6696 lines
297 KiB
Plaintext
6696 lines
297 KiB
Plaintext
|
|
THE CHRONICLES OF CLOVIS by SAKI (H. H. MUNRO)
|
|
|
|
[obi/H.H.Munro/Chronicles.of.Clovis]
|
|
This text is in the Public Domain.
|
|
|
|
Text prepared in May 1993 by
|
|
|
|
Anders Thulin
|
|
ath@linkoping.trab.se
|
|
|
|
Esm<e'>
|
|
The Match-Maker
|
|
Tobermory
|
|
Mrs. Packletide's Tiger
|
|
The Stampeding of Lady Bastable
|
|
The Background
|
|
Hermann the Irascible
|
|
The Unrest-Cure
|
|
The Jesting of Arlington Stringham
|
|
Sredni Vashtar
|
|
Adrian
|
|
The Chaplet
|
|
The Quest
|
|
Wratislav
|
|
The Easter Egg
|
|
Filboid Studge
|
|
The Music on the Hill
|
|
The Story of St. Vespaluus
|
|
The Way to the Dairy
|
|
The Peace Offering
|
|
The Peace of Mowsle Barton
|
|
The Talking-out of Tarrington
|
|
The Hounds of fate
|
|
The Recessional
|
|
A Matter of Sentiment
|
|
The Secret Sin of Septimus Brope
|
|
``Ministers of Grace''
|
|
The Remoulding of Groby Lington
|
|
|
|
ESM<E'>
|
|
|
|
``All hunting stories are the same,'' said Clovis; ``just
|
|
as all Turf stories are the same, and all---''
|
|
|
|
``My hunting story isn't a bit like any you've ever
|
|
heard,'' said the Baroness. ``It happened quite a while
|
|
ago, when I was about twenty-three. I wasn't living apart
|
|
from my husband then; you see, neither of us could afford to
|
|
make the other a separate allowance. In spite of everything
|
|
that proverbs may say, poverty keeps together more homes
|
|
than it breaks up. But we always hunted with different
|
|
packs. All this has nothing to do with the story.''
|
|
|
|
``We haven't arrived at the meet yet. I suppose there was
|
|
a meet,'' said Clovis.
|
|
|
|
``Of course there was a meet,'' said the Baroness; ``all
|
|
the usual crowd were there, especially Constance Broddle.
|
|
Constance is one of those strapping florid girls that go so
|
|
well with autumn scenery or Christmas decorations in church.
|
|
`I feel a presentiment that something dreadful is going to
|
|
happen,' she said to me; `am I looking pale?'
|
|
|
|
``She was looking about as pale as a beetroot that has
|
|
suddenly heard bad news.
|
|
|
|
`` `You're looking nicer than usual,' I said, `but that's
|
|
so easy for you.' Before she had got the right bearings of
|
|
this remark we had settled down to business; hounds had
|
|
found a fox lying out in some gorse-bushes.''
|
|
|
|
``I knew it,'' said Clovis; ``in every fox-hunting story
|
|
that I've ever heard there's been a fox and some
|
|
gorse-bushes.''
|
|
|
|
``Constance and I were well mounted,'' continued the
|
|
Baroness serenely, ``and we had no difficulty in keeping
|
|
ourselves in the first flight, though it was a fairly stiff
|
|
run. Towards the finish, however, we must have held rather
|
|
too independent a line, for we lost the hounds, and found
|
|
ourselves plodding aimlessly along miles away from anywhere.
|
|
It was fairly exasperating, and my temper was beginning to
|
|
let itself go by inches, when on pushing our way through an
|
|
accommodating hedge we were gladdened by the sight of hounds
|
|
in full cry in a hollow just beneath us.
|
|
|
|
`` `There they go,' cried Constance, and then added in a
|
|
gasp, 'In Heaven's name, what are they hunting?'
|
|
|
|
``It was certainly no mortal fox. It stood more than
|
|
twice as high, had a short, ugly head, and an enormous thick
|
|
neck.
|
|
|
|
`` `It's a hy<ae>na,' I cried; `it must have escaped from
|
|
Lord Pabham's Park.'
|
|
|
|
``At that moment the hunted beast turned and faced its
|
|
pursuers, and the hounds (there were only about six couple
|
|
of them) stood round in a half-circle and looked foolish.
|
|
Evidently they had broken away from the rest of the pack on
|
|
the trail of this alien scent, and were not quite sure how
|
|
to treat their quarry now they had got him.
|
|
|
|
``The hy<ae>na hailed our approach with unmistakable
|
|
relief and demonstrations of friendliness. It had probably
|
|
been accustomed to uniform kindness from humans, while its
|
|
first experience of a pack of hounds had left a bad
|
|
impression. The hounds looked more than ever embarrassed as
|
|
their quarry paraded its sudden intimacy with us, and the
|
|
faint toot of a horn in the distance was seized on as a
|
|
welcome signal for unobtrusive departure. Constance and I
|
|
and the hy<ae>na were left alone in the gathering twilight.
|
|
|
|
`` `What are we to do?' asked Constance.
|
|
|
|
`` `What a person you are for questions,' I said.
|
|
|
|
`` `Well, we can't stay here all night with a hy<ae>na,'
|
|
she retorted.
|
|
|
|
`` `I don't know what your ideas of comfort are,' I said;
|
|
`but I shouldn't think of staying here all night even
|
|
without a hy<ae>na. My home may be an unhappy one, but at
|
|
least it has hot and cold water laid on, and domestic
|
|
service, and other conveniences which we shouldn't find
|
|
here. We had better make for that ridge of trees to the
|
|
right; I imagine the Crowley road is just beyond.'
|
|
|
|
``We trotted off slowly along a faintly marked cart-track,
|
|
with the beast following cheerfully at our heels.
|
|
|
|
`` `What on earth are we to do with the hy<ae>na?' came
|
|
the inevitable question.
|
|
|
|
`` `What does one generally do with hy<ae>nas?' I asked
|
|
crossly.
|
|
|
|
`` `I've never had anything to do with one before,' said
|
|
Constance.
|
|
|
|
`` `Well, neither have I. If we even knew its sex we might
|
|
give it a name. Perhaps we might call it Esm<e'>. That
|
|
would do in either case.
|
|
|
|
``There was still sufficient daylight for us to
|
|
distinguish wayside objects, and our listless spirits gave
|
|
an upward perk as we came upon a small half-naked gipsy brat
|
|
picking blackberries from a low-growing bush. The sudden
|
|
apparition of two horsewomen and a hy<ae>na set it off
|
|
crying, and in any case we should scarcely have gleaned any
|
|
useful geographical information from that source; but there
|
|
was a probability that we might strike a gipsy encampment
|
|
somewhere along our route. We rode on hopefully but
|
|
uneventfully for another mile or so.
|
|
|
|
`` `I wonder what the child was doing there,' said
|
|
Constance presently.
|
|
|
|
`` `Picking blackberries. Obviously.'
|
|
|
|
`` `I don't like the way it cried,' pursued Constance;
|
|
`somehow its wail keeps ringing in my ears.'
|
|
|
|
``I did not chide Constance for her morbid fancies; as a
|
|
matter of fact the same sensation, of being pursued by a
|
|
persistent fretful wail, had been forcing itself on my
|
|
rather over-tired nerves. For company's sake I hulloed to
|
|
Esm<e'>, who had lagged somewhat behind. With a few springy
|
|
bounds he drew up level, and then shot past us.
|
|
|
|
``The wailing accompaniment was explained. The gipsy
|
|
child was firmly, and I expect painfully, held in his jaws.
|
|
|
|
`` `Merciful Heaven!' screamed Constance, `what on earth
|
|
shall we do? What are we to do?'
|
|
|
|
``I am perfectly certain that at the Last Judgment
|
|
Constance will ask more questions than any of the examining
|
|
Seraphs.
|
|
|
|
`` `Can't we do something?' she persisted tearfully, as
|
|
Esm<e'> cantered easily along in front of our tired horses.
|
|
|
|
``Personally I was doing everything that occurred to me at
|
|
the moment. I stormed and scolded and coaxed in English and
|
|
French and gamekeeper language; I made absurd, ineffectual
|
|
cuts in the air with my thongless hunting-crop; I hurled my
|
|
sandwich case at the brute; in fact, I really don't know
|
|
what more I could have done. And still we lumbered on
|
|
through the deepening dusk, with that dark uncouth shape
|
|
lumbering ahead of us, and a drone of lugubrious music
|
|
floating in our ears. Suddenly Esm<e'> bounded aside into
|
|
some thick bushes, where we could not follow; the wail rose
|
|
to a shriek and then stopped altogether. This part of the
|
|
story I always hurry over, because it is really rather
|
|
horrible. When the beast joined us again, after an absence
|
|
of a few minutes, there was an air of patient understanding
|
|
about him, as though he knew that he had done something of
|
|
which we disapproved, but which he felt to be thoroughly
|
|
justifiable.
|
|
|
|
`` `How can you let that ravening beast trot by your
|
|
side?' asked Constance. She was looking more than ever like
|
|
an albino beetroot.
|
|
|
|
`` `In the first place, I can't prevent it,' I said; `and
|
|
in the second place, whatever else he may be, I doubt if
|
|
he's ravening at the present moment.'
|
|
|
|
``Constance shuddered. `Do you think the poor little
|
|
thing suffered much?' came another of her futile questions.
|
|
|
|
`` `The indications were all that way,' I said; `on the
|
|
other hand, of course, it may have been crying from sheer
|
|
temper. Children sometimes do.'
|
|
|
|
``It was nearly pitch-dark when we emerged suddenly into
|
|
the high road. A flash of lights and the whir of a motor
|
|
went past us at the same moment at uncomfortably close
|
|
quarters. A thud and a sharp screeching yell followed a
|
|
second later. The car drew up, and when I had ridden back
|
|
to the spot I found a young man bending over a dark
|
|
motionless mass lying by the roadside.
|
|
|
|
`` `You have killed my Esm<e'>,' I exclaimed bitterly.
|
|
|
|
`` `I'm so awfully sorry,' said the young man; `I keep
|
|
dogs myself, so I know what you must feel about it. I'll do
|
|
anything I can in reparation.'
|
|
|
|
`` `Please bury him at once,' I said; `that much I think I
|
|
may ask of you.
|
|
|
|
`` `Bring the spade, William,' he called to the chauffeur.
|
|
Evidently hasty roadside interments were contingencies that
|
|
had been provided against.
|
|
|
|
``The digging of a sufficiently large grave took some
|
|
little time. `I say, what a magnificent fellow,' said the
|
|
motorist as the corpse was rolled over into the trench.
|
|
`I'm afraid he must have been rather a valuable animal.'
|
|
|
|
`` `He took second in the puppy class at Birmingham last
|
|
year,' I said resolutely.
|
|
|
|
Constance snorted loudly.
|
|
|
|
`` `Don't cry, dear,' I said brokenly; `it was all over in
|
|
a moment. He couldn't have suffered much.'
|
|
|
|
`` `Look here,' said the young fellow desperately, `you
|
|
simply must let me do something by way of reparation.'
|
|
|
|
``I refused sweetly, but as he persisted I let him have my
|
|
address.
|
|
|
|
``Of course, we kept our own counsel as to the earlier
|
|
episodes of the evening. Lord Pabham never advertised the
|
|
loss of his hy<ae>na; when a strictly fruit-eating animal
|
|
strayed from his park a year or two previously he was called
|
|
upon to give compensation in eleven cases of sheep-worrying
|
|
and practically to re-stock his neighbours' poultry-yards,
|
|
and an escaped hy<ae>na would have mounted up to something
|
|
on the scale of a Government grant. The gipsies were
|
|
equally unobtrusive over their missing offspring; I don't
|
|
suppose in large encampments they really know to a child or
|
|
two how many they've got.''
|
|
|
|
The Baroness paused reflectively, and then continued:
|
|
|
|
``There was a sequel to the adventure, though. I got
|
|
through the post a charming little diamond broach, with the
|
|
name Esm<e'> set in a sprig of rosemary. Incidentally, too,
|
|
I lost the friendship of Constance Broddle. You see, when I
|
|
sold the brooch I quite properly refused to give her any
|
|
share of the proceeds. I pointed out that the Esm<e'> part
|
|
of the affair was my own invention, and the hy<ae>na part of
|
|
it belonged to Lord Pabham, if it really was his hy<ae>na,
|
|
of which, of course, I've no proof.''
|
|
|
|
THE MATCH-MAKER
|
|
|
|
The grill-room clock struck eleven with the respectful
|
|
unobtrusiveness of one whose mission in life is to be
|
|
ignored. When the flight of time should really have
|
|
rendered abstinence and migration imperative the lighting
|
|
apparatus would signal the fact in the usual way.
|
|
|
|
Six minutes later Clovis approached the supper-table, in
|
|
the blessed expectancy of one who has dined sketchily and
|
|
long ago.
|
|
|
|
``I'm starving,'' he announced, making an effort to sit
|
|
down gracefully and read the menu at the same time.
|
|
|
|
``So I gathered,'' said his host, ``from the fact that you
|
|
were nearly punctual. I ought to have told you that I'm a
|
|
Food Reformer. I've ordered two bowls of bread-and-milk and
|
|
some health biscuits. I hope you don't mind.''
|
|
|
|
Clovis pretended afterwards that he didn't go white above
|
|
the collar-line for the fraction of a second.
|
|
|
|
``All the same,'' he said, ``you ought not to joke about
|
|
such things. There really are such people. I've known
|
|
people who've met them. To think of all the adorable things
|
|
there are to eat in the world, and then to go through life
|
|
munching sawdust and being proud of it.''
|
|
|
|
``They're like the Flagellants of the Middle Ages, who
|
|
went about mortifying themselves.''
|
|
|
|
``They had some excuse,'' said Clovis. ``They did it to
|
|
save their immortal souls, didn't they? You needn't tell me
|
|
that a man who doesn't love oysters and asparagus and good
|
|
wines has got a soul, or a stomach either. He's simply got
|
|
the instinct for being unhappy highly developed.''
|
|
|
|
Clovis relapsed for a few golden moments into tender
|
|
intimacies with a succession of rapidly disappearing
|
|
oysters.
|
|
|
|
``I think oysters are more beautiful than any religion,''
|
|
he resumed presently. ``They not only forgive our
|
|
unkindness to them; they justify it, they incite us to go on
|
|
being perfectly horrid to them. Once they arrive at the
|
|
supper-table they seem to enter thoroughly into the spirit
|
|
of the thing. There's nothing in Christianity or Buddhism
|
|
that quite matches the sympathetic unselfishness of an
|
|
oyster. Do you like my new waistcoat? I'm wearing it for
|
|
the first time tonight.''
|
|
|
|
``It looks like a great many others you've had lately,
|
|
only worse. New dinner waistcoats are becoming a habit with
|
|
you.''
|
|
|
|
``They say one always pays for the excesses of one's
|
|
youth; mercifully that isn't true about one's clothes. My
|
|
mother is thinking of getting married.''
|
|
|
|
``Again!''
|
|
|
|
``It's the first time.''
|
|
|
|
``Of course, you ought to know. I was under the
|
|
impression that she'd been married once or twice at least.''
|
|
|
|
``Three times, to be mathematically exact. I meant that
|
|
it was the first time she'd thought about getting married;
|
|
the other times she did it without thinking. As a matter of
|
|
fact, it's really I who am doing the thinking for her in
|
|
this case. You see, it's quite two years since her last
|
|
husband died.''
|
|
|
|
``You evidently think that brevity is the soul of
|
|
widowhood.''
|
|
|
|
``Well, it struck me that she was getting moped, and
|
|
beginning to settle down, which wouldn't suit her a bit.
|
|
The first symptom that I noticed was when she began to
|
|
complain that we were living beyond our income. All decent
|
|
people live beyond their incomes nowadays, and those who
|
|
aren't respectable live beyond other people's. A few gifted
|
|
individuals manage to do both.''
|
|
|
|
``It's hardly so much a gift as an industry.''
|
|
|
|
``The crisis came,'' returned Clovis, ``when she suddenly
|
|
started the theory that late hours were bad for one, and
|
|
wanted me to be in by one o'clock every night. Imagine that
|
|
sort of thing for me, who was eighteen on my last
|
|
birthday.''
|
|
|
|
``On your last two birthdays, to be mathematically
|
|
exact.''
|
|
|
|
``Oh, well, that's not my fault. I'm not going to arrive
|
|
at nineteen as long as my mother remains at thirty-seven.
|
|
One must have some regard for appearances.''
|
|
|
|
``Perhaps your mother would age a little in the process of
|
|
settling down.''
|
|
|
|
``That's the last thing she'd think of. Feminine
|
|
reformations always start in on the failings of other
|
|
people. That's why I was so keen on the husband idea.''
|
|
|
|
``Did you go as far as to select the gentleman, or did you
|
|
merely throw out a general idea, and trust to the force of
|
|
suggestion?''
|
|
|
|
``If one wants a thing done in a hurry one must see to it
|
|
oneself. I found a military Johnny hanging round on a loose
|
|
end at the club, and took him home to lunch once or twice.
|
|
He'd spent most of his life on the Indian frontier, building
|
|
roads, and relieving famines and minimizing earthquakes, and
|
|
all that sort of thing that one does do on frontiers. He
|
|
could talk sense to a peevish cobra in fifteen native
|
|
languages, and probably knew what to do if you found a rogue
|
|
elephant on your croquet-lawn; but he was shy and diffident
|
|
with women. I told my mother privately that he was an
|
|
absolute woman-hater; so, of course, she laid herself out to
|
|
flirt all she knew, which isn't a little.''
|
|
|
|
``And was the gentleman responsive?''
|
|
|
|
``I hear he told some one at the club that he was looking
|
|
out for a Colonial job, with plenty of hard work, for a
|
|
young friend of his, so I gather that he has some idea of
|
|
marrying into the family.''
|
|
|
|
``You seem destined to be the victim of the reformation,
|
|
after all.''
|
|
|
|
Clovis wiped the trace of Turkish coffee and the beginnings
|
|
of a smile from his lips, and slowly lowered his dexter
|
|
eyelid. Which, being interpreted, probably meant, ``I don't
|
|
think!''
|
|
|
|
TOBERMORY
|
|
|
|
It was a chill, rain-washed afternoon of a late August
|
|
day, that indefinite season when partridges are still in
|
|
security or cold storage, and there is nothing to
|
|
hunt---unless one is bounded on the north by the Bristol
|
|
Channel, in which case one may lawfully gallop after fat red
|
|
stags. Lady Blemley's house-party was not bounded on the
|
|
north by the Bristol Channel, hence there was a full
|
|
gathering of her guests round the tea-table on this
|
|
particular afternoon. And, in spite of the blankness of the
|
|
season and the triteness of the occasion, there was no trace
|
|
in the company of that fatigued restlessness which means a
|
|
dread of the pianola and a subdued hankering for auction
|
|
bridge. The undisguised open-mouthed attention of the
|
|
entire party was fixed on the homely negative personality of
|
|
Mr. Cornelius Appin. Of all her guests, he was the one who
|
|
had come to Lady Blemley with the vaguest reputation. Some
|
|
one had said he was ``clever,'' and he had got his
|
|
invitation in the moderate expectation, on the part of his
|
|
hostess, that some portion at least of his cleverness would
|
|
be contributed to the general entertainment. Until tea-time
|
|
that day she had been unable to discover in what direction,
|
|
if any, his cleverness lay. He was neither a wit nor a
|
|
croquet champion, a hypnotic force nor a begetter of amateur
|
|
theatricals. Neither did his exterior suggest the sort of
|
|
man in whom women are willing to pardon a generous measure
|
|
of mental deficiency. He had subsided into mere Mr. Appin,
|
|
and the Cornelius seemed a piece of transparent baptismal
|
|
bluff. And now he was claiming to have launched on the
|
|
world a discovery beside which the invention of gunpowder,
|
|
of the printing-press, and of steam locomotion were
|
|
inconsiderable trifles. Science had made bewildering
|
|
strides in many directions during recent decades, but this
|
|
thing seemed to belong to the domain of miracle rather than
|
|
to scientific achievement.
|
|
|
|
``And do you really ask us to believe,'' Sir Wilfrid was
|
|
saying, ``that you have discovered a means for instructing
|
|
animals in the art of human speech, and that dear old
|
|
Tobermory has proved your first successful pupil?''
|
|
|
|
``It is a problem at which I have worked for the last
|
|
seventeen years,'' said Mr. Appin, ``but only during the
|
|
last eight or nine months have I been rewarded with
|
|
glimmerings of success. Of course I have experimented with
|
|
thousands of animals, but latterly only with cats, those
|
|
wonderful creatures which have assimilated themselves so
|
|
marvellously with our civilization while retaining all their
|
|
highly developed feral instincts. Here and there among cats
|
|
one comes across an outstanding superior intellect, just as
|
|
one does among the ruck of human beings, and when I made the
|
|
acquaintance of Tobermory a week ago I saw at once that I
|
|
was in contact with a `Beyond-cat' of extraordinary
|
|
intelligence. I had gone far along the road to success in
|
|
recent experiments; with Tobermory, as you call him, I have
|
|
reached the goal.''
|
|
|
|
Mr. Appin concluded his remarkable statement in a voice
|
|
which he strove to divest of a triumphant inflection. No
|
|
one said ``Rats,'' though Clovis's lips moved in a
|
|
monosyllabic contortion which probably invoked those rodents
|
|
of disbelief.
|
|
|
|
``And do you mean to say,'' asked Miss Resker, after a
|
|
slight pause, ``that you have taught Tobermory to say and
|
|
understand easy sentences of one syllable?''
|
|
|
|
``My dear Miss Resker,'' said the wonder-worker patiently,
|
|
``one teaches little children and savages and backward
|
|
adults in that piecemeal fashion; when one has once solved
|
|
the problem of making a beginning with an animal of highly
|
|
developed intelligence one has no need for those halting
|
|
methods. Tobermory can speak our language with perfect
|
|
correctness.''
|
|
|
|
This time Clovis very distinctly said, ``Beyond-rats!''
|
|
Sir Wilfrid was more polite, but equally sceptical.
|
|
|
|
``Hadn't we better have the cat in and judge for
|
|
ourselves?'' suggested Lady Blemley.
|
|
|
|
Sir Wilfrid went in search of the animal, and the company
|
|
settled themselves down to the languid expectation of
|
|
witnessing some more or less adroit drawing-room
|
|
ventriloquism.
|
|
|
|
In a minute Sir Wilfrid was back in the room, his face
|
|
white beneath its tan and his eyes dilated with excitement.
|
|
``By Gad, it's true!''
|
|
|
|
His agitation was unmistakably genuine, and his hearers
|
|
started forward in a thrill of awakened interest.
|
|
|
|
Collapsing into an armchair he continued breathlessly: ``I
|
|
found him dozing in the smoking-room and called out to him
|
|
to come for his tea. He blinked at me in his usual way, and
|
|
I said, `Come on, Toby; don't keep us waiting'; and, by Gad!
|
|
he drawled out in a most horribly natural voice that he'd
|
|
come when he dashed well pleased! I nearly jumped out of my
|
|
skin!''
|
|
|
|
Appin had preached to absolutely incredulous hearers; Sir
|
|
Wilfred's statement carried instant conviction. A
|
|
Babel-like chorus of startled exclamation arose, amid which
|
|
the scientist sat mutely enjoying the first fruit of his
|
|
stupendous discovery.
|
|
|
|
In the midst of the clamour Tobermory entered the room and
|
|
made his way with velvet tread and studied unconcern across
|
|
to the group seated round the tea-table.
|
|
|
|
A sudden hush of awkwardness and constraint fell on the
|
|
company. Somehow there seemed an element of embarrassment
|
|
in addressing on equal terms a domestic cat of acknowledged
|
|
mental ability.
|
|
|
|
``Will you have some milk, Tobermory?'' asked Lady Blemley
|
|
in a rather strained voice.
|
|
|
|
``I don't mind if I do,'' was the response, couched in a
|
|
tone of even indifference. A shiver of suppressed
|
|
excitement went through the listeners, and Lady Blemley
|
|
might be excused for pouring out the saucerful of milk
|
|
rather unsteadily.
|
|
|
|
``I'm afraid I've spilt a good deal of it,'' she said
|
|
apologetically.
|
|
|
|
``After all, it's not my Axminster,'' was Tobermory's
|
|
rejoinder.
|
|
|
|
Another silence fell on the group, and then Miss Resker,
|
|
in her best district-visitor manner, asked if the human
|
|
language had been difficult to learn. Tobermory looked
|
|
squarely at her for a moment and then fixed his gaze
|
|
serenely on the middle distance. It was obvious that boring
|
|
questions lay outside his scheme of life.
|
|
|
|
``What do you think of human intelligence?'' asked Mavis
|
|
Pellington lamely.
|
|
|
|
``Of whose intelligence in particular?'' asked Tobermory
|
|
coldly.
|
|
|
|
``Oh, well, mine for instance,'' said Mavis, with a feeble
|
|
laugh.
|
|
|
|
``You put me in an embarrassing position,'' said
|
|
Tobermory, whose tone and attitude certainly did not suggest
|
|
a shred of embarrassment. ``When your inclusion in this
|
|
house-party was suggested Sir Wilfrid protested that you
|
|
were the most brainless woman of his acquaintance, and that
|
|
there was a wide distinction between hospitality and the
|
|
care of the feeble-minded. Lady Blemley replied that your
|
|
lack of brain-power was the precise quality which had earned
|
|
you your invitation, as you were the only person she could
|
|
think of who might be idiotic enough to buy their old car.
|
|
You know, the one they call `The Envy of Sisyphus,' because
|
|
it goes quite nicely up-hill if you push it.''
|
|
|
|
Lady Blemley's protestations would have had greater effect
|
|
if she had not casually suggested to Mavis only that morning
|
|
that the car in question would be just the thing for her
|
|
down at her Devonshire home.
|
|
|
|
Major Barfield plunged in heavily to effect a diversion.
|
|
|
|
``How about your carryings-on with the tortoise-shell puss
|
|
up at the stables, eh?''
|
|
|
|
The moment he had said it every one realized the blunder.
|
|
|
|
``One does not usually discuss these matters in public,''
|
|
said Tobermory frigidly. ``From a slight observation of
|
|
your ways since you've been in this house I should imagine
|
|
you'd find it inconvenient if I were to shift the
|
|
conversation on to your own little affairs.''
|
|
|
|
The panic which ensued was not confined to the Major.
|
|
|
|
``Would you like to go and see if cook has got your dinner
|
|
ready?'' suggested Lady Blemley hurriedly, affecting to
|
|
ignore the fact that it wanted at least two hours to
|
|
Tobermory's dinner-time.
|
|
|
|
``Thanks,'' said Tobermory, ``not quite so soon after my
|
|
tea. I don't want to die of indigestion.''
|
|
|
|
``Cats have nine lives, you know,'' said Sir Wilfrid
|
|
heartily.
|
|
|
|
``Possibly'', answered Tobermory; ``but only one liver.''
|
|
|
|
``Adelaide!'' said Mrs. Cornett, ``do you mean to
|
|
encourage that cat to go out and gossip about us in the
|
|
servants' hall?''
|
|
|
|
The panic had indeed become general. A narrow ornamental
|
|
balustrade ran in front of most of the bedroom windows at
|
|
the Towers, and it was recalled with dismay that this had
|
|
formed a favourite promenade for Tobermory at all hours,
|
|
whence he could watch the pigeons---and heaven knew what
|
|
else besides. If he intended to become reminiscent in his
|
|
present outspoken strain the effect would be something more
|
|
than disconcerting. Mrs. Cornett, who spent much time at
|
|
her toilet table, and whose complexion was reputed to be of
|
|
a nomadic though punctual disposition, looked as ill at ease
|
|
as the Major. Miss Scrawen, who wrote fiercely sensuous
|
|
poetry and led a blameless life, merely displayed
|
|
irritation; if you are methodical and virtuous in private
|
|
you don't necessarily want every one to know it. Bertie van
|
|
Tahn, who was so depraved at seventeen that he had long ago
|
|
given up trying to be any worse, turned a dull shade of
|
|
gardenia white, but he did not commit the error of dashing
|
|
out of the room like Odo Finsberry, a young gentleman who
|
|
was understood to be reading for the Church and who was
|
|
possibly disturbed at the thought of scandals he might hear
|
|
concerning other people. Clovis had the presence of mind to
|
|
maintain a composed exterior; privately he was calculating
|
|
how long it would take to procure a box of fancy mice
|
|
through the agency of the Exchange and Mart as a species of
|
|
hush-money.
|
|
|
|
Even in a delicate situation like the present, Agnes
|
|
Resker could not endure to remain too long in the
|
|
background.
|
|
|
|
``Why did I ever come down here?'' she asked dramatically.
|
|
|
|
Tobermory immediately accepted the opening.
|
|
|
|
``Judging by what you said to Mrs. Cornett on the
|
|
croquet-lawn yesterday, you were out for food. You
|
|
described the Blemleys as the dullest people to stay with
|
|
that you knew, but said they were clever enough to employ a
|
|
first-rate cook; otherwise they'd find it difficult to get
|
|
any one to come down a second time.''
|
|
|
|
``There's not a word of truth in it! I appeal to Mrs.
|
|
Cornett---'' exclaimed the discomfited Agnes.
|
|
|
|
``Mrs. Cornett repeated your remark afterwards to Bertie
|
|
van Tahn,'' continued Tobermory, ``and said, `That woman is
|
|
a regular Hunger Marcher; she'd go anywhere for four square
|
|
meals a day,' and Bertie van Tahn said---''
|
|
|
|
At this point the chronicle mercifully ceased. Tobermory
|
|
had caught a glimpse of the big yellow Tom from the Rectory
|
|
working his way through the shrubbery towards the stable
|
|
wing. In a flash he had vanished through the open French
|
|
window.
|
|
|
|
With the disappearance of his too brilliant pupil
|
|
Cornelius Appin found himself beset by a hurricane of bitter
|
|
upbraiding, anxious inquiry, and frightened entreaty. The
|
|
responsibility for the situation lay with him, and he must
|
|
prevent matters from becoming worse. Could Tobermory impart
|
|
his dangerous gift to other cats? was the first question he
|
|
had to answer. It was possible, he replied, that he might
|
|
have initiated his intimate friend the stable puss into his
|
|
new accomplishment, but it was unlikely that his teaching
|
|
could have taken a wider range as yet.
|
|
|
|
``Then,'' said Mrs. Cornett, ``Tobermory may be a valuable
|
|
cat and a great pet; but I'm sure you'll agree, Adelaide,
|
|
that both he and the stable cat must be done away with
|
|
without delay.''
|
|
|
|
``You don't suppose I've enjoyed the last quarter of an
|
|
hour, do you?'' said Lady Blemley bitterly. ``My husband and
|
|
I are very fond of Tobermory---at least, we were before this
|
|
horrible accomplishment was infused into him; but now, of
|
|
course, the only thing is to have him destroyed as soon as
|
|
possible.''
|
|
|
|
``We can put some strychnine in the scraps he always gets
|
|
at dinner-time,'' said Sir Wilfrid, ``and I will go and
|
|
drown the stable cat myself. The coachman will be very sore
|
|
at losing his pet, but I'll say a very catching form of
|
|
mange has broken out in both cats and we're afraid of its
|
|
spreading to the kennels.''
|
|
|
|
``But my great discovery!'' expostulated Mr. Appin;
|
|
``after all my years of research and experiment---''
|
|
|
|
``You can go and experiment on the short-horns at the
|
|
farm, who are under proper control,'' said Mrs. Cornett,
|
|
``or the elephants at the Zoological Gardens. They're said
|
|
to be highly intelligent, and they have this recommendation,
|
|
that they don't come creeping about our bedrooms and under
|
|
chairs, and so forth.''
|
|
|
|
An archangel ecstatically proclaiming the Millennium, and
|
|
then finding that it clashed unpardonably with Henley and
|
|
would have to be indefinitely postponed, could hardly have
|
|
felt more crestfallen than Cornelius Appin at the reception
|
|
of his wonderful achievement. Public opinion, however, was
|
|
against him---in fact, had the general voice been consulted
|
|
on the subject it is probable that a strong minority vote
|
|
would have been in favour of including him in the strychnine
|
|
diet.
|
|
|
|
Defective train arrangements and a nervous desire to see
|
|
matters brought to a finish prevented an immediate dispersal
|
|
of the party, but dinner that evening was not a social
|
|
success. Sir Wilfrid had had rather a trying time with the
|
|
stable cat and subsequently with the coachman. Agnes Resker
|
|
ostentatiously limited her repast to a morsel of dry toast,
|
|
which she bit as though it were a personal enemy; while
|
|
Mavis Pellington maintained a vindictive silence throughout
|
|
the meal. Lady Blemley kept up a flow of what she hoped was
|
|
conversation, but her attention was fixed on the doorway. A
|
|
plateful of carefully dosed fish scraps was in readiness on
|
|
the sideboard, but sweets and savoury and dessert went their
|
|
way, and no Tobermory appeared either in the dining-room or
|
|
kitchen.
|
|
|
|
The sepulchral dinner was cheerful compared with the
|
|
subsequent vigil in the smoking-room. Eating and drinking
|
|
had at least supplied a distraction and cloak to the
|
|
prevailing embarrassment. Bridge was out of the question in
|
|
the general tension of nerves and tempers, and after Odo
|
|
Finsberry had given a lugubrious rendering of ``M<e'>lisande
|
|
in the Wood'' to a frigid audience, music was tacitly
|
|
avoided. At eleven the servants went to bed, announcing
|
|
that the small window in the pantry had been left open as
|
|
usual for Tobermory's private use. The guests read steadily
|
|
through the current batch of magazines, and fell back
|
|
gradually on the ``Badminton Library'' and bound volumes of
|
|
Punch. Lady Blemley made periodic visits to the pantry,
|
|
returning each time with an expression of listless
|
|
depression which forestalled questioning.
|
|
|
|
At two o'clock Clovis broke the dominating silence.
|
|
|
|
``He won't turn up tonight. He's probably in the local
|
|
newspaper office at the present moment, dictating the first
|
|
instalment of his reminiscences. Lady What's-her-name's
|
|
book won't be in it. It will be the event of the day.''
|
|
|
|
Having made this contribution to the general cheerfulness,
|
|
Clovis went to bed. At long intervals the various members
|
|
of the house-party followed his example.
|
|
|
|
The servants taking round the early tea made a uniform
|
|
announcement in reply to a uniform question. Tobermory had
|
|
not returned.
|
|
|
|
Breakfast was, if anything, a more unpleasant function
|
|
than dinner had been, but before its conclusion the
|
|
situation was relieved. Tobermory's corpse was brought in
|
|
from the shrubbery, where a gardener had just discovered it.
|
|
From the bites on his throat and the yellow fur which coated
|
|
his claws it was evident that he had fallen in unequal
|
|
combat with the big Tom from the Rectory.
|
|
|
|
By midday most of the guests had quitted the Towers, and
|
|
after lunch Lady Blemley had sufficiently recovered her
|
|
spirits to write an extremely nasty letter to the Rectory
|
|
about the loss of her valuable pet.
|
|
|
|
Tobermory had been Appin's one successful pupil, and he
|
|
was destined to have no successor. A few weeks later an
|
|
elephant in the Dresden Zoological Garden, which had shown
|
|
no previous signs of irritability, broke loose and killed an
|
|
Englishman who had apparently been teasing it. The victim's
|
|
name was variously reported in the papers as Oppin and
|
|
Eppelin, but his front name was faithfully rendered
|
|
Cornelius.
|
|
|
|
``If he was trying German irregular verbs on the poor
|
|
beast,'' said Clovis, ``he deserved all he got.''
|
|
|
|
MRS. PACKLETIDE'S TIGER
|
|
|
|
It was Mrs. Packletide's pleasure and intention that she should
|
|
shoot a tiger. Not that the lust to kill had suddenly descended on
|
|
her, or that she felt that she would leave India safer and more
|
|
wholesome than she had found it, with one fraction less of wild
|
|
beast per million of inhabitants. The compelling motive for her sudden
|
|
deviation towards the footsteps of Nimrod was the fact that
|
|
Loona Bimberton had recently been carried eleven miles in an
|
|
aeroplane by an Algerian aviator, and talked of nothing else; only a
|
|
personally procured tiger-skin and a heavy harvest of Press photographs
|
|
could successfully counter that sort of thing. Mrs. Packletide
|
|
had already arranged in her mind the lunch she would give at her
|
|
house in Curzon Street, ostensibly in Loona Bimberton's honour,
|
|
with a tiger-skin rug occupying most of the foreground and all of
|
|
the conversation. She had also already designed in her mind the
|
|
tiger-claw broach that she was going to give Loona Bimberton on
|
|
her next birthday. In a world that is supposed to be chiefly swayed
|
|
by hunger and by love Mrs. Packletide was an exception; her
|
|
movements and motives were largely governed by dislike of Loona
|
|
Bimberton.
|
|
|
|
Circumstances proved propitious. Mrs. Packletide had offered a
|
|
thousand rupees for the opportunity of shooting a tiger without over-much
|
|
risk or exertion, and it so happened that a neighbouring
|
|
village could boast of being the favoured rendezvous of an animal
|
|
of respectable antecedents, which had been driven by the increasing
|
|
infirmities of age to abandon game-killing and confine its appetite
|
|
to the smaller domestic animals. The prospect of earning the
|
|
thousand rupees had stimulated the sporting and commercial instinct
|
|
of the villagers; children were posted night and day on the
|
|
outskirts of the local jungle to head the tiger back in the unlikely
|
|
event of his attempting to roam away to fresh hunting-grounds, and
|
|
the cheaper kinds of goats were left about with elaborate carelessness
|
|
to keep him satisfied with his present quarters. The one great
|
|
anxiety was lest he should die of old age before the date appointed
|
|
for the memsahib's shoot. Mothers carrying their babies home
|
|
through the jungle after the day's work in the fields hushed their
|
|
singing lest they might curtail the restful sleep of the venerable
|
|
herd-robber.
|
|
|
|
The great night duly arrived, moonlit and cloudless. A platform
|
|
had been constructed in a comfortable and conveniently placed
|
|
tree, and thereon crouched Mrs. Packletide and her paid companion,
|
|
Miss Mebbin. A goat, gifted with a particularly persistent
|
|
bleat, such as even a partially deaf tiger might be reasonably expected
|
|
to hear on a still night, was tethered at the correct distance.
|
|
With an accurately sighted rifle and a thumb-nail pack of
|
|
patience cards the sportswoman awaited the coming of the quarry.
|
|
|
|
``I suppose we are in some danger?'' said Miss Mebbin.
|
|
|
|
She was not actually nervous about the wild beast, but she had
|
|
a morbid dread of performing an atom more service than she had
|
|
been paid for.
|
|
|
|
``Nonsense,'' said Mrs. Packletide; ``it's a very old tiger. It couldn't
|
|
spring up here even if it wanted to.''
|
|
|
|
``If it's an old tiger I think you ought to get it cheaper. A thousand
|
|
rupees is a lot of money.''
|
|
|
|
Louisa Mebbin adopted a protective elder-sister attitude towards
|
|
money in general, irrespective of nationality or denomination. Her
|
|
energetic intervention had saved many a rouble from dissipating itself
|
|
in tips in some Moscow hotel, and francs and centimes clung
|
|
to her instinctively under circumstances which would have driven
|
|
them headlong from less sympathetic hands. Her speculations as to
|
|
the market depreciation of tiger remnants were cut short by the
|
|
appearance on the scene of the animal itself. As soon as it caught
|
|
sight of the tethered goat it lay flat on the earth, seemingly less from
|
|
a desire to take advantage of all available cover than for the purpose
|
|
of snatching a short rest before commencing the grand attack.
|
|
|
|
``I believe it's ill,'' said Louisa Mebbin, loudly in Hindustani, for
|
|
the benefit of the village headman, who was in ambush in a neighbouring
|
|
tree.
|
|
|
|
``Hush!'' said Mrs. Packletide, and at that moment the tiger commenced
|
|
ambling towards his victim.
|
|
|
|
``Now, now!'' urged Miss Mebbin with some excitement; ``if he
|
|
doesn't touch the goat we needn't pay for it.'' (The bait was an
|
|
extra.)
