1256 lines
58 KiB
Plaintext
1256 lines
58 KiB
Plaintext
From: tiverson@lynx.dac.northeastern.edu (Thor Iverson)
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Newsgroups: alt.rock-n-roll.classic,alt.rock-n-roll
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Subject: Led Zeppelin FAQL (was Re: Led Zeppelin)
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Message-ID: <1993Feb10.040612.5552@lynx.dac.northeastern.edu>
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Date: 10 Feb 93 04:06:12 GMT
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Organization: Northeastern University, Boston, MA. 02115, USA
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Lines: 1247
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It's become apparent that this is needed, so...
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**************************************************************************
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WELCOME TO THE LED ZEPPELIN FREQUENTLY ASKED QUESTIONS LIST--v3.2 2-9-93
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**************************************************************************
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A few notes:
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-- This is a FAQL, _not_ an obscure Zeppelin trivia file.
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-- Information will be added to or deleted from this file as it becomes
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necessary.
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-- Contact Thor Iverson at tiverson@lynx.dac.northeastern.edu with comments,
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additions, corrections, etc.
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-- Sincere thanks to Kevin Rauch, Maurice Maes, Steve Portigal, Mike
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Bacigalupi, Chris Milazzo, Matt Hill, Jody Hay, Bryan Durall, Tim Ames,
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Jim Browne, Jeff Lester, Steve Kilpatrick, and all others who've helped.
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If you sent me suggestions and I haven't acknowledged you (that is, I
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erased your email) let me know!
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---------------------------------------------------------------------------
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Contents of this file:
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1-Abbreviations
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2-Administrative info about the list
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3-Who was in Led Zeppelin?
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4-When and where was Zeppelin formed?
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5-How and when did John Bonham die?
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6-What are Zeppelin's songs/albums?
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7-Should I buy the boxed set? How about _Remasters_?
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8-So what _is_ the fourth album called, anyway?
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9-What's the deal with those symbols?
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10-What the heck is that thing on the cover of _Presence_?
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11-What's up with the album version of _ITTOD_?
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12-What's Zeppelin's best song/album?
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13-What about (song title) (and who's Roy Harper)?
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14-Are there many references to J.R.R. Tolkien's work in Zeppelin songs?
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15-Didn't Zeppelin copy (song title) from (blues artist)?
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16-Why aren't there more unreleased Zeppelin songs?
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17-How does the band feel about bootlegs?
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18-So how do I get these bootlegs?
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19-Which bootlegs should I start with?
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20-How about videos?
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21-Are there any books about Zeppelin?
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22-Are there any magazines about Zeppelin?
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23-How do I get lyrics, tabs, GIF's, etc. of Led Zeppelin?
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24-How do I get Zeppelin collectbles (the legal kind)?
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25-What have the guys done since the band broke up?
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26-I heard Led Zeppelin's getting back together!!!
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27-What's this new Page/Coverdale album all about?
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28-How about Plant's new album?
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29-What's this I hear about a new boxed set?
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30-Hey! Did you know that (band name) was on Swan Song?
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31-_The Song Retains The Name_--what is it?
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32-Who is Dread Zeppelin and what does the band think of them?
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33-Did Page invent bowing?
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34-What's this "theramin" that Page uses?
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35-Is that Jimmy Page I hear on TV?
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36-Is Jimmy Page a Satanist?
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37-What about the messages in "Stairway To Heaven"?
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---------------------------------------------------------------------------
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1-Common abbreviations found in this file and the Zeppelin mailing list:
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FAQL = Frequently Asked Questions List
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HHWCID = Hey Hey What Can I Do
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HOTG = Hammer Of The Gods
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HOTH = Houses Of The Holy
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IMHO = In My Humble Opinion
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IMTOD = In My Time Of Dying
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ITTOD = In Through The Out Door
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JPJ = John Paul Jones
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LZ = Led Zeppelin
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STH = Stairway To Heaven
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TSRTS = The Song Remains The Same
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---------------------------------------------------------------------------
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2-Administrative info
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To subscribe, send a message to listserv@cornell.edu of:
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SUBSCRIBE zeppelin-l Your Name
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To communicate with the list, send to Zeppelin-l@cornell.edu.
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Users may choose from among certain options regarding how listserv
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will interact with them. To change these options, you must send a
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command in electronic mail to listserv@cornell.edu (NOT to
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Zeppelin-l@cornell.edu), saying:
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SET zeppelin-l MAIL option
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where 'option' can be one of:
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NOACK -- Do not send me my own postings back
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ACK -- Send me my own postings back
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DIGEST -- Send me a periodic digest of postings
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or POSTPONE -- Do not send me *anything* until I change back to
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one of the other three.
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The default for all lists is NOACK.
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To leave the list at any time, send the command
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UNSUB Zeppelin-l
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to listserv@cornell.edu.
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If you have any questions about Zeppelin, contact Matt Hill,
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the list owner, at mlh1@cornell.edu
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If you have any questions about listserv, contact the listserv
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manager, at listmgr@cornell.edu
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---------------------------------------------------------------------------
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3-Who was in Led Zeppelin?
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James Patrick Page (b. 9 January 1944 in Heston, Middlesex) "Pagey"
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John Baldwin (John Paul Jones) (b. 3 January 1946 in Sidcup, Kent) "Jonesy"
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John Henry Bonham (b. 31 May 1948 in Redditch, Worcestershire) "Bonzo"
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Robert Anthony Plant (b. 20 August 1948 West Bromwich, Staffordshire) "Percy"
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Zeppelin's manager was Peter Grant.
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---------------------------------------------------------------------------
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4-When and where was Led Zeppelin formed?
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A brief chronology:
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Jimmy Page joins The Yardbirds in June of 1966, first playing bass, then
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dual lead guitar with Jeff Beck, then replacing Beck in November of the
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same year. In December, John Paul Jones does string arrangements for The
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Yardbirds' album _Little Games_.
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In 1967, Robert Plant and John Bonham come together in The Band Of Joy.
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In March of the same year, Jeff Beck releases a solo single entitled
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"Hi Ho Silver Lining," which is backed with a Page composition entitled
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"Beck's Bolero". This song is recorded by Page, Beck, Nicky Hopkins,
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John Paul Jones, and Keith Moon. At this session Moon and John Entwistle,
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who are tired of The Who, discuss forming a band with Page and Beck.
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It is here that Moon announces that they should call the group Lead Zeppelin,
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because, "...it'll go over like a ***in' lead balloon!" The "a" was later
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removed from "Lead" so that Americans would pronounce it correctly.
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In April of 1968, Page, Jones, and Bonham play on Donovan's "Hurdy
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Gurdy Man," and Jones asks to be part of any new group Page is considering
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forming. The Band Of Joy breaks up in May. On 22 June 1968, it is
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announced that Keith Relf and Jim McCarty are leaving The Yardbirds.
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In August, Page, Yardbirds' bassist Chris Dreja, and Peter Grant travel
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to Birmingham to see Plant in a group called Hobbstweedle. Plant is
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offered the vocalist job in Page's new band in August after visiting Page's
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home. In the same month, Dreja drops out and is replaced by Jones. Plant
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then recommends Bonham for drums, and a tireless campaign convinces Bonham
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to turn down more lucrative offers from the likes of Tim Rose and Joe
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Cocker. In September, the 4 play their first rehearsals at Gerrard Street,
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London. Beginning September 14, they play their first tour, still billed
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as the New Yardbirds. They record _Led Zeppelin I_ in October, and play
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their first gig as Led Zeppelin at Surrey University October 17.
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-----------------------------------------------------------------------------
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5-How and when did John Bonham die?
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On 24 September 1980, Bonham left Worcestershire to meet with the group at
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Bray studios for rehearsals for the upcoming US tour. He drank quadruple
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screwdrivers steadily along the way. After the rehearsals, the band retreated
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to Page's Windsor house, where Bonham continued to drink and then passed
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out. At around 1:45pm on 25 September, sound technician and Plant roadie
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Benji Le Fevre checked on Bonham to find out why he hadn't stirred. There
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was no pulse. A doctor arrived and pronouced Bonham dead at the scene.
