at Donatello, "you guys ARE looking a little
|
|
green."
|
|
|
|
"Well, I suppose you could stay in the study, besides it'll give you an
|
|
insight into being a SysOp", said Fred.
|
|
|
|
Fred led the group through the party to the study, and despite the noise, and
|
|
the constant beeping of people paging the SysOp, they fell asleep almost
|
|
instantly.
|
|
|
|
---------------
|
|
|
|
The next morning, while Syn - who had not gone home after the party - made
|
|
breakfast, Fred nursed a horrific hangover as Leonardo told him about
|
|
Shredder's plan.
|
|
|
|
"... and since you're a SysOp, we want you to contact all the other Bulletin
|
|
Board operators and warn them."
|
|
|
|
"Hey, no probs", said Fred, "I'll start leaving messages right after a
|
|
caffeine boost."
|
|
|
|
But it was already too late.
|
|
As dawn broke, it looked as if it would be a chilly but surprisingly clear
|
|
day in Melbourne.
|
|
|
|
In the city square, by what was once the graffiti board, a small crowd had
|
|
gathered for a Doodz Domain meet. Those present were introducing themselves
|
|
when, without warning, a transport module exploded from beneath the ground,
|
|
and landed heavily, cracking the concrete paving.
|
|
The heavy curved door opened, and Shredder stepped out, followed by Bebop and
|
|
Rocksteady. As the bulletin board users gaped, Shredder spoke quickly into
|
|
his communicator. "Krang, I've surfaced the module, which one is Lance Link?"
|
|
|
|
Shredder turned the communicator towards the sea of scared faces. Back in the
|
|
technodrome, Krang half-leaned out of his body, to get a better look at a
|
|
nearby monitor.
|
|
|
|
The monitor displayed an ancient piece of data from the technodrome's
|
|
information banks, on the subject of recognising certain users...
|
|
|
|
--------------------------------------------------------------------
|
|
|
|
Numb ->20
|
|
Sub ->Recognition
|
|
From ->FEARLESS FRED (#83) V52
|
|
Date ->13/05/88 08:20:44am
|
|
[What I was awake at that hour of the day!? -Ed]
|
|
|
|
Don't worry, you'll have no problems...
|
|
|
|
1. Look for a Fed Cop type... suit, tie... THAT'S MENTAT
|
|
|
|
2. Look for a slob with a cigarette.... THAT'S ME. (Probably hungover
|
|
too)
|
|
|
|
3. Look for a guy with long hair sharing his tongue with a girl holding
|
|
a block of chocolate... that's Monk and Ech!?
|
|
|
|
4. Look for a tall very innocent looking person... that's SYSOP.
|
|
|
|
5. Look for a bastard.. MASKY, who else.
|
|
|
|
6. Look for a person sitting by himself.. That's Raster Blaster.
|
|
|
|
7. Look for a guy who looks like Arnold Swarzie... That's Radio Active.
|
|
|
|
8. Look for a Wimp, with a pathetic attempt at a mo, That's Bozly
|
|
|
|
9. Look for a Wimp, with his dad's cheque book, and some bouncer types,
|
|
that's Taxi Cab.
|
|
|
|
10. Don't bother looking for Sparks & Fire Fox.
|
|
|
|
11. Look out for SYN!!!!!
|
|
|
|
OK, hope that helps.
|
|
`President and Founder of B.A.L.L.S!
|
|
Bottled Alcoholic Liquids Liberation Society.
|
|
----------------------------------------------------------------------
|
|
[Betcha didn't expect me to drag that one up, eh Fred!? - Raph]
|
|
|
|
Turning to another screen, Krang flipped through several digitised pictures,
|
|
then spoke sharply into his own communicator, "I don't KNOW Shredder, there's
|
|
no info on him here. Try to find out yourself."
|
|
|
|
Back at the city square, Shredder spoke to the group of users, and,
|
|
foolishly, Lance answered him...
|
|
"Lance?"
|
|
|
|
"Yeah?"
|
|
|
|
"Can I ask you a question?"
|
|
|
|
"Oh no, not this again!"
|
|
|
|
Shredder leapt forward and grabbed Lance's limp wrist with one hand, holding
|
|
the knuckle-razors on his other hand by the terrified SysOp's throat.
|
|
|
|
"Don't move sysop, or else! You're going to help me take over your board. And
|
|
none of you others move! STOP!"
|
|
|
|
But the panicked BBS users, save Lance Link, had made a break for it. Bebop
|
|
and Rocksteady started firing at anything that moved.
|
|
|
|
----------------------------------------------------------------------
|
|
|
|
CHANNEL SEVEN SUPERVISOR: Okay, we're at a cliff-hanger. Time to spring
|
|
a few commercials at 'em.
|
|
|
|
VIDEO TAPE TECHNICIAN: Yep, better keep the sponsors happy...