|
|
|
|
The rifle flashed out with a loud report, and the great tawny
|
|
beast sprang to one side and then rolled over in the stillness of
|
|
death. In a moment a crowd of excited natives had swarmed on
|
|
to the scene, and their shouting speedily carried the glad news
|
|
to the village, where a thumping of tom-toms took up the chorus
|
|
of triumph. And their triumph and rejoicing found a ready echo in
|
|
the heart of Mrs. Packletide; already that luncheon-party in Curzon
|
|
Street seemed immeasurably nearer.
|
|
|
|
It was Louisa Mebbin who drew attention to the fact that the
|
|
goat was in death-throes from a mortal bullet-wound, while no
|
|
trace of the rifle's deadly work could be found on the tiger. Evidently
|
|
the wrong animal had been hit, and the beast of prey had
|
|
succumbed to heart-failure, caused by the sudden report of the rifle,
|
|
accelerated by senile decay. Mrs. Packletide was pardonably annoyed
|
|
at the discovery; but, at any rate, she was the possessor of a
|
|
dead tiger, and the villagers, anxious for their thousand rupees,
|
|
gladly connived at the fiction that she had shot the beast. And
|
|
Miss Mebbin was a paid companion. Therefore did Mrs. Packletide
|
|
face the cameras with a light heart, and her pictured fame reached
|
|
from the pages of the _Texas Weekly Snapshot_ to the illustrated
|
|
Monday supplement of the _Novoe Vremya_. As for Loona Bimberton,
|
|
she refused to look at an illustrated paper for weeks, and her
|
|
letter of thanks for the gift of a tiger-claw brooch was a model of
|
|
repressed emotions. The luncheon-party she declined; there
|
|
are limits beyond which repressed emotions become dangerous.
|
|
|
|
From Curzon Street the tiger-skin rug travelled down to the
|
|
Manor House, and was duly inspected and admired by the
|
|
county, and it seemed a fitting and appropriate thing when
|
|
Mrs. Packletide went to the County Costume Ball in the
|
|
character of Diana. She refused to fall in, however, with
|
|
Clovis's tempting suggestion of a primeval dance party, at
|
|
which every one should wear the skins of beasts they had
|
|
recently slain. ``I should be in rather a Baby Bunting
|
|
condition,'' confessed Clovis, ``with a miserable
|
|
rabbit-skin or two to wrap up in, but then,'' he added, with
|
|
a rather malicious glance at Diana's proportions, ``my
|
|
figure is quite as good as that Russian dancing boy's.''
|
|
|
|
``How amused every one would be if they knew what really
|
|
happened,'' said Louisa Mebbin a few days after the ball.
|
|
|
|
``What do you mean?'' asked Mrs. Packletide quickly.
|
|
|
|
``How you shot the goat and frightened the tiger to
|
|
death,'' said Miss Mebbin, with her disagreeably pleasant
|
|
laugh.
|
|
|
|
``No one would believe it,'' said Mrs. Packletide, her
|
|
face changing colour as rapidly as though it were going
|
|
through a book of patterns before post-time.
|
|
|
|
``Loona Bimberton would,'' said Miss Mebbin. Mrs.
|
|
Packletide's face settled on an unbecoming shade of greenish
|
|
white.
|
|
|
|
``You surely wouldn't give me away?'' she asked.
|
|
|
|
``I've seen a week-end cottage near Darking that I should
|
|
rather like to buy,'' said Miss Mebbin with seeming
|
|
irrelevance. ``Six hundred and eighty, freehold. Quite a
|
|
bargain, only I don't happen to have the money.''
|
|
|
|
*
|
|
|
|
Louisa Mebbin's pretty week-end cottage, christened by her
|
|
``Les Fauves,'' and gay in summer-time with its garden
|
|
borders of tiger-lilies, is the wonder and admiration of her
|
|
friends.
|
|
|
|
``It is a marvel how Louisa manages to do it,'' is the
|
|
general verdict.
|
|
|
|
Mrs. Packletide indulges in no more big-game shooting.
|
|
|
|
``The incidental expenses are so heavy,'' she confides to
|
|
inquiring friends.
|
|
|
|
THE STAMPEDING OF LADY BASTABLE
|
|
|
|
``It would be rather nice if you would put Clovis up for
|
|
another six days while I go up north to the MacGregors',''
|
|
said Mrs. Sangrail sleepily across the breakfast-table. It
|
|
was her invariable plan to speak in a sleepy, comfortable
|
|
voice whenever she was unusually keen about anything; it put
|
|
people off their guard, and they frequently fell in with her
|
|
wishes before they had realized that she was really asking
|
|
for anything. Lady Bastable, however, was not so easily
|
|
taken unawares; possibly she knew that voice and what it
|
|
betokened--- at any rate, she knew Clovis.
|
|
|
|
She frowned at a piece of toast and ate it very slowly, as
|
|
though she wished to convey the impression that the process
|
|
hurt her more than it hurt the toast; but no extension of
|
|
hospitality on Clovis's behalf rose to her lips.
|
|
|
|
``It would be a great convenience to me,'' pursued Mrs.
|
|
Sangrail, abandoning the careless tone. ``I particularly
|
|
don't want to take him to the MacGregors', and it will only
|
|
be for six days.''
|
|
|
|
``It will seem longer,'' said Lady Bastable dismally.
|
|
``The last time he stayed here for a week---''
|
|
|
|
``I know,'' interrupted the other hastily, ``but that was
|
|
nearly two years ago. He was younger then.''
|
|
|
|
``But he hasn't improved,'' said her hostess; ``it's no
|
|
use growing older if you only learn new ways of misbehaving
|
|
yourself.''
|
|
|
|
Mrs. Sangrail was unable to argue the point; since Clovis
|
|
had reached the age of seventeen she had never ceased to
|
|
bewail his irrepressible waywardness to all her circle of
|
|
acquaintances, and a polite scepticism would have greeted
|
|
the slightest hint at a prospective reformation. She
|
|
discarded the fruitless effort at cajolery and resorted to
|
|
undisguised bribery.
|
|
|
|
``If you'll have him here for these six days I'll cancel
|
|
that outstanding bridge account.''
|
|
|
|
It was only for forty-nine shillings, but Lady Bastable
|
|
loved shillings with a great, strong love. To lose money at
|
|
bridge and not to have to pay it was one of those rare
|
|
experiences which gave the card-table a glamour in her eyes
|
|
which it could never otherwise have possessed. Mrs.
|
|
Sangrail was almost equally devoted to her card winnings,
|
|
but the prospect of conveniently warehousing her offspring
|
|
for six days, and incidentally saving his railway fare to
|
|
the north, reconciled her to the sacrifice; when Clovis made
|
|
a belated appearance at the breakfast-table the bargain had
|
|
been struck.
|
|
|
|
``Just think,'' said Mrs. Sangrail sleepily; ``Lady
|
|
Bastable has very kindly asked you to stay on here while I
|
|
go to the MacGregors'.''
|
|
|
|
Clovis said suitable things in a highly unsuitable manner,
|
|
and proceeded to make punitive expeditions among the
|
|
breakfast dishes with a scowl on his face that would have
|
|
driven the purr out of a peace conference. The arrangement
|
|
that had been concluded behind his back was doubly
|
|
distasteful to him. In the first place, he particularly
|
|
wanted to teach the MacGregor boys, who could well afford
|
|
the knowledge, how to play poker-patience; secondly, the
|
|
Bastable catering was of the kind that is classified as a
|
|
rude plenty, which Clovis translated as a plenty that gives
|
|
rise to rude remarks. Watching him from behind
|
|
ostentatiously sleepy lids, his mother realized, in the
|
|
light of long experience, that any rejoicing over the
|
|
success of her man<oe>uvre would be distinctly premature.
|
|
It was one thing to fit Clovis into a convenient niche of
|
|
the domestic jig-saw puzzle; it was quite another matter to
|
|
get him to stay there.
|
|
|
|
Lady Bastable was wont to retire in state to the
|
|
morning-room immediately after breakfast and spend a quiet
|
|
hour in skimming through the papers; they were there, so she
|
|
might as well get their money's worth out of them. Politics
|
|
did not greatly interest her, but she was obsessed with a
|
|
favourite foreboding that one of these days there would be a
|
|
great social upheaval, in which everybody would be killed by
|
|
everybody else. ``It will come sooner than we think,'' she
|
|
would observe darkly; a mathematical expert of exceptionally
|
|
high powers would have been puzzled to work out the
|
|
approximate date from the slender and confusing groundwork
|
|
which this assertion afforded.
|
|
|
|
On this particular morning the sight of Lady Bastable
|
|
enthroned among her papers gave Clovis the hint towards
|
|
which his mind had been groping all breakfast time. His
|
|
mother had gone upstairs to supervise packing operations,
|
|
and he was alone on the ground-floor with his hostess---and
|
|
the servants. The latter were the key to the situation.
|
|
Bursting wildly into the kitchen quarters, Clovis screamed a
|
|
frantic though strictly non-committal summons: ``Poor Lady
|
|
Bastable! In the morning-room! Oh, quick!'' The next moment
|
|
the butler, cook, page-boy, two or three maids, and a
|
|
gardener who had happened to be in one of the outer kitchens
|
|
were following in a hot scurry after Clovis as he headed
|
|
back for the morning-room. Lady Bastable was roused from
|
|
the world of newspaper lore by hearing a Japanese screen in
|
|
the hall go down with a crash. Then the door leading from
|
|
the ball flew open and her young guest tore madly through
|
|
the room, shrieked at her in passing, ``The jacquerie!
|
|
They're on us!'' and dashed like an escaping hawk out
|
|
through the French window. The scared mob of servants burst
|
|
in on his heels, the gardener still clutching the sickle
|
|
with which he had been trimming hedges, and the impetus of
|
|
their headlong haste carried them, slipping and sliding,
|
|
over the smooth parquet flooring towards the chair where
|
|
their mistress sat in panic-stricken amazement. If she had
|
|
had a moment granted her for reflection she would have
|
|
behaved, as she afterwards explained, with considerable
|
|
dignity. It was probably the sickle which decided her, but
|
|
anyway she followed the lead that Clovis had given her
|
|
through the French window, and ran well and far across the
|
|
lawn before the eyes of her astonished retainers.
|
|
|
|
*
|
|
|
|
Lost dignity is not a possession which can be restored at
|
|
a moment's notice, and both Lady Bastable and the butler
|
|
found the process of returning to normal conditions almost as
|
|
painful as a slow recovery from drowning. A jacquerie, even
|
|
if carried out with the most respectful of intentions,
|
|
cannot fail to leave some traces of embarrassment behind it.
|
|
By lunch-time, however, decorum had reasserted itself with
|
|
enhanced rigour as a natural rebound from its recent
|
|
overthrow, and the meal was served in a frigid stateliness
|
|
that might have been framed on a Byzantine model. Half-way
|
|
through its duration Mrs. Sangrail was solemnly presented
|
|
with an envelope lying on a silver salver. It contained a
|
|
cheque for forty-nine shillings.
|
|
|
|
The MacGregor boys learned how to play poker-patience;
|
|
after all, they could afford to.
|
|
|
|
THE BACKGROUND
|
|
|
|
``That woman's art-jargon tires me,'' said Clovis to his
|
|
journalist friend. ``She's so fond of talking of certain
|
|
pictures as `growing on one,' as though they were a sort of
|
|
fungus.''
|
|
|
|
``That reminds me,'' said the journalist, ``of the story
|
|
of Henri Deplis. Have I ever told it you?''
|
|
|
|
Clovis shook his head.
|
|
|
|
``Henri Deplis was by birth a native of the Grand Duchy of
|
|
Luxemburg. On maturer reflection he became a commercial
|
|
traveller. His business activities frequently took him
|
|
beyond the limits of the Grand Duchy, and he was stopping in
|
|
a small town of Northern Italy when news reached him from
|
|
home that a legacy from a distant and deceased relative had
|
|
fallen to his share.
|
|
|
|
``It was not a large legacy, even from the modest
|
|
standpoint of Henri Deplis, but it impelled him towards some
|
|
seemingly harmless extravagances. In particular it led him
|
|
to patronize local art as represented by the tattoo-needles
|
|
of Signor Andreas Pincini. Signor Pincini was, perhaps, the
|
|
most brilliant master of tattoo craft that Italy had ever
|
|
known, but his circumstances were decidedly impoverished,
|
|
and for the sum of six hundred francs he gladly undertook to
|
|
cover his client's back, from the collar-bone down to the
|
|
waist-line, with a glowing representation of the Fall of
|
|
Icarus. The design, when finally developed, was a slight
|
|
disappointment to Monsieur Deplis, who had suspected Icarus
|
|
of being a fortress taken by Wallenstein in the Thirty
|
|
Years' War, but he was more than satisfied with the
|
|
execution of the work, which was acclaimed by all who had
|
|
the privilege of seeing it as Pincini's masterpiece.
|
|
|
|
``It was his greatest effort, and his last. Without even
|
|
waiting to be paid, the illustrious craftsman departed this
|
|
life, and was buried under an ornate tombstone, whose winged
|
|
cherubs would have afforded singularly little scope for the
|
|
exercise of his favourite art. There remained, however, the
|
|
widow Pincini, to whom the six hundred francs were due. And
|
|
thereupon arose the great crisis in the life of Henri
|
|
Deplis, traveller of commerce. The legacy, under the stress
|
|
of numerous little calls on its substance, had dwindled to
|
|
very insignificant proportions, and when a pressing wine
|
|
bill and sundry other current accounts had been paid, there
|
|
remained little more than 430 francs to offer to the widow.
|
|
The lady was properly indignant, not wholly, as she volubly
|
|
explained, on account of the suggested writing-off of 170
|
|
francs, but also at the attempt to depreciate the value of
|
|
her late husband's acknowledged masterpiece. In a week's
|
|
time Deplis was obliged to reduce his offer to 405 francs,
|
|
which circumstance fanned the widow's indignation into a
|
|
fury. She cancelled the sale of the work of art, and a few
|
|
days later Deplis learned with a sense of consternation that
|
|
she bad presented it to the municipality of Bergamo, which
|
|
had gratefully accepted it. He left the neighbourhood as
|
|
unobtrusively as possible, and was genuinely relieved when
|
|
his business commands took him to Rome, where he hoped his
|
|
identity and that of the famous picture might be lost sight
|
|
of.
|
|
|
|
``But he bore on his back the burden of the dead man's
|
|
genius. On presenting himself one day in the steaming
|
|
corridor of a vapour bath, he was at once hustled back into
|
|
his clothes by the proprietor, who was a North Italian, and
|
|
who emphatically refused to allow the celebrated Fall of
|
|
Icarus to be publicly on view without the permission of the
|
|
municipality of Bergamo. Public interest and official
|
|
vigilance increased as the matter became more widely known,
|
|
and Deplis was unable to take a simple dip in the sea or
|
|
river on the hottest afternoon unless clothed up to the
|
|
collar-bone in a substantial bathing garment. Later on the
|
|
authorities of Bergamo conceived the idea that salt water
|
|
might be injurious to the masterpiece, and a perpetual
|
|
injunction was obtained which debarred the muchly harassed
|
|
commercial traveller from sea bathing under any
|
|
circumstances. Altogether, he was fervently thankful when
|
|
his firm of employers found him a new range of activities in
|
|
the neighbourhood of Bordeaux. His thankfulness, however,
|
|
ceased abruptly at the Franco-Italian frontier. An imposing
|
|
array of official force barred his departure, and he was
|
|
sternly reminded of the stringent law which forbids the
|
|
exportation of Italian works of art.
|
|
|
|
A diplomatic parley ensued between the Luxemburgian and
|
|
Italian Governments, and at one time the European situation
|
|
became overcast with the possibilities of trouble. But the
|
|
Italian Government stood firm; it declined to concern itself
|
|
in the least with the fortunes or even the existence of
|
|
Henri Deplis, commercial traveller, but was immovable in its
|
|
decision that the Fall of Icarus (by the late Pincini,
|
|
Andreas) at present the property of the municipality of
|
|
Bergamo, should not leave the country.
|
|
|
|
``The excitement died down in time, but the unfortunate
|
|
Deplis, who was of a constitutionally retiring disposition,
|
|
found himself a few months later once more the storm-centre
|
|
of a furious controversy. A certain German art expert, who
|
|
had obtained from the municipality of Bergamo permission to
|
|
inspect the famous masterpiece, declared it to be a spurious
|
|
Pincini, probably the work of some pupil whom he had
|
|
employed in his declining years. The evidence of Deplis on
|
|
the subject was obviously worthless, as he had been under
|
|
the influence of the customary narcotics during the long
|
|
process of pricking in the design. The editor of an Italian
|
|
art journal refuted the contentions of the German expert and
|
|
undertook to prove that his private life did not conform to
|
|
any modern standard of decency. The whole of Italy and
|
|
Germany were drawn into the dispute, and the rest of Europe
|
|
was soon involved in the quarrel. There were stormy scenes
|
|
in the Spanish Parliament, and the University of Copenhagen
|
|
bestowed a gold medal on the German expert (afterwards
|
|
sending a commission to examine his proofs on the spot),
|
|
while two Polish schoolboys in Paris committed suicide to
|
|
show what _they_ thought of the matter.
|
|
|
|
``Meanwhile, the unhappy human background fared no better
|
|
than before, and it was not surprising that he drifted into
|
|
the ranks of Italian anarchists. Four times at least he was
|
|
escorted to the frontier as a dangerous and undesirable
|
|
foreigner, but he was always brought back as the Fall of
|
|
Icarus (attributed to Pincini, Andreas, early Twentieth
|
|
Century). And then one day, at an anarchist congress at
|
|
Genoa, a fellow-worker, in the heat of debate, broke a phial
|
|
full of corrosive liquid over his back. The red shirt that
|
|
he was wearing mitigated the effects, but the Icarus was
|
|
ruined beyond recognition. His assailant was severely
|
|
reprimanded for assaulting a fellow-anarchist and received
|
|
seven years' imprisonment for defacing a national art
|
|
treasure. As soon as he was able to leave the hospital
|
|
Henri Deplis was put across the frontier as an undesirable
|
|
alien.
|
|
|
|
``In the quieter streets of Paris, especially in the
|
|
neighbourhood of the Ministry of Fine Arts, you may
|
|
sometimes meet a depressed, anxious-looking man, who, if you
|
|
pass him the time of day, will answer you with a slight
|
|
Luxemburgian accent. He nurses the illusion that he is one
|
|
of the lost arms of the Venus de Milo, and hopes that the
|
|
French Government may be persuaded to buy him. On all other
|
|
subjects I believe he is tolerably sane.''
|
|
|
|
HERMANN THE IRASCIBLE---A STORY OF THE GREAT WEEP
|
|
|
|
It was in the second decade of the Twentieth Century,
|
|
after the Great Plague had devastated England, that Hermann
|
|
the Irascible, nicknamed also the Wise, sat on the British
|
|
throne. The Mortal Sickness had swept away the entire Royal
|
|
Family, unto the third and fourth generations, and thus it
|
|
came to pass that Hermann the Fourteenth of
|
|
Saxe-Drachsen-Wachtelstein, who had stood thirtieth in the
|
|
order of succession, found himself one day ruler of the
|
|
British dominions within and beyond the seas. He was one of
|
|
the unexpected things that happen in polities, and he
|
|
happened with great thoroughness. In many ways he was the
|
|
most progressive monarch who had sat on an important throne;
|
|
before people knew where they were, they were somewhere
|
|
else. Even his Ministers, progressive though they were by
|
|
tradition, found it difficult to keep pace with his
|
|
legislative suggestions.
|
|
|
|
``As a matter of fact,'' admitted the Prime Minister, ``we
|
|
are hampered by these votes-for-women creatures; they
|
|
disturb our meetings throughout the country, and they try to
|
|
turn Downing Street into a sort of political picnic-ground.''
|
|
|
|
``They must be dealt with'' said Hermann.
|
|
|
|
``Dealt with,'' said the Prime Minister; ``exactly, just
|
|
so; but how?''
|
|
|
|
``I will draft you a Bill,'' said the King, sitting down
|
|
at his type-writing machine, ``enacting that women shall
|
|
vote at all future elections. _Shall_ vote, you observe; or,
|
|
to put it plainer, must. Voting will remain optional, as
|
|
before, for male electors; but every woman between the ages
|
|
of twenty-one and seventy will be obliged to vote, not only
|
|
at elections for Parliament, county councils, district
|
|
boards, parish-councils, and municipalities, but for
|
|
coroners, school inspectors, churchwardens, curators of
|
|
museums, sanitary authorities, police-court interpreters,
|
|
swimming-bath instructors, contractors, choir-masters,
|
|
market superintendents, art-school teachers, cathedral
|
|
vergers, and other local functionaries whose names I will
|
|
add as they occur to me. All these offices will become
|
|
elective, and failure to vote at any election falling within
|
|
her area of residence will involve the female elector in a
|
|
penalty of <L>10. Absence, unsupported by an adequate
|
|
medical certificate, will not be accepted as an excuse.
|
|
Pass this Bill through the two Houses of Parliament and
|
|
bring it to me for signature the day after tomorrow.''
|
|
|
|
From the very outset the Compulsory Female Franchise
|
|
produced little or no elation even in circles which had been
|
|
loudest in demanding the vote. The bulk of the women of the
|
|
country had been indifferent or hostile to the franchise
|
|
agitation, and the most fanatical Suffragettes began to
|
|
wonder what they had found so attractive in the prospect of
|
|
putting ballot-papers into a box. In the country districts
|
|
the task of carrying out the provisions of the new Act was
|
|
irksome enough; in the towns and cities it became an
|
|
incubus. There seemed no end to the elections. Laundresses
|
|
and seamstresses had to hurry away from their work to vote,
|
|
often for a candidate whose name they hadn't heard before,
|
|
and whom they selected at haphazard; female clerks and
|
|
waitresses got up extra early to get their voting done
|
|
before starting off to their places of business. Society
|
|
women found their arrangements impeded and upset by the
|
|
continual necessity for attending the polling stations, and
|
|
week-end parties and summer holidays became gradually a
|
|
masculine luxury. As for Cairo and the Riviera, they were
|
|
possible only for genuine invalids or people of enormous
|
|
wealth, for the accumulation of <L>10 fines during a
|
|
prolonged absence was a contingency that even ordinarily
|
|
wealthy folk could hardly afford to risk.
|
|
|
|
It was not wonderful that the female disfranchisement
|
|
agitation became a formidable movement. The
|
|
No-Votes-for-Women League numbered its feminine adherents by
|
|
the million; its colours, citron and old Dutch-madder, were
|
|
flaunted everywhere, and its battle hymn, ``We Don't Want to
|
|
Vote,'' became a popular refrain. As the Government showed
|
|
no signs of being impressed by peaceful persuasion, more
|
|
violent methods came into vogue. Meetings were disturbed,
|
|
Ministers were mobbed, policemen were bitten, and ordinary
|
|
prison fare rejected, and on the eve of the anniversary of
|
|
Trafalgar women bound themselves in tiers up the entire
|
|
length of the Nelson column so that its customary floral
|
|
decoration had to be abandoned. Still the Government
|
|
obstinately adhered to its conviction that women ought to
|
|
have the vote.
|
|
|
|
Then, as a last resort, some woman wit hit upon an
|
|
expedient which it was strange that no one had thought of
|
|
before. The Great Weep was organized. Relays of women, ten
|
|
thousand at a time, wept continuously in the public places
|
|
of the Metropolis. They wept in railway stations, in tubes
|
|
and omnibuses, in the National Gallery, at the Army and Navy
|
|
Stores, in St. James's Park, at ballad concerts, at Prince's
|
|
and in the Burlington Arcade. The hitherto unbroken success
|
|
of the brilliant farcical comedy ``Henry's Rabbit'' was
|
|
imperilled by the presence of drearily weeping women in
|
|
stalls and circle and gallery, and one of the brightest
|
|
divorce cases that had been tried for many years was robbed
|
|
of much of its sparkle by the lachrymose behaviour of a
|
|
section of the audience.
|
|
|
|
``What are we to do?'' asked the Prime Minister, whose
|
|
cook had wept into all the breakfast dishes and whose
|
|
nursemaid had gone out, crying quietly and miserably, to
|
|
take the children for a walk in the Park.
|
|
|
|
``There is a time for everything,'' said the King; ``there
|
|
is a time to yield. Pass a measure through the two Houses
|
|
depriving women of the right to vote, and bring it to me for
|
|
the Royal assent the day after tomorrow.''
|
|
|
|
As the Minister withdrew, Hermann the Irascible, who was
|
|
also nicknamed the Wise, gave a profound chuckle.
|
|
|
|
``There are more ways of killing a cat than by choking it
|
|
with cream,'' he quoted, ``but I'm not sure,'' he added
|
|
``that it's not the best way.''
|
|
|
|
THE UNREST-CURE
|
|
|
|
On the rack in the railway carriage immediately opposite
|
|
Clovis was a solidly wrought travelling bag, with a
|
|
carefully written label, on which was inscribed, ``J. P.
|
|
Huddle, The Warren, Tilfield, near Slowborough.''
|
|
Immediately below the rack sat the human embodiment of the
|
|
label, a solid, sedate individual, sedately dressed,
|
|
sedately conversational. Even without his conversation
|
|
(which was addressed to a friend seated by his side, and
|
|
touched chiefly on such topics as the backwardness of Roman
|
|
hyacinths and the prevalence of measles at the Rectory), one
|
|
could have gauged fairly accurately the temperament and
|
|
mental outlook of the travelling bag's owner. But he seemed
|
|
unwilling to leave anything to the imagination of a casual
|
|
observer, and his talk grew presently personal and
|
|
introspective.
|
|
|
|
``I don't know how it is,'' he told his friend, ``I'm not
|
|
much over forty, but I seem to have settled down into a deep
|
|
groove of elderly middle-age. My sister shows the same
|
|
tendency. We like everything to be exactly in its
|
|
accustomed place; we like things to happen exactly at their
|
|
appointed times; we like everything to be usual, orderly,
|
|
punctual, methodical, to a hair's breadth, to a minute. It
|
|
distresses and upsets us if it is not so. For instance, to
|
|
take a very trifling matter, a thrush has built its nest
|
|
year after year in the catkin-tree on the lawn; this year,
|
|
for no obvious reason, it is building in the ivy on the
|
|
garden wall. We have said very little about it, but I think
|
|
we both feel that the change is unnecessary, and just a
|
|
little irritating.''
|
|
|
|
``Perhaps,'' said the friend, ``it is a different
|
|
thrush.''
|
|
|
|
``We have suspected that,'' said J. P. Huddle, ``and I
|
|
think it gives us even more cause for annoyance. We don't
|
|
feel that we want a change of thrush at our time of life;
|
|
and yet, as I have said, we have scarcely reached an age
|
|
when these things should make themselves seriously felt.''
|
|
|
|
``What you want,'' said the friend, ``is an Unrest-cure.''
|
|
|
|
``An Unrest-cure? I've never heard of such a thing.''
|
|
|
|
``You've heard of Rest-cures for people who've broken down
|
|
under stress of too much worry and strenuous living; well,
|
|
you're suffering from overmuch repose and placidity, and you
|
|
need the opposite kind of treatment.''
|
|
|
|
``But where would one go for such a thing?''
|
|
|
|
``Well, you might stand as an Orange candidate for
|
|
Kilkenny, or do a course of district visiting in one of the
|
|
Apache quarters of Paris, or give lectures in Berlin to
|
|
prove that most of Wagner's music was written by Gambetta;
|
|
and there's always the interior of Morocco to travel in.
|
|
But, to be really effective, the Unrest-cure ought to be
|
|
tried in the home. How you would do it I haven't the
|
|
faintest idea.''
|
|
|
|
It was at this point in the conversation that Clovis
|
|
became galvanized into alert attention. After all, his two
|
|
days' visit to an elderly relative at Slowborough did not
|
|
promise much excitement. Before the train had stopped he
|
|
had decorated his sinister shirt-cuff with the inscription,
|
|
``J. P. Huddle, The Warren, Tilfield, near Slowborough.''
|
|
|
|
*
|
|
|
|
Two mornings later Mr. Huddle broke in on his sister's
|
|
privacy as she sat reading Country Life in the morning room.
|
|
It was her day and hour and place for reading Country Life,
|
|
and the intrusion was absolutely irregular; but he bore in
|
|
his hand a telegram, and in that household telegrams were
|
|
recognized as happening by the hand of God. This particular
|
|
telegram partook of the nature of a thunderbolt. ``Bishop
|
|
examining confirmation class in neighbourhood unable stay
|
|
rectory on account measles invokes your hospitality sending
|
|
secretary arrange.''
|
|
|
|
``I scarcely know the Bishop; I've only spoken to him
|
|
once,'' exclaimed J. P. Huddle, with the exculpating air of
|
|
one who realizes too late the indiscretion of speaking to
|
|
strange Bishops. Miss Huddle was the first to rally; she
|
|
disliked thunderbolts as fervently as her brother did, but
|
|
the womanly instinct in her told her that thunderbolts must
|
|
be fed.
|
|
|
|
``We can curry the cold duck,'' she said. It was not the
|
|
appointed day for curry, but the little orange envelope
|
|
involved a certain departure from rule and custom. Her
|
|
brother said nothing, but his eyes thanked her for being
|
|
brave.
|
|
|
|
``A young gentleman to see you,'' announced the
|
|
parlour-maid.
|
|
|
|
``The secretary!'' murmured the Huddles in unison; they
|
|
instantly stiffened into a demeanour which proclaimed that,
|
|
though they held all strangers to be guilty, they were
|
|
willing to hear anything they might have to say in their
|
|
defence. The young gentleman, who came into the room with a
|
|
certain elegant haughtiness, was not at all Huddle's idea of
|
|
a bishop's secretary; he had not supposed that the episcopal
|
|
establishment could have afforded such an expensively
|
|
upholstered article when there were so many other claims on
|
|
its resources. The face was fleetingly familiar; if he had
|
|
bestowed more attention on the fellow-traveller sitting
|
|
opposite him in the railway carriage two days before he
|
|
might have recognized Clovis in his present visitor.
|
|
|
|
``You are the Bishop's secretary?'' asked Huddle, becoming
|
|
consciously deferential.
|
|
|
|
``His confidential secretary,'' answered Clovis. ``You may
|
|
call me Stanislaus; my other name doesn't matter. The
|
|
Bishop and Colonel Alberti may be here to lunch. I shall be
|
|
here in any case.''
|
|
|
|
It sounded rather like the programme of a Royal visit.
|
|
|
|
``The Bishop is examining a confirmation class in the
|
|
neighbourhood, isn't he?'' asked Miss Huddle.
|
|
|
|
``Ostensibly,'' was the dark reply, followed by a request
|
|
for a large-scale map of the locality.
|
|
|
|
Clovis was still immersed in a seemingly profound study of
|
|
the map when another telegram arrived. It was addressed to
|
|
``Prince Stanislaus, care of Huddle, The Warren, etc.''
|
|
Clovis glanced at the contents and announced: ``The Bishop
|
|
and Alberti won't be here till late in the afternoon.'' Then
|
|
he returned to his scrutiny of the map.
|
|
|
|
The luncheon was not a very festive function. The
|
|
princely secretary ate and drank with fair appetite, but
|
|
severely discouraged conversation. At the finish of the
|
|
meal he broke suddenly into a radiant smile, thanked his
|
|
hostess for a charming repast, and kissed her hand with
|
|
deferential rapture. Miss Huddle was unable to decide in
|
|
her mind whether the action savoured of Louis Quatorzian
|
|
courtliness or the reprehensible Roman attitude towards the
|
|
Sabine women. It was not her day for having a headache, but
|
|
she felt that the circumstances excused her, and retired to
|
|
her room to have as much headache as was possible before the
|
|
Bishop's arrival. Clovis, having asked the way to the
|
|
nearest telegraph office, disappeared presently down the
|
|
carriage drive. Mr. Huddle met him in the hall some two
|
|
hours later, and asked when the Bishop would arrive.
|
|
|
|
``He is in the library with Alberti,'' was the reply.
|
|
|
|
``But why wasn't I told? I never knew he had come!''
|
|
exclaimed Huddle.
|
|
|
|
``No one knows he is here,'' said Clovis; ``the quieter we
|
|
can keep matters the better. And on no account disturb him
|
|
in the library. Those are his orders.''
|
|
|
|
``But what is all this mystery about? And who is Alberti?
|
|
And isn't the Bishop going to have tea?''
|
|
|
|
``The Bishop is out for blood, not tea.''
|
|
|
|
``Blood!'' gasped Huddle, who did not find that the
|
|
thunderbolt improved on acquaintance.
|
|
|
|
``Tonight is going to be a great night in the history of
|
|
Christendom,'' said Clovis. ``We are going to massacre every
|
|
Jew in the neighbourhood.''
|
|
|
|
``To massacre the Jews!'' said Huddle indignantly. ``Do
|
|
you mean to tell me there's a general rising against them?''
|
|
|
|
``No, it's the Bishop's own idea. He's in there arranging
|
|
all the details now.''
|
|
|
|
``But---the Bishop is such a tolerant, humane man.''
|
|
|
|
``That is precisely what will heighten the effect of his
|
|
action. The sensation will be enormous.''
|
|
|
|
That at least Huddle could believe.
|
|
|
|
``He will be hanged!'' he exclaimed with conviction.
|
|
|
|
``A motor is waiting to carry him to the coast, where a
|
|
steam yacht is in readiness.''
|
|
|
|
``But there aren't thirty Jews in the whole
|
|
neighbourhood,'' protested Huddle, whose brain, under the
|
|
repeated shocks of the day, was operating with the
|
|
uncertainty of a telegraph wire during earthquake
|
|
disturbances.
|
|
|
|
``We have twenty-six on our list,'' said Clovis, referring
|
|
to a bundle of notes. ``We shall be able to deal with them
|
|
all the more thoroughly.''
|
|
|
|
``Do you mean to tell me that you are meditating violence
|
|
against a man like Sir Leon Birberry,'' stammered Huddle;
|
|
``he's one of the most respected men in the country.''
|
|
|
|
``He's down on our list,'' said Clovis carelessly; ``after
|
|
all, we've got men we can trust to do our job, so we shan't
|
|
have to rely on local assistance. And we've got some
|
|
Boy-scouts helping us as auxiliaries.''
|
|
|
|
``Boy-scouts!''
|
|
|
|
``Yes; when they understood there was real killing to be
|
|
done they were even keener than the men.''
|
|
|
|
``This thing will be a blot on the Twentieth Century!''
|
|
|
|
``And your house will be the blotting-pad. Have you
|
|
realized that half the papers of Europe and the United
|
|
States will publish pictures of it? By the way, I've sent
|
|
some photographs of you and your sister, that I found in the
|
|
library, to the _Matin_ and _Die Woche_; I hope you don't
|
|
mind. Also a sketch of the staircase; most of the killing
|
|
will probably be done on the staircase.''
|
|
|
|
The emotions that were surging in J. P. Huddle's brain
|
|
were almost too intense to be disclosed in speech, but he
|
|
managed to gasp out: ``There aren't any Jews in this
|
|
house.''
|
|
|
|
``Not at present,'' said Clovis.
|
|
|
|
``I shall go to the police,'' shouted Huddle with sudden
|
|
energy.
|
|
|
|
``In the shrubbery,'' said Clovis, ``are posted ten men,
|
|
who have orders to fire on any one who leaves the house
|
|
without my signal of permission. Another armed picquet is
|
|
in ambush near the front gate. The Boy-scouts watch the
|
|
back premises.''
|
|
|
|
At this moment the cheerful hoot of a motor-horn was heard
|
|
from the drive. Huddle rushed to the hall door with the
|
|
feeling of a man half-awakened from a nightmare, and beheld
|
|
Sir Leon Birberry, who had driven himself over in his car.
|
|
``I got your telegram,'' he said; ``what's up?''
|
|
|
|
Telegram? It seemed to be a day of telegrams.
|
|
|
|
``Come here at once. Urgent. James Huddle,'' was the
|
|
purport of the message displayed before Huddle's bewildered
|
|
eyes.
|
|
|
|
``I see it all!'' he exclaimed suddenly in a voice shaken
|
|
with agitation, and with a look of agony in the direction of
|
|
the shrubbery he hauled the astonished Birberry into the
|
|
house. Tea had just been laid in the hall, but the now
|
|
thoroughly panic-stricken Huddle dragged his protesting
|
|
guest upstairs, and in a few minutes' time the entire
|
|
household had been summoned to that region of momentary
|
|
safety. Clovis alone graced the tea-table with his
|
|
presence; the fanatics in the library were evidently too
|
|
immersed in their monstrous machinations to dally with the
|
|
solace of teacup and hot toast. Once the youth rose, in
|
|
answer to the summons of the front-door bell, and admitted
|
|
Mr. Paul Isaacs, shoemaker and parish councillor, who had
|
|
also received a pressing invitation to The Warren. With an
|
|
atrocious assumption of courtesy, which a Borgia could
|
|
hardly have outdone, the secretary escorted this new captive
|
|
of his net to the head of the stairway, where his
|
|
involuntary host awaited him.
|
|
|
|
And then ensued a long ghastly vigil of watching and
|
|
waiting. Once or twice Clovis left the house to stroll
|
|
across to the shrubbery, returning always to the library,
|
|
for the purpose evidently of making a brief report. Once he
|
|
took in the letters from the evening postman, and brought
|
|
them to the top of the stairs with punctilious politeness.
|
|
After his next absence he came half-way up the stairs to
|
|
make an announcement.
|
|
|
|
``The Boy-scouts mistook my signal, and have killed the
|
|
postman. I've had very little practice in this sort of
|
|
thing, you see. Another time I shall do better.''
|
|
|
|
The housemaid, who was engaged to be married to the
|
|
evening postman, gave way to clamorous grief.
|
|
|
|
``Remember that your mistress has a headache,'' said J. P.
|
|
Huddle. (Miss Huddle's headache was worse.)
|
|
|
|
Clovis hastened downstairs, and after a short visit to the
|
|
library returned with another message:
|
|
|
|
``The Bishop is sorry to hear that Miss Huddle has a
|
|
headache. He is issuing orders that as far as possible no
|
|
firearms shall be used near the house; any killing that is
|
|
necessary on the premises will be done with cold steel. The
|
|
Bishop does not see why a man should not be a gentleman as
|
|
well as a Christian.''
|
|
|
|
That was the last they saw of Clovis; it was nearly seven
|
|
o'clock, and his elderly relative liked him to dress for
|
|
dinner. But, though he had left them for ever, the lurking
|
|
suggestion of his presence haunted the lower regions of the
|
|
house during the long hours of the wakeful night, and every
|
|
creak of the stairway, every rustle of wind through the
|
|
shrubbery, was fraught with horrible meaning. At about
|
|
seven next morning the gardener's boy and the early postman
|
|
finally convinced the watchers that the Twentieth Century
|
|
was still unblotted.
|
|
|
|
``I don't suppose,'' mused Clovis, as an early train bore
|
|
him townwards, ``that they will be in the least grateful for
|
|
the Unrest-cure.''
|
|
|
|
THE JESTING OF ARLINGTON STRINGHAM
|
|
|
|
Arlington Stringham made a joke in the House of Commons. It
|
|
was a thin House, and a very thin joke; something about the
|
|
Anglo-Saxon race having a great many angles. It is possible
|
|
that it was unintentional, but a fellow-member, who did not
|
|
wish it to be supposed that he was asleep because his eyes
|
|
were shut, laughed. One or two of the papers noted ``a
|
|
laugh'' in brackets, and another, which was notorious for
|
|
the carelessness of its political news, mentioned
|
|
``laughter.'' Things often begin in that way.
|
|
|
|
``Arlington made a joke in the House last night,'' said
|
|
Eleanor Stringham to her mother; ``in all the years we've
|
|
been married neither of us has made jokes, and I don't like
|
|
it now. I'm afraid it's the beginning of the rift in the
|
|
lute.''
|
|
|
|
``What lute?'' said her mother.
|
|
|
|
``It's a quotation,'' said Eleanor.
