986 lines
43 KiB
Plaintext
986 lines
43 KiB
Plaintext
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Last week I requested answering machine messages. Here are the ones I've
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gotten so far:
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----------------------------------------------------
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This is one of my old ones that got a lot of laughs:
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<Phone Rings>
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Noisy pick-up of phone
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Uh...<wisperingly> Hello?
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Hi, I 'm a burgular and I was just about to steal Troy's answering machine.
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If you give me your name and number I'll..uh, I'll post it on the 'frige
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where he'll see it. Uh.. by the way, where did you say you live?
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----------------------------------------------------
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But right now I'm using "This is a boring answering machine message.
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Leave a message anyway." because I'm sick of people ringing the phone
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at 10am just so they can hear the clever messages I usually have, and
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then hanging up without even leaving a "like your message" message.
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Feh!
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----------------------------------------------------
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[Must have good Australian accent]
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G'day mate. Can't come to the phone now because I'm a bit tied up with
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this crocodile. Just leave a message, and I'll get back to you.
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----------------------------------------------------
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This is the Literacy Self Test Hotline. After the tone, leave your name and
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number and recite a sentence using today's vocabulary word. Today's word
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is supercilious ...}
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----------------------------------------------------
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The President is not in his office at this time. Please leave your name,
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phone number, the name of the country you wish to invade, and the secret
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password.
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----------------------------------------------------
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Kemosabe no in tipi now. You leave'um message after little smoke signal,
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and Kemosabe get back for pow-wow real fast.
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----------------------------------------------------
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Also, on the subject of answering machins, my favorite tape was:
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"This is Jeff, you're not in now so I'll leave a message."
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Really confused people.
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----------------------------------------------------
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A bubble in the space-time continuum has connected your line to a channeler
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in the 23rd Century. Any message you leave will be broadcast into the
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future....
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------------------------------------------------
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Hello. I can't come to the phone now because--HEY, GEORGE! DON'T STAND
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ON THAT--goddam. ...because I've invited George and Barbara Bush over
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<loud music cuts in>...BARBARA! HEY! DON'T FUCK WITH THAT!...over for
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dinner. After the tone...BARBARA, CALL YOUR DOG...MILLIE! DOWN GIRL!
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....shit...Leave a message after the tone...HEY, FUCKHEAD...<beep>
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------------------------------------------------
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Hello. Lindsey's not home now--this is his domestic droid speaking.
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I'm not programmed to answer the phone, so just leave a message, and
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Lindsey will get back to you as soon as possible.
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------------------------------------------------
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"Hi! You have reached 579-7599. This is an answering machine. This is the
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Eighties. You know what to do."
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------------------------------------------------
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My wife and I can't come to the phone right now, but if you'll leave
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your name and number we'll get back to you as soon as we're finished.
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------------------------------------------------
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Ring, Ring:
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The number you have xxx-xxxx (your number) has been changed, the
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new number is xxx-xxxx (again, your number). CULATA!
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------------------------------------------------
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"Hello, and welcome to Answering Machines of the Rich and Famous!
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(your name here) can't come to the phone right now, because he's
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spending the week in his beautiful summer home on the French Riviera..."
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------------------------------------------------
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One day I had a borrowed Casio sampler toy and used it to create a
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rather interesting one:
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Hello. You have reached Tooooommmmmm Tom Tm! Tom and
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MaMaMaMarMMMMaark's room. Tom is studying ssttuuddyyiinngg sssssssssssss
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and MaMark isn'isn'isn'isn't here. isn't here. P-P-Pleas! leave a
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messssssssage. Goodbye. 'bye! bye!bbyebybyyeyeyebbye {byes repeating
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at all different pitches}
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------------------------------------------------
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Last year my roommate had a machine but he hated to make the outgoing
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message. Stage fright, I guess. So I usually made them. One that we
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usually used during exam time was:
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{background music: Billy Joel's _Pressure_ very loud}
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Hello. You have reached Tom and Mark's room. We're a little busy now...
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{ BJ screams PRESSURE!!! }
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So, leave a message and we'll get back to you someday after (exam end
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date)
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{ BJ: ONE TWO THREE FOUR PRESSURE!!! followed by a very out-of-tune BEEP! }
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------------------------------------------------
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My favorite message that I ever had was the *real* message I recorded
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off 1-800-CALL-SPY, the U.S. army snitching network. Try it, its a great
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recording (call after 5 pm for the message).
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[Give it try! -pZ]
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------------------------------------------------
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<Ring>
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In the background can be heard springs creaking and various moans.
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<Husky, Soft female voice is best> Hi,... You've just reached {name} pleasure
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palace. We're all busy as I'm sure you can tell but when we're done... we'll
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get back to you in whatever way we can. <Beep>
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You wouldn't believe how much explaining my mother wanted on that one...
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------------------------------------------------
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[b.g. music is frantic, violin oriented]
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"hello. you have reached xxx-xxxx. we are currently unable to answer
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because we are either chasing, or being chased by, bats. please leave
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a message..." etc.
