737 lines
32 KiB
Plaintext
737 lines
32 KiB
Plaintext
Revised, November 8, 1994
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Well, I've donned the asbestos labcoat and entered the world of
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FAQ writing again. I suspect that there are many alt.beer and
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r.f.d.b readers that want to learn more about tasting beer, but
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don't know where to start. I suppose some of us can be
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intimidating with our use of terminology and language. However,
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one of the strengths of alt.beer and r.f.d.b has been its
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friendliness toward the sincere and those paying heed to the
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charter.
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In the spirit of friendliness and cooperation I present the beta-
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test 2.2 version (I'm not recording a revision history -- what do
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you think I am, a software developer?) of the r.f.d.b "How to
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learn more about beer and tasting" FAQ. As usual, comment are
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welcome, and flames will be redirected to the person that started
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the "Great Rock Boozers" thread.
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I dedicate this FAQ to my good friend Binger, who stood up to a
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nasty bid of flaming when he started posting reviews before
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having tasted a Pilsner Urquell ;-).
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=======================================================
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"LEARNING ABOUT BEER AND TASTING" FAQ
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Many newcomers to the wonders of beer, or even many who
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appreciate good beer can be overwhelmed by the language of beer
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reviewing. The following was in an email message to me, and I
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think it is typical of the questions in many readers minds:
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I wanted to contribute to your tasting, but I find
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myself lacking in the minute tasting skills that you
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all show. I believe it has more to do with the fact
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that I do not brew my own and have never been trained
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to tell the difference in the tastes, and not because I
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could not if shown how.
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So, here is my question: I will probably start brewing
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in the next month to month and a half, but until then
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could you tell me of any books that I can read that
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will help me in differentiating things more
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scientifically rather than my extremely subjective
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methods. Is there such a book, and where can I get it.
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To paraphrase (quote?) Binger, "Well, pull up a seat, sit down,
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relax, this is a friendly forum. Pay attention and you'll learn
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a lot." Honestly, I don't brew either -- there are so many
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wonderful beers in the world to try, I would not have time to
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drink my homebrew. Stephen Beaumont, who wrote The Great
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Canadian Beer Guide, does not brew either. But then do Siskel
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and Ebert make films? Would you want Andy Rooney running your
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state Government?
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On the other hand, you can learn a *lot* about beers by brewing.
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You will learn about the difference between types of malts, hops
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and yeasts. For this reason, I read the Homebrew Digest and
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rec.crafts.brewing.
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Another reader asked:
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"Do beer reviewers have to become arrogant snobs?
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Can't I simply say 'Good full flavour, nice bite, great
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aftertaste!'"
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Of course you can, but think about what you have said: You said
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you liked it, but you didn't describe it. A good reviewer will
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tell the reader about the beer so the reader will know what to
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expect. I have read reviews posted here that were so
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descriptive, I could almost taste the beer while sitting at my
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terminal reading. Also, sometimes a reviewer will get carried
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away describing a beer that they absolutely love. The tone is
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reverence, not arrogance.
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A. LEARNING TECHNIQUES AND RESOURCES
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So, how does one start to learn about the technical side of beer?
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How did you learning in school? Reading the textbooks, doing
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your homework, discussing with classmates, attending lectures and
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doing labwork and experiments. The analogies for learning about
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beer are reading, tasting, discussing, going to workshops and
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brewing.
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1. Reading and Viewing
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(a) Books
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There are many fine books about beer available. Unfortunately,
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many bookshops do not carry more than one or two. Some books
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discuss beers and their characteristics in general, while other
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books review beers individually. Tasting a beer while reading
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about the style or specific beer can be a very enlightening
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experience.
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A short list of books to get when starting out would be:
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Michael Jackson's Pocket Guide to Beer
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Michael Jackson's Beer Companion
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Fred Eckhardt's The Essentials of Beer Style
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Gregg Smith's The Beer Enthusiast's Guide
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These books are easily enough to get you started. They describe
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the characteristics of malts, hops, yeast and the flavours they
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impart. If you read about a particular beer being outstanding
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for some characteristic and you can buy it, do so, and taste
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while you read. Another book that is good about tasting
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terminology is Jamie MacKinnon's Ontario Beer Guide. (I didn't
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list it above since it is of primarily local interest)
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Rather than detour the reader of the FAQ with long descriptions
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of the various beer books, I have appended the newly-written
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"Good Beer Book Guide" where you will find brief descriptions of
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the books and what to expect.