|
|
|
|
To say that anything was a quotation was an excellent
|
|
method, in Eleanor's eyes, for withdrawing it from
|
|
discussion, just as you could always defend indifferent lamb
|
|
late in the season by saying ``It's mutton.''
|
|
|
|
And, of course, Arlington Stringham continued to tread the
|
|
thorny path of conscious humour into which Fate had beckoned
|
|
him.
|
|
|
|
``The country's looking very green, but, after all, that's
|
|
what it's there for,'' he remarked to his wife two days
|
|
later.
|
|
|
|
``That's very modern, and I daresay very clever, but I'm
|
|
afraid it's wasted on me,'' she observed coldly. If she had
|
|
known how much effort it had cost him to make the remark she
|
|
might have greeted it in a kinder spirit. It is the tragedy
|
|
of human endeavour that it works so often unseen and
|
|
unguessed.
|
|
|
|
Arlington said nothing, not from injured pride, but
|
|
because he was thinking hard for something to say. Eleanor
|
|
mistook his silence for an assumption of tolerant
|
|
superiority, and her anger prompted her to a further gibe.
|
|
|
|
``You had better tell it to Lady Isobel. I've no doubt
|
|
she would appreciate it.''
|
|
|
|
Lady Isobel was seen everywhere with a fawn-coloured
|
|
collie at a time when every one else kept nothing but
|
|
Pekinese, and she had once eaten four green apples at an
|
|
afternoon tea in the Botanical Gardens, so she was widely
|
|
credited with a rather unpleasant wit. The censorious said
|
|
she slept in a hammock and understood Yeats's poems, but her
|
|
family denied both stories.
|
|
|
|
``The rift is widening to an abyss,'' said Eleanor to her
|
|
mother that afternoon.
|
|
|
|
``I should not tell that to any one,'' remarked her
|
|
mother, after long reflection.
|
|
|
|
``Naturally, I should not talk about it very much,'' said
|
|
Eleanor, ``but why shouldn't I mention it to any one?''
|
|
|
|
``Because you can't have an abyss in a lute. There isn't
|
|
room.''
|
|
|
|
Eleanor's outlook on life did not improve as the afternoon
|
|
wore on. The page-boy had brought from the library _By Mere
|
|
and Wold_ instead of _By Mere Chance_, the book which every
|
|
one denied having read. The unwelcome substitute appeared
|
|
to be a collection of nature notes contributed by the author
|
|
to the pages of some Northern weekly, and when one had been
|
|
prepared to plunge with disapproving mind into a regrettable
|
|
chronicle of ill-spent lives it was intensely irritating to
|
|
read ``the dainty yellow-hammers are now with us, and flaunt
|
|
their jaundiced livery from every bush and hillock.''
|
|
Besides, the thing was so obviously untrue; either there
|
|
must be hardly any bushes or hillocks in those parts or the
|
|
country must be fearfully overstocked with yellow-hammers.
|
|
The thing scarcely seemed worth telling such a lie about.
|
|
And the page-boy stood there, with his sleekly brushed and
|
|
parted hair, and his air of chaste and callous indifference
|
|
to the desires and passions of the world. Eleanor hated
|
|
boys, and she would have liked to have whipped this one long
|
|
and often. It was perhaps the yearning of a woman who had
|
|
no children of her own.
|
|
|
|
She turned at random to another paragraph. ``Lie quietly
|
|
concealed in the fern and bramble in the gap by the old
|
|
rowan tree, and you may see, almost every evening during
|
|
early summer, a pair of lesser whitethroats creeping up and
|
|
down the nettles and hedge-growth that mask their
|
|
nesting-place.''
|
|
|
|
The insufferable monotony of the proposed recreation!
|
|
Eleanor would not have watched the most brilliant
|
|
performance at His Majesty's Theatre for a single evening
|
|
under such uncomfortable circumstances, and to be asked to
|
|
watch lesser whitethroats creeping up and down a nettle
|
|
``almost every evening'' during the height of the season
|
|
struck her as an imputation on her intelligence that was
|
|
positively offensive. Impatiently she transferred her
|
|
attention to the dinner menu, which the boy had thoughtfully
|
|
brought in as an alternative to the more solid literary
|
|
fare. ``Rabbit curry,'' met her eye, and the lines of
|
|
disapproval deepened on her already puckered brow. The cook
|
|
was a great believer in the influence of environment, and
|
|
nourished an obstinate conviction that if you brought rabbit
|
|
and curry-powder together in one dish a rabbit curry would
|
|
be the result. And Clovis and the odious Bertie van Tahn
|
|
were coming to dinner. Surely, thought Eleanor, if
|
|
Arlington knew how much she had had that day to try her, he
|
|
would refrain from joke-making.
|
|
|
|
At dinner that night it was Eleanor herself who mentioned
|
|
the name of a certain statesman, who may be decently covered
|
|
under the disguise of X.
|
|
|
|
``X.,'' said Arlington Stringham, ``has the soul of a
|
|
meringue.''
|
|
|
|
It was a useful remark to have on hand, because it applied
|
|
equally well to four prominent statesmen of the day, which
|
|
quadrupled the opportunities for using it.
|
|
|
|
``Meringues haven't got souls,'' said Eleanor's mother.
|
|
|
|
``It's a mercy that they haven't,'' said Clovis; ``they
|
|
would be always losing them, and people like my aunt would
|
|
get up missions to meringues, and say it was wonderful how
|
|
much one could teach them and how much more one could learn
|
|
from them.''
|
|
|
|
``What could you learn from a meringue?'' asked Eleanor's
|
|
mother.
|
|
|
|
``My aunt has been known to learn humility from an
|
|
ex-Viceroy,'' said Clovis.
|
|
|
|
``I wish cook would learn to make curry, or have the sense
|
|
to leave it alone,'' said Arlington, suddenly and savagely.
|
|
|
|
Eleanor's face softened. It was like one of his old
|
|
remarks in the days when there was no abyss between them.
|
|
|
|
It was during the debate on the Foreign Office vote that
|
|
Stringham made his great remark that ``the people of Crete
|
|
unfortunately make more history than they can consume
|
|
locally.'' It was not brilliant, but it came in the middle
|
|
of a dull speech, and the House was quite pleased with it.
|
|
Old gentlemen with bad memories said it reminded them of
|
|
Disraeli.
|
|
|
|
It was Eleanor's friend, Gertrude Ilpton, who drew her
|
|
attention to Arlington's newest outbreak. Eleanor in these
|
|
days avoided the morning papers.
|
|
|
|
``It's very modern, and I suppose very clever,'' she
|
|
observed.
|
|
|
|
``Of course it's clever,'' said Gertrude; ``all Lady
|
|
Isobel's sayings are clever, and luckily they bear
|
|
repeating.''
|
|
|
|
``Are you sure it's one of her sayings?'' asked Eleanor.
|
|
|
|
``My dear, I've heard her say it dozens of times.''
|
|
|
|
``So that is where he gets his humour,'' said Eleanor
|
|
slowly, and the hard lines deepened round her mouth.
|
|
|
|
The death of Eleanor Stringham from an overdose of
|
|
chloral, occurring at the end of a rather uneventful season,
|
|
excited a certain amount of unobtrusive speculation.
|
|
Clovis, who perhaps exaggerated the importance of curry in
|
|
the home, hinted at domestic sorrow.
|
|
|
|
And of course Arlington never knew. It was the tragedy of
|
|
his life that he should miss the fullest effect of his
|
|
jesting.
|
|
|
|
SREDNI VASHTAR
|
|
|
|
Conradin was ten years old, and the doctor had pronounced
|
|
his professional opinion that the boy would not live another
|
|
five years. The doctor was silky and effete, and counted
|
|
for little, but his opinion was endorsed by Mrs. De Ropp,
|
|
who counted for nearly everything. Mrs. De Ropp was
|
|
Conradin's cousin and guardian, and in his eyes she
|
|
represented those three-fifths of the world that are
|
|
necessary and disagreeable and real; the other two-fifths,
|
|
in perpetual antagonism to the foregoing, were summed up in
|
|
himself and his imagination. One of these days Conradin
|
|
supposed he would succumb to the mastering pressure of
|
|
wearisome necessary things---such as illnesses and coddling
|
|
restrictions and drawn-out dulness. Without his
|
|
imagination, which was rampant under the spur of loneliness,
|
|
he would have succumbed long ago.
|
|
|
|
Mrs. De Ropp would never, in her honestest moments, have
|
|
confessed to herself that she disliked Conradin, though she
|
|
might have been dimly aware that thwarting him ``for his
|
|
good'' was a duty which she did not find particularly
|
|
irksome. Conradin hated her with a desperate sincerity
|
|
which he was perfectly able to mask. Such few pleasures as
|
|
he could contrive for himself gained an added relish from
|
|
the likelihood that they would be displeasing to his
|
|
guardian, and from the realm of his imagination she was
|
|
locked out---an unclean thing, which should find no
|
|
entrance.
|
|
|
|
In the dull, cheerless garden, overlooked by so many
|
|
windows that were ready to open with a message not to do
|
|
this or that, or a reminder that medicines were due, he
|
|
found little attraction. The few fruit-trees that it
|
|
contained were set jealously apart from his plucking, as
|
|
though they were rare specimens of their kind blooming in an
|
|
arid waste; it would probably have been difficult to find a
|
|
market-gardener who would have offered ten shillings for
|
|
their entire yearly produce. In a forgotten corner,
|
|
however, almost hidden behind a dismal shrubbery, was a
|
|
disused tool-shed of respectable proportions, and within its
|
|
walls Conradin found a haven, something that took on the
|
|
varying aspects of a playroom and a cathedral. He had
|
|
peopled it with a legion of familiar phantoms, evoked partly
|
|
from fragments of history and partly from his own brain, but
|
|
it also boasted two inmates of flesh and blood. In one
|
|
corner lived a ragged-plumaged Houdan hen, on which the boy
|
|
lavished an affection that had scarcely another outlet.
|
|
Further back in the gloom stood a large hutch, divided into
|
|
two compartments, one of which was fronted with close iron
|
|
bars. This was the abode of a large polecat-ferret, which a
|
|
friendly butcher-boy had once smuggled, cage and all, into
|
|
its present quarters, in exchange for a long-secreted hoard
|
|
of small silver. Conradin was dreadfully afraid of the
|
|
lithe, sharp-fanged beast, but it was his most treasured
|
|
possession. Its very presence in the tool-shed was a secret
|
|
and fearful joy, to be kept scrupulously from the knowledge
|
|
of the Woman, as he privately dubbed his cousin. And one
|
|
day, out of Heaven knows what material, he spun the beast a
|
|
wonderful name, and from that moment it grew into a god and
|
|
a religion. The Woman indulged in religion once a week at a
|
|
church near by, and took Conradin with her, but to him the
|
|
church service was an alien rite in the House of Rimmon.
|
|
Every Thursday, in the dim and musty silence of the
|
|
tool-shed, he worshipped with mystic and elaborate
|
|
ceremonial before the wooden hutch where dwelt Sredni
|
|
Vashtar, the great ferret. Red flowers in their season and
|
|
scarlet berries in the winter-time were offered at his
|
|
shrine, for he was a god who laid some special stress on the
|
|
fierce impatient side of things, as opposed to the Woman's
|
|
religion, which, as far as Conradin could observe, went to
|
|
great lengths in the contrary direction. And on great
|
|
festivals powdered nutmeg was strewn in front of his hutch,
|
|
an important feature of the offering being that the nutmeg
|
|
had to be stolen. These festivals were of irregular
|
|
occurrence, and were chiefly appointed to celebrate some
|
|
passing event. On one occasion, when Mrs. De Ropp suffered
|
|
from acute toothache for three days, Conradin kept up the
|
|
festival during the entire three days, and almost succeeded
|
|
in persuading himself that Sredni Vashtar was personally
|
|
responsible for the toothache. If the malady had lasted for
|
|
another day the supply of nutmeg would have given out.
|
|
|
|
The Houdan hen was never drawn into the cult of Sredni
|
|
Vashtar. Conradin had long ago settled that she was an
|
|
Anabaptist. He did not pretend to have the remotest
|
|
knowledge as to what an Anabaptist was, but he privately
|
|
hoped that it was dashing and not very respectable. Mrs. De
|
|
Ropp was the ground plan on which he based and detested all
|
|
respectability.
|
|
|
|
After a while Conradin's absorption in the tool-shed began
|
|
to attract the notice of his guardian. ``It is not good for
|
|
him to be pottering down there in all weathers,'' she
|
|
promptly decided, and at breakfast one morning she announced
|
|
that the Houdan hen had been sold and taken away overnight.
|
|
With her short-sighted eyes she peered at Conradin, waiting
|
|
for an outbreak of rage and sorrow, which she was ready to
|
|
rebuke with a flow of excellent precepts and reasoning. But
|
|
Conradin said nothing: there was nothing to be said.
|
|
Something perhaps in his white set face gave her a momentary
|
|
qualm, for at tea that afternoon there was toast on the
|
|
table, a delicacy which she usually banned on the ground
|
|
that it was bad for him; also because the making of it
|
|
``gave trouble,'' a deadly offence in the middle-class
|
|
feminine eye.
|
|
|
|
``I thought you liked toast,'' she exclaimed, with an
|
|
injured air, observing that he did not touch it.
|
|
|
|
``Sometimes,'' said Conradin.
|
|
|
|
In the shed that evening there was an innovation in the
|
|
worship of the hutch-god. Conradin had been wont to chant
|
|
his praises, tonight be asked a boon.
|
|
|
|
``Do one thing for me, Sredni Vashtar.''
|
|
|
|
The thing was not specified. As Sredni Vashtar was a god
|
|
he must be supposed to know. And choking back a sob as he
|
|
looked at that other empty comer, Conradin went back to the
|
|
world he so hated.
|
|
|
|
And every night, in the welcome darkness of his bedroom,
|
|
and every evening in the dusk of the tool-shed, Conradin's
|
|
bitter litany went up: ``Do one thing for me, Sredni
|
|
Vashtar.''
|
|
|
|
Mrs. De Ropp noticed that the visits to the shed did not
|
|
cease, and one day she made a further journey of inspection.
|
|
|
|
``What are you keeping in that locked hutch?'' she asked.
|
|
``I believe it's guinea-pigs. I'll have them all cleared
|
|
away.''
|
|
|
|
Conradin shut his lips tight, but the Woman ransacked his
|
|
bedroom till she found the carefully hidden key, and
|
|
forthwith marched down to the shed to complete her
|
|
discovery. It was a cold afternoon, and Conradin had been
|
|
bidden to keep to the house. From the furthest window of
|
|
the dining-room the door of the shed could just be seen
|
|
beyond the corner of the shrubbery, and there Conradin
|
|
stationed himself. He saw the Woman enter, and then be
|
|
imagined her opening the door of the sacred hutch and
|
|
peering down with her short-sighted eyes into the thick
|
|
straw bed where his god lay hidden. Perhaps she would prod
|
|
at the straw in her clumsy impatience. And Conradin
|
|
fervently breathed his prayer for the last time. But he
|
|
knew as he prayed that he did not believe. He knew that the
|
|
Woman would come out presently with that pursed smile he
|
|
loathed so well on her face, and that in an hour or two the
|
|
gardener would carry away his wonderful god, a god no
|
|
longer, but a simple brown ferret in a hutch. And he knew
|
|
that the Woman would triumph always as she triumphed now,
|
|
and that he would grow ever more sickly under her pestering
|
|
and domineering and superior wisdom, till one day nothing
|
|
would matter much more with him, and the doctor would be
|
|
proved right. And in the sting and misery of his defeat, he
|
|
began to chant loudly and defiantly the hymn of his
|
|
threatened idol:
|
|
|
|
Sredni Vashtar went forth,
|
|
His thoughts were red thoughts and his teeth were white.
|
|
His enemies called for peace, but he brought them death.
|
|
Sredni Vashtar the Beautiful.
|
|
|
|
And then of a sudden he stopped his chanting and drew
|
|
closer to the window-pane. The door of the shed still stood
|
|
ajar as it had been left, and the minutes were slipping by.
|
|
They were long minutes, but they slipped by nevertheless.
|
|
He watched the starlings running and flying in little
|
|
parties across the lawn; he counted them over and over
|
|
again, with one eye always on that swinging door. A
|
|
sour-faced maid came in to lay the table for tea, and still
|
|
Conradin stood and waited and watched. Hope had crept by
|
|
inches into his heart, and now a look of triumph began to
|
|
blaze in his eyes that had only known the wistful patience
|
|
of defeat. Under his breath, with a furtive exultation, he
|
|
began once again the p<ae>an of victory and devastation.
|
|
And presently his eyes were rewarded: out through that
|
|
doorway came a long, low, yellow-and-brown beast, with eyes
|
|
a-blink at the waning daylight, and dark wet stains around
|
|
the fur of jaws and throat. Conradin dropped on his knees.
|
|
The great polecat-ferret made its way down to a small brook
|
|
at the foot of the garden, drank for a moment, then crossed
|
|
a little plank bridge and was lost to sight in the bushes.
|
|
Such was the passing of Sredni Vashtar.
|
|
|
|
``Tea is ready,'' said the sour-faced maid; ``where is the
|
|
mistress?'' ``She went down to the shed some time ago,''
|
|
said Conradin. And while the maid went to summon her
|
|
mistress to tea, Conradin fished a toasting-fork out of the
|
|
sideboard drawer and proceeded to toast himself a piece of
|
|
bread. And during the toasting of it and the buttering of
|
|
it with much butter and the slow enjoyment of eating it,
|
|
Conradin listened to the noises and silences which fell in
|
|
quick spasms beyond the dining-room door. The loud foolish
|
|
screaming of the maid, the answering chorus of wondering
|
|
ejaculations from the kitchen region, the scuttering
|
|
footsteps and hurried embassies for outside help, and then,
|
|
after a lull, the scared sobbings and the shuffling tread of
|
|
those who bore a heavy burden into the house.
|
|
|
|
``Whoever will break it to the poor child? I couldn't for
|
|
the life of me!'' exclaimed a shrill voice. And while they
|
|
debated the matter among themselves, Conradin made himself
|
|
another piece of toast.
|
|
|
|
ADRIAN
|
|
A Chapter in Acclimatization
|
|
|
|
His baptismal register spoke of him pessimistically as
|
|
John Henry, but he had left that behind with the other
|
|
maladies of infancy, and his friends knew him under the
|
|
front-name of Adrian. His mother lived in Bethnal Green,
|
|
which was not altogether his fault; one can discourage too
|
|
much history in one's family, but one cannot always prevent
|
|
geography. And, after all, the Bethnal Green habit has this
|
|
virtue---that it is seldom transmitted to the next
|
|
generation. Adrian lived in a roomlet which came under the
|
|
auspicious constellation of W.
|
|
|
|
How he lived was to a great extent a mystery even to
|
|
himself; his struggle for existence probably coincided in
|
|
many material details with the rather dramatic accounts he
|
|
gave of it to sympathetic acquaintances. All that is
|
|
definitely known is that he now and then emerged from the
|
|
struggle to dine at the Ritz or Carlton, correctly garbed
|
|
and with a correctly critical appetite. On these occasions
|
|
he was usually the guest of Lucas Croyden, an amiable
|
|
worldling, who had three thousand a year and a taste for
|
|
introducing impossible people to irreproachable cookery.
|
|
Like most men who combine three thousand a year with an
|
|
uncertain digestion, Lucas was a Socialist, and he argued
|
|
that you cannot hope to elevate the masses until you have
|
|
brought plovers' eggs into their lives and taught them to
|
|
appreciate the difference between coupe Jacques and
|
|
Mac<e'>doine de fruits. His friends pointed out that it was
|
|
a doubtful kindness to initiate a boy from behind a drapery
|
|
counter into the blessedness of the higher catering, to
|
|
which Lucas invariably replied that all kindnesses were
|
|
doubtful. Which was perhaps true.
|
|
|
|
It was after one of his Adrian evenings that Lucas met
|
|
his aunt, Mrs. Mebberley, at a fashionable teashop, where
|
|
the lamp of family life is still kept burning and you meet
|
|
relatives who might otherwise have slipped your memory.
|
|
|
|
``Who was that good-looking boy who was dining with you
|
|
last night?'' she asked. ``He looked much too nice to be
|
|
thrown away upon you.''
|
|
|
|
Susan Mebberley was a charming woman, but she was also an
|
|
aunt.
|
|
|
|
``Who are his people?'' she continued, when the
|
|
prot<e'>g<e'>'s name (revised version) had been given her.
|
|
|
|
``His mother lives at Beth---''
|
|
|
|
Lucas checked himself on the threshold of what was perhaps
|
|
a social indiscretion.
|
|
|
|
``Beth? Where is it? It sounds like Asia Minor. Is she
|
|
mixed up with Consular people?''
|
|
|
|
``Oh, no. Her work lies among the poor.''
|
|
|
|
This was a side-slip into truth. The mother of Adrian was
|
|
employed in a laundry.
|
|
|
|
``I see,'' said Mrs. Mebberley, ``mission work of some
|
|
sort. And meanwhile the boy has no one to look after him.
|
|
It's obviously my duty to see that he doesn't come to harm.
|
|
Bring him to call on me.''
|
|
|
|
``My dear Aunt Susan,'' expostulated Lucas, ``I really
|
|
know very little about him. He may not be at all nice, you
|
|
know, on further acquaintance.''
|
|
|
|
``He has delightful hair and a weak mouth. I shall take
|
|
him with me to Homburg or Cairo.''
|
|
|
|
``It's the maddest thing I ever heard of,'' said Lucas
|
|
angrily.
|
|
|
|
``Well, there is a strong strain of madness in our family.
|
|
If you haven't noticed it yourself all your friends must
|
|
have.''
|
|
|
|
``One is so dreadfully under everybody's eyes at Homburg.
|
|
At least you might give him a preliminary trial at
|
|
Etretat.''
|
|
|
|
``And be surrounded by Americans trying to talk French?
|
|
No, thank you. I love Americans, but not when they try to
|
|
talk French. What a blessing it is that they never try to
|
|
talk English. Tomorrow at five you can bring your young
|
|
friend to call on me.''
|
|
|
|
And Lucas, realizing that Susan Mebberley was a woman as
|
|
well as an aunt, saw that she would have to be allowed to
|
|
have her own way.
|
|
|
|
Adrian was duly carried abroad under the Mebberley wing;
|
|
but as a reluctant concession to sanity Homburg and other
|
|
inconveniently fashionable resorts were given a wide berth,
|
|
and the Mebberley establishment planted itself down in the
|
|
best hotel at Dohledorf, an Alpine townlet somewhere at the
|
|
back of the Engadine. It was the usual kind of resort, with
|
|
the usual type of visitors, that one finds over the greater
|
|
part of Switzerland during the summer season, but to Adrian
|
|
it was all unusual. The mountain air, the certainty of
|
|
regular and abundant meals, and in particular the social
|
|
atmosphere, affected him much as the indiscriminating
|
|
fervour of a forcing-house might affect a weed that had
|
|
strayed within its limits. He had been brought up in a world
|
|
where breakages were regarded as crimes and expiated as
|
|
such; it was something new and altogether exhilarating to
|
|
find that you were considered rather amusing if you smashed
|
|
things in the right manner and at the recognized hours.
|
|
Susan Mebberley had expressed the intention of showing
|
|
Adrian a bit of the world; the particular bit of the world
|
|
represented by Dohledorf began to be shown a good deal of
|
|
Adrian.
|
|
|
|
Lucas got occasional glimpses of the Alpine sojourn, not
|
|
from his aunt or Adrian, but from the industrious pen of
|
|
Clovis, who was also moving as a satellite in the Mebberley
|
|
constellation.
|
|
|
|
``The entertainment which Susan got up last night ended in
|
|
disaster. I thought it would. The Grobmayer child, a
|
|
particularly loathsome five-year-old, had appeared as
|
|
`Bubbles' during the early part of the evening, and been put
|
|
to bed during the interval. Adrian watched his opportunity
|
|
and kidnapped it when the nurse was downstairs, and
|
|
introduced it during the second half of the entertainment,
|
|
thinly disguised as a performing pig. It certainly looked
|
|
very like a pig, and grunted and slobbered just like the
|
|
real article; no one knew exactly what it was, but every one
|
|
said it was awfully clever, especially the Grobmayers. At
|
|
the third curtain Adrian pinched it too hard, and it yelled
|
|
`Marmar'! I am supposed to be good at descriptions, but
|
|
don't ask me to describe the sayings and doings of the
|
|
Grobmayers at that moment; it was like one of the angrier
|
|
Psalms set to Strauss's music. We have moved to an hotel
|
|
higher up the valley.''
|
|
|
|
Clovis's next letter arrived five days later, and was
|
|
written from the Hotel Steinbock.
|
|
|
|
``We left the Hotel Victoria this morning. It was fairly
|
|
comfortable and quiet---at least there was an air of repose
|
|
about it when we arrived. Before we had been in residence
|
|
twenty-four hours most of the repose had vanished `like a
|
|
dutiful bream,' as Adrian expressed it. However, nothing
|
|
unduly outrageous happened till last night, when Adrian had
|
|
a fit of insomnia and amused himself by unscrewing and
|
|
transposing all the bedroom numbers on his floor. He
|
|
transferred the bathroom label to the adjoining bedroom
|
|
door, which happened to be that of Frau Hofrath Schilling,
|
|
and this morning from seven o'clock onwards the old lady had
|
|
a stream of involuntary visitors; she was too horrified and
|
|
scandalized it seems to get up and lock her door. The
|
|
would-be bathers flew back in confusion to their rooms, and,
|
|
of course, the change of numbers led them astray again, and
|
|
the corridor gradually filled with panic-stricken, scantily
|
|
robed humans, dashing wildly about like rabbits in a
|
|
ferret-infested warren. It took nearly an hour before the
|
|
guests were all sorted into their respective rooms, and the
|
|
Frau Hofrath's condition was still causing some anxiety when
|
|
we left. Susan is beginning to look a little worried. She
|
|
can't very well turn the boy adrift, as he hasn't got any
|
|
money, and she can't send him to his people as she doesn't
|
|
know where they are. Adrian says his mother moves about a
|
|
good deal and he's lost her address. Probably, if the truth
|
|
were known, he's had a row at home. So many boys nowadays
|
|
seem to think that quarrelling with one's family is a
|
|
recognized occupation.''
|
|
|
|
Lucas's next communication from the travellers took the
|
|
form of a telegram from Mrs. Mebberley herself. It was sent
|
|
``reply prepaid,'' and consisted of a single sentence: ``In
|
|
Heaven's name, where is Beth?''
|
|
|
|
THE CHAPLET
|
|
|
|
A strange stillness hung over the restaurant; it was one
|
|
of those rare moments when the orchestra was not discoursing
|
|
the strains of the Ice-cream Sailor waltz.
|
|
|
|
``Did I ever tell you,'' asked Clovis of his friend, ``the
|
|
tragedy of music at mealtimes?
|
|
|
|
``It was a gala evening at the Grand Sybaris Hotel, and a
|
|
special dinner was being served in the Amethyst dining-hall.
|
|
The Amethyst dining-hall had almost a European reputation,
|
|
especially with that section of Europe which is historically
|
|
identified with the Jordan Valley. Its cooking was beyond
|
|
reproach, and its orchestra was sufficiently highly salaried
|
|
to be above criticism. Thither came in shoals the intensely
|
|
musical and the almost intensely musical, who are very many,
|
|
and in still greater numbers the merely musical, who know
|
|
how Tschaikowsky's name is pronounced and can recognize
|
|
several of Chopin's nocturnes if you give them due warning;
|
|
these eat in the nervous, detached manner of roebuck feeding
|
|
in the open, and keep anxious ears cocked towards the
|
|
orchestra for the first hint of a recognizable melody.
|
|
|
|
`` `Ah, yes, Pagliacci,' they murmur, as the opening
|
|
strains follow hot upon the soup, and if no contradiction is
|
|
forthcoming from any better-informed quarter they break
|
|
forth into subdued humming by way of supplementing the
|
|
efforts of the musicians. Sometimes the melody starts on
|
|
level terms with the soup, in which case the banqueters
|
|
contrive somehow to hum between the spoonfuls; the facial
|
|
expression of enthusiasts who are punctuating potage St.
|
|
Germain with Pagliacci is not beautiful, but it should be
|
|
seen by those who are bent on observing all sides of life.
|
|
One cannot discount the unpleasant things of this world
|
|
merely by looking the other way.
|
|
|
|
``In addition to the aforementioned types the restaurant
|
|
was patronized by a fair sprinkling of the absolutely
|
|
non-musical; their presence in the dining-hall could only be
|
|
explained on the supposition that they had come there to
|
|
dine.
|
|
|
|
``The earlier stages of the dinner had worn off. The wine
|
|
lists had been consulted, by some with the blank
|
|
embarrassment of a school-boy suddenly called on to locate a
|
|
Minor Prophet in the tangled hinterland of the Old
|
|
Testament, by others with the severe scrutiny which suggests
|
|
that they have visited most of the higher-priced wines in
|
|
their own homes and probed their family weaknesses. The
|
|
diners who chose their wine in the latter fashion always
|
|
gave their orders in a penetrating voice, with a plentiful
|
|
garnishing of stage directions. By insisting on having your
|
|
bottle pointing to the north when the cork is being drawn,
|
|
and calling the waiter Max, you may induce an impression on
|
|
your guests which hours of laboured boasting might be
|
|
powerless to achieve. For this purpose, however, the guests
|
|
must be chosen as carefully as the wine.
|
|
|
|
``Standing aside from the revellers in the shadow of a
|
|
massive pillar was an interested spectator who was assuredly
|
|
of the feast, and yet not in it. Monsieur Aristide Saucourt
|
|
was the chef of the Grand Sybaris Hotel, and if he had an
|
|
equal in his profession he had never acknowledged the fact.
|
|
In his own domain he was a potentate, hedged around with the
|
|
cold brutality that Genius expects rather than excuses in
|
|
her children; he never forgave, and those who served him
|
|
were careful that there should be little to forgive. In the
|
|
outer world, the world which devoured his creations, he was
|
|
an influence; how profound or how shallow an influence he
|
|
never attempted to guess. It is the penalty and the
|
|
safeguard of genius that it computes itself by troy weight
|
|
in a world that measures by vulgar hundredweights.
|
|
|
|
Once in a way the great man would be seized with a desire
|
|
to watch the effect of his master-efforts, just as the
|
|
guiding brain of Krupp's might wish at a supreme moment to
|
|
intrude into the firing line of an artillery duel. And such
|
|
an occasion was the present. For the first time in the
|
|
history of the Grand Sybaris Hotel, he was presenting to its
|
|
guests the dish which he had brought to that pitch of
|
|
perfection which almost amounts to scandal. Canetons <a`>
|
|
la mode d'Ambl<`e>ve. In thin gilt lettering on the creamy
|
|
white of the menu how little those words conveyed to the
|
|
bulk of the imperfectly educated diners. And yet how much
|
|
specialized effort had been lavished, how much carefully
|
|
treasured lore had been ungarnered, before those six words
|
|
could be written. In the Department of Deux-S<e`>vres
|
|
ducklings had lived peculiar and beautiful lives and died in
|
|
the odour of satiety to furnish the main theme of the dish;
|
|
champignons, which even a purist for Saxon English would
|
|
have hesitated to address as mushrooms, had contributed
|
|
their languorous atrophied bodies to the garnishing, and a
|
|
sauce devised in the twilight reign of the Fifteenth Louis
|
|
had been summoned back from the imperishable past to take
|
|
its part in the wonderful confection. Thus far had human
|
|
effort laboured to achieve the desired result; the rest had
|
|
been left to human genius---the genius of Aristide Saucourt.
|
|
|
|
``And now the moment had arrived for the serving of the
|
|
great dish, the dish which world-weary Grand Dukes and
|
|
market-obsessed money magnates counted among their happiest
|
|
memories. And at the same moment something else happened.
|
|
The leader of the highly salaried orchestra placed his
|
|
violin caressingly against his chin, lowered his eyelids,
|
|
and floated into a sea of melody.
|
|
|
|
`` `Hark!' said most of the diners, `he is playing ``The
|
|
Chaplet.'' '
|
|
|
|
``They knew it was `The Chaplet' because they had heard it
|
|
played at luncheon and afternoon tea, and at supper the
|
|
night before, and had not had time to forget.
|
|
|
|
`` `Yes, he is playing ``The Chaplet,'' ' they reassured
|
|
one another. The general voice was unanimous on the
|
|
subject. The orchestra had already played it eleven times
|
|
that day, four times by desire and seven times from force of
|
|
habit, but the familiar strains were greeted with the
|
|
rapture due to a revelation. A murmur of much humming rose
|
|
from half the tables in the room, and some of the more
|
|
overwrought listeners laid down knife and fork in order to
|
|
be able to burst in with loud clappings at the earliest
|
|
permissible moment.
|
|
|
|
``And the Canetons <`a> la mode d'Ambl<e`>ve? In
|
|
stupefied, sickened wonder Aristide watched them grow cold
|
|
in total neglect, or suffer the almost worse indignity of
|
|
perfunctory pecking and listless munching while the
|
|
banqueters lavished their approval and applause on the
|
|
music-makers. Calves' liver and bacon, with parsley sauce,
|
|
could hardly have figured more ignominiously in the
|
|
evening's entertainment. And while the master of culinary
|
|
art leaned back against the sheltering pillar, choking with
|
|
a horrible brain-searing rage that could find no outlet for
|
|
its agony, the orchestra leader was bowing his
|
|
acknowledgments of the hand-clappings that rose in a storm
|
|
around him. Turning to his colleagues he nodded the signal
|
|
for an encore. But before the violin had been lifted anew
|
|
into position there came from the shadow of the pillar an
|
|
explosive negative.
|
|
|
|
`` `Noh! Noh! You do not play thot again!'
|
|
|
|
``The musician turned in furious astonishment. Had he
|
|
taken warning from the look in the other man's eyes he might
|
|
have acted differently. But the admiring plaudits were
|
|
ringing in his ears, and he snarled out sharply, `That is
|
|
for me to decide.'
|
|
|
|
`` `Noh! You play thot never again,' shouted the chef, and
|
|
the next moment he had flung himself violently upon the
|
|
loathed being who had supplanted him in the world's esteem.
|
|
A large metal tureen, filled to the brim with steaming soup,
|
|
had just been placed on a side table in readiness for a late
|
|
party of diners; before the waiting staff or the guests had
|
|
time to realize what was happening, Aristide had dragged his
|
|
struggling victim up to the table and plunged his head deep
|
|
down into the almost boiling contents of the tureen. At the
|
|
further end of the room the diners were still spasmodically
|
|
applauding in view of an encore.
|
|
|
|
``Whether the leader of the orchestra died from drowning
|
|
by soup, or from the shock to his professional vanity, or
|
|
was scalded to death, the doctors were never wholly able to
|
|
agree. Monsieur Aristide Saucourt, who now lives in
|
|
complete retirement, always inclined to the drowning
|
|
theory.''
|
|
|
|
THE QUEST
|
|
|
|
An unwonted peace hung over the Villa Elsinore, broken,
|
|
however, at frequent intervals, by clamorous lamentations
|
|
suggestive of bewildered bereavement. The Momebys had lost
|
|
their infant child; hence the peace which its absence
|
|
entailed; they were looking for it in wild, undisciplined
|
|
fashion, giving tongue the whole time, which accounted for
|
|
the outcry which swept through house and garden whenever
|
|
they returned to try the home coverts anew. Clovis, who was
|
|
temporarily and unwillingly a paying guest at the villa, had
|
|
been dozing in a hammock at the far end of the garden when
|
|
Mrs. Momeby had broken the news to him.
|
|
|
|
``We've lost Baby,'' she screamed.
|
|
|
|
``Do you mean that it's dead, or stampeded, or that you
|
|
staked it at cards and lost it that way?'' asked Clovis
|
|
lazily.
|
|
|
|
``He was toddling about quite happily on the lawn,'' said
|
|
Mrs. Momeby tearfully, ``and Arnold had just come in, and I
|
|
was asking him what sort of sauce he would like with the
|
|
asparagus---''
|
|
|
|
``I hope he said hollandaise,'' interrupted Clovis, with a
|
|
show of quickened interest, ``because if there's anything I
|
|
hate---''
|
|
|
|
``And all of a sudden I missed Baby,'' continued Mrs.
|
|
Momeby in a shriller tone. ``We've hunted high and low, in
|
|
house and garden and outside the gates, and he's nowhere to
|
|
be seen.''
|
|
|
|
``Is he anywhere to be heard?'' asked Clovis; ``if not, he
|
|
must be at least two miles away.''
|
|
|
|
``But where? And how?'' asked the distracted mother.
|
|
|
|
``Perhaps an eagle or a wild beast has carried him off,''
|
|
suggested Clovis.
|
|
|
|
``There aren't eagles and wild beasts in Surrey,'' said
|
|
Mrs. Momeby, but a note of horror had crept into her voice.
|
|
|
|
``They escape now and then from travelling shows.
|
|
Sometimes I think they let them get loose for the sake of
|
|
the advertisement. Think what a sensational headline it
|
|
would make in the local papers: `Infant son of prominent
|
|
Nonconformist devoured by spotted hy<ae>na.' Your husband
|
|
isn't a prominent Nonconformist, but his mother came of
|
|
Wesleyan stock, and you must allow the newspapers some
|
|
latitude.''
|
|
|
|
``But we should have found his remains,'' sobbed Mrs.
|
|
Momeby.
|
|
|
|
``If the hy<ae>na was really hungry and not merely toying
|
|
with his food there wouldn't be much in the way of remains.
|
|
It would be like the small-boy-and-apple story---there ain't
|
|
going to be no core.''
|
|
|
|
Mrs. Momeby turned away hastily to seek comfort and
|
|
counsel in some other direction. With the selfish
|
|
absorption of young motherhood she entirely disregarded
|
|
Clovis's obvious anxiety about the asparagus sauce. Before
|
|
she had gone a yard, however, the click of the side gate
|
|
caused her to pull up sharp. Miss Gilpet, from the Villa
|
|
Peterhof, had come over to hear details of the bereavement.
|
|
Clovis was already rather bored with the story, but Mrs.
|
|
Momeby was equipped with that merciless faculty which finds
|
|
as much joy in the ninetieth time of telling as in the
|
|
first.
|
|
|
|
``Arnold had just come in; he was complaining of
|
|
rheumatism---''
|
|
|
|
``There are so many things to complain of in this
|
|
household that it would never have occurred to me to
|
|
complain of rheumatism,'' murmured Clovis.
|
|
|
|
``He was complaining of rheumatism,'' continued Mrs.
|
|
Momeby, trying to throw a chilling inflection into a voice
|
|
that was already doing a good deal of sobbing and talking at
|
|
high pressure as well.
|
|
|
|
She was again interrupted.
|
|
|
|
``There is no such thing as rheumatism,'' said Miss
|
|
Gilpet. She said it with the conscious air of defiance that
|
|
a waiter adopts in announcing that the cheapest-priced
|
|
claret in the wine-list is no more. She did not proceed,
|
|
however, to offer the alternative of some more expensive
|
|
malady, but denied the existence of them all.
|
|
|
|
Mrs. Momebys temper began to shine out through her grief.
|
|
|
|
``I suppose you'll say next that Baby hasn't really
|
|
disappeared.''
|
|
|
|
``He has disappeared,'' conceded Miss Gilpet, ``but only
|
|
because you haven't sufficient faith to find him. It's only
|
|
lack of faith on your part that prevents him from being
|
|
restored to you safe and well.''
|
|
|
|
``But if he's been eaten in the meantime by a hy<ae>na and
|
|
partly digested,'' said Clovis, who clung affectionately to
|
|
his wild beast theory, ``surely some ill-effects would be
|
|
noticeable?''
|
|
|
|
Miss Gilpet was rather staggered by this complication of
|
|
the question.
|
|
|
|
``I feel sure that a hy<ae>na has not eaten him,'' she
|
|
said lamely.
|
|
|
|
``The hy<ae>na may be equally certain that it has. You
|
|
see, it may have just as much faith as you have, and more
|
|
special knowledge as to the present whereabouts of the
|
|
baby.''
