17285 lines
687 KiB
Plaintext
17285 lines
687 KiB
Plaintext
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THE INTERNET WIRETAP ELECTRONIC EDITION OF
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The Pit
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A Story of Chicago
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By
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Frank Norris
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1903
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Prepared by John Hamm <John_Hamm@MindLink.bc.ca>
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This text is in the PUBLIC DOMAIN,
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released December 1993
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Scanned with OmniPage Professional OCR software
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donated by Caere Corporation.
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Dedicated to My Brother
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Charles Tolman Norris
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In memory of certain lamentable tales of the
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bound (dining-room) table heroes; of the epic of
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the pewter platoons, and the romance-cycle of
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"Gaston Le Fox," which we invented, maintained,
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and found marvellous at a time when we both
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were boys.
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The PlT
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I
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At eight o'clock in the inner vestibule of the
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Auditorium Theatre by the window of the box office,
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Laura Dearborn, her younger sister Page, and their
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aunt--Aunt Wess'--were still waiting for the rest of
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the theatre-party to appear. A great, slow-moving
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press of men and women in evening dress filled the
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vestibule from one wall to another. A confused murmur
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of talk and the shuffling of many feet arose on all
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sides, while from time to time, when the outside and
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inside doors of the entrance chanced to be open
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simultaneously, a sudden draught of air gushed in,
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damp, glacial, and edged with the penetrating keenness
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of a Chicago evening at the end of February.
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The Italian Grand Opera Company gave one of the most
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popular pieces of its repertoire on that particular
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night, and the Cresslers had invited the two sisters
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and their aunt to share their box with them. It had
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been arranged that the party should assemble in the
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Auditorium vestibule at a quarter of eight; but by now
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the quarter was gone and the Cresslers still failed to
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arrive.
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"I don't see," murmured Laura anxiously for the last
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time, "what can be keeping them. Are you sure Page
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that Mrs. Cressler meant here--inside?"
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She was a tall young girl of about twenty-two or three,
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holding herself erect and with fine dignity. Even
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beneath the opera cloak it was easy to infer that her
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neck and shoulders were beautiful. Her almost extreme
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slenderness was, however, her characteristic; the
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curves of her figure, the contour of her shoulders, the
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swell of hip and breast were all low; from head to foot
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one could discover no pronounced salience. Yet there
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was no trace, no suggestion of angularity. She was
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slender as a willow shoot is slender--and equally
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graceful, equally erect.
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Next to this charming tenuity, perhaps her paleness was
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her most noticeable trait. But it was not a paleness
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of lack of colour. Laura Dearborn's pallour was in
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itself a colour. It was a tint rather than a shade,
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like ivory; a warm white, blending into an exquisite,
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delicate brownness towards the throat. Set in the
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middle of this paleness of brow and cheek, her deep
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brown eyes glowed lambent and intense. They were not
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large, but in some indefinable way they were important.
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It was very natural to speak of her eyes, and in
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speaking to her, her friends always found that they
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must look squarely into their pupils. And all this
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beauty of pallid face and brown eyes was crowned by,
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and sharply contrasted with, the intense blackness of
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her hair, abundant, thick, extremely heavy, continually
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coruscating with sombre, murky reflections, tragic, in
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a sense vaguely portentous,--the coiffure of a heroine
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of romance, doomed to dark crises.
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On this occasion at the side of the topmost coil, a
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white aigrette scintillated and trembled with her every
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movement. She was unquestionably beautiful. Her mouth
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was a little large, the lips firm set, and one would
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not have expected that she would smile easily; in fact,
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the general expression of her face was rather serious.
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"Perhaps," continued Laura, "they would look for us
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outside." But Page shook her head. She was five years
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younger than Laura, just turned seventeen. Her hair,
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dressed high for the first time this night, was brown.
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But Page's beauty was no less marked than her sister's.
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The seriousness of her expression, however, was more
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noticeable. At times it amounted to undeniable
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gravity. She was straight, and her figure, all
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immature as yet, exhibited hardly any softer outlines
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than that of a boy.
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"No, no," she said, in answer to Laura's question.
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"They would come in here; they wouldn't wait outside--
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not on such a cold night as this. Don't you think so,
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Aunt Wess'?"
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But Mrs. Wessels, a lean, middle-aged little lady, with
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a flat, pointed nose, had no suggestions to offer. She
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disengaged herself from any responsibility in the
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situation and, while waiting, found a vague amusement
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in counting the number of people who filtered in single
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file through the wicket where the tickets were
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presented. A great, stout gentleman in evening dress,
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perspiring, his cravatte limp, stood here, tearing the
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checks from the tickets, and without ceasing,
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maintaining a continuous outcry that dominated the
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murmur of the throng:
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"Have your tickets ready, please! Have your tickets
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ready."
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"Such a crowd," murmured Page. "Did you ever see--
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and every one you ever knew or heard of. And such
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toilettes!"
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With every instant the number of people increased;
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progress became impossible, except an inch at a time.
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The women were, almost without exception, in light-
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coloured gowns, white, pale blue, Nile green, and pink,
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while over these costumes were thrown opera cloaks and
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capes of astonishing complexity and elaborateness.
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Nearly all were bare-headed, and nearly all wore
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aigrettes; a score of these, a hundred of them, nodded
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and vibrated with an incessant agitation over the heads
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of the crowd and flashed like mica flakes as the
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wearers moved. Everywhere the eye was arrested by the
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luxury of stuffs, the brilliance and delicacy of
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fabrics, laces as white and soft as froth, crisp,
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shining silks, suave satins, heavy gleaming velvets,
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and brocades and plushes, nearly all of them white--
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violently so--dazzling and splendid under the blaze of
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the electrics. The gentlemen, in long, black
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overcoats, and satin mufflers, and opera hats; their
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hands under the elbows of their women-folk, urged or
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guided them forward, distressed, pre-occupied, adjuring
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their parties to keep together; in their white-gloved
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fingers they held their tickets ready. For all the icy
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blasts that burst occasionally through the storm doors,
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the vestibule was uncomfortably warm, and into this
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steam-heated atmosphere a multitude of heavy odours
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exhaled--the scent of crushed flowers, of perfume, of
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sachet, and even--occasionally--the strong smell of
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damp seal-skin.
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Outside it was bitterly cold. All day a freezing wind
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had blown from off the Lake, and since five in the
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afternoon a fine powder of snow had been falling. The
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coachmen on the boxes of the carriages that succeeded
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one another in an interminable line before the entrance
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of the theatre, were swathed to the eyes in furs. The
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spume and froth froze on the bits of the horses, and
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the carriage wheels crunching through the dry, frozen
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snow gave off a shrill staccato whine. Yet for all
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this, a crowd had collected about the awning on the
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sidewalk, and even upon the opposite side of the
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street, peeping and peering from behind the broad
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shoulders of policemen--a crowd of miserables,
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shivering in rags and tattered comforters, who found,
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nevertheless, an unexplainable satisfaction in watching
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this prolonged defile of millionaires.
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So great was the concourse of teams, that two blocks
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distant from the theatre they were obliged to fall into
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line, advancing only at intervals, and from door to
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door of the carriages thus immobilised ran a score of
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young men, their arms encumbered with pamphlets,
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shouting: "Score books, score books and librettos;
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score books with photographs of all the artists."
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However, in the vestibule the press was thinning out.
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It was understood that the overture had begun. Other
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people who were waiting like Laura and her sister had
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been joined by their friends and had gone inside.
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Laura, for whom this opera night had been an event, a
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thing desired and anticipated with all the eagerness of
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a girl who had lived for twenty-two years in a second-
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class town of central Massachusetts, was in great
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distress. She had never seen Grand Opera, she would
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not have missed a note, and now she was in a fair way
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to lose the whole overture.
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"Oh, dear," she cried. "Isn't it too bad. I can't
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imagine why they don't come."
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Page, more metropolitan, her keenness of appreciation a
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little lost by two years of city life and fashionable
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schooling, tried to reassure her.
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"You won't lose much," she said. "The air of the
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overture is repeated in the first act--I've heard it
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once before."
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"If we even see the first act," mourned Laura.
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She scanned the faces of the late comers anxiously.
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Nobody seemed to mind being late. Even some of the
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other people who were waiting, chatted calmly among
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themselves. Directly behind them two men, their faces
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close together, elaborated an interminable
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conversation, of which from time to time they could
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overhear a phrase or two.
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"--and I guess he'll do well if he settles for thirty
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cents on the dollar. I tell you, dear boy, it was a
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_smash!"_
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"Never should have tried to swing a corner. The short
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interest was too small and the visible supply was too
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great."
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Page nudged her sister and whispered: "That's the
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Helmick failure they're talking about, those men.
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Landry Court told me all about it. Mr. Helmick had a
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corner in corn, and he failed to-day, or will fail
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soon, or something."
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But Laura, preoccupied with looking for the Cresslers,
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hardly listened. Aunt Wess', whose count was confused
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by all these figures murmured just behind her, began
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over again, her lips silently forming the words,
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"sixty-one, sixty-two, and two is sixty-four." Behind
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them the voice continued:
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"They say Porteous will peg the market at twenty-six."
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"Well he ought to. Corn is worth that."
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"Never saw such a call for margins in my life. Some of
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the houses called eight cents."
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Page turned to Mrs. Wessels: "By the way, Aunt Wess';
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look at that man there by the box office window, the
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one with his back towards us, the one with his hands in
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his overcoat pockets. Isn't that Mr. Jadwin? The
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gentleman we are going to meet to-night. See who I mean?"
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"Who? Mr. Jadwin? I don't know. I don't know, child.
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I never saw him, you know."
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"Well I think it is he," continued Page. "He was to be
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with our party to-night. I heard Mrs. Cressler say she
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would ask him. That's Mr. Jadwin, I'm sure. He's
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waiting for them, too."
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"Oh, then ask him about it, Page," exclaimed Laura.
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"We're missing everything."
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But Page shook her head:
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"I only met him once, ages ago; he wouldn't know me.
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It was at the Cresslers, and we just said 'How do you
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do.' And then maybe it isn't Mr. Jadwin."
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"Oh, I wouldn't bother, girls," said Mrs. Wessels.
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"It's all right. They'll be here in a minute. I don't
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believe the curtain has gone up yet."
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But the man of whom they spoke turned around at the
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moment and cast a glance about the vestibule. They saw
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a gentleman of an indeterminate age--judged by his face
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he might as well have been forty as thirty-five. A
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heavy mustache touched with grey covered his lips. The
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eyes were twinkling and good-tempered. Between his
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teeth he held an unlighted cigar.
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"It is Mr. Jadwin," murmured Page, looking quickly
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away. "But he don't recognise me."
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Laura also averted her eyes.
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"Well, why not go right up to him and introduce
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ourself, or recall yourself to him?" she hazarded.
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"Oh, Laura, I _couldn't,_" gasped Page. "I wouldn't
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for worlds."
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"Couldn't she, Aunt Wess'?" appealed Laura. "Wouldn't
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it be all right?"
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But Mrs. Wessels, ignoring forms and customs, was
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helpless. Again she withdrew from any responsibility
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in the matter.
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"I don't know anything about it," she answered.
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"But Page oughtn't to be bold."
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"Oh, bother; it isn't that," protested Page. "But it's
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just because--I don't know, I don't want to--Laura,
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I should just _die,_" she exclaimed with abrupt
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irrelevance, "and besides, how would that help any?"
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she added.
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"Well, we're just going to miss it _all,_" declared
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Laura decisively. There were actual tears in her eyes.
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"And I had looked forward to it so."
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"Well," hazarded Aunt Wess', "you girls can do just as
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you please. Only I wouldn't be bold."
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"Well, would it be bold if Page, or if--if I were to
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speak to him? We're going to meet him anyways in just a
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few minutes."
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"Better wait, hadn't you, Laura," said Aunt Wess', "and
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see. Maybe he'll come up and speak to us."
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"Oh, as if!" contradicted Laura. "He don't know us,--
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just as Page says. And if he did, he wouldn't. He
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wouldn't think it polite."
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"Then I guess, girlie, it wouldn't be polite for you."
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"I think it would," she answered. "I think it would be
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a woman's place. If he's a gentleman, he would feel
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that he just _couldn't_ speak first. I'm going to do
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it," she announced suddenly.
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"Just as you think best, Laura," said her aunt.
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But nevertheless Laura did not move, and another five
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minutes went by.
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Page took advantage of the interval to tell Laura about
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Jadwin. He was very rich, but a bachelor, and had made
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his money in Chicago real estate. Some of his holdings
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in the business quarter of the city were enormous;
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Landry Court had told her about him. Jadwin, unlike
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Mr. Cressler, was not opposed to speculation. Though
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not a member of the Board of Trade, he nevertheless at
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very long intervals took part in a "deal" in wheat, or
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corn, or provisions. He believed that all corners were
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doomed to failure, however, and had predicted Helmick's
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collapse six months ago. He had influence, was well
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known to all Chicago people, what he said carried
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weight, financiers consulted him, promoters sought his
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friendship, his name on the board of directors of a
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company was an all-sufficing endorsement; in a word, a
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"strong" man.
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"I can't understand," exclaimed Laura distrait,
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referring to the delay on the part of the Cresslers.
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"This was the night, and this was the place, and it is
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long past the time. We could telephone to the house,
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you know," she said, struck with an idea, "and see if
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they've started, or what has happened."
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"I don't know--I don't know," murmured Mrs. Wessels
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vaguely. No one seemed ready to act upon Laura's
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suggestion, and again the minutes passed.
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"I'm going," declared Laura again, looking at the other
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two, as if to demand what they had to say against the idea.
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"I just couldn't," declared Page flatly.
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"Well," continued Laura, "I'll wait just three minutes
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more, and then if the Cresslers are not here I will
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speak to him. It seems to me to be perfectly natural,
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and not at all bold."
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She waited three minutes, and the Cresslers still
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failing to appear, temporised yet further, for the
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twentieth time repeating:
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"I don't see--I can't understand."
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Then, abruptly drawing her cape about her, she crossed
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the vestibule and came up to Jadwin.
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As she approached she saw him catch her eye. Then, as
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he appeared to understand that this young woman was
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about to speak to him, she noticed an expression of
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suspicion, almost of distrust, come into his face. No
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doubt he knew nothing of this other party who were to
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join the Cresslers in the vestibule. Why should this
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girl speak to him? Something had gone wrong, and the
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instinct of the man, no longer very young, to keep out
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of strange young women's troubles betrayed itself in
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the uneasy glance that he shot at her from under his
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heavy eyebrows. But the look faded as quickly as it
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had come. Laura guessed that he had decided that in
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such a place as this he need have no suspicions. He
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took the cigar from his mouth, and she, immensely
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relieved, realised that she had to do with a man who
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was a gentleman. Full of trepidation as she had been
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in crossing the vestibule, she was quite mistress of
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herself when the instant came for her to speak, and it
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was in a steady voice and without embarrassment that
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she said:
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"I beg your pardon, but I believe this is Mr. Jadwin."
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He took off his hat, evidently a little nonplussed that
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she should know his name, and by now she was ready even
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to browbeat him a little should it be necessary.
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"Yes, yes," he answered, now much more confused than
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she, "my name is Jadwin."
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"I believe," continued Laura steadily, "we were all to
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be in the same party to-night with the Cresslers. But
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they don't seem to come, and we--my sister and my aunt
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and I--don't know what to do."
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She saw that he was embarrassed, convinced, and the
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knowledge that she controlled the little situation,
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that she could command him, restored her all her
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equanimity.
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"My name is Miss Dearborn," she continued. "I believe
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you know my sister Page."
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By some trick of manner she managed to convey to him
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the impression that if he did not know her sister Page,
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that if for one instant he should deem her to be bold,
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he would offer a mortal affront. She had not yet
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forgiven him that stare of suspicion when first their
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eyes had met; he should pay her for that yet.
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"Miss Page,--your sister,--Miss Page Dearborn?
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Certainly I know her," he answered. "And you have been
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waiting, too? What a pity!" And he permitted himself
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the awkwardness of adding: "I did not know that you
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were to be of our party."
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"No," returned Laura upon the instant, "I did not know
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you were to be one of us to-night--until Page told me."
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She accented the pronouns a little, but it was enough
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for him to know that he had been rebuked. How, he
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could not just say; and for what it was impossible for
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him at the moment to determine; and she could see that
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he began to experience a certain distress, was beating
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a retreat, was ceding place to her. Who was she, then,
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this tall and pretty young woman, with the serious,
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unsmiling face, who was so perfectly at ease, and who
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hustled him about and made him feel as though he were
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to blame for the Cresslers' non-appearance; as though
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it was his fault that she must wait in the draughty
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vestibule. She had a great air with her; how had he
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offended her? If he had introduced himself to her, had
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forced himself upon her, she could not be more lofty,
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more reserved.
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"I thought perhaps you might telephone," she observed.
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"They haven't a telephone, unfortunately," he answered.
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"Oh!"
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This was quite the last slight, the Cresslers had not a
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telephone! He was to blame for that, too, it seemed.
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At his wits' end, he entertained for an instant the
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notion of dashing out into the street in a search for a
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messenger boy, who would take a note to Cressler and
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set him right again; and his agitation was not allayed
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when Laura, in frigid tones, declared:
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"It seems to me that something might be done."
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"I don't know," he replied helplessly. "I guess
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there's nothing to be done but just wait. They are
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sure to be along."
|
|
|
|
In the background, Page and Mrs. Wessels had watched
|
|
the interview, and had guessed that Laura was none too
|
|
gracious. Always anxious that her sister should make a
|
|
good impression, the little girl was now in great
|
|
distress.
|
|
|
|
"Laura is putting on her 'grand manner,'" she lamented.
|
|
"I just know how she's talking. The man will hate the
|
|
very sound of her name all the rest of his life." Then
|
|
all at once she uttered a joyful exclamation: "At last,
|
|
at last," she cried, "and about time, too!"
|
|
|
|
The Cresslers and the rest of the party--two young men--
|
|
had appeared, and Page and her aunt came up just in
|
|
time to hear Mrs. Cressler--a fine old lady, in a
|
|
wonderful ermine-trimmed cape, whose hair was powdered--
|
|
exclaim at the top of her voice, as if the mere
|
|
declaration of fact was final, absolutely the last word
|
|
upon the subject, "The bridge was turned!"
|
|
|
|
The Cresslers lived on the North Side. The incident
|
|
seemed to be closed with the abruptness of a slammed
|
|
door.
|
|
|
|
Page and Aunt Wess' were introduced to Jadwin, who was
|
|
particular to announce that he remembered the young
|
|
girl perfectly. The two young men were already
|
|
acquainted with the Dearborn sisters and Mrs. Wessels.
|
|
Page and Laura knew one of them well enough to address
|
|
him familiarly by his Christian name.
|
|
|
|
This was Landry Court, a young fellow just turned
|
|
twenty-three, who was "connected with" the staff of the
|
|
great brokerage firm of Gretry, Converse and Co. He
|
|
was astonishingly good-looking, small-made, wiry,
|
|
alert, nervous, debonair, with blond hair and dark eyes
|
|
that snapped like a terrier's. He made friends almost
|
|
at first sight, and was one of those fortunate few who
|
|
were favoured equally of men and women. The
|
|
healthiness of his eye and skin persuaded to a belief
|
|
in the healthiness of his mind; and, in fact, Landry
|
|
was as clean without as within. He was frank, open-
|
|
hearted, full of fine sentiments and exaltations and
|
|
enthusiasms. Until he was eighteen he had cherished an
|
|
ambition to become the President of the United States.
|
|
|
|
"Yes, yes," he said to Laura, "the bridge was turned.
|
|
It was an imposition. We had to wait while they let
|
|
three tows through. I think two at a time is as much
|
|
as is legal. And we had to wait for three. Yes, sir;
|
|
three, think of that! I shall look into that to-morrow.
|
|
Yes, sir; don't you be afraid of that. I'll look into
|
|
it." He nodded his head with profound seriousness.
|
|
|
|
"Well," announced Mr. Cressler, marshalling the party,
|
|
"shall we go in? I'm afraid, Laura, we've missed the
|
|
overture."
|
|
|
|
Smiling, she shrugged her shoulders, while they moved
|
|
to the wicket, as if to say that it could not be helped
|
|
now.
|
|
|
|
Cressler, tall, lean, bearded, and stoop-shouldered,
|
|
belonging to the same physical type that includes
|
|
Lincoln--the type of the Middle West--was almost a
|
|
second father to the parentless Dearborn girls. In
|
|
Massachusetts, thirty years before this time, he had
|
|
been a farmer, and the miller Dearborn used to grind
|
|
his grain regularly. The two had been boys together,
|
|
and had always remained fast friends, almost brothers.
|
|
Then, in the years just before the War, had come the
|
|
great movement westward, and Cressler had been one of
|
|
those to leave an "abandoned" New England farm behind
|
|
him, and with his family emigrate toward the
|
|
Mississippi. He had come to Sangamon County in
|
|
Illinois. For a time he tried wheat-raising, until the
|
|
War, which skied the prices of all food-stuffs, had
|
|
made him--for those days--a rich man. Giving up
|
|
farming, he came to live in Chicago, bought a seat on
|
|
the Board of Trade, and in a few years was a
|
|
millionaire. At the time of the Turco-Russian War he
|
|
and two Milwaukee men had succeeded in cornering all
|
|
the visible supply of spring wheat. At the end of the
|
|
thirtieth day of the corner the clique figured out its
|
|
profits at close upon a million; a week later it looked
|
|
like a million and a half. Then the three lost their
|
|
heads; they held the corner just a fraction of a month
|
|
too long, and when the time came that the three were
|
|
forced to take profits, they found that they were
|
|
unable to close out their immense holdings without
|
|
breaking the price. In two days wheat that they had
|
|
held at a dollar and ten cents collapsed to sixty.
|
|
The two Milwaukee men were ruined, and two-thirds of
|
|
Cressler's immense fortune vanished like a whiff of
|
|
smoke.
|
|
|
|
But he had learned his lesson. Never since then had he
|
|
speculated. Though keeping his seat on the Board, he
|
|
had confined himself to commission trading,
|
|
uninfluenced by fluctuations in the market. And he was
|
|
never wearied of protesting against the evil and the
|
|
danger of trading in margins. Speculation he abhorred
|
|
as the small-pox, believing it to be impossible to
|
|
corner grain by any means or under any circumstances.
|
|
He was accustomed to say: "It can't be done; first, for
|
|
the reason that there is a great harvest of wheat
|
|
somewhere in the world for every month in the year;
|
|
and, second, because the smart man who runs the corner
|
|
has every other smart man in the world against him.
|
|
And, besides, it's wrong; the world's food should not
|
|
be at the mercy of the Chicago wheat pit."
|
|
|
|
As the party filed in through the wicket, the other
|
|
young man who had come with Landry Court managed to
|
|
place himself next to Laura. Meeting her eyes, he
|
|
murmured:
|
|
|
|
"Ah, you did not wear them after all. My poor little
|
|
flowers."
|
|
|
|
But she showed him a single American Beauty, pinned to
|
|
the shoulder of her gown beneath her cape.
|
|
|
|
"Yes, Mr. Corthell," she answered, "one. I tried to
|
|
select the prettiest, and I think I succeeded--don't
|
|
you? It was hard to choose."
|
|
|
|
"Since you have worn it, it _is_ the prettiest,"
|
|
he answered.
|
|
|
|
He was a slightly built man of about twenty-eight or
|
|
thirty; dark, wearing a small, pointed beard, and a
|
|
mustache that he brushed away from his lips like a
|
|
Frenchman. By profession he was an artist, devoting
|
|
himself more especially to the designing of stained
|
|
windows. In this, his talent was indisputable. But he
|
|
was by no means dependent upon his profession for a
|
|
living, his parents--long since dead--having left him
|
|
to the enjoyment of a very considerable fortune. He
|
|
had a beautiful studio in the Fine Arts Building, where
|
|
he held receptions once every two months, or whenever
|
|
he had a fine piece of glass to expose. He had
|
|
travelled, read, studied, occasionally written, and in
|
|
matters pertaining to the colouring and fusing of glass
|
|
was cited as an authority. He was one of the directors
|
|
of the new Art Gallery that had taken the place of the
|
|
old Exposition Building on the Lake Front.
|
|
|
|
Laura had known him for some little time. On the
|
|
occasion of her two previous visits to Page he had
|
|
found means to see her two or three times each week.
|
|
Once, even, he had asked her to marry him, but she,
|
|
deep in her studies at the time, consumed with vague
|
|
ambitions to be a great actress of Shakespearian roles,
|
|
had told him she could care for nothing but her art.
|
|
He had smiled and said that he could wait, and,
|
|
strangely enough, their relations had resumed again
|
|
upon the former footing. Even after she had gone away
|
|
they had corresponded regularly, and he had made and
|
|
sent her a tiny window--a veritable jewel--illustrative
|
|
of a scene from "Twelfth Night."
|
|
|
|
In the foyer, as the gentlemen were checking their
|
|
coats, Laura overheard Jadwin say to Mr. Cressler:
|
|
|
|
"Well, how about Helmick?"
|
|
|
|
The other made an impatient movement of his shoulders.
|
|
|
|
"Ask me, what was the fool thinking of--a corner!
|
|
Pshaw!"
|
|
|
|
There were one or two other men about, making their
|
|
overcoats and opera hats into neat bundles preparatory
|
|
to checking them; and instantly there was a flash of a
|
|
half-dozen eyes in the direction of the two men.
|
|
Evidently the collapse of the Helmick deal was in the
|
|
air. All the city seemed interested.
|
|
|
|
But from behind the heavy curtains that draped the
|
|
entrance to the theatre proper, came a muffled burst of
|
|
music, followed by a long salvo of applause. Laura's
|
|
cheeks flamed with impatience, she hurried after Mrs.
|
|
Cressler; Corthell drew the curtains for her to pass,
|
|
and she entered.
|
|
|
|
Inside it was dark, and a prolonged puff of hot air,
|
|
thick with the mingled odours of flowers, perfume,
|
|
upholstery, and gas, enveloped her upon the instant.
|
|
It was the unmistakable, unforgetable, entrancing aroma
|
|
of the theatre, that she had known only too seldom, but
|
|
that in a second set her heart galloping.
|
|
|
|
Every available space seemed to be occupied. Men, even
|
|
women, were standing up, compacted into a suffocating
|
|
pressure, and for the moment everybody was applauding
|
|
vigorously. On all sides Laura heard:
|
|
|
|
"Bravo!"
|
|
|
|
"Good, good!"
|
|
|
|
"Very well done!"
|
|
|
|
"Encore! Encore!"
|
|
|
|
Between the peoples' heads and below the low dip of the
|
|
overhanging balcony--a brilliant glare in the
|
|
surrounding darkness--she caught a glimpse of the
|
|
stage. It was set for a garden; at the back and in the
|
|
distance a chateau; on the left a bower, and on the
|
|
right a pavilion. Before the footlights, a famous
|
|
contralto, dressed as a boy, was bowing to the
|
|
audience, her arms full of flowers.
|
|
|
|
"Too bad," whispered Corthell to Laura, as they
|
|
followed the others down the side-aisle to the box.
|
|
"Too bad, this is the second act already; you've missed
|
|
the whole first act--and this song. She'll sing it
|
|
over again, though, just for you, if I have to lead the
|
|
applause myself. I particularly wanted you to hear
|
|
that."
|
|
|
|
Once in the box, the party found itself a little
|
|
crowded, and Jadwin and Cressler were obliged to stand,
|
|
in order to see the stage. Although they all spoke in
|
|
whispers, their arrival was the signal for certain
|
|
murmurs of "Sh! Sh!" Mrs. Cressler made Laura occupy
|
|
the front seat. Jadwin took her cloak from her, and
|
|
she settled herself in her chair and looked about her.
|
|
She could see but little of the house or audience.
|
|
All the lights were lowered; only through the gloom the
|
|
swaying of a multitude of fans, pale coloured, like
|
|
night-moths balancing in the twilight, defined itself.
|
|
|
|
But soon she turned towards the stage. The applause
|
|
died away, and the contralto once more sang the aria.
|
|
The melody was simple, the tempo easily followed; it
|
|
was not a very high order of music. But to Laura it
|
|
was nothing short of a revelation.
|
|
|
|
She sat spell-bound, her hands clasped tight, her every
|
|
faculty of attention at its highest pitch. It was
|
|
wonderful, such music as that; wonderful, such a voice;
|
|
wonderful, such orchestration; wonderful, such
|
|
exaltation inspired by mere beauty of sound. Never,
|
|
never was this night to be forgotten, this her first
|
|
night of Grand Opera. All this excitement, this world
|
|
of perfume, of flowers, of exquisite costumes, of
|
|
beautiful women, of fine, brave men. She looked back
|
|
with immense pity to the narrow little life of her
|
|
native town she had just left forever, the restricted
|
|
horizon, the petty round of petty duties, the rare and
|
|
barren pleasures--the library, the festival, the few
|
|
concerts, the trivial plays. How easy it was to be
|
|
good and noble when music such as this had become a
|
|
part of one's life; how desirable was wealth when it
|
|
could make possible such exquisite happiness as hers of
|
|
the moment. Nobility, purity, courage, sacrifice
|
|
seemed much more worth while now than a few moments
|
|
ago. All things not positively unworthy became heroic,
|
|
all things and all men. Landry Court was a young
|
|
chevalier, pure as Galahad. Corthell was a beautiful
|
|
artist-priest of the early Renaissance. Even Jadwin
|
|
was a merchant prince, a great financial captain. And
|
|
she herself--ah, she did not know; she dreamed of
|
|
another Laura, a better, gentler, more beautiful Laura,
|
|
whom everybody, everybody loved dearly and tenderly,
|
|
and who loved everybody, and who should die
|
|
beautifully, gently, in some garden far away--die
|
|
because of a great love--beautifully, gently in the
|
|
midst of flowers, die of a broken heart, and all the
|
|
world should be sorry for her, and would weep over her
|
|
when they found her dead and beautiful in her garden,
|
|
amid the flowers and the birds, in some far-off place,
|
|
where it was always early morning and where there was
|
|
soft music. And she was so sorry for herself, and so
|
|
hurt with the sheer strength of her longing to be good
|
|
and true, and noble and womanly, that as she sat in the
|
|
front of the Cresslers' box on that marvellous evening,
|
|
the tears ran down her cheeks again and again, and
|
|
dropped upon her tight-shut, white-gloved fingers.
|
|
|
|
But the contralto had disappeared, and in her place the
|
|
tenor held the stage--a stout, short young man in red
|
|
plush doublet and grey silk tights. His chin advanced,
|
|
an arm extended, one hand pressed to his breast, he
|
|
apostrophised the pavilion, that now and then swayed a
|
|
little in the draught from the wings.
|
|
|
|
The aria was received with furor; thrice he was obliged
|
|
to repeat it. Even Corthell, who was critical to
|
|
extremes, approved, nodding his head. Laura and Page
|
|
clapped their hands till the very last. But Landry
|
|
Court, to create an impression, assumed a certain
|
|
disaffection.
|
|
|
|
"He's not in voice to-night. Too bad. You should have
|
|
heard him Friday in 'Aida.'"
|
|
|
|
The opera continued. The great soprano, the prima
|
|
donna, appeared and delivered herself of a song for
|
|
which she was famous with astonishing eclat. Then in a
|
|
little while the stage grew dark, the orchestration
|
|
lapsed to a murmur, and the tenor and the soprano
|
|
reentered. He clasped her in his arms and sang a half-
|
|
dozen bars, then holding her hand, one arm still about
|
|
her waist, withdrew from her gradually, till she
|
|
occupied the front-centre of the stage. He assumed an
|
|
attitude of adoration and wonderment, his eyes uplifted
|
|
as if entranced, and she, very softly, to the
|
|
accompaniment of the sustained, dreamy chords of the
|
|
orchestra, began her solo.
|
|
|
|
Laura shut her eyes. Never had she felt so soothed, so
|
|
cradled and lulled and languid. Ah, to love like that!
|
|
To love and be loved. There was no such love as that
|
|
to-day. She wished that she could loose her clasp upon
|
|
the sordid, material modern life that, perforce, she
|
|
must hold to, she knew not why, and drift, drift off
|
|
into the past, far away, through rose-coloured mists
|
|
and diaphanous veils, or resign herself, reclining in a
|
|
silver skiff drawn by swans, to the gentle current of
|
|
some smooth-flowing river that ran on forever and
|
|
forever.
|
|
|
|
But a discordant element developed. Close by--the
|
|
lights were so low she could not tell where--a
|
|
conversation, kept up in low whispers, began by degrees
|
|
to intrude itself upon her attention. Try as she
|
|
would, she could not shut it out, and now, as the music
|
|
died away fainter and fainter, till voice and orchestra
|
|
blended together in a single, barely audible murmur,
|
|
vibrating with emotion, with romance, and with
|
|
sentiment, she heard, in a hoarse, masculine whisper,
|
|
the words:
|
|
|
|
"The shortage is a million bushels at the very least.
|
|
Two hundred carloads were to arrive from Milwaukee last
|
|
night"
|
|
|
|
She made a little gesture of despair, turning her head
|
|
for an instant, searching the gloom about her. But she
|
|
could see no one not interested in the stage. Why
|
|
could not men leave their business outside, why must
|
|
the jar of commerce spoil all the harmony of this
|
|
moment.
|
|
|
|
However, all sounds were drowned suddenly in a long
|
|
burst of applause. The tenor and soprano bowed and
|
|
smiled across the footlights. The soprano vanished,
|
|
only to reappear on the balcony of the pavilion, and
|
|
while she declared that the stars and the night-bird
|
|
together sang "He loves thee," the voices close at hand
|
|
continued:
|
|
|
|
"----one hundred and six carloads----"
|
|
|
|
"----paralysed the bulls----"
|
|
|
|
"----fifty thousand dollars----"
|
|
|
|
Then all at once the lights went up. The act was over.
|
|
|
|
Laura seemed only to come to herself some five minutes
|
|
later. She and Corthell were out in the foyer behind
|
|
the boxes. Everybody was promenading. The air was
|
|
filled with the staccato chatter of a multitude of
|
|
women. But she herself seemed far away--she and
|
|
Sheldon Corthell. His face, dark, romantic, with the
|
|
silky beard and eloquent eyes, appeared to be all she
|
|
cared to see, while his low voice, that spoke close to
|
|
her ear, was in a way a mere continuation of the melody
|
|
of the duet just finished.
|
|
|
|
Instinctively she knew what he was about to say, for
|
|
what he was trying to prepare her. She felt, too, that
|
|
he had not expected to talk thus to her to-night. She
|
|
knew that he loved her, that inevitably, sooner or
|
|
later, they must return to a subject that for long had
|
|
been excluded from their conversations, but it was to
|
|
have been when they were alone, remote, secluded, not
|
|
in the midst of a crowd, brilliant electrics dazzling
|
|
their eyes, the humming of the talk of hundreds
|
|
assaulting their ears. But it seemed as if these
|
|
important things came of themselves, independent of
|
|
time and place, like birth and death. There was
|
|
nothing to do but to accept the situation, and it was
|
|
without surprise that at last, from out the murmur of
|
|
Corthell's talk, she was suddenly conscious of the
|
|
words:
|
|
|
|
"So that it is hardly necessary, is it, to tell you
|
|
once more that I love you?"
|
|
|
|
She drew a long breath.
|
|
|
|
"I know. I know you love me."
|
|
|
|
They had sat down on a divan, at one end of the
|
|
promenade; and Corthell, skilful enough in the little
|
|
arts of the drawing-room, made it appear as though they
|
|
talked of commonplaces; as for Laura, exalted, all but
|
|
hypnotised with this marvellous evening, she hardly
|
|
cared; she would not even stoop to maintain
|
|
appearances.
|
|
|
|
"Yes, yes," she said; "I know you love me."
|
|
|
|
"And is that all you can say?" he urged. "Does it mean
|
|
nothing to you that you are everything to me?"
|
|
|
|
She was coming a little to herself again. Love was,
|
|
after all, sweeter in the actual--even in this crowded
|
|
foyer, in this atmosphere of silk and jewels, in this
|
|
show-place of a great city's society--than in a mystic
|
|
garden of some romantic dreamland. She felt herself a
|
|
woman again, modern, vital, and no longer a maiden of a
|
|
legend of chivalry.
|
|
|
|
"Nothing to me?" she answered. "I don't know.
|
|
I should rather have you love me than--not."
|
|
|
|
"Let me love you then for always," he went on. "You
|
|
know what I mean. We have understood each other from
|
|
the very first. Plainly, and very simply, I love you
|
|
with all my heart. You know now that I speak the
|
|
truth, you know that you can trust me. I shall not ask
|
|
you to share your life with mine. I ask you for the
|
|
great happiness"--he raised his head sharply, suddenly
|
|
proud--"the great honour of the opportunity of giving
|
|
you all that I have of good. God give me humility, but
|
|
that is much since I have known you. If I were a
|
|
better man because of myself, I would not presume to
|
|
speak of it, but if I am in anything less selfish, if I
|
|
am more loyal, if I am stronger, or braver, it is only
|
|
something of you that has become a part of me, and made
|
|
me to be born again. So when I offer myself to you, I
|
|
am only bringing back to you the gift you gave me for a
|
|
little while. I have tried to keep it for you, to keep
|
|
it bright and sacred and un-spotted. It is yours again
|
|
now if you will have it."
|
|
|
|
There was a long pause; a group of men in opera hats
|
|
and white gloves came up the stairway close at hand.
|
|
The tide of promenaders set towards the entrances of
|
|
the theatre. A little electric bell shrilled a note of
|
|
warning.
|
|
|
|
Laura looked up at length, and as their glances met, he
|
|
saw that there were tears in her eyes. This
|
|
declaration of his love for her was the last touch to
|
|
the greatest exhilaration of happiness she had ever
|
|
known. Ah yes, she was loved, just as that young girl
|
|
of the opera had been loved. For this one evening, at
|
|
least, the beauty of life was unmarred, and no cruel
|
|
word of hers should spoil it. The world was beautiful.
|
|
All people were good and noble and true. To-morrow,
|
|
with the material round of duties and petty
|
|
responsibilities and cold, calm reason, was far, far
|
|
away.
|
|
|
|
Suddenly she turned to him, surrendering to the
|
|
impulse, forgetful of consequences.
|
|
|
|
"Oh, I am glad, glad," she cried, "glad that you love
|
|
me!"
|
|
|
|
But before Corthell could say anything more Landry
|
|
Court and Page came up.
|
|
|
|
"We've been looking for you," said the young girl
|
|
quietly. Page was displeased. She took herself and
|
|
her sister--in fact, the whole scheme of existence--
|
|
with extraordinary seriousness. She had no sense of
|
|
humour. She was not tolerant; her ideas of propriety
|
|
and the amenities were as immutable as the fixed stars.
|
|
A fine way for Laura to act, getting off into corners
|
|
with Sheldon Corthell. It would take less than that to
|
|
make talk. If she had no sense of her obligations to
|
|
Mrs. Cressler, at least she ought to think of the looks
|
|
of things.
|
|
|
|
"They're beginning again," she said solemnly.
|
|
"I should think you'd feel as though you had missed
|
|
about enough of this opera."
|
|
|
|
They returned to the box. The rest of the party were
|
|
reassembling.
|
|
|
|
"Well, Laura," said Mrs. Cressler, when they had sat
|
|
down, "do you like it?"
|
|
|
|
"I don't want to leave it--ever," she answered.
|
|
"I could stay here always."
|
|
|
|
"I like the young man best," observed Aunt Wess'. "The
|
|
one who seems to be the friend of the tall fellow with
|
|
a cloak. But why does he seem so sorry? Why don't he
|
|
marry the young lady? Let's see, I don't remember his
|
|
name."
|
|
|
|
"Beastly voice," declared Landry Court. "He almost
|
|
broke there once. Too bad. He's not what he used to
|
|
be. It seems he's terribly dissipated--drinks. Yes,
|
|
sir, like a fish. He had delirium tremens once behind
|
|
the scenes in Philadelphia, and stabbed a scene shifter
|
|
with his stage dagger. A bad lot, to say the least."
|
|
|
|
"Now, Landry," protested Mrs. Cressler, "you're making
|
|
it up as you go along." And in the laugh that followed
|
|
Landry himself joined.
|
|
|
|
"After all," said Corthell, "this music seems to be
|
|
just the right medium between the naive melody of the
|
|
Italian school and the elaborate complexity of Wagner.
|
|
I can't help but be carried away with it at times--in
|
|
spite of my better judgment."
|
|
|
|
Jadwin, who had been smoking a cigar in the vestibule
|
|
during the _entr'acte,_ rubbed his chin reflectively.
|
|
|
|
"Well," he said, "it's all very fine. I've no doubt of
|
|
that, but I give you my word I would rather hear my old
|
|
governor take his guitar and sing 'Father, oh father,
|
|
come home with me now,' than all the fiddle-faddle,
|
|
tweedle-deedle opera business in the whole world."
|
|
|
|
But the orchestra was returning, the musicians crawling
|
|
out one by one from a little door beneath the stage
|
|
hardly bigger than the entrance of a rabbit hutch.
|
|
They settled themselves in front of their racks,
|
|
adjusting their coat-tails, fingering their sheet
|
|
music. Soon they began to tune up, and a vague bourdon
|
|
of many sounds--the subdued snarl of the cornets, the
|
|
dull mutter of the bass viols, the liquid gurgling of
|
|
the flageolets and wood-wind instruments, now and then
|
|
pierced by the strident chirps and cries of the
|
|
violins, rose into the air dominating the incessant
|
|
clamour of conversation that came from all parts of the
|
|
theatre.
|
|
|
|
Then suddenly the house lights sank and the foot-lights
|
|
rose. From all over the theatre came energetic
|
|
whispers of "Sh! Sh!" Three strokes, as of a great
|
|
mallet, sepulchral, grave, came from behind the wings;
|
|
the leader of the orchestra raised his baton, then
|
|
brought it slowly down, and while from all the
|
|
instruments at once issued a prolonged minor chord,
|
|
emphasised by a muffled roll of the kettle-drum, the
|
|
curtain rose upon a mediaeval public square. The
|
|
soprano was seated languidly upon a bench. Her _grande
|
|
scene_ occurred in this act. Her hair was un-bound;
|
|
she wore a loose robe of cream white, with flowing
|
|
sleeves, which left the arms bare to the shoulder.
|
|
At the waist it was caught in by a girdle of silk rope.
|
|
|
|
"This is the great act," whispered Mrs. Cressler,
|
|
leaning over Laura's shoulder. "She is superb later
|
|
on. Superb."
|
|
|
|
"I wish those _men_ would stop talking," murmured
|
|
Laura, searching the darkness distressfully, for
|
|
between the strains of the music she had heard the
|
|
words:
|
|
|
|
"----Clearing House balance of three thousand dollars."
|
|
|
|
Meanwhile the prima donna, rising to her feet,
|
|
delivered herself of a lengthy recitative, her chin
|
|
upon her breast, her eyes looking out from under her
|
|
brows, an arm stretched out over the footlights. The
|
|
baritone entered, striding to the left of the
|
|
footlights, apostrophising the prima donna in a rage.
|
|
She clasped her hands imploringly, supplicating him to
|
|
leave her, exclaiming from time to time:
|
|
|
|
"Ya via, va via--
|
|
Vel chieco per pieta."
|
|
|
|
Then all at once, while the orchestra blared, they fell
|
|
into each other's arms.
|
|
|
|
"Why do they do that?" murmured Aunt Wess' perplexed.
|
|
"I thought the gentleman with the beard didn't like her
|
|
at all."
|
|
|
|
"Why, that's the duke, don't you see, Aunt Wess'?" said
|
|
Laura trying to explain. "And he forgives her. I
|
|
don't know exactly. Look at your libretto."
|
|
|
|
"----a conspiracy of the Bears ... seventy cents ...
|
|
and naturally he busted."
|
|
|
|
The mezzo-soprano, the confidante of the prima donna,
|
|
entered, and a trio developed that had but a mediocre
|
|
success. At the end the baritone abruptly drew his
|
|
sword, and the prima donna fell to her knees, chanting:
|
|
|
|
"Io tremo, ahime!"
|
|
|
|
"And now he's mad again," whispered Aunt Wess',
|
|
consulting her libretto, all at sea once more. "I
|
|
can't understand. She says--the opera book _says_ she
|
|
says, 'I tremble.' I don't see why."
|
|
|
|
"Look now," said Page, "here comes the tenor. Now
|
|
they're going to have it out."
|
|
|
|
The tenor, hatless, debouched suddenly upon the scene,
|
|
and furious, addressed himself to the baritone, leaning
|
|
forward, his hands upon his chest. Though the others
|
|
sang in Italian, the tenor, a Parisian, used the French
|
|
book continually, and now villified the baritone,
|
|
crying out:
|
|
|
|
"O traitre infame
|
|
O lache et coupable"
|
|
|
|
"I don't see why he don't marry the young lady and be
|
|
done with it," commented Aunt Wess'.
|
|
|
|
The act drew to its close. The prima donna went
|
|
through her "great scene," wherein her voice climbed to
|
|
C in alt, holding the note so long that Aunt Wess'
|
|
became uneasy. As she finished, the house rocked with
|
|
applause, and the soprano, who had gone out supported
|
|
by her confidante, was recalled three times. A duel
|
|
followed between the baritone and tenor, and the
|
|
latter, mortally wounded, fell into the arms of his
|
|
friends uttering broken, vehement notes. The chorus--
|
|
made up of the city watch and town's people--crowded in
|
|
upon the back of the stage. The soprano and her
|
|
confidante returned. The basso, a black-bearded, bull
|
|
necked man, sombre, mysterious, parted the chorus to
|
|
right and left, and advanced to the footlights. The
|
|
contralto, dressed as a boy, appeared. The soprano
|
|
took stage, and abruptly the closing scene of the act
|
|
developed.
|
|
|
|
The violins raged and wailed in unison, all the bows
|
|
moving together like parts of a well-regulated machine.
|
|
The kettle-drums, marking the cadences, rolled at exact
|
|
intervals. The director beat time furiously, as though
|
|
dragging up the notes and chords with the end of his
|
|
baton, while the horns and cornets blared, the bass
|
|
viols growled, and the flageolets and piccolos lost
|
|
themselves in an amazing complication of liquid gurgles
|
|
and modulated roulades.
|
|
|
|
On the stage every one was singing. The soprano in the
|
|
centre, vocalised in her highest register, bringing out
|
|
the notes with vigorous twists of her entire body, and
|
|
tossing them off into the air with sharp flirts of her
|
|
head. On the right, the basso, scowling, could be
|
|
heard in the intervals of the music repeating
|
|
|
|
"Il perfido, l'ingrato"
|
|
|
|
while to the left of the soprano, the baritone intoned
|
|
indistinguishable, sonorous phrases, striking his
|
|
breast and pointing to the fallen tenor with his sword.
|
|
At the extreme left of the stage the contralto, in
|
|
tights and plush doublet, turned to the audience,
|
|
extending her hands, or flinging back her arms. She
|
|
raised her eyebrows with each high note, and sunk her
|
|
chin into her ruff when her voice descended. At
|
|
certain intervals her notes blended with those of the
|
|
soprano's while she sang:
|
|
|
|
"Addio, felicita del ciel!"
|
|
|
|
The tenor, raised upon one hand, his shoulders
|
|
supported by his friends, sustained the theme which the
|
|
soprano led with the words:
|
|
|
|
"Je me meurs
|
|
Ah malheur
|
|
Ah je souffre
|
|
Mon ame s'envole."
|
|
|
|
The chorus formed a semi-circle just behind him. The
|
|
women on one side, the men on the other. They left
|
|
much to be desired; apparently scraped hastily together
|
|
from heaven knew what sources, after the manner of a
|
|
management suddenly become economical. The women were
|
|
fat, elderly, and painfully homely; the men lean,
|
|
osseous, and distressed, in misfitting hose. But they
|
|
had been conscientiously drilled. They made all their
|
|
gestures together, moved in masses simultaneously, and,
|
|
without ceasing, chanted over and over again:
|
|
|
|
"O terror, O blasfema."
|
|
|
|
The _finale_ commenced. Everybody on the stage took a
|
|
step forward, beginning all over again upon a higher
|
|
key. The soprano's voice thrilled to the very
|
|
chandelier. The orchestra redoubled its efforts, the
|
|
director beating time with hands, head, and body.
|
|
|
|
"Il perfido, l'ingrato"
|
|
|
|
thundered the basso.
|
|
|
|
"Ineffabil mistero,"
|
|
|
|
answered the baritone, striking his breast and pointing
|
|
with his sword; while all at once the soprano's voice,
|
|
thrilling out again, ran up an astonishing crescendo
|
|
that evoked veritable gasps from all parts of the
|
|
audience, then jumped once more to her famous C in alt,
|
|
and held it long enough for the chorus to repeat
|
|
|
|
"O terror, O blasfema"
|
|
|
|
four times.
|
|
|
|
Then the director's baton descended with the violence
|
|
of a blow. There was a prolonged crash of harmony, a
|
|
final enormous chord, to which every voice and every
|
|
instrument contributed. The singers struck tableau
|
|
attitudes, the tenor fell back with a last wail:
|
|
|
|
"Je me meurs,"
|
|
|
|
and the soprano fainted into the arms of her
|
|
confidante. The curtain fell.
|
|
|
|
The house roared with applause. The scene was recalled
|
|
again and again. The tenor, scrambling to his feet,
|
|
joined hands with the baritone, soprano, and other
|
|
artists, and all bowed repeatedly. Then the curtain
|
|
fell for the last time, the lights of the great
|
|
chandelier clicked and blazed up, and from every
|
|
quarter of the house came the cries of the programme
|
|
sellers:
|
|
|
|
"Opera books. Books of the opera. Words and music of
|
|
the opera."
|
|
|
|
During this, the last _entr'acte,_ Laura remained in
|
|
the box with Mrs. Cressler, Corthell, and Jadwin. The
|
|
others went out to look down upon the foyer from a
|
|
certain balcony.
|
|
|
|
In the box the conversation turned upon stage
|
|
management, and Corthell told how, in "L'Africaine," at
|
|
the Opera, in Paris, the entire superstructure of the
|
|
stage--wings, drops, and backs--turned when Vasco da
|
|
Gama put the ship about. Jadwin having criticised the
|
|
effect because none of the actors turned with it, was
|
|
voted a Philistine by Mrs. Cressler and Corthell. But
|
|
as he was about to answer, Mrs. Cressler turned to the
|
|
artist, passing him her opera glasses, and asking:
|
|
|
|
"Who are those people down there in the third row of
|
|
the parquet--see, on the middle aisle--the woman is in
|
|
red. Aren't those the Gretrys?"
|
|
|
|
This left Jadwin and Laura out of the conversation, and
|
|
the capitalist was quick to seize the chance of talking
|
|
to her. Soon she was surprised to notice that he was
|
|
trying hard to be agreeable, and before they had
|
|
exchanged a dozen sentences, he had turned an awkward
|
|
compliment. She guessed by his manner that paying
|
|
attention to young girls was for him a thing altogether
|
|
unusual. Intuitively she divined that she, on this,
|
|
the very first night of their acquaintance, had
|
|
suddenly interested him.
|
|
|
|
She had had neither opportunity nor inclination to
|
|
observe him closely during their interview in the
|
|
vestibule, but now, as she sat and listened to him
|
|
talk, she could not help being a little attracted. He
|
|
was a heavy-built man, would have made two of Corthell,
|
|
and his hands were large and broad, the hands of a man
|
|
of affairs, who knew how to grip, and, above all, how
|
|
to hang on. Those broad, strong hands, and keen, calm
|
|
eyes would enfold and envelop a Purpose with tremendous
|
|
strength, and they would persist and persist and
|
|
persist, unswerving, unwavering, untiring, till the
|
|
Purpose was driven home. And the two long, lean,
|
|
fibrous arms of him; what a reach they could attain,
|
|
and how wide and huge and even formidable would be
|
|
their embrace of affairs. One of those great
|
|
manoeuvres of a fellow money-captain had that very day
|
|
been concluded, the Helmick failure, and between the
|
|
chords and bars of a famous opera men talked in excited
|
|
whispers, and one great leader lay at that very moment,
|
|
broken and spent, fighting with his last breath for
|
|
bare existence. Jadwin had seen it all. Uninvolved in
|
|
the crash, he had none the less been close to it,
|
|
watching it, in touch with it, foreseeing each
|
|
successive collapse by which it reeled fatally to the
|
|
final catastrophe. The voices of the two men that had
|
|
so annoyed her in the early part of the evening were
|
|
suddenly raised again:
|
|
|
|
"----It was terrific, there on the floor of the Board
|
|
this morning. By the Lord! they fought each other when
|
|
the Bears began throwing the grain at 'em--in carload
|
|
lots."
|
|
|
|
And abruptly, midway between two phases of that music-
|
|
drama, of passion and romance, there came to Laura the
|
|
swift and vivid impression of that other drama that
|
|
simultaneously--even at that very moment--was working
|
|
itself out close at hand, equally picturesque, equally
|
|
romantic, equally passionate; but more than that, real,
|
|
actual, modern, a thing in the very heart of the very
|
|
life in which she moved. And here he sat, this Jadwin,
|
|
quiet, in evening dress, listening good-naturedly to
|
|
this beautiful music, for which he did not care, to
|
|
this rant and fustian, watching quietly all this posing
|
|
and attitudinising. How small and petty it must all
|
|
seem to him!
|
|
|
|
Laura found time to be astonished. What! She had first
|
|
met this man haughtily, in all the panoply of her
|
|
"grand manner," and had promised herself that she would
|
|
humble him, and pay him for that first mistrustful
|
|
stare at her. And now, behold, she was studying him,
|
|
and finding the study interesting. Out of harmony
|
|
though she knew him to be with those fine emotions of
|
|
hers of the early part of the evening, she nevertheless
|
|
found much in him to admire. It was always just like
|
|
that. She told herself that she was forever doing the
|
|
unexpected thing, the inconsistent thing. Women were
|
|
queer creatures, mysterious even to themselves.
|
|
|
|
"I am so pleased that you are enjoying it all," said
|
|
Corthell's voice at her shoulder. "I knew you would.
|
|
There is nothing like music such as this to appeal to
|
|
the emotions, the heart--and with your temperament"
|
|
|
|
Straightway he made her feel her sex. Now she was just
|
|
a woman again, with all a woman's limitations, and her
|
|
relations with Corthell could never be--so she
|
|
realised--any other than sex-relations. With Jadwin
|
|
somehow it had been different. She had felt his
|
|
manhood more than her womanhood, her sex side. And
|
|
between them it was more a give-and-take affair, more
|
|
equality, more companionship. Corthell spoke only of
|
|
her heart and to her heart. But Jadwin made her feel--
|
|
or rather she made herself feel when he talked to her--
|
|
that she had a head as well as a heart.
|
|
|
|
And the last act of the opera did not wholly absorb her
|
|
attention. The artists came and went, the orchestra
|
|
wailed and boomed, the audience applauded, and in the
|
|
end the tenor, fired by a sudden sense of duty and of
|
|
stern obligation, tore himself from the arms of the
|
|
soprano, and calling out upon remorseless fate and upon
|
|
heaven, and declaiming about the vanity of glory, and
|
|
his heart that broke yet disdained tears, allowed
|
|
himself to be dragged off the scene by his friend the
|
|
basso. For the fifth time during the piece the soprano
|
|
fainted into the arms of her long-suffering confidante.
|
|
The audience, suddenly remembering hats and wraps,
|
|
bestirred itself, and many parties were already upon
|
|
their feet and filing out at the time the curtain fell.
|
|
|
|
The Cresslers and their friends were among the last to
|
|
regain the vestibule. But as they came out from the
|
|
foyer, where the first draughts of outside air began to
|
|
make themselves felt, there were exclamations:
|
|
|
|
"It's raining."
|
|
|
|
"Why, it's raining right down."
|
|
|
|
It was true. Abruptly the weather had moderated, and
|
|
the fine, dry snow that had been falling since early
|
|
evening had changed to a lugubrious drizzle. A wave of
|
|
consternation invaded the vestibule for those who had
|
|
not come in carriages, or whose carriages had not
|
|
arrived. Tempers were lost; women, cloaked to the
|
|
ears, their heads protected only by fichus or
|
|
mantillas, quarrelled with husbands or cousins or
|
|
brothers over the question of umbrellas. The
|
|
vestibules were crowded to suffocation, and the
|
|
aigrettes nodded and swayed again in alternate gusts,
|
|
now of moist, chill atmosphere from without, and now of
|
|
stale, hot air that exhaled in long puffs from the
|
|
inside doors of the theatre itself. Here and there in
|
|
the press, footmen, their top hats in rubber cases,
|
|
their hands full of umbrellas, searched anxiously for
|
|
their masters.
|
|
|
|
Outside upon the sidewalks and by the curbs, an
|
|
apparently inextricable confusion prevailed; policemen
|
|
with drawn clubs laboured and objurgated: anxious,
|
|
preoccupied young men, their opera hats and gloves
|
|
beaded with rain, hurried to and fro, searching for
|
|
their carriages. At the edge of the awning, the
|
|
caller, a gigantic fellow in gold-faced uniform,
|
|
shouted the numbers in a roaring, sing-song that
|
|
dominated every other sound. Coachmen, their wet
|
|
rubber coats reflecting the lamplight, called back and
|
|
forth, furious quarrels broke out between hansom
|
|
drivers and the police officers, steaming horses with
|
|
jingling bits, their backs covered with dark green
|
|
cloths, plunged and pranced, carriage doors banged,
|
|
and the roll of wheels upon the pavement was as the
|
|
reverberation of artillery caissons.
|
|
|
|
"Get your carriage, sir?" cried a ragged, half-grown
|
|
arab at Cressler's elbow.
|
|
|
|
"Hurry up, then," said Cressler. Then, raising his
|
|
voice, for the clamour was increasing with every
|
|
second: "What's your number, Laura? You girls first.
|
|
Ninety-three? Get that, boy? Ninety-three. Quick now."
|
|
|
|
The carriage appeared. Hastily they said good-by;
|
|
hastily Laura expressed to Mrs. Cressler her
|
|
appreciation and enjoyment. Corthell saw them to the
|
|
carriage, and getting in after them shut the door
|
|
behind him. They departed.
|
|
|
|
Laura sank back in the cool gloom of the carriage's
|
|
interior redolent of damp leather and upholstery.
|
|
|
|
"What an evening! What an evening!" she murmured.
|
|
|
|
On the way home both she and Page appealed to the
|
|
artist, who knew the opera well, to hum or whistle for
|
|
them the arias that had pleased them most. Each time
|
|
they were enthusiastic. Yes, yes, that was the air.
|
|
Wasn't it pretty, wasn't it beautiful?
|
|
|
|
But Aunt Wess' was still unsatisfied.
|
|
|
|
"I don't see yet," she complained, "why the young man,
|
|
the one with the pointed beard, didn't marry that lady
|
|
and be done with it. Just as soon as they'd seem to
|
|
have it all settled, he'd begin to take on again, and
|
|
strike his breast and go away. I declare, I think it
|
|
was all kind of foolish."
|
|
|
|
"Why, the duke--don't you see. The one who sang bass----"
|
|
Page laboured to explain.
|
|
|
|
"Oh, I didn't like him at all," said Aunt Wess'.
|
|
"He stamped around so." But the audience itself had
|
|
interested her, and the decollete gowns had been
|
|
particularly impressing.
|
|
|
|
"I never saw such dressing in all my life," she
|
|
declared. "And that woman in the box next ours. Well!
|
|
did you notice _that!_" She raised her eye-brows and
|
|
set her lips together. "Well, I don't want to say
|
|
anything."
|
|
|
|
The carriage rolled on through the darkened downtown
|
|
streets, towards the North Side, where the Dearborns
|
|
lived. They could hear the horses plashing through the
|
|
layer of slush--mud, half-melted snow and rain--that
|
|
encumbered the pavement. In the gloom the girls' wraps
|
|
glowed pallid and diaphanous. The rain left long,
|
|
slanting parallels on the carriage windows. They
|
|
passed on down Wabash Avenue, and crossed over to State
|
|
Street and Clarke Street, dark, deserted.
|
|
|
|
Laura, after a while, lost in thought, spoke but
|
|
little. It had been a great evening--because of other
|
|
things than mere music. Corthell had again asked her
|
|
to marry him, and she, carried away by the excitement
|
|
of the moment, had answered him encouragingly. On the
|
|
heels of this she had had that little talk with the
|
|
capitalist Jadwin, and somehow since then she had been
|
|
steadied, calmed. The cold air and the rain in her
|
|
face had cooled her flaming cheeks and hot temples.
|
|
She asked herself now if she did really, honestly love
|
|
the artist. No, she did not; really and honestly she
|
|
did not; and now as the carriage rolled on through the
|
|
deserted streets of the business districts, she knew
|
|
very well that she did not want to marry him. She had
|
|
done him an injustice; but in the matter of righting
|
|
herself with him, correcting his false impression, she
|
|
was willing to procrastinate. She wanted him to love
|
|
her, to pay her all those innumerable little attentions
|
|
which he managed with such faultless delicacy. To say:
|
|
"No, Mr. Corthell, I do not love you, I will never be
|
|
your wife," would--this time--be final. He would go
|
|
away, and she had no intention of allowing him to do
|
|
that.
|
|
|
|
But abruptly her reflections were interrupted. While
|
|
she thought it all over she had been looking out of the
|
|
carriage window through a little space where she had
|
|
rubbed the steam from the pane. Now, all at once, the
|
|
strange appearance of the neighbourhood as the carriage
|
|
turned north from out Jackson Street into La Salle,
|
|
forced itself upon her attention. She uttered an
|
|
exclamation.
|
|
|
|
The office buildings on both sides of the street were
|
|
lighted from basement to roof. Through the windows she
|
|
could get glimpses of clerks and book-keepers in shirt-
|
|
sleeves bending over desks. Every office was open, and
|
|
every one of them full of a feverish activity. The
|
|
sidewalks were almost as crowded as though at noontime.
|
|
Messenger boys ran to and fro, and groups of men stood
|
|
on the corners in earnest conversation. The whole
|
|
neighbourhood was alive, and this, though it was close
|
|
upon one o'clock in the morning!
|
|
|
|
"Why, what is it all?" she murmured.
|
|
|
|
Corthell could not explain, but all at once Page cried:
|
|
|
|
"Oh, oh, I know. See this is Jackson and La Salle
|
|
streets. Landry was telling me. The 'commission
|
|
district,' he called it. And these are the brokers'
|
|
offices working overtime--that Helmick deal, you know."
|
|
|
|
Laura looked, suddenly stupefied. Here it was, then,
|
|
that other drama, that other tragedy, working on there
|
|
furiously, fiercely through the night, while she and
|
|
all those others had sat there in that atmosphere of
|
|
flowers and perfume, listening to music. Suddenly it
|
|
loomed portentous in the eye of her mind, terrible,
|
|
tremendous. Ah, this drama of the "Provision Pits,"
|
|
where the rush of millions of bushels of grain, and the
|
|
clatter of millions of dollars, and the tramping and
|
|
the wild shouting of thousands of men filled all the
|
|
air with the noise of battle! Yes, here was drama in
|
|
deadly earnest--drama and tragedy and death, and the
|
|
jar of mortal fighting. And the echoes of it invaded
|
|
the very sanctuary of art, and cut athwart the music of
|
|
Italy and the cadence of polite conversation, and the
|
|
shock of it endured when all the world should have
|
|
slept, and galvanised into vivid life all these sombre
|
|
piles of office buildings. It was dreadful, this
|
|
labour through the night. It had all the significance
|
|
of field hospitals after the battle--hospitals and the
|
|
tents of commanding generals. The wounds of the day
|
|
were being bound up, the dead were being counted,
|
|
while, shut in their headquarters, the captains and the
|
|
commanders drew the plans for the grapple of armies
|
|
that was to recommence with daylight.
|
|
|
|
"Yes, yes, that's just what it is," continued Page.
|
|
"See, there's the Rookery, and there's the Constable
|
|
Building, where Mr. Helmick has his offices. Landry
|
|
showed me it all one day. And, look back." She raised
|
|
the flap that covered the little window at the back of
|
|
the carriage. "See, down there, at the end of the
|
|
street. There's the Board of Trade Building, where the
|
|
grain speculating is done,--where the wheat pits and
|
|
corn pits are."
|
|
|
|
Laura turned and looked back. On either side of the
|
|
vista in converging lines stretched the blazing office
|
|
buildings. But over the end of the street the lead-
|
|
coloured sky was rifted a little. A long, faint bar of
|
|
light stretched across the prospect, and silhouetted
|
|
against this rose a sombre mass, unbroken by any
|
|
lights, rearing a black and formidable facade against
|
|
the blur of light behind it.
|
|
|
|
And this was her last impression of the evening. The
|
|
lighted office buildings, the murk of rain, the haze of
|
|
light in the heavens, and raised against it the pile of
|
|
the Board of Trade Building, black, grave, monolithic,
|
|
crouching on its foundations, like a monstrous sphinx
|
|
with blind eyes, silent, grave,--crouching there
|
|
without a sound, without sign of life under the night
|
|
and the drifting veil of rain.
|
|
|
|
II
|
|
|
|
Laura Dearborn's native town was Barrington, in
|
|
Worcester County, Massachusetts. Both she and Page had
|
|
been born there, and there had lived until the death of
|
|
their father, at a time when Page was ready for the
|
|
High School. The mother, a North Carolina girl, had
|
|
died long before.
|
|
|
|
Laura's education had been unusual. After leaving the
|
|
High School her father had for four years allowed her a
|
|
private tutor (an impecunious graduate from the Harvard
|
|
Theological School). She was ambitious, a devoted
|
|
student, and her instructor's task was rather to guide
|
|
than to enforce her application. She soon acquired a
|
|
reading knowledge of French, and knew her Racine in the
|
|
original almost as well as her Shakespeare. Literature
|
|
became for her an actual passion. She delved into
|
|
Tennyson and the Victorian poets, and soon was on terms
|
|
of intimacy with the poets and essayists of New
|
|
England. The novelists of the day she ignored almost
|
|
completely, and voluntarily. Only occasionally, and
|
|
then as a concession, she permitted herself a reading
|
|
of Mr. Howells.
|
|
|
|
Moderately prosperous while he himself was conducting
|
|
his little mill, Dearborn had not been able to put by
|
|
any money to speak of, and when Laura and the local
|
|
lawyer had come to close up the business, to dispose of
|
|
the mill, and to settle the claims against what the
|
|
lawyer grandiloquently termed "the estate," there was
|
|
just enough money left to pay for Page's tickets to
|
|
Chicago and a course of tuition for her at a seminary.
|
|
|
|
The Cresslers on the event of Dearborn's death had
|
|
advised both sisters to come West, and had pledged
|
|
themselves to look after Page during the period of her
|
|
schooling. Laura had sent the little girl on at once,
|
|
but delayed taking the step herself.
|
|
|
|
Fortunately, the two sisters were not obliged to live
|
|
upon their inheritance. Dearborn himself had a sister--
|
|
a twin of Aunt Wess'--who had married a wealthy
|
|
woollen merchant of Boston, and this one, long since,
|
|
had provided for the two girls. A large sum had been
|
|
set aside, which was to be made over to them when the
|
|
father died. For years now this sum had been
|
|
accumulating interest. So that when Laura and Page
|
|
faced the world, alone, upon the steps of the
|
|
Barrington cemetery, they had the assurance that, at
|
|
least, they were independent.
|
|
|
|
For two years, in the solidly built colonial dwelling,
|
|
with its low ceilings and ample fireplaces, where once
|
|
the minute-men had swung their kettles, Laura, alone,
|
|
thought it all over. Mother and father were dead; even
|
|
the Boston aunt was dead. Of all her relations, Aunt
|
|
Wess' alone remained. Page was at her finishing school
|
|
at Geneva Lake, within two hours of Chicago. The
|
|
Cresslers were the dearest friends of the orphan girls.
|
|
Aunt Wess', herself a widow, living also in Chicago,
|
|
added her entreaties to Mrs. Cressler's. All things
|
|
seemed to point her westward, all things seemed to
|
|
indicate that one phase of her life was ended.
|
|
|
|
Then, too, she had her ambitions. These hardly took
|
|
definite shape in her mind; but vaguely she chose to
|
|
see herself, at some far-distant day, an actress, a
|
|
tragedienne, playing the roles of Shakespeare's
|
|
heroines. This idea of hers was more a desire than an
|
|
ambition, but it could not be realised in Barrington,
|
|
Massachusetts. For a year she temporised,
|
|
procrastinated, loth to leave the old home, loth to
|
|
leave the grave in the cemetery back of the Methodist-
|
|
Episcopal chapel. Twice during this time she visited
|
|
Page, and each time the great grey city threw the spell
|
|
of its fascination about her. Each time she returned
|
|
to Barrington the town dwindled in her estimation. It
|
|
was picturesque, but lamentably narrow. The life was
|
|
barren, the "New England spirit" prevailed in all its
|
|
severity; and this spirit seemed to her a veritable
|
|
cult, a sort of religion, wherein the Old Maid was the
|
|
priestess, the Spinster the officiating devotee, the
|
|
thing worshipped the Great Unbeautiful, and the ritual
|
|
unremitting, unrelenting Housework. She detested it.
|
|
|
|
That she was an Episcopalian, and preferred to read her
|
|
prayers rather than to listen to those written and
|
|
memorised by the Presbyterian minister, seemed to be
|
|
regarded as a relic of heathenish rites--a thing almost
|
|
cannibalistic. When she elected to engage a woman and
|
|
a "hired man" to manage her house, she felt the
|
|
disapprobation of the entire village, as if she had
|
|
sunk into some decadent and enervating Lower-Empire
|
|
degeneracy.
|
|
|
|
The crisis came when Laura travelled alone to Boston to
|
|
hear Modjeska in "Marie Stuart" and "Macbeth," and upon
|
|
returning full of enthusiasm, allowed it to be
|
|
understood that she had a half-formed desire of
|
|
emulating such an example. A group of lady-
|
|
deaconesses, headed by the Presbyterian minister,
|
|
called upon her, with some intention of reasoning and
|
|
labouring with her.
|
|
|
|
They got no farther than the statement of the cause of
|
|
this visit. The spirit and temper of the South, that
|
|
she had from her mother, flamed up in Laura at last,
|
|
and the members of the "committee," before they were
|
|
well aware, came to themselves in the street outside
|
|
the front gate, dazed and bewildered, staring at each
|
|
other, all confounded and stunned by the violence of an
|
|
outbreak of long-repressed emotion and long-restrained
|
|
anger, that like an actual physical force had swept
|
|
them out of the house.
|
|
|
|
At the same moment Laura, thrown across her bed, wept
|
|
with a vehemence that shook her from head to foot.
|
|
But she had not the least compunction for what she had
|
|
said, and before the month was out had said good-by to
|
|
Barrington forever, and was on her way to Chicago,
|
|
henceforth to be her home.
|
|
|
|
A house was bought on the North Side, and it was
|
|
arranged that Aunt Wess' should live with her two
|
|
nieces. Pending the installation Laura and Page lived
|
|
at a little family hotel in the same neighbourhood.
|
|
The Cresslers' invitation to join the theatre party at
|
|
the Auditorium had fallen inopportunely enough,
|
|
squarely in the midst of the ordeal of moving in.
|
|
Indeed the two girls had already passed one night in
|
|
the new home, and they must dress for the affair by
|
|
lamplight in their unfurnished quarters and under
|
|
inconceivable difficulties. Only the lure of Italian
|
|
opera, heard from a box, could have tempted them to
|
|
have accepted the invitation at such a time and under
|
|
such circumstances.
|
|
|
|
The morning after the opera, Laura woke in her bed--
|
|
almost the only article of furniture that was in place
|
|
in the whole house--with the depressing consciousness
|
|
of a hard day's work at hand. Outside it was still
|
|
raining, the room was cold, heated only by an
|
|
inadequate oil stove, and through the slats of the
|
|
inside shutters, which, pending the hanging of the
|
|
curtains they had been obliged to close, was filtering
|
|
a gloomy light of a wet Chicago morning.
|
|
|
|
It was all very mournful, and she regretted now that
|
|
she had not abided by her original decision to remain
|
|
at the hotel until the new house was ready for
|
|
occupancy. But it had happened that their month at the
|
|
hotel was just up, and rather than engage the rooms for
|
|
another four weeks she had thought it easier as well as
|
|
cheaper to come to the house. It was all a new
|
|
experience for her, and she had imagined that
|
|
everything could be moved in, put in place, and the
|
|
household running smoothly in a week's time.
|
|
|
|
She sat up in bed, hugging her shoulders against the
|
|
chill of the room and looking at her theatre gown,
|
|
that--in default of a clean closet--she had hung from
|
|
the gas fixture the night before. From the direction
|
|
of the kitchen came the sounds of the newly engaged
|
|
"girl" making the fire for breakfast, while through the
|
|
register a thin wisp of blue smoke curled upward to
|
|
prove that the "hired man" was tinkering with the
|
|
unused furnace. The room itself was in lamentable
|
|
confusion. Crates and packing boxes encumbered the
|
|
uncarpeted floor; chairs wrapped in excelsior and jute
|
|
were piled one upon another; a roll of carpet leaned in
|
|
one corner and a pile of mattresses occupied another.
|
|
|
|
As Laura considered the prospect she realised her
|
|
blunder.
|
|
|
|
"Why, and oh, why," she murmured, "didn't we stay at
|
|
the hotel till all this was straightened out?"
|
|
|
|
But in an adjoining room she heard Aunt Wess' stirring.
|
|
She turned to Page, who upon the pillows beside her
|
|
still slept, her stocking around her neck as a
|
|
guarantee against draughts.
|
|
|
|
"Page, Page! Wake up, girlie. It's late, and there's
|
|
worlds to do."
|
|
|
|
Page woke blinking.
|
|
|
|
"Oh, it's freezing cold, Laura. Let's light the oil
|
|
stove and stay in bed till the room gets warm. Oh,
|
|
dear, aren't you sleepy, and, oh, wasn't last night
|
|
lovely? Which one of us will get up to light the stove?
|
|
We'll count for it. Lie down, sissie, dear," she
|
|
begged, "you're letting all the cold air in."
|
|
|
|
Laura complied, and the two sisters, their noses all
|
|
but touching, the bedclothes up to their ears, put
|
|
their arms about each other to keep the warmer.
|
|
|
|
Amused at the foolishness, they "counted" to decide as
|
|
to who should get up to light the oil stove, Page
|
|
beginning:
|
|
|
|
"Eeny--meeny--myny--mo----"
|
|
|
|
But before the "count" was decided Aunt Wess' came in,
|
|
already dressed, and in a breath the two girls implored
|
|
her to light the stove. While she did so, Aunt Wess'
|
|
remarked, with the alacrity of a woman who observes the
|
|
difficulties of a proceeding in which she has no faith:
|
|
|
|
"I don't believe that hired girl knows her business.
|
|
She says now she can't light a fire in that stove. My
|
|
word, Laura, I do believe you'll have enough of all
|
|
this before you're done. You know I advised you from
|
|
the very first to take a flat."
|
|
|
|
"Nonsense, Aunt Wess'," answered Laura, good-naturedly.
|
|
"We'll work it out all right. I know what's the matter
|
|
with that range. I'll be right down and see to it so
|
|
soon as I'm dressed."
|
|
|
|
It was nearly ten o'clock before breakfast, such as it
|
|
was, was over. They ate it on the kitchen table, with
|
|
the kitchen knives and forks, and over the meal, Page
|
|
having remarked: "Well, what will we do first?"
|
|
discussed the plan of campaign.
|
|
|
|
"Landry Court does not have to work to-day--he told me
|
|
why, but I've forgotten--and he said he was coming up
|
|
to help," observed Laura, and at once Aunt Wess'
|
|
smiled. Landry Court was openly and strenuously in
|
|
love with Laura, and no one of the new house-hold
|
|
ignored the fact. Aunt Wess' chose to consider the
|
|
affair as ridiculous, and whenever the subject was
|
|
mentioned spoke of Landry as "that boy."
|
|
|
|
Page, however, bridled with seriousness as often as the
|
|
matter came up. Yes, that was all very well, but
|
|
Landry was a decent, hard-working young fellow, with
|
|
all his way to make and no time to waste, and if Laura
|
|
didn't mean that it should come to anything it wasn't
|
|
very fair to him to keep him dangling along like that.
|
|
|
|
"I guess," Laura was accustomed to reply, looking
|
|
significantly at Aunt Wess', "that our little girlie
|
|
has a little bit of an eye on a certain hard-working
|
|
young fellow herself." And the answer invariably roused
|
|
Page.
|
|
|
|
"Now, Laura," she would cry, her eyes snapping, her
|
|
breath coming fast. "Now, Laura, that isn't right at
|
|
all, and you know I don't like it, and you just say it
|
|
because you know it makes me cross. I won't have you
|
|
insinuate that I would run after any man or care in the
|
|
least whether he's in love or not. I just guess I've
|
|
got some self-respect; and as for Landry Court, we're
|
|
no more nor less than just good friends, and I
|
|
appreciate his business talents and the way he rustles
|
|
'round, and he merely respects me as a friend, and it
|
|
don't go any farther than that. ' An eye on him,' I do
|
|
declare! As if I hadn't yet to see the man I'd so much
|
|
as look at a second time."
|
|
|
|
And Laura, remembering her "Shakespeare," was ever
|
|
ready with the words:
|
|
|
|
"The lady doth protest too much, methinks."
|
|
|
|
Just after breakfast, in fact, Landry did appear.
|
|
|
|
"Now," he began, with a long breath, addressing Laura,
|
|
who was unwrapping the pieces of cut glass and bureau
|
|
ornaments as Page passed them to her from the depths of
|
|
a crate. "Now, I've done a lot already. That's what
|
|
made me late. I've ordered your newspaper sent here,
|
|
and I've telephoned the hotel to forward any mail that
|
|
comes for you to this address, and I sent word to the
|
|
gas company to have your gas turned on----"
|
|
|
|
"Oh, that's good," said Laura.
|
|
|
|
"Yes, I thought of that; the man will be up right away
|
|
to fix it, and I've ordered a cake of ice left here
|
|
every day, and told the telephone company that you
|
|
wanted a telephone put in. Oh, yes, and the bottled-
|
|
milk man--I stopped in at a dairy on the way up. Now,
|
|
what do we do first?"
|
|
|
|
He took off his coat, rolled up his shirt sleeves, and
|
|
plunged into the confusion of crates and boxes that
|
|
congested the rooms and hallways on the first floor of
|
|
the house. The two sisters could hear him attacking
|
|
his task with tremendous blows of the kitchen hammer.
|
|
From time to time he called up the stairway:
|
|
|
|
"Hey, what do you want done with this jardiniere thing?
|
|
... Where does this hanging lamp go, Laura?"
|
|
|
|
Laura, having unpacked all the cut-glass ornaments,
|
|
came down-stairs, and she and Landry set about hanging
|
|
the parlour curtains.
|
|
|
|
Landry fixed the tops of the window mouldings with a
|
|
piercing eye, his arms folded.
|
|
|
|
"I see, I see," he answered to Laura's explanations.
|
|
"I see. Now where's a screw-driver, and a step-ladder?
|
|
Yes, and I'll have to have some brass nails, and your
|
|
hired man must let me have that hammer again."
|
|
|
|
He sent the cook after the screw-driver, called the
|
|
hired man from the furnace, shouted upstairs to Page to
|
|
ask for the whereabouts of the brass nails, and
|
|
delegated Laura to steady the step-ladder.
|
|
|
|
"Now, Landry," directed Laura, "those rods want to be
|
|
about three inches from the top."
|
|
|
|
"Well," he said, climbing up, "I'll mark the place with
|
|
the screw and you tell me if it is right."
|
|
|
|
She stepped back, her head to one side.
|
|
|
|
"No; higher, Landry. There, that's about it--or a
|
|
_little_ lower--so. That's _just_ right. Come down
|
|
now and help me put the hooks in."
|
|
|
|
They pulled a number of sofa cushions together and sat
|
|
down on the floor side by side, Landry snapping the
|
|
hooks in place where Laura had gathered the pleats.
|
|
Inevitably his hands touched hers, and their heads drew
|
|
close together. Page and Mrs. Wessels were unpacking
|
|
linen in the upstairs hall. The cook and hired man
|
|
raised a great noise of clanking stove lids and grates
|
|
as they wrestled with the range in the kitchen.
|
|
|
|
"Well," said Landry, "you are going to have a pretty
|
|
home." He was meditating a phrase of which he purposed
|
|
delivering himself when opportunity afforded. It had
|
|
to do with Laura's eyes, and her ability of
|
|
understanding him. She understood him; she was to know
|
|
that he thought so, that it was of immense importance
|
|
to him. It was thus he conceived of the manner of love
|
|
making. The evening before that palavering artist
|
|
seemed to have managed to monopolise her about all of
|
|
the time. Now it was his turn, and this day of
|
|
household affairs, of little domestic commotions,
|
|
appeared to him to be infinitely more desirous than the
|
|
pomp and formality of evening dress and opera boxes.
|
|
This morning the relations between himself and Laura
|
|
seemed charming, intimate, unconventional, and full of
|
|
opportunities. Never had she appeared prettier to him.
|
|
She wore a little pink flannel dressing-sack with full
|
|
sleeves, and her hair, carelessly twisted into great
|
|
piles, was in a beautiful disarray, curling about her
|
|
cheeks and ears. "I didn't see anything of you at all
|
|
last night," he grumbled.
|
|
|
|
"Well, you didn't try."
|
|
|
|
"Oh, it was the Other Fellow's turn," he went on.
|
|
"Say," he added, "how often are you going to let me
|
|
come to see you when you get settled here? Twice a
|
|
week--three times?"
|
|
|
|
"As if you wanted to see me as often as that. Why,
|
|
Landry, I'm growing up to be an old maid. You can't
|
|
want to lose your time calling on old maids."
|
|
|
|
He was voluble in protestations. He was tired of young
|
|
girls. They were all very well to dance with, but when
|
|
a man got too old for that sort of thing, be wanted
|
|
some one with sense to talk to. Yes, he did. Some one
|
|
with _sense._ Why, he would rather talk five minutes
|
|
with her----
|
|
|
|
"Honestly, Landry?" she asked, as though he were
|
|
telling a thing incredible.
|
|
|
|
He swore to her it was true. His eyes snapped. He
|
|
struck his palm with his fist.
|
|
|
|
"An old maid like me?" repeated Laura.
|
|
|
|
"Old maid nothing!" he vociferated. "Ah," he cried,
|
|
"you seem to understand me. When I look at you,
|
|
straight into your eyes----"
|
|
|
|
From the doorway the cook announced that the man with
|
|
the last load of furnace coal had come, and handed
|
|
Laura the voucher to sign. Then needs must that Laura
|
|
go with the cook to see if the range was finally and
|
|
properly adjusted, and while she was gone the man from
|
|
the gas company called to turn on the meter, and Landry
|
|
was obliged to look after him. It was half an hour
|
|
before he and Laura could once more settle themselves
|
|
on the cushions in the parlour.
|
|
|
|
"Such a lot of things to do," she said; "and you are
|
|
such a help, Landry. It was so dear of you to want to
|
|
come."
|
|
|
|
"I would do anything in the world for you, Laura," he
|
|
exclaimed, encouraged by her words; "anything. You
|
|
know I would. It isn't so much that I want you to care
|
|
for me--and I guess I want _that_ bad enough--but it's
|
|
because I love to be with you, and be helping you, and
|
|
all that sort of thing. Now, all this," he waved a
|
|
hand at the confusion of furniture, "all this to-day--I
|
|
just feel," he declared with tremendous earnestness,
|
|
"I just feel as though I were entering into your life.
|
|
And just sitting here beside you and putting in these
|
|
curtain hooks, I want you to know that it's inspiring
|
|
to me. Yes, it is, inspiring; it's elevating. You
|
|
don't know how it makes a man feel to have the
|
|
companionship of a good and lovely woman."
|
|
|
|
"Landry, as though I were all that. Here, put another
|
|
hook in here."
|
|
|
|
She held the fold towards him. But he took her hand as
|
|
their fingers touched and raised it to his lips and
|
|
kissed it. She did not withdraw it, nor rebuke him,
|
|
crying out instead, as though occupied with quite
|
|
another matter:
|
|
|
|
"Landry, careful, my dear boy; you'll make me prick my
|
|
fingers. Ah--there, you did."
|
|
|
|
He was all commiseration and self-reproach at once, and
|
|
turned her hand palm upwards, looking for the scratch.
|
|
|
|
"Um!" she breathed. "It hurts."
|
|
|
|
"Where now," he cried, "where was it? Ah, I was a
|
|
beast; I'm so ashamed." She indicated a spot on her
|
|
wrist instead of her fingers, and very naturally Landry
|
|
kissed it again.
|
|
|
|
"How foolish!" she remonstrated. "The idea! As if I
|
|
wasn't old enough to be----"
|
|
|
|
"You're not so old but what you're going to marry me
|
|
some day," he declared.
|
|
|
|
"How perfectly silly, Landry!" she retorted. "Aren't
|
|
you done with my hand yet?"
|
|
|
|
"No, indeed," he cried, his clasp tightening over her
|
|
fingers. "It's mine. You can't have it till I say--or
|
|
till you say that--some day--you'll give it to me for
|
|
good--for better or for worse."
|
|
|
|
"As if you really meant that," she said, willing to
|
|
prolong the little situation. It was very sweet to
|
|
have this clean, fine-fibred young boy so earnestly in
|
|
love with her, very sweet that the lifting of her
|
|
finger, the mere tremble of her eyelid should so
|
|
perturb him.
|
|
|
|
"Mean it! Mean it!" he vociferated. "You don't know
|
|
how much I do mean it. Why, Laura, why--why, I can't
|
|
think of anything else."
|
|
|
|
"You!" she mocked. "As if I believed that. How many
|
|
other girls have you said it to this year?"
|
|
|
|
Landry compressed his lips.
|
|
|
|
"Miss Dearborn, you insult me."
|
|
|
|
"Oh, my!" exclaimed Laura, at last withdrawing her
|
|
hand.
|
|
|
|
"And now you're mocking me. It isn't kind. No, it
|
|
isn't; it isn't _kind._"
|
|
|
|
"I never answered your question yet," she observed.
|
|
|
|
"What question?"
|
|
|
|
"About your coming to see me when we were settled.
|
|
I _thought_ you wanted to know."
|
|
|
|
"How about lunch?" said Page, from the doorway. "Do
|
|
you know it's after twelve?"
|
|
|
|
"The girl has got something for us," said Laura. "I
|
|
told her about it. Oh, just a pick-up lunch--coffee,
|
|
chops. I thought we wouldn't bother to-day. We'll
|
|
have to eat in the kitchen."
|
|
|
|
"Well, let's be about it," declared Landry, "and finish
|
|
with these curtains afterward. Inwardly I'm a ravening
|
|
wolf."
|
|
|
|
It was past one o'clock by the time that luncheon,
|
|
"picked up" though it was, was over. By then everybody
|
|
was very tired. Aunt Wess' exclaimed that she could
|
|
not stand another minute, and retired to her room.
|
|
Page, indefatigable, declaring they never would get
|
|
settled if they let things dawdle along, set to work
|
|
unpacking her trunk and putting her clothes away. Her
|
|
fox terrier, whom the family, for obscure reasons,
|
|
called the Pig, arrived in the middle of the afternoon
|
|
in a crate, and shivering with the chill of the house,
|
|
was tied up behind the kitchen range, where, for all
|
|
the heat, he still trembled and shuddered at long
|
|
intervals, his head down, his eyes rolled up,
|
|
bewildered and discountenanced by so much confusion and
|
|
so many new faces.
|
|
|
|
Outside the weather continued lamentable. The rain
|
|
beat down steadily upon the heaps of snow on the grass-
|
|
plats by the curbstones, melting it, dirtying it, and
|
|
reducing it to viscid slush. The sky was lead grey;
|
|
the trees, bare and black as though built of iron and
|
|
wire, dripped incessantly. The sparrows, huddling
|
|
under the house-eaves or in interstices of the
|
|
mouldings, chirped feebly from time to time, sitting
|
|
disconsolate, their feathers puffed out till their
|
|
bodies assumed globular shapes. Delivery wagons
|
|
trundled up and down the street at intervals, the
|
|
horses and drivers housed in oil-skins.
|
|
|
|
The neighborhood was quiet. There was no sound of
|
|
voices in the streets. But occasionally, from far away
|
|
in the direction of the river or the Lake Front, came
|
|
the faint sounds of steamer and tug whistles. The
|
|
sidewalks in either direction were deserted. Only a
|
|
solitary policeman, his star pinned to he outside of
|
|
his dripping rubber coat, his helmet shedding rivulets,
|
|
stood on the corner absorbed in the contemplation of
|
|
the brown torrent of the gutter plunging into a sewer
|
|
vent.
|
|
|
|
Landry and Laura were in the library at the rear of the
|
|
house, a small room, two sides of which were occupied
|
|
with book-cases. They were busy putting the books in
|
|
place. Laura stood half-way up the step-ladder taking
|
|
volume after volume from Landry as he passed them to
|
|
her.
|
|
|
|
"Do you wipe them carefully, Landry?" she asked.
|
|
|
|
He held a strip of cloth torn from an old sheet in his
|
|
hand, and rubbed the dust from each book before he
|
|
handed it to her.
|
|
|
|
"Yes, yes; very carefully," he assured her. "Say," he
|
|
added, "where are all your modern novels? You've got
|
|
Scott and Dickens and Thackeray, of course, and Eliot--
|
|
yes, and here's Hawthorne and Poe. But I haven't
|
|
struck anything later than Oliver Wendell Holmes."
|
|
|
|
Laura put up her chin. "Modern novels--no indeed.
|
|
When I've yet to read 'Jane Eyre,' and have only read
|
|
'Ivanhoe' and 'The Newcomes' once."
|
|
|
|
She made a point of the fact that her taste was the
|
|
extreme of conservatism, refusing to acknowledge hardly
|
|
any fiction that was not almost classic. Even
|
|
Stevenson aroused her suspicions.
|
|
|
|
"Well, here's 'The Wrecker,' "observed Landry, handing
|
|
it up to her. "I read it last summer-vacation at
|
|
Waukesha. Just about took the top of my head off."
|
|
|
|
"I tried to read it," she answered. "Such an
|
|
outlandish story, no love story in it, and so coarse,
|
|
so brutal, and then so improbable. I couldn't get
|
|
interested."
|
|
|
|
But abruptly Landry uttered an exclamation:
|
|
|
|
"Well, what do you call this? 'Wanda,' by Ouida.
|
|
How is this for modern?"
|
|
|
|
She blushed to her hair, snatching the book from him.
|
|
|
|
"Page brought it home. It's hers."
|
|
|
|
But her confusion betrayed her, and Landry shouted
|
|
derisively.
|
|
|
|
"Well, I _did_ read it then," she suddenly declared
|
|
defiantly. "No, I'm not ashamed. Yes, I read it from
|
|
cover to cover. It made me cry like I haven't cried
|
|
over a book since I was a little tot. You can say what
|
|
you like, but it's beautiful--a beautiful love story--
|
|
and it does tell about noble, unselfish people. I
|
|
suppose it has its faults, but it makes you feel better
|
|
for reading it, and that's what all your 'Wreckers' in
|
|
the world would never do."
|
|
|
|
"Well," answered Landry, "I don't know much about that
|
|
sort of thing. Corthell does. He can talk you blind
|
|
about literature. I've heard him run on by the hour.
|
|
He says the novel of the future is going to be the
|
|
novel without a love story."
|
|
|
|
But Laura nodded her head incredulously.
|
|
|
|
"It will be long after I am dead--that's one
|
|
consolation," she said.
|
|
|
|
"Corthell is full of crazy ideas anyhow," Landry went
|
|
on, still continuing to pass the books up to her.
|
|
"He's a good sort, and I like him well enough, but he's
|
|
the kind of man that gets up a reputation for being
|
|
clever and artistic by running down the very one
|
|
particular thing that every one likes, and cracking up
|
|
some book or picture or play that no one has ever heard
|
|
of. Just let anything get popular once and Sheldon
|
|
Corthell can't speak of it without shuddering. But
|
|
he'll go over here to some Archer Avenue pawn shop, dig
|
|
up an old brass stewpan, or coffee-pot that some greasy
|
|
old Russian Jew has chucked away, and he'll stick it up
|
|
in his studio and regularly kow-tow to it, and talk
|
|
about the 'decadence of American industrial arts.' I've
|
|
heard him. I say it's pure affectation, that's what it
|
|
is, pure affectation."
|
|
|
|
But the book-case meanwhile had been filling up, and
|
|
now Laura remarked:
|
|
|
|
"No more, Landry. That's all that will go here."
|
|
|
|
She prepared to descend from the ladder. In filling
|
|
the higher shelves she had mounted almost to the top-
|
|
most step.
|
|
|
|
"Careful now," said Landry, as he came forward. "Give
|
|
me your hand."
|
|
|
|
She gave it to him, and then, as she descended, Landry
|
|
had the assurance to put his arm around her waist as if
|
|
to steady her. He was surprised at his own audacity,
|
|
for he had premeditated nothing, and his arm was about
|
|
her before he was well aware. He yet found time to
|
|
experience a qualm of apprehension. Just how would
|
|
Laura take it? Had he gone too far?
|
|
|
|
But Laura did not even seem to notice, all her
|
|
attention apparently fixed upon coming safely down to
|
|
the floor. She descended and shook out her skirts.
|
|
|
|
"There," she said, "that's over with. Look, I'm all
|
|
dusty."
|
|
|
|
There was a knock at the half-open door. It was the
|
|
cook.
|
|
|
|
"What are you going to have for supper, Miss Dearborn?"
|
|
she inquired. "There's nothing in the house."
|
|
|
|
"Oh, dear," said Laura with sudden blankness, "I never
|
|
thought of supper. Isn't there anything?"
|
|
|
|
"Nothing but some eggs and coffee." The cook assumed an
|
|
air of aloofness, as if the entire affair were totally
|
|
foreign to any interest or concern of hers. Laura
|
|
dismissed her, saying that she would see to it.
|
|
|
|
"We'll have to go out and get some things," she said.
|
|
"We'll all go. I'm tired of staying in the house."
|
|
|
|
"No, I've a better scheme," announced Landry. "I'll
|
|
invite you all out to dine with me. I know a place
|
|
where you can get the best steak in America. It has
|
|
stopped raining. See," he showed her the window.
|
|
|
|
"But, Landry, we are all so dirty and miserable."
|
|
|
|
"We'll go right now and get there early. There will be
|
|
nobody there, and we can have a room to ourselves, Oh,
|
|
it's all right," he declared. "You just trust me."
|
|
|
|
"We'll see what Page and Aunt Wess' say. Of course
|
|
Aunt Wess' would have to come."
|
|
|
|
"Of course," he said. "I wouldn't think of asking you
|
|
unless she could come."
|
|
|
|
A little later the two sisters, Mrs. Wessels, and
|
|
Landry came out of the house, but before taking their
|
|
car they crossed to the opposite side of the street,
|
|
Laura having said that she wanted to note the effect of
|
|
her parlour curtains from the outside.