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Samer Farha has compiled a list of books on beer from the Library
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of Congress catalogue. It is available at the archives at
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sierra.stanford.edu /pub/homebrew/rfdb/
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(b) The Internet
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Chances are, if you are reading this, you are already reading
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rec.food.drink.beer and alt.beer. If you are reading someone's
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printout of this FAQ, you should try to get Internet access and
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follow the discussions in these newsgroups. You might also read
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rec.crafts.brewing (r.c.b.) and possibly subscribe to the
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Homebrew Digest, which is still being posted in r.c.b since
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learning about brewing will help you to learn about beer and what
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influences flavour. The advice of a previous paragraph is
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echoed: When you read a post describing or reviewing a
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particular beer, try to find that beer and taste for yourself.
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The FAQs are useful sources of information as well. The r.f.d.b
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and alt.beer FAQs have basic definitions of beer styles and there
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is a r.f.d.b project under way to create a beer styles FAQ.
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(c) Magazines and Brewspapers
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In addition to books, there are magazines. Zymurgy is primarily
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for homebrewers, but contains lots of good useful information.
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Friends of mine often cite things from the Celebrator. CAMRA
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publishes What's Brewing?, and brewspaper full of beer
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information, although it has a U.K. bias. There are several
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newer magazines published in North America, which include: Beer,
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The Magazine; Beer Magazine; The Malt Advocate and All About
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Beer. John Lock (jlock@mindspring.com) maintains an address list
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for magazines and brewspapers.
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(d) Video
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Many of us are products of the electronic media generation, so a
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word on video tapes is in order. There is a good introductory
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tape, Beer and Ale: A Video Guide available from Saint Clair
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Production Company (1-800-546-5034, $24.95 U.S. plus $3.50
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shipping and handling, $6.50 s&h to Canada). Watch for Michael
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Jackson's Beer Hunter on public television stations (available in
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some video store and by special order) and Charlie Papazian's
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home brewing video.
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2. Tasting
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Your tasting experiences can be quite varied:
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(a) From your reading, as described above
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(b) Online tastings:
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Participate in the Virtual Pub tastings organized by Joel
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Plutchak. You might not want to contribute, but try the
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beer and record your impressions. When the results are
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posted, compare what others say to what you wrote. You'll
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be surprised at how good you are. Don't be afraid to post
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your comments. You won't get flamed (unless you post "I was
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knocking back the Chimay's with that great rock boozer John
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Bonham last night. That Chimay is F***ing awesome, but Ice
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really kicks butt!). In fact, you are more likely to get
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encouraged to try more, see more, taste more.
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For those with IRC (Internet Relay Chat) there are tastings
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held weekly. Details are posted to the three beer-related
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newsgroups several days in advance so that participants can
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get the beers. Thankfully, for those without IRC, a summary
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is posted a few days later. These can be very informative
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reading.
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(c) If there is a bar with a good knowledgeable bartender, that
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can be a great place to learn and taste.
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(d) If some of your friends share your love of finer beers,
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organize a tasting, or find organized tastings in your area.
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(e) Brewery tours also give you an opportunity to taste and
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learn.
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(f) Attend a beer festival. There is a separate Beer Festival
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FAQ -- see if there is one in your area. Some also have
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workshops to help people learn about beer.
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(g) Shop around in beer stores. Read labels, brochures and
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information circulars. Don't be afraid to try new things.
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(h) Keep a tasting book. This is something I do. It allows me
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to record a few facts (price, packaging, where and when
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purchased, and when consumed), my impressions about the
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visual characteristics (the head and colour) and the tasting
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characteristics (aroma/nose, taste and aftertaste).
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I try to record my impressions during the first half of the
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glass. I do my rating before referencing experts' opinions
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(like Michael Jackson or Stephen Beaumont) so that I record
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my own opinion first. After that, I check what I wrote
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against what one of the experts has written. Surprisingly,
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you might find that you and the experts agree a lot, which
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will build your confidence. When you don't agree, look for
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the reasons why. If you rated a beer lower than the
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experts, it could simply be a style that you do not
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particularly like or a beer that is more extreme in its
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character than you are used to. If you rated the beer
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higher than the experts, don't worry about it -- have
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another and enjoy it. Also, the beer you consumed may have
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been different from the beer the experts tasted. See the
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note below.