|
|
|
|
Mrs. Momeby was in tears again. ``If you have faith,'' she
|
|
sobbed, struck by a happy inspiration, ``won't you find our
|
|
little Erik for us? I am sure you have powers that are
|
|
denied to us.''
|
|
|
|
Rose-Marie Gilpet was thoroughly sincere in her adherence
|
|
to Christian Science principles; whether she understood or
|
|
correctly expounded them the learned in such manners may
|
|
best decide. In the present case she was undoubtedly
|
|
confronted with a great opportunity, and as she started
|
|
forth on her vague search she strenuously summoned to her
|
|
aid every scrap of faith that she possessed. She passed out
|
|
into the bare and open high road, followed by Mrs. Momeby's
|
|
warning, ``It's no use going there, we've searched there a
|
|
dozen times.'' But Rose-Marie's ears were already deaf to
|
|
all things save self-congratulation; for sitting in the
|
|
middle of the highway, playing contentedly with the dust and
|
|
some faded buttercups, was a white-pinafored baby with a mop
|
|
of tow-coloured hair tied over one temple with a pale-blue
|
|
ribbon. Taking first the usual feminine precaution of
|
|
looking to see that no motor-car was on the distant horizon,
|
|
Rose-Marie dashed at the child and bore it, despite its
|
|
vigorous opposition, in through the portals of Elsinore.
|
|
The child's furious screams had already announced the fact
|
|
of its discovery, and the almost hysterical parents raced
|
|
down the lawn to meet their restored offspring. The
|
|
<ae>sthetic value of the scene was marred in some degree by
|
|
Rose-Marie's difficulty in holding the struggling infant,
|
|
which was borne wrong-end foremost towards the agitated
|
|
bosom of its family. ``Our own little Erik come back to
|
|
us,'' cried the Momebys in unison; as the child had rammed
|
|
its fists tightly into its eye-sockets and nothing could be
|
|
seen of its face but a widely gaping mouth, the recognition
|
|
was in itself almost an act of faith.
|
|
|
|
``Is he glad to get back to Daddy and Mummy again?''
|
|
crooned Mrs. Momeby; the preference which the child was
|
|
showing for, its dust and buttercup distractions was so
|
|
marked that the question struck Clovis as being
|
|
unnecessarily tactless.
|
|
|
|
``Give him a ride on the roly-poly,'' suggested the father
|
|
brilliantly, as the howls continued with no sign of early
|
|
abatement. In a moment the child had been placed astride
|
|
the big garden roller and a preliminary tug was given to set
|
|
it in motion. From the hollow depths of the cylinder came
|
|
an earsplitting roar, drowning even the vocal efforts of the
|
|
squalling baby, and immediately afterwards there crept forth
|
|
a white-pinafored infant with a mop of tow-coloured hair
|
|
tied over one temple with a pale blue ribbon. There was no
|
|
mistaking either the features or the lung-power of the new
|
|
arrival.
|
|
|
|
``Our own little Erik,'' screamed Mrs. Momeby, pouncing on
|
|
him and nearly smothering him with kisses; ``did he hide in
|
|
the roly-poly to give us all a big fright?''
|
|
|
|
This was the obvious explanation of the child's sudden
|
|
disappearance and equally abrupt discovery. There remained,
|
|
however, the problem of the interloping baby, which now sat
|
|
whimpering on the lawn in a disfavour as chilling as its
|
|
previous popularity had been unwelcome. The Momebys glared
|
|
at it as though it had wormed its way into their short-lived
|
|
affections by heartless and unworthy pretences. Miss
|
|
Gilpet's face took on an ashen tinge as she stared
|
|
helplessly at the bunched-up figure that had been such a
|
|
gladsome sight to her eyes a few moments ago.
|
|
|
|
``When love is over, how little of love even the lover
|
|
understands,'' quoted Clovis to himself.
|
|
|
|
Rose-Marie was the first to break the silence.
|
|
|
|
``If that is Erik you have in your arms, who is---that?''
|
|
|
|
``That, I think, is for you to explain,'' said Mrs. Momeby
|
|
stiffly.
|
|
|
|
``Obviously,'' said Clovis, ``it's a duplicate Erik that
|
|
your powers of faith called into being. The question is:
|
|
What are you going to do with him?''
|
|
|
|
The ashen pallor deepened in Rose-Marie's cheeks. Mrs.
|
|
Momeby clutched the genuine Erik closer to her side, as
|
|
though she feared that her uncanny neighbour might out of
|
|
sheer pique turn him into a bowl of gold-fish.
|
|
|
|
``I found him sitting in the middle of the road,'' said
|
|
Rose-Marie weakly.
|
|
|
|
``You can't take him back and leave him there,'' said
|
|
Clovis; ``the highway is meant for traffic, not to be used
|
|
as a lumber-room for disused miracles.''
|
|
|
|
Rose-Marie wept. The proverb ``Weep and you weep alone,''
|
|
broke down as badly on application as most of its kind.
|
|
Both babies were wailing lugubriously, and the parent
|
|
Momebys had scarcely recovered from their earlier lachrymose
|
|
condition. Clovis alone maintained an unruffled
|
|
cheerfulness.
|
|
|
|
``Must I keep him always?'' asked Rose-Marie dolefully.
|
|
|
|
``Not always,'' said Clovis consolingly; ``he can go into
|
|
the Navy when he's thirteen.'' Rose-Marie wept afresh.
|
|
|
|
``Of course,'' added Clovis, ``there may be no end of a
|
|
bother about his birth certificate. You'll have to explain
|
|
matters to the Admiralty, and they're dreadfully
|
|
hidebound.''
|
|
|
|
It was rather a relief when a breathless nursemaid from
|
|
the Villa Charlottenburg over the way came running across
|
|
the lawn to claim little Percy, who had slipped out of the
|
|
front gate and disappeared like a twinkling from the high
|
|
road.
|
|
|
|
And even then Clovis found it necessary to go in person to
|
|
the kitchen to make sure about the asparagus sauce.
|
|
|
|
WRATISLAV
|
|
|
|
The Gr<a:>fin's two elder sons had made deplorable
|
|
marriages. It was, observed Clovis, a family habit. The
|
|
youngest boy, Wratislav, who was the black sheep of a rather
|
|
greyish family, had as yet made no marriage at all.
|
|
|
|
``There is certainly this much to be said for
|
|
viciousness,'' said the Gr<a:>fin, ``it keeps boys out of
|
|
mischief.''
|
|
|
|
``Does it?'' asked the Baroness Sophie, not by way of
|
|
questioning the statement, but with a painstaking effort to
|
|
talk intelligently. It was the one matter in which she
|
|
attempted to override the decrees of Providence, which had
|
|
obviously never intended that she should talk otherwise than
|
|
inanely.
|
|
|
|
``I don't know why I shouldn't talk cleverly,'' she would
|
|
complain; ``my mother was considered a brilliant
|
|
conversationalist.''
|
|
|
|
``These things have a way of skipping one generation,''
|
|
said the Gr<a:>fin.
|
|
|
|
``That seems so unjust,'' said Sophie; ``one doesn't
|
|
object to one's mother having outshone one as a clever
|
|
talker, but I must admit that I should be rather annoyed if
|
|
my daughters talked brilliantly.''
|
|
|
|
``Well, none of them do,'' said the Gr<a:>fin consolingly.
|
|
|
|
``I don't know about that,'' said the Baroness, promptly
|
|
veering round in defence of her offspring. ``Elsa said
|
|
something quite clever on Thursday about the Triple
|
|
Alliance. Something about it being like a paper umbrella,
|
|
that was all right as long as you didn't take it out in the
|
|
rain. It's not every one who could say that.''
|
|
|
|
``Every one has said it; at least every one that I know.
|
|
But then I know very few people.''
|
|
|
|
``I don't think you're particularly agreeable today.''
|
|
|
|
``I never am. Haven't you noticed that women with a
|
|
really perfect profile like mine are seldom even moderately
|
|
agreeable?''
|
|
|
|
``I don't think your profile is so perfect as all that,''
|
|
said the Baroness.
|
|
|
|
``It would be surprising if it wasn't. My mother was one
|
|
of the most noted classical beauties of her day.''
|
|
|
|
``These things sometimes skip a generation, you know,''
|
|
put in the Baroness, with the breathless haste of one to
|
|
whom repartee comes as rarely as the finding of a
|
|
gold-handled umbrella.
|
|
|
|
``My dear Sophie,'' said the Gr<a:>fin sweetly, ``that
|
|
isn't in the least bit clever; but you do try so hard that I
|
|
suppose I oughtn't to discourage you. Tell me something:
|
|
has it ever occurred to you that Elsa would do very well for
|
|
Wratislav? It's time he married somebody, and why not
|
|
Elsa?''
|
|
|
|
``Elsa marry that dreadful boy!'' gasped the Baroness.
|
|
|
|
``Beggars can't be choosers,'' observed the Gr<a:>fin.
|
|
|
|
``Elsa isn't a beggar!''
|
|
|
|
``Not financially, or I shouldn't have suggested the
|
|
match. But she's getting on, you know, and has no
|
|
pretensions to brains or looks or anything of that sort.''
|
|
|
|
``You seem to forget that she's my daughter.''
|
|
|
|
``That shows my generosity. But, seriously, I don't see
|
|
what there is against Wratislav. He has no debts---at
|
|
least, nothing worth speaking about.''
|
|
|
|
``But think of his reputation! If half the things they say
|
|
about him are true---''
|
|
|
|
``Probably three-quarters of them are. But what of it?
|
|
You don't want an archangel for a son-in-law.''
|
|
|
|
``I don't want Wratislav. My poor Elsa would be miserable
|
|
with him.''
|
|
|
|
``A little misery wouldn't matter very much with her; it
|
|
would go so well with the way she does her hair, and if she
|
|
couldn't get on with Wratislav she could always go and do
|
|
good among the poor.''
|
|
|
|
The Baroness picked up a framed photograph from the table.
|
|
|
|
``He certainly is very handsome,'' she said doubtfully;
|
|
adding even more doubtfully, ``I dare say dear Elsa might
|
|
reform him.''
|
|
|
|
The Gr<a:>fin had the presence of mind to laugh in the
|
|
right key.
|
|
|
|
*
|
|
|
|
Three weeks later the Gr<a:>fin bore down upon the
|
|
Baroness Sophie in a foreign bookseller's shop in the
|
|
Graben, where she was, possibly, buying books of devotion,
|
|
though it was the wrong counter for them.
|
|
|
|
``I've just left the dear children at the Rodenstahls',''
|
|
was the Gr<a:>fin's greeting.
|
|
|
|
``Were they looking very happy?'' asked the Baroness.
|
|
|
|
``Wratislav was wearing some new English clothes, so, of
|
|
course, he was quite happy. I overheard him telling Toni a
|
|
rather amusing story about a nun and a mousetrap, which
|
|
won't bear repetition. Elsa was telling every one else a
|
|
witticism about the Triple Alliance being like a paper
|
|
umbrella---which seems to bear repetition with Christian
|
|
fortitude.''
|
|
|
|
``Did they seem much wrapped up in each other?''
|
|
|
|
``To be candid, Elsa looked as if she were wrapped up in a
|
|
horse-rug. And why let her wear saffron colour?''
|
|
|
|
``I always think it goes with her complexion.''
|
|
|
|
``Unfortunately it doesn't. It stays with it. Ugh.
|
|
Don't forget, you're lunching with me on Thursday.''
|
|
|
|
The Baroness was late for her luncheon engagement the
|
|
following Thursday.
|
|
|
|
``Imagine what has happened!'' she screamed as she burst
|
|
into the room.
|
|
|
|
``Something remarkable, to make you late for a meal,''
|
|
said the Gr<a:>fin.
|
|
|
|
``Elsa has run away with the Rodenstahls' chauffeur!''
|
|
|
|
``Kolossal!''
|
|
|
|
``Such a thing as that no one in our family has ever
|
|
done,'' gasped the Baroness.
|
|
|
|
``Perhaps he didn't appeal to them in the same way''
|
|
suggested the Gr<a:>fin judicially.
|
|
|
|
The Baroness began to feel that she was not getting the
|
|
astonishment and sympathy to which her catastrophe entitled
|
|
her.
|
|
|
|
``At any rate,'' she snapped, ``now she can't marry
|
|
Wratislav.''
|
|
|
|
``She couldn't in any case,'' said the Griffin; ``he left
|
|
suddenly for abroad last night.''
|
|
|
|
``For abroad! Where?''
|
|
|
|
``For Mexico, I believe.''
|
|
|
|
``Mexico! But what for? Why Mexico?''
|
|
|
|
``The English have a proverb, `Conscience makes cowboys of
|
|
us all.' ''
|
|
|
|
``I didn't know Wratislav had a conscience.''
|
|
|
|
``My dear Sophie, he hasn't. It's other people's
|
|
consciences that send one abroad in a hurry. Let's go and
|
|
eat.''
|
|
|
|
THE EASTER EGG
|
|
|
|
It was distinctly hard lines for Lady Barbara, who came of
|
|
good fighting stock, and was one of the bravest women of her
|
|
generation, that her son should be so undisguisedly a
|
|
coward. Whatever good qualities Lester Slaggby may have
|
|
possessed, and he was in some respects charming, courage
|
|
could certainly never be imputed to him. As a child he had
|
|
suffered from childish timidity, as a boy from unboyish
|
|
funk, and as a youth he had exchanged unreasoning fears for
|
|
others which were more formidable from the fact of having a
|
|
carefully-thought-out basis. He was frankly afraid of
|
|
animals, nervous with firearms, and never crossed the
|
|
Channel without mentally comparing the numerical proportion
|
|
of life belts to passengers. On horseback he seemed to
|
|
require as many hands as a Hindu god, at least four for
|
|
clutching the reins, and two more for patting the horse
|
|
soothingly on the neck. Lady Barbara no longer pretended
|
|
not to see her son's prevailing weakness; with her usual
|
|
courage she faced the knowledge of it squarely, and,
|
|
mother-like, loved him none the less.
|
|
|
|
Continental travel, anywhere away from the great tourist
|
|
tracks, was a favoured hobby with Lady Barbara, and Lester
|
|
joined her as often as possible. Eastertide usually found
|
|
her at Knobaltheim, an upland township in one of those small
|
|
princedoms that make inconspicuous freckles on the map of
|
|
Central Europe.
|
|
|
|
A long-standing acquaintanceship with the reigning family
|
|
made her a personage of due importance in the eyes of her
|
|
old friend the Burgomaster, and she was anxiously consulted
|
|
by that worthy on the momentous occasion when the Prince
|
|
made known his intention of coming in person to open a
|
|
sanatorium outside the town. All the usual items in a
|
|
programme of welcome, some of them fatuous and commonplace,
|
|
others quaint and charming, had been arranged for, but the
|
|
Burgomaster hoped that the resourceful English lady might
|
|
have something new and tasteful to suggest in the way of
|
|
loyal greeting. The Prince was known to the outside world,
|
|
if at all, as an old-fashioned reactionary, combating modern
|
|
progress, as it were, with a wooden sword; to his own people
|
|
he was known as a kindly old gentleman with a certain
|
|
endearing stateliness which had nothing of standoffishness
|
|
about it. Knobaltheim was anxious to do its best. Lady
|
|
Barbara discussed the matter with Lester and one or two
|
|
acquaintances in her little hotel, but ideas were difficult
|
|
to come by.
|
|
|
|
``Might I suggest something to the gn<a:>dige Frau?''
|
|
asked a sallow high-cheekboned lady to whom the Englishwoman
|
|
had spoken once or twice, and whom she had set down in her
|
|
mind as probably a Southern Slav.
|
|
|
|
``Might I suggest something for the Reception Fest?'' she
|
|
went on, with a certain shy eagerness. ``Our little child
|
|
here, our baby, we will dress him in little white coat, with
|
|
small wings, as an Easter angel, and he will carry a large
|
|
white Easter egg, and inside shall be a basket of plover
|
|
eggs, of which the Prince is so fond, and he shall give it
|
|
to his Highness as Easter offering. It is so pretty an
|
|
idea; we have seen it done once in Styria.''
|
|
|
|
Lady Barbara looked dubiously at the proposed Easter
|
|
angel, a fair, wooden-faced child of about four years old.
|
|
She had noticed it the day before in the hotel, and wondered
|
|
rather how such a tow-headed child could belong to such a
|
|
dark-visaged couple as the woman and her husband; probably,
|
|
she thought, an adopted baby, especially as the couple were
|
|
not young.
|
|
|
|
``Of course Gn<a:>dige Frau will escort the little child
|
|
up to the Prince,'' pursued the woman; ``but he will be
|
|
quite good, and do as he is told.''
|
|
|
|
``We haf some pluffers' eggs shall come fresh from Wien,''
|
|
said the husband.
|
|
|
|
The small child and Lady Barbara seemed equally
|
|
unenthusiastic about the pretty idea; Lester was openly
|
|
discouraging, but when the Burgomaster heard of it he was
|
|
enchanted. The combination of sentiment and plovers' eggs
|
|
appealed strongly to his Teutonic mind.
|
|
|
|
On the eventful day the Easter angel, really quite
|
|
prettily and quaintly dressed, was a centre of kindly
|
|
interest to the gala crowd marshalled to receive his
|
|
Highness. The mother was unobtrusive and less fussy than
|
|
most parents would have been under the circumstances, merely
|
|
stipulating that she should place the Easter egg herself in
|
|
the arms that had been carefully schooled how to hold the
|
|
precious burden. Then Lady Barbara moved forward, the child
|
|
marching stolidly and with grim determination at her side.
|
|
It had been promised cakes and sweeties galore if it gave
|
|
the egg well and truly to the kind old gentleman who was
|
|
waiting to receive it. Lester had tried to convey to it
|
|
privately that horrible smackings would attend any failure
|
|
in its share of the proceedings, but it is doubtful if his
|
|
German caused more than an immediate distress. Lady Barbara
|
|
had thoughtfully provided herself with an emergency supply
|
|
of chocolate sweetmeats; children may sometimes be
|
|
timeservers, but they do not encourage long accounts. As
|
|
they approached nearer to the princely dais Lady Barbara
|
|
stood discreetly aside, and the stolid-faced infant walked
|
|
forward alone, with staggering but steadfast gait.
|
|
encouraged by a murmur of elderly approval. Lester,
|
|
standing in the front row of the onlookers, turned to scan
|
|
the crowd for the beaming faces of the happy parents. In a
|
|
side-road which led to the railway station he saw a cab;
|
|
entering the cab with every appearance of furtive haste were
|
|
the dark-visaged couple who had been so plausibly eager for
|
|
the ``pretty idea.'' The sharpened instinct of cowardice
|
|
lit up the situation to him in one swift flash. The blood
|
|
roared and surged to his head as though thousands of
|
|
floodgates had been opened in his veins and arteries, and
|
|
his brain was the common sluice in which all the torrents
|
|
met. He saw nothing but a blur around him. Then the blood
|
|
ebbed away in quick waves, till his very heart seemed
|
|
drained and empty, and he stood nervelessly, helplessly,
|
|
dumbly watching the child, bearing its accursed burden with
|
|
slow, relentless steps nearer and nearer to the group that
|
|
waited sheep-like to receive him. A fascinated curiosity
|
|
compelled Lester to turn his head towards the fugitives; the
|
|
cab had started at hot pace in the direction of the station.
|
|
|
|
The next moment Lester was running, running faster than
|
|
any of those present had ever seen a man run, and---he was
|
|
not running away. For that stray fraction of his life some
|
|
unwonted impulse beset him, some hint of the stock he came
|
|
from, and he ran unflinchingly towards danger. He stooped
|
|
and clutched at the Easter egg as one tries to scoop up the
|
|
ball in Rugby football. What he meant to do with it he had
|
|
not considered, the thing was to get it. But the child had
|
|
been promised cakes and sweetmeats if it safely gave the egg
|
|
into the hands of the kindly old gentleman; it uttered no
|
|
scream but it held to its charge with limpet grip. Lester
|
|
sank to his knees, tugging savagely at the tightly clasped
|
|
burden, and angry cries rose from the scandalized onlookers.
|
|
A questioning, threatening ring formed round him, then
|
|
shrank back in recoil as he shrieked out one hideous word.
|
|
Lady Barbara heard the word and saw the crowd race away like
|
|
scattered sheep, saw the Prince forcibly hustled away by his
|
|
attendants; also she saw her son lying prone in an agony of
|
|
overmastering terror, his spasm of daring shattered by the
|
|
child's unexpected resistance, still clutching frantically,
|
|
as though for safety, at that white-satin gew-gaw, unable to
|
|
crawl even from its deadly neighbourhood, able only to
|
|
scream and scream and scream. In her brain she was dimly
|
|
conscious of balancing, or striving to balance, the abject
|
|
shame which had him now in thrall against the one compelling
|
|
act of courage which had flung him grandly and madly on to
|
|
the point of danger. It was only for the fraction of a
|
|
minute that she stood watching the two entangled figures,
|
|
the infant with its woodenly obstinate face and body tense
|
|
with dogged resistance, and the boy limp and already nearly
|
|
dead with a terror that almost stifled his screams; and over
|
|
them the long gala streamers flapping gaily in the sunshine.
|
|
She never forgot the scene; but then, it was the last she
|
|
ever saw.
|
|
|
|
Lady Barbara carries her scarred face with its sightless
|
|
eyes as bravely as ever in the world, but at Eastertide her
|
|
friends are careful to keep from her ears any mention of the
|
|
children's Easter symbol.
|
|
|
|
FILBOID STUDGE, THE STORY OF A MOUSE THAT HELPED
|
|
|
|
``I want to marry your daughter,'' said Mark Spayley with
|
|
faltering eagerness. ``I am only an artist with an income
|
|
of two hundred a year, and she is the daughter of an
|
|
enormously wealthy man, so I suppose you will think my offer
|
|
a piece of presumption.''
|
|
|
|
Duncan Dullamy, the great company inflator, showed no
|
|
outward sign of displeasure. As a matter of fact, he was
|
|
secretly relieved at the prospect of finding even a
|
|
two-hundred-a-year husband for his daughter Leonore. A
|
|
crisis was rapidly rushing upon him, from which he knew he
|
|
would emerge with neither money nor credit; all his recent
|
|
ventures had fallen flat, and flattest of all had gone the
|
|
wonderful new breakfast food, Pipenta, on the advertisement
|
|
of which he had sunk such huge sums. It could scarcely be
|
|
called a drug in the market; people bought drugs, but no one
|
|
bought Pipenta.
|
|
|
|
``Would you marry Leonore if she were a poor man's
|
|
daughter?'' asked the man of phantom wealth.
|
|
|
|
``Yes,'' said Mark, wisely avoiding the error of
|
|
over-protestation. And to his astonishment Leonore's father
|
|
not only gave his consent, but suggested a fairly early date
|
|
for the wedding.
|
|
|
|
``I wish I could show my gratitude in some way,'' said
|
|
Mark with genuine emotion. ``I'm afraid it's rather like
|
|
the mouse proposing to help the lion.''
|
|
|
|
``Get people to buy that beastly muck,'' said Dullamy,
|
|
nodding savagely at a poster of the despised Pipenta, ``and
|
|
you'll have done more than any of my agents have been able
|
|
to accomplish.''
|
|
|
|
``It wants a better name,'' said Mark reflectively, ``and
|
|
something distinctive in the poster line. Anyway, I'll have
|
|
a shot at it.''
|
|
|
|
Three weeks later the world was advised of the coming of a
|
|
new breakfast food, heralded under the resounding name of
|
|
``Filboid Studge.'' Spayley put forth no pictures of massive
|
|
babies springing up with fungus-like rapidity under its
|
|
forcing influence, or of representatives of the leading
|
|
nations of the world scrambling with fatuous eagerness for
|
|
its possession. One huge sombre poster depicted the Damned
|
|
in Hell suffering a new torment from their inability to get
|
|
at the Filboid Studge which elegant young fiends held in
|
|
transparent bowls just beyond their reach. The scene was
|
|
rendered even more gruesome by a subtle suggestion of the
|
|
features of leading men and women of the day in the
|
|
portrayal of the Lost Souls; prominent individuals of both
|
|
political parties, Society hostesses, well-known dramatic
|
|
authors and novelists, and distinguished aeroplanists were
|
|
dimly recognizable in that doomed throng; noted lights of
|
|
the musical-comedy stage flickered wanly in the shades of
|
|
the Inferno, smiling still from force of habit, but with the
|
|
fearsome smiling rage of baffled effort. The poster bore no
|
|
fulsome allusions to the merits of the new breakfast food,
|
|
but a single grim statement ran in bold letters along its
|
|
base: ``They cannot buy it now.''
|
|
|
|
Spayley had grasped the fact that people will do things
|
|
from a sense of duty which they would never attempt as a
|
|
pleasure. There are thousands of respectable middle-class
|
|
men who, if you found them unexpectedly in a Turkish bath,
|
|
would explain in all sincerity that a doctor had ordered
|
|
them to take Turkish baths; if you told them in return that
|
|
you went there because you liked it, they would stare in
|
|
pained wonder at the frivolity of your motive. In the same
|
|
way, whenever a massacre of Armenians is reported from Asia
|
|
Minor, every one assumes that it has been carried out
|
|
``under orders'' from somewhere or another; no one seems to
|
|
think that there are people who might like to kill their
|
|
neighbours now and then.
|
|
|
|
And so it was with the new breakfast food. No one would
|
|
have eaten Filboid Studge as a pleasure, but the grim
|
|
austerity of its advertisement drove housewives in shoals to
|
|
the grocers' shops to clamour for an immediate supply. In
|
|
small kitchens solemn pig-tailed daughters helped depressed
|
|
mothers to perform the primitive ritual of its preparation.
|
|
On the breakfast-tables of cheerless parlours it was
|
|
partaken of in silence. Once the womenfolk discovered that
|
|
it was thoroughly unpalatable, their zeal in forcing it on
|
|
their households knew no bounds. ``You haven't eaten your
|
|
Filboid Studge!'' would be screamed at the appetiteless
|
|
clerk as he turned weariedly from the breakfast-table, and
|
|
his evening meal would be prefaced by a warmed-up mess which
|
|
would be explained as ``your Filboid Studge that you didn't
|
|
eat this morning.'' Those strange fanatics who
|
|
ostentatiously mortify themselves, inwardly and outwardly,
|
|
with health biscuits and health garments, battened
|
|
aggressively on the new food. Earnest spectacled young men
|
|
devoured it on the steps of the National Liberal Club. A
|
|
bishop who did not believe in a future state preached
|
|
against the poster, and a peer's daughter died from eating
|
|
too much of the compound. A further advertisement was
|
|
obtained when an infantry regiment mutinied and shot its
|
|
officers rather than eat the nauseous mess; fortunately,
|
|
Lord Birrell of Blatherstone, who was War Minister at the
|
|
moment, saved the situation by his happy epigram, that
|
|
``Discipline to be effective must be optional.''
|
|
|
|
Filboid Studge had become a household word, but Dullamy
|
|
wisely realized that it was not necessarily the last word in
|
|
breakfast dietary; its supremacy would be challenged as soon
|
|
as some yet more unpalatable food should be put on the
|
|
market. There might even be a reaction in favour of
|
|
something tasty and appetizing, and the Puritan austerity of
|
|
the moment might be banished from domestic cookery. At an
|
|
opportune moment, therefore, he sold out his interests in
|
|
the article which had brought him in colossal wealth at a
|
|
critical juncture, and placed his financial reputation
|
|
beyond the reach of cavil. As for Leonore, who was now an
|
|
heiress on a far greater scale than ever before, he
|
|
naturally found her something a vast deal higher in the
|
|
husband market than a two-hundred-a-year poster designer.
|
|
Mark Spayley, the brainmouse who had helped the financial
|
|
lion with such untoward effect, was left to curse the day he
|
|
produced the wonder-working poster.
|
|
|
|
``After all,'' said Clovis, meeting him shortly afterwards
|
|
at his club, ``you have this doubtful consolation, that 'tis
|
|
not in mortals to countermand success.''
|
|
|
|
THE MUSIC ON THE HILL
|
|
|
|
Sylvia Seltoun ate her breakfast in the morning-room at
|
|
Yessney with a pleasant sense of ultimate victory, such as a
|
|
fervent Ironside might have permitted himself on the morrow
|
|
of Worcester fight. She was scarcely pugnacious by
|
|
temperament, but belonged to that more successful class of
|
|
fighters who are pugnacious by circumstance. Fate had
|
|
willed that her life should be occupied with a series of
|
|
small struggles, usually with the odds slightly against her,
|
|
and usually she had just managed to come through winning.
|
|
And now she felt that she had brought her hardest and
|
|
certainly her most important struggle to a successful issue.
|
|
To have married Mortimer Seltoun, ``Dead Mortimer'' as his
|
|
more intimate enemies called him, in the teeth of the cold
|
|
hostility of his family, and in spite of his unaffected
|
|
indifference to women, was indeed an achievement that had
|
|
needed some determination and adroitness to carry through;
|
|
yesterday she had brought her victory to its concluding
|
|
stage by wrenching her husband away from Town and its group
|
|
of satellite watering-places and ``settling him down,'' in
|
|
the vocabulary of her kind, in this remote wood-girt manor
|
|
farm which was his country house.
|
|
|
|
``You will never get Mortimer to go,'' his mother had said
|
|
carpingly, ``but if he once goes he'll stay; Yessney throws
|
|
almost as much a spell over him as Town does. One can
|
|
understand what holds him to Town, but Yessney---'' and the
|
|
dowager had shrugged her shoulders.
|
|
|
|
There was a sombre almost savage wildness about Yessney
|
|
that was certainly not likely to appeal to town-bred tastes,
|
|
and Sylvia, notwithstanding her name, was accustomed to
|
|
nothing much more sylvan than ``leafy Kensington.'' She
|
|
looked on the country as something excellent and wholesome
|
|
in its way, which was apt to become troublesome if you
|
|
encouraged it overmuch. Distrust of townlife had been a new
|
|
thing with her, born of her marriage with Mortimer, and she
|
|
had watched with satisfaction the gradual fading of what she
|
|
called ``the Jermyn-Street-look'' in his eyes as the woods
|
|
and heather of Yessney had closed in on them yesternight.
|
|
Her will-power and strategy had prevailed; Mortimer would
|
|
stay. Outside the morning-room windows was a triangular
|
|
slope of turf, which the indulgent might call a lawn, and
|
|
beyond its low hedge of neglected fuschia bushes a steeper
|
|
slope of heather and bracken dropped down into cavernous
|
|
combes overgrown with oak and yew. In its wild open
|
|
savagery there seemed a stealthy linking of the joy of life
|
|
with the terror of unseen things. Sylvia smiled
|
|
complacently as she gazed with a School-of-Art appreciation
|
|
at the landscape, and then of a sudden she almost shuddered.
|
|
|
|
``It is very wild,'' she said to Mortimer, who had joined
|
|
her; ``one could almost think that in such a place the
|
|
worship of Pan had never quite died out.''
|
|
|
|
``The worship of Pan never has died out,'' said Mortimer.
|
|
``Other newer gods have drawn aside his votaries from time
|
|
to time, but he is the Nature-God to whom all must come back
|
|
at last. He has been called the Father of all the Gods, but
|
|
most of his children have been stillborn.''
|
|
|
|
Sylvia was religious in an honest, vaguely devotional kind
|
|
of way, and did not like to hear her beliefs spoken of as
|
|
mere aftergrowths, but it was at least something new and
|
|
hopeful to hear Dead Mortimer speak with such energy and
|
|
conviction on any subject.
|
|
|
|
``You don't really believe in Pan?'' she asked
|
|
incredulously.
|
|
|
|
``I've been a fool in most things,'' said Mortimer
|
|
quietly, ``but I'm not such a fool as not to believe in Pan
|
|
when I'm down here. And if you're wise you won't disbelieve
|
|
in him too boastfully while you're in his country.''
|
|
|
|
It was not till a week later, when Sylvia had exhausted
|
|
the attractions of the woodland walks round Yessney, that
|
|
she ventured on a tour of inspection of the farm buildings.
|
|
A farmyard suggested in her mind a scene of cheerful bustle,
|
|
with churns and flails and smiling dairymaids, and teams of
|
|
horses drinking knee-deep in duck-crowded ponds. As she
|
|
wandered among the gaunt grey buildings of Yessney manor
|
|
farm her first impression was one of crushing stillness and
|
|
desolation, as though she had happened on some lone deserted
|
|
homestead long given over to owls and cobwebs; then came a
|
|
sense of furtive watchful hostility, the same shadow of
|
|
unseen things that seemed to lurk in the wooded combes and
|
|
coppices. From behind heavy doors and shuttered windows came
|
|
the restless stamp of hoof or rasp of chain halter, and at
|
|
times a muffled bellow from some stalled beast. From a
|
|
distant comer a shaggy dog watched her with intent
|
|
unfriendly eyes; as she drew near it slipped quietly into
|
|
its kennel, and slipped out again as noiselessly when she
|
|
had passed by. A few hens, questing for food under a rick,
|
|
stole away under a gate at her approach. Sylvia felt that
|
|
if she had come across any human beings in this wilderness
|
|
of barn and byre they would have fled wraith-like from her
|
|
gaze. At last, turning a corner quickly, she came upon a
|
|
living thing that did not fly from her. Astretch in a pool
|
|
of mud was an enormous sow, gigantic beyond the town-woman's
|
|
wildest computation of swine-flesh, and speedily alert to
|
|
resent and if necessary repel the unwonted intrusion. It
|
|
was Sylvia's turn to make an unobtrusive retreat. As she
|
|
threaded her way past rickyards and cowsheds and long blank
|
|
walls, she started suddenly at a strange sound---the echo of
|
|
a boy's laughter, golden and equivocal. Jan, the only boy
|
|
employed on the farm, a tow-headed, wizen-faced yokel, was
|
|
visibly at work on a potato clearing half-way up the nearest
|
|
hill-side, and Mortimer, when questioned, knew of no other
|
|
probable or possible begetter of the hidden mockery that had
|
|
ambushed Sylvia's retreat. The memory of that untraceable
|
|
echo was added to her other impressions of a furtive
|
|
sinister ``something'' that hung around Yessney.
|
|
|
|
Of Mortimer she saw very little; farm and woods and trout-
|
|
streams seemed to swallow him up from dawn till dusk. Once,
|
|
following the direction she had seen him take in the
|
|
morning, she came to an open space in a nut copse, further
|
|
shut in by huge yew trees, in the centre of which stood a
|
|
stone pedestal surmounted by a small bronze figure of a
|
|
youthful Pan. It was a beautiful piece of workmanship, but
|
|
her attention was chiefly held by the fact that a newly cut
|
|
bunch of grapes had been placed as an offering at its feet.
|
|
Grapes were none too plentiful at the manor house, and
|
|
Sylvia snatched the bunch angrily from the pedestal.
|
|
Contemptuous annoyance dominated her thoughts as she
|
|
strolled slowly homeward, and then gave way to a sharp
|
|
feeling of something that was very near fright; across a
|
|
thick tangle of undergrowth a boy's face was scowling at
|
|
her, brown and beautiful, with unutterably evil eyes. It
|
|
was a lonely pathway, all pathways round Yessney were lonely
|
|
for the matter of that, and she sped forward without waiting
|
|
to give a closer scrutiny to this sudden apparition. It was
|
|
not till she had reached the house that she discovered that
|
|
she had dropped the bunch of grapes in her flight.
|
|
|
|
``I saw a youth in the wood today,'' she told Mortimer
|
|
that evening, ``brown-faced and rather handsome, but a
|
|
scoundrel to look at. A gipsy lad, I suppose.''
|
|
|
|
``A reasonable theory,'' said Mortimer, ``only there
|
|
aren't any gipsies in these parts at present.''
|
|
|
|
``Then who was he?'' asked Sylvia, and as Mortimer appeared
|
|
to have no theory of his own she passed on to recount her
|
|
finding of the votive offering.
|
|
|
|
``I suppose it was your doing,'' she observed; ``it's a
|
|
harmless piece of lunacy, but people would think you
|
|
dreadfully silly if they knew of it.''
|
|
|
|
``Did you meddle with it in any way?'' asked Mortimer.
|
|
|
|
``I---I threw the grapes away. It seemed so silly,'' said
|
|
Sylvia, watching Mortimer's impassive face for a sign of
|
|
annoyance.
|
|
|
|
``I don't think you were wise to do that,'' he said
|
|
reflectively. ``I've heard it said that the Wood Gods are
|
|
rather horrible to those who molest them.''
|
|
|
|
``Horrible perhaps to those that believe in them, but you
|
|
see I don't,'' retorted Sylvia.
|
|
|
|
``All the same,'' said Mortimer in his even, dispassionate
|
|
tone, ``I should avoid the woods and orchards if I were you,
|
|
and give a wide berth to the horned beasts on the farm.''
|
|
|
|
It was all nonsense, of course, but in that lonely
|
|
wood-girt spot nonsense seemed able to rear a bastard brood
|
|
of uneasiness.
|
|
|
|
``Mortimer,'' said Sylvia suddenly, ``I think we will go
|
|
back to Town some time soon.''
|
|
|
|
Her victory had not been so complete as she had supposed;
|
|
it had carried her on to ground that she was already anxious
|
|
to quit.
|
|
|
|
``I don't think you will ever go back to Town,'' said
|
|
Mortimer. He seemed to be paraphrasing his mother's
|
|
prediction as to himself.
|
|
|
|
Sylvia noted with dissatisfaction and some self-contempt
|
|
that the course of her next afternoon's ramble took her
|
|
instinctively clear of the network of woods. As to the
|
|
horned cattle, Mortimer's warning was scarcely needed, for
|
|
she had always regarded them as of doubtful neutrality at
|
|
the best: her imagination unsexed the most matronly dairy
|
|
cows and turned them into bulls liable to ``see red'' at any
|
|
moment. The ram who fed in the narrow paddock below the
|
|
orchards she had adjudged, after ample and cautious
|
|
probation, to be of docile temper; today, however, she
|
|
decided to leave his docility untested, for the usually
|
|
tranquil beast was roaming with every sign of restlessness
|
|
from corner to corner of his meadow. A low, fitful piping,
|
|
as of some reedy flute, was coming from the depth of a
|
|
neighbouring copse, and there seemed to be some subtle
|
|
connection between the animal's restless pacing and the wild
|
|
music from the wood. Sylvia turned her steps in an upward
|
|
direction and climbed the heather-clad slopes that stretched
|
|
in rolling shoulders high above Yessney. She had left the
|
|
piping notes behind her, but across the wooded combes at her
|
|
feet the wind brought her another kind of music, the
|
|
straining bay of hounds in full chase. Yessney was just on
|
|
the outskirts of the Devon-and-Somerset country, and the
|
|
hunted deer sometimes came that way. Sylvia could presently
|
|
see a dark body, breasting hill after hill, and sinking
|
|
again and again out of sight as he crossed the combes, while
|
|
behind him steadily swelled that relentless chorus, and she
|
|
grew tense with the excited sympathy that one feels for any
|
|
hunted thing in whose capture one is not directly
|
|
interested. And at last he broke through the outermost line
|
|
of oak scrub and fern and stood panting in the open, a fat
|
|
September stag carrying a well-furnished head. His obvious
|
|
course was to drop down to the brown pools of Undercombe,
|
|
and thence make his way towards the red deer's favoured
|
|
sanctuary, the sea. To Sylvia's surprise, however, he
|
|
turned his head to the upland slope and came lumbering
|
|
resolutely onward over the heather. ``It will be
|
|
dreadful,'' she thought, ``the hounds will pull him down
|
|
under my very eyes.'' But the music of the pack seemed to
|
|
have died away for a moment, and in its place she heard
|
|
again that wild piping, which rose now on this side, now on
|
|
that, as though urging the failing stag to a final effort.