|
|
|
|
"I think they are looped up just far enough," she
|
|
declared. But Landry was observing the house itself.
|
|
|
|
"It is the best-looking place on the block," he
|
|
answered.
|
|
|
|
In fact, the house was not without a certain
|
|
attractiveness. It occupied a corner lot at the
|
|
intersection of Huron and North State streets.
|
|
Directly opposite was St. James' Church, and at one
|
|
time the house had served as the rectory. For the
|
|
matter of that, it had been built for just that
|
|
purpose. Its style of architecture was distantly
|
|
ecclesiastic, with a suggestion of Gothic to some of
|
|
the doors and windows. The material used was solid,
|
|
massive, the walls thick, the foundation heavy. It did
|
|
not occupy the entire lot, the original builder seeming
|
|
to have preferred garden space to mere amplitude of
|
|
construction, and in addition to the inevitable "back
|
|
yard," a lawn bordered it on three sides. It gave the
|
|
place a certain air of distinction and exclusiveness.
|
|
Vines grew thick upon the southern walls; in the summer
|
|
time fuchsias, geraniums, and pansies would flourish in
|
|
the flower beds by the front stoop. The grass plat by
|
|
the curb boasted a couple of trees. The whole place
|
|
was distinctive, individual, and very homelike, and
|
|
came as a grateful relief to the endless lines of
|
|
houses built of yellow Michigan limestone that pervaded
|
|
the rest of the neighbourhood in every direction.
|
|
|
|
"I love the place," exclaimed Laura. "I think it's as
|
|
pretty a house as I have seen in Chicago."
|
|
|
|
"Well, it isn't so spick and span," commented Page.
|
|
"It gives you the idea that we're not new-rich and
|
|
showy and all."
|
|
|
|
But Aunt Wess' was not yet satisfied.
|
|
|
|
"_You_ may see, Laura," she remarked, "how you are
|
|
going to heat all that house with that one furnace, but
|
|
I declare _I_ don't."
|
|
|
|
Their car, or rather their train of cars, coupled
|
|
together in threes, in Chicago style, came, and Landry
|
|
escorted them down town. All the way Laura could not
|
|
refrain from looking out of the windows, absorbed in
|
|
the contemplation of the life and aspects of the
|
|
streets.
|
|
|
|
"You will give yourself away," said Page. "Everybody
|
|
will know you're from the country."
|
|
|
|
"I am," she retorted. "But there's a difference
|
|
between just mere 'country' and Massachusetts, and I'm
|
|
not ashamed of it."
|
|
|
|
Chicago, the great grey city, interested her at every
|
|
instant and under every condition. As yet she was not
|
|
sure that she liked it; she could not forgive its dirty
|
|
streets, the unspeakable squalor of some of its poorer
|
|
neighbourhoods that sometimes developed, like cancerous
|
|
growths, in the very heart of fine residence districts.
|
|
The black murk that closed every vista of the business
|
|
streets oppressed her, and the soot that stained linen
|
|
and gloves each time she stirred abroad was a never-
|
|
ending distress.
|
|
|
|
But the life was tremendous. All around, on every
|
|
side, in every direction the vast machinery of
|
|
Commonwealth clashed and thundered from dawn to dark
|
|
and from dark till dawn. Even now, as the car carried
|
|
her farther into the business quarter, she could hear
|
|
it, see it, and feel in her every fibre the trepidation
|
|
of its motion. The blackened waters of the river, seen
|
|
an instant between stanchions as the car trundled
|
|
across the State Street bridge, disappeared under
|
|
fleets of tugs, of lake steamers, of lumber barges from
|
|
Sheboygan and Mackinac, of grain boats from Duluth, of
|
|
coal scows that filled the air with impalpable dust, of
|
|
cumbersome schooners laden with produce, of grimy
|
|
rowboats dodging the prows and paddles of the larger
|
|
craft, while on all sides, blocking the horizon, red in
|
|
color and designated by Brobdignag letters, towered the
|
|
hump-shouldered grain elevators.
|
|
|
|
Just before crossing the bridge on the north side of
|
|
the river she had caught a glimpse of a great railway
|
|
terminus. Down below there, rectilinear,
|
|
scientifically paralleled and squared, the Yard
|
|
disclosed itself. A system of grey rails beyond words
|
|
complicated opened out and spread immeasurably.
|
|
Switches, semaphores, and signal towers stood here and
|
|
there. A dozen trains, freight and passenger, puffed
|
|
and steamed, waiting the word to depart. Detached
|
|
engines hurried in and out of sheds and roundhouses,
|
|
seeking their trains, or bunted the ponderous freight
|
|
cars into switches; trundling up and down, clanking,
|
|
shrieking, their bells filling the air with the
|
|
clangour of tocsins. Men in visored caps shouted
|
|
hoarsely, waving their arms or red flags; drays, their
|
|
big dappled horses, feeding in their nose bags, stood
|
|
backed up to the open doors of freight cars and
|
|
received their loads. A train departed roaring.
|
|
Before midnight it would be leagues away boring through
|
|
the Great Northwest, carrying Trade--the life blood of
|
|
nations--into communities of which Laura had never
|
|
heard. Another train, reeking with fatigue, the air
|
|
brakes screaming, arrived and halted, debouching a
|
|
flood of passengers, business men, bringing Trade--a
|
|
galvanising elixir--from the very ends and corners of
|
|
the continent.
|
|
|
|
Or, again, it was South Water Street--a jam of delivery
|
|
wagons and market carts backed to the curbs, leaving
|
|
only a tortuous path between the endless files of
|
|
horses, suggestive of an actual barrack of cavalry.
|
|
Provisions, market produce, "garden truck " and fruits,
|
|
in an infinite welter of crates and baskets, boxes, and
|
|
sacks, crowded the sidewalks. The gutter was choked
|
|
with an overflow of refuse cabbage leaves, soft
|
|
oranges, decaying beet tops. The air was thick with
|
|
the heavy smell of vegetation. Food was trodden under
|
|
foot, food crammed the stores and warehouses to
|
|
bursting. Food mingled with the mud of the highway.
|
|
The very dray horses were gorged with an unending
|
|
nourishment of snatched mouthfuls picked from
|
|
backboard, from barrel top, and from the edge of the
|
|
sidewalk. The entire locality reeked with the fatness
|
|
of a hundred thousand furrows. A land of plenty, the
|
|
inordinate abundance of the earth itself emptied itself
|
|
upon the asphalt and cobbles of the quarter. It was
|
|
the Mouth of the City, and drawn from all directions,
|
|
over a territory of immense area, this glut of crude
|
|
subsistence was sucked in, as if into a rapacious
|
|
gullet, to feed the sinews and to nourish the fibres of
|
|
an immeasurable colossus.
|
|
|
|
Suddenly the meaning and significance of it all dawned
|
|
upon Laura. The Great Grey City, brooking no rival,
|
|
imposed its dominion upon a reach of country larger
|
|
than many a kingdom of the Old World. For, thousands
|
|
of miles beyond its confines was its influence felt.
|
|
Out, far out, far away in the snow and shadow of
|
|
Northern Wisconsin forests, axes and saws bit the bark
|
|
of century-old trees, stimulated by this city's energy.
|
|
Just as far to the southward pick and drill leaped to
|
|
the assault of veins of anthracite, moved by her
|
|
central power. Her force turned the wheels of
|
|
harvester and seeder a thousand miles distant in Iowa
|
|
and Kansas. Her force spun the screws and propellers of
|
|
innumerable squadrons of lake steamers crowding the
|
|
Sault Sainte Marie. For her and because of her all the
|
|
Central States, all the Great Northwest roared with
|
|
traffic and industry; sawmills screamed; factories,
|
|
their smoke blackening the sky, clashed and flamed;
|
|
wheels turned, pistons leaped in their cylinders; cog
|
|
gripped cog; beltings clasped the drums of mammoth
|
|
wheels; and converters of forges belched into the
|
|
clouded air their tempest breath of molten steel.
|
|
|
|
It was Empire, the resistless subjugation of all this
|
|
central world of the lakes and the prairies. Here,
|
|
mid-most in the land, beat the Heart of the Nation,
|
|
whence inevitably must come its immeasurable power, its
|
|
infinite, infinite, inexhaustible vitality. Here, of
|
|
all her cities, throbbed the true life--the true power
|
|
and spirit of America; gigantic, crude with the crudity
|
|
of youth, disdaining rivalry; sane and healthy and
|
|
vigorous; brutal in its ambition, arrogant in the new-
|
|
found knowledge of its giant strength, prodigal of its
|
|
wealth, infinite in its desires. In its capacity
|
|
boundless, in its courage indomitable; subduing the
|
|
wilderness in a single generation, defying calamity,
|
|
and through the flame and the debris of a commonwealth
|
|
in ashes, rising suddenly renewed, formidable, and
|
|
Titanic.
|
|
|
|
Laura, her eyes dizzied, her ears stunned, watched
|
|
tirelessly.
|
|
|
|
"There is something terrible about it," she murmured,
|
|
half to herself, "something insensate. In a way, it
|
|
doesn't seem human. It's like a great tidal wave.
|
|
It's all very well for the individual just so long as
|
|
he can keep afloat, but once fallen, how horribly quick
|
|
it would crush him, annihilate him, how horribly quick,
|
|
and with such horrible indifference! I suppose it's
|
|
civilisation in the making, the thing that isn't meant
|
|
to be seen, as though it were too elemental, too--
|
|
primordial; like the first verses of Genesis."
|
|
|
|
The impression remained long with her, and not even the
|
|
gaiety of their little supper could altogether disperse
|
|
it. She was a little frightened--frightened of the
|
|
vast, cruel machinery of the city's life, and of the
|
|
men who could dare it, who conquered it. For a moment
|
|
they seemed, in a sense, more terrible than the city
|
|
itself--men for whom all this crash of conflict and
|
|
commerce had no terrors. Those who could subdue it to
|
|
their purposes, must they not be themselves more
|
|
terrible, more pitiless, more brutal? She shrank a
|
|
little. What could women ever know of the life of men,
|
|
after all? Even Landry, extravagant as he was, so
|
|
young, so exuberant, so seemingly innocent--she knew
|
|
that he was spoken of as a good business man. He, too,
|
|
then had his other side. For him the Battle of the
|
|
Street was an exhilaration. Beneath that boyish
|
|
exterior was the tough coarseness, the male hardness,
|
|
the callousness that met the brunt and withstood the
|
|
shock of onset.
|
|
|
|
Ah, these men of the city, what could women ever know
|
|
of them, of their lives, of that other existence
|
|
through which--freed from the influence of wife or
|
|
mother, or daughter or sister--they passed every day
|
|
from nine o'clock till evening? It was a life in which
|
|
women had no part, and in which, should they enter it,
|
|
they would no longer recognise son or husband, or
|
|
father or brother. The gentle-mannered fellow, clean-
|
|
minded, clean-handed, of the breakfast or supper table
|
|
was one man. The other, who and what was he? Down
|
|
there in the murk and grime of the business district
|
|
raged the Battle of the Street, and therein he was a
|
|
being transformed, case hardened, supremely selfish,
|
|
asking no quarter; no, nor giving any. Fouled with the
|
|
clutchings and grapplings of the attack, besmirched
|
|
with the elbowing of low associates and obscure allies,
|
|
he set his feet toward conquest, and mingled with the
|
|
marchings of an army that surged forever forward and
|
|
back; now in merciless assault, beating the fallen
|
|
enemy under foot, now in repulse, equally merciless,
|
|
trampling down the auxiliaries of the day before, in a
|
|
panic dash for safety; always cruel, always selfish,
|
|
always pitiless.
|
|
|
|
To contrast these men with such as Corthell was
|
|
inevitable. She remembered him, to whom the business
|
|
district was an unexplored country, who kept himself
|
|
far from the fighting, his hands unstained, his feet
|
|
unsullied. He passed his life gently, in the calm,
|
|
still atmosphere of art, in the cult of the beautiful,
|
|
unperturbed, tranquil; painting, reading, or, piece by
|
|
piece, developing his beautiful stained glass. Him
|
|
women could know, with him they could sympathise. And
|
|
he could enter fully into their lives and help and
|
|
stimulate them. Of the two existences which did she
|
|
prefer, that of the business man, or that of the
|
|
artist?
|
|
|
|
Then suddenly Laura surprised herself. After all, she
|
|
was a daughter of the frontier, and the blood of those
|
|
who had wrestled with a new world flowed in her body.
|
|
Yes, Corthell's was a beautiful life; the charm of dim
|
|
painted windows, the attraction of darkened studios
|
|
with their harmonies of color, their orientalisms, and
|
|
their arabesques was strong. No doubt it all had its
|
|
place. It fascinated her at times, in spite of
|
|
herself. To relax the mind, to indulge the senses, to
|
|
live in an environment of pervading beauty was
|
|
delightful. But the men to whom the woman in her
|
|
turned were not those of the studio. Terrible as the
|
|
Battle of the Street was, it was yet battle. Only the
|
|
strong and the brave might dare it, and the figure that
|
|
held her imagination and her sympathy was not the
|
|
artist, soft of hand and of speech, elaborating graces
|
|
of sound and color and form, refined, sensitive, and
|
|
temperamental; but the fighter, unknown and un-knowable
|
|
to women as he was; hard, rigorous, panoplied in the
|
|
harness of the warrior, who strove among the trumpets,
|
|
and who, in the brunt of conflict, conspicuous,
|
|
formidable, set the battle in a rage around him, and
|
|
exulted like a champion in the shoutings of the
|
|
captains.
|
|
|
|
They were not long at table, and by the time they were
|
|
ready to depart it was about half-past five. But when
|
|
they emerged into the street, it was discovered that
|
|
once more the weather had abruptly changed. It was
|
|
snowing thickly. Again a bitter wind from off the Lake
|
|
tore through the streets. The slush and melted snow
|
|
was freezing, and the north side of every lamp post and
|
|
telegraph pole was sheeted with ice.
|
|
|
|
To add to their discomfort, the North State Street cars
|
|
were blocked. When they gained the corner of
|
|
Washington Street they could see where the congestion
|
|
began, a few squares distant.
|
|
|
|
"There's nothing for it," declared Landry, "but to go
|
|
over and get the Clarke Street cars--and at that you
|
|
may have to stand up all the way home, at this time of
|
|
day."
|
|
|
|
They paused, irresolute, a moment on the corner. It
|
|
was the centre of the retail quarter. Close at hand a
|
|
vast dry goods house, built in the old "iron-front"
|
|
style, towered from the pavement, and through its
|
|
hundreds of windows presented to view a world of stuffs
|
|
and fabrics, upholsteries and textiles, kaleidoscopic,
|
|
gleaming in the fierce brilliance of a multitude of
|
|
lights. From each street doorway was pouring an army
|
|
of "shoppers," women for the most part; and these--
|
|
since the store catered to a rich clientele--
|
|
fashionably dressed. Many of them stood for a moment
|
|
on the threshold of the storm-doorways, turning up the
|
|
collars of their sealskins, settling their hands in
|
|
their muffs, and searching the street for their coupes
|
|
and carriages.
|
|
|
|
Among the number of those thus engaged, one, suddenly
|
|
catching sight of Laura, waved a muff in her direction,
|
|
then came quickly forward. It was Mrs. Cressler.
|
|
|
|
"Laura, my dearest girl! Of all the people. I _am_ so
|
|
glad to see you!" She kissed Laura on the cheek, shook
|
|
hands all around, and asked about the sisters' new
|
|
home. Did they want anything, or was there anything
|
|
she could do to help? Then interrupting herself, and
|
|
laying a glove on Laura's arm:
|
|
|
|
"I've got more to _tell_ you."
|
|
|
|
She compressed her lips and stood off from Laura,
|
|
fixing her with a significant glance.
|
|
|
|
"Me? To tell me?"
|
|
|
|
"Where are you going now?"
|
|
|
|
"Home; but our cars are stopped. We must go over to----"
|
|
|
|
"Fiddlesticks! You and Page and Mrs. Wessels--all of
|
|
you are coming home and dine with me."
|
|
|
|
"But we've had dinner already," they all cried,
|
|
speaking at once.
|
|
|
|
Page explained the situation, but Mrs. Cressler would
|
|
not be denied.
|
|
|
|
"The carriage is right here," she said. "I don't have
|
|
to call for Charlie. He's got a man from Cincinnati in
|
|
tow, and they are going to dine at the Calumet Club."
|
|
|
|
It ended by the two sisters and Mrs. Wessels getting
|
|
into Mrs. Cressler's carriage. Landry excused himself.
|
|
He lived on the South Side, on Michigan Avenue, and
|
|
declaring that he knew they had had enough of him for
|
|
one day, took himself off.
|
|
|
|
But whatever Mrs. Cressler had to tell Laura, she
|
|
evidently was determined to save for her ears only.
|
|
Arrived at the Dearborns' home, she sent her footman in
|
|
to tell the "girl" that the family would not be home
|
|
that night. The Cresslers lived hard by on the same
|
|
street, and within ten minutes' walk of the Dearborns.
|
|
The two sisters and their aunt would be back
|
|
immediately after breakfast.
|
|
|
|
When they had got home with Mrs. Cressler, this latter
|
|
suggested hot tea and sandwiches in the library, for
|
|
the ride had been cold. But the others, worn out,
|
|
declared for bed as soon as Mrs. Cressler herself had
|
|
dined.
|
|
|
|
"Oh, bless you, Carrie," said Aunt Wess'; "I couldn't
|
|
think of tea. My back is just about broken, and I'm
|
|
going straight to my bed."
|
|
|
|
Mrs. Cressler showed them to their rooms. Page and
|
|
Mrs. Wessels elected to sleep together, and once the
|
|
door had closed upon them the little girl unburdened
|
|
herself.
|
|
|
|
"I suppose Laura thinks it's all right, running off
|
|
like this for the whole blessed night, and no one to
|
|
look after the house but those two servants that nobody
|
|
knows anything about. As though there weren't heaven
|
|
knows what all to tend to there in the morning. I just
|
|
don't see," she exclaimed decisively, "how we're going
|
|
to get settled at all. That Landry Court! My goodness,
|
|
he's more hindrance than help. Did you ever _see!_ He
|
|
just dashes in as though he were doing it all, and
|
|
messes everything up, and loses things, and gets things
|
|
into the wrong place, and forgets this and that, and
|
|
then he and Laura sit down and spoon. I never saw
|
|
anything like it. First it's Corthell and then Landry,
|
|
and next it will be somebody else. Laura regularly
|
|
mortifies me; a great, grown-up girl like that,
|
|
flirting, and letting every man she meets think that
|
|
he's just the one particular one of the whole earth.
|
|
It's not good form. And Landry--as if he didn't know
|
|
we've got more to do now than just to dawdle and
|
|
dawdle. I could slap him. I like to see a man take
|
|
life seriously and try to amount to something, and not
|
|
waste the best years of his life trailing after women
|
|
who are old enough to be his grandmother, and don't
|
|
mean that it will ever come to anything."
|
|
|
|
In her room, in the front of the house, Laura was
|
|
partly undressed when Mrs. Cressler knocked at her
|
|
door. The latter had put on a wrapper of flowered
|
|
silk, and her hair was bound in "invisible nets."
|
|
|
|
"I brought you a dressing-gown," she said. She hung it
|
|
over the foot of the bed, and sat down on the bed
|
|
itself, watching Laura, who stood before the glass of
|
|
the bureau, her head bent upon her breast, her hands
|
|
busy with the back of her hair. From time to time the
|
|
hairpins clicked as she laid them down in the silver
|
|
trays close at hand. Then putting her chin in the air,
|
|
she shook her head, and the great braids, unlooped,
|
|
fell to her waist.
|
|
|
|
"What pretty hair you have, child," murmured Mrs.
|
|
Cressler. She was settling herself for a long talk
|
|
with her protege. She had much to tell, but now that
|
|
they had the whole night before them, could afford to
|
|
take her time.
|
|
|
|
Between the two women the conversation began slowly,
|
|
with detached phrases and observations that did not
|
|
call necessarily for answers--mere beginnings that they
|
|
did not care to follow up.
|
|
|
|
"They tell me," said Mrs. Cressler, "that that Gretry
|
|
girl smokes ten cigarettes every night before she goes
|
|
to bed. You know the Gretrys--they were at the opera
|
|
the other night."
|
|
|
|
Laura permitted herself an indefinite murmur of
|
|
interest. Her head to one side, she drew the brush in
|
|
slow, deliberate movements downward underneath the
|
|
long, thick strands of her hair. Mrs. Cressler watched
|
|
her attentively.
|
|
|
|
"Why don't you wear your hair that new way, Laura," she
|
|
remarked, "farther down on your neck? I see every one
|
|
doing it now."
|
|
|
|
The house was very still. Outside the double windows
|
|
they could hear the faint murmuring click of the frozen
|
|
snow. A radiator in the hallway clanked and strangled
|
|
for a moment, then fell quiet again.
|
|
|
|
"What a pretty room this is," said Laura. "I think
|
|
I'll have to do our guest room something like this--a
|
|
sort of white and gold effect. My hair? Oh, I don't
|
|
know. Wearing it low that way makes it catch so on the
|
|
hooks of your collar, and, besides, I was afraid it
|
|
would make my head look so flat."
|
|
|
|
There was a silence. Laura braided a long strand, with
|
|
quick, regular motions of both hands, and letting it
|
|
fall over her shoulder, shook it into place with a
|
|
twist of her head. She stepped out of her skirt, and
|
|
Mrs. Cressler handed her her dressing-gown, and brought
|
|
out a pair of quilted slippers of red satin from the
|
|
wardrobe.
|
|
|
|
In the grate, the fire that had been lighted just
|
|
before they had come upstairs was crackling sharply.
|
|
Laura drew up an armchair and sat down in front of it,
|
|
her chin in her hand. Mrs. Cressler stretched herself
|
|
upon the bed, an arm behind her head.
|
|
|
|
"Well, Laura," she began at length, "I have some real
|
|
news for you. My dear, I believe you've made a
|
|
conquest."
|
|
|
|
"I!" murmured Laura, looking around. She feigned a
|
|
surprise, though she guessed at once that Mrs. Cressler
|
|
had Corthell in mind.
|
|
|
|
"That Mr. Jadwin--the one you met at the opera."
|
|
|
|
Genuinely taken aback, Laura sat upright and stared
|
|
wide-eyed.
|
|
|
|
"Mr. Jadwin!" she exclaimed. "Why, we didn't have five
|
|
minutes' talk. Why, I hardly know the man. I only met
|
|
him last night."
|
|
|
|
But Mrs. Cressler shook her head, closing her eyes and
|
|
putting her lips together.
|
|
|
|
"That don't make any difference, Laura. Trust me to
|
|
tell when a man is taken with a girl. My dear, you can
|
|
have him as easy as _that._" She snapped her fingers.
|
|
|
|
"Oh, I'm sure you're mistaken, Mrs. Cressler."
|
|
|
|
"Not in the least. I've known Curtis Jadwin now for
|
|
fifteen years--nobody better. He's as old a family
|
|
friend as Charlie and I have. I know him like a book.
|
|
And I tell you the man is in love with you."
|
|
|
|
"Well, I hope he didn't tell you as much," cried Laura,
|
|
promising herself to be royally angry if such was the
|
|
case. But Mrs. Cressler hastened to reassure her.
|
|
|
|
"Oh my, no. But all the way home last night--he came
|
|
home with us, you know--he kept referring to you, and
|
|
just so soon as the conversation got on some other
|
|
subject he would lose interest. He wanted to know all
|
|
about you--oh, you know how a man will talk," she
|
|
exclaimed. "And he said you had more sense and more
|
|
intelligence than any girl he had ever known."
|
|
|
|
"Oh, well," answered Laura deprecatingly, as if to say
|
|
that that did not count for much with her.
|
|
|
|
"And that you were simply beautiful. He said that he
|
|
never remembered to have seen a more beautiful woman."
|
|
|
|
Laura turned her head away, a hand shielding her cheek.
|
|
She did not answer immediately, then at length:
|
|
|
|
"Has he--this Mr. Jadwin--has he ever been married
|
|
before?"
|
|
|
|
"No, no. He's a bachelor, and rich! He could buy and
|
|
sell us. And don't think, Laura dear, that I'm jumping
|
|
at conclusions. I hope I'm woman of the world enough
|
|
to know that a man who's taken with a pretty face and
|
|
smart talk isn't going to rush right into matrimony
|
|
because of that. It wasn't so much what Curtis Jadwin
|
|
said--though, dear me _suz,_ he talked enough about
|
|
you--as what he didn't say. I could tell. He was
|
|
thinking hard. He was _hit,_ Laura. I know he was.
|
|
And Charlie said he spoke about you again this morning
|
|
at breakfast. Charlie makes me tired sometimes," she
|
|
added irrelevantly.
|
|
|
|
"Charlie?" repeated Laura.
|
|
|
|
"Well, of course I spoke to him about Jadwin, and how
|
|
taken he seemed with you, and the man roared at me."
|
|
|
|
"_He_ didn't believe it, then."
|
|
|
|
"Yes he did--when I could get him to talk seriously
|
|
about it, and when I made him remember how Mr. Jadwin
|
|
had spoken in the carriage coming home."
|
|
|
|
Laura curled her leg under her and sat nursing her foot
|
|
and looking into the fire. For a long time neither
|
|
spoke. A little clock of brass and black marble began
|
|
to chime, very prettily, the half hour of nine. Mrs.
|
|
Cressler observed:
|
|
|
|
"That Sheldon Corthell seems to be a very agreeable
|
|
kind of a young man, doesn't he?"
|
|
|
|
"Yes," replied Laura thoughtfully, "he is agreeable."
|
|
|
|
"And a talented fellow, too," continued Mrs. Cressler.
|
|
"But somehow it never impressed me that there was very
|
|
much _to_ him."
|
|
|
|
"Oh," murmured Laura indifferently, "I don't know."
|
|
|
|
"I suppose," Mrs. Cressler went on, in a tone of
|
|
resignation, "I suppose he thinks the world and all of
|
|
_you?_"
|
|
|
|
Laura raised a shoulder without answering.
|
|
|
|
"Charlie can't abide him," said Mrs. Cressler. "Funny,
|
|
isn't it what prejudices men have? Charlie always
|
|
speaks of him as though he were a higher order of
|
|
glazier. Curtis Jadwin seems to like him.... What do
|
|
you think of him, Laura--of Mr. Jadwin?"
|
|
|
|
"I don't know," she answered, looking vaguely into the
|
|
fire. "I thought he was a _strong_ man--mentally I
|
|
mean, and that he would be kindly and--and--generous.
|
|
Somehow," she said, musingly, "I didn't think he would
|
|
be the sort of man that women would take to, at first--
|
|
but then I don't know. I saw very little of him, as I
|
|
say. He didn't impress me as being a _woman's_ man."
|
|
|
|
"All the better," said the other. "Who would want to
|
|
marry a woman's man? I wouldn't. Sheldon Corthell is
|
|
that. I tell you one thing, Laura, and when you are as
|
|
old as I am, you'll know it's true: the kind of a man
|
|
that _men_ like--not women--is the kind of a man that
|
|
makes the best husband."
|
|
|
|
Laura nodded her head.
|
|
|
|
"Yes," she answered, listlessly, "I suppose that's true."
|
|
|
|
"You said Jadwin struck you as being a kindly man, a
|
|
generous man. He's just that, and that charitable! You
|
|
know he has a Sunday-school over on the West Side, a
|
|
Sunday-school for mission children, and I do believe
|
|
he's more interested in that than in his business. He
|
|
wants to make it the biggest Sunday-school in Chicago.
|
|
It's an ambition of his. I don't want you to think
|
|
that he's good in a goody-goody way, because he's not.
|
|
Laura," she exclaimed, "he's a _fine man_. I didn't
|
|
intend to brag him up to you, because I wanted you to
|
|
like him. But no one knows--as I say--no one knows
|
|
Curtis Jadwin better than Charlie and I, and we just
|
|
_love_ him. The kindliest, biggest-hearted fellow--oh,
|
|
well, you'll know him for yourself, and then you'll
|
|
see. He passes the plate in our church."
|
|
|
|
"Dr. Wendell's church?" asked Laura.
|
|
|
|
"Yes you know--the Second Presbyterian."
|
|
|
|
"I'm Episcopalian myself," observed Laura, still
|
|
thoughtfully gazing into the fire.
|
|
|
|
"I know, I know. But Jadwin isn't the blue-nosed sort.
|
|
And now see here, Laura, I want to tell you. J.--
|
|
that's what Charlie and I call Jadwin--J. was talking
|
|
to us the other day about supporting a ward in the
|
|
Children's Hospital for the children of his Sunday-
|
|
school that get hurt or sick. You see he has nearly
|
|
eight hundred boys and girls in his school, and there's
|
|
not a week passes that he don't hear of some one of
|
|
them who has been hurt or taken sick. And he wants to
|
|
start a ward at the Children's Hospital, that can take
|
|
care of them. He says he wants to get other people
|
|
interested, too, and so he wants to start a
|
|
contribution. He says he'll double any amount that's
|
|
raised in the next six months--that is, if there's two
|
|
thousand raised, he'll make it four thousand;
|
|
understand? And so Charlie and I and the Gretrys are
|
|
going to get up an amateur play--a charity affair--and
|
|
raise as much money as we can. J. thinks it's a good
|
|
idea, and--here's the point--we were talking about it
|
|
coming home in the carriage, and J. said he wondered if
|
|
that Miss Dearborn wouldn't take part. And we are all
|
|
wild to have you. You know you do that sort of thing
|
|
so well. Now don't say yes or no to-night. You sleep
|
|
over it. J. is crazy to have you in it."
|
|
|
|
"I'd love to do it," answered Laura. "But I would have
|
|
to see--it takes so long to get settled, and there's so
|
|
much to do about a big house like ours, I might not
|
|
have time. But I will let you know."
|
|
|
|
Mrs. Cressler told her in detail about the proposed
|
|
play. Landry Court was to take part, and she enlisted
|
|
Laura's influence to get Sheldon Corthell to undertake
|
|
a role. Page, it appeared, had already promised to
|
|
help. Laura remembered now that she had heard her
|
|
speak of it. However, the plan was so immature as yet,
|
|
that it hardly admitted of very much discussion, and
|
|
inevitably the conversation came back to its starting-
|
|
point .
|
|
|
|
"You know," Laura had remarked in answer to one of Mrs.
|
|
Cressler's observations upon the capabilities and
|
|
business ability of "J.," "you know I never heard of
|
|
him before you spoke of our theatre party. I don't
|
|
know anything about him."
|
|
|
|
But Mrs. Cressler promptly supplied the information.
|
|
Curtis Jadwin was a man about thirty-five, who had
|
|
begun life without a sou in his pockets. He was a
|
|
native of Michigan. His people were farmers, nothing
|
|
more nor less than hardy, honest fellows, who ploughed
|
|
and sowed for a living. Curtis had only a rudimentary
|
|
schooling, because he had given up the idea of
|
|
finishing his studies in the High School in Grand
|
|
Rapids, on the chance of going into business with a
|
|
livery stable keeper. Then in time he had bought out
|
|
the business and had run it for himself. Some one in
|
|
Chicago owed him money, and in default of payment had
|
|
offered him a couple of lots on Wabash Avenue. That
|
|
was how he happened to come to Chicago. Naturally
|
|
enough as the city grew the Wabash Avenue property--it
|
|
was near Monroe Street--increased in value. He sold
|
|
the lots and bought other real estate, sold that and
|
|
bought somewhere else, and so on, till he owned some of
|
|
the best business sites in the city. Just his ground
|
|
rent alone brought him, heaven knew how many thousands
|
|
a year. He was one of the largest real estate owners
|
|
in Chicago. But he no longer bought and sold. His
|
|
property had grown so large that just the management of
|
|
it alone took up most of his time. He had an office in
|
|
the Rookery, and perhaps being so close to the Board of
|
|
Trade Building, had given him a taste for trying a
|
|
little deal in wheat now and then. As a rule, he
|
|
deplored speculation. He had no fixed principles about
|
|
it, like Charlie. Only he was conservative;
|
|
occasionally he hazarded small operations. Somehow he
|
|
had never married. There had been affairs. Oh, yes,
|
|
one or two, of course. Nothing very serious, He just
|
|
didn't seem to have met the right girl, that was all.
|
|
He lived on Michigan Avenue, near the corner of Twenty-
|
|
first Street, in one of those discouraging eternal
|
|
yellow limestone houses with a basement dining-room.
|
|
His aunt kept house for him, and his nieces and nephews
|
|
overran the place. There was always a raft of them
|
|
there, either coming or going; and the way they
|
|
exploited him! He supported them all; heaven knew how
|
|
many there were; such drabs and gawks, all elbows and
|
|
knees, who soaked themselves with cologne and made
|
|
companions of the servants. They and the second girls
|
|
were always squabbling about their things that they
|
|
found in each other's rooms.
|
|
|
|
It was growing late. At length Mrs. Cressler rose.
|
|
|
|
"My goodness, Laura, look at the time; and I've been
|
|
keeping you up when you must be killed for sleep."
|
|
|
|
She took herself away, pausing at the doorway long
|
|
enough to say:
|
|
|
|
"Do try to manage to take part in the play. J. made me
|
|
promise that I would get you."
|
|
|
|
"Well, I think I can," Laura answered. "Only I'll have
|
|
to see first how our new regime is going to run--the
|
|
house I mean."
|
|
|
|
When Mrs. Cressler had gone Laura lost no time in
|
|
getting to bed. But after she turned out the gas she
|
|
remembered that she had not "covered" the fire, a
|
|
custom that she still retained from the daily round of
|
|
her life at Barrington. She did not light the gas
|
|
again, but guided by the firelight, spread a shovelful
|
|
of ashes over the top of the grate. Yet when she had
|
|
done this, she still knelt there a moment, looking
|
|
wide-eyed into the glow, thinking over the events of
|
|
the last twenty-four hours. When all was said and
|
|
done, she had, after all, found more in Chicago than
|
|
the clash and trepidation of empire-making, more than
|
|
the reverberation of the thunder of battle, more than
|
|
the piping and choiring of sweet music.
|
|
|
|
First it had been Sheldon Corthell, quiet, persuasive,
|
|
eloquent. Then Landry Court with his exuberance and
|
|
extravagance and boyishness, and now--unexpectedly--
|
|
behold, a new element had appeared--this other one,
|
|
this man of the world, of affairs, mature, experienced,
|
|
whom she hardly knew. It was charming she told
|
|
herself, exciting. Life never had seemed half so
|
|
delightful. Romantic, she felt Romance, unseen,
|
|
intangible, at work all about her. And love, which of
|
|
all things knowable was dearest to her, came to her
|
|
unsought.
|
|
|
|
Her first aversion to the Great Grey City was fast
|
|
disappearing. She saw it now in a kindlier aspect.
|
|
|
|
"I think," she said at last, as she still knelt before
|
|
the fire, looking deep into the coals, absorbed,
|
|
abstracted, "I think that I am going to be very happy
|
|
here."
|
|
|
|
III
|
|
|
|
On a certain Monday morning, about a month later,
|
|
Curtis Jadwin descended from his office in the Rookery
|
|
Building, and turning southward, took his way toward
|
|
the brokerage and commission office of Gretry, Converse
|
|
and Co., on the ground floor of the Board of Trade
|
|
Building, only a few steps away.
|
|
|
|
It was about nine o'clock; the weather was mild, the
|
|
sun shone. La Salle Street swarmed with the
|
|
multitudinous life that seethed about the doors of the
|
|
innumerable offices of brokers and commission men of
|
|
the neighbourhood. To the right, in the peristyle of
|
|
the Illinois Trust Building, groups of clerks, of
|
|
messengers, of brokers, of clients, and of depositors
|
|
formed and broke incessantly. To the left, where the
|
|
facade of the Board of Trade blocked the street, the
|
|
activity was astonishing, and in and out of the swing
|
|
doors of its entrance streamed an incessant tide of
|
|
coming and going. All the life of the neighbourhood
|
|
seemed to centre at this point--the entrance of the
|
|
Board of Trade. Two currents that trended swiftly
|
|
through La Salle and Jackson streets, and that fed, or
|
|
were fed by, other tributaries that poured in through
|
|
Fifth Avenue and through Clarke and Dearborn streets,
|
|
met at this point--one setting in, the other out. The
|
|
nearer the currents the greater their speed. Men--mere
|
|
flotsam in the flood--as they turned into La Salle
|
|
Street from Adams or from Monroe, or even from as far
|
|
as Madison, seemed to accelerate their pace as they
|
|
approached. At the Illinois Trust the walk became a
|
|
stride, at the Rookery the stride was almost a trot.
|
|
But at the corner of Jackson Street, the Board of Trade
|
|
now merely the width of the street away, the trot
|
|
became a run, and young men and boys, under the
|
|
pretence of escaping the trucks and wagons of the
|
|
cobbles, dashed across at a veritable gallop, flung
|
|
themselves panting into the entrance of the Board, were
|
|
engulfed in the turmoil of the spot, and disappeared
|
|
with a sudden fillip into the gloom of the interior.
|
|
|
|
Often Jadwin had noted the scene, and, unimaginative
|
|
though he was, had long since conceived the notion of
|
|
some great, some resistless force within the Board of
|
|
Trade Building that held the tide of the streets within
|
|
its grip, alternately drawing it in and throwing it
|
|
forth. Within there, a great whirlpool, a pit of
|
|
roaring waters spun and thundered, sucking in the life
|
|
tides of the city, sucking them in as into the mouth of
|
|
some tremendous cloaca, the maw of some colossal sewer;
|
|
then vomiting them forth again, spewing them up and
|
|
out, only to catch them in the return eddy and suck
|
|
them in afresh.
|
|
|
|
Thus it went, day after day. Endlessly, ceaselessly
|
|
the Pit, enormous, thundering, sucked in and spewed
|
|
out, sending the swirl of its mighty central eddy far
|
|
out through the city's channels. Terrible at the
|
|
centre, it was, at the circumference, gentle, insidious
|
|
and persuasive, the send of the flowing so mild, that
|
|
to embark upon it, yielding to the influence, was a
|
|
pleasure that seemed all devoid of risk. But the
|
|
circumference was not bounded by the city. All through
|
|
the Northwest, all through the central world of the
|
|
Wheat the set and whirl of that innermost Pit made
|
|
itself felt; and it spread and spread and spread till
|
|
grain in the elevators of Western Iowa moved and
|
|
stirred and answered to its centripetal force, and men
|
|
upon the streets of New York felt the mysterious
|
|
tugging of its undertow engage their feet, embrace
|
|
their bodies, overwhelm them, and carry them bewildered
|
|
and unresisting back and downwards to the Pit itself.
|
|
|
|
Nor was the Pit's centrifugal power any less. Because
|
|
of some sudden eddy spinning outward from the middle of
|
|
its turmoil, a dozen bourses of continental Europe
|
|
clamoured with panic, a dozen Old-World banks, firm as
|
|
the established hills, trembled and vibrated. Because
|
|
of an unexpected caprice in the swirling of the inner
|
|
current, some far-distant channel suddenly dried, and
|
|
the pinch of famine made itself felt among the vine
|
|
dressers of Northern Italy, the coal miners of Western
|
|
Prussia. Or another channel filled, and the starved
|
|
moujik of the steppes, and the hunger-shrunken coolie
|
|
of the Ganges' watershed fed suddenly fat and made
|
|
thank offerings before ikon and idol.
|
|
|
|
There in the centre of the Nation, midmost of that
|
|
continent that lay between the oceans of the New World
|
|
and the Old, in the heart's heart of the affairs of
|
|
men, roared and rumbled the Pit. It was as if the
|
|
Wheat, Nourisher of the Nations, as it rolled gigantic
|
|
and majestic in a vast flood from West to East, here,
|
|
like a Niagara, finding its flow impeded, burst
|
|
suddenly into the appalling fury of the Maelstrom, into
|
|
the chaotic spasm of a world-force, a primeval energy,
|
|
blood-brother of the earthquake and the glacier, raging
|
|
and wrathful that its power should be braved by some
|
|
pinch of human spawn that dared raise barriers across
|
|
its courses.
|
|
|
|
Small wonder that Cressler laughed at the thought of
|
|
cornering wheat, and even now as Jadwin crossed Jackson
|
|
Street, on his way to his broker's office on the lower
|
|
floor of the Board of Trade Building, he noted the ebb
|
|
and flow that issued from its doors, and remembered the
|
|
huge river of wheat that rolled through this place from
|
|
the farms of Iowa and ranches of Dakota to the mills
|
|
and bakeshops of Europe.
|
|
|
|
"There's something, perhaps, in what Charlie says," he
|
|
said to himself. "Corner this stuff--my God!"
|
|
|
|
Gretry, Converse & Co. was the name of the brokerage
|
|
firm that always handled Jadwin's rare speculative
|
|
ventures. Converse was dead long since, but the firm
|
|
still retained its original name. The house was as old
|
|
and as well established as any on the Board of Trade.
|
|
It had a reputation for conservatism, and was known
|
|
more as a Bear than a Bull concern. It was immensely
|
|
wealthy and immensely important. It discouraged the
|
|
growth of a clientele of country customers, of small
|
|
adventurers, knowing well that these were the first to
|
|
go in a crash, unable to meet margin calls, and leaving
|
|
to their brokers the responsibility of their disastrous
|
|
trades. The large, powerful Bears were its friends,
|
|
the Bears strong of grip, tenacious of jaw, capable of
|
|
pulling down the strongest Bull. Thus the firm had no
|
|
consideration for the "outsiders," the "public"--the
|
|
Lambs. The Lambs! Such a herd, timid, innocent,
|
|
feeble, as much out of place in La Salle Street as a
|
|
puppy in a cage of panthers; the Lambs, whom Bull and
|
|
Bear did not so much as condescend to notice, but who,
|
|
in their mutual struggle of horn and claw, they crushed
|
|
to death by the mere rolling of their bodies.
|
|
|
|
Jadwin did not go directly into Gretry's main office,
|
|
but instead made his way in at the entrance of the
|
|
Board of Trade Building, and going on past the stair-
|
|
ways that on either hand led up to the "Floor" on the
|
|
second story, entered the corridor beyond, and thence
|
|
gained the customers' room of Gretry, Converse & Co.
|
|
All the more important brokerage firms had offices on
|
|
the ground floor of the building, offices that had two
|
|
entrances, one giving upon the street, and one upon the
|
|
corridor of the Board. Generally the corridor entrance
|
|
admitted directly to the firm's customers' room. This
|
|
was the case with the Gretry-Converse house.
|
|
|
|
Once in the customers' room, Jadwin paused, looking
|
|
about him.
|
|
|
|
He could not tell why Gretry had so earnestly desired
|
|
him to come to his office that morning, but he wanted
|
|
to know how wheat was selling before talking to the
|
|
broker. The room was large, and but for the lighted
|
|
gas, burning crudely without globes, would have been
|
|
dark. All one wall opposite the door was taken up by a
|
|
great blackboard covered with chalked figures in
|
|
columns, and illuminated by a row of overhead gas jets
|
|
burning under a tin reflector. Before this board files
|
|
of chairs were placed, and these were occupied by
|
|
groups of nondescripts, shabbily dressed men, young and
|
|
old, with tired eyes and unhealthy complexions, who
|
|
smoked and expectorated, or engaged in interminable
|
|
conversations.
|
|
|
|
In front of the blackboard, upon a platform, a young
|
|
man in shirt-sleeves, his cuffs caught up by metal
|
|
clamps, walked up and down. Screwed to the black-board
|
|
itself was a telegraph instrument, and from time to
|
|
time, as this buzzed and ticked, the young man chalked
|
|
up cabalistic, and almost illegible figures under
|
|
columns headed by initials of certain stocks and bonds,
|
|
or by the words "Pork," "Oats," or, larger than all the
|
|
others, "May Wheat." The air of the room was stale,
|
|
close, and heavy with tobacco fumes. The only noises
|
|
were the low hum of conversations, the unsteady click
|
|
of the telegraph key, and the tapping of the chalk in
|
|
the marker's fingers.
|
|
|
|
But no one in the room seemed to pay the least
|
|
attention to the blackboard. One quotation replaced
|
|
another, and the key and the chalk clicked and tapped
|
|
incessantly. The occupants of the room, sunk in their
|
|
chairs, seemed to give no heed; some even turned their
|
|
backs; one, his handkerchief over his knee, adjusted
|
|
his spectacles, and opening a newspaper two days old,
|
|
began to read with peering deliberation, his lips
|
|
forming each word. These nondescripts gathered there,
|
|
they knew not why. Every day found them in the same
|
|
place, always with the same fetid, unlighted cigars,
|
|
always with the same frayed newspapers two days old.
|
|
There they sat, inert, stupid, their decaying senses
|
|
hypnotised and soothed by the sound of the distant
|
|
rumble of the Pit, that came through the ceiling from
|
|
the floor of the Board overhead.
|
|
|
|
One of these figures, that of a very old man, blear-
|
|
eyed, decrepit, dirty, in a battered top hat and faded
|
|
frock coat, discoloured and weather-stained at the
|
|
shoulders, seemed familiar to Jadwin. It recalled some
|
|
ancient association, he could not say what. But he was
|
|
unable to see the old man's face distinctly; the light
|
|
was bad, and he sat with his face turned from him,
|
|
eating a sandwich, which he held in a trembling hand.
|
|
|
|
Jadwin, having noted that wheat was selling at 94, went
|
|
away, glad to be out of the depressing atmosphere of
|
|
the room.
|
|
|
|
Gretry was in his office, and Jadwin was admitted at
|
|
once. He sat down in a chair by the broker's desk, and
|
|
for the moment the two talked of trivialities. Gretry
|
|
was a large, placid, smooth-faced man, stolid as an ox;
|
|
inevitably dressed in blue serge, a quill tooth-pick
|
|
behind his ear, a Grand Army button in his lapel. He
|
|
and Jadwin were intimates. The two had come to Chicago
|
|
almost simultaneously, and had risen together to become
|
|
the wealthy men they were at the moment. They belonged
|
|
to the same club, lunched together every day at
|
|
Kinsley's, and took each other driving behind their
|
|
respective trotters on alternate Saturday afternoons.
|
|
In the middle of summer each stole a fortnight from his
|
|
business, and went fishing at Geneva Lake in Wisconsin.
|
|
|
|
"I say," Jadwin observed, "I saw an old fellow outside
|
|
in your customers' room just now that put me in mind of
|
|
Hargus. You remember that deal of his, the one he
|
|
tried to swing before he died. Oh--how long ago was
|
|
that? Bless my soul, that must have been fifteen, yes
|
|
twenty years ago."
|
|
|
|
The deal of which Jadwin spoke was the legendary
|
|
operation of the Board of Trade--a mammoth corner in
|
|
September wheat, manipulated by this same Hargus, a
|
|
millionaire, who had tripled his fortune by the corner,
|
|
and had lost it by some chicanery on the part of his
|
|
associate before another year. He had run wheat up to
|
|
nearly two dollars, had been in his day a king all-
|
|
powerful. Since then all deals had been spoken of in
|
|
terms of the Hargus affair. Speculators said, "It was
|
|
almost as bad as the Hargus deal." "It was like the
|
|
Hargus smash." " It was as big a thing as the Hargus
|
|
corner." Hargus had become a sort of creature of
|
|
legends, mythical, heroic, transfigured in the glory of
|
|
his millions.
|
|
|
|
"Easily twenty years ago," continued Jadwin. "If
|
|
Hargus could come to life now, he'd be surprised at the
|
|
difference in the way we do business these days.
|
|
Twenty years. Yes, it's all of that. I declare, Sam,
|
|
we're getting old, aren't we?"
|
|
|
|
"I guess that _was_ Hargus you saw out there," answered
|
|
the broker. "He's not dead. Old fellow in a stove-
|
|
pipe and greasy frock coat? Yes, that's Hargus."
|
|
|
|
"What!" exclaimed Jadwin. "_That_ Hargus?"
|
|
|
|
"Of course it was. He comes 'round every day. The
|
|
clerks give him a dollar every now and then."
|
|
|
|
"And he's not dead? And that was Hargus, that wretched,
|
|
broken--whew! I don't want to think of it, Sam!" And
|
|
Jadwin, taken all aback, sat for a moment speechless.
|
|
|
|
"Yes, sir," muttered the broker grimly, "that was
|
|
Hargus."
|
|
|
|
There was a long silence. Then at last Gretry
|
|
exclaimed briskly:
|
|
|
|
"Well, here's what I want to see you about."
|
|
|
|
He lowered his voice: " You know I've got a
|
|
correspondent or two at Paris--all the brokers have--
|
|
and we make no secret as to who they are. But I've had
|
|
an extra man at work over there for the last six
|
|
months, very much on the quiet. I don't mind telling
|
|
you this much--that he's not the least important member
|
|
of the United States Legation. Well, now and then he
|
|
is supposed to send me what the reporters call
|
|
"exclusive news"--that's what I feed him for, and I
|
|
could run a private steam yacht on what it costs me.
|
|
But news I get from him is a day or so in advance of
|
|
everybody else. He hasn't sent me anything very
|
|
important till this morning. This here just came in."
|
|
|
|
He picked up a despatch from his desk and read:
|
|
|
|
"'Utica--headquarters--modification--organic--
|
|
concomitant--within one month,' which means," he added,
|
|
"this. I've just deciphered it," and he handed Jadwin
|
|
a slip of paper on which was written:
|
|
|
|
"Bill providing for heavy import duties on foreign
|
|
grains certain to be introduced in French Chamber of
|
|
Deputies within one month."
|
|
|
|
"Have you got it?" he demanded of Jadwin, as he took
|
|
the slip back. "Won't forget it?" He twisted the paper
|
|
into a roll and burned it carefully in the office
|
|
cuspidor.
|
|
|
|
"Now," he remarked, "do you come in? It's just the two
|
|
of us, J., and I think we can make that Porteous clique
|
|
look very sick."
|
|
|
|
"Hum!" murmured Jadwin surprised. "That _does_ give
|
|
you a twist on the situation. But to tell the truth,
|
|
Sam, I had sort of made up my mind to keep out of
|
|
speculation since my last little deal. A man gets into
|
|
this game, and into it, and into it, and before you
|
|
know he can't pull out--and he don't want to. Next he
|
|
gets his nose scratched, and he hits back to make up
|
|
for it, and just hits into the air and loses his
|
|
balance--and down he goes. I don't want to make any
|
|
more money, Sam. I've got my little pile, and before I
|
|
get too old I want to have some fun out of it."
|
|
|
|
"But lord love you, J.," objected the other, "this
|
|
ain't speculation. You can see for yourself how sure
|
|
it is. I'm not a baby at this business, am I? You'll
|
|
let me know something of this game, won't you? And I
|
|
tell you, J., it's found money. The man that sells
|
|
wheat short on the strength of this has as good as got
|
|
the money in his vest pocket already. Oh, nonsense, of
|
|
course you'll come in. I've been laying for that Bull
|
|
gang since long before the Helmick failure, and now
|
|
I've got it right where I want it. Look here, J., you
|
|
aren't the man to throw money away. You'd buy a
|
|
business block if you knew you could sell it over again
|
|
at a profit. Now here's the chance to make really a
|
|
fine Bear deal. Why, as soon as this news gets on the
|
|
floor there, the price will bust right down, and down,
|
|
and down. Porteous and his crowd couldn't keep it up
|
|
to save 'em from the receiver's hand one single
|
|
minute."
|
|
|
|
"I know, Sam," answered Jadwin, "and the trouble is,
|
|
not that I don't want to speculate, but that I _do_--
|
|
too much. That's why I said I'd keep out of it. It
|
|
isn't so much the money as the fun of playing the game.
|
|
With half a show, I would get in a little more and a
|
|
little more, till by and by I'd try to throw a big
|
|
thing, and instead, the big thing would throw me. Why,
|
|
Sam, when you told me that that wreck out there
|
|
mumbling a sandwich was Hargus, it made me turn cold."
|
|
|
|
"Yes, in your feet," retorted Gretry. "I'm not asking
|
|
you to risk all your money, am I, or a fifth of it, or
|
|
a twentieth of it? Don't be an ass, J. Are we a
|
|
conservative house, or aren't we? Do I talk like this
|
|
when I'm not sure? Look here. Let me sell a million
|
|
bushels for you. Yes, I know it's a bigger order than
|
|
I've handled for you before. But _this_ time I want to
|
|
go _right into it,_ head down and heels up, and get a
|
|
twist on those Porteous buckoes, and raise 'em right
|
|
out of their boots. We get a crop report this morning,
|
|
and if the visible supply is as large as I think it is,
|
|
the price will go off and unsettle the whole market.
|
|
I'll sell short for you at the best figures we can get,
|
|
and you can cover on the slump any time between now and
|
|
the end of May."
|
|
|
|
Jadwin hesitated. In spite of himself he felt a Chance
|
|
had come. Again that strange sixth sense of his, the
|
|
inexplicable instinct, that only the born speculator
|
|
knows, warned him. Every now and then during the
|
|
course of his business career, this intuition came to
|
|
him, this _flair,_ this intangible, vague premonition,
|
|
this presentiment that he must seize Opportunity or
|
|
else Fortune, that so long had stayed at his elbow,
|
|
would desert him. In the air about him he seemed to
|
|
feel an influence, a sudden new element, the presence
|
|
of a new force. It was Luck, the great power, the
|
|
great goddess, and all at once it had stooped from out
|
|
the invisible, and just over his head passed swiftly in
|
|
a rush of glittering wings.
|
|
|
|
"The thing would have to be handled like glass,"
|
|
observed the broker thoughtfully, his eyes narrowing "A
|
|
tip like this is public property in twenty-four hours,
|
|
and it don't give us any too much time. I don't want
|
|
to break the price by unloading a million or more
|
|
bushels on 'em all of a sudden. I'll scatter the
|
|
orders pretty evenly. You see," he added, "here's a
|
|
big point in our favor. We'll be able to sell on a
|
|
strong market. The Pit traders have got some crazy war
|
|
rumour going, and they're as flighty over it as a young
|
|
ladies' seminary over a great big rat. And even
|
|
without that, the market is top-heavy. Porteous makes
|
|
me weary. He and his gang have been bucking it up till
|
|
we've got an abnormal price. Ninety-four for May
|
|
wheat! Why, it's ridiculous. Ought to be selling way
|
|
down in the eighties. The least little jolt would tip
|
|
her over. Well," he said abruptly, squaring himself at
|
|
Jadwin, "do we come in? If that same luck of yours is
|
|
still in working order, here's your chance, J., to make
|
|
a killing. There's just that gilt-edged, full-morocco
|
|
chance that a report of big 'visible' would give us."
|
|
|
|
Jadwin laughed. "Sam," he said, "I'll flip a coin for
|
|
it."
|
|
|
|
"Oh, get out," protested the broker; then suddenly--the
|
|
gambling instinct that a lifetime passed in that place
|
|
had cultivated in him--exclaimed:
|
|
|
|
"All right. Flip a coin. But give me your word you'll
|
|
stay by it. Heads you come in; tails you don't. Will
|
|
you give me your word?"
|
|
|
|
"Oh, I don't know about that," replied Jadwin, amused
|
|
at the foolishness of the whole proceeding. But as he
|
|
balanced the half-dollar on his thumb-nail, he was all
|
|
at once absolutely assured that it would fall heads.
|
|
He flipped it in the air, and even as he watched it
|
|
spin, said to himself, "It will come heads. It could
|
|
not possibly be anything else. I _know_ it will be
|
|
heads."
|
|
|
|
And as a matter of course the coin fell heads.
|
|
|
|
"All right," he said, "I'll come in."
|
|
|
|
"For a million bushels?"
|
|
|
|
"Yes--for a million. How much in margins will you
|
|
want?"
|
|
|
|
Gretry figured a moment on the back of an envelope.
|
|
|
|
"Fifty thousand dollars," he announced at length.
|
|
|
|
Jadwin wrote the check on a corner of the broker's
|
|
desk, and held it a moment before him.
|
|
|
|
"Good-bye," he said, apostrophising the bit of paper.
|
|
"Good-bye. I ne'er shall look upon your like again."
|
|
|
|
Gretry did not laugh.
|
|
|
|
"Huh!" he grunted. "You'll look upon a hatful of them
|
|
before the month is out."
|
|
|
|
That same morning Landry Court found himself in the
|
|
corridor on the ground floor of the Board of Trade
|
|
about nine o'clock. He had just come out of the office
|
|
of Gretry, Converse & Co., where he and the other Pit
|
|
traders for the house had been receiving their orders
|
|
for the day.
|
|
|
|
As he was buying a couple of apples at the news stand
|
|
at the end of the corridor, Semple and a young Jew
|
|
named Hirsch, Pit traders for small firms in La Salle
|
|
Street, joined him.
|
|
|
|
"Hello, Court, what do you know?"
|
|
|
|
"Hello, Barry Semple! Hello, Hirsch!" Landry offered
|
|
the halves of his second apple, and the three stood
|
|
there a moment, near the foot of the stairs, talking
|
|
and eating their apples from the points of their
|
|
penknives .
|
|
|
|
"I feel sort of seedy this morning," Semple observed
|
|
between mouthfuls. "Was up late last night at a stag.
|
|
A friend of mine just got back from Europe, and some of
|
|
the boys were giving him a little dinner. He was all
|
|
over the shop, this friend of mine; spent most of his
|
|
time in Constantinople; had some kind of newspaper
|
|
business there. It seems that it's a pretty crazy
|
|
proposition, Turkey and the Sultan and all that. He
|
|
said that there was nearly a row over the 'Higgins-
|
|
Pasha' incident, and that the British agent put it
|
|
pretty straight to the Sultan's secretary. My friend
|
|
said Constantinople put him in mind of a lot of opera
|
|
bouffe scenery that had got spilled out in the mud.
|
|
Say, Court, he said the streets were dirtier than the
|
|
Chicago streets."
|
|
|
|
"Oh, come now," said Hirsch.
|
|
|
|
"Fact! And the dogs! He told us he knows now where all
|
|
the yellow dogs go to when they die."
|
|
|
|
"But say," remarked Hirsch, "what is that about the
|
|
Higgins-Pasha business? I thought that was over long
|
|
ago."
|
|
|
|
"Oh, it is," answered Semple easily. He looked at his
|
|
watch. "I guess it's about time to go up, pretty near
|
|
half-past nine."
|
|
|
|
The three mounted the stairs, mingling with the groups
|
|
of floor traders who, in steadily increasing numbers,
|
|
had begun to move in the same direction. But on the
|
|
way Hirsch was stopped by his brother.
|
|
|
|
"Hey, I got that box of cigars for you."
|
|
|
|
Hirsch paused. "Oh! All right," he said, then he
|
|
added: " Say, how about that Higgins-Pasha affair? You
|
|
remember that row between England and Turkey. They
|
|
tell me the British agent in Constantinople put it
|
|
pretty straight to the Sultan the other day."
|
|
|
|
The other was interested. "He did, hey?" he said.
|
|
"The market hasn't felt it, though. Guess there's
|
|
nothing to it. But there's Kelly yonder. He'd know.
|
|
He's pretty thick with Porteous' men. Might ask him."
|
|
|
|
"You ask him and let me know. I got to go on the
|
|
floor. It's nearly time for the gong."
|
|
|
|
Hirsch's brother found Kelly in the centre of a group
|
|
of settlement clerks.
|
|
|
|
"Say, boy," he began, "you ought to know. They tell me
|
|
there may be trouble between England and Turkey over
|
|
the Higgins-Pasha incident, and that the British
|
|
Foreign Office has threatened the Sultan with an
|
|
ultimatum. I can see the market if that's so."
|
|
|
|
"Nothing in it," retorted Kelly. "But I'll find out--
|
|
to make sure, by jingo."
|
|
|
|
Meanwhile Landry had gained the top of the stairs, and
|
|
turning to the right, passed through a great doorway,
|
|
and came out upon the floor of the Board of Trade.
|
|
|
|
It was a vast enclosure, lighted on either side by
|
|
great windows of coloured glass, the roof supported by
|
|
thin iron pillars elaborately decorated. To the left
|
|
were the bulletin blackboards, and beyond these, in the
|
|
northwest angle of the floor, a great railed-in space
|
|
where the Western Union Telegraph was installed. To
|
|
the right, on the other side of the room, a row of
|
|
tables, laden with neatly arranged paper bags half full
|
|
of samples of grains, stretched along the east wall
|
|
from the doorway of the public room at one end to the
|
|
telephone room at the other.
|
|
|
|
The centre of the floor was occupied by the pits. To
|
|
the left and to the front of Landry the provision pit,
|
|
to the right the corn pit, while further on at the
|
|
north extremity of the floor, and nearly under the
|
|
visitors' gallery, much larger than the other two, and
|
|
flanked by the wicket of the official recorder, was the
|
|
wheat pit itself.
|
|
|
|
Directly opposite the visitors' gallery, high upon the
|
|
south wall a great dial was affixed, and on the dial a
|
|
marking hand that indicated the current price of wheat,
|
|
fluctuating with the changes made in the Pit. Just now
|
|
it stood at ninety-three and three-eighths, the closing
|
|
quotation of the preceding day.
|
|
|
|
As yet all the pits were empty. It was some fifteen
|
|
minutes after nine. Landry checked his hat and coat at
|
|
the coat room near the north entrance, and slipped into
|
|
an old tennis jacket of striped blue flannel. Then,
|
|
hatless, his hands in his pockets, he leisurely crossed
|
|
the floor, and sat down in one of the chairs that were
|
|
ranged in files upon the floor in front of the
|
|
telegraph enclosure. He scrutinised again the
|
|
despatches and orders that he held in his hands; then,
|
|
having fixed them in his memory, tore them into very
|
|
small bits, looking vaguely about the room, developing
|
|
his plan of campaign for the morning.
|
|
|
|
In a sense Landry Court had a double personality. Away
|
|
from the neighbourhood and influence of La Salle
|
|
Street, he was "rattle-brained," absent-minded,
|
|
impractical, and easily excited, the last fellow in the
|
|
world to be trusted with any business responsibility.
|
|
But the thunder of the streets around the Board of
|
|
Trade, and, above all, the movement and atmosphere of
|
|
the floor itself awoke within him a very different
|
|
Landry Court; a whole new set of nerves came into being
|
|
with the tap of the nine-thirty gong, a whole new
|
|
system of brain machinery began to move with the first
|
|
figure called in the Pit. And from that instant until
|
|
the close of the session, no floor trader, no broker's
|
|
clerk nor scalper was more alert, more shrewd, or kept
|
|
his head more surely than the same young fellow who
|
|
confused his social engagements for the evening of the
|
|
same day. The Landry Court the Dearborn girls knew was
|
|
a far different young man from him who now leaned his
|
|
elbows on the arms of the chair upon the floor of the
|
|
Board, and, his eyes narrowing, his lips tightening,
|
|
began to speculate upon what was to be the temper of
|
|
the Pit that morning.
|
|
|
|
Meanwhile the floor was beginning to fill up. Over in
|
|
the railed-in space, where the hundreds of telegraph
|
|
instruments were in place, the operators were arriving
|
|
in twos and threes. They hung their hats and ulsters
|
|
upon the pegs in the wall back of them, and in linen
|
|
coats, or in their shirt-sleeves, went to their seats,
|
|
or, sitting upon their tables, called back and forth to
|
|
each other, joshing, cracking jokes. Some few
|
|
addressed themselves directly to work, and here and
|
|
there the intermittent clicking of a key began, like a
|
|
diligent cricket busking himself in advance of its
|
|
mates.
|
|
|
|
From the corridors on the ground floor up through the
|
|
south doors came the pit traders in increasing groups.
|
|
The noise of footsteps began to echo from the high
|
|
vaulting of the roof. A messenger boy crossed the
|
|
floor chanting an unintelligible name.
|
|
|
|
The groups of traders gradually converged upon the corn
|
|
and wheat pits, and on the steps of the latter, their
|
|
arms crossed upon their knees, two men, one wearing a
|
|
silk skull cap all awry, conversed earnestly in low
|
|
tones.
|
|
|
|
Winston, a great, broad-shouldered bass-voiced fellow
|
|
of some thirty-five years, who was associated with
|
|
Landry in executing the orders of the Gretry-Converse
|
|
house, came up to him, and, omitting any salutation,
|
|
remarked, deliberately, slowly:
|
|
|
|
"What's all this about this trouble between Turkey and
|
|
England?"
|
|
|
|
But before Landry could reply a third trader for the
|
|
Gretry Company joined the two. This was a young fellow
|
|
named Rusbridge, lean, black-haired, a constant
|
|
excitement glinting in his deep-set eyes.
|
|
|
|
"Say," he exclaimed, "there's something in that,
|
|
there's something in that!"
|
|
|
|
"Where did you hear it?" demanded Landry.
|
|
|
|
"Oh--everywhere." Rusbridge made a vague gesture with
|
|
one arm. "Hirsch seemed to know all about it. It
|
|
appears that there's talk of mobilising the
|
|
Mediterranean squadron. Darned if I know."
|
|
|
|
"Might ask that 'Inter-Ocean' reporter. He'd be likely
|
|
to know. I've seen him 'round here this morning, or
|
|
you might telephone the Associated Press," suggested
|
|
Landry. "The office never said a word to _me._"
|
|
|
|
"Oh, the 'Associated.' They know a lot always, don't
|
|
they?" jeered Winston. "Yes, I rung 'em up. They
|
|
'couldn't confirm the rumour.' That's always the way.
|
|
You can spend half a million a year in leased wires and
|
|
special service and subscriptions to news agencies, and
|
|
you get the first smell of news like this right here on
|
|
the floor. Remember that time when the Northwestern
|
|
millers sold a hundred and fifty thousand barrels at
|
|
one lick? The floor was talking of it three hours
|
|
before the news slips were sent 'round, or a single
|
|
wire was in. Suppose we had waited for the Associated
|
|
people or the Commercial people then?"
|
|
|
|
"It's that Higgins-pasha incident, I'll bet," observed
|
|
Rusbridge, his eyes snapping.
|
|
|
|
"I heard something about that this morning," returned
|
|
Landry. "But only that it was----"
|
|
|
|
"There! What did I tell you?" interrupted Rusbridge.
|
|
"I said it was everywhere. There's no smoke without
|
|
some fire. And I wouldn't be a bit surprised if we get
|
|
cables before noon that the British War Office had sent
|
|
an ultimatum."
|
|
|
|
And very naturally a few minutes later Winston, at that
|
|
time standing on the steps of the corn pit, heard from
|
|
a certain broker, who had it from a friend who had just
|
|
received a despatch from some one "in the know," that
|
|
the British Secretary of State for War had forwarded an
|
|
ultimatum to the Porte, and that diplomatic relations
|
|
between Turkey and England were about to be suspended.
|
|
|
|
All in a moment the entire Floor seemed to be talking
|
|
of nothing else, and on the outskirts of every group
|
|
one could overhear the words: "Seizure of custom
|
|
house," "ultimatum," "Eastern question," " Higgins-
|
|
pasha incident." It was the rumour of the day, and
|
|
before very long the pit traders began to receive a
|
|
multitude of despatches countermanding selling orders,
|
|
and directing them not to close out trades under
|
|
certain very advanced quotations. The brokers began
|
|
wiring their principals that the market promised to
|
|
open strong and bullish.
|
|
|
|
But by now it was near to half-past nine. From the
|
|
Western Union desks the clicking of the throng of
|
|
instruments rose into the air in an incessant staccato
|
|
stridulation. The messenger boys ran back and forth at
|
|
top speed, dodging in and out among the knots of clerks
|
|
and traders, colliding with one another, and without
|
|
interruption intoning the names of those for whom they
|
|
had despatches. The throng of traders concentrated
|
|
upon the pits, and at every moment the deep-toned hum
|
|
of the murmur of many voices swelled like the rising of
|
|
a tide.
|
|
|
|
And at this moment, as Landry stood on the rim of the
|
|
wheat pit, looking towards the telephone booth under
|
|
the visitors' gallery, he saw the osseous, stoop-
|
|
shouldered figure of Mr. Cressler--who, though he never
|
|
speculated, appeared regularly upon the Board every
|
|
morning--making his way towards one of the windows in
|
|
the front of the building. His pocket was full of
|
|
wheat, taken from a bag on one of the sample tables.
|
|
Opening the window, he scattered the grain upon the
|
|
sill, and stood for a long moment absorbed and
|
|
interested in the dazzling flutter of the wings of
|
|
innumerable pigeons who came to settle upon the ledge,
|
|
pecking the grain with little, nervous, fastidious taps
|
|
of their yellow beaks.
|
|
|
|
Landry cast a glance at the clock beneath the dial on
|
|
the wall behind him. It was twenty-five minutes after
|
|
nine. He stood in his accustomed place on the north
|
|
side of the Wheat Pit, upon the topmost stair. The Pit
|
|
was full. Below him and on either side of him were the
|
|
brokers, scalpers, and traders--Hirsch, Semple, Kelly,
|
|
Winston, and Rusbridge. The redoubtable Leaycraft,
|
|
who, bidding for himself, was supposed to hold the
|
|
longest line of May wheat of any one man in the Pit,
|
|
the insignificant Grossmann, a Jew who wore a flannel
|
|
shirt, and to whose outcries no one ever paid the least
|
|
attention. Fairchild, Paterson, and Goodlock, the
|
|
inseparable trio who represented the Porteous gang,
|
|
silent men, middle-aged, who had but to speak in order
|
|
to buy or sell a million bushels on the spot. And
|
|
others, and still others, veterans of sixty-five,
|
|
recruits just out of their teens, men who--some of
|
|
them--in the past had for a moment dominated the entire
|
|
Pit, but who now were content to play the part of
|
|
"eighth-chasers," buying and selling on the same day,
|
|
content with a profit of ten dollars. Others who might
|
|
at that very moment be nursing plans which in a week's
|
|
time would make them millionaires; still others who,
|
|
under a mask of nonchalance, strove to hide the chagrin
|
|
of yesterday's defeat. And they were there, ready,
|
|
inordinately alert, ears turned to the faintest sound,
|
|
eyes searching for the vaguest trace of meaning in
|
|
those of their rivals, nervous, keyed to the highest
|
|
tension, ready to thrust deep into the slightest
|
|
opening, to spring, mercilessly, upon the smallest
|
|
undefended spot. Grossmann, the little Jew of the
|
|
grimy flannel shirt, perspired in the stress of the
|
|
suspense, all but powerless to maintain silence till
|
|
the signal should be given, drawing trembling fingers
|
|
across his mouth. Winston, brawny, solid, unperturbed,
|
|
his hands behind his back, waited immovably planted on
|
|
his feet with all the gravity of a statue, his eyes
|
|
preternaturally watchful, keeping Kelly--whom he had
|
|
divined had some "funny business" on hand--perpetually
|
|
in sight. The Porteous trio--Fairchild, Paterson, and
|
|
Goodlock--as if unalarmed, unassailable, all but turned
|
|
their backs to the Pit, laughing among themselves.
|
|
|
|
The official reporter climbed to his perch in the
|
|
little cage on the edge of the Pit, shutting the door
|
|
after him. By now the chanting of the messenger boys
|
|
was an uninterrupted chorus. From all sides of the
|
|
building, and in every direction they crossed and
|
|
recrossed each other, always running, their hands full
|
|
of yellow envelopes. From the telephone alcoves came
|
|
the prolonged, musical rasp of the call bells. In the
|
|
Western Union booths the keys of the multitude of
|
|
instruments raged incessantly. Bare-headed young men
|
|
hurried up to one another, conferred an instant
|
|
comparing despatches, then separated, darting away at
|
|
top speed. Men called to each other half-way across
|
|
the building. Over by the bulletin boards clerks and
|
|
agents made careful memoranda of primary receipts, and
|
|
noted down the amount of wheat on passage, the exports
|
|
and the imports .
|
|
|
|
And all these sounds, the chatter of the telegraph, the
|
|
intoning of the messenger boys, the shouts and cries of
|
|
clerks and traders, the shuffle and trampling of
|
|
hundreds of feet, the whirring of telephone signals
|
|
rose into the troubled air, and mingled overhead to
|
|
form a vast note, prolonged, sustained, that
|
|
reverberated from vault to vault of the airy roof, and
|
|
issued from every doorway, every opened window in one
|
|
long roll of uninterrupted thunder. In the Wheat Pit
|
|
the bids, no longer obedient of restraint, began one by
|
|
one to burst out, like the first isolated shots of a
|
|
skirmish line. Grossmann had flung out an arm crying:
|
|
|
|
"'Sell twenty-five May at ninety-five and an eighth,"
|
|
while Kelly and Semple had almost simultaneously
|
|
shouted, "'Give seven-eighths for May!"
|
|
|
|
The official reporter had been leaning far over to
|
|
catch the first quotations, one eye upon the clock at
|
|
the end of the room. The hour and minute hands were at
|
|
right angles.
|
|
|
|
Then suddenly, cutting squarely athwart the vague
|
|
crescendo of the floor came the single incisive stroke
|
|
of a great gong. Instantly a tumult was unchained.
|
|
Arms were flung upward in strenuous gestures, and from
|
|
above the crowding heads in the Wheat Pit a multitude
|
|
of hands, eager, the fingers extended, leaped into the
|
|
air. All articulate expression was lost in the single
|
|
explosion of sound as the traders surged downwards to
|
|
the centre of the Pit, grabbing each other, struggling
|
|
towards each other, tramping, stamping, charging
|
|
through with might and main. Promptly the hand on the
|
|
great dial above the clock stirred and trembled, and as
|
|
though driven by the tempest breath of the Pit moved
|
|
upward through the degrees of its circle. It paused,
|
|
wavered, stopped at length, and on the instant the
|
|
hundreds of telegraph keys scattered throughout the
|
|
building began clicking off the news to the whole
|
|
country, from the Atlantic to the Pacific and from
|
|
Mackinac to Mexico, that the Chicago market had made a
|
|
slight advance and that May wheat, which had closed the
|
|
day before at ninety-three and three-eighths, had
|
|
opened that morning at ninety-four and a half.
|
|
|
|
But the advance brought out no profit-taking sales.
|
|
The redoubtable Leaycraft and the Porteous trio,
|
|
Fairchild, Paterson, and Goodlock, shook their heads
|
|
when the Pit offered ninety-four for parts of their
|
|
holdings. The price held firm. Goodlock even began to
|
|
offer ninety-four. At every suspicion of a flurry
|
|
Grossmann, always with the same gesture as though
|
|
hurling a javelin, always with the same lamentable wail
|
|
of distress, cried out:
|
|
|
|
"'Sell twenty-five May at ninety-five and a fourth."
|
|
|
|
He held his five fingers spread to indicate the number
|
|
of "contracts," or lots of five thousand bushels, which
|
|
he wished to sell, each finger representing one
|
|
"contract."
|
|
|
|
And it was at this moment that selling orders began
|
|
suddenly to pour in upon the Gretry-Converse traders.
|
|
Even other houses--Teller and West, Burbank & Co.,
|
|
Mattieson and Knight--received their share. The
|
|
movement was inexplicable, puzzling. With a powerful
|
|
Bull clique dominating the trading and every prospect
|
|
of a strong market, who was it who ventured to sell
|
|
short?
|
|
|
|
Landry among others found himself commissioned to sell.
|
|
His orders were to unload three hundred thousand
|
|
bushels on any advance over and above ninety-four. He
|
|
kept his eye on Leaycraft, certain that he would force
|
|
up the figure. But, as it happened, it was not
|
|
Leaycraft but the Porteous trio who made the advance.
|
|
Standing in the centre of the Pit, Patterson suddenly
|
|
flung up his hand and drew it towards him, clutching
|
|
the air--the conventional gesture of the buyer.
|
|
|
|
"'Give an eighth for May."
|
|
|
|
Landry was at him in a second. Twenty voices shouted
|
|
"sold," and as many traders sprang towards him with
|
|
outstretched arms. Landry, however, was before them,
|
|
and his rush carried Paterson half way across the
|
|
middle space of the Pit.
|
|
|
|
"Sold, sold."
|
|
|
|
Paterson nodded, and as Landry noted down the
|
|
transaction the hand on the dial advanced again, and
|
|
again held firm.
|
|
|
|
But after this the activity of the Pit fell away. The
|
|
trading languished. By degrees the tension of the
|
|
opening was relaxed. Landry, however, had refrained
|
|
from selling more than ten "contracts" to Paterson. He
|
|
had a feeling that another advance would come later on.
|
|
Rapidly he made his plans. He would sell another fifty
|
|
thousand bushels if the price went to ninety-four and a
|
|
half, and would then "feel" the market, letting go
|
|
small lots here and there, to test its strength, then,
|
|
the instant he felt the market strong enough, throw a
|
|
full hundred thousand upon it with a rush before it had
|
|
time to break. He could feel--almost at his very
|
|
finger tips--how this market moved, how it
|
|
strengthened, how it weakened. He knew just when to
|
|
nurse it, to humor it, to let it settle, and when to
|
|
crowd it, when to hustle it, when it would stand rough
|
|
handling.
|
|
|
|
Grossmann still uttered his plaint from time to time,
|
|
but no one so much as pretended to listen. The
|
|
Porteous trio and Leaycraft kept the price steady at
|
|
ninety-four and an eighth, but showed no inclination to
|
|
force it higher. For a full five minutes not a trade
|
|
was recorded. The Pit waited for the Report on the
|
|
Visible Supply.
|
|
|
|
And it was during this lull in the morning's business
|
|
that the idiocy of the English ultimatum to the Porte
|
|
melted away. As inexplicably and as suddenly as the
|
|
rumour had started, it now disappeared. Everyone,
|
|
simultaneously, seemed to ridicule it. England declare
|
|
war on Turkey! Where was the joke? Who was the damn
|
|
fool to have started that old, worn-out war scare? But,
|
|
for all that, there was no reaction from the advance.
|
|
It seemed to be understood that either Leaycraft or the
|
|
Porteous crowd stood ready to support the market; and
|
|
in place of the ultimatum story a feeling began to gain
|
|
ground that the expected report would indicate a
|
|
falling off in the "visible," and that it was quite on
|
|
the cards that the market might even advance another
|
|
point.
|
|
|
|
As the interest in the immediate situation declined,
|
|
the crowd in the Pit grew less dense. Portions of it
|
|
were deserted; even Grossmann, discouraged, retired to
|
|
a bench under the visitors' gallery. And a spirit of
|
|
horse-play, sheer foolishness, strangely inconsistent
|
|
with the hot-eyed excitement of the few moments after
|
|
the opening invaded the remaining groups. Leaycraft,
|
|
the formidable, as well as Paterson of the Porteous
|
|
gang, and even the solemn Winston, found an apparently
|
|
inexhaustible diversion in folding their telegrams into
|
|
pointed javelins and sending them sailing across the
|
|
room, watching the course of the missiles with profound
|
|
gravity. A visitor in the gallery--no doubt a Western
|
|
farmer on a holiday--having put his feet upon the rail,
|
|
the entire Pit began to groan "boots, boots, boots."
|
|
|
|
A little later a certain broker came scurrying across
|
|
the floor from the direction of the telephone room.
|
|
Panting, he flung himself up the steps of the Pit,
|
|
forced his way among the traders with vigorous workings
|
|
of his elbows, and shouted a bid.
|
|
|
|
"He's sick," shouted Hirsch. "Look out, he's sick.
|
|
He's going to have a fit." He grabbed the broker by
|
|
both arms and hustled him into the centre of the Pit.
|
|
The others caught up the cry, a score of hands pushed
|
|
the newcomer from man to man. The Pit traders clutched
|
|
him, pulled his necktie loose, knocked off his hat,
|
|
vociferating all the while at top voice, "He's sick!
|
|
He's sick!"
|
|
|
|
Other brokers and traders came up, and Grossmann,
|
|
mistaking the commotion for a flurry, ran into the Pit,
|
|
his eyes wide, waving his arm and wailing:
|
|
|
|
"'Sell twenty-five May at ninety-five and a quarter."
|
|
|
|
But the victim, good-natured, readjusted his battered
|
|
hat, and again repeated his bid.
|
|
|
|
"Ah, go to bed," protested Hirsch.
|
|
|
|
"He's the man who struck Billy Paterson."
|
|
|
|
"Say, a horse bit him. Look out for him, he's going to
|
|
have a duck-fit."
|
|
|
|
The incident appeared to be the inspiration for a new
|
|
"josh" that had a great success, and a group of traders
|
|
organized themselves into an "anti-cravat committee,"
|
|
and made the rounds of the Pit, twitching the carefully
|
|
tied scarfs of the unwary out of place. Grossman,
|
|
indignant at "t'ose monkey-doodle pizeness," withdrew
|
|
from the centre of the Pit. But while he stood in
|
|
front of Leaycraft, his back turned, muttering his
|
|
disgust, the latter, while carrying on a grave
|
|
conversation with his neighbour, carefully stuck a file
|
|
of paper javelins all around the Jew's hat band, and
|
|
then--still without mirth and still continuing to talk--
|
|
set them on fire.
|
|
|
|
Landry imagined by now that ninety-four and an eighth
|
|
was as high a figure as he could reasonably expect that
|
|
morning, and so began to "work off" his selling orders.
|
|
Little by little he sold the wheat "short," till all
|
|
but one large lot was gone.
|
|
|
|
Then all at once, and for no discoverable immediate
|
|
reason, wheat, amid an explosion of shouts and
|
|
vociferations, jumped to ninety-four and a quarter, and
|
|
before the Pit could take breath, had advanced another
|
|
eighth, broken to one-quarter, then jumped to the five-
|
|
eighths mark.
|
|
|
|
It was the Report on the Visible Supply beyond
|
|
question, and though it had not yet been posted, this
|
|
sudden flurry was a sign that it was not only near at
|
|
hand, but would be bullish.
|
|
|
|
A few moments later it was bulletined in the gallery
|
|
beneath the dial, and proved a tremendous surprise to
|
|
nearly every man upon the floor. No one had imagined
|
|
the supply was so ample, so all-sufficient to meet the
|
|
demand. Promptly the Pit responded. Wheat began to
|
|
pour in heavily. Hirsch, Kelly, Grossmann, Leaycraft,
|
|
the stolid Winston, and the excitable Rusbridge were
|
|
hard at it. The price began to give. Suddenly it
|
|
broke sharply. The hand on the great dial dropped to
|
|
ninety-three and seven-eighths."
|
|
|
|
Landry was beside himself. He had not foreseen this
|
|
break. There was no reckoning on that cursed
|
|
"visible," and he still had 50,000 bushels to dispose
|
|
of. There was no telling now how low the price might
|
|
sink. He must act quickly, radically. He fought his
|
|
way towards the Porteous crowd, reached over the
|
|
shoulder of the little Jew Grossmann, who stood in his
|
|
way, and thrust his hand almost into Paterson's face,
|
|
shouting:
|
|
|
|
"'Sell fifty May at seven-eighths."
|
|
|
|
It was the last one of his unaccountable selling orders
|
|
of the early morning.
|
|
|
|
The other shook his head.
|
|
|
|
"'Sell fifty May at three-quarters."
|
|
|
|
Suddenly some instinct warned Landry that another break
|
|
was coming. It was in the very air around him. He
|
|
could almost physically feel the pressure of renewed
|
|
avalanches of wheat crowding down the price.
|
|
Desperate, he grabbed Paterson by the shoulder.
|
|
|
|
"'Sell fifty May at five-eighths."
|
|
|
|
"Take it," vociferated the other, as though answering a
|
|
challenge.
|
|
|
|
And in the heart of this confusion, in this downward
|
|
rush of the price, Luck, the golden goddess, passed
|
|
with the flirt and flash of glittering wings, and
|
|
hardly before the ticker in Gretry's office had
|
|
signalled the decline, the memorandum of the trade was
|
|
down upon Landry's card and Curtis Jadwin stood pledged
|
|
to deliver, before noon on the last day of May, one
|
|
million bushels of wheat into the hands of the
|
|
representatives of the great Bulls of the Board of
|
|
Trade.
|
|
|
|
But by now the real business of the morning was over.
|
|
The Pit knew it. Grossmann, obstinate, hypnotized as
|
|
it were by one idea, still stood in his accustomed
|
|
place on the upper edge of the Pit, and from time to
|
|
time, with the same despairing gesture, emitted his
|
|
doleful outcry of "'Sell twenty-five May at ninety-five
|
|
and three-quarters."
|
|
|
|
Nobody listened. The traders stood around in expectant
|
|
attitudes, looking into one another's faces, waiting
|
|
for what they could not exactly say; loath to leave the
|
|
Pit lest something should "turn up" the moment their
|
|
backs were turned.
|
|
|
|
By degrees the clamour died away, ceased, began again
|
|
irregularly, then abruptly stilled. Here and there a
|
|
bid was called, an offer made, like the intermittent
|
|
crack of small arms after the stopping of the
|
|
cannonade.
|
|
|
|
"'Sell five May at one-eighth."
|
|
|
|
"'Sell twenty at one-quarter."
|
|
|
|
"'Give one-eighth for May."
|
|
|
|
For an instant the shoutings were renewed. Then
|
|
suddenly the gong struck. The traders began slowly to
|
|
leave the Pit. One of the floor officers, an old
|
|
fellow in uniform and vizored cap, appeared, gently
|
|
shouldering towards the door the groups wherein the
|
|
bidding and offering were still languidly going on.
|
|
His voice full of remonstration, he repeated
|
|
continually:
|
|
|
|
"Time's up, gentlemen. Go on now and get your lunch.
|
|
Lunch time now. Go on now, or I'll have to report you.
|
|
Time's up."
|
|
|
|
The tide set toward the doorways. In the gallery the
|
|
few visitors rose, putting on coats and wraps. Over by
|
|
the check counter, to the right of the south entrance
|
|
to the floor, a throng of brokers and traders jostled
|
|
each other, reaching over one another's shoulders for
|
|
hats and ulsters. In steadily increasing numbers they
|
|
poured out of the north and south entrances, on their
|
|
way to turn in their trading cards to the offices.
|
|
|
|
Little by little the floor emptied. The provision and
|
|
grain pits were deserted, and as the clamour of the
|
|
place lapsed away the telegraph instruments began to
|
|
make themselves heard once more, together with the
|
|
chanting of the messenger boys.
|
|
|
|
Swept clean in the morning, the floor itself, seen now
|
|
through the thinning groups, was littered from end to
|
|
end with scattered grain--oats, wheat, corn, and
|
|
barley, with wisps of hay, peanut shells, apple
|
|
parings, and orange peel, with torn newspapers, odds
|
|
and ends of memoranda, crushed paper darts, and above
|
|
all with a countless multitude of yellow telegraph
|
|
forms, thousands upon thousands, crumpled and muddied
|
|
under the trampling of innumerable feet. It was the
|
|
debris of the battle-field, the abandoned impedimenta
|
|
and broken weapons of contending armies, the detritus
|
|
of conflict, torn, broken, and rent, that at the end of
|
|
each day's combat encumbered the field.
|
|
|
|
At last even the click of the last of telegraph keys
|
|
died down. Shouldering themselves into their
|
|
overcoats, the operators departed, calling back and
|
|
forth to one another, making "dates," and cracking
|
|
jokes. Washerwomen appeared with steaming pails,
|
|
porters pushing great brooms before them began
|
|
gathering the refuse of the floor into heaps.
|
|
|
|
Between the wheat and corn pits a band of young
|
|
fellows, some of them absolute boys, appeared. These
|
|
were the settlement clerks. They carried long account
|
|
books. It was their duty to get the trades of the day
|
|
into a "ring"--to trace the course of a lot of wheat
|
|
which had changed hands perhaps a score of times during
|
|
the trading--and their calls of "Wheat sold to Teller
|
|
and West," "May wheat sold to Burbank & Co.," "May oats
|
|
sold to Matthewson and Knight," "Wheat sold to Gretry,
|
|
Converse & Co.," began to echo from wall to wall of the
|
|
almost deserted room.
|
|
|
|
A cat, grey and striped, and wearing a dog collar of
|
|
nickel and red leather, issued from the coat-room and
|
|
picked her way across the floor. Evidently she was in
|
|
a mood of the most ingratiating friendliness, and as
|
|
one after another of the departing traders spoke to
|
|
her, raised her tail in the air and arched her back
|
|
against the legs of the empty chairs. The janitor put
|
|
in an appearance, lowering the tall colored windows
|
|
with a long rod. A noise of hammering and the scrape
|
|
of saws began to issue from a corner where a couple of
|
|
carpenters tinkered about one of the sample tables.
|
|
|
|
Then at last even the settlement clerks took themselves
|
|
off. At once there was a great silence, broken only by
|
|
the harsh rasp of the carpenters' saws and the voice of
|
|
the janitor exchanging jokes with the washer-women.
|
|
The sound of footsteps in distant quarters re-echoed as
|
|
if in a church.
|
|
|
|
The washerwomen invaded the floor, spreading soapy and
|
|
steaming water before them. Over by the sample tables
|
|
a negro porter in shirt-sleeves swept entire bushels of
|
|
spilled wheat, crushed, broken, and sodden, into his
|
|
dust pans.
|
|
|
|
The day's campaign was over. It was past two o'clock.
|
|
On the great dial against the eastern wall the
|
|
indicator stood--sentinel fashion--at ninety-three.
|
|
Not till the following morning would the whirlpool, the
|
|
great central force that spun the Niagara of wheat in
|
|
its grip, thunder and bellow again.
|
|
|
|
Later on even the washerwomen, even the porter and
|
|
janitor, departed. An unbroken silence, the
|
|
peacefulness of an untroubled calm, settled over the
|
|
place. The rays of the afternoon sun flooded through
|
|
the west windows in long parallel shafts full of
|
|
floating golden motes. There was no sound; nothing
|
|
stirred. The floor of the Board of Trade was deserted.
|
|
Alone, on the edge of the abandoned Wheat Pit, in a
|
|
spot where the sunlight fell warmest--an atom of life,
|
|
lost in the immensity of the empty floor--the grey cat
|
|
made her toilet, diligently licking the fur on the
|
|
inside of her thigh, one leg, as if dislocated, thrust
|
|
into the air above her head.
|
|
|
|
IV
|
|
|
|
In the front parlor of the Cresslers' house a little
|
|
company was gathered--Laura Dearborn and Page, Mrs.
|
|
Wessels, Mrs. Cressler, and young Miss Gretry, an
|
|
awkward, plain-faced girl of about nineteen, dressed
|
|
extravagantly in a decollete gown of blue silk. Curtis
|
|
Jadwin and Cressler himself stood by the open fireplace
|
|
smoking. Landry Court fidgeted on the sofa, pretending
|
|
to listen to the Gretry girl, who told an interminable
|
|
story of a visit to some wealthy relative who had a
|
|
country seat in Wisconsin and who raised fancy poultry.
|
|
She possessed, it appeared, three thousand hens,
|
|
Brahma, Faverolles, Houdans, Dorkings, even peacocks
|
|
and tame quails.
|
|
|
|
Sheldon Corthell, in a dinner coat, an unlighted
|
|
cigarette between his fingers, discussed the spring
|
|
exhibit of water-colors with Laura and Mrs. Cressler,
|
|
Page listening with languid interest. Aunt Wess'
|
|
turned the leaves of a family album, counting the
|
|
number of photographs of Mrs. Cressler which it
|
|
contained.
|
|
|
|
Black coffee had just been served. It was the occasion
|
|
of the third rehearsal for the play which was to be
|
|
given for the benefit of the hospital ward for Jadwin's
|
|
mission children, and Mrs. Cressler had invited the
|
|
members of the company for dinner. Just now everyone
|
|
awaited the arrival of the "coach," Monsieur Gerardy,
|
|
who was always late.
|
|
|
|
"To my notion," observed Corthell, "the water-color
|
|
that pretends to be anything more than a sketch over-
|
|
steps its intended limits. The elaborated water-color,
|
|
I contend, must be judged by the same standards as an
|
|
oil painting. And if that is so, why not have the oil
|
|
painting at once?"
|
|
|
|
"And with all that, if you please, not an egg on the
|
|
place for breakfast," declared the Gretry girl in her
|
|
thin voice. She was constrained, embarrassed. Of all
|
|
those present she was the only one to mistake the
|
|
character of the gathering and appear in formal
|
|
costume. But one forgave Isabel Gretry such lapses as
|
|
these. Invariably she did the wrong thing; invariably
|
|
she was out of place in the matter of inadvertent
|
|
speech, an awkward accident, the wrong toilet. For all
|
|
her nineteen years, she yet remained the hoyden, young,
|
|
undeveloped, and clumsy.
|
|
|
|
"Never an egg, and three thousand hens in the runs,"
|
|
she continued. "Think of that! The Plymouth Rocks had
|
|
the pip. And the others, my lands! I don't know. They
|
|
just didn't lay."
|
|
|
|
"Ought to tickle the soles of their feet," declared
|
|
Landry with profound gravity.
|
|
|
|
"Tickle their feet!"
|
|
|
|
"Best thing in the world for hens that don't lay. It
|
|
sort of stirs them up. Oh, every one knows that."
|
|
|
|
"Fancy now! I'll write to Aunt Alice to-morrow."
|
|
|
|
Cressler clipped the tip of a fresh cigar, and, turning
|
|
to Curtis Jadwin, remarked:
|
|
|
|
"I understand that Leaycraft alone lost nearly fifteen
|
|
thousand."
|
|
|
|
He referred to Jadwin's deal in May wheat, the
|
|
consummation of which had been effected the previous
|
|
week. Squarely in the midst of the morning session, on
|
|
the day following the "short" sale of Jadwin's million
|
|
of bushels, had exploded the news of the intended
|
|
action of the French chamber. Amid a tremendous
|
|
clamour the price fell. The Bulls were panicstricken.
|
|
Leaycraft the redoubtable was overwhelmed at the very
|
|
start. The Porteous trio heroically attempted to
|
|
shoulder the wheat, but the load was too much. They as
|
|
well gave ground, and, bereft of their support, May
|
|
wheat, which had opened at ninety-three and five-
|
|
eighths to ninety-two and a half, broke with the very
|
|
first attack to ninety-two, hung there a moment, then
|
|
dropped again to ninety-one and a half, then to ninety-
|
|
one. Then, in a prolonged shudder of weakness, sank
|
|
steadily down by quarters to ninety, to eighty-nine,
|
|
and at last--a final collapse--touched eighty-eight
|
|
cents. At that figure Jadwin began to cover. There
|
|
was danger that the buying of so large a lot might
|
|
bring about a rally in the price. But Gretry, a
|
|
consummate master of Pit tactics, kept his orders
|
|
scattered and bought gradually, taking some two or
|
|
three days to accumulate the grain. Jadwin's luck--the
|
|
never-failing guardian of the golden wings--seemed to
|
|
have the affair under immediate supervision, and
|
|
reports of timely rains in the wheat belt kept the
|
|
price inert while the trade was being closed. In the
|
|
end the "deal" was brilliantly successful, and Gretry
|
|
was still chuckling over the set-back to the Porteous
|
|
gang. Exactly the amount of his friend's profits
|
|
Jadwin did not know. As for himself, he had received
|
|
from Gretry a check for fifty thousand dollars, every
|
|
cent of which was net profit.
