456 lines
16 KiB
Plaintext
456 lines
16 KiB
Plaintext
*ALL THAT GLITTERS*
|
||
===================
|
||
|
||
Cast:
|
||
|
||
Polly Pureheart - A sweet golden-haired girl with the flush of youth
|
||
on her cheeks.
|
||
|
||
Mom Pureheart - Polly's mother, a widow woman who knows the value of a
|
||
dollar.
|
||
|
||
Julian Gross - A banker with a lump of coal for a heart who strives to
|
||
live up to his name.
|
||
|
||
Montague Manly - Polly's fiance, a poor but honest lumberjack who
|
||
lives for the sound of her tread.
|
||
|
||
Act I
|
||
|
||
(A neat country store in Alaska circa 1890. Canned goods in pyramids,
|
||
sacks of flour, patent medicines prominent. MOM PUREHEART enters from
|
||
right. She is an older woman with hair in a bun, apron, big sensible
|
||
shoes. Comic relief type.)
|
||
|
||
Mom: Polly! Polly! Where is that girl? We must get the store ready
|
||
to open.
|
||
|
||
(POLLY PUREHEART skips in. She is young and beautiful, with golden
|
||
tresses, pink cheeks, and an insufferably cheerful aspect. A real
|
||
pain.)
|
||
|
||
Polly: Here am I, dear Mother. What is thy will? Speak, and I will
|
||
find it my joy to serve you. Tell me how I may serve as a prop in
|
||
your old age, and I will --
|
||
|
||
Mom: Can it, dear.
|
||
|
||
Polly: Certainly, dear, dear Mother.
|
||
|
||
Mom: Would you sweep the store? We open in five minutes, and today's
|
||
our annual sale in honor of Lydia Pinkham's birthday.
|
||
|
||
Polly: Oh Mother, how happy I am here with you in Alaska where our
|
||
cozy little country store keeps breath within our bodies, and how I
|
||
wish dear old Dad had not been swallowed by that giant salmon in the
|
||
Sacramento River, that he might be here with us now to rejoice over
|
||
the fact that we have but one more payment to make on the mortgage and
|
||
the store is ours for good, and then my sweetheart Montague Manly and
|
||
I may be joined in holy wedlock at long last.
|
||
|
||
(Long pause.)
|
||
|
||
Mom: Are you finished? (to audience) I hope you were listening.
|
||
That's called an exposition, and you won't be able to follow the plot
|
||
without it. (to Polly) Okay, now, get ready, girl. It's opening
|
||
time. When I open them doors, there'll be a rush of eager customers
|
||
pounding in like a herd of elephants. You brace yoruself while I
|
||
unbar the door. Ready? (They brace themselves for a flood. Mom
|
||
opens the door; nothing much happens.) Oh well. The after-lunch
|
||
crowd is where we make our money. Let's go check on our inventory.
|
||
|
||
(They exit right. JULIAN GROSS, the banker, enters from left. He is
|
||
dressed all in black with top hat, cape, and walking stick, with a
|
||
long black mustache he can curl. Foul monster, rather like an
|
||
unregenerate Klingon. He bangs his walking stick on the floor.)
|
||
|
||
Julian: Service here! Service, I say!
|
||
|
||
(Mom trots back in, all smiles and obsequies.)
|
||
|
||
Mom: Why, hello there, Mr. Gross! So good to see you. Come right
|
||
in, come right in. Would you like some coffee? How about a little
|
||
whiskey? Anything I can do for you, anything at all, you just let me
|
||
know.
|
||
|
||
Julian: Just lick my boots, would you? I stepped in something nasty
|
||
outside.
|
||
|
||
Mom: Why sure. (she does so) Yum yum.
|
||
|
||
Julian: Watch out for the laces; they're new. Where's your lovely
|
||
daughter?
|
||
|
||
Mom (screams): POLLY!!!! I'm sure she's around here somewhere.
|
||
|
||
Polly (skipping in as before): Yes, dearest Mother? You called me?