|
|
Sylvia stood well aside from his path, half hidden in a
|
|
thick growth of whortle bushes, and watched him swing
|
|
stiffly upward, his flanks dark with sweat, the coarse hair
|
|
on his neck showing light by contrast. The pipe music
|
|
shrilled suddenly around her, seeming to come from the
|
|
bushes at her very feet, and at the same moment the great
|
|
beast slewed round and bore directly down upon her. In an
|
|
instant her pity for the hunted animal was changed to wild
|
|
terror at her own danger; the thick heather roots mocked her
|
|
scrambling efforts at flight, and she looked frantically
|
|
downward for a glimpse of oncoming hounds. The huge antler
|
|
spikes were within a few yards of her, and in a flash of
|
|
numbing fear she remembered Mortimer's warning, to beware of
|
|
horned beasts on the farm. And then with a quick throb of
|
|
joy she saw that she was not alone; a human figure stood a
|
|
few paces aside, knee-deep in the whortle bushes.
|
|
|
|
``Drive it off!'' she shrieked. But the figure made no
|
|
answering movement.
|
|
|
|
The antlers drove straight at her breast, the acrid smell
|
|
of the hunted animal was in her nostrils, but her eyes were
|
|
filled with the horror of something she saw other than her
|
|
oncoming death. And in her ears rang the echo of a boy's
|
|
laughter, golden and equivocal.
|
|
|
|
THE STORY OF ST. VESPALUUS
|
|
|
|
``Tell me a story,'' said the Baroness, staring out
|
|
despairingly at the rain; it was that light, apologetic sort
|
|
of rain that looks as if it was going to leave off every
|
|
minute and goes on for the greater part of the afternoon.
|
|
|
|
``What sort of story?'' asked Clovis, giving his croquet
|
|
mallet a valedictory shove into retirement.
|
|
|
|
``One just true enough to be interesting and not true
|
|
enough to be tiresome,'' said the Baroness.
|
|
|
|
Clovis rearranged several cushions to his personal solace
|
|
and satisfaction; he knew that the Baroness liked her guests
|
|
to be comfortable, and he thought it right to respect her
|
|
wishes in that particular.
|
|
|
|
``Have I ever told you the story of St. Vespaluus?'' he
|
|
asked.
|
|
|
|
``You've told me stories about grand-dukes and lion-tamers
|
|
and financiers' widows and a postmaster in Herzegovina,''
|
|
said the Baroness, ``and about an Italian jockey and an
|
|
amateur governess who went to Warsaw, and several about your
|
|
mother, but certainly never anything about a saint.''
|
|
|
|
``This story happened a long while ago,'' he said, ``in
|
|
those uncomfortable piebald times when a third of the people
|
|
were Pagan, and a third Christian, and the biggest third of
|
|
all just followed whichever religion the Court happened to
|
|
profess. There was a certain king called Hkrikros, who had
|
|
a fearful temper and no immediate successor in his own
|
|
family; his married sister, however, had provided him with a
|
|
large stock of nephews from which to select his heir. And
|
|
the most eligible and royally-approved of all these nephews
|
|
was the sixteen-year-old Vespaluus. He was the best
|
|
looking, and the best horseman and javelin-thrower, and had
|
|
that priceless princely gift of being able to walk past a
|
|
supplicant with an air of not having seen him, but would
|
|
certainly have given something if he had. My mother has
|
|
that gift to a certain extent; she can go smilingly and
|
|
financially unscathed through a charity bazaar, and meet the
|
|
organizers next day with a solicitous `had I but known you
|
|
were in need of funds' air that is really rather a triumph
|
|
in audacity. Now Hkrikros was a Pagan of the first water,
|
|
and kept the worship of the sacred serpents, who lived in a
|
|
hallowed grove on a hill near the royal palace, up to a high
|
|
pitch of enthusiasm. The common people were allowed to
|
|
please themselves, within certain discreet limits, in the
|
|
matter of private religion, but any official in the service
|
|
of the Court who went over to the new cult was looked down
|
|
on, literally as well as metaphorically, the looking down
|
|
being done from the gallery that ran round the royal
|
|
bear-pit. Consequently there was considerable scandal and
|
|
consternation when the youthful Vespaluus appeared one day
|
|
at a Court function with a rosary tucked into his belt, and
|
|
announced in reply to angry questionings that he had decided
|
|
to adopt Christianity, or at any rate to give it a trial.
|
|
If it had been any of the other nephews the king would
|
|
possibly have ordered something drastic in the way of
|
|
scourging and banishment, but in the case of the favoured
|
|
Vespaluus he determined to look on the whole thing much as a
|
|
modern father might regard the announced intention of his
|
|
son to adopt the stage as a profession. He sent accordingly
|
|
for the Royal Librarian. The royal library in those days
|
|
was not a very extensive affair, and the keeper of the
|
|
king's books had a great deal of leisure on his hands.
|
|
Consequently he was in frequent demand for the settlement of
|
|
other people's affairs when these strayed beyond normal
|
|
limits and got temporarily unmanageable.
|
|
|
|
`` `You must reason with Prince Vespaluus,' said the king,
|
|
`and impress on him the error of his ways. We cannot have
|
|
the heir to the throne setting such a dangerous example.'
|
|
|
|
`` `But where shall I find the necessary arguments?' asked
|
|
the Librarian.
|
|
|
|
`` `I give you free leave to pick and choose your
|
|
arguments in the royal woods and coppices,' said the king;
|
|
`if you cannot get together some cutting observations and
|
|
stinging retorts suitable to the occasion you are a person
|
|
of very poor resource.'
|
|
|
|
``So the Librarian went into the woods and gathered a
|
|
goodly selection of highly argumentative rods and switches,
|
|
and then proceeded to reason with Vespaluus on the folly and
|
|
iniquity and above all the unseemliness of his conduct. His
|
|
reasoning left a deep impression on the young prince, an
|
|
impression which lasted for many weeks, during which time
|
|
nothing more was heard about the unfortunate lapse into
|
|
Christianity. Then a further scandal of the same nature
|
|
agitated the Court. At a time when he should have been
|
|
engaged in audibly invoking the gracious protection and
|
|
patronage of the holy serpents, Vespaluus was heard singing
|
|
a chant in honour of St. Odilo of Cluny. The king was
|
|
furious at this new outbreak, and began to take a gloomy
|
|
view of the situation; Vespaluus was evidently going to show
|
|
a dangerous obstinacy in persisting in his heresy. And yet
|
|
there was nothing in his appearance to justify such
|
|
perverseness; he had not the pale eye of the fanatic or the
|
|
mystic look of the dreamer. On the contrary, he was quite
|
|
the best-looking boy at Court; he had an elegant, well-knit
|
|
figure, a healthy complexion, eyes the colour of very ripe
|
|
mulberries, and dark hair, smooth and very well cared for.''
|
|
|
|
``It sounds like a description of what you imagine
|
|
yourself to have been like at the age of sixteen,'' said the
|
|
Baroness.
|
|
|
|
``My mother has probably been showing you some of my early
|
|
photographs,'' said Clovis. Having turned the sarcasm into
|
|
a compliment, he resumed his story.
|
|
|
|
``The king had Vespaluus shut up in a dark tower for three
|
|
days, with nothing but bread and water to live on, the
|
|
squealing and fluttering of bats to listen to, and drifting
|
|
clouds to watch through one little window slit. The
|
|
anti-Pagan section of the community began to talk
|
|
portentously of the boy-martyr. The martyrdom was
|
|
mitigated, as far as the food was concerned, by the
|
|
carelessness of the tower warden, who once or twice left a
|
|
portion of his own supper of broiled meat and fruit and wine
|
|
by mistake in the prince's cell. After the punishment was
|
|
over, Vespaluus was closely watched for any further symptom
|
|
of religious perversity, for the king was determined to
|
|
stand no more opposition on so important a matter, even from
|
|
a favourite nephew. If there was any more of this nonsense,
|
|
he said, the succession to the throne would have to be
|
|
altered.
|
|
|
|
``For a time all went well; the festival of summer sports
|
|
was approaching, and the young Vespaluus was too engrossed
|
|
in wrestling and foot-running and javelin-throwing
|
|
competitions to bother himself with the strife of
|
|
conflicting religious systems. Then, however, came the
|
|
great culminating feature of the summer festival, the
|
|
ceremonial dance round the grove of the sacred serpents, and
|
|
Vespaluus, as we should say, `sat it out.' The affront to
|
|
the State religion was too public and ostentatious to be
|
|
overlooked, even if the king had been so minded, and he was
|
|
not in the least so minded. For a day and a half he sat
|
|
apart and brooded, and every one thought he was debating
|
|
within himself the question of the young prince's death or
|
|
pardon; as a matter of fact he was merely thinking out the
|
|
manner of the boys death. As the thing had to be done, and
|
|
was bound to attract an enormous amount of public attention
|
|
in any case, it was as well to make it as spectacular and
|
|
impressive as possible.
|
|
|
|
`` `Apart from his unfortunate taste in religions,' said
|
|
the king, `and his obstinacy in adhering to it, he is a
|
|
sweet and pleasant youth, therefore it is meet and fitting
|
|
that he should be done to death by the winged envoys of
|
|
sweetness.'
|
|
|
|
`` `Your Majesty means---?' said the Royal Librarian.
|
|
|
|
`` `I mean,' said the king, `that he shall be stung to
|
|
death by bees. By the royal bees, of course.'
|
|
|
|
`` `A most elegant death,' said the Librarian.
|
|
|
|
`` `Elegant and spectacular, and decidedly painful,' said
|
|
the king; `it fulfills all the conditions that could be
|
|
wished for.'
|
|
|
|
``The king himself thought out all the details of the
|
|
execution ceremony. Vespaluus was to be stripped of his
|
|
clothes, his hands were to be bound behind him, and he was
|
|
then to be slung in a recumbent position immediately above
|
|
three of the largest of the royal beehives, so that the
|
|
least movement of his body would bring him in jarring
|
|
contact with them. The rest could be safely left to the
|
|
bees. The death throes, the king computed, might last
|
|
anything from fifteen to forty minutes, though there was
|
|
division of opinion and considerable wagering among the
|
|
other nephews as to whether death might not be almost
|
|
instantaneous, or, on the other hand, whether it might not
|
|
be deferred for a couple of hours. Anyway, they all agreed,
|
|
it was vastly preferable to being thrown down into an evil
|
|
smelling bear-pit and being clawed and mauled to death by
|
|
imperfectly carnivorous animals.
|
|
|
|
``It so happened, however, that the keeper of the royal
|
|
hives had leanings towards Christianity himself, and
|
|
moreover, like most of the Court officials, he was very much
|
|
attached to Vespaluus. On the eve of the execution,
|
|
therefore, he busied himself with removing the stings from
|
|
all the royal bees; it was a long and delicate operation,
|
|
but he was an expert beemaster, and by working hard nearly
|
|
all night he succeeded in disarming all, or almost all, of
|
|
the hive inmates.''
|
|
|
|
``I didn't know you could take the sting from a live
|
|
bee,'' said the Baroness incredulously.
|
|
|
|
``Every profession has its secrets,'' replied Clovis; ``if
|
|
it hadn't it wouldn't be a profession. Well, the moment for
|
|
the execution arrived; the king and Court took their places,
|
|
and accommodation was found for as many of the populace as
|
|
wished to witness the unusual spectacle. Fortunately the
|
|
royal bee-yard was of considerable dimensions, and was
|
|
commanded, moreover, by the terraces that ran round the
|
|
royal gardens; with a little squeezing and the erection of a
|
|
few platforms room was found for everybody. Vespaluus was
|
|
carried into the open space in front of the hives, blushing
|
|
and slightly embarrassed, but not at all displeased at the
|
|
attention which was being centred on him.''
|
|
|
|
``He seems to have resembled you in more things than in
|
|
appearance,'' said the Baroness.
|
|
|
|
``Don't interrupt at a critical point in the story,'' said
|
|
Clovis. ``As soon as he had been carefully adjusted in the
|
|
prescribed position over the hives, and almost before the
|
|
gaolers had time to retire to a safe distance, Vespaluus
|
|
gave a lusty and well-aimed kick, which sent all three hives
|
|
toppling one over another. The next moment he was wrapped
|
|
from head to foot in bees; each individual insect nursed the
|
|
dreadful and humiliating knowledge that in this supreme hour
|
|
of catastrophe it could not sting, but each felt that it
|
|
ought to pretend to. Vespaluus squealed and wriggled with
|
|
laughter, for he was being tickled nearly to death, and now
|
|
and again he gave a furious kick and used a bad word as one
|
|
of the few bees that had escaped disarmament got its protest
|
|
home. But the spectators saw with amazement that he showed
|
|
no signs of approaching death agony, and as the bees dropped
|
|
wearily away in clusters from his body his flesh was seen to
|
|
be as white and smooth as before the ordeal, with a shiny
|
|
glaze from the honey-smear of innumerable bee-feet, and here
|
|
and there a small red spot where one of the rare stings had
|
|
left its mark. It was obvious that a miracle had been
|
|
performed in his favour, and one loud murmur, of
|
|
astonishment or exultation, rose from the onlooking crowd.
|
|
The king gave orders for Vespaluus to be taken down to await
|
|
further orders, and stalked silently back to his midday
|
|
meal, at which he was careful to eat heartily and drink
|
|
copiously as though nothing unusual had happened. After
|
|
dinner he sent for the Royal Librarian.
|
|
|
|
`` `What is the meaning of this fiasco?' he demanded.
|
|
|
|
`` `Your Majesty,' said that official, `either there is
|
|
something radically wrong with the bees---'
|
|
|
|
`` `There is nothing wrong with my bees,' said the king
|
|
haughtily, `they are the best bees.'
|
|
|
|
`` `Or else,' said the Librarian, `there is something
|
|
irremediably right about Prince Vespaluus.'
|
|
|
|
`` `If Vespaluus is right I must be wrong,' said the king.
|
|
|
|
``The Librarian was silent for a moment. Hasty speech has
|
|
been the downfall of many; ill-considered silence was the
|
|
undoing of the luckless Court functionary.
|
|
|
|
``Forgetting the restraint due to his dignity, and the
|
|
golden rule which imposes repose of mind and body after a
|
|
heavy meal, the king rushed upon the keeper of the royal
|
|
books and hit him repeatedly and promiscuously over the head
|
|
with an ivory chess-board, a pewter wine-flagon, and a brass
|
|
candlestick; he knocked him violently and often against an
|
|
iron torch sconce, and kicked him thrice round the
|
|
banqueting chamber with rapid, energetic kicks. Finally, he
|
|
dragged him down a long passage by the hair of his head and
|
|
flung him out of a window into the courtyard below.''
|
|
|
|
``Was he much hurt?'' asked the Baroness.
|
|
|
|
``More hurt than surprised,'' said Clovis. ``You see, the
|
|
king was notorious for his violent temper. However, this
|
|
was the first time he had let himself go so unrestrainedly
|
|
on the top of a heavy meal. The Librarian lingered for many
|
|
days---in fact, for all I know, he may have ultimately
|
|
recovered, but Hkrikros died that same evening. Vespaluus
|
|
had hardly finished getting the honey stains off his body
|
|
before a hurried deputation came to put the coronation oil
|
|
on his head. And what with the publicly-witnessed miracle
|
|
and the accession of a Christian sovereign, it was not
|
|
surprising that there was a general scramble of converts to
|
|
the new religion. A hastily consecrated bishop was
|
|
overworked with a rush of baptisms in the hastily improvised
|
|
Cathedral of St. Odilo. And the
|
|
boy-martyr-that-might-have-been was transposed in the
|
|
popular imagination into a royal boy-saint, whose fame
|
|
attracted throngs of curious and devout sightseers to the
|
|
capital. Vespaluus, who was busily engaged in organizing
|
|
the games and athletic contests that were to mark the
|
|
commencement of his reign, had no time to give heed to the
|
|
religious fervour which was effervescing round his
|
|
personality; the first indication he had of the existing
|
|
state of affairs was when the Court Chamberlain (a recent
|
|
and very ardent addition to the Christian community) brought
|
|
for his approval the outlines of a projected ceremonial
|
|
cutting-down of the idolatrous serpent-grove.
|
|
|
|
`` `Your Majesty will be graciously pleased to cut down
|
|
the first tree with a specially consecrated axe,' said the
|
|
obsequious official.
|
|
|
|
`` `I'll cut off your head first, with any axe that comes
|
|
handy,' said Vespaluus indignantly; `do you suppose that I'm
|
|
going to begin my reign by mortally affronting the sacred
|
|
serpents? It would be most unlucky.'
|
|
|
|
`` `But your Majesty's Christian principles?' exclaimed
|
|
the bewildered Chamberlain.
|
|
|
|
`` `I never had any,' said Vespaluus; `I used to pretend
|
|
to be a Christian convert just to annoy Hkrikros. He used
|
|
to fly into such delicious tempers. And it was rather fun
|
|
being whipped and scolded and shut up in a tower all for
|
|
nothing. But as to turning Christian in real earnest, like
|
|
you people seem to do, I couldn't think of such a thing.
|
|
And the holy and esteemed serpents have always helped me
|
|
when I've prayed to them for success in my running and
|
|
wrestling and hunting, and it was through their
|
|
distinguished intercession that the bees were not able to
|
|
hurt me with their stings. It would be black ingratitude to
|
|
turn against their worship at the very outset of my reign.
|
|
I hate you for suggesting it.'
|
|
|
|
``The Chamberlain wrung his hands despairingly.
|
|
|
|
`` `But, your Majesty,' he wailed, `the people are
|
|
reverencing you as a saint, and the nobles are being
|
|
Christianized in batches, and neighbouring potentates of
|
|
that Faith are sending special envoys to welcome you as a
|
|
brother. There is some talk of making you the patron saint
|
|
of beehives, and a certain shade of honey-yellow has been
|
|
christened Vespalussian gold at the Emperor's Court. You
|
|
can't surely go back on all this.'
|
|
|
|
`` `I don't mind being reverenced and greeted and
|
|
honoured,' said Vespaluus; `I don't even mind being sainted
|
|
in moderation, as long as I'm not expected to be saintly as
|
|
well. But I wish you clearly and finally to understand that
|
|
I will not give up the worship of the august and auspicious
|
|
serpents.'
|
|
|
|
``There was a world of unspoken bear-pit in the way he
|
|
uttered those last words, and the mulberry-dark eyes flashed
|
|
dangerously.
|
|
|
|
`` `A new reign,' said the Chamberlain to himself, `but
|
|
the same old temper.'
|
|
|
|
``Finally, as a State necessity, the matter of the
|
|
religions was compromised. At stated intervals the king
|
|
appeared before his subjects in the national cathedral in
|
|
the character of St. Vespaluus, and the idolatrous grove was
|
|
gradually pruned and lopped away till nothing remained of
|
|
it. But the sacred and esteemed serpents were removed to a
|
|
private shrubbery in the royal gardens, where Vespaluus the
|
|
Pagan and certain members of his household devoutly and
|
|
decently worshipped them. That possibly is the reason why
|
|
the boy-king's success in sports and hunting never deserted
|
|
him to the end of his days, and that is also the reason why,
|
|
in spite of the popular veneration for his sanctity, he
|
|
never received official canonization.''
|
|
|
|
``It has stopped raining,'' said the Baroness.
|
|
|
|
THE WAY TO THE DAIRY
|
|
|
|
The Baroness and Clovis sat in a much-frequented corner of
|
|
the Park exchanging biographical confidences about the long
|
|
succession of passers-by.
|
|
|
|
``Who are those depressed-looking young women who have
|
|
just gone by?'' asked the Baroness; ``they have the air of
|
|
people who have bowed to destiny and are not quite sure
|
|
whether the salute will be returned.''
|
|
|
|
``Those,'' said Clovis, ``are the Brimley Bomefields. I
|
|
dare say you would look depressed if you had been through
|
|
their experiences.''
|
|
|
|
``I'm always having depressing experiences,'' said the
|
|
Baroness, ``but I never give them outward expression. It's
|
|
as bad as looking one's age. Tell me about the Brimley
|
|
Bomefields.''
|
|
|
|
``Well,'' said Clovis, ``the beginning of their tragedy
|
|
was that they found an aunt. The aunt had been there all
|
|
the time, but they had very nearly forgotten her existence
|
|
until a distant relative refreshed their memory, by
|
|
remembering her very distinctly in his will; it is wonderful
|
|
what the force of example will accomplish. The aunt, who
|
|
had been unobtrusively poor, became quite pleasantly rich,
|
|
and the Brimley Bomefields grew suddenly concerned at the
|
|
loneliness of her life and took her under their collective
|
|
wings. She had as many wings around her at this time as one
|
|
of those beast-things in Revelation.''
|
|
|
|
``So far I don't see any tragedy from the Brimley
|
|
Bomefields' point of view,'' said the Baroness.
|
|
|
|
``We haven't got to it yet,'' said Clovis. ``The aunt had
|
|
been used to living very simply, and had seen next to
|
|
nothing of what we should consider life, and her nieces
|
|
didn't encourage her to do much in the way of making a
|
|
splash with her money. Quite a good deal of it would come
|
|
to them at her death, and she was a fairly old woman, but
|
|
there was one circumstance which cast a shadow of gloom over
|
|
the satisfaction they felt in the discovery and acquisition
|
|
of this desirable aunt: she openly acknowledged that a
|
|
comfortable slice of her little fortune would go to a nephew
|
|
on the other side of her family. He was rather a deplorable
|
|
thing in rotters, and quite hopelessly top-hole in the way
|
|
of getting through money, but he had been more or less
|
|
decent to the old lady in her unremembered days, and she
|
|
wouldn't hear anything against him. At least, she wouldn't
|
|
pay any attention to what she did hear, but her nieces took
|
|
care that she should have to listen to a good deal in that
|
|
line. It seemed such a pity, they said among themselves,
|
|
that good money should fall into such wortless hands. They
|
|
habitually spoke of their aunt's money as `good money,' as
|
|
though other people's aunts dabbled for the most part in
|
|
spurious currency.
|
|
|
|
``Regularly after the Derby, St. Leger, and other notable
|
|
racing events they indulged in audible speculations as to
|
|
how much money Roger had squandered in unfortunate betting
|
|
transactions.
|
|
|
|
`` `His travelling expenses must come to a big sum,' said
|
|
the eldest Brimley Bomefield one day; `they say he attends
|
|
every race-meeting in England, besides others abroad. I
|
|
shouldn't wonder if he went all the way to India to see the
|
|
race for the Calcutta Sweepstake that one hears so much
|
|
about.'
|
|
|
|
`` `Travel enlarges the mind, my dear Christine,' said her
|
|
aunt.
|
|
|
|
`` `Yes, dear aunt, travel undertaken in the right
|
|
spirit,' agreed Christine; `but travel pursued merely as a
|
|
means towards gambling and extravagant living is more likely
|
|
to contract the purse than to enlarge the mind. However, as
|
|
long as Roger enjoys himself, I suppose he doesn't care how
|
|
fast or unprofitably the money goes, or where he is to find
|
|
more. It seems a pity, that's all.'
|
|
|
|
``The aunt by that time had begun to talk of something
|
|
else, and it was doubtful if Christine's moralizing had been
|
|
even accorded a hearing. It was her remark, however---the
|
|
aunt's remark, I mean---about travel enlarging the mind,
|
|
that gave the youngest Brimley Bomefield her great idea for
|
|
the showing-up of Roger.
|
|
|
|
`` `If aunt could only be taken somewhere to see him
|
|
gambling and throwing away money,' she said, `it would open
|
|
her eyes to his character more effectually than anything we
|
|
can say.'
|
|
|
|
`` `My dear Veronique,' said her sisters, `we can't go
|
|
following him to race-meetings.'
|
|
|
|
`` `Certainly not to race-meetings,' said Veronique, `but
|
|
we might go to some place where one can look on at gambling
|
|
without talking part in it.'
|
|
|
|
`` `Do you mean Monte Carlo?' they asked her, beginning to
|
|
jump rather at the idea.
|
|
|
|
`` `Monte Carlo is a long way off, and has a dreadful
|
|
reputation,' said Veronique; `I shouldn't like to tell our
|
|
friends that we were going to Monte Carlo. But I believe
|
|
Roger usually goes to Dieppe about this time of year, and
|
|
some quite respectable English people go there, and the
|
|
journey wouldn't be expensive. If aunt could stand the
|
|
Channel crossing the change of scene might do her a lot of
|
|
good.'
|
|
|
|
``And that was how the fateful idea came to the Brimley
|
|
Bomefields.
|
|
|
|
``From the very first set-off disaster hung over the
|
|
expedition, as they afterwards remembered. To begin with,
|
|
all the Brimley Bomefields were extremely unwell during the
|
|
crossing, while the aunt enjoyed the sea air and made
|
|
friends with all manner of strange travelling companions.
|
|
Then, although it was many years since she had been on the
|
|
Continent, she had served a very practical apprenticeship
|
|
there as a paid companion, and her knowledge of colloquial
|
|
French beat theirs to a standstill. It became increasingly
|
|
difficult to keep under their collective wings a person who
|
|
knew what she wanted and was able to ask for it and to see
|
|
that she got it. Also, as far as Roger was concerned, they
|
|
drew Dieppe blank; it turned out that he was staying at
|
|
Pourville, a little watering-place a mile or two further
|
|
west. The Brimley Bomefields discovered that Dieppe was too
|
|
crowded and frivolous, and persuaded the old lady to migrate
|
|
to the comparative seclusion of Pourville.
|
|
|
|
`` `You won't find it dull, you know,' they assured her;
|
|
`there is a little casino attached to the hotel, and you can
|
|
watch the people dancing and throwing away their money at
|
|
_petits chevaux_.'
|
|
|
|
``It was just before _petits chevaux_ had been supplanted
|
|
by _boule_.
|
|
|
|
``Roger was not staying in the same hotel, but they knew
|
|
that the casino would be certain of his patronage on most
|
|
afternoons and evenings.
|
|
|
|
``On the first evening of their visit they wandered into
|
|
the casino after a fairly early dinner, and hovered near the
|
|
tables. Bertie van Tahn was staying there at the time, and
|
|
he described the whole incident to me. The Brimley
|
|
Bomefields kept a furtive watch on the doors as though they
|
|
were expecting some one to turn up, and the aunt got more
|
|
and more amused and interested watching the little horses
|
|
whirl round and round the board.
|
|
|
|
`` `Do you know, poor little number eight hasn't won for
|
|
the last thirty-two times,' she said to Christine; `I've
|
|
been keeping count. I shall really have to put five francs
|
|
on him to encourage him.'
|
|
|
|
`` `Come and watch the dancing, dear,' said Christine
|
|
nervously. It was scarcely a part of their strategy that
|
|
Roger should come in and find the old lady backing her fancy
|
|
at the _petits chevaux_ table.
|
|
|
|
`` `Just wait while I put five francs on number eight,'
|
|
said the aunt, and in another moment her money was lying on
|
|
the table. The horses commenced to move round; it was a
|
|
slow race this time, and number eight crept up at the finish
|
|
like some crafty demon and placed his nose just a fraction
|
|
in front of number three, who had seemed to be winning
|
|
easily. Recourse had to be had to measurement, and the
|
|
number eight was proclaimed the winner. The aunt picked up
|
|
thirty-five francs. After that the Brimley Bomefields would
|
|
have had to have used concerted force to get her away from
|
|
the tables. When Roger appeared on the scene she was
|
|
fifty-two francs to the good; her nieces were hovering
|
|
forlornly in the background, like chickens that have been
|
|
hatched out by a duck and are despairingly watching their
|
|
parent disporting herself in a dangerous and uncongenial
|
|
element. The supper-party which Roger insisted on standing
|
|
that night in honour of his aunt and the three Miss Brimley
|
|
Bomefields was remarkable for the unrestrained gaiety of two
|
|
of the participants and the funereal mirthlessness of the
|
|
remaining guests.
|
|
|
|
`` `I do not think,' Christine confided afterwards to a
|
|
friend, who re-confided it to Bertie van Tahn, `that I shall
|
|
ever be able to touch _p<a^>t<e'> de foie gras_ again. It
|
|
would bring back memories of that awful evening.'
|
|
|
|
``For the next two or three days the nieces made plans for
|
|
returning to England or moving on to some other resort where
|
|
there was no casino. The aunt was busy making a system for
|
|
winning at _petits chevaux_. Number eight, her first love,
|
|
had been running rather unkindly for her, and a series of
|
|
plunges on number five had turned out even worse.
|
|
|
|
`` `Do you know, I dropped over seven hundred francs at
|
|
the tables this afternoon,' she announced cheerfully at
|
|
dinner on the fourth evening of their visit.
|
|
|
|
`` `Aunt! Twenty-eight pounds! And you were losing last
|
|
night too.'
|
|
|
|
`` `Oh, I shall get it all back,' she said optimistically;
|
|
`but not here. These silly little horses are no good. I
|
|
shall go somewhere where one can play comfortably at
|
|
roulette. You needn't look so shocked. I've always felt
|
|
that, given the opportunity, I should be an inveterate
|
|
gambler, and now you darlings have put the opportunity in my
|
|
way. I must drink your very good healths. Waiter, a bottle
|
|
of _Pontet Canet_. Ah, it's number seven on the wine list;
|
|
I shall plunge on number seven tonight. It won four times
|
|
running this afternoon when I was backing that silly number
|
|
five.'
|
|
|
|
``Number seven was not in a winning mood that evening.
|
|
The Brimley Bomefields, tired of watching disaster from a
|
|
distance, drew near to the table where their aunt was now an
|
|
honoured habitu<e'>e, and gazed mournfully at the successive
|
|
victories of one and five and eight and four, which swept
|
|
`good money' out of the purse of seven's obstinate backer.
|
|
The day's losses totalled something very near two thousand
|
|
francs.
|
|
|
|
`` `You incorrigible gamblers,' said Roger chaffingly to
|
|
them, when he found them at the tables.
|
|
|
|
`` `We are not gambling,' said Christine freezingly; 'we
|
|
are looking on.'
|
|
|
|
`` `I _don't_ think,' said Roger knowingly; `of course
|
|
you're a syndicate and aunt is putting the stakes on for all
|
|
of you. Any one can tell by your looks when the wrong horse
|
|
wins that you've got a stake on.'
|
|
|
|
``Aunt and nephew had supper alone that night, or at least
|
|
they would have if Bertie hadn't joined them; all the
|
|
Brimley Bomefields had headaches.
|
|
|
|
``The aunt carried them all off to Dieppe the next day and
|
|
set cheerily about the task of winning back some of her
|
|
losses. Her luck was variable; in fact, she had some fair
|
|
streaks of good fortune, just enough to keep her thoroughly
|
|
amused with her new distraction; but on the whole she was a
|
|
loser. The Brimley Bomefields had a collective attack of
|
|
nervous prostration on the day when she sold out a quantity
|
|
of shares in Argentine rails. `Nothing will ever bring that
|
|
money back,' they remarked lugubriously to one another.
|
|
|
|
``Veronique at last could bear it no longer, and went
|
|
home; you see, it had been her idea to bring the aunt on
|
|
this disastrous expedition, and though the others did not
|
|
cast the fact verbally in her face, there was a certain
|
|
lurking reproach in their eyes which was harder to meet than
|
|
actual upbraidings. The other two remained behind,
|
|
forlornly mounting guard over their aunt until such time as
|
|
the waning of the Dieppe season should at last turn her in
|
|
the direction of home and safety. They made anxious
|
|
calculations as to how little `good money' might, with
|
|
reasonable luck, be squandered in the meantime. Here,
|
|
however, their reckoning went far astray; the close of the
|
|
Dieppe season merely turned their aunt's thoughts in search
|
|
of some other convenient gambling resort. `Show a cat the
|
|
way to the dairy---' I forget how the proverb goes on, but
|
|
it summed up the situation as far as the Brimley Bomefields'
|
|
aunt was concerned. She had been introduced to unexplored
|
|
pleasures, and found them greatly to her liking, and she was
|
|
in no hurry to forgo the fruits of her newly acquired
|
|
knowledge. You see, for the first time in her life the old
|
|
thing was thoroughly enjoying herself; she was losing money,
|
|
but she had plenty of fun and excitement over the process,
|
|
and she had enough left to do very comfortably on. Indeed,
|
|
she was only just learning to understand the art of doing
|
|
oneself well. She was a popular hostess, and in return her
|
|
fellow-gamblers were always ready to entertain her to
|
|
dinners and suppers when their luck was in. Her nieces, who
|
|
still remained in attendance on her, with the pathetic
|
|
unwillingness of a crew to leave a foundering treasure ship
|
|
which might yet be steered into port, found little pleasure
|
|
in these Bohemian festivities; to see `good money' lavished
|
|
on good living for the entertainment of a nondescript circle
|
|
of acquaintances who were not likely to be in any way
|
|
socially useful to them, did not attune them to a spirit of
|
|
revelry. They contrived, whenever possible, to excuse
|
|
themselves from participation in their aunt's deplored
|
|
gaieties; the Brimley Bomefield headaches became famous.
|
|
|
|
``And one day the nieces came to the conclusion that, as
|
|
they would have expressed it, `no useful purpose would be
|
|
served' by their continued attendance on a relative who had
|
|
so thoroughly emancipated herself from the sheltering
|
|
protection of their wings. The aunt bore the announcement
|
|
of their departure with a cheerfulness that was almost
|
|
disconcerting.
|
|
|
|
`` `It's time you went home and had those headaches seen
|
|
to by a specialist,' was her comment on the situation.
|
|
|
|
``The homeward journey of the Brimley Bomefields was a
|
|
veritable retreat from Moscow, and what made it the more
|
|
bitter was the fact that the Moscow, in this case, was not
|
|
overwhelmed with fire and ashes, but merely extravagantly
|
|
over-illuminated.
|
|
|
|
``From mutual friends and acquaintances they sometimes get
|
|
glimpses of their prodigal relative, who has settled down
|
|
into a confirmed gambling maniac, living on such salvage of
|
|
income as obliging moneylenders have left at her disposal.
|
|
|
|
``So you need not be surprised,'' concluded Clovis, ``if
|
|
they do wear a depressed look in public.''
|
|
|
|
``Which is Veronique?'' asked the Baroness.
|
|
|
|
``The most depressed-looking of the three,'' said Clovis.
|
|
|
|
THE PEACE OFFERING
|
|
|
|
``I want you to help me in getting up a dramatic
|
|
entertainment of some sort,'' said the Baroness to Clovis.
|
|
``You see, there's been an election petition down here, and
|
|
a member unseated and no end of bitterness and ill-feeling,
|
|
and the County is socially divided against itself. I
|
|
thought a play of some kind would be an excellent
|
|
opportunity for bringing people together again, and giving
|
|
them something to think of besides tiresome political
|
|
squabbles.''
|
|
|
|
The Baroness was evidently ambitious of reproducing
|
|
beneath her own roof the pacifying effects traditionally
|
|
ascribed to the celebrated Reel of Tullochgorum.
|
|
|
|
``We might do something on the lines of Greek tragedy,''
|
|
said Clovis, after due reflection; ``the Return of Agamemnon,
|
|
for instance.''
|
|
|
|
The Baroness frowned.
|
|
|
|
``It sounds rather reminiscent of an election result,
|
|
doesn't it?''
|
|
|
|
``It wasn't that sort of return,'' explained Clovis; ``it
|
|
was a homecoming.''
|
|
|
|
``I thought you said it was a tragedy.''
|
|
|
|
``Well, it was. He was killed in his bathroom, you
|
|
know.''
|
|
|
|
``Oh, now I know the story, of course. Do you want me to
|
|
take the part of Charlotte Corday?''
|
|
|
|
``That's a different story and a different century,'' said
|
|
Clovis; ``the dramatic unities forbid one to lay a scene in
|
|
more than one century at a time. The killing in this case
|
|
has to be done by Clytemnestra.''
|
|
|
|
``Rather a pretty name. I'll do that part. I suppose you
|
|
want to be Aga-whatever his name is?''
|
|
|
|
``Dear no. Agamemnon was the father of grown-up children,
|
|
and probably wore a beard and looked prematurely aged. I
|
|
shall be his charioteer or bath-attendant, or something
|
|
decorative of that kind. We must do everything in the
|
|
Sumurun manner, you know.''
|
|
|
|
``I don't know,'' said the Baroness; ``at least, I should
|
|
know better if you would explain exactly what you mean by
|
|
the Sumurun manner.''
|
|
|
|
Clovis obliged: ``Weird music, and exotic skippings and
|
|
flying leaps, and lots of drapery and undrapery.
|
|
Particularly undrapery.''
|
|
|
|
``I think I told you the County are coming. The County
|
|
won't stand anything very Greek.''
|
|
|
|
``You can get over any objection by calling it Hygiene, or
|
|
limb-culture, or something of that sort. After all, every
|
|
one exposes their insides to the public gaze and sympathy
|
|
nowadays, so why not one's outside?''
|
|
|
|
``My dear boy, I can ask the County to a Greek play, or to
|
|
a costume play, but to a Greek-costume play, never. It
|
|
doesn't do to let the dramatic instinct carry one too far;
|
|
one must consider one's environment. When one lives among
|
|
greyhounds one should avoid giving life-like imitations of a
|
|
rabbit, unless one wants one's head snapped off. Remember,
|
|
I've got this place on a seven years' lease. And then,''
|
|
continued the Baroness, ``as to skippings and flying leaps;
|
|
I must ask Emily Dushford to take a part. She's a dear good
|
|
thing, and will do anything she's told, or try to; but can
|
|
you imagine her doing a flying leap under any
|
|
circumstances?''
|
|
|
|
``She can be Cassandra, and she need only take flying
|
|
leaps into the future, in a metaphorical sense.''
|
|
|
|
``Cassandra; rather a pretty name. What kind of character
|
|
is she?''
|
|
|
|
``She was a sort of advance-agent for calamities. To know
|
|
her was to know the worst. Fortunately for the gaiety of
|
|
the age she lived in, no one took her very seriously.
|
|
Still, it must have been fairly galling to have her turning
|
|
up after every catastrophe with a conscious air of `perhaps
|
|
another time you'll believe what I say.' ''
|
|
|
|
``I should have wanted to kill her.''
|
|
|
|
``As Clytemnestra I believe you gratify that very natural
|
|
wish.''
|
|
|
|
``Then it has a happy ending, in spite of it being a
|
|
tragedy?''
|
|
|
|
``Well, hardly,'' said Clovis; ``you see, the satisfaction
|
|
of putting a violent end to Cassandra must have been
|
|
considerably damped by the fact that she had foretold what
|
|
was going to happen to her. She probably dies with an
|
|
intensely irritating `what-did-I-tell-you' smile on her
|
|
lips. By the way, of course all the killing will be done in
|
|
the Sumurun manner.''
|
|
|
|
``Please explain again,'' said the Baroness, taking out a
|
|
notebook and pencil.
|
|
|
|
``Little and often, you know, instead of one sweeping
|
|
blow. You see, you are at your own home, so there's no need
|
|
to hurry over the murdering as though it were some
|
|
disagreeable but necessary duty.''
|
|
|
|
``And what sort of end do I have? I mean, what curtain do
|
|
I get?''
|
|
|
|
``I suppose you rush into your lover's arms. That is
|
|
where one of the flying leaps will come in.''
|
|
|
|
The getting-up and rehearsing of the play seemed likely to
|
|
cause, in a restricted area, nearly as much heart-burning
|
|
and ill-feeling as the election petition. Clovis, as
|
|
adapter and stage-manager, insisted, as far as he was able,
|
|
on the charioteer being quite the most prominent character
|
|
in the play, and his panther-skin tunic caused almost as
|
|
much trouble and discussion as Clytemnestra's spasmodic
|
|
succession of lovers, who broke down on probation with
|
|
alarming uniformity. When the cast was at length fixed
|
|
beyond hope of reprieve matters went scarcely more smoothly.
|
|
Clovis and the Baroness rather overdid the Sumurun manner,
|
|
while the rest of the company could hardly be said to
|
|
attempt it at all. As for Cassandra, who was expected to
|
|
improvise her own prophecies, she appeared to be as
|
|
incapable of taking flying leaps into futurity as of
|
|
executing more than a severely plantigrade walk across the
|
|
stage.
|
|
|
|
``Woe! Trojans, woe to Troy!'' was the most inspired
|
|
remark she could produce after several hours of
|
|
conscientious study of all the available authorities.
|
|
|
|
``It's no earthly use foretelling the fall of Troy,''
|
|
expostulated Clovis, ``because Troy has fallen before the
|
|
action of the play begins. And you mustn't say too much
|
|
about your own impending doom either, because that will give
|
|
things away too much to the audience.''