|
|
|
|
"I'm not going to congratulate you," continued
|
|
Cressler. "As far as that's concerned, I would rather
|
|
you had lost than won--if it would have kept you out of
|
|
the Pit for good. You're cocky now. I know--good
|
|
Lord, don't I know. I had my share of it. I know how
|
|
a man gets drawn into this speculating game"
|
|
|
|
"Charlie, this wasn't speculating," interrupted Jadwin.
|
|
"It was a certainty. It was found money. If I had
|
|
known a certain piece of real estate was going to
|
|
appreciate in value I would have bought it, wouldn't
|
|
I?"
|
|
|
|
"All the worse, if it made it seem easy and sure to
|
|
you. Do you know," he added suddenly. "Do you know
|
|
that Leaycraft has gone to keep books for a
|
|
manufacturing concern out in Dubuque?"
|
|
|
|
Jadwin pulled his mustache. He was looking at Laura
|
|
Dearborn over the heads of Landry and the Gretry girl.
|
|
|
|
"I didn't suppose he'd be getting measured for a
|
|
private yacht," he murmured. Then he continued,
|
|
pulling his mustache vigorously:
|
|
|
|
"Charlie, upon my word, what a beautiful--what
|
|
beautiful _hair_ that girl has!"
|
|
|
|
Laura was wearing it very high that evening, the
|
|
shining black coils transfixed by a strange hand-cut
|
|
ivory comb that had been her grandmother's. She was
|
|
dressed in black taffeta, with a single great cabbage-
|
|
rose pinned to her shoulder. She sat very straight in
|
|
her chair, one hand upon her slender hip, her head a
|
|
little to one side, listening attentively to Corthell.
|
|
|
|
By this time the household of the former rectory was
|
|
running smoothly; everything was in place, the
|
|
Dearborns were "settled," and a routine had begun. Her
|
|
first month in her new surroundings had been to Laura
|
|
an unbroken series of little delights. For formal
|
|
social distractions she had but little taste. She left
|
|
those to Page, who, as soon as Lent was over, promptly
|
|
became involved in a bewildering round of teas,
|
|
"dancing clubs," dinners, and theatre parties. Mrs.
|
|
Wessels was her chaperone, and the little middle-aged
|
|
lady found the satisfaction of a belated youth in
|
|
conveying her pretty niece to the various functions
|
|
that occupied her time. Each Friday night saw her in
|
|
the gallery of a certain smart dancing school of the
|
|
south side, where she watched Page dance her way from
|
|
the "first waltz" to the last figure of the german.
|
|
She counted the couples carefully, and on the way home
|
|
was always able to say how the attendance of that
|
|
particular evening compared with that of the former
|
|
occasion, and also to inform Laura how many times Page
|
|
had danced with the same young man.
|
|
|
|
Laura herself was more serious. She had begun a course
|
|
of reading; no novels, but solemn works full of
|
|
allusions to "Man" and "Destiny," which she underlined
|
|
and annotated. Twice a week--on Mondays and Thursdays--
|
|
she took a French lesson. Corthell managed to enlist
|
|
the good services of Mrs. Wessels and escorted her to
|
|
numerous piano and 'cello recitals, to lectures, to
|
|
concerts. He even succeeded in achieving the
|
|
consecration of a specified afternoon once a week,
|
|
spent in his studio in the Fine Arts' Building on the
|
|
Lake Front, where he read to them "Saint Agnes Eve,"
|
|
"Sordello," " The Light of Asia"--poems which, with
|
|
their inversions, obscurities, and astonishing
|
|
arabesques of rhetoric, left Aunt Wess' bewildered,
|
|
breathless, all but stupefied.
|
|
|
|
Laura found these readings charming. The studio was
|
|
beautiful, lofty, the light dim; the sound of
|
|
Corthell's voice returned from the thick hangings of
|
|
velvet and tapestry in a subdued murmur. The air was
|
|
full of the odor of pastilles.
|
|
|
|
Laura could not fail to be impressed with the artist's
|
|
tact, his delicacy. In words he never referred to
|
|
their conversation in the foyer of the Auditorium; only
|
|
by some unexplained subtlety of attitude he managed to
|
|
convey to her the distinct impression that he loved her
|
|
always. That he was patient, waiting for some
|
|
indefinite, unexpressed development.
|
|
|
|
Landry Court called upon her as often as she would
|
|
allow. Once he had prevailed upon her and Page to
|
|
accompany him to the matinee to see a comic opera. He
|
|
had pronounced it "bully," unable to see that Laura
|
|
evinced only a mild interest in the performance. On
|
|
each propitious occasion he had made love to her
|
|
extravagantly. He continually protested his profound
|
|
respect with a volubility and earnestness that was
|
|
quite uncalled for.
|
|
|
|
But, meanwhile, the situation had speedily become more
|
|
complicated by the entrance upon the scene of an
|
|
unexpected personage. This was Curtis Jadwin. It was
|
|
impossible to deny the fact that "J." was in love with
|
|
Mrs. Cressler's _protegee._ The business man had none
|
|
of Corthell's talent for significant reticence, none of
|
|
his tact, and older than she, a man-of-the-world,
|
|
accustomed to deal with situations with unswerving
|
|
directness, he, unlike Landry Court, was not in the
|
|
least afraid of her. From the very first she found
|
|
herself upon the defensive. Jadwin was aggressive,
|
|
assertive, and his addresses had all the persistence
|
|
and vehemence of veritable attack. Landry she could
|
|
manage with the lifting of a finger, Corthell disturbed
|
|
her only upon those rare occasions when he made love to
|
|
her. But Jadwin gave her no time to so much as think
|
|
of _finesse._ She was not even allowed to choose her
|
|
own time and place for fencing, and to parry his
|
|
invasion upon those intimate personal grounds which she
|
|
pleased herself to keep secluded called upon her every
|
|
feminine art of procrastination and strategy.
|
|
|
|
He contrived to meet her everywhere. He impressed Mrs.
|
|
Cressler as auxiliary into his campaign, and a series
|
|
of _rencontres_ followed one another with astonishing
|
|
rapidity. Now it was another opera party, now a box at
|
|
McVicker's, now a dinner, or more often a drive through
|
|
Lincoln Park behind Jadwin's trotters. He even had the
|
|
Cresslers and Laura over to his mission Sunday-school
|
|
for the Easter festival, an occasion of which Laura
|
|
carried away a confused recollection of enormous canvas
|
|
mottoes, that looked more like campaign banners than
|
|
texts from the Scriptures, sheaves of calla lilies,
|
|
imitation bells of tin-foil, revival hymns vociferated
|
|
with deafening vehemence from seven hundred distended
|
|
mouths, and through it all the disagreeable smell of
|
|
poverty, the odor of uncleanliness that mingled
|
|
strangely with the perfume of the lilies and the
|
|
aromatic whiffs from the festoons of evergreen.
|
|
|
|
Thus the first month of her new life had passed Laura
|
|
did not trouble herself to look very far into the
|
|
future. She was too much amused with her emancipation
|
|
from the narrow horizon of her New England environment.
|
|
She did not concern herself about consequences. Things
|
|
would go on for themselves, and consequences develop
|
|
without effort on her part. She never asked herself
|
|
whether or not she was in love with any of the three
|
|
men who strove for her favor. She was quite sure she
|
|
was not ready--yet--to be married. There was even
|
|
something distasteful in the idea of marriage. She
|
|
liked Landry Court immensely; she found the afternoons
|
|
in Corthell's studio delightful; she loved the rides in
|
|
the park behind Jadwin's horses. She had no desire
|
|
that any one of these affairs should exclude the other
|
|
two. She wished nothing to be consummated. As for
|
|
love, she never let slip an occasion to shock Aunt
|
|
Wess' by declaring:
|
|
|
|
"I love--nobody. I shall never marry."
|
|
|
|
Page, prim, with great parades of her ideas of "good
|
|
form," declared between her pursed lips that her sister
|
|
was a flirt. But this was not so. Laura never
|
|
manoeuvered with her lovers, nor intrigued to keep from
|
|
any one of them knowledge of her companionship with the
|
|
other two. So upon such occasions as this, when all
|
|
three found themselves face to face, she remained
|
|
unperturbed.
|
|
|
|
At last, towards half-past eight, Monsieur Gerardy
|
|
arrived. All through the winter amateur plays had been
|
|
in great favor, and Gerardy had become, in a sense, a
|
|
fad. He was in great demand. Consequently, he gave
|
|
himself airs. His method was that of severity; he
|
|
posed as a task-master, relentless, never pleased,
|
|
hustling the amateur actors about without ceremony,
|
|
scolding and brow-beating. He was a small, excitable
|
|
man who wore a frock-coat much too small for him, a
|
|
flowing purple cravatte drawn through a finger ring,
|
|
and enormous cuffs set off with huge buttons of Mexican
|
|
onyx. In his lapel was an inevitable carnation, dried,
|
|
shrunken, and lamentable. He was redolent of perfume
|
|
and spoke of himself as an artist. He caused it to be
|
|
understood that in the intervals of "coaching society
|
|
plays" he gave his attention to the painting of
|
|
landscapes. Corthell feigned to ignore his very
|
|
existence.
|
|
|
|
The play-book in his hand, Monsieur Gerardy clicked his
|
|
heels in the middle of the floor and punctiliously
|
|
saluted everyone present, bowing only from his
|
|
shoulders, his head dropping forward as if propelled by
|
|
successive dislocations of the vertebrae of his neck.
|
|
|
|
He explained the cause of his delay. His English was
|
|
without accent, but at times suddenly entangled itself
|
|
in curious Gallic constructions.
|
|
|
|
"Then I propose we begin at once," he announced. "The
|
|
second act to-night, then, if we have time, the third
|
|
act--from the book. And I expect the second act to be
|
|
letter-perfect--let-ter-per-fect. There is nothing
|
|
there but that." He held up his hand, as if to refuse
|
|
to consider the least dissention. "There is nothing
|
|
but that--no other thing."
|
|
|
|
All but Corthell listened attentively. The artist,
|
|
however, turning his back, had continued to talk to
|
|
Laura without lowering his tone, and all through
|
|
Monsieur Gerardy's exhortation his voice had made
|
|
itself heard. "Management of light and shade" ...
|
|
"color scheme" ... "effects of composition."
|
|
|
|
Monsieur Gerardy's eye glinted in his direction. He
|
|
struck his play-book sharply into the palm of his hand.
|
|
|
|
"Come, come!" he cried. "No more nonsense. Now we
|
|
leave the girls alone and get to work. Here is the
|
|
scene. Mademoiselle Gretry, if I derange you!" He
|
|
cleared a space at the end of the parlor, pulling the
|
|
chairs about. "Be attentive now. Here"--he placed a
|
|
chair at his right with a flourish, as though planting
|
|
a banner--"is the porch of Lord Glendale's country
|
|
house."
|
|
|
|
"Ah," murmured Landry, winking solemnly at Page, "the
|
|
chair is the porch of the house."
|
|
|
|
"And here," shouted Monsieur Gerardy, glaring at him
|
|
and slamming down another chair, "is a rustic bench and
|
|
practicable table set for breakfast."
|
|
|
|
Page began to giggle behind her play-book. Gerardy,
|
|
his nostrils expanded, gave her his back. The older
|
|
people, who were not to take part--Jadwin, the
|
|
Cresslers, and Aunt Wess'--retired to a far corner,
|
|
Mrs. Cressler declaring that they would constitute the
|
|
audience.
|
|
|
|
"On stage," vociferated Monsieur Gerardy, perspiring
|
|
from his exertions with the furniture. "'Marion
|
|
enters, timid and hesitating, L. C.' Come, who's
|
|
Marion? Mademoiselle Gretry, if you please, and for the
|
|
love of God remember your crossings. Sh! sh!" he
|
|
cried, waving his arms at the others. "A little
|
|
silence if you please. Now, Marion."
|
|
|
|
Isabel Gretry, holding her play-book at her side, one
|
|
finger marking the place, essayed an entrance with the
|
|
words:
|
|
|
|
"'Ah, the old home once more. See the clambering roses
|
|
have----'"
|
|
|
|
But Monsieur Gerardy, suddenly compressing his lips as
|
|
if in a heroic effort to repress his emotion, flung
|
|
himself into a chair, turning his back and crossing his
|
|
legs violently. Miss Gretry stopped, very much
|
|
disturbed, gazing perplexedly at the coach's heaving
|
|
shoulders.
|
|
|
|
There was a strained silence, then:
|
|
|
|
"Isn't--isn't that right?"
|
|
|
|
As if with the words she had touched a spring, Monsieur
|
|
Gerardy bounded to his feet.
|
|
|
|
"Grand God! Is that left-centre where you have made
|
|
the entrance? In fine, I ask you a little--_is_ that
|
|
left-centre? You have come in by the rustic bench and
|
|
practicable table set for breakfast. A fine sight on
|
|
the night of the performance that. Marion climbs over
|
|
the rustic breakfast and practicable--over the rustic
|
|
bench and practicable table, ha, ha, to make the
|
|
entrance." Still holding the play-book, he clapped
|
|
hands with elaborate sarcasm. "Ah, yes, good business
|
|
that. That will bring down the house."
|
|
|
|
Meanwhile the Gretry girl turned again from left-
|
|
centre.
|
|
|
|
"'Ah, the old home again. See----'"
|
|
|
|
"Stop!" thundered Monsieur Gerardy. "Is that what you
|
|
call timid and hesitating? Once more, those lines....
|
|
No, no. It is not it at all. More of slowness, more
|
|
of--Here, watch me."
|
|
|
|
He made the entrance with laborious exaggeration of
|
|
effect, dragging one foot after another, clutching at
|
|
the palings of an imaginary fence, while pitching his
|
|
voice at a feeble falsetto, he quavered:
|
|
|
|
"'Ah! The old home--ah ... once more. See--' like
|
|
that," he cried, straightening up. "Now then. We try
|
|
that entrance again. Don't come on too quick after the
|
|
curtain. Attention. I clap my hands for the curtain,
|
|
and count three." He backed away and, tucking the play-
|
|
book under his arm, struck his palms together. "Now,
|
|
one--two--_three._"
|
|
|
|
But this time Isabel Gretry, in remembering her
|
|
"business," confused her stage directions once more
|
|
|
|
"'Ah, the old home----'"
|
|
|
|
"Left-centre," interrupted the coach, in a tone of
|
|
long-suffering patience.
|
|
|
|
She paused bewildered, and believing that she had
|
|
spoken her lines too abruptly, began again:
|
|
|
|
"'See, the clambering----'"
|
|
|
|
"_Left_-centre."
|
|
|
|
"'Ah, the old home----'"
|
|
|
|
Monsieur Gerardy settled himself deliberately in his
|
|
chair and resting his head upon one hand closed his
|
|
eyes. His manner was that of Galileo under torture
|
|
declaring "still it moves."
|
|
|
|
"_Left_-centre."
|
|
|
|
"Oh--oh, yes. I forgot."
|
|
|
|
Monsieur Gerardy apostrophized the chandelier with
|
|
mirthless humour.
|
|
|
|
"Oh, ha, ha! She forgot."
|
|
|
|
Still another time Marion tried the entrance, and, as
|
|
she came on, Monsieur Gerardy made vigorous signals to
|
|
Page, exclaiming in a hoarse whisper:
|
|
|
|
"Lady Mary, ready. In a minute you come on. Remember
|
|
the cue."
|
|
|
|
Meanwhile Marion had continued:
|
|
|
|
"'See the clambering vines----'"
|
|
|
|
"Roses."
|
|
|
|
"'The clambering rose vines----'"
|
|
|
|
"Roses, pure and simple."
|
|
|
|
"'See! The clambering roses, pure and----'"
|
|
|
|
"Mademoiselle Gretry, will you do me the extreme
|
|
obligation to bound yourself by the lines of the book?"
|
|
|
|
"I thought you said----"
|
|
|
|
"Go on, go on, go on! Is it God-possible to be thus
|
|
stupid? Lady Mary, ready."
|
|
|
|
"'See, the clambering roses have wrapped the old stones
|
|
in a loving embrace. The birds build in the same old
|
|
nests----'"
|
|
|
|
"Well, well, Lady Mary, where are you? You enter from
|
|
the porch."
|
|
|
|
"I'm waiting for my cue," protested Page. "My cue is:
|
|
'Are there none that will remember me.'"
|
|
|
|
"Say," whispered Landry, coming up behind Page, "it
|
|
would look bully if you could come out leading a
|
|
greyhound."
|
|
|
|
"Ah, so, Mademoiselle Gretry," cried Monsieur Gerardy,
|
|
"you left out the cue." He became painfully polite.
|
|
"Give the speech once more, if you please."
|
|
|
|
"A dog would look bully on the stage," whispered
|
|
Landry. "And I know where I could get one."
|
|
|
|
"Where?"
|
|
|
|
"A friend of mine. He's got a beauty, blue grey----"
|
|
|
|
They become suddenly aware of a portentous silence The
|
|
coach, his arms folded, was gazing at Page with
|
|
tightened lips.
|
|
|
|
"'None who will remember me,'" he burst out at last.
|
|
"Three times she gave it."
|
|
|
|
Page hurried upon the scene with the words:
|
|
|
|
"'Ah, another glorious morning. The vines are drenched
|
|
in dew.'" Then, raising her voice and turning toward
|
|
the "house," "'Arthur.'"
|
|
|
|
"'Arthur,'" warned the coach. "That's you. Mr.
|
|
Corthell. Ready. Well then, Mademoiselle Gretry, you
|
|
have something to say there."
|
|
|
|
"I can't say it," murmured the Gretry girl, her
|
|
handkerchief to her face.
|
|
|
|
"What now? Continue. Your lines are 'I must not be
|
|
seen here. It would betray all,' then conceal yourself
|
|
in the arbor. Continue. Speak the line. It is the
|
|
cue of Arthur."
|
|
|
|
"I can't," mumbled the girl behind her handkerchief.
|
|
|
|
"Can't? Why, then?"
|
|
|
|
"I--I have the nose-bleed."
|
|
|
|
Upon the instant Monsieur Gerardy quite lost his
|
|
temper. He turned away, one hand to his head, rolling
|
|
his eyes as if in mute appeal to heaven, then, whirling
|
|
about, shook his play-book at the unfortunate Marion,
|
|
crying out furiously:
|
|
|
|
"Ah, it lacked but that. You ought to understand at
|
|
last, that when one rehearses for a play one does not
|
|
have the nose-bleed. It is not decent."
|
|
|
|
Miss Gretry retired precipitately, and Laura came
|
|
forward to say that she would read Marion's lines.
|
|
|
|
"No, no!" cried Monsieur Gerardy. "You--ah, if they
|
|
were all like you! You are obliging, but it does not
|
|
suffice. I am insulted."
|
|
|
|
The others, astonished, gathered about the "coach."
|
|
They laboured to explain. Miss Gretry had intended no
|
|
slight. In fact she was often taken that way; she was
|
|
excited, nervous. But Monsieur Gerardy was not to be
|
|
placated. Ah, no! He knew what was due a gentleman.
|
|
He closed his eyes and raised his eyebrows to his very
|
|
hair, murmuring superbly that he was offended. He had
|
|
but one phrase in answer to all their explanations:
|
|
|
|
"One does not permit one's self to bleed at the nose
|
|
during rehearsal."
|
|
|
|
Laura began to feel a certain resentment. The
|
|
unfortunate Gretry girl had gone away in tears. What
|
|
with the embarrassment of the wrong gown, the brow-
|
|
beating, and the nose-bleed, she was not far from
|
|
hysterics. She had retired to the dining-room with
|
|
Mrs. Cressler and from time to time the sounds of her
|
|
distress made themselves heard. Laura believed it
|
|
quite time to interfere. After all, who was this
|
|
Gerardy person, to give himself such airs? Poor Miss
|
|
Gretry was to blame for nothing. She fixed the little
|
|
Frenchman with a direct glance, and Page, who caught a
|
|
glimpse of her face, recognised "the grand manner," and
|
|
whispered to Landry:
|
|
|
|
"He'd better look out; he's gone just about as far as
|
|
Laura will allow."
|
|
|
|
"It is not convenient," vociferated the "coach." "It is
|
|
not permissible. I am offended."
|
|
|
|
"Monsieur Gerardy," said Laura, "we will say nothing
|
|
more about it, if you please."
|
|
|
|
There was a silence. Monsieur Gerardy had pretended
|
|
not to hear. He breathed loud through his nose, and
|
|
Page hastened to observe that anyhow Marion was not on
|
|
in the next scenes. Then abruptly, and resuming his
|
|
normal expression, Monsieur Gerardy said:
|
|
|
|
"Let us proceed. It advances nothing to lose time.
|
|
Come. Lady Mary and Arthur, ready."
|
|
|
|
The rehearsal continued. Laura, who did not come on
|
|
during the act, went back to her chair in the corner of
|
|
the room.
|
|
|
|
But the original group had been broken up. Mrs.
|
|
Cressler was in the dining-room with the Gretry girl,
|
|
while Jadwin, Aunt Wess', and Cressler himself were
|
|
deep in a discussion of mind-reading and spiritualism.
|
|
|
|
As Laura came up, Jadwin detached himself from the
|
|
others and met her.
|
|
|
|
"Poor Miss Gretry!" he observed. "Always the square
|
|
peg in the round hole. I've sent out for some smelling
|
|
salts."
|
|
|
|
It seemed to Laura that the capitalist was especially
|
|
well-looking on this particular evening. He never
|
|
dressed with the "smartness" of Sheldon Corthell or
|
|
Landry Court, but in some way she did not expect that
|
|
he should. His clothes were not what she was aware
|
|
were called "stylish," but she had had enough
|
|
experience with her own tailor-made gowns to know that
|
|
the material was the very best that money could buy.
|
|
The apparent absence of any padding in the broad
|
|
shoulders of the frock coat he wore, to her mind, more
|
|
than compensated for the "ready-made" scarf, and if the
|
|
white waistcoat was not fashionably cut, she knew that
|
|
_she_ had never been able to afford a pique skirt of
|
|
just that particular grade.
|
|
|
|
"Suppose we go into the reception-room," he observed
|
|
abruptly. "Charlie bought a new clock last week that's
|
|
a marvel. You ought to see it."
|
|
|
|
"No," she answered. "I am quite comfortable here, and
|
|
I want to see how Page does in this act."
|
|
|
|
"I am afraid, Miss Dearborn," he continued, as they
|
|
found their places, "that you did not have a very good
|
|
time Sunday afternoon."
|
|
|
|
He referred to the Easter festival at his mission
|
|
school. Laura had left rather early, alleging
|
|
neuralgia and a dinner engagement.
|
|
|
|
"Why, yes I did," she replied. "Only, to tell the
|
|
truth, my head ached a little." She was ashamed that
|
|
she did not altogether delight in her remembrance of
|
|
Jadwin on that afternoon. He had "addressed" the
|
|
school, with earnestness it was true, but in a strain
|
|
decidedly conventional. And the picture he made
|
|
leading the singing, beating time with the hymn-book,
|
|
and between the verses declaring that "he wanted to
|
|
hear everyone's voice in the next verse," did not
|
|
appeal very forcibly to her imagination. She fancied
|
|
Sheldon Corthell doing these things, and could not
|
|
forbear to smile. She had to admit, despite the
|
|
protests of conscience, that she did prefer the studio
|
|
to the Sunday-school.
|
|
|
|
"Oh," remarked Jadwin, "I'm sorry to hear you had a
|
|
headache. I suppose my little micks" (he invariably
|
|
spoke of his mission children thus)" do make more noise
|
|
than music."
|
|
|
|
"I found them very interesting."
|
|
|
|
"No, excuse me, but I'm afraid you didn't. My little
|
|
micks are not interesting--to look at nor to listen to.
|
|
But I, kind of--well, I don't know," he began pulling
|
|
his mustache. "It seems to _suit_ me to get down there
|
|
and get hold of these people. You know Moody put me up
|
|
to it. He was here about five years ago, and I went to
|
|
one of his big meetings, and then to all of them. And
|
|
I met the fellow, too, and I tell you, Miss Dearborn,
|
|
he stirred me all up. I didn't "get religion." No,
|
|
nothing like that. But I got a notion it was time to
|
|
be up and doing, and I figured it out that business
|
|
principles were as good in religion as they are--well,
|
|
in La Salle Street, and that if the church people--the
|
|
men I mean--put as much energy, and shrewdness, and
|
|
competitive spirit into the saving of souls as they did
|
|
into the saving of dollars that we might get somewhere.
|
|
And so I took hold of a half dozen broken-down,
|
|
bankrupt Sunday-school concerns over here on Archer
|
|
Avenue that were fighting each other all the time, and
|
|
amalgamated them all--a regular trust, just as if they
|
|
were iron foundries--and turned the incompetents out
|
|
and put my subordinates in, and put the thing on a
|
|
business basis, and by now, I'll venture to say,
|
|
there's not a better _organised_ Sunday-school in all
|
|
Chicago, and I'll bet if D. L. Moody were here to-day
|
|
he'd say, 'Jadwin, well done, thou good and faithful
|
|
servant.'"
|
|
|
|
"I haven't a doubt of it, Mr. Jadwin," Laura hastened
|
|
to exclaim. "And you must not think that I don't
|
|
believe you are doing a splendid work."
|
|
|
|
"Well, it _suits_ me," he repeated. "I like my little
|
|
micks, and now and then I have a chance to get hold of
|
|
the kind that it pays to push along. About four months
|
|
ago I came across a boy in the Bible class; I guess
|
|
he's about sixteen; name is Bradley--Billy Bradley,
|
|
father a confirmed drunk, mother takes in washing,
|
|
sister--we won't speak about; and he seemed to be
|
|
bright and willing to work, and I gave him a job in my
|
|
agent's office, just directing envelopes. Well, Miss
|
|
Dearborn, that boy has a desk of his own now, and the
|
|
agent tells me he's one of the very best men he's got.
|
|
He does his work so well that I've been able to
|
|
discharge two other fellows who sat around and watched
|
|
the clock for lunch hour, and Bradley does their work
|
|
now better and quicker than they did, and saves me
|
|
twenty dollars a week; that's a thousand a year. So
|
|
much for a business like Sunday-school; so much for
|
|
taking a good aim when you cast your bread upon the
|
|
waters. The last time I saw Moody I said, 'Moody, my
|
|
motto is "not slothful in business, fervent in spirit,
|
|
praising the Lord."' I remember we were out driving at
|
|
the time, I took him out behind Lizella--she's almost
|
|
straight Wilkes' blood and can trot in two-ten, but you
|
|
can believe _he_ didn't know that--and, as I say, I
|
|
told him what my motto was, and he said, 'J., good for
|
|
you; you keep to that. There's no better motto in the
|
|
world for the American man of business.' He shook my
|
|
hand when he said it, and I haven't ever forgotten it."
|
|
|
|
Not a little embarrassed, Laura was at a loss just what
|
|
to say, and in the end remarked lamely enough:
|
|
|
|
"I am sure it is the right spirit--the best motto."
|
|
|
|
"Miss Dearborn," Jadwin began again suddenly, "why
|
|
don't you take a class down there. The little micks
|
|
aren't so dreadful when you get to know them."
|
|
|
|
"I!" exclaimed Laura, rather blankly. She shook her
|
|
head. "Oh, no, Mr. Jadwin. I should be only an
|
|
encumbrance. Don't misunderstand me. I approve of the
|
|
work with all my heart, but I am not fitted--I feel no
|
|
call. I should be so inapt that I know I should do no
|
|
good. My training has been so different, you know,"
|
|
she said, smiling. "I am an Episcopalian--'of the
|
|
straightest sect of the Pharisees.' I should be
|
|
teaching your little micks all about the meaning of
|
|
candles, and 'Eastings,' and the absolution and
|
|
remission of sins."
|
|
|
|
"I wouldn't care if you did," he answered. "It's the
|
|
indirect influence I'm thinking of--the indirect
|
|
influence that a beautiful, pure-hearted, noble-minded
|
|
woman spreads around her wherever she goes. I know
|
|
what it has done for me. And I know that not only my
|
|
little micks, but every teacher and every
|
|
superintendent in that school would be inspired, and
|
|
stimulated, and born again so soon as ever you set foot
|
|
in the building. Men need good women, Miss Dearborn.
|
|
Men who are doing the work of the world. I believe in
|
|
women as I believe in Christ. But I don't believe they
|
|
were made--any more than Christ was--to cultivate--
|
|
beyond a certain point--their own souls, and refine
|
|
their own minds, and live in a sort of warmed-over,
|
|
dilettante, stained-glass world of seclusion and
|
|
exclusion. No, sir, that won't do for the United
|
|
States and the men who are making them the greatest
|
|
nation of the world. The men have got all the get-up-
|
|
and-get they want, but they need the women to point
|
|
them straight, and to show them how to lead that other
|
|
kind of life that isn't all grind. Since I've known
|
|
you, Miss Dearborn, I've just begun to wake up to the
|
|
fact that there _is_ that other kind, but I can't lead
|
|
that life without you. There's _no_ kind of life
|
|
that's worth anything to me now that don't include you.
|
|
I don't need to tell you that I want you to marry me.
|
|
You know that by now, I guess, without any words from
|
|
me. I love you, and I love you as a man, not as a boy,
|
|
seriously and earnestly. I can give you no idea _how_
|
|
seriously, _how_ earnestly. I want you to be my wife.
|
|
Laura, my dear girl, I _know_ I could make you happy."
|
|
|
|
"It isn't," answered Laura slowly, perceiving as he
|
|
paused that he expected her to say something," much a
|
|
question of that."
|
|
|
|
"What is it, then? I won't make a scene. Don't you
|
|
love me? Don't you think, my girl, you could ever love
|
|
me?"
|
|
|
|
Laura hesitated a long moment. She had taken the rose
|
|
from her shoulder, and plucking the petals one by one,
|
|
put them delicately between her teeth. From the other
|
|
end of the room came the clamorous exhortations of
|
|
Monsieur Gerardy. Mrs. Cressler and the Gretry girl
|
|
watched the progress of the rehearsal attentively from
|
|
the doorway of the dining-room. Aunt Wess' and Mr.
|
|
Cressler were discussing psychic research and seances,
|
|
on the sofa on the other side of the room. After a
|
|
while Laura spoke.
|
|
|
|
"It isn't that either," she said, choosing her words
|
|
carefully.
|
|
|
|
"What is it, then?"
|
|
|
|
"I don't know--exactly. For one thing, I don't think I
|
|
_want_ to be married, Mr. Jadwin--to anybody."
|
|
|
|
"I would wait for you."
|
|
|
|
"Or to be engaged."
|
|
|
|
"But the day must come, sooner or later, when you must
|
|
be both engaged and married. You _must_ ask yourself
|
|
_some time_ if you love the man who wishes to be your
|
|
husband. Why not ask yourself now?"
|
|
|
|
"I do," she answered. "I do ask myself. I have asked
|
|
myself."
|
|
|
|
"Well, what do you decide?"
|
|
|
|
"That I don't know."
|
|
|
|
"Don't you think you would love me in time? Laura, I am
|
|
sure you would. I would _make_ you."
|
|
|
|
"I don't know. I suppose that is a stupid answer. But
|
|
it is, if I am to be honest, and I am trying very hard
|
|
to be honest--with you and with myself--the only one I
|
|
have. I am happy just as I am. I like you and Mr.
|
|
Cressler and Mr. Corthell--everybody. But, Mr.
|
|
Jadwin"--she looked him full in the face, her dark eyes
|
|
full of gravity--"with a woman it is so serious--to be
|
|
married. More so than any man ever understood. And,
|
|
oh, one must be so sure, so sure. And I am not sure
|
|
now. I am not sure now. Even if I were sure of you, I
|
|
could not say I was sure of myself. Now and then I
|
|
tell myself, and even poor, dear Aunt Wess', that I
|
|
shall never love anybody, that I shall never marry.
|
|
But I should be bitterly sorry if I thought that was
|
|
true. It is one of the greatest happinesses to which I
|
|
look forward, that some day I shall love some one with
|
|
all my heart and soul, and shall be a true wife, and
|
|
find my husband's love for me the sweetest thing in my
|
|
life. But I am sure that that day has not come yet."
|
|
|
|
"And when it does come," he urged, "may I be the first
|
|
to know?"
|
|
|
|
She smiled a little gravely.
|
|
|
|
"Ah," she answered, "I would not know myself that that
|
|
day had come until I woke to the fact that I loved the
|
|
man who had asked me to be his wife, and then it might
|
|
be too late--for you."
|
|
|
|
"But now, at least," he persisted, "you love no one."
|
|
|
|
"Now," she repeated, "I love--no one."
|
|
|
|
"And I may take such encouragement in that as I can?"
|
|
|
|
And then, suddenly, capriciously even, Laura, an
|
|
inexplicable spirit of inconsistency besetting her, was
|
|
a very different woman from the one who an instant
|
|
before had spoken so gravely of the seriousness of
|
|
marriage. She hesitated a moment before answering
|
|
Jadwin, her head on one side, looking at the rose leaf
|
|
between her fingers. In a low voice she said at last:
|
|
|
|
"If you like."
|
|
|
|
But before Jadwin could reply, Cressler and Aunt Wess'
|
|
who had been telling each other of their "experiences,"
|
|
of their "premonitions," of the unaccountable things
|
|
that had happened to them, at length included the
|
|
others in their conversation.
|
|
|
|
"J.," remarked Cressler, "did anything funny ever
|
|
happen to _you_--warnings, presentiments, that sort of
|
|
thing? Mrs. Wessels and I have been talking
|
|
spiritualism. Laura, have _you_ ever had any
|
|
'experiences'?"
|
|
|
|
She shook her head.
|
|
|
|
"No, no. I am too material, I am afraid."
|
|
|
|
"How about you, 'J.'?"
|
|
|
|
"Nothing much, except that I believe in 'luck'--a
|
|
little. The other day I flipped a coin in Gretry's
|
|
office. If it fell heads I was to sell wheat short,
|
|
and somehow I knew all the time that the coin would
|
|
fall heads--and so it did."
|
|
|
|
"And you made a great deal of money," said Laura. "I
|
|
know. Mr. Court was telling me. That was splendid."
|
|
|
|
"That was deplorable, Laura," said Cressler, gravely.
|
|
"I hope some day," he continued, "we can all of us get
|
|
hold of this man and make him solemnly promise never to
|
|
gamble in wheat again."
|
|
|
|
Laura stared. To her mind the word "gambling" had
|
|
always been suspect. It had a bad sound; it seemed to
|
|
be associated with depravity of the baser sort.
|
|
|
|
"Gambling!" she murmured.
|
|
|
|
"They call it buying and selling," he went on, "down
|
|
there in La Salle Street. But it is simply betting.
|
|
Betting on the condition of the market weeks, even
|
|
months, in advance. You bet wheat goes up. I bet it
|
|
goes down. Those fellows in the Pit don't own the
|
|
wheat; never even see it. Wou'dn't know what to do
|
|
with it if they had it. They don't care in the least
|
|
about the grain. But there are thousands upon
|
|
thousands of farmers out here in Iowa and Kansas or
|
|
Dakota who do, and hundreds of thousand of poor devils
|
|
in Europe who care even more than the farmer. I mean
|
|
the fellows who raise the grain, and the other fellows
|
|
who eat it. It's life or death for either of them.
|
|
And right between these two comes the Chicago
|
|
speculator, who raises or lowers the price out of all
|
|
reason, for the benefit of his pocket. You see Laura,
|
|
here is what I mean." Cressler had suddenly become very
|
|
earnest. Absorbed, interested, Laura listened
|
|
intently. "Here is what I mean," pursued Cressler.
|
|
"It's like this: If we send the price of wheat down too
|
|
far, the farmer suffers, the fellow who raises it if we
|
|
send it up too far, the poor man in Europe suffers, the
|
|
fellow who eats it. And food to the peasant on the
|
|
continent is bread--not meat or potatoes, as it is with
|
|
us. The only way to do so that neither the American
|
|
farmer nor the European peasant suffers, is to keep
|
|
wheat at an average, legitimate value. The moment you
|
|
inflate or depress that, somebody suffers right away.
|
|
And that is just what these gamblers are doing all the
|
|
time, booming it up or booming it down. Think of it,
|
|
the food of hundreds and hundreds of thousands of
|
|
people just at the mercy of a few men down there on the
|
|
Board of Trade. They make the price. They say just
|
|
how much the peasant shall pay for his loaf of bread.
|
|
If he can't pay the price he simply starves. And as
|
|
for the farmer, why it's ludicrous. If I build a house
|
|
and offer it for sale, I put my own price on it, and if
|
|
the price offered don't suit me I don't sell. But if I
|
|
go out here in Iowa and raise a crop of wheat, I've got
|
|
to sell it, whether I want to or not at the figure
|
|
named by some fellows in Chicago. And to make
|
|
themselves rich, they may make me sell it at a price
|
|
that bankrupts me."
|
|
|
|
Laura nodded. She was intensely interested. A whole
|
|
new order of things was being disclosed, and for the
|
|
first time in her life she looked into the workings of
|
|
political economy.
|
|
|
|
"Oh, that's only one side of it," Cressler went on,
|
|
heedless of Jadwin's good-humoured protests. "Yes, I
|
|
know I am a crank on speculating. I'm going to preach
|
|
a little if you'll let me. I've been a speculator
|
|
myself, and a ruined one at that, and I know what I am
|
|
talking about. Here is what I was going to say. These
|
|
fellows themselves, the gamblers--well, call them
|
|
speculators, if you like. Oh, the fine, promising
|
|
manly young men I've seen wrecked--absolutely and
|
|
hopelessly wrecked and ruined by speculation! It's as
|
|
easy to get into as going across the street. They make
|
|
three hundred, five hundred, yes, even a thousand
|
|
dollars sometimes in a couple of hours, without so much
|
|
as raising a finger. Think what that means to a boy of
|
|
twenty-five who's doing clerk work at seventy-five a
|
|
month. Why, it would take him maybe ten years to save
|
|
a thousand, and here he's made it in a single morning.
|
|
Think you can keep him out of speculation then? First
|
|
thing you know he's thrown up his honest, humdrum
|
|
position--oh, I've seen it hundreds of times--and takes
|
|
to hanging round the customers' rooms down there on La
|
|
Salle Street, and he makes a little, and makes a little
|
|
more, and finally he is so far in that he can't pull
|
|
out, and then some billionaire fellow, who has the
|
|
market in the palm of his hand, tightens one finger,
|
|
and our young man is ruined, body and mind. He's lost
|
|
the taste, the very capacity for legitimate business,
|
|
and he stays on hanging round the Board till he gets to
|
|
be--all of a sudden--an old man. And then some day
|
|
some one says, 'Why, where's So-and-so?' and you wake
|
|
up to the fact that the young fellow has simply
|
|
disappeared--lost. I tell you the fascination of this
|
|
Pit gambling is something no one who hasn't experienced
|
|
it can have the faintest conception of. I believe it's
|
|
worse than liquor, worse than morphine. Once you get
|
|
into it, it grips you and draws you and draws you, and
|
|
the nearer you get to the end the easier it seems to
|
|
win, till all of a sudden, ah! there's the
|
|
whirlpool.... 'J.,' keep away from it, my boy."
|
|
|
|
Jadwin laughed, and leaning over, put his fingers upon
|
|
Cressler's breast, as though turning off a switch.
|
|
|
|
"Now, Miss Dearborn," he announced, "we've shut him
|
|
off. Charlie means all right, but now and then some
|
|
one brushes against him and opens that switch."
|
|
|
|
Cressler, good-humouredly laughed with the others, but
|
|
Laura's smile was perfunctory and her eyes were grave.
|
|
But there was a diversion. While the others had been
|
|
talking the rehearsal had proceeded, and now Page
|
|
beckoned to Laura from the far end of the parlor,
|
|
calling out:
|
|
|
|
"Laura--'Beatrice,' it's the third act. You are
|
|
wanted."
|
|
|
|
"Oh, I must run," exclaimed Laura, catching up her
|
|
play-book. "Poor Monsieur Gerardy--we must be a trial
|
|
to him."
|
|
|
|
She hurried across the room, where the coach was
|
|
disposing the furniture for the scene, consulting the
|
|
stage directions in his book:
|
|
|
|
"Here the kitchen table, here the old-fashioned
|
|
writing-desk, here the _armoire_ with practicable
|
|
doors, here the window. Soh! Who is on? Ah, the young
|
|
lady of the sick nose, 'Marion.' She is discovered--
|
|
knitting. And then the duchess--later. That's you
|
|
Mademoiselle Dearborn. You interrupt--you remember.
|
|
But then you, ah, you always are right. If they were
|
|
all like you. Very well, we begin."
|
|
|
|
Creditably enough the Gretry girl read her part,
|
|
Monsieur Gerardy interrupting to indicate the crossings
|
|
and business. Then at her cue, Laura, who was to play
|
|
the role of the duchess, entered with the words:
|
|
|
|
"I beg your pardon, but the door stood open. May I
|
|
come in?"
|
|
|
|
Monsieur Gerardy murmured:
|
|
|
|
"_Elle est vraiment superbe._"
|
|
|
|
Laura to the very life, to every little trick of
|
|
carriage and manner was the high-born gentlewoman
|
|
visiting the home of a dependent. Nothing could have
|
|
been more dignified, more gracious, more gracefully
|
|
condescending than her poise. She dramatised not only
|
|
her role, but the whole of her surroundings. The
|
|
interior of the little cottage seemed to define itself
|
|
with almost visible distinctness the moment she set
|
|
foot upon the scene.
|
|
|
|
Gerardy tiptoed from group to group, whispering:
|
|
|
|
"Eh? Very fine, our duchess. She would do well
|
|
professionally."
|
|
|
|
But Mrs. Wessels was not altogether convinced. Her
|
|
eyes following her niece, she said to Corthell:
|
|
|
|
"It's Laura's 'grand manner.' My word, I know her in
|
|
_that_ part. That's the way she is when she comes down
|
|
to the parlor of an evening, and Page introduces her to
|
|
one of her young men."
|
|
|
|
"I nearly die," protested Page, beginning to laugh.
|
|
"Of course it's very natural I should want my friends
|
|
to like my sister. And Laura comes in as though she
|
|
were walking on eggs, and gets their names wrong, as
|
|
though it didn't much matter, and calls them Pinky when
|
|
their name is Pinckney, and don't listen to what they
|
|
say, till I want to sink right through the floor with
|
|
mortification."
|
|
|
|
In haphazard fashion the rehearsal wore to a close.
|
|
Monsieur Gerardy stormed and fretted and insisted upon
|
|
repeating certain scenes over and over again. By ten
|
|
o'clock the actors were quite worn out. A little
|
|
supper was served, and very soon afterward Laura made a
|
|
move toward departing. She was wondering who would see
|
|
her home, Landry, Jadwin, or Sheldon Corthell.
|
|
|
|
The day had been sunshiny, warm even, but since nine
|
|
o'clock the weather had changed for the worse, and by
|
|
now a heavy rain was falling. Mrs. Cressler begged the
|
|
two sisters and Mrs. Wessels to stay at her house over
|
|
night, but Laura refused. Jadwin was suggesting to
|
|
Cressler the appropriateness of having the coupe
|
|
brought around to take the sisters home, when Corthell
|
|
came up to Laura.
|
|
|
|
"I sent for a couple of hansoms long since," he said.
|
|
"They are waiting outside now." And that seemed to
|
|
settle the question.
|
|
|
|
For all Jadwin's perseverance, the artist seemed--for
|
|
this time at least--to have the better of the
|
|
situation.
|
|
|
|
As the good-bys were being said at the front door Page
|
|
remarked to Landry:
|
|
|
|
"You had better go with us as far as the house, so that
|
|
you can take one of our umbrellas. You can get in with
|
|
Aunt Wess' and me. There's plenty of room. You can't
|
|
go home in this storm without an umbrella."
|
|
|
|
Landry at first refused, haughtily. He might be too
|
|
poor to parade a lot of hansom cabs around, but he was
|
|
too proud, to say the least, to ride in 'em when some
|
|
one else paid.
|
|
|
|
Page scolded him roundly. What next? The idea. He
|
|
was not to be so completely silly. She didn't propose
|
|
to have the responsibility of his catching pneumonia
|
|
just for the sake of a quibble.
|
|
|
|
"Some people," she declared, "never seemed to be able
|
|
to find out that they are grown up."
|
|
|
|
"Very well," he announced, "I'll go if I can tip the
|
|
driver a dollar."
|
|
|
|
Page compressed her lips.
|
|
|
|
"The man that can afford dollar tips," she said, "can
|
|
afford to hire the cab in the first place."
|
|
|
|
"Seventy-five cents, then," he declared resolutely.
|
|
"Not a cent less. I should feel humiliated with any
|
|
less."
|
|
|
|
"Will you please take me down to the cab, Landry
|
|
Court?" she cried. And without further comment Landry
|
|
obeyed.
|
|
|
|
"Now, Miss Dearborn, if you are ready," exclaimed
|
|
Corthell, as he came up. He held the umbrella over her
|
|
head, allowing his shoulders to get the drippings.
|
|
|
|
They cried good-by again all around, and the artist
|
|
guided her down the slippery steps. He handed her
|
|
carefully into the hansom, and following, drew down the
|
|
glasses.
|
|
|
|
Laura settled herself comfortably far back in her
|
|
corner, adjusting her skirts and murmuring:
|
|
|
|
"Such a wet night. Who would have thought it was going
|
|
to rain? I was afraid you were not coming at first,"
|
|
she added. "At dinner Mrs. Cressler said you had an
|
|
important committee meeting--something to do with the
|
|
Art Institute, the award of prizes; was that it?"
|
|
|
|
"Oh, yes," he answered, indifferently, "something of
|
|
the sort was on. I suppose it was important--for the
|
|
Institute. But for me there is only one thing of
|
|
importance nowadays," he spoke with a studied
|
|
carelessness, as though announcing a fact that Laura
|
|
must know already, "and that is, to be near you. It is
|
|
astonishing. You have no idea of it, how I have
|
|
ordered my whole life according to that idea."
|
|
|
|
"As though you expected me to believe that," she
|
|
answered.
|
|
|
|
In her other lovers she knew her words would have
|
|
provoked vehement protestation. But for her it was
|
|
part of the charm of Corthell's attitude that he never
|
|
did or said the expected, the ordinary. Just now he
|
|
seemed more interested in the effect of his love for
|
|
Laura upon himself than in the manner of her reception
|
|
of it.
|
|
|
|
"It is curious," he continued. "I am no longer a boy.
|
|
I have no enthusiasms. I have known many women, and I
|
|
have seen enough of what the crowd calls love to know
|
|
how futile it is, how empty, a vanity of vanities. I
|
|
had imagined that the poets were wrong, were idealists,
|
|
seeing the things that should be rather than the things
|
|
that were. And then," suddenly he drew a deep breath:
|
|
"_this_ happiness; and to _me._ And the miracle, the
|
|
wonderful is there--all at once--in my heart, in my
|
|
very hand, like a mysterious, beautiful exotic. The
|
|
poets _are_ wrong," he added. "They have not been
|
|
idealists enough. I wish--ah, well, never mind."
|
|
|
|
"What is it that you wish?" she asked, as he broke off
|
|
suddenly. Laura knew even before she spoke that it
|
|
would have been better not to have prompted him to
|
|
continue. Intuitively she had something more than a
|
|
suspicion that he had led her on to say these very
|
|
words. And in admitting that she cared to have the
|
|
conversation proceed upon this footing, she realised
|
|
that she was sheering towards unequivocal coquetry.
|
|
She saw the false move now, knew that she had lowered
|
|
her guard. On all accounts it would have been more
|
|
dignified to have shown only a mild interest in what
|
|
Corthell wished. She realised that once more she had
|
|
acted upon impulse, and she even found time to wonder
|
|
again how it was that when with this man her impulses,
|
|
and not her reason prevailed so often. With Landry or
|
|
with Curtis Jadwin she was always calm, tranquilly
|
|
self-possessed. But Corthell seemed able to reach all
|
|
that was impetuous, all that was unreasoned in her
|
|
nature. To Landry she was more than anything else, an
|
|
older sister, indulgent, kind-hearted. With Jadwin she
|
|
found that all the serious, all the sincere, earnest
|
|
side of her character was apt to come to the front.
|
|
But Corthell stirred troublous, unknown deeps in her,
|
|
certain undefined trends of recklessness; and for so
|
|
long as he held her within his influence, she could not
|
|
forget her sex a single instant.
|
|
|
|
It dismayed her to have this strange personality of
|
|
hers, this other headstrong, impetuous self, discovered
|
|
to her. She hardly recognised it. It made her a
|
|
little afraid; and yet, wonder of wonders, she could
|
|
not altogether dislike it. There was a certain
|
|
fascination in resigning herself for little instants to
|
|
the dominion of this daring stranger that was yet
|
|
herself.
|
|
|
|
Meanwhile Corthell had answered her:
|
|
|
|
"I wish," he said, "I _wish_ you could say something--I
|
|
hardly know what--something to me. So little would be
|
|
so much."
|
|
|
|
"But what _can_ I say?" she protested. "I don't know--
|
|
I--what _can_ I say?"
|
|
|
|
"It must be yes or no for me," he broke out. "I can't
|
|
go on this way."
|
|
|
|
"But why not? Why not?" exclaimed Laura. "Why must we--
|
|
terminate anything? Why not let things go on just as
|
|
they are? We are quite happy as we are. There's never
|
|
been a time of my life when I've been happier than this
|
|
last three or four months. I don't want to change
|
|
anything. Ah, here we are."
|
|
|
|
The hansom drew up in front of the house. Aunt Wess'
|
|
and Page were already inside. The maid stood in the
|
|
vestibule in the light that streamed from the half-open
|
|
front door, an umbrella in her hand. And as Laura
|
|
alighted, she heard Page's voice calling from the front
|
|
hall that the others had umbrellas, that the maid was
|
|
not to wait.
|
|
|
|
The hansom splashed away, and Corthell and Laura
|
|
mounted the steps of the house.
|
|
|
|
"Won't you come in?" she said. "There is a fire in the
|
|
library."
|
|
|
|
But he said no, and for a few seconds they stood under
|
|
the vestibule light, talking. Then Corthell, drawing
|
|
off his right-hand glove, said:
|
|
|
|
"I suppose that I have my answer. You do not wish for
|
|
a change. I understand. You wish to say by that, that
|
|
you do not love me. If you did love me as I love you,
|
|
you would wish for just that--a change. You would be
|
|
as eager as I for that wonderful, wonderful change that
|
|
makes a new heaven and a new earth."
|
|
|
|
This time Laura did not answer. There was a moment's
|
|
silence. Then Corthell said:
|
|
|
|
"Do you know, I think I shall go away."
|
|
|
|
"Go away?"
|
|
|
|
"Yes, to New York. Possibly to Paris. There is a new
|
|
method of fusing glass that I've promised myself long
|
|
ago I would look into. I don't know that it interests
|
|
me much--now. But I think I had better go. At once,
|
|
within the week. I've not much heart in it; but it
|
|
seems--under the circumstances--to be appropriate." He
|
|
held out his bared hand. Laura saw that he was
|
|
smiling.
|
|
|
|
"Well, Miss Dearborn--good-by."
|
|
|
|
"But _why_ should you go?" she cried, distressfully.
|
|
"How perfectly--ah, don't go," she exclaimed, then in
|
|
desperate haste added: "It would be absolutely
|
|
foolish."
|
|
|
|
"_Shall_ I stay?" he urged. "Do you tell me to stay?"
|
|
|
|
"Of course I do," she answered. "It would break up the
|
|
play--your going. It would spoil my part. You play
|
|
opposite me, you know. Please stay."
|
|
|
|
"Shall I stay," he asked, "for the sake of your part?
|
|
There is no one else you would rather have?" He was
|
|
smiling straight into her eyes, and she guessed what he
|
|
meant.
|
|
|
|
She smiled back at him, and the spirit of daring never
|
|
more awake in her, replied, as she caught his eye:
|
|
|
|
"There is no one else I would rather have."
|
|
|
|
Corthell caught her hand of a sudden.
|
|
|
|
"Laura," he cried, "let us end this fencing and
|
|
quibbling once and for all. Dear, dear girl, I _love_
|
|
you with all the strength of all the good in me. Let
|
|
me be the best a man can be to the woman he loves."
|
|
|
|
Laura flashed a smile at him.
|
|
|
|
"If you can make me love you enough," she answered.
|
|
|
|
"And you think I can?" he exclaimed,
|
|
|
|
"You have my permission to try," she said.
|
|
|
|
She hoped fervently that now, without further words, he
|
|
would leave her. It seemed to her that it would be the
|
|
most delicate chivalry on his part--having won this
|
|
much--to push his advantage no further. She waited
|
|
anxiously for his next words. She began to fear that
|
|
she had trusted too much upon her assurance of his
|
|
tact.
|
|
|
|
Corthell held out his hand again.
|
|
|
|
"It is good-night, then, not good-by."
|
|
|
|
"It is good-night," said Laura.
|
|
|
|
With the words he was gone, and Laura, entering the
|
|
house, shut the door behind her with a long breath of
|
|
satisfaction.
|
|
|
|
Page and Landry were still in the library. Laura
|
|
joined them, and for a few moments the three stood
|
|
before the fireplace talking about the play. Page at
|
|
length, at the first opportunity, excused herself and
|
|
went to bed. She made a great show of leaving Landry
|
|
and Laura alone, and managed to convey the impression
|
|
that she understood they were anxious to be rid of her.
|
|
|
|
"Only remember," she remarked to Laura severely, "to
|
|
lock up and turn out the hall gas. Annie has gone to
|
|
bed _long_ ago."
|
|
|
|
"I must dash along, too," declared Landry when Page was
|
|
gone.
|
|
|
|
He buttoned his coat about his neck, and Laura followed
|
|
him out into the hall and found an umbrella for him.
|
|
|
|
"You were beautiful to-night," he said, as he stood
|
|
with his hand on the door knob. "Beautiful. I could
|
|
not keep my eyes off of you, and I could not listen to
|
|
anybody but you. And now," he declared, solemnly, "I
|
|
will see your eyes and hear your voice all the rest of
|
|
the night. I want to explain," he added, "about those
|
|
hansoms--about coming home with Miss Page and Mrs.
|
|
Wessels. Mr. Corthell--those were _his_ hansoms, of
|
|
course. But I wanted an umbrella, and I gave the
|
|
driver seventy-five cents."
|
|
|
|
"Why of course, of course," said Laura, not quite
|
|
divining what he was driving at.
|
|
|
|
"I don't want you to think that I would be willing to
|
|
put myself under obligations to anybody."
|
|
|
|
"Of course, Landry; I understand."
|
|
|
|
He thrilled at once.
|
|
|
|
"Ah," he cried, "you don't know what it _means_ to me
|
|
to look into the eyes of a woman who really
|
|
understands."
|
|
|
|
Laura stared, wondering just what she had said.
|
|
|
|
"Will you turn this hall light out for me, Landry?" she
|
|
asked. "I never can reach."
|
|
|
|
He left the front door open and extinguished the jet in
|
|
its dull red globe. Promptly they were involved in
|
|
darkness.
|
|
|
|
"Good-night," she said. "Isn't it dark?"
|
|
|
|
He stretched out his hand to take hers, but instead his
|
|
groping fingers touched her waist. Suddenly Laura felt
|
|
his arm clasp her. Then all at once, before she had
|
|
time to so much as think of resistance, he had put both
|
|
arms about her and kissed her squarely on her cheek.
|
|
|
|
Then the front door closed, and she was left abruptly
|
|
alone, breathless, stunned, staring wide-eyed into the
|
|
darkness.
|
|
|
|
Her first sensation was one merely of amazement. She
|
|
put her hand quickly to her cheek, first the palm and
|
|
then the back, murmuring confusedly:
|
|
|
|
"What? Why?--why?"
|
|
|
|
Then she whirled about and ran up the stairs, her silks
|
|
clashing and fluttering about her as she fled, gained
|
|
her own room, and swung the door violently shut behind
|
|
her. She turned up the lowered gas and, without
|
|
knowing why, faced her mirror at once, studying her
|
|
reflection and watching her hand as it all but scoured
|
|
the offended cheek.
|
|
|
|
Then, suddenly, with an upward, uplifting rush, her
|
|
anger surged within her. She, Laura, Miss Dearborn,
|
|
who loved no man, who never conceded, never
|
|
capitulated, whose "grand manner" was a thing
|
|
proverbial, in all her pitch of pride, in her own home,
|
|
her own fortress, had been kissed, like a school-girl,
|
|
like a chambermaid, in the dark, in a corner.
|
|
|
|
And by--great heavens!--_Landry Court._ The boy whom
|
|
she fancied she held in such subjection, such profound
|
|
respect. Landry Court had dared, had dared to kiss
|
|
her, to offer her this wretchedly commonplace and petty
|
|
affront, degrading her to the level of a pretty
|
|
waitress, making her ridiculous.
|
|
|
|
She stood rigid, drawn to her full height, in the
|
|
centre of her bedroom, her fists tense at her sides,
|
|
her breath short, her eyes flashing, her face aflame.
|
|
From time to time her words, half smothered, burst from
|
|
her.
|
|
|
|
"What does he _think_ I _am?_ How dared he? How dared
|
|
he?"
|
|
|
|
All that she could say, any condemnation she could
|
|
formulate only made her position the more absurd, the
|
|
more humiliating. It had all been said before by
|
|
generations of shop-girls, school-girls, and servants,
|
|
in whose company the affront had ranged her. Landry
|
|
was to be told in effect that he was never to presume
|
|
to seek her acquaintance again. Just as the enraged
|
|
hussy of the street corners and Sunday picnics shouted
|
|
that the offender should "never dare speak to her again
|
|
as long as he lived." Never before had she been
|
|
subjected to this kind of indignity. And
|
|
simultaneously with the assurance she could hear the
|
|
shrill voice of the drab of the public balls
|
|
proclaiming that she had "never been kissed in all her
|
|
life before."
|
|
|
|
Of all slights, of all insults, it was the one that
|
|
robbed her of the very dignity she should assume to
|
|
rebuke it. The more vehemently she resented it, the
|
|
more laughable became the whole affair.
|
|
|
|
But she would resent it, she would resent it, and
|
|
Landry Court should be driven to acknowledge that the
|
|
sorriest day of his life was the one on which he had
|
|
forgotten the respect in which he had pretended to hold
|
|
her. He had deceived her, then, all along. Because
|
|
she had--foolishly--relaxed a little towards him,
|
|
permitted a certain intimacy, this was how he abused
|
|
it. Ah, well, it would teach her a lesson. Men were
|
|
like that. She might have known it would come to this.
|
|
Wilfully they chose to misunderstand, to take advantage
|
|
of her frankness, her good nature, her good
|
|
comradeship.
|
|
|
|
She had been foolish all along, flirting--yes, that was
|
|
the word for it flirting with Landry and Corthell and
|
|
Jadwin. No doubt they all compared notes about her.
|
|
Perhaps they had bet who first should kiss her. Or, at
|
|
least, there was not one of them who would not kiss her
|
|
if she gave him a chance.
|
|
|
|
But if she, in any way, had been to blame for what
|
|
Landry had done, she would atone for it. She had made
|
|
herself too cheap, she had found amusement in
|
|
encouraging these men, in equivocating, in coquetting
|
|
with them. Now it was time to end the whole business,
|
|
to send each one of them to the right-about with an
|
|
unequivocal definite word. She was a good girl, she
|
|
told herself. She was, in her heart, sincere; she was
|
|
above the inexpensive diversion of flirting. She had
|
|
started wrong in her new life, and it was time, high
|
|
time, to begin over again--with a clean page--to show
|
|
these men that they dared not presume to take liberties
|
|
with so much as the tip of her little finger.
|
|
|
|
So great was her agitation, so eager her desire to act
|
|
upon her resolve, that she could not wait till morning.
|
|
It was a physical impossibility for her to remain under
|
|
what she chose to believe suspicion another hour. If
|
|
there was any remotest chance that her three lovers had
|
|
permitted themselves to misunderstand her, they were to
|
|
be corrected at once, were to be shown their place, and
|
|
that without mercy.
|
|
|
|
She called for the maid, Annie, whose husband was the
|
|
janitor of the house, and who slept in the top story.
|
|
|
|
"If Henry hasn't gone to bed," said Laura, "tell him to
|
|
wait up till I call him, or to sleep with his clothes
|
|
on. There is something I want him to do for me--
|
|
something important."
|
|
|
|
It was close upon midnight. Laura turned back into her
|
|
room, removed her hat and veil, and tossed them, with
|
|
her coat, upon the bed. She lit another burner of the
|
|
chandelier, and drew a chair to her writing-desk
|
|
between the windows.
|
|
|
|
Her first note was to Landry Court. She wrote it
|
|
almost with a single spurt of the pen, and dated it
|
|
carefully, so that he might know it had been written
|
|
immediately after he had left. Thus it ran:
|
|
|
|
"Please do not try to see me again at any time or under
|
|
any circumstances. I want you to understand, very
|
|
clearly, that I do not wish to continue our
|
|
acquaintance."
|
|
|
|
Her letter to Corthell was more difficult, and it was
|
|
not until she had rewritten it two or three times that
|
|
it read to her satisfaction.
|
|
|
|
"My dear Mr. Corthell," so it was worded, "you asked me
|
|
to-night that our fencing and quibbling be brought to
|
|
an end. I quite agree with you that it is desirable.
|
|
I spoke as I did before you left upon an impulse that I
|
|
shall never cease to regret. I do not wish you to
|
|
misunderstand me, nor to misinterpret my attitude in
|
|
any way. You asked me to be your wife, and, very
|
|
foolishly and wrongly, I gave you--intentionally--an
|
|
answer which might easily be construed into an
|
|
encouragement. Understand now that I do not wish you
|
|
to try to make me love you. I would find it extremely
|
|
distasteful. And, believe me, it would be quite
|
|
hopeless. I do not now, and never shall care for you
|
|
as I should care if I were to be your wife. I beseech
|
|
you that you will not, in any manner, refer again to
|
|
this subject. It would only distress and pain me.
|
|
|
|
"Cordially yours,
|
|
|
|
"LAURA DEARBORN."
|
|
|
|
The letter to Curtis Jadwin was almost to the same
|
|
effect. But she found the writing of it easier than
|
|
the others. In addressing him she felt herself grow a
|
|
little more serious, a little more dignified and calm.
|
|
It ran as follows:
|
|
|
|
MY DEAR MR. JADWIN:
|
|
|
|
"When you asked me to become your wife this evening,
|
|
you deserved a straightforward answer, and instead I
|
|
replied in a spirit of capriciousness and
|
|
disingenuousness, which I now earnestly regret, and
|
|
which ask you to pardon and to ignore.
|
|
|
|
"I allowed myself to tell you that you might find
|
|
encouragement in my foolishly spoken words. I am
|
|
deeply sorry that I should have so forgotten what was
|
|
due to my own self-respect and to your sincerity.
|
|
|
|
"If I have permitted myself to convey to you the
|
|
impression that I would ever be willing to be your
|
|
wife, let me hasten to correct it. Whatever I said to
|
|
you this evening, I must answer now--as I should have
|
|
answered then--truthfully and unhesitatingly, no.
|
|
|
|
"This, I insist, must be the last word between us upon
|
|
this unfortunate subject, if we are to continue, as I
|
|
hope, very good friends.
|
|
|
|
"Cordially yours,
|
|
|
|
"LAURA DEARBORN.
|
|
|
|
She sealed, stamped, and directed the three envelopes,
|
|
and glanced at the little leather-cased travelling
|
|
clock that stood on the top of her desk. It was nearly
|
|
two.
|
|
|
|
"I could not sleep, I could not sleep," she murmured,
|
|
"if I did not know they were on the way."
|
|
|
|
In answer to the bell Henry appeared, and Laura gave
|
|
him the letters, with orders to mail them at once in
|
|
the nearest box.
|
|
|
|
When it was all over she sat down again at her desk,
|
|
and leaning an elbow upon it, covered her eyes with her
|
|
hand for a long moment. She felt suddenly very tired,
|
|
and when at last she lowered her hand, her fingers were
|
|
wet. But in the end she grew calmer. She felt that,
|
|
at all events, she had vindicated herself, that her
|
|
life would begin again to-morrow with a clean page; and
|
|
when at length she fell asleep, it was to the dreamless
|
|
unconsciousness of an almost tranquil mind.
|
|
|
|
She slept late the next morning and breakfasted in bed
|
|
between ten and eleven. Then, as the last vibrations
|
|
of last night's commotion died away, a very natural
|
|
curiosity began to assert itself. She wondered how
|
|
each of the three men "would take it." In spite of
|
|
herself she could not keep from wishing that she could
|
|
be by when they read their dismissals.
|
|
|
|
Towards the early part of the afternoon, while Laura
|
|
was in the library reading "Queen's Gardens," the
|
|
special delivery brought Landry Court's reply. It was
|
|
one _roulade_ of incoherence, even in places blistered
|
|
with tears. Landry protested, implored, debased
|
|
himself to the very dust. His letter bristled with
|
|
exclamation points, and ended with a prolonged wail of
|
|
distress and despair.
|
|
|
|
Quietly, and with a certain merciless sense of
|
|
pacification, Laura deliberately reduced the letter to
|
|
strips, burned it upon the hearth, and went back to her
|
|
Ruskin.
|
|
|
|
A little later, the afternoon being fine, she
|
|
determined to ride out to Lincoln Park, not fifteen
|
|
minutes from her home, to take a little walk there, and
|
|
to see how many new buds were out.
|
|
|
|
As she was leaving, Annie gave into her hands a
|
|
pasteboard box, just brought to the house by a
|
|
messenger boy.
|
|
|
|
The box was full of Jacqueminot roses, to the stems of
|
|
which a note from Corthell was tied. He wrote but a
|
|
single line:
|
|
|
|
"So it should have been 'good-by ' after all."
|
|
|
|
Laura had Annie put the roses in Page's room.
|
|
|
|
"Tell Page she can have them; I don't want them. She
|
|
can wear them to her dance to-night," she said.
|
|
|
|
While to herself she added:
|
|
|
|
"The little buds in the park will be prettier."
|
|
|
|
She was gone from the house over two hours, for she had
|
|
elected to walk all the way home. She came back
|
|
flushed and buoyant from her exercise, her cheeks cool
|
|
with the Lake breeze, a young maple leaf in one of the
|
|
revers of her coat. Annie let her in, murmuring:
|
|
|
|
"A gentleman called just after you went out. I told
|
|
him you were not at home, but he said he would wait.
|
|
He is in the library now."
|
|
|
|
"Who is he? Did he give his name?" demanded Laura.
|
|
|
|
The maid handed her Curtis Jadwin's card.
|
|
|
|
V
|
|
|
|
That year the spring burst over Chicago in a prolonged
|
|
scintillation of pallid green. For weeks continually
|
|
the sun shone. The Lake, after persistently cherishing
|
|
the greys and bitter greens of the winter months, and
|
|
the rugged white-caps of the northeast gales, mellowed
|
|
at length, turned to a softened azure blue, and lapsed
|
|
by degrees to an unrumed calmness, incrusted with
|
|
innumerable coruscations.
|
|
|
|
In the parks, first of all, the buds and earliest
|
|
shoots asserted themselves. The horse-chestnut
|
|
bourgeons burst their sheaths to spread into trefoils
|
|
and flame-shaped leaves. The elms, maples, and
|
|
cottonwoods followed. The sooty, blackened snow upon
|
|
the grass plats, in the residence quarters, had long
|
|
since subsided, softening the turf, filling the gutters
|
|
with rivulets. On all sides one saw men at work laying
|
|
down the new sod in rectangular patches.
|
|
|
|
There was a delicious smell of ripening in the air, a
|
|
smell of sap once more on the move, of humid earths
|
|
disintegrating from the winter rigidity, of twigs and
|
|
slender branches stretching themselves under the
|
|
returning warmth, elastic once more, straining in their
|
|
bark.
|
|
|
|
On the North Side, in Washington Square, along the
|
|
Lake-shore Drive, all up and down the Lincoln Park
|
|
Boulevard, and all through Erie, Huron, and Superior
|
|
streets, through North State Street, North Clarke
|
|
Street, and La Salle Avenue, the minute sparkling of
|
|
green flashed from tree top to tree top, like the first
|
|
kindling of dry twigs. One could almost fancy that the
|
|
click of igniting branch tips was audible as whole beds
|
|
of yellow-green sparks defined themselves within
|
|
certain elms and cottonwoods.
|
|
|
|
Every morning the sun invaded earlier the east windows
|
|
of Laura Dearborn's bedroom. Every day at noon it
|
|
stood more nearly overhead above her home. Every
|
|
afternoon the checkered shadows of the leaves thickened
|
|
upon the drawn curtains of the library. Within doors
|
|
the bottle-green flies came out of their lethargy and
|
|
droned and bumped on the panes. The double windows
|
|
were removed, screens and awnings took their places;
|
|
the summer pieces were put into the fireplaces.
|
|
|
|
All of a sudden vans invaded the streets, piled high
|
|
with mattresses, rocking-chairs, and bird cages; the
|
|
inevitable "spring moving" took place. And these
|
|
furniture vans alternated with great trucks laden with
|
|
huge elm trees on their way from nursery to lawn.
|
|
Families and trees alike submitted to the impulse of
|
|
transplanting, abandoning the winter quarters,
|
|
migrating with the spring to newer environments, taking
|
|
root in other soils. Sparrows wrangled on the
|
|
sidewalks and built ragged nests in the interstices of
|
|
cornice and coping. In the parks one heard the liquid
|
|
modulations of robins. The florists' wagons appeared,
|
|
and from house to house, from lawn to lawn, iron urns
|
|
and window boxes filled up with pansies, geraniums,
|
|
fuchsias, and trailing vines. The flower beds,
|
|
stripped of straw and manure, bloomed again, and at
|
|
length the great cottonwoods shed their berries, like
|
|
clusters of tiny grapes, over street and sidewalk.
|
|
|
|
At length came three days of steady rain, followed by
|
|
cloudless sunshine and full-bodied, vigorous winds
|
|
straight from out the south.
|
|
|
|
Instantly the living embers in tree top and grass plat
|
|
were fanned to flame. Like veritable fire, the leaves
|
|
blazed up. Branch after branch caught and crackled;
|
|
even the dryest, the deadest, were enfolded in the
|
|
resistless swirl of green. Tree top ignited tree top;
|
|
the parks and boulevards were one smother of radiance.
|
|
From end to end and from side to side of the city, fed
|
|
by the rains, urged by the south winds, spread
|
|
billowing and surging the superb conflagration of the
|
|
coming summer.
|
|
|
|
Then, abruptly, everything hung poised; the leaves, the
|
|
flowers, the grass, all at fullest stretch, stood
|
|
motionless, arrested, while the heat, distilled, as it
|
|
were, from all this seething green, rose like a vast
|
|
pillar over the city, and stood balanced there in the
|
|
iridescence of the sky, moveless and immeasurable.
|
|
|
|
From time to time it appeared as if this pillar broke
|
|
in the guise of summer storms, and came toppling down
|
|
upon the city in tremendous detonations of thunder and
|
|
weltering avalanches of rain. But it broke only to
|
|
reform, and no sooner had the thunder ceased, the rain
|
|
intermitted, and the sun again come forth, than one
|
|
received the vague impression of the swift rebuilding
|
|
of the vast, invisible column that smothered the city
|
|
under its bases, towering higher and higher into the
|
|
rain-washed, crystal-clear atmosphere.
|
|
|
|
Then the aroma of wet dust, of drenched pavements,
|
|
musty, acute--the unforgettable exhalation of the
|
|
city's streets after a shower--pervaded all the air,
|
|
and the little out-door activities resumed again under
|
|
the dripping elms and upon the steaming sidewalks.
|
|
|
|
The evenings were delicious. It was yet too early for
|
|
the exodus northward to the Wisconsin lakes, but to
|
|
stay indoors after nightfall was not to be thought of.
|
|
After six o'clock, all through the streets in the
|
|
neighbourhood of the Dearborns' home, one could see the
|
|
family groups "sitting out" upon the front "stoop."
|
|
Chairs were brought forth, carpets and rugs unrolled
|
|
upon the steps. From within, through the opened
|
|
windows of drawing-room and parlour, came the brisk
|
|
gaiety of pianos. The sidewalks were filled with
|
|
children clamouring at "tag," "I-spy," or "run-sheep-
|
|
run." Girls in shirt-waists and young men in flannel
|
|
suits promenaded to and fro. Visits were exchanged
|
|
from "stoop" to "stoop," lemonade was served, and
|
|
claret punch. In their armchairs on the top step,
|
|
elderly men, householders, capitalists, well-to-do,
|
|
their large stomachs covered with white waistcoats,
|
|
their straw hats upon their knees, smoked very fragrant
|
|
cigars in silent enjoyment, digesting their dinners,
|
|
taking the air after the grime and hurry of the
|
|
business districts.
|
|
|
|
It was on such an evening as this, well on towards the
|
|
last days of the spring, that Laura Dearborn and Page
|
|
joined the Cresslers and their party, sitting out like
|
|
other residents of the neighbourhood on the front steps
|
|
of their house. Almost every evening nowadays the
|
|
Dearborn girls came thus to visit with the Cresslers.
|
|
Sometimes Page brought her mandolin.
|
|
|
|
Every day of the warm weather seemed only to increase
|
|
the beauty of the two sisters. Page's brown hair was
|
|
never more luxuriant, the exquisite colouring of her
|
|
cheeks never more charming, the boyish outlines of her
|
|
small, straight figure--immature and a little angular
|
|
as yet--never more delightful. The seriousness of her
|
|
straight-browed, grave, grey-blue eyes was still
|
|
present, but the eyes themselves were, in some
|
|
indefinable way, deepening, and all the maturity that
|
|
as yet was withheld from her undeveloped little form
|
|
looked out from beneath her long lashes.
|
|
|
|
But Laura was veritably regal. Very slender as yet, no
|
|
trace of fulness to be seen over hip or breast, the
|
|
curves all low and flat, she yet carried her extreme
|
|
height with tranquil confidence, the unperturbed
|
|
assurance of a _chatelaine_ of the days of feudalism.
|
|
|
|
Her coal-black hair, high-piled, she wore as if it were
|
|
a coronet. The warmth of the exuberant spring days had
|
|
just perceptibly mellowed the even paleness of her
|
|
face, but to compensate for this all the splendour of
|
|
coming midsummer nights flashed from her deep-brown
|
|
eyes.
|
|
|
|
On this occasion she had put on her coat over her
|
|
shirt-waist, and a great bunch of violets was tucked
|
|
into her belt. But no sooner had she exchanged
|
|
greetings with the others and settled herself in her
|
|
place than she slipped her coat from her shoulders.
|
|
|
|
It was while she was doing this that she noted, for the
|
|
first time, Landry Court standing half in and half out
|
|
of the shadow of the vestibule behind Mr. Cressler's
|
|
chair.
|
|
|
|
"This is the first time he has been here since--since
|
|
that night," Mrs. Cressler hastened to whisper in
|
|
Laura's ear. "He told me about--well, he told me what
|
|
occurred, you know. He came to dinner to-night, and
|
|
afterwards the poor boy nearly wept in my arms. You
|
|
never saw such penitence."
|
|
|
|
Laura put her chin in the air with a little movement of
|
|
incredulity. But her anger had long since been a thing
|
|
of the past. Good-tempered, she could not cherish
|
|
resentment very long. But as yet she had greeted
|
|
Landry only by the briefest of nods.
|
|
|
|
"Such a warm night!" she murmured, fanning herself with
|
|
part of Mr. Cressler's evening paper. "And I never was
|
|
so thirsty."
|
|
|
|
"Why, of course," exclaimed Mrs. Cressler. "Isabel,"
|
|
she called, addressing Miss Gretry, who sat on the
|
|
opposite side of the steps, "isn't the lemonade near
|
|
you? Fill a couple of glasses for Laura and Page."
|
|
|
|
Page murmured her thanks, but Laura declined.
|
|
|
|
"No; just plain water for me," she said. "Isn't there
|
|
some inside? Mr. Court can get it for me, can't he?"
|
|
Landry brought the pitcher back, running at top speed
|
|
and spilling half of it in his eagerness. Laura
|
|
thanked him with a smile, addressing him, however, by
|
|
his last name. She somehow managed to convey to him in
|
|
her manner the information that though his offence was
|
|
forgotten, their old-time relations were not, for one
|
|
instant, to be resumed.
|
|
|
|
Later on, while Page was thrumming her mandolin, Landry
|
|
whistling a "second," Mrs. Cressler took occasion to
|
|
remark to Laura:
|
|
|
|
"I was reading the Paris letter in the 'Inter-Ocean'
|
|
to-day, and I saw Mr. Corthell's name on the list of
|
|
American arrivals at the Continental. I guess," she
|
|
added, "he's going to be gone a long time. I wonder
|
|
sometimes if he will _ever_ come back. A fellow with
|
|
his talent, I should imagine would find Chicago--well,
|
|
less congenial, anyhow, than Paris. But, just the
|
|
same, I do think it was mean of him to break up our
|
|
play by going. I'll bet a cookie that he wouldn't take
|
|
part any more just because you wouldn't. He was just
|
|
crazy to do that love scene in the fourth act with you.
|
|
And when _you_ wouldn't play, of course _he_ wouldn't;
|
|
and then every-body seemed to lose interest with you
|
|
two out. 'J.' took it all very decently though, don't
|
|
you think?"
|
|
|
|
Laura made a murmur of mild assent.
|
|
|
|
"He was disappointed, too," continued Mrs. Cressler.
|
|
"I could see that. He thought the play was going to
|
|
interest a lot of our church people in his Sunday-
|
|
school. But he never said a word when it fizzled out.
|
|
Is he coming to-night?"
|
|
|
|
"Well I declare," said Laura. "How should I know, if
|
|
you don't?"
|
|
|
|
Jadwin was an almost regular visitor at the Cresslers'
|
|
during the first warm evenings. He lived on the South
|
|
Side, and the distance between his home and that of the
|
|
Cresslers was very considerable. It was seldom,
|
|
however, that Jadwin did not drive over. He came in
|
|
his double-seated buggy, his negro coachman beside him
|
|
the two coach dogs, "Rex" and "Rox," trotting under the
|
|
rear axle. His horses were not showy, nor were they
|
|
made conspicuous by elaborate boots, bandages, and all
|
|
the other solemn paraphernalia of the stable, yet men
|
|
upon the sidewalks, amateurs, breeders, and the like--
|
|
men who understood good stock--never failed to stop to
|
|
watch the team go by, heads up, the check rein swinging
|
|
loose, ears all alert, eyes all alight, the breath
|
|
deep, strong, and slow, and the stride, machine-like,
|
|
even as the swing of a metronome, thrown out from the
|
|
shoulder to knee, snapped on from knee to fetlock, from
|
|
fetlock to pastern, finishing squarely, beautifully,
|
|
with the thrust of the hoof, planted an instant, then,
|
|
as it were, flinging the roadway behind it, snatched up
|
|
again, and again cast forward.
|
|
|
|
On these occasions Jadwin himself inevitably wore a
|
|
black "slouch" hat, suggestive of the general of the
|
|
Civil War, a grey "dust overcoat" with a black velvet
|
|
collar, and tan gloves, discoloured with the moisture
|
|
of his palms and all twisted and crumpled with the
|
|
strain of holding the thoroughbreds to their work.
|
|
|
|
He always called the time of the trip from the buggy at
|
|
the Cresslers' horse block, his stop watch in his hand,
|
|
and, as he joined the groups upon the steps, he was
|
|
almost sure to remark: "Tugs were loose all the way
|
|
from the river. They pulled the whole rig by the
|
|
reins. My hands are about dislocated."
|
|
|
|
"Page plays very well," murmured Mrs. Cressler as the
|
|
young girl laid down her mandolin. "I hope J. does
|
|
come to-night," she added. "I love to have him 'round.
|
|
He's so hearty and whole-souled."
|
|
|
|
I aura did not reply. She seemed a little preoccupied
|
|
this evening, and conversation in the group died away.
|
|
The night was very beautiful, serene, quiet; and, at
|
|
this particular hour of the end of the twilight, no one
|
|
cared to talk much. Cressler lit another cigar, and
|
|
the filaments of delicate blue smoke hung suspended
|
|
about his head in the moveless air. Far off, from the
|
|
direction of the mouth of the river, a lake steamer
|
|
whistled a prolonged tenor note. Somewhere from an
|
|
open window in one of the neighbouring houses a violin,
|
|
accompanied by a piano, began to elaborate the
|
|
sustained phrases of "Schubert's Serenade." Theatrical
|
|
as was the theme, the twilight and the muffled hum of
|
|
the city, lapsing to quiet after the febrile activities
|
|
of the day, combined to lend it a dignity, a
|
|
persuasiveness. The children were still playing along
|
|
the sidewalks, and their staccato gaiety was part of
|
|
the quiet note to which all sounds of the moment seemed
|
|
chorded.
|
|
|
|
After a while Mrs. Cressler began to talk to Laura in a
|
|
low voice. She and Charlie were going to spend a part
|
|
of June at Oconomowoc, in Wisconsin. Why could not
|
|
Laura make up her mind to come with them? She had asked
|
|
Laura a dozen times already, but couldn't get a yes or
|
|
no answer from her. What was the reason she could not
|
|
decide? Didn't she think she would have a good time?
|
|
|
|
"Page can go," said Laura. "I would like to have you
|
|
take her. But as for me, I don't know. My plans are
|
|
so unsettled this summer." She broke off suddenly.
|
|
"Oh, now, that I think of it, I want to borrow your
|
|
'Idylls of the King.' May I take it for a day or two?
|
|
I'll run in and get it now," she added as she rose. "I
|
|
know just where to find it. No, please sit still, Mr.
|
|
Cressler. I'll go."
|
|
|
|
And with the words she disappeared in doors, leaving
|
|
Mrs. Cressler to murmur to her husband:
|
|
|
|
"Strange girl. Sometimes I think I don't know Laura at
|
|
all. She's so inconsistent. How funny she acts about
|
|
going to Oconomowoc with us!"
|
|
|
|
Mr. Cressler permitted himself an amiable grunt of
|
|
protest.
|
|
|
|
"Pshaw! Laura's all right. The handsomest girl in Cook
|
|
County."
|
|
|
|
"Well, that's not much to do with it, Charlie," sighed
|
|
Mrs. Cressler. "Oh, dear," she added vaguely. "I
|
|
don't know."
|
|
|
|
"Don't know what?"
|
|
|
|
"I hope Laura's life will be happy."
|
|
|
|
"Oh, for God's sake, Carrie!"
|
|
|
|
"There's something about that girl," continued Mrs.
|
|
Cressler, "that makes my heart bleed for her."
|
|
|
|
Cressler frowned, puzzled and astonished.
|
|
|
|
"Hey--what!" he exclaimed. "You're crazy, Carrie!"
|
|
|
|
"Just the same," persisted Mrs. Cressler, "I just yearn
|
|
towards her sometimes like a mother. Some people are
|
|
born to trouble, Charlie; born to trouble, as the
|
|
sparks fly upward. And you mark my words, Charlie
|
|
Cressler, Laura is that sort. There's all the pathos
|
|
in the world in just the way she looks at you from
|
|
under all that black, black hair, and out of her eyes
|
|
the saddest eyes sometimes, great, sad, mournful eyes."
|
|
|
|
"Fiddlesticks!" said Mr. Cressler, resuming his paper.
|
|
|
|
"I'm positive that Sheldon Corthell asked her to marry
|
|
him," mused Mrs. Cressler after a moment's silence.
|
|
"I'm sure that's why he left so suddenly."
|
|
|
|
Her husband grunted grimly as he turned his paper so as
|
|
to catch the reflection of the vestibule light.
|
|
|
|
"Don't you think so, Charlie?"
|
|
|
|
"Uh! _I_ don't know. I never had much use for that
|
|
fellow, anyhow."
|
|
|
|
"He's wonderfully talented," she commented, "and so
|
|
refined. He always had the most beautiful manners.
|
|
Did you ever notice his hands?"
|
|
|
|
"I thought they were like a barber's. Put him in
|
|
'J.'s' rig there, behind those horses of his, and how
|
|
long do you suppose he'd hold those trotters with that
|
|
pair of hands? Why," he blustered, suddenly, "they'd
|
|
pull him right over the dashboard."
|
|
|
|
"Poor little Landry Court!" murmured his wife, lowering
|
|
her voice. "He's just about heart-broken. He wanted
|
|
to marry her too. My goodness, she must have brought
|
|
him up with a round turn. I can see Laura when she is
|
|
really angry. Poor fellow!"
|
|
|
|
"If you _women_ would let that boy alone, he might
|
|
amount to something."
|
|
|
|
"He told me his life was ruined."
|
|
|
|
Cressler threw his cigar from him with vast impatience.
|
|
|
|
"Oh, rot!" he muttered.
|
|
|
|
"He took it terribly, seriously, Charlie, just the
|
|
same."
|
|
|
|
"I'd like to take that young boy in hand and shake some
|
|
of the nonsense out of him that you women have filled
|
|
him with. He's got a level head. On the floor every
|
|
day, and never yet bought a hatful of wheat on his own
|
|
account. Don't know the meaning of speculation and
|
|
don't want to. There's a boy with some sense."
|
|
|
|
"It's just as well," persisted Mrs. Cressler
|
|
reflectively, "that Laura wouldn't have him. Of course
|
|
they're not made for each other. But I thought that
|
|
Corthell would have made her happy. But she won't ever
|
|
marry 'J.' He asked her to; she didn't tell me, but I
|
|
know he did. And she's refused him flatly. She won't
|
|
marry anybody, she says. Said she didn't love anybody,
|
|
and never would. I'd have loved to have seen her
|
|
married to 'J.,' but I can see now that they wouldn't
|
|
have been congenial; and if Laura wouldn't have Sheldon
|
|
Corthell, who was just made for her, I guess it was no
|
|
use to expect she'd have 'J.' Laura's got a
|
|
temperament, and she's artistic, and loves paintings,
|
|
and poetry, and Shakespeare, and all that, and Curtis
|
|
don't care for those things at all. They wouldn't have
|
|
had anything in common. But Corthell--that was
|
|
different. And Laura did care for him, in a way. He
|
|
interested her immensely. When he'd get started on art
|
|
subjects Laura would just hang on every word. My
|
|
lands, I wouldn't have gone away if I'd been in his
|
|
boots. You mark my words, Charlie, there was the man
|
|
for Laura Dearborn, and she'll marry him yet, or I'll
|
|
miss my guess."
|
|
|
|
"That's just like you, Carrie--you and the rest of the
|
|
women," exclaimed Cressler, "always scheming to marry
|
|
each other off. Why don't you let the girl alone?
|
|
Laura's all right. She mind's her own business, and
|
|
she's perfectly happy. But you'd go to work and get up
|
|
a sensation about her, and say that your 'heart bleeds
|
|
for her,' and that she's born to trouble, and has sad
|
|
eyes. If she gets into trouble it'll be because some
|
|
one else makes it for her. You take my advice, and let
|
|
her paddle her own canoe. She's got the head to do it;
|
|
don't you worry about that. By the way--" Cressler
|
|
interrupted himself, seizing the opportunity to change
|
|
the subject. "By the way, Carrie, Curtis has been
|
|
speculating again. I'm sure of it."
|
|
|
|
"Too bad," she murmured.
|
|
|
|
"So it is," Cressler went on. "He and Gretry are thick
|
|
as thieves these days. Gretry, I understand, has been
|
|
selling September wheat for him all last week, and only
|
|
this morning they closed out another scheme--some corn
|
|
game. It was all over the Floor just about closing
|
|
time. They tell me that Curtis landed between eight
|
|
and ten thousand. Always seems to win. I'd give a lot
|
|
to keep him out of it; but since his deal in May wheat
|
|
he's been getting into it more and more."
|
|
|
|
"Did he sell that property on Washington Street?" she
|
|
inquired.
|
|
|
|
"Oh," exclaimed her husband, "I'd forgot. I meant to
|
|
tell you. No, he didn't sell it. But he did better.
|
|
He wouldn't sell, and those department store people
|
|
took a lease. Guess what they pay him. Three hundred
|
|
thousand a year. 'J.' is getting richer all the time,
|
|
and why he can't be satisfied with his own business
|
|
instead of monkeying 'round La Salle Street is a
|
|
mystery to me."
|
|
|
|
But, as Mrs. Cressler was about to reply, Laura came to
|
|
the open window of the parlour.
|
|
|
|
"Oh, Mrs. Cressler," she called, "I don't seem to find
|
|
your 'Idylls' after all. I thought they were in the
|
|
little book-case."
|
|
|
|
"Wait. I'll find them for you," exclaimed Mrs.
|
|
Cressler.
|
|
|
|
"Would you mind?" answered Laura, as Mrs. Cressler
|
|
rose.
|
|
|
|
Inside, the gas had not been lighted. The library was
|
|
dark and cool, and when Mrs. Cressler had found the
|
|
book for Laura the girl pleaded a headache as an excuse
|
|
for remaining within. The two sat down by the raised
|
|
sash of a window at the side of the house, that
|
|
overlooked the "side yard," where the morning-glories
|
|
and nasturtiums were in full bloom.
|
|
|
|
"The house _is_ cooler, isn't it?" observed Mrs.
|
|
Cressler.
|
|
|
|
Laura settled herself in her wicker chair, and with a
|
|
gesture that of late had become habitual with her
|
|
pushed her heavy coils of hair to one side and patted
|
|
them softly to place.
|
|
|
|
"It is getting warmer, I do believe," she said, rather
|
|
listlessly. "I understand it is to be a very hot
|
|
summer." Then she added, "I'm to be married in July,
|
|
Mrs. Cressler."
|
|
|
|
Mrs. Cressler gasped, and sitting bolt upright stared
|
|
for one breathless instant at Laura's face, dimly
|
|
visible in the darkness. Then, stupefied, she managed
|
|
to vociferate:
|
|
|
|
"What! Laura! Married? My darling girl!"
|
|
|
|
"Yes," answered Laura calmly. "In July--or maybe
|
|
sooner."
|
|
|
|
"Why, I thought you had rejected Mr. Corthell. I
|
|
thought that's why he went away."
|
|
|
|
"Went away? He never went away. I mean it's not Mr.
|
|
Corthell. It's Mr. Jadwin."
|
|
|
|
"Thank God!" declared Mrs. Cressler fervently, and with
|
|
the words kissed Laura on both cheeks. "My dear, dear
|
|
child, you can't tell how glad I am. From the very
|
|
first I've said you were made for one another. And I
|
|
thought all the time that you'd told him you wouldn't
|
|
have him."
|
|
|
|
"I did," said Laura. Her manner was quiet. She seemed
|
|
a little grave. "I told him I did not love him. Only
|
|
last week I told him so."
|
|
|
|
"Well, then, why did you promise?"
|
|
|
|
"My goodness!" exclaimed Laura, with a show of
|
|
animation. "You don't realize what it's been. Do you
|
|
suppose you can say 'no' to that man?"
|
|
|
|
"Of course not, of course not," declared Mrs. Cressler
|
|
joyfully. "That's 'J.' all over. I might have known
|
|
he'd have you if he set out to do it."
|
|
|
|
"Morning, noon, and night," Laura continued. "He
|
|
seemed willing to wait as long as I wasn't definite;
|
|
but one day I wrote to him and gave him a square 'No,'
|
|
so as he couldn't mistake, and just as soon as I'd said
|
|
that he--he--began. I didn't have any peace until I'd
|
|
promised him, and the moment I had promised he had a
|
|
ring on my finger. He'd had it ready in his pocket for
|
|
weeks it seems. No," she explained, as Mrs. Cressler
|
|
laid her fingers upon her left hand, "That I would not
|
|
have--yet."
|
|
|
|
"Oh, it was like 'J.' to be persistent," repeated Mrs.
|
|
Cressler.
|
|
|
|
"Persistent!" murmured Laura. "He simply wouldn't talk
|
|
of anything else. It was making him sick, he said.
|
|
And he did have a fever--often. But he would come out
|
|
to see me just the same. One night, when it was
|
|
pouring rain--Well, I'll tell you. He had been to
|
|
dinner with us, and afterwards, in the drawing-room, I
|
|
told him 'no' for the hundredth time just as plainly as
|
|
I could, and he went away early--it wasn't eight. I
|
|
thought that now at last he had given up. But he was
|
|
back again before ten the same evening. He said he had
|
|
come back to return a copy of a book I had loaned him--
|
|
'Jane Eyre' it was. Raining! I never saw it rain as it
|
|
did that night. He was drenched, and even at dinner he
|
|
had had a low fever. And then I was sorry for him. I
|
|
told him he could come to see me again. I didn't
|
|
propose to have him come down with pneumonia, or
|
|
typhoid, or something. And so it all began over
|
|
again."
|
|
|
|
"But you loved him, Laura?" demanded Mrs. Cressler.
|
|
"You love him now?"
|
|
|
|
Laura was silent. Then at length:
|
|
|
|
"I don't know," she answered.
|
|
|
|
"Why, of course you love him, Laura," insisted Mrs.
|
|
Cressler. "You wouldn't have promised him if you
|
|
hadn't. Of course you love him, don't you?"
|
|
|
|
"Yes, I--I suppose I must love him, or--as you say--I
|
|
wouldn't have promised to marry him. He does
|
|
everything, every little thing I say. He just seems to
|
|
think of nothing else but to please me from morning
|
|
until night. And when I finally said I would marry
|
|
him, why, Mrs. Cressler, he choked all up, and the
|
|
tears ran down his face, and all he could say was, 'May
|
|
God bless you! May God bless you!' over and over again,
|
|
and his hand shook so that--Oh, well," she broke off
|
|
abruptly. Then added, "Somehow it makes tears come to
|
|
my eyes to think of it."
|
|
|
|
"But, Laura," urged Mrs. Cressler, "you love Curtis,
|
|
don't you? You--you're such a strange girl sometimes.
|
|
Dear child, talk to me as though I were your mother.
|
|
There's no one in the world loves you more than I do.
|
|
You love Curtis, don't you?"
|
|
|
|
Laura hesitated a long moment.
|
|
|
|
"Yes," she said, slowly at length. "I think I love him
|
|
very much--sometimes. And then sometimes I think I
|
|
don't. I can't tell. There are days when I'm sure of
|
|
it, and there are others when I wonder if I want to be
|
|
married, after all. I thought when love came it was to
|
|
be--oh, uplifting, something glorious like Juliet's
|
|
love or Marguerite's. Something that would--" Suddenly
|
|
she struck her hand to her breast, her fingers shut
|
|
tight, closing to a fist. "Oh, something that would
|
|
shake me all to pieces. I thought that was the only
|
|
kind of love there was."
|
|
|
|
"Oh, that's what you read about in trashy novels," Mrs.
|
|
Cressler assured her, "or the kind you see at the
|
|
matinees. I wouldn't let that bother me, Laura.
|
|
There's no doubt that '_J._' loves _you._"
|
|
|
|
Laura brightened a little. "Oh, no," she answered,
|
|
"there's no doubt about that. It's splendid, that part
|
|
of it. He seems to think there's nothing in the world
|
|
too good for me. Just imagine, only yesterday I was
|
|
saying something about my gloves, I really forget what--
|
|
something about how hard it was for me to get the kind
|
|
of gloves I liked. Would you believe it, he got me to
|
|
give him my measure, and when I saw him in the evening
|
|
he told me he had cabled to Brussels to some famous
|
|
glovemaker and had ordered I don't know how many
|
|
pairs."