|
||
(Suddenly sees Julian, throws hands to mouth, takes a step backwards,
|
||
and gasps.) Why, Mr. Gross!
|
||
|
||
Julian (kicking Mom aside): How lovely you look, Miss Polly. (He
|
||
kisses her hand and licks his lips lasciviously. She makes a retching
|
||
sound.) I haven't seen you around the bank lately, my dear. I hope
|
||
you have been quite well?
|
||
|
||
Polly (aside): Until now. (to him) Yes sir, quite well. Please
|
||
excuse me. (She tries to leave, but he won't let go of her hand.)
|
||
|
||
Julian: Why, where are you off to, Miss Polly? You're not afraid of
|
||
me, are you?
|
||
|
||
Polly (bravely): No, of course not.
|
||
|
||
Mom: Remember the mortgage, Polly, and be nice to the rich man.
|
||
|
||
Julian (dropping Polly's hand): Oooh, I do love that word: rrrrrich!
|
||
You do have the money, don't you?
|
||
|
||
Mom: Yes, yes, yes, yes, of course we do, absolutely, you bet! Well,
|
||
no, really. But today's our big sale for Lydia Pinkham's birthday.
|
||
We'll make it easily, don't you worry. We always have a rush on Lydia
|
||
Pinkham day. (Pause while he looks at the deserted store) It picks
|
||
up a lot in the afternoon, really.
|
||
|
||
Julian: Now, Mrs. Pureheart! You know that I consider it my solemn
|
||
duty to take care of widows and orphans and those of the fairer sex
|
||
who have no men to care for them; and nobody wants you to make that
|
||
payment and keep this store more than I do. But business is business,
|
||
after all. The deadline is 5 p.m., and if for some reason you're
|
||
unable to come up with the money, why, the ax falls at 5:01. Nothing
|
||
personal.
|
||
|
||
Mom (beaming): Hey, that's great. What a great guy. I'll just go
|
||
and see what's keeping those customers. (She bolts off left.)
|
||
|
||
Julian (aside): Little does she know that I have used the bank's
|
||
money to pay the customers to stay away. They will never make that
|
||
payment, and I shall give them a choice: Either Polly must marry me,
|
||
or they shall both go out in the snow. She will have to submit. And
|
||
once she is mine, it's out with the old lady and the store is mine
|
||
too! Nyah-ah-ah-ah! (He turns to Polly, who is trying to sneak out.)
|
||
Ah, my dear, now we are alone. What, not leaving already? (He grabs
|
||
her hand.) I know the force of my charm is overwhelming, but you must
|
||
be brave and learn to live with it. (stroking her hand) I want us to
|
||
become good, good friends.
|
||
|
||
Polly (bravely): Sir! You importune me.
|
||
|
||
Julian (mocking): I? Never! I don't even know the meaning of the
|
||
word.
|
||
|
||
Polly: It means to trouble with requests or demands, to urge or
|
||
entreat persistently or repeatedly. It comes from the Latin impor-
|
||
tunus, which means unsuitable or troublesome.
|
||
|
||
Julian: Oh. Well, I guess I am importuning you, then.
|
||
|
||
Polly: Mr. Gross, please! You know I am engaged to Montague Manly.
|
||
|
||
Julian: That brick-headed dolt? Why, he's as poor as a church mouse.
|
||
Marry me, my sweet, and I will shower you with furs, servants, cars!
|
||
|
||
Polly: No, never, for I love another.
|
||
|
||
Julian: Oh, come, you can't mean that. Give us a kiss. (He tries
|
||
to kiss her, and she screams bloody murder and beats futilely at his
|
||
chest. MONTAGUE MANLY leaps in. He is large and muscular, wearing a
|
||
well-padded lumberjack shirt. Gorgeous, noble, and not too bright.)
|
||
|
||
Monty: Unhand her, you cad! (Polly runs to his arms.) Have you no
|
||
decency?
|
||
|
||
Julian: Of course not. I'm the villain.