|
|
|
|
After several minutes of painful brain-searching,
|
|
Cassandra smiled reassuringly.
|
|
|
|
``I know. I'll predict a long and happy reign for George
|
|
the Fifth.''
|
|
|
|
``My dear girl,'' protested Clovis, ``have you reflected
|
|
that Cassandra specialized in foretelling calamities?''
|
|
|
|
There was another prolonged pause and another triumphant
|
|
issue.
|
|
|
|
``I know. I'll foretell a most disastrous season for the
|
|
foxhounds.''
|
|
|
|
``On no account,'' entreated Clovis; ``do remember that
|
|
all Cassandra's predictions came true. The M.F.H. and the
|
|
Hunt Secretary are both awfully superstitious, and they are
|
|
both going to be present.''
|
|
|
|
Cassandra retreated hastily to her bedroom to bathe her
|
|
eyes before appearing at tea.
|
|
|
|
The Baroness and Clovis were by this time scarcely on
|
|
speaking terms. Each sincerely wished their respective
|
|
r<o^>le to be the pivot round which the entire production
|
|
should revolve, and each lost no opportunity for furthering
|
|
the cause they had at heart. As fast as Clovis introduced
|
|
some effective bit of business for the charioteer (and he
|
|
introduced a great many), the Baroness would remorselessly
|
|
cut it out, or more often dovetail it into her own part,
|
|
while Clovis retaliated in a similar fashion whenever
|
|
possible. The climax came when Clytemnestra annexed some
|
|
highly complimentary lines, which were to have been
|
|
addressed to the charioteer by a bevy of admiring Greek
|
|
damsels, and put them into the mouth of her lover. Clovis
|
|
stood by in apparent unconcern while the words:
|
|
|
|
``Oh, lovely stripling, radiant as the dawn,'' were
|
|
transposed into:
|
|
|
|
``Oh, Clytemnestra, radiant as the dawn,'' but there was a
|
|
dangerous glitter in his eye that might have given the
|
|
Baroness warning. He had composed the verse himself,
|
|
inspired and thoroughly carried away by his subject; he
|
|
suffered, therefore, a double pang in beholding his tribute
|
|
deflected from its destined object, and his words mutilated
|
|
and twisted into what became an extravagant panegyric on the
|
|
Baroness's personal charms. It was from this moment that he
|
|
became gentle and assiduous in his private coaching of
|
|
Cassandra.
|
|
|
|
The County, forgetting its dissensions, mustered in full
|
|
strength to witness the much-talked-of production. The
|
|
protective Providence that looks after little children and
|
|
amateur theatricals made good its traditional promise that
|
|
everything should be right on the night. The Baroness and
|
|
Clovis seemed to have sunk their mutual differences, and
|
|
between them dominated the scene to the partial eclipse of
|
|
all the other characters, who, for the most part, seemed
|
|
well content to remain in the shadow. Even Agamemnon, with
|
|
ten years of strenuous life around Troy standing to his
|
|
credit, appeared to be an unobtrusive personality compared
|
|
with his flamboyant charioteer. But the moment came for
|
|
Cassandra (who had been excused from any very definite
|
|
outpourings during rehearsals) to support her role by
|
|
delivering herself of a few well-chosen anticipations of
|
|
pending misfortune. The musicians obliged with
|
|
appropriately lugubrious wailings and thumpings, and the
|
|
Baroness seized the opportunity to make a dash to the
|
|
dressing-room to effect certain repairs in her make-up.
|
|
Cassandra nervous but resolute, came down to the footlights
|
|
and, like one repeating a carefully learned lesson, flung
|
|
her remarks straight at the audience:
|
|
|
|
``I see woe for this fair country if the brood of corrupt,
|
|
self-seeking, unscrupulous, unprincipled politicians'' (here
|
|
she named one of the two rival parties in the State)
|
|
``continue to infest and poison our local councils and
|
|
undermine our Parliamentary representation; if they continue
|
|
to snatch votes by nefarious and discreditable means---''
|
|
|
|
A humming as of a great hive of bewildered and affronted
|
|
bees drowned her further remarks and wore down the droning
|
|
of the musicians. The Baroness, who should have been
|
|
greeted on her return to the stage with the pleasing
|
|
invocation, ``Oh, Clytemnestra, radiant as the dawn,'' heard
|
|
instead the imperious voice of Lady Thistledale ordering her
|
|
carriage, and something like a storm of open discord going
|
|
on at the back of the room.
|
|
|
|
*
|
|
|
|
The social divisions in the County healed themselves after
|
|
their own fashion; both parties found common ground in
|
|
condemning the Baroness's outrageously bad taste and
|
|
tactlessness.
|
|
|
|
She has been fortunate in sub-letting for the greater part
|
|
of her seven years' lease.
|
|
|
|
THE PEACE OF MOWSLE BARTON
|
|
|
|
Crefton Lockyer sat at his ease, an ease alike of body and
|
|
soul, in the little patch of ground, half-orchard and
|
|
half-garden, that abutted on the farmyard at Mowsle Barton.
|
|
After the stress and noise of long years of city life, the
|
|
repose and peace of the hill-begirt homestead struck on his
|
|
senses with an almost dramatic intensity. Time and space
|
|
seemed to lose their meaning and their abruptness; the
|
|
minutes slid away into hours, and the meadows and fallows
|
|
sloped away into middle distance, softly and imperceptibly.
|
|
Wild weeds of the hedgerow straggled into the flower-garden,
|
|
and wallflowers and garden bushes made counter-raids into
|
|
farmyard and lane. Sleepy-looking hens and solemn
|
|
preoccupied ducks were equally at home in yard, orchard, or
|
|
roadway; nothing seemed to belong definitely to anywhere;
|
|
even the gates were not necessarily to be found on their
|
|
hinges. And over the whole scene brooded the sense of a
|
|
peace that had almost a quality of magic in it. In the
|
|
afternoon you felt that it had always been afternoon, and
|
|
must always remain afternoon; in the twilight you knew that
|
|
it could never have been anything else but twilight.
|
|
Crefton Cockyer sat at his ease in the rustic seat beneath
|
|
an old medlar tree, and decided that here was the
|
|
life-anchorage that his mind had so fondly pictured and that
|
|
latterly his tired and jarred senses had so often pined for.
|
|
He would make a permanent lodging-place among these simple
|
|
friendly people, gradually increasing the modest comforts
|
|
with which he would like to surround himself, but falling in
|
|
as much as possible with their manner of living.
|
|
|
|
As he slowly matured this resolution in his mind an
|
|
elderly woman came hobbling with uncertain gait through the
|
|
orchard. He recognized her as a member of the farm
|
|
household, the mother or possibly the mother-in-law of Mrs.
|
|
Spurfield, his present landlady, and hastily formulated some
|
|
pleasant remark to make to her. She forestalled him.
|
|
|
|
``There's a bit of writing chalked up on the door over
|
|
yonder. What is it?''
|
|
|
|
She spoke in a dull impersonal manner, as though the
|
|
question had been on her lips for years and has best be got
|
|
rid of. Her eyes, however, looked impatiently over
|
|
Crefton's head at the door of a small barn which formed the
|
|
outpost of a straggling line of farm buildings.
|
|
|
|
``Martha Pillamon is an old witch'' was the announcement
|
|
that met Crefton's inquiring scrutiny, and he hesitated a
|
|
moment before giving the statement wider publicity. For all
|
|
he knew to the contrary, it might be Martha herself to whom
|
|
he was speaking. It was possible that Mrs. Spurfield's
|
|
maiden name had been Pillamon. And the gaunt, withered old
|
|
dame at his side might certainly fulfil local conditions as
|
|
to the outward aspect of a witch.
|
|
|
|
``It's something about some one called Martha Pillamon,''
|
|
he explained cautiously.
|
|
|
|
``What does it say?''
|
|
|
|
``It's very disrespectful,'' said Crefton; ``it says she's
|
|
a witch. Such things ought not to be written up.''
|
|
|
|
``It's true, every word of it,'' said his listener with
|
|
considerable satisfaction, adding as a special descriptive
|
|
note of her own, ``the old toad.''
|
|
|
|
And as she hobbled away through the farmyard she shrilled
|
|
out in her cracked voice, ``Martha Pillamon is an old
|
|
witch!''
|
|
|
|
``Did you hear what she said?'' mumbled a weak, angry
|
|
voice somewhere behind Crefton's shoulder. Turning hastily,
|
|
he beheld another old crone, thin and yellow and wrinkled,
|
|
and evidently in a high state of displeasure. Obviously
|
|
this was Martha Pillamon in person. The orchard seemed to
|
|
be a favourite promenade for the aged women of the
|
|
neighbourhood.
|
|
|
|
``'Tis lies, 'tis sinful lies,'' the weak voice went on.
|
|
``'Tis Betsy Croot is the old witch. She an' her daughter,
|
|
the dirty rat. I'll put a spell on 'em, the old nuisances.''
|
|
|
|
As she limped slowly away her eye caught the chalk
|
|
inscription on the barn door.
|
|
|
|
``What's written up there?'' she demanded, wheeling round
|
|
on Crefton.
|
|
|
|
``Vote for Soarker,'' he responded, with the craven
|
|
boldness of the practised peacemaker.
|
|
|
|
The old woman grunted, and her mutterings and her faded
|
|
red shawl lost themselves gradually among the tree-trunks.
|
|
Crefton rose presently and made his way towards the
|
|
farmhouse. Somehow a good deal of the peace seemed to have
|
|
slipped out of the atmosphere.
|
|
|
|
The cheery bustle of tea-time in the old farm kitchen,
|
|
which Crefton had found so agreeable on previous afternoons,
|
|
seemed to have soured today into a certain uneasy
|
|
melancholy. There was a dull, dragging silence around the
|
|
board, and the tea itself, when Crefton came to taste it,
|
|
was a flat, lukewarm concoction that would have driven the
|
|
spirit of revelry out of a carnival.
|
|
|
|
``It's no use complaining of the tea,'' said Mrs.
|
|
Spurfield hastily, as her guest stared with an air of polite
|
|
inquiry at his cup. ``The kettle won't boil, that's the
|
|
truth of it.''
|
|
|
|
Crefton turned to the hearth, where an unusually fierce
|
|
fire was banked up under a big black kettle, which sent a
|
|
thin wreath of steam from its spout, but seemed otherwise to
|
|
ignore the action of the roaring blaze beneath it.
|
|
|
|
``It's been there more than an hour, an' boil it won't,''
|
|
said Mrs. Spurfield, adding, by way of complete
|
|
explanation, ``we're bewitched.''
|
|
|
|
``It's Martha Pillamon as has done it,'' chimed in the old
|
|
mother; ``I'll be even with the old toad, I'll put a spell
|
|
on her.''
|
|
|
|
``It must boil in time,'' protested Crefton, ignoring the
|
|
suggestions of foul influences. ``Perhaps the coal is
|
|
damp.''
|
|
|
|
``It won't boil in time for supper, nor for breakfast
|
|
tomorrow morning, not if you was to keep the fire agoing all
|
|
night for it,'' said Mrs. Spurfield. And it didn't. The
|
|
household subsisted on fried and baked dishes, and a
|
|
neighbour obligingly brewed tea and sent it across in a
|
|
moderately warm condition.
|
|
|
|
``I suppose you'll be leaving us now that things has
|
|
turned up uncomfortable,'' Mrs. Spurfield observed at
|
|
breakfast; ``there are folks as deserts one as soon as
|
|
trouble comes.''
|
|
|
|
Crefton hurriedly disclaimed any immediate change of
|
|
plans; he observed, however, to himself that the earlier
|
|
heartiness of manner had in a large measure deserted the
|
|
household. Suspicious looks, sulky silences, or sharp
|
|
speeches had become the order of the day. As for the old
|
|
mother, she sat about the kitchen or the garden all day,
|
|
murmuring threats and spells against Martha Pillamon. There
|
|
was something alike terrifying and piteous in the spectacle
|
|
of these frail old morsels of humanity consecrating their
|
|
last flickering energies to the task of making each other
|
|
wretched. Hatred seemed to be the one faculty which had
|
|
survived in undiminished vigour and intensity where all else
|
|
was dropping into ordered and symmetrical decay. And the
|
|
uncanny part of it was that some horrid unwholesome power
|
|
seemed to be distilled from their spite and their cursings.
|
|
No amount of sceptical explanation could remove the
|
|
undoubted fact that neither kettle nor saucepan would come
|
|
to boiling-point over the hottest fire. Crefton clung as
|
|
long as possible to the theory of some defect in the coals,
|
|
but a wood fire gave the same result, and when a small
|
|
spirit-lamp kettle, which he ordered out by carrier, showed
|
|
the same obstinate refusal to allow its contents to boil he
|
|
felt that he had come suddenly into contact with some
|
|
unguessed-at and very evil aspect of hidden forces. Miles
|
|
away, down through an opening in the hills, he could catch
|
|
glimpses of a road where motor-cars sometimes passed, and
|
|
yet here, so little removed from the arteries of the latest
|
|
civilization, was a bat-haunted old homestead, where
|
|
something unmistakably like witchcraft seemed to hold a very
|
|
practical sway.
|
|
|
|
Passing out through the farm garden on his way to the
|
|
lanes beyond, where he hoped to recapture the comfortable
|
|
sense of peacefulness that was so lacking around house and
|
|
hearth---especially hearth---Crefton came across the old
|
|
mother, sitting mumbling to herself in the seat beneath the
|
|
medlar tree. ``Let un sink as swims, let un sink as swims,''
|
|
she was repeating over and over again, as a child repeats a
|
|
half-learned lesson. And now and then she would break off
|
|
into a shrill laugh, with a note of malice in it that was
|
|
not pleasant to hear. Crefton was glad when he found
|
|
himself out of earshot, in the quiet and seclusion of the
|
|
deep overgrown lanes that seemed to lead away to nowhere;
|
|
one, narrower and deeper than the rest, attracted his
|
|
footsteps, and he was almost annoyed when he found that it
|
|
really did act as a miniature roadway to a human dwelling.
|
|
A forlorn-looking cottage with a scrap of ill-tended cabbage
|
|
garden and a few aged apple trees stood at an angle where a
|
|
swift-flowing stream widened out for a space into a
|
|
decent-sized pond before hurrying away again trough the
|
|
willows that had checked its course. Crefton leaned against
|
|
a tree-trunk and looked across the swirling eddies of the
|
|
pond at the humble little homestead opposite him; the only
|
|
sign of life came from a small procession of dingy-looking
|
|
ducks that marched in single file down to the water's edge.
|
|
There is always something rather taking in the way a duck
|
|
changes itself in an instant from a slow, clumsy waddler of
|
|
the earth to a graceful, buoyant swimmer of the waters, and
|
|
Crefton waited with a certain arrested attention to watch
|
|
the leader of the file launch itself on to the surface of
|
|
the pond. He was aware at the same time of a curious
|
|
warning instinct that something strange and unpleasant was
|
|
about to happen. The duck flung itself confidently forward
|
|
into the water, and rolled immediately under the surface.
|
|
Its head appeared for a moment and went under again, leaving
|
|
a train of bubbles in its wake, while wings and legs churned
|
|
the water in a helpless swirl of flapping and kicking. The
|
|
bird was obviously drowning. Crefton thought at first that
|
|
it had caught itself in some weeds, or was being attacked
|
|
from below by a pike or water-rat. But no blood floated to
|
|
the surface, and the wildly bobbing body made the circuit of
|
|
the pond current without hindrance from any entanglement. A
|
|
second duck had by this time launched itself into the pond,
|
|
and a second struggling body rolled and twisted under the
|
|
surface. There was something peculiarly piteous in the
|
|
sight of the gasping beaks that showed now and again above
|
|
the water, as though in terrified protest at this treachery
|
|
of a trusted and familiar element. Crefton gazed with
|
|
something like horror as a third duck poised itself on the
|
|
bank and splashed in, to share the fate of the other two.
|
|
He felt almost relieved when the remainder of the flock,
|
|
taking tardy alarm from the commotion of the slowly drowning
|
|
bodies, drew themselves up with tense outstretched necks,
|
|
and sidled away from the scene of danger, quacking a deep
|
|
note of disquietude as they went. At the same moment
|
|
Crefton became aware that he was not the only human witness
|
|
of the scene; a bent and withered old woman, whom he
|
|
recognized at once as Martha Pillamon, of sinister
|
|
reputation, had limped down the cottage path to the water's
|
|
edge, and was gazing fixedly at the gruesome whirligig of
|
|
dying birds that went in horrible procession round the pool.
|
|
Presently her voice rang out in a shrill note of quavering
|
|
rage:
|
|
|
|
``'Tis Betsy Croot adone it, the old rat. I'll put a
|
|
spell on her, see if I don't.''
|
|
|
|
Crefton slipped quietly away, uncertain whether or no the
|
|
old woman had noticed his presence. Even before she had
|
|
proclaimed the guiltiness of Betsy Croot, the latter's
|
|
muttered incantation ``Let un sink as swims'' had flashed
|
|
uncomfortably across his mind. But it was the final threat
|
|
of a retaliatory spell which crowded his mind with misgiving
|
|
to the exclusion of all other thoughts or fancies. His
|
|
reasoning powers could no longer afford to dismiss these
|
|
old-wives' threats as empty bickerings. The household at
|
|
Mowsle Barton lay under the displeasure of a vindictive old
|
|
woman who seemed able to materialize her personal spites in
|
|
a very practical fashion, and there was no saying what form
|
|
her revenge for three drowned ducks might not take. As a
|
|
member of the household Crefton might find himself involved
|
|
in some general and highly disagreeable visitation of Martha
|
|
Pillamon's wrath. Of course he knew that he was giving way
|
|
to absurd fancies, but the behaviour of the spirit-lamp
|
|
kettle and the subsequent scene at the pond had considerably
|
|
unnerved him. And the vagueness of his alarm added to its
|
|
terrors; when once you have taken the Impossible into your
|
|
calculations its possibilities become practically limitless.
|
|
|
|
Crefton rose at his usual early hour the next morning,
|
|
after one of the least restful nights he had spent at the
|
|
farm. His sharpened senses quickly detected that subtle
|
|
atmosphere of things-being-not-altogether well that hangs
|
|
over a stricken household. The cows had been milked, but
|
|
they stood huddled about in the yard, waiting impatiently to
|
|
be driven out afield, and the poultry kept up an importunate
|
|
querulous reminder of deferred feeding-time; the yard pump,
|
|
which usually made discordant music at frequent intervals
|
|
during the early morning, was today ominously silent. In
|
|
the house itself there was a coming and going of scuttering
|
|
footsteps, a rushing and dying away of hurried voices, and
|
|
long, uneasy stillnesses. Crefton finished his dressing and
|
|
made his way to the head of a narrow staircase. He could
|
|
hear a dull, complaining voice, a voice into which an awed
|
|
hush had crept, and recognized the speaker as Mrs.
|
|
Spurfield.
|
|
|
|
``He'll go away, for sure,'' the voice was saying; ``there
|
|
are those as runs away from one as soon as real misfortune
|
|
shows itself.''
|
|
|
|
Crefton felt that he probably was one of ``those,'' and
|
|
that there were moments when it was advisable to be true to
|
|
type.
|
|
|
|
He crept back to his room, collected and, packed his few
|
|
belongings, placed the money due for his lodgings on a
|
|
table, and made his way out by a back door into the yard. A
|
|
mob of poultry surged expectantly towards him; shaking off
|
|
their interested attentions he hurried along under cover of
|
|
cowstall, piggery, and hayricks till he reached the lane at
|
|
the back of the farm. A few minutes' walk, which only the
|
|
burden of his portmanteaux restrained from developing into
|
|
an undisguised run, brought him to a main road, where the
|
|
early carrier soon overtook him and sped him onward to the
|
|
neighbouring town. At a bend of the road he caught a last
|
|
glimpse of the farm; the old gabled roofs and thatched
|
|
barns, the straggling orchard, and the medlar tree, with its
|
|
wooden seat, stood out with an almost spectral clearness in
|
|
the early morning light, and over it all brooded that air of
|
|
magic possession which Crefton had once mistaken for peace.
|
|
|
|
The bustle and roar of Paddington Station smote on his
|
|
ears with a welcome protective greeting.
|
|
|
|
``Very bad for our nerves, all this rush and hurry,'' said
|
|
a fellow-traveller; ``give me the peace and quiet of the
|
|
country.''
|
|
|
|
Crefton mentally surrendered his share of the desired
|
|
commodity. A crowded, brilliantly over-lighted music-hall,
|
|
where an exuberant rendering of ``1812'' was being given by
|
|
a strenuous orchestra, came nearest to his ideal of a nerve
|
|
sedative.
|
|
|
|
THE TALKING-OUT OF TARRINGTON
|
|
|
|
``Heavens!'' exclaimed the aunt of Clovis, ``here's some
|
|
one I know bearing down on us. I can't remember his name,
|
|
but he lunched with us once in Town. Tarrington---yes,
|
|
that's it. He's heard of the picnic I'm giving for the
|
|
Princess, and he'll cling to me like a lifebelt till I give
|
|
him an invitation; then he'll ask if he may bring all his
|
|
wives and mothers and sisters with him. That's the worst of
|
|
these small watering-places; one can't escape from
|
|
anybody.''
|
|
|
|
``I'll fight a rearguard action for you if you like to do
|
|
a bolt now,'' volunteered Clovis; ``you've a clear ten yards
|
|
start if you don't lose time.''
|
|
|
|
The aunt of Clovis responded gamely to the suggestion, and
|
|
churned away like a Nile steamer, with a long brown ripple
|
|
of Pekingese spaniel trailing in her wake.
|
|
|
|
``Pretend you don't know him,'' was her parting advice,
|
|
tinged with the reckless courage of the non-combatant.
|
|
|
|
The next moment the overtures of an affably disposed
|
|
gentleman were being received by Clovis with a
|
|
``silent-upon-a-peak-in-Darien'' stare which denoted an
|
|
absence of all previous acquaintance with the object
|
|
scrutinized.
|
|
|
|
``I expect you don't know me with my moustache,'' said the
|
|
new-comer; ``I've only grown it during the last two
|
|
months.''
|
|
|
|
``On the contrary,'' said Clovis, ``the moustache is the
|
|
only thing about you that seemed familiar to me. I felt
|
|
certain that I had met it somewhere before.''
|
|
|
|
``My name is Tarrington,'' resumed the candidate for
|
|
recognition.
|
|
|
|
``A very useful kind of name,'' said Clovis; ``with a name
|
|
of that sort no one would blame you if you did nothing in
|
|
particular heroic or remarkable, would they? And yet if you
|
|
were to raise a troop of light horse in a moment of national
|
|
emergency, `Tarrington's Light Horse' would sound quite
|
|
appropriate and pulse-quickening; whereas if you were called
|
|
Spoopin, for instance, the thing would be out of the
|
|
question. No one, even in a moment of national emergency,
|
|
could possibly belong to Spoopin's Horse.''
|
|
|
|
The new-comer smiled weakly, as one who is not to be put
|
|
off by mere flippancy, and began again with patient
|
|
persistence:
|
|
|
|
``I think you ought to remember my name---''
|
|
|
|
``I shall,'' said Clovis, with an air of immense
|
|
sincerity. ``My aunt was asking me only this morning to
|
|
suggest names for four young owls she's just had sent her as
|
|
pets. I shall call them all Tarrington; then if one or two
|
|
of them die or fly away, or leave us in any of the ways that
|
|
pet owls are prone to, there will be always one or two left
|
|
to carry on your name. And my aunt won't _let_ me forget
|
|
it; she will always be asking `Have the Tarringtons had
|
|
their mice?' and questions of that sort. She says if you
|
|
keep wild creatures in captivity you ought to see after
|
|
their wants, and of course she's quite right there.''
|
|
|
|
``I met you at luncheon at your aunt's house once---''
|
|
broke in Mr. Tarrington, pale but still resolute.
|
|
|
|
``My aunt never lunches,'' said Clovis; ``she belongs to
|
|
the National Anti-Luncheon League, which is doing quite a
|
|
lot of good work in a quiet, unobtrusive way. A
|
|
subscription of half a crown per quarter entitles you to go
|
|
without ninety-two luncheons.''
|
|
|
|
``This must be something new,'' exclaimed Tarrington.
|
|
|
|
``It's the same aunt that I've always had,'' said Clovis
|
|
coldly.
|
|
|
|
``I perfectly well remember meeting you at a
|
|
luncheon-party given by your aunt,'' persisted Tarrington,
|
|
who was beginning to flush an unhealthy shade of mottled
|
|
pink.
|
|
|
|
``What was there for lunch?'' asked Clovis.
|
|
|
|
``Oh, well, I don't remember that---''
|
|
|
|
``How nice of you to remember my aunt when you can no
|
|
longer recall the names of the things you ate. Now my
|
|
memory works quite differently. I can remember a menu long
|
|
after I've forgotten the hostess that accompanied it. When
|
|
I was seven years old I recollect being given a peach at a
|
|
garden-party by some Duchess or other; I can't remember a
|
|
thing about her, except that I imagine our acquaintance must
|
|
have been of the slightest, as she called me a `nice little
|
|
boy,' but I have unfading memories of that peach. It was
|
|
one of those exuberant peaches that meet you halfway, so to
|
|
speak, and are all over you in a moment. It was a beautiful
|
|
unspoiled product of a hothouse, and yet it managed quite
|
|
successfully to give itself the airs of a compote. You had
|
|
to bite it and imbibe it at the same time. To me there has
|
|
always been something charming and mystic in the thought of
|
|
that delicate velvet globe of fruit, slowly ripening and
|
|
warming to perfection through the long summer days and
|
|
perfumed nights, and then coming suddenly athwart my life in
|
|
the supreme moment of its existence. I can never forget it,
|
|
even if I wished to. And when I had devoured all that was
|
|
edible of it, there still remained the stone, which a
|
|
heedless, thoughtless child would doubtless have thrown
|
|
away; I put it down the neck of a young friend who was
|
|
wearing a very _d<e'>collet<e'>_ sailor suit. I told him it
|
|
was a scorpion, and from the way he wriggled and screamed he
|
|
evidently believed it, though where the silly kid imagined I
|
|
could procure a live scorpion at a garden-party I don't
|
|
know. Altogether, that peach is for me an unfading and
|
|
happy memory---''
|
|
|
|
The defeated Tarrington had by this time retreated out of
|
|
earshot, comforting himself as best he might with the
|
|
reflection that a picnic which included the presence of
|
|
Clovis might prove a doubtfully agreeable experience.
|
|
|
|
``I shall certainly go in for a Parliamentary career,''
|
|
said Clovis to himself as he turned complacently to rejoin
|
|
his aunt. ``As a talker-out of inconvenient bills I should
|
|
be invaluable.''
|
|
|
|
THE HOUNDS OF FATE
|
|
|
|
In the fading light of a close dull autumn afternoon
|
|
Martin Stoner plodded his way along muddy lanes and
|
|
rut-seamed cart tracks that led he knew not exactly whither.
|
|
Somewhere in front of him, he fancied, lay the sea, and
|
|
towards the sea his footsteps seemed persistently turning;
|
|
why he was struggling wearily forward to that goal he could
|
|
scarcely have explained, unless he was possessed by the same
|
|
instinct that turns a hard-pressed stag cliffward in its
|
|
last extremity. In his case the hounds of Fate were
|
|
certainly pressing him with unrelenting insistence; hunger,
|
|
fatigue, and despairing hopelessness had numbed his brain,
|
|
and he could scarcely summon sufficient energy to wonder
|
|
what underlying impulse was driving him onward. Stoner was
|
|
one of those unfortunate individuals who seem to have tried
|
|
everything; a natural slothfulness and improvidence had
|
|
always intervened to blight any chance of even moderate
|
|
success, and now he was at the end of his tether, and there
|
|
was nothing more to try. Desperation had not awakened in
|
|
him any dormant reserve of energy; on the contrary, a mental
|
|
torpor grew up round the crisis of his fortunes. With the
|
|
clothes he stood up in, a halfpenny in his pocket, and no
|
|
single friend or acquaintance to turn to, with no prospect
|
|
either of a bed for the night or a meal for the morrow,
|
|
Martin Stoner trudged stolidly forward, between moist
|
|
hedgerows and beneath dripping trees, his mind almost a
|
|
blank, except that he was subconsciously aware that
|
|
somewhere in front of him lay the sea. Another
|
|
consciousness obtruded itself now and then---the knowledge
|
|
that he was miserably hungry. Presently he came to a halt
|
|
by an open gateway that led into a spacious and rather
|
|
neglected farm-garden; there was little sign of life about,
|
|
and the farm-house at the further end of the garden looked
|
|
chill and inhospitable. A drizzling rain, however, was
|
|
setting in, and Stoner thought that here perhaps he might
|
|
obtain a few minutes' shelter and buy a glass of milk with
|
|
his last remaining coin. He turned slowly and wearily into
|
|
the garden and followed a narrow, flagged path up to a side
|
|
door. Before he had time to knock the door opened and a
|
|
bent, withered-looking old man stood aside in the doorway as
|
|
though to let him pass in.
|
|
|
|
``Could I come in out of the rain?'' Stoner began, but the
|
|
old man interrupted him.
|
|
|
|
``Come in, Master Tom. I knew you would come back one of
|
|
these days.''
|
|
|
|
Stoner lurched across the threshold and stood staring
|
|
uncomprehendingly at the other.
|
|
|
|
``Sit down while I put you out a bit of supper,'' said the
|
|
old man with quavering eagerness. Stoner's legs gave way
|
|
from very weariness, and he sank inertly into the arm-chair
|
|
that had been pushed up to him. In another minute he was
|
|
devouring the cold meat, cheese, and bread, that had been
|
|
placed on the table at his side.
|
|
|
|
``You'm little changed these four years,'' went on the old
|
|
man, in a voice that sounded to Stoner as something in a
|
|
dream, far away and inconsequent; ``but you'll find us a
|
|
deal changed, you will. There's no one about the place same
|
|
as when you left; nought but me and your old Aunt. I'll go
|
|
and tell her that you'm come; she won't be seeing you, but
|
|
she'll let you stay right enough. She always did say if you
|
|
was to come back you should stay, but she'd never set eyes
|
|
on you or speak to you again.''
|
|
|
|
The old man placed a mug of beer on the table in front of
|
|
Stoner and then hobbled away down a long passage. The
|
|
drizzle of rain had changed to a furious lashing downpour,
|
|
which beat violently against door and windows. The wanderer
|
|
thought with a shudder of what the sea-shore must look like
|
|
under this drenching rainfall, with night beating down on
|
|
all sides. He finished the food and beer and sat numbly
|
|
waiting for the return of his strange host. As the minutes
|
|
ticked by on the grandfather clock in the corner a new hope
|
|
began to flicker and grow in the young man's mind; it was
|
|
merely the expansion of his former craving for food and a
|
|
few minutes' rest into a longing to find a night's shelter
|
|
under this seemingly hospitable roof. A clattering of
|
|
footsteps down the passage heralded the old farm servant's
|
|
return.
|
|
|
|
``The old Missus won't see you, Master Tom, but she says
|
|
you are to stay. 'Tis right enough, seeing the farm will be
|
|
yours when she be put under earth. I've had a fire lit in
|
|
your room, Master Tom, and the maids has put fresh sheets on
|
|
to the bed. You'll find nought changed up there. Maybe
|
|
you'm tired and would like to go there now.''
|
|
|
|
Without a word Martin Stoner rose heavily to his feet and
|
|
followed his ministering angel along a passage, up a short
|
|
creaking stair, along another passage, and into a large room
|
|
lit with a cheerfully blazing fire. There was but little
|
|
furniture, plain, old-fashioned, and good of its kind; a
|
|
stuffed squirrel in a case and a wall-calendar of four years
|
|
ago were about the only symptoms of decoration. But Stoner
|
|
had eyes for little else than the bed, and could scarce wait
|
|
to tear his clothes off him before rolling in a luxury of
|
|
weariness into its comfortable depths. The hounds of Fate
|
|
seemed to have checked for a brief moment.
|
|
|
|
In the cold light of morning Stoner laughed mirthlessly as
|
|
he slowly realized the position in which he found himself.
|
|
Perhaps he might snatch a bit of breakfast on the strength
|
|
of his likeness to this other missing neer-do-well, and get
|
|
safely away before any one discovered the fraud that had
|
|
been thrust on him. In the room downstairs he found the
|
|
bent old man ready with a dish of bacon and fried eggs for
|
|
``Master Tom's'' breakfast, while a hard-faced elderly maid
|
|
brought in a teapot and poured him out a cup of tea. As he
|
|
sat at the table a small spaniel came up and made friendly
|
|
advances.
|
|
|
|
``'Tis old Bowker's pup,'' explained the old man, whom the
|
|
hard-faced maid had addressed as George. ``She was main
|
|
fond of you; never seemed the same after you went away to
|
|
Australee. She died 'bout a year agone. 'Tis her pup.''
|
|
|
|
Stoner found it difficult to regret her decease; as a
|
|
witness for identification she would have left something to
|
|
be desired.
|
|
|
|
``You'll go for a ride, Master Tom?'' was the next
|
|
startling proposition that came from the old man. ``We've a
|
|
nice little roan cob that goes well in saddle. Old Biddy is
|
|
getting a bit up in years, though 'er goes well still, but
|
|
I'll have the little roan saddled and brought round to
|
|
door.''
|
|
|
|
``I've got no riding things,'' stammered the castaway,
|
|
almost laughing as he looked down at his one suit of
|
|
well-worn clothes.
|
|
|
|
``Master Tom,'' said the old man earnestly, almost with an
|
|
offended air, ``all your things is just as you left them. A
|
|
bit of airing before the fire an' they'll be all right.
|
|
'Twill be a bit of a distraction like, a little riding and
|
|
wild-fowling now and agen. You'll find the folk around here
|
|
has hard and bitter minds towards you. They hasn't
|
|
forgotten nor forgiven. No one'll come nigh you, so you'd
|
|
best get what distraction you can with horse and dog.
|
|
They'm good company, too.''
|
|
|
|
Old George hobbled away to give his orders, and Stoner,
|
|
feeling more than ever like one in a dream, went upstairs to
|
|
inspect ``Master Tom's'' wardrobe. A ride was one of the
|
|
pleasures dearest to his heart, and there was some
|
|
protection against immediate discovery of his imposture in
|
|
the thought that none of Tom's aforetime companions were
|
|
likely to favour him with a close inspection. As the
|
|
interloper thrust himself into some tolerably well-fitting
|
|
riding cords he wondered vaguely what manner of misdeed the
|
|
genuine Tom had committed to set the whole countryside
|
|
against him. The thud of quick, eager hoofs on damp earth
|
|
cut short his speculations. The roan cob had been brought
|
|
up to the side door.
|
|
|
|
``Talk of beggars on horseback,'' thought Stoner to
|
|
himself, as he trotted rapidly along the muddy lanes where
|
|
he had tramped yesterday as a down-at-heel outcast; and then
|
|
he flung reflection indolently aside and gave himself up to
|
|
the pleasure of a smart canter along the turf-grown side of
|
|
a level stretch of road. At an open gateway he checked his
|
|
pace to allow two carts to turn into a field. The lads
|
|
driving the carts found time to give him a prolonged stare,
|
|
and as he passed on he heard an excited voice call out,
|
|
``'Tis Tom Prike! I knowed him at once; showing himself here
|
|
agen, is he?''
|
|
|
|
Evidently the likeness which had imposed at close quarters
|
|
on a doddering old man was good enough to mislead younger
|
|
eyes at a short distance.
|
|
|
|
In the course of his ride he met with ample evidence to
|
|
confirm the statement that local folk had neither forgotten
|
|
nor forgiven the bygone crime which had come to him as a
|
|
legacy from the absent Tom. Scowling looks, mutterings, and
|
|
nudgings greeted him whenever he chanced upon human beings;
|
|
``Bowker's pup,'' trotting placidly by his side, seemed the
|
|
one element of friendliness in a hostile world.
|
|
|
|
As he dismounted at the side door he caught a fleeting
|
|
glimpse of a gaunt, elderly woman peering at him from behind
|
|
the curtain of an upper window. Evidently this was his aunt
|
|
by adoption.
|
|
|
|
Over the ample midday meal that stood in readiness for him
|
|
Stoner was able to review the possibilities of his
|
|
extraordinary situation. The real Tom, after four years of
|
|
absence, might suddenly turn up at the farm, or a letter
|
|
might come from him at any moment. Again, in the character
|
|
of heir to the farm, the false Tom might be called on to
|
|
sign documents, which would be an embarrassing predicament.
|
|
Or a relative might arrive who would not imitate the aunt's
|
|
attitude of aloofness. All these things would mean
|
|
ignominious exposure. On the other hand, the alternatives
|
|
was the open sky and the muddy lanes that led down to the
|
|
sea. The farm offered him, at any rate, a temporary refuge
|
|
from destitution; farming was one of the many things he had
|
|
``tried,'' and he would be able to do a certain amount of
|
|
work in return for the hospitality to which he was so little
|
|
entitled.
|
|
|
|
``Will you have cold pork for your supper,'' asked the
|
|
hard-faced maid, as she cleared the table, ``or will you
|
|
have it hotted up?''
|
|
|
|
``Hot, with onions,'' said Stoner. It was the only time
|
|
in his life that he had made a rapid decision. And as he
|
|
gave the order he knew that he meant to stay.
|
|
|
|
Stoner kept rigidly to those portions of the house which
|
|
seemed to have been allotted to him by a tacit treaty of
|
|
delimitation. When he took part in the farm-work it was as
|
|
one who worked under orders and never initiated them. Old
|
|
George, the roan cob, and Bowker's pup were his sole
|
|
companions in a world that was otherwise frostily silent and
|
|
hostile. Of the mistress of the farm he saw nothing. Once,
|
|
when he knew she had gone forth to church, he made a furtive
|
|
visit to the farm parlour in an endeavour to glean some
|
|
fragmentary knowledge of the young man whose place he had
|
|
usurped, and whose ill-repute he had fastened on himself.
|
|
There were many photographs hung on the walls, or stuck in
|
|
prim frames, but the likeness he sought for was not among
|
|
them. At last, in an album thrust out of sight, he came
|
|
across what he wanted. There was a whole series, labelled
|
|
``Tom,'' a podgy child of three, in a fantastic frock, an
|
|
awkward boy of about twelve, holding a cricket bat as though
|
|
be loathed it, a rather good-looking youth of eighteen with
|
|
very smooth, evenly parted hair, and, finally, a young man
|
|
with a somewhat surly dare-devil expression. At this last
|
|
portrait Stoner looked with particular interest; the
|
|
likeness to himself was unmistakable.
|
|
|
|
From the lips of old George, who was garrulous enough on
|
|
most subjects, he tried again and again to learn something
|
|
of the nature of the offence which shut him off as a
|
|
creature to be shunned and hated by hiss fellow-men.
|
|
|
|
``What do the folk around here say about me?'' he asked
|
|
one day as they were walking home from an outlying field.
|
|
|
|
The old man shook his head.
|
|
|
|
``They be bitter agen you, mortal bitter. Ay, 'tis a sad
|
|
business, a sad business.''
|
|
|
|
And never could he be got to say anything more
|
|
enlightening.
|
|
|
|
On a clear frosty evening, a few days before the festival
|
|
of Christmas, Stoner stood in a corner of the orchard which
|
|
commanded a wide view of the countryside. Here and there he
|
|
could see the twinkling dots of lamp or candle glow which
|
|
told of human homes where the goodwill and jollity of the
|
|
season held their sway. Behind him lay the grim, silent
|
|
farm-house, where no one ever laughed, where even a quarrel
|
|
would have seemed cheerful. As he turned to look at the
|
|
long grey front of the gloom-shadowed building, a door
|
|
opened and old George came hurriedly forth. Stoner heard
|
|
his adopted name called in a tone of strained anxiety.
|
|
Instantly be knew that something untoward had happened, and
|
|
with a quick revulsion of outlook his sanctuary became in
|
|
his eyes a place of peace and contentment, from which he
|
|
dreaded to be driven.
|
|
|
|
``Master Tom,'' said the old man in a hoarse whisper,
|
|
``you must slip away quiet from here for a few days.