|
|
|
|
"Just like him, just like him!" cried Mrs. Cressler.
|
|
"I know you will be happy, Laura, dear. You can't help
|
|
but be with a man who loves you as 'J.' does."
|
|
|
|
"I think I shall be happy," answered Laura, suddenly
|
|
grave. "Oh, Mrs. Cressler, I want to be. I hope that
|
|
I won't come to myself some day, after it is too late,
|
|
and find that it was all a mistake." Her voice shook a
|
|
little. "You don't know how nervous I am these days.
|
|
One minute I am one kind of girl, and the next another
|
|
kind. I'm so nervous and--oh, I don't know. Oh, I
|
|
guess it will be all right." She wiped her eyes, and
|
|
laughed a note. "I don't see why I should cry about
|
|
it," she murmured.
|
|
|
|
"Well, Laura," answered Mrs. Cressler, "if you don't
|
|
love Curtis, don't marry him. That's very simple."
|
|
|
|
"It's like this, Mrs. Cressler," Laura explained. "I
|
|
suppose I am very uncharitable and unchristian, but I
|
|
like the people that like me, and I hate those that
|
|
don't like me. I can't help it. I know it's wrong,
|
|
but that's the way I am. And I love to be loved. The
|
|
man that would love me the most would make me love him.
|
|
And when Mr. Jadwin seems to care so much, and do so
|
|
much, and--you know how I mean; it does make a
|
|
difference of course. I suppose I care as much for Mr.
|
|
Jadwin as I ever will care for any man. I suppose I
|
|
must be cold and unemotional."
|
|
|
|
Mrs. Cressler could not restrain a movement of
|
|
surprise.
|
|
|
|
"You unemotional? Why, I thought you just said, Laura,
|
|
that you had imagined love would be like Juliet and
|
|
like that girl in 'Faust'--that it was going to shake
|
|
you all to pieces."
|
|
|
|
"Did I say that? Well, I told you I was one girl one
|
|
minute and another another. I don't know myself these
|
|
days. Oh, hark," she said, abruptly, as the cadence of
|
|
hoofs began to make itself audible from the end of the
|
|
side street. "That's the team now. I could recognise
|
|
those horses' trot as far as I could hear it. Let's go
|
|
out. I know he would like to have me there when he
|
|
drives up. And you know"--she put her hand on Mrs.
|
|
Cressler's arm as the two moved towards the front door--
|
|
"this is all absolutely a secret as yet."
|
|
|
|
"Why, of course, Laura dear. But tell me just one
|
|
thing more," Mrs. Cressler asked, in a whisper, "are
|
|
you going to have a church wedding?"
|
|
|
|
"Hey, Carrie," called Mr. Cressler from the stoop,
|
|
"here's J."
|
|
|
|
Laura shook her head.
|
|
|
|
"No, I want it to be very quiet--at our house. We'll
|
|
go to Geneva Lake for the summer. That's why, you see,
|
|
I couldn't promise to go to Oconomowoc with you."
|
|
|
|
They came out upon the front steps, Mrs. Cressler's arm
|
|
around Laura's waist. It was dark by now, and the air
|
|
was perceptibly warmer.
|
|
|
|
The team was swinging down the street close at hand,
|
|
the hoof beats exactly timed, as if there were but one
|
|
instead of two horses.
|
|
|
|
"Well, what's the record to-night J.?" cried Cressler,
|
|
as Jadwin brought the bays to a stand at the horse
|
|
block. Jadwin did not respond until he had passed the
|
|
reins to the coachman, and taking the stop watch from
|
|
the latter's hand, he drew on his cigar, and held the
|
|
glowing tip to the dial.
|
|
|
|
"Eleven minutes and a quarter," he announced, "and we
|
|
had to wait for the bridge at that."
|
|
|
|
He came up the steps, fanning himself with his slouch
|
|
hat, and dropped into the chair that Landry had brought
|
|
for him.
|
|
|
|
"Upon my word," he exclaimed, gingerly drawing off his
|
|
driving gloves, "I've no feeling in my fingers at all.
|
|
Those fellows will pull my hands clean off some day."
|
|
|
|
But he was hardly settled in his place before he
|
|
proposed to send the coachman home, and to take Laura
|
|
for a drive towards Lincoln Park, and even a little way
|
|
into the park itself. He promised to have her back
|
|
within an hour.
|
|
|
|
"I haven't any hat," objected Laura. "I should love to
|
|
go, but I ran over here to-night without any hat."
|
|
|
|
"Well, I wouldn't let that stand in my way, Laura,"
|
|
protested Mrs. Cressler. "It will be simply heavenly
|
|
in the Park on such a night as this."
|
|
|
|
In the end Laura borrowed Page's hat, and Jadwin took
|
|
her away. In the light of the street lamps Mrs.
|
|
Cressler and the others watched them drive off, sitting
|
|
side by side behind the fine horses. Jadwin, broad-
|
|
shouldered, a fresh cigar in his teeth, each rein in a
|
|
double turn about his large, hard hands; Laura, slim,
|
|
erect, pale, her black, thick hair throwing a tragic
|
|
shadow low upon her forehead.
|
|
|
|
"A fine-looking couple," commented Mr. Cressler as they
|
|
disappeared.
|
|
|
|
The hoof beats died away, the team vanished. Landry
|
|
Court, who stood behind the others, watching, turned to
|
|
Mrs. Cressler. She thought she detected a little
|
|
unsteadiness in his voice, but he repeated bravely:
|
|
|
|
"Yes, yes, that's right. They are a fine, a--a fine-
|
|
looking couple together, aren't they? A fine-looking
|
|
couple, to say the least"
|
|
|
|
A week went by, then two, soon May had passed. On the
|
|
fifteenth of that month Laura's engagement to Curtis
|
|
Jadwin was formally announced. The day of the wedding
|
|
was set for the first week in June.
|
|
|
|
During this time Laura was never more changeable, more
|
|
puzzling. Her vivacity seemed suddenly to have been
|
|
trebled, but it was invaded frequently by strange
|
|
reactions and perversities that drove her friends and
|
|
family to distraction.
|
|
|
|
About a week after her talk with Mrs. Cressler, Laura
|
|
broke the news to Page. It was a Monday morning. She
|
|
had spent the time since breakfast in putting her
|
|
bureau drawers to rights, scattering sachet powder's in
|
|
them, then leaving them open so as to perfume the room.
|
|
At last she came into the front "upstairs sitting-
|
|
room," a heap of gloves, stockings, collarettes--the
|
|
odds and ends of a wildly disordered wardrobe--in her
|
|
lap. She tumbled all these upon the hearth rug, and
|
|
sat down upon the floor to sort them carefully. At her
|
|
little desk near by, Page, in a blue and white shirt
|
|
waist and golf skirt, her slim little ankles demurely
|
|
crossed, a cone of foolscap over her forearm to guard
|
|
against ink spots, was writing in her journal. This
|
|
was an interminable affair, voluminous, complex, that
|
|
the young girl had kept ever since she was fifteen.
|
|
She wrote in it--she hardly knew what--the small doings
|
|
of the previous day, her comings and goings, accounts
|
|
of dances, estimates of new acquaintances. But besides
|
|
this she filled page after page with "impressions,"
|
|
"outpourings," queer little speculations about her
|
|
soul, quotations from poets, solemn criticisms of new
|
|
novels, or as often as not mere purposeless meanderings
|
|
of words, exclamatory, rhapsodic--involved lucubrations
|
|
quite meaningless and futile, but which at times she
|
|
re-read with vague thrills of emotion and mystery.
|
|
|
|
On this occasion Page wrote rapidly and steadily for a
|
|
few moments after Laura's entrance into the room. Then
|
|
she paused, her eyes growing wide and thoughtful. She
|
|
wrote another line and paused again. Seated on the
|
|
floor, her hands full of gloves, Laura was murmuring to
|
|
herself.
|
|
|
|
"Those are good ... and those, and the black suedes
|
|
make eight.... And if I could only find the mate to
|
|
this white one.... Ah, here it is. That makes nine,
|
|
nine pair."
|
|
|
|
She put the gloves aside, and turning to the stockings
|
|
drew one of the silk ones over her arm, and spread out
|
|
her fingers in the foot.
|
|
|
|
"Oh, dear," she whispered, "there's a thread started,
|
|
and now it will simply run the whole length...."
|
|
|
|
Page's scratching paused again.
|
|
|
|
"Laura," she asked dreamily, "Laura, how do you spell
|
|
'abysmal'?"
|
|
|
|
"With a y, honey," answered Laura, careful not to
|
|
smile.
|
|
|
|
"Oh, Laura," asked Page, "do you ever get very, very
|
|
sad without knowing why?"
|
|
|
|
"No, indeed," answered her sister, as she peeled the
|
|
stocking from her arm. "When I'm sad I know just the
|
|
reason, you may be sure."
|
|
|
|
Page sighed again.
|
|
|
|
"Oh, I don't know," she murmured indefinitely. "I lie
|
|
awake at night sometimes and wish I were dead."
|
|
|
|
"You mustn't get morbid, honey," answered her older
|
|
sister calmly. "It isn't natural for a young healthy
|
|
little body like you to have such gloomy notions."
|
|
|
|
"Last night," continued Page, "I got up out of bed and
|
|
sat by the window a long time. And everything was so
|
|
still and beautiful, and the moonlight and all--and I
|
|
said right out loud to myself,
|
|
|
|
"My breath to Heaven in vapour goes----
|
|
|
|
You know those lines from Tennyson:
|
|
|
|
"My breath to Heaven in vapour goes,
|
|
May my soul follow soon."
|
|
|
|
I said it right out loud just like that, and it was
|
|
just as though something in me had spoken. I got my
|
|
journal and wrote down, 'Yet in a few days, and thee,
|
|
the all-beholding sun shall see no more.' It's from
|
|
Thanatopsis, you know, and I thought how beautiful it
|
|
would be to leave all this world, and soar and soar,
|
|
right up to higher planes and be at peace. Laura,
|
|
dearest, do you think I ever ought to marry?"
|
|
|
|
"Why not, girlie? Why shouldn't you marry. Of course
|
|
you'll marry some day, if you find----"
|
|
|
|
"I should like to be a nun," Page interrupted, shaking
|
|
her head, mournfully.
|
|
|
|
"----if you find the man who loves you," continued
|
|
Laura, "and whom you--you admire and respect--whom you
|
|
love. What would you say, honey, if--if your sister,
|
|
if I should be married some of these days?"
|
|
|
|
Page wheeled about in her chair.
|
|
|
|
"Oh, Laura, tell me," she cried, "are you joking? Are
|
|
you going to be married? Who to? I hadn't an idea, but
|
|
I thought--I suspected"
|
|
|
|
"Well," observed Laura, slowly, "I might as well tell
|
|
you--some one will if I don't--Mr. Jadwin _wants_ me to
|
|
marry him."
|
|
|
|
"And what did you say? What did you say? Oh, I'll never
|
|
tell. Oh, Laura, tell me all about it."
|
|
|
|
"Well, why shouldn't I marry him? Yes--I promised. I
|
|
said yes. Why shouldn't I? He loves me, and he is
|
|
rich. Isn't that enough?"
|
|
|
|
"Oh, no. It isn't. You must love--you do love him?"
|
|
|
|
"I? Love? Pooh!" cried Laura. "Indeed not. I love
|
|
nobody."
|
|
|
|
"Oh, Laura," protested Page earnestly. "Don't, don't
|
|
talk that way. You mustn't. It's wicked."
|
|
|
|
Laura put her head in the air.
|
|
|
|
"I wouldn't give any man that much satisfaction. I
|
|
think that is the way it ought to be. A man ought to
|
|
love a woman more than she loves him. It ought to be
|
|
enough for him if she lets him give her everything she
|
|
wants in the world. He ought to serve her like the old
|
|
knights--give up his whole life to satisfy some whim of
|
|
hers; and it's her part, if she likes, to be cold and
|
|
distant. That's my idea of love."
|
|
|
|
"Yes, but they weren't cold and proud to their knights
|
|
after they'd promised to marry them," urged Page.
|
|
"They loved them in the end, and married them for
|
|
love."
|
|
|
|
"Oh, 'love'!" mocked Laura. "I don't believe in love.
|
|
You only get your ideas of it from trashy novels and
|
|
matinees. Girlie," cried Laura, "I am going to have
|
|
the most beautiful gowns. They're the last things that
|
|
Miss Dearborn shall buy for herself, and"--she fetched
|
|
a long breath--"I tell you they are going to be
|
|
creations."
|
|
|
|
When at length the lunch bell rang Laura jumped to her
|
|
feet, adjusting her coiffure with thrusts of her long,
|
|
white hands, the fingers extended, and ran from the
|
|
room exclaiming that the whole morning had gone and
|
|
that half her bureau drawers were still in disarray.
|
|
|
|
Page, left alone, sat for a long time lost in thought,
|
|
sighing deeply at intervals, then at last she wrote in
|
|
her journal:
|
|
|
|
"A world without Love--oh, what an awful thing that
|
|
would be. Oh, love is so beautiful--so beautiful, that
|
|
it makes me sad. When I think of love in all its
|
|
beauty I am sad, sad like Romola in George Eliot's
|
|
well-known novel of the same name."
|
|
|
|
She locked up her journal in the desk drawer, and wiped
|
|
her pen point until it shone, upon a little square of
|
|
chamois skin. Her writing-desk was a miracle of
|
|
neatness, everything in its precise place, the writing-
|
|
paper in geometrical parallelograms, the pen tray
|
|
neatly polished.
|
|
|
|
On the hearth rug, where Laura had sat, Page's
|
|
searching eye discovered traces of her occupancy--a
|
|
glove button, a white thread, a hairpin. Page was at
|
|
great pains to gather them up carefully and drop them
|
|
into the waste basket.
|
|
|
|
"Laura is so fly-away," she observed, soberly.
|
|
|
|
When Laura told the news to Aunt Wess' the little old
|
|
lady showed no surprise.
|
|
|
|
"I've been expecting it of late," she remarked. "Well,
|
|
Laura, Mr. Jadwin is a man of parts. Though, to tell
|
|
the truth, I thought at first it was to be that Mr.
|
|
Corthell. He always seemed so distinguished-looking
|
|
and elegant. I suppose now that that young Mr. Court
|
|
will have a regular conniption fit."
|
|
|
|
"Oh, Landry," murmured Laura.
|
|
|
|
"Where are you going to live, Laura? Here? My word,
|
|
child, don't be afraid to tell me I must pack. Why,
|
|
bless you"
|
|
|
|
"No, no," exclaimed Laura, energetically, "you are to
|
|
stay right here. We'll talk it all over just as soon
|
|
as I know more decidedly what our plans are to be. No,
|
|
we won't live here. Mr. Jadwin is going to buy a new
|
|
house--on the corner of North Avenue and State Street.
|
|
It faces Lincoln Park--you know it, the Farnsworth
|
|
place."
|
|
|
|
"Why, my word, Laura," cried Aunt Wess' amazed, "why,
|
|
it's a palace! Of course I know it. Why, it takes in
|
|
the whole block, child, and there's a conservatory
|
|
pretty near as big as this house. _Well!_"
|
|
|
|
"Yes, I know," answered Laura, shaking her head. "It
|
|
takes my breath away sometimes. Mr. Jadwin tells me
|
|
there's an art gallery, too, with an organ in it--a
|
|
full-sized church organ. Think of it. Isn't it
|
|
beautiful, beautiful? Isn't it a happiness? And I'll
|
|
have my own carriage and coupe, and oh, Aunt Wess', a
|
|
saddle horse if I want to, and a box at the opera, and
|
|
a country place--that is to be bought day after to-
|
|
morrow. It's at Geneva Lake. We're to go there after
|
|
we are married, and Mr. Jadwin has bought the dearest,
|
|
loveliest, daintiest little steam yacht. He showed the
|
|
photograph of her yesterday. Oh, honey, honey! It all
|
|
comes over me sometimes. Think, only a year ago, less
|
|
than that, I was vegetating there at Barrington, among
|
|
those wretched old blue-noses, helping Martha with the
|
|
preserves and all and all; and now"--she threw her arms
|
|
wide--"I'm just going to live. Think of it, that
|
|
beautiful house, and servants, and carriages, and
|
|
paintings, and, oh, honey, how I will dress the part!"
|
|
|
|
"But I wouldn't think of those things so much, Laura,"
|
|
answered Aunt Wess', rather seriously. "Child, you are
|
|
not marrying him for carriages and organs and saddle
|
|
horses and such. You're marrying this Mr. Jadwin
|
|
because you love him. Aren't you?"
|
|
|
|
"Oh," cried Laura, "I would marry a ragamuffin if he
|
|
gave me all these things--gave them to me because he
|
|
loved me."
|
|
|
|
Aunt Wess' stared. "I wouldn't talk that way, Laura,"
|
|
she remarked. "Even in fun. At least not before
|
|
Page."
|
|
|
|
That same evening Jadwin came to dinner with the two
|
|
sisters and their aunt. The usual evening drive with
|
|
Laura was foregone for this occasion. Jadwin had
|
|
stayed very late at his office, and from there was to
|
|
come direct to the Dearborns. Besides that, Nip--the
|
|
trotters were named Nip and Tuck--was lame.
|
|
|
|
As early as four o'clock in the afternoon Laura,
|
|
suddenly moved by an unreasoning caprice, began to
|
|
prepare an elaborate toilet. Not since the opera night
|
|
had she given so much attention to her appearance. She
|
|
sent out for an extraordinary quantity of flowers;
|
|
flowers for the table, flowers for Page and Aunt Wess',
|
|
great "American beauties" for her corsage, and a huge
|
|
bunch of violets for the bowl in the library. She
|
|
insisted that Page should wear her smartest frock, and
|
|
Mrs. Wessels her grenadine of great occasions. As for
|
|
herself, she decided upon a dinner gown of black,
|
|
decollete, with sleeves of lace. Her hair she dressed
|
|
higher than ever. She resolved upon wearing all her
|
|
jewelry, and to that end put on all her rings, secured
|
|
the roses in place with an amethyst brooch, caught up
|
|
the little locks at the back of her head with a heart-
|
|
shaped pin of tiny diamonds, and even fastened the
|
|
ribbon of satin that girdled her waist, with a clasp of
|
|
flawed turquoises.
|
|
|
|
Until five in the afternoon she was in the gayest
|
|
spirits, and went down to the dining-room to supervise
|
|
the setting of the table, singing to herself.
|
|
|
|
Then, almost at the very last, when Jadwin might be
|
|
expected at any moment, her humour changed again, and
|
|
again, for no discoverable reason.
|
|
|
|
Page, who came into her sister's room after dressing,
|
|
to ask how she looked, found her harassed and out of
|
|
sorts. She was moody, spoke in monosyllables, and
|
|
suddenly declared that the wearing anxiety of house-
|
|
keeping was driving her to distraction. Of all days in
|
|
the week, why had Jadwin chosen this particular one to
|
|
come to dinner. Men had no sense, could not appreciate
|
|
a woman's difficulties. Oh, she would be glad when the
|
|
evening was over.
|
|
|
|
Then, as an ultimate disaster, she declared that she
|
|
herself looked "Dutchy." There was no style, no
|
|
smartness to her dress; her hair was arranged
|
|
unbecomingly; she was growing thin, peaked. In a word,
|
|
she looked "Dutchy."
|
|
|
|
All at once she flung off her roses and dropped into a
|
|
chair.
|
|
|
|
"I will not go down to-night," she cried. "You and
|
|
Aunt Wess' must make out to receive Mr. Jadwin. I
|
|
simply will not see any one to-night, Mr. Jadwin least
|
|
of all. Tell him I'm gone to bed sick--which is the
|
|
truth, I am going to bed, my head is splitting."
|
|
|
|
All persuasion, entreaty, or cajolery availed nothing.
|
|
Neither Page nor Aunt Wess' could shake her decision.
|
|
At last Page hazarded a remonstrance to the effect that
|
|
if she had known that Laura was not going to be at
|
|
dinner she would not have taken such pains with her own
|
|
toilet.
|
|
|
|
Promptly thereat Laura lost her temper.
|
|
|
|
"I do declare, Page," she exclaimed, "it seems to me
|
|
that I get very little thanks for ever taking any
|
|
interest in your personal appearance. There is not a
|
|
girl in Chicago--no millionaire's daughter--has any
|
|
prettier gowns than you. I plan and plan, and go to
|
|
the most expensive dressmakers so that you will be well
|
|
dressed, and just as soon as I dare to express the
|
|
desire to see you appear like a gentlewoman, I get it
|
|
thrown in my face. And why do I do it? I'm sure I
|
|
don't know. It's because I'm a poor weak, foolish,
|
|
indulgent sister. I've given up the idea of ever being
|
|
loved by you; but I do insist on being respected."
|
|
Laura rose, stately, severe. It was the "grand manner"
|
|
now, unequivocally, unmistakably. "I do insist upon
|
|
being respected," she repeated. "It would be wrong and
|
|
wicked of me to allow you to ignore and neglect my
|
|
every wish. I'll not have it, I'll not tolerate it."
|
|
|
|
Page, aroused, indignant, disdained an answer, but drew
|
|
in her breath and held it hard, her lips tight pressed.
|
|
|
|
"It's all very well for you to pose, miss," Laura went
|
|
on; "to pose as injured innocence. But you understand
|
|
very well what I mean. If you don't lave me, at least
|
|
I shall not allow you to flout me--deliberately,
|
|
defiantly. And it does seem strange," she added, her
|
|
voice beginning to break, "that when we two are all
|
|
alone in the world, when there's no father or mother--
|
|
and you are all I have, and when I love you as I do,
|
|
that there might be on your part--a little
|
|
consideration--when I only want to be loved for my own
|
|
sake, and not--and not----when I want to be, oh, loved--
|
|
loved--loved----"
|
|
|
|
The two sisters were in each other's arms by now, and
|
|
Page was crying no less than Laura.
|
|
|
|
"Oh, little sister," exclaimed Laura, "I know you love
|
|
me. I know you do. I didn't mean to say that. You
|
|
must forgive me and be very kind to me these days. I
|
|
know I'm cross, but sometimes these days I'm so excited
|
|
and nervous I can't help it, and you must try to bear
|
|
with me. Hark, there's the bell."
|
|
|
|
Listening, they heard the servant open the door, and
|
|
then the sound of Jadwin's voice and the clank of his
|
|
cane in the porcelain cane rack. But still Laura could
|
|
not be persuaded to go down. No, she was going to bed;
|
|
she had neuralgia; she was too nervous to so much as
|
|
think. Her gown was "Dutchy." And in the end, so
|
|
unshakable was her resolve, that Page and her aunt had
|
|
to sit through the dinner with Jadwin and entertain him
|
|
as best they could.
|
|
|
|
But as the coffee was being served the three received a
|
|
genuine surprise. Laura appeared. All her finery was
|
|
laid off. She wore the simplest, the most veritably
|
|
monastic, of her dresses, plain to the point of
|
|
severity. Her hands were bare of rings. Not a single
|
|
jewel, not even the most modest ornament relieved her
|
|
sober appearance. She was very quiet, spoke in a low
|
|
voice and declared she had come down only to drink a
|
|
glass of mineral water and then to return at once to
|
|
her room.
|
|
|
|
As a matter of fact, she did nothing of the kind. The
|
|
others prevailed upon her to take a cup of coffee.
|
|
Then the dessert was recalled, and, forgetting herself
|
|
in an animated discussion with Jadwin as to the name of
|
|
their steam yacht, she ate two plates of wine jelly
|
|
before she was aware. She expressed a doubt as to
|
|
whether a little salad would do her good, and after a
|
|
vehement exhortation from Jadwin, allowed herself to be
|
|
persuaded into accepting a sufficiently generous
|
|
amount.
|
|
|
|
"I think a classical name would be best for the boat,"
|
|
she declared. "Something like 'Arethusa' or 'The
|
|
Nereid.'"
|
|
|
|
They rose from the table and passed into the library.
|
|
The evening was sultry, threatening a rain-storm, and
|
|
they preferred not to sit on the "stoop." Jadwin lit a
|
|
cigar; he still wore his business clothes--the
|
|
inevitable "cutaway," white waistcoat, and grey
|
|
trousers of the middle-aged man of affairs.
|
|
|
|
"Oh, call her the 'Artemis,'" suggested Page.
|
|
|
|
"Well now, to tell the truth," observed Jadwin "those
|
|
names look pretty in print; but somehow I don't fancy
|
|
them. They're hard to read, and they sound somehow
|
|
frilled up and fancy. But if you're satisfied, Laura----"
|
|
|
|
"I knew a young man once," began Aunt Wess', "who had a
|
|
boat--that was when we lived at Kenwood and Mr. Wessels
|
|
belonged to the 'Farragut'--and this young man had a
|
|
boat he called 'Fanchon.' He got tipped over in her one
|
|
day, he and the three daughters of a lady I knew well,
|
|
and two days afterward they found them at the bottom of
|
|
the lake, all holding on to each other; and they
|
|
fetched them up just like that in one piece. The
|
|
mother of those girls never smiled once since that day,
|
|
and her hair turned snow white. That was in 'seventy-
|
|
nine. I remember it perfectly. The boat's name was
|
|
'Fanchon.'"
|
|
|
|
"But that was a sail boat, Aunt Wess'," objected Laura.
|
|
"Ours is a steam yacht. There's all the difference in
|
|
the world."
|
|
|
|
"I guess they're all pretty risky, those pleasure
|
|
boats," answered Aunt Wess'. "My word, you couldn't
|
|
get me to set foot on one."
|
|
|
|
Jadwin nodded his head at Laura, his eyes twinkling.
|
|
|
|
"Well, we'll leave 'em all at home, Laura, when we go,"
|
|
he said.
|
|
|
|
A little later one of Page's "young men" called to see
|
|
her, and Page took him off into the drawing-room across
|
|
the hall. Mrs. Wessels seized upon the occasion to
|
|
slip away unobserved, and Laura and Jadwin were left
|
|
alone.
|
|
|
|
"Well, my girl," began Jadwin, "how's the day gone with
|
|
you?"
|
|
|
|
She had been seated at the centre table, by the drop
|
|
light--the only light in the room--turning over the
|
|
leaves of "The Age of Fable," looking for graceful and
|
|
appropriate names for the yacht. Jadwin leaned over
|
|
her and put his hand upon her shoulder.
|
|
|
|
"Oh, about the same as usual," she answered. "I told
|
|
Page and Aunt Wess' this morning."
|
|
|
|
"What did they have to say?" Jadwin laid a soft but
|
|
clumsy hand upon Laura's head, adding, "Laura, you have
|
|
the most wonderful hair I ever saw."
|
|
|
|
"Oh, they were not surprised. Curtis, don't, you are
|
|
mussing me." She moved her head impatiently; but then
|
|
smiling, as if to mitigate her abruptness, said, "It
|
|
always makes me nervous to have my hair touched. No,
|
|
they were not surprised; unless it was that we were to
|
|
be married so soon. They were surprised at that. You
|
|
know I always said it was too soon. Why not put it
|
|
off, Curtis--until the winter?"
|
|
|
|
But he scouted this, and then, as she returned to the
|
|
subject again, interrupted her, drawing some papers
|
|
from his pocket.
|
|
|
|
"Oh, by the way," he said, "here are the sketch plans
|
|
for the alterations of the house at Geneva. The
|
|
contractor brought them to the office to-day. He's
|
|
made that change about the dining-room."
|
|
|
|
"Oh," exclaimed Laura, interested at once, "you mean
|
|
about building on the conservatory?"
|
|
|
|
"Hum--no," answered Jadwin a little slowly. "You see,
|
|
Laura, the difficulty is in getting the thing done this
|
|
summer. When we go up there we want everything
|
|
finished, don't we? We don't want a lot of workmen
|
|
clattering around. I thought maybe we could wait about
|
|
that conservatory till next year, if you didn't mind."
|
|
|
|
Laura acquiesced readily enough, but Jadwin could see
|
|
that she was a little disappointed. Thoughtful, he
|
|
tugged his mustache in silence for a moment. Perhaps,
|
|
after all, it could be arranged. Then an idea
|
|
presented itself to him. Smiling a little awkwardly,
|
|
he said:
|
|
|
|
"Laura, I tell you what. I'll make a bargain with
|
|
you."
|
|
|
|
She looked up as he hesitated. Jadwin sat down at the
|
|
table opposite her and leaned forward upon his folded
|
|
arms.
|
|
|
|
"Do you know," he began, "I happened to think---- Well,
|
|
here's what I mean," he suddenly declared decisively.
|
|
"Do you know, Laura, that ever since we've been engaged
|
|
you've never---- Well, you've never--never kissed me of
|
|
your own accord. It's foolish to talk that way now,
|
|
isn't it? But, by George! That would be--would be
|
|
such a wonderful thing for me. I know," he hastened to
|
|
add, "I know, Laura, you aren't demonstrative. I ought
|
|
not to expect, maybe, that you---- Well, maybe it isn't
|
|
much. But I was thinking a while ago that there
|
|
wouldn't be a sweeter thing imaginable for me than if
|
|
my own girl would come up to me some time--when I
|
|
wasn't thinking--and of her own accord put her two arms
|
|
around me and kiss me. And--well, I was thinking about
|
|
it, and--" He hesitated again, then finished abruptly
|
|
with, "And it occurred to me that you never had."
|
|
|
|
Laura made no answer, but smiled rather indefinitely,
|
|
as she continued to search the pages of the book, her
|
|
head to one side.
|
|
|
|
Jadwin continued:
|
|
|
|
"We'll call it a bargain. Some day--before very long,
|
|
mind you--you are going to kiss me--that way,
|
|
understand, of your own accord, when I'm not thinking
|
|
of it; and I'll get that conservatory in for you. I'll
|
|
manage it somehow. I'll start those fellows at it to-
|
|
morrow--twenty of 'em if it's necessary. How about it?
|
|
Is it a bargain? Some day before long. What do you
|
|
say?"
|
|
|
|
Laura hesitated, singularly embarrassed, unable to find
|
|
the right words.
|
|
|
|
"Is it a bargain?" persisted Jadwin.
|
|
|
|
"Oh, if you put it that way," she murmured, "I suppose
|
|
so--yes."
|
|
|
|
"You won't forget, because I shan't speak about it
|
|
again. Promise you won't forget."
|
|
|
|
"No, I won't forget. Why not call her the 'Thetis'?"
|
|
|
|
"I was going to suggest the 'Dart,' or the 'Swallow,'
|
|
or the 'Arrow.' Something like that--to give a notion
|
|
of speed."
|
|
|
|
"No. I like the 'Thetis' best."
|
|
|
|
"That settles it then. She's your steam yacht, Laura."
|
|
|
|
Later on, when Jadwin was preparing to depart, they
|
|
stood for a moment in the hallway, while he drew on his
|
|
gloves and took a fresh cigar from his case.
|
|
|
|
"I'll call for you here at about ten," he said. "Will
|
|
that do?"
|
|
|
|
He spoke of the following morning. He had planned to
|
|
take Page, Mrs. Wessels, and Laura on a day's excursion
|
|
to Geneva Lake to see how work was progressing on the
|
|
country house. Jadwin had set his mind upon passing
|
|
the summer months after the marriage at the lake, and
|
|
as the early date of the ceremony made it impossible to
|
|
erect a new building, he had bought, and was now
|
|
causing to be remodelled, an old but very well
|
|
constructed house just outside of the town and once
|
|
occupied by a local magistrate. The grounds were
|
|
ample, filled with shade and fruit trees, and fronted
|
|
upon the lake. Laura had never seen her future country
|
|
home. But for the past month Jadwin had had a small
|
|
army of workmen and mechanics busy about the place, and
|
|
had managed to galvanise the contractors with some of
|
|
his own energy and persistence. There was every
|
|
probability that the house and grounds would be
|
|
finished in time.
|
|
|
|
"Very well," said Laura," in answer to his question,
|
|
"at ten we'll be ready. Good-night." She held out her
|
|
hand. But Jadwin put it quickly aside, and took her
|
|
swiftly and strongly into his arms, and turning her
|
|
face to his, kissed her cheek again and again.
|
|
|
|
Laura submitted, protesting:
|
|
|
|
"Curtis! Such foolishness. Oh, dear; can't you love me
|
|
without crumpling me so? Curtis! Please. You are so
|
|
rough with me, dear."
|
|
|
|
She pulled away from him, and looked up into his face,
|
|
surprised to find it suddenly flushed; his eyes were
|
|
flashing.
|
|
|
|
"My God," he murmured, with a quick intake of breath,
|
|
"my God, how I love you, my girl! Just the touch of
|
|
your hand, the smell of your hair. Oh, sweetheart. It
|
|
is wonderful! Wonderful!" Then abruptly he was master
|
|
of himself again.
|
|
|
|
"Good-night," he said. "Good-night. God bless you,"
|
|
and with the words was gone.
|
|
|
|
They were married on the last day of June of that
|
|
summer at eleven o'clock in the morning in the church
|
|
opposite Laura's house--the Episcopalian church of
|
|
which she was a member. The wedding was very quiet.
|
|
Only the Cresslers, Miss Gretry, Page, and Aunt Wess'
|
|
were present. Immediately afterward the couple were to
|
|
take the train for Geneva Lake--Jadwin having chartered
|
|
a car for the occasion.
|
|
|
|
But the weather on the wedding day was abominable. A
|
|
warm drizzle, which had set in early in the morning,
|
|
developed by eleven o'clock into a steady downpour,
|
|
accompanied by sullen grumblings of very distant
|
|
thunder.
|
|
|
|
About an hour before the appointed time Laura insisted
|
|
that her aunt and sister should leave her. She would
|
|
allow only Mrs. Cressler to help her. The time passed.
|
|
The rain continued to fall. At last it wanted but
|
|
fifteen minutes to eleven.
|
|
|
|
Page and Aunt Wess', who presented themselves at the
|
|
church in advance of the others, found the interior
|
|
cool, dark, and damp. They sat down in a front pew,
|
|
talking in whispers, looking about them. Druggeting
|
|
shrouded the reader's stand, the baptismal font, and
|
|
bishop's chair. Every footfall and every minute sound
|
|
echoed noisily from the dark vaulting of the nave and
|
|
chancel. The janitor or sexton, a severe old fellow,
|
|
who wore a skull cap and loose slippers, was making a
|
|
great to-do with a pile of pew cushions in a remote
|
|
corner. The rain drummed with incessant monotony upon
|
|
the slates overhead, and upon the stained windows on
|
|
either hand. Page, who attended the church regularly
|
|
every Sunday morning, now found it all strangely
|
|
unfamiliar. The saints in the windows looked odd and
|
|
unecclesiastical; the whole suggestion of the place was
|
|
uncanonical. In the organ loft a tuner was at work
|
|
upon the organ, and from time to time the distant
|
|
mumbling of the thunder was mingled with a sonorous,
|
|
prolonged note from the pipes.
|
|
|
|
"My word, how it is raining," whispered Aunt Wess', as
|
|
the pour upon the roof suddenly swelled in volume.
|
|
|
|
But Page had taken a prayer book from the rack, and
|
|
kneeling upon a hassock was repeating the Litany to
|
|
herself.
|
|
|
|
It annoyed Aunt Wess'. Excited, aroused, the little
|
|
old lady was never more in need of a listener. Would
|
|
Page never be through?
|
|
|
|
"And Laura's new frock," she whispered, vaguely. "It's
|
|
going to be ruined."
|
|
|
|
Page, her lips forming the words, "Good Lord deliver
|
|
us," fixed her aunt with a reproving glance. To pass
|
|
the time Aunt Wess' began counting the pews, missing a
|
|
number here and there, confusing herself, always
|
|
obliged to begin over again. From the direction of the
|
|
vestry room came the sound of a closing door. Then all
|
|
fell silent again. Even the shuffling of the janitor
|
|
ceased for an instant.
|
|
|
|
"Isn't it still?" murmured Aunt Wess', her head in the
|
|
air. "I wonder if that was them. I heard a door slam.
|
|
They tell me that the rector has been married three
|
|
times." Page, unheeding and demure, turned a leaf, and
|
|
began with "All those who travel by land or water." Mr.
|
|
Cressler and young Miss Gretry appeared. They took
|
|
their seats behind Page and Aunt Wess', and the party
|
|
exchanged greetings in low voices. Page reluctantly
|
|
laid down her prayer book.
|
|
|
|
"Laura will be over soon," whispered Mr. Cressler.
|
|
"Carrie is with her. I'm going into the vestry room.
|
|
J. has just come." He took himself off, walking upon
|
|
his tiptoes.
|
|
|
|
Aunt Wess' turned to Page, repeating:
|
|
|
|
"Do you know they say this rector has been married
|
|
three times?"
|
|
|
|
But Page was once more deep in her prayer book, so the
|
|
little old lady addressed her remark to the Gretry
|
|
girl.
|
|
|
|
This other, however, her lips tightly compressed, made
|
|
a despairing gesture with her hand, and at length
|
|
managed to say:
|
|
|
|
"Can't talk."
|
|
|
|
"Why, heavens, child, whatever is the matter?"
|
|
|
|
"Makes them worse--when I open my mouth--I've got the
|
|
hiccoughs."
|
|
|
|
Aunt Wess' flounced back in her seat, exasperated, out
|
|
of sorts.
|
|
|
|
"Well, my word," she murmured to herself, "I never saw
|
|
such girls."
|
|
|
|
"Preserve to our use the kindly fruits of the earth,"
|
|
continued Page.
|
|
|
|
Isabel Gretry's hiccoughs drove Aunt Wess' into "the
|
|
fidgets." They "got on her nerves." What with them and
|
|
Page's uninterrupted murmur, she was at length obliged
|
|
to sit in the far end of the pew, and just as she had
|
|
settled herself a second time the door of the vestry
|
|
room opened and the wedding party came out; first Mrs.
|
|
Cressler, then Laura, then Jadwin and Cressler, and
|
|
then, robed in billowing white, venerable, his prayer
|
|
book in his hand, the bishop of the diocese himself.
|
|
Last of all came the clerk, osseous, perfumed, a
|
|
gardenia in the lapel of his frock coat, terribly
|
|
excited, and hurrying about on tiptoe, saying "Sh! Sh!"
|
|
as a matter of principle.
|
|
|
|
Jadwin wore a new frock coat and a resplendent Ascot
|
|
scarf, which Mr. Cressler had bought for him and Page
|
|
knew at a glance that he was agitated beyond all
|
|
measure, and was keeping himself in hand only by a
|
|
tremendous effort. She could guess that his teeth were
|
|
clenched. He stood by Cressler's side, his head bent
|
|
forward, his hands--the fingers incessantly twisting
|
|
and untwisting--clasped behind his back. Never for
|
|
once did his eyes leave Laura's face.
|
|
|
|
She herself was absolutely calm, only a little paler
|
|
perhaps than usual; but never more beautiful, never
|
|
more charming. Abandoning for this once her accustomed
|
|
black, she wore a tan travelling dress, tailor made,
|
|
very smart, a picture hat with heavy plumes set off
|
|
with a clasp of rhinestones, while into her belt was
|
|
thrust a great bunch of violets. She drew off her
|
|
gloves and handed them to Mrs. Cressler. At the same
|
|
moment Page began to cry softly to herself.
|
|
|
|
"There's the last of Laura," she whimpered. "There's
|
|
the last of my dear sister for me."
|
|
|
|
Aunt Wess' fixed her with a distressful gaze. She
|
|
sniffed once or twice, and then began fumbling in her
|
|
reticule for her handkerchief.
|
|
|
|
"If only her dear father were here," she whispered
|
|
huskily. "And to think that's the same little girl I
|
|
used to rap on the head with my thimble for annoying
|
|
the cat! Oh, if Jonas could be here this day."
|
|
|
|
"She'll never be the same to me after now," sobbed
|
|
Page, and as she spoke the Gretry girl, hypnotised with
|
|
emotion and taken all unawares, gave vent to a shrill
|
|
hiccough, a veritable yelp, that woke an explosive echo
|
|
in every corner of the building.
|
|
|
|
Page could not restrain a giggle, and the giggle
|
|
strangled with the sobs in her throat, so that the
|
|
little girl was not far from hysterics.
|
|
|
|
And just then a sonorous voice, magnificent, orotund,
|
|
began suddenly from the chancel with the words:
|
|
|
|
"Dearly beloved, we are gathered together here in the
|
|
sight of God, and in the face of this company to join
|
|
together this Man and this Woman in holy matrimony."
|
|
|
|
Promptly a spirit of reverence, not to say solemnity,
|
|
pervaded the entire surroundings. The building no
|
|
longer appeared secular, unecclesiastical. Not in the
|
|
midst of all the pomp and ceremonial of the Easter
|
|
service had the chancel and high altar disengaged a
|
|
more compelling influence. All other intrusive noises
|
|
died away; the organ was hushed; the fussy janitor was
|
|
nowhere in sight; the outside clamour of the city
|
|
seemed dwindling to the faintest, most distant
|
|
vibration; the whole world was suddenly removed, while
|
|
the great moment in the lives of the Man and the Woman
|
|
began.
|
|
|
|
Page held her breath; the intensity of the situation
|
|
seemed to her, almost physically, straining tighter and
|
|
tighter with every passing instant. She was awed,
|
|
stricken; and Laura appeared to her to be all at once a
|
|
woman transfigured, semi-angelic, unknowable, exalted.
|
|
The solemnity of those prolonged, canorous syllables:
|
|
"I require and charge you both, as ye shall answer at
|
|
the dreadful day of judgment, when the secrets of all
|
|
hearts shall be disclosed," weighed down upon her
|
|
spirits with an almost intolerable majesty. Oh, it was
|
|
all very well to speak lightly of marriage, to consider
|
|
it in a vein of mirth. It was a pretty solemn affair,
|
|
after all; and she herself, Page Dearborn, was a
|
|
wicked, wicked girl, full of sins, full of deceits and
|
|
frivolities, meriting of punishment--on "that dreadful
|
|
day of judgment." Only last week she had deceived Aunt
|
|
Wess' in the matter of one of her "young men." It was
|
|
time she stopped. To-day would mark a change.
|
|
Henceforward, she resolved, she would lead a new life.
|
|
|
|
"God the Father, God the Son, and God the Holy Ghost
|
|
..."
|
|
|
|
To Page's mind the venerable bishop's voice was filling
|
|
all the church, as on the day of Pentecost, when the
|
|
apostles received the Holy Ghost, the building was
|
|
filled with a "mighty rushing wind."
|
|
|
|
She knelt down again, but could not bring herself to
|
|
close her eyes completely. From under her lids she
|
|
still watched her sister and Jadwin. How Laura must be
|
|
feeling now! She was, in fact, very pale. There was
|
|
emotion in Jadwin's eyes. Page could see them plainly.
|
|
It seemed beautiful that even he, the strong, modern
|
|
man-of-affairs, should be so moved. How he must love
|
|
Laura. He was fine, he was noble; and all at once this
|
|
fineness and nobility of his so affected her that she
|
|
began to cry again. Then suddenly came the words:
|
|
|
|
"... That in the world to come ye may have life
|
|
everlasting. Amen."
|
|
|
|
There was a moment's silence, then the group about the
|
|
altar rail broke up.
|
|
|
|
"Come," said Aunt Wess', getting to her feet, "it's all
|
|
over, Page. Come, and kiss your sister--Mrs. Jadwin."
|
|
|
|
In the vestry room Laura stood for a moment, while one
|
|
after another of the wedding party--even Mr. Cressler--
|
|
kissed her. When Page's turn came, the two sisters
|
|
held each other in a close embrace a long moment, but
|
|
Laura's eyes were always dry. Of all present she was
|
|
the least excited.
|
|
|
|
"Here's something," vociferated the ubiquitous clerk,
|
|
pushing his way forward. "It was on the table when we
|
|
came out just now. The sexton says a messenger boy
|
|
brought it. It's for Mrs. Jadwin."
|
|
|
|
He handed her a large box. Laura opened it. Inside
|
|
was a great sheaf of Jacqueminot roses and a card, on
|
|
which was written:
|
|
|
|
"May that same happiness which you have always inspired
|
|
in the lives and memories of all who know you be with
|
|
you always.
|
|
|
|
"Yrs. S. C."
|
|
|
|
The party, emerging from the church, hurried across the
|
|
street to the Dearborns' home, where Laura and Jadwin
|
|
were to get their valises and hand bags. Jadwin's
|
|
carriage was already at the door.
|
|
|
|
They all assembled in the parlor, every one talking at
|
|
once, while the servants, bare-headed, carried the
|
|
baggage down to the carriage.
|
|
|
|
"Oh, wait--wait a minute, I'd forgotten something,"
|
|
cried Laura.
|
|
|
|
"What is it? Here, I'll get it for you," cried Jadwin
|
|
and Cressler as she started toward the door. But she
|
|
waved them off, crying:
|
|
|
|
"No, no. It's nothing. You wouldn't know where to
|
|
look."
|
|
|
|
Alone she ran up the stairs, and gained the second
|
|
story; then paused a moment on the landing to get her
|
|
breath and to listen. The rooms near by were quiet,
|
|
deserted. From below she could hear the voices of the
|
|
others--their laughter and gaiety. She turned about,
|
|
and went from room to room, looking long into each;
|
|
first Aunt Wess's bedroom, then Page's, then the "front
|
|
sitting-room," then, lastly, her own room. It was
|
|
still in the disorder caused by that eventful morning;
|
|
many of the ornaments--her own cherished knick-knacks--
|
|
were gone, packed and shipped to her new home the day
|
|
before. Her writing-desk and bureau were bare. On the
|
|
backs of chairs, and across the footboard of the bed,
|
|
were the odds and ends of dress she was never to wear
|
|
again.
|
|
|
|
For a long time Laura stood looking silently at the
|
|
empty room. Here she had lived the happiest period of
|
|
her life; not an object there, however small, that was
|
|
not hallowed by association. Now she was leaving it
|
|
forever. Now the new life, the Untried, was to begin.
|
|
Forever the old days, the old life were gone. Girlhood
|
|
was gone; the Laura Dearborn that only last night had
|
|
pressed the pillows of that bed, where was she now?
|
|
Where was the little black-haired girl of Barrington?
|
|
|
|
And what was this new life to which she was going
|
|
forth, under these leaden skies, under this warm mist
|
|
of rain? The tears--at last--were in her eyes, and the
|
|
sob in her throat, and she found herself, as she leaned
|
|
an arm upon the lintel of the door, whispering:
|
|
|
|
"Good-by. Good-by. Good-by."
|
|
|
|
Then suddenly Laura, reckless of her wedding finery,
|
|
forgetful of trivialities, crossed the room and knelt
|
|
down at the side of the bed. Her head in her folded
|
|
arms, she prayed--prayed in the little unstudied words
|
|
of her childhood, prayed that God would take care of
|
|
her and make her a good girl; prayed that she might be
|
|
happy; prayed to God to help her in the new life, and
|
|
that she should be a good and loyal wife.
|
|
|
|
And then as she knelt there, all at once she felt an
|
|
arm, strong, heavy even, laid upon her. She raised her
|
|
head and looked--for the first time--direct into her
|
|
husband's eyes.
|
|
|
|
"I knew--" began Jadwin. "I thought--Dear, I
|
|
understand, I understand."
|
|
|
|
He said no more than that. But suddenly Laura knew
|
|
that he, Jadwin, her husband, did "understand," and she
|
|
discovered, too, in that moment just what it meant to
|
|
be completely, thoroughly understood--understood
|
|
without chance of misapprehension, without shadow of
|
|
doubt; understood to her heart's heart. And with the
|
|
knowledge a new feeling was born within her. No woman,
|
|
not her dearest friend; not even Page had ever seemed
|
|
so close to her as did her husband now. How could she
|
|
be unhappy henceforward? The future was already
|
|
brightening.
|
|
|
|
Suddenly she threw both arms around his neck, and
|
|
drawing his face down to her, kissed him again and
|
|
again, and pressed her wet cheek to his--tear-stained
|
|
like her own.
|
|
|
|
"It's going to be all right, dear," he said, as she
|
|
stood from him, though still holding his hand. "It's
|
|
going to be all right."
|
|
|
|
"Yes, yes, all right, all right," she assented. "I
|
|
never seemed to realise it till this minute. From the
|
|
first I must have loved you without knowing it. And
|
|
I've been cold and hard to you, and now I'm sorry,
|
|
sorry. You were wrong, remember that time in the
|
|
library, when you said I was undemonstrative. I'm not.
|
|
I love you dearly, dearly, and never for once, for one
|
|
little moment, am I ever going to allow you to forget
|
|
it.
|
|
|
|
Suddenly, as Jadwin recalled the incident of which she
|
|
spoke, an idea occurred to him.
|
|
|
|
"Oh, our bargain--remember? You didn't forget after
|
|
all."
|
|
|
|
"I did. I did," she cried. "I did forget it. That's
|
|
the very sweetest thing about it."
|
|
|
|
VI
|
|
|
|
The months passed. Soon three years had gone by, and
|
|
the third winter since the ceremony in St. James'
|
|
Church drew to its close.
|
|
|
|
Since that day when--acting upon the foreknowledge of
|
|
the French import duty--Jadwin had sold his million of
|
|
bushels short, the price of wheat had been steadily
|
|
going down. From ninety-three and ninety-four it had
|
|
dropped to the eighties. Heavy crops the world over
|
|
had helped the decline. No one was willing to buy
|
|
wheat. The Bear leaders were strong, unassailable.
|
|
Lower and lower sagged the price; now it was seventy-
|
|
five, now seventy-two. From all parts of the country
|
|
in solid, waveless tides wheat--the mass of it
|
|
incessantly crushing down the price--came rolling in
|
|
upon Chicago and the Board of Trade Pit. All over the
|
|
world the farmers saw season after season of good
|
|
crops. They were good in the Argentine Republic, and
|
|
on the Russian steppes. In India, on the little farms
|
|
of Burmah, of Mysore, and of Sind the grain, year after
|
|
year, headed out fat, heavy, and well-favoured. In the
|
|
great San Joaquin valley of California the ranches were
|
|
one welter of fertility. All over the United States,
|
|
from the Dakotas, from Nebraska, Iowa, Kansas, and
|
|
Illinois, from all the wheat belt came steadily the
|
|
reports of good crops.
|
|
|
|
But at the same time the low price of grain kept the
|
|
farmers poor. New mortgages were added to farms
|
|
already heavily "papered"; even the crops were
|
|
mortgaged in advance. No new farm implements were
|
|
bought. Throughout the farming communities of the
|
|
"Middle West there were no longer purchases of buggies
|
|
and parlour organs. Somewhere in other remoter corners
|
|
of the world the cheap wheat, that meant cheap bread,
|
|
made living easy and induced prosperity, but in the
|
|
United States the poverty of the farmer worked upward
|
|
through the cogs and wheels of the whole great machine
|
|
of business. It was as though a lubricant had dried
|
|
up. The cogs and wheels worked slowly and with
|
|
dislocations. Things were a little out of joint. Wall
|
|
Street stocks were down. In a word, "times were bad."
|
|
Thus for three years. It became a proverb on the
|
|
Chicago Board of Trade that the quickest way to make
|
|
money was to sell wheat short. One could with almost
|
|
absolute certainty be sure of buying cheaper than one
|
|
had sold. And that peculiar, indefinite thing known--
|
|
among the most unsentimental men in the world--as
|
|
"sentiment," prevailed more and more strongly in favour
|
|
of low prices. "The 'sentiment,'" said the market
|
|
reports, "was bearish"; and the traders, speculators,
|
|
eighth-chasers, scalpers, brokers, bucket-shop men, and
|
|
the like--all the world of La Salle Street--had become
|
|
so accustomed to these "Bear conditions," that it was
|
|
hard to believe that they would not continue
|
|
indefinitely.
|
|
|
|
Jadwin, inevitably, had been again drawn into the
|
|
troubled waters of the Pit. Always, as from the very
|
|
first, a Bear, he had once more raided the market, and
|
|
had once more been succesful. Two months after this
|
|
raid he and Gretry planned still another coup, a deal
|
|
of greater magnitude than any they had previously
|
|
hazarded. Laura, who knew very little of her husband's
|
|
affairs--to which he seldom alluded--saw by the daily
|
|
papers that at one stage of the affair the "deal"
|
|
trembled to its base.
|
|
|
|
But Jadwin was by now "blooded to the game." He no
|
|
longer needed Gretry's urging to spur him. He had
|
|
developed into a strategist, bold, of inconceivable
|
|
effrontery, delighting in the shock of battle, never
|
|
more jovial, more daring than when under stress of the
|
|
most merciless attack. On this occasion, when the
|
|
"other side" resorted to the usual tactics to drive him
|
|
from the Pit, he led on his enemies to make one single
|
|
false step. Instantly--disregarding Gretry's
|
|
entreaties as to caution--Jadwin had brought the vast
|
|
bulk of his entire fortune to bear, in the manner of a
|
|
general concentrating his heavy artillery, and crushed
|
|
the opposition with appalling swiftness.
|
|
|
|
He issued from the grapple triumphantly, and it was not
|
|
till long afterward that Laura knew how near, for a few
|
|
hours, he had been to defeat.
|
|
|
|
And again the price of wheat declined. In the first
|
|
week in April, at the end of the third winter of
|
|
Jadwin's married life, May wheat was selling on the
|
|
floor of the Chicago Board of Trade at sixty-four, the
|
|
July option at sixty-five, the September at sixty-six
|
|
and an eighth. During February of the same year Jadwin
|
|
had sold short five hundred thousand bushels of May.
|
|
He believed with Gretry and with the majority of the
|
|
professional traders that the price would go to sixty.
|
|
|
|
March passed without any further decline. All through
|
|
this month and through the first days of April Jadwin
|
|
was unusually thoughtful. His short wheat gave him no
|
|
concern. He was now so rich that a mere half-million
|
|
bushels was not a matter for anxiety. It was the
|
|
"situation" that arrested his attention.
|
|
|
|
In some indefinable way, warned by that blessed sixth
|
|
sense that had made him the successful speculator he
|
|
was, he felt that somewhere, at some time during the
|
|
course of the winter, a change had quietly, gradually
|
|
come about, that it was even then operating. The
|
|
conditions that had prevailed so consistently for three
|
|
years, were they now to be shifted a little? He did not
|
|
know, he could not say. But in the plexus of financial
|
|
affairs in which he moved and lived he felt--a
|
|
difference.
|
|
|
|
For one thing "times" were better, business was better.
|
|
He could not fail to see that trade was picking up. In
|
|
dry goods, in hardware, in manufactures there seemed to
|
|
be a different spirit, and he could imagine that it was
|
|
a spirit of optimism. There, in that great city where
|
|
the Heart of the Nation beat, where the diseases of the
|
|
times, or the times' healthful activities were
|
|
instantly reflected, Jadwin sensed a more rapid, an
|
|
easier, more untroubled run of life blood. All through
|
|
the Body of Things, money, the vital fluid, seemed to
|
|
be flowing more easily. People seemed richer, the
|
|
banks were lending more, securities seemed stable,
|
|
solid. In New York, stocks were booming. Men were
|
|
making money--were making it, spending it, lending it,
|
|
exchanging it. Instead of being congested in vaults,
|
|
safes, and cash boxes, tight, hard, congealed, it was
|
|
loosening, and, as it were, liquefying, so that it
|
|
spread and spread and permeated the entire community.
|
|
The People had money. They were willing to take
|
|
chances.
|
|
|
|
So much for the financial conditions.
|
|
|
|
The spring had been backward, cold, bitter,
|
|
inhospitable, and Jadwin began to suspect that the
|
|
wheat crop of his native country, that for so long had
|
|
been generous, and of excellent quality, was now to
|
|
prove--it seemed quite possible--scant and of poor
|
|
condition. He began to watch the weather, and to keep
|
|
an eye upon the reports from the little county seats
|
|
and "centres" in the winter wheat States. These, in
|
|
part, seemed to confirm his suspicions.
|
|
|
|
From Keokuk, in Iowa, came the news that winter wheat
|
|
was suffering from want of moisture. Benedict, Yates'
|
|
Centre, and Douglass, in southeastern Kansas, sent in
|
|
reports of dry, windy weather that was killing the
|
|
young grain in every direction, and the same conditions
|
|
seemed to prevail in the central counties. In
|
|
Illinois, from Quincy and Waterloo in the west, and
|
|
from Ridgway in the south, reports came steadily to
|
|
hand of freezing weather and bitter winds. All through
|
|
the lower portions of the State the snowfall during the
|
|
winter had not been heavy enough to protect the seeded
|
|
grain. But the Ohio crop, it would appear, was
|
|
promising enough, as was also that of Missouri. In
|
|
Indiana, however, Jadwin could guess that the hopes of
|
|
even a moderate yield were fated to be disappointed;
|
|
persistent cold weather, winter continuing almost up to
|
|
the first of April, seemed to have definitely settled
|
|
the question.
|
|
|
|
But more especially Jadwin watched Nebraska, that State
|
|
which is one single vast wheat field. How would
|
|
Nebraska do, Nebraska which alone might feed an entire
|
|
nation? County seat after county seat began to send in
|
|
its reports. All over the State the grip of winter
|
|
held firm even yet. The wheat had been battered by
|
|
incessant gales, had been nipped and harried by frost;
|
|
everywhere the young half-grown grain seemed to be
|
|
perishing. It was a massacre, a veritable slaughter.
|
|
|
|
But, for all this, nothing could be decided as yet.
|
|
Other winter wheat States, from which returns were as
|
|
yet only partial, might easily compensate for the
|
|
failures elsewhere, and besides all that, the Bears of
|
|
the Board of Trade might keep the price inert even in
|
|
face of the news of short yields. As a matter of fact,
|
|
the more important and stronger Bear traders were
|
|
already piping their usual strain. Prices were bound
|
|
to decline, the three years, sagging was not over yet.
|
|
They, the Bears, were too strong; no Bull news could
|
|
frighten them. Somehow there was bound to be plenty of
|
|
wheat. In face of the rumours of a short crop they
|
|
kept the price inert, weak.
|
|
|
|
On the tenth of April came the Government report on the
|
|
condition of winter wheat. It announced an average far
|
|
below any known for ten years past. On March tenth the
|
|
same bulletin had shown a moderate supply in farmers'
|
|
hands, less than one hundred million bushels in fact,
|
|
and a visible supply of less than forty millions.
|
|
|
|
The Bear leaders promptly set to work to discount this
|
|
news. They showed how certain foreign conditions would
|
|
more than offset the effect of a poor American harvest.
|
|
They pointed out the fact that the Government report on
|
|
condition was brought up only to the first of April,
|
|
and that since that time the weather in the wheat belt
|
|
had been favorable beyond the wildest hopes.
|
|
|
|
The April report was made public on the afternoon of
|
|
the tenth of the month. That same evening Jadwin
|
|
invited Gretry and his wife to dine at the new house on
|
|
North Avenue; and after dinner, leaving Mrs. Gretry and
|
|
Laura in the drawing-room, he brought the broker up to
|
|
the billiard-room for a game of pool.
|
|
|
|
But when Gretry had put the balls in the triangle, the
|
|
two men did not begin to play at once. Jadwin had
|
|
asked the question that had been uppermost in the minds
|
|
of each during dinner.
|
|
|
|
"Well, Sam," he had said, by way of a beginning, "what
|
|
do you think of this Government report?"
|
|
|
|
The broker chalked his cue placidly.
|
|
|
|
"I expect there'll be a bit of reaction on the strength
|
|
of it, but the market will go off again. I said wheat
|
|
would go to sixty, and I still say it. It's a long
|
|
time between now and May."
|
|
|
|
"I wasn't thinking of crop conditions only," observed
|
|
Jadwin. "Sam, we're going to have better times and
|
|
higher prices this summer."
|
|
|
|
Gretry shook his head and entered into a long argument
|
|
to show that Jadwin was wrong.
|
|
|
|
But Jadwin refused to be convinced. All at once he
|
|
laid the flat of his hand upon the table.
|
|
|
|
"Sam, we've touched bottom," he declared, "touched
|
|
bottom all along the line. It's a paper dime to the
|
|
Sub-Treasury."
|
|
|
|
"I don't care about the rest of the line," said the
|
|
broker doggedly, sitting on the edge of the table,
|
|
"wheat will go to sixty." He indicated the nest of
|
|
balls with a movement of his chin. "Will you break?"
|
|
|
|
Jadwin broke and scored, leaving one ball three inches
|
|
in front of a corner pocket. He called the shot, and
|
|
as he drew back his cue he said, deliberately:
|
|
|
|
"Just as sure as I make this pocket wheat will--not go--
|
|
off--another--_cent._"
|
|
|
|
With the last word he drove the ball home and
|
|
straightened up. Gretry laid down his cue and looked
|
|
at him quickly. But he did not speak. Jadwin sat down
|
|
on one of the straight-backed chairs upon the raised
|
|
platform against the wall and rested his elbows upon
|
|
his knees.
|
|
|
|
"Sam," he said, "the time is come for a great big
|
|
change." He emphasised the word with a tap of his cue
|
|
upon the floor. "We can't play our game the way we've
|
|
been playing it the last three years. We've been
|
|
hammering wheat down and down and down, till we've got
|
|
it below the cost of production; and now she won't go
|
|
any further with all the hammering in the world. The
|
|
other fellows, the rest of this Bear crowd, don't seem
|
|
to see it, but I see it. Before fall we're going to
|
|
have higher prices. Wheat is going up, and when it
|
|
does I mean to be right there."
|
|
|
|
"We're going to have a dull market right up to the
|
|
beginning of winter," persisted the other.
|
|
|
|
"Come and say that to me at the beginning of winter,
|
|
then," Jadwin retorted. "Look here, Sam, I'm short of
|
|
May five hundred thousand bushels, and to-morrow
|
|
morning you are going to send your boys on the floor
|
|
for me and close that trade."
|
|
|
|
"You're crazy, J.," protested the broker. "Hold on
|
|
another month, and I promise you, you'll thank me."
|
|
|
|
"Not another day, not another hour. This Bear campaign
|
|
of ours has come to an end. That's said and signed."
|
|
|
|
"Why, it's just in its prime," protested the broker.
|
|
"Great heavens, you mustn't get out of the game now,
|
|
after hanging on for three years."
|
|
|
|
"I'm not going to get out of it."
|
|
|
|
"Why, good Lord!" said Gretry, "you don't mean to say
|
|
that----"
|
|
|
|
"That I'm going over. That's exactly what I do mean.
|
|
I'm going to change over so quick to the other side
|
|
that I'll be there before you can take off your hat.
|
|
I'm done with a Bear game. It was good while it
|
|
lasted, but we've worked it for all there was in it.
|
|
I'm not only going to cover my May shorts and get out
|
|
of that trade, but"--Jadwin leaned forward and struck
|
|
his hand upon his knee--"but I'm going to _buy._ I'm
|
|
going to buy September wheat, and I'm going to buy it
|
|
to-morrow, five hundred thousand bushels of it, and if
|
|
the market goes as I think it will later on, I'm going
|
|
to buy more. I'm no Bear any longer. I'm going to
|
|
boost this market right through till the last bell
|
|
rings; and from now on Curtis Jadwin spells B-u- double
|
|
l--Bull."
|
|
|
|
"They'll slaughter you," said Gretry, "slaughter you in
|
|
cold blood. You're just one man against a gang--a gang
|
|
of cutthroats. Those Bears have got millions and
|
|
millions back of them. You don't suppose, do you, that
|
|
old man Crookes, or Kenniston, or little Sweeny, or all
|
|
that lot would give you one little bit of a chance for
|
|
your life if they got a grip on you. Cover your shorts
|
|
if you want to, but, for God's sake, don't begin to buy
|
|
in the same breath. You wait a while. If this market
|
|
has touched bottom, we'll be able to tell in a few
|
|
days. I'll admit, for the sake of argument, that just
|
|
now there's a pause. But nobody can tell whether it
|
|
will turn up or down yet. Now's the time to be
|
|
conservative, to play it cautious."
|
|
|
|
"If I was conservative and cautious," answered Jadwin,
|
|
"I wouldn't be in this game at all. I'd be buying U.S.
|
|
four percents. That's the big mistake so many of these
|
|
fellows down here make. They go into a game where the
|
|
only ones who can possibly win are the ones who take
|
|
big chances, and then they try to play the thing
|
|
cautiously. If I wait a while till the market turns up
|
|
and everybody is buying, how am I any the better off?
|
|
No, sir, you buy the September option for me to-morrow--
|
|
five hundred thousand bushels. I deposited the margin
|
|
to your credit in the Illinois Trust this afternoon."
|
|
|
|
There was a long silence. Gretry spun a ball between
|
|
his fingers, top-fashion.
|
|
|
|
"Well," he said at last, hesitatingly, "well--I don't
|
|
know, J.--you are either Napoleonic--or--or a colossal
|
|
idiot."
|
|
|
|
"Neither one nor the other, Samuel. I'm just using a
|
|
little common sense.... Is it your shot?,"
|
|
|
|
"I'm blessed if I know."
|
|
|
|
"Well, we'll start a new game. Sam, I'll give you six
|
|
balls and beat you in"--he looked at his watch--"beat
|
|
you before half-past nine."
|
|
|
|
"For a dollar?"
|
|
|
|
"I never bet, Sam, and you know it."
|
|
|
|
Half an hour later Jadwin said:
|
|
|
|
"Shall we go down and join the ladies? Don't put out
|
|
your cigar. That's one bargain I made with Laura
|
|
before we moved in here--that smoking was allowable
|
|
everywhere."
|
|
|
|
"Room enough, I guess," observed the broker, as the two
|
|
stepped into the elevator. "How many rooms have you
|
|
got here, by the way?"
|
|
|
|
"Upon my word, I don't know," answered Jadwin. "I
|
|
discovered a new one yesterday. Fact. I was having a
|
|
look around, and I came out into a little kind of
|
|
smoking-room or other that, I swear, I'd never seen
|
|
before. I had to get Laura to tell me about it."
|
|
|
|
The elevator sank to the lower floor, and Jadwin and
|
|
the broker stepped out into the main hallway. From the
|
|
drawing-room near by came the sound of women s voices.
|
|
|
|
"Before we go in," said Jadwin, "I want you to see our
|
|
art gallery and the organ. Last time you were up,
|
|
remember, the men were still at work in here."
|
|
|
|
They passed down a broad corridor, and at the end, just
|
|
before parting the heavy, sombre curtains, Jadwin
|
|
pressed a couple of electric buttons, and in the open
|
|
space above the curtain sprang up a lambent, steady
|
|
glow.
|
|
|
|
The broker, as he entered, gave a long whistle. The
|
|
art gallery took in the height of two of the stories of
|
|
the house. It was shaped like a rotunda, and topped
|
|
with a vast airy dome of coloured glass. Here and
|
|
there about the room were glass cabinets full of
|
|
bibelots, ivory statuettes, old snuff boxes, fans of
|
|
the sixteenth and seventeenth centuries. The walls
|
|
themselves were covered with a multitude of pictures,
|
|
oils, water-colours, with one or two pastels.
|
|
|
|
But to the left of the entrance, let into the frame of
|
|
the building, stood a great organ, large enough for a
|
|
cathedral, and giving to view, in the dulled
|
|
incandescence of the electrics, its sheaves of mighty
|
|
pipes.
|
|
|
|
"Well, this is something like," exclaimed the broker.
|
|
|
|
"I don't know much about 'em myself," hazarded Jadwin,
|
|
looking at the pictures, "but Laura can tell you. We
|
|
bought most of 'em while we were abroad, year before
|
|
last. Laura says this is the best." He indicated a
|
|
large "Bougereau" that represented a group of nymphs
|
|
bathing in a woodland pool.
|
|
|
|
"H'm!" said the broker, "you wouldn't want some of your
|
|
Sunday-school superintendents to see this now. This is
|
|
what the boys down on the Board would call a bar-room
|
|
picture."
|
|
|
|
But Jadwin did not laugh.
|
|
|
|
"It never struck me in just that way," he said,
|
|
gravely.
|
|
|
|
"It's a fine piece of work, though," Gretry hastened to
|
|
add. "Fine, great colouring."
|
|
|
|
"I like this one pretty well," continued Jadwin, moving
|
|
to a canvas by Detaille. It was one of the inevitable
|
|
studies of a cuirassier; in this case a trumpeter, one
|
|
arm high in the air, the hand clutching the trumpet,
|
|
the horse, foam-flecked, at a furious gallop. In the
|
|
rear, through clouds of dust, the rest of the squadron
|
|
was indicated by a few points of colour.
|
|
|
|
"Yes, that's pretty neat," concurred Gretry. "He's
|
|
sure got a gait on. Lord, what a lot of accoutrements
|
|
those French fellows stick on. Now our boys would
|
|
chuck about three-fourths of that truck before going
|
|
into action.... Queer way these artists work," he went
|
|
on, peering close to the canvas. "Look at it close up
|
|
and it's just a lot of little daubs, but you get off a
|
|
distance"--he drew back, cocking his head to one side--
|
|
"and you see now. Hey--see how the thing bunches up.
|
|
Pretty neat, isn't it?" He turned from the picture and
|
|
rolled his eyes about the room.
|
|
|
|
"Well, well," he murmured. "This certainly is the real
|
|
thing, J. I suppose, now, it all represents a pretty
|
|
big pot of money."
|
|
|
|
"I'm not quite used to it yet myself," said Jadwin. "I
|
|
was in here last Sunday, thinking it all over, the new
|
|
house, and the money and all. And it struck me as kind
|
|
of queer the way things have turned out for me....
|
|
Sam, do you know, I can remember the time, up there in
|
|
Ottawa County, Michigan, on my old dad's farm, when I
|
|
used to have to get up before day-break to tend the
|
|
stock, and my sister and I used to run out quick into
|
|
the stable and stand in the warm cow fodder in the
|
|
stalls to warm our bare feet.
|
|
|
|
She up and died when she was about eighteen--galloping
|
|
consumption. Yes, sir. By George, how I loved that
|
|
little sister of mine! _You_ remember her, Sam.
|
|
Remember how you used to come out from Grand Rapids
|
|
every now and then to go squirrel shooting with me?"
|
|
|
|
"Sure, sure. Oh, I haven't forgot."
|
|
|
|
"Well, I was wishing the other day that I could bring
|
|
Sadie down here, and--oh, I don't know--give her a good
|
|
time. She never had a good time when she was alive.
|
|
Work, work, work; morning, noon, and night. I'd like
|
|
to have made it up to her. I believe in making people
|
|
happy, Sam. That's the way I take my fun. But it's
|
|
too late to do it now for my little sister."
|
|
|
|
"Well," hazarded Gretry, "you got a good wife in yonder
|
|
to----"
|
|
|
|
Jadwin interrupted him. He half turned away, thrusting
|
|
his hands suddenly into his pockets. Partly to
|
|
himself, partly to his friend he murmured:
|
|
|
|
"You bet I have, you bet I have. Sam," he exclaimed,
|
|
then turned away again. "... Oh, well, never mind,"
|
|
he murmured.
|
|
|
|
Gretry, embarrassed, constrained, put his chin in the
|
|
air, shutting his eyes in a knowing fashion.
|
|
|
|
"I understand," he answered. "I understand, J."
|
|
|
|
"Say, look at this organ here," said Jadwin briskly.
|
|
"Here's the thing I like to play with."
|
|
|
|
They crossed to the other side of the room.
|
|
|
|
"Oh, you've got one of those attachment things,"
|
|
observed the broker.
|
|
|
|
"Listen now," said Jadwin. He took a perforated roll
|
|
from the case near at hand and adjusted it, Gretry
|
|
looking on with the solemn interest that all American
|
|
business men have in mechanical inventions. Jadwin sat
|
|
down before it, pulled out a stop or two, and placed
|
|
his feet on the pedals. A vast preliminary roaring
|
|
breath soughed through the pipes, with a vibratory rush
|
|
of power. Then there came a canorous snarl of bass,
|
|
and then, abruptly, with resistless charm, and with
|
|
full-bodied, satisfying amplitude of volume the opening
|
|
movement of the overture of "Carmen."
|
|
|
|
"Great, great!" shouted Gretry, his voice raised to
|
|
make himself heard. "That's immense."
|
|
|
|
The great-lunged harmony was filling the entire
|
|
gallery, clear cut, each note clearly, sharply treated
|
|
with a precision that, if mechanical, was yet
|
|
effective. Jadwin, his eyes now on the stops, now on
|
|
the sliding strip of paper, played on. Through the
|
|
sonorous clamour of the pipes Gretry could hear him
|
|
speaking, but he caught only a word or two.
|
|
|
|
"Toreador ... horse power ... Madame Calve ...
|
|
electric motor ... fine song ... storage battery."
|
|
|
|
The "movement thinned out, and dwindled to a strain of
|
|
delicate lightness, sustained by the smallest pipes and
|
|
developing a new motive; this was twice repeated, and
|
|
then ran down to a series of chords and bars that
|
|
prepared for and prefigured some great effect close at
|
|
hand. There was a short pause, then with the sudden
|
|
releasing of a tremendous rush of sound, back surged
|
|
the melody, with redoubled volume and power, to the
|
|
original movement.
|
|
|
|
"That's bully, bully!" shouted Gretry, clapping his
|
|
hands, and his eye, caught by a movement on the other
|
|
side of the room, he turned about to see Laura Jadwin
|
|
standing between the opened curtains at the entrance.
|
|
|
|
Seen thus unexpectedly, the broker was again
|
|
overwhelmed with a sense of the beauty of Jadwin's
|
|
wife. Laura was in evening dress of black lace; her
|
|
arms and neck were bare. Her black hair was piled high
|
|
upon her head, a single American Beauty rose nodded
|
|
against her bare shoulder. She was even yet slim and
|
|
very tall, her face pale with that unusual paleness of
|
|
hers that was yet a colour. Around her slender neck
|
|
was a marvellous collar of pearls many strands deep,
|
|
set off and held in place by diamond clasps.
|
|
|
|
With Laura came Mrs. Gretry and Page. The broker's
|
|
wife was a vivacious, small, rather pretty blonde
|
|
woman, a little angular, a little faded. She was
|
|
garrulous, witty, slangy. She wore turquoises in her
|
|
ears morning, noon, and night.
|
|
|
|
But three years had made a vast difference in Page
|
|
Dearborn. All at once she was a young woman. Her
|
|
straight, hard, little figure had developed, her arms
|
|
were rounded, her eyes were calmer. She had grown
|
|
taller, broader. Her former exquisite beauty was
|
|
perhaps not quite so delicate, so fine, so virginal, so
|
|
charmingly angular and boyish. There was infinitely
|
|
more of the woman in it; and perhaps because of this
|
|
she looked more like Laura than at any time of her life
|
|
before. But even yet her expression was one of
|
|
gravity, of seriousness. There was always a certain
|
|
aloofness about Page. She looked out at the world
|
|
solemnly, and as if separated from its lighter side.
|
|
Things humorous interested her only as inexplicable
|
|
vagaries of the human animal.
|
|
|
|
"We heard the organ," said Laura, "so we came in. I
|
|
wanted Mrs. Gretry to listen to it."
|
|
|
|
The three years that had just passed had been the most
|
|
important years of Laura Jadwin's life. Since her
|
|
marriage she had grown intellectually and morally with
|
|
amazing rapidity. Indeed, so swift had been the
|
|
change, that it was not so much a growth as a
|
|
transformation. She was no longer the same half-
|
|
formed, impulsive girl who had found a delight in the
|
|
addresses of her three lovers, and who had sat on the
|
|
floor in the old home on State Street and allowed
|
|
Landry Court to hold her hand. She looked back upon
|
|
the Miss Dearborn of those days as though she were
|
|
another person. How she had grown since then! How she
|
|
had changed! How different, how infinitely more serious
|
|
and sweet her life since then had become!
|
|
|
|
A great fact had entered her world, a great new
|
|
element, that dwarfed all other thoughts, all other
|
|
considerations. This was her love for her husband. It
|
|
was as though until the time of her marriage she had
|
|
walked in darkness, a darkness that she fancied was
|
|
day; walked perversely, carelessly, and with a
|
|
frivolity that was almost wicked. Then, suddenly, she
|
|
had seen a great light. Love had entered her world.
|
|
In her new heaven a new light was fixed, and all other
|
|
things were seen only because of this light; all other
|
|
things were touched by it, tempered by it, warmed and
|
|
vivified by it.
|
|
|
|
It had seemed to date from a certain evening at their
|
|
country house at Geneva Lake in Wisconsin, where she
|
|
had spent her honeymoon with her husband. They had
|
|
been married about ten days. It was a July evening,
|
|
and they were quite alone on board the little steam
|
|
yacht the "Thetis." She remembered it all very plainly.
|
|
It had been so warm that she had not changed her dress
|
|
after dinner--she recalled that it was of Honiton lace
|
|
over old-rose silk, and that Curtis had said it was the
|
|
prettiest he had ever seen. It was an hour before
|
|
midnight, and the lake was so still as to appear
|
|
veritably solid. The moon was reflected upon the
|
|
surface with never a ripple to blur its image. The sky
|
|
was grey with starlight, and only a vague bar of black
|
|
between the star shimmer and the pale shield of the
|
|
water marked the shore line. Never since that night
|
|
could she hear the call of whip-poor-wills or the
|
|
piping of night frogs that the scene did not come back
|
|
to her. The little "Thetis" had throbbed and panted
|
|
steadily. At the door of the engine room, the
|
|
engineer--the grey MacKenny, his back discreetly
|
|
turned--sat smoking a pipe and taking the air. From
|
|
time to time he would swing himself into the engine
|
|
room, and the clink and scrape of his shovel made
|
|
itself heard as he stoked the fire vigorously.
|
|
|
|
Stretched out in a long wicker deck chair, hatless, a
|
|
drab coat thrown around her shoulders, Laura had sat
|
|
near her husband, who had placed himself upon a camp
|
|
stool, where he could reach the wheel with one hand.
|
|
|
|
"Well," he had said at last, "are you glad you married
|
|
me, Miss Dearborn?" And she had caught him about the
|
|
neck and drawn his face down to hers, and her head
|
|
thrown back, their lips all but touching, had whispered
|
|
over and over again:
|
|
|
|
"I love you--love you--love you!"
|
|
|
|
That night was final. The marriage ceremony, even that
|
|
moment in her room, when her husband had taken her in
|
|
his arms and she had felt the first stirring of love in
|
|
her heart, all the first week of their married life had
|
|
been for Laura a whirl, a blur. She had not been able
|
|
to find herself. Her affection for her husband came
|
|
and went capriciously. There were moments when she
|
|
believed herself to be really unhappy. Then, all at
|
|
once, she seemed to awake. Not the ceremony at St.
|
|
James, Church, but that awakening had been her
|
|
marriage. Now it was irrevocable; she was her
|
|
husband's; she belonged to him indissolubly, forever
|
|
and forever, and the surrender was a glory. Laura in
|
|
that moment knew that love, the supreme triumph of a
|
|
woman's life, was less a victory than a capitulation.
|
|
|
|
Since then her happiness had been perfect. Literally
|
|
and truly there was not a cloud, not a mote in her
|
|
sunshine. She had everything--the love of her husband,
|
|
great wealth, extraordinary beauty, perfect health, an
|
|
untroubled mind, friends, position--everything. God
|
|
had been good to her, beyond all dreams and all
|
|
deserving. For her had been reserved all the prizes,
|
|
all the guerdons; for her who had done nothing to merit
|
|
them.
|
|
|
|
Her husband she knew was no less happy. In those first
|
|
three years after their marriage, life was one unending
|
|
pageant; and their happiness became for them some
|
|
marvellous, bewildering thing, dazzling, resplendent, a
|
|
strange, glittering, jewelled Wonder-worker that
|
|
suddenly had been put into their hands.
|
|
|
|
As one of the first results of this awakening, Laura
|
|
reproached herself with having done but little for
|
|
Page. She told herself that she had not been a good
|
|
sister, that often she had been unjust, quick tempered,
|
|
and had made the little girl to suffer because of her
|
|
caprices. She had not sympathised sufficiently with
|
|
her small troubles--so she made herself believe--and
|
|
had found too many occasions to ridicule Page's
|
|
intenseness and queer little solemnities. True she had
|
|
given her a good home, good clothes, and a good
|
|
education, but she should have given more--more than
|
|
mere duty-gifts. She should have been more of a
|
|
companion to the little girl, more of a help; in fine,
|
|
more of a mother. Laura felt all at once the
|
|
responsibilities of the elder sister in a family bereft
|
|
of parents. Page was growing fast, and growing
|
|
astonishingly beautiful; in a little while she would be
|
|
a young woman, and over the near horizon, very soon
|
|
now, must inevitably loom the grave question of her
|
|
marriage.
|
|
|
|
But it was only this realisation of certain
|
|
responsibilities that during the first years of her
|
|
married life at any time drew away Laura's
|
|
consideration of her husband. She began to get
|
|
acquainted with the real man-within-the-man that she
|
|
knew now revealed himself only after marriage. Jadwin
|
|
her husband was so different from, so infinitely better
|
|
than, Jadwin her lover, that Laura sometimes found
|
|
herself looking back with a kind of retrospective
|
|
apprehension on the old days and the time when she was
|
|
simply Miss Dearborn. How little she had known him
|
|
after all! And how, in the face of this ignorance,
|
|
this innocence, this absence of any insight into his
|
|
real character, had she dared to take the irretrievable
|
|
step that bound her to him for life? The Curtis Jadwin
|
|
of those early days was so much another man. He might
|
|
have been a rascal; she could not have known it. As it
|
|
was, her husband had promptly come to be, for her, the
|
|
best, the finest man she had ever known. But it might
|
|
easily have been different.
|
|
|
|
His attitude towards her was thoughtfulness itself.
|
|
Hardly ever was he absent from her, even for a day,
|
|
that he did not bring her some little present, some
|
|
little keep-sake--or even a bunch of flowers--when he
|
|
returned in the evening. The anniversaries--Christmas,
|
|
their wedding day, her birthday--he always observed
|
|
with great eclat. He took a holiday from his business,
|
|
surprised her with presents under her pillow, or her
|
|
dinner-plate, and never failed to take her to the
|
|
theatre in the evening.
|
|
|
|
However, it was not only Jadwin's virtues that endeared
|
|
him to his wife. He was no impeccable hero in her
|
|
eyes. He was tremendously human. He had his faults,
|
|
his certain lovable weaknesses, and it was precisely
|
|
these traits that Laura found so adorable.
|
|
|
|
For one thing, Jadwin could be magnificently
|
|
inconsistent. Let him set his mind and heart upon a
|
|
given pursuit, pleasure, or line of conduct not
|
|
altogether advisable at the moment, and the ingenuity
|
|
of the excuses by which he justified himself were
|
|
monuments of elaborate sophistry. Yet, if later he
|
|
lost interest, he reversed his arguments with supreme
|
|
disregard for his former words.
|
|
|
|
Then, too, he developed a boyish pleasure in certain
|
|
unessential though cherished objects and occupations,
|
|
that he indulged extravagantly and to the neglect of
|
|
things, not to say duties, incontestably of more
|
|
importance.
|
|
|
|
One of these objects was the "Thetis." In every
|
|
conceivable particular the little steam yacht was
|
|
complete down to the last bolt, the last coat of
|
|
varnish; but at times during their summer vacations,
|
|
when Jadwin, in all reason, should have been
|
|
supervising the laying out of certain unfinished
|
|
portions of the "grounds"--supervision which could be
|
|
trusted to no subordinate--he would be found aboard the
|
|
"Thetis," hatless, in his shirt-sleeves, in solemn
|
|
debate with the grey MacKenny and--a cleaning rag, or
|
|
monkey-wrench, or paint brush in his hand--tinkering
|
|
and pottering about the boat, over and over again.
|
|
Wealthy as he was, he could have maintained an entire
|
|
crew on board whose whole duty should have been to
|
|
screw, and scrub, and scour. But Jadwin would have
|
|
none of it. "Costs too much," he would declare, with
|
|
profound gravity. He had the self-made American's
|
|
handiness with implements and paint brushes, and he
|
|
would, at high noon and under a murderous sun, make the
|
|
trip from the house to the dock where the "Thetis" was
|
|
moored, for the trivial pleasure of tightening a bolt--
|
|
which did not need tightening; or wake up in the night
|
|
to tell Laura of some wonderful new idea he had
|
|
conceived as to the equipment or decoration of the
|
|
yacht. He had blustered about the extravagance of a
|
|
"crew," but the sums of money that went to the
|
|
brightening, refitting, overhauling, repainting, and
|
|
reballasting of the boat--all absolutely uncalled-for--
|
|
made even Laura gasp, and would have maintained a dozen
|
|
sailors an entire year.
|
|
|
|
This same inconsistency prevailed also in other
|
|
directions. In the matter of business Jadwin's economy
|
|
was unimpeachable. He would cavil on a half-dollar's
|
|
overcharge; he would put himself to downright
|
|
inconvenience to save the useless expenditure of a
|
|
dime--and boast of it. But no extravagance was ever
|
|
too great, no time ever too valuable, when bass were to
|
|
be caught.
|
|
|
|
For Jadwin was a fisherman unregenerate. Laura, though
|
|
an early riser when in the city, was apt to sleep late
|
|
in the country, and never omitted a two-hours' nap in
|
|
the heat of the afternoon. Her husband improved these
|
|
occasions when he was deprived of her society, to
|
|
indulge in his pastime. Never a morning so forbidding
|
|
that his lines were not in the water by five o'clock;
|
|
never a sun so scorching that he was not coaxing a
|
|
"strike" in the stumps and reeds in the shade under the
|
|
shores.
|
|
|
|
It was the one pleasure he could not share with his
|
|
wife. Laura was unable to bear the monotony of the
|
|
slow-moving boat, the hours spent without results, the
|
|
enforced idleness, the cramped positions. Only
|
|
occasionally could Jadwin prevail upon her to accompany
|
|
him. And then what preparations! Queen Elizabeth
|
|
approaching her barge was attended with no less
|
|
solicitude. MacKenny (who sometimes acted as guide and
|
|
oarsman) and her husband exhausted their ingenuity to
|
|
make her comfortable. They held anxious debates: "Do
|
|
you think she'll like that?" "Wouldn't this make it
|
|
easier for her?" "Is that the way she liked it last
|
|
time?" Jadwin himself arranged the cushions, spread the
|
|
carpet over the bottom of the boat, handed her in,
|
|
found her old gloves for her, baited her hook,
|
|
disentangled her line, saw to it that the mineral water
|
|
in the ice-box was sufficiently cold, and performed an
|
|
endless series of little attentions looking to her
|
|
comfort and enjoyment. It was all to no purpose, and
|
|
at length Laura declared:
|
|
|
|
"Curtis, dear, it is no use. You just sacrifice every
|
|
bit of your pleasure to make me comfortable--to make me
|
|
enjoy it; and I just don't. I'm sorry, I want to share
|
|
every pleasure with you, but I don't like to fish, and
|
|
never will. You go alone. I'm just a hindrance to
|
|
you." And though he blustered at first, Laura had her
|
|
way.
|
|
|
|
Once in the period of these three years Laura and her
|
|
husband had gone abroad. But her experience in
|
|
England--they did not get to the Continent--had been a
|
|
disappointment to her. The museums, art galleries, and
|
|
cathedrals were not of the least interest to Jadwin,
|
|
and though he followed her from one to another with
|
|
uncomplaining stoicism, she felt his distress, and had
|
|
contrived to return home three months ahead of time.
|
|
|
|
It was during this trip that they had bought so many of
|
|
the pictures and appointments for the North Avenue
|
|
house, and Laura's disappointment over her curtailed
|
|
European travels was mitigated by the anticipation of
|
|
her pleasure in settling in the new home. This had not
|
|
been possible immediately after their marriage. For
|
|
nearly two years the great place had been given over to
|
|
contractors, architects, decorators, and gardeners, and
|
|
Laura and her husband had lived, while in Chicago, at a
|
|
hotel, giving up the one-time rectory on Cass Street to
|
|
Page and to Aunt Wess'.
|
|
|
|
But when at last Laura entered upon possession of the
|
|
North Avenue house, she was not--after the first
|
|
enthusiasm and excitement over its magnificence had
|
|
died down--altogether pleased with it, though she told
|
|
herself the contrary. Outwardly it was all that she
|
|
could desire. It fronted Lincoln Park, and from all
|
|
the windows upon that side the most delightful outlooks
|
|
were obtainable--green woods, open lawns, the parade
|
|
ground, the Lincoln monument, dells, bushes, smooth
|
|
drives, flower beds, and fountains. From the great bay
|
|
window of Laura's own sitting-room she could see far
|
|
out over Lake Michigan, and watch the procession of
|
|
great lake steamers, from Milwaukee, far-distant
|
|
Duluth, and the Sault Sainte Marie--the famous "Soo"--
|
|
defiling majestically past, making for the mouth of the
|
|
river, laden to the water's edge with whole harvests of
|
|
wheat. At night, when the windows were open in the
|
|
warm weather, she could hear the mournful wash and
|
|
lapping of the water on the embankments.
|
|
|
|
The grounds about her home were beautiful. The stable
|
|
itself was half again as large as her old home opposite
|
|
St. James's, and the conservatory, in which she took
|
|
the keenest delight, was a wonderful affair--a vast
|
|
bubble-like structure of green panes, whence, winter
|
|
and summer, came a multitude of flowers for the house--
|
|
violets, lilies of the valley, jonquils, hyacinths,
|
|
tulips, and her own loved roses.
|
|
|
|
But the interior of the house was, in parts, less
|
|
satisfactory. Jadwin, so soon as his marriage was a
|
|
certainty, had bought the house, and had given over its
|
|
internal furnishings to, a firm of decorators.
|
|
Innocently enough he had intended to surprise his wife,
|
|
had told himself that she should not be burdened with
|
|
the responsibility of selection and planning.
|
|
Fortunately, however, the decorators were men of taste.
|
|
There was nothing to offend, and much to delight in the
|
|
results they obtained in the dining-room, breakfast-
|
|
room, parlors, drawing-rooms, and suites of bedrooms.
|
|
But Laura, though the beauty of it all enchanted her,
|
|
could never rid herself of a feeling that it was not
|
|
hers. It impressed her with its splendour of natural
|
|
woods and dull "colour effects," its cunning electrical
|
|
devices, its mechanical contrivances for comfort, like
|
|
the ready-made luxury and "convenience" of a Pullman.
|
|
|
|
However, she had intervened in time to reserve certain
|
|
of the rooms to herself, and these--the library, her
|
|
bedroom, and more especially that apartment from whose
|
|
bay windows she looked out upon the Lake, and which, as
|
|
if she were still in her old home, she called the
|
|
"upstairs sitting-room"--she furnished to suit herself.
|
|
|
|
For very long she found it difficult, even with all her
|
|
resolution, with all her pleasure in her new-gained
|
|
wealth, to adapt herself to a manner of living upon so
|
|
vast a scale. She found herself continually planning
|
|
the marketing for the next day, forgetting that this
|
|
now was part of the housekeeper's duties. For months
|
|
she persisted in "doing her room" after breakfast, just
|
|
as she had been taught to do in the old days when she
|
|
was a little girl at Barrington. She was afraid of the
|
|
elevator, and never really learned how to use the neat
|
|
little system of telephones that connected the various
|
|
parts of the house with the servants' quarters. For
|
|
months her chiefest concern in her wonderful
|
|
surroundings took the form of a dread of burglars.
|
|
|
|
Her keenest delights were her stable and the great
|
|
organ in the art gallery; and these alone more than
|
|
compensated for her uneasiness in other particulars.
|
|
|
|
Horses Laura adored--black ones with flowing tails and
|
|
manes, like certain pictures she had seen. Nowadays,
|
|
except on the rarest occasions, she never set foot out
|
|
of doors, except to take her carriage, her coupe, her
|
|
phaeton, or her dog-cart. Best of all she loved her
|
|
saddle horses. She had learned to ride, and the
|
|
morning was inclement indeed that she did not take a
|
|
long and solitary excursion through the Park, followed
|
|
by the groom and Jadwin's two spotted coach dogs.
|
|
|
|
The great organ terrified her at first. But on closer
|
|
acquaintance she came to regard it as a vast-hearted,
|
|
sympathetic friend. She already played the piano very
|
|
well, and she scorned Jadwin's self-playing
|
|
"attachment." A teacher was engaged to instruct her in
|
|
the intricacies of stops and of pedals, and in the
|
|
difficulties of the "echo" organ, "great" organ,
|
|
"choir," and "swell." So soon as she had mastered
|
|
these, Laura entered upon a new world of delight. Her
|
|
taste in music was as yet a little immature--Gounod and
|
|
even Verdi were its limitations. But to hear,
|
|
responsive to the lightest pressures of her finger-
|
|
tips, the mighty instrument go thundering through the
|
|
cadences of the "Anvil Chorus" gave her a thrilling
|
|
sense of power that was superb.
|
|
|
|
The untrained, unguided instinct of the actress in
|
|
Laura had fostered in her a curious penchant toward
|
|
melodrama. She had a taste for the magnificent. She
|
|
revelled in these great musical "effects" upon her
|
|
organ, the grandiose easily appealed to her, while as
|
|
for herself, the role of the "_grande dame,_" with this
|
|
wonderful house for background and environment, came to
|
|
be for her, quite unconsciously, a sort of game in
|
|
which she delighted.
|
|
|
|
It was by this means that, in the end, she succeeded in
|
|
fitting herself to her new surroundings. Innocently
|
|
enough, and with a harmless, almost childlike,
|
|
affectation, she posed a little, and by so doing found
|
|
the solution of the incongruity between herself--the
|
|
Laura of moderate means and quiet life--and the massive
|
|
luxury with which she was now surrounded. Without
|
|
knowing it, she began to act the part of a great lady--
|
|
and she acted it well. She assumed the existence of
|
|
her numerous servants as she assumed the fact of the
|
|
trees in the park; she gave herself into the hands of
|
|
her maid, not as Laura Jadwin of herself would have
|
|
done it, clumsily and with the constraint of
|
|
inexperience, but as she would have done it if she had
|
|
been acting the part on the stage, with an air, with
|
|
all the nonchalance of a marquise, with--in fine--all
|
|
the superb condescension of her "grand manner."
|
|
|
|
She knew very well that if she relaxed this hauteur,
|
|
that her servants would impose on her, would run over
|
|
her, and in this matter she found new cause for wonder
|
|
in her husband.
|
|
|
|
The servants, from the frigid butler to the under
|
|
groom, adored Jadwin. A half-expressed wish upon his
|
|
part produced a more immediate effect than Laura's most
|
|
explicit orders. He never descended to familiarity
|
|
with them, and, as a matter of fact, ignored them to
|
|
such an extent that he forgot or confused their names.
|
|
But where Laura was obeyed with precise formality and
|
|
chilly deference, Jadwin was served with obsequious
|
|
alacrity, and with a good humour that even livery and
|
|
"correct form" could not altogether conceal.