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------------------------------------------------
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[the quiet, eerie vocal part of 'hello, earth' by kate bush]
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(after about 30 seconds): "hello. you have reached xxx-xxxx.
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we can't come to the phone right now because we're at vespers.
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please leave a message..." etc. (30 more seconds of music before
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the beep.)
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------------------------------------------------
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(Spoken in a granny voice)
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"Way back inna winner of fifty-two, we didn' have fanshy gadjets like
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no ansherin' machine. You jusht had to call and call until shummbody
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got home. Now, shum people, dey shay dey don' like 'em, but I shay
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it'll shave you a lotta trouble if you jusht leave a meshage. Thanksh a
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lot."
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Must be spoken in a drawl.
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------------------------------------------------
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Well, this isn't strictly from an answering machine, but...
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>From Calvin and Hobbes:
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(phone rings)
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(you answer) Hello, this is <...> speaking. I'd like a large pizza
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with extra anchovies.
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(other person) What?
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(you reply) Oh, sorry, I must have a wrong number.
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(hang up)
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Make everyone's day a little more surreal.
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------------------------------------------------
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"I'm home right now . . . I'm just screening my calls. So just start talking
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and if you're someone I want to speak to I'll pick up the phone. Otherwise,
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well, what can I say?
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------------------------------------------------
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In Japan, the hand can be used like a knife.
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[sound effect: Heeeeee-YAH!, smashing box of kleenex]
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But this method doesn't work with a telephone call...
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[sound effect: dial tone]
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Introducing the all-new GINSU answering machine! It cuts, it chops,
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it slices, it dices your incoming calls! How much would you pay?
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Don't answer, because if you leave your name and number when you
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hear the tone, we'll throw in a return phone call ABSOLUTELY FREE!
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------------------------------------------------
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"Hi, you have reached .... Please leave your name, phone number and a
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message and if we like it we will return your call".
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------------------------------------------------
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However, the most effective one I have had so far can be used only one day
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per year: "This is David. I'm not using the phone over Yom Kippur, so please
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leave a message or call back after the holiday." No one wants to admit not
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having realized it was Yom Kippur or not knowing I would pick one holiday from
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the whole calendar on which to get observant, so everyone hangs up and leaves
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me no bad news or requests for favors.
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------------------------------------------------
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"This is David. Talk."
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------------------------------------------------
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"Hi. This is David. I've shut the ringers off on my phones and taken a
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sedative. As soon as I finish this recording I'm going to bed indefinitely.
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When I wake up I'll play my messages. Please leave one."
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------------------------------------------------
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[with a kazoo band playing "Thus Spake Zarathustra" in the background...]
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"Thinking you were making an ordinary phone call, you have instead
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reached..." [YA-DAAAAAAAAA!] "...the ANSWERING MACHINE! Leave your name
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and number, and we will get back to you as soon as we can."
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------------------------------------------------
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"Hello, this is Dr. Pangloss. If this were the best of all possible worlds,
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I could come to the phone right now, but I can't, so if you could leave your
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name and number..."
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------------------------------------------------
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"Hello?" <pause for a few seconds> "Sorry, he's not here right now,
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but if you leave a message, he'll get back to you."
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------------------------------------------------
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(woman taped off a "phone sex" service)
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WOMAN : (seductively) Hi. I'm Linda. You know, it can be really lonely
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when you're a fashion model. Sometimes I just have to ...
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YOU : (interupting) Oh cmon, Linda, give me the damn phone..
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(then ask for a message)
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------------------------------------------------
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Just after the earthquake a friend of mine put on his answering machine:
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"Hi, this is Jeff. We can't get to the phone right now because we
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were killed in the Earthquake. Tragic, isn't it? But, leave a
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message anyway, someone is sure to get it eventually." BEEP
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My favorite post quake message:
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"Hi, we're not in cause we're out LOOTING!
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Leave a message and we'll call you back and tell you what we got."
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------------------------------------------------
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"Hello, I'm not hear right now. In fact, I'm out getting a new parakeet.
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If you leave a message after the beep, I'll be sure to get back to you.
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Oh, and by the way, a word of advice; never try to clean a parakeet cage
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with a vacuum cleaner."
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------------------------------------------------
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Ring...click....(sound of loud music in background)...Hello? - just
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a second while I turn the stereo off (sound of person running to
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click off music, which gets quiet. sound of person running back
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to phone) OK, sorry about that, hi there, who's this...well hi!...
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uh huh...yeah...well listen you're talking to a machine, so please
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leave a message and I'll call you back.
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(this ran for a while until a friend threatened to kill us after
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she said she had a 2 minute conversation with the machine.)
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------------------------------------------------
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I worked for a bit in the coastguard in Wales and I used to send weather
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reports to other bases, using a sort of antique FAX machine. I would call
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first on a special telephone and then send the data. They used to answer the
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phone with:
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" Epicentre of the Universe, God speaking."
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" Hartland home for lost whores." (that was Hartland CG)
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" Da, zis iz Ivan: do you have zee secret information, Boris?"
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" Pentagon command: transmit destruct sequence (pause) sequence correct:
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T minus one minute and counting"
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And then there was one phone we didn't use, with a number one off that of
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the local take-out. With my, non-British, accent I had some great fun with
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that phone.