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A subsequent coroner's inquest revealed the cause of death to be accidental--
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Bonaham choked on his own vomit after drinking the equivilent of 40 measures
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of vodka. Alcohol poisoning may have been involved, but was not positively
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determined. On December 4th, 1980, Led Zeppelin issued the following
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statement:
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We wish it to be known that the loss of our dear friend and the deep respect
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we have for his family, together with the sense of undivided harmony felt
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by ourselves and our manager, have led us to decide that we could not
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continue as we were.
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Led Zeppelin
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----------------------------------------------------------------------------
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6-What are Zeppelin's songs/albums?
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The following is by no means a complete discography, but covers the
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principal releases of the band in the US. Singles are, in all but one
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case, ignored. For a more complete discography consult Dave Lewis'
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_A Celebration_ or contact maes@prl.philips.nl.
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_Led Zeppelin_ (January 1969)
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Good Times Bad Times, Babe I'm Gonna Leave You, You Shook Me, Dazed &
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Confused, Your Time Is Gonna Come, Black Mountain Side, Communication
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Breakdown, I Can't Quit You Baby, How Many More Times
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_Led Zeppelin II_ (October 1969)
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Whole Lotta Love, What Is And What Should Never Be, The Lemon Song, Thank
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You, Heartbreaker, Livin' Lovin' Maid (She's Just A Woman), Ramble On,
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Moby Dick, Bring It On Home
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_Led Zeppelin III_ (October 1970)
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Immigrant Song, Friends, Celebration Day, Since I've Been Loving You,
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Out On The Tiles, Gallows Pole, Tangerine, That's The Way, Bron-Y-Aur
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Stomp, Hats Off To (Roy) Harper
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"Immigrant Song" b/w "Hey Hey What Can I Do" (1970) US Single
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_Untitled_ (November 1971)
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Black Dog, Rock And Roll, The Battle Of Evermore, Stairway To Heaven,
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Misty Mountain Hop, Four Sticks, Going To California, When The Levee
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Breaks
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_Houses Of The Holy_ (March 1973)
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The Song Remains The Same, The Rain Song, Over The Hills And Far Away,
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The Crunge, Dancing Days, D'yer Mak'er, No Quarter, The Ocean
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_Physical Graffiti_ (February 1975)
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Custard Pie, The Rover, In My Time Of Dying, Trampled Underfoot, Houses
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Of The Holy, Kashmir, In The Light, Bron-Yr-Aur, Down By The Seaside,
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Ten Years Gone, Night Flight, The Wanton Song, Boogie With Stu, Black
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Country Woman, Sick Again
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_Presence_ (April 1976)
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Achilles Last Stand, For Your Life, Royal Orleans, Nobody's Fault But
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Mine, Candy Story Rock, Hots On For Nowhere, Tea For One
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_Soundtrack From The Film The Song Remains The Same_ (October 1976)
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Rock And Roll, Celebration Day, The Song Remains The Same, The Rain Song,
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Dazed And Confused, No Quarter, Stairway To Heaven, Moby Dick, Whole
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Lotta Love
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_In Through The Out Door_ (August 1979)
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In The Evening, South Bound Suarez, Fool In The Rain, Hot Dog, Carouselambra,
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All My Love, I'm Gonna Crawl
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_Coda_ (November 1982)
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We're Gonna Groove, Poor Tom, I Can't Quit You Baby, Walter's Walk,
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Ozone Baby, Darlene, Bonzo's Montreaux, Wearing And Tearing
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_Led Zeppelin_ (4CD boxed set) (October 1990)
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Selections from the studio albums, with the addition of "Hey Hey What
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Can I Do," a live in-studio "White Summer/Black Mountain Side," a live
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in-studio "Travelling Riverside Blues," and a Page amalgamation of "Moby
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Dick" and "Bonzo's Montreaux". The non-US version, later released in the
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States, is entitled _Remasters_, is a 2CD set, and contains one song not
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on the 4CD set ("Good Times Bad Times"). All tracks are remastered from
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the lowest generation tapes available to Page and George Marino.
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-----------------------------------------------------------------------------
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7-Should I buy the boxed set? How about _Remasters_?
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The sound quality of both is incredibly improved over the US CD releases.
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For that reason alone either is worth getting, at least until such time
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as Atlantic reissues the 10 original CD's with the Page-remastered versions
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of the songs. As for the "unreleased" material--"HHWCID" is available
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on the "Immigrant Song" single, "Traveling Riverside Blues" is a staple
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of AOR radio, and there are many versions of "White Summer" superior to
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the one released on the set. The packaging is outstanding. From there,
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you'll have to make up your own mind.
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_Remasters_, the short version of the set, differs only in the number of
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songs offered and the presence of "Good Times Bad Times," which is not
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on the 4CD set. Its value to those who already own the 4CD set is principally
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that of a collector's item. But it is a viable (and cheaper) alternative to
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the larger set. Again, make up your own mind.
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With the release of the remaining Zeppelin tracks on a second boxed set,
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from a quality standpoint the boxed sets become almost a necessity.
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---------------------------------------------------------------------------
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8-So what is the fourth album called, anyway?
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Nothing. It's officially untitled. It's commonly referred to as Four
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Symbols, ZOSO, and most often simply Led Zeppelin IV. The album, as
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originally released, carried absolutely no band or title identification
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anywhere on the jacket.
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-------------------------------------------------------------------------
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9-What's the deal with those symbols?
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Page's symbol, while _not_ standing for "ZOSO" or any combination of
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letters, is a mystery. Plant reports being told exactly once what it
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means, but he has since forgotten. Jones' symbol came from a book of runes
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and is said to represent confidence and competence. Bonham's came from the
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same book, and represents the man-wife-child trilogy. It has also been
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remarked that it is the symbol for Ballantine Beer. Plant, like Page,
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designed his own symbol, and the feather in the circle is based on a sign
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of the ancient Mu civilization.
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-----------------------------------------------------------------------------
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10-What's that thing on the _Presence_ cover?
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It's called The Obelisk, and was designed by Hipgnosis (the design company)
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to represent Led Zeppelin's "force and presence." It is not supposed to
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refer to the Monolith of 2001.
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-----------------------------------------------------------------------------
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11-What's up with the album covers for _In Through The Out Door_?
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There are 6 different covers, each showing the same scene from a different
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point of view. The album originally came in a plain brown wrapper. An added
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bonus--the inner sleeve, when dampened, changes color.
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-----------------------------------------------------------------------------
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12-What's Zeppelin's best song/album?
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This is a purely subjective opinion--there's no right answer.
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Albums--_IV_ has sold the most copies, though it never hit #1 (it was behind
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Carole King's _Tapestry_). Critics and fans usually pick either _IV_ or
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_Physical Graffiti_ as the best, though the most often cited by musicians
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as being influential is _II_. Plant's fave is _PG_.
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Songs--"Stairway To Heaven" is the most-requested and most-played rock song
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of all time. It was never released as a single, so comparisons to "End Of
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The Road" are not applicable. The band seems to feel that "Kashmir" captures
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the essence of the band better than any other song, though Page and Jones
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profess abiding love for "STH," and Page is proud of "Achilles Last Stand."
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Plant loathes "Stairway."
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------------------------------------------------------------------------------
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13-What's up with (song title) (and who's Roy Harper)?
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A few notes about individual songs:
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"Dazed And Confused"--The Yardbirds performed this with different lyrics
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as "I'm Confused".
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"Black Mountain Side"--Viram Jasnai plays tabla.
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"Hats Off To (Roy) Harper"--Roy Harper is an English folk musician who
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toured (not in the performance sense) with
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Zeppelin and with whom Page and other Zeppelin
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members have often worked.
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"Bron-Yr-Aur"--A cabin where Zeppelin often retreated for composition and
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relaxation. It means "The Golden Breast".
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"Black Dog"--The title came from a black dog that wandered in and out of
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the studio during the _IV_ sessions.
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"The Battle Of Evermore"--Sandy Denny (of Fairport Convention) on vocals.
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Her parts were handled live by John Paul Jones.
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"D'yer Mak'er"--pronounced like Jamaica.
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"Boogie With Stu"--Stu is Ian Stewart, the Stones resident pianist.
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----------------------------------------------------------------------------
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14-Are there a lot of references to J.R.R. Tolkien's works in Zeppelin songs?