|
|
|
|
Laura's eyes were first opened to this genuine
|
|
affection which Jadwin inspired in his servants by an
|
|
incident which occurred in the first months of their
|
|
occupancy of the new establishment. One of the
|
|
gardeners discovered the fact that Jadwin affected
|
|
gardenias in the lapel of his coat, and thereat was at
|
|
immense pains to supply him with a fresh bloom from the
|
|
conservatory each morning. The flower was to be placed
|
|
at Jadwin's plate, and it was quite the event of the
|
|
day for the old fellow when the master appeared on the
|
|
front steps with the flower in his coat. But a feud
|
|
promptly developed over this matter between the
|
|
gardener and the maid who took the butler's place at
|
|
breakfast every morning. Sometimes Jadwin did not get
|
|
the flower, and the gardener charged the maid with
|
|
remissness in forgetting to place it at his plate after
|
|
he had given it into her hands. In the end the affair
|
|
became so clamourous that Jadwin himself had to
|
|
intervene. The gardener was summoned and found to have
|
|
been in fault only in his eagerness to please.
|
|
|
|
"Billy," said Jadwin, to the old man at the conclusion
|
|
of the whole matter, "you're an old fool."
|
|
|
|
And the gardener thereupon had bridled and stammered as
|
|
though Jadwin had conferred a gift.
|
|
|
|
"Now if I had called him 'an old fool,'" observed
|
|
Laura, "he would have sulked the rest of the week."
|
|
|
|
The happiest time of the day for Laura was the evening.
|
|
In the daytime she was variously occupied, but her
|
|
thoughts continually ran forward to the end of the day,
|
|
when her husband would be with her. Jadwin breakfasted
|
|
early, and Laura bore him company no matter how late
|
|
she had stayed up the night before. By half-past eight
|
|
he was out of the house, driving down to his office in
|
|
his buggy behind Nip and Tuck. By nine Laura's own
|
|
saddle horse was brought to the carriage porch, and
|
|
until eleven she rode in the park. At twelve she
|
|
lunched with Page, and in the afternoon--in the
|
|
"upstairs sitting-room" read her Browning or her
|
|
Meredith, the latter one of her newest discoveries,
|
|
till three or four. Sometimes after that she went out
|
|
in her carriage. If it was to "shop" she drove to the
|
|
"Rookery," in La Salle Street, after her purchases were
|
|
made, and sent the footman up to her husband's office
|
|
to say that she would take him home. Or as often as
|
|
not she called for Mrs. Cressler or Aunt Wess' or Mrs.
|
|
Gretry, and carried them off to some exhibit of
|
|
painting, or flowers, or more rarely--for she had not
|
|
the least interest in social affairs--to teas or
|
|
receptions.
|
|
|
|
But in the evenings, after dinner, she had her husband
|
|
to herself. Page was almost invariably occupied by one
|
|
or more of her young men in the drawing-room, but Laura
|
|
and Jadwin shut themselves in the library, a lofty
|
|
panelled room--a place of deep leather chairs, tall
|
|
bookcases, etchings, and sombre brasses--and there,
|
|
while Jadwin lay stretched out upon the broad sofa,
|
|
smoking cigars, one hand behind his head, Laura read
|
|
aloud to him.
|
|
|
|
His tastes in fiction were very positive. Laura at
|
|
first had tried to introduce him to her beloved
|
|
Meredith. But after three chapters, when he had
|
|
exclaimed, "What's the fool talking about?" she had
|
|
given over and begun again from another starting-point.
|
|
Left to himself, his wife sorrowfully admitted that he
|
|
would have gravitated to the "Mysterious Island" and
|
|
"Michael Strogoff," or even to "Mr. Potter of Texas"
|
|
and "Mr. Barnes of New York." But she had set herself
|
|
to accomplish his literary education, so, Meredith
|
|
failing, she took up "Treasure Island" and "The
|
|
Wrecker." Much of these he made her skip.
|
|
|
|
"Oh, let's get on with the 'story,'" he urged. But
|
|
Pinkerton for long remained for him an ideal, because
|
|
he was "smart" and "alive."
|
|
|
|
"I'm not long very many of art," he announced. "But I
|
|
believe that any art that don't make the world better
|
|
and happier is no art at all, and is only fit for the
|
|
dump heap."
|
|
|
|
But at last Laura found his abiding affinity in
|
|
Howells.
|
|
|
|
"Nothing much happens," he said. "But I _know_ all
|
|
those people." He never could rid himself of a
|
|
surreptitious admiration for Bartley Hubbard. He, too,
|
|
was "smart" and "alive." He had the "get there" to him.
|
|
"Why," he would say, "I know fifty boys just like him
|
|
down there in La Salle Street." Lapham he loved as a
|
|
brother. Never a point in the development of his
|
|
character that he missed or failed to chuckle over.
|
|
Bromfield Cory was poohed and boshed quite out of
|
|
consideration as a "loafer," a "dilletanty," but Lapham
|
|
had all his sympathy.
|
|
|
|
"Yes, sir," he would exclaim, interrupting the
|
|
narrative, "that's just it. That's just what I would
|
|
have done if I had been in his place. Come, this chap
|
|
knows what he's writing about--not like that Middleton
|
|
ass, with his 'Dianas' and 'Amazing Marriages.'"
|
|
|
|
Occasionally the Jadwins entertained. Laura's husband
|
|
was proud of his house, and never tired of showing his
|
|
friends about it. Laura gave Page a "coming-out"
|
|
dance, and nearly every Sunday the Cresslers came to
|
|
dinner. But Aunt Wess' could, at first, rarely be
|
|
induced to pay the household a visit. So much grandeur
|
|
made the little widow uneasy, even a little suspicious.
|
|
She would shake her head at Laura, murmuring:
|
|
|
|
"My word, it's all very fine, but, dear me, Laura, I
|
|
hope you do pay for everything on the nail, and don't
|
|
run up any bills. I don't know what your dear father
|
|
would say to it all, no, I don't." And she would spend
|
|
hours in counting the electric bulbs, which she
|
|
insisted were only devices for some new-fangled gas.
|
|
|
|
"Thirty-three in this one room alone," she would say.
|
|
"I'd like to see your dear husband's face when he gets
|
|
his gas bill. And a dressmaker that _lives_ in the
|
|
house.... Well,--I don't want to say anything."
|
|
|
|
Thus three years had gone by. The new household
|
|
settled to a regime. Continually Jadwin grew richer.
|
|
His real estate appreciated in value; rents went up.
|
|
Every time he speculated in wheat, it was upon a larger
|
|
scale, and every time he won. He was a Bear always,
|
|
and on those rare occasions when he referred to his
|
|
ventures in Laura's hearing, it was invariably to say
|
|
that prices were going down. Till at last had come
|
|
that spring when he believed that the bottom had been
|
|
touched, had had the talk with Gretry, and had, in
|
|
secret, "turned Bull," with the suddenness of a
|
|
strategist.
|
|
|
|
The matter was yet in Gretry's mind while the party
|
|
remained in the art gallery; and as they were returning
|
|
to the drawing-room he detained Jadwin an instant.
|
|
|
|
"If you are set upon breaking your neck," he said, "you
|
|
might tell me at what figure you want me to buy for you
|
|
to-morrow."
|
|
|
|
"At the market," returned Jadwin. "I want to get into
|
|
the thing quick."
|
|
|
|
A little later, when they had all reassembled in the
|
|
drawing-room, and while Mrs. Gretry was telling an
|
|
interminable story of how Isabel had all but
|
|
asphyxiated herself the night before, a servant
|
|
announced Landry Court, and the young man entered,
|
|
spruce and debonair, a bouquet in one hand and a box of
|
|
candy in the other.
|
|
|
|
Some days before this Page had lectured him solemnly on
|
|
the fact that he was over-absorbed in business, and was
|
|
starving his soul. He should read more, she told him,
|
|
and she had said that if he would call upon her on this
|
|
particular night, she would indicate a course of
|
|
reading for him.
|
|
|
|
So it came about that, after a few moments,
|
|
conversation with the older people in the drawing-room,
|
|
the two adjourned to the library.
|
|
|
|
There, by way of a beginning, Page asked him what was
|
|
his favourite character in fiction. She spoke of the
|
|
beauty of Ruskin's thoughts, of the gracefulness of
|
|
Charles Lamb's style. The conversation lagged a
|
|
little. Landry, not to be behind her, declared for the
|
|
modern novel, and spoke of the "newest book." But Page
|
|
never read new books; she was not interested, and their
|
|
talk, unable to establish itself upon a common ground,
|
|
halted, and was in a fair way to end, until at last,
|
|
and by insensible degrees, they began to speak of
|
|
themselves and of each other. Promptly they were all
|
|
aroused. They listened to one another's words with
|
|
studious attention, answered with ever-ready
|
|
promptness, discussed, argued, agreed, and disagreed
|
|
over and over again.
|
|
|
|
Landry had said:
|
|
|
|
"When I was a boy, I always had an ambition to excel
|
|
all the other boys. I wanted to be the best baseball
|
|
player on the block--and I was, too. I could pitch
|
|
three curves when I was fifteen, and I find I am the
|
|
same now that I am a man grown. When I do a thing, I
|
|
want to do it better than any one else. From the very
|
|
first I have always been ambitious. It is my strongest
|
|
trait. Now," he went on, turning to Page, "your
|
|
strongest trait is your thoughtfulness. You are what
|
|
they call introspective."
|
|
|
|
"Yes, yes," she answered. "Yes, I think so, too."
|
|
|
|
"You don't need the stimulation of competition. You
|
|
are at your best when you are with just one person. A
|
|
crowd doesn't interest you."
|
|
|
|
"I hate it," she exclaimed.
|
|
|
|
"Now with me, with a man of my temperament, a crowd is
|
|
a real inspiration. When every one is talking and
|
|
shouting around me, or to me, even, my mind works at
|
|
its best. But," he added, solemnly, "it must be a
|
|
crowd of men. I can't abide a crowd of women."
|
|
|
|
"They chatter so," she assented. "I can't either."
|
|
|
|
"But I find that the companionship of one intelligent,
|
|
sympathetic woman is as much of a stimulus as a lot of
|
|
men. It's funny, isn't it, that I should be like
|
|
that?"
|
|
|
|
"Yes," she said, "it is funny--strange. But I believe
|
|
in companionship. I believe that between man and woman
|
|
that is the great thing--companionship. Love," she
|
|
added, abruptly, and then broke off with a deep sigh.
|
|
"Oh, I don't know," she murmured. "Do you remember
|
|
those lines:
|
|
|
|
"Man's love is of his life a thing apart,
|
|
'Tis woman's whole existence.
|
|
|
|
Do you believe that?"
|
|
|
|
"Well," he asserted, gravely, choosing his words with
|
|
deliberation, "it might be so, but all depends upon the
|
|
man and woman. Love," he added, with tremendous
|
|
gravity, "is the greatest power in the universe."
|
|
|
|
"I have never been in love," said Page. "Yes, love is
|
|
a wonderful power."
|
|
|
|
"I've never been in love, either."
|
|
|
|
"Never, never been in love?"
|
|
|
|
"Oh, I've thought I was in love," he said, with a wave
|
|
of his hand.
|
|
|
|
"I've never even thought I was," she answered, musing.
|
|
|
|
"Do you believe in early marriages?" demanded Landry.
|
|
|
|
"A man should never marry," she said, deliberately,
|
|
"till he can give his wife a good home, and good
|
|
clothes and--and that sort of thing. I do not think I
|
|
shall ever marry."
|
|
|
|
"You! Why, of course you will. Why not?"
|
|
|
|
"No, no. It is my disposition. I am morose and
|
|
taciturn. Laura says so."
|
|
|
|
Landry protested with vehemence.
|
|
|
|
"And," she went on, "I have long, brooding fits of
|
|
melancholy."
|
|
|
|
"Well, so have I," he threw out recklessly. "At night,
|
|
sometimes--when I wake up. Then I'm all down in the
|
|
mouth, and I say, 'What's the use, by jingo?'"
|
|
|
|
"Do you believe in pessimism? I do. They say Carlyle
|
|
was a terrible pessimist."
|
|
|
|
"Well--talking about love. I understand that you can't
|
|
believe in pessimism and love at the same time.
|
|
Wouldn't you feel unhappy if you lost your faith in
|
|
love?"
|
|
|
|
"Oh, yes, terribly."
|
|
|
|
There was a moment's silence, and then Landry remarked:
|
|
|
|
"Now you are the kind of woman that would only love
|
|
once, but love for that once mighty deep and strong."
|
|
|
|
Page's eyes grew wide. She murmured:
|
|
|
|
"'Tis a woman's whole existence--whole existence.' Yes,
|
|
I think I am like that."
|
|
|
|
"Do you think Enoch Arden did right in going away after
|
|
he found them married?"
|
|
|
|
"Oh, have you read that? Oh, isn't that a beautiful
|
|
poem? Wasn't he noble? Wasn't he grand? Oh, yes,
|
|
yes, he did right."
|
|
|
|
"By George, I wouldn't have gone away. I'd have gone
|
|
right into that house, and I would have made things
|
|
hum. I'd have thrown the other fellow out, lock,
|
|
stock, and barrel."
|
|
|
|
"That's just like a man, so selfish, only thinking of
|
|
himself. You don't know the meaning of love--great,
|
|
true, unselfish love."
|
|
|
|
"I know the meaning of what's mine. Think I'd give up
|
|
the woman I loved to another man?"
|
|
|
|
"Even if she loved the other man best?"
|
|
|
|
"I'd have my girl first, and find out how she felt
|
|
about the other man afterwards."
|
|
|
|
"Oh, but think if you gave her up, how noble it would
|
|
be. You would have sacrificed all that you held the
|
|
dearest to an ideal. Oh, if I were in Enoch Arden's
|
|
place, and my husband thought I was dead, and I knew he
|
|
was happy with another woman, it would just be a joy to
|
|
deny myself, sacrifice myself to spare him unhappiness.
|
|
That would be my idea of love. Then I'd go into a
|
|
convent."
|
|
|
|
"Not much. I'd let the other fellow go to the convent.
|
|
If I loved a woman, I wouldn't let anything in the
|
|
world stop me from winning her."
|
|
|
|
"You have so much determination, haven't you?" she
|
|
said, looking at him.
|
|
|
|
Landry enlarged his shoulders a little and wagged his
|
|
head.
|
|
|
|
"Well," he said, "I don't know, but I'd try pretty hard
|
|
to get what I wanted, I guess."
|
|
|
|
"I love to see that characteristic in men," she
|
|
observed. "Strength, determination."
|
|
|
|
"Just as a man loves to see a woman womanly," he
|
|
answered. "Don't you hate strong-minded women?"
|
|
|
|
"Utterly."
|
|
|
|
"Now, you are what I would call womanly--the womanliest
|
|
woman I've ever known."
|
|
|
|
"Oh, I don't know," she protested, a little confused.
|
|
|
|
"Yes, you are. You are beautifully womanly--and so
|
|
high-minded and well read. It's been inspiring to me.
|
|
I want you should know that. Yes, sir, a real
|
|
inspiration. It's been inspiring, elevating, to say
|
|
the least."
|
|
|
|
"I like to read, if that's what you mean," she hastened
|
|
to say.
|
|
|
|
"By Jove, I've got to do some reading, too. It's so
|
|
hard to find time. But I'll make time. I'll get that
|
|
'Stones of Venice' I've heard you speak of, and I'll
|
|
sit up nights--and keep awake with black coffee--but
|
|
I'll read that book from cover to cover."
|
|
|
|
"That's your determination again," Page exclaimed.
|
|
"Your eyes just flashed when you said it. I believe if
|
|
you once made up your mind to do a thing, you would do
|
|
it, no matter how hard it was, wouldn't you?"
|
|
|
|
"Well, I'd--I'd make things hum, I guess," he admitted.
|
|
|
|
The next day was Easter Sunday, and Page came down to
|
|
nine o'clock breakfast a little late, to find Jadwin
|
|
already finished and deep in the pages of the morning
|
|
paper. Laura, still at table, was pouring her last cup
|
|
of coffee.
|
|
|
|
They were in the breakfast-room, a small, charming
|
|
apartment, light and airy, and with many windows, one
|
|
end opening upon the house conservatory. Jadwin was in
|
|
his frock coat, which later he would wear to church.
|
|
The famous gardenia was in his lapel. He was freshly
|
|
shaven, and his fine cigar made a blue haze over his
|
|
head. Laura was radiant in a white morning gown. A
|
|
newly cut bunch of violets, large as a cabbage, lay on
|
|
the table before her.
|
|
|
|
The whole scene impressed itself sharply upon Page's
|
|
mind--the fine sunlit room, with its gay open spaces
|
|
and the glimpse of green leaves from the conservatory,
|
|
the view of the smooth, trim lawn through the many
|
|
windows, where an early robin, strayed from the park,
|
|
was chirruping and feeding; her beautiful sister Laura,
|
|
with her splendid, overshadowing coiffure, her pale,
|
|
clear skin, her slender figure; Jadwin, the large,
|
|
solid man of affairs, with his fine cigar, his
|
|
gardenia, his well-groomed air. And then the little
|
|
accessories that meant so much--the smell of violets,
|
|
of good tobacco, of fragrant coffee; the gleaming
|
|
damasks, china and silver of the breakfast table; the
|
|
trim, fresh-looking maid, with her white cap, apron,
|
|
and cuffs, who came and went; the thoroughbred setter
|
|
dozing in the sun, and the parrot dozing and chuckling
|
|
to himself on his perch upon the terrace outside the
|
|
window.
|
|
|
|
At the bottom of the lawn was the stable, and upon the
|
|
concrete in front of its wide-open door the groom was
|
|
currying one of the carriage horses. While Page
|
|
addressed herself to her fruit and coffee, Jadwin put
|
|
down his paper, and, his elbows on the arms of his
|
|
rattan chair, sat for a long time looking out at the
|
|
horse. By and by he got up and said:
|
|
|
|
"That new feed has filled 'em out in good shape. Think
|
|
I'll go out and tell Jarvis to try it on the buggy
|
|
team." He pushed open the French windows and went out,
|
|
the setter sedately following.
|
|
|
|
Page dug her spoon into her grape-fruit, then suddenly
|
|
laid it down and turned to Laura, her chin upon her
|
|
palm.
|
|
|
|
"Laura," she said, "do you think I ought to marry--a
|
|
girl of my temperament?"
|
|
|
|
"Marry?" echoed Laura.
|
|
|
|
"Sh-h!" whispered Page. "Laura--don't talk so loud.
|
|
Yes, do you?"
|
|
|
|
"Well, why not marry, dearie? Why shouldn't you marry
|
|
when the time comes? Girls as young as you are not
|
|
supposed to have temperaments."
|
|
|
|
But instead of answering Page put another question:
|
|
|
|
"Laura, do you think I am womanly?"
|
|
|
|
"I think sometimes, Page, that you take your books and
|
|
your reading too seriously. You've not been out of the
|
|
house for three days, and I never see you without your
|
|
note-books and text-books in your hand. You are at it,
|
|
dear, from morning till night. Studies are all very
|
|
well--"
|
|
|
|
"Oh, studies!" exclaimed Page. "I hate them. Laura,
|
|
what is it to be womanly?"
|
|
|
|
"To be womanly?" repeated Laura. "Why, I don't know,
|
|
honey. It's to be kind and well-bred and gentle
|
|
mostly, and never to be bold or conspicuous--and to
|
|
love one's home and to take care of it, and to love and
|
|
believe in one's husband, or parents, or children--or
|
|
even one's sister--above any one else in the world."
|
|
|
|
"I think that being womanly is better than being well
|
|
read," hazarded Page.
|
|
|
|
"We can be both, Page," Laura told her. "But, honey, I
|
|
think you had better hurry through your breakfast. If
|
|
we are going to church this Easter, we want to get an
|
|
early start. Curtis ordered the carriage half an hour
|
|
earlier."
|
|
|
|
"Breakfast!" echoed Page. "I don't want a thing." She
|
|
drew a deep breath and her eyes grew large. "Laura,"
|
|
she began again presently, "Laura ... Landry Court was
|
|
here last night, and--oh, I don't know, he's so silly.
|
|
But he said--well, he said this--well, I said that I
|
|
understood how he felt about certain things, about
|
|
'getting on,' and being clean and fine and all that
|
|
sort of thing you know; and then he said, 'Oh, you
|
|
don't know what it means to me to look into the eyes of
|
|
a woman who really understands.'"
|
|
|
|
"_Did_ he?" said Laura, lifting her eyebrows.
|
|
|
|
"Yes, and he seemed so fine and earnest. Laura, wh--"
|
|
Page adjusted a hairpin at the back of her head, and
|
|
moved closer to Laura, her eyes on the floor. "Laura--
|
|
what do you suppose it did mean to him--don't you think
|
|
it was foolish of him to talk like that?"
|
|
|
|
"Not at all," Laura said, decisively. "If he said that
|
|
he meant it--meant that he cared a great deal for you."
|
|
|
|
"Oh, I didn't mean that!" shrieked Page. "But there's
|
|
a great deal more to Landry than I think we've
|
|
suspected. He wants to be more than a mere money-
|
|
getting machine, he says, and he wants to cultivate his
|
|
mind and understand art and literature and that. And
|
|
he wants me to help him, and I said I would. So if you
|
|
don't mind, he's coming up here certain nights every
|
|
week, and we're going to--I'm going to read to him.
|
|
We're going to begin with the 'Ring and the Book.'"
|
|
|
|
In the later part of May, the weather being unusually
|
|
hot, the Jadwins, taking Page with them, went up to
|
|
Geneva Lake for the summer, and the great house
|
|
fronting Lincoln Park was deserted.
|
|
|
|
Laura had hoped that now her husband would be able to
|
|
spend his entire time with her, but in this she was
|
|
disappointed. At first Jadwin went down to the city
|
|
but two days a week, but soon this was increased to
|
|
alternate days. Gretry was a frequent visitor at the
|
|
country house, and often he and Jadwin, their rocking-
|
|
chairs side by side in a remote corner of the porch,
|
|
talked "business" in low tones till far into the night.
|
|
|
|
"Dear," said Laura, finally, "I'm seeing less and less
|
|
of you every day, and I had so looked forward to this
|
|
summer, when we were to be together all the time."
|
|
|
|
"I hate it as much as you do, Laura," said her husband.
|
|
"But I do feel as though I ought to be on the spot just
|
|
for now. I can't get it out of my head that we're
|
|
going to have livelier times in a few months."
|
|
|
|
"But even Mr. Gretry says that you don't need to be
|
|
right in your office every minute of the time. He says
|
|
you can manage your Board of Trade business from out
|
|
here just as well, and that you only go into town
|
|
because you can't keep away from La Salle Street and
|
|
the sound of the Wheat Pit."
|
|
|
|
Was this true? Jadwin himself had found it difficult to
|
|
answer. There had been a time when Gretry had been
|
|
obliged to urge and coax to get his friend to so much
|
|
as notice the swirl of the great maelstrom in the Board
|
|
of Trade Building. But of late Jadwin's eye and ear
|
|
were forever turned thitherward, and it was he, and no
|
|
longer Gretry, who took initiatives.
|
|
|
|
Meanwhile he was making money. As he had predicted,
|
|
the price of wheat had advanced. May had been a fair-
|
|
weather month with easy prices, the monthly Government
|
|
report showing no loss in the condition of the crop.
|
|
Wheat had gone up from sixty to sixty-six cents, and at
|
|
a small profit Jadwin had sold some two hundred and
|
|
fifty thousand bushels. Then had come the hot weather
|
|
at the end of May. On the floor of the Board of Trade
|
|
the Pit traders had begun to peel off their coats. It
|
|
began to look like a hot June, and when cash wheat
|
|
touched sixty-eight, Jadwin, now more than ever
|
|
convinced of a coming Bull market, bought another five
|
|
hundred thousand bushels.
|
|
|
|
This line he added to in June. Unfavorable weather--
|
|
excessive heat, followed by flooding rains--had hurt
|
|
the spring wheat, and in every direction there were
|
|
complaints of weevils and chinch bugs. Later on other
|
|
deluges had discoloured and damaged the winter crop.
|
|
Jadwin was now, by virtue of his recent purchases,
|
|
"long" one million bushels, and the market held firm at
|
|
seventy-two cents--a twelve-cent advance in two months.
|
|
|
|
"She'll react," warned Gretry, "sure. Crookes and
|
|
Sweeny haven't taken a hand yet. Look out for a heavy
|
|
French crop. We'll get reports on it soon now. You're
|
|
playing with a gun, J., that kicks further than it
|
|
shoots."
|
|
|
|
"We've not shot her yet," Jadwin said. "We're only
|
|
just loading her--for Bears," he added, with a wink.
|
|
|
|
In July came the harvesting returns from all over the
|
|
country, proving conclusively that for the first time
|
|
in six years, the United States crop was to be small
|
|
and poor. The yield was moderate. Only part of it
|
|
could be graded as "contract." Good wheat would be
|
|
valuable from now on. Jadwin bought again, and again
|
|
it was a "lot" of half a million bushels.
|
|
|
|
Then came the first manifestation of that marvellous
|
|
golden luck that was to follow Curtis Jadwin through
|
|
all the coming months. The French wheat crop was
|
|
announced as poor. In Germany the yield was to be far
|
|
below the normal. All through Hungary the potato and
|
|
rye crops were light.
|
|
|
|
About the middle of the month Jadwin again called the
|
|
broker to his country house, and took him for a long
|
|
evening's trip around the lake, aboard the "Thetis."
|
|
They were alone. MacKenny was at the wheel, and,
|
|
seated on camp stools in the stern of the little boat,
|
|
Jadwin outlined his plans for the next few months.
|
|
|
|
"Sam," he said, "I thought back in April there that we
|
|
were to touch top prices about the first of this month,
|
|
but this French and German news has coloured the cat
|
|
different. I've been figuring that I would get out of
|
|
this market around the seventies, but she's going
|
|
higher. I'm going to hold on yet awhile."
|
|
|
|
"You do it on your own responsibility, then," said the
|
|
broker. "I warn you the price is top heavy."
|
|
|
|
"Not much. Seventy-two cents is too cheap. Now I'm
|
|
going into this hard; and I want to have my own lines
|
|
out--to be independent of the trade papers that Crookes
|
|
could buy up any time he wants to. I want you to get
|
|
me some good, reliable correspondents in Europe; smart,
|
|
bright fellows that we can depend on. I want one in
|
|
Liverpool, one in Paris, and one in Odessa, and I want
|
|
them to cable us about the situation every day."
|
|
|
|
Gretry thought a while.
|
|
|
|
"Well," he said, at length, "... yes. I guess I can
|
|
arrange it. I can get you a good man in Liverpool--
|
|
Traynard is his name--and there's two or three in Paris
|
|
we could pick up. Odessa--I don't know. I couldn't
|
|
say just this minute. But I'll fix it."
|
|
|
|
These correspondents began to report at the end of
|
|
July. All over Europe the demand for wheat was active.
|
|
Grain handlers were not only buying freely, but were
|
|
contracting for future delivery. In August came the
|
|
first demands for American wheat, scattered and
|
|
sporadic at first, then later, a little, a very little
|
|
more insistent.
|
|
|
|
Thus the summer wore to its end. The fall "situation"
|
|
began slowly to define itself, with eastern Europe--
|
|
densely populated, overcrowded--commencing to show
|
|
uneasiness as to its supply of food for the winter; and
|
|
with but a moderate crop in America to meet foreign
|
|
demands. Russia, the United States, and Argentine
|
|
would have to feed the world during the next twelve
|
|
months.
|
|
|
|
Over the Chicago Wheat Pit the hand of the great
|
|
indicator stood at seventy-five cents. Jadwin sold out
|
|
his September wheat at this figure, and then in a
|
|
single vast clutch bought three million bushels of the
|
|
December option.
|
|
|
|
Never before had he ventured so deeply into the Pit.
|
|
Never before had he committed himself so irrevocably to
|
|
the send of the current. But something was preparing.
|
|
Something indefinite and huge. He guessed it, felt it,
|
|
knew it. On all sides of him he felt a quickening
|
|
movement. Lethargy, inertia were breaking up. There
|
|
was buoyancy to the current. In its ever-increasing
|
|
swiftness there was exhilaration and exuberance.
|
|
|
|
And he was upon the crest of the wave. Now the
|
|
forethought, the shrewdness, and the prompt action of
|
|
those early spring days were beginning to tell.
|
|
Confident, secure, unassailable, Jadwin plunged in.
|
|
Every week the swirl of the Pit increased in speed,
|
|
every week the demands of Europe for American wheat
|
|
grew more frequent; and at the end of the month the
|
|
price--which had fluctuated between seventy-five and
|
|
seventy-eight--in a sudden flurry rushed to seventy-
|
|
nine, to seventy-nine and a half, and closed, strong,
|
|
at the even eighty cents.
|
|
|
|
On the day when the latter figure was reached Jadwin
|
|
bought a seat upon the Board of Trade.
|
|
|
|
He was now no longer an "outsider."
|
|
|
|
VII
|
|
|
|
One morning in November of the same year Laura joined
|
|
her husband at breakfast, preoccupied and a little
|
|
grave, her mind full of a subject about which, she told
|
|
herself, she could no longer keep from speaking. So
|
|
soon as an opportunity presented itself, which was when
|
|
Jadwin laid down his paper and drew his coffee-cup
|
|
towards him, Laura exclaimed:
|
|
|
|
"Curtis."
|
|
|
|
"Well, old girl?"
|
|
|
|
"Curtis, dear, ... when is it all going to end--your
|
|
speculating? You never used to be this way. It seems
|
|
as though, nowadays, I never had you to myself. Even
|
|
when you are not going over papers and reports and
|
|
that, or talking by the hour to Mr. Gretry in the
|
|
library--even when you are not doing all that, your
|
|
mind seems to be away from me--down there in La Salle
|
|
Street or the Board of Trade Building. Dearest, you
|
|
don't know. I don't mean to complain, and I don't want
|
|
to be exacting or selfish, but--sometimes I--I am
|
|
lonesome. Don't interrupt," she said, hastily. "I
|
|
want to say it all at once, and then never speak of it
|
|
again. Last night, when Mr. Gretry was here, you said,
|
|
just after dinner, that you would be all through your
|
|
talk in an hour. And I waited.... I waited till
|
|
eleven, and then I went to bed. Dear I--I--I was
|
|
lonesome. The evening was so long. I had put on my
|
|
very prettiest gown, the one you said you liked so
|
|
much, and you never seemed to notice. You told me Mr.
|
|
Gretry was going by nine, and I had it all planned how
|
|
we would spend the evening together."
|
|
|
|
But she got no further. Her husband had taken her in
|
|
his arms, and had interrupted her words with blustering
|
|
exclamations of self-reproach and self-condemnation.
|
|
He was a brute, he cried, a senseless, selfish ass, who
|
|
had no right to such a wife, who was not worth a single
|
|
one of the tears that by now were trembling on Laura's
|
|
lashes.
|
|
|
|
"Now we won't speak of it again," she began. "I
|
|
suppose I am selfish----"
|
|
|
|
"Selfish, nothing!" he exclaimed. "Don't talk that
|
|
way. I'm the one----"
|
|
|
|
"But," Laura persisted, "some time you will--get out of
|
|
this speculating for good? Oh, I do look forward to it
|
|
so! And, Curtis, what is the use? We're so rich now
|
|
we can't spend our money. What do you want to make
|
|
more for?
|
|
|
|
"Oh, it's not the money," he answered. "It's the fun
|
|
of the thing; the excitement----"
|
|
|
|
"That's just it, the 'excitement.' You don't know,
|
|
Curtis. It is changing you. You are so nervous
|
|
sometimes, and sometimes you don't listen to me when I
|
|
talk to you. I can just see what's in your mind. It's
|
|
wheat--wheat--wheat, wheat--wheat--wheat, all the time.
|
|
Oh, if you knew how I hated and feared it!"
|
|
|
|
"Well, old girl, that settles it. I wouldn't make you
|
|
unhappy a single minute for all the wheat in the
|
|
world."
|
|
|
|
"And you will stop speculating?"
|
|
|
|
"Well, I can't pull out all in a moment, but just as
|
|
soon as a chance comes I'll get out of the market. At
|
|
any rate, I won't have any business of mine come
|
|
between us. I don't like it any more than you do.
|
|
Why, how long is it since we've read any book together,
|
|
like we used to when you read aloud to me?"
|
|
|
|
"Not since we came back from the country."
|
|
|
|
"By George, that's so, that's so." He shook his head.
|
|
"I've got to taper off. You're right, Laura. But you
|
|
don't know, you haven't a guess how this trading in
|
|
wheat gets a hold of you. And, then, what am I to do?
|
|
What are we fellows, who have made our money, to do?
|
|
I've got to be busy. I can't sit down and twiddle my
|
|
thumbs. And I don't believe in lounging around clubs,
|
|
or playing with race horses, or murdering game birds,
|
|
or running some poor, helpless fox to death.
|
|
Speculating seems to be about the only game, or the
|
|
only business that's left open to me--that appears to
|
|
be legitimate. I know I've gone too far into it, and I
|
|
promise you I'll quit. But it's fine fun. When you
|
|
know how to swing a deal, and can look ahead, a little
|
|
further than the other fellows, and can take chances
|
|
they daren't, and plan and manoeuvre, and then see it
|
|
all come out just as you had known it would all along--
|
|
I tell you it's absorbing."
|
|
|
|
"But you never do tell me," she objected. "I never
|
|
know what you are doing. I hear through Mr. Court or
|
|
Mr. Gretry, but never through you. Don't you think you
|
|
could trust me? I want to enter into your life on its
|
|
every side, Curtis. Tell me," she suddenly demanded,
|
|
"what are you doing now?"
|
|
|
|
"Very well, then," he said, "I'll tell you. Of course
|
|
you mustn't speak about it. It's nothing very secret,
|
|
but it's always as well to keep quiet about these
|
|
things."
|
|
|
|
She gave her word, and leaned her elbows on the table,
|
|
prepared to listen intently. Jadwin crushed a lump of
|
|
sugar against the inside of his coffee cup.
|
|
|
|
"Well," he began, "I've not been doing anything very
|
|
exciting, except to buy wheat."
|
|
|
|
"What for?"
|
|
|
|
"To sell again. You see, I'm one of those who believe
|
|
that wheat is going up. I was the very first to see
|
|
it, I guess, way back last April. Now in August this
|
|
year, while we were up at the lake, I bought three
|
|
million bushels."
|
|
|
|
"Three--million--bushels!" she murmured. "Why, what do
|
|
you do with it? Where do you put it?"
|
|
|
|
He tried to explain that he had merely bought the right
|
|
to call for the grain on a certain date, but she could
|
|
not understand this very clearly.
|
|
|
|
"Never mind," she told him, "go on."
|
|
|
|
"Well, then, at the end of August we found out that the
|
|
wet weather in England would make a short crop there,
|
|
and along in September came the news that Siberia would
|
|
not raise enough to supply the southern provinces of
|
|
Russia. That left only the United States and the
|
|
Argentine Republic to feed pretty much the whole world.
|
|
Of course that would make wheat valuable. Seems to be
|
|
a short-crop year everywhere. I saw that wheat would
|
|
go higher and higher, so I bought another million
|
|
bushels in October, and another early in this month.
|
|
That's all. You see, I figure that pretty soon those
|
|
people over in England and Italy and Germany--the
|
|
people that eat wheat--will be willing to pay us in
|
|
America big prices for it, because it's so hard to get.
|
|
They've got to have the wheat--it's bread 'n' butter to
|
|
them."
|
|
|
|
"Oh, then why not give it to them?" she cried. "Give
|
|
it to those poor people--your five million bushels.
|
|
Why, that would be a godsend to them."
|
|
|
|
Jadwin stared a moment.
|
|
|
|
"Oh, that isn't exactly how it works out," he said.
|
|
|
|
Before he could say more, however, the maid came in and
|
|
handed to Jadwin three despatches.
|
|
|
|
"Now those," said Laura, when the servant had gone out,
|
|
"you get those every morning. Are those part of your
|
|
business? What do they say?"
|
|
|
|
"I'll read them to you," he told her as he slit the
|
|
first envelopes. "They are cablegrams from agents of
|
|
mine in Europe. Gretry arranged to have them sent to
|
|
me. Here now, this is from Odessa. It's in cipher,
|
|
but"--he drew a narrow memorandum-book from his breast
|
|
pocket--"I'll translate it for you."
|
|
|
|
He turned the pages of the key book a few moments,
|
|
jotting down the translation on the back of an envelope
|
|
with the gold pencil at the end of his watch chain.
|
|
|
|
"Here's how it reads," he said at last. "'Cash wheat
|
|
advanced one cent bushel on Liverpool buying, stock
|
|
light. Shipping to interior. European price not
|
|
attractive to sellers."
|
|
|
|
"What does that mean?" she asked.
|
|
|
|
"Well, that Russia will not export wheat, that she has
|
|
no more than enough for herself, so that Western Europe
|
|
will have to look to us for her wheat."
|
|
|
|
"And the others? Read those to me."
|
|
|
|
Again Jadwin translated.
|
|
|
|
"This is from Paris:
|
|
|
|
"'Answer on one million bushels wheat in your market--
|
|
stocks lighter than expected, and being cleared up.'"
|
|
|
|
"Which is to say?" she queried.
|
|
|
|
"They want to know how much I would ask for a million
|
|
bushels. They find it hard to get the stuff over
|
|
there--just as I said they would."
|
|
|
|
"Will you sell it to them?"
|
|
|
|
"Maybe. I'll talk to Sam about it."
|
|
|
|
"And now the last one."
|
|
|
|
"It's from Liverpool, and Liverpool, you must
|
|
understand, is the great buyer of wheat. It's a
|
|
tremendously influential place."
|
|
|
|
He began once more to consult the key book, one finger
|
|
following the successive code words of the despatch.
|
|
|
|
Laura, watching him, saw his eyes suddenly contract.
|
|
"By George," he muttered, all at once, "by George,
|
|
what's this?"
|
|
|
|
"What is it?" she demanded. "Is it important?"
|
|
|
|
But all-absorbed, Jadwin neither heard nor responded.
|
|
Three times he verified the same word.
|
|
|
|
"Oh, please tell me," she begged.
|
|
|
|
Jadwin shook his head impatiently and held up a warning
|
|
hand.
|
|
|
|
"Wait, wait," he said. "Wait a minute."
|
|
|
|
Word for word he wrote out the translation of the
|
|
cablegram, and then studied it intently.
|
|
|
|
"That's it," he said, at last. Then he got to his
|
|
feet. "I guess I've had enough breakfast," he
|
|
declared. He looked at his watch, touched the call
|
|
bell, and when the maid appeared said:
|
|
|
|
"Tell Jarvis to bring the buggy around right away."
|
|
|
|
"But, dear, what is it?" repeated Laura. "You said you
|
|
would tell me. You see," she cried, "it's just as I
|
|
said. You've forgotten my very existence. When it's a
|
|
question of wheat I count for nothing. And just now,
|
|
when you read the despatch to yourself, you were all
|
|
different; such a look came into your face, so cruelly
|
|
eager, and triumphant and keen"
|
|
|
|
"You'd be eager, too," he exclaimed, "if you
|
|
understood. Look; read it for yourself."
|
|
|
|
He thrust the cable into her hands. Over each code
|
|
word he had written its translation, and his wife read:
|
|
|
|
"Large firms here short and in embarrassing position,
|
|
owing to curtailment in Argentine shipments. Can
|
|
negotiate for five million wheat if price
|
|
satisfactory."
|
|
|
|
"Well?" she asked.
|
|
|
|
"Well, don't you see what that means? It's the
|
|
'European demand' at last. They must have wheat, and
|
|
I've got it to give 'em--wheat that I bought. oh! at
|
|
seventy cents, some of it, and they'll pay the market
|
|
that is, eighty cents, for it. Oh, they'll pay more.
|
|
They'll pay eighty-two if I want 'em to. France is
|
|
after the stuff, too. Remember that cable from Paris I
|
|
just read. They'd bid against each other. Why, if I
|
|
pull this off, if this goes through--and, by George,"
|
|
he went on, speaking as much to himself as to her, new
|
|
phases of the affair presenting themselves to him at
|
|
every moment, "by George, I don't have to throw this
|
|
wheat into the Pit and break down the price--and Gretry
|
|
has understandings with the railroads, through the
|
|
elevator gang, so we get big rebates. Why, this wheat
|
|
is worth eighty-two cents to them--and then there's
|
|
this 'curtailment in Argentine shipments.' That's the
|
|
first word we've had about small crops there. Holy
|
|
Moses, if the Argentine crop is off, wheat will knock
|
|
the roof clean off the Board of Trade!" The maid
|
|
reappeared in the doorway. "The buggy?" queried
|
|
Jadwin. "All right. I'm off, Laura, and--until it's
|
|
over keep quiet about all this, you know. Ask me to
|
|
read you some more cables some day. It brings good
|
|
luck."
|
|
|
|
He gathered up his despatches and the mail and was
|
|
gone. Laura, left alone, sat looking out of the window
|
|
a long moment. She heard the front door close, and
|
|
then the sound of the horses' hoofs on the asphalt by
|
|
the carriage porch. They died down, ceased, and all at
|
|
once a great silence seemed to settle over the house.
|
|
|
|
Laura sat thinking. At last she rose.
|
|
|
|
"It is the first time," she said to herself, "that
|
|
Curtis ever forgot to kiss me good-by."
|
|
|
|
The day, for all that the month was December, was fine.
|
|
The sun shone; under foot the ground was dry and hard.
|
|
The snow which had fallen ten days before was
|
|
practically gone. In fine, it was a perfect day for
|
|
riding. Laura called her maid and got into her habit.
|
|
The groom with his own horse and "Crusader" were
|
|
waiting for her when she descended.
|
|
|
|
That forenoon Laura rode further and longer than usual.
|
|
Preoccupied at first, her mind burdened with vague
|
|
anxieties, she nevertheless could not fail to be
|
|
aroused and stimulated by the sparkle and effervescence
|
|
of the perfect morning, and the cold, pure glitter of
|
|
Lake Michigan, green with an intense mineral hue,
|
|
dotted with whitecaps, and flashing under the morning
|
|
sky. Lincoln Park was deserted and still; a blue haze
|
|
shrouded the distant masses of leafless trees, where
|
|
the gardeners were burning the heaps of leaves. Under
|
|
her the thoroughbred moved with an ease and a freedom
|
|
that were superb, throwing back one sharp ear at her
|
|
lightest word; his rippling mane caressed her hand and
|
|
forearm, and as she looked down upon his shoulder she
|
|
could see the long, slender muscles, working smoothly,
|
|
beneath the satin sheen of the skin. At the water
|
|
works she turned into the long, straight road that
|
|
leads to North Lake, and touched Crusader with the
|
|
crop, checking him slightly at the same time. With a
|
|
little toss of his head he broke from a trot into a
|
|
canter, and then, as she leaned forward in the saddle,
|
|
into his long, even gallop. There was no one to see;
|
|
she would not be conspicuous, so Laura gave the horse
|
|
his head, and in another moment he was carrying her
|
|
with a swiftness that brought the water to her eyes,
|
|
and that sent her hair flying from her face. She had
|
|
him completely under control. A touch upon the bit,
|
|
she knew, would suffice to bring him to a stand-still.
|
|
She knew him to be without fear and without nerves,
|
|
knew that his every instinct made for her safety, and
|
|
that this morning's gallop was as much a pleasure to
|
|
him as to his rider. Beneath her and around her the
|
|
roadway and landscape flew; the cold air sang in her
|
|
ears and whipped a faint colour to her pale cheeks; in
|
|
her deep brown eyes a frosty sparkle came and went, and
|
|
throughout all her slender figure the blood raced
|
|
spanking and careering in a full, strong tide of health
|
|
and gaiety.
|
|
|
|
She made a circle around North Lake, and came back by
|
|
way of the Linne monument and the Palm House, Crusader
|
|
ambling quietly by now, the groom trotting stolidly in
|
|
the rear. Throughout all her ride she had seen no one
|
|
but the park gardeners and the single grey-coated,
|
|
mounted policeman whom she met each time she rode, and
|
|
who always touched his helmet to her as she cantered
|
|
past. Possibly she had grown a little careless in
|
|
looking out for pedestrians at the crossings, for as
|
|
she turned eastward at the La Salle statue, she all but
|
|
collided with a gentleman who was traversing the road
|
|
at the same time.
|
|
|
|
She brought her horse to a standstill with a little
|
|
start of apprehension, and started again as she saw
|
|
that the gentleman was Sheldon Corthell.
|
|
|
|
"Well," she cried, taken all aback, unable to think of
|
|
formalities, and relapsing all at once into the young
|
|
girl of Barrington, Massachusetts, "well, I never--of
|
|
all the people."
|
|
|
|
But, no doubt, she had been more in his mind than he in
|
|
hers, and a meeting with her was for him an eventuality
|
|
not at all remote. There was more of pleasure than of
|
|
embarrassment in that first look in which he recognised
|
|
the wife of Curtis Jadwin.
|
|
|
|
The artist had changed no whit in the four years since
|
|
last she had seen him. He seemed as young as ever;
|
|
there was the same "elegance" to his figure; his hands
|
|
were just as long and slim as ever; his black beard was
|
|
no less finely pointed, and the mustaches were brushed
|
|
away from his lips in the same French style that she
|
|
remembered he used to affect. He was, as always,
|
|
carefully dressed. He wore a suit of tweeds of a
|
|
foreign cut, but no overcoat, a cloth cap of greenish
|
|
plaid was upon his head, his hands were gloved in
|
|
dogskin, and under his arm he carried a slender cane of
|
|
varnished brown bamboo. The only unconventionality in
|
|
his dress was the cravat, a great bow of black silk
|
|
that overflowed the lapels of his coat.
|
|
|
|
But she had no more than time to register a swift
|
|
impression of the details, when he came quickly
|
|
forward, one hand extended, the other holding his cap.
|
|
|
|
"I cannot tell you how glad I am," he exclaimed.
|
|
|
|
It was the old Corthell beyond doubting or denial. Not
|
|
a single inflection of his low-pitched, gently
|
|
modulated voice was wanting; not a single infinitesimal
|
|
mannerism was changed, even to the little tilting of
|
|
the chin when he spoke, or the quick winking of the
|
|
eyelids, or the smile that narrowed the corners of the
|
|
eyes themselves, or the trick of perfect repose of his
|
|
whole body. Even his handkerchief, as always, since
|
|
first she had known him, was tucked into his sleeve at
|
|
the wrist.
|
|
|
|
"And so you are back again," she cried. "And when, and
|
|
how?"
|
|
|
|
"And so--yes--so I am back again," he repeated, as they
|
|
shook hands. "Only day before yesterday, and quite
|
|
surreptitiously. No one knows yet that I am here. I
|
|
crept in--or my train did--under the cover of night. I
|
|
have come straight from Tuscany."
|
|
|
|
"From Tuscany?"
|
|
|
|
"----and gardens and marble pergolas."
|
|
|
|
"Now why any one should leave Tuscan gardens and--and
|
|
all that kind of thing for a winter in Chicago, I
|
|
cannot see," she said.
|
|
|
|
"It is a little puzzling," he answered. "But I fancy
|
|
that my gardens and pergolas and all the rest had come
|
|
to seem to me a little--as the French would put it--
|
|
_malle._ I began to long for a touch of our hard,
|
|
harsh city again. Harshness has its place, I think, if
|
|
it is only to cut one's teeth on."
|
|
|
|
Laura looked down at him, smiling.
|
|
|
|
"I should have thought you had cut yours long ago," she
|
|
said.
|
|
|
|
"Not my wisdom teeth," he urged. "I feel now that I
|
|
have come to that time of life when it is expedient to
|
|
have wisdom."
|
|
|
|
"I have never known that feeling," she confessed, "and
|
|
I live in the 'hard, harsh' city."
|
|
|
|
"Oh, that is because you have never known what it meant
|
|
not to have wisdom," he retorted. "Tell me about
|
|
everybody," he went on. "Your husband, he is well, of
|
|
course, and distressfully rich. I heard of him in New
|
|
York. And Page, our little, solemn Minerva of Dresden
|
|
china?"
|
|
|
|
"Oh, yes, Page is well, but you will hardly recognise
|
|
her; such a young lady nowadays."
|
|
|
|
"And Mr. Court, 'Landry'? I remember he always
|
|
impressed me as though he had just had his hair cut;
|
|
and the Cresslers, and Mrs. Wessels, and----"
|
|
|
|
"All well. Mrs. Cressler will be delighted to hear you
|
|
are back. Yes, everybody is well."
|
|
|
|
"And, last of all, Mrs. Jadwin? But I needn't ask; I
|
|
can see how well and happy you are."
|
|
|
|
"And Mr. Corthell," she queried, "is also well and
|
|
happy?"
|
|
|
|
"Mr. Corthell," he responded, "is very well, and--
|
|
tolerably--happy, thank you. One has lost a few
|
|
illusions, but has managed to keep enough to grow old
|
|
on. One's latter days are provided for."
|
|
|
|
"I shouldn't imagine," she told him, "that one lost
|
|
illusions in Tuscan gardens."
|
|
|
|
"Quite right," he hastened to reply, smiling
|
|
cheerfully. "One lost no illusions in Tuscany. One
|
|
went there to cherish the few that yet remained. But,"
|
|
he added, without change of manner, "one begins to
|
|
believe that even a lost illusion can be very beautiful
|
|
sometimes--even in Chicago."
|
|
|
|
"I want you to dine with us," said Laura. "You've
|
|
hardly met my husband, and I think you will like some
|
|
of our pictures. I will have all your old friends
|
|
there, the Cresslers and Aunt Wess, and all. When can
|
|
you come?"
|
|
|
|
"Oh, didn't you get my note?" he asked. "I wrote you
|
|
yesterday, asking if I might call to-night. You see, I
|
|
am only in Chicago for a couple of days. I must go on
|
|
to St. Louis to-morrow, and shall not be back for a
|
|
week."
|
|
|
|
"Note? No, I've had no note from you. Oh, I know what
|
|
happened. Curtis left in a hurry this morning, and he
|
|
swooped all the mail into his pocket the last moment.
|
|
I knew some of my letters were with his. There's where
|
|
your note went. But, never mind, it makes no
|
|
difference now that we've met. Yes, by all means, come
|
|
to-night--to dinner. We're not a bit formal. Curtis
|
|
won't have it. We dine at six; and I'll try to get the
|
|
others. Oh, but Page won't be there, I forgot. She
|
|
and Landry Court are going to have dinner with Aunt
|
|
Wess', and they are all going to a lecture afterwards."
|
|
|
|
The artist expressed his appreciation and accepted her
|
|
invitation.
|
|
|
|
"Do you know where we live?" she demanded. "You know
|
|
we've moved since."
|
|
|
|
"Yes, I know," he told her. "I made up my mind to take
|
|
a long walk here in the Park this morning, and I passed
|
|
your house on my way out. You see, I had to look up
|
|
your address in the directory before writing. Your
|
|
house awed me, I confess, and the style is surprisingly
|
|
good."
|
|
|
|
"But tell me," asked Laura, "you never speak of
|
|
yourself, what have you been doing since you went
|
|
away?"
|
|
|
|
"Nothing. Merely idling, and painting a little, and
|
|
studying some thirteenth century glass in Avignon and
|
|
Sienna."
|
|
|
|
"And shall you go back?"
|
|
|
|
"Yes, I think so, in about a month. So soon as I have
|
|
straightened out some little businesses of mine--which
|
|
puts me in mind," he said, glancing at his watch, "that
|
|
I have an appointment at eleven, and should be about
|
|
it."
|
|
|
|
He said good-by and left her, and Laura cantered
|
|
homeward in high spirits. She was very glad that
|
|
Corthell had come back. She had always liked him. He
|
|
not only talked well himself, but seemed to have the
|
|
faculty of making her do the same. She remembered that
|
|
in the old days, before she had met Jadwin, her mind
|
|
and conversation, for undiscoverable reasons, had never
|
|
been nimbler, quicker, nor more effective than when in
|
|
the company of the artist.
|
|
|
|
Arrived at home, Laura (as soon as she had looked up
|
|
the definition of "pergola" in the dictionary) lost no
|
|
time in telephoning to Mrs. Cressler.
|
|
|
|
"What," this latter cried when she told her the news,
|
|
"that Sheldon Corthell back again! Well, dear me, if
|
|
he wasn't the last person in my mind. I do remember
|
|
the lovely windows he used to paint, and how refined
|
|
and elegant he always was--and the loveliest hands and
|
|
voice."
|
|
|
|
"He's to dine with us to-night, and I want you and Mr.
|
|
Cressler to come."
|
|
|
|
"Oh, Laura, child, I just simply can't. Charlie's got
|
|
a man from Milwaukee coming here to-night, and I've got
|
|
to feed him. Isn't it too provoking? I've got to sit
|
|
and listen to those two, clattering commissions and
|
|
percentages and all, when I might be hearing Sheldon
|
|
Corthell talk art and poetry and stained glass. I
|
|
declare, I never have any luck."
|
|
|
|
At quarter to six that evening Laura sat in the
|
|
library, before the fireplace, in her black velvet
|
|
dinner gown, cutting the pages of a new novel, the
|
|
ivory cutter as it turned and glanced in her hand,
|
|
appearing to be a mere prolongation of her slender
|
|
fingers. But she was not interested in the book, and
|
|
from time to time glanced nervously at the clock upon
|
|
the mantel-shelf over her head. Jadwin was not home
|
|
yet, and she was distressed at the thought of keeping
|
|
dinner waiting. He usually came back from down town at
|
|
five o'clock, and even earlier. To-day she had
|
|
expected that quite possibly the business implied in
|
|
the Liverpool cable of the morning might detain him,
|
|
but surely he should be home by now; and as the minutes
|
|
passed she listened more and more anxiously for the
|
|
sound of hoofs on the driveway at the side of the
|
|
house.
|
|
|
|
At five minutes of the hour, when Corthell was
|
|
announced, there was still no sign of her husband. But
|
|
as she was crossing the hall on her way to the drawing-
|
|
room, one of the servants informed her that Mr. Jadwin
|
|
had just telephoned that he would be home in half an
|
|
hour.
|
|
|
|
"Is he on the telephone now?" she asked, quickly.
|
|
"Where did he telephone from?"
|
|
|
|
But it appeared that Jadwin had "hung up" without
|
|
mentioning his whereabouts.
|
|
|
|
"The buggy came home," said the servant. "Mr. Jadwin
|
|
told Jarvis not to wait. He said he would come in the
|
|
street cars."
|
|
|
|
Laura reflected that she could delay dinner a half
|
|
hour, and gave orders to that effect.
|
|
|
|
"We shall have to wait a little," she explained to
|
|
Corthell as they exchanged greetings in the drawing-
|
|
room. "Curtis has some special business on hand to-
|
|
day, and is half an hour late."
|
|
|
|
They sat down on either side of the fireplace in the
|
|
lofty apartment, with its sombre hangings of wine-
|
|
coloured brocade and thick, muffling rugs, and for
|
|
upwards of three-quarters of an hour Corthell
|
|
interested her with his description of his life in the
|
|
cathedral towns of northern Italy. But at the end of
|
|
that time dinner was announced.
|
|
|
|
"Has Mr. Jadwin come in yet?" Laura asked of the
|
|
servant.
|
|
|
|
"No, madam."
|
|
|
|
She bit her lip in vexation.
|
|
|
|
"I can't imagine what can keep Curtis so late," she
|
|
murmured. "Well," she added, at the end of her
|
|
resources, "we must make the best of it. I think we
|
|
will go in, Mr. Corthell, without waiting. Curtis must
|
|
be here soon now."
|
|
|
|
But, as a matter of fact, he was not. In the great
|
|
dining-room, filled with a dull crimson light, the air
|
|
just touched with the scent of lilies of the valley,
|
|
Corthell and Mrs. Jadwin dined alone.
|
|
|
|
"I suppose," observed the artist, "that Mr. Jadwin is a
|
|
very busy man."
|
|
|
|
"Oh, no," Laura answered. "His real estate, he says,
|
|
runs itself, and, as a rule, Mr. Gretry manages most of
|
|
his Board of Trade business. It is only occasionally
|
|
that anything keeps him down town late. I scolded him
|
|
this morning, however, about his speculating, and made
|
|
him promise not to do so much of it. I hate
|
|
speculation. It seems to absorb some men so; and I
|
|
don't believe it's right for a man to allow himself to
|
|
become absorbed altogether in business."
|
|
|
|
"Oh, why limit one's absorption to business?" replied
|
|
Corthell, sipping his wine. "Is it right for one to be
|
|
absorbed 'altogether' in anything--even in art, even in
|
|
religion?"
|
|
|
|
"Oh, religion, I don't know," she protested.
|
|
|
|
"Isn't that certain contribution," he hazarded, "which
|
|
we make to the general welfare, over and above our own
|
|
individual work, isn't that the essential? I suppose,
|
|
of course, that we must hoe, each of us, his own little
|
|
row, but it's the stroke or two we give to our
|
|
neighbour's row--don't you think?--that helps most to
|
|
cultivate the field."
|
|
|
|
"But doesn't religion mean more than a stroke or two?"
|
|
she ventured to reply.
|
|
|
|
"I'm not so sure," he answered, thoughtfully. "If the
|
|
stroke or two is taken from one's own work instead of
|
|
being given in excess of it. One must do one's own
|
|
hoeing first. That's the foundation of things. A
|
|
religion that would mean to be 'altogether absorbed' in
|
|
my neighbour's hoeing would be genuinely pernicious,
|
|
surely. My row, meanwhile, would lie open to weeds."
|
|
|
|
"But if your neighbour's row grew flowers?"
|
|
|
|
"Unfortunately weeds grow faster than the flowers, and
|
|
the weeds of my row would spread until they choked and
|
|
killed my neighbour's flowers, I am sure."
|
|
|
|
"That seems selfish though," she persisted. "Suppose
|
|
my neighbour were maimed or halt or blind? His poor
|
|
little row would never be finished. My stroke or two
|
|
would not help very much."
|
|
|
|
"Yes, but every row lies between two others, you know.
|
|
The hoer on the far side of the cripple's row would
|
|
contribute a stroke or two as well as you. No," he
|
|
went on, "I am sure one's first duty is to do one's own
|
|
work. It seems to me that a work accomplished benefits
|
|
the whole world--the people--pro rata. If we help
|
|
another at the expense of our work instead of in excess
|
|
of it, we benefit only the individual, and, pro rata
|
|
again, rob the people. A little good contributed by
|
|
everybody to the race is of more, infinitely more,
|
|
importance than a great deal of good contributed by one
|
|
individual to another."
|
|
|
|
"Yes," she admitted, beginning at last to be convinced,
|
|
"I see what you mean. But one must think very large to
|
|
see that. It never occurred to me before. The
|
|
individual--I, Laura Jadwin--counts for nothing. It is
|
|
the type to which I belong that's important, the mould,
|
|
the form, the sort of composite photograph of hundreds
|
|
of thousands of Laura Jadwins. Yes," she continued,
|
|
her brows bent, her mind hard at work, "what I am, the
|
|
little things that distinguish me from everybody else,
|
|
those pass away very quickly, are very ephemeral. But
|
|
the type Laura Jadwin, that always remains, doesn't it?
|
|
One must help building up only the permanent things.
|
|
Then, let's see, the individual may deteriorate, but
|
|
the type always grows better.... Yes, I think one can
|
|
say that."
|
|
|
|
"At least the type never recedes," he prompted.
|
|
|
|
"Oh, it began good," she cried, as though at a
|
|
discovery, "and can never go back of that original
|
|
good. Something keeps it from going below a certain
|
|
point, and it is left to us to lift it higher and
|
|
higher. No, the type can't be bad. Of course the type
|
|
is more important than the individual. And that
|
|
something that keeps it from going below a certain
|
|
point is God."
|
|
|
|
"Or nature."
|
|
|
|
"So that God and nature," she cried again, "work
|
|
together? No, no, they are one and the same thing."
|
|
|
|
"There, don't you see," he remarked, smiling back at
|
|
her, "how simple it is?"
|
|
|
|
"Oh-h," exclaimed Laura, with a deep breath, "isn't it
|
|
beautiful?" She put her hand to her forehead with a
|
|
little laugh of deprecation. "My," she said, "but
|
|
those things make you think."
|
|
|
|
Dinner was over before she was aware of it, and they
|
|
were still talking animatedly as they rose from the
|
|
table.
|
|
|
|
"We will have our coffee in the art gallery," Laura
|
|
said, "and please smoke."
|
|
|
|
He lit a cigarette, and the two passed into the great
|
|
glass-roofed rotunda.
|
|
|
|
"Here is the one I like best," said Laura, standing
|
|
before the Bougereau.
|
|
|
|
"Yes?" he queried, observing the picture thoughtfully.
|
|
"I suppose," he remarked, "it is because it demands
|
|
less of you than some others. I see what you mean. It
|
|
pleases you because it satisfies you so easily. You
|
|
can grasp it without any effort."
|
|
|
|
"Oh, I don't know," she ventured.
|
|
|
|
"Bougereau 'fills a place.' I know it," he answered.
|
|
"But I cannot persuade myself to admire his art."
|
|
|
|
"But," she faltered, "I thought that Bougereau was
|
|
considered the greatest--one of the greatest--his
|
|
wonderful flesh tints, the drawing, and colouring"
|
|
|
|
"But I think you will see," he told her, "if you think
|
|
about it, that for all there is _in_ his picture--back
|
|
of it--a fine hanging, a beautiful vase would have
|
|
exactly the same value upon your wall. Now, on the
|
|
other hand, take this picture." He indicated a small
|
|
canvas to the right of the bathing nymphs, representing
|
|
a twilight landscape.
|
|
|
|
"Oh, that one," said Laura. "We bought that here in
|
|
America, in New York. It's by a Western artist. I
|
|
never noticed it much, I'm afraid."
|
|
|
|
"But now look at it," said Corthell. "Don't you know
|
|
that the artist saw something more than trees and a
|
|
pool and afterglow? He had that feeling of night coming
|
|
on, as he sat there before his sketching easel on the
|
|
edge of that little pool. He heard the frogs beginning
|
|
to pipe, I'm sure, and the touch of the night mist was
|
|
on his hands. And he was very lonely and even a little
|
|
sad. In those deep shadows under the trees he put
|
|
something of himself, the gloom and the sadness that he
|
|
felt at the moment. And that little pool, still and
|
|
black and sombre--why, the whole thing is the tragedy
|
|
of a life full of dark, hidden secrets. And the little
|
|
pool is a heart. No one can say how deep it is, or
|
|
what dreadful thing one would find at the bottom, or
|
|
what drowned hopes or what sunken ambitions. That
|
|
little pool says one word as plain as if it were
|
|
whispered in the ear--despair. Oh, yes, I prefer it to
|
|
the nymphs."
|
|
|
|
"I am very much ashamed," returned Laura, "that I could
|
|
not see it all before for myself. But I see it now.
|
|
It is better, of course. I shall come in here often
|
|
now and study it. Of all the rooms in our house this
|
|
is the one I like best. But, I am afraid, it has been
|
|
more because of the organ than of the pictures."
|
|
|
|
Corthell turned about.
|
|
|
|
"Oh, the grand, noble organ," he murmured. "I envy you
|
|
this of all your treasures. May I play for you?
|
|
Something to compensate for the dreadful, despairing
|
|
little tarn of the picture."
|
|
|
|
"I should love to have you," she told him.
|
|
|
|
He asked permission to lower the lights, and stepping
|
|
outside the door an instant, pressed the buttons that
|
|
extinguished all but a very few of them. After he had
|
|
done this he came back to the organ and detached the
|
|
self-playing "arrangement" without comment, and seated
|
|
himself at the console.
|
|
|
|
Laura lay back in a long chair close at hand. The
|
|
moment was propitious. The artist's profile
|
|
silhouetted itself against the shade of a light that
|
|
burned at the side of the organ, and that gave light to
|
|
the keyboard. And on this keyboard, full in the
|
|
reflection, lay his long, slim hands. They were the
|
|
only things that moved in the room, and the chords and
|
|
bars of Mendelssohn's "Consolation" seemed, as he
|
|
played, to flow, not from the instrument, but, like
|
|
some invisible ether, from his finger-tips themselves.
|
|
|
|
"You hear," he said to Laura, "the effect of questions
|
|
and answer in this. The questions are passionate and
|
|
tumultuous and varied, but the answer is always the
|
|
same, always calm and soothing and dignified."
|
|
|
|
She answered with a long breath, speaking just above a
|
|
whisper:
|
|
|
|
"Oh, yes, yes, I understand."
|
|
|
|
He finished and turned towards her a moment. "Possibly
|
|
not a very high order of art," he said; "a little too
|
|
'easy,' perhaps, like the Bougereau, but 'Consolation'
|
|
should appeal very simply and directly, after all. Do
|
|
you care for Beethoven?"
|
|
|
|
"I--I am afraid--" began Laura, but he had continued
|
|
without waiting for her reply.
|
|
|
|
"You remember this? The 'Appassionata,' the F minor
|
|
sonata just the second movement."
|
|
|
|
But when he had finished Laura begged him to continue.
|
|
|
|
"Please go on," she said. "Play anything. You can't
|
|
tell how I love it."
|
|
|
|
"Here is something I've always liked," he answered,
|
|
turning back to the keyboard. "It is the 'Mephisto
|
|
Walzer' of Liszt. He has adapted it himself from his
|
|
own orchestral score, very ingeniously. It is
|
|
difficult to render on the organ, but I think you can
|
|
get the idea of it." As he spoke he began playing, his
|
|
head very slightly moving to the rhythm of the piece.
|
|
At the beginning of each new theme, and without
|
|
interrupting his playing, he offered a word, of
|
|
explanation:
|
|
|
|
"Very vivid and arabesque this, don't you think? ...
|
|
And now this movement; isn't it reckless and
|
|
capricious, like a woman who hesitates and then takes
|
|
the leap? Yet there's a certain nobility there, a
|
|
feeling for ideals. You see it, of course.... And all
|
|
the while this undercurrent of the sensual, and that
|
|
feline, eager sentiment ... and here, I think, is the
|
|
best part of it, the very essence of passion, the
|
|
voluptuousness that is a veritable anguish.... These
|
|
long, slow rhythms, tortured, languishing, really
|
|
dying. It reminds one of 'Phedre '--'Venus toute
|
|
entiere,' and the rest of it; and Wagner has the same.
|
|
You find it again in Isolde's motif continually."
|
|
|
|
Laura was transfixed, all but transported. Here was
|
|
something better than Gounod and Verdi, something above
|
|
and beyond the obvious one, two, three, one, two, three
|
|
of the opera scores as she knew them and played them.
|
|
Music she understood with an intuitive quickness; and
|
|
those prolonged chords of Liszt's, heavy and clogged
|
|
and cloyed with passion, reached some hitherto
|
|
untouched string within her heart, and with resistless
|
|
power twanged it so that the vibration of it shook her
|
|
entire being, and left her quivering and breathless,
|
|
the tears in her eyes, her hands clasped till the
|
|
knuckles whitened.
|
|
|
|
She felt all at once as though a whole new world were
|
|
opened to her. She stood on Pisgah. And she was
|
|
ashamed and confused at her ignorance of those things
|
|
which Corthell tactfully assumed that she knew as a
|
|
matter of course. What wonderful pleasures she had
|
|
ignored! How infinitely removed from her had been the
|
|
real world of art and artists of which Corthell was a
|
|
part! Ah, but she would make amends now. No more Verdi
|
|
and Bougereau. She would get rid of the "Bathing
|
|
Nymphs." Never, never again would she play the "Anvil
|
|
Chorus." Corthell should select her pictures, and
|
|
should play to her from Liszt and Beethoven that music
|
|
which evoked all the turbulent emotion, all the
|
|
impetuosity and fire and exaltation that she felt was
|
|
hers.
|
|
|
|
She wondered at herself. Surely, surely there were two
|
|
Laura Jadwins. One calm and even and steady, loving
|
|
the quiet life, loving her home, finding a pleasure in
|
|
the duties of the housewife. This was the Laura who
|
|
liked plain, homely, matter-of-fact Mrs. Cressler, who
|
|
adored her husband, who delighted in Mr. Howells's
|
|
novels, who abjured society and the formal conventions,
|
|
who went to church every Sunday, and who was afraid of
|
|
her own elevator.
|
|
|
|
But at moments such as this she knew that there was
|
|
another Laura Jadwin--the Laura Jadwin who might have
|
|
been a great actress, who had a "temperament," who was
|
|
impulsive. This was the Laura of the "grand manner,"
|
|
who played the role of the great lady from room to room
|
|
of her vast house, who read Meredith, who revelled in
|
|
swift gallops through the park on jet-black, long-
|
|
tailed horses, who affected black velvet, black jet,
|
|
and black lace in her gowns, who was conscious and
|
|
proud of her pale, stately beauty--the Laura Jadwin, in
|
|
fine, who delighted to recline in a long chair in the
|
|
dim, beautiful picture gallery and listen with half-
|
|
shut eyes to the great golden organ thrilling to the
|
|
passion of Beethoven and Liszt.
|
|
|
|
The last notes of the organ sank and faded into
|
|
silence--a silence that left a sense of darkness like
|
|
that which follows upon the flight of a falling star,
|
|
and after a long moment Laura sat upright, adjusting
|
|
the heavy masses of her black hair with thrusts of her
|
|
long, white fingers. She drew a deep breath.
|
|
|
|
"Oh," she said, "that was wonderful, wonderful. It is
|
|
like a new language--no, it is like new thoughts, too
|
|
fine for language."
|
|
|
|
"I have always believed so," he answered. "Of all the
|
|
arts, music, to my notion, is the most intimate. At
|
|
the other end of the scale you have architecture, which
|
|
is an expression of and an appeal to the common
|
|
multitude, a whole people, the mass. Fiction and
|
|
painting, and even poetry, are affairs of the classes,
|
|
reaching the groups of the educated. But music--ah,
|
|
that is different, it is one soul speaking to another
|
|
soul. The composer meant it for you and himself. No
|
|
one else has anything to do with it. Because his soul
|
|
was heavy and broken with grief, or bursting with
|
|
passion, or tortured with doubt, or searching for some
|
|
unnamed ideal, he has come to you--you of all the
|
|
people in the world--with his message, and he tells you
|
|
of his yearnings and his sadness, knowing that you will
|
|
sympathise, knowing that your soul has, like his, been
|
|
acquainted with grief, or with gladness; and in the
|
|
music his soul speaks to yours, beats with it, blends
|
|
with it, yes, is even, spiritually, married to it."
|
|
|
|
And as he spoke the electrics all over the gallery
|
|
flashed out in a sudden blaze, and Curtis Jadwin
|
|
entered the room, crying out:
|
|
|
|
"Are you here, Laura? By George, my girl, we pulled it
|
|
off, and I've cleaned up five--hundred--thousand--
|
|
dollars."
|
|
|
|
Laura and the artist faced quickly about, blinking at
|
|
the sudden glare, and Laura put her hand over her eyes.
|
|
|
|
"Oh, I didn't mean to blind you," said her husband, as
|
|
he came forward. "But I thought it wouldn't be
|
|
appropriate to tell you the good news in the dark."
|
|
|
|
Corthell rose, and for the first time Jadwin caught
|
|
sight of him.
|
|
|
|
"This is Mr. Corthell, Curtis," Laura said. "You
|
|
remember him, of course?"
|
|
|
|
"Why, certainly, certainly," declared Jadwin, shaking
|
|
Corthell's hand. "Glad to see you again. I hadn't an
|
|
idea you were here." He was excited, elated, very
|
|
talkative. "I guess I came in on you abruptly," he
|
|
observed. "They told me Mrs. Jadwin was in here, and I
|
|
was full of my good news. By the way, I do remember
|
|
now. When I came to look over my mail on the way down
|
|
town this morning, I found a note from you to my wife,
|
|
saying you would call to-night. Thought it was for me,
|
|
and opened it before I found the mistake."
|
|
|
|
"I knew you had gone off with it," said Laura.
|
|
|
|
"Guess I must have mixed it up with my own mail this
|
|
morning. I'd have telephoned you about it, Laura, but
|
|
upon my word I've been so busy all day I clean forgot
|
|
it. I've let the cat out of the bag already, Mr.
|
|
Corthell, and I might as well tell the whole thing now.
|
|
I've been putting through a little deal with some
|
|
Liverpool fellows to-day, and I had to wait down town
|
|
to get their cables to-night. You got my telephone,
|
|
did you, Laura?"
|
|
|
|
"Yes, but you said then you'd be up in half an hour."
|
|
|
|
"I know--I know. But those Liverpool cables didn't
|
|
come till all hours. Well, as I was saying, Mr.
|
|
Corthell, I had this deal on hand--it was that wheat,
|
|
Laura, I was telling you about this morning--five
|
|
million bushels of it, and I found out from my English
|
|
agent that I could slam it right into a couple of
|
|
fellows over there, if we could come to terms. We came
|
|
to terms right enough.
|
|
|
|
Some of that wheat I sold at a profit of fifteen cents
|
|
on every bushel. My broker and I figured it out just
|
|
now before I started home, and, as I say, I'm a clean
|
|
half million to the good. So much for looking ahead a
|
|
little further than the next man." He dropped into a
|
|
chair and stretched his arms wide. "Whoo! I'm tired
|
|
Laura. Seems as though I'd been on my feet all day.
|
|
Do you suppose Mary, or Martha, or Maggie, or whatever
|
|
her name is, could rustle me a good strong cup of tea.
|
|
|
|
"Haven't you dined, Curtis?" cried Laura
|
|
|
|
"Oh, I had a stand-up lunch somewhere with Sam. But we
|
|
were both so excited we might as well have eaten
|
|
sawdust. Heigho, I sure am tired. It takes it out of
|
|
you, Mr. Corthell, to make five hundred thousand in
|
|
about ten hours."
|
|
|
|
"Indeed I imagine so," assented the artist. Jadwin
|
|
turned to his wife, and held her glance in his a
|
|
moment. He was full of triumph, full of the grim
|
|
humour of the suddenly successful American.
|
|
|
|
"Hey?" he said. "What do you think of that Laura," he
|
|
clapped down his big hand upon his chair arm, "a whole
|
|
half million--at one grab? Maybe they'll say down there
|
|
in La Salle Street now that I don't know wheat. Why,
|
|
Sam--that's Gretry my broker, Mr. Corthell, of Gretry,
|
|
Converse & Co.--Sam said to me Laura, to-night, he
|
|
said, 'J.,'--they call me 'J.' down there, Mr.
|
|
Corthell--'J., I take off my hat to you. I thought you
|
|
were wrong from the very first, but I guess you know
|
|
this game better than I do.' Yes, sir, that's what he
|
|
said, and Sam Gretry has been trading in wheat for
|
|
pretty nearly thirty years. Oh, I knew it," he cried,
|
|
with a quick gesture; "I knew wheat was going to go up.
|
|
I knew it from the first, when all the rest of em
|
|
laughed at me. I knew this European demand would hit
|
|
us hard about this time. I knew it was a good thing to
|
|
buy wheat; I knew it was a good thing to have special
|
|
agents over in Europe. Oh, they'll all buy now--when
|
|
I've showed 'em the way. Upon my word, I haven't
|
|
talked so much in a month of Sundays. You must pardon
|
|
me, Mr. Corthell. I don't make five hundred thousand
|
|
every day."
|
|
|
|
"But this is the last--isn't it?" said Laura.
|
|
|
|
"Yes," admitted Jadwin, with a quick, deep breath.
|
|
"I'm done now. No more speculating. Let some one else
|
|
have a try now. See if they can hold five million
|
|
bushels till it's wanted. My, my, I am tired--as I've
|
|
said before. D'that tea come, Laura?"
|
|
|
|
"What's that in your hand?" she answered, smiling.
|
|
|
|
Jadwin stared at the cup and saucer he held,
|
|
whimsically. "Well, well," he exclaimed, "I must be
|
|
flustered. Corthell," he declared between swallows,
|
|
"take my advice. Buy May wheat. It'll beat art all
|
|
hollow."
|
|
|
|
"Oh, dear, no," returned the artist. "I should lose my
|
|
senses if I won, and my money if I didn't.
|
|
|
|
"That's so. Keep out of it. It's a rich man's game.
|
|
And at that, there's no fun in it unless you risk more
|
|
than you can afford to lose. Well, let's not talk
|
|
shop. You're an artist, Mr. Corthell. What do you
|
|
think of our house?"
|
|
|
|
Later on when they had said good-by to Corthell, and
|
|
when Jadwin was making the rounds of the library, art
|
|
gallery, and drawing-rooms--a nightly task which he
|
|
never would intrust to the servants--turning down the
|
|
lights and testing the window fastenings, his wife
|
|
said:
|
|
|
|
"And now you are out of it--for good."
|
|
|
|
"I don't own a grain of wheat," he assured her. "I've
|
|
got to be out of it."
|
|
|
|
The next day he went down town for only two or three
|
|
hours in the afternoon. But he did not go near the
|
|
Board of Trade building. He talked over a few business
|
|
matters with the manager of his real estate office,
|
|
wrote an unimportant letter or two, signed a few
|
|
orders, was back at home by five o'clock, and in the
|
|
evening took Laura, Page, and Landry Court to the
|
|
theatre .
|
|
|
|
After breakfast the next morning, when he had read his
|
|
paper, he got up, and, thrusting his hands in his
|
|
pockets, looked across the table at his wife.
|
|
|
|
"Well," he said. "Now what'll we do?"
|
|
|
|
She put down at once the letter she was reading.
|
|
|
|
"Would you like to drive in the park?" she suggested.
|
|
"It is a beautiful morning."
|
|
|
|
"M--m--yes," he answered slowly. "All right. Let's
|
|
drive in the park."
|
|
|
|
But she could see that the prospect was not alluring to
|
|
him.
|
|
|
|
"No," she said, "no. I don't think you want to do
|
|
that."
|
|
|
|
"I don't think I do, either," he admitted. "The fact
|
|
is, Laura, I just about know that park by heart. Is
|
|
there anything good in the magazines this month?"
|
|
|
|
She got them for him, and he installed himself
|
|
comfortably in the library, with a box of cigars near
|
|
at hand.
|
|
|
|
"Ah," he said, fetching a long breath as he settled
|
|
back in the deep-seated leather chair. "Now this is
|
|
what I call solid comfort. Better than stewing and
|
|
fussing about La Salle Street with your mind loaded
|
|
down with responsibilities and all. This is my idea of
|
|
life."
|
|
|
|
But an hour later, when Laura--who had omitted her ride
|
|
that morning--looked into the room, he was not there.
|
|
The magazines were helter-skeltered upon the floor and
|
|
table, where he had tossed each one after turning the
|
|
leaves. A servant told her that Mr. Jadwin was out in
|
|
the stables.
|
|
|
|
She saw him through the window, in a cap and great-
|
|
coat, talking with the coachman and looking over one of
|
|
the horses. But he came back to the house in a little
|
|
while, and she found him in his smoking-room with a
|
|
novel in his hand.
|
|
|
|
"Oh, I read that last week," she said, as she caught a
|
|
glimpse of the title. "Isn't it interesting? Don't you
|
|
think it is good?"
|
|
|
|
"Oh--yes--pretty good," he admitted. "Isn't it about
|
|
time for lunch? Let's go to the matinee this afternoon,
|
|
Laura. Oh, that's so, it's Thursday; I forgot."
|
|
|
|
"Let me read that aloud to you," she said, reaching for
|
|
the book. "I know you'll be interested when you get
|
|
farther along."
|
|
|
|
"Honestly, I don't think I would be," he declared.
|
|
"I've looked ahead in it. It seems terribly dry. Do
|
|
you know," he said, abruptly, "if the law was off I'd
|
|
go up to Geneva Lake and fish through the ice. Laura,
|
|
how would you like to go to Florida?"
|
|
|
|
"Oh, I tell you," she exclaimed. "Let's go up to
|
|
Geneva Lake over Christmas. We'll open up the house
|
|
and take some of the servants along and have a house
|
|
party."
|
|
|
|
Eventually this was done. The Cresslers and the
|
|
Gretrys were invited, together with Sheldon Corthell
|
|
and Landry Court. Page and Aunt Wess' came as a matter
|
|
of course. Jadwin brought up some of the horses and a
|
|
couple of sleighs. On Christmas night they had a great
|
|
tree, and Corthell composed the words and music for a
|
|
carol which had a great success.
|
|
|
|
About a week later, two days after New Year's day, when
|
|
Landry came down from Chicago on the afternoon train,
|
|
he was full of the tales of a great day on the Board of
|
|
Trade. Laura, descending to the sitting-room, just
|
|
before dinner, found a group in front of the fireplace,
|
|
where the huge logs were hissing and crackling. Her
|
|
husband and Cressler were there, and Gretry, who had
|
|
come down on an earlier train. Page sat near at hand,
|
|
her chin on her palm, listening intently to Landry, who
|
|
held the centre of the stage for the moment. In a far
|
|
corner of the room Sheldon Corthell, in a dinner coat
|
|
and patent-leather pumps, a cigarette between his
|
|
fingers, read a volume of Italian verse.
|
|
|
|
"It was the confirmation of the failure of the
|
|
Argentine crop that did it," Landry was saying; "that
|
|
and the tremendous foreign demand. She opened steady
|
|
enough at eighty-three, but just as soon as the gong
|
|
tapped we began to get it. Buy, buy, buy. Everybody
|
|
is in it now. The public are speculating. For one
|
|
fellow who wants to sell there are a dozen buyers. We
|
|
had one of the hottest times I ever remember in the Pit
|
|
this morning"
|
|
|
|
Laura saw Jadwin's eyes snap.
|
|
|
|
"I told you we'd get this, Sam," he said, nodding to
|
|
the broker.
|
|
|
|
"Oh, there's plenty of wheat," answered Gretry, easily.
|
|
"Wait till we get dollar wheat--if we do--and see it
|
|
come out. The farmers haven't sold it all yet.
|
|
There's always an army of ancient hayseeds who have the
|
|
stuff tucked away--in old stockings, I guess--and
|
|
who'll dump it on you all right if you pay enough.
|
|
There's plenty of wheat. I've seen it happen before.
|
|
Work the price high enough, and, Lord, how they'll
|
|
scrape the bins to throw it at you! You'd never guess
|
|
from what out-of-the-way places it would come."
|
|
|
|
"I tell you, Sam," retorted Jadwin, "the surplus of
|
|
wheat is going out of the country--and it's going fast.
|
|
And some of these shorts will have to hustle lively for
|
|
it pretty soon."
|
|
|
|
"The Crookes gang, though," observed Landry, "seem
|
|
pretty confident the market will break. I'm sure they
|
|
were selling short this morning."
|
|
|
|
"The idea," exclaimed Jadwin, incredulously, "the idea
|
|
of selling short in face of this Argentine collapse,
|
|
and all this Bull news from Europe!"
|
|
|
|
"Oh, there are plenty of shorts," urged Gretry.
|
|
"Plenty of them."
|
|
|
|
Try as he would, the echoes of the rumbling of the Pit
|
|
reached Jadwin at every hour of the day and night. The
|
|
maelstrom there at the foot of La Salle Street was
|
|
swirling now with a mightier rush than for years past.
|
|
Thundering, its vortex smoking, it sent its whirling
|
|
far out over the country, from ocean to ocean, sweeping
|
|
the wheat into its currents, sucking it in, and spewing
|
|
it out again in the gigantic pulses of its ebb and
|
|
flow.
|
|
|
|
And he, Jadwin, who knew its every eddy, who could
|
|
foretell its every ripple, was out of it, out of it.
|
|
Inactive, he sat there idle while the clamour of the
|
|
Pit swelled daily louder, and while other men, men of
|
|
little minds, of narrow imaginations, perversely,
|
|
blindly shut their eyes to the swelling of its waters,
|
|
neglecting the chances which he would have known how to
|
|
use with such large, such vast results. That
|
|
mysterious event which long ago he felt was preparing,
|
|
was not yet consummated. The great Fact, the great
|
|
Result which was at last to issue forth from all this
|
|
turmoil was not yet achieved. Would it refuse to come
|
|
until a master hand, all powerful, all daring, gripped
|
|
the levers of the sluice gates that controlled the
|
|
crashing waters of the Pit? He did not know. Was it
|
|
the moment for a chief?
|
|
|
|
Was this upheaval a revolution that called aloud for
|
|
its Napoleon? Would another, not himself, at last,
|
|
seeing where so many shut their eyes, step into the
|
|
place of high command?
|
|
|
|
Jadwin chafed and fretted in his inaction. As the time
|
|
when the house party should break up drew to its close,
|
|
his impatience harried him like a gadfly. He took long
|
|
drives over the lonely country roads, or tramped the
|
|
hills or the frozen lake, thoughtful, preoccupied. He
|
|
still held his seat upon the Board of Trade. He still
|
|
retained his agents in Europe. Each morning brought
|
|
him fresh despatches, each evening's paper confirmed
|
|
his forecasts.
|
|
|
|
"Oh, I'm out of it for good and all," he assured his
|
|
wife. "But I know the man who could take up the whole
|
|
jing-bang of that Crookes crowd in one hand and"--his
|
|
large fist swiftly knotted as he spoke the words--
|
|
"scrunch it up like an eggshell, by George."
|
|
|
|
Landry Court often entertained Page with accounts of
|
|
the doings on the Board of Trade, and about a fortnight
|
|
after the Jadwins had returned to their city home he
|
|
called on her one evening and brought two or three of
|
|
the morning's papers.
|
|
|
|
"Have you seen this?" he asked. She shook her head.
|
|
|
|
"Well," he said, compressing his lips, and narrowing
|
|
his eyes, "let me tell you, we are having pretty--
|
|
lively--times--down there on the Board these days. The
|
|
whole country is talking about it."
|
|
|
|
He read her certain extracts from the newspapers he had
|
|
brought. The first article stated that recently a new
|
|
factor had appeared in the Chicago wheat market. A
|
|
"Bull" clique had evidently been formed, presumably of
|
|
New York capitalists, who were ousting the Crookes
|
|
crowd and were rapidly coming into control of the
|
|
market. In consequence of this the price of wheat was
|
|
again mounting.
|
|
|
|
Another paper spoke of a combine of St. Louis firms
|
|
who were advancing prices, bulling the market. Still a
|
|
third said, at the beginning of a half-column article:
|
|
|
|
"It is now universally conceded that an Unknown Bull
|
|
has invaded the Chicago wheat market since the
|
|
beginning of the month, and is now dominating the
|
|
entire situation. The Bears profess to have no fear of
|
|
this mysterious enemy, but it is a matter of fact that
|
|
a multitude of shorts were driven ignominiously to
|
|
cover on Tuesday last, when the Great Bull gathered in
|
|
a long line of two million bushels in a single half
|
|
hour. Scalping and eighth-chasing are almost entirely
|
|
at an end, the smaller traders dreading to be caught on
|
|
the horns of the Unknown. The new operator's identity
|
|
has been carefully concealed, but whoever he is, he is
|
|
a wonderful trader and is possessed of consummate
|
|
nerve. It has been rumoured that he hails from New
|
|
York, and is but one of a large clique who are
|
|
inaugurating a Bull campaign. But our New York advices
|
|
are emphatic in denying this report, and we can safely
|
|
state that the Unknown Bull is a native, and a present
|
|
inhabitant of the Windy City."
|
|
|
|
Page looked up at Landry quickly, and he returned her
|
|
glance without speaking. There was a moment's silence.
|
|
|
|
"I guess," Landry hazarded, lowering his voice, "I
|
|
guess we're both thinking of the same thing."
|
|
|
|
"But I know he told my sister that he was going to stop
|
|
all that kind of thing. What do you think?"
|
|
|
|
"I hadn't ought to think anything."
|
|
|
|
"Say 'shouldn't think,' Landry."
|
|
|
|
"Shouldn't think, then, anything about it. My business
|
|
is to execute Mr. Gretry's orders."
|
|
|
|
"Well, I know this," said Page, "that Mr. Jadwin is
|
|
down town all day again. You know he stayed away for a
|
|
while."
|
|
|
|
"Oh, that may be his real estate business that keeps
|
|
him down town so much," replied Landry.
|
|
|
|
"Laura is terribly distressed," Page went on. "I can
|
|
see that. They used to spend all their evenings
|
|
together in the library, and Laura would read aloud to
|
|
him. But now he comes home so tired that sometimes he
|
|
goes to bed at nine o'clock, and Laura sits there alone
|
|
reading till eleven and twelve. But she's afraid, too,
|
|
of the effect upon him. He's getting so absorbed. He
|
|
don't care for literature now as he did once, or was
|
|
beginning to when Laura used to read to him; and he
|
|
never thinks of his Sunday-school. And then, too, if
|
|
you're to believe Mr. Cressler, there's a chance that
|
|
he may lose if he is speculating again."
|
|
|
|
But Landry stoutly protested:
|
|
|
|
"Well, don't think for one moment that Mr. Curtis
|
|
Jadwin is going to let any one get the better of him.
|
|
There's no man--no, nor gang of men--could down him.
|
|
He's head and shoulders above the biggest of them down
|
|
there. I tell you he's Napoleonic. Yes, sir, that's
|
|
what he is, Napoleonic, to say the least. Page," he
|
|
declared, solemnly, "he's the greatest man I've ever
|
|
known."
|
|
|
|
Very soon after this it was no longer a secret to Laura
|
|
Jadwin that her husband had gone back to the wheat
|
|
market, and that, too, with such impetuosity, such
|
|
eagerness, that his rush had carried him to the very
|
|
heart's heart of the turmoil.
|
|
|
|
He was now deeply involved; his influence began to be
|
|
felt. Not an important move on the part of the
|
|
"Unknown Bull," the nameless mysterious stranger that
|
|
was not duly noted and discussed by the entire world of
|
|
La Salle Street.
|
|
|
|
Almost his very first move, carefully guarded, executed
|
|
with profoundest secrecy, had been to replace the five
|
|
million bushels sold to Liverpool by five million more
|
|
of the May option. This was in January, and all
|
|
through February and all through the first days of
|
|
March, while the cry for American wheat rose, insistent
|
|
and vehement, from fifty cities and centres of eastern
|
|
Europe; while the jam of men in the Wheat Pit grew ever
|
|
more frantic, ever more furious, and while the
|
|
impassive hand on the great dial over the floor of the
|
|
Board rose, resistless, till it stood at eighty-seven,
|
|
he bought steadily, gathering in the wheat, calling for
|
|
it, welcoming it, receiving full in the face and with
|
|
opened arms the cataract that poured in upon the Pit
|
|
from Iowa and Nebraska, Minnesota and Dakota, from the
|
|
dwindling bins of Illinois and the fast-emptying
|
|
elevators of Kansas and Missouri.
|
|
|
|
Then, squarely in the midst of the commotion, at a time
|
|
when Curtis Jadwin owned some ten million bushels of
|
|
May wheat, fell the Government report on the visible
|
|
supply.
|
|
|
|
"Well," said Jadwin, "what do you think of it?"
|
|
|
|
He and Gretry were in the broker's private room in the
|
|
offices of Gretry, Converse & Co. They were studying
|
|
the report of the Government as to the supply of wheat,
|
|
which had just been published in the editions of the
|
|
evening papers. It was very late in the afternoon of a
|
|
lugubrious March day. Long since the gas and
|
|
electricity had been lighted in the office, while in
|
|
the streets the lamps at the corners were reflected
|
|
downward in long shafts of light upon the drenched
|
|
pavements. From the windows of the room one could see
|
|
directly up La Salle Street. The cable cars, as they
|
|
made the turn into or out of the street at the corner
|
|
of Monroe, threw momentary glares of red and green
|
|
lights across the mists of rain, and filled the air
|
|
continually with the jangle of their bells. Further on
|
|
one caught a glimpse of the Court House rising from the
|
|
pavement like a rain-washed cliff of black basalt,
|
|
picked out with winking lights, and beyond that, at the
|
|
extreme end of the vista, the girders and cables of the
|
|
La Salle Street bridge.
|
|
|
|
The sidewalks on either hand were encumbered with the
|
|
"six o'clock crowd" that poured out incessantly from
|
|
the street entrances of the office buildings. It was a
|
|
crowd almost entirely of men, and they moved only in
|
|
one direction, buttoned to the chin in rain coats,
|
|
their umbrellas bobbing, their feet scuffling through
|
|
the little pools of wet in the depressions of the
|
|
sidewalk. They streamed from out the brokers' offices
|
|
and commission houses on either side of La Salle
|
|
Street, continually, unendingly, moving with the
|
|
dragging sluggishness of the fatigue of a hard day's
|
|
work. Under that grey sky and blurring veil of rain
|
|
they lost their individualities, they became
|
|
conglomerate--a mass, slow-moving, black. All day long
|
|
the torrent had seethed and thundered through the
|
|
street--the torrent that swirled out and back from that
|
|
vast Pit of roaring within the Board of Trade. Now the
|
|
Pit was stilled, the sluice gates of the torrent
|
|
locked, and from out the thousands of offices, from out
|
|
the Board of Trade itself, flowed the black and
|
|
sluggish lees, the lifeless dregs that filtered back to
|
|
their level for a few hours, stagnation, till in the
|
|
morning, the whirlpool revolving once more, should
|
|
again suck them back into its vortex.
|
|
|
|
The rain fell uninterruptedly. There was no wind. The
|
|
cable cars jolted and jostled over the tracks with a
|
|
strident whir of vibrating window glass. In the
|
|
street, immediately in front of the entrance to the
|
|
Board of Trade, a group of pigeons, garnet-eyed, trim,
|
|
with coral-coloured feet and iridescent breasts,
|
|
strutted and fluttered, pecking at the handfuls of
|
|
wheat that a porter threw them from the windows of the
|
|
floor of the Board.
|
|
|
|
"Well," repeated Jadwin, shifting with a movement of
|
|
his lips his unlit cigar to the other corner of his
|
|
mouth, "well, what do you think of it?"
|
|
|
|
The broker, intent upon the figures and statistics,
|
|
replied only by an indefinite movement of the head.
|
|
|
|
"Why, Sam," observed Jadwin, looking up from the paper,
|
|
"there's less than a hundred million bushels in the
|
|
farmers' hands.... That's awfully small. Sam, that's
|
|
awfully small."
|
|
|
|
"It _ain't,_ as you might say, colossal," admitted
|
|
Gretry.
|
|
|
|
There was a long silence while the two men studied the
|
|
report still further. Gretry took a pamphlet of
|
|
statistics from a pigeon-hole of his desk, and compared
|
|
certain figures with those mentioned in the report.
|
|
|
|
Outside the rain swept against the windows with the
|
|
subdued rustle of silk. A newsboy raised a Gregorian
|
|
chant as he went down the street.
|
|
|
|
"By George, Sam," Jadwin said again, "do you know that
|
|
a whole pile of that wheat has got to go to Europe
|
|
before July? How have the shipments been?"
|
|
|
|
"About five millions a week."
|
|
|
|
"Why, think of that, twenty millions a month, and it's--
|
|
let's see, April, May, June, July--four months before
|
|
a new crop. Eighty million bushels will go out of the
|
|
country in the next four months--eighty million out of
|
|
less than a hundred millions."
|
|
|
|
"Looks that way," answered Gretry.