|
||
|
||
Monty: Before God, sir, if you had harmed a hair on her head, I would
|
||
have given you a good thrashing. You had best make yourself scarce,
|
||
lest I forget I am a gentleman and belt you one.
|
||
|
||
Julian: I am going. But I shall return at 5 o'clock. (aside) And
|
||
then I shall stay for good! (He slinks off.)
|
||
|
||
Monty: Are you hurt, my beloved?
|
||
|
||
Polly: Not in the least, my dearest.
|
||
|
||
Monty: I am glad of it. But now I fear that I must hurt you myself.
|
||
|
||
Polly (intrigued): Oh?
|
||
|
||
Monty: Our marriage must be postponed. I am off to the goldfields to
|
||
make my fortune, so that I may support you in the style of which you
|
||
are worthy.
|
||
|
||
Polly: My love, the gold of your heart is riches enough for me.
|
||
|
||
Monty: I know, but still I must go.
|
||
|
||
Polly: But why?
|
||
|
||
Monty: Because it advances the plot.
|
||
|
||
Polly: Oh. In that case, though my heart break, I will let you go.
|
||
But I know that you will be back soon, and then our happiness will be
|
||
complete. Farewell!
|
||
|
||
Monty: Farewell! (He leaves to hearts & flowers music. Mom returns.)
|
||
|
||
Mom: There's not a customer to be had for love or money. Where's he
|
||
going? And where's that nice Mr. Gross?
|
||
|
||
Polly: Oh, Mother! (She bursts into tears as the curtain falls.)
|
||
|
||
|
||
|
||
Act II
|
||
|
||
(Same scene, except clock says 4:55. Polly looking composed, Mom
|
||
pacing and wringing her hands.)
|
||
|
||
Mom: I just can't understand it. Where are all the customers? We
|
||
usually have to beat them off with a stick on Lydia Pinkham day.
|
||
|
||
Polly: I'll never forget the riot we almost had the year we ran out
|
||
of Lydia Pinkham Stomach Bitters.
|
||
|
||
Mom (nostalgic smile): Ah, those were the days, weren't they? But
|
||
look at it now! Almost five o'clock, and not one customer. Not one!
|
||
What are we going to do? Mr. Gross will be here for the mortgage
|
||
money any minute now.
|
||
|
||
Polly: Alas! If only my affianced, Montague Manly, had not left for
|
||
the goldfields this very morning to make his fortune. I know that he
|
||
would think of something.
|
||
|
||
Mom (aside): That was a synopsis of the first act, did you notice?
|
||
(to Polly): I got it!!
|
||
|
||
Polly: What? Oh, tell me, Mother mine, do!
|
||
|
||
Mom: We'll sell the cow!
|
||
|
||
Polly: Oh, how wonderful! Except we don't have one.
|
||
|
||
Mom: Oh. that's right. Whatever will become of us?
|
||
|
||
Polly: Mother, do not forget, it is an ill wind that blows no-one any
|
||
good. It is always darkest before the dawn. Every cloud has a silver
|
||
lining.
|
||
|
||
Mom: I think I'm going to be sick.
|
||
|
||
Polly: And whatever happens, we shall always have each other.
|
||
|
||
Mom: Thanks. That really helps.
|
||
|
||
(Julian enters to great ringing chords and lightning. Mom and Polly
|
||
strike attitudes of horror.)
|
||
|
||
Julian: Hi there.
|
||
|
||
Mom: Well, howya doing, Mr. Gross? So good to see you! You're
|
||
looking real good this afternoon. Say, I don't suppose you could kind
|
||
of go away and come back in, oh, two weeks or so?
|
||
|
||
Julian: I will be delighted to leave, of course, if you do not enjoy
|
||
my company -- just as soon as you hand over the mortgage payment.
|
||
|
||
Polly (defiantly): We have five more minutes, Mr. Gross.
|
||
|
||
Julian: I know, my dear, I know. But I have a little proposition for
|
||
you both.
|
||
|
||
Mom: Oh yeah? I'm your woman.