|
|
,,,,,,,,
|
|
|||||||||
|
|
\```````|
|
|
__ | ) ) | "It's cool to be clear, Seven-Up!"
|
|
/ \(, _ |__
|
|
/ | / \
|
|
| ,| ` |, |
|
|
/ `-------' / TECHNICIAN: What IS Seven-Up,
|
|
/ | | | anyway?
|
|
\ --,| ,,,, /__\
|
|
/ || |,,/ || SUPERVISOR: Dunno, sounds like
|
|
/ || /,/ /|| Lensman with an
|
|
/ || /`/ _/_||____ ,, _ erection!
|
|
/ || ____/ \\\ ,'`, \___
|
|
\___ || / | | \ TECHNICIAN: Yeah! And on the
|
|
_/ / _) |7 | | same note, two-up
|
|
/ / //| |up| | isn't just gambling,
|
|
| / \_____ `--' ____/ IS IT MASKY?
|
|
| | / \______________/
|
|
|____|____) | |
|
|
|| || | |
|
|
|| || | |
|
|
|
|
----------------------
|
|
|
|
NEVER BE ALONE AGAIN! __________________________________
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| Phone: (__)_________________ |
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|
THE INFLATABLE SHEEP, Mark II. | Black(_) White(_) No Frills(_) |
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* Kissable Lips. | (_) Cheque Enclosed |
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|
Using the latest Digital | Exp. Date: _________ |
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|
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|
|
clear sound reproduction. | Exp. Date: _________ |
|
|
* Cliff Edge Setting. | Signature: ___________________ |
|
|
For that extra push back |__________________________________|
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|
|
* Black, White or Circumcised. Cut out and send your order now.
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We cater for all racial The first 100 orders will receive
|
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Phone: + 61 3 878 3539
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|
|
----------------------------------------------------------------------
|
|
|
|
Rocksteady's blaster fire blew a massive chunk out of the part of the
|
|
fountain that ran overhead and crossed the square near the graffiti board.
|
|
|
|
The fountain cracked and as water began pouring down unchecked, it collapsed
|
|
and sent pieces of stone crashing down on the stragglers.
|
|
|
|
Pete Mitchell stopped to help up Natalia, who had caught a piece of rubble
|
|
just above her left eye.
|
|
|
|
"Oh, shit, have I got a headache!", she slurred.
|
|
|
|
"For god's sake", said Pete, "just save that for bedroom like you usually do,
|
|
huh? We gotta run!"
|
|
|
|
Rocksteady looked forlorn as the last users disappeared along Swanston
|
|
Street. "Aw, gee boss, they got away!"
|
|
|
|
"He he, not all of them!", snorted Bebop.
|
|
|
|
Rocksteady and Shredder turned to see Bebop with his blaster covering a
|
|
terrified group of nerds who had evidently tried to run up the stone steps
|
|
to Collins Street, but had been too slow.
|
|
|
|
The group consisted of John Calvin, Turbo, Rishi Mehra, Blue Adept, Peter
|
|
Ham, and Spectral Image. In other words, the AMF.
|
|
|
|
"Hey", grovelled Rishi Mehra, his voice shaking, "we weren't going anywhere.
|
|
In fact, we could probably help you, if you're planning to take over a board.
|
|
We once tried to take over the Twilight Zone, and really fucked it up, didn't
|
|
we guys?"
|
|
|
|
The other members mumbled in the affirmative.
|
|
|
|
Shredder narrowed his eyes suspiciously, then spoke into his communicator,
|
|
"What do you think, Krang?"
|
|
|
|
"Hmm, I don't altogether trust them, but bring them back to the
|
|
technodrome. Hehe, I have ways of telling whether they are sincere or not."
|
|
|
|
Laughing, Krang shut down the communications channel.
|
|
|
|
"Right you two", said Shredder to Bebop and Rocksteady, as he pushed Lance
|
|
Link into the transport module, "they're coming with us. But keep an eye on
|
|
them."
|
|
|
|
Shredder stepped into the module, and Bebop and Rocksteady herded the AMF in
|
|
after him. When they too were inside, Bebop slammed down the hatch.
|
|
|
|
The transport module turned around, and disappeared down the borehole it came
|
|
up through.
|
|
|
|
---------------
|
|
|
|
Half an hour later, Rishi Mehra was sitting in an oversized metal chair in
|
|
one of the labs within the bowels of the technodrome. Various clamps held his
|
|
arms, legs and head immobile, while a spaghetti of coloured wires led from
|
|
a nearby console to electrodes placed on his skull. Overall, the effect was
|
|
not unlike a hi-tech electric chair.
|
|
|
|
While the AMF cowered in a corner, under the watchful eye of Rocksteady and
|
|
Bebop, Krang was hunched over the expansive console, muttering obscure
|
|
Dimension-X expletives.