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"Starship Enterprise, Uhura here, can you hold please? -- Captain, there
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is a transmission coming in on hailing frequency seven, do you want it on
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screen?" (silence...click)
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"Van
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couver coastguard, may I help you." British long distance rates are
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phenomenonal and I had this poor dude sputtering with horror that he had
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managed to make a long distance call by dialing five digits.
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------------------------------------------------
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A friend was at a mutal friend's sister's house, and when she went out for
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beer, he changed her answering machine message. In a loud, deep, gravely,
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horror-film voice he recorded, "HI, THIS IS KATHY, I'M NOT MYSELF RIGHT NOW.
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IF YOU LEAVE YOUR NAME AND NUMBER, I'LL GET BACK TO YOU WHEN I'M FEELING
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BETTER."
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------------------------------------------------
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Hi this is <name>. I'm sorry I can't answer the phone right now.
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Leave a message and then wait by the phone until I call you back.
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------------------------------------------------
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In the background can be heard Gregorian Chant or some other church music
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<In a soft voice> Good Day My child, you have reached {name} dial a confession.
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At the tone if you will leave your name, number and short confession I will get
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back to you with your pennance. Thank you and may God go with you. <Beep>
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------------------------------------------------
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"Steve has been captured by a flying saucer and can't come to the phone
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right now, but if you leave your name, phone number, and a message I'll
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have him call you back as soon as he gets away. Read all about it in
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next week's National Enquirer."
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------------------------------------------------
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"Steve is reassembling Elvis' brain and can't come to the phone right
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now, but if you leave your name ...", etc.
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------------------------------------------------
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(Annoying flute music in background)
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Good day, Jim. Your contact, [insert name], is not available right now.
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Your mission, should you choose to accept it, is to leave your name,
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number, and a brief message at the tone. This tape will self-destruct
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in thirty seconds.
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Good Luck, Jim.
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------------------------------------------------
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A friend of mine at school has this message, read by three people while
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the STAR TREK theme plays in the background.
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1: Room 17, the final frontier.
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2: These are the messages of Chad's answering machine. Its 2 semester
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mission: to seek out your name and your telepohne number.
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3: To boldly inform you to wait for the tone.
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------------------------------------------------
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"Finally get an answering machine. Now how does this thing work? Hmmm.
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Press record button, I did that, and the light should be on. I wonder why it's
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not working right. Hmmmm, I wonder what this button does......"
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------------------------------------------------
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"This is (#include phone.addr). We are not ... excuse me a moment,
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please. Put your sister down. PUT YOUR SISTER DOWN! (sound of window breaking)
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Great! What a mess. I'll have to get back to you later."
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------------------------------------------------
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"Hello. I'm David's answering machine. What are you?"
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------------------------------------------------
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Steve: Hello. Steve and Matt aren't here right now but if...
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Matt: Steve, what are you doing?
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Steve: I'm leaving a phone message since we aren't here.
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Matt: But you left the last one -- it's my turn.
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Steve: No, I'm sure it's my turn.
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Matt: No, you're incorrect. It's definitely my turn.
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Steve: You fool. I know it's ... wait ... Matt ... what are you doing
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with that frying pan?!?
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BONK [really loud thud]
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Matt: Steve is out right now, so please leave your name and number.
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------------------------------------------------
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[imitating Mr. Rogers]
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"Hello. I'm in the Magic Kingdom right now, so I can't come to the phone.
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Can you leave your name and number when you hear the sound of the tone?
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Sure...I knew you could." <BEEP>
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------------------------------------------------
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[imitating Ensign Chekov]
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"Oh, sair...it was *Khan*! He made us say things...do things...he
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kept us from answering the phone! But Keptin was strong, and if you
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leave your name and number, Keptin will get back to you as soon as
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he can!" <BEEP>
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------------------------------------------------
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"You have reached the <city>,<state> Strategic Air Command Nuclear
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Missle Storage Facility. We are unable to come to the phone right
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now. At the tone, please leave you name, number and target or list of
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targets and we'll launch as soon as we can. And have a nice day."
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------------------------------------------------
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"We are unable to come to the phone right now. At the tone, please
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leave your name, number, and Master Card, Visa, or American Express
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account number and we'll get back to, pending credit approval."
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------------------------------------------------
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"Hello, this is Jim. Unfortunately I can't answer the phone right now
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because I've just come back from the Mirror Worlds and I'm still made
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up of antimatter, so if I were to pick up the phone right now, the
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resulting energy release would make Hiroshima look like a wet firecracker.
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So leave a message at the tone and I'll get back to you as soon as my
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component particles have been restored to their normal charges."
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------------------------------------------------
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"Speak, worm!" <beep>
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Works best if done in a Darth Vader voice.
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------------------------------------------------
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"You know what to do at the tone." <beep>
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------------------------------------------------
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"Hello?" <beep>
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This confuses anyone who doesn't know you.
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------------------------------------------------
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"Hello, I'm not here." <beep>
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A friend of mine used this one last summer. I always answered it with
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"Okay, that's all I wanted to know."