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Not really. "Ramble On" and "The Battle Of Evermore" feature direct
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references, as does the title "Misty Mountain Hop," but that's it.
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----------------------------------------------------------------------------
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15-Didn't Zeppelin copy (song title) from (blues artists)?
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Yes, no, and maybe. Here's a partial list of covers, credited and
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otherwise:
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"Babe I'm Gonna Leave You"--Anne Bredon (the Joan Baez version was the
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one this was based on)
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"You Shook Me," "I Can't Quit You Baby," and "Whole Lotta Love"--Willie Dixon
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"Dazed And Confused"--Jake Holmes, lyrics changed
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"Black Mountain Side"--traditional, Bert Jansch, John Renbourn
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"The Lemon Song"--Chester Burnett, Albert King, Robert Johnson ("squeeze my
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lemon" lyric)
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"Traveling Riverside Blues"--Robert Johnson (lyrics only, the music is
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totally different)
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"Since I've Been Loving You"--brief lyrical nod to Moby Grape
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"Gallows Pole"--traditional, often played by Leadbelly
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"Hats Off To (Roy) Harper"--traditional, Bukka White (song entitled "Shake
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'Em On Down")
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"Black Dog"--vocal arrangement loosely based on Fleetwood Mac's "Oh Well"
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"Rock And Roll"--drawn from Little Richard's "Good Golly Miss Molly/Keep A
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Knockin'" (mostly the drum line)
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"When The Levee Breaks"--Memphis Minnie and Kansas Joe McCoy
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"Custard Pie"--some Bukka White material
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"In My Time Of Dying"--traditional, Bob Dylan's version was adapted
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"Boogie With Stu"--Richie Valens
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"Nobody's Fault But Mine"--Blind Willie Johnson (lyrics)
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"We're Gonna Groove"--B.B. King, J. Bethea
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So is this thievery? With the exception of the uncredited Willie Dixon
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tunes and the lifting by the Yardbirds of Jake Holmes' "D&C," anyone
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who understands the blues tradition knows that theft is an irrelevant
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concept within that musical genre. Besides, as was the case with "Traveling
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Riverside Blues," often the Zeppelin version bore little if any resemblance
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to the original.
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-----------------------------------------------------------------------------
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16-Where's all the unreleased stuff?
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There are very few unreleased _studio_ Zeppelin songs, as most of the
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extras have appeared on _PG_ and _Coda_. There are quite a few jams
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and alternate takes to be had, however. As far as professionally-
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recorded live audio and video, most of this still resides in Page's
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vaults, though most of the soundboard bootlegs of the past few years
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are taken from tapes stolen from his house.
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The long-rumoured Page-produced live recording is unlikely to appear,
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nor is any further work on the soundtrack to _TSRTS_ forthcoming.
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George Marino of Sterling Sound is quoted about Page's attitude toward
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releasing live material - "Even if they were guaranteed to sell a million of a
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live thing, I don't think he'd put it out if he didn't feel that the playing
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was good enough."
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------------------------------------------------------------------------------
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17-How does the band feel about bootlegs?
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First of all, a few definitions-"bootlegs" are, in this case, defined as
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live concert recordings, studio outtakes, radio broadcasts, and similar
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material neither released nor sanctioned by the band or its management.
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They are not to be confused with counterfeit copies of legitimate releases,
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which are uniformly denounced and actively prosecuted by the law.
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In the past, Peter Grant used to make surprise stops in record stores to
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destroy any Zeppelin bootlegs he found. He also confiscated or destroyed
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any microphones and recording equipment he found at concerts. Since then,
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however, the band has mellowed considerably on the subject.
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Jimmy Page: "_Coda_ was released, basically, because there was so much
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bootleg stuff out. We thought, 'Well, if there's that much interest,
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then we may as well put the rest of our studio stuff out.'" The much-
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discussed chronological live album has not been put out by Page, becuase,
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"there are so many bootlegs around that people who are interested have
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probably made up their own compilation." He also has said, on the
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possibility of more studio outtakes being released: "Ah, no. There's
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some great live stuff. But there's also some great live bootlegs, ha
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ha. Thank God they're there and thanks to the people who send me these
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things. I listen to them and go, 'My God, that was good. I wish it
|
|
had been recorded on the line.'"
|
|
|
|
Robert Plant has often been known to autograph bootlegs, and all three
|
|
members have from time to time requested copies of some of the better
|
|
known productions. And a Page fan reports meeting Page and giving him
|
|
a copy of a 10-album Zeppelin bootleg set. Page said, "Thanks," and
|
|
continued walking on, as rock stars usually do when fans hand them
|
|
something. But when he saw that the gift was a bootleg, Page stopped,
|
|
went back to the fan, and said, "Thanks! This is great!"
|
|
|
|
Page's opinion of boots has soured somewhat since the release of _Outrider_,
|
|
however, as his house was broken into during the early recording stages.
|
|
Among the items stolen were the demo tapes for what was to be a 2-album
|
|
release (rather than the 1 that came out as _Outrider_), numerous studio
|
|
outtakes and live soundboard recordings which have since flooded the market,
|
|
and the pro-shot Knebworth video from 8-11-79.
|
|
---------------------------------------------------------------------------
|
|
18-So where do I get bootlegs?
|
|
|
|
This is a difficult subject for the list, as we are dealing with an
|
|
illegality (though a not-very-well-enforced one). Specific info on
|
|
bootlegs and traders will not appear in this FAQL, nor should the
|
|
actual transfer of material appear in the list itself. Caution should
|
|
be excercized for the protection of both the list and the traders
|
|
themsleves. Having supplied the necessary disclaimers...
|
|
|
|
Small (non-chain) record stores that advertise "New-Old-Used" records
|
|
almost always carry bootleg albums and CDs, as well as some out-of-print
|
|
stuff. _Goldmine_ and _Record Collector_ magazine can be scanned for
|
|
sources. Tape trading, the most popular form of collecting, is usually
|
|
restricted to individuals rather than organizations or companies. You
|
|
should also know that many bootleg collectors/traders frown on the "selling"
|
|
of bootlegs, although beginning collectors are often restricted to that
|
|
option.
|
|
|
|
Most often, simply posting to the list and stating your desire to find
|
|
unreleased Zeppelin material will start the ball rolling. Note that the
|
|
discussion of bootlegs is in no way illegal.
|
|
---------------------------------------------------------------------------
|
|
19-Which bootlegs should I start with?