|
|
|
|
"What's this equipment supposed to do, Krang?", asked Shredder.
|
|
"It's SUPPOSED to measure brainwaves, but these fuckwits don't have any! I
|
|
wanted to probe their minds to test their loyalty..."
|
|
|
|
Shredder glowered over Rishi. "You, CONCENTRATE!"
|
|
|
|
Rishi thought hard. The smell of smouldering sawdust filled the room.
|
|
|
|
"Still nothing!", spat Krang, exasperated, "These guys are dumber than those
|
|
mutants of yours!"
|
|
|
|
"That's not possible!", chuckled Shredder. "Anyway, I'm returning to the
|
|
surface for another SysOp."
|
|
|
|
Shredder patted his pockets, and a worried look crossed his face.
|
|
|
|
"Krang, have you seen my communicator?"
|
|
|
|
"Uh oh", muttered Turbo, turning away to face the wall. But he had been heard
|
|
by Shredder.
|
|
|
|
"You! Where's my communicator?"
|
|
|
|
"Well, umm, Mr Shredder, well with its colour and shape... it looked so much
|
|
like a steak that I... umm... barbecued it."
|
|
|
|
"Oh my god!", screamed Shredder, "They ARE dumber than Bebop and Rocksteady!"
|
|
|
|
"Here", said Krang, holding out what resembled an electronic compass, "take
|
|
this instead."
|
|
|
|
"What's this?", asked Shredder, taking the device.
|
|
|
|
"A Sysopometer. It homes in on a brainwave characteristic shared by all
|
|
SysOps. Now go, you've much to do."
|
|
|
|
Shredder waved for his two hench-mutants to follow him, and headed for the
|
|
transport module bay.
|
|
|
|
---------------
|
|
|
|
In the Royal Botanic Gardens, the low rumble of traffic along Alexandra
|
|
Avenue was suddenly blotted out by another rumble from deep underfoot.
|
|
Shredder's transport module erupted from underground and landed with a thud
|
|
on the neatly mown lawn.
|
|
|
|
Shredder stepped out, followed by Bebop and Rocksteady. Shredder quickly
|
|
checked his Sysopometer, and glanced sharply in the direction of the
|
|
Ornamental Lake, amazed as he began to hear loud orgasmic shrieks and moans.
|
|
|
|
Realising his presence would be an embarrassing interruption, Shredder pushed
|
|
his way noisily through the bushes towards the sounds.
|
|
|
|
When Shredder crashed into the clearing, with Bebop and Rocksteady behind him
|
|
with their blasters ready, he found Janine and Night Stalker sitting three
|
|
metres apart on the bank, flushed and trembling and staring straight forward
|
|
at the water.
|
|
|
|
Shredder quickly scanned the scene, noting the blanket that had been hastily
|
|
rolled aside, and the condom that had been flicked into a nearby rose bush.
|
|
|
|
"There's bigger pricks in that now than there was five minutes ago, I'll
|
|
bet", he thought.
|
|
|
|
"Am I INTERRUPTING something?", sneered Shredder.
|
|
|
|
"No", said Stalker, without moving his eyes, "we were just fishing."
|
|
|
|
Sure enough, he and Janine each had a fishing pole with the float bobbing in
|
|
the water.
|
|
|
|
"Ohhh", said Bebop, "I though I smelt fish."
|
|
|
|
Suddenly Janine gave a squeak and began yanking on her line. "Oh, Nightie,
|
|
I think I've caught something!"
|
|
|
|
"You can't have", exclaimed Stalker, "I was wearing the bloody franger!"
|
|
|
|
"No, no, on my line!"
|
|
|
|
Janine and Night Stalker looked slightly sick as they realised they had given
|
|
each other away.
|
|
|
|
Shredder laughed without mirth, "Your charade is fooling nobody, it's as fake
|
|
as Lonnie's orgasms! [Raph, you're in trouble! -Ed] Bebop, Rocksteady, grab
|
|
that SysOp and take him back to the transport module!"
|
|
Bebop and Rocksteady grinned, happy they had someone to push around, and
|
|
began to shove Stalker in the direction of the module. "Sex maniac!",
|
|
Shredder hissed after him.
|
|
|
|
"That's quite funny", spat Stalker, looking back, "coming from somebody whose
|
|
head-gear looks like a battery-operated sex toy!"
|
|
|
|
Shredder stiffened in fury, and Stalker hardly saw the blow as Shredder
|
|
gouged his knuckle-razors down the side of his face. When Stalker managed to
|
|
stop screaming uncontrollably, and fought down the gut-wrenching nausea
|
|
building up within him, he opened his eyes to see Shredder's bloodied razors
|
|
ready for a second blow. The anger was obvious in his eyes.
