17324 lines
1002 KiB
Plaintext
17324 lines
1002 KiB
Plaintext
1869
|
|
LITTLE WOMEN
|
|
by Louisa May Alcott
|
|
PREFACE
|
|
PREFACE
|
|
|
|
GO THEN, my little Book, and show to all
|
|
That entertain and bid thee welcome shall,
|
|
What thou dost keep close shut up in thy breast;
|
|
And wish what thou dost show them may be blest
|
|
To them for good, may make them choose to be
|
|
Pilgrims better, by far, than thee or me.
|
|
Tell them of Mercy; she is one
|
|
Who early hath her pilgrimage begun.
|
|
Yea, let young damsels learn of her to prize
|
|
The world which is to come, and so be wise;
|
|
For little tripping maids may follow God
|
|
Along the ways which saintly feet have trod.
|
|
|
|
Adapted from JOHN BUNYAN.
|
|
1
|
|
Playing Pilgrims
|
|
|
|
CHRISTMAS won't be Christmas without any presents," grumbled Jo,
|
|
lying on the rug.
|
|
"It's so dreadful to be poor!" sighed Meg, looking down at her old
|
|
dress.
|
|
"I don't think it's fair for some girls to have plenty of pretty
|
|
things, and other girls nothing at all," added little Amy, with an
|
|
injured sniff.
|
|
"We've got father and mother and each other," said Beth contentedly,
|
|
from her corner.
|
|
The four young faces on which the firelight shone brightened at
|
|
the cheerful words, but darkened again as Jo said sadly-
|
|
"We haven't got father, and shall not have him for a long time." She
|
|
didn't say "perhaps never," but each silently added it, thinking of
|
|
father far away, where the fighting was.
|
|
Nobody spoke for a minute; then Meg said in an altered tone-
|
|
"You know the reason mother proposed not having any presents this
|
|
Christmas was because it is going to be a hard winter for every one;
|
|
and she thinks we ought not to spend money for pleasure, when our
|
|
men are suffering so in the army. We can't do much, but we can make
|
|
our little sacrifices, and ought to do it gladly. But I am afraid I
|
|
don't"; and Meg shook her head, as she thought regretfully of all
|
|
the pretty things she wanted.
|
|
"But I don't think the little we should spend would do any good.
|
|
We've each got a dollar, and the army wouldn't be much helped by our
|
|
giving that. I agree not to expect anything from mother or you, but
|
|
I do want to buy Undine and Sintram for myself; I've wanted it so
|
|
long," said Jo, who was a bookworm.
|
|
"I planned to spend mine in new music," said Beth, with a little
|
|
sigh, which no one heard but the hearth-brush and kettle-holder.
|
|
"I shall get a nice box of Faber's drawing-pencils; I really need
|
|
them," said Amy decidedly.
|
|
"Mother didn't say anything about our money, and she won't wish us
|
|
to give up everything. Let's each buy what we want, and have a
|
|
little fun; I'm sure we work hard enough to earn it," cried Jo,
|
|
examining the heels of her shoes in a gentlemanly manner.
|
|
"I know I do- teaching those tiresome children nearly all day,
|
|
when I'm longing to enjoy myself at home," began Meg, in the
|
|
complaining tone again.
|
|
"You don't have half such a hard time as I do," said Jo. "How
|
|
would you like to be shut up for hours with a nervous, fussy old lady,
|
|
who keeps you trotting, is never satisfied, and worries you till
|
|
you're ready to fly out of the window or cry?"
|
|
"It's naughty to fret; but I do think washing dishes and keeping
|
|
things tidy is the worst work in the world. It makes me cross; and
|
|
my hands get so stiff, I can't practise well at all"; and Beth
|
|
looked at her rough hands with a sigh that any one could hear that
|
|
time.
|
|
"I don't believe any of you suffer as I do," cried Amy; "for you
|
|
don't have to go to school with impertinent girls, who plague you if
|
|
you don't know your lessons, and laugh at your dresses, and label your
|
|
father if he isn't rich, and insult you when your nose isn't nice."
|
|
"If you mean libel, I'd say so, and not talk about labels, as if
|
|
papa was a pickle-bottle," advised Jo laughing.
|
|
"I know what I mean, and you needn't be statirical about it. It's
|
|
proper to use good words, and improve your vocabilary," returned
|
|
Amy, with dignity.
|
|
"Don't peck at one another, children. Don't you wish we had the
|
|
money papa lost when we were little, Jo? Dear me! how happy and good
|
|
we'd be, if we had no worries!" said Meg, who could remember better
|
|
times.
|
|
"You said, the other day, you thought we were a deal happier than
|
|
the King children, for they were fighting and fretting all the time,
|
|
in spite of their money."
|
|
"So I did, Beth. Well, I think we are; for, though we do have to
|
|
work, we make fun for ourselves, and are a pretty jolly set, as Jo
|
|
would say."
|
|
"Jo does use such slang words!" observed Amy, with a reproving
|
|
look at the long figure stretched on the rug. Jo immediately sat up,
|
|
put her hands in her pockets, and began to whistle.
|
|
"Don't, Jo; it's so boyish!"
|
|
"That's why I do it."
|
|
"I detest rude, unlady-like girls!"
|
|
"I hate affected, niminy-piminy chits!"
|
|
"'Birds in their little nests agree,'" sang Beth, the peace-maker,
|
|
with such a funny face that both sharp voices softened to a laugh, and
|
|
the "pecking" ended for that time.
|
|
"Really, girls, you are both to be blamed," said Meg, beginning to
|
|
lecture in her elder-sisterly fashion. "You are old enough to leave
|
|
off boyish tricks, and to behave better, Josephine. It didn't matter
|
|
so much when you were a little girl; but now you are so tall, and turn
|
|
up your hair, you should remember that you are a young lady."
|
|
"I'm not! and if turning up my hair makes me one, I'll wear it in
|
|
two tails till I'm twenty," cried Jo, pulling off her net, and shaking
|
|
down a chestnut mane. "I hate to think I've got to grow up, and be
|
|
Miss March, and wear long gowns, and look as prim as a China-aster!
|
|
It's bad enough to be a girl, anyway, when I like boys' games and work
|
|
and manners! I can't get over my disappointment in not being a boy;
|
|
and it's worse than ever now, for I'm dying to go and fight with papa,
|
|
and I can only stay at home and knit, like a poky old woman!" And Jo
|
|
shook the blue army-sock till the needles rattled like castanets,
|
|
and her ball bounded across the room.
|
|
"Poor Jo! It's too bad, but it can't be helped; so you must try to
|
|
be contented with making your name boyish, and playing brother to us
|
|
girls," said Beth, stroking the rough head at her knee with a hand
|
|
that all the dishwashing and dusting in the world could not make
|
|
ungentle in its touch.
|
|
"As for you, Amy," continued Meg, "you are altogether too particular
|
|
and prim. Your airs are funny now; but you'll grow up an affected
|
|
little goose, if you don't take care. I like your nice manners and
|
|
refined ways of speaking, when you don't try to be elegant; but your
|
|
absurd words are as bad as Jo's slang."
|
|
"If Jo is a tom-boy and Amy a goose, what am I, please?" asked Beth,
|
|
ready to share the lecture.
|
|
"You're a dear, and nothing else," answered Meg warmly; and no one
|
|
contradicted her, for the "Mouse" was the pet of the family.
|
|
As young readers like to know "how people look," we will take this
|
|
moment to give them a little sketch of the four sisters, who sat
|
|
knitting away in the twilight, while the December snow fell quietly
|
|
without, and the fire crackled cheerfully within. It was a comfortable
|
|
old room, though the carpet was faded and the furniture very plain;
|
|
for a good picture or two hung on the walls, books filled the
|
|
recesses, chrysanthemums and Christmas roses bloomed in the windows,
|
|
and a pleasant atmosphere of home-peace pervaded it.
|
|
Margaret, the eldest of the four, was sixteen, and very pretty,
|
|
being plump and fair, with large eyes, plenty of soft, brown hair, a
|
|
sweet mouth, and white hands, of which she was rather vain.
|
|
Fifteen-year-old Jo was very tall, thin, and brown, and reminded one
|
|
of a colt; for she never seemed to know what to do with her long
|
|
limbs, which were very much in her way. She had a decided mouth, a
|
|
comical nose, and sharp, gray eyes, which appeared to see
|
|
everything, and were by turns fierce, funny, or thoughtful. Her
|
|
long, thick hair was her one beauty; but it was usually bundled into a
|
|
net, to be out of her way. Round shoulders had Jo, big hands and feet,
|
|
a fly-away look to her clothes, and the uncomfortable appearance of
|
|
a girl who was rapidly shooting up into a woman, and didn't like it.
|
|
Elizabeth- or Beth, as every one called her- was a rosy,
|
|
smooth-haired, bright-eyed girl of thirteen, with a shy manner, a
|
|
timid voice, and a peaceful expression, which was seldom disturbed.
|
|
Her father called her "Little Tranquillity," and the name suited her
|
|
excellently; for she seemed to live in a happy world of her own,
|
|
only venturing out to meet the few whom she trusted and loved. Amy,
|
|
though the youngest, was a most important person- in her own opinion
|
|
at least. A regular snow-maiden, with blue eyes, and yellow hair,
|
|
curling on her shoulders, pale and slender, and always carrying
|
|
herself like a young lady mindful of her manners. What the
|
|
characters of the four sisters were we will leave to be found out.
|
|
The clock struck six; and, having swept up the hearth, Beth put a
|
|
pair of slippers down to warm. Somehow the sight of the old shoes
|
|
had a good effect upon the girls; for mother was coming, and every one
|
|
brightened to welcome her. Meg stopped lecturing, and lighted the
|
|
lamp, Amy got out of the easy-chair without being asked, and Jo forgot
|
|
how tired she was as she sat up to hold the slippers nearer to the
|
|
blaze.
|
|
"They are quite worn out; Marmee must have a new pair."
|
|
"I thought I'd get her some with my dollar," said Beth.
|
|
"No, I shall!" cried Amy.
|
|
"I'm the oldest," began Meg, but Jo cut in with a decided-
|
|
"I'm the man of the family now papa is away, and I shall provide the
|
|
slippers, for he told me to take special care of mother while he was
|
|
gone."
|
|
"I'll tell you what we'll do," said Beth; "Let's each get her
|
|
something for Christmas, and not get anything for ourselves."
|
|
"That's like you, dear! What will we get?" exclaimed Jo.
|
|
Every one thought soberly for a minute; then Meg announced, as if
|
|
the idea was suggested by the sight of her own pretty hands, "I
|
|
shall give her a nice pair of gloves."
|
|
"Army shoes, best to be had," cried Jo.
|
|
"Some handkerchiefs, all hemmed," said Beth.
|
|
"I'll get a little bottle of cologne; she likes it, and it won't
|
|
cost much, so I'll have some left to buy my pencils," added Amy.
|
|
"How will we give the things?" asked Meg.
|
|
"Put them on the table, and bring her in and see her open the
|
|
bundles. Don't you remember how we used to do on our birthdays?"
|
|
answered Jo.
|
|
"I used to be so frightened when it was my turn to sit in the big
|
|
chair with the crown on, and see you all come marching round to give
|
|
the presents, with a kiss. I liked the things and the kisses, but it
|
|
was dreadful to have you sit looking at me while I opened the
|
|
bundles," said Beth, who was toasting her face and the bread for
|
|
tea, at the same time.
|
|
"Let Marmee think we are getting things for ourselves, and then
|
|
surprise her. We must go shopping to-morrow afternoon, Meg; there is
|
|
so much to do about the play for Christmas night," said Jo, marching
|
|
up and down, with her hands behind her back and her nose in the air.
|
|
"I don't mean to act any more after this time; I'm getting too old
|
|
for such things," observed Meg, who was as much a child as ever
|
|
about "dressing-up" frolics.
|
|
"You won't stop, I know, as long as you can trail round in a white
|
|
gown with your hair down, and wear gold-paper jewelry. You are the
|
|
best actress we've got, and there'll be an end of everything if you
|
|
quit the boards," said Jo. "We ought to rehearse to-night. Come
|
|
here, Amy, and do the fainting scene, for you are as stiff as a
|
|
poker in that."
|
|
"I can't help it; I never saw any one faint, and I don't choose to
|
|
make myself all black and blue, tumbling flat as you do. If I can go
|
|
down easily, I'll drop; if I can't, I shall fall into a chair and be
|
|
graceful; I don't care if Hugo does come at me with a pistol,"
|
|
returned Amy, who was not gifted with dramatic power, but was chosen
|
|
because she was small enough to be borne out shrieking by the
|
|
villain of the piece.
|
|
"Do it this way; clasp your hands so, and stagger across the room,
|
|
crying frantically, 'Roderigo! save me! save me!'" and away went Jo,
|
|
with a melodramatic scream which was truly thrilling.
|
|
Amy followed, but she poked her hands out stiffly before her, and
|
|
jerked herself along as if she went by machinery; and her "Ow!" was
|
|
more suggestive of pins being run into her than of fear and anguish.
|
|
Jo gave a despairing groan, and Meg laughed outright, while Beth let
|
|
her bread burn as she watched the fun, with interest.
|
|
"It's no use! Do the best you can when the time comes, and if the
|
|
audience laugh, don't blame me. Come on, Meg."
|
|
Then things went smoothly, for Don Pedro defied the world in a
|
|
speech of two pages without a single break; Hagar, the witch,
|
|
chanted an awful incantation over her kettleful of simmering toads,
|
|
with weird effect; Roderigo rent his chains asunder manfully, and Hugo
|
|
died in agonies of remorse and arsenic, with a wild "Ha! ha!"
|
|
"It's the best we've had yet," said Meg, as the dead villain sat
|
|
up and rubbed his elbows.
|
|
"I don't see how you can write and act such splendid things, Jo.
|
|
You're a regular Shakespeare!" exclaimed Beth, who firmly believed
|
|
that her sisters were gifted with wonderful genius in all things.
|
|
"Not quite," replied Jo modestly. "I do think, 'The Witch's Curse,
|
|
an Operatic Tragedy,' is rather a nice thing; but I'd like to try
|
|
Macbeth, if we only had a trapdoor for Banquo. I always wanted to do
|
|
the killing part. 'Is that a dagger that I see before me?'" muttered
|
|
Jo, rolling her eyes and clutching at the air, as she had seen a
|
|
famous tragedian do.
|
|
"No, it's the toasting fork, with mother's shoe on it instead of the
|
|
bread. Beth's stage-struck!" cried Meg, and the rehearsal ended in a
|
|
general burst of laughter.
|
|
"Glad to find you so merry, my girls," said a cheery voice at the
|
|
door, and actors and audience turned to welcome a tall, motherly lady,
|
|
with a "can-I-help-you" look about her which was truly delightful. She
|
|
was not elegantly dressed, but a noble-looking woman, and the girls
|
|
thought the gray cloak and unfashionable bonnet covered the most
|
|
splendid mother in the world.
|
|
"Well, dearies, how have you got on to-day? There was so much to do,
|
|
getting the boxes ready to go to-morrow, that I didn't come home to
|
|
dinner. Has any one called, Beth? How is your cold, Meg? Jo, you
|
|
look tired to death. Come and kiss me, baby."
|
|
While making these maternal inquiries Mrs. March got her wet
|
|
things off, her warm slippers on, and sitting down in the
|
|
easy-chair, drew Amy to her lap, preparing to enjoy the happiest
|
|
hour of her busy day. The girls flew about, trying to make things
|
|
comfortable, each in her own way. Meg arranged the tea-table; Jo
|
|
brought wood and set chairs, dropping, overturning, and clattering
|
|
everything she touched; Beth trotted to and fro between parlor and
|
|
kitchen, quiet and busy; while Amy gave directions to every one, as
|
|
she sat with her hands folded.
|
|
As they gathered about the table, Mrs. March said, with a
|
|
particularly happy face, "I've got a treat for you after supper."
|
|
A quick, bright smile went round like a streak of sunshine. Beth
|
|
clapped her hands, regardless of the biscuit she held, and Jo tossed
|
|
up her napkin, crying, "A letter! a letter! Three cheers for father!"
|
|
"Yes, a nice long letter. He is well, and thinks he shall get
|
|
through the cold season better than we feared. He sends all sorts of
|
|
loving wishes for Christmas, and an especial message to you girls,"
|
|
said Mrs. March, patting her pocket as if she had got a treasure
|
|
there.
|
|
"Hurry and get done! Don't stop to quirk your little finger, and
|
|
simper over your plate, Amy," cried Jo, choking in her tea, and
|
|
dropping her bread, butter side down, on the carpet, in her haste to
|
|
get at the treat.
|
|
Beth ate no more but crept away, to sit in her shadowy corner and
|
|
brood over the delight to come, till the others were ready.
|
|
"I think it was so splendid in father to go as a chaplain when he
|
|
was too old to be drafted, and not strong enough for a soldier,"
|
|
said Meg warmly.
|
|
"Don't I wish I could go as a drummer, a vivan- what's its name?
|
|
or a nurse, so I could be near him and help him," exclaimed Jo, with a
|
|
groan.
|
|
"It must be very disagreeable to sleep in a tent, and eat all
|
|
sorts of bad-tasting things, and drink out of a tin mug," sighed Amy.
|
|
"When will he come home, Marmee?" asked Beth, with a little quiver
|
|
in her voice.
|
|
"Not for many months, dear, unless he is sick. He will stay and do
|
|
his work faithfully as long as he can, and we won't ask for him back a
|
|
minute sooner than he can be spared. Now come and hear the letter."
|
|
They all drew to the fire, mother in the big chair with Beth at
|
|
her feet, Meg and Amy perched on either arm of the chair, and Jo
|
|
leaning on the back, where no one would see any sign of emotion if the
|
|
letter should happen to be touching. Very few letters were written
|
|
in those hard times that were not touching, especially those which
|
|
fathers sent home. In this one little was said of the hardships
|
|
endured, the dangers faced, or the homesickness conquered; it was a
|
|
cheerful, hopeful letter, full of lively descriptions of camp life,
|
|
marches, and military news; and only at the end did the writer's heart
|
|
overflow with fatherly love and longing for the little girls at home.
|
|
"Give them all my dear love and a kiss. Tell them I think of them by
|
|
day, pray for them by night, and find my best comfort in their
|
|
affection at all times. A year seems very long to wait before I see
|
|
them, but remind them that while we wait we may all work, so that
|
|
these hard days need not be wasted. I know they will remember all I
|
|
said to them, that they will be loving children to you, will do
|
|
their duty faithfully, fight their bosom enemies bravely, and
|
|
conquer themselves so beautifully, that when I come back to them I may
|
|
be fonder and prouder than ever of my little women.
|
|
Everybody sniffed when they came to that part; Jo wasn't ashamed
|
|
of the great tear that dropped off the end of her nose, and Amy
|
|
never minded the rumpling of her curls as she hid her face on her
|
|
mother's shoulder and sobbed out:
|
|
"I am a selfish girl! but I'll truly try to be better, so he
|
|
mayn't be disappointed in me by and by."
|
|
"We all will!" cried Meg. "I think too much of my looks, and hate to
|
|
work, but won't any more, if I can help it."
|
|
"I'll try and be what he loves to call me, 'a little woman,' and not
|
|
be rough and wild; but do my duty here instead of wanting to be
|
|
somewhere else," said Jo, thinking that keeping her temper at home was
|
|
a much harder task than facing a rebel or two down South.
|
|
Beth said nothing, but wiped away her tears with the blue army-sock,
|
|
and began to knit with all her might, losing no time in doing the duty
|
|
that lay nearest her, while she resolved in her quiet little soul to
|
|
be all that father hoped to find her when the year brought round the
|
|
happy coming home.
|
|
Mrs. March broke the silence that followed Jo's words, by saying
|
|
in her cheery voice, "Do you remember how you used to play Pilgrim's
|
|
Progress when you were little things? Nothing delighted you more
|
|
than to have me tie my piece-bags on your backs for burdens, give
|
|
you hats and sticks and rolls of paper, and let you travel through the
|
|
house from the cellar, which was the City of Destruction, up, up, to
|
|
the house-top, where you had all the lovely things you could collect
|
|
to make a Celestial City."
|
|
"What fun it was, especially going by the lions, fighting
|
|
Apollyon, and passing through the Valley where the hobgoblins were!"
|
|
said Jo.
|
|
"I liked the place where the bundles fell off and tumbled
|
|
downstairs," said Meg.
|
|
"My favorite part was when we came out on the flat roof where our
|
|
flowers and arbors and pretty things were, and all stood and sung
|
|
for joy up there in the sunshine," said Beth, smiling, as if that
|
|
pleasant moment had come back to her.
|
|
"I don't remember much about it, except that I was afraid of the
|
|
cellar and the dark entry, and always liked the cake and milk we had
|
|
up at the top. If I wasn't too old for such things, I'd rather like to
|
|
play it over again," said Amy, who began to talk of renouncing
|
|
childish things at the mature age of twelve.
|
|
"We never are too old for this, my dear, because it is a play we are
|
|
playing all the time in one way or another. Our burdens are here,
|
|
our road is before us, and the longing for goodness and happiness is
|
|
the guide that leads us through many troubles and mistakes to the
|
|
peace which is a true Celestial City. Now, my little pilgrims, suppose
|
|
you begin again, not in play, but in earnest, and see how far on you
|
|
can get before father comes home."
|
|
"Really, mother? Where are our bundles?" asked Amy, who was a very
|
|
literal young lady.
|
|
"Each of you told what your burden was just now, except Beth; I
|
|
rather think she hasn't got any," said her mother.
|
|
"Yes, I have; mine is dishes and dusters, and envying girls with
|
|
nice pianos, and being afraid of people."
|
|
Beth's bundle was such a funny one that everybody wanted to laugh;
|
|
but nobody did, for it would have hurt her feelings very much.
|
|
"Let us do it," said Meg thoughtfully. "It is only another name
|
|
for trying to be good, and the story may help us; for though we do
|
|
want to be good, it's hard work, and we forget, and don't do our
|
|
best."
|
|
"We were in the Slough of Despond to-night, and mother came and
|
|
pulled us out as Help did in the book. We ought to have our roll of
|
|
directions, like Christian. What shall we do about that?" asked Jo,
|
|
delighted with the fancy which lent a little romance to the very
|
|
dull task of doing her duty.
|
|
"Look under your pillows, Christmas morning, and you will find
|
|
your guide-book," replied Mrs. March.
|
|
They talked over the new plan while old Hannah cleared the table;
|
|
then out came the four little work-baskets, and the needles flew as
|
|
the girls made sheets for Aunt March. It was uninteresting sewing, but
|
|
to-night no one grumbled. They adopted Jo's plan of dividing the
|
|
long seams into four parts, and calling the quarters Europe, Asia,
|
|
Africa, and America, and in that way got on capitally, especially when
|
|
they talked about the different countries as they stitched their way
|
|
through them.
|
|
At nine they stopped work, and sung, as usual, before they went to
|
|
bed. No one but Beth could get much music out of the old piano; but
|
|
she had a way of softly touching the yellow keys, and making a
|
|
pleasant accompaniment to the simple songs they sung. Meg had a
|
|
voice like a flute, and she and her mother led the little choir. Amy
|
|
chirped like a cricket, and Jo wandered through the airs at her own
|
|
sweet will, always coming out at the wrong place with a croak or a
|
|
quaver that spoilt the most pensive tune. They had always done this
|
|
from the time they could lisp
|
|
|
|
"Crinkle, crinkle, 'ittle 'tar,"
|
|
|
|
and it had become a household custom, for the mother was a born
|
|
singer. The first sound in the morning was her voice, as she went
|
|
about the house singing like a lark; and the last sound at night was
|
|
the same cheery sound, for the girls never grew too old for that
|
|
familiar lullaby.
|
|
2
|
|
A Merry Christmas
|
|
|
|
JO was the first to wake in the gray dawn of Christmas morning. No
|
|
stockings hung at the fireplace, and for a moment she felt as much
|
|
disappointed as she did long ago, when her little sock fell down
|
|
because it was so crammed with goodies. Then she remembered her
|
|
mother's promise, and, slipping her hand under her pillow, drew out
|
|
a little crimson-covered book. She knew it very well, for it was
|
|
that beautiful old story of the best life ever lived, and Jo felt that
|
|
it was a true guide-book for any pilgrim going the long journey. She
|
|
woke Meg with a "Merry Christmas," and bade her see what was under her
|
|
pillow. A green-covered book appeared, with the same picture inside,
|
|
and a few words written by their mother, which made their one
|
|
present very precious in their eyes. Presently Beth and Amy woke, to
|
|
rummage and find their little books also- one dove-colored, the
|
|
other blue; and all sat looking at and talking about them, while the
|
|
east grew rosy with the coming day.
|
|
In spite of her small vanities, Margaret had a sweet and pious
|
|
nature, which unconsciously influenced her sisters, especially Jo, who
|
|
loved her very tenderly, and obeyed her because her advice was so
|
|
gently given.
|
|
"Girls," said Meg seriously, looking from the tumbled head beside
|
|
her to the two little night-capped ones in the room beyond, "mother
|
|
wants us to read and love and mind these books, and we must begin at
|
|
once. We used to be faithful about it; but since father went away, and
|
|
all this war trouble unsettled us, we have neglected many things.
|
|
You can do as you please; but I shall keep my book on the table
|
|
here, and read a little every morning as soon as I wake, for I know it
|
|
will do me good, and help me through the day."
|
|
Then she opened her new book and began to read. Jo put her arm round
|
|
her, and, leaning cheek to cheek, read also, with the quiet expression
|
|
so seldom seen on her restless face.
|
|
"How good Meg is! Come, Amy, let's do as they do. I'll help you with
|
|
the hard words, and they'll explain things if we don't understand,"
|
|
whispered Beth, very much impressed by the pretty books and her
|
|
sisters' example.
|
|
"I'm glad mine is blue," said Amy; and then the rooms were very
|
|
still while the pages were softly turned, and the winter sunshine
|
|
crept in to touch the bright heads and serious faces with a
|
|
Christmas greeting.
|
|
"Where is mother?" asked Meg, as she and Jo ran down to thank her
|
|
for their gifts, half an hour later.
|
|
"Goodness only knows. Some poor creeter come a-beggin, and your ma
|
|
went straight off to see what was needed. There never was such a woman
|
|
for givin' away vittles and drink, clothes and firin'," replied
|
|
Hannah, who had lived with the family since Meg was born, and was
|
|
considered by them all more as a friend than a servant.
|
|
"She will be back soon, I think; so fry your cakes, and have
|
|
everything ready," said Meg, looking over the presents which were
|
|
collected in a basket and kept under the sofa, ready to be produced at
|
|
the proper time. "Why, where is Amy's bottle of cologne?" she added,
|
|
as the little flask did not appear.
|
|
"She took it out a minute ago, and went off with it to put a
|
|
ribbon on it, or some such notion," replied Jo, dancing about the room
|
|
to take the first stiffness off the new army-slippers.
|
|
"How nice my handkerchiefs look, don't they? Hannah washed and
|
|
ironed them for me, and I marked them all myself," said Beth,
|
|
looking proudly at the somewhat uneven letters which had cost her such
|
|
labor.
|
|
"Bless the child! she's gone and put 'Mother' on them instead of 'M.
|
|
March.' How funny!" cried Jo, taking up one.
|
|
"Isn't it right? I thought it was better to do it so, because
|
|
Meg's initials are 'M. M.,' and I don't want any one to use these
|
|
but Marmee," said Beth, looking troubled.
|
|
"It's all right, dear, and a very pretty idea- quite sensible,
|
|
too, for no one can ever mistake now. It will please her very much,
|
|
I know," said Meg, with a frown for Jo and a smile for Beth.
|
|
"There's mother. Hide the basket, quick!" cried Jo, as a door
|
|
slammed, and steps sounded in the hall.
|
|
Amy came in hastily, and looked rather abashed when she saw her
|
|
sisters all waiting for her.
|
|
"Where have you been, and what are you hiding behind you?" asked
|
|
Meg, surprised to see, by her hood and cloak, that lazy Amy had been
|
|
out so early.
|
|
"Don't laugh at me, Jo! I didn't mean any one should know till the
|
|
time came. I only meant to change the little bottle for a big one, and
|
|
I gave all my money to get it, and I'm truly trying not to be
|
|
selfish any more."
|
|
As she spoke, Amy showed the handsome flask which replaced the cheap
|
|
one; and looked so earnest and humble in her little effort to forget
|
|
herself that Meg hugged her on the spot, and Jo pronounced her "a
|
|
trump," while Beth ran to the window, and picked her finest rose to
|
|
ornament the stately bottle.
|
|
"You see I felt ashamed of my present, after reading and talking
|
|
about being good this morning, so I ran round the corner and changed
|
|
it the minute I was up: and I'm so glad, for mine is the handsomest
|
|
now."
|
|
Another bang of the street-door sent the basket under the sofa,
|
|
and the girls to the table, eager for breakfast.
|
|
"Merry Christmas, Marmee! Many of them! Thank you for our books;
|
|
we read some, and mean to every day," they cried, in chorus.
|
|
"Merry Christmas, little daughters! I'm glad you began at once,
|
|
and hope you will keep on. But I want to say one word before we sit
|
|
down. Not far away from here lies a poor woman with a little
|
|
new-born baby. Six children are huddled into one bed to keep from
|
|
freezing, for they have no fire. There is nothing to eat over there;
|
|
and the oldest boy came to tell me they were suffering hunger and
|
|
cold. My girls, will you give them your breakfast as a Christmas
|
|
present?"
|
|
They were all unusually hungry, having waited nearly an hour, and
|
|
for a minute no one spoke; only a minute, for Jo exclaimed
|
|
impetuously-
|
|
"I'm so glad you came before we began!"
|
|
"May I go and help carry the things to the poor little children?"
|
|
asked Beth eagerly.
|
|
"I shall take the cream and the muffins," added Amy, heroically
|
|
giving up the articles she most liked.
|
|
Meg was already covering the buckwheats, and piling the bread into
|
|
one big plate.
|
|
"I thought you'd do it," said Mrs. March, smiling as if satisfied.
|
|
"You shall all go and help me, and when we come back we will have
|
|
bread and milk for breakfast, and make it up at dinner-time."
|
|
They were soon ready, and the procession set out. Fortunately it was
|
|
early, and they went through back streets, so few people saw them, and
|
|
no one laughed at the queer party.
|
|
A poor, bare, miserable room it was, with broken windows, no fire,
|
|
ragged bed-clothes, a sick mother, wailing baby, and a group of
|
|
pale, hungry children cuddled under one old quilt, trying to keep
|
|
warm.
|
|
How the big eyes stared and the blue lips smiled as the girls went
|
|
in!
|
|
"Ach, mein Gott! it is good angels come to us!" said the poor woman,
|
|
crying for joy.
|
|
"Funny angels in hoods and mittens," said Jo, and set them laughing.
|
|
In a few minutes it really did seem as if kind spirits had been at
|
|
work there. Hannah, who had carried wood, made a fire, and stopped
|
|
up the broken panes with old hats and her own cloak. Mrs. March gave
|
|
the mother tea and gruel, and comforted her with promises of help,
|
|
while she dressed the little baby as tenderly as if it had been her
|
|
own. The girls, meantime, spread the table, set the children round the
|
|
fire, and fed them like so many hungry birds- laughing, talking, and
|
|
trying to understand the funny broken English.
|
|
"Das ist gut!" "Die Engel-kinder!" cried the poor things, as they
|
|
ate, and warmed their purple hands at the comfortable blaze.
|
|
The girls had never been called angel children before, and thought
|
|
it very agreeable, especially Jo, who had been considered a "Sancho"
|
|
ever since she was born. That was a very happy breakfast, though
|
|
they didn't get any of it; and when they went away, leaving comfort
|
|
behind, I think there were not in all the city four merrier people
|
|
than the hungry little girls who gave away their breakfasts and
|
|
contented themselves with bread and milk on Christmas morning.
|
|
"That's loving our neighbor better than ourselves, and I like it,"
|
|
said Meg, as they set out their presents, while their mother was
|
|
upstairs collecting clothes for the poor Hummels.