|
|
Michael Ley is back in the village, an' he swears to shoot
|
|
you if he can come across you. He'll do it, too, there's
|
|
murder in the look of him. Get away under cover of night,
|
|
'tis only for a week or so, he won't be here longer.''
|
|
|
|
``But where am I to go?'' stammered Stoner, who had caught
|
|
the infection of the old man's obvious terror.
|
|
|
|
``Go right away along the coast to Punchford and keep hid
|
|
there. When Michael's safe gone I'll ride the roan over to
|
|
the Green Dragon at Punchford; when you see the cob stabled
|
|
at the Green Dragon 'tis a sign you may come back agen.''
|
|
|
|
``But---'' began Stoner hesitatingly.
|
|
|
|
``'Tis all right for money,'' said the other; ``the old
|
|
Missus agrees you'd best do as I say, and she's given me
|
|
this.''
|
|
|
|
The old man produced three sovereigns and some odd silver.
|
|
|
|
Stoner felt more of a cheat than ever as he stole away
|
|
that night from the back gate of the farm with the old
|
|
woman's money in his pocket. Old George and Bowker's pup
|
|
stood watching him a silent farewell from the yard. He
|
|
could scarcely fancy that he would ever come back, and he
|
|
felt a throb of compunction for those two humble friends who
|
|
would wait wistfully for his return. Some day perhaps the
|
|
real Tom would come back, and there would be wild wonderment
|
|
among those simple farm folks as to the identity of the
|
|
shadowy guest they had harboured under their roof. For his
|
|
own fate he felt no immediate anxiety; three pounds goes but
|
|
little way in the world when there is nothing behind it, but
|
|
to a man who has counted his exchequer in pennies it seems a
|
|
good starting-point. Fortune had done him a whimsically
|
|
kind turn when last he trod these lanes as a hopeless
|
|
adventurer, and there might yet be a chance of his finding
|
|
some work and making a fresh start; as he got further from
|
|
the farm his spirits rose higher. There was a sense of
|
|
relief in regaining once more his lost identity and ceasing
|
|
to be the uneasy ghost of another. He scarcely bothered to
|
|
speculate about the implacable enemy who had dropped from
|
|
nowhere into his life; since that life was now behind him
|
|
one unreal item the more made little difference. For the
|
|
first time for many months he began to hum a careless
|
|
light-hearted refrain. Then there stepped out from the
|
|
shadow of an overhanging oak tree a man with a gun. There
|
|
was no need to wonder who he might be; the moonlight falling
|
|
on his white set face revealed a glare of human hate such as
|
|
Stoner in the ups and downs of his wanderings had never seen
|
|
before. He sprang aside in a wild effort to break through
|
|
the hedge that bordered the lane, but the tough branches
|
|
held him fast. The hounds of Fate had waited for him in
|
|
those narrow lanes, and this time they were not to be
|
|
denied.
|
|
|
|
THE RECESSIONAL
|
|
|
|
Clovis sat in the hottest zone but two of a Turkish bath,
|
|
alternately inert in statuesque contemplation and rapidly
|
|
man<oe>uvring a fountain-pen over the pages of a note-book.
|
|
|
|
``Don't interrupt me with your childish prattle,'' he
|
|
observed to Bertie van Tahn, who had slung himself languidly
|
|
into a neighbouring chair and looked conversationally
|
|
inclined; ``I'm writing death-less verse.''
|
|
|
|
Bertie looked interested.
|
|
|
|
``I say, what a boon you would be to portrait painters if
|
|
you really got to be notorious as a poetry writer. If they
|
|
couldn't get your likeness hung in the Academy as `Clovis
|
|
Sangrail, Esq., at work on his latest poem,' they could slip
|
|
you in as a Study of the Nude or Orpheus descending into
|
|
Jermyn Street. They always complain that modern dress
|
|
handicaps them, whereas a towel and a fountain-pen---''
|
|
|
|
``It was Mrs. Packletide's suggestion that I should write
|
|
this thing,'' said Clovis, ignoring the bypaths to fame that
|
|
Bertie van Tahn was pointing out to him. ``You see, Loona
|
|
Bimberton had a Coronation Ode accepted by the _New
|
|
Infancy_, a paper that has been started with the idea of
|
|
making the _New Age_ seem elder and hidebound. `So clever
|
|
of you, dear Loona,' the Packletide remarked when she had
|
|
read it; `of course, any one could write a Coronation Ode,
|
|
but no one else would have thought of doing it.' Loona
|
|
protested that these things were extremely difficult to do,
|
|
and gave us to understand that they were more or less the
|
|
province of a gifted few. Now the Packletide has been
|
|
rather decent to me in many ways, a sort of financial
|
|
ambulance, you know, that carries you off the field when
|
|
you're hard hit, which is a frequent occurrence with me, and
|
|
I've no use whatever for Loona Bimberton, so I chipped in
|
|
and said I could turn out that sort of stuff by the square
|
|
yard if I gave my mind to it. Loona said I couldn't, and we
|
|
got bets on, and between you and me I think the money's
|
|
fairly safe. Of course, one of the conditions of the wager
|
|
is that the thing has to be published in something or other,
|
|
local newspapers barred; but Mrs. Packletide has endeared
|
|
herself by many little acts of thoughtfulness to the editor
|
|
of the _Smoky Chimney_, so if I can hammer out anything at
|
|
all approaching the level of the usual Ode output we ought
|
|
to be all right. So far I'm getting along so comfortably
|
|
that I begin to be afraid that I must be one of the gifted
|
|
few.''
|
|
|
|
``It's rather late in the day for a Coronation Ode, isn't
|
|
it?'' said Bertie.
|
|
|
|
``Of course,'' said Clovis; ``this is going to be a Durbar
|
|
Recessional, the sort of thing that you can keep by you for
|
|
all time if you want to.''
|
|
|
|
``Now I understand your choice of a place to write it
|
|
in,'' said Bertie van Tahn, with the air of one who has
|
|
suddenly unravelled a hitherto obscure problem; ``you want
|
|
to get the local temperature.''
|
|
|
|
``I came here to get freedom from the inane interruptions
|
|
of the mentally deficient,'' said Clovis, ``but it seems I
|
|
asked too much of fate.''
|
|
|
|
Bertie van Tahn prepared to use his towel as a weapon of
|
|
precision, but reflecting that he had a good deal of
|
|
unprotected coast-line himself, and that Clovis was equipped
|
|
with a fountain-pen as well as a towel, he relapsed
|
|
pacifically into the depths of his chair.
|
|
|
|
``May one hear extracts from the immortal work?'' he
|
|
asked. ``I promise that nothing that I hear now shall
|
|
prejudice me against borrowing a copy of the _Smoky Chimney_
|
|
at the right moment.''
|
|
|
|
``It's rather like casting pearls into a trough,''
|
|
remarked Clovis pleasantly, ``but I don't mind reading you
|
|
bits of it. It begins with a general dispersal of the
|
|
Durbar participants:
|
|
|
|
`` `Back to their homes in Himalayan heights
|
|
The stale pale elephants of Cutch Behar
|
|
Roll like great galleons on a tideless sea---' ''
|
|
|
|
``I don't believe Cutch Behar is anywhere near the
|
|
Himalayan region,'' interrupted Bertie. ``You ought to have
|
|
an atlas on hand when you do this sort of thing; and why
|
|
stale and pale?''
|
|
|
|
``After the late hours and the excitement, of course,''
|
|
said Clovis; ``and I said their _homes_ were in the
|
|
Himalayas. You can have Himalayan elephants in Cutch Behar,
|
|
I suppose, just as you have Irish-bred horses running at
|
|
Ascot.''
|
|
|
|
``You said they were going back to the Himalayas,''
|
|
objected Bertie.
|
|
|
|
``Well, they would naturally be sent home to recuperate.
|
|
It's the usual thing out there to turn elephants loose in
|
|
the hills, just as we put horses out to grass in this
|
|
country.''
|
|
|
|
Clovis could at least flatter himself that he had infused
|
|
some of the reckless splendour of the East into his
|
|
mendacity.
|
|
|
|
``Is it all going to be in blank verse?'' asked the
|
|
critic.
|
|
|
|
``Of course not; `Durbar' comes at the end of the fourth
|
|
line.''
|
|
|
|
``That seems so cowardly; however, it explains why you
|
|
pitched on Cutch Behar.''
|
|
|
|
``There is more connection between geographical
|
|
place-names and poetical inspiration than is generally
|
|
recognized; one of the chief reasons why there are so few
|
|
really great poems about Russia in our language is that you
|
|
can't possibly get a rhyme to names like Smolensk and
|
|
Tobolsk and Minsk.''
|
|
|
|
Clovis spoke with the authority of one who has tried.
|
|
|
|
``Of course, you could rhyme Omsk with Tomsk,'' he
|
|
continued; ``in fact, they seem to be there for that
|
|
purpose, but the public wouldn't stand that sort of thing
|
|
indefinitely.''
|
|
|
|
``The public will stand a good deal,'' said Bertie
|
|
malevolently, ``and so small a proportion of it knows
|
|
Russian that you could always have an explanatory footnote
|
|
asserting that the last three letters in Smolensk are not
|
|
pronounced. It's quite as believable as your statement
|
|
about putting elephants out to grass in the Himalayan
|
|
range.''
|
|
|
|
``I've got rather a nice bit,'' resumed Clovis with
|
|
unruffled serenity, ``giving an evening scene on the
|
|
outskirts of a jungle village:
|
|
|
|
`` `Where the coiled cobra in the gloaming gloats,
|
|
And prowling panthers stalk the wary goats.' ''
|
|
|
|
``There is practically no gloaming in tropical
|
|
countries,'' said Bertie indulgently; ``but I like the
|
|
masterly reticence with which you treat the cobra's motive
|
|
for gloating. The unknown is proverbially the uncanny. I
|
|
can picture nervous readers of the _Smoky Chimney_ keeping
|
|
the light turned on in their bedrooms all night out of sheer
|
|
sickening uncertainty as to _what_ the cobra might have been
|
|
gloating about.''
|
|
|
|
``Cobras gloat naturally,'' said Clovis, ``just as wolves
|
|
are always ravening from mere force of habit, even after
|
|
they've hopelessly overeaten themselves. I've got a fine
|
|
bit of colour painting later on,'' he added, ``where I
|
|
describe the dawn coming up over the Brahmaputra river:
|
|
|
|
`` `The amber dawn-drenched East with sun-shafts kissed,
|
|
Stained sanguine apricot and amethyst,
|
|
O'er the washed emerald of the mango groves
|
|
Hangs in a mist of opalescent mauves,
|
|
While painted parrot-flights impinge the haze
|
|
With scarlet, chalcedon and chrysoprase.'' '
|
|
|
|
``I've never seen the dawn come up over the Brahmaputra
|
|
river,'' said Bertie, ``so I can't say if it's a good
|
|
description of the event, but it sounds more like an account
|
|
of an extensive jewel robbery. Anyhow, the parrots give a
|
|
good useful touch of local colour. I suppose you've
|
|
introduced some tigers into the scenery? An Indian landscape
|
|
would have rather a bare, unfinished look without a tiger or
|
|
two in the middle distance.''
|
|
|
|
``I've got a hen-tiger somewhere in the poem,'' said
|
|
Clovis, hunting through his notes. ``Here she is:
|
|
|
|
`` `The tawny tigress 'mid the tangled teak
|
|
Drags to her purring cubs' enraptured ears
|
|
The harsh death-rattle in the pea-fowl's beak,
|
|
A jungle lullaby of blood and tears.' ''
|
|
|
|
Bertie van Tahn rose hurriedly from his recumbent position
|
|
and made for the glass door leading into the next
|
|
compartment.
|
|
|
|
``I think your idea of home life in the jungle is
|
|
perfectly horrid,'' he said. ``The cobra was sinister
|
|
enough, but the improvised rattle in the tiger-nursery is
|
|
the limit. If you're going to make me turn hot and cold all
|
|
over I may as well go into the steam room at once.''
|
|
|
|
``Just listen to this line,'' said Clovis; ``it would make
|
|
the reputation of any ordinary poet:
|
|
|
|
`` `and overhead
|
|
The pendulum-patient Punkah, parent of stillborn breeze.' ''
|
|
|
|
``Most of your readers will think `punkah' is a kind of
|
|
iced drink or half-time at polo,'' said Bertie, and
|
|
disappeared into the steam.
|
|
|
|
*
|
|
|
|
The _Smoky Chimney_ duly published the ``Recessional,''
|
|
but it proved to be its swan song, for the paper never
|
|
attained to another issue.
|
|
|
|
Loona Bimberton gave up her intention of attending the
|
|
Durbar and went into a nursing-home on the Sussex Downs.
|
|
Nervous breakdown after a particularly strenuous season was
|
|
the usually accepted explanation, but there are three or
|
|
four people who know that she never really recovered from
|
|
the dawn breaking over the Brahmaputra river.
|
|
|
|
A MATTER OF SENTIMENT
|
|
|
|
It was the eve of the great race, and scarcely a member of
|
|
Lady Susan's house-party had as yet a single bet on. It was
|
|
one of those unsatisfactory years when one horse held a
|
|
commanding market position, not by reason of any general
|
|
belief in its crushing superiority, but because it was
|
|
extremely difficult to pitch on any other candidate to whom
|
|
to pin ones faith. Peradventure II was the favourite, not
|
|
in the sense of being a popular fancy, but by virtue of a
|
|
lack of confidence in any one of his rather undistinguished
|
|
rivals. The brains of club-land were much exercised in
|
|
seeking out possible merit where none was very obvious to
|
|
the naked intelligence, and the house-party at Lady Susan's
|
|
was possessed by the same uncertainty and irresolution that
|
|
infected wider circles.
|
|
|
|
``It is just the time for bringing off a good coup,'' said
|
|
Bertie van Tahn.
|
|
|
|
``Undoubtedly. But with what?'' demanded Clovis for the
|
|
twentieth time.
|
|
|
|
The women of the party were just as keenly interested in
|
|
the matter, and just as helplessly perplexed; even the
|
|
mother of Clovis, who usually got good racing information
|
|
from her dressmaker, confessed herself fancy free on this
|
|
occasion. Colonel Drake, who was professor of military
|
|
history at a minor cramming establishment, was the only
|
|
person who had a definite selection for the event, but as
|
|
his choice varied every three hours he was worse than
|
|
useless as an inspired guide. The crowning difficulty of
|
|
the problem was that it could only be fitfully and furtively
|
|
discussed. Lady Susan disapproved of racing. She
|
|
disapproved of many things; some people went as far as to
|
|
say that she disapproved of most things. Disapproval was to
|
|
her what neuralgia and fancy needlework are to many other
|
|
women. She disapproved of early morning tea and auction
|
|
bridge, of ski-ing and the two-step, of the Russian ballet
|
|
and the Chelsea Arts Club ball, of the French policy in
|
|
Morocco and the British policy everywhere. It was not that
|
|
she was particularly strict or narrow in her views of life,
|
|
but she had been the eldest sister of a large family of
|
|
self-indulgent children, and her particular form of
|
|
indulgence had consisted in openly disapproving of the
|
|
foibles of the others. Unfortunately the hobby had grown up
|
|
with her. As she was rich, influential, and very, very
|
|
kind, most people were content to count their early tea as
|
|
well lost on her behalf. Still, the necessity for hurriedly
|
|
dropping the discussion of an enthralling topic, and
|
|
suppressing all mention of it during her presence on the
|
|
scene, was an affliction at a moment like the present, when
|
|
time was slipping away and indecision was the prevailing
|
|
note.
|
|
|
|
After a lunch-time of rather strangled and uneasy
|
|
conversation, Clovis managed to get most of the party
|
|
together at the further end of the kitchen gardens, on the
|
|
pretext of admiring the Himalayan pheasants. He had made an
|
|
important discovery. Motkin, the butler, who (as Clovis
|
|
expressed it) had grown prematurely grey in Lady Susan's
|
|
service, added to his other excellent qualities an
|
|
intelligent interest in matters connected with the Turf. On
|
|
the subject of the forthcoming race he was not illuminating,
|
|
except in so far that he shared the prevailing unwillingness
|
|
to see a winner in Peradventure II. But where he outshone
|
|
all the members of the house-party was in the fact that he
|
|
had a second cousin who was head stable-lad at a
|
|
neighbouring racing establishment, and usually gifted with
|
|
much inside information as to private form and
|
|
possibilities. Only the fact of her ladyship having taken
|
|
it into her head to invite a house-party for the last week
|
|
of May had prevented Mr. Motkin from paying a visit of
|
|
consultation to his relative with respect to the big race;
|
|
there was still time to cycle over if he could get leave of
|
|
absence for the afternoon on some specious excuse.
|
|
|
|
``Let's jolly well hope he does,'' said Bertie van Tahn;
|
|
``under the circumstances a second cousin is almost as
|
|
useful as second sight.''
|
|
|
|
``That stable ought to know something, if knowledge is to
|
|
be found anywhere,'' said Mrs. Packletide hopefully.
|
|
|
|
``I expect you'll find he'll echo my fancy for
|
|
Motorboat,'' said Colonel Drake.
|
|
|
|
At this moment the subject had to be hastily dropped.
|
|
Lady Susan bore down upon them, leaning on the arm of
|
|
Clovis's mother, to whom she was confiding the fact that she
|
|
disapproved of the craze for Pekingese spaniels. It was the
|
|
third thing she had found time to disapprove of since lunch,
|
|
without counting her silent and permanent disapproval of the
|
|
way Clovis's mother did her hair.
|
|
|
|
``We have been admiring the Himalayan pheasants,'' said
|
|
Mrs. Packletide suavely.
|
|
|
|
``They went off to a bird-show at Nottingham early this
|
|
morning,'' said Lady Susan, with the air of one who
|
|
disapproves of hasty and ill-considered lying.
|
|
|
|
``Their house, I mean; such perfect roosting arrangements,
|
|
and all so clean,'' resumed Mrs. Packletide, with an
|
|
increased glow of enthusiasm. The odious Bertie van Tahn
|
|
was murmuring audible prayers for Mrs. Packletide's ultimate
|
|
estrangement from the paths of falsehood.
|
|
|
|
``I hope you don't mind dinner being a quarter of an hour
|
|
late tonight,'' said Lady Susan; ``Motkin has had an urgent
|
|
summons to go and see a sick relative this afternoon. He
|
|
wanted to bicycle there, but I am sending him in the
|
|
motor.''
|
|
|
|
``How very kind of you! Of course we don't mind dinner
|
|
being put off.'' The assurances came with unanimous and
|
|
hearty sincerity.
|
|
|
|
At the dinner-table that night an undercurrent of furtive
|
|
curiosity directed itself towards Motkin's impassive
|
|
countenance. One or two of the guests almost expected to
|
|
find a slip of paper concealed in their napkins, bearing the
|
|
name of the second cousin's selection. They had not long to
|
|
wait. As the butler went round with the murmured question,
|
|
``Sherry?'' he added in an even lower tone the cryptic
|
|
words, ``Better not.'' Mrs. Packletide gave a start of
|
|
alarm, and refused the sherry; there seemed some sinister
|
|
suggestion in the butler's warning, as though her hostess
|
|
had suddenly become addicted to the Borgia habit. A moment
|
|
later the explanation flashed on her that ``Better Not'' was
|
|
the name of one of the runners in the big race. Clovis was
|
|
already pencilling it on his cuff, and Colonel Drake, in his
|
|
turn, was signalling to every one in hoarse whispers and
|
|
dumb-show the fact that he had all along fancied ``B.N.''
|
|
|
|
Early next morning a sheaf of telegrams went Townward,
|
|
representing the market commands of the house-party and
|
|
servants' hall.
|
|
|
|
It was a wet afternoon, and most of Lady Susan's guests
|
|
hung about the hall, waiting apparently for the appearance
|
|
of tea, though it was scarcely yet due. The advent of a
|
|
telegram quickened every one into a flutter of expectancy;
|
|
the page who brought the telegram to Clovis waited with
|
|
unusual alertness to know if there might be an answer.
|
|
|
|
Clovis read the message and gave an exclamation of
|
|
annoyance.
|
|
|
|
``No bad news, I hope,'' said Lady Susan. Every one else
|
|
knew that the news was not good.
|
|
|
|
``It's only the result of the Derby,'' he blurted out;
|
|
``Sadowa won; an utter outsider.''
|
|
|
|
``Sadowa!'' exclaimed Lady Susan; ``you don't say so! How
|
|
remarkable! It's the first time I've ever backed a horse;
|
|
in fact I disapprove of horse-racing, but just for once in a
|
|
way I put money on this horse, and it's gone and won.''
|
|
|
|
``May I ask,'' said Mrs. Packletide, amid the general
|
|
silence, ``why you put your money on this particular horse?
|
|
None of the sporting prophets mentioned it as having an
|
|
outside chance.''
|
|
|
|
``Well,'' said Lady Susan, ``you may laugh at me, but it
|
|
was the name that attracted me. You see, I was always mixed
|
|
up with the Franco-German war; I was married on the day that
|
|
the war was declared, and my eldest child was born the day
|
|
that peace was signed, so anything connected with the war
|
|
has always interested me. And when I saw there was a horse
|
|
running in the Derby called after one of the battles in the
|
|
Franco-German war, I said I _must_ put some money on it, for
|
|
once in a way, though I disapprove of racing. And it's
|
|
actually won.''
|
|
|
|
There was a general groan. No one groaned more deeply
|
|
than the professor of military history.
|
|
|
|
THE SECRET SIN OF SEPTIMUS BROPE
|
|
|
|
``Who and what is Mr. Brope?'' demanded the aunt of Clovis
|
|
suddenly.
|
|
|
|
Mrs. Riversedge, who had been snipping off the heads of
|
|
defunct roses, and thinking of nothing in particular, sprang
|
|
hurriedly to mental attention. She was one of those
|
|
old-fashioned hostesses who consider that one ought to know
|
|
something about one's guests, and that the something ought
|
|
to be to their credit.
|
|
|
|
``I believe he comes from Leighton Buzzard,'' she observed
|
|
by way of preliminary explanation.
|
|
|
|
``In these days of rapid and convenient travel,'' said
|
|
Clovis, who was dispersing a colony of green-fly with
|
|
visitations of cigarette smoke, ``to come from Leighton
|
|
Buzzard does not necessarily denote any great strength of
|
|
character. It might only mean mere restlessness. Now if he
|
|
had left it under a cloud, or as a protest against the
|
|
incurable and heartless frivolity of its inhabitants, that
|
|
would tell us something about the man and his mission in
|
|
life.''
|
|
|
|
``What does he do?'' pursued Mrs. Troyle magisterially.
|
|
|
|
``He edits the _Cathedral Monthly_,'' said her hostess,
|
|
``and he's enormously learned about memorial brasses and
|
|
transepts and the influence of Byzantine worship on modern
|
|
liturgy, and all those sort of things. Perhaps he is just a
|
|
little bit heavy and immersed in one range of subjects, but
|
|
it takes all sorts to make a good house-party, you know.
|
|
You don't find him _too_ dull, do you?''
|
|
|
|
``Dulness I could overlook,'' said the aunt of Clovis:
|
|
``what I cannot forgive is his making love to my maid.''
|
|
|
|
``My dear Mrs. Troyle,'' gasped the hostess, ``what an
|
|
extraordinary idea! I assure you Mr. Brope would not dream
|
|
of doing such a thing.''
|
|
|
|
``His dreams are a matter of indifference to me; for all I
|
|
care his slumbers may be one long indiscretion of unsuitable
|
|
erotic advances, in which the entire servants' hall may be
|
|
involved. But in his waking hours he shall not make love to
|
|
my maid. It's no use arguing about it, I'm firm on the
|
|
point.''
|
|
|
|
``But you must be mistaken,'' persisted Mrs. Riversedge;
|
|
``Mr. Brope would be the last person to do such a thing.''
|
|
|
|
``He is the first person to do such a thing, as far as my
|
|
information goes, and if I have any voice in the matter he
|
|
certainly shall be the last. Of course, I am not referring
|
|
to respectably-intentioned lovers.''
|
|
|
|
``I simply cannot think that a man who writes so
|
|
charmingly and informingly about transepts and Byzantine
|
|
influences would behave in such an unprincipled manner,''
|
|
said Mrs. Riversedge; ``what evidence have you that he's
|
|
doing anything of the sort? I don't want to doubt your word,
|
|
of course, but we mustn't be too ready to condemn him
|
|
unheard, must we?''
|
|
|
|
``Whether we condemn him or not, he has certainly not been
|
|
unheard. He has the room next to my dressing-room, and on
|
|
two occasions, when I dare say he thought I was absent, I
|
|
have plainly heard him announcing through the wall, `I love
|
|
you, Florrie.' Those partition walls upstairs are very thin;
|
|
one can almost hear a watch ticking in the next room.''
|
|
|
|
``Is your maid called Florence?''
|
|
|
|
``Her name is Florinda.''
|
|
|
|
``What an extraordinary name to give a maid!''
|
|
|
|
``I did not give it to her; she arrived in my service
|
|
already christened.''
|
|
|
|
``What I mean is,'' said Mrs. Riversedge, ``that when I
|
|
get maids with unsuitable names I call them Jane; they soon
|
|
get used to it.''
|
|
|
|
``An excellent plan,'' said the aunt of Clovis coldly;
|
|
``unfortunately I have got used to being called Jane myself.
|
|
It happens to be my name.''
|
|
|
|
She cut short Mrs. Riversedge's flood of apologies by
|
|
abruptly remarking:
|
|
|
|
``The question is not whether I'm to call my maid
|
|
Florinda, but whether Mr. Brope is to be permitted to call
|
|
her Florrie. I am strongly of opinion that he shall not.''
|
|
|
|
``He may have been repeating the words of some song,''
|
|
said Mrs. Riversedge hopefully; ``there are lots of those
|
|
sorts of silly refrains with girls' names,'' she continued,
|
|
turning to Clovis as a possible authority on the subject.
|
|
`` `You mustn't call me Mary---' ''
|
|
|
|
``I shouldn't think of doing so,'' Clovis assured her;
|
|
``in the first place, I've always understood that your name
|
|
was Henrietta; and then I hardly know you well enough to
|
|
take such a liberty.''
|
|
|
|
``I mean there's a _song_ with that refrain,'' hurriedly
|
|
explained Mrs. Riversedge, ``and there's `Rhoda, Rhoda kept
|
|
a pagoda,' and `Maisie is a daisy,' and heaps of others.
|
|
Certainly it doesn't sound like Mr. Brope to be singing
|
|
such songs, but I think we ought to give him the benefit of
|
|
the doubt.''
|
|
|
|
``I had already done so,'' said Mrs. Troyle, ``until
|
|
further evidence came my way.
|
|
|
|
She shut her lips with the resolute finality of one who
|
|
enjoys the blessed certainty of being implored to open them
|
|
again.
|
|
|
|
``Further evidence!'' exclaimed her hostess; ``do tell
|
|
me!''
|
|
|
|
``As I was coming upstairs after breakfast Mr. Brope was
|
|
just passing my room. In the most natural way in the world
|
|
a piece of paper dropped out of a packet that he held in his
|
|
hand and fluttered to the ground just at my door. I was
|
|
going to call out to him `You've dropped something,' and
|
|
then for some reason I held back and didn't show myself till
|
|
he was safely in his room. You see it occurred to me that I
|
|
was very seldom in my room just at that hour, and that
|
|
Florinda was almost always there tidying up things about
|
|
that time. So I picked up that innocent-looking piece of
|
|
paper.''
|
|
|
|
Mrs. Troyle paused again, with the self-applauding air of
|
|
one who has detected an asp lurking in an apple-charlotte.
|
|
|
|
Mrs. Riversedge snipped vigorously at the nearest rose
|
|
bush, incidentally decapitating a Viscountess Folkestone
|
|
that was just coming into bloom.
|
|
|
|
``What was on the paper?'' she asked.
|
|
|
|
``Just the words in pencil, `I love you, Florrie,' and
|
|
then underneath, crossed out with a faint line, but
|
|
perfectly plain to read, `Meet me in the garden by the yew.'
|
|
''
|
|
|
|
``There _is_ a yew tree at the bottom of the garden,''
|
|
admitted Mrs. Riversedge.
|
|
|
|
``At any rate he appears to be truthful,'' commented
|
|
Clovis.
|
|
|
|
``To think that a scandal of this sort should be going on
|
|
under my roof!'' said Mrs. Riversedge indignantly.
|
|
|
|
``I wonder why it is that scandal seems so much worse
|
|
under a roof,'' observed Clovis; ``I've always regarded it
|
|
as a proof of the superior delicacy of the cat tribe that it
|
|
conducts most of its scandals above the slates.''
|
|
|
|
``Now I come to think of it,'' resumed Mrs. Riversedge,
|
|
``there are things about Mr. Brope that I've never been able
|
|
to account for. His income, for instance: he only gets two
|
|
hundred a year as editor of the _Cathedral Monthly_, and I
|
|
know that his people are quite poor, and he hasn't any
|
|
private means. Yet he manages to afford a flat somewhere in
|
|
Westminster, and he goes abroad to Bruges and those sorts of
|
|
places every year, and always dresses well, and gives quite
|
|
nice luncheon-parties in the season. You can't do all that
|
|
on two hundred a year, can you?''
|
|
|
|
``Does he write for any other papers?'' queried Mrs.
|
|
Troyle.
|
|
|
|
``No, you see he specializes so entirely on liturgy and
|
|
ecclesiastical architecture that his field is rather
|
|
restricted. He once tried the _Sporting and Dramatic_ with
|
|
an article on church edifices in famous fox-hunting centres,
|
|
but it wasn't considered of sufficient general interest to
|
|
be accepted. No, I don't see how he can support himself in
|
|
his present style merely by what be writes.''
|
|
|
|
``Perhaps he sells spurious transepts to American
|
|
enthusiasts,'' suggested Clovis.
|
|
|
|
``How could you sell a transept?'' said Mrs. Riversedge;
|
|
``such a thing would be impossible.''
|
|
|
|
``Whatever he may do to eke out his income,'' interrupted
|
|
Mrs. Troyle, ``he is certainly not going to fill in his
|
|
leisure moments by making love to my maid.''
|
|
|
|
``Of course not,'' agreed her hostess; ``that must be put
|
|
a stop to at once. But I don't quite know what we ought to
|
|
do.''
|
|
|
|
``You might put a barbed wire entanglement round the yew
|
|
tree as a precautionary measure,'' said Clovis.
|
|
|
|
``I don't think that the disagreeable situation that has
|
|
arisen is improved by flippancy,'' said Mrs. Riversedge; ``a
|
|
good maid is a treasure---''
|
|
|
|
``I am sure I don't know what I should do without
|
|
Florinda,'' admitted Mrs. Troyle; ``she understands my hair.
|
|
I've long ago given up trying to do anything with it myself.
|
|
I regard one's hair as I regard husbands: as long as one is
|
|
seen together in public one's private divergences don't
|
|
matter. Surely that was the luncheon gong.''
|
|
|
|
Septimus Brope and Clovis had the smoking-room to
|
|
themselves after lunch. The former seemed restless and
|
|
preoccupied, the latter quietly observant.
|
|
|
|
``What is a lorry?'' asked Septimus suddenly; ``I don't
|
|
mean the thing on wheels, of course I know what that is, but
|
|
isn't there a bird with a name like that, the larger form of
|
|
a lorikeet?''
|
|
|
|
``I fancy it's a lory, with one `r,' '' said Clovis
|
|
lazily, ``in which case it's no good to you.''
|
|
|
|
Septimus Brope stared in some astonishment.
|
|
|
|
``How do you mean, no good to me?'' he asked, with more
|
|
than a trace of uneasiness in his voice.
|
|
|
|
``Won't rhyme with Florrie,'' explained Clovis briefly.
|
|
|
|
Septimus sat upright in his chair, with unmistakable alarm
|
|
on his face.
|
|
|
|
``How did you find out? I mean how did you know I was
|
|
trying to get a rhyme to Florrie?'' he asked sharply.
|
|
|
|
``I didn't know,'' said Clovis, ``I only guessed. When
|
|
you wanted to turn the prosaic lorry of commerce into a
|
|
feathered poem flitting through the verdure of a tropical
|
|
forest, I knew you must be working up a sonnet, and Florrie
|
|
was the only female name that suggested itself as rhyming
|
|
with lorry.''
|
|
|
|
Septimus still looked uneasy.
|
|
|
|
``I believe you know more,'' be said.
|
|
|
|
Clovis laughed quietly, but said nothing.
|
|
|
|
``How much do you know?'' Septimus asked desperately.
|
|
|
|
``The yew tree in the garden,'' said Clovis.
|
|
|
|
``There! I felt certain I'd dropped it somewhere. But you
|
|
must have guessed something before. Look here, you have
|
|
surprised my secret. You won't give me away, will you? It
|
|
is nothing to be ashamed of, but it wouldn't do for the
|
|
editor of the _Cathedral Monthly_ to go in openly for that
|
|
sort of thing, would it?''
|
|
|
|
``Well, I suppose not,'' admitted Clovis.
|
|
|
|
``You see,'' continued Septimus, ``I get quite a decent
|
|
lot of money out of it. I could never live in the style I
|
|
do on what I get as editor of the _Cathedral Monthly_.''
|
|
|
|
Clovis was even more startled than Septimus had been
|
|
earlier in the conversation, but he was better skilled in
|
|
repressing surprise.
|
|
|
|
``Do you mean to say you get money out of---Florrie?'' he
|
|
asked.
|
|
|
|
``Not out of Florrie, as yet,'' said Septimus; ``in fact,
|
|
I don't mind saying that I'm having a good deal of trouble
|
|
over Florrie. But there are a lot of others.''
|
|
|
|
Clovis's cigarette went out.
|
|
|
|
``This is very interesting,'' he said slowly. And then,
|
|
with Septimus Brope's next words, illumination dawned on
|
|
him.
|
|
|
|
``There are heaps of others; for instance:
|
|
|
|
`` `Cora with the lips of coral,
|
|
You and I will never quarrel.'
|
|
|
|
That was one of my earliest successes, and it still brings
|
|
me in royalties. And then there is---`Esmeralda, when I
|
|
first beheld her,' and `Fair Teresa, how I love to please
|
|
her,' both of those have been fairly popular. And there is
|
|
one rather dreadful one,'' continued Septimus, flushing deep
|
|
carmine, ``which has brought me in more money than any of
|
|
the others:
|
|
|
|
`` `Lively little Lucie
|
|
With her naughty nez retrousee'.
|
|
|
|
Of course, I loathe the whole lot of them; in fact, I'm
|
|
rapidly becoming something of a woman-hater under their
|
|
influence, but I can't afford to disregard the financial
|
|
aspect of the matter. And at the same time you can
|
|
understand that my position as an authority on
|
|
ecclesiastical architecture and liturgical subjects would be
|
|
weakened, if not altogether ruined, if it once got about
|
|
that I was the author of `Cora with the lips of coral' and
|
|
all the rest of them.''
|
|
|
|
Clovis had recovered sufficiently to ask in a sympathetic,
|
|
if rather unsteady, voice what was the special trouble with
|
|
``Florrie.''
|
|
|
|
``I can't get her into lyric shape, try as I will,'' said
|
|
Septimus mournfully. ``You see, one has to work in a lot of
|
|
sentimental, sugary compliment with a catchy rhyme, and a
|
|
certain amount of personal biography or prophecy. They've
|
|
all of them got to have a long string of past successes
|
|
recorded about them, or else you've got to foretell blissful
|
|
things about them and yourself in the future. For instance,
|
|
there is:
|
|
|
|
`` `Dainty little girlie Mavis,
|
|
She is such a rara avis.
|
|
All the money I can save is
|
|
All to be for Mavis mine.'
|
|
|
|
It goes to a sickening namby-pamby waltz tune, and for
|
|
months nothing else was sung and hummed in Blackpool and
|
|
other popular centres.''
|
|
|
|
This time Clovis's self-control broke down badly.
|
|
|
|
``Please excuse me,'' he gurgled, ``but I can't help it
|
|
when I remember the awful solemnity of that article of yours
|
|
that you so kindly read us last night, on the Coptic Church
|
|
in its relation to early Christian worship.''
|
|
|
|
Septimus groaned.
|
|
|
|
``You see how it would be,'' he said; ``as soon as people
|
|
knew me to be the author of that miserable sentimental
|
|
twaddle, all respect for the serious labours of my life
|
|
would be gone. I dare say I know more about memorial
|
|
brasses than any one living, in fact I hope one day to
|
|
publish a monograph on the subject, but I should be pointed
|
|
out everywhere as the man whose ditties were in the mouths
|
|
of nigger minstrels along the entire coast-line of our
|
|
Island home. Can you wonder that I positively hate Florrie
|
|
all the time that I'm trying to grind out sugar-coated
|
|
rhapsodies about her?''
|
|
|
|
``Why not give free play to your emotions, and be brutally
|
|
abusive? An uncomplimentary refrain would have an instant
|
|
success as a novelty if you were sufficiently outspoken.''
|
|
|
|
``I've never thought of that,'' said Septimus, ``and I'm
|
|
afraid I couldn't break away from the habit of fulsome
|
|
adulation and suddenly change my style.''
|
|
|
|
``You needn't change your style in the least,'' said
|
|
Clovis; ``merely reverse the sentiment and keep to the inane
|
|
phraseology of the thing. If you'll do the body of the song
|
|
I'll knock off the refrain, which is the thing that
|
|
principally matters, I believe. I shall charge half-shares
|
|
in the royalties, and throw in my silence as to your guilty
|
|
secret. In the eyes of the world you shall still be the man
|
|
who has devoted his life to the study of transepts and
|
|
Byzantine ritual; only sometimes, in the long winter
|
|
evenings, when the wind howls drearily down the chimney and
|
|
the rain beats against the windows, I shall think of you as
|
|
the author of `Cora with the lips of coral.' Of course, if
|
|
in sheer gratitude at my silence you like to take me for a
|
|
much-needed holiday to the Adriatic or somewhere equally
|
|
interesting, paying all expenses, I shouldn't dream of
|
|
refusing.''
|
|
|
|
Later in the afternoon Clovis found his aunt and Mrs.
|
|
Riversedge indulging in gentle exercise in the Jacobean
|
|
garden.
|
|
|
|
``I've spoken to Mr. Brope about F.,'' he announced.
|
|
|
|
``How splendid of you! What did he say?'' came in a quick
|
|
chorus from the two ladies.
|
|
|
|
``He was quite frank and straightforward with me when he
|
|
saw that I knew his secret,'' said Clovis, ``and it seems
|
|
that his intentions were quite serious, if slightly
|
|
unsuitable. I tried to show him the impracticability of the
|
|
course that he was following. He said he wanted to be
|
|
understood, and he seemed to think that Florinda would excel
|
|
in that requirement, but I pointed out that there were
|
|
probably dozens of delicately nurtured, pure-hearted young
|
|
English girls who would be capable of understanding him,
|
|
while Florinda was the only person in the world who
|
|
understood my aunt's hair. That rather weighed with him,
|
|
for he's not really a selfish animal, if you take him in the
|
|
right way, and when I appealed to the memory of his happy
|
|
childish days, spent amid the daisied fields of Leighton
|
|
Buzzard (I suppose daisies do grow there), he was obviously
|
|
affected. Anyhow, he gave me his word that he would put
|
|
Florinda absolutely out of his mind, and he has agreed to go
|
|
for a short trip abroad as the best distraction for his
|
|
thoughts. I am going with him as far as Ragusa. If my aunt
|
|
should wish to give me a really nice scarf-pin (to be chosen
|
|
by myself), as a small recognition of the very considerable
|
|
service I had done her, I shouldn't dream of refusing. I'm
|
|
not one of those who think that because one is abroad one
|
|
can go about dressed anyhow.''
|
|
|
|
A few weeks later in Blackpool and places where they sing,
|
|
the following refrain held undisputed sway:
|
|
|
|
``How you bore me, Florrie,
|
|
With those eyes of vacant blue;
|
|
You'll be very sorry, Florrie,
|
|
If I marry you.
|
|
Though I'm easy-goin', Florrie,
|
|
This I swear is true,
|
|
I'll throw you down a quarry, Florrie,
|
|
If I marry you.''