|
|
|
|
This is a very short list of the most popular collections/shows culled
|
|
from _A Celebration_ and ZOSO Magazine. Apologies if your favorites were
|
|
left out:
|
|
|
|
The ZOSO Top Ten CDs:
|
|
Tour Over Europe '80 (Zurich), Moonlight/Dinosaur, Dallas '75, Classics
|
|
Off The Air I, II, & III, Blueberry Hill, Live In San Francisco, Destroyer
|
|
(Archive version), Stokes '73, Rotterdam '80, Silver Coated Rails/Rock &
|
|
Roll
|
|
|
|
Recommendations culled from a special ZOSO feature and _A Celebration_:
|
|
|
|
LP's--Bonzo's Birthday Party, Cologne 1980, Copenhagen Warm-Ups--The 2nd
|
|
Night, Feel All Right, Fillmore West 1969, V 1/2 (Highway or TMQ), For
|
|
Badgeholders Only, Going To California, How Many More Times, Knebworth
|
|
(Stork), Live At The Budokan, Pb (a/k/a Mudslide), No Quarter, Tangible
|
|
Vandalism, Three Days After, 214, 207.19, LA Forum--A Night At The Heartbreak
|
|
Hotel, Persistence, Live at the Chicago Stadium, Bonzo's Last Ever Gig In
|
|
Berlin, The Can, In The Light '69-'85, Something Else, Hiawatha Express,
|
|
The Making Of Friends, Studio Rehearsals May 1970, Inedits, Out Through The
|
|
Back Door, The Last Rehearsal, Listen To This Eddie, Strange Tales From The
|
|
road, Alpha Omega, White Summer, Live at the London Lyceum, Bath Festival
|
|
1970, My Brain Hurts, Quantient, Bonzo's Birthday Party
|
|
|
|
CDs--(in addition to above list)--Something Else, Studio Daze, Last Stand/
|
|
Final Touch, Jennings Farm Blues
|
|
|
|
Tapes--2-1-69 Fillmore East, 4-7-70 Raleigh NC, 9-29-71 Festival Hall Osaka,
|
|
6-9-71 Charlotte NC, 6-19-72 Seattle, 6-25-72 The Forum LA, 10-4 & 10-9-72
|
|
Osaka, 5-5-73 Tampa, 5-13-73 Mobile AL, 5-14-73 New Orleans, 5-19-73 Fort
|
|
Worth, 7-6-73 Chicago, 7-21-73 Providence, 7-26-73 Buffalo, 2-12-75 MSG NY,
|
|
2-28-75 Louisiana State University Baton Rouge, 3-5-75 Dallas, 3-10-75 San
|
|
Diego, 3-24 & 3-25 & 3-27-75 LA Forum, 5-(17,18,23,24,25)-75 Earls Court,
|
|
6-7-77 MSG NY, 6-19-77 San Diego, 6-(21,25,27)-77 LA Forum, 7-23-77 Oakland,
|
|
8-11-79 Knebworth, 7-2 & 7-3-80 Mannheim
|
|
|
|
Videos--Danish TV 1969, 1-9-70 Royal Albert Hall, 1-21-75 Chicago, 2-8-75
|
|
Philadelphia, 3-75 Seattle, 3-24-75 LA Forum, 5-18-77 Birmingham, 7-23-77
|
|
Oakland, 7-11-79 Knebworth, 7-5-80 Munich
|
|
|
|
Note that there's duplication and overlap in the above lists. A few notes
|
|
about formats--the quality of CD releases is only occasionally better
|
|
than other formats, but the permanence and playback advantages of CDs
|
|
have convinced many collectors to concentrate on them. The CDs are
|
|
not always tracked well, though--track markers are often misplaced or
|
|
missing altogether. LPs suffer from quality problems with repeated
|
|
playback and scratching, but have the advantage of better packaging.
|
|
Tapes are the cheapest option, and suffer the most from successive
|
|
generations of copies. However, they have two significant advantages:
|
|
many shows on have never appeared on CD or LP, and complete concerts
|
|
are much easier to obtain on this format (CDs and LPs exhibit the so-called
|
|
"slice and dice" mentality of bootleggers trying to meet time requirements
|
|
and still make money).
|
|
---------------------------------------------------------------------------
|
|
20-How about videos (the legal ones)?
|
|
|
|
_The Song Remains The Same_ (1976)
|
|
Directed by Joe Massot and Peter Clifton, recorded live at Madison Square
|
|
Garden July 27, 28, and 29, 1973, and at various locations.
|
|
Autumn Lake, Bron-Y-Aur, Rock And Roll, Black Dog, Since I've Been Loving
|
|
You, The Song Remains The Same, The Rain Song, Stairway To Heaven, Dazed
|
|
And Confused, Moby Dick, Heartbreaker, Whole Lotta Love, Stairway To Heaven
|
|
|
|
_The First Cuts_ (1990)
|
|
Outtakes from TSRTS. Recalled.
|
|
|
|
_Supershow_ Virgin Vision VVD 167 (September 1986)
|
|
Recorded live at Staines Studios on March 25, 1969.
|
|
Dazed And Confused
|
|
|
|
_Rock Aid Armenia_ Virgin Video VVD 636 (November 1989)
|
|
Supershow D&C plus the Firm's video for "Satisfaction Guaranteed"
|
|
-------------------------------------------------------------------------
|
|
21-Are there any books on Zeppelin?
|
|
|
|
Many. Few good ones, though. The key resources are:
|
|
|
|
Led Zeppelin Complete--(piano) Music from the first 5 albums.
|
|
|
|
Led Zeppelin--(music) A 2-book companion to the 4CD set, features notation
|
|
and tabulature for all instruments used on the boxed set
|
|
tracks. The transcription is excellent, though the lyrical
|
|
interpretations leave something to be desired.
|
|
|
|
Led Zeppelin--Howard Mylett
|
|
|
|
Led Zeppelin In The Light--Howard Mylett and Richard Bunton
|
|
|
|
Led Zeppelin In Their Own Words--Paul Kendall
|
|
|
|
Led Zeppelin A Visual Documentary--Paul Kendall
|
|
|
|
Led Zeppelin Portraits--Neal Preston--This book is a must-have, as Preston
|
|
was an "offical" photographer and knew better than
|
|
anyone how to capture Zeppelin's mystique.
|
|
|
|
Led Zeppelin The Final Acclaim--Dave Lewis
|
|
|
|
Led Zeppelin The Book--Chris Welch
|
|
|
|
The Illustrated Collectors Guide To Led Zeppelin--Robert Godwin--Another
|
|
must-have, covers the legal and bootleg
|
|
discographies on vinyl and CD. 3rd edition.
|
|
|
|
Led Zeppelin A Celebration--Dave Lewis--The principal resource for this
|
|
FAQL. Incredible.
|
|
|
|
Led Zeppelin Heaven And Hell--Charles Cross and Erik Flannigan, with Neal
|
|
Preston--another key resource for this FAQL.
|
|
|
|
Jimmy Page: Tangents Within A Framework--Howard Mylett
|
|
|
|
and, of course:
|
|
|
|
Hammer Of The Gods--Stephen Davis--The band denounces it, and it is mostly
|
|
the rememberings of tour manager/perpetual addict
|
|
Richard Cole, whose own book is much more valuable
|
|
for these insights. Readers should know that Stephen
|
|
Davis once claimed quite seriously, in an interview
|
|
for a Zeppelin fanzine, that Jimmy Page had put some
|
|
sort of curse on him. Read at your own risk.
|
|
---------------------------------------------------------------------------
|
|
22-Are there any magazines about Zeppelin?
|
|
|
|
Yes. The biggest one is:
|
|
|
|
ZOSO Magazine $28 per year US
|
|
41 Sutter St., Suite 1495 $30 Canada
|
|
San Francisco, CA 94104 (USA) $50 overseas
|
|
|
|
Others include:
|
|
|
|
Oh Jimmy The Ocean
|
|
P.O. Box 80287 46 Brairwood Drive
|
|
Lansing, MI 48908 (USA) Westwood, MA 02090 (USA)
|
|
|
|
Oh Jimmy - The Jimmy Page Fanzine
|
|
Via Pedritti N. 12
|
|
41015 Nonantola (Modena) Italy
|
|
|
|
Electric Magic - a Zeppelin fanzine from Woodbridge Ontario.
|
|
The magazine comes out every month. Subscriptions rates are
|
|
$35 Canadian for Canada, and $35 US for US.
|
|
|
|
Mailing address: phone: 416 850-2089
|
|
186 Bordeaux Dr.
|
|
Woodbridge Ontario
|
|
Canada L4L 8B6
|
|
--------------------------------------------------------------------------
|
|
23-Info on lyrics, tabs, GIFs, etc.:
|
|
|
|
***(NB: this area is under construction. Info is not guaranteed, and
|
|
sources remain incomplete and unverified)***
|
|
|
|
Lyrics--correct lyrics for the Zeppelin catalog are largely unavailable.
|
|
The lyric transcription in the boxed set folio is terrible, the lyrics
|
|
in _Complete_ are deliberately incorrect in places, and there are no
|
|
canonical sources for the rest. _Presence_, for instance, remains a
|
|
particularly hard album to complete lyrics for. See addresses below.
|
|
|
|
Tabs--the boxed set folio has excellent tabulature (and standard notation)
|
|
for vocals, all guitars, bass, drums and percussion, keyboards, and all other
|
|
instruments. See addresses below.
|
|
|
|
GIFs--See addresses below.
|
|
|
|
One good on-line source for info is our own Maurice, who has available
|
|
the following information:
|
|
|
|
-lyrics (long)
|
|
-tour & bootleg info (long)
|
|
-list of bootlegs with songlists (long)
|
|
-singles (a short list)
|
|
-list of LZ covers by other artists (medium)
|
|
-list of covers Played live by zep (medium)
|
|
-info about Page's sessions (long)
|
|
-list of anagrams :-)
|
|
-list of video boots (short)
|
|
-list of books and mags (long)
|
|
- A long Jim Zappia file of roots of Zep songs
|
|
-lots of other stuff I saved...