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------------------------------------------------
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Hi!! You've reached Janet and Chris's room. We're not in right now.
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If this is our parents, we're at the library studying. Yeah, yeah,
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that's it, that's the ticket. If this is John (Chris's boyfriend), Chris
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is out with the girls at the party. Yeah, that's it. If this is any one
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else, we're at a party and you're not. Yeah, a party with the president.
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Yeah and the .... pope. Yeah that's it. <beep>
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------------------------------------------------
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One voice: I didn't expect an answering machine.
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Another voice:
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Nobody expects an answrering machine.
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Our chief use is to get your name. And phone number.
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Our two chief uses are to get your name and phone number. And
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message. (damn)
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Our three uses are to get your name, phone number, and
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message. And time you called.
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Oh, damn, we'll have to start over. No--no time for that, so
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just wait for the beep.
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------------------------------------------------
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(in an Italian mafia-style tone:)
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"Hello. I can't come to the phone right now. Me and Guido are trying to
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stuff a body in the trunk. I think we're going to have to size it a
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little... <aside> HEY GUIDO! GET THE CHAINSAW! Anyways, leave your name
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and a message. If I like it, you'll hear from me. If not, _you'll_hear_
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from_Guido! ( a little laughter )... "
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------------------------------------------------
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(To the tune of "Heartbreak Hotel" with appropriate instrumental accompaniment)
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I just left home baby
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I'll be out fer a spell
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and if you don't leave a message baby
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you can go to <BEEP>
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------------------------------------------------
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Hello, this is <insert your name here>. I'm home right now, and in
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a few moments, I'll have a decision to make.
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BEEEP!
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------------------------------------------------
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[Theme from "Indiana Jones" in the background.]
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You've reached the residence of John and Tom. We can't
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come to the phone right now, because we're cleaning the
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refrigerator. Please leave your name and number, and
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we'll get back to you.
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[Theme from "Indiana Jones" continues until the beep.]
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------------------------------------------------
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Hi! John's answering machine is broken. This is his
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refrigerator. Please speak very slowly, and I'll stick
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your message to myself with one of these magnets.
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------------------------------------------------
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One of my favorites had this very exciting scary music, along with a
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kitten crying in the background, and the voice goes:
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The machine answering this message is connected to a 5000 volt power
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supply, and a relay which is wired to this small kitten. If you hang up
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before you leave a message, it will complete the circuit and will fry
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the kitty. The choice is YOURS.... BEEEEEEEEEEEEEEEEP
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------------------------------------------------
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FOXTROT-LIMA-ALPHA-SIERRA-HOTEL. KEY-DESTRUCT-SEQUENCE-NOW.
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THIS-TERMINAL-ALSO-ACCEPTS-VOICE-MESSAGES...... ~~~
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------------------------------------------------
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Thank you for calling the Metropolitan Church of the Holy Bible.
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Today's commandment is Number 6, Thou shalt not... er... bear
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a... er... shalt not witness thy... uh... neighbor's ass,
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oh, I mean, false... er... shalt not commit a bear... dern...
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------------------------------------------------
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How do you leave a message on this thing? I can't understand
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the instructions. Hello. Testing 1 2 3. I wonder what happens
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if I touch this... YOW!!
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------------------------------------------------
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I can't come to the phone now, so if, well, actually, I CAN come
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to the phone now, I mean, like, I'm at the phone NOW, recording
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this message, but I'm doing this NOW, while you're listening to
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it LATER, except for you I guess it's NOW, like, when you're
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listening to it... I mean, like, wait, gosh. This is so
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confusing.
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------------------------------------------------
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I can't come to the phone now, so... hey -- that's a nice phone
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you have there. Hey sugar, you call this number often? I bet
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you have answering machines bothering you all the time... yes
|
|
indeedy. Why don't you give me a call sometime and we can
|
|
listen to some old recordings... I might even play my beep for
|
|
you...
|
|
|
|
------------------------------------------------
|
|
Don't you do it! Don't you dare! I don't want to hear it!
|
|
Don't you beep! If you beep, I'll... don't even think about
|
|
it!... Don't...!
|
|
|
|
------------------------------------------------
|
|
After the tone, leave your name, number, and tell where you left
|
|
the money. I'll get back to you as soon as it's safe for you to
|
|
come out of hiding.
|
|
|
|
------------------------------------------------
|
|
Prepare for alpha test of Beep Software revision 1.05. Counting
|
|
down to test: 5... 4... 3... 2... 1...
|
|
|
|
------------------------------------------------
|
|
As the drugs take hold, you feel you are losing your grip on
|
|
reality. You begin to hallucinate. You see a telephone... the
|
|
telephone is next to an answering machine... you hear a faint
|
|
click and a light flashes on the answering machine... you hear
|
|
a beep...
|
|
|
|
------------------------------------------------
|
|
You're growing tired. Your eyelids are getting heavy. You feel
|
|
very sleepy now. You are gradually losing your willpower and
|
|
your ability to resist suggestions. When you hear the tone you
|
|
will feel helplessly compelled to leave your name, number, and a
|
|
message.