|
|
|
|
"Here," said Jadwin, "let's get some figures. Let's
|
|
get a squint on the whole situation. Got a 'Price
|
|
Current' here? Let's find out what the stocks are in
|
|
Chicago. I don't believe the elevators are exactly
|
|
bursting, and, say," he called after the broker, who
|
|
had started for the front office, "say, find out about
|
|
the primary receipts, and the Paris and Liverpool
|
|
stocks. Bet you what you like that Paris and Liverpool
|
|
together couldn't show ten million to save their
|
|
necks."
|
|
|
|
In a few moments Gretry was back again, his hands full
|
|
of pamphlets and "trade" journals.
|
|
|
|
By now the offices were quite deserted. The last clerk
|
|
had gone home. Without, the neighbourhood was emptying
|
|
rapidly. Only a few stragglers hurried over the
|
|
glistening sidewalks; only a few lights yet remained in
|
|
the facades of the tall, grey office buildings. And in
|
|
the widening silence the cooing of the pigeons on the
|
|
ledges and window-sills of the Board of Trade Building
|
|
made itself heard with increasing distinctness.
|
|
|
|
Before Gretry's desk the two men leaned over the litter
|
|
of papers. The broker's pencil was in his hand and
|
|
from time to time he figured rapidly on a sheet of note
|
|
paper.
|
|
|
|
"And," observed Jadwin after a while, "and you see how
|
|
the millers up here in the Northwest have been grinding
|
|
up all the grain in sight. Do you see that?"
|
|
|
|
"Yes," said Gretry, then he added, "navigation will be
|
|
open in another month up there in the straits."
|
|
|
|
"That's so, too," exclaimed Jadwin, "and what wheat
|
|
there is here will be moving out. I'd forgotten that
|
|
point. Ain't you glad you aren't short of wheat these
|
|
days?"
|
|
|
|
"There's plenty of fellows that are, though," returned
|
|
Gretry. "I've got a lot of short wheat on my books--a
|
|
lot of it."
|
|
|
|
All at once as Gretry spoke Jadwin started, and looked
|
|
at him with a curious glance.
|
|
|
|
"You have, hey?" he said. "There are a lot of fellows
|
|
who have sold short?"
|
|
|
|
"Oh, yes, some of Crookes' followers--yes, quite a lot
|
|
of them."
|
|
|
|
Jadwin was silent a moment, tugging at his mustache.
|
|
Then suddenly he leaned forward, his finger almost in
|
|
Gretry's face.
|
|
|
|
"Why, look here," he cried. "Don't you see? Don't you
|
|
see"
|
|
|
|
"See what?" demanded the broker, puzzled at the other's
|
|
vehemence.
|
|
|
|
Jadwin loosened his collar with a forefinger.
|
|
|
|
"Great Scott! I'll choke in a minute. See what? Why, I
|
|
own ten million bushels of this wheat already, and
|
|
Europe will take eighty million out of the country.
|
|
Why, there ain't going to be any wheat left in Chicago
|
|
by May! If I get in now and buy a long line of cash
|
|
wheat, where are all these fellows who've sold short
|
|
going to get it to deliver to me? Say, where are they
|
|
going to get it? Come on now, tell me, where are they
|
|
going to get it?"
|
|
|
|
Gretry laid down his pencil and stared at Jadwin,
|
|
looked long at the papers on his desk, consulted his
|
|
pencilled memoranda, then thrust his hands deep into
|
|
his pockets, with a long breath. Bewildered, and as if
|
|
stupefied, he gazed again into Jadwin's face.
|
|
|
|
"My God!" he murmured at last.
|
|
|
|
"Well, where are they going to get it?" Jadwin cried
|
|
once more, his face suddenly scarlet.
|
|
|
|
"J.," faltered the broker, "J., I--I'm damned if I
|
|
know."
|
|
|
|
And then, all in the same moment, the two men were on
|
|
their feet. The event which all those past eleven
|
|
months had been preparing was suddenly consummated,
|
|
suddenly stood revealed, as though a veil had been
|
|
ripped asunder, as though an explosion had crashed
|
|
through the air upon them, deafening, blinding, Jadwin
|
|
sprang forward, gripping the broker by the shoulder.
|
|
|
|
"Sam," he shouted, "do you know--great God!--do you
|
|
know what this means? Sam, we can corner the market!"
|
|
|
|
VIII
|
|
|
|
On that particular morning in April, the trading around
|
|
the Wheat Pit on the floor of the Chicago Board of
|
|
Trade, began practically a full five minutes ahead of
|
|
the stroke of the gong; and the throng of brokers and
|
|
clerks that surged in and about the Pit itself was so
|
|
great that it overflowed and spread out over the floor
|
|
between the wheat and corn pits, ousting the traders in
|
|
oats from their traditional ground. The market had
|
|
closed the day before with May wheat at ninety-eight
|
|
and five-eighths, and the Bulls had prophesied and
|
|
promised that the magic legend "Dollar wheat" would be
|
|
on the Western Union wires before another twenty-four
|
|
hours.
|
|
|
|
The indications pointed to a lively morning's work.
|
|
Never for an instant during the past six weeks had the
|
|
trading sagged or languished. The air of the Pit was
|
|
surcharged with a veritable electricity; it had the
|
|
effervescence of champagne, or of a mountain-top at
|
|
sunrise. It was buoyant, thrilling.
|
|
|
|
The "Unknown Bull" was to all appearance still in
|
|
control; the whole market hung upon his horns; and from
|
|
time to time, one felt the sudden upward thrust,
|
|
powerful, tremendous, as he flung the wheat up another
|
|
notch. The "tailers"--the little Bulls--were radiant.
|
|
In the dark, they hung hard by their unseen and
|
|
mysterious friend who daily, weekly, was making them
|
|
richer. The Bears were scarcely visible. The Great
|
|
Bull in a single superb rush had driven them nearly out
|
|
of the Pit. Growling, grumbling they had retreated,
|
|
and only at distance dared so much as to bare a claw.
|
|
Just the formidable lowering of the Great Bull's
|
|
frontlet sufficed, so it seemed, to check their every
|
|
move of aggression or resistance. And all the while,
|
|
Liverpool, Paris, Odessa, and Buda-Pesth clamoured ever
|
|
louder and louder for the grain that meant food to the
|
|
crowded streets and barren farms of Europe.
|
|
|
|
A few moments before the opening Charles Cressler was
|
|
in the public room, in the southeast corner of the
|
|
building, where smoking was allowed, finishing his
|
|
morning's cigar. But as he heard the distant striking
|
|
of the gong, and the roar of the Pit as it began to get
|
|
under way, with a prolonged rumbling trepidation like
|
|
the advancing of a great flood, he threw his cigar away
|
|
and stepped out from the public room to the main floor,
|
|
going on towards the front windows. At the sample
|
|
tables he filled his pockets with wheat, and once at
|
|
the windows raised the sash and spread the pigeons'
|
|
breakfast on the granite ledge.
|
|
|
|
While he was watching the confused fluttering of
|
|
flashing wings, that on the instant filled the air in
|
|
front of the window, he was all at once surprised to
|
|
hear a voice at his elbow, wishing him good morning.
|
|
|
|
"Seem to know you, don't they?"
|
|
|
|
Cressler turned about.
|
|
|
|
"Oh," he said. "Hullo, hullo--yes, they know me all
|
|
right. Especially that red and white hen. She's got a
|
|
lame wing since yesterday, and if I don't watch, the
|
|
others would drive her off. The pouter brute yonder,
|
|
for instance. He's a regular pirate. Wants all the
|
|
wheat himself. Don't ever seem to get enough."
|
|
|
|
"Well," observed the newcomer, laconically, "there are
|
|
others."
|
|
|
|
The man who spoke was about forty years of age. His
|
|
name was Calvin Hardy Crookes. He was very small and
|
|
very slim. His hair was yet dark, and his face--
|
|
smooth-shaven and triangulated in shape, like a cat's--
|
|
was dark as well. The eyebrows were thin and black,
|
|
and the lips too were thin and were puckered a little,
|
|
like the mouth of a tight-shut sack. The face was
|
|
secretive, impassive, and cold.
|
|
|
|
The man himself was dressed like a dandy. His coat and
|
|
trousers were of the very newest fashion. He wore a
|
|
white waistcoat, drab gaiters, a gold watch and chain,
|
|
a jewelled scarf pin, and a seal ring. From the top
|
|
pocket of his coat protruded the finger tips of a pair
|
|
of unworn red gloves.
|
|
|
|
"Yes," continued Crookes, unfolding a brand-new pocket
|
|
handkerchief as he spoke. "There are others--who never
|
|
know when they've got enough wheat."
|
|
|
|
"Oh, you mean the 'Unknown Bull.'"
|
|
|
|
"I mean the unknown damned fool," returned Crookes
|
|
placidly.
|
|
|
|
There was not a trace of the snob about Charles
|
|
Cressler. No one could be more democratic. But at the
|
|
same time, as this interview proceeded, he could not
|
|
fight down nor altogether ignore a certain qualm of
|
|
gratified vanity. Had the matter risen to the realm of
|
|
his consciousness, he would have hated himself for
|
|
this. But it went no further than a vaguely felt
|
|
increase of self-esteem. He seemed to feel more
|
|
important in his own eyes; he would have liked to have
|
|
his friends see him just now talking with this man.
|
|
"Crookes was saying to-day--" he would observe when
|
|
next he met an acquaintance. For C. H. Crookes was
|
|
conceded to be the "biggest man" in La Salle Street.
|
|
Not even the growing importance of the new and
|
|
mysterious Bull could quite make the market forget the
|
|
Great Bear. Inactive during all this trampling and
|
|
goring in the Pit, there were yet those who, even as
|
|
they strove against the Bull, cast uneasy glances over
|
|
their shoulders, wondering why the Bear did not come to
|
|
the help of his own.
|
|
|
|
"Well, yes," admitted Cressler, combing his short
|
|
beard, "yes, he is a fool."
|
|
|
|
The contrast between the two men was extreme. Each was
|
|
precisely what the other was not. The one, long,
|
|
angular, loose-jointed; the other, tight, trig, small,
|
|
and compact. The one osseous, the other sleek; the one
|
|
stoop-shouldered, the other erect as a corporal of
|
|
infantry.
|
|
|
|
But as Cressler was about to continue Crookes put his
|
|
chin in the air.
|
|
|
|
"Hark!" he said. "What's that?"
|
|
|
|
For from the direction of the Wheat Pit had come a
|
|
sudden and vehement renewal of tumult. The traders as
|
|
one man were roaring in chorus. There were cheers;
|
|
hats went up into the air. On the floor by the lowest
|
|
step two brokers, their hands trumpet-wise to their
|
|
mouths, shouted at top voice to certain friends at a
|
|
distance, while above them, on the topmost step of the
|
|
Pit, a half-dozen others, their arms at fullest
|
|
stretch, threw the hand signals that interpreted the
|
|
fluctuations in the price, to their associates in the
|
|
various parts of the building. Again and again the
|
|
cheers rose, violent hip-hip-hurrahs and tigers, while
|
|
from all corners and parts of the floor men and boys
|
|
came scurrying up. Visitors in the gallery leaned
|
|
eagerly upon the railing. Over in the provision pit,
|
|
trading ceased for the moment, and all heads were
|
|
turned towards the commotion of the wheat traders.
|
|
|
|
"Ah," commented Crookes, "they did get it there at
|
|
last."
|
|
|
|
For the hand on the dial had suddenly jumped another
|
|
degree, and not a messenger boy, not a porter not a
|
|
janitor, none whose work or life brought him in touch
|
|
with the Board of Trade, that did not feel the thrill.
|
|
The news flashed out to the world on a hundred
|
|
telegraph wires; it was called to a hundred offices
|
|
across the telephone lines. From every doorway, even,
|
|
as it seemed, from every window of the building,
|
|
spreading thence all over the city, the State, the
|
|
Northwest, the entire nation, sped the magic words,
|
|
"Dollar wheat."
|
|
|
|
Crookes turned to Cressler.
|
|
|
|
"Can you lunch with me to-day--at Kinsley's? I'd like
|
|
to have a talk with you."
|
|
|
|
And as soon as Cressler had accepted the invitation,
|
|
Crookes, with a succinct nod, turned upon his heel and
|
|
walked away.
|
|
|
|
At Kinsley's that day, in a private room on the second
|
|
floor, Cressler met not only Crookes, but his associate
|
|
Sweeny, and another gentleman by the name of Freye, the
|
|
latter one of his oldest and best-liked friends.
|
|
|
|
Sweeny was an Irishman, florid, flamboyant, talkative,
|
|
who spoke with a faint brogue, and who tagged every
|
|
observation, argument, or remark with the phrase, "Do
|
|
you understand me, gen'lemen?" Freye, a German-
|
|
American, was a quiet fellow, very handsome, with black
|
|
side whiskers and a humourous, twinkling eye. The
|
|
three were members of the Board of Trade, and were
|
|
always associated with the Bear forces. Indeed, they
|
|
could be said to be its leaders. Between them, as
|
|
Cressler afterwards was accustomed to say, "They could
|
|
have bought pretty much all of the West Side."
|
|
|
|
And during the course of the luncheon these three, with
|
|
a simplicity and a directness that for the moment left
|
|
Cressler breathless, announced that they were preparing
|
|
to drive the Unknown Bull out of the Pit, and asked him
|
|
to become one of the clique.
|
|
|
|
Crookes, whom Cressler intuitively singled out as the
|
|
leader, did not so much as open his mouth till Sweeny
|
|
ad talked himself breathless, and all the preliminaries
|
|
were out of the way. Then he remarked, his eye as
|
|
lifeless as the eye of a fish, his voice as
|
|
expressionless as the voice of Fate itself:
|
|
|
|
"I don't know who the big Bull is, and I don't care a
|
|
curse. But he don't suit my book. I want him out of
|
|
the market. We've let him have his way now for three
|
|
or four months. We figured we'd let him run to the
|
|
dollar mark. The May option closed this morning at a
|
|
dollar and an eighth.... Now we take hold.
|
|
|
|
"But," Cressler hastened to object, "you forget--I'm
|
|
not a speculator."
|
|
|
|
Freye smiled, and tapped his friend on the arm.
|
|
|
|
"I guess, Charlie," he said, "that there won't be much
|
|
speculating about this."
|
|
|
|
"Why, gen'lemen," cried Sweeny, brandishing a fork,
|
|
we're going to sell him right out o' the market, so we
|
|
are. Simply flood out the son-of-a-gun--you understand
|
|
me, gen'lemen?"
|
|
|
|
Cressler shook his head.
|
|
|
|
"No," he answered. "No, you must count me out. I quit
|
|
speculating years ago. And, besides. to sell short on
|
|
this kind of market--I don't need to tell you what you
|
|
risk."
|
|
|
|
"Risk hell!" muttered Crookes.
|
|
|
|
"Well, now, I'll explain to you, Charlie," began Freye.
|
|
|
|
The other two withdrew a little from the conversation.
|
|
Crookes, as ever monosyllabic, took himself on in a
|
|
little while, and Sweeny, his chair tipped back against
|
|
the wall, his hands clasped behind his head, listened
|
|
to Freye explaining to Cressler the plans of the
|
|
proposed clique and the lines of their attack.
|
|
|
|
He talked for nearly an hour and a half, at the end of
|
|
which time the lunch table was one litter of papers--
|
|
letters, contracts, warehouse receipts, tabulated
|
|
statistics, and the like.
|
|
|
|
"Well," said Freye, at length, "well, Charlie, do you
|
|
see the game? What do you think of it?"
|
|
|
|
"It's about as ingenious a scheme as I ever heard of,
|
|
Billy," answered Cressler. "You can't lose, with
|
|
Crookes back of it."
|
|
|
|
"Well, then, we can count you in, hey?"
|
|
|
|
"Count nothing," declared Cressler, stoutly. "I don't
|
|
speculate."
|
|
|
|
"But have you thought of this?" urged Freye, and went
|
|
over the entire proposition, from a fresh point of
|
|
view, winding up with the exclamation: "Why, Charlie,
|
|
we're going to make our everlasting fortunes."
|
|
|
|
"I don't want any everlasting fortune, Billy Freye,"
|
|
protested Cressler. "Look here, Billy. You must
|
|
remember I'm a pretty old cock. You boys are all
|
|
youngsters. I've got a little money left and a little
|
|
business, and I want to grow old quiet-like. I had my
|
|
fling, you know, when you boys were in knickerbockers.
|
|
Now you let me keep out of all this. You get some one
|
|
else."
|
|
|
|
"No, we'll be jiggered if we do," exclaimed Sweeny.
|
|
"Say, are ye scared we can't buy that trade journal?
|
|
Why, we have it in our pocket, so we have. D'ye think
|
|
Crookes, now, couldn't make Bear sentiment with the
|
|
public, with just the lift o' one forefinger? Why, he
|
|
owns most of the commercial columns of the dailies
|
|
already. D'ye think he couldn't swamp that market with
|
|
sellin' orders in the shorter end o' two days? D'ye
|
|
think we won't all hold together, now? Is that the bug
|
|
in the butter? Sure, now, listen. Let me tell you----"
|
|
|
|
"You can't tell me anything about this scheme that
|
|
you've not told me before," declared Cressler. "You'll
|
|
win, of course. Crookes & Co. are like Rothschild--
|
|
earthquakes couldn't budge 'em. But I promised myself
|
|
years ago to keep out of the speculative market, and I
|
|
mean to stick by it."
|
|
|
|
"Oh, get on with you, Charlie," said Freye, good-
|
|
humouredly, "you're scared."
|
|
|
|
"Of what," asked Cressler, "speculating? You bet I am,
|
|
and when you're as old as I am, and have been through
|
|
three panics, and have known what it meant to have a
|
|
corner bust under you, you'll be scared of speculating
|
|
too."
|
|
|
|
"But suppose we can prove to you," said Sweeny, all at
|
|
once, "that we're not speculating--that the other
|
|
fellow, this fool Bull is doing the speculating?"
|
|
|
|
"I'll go into anything in the way of legitimate
|
|
trading," answered Cressler, getting up from the table.
|
|
"You convince me that your clique is not a speculative
|
|
clique, and I'll come in. But I don't see how your
|
|
deal can be anything else."
|
|
|
|
"Will you meet us here to-morrow?" asked Sweeny, as
|
|
they got into their overcoats.
|
|
|
|
"It won't do you any good," persisted Cressler.
|
|
|
|
"Well, will you meet us just the same?" the other
|
|
insisted. And in the end Cressler accepted.
|
|
|
|
On the steps of the restaurant they parted, and the two
|
|
leaders watched Cressler's broad, stooped shoulders
|
|
disappear down the street.
|
|
|
|
"He's as good as in already," Sweeny declared. "I'll
|
|
fix him to-morrow. Once a speculator, always a
|
|
speculator. He was the cock of the cow-yard in his
|
|
day, and the thing is in the blood. He gave himself
|
|
clean, clean away when he let out he was afraid o'
|
|
speculating. You can't be afraid of anything that
|
|
ain't got a hold on you. Y' understand me now?"
|
|
|
|
"Well," observed Freye, "we've got to get him in."
|
|
|
|
"Talk to me about that now," Sweeny answered. "I'm new
|
|
to some parts o' this scheme o' yours yet. Why is
|
|
Crookes so keen on having him in? I'm not so keen. We
|
|
could get along without him. He ain't so god-awful
|
|
rich, y' know."
|
|
|
|
"No, but he's a solid, conservative cash grain man,"
|
|
answered Freye, "who hasn't been associated with
|
|
speculating for years. Crookes has got to have that
|
|
element in the clique before we can approach Stires &
|
|
Co. We may have to get a pile of money from them, and
|
|
they're apt to be scary and cautious. Cressler being
|
|
in, do you see, gives the clique a substantial,
|
|
conservative character. You let Crookes manage it. He
|
|
knows his business."
|
|
|
|
"Say," exclaimed Sweeny, an idea occurring to him, "I
|
|
thought Crookes was going to put us wise to-day. He
|
|
must know by now who the Big Bull is."
|
|
|
|
"No doubt he does know," answered the other. "He'll
|
|
tell us when he's ready. But I think I could copper
|
|
the individual. There was a great big jag of wheat
|
|
sold to Liverpool a little while ago through Gretry,
|
|
Converse & Co., who've been acting for Curtis Jadwin
|
|
for a good many years."
|
|
|
|
"Oh, Jadwin, hey? Hi! we're after big game now, I'm
|
|
thinking."
|
|
|
|
"But look here," warned Freye. "Here's a point.
|
|
Cressler is not to know by the longest kind of chalk;
|
|
anyhow not until he's so far in, he can't pull out. He
|
|
and Jadwin are good friends, I'm told. Hello, it's
|
|
raining a little. Well, I've got to be moving. See
|
|
you at lunch to-morrow."
|
|
|
|
As Cressler turned into La Salle Street the light
|
|
sprinkle of rain suddenly swelled to a deluge, and he
|
|
had barely time to dodge into the portico of the
|
|
Illinois Trust to escape a drenching. All the passers-
|
|
by close at hand were making for the same shelter, and
|
|
among these Cressler was surprised to see Curtis
|
|
Jadwin, who came running up the narrow lane from the
|
|
cafe entrance of the Grand Pacific Hotel.
|
|
|
|
"Hello! Hello, J.," he cried, when his friend came
|
|
panting up the steps, "as the whale said to Jonah,
|
|
'Come in out of the wet.'"
|
|
|
|
The two friends stood a moment under the portico, their
|
|
coat collars turned up, watching the scurrying in the
|
|
street.
|
|
|
|
"Well," said Cressler, at last, "I see we got 'dollar
|
|
wheat' this morning."
|
|
|
|
"Yes," answered Jadwin, nodding, "'dollar wheat.'"
|
|
|
|
"I suppose," went on Cressler, "I suppose you are
|
|
sorry, now that you're not in it any more."
|
|
|
|
"Oh, no," replied Jadwin, nibbling off the end of a
|
|
cigar. "No, I'm--I'm just as well out of it."
|
|
|
|
"And it's for good and all this time, eh?"
|
|
|
|
"For good and all."
|
|
|
|
"Well," commented Cressler, "some one else has begun
|
|
where you left off, I guess. This Unknown Bull, I
|
|
mean. All the boys are trying to find out who he is.
|
|
Crookes, though, was saying to me--Cal Crookes, you
|
|
know--he was saying he didn't care who he was. Crookes
|
|
is out of the market, too, I understand--and means to
|
|
keep out, he says, till the Big Bull gets tired.
|
|
Wonder who the Big Bull is."
|
|
|
|
"Oh, there isn't any Big Bull," blustered Jadwin.
|
|
"There's simply a lot of heavy buying, or maybe there
|
|
might be a ring of New York men operating through
|
|
Gretry. I don't know; and I guess I'm like Crookes, I
|
|
don't care--now that I'm out of the game. Real estate
|
|
is too lively now to think of anything else; keeps me
|
|
on the keen jump early and late. I tell you what,
|
|
Charlie, this city isn't half grown yet. And do you
|
|
know, I've noticed another thing--cities grow to the
|
|
westward. I've got a building and loan association
|
|
going, out in the suburbs on the West Side, that's a
|
|
dandy. Well, looks as though the rain had stopped.
|
|
Remember me to madam. So long, Charlie."
|
|
|
|
On leaving Cressler Jadwin went on to his offices in
|
|
The Rookery, close at hand. But he had no more than
|
|
settled himself at his desk, when he was called up on
|
|
his telephone.
|
|
|
|
"Hello!" said a small, dry transformation of Gretry's
|
|
voice. "Hello, is that you, J.? Well, in the matter of
|
|
that cash wheat in Duluth, I've bought that for you."
|
|
|
|
"All right," answered Jadwin, then he added, "I guess
|
|
we had better have a long talk now."
|
|
|
|
"I was going to propose that," answered the broker.
|
|
"Meet me this evening at seven at the Grand Pacific.
|
|
It's just as well that we're not seen together
|
|
nowadays. Don't ask for me. Go right into the
|
|
smoking-room. I'll be there. And, by the way, I shall
|
|
expect a reply from Minneapolis about half-past five
|
|
this afternoon. I would like to be able to get at you
|
|
at once when that comes in. Can you wait down for
|
|
that?"
|
|
|
|
"Well, I _was_ going home," objected Jadwin. "I wasn't
|
|
home to dinner last night, and Mrs. Jadwin----"
|
|
|
|
"This is pretty important, you know," warned the
|
|
broker. "And if I call you up on your residence
|
|
telephone, there's always the chance of somebody
|
|
cutting in and overhearing us."
|
|
|
|
"Oh, very well, then," assented Jadwin. "I'll call it
|
|
a day. I'll get home for luncheon to-morrow. It can't
|
|
be helped. By the way, I met Cressler this afternoon,
|
|
Sam, and he seemed sort of suspicious of things, to me--
|
|
as though he had an inkling"
|
|
|
|
"Better hang up," came back the broker's voice.
|
|
"Better hang up, J. There's big risk telephoning like
|
|
this. I'll see you to-night. Good-by."
|
|
|
|
And so it was that about half an hour later Laura was
|
|
called to the telephone in the library.
|
|
|
|
"Oh, not coming home at all to-night?" she cried
|
|
blankly in response to Jadwin's message.
|
|
|
|
"It's just impossible, old girl," he answered.
|
|
|
|
"But why?" she insisted.
|
|
|
|
"Oh, business; this building and loan association of
|
|
mine."
|
|
|
|
"Oh, I know it can't be that. Why don't you let Mr.
|
|
Gretry manage your----"
|
|
|
|
But at this point Jadwin, the warning of Gretry still
|
|
fresh in his mind, interrupted quickly:
|
|
|
|
"I must hang up now, Laura. Good-by. I'll see you to-
|
|
morrow noon and explain it all to you. Good-by....
|
|
Laura.... Hello! ... Are you there yet? ... Hello,
|
|
hello!"
|
|
|
|
But Jadwin had heard in the receiver the rattle and
|
|
click as of a tiny door closing. The receiver was
|
|
silent and dead; and he knew that his wife,
|
|
disappointed and angry, had "hung up" without saying
|
|
good-by.
|
|
|
|
The days passed. Soon another week had gone by. The
|
|
wheat market steadied down after the dollar mark was
|
|
reached, and for a few days a calmer period intervened.
|
|
Down beneath the surface, below the ebb and flow of the
|
|
currents, the great forces were silently at work
|
|
reshaping the "situation." Millions of dollars were
|
|
beginning to be set in motion to govern the millions of
|
|
bushels of wheat. At the end of the third week of the
|
|
month Freye reported to Crookes that Cressler was "in,"
|
|
and promptly negotiations were opened between the
|
|
clique and the great banking house of the Stires. But
|
|
meanwhile Jadwin and Gretry, foreseeing no opposition,
|
|
realising the incalculable advantage that their
|
|
knowledge of the possibility of a "corner" gave them,
|
|
were, quietly enough, gathering in the grain. As early
|
|
as the end of March Jadwin, as incidental to his
|
|
contemplated corner of May wheat, had bought up a full
|
|
half of the small supply of cash wheat in Duluth,
|
|
Chicago, Liverpool and Paris--some twenty million
|
|
bushels; and against this had sold short an equal
|
|
amount of the July option. Having the actual wheat in
|
|
hand he could not lose. If wheat went up, his twenty
|
|
million bushels were all the more valuable; if it went
|
|
down, he covered his short sales at a profit. And all
|
|
the while, steadily, persistently, he bought May wheat,
|
|
till Gretry's book showed him to be possessed of over
|
|
twenty million bushels of the grain deliverable for
|
|
that month.
|
|
|
|
But all this took not only his every minute of time,
|
|
but his every thought, his every consideration. He who
|
|
had only so short a while before considered the amount
|
|
of five million bushels burdensome, demanding careful
|
|
attention, was now called upon to watch, govern, and
|
|
control the tremendous forces latent in a line of forty
|
|
million. At times he remembered the Curtis Jadwin of
|
|
the spring before his marriage, the Curtis Jadwin who
|
|
had sold a pitiful million on the strength of the news
|
|
of the French import duty, and had considered the deal
|
|
"big." Well, he was a different man since that time.
|
|
Then he had been suspicious of speculation, had feared
|
|
it even. Now he had discovered that there were in him
|
|
powers, capabilities, and a breadth of grasp hitherto
|
|
unsuspected. He could control the Chicago wheat
|
|
market, and the man who could do that might well call
|
|
himself "great," without presumption. He knew that he
|
|
overtopped them all--Gretry, the Crookes gang, the
|
|
arrogant, sneering Bears, all the men of the world of
|
|
the Board of Trade. He was stronger, bigger, shrewder
|
|
than them all. A few days now would show, when they
|
|
would all wake to the fact that wheat, which they had
|
|
promised to deliver before they had it in hand, was not
|
|
to be got except from him--and at whatever price he
|
|
chose to impose. He could exact from them a hundred
|
|
dollars a bushel if he chose, and they must pay him the
|
|
price or become bankrupts.
|
|
|
|
By now his mind was upon this one great fact--May
|
|
Wheat--continually. It was with him the instant he
|
|
woke in the morning. It kept him company during his
|
|
hasty breakfast; in the rhythm of his horses' hoofs, as
|
|
the team carried him down town he heard, "Wheat--wheat--
|
|
wheat, wheat--wheat--wheat." No sooner did he enter La
|
|
Salle Street, than the roar of traffic came to his ears
|
|
as the roar of the torrent of wheat which drove through
|
|
Chicago from the Western farms to the mills and
|
|
bakeshops of Europe. There at the foot of the street
|
|
the torrent swirled once upon itself, forty million
|
|
strong, in the eddy which he told himself he mastered.
|
|
The afternoon waned, night came on. The day's business
|
|
was to be gone over; the morrow's campaign was to be
|
|
planned; little, unexpected side issues, a score of
|
|
them, a hundred of them, cropped out from hour to hour;
|
|
new decisions had to be taken each minute. At dinner
|
|
time he left the office, and his horses carried him
|
|
home again, while again their hoofs upon the asphalt
|
|
beat out unceasingly the monotone of the one refrain,
|
|
"Wheat--wheat--wheat, wheat--wheat--wheat." At dinner
|
|
table he could not eat. Between each course he found
|
|
himself going over the day's work, testing it,
|
|
questioning himself, "Was this rightly done?" "Was that
|
|
particular decision sound?" "Is there a loophole here?"
|
|
"Just what was the meaning of that despatch?" After the
|
|
meal the papers, contracts, statistics and reports
|
|
which he had brought with him in his Gladstone bag were
|
|
to be studied. As often as not Gretry called, and the
|
|
two, shut in the library, talked, discussed, and
|
|
planned till long after midnight.
|
|
|
|
Then at last, when he had shut the front door upon his
|
|
lieutenant and turned to face the empty, silent house,
|
|
came the moment's reaction. The tired brain flagged
|
|
and drooped; exhaustion, like a weight of lead, hung
|
|
upon his heels. But somewhere a hall clock struck, a
|
|
single, booming note, like a gong--like the signal that
|
|
would unchain the tempest in the Pit to-morrow morning.
|
|
Wheat--wheat--wheat, wheat--wheat--wheat! Instantly
|
|
the jaded senses braced again, instantly the wearied
|
|
mind sprang to its post. He turned out the lights, he
|
|
locked the front door. Long since the great house was
|
|
asleep. In the cold, dim silence of the earliest dawn
|
|
Curtis Jadwin went to bed, only to lie awake, staring
|
|
up into the darkness, planning, devising new measures,
|
|
reviewing the day's doings, while the faint tides of
|
|
blood behind the eardrums murmured ceaselessly to the
|
|
overdriven brain, "Wheat--wheat--wheat, wheat--wheat--
|
|
wheat. Forty million bushels, forty million, forty
|
|
million."
|
|
|
|
Whole days now went by when he saw his wife only at
|
|
breakfast and at dinner. At times she was angry, hurt,
|
|
and grieved that he should leave her so much alone.
|
|
But there were moments when she was sorry for him. She
|
|
seemed to divine that he was not all to blame.
|
|
|
|
What Laura thought he could only guess. She no longer
|
|
spoke of his absorption in business. At times he
|
|
thought he saw reproach and appeal in her dark eyes, at
|
|
times anger and a pride cruelly wounded. A few months
|
|
ago this would have touched him. But now he all at
|
|
once broke out vehemently:
|
|
|
|
"You think I am wilfully doing this! You don't know,
|
|
you haven't a guess. I corner the wheat! Great
|
|
heavens, it is the wheat that has cornered me! The
|
|
corner made itself. I happened to stand between two
|
|
sets of circumstances, and they made me do what I've
|
|
done. I couldn't get out of it now, with all the good
|
|
will in the world. Go to the theatre to-night with you
|
|
and the Cresslers? Why, old girl, you might as well
|
|
ask me to go to Jericho. Let that Mr. Corthell take my
|
|
place."
|
|
|
|
And very naturally this is what was done. The artist
|
|
sent a great bunch of roses to Mrs. Jadwin upon the
|
|
receipt of her invitation, and after the play had the
|
|
party to supper in his apartments, that overlooked the
|
|
Lake Front. Supper over, he escorted her, Mrs.
|
|
Cressler, and Page back to their respective homes.
|
|
|
|
By a coincidence that struck them all as very amusing,
|
|
he was the only man of the party. At the last moment
|
|
Page had received a telegram from Landry. He was, it
|
|
appeared, sick, and in bed. The day's work on the
|
|
Board of Trade had quite used him up for the moment,
|
|
and his doctor forbade him to stir out of doors. Mrs.
|
|
Cressler explained that Charlie had something on his
|
|
mind these days, that was making an old man of him.
|
|
|
|
"He don't ever talk shop with me," she said. "I'm sure
|
|
he hasn't been speculating, but he's worried and
|
|
fidgety to beat all I ever saw, this last week; and now
|
|
this evening he had to take himself off to meet some
|
|
customer or other at the Palmer House."
|
|
|
|
They dropped Mrs. Cressler at the door of her home and
|
|
then went on to the Jadwins'.
|
|
|
|
"I remember," said Laura to Corthell, "that once before
|
|
the three of us came home this way. Remember? It was
|
|
the night of the opera. That was the night I first met
|
|
Mr. Jadwin."
|
|
|
|
"It was the night of the Helmick failure," said Page,
|
|
seriously, "and the office buildings were all lit up.
|
|
See," she added, as they drove up to the house,
|
|
"there's a light in the library, and it must be nearly
|
|
one o'clock. Mr. Jadwin is up yet."
|
|
|
|
Laura fell suddenly silent. When was it all going to
|
|
end, and how? Night after night her husband shut
|
|
himself thus in the library, and toiled on till early
|
|
dawn. She enjoyed no companionship with him. Her
|
|
evenings were long, her time hung with insupportable
|
|
heaviness upon her hands.
|
|
|
|
"Shall you be at home?" inquired Corthell, as he held
|
|
her hand a moment at the door. "Shall you be at home
|
|
to-morrow evening? May I come and play to you again?"
|
|
|
|
"Yes, yes," she answered. "Yes, I shall be home. Yes,
|
|
do come."
|
|
|
|
Laura's carriage drove the artist back to his
|
|
apartments. All the way he sat motionless in his
|
|
place, looking out of the window with unseeing eyes.
|
|
His cigarette went out. He drew another from his case,
|
|
but forgot to light it.
|
|
|
|
Thoughtful and abstracted he slowly mounted the
|
|
stairway--the elevator having stopped for the night--to
|
|
his studio, let himself in, and, throwing aside his hat
|
|
and coat, sat down without lighting the gas in front of
|
|
the fireplace, where (the weather being even yet sharp)
|
|
an armful of logs smouldered on the flagstones.
|
|
|
|
His man, Evans, came from out an inner room to ask if
|
|
he wanted anything. Corthell got out of his evening
|
|
coat, and Evans brought him his smoking-jacket and set
|
|
the little table with its long tin box of cigarettes
|
|
and ash trays at his elbow. Then he lit the tall lamp
|
|
of corroded bronze, with its heavy silk shade, that
|
|
stood on a table in the angle of the room, drew the
|
|
curtains, put a fresh log upon the fire, held the tiny
|
|
silver alcohol burner to Corthell while the latter
|
|
lighted a fresh cigarette, and then with a murmured
|
|
"Good-night, sir," went out, closing the door with the
|
|
precaution of a depredator.
|
|
|
|
This suite of rooms, facing the Lake Front, was what
|
|
Corthell called "home," Whenever he went away, he left
|
|
it exactly as it was, in the charge of the faithful
|
|
Evans; and no mater how long he was absent, he never
|
|
returned thither without a sense of welcome and relief.
|
|
Even now, perplexed as he was, he was conscious of a
|
|
feeling of comfort and pleasure as he settled himself
|
|
in his chair.
|
|
|
|
The lamp threw a dull illumination about the room. It
|
|
was a picturesque apartment, carefully planned. Not an
|
|
object that had not been chosen with care and the
|
|
utmost discrimination. The walls had been treated with
|
|
copper leaf till they produced a sombre, iridescent
|
|
effect of green and faint gold, that suggested the
|
|
depth of a forest glade shot through with the sunset.
|
|
Shelves bearing eighteenth-century books in seal brown
|
|
tree calf--Addison, the "Spectator," Junius and Racine,
|
|
Rochefoucauld and Pascal hung against it here and
|
|
there. On every hand the eye rested upon some small
|
|
masterpiece of art or workmanship. Now it was an
|
|
antique portrait bust of the days of decadent Rome,
|
|
black marble with a bronze tiara; now a framed page of
|
|
a fourteenth-century version of "Li Quatres Filz
|
|
d'Aymon," with an illuminated letter of miraculous
|
|
workmanship; or a Renaissance gonfalon of silk once
|
|
white but now brown with age, yet in the centre blazing
|
|
with the escutcheon and quarterings of a dead queen.
|
|
Between the windows stood an ivory statuette of the
|
|
"Venus of the Heel," done in the days of the
|
|
magnificent Lorenzo. An original Cazin, and a chalk
|
|
drawing by Baudry hung against the wall close by
|
|
together with a bronze tablet by Saint Gaudens; while
|
|
across the entire end of the room opposite the
|
|
fireplace, worked in the tapestry of the best period of
|
|
the northern French school, Halcyone, her arms already
|
|
blossoming into wings, hovered over the dead body of
|
|
Ceyx, his long hair streaming like seaweed in the blue
|
|
waters of the AEgean.
|
|
|
|
For a long time Corthell sat motionless, looking into
|
|
the fire. In an adjoining room a clock chimed the half
|
|
hour of one, and the artist stirred, passing his long
|
|
fingers across his eyes.
|
|
|
|
After a long while he rose, and going to the fireplace,
|
|
leaned an arm against the overhanging shelf, and
|
|
resting his forehead against it, remained in that
|
|
position, looking down at the smouldering logs.
|
|
|
|
"She is unhappy," he murmured at length. "It is not
|
|
difficult to see that.... Unhappy and lonely. Oh,
|
|
fool, fool to have left her when you might have stayed!
|
|
Oh, fool, fool, not to find the strength to leave her
|
|
now when you should not remain!"
|
|
|
|
The following evening Corthell called upon Mrs. Jadwin.
|
|
She was alone, as he usually found her. He had brought
|
|
a book of poems with him, and instead of passing the
|
|
evening in the art gallery, as they had planned, he
|
|
read aloud to her from Rossetti. Nothing could have
|
|
been more conventional than their conversation, nothing
|
|
more impersonal. But on his way home one feature of
|
|
their talk suddenly occurred to him. It struck him as
|
|
significant; but of what he did not care to put into
|
|
words. Neither he nor Laura had once spoken of Jadwin
|
|
throughout the entire evening.
|
|
|
|
Little by little the companionship grew. Corthell shut
|
|
his eyes, his ears. The thought of Laura, the
|
|
recollection of their last evening together, the
|
|
anticipation of the next meeting filled all his waking
|
|
hours. He refused to think; he resigned himself to the
|
|
drift of the current. Jadwin he rarely saw. But on
|
|
those few occasions when he and Laura's husband met, he
|
|
could detect no lack of cordiality in the other's
|
|
greeting. Once even Jadwin had remarked:
|
|
|
|
"I'm very glad you have come to see Mrs. Jadwin,
|
|
Corthell. I have to be away so much these days, I'm
|
|
afraid she would be lonesome if it wasn't for some one
|
|
like you to drop in now and then and talk art to her."
|
|
|
|
By slow degrees the companionship trended toward
|
|
intimacy. At the various theatres and concerts he was
|
|
her escort. He called upon her two or three times each
|
|
week. At his studio entertainments Laura was always
|
|
present. How--Corthell asked himself--did she regard
|
|
the affair? She gave him no sign; she never intimated
|
|
that his presence was otherwise than agreeable. Was
|
|
this tacit acquiescence of hers an encouragement? Was
|
|
she willing to _afficher_ herself, as a married woman,
|
|
with a cavalier? Her married life was intolerable, he
|
|
was sure of that; her husband uncongenial. He told
|
|
himself that she detested him.
|
|
|
|
Once, however, this belief was rather shocked by an
|
|
unexpected and (to him) an inconsistent reaction on
|
|
Laura's part. She had made an engagement with him to
|
|
spend an afternoon in the Art Institute, looking over
|
|
certain newly acquired canvases. But upon calling for
|
|
her an hour after luncheon he was informed that Mrs.
|
|
Jadwin was not at home. When next she saw him she told
|
|
him that she had spent the entire day with her husband.
|
|
They had taken an early train and had gone up to Geneva
|
|
Lake to look over their country house, and to prepare
|
|
for its opening, later on in the spring. They had
|
|
taken the decision so unexpectedly that she had no time
|
|
to tell him of the change in her plans. Corthell
|
|
wondered if she had--as a matter of fact--forgotten all
|
|
about her appointment with him. He never quite
|
|
understood the incident, and afterwards asked himself
|
|
whether or no he could be so sure, after all, of the
|
|
estrangement between the husband and wife. He guessed
|
|
it to be possible that on this occasion Jadwin had
|
|
suddenly decided to give himself a holiday, and that
|
|
Laura had been quick to take advantage of it. Was it
|
|
true, then, that Jadwin had but to speak the word to
|
|
have Laura forget all else? Was it true that the mere
|
|
nod of his head was enough to call her back to him?
|
|
Corthell was puzzled. He would not admit this to be
|
|
true. She was, he was persuaded, a woman of more
|
|
spirit, of more pride than this would seem to indicate.
|
|
Corthell ended by believing that Jadwin had, in some
|
|
way, coerced her; though he fancied that for the few
|
|
days immediately following the excursion Laura had
|
|
never been gayer, more alert, more radiant.
|
|
|
|
But the days went on, and it was easy to see that his
|
|
business kept Jadwin more and more from his wife.
|
|
Often now, Corthell knew, he passed the night down
|
|
town, and upon those occasions when he managed to get
|
|
home after the day's work, he was exhausted, worn out,
|
|
and went to bed almost immediately after dinner. More
|
|
than ever now the artist and Mrs. Jadwin were thrown
|
|
together.
|
|
|
|
On a certain Sunday evening, the first really hot day
|
|
of the year, Laura and Page went over to spend an hour
|
|
with the Cresslers, and--as they were all wont to do in
|
|
the old days before Laura's marriage--the party "sat
|
|
out on the front stoop." For a wonder, Jadwin was able
|
|
to be present. Laura had prevailed upon him to give
|
|
her this evening and the evening of the following
|
|
Wednesday--on which latter occasion she had planned
|
|
that they were to take a long drive in the park in the
|
|
buggy, just the two of them, as it had been in the days
|
|
of their courtship.
|
|
|
|
Corthell came to the Cresslers quite as a matter of
|
|
course. He had dined with the Jadwins at the great
|
|
North Avenue house and afterwards the three, preferring
|
|
to walk, had come down to the Cresslers on foot.
|
|
|
|
But evidently the artist was to see but little of Laura
|
|
Jadwin that evening. She contrived to keep by her
|
|
husband continually. She even managed to get him away
|
|
from the others, and the two, leaving the rest upon the
|
|
steps, sat in the parlour of the Cresslers' house,
|
|
talking.
|
|
|
|
By and by Laura, full of her projects, exclaimed:
|
|
|
|
"Where shall we go? I thought, perhaps, we would not
|
|
have dinner at home, but you could come back to the
|
|
house just a little--a little bit--early, and you could
|
|
drive me out to the restaurant there in the park, and
|
|
we could have dinner there, just as though we weren't
|
|
married just as though we were sweethearts again. Oh,
|
|
I do hope the weather will be fine."
|
|
|
|
"Oh," answered Jadwin, "you mean Wednesday evening.
|
|
Dear old girl, honestly, I--I don't believe I can make
|
|
it after all. You see, Wednesday----"
|
|
|
|
Laura sat suddenly erect.
|
|
|
|
"But you said," she began, her voice faltering a
|
|
little, "you said----"
|
|
|
|
"Honey, I know I did, but you must let me off this time
|
|
again."
|
|
|
|
She did not answer. It was too dark for him to see her
|
|
face; but, uneasy at her silence, he began an elaborate
|
|
explanation. Laura, however, interrupted. Calmly
|
|
enough, she said:
|
|
|
|
"Oh, that's all right. No, no, I don't mind. Of
|
|
course, if you are busy."
|
|
|
|
"Well, you see, don't you, old girl?"
|
|
|
|
"Oh, yes, yes, I see," she answered. She rose.
|
|
|
|
"I think," she said, "we had better be going home.
|
|
Don't you?"
|
|
|
|
"Yes, I do," he assented. "I'm pretty tired myself.
|
|
I've had a hard day's work. I'm thirsty, too," he
|
|
added, as he got up. "Would you like to have a drink
|
|
of water, too?"
|
|
|
|
She shook her head, and while he disappeared in the
|
|
direction of the Cresslers' dining-room, she stood
|
|
alone a moment in the darkened room looking out into
|
|
the street. She felt that her cheeks were hot. Her
|
|
hands, hanging at her sides, shut themselves into tight
|
|
fists.
|
|
|
|
"What, you are all alone?" said Corthell's voice,
|
|
behind her.
|
|
|
|
She turned about quickly.
|
|
|
|
"I must be going," he said. "I came to say good
|
|
night." He held out his hand.
|
|
|
|
"Good night," she answered, as she gave him hers. Then
|
|
all at once she added:
|
|
|
|
"Come to see me again--soon, will you? Come Wednesday
|
|
night."
|
|
|
|
And then, his heart leaping to his throat, Corthell
|
|
felt her hand, as it lay in his, close for an instant
|
|
firmly about his fingers.
|
|
|
|
"I shall expect you Wednesday then?" she repeated.
|
|
|
|
He crushed her hand in his grip, and suddenly bent and
|
|
kissed it.
|
|
|
|
"Good night," she said, quietly. Jadwin's step sounded
|
|
at the doorway.
|
|
|
|
"Good night," he whispered, and in another moment was
|
|
gone.
|
|
|
|
During these days Laura no longer knew herself. At
|
|
every hour she changed; her moods came and went with a
|
|
rapidity that bewildered all those who were around her.
|
|
At times her gaiety filled the whole of her beautiful
|
|
house; at times she shut herself in her apartments,
|
|
denying herself to every one, and, her head bowed upon
|
|
her folded arms, wept as though her heart was breaking,
|
|
without knowing why.
|
|
|
|
For a few days a veritable seizure of religious
|
|
enthusiasm held sway over her. She spoke of endowing a
|
|
hospital, of doing church work among the "slums" of the
|
|
city. But no sooner had her friends readjusted their
|
|
points of view to suit this new development than she
|
|
was off upon another tangent, and was one afternoon
|
|
seen at the races, with Mrs. Gretry, in her showiest
|
|
victoria, wearing a great flaring hat and a bouquet of
|
|
crimson flowers.
|
|
|
|
She never repeated this performance, however, for a new
|
|
fad took possession of her the very next day. She
|
|
memorised the role of Lady Macbeth, built a stage in
|
|
the ballroom at the top of the house, and, locking
|
|
herself in, rehearsed the part, for three days
|
|
uninterruptedly, dressed in elaborate costume,
|
|
declaiming in chest tones to the empty room:
|
|
|
|
"'The raven himself is hoarse that croaks the entrance
|
|
of Duncan under my battlements.'"
|
|
|
|
Then, tiring of Lady Macbeth, she took up Juliet,
|
|
Portia, and Ophelia; each with appropriate costumes,
|
|
studying with tireless avidity, and frightening Aunt
|
|
Wess' with her declaration that "she might go on the
|
|
stage after all." She even entertained the notion of
|
|
having Sheldon Corthell paint her portrait as Lady
|
|
Macbeth.
|
|
|
|
As often as the thought of the artist presented itself
|
|
to her she fought to put it from her. Yes, yes, he
|
|
came to see her often, very often. Perhaps he loved
|
|
her yet. Well, suppose he did? He had always loved
|
|
her. It was not wrong to have him love her, to have
|
|
him with her. Without his company, great heavens, her
|
|
life would be lonely beyond words and beyond endurance
|
|
Besides, was it to be thought, for an instant, that
|
|
she, she, Laura Jadwin, in her pitch of pride, with all
|
|
her beauty, with her quick, keen mind, was to pine, to
|
|
droop to fade in oblivion and neglect? Was she to
|
|
blame? Let those who neglected her look to it. Her
|
|
youth was all with her yet, and all her power to
|
|
attract, to compel admiration.
|
|
|
|
When Corthell came to see her on the Wednesday evening
|
|
in question, Laura said to him, after a few moments,
|
|
conversation in the drawing-room:
|
|
|
|
"Oh, you remember the picture you taught me to
|
|
appreciate--the picture of the little pool in the art
|
|
gallery, the one you called 'Despair'?" I have hung it
|
|
in my own particular room upstairs--my sitting-room--so
|
|
as to have it where I can see it always. I love it
|
|
now. But," she added, "I am not sure about the light.
|
|
I think it could be hung to better advantage." She
|
|
hesitated a moment, then, with a sudden, impulsive
|
|
movement, she turned to him.
|
|
|
|
"Won't you come up with me, and tell me where to hang
|
|
it?"
|
|
|
|
They took the little elevator to the floor above, and
|
|
Laura led the artist to the room in question--her
|
|
"sitting-room," a wide, airy place, the polished floor
|
|
covered with deep skins, the walls wainscotted half way
|
|
to the ceiling, in dull woods. Shelves of books were
|
|
everywhere, together with potted plants and tall brass
|
|
lamps. A long "Madeira" chair stood at the window
|
|
which overlooked the park and lake, and near to it a
|
|
great round table of San Domingo mahogany, with tea
|
|
things and almost diaphanous china.
|
|
|
|
"What a beautiful room," murmured Corthell, as she
|
|
touched the button in the wall that opened the current,
|
|
"and how much you have impressed your individuality
|
|
upon it. I should have known that you lived here. If
|
|
you were thousands of miles away and I had entered
|
|
here, I should have known it was yours--and loved it
|
|
for such."
|
|
|
|
"Here is the picture," she said, indicating where it
|
|
hung. "Doesn't it seem to you that the light is bad?"
|
|
|
|
But he explained to her that it was not so, and that
|
|
she had but to incline the canvas a little more from
|
|
the wall to get a good effect.
|
|
|
|
"Of course, of course," she assented, as he held the
|
|
picture in place. "Of course. I shall have it hung
|
|
over again to-morrow."
|
|
|
|
For some moments they remained standing in the centre
|
|
of the room, looking at the picture and talking of it.
|
|
And then, without remembering just how it had happened,
|
|
Laura found herself leaning back in the Madeira chair,
|
|
Corthell seated near at hand by the round table.
|
|
|
|
"I am glad you like my room," she said. "It is here
|
|
that I spend most of my time. Often lately I have had
|
|
my dinner here. Page goes out a great deal now, and so
|
|
I am left alone occasionally. Last night I sat here in
|
|
the dark for a long time. The house was so still,
|
|
everybody was out--even some of the servants. It was
|
|
so warm, I raised the windows and I sat here for hours
|
|
looking out over the lake. I could hear it lapping and
|
|
washing against the shore--almost like a sea. And it
|
|
was so still, so still; and I was thinking of the time
|
|
when I was a little girl back at Barrington, years and
|
|
years ago, picking whortle-berries down in the 'water
|
|
lot,' and how I got lost once in the corn--the stalks
|
|
were away above my head--and how happy I was when my
|
|
father would take me up on the hay wagon. Ah, I was
|
|
happy in those days--just a freckled, black-haired slip
|
|
of a little girl, with my frock torn and my hands all
|
|
scratched with the berry bushes."
|
|
|
|
She had begun by dramatising, but by now she was
|
|
acting--acting with all her histrionic power at fullest
|
|
stretch, acting the part of a woman unhappy amid
|
|
luxuries, who looked back with regret and with longing
|
|
towards a joyous, simple childhood. She was sincere
|
|
and she was not sincere. Part of her--one of those two
|
|
Laura Jadwins who at different times, but with equal
|
|
right called themselves "I," knew just what effect her
|
|
words, her pose, would have upon a man who sympathised
|
|
with her, who loved her. But the other Laura Jadwin
|
|
would have resented as petty, as even wrong, the
|
|
insinuation that she was not wholly, thoroughly
|
|
sincere. All that she was saying was true. No one, so
|
|
she believed, ever was placed before as she was placed
|
|
now. No one had ever spoken as now she spoke. Her
|
|
chin upon one slender finger, she went on, her eyes
|
|
growing wide:
|
|
|
|
"If I had only known then that those days were to be,
|
|
the happiest of my life.... This great house, all the
|
|
beauty of it, and all this wealth, what does it amount
|
|
to?" Her voice was the voice of Phedre, and the gesture
|
|
of lassitude with which she let her arms fall into her
|
|
lap was precisely that which only the day before she
|
|
had used to accompany Portia's plaint of
|
|
|
|
--my little body is a-weary of this great world.
|
|
|
|
Yet, at the same time, Laura knew that her heart was
|
|
genuinely aching with real sadness, and that the tears
|
|
which stood in her eyes were as sincere as any she had
|
|
ever shed.
|
|
|
|
"All this wealth," she continued, her head dropping
|
|
back upon the cushion of the chair as she spoke, "what
|
|
does it matter; for what does it compensate? Oh, I
|
|
would give it all gladly, gladly, to be that little
|
|
black-haired girl again, back in Squire Dearborn's
|
|
water lot; with my hands stained with the whortle-
|
|
berries and the nettles in my fingers--and my little
|
|
lover, who called me his beau-heart and bought me a
|
|
blue hair ribbon, and kissed me behind the pump house."
|
|
|
|
"Ah," said Corthell, quickly and earnestly, "that is
|
|
the secret. It was love--even the foolish boy and girl
|
|
love--love that after all made your life sweet then."
|
|
|
|
She let her hands fall into her lap, and, musing,
|
|
turned the rings back and forth upon her fingers.
|
|
|
|
"Don't you think so?" he asked, in a low voice.
|
|
|
|
She bent her head slowly, without replying. Then for a
|
|
long moment neither spoke. Laura played with her
|
|
rings. The artist, leaning forward in his chair,
|
|
looked with vague eyes across the room. And no
|
|
interval of time since his return, no words that had
|
|
ever passed between them, had been so fraught with
|
|
significance, so potent in drawing them together as
|
|
this brief, wordless moment.
|
|
|
|
At last Corthell turned towards her.
|
|
|
|
"You must not think," he murmured, "that your life is
|
|
without love now. I will not have you believe that."
|
|
|
|
But she made no answer.
|
|
|
|
"If you would only see," he went on. "If you would
|
|
only condescend to look, you would know that there is a
|
|
love which has enfolded your life for years. You have
|
|
shut it out from you always. But it has been yours,
|
|
just the same; it has lain at your door, it has looked--
|
|
oh, God knows with what longing!--through your
|
|
windows. You have never stirred abroad that it has not
|
|
followed you. Not a footprint of yours that it does
|
|
not know and cherish. Do you think that your life is
|
|
without love? Why, it is all around you--all around you
|
|
but voiceless. It has no right to speak, it only has
|
|
the right to suffer."
|
|
|
|
Still Laura said no word. Her head turned from him,
|
|
she looked out of the window, and once more the seconds
|
|
passed while neither spoke. The clock on the table
|
|
ticked steadily. In the distance, through the open
|
|
window, came the incessant, mournful wash of the lake.
|
|
All around them the house was still. At length Laura
|
|
sat upright in her chair.
|
|
|
|
"I think I will have this room done over while we are
|
|
away this summer," she said. "Don't you think it would
|
|
be effective if the wainscotting went almost to the
|
|
ceiling?"
|
|
|
|
He glanced critically about the room.
|
|
|
|
"Very," he answered, briskly. "There is no background
|
|
so beautiful as wood."
|
|
|
|
"And I might finish it off at the top with a narrow
|
|
shelf."
|
|
|
|
"Provided you promised not to put brass 'plaques' or
|
|
pewter kitchen ware upon it."
|
|
|
|
"Do smoke," she urged him. "I know you want to. You
|
|
will find matches on the table."
|
|
|
|
But Corthell, as he lit his cigarette, produced his own
|
|
match box. It was a curious bit of antique silver,
|
|
which he had bought in a Viennese pawnshop, heart-
|
|
shaped and topped with a small ducal coronet of worn
|
|
gold. On one side he had caused his name to be
|
|
engraved in small script. Now. as Laura admired it,
|
|
he held it towards her.
|
|
|
|
"An old pouncet-box, I believe," he informed her, "or
|
|
possibly it held an ointment for her finger nails." He
|
|
spilled the matches into his hand. "You see the red
|
|
stain still on the inside; and--smell," he added, as
|
|
she took it from him. "Even the odour of the sulphur
|
|
matches cannot smother the quaint old perfume,
|
|
distilled perhaps three centuries ago."
|
|
|
|
An hour later Corthell left her. She did not follow
|
|
him further than the threshold of the room, but let him
|
|
find his way to the front door alone.
|
|
|
|
When he had gone she returned to the room, and for a
|
|
little while sat in her accustomed place by the window
|
|
overlooking the park and the lake. Very soon after
|
|
Corthell's departure she heard Page, Landry Court, and
|
|
Mrs. Wessels come in; then at length rousing from her
|
|
reverie she prepared for bed. But, as she passed the
|
|
round mahogany table, on her way to her bedroom, she
|
|
was aware of a little object lying upon it, near to
|
|
where she had sat.
|
|
|
|
"Oh, he forgot it," she murmured, as she picked up
|
|
Corthell's heart-shaped match box. She glanced at it a
|
|
moment, indifferently; but her mind was full of other
|
|
things. She laid it down again upon the table, and
|
|
going on to her own room, went to bed.
|
|
|
|
Jadwin did not come home that night, and in the morning
|
|
Laura presided at breakfast table in his place. Landry
|
|
Court, Page, and Aunt Wess' were there; for
|
|
occasionally nowadays, when the trio went to one of
|
|
their interminable concerts or lectures, Landry stayed
|
|
over night at the house.
|
|
|
|
"Any message for your husband, Mrs. Jadwin?" inquired
|
|
Landry, as he prepared to go down town after breakfast.
|
|
"I always see him in Mr. Gretry's office the first
|
|
thing. Any message for him?"
|
|
|
|
"No," answered Laura, simply.
|
|
|
|
"Oh, by the way," spoke up Aunt Wess', "we met that Mr.
|
|
Corthell on the corner last night, just as he was
|
|
leaving. I was real sorry not to get home here before
|
|
he left. I've never heard him play on that big organ,
|
|
and I've been wanting to for ever so long. I hurried
|
|
home last night, hoping I might have caught him before
|
|
he left. I was regularly disappointed."
|
|
|
|
"That's too bad," murmured Laura, and then, for obscure
|
|
reasons, she had the stupidity to add: "And we were in
|
|
the art gallery the whole evening. He played
|
|
beautifully."
|
|
|
|
Towards eleven o'clock that morning Laura took her
|
|
usual ride, but she had not been away from the house
|
|
quite an hour before she turned back.
|
|
|
|
All at once she had remembered something. She returned
|
|
homeward, now urging Crusader to a flying gallop, now
|
|
curbing him to his slowest ambling walk. That which
|
|
had so abruptly presented itself to her mind was the
|
|
fact that Corthell's match box--his name engraved
|
|
across its front--still lay in plain sight upon the
|
|
table in her sitting-room--the peculiar and particular
|
|
place of her privacy.
|
|
|
|
It was so much her own, this room, that she had given
|
|
orders that the servants were to ignore it in their
|
|
day's routine. She looked after its order herself.
|
|
Yet, for all that, the maids or the housekeeper often
|
|
passed through it, on their way to the suite beyond,
|
|
and occasionally Page or Aunt Wess' came there to read,
|
|
in her absence. The family spoke of the place
|
|
sometimes as the "upstairs sitting-room," sometimes
|
|
simply as "Laura's room."
|
|
|
|
Now, as she cantered homeward, Laura had it vividly in
|
|
her mind that she had not so much as glanced at the
|
|
room before leaving the house that morning. The
|
|
servants would not touch the place. But it was quite
|
|
possible that Aunt Wess' or Page----
|
|
|
|
Laura, the blood mounting to her forehead, struck the
|
|
horse sharply with her crop. The pettiness of the
|
|
predicament, the small meanness of her situation struck
|
|
across her face like the flagellations of tiny whips.
|
|
That she should stoop to this! She who had held her
|
|
head so high.
|
|
|
|
Abruptly she reined in the horse again. No, she would
|
|
not hurry. Exercising all her self-control, she went
|
|
on her way with deliberate slowness, so that it was
|
|
past twelve o'clock when she dismounted under the
|
|
carriage porch.
|
|
|
|
Her fingers clutched tightly about her crop, she
|
|
mounted to her sitting-room and entered, closing the
|
|
door behind her,
|
|
|
|
She went directly to the table, and then, catching her
|
|
breath, with a quick, apprehensive sinking of the
|
|
heart, stopped short. The little heart-shaped match
|
|
box was gone, and on the couch in the corner of the
|
|
room Page, her book fallen to the floor beside her, lay
|
|
curled up and asleep.
|
|
|
|
A loop of her riding-habit over her arm, the toe of her
|
|
boot tapping the floor nervously, Laura stood
|
|
motionless in the centre of the room, her lips tight
|
|
pressed, the fingers of one gloved hand drumming
|
|
rapidly upon her riding-crop. She was bewildered, and
|
|
an anxiety cruelly poignant, a dread of something she
|
|
could not name, gripped suddenly at her throat.
|
|
|
|
Could she have been mistaken? Was it upon the table
|
|
that she had seen the match box after all? If it lay
|
|
elsewhere about the room, she must find it at once.
|
|
Never had she felt so degraded as now, when, moving
|
|
with such softness and swiftness as she could in her
|
|
agitation command, she went here and there about the
|
|
room, peering into the corners of her desk, searching
|
|
upon the floor, upon the chairs, everywhere, anywhere;
|
|
her face crimson, her breath failing her, her hands
|
|
opening and shutting.
|
|
|
|
But the silver heart with its crown of worn gold was
|
|
not to be found. Laura, at the end of half an hour,
|
|
was obliged to give over searching. She was certain
|
|
the match box lay upon the mahogany table when last she
|
|
left the room. It had not been mislaid; of that she
|
|
was now persuaded.
|
|
|
|
But while she sat at the desk, still in habit and hat,
|
|
rummaging for the fourth time among the drawers and
|
|
shelves, she was all at once aware, even without
|
|
turning around, that Page was awake and watching her.
|
|
Laura cleared her throat.
|
|
|
|
"Have you seen my blue note paper, Page?" she asked.
|
|
"I want to drop a note to Mrs. Cressler, right away."
|
|
|
|
"No," said Page, as she rose from the couch. "No, I
|
|
haven't seen it." She came towards her sister across
|
|
the room. "I thought, maybe," she added, gravely, as
|
|
she drew the heart-shaped match box from her pocket,
|
|
"that you might be looking for this. I took it. I
|
|
knew you wouldn't care to have Mr. Jadwin find it
|
|
here."
|
|
|
|
Laura struck the little silver heart from Page's hand,
|
|
with a violence that sent it spinning across the room,
|
|
and sprang to her feet.
|
|
|
|
"You took it!" she cried. "You took it! How dare you!
|
|
What do you mean? What do I care if Curtis should find
|
|
it here? What's it to me that he should know that Mr.
|
|
Corthell came up here? Of course he was here."
|
|
|
|
But Page, though very pale, was perfectly calm under
|
|
her sister's outburst.
|
|
|
|
"If you didn't care whether any one knew that Mr.
|
|
Corthell came up here," she said, quietly, "why did you
|
|
tell us this morning at breakfast that you and he were
|
|
in the art gallery the whole evening? I thought," she
|
|
added, with elaborate blandness, "I thought I would be
|
|
doing you a service in hiding the match box."
|
|
|
|
"A service! You! What have I to hide?" cried Laura,
|
|
almost inarticulate. "Of course I said we were in the
|
|
art gallery the whole evening. So we were. We did--I
|
|
do remember now--we did come up here for an instant, to
|
|
see how my picture hung. We went downstairs again at
|
|
once. We did not so much as sit down. He was not in
|
|
the room two minutes."
|
|
|
|
"He was here," returned Page, "long enough to smoke
|
|
half a dozen times." She pointed to a silver pen tray
|
|
on the mahogany table, hidden behind a book rack and
|
|
littered with the ashes and charred stumps of some five
|
|
or six cigarettes.
|
|
|
|
"Really, Laura," Page remarked. "Really, you manage
|
|
very awkwardly, it seems to me."
|
|
|
|
Laura caught her riding-crop in her right hand
|
|
|
|
"Don't you--don't you make me forget myself;" she
|
|
cried, breathlessly.
|
|
|
|
"It seems to me," observed Page, quietly, "that you've
|
|
done that long since, yourself."
|
|
|
|
Laura flung the crop down and folded her arms.
|
|
|
|
"Now," she cried, her eyes blazing and rivetted upon
|
|
Page's. "Now, just what do you mean? Sit down," she
|
|
commanded, flinging a hand towards a chair, "sit down,
|
|
and tell me just what you mean by all this."
|
|
|
|
But Page remained standing. She met her sister's gaze
|
|
without wavering.
|
|
|
|
"Do you want me to believe," she answered, "that it
|
|
made no difference to you that Mr. Corthell's match
|
|
safe was here?"
|
|
|
|
"Not the least," exclaimed Laura. "Not the least."
|
|
|
|
"Then why did you search for it so when you came in? I
|
|
was not asleep all of the time. I saw you."
|
|
|
|
"Because," answered Laura, "because--I--because--"
|
|
Then all at once she burst out afresh: "Have I got to
|
|
answer to you for what I do? Have I got to explain? All
|
|
your life long you've pretended to judge your sister.
|
|
Now you've gone too far. Now I forbid it--from this
|
|
day on. What I do is my affair; I'll ask nobody's
|
|
advice. I'll do as I please, do you understand?" The
|
|
tears sprang to her eyes, the sobs strangled in her
|
|
throat. "I'll do as I please, as I please," and with
|
|
the words she sank down in the chair by her desk and
|
|
struck her bare knuckles again and again upon the open
|
|
lid, crying out through her tears and her sobs, and
|
|
from between her tight-shut teeth: "I'll do as I
|
|
please, do you understand? As I please, as I please! I
|
|
will be happy. I will, I will, I will!"
|
|
|
|
"Oh, darling, dearest----" cried Page, running forward.
|
|
But Laura, on her feet once more, thrust her back.
|
|
|
|
"Don't touch me," she cried. "I hate you!" She put her
|
|
fists to her temples and, her eyes closed, rocked
|
|
herself to and fro. "Don't you touch me. Go away from
|
|
me; go away from me. I hate you; I hate you all. I
|
|
hate this house, I hate this life. You are all killing
|
|
me. Oh, my God, if I could only die!"
|
|
|
|
She flung herself full length upon the couch, face
|
|
downward. Her sobs shook her from head to foot.
|
|
|
|
Page knelt at her side, an arm about her shoulder, but
|
|
to all her sister's consolations Laura, her voice
|
|
muffled in her folded arms, only cried:
|
|
|
|
"Let me alone, let me alone. Don't touch me."
|
|
|
|
For a time Page tried to make herself heard; then,
|
|
after a moment's reflection, she got up and drew out
|
|
the pin in Laura's hat. She took off the hat, loosened
|
|
the scarf around Laura's neck, and then deftly,
|
|
silently, while her sister lay inert and sobbing
|
|
beneath her hands, removed the stiff, tight riding-
|
|
habit. She brought a towel dipped in cold water from
|
|
the adjoining room and bathed Laura's face and hands.
|
|
|
|
But her sister would not be comforted, would not
|
|
respond to her entreaties or caresses. The better part
|
|
of an hour went by; Page, knowing her sister's nature,
|
|
in the end held her peace, waiting for the paroxysm to
|
|
wear itself out.
|
|
|
|
After a while Laura's weeping resolved itself into
|
|
long, shuddering breaths, and at length she managed to
|
|
say, in a faint, choked voice:
|
|
|
|
"Will you bring me the cologne from my dressing-table,
|
|
honey? My head aches so."
|
|
|
|
And, as Page ran towards the door, she added: "And my
|
|
hand mirror, too. Are my eyes all swollen?"
|
|
|
|
And that was the last word upon the subject between the
|
|
two sisters.
|
|
|
|
But the evening of the same day, between eight and nine
|
|
o'clock, while Laura was searching the shelves of the
|
|
library for a book with which to while away the long
|
|
evening that she knew impended, Corthell's card was
|
|
brought to her.
|
|
|
|
"I am not at home," she told the servant. "Or--wait,"
|
|
she added. Then, after a moment's thought, she said:
|
|
"Very well. Show him in here."
|
|
|
|
Laura received the artist, standing very erect and pale
|
|
upon the great white rug before the empty fireplace.
|
|
Her hands were behind her back when he came in, and as
|
|
he crossed the room she did not move.
|
|
|
|
"I was not going to see you at first," she said. "I
|
|
told the servant I was not at home. But I changed my
|
|
mind--I wanted to say something to you."
|
|
|
|
He stood at the other end of the fireplace, an elbow
|
|
upon an angle of the massive mantel, and as she spoke
|
|
the last words he looked at her quickly. As usual,
|
|
they were quite alone. The heavy, muffling curtain of
|
|
the doorway shut them in effectually.
|
|
|
|
"I have something to say to you," continued Laura.
|
|
Then, quietly enough, she said:
|
|
|
|
"You must not come to see me any more."
|
|
|
|
He turned abruptly away from her, and for a moment did
|
|
not speak. Then at last, his voice low, he faced her
|
|
again and asked:
|
|
|
|
"Have I offended?"
|
|
|
|
She shook her head.
|
|
|
|
"No," he said, quietly. "No, I knew it was not that."
|
|
There was a long silence. The artist looked at the
|
|
floor his hand slowly stroking the back of one of the
|
|
big leather chairs.
|
|
|
|
"I knew it must come," he answered, at length, "sooner
|
|
or later. You are right--of course. I should not have
|
|
come back to America. I should not have believed that
|
|
I was strong enough to trust myself. Then"--he looked
|
|
at her steadily. His words came from his lips one by
|
|
one, very slowly. His voice was hardly more than a
|
|
whisper. "Then, I am--never to see you--again... Is
|
|
that it?"
|
|
|
|
"Yes."
|
|
|
|
"Do you know what that means for me?" he cried. "Do
|
|
you realise----" he drew in his breath sharply. "Never
|
|
to see you again! To lose even the little that is left
|
|
to me now. I--I----" He turned away quickly and
|
|
walked to a window and stood a moment, his back turned,
|
|
looking out, his hands clasped behind him. Then, after
|
|
a long moment, he faced about. His manner was quiet
|
|
again, his voice very low.
|
|
|
|
"But before I go," he said, "will you answer me, at
|
|
least, this--it can do no harm now that I am to leave
|
|
you--answer me, and I know you will speak the truth:
|
|
Are you happy, Laura?"
|
|
|
|
She closed her eyes.
|
|
|
|
"You have not the right to know."
|
|
|
|
"You are not happy," he declared. "I can see it, I
|
|
know it. If you were, you would have told me so.... If
|
|
I promise you," he went on. "If I promise you to go
|
|
away now, and never to try to see you again, may I come
|
|
once more--to say good-by?"
|
|
|
|
She shook her head.
|
|
|
|
"It is so little for you to grant," he pleaded, "and it
|
|
is so incalculably much for me to look forward to in
|
|
the little time that yet remains. I do not even ask to
|
|
see you alone. I will not harass you with any
|
|
heroics."
|
|
|
|
"Oh, what good will it do," she cried, wearily, "for
|
|
you to see me again? Why will you make me more unhappy
|
|
than I am? Why did you come back?"
|
|
|
|
"Because," he answered, steadily, "because I love you
|
|
more than"--he partly raised a clenched fist and let it
|
|
fall slowly upon the back of the chair," more than any
|
|
other consideration in the world."
|
|
|
|
"Don't!" she cried. "You must not. Never, never say
|
|
that to me again. Will you go--please?"
|
|
|
|
"Oh, if I had not gone from you four years ago!" he
|
|
cried. "If I had only stayed then! Not a day of my
|
|
life since that I have not regretted it. You could
|
|
have loved me then. I know it, I know it, and, God
|
|
forgive me, but I know you could love me now----"
|
|
|
|
"Will you go?" she cried.
|
|
|
|
"I dare you to say you could not," he flashed out
|
|
|
|
Laura shut her eyes and put her hands over her ears.
|
|
"I could not, I could not," she murmured, monotonously,
|
|
over and over again. "I could not, I could not."
|
|
|
|
She heard him start suddenly, and opened her eyes in
|
|
time to see him come quickly towards her. She threw
|
|
out a defensive hand, but he caught the arm itself to
|
|
him and, before she could resist, had kissed it again
|
|
and again through the interstices of the lace sleeve.
|
|
Upon her bare shoulder she felt the sudden passion of
|
|
his lips.
|
|
|
|
A quick, sharp gasp, a sudden qualm of breathlessness
|
|
wrenched through her, to her very finger tips, with a
|
|
fierce leap of the blood, a wild bound of the heart.
|
|
|
|
She tore back from him with a violence that rent away
|
|
the lace upon her arm, and stood off from him, erect
|
|
and rigid, a fine, delicate, trembling vibrating
|
|
through all her being. On her pale cheeks the colour
|
|
suddenly flamed.
|
|
|
|
"Go, go," was all she had voice to utter.
|
|
|
|
"And may I see you once more--only once?"
|
|
|
|
"Yes, yes, anything, only go, go--if you love me!"
|
|
|
|
He left the room. In another moment she heard the
|
|
front door close.
|
|
|
|
"Curtis," said Laura, when next she saw her husband,
|
|
"Curtis, you could not--stay with me, that last time.
|
|
Remember? When we were to go for a drive. Can you
|
|
spend this evening with me? Just us two, here at home--
|
|
or I'll go out with you. I'll do anything you say."
|
|
She looked at him steadily an instant. "It is not--not
|
|
easy for a woman to ask--for me to ask favours like
|
|
this. Each time I tell myself it will be the last. I
|
|
am--you must remember this, Curtis, I am--perhaps I am
|
|
a little proud. Don't you see?"
|
|
|
|
They were at breakfast table again. It was the morning
|
|
after Laura had given Corthell his dismissal. As she
|
|
spoke Jadwin brought his hand down upon the table with
|
|
a bang.
|
|
|
|
"You bet I will," he exclaimed; "you bet I'll stay with
|
|
you to-night. Business can go to the devil! And we
|
|
won't go out either; we'll stay right here. You get
|
|
something to read to me, and we'll have one of our old
|
|
evenings again. We----"
|
|
|
|
All at once Jadwin paused, laid down his knife and
|
|
fork, and looked strangely to and fro about the room.
|
|
|
|
"We'll have one of our old evenings again," he
|
|
repeated, slowly.
|
|
|
|
"What is it, Curtis?" demanded his wife. "What is the
|
|
matter?"
|
|
|
|
"Oh--nothing," he answered.
|
|
|
|
"Why, yes there was. Tell me."
|
|
|
|
"No, no. I'm all right now," he returned, briskly
|
|
enough.
|
|
|
|
"No," she insisted. "You must tell me. Are you sick?"
|
|
|
|
He hesitated a moment. Then:
|
|
|
|
"Sick?" he queried. "No, indeed. But--I'll tell you.
|
|
Since a few days I've had," he put his fingers to his
|
|
forehead between his eyes, "I've had a queer sensation
|
|
right there. It comes and goes."
|
|
|
|
"A headache?"
|
|
|
|
"N-no. It's hard to describe. A sort of numbness.
|
|
Sometimes it's as though there was a heavy iron cap--a
|
|
helmet on my head. And sometimes it--I don't know it
|
|
seems as if there were fog, or something or other,
|
|
inside. I'll take a good long rest this summer, as
|
|
soon as we can get away. Another month or six weeks,
|
|
and I'll have things ship-shape and so as I can leave
|
|
them. Then we'll go up to Geneva, and, by Jingo, I'll
|
|
loaf." He was silent for a moment, frowning, passing
|
|
his hand across his forehead and winking his eyes.
|
|
Then, with a return of his usual alertness, he looked
|
|
at his watch.
|
|
|
|
"Hi!" he exclaimed. "I must be off. I won't be home
|
|
to dinner to-night. But you can expect me by eight
|
|
o'clock, sure. I promise I'll be here on the minute.
|
|
|
|
But, as he kissed his wife good-by, Laura put her arms
|
|
about his neck.
|
|
|
|
"Oh, I don't want you to leave me at all, ever, ever!
|
|
Curtis, love me, love me always, dear. And be
|
|
thoughtful of me and kind to me. And remember that you
|
|
are all I have in the world; you are father and mother
|
|
to me, and my dear husband as well. I know you do love
|
|
me; but there are times--Oh," she cried, suddenly "if I
|
|
thought you did not love me--love me better than
|
|
anything, anything--I could not love you; Curtis, I
|
|
could not, I could not. No, no," she cried, "don't
|
|
interrupt. Hear me out. Maybe it is wrong of me to
|
|
feel that way, but I'm only a woman, dear. I love you
|
|
but I love Love too. Women are like that; right or
|
|
wrong, weak or strong, they must be--must be loved
|
|
above everything else in the world. Now go, go to your
|
|
business; you mustn't be late. Hark, there is Jarvis
|
|
with the team. Go now. Good-by, good-by, and I'll
|
|
expect you at eight."
|
|
|
|
True to his word, Jadwin reached his home that evening
|
|
promptly at the promised hour. As he came into the
|
|
house, however, the door-man met him in the hall, and,
|
|
as he took his master's hat and stick, explained that
|
|
Mrs. Jadwin was in the art gallery, and that she had
|
|
said he was to come there at once.
|
|
|
|
Laura had planned a little surprise. The art gallery
|
|
was darkened. Here and there behind the dull-blue
|
|
shades a light burned low. But one of the movable
|
|
reflectors that were used to throw a light upon the
|
|
pictures in the topmost rows was burning brilliantly.
|
|
It was turned from Jadwin as he entered, and its broad
|
|
cone of intense white light was thrown full upon Laura,
|
|
who stood over against the organ in the full costume of
|
|
"Theodora."
|
|
|
|
For an instant Jadwin was taken all aback.
|
|
|
|
"What the devil!," he ejaculated, stopping short in the
|
|
doorway.
|
|
|
|
Laura ran forward to him, the chains, ornaments, and
|
|
swinging pendants chiming furiously as she moved.
|
|
|
|
"I did surprise you, I did surprise you," she laughed.
|
|
"Isn't it gorgeous?" She turned about before him, her
|
|
arms raised. "Isn't it superb? Do you remember
|
|
Bernhardt--and that scene in the Emperor Justinian's
|
|
box at the amphitheatre? Say now that your wife isn't
|
|
beautiful. I am, am I not?" she exclaimed defiantly,
|
|
her head raised. "Say it, say it."
|
|
|
|
"Well, what for a girl!" gasped Jadwin, "to get herself
|
|
up----"
|
|
|
|
"Say that I am beautiful," commanded Laura.
|
|
|
|
"Well, I just about guess you are," he cried.
|
|
|
|
"The most beautiful woman you have ever known? she
|
|
insisted. Then on the instant added: "Oh, I may be
|
|
really as plain as a kitchen-maid, but you must believe
|
|
that I am not. I would rather be ugly and have you
|
|
think me beautiful, than to be the most beautiful woman
|
|
in the world and have you think me plain. Tell me--am
|
|
I not the most beautiful woman you ever saw?"
|
|
|
|
"The most beautiful I ever saw," he repeated,
|
|
fervently. "But--Lord, what will you do next?
|
|
Whatever put it into your head to get into this rig?"
|
|
|
|
"Oh, I don't know. I just took the notion. You've
|
|
seen me in every one of my gowns. I sent down for
|
|
this, this morning, just after you left. Curtis, if
|
|
you hadn't made me love you enough to be your wife,
|
|
Laura Dearborn would have been a great actress. I feel
|
|
it in my finger tips. Ah!" she cried, suddenly
|
|
flinging up her head till the pendants of the crown
|
|
clashed again. "I could have been magnificent. You
|
|
don't believe it. Listen. This is Athalia--the queen
|
|
in the Old Testament, you remember."
|
|
|
|
"Hold on," he protested. "I thought you were this
|
|
Theodora person."
|
|
|
|
"I know--but never mind. I am anything I choose. Sit
|
|
down; listen. It's from Racine's 'Athalie,' and the
|
|
wicked queen has had this terrible dream of her mother
|
|
Jezabel. It's French, but I'll make you see."
|
|
|
|
And "taking stage," as it were, in the centre of the
|
|
room, Laura began:
|
|
|
|
"Son ombre vers mon lit a paru se baisser
|
|
Et moi, je lui tendais les mains pour l'embrasser;
|
|
Mais je n'ai plus trouve q'un horrible melange
|
|
D'os et de chair meurtris et traines dans la fange,
|
|
Des lambeaux pleins de sang, et des membres affreux
|
|
Que les chiens d'evorants se disputaient entre eux."
|
|
|
|
"Great God!" exclaimed Jadwin, ignorant of the words
|
|
yet, in spite of himself, carried away by the fury and
|
|
passion of her rendering.
|
|
|
|
Laura struck her palms together.
|
|
|
|
"Just what 'Abner' says," she cried. "The very words."
|
|
|
|
"Abner?"
|
|
|
|
"In the play. I knew I could make you feel it."
|
|
|
|
"Well, well," murmured her husband, shaking his head,
|
|
bewildered even yet. "Well, it's a strange wife I've
|
|
got here."
|
|
|
|
"When you've realised that," returned Laura, "you've
|
|
just begun to understand me."
|
|
|
|
Never had he seen her gayer. Her vivacity was
|
|
bewildering.
|
|
|
|
"I wish," she cried, all at once, "I wish I had dressed
|
|
as 'Carmen,' and I would have danced for you. Oh, and
|
|
you could have played the air for me on the organ. I
|
|
have the costume upstairs now. Wait! I will, I will!
|
|
Sit right where you are--no, fix the attachment to the
|
|
organ while I'm gone. Oh, be gay with me to-night, she
|
|
cried, throwing her arms around him. "This is my
|
|
night, isn't it? And I am to be just as foolish as I
|
|
please."
|
|
|
|
With the words she ran from the room, but was back in
|
|
an incredibly short time, gowned as Bizet's cigarette
|
|
girl, a red rose in her black hair, castanets upon her
|
|
fingers.
|
|
|
|
Jadwin began the bolero.
|
|
|
|
"Can you see me dance, and play at the same time?"
|
|
|
|
"Yes, yes. Go on. How do you know anything about a
|
|
Spanish dance?"
|
|
|
|
"I learned it long ago. I know everything about
|
|
anything I choose, to-night. Play, play it _fast._
|
|
|
|
She danced as though she would never tire, with the
|
|
same force of passion that she had thrown into Athalie.
|
|
Her yellow skirt was a flash of flame spurting from the
|
|
floor, and her whole body seemed to move with the same
|
|
wild, untamed spirit as a tongue of fire. The
|
|
castanets snapped like the crackling of sparks; her
|
|
black mantilla was a hovering cloud of smoke. She was
|
|
incarnate flame, capricious and riotous, elusive and
|
|
dazzling.
|
|
|
|
Then suddenly she tossed the castanets far across the
|
|
room and dropped upon the couch, panting and laughing.
|
|
|
|
"There," she cried, "now I feel better. That had to
|
|
come out. Come over here and sit by me. Now, maybe
|
|
you'll admit that I can dance too."
|
|
|
|
"You sure can," answered Jadwin, as she made a place
|
|
for him among the cushions. "That was wonderful. But,
|
|
at the same time, old girl, I wouldn't--wouldn't----"
|
|
|
|
"Wouldn't what?"
|
|
|
|
"Well, do too much of that. It's sort of over-wrought--
|
|
a little, and unnatural. I like you best when you are
|
|
your old self, quiet, and calm, and dignified. It's
|
|
when you are quiet that you are at your best. I didn't
|
|
know you had this streak in you. You are that
|
|
excitable to-night!"
|
|
|
|
"Let me be so then. It's myself, for the moment
|
|
whatever it is. But now I'll be quiet. Now we'll
|
|
talk. Have you had a hard day? Oh, and did your head
|
|
bother you again?"
|
|
|
|
"No, things were a little easier down town to-day. But
|
|
that queer feeling in my head did come back as I was
|
|
coming home--and my head aches a little now, besides."
|
|
|
|
"Your head aches!" she exclaimed. "Let me do something
|
|
for it. And I've been making it worse with all my
|
|
foolishness."
|
|
|
|
"No, no; that's all right," he assured her. "I tell
|
|
you what we'll do. I'll lie down here a bit, and you
|
|
play something for me. Something quiet. I get so
|
|
tired down there in La Salle Street, Laura, you don't
|
|
know."
|
|
|
|
And while he stretched out at full length upon the
|
|
couch, his wife, at the organ, played the music she
|
|
knew he liked best--old songs, "Daisy Dean," "Lord
|
|
Lovell," "When Stars Are in the Quiet Sky," and "Open
|
|
Thy Lattice to Me."
|
|
|
|
When at length she paused, he nodded his head with
|
|
pleasure.
|
|
|
|
"That's pretty," he said. "Ah, that _is_ blame pretty.
|
|
Honey, it's just like medicine to me," he continued,
|
|
"to lie here, quiet like this, with the lights low, and
|
|
have my dear girl play those old, old tunes. My old
|
|
governor, Laura, used to play that 'Open the Lattice to
|
|
me,' that and 'Father, oh, Father, Come Home with me
|
|
Now'--used to play 'em on his fiddle." His arm under
|
|
his head, he went on, looking vaguely at the opposite
|
|
wall. "Lord love me, I can see that kitchen in the old
|
|
farmhouse as plain! The walls were just logs and
|
|
plaster, and there were upright supports in each
|
|
corner, where we used to measure our heights--we
|
|
children. And the fireplace was there," he added,
|
|
gesturing with his arm, "and there was the wood box,
|
|
and over here was an old kind of dresser with drawers,
|
|
and the torty-shell cat always had her kittens under
|
|
there. Honey, I was happy then. Of course I've got
|
|
you now, and that's all the difference in the world.
|
|
But you're the only thing that does make a difference.
|
|
We've got a fine place and a mint of money I suppose--
|
|
and I'm proud of it. But I don't know.... If they'd
|
|
let me be and put us two--just you and me--back in the
|
|
old house with the bare floors and the rawhide chairs
|
|
and the shuck beds, I guess we'd manage. If you're
|
|
happy, you're happy; that's about the size of it. And
|
|
sometimes I think that we'd be happier--you and I--
|
|
chumming along shoulder to shoulder, poor an' working
|
|
hard, than making big money an' spending big money,
|
|
why--oh, I don't know ... if you're happy, that's the
|
|
thing that counts, and if all this stuff," he kicked
|
|
out a careless foot at the pictures, the heavy
|
|
hangings, the glass cabinets of bibelots, "if all this
|
|
stuff stood in the way of it--well--it could go to the
|
|
devil! That's not poetry maybe, but it's the truth."
|
|
|
|
Laura came over to where her husband lay, and sat by
|
|
him, and took his head in her lap, smoothing his
|
|
forehead with her long white hands.
|
|
|
|
"Oh, if I could only keep you like this always," she
|
|
murmured. "Keep you untroubled, and kind, and true.
|
|
This is my husband again. Oh, you are a man, Curtis; a
|
|
great, strong, kind-hearted man, with no little graces,
|
|
nor petty culture, nor trivial fine speeches, nor false
|
|
sham, imitation polish. I love you. Ah, I love you,
|
|
love you, dear!"
|
|
|
|
"Old girl!" said Jadwin, stroking her hand.
|
|
|
|
"Do you want me to read to you now?" she asked.
|
|
|
|
"Just this is pretty good, it seems to me."
|
|
|
|
As he spoke, there came a step in the hall and a knock.
|
|
|
|
Laura sat up, frowning.
|
|
|
|
"I told them I was not to be disturbed," she exclaimed
|
|
under her breath. Then, "Come in," she called.
|
|
|
|
"Mr. Gretry, sir," announced the servant. "Said he
|
|
wished to see you at once, sir."
|
|
|
|
"Tell him," cried Laura, turning quickly to Jadwin,
|
|
"tell him you're not at home--that you can't see him."
|
|
|
|
"I've got to see him," answered Jadwin, sitting up.
|
|
"He wouldn't come here himself unless it was for
|
|
something important."
|
|
|
|
"Can I come in, J.?" spoke the broker, from the hall.
|
|
And even through the thick curtains they could hear how
|
|
his voice rang with excitement and anxiety.
|
|
|
|
"Can I come in? I followed the servant right up, you
|
|
see. I know----"
|
|
|
|
"Yes, yes. Come in," answered Jadwin. Laura, her face
|
|
flushing, threw a fold of the couch cover over her
|
|
costume as Gretry, his hat still on his head, stepped
|
|
quickly into the room.
|
|
|
|
Jadwin met him half way, and Laura from her place on
|
|
the couch heard the rapidly spoken words between the
|
|
general and his lieutenant.
|
|
|
|
"Now we're in for it!" Gretry exclaimed.
|
|
|
|
"Yes--well?" Jadwin's voice was as incisive and quick
|
|
as the fall of an axe.
|
|
|
|
"I've just found out," said Gretry, "that Crookes and
|
|
his crowd are going to take hold to-morrow. There'll
|
|
be hell to pay in the morning. They are going to
|
|
attack us the minute the gong goes."
|
|
|
|
"Who's with them?"
|
|
|
|
"I don't know; nobody does. Sweeny, of course. But he
|
|
has a gang back of him--besides, he's got good credit
|
|
with the banks. I told you you'd have to fight him
|
|
sooner or later."
|
|
|
|
"Well, we'll fight him then. Don't get scared.
|
|
Crookes ain't the Great Mogul."
|
|
|
|
"Holy Moses, I'd like to know who is, then."
|
|
|
|
"_I_ am. And he's got to know it. There's not room
|
|
for Crookes and me in this game. One of us two has got
|
|
to control this market. If he gets in my way, by God,
|
|
I'll smash him!"
|
|
|
|
"Well, then, J., you and I have got to do some tall
|
|
talking to-night. You'd better come down to the Grand
|
|
Pacific Hotel right away. Court is there already. It
|
|
was him, nervy little cuss, that found out about
|
|
Crookes. Can you come now, at once? Good evening,
|
|
Mrs. Jadwin. I'm sorry to take him from you, but
|
|
business is business."
|
|
|
|
No, it was not. To the wife of the great manipulator,
|
|
listening with a sinking heart to this courier from the
|
|
front, it was battle. The Battle of the Streets was
|
|
again in array. Again the trumpet sounded, again the
|
|
rush of thousands of feet filled all the air. Even
|
|
here, here in her home, her husband's head upon her
|
|
lap, in the quiet and stillness of her hour, the
|
|
distant rumble came to her ears. Somewhere, far off
|
|
there in the darkness of the night, the great forces
|
|
were manoeuvring for position once more. To-morrow
|
|
would come the grapple, and one or the other must fall--
|
|
her husband or the enemy. How keep him to herself
|
|
when the great conflict impended? She knew how the
|
|
thunder of the captains and the shoutings appealed to
|
|
him. She had seen him almost leap to his arms out of
|
|
her embrace. He was all the man she had called him,
|
|
and less strong, less eager, less brave, she would have
|
|
loved him less.
|
|
|
|
Yet she had lost him again, lost him at the very moment
|
|
she believed she had won him back.
|
|
|
|
"Don't go, don't go," she whispered to him, as he
|
|
kissed her good-by. "Oh, dearest, don't go! This was
|
|
my evening."
|
|
|
|
"I must, I must, Laura. Good-by, old girl. Don't keep
|
|
me--see, Sam is waiting."
|
|
|
|
He kissed her hastily twice.
|
|
|
|
"Now, Sam," he said, turning toward the broker.
|
|
|
|
"Good night, Mrs. Jadwin.',
|
|
|
|
"Good-by, old girl."
|
|
|
|
They turned toward the door.
|
|
|
|
"You see, young Court was down there at the bank, and
|
|
he noticed that checks----"
|
|
|
|
The voices died away as the hangings of the entrance
|
|
fell to place. The front door clashed and closed.
|
|
|
|
Laura sat upright in her place, listening, one fist
|
|
pressed against her lips.
|
|
|
|
There was no more noise. The silence of the vast empty
|
|
house widened around her at the shutting of the door as
|
|
the ripples widen on a pool with the falling of the
|
|
stone. She crushed her knuckles tighter and tighter
|
|
over her lips, she pressed her fingers to her eyes, she
|
|
slowly clasped and reclasped her hands, listening for
|
|
what she did not know. She thought of her husband
|
|
hurrying away from her, ignoring her, and her love for
|
|
him in the haste and heat of battle. She thought of
|
|
Corthell, whom she had sent from her, forever, shutting
|
|
his love from out her life.
|
|
|
|
Crushed, broken, Laura laid herself down among the
|
|
cushions, her face buried in her arm. Above her and
|
|
around her rose the dimly lit gallery, lowering with
|
|
luminous shadows. Only a point or two of light
|
|
illuminated the place. The gold frames of the pictures
|
|
reflected it dully; the massive organ pipes, just
|
|
outlined in faint blurs of light, towered far into the
|
|
gloom above. The whole place, with its half-seen
|
|
gorgeous hangings, its darkened magnificence, was like
|
|
a huge, dim interior of Byzantium.
|
|
|
|
Lost, beneath the great height of the dome, and in the
|
|
wide reach of the floor space, in her foolish finery of
|
|
bangles, silks, high comb, and little rosetted
|
|
slippers, Laura Jadwin lay half hidden among the
|
|
cushions of the couch. If she wept, she wept in
|
|
silence, and the muffling stillness of the lofty
|
|
gallery was broken but once, when a cry, half whisper,
|
|
half sob, rose to the deaf, blind darkness:
|
|
|
|
"Oh, now I am alone, alone, alone!"
|
|
|
|
IX
|
|
|
|
"Well, that's about all then, I guess," said Gretry at
|
|
last, as he pushed back his chair and rose from the
|
|
table.
|
|
|
|
He and Jadwin were in a room on the third floor of the
|
|
Grand Pacific Hotel, facing Jackson Street. It was
|
|
three o'clock in the morning. Both men were in their
|
|
shirt-sleeves; the table at which they had been sitting
|
|
was scattered over with papers, telegraph blanks, and
|
|
at Jadwin's elbow stood a lacquer tray filled with the
|
|
stumps of cigars and burnt matches, together with one
|
|
of the hotel pitchers of ice water.