|
|
|
|
FTP sites with Zeppelin info include:
|
|
|
|
ftp.nevada.edu pub/guitar (tabs)
|
|
sumex-aim.stanford.edu info-mac
|
|
fonts (_HOTH_ font)
|
|
card (Hypercard stack of Zeppelin info)
|
|
sound (Zeppelin samples)
|
|
|
|
Below, unedited, are the results of an ARCHIE search for ftp-able Zeppelin
|
|
sites. Sincere thanks to Kevin Rauch for doing the search.
|
|
|
|
Host animal-farm.nevada.edu
|
|
|
|
Location: /pub/guitar
|
|
DIRECTORY drwxr-xr-x 1024 Oct 25 14:50 Led_Zeppelin
|
|
DIRECTORY drwxr-xr-x 512 Dec 14 14:20 Led_Zepplin
|
|
Location: /pub/guitar/NewThisWeek
|
|
DIRECTORY drwxr-xr-x 512 Jan 6 13:14 Led_Zepplin
|
|
|
|
Host athena.sdsu.edu
|
|
|
|
Location: /.0
|
|
DIRECTORY drwxr-xr-x 512 Dec 4 00:34 led_zeppelin
|
|
|
|
Host clouso.crim.ca
|
|
|
|
Location: /pub/guitar
|
|
DIRECTORY drwxrwxr-x 1024 Oct 15 14:41 Led_Zeppelin
|
|
|
|
Host cs.uwp.edu
|
|
|
|
Location: /pub/music/discog
|
|
FILE -rw-r--r-- 3319 Dec 20 1990 zeppelin
|
|
Location: /pub/music/lyrics/files
|
|
DIRECTORY drwxr-xr-x 512 Nov 21 1991 led.zeppelin
|
|
|
|
Host f.ms.uky.edu
|
|
|
|
Location: /pub3/pictures/gif
|
|
FILE -rw-rw-r-- 414022 Oct 18 22:57 zeppelin.gif
|
|
|
|
Host ftp.uu.net
|
|
|
|
Location: /doc/music/guitar
|
|
DIRECTORY drwxr-xr-x 1024 Oct 26 23:14 Led_Zeppelin
|
|
DIRECTORY drwxr-xr-x 512 Dec 14 22:53 Led_Zepplin
|
|
Location: /doc/music/guitar/NewThisWeek
|
|
DIRECTORY drwxr-xr-x 512 Dec 14 22:52 Led_Zepplin
|
|
Location: /systems/mac/info-mac/font
|
|
FILE -rw-r--r-- 75568 Jul 13 16:10 led-zeppelin-11.hqx
|
|
|
|
Host isfs.kuis.kyoto-u.ac.jp
|
|
|
|
Location: /Mac/info-mac/card
|
|
FILE -rw-rw-r-- 214835 Aug 24 18:49 led-zeppelin-09.hqx
|
|
Location: /Mac/info-mac/font
|
|
FILE -rw-rw-r-- 75568 Jul 20 19:09 led-zeppelin-11.hqx
|
|
|
|
Host iskut.ucs.ubc.ca
|
|
|
|
Location: /pub/info-mac/card
|
|
FILE -rw-rw-r-- 0 Aug 22 00:00 led-zeppelin-09.hqx
|
|
Location: /pub/info-mac/font
|
|
FILE -rw-rw-r-- 75568 Jul 13 00:00 led-zeppelin-11.hqx
|
|
|
|
Host larry.mcrcim.mcgill.edu
|
|
|
|
Location: /poskbitmaps
|
|
FILE -rw-r--r-- 5392 Apr 18 1989 ledzeppelin
|
|
|
|
Host lth.se
|
|
|
|
Location: /pub/images/poskanzer
|
|
FILE -rw-r--r-- 5401 Nov 23 1989 ledzeppelin
|
|
Location: /pub/mac/info-mac/card
|
|
FILE -rw-r--r-- 214835 Aug 23 00:12 led-zeppelin-09.hqx
|
|
Location: /pub/mac/info-mac/font
|
|
FILE -rw-r--r-- 75568 Jul 16 00:36 led-zeppelin-11.hqx
|
|
|
|
Host mc.lcs.mit.edu
|
|
|
|
Location: /its/ai/-pics-
|
|
FILE -r--r--r-- 1855 Feb 13 1977 zeplin.pic.Z
|
|
|
|
Host me10.lbl.gov
|
|
|
|
Location: /pub/hp_X11R3_tape/examples/customization
|
|
DIRECTORY dr-xr-xr-x 1024 Dec 10 17:47 zeppelin
|
|
|
|
Host metten.fenk.wau.nl
|
|
|
|
Location: /info-mac/card
|
|
FILE -rw-r--r-- 214835 Aug 22 02:08 led-zeppelin-09.hqx
|
|
Location: /info-mac/font
|
|
FILE -rw-r--r-- 75568 Jul 13 19:57 led-zeppelin-11.hqx
|
|
|
|
Host net-1.iastate.edu
|
|
|
|
Location: /pub/lyrics/l
|
|
DIRECTORY drwxr-xr-x 512 Dec 24 03:13 led.zeppelin
|
|
|
|
Host nic.funet.fi
|
|
|
|
Location: /pub/culture/music/lyrics
|
|
DIRECTORY drwxr-xr-x 512 Nov 11 1991 led.zeppelin
|
|
|
|
Host nic.switch.ch
|
|
|
|
Location: /mirror/info-mac/card
|
|
FILE -rw-rw-r-- 214835 Aug 22 08:36 led-zeppelin-09.hqx
|
|
Location: /mirror/info-mac/font
|
|
FILE -rw-rw-r-- 75568 Jul 13 22:10 led-zeppelin-11.hqx
|
|
Location: /mirror/info-mac/sound
|
|
FILE -rw-rw-r-- 220305 Dec 6 03:19 zep-stairway-backmask.hqx
|
|
Location: /software/mac/info-mac-shadow/card
|
|
FILE -rw-rw-r-- 214835 Aug 22 08:36 led-zeppelin-09.hqx
|
|
Location: /software/mac/info-mac-shadow/font
|
|
FILE -rw-rw-r-- 75568 Jul 13 22:10 led-zeppelin-11.hqx
|
|
Location: /software/mac/info-mac-shadow/sound
|
|
FILE -rw-rw-r-- 220305 Dec 6 03:19 zep-stairway-backmask.hqx
|
|
|
|
Host plaza.aarnet.edu.au
|
|
|
|
Location: /micros/mac/info-mac/card
|
|
FILE -r--r--r-- 214835 Aug 22 06:36 led-zeppelin-09.hqx
|
|
Location: /micros/mac/info-mac/font
|
|
FILE -r--r--r-- 75568 Jul 13 20:10 led-zeppelin-11.hqx
|
|
Location: /micros/mac/info-mac/sound
|
|
FILE -r--r--r-- 220305 Dec 6 02:19 zep-stairway-backmask.hqx
|
|
Location: /micros/mac/umich/hypercard/fun
|
|
FILE -r--r--r-- 196398 Aug 27 16:53 ledzeppelin0.9.sit.hqx
|
|
|
|
Host quepasa.cs.tu-berlin.de
|
|
|
|
Location: /pub/mac/font/truetype
|
|
FILE -rw-rw-r-- 55168 Aug 15 22:35 led-zeppelin-11.cpt.bin
|
|
FILE -rw-rw-r-- 862 Aug 15 22:35 led-zeppelin-11.intro
|
|
Location: /pub/mac/hypercard
|
|
FILE -rw-rw-r-- 157952 Sep 20 11:49 led-zeppelin.v.9.cpt.bin
|
|
FILE -rw-rw-r-- 535 Sep 20 11:49 led-zeppelin.v.9.intro
|
|
Location: /pub/mac/mirrors/stanford/sound
|
|
FILE -r--r--r-- 202411 Dec 6 03:19 zep-stairway-backmask.hqx.Z
|
|
|
|
Host reseq.regent.e-technik.tu-muenchen.de
|
|
|
|
Location: /informatik.public2/comp/X11/contrib/bitmaps/poskbitmaps
|
|
FILE -r--r--r-- 7756 Mar 11 1989 ledzeppelin.xbm.Z
|
|
|
|
Host rusmv1.rus.uni-stuttgart.de
|
|
|
|
Location: /.serv3/soft/atari/sound
|
|
FILE -rw-rw-r-- 283136 Jan 20 1992 zeppelin.lzh
|
|
|
|
Host sics.se
|
|
|
|
Location: /pub/info-mac/card
|
|
FILE -rw-r--r-- 214835 Aug 23 03:02 led-zeppelin-09.hqx
|
|
Location: /pub/info-mac/font
|
|
FILE -rw-r--r-- 75568 Jul 15 03:51 led-zeppelin-11.hqx
|
|
|
|
Host src.doc.ic.ac.uk
|
|
|
|
Location: /computing/systems/atari/umich/Sound
|
|
FILE -r--r--r-- 283136 Oct 30 20:49 zeppelin.lzh
|
|
Location: /computing/systems/mac/sumex/card
|
|
FILE -r--r--r-- 195144 Aug 22 07:36 led-zeppelin-09.hqx.Z
|
|
Location: /computing/systems/mac/sumex/font
|
|
FILE -r--r--r-- 69261 Jul 13 21:10 led-zeppelin-11.hqx.Z
|
|
Location: /computing/systems/mac/sumex/sound
|
|
FILE -r--r--r-- 202411 Dec 6 02:19 zep-stairway-backmask.hqx.Z
|
|
Location: /computing/systems/mac/umich/hypercard/fun
|
|
FILE -r--r--r-- 180954 Aug 27 17:53 ledzeppelin0.9.sit.hqx.Z
|
|
|
|
Host swdsrv.edvz.univie.ac.at
|
|
|
|
Location: /mac/info-mac/card
|
|
FILE -rw-r--r-- 214835 Aug 21 23:36 led-zeppelin-09.hqx
|
|
Location: /mac/info-mac/font
|
|
FILE -rw-r--r-- 75568 Jul 13 13:10 led-zeppelin-11.hqx
|
|
|
|
Host toklab.ics.osaka-u.ac.jp
|
|
|
|
Location: /mac/info-mac/info-mac/new1992/07
|
|
FILE -rw-r--r-- 69261 Jul 28 12:06 led-zeppelin-11.hqx.Z
|
|
Location: /mac/info-mac/info-mac/new1992/08
|
|
FILE -rw-r--r-- 69261 Aug 3 10:20 led-zeppelin-11.hqx.Z
|
|
Location: /mac/info-mac/info-mac/new1992/09
|
|
FILE -rw-r--r-- 195144 Aug 26 14:55 led-zeppelin-09.hqx.Z
|
|
Location: /mac/info-mac/info-mac/new1992/12
|
|
FILE -rw-r--r-- 202411 Dec 18 13:09 zep-stairway-backmask.hqx.Z
|
|
|
|
Host uhunix2.uhcc.hawaii.edu
|
|
|
|
Location: /mirrors/info-mac/card
|
|
FILE -rw-r--r-- 214835 Aug 22 06:36 led-zeppelin-09.hqx
|
|
Location: /mirrors/info-mac/font
|
|
FILE -rw-r--r-- 74733 Jul 5 00:00 led-zeppelin-10.hqx
|
|
FILE -rw-r--r-- 75568 Jul 13 20:10 led-zeppelin-11.hqx
|
|
Location: /mirrors/info-mac/sound
|
|
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------------------------------------------------------------------------------