|
|
Not a very splendid show, but there was a great deal of love done up
|
|
in the few little bundles; and the tall vase of red roses, white
|
|
chrysanthemums, and trailing vines, which stood in the middle, gave
|
|
quite an elegant air to the table.
|
|
"She's coming! Strike up, Beth! Open the door, Amy! Three cheers for
|
|
Marmee!" cried Jo, prancing about, while Meg went to conduct mother to
|
|
the seat of honor.
|
|
Beth played her gayest march, Amy threw open the door, and Meg
|
|
enacted escort with great dignity. Mrs. March was both surprised and
|
|
touched; and smiled with her eyes full as she examined her presents,
|
|
and read the little notes which accompanied them. The slippers went on
|
|
at once, a new handkerchief was slipped into her pocket, well
|
|
scented with Amy's cologne, the rose was fastened in her bosom, and
|
|
the nice gloves were pronounced a "perfect fit."
|
|
There was a good deal of laughing and kissing and explaining, in the
|
|
simple, loving fashion which makes these home-festivals so pleasant at
|
|
the time, so sweet to remember long afterward, and then all fell to
|
|
work.
|
|
The morning charities and ceremonies took so much time that the rest
|
|
of the day was devoted to preparations for the evening festivities.
|
|
Being still too young to go often to the theater, and not rich
|
|
enough to afford any great outlay for private performances, the
|
|
girls put their wits to work, and- necessity being the mother of
|
|
invention- made whatever they needed. Very clever were some of their
|
|
productions- pasteboard guitars, antique lamps made of old-fashioned
|
|
butter-boats covered with silver paper, gorgeous robes of old
|
|
cotton, glittering with tin spangles from a pickle factory, and
|
|
armor covered with the same useful diamond-shaped bits, left in sheets
|
|
when the lids of tin preserve-pots were cut out. The furniture was
|
|
used to being turned topsy-turvy, and the big chamber was the scene of
|
|
many innocent revels.
|
|
No gentlemen were admitted; so Jo played male parts to her heart's
|
|
content, and took immense satisfaction in a pair of russet-leather
|
|
boots given her by a friend, who knew a lady who knew an actor.
|
|
These boots, an old foil, and a slashed doublet once used by an artist
|
|
for some picture, were Jo's chief treasures, and appeared on all
|
|
occasions. The smallness of the company made it necessary for the
|
|
two principal actors to take several parts apiece; and they
|
|
certainly deserved some credit for the hard work they did in
|
|
learning three or four different parts, whisking in and out of various
|
|
costumes, and managing the stage besides. It was excellent drill for
|
|
their memories, a harmless amusement, and employed many hours which
|
|
otherwise would have been idle, lonely, or spent in less profitable
|
|
society.
|
|
On Christmas night, a dozen girls piled onto the bed which was the
|
|
dress-circle, and sat before the blue and yellow chintz curtains in
|
|
a most flattering state of expectancy. There was a good deal of
|
|
rustling and whispering behind the curtain, a trifle of lamp-smoke,
|
|
and an occasional giggle from Amy, who was apt to get hysterical in
|
|
the excitement of the moment. Presently a bell sounded, the curtains
|
|
flew apart, and the Operatic Tragedy began.
|
|
"A gloomy wood," according to the one play-bill, was represented
|
|
by a few shrubs in pots, green baize on the floor, and a cave in the
|
|
distance. This cave was made with a clothes-horse for a roof,
|
|
bureaus for walls; and in it was a small furnace in full blast, with a
|
|
black pot on it, and an old witch bending over it. The stage was dark,
|
|
and the glow of the furnace had a fine effect, especially as real
|
|
steam issued from the kettle when the witch took off the cover. A
|
|
moment was allowed for the first thrill to subside; then Hugo, the
|
|
villain, stalked in with a clanking sword at his side, a slouched hat,
|
|
black beard, mysterious cloak, and the boots. After pacing to and
|
|
fro in much agitation, he struck his forehead, and burst out in a wild
|
|
strain, singing of his hatred to Roderigo, his love for Zara, and
|
|
his pleasing resolution to kill the one and win the other. The gruff
|
|
tones of Hugo's voice, with an occasional shout when his feelings
|
|
overcame him, were very impressive, and the audience applauded the
|
|
moment he paused for breath. Bowing with the air of one accustomed
|
|
to public praise, he stole to the cavern, and ordered Hagar to come
|
|
forth with a commanding "What ho, minion! I need thee!"
|
|
Out came Meg, with gray horse-hair hanging about her face, a red and
|
|
black robe, a staff, and cabalistic signs upon her cloak. Hugo
|
|
demanded a potion to make Zara adore him, and one to destroy Roderigo.
|
|
Hagar, in a fine dramatic melody, promised both, and proceeded to call
|
|
up the spirit who would bring the love philter:
|
|
|
|
"Hither, hither, from thy home,
|
|
Airy sprite, I bid thee come!
|
|
Born of roses, fed on dew,
|
|
Charms and potions canst thou brew?
|
|
Bring me here, with elfin speed,
|
|
The fragrant philter which I need;
|
|
Make it sweet and swift and strong,
|
|
Spirit, answer now my song!"
|
|
|
|
A soft strain of music sounded, and then at the back of the cave
|
|
appeared a little figure in cloudy white, with glittering wings,
|
|
golden hair, and a garland of roses on its head. Waving a wand, it
|
|
sang-
|
|
|
|
"Hither I come,
|
|
From my airy home,
|
|
Afar in the silver moon.
|
|
Take the magic spell,
|
|
And use it well,
|
|
Or its power will vanish soon!"
|
|
|
|
And, dropping a small, gilded bottle at the witch's feet, the spirit
|
|
vanished. Another chant from Hagar produced another apparition- not
|
|
a lovely one; for, with a bang, an ugly black imp appeared, and,
|
|
having croaked a reply, tossed a dark bottle at Hugo, and
|
|
disappeared with a mocking laugh. Having warbled his thanks and put
|
|
the potions in his boots, Hugo departed; and Hagar informed the
|
|
audience that, as he had killed a few of her friends in times past,
|
|
she has cursed him, and intends to thwart his plans, and be revenged
|
|
on him. Then the curtain fell, and the audience reposed and ate
|
|
candy while discussing the merits of the play.
|
|
A good deal of hammering went on before the curtain rose again;
|
|
but when it became evident what a masterpiece of stage-carpentering
|
|
had been got up, no one murmured at the delay. It was truly superb!
|
|
A tower rose to the ceiling; half-way up appeared a window, with a
|
|
lamp burning at it, and behind the white curtain appeared Zara in a
|
|
lovely blue and silver dress, waiting for Roderigo. He came in
|
|
gorgeous array, with plumed cap, red cloak, chestnut love-locks, a
|
|
guitar, and the boots, of course. Kneeling at the foot of the tower,
|
|
he sang a serenade in melting tones. Zara replied, and after a musical
|
|
dialogue, consented to fly. Then came the grand effect of the play.
|
|
Roderigo produced a rope-ladder, with five steps to it, threw up one
|
|
end, and invited Zara to descend. Timidly she crept from her
|
|
lattice, put her hand on Roderigo's shoulder, and was about to leap
|
|
gracefully down, when, "Alas! alas for Zara!" she forgot her train- it
|
|
caught in the window; the tower tottered, leaned forward, fell with
|
|
a crash, and buried the unhappy lovers in the ruins!
|
|
A universal shriek arose as the russet boots waved wildly from the
|
|
wreck, and a golden head emerged, exclaiming, "I told you so! I told
|
|
you so!" With wonderful presence of mind, Don Pedro, the cruel sire,
|
|
rushed in, dragged out his daughter, with a hasty aside-
|
|
"Don't laugh! Act as if it was all right!"- and, ordering Roderigo
|
|
up, banished him from the kingdom with wrath and scorn. Though
|
|
decidedly shaken by the fall of the tower upon him, Roderigo defied
|
|
the old gentleman, and refused to stir. This dauntless example fired
|
|
Zara: she also defied her sire, and he ordered them both to the
|
|
deepest dungeons of the castle. A stout little retainer came in with
|
|
chains, and led them away, looking very much frightened, and evidently
|
|
forgetting the speech he ought to have made.
|
|
Act third was the castle hall; and here Hagar appeared, having
|
|
come to free the lovers and finish Hugo. She hears him coming, and
|
|
hides; sees him put the potions into two cups of wine, and bid the
|
|
timid little servant "Bear them to the captives in their cells, and
|
|
tell them I shall come anon." The servant takes Hugo aside to tell him
|
|
something, and Hagar changes the cups for two others which are
|
|
harmless. Ferdinando, the "minion," carries them away, and Hagar
|
|
puts back the cup which holds the poison meant for Roderigo. Hugo,
|
|
getting thirsty after a long warble, drinks it, loses his wits, and,
|
|
after a good deal of clutching and stamping, falls flat and dies;
|
|
while Hagar informs him what she has done in a song of exquisite power
|
|
and melody.
|
|
This was a truly thrilling scene, though some persons might have
|
|
thought that the sudden tumbling down of a quantity of long hair
|
|
rather marred the effect of the villain's death. He was called
|
|
before the curtain, and with great propriety appeared, leading
|
|
Hagar, whose singing was considered more wonderful than all the rest
|
|
of the performance put together.
|
|
Act fourth displayed the despairing Roderigo on the point
|
|
of-stabbing himself, because he has been told that Zara has deserted
|
|
him. Just as the dagger is at his heart, a lovely song is sung under
|
|
his window, informing him that Zara is true, but in danger, and he can
|
|
save her, if he will. A key is thrown in, which unlocks the door,
|
|
and in a spasm of rapture he tears off his chains, and rushes away
|
|
to find and rescue his lady-love.
|
|
Act fifth opened with a stormy scene between Zara and Don Pedro.
|
|
He wishes her to go into a convent, but she won't hear of it; and,
|
|
after a touching appeal, is about to faint, when Roderigo dashes in
|
|
and demands her hand. Don Pedro refuses, because he is not rich.
|
|
They shout and gesticulate tremendously, but cannot agree, and
|
|
Roderigo is about to bear away the exhausted Zara, when the timid
|
|
servant enters with a letter and a bag from Hagar, who has
|
|
mysteriously disappeared. The latter informs the party that she
|
|
bequeaths untold wealth to the young pair, and an awful doom to Don
|
|
Pedro, if he doesn't make them happy. The bag is opened, and several
|
|
quarts of tin money shower down upon the stage, till it is quite
|
|
glorified with the glitter. This entirely softens the "stern sire": he
|
|
consents without a murmur, all join in a joyful chorus, and the
|
|
curtain falls upon the lovers kneeling to receive Don Pedro's blessing
|
|
in attitudes of the most romantic grace.
|
|
Tumultuous applause followed, but received an unexpected check;
|
|
for the cot-bed, on which the "dress circle" was built, suddenly
|
|
shut up, and extinguished the enthusiastic audience. Roderigo and
|
|
Don Pedro flew to the rescue, and all were taken out unhurt, though
|
|
many were speechless with laughter. The excitement had hardly
|
|
subsided, when Hannah appeared, with "Mrs. March's compliments, and
|
|
would the ladies walk down to supper."
|
|
This was a surprise, even to the actors; and, when they saw the
|
|
table, they looked at one another in rapturous amazement. It was
|
|
like Marmee to get up a little treat for them; but anything so fine as
|
|
this was unheard-of since the departed days of plenty. There was
|
|
ice-cream- actually two dishes of it, pink and white- and cake and
|
|
fruit and distracting French bonbons, and, in the middle of the table,
|
|
four great bouquets of hothouse flowers!
|
|
It quite took their breath away; and they stared first at the
|
|
table and then at their mother, who looked as if she enjoyed it
|
|
immensely.
|
|
"Is it fairies?" asked Amy.
|
|
"It's Santa Claus," said Beth.
|
|
"Mother did it"; and Meg smiled her sweetest, in spite of her gray
|
|
beard and white eyebrows.
|
|
"Aunt March had a good fit, and sent the supper," cried Jo, with a
|
|
sudden inspiration.
|
|
"All wrong. Old Mr. Laurence sent it," replied Mrs. March.
|
|
"The Laurence boy's grandfather! What in the world put such a
|
|
thing into his head? We don't know him!" exclaimed Meg.
|
|
"Hannah told one of his servants about your breakfast party. He is
|
|
an odd old gentleman, but that pleased him. He knew my father, years
|
|
ago; and he sent me a polite note this afternoon, saying he hoped I
|
|
would allow him to express his friendly feeling toward my children
|
|
by sending them a few trifles in honor of the day. I could not refuse;
|
|
and so you have a little feast at night to make up for the
|
|
bread-and-milk breakfast."
|
|
"That boy put it into his head, I know he did! He's a capital
|
|
fellow, and I wish we could get acquainted. He looks as if he'd like
|
|
to know us; but he's bashful, and Meg is so prim she won't let me
|
|
speak to him when we pass," said Jo, as the plates went round, and the
|
|
ice began to melt out of sight, with "Ohs!" and "Ahs!" of
|
|
satisfaction.
|
|
"You mean the people who live in the big house next door, don't
|
|
you?" asked one of the girls. "My mother knows old Mr. Laurence; but
|
|
says he's very proud, and doesn't like to mix with his neighbors. He
|
|
keeps his grandson shut up, when he isn't riding or walking with his
|
|
tutor, and makes him study very hard. We invited him to our party, but
|
|
he didn't come. Mother says he's very nice, though he never speaks
|
|
to us girls."
|
|
"Our cat ran away once, and he brought her back, and we talked
|
|
over the fence, and were getting on capitally- all about cricket,
|
|
and so on- when he saw Meg coming, and walked off. I mean to know
|
|
him some day; for he needs fun, I'm sure he does," said Jo decidedly.
|
|
"I like his manners, and he looks like a little gentleman; so I've
|
|
no objection to your knowing him, if a proper opportunity comes. He
|
|
brought the flowers himself; and I should have asked him in, if I
|
|
had been sure what was going on upstairs. He looked so wistful as he
|
|
went away, hearing the frolic, and evidently having none of his own."
|
|
"It's a mercy you didn't, mother!" laughed Jo, looking at her boots.
|
|
"But we'll have another play, some time, that he can see. Perhaps
|
|
he'll help act; wouldn't that be jolly?"
|
|
"I never had such a fine bouquet before! How pretty it is!" And
|
|
Meg examined her flowers with great interest.
|
|
"They are lovely! But Beth's roses are sweeter to me," said Mrs.
|
|
March, smelling the half-dead posy in her belt.
|
|
Beth nestled up to her, and whispered softly, "I wish I could send
|
|
my bunch to father. I'm afraid he isn't having such a merry
|
|
Christmas as we are."
|
|
3
|
|
The Laurence Boy
|
|
|
|
"JO! Jo! where are you?" cried Meg, at the foot of the garret
|
|
stairs.
|
|
"Here!" answered a husky voice from above; and, running up, Meg
|
|
found her sister eating apples and crying over the "Heir of
|
|
Redclyffe," wrapped up in a comforter on an old three-legged sofa by
|
|
the sunny window. This was Jo's favorite refuge; and here she loved to
|
|
retire with a half a dozen russets and a nice book, to enjoy the quiet
|
|
and the society of a pet rat who lived near by, and didn't mind her
|
|
a particle. As Meg appeared, Scrabble whisked into his hole. Jo
|
|
shook the tears off her cheeks, and waited to hear the news.
|
|
"Such fun! only see! a regular note of invitation from Mrs. Gardiner
|
|
for to-morrow night!" cried Meg, waving the precious paper, and then
|
|
proceeding to read it, with girlish delight.
|
|
"'Mrs. Gardiner would be happy to see Miss March and Miss
|
|
Josephine at a little dance on New-Year's Eve.' Marmee is willing we
|
|
should go; now what shall we wear?"
|
|
"What's the use of asking that, when you know we shall wear our
|
|
poplins, because we haven't got anything else?" answered Jo, with
|
|
her mouth full.
|
|
"If I only had a silk!" sighed Meg. "Mother says I may when I'm
|
|
eighteen, perhaps; but two years is an everlasting time to wait."
|
|
"I'm sure our pops look like silk, and they are nice enough for
|
|
us. Yours is as good as new, but I forgot the burn and the tear in
|
|
mine. Whatever shall I do? the burn shows badly, and I can't take
|
|
any out."
|
|
"You must sit still all you can, and keep your back out of sight;
|
|
the front is all right. I shall have a new ribbon for my hair, and
|
|
Marmee will lend me her little pearl pin, and my new slippers are
|
|
lovely, and my gloves will do, though they aren't as nice as I'd
|
|
like."
|
|
"Mine are spoilt with lemonade, and I can't get any new ones, so I
|
|
shall have to go without," said Jo, who never troubled herself much
|
|
about dress.
|
|
"You must have gloves, or I won't go," cried Meg decidedly.
|
|
"Gloves are more important than anything else; you can't dance without
|
|
them, and if you don't I should be so mortified."
|
|
"Then I'll stay still. I don't care much for company dancing; it's
|
|
no fun to go sailing round; I like to fly about and cut capers."
|
|
"You can't ask mother for new ones, they are so expensive, and you
|
|
are so careless. She said, when you spoilt the others, that she
|
|
shouldn't get you any more this winter. Can't you make them do?" asked
|
|
Meg anxiously.
|
|
"I can hold them crumpled up in my hand, so no one will know how
|
|
stained they are; that's all I can do. No! I'll tell you how we can
|
|
manage- each wear one good one and carry a bad one; don't you see?"
|
|
"Your hands are bigger than mine, and you will stretch my glove
|
|
dreadfully," began Meg, whose gloves were a tender point with her.
|
|
"Then I'll go without. I don't care what people say!" cried Jo,
|
|
taking up her book.
|
|
"You may have it, you may! only don't stain it, and do behave
|
|
nicely."
|
|
"Don't put your hands behind you, or stare, or say 'Christopher
|
|
Columbus!' will you?"
|
|
"Don't worry about me; I'll be as prim as I can, and not get into
|
|
any scrapes, if I can help it. Now go and answer your note, and let me
|
|
finish this splendid story."
|
|
So Meg went away to "accept with thanks," look over her dress, and
|
|
sing blithely as she did up her one real lace frill; while Jo finished
|
|
her story, her four apples, and had a game of romps with Scrabble.
|
|
On New-Year's Eve the parlor was deserted, for the two younger girls
|
|
played dressing-maids, and the two elder were absorbed in the
|
|
all-important business of "getting ready for the party." Simple as the
|
|
toilets were, there was a great deal of running up and down,
|
|
laughing and talking, and at one time a strong smell of burnt hair
|
|
pervaded the house. Meg wanted a few curls about her face, and Jo
|
|
undertook to pinch the papered locks with a pair of hot tongs.
|
|
"Ought they to smoke like that?" asked Beth, from her perch on the
|
|
bed.
|
|
"It's the dampness drying," replied Jo.
|
|
"What a queer smell! it's like burnt feathers," observed Amy,
|
|
smoothing her own pretty curls with a superior air.
|
|
"There, now I'll take off the papers and you'll see a cloud of
|
|
little ringlets," said Jo, putting down the tongs.
|
|
She did take off the papers, but no cloud of ringlets appeared,
|
|
for the hair came with the papers, and the horrified hair-dresser laid
|
|
a row of little scorched bundles on the bureau before her victim.
|
|
"Oh, oh, oh! what have you done? I'm spoilt! I can't go! My hair,
|
|
oh, my hair!" wailed Meg, looking with despair at the uneven frizzle
|
|
on her forehead.
|
|
"Just my luck! you shouldn't have asked me to do it; I always
|
|
spoil everything. I'm so sorry, but the tongs were too hot, and so
|
|
I've made a mess," groaned poor Jo, regarding the black pancakes
|
|
with tears of regret.
|
|
"It isn't spoilt; just frizzle it, and tie your ribbon so the ends
|
|
come on your forehead a bit, and it will look like the last fashion.
|
|
I've seen many girls do it so," said Amy consolingly.
|
|
"Serves me right for trying to be fine. I wish I'd let my hair
|
|
alone," cried Meg petulantly.
|
|
"So do I, it was so smooth and pretty. But it will soon grow out
|
|
again," said Beth, coming to kiss and comfort the shorn sheep.
|
|
After various lesser mishaps, Meg was finished at last, and by the
|
|
united exertions of the family Jo's hair was got up and her dress
|
|
on. They looked very well in their simple suits- Meg in silvery
|
|
drab, with a blue velvet snood, lace frills, and the pearl pin; Jo
|
|
in maroon, with a stiff, gentlemanly collar, and a white chrysanthemum
|
|
or two for her only ornament. Each put on one nice light glove, and
|
|
carried one soiled one, and all pronounced the effect "quite easy
|
|
and fine." Meg's high-heeled slippers were very tight, and hurt her,
|
|
though she would not own it, and Jo's nineteen hairpins all seemed
|
|
stuck straight into her head, which was not exactly comfortable;
|
|
but, dear me, let us be elegant or die!
|
|
"Have a good time, dearies!" said Mrs. March, as the sisters went
|
|
daintily down the walk. "Don't eat much supper, and come away at
|
|
eleven, when I send Hannah for you." As the gate clashed behind
|
|
them, a voice cried from a window-
|
|
"Girls, girls! have you both got nice pocket-handkerchiefs?"
|
|
"Yes, yes, spandy nice, and Meg has cologne on hers," cried Jo,
|
|
adding, with a laugh, as they went on, "I do believe Marmee would
|
|
ask that if we were all running away from an earthquake."
|
|
"It is one of her aristocratic tastes, and quite proper, for a
|
|
real lady is always known by neat boots, gloves, and handkerchief,"
|
|
replied Meg, who had a good many little "aristocratic tastes" of her
|
|
own.
|
|
"Now don't forget to keep the bad breadth out of sight, Jo. Is my
|
|
sash right? and does my hair look very bad?" said Meg, as she turned
|
|
from the glass in Mrs. Gardiner's dressing-room, after a prolonged
|
|
prink.
|
|
"I know I shall forget. If you see me doing anything wrong, just
|
|
remind me by a wink, will you?" returned Jo, giving her collar a
|
|
twitch and her head a hasty brush.
|
|
"No, winking isn't lady-like; I'll lift my eyebrows if anything is
|
|
wrong, and nod if you are all right. Now hold your shoulders straight,
|
|
and take short steps, and don't shake hands if you are introduced to
|
|
any one: it isn't the thing."
|
|
"How do you learn all the proper ways? I never can. Isn't that music
|
|
gay?"
|
|
Down they went, feeling a trifle timid, for they seldom went to
|
|
parties, and, informal as this little gathering was, it was an event
|
|
to them. Mrs. Gardiner, a stately old lady, greeted them kindly, and
|
|
handed them over to the eldest of her six daughters. Meg knew
|
|
Sallie, and was at her ease very soon; but Jo, who didn't care much
|
|
for girls or girlish gossip, stood about, with her back carefully
|
|
against the wall, and felt as much out of place as a colt in a
|
|
flower-garden. Half a dozen jovial lads were talking about skates in
|
|
another part of the room, and she longed to go and join them, for
|
|
skating was one of the joys of her life. She telegraphed her wish to
|
|
Meg, but the eyebrows went up so alarmingly that she dared not stir.
|
|
No one came to talk to her, and one by one the group near her dwindled
|
|
away, till she was left alone. She could not roam about and amuse
|
|
herself, for the burnt breadth would show, so she stared at people
|
|
rather forlornly till the dancing began. Meg was asked at once, and
|
|
the tight slippers tripped about so briskly that none would have
|
|
guessed the pain their wearer suffered smilingly. Jo saw a big
|
|
red-headed youth approaching her corner, and fearing he meant to
|
|
engage her, she slipped into a curtained recess, intending to peep and
|
|
enjoy herself in peace. Unfortunately, another bashful person had
|
|
chosen the same refuge; for, as the curtain fell behind her, she found
|
|
herself face to face with the "Laurence boy."
|
|
"Dear me, I didn't know any one was here!" stammered Jo, preparing
|
|
to back out as speedily as she had bounced in.
|
|
But the boy laughed, and said pleasantly, though he looked a
|
|
little startled-
|
|
"Don't mind me; stay, if you like."
|
|
"Shan't I disturb you?"
|
|
"Not a bit; I only came here because I don't know many people, and
|
|
felt rather strange at first, you know."
|
|
"So did I. Don't go away, please, unless you'd rather."
|
|
The boy sat down again and looked at his pumps, till Jo said, trying
|
|
to be polite and easy-
|
|
"I think I've had the pleasure of seeing you before; you live near
|
|
us, don't you?"
|
|
"Next door"; and he looked up and laughed outright, for Jo's prim
|
|
manner was rather funny when he remembered how they had chatted
|
|
about cricket when he brought the cat home.
|
|
That put Jo at her ease; and she laughed too, as she said, in her
|
|
heartiest way, "We did have such a good time over your nice
|
|
Christmas present."
|
|
"Grandpa sent it."
|
|
"But you put it into his head, didn't you, now?"
|
|
"How is your cat, Miss March?" asked the boy, trying to look
|
|
sober, while his black eyes shone with fun.
|
|
"Nicely, thank you, Mr. Laurence; but I am not Miss March, I'm
|
|
only Jo," returned the young lady.
|
|
"I'm not Mr. Laurence, I'm only Laurie."
|
|
"Laurie Laurence- what an odd name!"
|
|
"My first name is Theodore, but I don't like it, for the fellows
|
|
called me Dora, so I made them say Laurie instead."
|
|
"I hate my name, too- so sentimental! I wish every one would say Jo,
|
|
instead of Josephine. How did you make the boys stop calling you
|
|
Dora?"
|
|
"I thrashed 'em."
|
|
"I can't thrash Aunt March, so I suppose I shall have to bear it";
|
|
and Jo resigned herself with a sigh.
|
|
"Don't you like to dance, Miss Jo?" asked Laurie, looking as if he
|
|
thought the name suited her.
|
|
"I like it well enough if there is plenty of room, and every one
|
|
is lively. In a place like this I'm sure to upset something, tread
|
|
on people's toes, or do something dreadful, so I keep out of mischief,
|
|
and let Meg sail about. Don't you dance?"
|
|
"Sometimes; you see I've been abroad a good many years, and
|
|
haven't been into company enough yet to know how you do things here."
|
|
"Abroad!" cried Jo. "Oh, tell me about it! I love dearly to hear
|
|
people describe their travels."
|
|
Laurie didn't seem to know where to begin; but Jo's eager
|
|
questions soon set him going, and he told her how he had been at
|
|
school in Vevey, where the boys never wore hats, and had a fleet of
|
|
boats on the lake, and for holiday fun went walking trips about
|
|
Switzerland with their teachers.
|
|
"Don't I wish I'd been there!" cried Jo. "Did you go to Paris?"
|
|
"We spent last winter there."
|
|
"Can you talk French?"
|
|
"We were not allowed to speak anything else at Vevey."
|
|
"Do say some! I can read it, but can't pronounce."
|
|
"Quel nom a cette jeune demoiselle en les pantoufles jolis?" said
|
|
Laurie good-naturedly.
|
|
"How nicely you do it! Let me see- you said, 'Who is the young
|
|
lady in the pretty slippers,' didn't you?"
|
|
"Oui, mademoiselle."
|
|
"It's my sister Margaret, and you knew it was! Do you think she is
|
|
pretty?"
|
|
"Yes; she makes me think of the German girls, she looks so fresh and
|
|
quiet, and dances like a lady."
|
|
Jo quite glowed with pleasure at this boyish praise of her sister,
|
|
and stored it up to repeat to Meg. Both peeped and criticized and
|
|
chatted, till they felt like old acquaintances. Laurie's bashfulness
|
|
soon wore off; for Jo's gentlemanly demeanor amused and set him at his
|
|
ease, and Jo was her merry self again, because her dress was
|
|
forgotten, and nobody lifted their eyebrows at her. She liked the
|
|
"Laurence boy" better than ever, and took several good looks at him,
|
|
so that she might describe him to the girls; for they had no brothers,
|
|
very few male cousins, and boys were almost unknown creatures to them.
|
|
"Curly black hair; brown skin; big, black eyes; handsome nose;
|
|
fine teeth; small hands and feet; taller than I am; very polite, for a
|
|
boy, and altogether jolly. Wonder how old he is?"
|
|
It was on the tip of Jo's tongue to ask; but she checked herself
|
|
in time, and, with unusual tact, tried to find out in a roundabout
|
|
way.
|
|
"I suppose you are going to college soon? I see you pegging away
|
|
at your books- no, I mean studying hard"; and Jo blushed at the
|
|
dreadful "pegging" which had escaped her.
|
|
Laurie smiled, but didn't seem shocked, and answered, with a shrug-
|
|
"Not for a year or two; I won't go before seventeen, anyway."
|
|
"Aren't you but fifteen?" asked Jo, looking at the tall lad, whom
|
|
she had imagined seventeen already.
|
|
"Sixteen, next month."
|
|
"How I wish I was going to college! You don't look as if you liked
|
|
it."
|
|
"I hate it! Nothing but grinding or skylarking. And I don't like the
|
|
way fellows do either, in this country."
|
|
"What do you like?"
|
|
"To live in Italy, and to enjoy myself in my own way."
|
|
Jo wanted very much to ask what his own way was; but his black brows
|
|
looked rather threatening as he knit them; so she changed the
|
|
subject by saying, as her foot kept time, "That's a splendid polka!
|
|
Why don't you go and try it?"
|
|
"If you will come too," he answered, with a gallant little bow.
|
|
"I can't; for I told Meg I wouldn't, because-" There Jo stopped, and
|
|
looked undecided whether to tell or to laugh.
|
|
"Because what?" asked Laurie curiously.
|
|
"You won't tell?"
|
|
"Never!"
|
|
"Well, I have a bad trick of standing before the fire, and so I burn
|
|
my frocks, and I scorched this one; and, though it's nicely mended, it
|
|
shows, and Meg told me to keep still, so no one would see it. You
|
|
may laugh, if you want to; it is funny, I know."
|
|
But Laurie didn't laugh; he only looked down a minute, and the
|
|
expression of his face puzzled Jo, when he said very gently-
|
|
"Never mind that; I'll tell you how we can manage: there's a long
|
|
hall out there, and we can dance grandly, and no one will see us.
|
|
Please come?"
|
|
Jo thanked him, and gladly went, wishing she had two neat gloves,
|
|
when she saw the nice, pearl-colored ones her partner wore. The hall
|
|
was empty, and they had a grand polka; for Laurie danced well, and
|
|
taught her the German step, which delighted Jo, being full of swing
|
|
and spring. When the music stopped, they sat down on the stairs to get
|
|
their breath; and Laurie was in the midst of an account of a students'
|
|
festival at Heidelberg, when Meg appeared in search of her sister. She
|
|
beckoned, and Jo reluctantly followed her into a side room, where
|
|
she found her on a sofa, holding her foot, and looking pale.
|
|
"I've sprained my ankle. That stupid high heel turned, and gave me a
|
|
sad wrench. It aches so, I can hardly stand, and I don't know how
|
|
I'm ever going to get home," she said, rocking to and fro in pain.
|
|
"I knew you'd hurt your feet with those silly shoes. I'm sorry.
|
|
But I don't see what you can do, except get a carriage, or stay here
|
|
all night," answered Jo, softly rubbing the poor ankle as she spoke.
|
|
"I can't have a carriage, without its costing ever so much. I dare
|
|
say I can't get one at all; for most people come in their own, and
|
|
it's a long way to the stable, and no one to send."
|
|
"No, indeed! It's past nine, and dark as Egypt. I can't stop here,
|
|
for the house is full. Sallie has some girls staying with her. I'll
|
|
rest till Hannah comes, and then do the best I can."
|
|
"I'll ask Laurie; he will go," said Jo, looking relieved as the idea
|
|
occurred to her.
|
|
"Mercy, no! Don't ask or tell any one. Get me my rubbers, and put
|
|
these slippers with our things. I can't dance any more; but as soon as
|
|
supper is over, watch for Hannah, and tell me the minute she comes."