|
|
|
|
"If you weren't so important to Krang's plan you'd be sushi right now",
|
|
Shredder said softly. Shredder glared at Stalker for a moment, then nodded
|
|
for Bebop and Rocksteady to take him away.
|
|
|
|
---------------
|
|
|
|
In the city, Splinter and the turtles were back at the Telecom Exchange.
|
|
|
|
"Why did we have to come back here?", complained Raphael.
|
|
|
|
"Because the technodrome must be right underneath it!", explained Leonardo.
|
|
|
|
Sneaking in through a back entrance, they crept down a dark stairwell, and
|
|
found themselves amidst the phone lines, where telecom technicians once did
|
|
macrame with the wires, and installed line-noise generators.
|
|
|
|
In the middle of the basement, a transport module lay beside a gaping hole
|
|
in the floor.
|
|
|
|
After they had gotten into the module, Donatello studied the controls, and
|
|
engaged the auto-pilot. The module sealed itself, shook violently, and began
|
|
drilling down to the technodrome.
|
|
|
|
---------------
|
|
|
|
In the technodrome, Shredder was alone, looking through the bars of a huge
|
|
jail cell that stood at one end of a vast computer complex. The cell held all
|
|
the SysOps Shredder had "collected", as well as a few ex-SysOps that the
|
|
Sysopometer had stilled homed in on; Cefiar Channadrac, Lance Link, The
|
|
Alien, Night Stalker, Craig Bowen, Bruce Wayne, The Masked Avenger, and
|
|
Captain Kirk.
|
|
|
|
Krang entered the room, and walked up behind Shredder.
|
|
|
|
"Admiring the trophies, Shredder?"
|
|
|
|
"Yes, did you get their passwords?"
|
|
|
|
"Yes", said Krang, gleefully, "things have been going good today. I even
|
|
worked out what I should do with those AMF morons."
|
|
|
|
"Oh, what's that?"
|
|
|
|
"I had a few of them `volunteer' for my famous mutagen experiments. I doused
|
|
Rishi Mehra with mutagen after he'd come in contact with a sea-slug."
|
|
"That must have produced something interesting!"
|
|
|
|
"Well actually, nothing happened! I had a little success on Peter Ham
|
|
though."
|
|
|
|
Shredder turned and looking at the array of computers that took up most of
|
|
the room. "Have you connected with all these SysOps' boards yet?"
|
|
|
|
"Not quite, Doodz Domain is still engaged. When we're connected to all of
|
|
them I'll start distributing the virus."
|
|
|
|
"I sure hope this scheme works, Krang! I've checked the power levels, and we
|
|
can forget drilling back to New York unless we get some serious energy."
|
|
|
|
"Don't worry Shredder, by this time next week Melbourne will be humbling
|
|
itself at our feet."
|
|
|
|
"Want to recheck that schedule?" It was Leonardo.
|
|
|
|
"The Turtles!", gasped Shredder, spinning around, "and Splinter, my sworn
|
|
enemy! I'll flay the lot of you!"
|
|
|
|
"Noooo, Shredder", said Krang, holding him back, "let's try some mutant power
|
|
on them."
|
|
|
|
"We're not going to let Bebop and Rocksteady get beaten up again?"
|
|
|
|
"Noooo... let's try something else. Peter Ham, GET IN HERE!"
|
|
|
|
A side door slid open, and Donatello gasped. "Yikes, who or what is THAT!"
|
|
|
|
Peter Ham, once human (?), was now basically reptiloid: a greenish skin with
|
|
the suggestion of scales and a tail, with several flaps of green-grey skin
|
|
hanging down around his neck. As he stepped forward, hissing, Krang explained
|
|
like a museum curator, "I thought since we were in Australia I might
|
|
experiment with the local fauna. Chlamydosaurus Kingii. Peter Ham is now half
|
|
frilled-neck lizard!"
|
|
|
|
"How ironic", smirked Shredder, "the turtles are going to be destroyed by a
|
|
distant reptile relative!"
|
|
|
|
"Peter!", Krang shouted, "Sick 'em!"
|
|
|
|
Donatello stepped towards Peter Ham, with his bo raised ready. Rasping, Peter
|
|
lunged forward and cut the bo in two. Donatello looked surprised and worried
|
|
simultaneously, and flipped back as Michaelangelo took the offensive and
|
|
began battering the half-lizard with his 'chaks.
|
|
|
|
Meanwhile, Raphael and Splinter kept Shredder busy, but made sure they were
|
|
never in range of Shredder's blades, for they knew how developed his fighting
|
|
skills were.
|
|
|
|
"Shredder, behind you!", wailed Krang.
|
|
|
|
Shredder turned to see Leonardo use his katana to break the lock on SysOps'
|
|
cell. Flinging the door open, he shouted, "All of you, out, and get ready to
|
|
run!"