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24-Where do I get Zeppelin collectables (the legal kind)?
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Super-collector Rick Barrett can be contacted at:
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Rick Barrett
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PO Box 66262
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Houston, TX 77266-6262
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fax 713-680-0325
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ZOSO Magazine is also a source, as well as any of the music mags, your local
|
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t-shirt/poster shop, etc.
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------------------------------------------------------------------------------
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25-What did the members of Zeppelin do after the band broke up?
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Jones recorded the soundtrack for _Scream For Help_, with the assistance
|
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of Page and Yes' Jon Anderson. He has produced Mission UK and his daughter
|
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(Jacinda Jones), as well as a group he referred to as "industrial flamenco":
|
|
La Sura Dels Baus. He has done string arrangements for Cinderella's
|
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_Heartbreak Station_ and REM's _Automatic For The People_, and appeared in
|
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Paul McCartney's movie and soundtrack for _Give My Regards To Broadstreet_.
|
|
He appeared on stage with Plant once in December 1983, during the _Principle
|
|
Of Moments_ tour. He has composed for and performed with the early music
|
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ensemble Red Byrd. He appeared on and assisted with Ben E. King's reunion
|
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tour and album. He professes his interests to be in keyboards and dance
|
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music, rather than rock.
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Plant has released 5 solo albums--_Pictures At Eleven_, _The Principle
|
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Of Moments_, _Shaken 'N' Stirred_, _Now & Zen_, and _Manic Nirvana_.
|
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In addition, there is a _Little by Little Collector's Edition_ EP.
|
|
He was the vocalist for the Honeydrippers' only album, which also featured
|
|
Jimmy Page on "Sea Of Love" and "I Get A Thrill." He has appeared on the
|
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_Porky's_ and _White Nights_ soundtracks, and also an album of Elvis covers.
|
|
He contributed vocals for the song "The Only One" on Page's _Outrider_.
|
|
And, of course, he did a Diet Coke commercial. Rumours of a relationship
|
|
with Canadian singer Alannah Myles were true. He is currently not married,
|
|
and has 2 children (Carmen and Logan).
|
|
|
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Page released the soundtrack to the film _Death Wish 2_. He has jammed
|
|
extensively, with (among others) Jeff Beck, Yes, Foreigner, Bon Jovi,
|
|
Aerosmith, Poison, Eric Clapton, Ian Stewart, Roy Harper, Alexis Korner,
|
|
Robert Plant, The Beach Boys, Jaco Pastorius, Solid Ground, and even
|
|
Harry Connick, Jr. He appeared on albums by Willie and The Poor Boys,
|
|
Stephen Stills, and Box Of Frogs (an ex-Yardbirds reunion). He teamed up
|
|
with Paul Rodgers of Bad Company, Tony Franklin from Roy Harper's band (last
|
|
seen with Blue Murder) and Chris Slade of Manfred Mann (now with AC/DC)
|
|
to create The Firm, which released 2 albums--_The Firm_ and _Mean Business_.
|
|
He participated in the British and American versions of the ARMS tour (to
|
|
benefit MS) with Clapton, Beck, Steve Winwood, Bill Wyman, and other
|
|
luminaries. He guested on two tracks from Plant's _Now & Zen_ album,
|
|
"Heaven Knows" and "Tall Cool One." And he released a solo album entitled
|
|
_Outrider_ with Jason Bonham on drums. He is married and has two children.
|
|
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|
Bonham, surprisingly enough, made it past the grave as the drum track
|
|
to Frankie Goes To Hollywood's hit "Relax," as well as being extensively
|
|
sampled for rap beat compilations.
|
|
|
|
Peter Grant is working on the much-lamented Malcom McLaren movie, details
|
|
of which are best gotten from our British friends.
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-----------------------------------------------------------------------------
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26-Reunions, reunions, reunions...
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|
First of all--as of this writing, Zeppelin is _not_ getting back together.
|
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|
A brief history:
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|
XYZ--a project combining elements of Yes and Zeppelin. Chris Squire
|
|
reports that he has tapes of things that he, Alan White, Page, and
|
|
possibly Jones (though no one knows for sure) were involved in. The
|
|
project crashed for lack of a vocalist--namely, Plant--and becuase of
|
|
thinly veiled threats from various management interests. The name, in
|
|
case someone hasn't figured it out, stands for "eX-Yes-and-Zeppelin".
|
|
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|
Live Aid--On 13 July 1985, the 3 living members of Zeppelin, along with
|
|
Paul Martinez (from Plant's band) on bass, Tony Thompson (of Chic) on drums,
|
|
and Phil Collins (who had to fly over after his performance at Wembley)
|
|
on drums, appeared at the Live Aid festival at JFK Stadium in Philadelphia.
|
|
They performed "Rock And Roll," "Whole Lotta Love," and "Stairway To Heaven."
|
|
Plant was hoarse from 4 consecutive nights of singing and a morning
|
|
rehearsal, Page's guitar was out of tune, Collins and Thompson were lost
|
|
much of the time, and Bill Graham, who was promoting, was pointing at his
|
|
watch all through "STH" because Zeppelin was taking more than their allotted
|
|
time. Ten days later, Page joined Plant on his solo tour for a few encores.
|
|
|
|
Reunion #1--In January of 1986, Zeppelin and Tony Thompson met in secret
|
|
in a village hall near Peter Gabriel's Bath studios. Plant handled bass
|
|
chores while Jones played keyboards. They worked through "..two or three
|
|
things that were quite promising, a sort of cross between David Byrne and
|
|
Husker Du." But it was not to be--Plant was not used to having to deal
|
|
with Page's eccentricities any longer (he reportedly changed the batteries
|
|
on his wah pedal every other song), and Tony Thompson was injured in a car
|
|
accident. Plant walked out.