|
|
"They are going out to supper now. I'll stay with you; I'd rather."
|
|
"No, dear, run along, and bring me some coffee. I'm so tired, I
|
|
can't stir!"
|
|
So Meg reclined, with rubbers well hidden, and Jo went blundering
|
|
away to the dining-room, which she found after going into a
|
|
china-closet, and opening the door of a room where old Mr. Gardiner
|
|
was taking a little private refreshment. Making a dart at the table,
|
|
she secured the coffee, which she immediately spilt, thereby making
|
|
the front of her dress as bad as the back.
|
|
"Oh, dear, what a blunderbuss I am!" exclaimed Jo, finishing Meg's
|
|
glove by scrubbing her gown with it.
|
|
"Can I help you?" said a friendly voice; and there was Laurie,
|
|
with a full cup in one hand and a plate of ice in the other.
|
|
"I was trying to get something for Meg, who is very tired, and
|
|
some one shook me; and here I am, in a nice state," answered Jo,
|
|
glancing dismally from the stained skirt to the coffee-colored glove.
|
|
"Too bad! I was looking for some one to give this to. May I take
|
|
it to your sister?"
|
|
"Oh, thank you! I'll show you where she is. I don't offer to take it
|
|
myself, for I should only get into another scrape if I did."
|
|
Jo led the way; and, as if used to waiting on ladies, Laurie drew up
|
|
a little table, brought a second instalment of coffee and ice for
|
|
Jo, and was so obliging that even particular Meg pronounced him a
|
|
"nice boy." They had a merry time over the bonbons and mottoes, and
|
|
were in the midst of a quiet game of "Buzz," with two or three other
|
|
young people who had strayed in, when Hannah appeared. Meg forgot
|
|
her foot, and rose so quickly that she was forced to catch hold of Jo,
|
|
with an exclamation of pain.
|
|
"Hush! Don't say anything," she whispered, adding aloud, "It's
|
|
nothing. I turned my foot a little, that's all"; and limped upstairs
|
|
to put her things on.
|
|
Hannah scolded, Meg cried, and Jo was at her wits' end, till she
|
|
decided to take things into her own hands. Slipping out, she ran down,
|
|
and, finding a servant, asked if he could get her a carriage. It
|
|
happened to be a hired waiter, who knew nothing about the
|
|
neighborhood; and Jo was looking round for help, when Laurie, who
|
|
had heard what she said, came up, and offered his grandfather's
|
|
carriage, which had just come for him, he said.
|
|
"It's so early! You can't mean to go yet?" began Jo, looking
|
|
relieved, but hesitating to accept the offer.
|
|
"I always go early- I do, truly! Please let me take you home? It's
|
|
all on my way, you know, and it rains, they say."
|
|
That settled it; and, telling him of Meg's mishap, Jo gratefully
|
|
accepted, and rushed up to bring down the rest of the party. Hannah
|
|
hated rain as much as a cat does; so she made no trouble, and they
|
|
rolled away in the luxurious close carriage, feeling very festive
|
|
and elegant. Laurie went on the box; so Meg could keep her foot up,
|
|
and the girls talked over their party in freedom.
|
|
"I had a capital time. Did you?" asked Jo, rumpling up her hair, and
|
|
making herself comfortable.
|
|
"Yes, till I hurt myself. Sallie's friend, Annie Moffat, took a
|
|
fancy to me, and asked me to come and spend a week with her, when
|
|
Sallie does. She is going in the spring, when the opera comes; and
|
|
it will be perfectly splendid, if mother only lets me go," answered
|
|
Meg, cheering up at the thought.
|
|
"I saw you dancing with the red-headed man I ran away from. Was he
|
|
nice?"
|
|
"Oh, very! His hair is auburn, not red; and he was very polite,
|
|
and I had a delicious redowa with him."
|
|
"He looked like a grasshopper in a fit, when he did the new step.
|
|
Laurie and I couldn't help laughing. Did you hear us?"
|
|
"No; but it was very rude. What were you about all that time, hidden
|
|
away there?"
|
|
Jo told her adventures, and, by the time she had finished, they were
|
|
at home. With many thanks, they said "Good-night," and crept in,
|
|
hoping to disturb no one; but the instant their door creaked, two
|
|
little night-caps bobbed up, and two sleepy but eager voices cried
|
|
out-
|
|
"Tell about the party! tell about the party!"
|
|
With what Meg called "a great want of manners," Jo had saved some
|
|
bonbons for the little girls; and they soon subsided, after hearing
|
|
the most thrilling events of the evening.
|
|
"I declare, it really seems like being a fine young lady, to come
|
|
home from the party in a carriage, and sit in my dressing-gown, with a
|
|
maid to wait on me," said Meg, as Jo bound up her foot with arnica,
|
|
and brushed her hair.
|
|
"I don't believe fine young ladies enjoy themselves a bit more
|
|
than we do, in spite of our burnt hair, old gowns, one glove apiece,
|
|
and tight slippers that sprain our ankles when we are silly enough
|
|
to wear them." And I think Jo was quite right.
|
|
4
|
|
Burdens
|
|
|
|
"OH dear, how hard it does seem to take up our packs and go on,"
|
|
sighed Meg, the morning after the party; for, now the holidays were
|
|
over, the week of merry-making did not fit her for going on easily
|
|
with the task she never liked.
|
|
"I wish it was Christmas or New-Year all the time; wouldn't it be
|
|
fun?" answered Jo, yawning dismally.
|
|
"We shouldn't enjoy ourselves half so much as we do now. But it does
|
|
seem so nice to have little suppers and bouquets, and go to parties,
|
|
and drive home, and read and rest, and not work. It's like other
|
|
people, you know, and I always envy girls who do such things; I'm so
|
|
fond of luxury," said Meg, trying to decide which of two shabby
|
|
gowns was the least shabby.
|
|
"Well, we can't have it, so don't let us grumble, but shoulder our
|
|
bundles and trudge along as cheerfully as Marmee does. I'm sure Aunt
|
|
March is a regular Old Man of the Sea to me, but I suppose when I've
|
|
learned to carry her without complaining, she will tumble off, or
|
|
get so light that I shan't mind her."
|
|
This idea tickled Jo's fancy, and put her in good spirits; but Meg
|
|
didn't brighten, for her burden, consisting of four spoilt children,
|
|
seemed heavier than ever. She hadn't heart enough even to make herself
|
|
pretty, as usual, by putting on a blue neck-ribbon, and dressing her
|
|
hair in the most becoming way.
|
|
"Where's the use of looking nice, when no one sees me but those
|
|
cross midgets, and no one cares whether I'm pretty or not?" she
|
|
muttered, shutting her drawer with a jerk. "I shall have to toil and
|
|
moil all my days, with only little bits of fun now and then, and get
|
|
old and ugly and sour, because I'm poor, and can't enjoy my life as
|
|
other girls do. It's a shame!"
|
|
So Meg went down, wearing an injured look, and wasn't at all
|
|
agreeable at breakfast-time. Every one seemed rather out of sorts, and
|
|
inclined to croak. Beth had a headache, and lay on the sofa, trying to
|
|
comfort herself with the cat and three kittens; Amy was fretting
|
|
because her lessons were not learned, and she couldn't find her
|
|
rubbers; Jo would whistle and make a great racket getting ready;
|
|
Mrs. March was very busy trying to finish a letter which must go at
|
|
once; and Hannah had the grumps, for being up late didn't suit her.
|
|
"There never was such a cross family!" cried Jo, losing her temper
|
|
when she had upset an inkstand, broken both boot-lacings, and sat down
|
|
upon her hat.
|
|
"You're the crossest person in it!" returned Amy, washing out the
|
|
sum, that was all wrong, with the tears that had fallen on her slate.
|
|
"Beth, if you don't keep these horrid cats down cellar I'll have
|
|
them drowned," exclaimed Meg angrily, as she tried to get rid of the
|
|
kitten, which had scrambled up her back, and stuck like a burr just
|
|
out of reach.
|
|
Jo laughed, Meg scolded, Beth implored, and Amy wailed, because
|
|
she couldn't remember how much nine times twelve was.
|
|
"Girls, girls, do be quiet one minute! I must get this off by the
|
|
early mail, and you drive me distracted with your worry," cried Mrs.
|
|
March, crossing out the third spoilt sentence in her letter.
|
|
There was a momentary lull, broken by Hannah, who stalked in, laid
|
|
two hot turn-overs on the table, and stalked out again. These
|
|
turn-overs were an institution; and the girls called them "muffs," for
|
|
they had no others, and found the hot pies very comforting to their
|
|
hands on cold mornings. Hannah never forgot to make them, no matter
|
|
how busy or grumpy she might be, for the walk was long and bleak;
|
|
the poor things got no other lunch, and were seldom home before two.
|
|
"Cuddle your cats, and get over your headache, Bethy. Good-by,
|
|
Marmee; we are a set of rascals this morning, but we'll come home
|
|
regular angels. Now then, Meg!" and Jo tramped away, feeling that
|
|
the pilgrims were not setting out as they ought to do.
|
|
They always looked back before turning the corner, for their
|
|
mother was always at the window, to nod and smile, and wave her hand
|
|
to them. Somehow it seemed as if they couldn't have got through the
|
|
day without that; for, whatever their mood might be, the last
|
|
glimpse of that motherly face was sure to affect them like sunshine.
|
|
"If Marmee shook her fist instead of kissing her hand to us, it
|
|
would serve us right, for more ungrateful wretches than we are were
|
|
never seen," cried Jo, taking a remorseful satisfaction in the snowy
|
|
walk and bitter wind.
|
|
"Don't use such dreadful expressions," said Meg, from the depths
|
|
of the veil in which she had shrouded herself like a nun sick of the
|
|
world.
|
|
"I like good strong words, that mean something," replied Jo,
|
|
catching her hat as it took a leap off her head, preparatory to flying
|
|
away altogether.
|
|
"Call yourself any names you like; but I am neither a rascal nor a
|
|
wretch, and I don't choose to be called so."
|
|
"You're a blighted being, and decidedly cross to-day because you
|
|
can't sit in the lap of luxury all the time. Poor dear, just wait till
|
|
I make my fortune, and you shall revel in carriages and ice-cream
|
|
and high-heeled slippers and posies and red-headed boys to dance
|
|
with."
|
|
"How ridiculous you are, Jo!" but Meg laughed at the nonsense, and
|
|
felt better in spite of herself.
|
|
"Lucky for you I am; for if I put on crushed airs, and tried to be
|
|
dismal, as you do, we should be in a nice state. Thank goodness, I can
|
|
always find something funny to keep me up. Don't croak any more, but
|
|
come home jolly, there's a dear."
|
|
Jo gave her sister an encouraging pat on the shoulder as they parted
|
|
for the day, each going a different way, each hugging her little
|
|
warm turn-over, and each trying to be cheerful in spite of wintry
|
|
weather, hard work, and the unsatisfied desires of pleasure-loving
|
|
youth.
|
|
When Mr. March lost his property in trying to help an unfortunate
|
|
friend, the two oldest girls begged to be allowed to do something
|
|
toward their own support, at least. Believing that they could not
|
|
begin too early to cultivate energy, industry, and independence, their
|
|
parents consented, and both fell to work with the hearty good-will
|
|
which, in spite of all obstacles, is sure to succeed at last. Margaret
|
|
found a place as nursery governess, and felt rich with her small
|
|
salary. As she said, she was "fond of luxury," and her chief trouble
|
|
was poverty. She found it harder to bear than the others, because
|
|
she could remember a time when home was beautiful, life full of ease
|
|
and pleasure, and want of any kind unknown. She tried not to be
|
|
envious or discontented, but it was very natural that the young girl
|
|
should long for pretty things, gay friends, accomplishments, and a
|
|
happy life. At the Kings' she daily saw all she wanted, for the
|
|
children's older sisters were just out, and Meg caught frequent
|
|
glimpses of dainty ball-dresses and bouquets, heard lively gossip
|
|
about theaters, concerts, sleighing parties, and merry-makings of
|
|
all kinds, and saw money lavished on trifles which would have been
|
|
so precious to her. Poor Meg seldom complained, but a sense of
|
|
injustice made her feel bitter toward every one sometimes, for she had
|
|
not yet learned to know how rich she was in the blessings which
|
|
alone can make life happy.
|
|
Jo happened to suit Aunt March, who was lame, and needed an active
|
|
person to wait upon her. The childless old lady had offered to adopt
|
|
one of the girls when the troubles came, and was much offended because
|
|
her offer was declined. Other friends told the Marches that they had
|
|
lost all chance of being remembered in the rich old lady's will; but
|
|
the unworldly Marches only said-
|
|
"We can't give up our girls for a dozen fortunes. Rich or poor, we
|
|
will keep together and be happy in one another."
|
|
The old lady wouldn't speak to them for a time, but happening to
|
|
meet Jo at a friend's, something in her comical face and blunt manners
|
|
struck the old lady's fancy, and she proposed to take her for a
|
|
companion. This did not suit Jo at all; but she accepted the place
|
|
since nothing better appeared, and, to every one's surprise, got on
|
|
remarkably well with her irascible relative. There was an occasional
|
|
tempest, and once Jo had marched home, declaring she couldn't bear
|
|
it any longer; but Aunt March always cleared up quickly, and sent
|
|
for her back again with such urgency that she could not refuse, for in
|
|
her heart she rather liked the peppery old lady.
|
|
I suspect that the real attraction was a large library of fine
|
|
books, which was left to dust and spiders since Uncle March died. Jo
|
|
remembered the kind old gentleman, who used to let her build railroads
|
|
and bridges with his big dictionaries, tell her stories about the
|
|
queer pictures in his Latin books, and buy her cards of gingerbread
|
|
whenever he met her in the street. The dim, dusty room, with the busts
|
|
staring down from the tall book-cases, the cosy chairs, the globes,
|
|
and, best of all, the wilderness of books, in which she could wander
|
|
where she liked, made the library a region of bliss to her. The moment
|
|
Aunt March took her nap, or was busy with company, Jo hurried to
|
|
this quiet place, and, curling herself up in the easy-chair,
|
|
devoured poetry, romance, history, travels, and pictures, like a
|
|
regular book-worm. But, like all happiness, it did not last long;
|
|
for as sure as she had just reached the heart of the story, the
|
|
sweetest verse of the song, or the most perilous adventure of her
|
|
traveller, a shrill voice called, "Josy-phine! Josy-phine!" and she
|
|
had to leave her paradise to wind yarn, wash the poodle, or read
|
|
Belsham's Essays by the hour together.
|
|
Jo's ambition was to do something very splendid; what it was she had
|
|
no idea as yet, but left it for time to tell her; and, meanwhile,
|
|
found her greatest affliction in the fact that she couldn't read, run,
|
|
and ride as much as she liked. A quick temper, sharp tongue, and
|
|
restless spirit were always getting her into scrapes, and her life was
|
|
a series of ups and downs, which were both comic and pathetic. But the
|
|
training she received at Aunt March's was just what she needed; and
|
|
the thought that she was doing something to support herself made her
|
|
happy, in spite of the perpetual "Josy-phine!"
|
|
Beth was too bashful to go to school; it had been tried, but she
|
|
suffered so much that it was given up, and she did her lessons at
|
|
home, with her father. Even when he went away, and her mother was
|
|
called to devote her skill and energy to Soldiers' Aid Societies, Beth
|
|
went faithfully on by herself, and did the best she could. She was a
|
|
housewifely little creature, and helped Hannah keep home neat and
|
|
comfortable for the workers, never thinking of any reward but to be
|
|
loved. Long, quiet days she spent, not lonely nor idle, for her little
|
|
world was peopled with imaginary friends, and she was by nature a busy
|
|
bee. There were six dolls to be taken up and dressed every morning,
|
|
for Beth was a child still, and loved her pets as well as ever. Not
|
|
one whole or handsome one among them; all were outcasts till Beth took
|
|
them in; for, when her sisters outgrew these idols, they passed to
|
|
her, because Amy would have nothing old or ugly. Beth cherished them
|
|
all the more tenderly for that very reason, and set up a hospital
|
|
for infirm dolls. No pins were ever stuck into their cotton vitals; no
|
|
harsh words or blows were ever given them; no neglect ever saddened
|
|
the heart of the most repulsive: but all were fed and clothed,
|
|
nursed and caressed, with an affection which never failed. One forlorn
|
|
fragment of dollanity had belonged to Jo; and, having led a
|
|
tempestuous life, was left a wreck in the ragbag, from which dreary
|
|
poorhouse it was rescued by Beth, and taken to her refuge. Having no
|
|
top to its head, she tied on a neat little cap, and, as both arms
|
|
and legs were gone, she hid these deficiencies by folding it in a
|
|
blanket, and devoting her best bed to this chronic invalid. If any one
|
|
had known the care lavished on that dolly, I think it would have
|
|
touched their hearts, even while they laughed. She brought it bits
|
|
of bouquets; she read to it, took it out to breathe the air, hidden
|
|
under her coat; she sung it lullabys, and never went to bed without
|
|
kissing its dirty face, and whispering tenderly, "I hope you'll have a
|
|
good night, my poor dear."
|
|
Beth had her troubles as well as the others; and not being an angel,
|
|
but a very human little girl, she often "wept a little weep," as Jo
|
|
said, because she couldn't take music lessons and have a fine piano.
|
|
She loved music so dearly, tried so hard to learn, and practised
|
|
away so patiently at the jingling old instrument, that it did seem
|
|
as if some one (not to hint Aunt March) ought to help her. Nobody did,
|
|
however, and nobody saw Beth wipe the tears off the yellow keys,
|
|
that wouldn't keep in tune, when she was all alone. She sang like a
|
|
little lark about her work, never was too tired to play for Marmee and
|
|
the girls, and day after day said hopefully to herself, "I know I'll
|
|
get my music some time, if I'm good."
|
|
There are many Beths in the world, shy and quiet, sitting in corners
|
|
till needed, and living for others so cheerfully that no one sees
|
|
the sacrifices till the little cricket on the hearth stops chirping,
|
|
and the sweet, sunshiny presence vanishes, leaving silence and
|
|
shadow behind.
|
|
If anybody had asked Amy what the greatest trial of her life was,
|
|
she would have answered at once, "My nose." When she was a baby, Jo
|
|
had accidentally dropped her into the coal-hod, and Amy insisted
|
|
that the fall had ruined her nose forever. It was not big, nor red,
|
|
like poor "Petrea's"; it was only rather flat, and all the pinching in
|
|
the world could not give it an aristocratic point. No one minded it
|
|
but herself, and it was doing its best to grow, but Amy felt deeply
|
|
the want of a Grecian nose, and drew whole sheets of handsome ones
|
|
to console herself.
|
|
"Little Raphael," as her sisters called her, had a decided talent
|
|
for drawing, and was never so happy as when copying flowers, designing
|
|
fairies, or illustrating stories with queer specimens of art. Her
|
|
teachers complained that, instead of doing her sums, she covered her
|
|
slate with animals; the blank pages of her atlas were used to copy
|
|
maps on; and caricatures of the most ludicrous description came
|
|
fluttering out of all her books at unlucky moments. She got through
|
|
her lessons as well as she could, and managed to escape reprimands
|
|
by being a model of deportment. She was a great favorite with her
|
|
mates, being good-tempered, and possessing the happy art of pleasing
|
|
without effort. Her little airs and graces were much admired, so
|
|
were her accomplishments; for beside her drawing, she could play
|
|
twelve tunes, crochet, and read French without mispronouncing more
|
|
than two thirds of the words.
|
|
She had a plaintive way of saying, "When papa was rich we did
|
|
so-and-so," which was very touching; and her long words were
|
|
considered "perfectly elegant" by the girls.
|
|
Amy was in a fair way to be spoilt; for every one petted her, and
|
|
her small vanities and selfishnesses were growing nicely. One thing,
|
|
however, rather quenched the vanities; she had to wear her cousin's
|
|
clothes. Now Florence's mamma hadn't a particle of taste, and Amy
|
|
suffered deeply at having to wear a red instead of a blue bonnet,
|
|
unbecoming gowns, and fussy aprons that did not fit. Everything was
|
|
good, well made, and little worn; but Amy's artistic eyes were much
|
|
afflicted, especially this winter, when her school dress was a dull
|
|
purple, with yellow dots, and no trimming.
|
|
"My only comfort," she said to Meg, with tears in her eyes, "is,
|
|
that mother don't take tucks in my dresses whenever I'm naughty, as
|
|
Maria Park's mother does. My dear, it's really dreadful; for sometimes
|
|
she is so bad, her frock is up to her knees, and she can't come to
|
|
school. When I think of this deggerredation, I feel that I can bear
|
|
even my flat nose and purple gown, with yellow sky-rockets on it."
|
|
Meg was Amy's confidant and monitor, and, by some strange attraction
|
|
of opposites, Jo was gentle Beth's. To Jo alone did the shy child tell
|
|
her thoughts; and over her big, harum-scarum sister, Beth
|
|
unconsciously exercised more influence than any one in the family. The
|
|
two older girls were a great deal to one another, but each took one of
|
|
the younger into her keeping, and watched over her in her own way;
|
|
"playing mother" they called it, and put their sisters in the places
|
|
of discarded dolls, with the maternal instinct of little women.
|
|
"Has anybody got anything to tell? It's been such a dismal day I'm
|
|
really dying for some amusement," said Meg, as they sat sewing
|
|
together that evening.
|
|
"I had a queer time with aunt to-day, and, as I got the best of
|
|
it, I'll tell you about it," began Jo, who dearly loved to tell
|
|
stories. "I was reading that everlasting Belsham, and droning away
|
|
as I always do, for aunt soon drops off, and then I take out some nice
|
|
book, and read like fury till she wakes up. I actually made myself
|
|
sleepy; and, before she began to nod, I gave such a gape that she
|
|
asked me what I meant by opening my mouth wide enough to take the
|
|
whole book in at once.
|
|
"'I wish I could, and be done with it,' said I, trying not to be
|
|
saucy.
|
|
"Then she gave me a long lecture on my sins, and told me to sit
|
|
and think them over while she just 'lost' herself for a moment. She
|
|
never finds herself very soon; so the minute her cap began to bob,
|
|
like a top-heavy dahlia, I whipped the 'Vicar of Wakefield' out of
|
|
my pocket, and read away, with one eye on him, and one on aunt. I'd
|
|
just got to where they all tumbled into the water, when I forgot,
|
|
and laughed out loud. Aunt woke up; and, being more good-natured after
|
|
her nap, told me to read a bit, and show what frivolous work I
|
|
preferred to the worthy and instructive Belsham. I did my very best,
|
|
and she liked it, though she only said-
|
|
"'I don't understand what it's all about. Go back and begin it,
|
|
child.'
|
|
"Back I went, and made the Primroses as interesting as ever I could.
|
|
Once I was wicked enough to stop in a thrilling place, and say meekly,
|
|
'I'm afraid it tires you, ma'am; shan't I stop now?'
|
|
"She caught up her knitting, which had dropped out of her hands,
|
|
gave me a sharp look through her specs, and said, in her short way-
|
|
"'Finish the chapter, and don't be impertinent, miss.'"
|
|
"Did she own she liked it?" asked Meg.
|
|
"Oh, bless you, no! but she let old Belsham rest; and, when I ran
|
|
back after my gloves this afternoon, there she was, so hard at the
|
|
Vicar that she didn't hear me laugh as I danced a jig in the hall,
|
|
because of the good time coming. What a pleasant life she might
|
|
have, if she only chose. I don't envy her much, in spite of her money,
|
|
for after all rich people have about as many worries as poor ones, I
|
|
think," added Jo.
|
|
"That reminds me," said Meg, "that I've got something to tell. It
|
|
isn't funny, like Jo's story, but I thought about it a good deal as
|
|
I came home. At the Kings' to-day I found everybody in a flurry, and
|
|
one of the children said that her oldest brother had done something
|
|
dreadful, and papa had sent him away. I heard Mrs. King crying and Mr.
|
|
King talking very loud, and Grace and Ellen turned away their faces
|
|
when they passed me, so I shouldn't see how red their eyes were. I
|
|
didn't ask any questions, of course; but I felt so sorry for them, and
|
|
was rather glad I hadn't any wild brothers to do wicked things and
|
|
disgrace the family."
|
|
"I think being disgraced in school is a great deal tryinger than
|
|
anything bad boys can do," said Amy, shaking her head, as if her
|
|
experience of life had been a deep one. "Susie Perkins came to
|
|
school to-day with a lovely red carnelian ring; I wanted it
|
|
dreadfully, and wished I was her with all my might. Well, she drew a
|
|
picture of Mr. Davis, with a monstrous nose and a hump, and the words,
|
|
'Young ladies, my eye is upon you!' coming out of his mouth in a
|
|
balloon thing. We were laughing over it, when all of a sudden his
|
|
eye was on us, and he ordered Susie to bring up her slate. She was
|
|
parrylized with fright, but she went, and oh, what do you think he
|
|
did? He took her by the ear- the ear! just fancy how horrid!- and
|
|
led her to the recitation platform, and made her stand there half an
|
|
hour, holding that slate so every one could see."
|
|
"Didn't the girls laugh at the picture?" asked Jo, who relished
|
|
the scrape.
|
|
"Laugh? Not one! They sat as still as mice; and Susie cried
|
|
quarts, I know she did. I didn't envy her then; for I felt that
|
|
millions of carnelian rings wouldn't have made me happy, after that. I
|
|
never, never should have got over such a agonizing mortification." And
|
|
Amy went on with her work, in the proud consciousness of virtue, and
|
|
the successful utterance of two long words in a breath.
|
|
"I saw something that I liked this morning, and I meant to tell it
|
|
at dinner, but I forgot," said Beth, putting Jo's topsy-turvy basket
|
|
in order as she talked. "When I went to get some oysters for Hannah,
|
|
Mr. Laurence was in the fish-shop; but he didn't see me, for I kept
|
|
behind a barrel, and he was busy with Mr. Cutter, the fish-man. A poor
|
|
woman came in, with a pail and a mop, and asked Mr. Cutter if he would
|
|
let her do some scrubbing for a bit of fish, because she hadn't any
|
|
dinner for her children, and had been disappointed of a day's work.
|
|
Mr. Cutter was in a hurry, and said 'No,' rather crossly; so she was
|
|
going away, looking hungry and sorry, when Mr. Laurence hooked up a
|
|
big fish with the crooked end of his cane, and held it out to her. She
|
|
was so glad and surprised, she took it right in her arms, and
|
|
thanked him over and over. He told her to 'go along and cook it,'
|
|
and she hurried off, so happy! Wasn't it good of him? Oh, she did look
|
|
so funny, hugging the big, slippery fish, and hoping Mr. Laurence's
|
|
bed in heaven would be 'aisy.'"
|
|
When they had laughed at Beth's story, they asked their mother for
|
|
one; and, after a moment's thought, she said soberly-
|
|
"As I sat cutting out blue flannel jackets to-day, at the rooms, I
|
|
felt very anxious about father, and thought how lonely and helpless we
|
|
should be, if anything happened to him. It was not a wise thing to do;
|
|
but I kept on worrying, till an old man came in, with an order for
|
|
some clothes. He sat down near me, and I began to talk to him; for
|
|
he looked poor and tired and anxious.
|
|
"'Have you sons in the army?' I asked; for the note he brought was
|
|
not to me.
|
|
"'Yes, ma'am. I had four, but two were killed, one is a prisoner,
|
|
and I'm going to the other, who is very sick in a Washington
|
|
hospital,' he answered quietly.
|
|
"'You have done a great deal for your country, sir,' I said, feeling
|
|
respect now, instead of pity.
|
|
"'Not a mite more than I ought, ma'am. I'd go myself, if I was any
|
|
use; as I ain't, I give my boys, and give 'em free.'
|
|
"He spoke so cheerfully, looked so sincere, and seemed so glad to
|
|
give his all, that I was ashamed of myself. I'd given one man, and
|
|
thought it too much, while he gave four, without grudging them. I
|
|
had all my girls to comfort me at home; and his last son was
|
|
waiting, miles away, to say 'good-by' to him, perhaps! I felt so rich,
|
|
so happy, thinking of my blessings, that I made him a nice bundle,
|
|
gave him some money, and thanked him heartily for the lesson he had
|
|
taught me."
|
|
"Tell another story, mother- one with a moral to it, like this. I
|
|
like to think about them afterwards, if they are real, and not too
|
|
preachy," said Jo, after a minute's silence.
|
|
Mrs. March smiled, and began at once; for she had told stories to
|
|
this little audience for many years, and knew how to please them.
|
|
"Once upon a time, there were four girls, who had enough to eat
|
|
and drink and wear, a good many comforts and pleasures, kind friends
|
|
and parents, who loved them dearly, and yet they were not
|
|
contented." (Here the listeners stole sly looks at one another, and
|
|
began to sew diligently.) "These girls were anxious to be good, and
|
|
made many excellent resolutions; but they did not keep them very well,
|
|
and were constantly saying, 'If we only had this,' or 'If we could
|
|
only do that,' quite forgetting how much they already had, and how
|
|
many pleasant things they actually could do. So they asked an old
|
|
woman what spell they could use to make them happy, and she said,
|
|
'When you feel discontented, think over your blessings, and be
|
|
grateful.'" (Here Jo looked up quickly, as if about to speak, but
|
|
changed her mind, seeing that the story was not done yet.)
|
|
"Being sensible girls, they decided to try her advice, and soon were
|
|
surprised to see how well off they were. One discovered that money
|
|
couldn't keep shame and sorrow out of rich people's houses; another
|
|
that, though she was poor, she was a great deal happier, with her
|
|
youth, health, and good spirits, than a certain fretful, feeble old
|
|
lady, who couldn't enjoy her comforts; a third that, disagreeable as
|
|
it was to help get dinner, it was harder still to have to go begging
|
|
for it; and the fourth, that even carnelian rings were not so valuable
|
|
as good behavior. So they agreed to stop complaining, to enjoy the
|
|
blessings already possessed, and try to deserve them, lest they should
|
|
be taken away entirely, instead of increased; and I believe they
|
|
were never disappointed, or sorry that they took the old woman's
|
|
advice."
|
|
"Now, Marmee, that is very cunning of you to turn our own stories
|
|
against us, and give us a sermon instead of a romance!" cried Meg.
|
|
"I like that kind of sermon. It's the sort father used to tell
|
|
us," said Beth thoughtfully, putting the needles straight on Jo's
|
|
cushion.
|
|
"I don't complain near as much as the others do, and I shall be more
|
|
careful than ever now; for I've had warning from Susie's downfall,"
|
|
said Amy morally.
|
|
"We needed that lesson, and we won't forget it. If we do, you just
|
|
say to us, as old Chloe did in 'Uncle Tom,' 'Tink ob yer marcies,
|
|
chillen! tink ob yer marcies!'" added Jo, who could not, for the
|
|
life of her, help getting a morsel of fun out of the little sermon,
|
|
though she took it to heart as much as any of them.
|
|
5
|
|
Being Neighborly
|
|
|
|
"WHAT in the world are you going to do now, Jo?" asked Meg, one
|
|
snowy afternoon, as her sister came tramping through the hall, in
|
|
rubber boots, old sack and hood, with a broom in one hand and a shovel
|
|
in the other.
|
|
"Going out for exercise," answered Jo, with a mischievous twinkle in
|
|
her eyes.
|
|
"I should think two long walks this morning would have been
|
|
enough! It's cold and dull out; and I advise you to stay, warm and
|
|
dry, by the fire, as I do," said Meg, with a shiver.
|
|
"Never take advice! Can't keep still all day, and, not being a
|
|
pussy-cat, I don't like to doze by the fire. I like adventures, and
|
|
I'm going to find some."