|
||
|
||
Julian (yuck): No, you're not.
|
||
|
||
Polly: Do not listen to him, Mother. Such as he cannot be trusted to
|
||
keep their word.
|
||
|
||
Mom: Let the gentleman talk, Polly. How rude. Don't you know that
|
||
when money talks you better listen? What did you have in mind, Mr.
|
||
Gross?
|
||
|
||
Julian: Well, it's really very simple. I will tear up the mortgage
|
||
(pulls it out of his pocket). And all I ask for this incredible
|
||
largesse is -- you daughter's hand in marriage! (Shocked music.
|
||
Julian laughs and leers, if it's possible to do both at once. Mom
|
||
looks thoughtful.)
|
||
|
||
Mom: That's all? That's a pretty good deal.
|
||
|
||
Polly: Mother! You know I am engaged to Montague Manly.
|
||
|
||
Mom: Yes, but he's not here, and Mr. Gross is. Besides, it's as easy
|
||
to love a rich man as a poor man.
|
||
|
||
Polly: But Monty is a good, kindly, and honorable man, and he's going
|
||
to get rich in the goldfields any minute now.
|
||
|
||
Mom: Oh, that's right, I forgot. Can't you sweeten the pot a little,
|
||
Mr. Gross?
|
||
|
||
Julian: Well, let me describe the alternative. If you reject my kind
|
||
offer, I will foreclose on the mortgage, take the store, and throw you
|
||
out into the snow with just the clothes on your backs. You will
|
||
freeze and starve, and they won't discover your wolf-eaten carcasses
|
||
until May, when the snow melts.
|
||
|
||
Mom: Boy, you do make it sound attractive.
|
||
|
||
Julian: Choose! Which is it to be?
|
||
|
||
(Polly bursts out crying. Julian takes her hand lovingly.)
|
||
|
||
Julian: Don't fret, my dear. You will learn to love me in time.
|
||
|
||
Polly: Oh, who will save me from a fate worse than death?
|
||
|
||
(Long pause. All start to look uncomfortable.)
|
||
|
||
Polly: I say, WHO WILL SAVE ME FROM A FATE WORSE THAN DEATH?
|
||
|
||
(Monty bursts in, just a little late, with a sack over his shoulder.)
|
||
|
||
Monty: Hold! for I am returned!
|
||
|
||
Polly: Oh, Monty!
|
||
|
||
Julian: Curses! Foiled again!!
|
||
|
||
Monty: My own! (He and Polly hold hands in Jeanette MacDonald-Nelson
|
||
Eddy fashion; Julian sulks.) I have returned as I promised, rich
|
||
beyond the dreams of avarice, never to leave you again!
|
||
|
||
Mom: So soon?
|
||
|
||
Monty: Indeed, I had thought to be gone a longer while. But just as
|
||
I was leaving town, my sled-dog Randy stopped to answer a call of
|
||
nature at a large pine tree by the road, and the heat of his -- uh,
|
||
his enthusiasm melted the show, and there I espied the largest gold
|
||
nugget I have ever seen! (Pulling it from the sack. Mom and Polly
|
||
are reluctant to go near it.) I washed it off, of course. (They come
|
||
crowding around.)
|
||
|
||
Polly: Oh, Joy! Rapture!
|
||
|
||
Mom: It's real, all right. Imagine that. Hey, Julie!
|
||
|
||
Julian (with injured dignity): Do I suppose you are referring to me?
|
||
|
||
Mom: Yeah, you with the cape. C'mere. (She breaks off a pinch of
|
||
gold and tosses it to him.) Here's your mortgage payment, and still
|
||
five minutes to go. Now get your fleabitten hide out of here before
|
||
I sell you for stewmeat.
|
||
|
||
(Julian skulks off; the others crowd admire the gold.)
|
||
|
||
Julian (aside): They think they've seen the last of me, but I have
|
||
one more trick up my sleeve. Nyah-ah-ah!