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A tasting book is useful for several reasons:
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1. It helps you understand styles and your impressions of
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other beers in a style;
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2. It helps you understand and monitor your own progress
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and development as you learn about beer. Try beers
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again. Try beers you didn't like before and try them
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with an open mind -- you might find you like them
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better the second time. Try beers you liked before and
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review them critically again. Sometime you will find
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that your rating go down slightly. That is a sign of a
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growing ability to distinguish the good from the very
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good from the excellent.
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Quoting Binger again:
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Never trust your first impression, but let it guide
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you. Often, I've gone back to a beer that didn't really
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turn me on the first time, just to see if it was the
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wrong frame of mind or circumstance to try that beer,
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or a bad bottle/six. I've yet to re-attempt those beers
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I strongly disliked (not too many) but will at a future
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date.
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A comment on disagreeing with the experts:
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You might also find that you are differing from the experts
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opinions for reasons other than differing tastes:
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Different versions: The beer you taste may be different
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from the beer the experts tasted and rated. For example,
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there are dozens of Guinness styles, sub-styles and local
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variations, so the Guinness you are drinking may be
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different from the one the experts rated.
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Different breweries: Pike Place Pale Ale is brewed in
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Seattle and contract brewed by Catamount at White River
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Junction, Vermont. Some claim they can tell the difference.
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Distance and Freshness: The Guinness you drink in
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Sunnyvale, will not be as fresh as the one you drink at St.
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James Gate, Dublin.
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Handling: Many here on The Internet have complained about
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the quality of Pilsner Urquell, which many view as being the
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epitome of the Pilsner style. The problem encountered by
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many is that this beer is often poorly handled,
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specifically, not shielded from the light. Pilsner Urquell
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is packaged in green bottles which allows light to pass
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through that interacts with the hop compound to form
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mercaptans, the odoriferous compound that we generally
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associate with skunks.
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What if you cannot attribute your vastly different opinion to one
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of these factors? It may simply be a matter of taste. The most
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common disagreement is to dislike a "great" beer. Do not be
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intimidated or put of if you taste a top-rated beer and do not
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like it. It could simply be a style that is new to you. One of
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my favourite beers is Aecht Schlenkerla Rauchbier Maerzen, which
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Michael Jackson gives his highest rating: ****. At a tasting
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hosted by Michael Jackson and attended by many knowledgeable beer
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fans, about two-thirds of the attendees dumped their tasting
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samples. Why? It is a strong tasting, smoky flavoured beer that
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they found to be foreign or unusual.
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3. Discussing
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When you post, you will get feedback. Some may be critical, but
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that's part of learning. Talk with friends, publicans,
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homebrewers, anyone that knows something good about beer. Ask
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questions, listen and learn.
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To quote Binger:
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Rather than worrying about being right, or using the
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"expert" terminology, describe the beer like you would
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any other food: Sweet, dry, light, heavy, sharp....
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give us the texture, and colour. If you never had a
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piece of pizza before, how would you describe it after
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your first one?
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"An interesting foodstuff, with a powerful
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cheese aroma; a tang of tomato sauce and a
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hearty crust with the most delicate dried
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bubbles. Just a touch of oregano, and
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sporting a light to medium brown colour.
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Seems like it would go well with beer."
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Drop into the Virtual Pub and discuss there. Details are in the
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main FAQ.
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4. Attending Workshops and Lectures
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Beer workshops and lectures are not as common as you might like.
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The Bard of Beer (Michael Jackson) travels extensively and
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promotes his books. If you get the opportunity to attend a
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tasting hosted by him, do it. He is quite entertaining and
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informative.
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Beer festivals often have workshops about beer tasting. Some
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stores that cater to the fan of good beers hold lectures,
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tastings and workshops to promote their selections of beers. You
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might find a beer appreciation society in your area. Ask them if
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they organize educational workshops.
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5. Brewing
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As I said earlier, brewing is an excellent way to learn how
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ingredients influence flavours. So were do you start? The
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rec.crafts.brewing FAQ is helpful. So are the homebrew archives
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at sierra.stanford.edu /pub/homebrew/ Charlie Papazian's book,
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The New Complete Joy of Homebrewing, is a very helpful and
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informative book whether you brew or not. There is also a
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brewing newsgroup, rec.crafts.brewing and an email digest, the
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Homebrew Digest. You can subscribe to the Homebrew Digest by
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sending a message to homebrew-request@hpfcmi.fc.hp.com. The
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Homebrew Digest is also archived at sierra.