|
|
Meg went back to toast her feet and read "Ivanhoe"; and Jo began
|
|
to dig paths with great energy. The snow was light, and with her broom
|
|
she soon swept a path all round the garden, for Beth to walk in when
|
|
the sun came out; and the invalid dolls needed air. Now, the garden
|
|
separated the Marches' house from that of Mr. Laurence. Both stood
|
|
in a suburb of the city, which was still country-like, with groves and
|
|
lawns, large gardens, and quiet streets. A low hedge parted the two
|
|
estates. On one side was an old, brown house, looking rather bare
|
|
and shabby, robbed of the vines that in summer covered its walls,
|
|
and the flowers which then surrounded it. On the other side was a
|
|
stately stone mansion, plainly betokening every sort of comfort and
|
|
luxury, from the big coach-house and well-kept grounds to the
|
|
conservatory and the glimpses of lovely things one caught between
|
|
the rich curtains. Yet it seemed a lonely, lifeless sort of house; for
|
|
no children frolicked on the lawn, no motherly face ever smiled at the
|
|
windows, and few people went in and out, except the old gentleman
|
|
and his grandson.
|
|
To Jo's lively fancy, this fine house seemed a kind of enchanted
|
|
palace, full of splendors and delights, which no one enjoyed. She
|
|
had long wanted to behold these hidden glories, and to know the
|
|
"Laurence boy," who looked as if he would like to be known, if he only
|
|
knew how to begin. Since the party, she had been more eager than ever,
|
|
and had planned many ways of making friends with him; but he had not
|
|
been seen lately, and Jo began to think he had gone away, when she one
|
|
day spied a brown face at an upper window, looking wistfully down into
|
|
their garden, where Beth and Amy were snowballing one another.
|
|
"That boy is suffering for society and fun," she said to herself.
|
|
"His grandpa does not know what's good for him, and keeps him shut
|
|
up all alone. He needs a party of jolly boys to play with, or somebody
|
|
young and lively. I've a great mind to go over and tell the old
|
|
gentleman so!"
|
|
The idea amused Jo, who liked to do daring things, and was always
|
|
scandalizing Meg by her queer performances. The plan of "going over"
|
|
was not forgotten; and when the snowy afternoon came, Jo resolved to
|
|
try what could be done. She saw Mr. Laurence drive off, and then
|
|
sallied out to dig her way down to the hedge, where she paused, and
|
|
took a survey. All quiet- curtains down at the lower windows; servants
|
|
out of sight, and nothing human visible but a curly black head leaning
|
|
on a thin hand at the upper window.
|
|
"There he is," thought Jo, "poor boy! all alone and sick this dismal
|
|
day. It's a shame! I'll toss up a snowball, and make him look out, and
|
|
then say a kind word to him."
|
|
Up went a handful of soft snow, and the head turned at once, showing
|
|
a face which lost its listless look in a minute, as the big eyes
|
|
brightened and the mouth began to smile. Jo nodded and laughed, and
|
|
flourished her broom as she called out-
|
|
"How do you do? Are you sick?"
|
|
Laurie opened the window, and croaked out as hoarsely as a raven-
|
|
"Better, thank you. I've had a bad cold, and been shut up a week."
|
|
"I'm sorry. What do you amuse yourself with?"
|
|
"Nothing; it's as dull as tombs up here."
|
|
"Don't you read?"
|
|
"Not much; they won't let me."
|
|
"Can't somebody read to you?"
|
|
"Grandpa does, sometimes; but my books don't interest him, and I
|
|
hate to ask Brooke all the time."
|
|
"Have some one come and see you, then."
|
|
"There isn't any one I'd like to see. Boys make such a row, and my
|
|
head is weak."
|
|
"Isn't there some nice girl who'd read and amuse you? Girls are
|
|
quiet, and like to play nurse."
|
|
"Don't know any."
|
|
"You know us," began Jo, then laughed, and stopped.
|
|
"So I do! Will you come, please?" cried Laurie.
|
|
"I'm not quiet and nice; but I'll come, if mother will let me.
|
|
I'll go ask her. Shut that window, like a good boy, and wait till I
|
|
come."
|
|
With that, Jo shouldered her broom and marched into the house,
|
|
wondering what they would all say to her. Laurie was in a flutter of
|
|
excitement at the idea of having company, and flew about to get ready;
|
|
for, as Mrs. March said, he was "a little gentleman," and did honor to
|
|
the coming guest by brushing his curly pate, putting on a fresh
|
|
collar, and trying to tidy up the room, which, in spite of half a
|
|
dozen servants, was anything but neat. Presently there came a loud
|
|
ring, then a decided voice, asking for "Mr. Laurie," and a
|
|
surprised-looking servant came running up to announce a young lady.
|
|
"All right, show her up, it's Miss Jo," said Laurie, going to the
|
|
door of his little parlor to meet Jo, who appeared, looking rosy and
|
|
kind and quite at her ease, with a covered dish in one hand and Beth's
|
|
three kittens in the other.
|
|
"Here I am, bag and baggage," she said briskly. "Mother sent her
|
|
love, and was glad if I could do anything for you. Meg wanted me to
|
|
bring some of her blanc-mange; she makes it very nicely, and Beth
|
|
thought her cats would be comforting. I knew you'd laugh at them,
|
|
but I couldn't refuse, she was so anxious to do something."
|
|
It so happened that Beth's funny loan was just the thing; for, in
|
|
laughing over the kits, Laurie forgot his bashfulness, and grew
|
|
sociable at once.
|
|
"That looks too pretty to eat," he said, smiling with pleasure, as
|
|
Jo uncovered the dish, and showed the blanc-mange, surrounded by a
|
|
garland of green leaves, and the scarlet flowers of Amy's pet
|
|
geranium.
|
|
"It isn't anything, only they all felt kindly, and wanted to show
|
|
it. Tell the girl to put it away for your tea: it's so simple, you can
|
|
eat it; and, being soft, it will slip down without hurting your sore
|
|
throat. What a cosy room this is!"
|
|
"It might be if it was kept nice; but the maids are lazy, and I
|
|
don't know how to make them mind. It worries me, though."
|
|
"I'll right it up in two minutes; for it only needs to have the
|
|
hearth brushed, so- and the things made straight on the
|
|
mantel-piece, so- and the books put here, and the bottles there, and
|
|
your sofa turned from the light, and the pillows plumped up a bit.
|
|
Now, then, you're fixed."
|
|
And so he was; for, as she laughed and talked, Jo had whisked things
|
|
into place, and given quite a different air to the room. Laurie
|
|
watched her in respectful silence; and when she beckoned him to his
|
|
sofa, he sat down with a sigh of satisfaction, saying gratefully-
|
|
"How kind you are! Yes, that's what it wanted. Now please take the
|
|
big chair, and let me do something to amuse my company."
|
|
"No; I came to amuse you. Shall I read aloud?" and Jo looked
|
|
affectionately toward some inviting books near by.
|
|
"Thank you; I've read all those, and if you don't mind, I'd rather
|
|
talk," answered Laurie.
|
|
"Not a bit; I'll talk all day if you'll only set me going. Beth says
|
|
I never know when to stop."
|
|
"Is Beth the rosy one, who stays at home a good deal, and
|
|
sometimes goes out with a little basket?" asked Laurie, with interest.
|
|
"Yes, that's Beth; she's my girl, and a regular good one she is,
|
|
too."
|
|
"The pretty one is Meg, and the curly-haired one is Amy, I believe?"
|
|
"How did you find that out?"
|
|
Laurie colored up, but answered frankly, "Why, you see, I often hear
|
|
you calling to one another, and when I'm alone up here, I can't help
|
|
looking over at your house, you always seem to be having such good
|
|
times. I beg your pardon for being so rude, but sometimes you forget
|
|
to put down the curtain at the window where the flowers are; and
|
|
when the lamps are lighted, it's like looking at a picture to see
|
|
the fire, and you all round the table with your mother; her face is
|
|
right opposite, and it looks so sweet behind the flowers, I can't help
|
|
watching it. I haven't got any mother, you know"; and Laurie poked the
|
|
fire to hide a little twitching of the lips that he could not control.
|
|
The solitary, hungry look in his eyes went straight to Jo's warm
|
|
heart. She had been so simply taught that there was no nonsense in her
|
|
head, and at fifteen she was as innocent and frank as any child.
|
|
Laurie was sick and lonely; and, feeling how rich she was in home-love
|
|
and happiness, she gladly tried to share it with him. Her face was
|
|
very friendly and her sharp voice unusually gentle as she said-
|
|
"We'll never draw that curtain any more, and I give you leave to
|
|
look as much as you like. I just wish, though, instead of peeping,
|
|
you'd come over and see us. Mother is so splendid, she'd do you
|
|
heaps of good, and Beth would sing to you if I begged her to, and
|
|
Amy would dance; Meg and I would make you laugh over our funny stage
|
|
properties, and we'd have jolly times. Wouldn't your grandpa let you?"
|
|
"I think he would, if your mother asked him. He's very kind,
|
|
though he does not look so; and he lets me do what I like, pretty
|
|
much, only he's afraid I might be a bother to strangers," began
|
|
Laurie, brightening more and more.
|
|
"We are not strangers, we are neighbors, and you needn't think you'd
|
|
be a bother. We want to know you, and I've been trying to do this ever
|
|
so long. We haven't been here a great while, you know, but we have got
|
|
acquainted with all our neighbors but you."
|
|
"You see grandpa lives among his books, and doesn't mind much what
|
|
happens outside. Mr. Brooke, my tutor, doesn't stay here, you know,
|
|
and I have no one to go about with me, so I just stop at home and
|
|
get on as I can."
|
|
"That's bad. You ought to make an effort, and go visiting everywhere
|
|
you are asked; then you'll have plenty of friends, and pleasant places
|
|
to go to. Never mind being bashful; it won't last long if you keep
|
|
going."
|
|
Laurie turned red again, but wasn't offended at being accused of
|
|
bashfulness; for there was so much good-will in Jo, it was
|
|
impossible not to take her blunt speeches as kindly as they were
|
|
meant.
|
|
"Do you like your school?" asked the boy, changing the subject,
|
|
after a little pause, during which he stared at the fire, and Jo
|
|
looked about her, well pleased.
|
|
"Don't go to school; I'm a business man- girl, I mean. I go to
|
|
wait on my great-aunt, and a dear, cross old soul she is, too,"
|
|
answered Jo.
|
|
Laurie opened his mouth to ask another question; but remembering
|
|
just in time that it wasn't manners to make too many inquiries into
|
|
people's affairs, he shut it again, and looked uncomfortable. Jo liked
|
|
his good breeding, and didn't mind having a laugh at Aunt March, so
|
|
she gave him a lively description of the fidgety old lady, her fat
|
|
poodle, the parrot that talked Spanish, and the library where she
|
|
revelled. Laurie enjoyed that immensely; and when she told about the
|
|
prim old gentleman who came once to woo Aunt March, and, in the middle
|
|
of a fine speech, how Poll had tweaked his wig off to his great
|
|
dismay, the boy lay back and laughed till the tears ran down his
|
|
cheeks, and a maid popped her head in to see what was the matter.
|
|
"Oh! that does me no end of good. Tell on, please," he said,
|
|
taking his face out of the sofa-cushion, red and shining with
|
|
merriment.
|
|
Much elated with her success, Jo did "tell on," all about their
|
|
plays and plans, their hopes and fears for father, and the most
|
|
interesting events of the little world in which the sisters lived.
|
|
Then they got to talking about books; and to Jo's delight, she found
|
|
that Laurie loved them as well as she did, and had read even more than
|
|
herself.
|
|
"If you like them so much, come down and see ours. Grandpa is out,
|
|
so you needn't be afraid," said Laurie, getting up.
|
|
"I'm not afraid of anything," returned Jo, with a toss of the head.
|
|
"I don't believe you are!" exclaimed the boy, looking at her with
|
|
much admiration, though he privately thought she would have good
|
|
reason to be a trifle afraid of the old gentleman, if she met him in
|
|
some of his moods.
|
|
The atmosphere of the whole house being summer-like, Laurie led
|
|
the way from room to room, letting Jo stop to examine whatever
|
|
struck her fancy; and so at last they came to the library, where she
|
|
clapped her hands, and pranced, as she always did when especially
|
|
delighted. It was lined with books, and there were pictures and
|
|
statues, and distracting little cabinets full of coins and
|
|
curiosities, and sleepy-hollow chairs, and queer tables, and
|
|
bronzes; and, best of all, a great open fireplace, with quaint tiles
|
|
all round it.
|
|
"What richness!" sighed Jo, sinking into the depth of a velvet
|
|
chair, and gazing about her with an air of intense satisfaction.
|
|
"Theodore Laurence, you ought to be the happiest boy in the world,"
|
|
she added impressively.
|
|
"A fellow can't live on books," said Laurie, shaking his head, as he
|
|
perched on a table opposite.
|
|
Before he could say more, a bell rung, and Jo flew up, exclaiming
|
|
with alarm, "Mercy me! it's your grandpa!"
|
|
"Well, what if it is? You are not afraid of anything, you know,"
|
|
returned the boy, looking wicked.
|
|
"I think I am a little bit afraid of him, but I don't know why I
|
|
should be. Marmee said I might come, and I don't think you're any
|
|
the worse for it," said Jo, composing herself, though she kept her
|
|
eyes on the door.
|
|
"I'm a great deal better for it, and ever so much obliged. I'm
|
|
only afraid you are very tired talking to me; it was so pleasant, I
|
|
couldn't bear to stop," said Laurie gratefully.
|
|
"The doctor to see you, sir," and the maid beckoned as she spoke.
|
|
"Would you mind if I left you for a minute? I suppose I must see
|
|
him," said Laurie.
|
|
"Don't mind me. I'm as happy as a cricket here," answered Jo.
|
|
Laurie went away, and his guest amused herself in her own way. She
|
|
was standing before a fine portrait of the old gentleman, when the
|
|
door opened again, and, without turning, she said decidedly, "I'm sure
|
|
now that I shouldn't be afraid of him, for he's got kind eyes,
|
|
though his mouth is grim, and he looks as if he had a tremendous
|
|
will of his own. He isn't as handsome as my grandfather, but I like
|
|
him."
|
|
"Thank you, ma'am," said a gruff voice behind her; and there, to her
|
|
great dismay, stood old Mr. Laurence.
|
|
Poor Jo blushed till she couldn't blush any redder, and her heart
|
|
began to beat uncomfortably fast as she thought what she had said. For
|
|
a minute a wild desire to run away possessed her; but that was
|
|
cowardly, and the girls would laugh at her: so she resolved to stay,
|
|
and get out of the scrape as she could. A second look showed her
|
|
that the living eyes, under the bushy gray eyebrows, were kinder
|
|
even than the painted ones; and there was a sly twinkle in them, which
|
|
lessened her fear a good deal. The gruff voice was gruffer than
|
|
ever, as the old gentleman said abruptly, after that dreadful pause:
|
|
"So you're not afraid of me, hey?"
|
|
"Not much, sir."
|
|
"And you don't think me as handsome as your grandfather?"
|
|
"Not quite, sir."
|
|
"And I've got a tremendous will, have I?"
|
|
"I only said I thought so."
|
|
"But you like me, in spite of it?"
|
|
"Yes, I do, sir."
|
|
That answer pleased the old gentleman; he gave a short laugh,
|
|
shook hands with her, and, putting his finger under her chin, turned
|
|
up her face, examined it gravely, and let it go, saying, with a nod,
|
|
"You've got your grandfather's spirit, if you haven't his face. He was
|
|
a fine man, my dear; but, what is better, he was a brave and an honest
|
|
one, and I was proud to be his friend."
|
|
"Thank you, sir"; and Jo was quite comfortable after that, for it
|
|
suited her exactly.
|
|
"What have you been doing to this boy of mine, hey?" was the next
|
|
question, sharply put.
|
|
"Only trying to be neighborly, sir"; and Jo told how her visit
|
|
came about.
|
|
"You think he needs cheering up a bit, do you?"
|
|
"Yes, sir; he seems a little lonely, and young folks would do him
|
|
good perhaps. We are only girls, but we should be glad to help if we
|
|
could, for we don't forget the splendid Christmas present you sent
|
|
us," said Jo eagerly.
|
|
"Tut, tut, tut! that was the boy's affair. How is the poor woman?"
|
|
"Doing nicely, sir"; and off went Jo, talking very fast, as she told
|
|
all about the Hummels, in whom her mother had interested richer
|
|
friends than they were.
|
|
"Just her father's way of doing good. I shall come and see your
|
|
mother some fine day. Tell her so. There's the tea-bell; we have it
|
|
early, on the boy's account. Come down, and go on being neighborly."
|
|
"If you'd like to have me, sir."
|
|
"Shouldn't ask you, if I didn't"; and Mr. Laurence offered her his
|
|
arm with old-fashioned courtesy.
|
|
"What would Meg say to this?" thought Jo, as she was marched away,
|
|
while her eyes danced with fun as she imagined herself telling the
|
|
story at home.
|
|
"Hey! Why, what the dickens has come to the fellow?" said the old
|
|
gentleman, as Laurie came running down stairs, and brought up with a
|
|
start of surprise at the astonishing sight of Jo arm-in-arm with his
|
|
redoubtable grandfather.
|
|
"I didn't know you'd come, sir," he began, as Jo gave him a
|
|
triumphant little glance.
|
|
"That's evident, by the way you racket down stairs. Come to your
|
|
tea, sir, and behave like a gentleman"; and having pulled the boy's
|
|
hair by way of a caress, Mr. Laurence walked on, while Laurie went
|
|
through a series of comic evolutions behind their backs, which
|
|
nearly produced an explosion of laughter from Jo.
|
|
The old gentleman did not say much as he drank his four cups of tea,
|
|
but he watched the young people, who soon chatted away like old
|
|
friends, and the change in his grandson did not escape him. There
|
|
was color, light, and life in the boy's face now, vivacity in his
|
|
manner, and genuine merriment in his laugh.
|
|
"She's right; the lad is lonely. I'll see what these little girls
|
|
can do for him," thought Mr. Laurence, as he looked and listened. He
|
|
liked Jo, for her odd, blunt ways suited him; and she seemed to
|
|
understand the boy almost as well as if she had been one herself.
|
|
If the Laurences had been what Jo called "prim and poky," she
|
|
would not have got on at all, for such people always made her shy
|
|
and awkward; but finding them free and easy, she was so herself, and
|
|
made a good impression. When they rose she proposed to go, but
|
|
Laurie said he had something more to show her, and took her away to
|
|
the conservatory, which had been lighted for her benefit. It seemed
|
|
quite fairy-like to Jo, as she went up and down the walks, enjoying
|
|
the blooming walls on either side, the soft light, the damp sweet air,
|
|
and the wonderful vines and trees that hung above her- while her new
|
|
friend cut the finest flowers till his hands were full; then he tied
|
|
them up, saying, with the happy look Jo liked to see, "Please give
|
|
these to your mother, and tell her I like the medicine she sent me
|
|
very much."
|
|
They found Mr. Laurence standing before the fire in the great
|
|
drawing-room, but Jo's attention was entirely absorbed by a grand
|
|
piano, which stood open.
|
|
"Do you play?" she asked, turning to Laurie with a respectful
|
|
expression.
|
|
"Sometimes," he answered modestly.
|
|
"Please do now. I want to hear it, so I can tell Beth."
|
|
"Won't you first?"
|
|
"Don't know how; too stupid to learn, but I love music dearly."
|
|
So Laurie played, and Jo listened, with her nose luxuriously
|
|
buried in heliotrope and tea-roses. Her respect and regard for the
|
|
"Laurence boy" increased very much, for he played remarkably well, and
|
|
didn't put on any airs. She wished Beth could hear him, but she did
|
|
not say so; only praised him till he was quite abashed, and his
|
|
grandfather came to the rescue. "That will do, that will do, young
|
|
lady. Too many sugar-plums are not good for him. His music isn't
|
|
bad, but I hope he will do as well in more important things. Going?
|
|
Well, I'm much obliged to you, and I hope you'll come again. My
|
|
respects to your mother. Good-night, Doctor Jo."
|
|
He shook hands kindly, but looked as if something did not please
|
|
him. When they got into the hall, Jo asked Laurie if she had said
|
|
anything amiss. He shook his head.
|
|
"No, it was me; he doesn't like to hear me play."
|
|
"Why not?"
|
|
"I'll tell you some day. John is going home with you, as I can't."
|
|
"No need of that; I am not a young lady, and it's only a step.
|
|
Take care of yourself, won't you?"
|
|
"Yes; but you will come again, I hope?"
|
|
"If you promise to come and see us after you are well."
|
|
"I will."
|
|
"Good-night, Laurie!"
|
|
"Good-night, Jo, good-night!"
|
|
When all the afternoon's adventures had been told, the family felt
|
|
inclined to go visiting in a body, for each found something very
|
|
attractive in the big house on the other side of the hedge. Mrs. March
|
|
wanted to talk of her father with the old man who had not forgotten
|
|
him; Meg longed to walk in the conservatory; Beth sighed for the grand
|
|
piano; and Amy was eager to see the fine pictures and statues.
|
|
"Mother, why didn't Mr. Laurence like to have Laurie play?" asked
|
|
Jo, who was of an inquiring disposition.
|
|
"I'm not sure, but I think it was because his son, Laurie's
|
|
father, married an Italian lady, a musician, which displeased the
|
|
old man, who is very proud. The lady was good and lovely and
|
|
accomplished, but he did not like her, and never saw his son after
|
|
he married. They both died when Laurie was a little child, and then
|
|
his grandfather took him home. I fancy the boy, who was born in Italy,
|
|
is not very strong, and the old man is afraid of losing him, which
|
|
makes him so careful. Laurie comes naturally by his love of music, for
|
|
he is like his mother, and I dare say his grandfather fears that he
|
|
may want to be a musician; at any rate, his skill reminds him of the
|
|
woman he did not like, and so he 'glowered,' as Jo said."
|
|
"Dear me, how romantic!" exclaimed Meg.
|
|
"How silly!" said Jo. "Let him be a musician, if he wants to, and
|
|
not plague his life out sending him to college, when he hates to go."
|
|
"That's why he has such handsome black eyes and pretty manners, I
|
|
suppose. Italians are always nice," said Meg, who was a little
|
|
sentimental.
|
|
"What do you know about his eyes and his manners? You never spoke to
|
|
him hardly," cried Jo, who was not sentimental.
|
|
"I saw him at the party, and what you tell shows that he knows how
|
|
to behave. That was a nice little speech about the medicine mother
|
|
sent him."
|
|
"He meant the blanc-mange, I suppose."
|
|
"How stupid you are, child! He meant you, of course."
|
|
"Did he?" and Jo opened her eyes as if it had never occurred to
|
|
her before.
|
|
"I never saw such a girl! You don't know a compliment when you get
|
|
it," said Meg, with the air of a young lady who knew all about the
|
|
matter.
|
|
"I think they are great nonsense, and I'll thank you not to be
|
|
silly, and spoil my fun. Laurie's a nice boy, and I like him, and I
|
|
won't have any sentimental stuff about compliments and such rubbish.
|
|
We'll all be good to him, because he hasn't got any mother, and he may
|
|
come over and see us, mayn't he, Marmee?"
|
|
"Yes, Jo, your little friend is very welcome, and I hope Meg will
|
|
remember that children should be children as long as they can."
|
|
"I don't call myself a child, and I'm not in my teens yet," observed
|
|
Amy. "What do you say, Beth?"
|
|
"I was thinking about our 'Pilgrim's Progress,'" answered Beth,
|
|
who had not heard a word. "How we got out of the Slough and through
|
|
the Wicket Gate by resolving to be good, and up the steep hill by
|
|
trying; and that maybe the house over there, full of splendid
|
|
things, is going to be our Palace Beautiful."
|
|
"We have got to get by the lions, first," said Jo, as if she
|
|
rather liked the prospect.
|
|
6
|
|
Beth Finds the Palace Beautiful
|
|
|
|
THE big house did prove a Palace Beautiful, though it took some time
|
|
for all to get in, and Beth found it very hard to pass the lions.
|
|
Old Mr. Laurence was the biggest one; but after he had called, said
|
|
something funny or kind to each one of the girls, and talked over
|
|
old times with their mother, nobody felt much afraid of him, except
|
|
timid Beth. The other lion was the fact that they were poor and Laurie
|
|
rich; for this made them shy of accepting favors which they could
|
|
not return. But, after a while, they found that he considered them the
|
|
benefactors, and could not do enough to show how grateful he was for
|
|
Mrs. March's motherly welcome, their cheerful society, and the comfort
|
|
he took in that humble home of theirs. So they soon forgot their
|
|
pride, and interchanged kindnesses without stopping to think which was
|
|
the greater.
|
|
All sorts of pleasant things happened about that time; for the new
|
|
friendship flourished like grass in spring. Every one liked Laurie,
|
|
and he privately informed his tutor that "the Marches were regularly
|
|
splendid girls." With the delightful enthusiasm of youth, they took
|
|
the solitary boy into their midst, and made much of him, and he
|
|
found something very charming in the innocent companionship of these
|
|
simple-hearted girls. Never having known mother or sisters, he was
|
|
quick to feel the influences they brought about him; and their busy,
|
|
lively ways made him ashamed of the indolent life he led. He was tired
|
|
of books, and found people so interesting now that Mr. Brooke was
|
|
obliged to make very unsatisfactory reports; for Laurie was always
|
|
playing truant, and running over to the Marches'.
|
|
"Never mind; let him take a holiday, and make it up afterwards,"
|
|
said the old gentleman. "The good lady next door says he is studying
|
|
too hard, and needs young society, amusement, and exercise. I
|
|
suspect she is right, and that I've been coddling the fellow as if I'd
|
|
been his grandmother. Let him do what he likes, as long as he is
|
|
happy. He can't get into mischief in that little nunnery over there;
|
|
and Mrs. March is doing more for him than we can."
|
|
What good times they had, to be sure! Such plays and tableaux,
|
|
such sleigh-rides and skating frolics, such pleasant evenings in the
|
|
old parlor, and now and then such gay little parties at the great
|
|
house. Meg could walk in the conservatory whenever she liked, and
|
|
revel in bouquets; Jo browsed over the new library voraciously, and
|
|
convulsed the old gentleman with her criticisms; Amy copied
|
|
pictures, and enjoyed beauty to her heart's content; and Laurie played
|
|
"lord of the manor" in the most delightful style.
|
|
But Beth, though yearning for the grand piano, could not pluck up
|
|
courage to go to the "Mansion of Bliss," as Meg called it. She went
|
|
once with Jo; but the old gentleman, not being aware of her infirmity,
|
|
stared at her so hard from under his heavy eyebrows, and said "Hey!"
|
|
so loud, that he frightened her so much her "feet chattered on the
|
|
floor," she told her mother; and she ran away, declaring she would
|
|
never go there any more, not even for the dear piano. No persuasions
|
|
or enticements could overcome her fear, till, the fact coming to Mr.
|
|
Laurence's ear in some mysterious way, he set about mending matters.
|
|
During one of the brief calls he made, he artfully led the
|
|
conversation to music, and talked away about great singers whom he had
|
|
seen, fine organs he had heard, and told such charming anecdotes
|
|
that Beth found it impossible to stay in her distant corner, but crept
|
|
nearer and nearer, as if fascinated. At the back of his chair she
|
|
stopped, and stood listening, with her great eyes wide open, and her
|
|
cheeks red with the excitement of this unusual performance. Taking
|
|
no more notice of her than if she had been a fly, Mr. Laurence
|
|
talked on about Laurie's lessons and teachers; and presently, as if
|
|
the idea had just occurred to him, he said to Mrs. March-
|
|
"The boy neglects his music now, and I'm glad of it, for he was
|
|
getting too fond of it. But the piano suffers for want of use.
|
|
Wouldn't some of your girls like to run over, and practise on it now
|
|
and then, just to keep it in tune, you know, ma'am?"
|
|
Beth took a step forward, and pressed her hands tightly together
|
|
to keep from clapping them, for this was an irresistible temptation;
|
|
and the thought of practising on that splendid instrument quite took
|
|
her breath away. Before Mrs. March could reply, Mr. Laurence went on
|
|
with an odd little nod and smile-
|
|
"They needn't see or speak to any one, but run in at any time; for
|
|
I'm shut up in my study at the other end of the house, Laurie is out a
|
|
great deal, and the servants are never near the drawing-room after
|
|
nine o'clock."
|
|
Here he rose, as if going, and Beth made up her mind to speak, for
|
|
that last arrangement left nothing to be desired. "Please tell the
|
|
young ladies what I say; and if they don't care to come, why, never
|
|
mind." Here a little hand slipped into his, and Beth looked up at
|
|
him with a face full of gratitude, as she said, in her earnest yet
|
|
timid way-
|
|
"O sir, they do care, very, very much!"
|
|
"Are you the musical girl?" he asked, without any startling "Hey!"
|
|
as he looked down at her very kindly.
|
|
"I'm Beth. I love it dearly, and I'll come, if you are quite sure
|
|
nobody will hear me- and be disturbed," she added, fearing to be rude,
|
|
and trembling at her own boldness as she spoke.
|
|
"Not a soul, my dear. The house is empty half the day; so come,
|
|
and drum away as much as you like, and I shall be obliged to you."
|
|
"How kind you are, sir!"
|
|
Beth blushed like a rose under the friendly look he wore; but she
|
|
was not frightened now, and gave the big hand a grateful squeeze,
|
|
because she had no words to thank him for the precious gift he had
|
|
given her. The old gentleman softly stroked the hair off her forehead,
|
|
and, stooping down, he kissed her, saying, in a tone few people ever
|
|
heard-
|
|
"I had a little girl once, with eyes like these. God bless you, my
|
|
dear! Good day, madam"; and away he went, in a great hurry.
|
|
Beth had a rapture with her mother, and then rushed up to impart the
|
|
glorious news to her family of invalids, as the girls were not at
|
|
home. How blithely she sung that evening, and how they all laughed
|
|
at her, because she woke Amy in the night by playing the piano on
|
|
her face in her sleep. Next day, having seen both the old and young
|
|
gentleman out of the house, Beth, after two or three retreats,
|
|
fairly got in at the side-door, and made her way, as noiselessly as
|
|
any mouse, to the drawing-room, where her idol stood. Quite by
|
|
accident, of course, some pretty, easy music lay on the piano; and,
|
|
with trembling fingers, and frequent stops to listen and look about,
|
|
Beth at last touched the great instrument, and straightway forgot
|
|
her fear, herself, and everything else but the unspeakable delight
|
|
which the music gave her, for it was like the voice of a beloved
|
|
friend.
|
|
She stayed till Hannah came to take her home to dinner; but she
|
|
had no appetite, and could only sit and smile upon every one in a
|
|
general state of beatitude.
|
|
After that, the little brown hood slipped through the hedge nearly
|
|
every day, and the great drawing-room was haunted by a tuneful
|
|
spirit that came and went unseen. She never knew that Mr. Laurence
|
|
often opened his study-door to hear the old-fashioned airs he liked;
|
|
she never saw Laurie mount guard in the hall to warn the servants
|
|
away; she never suspected that the exercise-books and new songs
|
|
which she found in the rack were put there for her especial benefit;
|
|
and when he talked to her about music at home, she only thought how
|
|
kind he was to tell things that helped her so much. So she enjoyed
|
|
herself heartily, and found, what isn't always the case, that her
|
|
granted wish was all she had hoped. Perhaps it was because she was
|
|
so grateful for this blessing that a greater was given her; at any
|
|
rate, she deserved both.
|
|
"Mother, I'm going to work Mr. Laurence a pair of slippers. He is so
|
|
kind to me, I must thank him, and I don't know any other way. Can I do
|
|
it?" asked Beth, a few weeks after that eventful call of his.
|
|
"Yes, dear. It will please him very much, and be a nice way of
|
|
thanking him. The girls will help you about them, and I will pay for
|
|
the making up," replied Mrs. March, who took peculiar pleasure in
|
|
granting Beth's requests, because she so seldom asked anything for
|
|
herself. After many serious discussions with Meg and Jo, the pattern
|
|
was chosen, the materials bought, and the slippers begun. A cluster of
|
|
grave yet cheerful pansies, on a deeper purple ground, was
|
|
pronounced very appropriate and pretty; and Beth worked away early and
|
|
late, with occasional lifts over hard parts. She was a nimble little
|
|
needle-woman, and they were finished before any one got tired of them.