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|
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|
Hammersmith Odeon--17 April 1988, Page joins Plant's tour for a blistering
|
|
encore featuring "Trampled Underfoot," "Gambler's Blues/I Can't Quit You
|
|
Baby/Since I've Been Loving You," and "Rock And Roll."
|
|
|
|
Atlantic 40th--14 May 1988--A 12-hour tribute concert for Atlantic Records,
|
|
which came to a climax with Zeppelin's performance featuring Jason Bonham
|
|
on drums. Jason played well, but the night is generally considered a
|
|
disaster. The rehearsal was reportedly brilliant. The evening arrived with
|
|
the band better rehearsed than they had been at Live Aid. But the concert
|
|
ran late, upsetting Page's always fragile nerves, which caused him to drink
|
|
even more heavily than usual. Plant was refusing to sing "STH" up until they
|
|
actually went on stage. The sound men for the TV broadcast completely lost
|
|
the keyboard sound for "Kashmir." Plant was bumped by a fan during the same
|
|
song, and forgot the lyrics to one verse and to "STH" later on. Page's
|
|
solos were mostly a disaster. The set list was: "Kashmir," "Heartbreaker/
|
|
Whole Lotta Love" (the Knebworth '79 arrangement), "Misty Mountain Hop," and
|
|
"Stairway To Heaven."
|
|
|
|
Carmen Plant--The band played at Carmen Plant's 21st birthday party, with
|
|
Jason once again on drums. Set list was "Trampled Underfoot," "Misty
|
|
Mountain Hop," and "Rock And Roll." November 1989.
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|
|
|
Jason's Wedding--The band also reformed for Jason Bonham's wedding, playing
|
|
"Bring It On Home, "Rock And Roll," "Sick Again," "Custard Pie," and Jerry
|
|
Lee Lewis' "It'll Be Me." Both this and the previous performance were said
|
|
to be outstanding. 28 April 1990.
|
|
|
|
Knebworth '90--Page joined Plant's band (despite rumours and even the official
|
|
set list announcing Led Zeppelin's presence, Jones was nowhere to be found)
|
|
for "Misty Mountain Hop," the first-ever Page-led performance of "Wearing
|
|
And Tearing," and "Rock And Roll." Page had stood on the sidelines earlier
|
|
as Plant's band ran down "Immigrant Song" and "Going To California."
|
|
|
|
Reunion #2--The following January, the members of Zeppelin met with Peter
|
|
Grant to discuss a reunion tour. Lighting and sound companies were contacted,
|
|
stadiums were quietly reserved. After badgering Plant in public and private
|
|
about the reunion, Page thought he had finally convinced him to go along
|
|
with it. Both Page and Jones had expressed varying degrees of enthusiasm
|
|
for the idea. But Plant, after agreeing to the tour and breaking for lunch,
|
|
came back one hour later and said no. This angered Page immensely, and
|
|
given Plant's continuing bad-mouthing of Zeppelin in the press, he set out
|
|
to show up Plant. Which leads to...
|
|
-----------------------------------------------------------------------------
|
|
27-What's with this Page/Coverdale project?
|
|
|
|
The project, currently entitiled _North And South_ and slated for a
|
|
March 16th release (though this is the 5th date since April of 1992),
|
|
features Page, David Coverdale of Whitesnake, Ricky Phillips of Bad
|
|
English on bass, and Danny Carmassi of Heart/Montrose on drums. It
|
|
is rumoured to be an outstanding album by those, including Jason
|
|
Bonham, who have heard it, with complex times and rhythms that hearken
|
|
back to such songs as "TSRTS" and "The Ocean."
|
|
|
|
The following was culled from literature at an album listening party:
|
|
|
|
Side A Side B
|
|
Shake my tree (4:50) Easy does it (5:51)
|
|
Waiting on you (5:15) Take a look at yourself (5:02)
|
|
Take me for a little while (6:17) Don't leave me this way (7:52)
|
|
Pride and joy (3:32) Absolution blues (6:00)
|
|
Over now (5:22) Whisper a prayer for the dying (6:54)
|
|
Feelin hot (4:10)
|
|
|
|
"It begins February 9 with 'Pride and Joy.'"
|
|
"Album in stores March 16."
|
|
"Never has it been more true that the music speaks for itself."
|
|
|
|
Produced by Coverdale, Page and Fraser
|
|
Engineered by Mike Fraser
|
|
Mixed by Fraser, Page and Coverdale
|
|
|
|
Technical support ...TransPerformance for the Automatic Tuning Guitar....
|
|
------------------------------------------------------------------------------
|
|
28-What about the new Plant album?
|
|
|
|
The new Robert Plant album is scheduled for an April release. Guitarist
|
|
Doug Boyle has been replaced by Francis Dunnery from It Bites. No other
|
|
details are currently available.
|
|
------------------------------------------------------------------------------
|
|
29-What's this I hear about another Led Zeppelin boxed set?
|
|
|
|
March 23 is the tentative release date for a second Zeppelin box containing
|
|
the songs not on the 4CD set (excluding material from _TSRTS_) and a previously
|
|
unreleased track from the _I_ sessions entitled "Baby Come On Home". Page
|
|
and George Marino (who worked on the original set) apparently did the work
|
|
on this one while Page was working on his own solo release. Whether or not
|
|
this clears the way for newly-remastered versions of the ten studio albums
|
|
is not known.
|
|
|
|
As for the unreleased track, Yves Beauvais, who put the last box set together
|
|
and is also working on this one, describes it as "a real open blues type of
|
|
thing, not a busy Zep-type tune where there's a lot of guitar work...It's
|
|
a very good song, a Page/Plant original, on which Plant sings wonderfully."
|
|
______________________________________________________________________________
|
|
30-I saw the Swan Song logo on a non-Zeppelin album!
|
|
|
|
Swan Song artists included Bad Company, Pretty Things, Maggie Bell,
|
|
Detective, Dave Edmunds, Midnight Flyer, Wildlife, Robert Plant, and
|
|
Jimmy Page. Signed but unreleased artists include Mirabai and Metropolis.
|
|
Bobby Parker was never signed, though considered. Richie Sambora claims
|
|
he was signed to Swan Song for a time.
|
|
----------------------------------------------------------------------------
|
|
31-All about _The Song Retains The Name_:
|
|
|
|
This is a collection of Zeppelin covers by rock/metal bands. It may
|
|
be available from:
|
|
Mad Rover Records
|
|
Dept. CZ,
|
|
Box 22243
|
|
Sacremento, CA 95822
|
|
|
|
Track listing:
|
|
|
|
Black Dog The Royal Mixxers with KGIG and Konan Kelley
|
|
Living Loving Maid Rich Hardesty & The Del Reys
|
|
(She's Just A Woman)
|
|
Down By The Seaside Robert Kuhlmann & Flying Boats
|
|
Good Times, Bad Times Dalai Lamas
|
|
Four Sticks Earwigs
|
|
Immigrant Song Headface
|
|
In The Evening Twice Shy
|
|
No Quarter I Love Ethyl
|
|
What Is And What Helen Keller Plaid
|
|
Should Never Be
|
|
Houses Of The Holy Fool Killers
|
|
Rock And Roll Tent Poles
|
|
|
|
Further info will be posted when it becomes available.
|
|
-----------------------------------------------------------------------------
|
|
32-Who is Dread Zeppelin and how does the band feel about them?