|
|
|
|
Shredder went towards Leonardo, momentarily forgetting about Raphael and
|
|
Splinter. Raphael leapt and kicked Shredder in the small of the back, sending
|
|
him flying into Krang.
|
|
|
|
"You're getting sloppy, Shredder", said Raphael, "perhaps you'd better stick
|
|
to doing Ryobi commercials."
|
|
|
|
As the two tyrants picked themselves up, Leonardo shouted to Michaelangelo
|
|
and Donatello, "Hey, you guys, let's wrap this up!"
|
|
|
|
Donatello nimbly ducked down behind Peter Ham, and as Michaelangelo shoved
|
|
the mutant hard, he fell back over Donatello and onto one of the computers.
|
|
|
|
As Donatello and Michaelangelo ran for the exit, where Raphael, Leonardo, and
|
|
Splinter were hurrying along the SysOps, the computer console Peter had
|
|
landed on sparked and a sheet of flame burst through the vents along the
|
|
back. A monitor cracked open, and smoke poured forth. An unhealthy crackling
|
|
issued from the computers, and began getting louder.
|
|
|
|
"Quickly Krang", shouted Shredder, "the disk with the virus on it,
|
|
save the disk, it's the only copy!"
|
|
|
|
"Forget the disk!", screamed Krang, pushing Shredder out of the room, "just
|
|
run, it's going to go up!"
|
|
|
|
Peter Ham was left alone in the room, confused, and looking at the two exits
|
|
at opposite ends of the room, which had been used respectively by Splinter,
|
|
the turtles, and the SysOps; and Krang and Shredder.
|
|
|
|
As the computers around him exploded into countless fiery shards of metal,
|
|
Peter Ham's volume increased sharply and he expired. His last thought was
|
|
disappointment that the greatest sexual experience in his life was perving
|
|
at the ads for Escort Agencies in the Yellow Pages.
|
|
|
|
---------------
|
|
|
|
Since they couldn't possibly all fit in the transport module, the escapees
|
|
found one of the technodrome's hatches, and now watched from an enormous
|
|
subterranean cavern as the technodrome's turbines started up and it began to
|
|
bore it's way through the Earth's crust in a southerly direction.
|
|
|
|
As it disappeared into the inky blackness, Splinter sighed, "We may not have
|
|
won the war, but at least we won the battle."
|
|
|
|
"Yeah", said Raphael, "we saved Melbourne's SysOps."
|
|
|
|
"And his virus is gone for good", added Donatello.
|
|
|
|
Michaelangelo peered up the borehole that led to the Telecom Exchange
|
|
basement, "Like, I hope you SysOp dudes are good at climbing!"
|
|
|
|
---------------
|
|
|
|
Later that day, the turtles and Splinter made their goodbyes. Fred and Syn,
|
|
who had tagged along, were seeing them off as they climbed down a storm
|
|
drain.
|
|
|
|
"It'll take a bit of time to accumulate the stuff we need, but eventually
|
|
we'll build a cosy little lair somewhere in Melbourne's sewers", explained
|
|
Raphael, as he and Donatello disappeared down the tunnel.
|
|
|
|
"See ya then", said Fred, "just watch out for any nosy Hinch reporters doing
|
|
Sludge Files down there."
|
|
|
|
"Will do", said Leonardo, following Splinter and Michaelangelo into the pipe.
|
|
|
|
Fred replaced the cover on the storm drain, as Syn sobbed, "You know Fred,
|
|
I'm really going to miss them. Especially the four turtles."
|
|
|
|
"Why's that, Syn?"
|
|
|
|
"Well (sniff), they're the only people I've ever met who've actually LIKED
|
|
my cheesecake!"
|
|
|
|
--- The End ---
|
|
|
|
+----------------------------------------------------------------+
|
|
--------------------
|
|
ANARCHISTIC SPORTS
|
|
--------------------
|
|
By Lightening Bolt
|
|
|
|
I had been looking towards this month's assignment with a certain amount of
|
|
anxiety. I mean how often does the normal person get sent into the depths of
|
|
the steamy Amazon to watch Cefiar jerk off.
|
|
|
|
But, never the less, I am a professional, and when duty calls I answer.
|
|
|
|
The day was like the past four I had spent on the trail. The air was so humid
|
|
you could bottle it, the sky was hidden behind the canopy of tropical ferns,
|
|
which in turn were hidden behind the swarms of mosquitos, and other vicious,
|
|
biting, stinging and annoying insects.
|
|
|
|
My guide was an amazingly gorgeous amazonian woman. Her long, sensuous
|
|
legs appeared to continue beyond the strategically placed leaves which were
|
|
obviously there to frustrate me. As I adjusted my pith helmet, I could feel
|
|
the pounding in my loins. I was counting the hours until autumn!