|
|
Then she wrote a very short, simple note, and, with Laurie's help, got
|
|
them smuggled on to the study-table one morning before the old
|
|
gentleman was up.
|
|
When this excitement was over, Beth waited to see what would happen.
|
|
All that day passed, and a part of the next, before any acknowledgment
|
|
arrived, and she was beginning to fear she had offended her
|
|
crotchety friend. On the afternoon of the second day, she went out
|
|
to do an errand, and give poor Joanna, the invalid doll, her daily
|
|
exercise. As she came up the street, on her return, she saw three,
|
|
yes, four, heads popping in and out of the parlor windows, and the
|
|
moment they saw her, several hands were waved, and several joyful
|
|
voices screamed-
|
|
"Here's a letter from the old gentleman! Come quick, and read it!"
|
|
"O Beth, he's sent you-" began Amy, gesticulating with unseemly
|
|
energy; but she got no further, for Jo quenched her by slamming down
|
|
the window.
|
|
Beth hurried on in a flutter of suspense. At the door, her sisters
|
|
seized and bore her to the parlor in a triumphal procession, all
|
|
pointing, and all saying at once, "Look there! look there!" Beth did
|
|
look, and turned pale with delight and surprise; for there stood a
|
|
little cabinet-piano, with a letter lying on the glossy lid, directed,
|
|
like a sign-board, to "Miss Elizabeth March."
|
|
"For me?" gasped Beth, holding on to Jo, and feeling as if she
|
|
should tumble down, it was such an overwhelming thing altogether.
|
|
"Yes; all for you, my precious! Isn't it splendid of him? Don't
|
|
you think he's the dearest old man in the world? Here's the key in the
|
|
letter. We didn't open it, but we are dying to know what he says,"
|
|
cried Jo, hugging her sister, and offering the note.
|
|
"You read it! I can't, I feel so queer! Oh, it is too lovely!" and
|
|
Beth hid her face in Jo's apron, quite upset by her present.
|
|
Jo opened the paper, and began to laugh, for the first words she saw
|
|
were-
|
|
|
|
"MISS MARCH:
|
|
"Dear Madam-"
|
|
|
|
"How nice it sounds! I wish some one would write to me so!" said
|
|
Amy, who thought the old-fashioned address very elegant.
|
|
|
|
"'I have had many pairs of slippers in my life, but I never had
|
|
any that suited me so well as yours,'" continued Jo. "'Heart's-ease is
|
|
my favorite flower, and these will always remind me of the gentle
|
|
giver. I like to pay my debts; so I know you will allow 'the old
|
|
gentleman' to send you something which once belonged to the little
|
|
granddaughter he lost. With hearty thanks and best wishes, I remain.'"
|
|
"'Your grateful friend and humble servant,'"
|
|
"'JAMES LAURENCE.'"
|
|
|
|
"There, Beth, that's an honor to be proud of, I'm sure! Laurie
|
|
told me how fond Mr. Laurence used to be of the child who died, and
|
|
how he kept all her little things carefully. Just think, he's given
|
|
you her piano. That comes of having big blue eyes and loving music,"
|
|
said Jo, trying to soothe Beth, who trembled, and looked more
|
|
excited than she had ever been before.
|
|
"See the cunning brackets to hold candles, and the nice green
|
|
silk, puckered up, with a gold rose in the middle, and the pretty rack
|
|
and stool all complete," added Meg, opening the instrument and
|
|
displaying its beauties.
|
|
"'Your humble servant, James Laurence'; only think of his writing
|
|
that to you. I'll tell the girls. They'll think it's splendid," said
|
|
Amy, much impressed by the note.
|
|
"Try it, honey. Let's hear the sound of the baby-pianny," said
|
|
Hannah, who always took a share in the family joys and sorrows.
|
|
So Beth tried it; and every one pronounced it the most remarkable
|
|
piano ever heard. It had evidently been newly tuned and put in
|
|
apple-pie order; but, perfect as it was, I think the real charm of
|
|
it lay in the happiest of all happy faces which leaned over it, as
|
|
Beth lovingly touched the beautiful black and white keys and pressed
|
|
the bright pedals.
|
|
"You'll have to go and thank him," said Jo, by way of a joke; for
|
|
the idea of the child's really going never entered her head.
|
|
"Yes, I mean to. I guess I'll go now, before I get frightened
|
|
thinking about it." And, to the utter amazement of the assembled
|
|
family, Beth walked deliberately down the garden, through the hedge,
|
|
and in at the Laurences' door.
|
|
"Well, I wish I may die if it ain't the queerest thing I ever see!
|
|
The pianny has turned her head! She'd never have gone in her right
|
|
mind," cried Hannah, staring after her, while the girls were
|
|
rendered quite speechless by the miracle.
|
|
They would have been still more amazed if they had seen what Beth
|
|
did afterward. If you will believe me, she went and knocked at the
|
|
study-door before she gave herself time to think; and when a gruff
|
|
voice called out, "Come in!" she did go in, right up to Mr.
|
|
Laurence, who looked quite taken aback, and held out her hand, saying,
|
|
with only a small quaver in her voice, "I came to thank you, sir,
|
|
for-" But she didn't finish; for he looked so friendly that she forgot
|
|
her speech, and, only remembering that he had lost the little girl
|
|
he loved, she put both arms round his neck, and kissed him.
|
|
If the roof of the house had suddenly flown off, the old gentleman
|
|
wouldn't have been more astonished; but he liked it- oh, dear, yes, he
|
|
liked it amazingly!- and was so touched and pleased by that
|
|
confiding little kiss that all his crustiness vanished; and he just
|
|
set her on his knee, and laid his wrinkled cheek against her rosy one,
|
|
feeling as if he had got his own little granddaughter back again. Beth
|
|
ceased to fear him from that moment, and sat there talking to him as
|
|
cosily as if she had known him all her life; for love casts out
|
|
fear, and gratitude can conquer pride. When she went home, he walked
|
|
with her to her own gate, shook hands cordially, and touched his hat
|
|
as he marched back again, looking very stately and erect, like a
|
|
handsome, soldierly old gentleman, as he was.
|
|
When the girls saw that performance, Jo began to dance a jig, by way
|
|
of expressing her satisfaction; Amy nearly fell out of the window in
|
|
her surprise; and Meg exclaimed, with uplifted hands, "Well, I do
|
|
believe the world is coming to an end!"
|
|
7
|
|
Amy's Valley of Humiliation
|
|
|
|
"THAT boy is a perfect Cyclops, isn't he?" said Amy, one day, as
|
|
Laurie clattered by on horseback, with a flourish of his whip as he
|
|
passed.
|
|
"How dare you say so, when he's got both his eyes? and very handsome
|
|
ones they are, too," cried Jo, who resented any slighting remarks
|
|
about her friend.
|
|
"I didn't say anything about his eyes, and I don't see why you
|
|
need fire up when I admire his riding."
|
|
"Oh, my goodness! that little goose means a centaur, and she
|
|
called him a Cyclops," exclaimed Jo, with a burst of laughter.
|
|
"You needn't be so rude; it's only a 'lapse of lingy,' as Mr.
|
|
Davis says," retorted Amy, finishing Jo with her Latin. "I just wish I
|
|
had a little of the money Laurie spends on that horse," she added,
|
|
as if to herself, yet hoping her sisters would hear.
|
|
"Why?" asked Meg kindly, for Jo had gone off in another laugh at
|
|
Amy's second blunder.
|
|
"I need it so much; I'm dreadfully in debt, and it won't be my
|
|
turn to have the rag-money for a month."
|
|
"In debt, Amy? What do you mean?" and Meg looked sober.
|
|
"Why, I owe at least a dozen pickled limes, and I can't pay them,
|
|
you know, till I have money, for Marmee forbade my having anything
|
|
charged at the shop."
|
|
"Tell me all about it. Are limes the fashion now? It used to be
|
|
pricking bits of rubber to make balls"; and Meg tried to keep her
|
|
countenance, Amy looked so grave and important.
|
|
"Why, you see, the girls are always buying them, and unless you want
|
|
to be thought mean, you must do it, too. It's nothing but limes now,
|
|
for every one is sucking them in their desks in school-time, and
|
|
trading them off for pencils, bead-rings, paper dolls, or something
|
|
else, at recess. If one girl likes another, she gives her a lime; if
|
|
she's mad with her, she eats one before her face, and don't offer even
|
|
a suck. They treat by turns; and I've had ever so many, but haven't
|
|
returned them; and I ought, for they are debts of honor, you know."
|
|
"How much will pay them off, and restore your credit?" asked Meg,
|
|
taking out her purse.
|
|
"A quarter would more than do it, and leave a few cents over for a
|
|
treat for you. Don't you like limes?"
|
|
"Not much; you may have my share. Here's the money. Make it last
|
|
as long as you can, for it isn't very plenty, you know."
|
|
"Oh, thank you! It must be so nice to have pocket-money! I'll have a
|
|
grand feast, for I haven't tasted a lime this week. I felt delicate
|
|
about taking any, as I couldn't return them, and I'm actually
|
|
suffering for one."
|
|
Next day Amy was rather late at school; but could not resist the
|
|
temptation of displaying, with pardonable pride, a moist brown-paper
|
|
parcel, before she consigned it to the inmost recesses of her desk.
|
|
During the next few minutes the rumor that Amy March had got
|
|
twenty-four delicious limes (she ate one on the way), and was going to
|
|
treat, circulated through her "set," and the attentions of her friends
|
|
became quite overwhelming. Katy Brown invited her to her next party on
|
|
the spot; Mary Kingsley insisted on lending her her watch till recess;
|
|
and Jenny Snow, a satirical young lady, who had basely twitted Amy
|
|
upon her limeless state, promptly buried the hatchet, and offered to
|
|
furnish answers to certain appalling sums. But Amy had not forgotten
|
|
Miss Snow's cutting remarks about "some persons whose noses were not
|
|
too flat to smell other people's limes, and stuck-up people, who
|
|
were not too proud to ask for them"; and she instantly crushed "that
|
|
Snow girl's" hopes by the withering telegram, "You needn't be so
|
|
polite all of a sudden, for you won't get any."
|
|
A distinguished personage happened to visit the school that morning,
|
|
and Amy's beautifully drawn maps received praise, which honor to her
|
|
foe rankled in the soul of Miss Snow, and caused Miss March to
|
|
assume the airs of a studious young peacock. But, alas, alas! pride
|
|
goes before a fall, and the revengeful Snow turned the tables with
|
|
disastrous success. No sooner had the guest paid the usual stale
|
|
compliments, and bowed himself out, than Jenny, under pretence of
|
|
asking an important question, informed Mr. Davis, the teacher, that
|
|
Amy March had pickled limes in her desk.
|
|
Now Mr. Davis had declared limes a contraband article, and
|
|
solemnly vowed to publicly ferrule the first person who was found
|
|
breaking the law. This much-enduring man had succeeded in banishing
|
|
chewing-gum after a long and stormy war, had made a bonfire of the
|
|
confiscated novels and newspapers, had suppressed a private
|
|
post-office, had forbidden distortions of the face, nick-names, and
|
|
caricatures, and done all that one man could to keep half a hundred
|
|
rebellious girls in order. Boys are trying enough to human patience,
|
|
goodness knows! but girls are infinitely more so, especially to
|
|
nervous gentlemen, with tyrannical tempers, and no more talent for
|
|
teaching than Dr. Blimber. Mr. Davis knew any quantity of Greek,
|
|
Latin, Algebra, and ologies of all sorts, so he was called a fine
|
|
teacher; and manners, morals, feelings, and examples were not
|
|
considered of any particular importance. It was a most unfortunate
|
|
moment for denouncing Amy, and Jenny knew it. Mr. Davis had
|
|
evidently taken his coffee too strong that morning; there was an
|
|
east wind, which always affected his neuralgia; and his pupils had not
|
|
done him the credit which he felt he deserved: therefore, to use the
|
|
expressive, if not elegant, language of a school-girl, "he was as
|
|
nervous as a witch and as cross as a bear." The word "limes" was
|
|
like fire to powder; his yellow face flushed, and he rapped on his
|
|
desk with an energy which made Jenny skip to her seat with unusual
|
|
rapidity.
|
|
"Young ladies, attention, if you please!"
|
|
At the stern order the buzz ceased, and fifty pairs of blue,
|
|
black, gray, and brown eyes were obediently fixed upon his awful
|
|
countenance.
|
|
"Miss March, come to the desk."
|
|
Amy rose to comply with outward composure, but a secret fear
|
|
oppressed her, for the limes weighed upon her conscience.
|
|
"Bring with you the limes you have in your desk," was the unexpected
|
|
command which arrested her before she got out of her seat.
|
|
"Don't take all," whispered her neighbor, a young lady of great
|
|
presence of mind.
|
|
Amy hastily shook out half a dozen, and laid the rest down before
|
|
Mr. Davis, feeling that any man possessing a human heart would
|
|
relent when that delicious perfume met his nose. Unfortunately, Mr.
|
|
Davis particularly detested the odor of the fashionable pickle, and
|
|
disgust added to his wrath.
|
|
"Is that all?"
|
|
"Not quite," stammered Amy.
|
|
"Bring the rest immediately."
|
|
With a despairing glance at her set, she obeyed.
|
|
"You are sure there are no more?"
|
|
"I never lie, sir."
|
|
"So I see. Now take these disgusting things two by two, and throw
|
|
them out of the window."
|
|
There was a simultaneous sigh, which created quite a little gust, as
|
|
the last hope fled, and the treat was ravished from their longing
|
|
lips. Scarlet with shame and anger, Amy went to and fro six dreadful
|
|
times; and as each doomed couple- looking oh! so plump and juicy- fell
|
|
from her reluctant hands, a shout from the street completed the
|
|
anguish of the girls, for it told them that their feast was being
|
|
exulted over by the little Irish children, who were their sworn
|
|
foes. This- this was too much; all flashed indignant or appealing
|
|
glances at the inexorable Davis, and one passionate lime-lover burst
|
|
into tears.
|
|
As Amy returned from her last trip, Mr. Davis gave a portentous
|
|
"Hem!" and said, in his most impressive manner "Young ladies, you
|
|
remember what I said to you a week ago. I am sorry this has
|
|
happened; but I never allow my rules to be infringed, and I never
|
|
break my word. Miss March, hold out your hand."
|
|
Amy started, and put both hands behind her, turning on him an
|
|
imploring look which pleaded for her better than the words she could
|
|
not utter. She was rather a favorite with "old Davis," as, of
|
|
course, he was called, and it's my private belief that he would have
|
|
broken his word if the indignation of one irrepressible young lady had
|
|
not found vent in a hiss. That hiss, faint as it was, irritated the
|
|
irascible gentleman, and sealed the culprit's fate.
|
|
"Your hand, Miss March!" was the only answer her mute appeal
|
|
received; and, too proud to cry or beseech, Amy set her teeth, threw
|
|
back her head defiantly, and bore without flinching several tingling
|
|
blows on her little palm. They were neither many nor heavy, but that
|
|
made no difference to her. For the first time in her life she had been
|
|
struck; and the disgrace, in her eyes, was as deep as if he had
|
|
knocked her down.
|
|
"You will now stand on the platform till recess," said Mr. Davis,
|
|
resolved to do the thing thoroughly, since he had begun.
|
|
That was dreadful. It would have been bad enough to go to her
|
|
seat, and see the pitying faces of her friends, or the satisfied
|
|
ones of her few enemies; but to face the whole school, with that shame
|
|
fresh upon her, seemed impossible, and for a second she felt as if she
|
|
could only drop down where she stood, and break her heart with crying.
|
|
A bitter sense of wrong, and the thought of Jenny Snow, helped her
|
|
to bear it; and, taking the ignominious place, she fixed her eyes on
|
|
the stove-funnel above what now seemed a sea of faces, and stood
|
|
there, so motionless and white that the girls found it very hard to
|
|
study, with that pathetic figure before them.
|
|
During the fifteen minutes that followed, the proud and sensitive
|
|
little girl suffered a shame and pain which she never forgot. To
|
|
others it might seem a ludicrous or trivial affair, but to her it
|
|
was a hard experience; for during the twelve years of her life she had
|
|
been governed by love alone, and a blow of that sort had never touched
|
|
her before. The smart of her hand and the ache of her heart were
|
|
forgotten in the sting of the thought-
|
|
"I shall have to tell at home, and they will be so disappointed in
|
|
me!"
|
|
The fifteen minutes seemed an hour; but they came to an end at last,
|
|
and the word "Recess!" had never seemed so welcome to her before.
|
|
"You can go, Miss March," said Mr. Davis, looking, as he felt,
|
|
uncomfortable.
|
|
He did not soon forget the reproachful glance Amy gave him, as she
|
|
went, without a word to any one, straight into the ante-room, snatched
|
|
her things, and left the place "forever," as she passionately declared
|
|
to herself. She was in a sad state when she got home; and when the
|
|
older girls arrived, some time later, an indignation meeting was
|
|
held at once. Mrs. March did not say much, but looked disturbed, and
|
|
comforted her afflicted little daughter in her tenderest manner. Meg
|
|
bathed the insulted hand with glycerine and tears; Beth felt that even
|
|
her beloved kittens would fail as a balm for griefs like this; Jo
|
|
wrathfully proposed that Mr. Davis be arrested without delay; and
|
|
Hannah shook her fist at the "villain," and pounded potatoes for
|
|
dinner as if she had him under her pestle.
|
|
No notice was taken of Amy's flight, except by her mates; but the
|
|
sharp-eyed demoiselles discovered that Mr. Davis was quite benignant
|
|
in the afternoon, also unusually nervous. Just before school closed,
|
|
Jo appeared, wearing a grim expression, as she stalked up to the desk,
|
|
and delivered a letter from her mother; then collected Amy's property,
|
|
and departed, carefully scraping the mud from her boots on the
|
|
door-mat, as if she shook the dust of the place off her feet.
|
|
"Yes, you can have a vacation from school, but I want you to study a
|
|
little every day, with Beth," said Mrs. March, that evening. "I
|
|
don't approve of corporal punishment, especially for girls. I
|
|
dislike Mr. Davis's manner of teaching, and don't think the girls
|
|
you associate with are doing you any good, so I shall ask your
|
|
father's advice before I send you anywhere else."
|
|
"That's good! I wish all the girls would leave, and spoil his old
|
|
school. It's perfectly maddening to think of those lovely limes,"
|
|
sighed Amy, with the air of a martyr.
|
|
"I am not sorry you lost them, for you broke the rules, and deserved
|
|
some punishment for disobedience," was the severe reply, which
|
|
rather disappointed the young lady, who expected nothing but sympathy.
|
|
"Do you mean you are glad I was disgraced before the whole
|
|
school?" cried Amy.
|
|
"I should not have chosen that way of mending a fault," replied
|
|
her mother; "but I'm not sure that it won't do you more good than a
|
|
milder method. You are getting to be rather conceited, my dear, and it
|
|
is quite time you set about correcting it. You have a good many little
|
|
gifts and virtues, but there is no need of parading them, for
|
|
conceit spoils the finest genius. There is not much danger that real
|
|
talent or goodness will be overlooked long; even if it is, the
|
|
consciousness of possessing and using it well should satisfy one,
|
|
and the great charm of all power is modesty."
|
|
"So it is!" cried Laurie, who was playing chess in a corner with Jo.
|
|
"I knew a girl, once, who had a really remarkable talent for music,
|
|
and she didn't know it; never guessed what sweet little things she
|
|
composed when she was alone, and wouldn't have believed it if any
|
|
one had told her."
|
|
"I wish I'd known that nice girl; maybe she would have helped me,
|
|
I'm so stupid," said Beth, who stood beside him, listening eagerly.
|
|
"You do know her, and she helps you better than any one else could,"
|
|
answered Laurie, looking at her with such mischievous meaning in his
|
|
merry black eyes, that Beth suddenly turned very red, and hid her face
|
|
in the sofa-cushion, quite overcome by such an unexpected discovery.
|
|
Jo let Laurie win the game, to pay for that praise of her Beth,
|
|
who could not be prevailed upon to play for them after her compliment.
|
|
So Laurie did his best, and sung delightfully, being in a particularly
|
|
lively humor, for to the Marches he seldom showed the moody side of
|
|
his character. When he was gone, Amy, who had been pensive all the
|
|
evening, said suddenly, as if busy over some new idea-
|
|
"Is Laurie an accomplished boy?"
|
|
"Yes; he has had an excellent education, and his much talent; he
|
|
will make a fine man, if not spoilt by petting," replied her mother.
|
|
"And he isn't conceited, is he?" asked Amy.
|
|
"Not in the least; that is why he is so charming, and we all like
|
|
him so much."
|
|
"I see; it's nice to have accomplishments, and be elegant; but not
|
|
to show off, or get perked up," said Amy thoughtfully.
|
|
"These things are always seen and felt in a person's manner and
|
|
conversation, if modestly used; but it is not necessary to display
|
|
them," said Mrs. March.
|
|
"Any more than it's proper to wear all your bonnets and gowns and
|
|
ribbons at once, that folks may know you've got them," added Jo; and
|
|
the lecture ended in a laugh.
|
|
8
|
|
Jo meets Apollyon
|
|
|
|
"GIRLS, where are you going?" asked Amy, coming into their room
|
|
one Saturday afternoon, and finding them getting ready to go out, with
|
|
an air of secrecy which excited her curiosity.
|
|
"Never mind; little girls shouldn't ask questions," returned Jo
|
|
sharply.
|
|
Now if there is anything mortifying to our feelings, when we are
|
|
young, it is to be told that; and to be bidden to "run away, dear," is
|
|
still more trying to us. Amy bridled up at this insult, and determined
|
|
to find out the secret, if she teased for an hour. Turning to Meg, who
|
|
never refused her anything very long, she said coaxingly, "Do tell me!
|
|
I should think you might let me go, too; for Beth is fussing over
|
|
her piano, and I haven't got anything to do, and am so lonely."
|
|
"I can't, dear, because you aren't invited," began Meg; but Jo broke
|
|
in impatiently, "Now, Meg, be quiet, or you will spoil it all. You
|
|
can't go, Amy; so don't be a baby, and whine about it."
|
|
"You are going somewhere with Laurie, I know you are; you were
|
|
whispering and laughing together, on the sofa, last night, and you
|
|
stopped when I came in. Aren't you going with him?"
|
|
"Yes, we are; now do be still, and stop bothering."
|
|
Amy held her tongue, but used her eyes, and saw Meg slip a fan
|
|
into her pocket.
|
|
"I know! I know! you're going to the theater to see the 'Seven
|
|
Castles'!" she cried; adding resolutely, "And I shall go, for mother
|
|
said I might see it; and I've got my rag-money, and it was mean not to
|
|
tell me in time."
|
|
"Just listen to me a minute, and be a good child," said Meg
|
|
soothingly. "Mother doesn't wish you to go this week, because your
|
|
eyes are not well enough yet to bear the light of this fairy piece.
|
|
Next week you can go with Beth and Hannah, and have a nice time."
|
|
"I don't like that half as well as going with you and Laurie. Please
|
|
let me; I've been sick with this cold so long, and shut up, I'm
|
|
dying for some fun. Do, Meg! I'll be ever so good," pleaded Amy,
|
|
looking as pathetic as she could.
|
|
"Suppose we take her. I don't believe mother would mind, if we
|
|
bundle her up well," began Meg.
|
|
"If she goes I shan't; and if I don't, Laurie won't like it; and
|
|
it will be very rude, after he invited only us, to go and drag in Amy.
|
|
I should think she'd hate to poke herself where she isn't wanted,"
|
|
said Jo crossly, for she disliked the trouble of overseeing a
|
|
fidgety child, when she wanted to enjoy herself.
|
|
Her tone and manner angered Amy, who began to put her boots on,
|
|
saying, in her most aggravating way, "I shall go; Meg says I may;
|
|
and if I pay for myself, Laurie hasn't anything to do with it."
|
|
"You can't sit with us, for our seats are reserved, and you
|
|
mustn't sit alone; so Laurie will give you his place, and that will
|
|
spoil our pleasure; or he'll get another seat for you, and that
|
|
isn't proper, when you weren't asked. You shan't stir a step; so you
|
|
may just stay where you are," scolded Jo, crosser than ever, having
|
|
just pricked her finger in her hurry.
|
|
Sitting on the floor, with one boot on, Amy began to cry, and Meg to
|
|
reason with her, when Laurie called from below, and the two girls
|
|
hurried down, leaving their sister wailing; for now and then she
|
|
forgot her grownup ways, and acted like a spoilt child. Just as the
|
|
party was setting out, Amy called over the banisters, in a threatening
|
|
tone, "You'll be sorry for this, Jo March; see if you ain't."
|
|
"Fiddlesticks!" returned Jo, slamming the door.
|
|
They had a charming time, for "The Seven Castles of the Diamond
|
|
Lake" were as brilliant and wonderful as heart could wish. But, in
|
|
spite of the comical red imps, sparkling elves, and gorgeous princes
|
|
and princesses, Jo's pleasure had a drop of bitterness in it; the
|
|
fairy queen's yellow curls reminded her of Amy; and between the acts
|
|
she amused herself with wondering what her sister would do to make her
|
|
"sorry for it." She and Amy had had many lively skirmishes in the
|
|
course of their lives, for both had quick tempers, and were apt to
|
|
be violent when fairly roused. Amy teased Jo, and Jo irritated Amy,
|
|
and semi-occasional explosions occurred, of which both were much
|
|
ashamed afterward. Although the oldest, Jo had the least self-control,
|
|
and had hard times trying to curb the fiery spirit which was
|
|
continually getting her into trouble; her anger never lasted long,
|
|
and, having humbly confessed her fault, she sincerely repented, and
|
|
tried to do better. Her sisters used to say that they rather liked
|
|
to get Jo into a fury, because she was such an angel afterward. Poor
|
|
Jo tried desperately to be good, but her bosom enemy was always
|
|
ready to flame up and defeat her; and it took years of patient
|
|
effort to subdue it.
|
|
When they got home, they found Amy reading in the parlor. She
|
|
assumed an injured air as they came in; never lifted her eyes from her
|
|
book, or asked a single question. Perhaps curiosity might have
|
|
conquered resentment, if Beth had not been there to inquire, and
|
|
receive a glowing description of the play. On going up to put away her
|
|
best hat, Jo's first look was toward the bureau; for, in their last
|
|
quarrel, Amy had soothed her feelings by turning Jo's top drawer
|
|
upside down on the floor. Everything was in its place, however; and
|
|
after a hasty glance into her various closets, bags, and boxes, Jo
|
|
decided that Amy had forgiven and forgotten her wrongs.
|
|
There Jo was mistaken; for next day she made a discovery which
|
|
produced a tempest. Meg, Beth, and Amy were sitting together, late
|
|
in the afternoon, when Jo burst into the room, looking excited, and
|
|
demanding breathlessly, "Has any one taken my book?"
|
|
Meg and Beth said "No," at once, and looked surprised; Amy poked the
|
|
fire, and said nothing. Jo saw her color rise, and was down upon her
|
|
in a minute.
|
|
"Amy, you've got it!"
|
|
"No, I haven't."
|
|
"You know where it is, then!"
|
|
"No, I don't."
|
|
"That's a fib!" cried Jo, taking her by the shoulders, and looking
|
|
fierce enough to frighten a much braver child than Amy.
|
|
"It isn't. I haven't got it, don't know where it is now, and don't
|
|
care."
|
|
"You know something about it, and you'd better tell at once, or I'll
|
|
make you," and Jo gave her a slight shake.
|
|
"Scold as much as you like, you'll never see your silly old book
|
|
again," cried Amy, getting excited in her turn.
|
|
"Why not?"
|
|
"I burnt it up."
|
|
"What! my little book I was so fond of, and worked over, and meant
|
|
to finish before father got home? Have you really burnt it?" said
|
|
Jo, turning very pale, while her eyes kindled and her hands clutched
|
|
Amy nervously.
|
|
"Yes, I did! I told you I'd make you pay for being so cross
|
|
yesterday, and I have, so-"
|
|
Amy got no farther, for Jo's hot temper mastered her, and she
|
|
shook Amy till her teeth chattered in her head; crying, in a passion
|
|
of grief and anger-
|
|
"You wicked, wicked girl! I never can write it again, and I'll never
|
|
forgive you as long as I live."
|
|
Meg flew to rescue Amy, and Beth to pacify Jo, but Jo was quite
|
|
beside herself; and, with a parting box on her sister's ear, she
|
|
rushed out of the room up to the old sofa in the garret, and
|
|
finished her fight alone.
|
|
The storm cleared up below, for Mrs. March came home, and, having
|
|
heard the story, soon brought Amy to a sense of the wrong she had done
|
|
her sister. Jo's book was the pride of her heart, and was regarded
|
|
by her family as a literary sprout of great promise. It was only
|
|
half a dozen little fairy tales, but Jo had worked over them
|
|
patiently, putting her whole heart into her work, hoping to make
|
|
something good enough to print. She had just copied them with great
|
|
care, and had destroyed the old manuscript, so that Amy's bonfire
|
|
had consumed the loving work of several years. It seemed a small
|
|
loss to others, but to Jo it was a dreadful calamity, and she felt
|
|
that it never could be made up to her. Beth mourned as for a
|
|
departed kitten, and Meg refused to defend her pet; Mrs. March
|
|
looked grave and grieved, and Amy felt that no one would love her till
|
|
she had asked pardon for the act which she now regretted more than any
|
|
of them.
|
|
When the tea-bell rung, Jo appeared, looking so grim and
|
|
unapproachable that it took all Amy's courage to say meekly-
|
|
"Please forgive me, Jo; I'm very, very sorry."
|
|
"I never shall forgive you," was Jo's stern answer; and, from that
|
|
moment, she ignored Amy entirely.
|
|
No one spoke of the great trouble- not even Mrs. March- for all
|
|
had learned by experience that when Jo was in that mood words were
|
|
wasted; and the wisest course was to wait till some little accident,
|
|
or her own generous nature, softened Jo's resentment, and healed the
|
|
breach. It was not a happy evening; for, though they sewed as usual,
|
|
while their mother read aloud from Bremer, Scott, or Edgeworth,
|
|
something was wanting, and the sweet home-peace was disturbed. They
|
|
felt this most when singing-time came; for Beth could only play, Jo
|
|
stood dumb as a stone, and Amy broke down, so Meg and mother sung
|
|
alone. But, in spite of their efforts to be as cheery as larks, the
|
|
flute-like voices did not seem to chord as well as usual, and all felt
|
|
out of tune.
|
|
As Jo received her good-night kiss, Mrs. March whispered gently-
|
|
"My dear, don't let the sun go down upon your anger; forgive each
|
|
other, help each other, and begin again to-morrow."
|
|
Jo wanted to lay her head down on that motherly bosom and cry her
|
|
grief and anger all away; but tears were an unmanly weakness, and
|
|
she felt so deeply injured that she really couldn't quite forgive yet.
|
|
So she winked hard, shook her head, and said, gruffly because Amy
|
|
was listening-
|
|
"It was an abominable thing, and she don't deserve to be forgiven."
|
|
With that she marched off to bed, and there was no merry or
|
|
confidential gossip that night.
|
|
Amy was much offended that her overtures of peace had been repulsed,
|
|
and began to wish she had not humbled herself, to feel more injured
|
|
than ever, and to plume herself on her superior virtue in a way
|
|
which was particularly exasperating. Jo still looked like a
|
|
thunder-cloud, and nothing went well all day. It was bitter cold in
|
|
the morning; she dropped her precious turn-over in the gutter, Aunt
|
|
March had an attack of fidgets, Meg was pensive, Beth would look
|
|
grieved and wistful when she got home, and Amy kept making remarks
|
|
about people who were always talking about being good, and yet
|
|
wouldn't try, when other people set them a virtuous example.
|
|
"Everybody is so hateful, I'll ask Laurie to go skating. He is
|
|
always kind and jolly, and will put me to rights, I know," said Jo
|
|
to herself, and off she went.
|
|
Amy heard the clash of skates, and looked out with an impatient
|
|
exclamation "There! she promised I should go next time, for this is
|
|
the last ice we shall have. But it's no use to ask such a
|
|
cross-patch to take me."