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B. TASTING
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Learning about tasting does take some time, practice and effort,
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there is so much to learn. (I have a small book, *Wine Tasting*
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by Michael Broadbent that describes how to taste wine.) So how
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do you taste beer? Like most sensory experiences, we use our
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five senses.
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1. Preliminary -- pouring and looking at the beer
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(a) The Right Temperature
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Most people store their beer in refrigerators, which for most
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beers is too cold for drinking. Allow the beer to warm up for 15
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to 30 minutes before opening and pouring. If you try to taste a
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beer too cold, you taste buds will be numbed and you will not be
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able to appreciate all the beer's character. I often review
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beers at room temperature but most will say 50-60 degrees is best
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for ales and 45-50 degrees is best for lagers.
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(b) The Right Glass
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You don't have to buy special glasses to taste beer, but some
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beers do have there traditionally shaped glasses for serving.
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Pilsners are served in tall narrow glasses to show off their
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clarity; Chimay glasses are wide goblets; British ales are
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served in sleave glasses or tankards. (For additional
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information about glass shapes, there is a .gif file at Joel's
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Virtual Pub Archives, lager.geo.brown.edu /pub/virtual-pub/ and
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Michael Jackson's Beer companion has many pictures of beers in
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their traditional glasses.) While serving a beer in its
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traditional glass might add to the experience of tasting a beer,
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it often isn't the best way to "taste" a beer.
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Choose a glass that is clear and free from texture that will
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interfere with viewing the beer. For strong beers and barley
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wines, brandy snifters are a good choice. The Standard Wine
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Tasting Glass (ISO 3591-1977/BS 5586) is a good choice for beer
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as well, albeit somewhat small. To be sure there are no soap or
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detergent residues, rinse the glass with fresh water. Never
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towel dry the glass as the towel may leave cotton or linen fibre
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or residues and perfumes from the detergents it was cleaned in.
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In a pinch, I once used a clear plastic juice glass.
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You cannot adequately taste beer from the bottle.
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You now begin to use your senses. First, sight.
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(c) Pouring
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Some people pour beer gently down the side of the glass to
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minimize the disturbance to the beer and minimize the head
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formed. When tasting beers, you want to examine the head's
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character and enjoy the aroma which is better released by a
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vigorous head. Pour the beer into the centre of the glass and
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allow the head to form. Add beer as there is room.
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(d) The Head
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Describe the head. Ask yourself questions like: Is it large or
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small? How would I describe the colour -- white, creamy, cafe-
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au-lait, beige? What about the texture? Is it light and bubbly
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or dense and creamy? How well does the head last? Does it cling
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to the glass or slide away as you tip the glass? Does it leave
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lacing on the sides of the glass (called Brussels Lace) as it
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settles? Is it even or rocky?
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(e) The colour
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Look at the colour and describe it. Approximately, from light to
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dark, you might describe it as straw, yellow, amber, copper, nut
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brown, brown, mahogany, dark brown, black. For the darker beers,
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is there any reddishness showing when you hold it to the light?
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Is the beer clear or cloudy, translucent or opaque? There are
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colour transparency strips available to gauge beer colour
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available from Dennis Davison, 4025 S 65th #14, Greenfield, WI
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53220 for $9.95 U.S., including postage.
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2. Prelude -- Aroma
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There are some beers that a more interesting to smell that they
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are to drink. Of course, great beers have wonderful aromas (also
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called "noses") and are equally enjoyable to drink.
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Unfortunately, some beers offer very little pleasure for one's
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noses too.
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To appreciate a beer's nose, hold your glass just under your nose
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and take a slow, deep breath. What do you smell? Malt gives the
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beer caramel flavours and scents. Hops impart spicy and dry
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aromas. Yeasts may leave aromas that can variously be described
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as floral, sweet or reminiscent of fresh bread, depending on the
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beer style. In stronger beers, is the alcoholic strength
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evident? Some beers have spices, and seasonings added. Are
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these detectable?
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Sometimes you will detect off-scents as well. Aromas such as
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grassy, wet-cardboard, musty, cooked corn, phenols (chlorine) and
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skunk are signs of problems. Fruity aromas (such as banana,
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apple, pear, peach or apricot) are normal in ales, but would
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often be considered "off" in lagers. If the beer uses adjuncts,
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such as corn, can you detect this in the nose?