|
||
|
||
(Julian bashes Monty on the head with his cane from behind, grabs the
|
||
gold, and drags Polly off. Attitude of horror from Mom as the curtain
|
||
falls.)
|
||
|
||
|
||
|
||
Act III
|
||
|
||
(Snow, trees, mountains. Train track runs across the stage from right
|
||
to left. Julian enters leading Polly, whose hands are tied, and
|
||
carrying the gold. He drops the gold wearily.)
|
||
|
||
Julian: I never realized how heavy gold is.
|
||
|
||
Polly: You fiend! I had not fully grasped the depth of your calumny
|
||
before now. You are the devil incarnate. My fiance will follow you
|
||
to the depths of the earth and bring you to retribution for your
|
||
heinous crimes.
|
||
|
||
Julian: This is getting us nowhere. Marry me, and let me take you
|
||
away from all this.
|
||
|
||
Polly: Yes, but you brought me to all this.
|
||
|
||
Julian: That's beside the point. I can give you lots of pretty
|
||
things, you know. All you have to do is say yes, and you'll be awash
|
||
in jewels, houses, the Riviera!
|
||
|
||
Polly: No, no, a thousand times no!
|
||
|
||
Julian (surprised): Why not?
|
||
|
||
Polly: Well, I may be old-fashioned, but I don't think you can build
|
||
a lasting relationship based on threats of death.
|
||
|
||
Julian: What else? Come on, we can make a go of it.
|
||
|
||
Polly: Never! I am resolute.
|
||
|
||
Julian (furious): Fine. Have it your way. See if I care. (He ties
|
||
her onto the train track.) The train is due in five minutes. You and
|
||
your resolution can go to pieces together.
|
||
|
||
Polly: That matters not. The angels will stick me together again.
|
||
|
||
(Train noises in distance. Suddenly, Monty leaps on with conspicuous
|
||
bandage.)
|
||
|
||
Monty: Wait!
|
||
|
||
Julian: Oh great. Mr. Muscle saves the day.
|
||
|
||
Polly: Monty! Save me!
|
||
|
||
(They throw a few punches.)
|
||
|
||
Polly (getting a little nervous): Any time now, guys.
|
||
|
||
(Julian falls to a roundhouse punch and lies motionless. Monty unties
|
||
Polly and pulls her from track just as an obviously cardboard train
|
||
with the stagehand's head showing at the top is marched across the
|
||
stage.)
|
||
|
||
Polly: Oh, Monty!
|
||
|
||
Monty: My beloved!
|
||
|
||
Mom (running on): What happened? Did I miss anything?
|
||
|
||
Polly: Oh, Mother dearest, Monty saved me from that rapscallion over
|
||
there.
|
||
|
||
Monty: See, he is coming to.
|
||
|
||
Julian (staggering to his feet): Where am I? Who are you? Who am I,
|
||
for that matter?
|
||
|
||
Polly (scared): Monty, what is the matter with him?
|
||
|
||
Monty: Apparently the blow to his brainpan has unsettled his mind.
|
||
He has amnesia.
|
||
|
||
Mom: Oh, come on! You've got to be joking! That's the oldest
|
||
gimmick in the book!
|
||
|
||
Monty: No, I joke you not.
|
||
|
||
Polly: Oh, poor man.
|
||
|
||
Mom: Sir, your name is Gross, and you are -- were -- a real stinker
|
||
of a banker.
|
||
|
||
Julian: In that case, I must atone for my past life. I will take
|
||
myself to the nearest monastery and devote the rest of my life to the
|
||
poor in payment for my sins.
|
||
|
||
Mom: Give me a break.
|
||
|
||
Polly: Oh, how wonderful! I am so happy I think I shall cry.
|
||
|
||
Monty: Yes, my own. The evil are converted, the good rewarded, and
|
||
the lovers shall live happily ever after, in our little house in the
|
||
Yukon.
|
||
|
||
(Monty and Polly embrace, Julian looks humble, and Mom looks disgusted
|
||
as the music swells and the curtain falls for the last time.)
|
||
|