|
|
"Don't say that; you were very naughty, and it is hard to forgive
|
|
the loss of her precious little book; but I think she might do it now,
|
|
and I guess she will, if you try her at the right minute," said Meg.
|
|
"Go after them; don't say anything till Jo has got good-natured with
|
|
Laurie, then take a quiet minute, and just kiss her, or do some kind
|
|
thing, and I'm sure she'll be friends again, with all her heart."
|
|
"I'll try," said Amy, for the advice suited her; and, after a flurry
|
|
to get ready, she ran after the friends, who were just disappearing
|
|
over the hill.
|
|
It was not far to the river, but both were ready before Amy
|
|
reached them. Jo saw her coming, and turned her back; Laurie did not
|
|
see, for he was carefully skating along the shore, sounding the ice,
|
|
for a warm spell had preceded the cold snap.
|
|
"I'll go on to the first bend, and see if it's all right, before
|
|
we begin to race," Amy heard him say, as he shot away, looking like
|
|
a young Russian, in his fur-trimmed coat and cap.
|
|
Jo heard Amy panting after her run, stamping her feet and blowing
|
|
her fingers, as she tried to put her skates on; but Jo never turned,
|
|
and went slowly zigzagging down the river, taking a bitter, unhappy
|
|
sort of satisfaction in her sister's troubles. She had cherished her
|
|
anger till it grew strong, and took possession of her, as evil
|
|
thoughts and feelings always do, unless cast out at once. As Laurie
|
|
turned the bend, he shouted back-
|
|
"Keep near the shore; it isn't safe in the middle."
|
|
Jo heard, but Amy was just struggling to her feet, and did not catch
|
|
a word. Jo glanced over her shoulder, and the little demon she was
|
|
harboring said in her ear-
|
|
"No matter whether she heard or not, let her take care of herself."
|
|
Laurie had vanished round the bend; Jo was just at the turn, and
|
|
Amy, far behind, striking out toward the smoother ice in the middle of
|
|
the river. For a minute Jo stood still, with a strange feeling at
|
|
her heart; then she resolved to go on, but something held and turned
|
|
her round, just in time to see Amy throw up her hands and go down,
|
|
with the sudden crash of rotten ice, the splash of water, and a cry
|
|
that made Jo's heart stand still with fear. She tried to call
|
|
Laurie, but her voice was gone; she tried to rush forward, but her
|
|
feet seemed to have no strength in them; and, for a second, she
|
|
could only stand motionless, staring, with a terror-stricken face,
|
|
at the little blue hood above the black water. Something rushed
|
|
swiftly by her, and Laurie's voice cried out-
|
|
"Bring a rail; quick, quick!"
|
|
How she did it, she never knew; but for the next few minutes she
|
|
worked as if possessed, blindly obeying Laurie, who was quite
|
|
self-possessed, and, lying flat, held Amy up by his arm and hockey
|
|
till Jo dragged a rail from the fence, and together they got the child
|
|
out, more frightened than hurt.
|
|
"Now then, we must walk her home as fast as we can; pile our
|
|
things on her, while I get off these confounded skates," cried Laurie,
|
|
wrapping his coat round Amy, and tugging away at the straps, which
|
|
never seemed so intricate before.
|
|
Shivering, dripping, and crying, they got Amy home; and, after an
|
|
exciting time of it, she fell asleep, rolled in blankets, before a hot
|
|
fire. During the bustle Jo had scarcely spoken; but flown about,
|
|
looking pale and wild, with her things half off, her dress torn, and
|
|
her hands cut and bruised by ice and rails, and refractory buckles.
|
|
When Amy was comfortably asleep, the house quiet, and Mrs. March
|
|
sitting by the bed, she called Jo to her, and began to bind up the
|
|
hurt hands.
|
|
"Are you sure she is safe?" whispered Jo, looking remorsefully at
|
|
the golden head, which might have been swept away from her sight
|
|
forever under the treacherous ice.
|
|
"Quite safe, dear; she is not hurt, and won't even take cold, I
|
|
think, you were so sensible in covering and getting her home quickly,"
|
|
replied her mother cheerfully.
|
|
"Laurie did it all; I only let her go. Mother, if she should die, it
|
|
would be my fault"; and Jo dropped down beside the bed, in a passion
|
|
of penitent tears, telling all that had happened, bitterly
|
|
condemning her hardness of heart, and sobbing out her gratitude for
|
|
being spared the heavy punishment which might have come upon her.
|
|
"It's my dreadful temper! I try to cure it; I think I have, and then
|
|
it breaks out worse than ever. O mother, what shall I do? what shall I
|
|
do?" cried poor Jo, in despair.
|
|
"Watch and pray, dear; never get tired of trying; and never think it
|
|
is impossible to conquer your fault," said Mrs. March, drawing the
|
|
blowzy head to her shoulder, and kissing the wet cheek so tenderly
|
|
that Jo cried harder than ever.
|
|
"You don't know, you can't guess how bad it is! It seems as if I
|
|
could do anything when I'm in a passion; I get so savage, I could hurt
|
|
any one, and enjoy it. I'm afraid I shall do something dreadful some
|
|
day, and spoil my life, and make everybody hate me. O mother, help me,
|
|
do help me!"
|
|
"I will, my child, I will. Don't cry so bitterly, but remember
|
|
this day, and resolve, with all your soul, that you will never know
|
|
another like it. Jo, dear, we all have our temptations, some far
|
|
greater than yours, and it often takes us all our lives to conquer
|
|
them. You think your temper is the worst in the world; but mine used
|
|
to be just like it."
|
|
"Yours, mother? Why, you are never angry!" and, for the moment, Jo
|
|
forgot remorse in surprise.
|
|
"I've been trying to cure it for forty years, and have only
|
|
succeeded in controlling it. I am angry nearly every day of my life,
|
|
Jo; but I have learned not to show it; and I still hope to learn not
|
|
to feel it, though it may take me another forty years to do so."
|
|
The patience and the humility of the face she loved so well was a
|
|
better lesson to Jo than the wisest lecture, the sharpest reproof. She
|
|
felt comforted at once by the sympathy and confidence given her; the
|
|
knowledge that her mother had a fault like hers, and tried to mend it,
|
|
made her own easier to bear and strengthened her resolution to cure
|
|
it; though forty years seemed rather a long time to watch and pray, to
|
|
a girl of fifteen.
|
|
"Mother, are you angry when you fold your lips tight together, and
|
|
go out of the room sometimes, when Aunt March scolds, or people
|
|
worry you?" asked Jo, feeling nearer and dearer to her mother than
|
|
ever before.
|
|
"Yes, I've learned to check the hasty words that rise to my lips;
|
|
and when I feel that they mean to break out against my will, I just go
|
|
away a minute, and give myself a little shake, for being so weak and
|
|
wicked," answered Mrs. March, with a sigh and a smile, as she smoothed
|
|
and fastened up Jo's dishevelled hair.
|
|
"How did you learn to keep still? That is what troubles me- for
|
|
the sharp words fly out before I know what I'm about; and the more I
|
|
say the worse I get, till it's a pleasure to hurt people's feelings,
|
|
and say dreadful things. Tell me how you do it, Marmee dear."
|
|
"My good mother used to help me-"
|
|
"As you do us-" interrupted Jo, with a grateful kiss.
|
|
"But I lost her when I was a little older than you are, and for
|
|
years had to struggle on alone, for I was too proud to confess my
|
|
weakness to any one else. I had a hard time, Jo, and shed a good
|
|
many bitter tears over my failures; for, in spite of my efforts, I
|
|
never seemed to get on. Then your father came, and I was so happy that
|
|
I found it easy to be good. But by and by, when I had four little
|
|
daughters round me, and we were poor, then the old trouble began
|
|
again; for I am not patient by nature, and it tried me very much to
|
|
see my children wanting anything."
|
|
"Poor mother! what helped you then?"
|
|
"Your father, Jo. He never loses patience- never doubts or
|
|
complains- but always hopes, and works and waits so cheerfully, that
|
|
one is ashamed to do otherwise before him. He helped and comforted me,
|
|
and showed me that I must try to practise all the virtues I would have
|
|
my little girls possess, for I was their example. It was easier to try
|
|
for your sakes than for my own; a startled or surprised look from
|
|
one of you, when I spoke sharply, rebuked me more than any words could
|
|
have done; and the love, respect, and confidence of my children was
|
|
the sweetest reward I could receive for my efforts to be the woman I
|
|
would have them copy."
|
|
"O mother, if I'm ever half as good as you, I shall be satisfied,"
|
|
cried Jo, much touched.
|
|
"I hope you will be a great deal better, dear; but you must keep
|
|
watch over your 'bosom enemy,' as father calls it, or it may sadden,
|
|
if not spoil your life. You have had a warning; remember it, and try
|
|
with heart and soul to master this quick temper, before it brings
|
|
you greater sorrow and regret than you have known to-day."
|
|
"I will try, mother; I truly will. But you must help me, remind
|
|
me, and keep me from flying out. I used to see father sometimes put
|
|
his finger on his lips, and look at you with a very kind, but sober
|
|
face, and you always folded your lips tight or went away: was he
|
|
reminding you then?" asked Jo softly.
|
|
"Yes; I asked him to help me so, and he never forgot it, but saved
|
|
me from many a sharp word by that little gesture and kind look."
|
|
Jo saw that her mother's eyes filled and her lips trembled, as she
|
|
spoke; and, fearing that she had said too much, she whispered
|
|
anxiously, "Was it wrong to watch you, and to speak of it? I didn't
|
|
mean to be rude, but it's so comfortable to say all I think to you,
|
|
and feel so safe and happy here."
|
|
"My Jo, you may say anything to your mother, for it is my greatest
|
|
happiness and pride to feel that my girls confide in me, and know
|
|
how much I love them."
|
|
"I thought I'd grieved you."
|
|
"No, dear; but speaking of father reminded me how much I miss him,
|
|
how much I owe him, and how faithfully I should watch and work to keep
|
|
his little daughters safe and good for him."
|
|
"Yet you told him to go, mother, and didn't cry when he went, and
|
|
never complain now, or seem as if you needed any help," said Jo,
|
|
wondering.
|
|
"I gave my best to the country I love, and kept my tears till he was
|
|
gone. Why should I complain, when we both have merely done our duty
|
|
and will surely be the happier for it in the end? If I don't seem to
|
|
need help, it is because I have a better friend, even than father,
|
|
to comfort and sustain me. My child, the troubles and temptations of
|
|
your life are beginning, and may be many; but you can overcome and
|
|
outlive them all if you learn to feel the strength and tenderness of
|
|
your Heavenly Father as you do that of your earthly one. The more
|
|
you love and trust Him, the nearer you will feel to Him, and the
|
|
less you will depend on human power and wisdom. His love and care
|
|
never tire or change, can never be taken from you, but may become
|
|
the source of life-long peace, happiness, and strength. Believe this
|
|
heartily, and go to God with all your little cares, and hopes, and
|
|
sins, and sorrows, as freely and confidingly as you come to your
|
|
mother."
|
|
Jo's only answer was to hold her mother close, and, in the silence
|
|
which followed, the sincerest prayer she had ever prayed left her
|
|
heart without words; for in that sad, yet happy hour, she had
|
|
learned not only the bitterness of remorse and despair, but the
|
|
sweetness of self-denial and self-control; and, led by her mother's
|
|
hand, she had drawn nearer to the Friend who welcomes every child with
|
|
a love stronger than that of any father, tenderer than that of any
|
|
mother.
|
|
Amy stirred, and sighed in her sleep; and, as if eager to begin at
|
|
once to mend her fault, Jo looked up with an expression on her face
|
|
which it had never worn before.
|
|
"I let the sun go down on my anger; I wouldn't forgive her, and
|
|
to-day, if it hadn't been for Laurie, it might have been too late! How
|
|
could I be so wicked?" said Jo, half aloud, as she leaned over her
|
|
sister, softly stroking the wet hair scattered on the pillow.
|
|
As if she heard, Amy opened her eyes, and held out her arms, with
|
|
a smile that went straight to Jo's heart. Neither said a word, but
|
|
they hugged one another close, in spite of the blankets, and
|
|
everything was forgiven and forgotten in one hearty kiss.
|
|
9
|
|
Meg Goes to Vanity Fair
|
|
|
|
"I DO think it was the most fortunate thing in the world that
|
|
those children should have the measles just now," said Meg, one
|
|
April day, as she stood packing the "go abroady" trunk in her room,
|
|
surrounded by her sisters.
|
|
"And so nice of Annie Moffat not to forget her promise. A whole
|
|
fortnight of fun will be regularly splendid," replied Jo, looking like
|
|
a windmill, as she folded skirts with her long arms.
|
|
"And such lovely weather; I'm so glad of that," added Beth, tidily
|
|
sorting neck and hair ribbons in her best box, lent for the great
|
|
occasion.
|
|
"I wish I was going to have a fine time, and wear all these nice
|
|
things," said Amy, with her mouth full of pins, as she artistically
|
|
replenished her sister's cushion.
|
|
"I wish you were all going; but, as you can't, I shall keep my
|
|
adventures to tell you when I come back. I'm sure it's the least I can
|
|
do, when you have been so kind, lending me things, and helping me
|
|
get ready," said Meg, glancing round the room at the very simple
|
|
outfit, which seemed nearly perfect in their eyes.
|
|
"What did mother give you out of the treasure-box?" asked Amy, who
|
|
had not been present at the opening of a certain cedar chest, in which
|
|
Mrs. March kept a few relics of past splendor, as gifts for her
|
|
girls when the proper time came.
|
|
"A pair of silk stockings, that pretty carved fan, and a lovely blue
|
|
sash. I wanted the violet silk; but there isn't time to make it
|
|
over, so I must be contented with my old tarlatan."
|
|
"It will look nicely over my new muslin skirt, and the sash will set
|
|
it off beautifully. I wish I hadn't smashed my coral bracelet, for you
|
|
might have had it," said Jo, who loved to give and lend, but whose
|
|
possessions were usually too dilapidated to be of much use.
|
|
"There is a lovely old-fashioned pearl set in the treasure-box;
|
|
but mother said real flowers were the prettiest ornament for a young
|
|
girl, and Laurie promises to send me all I want," replied Meg. "Now,
|
|
let me see; there's my new gray walking-suit- just curl up the feather
|
|
in my hat, Beth- then my poplin, for Sunday, and the small party- it
|
|
looks heavy for spring, doesn't it? The violet silk would be so
|
|
nice; oh, dear!"
|
|
"Never mind; you've got the tarlatan for the big party, and you
|
|
always look like an angel in white," said Amy, brooding over the
|
|
little store of finery in which her soul delighted.
|
|
"It isn't low-necked, and it doesn't sweep enough, but it will
|
|
have to do. My blue house-dress looks so well, turned and freshly
|
|
trimmed, that I feel as if I'd got a new one. My silk sacque isn't a
|
|
bit the fashion, and my bonnet doesn't look like Sallie's; I didn't
|
|
like to say anything, but I was sadly disappointed in my umbrella, I
|
|
told mother black, with a white handle, but she forgot, and bought a
|
|
green one, with a yellowish handle. It's strong and neat, so I ought
|
|
not to complain, but I know I shall feel ashamed of it beside
|
|
Annie's silk one with a gold top," sighed Meg, surveying the little
|
|
umbrella with great disfavor.
|
|
"Change it," advised Jo.
|
|
"I won't be so silly, or hurt Marmee's feelings, when she took so
|
|
much pains to get my things. It's a nonsensical notion of mine, and
|
|
I'm not going to give up to it. My silk stockings and two pairs of new
|
|
gloves are my comfort. You are a dear, to lend me yours, Jo. I feel so
|
|
rich, and sort of elegant, with two new pairs, and the old ones
|
|
cleaned up for common"; and Meg took a refreshing peep at her
|
|
glove-box.
|
|
"Annie Moffat has blue and pink bows on her nightcaps; would you put
|
|
some on mine?" she asked, as Beth brought up a pile of snowy
|
|
muslins, fresh from Hannah's hands.
|
|
"No, I wouldn't; for the smart caps won't match the plain gowns,
|
|
without any trimming on them. Poor folks shouldn't rig," said Jo
|
|
decidedly.
|
|
"I wonder if I shall ever be happy enough to have real lace on my
|
|
clothes, and bows on my caps?" said Meg impatiently.
|
|
"You said the other day that you'd be perfectly happy if you could
|
|
only go to Annie Moffat's," observed Beth, in her quiet way.
|
|
"So I did! Well, I am happy, and I won't fret; but it does seem as
|
|
if the more one gets the more one wants, doesn't it? There, now, the
|
|
trays are ready, and everything in but my ball-dress, which I shall
|
|
leave for mother to pack," said Meg, cheering up, as she glanced
|
|
from the half-filled trunk to the many-times pressed and mended
|
|
white tarlatan, which she called her "ball-dress," with an important
|
|
air.
|
|
The next day was fine, and Meg departed, in style, for a fortnight
|
|
of novelty and pleasure. Mrs. March had consented to the visit
|
|
rather reluctantly, fearing that Margaret would come back more
|
|
discontented than she went. But she had begged so hard, and Sallie had
|
|
promised to take good care of her, and a little pleasure seemed so
|
|
delightful after a winter of irksome work, that the mother yielded,
|
|
and the daughter went to take her first taste of fashionable life.
|
|
The Moffats were very fashionable, and simple Meg was rather
|
|
daunted, at first, by the splendor of the house and the elegance of
|
|
its occupants. But they were kindly people, in spite of the
|
|
frivolous life they led, and soon put their guest at her ease. Perhaps
|
|
Meg felt, without understanding why, that they were not particularly
|
|
cultivated or intelligent people, and that all their gilding could not
|
|
quite conceal the ordinary material of which they were made. It
|
|
certainly was agreeable to fare sumptuously, drive in a fine carriage,
|
|
wear her best frock every day, and do nothing but enjoy herself. It
|
|
suited her exactly; and soon she began to imitate the manners and
|
|
conversation of those about her; to put on little airs and graces, use
|
|
French phrases, crimp her hair, take in her dresses, and talk about
|
|
the fashions as well as she could. The more she saw of Annie
|
|
Moffat's pretty things, the more she envied her, and sighed to be
|
|
rich. Home now looked bare and dismal as she thought of it, work
|
|
grew harder than ever, and she felt that she was a very destitute
|
|
and much-injured girl, in spite of the new gloves and silk stockings.
|
|
She had not much time for repining, however, for the three young
|
|
girls were busily employed in "having a good time." They shopped,
|
|
walked, rode, and called all day; went to theaters and operas, or
|
|
frolicked at home in the evening; for Annie had many friends, and knew
|
|
how to entertain them. Her older sisters were very fine young
|
|
ladies, and one was engaged, which was extremely interesting and
|
|
romantic, Meg thought. Mr. Moffat was a fat, jolly old gentleman,
|
|
who knew her father; and Mrs. Moffat, a fat, jolly old lady, who
|
|
took as great a fancy to Meg as her daughter had done. Every one
|
|
petted her; and "Daisy," as they called her, was in a fair way to have
|
|
her head turned.
|
|
When the evening for the "small party" came, she found that the
|
|
poplin wouldn't do at all, for the other girls were putting on thin
|
|
dresses, and making themselves very fine indeed; so out came the
|
|
tarlatan, looking older, limper, and shabbier than ever beside
|
|
Sallie's crisp new one. Meg saw the girls glance at it and then at one
|
|
another, and her cheeks began to burn, for, with all her gentleness,
|
|
she was very proud. No one said a word about it, but Sallie offered to
|
|
dress her hair, and Annie to tie her sash, and Belle, the engaged
|
|
sister, praised her white arms; but in their kindness Meg saw only
|
|
pity for her poverty, and her heart felt very heavy as she stood by
|
|
herself, while the others laughed, chattered, and flew about like
|
|
gauzy butterflies. The hard, bitter feeling was getting pretty bad,
|
|
when the maid brought in a box of flowers. Before she could speak,
|
|
Annie had the cover off, and all were exclaiming at the lovely
|
|
roses, heath, and fern within.
|
|
"It's for Belle, of course; George always sends her some, but
|
|
these are altogether ravishing," cried Annie, with a great sniff.
|
|
"They are for Miss March, the man said. And here's a note," put in
|
|
the maid, holding it to Meg.
|
|
"What fun! Who are they from? Didn't know you had a lover," cried
|
|
the girls, fluttering about Meg in a high state of curiosity and
|
|
surprise.
|
|
"The note is from mother, and the flowers from Laurie," said Meg
|
|
simply, yet much gratified that he had not forgotten her.
|
|
"Oh, indeed!" said Annie, with a funny look, as Meg slipped the note
|
|
into her pocket, as a sort of talisman against envy, vanity, and false
|
|
pride; for the few loving words had done her good, and the flowers
|
|
cheered her up by their beauty.
|
|
Feeling almost happy again, she laid by a few ferns and roses for
|
|
herself, and quickly made up the rest in dainty bouquets for the
|
|
breasts, hair, or skirts of her friends, offering them so prettily
|
|
that Clara, the elder sister, told her she was "the sweetest little
|
|
thing she ever saw"; and they looked quite charmed with her small
|
|
attention. Somehow the kind act finished her despondency; and when all
|
|
the rest went to show themselves to Mrs. Moffat, she saw a happy,
|
|
bright-eyed face in the mirror, as she laid her ferns against her
|
|
rippling hair, and fastened the roses in the dress that didn't
|
|
strike her as so very shabby now.
|
|
She enjoyed herself very much that evening, for she danced to her
|
|
heart's content; every one was very kind, and she had three
|
|
compliments. Annie made her sing, and some one said she had a
|
|
remarkably fine voice; Major Lincoln asked who "the fresh little girl,
|
|
with the beautiful eyes," was; and Mr. Moffat insisted on dancing with
|
|
her, because she "didn't dawdle, but had some spring in her," as he
|
|
gracefully expressed it. So, altogether, she had a very nice time,
|
|
till she overheard a bit of a conversation, which disturbed her
|
|
extremely. She was sitting just inside the conservatory, waiting for
|
|
her partner to bring her an ice, when she heard a voice ask, on the
|
|
other side of the flowery wall, "How old is he?"
|
|
"Sixteen or seventeen, I should say," replied another voice.
|
|
"It would be a grand thing for one of those girls, wouldn't it?
|
|
Sallie says they are very intimate now, and the old man quite dotes on
|
|
them."
|
|
"Mrs. M. has made her plans, I dare say, and will play her cards
|
|
well, early as it is. The girl evidently doesn't think of it yet,"
|
|
said Mrs. Moffat.
|
|
"She told that fib about her mamma, as if she did know, and
|
|
colored up when the flowers came, quite prettily. Poor thing! she'd be
|
|
so nice if she was only got up in style. Do you think she'd be
|
|
offended if we offered to lend her a dress for Thursday?" asked
|
|
another voice.
|
|
"She's proud, but I don't believe she'd mind, for that dowdy
|
|
tarlatan is all she has got. She may tear it to-night, and that will
|
|
be a good excuse for offering a decent one."
|
|
"We'll see. I shall ask young Laurence, as a compliment to her,
|
|
and we'll have fun about it afterward."
|
|
Here Meg's partner appeared, to find her looking much flushed and
|
|
rather agitated. She was proud, and her pride was useful just then,
|
|
for it helped her hide her mortification, anger, and disgust at what
|
|
she had just heard; for, innocent and unsuspicious as she was, she
|
|
could not help understanding the gossip of her friends, She tried to
|
|
forget it, but could not, and kept repeating to herself, "Mrs. M.
|
|
has made her plans," "that fib about her mamma," and "dowdy tarlatan,"
|
|
till she was ready to cry, and rush home to tell her troubles and
|
|
ask for advice. As that was impossible, she did her best to seem
|
|
gay; and, being rather excited, she succeeded so well that no one
|
|
dreamed what an effort she was making. She was very glad when it was
|
|
all over, and she was quiet in her bed, where she could think and
|
|
wonder and fume till her head ached and her hot cheeks were cooled
|
|
by a few natural tears. Those foolish, yet well-meant words, had
|
|
opened a new world to Meg, and much disturbed the peace of the old
|
|
one, in which, till now, she had lived as happily as a child. Her
|
|
innocent friendship with Laurie was spoilt by the silly speeches she
|
|
had overheard; her faith in her mother was a little shaken by the
|
|
worldly plans attributed to her by Mrs. Moffat, who judged others by
|
|
herself; and the sensible resolution to be contented with the simple
|
|
wardrobe which suited a poor man's daughter, was weakened by the
|
|
unnecessary pity of girls who thought a shabby dress one of the
|
|
greatest calamities under heaven.
|
|
Poor Meg had a restless night, and got up heavy-eyed, unhappy,
|
|
half resentful toward her friends, and half ashamed of herself for not
|
|
speaking out frankly, and setting everything right. Everybody
|
|
dawdled that morning, and it was noon before the girls found energy
|
|
enough even to take up their worsted work. Something in the manner
|
|
of her friends struck Meg at once; they treated her with more respect,
|
|
she thought; took quite a tender interest in what she said, and looked
|
|
at her with eyes that plainly betrayed curiosity. All this surprised
|
|
and flattered her, though she did not understand it till Miss Belle
|
|
looked up from her writing, and said, with a sentimental air-
|
|
"Daisy, dear, I've sent an invitation to your friend, Mr.
|
|
Laurence, for Thursday. We should like to know him, and it's only a
|
|
proper compliment to you."
|
|
Meg colored, but a mischievous fancy to tease the girls made her
|
|
reply demurely-
|
|
"You are very kind, but I'm afraid he won't come."
|
|
"Why not, cherie?" asked Miss Belle.
|
|
"He's too old."
|
|
"My child, what do you mean? What is his age, I beg to know!"
|
|
cried Miss Clara.
|
|
"Nearly seventy, I believe," answered Meg, counting stitches, to
|
|
hide the merriment in her eyes.
|
|
"You sly creature! Of course we meant the young man," exclaimed Miss
|
|
Belle, laughing.
|
|
"There isn't any; Laurie is only a little boy," and Meg laughed also
|
|
at the queer look which the sisters exchanged as she thus described
|
|
her supposed lover.
|
|
"About your age," Nan said.
|
|
"Nearer my sister Jo's; I am seventeen in August," returned Meg,
|
|
tossing her head.
|
|
"It's very nice of him to send you flowers, isn't it?" said Annie,
|
|
looking wise about nothing.
|
|
"Yes, he often does, to all of us; for their house is full, and we
|
|
are so fond of them. My mother and old Mr. Laurence are friends, you
|
|
know, so it is quite natural that we children should play together";
|
|
and Meg hoped they would say no more.
|
|
"It's evident Daisy isn't out yet," said Miss Clara to Belle, with a
|
|
nod.
|
|
"Quite a pastoral state of innocence all round," returned Miss
|
|
Belle, with a shrug.
|
|
"I'm going out to get some little matters for my girls; can I do
|
|
anything for you, young ladies?" asked Mrs. Moffat, lumbering in, like
|
|
an elephant, in silk and lace.
|
|
"No, thank you, ma'am," replied Sallie. "I've got my new pink silk
|
|
for Thursday, and don't want a thing."
|
|
"Nor I-" began Meg, but stopped, because it occurred to her that she
|
|
did want several things, and could not have them.
|
|
"What shall you wear?" asked Sallie. "My old white one again, if I
|
|
can mend it fit to be seen; it got sadly torn last night," said Meg,
|
|
trying to speak quite easily, but feeling very uncomfortable.
|
|
"Why don't you send home for another?" said Sallie, who was not an
|
|
observing young lady.
|
|
"I haven't got any other." It cost Meg an effort to say that, but
|
|
Sallie did not see it, and exclaimed, in amiable surprise-
|
|
"Only that? How funny-" She did not finish her speech, for Belle
|
|
shook her head at her, and broke in, saying kindly-
|
|
"Not at all; where is the use of having a lot of dresses when she
|
|
isn't out? There's no need of sending home, Daisy, even if you had a
|
|
dozen, for I've got a sweet blue silk laid away, which I've
|
|
outgrown, and you shall wear it, to please me, won't you, dear?"
|
|
"You are very kind, but I don't mind my old dress, if you don't;
|
|
it does well enough for a little girl like me," said Meg.
|
|
"Now do let me please myself by dressing you up in style. I admire
|
|
to do it, and you'd be a regular little beauty, with a touch here
|
|
and there. I shan't let any one see you till you are done, and then
|
|
we'll burst upon them like Cinderella and her godmother, going to
|
|
the ball," said Belle, in her persuasive tone.
|
|
Meg couldn't refuse the offer so kindly made, for a desire to see if
|
|
she would be "a little beauty" after touching up, caused her to
|
|
accept, and forget all her former uncomfortable feelings towards the
|
|
Moffats.
|
|
On the Thursday evening, Belle shut herself up with her maid; and,
|
|
between them, they turned Meg into a fine lady. They crimped and
|
|
curled her hair, they polished her neck and arms with some fragrant
|
|
powder, touched her lips with coralline salve, to make them redder,
|
|
and Hortense would have added "a soupcon of rouge," if Meg had not
|
|
rebelled. They laced her into a sky-blue dress, which was so tight she
|
|
could hardly breathe, and so low in the neck that modest Meg blushed
|
|
at herself in the mirror. A set of silver filagree was added,
|
|
bracelets, necklace, brooch, and even earrings; for Hortense tied them
|
|
on, with a bit of pink silk, which did not show. A cluster of
|
|
tea-rosebuds at the bosom, and a ruche, reconciled Meg to the
|
|
display of her pretty white shoulders, and a pair of high-heeled
|
|
blue silk boots satisfied the last wish of her heart. A laced
|
|
handkerchief, a plumy fan, and a bouquet in a silver holder finished
|
|
her off; and Miss Belle surveyed her with the satisfaction of a little
|
|
girl with a newly dressed doll.
|
|
"Mademoiselle is charmante, tres jolie, is she not?" cried Hortense,
|
|
clasping her hands in an affected rapture.
|
|
"Come and show yourself," said Miss Belle, leading the way to the
|
|
room where the others were waiting.
|
|
As Meg went rustling after, with her long skirts trailing, her
|
|
earrings tinkling, her curls waving, and her heart beating, she felt
|
|
as if her "fun" had really begun at last, for the mirror had plainly
|
|
told her that she was "a little beauty." Her friends repeated the
|
|
pleasing phrase enthusiastically; and, for several minutes, she stood,
|
|
like the jackdaw in the fable, enjoying her borrowed plumes, while the
|
|
rest chattered like a party of magpies.
|
|
"While I dress, do you drill her, Nan, in the management of her
|
|
skirt, and those French heels, or she will trip herself up. Take
|
|
your silver butterfly, and catch up that long curl on the left side of
|
|
her head, Clara, and don't any of you disturb the charming work of
|
|
my hands," said Belle, as she hurried away, looking well pleased
|
|
with her success.
|
|
"I'm afraid to go down, I feel so queer and stiff and half-dressed,"
|
|
said Meg to Sallie, as the bell rang, and Mrs. Moffat sent to ask
|
|
the young ladies to appear at once.
|
|
"You don't look a bit like yourself, but you are very nice. I'm
|
|
nowhere beside you, for Belle has heaps of taste, and you're quite
|
|
French, I assure you. Let your flowers hang; don't be so careful of
|
|
them, and be sure you don't trip," returned Sallie, trying not to care
|
|
that Meg was prettier than herself.
|
|
Keeping that warning carefully in mind, Margaret got safely down
|
|
stairs, and sailed into the drawing-rooms, where the Moffats and a few
|
|
early guests were assembled. She very soon discovered that there is
|
|
a charm about fine clothes which attracts a certain class of people,
|
|
and secures their respect. Several young ladies, who had taken no
|
|
notice of her before, were very affectionate all of a sudden;
|
|
several young gentlemen, who had only stared at her at the other
|
|
party, now not only stared, but asked to be introduced, and said all
|
|
manner of foolish but agreeable things to her; and several old ladies,
|
|
who sat on sofas, and criticized the rest of the party, inquired who
|
|
she was, with an air of interest. She heard Mrs. Moffat reply to one
|
|
of them-
|
|
"Daisy March- father a colonel in the army- one of our first
|
|
families, but reverses of fortune, you know; intimate friends of the
|
|
Laurences; sweet creature, I assure you; my Ned is quite wild about
|
|
her."