|
|
|
|
We slashed away at the infernal jungle. This place was hell! I could feel
|
|
thirst scratching away at my throat, and vital fluids pouring from my body.
|
|
I could have died of thirst had I not found my bottle opener!
|
|
|
|
As I sipped on a particularly warm bottle of Dom Perinion (1974 is not at
|
|
it's best served warm) I spotted something which aroused my curiosity.
|
|
|
|
A young native girl, her face contorted in horror, ran into my butler
|
|
screaming something about the Head Shrinkers going mad. I knew I was on the
|
|
trail of a major story here, so we plodded onward into what seemed imminent
|
|
danger and probably a slow, painful death.
|
|
|
|
As my party arrived at a clearing in the jungle, we were surprised to
|
|
discover our goal. It was Cefiar. But, to our horror we saw that he was tied
|
|
to a totem pole, naked!
|
|
|
|
I felt sure that this scene was what the young native girl was escaping. Some
|
|
depraved mind had devised this inhumane torture for that poor sysop. After
|
|
my initial moment of hesitation, I knew, as revolting as he was, Cefiar
|
|
deserved to be saved, so I paused to examine the situation in detail.
|
|
|
|
On the far end of the clearing was a small hut made from the large tropical
|
|
tree leaves found around here. To the right of the hut were the remains of
|
|
a large fire from the night before. In the middle of the clearing Cefiar was
|
|
bound by woven vines to a totem pole in the shape of a grossly disfigured
|
|
phallus. He was tied facing pole, his bear buttocks facing the hut where I
|
|
guessed his captors were contemplating his fate.
|
|
|
|
It took every ounce of my will (and several ounces of marijuana which I'd
|
|
found on the way) to raise the courage to creep into the clearing. I crouched
|
|
behind the pole to which Cefiar was bound. With my trusty machete I carefully
|
|
cut his bindings and whispered "Your free!".
|
|
|
|
Cefiar turned to face me, and it was then I realised the full extent of the
|
|
madness of the Head Shrinkers obviously practising their perverted art on
|
|
Cefiar. Between his legs... it was terrible! Until now, I had thought The
|
|
Masked Avenger had a small dick, but poor Cefiar! A prick like that couldn't
|
|
even pop a balloon!
|
|
|
|
I looked him in the eyes, and with all the sympathy I could muster without
|
|
bursting into laughter I said "I'm sorry."
|
|
|
|
"Well so you bloody well should be!" Cefiar replied. "Isn't anyone allowed
|
|
one little sexual fantasy? OK, so now it's out... I like being tied up and...
|
|
things! Now go away and leave me and Gungadin alone!"
|
|
|
|
I stood there for a minute contemplating the scene. As I stood there, a
|
|
native emerged from the leaf hut. If he'd had the same skin colour, the same
|
|
facial features and was about 4 inches taller I would have sworn it was John
|
|
Holmes.
|
|
|
|
Realisation came quickly, and I promptly left.
|
|
|
|
Next month I have been assigned a Top Secret assignment. So I can't say that
|
|
I'll be getting the low down on The Masked Avenger!
|
|
|
|
|
|
OTHER RESULTS THIS MONTH
|
|
------------------------
|
|
|
|
Card Killing: Fearless Fred 1
|
|
Raster Bite 0
|
|
|
|
|
|
Womanising: Fearless Fred 1
|
|
Masked Avenger 1
|
|
Cefiar 0
|
|
Tasha 5
|
|
Vagabond 1
|
|
[At long last! -Ed]
|
|
|
|
Riding Trojan Horses: Da Wombat 1
|
|
|
|
Making Little Wombats: Anudda Wombat 1
|
|
|
|
|
|
+-----------------------------------------------------------------+
|
|
----------------------
|
|
THIS EDITIONS AWARDS
|
|
----------------------
|
|
|
|
HOON OF THE MONTH......................................... The Mentat
|
|
As if the Met needed that tram anyway?
|
|
|
|
HOON OF THE YEAR.......................................... The Mentat
|
|
You should have insured the BMW!
|
|
|
|
CARD KILLER OF THE MONTH.................................. Fearless Fred
|
|
We're talking PCOX cards, not phreaky type cards!
|
|
|
|
BULLY OF THE MONTH........................................ Melissa
|
|
That poor guy you beat up in front of his girlfriend!