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3. Tasting and feeling
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To taste a beer, don't take a big gulp, but don't just sip
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either. Take a decent mouthful. How does it *feel*? Heavier
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beers, such a bocks, stouts and barleywines will often have a
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rich silky feel in your mouth. Lighter crisper pilsners will
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have a bubbly effervescent quality. Don't ignore the feel of the
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beer!
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Describe the flavours you taste. How much sweetness is there
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from the malt? How much bitterness do the hops contribute? Is
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the balance between sweet and bitter just right, too malty or too
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bitter? Are there any good metaphors you can use to describe the
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flavours. Michael Jackson is criticized by some for use wine
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comparisons, but they are often valid. Fruit flavours are often
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good metaphors.
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Pay attention to the range of flavours both in terms of the
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variety of sensations and where you experience them. Different
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flavours are sensed at different places on the tongue and you
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will get sensations from your palate and throat as well.
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4. Aftertaste
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What do you experience one, two, five or ten minutes later? Do
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the flavours die quickly? Do they linger suggesting more? Is it
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pleasant or excessively dry (astringent), sweet (cloying) or
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grainy?
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5. Overall Impression
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So far, I have not used a numerical grading scale to score the
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beers. If you want to become a beer judge, sign up for the Beer
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Judge Certification Program and you'll be given plenty of
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opportunity to "score" beers. I don't do this.
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I ask myself, "How was it?" I generally record in my logbook a
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few words of overall impressions including what foods I think
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would be suited to have with the beer. I also rate it using
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Michael Jackson's four star system:
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* Typical of its country and style
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** Above average
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*** Worth seeking out
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**** World classic
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Most people using the four star system allow for ratings between.
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Some will say ** 1/2, while other use **->***. I have found that
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I agree with Jackson about two-thirds of the time. We will
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differ by a half star about a quarter of the time and a full star
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or more less than 10% of the time. (So far, my biggest
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difference with Jackson is over Labatt Ice. He gives it **, and
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I think it does even deserve one star. He'll come around
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eventually ;-)
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C. CONCLUSION
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Is that enough? Well, get to work, you have some homework to do.
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But please, don't throw yourself into your homework too much.
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Don't try to taste and drink too many beers at once. First,
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getting drunk is a health hazard and, depending on the
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circumstances, a safety hazard too. Second, your tastebuds are
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numbed and dulled when you drink too many beers.
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Appendix
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The Good Beer Book Guide
|
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I started to expand the section on beer books in the Learning
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|
About Beer and Tasting FAQ, but soon found that it completely
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disrupted the reading of the FAQ. Therefore, I have relegated
|
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these reviews to this Appendix. It may become a separate FAQ in
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the future. Submissions are most welcome.
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This guide is organized according to the geographic scope of the
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books.
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1. Books with a Global Focus
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Michael Jackson, *The Simon & Schuster Pocket Guide to Beer* 4th
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edition, revised, updated, and expanded. New York:
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Fireside Books (Simon and Schuster), 1994. ISBN:
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|
0-671-89813-0 <Also known as (Michael) Jackson's Pocket
|
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|
Guide or MJPG94 in the FAQs I maintain>
|
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|
This book briefly reviews and rates over 1500 beers from around
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the world. Despite its small size (it *will* slip easily into a
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|
pocket), it is likely the world's most comprehensive book on
|
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|
beer, in terms of scope. There is section describing beer
|
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|
|
ingredients and a glossary in the Introduction. The 1994 edition
|
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|
|
has expanded its coverage of Asia, Australia and New Zealand's
|
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|
beer. The books is organized by countries and regions. Many
|
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|
beer lovers consider this book a necessity. It cost me $16.00 in
|
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|
Canada; figure on about $12.00 in the U.S. and #10.00 in the U.K.
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Michael Jackson, *Michael Jackson's Beer Companion* London:
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Duncan Baird Publishers, 1993 ISBN: 1-55144-001-6
|
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|
|
This book deals with different styles of beers, which is the
|
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|
|
basis of its organization. This is a larger book -- bordering on
|
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|
|
the "coffee table book" genre -- so don't plan on tasking this
|
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|
|
with you on your beer tasting jaunts. There is information of
|
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|
|
use to the beginner, as well as the seasoned cervisophile. This
|
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|
|
is a great book to put on a gift list. (In Canada, I paid about
|
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|
$40.00)
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|
Gregg Smith, *The Beer Enthusiast's Guide* Pownel, Vermont:
|
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|
Storey Communications, Inc., 1994. ISBN: 0-88266-838-2
|
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This small, inexpensive ($12.95 U.S./$17.50 Canada) could have
|
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|
been better laid out -- I would have preferred a pocket book
|
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|
format. Nevertheless, this is a nice book filled with
|
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|
|
information that, while targeted at apprentice beer judges, is
|
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|
|
still quite accessible to beer lovers starting just out. It
|
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|
|
describes the brewing process, beer styles, and the resulting
|
|
|
|
characteristics of beers. It also lists about 200 U.S. brewpubs
|
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|
|
and microbreweries with addresses and phone numbers in an
|
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|
|
appendix.