|
|
"Dear me!" said the old lady, putting up her glass for another
|
|
observation of Meg, who tried to look as if she had not heard, and
|
|
been rather shocked at Mrs. Moffat's fibs.
|
|
The "queer feeling" did not pass away, but she imagined herself
|
|
acting the new part of fine lady, and so got on pretty well, though
|
|
the tight dress gave her a side-ache, the train kept getting under her
|
|
feet, and she was in constant fear lest her ear-rings should fly
|
|
off, and get lost or broken. She was flirting her fan, and laughing at
|
|
the feeble jokes of a young gentleman who tried to be witty, when
|
|
she suddenly stopped laughing, and looked confused; for, just
|
|
opposite, she saw Laurie. He was staring at her with undisguised
|
|
surprise, and disapproval also, she thought; for, though he bowed
|
|
and smiled, yet something in his honest eyes made her blush, and
|
|
wish she had her old dress on. To complete her confusion, she saw
|
|
Belle nudge Annie, and both glance from her to Laurie, who, she was
|
|
happy to see, looked unusually boyish and shy.
|
|
"Silly creatures, to put such thoughts into my head! I won't care
|
|
for it, or let it change me a bit," thought Meg, and rustled across
|
|
the room to shake hands with her friend.
|
|
"I'm glad you came, I was afraid you wouldn't," she said, with her
|
|
most grown-up air.
|
|
"Jo wanted me to come, and tell her how you looked, so I did,"
|
|
answered Laurie, without turning his eyes upon her, though he half
|
|
smiled at her maternal tone.
|
|
"What shall you tell her?" asked Meg, full of curiosity to know
|
|
his opinion of her, yet feeling ill at ease with him, for the first
|
|
time.
|
|
"I shall say I didn't know you; for you look so grown-up, and unlike
|
|
yourself, I'm quite afraid of you," he said, fumbling at his
|
|
glove-button.
|
|
"How absurd of you! The girls dressed me up for fun, and I rather
|
|
like it. Wouldn't Jo stare if she saw me?" said Meg, bent on making
|
|
him say whether he thought her improved or not.
|
|
"Yes, I think she would," returned Laurie gravely.
|
|
"Don't you like me so?" asked Meg.
|
|
"No, I don't," was the blunt reply.
|
|
"Why not?" in an anxious tone.
|
|
He glanced at her frizzled head, bare shoulders, and fantastically
|
|
trimmed dress, with an expression that abashed her more than his
|
|
answer, which had not a particle of his usual politeness about it.
|
|
"I don't like fuss and feathers."
|
|
That was altogether too much from a lad younger than herself; and
|
|
Meg walked away, saying petulantly-
|
|
"You are the rudest boy I ever saw."
|
|
Feeling very much ruffled, she went and stood at a quiet window,
|
|
to cool her cheeks, for the tight dress gave her an uncomfortably
|
|
brilliant color. As she stood there, Major Lincoln passed by; and, a
|
|
minute after, she heard him saying to his mother-
|
|
"They are making a fool of that little girl; I wanted you to see
|
|
her, but they have spoilt her entirely; she's nothing but a doll,
|
|
to-night."
|
|
"Oh, dear!" sighed Meg; "I wish I'd been sensible, and worn my own
|
|
things; then I should not have disgusted other people, or felt so
|
|
uncomfortable and ashamed myself." She leaned her forehead on the cool
|
|
pane, and stood half hidden by the curtains, never minding that her
|
|
favorite waltz had begun, till some one touched her; and, turning, she
|
|
saw Laurie, looking penitent, as he said, with his very best bow,
|
|
and his hand out-
|
|
"Please forgive my rudeness, and come and dance with me."
|
|
"I'm afraid it will be too disagreeable to you," said Meg, trying to
|
|
look offended, and failing entirely.
|
|
"Not a bit of it; I'm dying to do it. Come, I'll be good; I don't
|
|
like your gown, but I do think you are- just splendid"; and he waved
|
|
his hands, as if words failed to express his admiration.
|
|
Meg smiled and relented, and whispered, as they stood waiting to
|
|
catch the time-
|
|
"Take care my skirt don't trip you up; it's the plague of my life
|
|
and I was a goose to wear it."
|
|
"Pin it round your neck, and then it will be useful," said Laurie,
|
|
looking down at the little blue boots, which he evidently approved of.
|
|
Away they went, fleetly and gracefully; for, having practised at
|
|
home, they were well matched, and the blithe young couple were a
|
|
pleasant sight to see, as they twirled merrily round and round,
|
|
feeling more friendly than ever after their small tiff.
|
|
"Laurie, I want you to do me a favor; will you?" said Meg, as he
|
|
stood fanning her, when her breath gave out, which it did very soon,
|
|
though she would not own why.
|
|
"Won't I!" said Laurie, with alacrity.
|
|
"Please don't tell them at home about my dress to-night. They
|
|
won't understand the joke, and it will worry mother."
|
|
"Then why did you do it?" said Laurie's eyes, so plainly that Meg
|
|
hastily added-
|
|
"I shall tell them, myself, all about it, and ''fess' to mother
|
|
how silly I've been. But I'd rather do it myself; so you'll not
|
|
tell, will you?"
|
|
"I give you my word I won't; only what shall I say when they ask
|
|
me?"
|
|
"Just say I looked pretty well, and was having a good time."
|
|
"I'll say the first, with all my heart; but how about the other? You
|
|
don't look as if you were having a good time; are you?" and Laurie
|
|
looked at her with an expression which made her answer, in a whisper-
|
|
"No; not just now. Don't think I'm horrid; I only wanted a little
|
|
fun, but this sort doesn't pay, I find, and I'm getting tired of it."
|
|
"Here comes Ned Moffat; what does he want?" said Laurie, knitting
|
|
his black brows, as if he did not regard his young host in the light
|
|
of a pleasant addition to the party.
|
|
"He put his name down for three dances, and I suppose he's coming
|
|
for them. What a bore!" said Meg, assuming a languid air, which amused
|
|
Laurie immensely.
|
|
He did not speak to her again till supper-time, when he saw her
|
|
drinking champagne with Ned and his friend Fisher, who were behaving
|
|
"like a pair of fools," as Laurie said to himself, for he felt a
|
|
brotherly sort of right to watch over the Marches, and fight their
|
|
battles whenever a defender was needed.
|
|
"You'll have a splitting headache to-morrow, if you drink much of
|
|
that. I wouldn't, Meg; your mother doesn't like it, you know," he
|
|
whispered, leaning over her chair, as Ned turned to refill her
|
|
glass, and Fisher stooped to pick up her fan.
|
|
"I'm not Meg, to-night; I'm 'a doll,' who does all sorts of crazy
|
|
things. To-morrow I shall put away my 'fuss and feathers, and be
|
|
desperately good again," she answered, with an affected little laugh.
|
|
"Wish to-morrow was here, then," muttered Laurie, walking off, ill
|
|
pleased at the change he saw in her.
|
|
Meg danced and flirted, chattered and giggled, as the other girls
|
|
did; after supper she undertook the German, and blundered through
|
|
it, nearly upsetting her partner with her long skirt, and romping in a
|
|
way that scandalized Laurie, who looked on and meditated a lecture.
|
|
But he got no chance to deliver it, for Meg kept away from him till he
|
|
came to say good-night.
|
|
"Remember!" she said, trying to smile, for the splitting headache
|
|
had already begun.
|
|
"Silence a la mort," replied Laurie, with a melodramatic flourish,
|
|
as he went away.
|
|
This little bit of by-play excited Annie's curiosity; but Meg was
|
|
too tired for gossip, and went to bed, feeling as if she had been to a
|
|
masquerade, and hadn't enjoyed herself as much as she expected. She
|
|
was sick all the next day, and on Saturday went home, quite used up
|
|
with her fortnight's fun, and feeling that she had "sat in the lap
|
|
of luxury" long enough.
|
|
"It does seem pleasant to be quiet, and not have company manners
|
|
on all the time. Home is a nice place, though it isn't splendid," said
|
|
Meg, looking about her with a restful expression, as she sat with
|
|
her mother and Jo on the Sunday evening.
|
|
"I'm glad to hear you say so, dear, for I was afraid home would seem
|
|
dull and poor to you, after your fine quarters," replied her mother,
|
|
who had given her many anxious looks that day; for motherly eyes are
|
|
quick to see any change in children's faces.
|
|
Meg had told her adventures gayly, and said over and over what a
|
|
charming time she had had; but something still seemed to weigh upon
|
|
her spirits, and, when the younger girls were gone to bed, she sat
|
|
thoughtfully staring at the fire, saying little, and looking
|
|
worried. As the clock struck nine, and Jo proposed bed, Meg suddenly
|
|
left her chair, and, taking Beth's stool, leaned her elbows on her
|
|
mother's knee, saying bravely-
|
|
"'Marmee, I want to' 'fess.'"
|
|
"I thought so; what is it, dear?"
|
|
"Shall I go away?" asked Jo discreetly.
|
|
"Of course not; don't I always tell you everything? I was ashamed to
|
|
speak of it before the children, but I want you to know all the
|
|
dreadful things I did at the Moffats."
|
|
"We are prepared," said Mrs. March, smiling, but looking a little
|
|
anxious.
|
|
"I told you they dressed me up, but I didn't tell you that they
|
|
powdered and squeezed and frizzled, and made me look like a
|
|
fashion-plate. Laurie thought I wasn't proper; I know he did, though
|
|
he didn't say so, and one man called me 'a doll.' I knew it was silly,
|
|
but they flattered me, and said I was a beauty, and quantities of
|
|
nonsense, so I let them make a fool of me."
|
|
"Is that all?" asked Jo, as Mrs. March looked silently at the
|
|
downcast face of her pretty daughter, and could not find it in her
|
|
heart to blame her little follies.
|
|
"No; I drank champagne and romped and tried to flirt, and was
|
|
altogether abominable," said Meg self-reproachfully.
|
|
"There is something more, I think"; and Mrs. March smoothed the soft
|
|
cheek, which suddenly grew rosy, as Meg answered slowly-
|
|
"Yes; it's very silly, but I want to tell it, because I hate to have
|
|
people say and think such things about us and Laurie."
|
|
Then she told the various bits of gossip she had heard at the
|
|
Moffats'; and, as she spoke, Jo saw her mother fold her lips
|
|
tightly, as if ill pleased that such ideas should be put into Meg's
|
|
innocent mind.
|
|
"Well, if that isn't the greatest rubbish I ever heard," cried Jo
|
|
indignantly. "Why didn't you pop out and tell them so, on the spot?"
|
|
"I couldn't, it was so embarrassing for me. I couldn't help hearing,
|
|
at first, and then I was so angry and ashamed, I didn't remember
|
|
that I ought to go away."
|
|
"Just wait till I see Annie Moffat, and I'll show you how to
|
|
settle such ridiculous stuff. The idea of having 'plans,' and being
|
|
kind to Laurie, because he's rich, and may marry us by and by! Won't
|
|
he shout, when I tell him what those silly things say about us poor
|
|
children?" and Jo laughed, as if, on second thoughts, the thing struck
|
|
her as a good joke.
|
|
"If you tell Laurie, I'll never forgive you! She mustn't, must
|
|
she, mother?" said Meg, looking distressed.
|
|
"No; never repeat that foolish gossip, and forget it as soon as
|
|
you can said Mrs. March gravely. "I was very unwise to let you go
|
|
among people of whom I know so little- kind, I dare say, but
|
|
worldly, ill-bred, and full of these vulgar ideas about young
|
|
people. I am more sorry than I can express for the mischief this visit
|
|
may have done you, Meg."
|
|
"Don't be sorry, I won't let it hurt me; I'll forget all the bad,
|
|
and remember only the good; for I did enjoy a great deal, and thank
|
|
you very much for letting me go. I'll not be sentimental or
|
|
dissatisfied, mother; I know I'm a silly little girl, and I'll stay
|
|
with you till I'm fit to take care of myself. But it is nice to be
|
|
praised, and admired, and I can't help saying I like it," said Meg,
|
|
looking half ashamed of the confession.
|
|
"That is perfectly natural, and quite harmless, if the liking does
|
|
not become a passion, and lead one to do foolish or unmaidenly things.
|
|
Learn to know and value the praise which is worth having, and to
|
|
excite the admiration of excellent people by being modest as well as
|
|
pretty, Meg."
|
|
Margaret sat thinking a moment, while Jo stood with her hands behind
|
|
her, looking both interested and a little perplexed; for it was a
|
|
new thing to see Meg blushing and talking about admiration, lovers,
|
|
and things of that sort; and Jo felt as if, during that fortnight, her
|
|
sister had grown up amazingly, and was drifting away from her into a
|
|
world where she could not follow.
|
|
"Mother, do you have 'plans,' as Mrs. Moffat said?" asked Meg
|
|
bashfully.
|
|
"Yes, my dear, I have a great many; all mothers do, but mine
|
|
differ somewhat from Mrs. Moffat's, I suspect. I will tell you some of
|
|
them, for the time has come when a word may set this romantic little
|
|
head and heart of yours right, on a very serious subject. You are
|
|
young, Meg, but not too young to understand me; and mothers' lips
|
|
are the fittest to speak of such things to girls like you. Jo, your
|
|
turn will come in time, perhaps, so listen to my 'plans,' and help
|
|
me carry them out, if they are good."
|
|
Jo went and sat on one arm of the chair, looking as if she thought
|
|
they were about to join in some very solemn affair. Holding a hand
|
|
of each, and watching the two young faces wistfully, Mrs. March
|
|
said, in her serious yet cheery way-
|
|
"I want my daughters to be beautiful, accomplished, and good; to
|
|
be admired, loved, and respected; to have a happy youth, to be well
|
|
and wisely married, and to lead useful, pleasant lives, with as little
|
|
care and sorrow to try them as God sees fit to send. To be loved and
|
|
chosen by a good man is the best and sweetest thing which can happen
|
|
to a woman; and I sincerely hope my girls may know this beautiful
|
|
experience. It is natural to think of it, Meg; right to hope and
|
|
wait for it, and wise to prepare for it; so that, when the happy
|
|
time comes, you may feel ready for the duties and worthy of the joy.
|
|
My dear girls, I am ambitious for you, but not to have you make a dash
|
|
in the world- marry rich men merely because they are rich, or have
|
|
splendid houses, which are not homes because love is wanting. Money is
|
|
a needful and precious thing- and, when well used, a noble thing-
|
|
but I never want you to think it is the first or only prize to
|
|
strive for. I'd rather see you poor men's wives, if you were happy,
|
|
beloved, contented, than queens on thrones, without self-respect and
|
|
peace."
|
|
"Poor girls don't stand any chance, Belle says, unless they put
|
|
themselves forward," sighed Meg.
|
|
"Then we'll be old maids," said Jo stoutly.
|
|
"Right, Jo; better be happy old maids than unhappy wives, or
|
|
unmaidenly girls, running about to find husbands," said Mrs. March
|
|
decidedly. "Don't be troubled, Meg; poverty seldom daunts a sincere
|
|
lover. Some of the best and most honored women I know were poor girls,
|
|
but so love-worthy that they were not allowed to be old maids. Leave
|
|
these things to time; make this home happy, so that you may be fit for
|
|
homes of your own, if they are offered you, and contented here if they
|
|
are not. One thing remember, my girls: mother is always ready to be
|
|
your confidant, father to be your friend; and both of us trust and
|
|
hope that our daughters, whether married or single, will be the
|
|
pride and comfort of our lives."
|
|
"We will, Marmee, we will!" cried both, with all their hearts, as
|
|
she bade them good-night.
|
|
10
|
|
The P. C. and P. O.
|
|
|
|
AS spring came on, a new set of amusements became the fashion, and
|
|
the lengthening days gave long afternoons for work and play of all
|
|
sorts. The garden had to be put in order, and each sister had a
|
|
quarter of the little plot to do what she liked with. Hannah used to
|
|
say, "I'd know which each of them gardings belonged to, ef I see 'em
|
|
in Chiny"; and so she might, for the girls' tastes differed as much as
|
|
their characters. Meg's had roses and heliotrope, myrtle, and a little
|
|
orange-tree in it. Jo's bed was never alike two seasons, for she was
|
|
always trying experiments; this year it was to be a plantation of
|
|
sun-flowers, the seeds of which cheerful and aspiring plant were to
|
|
feed "Aunt Cockle-top" and her family of chicks. Beth had
|
|
old-fashioned, fragrant flowers in her garden- sweet peas and
|
|
mignonette, larkspur, pinks, pansies, and southernwood, with chickweed
|
|
for the bird, and catnip for the pussies. Amy had a bower in hers-
|
|
rather small and earwiggy, but very pretty to look at- with
|
|
honeysuckles and morning-glories hanging their colored horns and bells
|
|
in graceful wreaths all over it; tall, white lilies, delicate ferns,
|
|
and as many brilliant, picturesque plants as would consent to
|
|
blossom there.
|
|
Gardening, walks, rows on the river, and flower-hunts employed the
|
|
fine days; and for rainy ones, they had house diversions- some old,
|
|
some new- all more or less original. One of these was the "P. C.";
|
|
for, as secret societies were the fashion, it was thought proper to
|
|
have one; and, as all of the girls admired Dickens, they called
|
|
themselves the Pickwick Club. With a few interruptions, they had
|
|
kept this up for a year, and met every Saturday evening in the big
|
|
garret, on which occasions the ceremonies were as follows: Three
|
|
chairs were arranged in a row before a table, on which was a lamp,
|
|
also four white badges, with a big "P. C." in different colors on
|
|
each, and the weekly newspaper, called "The Pickwick Portfolio," to
|
|
which all contributed something; while Jo, who revelled in pens and
|
|
ink, was the editor. At seven o'clock, the four members ascended to
|
|
the club-room, tied their badges round their heads, and took their
|
|
seats with great solemnity. Meg, as the eldest, was Samuel Pickwick;
|
|
Jo, being of a literary turn, Augustus Snodgrass; Beth, because she
|
|
was round and rosy, Tracy Tupman; and Amy, who was always trying to do
|
|
what she couldn't, was Nathaniel Winkle. Pickwick, the president, read
|
|
the paper, which was filled with original tales, poetry, local news,
|
|
funny advertisements, and hints, in which they good-naturedly reminded
|
|
each other of their faults and short-comings. On one occasion, Mr.
|
|
Pickwick put on a pair of spectacles without any glasses, rapped
|
|
upon the table, hemmed, and, having stared hard at Mr. Snodgrass,
|
|
who was tilting back in his chair, till he arranged himself
|
|
properly, began to read:
|
|
|
|
THE PICKWICK PORTFOLIO
|
|
---------------------------------------------------------------------
|
|
POET'S CORNER
|
|
- - - - - - - - - - - - - - - - - - -
|
|
ANNIVERSARY ODE
|
|
|
|
AGAIN we meet to celebrate
|
|
With badge and solemn rite,
|
|
Our fifty-second anniversary,
|
|
In Pickwick Hall, to-night.
|
|
|
|
We all are here in perfect health,
|
|
None gone from our small band;
|
|
Again we see each well-known face,
|
|
And press each friendly hand.
|
|
|
|
Our Pickwick, always at his post,
|
|
With reverence we greet,
|
|
As, spectacles on nose, he reads
|
|
Our well-filled weekly sheet.
|
|
|
|
Although he suffers from a cold,
|
|
We joy to hear him speak,
|
|
For words of wisdom from him fall,
|
|
In spite of croak or squeak.
|
|
|
|
Old six-foot Snodgrass looms on high,
|
|
With elephantine grace,
|
|
And beams upon the company,
|
|
With brown and jovial face.
|
|
|
|
Poetic fire lights up his eye,
|
|
He struggles 'gainst his lot.
|
|
Behold ambition on his brow,
|
|
And on his nose a blot!
|
|
|
|
Next our peaceful Tupman comes,
|
|
So rosy, plump, and sweet,
|
|
Who chokes with laughter at the puns,
|
|
And tumbles off his seat.
|
|
|
|
Prim little Winkle too is here,
|
|
With every hair in place,
|
|
A model of propriety,
|
|
Though he hates to wash his face.
|
|
|
|
The year is gone, we still unite
|
|
To joke and laugh and read,
|
|
And tread the path of literature
|
|
That doth to glory lead.
|
|
|
|
Long may our paper prosper well,
|
|
Our club unbroken be,
|
|
And coming years their blessings pour
|
|
On the useful, gay "P. C."
|
|
A. SNODGRASS.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
THE MASKED MARRIAGE
|
|
A TALE OF VENICE
|
|
|
|
GONDOLA after gondola swept up to the marble steps, and left its
|
|
lovely load to swell the brilliant throng that filled the stately
|
|
halls of Count de Adelon. Knights and ladies, elves and pages, monks
|
|
and flower-girls, all mingled gayly in the dance. Sweet voices and
|
|
rich melody filled the air; and so with mirth and music the masquerade
|
|
went on.
|
|
"Has your Highness seen the Lady Viola to-night?" asked a gallant
|
|
troubadour of the fairy queen who floated down the hall upon his arm.
|
|
"Yes; is she not lovely, though so sad! Her dress is well chosen,
|
|
too, for in a week she weds Count Antonio, whom she passionately
|
|
hates."
|
|
"By my faith, I envy him. Yonder he comes, arrayed like a
|
|
bridegroom, except the black mask. When that is off we shall see how
|
|
he regards the fair maid whose heart he cannot win, though her stern
|
|
father bestows her hand," returned the troubadour.
|
|
"'T is whispered that she loves the young English artist who
|
|
haunts her steps, and is spurned by the old count," said the lady,
|
|
as they joined the dance.
|
|
The revel was at its height when a priest appeared, and, withdrawing
|
|
the young pair to an alcove hung with purple velvet, he motioned them
|
|
to kneel. Instant silence fell upon the gay throng; and not a sound,
|
|
but the dash of fountains or the rustle of orange-groves sleeping in
|
|
the moonlight, broke the hush, as Count de Adelon spoke thus:
|
|
"My lords and ladies, pardon the ruse by which I have gathered you
|
|
here to witness the marriage of my daughter. Father, we wait your
|
|
services."
|
|
All eyes turned toward the bridal party, and a low murmur of
|
|
amazement went through the throng, for neither bride nor groom removed
|
|
their masks. Curiosity and wonder possessed all hearts, but respect
|
|
restrained all tongues till the holy rite was over. Then the eager
|
|
spectators gathered round the count, demanding an explanation.
|
|
"Gladly would I give it if I could; but I only know that it was
|
|
the whim of my timid Viola, and I yielded to it. Now, my children, let
|
|
the play end. Unmask, and receive my blessing."
|
|
But neither bent the knee; for the young bridegroom replied, in a
|
|
tone that startled all listeners, as the mask fell, disclosing the
|
|
noble face of Ferdinand Devereux, the artist lover; and, leaning on
|
|
the breast where now flashed the star of an English earl, was the
|
|
lovely Viola, radiant with joy and beauty.
|
|
"My lord, you scornfully bade me claim your daughter when I could
|
|
boast as high a name and vast a fortune as the Count Antonio. I can do
|
|
more; for even your ambitious soul cannot refuse the Earl of
|
|
Devereux and De Vere, when he gives his ancient name and boundless
|
|
wealth in return for the beloved hand of this fair lady, now my wife."
|
|
The count stood like one changed to stone; and, turning to the
|
|
bewildered crowd, Ferdinand added, with a gay smile of triumph, "To
|
|
you, my gallant friends, I can only wish that your wooing may
|
|
prosper as mine has done; and that you may all win as fair a bride
|
|
as I have, by this masked marriage."
|
|
S. PICKWICK.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
Why is the P. C. like the Tower of Babel!
|
|
It is full of unruly members.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
THE HISTORY OF A SQUASH.
|
|
|
|
ONCE upon a time a farmer planted a little seed in his garden, and
|
|
after a while it sprouted and became a vine, and bore many squashes.
|
|
One day in October, when they were ripe, he picked one and took it
|
|
to market. A grocerman bought and put it in his shop. That same
|
|
morning, a little girl, in a brown hat and blue dress, with a round
|
|
face and snub nose, went and bought it for her mother. She lugged it
|
|
home, cut it up, and boiled it in the big pot; mashed some of it, with
|
|
salt and butter, for dinner; and to the rest she added a pint of milk,
|
|
two eggs, four spoons of sugar, nutmeg, and some crackers; put it in a
|
|
deep dish, and baked it till it was brown and nice; and next day it
|
|
was eaten by a family named March.
|
|
T. TUPMAN.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
MR. PICKWICK, Sir:
|
|
I address you upon the subject of sin the sinner I mean is a man
|
|
named Winkle who makes trouble in his club by laughing and sometimes
|
|
won't write his piece in this fine paper I hope you will pardon his
|
|
badness and let him send a French fable because he can't write out
|
|
of his head as he has so many lessons to do and no brains in future
|
|
I will try to take time by the fetlock and prepare some work which
|
|
will be all commy la fo that means all right I am in haste as it is
|
|
nearly school time
|
|
Yours respectably, N. WINKLE.
|
|
|
|
[The above is a manly and handsome acknowledgment of past
|
|
misdemeanors. If our young friend studied punctuation, it would be
|
|
well.]
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
A SAD ACCIDENT
|
|
|
|
ON FRIDAY last, we were startled by a violent shock in our basement,
|
|
followed by cries of distress. On rushing, in a body, to the cellar,
|
|
we discovered our beloved President prostrate upon the floor, having
|
|
tripped and fallen while getting wood for domestic purposes. A perfect
|
|
scene of ruin met our eyes; for in his fall Mr. Pickwick had plunged
|
|
his head and shoulders into a tub of water, upset a keg of soft soap
|
|
upon his manly form, and torn his garments badly. On being removed
|
|
from this perilous situation, it was discovered that he had suffered
|
|
no injury but several bruises; and, we are happy to add, is now
|
|
doing well.
|
|
ED.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
THE PUBLIC BEREAVEMENT
|
|
|
|
IT IS our painful duty to record the sudden and mysterious
|
|
disappearance of our cherished friend, Mrs. Snowball Pat Paw. This
|
|
lovely and beloved cat was the pet of a large circle of warm and
|
|
admiring friends; for her beauty attracted all eyes, her graces and
|
|
virtues endeared her to all hearts, and her loss is deeply felt by the
|
|
whole community.
|
|
When last seen, she was sitting at the gate, watching the
|
|
butcher's cart; and it is feared that some villain, tempted by her
|
|
charms, basely stole her. Weeks have passed, but no trace of her has
|
|
been discovered; and we relinquish all hope, tie a black ribbon to her
|
|
basket, set aside her dish, and weep for her as one lost to us
|
|
forever.
|
|
|
|
A sympathizing friend sends the following gem:
|
|
|
|
A LAMENT
|
|
FOR S. B. PAT PAW.
|
|
|
|
WE MOURN the loss of our little pet,
|
|
And sigh o'er her hapless fate,
|
|
For never more by the fire she'll sit,
|
|
Nor play by the old green gate.
|
|
|
|
The little grave where her infant sleeps
|
|
Is 'neath the chestnut tree;
|
|
But o'er her grave we may not weep,
|
|
We know not where it may be.
|
|
|
|
Her empty bed, her idle ball,
|
|
Will never see her more;
|
|
No gentle tap, no loving purr
|
|
Is heard at the parlor-door.
|
|
|
|
Another cat comes after her mice,
|
|
A cat with a dirty face;
|
|
But she does not hunt as our darling did,
|
|
Nor play with her airy grace.
|
|
|
|
Her stealthy paws tread the very hall
|
|
Where Snowball used to play,
|
|
But she only spits at the dogs our pet
|
|
So gallantly drove away.
|
|
|
|
She is useful and mild, and does her best,
|
|
But she is not fair to see;
|
|
And we cannot give her your place, dear,
|
|
Nor worship her as we worship thee.
|
|
A. S.
|
|
|
|
- - - - - - - - - - - - - - - - - - -
|
|
ADVERTISEMENTS
|
|
- - - - - - - - - - - - - - - - - - -
|
|
MISS ORANTHY BLUGGAGE, the accomplished Strong-Minded Lecturer, will
|
|
deliver her famous Lecture on "WOMAN AND HER POSITION," at Pickwick
|
|
Hall, next Saturday Evening, after the usual performances.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
A WEEKLY MEETING will be held at Kitchen Place, to teach young
|
|
ladies how to cook. Hannah Brown will preside; and all are invited
|
|
to attend.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
THE DUSTPAN SOCIETY will meet on Wednesday next, and parade in the
|
|
upper story of the Club House. All members to appear in uniform and
|
|
shoulder their brooms at nine precisely.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
MRS. BETH BOUNCER will open her new assortment of Doll's Millinery
|
|
next week. The latest Paris Fashions have arrived, and orders are
|
|
respectfully solicited.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
A NEW PLAY will appear at the Barnville Theater, in the course of
|
|
a few weeks, which will surpass anything ever seen on the American
|
|
stage. "THE GREEK SLAVE, or Constantine the Avenger," is the name of
|
|
this thrilling drama!!!