|
|
|
|
------------------------------------------------
|
|
No! NO! Not THAT! Anything but that! Not the beep! No!
|
|
Please! Not the beep! Anything but the beep!
|
|
AAAAIIIIEEEEEEEEEEEE!
|
|
------------------------------------------------
|
|
This is a test. This is a test of the Answering Machine
|
|
Broadcast System. This is only a test.
|
|
|
|
------------------------------------------------
|
|
Next on Public Radio 91 we'll be hearing music of Antonin
|
|
Dvorak. This is the Beep Serenade in C-Sharp Minor, Opus 72...
|
|
|
|
------------------------------------------------
|
|
[Sung to the tune of "Ride of the Valkyries"]
|
|
Leave a message... leave a message... etc.
|
|
|
|
------------------------------------------------
|
|
Thanks for calling Dial-A-Shrink. I can't come to the phone
|
|
right now, so after the tone, please leave your name and number,
|
|
then talk briefly about your childhood and tell me what comes to
|
|
mind when you hear the following words: orange... mother...
|
|
unicorn... penis. I'll get back to you with my diagnosis as
|
|
soon as possible.
|
|
|
|
------------------------------------------------
|
|
[For Shakespeare lovers only]
|
|
So long as phones can ring and eyes can see,
|
|
So leave a message, and I'll get back to thee.
|
|
|
|
------------------------------------------------
|
|
[VOICE 1] Answer the phone, please, Hal.
|
|
[VOICE 2] I'm sorry, Dave, I can't do that.
|
|
|
|
------------------------------------------------
|
|
I can't come to the phone right now because I'm down in the
|
|
basement printing up a fresh new batch of 20 dollar bills. If
|
|
you need any money, or if you just want to check out my
|
|
handiwork, please leave your name, number, and how much cash you
|
|
need after the tone. If you're from the Department of the
|
|
Treasury, please ignore this message.
|
|
|
|
------------------------------------------------
|
|
Thank you for calling the Confessional Hotline. Father Durway's
|
|
not here right now, but if you'll leave your name, number, and
|
|
confession at the tone, he'll get back to you with absolution as
|
|
soon as possible. And remember, confession doesn't count unless
|
|
you confess all of your sins in vivid, graphic detail!
|
|
|
|
------------------------------------------------
|
|
Andy Warhol said that one day everyone will be famous for 15
|
|
minutes. Well, your 15 minutes was last week, but since you
|
|
weren't ready, we gave it to Vanna White. Sorry.
|
|
|
|
------------------------------------------------
|
|
C'mon... you can do it... just a little one. That's the
|
|
way... just a little beep, just a little one. C'mon... good
|
|
boy... here we go... like this -- beeeeep, just a little one,
|
|
beeeeeeeeeep, c'mon... There you go!
|
|
|
|
------------------------------------------------
|
|
I can't come to the phone now because I have amnesia and I feel
|
|
stupid talking to people I don't remember. I'd appreciate it if
|
|
you could help me out by leaving my name and telling me
|
|
something about myself. Thanks.
|
|
|
|
------------------------------------------------
|
|
I can't come to the phone now because alien beings are eating my
|
|
brain. Leave a message anyway, and after the alien beings
|
|
assume my shape, one of them will get back to you.
|
|
|
|
------------------------------------------------
|
|
Thanks for calling Dial-An-Asshole. Right now, all our assholes
|
|
are busy. After the tone, leave your name and number, and we'll
|
|
have an asshole return your call as soon as possible.
|
|
|
|
------------------------------------------------
|
|
Ok, One more time...
|
|
This is our answering machine...
|
|
This is the message on our answering machine...
|
|
....Any questions?
|
|
|
|
------------------------------------------------
|
|
Hi, can I speak to Mark?...Oh, there isn't?...I'm sorry,
|
|
I must have dialed the wrong number.
|
|
|
|
------------------------------------------------
|
|
<beep, beep, beep>
|
|
The number you have reached,
|
|
Seven. Six. Seven. One. Two. Three. Four.
|
|
[Use your number here.]
|
|
has not been disconnected and is still in service.
|
|
Please leave a message at the sound of the tone.
|
|
|
|
------------------------------------------------
|
|
HANS: This is Hans
|
|
|
|
FRANZ: And this is Franz, and we just want to...
|
|
|
|
BOTH: Pump (CLAP) you up
|
|
|
|
HANS: But we are not at home, you know
|
|
|
|
FRANZ: Ya, we are gone
|
|
|
|
HANS: If you want us to...
|
|
|
|
BOTH: Pump (CLAP) you up
|
|
|
|
HANS: You will leave a message after the beep
|
|
|
|
FRANZ: If you don't leave a message, then you are Girlyman.
|
|
|
|
HANS: Ya, Girlyman. And we don't talk to Girlyman, you know
|
|
|
|
FRANZ: So leave a message and we will call to..
|
|
|
|
BOTH: Pump (CLAP) you up
|
|
|
|
------------------------------------------------
|
|
"Hello! This is 1-800-PRESLEY -- Yes! 1-800-PRESLEY!