|
|
|
|
"Yes," assented Jadwin, absently, running through a
|
|
sheaf of telegrams, "that's all we can do--until we see
|
|
what kind of a game Crookes means to play. I'll be at
|
|
your office by eight."
|
|
|
|
"Well," said the broker, getting into his coat, "I
|
|
guess I'll go to my room and try to get a little sleep.
|
|
I wish I could see how we'll be to-morrow night at this
|
|
time."
|
|
|
|
Jadwin made a sharp movement of impatience.
|
|
|
|
"Damnation, Sam, aren't you ever going to let up
|
|
croaking? If you're afraid of this thing, get out of
|
|
it. Haven't I got enough to bother me?"
|
|
|
|
"Oh, say! Say, hold on, hold on, old man,"
|
|
remonstrated the broker, in an injured voice. "You're
|
|
terrible touchy sometimes, J., of late. I was only
|
|
trying to look ahead a little. Don't think I want to
|
|
back out. You ought to know me by this time, J."
|
|
|
|
"There, there, I'm sorry, Sam," Jadwin hastened to
|
|
answer, getting up and shaking the other by the
|
|
shoulder. "I _am_ touchy these days. There's so many
|
|
things to think of, and all at the same time. I do get
|
|
nervous. I never slept one little wink last night--and
|
|
you know the night before I didn't turn in till two in
|
|
the morning."
|
|
|
|
"Lord, you go swearing and damning 'round here like a
|
|
pirate sometimes, J.," Gretry went on. "I haven't
|
|
heard you cuss before in twenty years. Look out, now,
|
|
that I don't tell on you to your Sunday-school
|
|
superintendents."
|
|
|
|
"I guess they'd cuss, too," observed Jadwin, "if they
|
|
were long forty million wheat, and had to know just
|
|
where every hatful of it was every second of the time.
|
|
It was all very well for us to whoop about swinging a
|
|
corner that afternoon in your office. But the real
|
|
thing--well, you don't have any trouble keeping awake.
|
|
Do you suppose we can keep the fact of our corner dark
|
|
much longer?"
|
|
|
|
"I fancy not," answered the broker, putting on his hat
|
|
and thrusting his papers into his breast pocket. "If
|
|
we bust Crookes, it'll come out--and it won't matter
|
|
then. I think we've got all the shorts there are."
|
|
|
|
"I'm laying particularly for Dave Scannel," remarked
|
|
Jadwin. "I hope he's in up to his neck, and if he is,
|
|
by the Great Horn Spoon, I'll bankrupt him, or my name
|
|
is not Jadwin! I'll wring him bone-dry. If I once get
|
|
a twist of that rat, I won't leave him hide nor hair to
|
|
cover the wart he calls his heart."
|
|
|
|
"Why, what all has Scannel ever done to you?" demanded
|
|
the other, amazed.
|
|
|
|
"Nothing, but I found out the other day that old
|
|
Hargus--poor old, broken-backed, half-starved Hargus--I
|
|
found out that it was Scannel that ruined him. Hargus
|
|
and he had a big deal on, you know--oh, ages ago--and
|
|
Scannel sold out on him. Great God, it was the
|
|
dirtiest, damnedest treachery I ever heard of! Scannel
|
|
made his pile, and what's Hargus now? Why, he's a
|
|
scarecrow. And he has a little niece that he supports,
|
|
heaven only knows how. I've seen her, and she's pretty
|
|
as a picture. Well, that's all right; I'm going to
|
|
carry fifty thousand wheat for Hargus, and I've got
|
|
another scheme for him, too. By God, the poor old boy
|
|
won't go hungry again if I know it! But if I lay my
|
|
hands on Scannel--if we catch him in the corner--holy,
|
|
suffering Moses, but I'll make him squeal!"
|
|
|
|
Gretry nodded, to say he understood and approved.
|
|
|
|
"I guess you've got him," he remarked. "Well, I must
|
|
get to bed. Good night, J."
|
|
|
|
"Good night, Sam. See you in the morning."
|
|
|
|
And before the door of the room was closed, Jadwin was
|
|
back at the table again. Once more, painfully,
|
|
toilfully, he went over his plans, retesting, altering,
|
|
recombining, his hands full of lists, of despatches,
|
|
and of endless columns of memoranda. Occasionally he
|
|
murmured fragments of sentences to himself. "H'm ... I
|
|
must look out for that.... They can't touch us
|
|
there.... The annex of that Nickel Plate elevator will
|
|
hold--let's see ... half a million.... If I buy the
|
|
grain within five days after arrival I've got to pay
|
|
storage, which is, let's see--three-quarters of a cent
|
|
times eighty thousand...."
|
|
|
|
An hour passed. At length Jadwin pushed back from the
|
|
table, drank a glass of ice water, and rose,
|
|
stretching.
|
|
|
|
"Lord, I must get some sleep," he muttered.
|
|
|
|
He threw off his clothes and went to bed, but even as
|
|
he composed himself to sleep, the noises of the street
|
|
in the awakening city invaded the room through the
|
|
chink of the window he had left open. The noises were
|
|
vague. They blended easily into a far-off murmur; they
|
|
came nearer; they developed into a cadence:
|
|
|
|
"Wheat-wheat-wheat, wheat-wheat-wheat."
|
|
|
|
Jadwin roused up. He had just been dropping off to
|
|
sleep. He rose and shut the window, and again threw
|
|
himself down. He was weary to death; not a nerve of
|
|
his body that did not droop and flag. His eyes closed
|
|
slowly. Then, all at once, his whole body twitched
|
|
sharply in a sudden spasm, a simultaneous recoil of
|
|
every muscle. His heart began to beat rapidly, his
|
|
breath failed him. Broad awake, he sat up in bed.
|
|
|
|
"H'm!" he muttered. "That was a start--must have been
|
|
dreaming, surely."
|
|
|
|
Then he paused, frowning, his eyes narrowing; he looked
|
|
to and fro about the room, lit by the subdued glow that
|
|
came in through the transom from a globe in the hall
|
|
outside. Slowly his hand went to his forehead.
|
|
|
|
With almost the abruptness of a blow, that strange,
|
|
indescribable sensation had returned to his head. It
|
|
was as though he were struggling with a fog in the
|
|
interior of his brain; or again it was a numbness, a
|
|
weight, or sometimes it had more of the feeling of a
|
|
heavy, tight-drawn band across his temples.
|
|
|
|
"Smoking too much, I guess," murmured Jadwin. But he
|
|
knew this was not the reason, and as he spoke, there
|
|
smote across his face the first indefinite sensation of
|
|
an unnamed fear.
|
|
|
|
He gave a quick, short breath, and straightened
|
|
himself, passing his hands over his face.
|
|
|
|
"What the deuce," he muttered, "does this mean?"
|
|
|
|
For a long moment he remained sitting upright in bed,
|
|
looking from wall to wall of the room. He felt a
|
|
little calmer. He shrugged his shoulders impatiently.
|
|
|
|
"Look here," he said to the opposite wall, "I guess I'm
|
|
not a schoolgirl, to have nerves at this late date.
|
|
High time to get to sleep, if I'm to mix things with
|
|
Crookes to-morrow."
|
|
|
|
But he could not sleep. While the city woke to its
|
|
multitudinous life below his windows, while the grey
|
|
light of morning drowned the yellow haze from the gas
|
|
jet that came through the transom, while the "early
|
|
call" alarms rang in neighbouring rooms, Curtis Jadwin
|
|
lay awake, staring at the ceiling, now concentrating
|
|
his thoughts upon the vast operation in which he found
|
|
himself engaged, following out again all its
|
|
complexities, its inconceivable ramifications, or now
|
|
puzzling over the inexplicable numbness, the queer,
|
|
dull weight that descended upon his brain so soon as he
|
|
allowed its activity to relax.
|
|
|
|
By five o'clock he found it intolerable to remain
|
|
longer in bed; he rose, bathed, dressed, ordered his
|
|
breakfast, and, descending to the office of the hotel,
|
|
read the earliest editions of the morning papers for
|
|
half an hour.
|
|
|
|
Then, at last, as he sat in the corner of the office
|
|
deep in an armchair, the tired shoulders began to
|
|
droop, the wearied head to nod. The paper slipped from
|
|
his fingers, his chin sank upon his collar.
|
|
|
|
To his ears the early clamour of the street, the cries
|
|
of newsboys, the rattle of drays came in a dull murmur.
|
|
It seemed to him that very far off a great throng was
|
|
forming. It was menacing, shouting. It stirred, it
|
|
moved, it was advancing. It came galloping down the
|
|
street, shouting with insensate fury; now it was at the
|
|
corner, now it burst into the entrance of the hotel.
|
|
Its clamour was deafening, but intelligible. For a
|
|
thousand, a million, forty million voices were shouting
|
|
in cadence:
|
|
|
|
"Wheat-wheat-wheat, wheat-wheat-wheat."
|
|
|
|
Jadwin woke abruptly, half starting from his chair.
|
|
The morning sun was coming in through the windows; the
|
|
clock above the hotel desk was striking seven, and a
|
|
waiter stood at his elbow, saying:
|
|
|
|
"Your breakfast is served, Mr. Jadwin."
|
|
|
|
He had no appetite. He could eat nothing but a few
|
|
mouthfuls of toast, and long before the appointed hour
|
|
he sat in Gretry's office, waiting for the broker to
|
|
appear, drumming on the arm of his chair, plucking at
|
|
the buttons of his coat, and wondering why it was that
|
|
every now and then all the objects in his range of
|
|
vision seemed to move slowly back and stand upon the
|
|
same plane.
|
|
|
|
By degrees he lapsed into a sort of lethargy, a
|
|
wretched counterfeit of sleep, his eyes half closed,
|
|
his breath irregular. But, such as it was, it was
|
|
infinitely grateful. The little, over-driven cogs and
|
|
wheels of the mind, at least, moved more slowly.
|
|
Perhaps by and by this might actually develop into
|
|
genuine, blessed oblivion.
|
|
|
|
But there was a quick step outside the door. Gretry
|
|
came in.
|
|
|
|
"Oh, J.! Here already, are you? Well, Crookes will
|
|
begin to sell at the very tap of the bell."
|
|
|
|
"He will, hey?" Jadwin was on his feet. Instantly the
|
|
jaded nerves braced taut again; instantly the tiny
|
|
machinery of the brain spun again at its fullest limit.
|
|
"He's going to try to sell us out, is he? All right.
|
|
We'll sell, too. We'll see who can sell the most--
|
|
Crookes or Jadwin."
|
|
|
|
"Sell! You mean buy, of course."
|
|
|
|
"No, I don't. I've been thinking it over since you
|
|
left last night. Wheat is worth exactly what it is
|
|
selling for this blessed day. I've not inflated it up
|
|
one single eighth yet; Crookes thinks I have. Good
|
|
Lord, I can read him like a book! He thinks I've
|
|
boosted the stuff above what it's worth, and that a
|
|
little shove will send it down. He can send it down to
|
|
ten cents if he likes, but it'll jump back like a
|
|
rubber ball. I'll sell bushel for bushel with him as
|
|
long as he wants to keep it up."
|
|
|
|
"Heavens and earth, J.," exclaimed Gretry, with a long
|
|
breath, "the risk is about as big as holding up the
|
|
Bank of England. You are depreciating the value of
|
|
about forty million dollars' worth of your property
|
|
with every cent she breaks."
|
|
|
|
"You do as I tell you--you'll see I'm right," answered
|
|
Jadwin. "Get your boys in here, and we'll give 'em the
|
|
day's orders."
|
|
|
|
The "Crookes affair"--as among themselves the group of
|
|
men who centred about Jadwin spoke of it--was one of
|
|
the sharpest fights known on the Board of Trade for
|
|
many a long day. It developed with amazing
|
|
unexpectedness and was watched with breathless interest
|
|
from every produce exchange between the oceans.
|
|
|
|
It occupied every moment of each morning's session of
|
|
the Board of Trade for four furious, never-to-be-
|
|
forgotten days. Promptly at half-past nine o'clock on
|
|
Tuesday morning Crookes began to sell May wheat short,
|
|
and instantly, to the surprise of every Pit trader on
|
|
the floor, the price broke with his very first attack.
|
|
In twenty minutes it was down half a cent. Then came
|
|
the really big surprise of the day. Landry Court, the
|
|
known representative of the firm which all along had
|
|
fostered and encouraged the rise in the price, appeared
|
|
in the Pit, and instead of buying, upset all precedent
|
|
and all calculation by selling as freely as the Crookes
|
|
men themselves. For three days the battle went on.
|
|
But to the outside world--even to the Pit itself--it
|
|
seemed less a battle than a rout. The "Unknown Bull"
|
|
was down, was beaten at last. He had inflated the
|
|
price of the wheat, he had backed a false, an
|
|
artificial, and unwarrantable boom, and now he was
|
|
being broken. Ah Crookes knew when to strike. Here
|
|
was the great general--the real leader who so long had
|
|
held back.
|
|
|
|
By the end of the Friday session, Crookes and his
|
|
clique had sold five million bushels, "going short,"
|
|
promising to deliver wheat that they did not own, but
|
|
expected to buy at low prices. The market that day
|
|
closed at ninety-five.
|
|
|
|
Friday night, in Jadwin's room in the Grand Pacific, a
|
|
conference was held between Gretry, Landry Court, two
|
|
of Gretry's most trusted lieutenants, and Jadwin
|
|
himself. Two results issued from this conference. One
|
|
took the form of a cipher cable to Jadwin's Liverpool
|
|
agent, which, translated, read: "Buy all wheat that is
|
|
offered till market advances one penny." The other was
|
|
the general order issued to Landry Court and the four
|
|
other Pit traders for the Gretry-Converse house, to the
|
|
effect that in the morning they were to go into the Pit
|
|
and, making no demonstration, begin to buy back the
|
|
wheat they had been selling all the week. Each of them
|
|
was to buy one million bushels. Jadwin had, as Gretry
|
|
put it, "timed Crookes to a split second," foreseeing
|
|
the exact moment when he would make his supreme effort.
|
|
Sure enough, on that very Saturday Crookes was selling
|
|
more freely than ever, confident of breaking the Bull
|
|
ere the closing gong should ring.
|
|
|
|
But before the end of the morning wheat was up two
|
|
cents. Buying orders had poured in upon the market.
|
|
The price had stiffened almost of itself. Above the
|
|
indicator upon the great dial there seemed to be an
|
|
invisible, inexplicable magnet that lifted it higher
|
|
and higher, for all the strenuous efforts of the Bears
|
|
to drag it down.
|
|
|
|
A feeling of nervousness began to prevail. The small
|
|
traders, who had been wild to sell short during the
|
|
first days of the movement, began on Monday to cover a
|
|
little here and there.
|
|
|
|
"Now," declared Jadwin that night, "now's the time to
|
|
open up all along the line _hard._ If we start her
|
|
with a rush to-morrow morning, she'll go to a dollar
|
|
all by herself."
|
|
|
|
Tuesday morning, therefore, the Gretry-Converse traders
|
|
bought another five million bushels. The price under
|
|
this stimulus went up with the buoyancy of a feather.
|
|
The little shorts, more and more uneasy, and beginning
|
|
to cover by the scores, forced it up even higher.
|
|
|
|
The nervousness of the "crowd" increased. Perhaps,
|
|
after all, Crookes was not so omnipotent. Perhaps,
|
|
after all, the Unknown Bull had another fight in him.
|
|
Then the "outsiders" came into the market. All in a
|
|
moment all the traders were talking "higher prices."
|
|
Everybody now was as eager to buy as, a week before,
|
|
they had been eager to sell. The price went up by
|
|
convulsive bounds. Crookes dared not buy, dared not
|
|
purchase the wheat to make good his promises of
|
|
delivery, for fear of putting up the price on himself
|
|
higher still. Dismayed, chagrined, and humiliated, he
|
|
and his clique sat back inert, watching the tremendous
|
|
reaction, hoping against hope that the market would
|
|
break again.
|
|
|
|
But now it became difficult to get wheat at all. All
|
|
of a sudden nobody was selling. The buyers in the Pit
|
|
commenced to bid against each other, offering a dollar
|
|
and two cents. The wheat did not "come out." They bid
|
|
a dollar two and a half, a dollar two and five-eighths;
|
|
still no wheat. Frantic, they shook their fingers in
|
|
the very faces of Landry Court and the Gretry traders,
|
|
shouting: "A dollar, two and seven-eighths! A dollar,
|
|
three! Three and an eighth! A quarter! Three-eighths! A
|
|
half!" But the others shook their heads. Except on
|
|
extraordinary advances of a whole cent at a time, there
|
|
was no wheat for sale.
|
|
|
|
At the last-named price Crookes acknowledged defeat.
|
|
Somewhere in his big machine a screw had been loose.
|
|
Somehow he had miscalculated. So long as he and his
|
|
associates sold and sold and sold, the price would go
|
|
down. The instant they tried to cover there was no
|
|
wheat for sale, and the price leaped up again with an
|
|
elasticity that no power could control.
|
|
|
|
He saw now that he and his followers had to face a loss
|
|
of several cents a bushel on each one of the five
|
|
million they had sold. They had not been able to cover
|
|
one single sale, and the situation was back again
|
|
exactly as before his onslaught, the Unknown Bull in
|
|
securer control than ever before.
|
|
|
|
But Crookes had, at last, begun to suspect the true
|
|
condition of affairs, and now that the market was
|
|
hourly growing tighter and more congested, his
|
|
suspicion was confirmed. Alone, locked in his private
|
|
office, he thought it out, and at last remarked to
|
|
himself:
|
|
|
|
"Somebody has a great big line of wheat that is not on
|
|
the market at all. Somebody has got all the wheat
|
|
there is. I guess I know his name. I guess the
|
|
visible supply of May wheat in the Chicago market is
|
|
cornered."
|
|
|
|
This was at a time when the price stood at a dollar and
|
|
one cent. Crookes--who from the first had managed and
|
|
handled the operations of his confederates--knew very
|
|
well that if he now bought in all the wheat his clique
|
|
had sold short, the price would go up long before he
|
|
could complete the deal. He said nothing to the
|
|
others, further than that they should "hold on a little
|
|
longer, in the hopes of a turn," but very quietly he
|
|
began to cover his own personal sales--his share of the
|
|
five million sold by his clique. Foreseeing the
|
|
collapse of his scheme, he got out of the market; at a
|
|
loss, it was true, but still no more than he could
|
|
stand. If he "held on a little longer, in the hopes of
|
|
a turn," there was no telling how deep the Bull would
|
|
gore him. This was no time to think much about
|
|
"obligations." It had got to be "every man for himself"
|
|
by now.
|
|
|
|
A few days after this Crookes sat in his office in the
|
|
building in La Salle Street that bore his name. It was
|
|
about eleven o'clock in the morning. His dry, small,
|
|
beardless face creased a little at the corners of the
|
|
mouth as he heard the ticker chattering behind him. He
|
|
knew how the tape read. There had been another flurry
|
|
on the Board that morning, not half an hour since, and
|
|
wheat was up again. In the last thirty-six hours it
|
|
had advanced three cents, and he knew very well that at
|
|
that very minute the "boys" on the floor were offering
|
|
nine cents over the dollar for the May option--and not
|
|
getting it. The market was in a tumult. He fancied he
|
|
could almost hear the thunder of the Pit as it swirled.
|
|
All La Salle Street was listening and watching, all
|
|
Chicago, all the nation, all the world. Not a "factor"
|
|
on the London 'Change who did not turn an ear down the
|
|
wind to catch the echo of this turmoil, not an _agent
|
|
de change_ in the peristyle of the Paris Bourse, who
|
|
did not strain to note the every modulation of its
|
|
mighty diapason.
|
|
|
|
"Well," said the little voice of the man-within-the-
|
|
man, who in the person of Calvin Hardy Crookes sat
|
|
listening to the ticker in his office, "well, let it
|
|
roar. It sure can't hurt C. H. C."
|
|
|
|
"Can you see Mr. Cressler?" said the clerk at the door.
|
|
|
|
He came in with a hurried, unsteady step. The long,
|
|
stooping figure was unkempt; was, in a sense,
|
|
unjointed, as though some support had been withdrawn.
|
|
The eyes were deep-sunk, the bones of the face were
|
|
gaunt and bare; and from moment to moment the man
|
|
swallowed quickly and moistened his lips.
|
|
|
|
Crookes nodded as his ally came up, and one finger
|
|
raised, pointed to a chair. He himself was impassive,
|
|
calm. He did not move. Taciturn as ever, he waited
|
|
for the other to speak.
|
|
|
|
"I want to talk with you, Mr. Crookes," began Cressler,
|
|
hurriedly. "I--I made up my mind to it day before
|
|
yesterday, but I put it off. I had hoped that things
|
|
would come our way. But I can't delay now.... Mr.
|
|
Crookes, I can't stand this any longer. I must get out
|
|
of the clique. I haven't the ready money to stand this
|
|
pace."
|
|
|
|
There was a silence. Crookes neither moved nor changed
|
|
expression. His small eyes fixed upon the other, he
|
|
waited for Cressler to go on.
|
|
|
|
"I might remind you," Cressler continued, "that when I
|
|
joined your party I expressly stipulated that our
|
|
operations should not be speculative."
|
|
|
|
"You knew--" began Crookes.
|
|
|
|
"Oh, I have nothing to say," Cressler interrupted. "I
|
|
did know. I knew from the first it was to be
|
|
speculation. I tried to deceive myself. I--well, this
|
|
don't interest you. The point is I must get out of the
|
|
market. I don't like to go back on you others "--
|
|
Cressler's fingers were fiddling with his watch chain--
|
|
"I don't like to--I mean to say you must let me out.
|
|
You must let me cover--at once. I am--very nearly
|
|
bankrupt now. Another half-cent rise, and I'm done
|
|
for. It will take as it is--my--my--all my ready
|
|
money--all my savings for the last ten years to buy in
|
|
my wheat."
|
|
|
|
"Let's see. How much did I sell for you?" demanded
|
|
Crookes. "Five hundred thousand?"
|
|
|
|
"Yes, five hundred thousand at ninety-eight--and we're
|
|
at a dollar nine now. It's an eleven-cent jump. I--I
|
|
can't stand another eighth. I must cover at once."
|
|
|
|
Crookes, without answering, drew his desk telephone to
|
|
him.
|
|
|
|
"Hello!" he said after a moment. "Hello! ... Buy five
|
|
hundred May, at the market, right away."
|
|
|
|
He hung up the receiver and leaned back in his chair.
|
|
|
|
"They'll report the trade in a minute," he said.
|
|
"Better wait and see."
|
|
|
|
Cressler stood at the window, his hands clasped behind
|
|
his back, looking down into the street. He did not
|
|
answer. The seconds passed, then the minutes. Crookes
|
|
turned to his desk and signed a few letters, the scrape
|
|
of his pen the only noise to break the silence of the
|
|
room. Then at last he observed:
|
|
|
|
"Pretty bum weather for this time of the year."
|
|
|
|
Cressler nodded. He took off his hat, and pushed the
|
|
hair back from his forehead with a slow, persistent
|
|
gesture; then as the ticker began to click again, he
|
|
faced around quickly, and crossing the room, ran the
|
|
tape through his fingers.
|
|
|
|
"God," he muttered, between his teeth, "I hope your men
|
|
didn't lose any time. It's up again."
|
|
|
|
There was a step at the door, and as Crookes called to
|
|
come in, the office messenger entered and put a slip of
|
|
paper into his hands. Crookes looked at it, and pushed
|
|
it across his desk towards Cressler.
|
|
|
|
"Here you are," he observed. "That's your trade Five
|
|
hundred May, at a dollar ten. You were lucky to get it
|
|
at that--or at any price."
|
|
|
|
"Ten!" cried the other, as he took the paper.
|
|
|
|
Crookes turned away again, and glanced indifferently
|
|
over his letters. Cressler laid the slip carefully
|
|
down upon the ledge of the desk, and though Crookes did
|
|
not look up, he could almost feel how the man braced
|
|
himself, got a grip of himself, put all his resources
|
|
to the stretch to meet this blow squarely in the front.
|
|
|
|
"And I said another eighth would bust me," Cressler
|
|
remarked, with a short laugh. "Well," he added,
|
|
grimly, "it looks as though I were busted. I suppose,
|
|
though, we must all expect to get the knife once in a
|
|
while--mustn't we? Well, there goes fifty thousand
|
|
dollars of my good money."
|
|
|
|
"I can tell you who's got it, if you care to know,"
|
|
answered Crookes. "It's a pewter quarter to Government
|
|
bonds that Gretry, Converse & Co. sold that wheat to
|
|
you. They've got about all the wheat there is."
|
|
|
|
"I know, of course, they've been heavy buyers--for this
|
|
Unknown Bull they talk so much about."
|
|
|
|
"Well, he ain't Unknown to me," declared Crookes. "I
|
|
know him. It's Curtis Jadwin. He's the man we've been
|
|
fighting all along, and all hell's going to break loose
|
|
down here in three or four days. He's cornered the
|
|
market."
|
|
|
|
"Jadwin! You mean J.--Curtis--my friend?"
|
|
|
|
Crookes grunted an affirmative.
|
|
|
|
"But--why, he told me he was out of the market--for
|
|
good."
|
|
|
|
Crookes did not seem to consider that the remark called
|
|
for any useless words. He put his hands in his pockets
|
|
and looked at Cressler.
|
|
|
|
"Does he know?" faltered Cressler. "Do you suppose he
|
|
could have heard that I was in this clique of yours?"
|
|
|
|
"Not unless you told him yourself."
|
|
|
|
Cressler stood up, clearing his throat.
|
|
|
|
"I have not told him, Mr. Crookes," he said. "You
|
|
would do me an especial favor if you would keep it from
|
|
the public, from everybody, from Mr. Jadwin, that I was
|
|
a member of this ring."
|
|
|
|
Crookes swung his chair around and faced his desk.
|
|
|
|
"Hell! You don't suppose I'm going to talk, do you?"
|
|
|
|
"Well.... Good-morning, Mr. Crookes."
|
|
|
|
"Good-morning."
|
|
|
|
Left alone, Crookes took a turn the length of the room.
|
|
Then he paused in the middle of the floor, looking down
|
|
thoughtfully at his trim, small feet.
|
|
|
|
"Jadwin!" he muttered. "Hm! ... Think you're boss of
|
|
the boat now, don't you? Think I'm done with you, hey?
|
|
Oh, yes, you'll run a corner in wheat, will you? Well,
|
|
here's a point for your consideration Mr. Curtis
|
|
Jadwin, 'Don't get so big that all the other fellows
|
|
can see you--they throw bricks.'"
|
|
|
|
He sat down in his chair, and passed a thin and
|
|
delicate hand across his lean mouth.
|
|
|
|
"No," he muttered, "I won't try to kill you any more.
|
|
You've cornered wheat, have you? All right.... Your
|
|
own wheat, my smart Aleck, will do all the killing I
|
|
want."
|
|
|
|
Then at last the news of the great corner,
|
|
authoritative, definite, went out over all the country,
|
|
and promptly the figure and name of Curtis Jadwin
|
|
loomed suddenly huge and formidable in the eye of the
|
|
public. There was no wheat on the Chicago market. He,
|
|
the great man, the " Napoleon of La Salle Street," had
|
|
it all. He sold it or hoarded it, as suited his
|
|
pleasure. He dictated the price to those men who must
|
|
buy it of him to fill their contracts. His hand was
|
|
upon the indicator of the wheat dial of the Board of
|
|
Trade, and he moved it through as many or as few of the
|
|
degrees of the circle as he chose.
|
|
|
|
The newspapers, not only of Chicago, but of every city
|
|
in the Union, exploited him for "stories." The history
|
|
of his corner, how he had effected it, its chronology,
|
|
its results, were told and retold, till his name was
|
|
familiar in the homes and at the firesides of uncounted
|
|
thousands. "Anecdotes" were circulated concerning him,
|
|
interviews--concocted for the most part in the
|
|
editorial rooms--were printed. His picture appeared.
|
|
He was described as a cool, calm man of steel, with a
|
|
cold and calculating grey eye, "piercing as an
|
|
eagle's"; as a desperate gambler, bold as a buccaneer,
|
|
his eye black and fiery--a veritable pirate; as a mild,
|
|
small man with a weak chin and a deprecatory demeanour;
|
|
as a jolly and roistering "high roller," addicted to
|
|
actresses, suppers, and to bathing in champagne.
|
|
|
|
In the Democratic press he was assailed as little
|
|
better than a thief, vituperated as an oppressor of the
|
|
people, who ground the faces of the poor, and battened
|
|
in the luxury wrung from the toiling millions. The
|
|
Republican papers spoke solemnly of the new era of
|
|
prosperity upon which the country was entering,
|
|
referred to the stimulating effect of the higher prices
|
|
upon capitalised industry, and distorted the situation
|
|
to an augury of a sweeping Republican victory in the
|
|
next Presidential campaign.
|
|
|
|
Day in and day out Gretry's office, where Jadwin now
|
|
fixed his headquarters, was besieged. Reporters waited
|
|
in the anteroom for whole half days to get but a nod
|
|
and a word from the great man. Promoters, inventors,
|
|
small financiers, agents, manufacturers, even "crayon
|
|
artists" and horse dealers, even tailors and yacht
|
|
builders rubbed shoulders with one another outside the
|
|
door marked "Private."
|
|
|
|
Farmers from Iowa or Kansas come to town to sell their
|
|
little quotas of wheat at the prices they once had
|
|
deemed impossible, shook his hand on the street, and
|
|
urged him to come out and see "God's own country."
|
|
|
|
But once, however, an entire deputation of these wheat
|
|
growers found their way into the sanctum. They came
|
|
bearing a presentation cup of silver, and their
|
|
spokesman, stammering and horribly embarrassed in
|
|
unwonted broadcloth and varnished boots, delivered a
|
|
short address. He explained that all through the
|
|
Middle West, all through the wheat belts, a great wave
|
|
of prosperity was rolling because of Jadwin's corner.
|
|
Mortgages were being paid off, new and improved farming
|
|
implements were being bought, new areas seeded new live
|
|
stock acquired. The men were buying buggies again, the
|
|
women parlor melodeons, houses and homes were going up;
|
|
in short, the entire farming population of the Middle
|
|
West was being daily enriched. In a letter that Jadwin
|
|
received about this time from an old fellow living in
|
|
"Bates Corners," Kansas, occurred the words:
|
|
|
|
"--and, sir, you must know that not a night passes that
|
|
my little girl, now going on seven, sir, and the
|
|
brightest of her class in the county seat grammar
|
|
school, does not pray to have God bless Mister Jadwin,
|
|
who helped papa save the farm."
|
|
|
|
If there was another side, if the brilliancy of his
|
|
triumph yet threw a shadow behind it, Jadwin could
|
|
ignore it. It was far from him, he could not see it.
|
|
Yet for all this a story came to him about this time
|
|
that for long would not be quite forgotten. It came
|
|
through Corthell, but very indirectly, passed on by a
|
|
dozen mouths before it reached his ears.
|
|
|
|
It told of an American, an art student, who at the
|
|
moment was on a tramping tour through the north of
|
|
Italy. It was an ugly story. Jadwin pished and
|
|
pshawed, refusing to believe it, condemning it as
|
|
ridiculous exaggeration, but somehow it appealed to an
|
|
uncompromising sense of the probable; it rang true.
|
|
|
|
"And I met this boy," the student had said, "on the
|
|
high road, about a kilometre outside of Arezzo. He was
|
|
a fine fellow of twenty or twenty-two. He knew nothing
|
|
of the world. England he supposed to be part of the
|
|
mainland of Europe. For him Cavour and Mazzini were
|
|
still alive. But when I announced myself American, he
|
|
roused at once.
|
|
|
|
"'Ah, American,' he said. 'We know of your compatriot,
|
|
then, here in Italy--this Jadwin of Chicago, who has
|
|
bought all the wheat. We have no more bread. The loaf
|
|
is small as the fist, and costly. We cannot buy it, we
|
|
have no money. For myself, I do not care. I am young.
|
|
I can eat lentils and cress. But' and here his voice
|
|
was a whisper--'but my mother--my mother!'"
|
|
|
|
"It's a lie!" Jadwin cried. "Of course it's a lie.
|
|
Good God, if I were to believe every damned story the
|
|
papers print about me these days I'd go insane."
|
|
|
|
Yet when he put up the price of wheat to a dollar and
|
|
twenty cents, the great flour mills of Minnesota and
|
|
Wisconsin stopped grinding, and finding a greater
|
|
profit in selling the grain than in milling it, threw
|
|
their stores upon the market. Though the bakers did
|
|
not increase the price of their bread as a consequence
|
|
of this, the loaf--even in Chicago, even in the centre
|
|
of that great Middle West that weltered in the luxury
|
|
of production--was smaller, and from all the poorer
|
|
districts of the city came complaints, protests, and
|
|
vague grumblings of discontent.
|
|
|
|
On a certain Monday, about the middle of May, Jadwin
|
|
sat at Gretry's desk (long since given over to his
|
|
use), in the office on the ground floor of the Board of
|
|
Trade, swinging nervously back and forth in the swivel
|
|
chair, drumming his fingers upon the arms, and glancing
|
|
continually at the clock that hung against the opposite
|
|
wall. It was about eleven in the morning. The Board
|
|
of Trade vibrated with the vast trepidation of the Pit,
|
|
that for two hours had spun and sucked, and guttered
|
|
and disgorged just overhead. The waiting-room of the
|
|
office was more than usually crowded. Parasites of
|
|
every description polished the walls with shoulder and
|
|
elbow. Millionaires and beggars jostled one another
|
|
about the doorway. The vice-president of a bank
|
|
watched the door of the private office covertly; the
|
|
traffic manager of a railroad exchanged yarns with a
|
|
group of reporters while awaiting his turn.
|
|
|
|
As Gretry, the great man's lieutenant, hurried through
|
|
the anteroom, conversation suddenly ceased, and half a
|
|
dozen of the more impatient sprang forward. But the
|
|
broker pushed his way through the crowd, shaking his
|
|
head, excusing himself as best he might, and entering
|
|
the office, closed the door behind him.
|
|
|
|
At the clash of the lock Jadwin started half-way from
|
|
his chair, then recognising the broker, sank back with
|
|
a quick breath.
|
|
|
|
"Why don't you knock, or something, Sam?" he exclaimed.
|
|
"Might as well kill a man as scare him to death. Well,
|
|
how goes it?"
|
|
|
|
"All right. I've fixed the warehouse crowd--and we
|
|
just about 'own' the editorial and news sheets of these
|
|
papers." He threw a memorandum down upon the desk.
|
|
"I'm off again now. Got an appointment with the
|
|
Northwestern crowd in ten minutes. Has Hargus or
|
|
Scannel shown up yet?"
|
|
|
|
"Hargus is always out in your customers' room,"
|
|
answered Jadwin. "I can get him whenever I want him.
|
|
But Scannel has not shown up yet. I thought when we
|
|
put up the price again Friday we'd bring him in. I
|
|
thought you'd figured out that he couldn't stand that
|
|
rise."
|
|
|
|
"He can't stand it," answered Gretry. "He'll be in to
|
|
see you to-morrow or next day."
|
|
|
|
"To-morrow or next day won't do," answered Jadwin. "I
|
|
want to put the knife into him to-day. You go up there
|
|
on the floor and put the price up another cent. That
|
|
will bring him, or I'll miss my guess."
|
|
|
|
Gretry nodded. "All right," he said, "it's your game.
|
|
Shall I see you at lunch?"
|
|
|
|
"Lunch! I can't eat. But I'll drop around and hear
|
|
what the Northwestern people had to say to you."
|
|
|
|
A few moments after Gretry had gone Jadwin heard the
|
|
ticker on the other side of the room begin to chatter
|
|
furiously; and at the same time he could fancy that the
|
|
distant thunder of the Pit grew suddenly more violent,
|
|
taking on a sharper, shriller note. He looked at the
|
|
tape. The one-cent rise had been effected.
|
|
|
|
"You will hold out, will you, you brute?" muttered
|
|
Jadwin. "See how you like that now." He took out his
|
|
watch. "You'll be running in to me in just about ten
|
|
minutes' time."
|
|
|
|
He turned about, and calling a clerk, gave orders to
|
|
have Hargus found and brought to him.
|
|
|
|
When the old fellow appeared Jadwin jumped up and gave
|
|
him his hand as he came slowly forward.
|
|
|
|
His rusty top hat was in his hand; from the breast
|
|
pocket of his faded and dirty frock coat a bundle of
|
|
ancient newspapers protruded. His shoestring tie
|
|
straggled over his frayed shirt front, while at his
|
|
wrist one of his crumpled cuffs, detached from the
|
|
sleeve, showed the bare, thin wrist between cloth and
|
|
linen, and encumbered the fingers in which he held the
|
|
unlit stump of a fetid cigar.
|
|
|
|
Evidently bewildered as to the cause of this summons,
|
|
he looked up perplexed at Jadwin as he came up, out of
|
|
his dim, red-lidded eyes.
|
|
|
|
"Sit down, Hargus. Glad to see you," called Jadwin.
|
|
|
|
"Hey?"
|
|
|
|
The voice was faint and a little querulous.
|
|
|
|
"I say, sit down. Have a chair. I want to have a talk
|
|
with you. You ran a corner in wheat once yourself."
|
|
|
|
"Oh.... Wheat."
|
|
|
|
"Yes, your corner. You remember?"
|
|
|
|
"Yes. Oh, that was long ago. In seventy-eight it was--
|
|
the September option. And the Board made wheat in the
|
|
cars 'regular.'"
|
|
|
|
His voice trailed off into silence, and he looked
|
|
vaguely about on the floor of the room, sucking in his
|
|
cheeks, and passing the edge of one large, osseous hand
|
|
across his lips.
|
|
|
|
"Well, you lost all your money that time, I believe.
|
|
Scannel, your partner, sold out on you."
|
|
|
|
"Hey? It was in seventy-eight.... The secretary of the
|
|
Board announced our suspension at ten in the morning.
|
|
If the Board had not voted to make wheat in the cars
|
|
'regular'----"
|
|
|
|
He went on and on, in an impassive monotone, repeating,
|
|
word for word, the same phrases he had used for so long
|
|
that they had lost all significance.
|
|
|
|
"Well," broke in Jadwin, at last, "it was Scannel your
|
|
partner, did for you. Scannel, I say. You know, Dave
|
|
Scannel."
|
|
|
|
The old man looked at him confusedly. Then, as the
|
|
name forced itself upon the atrophied brain, there
|
|
flashed, for one instant, into the pale, blurred eye, a
|
|
light, a glint, a brief, quick spark of an old, long-
|
|
forgotten fire. It gleamed there an instant, but the
|
|
next sank again.
|
|
|
|
Plaintively, querulously he repeated:
|
|
|
|
"It was in seventy-eight.... I lost three hundred
|
|
thousand dollars."
|
|
|
|
"How's your little niece getting on?" at last demanded
|
|
Jadwin.
|
|
|
|
"My little niece--you mean Lizzie? ... Well and happy,
|
|
well and happy. I--I got "--he drew a thick bundle of
|
|
dirty papers from his pocket, envelopes, newspapers,
|
|
circulars, and the like--" I--I--I got, I got her
|
|
picture here somewheres."
|
|
|
|
"Yes, yes, I know, I know," cried Jadwin. "I've seen
|
|
it. You showed it to me yesterday, you remember."
|
|
|
|
"I--I got it here somewheres ... somewheres," persisted
|
|
the old man, fumbling and peering, and as he spoke the
|
|
clerk from the doorway announced:
|
|
|
|
"Mr. Scannel."
|
|
|
|
This latter was a large, thick man, red-faced, with
|
|
white, short whiskers of an almost wiry texture. He
|
|
had a small, gimlet-like eye, enormous, hairy ears,
|
|
wore a "sack" suit, a highly polished top hat, and
|
|
entered the office with a great flourish of manner and
|
|
a defiant trumpeting "Well, how do, Captain?"
|
|
|
|
Jadwin nodded, glancing up under his scowl.
|
|
|
|
"Hello!" he said.
|
|
|
|
The other subsided into a chair, and returned scowl for
|
|
scowl.
|
|
|
|
"Oh, well," he muttered, "if that's your style."
|
|
|
|
He had observed Hargus sitting by the other side of the
|
|
desk, still fumbling and mumbling in his dirty
|
|
memoranda, but he gave no sign of recognition. There
|
|
was a moment's silence, then in a voice from which all
|
|
the first bluffness was studiously excluded, Scannel
|
|
said:
|
|
|
|
"Well, you've rung the bell on me. I'm a sucker. I
|
|
know it. I'm one of the few hundred other God-damned
|
|
fools that you've managed to catch out shooting snipe.
|
|
Now what I want to know is, how much is it going to
|
|
cost me to get out of your corner? What's the figure?
|
|
What do you say?"
|
|
|
|
"I got a good deal to say," remarked Jadwin, scowling
|
|
again.
|
|
|
|
But Hargus had at last thrust a photograph into his
|
|
hands.
|
|
|
|
"There it is," he said. "That's it. That's Lizzie."
|
|
|
|
Jadwin took the picture without looking at it, and as
|
|
he continued to speak, held it in his fingers, and
|
|
occasionally tapped it upon the desk.
|
|
|
|
"I know. I know, Hargus," he answered. "I got a good
|
|
deal to say, Mr. David Scannel. Do you see this old
|
|
man here?"
|
|
|
|
"Oh-h, cut it out!" growled the other.
|
|
|
|
"It's Hargus. You know him very well. You used to
|
|
know him better. You and he together tried to swing a
|
|
great big deal in September wheat once upon a time.
|
|
Hargus! I say, Hargus!"
|
|
|
|
The old man looked up.
|
|
|
|
"Here's the man we were talking about, Scannel, you
|
|
remember. Remember Dave Scannel, who was your partner
|
|
in seventy-eight? Look at him. This is him now. He's
|
|
a rich man now. Remember Scannel?"
|
|
|
|
Hargus, his bleared old eyes blinking and watering,
|
|
looked across the desk at the other.
|
|
|
|
"Oh, what's the game?" exclaimed Scannel. "I ain't
|
|
here on exhibition, I guess. I----"
|
|
|
|
But he was interrupted by a sharp, quick gasp that all
|
|
at once issued from Hargus's trembling lips. The old
|
|
man said no word, but he leaned far forward in his
|
|
chair, his eyes fixed upon Scannel, his breath coming
|
|
short, his fingers dancing against his chin.
|
|
|
|
"Yes, that's him, Hargus," said Jadwin. "You and he
|
|
had a big deal on your hands a long time ago," he
|
|
continued, turning suddenly upon Scannel, a pulse in
|
|
his temple beginning to beat. "A big deal, and you
|
|
sold him out"
|
|
|
|
"It's a lie!" cried the other.
|
|
|
|
Jadwin beat his fist upon the arm of his chair. His
|
|
voice was almost a shout as he answered:
|
|
|
|
"_You--sold--him--out._ I know you. I know the kind
|
|
of bug you are. You ruined him to save your own dirty
|
|
hide, and all his life since poor old Hargus has been
|
|
living off the charity of the boys down here, pinched
|
|
and hungry and neglected, and getting on, God knows
|
|
how; yes, and supporting his little niece, too, while
|
|
you, you have been loafing about your clubs, and
|
|
sprawling on your steam yachts, and dangling round
|
|
after your kept women--on the money you stole from
|
|
him."
|
|
|
|
Scannel squared himself in his chair, his little eyes
|
|
twinkling.
|
|
|
|
"Look here," he cried, furiously, "I don't take that
|
|
kind of talk from the best man that ever wore shoe-
|
|
leather. Cut it out, understand? Cut it out."
|
|
|
|
Jadwin's lower jaw set with a menacing click;
|
|
aggressive, masterful, he leaned forward.
|
|
|
|
"You interrupt me again," he declared, "and you'll go
|
|
out of that door a bankrupt. You listen to me and take
|
|
my orders. That's what you're here to-day for. If you
|
|
think you can get your wheat somewheres else, suppose
|
|
you try."
|
|
|
|
Scannel sullenly settled himself in his place. He did
|
|
not answer. Hargus, his eye wandering again, looked
|
|
distressfully from one to the other. Then Jadwin,
|
|
after shuffling among the papers of his desk, fixed a
|
|
certain memorandum with his glance. All at once,
|
|
whirling about and facing the other, he said quickly:
|
|
|
|
"You are short to our firm two million bushels at a
|
|
dollar a bushel."
|
|
|
|
"Nothing of the sort," cried the other. "It's a
|
|
million and a half."
|
|
|
|
Jadwin could not forbear a twinkle of grim humour as he
|
|
saw how easily Scannel had fallen into the trap.
|
|
|
|
"You're short a million and a half, then," he repeated.
|
|
"I'll let you have six hundred thousand of it at a
|
|
dollar and a half a bushel."
|
|
|
|
"A dollar and a half! Why, my God, man! Oh well"--
|
|
Scannel spread out his hands nonchalantly--"I shall
|
|
simply go into bankruptcy--just as you said."
|
|
|
|
"Oh, no, you won't," replied Jadwin, pushing back and
|
|
crossing his legs. "I've had your financial standing
|
|
computed very carefully, Mr. Scannel. You've got the
|
|
ready money. I know what you can stand without
|
|
busting, to the fraction of a cent."
|
|
|
|
"Why, it's ridiculous. That handful of wheat will cost
|
|
me three hundred thousand dollars."
|
|
|
|
"Pre-cisely."
|
|
|
|
And then all at once Scannel surrendered. Stony,
|
|
imperturbable, he drew his check book from his pocket.
|
|
|
|
"Make it payable to bearer," said Jadwin.
|
|
|
|
The other complied, and Jadwin took the check and
|
|
looked it over carefully.
|
|
|
|
"Now," he said, "watch here, Dave Scannel. You see
|
|
this check? And now," he added, thrusting it into
|
|
Hargus's hands, "you see where it goes. There's the
|
|
principal of your debt paid off."
|
|
|
|
"The principal?"
|
|
|
|
"You haven't forgotten the interest, have you? won't
|
|
compound it, because that _might_ bust you. But six
|
|
per cent interest on three hundred thousand since 1878,
|
|
comes to--let's see--three hundred and sixty thousand
|
|
dollars. And you still owe me nine hundred thousand
|
|
bushels of wheat." He ciphered a moment on a sheet of
|
|
note paper. "If I charge you a dollar and forty a
|
|
bushel for that wheat, it will come to that sum
|
|
exactly.... Yes, that's correct. I'll let you have
|
|
the balance of that wheat at a dollar forty. Make the
|
|
check payable to bearer as before."
|
|
|
|
For a second Scannel hesitated, his face purple, his
|
|
teeth grinding together, then muttering his rage
|
|
beneath his breath, opened his check book again.
|
|
|
|
"Thank you," said Jadwin as he took the check.
|
|
|
|
He touched his call bell.
|
|
|
|
"Kinzie," he said to the clerk who answered it, "after
|
|
the close of the market to-day send delivery slips for
|
|
a million and a half wheat to Mr. Scannel. His account
|
|
with us has been settled."
|
|
|
|
Jadwin turned to the old man, reaching out the second
|
|
check to him.
|
|
|
|
"Here you are, Hargus. Put it away carefully. You see
|
|
what it is, don't you? Buy your Lizzie a little gold
|
|
watch with a hundred of it, and tell her it's from
|
|
Curtis Jadwin, with his compliments.... What, going,
|
|
Scannel? Well, good-by to you, sir, and hey!" he
|
|
called after him, "please don't slam the door as you go
|
|
out."
|
|
|
|
But he dodged with a defensive gesture as the pane of
|
|
glass almost leaped from its casing, as Scannel stormed
|
|
across the threshold.
|
|
|
|
Jadwin turned to Hargus, with a solemn wink.
|
|
|
|
"He did slam it after all, didn't he?"
|
|
|
|
The old fellow, however, sat fingering the two checks
|
|
in silence. Then he looked up at Jadwin, scared and
|
|
trembling.
|
|
|
|
"I--I don't know," he murmured, feebly. "I am a very
|
|
old man. This--this is a great deal of money, sir. I--
|
|
I can't say; I--I don't know. I'm an old man ... an
|
|
old man."
|
|
|
|
"You won't lose 'em, now?"
|
|
|
|
"No, no. I'll deposit them at once in the Illinois
|
|
Trust. I shall ask--I should like"
|
|
|
|
"I'll send a clerk with you."
|
|
|
|
"Yes, yes, that is about what--what I--what I was about
|
|
to suggest. But I must say, Mr. Jadwin----"
|
|
|
|
He began to stammer his thanks. But Jadwin cut him
|
|
off. Rising, he guided Hargus to the door, one hand on
|
|
his shoulder, and at the entrance to the outer office
|
|
called a clerk.
|
|
|
|
"Take Mr. Hargus over to the Illinois Trust, Kinzie,
|
|
and introduce him. He wants to open an account."
|
|
|
|
The old man started off with the clerk, but before
|
|
Jadwin had reseated himself at his desk was back again.
|
|
He was suddenly all excitement, as if a great idea had
|
|
abruptly taken possession of him. Stealthy, furtive,
|
|
he glanced continually over his shoulder as he spoke,
|
|
talking in whispers, a trembling hand shielding his
|
|
lips.
|
|
|
|
"You--you are in--you are in control now," he said.
|
|
"You could give--hey? You could give me--just a little--
|
|
just one word. A word would be enough, hey? hey? Just
|
|
a little tip. My God, I could make fifty dollars by
|
|
noon."
|
|
|
|
"Why, man, I've just given you about half a million."
|
|
|
|
"Half a million? I don't know. But"--he plucked Jadwin
|
|
tremulously by the sleeve--"just a word," he begged.
|
|
"Hey, just yes or no."
|
|
|
|
"Haven't you enough with those two checks?"
|
|
|
|
"Those checks? Oh, I know, I know, I know I'll salt 'em
|
|
down. Yes, in the Illinois Trust. I won't touch 'em--
|
|
not those. But just a little tip now, hey?"
|
|
|
|
"Not a word. Not a word. Take him along, Kinzie."
|
|
|
|
One week after this Jadwin sold, through his agents in
|
|
Paris, a tremendous line of "cash" wheat at a dollar
|
|
and sixty cents the bushel. By now the foreign demand
|
|
was a thing almost insensate. There was no question as
|
|
to the price. It was, "Give us the wheat, at whatever
|
|
cost, at whatever figure, at whatever expense; only
|
|
that it be rushed to our markets with all the swiftness
|
|
of steam and steel." At home, upon the Chicago Board of
|
|
Trade, Jadwin was as completely master of the market as
|
|
of his own right hand. Everything stopped when he
|
|
raised a finger; everything leaped to life with the
|
|
fury of obsession when he nodded his head. His wealth
|
|
increased with such stupefying rapidity, that at no
|
|
time was he able to even approximate the gains that
|
|
accrued to him because of his corner. It was more than
|
|
twenty million, and less than fifty million. That was
|
|
all he knew. Nor were the everlasting hills more
|
|
secure than he from the attack of any human enemy. Out
|
|
of the ranks of the conquered there issued not so much
|
|
as a whisper of hostility. Within his own sphere no
|
|
Czar, no satrap, no Caesar ever wielded power more
|
|
resistless.
|
|
|
|
"Sam," said Curtis Jadwin, at length to the broker,
|
|
"Sam, nothing in the world can stop me now. They think
|
|
I've been doing something big, don't they, with this
|
|
corner. Why, I've only just begun. This is just a
|
|
feeler. Now I'm going to let 'em know just how big a
|
|
gun C. J. really is. I'm going to swing this deal
|
|
right over into July. I'm going to buy in my July
|
|
shorts."
|
|
|
|
The two men were in Gretry's office as usual, and as
|
|
Jadwin spoke, the broker glanced up incredulously.
|
|
|
|
"Now you are for sure crazy."
|
|
|
|
Jadwin jumped to his feet.
|
|
|
|
"Crazy!" he vociferated. "Crazy! What do you mean?
|
|
Crazy! For God's sake, Sam, what--Look here, don't use
|
|
that word to me. I--it don't suit. What I've done
|
|
isn't exactly the work of--of--takes brains, let me
|
|
tell you. And look here, look here, I say, I'm going
|
|
to swing this deal right over into July. Think I'm
|
|
going to let go now, when I've just begun to get a real
|
|
grip on things? A pretty fool I'd look like to get out
|
|
now--even if I could. Get out? How are we going to
|
|
unload our big line of wheat without breaking the price
|
|
on us? No, sir, not much. This market is going up to
|
|
two dollars." He smote a knee with his clinched fist,
|
|
his face going abruptly crimson. "I say two dollars,"
|
|
he cried. "Two dollars, do you hear? It will go there,
|
|
you'll see, you'll see."
|
|
|
|
"Reports on the new crop will begin to come in in
|
|
June." Gretry's warning was almost a cry. "The price
|
|
of wheat is so high now, that God knows how many
|
|
farmers will plant it this spring. You may have to
|
|
take care of a record harvest."
|
|
|
|
"I know better," retorted Jadwin. "I'm watching this
|
|
thing. You can't tell me anything about it. I've got
|
|
it all figured out, your 'new crop.'"
|
|
|
|
"Well, then you're the Lord Almighty himself."
|
|
|
|
"I don't like that kind of joke. I don't like that
|
|
kind of joke. It's blasphemous," exclaimed Jadwin.
|
|
"Go, get it off on Crookes. He'd appreciate it, but I
|
|
don't. But this new crop now--look here."
|
|
|
|
And for upwards of two hours Jadwin argued and figured,
|
|
and showed to Gretry endless tables of statistics to
|
|
prove that he was right.
|
|
|
|
But at the end Gretry shook his head. Calmly and
|
|
deliberately he spoke his mind.
|
|
|
|
"J., listen to me. You've done a big thing. I know
|
|
it, and I know, too, that there've been lots of times
|
|
in the last year or so when I've been wrong and you've
|
|
been right. But now, J., so help me God, we've reached
|
|
our limit. Wheat is worth a dollar and a half to-day,
|
|
and not one cent more. Every eighth over that figure
|
|
is inflation. If you run it up to two dollars----"
|
|
|
|
"It will go there of itself, I tell you."
|
|
|
|
"--if you run it up to two dollars, it will be that
|
|
top-heavy, that the littlest kick in the world will
|
|
knock it over. Be satisfied now with what you got.
|
|
J., it's common sense. Close out your long line of
|
|
May, and then stop. Suppose the price does break a
|
|
little, you'd still make your pile. But swing this
|
|
deal over into July, and it's ruin, ruin. I may have
|
|
been mistaken before, but I know I'm right now. And do
|
|
you realise, J., that yesterday in the Pit there were
|
|
some short sales? There's some of them dared to go
|
|
short of wheat against you--even at the very top of
|
|
your corner--and there was more selling this morning.
|
|
You've always got to buy, you know. If they all began
|
|
to sell to you at once they'd bust you. It's only
|
|
because you've got 'em so scared--I believe--that keeps
|
|
'em from it. But it looks to me as though this selling
|
|
proved that they were picking up heart. They think
|
|
they can get the wheat from the farmers when harvesting
|
|
begins. And I tell you, J., you've put the price of
|
|
wheat so high, that the wheat areas are extending all
|
|
over the country."
|
|
|
|
"You're scared," cried Jadwin. "That's the trouble
|
|
with you, Sam. You've been scared from the start.
|
|
Can't you see, man, can't you see that this market is a
|
|
regular tornado?"
|
|
|
|
"I see that the farmers all over the country are
|
|
planting wheat as they've never planted it before.
|
|
Great Scott, J., you're fighting against the earth
|
|
itself."
|
|
|
|
"Well, we'll fight it, then. I'll stop those hayseeds.
|
|
What do I own all these newspapers and trade journals
|
|
for? We'll begin sending out reports to-morrow that'll
|
|
discourage any big wheat planting."
|
|
|
|
"And then, too," went on Gretry, "here's another point.
|
|
Do you know, you ought to be in bed this very minute.
|
|
You haven't got any nerves left at all. You
|
|
acknowledge yourself that you don't sleep any more.
|
|
And, good Lord, the moment any one of us contradicts
|
|
you, or opposes you, you go off the handle to beat the
|
|
Dutch. I know it's a strain, old man, but you want to
|
|
keep yourself in hand if you go on with this thing. If
|
|
you should break down now--well, I don't like to think
|
|
of what would happen. You ought to see a doctor."
|
|
|
|
"Oh-h, fiddlesticks," exclaimed Jadwin, "I'm all right.
|
|
I don't need a doctor, haven't time to see one anyhow.
|
|
Don't you bother about me. I'm all right."
|
|
|
|
Was he? That same night, the first he had spent under
|
|
his own roof for four days, Jadwin lay awake till the
|
|
clocks struck four, asking himself the same question.
|
|
No, he was not all right. Something was very wrong
|
|
with him, and whatever it might be, it was growing
|
|
worse. The sensation of the iron clamp about his head
|
|
was almost permanent by now, and just the walk between
|
|
his room at the Grand Pacific and Gretry's office left
|
|
him panting and exhausted. Then had come vertigoes and
|
|
strange, inexplicable qualms, as if he were in an
|
|
elevator that sank under him with terrifying rapidity.
|
|
|
|
Going to and fro in La Salle Street, or sitting in
|
|
Gretry's office, where the roar of the Pit dinned
|
|
forever in his ears, he could forget these strange
|
|
symptoms. It was the night he dreaded--the long hours
|
|
he must spend alone. The instant the strain was
|
|
relaxed, the gallop of hoofs, or as the beat of
|
|
ungovernable torrents began in his brain. Always the
|
|
beat dropped to the same cadence, always the pulse
|
|
spelled out the same words:
|
|
|
|
"Wheat-wheat-wheat, wheat-wheat-wheat."
|
|
|
|
And of late, during the long and still watches of the
|
|
night, while he stared at the ceiling, or counted the
|
|
hours that must pass before his next dose of bromide of
|
|
potassium, a new turn had been given to the screw.
|
|
|
|
This was a sensation, the like of which he found it
|
|
difficult to describe. But it seemed to be a slow,
|
|
tense crisping of every tiniest nerve in his body. It
|
|
would begin as he lay in bed--counting interminably to
|
|
get himself to sleep--between his knees and ankles, and
|
|
thence slowly spread to every part of him, creeping
|
|
upward, from loin to shoulder, in a gradual wave of
|
|
torture that was not pain, yet infinitely worse. A
|
|
dry, pringling aura as of billions of minute electric
|
|
shocks crept upward over his flesh, till it reached his
|
|
head, where it seemed to culminate in a white flash,
|
|
which he felt rather than saw.
|
|
|
|
His body felt strange and unfamiliar to him. It seemed
|
|
to have no weight, and at times his hands would appear
|
|
to swell swiftly to the size of mammoth boxing-gloves,
|
|
so that he must rub them together to feel that they
|
|
were his own.
|
|
|
|
He put off consulting a doctor from day to day,
|
|
alleging that he had not the time. But the real
|
|
reason, though he never admitted it, was the fear that
|
|
the doctor might tell him what he guessed to be the
|
|
truth.
|
|
|
|
Were his wits leaving him? The horror of the question
|
|
smote through him like the drive of a javelin. What
|
|
was to happen? What nameless calamity impended?
|
|
|
|
"Wheat-wheat-wheat, wheat-wheat-wheat."
|
|
|
|
His watch under his pillow took up the refrain. How to
|
|
grasp the morrow's business, how control the sluice
|
|
gates of that torrent he had unchained, with this
|
|
unspeakable crumbling and disintegrating of his
|
|
faculties going on?
|
|
|
|
Jaded, feeble, he rose to meet another day. He drove
|
|
down town, trying not to hear the beat of his horses'
|
|
hoofs. Dizzy and stupefied, he gained Gretry's office,
|
|
and alone with his terrors sat in the chair before his
|
|
desk, waiting, waiting.
|
|
|
|
Then far away the great gong struck. Just over his
|
|
head, penetrating wood and iron, he heard the mighty
|
|
throe of the Pit once more beginning, moving. And
|
|
then, once again, the limp and ravelled fibres of being
|
|
grew tight with a wrench. Under the stimulus of the
|
|
roar of the maelstrom, the flagging, wavering brain
|
|
righted itself once more, and--how, he himself could
|
|
not say--the business of the day was despatched, the
|
|
battle was once more urged. Often he acted upon what
|
|
he knew to be blind, unreasoned instinct. Judgment,
|
|
clear reasoning, at times, he felt, forsook him.
|
|
Decisions that involved what seemed to be the very
|
|
stronghold of his situation, had to be taken without a
|
|
moment's warning. He decided for or against without
|
|
knowing why. Under his feet fissures opened. He must
|
|
take the leap without seeing the other edge. Somehow
|
|
he always landed upon his feet; somehow his great,
|
|
cumbersome engine, lurching, swaying, in spite of
|
|
loosened joints, always kept the track.
|
|
|
|
Luck, his golden goddess, the genius of glittering
|
|
wings, was with him yet. Sorely tried, flouted even
|
|
she yet remained faithful, lending a helping hand to
|
|
lost and wandering judgment.
|
|
|
|
So the month of May drew to its close. Between the
|
|
twenty-fifth and the thirtieth Jadwin covered his July
|
|
shortage, despite Gretry's protests and warnings. To
|
|
him they seemed idle enough. He was too rich, too
|
|
strong now to fear any issue. Daily the profits of the
|
|
corner increased. The unfortunate shorts were wrung
|
|
dry and drier. In Gretry's office they heard their
|
|
sentences, and as time went on, and Jadwin beheld more
|
|
and more of these broken speculators, a vast contempt
|
|
for human nature grew within him.
|
|
|
|
Some few of his beaten enemies were resolute enough,
|
|
accepting defeat with grim carelessness, or with
|
|
sphinx-like indifference, or even with airy jocularity.
|
|
But for the most part their alert, eager deference,
|
|
their tame subservience, the abject humility and
|
|
debasement of their bent shoulders drove Jadwin to the
|
|
verge of self-control. He grew to detest the business;
|
|
he regretted even the defiant brutality of Scannel, a
|
|
rascal, but none the less keeping his head high. The
|
|
more the fellows cringed to him, the tighter he
|
|
wrenched the screw. In a few cases he found a pleasure
|
|
in relenting entirely, selling his wheat to the
|
|
unfortunates at a price that left them without loss;
|
|
but in the end the business hardened his heart to any
|
|
distress his mercilessness might entail. He took his
|
|
profits as a Bourbon took his taxes, as if by right of
|
|
birth. Somewhere, in a long-forgotten history of his
|
|
brief school days, he had come across a phrase that he
|
|
remembered now, by some devious and distant process of
|
|
association, and when he heard of the calamities that
|
|
his campaign had wrought, of the shipwrecked fortunes
|
|
and careers that were sucked down by the Pit, he found
|
|
it possible to say, with a short laugh, and a lift of
|
|
one shoulder:
|
|
|
|
_"Vae victis."_
|
|
|
|
His wife he saw but seldom. Occasionally they
|
|
breakfasted together; more often they met at dinner.
|
|
But that was all. Jadwin's life by now had come to be
|
|
so irregular, and his few hours of sleep so precious
|
|
and so easily disturbed, that he had long since
|
|
occupied a separate apartment.
|
|
|
|
What Laura's life was at this time he no longer knew.
|
|
She never spoke of it to him; never nowadays complained
|
|
of loneliness. When he saw her she appeared to be
|
|
cheerful. But this very cheerfulness made him uneasy,
|
|
and at times, through the murk of the chaff of wheat,
|
|
through the bellow of the Pit, and the crash of
|
|
collapsing fortunes there reached him a suspicion that
|
|
all was not well with Laura.
|
|
|
|
Once he had made an abortive attempt to break from the
|
|
turmoil of La Salle Street and the Board of Trade, and,
|
|
for a time at least, to get back to the old life they
|
|
both had loved--to get back, in a word, to her. But
|
|
the consequences had been all but disastrous. Now he
|
|
could not keep away.
|
|
|
|
"Corner wheat!" he had exclaimed to her, the following
|
|
day. "Corner wheat! It's the wheat that has cornered
|
|
me. It's like holding a wolf by the ears, bad to hold
|
|
on, but worse to let go."
|
|
|
|
But absorbed, blinded, deafened by the whirl of things,
|
|
Curtis Jadwin could not see how perilously well
|
|
grounded had been his faint suspicion as to Laura's
|
|
distress.
|
|
|
|
On the day after her evening with her husband in the
|
|
art gallery, the evening when Gretry had broken in upon
|
|
them like a courier from the front, Laura had risen
|
|
from her bed to look out upon a world suddenly empty.
|
|
|
|
Corthell she had sent from her forever. Jadwin was
|
|
once more snatched from her side. Where, now, was she
|
|
to turn? Jadwin had urged her to go to the country--to
|
|
their place at Geneva Lake--but she refused. She saw
|
|
the change that had of late come over her husband, saw
|
|
his lean face, the hot, tired eyes, the trembling
|
|
fingers and nervous gestures. Vaguely she imagined
|
|
approaching disaster. If anything happened to Curtis,
|
|
her place was at his side.
|
|
|
|
During the days that Jadwin and Crookes were at
|
|
grapples Laura found means to occupy her mind with all
|
|
manner of small activities. She overhauled her
|
|
wardrobe, planned her summer gowns, paid daily visits
|
|
to her dressmakers, rode and drove in the park, till
|
|
every turn of the roads, every tree, every bush was
|
|
familiar, to the point of wearisome contempt.
|
|
|
|
Then suddenly she began to indulge in a mania for old
|
|
books and first editions. She haunted the stationers
|
|
and second-hand bookstores, studied the authorities,
|
|
followed the auctions, and bought right and left, with
|
|
reckless extravagance. But the taste soon palled upon
|
|
her. With so much money at her command there was none
|
|
of the spice of the hunt in the affair. She had but to
|
|
express a desire for a certain treasure, and forthwith
|
|
it was put into her hand.
|
|
|
|
She found it so in all other things. Her desires were
|
|
gratified with an abruptness that killed the zest of
|
|
them. She felt none of the joy of possession; the
|
|
little personal relation between her and her belongings
|
|
vanished away. Her gowns, beautiful beyond all she had
|
|
ever imagined, were of no more interest to her than a
|
|
drawerful of outworn gloves. She bought horses till
|
|
she could no longer tell them apart; her carriages
|
|
crowded three supplementary stables in the
|
|
neighbourhood. Her flowers, miracles of laborious
|
|
cultivation, filled the whole house with their
|
|
fragrance. Wherever she went deference moved before
|
|
her like a guard; her beauty, her enormous wealth, her
|
|
wonderful horses, her exquisite gowns made of her a
|
|
cynosure, a veritable queen.
|
|
|
|
And hardly a day passed that Laura Jadwin, in the
|
|
solitude of her own boudoir, did not fling her arms
|
|
wide in a gesture of lassitude and infinite weariness,
|
|
crying out:
|
|
|
|
"Oh, the ennui and stupidity of all this wretched
|
|
life!"
|
|
|
|
She could look forward to nothing. One day was like
|
|
the next. No one came to see her. For all her great
|
|
house and for all her money, she had made but few
|
|
friends. Her "grand manner" had never helped her
|
|
popularity. She passed her evenings alone in her "up-
|
|
stairs sitting-room," reading, reading till far into
|
|
the night, or, the lights extinguished, sat at her open
|
|
window listening to the monotonous lap and wash of the
|
|
lake.
|
|
|
|
At such moments she thought of the men who had come
|
|
into her life--of the love she had known almost from
|
|
her girlhood. She remembered her first serious affair.
|
|
It had been with the impecunious theological student
|
|
who was her tutor. He had worn glasses and little
|
|
black side whiskers, and had implored her to marry him
|
|
and come to China, where he was to be a missionary.
|
|
Every time that he came he had brought her a new book
|
|
to read, and he had taken her for long walks up towards
|
|
the hills where the old powder mill stood. Then it was
|
|
the young lawyer--the "brightest man in Worcester
|
|
County"--who took her driving in a hired buggy, sent
|
|
her a multitude of paper novels (which she never read),
|
|
with every love passage carefully underscored, and
|
|
wrote very bad verse to her eyes and hair, whose
|
|
"velvet blackness was the shadow of a crown." Or,
|
|
again, it was the youthful cavalry officer met in a
|
|
flying visit to her Boston aunt, who loved her on first
|
|
sight, gave her his photograph in uniform and a bead
|
|
belt of Apache workmanship. He was forever singing to
|
|
her--to a guitar accompaniment--an old love song:
|
|
|
|
"At midnight hour
|
|
Beneath the tower
|
|
He murmured soft,
|
|
'Oh nothing fearing
|
|
With thine own true soldier fly.'"
|
|
|
|
Then she had come to Chicago, and Landry Court, with
|
|
his bright enthusiasms and fine exaltations had loved
|
|
her. She had never taken him very seriously but none
|
|
the less it had been very sweet to know his whole
|
|
universe depended upon the nod of her head, and that
|
|
her influence over him had been so potent, had kept him
|
|
clean and loyal and honest.
|
|
|
|
And after this Corthell and Jadwin had come into her
|
|
life, the artist and the man of affairs. She
|
|
remembered Corthell's quiet, patient, earnest devotion
|
|
of those days before her marriage. He rarely spoke to
|
|
her of his love, but by some ingenious subtlety he had
|
|
filled her whole life with it. His little attentions,
|
|
his undemonstrative solicitudes came precisely when and
|
|
where they were most appropriate. He had never failed
|
|
her. Whenever she had needed him, or even, when
|
|
through caprice or impulse she had turned to him, it
|
|
always had been to find that long since he had
|
|
carefully prepared for that very contingency. His
|
|
thoughtfulness of her had been a thing to wonder at.
|
|
He remembered for months, years even, her most trivial
|
|
fancies, her unexpressed dislikes. He knew her tastes,
|
|
as if by instinct; he prepared little surprises for
|
|
her, and placed them in her way without ostentation,
|
|
and quite as matters of course. He never permitted her
|
|
to be embarrassed; the little annoying situations of
|
|
the day's life he had smoothed away long before they
|
|
had ensnared her. He never was off his guard, never
|
|
disturbed, never excited.
|
|
|
|
And he amused her, he entertained her without seeming
|
|
to do so. He made her talk; he made her think. He
|
|
stimulated and aroused her, so that she herself talked
|
|
and thought with a brilliancy that surprised herself.
|
|
In fine, he had so contrived that she associated him
|
|
with everything that was agreeable.
|
|
|
|
She had sent him away the first time, and he had gone
|
|
without a murmur; only to come back loyal as ever,
|
|
silent, watchful, sympathetic, his love for her deeper,
|
|
stronger than before, and--as always timely--bringing
|
|
to her a companionship at the moment of all others when
|
|
she was most alone.
|
|
|
|
Now she had driven him from her again, and this time,
|
|
she very well knew, it was to be forever. She had shut
|
|
the door upon this great love.
|
|
|
|
Laura stirred abruptly in her place, adjusting her hair
|
|
with nervous fingers.
|
|
|
|
And, last of all, it had been Jadwin, her husband. She
|
|
rose and went to the window, and stood there a long
|
|
moment, looking off into the night over the park. It
|
|
was warm and very still. A few carriage lamps glimpsed
|
|
among the trees like fireflies. Along the walks and
|
|
upon the benches she could see the glow of white
|
|
dresses and could catch the sound of laughter. Far off
|
|
somewhere in the shrubbery, she thought she heard a
|
|
band playing. To the northeast lay the lake,
|
|
shimmering under the moon, dotted here and there with
|
|
the coloured lights of steamers.
|
|
|
|
She turned back into the room. The great house was
|
|
still. From all its suites of rooms, its corridors,
|
|
galleries, and hallways there came no sound. There was
|
|
no one upon the same floor as herself. She had read
|
|
all her books. It was too late to go out--and there
|
|
was no one to go with. To go to bed was ridiculous.
|
|
She was never more wakeful, never more alive, never
|
|
more ready to be amused, diverted, entertained.
|
|
|
|
She thought of the organ, and descending to the art
|
|
gallery, played Bach, Palestrina, and Stainer for an
|
|
hour; then suddenly she started from the console, with
|
|
a sharp, impatient movement of her head.
|
|
|
|
"Why do I play this stupid music?" she exclaimed. She
|
|
called a servant and asked:
|
|
|
|
"Has Mr. Jadwin come in yet?"
|
|
|
|
"Mr. Gretry just this minute telephoned that Mr. Jadwin
|
|
would not be home to-night."
|
|
|
|
When the servant had gone out Laura, her lips
|
|
compressed, flung up her head. Her hands shut to hard
|
|
fists, her eye flashed. Rigid, erect in the middle of
|
|
the floor, her arms folded, she uttered a smothered
|
|
exclamation over and over again under her breath.
|
|
|
|
All at once anger mastered her--anger and a certain
|
|
defiant recklessness, an abrupt spirit of revolt. She
|
|
straightened herself suddenly, as one who takes a
|
|
decision. Then, swiftly, she went out of the art
|
|
gallery, and, crossing the hallway, entered the library
|
|
and opened a great writing-desk that stood in a recess
|
|
under a small stained window.
|
|
|
|
She pulled the sheets of note paper towards her and
|
|
wrote a short letter, directing the envelope to Sheldon
|
|
Corthell, The Fine Arts Building, Michigan Avenue.
|
|
|
|
"Call a messenger," she said to the servant who
|
|
answered her ring, "and have him take--or send him in
|
|
here when he comes."
|
|
|
|
She rested the letter against the inkstand, and leaned
|
|
back in her chair, looking at it, her fingers plucking
|
|
swiftly at the lace of her dress. Her head was in a
|
|
whirl. A confusion of thoughts, impulses, desires,
|
|
half-formed resolves, half-named regrets, swarmed and
|
|
spun about her. She felt as though she had all at once
|
|
taken a leap--a leap which had landed her in a place
|
|
whence she could see a new and terrible country, an
|
|
unfamiliar place--terrible, yet beautiful--unexplored,
|
|
and for that reason all the more inviting, a place of
|
|
shadows.
|
|
|
|
Laura rose and paced the floor, her hands pressed
|
|
together over her heart. She was excited, her cheeks
|
|
flushed, a certain breathless exhilaration came and
|
|
went within her breast, and in place of the intolerable
|
|
ennui of the last days, there came over her a sudden,
|
|
an almost wild animation, and from out her black eyes
|
|
there shot a kind of furious gaiety.
|
|
|
|
But she was aroused by a step at the door. The
|
|
messenger stood there, a figure ridiculously inadequate
|
|
for the intensity of all that was involved in the issue
|
|
of the hour--a weazened, stunted boy, in a uniform many
|
|
sizes too large.
|
|
|
|
Laura, seated at her desk, held the note towards him
|
|
resolutely. Now was no time to hesitate, to temporise.
|
|
If she did not hold to her resolve now, what was there
|
|
to look forward to? Could one's life be emptier than
|
|
hers--emptier, more intolerable, more humiliating?
|
|
|
|
"Take this note to that address," she said, putting the
|
|
envelope and a coin in the boy's hand. "Wait for an
|
|
answer."
|
|
|
|
The boy shut the letter in his book, which he thrust
|
|
into his breast pocket, buttoning his coat over it. He
|
|
nodded and turned away.
|
|
|
|
Still seated, Laura watched him moving towards the
|
|
door. Well, it was over now. She had chosen. She had
|
|
taken the leap. What new life was to begin for her to-
|
|
morrow? What did it all mean? With an inconceivable
|
|
rapidity her thoughts began racing through, her brain.
|
|
|
|
She did not move. Her hands, gripped tight together,
|
|
rested upon the desk before her. Without turning her
|
|
head, she watched the retreating messenger, from under
|
|
her lashes. He passed out of the door, the curtain
|
|
fell behind him.
|
|
|
|
And only then, when the irrevocableness of the step was
|
|
all but an accomplished fact, came the reaction.
|
|
|
|
"Stop!" she cried, springing up. "Stop! Come back
|
|
here. Wait a moment."
|
|
|
|
What had happened? She could neither understand nor
|
|
explain. Somehow an instant of clear vision had come,
|
|
and in that instant a power within her that was herself
|
|
and not herself, and laid hold upon her will. No, no,
|
|
she could not, she could not, after all. She took the
|
|
note back.
|
|
|
|
"I have changed my mind," she said, abruptly. "You may
|
|
keep the money. There is no message to be sent."
|
|
|
|
As soon as the boy had gone she opened the envelope and
|
|
read what she had written. But now the words seemed
|
|
the work of another mind than her own. They were
|
|
unfamiliar; they were not the words of the Laura Jadwin
|
|
she knew. Why was it that from the very first hours of
|
|
her acquaintance with this man, and in every
|
|
circumstance of their intimacy, she had always acted
|
|
upon impulse? What was there in him that called into
|
|
being all that was reckless in her?
|
|
|
|
And for how long was she to be able to control these
|
|
impulses? This time she had prevailed once more
|
|
against that other impetuous self of hers. Would she
|
|
prevail the next time? And in these struggles, was she
|
|
growing stronger as she overcame, or weaker? She did
|
|
not know. She tore the note into fragments, and making
|
|
a heap of them in the pen tray, burned them carefully.
|
|
|
|
During the week following upon this, Laura found her
|
|
trouble more than ever keen. She was burdened with a
|
|
new distress. The incident of the note to Corthell,
|
|
recalled at the last moment, had opened her eyes to
|
|
possibilities of the situation hitherto unguessed. She
|
|
saw now what she might be capable of doing in a moment
|
|
of headstrong caprice, she saw depths in her nature she
|
|
had not plumbed. Whether these hidden pitfalls were
|
|
peculiarly hers, or whether they were common to all
|
|
women placed as she now found herself, she did not
|
|
pause to inquire. She thought only of results, and she
|
|
was afraid.
|
|
|
|
But for the matter of that, Laura had long since passed
|
|
the point of deliberate consideration or reasoned
|
|
calculation. The reaction had been as powerful as the
|
|
original purpose, and she was even yet struggling
|
|
blindly, intuitively.
|
|
|
|
For what she was now about to do she could give no
|
|
reason, and the motives for this final and supreme
|
|
effort to conquer the league of circumstances which
|
|
hemmed her in were obscure. She did not even ask what
|
|
they were. She knew only that she was in trouble, and
|
|
yet it was to the cause of her distress that she
|
|
addressed herself. Blindly she turned to her husband;
|
|
and all the woman in her roused itself, girded itself,
|
|
called up its every resource in one last test, in one
|
|
ultimate trial of strength between her and the terrible
|
|
growing power of that blind, soulless force that roared
|
|
and guttered and sucked, down there in the midst of the
|
|
city.
|
|
|
|
She alone, one unaided woman, her only auxiliaries her
|
|
beauty, her wit, and the frayed, strained bands of a
|
|
sorely tried love, stood forth like a challenger,
|
|
against Charybdis, joined battle with the Cloaca, held
|
|
back with her slim, white hands against the power of
|
|
the maelstrom that swung the Nations in its grip.
|
|
|
|
In the solitude of her room she took the resolve. Her
|
|
troubles were multiplying; she, too, was in the
|
|
current, the end of which was a pit--a pit black and
|
|
without bottom. Once already its grip had seized her,
|
|
once already she had yielded to the insidious drift.
|
|
Now suddenly aware of a danger, she fought back, and
|
|
her hands beating the air for help, turned towards the
|
|
greatest strength she knew.
|
|
|
|
"I want my husband," she cried, aloud, to the empty
|
|
darkness of the night. "I want my husband. I will
|
|
have him; he is mine, he is mine. There shall nothing
|
|
take me from him; there shall nothing take him from
|
|
me."
|
|
|
|
Her first opportunity came upon a Sunday soon
|
|
afterward. Jadwin, wakeful all the Saturday night,
|
|
slept a little in the forenoon, and after dinner Laura
|
|
came to him in his smoking-room, as he lay on the
|
|
leather lounge trying to read. His wife seated herself
|
|
at a writing-table in a corner of the room, and by and
|
|
by began turning the slips of a calendar that stood at
|
|
her elbow. At last she tore off one of the slips and
|
|
held it up.
|
|
|
|
"Curtis."
|
|
|
|
"Well, old girl?"
|
|
|
|
"Do you see that date?"
|
|
|
|
He looked over to her.
|
|
|
|
"Do you see that date? Do you know of anything that
|
|
makes that day different--a little--from other days?
|
|
It's June thirteenth. Do you remember what June
|
|
thirteenth is?"
|
|
|
|
Puzzled, he shook his head.
|
|
|
|
"No--no."
|
|
|
|
Laura took up a pen and wrote a few words in the space
|
|
above the printed figures reserved for memoranda. Then
|
|
she handed the slip to her husband, who read aloud what
|
|
she had written.
|
|
|
|
"'Laura Jadwin's birthday.' Why, upon my word," he
|
|
declared, sitting upright. "So it is, so it is. June
|
|
thirteenth, of course. And I was beast enough not to
|
|
realise it. Honey, I can't remember anything these
|
|
days, it seems."
|
|
|
|
"But you are going to remember this time?" she said.
|
|
"You are not going to forget it now. That evening is
|
|
going to mark the beginning of--oh, Curtis, it is going
|
|
to be a new beginning of everything. You'll see. I'm
|
|
going to manage it. I don't know how, but you are
|
|
going to love me so that nothing, no business, no
|
|
money, no wheat will ever keep you from me. I will
|
|
make you. And that evening, that evening of June
|
|
thirteenth is mine. The day your business can have
|
|
you, but from six o'clock on you are mine." She crossed
|
|
the room quickly and took both his hands in hers and
|
|
knelt beside him. "It is mine," she said, if you love
|
|
me. Do you understand, dear? You will come home at
|
|
six o'clock, and whatever happens--oh, if all La Salle
|
|
Street should burn to the ground, and all your millions
|
|
of bushels of wheat with it--whatever happens, you--
|
|
will--not--leave--me--nor think of anything else but
|
|
just me, me. That evening is mine, and you will give
|
|
it to me, just as I have said. I won't remind you of
|
|
it again. I won't speak of it again. I will leave it
|
|
to you. But--you will give me that evening if you love
|
|
me. Dear, do you see just what I mean? ... _If you
|
|
love me...._ No--no don't say a word, we won't talk
|
|
about it at all. No, no, please. Not another word. I
|
|
don't want you to promise, or pledge yourself, or
|
|
anything like that. You've heard what I said--and
|
|
that's all there is about it. We'll talk of something
|
|
else. By the way, have you seen Mr. Cressler lately?"
|
|
|
|
"No," he said, falling into her mood. "No haven't seen
|
|
Charlie in over a month. Wonder what's become of him?"
|
|
|
|
"I understand he's been sick," she told him. "I met
|
|
Mrs. Cressler the other day, and she said she was
|
|
bothered about him."
|
|
|
|
"Well, what's the matter with old Charlie?"
|
|
|
|
"She doesn't know, herself. He's not sick enough to go
|
|
to bed, but he doesn't or won't go down town to his
|
|
business. She says she can see him growing thinner
|
|
every day. He keeps telling her he's all right, but
|
|
for all that, she says, she's afraid he's going to come
|
|
down with some kind of sickness pretty soon."
|
|
|
|
"'Say," said Jadwin, "suppose we drop around to see
|
|
them this afternoon? Wouldn't you like to? I haven't
|
|
seen him in over a month, as I say. Or telephone them
|
|
to come up and have dinner. Charlie's about as old a
|
|
friend as I have. We used to be together about every
|
|
hour of the day when we first came to Chicago. Let's
|
|
go over to see him this afternoon and cheer him up."
|
|
|
|
"No," said Laura, decisively. "Curtis, you must have
|
|
one day of rest out of the week. You are going to lie
|
|
down all the rest of the afternoon, and sleep if you
|
|
can. I'll call on them to-morrow."
|
|
|
|
"Well, all right," he assented. "I suppose I ought to
|
|
sleep if I can. And then Sam is coming up here, by
|
|
five. He's going to bring some railroad men with him.
|
|
We've got a lot to do. Yes, I guess, old girl, I'll
|
|
try to get forty winks before they get here. And,
|
|
Laura," he added, taking her hand as she rose to go,
|
|
"Laura, this is the last lap. In just another month
|
|
now--oh, at the outside, six weeks--I'll have closed
|
|
the corner, and then, old girl, you and I will go
|
|
somewheres, anywhere you like, and then we'll have a
|
|
good time together all the rest of our lives--all the
|
|
rest of our lives, honey. Good-by. Now I think I can
|
|
go to sleep."
|
|
|
|
She arranged the cushions under his head and drew the
|
|
curtains close over the windows, and went out, softly
|
|
closing the door behind her. And a half hour later,
|
|
when she stole in to look at him, she found him asleep
|
|
at last, the tired eyes closed, and the arm, with its
|
|
broad, strong hand, resting under his head. She stood
|
|
a long moment in the middle of the room, looking down
|
|
at him; and then slipped out as noiselessly as she had
|
|
come, the tears trembling on her eyelashes.
|
|
|
|
Laura Jadwin did not call on the Cresslers the next
|
|
day, nor even the next after that. For three days she
|
|
kept indoors, held prisoner by a series of petty
|
|
incidents; now the delay in the finishing of her new
|
|
gowns, now by the excessive heat, now by a spell of
|
|
rain. By Thursday, however, at the beginning of the
|
|
second week of the month, the storm was gone, and the
|
|
sun once more shone. Early in the afternoon Laura
|
|
telephoned to Mrs. Cressler.
|
|
|
|
"How are you and Mr. Cressler?" she asked. "I'm coming
|
|
over to take luncheon with you and your husband, if you
|
|
will let me."
|
|
|
|
"Oh, Charlie is about the same, Laura," answered Mrs.
|
|
Cressler's voice. "I guess the dear man has been
|
|
working too hard, that's all. Do come over and cheer
|
|
him up. If I'm not here when you come, you just make
|
|
yourself at home. I've got to go down town to see
|
|
about railroad tickets and all. I'm going to pack my
|
|
old man right off to Oconomowoc before I'm another day
|
|
older. Made up my mind to it last night, and I don't
|
|
want him to be bothered with tickets or time cards, or
|
|
baggage or anything. I'll run down and do it all
|
|
myself. You come right up whenever you're ready and
|
|
keep Charlie company. How's your husband, Laura
|
|
child?"
|
|
|
|
"Oh, Curtis is well," she answered. "He gets very
|
|
tired at times."
|
|
|
|
"Well, I can understand it. Lands alive, child
|
|
whatever are you going to do with all your money? They
|
|
tell me that J. has made millions in the last three or
|
|
four months. A man I was talking to last week said his
|
|
corner was the greatest thing ever known on the Chicago
|
|
Board of Trade. Well, good-by, Laura, come up whenever
|
|
you're ready. I'll see you at lunch Charlie is right
|
|
here. He says to give you his love." An hour later
|
|
Laura's victoria stopped in front of the Cressler's
|
|
house, and the little footman descended with the
|
|
agility of a monkey, to stand, soldier-like, at the
|
|
steps, the lap robe over his arm.
|
|
|
|
Laura gave orders to have the victoria call for her at
|
|
three, and ran quickly up the front steps. The front
|
|
entrance was open, the screen door on the latch, and
|
|
she entered without ceremony.
|
|
|
|
"Mrs. Cressler!" she called, as she stood in the
|
|
hallway drawing off her gloves. "Mrs. Cressler!
|
|
Carrie, have you gone yet?"
|
|
|
|
But the maid, Annie, appeared at the head of the
|
|
stairs, on the landing of the second floor, a towel
|
|
bound about her head, her duster in her hand.
|
|
|
|
"Mrs. Cressler has gone out, Mrs. Jadwin," she said.
|
|
"She said you was to make yourself at home, and she'd
|
|
be back by noon."
|
|
|
|
Laura nodded, and standing before the hatrack in the
|
|
hall, took off her hat and gloves, and folded her veil
|
|
into her purse. The house was old-fashioned, very
|
|
homelike and spacious, cool, with broad halls and wide
|
|
windows. In the "front library," where Laura entered
|
|
first, were steel engravings of the style of the
|
|
seventies, "whatnots" crowded with shells, Chinese
|
|
coins, lacquer boxes, and the inevitable sawfish bill.
|
|
The mantel was mottled white marble, and its shelf bore
|
|
the usual bronze and gilt clock, decorated by a female
|
|
figure in classic draperies, reclining against a globe.
|
|
An oil painting of a mountain landscape hung against
|
|
one wall; and on a table of black walnut, with a red
|
|
marble slab, that stood between the front windows, were
|
|
a stereoscope and a rosewood music box.
|
|
|
|
The piano, an old style Chickering, stood diagonally
|
|
across the far corner of the room, by the closed
|
|
sliding doors, and Laura sat down here and began to
|
|
play the "Mephisto Walzer," which she had been at pains
|
|
to learn since the night Corthell had rendered it on
|
|
her great organ in the art gallery.
|
|
|
|
But when she had played as much as she could remember
|
|
of the music, she rose and closed the piano, and pushed
|
|
back the folding doors between the room she was in and
|
|
the "back library," a small room where Mrs. Cressler
|
|
kept her books of poetry.
|
|
|
|
As Laura entered the room she was surprised to see Mr.
|
|
Cressler there, seated in his armchair, his back turned
|
|
toward her.
|
|
|
|
"Why, I didn't know you were here, Mr. Cressler," she
|
|
said, as she came up to him.
|
|
|
|
She laid her hand upon his arm. But Cressler was dead;
|
|
and as Laura touched him the head dropped upon the
|
|
shoulder and showed the bullet hole in the temple, just
|
|
in front of the ear.
|
|
|
|
X
|
|
|
|
The suicide of Charles Cressler had occurred on the
|
|
tenth of June, and the report of it, together with the
|
|
wretched story of his friend's final surrender to a
|
|
temptation he had never outlived, reached Curtis Jadwin
|
|
early on the morning of the eleventh.
|
|
|
|
He and Gretry were at their accustomed places in the
|
|
latter's office, and the news seemed to shut out all
|
|
the sunshine that had been flooding in through the
|
|
broad plate-glass windows. After their first
|
|
incoherent horror, the two sat staring at each other,
|
|
speechless.
|
|
|
|
"My God, my God," groaned Jadwin, as if in the throes
|
|
of a deadly sickness. "He was in the Crookes, ring,
|
|
and we never knew it--I've killed him, Sam. I might as
|
|
well have held that pistol myself." He stamped his
|
|
foot, striking his fist across his forehead, "Great
|
|
God--my best friend--Charlie--Charlie Cressler! Sam, I
|
|
shall go mad if this--if this----
|
|
|
|
"Steady, steady does it, J.," warned the broker, his
|
|
hand upon his shoulder, "we got to keep a grip on
|
|
ourselves to-day. We've got a lot to think of. We'll
|
|
think about Charlie, later. Just now ... well it's
|
|
business now. Mathewson & Knight have called on us for
|
|
margins--twenty thousand dollars."
|
|
|
|
He laid the slip down in front of Jadwin, as he sat at
|
|
his desk.
|
|
|
|
"Oh, this can wait?" exclaimed Jadwin. "Let it go till
|
|
this afternoon. I can't talk business now. Think of
|
|
Carrie--Mrs. Cressler, I----"
|
|
|
|
"No," answered Gretry, reflectively and slowly, looking
|
|
anywhere but in Jadwin's face. "N--no, I don't think
|
|
we'd better wait. I think we'd better meet these
|
|
margin calls promptly. It's always better to keep our
|
|
trades margined up."
|
|
|
|
Jadwin faced around.
|
|
|
|
"Why," he cried, "one would think, to hear you talk, as
|
|
though there was danger of me busting here at any
|
|
hour."
|
|
|
|
Gretry did not answer. There was a moment's silence
|
|
Then the broker caught his principal's eye and held it
|
|
a second.
|
|
|
|
"Well," he answered, "you saw how freely they sold to
|
|
us in the Pit yesterday. We've got to buy, and buy and
|
|
buy, to keep our price up; and look here, look at these
|
|
reports from our correspondents--everything points to a
|
|
banner crop. There's been an increase of acreage
|
|
everywhere, because of our high prices. See this from
|
|
Travers"--he picked up a despatch and read:
|
|
"'Preliminary returns of spring wheat in two Dakotas,
|
|
subject to revision, indicate a total area seeded of
|
|
sixteen million acres, which added to area in winter
|
|
wheat states, makes total of forty-three million, or
|
|
nearly four million acres greater than last year.'"
|
|
|
|
"Lot of damned sentiment," cried Jadwin, refusing to be
|
|
convinced. "Two-thirds of that wheat won't grade, and
|
|
Europe will take nearly all of it. What we ought to do
|
|
is to send our men into the Pit and buy another
|
|
million, buy more than these fools can offer. Buy 'em
|
|
to a _standstill._"
|
|
|
|
"That takes a big pile of money then," said the broker.
|
|
"More than we can lay our hands on this morning. The
|
|
best we can do is to take all the Bears are offering,
|
|
and support the market. The moment they offer us wheat
|
|
and we don't buy it, that moment--as you know,
|
|
yourself--they'll throw wheat at you by the train load,
|
|
and the price will break, and we with it."
|
|
|
|
"Think we'll get rid of much wheat to-day?" demanded
|
|
Jadwin.
|
|
|
|
By now it had became vitally necessary for Jadwin to
|
|
sell out his holdings. His "long line" was a fearful
|
|
expense, insurance and storage charges were eating
|
|
rapidly into the profits. He _must_ get rid of the
|
|
load he was carrying, little by little. To do this at
|
|
a profit, he had adopted the expedient of flooding the
|
|
Pit with buying orders just before the close of the
|
|
session, and then as the price rose under this
|
|
stimulus, selling quickly, before it had time to break.
|
|
At first this had succeeded. But of late he must buy
|
|
more and more to keep the price up, while the moment
|
|
that he began to sell, the price began to drop; so that
|
|
now, in order to sell one bushel, he must buy two.
|
|
|
|
"Think we can unload much on 'em to-day?" repeated
|
|
Jadwin.
|
|
|
|
"I don't know," answered Gretry, slowly and
|
|
thoughtfully. "Perhaps--there's a chance--. Frankly,
|
|
J., I don't think we can. The Pit is taking heart,
|
|
that's the truth of it. Those fellows are not so
|
|
scared of us as they were a while ago. It's the new
|
|
crop, as I've said over and over again. We've put
|
|
wheat so high, that all the farmers have planted it,
|
|
and are getting ready to dump it on us. The Pit knows
|
|
that, of course. Why, just think, they are harvesting
|
|
in some places. These fellows we've caught in the
|
|
corner will be able to buy all the wheat they want from
|
|
the farmers if they can hold out a little longer. And
|
|
that Government report yesterday showed that the
|
|
growing wheat is in good condition."
|
|
|
|
"Nothing of the sort. It was a little over eighty-
|
|
six."
|
|
|
|
"Good enough," declared Gretry, "good enough so that it
|
|
broke the price down to a dollar and twenty. Just
|
|
think, we were at a dollar and a half a little while
|
|
ago."
|
|
|
|
"And we'll be at two dollars in another ten days, I
|
|
tell you."
|
|
|
|
"Do you know how we stand J.?" said the broker gravely.