|
|
|
|
SYSOP OF THE MONTH........................................ NOT AWARDED
|
|
|
|
SLACK BASTARD OF THE MONTH................................ Masky
|
|
[He was suppose to write this edition. -Ed]
|
|
|
|
PISSPOT OF THE MONTH...................................... Limmy
|
|
[He outdrinks me! - Ed]
|
|
|
|
SLACK SYSOP OF THE MONTH.................................. Fearless Fred
|
|
|
|
I'M BACK AND BITING AWARD................................. The Alien
|
|
|
|
MORNING SICKNESS AWARD.................................... Anudda Wombat
|
|
|
|
|
|
TURTLE FAN OF THE MONTH................................... Raphael Turtle
|
|
|
|
I CAN'T THINK OF ANY AWARDS THIS MONTH AWARD.............. Ed
|
|
|
|
+-----------------------------------------------------------------+
|
|
|
|
-----------------------
|
|
QUOTES FOR THIS MONTH
|
|
-----------------------
|
|
|
|
Fred: "You sucked it out?"
|
|
|
|
Masked Avenger: "Yeah! I sucked it out. It was great!"
|
|
|
|
Fire Fox: "Has anyone told you you're a bastard?"
|
|
|
|
Masked Avenger: "It's the only way to be."
|
|
|
|
Fred: "How big's your ass-hole Masky?"
|
|
|
|
Masked Avenger: "NINE FEET!"
|
|
|
|
Fifth Dimension: "Thanks to Masky for showing me that there is
|
|
a bigger ass-hole in the world than me."
|
|
|
|
Lonni: "He'll get it in the end."
|
|
Disk Destroyer: "If you ever do what you did to me this morning..."
|
|
|
|
Pete Mitchel: "I will."
|
|
|
|
Natalia: "I will."
|
|
|
|
Raphael Turtle: "More uncomfortable than painful."
|
|
|
|
Raphael Turtle: "It was quite an interesting experience in some ways."
|
|
|
|
Masked Avenger: "Only on weekends."
|
|
|
|
Disk Destroyer: "Don't turn the light on!"
|
|
|
|
Night Stalker: "Who's MY best man?"
|
|
|
|
Disk Destroyer: "Don't! Don't try that again."
|
|
|
|
Disk Destroyer: "I can do anything I like."
|
|
|
|
Night Stalker: "There's too much violence in the world. There should
|
|
be love & peace..."
|
|
|
|
+-----------------------------------------------------------------+
|
|
------------------
|
|
CONGRATULATIONS!
|
|
------------------
|
|
|
|
Congratulations to Craig (Pete Mitchel) and Natalie (Natalia)
|
|
who were married on the 17th February 1990.
|
|
|
|
The first (to our knowledge) people married after meeting
|
|
through the bulletin boards (Twilite Zone and Time Warp).
|
|
|
|
They were last seen interfacing on the way to the bridal suite.
|
|
We suspect Craig's hard disk was destined for a head crash after
|
|
Natalie was sending bytes to his serial part, port sorry.
|
|
|
|
[NOT PUNNY, I KNOW - Ed]
|
|
|
|
+-----------------------------------------------------------------+
|
|
-----------------------
|
|
OTHER GOOD PUBLICATIONS
|
|
-----------------------
|
|
|
|
If you like reading garbage like this you should try reading...
|
|
|
|
THE RAT PHILES
|
|
|
|
by
|
|
|
|
/{ V V V V
|
|
|o |__I_I________I_I
|
|
U\__________________\_____
|
|
|
|
|
|
T h e D e a d R a t S o c i e t y
|
|
|
|
[Not as good as the original though -Ed]
|
|
|
|
[Of course T.D.R.S. is not a Turtle endorsed organisation.]
|
|
|
|
+-----------------------------------------------------------------+
|
|
======================
|
|
The Evil Angels Team
|
|
======================
|
|
|
|
At present the Evil Angels Team consists of the following:
|
|
|
|
Founder: The Masked Avenger
|
|
|
|
Editor: Fearless Fred (AKA Lightning Bolt)
|
|
|
|
Authors: Fearless Fred
|
|
Raphael Turtle
|
|
Zorro (AKA Raster Bite) [Didn't get anything
|
|
for this issue! -Ed]
|
|
|
|
{new authors always welcome}
|
|
|
|
Ex-Author: Avalon ..
|
|
|
|
Programmer: Vagabond
|
|
(BSF Boys) Raphael Turtle
|
|
Fearless Fred
|
|
Da Wombat [Well, he says he'll do some
|
|
Pascal programming. -Ed]
|
|
|
|
Honorary
|
|
Members: Thelonius Monk The Lensman
|
|
Eliminator Death Man
|
|
Nixx SYN ...