|
|
|
|
They say the King died 10 years ago, but we know he's still out there
|
|
somewhere. So . . . leave your name and number and tell us where
|
|
*YOU* saw Elvis!"
|
|
|
|
------------------------------------------------
|
|
"Hi, you've reached 1-900-CALL-BREN, my personal message line where
|
|
you can talk to me, Bren. I'll tell you all about how I'm suffering
|
|
in between sports seasons and about my part time hobby of being a
|
|
power forward for the Portland Trailblazers. I'll tell my deepest
|
|
secrets, such as my desire to be kidnapped by short blonde sorority
|
|
girls wearing short jean skirts, and you can decide whether or not
|
|
I'm wearing pants. Selected callers will get to talk to me live.
|
|
Since you're not one of them, leave your own personal secret at the
|
|
beep. "
|
|
|
|
------------------------------------------------
|
|
In a vaguely phoneco-operator voice: "I'm sorry, you have reached an
|
|
imaginary number. Would you please rotate your telephone by ninety
|
|
degrees and try your call again."
|
|
|
|
A few people even got the joke...
|
|
|
|
------------------------------------------------
|
|
"You have just dialed into the North American Air Defense Contract Center.
|
|
Stand by at the tone to give coordinates and destination of incoming bogey.
|
|
TNR Surveillance will scramble. If you do not respond, this unit will assume
|
|
incoming, non-important."
|
|
|
|
------------------------------------------------
|
|
"Sherwood forest, which dear do you want?"
|
|
|
|
"Lucifer speaking, who in the hall do you want?"
|
|
|
|
"Heaven, God speaking."
|
|
|
|
"Bridge, Kirk here."
|
|
|
|
"City Morgue, you kill 'em, we chill 'em; You stab 'em, we slab 'em!"
|
|
|
|
------------------------------------------------
|
|
"Thank you for calling Soviet Embassy. No KG... Er, no diplomats are
|
|
able to answer phone, so at sound of capitalist tone, leave name,
|
|
telephone number, and short description of secrets you wish to sell."
|
|
|
|
------------------------------------------------
|
|
"I've set up my answering machine so that when anyone calls, they
|
|
here a busy signal."
|
|
|
|
------------------------------------------------
|
|
If you are a burgler, then we are probably at home but can't come
|
|
to the phone right now
|
|
Otherwise, we probably aren't at home.
|
|
|
|
------------------------------------------------
|
|
The number you've dialed is purely imaginary, multiply by i and dial again!
|
|
|
|
------------------------------------------------
|
|
This is you-know who.
|
|
We are you-know-where.
|
|
Leave your you-know-what you-know-when.
|
|
|
|
------------------------------------------------
|
|
" I'm Morley Safer."
|
|
"I'm Harry Reasoner."
|
|
"I'm ........
|
|
"And I'm" <the guy whose answering machine it was>
|
|
" We're not home; leave a message."
|
|
|
|
He had taped the audio of the beginning of 60 minutes; it sounded
|
|
very funny.
|
|
|
|
------------------------------------------------
|
|
"Greetings. You've reached Ghengis Kahn's Pornographic Films
|
|
Unlimited. Fabian, Pat, Rex and Mike are still conducting screen
|
|
tests with potential leading ladies to star opposite the late John
|
|
Holmes in our upcoming feature film "It's Not the Size That Counts but
|
|
Whether or Not You're Alive to Use It." If you're interested in a
|
|
screen test, or even if you're not, please leave us your name, age,
|
|
phone number, measurements, cup size, a brief summary of your work
|
|
experience, both off and on the screen, and a brief summary of your
|
|
favorite fantasy involving four men, a pair of handcuffs, and a tub of
|
|
Cool Whip. Thank you for calling."
|
|
|
|
------------------------------------------------
|
|
Another one I've done more than once is to slowly increase the pitch
|
|
and speed of my voice while recording the message to make it sound
|
|
like the machine is broken:
|
|
|
|
(start, low pitch, slow)
|
|
"Hhhhheeelllllloooooo thheeeerrrrrrre evvvvveerrrryyyboooodyyyy....
|
|
|
|
(middle, normal)
|
|
...home of Veronica, Jaw-Chyi, Mark and Mike. Nobody's home...
|
|
|
|
(later, high pitch, fast)
|
|
...butifyou'dliketoleaveamessageafterthetonethen...
|
|
|
|
(end, incomprehensible chipmunk gibberish)
|
|
...kkfjdkeirucjkljfkldjrioutjkjfdskoreudjfkleqBEEP!"
|
|
|
|
------------------------------------------------
|
|
This is not an answering machine -- this is a telepathic
|
|
thought-recording device. After the tone, think about your
|
|
name, your reason for calling, and a number where I can reach
|
|
you, and I'll think about returning your call.
|
|
|
|
------------------------------------------------
|
|
"E'llo."
|
|
"My name is Inigo Montonya."
|
|
"You killed my father."
|
|
"Leave your name and number, and prepare to die."