|
|
"Do you know how we stand--financially? It's taken
|
|
pretty nearly every cent of our ready money to support
|
|
this July market. Oh, we can figure out our paper
|
|
profits into the millions. We've got thirty, forty,
|
|
fifty million bushels of wheat that's worth over a
|
|
dollar a bushel, but if we can't sell it, we're none
|
|
the better off--and that wheat is costing us six
|
|
thousand dollars a day. Hell, old man, where's the
|
|
money going to come from? You don't seem to realise
|
|
that we are in a precarious condition." He raised an
|
|
arm, and pointed above him in the direction of the
|
|
floor of the Board of Trade.
|
|
|
|
"The moment we can't give our boys--Landry Court, and
|
|
the rest of 'em--the moment we can't give them buying
|
|
orders, that Pit will suck us down like a chip. The
|
|
moment we admit that we can't buy all the wheat that's
|
|
offered, there's the moment we bust."
|
|
|
|
"Well, we'll buy it," cried Jadwin, through his set
|
|
teeth. "I'll show those brutes. Look here, is it
|
|
money we want? You cable to Paris and offer two
|
|
million, at--oh, at eight cents below the market; and
|
|
to Liverpool, and let 'em have twopence off on the same
|
|
amount. They'll snap it up as quick as look at it.
|
|
That will bring in one lot of money, and as for the
|
|
rest, I guess I've got some real estate in this town
|
|
that't pretty good security."
|
|
|
|
"What--you going to mortgage part of that?"
|
|
|
|
"No," cried Jadwin, jumping up with a quick impatient
|
|
gesture, "no, I'm going to mortgage all of it, and I'm
|
|
going to do it to-day--this morning. If you say we're
|
|
in a precarious condition, it's no time for half
|
|
measures. I'll have more money than you'll know what
|
|
to do with in the Illinois Trust by three o'clock this
|
|
afternoon, and when the Board opens to-morrow morning,
|
|
I'm going to light into those cattle in the Pit there,
|
|
so as they'll think a locomotive has struck 'em.
|
|
They'd stand me off, would they? They'd try to sell me
|
|
down; they won't cover when I turn the screw! I'll show
|
|
'em, Sam Gretry. I'll run wheat up so high before the
|
|
next two days, that the Bank of England can't pull it
|
|
down, and before the Pit can catch its breath, I'll
|
|
sell our long line, and with the profits of that, by
|
|
God! I'll run it up again. Two dollars! Why, it will
|
|
be two fifty here so quick you won't know how it's
|
|
happened. I've just been fooling with this crowd until
|
|
now. _Now,_ I'm really going to get down to business."
|
|
|
|
Gretry did not answer. He twirled his pencil between
|
|
his fingers, and stared down at the papers on his desk.
|
|
Once he started to speak, but checked himself. Then at
|
|
last he turned about.
|
|
|
|
"All right," he said, briskly. "We'll see what that
|
|
will do."
|
|
|
|
"I'm going over to the Illinois Trust now," said
|
|
Jadwin, putting on his hat. "When your boys come in
|
|
for their orders, tell them for to-day just to support
|
|
the market. If there's much wheat offered they'd
|
|
better buy it. Tell them not to let the market go
|
|
below a dollar twenty. When I come back we'll make out
|
|
those cables."
|
|
|
|
That day Jadwin carried out his programme so vehemently
|
|
announced to his broker. Upon every piece of real
|
|
estate that he owned he placed as heavy a mortgage as
|
|
the property would stand. Even his old house on
|
|
Michigan Avenue, even the "homestead" on North State
|
|
Street were encumbered. The time was come, he felt,
|
|
for the grand _coup,_ the last huge strategical move,
|
|
the concentration of every piece of heavy artillery.
|
|
Never in all his multitude of operations on the Chicago
|
|
Board of Trade had he failed. He knew he would not
|
|
fail now; Luck, the golden goddess, still staid at his
|
|
shoulder. He did more than mortgage his property; he
|
|
floated a number of promissory notes. His credit,
|
|
always unimpeachable, he taxed to its farthest stretch;
|
|
from every source he gathered in the sinews of the war
|
|
he was waging. No sum was too great to daunt him, none
|
|
too small to be overlooked. Reserves, van and rear,
|
|
battle line and skirmish outposts he summoned together
|
|
to form one single vast column of attack.
|
|
|
|
It was on this same day while Jadwin, pressed for
|
|
money, was leaving no stone unturned to secure ready
|
|
cash, that he came across old Hargus in his usual place
|
|
in Gretry's customers' room, reading a two days old
|
|
newspaper. Of a sudden an idea occurred to Jadwin. He
|
|
took the old man aside. "Hargus," he said, "do you
|
|
want a good investment for your money, that money I
|
|
turned over to you? I can give you a better rate than
|
|
the bank, and pretty good security. Let me have about
|
|
a hundred thousand at--oh, ten per cent."
|
|
|
|
"Hey--what?" asked the old fellow querulously. Jadwin
|
|
repeated his request.
|
|
|
|
But Hargus cast a suspicious glance at him and drew
|
|
away.
|
|
|
|
"I--I don't lend my money," he observed.
|
|
|
|
"Why--you old fool," exclaimed Jadwin. Here, is it
|
|
more interest you want? Why, we'll say fifteen per
|
|
cent., if you like."
|
|
|
|
"I don't lend my money," exclaimed Hargus, shaking his
|
|
head. "I ain't got any to lend," and with the words
|
|
took himself off."
|
|
|
|
One source of help alone Jadwin left untried. Sorely
|
|
tempted, he nevertheless kept himself from involving
|
|
his wife's money in the hazard. Laura, in her own
|
|
name, was possessed of a little fortune; sure as he was
|
|
of winning, Jadwin none the less hesitated from seeking
|
|
an auxiliary here. He felt it was a matter of pride.
|
|
He could not bring himself to make use of a woman's
|
|
succour.
|
|
|
|
But his entire personal fortune now swung in the
|
|
balance. It was the last fight, the supreme attempt--
|
|
the final consummate assault, and the thrill of a
|
|
victory more brilliant, more conclusive, more decisive
|
|
than any he had ever known, vibrated in Jadwin's
|
|
breast, as he went to and fro in Jackson, Adams, and La
|
|
Salle streets all through that day of the eleventh.
|
|
|
|
But he knew the danger--knew just how terrible was to
|
|
be the grapple. Once that same day a certain detail of
|
|
business took him near to the entrance of the Floor.
|
|
Though he did not so much as look inside the doors, he
|
|
could not but hear the thunder of the Pit; and even in
|
|
that moment of confidence, his great triumph only a few
|
|
hours distant, Jadwin, for the instant, stood daunted.
|
|
The roar was appalling, the whirlpool was again
|
|
unchained, the maelstrom was again unleashed. And
|
|
during the briefest of seconds he could fancy that the
|
|
familiar bellow of its swirling, had taken on another
|
|
pitch. Out of that hideous turmoil, he imagined, there
|
|
issued a strange unwonted note; as it were, the first
|
|
rasp and grind of a new avalanche just beginning to
|
|
stir, a diapason more profound than any he had yet
|
|
known, a hollow distant bourdon as of the slipping and
|
|
sliding of some almighty and chaotic power.
|
|
|
|
It was the Wheat, the Wheat! It was on the move again.
|
|
From the farms of Illinois and Iowa, from the ranches
|
|
of Kansas and Nebraska, from all the reaches of the
|
|
Middle West, the Wheat, like a tidal wave, was rising,
|
|
rising. Almighty, blood-brother to the earthquake,
|
|
coeval with the volcano and the whirlwind, that
|
|
gigantic world-force, that colossal billow, Nourisher
|
|
of the Nations, was swelling and advancing.
|
|
|
|
There in the Pit its first premonitory eddies already
|
|
swirled and spun. If even the first ripples of the
|
|
tide smote terribly upon the heart, what was it to be
|
|
when the ocean itself burst through, on its eternal way
|
|
from west to east? For an instant came clear vision.
|
|
What were these shouting, gesticulating men of the
|
|
Board of Trade, these brokers, traders, and
|
|
speculators? It was not these he fought, it was that
|
|
fatal New Harvest; it was the Wheat; it was--as Gretry
|
|
had said--the very Earth itself. What were those
|
|
scattered hundreds of farmers of the Middle West, who
|
|
because he had put the price so high had planted the
|
|
grain as never before? What had they to do with it?
|
|
Why the Wheat had grown itself; demand and supply,
|
|
these were the two great laws the Wheat obeyed. Almost
|
|
blasphemous in his effrontery, he had tampered with
|
|
these laws, and had roused a Titan. He had laid his
|
|
puny human grasp upon Creation and the very earth
|
|
herself, the great mother, feeling the touch of the
|
|
cobweb that the human insect had spun, had stirred at
|
|
last in her sleep and sent her omnipotence moving
|
|
through the grooves of the world, to find and crush the
|
|
disturber of her appointed courses.
|
|
|
|
The new harvest was coming in; the new harvest of
|
|
wheat, huge beyond possibility of control; so vast that
|
|
no money could buy it, so swift that no strategy could
|
|
turn it. But Jadwin hurried away from the sound of the
|
|
near roaring of the Pit. No, no. Luck was with him;
|
|
he had mastered the current of the Pit many times
|
|
before--he would master it again. The day passed and
|
|
the night, and at nine o'clock the following morning,
|
|
he and Gretry once more met in the broker's office.
|
|
|
|
Gretry turned a pale face upon his principal.
|
|
|
|
"I've just received," he said, "the answers to our
|
|
cables to Liverpool and Paris. I offered wheat at both
|
|
places, as you know, cheaper than we've ever offered it
|
|
there before."
|
|
|
|
"Yes--well?"
|
|
|
|
"Well," answered Gretry, looking gravely into Jadwin's
|
|
eyes, "well--they won't take it."
|
|
|
|
. . . . . . . . . . . . . .
|
|
|
|
On the morning of her birthday--the thirteenth of the
|
|
month--when Laura descended to the breakfast room, she
|
|
found Page already there. Though it was barely half-
|
|
past seven, her sister was dressed for the street. She
|
|
wore a smart red hat, and as she stood by the French
|
|
windows, looking out, she drew her gloves back and
|
|
forth between her fingers, with a nervous, impatient
|
|
gesture.
|
|
|
|
"Why," said Laura, as she sat down at her place, "why,
|
|
Pagie, what is in the wind to-day?"
|
|
|
|
"Landry is coming," Page explained, facing about and
|
|
glancing at the watch pinned to her waist. "He is
|
|
going to take me down to see the Board of Trade--from
|
|
the visitor's gallery, you know. He said this would
|
|
probably be a great day. Did Mr. Jadwin come home last
|
|
night?"
|
|
|
|
Laura shook her head, without speech. She did not
|
|
choose to put into words the fact that for three days--
|
|
with the exception of an hour or two, on the evening
|
|
after that horrible day of her visit to the Cresslers,
|
|
house--she had seen nothing of her husband.
|
|
|
|
"Landry says," continued Page, "that it is awful--down
|
|
there, these days. He says that it is the greatest
|
|
fight in the history of La Salle Street. Has Mr.
|
|
Jadwin, said anything to you? Is he going to win?"
|
|
|
|
"I don't know," answered Laura, in a low voice; "I
|
|
don't know anything about it, Page."
|
|
|
|
She was wondering if even Page had forgotten. When she
|
|
had come into the room, her first glance had been
|
|
towards her place at table. But there was nothing
|
|
there, not even so much as an envelope; and no one had
|
|
so much as wished her joy of the little anniversary.
|
|
She had thought Page might have remembered, but her
|
|
sister's next words showed that she had more on her
|
|
mind than birthdays.
|
|
|
|
"Laura," she began, sitting down opposite to her, and
|
|
unfolding her napkin, with laborious precision.
|
|
"Laura--Landry and I--Well ... we're going to be
|
|
married in the fall."
|
|
|
|
"Why, Pagie," cried Laura, "I'm just as glad as I can
|
|
be for you. He's a fine, clean fellow, and I know he
|
|
will make you a good husband."
|
|
|
|
Page drew a deep breath.
|
|
|
|
"Well," she said, "I'm glad you think so, too. Before
|
|
you and Mr. Jadwin were married, I wasn't sure about
|
|
having him care for me, because at that time--well--"
|
|
Page looked up with a queer little smile, "I guess you
|
|
could have had him--if you had wanted to."
|
|
|
|
"Oh, that," cried Laura. "Why, Landry never really
|
|
cared for me. It was all the silliest kind of
|
|
flirtation. The moment he knew you better, I stood no
|
|
chance at all."
|
|
|
|
"We're going to take an apartment on Michigan Avenue,
|
|
near the Auditorium," said Page, "and keep house.
|
|
We've talked it all over, and know just how much it
|
|
will cost to live and keep one servant. I'm going to
|
|
serve the loveliest little dinners; I've learned the
|
|
kind of cooking he likes already. Oh, I guess there he
|
|
is now," she cried, as they heard the front door close.
|
|
|
|
Landry came in, carrying a great bunch of cut flowers,
|
|
and a box of candy. He was as spruce as though he were
|
|
already the bridegroom, his cheeks pink, his blonde
|
|
hair radiant. But he was thin and a little worn, a
|
|
dull feverish glitter came and went in his eyes, and
|
|
his nervousness, the strain and excitement which beset
|
|
him were in his every gesture, in every word of his
|
|
rapid speech.
|
|
|
|
"We'll have to hurry," he told Page. "I must be down
|
|
there hours ahead of time this morning."
|
|
|
|
"How is Curtis?" demanded Laura. "Have you seen him
|
|
lately? How is he getting on with--with his
|
|
speculating?"
|
|
|
|
Landry made a sharp gesture of resignation.
|
|
|
|
"I don't know," he answered. "I guess nobody knows.
|
|
We had a fearful day yesterday, but I think we
|
|
controlled the situation at the end. We ran the price
|
|
up and up and up till I thought it would never stop.
|
|
If the Pit thought Mr. Jadwin was beaten, I guess they
|
|
found out how they were mistaken. For a time there, we
|
|
were just _driving_ them. But then Mr. Gretry sent
|
|
word to us in the Pit to sell, and we couldn't hold
|
|
them. They came back at us like wolves; they beat the
|
|
price down five cents, in as many minutes. We had to
|
|
quit selling, and buy again. But then Mr. Jadwin went
|
|
at them with a rush. _Oh, it was grand!_ We steadied
|
|
the price at a dollar and fifteen, stiffened it up to
|
|
eighteen and a half, and then sent it up again, three
|
|
cents at a time, till we'd hammered it back to a dollar
|
|
and a quarter."
|
|
|
|
"But Curtis himself," inquired Laura, "is he all right,
|
|
is he well?"
|
|
|
|
"I only saw him once," answered Landry. "He was in Mr.
|
|
Gretry's office. Yes, he looked all right. He's
|
|
nervous, of course. But Mr. Gretry looks like the sick
|
|
man. He looks all frazzled out."
|
|
|
|
"I guess, we'd better be going," said Page, getting up
|
|
from the table. "Have you had your breakfast, Landry?
|
|
Won't you have some coffee?"
|
|
|
|
"Oh, I breakfasted hours ago," he answered. "But you
|
|
are right. We had better be moving. If you are going
|
|
to get a seat in the gallery, you must be there half an
|
|
hour ahead of time, to say the least. Shall I take any
|
|
word to your husband from you, Mrs. Jadwin?"
|
|
|
|
"Tell him that I wish him good luck," she answered,
|
|
"and--yes, ask him, if he remembers what day of the
|
|
month this is--or no, don't ask him that. Say nothing
|
|
about it. Just tell him I send him my very best love,
|
|
and that I wish him all the success in the world."
|
|
|
|
It was about nine o'clock, when Landry and Page reached
|
|
the foot of La Salle Street. The morning was fine and
|
|
cool. The sky over the Board of Trade sparkled with
|
|
sunlight, and the air was full of fluttering wings of
|
|
the multitude of pigeons that lived upon the leakage of
|
|
grain around the Board of Trade building.
|
|
|
|
"Mr. Cressler used to feed them regularly," said
|
|
Landry, as they paused on the street corner opposite
|
|
the Board. "Poor--poor Mr. Cressler--the funeral is
|
|
to-morrow, you know."
|
|
|
|
Page shut her eyes.
|
|
|
|
"Oh," she murmured, "think, _think_ of Laura finding
|
|
him there like that. Oh, it would have killed me, it
|
|
would have killed me."
|
|
|
|
"Somehow," observed Landry, a puzzled expression in his
|
|
eyes, "somehow, by George! she don't seem to mind very
|
|
much. You'd have thought a shock like that would have
|
|
made her sick."
|
|
|
|
"Oh! Laura," cried Page. "I don't know her any more
|
|
these days, she is just like stone--just as though she
|
|
were crowding down every emotion or any feeling she
|
|
ever had. She seems to be holding herself in with all
|
|
her strength--for something--and afraid to let go a
|
|
finger, for fear she would give way altogether. When
|
|
she told me about that morning at the Cresslers' house,
|
|
her voice was just like ice; she said, 'Mr. Cressler
|
|
has shot himself. I found him dead in his library.'
|
|
She never shed a tear, and she spoke, oh, in such a
|
|
terrible monotone. Oh! _dear,_" cried Page, "I wish
|
|
all this was over, and we could all get away from
|
|
Chicago, and take Mr. Jadwin with us, and get him back
|
|
to be as he used to be, always so light-hearted, and
|
|
thoughtful and kindly. He used to be making jokes from
|
|
morning till night. Oh, I loved him just as if he were
|
|
my father."
|
|
|
|
They crossed the street, and Landry, taking her by the
|
|
arm, ushered her into the corridor on the ground floor
|
|
of the Board.
|
|
|
|
"Now, keep close to me," he said, "and see if we can
|
|
get through somewhere here."
|
|
|
|
The stairs leading up to the main floor were already
|
|
crowded with visitors, some standing in line close to
|
|
the wall, others aimlessly wandering up and down,
|
|
looking and listening, their heads in the air. One of
|
|
these, a gentleman with a tall white hat, shook his
|
|
head at Landry and Page, as they pressed by him.
|
|
|
|
"You can't get up there," he said, "even if they let
|
|
you in. They're packed in like sardines already."
|
|
|
|
But Landry reassured Page with a knowing nod of his
|
|
head.
|
|
|
|
"I told the guide up in the gallery to reserve a seat
|
|
for you. I guess we'll manage."
|
|
|
|
But when they reached the staircase that connected the
|
|
main floor with the visitors' gallery, it became a
|
|
question as to whether or not they could even get to
|
|
the seat. The crowd was packed solidly upon the
|
|
stairs, between the wall and the balustrades. There
|
|
were men in top hats, and women in silks; rough fellows
|
|
of the poorer streets, and gaudily dressed queens of
|
|
obscure neighborhoods, while mixed with these one saw
|
|
the faded and shabby wrecks that perennially drifted
|
|
about the Board of Trade, the failures who sat on the
|
|
chairs of the customers' rooms day in and day out,
|
|
reading old newspapers, smoking vile cigars. And there
|
|
were young men of the type of clerks and bookkeepers,
|
|
young men with drawn, worn faces, and hot, tired eyes,
|
|
who pressed upward, silent, their lips compressed,
|
|
listening intently to the indefinite echoing murmur
|
|
that was filling the building.
|
|
|
|
For on this morning of the thirteenth of June, the
|
|
Board of Trade, its halls, corridors, offices, and
|
|
stairways were already thrilling with a vague and
|
|
terrible sound. It was only a little after nine
|
|
o'clock. The trading would not begin for another half
|
|
hour, but, even now, the mutter of the whirlpool, the
|
|
growl of the Pit was making itself felt. The eddies
|
|
were gathering; the thousands of subsidiary torrents
|
|
that fed the cloaca were moving. From all over the
|
|
immediate neighborhood they came, from the offices of
|
|
hundreds of commission houses, from brokers' offices,
|
|
from banks, from the tall, grey buildings of La Salle
|
|
Street, from the street itself. And even from greater
|
|
distances they came; auxiliary currents set in from all
|
|
the reach of the Great Northwest, from Minneapolis,
|
|
Duluth, and Milwaukee. From the Southwest, St. Louis,
|
|
Omaha, and Kansas City contributed to the volume. The
|
|
Atlantic Seaboard, New York, and Boston and
|
|
Philadelphia sent out their tributary streams; London,
|
|
Liverpool, Paris, and Odessa merged their influences
|
|
with the vast world-wide flowing that bore down upon
|
|
Chicago, and that now began slowly, slowly to centre
|
|
and circle about the Wheat Pit of the Board of Trade.
|
|
|
|
Small wonder that the building to Page's ears vibrated
|
|
to a strange and ominous humming. She heard it in the
|
|
distant clicking of telegraph keys, in the echo of
|
|
hurried whispered conversations held in dark corners,
|
|
in the noise of rapid footsteps, in the trilling of
|
|
telephone bells. These sounds came from all around
|
|
her; they issued from the offices of the building below
|
|
her, above her and on either side. She was surrounded
|
|
with them, and they mingled together to form one
|
|
prolonged and muffled roar, that from moment to moment
|
|
increased in volume.
|
|
|
|
The Pit was getting under way; the whirlpool was
|
|
forming, and the sound of its courses was like the
|
|
sound of the ocean in storm, heard at a distance.
|
|
|
|
Page and Landry were still halfway up the last
|
|
stairway. Above and below, the throng was packed dense
|
|
and immobilised. But, little by little, Landry wormed
|
|
a way for them, winning one step at a time. But he was
|
|
very anxious; again and again he looked at his watch.
|
|
At last he said:
|
|
|
|
"I've _got_ to go. It's just madness for me to stay
|
|
another minute. I'll give you my card."
|
|
|
|
"Well, leave me here," Page urged. "It can't be
|
|
helped. I'm all right. Give me your card. I'll tell
|
|
the guide in the gallery that you kept the seat for me--
|
|
if I ever can get there. You must go. Don't stay
|
|
another minute. If you can, come for me here in the
|
|
gallery, when it's over. I'll wait for you. But if
|
|
you can't come, all right. I can take care of myself."
|
|
|
|
He could but assent to this. This was no time to think
|
|
of small things. He left her and bore back with all
|
|
his might through the crowd, gained the landing at the
|
|
turn of the balustrade, waved his hat to her and
|
|
disappeared.
|
|
|
|
A quarter of an hour went by. Page, caught in the
|
|
crowd, could neither advance nor retreat. Ahead of
|
|
her, some twenty steps away, she could see the back
|
|
rows of seats in the gallery. But they were already
|
|
occupied. It seemed hopeless to expect to see anything
|
|
of the floor that day. But she could no longer
|
|
extricate herself from the press; there was nothing to
|
|
do but stay where she was.
|
|
|
|
On every side of her she caught odds and ends of
|
|
dialogues and scraps of discussions, and while she
|
|
waited she found an interest in listening to these, as
|
|
they reached her from time to time.
|
|
|
|
"Well," observed the man in the tall white hat, who had
|
|
discouraged Landry from attempting to reach the
|
|
gallery, "well, he's shaken 'em up pretty well.
|
|
Whether he downs 'em or they down him, he's made a good
|
|
fight."
|
|
|
|
His companion, a young man with eyeglasses, who wore a
|
|
wonderful white waistcoat with queer glass buttons,
|
|
assented, and Page heard him add:
|
|
|
|
"Big operator, that Jadwin."
|
|
|
|
"They're doing for him now, though."
|
|
|
|
"I ain't so sure. He's got another fight in him.
|
|
You'll see."
|
|
|
|
"Ever see him?"
|
|
|
|
"No, no, he don't come into the Pit--these big men
|
|
never do."
|
|
|
|
Directly in front of Page two women kept up an
|
|
interminable discourse.
|
|
|
|
"Well," said the one, "that's all very well, but Mr.
|
|
Jadwin made my sister-in-law--she lives in Dubuque, you
|
|
know--a rich woman. She bought some wheat, just for
|
|
fun, you know, a long time ago, and held on till Mr.
|
|
Jadwin put the price up to four times what she paid for
|
|
it. Then she sold out. My, you ought to see the
|
|
lovely house she's building, and her son's gone to
|
|
Europe, to study art, if you please, and a year ago, my
|
|
dear, they didn't have a cent, not a cent, but her
|
|
husband's salary."
|
|
|
|
"There's the other side, too, though," answered her
|
|
companion, adding in a hoarse whisper: "If Mr. Jadwin
|
|
fails to-day--well, honestly, Julia, I don't know what
|
|
Philip will do."
|
|
|
|
But, from another group at Page's elbow, a man's bass
|
|
voice cut across the subdued chatter of the two women.
|
|
|
|
"'Guess we'll pull through, somehow. Burbank & Co.,
|
|
though--by George! I'm not sure about them. They are
|
|
pretty well involved in this thing, and there's two or
|
|
three smaller firms that are dependent on them. If
|
|
Gretry-Converse & Co. should suspend, Burbank would go
|
|
with a crash sure. And there's that bank in Keokuk;
|
|
they can't stand much more. Their depositors would run
|
|
'em quick as how-do-you-do, if there was a smash here
|
|
in Chicago."
|
|
|
|
"Oh, Jadwin will pull through."
|
|
|
|
"Well, I hope so--by Jingo! I hope so. Say, by the
|
|
way, how did you come out?"
|
|
|
|
"Me! Hoh! Say my boy, the next time I get into a
|
|
wheat trade you'll know it. I was one of the merry
|
|
paretics who believed that Crookes was the Great Lum-
|
|
tum. I tailed on to his clique. Lord love you! Jadwin
|
|
put the knife into me to the tune of twelve thousand
|
|
dollars. But, say, look here; aren't we ever going to
|
|
get up to that blame gallery? We ain't going to see
|
|
any of this, and I--_hark!--by God! there goes the
|
|
gong._ They've begun. Say, say, _hear 'em, will you!_
|
|
Holy Moses! say--listen to that! Did you ever hear--
|
|
Lord! I wish we could see--could get somewhere where we
|
|
could see something."
|
|
|
|
His friend turned to him and spoke a sentence that was
|
|
drowned in the sudden vast volume of sound that all at
|
|
once shook the building.
|
|
|
|
"Hey--what?"
|
|
|
|
The other shouted into his ear. But even then his
|
|
friend could not hear. Nor did he listen. The crowd
|
|
upon the staircases had surged irresistibly forward and
|
|
upward. There was a sudden outburst of cries. Women's
|
|
voices were raised in expostulation, and even fear.
|
|
|
|
"Oh, oh--don't push so!"
|
|
|
|
"My arm! oh!--oh, I shall faint ... please."
|
|
|
|
But the men, their escorts, held back furiously; their
|
|
faces purple, they shouted imprecations over their
|
|
shoulders.
|
|
|
|
"Here, here, you damn fools, what you doing?"
|
|
|
|
"Don't crowd so!"
|
|
|
|
"Get back, back!"
|
|
|
|
"There's a lady fainted here. Get back you! We'll all
|
|
have a chance to see. Good Lord! ain't there a
|
|
policeman anywheres?"
|
|
|
|
"Say, say! It's going down--the price. It broke three
|
|
cents, just then, at the opening, they say."
|
|
|
|
"This is the worst I ever saw or heard of."
|
|
|
|
"My God! if Jadwin can only _hold_ 'em.
|
|
|
|
"You bet he'll hold 'em."
|
|
|
|
"Hold nothing!--Oh! say my friend, it don't do you any
|
|
good to crowd like that."
|
|
|
|
"It's the people behind: I'm not doing it. Say, do you
|
|
know where they're at on the floor? The wheat, I mean,
|
|
is it going up or down?"
|
|
|
|
"Up, they tell me. There was a rally; I don't know.
|
|
How can we tell here? We--Hi! there they go again.
|
|
Lord! that must have been a smash. I guess the Board
|
|
of Trade won't forget this day in a hurry. Heavens,
|
|
you can't hear yourself think!
|
|
|
|
"Glad I ain't down there in the Pit."
|
|
|
|
But, at last, a group of policemen appeared. By main
|
|
strength they shouldered their way to the top of the
|
|
stairs, and then began pushing the crowd back. At
|
|
every instant they shouted:
|
|
|
|
"Move on now, clear the stairway. No seats left!"
|
|
|
|
But at this Page, who, by the rush of the crowd had
|
|
been carried almost to the top of the stairs, managed
|
|
to extricate an arm from the press, and hold Landry's
|
|
card in the air. She even hazarded a little deception:
|
|
|
|
"I have a pass. Will you let me through, please?"
|
|
|
|
Luckily one of the officers heard her. He bore down
|
|
heavily with all the mass of his two hundred pounds and
|
|
the majesty of the law he represented, to the rescue
|
|
and succour of this very pretty girl.
|
|
|
|
"Let the lady through," he roared, forcing a passage
|
|
with both elbows. "Come right along, Miss. Stand back
|
|
you, now. Can't you see the lady has a pass? Now
|
|
then, Miss, and be quick about it, I can't keep 'em
|
|
back forever."
|
|
|
|
Jostled and hustled. her dress crumpled, her hat awry,
|
|
Page made her way forward, till the officer caught her
|
|
by the arm, and pulled her out of the press. With a
|
|
long breath she gained the landing of the gallery.
|
|
|
|
The guide, an old fellow in a uniform of blue, with
|
|
brass buttons and a visored cap, stood near by, and to
|
|
him she presented Landry's card.
|
|
|
|
"Oh, yes, oh, yes," he shouted in her ear, after he had
|
|
glanced it over. "You were the party Mr. Court spoke
|
|
about. You just came in time. I wouldn't 'a dared
|
|
hold your seat a minute longer."
|
|
|
|
He led her down the crowded aisle between rows of
|
|
theatre chairs, all of which were occupied, to one
|
|
vacant seat in the very front row.
|
|
|
|
"You can see everything, now," he cried, making a
|
|
trumpet of his palm. "You're Mister Jadwin's niece. I
|
|
know, I know. Ah, it's a wild day, Miss. They ain't
|
|
done much yet, and Mr. Jadwin's holding his own, just
|
|
now. But I thought for a moment they had him on the
|
|
run. You see that--my, my, there was a sharp rally.
|
|
But he's holding on strong yet."
|
|
|
|
Page took her seat, and leaning forward looked down
|
|
into the Wheat Pit.
|
|
|
|
Once free of the crowd after leaving Page, Landry ran
|
|
with all the swiftness of his long legs down the stair,
|
|
and through the corridors till, all out of breath, he
|
|
gained Gretry's private office. The other Pit traders
|
|
for the house, some eight or ten men, were already
|
|
assembled, and just as Landry entered by one door, the
|
|
broker himself came in from the customers' room.
|
|
Jadwin was nowhere to be seen.
|
|
|
|
"What are the orders for to-day, sir?"
|
|
|
|
Gretry was very pale. Despite his long experience on
|
|
the Board of Trade, Landry could see anxiety in every
|
|
change of his expression, in every motion of his hands.
|
|
The broker before answering the question crossed the
|
|
room to the water cooler and drank a brief swallow.
|
|
Then emptying the glass he refilled it, moistened his
|
|
lips again, and again emptied and filled the goblet.
|
|
He put it down, caught it up once more, filled it,
|
|
emptied it, drinking now in long draughts, now in
|
|
little sips. He was quite unconscious of his actions,
|
|
and Landry as he watched, felt his heart sink. Things
|
|
must, indeed, be at a desperate pass when Gretry, the
|
|
calm, the clear-headed, the placid, was thus upset.
|
|
|
|
"Your orders?" said the broker, at last. "The same as
|
|
yesterday; keep the market up--that's all. It must not
|
|
go below a dollar fifteen. But act on the defensive.
|
|
Don't be aggressive, unless I send word. There will
|
|
probably be very heavy selling the first few moments.
|
|
You can buy, each of you, up to half a million bushels
|
|
apiece. If that don't keep the price up, if they still
|
|
are selling after that ... well"; Gretry paused a
|
|
moment, irresolutely, "well," he added suddenly, "if
|
|
they are still selling freely after you've each bought
|
|
half a million, I'll let you know what to do. And,
|
|
look here," he continued, facing the group, "look here--
|
|
keep your heads cool ... I guess to-day will decide
|
|
things. Watch the Crookes crowd pretty closely. I
|
|
understand they're up to something again. That's all,
|
|
I guess."
|
|
|
|
Landry and the other Gretry traders hurried from the
|
|
office up to the floor. Landry's heart was beating
|
|
thick and slow and hard, his teeth were shut tight.
|
|
Every nerve, every fibre of him braced itself with the
|
|
rigidity of drawn wire, to meet the issue of the
|
|
impending hours. Now, was to come the last grapple.
|
|
He had never lived through a crisis such as this
|
|
before. Would he prevail, would he keep his head?
|
|
Would he avoid or balk the thousand and one little
|
|
subterfuges, tricks, and traps that the hostile traders
|
|
would prepare for him--prepare with a quickness, a
|
|
suddenness that all but defied the sharpest, keenest
|
|
watchfulness?
|
|
|
|
Was the gong never going to strike? He found himself,
|
|
all at once, on the edge of the Wheat Pit. It was
|
|
jammed tight with the crowd of traders and the
|
|
excitement that disengaged itself from that tense,
|
|
vehement crowd of white faces and glittering eyes was
|
|
veritably sickening, veritably weakening. Men on
|
|
either side of him were shouting mere incoherencies, to
|
|
which nobody, not even themselves, were listening.
|
|
Others silent, gnawed their nails to the quick,
|
|
breathing rapidly, audibly even, their nostrils
|
|
expanding and contracting. All around roared the vague
|
|
thunder that since early morning had shaken the
|
|
building. In the Pit the bids leaped to and fro,
|
|
though the time of opening had not yet come; the very
|
|
planks under foot seemed spinning about in the first
|
|
huge warning swirl of the Pit's centripetal convulsion.
|
|
There was dizziness in the air. Something, some
|
|
infinite immeasurable power, onrushing in its eternal
|
|
courses, shook the Pit in its grasp. Something
|
|
deafened the ears, blinded the eyes, dulled and numbed
|
|
the mind, with its roar, with the chaff and dust of its
|
|
whirlwind passage, with the stupefying sense of its
|
|
power, coeval with the earthquake and glacier,
|
|
merciless, all-powerful, a primal basic throe of
|
|
creation itself, unassailable, inviolate, and untamed.
|
|
|
|
Had the trading begun? Had the gong struck? Landry
|
|
never knew, never so much as heard the clang of the
|
|
great bell. All at once he was fighting; all at once
|
|
he was caught, as it were, from off the stable earth,
|
|
and flung headlong into the heart and centre of the
|
|
Pit. What he did, he could not say; what went on about
|
|
him, he could not distinguish. He only knew that roar
|
|
was succeeding roar, that there was crashing through
|
|
his ears, through his very brain, the combined bellow
|
|
of a hundred Niagaras. Hands clutched and tore at him,
|
|
his own tore and clutched in turn. The Pit was mad,
|
|
was drunk and frenzied; not a man of all those who
|
|
fought and scrambled and shouted who knew what he or
|
|
his neighbour did. They only knew that a support long
|
|
thought to be secure was giving way; not gradually, not
|
|
evenly, but by horrible collapses, and equally horrible
|
|
upward leaps. Now it held, now it broke, now it
|
|
reformed again, rose again, then again in hideous
|
|
cataclysms fell from beneath their feet to lower depths
|
|
than before. The official reporter leaned back in his
|
|
place, helpless. On the wall overhead, the indicator
|
|
on the dial was rocking back and forth, like the mast
|
|
of a ship caught in a monsoon. The price of July wheat
|
|
no man could so much as approximate. The fluctuations
|
|
were no longer by fractions of a cent, but by ten
|
|
cents, fifteen cents twenty-five cents at a time. On
|
|
one side of the Pit wheat sold at ninety cents, on the
|
|
other at a dollar and a quarter.
|
|
|
|
And all the while above the din upon the floor, above
|
|
the tramplings and the shoutings in the Pit, there
|
|
seemed to thrill and swell that appalling roar of the
|
|
Wheat itself coming in, coming on like a tidal wave,
|
|
bursting through, dashing barriers aside, rolling like
|
|
a measureless, almighty river, from the farms of Iowa
|
|
and the ranches of California, on to the East--to the
|
|
bakeshops and hungry mouths of Europe.
|
|
|
|
Landry caught one of the Gretry traders by the arm.
|
|
|
|
"What shall we do?" he shouted. "I've bought up to my
|
|
limit. No more orders have come in. The market has
|
|
gone from under us. What's to be done?"
|
|
|
|
"I don't know," the other shouted back, "I don't know.
|
|
We're all gone to hell; looks like the last smash.
|
|
There are no more supporting orders--something's gone
|
|
wrong. Gretry hasn't sent any word."
|
|
|
|
Then, Landry, beside himself with excitement and with
|
|
actual terror, hardly knowing even yet what he did,
|
|
turned sharply about. He fought his way out of the
|
|
Pit; he ran hatless and panting across the floor, in
|
|
and out between the groups of spectators, down the
|
|
stairs to the corridor below, and into the Gretry-
|
|
Converse offices.
|
|
|
|
In the outer office a group of reporters and the
|
|
representatives of a great commercial agency were
|
|
besieging one of the heads of the firm. They assaulted
|
|
him with questions.
|
|
|
|
"Just tell us where you are at--that's all we want to
|
|
know."
|
|
|
|
"Just what is the price of July wheat?"
|
|
|
|
"Is Jadwin winning or losing?"
|
|
|
|
But the other threw out an arm in a wild gesture of
|
|
helplessness.
|
|
|
|
"We don't know, ourselves," he cried. "The market has
|
|
run clean away from everybody. You know as much about
|
|
it as I do. It's simply hell broken loose, that's all.
|
|
We can't tell where we are at for days to come."
|
|
|
|
Landry rushed on. He swung open the door of the
|
|
private office and entered, slamming it behind him and
|
|
crying out:
|
|
|
|
"Mr. Gretry, what are we to do? We've had no orders."
|
|
|
|
But no one listened to him. Of the group that gathered
|
|
around Gretry's desk, no one so much as turned a head.
|
|
|
|
Jadwin stood there in the centre of the others,
|
|
hatless, his face pale, his eyes congested with blood.
|
|
Gretry fronted him, one hand upon his arm. In the
|
|
remainder of the group Landry recognised the senior
|
|
clerk of the office, one of the heads of a great
|
|
banking house, and a couple of other men--confidential
|
|
agents, who had helped to manipulate the great corner.
|
|
|
|
"But you can't," Gretry was exclaiming. "You can't;
|
|
don't you see we can't meet our margin calls? It's the
|
|
end of the game. You've got no more money."
|
|
|
|
"It's a lie!" Never so long as he lived did Landry
|
|
forget the voice in which Jadwin cried the words: "It's
|
|
a lie! Keep on buying, I tell you. Take all they'll
|
|
offer. I tell you we'll touch the two dollar mark
|
|
before noon."
|
|
|
|
"Not another order goes up to that floor," retorted
|
|
Gretry. "Why, J., ask any of these gentlemen here.
|
|
They'll tell you."
|
|
|
|
"It's useless, Mr. Jadwin," said the banker, quietly.
|
|
"You were practically beaten two days ago."
|
|
|
|
"Mr. Jadwin," pleaded the senior clerk, "for God's sake
|
|
listen to reason. Our firm----"
|
|
|
|
But Jadwin was beyond all appeal. He threw off
|
|
Gretry's hand.
|
|
|
|
"Your firm, your firm--you've been cowards from the
|
|
start. I know you, I know you. You have sold me out.
|
|
Crookes has bought you. Get out of my way!" he
|
|
shouted. "Get out of my way! Do you hear? I'll play my
|
|
hand alone from now on."
|
|
|
|
"J., old man--why--see here, man," Gretry implored,
|
|
still holding him by the arm; "here, where are you
|
|
going?"
|
|
|
|
Jadwin's voice rang like a trumpet call:
|
|
|
|
_"Into the Pit."_
|
|
|
|
"Look here--wait--here. Hold him back gentlemen. He
|
|
don't know what he's about."
|
|
|
|
"If you won't execute my orders, I'll act myself. I'm
|
|
going into the Pit, I tell you."
|
|
|
|
"J., you're mad, old fellow. You're ruined--don't you
|
|
understand?--you're ruined."
|
|
|
|
"Then God curse you, Sam Gretry, for the man who failed
|
|
me in a crisis." And as he spoke Curtis Jadwin struck
|
|
the broker full in the face.
|
|
|
|
Gretry staggered back from the blow, catching at the
|
|
edge of his desk. His pale face flashed to crimson for
|
|
an instant, his fists clinched; then his hands fell to
|
|
his sides.
|
|
|
|
"No," he said, "let him go, let him go. The man is
|
|
merely mad."
|
|
|
|
But, Jadwin, struggling for a second in the midst of
|
|
the group that tried to hold him, suddenly flung off
|
|
the restraining clasps, thrust the men to one side, and
|
|
rushed from the room.
|
|
|
|
Gretry dropped into his chair before his desk.
|
|
|
|
"It's the end," he said, simply.
|
|
|
|
He drew a sheet of note paper to him, and in a shaking
|
|
hand wrote a couple of lines.
|
|
|
|
"Take that," he said, handing the note to the senior
|
|
clerk, "take that to the secretary of the Board at
|
|
once."
|
|
|
|
And straight into the turmoil and confusion of the Pit,
|
|
to the scene of so many of his victories, the battle
|
|
ground whereon again and again, his enemies routed, he
|
|
had remained the victor undisputed, undismayed came the
|
|
"Great Bull." No sooner had he set foot within the
|
|
entrance to the Floor, than the news went flashing and
|
|
flying from lip to lip. The galleries knew it, the
|
|
public room, and the Western Union knew it, the
|
|
telephone booths knew it, and lastly even the Wheat
|
|
Pit, torn and tossed and rent asunder by the force this
|
|
man himself had unchained, knew it, and knowing stood
|
|
dismayed.
|
|
|
|
For even then, so great had been his power, so complete
|
|
his dominion, and so well-rooted the fear which he had
|
|
inspired, that this last move in the great game he had
|
|
been playing, this unexpected, direct, personal
|
|
assumption of control struck a sense of consternation
|
|
into the heart of the hardiest of his enemies.
|
|
|
|
Jadwin himself, the great man, the "Great Bull" in the
|
|
Pit! What was about to happen? Had they been too
|
|
premature in their hope of his defeat? Had he been
|
|
preparing some secret, unexpected manoeuvre? For a
|
|
second they hesitated, then moved by a common impulse,
|
|
feeling the push of the wonderful new harvest behind
|
|
them, they gathered themselves together for the final
|
|
assault, and again offered the wheat for sale; offered
|
|
it by thousands upon thousands of bushels; poured, as
|
|
it were, the reapings of entire principalities out upon
|
|
the floor of the Board of Trade.
|
|
|
|
Jadwin was in the thick of the confusion by now. And
|
|
the avalanche, the undiked Ocean of the Wheat, leaping
|
|
to the lash of the hurricane, struck him fairly in the
|
|
face.
|
|
|
|
He heard it now, he heard nothing else. The Wheat had
|
|
broken from his control. For months, he had, by the
|
|
might of his single arm, held it back; but now it rose
|
|
like the upbuilding of a colossal billow. It towered,
|
|
towered, hung poised for an instant, and then, with a
|
|
thunder as of the grind and crash of chaotic worlds,
|
|
broke upon him, burst through the Pit and raced past
|
|
him, on and on to the eastward and to the hungry
|
|
nations.
|
|
|
|
And then, under the stress and violence of the hour,
|
|
something snapped in his brain. The murk behind his
|
|
eyes had been suddenly pierced by a white flash. The
|
|
strange qualms and tiny nervous paroxysms of the last
|
|
few months all at once culminated in some indefinite,
|
|
indefinable crisis, and the wheels and cogs of all
|
|
activities save one lapsed away and ceased. Only one
|
|
function of the complicated machine persisted; but it
|
|
moved with a rapidity of vibration that seemed to be
|
|
tearing the tissues of being to shreds, while its
|
|
rhythm beat out the old and terrible cadence:
|
|
|
|
"Wheat--wheat--wheat, wheat--wheat--wheat."
|
|
|
|
Blind and insensate, Jadwin strove against the torrent
|
|
of the Wheat. There in the middle of the Pit,
|
|
surrounded and assaulted by herd after herd of wolves
|
|
yelping for his destruction, he stood braced, rigid
|
|
upon his feet, his head up, his hand, the great bony
|
|
hand that once had held the whole Pit in its grip,
|
|
flung high in the air, in a gesture of defiance, while
|
|
his voice like the clangour of bugles sounding to the
|
|
charge of the forlorn hope, rang out again and again,
|
|
over the din of his enemies:
|
|
|
|
"Give a dollar for July--give a dollar for July!"
|
|
|
|
With one accord they leaped upon him. The little group
|
|
of his traders was swept aside. Landry alone, Landry
|
|
who had never left his side since his rush from out
|
|
Gretry's office, Landry Court, loyal to the last, his
|
|
one remaining soldier, white, shaking, the sobs
|
|
strangling in his throat, clung to him desperately.
|
|
Another billow of wheat was preparing. They two--the
|
|
beaten general and his young armour bearer--heard it
|
|
coming; hissing, raging, bellowing, it swept down upon
|
|
them. Landry uttered a cry. Flesh and blood could not
|
|
stand this strain. He cowered at his chief's side, his
|
|
shoulders bent, one arm above his head, as if to ward
|
|
off an actual physical force.
|
|
|
|
But Jadwin, iron to the end, stood erect. All
|
|
unknowing what he did, he had taken Landry's hand in
|
|
his and the boy felt the grip on his fingers like the
|
|
contracting of a vise of steel. The other hand, as
|
|
though holding up a standard, was still in the air, and
|
|
his great deep-toned voice went out across the tumult,
|
|
proclaiming to the end his battle cry:
|
|
|
|
"Give a dollar for July--give a dollar for July!"
|
|
|
|
But, little by little, Landry became aware that the
|
|
tumult of the Pit was intermitting. There were sudden
|
|
lapses in the shouting, and in these lapses he could
|
|
hear from somewhere out upon the floor voices that were
|
|
crying: "Order--order, order, gentlemen."
|
|
|
|
But, again and again the clamour broke out. It would
|
|
die down for an instant, in response to these appeals,
|
|
only to burst out afresh as certain groups of traders
|
|
started the pandemonium again, by the wild outcrying of
|
|
their offers. At last, however, the older men in the
|
|
Pit, regaining some measure of self-control, took up
|
|
the word, going to and fro in the press, repeating
|
|
"Order, order."
|
|
|
|
And then, all at once, the Pit, the entire floor of the
|
|
Board of Trade was struck dumb. All at once the
|
|
tension was relaxed, the furious struggling and
|
|
stamping was stilled. Landry, bewildered, still
|
|
holding his chief by the hand, looked about him. On
|
|
the floor, near at hand, stood the president of the
|
|
Board of Trade himself, and with him the vice-president
|
|
and a group of the directors. Evidently it had been
|
|
these who had called the traders to order. But it was
|
|
not toward them now that the hundreds of men in the Pit
|
|
and on the floor were looking.
|
|
|
|
In the little balcony on the south wall opposite the
|
|
visitors' gallery a figure had appeared, a tall grave
|
|
man, in a long black coat--the secretary of the Board
|
|
of Trade. Landry with the others saw him, saw him
|
|
advance to the edge of the railing, and fix his glance
|
|
upon the Wheat Pit. In his hand he carried a slip of
|
|
paper.
|
|
|
|
And then in the midst of that profound silence the
|
|
secretary announced:
|
|
|
|
"All trades with Gretry, Converse & Co. must be closed
|
|
at once."
|
|
|
|
The words had not ceased to echo in the high vaultings
|
|
of the roof before they were greeted with a wild,
|
|
shrill yell of exultation and triumph, that burst from
|
|
the crowding masses in the Wheat Pit.
|
|
|
|
Beaten; beaten at last, the Great Bull! Smashed! The
|
|
great corner smashed! Jadwin busted! They themselves
|
|
saved, saved, saved! Cheer followed upon cheer, yell
|
|
after yell. Hats went into the air. In a frenzy of
|
|
delight men danced and leaped and capered upon the edge
|
|
of the Pit, clasping their arms about each other,
|
|
shaking each others' hands, cheering and hurrahing till
|
|
their strained voices became hoarse and faint.
|
|
|
|
Some few of the older men protested. There were cries
|
|
of :
|
|
|
|
"Shame, shame!"
|
|
|
|
"Order--let him alone."
|
|
|
|
"Let him be; he's down now. Shame, shame!"
|
|
|
|
But the jubilee was irrepressible, they had been too
|
|
cruelly pressed, these others; they had felt the weight
|
|
of the Bull's hoof, the rip of his horn. Now they had
|
|
beaten him, had pulled him down.
|
|
|
|
"Yah-h-h, whoop, yi, yi, yi. Busted, busted, busted.
|
|
Hip, hip, hip, and a tiger!"
|
|
|
|
"Come away, sir. For God's sake, Mr. Jadwin, come
|
|
away."
|
|
|
|
Landry was pleading with Jadwin, clutching his arm in
|
|
both his hands, his lips to his chief's ear to make
|
|
himself heard above the yelping of the mob.
|
|
|
|
Jadwin was silent now. He seemed no longer to see or
|
|
hear; heavily, painfully he leaned upon the young man's
|
|
shoulder.
|
|
|
|
"Come away, sir--for God's sake!"
|
|
|
|
The group of traders parted before them, cheering even
|
|
while they gave place, cheering with eyes averted,
|
|
unwilling to see the ruin that meant for them
|
|
salvation.
|
|
|
|
"Yah-h-h. Yah-h-h, busted, busted!"
|
|
|
|
Landry had put his arm about Jadwin, and gripped him
|
|
close as he led him from the Pit. The sobs were in his
|
|
throat again, and tears of excitement, of grief, of
|
|
anger and impotence were running down his face.
|
|
|
|
"Yah-h-h. Yah-h-h, he's done for, busted, busted!"
|
|
|
|
"Damn you all," cried Landry, throwing out a furious
|
|
fist, "damn you all; you brutes, you beasts! If he'd so
|
|
much as raised a finger a week ago, you'd have run for
|
|
your lives."
|
|
|
|
But the cheering drowned his voice; and as the two
|
|
passed out of the Pit upon the floor, the gong that
|
|
closed the trading struck and, as it seemed, put a
|
|
period, definite and final to the conclusion of Curtis
|
|
Jadwin's career as speculator.
|
|
|
|
Across the floor towards the doorway Landry led his
|
|
defeated captain. Jadwin was in a daze, he saw
|
|
nothing, heard nothing. Quietly he submitted to
|
|
Landry's guiding arm. The visitors in the galleries
|
|
bent far over to see him pass, and from all over the
|
|
floor, spectators, hangers-on, corn-and-provision
|
|
traders, messenger boys, clerks and reporters came
|
|
hurrying to watch the final exit of the Great Bull,
|
|
from the scene of his many victories and his one
|
|
overwhelming defeat.
|
|
|
|
In silence they watched him go by. Only in the
|
|
distance from the direction of the Pit itself came the
|
|
sound of dying cheers. But at the doorway stood a
|
|
figure that Landry recognised at once--a small man,
|
|
lean-faced, trimly dressed, his clean-shaven lips
|
|
pursed like the mouth of a shut money bag,
|
|
imperturbable as ever, cold, unexcited--Calvin Crookes
|
|
himself.
|
|
|
|
And as Jadwin passed, Landry heard the Bear leader say:
|
|
|
|
"They can cheer now, all they want. _They_ didn't do
|
|
it. It was the wheat itself that beat him; no
|
|
combination of men could have done it--go on, cheer,
|
|
you damn fools! He was a bigger man than the best of
|
|
us."
|
|
|
|
With the striking of the gong, and the general movement
|
|
of the crowd in the galleries towards the exits, Page
|
|
rose, drawing a long breath, pressing her hands an
|
|
instant to her burning cheeks. She had seen all that
|
|
had happened, but she had not understood. The whole
|
|
morning had been a whirl and a blur. She had looked
|
|
down upon a jam of men, who for three hours had done
|
|
nothing but shout and struggle. She had seen Jadwin
|
|
come into the Pit, and almost at once the shouts had
|
|
turned to cheers. That must have meant, she thought,
|
|
that Jadwin had done something to please those excited
|
|
men. They were all his friends, no doubt. They were
|
|
cheering him--cheering his success. He had won then!
|
|
And yet that announcement from the opposite balcony, to
|
|
the effect that business with Mr. Gretry must be
|
|
stopped, immediately! That had an ominous ring. Or,
|
|
perhaps, that meant only a momentary check.
|
|
|
|
As she descended the stairways, with the departing
|
|
spectators, she distinctly heard a man's voice behind
|
|
her exclaim:
|
|
|
|
"Well, that does for _him!_"
|
|
|
|
Possibly, after all, Mr. Jadwin had lost some money
|
|
that morning. She was desperately anxious to find
|
|
Landry, and to learn the truth of what had happened,
|
|
and for a long moment after the last visitors had
|
|
disappeared she remained at the foot of the gallery
|
|
stairway, hoping that he would come for her. But she
|
|
saw nothing of him, and soon remembered she had told
|
|
him to come for her, only in case he was able to get
|
|
away. No doubt he was too busy now. Even if Mr.
|
|
Jadwin had won, the morning's work had evidently been
|
|
of tremendous importance. This had been a great day
|
|
for the wheat speculators. It was not surprising that
|
|
Landry should be detained. She would wait till she saw
|
|
him the next day to find out all that had taken place.
|
|
|
|
Page returned home. It was long past the hour for
|
|
luncheon when she came into the dining-room of the
|
|
North Avenue house.
|
|
|
|
"Where is my sister?" she asked of the maid, as she sat
|
|
down to the table; "has she lunched yet?"
|
|
|
|
But it appeared that Mrs. Jadwin had sent down word to
|
|
say that she wanted no lunch, that she had a headache
|
|
and would remain in her room.
|
|
|
|
Page hurried through with her chocolate and salad, and
|
|
ordering a cup of strong tea, carried it up to Laura's
|
|
"sitting-room" herself.
|
|
|
|
Laura, in a long tea-gown lay back in the Madeira
|
|
chair, her hands clasped behind her head, doing nothing
|
|
apparently but looking out of the window. She was
|
|
paler even than usual, and to Page's mind seemed
|
|
preoccupied, and in a certain indefinite way tense and
|
|
hard. Page, as she had told Landry that morning, had
|
|
remarked this tenseness, this rigidity on the part of
|
|
her sister, of late. But to-day it was more pronounced
|
|
than ever. Something surely was the matter with Laura.
|
|
She seemed like one who had staked everything upon a
|
|
hazard and, blind to all else, was keeping back emotion
|
|
with all her strength, while she watched and waited for
|
|
the issue. Page guessed that her sister's trouble had
|
|
to do with Jadwin's complete absorption in business,
|
|
but she preferred to hold her peace. By nature the
|
|
young girl "minded her own business," and Laura was not
|
|
a woman who confided her troubles to anybody. Only
|
|
once had Page presumed to meddle in her sister's
|
|
affairs, and the result had not encouraged a repetition
|
|
of the intervention. Since the affair of the silver
|
|
match box she had kept her distance.
|
|
|
|
Laura on this occasion declined to drink the tea Page
|
|
had brought. She wanted nothing, she said; her head
|
|
ached a little, she only wished to lie down and be
|
|
quiet.
|
|
|
|
"I've been down to the Board of Trade all the morning,"
|
|
Page remarked.
|
|
|
|
Laura fixed her with a swift glance; she demanded
|
|
quickly:
|
|
|
|
"Did you see Curtis?"
|
|
|
|
"No--or, yes, once; he came out on the floor. Oh,
|
|
Laura, it was so exciting there this morning.
|
|
Something important happened, I know. I can't believe
|
|
it's that way all the time. I'm afraid Mr. Jadwin lost
|
|
a great deal of money. I heard some one behind me say
|
|
so, but I couldn't understand what was going on. For
|
|
months I've been trying to get a clear idea of wheat
|
|
trading, just because it was Landry's business, but to-
|
|
day I couldn't make anything of it at all."
|
|
|
|
"Did Curtis say he was coming home this evening?"
|
|
|
|
"No. Don't you understand, I didn't see him to talk
|
|
to."
|
|
|
|
"Well, why didn't you, Page?"
|
|
|
|
"Why, Laura, honey, don't be cross. You don't know how
|
|
rushed everything was. I didn't even try to see
|
|
Landry."
|
|
|
|
"Did he seem very busy?"
|
|
|
|
"Who, Landry? I----"
|
|
|
|
"No, no, no, Curtis."
|
|
|
|
"Oh, I should say so. Why, Laura, I think, honestly, I
|
|
think wheat went down to--oh, way down. They say that
|
|
means so much to Mr. Jadwin, and it went down, down,
|
|
down. It looked that way to me. Don't that mean that
|
|
he'll lose a great deal of money? And Landry seemed so
|
|
brave and courageous through it all. Oh, I felt for
|
|
him so; I just wanted to go right into the Pit with him
|
|
and stand by his shoulder."
|
|
|
|
Laura started up with a sharp gesture of impatience and
|
|
exasperation, crying:
|
|
|
|
"Oh, what do I care about wheat--about this wretched
|
|
scrambling for money. Curtis was busy, you say? He
|
|
looked that way?"
|
|
|
|
Page nodded: "Everybody was," she said. Then she
|
|
hazarded:
|
|
|
|
"I wouldn't worry, Laura. Of course, a man must give a
|
|
great deal of time to his business. I didn't mind when
|
|
Landry couldn't come home with me."
|
|
|
|
"Oh--Landry," murmured Laura.
|
|
|
|
On the instant Page bridled, her eyes snapping.
|
|
|
|
"I think that was very uncalled for," she exclaimed,
|
|
sitting bolt upright, "and I can tell you this, Laura
|
|
Jadwin, if you did care a little more about wheat--
|
|
about your husband's business--if you had taken more of
|
|
an interest in his work, if you had tried to enter more
|
|
into his life, and be a help to him--and--and
|
|
sympathise--and--" Page caught her breath, a little
|
|
bewildered at her own vehemence and audacity. But she
|
|
had committed herself now; recklessly she plunged on.
|
|
"Just think; he may be fighting the battle of his life
|
|
down there in La Salle Street, and you don't know
|
|
anything about it--no, nor want to know. 'What do you
|
|
care about wheat,' that's what you said. Well, I don't
|
|
care either, just for the wheat itself, but it's
|
|
Landry's business, his work; and right or wrong--" Page
|
|
jumped to her feet, her fists tight shut, her face
|
|
scarlet, her head upraised, "right or wrong, good or
|
|
bad, I'd put my two hands into the fire to help him."
|
|
|
|
"What business--" began Laura; but Page was not to be
|
|
interrupted. "And if he did leave me alone sometimes,"
|
|
she said; "do you think I would draw a long face, and
|
|
think only of my own troubles. I guess he's got his
|
|
own troubles too. If my husband had a battle to fight,
|
|
do you think I'd mope and pine because he left me at
|
|
home; no I wouldn't. I'd help him buckle his sword on,
|
|
and when he came back to me I wouldn't tell him how
|
|
lonesome I'd been, but I'd take care of him and cry
|
|
over his wounds, and tell him to be brave--and--and--
|
|
and I'd help him."
|
|
|
|
And with the words, Page, the tears in her eyes and the
|
|
sobs in her throat, flung out of the room, shutting the
|
|
door violently behind her.
|
|
|
|
Laura's first sensation was one of anger only. As
|
|
always, her younger sister had presumed again to judge
|
|
her, had chosen this day of all others, to annoy her.
|
|
She gazed an instant at the closed door, then rose and
|
|
put her chin in the air. She was right, and Page her
|
|
husband, everybody, were wrong. She had been flouted,
|
|
ignored. She paced the length of the room a couple of
|
|
times, then threw herself down upon the couch, her chin
|
|
supported on her palm.
|
|
|
|
As she crossed the room, however, her eye had been
|
|
caught by an opened note from Mrs. Cressler, received
|
|
the day before, and apprising her of the date of the
|
|
funeral. At the sight, all the tragedy leaped up again
|
|
in her mind and recollection, and in fancy she stood
|
|
again in the back parlour of the Cressler home; her
|
|
fingers pressed over her mouth to shut back the cries,
|
|
horror and the terror of sudden death rending her
|
|
heart, shaking the brain itself. Again and again since
|
|
that dreadful moment had the fear come back, mingled
|
|
with grief, with compassion, and the bitter sorrow of a
|
|
kind friend gone forever from her side. And then, her
|
|
resolution girding itself, her will power at fullest
|
|
stretch, she had put the tragedy from her. Other and--
|
|
for her--more momentous events impended. Everything in
|
|
life, even death itself, must stand aside while her
|
|
love was put to the test. Life and death were little
|
|
things. Love only existed; let her husband's career
|
|
fail; what did it import so only love stood the strain
|
|
and issued from the struggle triumphant? And now, as
|
|
she lay upon her couch, she crushed down all
|
|
compunction for the pitiful calamity whose last scene
|
|
she had discovered, her thoughts once more upon her
|
|
husband and herself. Had the shock of that spectacle
|
|
in the Cresslers' house, and the wearing suspense in
|
|
which she had lived of late, so torn and disordered the
|
|
delicate feminine nerves that a kind of hysteria
|
|
animated and directed her impulses, her words, and
|
|
actions? Laura did not know. She only knew that the
|
|
day was going and that her husband neither came near
|
|
her nor sent her word.
|
|
|
|
Even if he had been very busy, this was her birthday,--
|
|
though he had lost millions! Could he not have sent
|
|
even the foolishest little present to her, even a line--
|
|
three words on a scrap of paper? But she checked
|
|
herself. The day was not over yet; perhaps, perhaps he
|
|
would remember her, after all, before the afternoon was
|
|
over. He was managing a little surprise for her, no
|
|
doubt. He knew what day this was. After their talk
|
|
that Sunday in his smoking-room he would not forget.
|
|
And, besides, it was the evening that he had promised
|
|
should be hers. "If he loved her," she had said, he
|
|
would give that evening to her. Never, never would
|
|
Curtis fail her when conjured by that spell.
|
|
|
|
Laura had planned a little dinner for that night. It
|
|
was to be served at eight. Page would have dined
|
|
earlier; only herself and her husband were to be
|
|
present. It was to be her birthday dinner. All the
|
|
noisy, clamourous world should be excluded; no faintest
|
|
rumble of the Pit would intrude. She would have him
|
|
all to herself. He would, so she determined, forget
|
|
everything else in his love for her. She would be
|
|
beautiful as never before--brilliant, resistless, and
|
|
dazzling. She would have him at her feet, her own, her
|
|
own again, as much her own as her very hands. And
|
|
before she would let him go he would forever and
|
|
forever have abjured the Battle of the Street that had
|
|
so often caught him from her. The Pit should not have
|
|
him; the sweep of that great whirlpool should never
|
|
again prevail against the power of love.
|
|
|
|
Yes, she had suffered, she had known the humiliation of
|
|
a woman neglected. But it was to end now; her pride
|
|
would never again be lowered, her love never again be
|
|
ignored.
|
|
|
|
But the afternoon passed and evening drew on without
|
|
any word from him. In spite of her anxiety, she yet
|
|
murmured over and over again as she paced the floor of
|
|
her room, listening for the ringing of the door bell:
|
|
|
|
"He will send word, he will send word. I know he
|
|
will."
|
|
|
|
By four o'clock she had begun to dress. Never had she
|
|
made a toilet more superb, more careful. She disdained
|
|
a "costume on this great evening. It was not to be
|
|
"Theodora" now, nor "Juliet," nor "Carmen." It was to
|
|
be only Laura Jadwin--just herself, unaided by
|
|
theatricals, unadorned by tinsel. But it seemed
|
|
consistent none the less to choose her most beautiful
|
|
gown for the occasion, to panoply herself in every
|
|
charm that was her own. Her dress, that closely
|
|
sheathed the low, flat curves of her body and that left
|
|
her slender arms and neck bare, was one shimmer of
|
|
black scales, iridescent, undulating with light to her
|
|
every movement. In the coils and masses of her black
|
|
hair she fixed her two great _cabochons_ of pearls, and
|
|
clasped about her neck her palm-broad collaret of
|
|
pearls and diamonds. Against one shoulder nodded a
|
|
bunch of Jacqueminots, royal red, imperial.
|
|
|
|
It was hard upon six o'clock when at last she dismissed
|
|
her maid. Left alone, she stood for a moment in front
|
|
of her long mirror that reflected her image from head
|
|
to foot, and at the sight she could not forbear a smile
|
|
and a sudden proud lifting of her head. All the woman
|
|
in her preened and plumed herself in the consciousness
|
|
of the power of her beauty. Let the Battle of the
|
|
Street clamour never so loudly now, let the suction of
|
|
the Pit be never so strong, Eve triumphed. _Venus
|
|
toute entiere s'attachait a sa proie._
|
|
|
|
These women of America, these others who allowed
|
|
business to draw their husbands from them more and
|
|
more, who submitted to those cruel conditions that
|
|
forced them to be content with the wreckage left after
|
|
the storm and stress of the day's work--the jaded mind,
|
|
the exhausted body, the faculties dulled by overwork--
|
|
she was sorry for them. They, less radiant than
|
|
herself, less potent to charm, could not call their
|
|
husbands back. But she, Laura, was beautiful; she knew
|
|
it; she gloried in her beauty. It was her strength.
|
|
She felt the same pride in it as the warrior in a
|
|
finely tempered weapon.
|
|
|
|
And to-night her beauty was brighter than ever. It was
|
|
a veritable aureole that crowned her. She knew herself
|
|
to be invincible. So only that he saw her thus, she
|
|
knew that she would conquer. And he would come. "If
|
|
he loved her," she had said. By his love for her he
|
|
had promised; by his love she knew she would prevail.
|
|
|
|
And then at last, somewhere out of the twilight,
|
|
somewhere out of those lowest, unplumbed depths of her
|
|
own heart, came the first tremor of doubt, come the
|
|
tardy vibration of the silver cord which Page had
|
|
struck so sharply. Was it--after all--Love, that she
|
|
cherished and strove for--love, or self-love? Ever
|
|
since Page had spoken she seemed to have fought against
|
|
the intrusion of this idea. But, little by little, it
|
|
rose to the surface. At last, for an instant, it
|
|
seemed to confront her.
|
|
|
|
Was this, after all, the right way to win her husband
|
|
back to her--this display of her beauty, this parade of
|
|
dress, this exploitation of self?
|
|
|
|
Self, self. Had she been selfish from the very first?
|
|
What real interest had she taken in her husband's
|
|
work?" Right or wrong, good or bad, I would put my two
|
|
hands into the fire to help him." Was this the way? Was
|
|
not this the only way? Win him back to her? What if
|
|
there were more need for her to win back to him? Oh,
|
|
once she had been able to say that love, the supreme
|
|
triumph of a woman's life, was less a victory than a
|
|
capitulation. Had she ordered her life upon that
|
|
ideal? Did she even believe in the ideal at this day?
|
|
Whither had this cruel cult of self led her?
|
|
|
|
Dimly Laura Jadwin began to see and to understand a
|
|
whole new conception of her little world. The birth of
|
|
a new being within her was not for that night. It was
|
|
conception only--the sensation of a new element, a new
|
|
force that was not herself, somewhere in the inner
|
|
chambers of her being.
|
|
|
|
The woman in her was too complex, the fibres of
|
|
character too intricate and mature to be wrenched into
|
|
new shapes by any sudden revolution. But just so
|
|
surely as the day was going, just so surely as the New
|
|
Day would follow upon the night, conception had taken
|
|
place within her. Whatever she did that evening,
|
|
whatever came to her, through whatever crises she
|
|
should hurry, she would not now be quite the same. She
|
|
had been accustomed to tell herself that there were two
|
|
Lauras. Now suddenly, behold, she seemed to recognise
|
|
a third--a third that rose above and forgot the other
|
|
two, that in some beautiful, mysterious way was
|
|
identity ignoring self.
|
|
|
|
But the change was not to be abrupt. Very, very
|
|
vaguely the thoughts came to her. The change would be
|
|
slow, slow--would be evolution, not revolution. The
|
|
consummation was to be achieved in the coming years.
|
|
For to-night she was--what was she? Only a woman, weak,
|
|
torn by emotion, driven by impulse, and entering upon
|
|
what she imagined was a great crisis in her life.
|
|
|
|
But meanwhile the time was passing. Laura descended to
|
|
the library and, picking up a book, composed herself to
|
|
read. When six o'clock struck, she made haste to
|
|
assure herself that of course she could not expect him
|
|
exactly on the hour. No, she must make allowances; the
|
|
day--as Page had suspected--had probably been an
|
|
important one. He would be a little late, but he would
|
|
come soon. "If you love me, you will come," she had
|
|
said.
|
|
|
|
But an hour later Laura paced the room with tight-shut
|
|
lips and burning cheeks. She was still alone; her day,
|
|
her hour, was passing, and he had not so much as sent
|
|
word. For a moment the thought occurred to her that he
|
|
might perhaps be in great trouble, in great straits,
|
|
that there was an excuse. But instantly she repudiated
|
|
the notion.
|
|
|
|
"No, no," she cried, beneath her breath. "He should
|
|
come, no matter what has happened. Or even, at the
|
|
very least, he could send word."
|
|
|
|
The minutes dragged by. No roll of wheels echoed under
|
|
the carriage porch; no step sounded at the outer door.
|
|
The house was still, the street without was still, the
|
|
silence of the midsummer evening widened, unbroken
|
|
around her, like a vast calm pool. Only the musical
|
|
Gregorians of the newsboys chanting the evening's
|
|
extras from corner to corner of the streets rose into
|
|
the air from time to time. She was once more alone.
|
|
Was she to fail again? Was she to be set aside once
|
|
more, as so often heretofore--set aside, flouted,
|
|
ignored, forgotten? "If you love me," she had said.
|
|
|
|
And this was to be the supreme test. This evening was
|
|
to decide which was the great influence of his life--
|
|
was to prove whether or not love was paramount. This
|
|
was the crucial hour. "And he knows it," cried Laura.
|
|
"He knows it. He did not forget, could not have
|
|
forgotten."
|
|
|
|
The half hour passed, then the hour, and as eight
|
|
o'clock chimed from the clock over the mantelshelf
|
|
Laura stopped, suddenly rigid, in the midst of the
|
|
floor.
|
|
|
|
Her anger leaped like fire within her. All the passion
|
|
of the woman scorned shook her from head to foot. At
|
|
the very moment of her triumph she had been flouted, in
|
|
the pitch of her pride! And this was not the only time.
|
|
All at once the past disappointments, slights, and
|
|
humiliations came again to her memory. She had
|
|
pleaded, and had been rebuffed again and again; she had
|
|
given all and had received neglect--she, Laura,
|
|
beautiful beyond other women, who had known love,
|
|
devoted service, and the most thoughtful consideration
|
|
from her earliest girlhood, had been cast aside.
|
|
|
|
Suddenly she bent her head quickly, listening intently.
|
|
Then she drew a deep breath, murmuring "At last, at
|
|
last!"
|
|
|
|
For the sound of a footstep in the vestibule was
|
|
unmistakable. He had come after all. But so late, so
|
|
late! No, she could not be gracious at once; he must be
|
|
made to feel how deeply he had offended; he must sue
|
|
humbly, very humbly, for pardon. The servant's step
|
|
sounded in the hall on the way towards the front door.
|
|
|
|
"I am in here, Matthew," she called. "In the library.
|
|
Tell him I am in here."
|
|
|
|
She cast a quick glance at herself in the mirror close
|
|
at hand, touched her hair with rapid fingers, smoothed
|
|
the agitation from her forehead, and sat down in a deep
|
|
chair near the fireplace, opening a book, turning her
|
|
back towards the door.
|
|
|
|
She heard him come in, but did not move. Even as he
|
|
crossed the floor she kept her head turned away. The
|
|
footsteps paused near at hand. There was a moment's
|
|
silence. Then slowly Laura, laying down her book,
|
|
turned and faced him.
|
|
|
|
"With many very, very happy returns of the day," said
|
|
Sheldon Corthell, as he held towards her a cluster of
|
|
deep-blue violets.
|
|
|
|
Laura sprang to her feet, a hand upon her cheek, her
|
|
eyes wide and flashing.
|
|
|
|
"You?" was all she had breath to utter. "You?"
|
|
|
|
The artist smiled as he laid the flowers upon the
|
|
table. "I am going away again to-morrow," he said,
|
|
"for always, I think. Have I startled you? I only came
|
|
to say good-by--and to wish you a happy birthday."
|
|
|
|
"Oh you remembered!" she cried. "_You_ remembered! I
|
|
might have known you would."
|
|
|
|
But the revulsion had been too great. She had been
|
|
wrong after all. Jadwin had forgotten. Emotions to
|
|
which she could put no name swelled in her heart and
|
|
rose in a quick, gasping sob to her throat. The tears
|
|
sprang to her eyes. Old impulses, forgotten
|
|
impetuosities whipped her on.
|
|
|
|
"Oh, you remembered, you remembered!" she cried again,
|
|
holding out both her hands.
|
|
|
|
He caught them in his own.
|
|
|
|
"Remembered!" he echoed. "I have never forgotten."
|
|
|
|
"No, no," she replied, shaking her head, winking back
|
|
the tears. "You don't understand. I spoke before I
|
|
thought. You don't understand."
|
|
|
|
"I do, believe me, I do," he exclaimed. "I understand
|
|
you better than you understand yourself."
|
|
|
|
Laura's answer was a cry.
|
|
|
|
"Oh, then, why did you ever leave me--you who did
|
|
understand me? Why did you leave me only because I told
|
|
you to go? Why didn't you make me love you then? Why
|
|
didn't you make me understand myself?" She clasped her
|
|
hands tight together upon her breast; her words, torn
|
|
by her sobs, came all but incoherent from behind her
|
|
shut teeth. "No, no!" she exclaimed, as he made
|
|
towards her. "Don't touch me, don't touch me! It is
|
|
too late."
|
|
|
|
"It is not too late. Listen--listen to me."
|
|
|
|
"Oh, why weren't you a man, strong enough to know a
|
|
woman's weakness? You can only torture me now. Ah, I
|
|
hate you! I hate you!"
|
|
|
|
"You love me! I tell you, you love me!" he cried,
|
|
passionately, and before she was aware of it she was in
|
|
his arms, his lips were against her lips, were on her
|
|
shoulders, her neck.
|
|
|
|
"You love me!" he cried. "You love me! I defy you to
|
|
say you do not."
|
|
|
|
"Oh, _make_ me love you, then," she answered. "_Make_
|
|
me believe that you do love me."
|
|
|
|
"Don't you know," he cried, "don't you know how I have
|
|
loved you? Oh, from the very first! My love has been my
|
|
life, has been my death, my one joy, and my one
|
|
bitterness. It has always been you, dearest, year
|
|
after year, hour after hour. And now I've found you
|
|
again. And now I shall never, never let you go."
|
|
|
|
"No, no! Ah, don't, don't!" she begged. "I implore
|
|
you. I am weak, weak. Just a word, and I would forget
|
|
everything."
|
|
|
|
"And I do speak that word, and your own heart answers
|
|
me in spite of you, and you will forget--forget
|
|
everything of unhappiness in your life----"
|
|
|
|
"Please, please," she entreated, breathlessly. Then,
|
|
taking the leap: "Ah, I love you, I love you!"
|
|
|
|
"--Forget all your unhappiness," he went on, holding
|
|
her close to him. "Forget the one great mistake we
|
|
both made. Forget everything, everything, everything
|
|
but that we love each other."
|
|
|
|
"Don't let me think, then," she cried. "Don't let me
|
|
think. Make me forget everything, every little hour,
|
|
every little moment that has passed before this day.
|
|
Oh, if I remembered once, I would kill you, kill you
|
|
with my hands! I don't know what I am saying," she
|
|
moaned, "I don't know what I am saying. I am mad, I
|
|
think. Yes--I--it must be that." She pulled back from
|
|
him, looking into his face with wide-opened eyes.
|
|
|
|
"What have I said, what have we done, what are you here
|
|
for?"
|
|
|
|
"To take you away," he answered, gently, holding her in
|
|
his arms, looking down into her eyes. "To take you far
|
|
away with me. To give my whole life to making you
|
|
forget that you were ever unhappy."
|
|
|
|
"And you will never leave me alone--never once?"
|
|
|
|
"Never, never once."
|
|
|
|
She drew back from him, looking about the room with
|
|
unseeing eyes, her fingers plucking and tearing at the
|
|
lace of her dress; her voice was faint and small, like
|
|
the voice of a little child.
|
|
|
|
"I--I am afraid to be alone. Oh, I must never be alone
|
|
again so long as I shall live. I think I should die."
|
|
|
|
"And you never shall be; never again. Ah, this is my
|
|
birthday, too, sweetheart. I am born again to-night."
|
|
|
|
Laura clung to his arm; it was as though she were in
|
|
the dark, surrounded by the vague terrors of her
|
|
girlhood. "And you will always love me, love me, love
|
|
me?" she whispered. "Sheldon, Sheldon, love me always,
|
|
always, with all your heart and soul and strength."
|
|
|
|
Tears stood in Corthell's eyes as he answered:
|
|
|
|
"God forgive whoever--whatever has brought you to this
|
|
pass," he said.
|
|
|
|
And, as if it were a realisation of his thought, there
|
|
suddenly came to the ears of both the roll of wheels
|
|
upon the asphalt under the carriage porch and the
|
|
trampling of iron-shod hoofs.
|
|
|
|
"Is that your husband?" Corthell's quick eye took in
|
|
Laura's disarranged coiffure, one black lock low upon
|
|
her neck, the roses at her shoulder crushed and broken,
|
|
and the bright spot on either cheek.
|
|
|
|
"Is that your husband?"
|
|
|
|
"My husband--I don't know." She looked up at him with
|
|
unseeing eyes. "Where is my husband? I have no
|
|
husband. _You are letting me remember,_" she cried, in
|
|
terror. "You are letting me remember. Ah, no, no, you
|
|
don't love me! I hate you!"
|
|
|
|
Quickly he bent and kissed her.
|
|
|
|
"I will come for you to-morrow evening," he said. "You
|
|
will be ready then to go with me?"
|
|
|
|
"Ready then? Yes, yes, to go with you anywhere."
|
|
|
|
He stood still a moment, listening. Somewhere a door
|
|
closed. He heard the hoofs upon the asphalt again.
|
|
|
|
"Good-by," he whispered. "God bless you! Good-by till
|
|
to-morrow night." And with the words he was gone. The
|
|
front door of the house closed quietly.
|
|
|
|
Had he come back again? Laura turned in her place on
|
|
the long divan at the sound of a heavy tread by the
|
|
door of the library.
|
|
|
|
Then an uncertain hand drew the heavy curtain aside.
|
|
Jadwin, her husband, stood before her, his eyes sunken
|
|
deep in his head, his face dead white, his hand
|
|
shaking. He stood for a long instant in the middle of
|
|
the room, looking at her. Then at last his lips moved:
|
|
|
|
"Old girl.... Honey."
|
|
|
|
Laura rose, and all but groped her way towards him, her
|
|
heart beating, the tears streaming down her face.
|
|
|
|
"My husband, my husband!"
|
|
|
|
Together they made their way to the divan, and sank
|
|
down upon it side by side, holding to each other,
|
|
trembling and fearful, like children in the night.
|
|
|
|
"Honey," whispered Jadwin, after a while. "Honey, it's
|
|
dark, it's dark. Something happened.... I don't
|
|
remember," he put his hand uncertainly to his head, "I
|
|
can't remember very well; but it's dark--a little."
|
|
|
|
"It's dark," she repeated, in a low whisper. "It's
|
|
dark, dark. Something happened. Yes. I must not
|
|
remember."
|
|
|
|
They spoke no further. A long time passed. Pressed
|
|
close together, Curtis Jadwin and his wife sat there in
|
|
the vast, gorgeous room, silent and trembling, ridden
|
|
with unnamed fears, groping in the darkness.
|
|
|
|
And while they remained thus, holding close by one
|
|
another, a prolonged and wailing cry rose suddenly from
|
|
the street, and passed on through the city under the
|
|
stars and the wide canopy of the darkness.
|
|
|
|
"Extra, oh-h-h, extra! All about the Smash of the Great
|
|
Wheat Corner! All about the Failure of Curtis Jadwin!"
|
|
|
|
CONCLUSION
|
|
|
|
The evening had closed in wet and misty. All day long
|
|
a chill wind had blown across the city from off the
|
|
lake, and by eight o'clock, when Laura and Jadwin came
|
|
down to the dismantled library, a heavy rain was
|
|
falling.
|
|
|
|
Laura gave Jadwin her arm as they made their way across
|
|
the room--their footsteps echoing strangely from the
|
|
uncarpeted boards.
|
|
|
|
"There, dear," she said. "Give me the valise. Now sit
|
|
down on the packing box there. Are you tired? You had
|
|
better put your hat on. It is full of draughts here,
|
|
now that all the furniture and curtains are out."
|
|
|
|
"No, no. I'm all right, old girl. Is the hack there
|
|
yet?"
|
|
|
|
"Not yet. You're sure you're not tired?" she insisted.
|
|
"You had a pretty bad siege of it, you know, and this
|
|
is only the first week you've been up. You remember
|
|
how the doctor----"
|
|
|
|
"I've had too good a nurse," he answered, stroking her
|
|
hand, "not to be fine as a fiddle by now. You must be
|
|
tired yourself, Laura. Why, for whole days there--and
|
|
nights, too, they tell me--you never left the room."
|
|
|
|
She shook her head, as though dismissing the subject.
|
|
|
|
"I wonder," she said, sitting down upon a smaller
|
|
packing-box and clasping a knee in her hands, "I wonder
|
|
what the West will be like. Do you know I think I am
|
|
going to like it, Curtis?"
|
|
|
|
"It will be starting in all over again, old girl," he
|
|
said, with a warning shake of his head. "Pretty hard
|
|
at first, I'm afraid."
|
|
|
|
She laughed an almost contemptuous note.
|
|
|
|
"Hard! Now?" She took his hand and laid it to her
|
|
cheek.
|
|
|
|
"By all the rules you ought to hate me," he began.
|
|
"What have I done for you but hurt you and, at last,
|
|
bring you to----"
|
|
|
|
But she shut her gloved hand over his mouth.
|
|
|
|
"Stop!" she cried. "Hush, dear. You have brought me
|
|
the greatest happiness of my life."
|
|
|
|
Then under her breath, her eyes wide and thoughtful,
|
|
she murmured:
|
|
|
|
"A capitulation and not a triumph, and I have won a
|
|
victory by surrendering."
|
|
|
|
"Hey--what?" demanded Jadwin. "I didn't hear."
|
|
|
|
"Never mind," she answered. "It was nothing. 'The
|
|
world is all before us where to choose,' now, isn't it?
|
|
And this big house and all the life we have led in it
|
|
was just an incident in our lives--an incident that is
|
|
closed."
|
|
|
|
"Looks like it, to look around this room," he said,
|
|
grimly. "Nothing left but the wall paper. What do you
|
|
suppose are in these boxes?"
|
|
|
|
"They're labelled 'books and portieres.'"
|
|
|
|
"Who bought 'em I wonder? I'd have thought the party
|
|
who bought the house would have taken them. Well, it
|
|
was a wrench to see the place and all go so _dirt_
|
|
cheap, and the 'Thetis'," too, by George! But I'm glad
|
|
now. It's as though we had lightened ship." He looked
|
|
at his watch. "That hack ought to be here pretty soon.
|
|
I'm glad we checked the trunks from the house; gives us
|
|
more time."
|
|
|
|
"Oh, by the way," exclaimed Laura, all at once opening
|
|
her satchel. "I had a long letter from Page this
|
|
morning, from New York. Do you want to hear what she
|
|
has to say? I've only had time to read part of it
|
|
myself. It's the first one I've had from her since
|
|
their marriage."
|
|
|
|
He lit a cigar.
|
|
|
|
"Go ahead," he said, settling himself on the box.
|
|
"What does Mrs. Court have to say?"
|
|
|
|
"'My dearest sister,'" began Laura. "'Here we are,
|
|
Landry and I, in New York at last. Very tired and
|
|
mussed after the ride on the cars, but in a darling
|
|
little hotel where the proprietor is head cook and
|
|
everybody speaks French. I know my accent is
|
|
improving, and Landry has learned any quantity of
|
|
phrases already. We are reading George Sand out loud,
|
|
and are making up the longest vocabulary. To-night we
|
|
are going to a concert, and I've found out that there's
|
|
a really fine course of lectures to be given soon on
|
|
"Literary Tendencies," or something like that. _Quel
|
|
chance._ Landry is intensely interested. You've no
|
|
idea what a deep mind he has, Laura--a real thinker.
|
|
|
|
"'But here's really a big piece of news. We may not
|
|
have to give up our old home where we lived when we
|
|
first came to Chicago. Aunt Wess' wrote the other day
|
|
to say that, if you were willing, she would rent it,
|
|
and then sublet all the lower floor to Landry and me,
|
|
so we could have a real house over our heads and not
|
|
the under side of the floor of the flat overhead. And
|
|
she is such an old dear, I know we could all get along
|
|
beautifully. Write me about this as soon as you can.
|
|
I know you'll be willing, and Aunt Wess, said she'd
|
|
agree to whatever rent you suggested.
|
|
|
|
"'We went to call on Mrs. Cressler day before
|
|
yesterday. She's been here nearly a fortnight by now,
|
|
and is living with a maiden sister of hers in a very
|
|
beautiful house fronting Central Park (not so beautiful
|
|
as our palace on North Avenue. Never, never will I
|
|
forget that house). She will probably stay here now
|
|
always. She says the very sight of the old
|
|
neighbourhoods in Chicago would be more than she could
|
|
bear. Poor Mrs. Cressler! How fortunate for her that
|
|
her sister'----and so on, and so on," broke in Laura,
|
|
hastily.
|
|
|
|
"Read it, read it," said Jadwin, turning sharply away.
|
|
"Don't skip a line. I want to hear every word."
|
|
|
|
"That's all there is to it," Laura returned. "'We'll
|
|
be back,'" she went on, turning a page of the letter,
|
|
"'in about three weeks, and Landry will take up his
|
|
work in that railroad office. No more speculating for
|
|
him, he says. He talks of Mr. Jadwin continually. You
|
|
never saw or heard of such devotion. He says that Mr.
|
|
Jadwin is a genius, the greatest financier in the
|
|
country, and that he knows he could have won if they
|
|
all hadn't turned against him that day. He never gets
|
|
tired telling me that Mr. Jadwin has been a father to
|
|
him--the kindest, biggest-hearted man he ever knew----'"
|
|
|
|
Jadwin pulled his mustache rapidly.
|
|
|
|
"Pshaw, pish, nonsense--little fool!" he blustered.
|
|
|
|
"He simply worshipped you from the first, Curtis,"
|
|
commented Laura. "Even after he knew I was to marry
|
|
you. He never once was jealous, never once would
|
|
listen to a word against you from any one."
|
|
|
|
"Well--well, what else does Mrs. Court say?"
|
|
|
|
"'I am glad to hear,'" read Laura, "'that Mr. Gretry
|
|
did not fail, though Landry tells me he must have lost
|
|
a great deal of money. Landry tells me that eighteen
|
|
brokers' houses failed in Chicago the day after Mr.
|
|
Gretry suspended. Isabel sent us a wedding present--a
|
|
lovely medicine chest full of homoeopathic medicines,
|
|
little pills and things, you know. But, as Landry and
|
|
I are never sick and both laugh at homoeopathy, I
|
|
declare I don't know just what we will do with it.
|
|
Landry is as careful of me as though I were a wax doll.
|
|
But I do wish he would think more of his own health.
|
|
He never will wear his mackintosh in rainy weather.
|
|
I've been studying his tastes so carefully. He likes
|
|
French light opera better than English, and bright
|
|
colours in his cravats, and he simply adores stuffed
|
|
tomatoes.
|
|
|
|
"'We both send our love, and Landry especially wants to
|
|
be remembered to Mr. Jadwin. I hope this letter will
|
|
come in time for us to wish you both _bon voyage_ and
|
|
_bon succes._ How splendid of Mr. Jadwin to have
|
|
started his new business even while he was
|
|
convalescent! Landry says he knows he will make two or
|
|
three more fortunes in the next few years.
|
|
|
|
"'Good-by, Laura, dear. Ever your loving sister,
|
|
|
|
"'PAGE COURT.
|
|
|
|
"'P.S.--I open this letter again to tell you that we
|
|
met Mr. Corthell on the street yesterday. He sails for
|
|
Europe to-day.'"
|
|
|
|
"Oh," said Jadwin, as Laura put the letter quickly
|
|
down, "Corthell--that artist chap. By the way,
|
|
whatever became of him?"
|
|
|
|
Laura settled a comb in the back of her hair.
|
|
|
|
"He went away," she said. "You remember--I told you--
|
|
told you all about it."
|
|
|
|
She would have turned away her head, but he laid a hand
|
|
upon her shoulder.
|
|
|
|
"I remember," he answered, looking squarely into her
|
|
eyes, "I remember nothing--only that I have been to
|
|
blame for everything. I told you once--long ago--that
|
|
I _understood._ And I understand now, old girl,
|
|
understand as I never did before. I fancy we both have
|
|
been living according to a wrong notion of things. We
|
|
started right when we were first married, but I worked
|
|
away from it somehow and pulled you along with me. But
|
|
we've both been through a great big change, honey, a
|
|
great big change, and we're starting all over again....
|
|
Well, there's the carriage, I guess."
|
|
|
|
They rose, gathering up their valises.
|
|
|
|
"Hoh!" said Jadwin. "No servants now, Laura, to carry
|
|
our things down for us and open the door, and it's a
|
|
hack, old girl, instead of the victoria or coupe."
|
|
|
|
"What if it is?" she cried. "What do 'things,'
|
|
servants, money, and all amount to now?"
|
|
|
|
As Jadwin laid his hand upon the knob of the front
|
|
door, he all at once put down his valise and put his
|
|
arm about his wife. She caught him about the neck and
|
|
looked deep into his eyes a long moment. And then,
|
|
without speaking, they kissed each other.
|
|
|
|
In the outer vestibule, he raised the umbrella and held
|
|
it over her head.
|
|
|
|
"Hold it a minute, will you, Laura?" he said.
|
|
|
|
He gave it into her hand and swung the door of the
|
|
house shut behind him. The noise woke a hollow echo
|
|
throughout all the series of empty, denuded rooms.
|
|
Jadwin slipped the key in his pocket.
|
|
|
|
"Come," he said.
|
|
|
|
They stepped out from the vestibule. It was already
|
|
dark. The rain was falling in gentle slants through
|
|
the odorous, cool air. Across the street in the park
|
|
the first leaves were beginning to fall; the lake
|
|
lapped and washed quietly against the stone embankments
|
|
and a belated bicyclist stole past across the asphalt,
|
|
with the silent flitting of a bat, his lamp throwing a
|
|
fan of orange-coloured haze into the mist of rain.
|
|
|
|
In the street in front of the house the driver,
|
|
descending from the box, held open the door of the
|
|
hack. Jadwin handed Laura in, gave an address to the
|
|
driver, and got in himself, slamming the door after.
|
|
They heard the driver mount to his seat and speak to
|
|
his horses.
|
|
|
|
"Well," said Jadwin, rubbing the fog from the window
|
|
pane of the door, "look your last at the old place,
|
|
Laura. You'll never see it again."
|
|
|
|
But she would not look.
|
|
|
|
"No, no," she said. "I'll look at you, dearest, at
|
|
you, and our future, which is to be happier than any
|
|
years we have ever known."
|
|
|
|
Jadwin did not answer other than by taking her hand in
|
|
his, and in silence they drove through the city towards
|
|
the train that was to carry them to the new life. A
|
|
phase of the existences of each was closed definitely.
|
|
The great corner was a thing of the past; the great
|
|
corner with the long train of disasters its collapse
|
|
had started. The great failure had precipitated
|
|
smaller failures, and the aggregate of smaller failures
|
|
had pulled down one business house after another. For
|
|
weeks afterward, the successive crashes were like the
|
|
shock and reverberation of undermined buildings
|
|
toppling to their ruin. An important bank had
|
|
suspended payment, and hundreds of depositors had found
|
|
their little fortunes swept away. The ramifications of
|
|
the catastrophe were unbelievable. The whole tone of
|
|
financial affairs seemed changed. Money was "tight"
|
|
again, credit was withdrawn. The business world began
|
|
to speak of hard times, once more.
|
|
|
|
But Laura would not admit her husband was in any way to
|
|
blame. He had suffered, too. She repeated to herself
|
|
his words, again and again:
|
|
|
|
"The wheat cornered itself. I simply stood between two
|
|
sets of circumstances. The wheat cornered me, not I
|
|
the wheat."
|
|
|
|
And all those millions and millions of bushels of Wheat
|
|
were gone now. The Wheat that had killed Cressler,
|
|
that had ingulfed Jadwin's fortune and all but unseated
|
|
reason itself; the Wheat that had intervened like a
|
|
great torrent to drag her husband from her side and
|
|
drown him in the roaring vortices of the Pit, had
|
|
passed on, resistless, along its ordered and
|
|
predetermined courses from West to East? like a vast
|
|
Titanic flood, had passed, leaving Death and Ruin in
|
|
its wake, but bearing Life and Prosperity to the
|
|
crowded cities and centres of Europe.
|
|
|
|
For a moment, vague, dark perplexities assailed her,
|
|
questionings as to the elemental forces, the forces of
|
|
demand and supply that ruled the world. This huge
|
|
resistless Nourisher of the Nations--why was it that it
|
|
could not reach the People, could not fulfil its
|
|
destiny, unmarred by all this suffering, unattended by
|
|
all this misery?
|
|
|
|
She did not know. But as she searched, troubled and
|
|
disturbed for an answer, she was aware of a certain
|
|
familiarity in the neighbourhood the carriage was
|
|
traversing. The strange sense of having lived through
|
|
this scene, these circumstances, once before, took hold
|
|
upon her.
|
|
|
|
She looked out quickly, on either hand, through the
|
|
blurred glasses of the carriage doors. Surely, surely,
|
|
this locality had once before impressed itself upon her
|
|
imagination. She turned to her husband, an exclamation
|
|
upon her lips; but Jadwin, by the dim light of the
|
|
carriage lanterns, was studying a railroad folder.
|
|
|
|
All at once, intuitively, Laura turned in her place,
|
|
and raising the flap that covered the little window at
|
|
the back of the carriage, looked behind. On either
|
|
side of the vista in converging lines stretched the
|
|
tall office buildings, lights burning in a few of their
|
|
windows, even yet. Over the end of the street the
|
|
lead-coloured sky was broken by a pale faint haze of
|
|
light, and silhouetted against this rose a sombre mass,
|
|
unbroken by any glimmer, rearing a black and formidable
|
|
facade against the blur of the sky behind it.
|
|
|
|
And this was the last impression of the part of her
|
|
life that that day brought to a close; the tall gray
|
|
office buildings, the murk of rain, the haze of light
|
|
in the heavens, and raised against it, the pile of the
|
|
Board of Trade building, black, monolithic, crouching
|
|
on its foundations like a monstrous sphinx with blind
|
|
eyes, silent, grave--crouching there without a sound,
|
|
without sign of life, under the night and the drifting
|
|
veil of rain.
|
|
|
|
THE END.
|
|
|
|
.
|