|
|
Disk Destroyer Ivan Trotsky
|
|
Sprite
|
|
|
|
Favourite People: Taxi Cab Raster Blaster Captain Chaos
|
|
(to hassle) Simply Sparks Fire Fox Vagabond
|
|
SYN ... Masked Avenger Disk Destroyer
|
|
Lensman Royna Eliminator
|
|
Bigf00t Rishi Mehra
|
|
|
|
YOU TOO can help rid the world of nerds; by purchasing any of the
|
|
following quality official Evil Angels Products:
|
|
|
|
"I hate the Masked Avenger" Badges $3.00
|
|
|
|
Evil Angels Badges $3.00
|
|
|
|
Bi Bi PI Video $25.00
|
|
|
|
Evil Angels T-Shirts $15.00
|
|
|
|
Printed Versions of Anarchistic Tendencies Parts 1-15: $45.00
|
|
|
|
Donations and Payments can be sent To Fred or Masky
|
|
P.O. Box 528,
|
|
Mulgrave North, 3170.
|
|
|
|
Make cheques payable to CASH.
|
|
|
|
+-----------------------------------------------------------------+
|
|
____________________________________________________________________
|
|
\ /
|
|
\ T E E N A G E M U T A N T N I N J A /
|
|
\______________________________________________________________/
|
|
________ __ __ _______ ________ __ ______ ____
|
|
/ _| | | | | | \ | | | | | ___| / \
|
|
\__ _/ | | | | | ,--, | |__ __| | | | |___ \_ |\/
|
|
\ \ \ | | | | |,-' ,/ | | | |___ | ___| _ \ \
|
|
\ \ | `--' / | |\ \ | | | | | |___ / \/ |
|
|
\_/ \______/ |__| \___\ |__| |______| |______| \____/
|
|
|
|
|\
|
|
M E E T I N G : | \
|
|
| \ Provisional Details:
|
|
__ |\ | |
|
|
\ \| |__________ | | August 18th, 1990.
|
|
`--,' \ | |
|
|
|\__________/| | | Meet in the City Square at 11am.
|
|
_|_ __ __ _|_ | |
|
|
/ \________/ \ | | Lunch at McDonalds or Hungry Jacks.
|
|
| __ __ | | |
|
|
| ===\ /=== | | | Movie at Viliage Centre, 206 Bourke St.
|
|
_/`-----\______/-----'\| |
|
|
/ \__ ======== Cost: $5.50 if you can confirm your place
|
|
| `--,_ ______,-,/_|__| by E-Mailing Fearless Fred on the
|
|
\__ / | | | _____) Twilite Zone (878-3539) no later
|
|
| `--,_/ |______|_|______) than the 11th August.
|
|
| ----' (|__| \
|
|
(\_________||______ (_____ |
|
|
|\_________________ (______/ Dress: Wear Bandanas!
|
|
\ || |__|
|
|
|\_________||_________/, Talk: End each sentence with "Dude",
|
|
| _ _ |___ "COWABUNGA!" or "PIZZA!"
|
|
\ / \/ \_ / \_
|
|
| / \___ / _/\
|
|
|_____| ---\__/ | This is an official Evil Angels
|
|
/ \ | | meeting, which means that for
|
|
\_____/ | '---, everyone that would like to meet
|
|
| | (___ --| Ford Prefect AKA Raphael Turtle,
|
|
| | `----' Fearless Fred, and the infamous
|
|
/ _ \ Dianne Nichols should attend!
|
|
(__/ \__)
|
|
|
|
+-----------------------------------------------------------------+
|
|
Anarchistic Tendencies Part XIV
|
|
(C) March-July, 1990
|
|
|
|
File Size: 79,464 Bytes.
|
|
Time/Date Stamp: 31 July, 1990.
|
|
11:59 pm
|
|
|
|
No part of this file may be published in mass media without the author's
|
|
written permission, and half the authors don't know how to write. The other
|
|
half are usually drunk, at work or whatever, working on their sex lives,
|
|
sewer surfing, etc....
|
|
|
|
[THAT IS A ... WARNING! - Ed]
|
|
|
|
+------------------------------------------------------------------+
|
|
============
|
|
Disclaimer
|
|
============
|
|
|
|
The editor has gone to a hell of a lot of trouble to ensure that
|
|
this file contains no offensive material. However, should you find
|
|
anything which you object to, STIFF SHIT! You can't sue us! This
|
|
file is written with the intent of producing a humorous file which
|
|
will be enjoyed by everyone, and no offence is intended towards any
|
|
person or persons no matter how often or in what context they or
|
|
anything to do with them is mentioned. And to Peter Laird, Kevin
|
|
Eastman, and Mark Freedman: please don't send Shredder around in
|
|
the night to remove various bodily organs!
|
|
|
|
TMNT, their pictures, likenesses etc etc are copyright stuff of
|
|
Mirage Studios. [All I'll admit to in a court of law is that I
|
|
almost copied the copyright warning -Ed]
|
|
|
|
+------------------------------------------------------------------+
|
|
|
|
Evil Angels Will Return With Anarchistic Tendencies XV
|
|
|
|
Days of ours Drives.
|
|
Like data through the phone lines, such are the Days of our Drives.
|
|
The continuing saga of BBS personalities.
|
|
|