|
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|
|
Fred Eckhardt, *The Essentials of Beer Style* Portland, Oregon:
|
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|
|
Fred Eckhardt Communications, 1989. ISBN: 0-9606302-7-9
|
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|
This book is rather eccentric. It has lots of information to the
|
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|
|
beginning student of beers, yet it is also one of the best little
|
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|
|
books for technical information about various beers. Eckhardt
|
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|
|
also uses a rather unique taxonomy, classifying beers by
|
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|
primarily by colour. It is particularly good about describing
|
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|
|
tasting terminology. This book is hard to find (impossible?) in
|
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|
bookshops since it is self-published. Look for it in brewing
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|
supply shops.
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2. Books of regional interest
|
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|
There are many excellent beer guides and books that deal with
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|
beers of a specific country or region. For example, Michael
|
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|
|
Jackson has one about Belgian beers, but I have never seen it
|
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|
(Michael Jackson, *The Great Beers of Belgium : A Complete
|
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|
|
Guide and Celebration of a Unique Culture* 2nd ed. Antwerp,
|
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|
|
Belgium : M.M.C.-CODA, 1992.) Since I live in Ontario, Canada,
|
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|
|
but study in the U.K., my beer library reflects this in its
|
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|
|
representation. <Submissions are most welcome.> What follows is
|
|
|
|
my geographically-biased guide to beer books with a local focus:
|
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(a) Canada
|
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|
Jamie MacKinnon *The Ontario Beer Guide* Riverwood Publishers,
|
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Sharon, Ontario
|
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|
The beer scene in Ontario has developed and changed so much in
|
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|
the past two years that this book is getting somewhat out of
|
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|
date. I do not agree with MacKinnon's preoccupation with the
|
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|
|
visual aspects of beer -- beer is for drinking, not viewing --
|
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|
nor do I see the sense in using a five star system when most
|
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|
|
other writers use a four star one. But don't let these negative
|
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|
|
comments deter you from buying this book if you see it. Frankly,
|
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|
|
I find the opening sections and chapters to be one of the best
|
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|
|
introductions to beer and brewing that I have ever read.
|
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|
|
Steven Beaumont's *Great Canadian Beer Guide* Toronto:
|
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|
|
Macmillan Canada, 1994. ISBN: 0-7715-9031-8
|
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|
|
Canada's foremost beer writer has produced the definitive guide
|
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|
|
to Canadian beers, breweries and brewpubs. This book has
|
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|
|
relatively little general information about beer. It focuses on
|
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|
|
the companies and their products. Most of the book is in the
|
|
|
|
three main chapters: One about the large national brewers,
|
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|
|
Molson and Labatt, one about the regional brewers and
|
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|
|
microbreweries, and one about brewpubs. The most significant
|
|
|
|
criticism of this book would be that Steve expects all aspects of
|
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|
|
brewing to be done on the premise to qualify as a brewpub. This
|
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|
|
eliminates C'est What? from review since it cooks it wort off-
|
|
|
|
site and pitches it yeast and ferments on site. For anyone that
|
|
|
|
loves Canadian beer, this book is a must.
|
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|
|
|
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|
|
Ian Bowering *The Art and Mystery of Brewing in Ontario*
|
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|
|
Burnstown, Ontario: General Store Publishing House, 1988.
|
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|
|
|
|
|
One problem with self-published and boutique-published books is
|
|
|
|
that they are sometimes poorly edited. This is true about this
|
|
|
|
book. While packed with historical information about the Ontario
|
|
|
|
brewing industry, it has little-to-no flow. Despite this, it is
|
|
|
|
an interesting book for those interested in history of beer in
|
|
|
|
Ontario.
|
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|
|
|
|
|
|
Ian Bowering *In Search of the Perfect Brew In Ontario and
|
|
|
|
Quebec* Burnstown, Ontario: General Store Publishing
|
|
|
|
House, 1993.