|
|
|
|
``MINISTERS OF GRACE''
|
|
|
|
Although he was scarcely yet out of his teens, the Duke of Scaw
|
|
was already marked out as a personality widely differing from others
|
|
of his caste and period. Not in externals; therein he conformed correctly
|
|
to type. His hair was faintly reminiscent of Houbigant, and
|
|
at the other end of him his shoes exhaled the right soup<c,>on of
|
|
harness-room; his socks compelled one's attention without losing
|
|
one's respect; and his attitude in repose had just that suggestion of
|
|
Whistler's mother, so becoming in the really young. It was within
|
|
that the trouble lay, if trouble it could be accounted, which marked
|
|
him apart from his fellows. The Duke was religious. Not in any of
|
|
the ordinary senses of the word; he took small heed of High Church
|
|
or Evangelical standpoints, he stood outside of all the movements
|
|
and missions and cults and crusades of the day, uncaring and uninterested.
|
|
Yet in a mystical-practical way of his own, which had
|
|
served him unscathed and unshaken through the fickle years of
|
|
boyhood, he was intensely and intensively religious. His family were
|
|
naturally, though unobtrusively, distressed about it. ``I am so afraid
|
|
it may affect his bridge,'' said his mother.
|
|
|
|
The Duke sat in a pennyworth of chair in St. James's Park, listening
|
|
to the pessimisms of Belturbet, who reviewed the existing
|
|
political situation from the gloomiest of standpoints.
|
|
|
|
``Where I think you political spade-workers are so silly,'' said the
|
|
Duke, ``is in the misdirection of your efforts. You spend thousands
|
|
of pounds of money, and Heaven knows how much dynamic force
|
|
of brain power and personal energy, in trying to elect or displace
|
|
this or that man, whereas you could gain your ends so much more
|
|
simply by making use of the men as you find them. If they don't
|
|
suit your purpose as they are, transform them into something more
|
|
satisfactory.''
|
|
|
|
``Do you refer to hypnotic suggestion?'' asked Belturbet, with
|
|
the air of one who is being trifled with.
|
|
|
|
``Nothing of the sort. Do you understand what I mean by the
|
|
verb to koepenick? That is to say, to replace an authority by a
|
|
spurious imitation that would carry just as much weight for the
|
|
moment as the displaced original; the advantage, of course, being
|
|
that the koepenick replica would do what you wanted, whereas
|
|
the original does what seems best in its own eyes.''
|
|
|
|
``I suppose every public man has a double, if not two or three,''
|
|
said Belturbet; ``but it would be a pretty hard task to koepenick a
|
|
whole bunch of them and keep the originals out of the way.''
|
|
|
|
``There have been instances in European history of highly successful
|
|
koepenickery,'' said the Duke dreamily.
|
|
|
|
``Oh, of course, there have been False Dimitris and Perkin Warbecks,
|
|
who imposed on the world for a time,'' assented Belturbet,
|
|
``but they personated people who were dead or safely out of the
|
|
way. That was a comparatively simple matter. It would be far easier
|
|
to pass oneself off as dead Hannibal than as living Haldane, for
|
|
instance.''
|
|
|
|
``I was thinking,'' said the Duke, ``of the most famous case of all,
|
|
the angel who koepenicked King Robert of Sicily with such brilliant
|
|
results. Just imagine what an advantage it would be to have angels
|
|
deputizing, to use a horrible but convenient word, for Quinston
|
|
and Lord Hugo Sizzle, for example. How much smoother the
|
|
Parliamentary machine would work than at present!''
|
|
|
|
``Now you're talking nonsense,'' said Belturbet; ``angels don't exist
|
|
nowadays, at least, not in that way, so what is the use of dragging
|
|
them into a serious discussion? It's merely silly.''
|
|
|
|
``If you talk to me like that I shall just do it,'' said the Duke.
|
|
|
|
``Do what?'' asked Belturbet. There were times when his young
|
|
friend's uncanny remarks rather frightened him.
|
|
|
|
``I shall summon angelic forces to take over some of the more
|
|
troublesome personalities of our public life, and I shall send the
|
|
ousted originals into temporary retirement in suitable animal
|
|
organisms. It's not every one who would have the knowledge or
|
|
the power necessary to bring such a thing off---''
|
|
|
|
``Oh, stop that inane rubbish,'' said Belturbet angrily; ``it's getting
|
|
wearisome. Here's Quinston coming,'' he added, as there approached
|
|
along the almost deserted path the well-known figure of
|
|
a young Cabinet Minister, whose personality evoked a curious
|
|
mixture of public interest and unpopularity.
|
|
|
|
``Hurry along, my dear man,'' said the young Duke to the Minister,
|
|
who had given him a condescending nod; ``your time is running
|
|
short,'' he continued in a provocative strain; ``the whole inept
|
|
crowd of you will shortly be swept away into the world's wastepaper
|
|
basket.''
|
|
|
|
``You poor little strawberry-leafed nonentity,'' said the Minister,
|
|
checking himself for a moment in his stride and rolling out his
|
|
words spasmodically; ``who is going to sweep us away, I should like
|
|
to know? The voting masses are on our side, and all the ability and
|
|
administrative talent is on our side too. No power of earth or
|
|
Heaven is going to move us from our place till we choose to quit it.
|
|
No power of earth or---''
|
|
|
|
Belturbet saw, with bulging eyes, a sudden void where a moment
|
|
earlier had been a Cabinet Minister; a void emphasized rather than
|
|
relieved by the presence of a puffed-out bewildered-looking sparrow,
|
|
which hopped about for a moment in a dazed fashion and then
|
|
fell to a violent cheeping and scolding.
|
|
|
|
``If we could understand sparrow-language,'' said the Duke
|
|
serenely, ``I fancy we should hear something infinitely worse than
|
|
`strawberry-leafed nonentity.' ''
|
|
|
|
``But good Heavens, Eug<e`>ne,'' said Belturbet hoarsely, ``what has
|
|
become of--- Why, there he is! How on earth did he get there?''
|
|
And he pointed with a shaking finger towards a semblance of the
|
|
vanished Minister, which approached once more along the unfrequented
|
|
path.
|
|
|
|
The Duke laughed.
|
|
|
|
``It is Quinston to all outward appearance,'' he said composedly,
|
|
``but I fancy you will find, on closer investigation, that it is an
|
|
angel under-study of the real article.''
|
|
|
|
The Angel-Quinston greeted them with a friendly smile.
|
|
|
|
``How beastly happy you two look sitting there!'' he said wistfully.
|
|
|
|
``I don't suppose you'd care to change places with poor little us,''
|
|
replied the Duke chaffingly.
|
|
|
|
``How about poor little me?'' said the Angel modestly. ``I've got to
|
|
run about behind the wheels of popularity, like a spotted dog behind
|
|
a carriage, getting all the dust and trying to look as if I was an
|
|
important part of the machine. I must seem a perfect fool to you
|
|
onlookers sometimes.''
|
|
|
|
``I think you are a perfect angel.'' said the Duke.
|
|
|
|
The Angel-that-had-been-Quinston smiled and passed on his way,
|
|
pursued across the breadth of the Horse Guards Parade by a tiresome
|
|
little sparrow that cheeped incessantly and furiously at him.
|
|
|
|
``That's only the beginning,'' said the Duke complacently; ``I've
|
|
made it operative with all of them, irrespective of parties.''
|
|
|
|
Belturbet made no coherent reply; he was engaged in feeling
|
|
his pulse. The Duke fixed his attention with some interest on a
|
|
black swan that was swimming with haughty, stiff-necked aloofness
|
|
amid the crowd of lesser water-fowl that dotted the ornamental
|
|
water. For all its pride of bearing, something was evidently ruffling
|
|
and enraging it; in its way it seemed as angry and amazed as the
|
|
sparrow had been.
|
|
|
|
At the same moment a human figure came along the pathway.
|
|
Belturbet looked up apprehensively.
|
|
|
|
``Kedzon,'' he whispered briefly.
|
|
|
|
``An Angel-Kedzon, if I am not mistaken,'' said the Duke. ``Look,
|
|
he is talking affably to a human being. That settles it.''
|
|
|
|
A shabbily dressed lounger had accosted the man who had been
|
|
Viceroy in the splendid East, and who still reflected in his mien
|
|
some of the cold dignity of the Himalayan snow-peaks.
|
|
|
|
``Could you tell me, sir, if them white birds is storks or halbatrosses?
|
|
I had an argyment---''
|
|
|
|
The cold dignity thawed at once into genial friendliness.
|
|
|
|
``Those are pelicans, my dear sir. Are you interested in birds? If
|
|
you would join me in a bun and a glass of milk at the stall yonder,
|
|
I could tell you some interesting things about Indian birds. Right
|
|
oh! Now the hill-mynah, for instance---''
|
|
|
|
The two men disappeared in the direction of the bun stall, chatting
|
|
volubly as they went, and shadowed from the other side of
|
|
the railed enclosure by a black swan, whose temper seemed to have
|
|
reached the limit of inarticulate rage.
|
|
|
|
Belturbet gazed in an open-mouthed wonder after the retreating
|
|
couple, then transferred his attention to the infuriated swan, and
|
|
finally turned with a look of scared comprehension at his young
|
|
friend lolling unconcernedly in his chair. There was no longer any
|
|
room to doubt what was happening. The ``silly talk'' had been
|
|
translated into terrifying action.
|
|
|
|
``I think a prairie oyster on the top of a stiffish brandy-and-soda
|
|
might save my reason,'' said Belturbet weakly, as he limped towards
|
|
his club.
|
|
|
|
It was late in the day before he could steady his nerves sufficiently
|
|
to glance at the evening papers. The Parliamentary report
|
|
proved significant reading, and confirmed the fears that he had been
|
|
trying to shake off. Mr. Ap Dave, the Chancellor, whose lively controversial
|
|
style endeared him to his supporters and embittered him,
|
|
politically speaking, to his opponents, had risen in his place to make
|
|
an unprovoked apology for having alluded in a recent speech to
|
|
certain protesting taxpayers as ``skulkers.'' He had realized on reflection
|
|
that they were in all probability perfectly honest in their
|
|
inability to understand certain legal technicalities of the new finance
|
|
laws. The House had scarcely recovered from this sensation
|
|
when Lord Hugo Sizzle caused a further flutter of astonishment
|
|
by going out of his way to indulge in an outspoken appreciation of
|
|
the fairness, loyalty, and straightforwardness not only of the Chancellor,
|
|
but of all the members of the Cabinet. A wit had gravely
|
|
suggested moving the adjournment of the House in view of the unexpected
|
|
circumstances that had arisen.
|
|
|
|
Belturbet anxiously skimmed over a further item of news printed
|
|
immediately below the Parliamentary report: ``Wild cat found in an
|
|
exhausted condition in Palace Yard.''
|
|
|
|
``Now I wonder which of them---'' he mused, and then an appalling
|
|
idea came to him. ``Supposing he's put them both into the same
|
|
beast!'' He hurriedly ordered another prairie oyster.
|
|
|
|
Belturbet was known in his club as a strictly moderate drinker;
|
|
his consumption of alcoholic stimulants that day gave rise to considerable
|
|
comment.
|
|
|
|
The events of the next few days were piquantly bewildering to
|
|
the world at large; to Belturbet, who knew dimly what was happening,
|
|
the situation was fraught with recurring alarms. The old
|
|
saying that in politics it's the unexpected that always happens received
|
|
a justification that it had hitherto somewhat lacked, and
|
|
the epidemic of startling personal changes of front was not wholly
|
|
confined to the realm of actual politics. The eminent chocolate
|
|
magnate, Sadbury, whose antipathy to the Turf and everything
|
|
connected with it was a matter of general knowledge, had evidently
|
|
been replaced by an Angel-Sadbury, who proceeded to
|
|
electrify the public by blossoming forth as an owner of race-horses,
|
|
giving as a reason his matured conviction that the sport was, after
|
|
all, one which gave healthy open-air recreation to large numbers
|
|
of people drawn from all classes of the community, and incidentally
|
|
stimulated the important industry of horse-breeding. His
|
|
colours, chocolate and cream hoops spangled with pink stars, promised
|
|
to become as popular as any on the Turf. At the same time, in
|
|
order to give effect to his condemnation of the evils resulting from
|
|
the spread of the gambling habit among wage-earning classes, who
|
|
lived for the most part from hand to mouth, he suppressed all
|
|
betting news and tipsters' forecasts in the popular evening paper
|
|
that was under his control. His action received instant recognition
|
|
and support from the Angel-proprietor of the _Evening Views_, the
|
|
principal rival evening halfpenny paper, who forthwith issued an
|
|
ukase decreeing a similar ban on betting news, and in a short while
|
|
the regular evening Press was purged of all mention of starting
|
|
prices and probable winners. A considerable drop in the circulation
|
|
of all these papers was the immediate result, accompanied, of
|
|
course, by a falling-off in advertisement value, while a crop of
|
|
special betting broadsheets sprang up to supply the newly created
|
|
want. Under their influence the betting habit became if anything
|
|
rather more widely diffused than before. The Duke had possibly
|
|
overlooked the futility of koepenicking the leaders of the nation
|
|
with excellently intentioned angel under-studies, while leaving the
|
|
mass of the people in its original condition.
|
|
|
|
Further sensation and dislocation was caused in the Press world
|
|
by the sudden and dramatic _rapprochement_ which took place between
|
|
the Angel-Editor of the _Scrutator_ and the Angel-Editor of the
|
|
_Anglian Review_, who not only ceased to criticize and disparage
|
|
the tone and tendencies of each other's publication, but agreed to
|
|
exchange editorships for alternating periods. Here again public
|
|
support was not on the side of the angels; constant readers of the
|
|
_Scrutator_ complained bitterly of the strong meat which was thrust
|
|
upon them at fitful intervals in place of the almost vegetarian diet
|
|
to which they had become confidently accustomed; even those who
|
|
were not mentally averse to strong meat as a separate course were
|
|
pardonably annoyed at being supplied with it in the pages of the
|
|
_Scrutator_. To be suddenly confronted with a pungent herring
|
|
salad when one had attuned oneself to tea and toast, or to discover
|
|
a richly truffled segment of _p<a^>r<e`> de foie_ dissembled in a bowl of
|
|
bread and milk, would be an experience that might upset the
|
|
equanimity of the most placidly disposed mortal. An equally vehement
|
|
outcry arose from the regular subscribers of the _Anglian Review_,
|
|
who protested against being served from time to time with
|
|
literary fare which no young person of sixteen could possibly want
|
|
to devour in secret. To take infinite precautions, they complained,
|
|
against the juvenile perusal of such eminently innocuous literature
|
|
was like reading the Riot Act on an uninhabited island. Both reviews
|
|
suffered a serious falling-off in circulation and influence.
|
|
Peace hath its devastations as well as war.
|
|
|
|
The wives of noted public men formed another element of discomfiture
|
|
which the young Duke had almost entirely left out of his
|
|
calculations. It is sufficiently embarrassing to keep abreast of the
|
|
possible wobblings and veerings-round of a human husband, who,
|
|
from the strength or weakness of his personal character, may leap
|
|
over or slip through the barriers which divide the parties; for this
|
|
reason a merciful politician usually marries late in life, when he has
|
|
definitely made up his mind on which side he wishes his wife to be
|
|
socially valuable. But these trials were as nothing compared to
|
|
the bewilderment caused by the Angel-husbands who seemed in
|
|
some cases to have revolutionized their outlook on life in the interval
|
|
between breakfast and dinner, without premonition or preparation
|
|
of any kind, and apparently without realizing the least need
|
|
for subsequent explanation. The temporary peace which brooded
|
|
over the Parliamentary situation was by no means reproduced in
|
|
the home circles of the leading statesmen and politicians. It had
|
|
been frequently and extensively remarked of Mrs. Exe that she
|
|
would try the patience of an angel; now the tables were reversed,
|
|
and she unwittingly had an opportunity for discovering that the
|
|
capacity for exasperating behaviour was not all on one side.
|
|
|
|
And then, with the introduction of the Navy Estimates, Parliamentary
|
|
peace suddenly dissolved. It was the old quarrel between
|
|
Ministers and the Opposition as to the adequacy or the reverse of
|
|
the Government's naval programme. The Angel-Quinston and the
|
|
Angel-Hugo-Sizzle contrived to keep the debates free from personalities
|
|
and pinpricks, but an enormous sensation was created
|
|
when the elegant lackadaisical Halfan Halfour threatened to bring
|
|
up fifty thousand stalwarts to wreck the House if the Estimates
|
|
were not forthwith revised on a Two-Power basis. It was a memorable
|
|
scene when he rose in his place, in response to the scandalized
|
|
shouts of his opponents, and thundered forth, ``Gentlemen, I glory
|
|
in the name of Apache.''
|
|
|
|
Belturbet, who had made several fruitless attempts to ring up his
|
|
young friend since the fateful morning in St. James's Park, ran him
|
|
to earth one afternoon at his club, smooth and spruce and unruffled
|
|
as ever.
|
|
|
|
``Tell me, what on earth have you turned Cocksley Coxon into?''
|
|
Belturbet asked anxiously, mentioning the name of one of the pillars
|
|
of unorthodoxy in the Anglican Church. ``I don't fancy he _believes_
|
|
in angels, and if he finds an angel preaching orthodox sermons
|
|
from his pulpit while he's been turned into a fox-terrier, he'll
|
|
develop rabies in less than no time.''
|
|
|
|
``I rather think it was a fox-terrier,'' said the Duke lazily.
|
|
|
|
Belturbet groaned heavily, and sank into a chair.
|
|
|
|
``Look here, Eug<e'>ne,'' he whispered hoarsely, having first looked
|
|
well round to see that no one was within hearing range, ``you've got
|
|
to stop it. Consols are jumping up and down like bronchos, and
|
|
that speech of Halfour's in the House last night has simply startled
|
|
everybody out of their wits. And then on the top if it, Thistlebery---''
|
|
|
|
``What has he been saying?'' asked the Duke quickly.
|
|
|
|
``Nothing. That's just what's so disturbing. Every one thought it
|
|
was simply inevitable that he should come out with a great epoch-making
|
|
speech at this juncture, and I've just seen on the tape that
|
|
he has refused to address any meetings at present, giving as a reason
|
|
his opinion that something more than mere speech-making was
|
|
wanted.''
|
|
|
|
The young Duke said nothing, but his eyes shone with quiet
|
|
exultation.
|
|
|
|
``It's so unlike Thistlebery,'' continued Belturbet; ``at least,'' he
|
|
said suspiciously, ``it's unlike the _real_ Thistlebery---''
|
|
|
|
``The real Thistlebery is flying about somewhere as a vocally industrious
|
|
lapwing,'' said the Duke calmly; ``I expect great things of
|
|
the Angel-Thistlebery,'' he added.
|
|
|
|
At this moment there was a magnetic stampede of members towards
|
|
the lobby, where the tape-machines were ticking out some
|
|
news of more than ordinary import.
|
|
|
|
``_Coup d'<e'>tat_ in the North. Thistlebery seizes Edinburgh Castle.
|
|
Threatens civil war unless Government expands naval programme.''
|
|
|
|
In the babel which ensued Belturbet lost sight of his young
|
|
friend. For the best part of the afternoon he searched one likely
|
|
haunt after another, spurred on by the sensational posters which
|
|
the evening papers were displaying broadcast over the West End.
|
|
General Baden-Baden mobilizes Boy-Scouts. Another _coup d'<e'>tat_
|
|
feared. Is Windsor Castle safe?'' This was one of the earlier posters,
|
|
and was followed by one of even more sinister purport: ``Will the
|
|
Test-match have to be postponed?'' It was this disquietening question
|
|
which brought home the real seriousness of the situation to the
|
|
London public, and made people wonder whether one might not
|
|
pay too high a price for the advantages of party government. Belturbet,
|
|
questing round in the hope of finding the originator of the
|
|
trouble, with a vague idea of being able to induce him to restore
|
|
matters to their normal human footing, came across an elderly
|
|
club acquaintance who dabbled extensively in some of the more
|
|
sensitive market securities. He was pale with indignation, and his
|
|
pallor deepened as a breathless newsboy dashed past with a poster
|
|
inscribed: ``Premier's constituency harried by moss-troopers. Halfour
|
|
sends encouraging telegram to rioters. Letchworth Garden City
|
|
threatens reprisals. Foreigners taking refuge in Embassies and National
|
|
Liberal Club.''
|
|
|
|
``This is devils' work!'' he said angrily.
|
|
|
|
Belturbet knew otherwise.
|
|
|
|
At the bottom of St. James's Street a newspaper motor-cart,
|
|
which had just come rapidly along Pall Mall, was surrounded by a
|
|
knot of eagerly talking people, and for the first time that afternoon
|
|
Belturbet heard expressions of relief and congratulation.
|
|
|
|
It displayed a placard with the welcome announcement: ``Crisis
|
|
ended. Government gives way. Important expansion of naval programme.''
|
|
|
|
There seemed to be no immediate necessity for pursuing the
|
|
quest of the errant Duke, and Belturbet turned to make his way
|
|
homeward through St. James's Park. His mind, attuned to the
|
|
alarums and excursions of the afternoon, became dimly aware
|
|
that some excitement of a detached nature was going on around
|
|
him. In spite of the political ferment which reigned in the streets,
|
|
quite a large crowd had gathered to watch the unfolding of a
|
|
tragedy that had taken place on the shore of the ornamental water.
|
|
A large black swan, which had recently shown signs of a savage
|
|
and dangerous disposition, had suddenly attacked a young gentleman
|
|
who was walking by the water's edge, dragged him down under
|
|
the surface, and drowned him before any one could come to
|
|
his assistance. At the moment when Belturbet arrived on the spot
|
|
several park-keepers were engaged in lifting the corpse into a punt.
|
|
Belturbet stooped to pick up a hat that lay near the scene of the
|
|
struggle. It was a smart soft felt hat, faintly reminiscent of Houbigant.
|
|
|
|
More than a month elapsed before Belturbet had sufficiently recovered
|
|
from his attack of nervous prostration to take an interest
|
|
once more in what was going on in the world of politics. The
|
|
Parliamentary Session was still in full swing, and a General Election
|
|
was looming in the near future. He called for a batch of morning
|
|
papers and skimmed rapidly through the speeches of the Chancellor,
|
|
Quinston, and other Ministerial leaders, as well as those of
|
|
the principal Opposition champions, and then sank back in his chair
|
|
with a sigh of relief. Evidently the spell had ceased to act after the
|
|
tragedy which had overtaken its invoker. There was no trace of
|
|
angel anywhere.
|
|
|
|
THE REMOULDING OF GROBY LINGTON
|
|
``A man is known by the company he keeps.``
|
|
|
|
In the morning-room of his sister-in-law's house Groby
|
|
Lington fidgeted away the passing minutes with the demure
|
|
restlessness of advanced middle age. About a quarter of an
|
|
hour would have to elapse before it would be time to say his
|
|
good-byes and make his way across the village green to the
|
|
station, with a selected escort of nephews and nieces. He
|
|
was a good-natured, kindly dispositioned man, and in theory
|
|
he was delighted to pay periodical visits to the wife and
|
|
children of his dead brother William; in practice, he
|
|
infinitely preferred the comfort and seclusion of his own
|
|
house and garden, and the companionship of his books and his
|
|
parrot to these rather meaningless and tiresome incursions
|
|
into a family circle with which he had little in common. It
|
|
was not so much the spur of his own conscience that drove
|
|
him to make the occasional short journey by rail to visit
|
|
his relatives, as an obedient concession to the more
|
|
insistent but vicarious conscience of his brother, Colonel
|
|
John, who was apt to accuse him of neglecting poor old
|
|
William's family. Groby usually forgot or ignored the
|
|
existence of his neighbour kinsfolk until such time as he
|
|
was threatened with a visit from the Colonel, when he would
|
|
put matters straight by a burned pilgrimage across the few
|
|
miles of intervening country to renew his acquaintance with
|
|
the young people and assume a kindly if rather forced
|
|
interest in the well-being of his sister-in-law. On this
|
|
occasion he had cut matters so fine between the timing of
|
|
his exculpatory visit and the coming of Colonel John, that
|
|
he would scarcely be home before the latter was due to
|
|
arrive. Anyhow, Groby had got it over, and six or seven
|
|
months might decently elapse before he need again sacrifice
|
|
his comforts and inclinations on the altar of family
|
|
sociability. He was inclined to be distinctly cheerful as
|
|
he hopped about the room, picking up first one object, then
|
|
another, and subjecting each to a brief bird-like scrutiny.
|
|
|
|
Presently his cheerful listlessness changed sharply to
|
|
an attitude of vexed attention. In a scrap-book of drawings
|
|
and caricatures belonging to one of his nephews he had come
|
|
across an unkindly clever sketch of himself and his parrot,
|
|
solemnly confronting each other in postures of ridiculous
|
|
gravity and repose, and bearing a likeness to one another
|
|
that the artist had done his utmost to accentuate. After
|
|
the first flush of annoyance had passed away, Groby laughed
|
|
good-naturedly and admitted to himself the cleverness of the
|
|
drawing. Then the feeling of resentment repossessed him,
|
|
resentment not against the caricaturist who had embodied the
|
|
idea in pen and ink, but against the possible truth that the
|
|
idea represented. Was it really the case that people grew
|
|
in time to resemble the animals they kept as pets, and had
|
|
he unconsciously become more and more like the comically
|
|
solemn bird that was his constant companion? Groby was
|
|
unusually silent as he walked to the train with his escort
|
|
of chattering nephews and nieces, and during the short
|
|
railway journey his mind was more and more possessed with an
|
|
introspective conviction that he had gradually settled down
|
|
into a sort of parrot-like existence. What, after all, did
|
|
his daily routine amount to but a sedate meandering and
|
|
pecking and perching, in his garden, among his fruit trees,
|
|
in his wicker chair on the lawn, or by the fireside in his
|
|
library? And what was the sum total of his conversation with
|
|
chance-encountered neighbours? ``Quite a spring day, isn't
|
|
it?'' ``It looks as though we should have some rain.``
|
|
``Glad to see you about again; you must take care of
|
|
yourself.'' ``How the young folk shoot up, don't they?''
|
|
Strings of stupid, inevitable perfunctory remarks came to
|
|
his mind, remarks that were certainly not the mental
|
|
exchange of human intelligences, but mere empty parrot-talk.
|
|
One might really just as well salute one's acquaintances
|
|
with ``Pretty Polly. Puss, puss, miaow!'' Groby began to
|
|
fume against the picture of himself as a foolish feathered
|
|
fowl which his nephews sketch had first suggested, and which
|
|
his own accusing imagination was filling in with such
|
|
unflattering detail.
|
|
|
|
``I'll give the beastly bird away,'' he said resentfully;
|
|
though he knew at the same time that he would do no such
|
|
thing. It would look so absurd after all the years that he
|
|
had kept the parrot and made much of it suddenly to try and
|
|
find it a new home.
|
|
|
|
``Has my brother arrived?'' he asked of the stable-boy,
|
|
who had come with the pony-carriage to meet him.
|
|
|
|
``Yessir, came down by the two-fifteen. Your parrot's
|
|
dead.'' The boy made the latter announcement with the relish
|
|
which his class finds in proclaiming a catastrophe.
|
|
|
|
``My parrot dead?'' said Groby. ``What caused its
|
|
death?''
|
|
|
|
``The ipe,'' said the boy briefly.
|
|
|
|
``The ipe?'' queried Groby. ``Whatever's that?''
|
|
|
|
``The ipe what the Colonel brought down with him,'' came
|
|
the rather alarming answer.
|
|
|
|
``Do you mean to say my brother is ill?'' asked Groby.
|
|
``Is it something infectious?''
|
|
|
|
``Th' Coloners so well as ever he was,'' said the boy; and
|
|
as no further explanation was forthcoming Groby had to
|
|
possess himself in mystified patience till he reached home.
|
|
His brother was waiting for him at the hall door.
|
|
|
|
``Have you heard about the parrot?'' he asked at once.
|
|
``'Pon my soul I'm awfully sorry. The moment he saw the
|
|
monkey I'd brought down as a surprise for you he squawked
|
|
out, `Rats to you, sir!' and the blessed monkey made one
|
|
spring at him, got him by the neck and whirled him round
|
|
like a rattle. He was as dead as mutton by the time I'd got
|
|
him out of the little beggar's paws. Always been such a
|
|
friendly little beast, the monkey has, should never have
|
|
thought he`d got it in him to see red like that. Can't tell
|
|
you how sorry I feel about it, and now of course you'll hate
|
|
the sight of the monkey.''
|
|
|
|
``Not at all,' said Groby sincerely. A few hours earlier
|
|
the tragic end which had befallen his parrot would have
|
|
presented itself to him as a calamity; now it arrived almost
|
|
as a polite attention on the part of the Fates.
|
|
|
|
``The bird was getting old, you know,'' he went on, in
|
|
explanation of his obvious lack of decent regret at the loss
|
|
of his pet. ``I was really beginning to wonder if it was an
|
|
unmixed kindness to let him go on living till he succumbed
|
|
to old age. What a charming little monkey!'' he added, when
|
|
he was introduced to the culprit.
|
|
|
|
The new-comer was a small, long-tailed monkey from the
|
|
Western Hemisphere, with a gentle, half-shy, half-trusting
|
|
manner that instantly captured Groby's confidence; a student
|
|
of simian character might have seen in the fitful red light
|
|
in its eyes some indication of the underlying temper which
|
|
the parrot had so rashly put to the test with such dramatic
|
|
consequences for itself. The servants, who had come to
|
|
regard the defunct bird as a regular member of the
|
|
household, and one who gave really very little trouble, were
|
|
scandalized to find his bloodthirsty aggressor installed in
|
|
his place as an honoured domestic pet.
|
|
|
|
``A nasty heathen ipe what don't never say nothing
|
|
sensible and cheerful, same as pore Polly did,'' was the
|
|
unfavourable verdict of the kitchen quarters.
|
|
|
|
;One Sunday morning, some twelve or fourteen months after
|
|
the visit of Colonel John and the parrot-tragedy, Miss
|
|
Wepley sat decorously in her pew in the parish church,
|
|
immediately in front of that occupied by Groby Lington. She
|
|
was, comparatively speaking, a new-comer in the
|
|
neighbourhood, and was not personally acquainted with her
|
|
fellow-worshipper in the seat behind, but for the past two
|
|
years the Sunday morning service had brought them regularly
|
|
within each other's sphere of consciousness. Without having
|
|
paid particular attention to the subject, she could probably
|
|
have given a correct rendering of the way in which he
|
|
pronounced certain words occurring in the responses, while
|
|
he was well aware of the trivial fact that, in addition to
|
|
her prayer book and handkerchief, a small paper packet of
|
|
throat lozenges always reposed on the seat beside her. Miss
|
|
Wepley rarely had recourse to her lozenges, but in case she
|
|
should be taken with a fit of coughing she wished to have
|
|
the emergency duly provided for. On this particular Sunday
|
|
the lozenges occasioned an unusual diversion in the even
|
|
tenor of her devotions, far more disturbing to her
|
|
personally than a prolonged attack of coughing would have
|
|
been. As she rose to take part in the singing of the first
|
|
hymn, she fancied that she saw the hand of her neighbour,
|
|
who was alone in the pew behind her, make a furtive downward
|
|
grab at the packet lying on the seat; on turning sharply
|
|
round she found that the packet had certainly disappeared,
|
|
but Mr. Lington was to all outward seeming serenely intent
|
|
on his hymn-book. No amount of interrogatory glaring on the
|
|
part of the despoiled lady could bring the least shade of
|
|
conscious guilt to his face.
|
|
|
|
``Worse was to follow,'' as she remarked afterwards to a
|
|
scandalized audience of friends and acquaintances. ''I had
|
|
scarcely knelt in prayer when a lozenge, one of _my_ lozenges,
|
|
came whizzing into the pew, just under my nose. I turned
|
|
round and stared, but Mr. Lington had his eyes closed and
|
|
his lips moving as though engaged in prayer. The moment I
|
|
resumed my devotions another lozenge came rattling in, and
|
|
then another. I took no notice for a while, and then turned
|
|
round suddenly just as the dreadful man was about to flip
|
|
another one at me. He hastily pretended to be turning over
|
|
the leaves of his book but I was not to be taken in that
|
|
time. He saw that he had been discovered and no more
|
|
lozenges came. Of course I have changed my pew.''
|
|
|
|
``No gentleman would have acted in such a disgraceful
|
|
manner,'' said one of her listeners; ``and yet Mr. Lington
|
|
used to be so respected by everybody. He seems to have
|
|
behaved like a little ill-bred schoolboy.''
|
|
|
|
``He behaved like a monkey,'' said Miss Wepley.
|
|
|
|
Her unfavourable verdict was echoed in other quarters
|
|
about the same time. Groby Lington had never been a hero in
|
|
the eyes of his personal retainers, but he had shared the
|
|
approval accorded to his defunct parrot as a cheerful
|
|
well-dispositioned body, who gave no particular trouble. Of
|
|
late months, however, this character would hardly have been
|
|
endorsed by the members of his domestic establishment. The
|
|
stolid stable-boy, who had first announced to him the tragic
|
|
end of his feathered pet, was one of the first to give voice
|
|
to the murmurs of disapproval which became rampant and
|
|
general in the servants' quarters, and he had fairly
|
|
substantial grounds for his disaffection. In a burst of hot
|
|
summer weather he had obtained permission to bathe in a
|
|
modest-sized pond in the orchard, and thither one afternoon
|
|
Groby had bent his steps, attracted by loud imprecations of
|
|
anger mingled with the shriller chattering of
|
|
monkey-language. He beheld his plump diminutive servitor,
|
|
clad only in a waistcoat and a pair of socks, storming
|
|
ineffectually at the monkey which was seated on a low branch
|
|
of an apple tree, abstractedly fingering the remainder of
|
|
the boy's outfit, which he had removed just out of his
|
|
reach.
|
|
|
|
``The ipe's been an' took my clothes,'' whined the boy,
|
|
with the passion of his kind for explaining the obvious.
|
|
His incomplete toilet effect rather embarrassed him, but he
|
|
hailed the arrival of Groby with relief, as promising moral
|
|
and material support in his efforts to get back his raided
|
|
garments. The monkey had ceased its defiant jabbering, and
|
|
doubtless with a little coaxing from its master it would
|
|
hand back the plunder.
|
|
|
|
``If I lift you up,'' suggested Groby, ``you will just be
|
|
able to reach the clothes.''
|
|
|
|
The boy agreed, and Groby clutched him firmly by the
|
|
waistcoat, which was about all there was to catch hold of,
|
|
and lifted him clear of the ground. Then, with a deft swing
|
|
he sent him crashing into a clump of tag nettles, which
|
|
closed receptively round him. The victim had not been
|
|
brought up in a school which teaches one to repress one's
|
|
emotions---if a fox had attempted to gnaw at his vitals he
|
|
would have flown to complain to the nearest hunt committee
|
|
rather than have affected an attitude of stoical
|
|
indifference. On this occasion the volume of sound which he
|
|
produced under the stimulus of pain and rage and
|
|
astonishment was generous and sustained, but above his
|
|
bellowings he could distinctly hear the triumphant
|
|
chattering of his enemy in the tree, and a peal of shrill
|
|
laughter from Groby.
|
|
|
|
When the boy had finished an improvised St. Vitus
|
|
caracole, which would have brought him fame on the boards of
|
|
the Coliseum, and which indeed met with ready appreciation
|
|
and applause from the retreating figure of Groby Lington, he
|
|
found that the monkey had also discreetly retired, while his
|
|
clothes were scattered on the grass at the foot of the tree.
|
|
|
|
``They'm two ipes, that's what they be,'' he muttered
|
|
angrily, and if his judgment was severe, at least he spoke
|
|
under the sting of considerable provocation.
|
|
|
|
It was a week or two later that the parlour-maid gave
|
|
notice, having been terrified almost to tears by an outbreak
|
|
of sudden temper on the part of the master anent some under
|
|
done cutlets. ``'E gnashed 'is teeth at me, 'e did reely,''
|
|
she informed a sympathetic kitchen audience.
|
|
|
|
``I'd like to see 'im talk like that to me, I would,''
|
|
said the cook defiantly, but her cooking from that moment
|
|
showed a marked improvement.
|
|
|
|
It was seldom that Groby Lington so far detached himself
|
|
from his accustomed habits as to go and form one of a
|
|
house-party, and he was not a little piqued that Mrs.
|
|
Glenduff should have stowed him away in the musty old
|
|
Georgian wing of the house, in the next room, moreover, to
|
|
Leonard Spabbink, the eminent pianist.
|
|
|
|
``He plays Liszt like an angel,'' had been the hostess's
|
|
enthusiastic testimonial.
|
|
|
|
``He may play him like a trout for all I care,'' had been
|
|
Groby's mental comment, ``but I wouldn't mind betting that
|
|
be snores. He's just the sort and shape that would. And if
|
|
I hear him snoring through those ridiculous thin-panelled
|
|
walls, there'll be trouble.''
|
|
|
|
He did, and there was.
|
|
|
|
Groby stood it for about two and a quarter minutes, and
|
|
then made his way through the corridor into Spabbink's room.
|
|
Under Groby's vigorous measures the musicians flabby,
|
|
redundant figure sat up in bewildered semi-consciousness
|
|
like an ice-cream that has been taught to beg. Groby
|
|
prodded him into complete wakefulness, and then the pettish
|
|
self-satisfied pianist fairly lost his temper and slapped
|
|
his domineering visitant on the hand. In another moment
|
|
Spabbink was being nearly stifled and very effectually
|
|
gagged by a pillow-case tightly bound round his head, while
|
|
his plump pyjama'd limbs were hauled out of bed and smacked,
|
|
pinched, kicked, and bumped in a catch-as-catch-can progress
|
|
across the floor, towards the flat shallow bath in whose
|
|
utterly inadequate depths Groby perseveringly strove to
|
|
drown him. For a few moments the room was almost in
|
|
darkness: Groby's candle had overturned in an early stage of
|
|
the scuffle, and its flicker scarcely reached to the spot
|
|
where splashings, smacks, muffled cries, and splutterings,
|
|
and a chatter of ape-like rage told of the struggle that was
|
|
being waged round the shores of the bath. A few instants
|
|
later the one-sided combat was brightly lit up by the flare
|
|
of blazing curtains and rapidly kindling panelling.
|
|
|
|
When the hastily aroused members of the house-party
|
|
stampeded out on to the lawn, the Georgian wing was well
|
|
alight and belching forth masses of smoke, but some moments
|
|
elapsed before Groby appeared with the half-drowned pianist
|
|
in his arms, having just bethought him of the superior
|
|
drowning facilities offered by the pond at the bottom of the
|
|
lawn. The cool night air sobered his rage, and when he
|
|
found that he was innocently acclaimed as the heroic rescuer
|
|
of poor Leonard Spabbink, and loudly commended for his
|
|
presence of mind in tying a wet cloth round his head to
|
|
protect him from smoke suffocation, he accepted the
|
|
situation, and subsequently gave a graphic account of his
|
|
finding the musician asleep with an overturned candle by his
|
|
side and the conflagration well started. Spabbink gave his
|
|
version some days later, when he had partially recovered
|
|
from the shock of his midnight castigation and immersion,
|
|
but the gentle pitying smiles and evasive comments with
|
|
which his story was greeted warned him that the public ear
|
|
was not at his disposal. He refused, however, to attend the
|
|
ceremonial presentation of the Royal Humane Society's
|
|
life-saving medal.
|
|
|
|
It was about this time that Groby's pet monkey fell a
|
|
victim to the disease which attacks so many of its kind when
|
|
brought under the influence of a northern climate. Its
|
|
master appeared to be profoundly affected by its loss, and
|
|
never quite recovered the level of spirits that he had
|
|
recently attained. In company with the tortoise, which
|
|
Colonel John presented to him on his last visit, he potters
|
|
about his lawn and kitchen garden, with none of his
|
|
erstwhile sprightliness; and his nephews and nieces are
|
|
fairly well justified in alluding to him as ``Old Uncle
|
|
Groby.''
|
|
|
|
[End of The Chronicles of Clovis]
|
|
.
|