|
|
|
|
Dread Zeppelin are a group of musicians playing reggae, often using Zeppelin
|
|
and/or Elvis songs as the material. Their albums have contained progressively
|
|
less Zeppelin content. They were, at the outset, extremely satirical in
|
|
nature.
|
|
|
|
Page hates them. Plant loves them. Jones' opinion has not been noted
|
|
but is almost assuredly the same as Plant's.
|
|
-----------------------------------------------------------------------------
|
|
33-Did Page invent bowing?
|
|
|
|
No. It was suggested to him by a session violinist whose father was the
|
|
actor David McCallum, but it had been done before.
|
|
---------------------------------------------------------------------------
|
|
34-What's this "theramin" thing that Page uses?
|
|
|
|
This is the first device to use alternative means of interaction to
|
|
produce...er...music (sort of). It was invented by Leo Theremin, a Russian
|
|
living in England, in the 1930's, and was made popular in the 1960's by Sun
|
|
Ra. The instrument produces sine-wave sounds by the beat frequencies between
|
|
a reference RF oscillator and an oscillator tuned by the change in capacitance
|
|
between a antenna and the performer's hands, arms or body caused by movement.
|
|
The closer you came to the antenna, the higher the capacitance and higher the
|
|
pitch. Later versions of the instrument have volume control from a second
|
|
antenna. Page uses the theramin live during "Whole Lotta Love" and "No
|
|
Quarter," and occasionally elsewhere. It was also prominent in the studio
|
|
version of "WLL".
|
|
|
|
The Theramin is used at the beginning of Beach Boys' song "Good Vibrations".
|
|
-------------------------------------------------------------------------------
|
|
35-Is that Jimmy Page I hear on TV?
|
|
|
|
If you're watching the beginning of "The Wonder Years," the answer is yes.
|
|
Again, no attempt will be made to cover the extensive and largely unknown
|
|
Zeppelin discography here, but a few significant Zeppelin appearences
|
|
include:
|
|
|
|
_Lucifer Rising_--Page did the incredibly annoying, headache-inducing
|
|
soundtrack.
|
|
|
|
_Whatever Happened To Jugula?_--Page and Roy Harper, acoustic.
|
|
|
|
_Right By You_--Stephen Stills solo album, with Page on 2 tracks.
|
|
|
|
_Dirty Work_--Rolling Stones, Page on "One Hit (To The Body)".
|
|
|
|
_Their Satanic Majesties Request_--Rolling Stones--Jones did the string
|
|
arrangements for "She's A Rainbow".
|
|
|
|
"With A Little Help From My Friends"--Joe Cocker's famous cover, Page.
|
|
|
|
"You Really Got Me," and "All Day And All Of The Night"--The Kinks, though
|
|
the band denies Page's involvement.
|
|
|
|
"Gloria," "Baby Please Don't Go," and "Here Comes The Night" by Them, Page
|
|
on guitar.
|
|
|
|
"Can't Explain"--The Who, Page on rhythm guitar only.
|
|
---------------------------------------------------------------------------
|
|
36-Is Jimmy Page a Satanist?
|
|
|
|
Jimmy Page is a collector of occult books and paraphanalia. He is interested
|
|
in religion and spirituality to the point of considering, in an interview,
|
|
"...getting a degree in theology." He was a devotee of Aleister Crowley,
|
|
a famous English occultist (and, perhaps, Satanist) to the point of buying
|
|
his old residence. He often quoted Crowley, most notably on the runoff
|
|
matrix of _III_. So is he a Satanist? He says no, the band says no. There
|
|
is no reason to speculate further.
|
|
|
|
Rumours persist that the band sold its souls to Satan in exchange for
|
|
power, fame, wealth, etc., and that Jones was the only one to refuse.
|
|
The various disasters which have befallen the band are often used to support
|
|
this theory. However, there is absolutely no evidence for this, the band
|
|
denies it, and in the words of Zeppelin biographer Charles Cross:
|
|
|
|
"Rereading these comments, while lying in a room that Jimmy Page, the
|
|
person--the human being--once occupied, I can't believe the heartlessness,
|
|
the meanness, the utter inhumanity of those remarks. From mud sharks to
|
|
pacts with Satan, the public seems to suspend normal human empathy when
|
|
talking about Led Zeppelin, accepting preposterous malice of the sort that
|
|
would never be accepted if it were directed toward anyone outside of rock
|
|
'n' roll. Have you heard anyone describe a successful business executive
|
|
as having sold his soul to Satan? Wouldn't we laugh this comment off
|
|
instantly if applied to anyone else, anyone working in any other art form?
|
|
Can one _really_ believe that a pact with Satan is possible, and if so isn't
|
|
_that_ the big story here?"
|
|
-----------------------------------------------------------------------------
|
|
37-I heard there were backward messages in "Stairway To Heaven".
|
|
|
|
You're not alone. This rumour has persisted ever since a California
|
|
committee of parents and religious leaders set out to prove that rock
|
|
music was leading our children down the path to the devil. For reasons
|
|
still unknown to rational minds, they decided to play some albums backwards,
|
|
and professed to hear all sorts of messages in songs like Queen's "Another
|
|
One Bites The Dust," anything and everything by Styx and ELO, Rush's "Anthem,"
|
|
the Stones' "19th Nervous Breakdown," Skynyrd's "Freebird," The Eagles'
|
|
"Hotel California," and most notably the most-requested rock song of all
|
|
time, Led Zeppelin's "Stairway To Heaven." A cynic might wonder why nearly
|
|
all the titles named were huge hits, just like many wonder why believers
|
|
in reincarnation were always someone famous in a past life.
|
|
|
|
A definition is useful here--"backmasking" is the process of either:
|
|
1) recording a message backwards on a tape meant to be played forwards,
|
|
or 2) the "hiding" of messages within forward phrases that, when played
|
|
backwards, reveal another phrase.
|
|
|
|
So does backmasking exist? Andy Johns, the producer of _IV_, says that
|
|
not only is "backmasking" a myth, but that there was no such nonsense
|
|
while he was present. Certainly, since the advent of the "backmasking"
|
|
scandal, groups such as ELO and Pink Floyd have used the technique to
|
|
poke fun at people who would actually play records backwards. Most of
|
|
the bands named in such accusations tend to ignore the outcry, for as
|
|
Jones commented in _Rolling Stone_, there's absolutely no arguing someone
|
|
out of something they really want to believe. But the idea of backmasking
|
|
is uniformly considered ludicrous by musicians and producers alike, and
|
|
they're the ones that would be responsible for the process.
|
|
|
|
Despite the denials of the people involved, let's assume that these
|
|
messages do exist. Are they effective? If they were subliminal messages
|
|
played _forward_, then scientists agree that the brain could and would
|
|
process the information. But scientists are also convinced that the
|
|
brain cannot decipher backwards information unless it is specifically
|
|
engaged for that purpose. Therefore, even if backmasking _did_ exist,
|
|
it would be useless. Plant: "If it worked, every record would have the
|
|
backward message 'BUY THIS RECORD' in it!" So much for Satanic intent.
|
|
|
|
And specifically, as regards "Stairway To Heaven"--there are many messages
|
|
that various groups have claimed to hear while playing the song backwards,
|
|
but the most uniformly cited is the phrase "Here's to my sweet Satan."
|
|
Not all listeners that hear backward phrases are in agreement here, however,
|
|
and not even close to all who hear the song backwards hear messages at
|
|
all. Many of those who do hear "something" dismiss it as a mere phonetic
|
|
coincidence. And few of those who do hear the exact message given were
|
|
unaware of the accusations against Zeppelin and "STH" before they listened
|
|
to the song. Therefore, overwhelming evidence supports the conclusion that
|
|
such messages do not exist, and if they did they would be useless, and
|
|
even if they weren't they are almost assuredly accidents aided by the power
|
|
of suggestion. But still, this rumour will not die. Perhaps it is relevant
|
|
to note that the same committee who found "STH" to be Satanic in nature
|
|
also claims that the theme song from the "Mr. Ed" TV show is full of
|
|
Satanic messages when played backwards.
|
|
|
|
(Sincere thanks to the MIT Psych. Dept. and the Boston Globe for assistance.)
|
|
-----------------------------------------------------------------------------
|