|
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|
|
|
|
|
|
Like Bowering's other book, this book seems to have been rushed
|
|
|
|
to press before it was ready. (For example, an importer is
|
|
|
|
listed among the firm's that set up brew-pubs with equipment and
|
|
|
|
Hamilton is listed alphabetically after Heidelburg and Kingston.)
|
|
|
|
Its rough edges show, but there is a friendly quaintness to the
|
|
|
|
style. Brewpubs are rated on a four-mug scale, although witty
|
|
|
|
comments are often substituted. Individual beers are reviewed,
|
|
|
|
but not rated.
|
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|
|
|
|
|
|
|
|
|
|
(b) United Kingdom
|
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|
|
|
|
|
|
Campaign for Real Ale, *Good Beer Guide* (Annual) St. Albans,
|
|
|
|
Herts, U.K.: CAMRA.
|
|
|
|
|
|
|
|
Now in its 22nd edition, the Good Beer Guide is the most
|
|
|
|
comprehensive book about beers of any single country or region.
|
|
|
|
The focus of the book is pubs -- five thousand pubs are reviewed
|
|
|
|
along with most of the beers and brew pubs in the U.K. Beers are
|
|
|
|
not rated on a numeric scale, although from the qualitative
|
|
|
|
reviews you can determine which are the best beers.
|
|
|
|
|
|
|
|
|
|
|
|
Roger Protz, *The Real Ale Drinker's Almanac* Moffat, U.K.:
|
|
|
|
Lochar Publishing, 1989
|
|
|
|
|
|
|
|
Protz profiles most beers available in the U.K., and like the
|
|
|
|
Good Beer Guide, avoids using a rating system. When and where
|
|
|
|
available, information on ingredients and formulation is
|
|
|
|
supplied. This book does not list or profile pubs although many
|
|
|
|
brewpubs are listed. I find this a useful and interesting book.
|
|
|
|
|
|
|
|
|
|
|
|
no author. *Nicholson's London Pub Guide* London: Nicholson
|
|
|
|
(Bartholomew Division of Harper Collins Publishers), 1990.
|
|
|
|
ISBN: 0-9485767-545
|
|
|
|
|
|
|
|
This compact little book is handy for the traveller in London and
|
|
|
|
easily slips in one's pocket. While a relatively small portion
|
|
|
|
of the book is dedicated to the good beer pubs, it is useful to
|
|
|
|
find particular theme of pubs: Riverside pubs, Pubs featuring
|
|
|
|
various styles of music, Gay and Lesbian positive, Pubs with
|
|
|
|
outdoor patios, et cetera.
|
|
|
|
|
|
|
|
|
|
|
|
Neil Hopwood, editor. *Bradford Real Ale Guide* Bradford, U.K.:
|
|
|
|
Bradford and Keighley & Craven Branches of the Campaign for
|
|
|
|
Real Ale Ltd., 1988.
|
|
|
|
|
|
|
|
You are in Bronte country, West Yorkshire with a pub on nearly
|
|
|
|
every corner. Which ones are the best? This guide will tell
|
|
|
|
you! From Bradford north to Ilkley, west to Oakworth and Haworth
|
|
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and south to Wyke, this slim little book reviews the best pubs in
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Bradford and District.
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3. Log Books
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Stephen Elliot Hightower, *Beer Explorer's Logbook* Niwot,
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Colorado: Passport to Adventure Press, Inc., 1994
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I have a log book. Actually it is two, large-ringed, small Day
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Runner-sized (6.75 x 3.75 inch) looseleaf binders full of
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reviews. I guess curiosity got the better of me when I bought
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this book. Most of it is pages of forms for you to fill in with
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your reviews and impressions of beers -- room for 51 reviews on
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two-sided forms to be exact. Each form has a witty or insightful
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quote from beer industry notables and historical figures.
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Besides the quotes, is there *anything* useful in this book?
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Yes: There is a listing of beer flavours (both on and off
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flavours) together with the ASBC flavour wheel; There is a
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listing of styles; and finally, There is a simple glossary.
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4. Tasting Books
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Broadbent, Michael, *The Simon and Schuster Pocket Guide to Wine
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Tasting* revised, updated, and expanded. New York:
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Fireside Books (Simon and Schuster), 1988. ISBN:
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0-671-66788-2
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While this book is about wine tasting, many of the principles are
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the same and quite transferrable.
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