|
|
<beep>
|
|
|
|
------------------------------------------------
|
|
My favorite that I have heard as an answering machine message is also
|
|
>from this movie. My friend recorded the section that goes something
|
|
like:
|
|
|
|
"I'm writing the definative work on pain, and I would like you
|
|
to tell me how the machine makes you feel. Remember, be honest. This
|
|
is for posterity."
|
|
|
|
------------------------------------------------
|
|
The message I currently have on my recorder is the output from my Amiga's
|
|
speech sythesizer. It's set up as a dialog between two distict, but
|
|
recognizably artificial voices. I thought it sort of mediocre myself, but
|
|
have gotten quite a number of amused comments about it.
|
|
-----
|
|
1> Hello, there are no real people here to answer the phone right now.
|
|
|
|
2> Yeah, nobody but us machines!
|
|
|
|
1> Right, just us machines, but don't hang up! If you like, you can leave
|
|
your name and telephone number...
|
|
|
|
2> ...and a message! You forgot about the message!
|
|
|
|
1> Right. Leave your name, telephone number, and a brief message after you
|
|
hear the beep, and we will keep track of this stuff until the real people
|
|
get back.
|
|
|
|
2> ...unless of course, sombody pulls out our plug!
|
|
|
|
------------------------------------------------
|
|
I taped theoperator saying "we're sorry. The number you have reached
|
|
has been disconnected or is no longer is service..."
|
|
|
|
------------------------------------------------
|
|
From Halloween this year:
|
|
|
|
(Ominous electronic background music.)
|
|
|
|
Hi, this is Jim. In honor of Halloween, I'm about to perform
|
|
an unspeakable pagan ritual. So please leave a message. Oh,
|
|
unless you're a virgin, in which case, why don't you stop by?
|
|
SINT MIHI DEI ACHERONTIS PROPITII...
|
|
|
|
------------------------------------------------
|
|
|
|
(French monologue in the background)
|
|
|
|
Around the world today, millions still speak French as either
|
|
a first or second language. But with your continued support
|
|
and help, we can wipe out French in our lifetime. Please leave
|
|
a message in English at the tone, and remember, if someone
|
|
tries to speak French to you, just say, "non".
|
|
|
|
------------------------------------------------
|
|
|
|
Hi, this is Jim. Welcome to my Fun Phone Line, where you can
|
|
talk to my answering machine for only $.95 per minute! Please
|
|
leave your credit card number at the tone...
|
|
|
|
------------------------------------------------
|
|
|
|
Hi, this is Jim. Thanks for calling during my spring pledge
|
|
drive. A basic membership is only $30, and a $60 pledge gets
|
|
you an "I love Jim Shea" T-shirt. Please wait for the tone,
|
|
and thank you for your pledge.
|
|
|
|
------------------------------------------------
|
|
|
|
(click) "You have reached the CPX-2000 Voice Blackmail System. Your
|
|
voice patterns are now being digitally encoded and stored for
|
|
later use. Once this is done, our computers will be able to
|
|
use the sound of _your_ voice for literally thousands of illegal
|
|
and immoral purposes. There is no charge for this initial
|
|
consultation, however our staff of professional extortionists
|
|
will be contacting you in the near future to further explain the
|
|
benefits of our service, and to arrange for your schedule of
|
|
payment. Remember to speak clearly at the sound of the tone.
|
|
Thank you." (BEEEEEEEEEEEP)
|
|
|
|
==================
|
|
PHONE ANNECDOTES:
|
|
==================
|
|
|
|
>From bateman@Iago.Caltech.Edu Tue May 1 12:52:59 1990
|
|
|
|
Message: Hi this is Craig's car phone. Craig's at home now, so you can try
|
|
calling him there or leave a message after the beep.
|
|
|
|
Caller's message: Hmmm. Car phone!?! I'll call back later when your out.
|
|
|
|
-Koris Goudonov
|
|
------------------------------------
|
|
|
|
Every now and then we are all pestered by these high-tech telemarketing
|
|
companies where the sales pitch is usually disguised as a survey of some kind.
|
|
The despicable thing about these things is that they won't leave you
|
|
alone. If you hang up, they will just call back again.
|
|
|
|
One day my wife got a call from one of these computer systems, and her
|
|
answering machine answered. The conversation that followed was
|
|
hilarious, as it consisted of two machines talking to each other
|
|
without having the slightest idea about what each other was saying.
|
|
The conversation wound up in an endless loop, as follows:
|
|
|
|
[PHONE] *RING*
|
|
|
|
[ANSWERING MACHINE] "...At the tone, please give your message.
|
|
BEEEEEP."
|
|
|
|
[PHONE] "Hello. This is [company_name], and we are taking a telephone
|
|
survey ... when I ask a question, wait for the beep, then please
|
|
speak plainly. I will repeat your answer back to you, and verify it.
|
|
First, what is your phone number? BEEEEEEEEEEEEEP."
|
|
|
|
(The answering machine, upon hearing the beep, got confused and thought
|
|
|
|
it was a play-back command, and generated another beep in response.)
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] "Thank you! Your phone number was 443-28347-47756-377764-22222.
|
|
Is that correct? BEEEEEEEEEEEEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] "Thank you! Do you have any children? BEEEEEEEEEEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] Thank you! What is the age of your first child? BEEEEEEEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] "Your first child is 1,222 years old. Is that correct?
|
|
BEEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[--------------- BEGIN ENDLESS LOOP ----------------]
|
|
|
|
[PHONE] "Thank you! Do you have any more children? BEEEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] "Thank you! What is this child's age? BEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[PHONE] "This child is 4,233 years old. Is that correct? BEEEEP."
|
|
|
|
[ANSWERING MACHINE] "BEEEEEEEEEEEEEEEP."
|
|
|
|
[---------------------END LOOP -----------------------]
|
|
|
|
My wife, upon noticing that the answering machine had been going for
|
|
over half an hour, turned up the volume to find out what was going on.
|
|
When she discovered this endless loop (by now she had over 200 children,
|
|
all over 1,000 years old), she switched off the answering machine. The
|
|
computer never called again.
|
|
|
|
----------------------------------------------------
|
|
I had a friend who liked to play with the phones. He got his girlfriend
|
|
to sound like an operator and make a tape saying:
|
|
"I'm sorry, the number that has dialed you is not in service. Will
|
|
you please hang up and let it dial again...<crackle> I'm sorry, the..."
|
|
He had a lot of fun calling people up and playing it.
|
|
|
|
----------------------------------------------------
|
|
I once answered the phone as follows.
|
|
" San Luis Obispo Police, Sergeant McCallahan here, may I help you?"
|
|
After about five seconds of dead air, I heard a click. About five minutes
|
|
later, the phone rang again. This time my roomate answered. It was the same
|
|
person that had called a few minutes earlier. It turned out that the long
|
|
delay between calls was due to the fact that he had to mooch a quarter for his
|
|
next call. He was at a public phone booth and had used his last quarter to
|
|
call us. I don't think he talked civil to me for a week...
|
|
|
|
----------------------------------------------------
|
|
My grandmother had been bothered by calls coming in after midnight,
|
|
waking her, and forcing her out of bed and across the house to answer.
|
|
Invariably, they were from the same man, seemingly slightly intoxicated,
|
|
with bar-crowd noises in the background. He wanted to speak to Peggy,
|
|
whoever that was, and my grand mother would tell him there was no Peggy
|
|
living there, and that he must have the wrong number. But he wouldn't
|
|
believe her, and kept insisting, begging, pleading, etc. to talk to
|
|
Peggy. My Grandmother would have to just hang up finally.
|
|
This went on for a few days, and late one night, when the phone rang,
|
|
my Grandfather held back his wife, and said, "I'll take care of this", and
|
|
got out of bed to answer the phone. The ensuing conversation was short and
|
|
quick, and went something like this:
|
|
"Hello?"
|
|
"Hello, Can I speak to Peggy?"
|
|
"No, I'm sorry, she can't come to the phone right now-- she's nursing
|
|
the baby."
|
|
|
|
----------------------------------------------------
|
|
Here's my favorite, for calling large offices and idiots-in-general:
|
|
"Hello, is this the person to whom I am speaking?"
|
|
|
|
----------------------------------------------------
|
|
My solution is upon realizing that I'm talking with a "telemarketing
|
|
representative", I ask: "Are you a telemarketer?" The answer
|
|
(suprisingly) is usually yes. I then go into a sales pitch to
|
|
sell a (nonexistant) telephone ear-cusion.
|
|
I insist that every telemarketer must have one for safety and comfort.
|
|
Eventually, they'll forget to try selling me anything.
|
|
|
|
----------------------------------------------------
|
|
A recent posting by Duke McMullan requested ways to repel telephone
|
|
solicitors. My friend Pepe Tres from Texas told me this one and gave
|
|
permission to post it:
|
|
"My time is billed at $125 per hour. To continue this
|
|
conversation, I must have your MasterCard or Visa number, card
|
|
type and date of expiration."
|
|
Pepe says it usually leaves them speechless. One guy replied, "Hey,
|
|
that's good; I'll have to remember it." Once a supervisor of
|
|
telephone solicitors called back and asked him if he was "some kind of
|
|
high-powered lawyer."
|
|
----------------------------------------------------
|
|
|
|
Everybody gets and dials wrong numbers. It's good to be nice about it. What
|
|
goes around comes around, right? so, I try to reassure the apologetic and
|
|
embarrassed wrong dialers that will actually converse once the error is
|
|
discovered, with it going something like this:
|
|
|
|
caller w. wrong number: "Gee, I'm sorry..."
|
|
me: "That's OK, I was going to pick up the phone anyway.."
|
|
|
|
----------------------------------------------------
|
|
How about the 'Fraudian Slip Answer'? Like this:
|
|
|
|
<Whoever> here. What can I do to-----I MEAN-----FOR you?
|
|
|
|
----------------------------------------------------
|
|
Try the following next time the phone rings:
|
|
|
|
You (when you answer): Hello, is Jimmy there?
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Caller: No, I'm afraid you have a wrong number.
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You: Oh. Sorry.
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Caller: No problem... (click)
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