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
HINTS
|
|
|
|
If S. P. didn't use so much soap on his hands, he wouldn't always be
|
|
late at breakfast. A. S. is requested not to whistle in the street. T.
|
|
T., please don't forget Amy's napkin. N. W. must not fret because
|
|
his dress has not nine tucks.
|
|
- - - - - - - - - - - - - - - - - - -
|
|
|
|
WEEKLY REPORT
|
|
|
|
MEG - Good.
|
|
JO - Bad.
|
|
BETH - Very good.
|
|
AMY - Middling.
|
|
|
|
As the President finished reading the paper (which I beg leave to
|
|
assure my readers is a bona fide copy of one written by bona fide
|
|
girls once upon a time), a round of applause followed, and then Mr.
|
|
Snodgrass rose to make a proposition.
|
|
"Mr. President and gentlemen," he began, assuming a parliamentary
|
|
attitude and tone, "I wish to propose the admission of a new member-
|
|
one who highly deserves the honor, would be deeply grateful for it,
|
|
and would add immensely to the spirit of the club, the literary value
|
|
of the paper, and be no end jolly and nice. I propose Mr. Theodore
|
|
Laurence as an honorary member of the P. C. Come now, do have him."
|
|
Jo's sudden change of tone made the girls laugh; but all looked
|
|
rather anxious, and no one said a word, as Snodgrass took his seat.
|
|
"We'll put it to vote," said the President. "All in favor of this
|
|
motion please to manifest it by saying 'Ay.'"
|
|
A loud response from Snodgrass, followed, to everybody's surprise,
|
|
by a timid one from Beth.
|
|
"Contrary minded say 'No.'"
|
|
Meg and Amy were contrary minded; and Mr. Winkle rose to say, with
|
|
great elegance, "We don't wish any boys; they only joke and bounce
|
|
about. This is a ladies' club, and we wish to be private and proper."
|
|
"I'm afraid he'll laugh at our paper, and make fun of us afterward,"
|
|
observed Pickwick, pulling the little curl on her forehead, as she
|
|
always did when doubtful.
|
|
Up rose Snodgrass, very much in earnest. "Sir, I give you my word as
|
|
a gentleman, Laurie won't do anything of the sort. He likes to
|
|
write, and he'll give a tone to our contributions, and keep us from
|
|
being sentimental, don't you see? We can do so little for him, and
|
|
he does so much for us, I think the least we can do is to offer him
|
|
a place here, and make him welcome if he comes."
|
|
This artful allusion to benefits conferred brought Tupman to his
|
|
feet, looking as if he had quite made up his mind.
|
|
"Yes, we ought to do it, even if we are afraid. I say he may come,
|
|
and his grandpa, too, if he likes."
|
|
This spirited burst from Beth electrified the club, and Jo left
|
|
her seat to shake hands approvingly. "Now then, vote again.
|
|
Everybody remember it's our Laurie, and say 'Ay!'" cried Snodgrass
|
|
excitedly.
|
|
"Ay! ay! ay!" replied three voices at once.
|
|
"Good! Bless you! Now, as there's nothing like 'taking time by the
|
|
fetlock,' as Winkle characteristically observes, allow me to present
|
|
the new member"; and, to the dismay of the rest of the club, Jo
|
|
threw open the door of the closet, and displayed Laurie sitting on a
|
|
rag-bag, flushed and twingling with suppressed laughter.
|
|
"You rogue! you traitor! Jo, how could you?" cried the three
|
|
girls, as Snodgrass led her friend triumphantly forth; and,
|
|
producing both a chair and a badge, installed him in a jiffy.
|
|
"The coolness of you two rascals is amazing," began Mr. Pickwick,
|
|
trying to get up an awful frown, and only succeeding in producing an
|
|
amiable smile. But the new member was equal to the occasion; and,
|
|
rising, with a grateful salutation to the Chair, said, in the most
|
|
engaging manner, "Mr. President and ladies- I beg pardon, gentlemen-
|
|
allow me to introduce myself as Sam Weller, the very humble servant of
|
|
the club."
|
|
"Good! good!" cried Jo, pounding with the handle of the old
|
|
warming-pan on which she leaned.
|
|
"My faithful friend and noble patron," continued Laurie, with a wave
|
|
of the hand, "who has so flatteringly presented me, is not to be
|
|
blamed for the base stratagem of to-night. I planned it, and she
|
|
only gave in after lots of teasing."
|
|
"Come now, don't lay it all on yourself; you know I proposed the
|
|
cupboard," broke in Snodgrass, who was enjoying the joke amazingly.
|
|
"Never you mind what she says. I'm the wretch that did it, sir,"
|
|
said the new member, with a Welleresque nod to Mr. Pickwick. "But on
|
|
my honor, I never will do so again, and henceforth dewote myself to
|
|
the interest of this immortal club."
|
|
"Hear! hear!" cried Jo, clashing the lid of the warming-pan like a
|
|
cymbal.
|
|
"Go on, go on!" added Winkle and Tupman, while the President bowed
|
|
benignly.
|
|
"I merely wish to say, that as a slight token of my gratitude for
|
|
the honor done me, and as a means of promoting friendly relations
|
|
between adjoining nations, I have set up a post-office in the hedge in
|
|
the lower corner of the garden; a fine spacious building, with
|
|
padlocks on the doors, and every convenience for the mails- also the
|
|
females, if I may be allowed the expression. It's the old
|
|
martin-house; but I've stopped up the door, and made the roof open, so
|
|
it will hold all sorts of things, and save our valuable time. Letters,
|
|
manuscripts, books, and bundles can be passed in there; and, as each
|
|
nation has a key, it will be uncommonly nice, I fancy. Allow me to
|
|
present the club key; and, with many thanks for your favor, take my
|
|
seat."
|
|
Great applause as Mr. Weller deposited a little key on the table,
|
|
and subsided; the warming-pan clashed and waved wildly, and it was
|
|
some time before order could be restored. A long discussion
|
|
followed, and every one came out surprising, for every one did her
|
|
best; so it was an unusually lively meeting, and did not adjourn
|
|
till a late hour, when it broke up with three shrill cheers for the
|
|
new member. No one ever regretted the admittance of Sam Weller, for
|
|
a more devoted, well-behaved, and jovial member no club could have. He
|
|
certainly did add "spirit" to the meetings, and "a tone" to the paper;
|
|
for his orations convulsed his hearers, and his contributions were
|
|
excellent, being patriotic, classical, comical, or dramatic, but never
|
|
sentimental. Jo regarded them as worthy of Bacon, Milton, or
|
|
Shakespeare; and remodelled her own works with good effect, she
|
|
thought.
|
|
The P. O. was a capital little institution, and flourished
|
|
wonderfully, for nearly as many queer things passed through it as
|
|
through the real office. Tragedies and cravats, poetry and pickles,
|
|
garden-seeds and long letters, music and gingerbread, rubbers,
|
|
invitations, scoldings and puppies. The old gentleman liked the fun,
|
|
and amused himself by sending odd bundles, mysterious messages, and
|
|
funny telegrams; and his gardener, who was smitten with Hannah's
|
|
charms, actually sent a love-letter to Jo's care. How they laughed
|
|
when the secret came out, never dreaming how many love-letters that
|
|
little post-office would hold in the years to come!
|
|
11
|
|
Experiments
|
|
|
|
"THE first of June! The Kings are off to the seashore to-morrow
|
|
and I'm free. Three months' vacation- how I shall enjoy it!" exclaimed
|
|
Meg, coming home one warm day to find Jo laid upon the sofa in an
|
|
unusual state of exhaustion, while Beth took off her dusty boots,
|
|
and Amy made lemonade for the refreshment of the whole party.
|
|
"Aunt March went to-day, for which, oh, be joyful!" said Jo. "I
|
|
was mortally afraid she'd ask me to go with her; if she had, I
|
|
should have felt as if I ought to do it; but Plumfield is about as gay
|
|
as a churchyard, you know, and I'd rather be excused. We had a
|
|
flurry getting the old lady off, and I had a fright every time she
|
|
spoke to me, for I was in such a hurry to be through that I was
|
|
uncommonly helpful and sweet, and feared she'd find it impossible to
|
|
part from me. I quaked till she was fairly in the carriage, and had
|
|
a final fright, for, as it drove off, she popped out her head, saying,
|
|
'Josyphine, won't you-?' I didn't hear any more, for I basely turned
|
|
and fled; I did actually run, and whisked round the corner, where I
|
|
felt safe."
|
|
"Poor old Jo! she came in looking as if bears were after her,"
|
|
said Beth, as she cuddled her sister's feet with a motherly air.
|
|
"Aunt March is a regular samphire, is she not?" observed Amy,
|
|
tasting her mixture critically.
|
|
"She means vampire, not sea-weed; but it doesn't matter; it's too
|
|
warm to be particular about one's parts of speech," murmured Jo.
|
|
"What shall you do all your vacation?" asked Amy, changing the
|
|
subject, with tact.
|
|
"I shall lie abed late, and do nothing," replied Meg, from the
|
|
depths of the rocking-chair. "I've been routed up early all winter,
|
|
and had to spend my days working for other people; so now I'm going to
|
|
rest and revel to my heart's content."
|
|
"No," said Jo; "that dozy way wouldn't suit me. I've laid in a
|
|
heap of books, and I'm going to improve my shining hours reading on my
|
|
perch in the old apple-tree, when I'm not having l-"
|
|
"Don't say 'larks'!" implored Amy, as a return snub for the
|
|
"samphire" correction.
|
|
"I'll say 'nightingales,' then, with Laurie; that's proper and
|
|
appropriate, since he's a warbler."
|
|
"Don't let us do any lessons, Beth, for a while, but play all the
|
|
time, and rest, as the girls mean to," proposed Amy.
|
|
"Well, I will, if mother doesn't mind. I want to learn some new
|
|
songs, and my children need fitting up for the summer; they are
|
|
dreadfully out of order, and really suffering for clothes."
|
|
"May we, mother?" asked Meg, turning to Mrs. March, who sat
|
|
sewing, in what they called "Marmee's corner."
|
|
"You may try your experiment for a week, and see how you like it.
|
|
I think by Saturday night you will find that all play and no work is
|
|
as bad as all work and no play."
|
|
"Oh, dear, no! it will be delicious, I'm sure," said Meg
|
|
complacently.
|
|
"I now propose a toast, as my 'friend and pardner, Sairy Gamp,'
|
|
says. Fun forever, and no grubbing!" cried Jo, rising, glass in
|
|
hand, as the lemonade went round.
|
|
They all drank it merrily, and began the experiment by lounging
|
|
for the rest of the day. Next morning, Meg did not appear till ten
|
|
o'clock; her solitary breakfast did not taste nice, and the room
|
|
seemed lonely and untidy; for Jo had not filled the vases, Beth had
|
|
not dusted, and Amy's books lay scattered about. Nothing was neat
|
|
and pleasant but "Marmee's corner," which looked as usual; and there
|
|
Meg sat, to "rest and read," which meant yawn, and imagine what pretty
|
|
summer dresses she would get with her salary. Jo spent the morning
|
|
on the river, with Laurie, and the afternoon reading and crying over
|
|
"The Wide, Wide World," up in the apple-tree. Beth began by
|
|
rummaging everything out of the big closet, where her family
|
|
resided; but, getting tired before half done, she left her
|
|
establishment topsy-turvy, and went to her music, rejoicing that she
|
|
had no dishes to wash. Amy arranged her bower, put on her best white
|
|
frock, smoothed her curls, and sat down to draw, under the
|
|
honeysuckles, hoping some one would see and inquire who the young
|
|
artist was. As no one appeared but an inquisitive daddy-long-legs, who
|
|
examined her work with interest, she went to walk, got caught in a
|
|
shower, and came home dripping.
|
|
At tea-time they compared notes, and all agreed that it had been a
|
|
delightful, though unusually long day. Meg, who went shopping in the
|
|
afternoon, and got a "sweet blue muslin," had discovered, after she
|
|
had cut the breadths off, that it wouldn't wash, which mishap made her
|
|
slightly cross. Jo had burnt the skin off her nose boating, and got
|
|
a raging headache by reading too long. Beth was worried by the
|
|
confusion of her closet, and the difficulty of learning three or
|
|
four songs at once; and Amy deeply regretted the damage done her
|
|
frock, for Katy Brown's party was to be the next day; and now, like
|
|
Flora McFlimsey, she had "nothing to wear." But these were mere
|
|
trifles; and they assured their mother that the experiment was working
|
|
finely. She smiled, said nothing, and, with Hannah's help, did their
|
|
neglected work, keeping home pleasant, and the domestic machinery
|
|
running smoothly. It was astonishing what a peculiar and uncomfortable
|
|
state of things was produced by the "resting and revelling" process.
|
|
The days kept getting longer and longer; the weather was unusually
|
|
variable, and so were tempers; an unsettled feeling possessed every
|
|
one, and Satan found plenty of mischief for the idle hands to do. As
|
|
the height of luxury, Meg put out some of her sewing, and then found
|
|
time hang so heavily that she fell to snipping and spoiling her
|
|
clothes, in her attempts to furnish them up a la Moffat. Jo read
|
|
till her eyes gave out, and she was sick of books; got so fidgety that
|
|
even good-natured Laurie had a quarrel with her, and so reduced in
|
|
spirits that she desperately wished she had gone with Aunt March. Beth
|
|
got on pretty well, for she was constantly forgetting that it was to
|
|
be all play, and no work, and fell back into her old ways now and
|
|
then; but something in the air affected her, and, more than once,
|
|
her tranquillity was much disturbed; so much so, that, on one
|
|
occasion, she actually shook poor dear Joanna, and told her she was "a
|
|
fright." Amy fared worst of all, for her resources were small; and
|
|
when her sisters left her to amuse and care for herself, she soon
|
|
found that accomplished and important little self a great burden.
|
|
She didn't like dolls, fairy-tales were childish, and one couldn't
|
|
draw all the time; tea-parties didn't amount to much, neither did
|
|
picnics, unless very well conducted. "If one could have a fine
|
|
house, full of nice girls, or go travelling, the summer would be
|
|
delightful; but to stay at home with three selfish sisters and a
|
|
grown-up boy was enough to try the patience of a Boaz," complained
|
|
Miss Malaprop, after several days devoted to pleasure, fretting, and
|
|
ennui.
|
|
No one would own that they were tired of the experiment; but, by
|
|
Friday night, each acknowledged to herself that she was glad the
|
|
week was nearly done. Hoping to impress the lesson more deeply, Mrs.
|
|
March, who had a good deal of humor, resolved to finish off the
|
|
trial in an appropriate manner; so she gave Hannah a holiday, and
|
|
let the girls enjoy the full effect of the play system.
|
|
When they got up on Saturday morning, there was no fire in the
|
|
kitchen, no breakfast in the dining-room, and no mother anywhere to be
|
|
seen.
|
|
"Mercy on us! what has happened?" cried Jo, staring about her in
|
|
dismay.
|
|
Meg ran upstairs, and soon came back again, looking relieved, but
|
|
rather bewildered, and a little ashamed.
|
|
"Mother isn't sick, only very tired, and she says she is going to
|
|
stay quietly in her room all day, and let us do the best we can.
|
|
It's a very queer thing for her to do, she doesn't act a bit like
|
|
herself; but she says it has been a hard week for her, so we mustn't
|
|
grumble, but take care of ourselves."
|
|
"That's easy enough, and I like the idea; I'm aching for something
|
|
to do- that is, some new amusement, you know," added Jo quickly.
|
|
In fact it was an immense relief to them all to have a little
|
|
work, and they took hold with a will, but soon realized the truth of
|
|
Hannah's saying, "Housekeeping ain't no joke." There was plenty of
|
|
food in the larder, and, while Beth and Amy set the table, Meg and
|
|
Jo got breakfast, wondering, as they did so, why servants ever
|
|
talked about hard work.
|
|
"I shall take some up to mother, though she said we were not to
|
|
think of her, for she'd take care of herself," said Meg, who presided,
|
|
and felt quite matronly behind the teapot.
|
|
So a tray was fitted out before any one began, and taken up, with
|
|
the cook's compliments. The boiled tea was very bitter, the omelette
|
|
scorched, and the biscuits speckled with saleratus; but Mrs. March
|
|
received her repast with thanks, and laughed heartily over it after Jo
|
|
was gone.
|
|
"Poor little souls, they will have a hard time, I'm afraid; but they
|
|
won't suffer, and it will do them good," she said, producing the
|
|
more palatable viands with which she had provided herself, and
|
|
disposing of the bad breakfast, so that their feelings might not be
|
|
hurt- a motherly little deception, for which they were grateful.
|
|
Many were the complaints below, and great the chagrin of the head
|
|
cook at her failures. "Never mind, I'll get the dinner, and be
|
|
servant; you be mistress, keep your hands nice, see company, and
|
|
give orders," said Jo, who knew still less than Meg about culinary
|
|
affairs.
|
|
This obliging offer was gladly accepted; Margaret retired to the
|
|
parlor, which she hastily put in order by whisking the litter under
|
|
the sofa, and shutting the blinds, to save the trouble of dusting. Jo,
|
|
with perfect faith in her own powers, and a friendly desire to make up
|
|
the quarrel, immediately put a note in the office, inviting Laurie
|
|
to dinner.
|
|
"You'd better see what you have got before you think of having
|
|
company," said Meg, when informed of the hospitable but rash act.
|
|
"Oh, there's corned beef and plenty of potatoes; and I shall get
|
|
some asparagus, and a lobster, 'for a relish,' as Hannah says. We'll
|
|
have lettuce, and make a salad. I don't know how, but the book
|
|
tells. I'll have blanc-mange and strawberries for dessert; and coffee,
|
|
too, if you want to be elegant."
|
|
"Don't try too many messes, Jo, for you can't make anything but
|
|
gingerbread and molasses candy, fit to eat. I wash my hands of the
|
|
dinner-party; and, since you have asked Laurie on your own
|
|
responsibility, you may just take care of him."
|
|
"I don't want you to do anything but be civil to him, and help
|
|
with the pudding. You'll give me your advice if I get in a muddle,
|
|
won't you?" asked Jo, rather hurt.
|
|
"Yes; but I don't know much, except about bread, and a few
|
|
trifles. You had better ask mother's leave before you order anything,"
|
|
returned Meg prudently.
|
|
"Of course I shall; I'm not a fool," and Jo went off in a huff at
|
|
the doubts expressed of her powers.
|
|
"Get what you like, and don't disturb me; I'm going out to dinner,
|
|
and can't worry about things at home," said Mrs. March, when Jo
|
|
spoke to her. "I never enjoyed housekeeping, and I'm going to take a
|
|
vacation to-day, and read, write, go visiting, and amuse myself."
|
|
The unusual spectacle of her busy mother rocking comfortably, and
|
|
reading, early in the morning, made Jo feel as if some natural
|
|
phenomenon had occurred; for an eclipse, an earthquake, or a
|
|
volcanic eruption would hardly have seemed stranger.
|
|
"Everything is out of sorts, somehow," she said to herself, going
|
|
downstairs. "There's Beth crying; that's a sure sign that something is
|
|
wrong with this family. If Amy is bothering, I'll shake her."
|
|
Feeling very much out of sorts herself, Jo hurried into the parlor
|
|
to find Beth sobbing over Pip, the canary, who lay dead in the cage,
|
|
with his little claws pathetically extended, as if imploring the
|
|
food for want of which he had died.
|
|
"It's all my fault- I forgot him- there isn't a seed or a drop left.
|
|
O Pip! O Pip! how could I be so cruel to you?" cried Beth, taking
|
|
the poor thing in her hands, and trying to restore him.
|
|
Jo peeped into his half-open eye, felt his little heart, and finding
|
|
him stiff and cold, shook her head, and offered her domino-box for a
|
|
coffin.
|
|
"Put him in the oven, and maybe he will get warm and revive," said
|
|
Amy hopefully.
|
|
"He's been starved, and he shan't be baked, now he's dead. I'll make
|
|
him a shroud, and he shall be buried in the garden; and I'll never
|
|
have another bird, never, my Pip! for I am too bad to own one,"
|
|
murmured Beth, sitting on the floor with her pet folded in her hands.
|
|
"The funeral shall be this afternoon, and we will all go. Now, don't
|
|
cry, Bethy; it's a pity, but nothing goes right this week, and Pip has
|
|
had the worst of the experiment. Make the shroud, and lay him in my
|
|
box; and, after the dinner-party, we'll have a nice little funeral,"
|
|
said Jo, beginning to feel as if she had undertaken a good deal.
|
|
Leaving the others to console Beth, she departed to the kitchen,
|
|
which was in a most discouraging state of confusion. Putting on a
|
|
big apron, she fell to work, and got the dishes piled up ready for
|
|
washing, when she discovered that the fire was out.
|
|
"Here's a sweet prospect!" muttered Jo, slamming the stove-door
|
|
open, and poking vigorously among the cinders.
|
|
Having rekindled the fire, she thought she would go to market
|
|
while the water heated. The walk revived her spirits; and,
|
|
flattering herself that she had made good bargains, she trudged home
|
|
again, after buying a very young lobster, some very old asparagus, and
|
|
two boxes of acid strawberries. By the time she got cleared up, the
|
|
dinner arrived, and the stove was red-hot. Hannah had left a pan of
|
|
bread to rise, Meg had worked it up early, set it on the hearth for
|
|
a second rising, and forgotten it. Meg was entertaining Sallie
|
|
Gardiner in the parlor, when the door flew open, and a floury, crocky,
|
|
flushed, and dishevelled figure appeared, demanding tartly-
|
|
"I say, isn't bread 'riz' enough when it runs over the pans?"
|
|
Sallie began to laugh; but Meg nodded, and lifted her eyebrows as
|
|
high as they would go, which caused the apparition to vanish, and
|
|
put the sour bread into the oven without further delay. Mrs. March
|
|
went out, after peeping here and there to see how matters went, also
|
|
saying a word of comfort to Beth, who sat making a winding-sheet,
|
|
while the dear departed lay in state in the domino-box. A strange
|
|
sense of helplessness fell upon the girls as the gray bonnet
|
|
vanished round the corner; and despair seized them, when, a few
|
|
minutes later, Miss Crocker appeared, and said she'd come to dinner.
|
|
Now, this lady was a thin, yellow spinster, with a sharp nose and
|
|
inquisitive eyes, who saw everything, and gossiped about all she
|
|
saw. They disliked her, but had been taught to be kind to her,
|
|
simply because she was old and poor, and had few friends. So Meg
|
|
gave her the easy-chair, and tried to entertain her, while she asked
|
|
questions, criticized everything, and told stories of the people
|
|
whom she knew.
|
|
Language cannot describe the anxieties, experiences, and exertions
|
|
which Jo underwent that morning; and the dinner she served up became a
|
|
standing joke. Fearing to ask any more advice, she did her best alone,
|
|
and discovered that something more than energy and good-will is
|
|
necessary to make a cook. She boiled the asparagus for an hour, and
|
|
was grieved to find the heads cooked off and the stalks harder than
|
|
ever. The bread burnt black; for the salad-dressing so aggravated her,
|
|
that she let everything else go till she had convinced herself that
|
|
she could not make it fit to eat. The lobster was a scarlet mystery to
|
|
her, but she hammered and poked, till it was unshelled, and its meagre
|
|
proportions concealed in a grove of lettuce-leaves. The potatoes had
|
|
to be hurried, not to keep the asparagus waiting, and were not done at
|
|
last. The blanc-mange was lumpy, and the strawberries not as ripe as
|
|
they looked, having been skilfully "deaconed."
|
|
"Well, they can eat beef, and bread and butter, if they are
|
|
hungry; only it's mortifying to have to spend your whole morning for
|
|
nothing," thought Jo, as she rang the bell half an hour later than
|
|
usual, and stood, hot, tired, and dispirited, surveying the feast
|
|
spread for Laurie, accustomed to all sorts of elegance, and Miss
|
|
Crocker, whose curious eyes would mark all failures, and whose
|
|
tattling tongue would report them far and wide.
|
|
Poor Jo would gladly have gone under the table, as one thing after
|
|
another was tasted and left; while Amy giggled, Meg looked distressed,
|
|
Miss Crocker pursed up her lips, and Laurie talked and laughed with
|
|
all his might, to give a cheerful tone to the festive scene. Jo's
|
|
one strong point was the fruit, for she had sugared it well, and had a
|
|
pitcher of rich cream to eat with it. Her hot cheeks cooled a
|
|
trifle, and she drew a long breath, as the pretty glass plates went
|
|
round, and every one looked graciously at the little rosy islands
|
|
floating in a sea of cream. Miss Crocker tasted first, made a wry
|
|
face, and drank some water hastily. Jo, who had refused, thinking
|
|
there might not be enough, for they dwindled sadly after the picking
|
|
over, glanced at Laurie, but he was eating away manfully, though there
|
|
was a slight pucker about his mouth, and he kept his eye fixed on
|
|
his plate. Amy, who was fond of delicate fare, took a heaping
|
|
spoonful, choked, hid her face in her napkin, and left the table
|
|
precipitately.
|
|
"Oh, what is it?" exclaimed Jo, trembling.
|
|
"Salt instead of sugar, and the cream is sour," replied Meg, with
|
|
a tragic gesture.
|
|
Jo uttered a groan, and fell back in her chair; remembering that she
|
|
had given a last hasty powdering to the berries out of one of the
|
|
two boxes on the kitchen table, and had neglected to put the milk in
|
|
the refrigerator. She turned scarlet, and was on the verge of
|
|
crying, when she met Laurie's eyes, which would look merry in spite of
|
|
his heroic efforts; the comical side of the affair suddenly struck
|
|
her, and she laughed till the tears ran down her cheeks. So did
|
|
every one else, even "Croaker," as the girls called the old lady;
|
|
and the unfortunate dinner ended gayly, with bread and butter,
|
|
olives and fun.
|
|
"I haven't strength of mind enough to clear up now, so we will sober
|
|
ourselves with a funeral," said Jo, as they rose; and Miss Crocker
|
|
made ready to go, being eager to tell the new story at another
|
|
friend's dinner-table.
|
|
They did sober themselves, for Beth's sake; Laurie dug a grave under
|
|
the ferns in the grove, little Pip was laid in, with many tears, by
|
|
his tender-hearted mistress, and covered with moss, while a wreath
|
|
of violets and chickweed was hung on the stone which bore his epitaph,
|
|
composed by Jo, while she struggled with the dinner:
|
|
|
|
Here lies Pip March,
|
|
Who died the 7th of June;
|
|
Loved and lamented sore,
|
|
And not forgotten soon.
|
|
|
|
At the conclusion of the ceremonies, Beth retired to her room,
|
|
overcome with emotion and lobster; but there was no place of repose,
|
|
for the beds were not made, and she found her grief much assuaged by
|
|
beating up pillows and putting things in order. Meg helped Jo clear
|
|
away the remains of the feast, which took half the afternoon, and left
|
|
them so tired that they agreed to be contented with tea and toast
|
|
for supper. Laurie took Amy to drive, which was a deed of charity, for
|
|
the sour cream seemed to have had a bad effect upon her temper. Mrs.
|
|
March came home to find the three older girls hard at work in the
|
|
middle of the afternoon; and a glance at the closet gave her an idea
|
|
of the success of one part of the experiment.
|
|
Before the housewives could rest, several people called, and there
|
|
was a scramble to get ready to see them; then tea must be got, errands
|
|
done; and one or two necessary bits of sewing neglected till the
|
|
last minute. As twilight fell, dewy and still, one by one they
|
|
gathered in the porch where the June roses were budding beautifully,
|
|
and each groaned or sighed as she sat down, as if tired or troubled.
|
|
"What a dreadful day this has been!" began Jo, usually the first
|
|
to speak.
|
|
"It has seemed shorter than usual, but so uncomfortable," said Meg.
|
|
"Not a bit like home," added Amy.
|
|
"It can't seem so without Marmee and little Pip," sighed Beth,
|
|
glancing, with full eyes, at the empty cage above her head.
|
|
"Here's mother, dear, and you shall have another bird to-morrow,
|
|
if you want it."
|
|
As she spoke, Mrs. March came and took her place among them, looking
|
|
as if her holiday had not been much pleasanter than theirs.
|
|
"Are you satisfied with your experiment, girls, or do you want
|
|
another week of it?" she asked, as Beth nestled up to her, and the
|
|
rest turned toward her with brightening faces, as flowers turn
|
|
toward the sun.
|
|
"I don't!" cried Jo decidedly.
|
|
"Nor I," echoed the others.
|
|
"You think, then, that it is better to have a few duties, and live a
|
|
little for others, do you?"
|
|
"Lounging and larking doesn't pay," observed Jo, shaking her head.
|
|
"I'm tired of it, and mean to go to work at something right off."
|
|
"Suppose you learn plain cooking; that's a useful accomplishment,
|
|
which no woman should be without," said Mrs. March, laughing inaudibly
|
|
at the recollection of Jo's dinner-party; for she had met Miss
|
|
Crocker, and heard her account of it.
|
|
"Mother, did you go away and let everything be, just to see how we'd
|
|
get on?" cried Meg, who had had suspicions all day.
|
|
"Yes; I wanted you to see how the comfort of all depends on each
|
|
doing her share faithfully. While Hannah and I did your work, you
|
|
got on pretty well, though I don't think you were very happy or
|
|
amiable; so I thought, as a little lesson, I would show you what
|
|
happens when every one thinks only of herself. Don't you feel that
|
|
it is pleasanter to help one another, to have daily duties which
|
|
make leisure sweet when it comes, and to bear and forbear, that home
|
|
may be comfortable and lovely to us all?"
|
|
"We do, mother, we do!" cried the girls.
|
|
"Then let me advise you to take up your little burdens again; for
|
|
though they seem heavy sometimes, they are good for us, and lighten as
|
|
we learn to carry them. Work is wholesome, and there is plenty for
|
|
every one; it keeps us from ennui and mischief, is good for health and
|
|
spirits, and gives us a sense of power and independence better than
|
|
money or fashion."
|
|
"We'll work like bees, and love it too; see if we don't!" said Jo.
|
|
"I'll learn plain cooking for my holiday task; and the next
|
|
dinner-party I have shall be a success."
|
|
"I'll make the set of shirts for father, instead of letting you do
|
|
it, Marmee. I can and I will, though I'm not fond of sewing; that will
|
|
be better than fussing over my own things, which are plenty nice
|
|
enough as they are," said Meg.
|
|
"I'll do my lessons every day, and not spend so much time with my
|
|
music and dolls. I am a stupid thing, and ought to be studying, not
|
|
playing," was Beth's resolution; while Amy followed their example by
|
|
heroically declaring, "I shall learn to make buttonholes, and attend
|
|
to my parts of speech."
|
|
"Very good! then I am quite satisfied with the experiment, and fancy
|
|
that we shall not have to repeat it; only don't go to the other
|
|
extreme, and delve like slaves. Have regular hours for work and
|
|
play; make each day both useful and pleasant, and prove that you
|
|
understand the worth of time by employing it well. Then youth will
|
|
be delightful, old age will bring few regrets, and life become a
|
|
beautiful success, in spite of poverty."
|
|
"We'll remember, mother!" and they did.
|
|
12
|
|
Camp Laurence
|
|
|
|
BETH was post-mistress, for, being most at home, she could attend to
|
|
it regularly, and dearly liked the daily task of unlocking the
|
|
little door and distributing the mail. One July day she came in with
|
|
her hands full, and went about the house leaving letters and
|
|
parcels, like the penny post.
|
|
"Here's your posy, mother! Laurie never forgets that," she said,
|
|
putting the fresh nosegay in the vase that stood in "Marmee's corner,"
|
|
and was kept supplied by the affectionate boy.
|
|
"Miss Meg March, one letter and a glove," continued Beth, delivering
|
|
the articles to her sister, who sat near her mother, stitching
|
|
wrist-bands.
|
|
"Why, I left a pair over there, and here is only one," said Meg,
|
|
looking at the gray cotton glove.
|
|
"Didn't you drop the other in the garden?"
|
|
"No, I'm sure I didn't; for there was only one in the office."
|
|
"I hate to have odd gloves! Never mind, the other may be found. My
|
|
letter is only a translation of the German song I wanted; I think
|
|
Mr. Brooke did it, for this isn't Laurie's writing."
|
|
Mrs. March glanced at Meg, who was looking very pretty in her
|
|
gingham morning-gown, with the little curls blowing about her
|
|
forehead, and very womanly, as she sat sewing at her little
|
|
work-table, full of tidy white rolls; so unconscious of the thought in
|
|
her mother's mind as she sewed and sung, while her fingers flew, and
|
|
her thoughts were busied with girlish fancies as innocent and fresh as
|
|
the pansies in her belt, that Mrs. March smiled, and was satisfied.
|
|
"Two letters for Doctor Jo, a book, and a funny old hat, which
|
|
covered the whole post-office, stuck outside," said Beth, laughing, as
|
|
she went into the study, where Jo sat writing.
|
|
"What a sly fellow Laurie is! I said I wished bigger hats were the
|
|
fashion, because I burn my face every hot day. He said, 'Why mind
|
|
the fashion? Wear a big hat, and be comfortable!' I said I would if
|
|
I had one, and he has sent me this, to try me. I'll wear it, for
|
|
fun, and show him I don't care for the fashion"; and, hanging the
|
|
antique broad-brim on a bust of Plato, Jo read her letters.
|
|
One from her mother made her cheeks glow and her eyes fill, for it
|
|
said to her-
|
|
|
|
MY DEAR:
|
|
I write a little word to tell you with how much satisfaction I
|
|
watch your efforts to control your temper. You say nothing about
|
|
your trials, failures, or successes, and think, perhaps, that no one
|
|
sees them but the Friend whose help you daily ask, if I may trust
|
|
the well-worn cover of your guide-book. I, too, have seen them all,
|
|
and heartily believe in the sincerity of your resolution, since it
|
|
begins to bear fruit. Go on, dear, patiently and bravely, and always
|
|
believe that no one sympathizes more tenderly with you than your
|
|
loving
|
|
MOTHER.
|
|
|
|
"That does me good! that's worth millions of money and pecks of
|
|
praise. O Marmee, I do try! I will keep on trying, and not get
|
|
tired, since I have you to help me."
|
|
Laying her head on her arms, Jo wet her little romance with a few
|
|
happy tears, for she had thought that no one saw and appreciated her
|
|
efforts to be good; and this assurance was doubly precious, doubly
|
|
encouraging, because unexpected, and from the person whose
|
|
commendation she most valued. Feeling stronger than ever to meet and
|
|
subdue her Apollyon, she pinned the note inside her frock, as a shield
|
|
and a reminder, lest she be taken unaware, and proceeded to open her
|
|
other letter, quite ready for either good or bad news. In a big,
|
|
dashing hand, Laurie wrote-
|
|
|
|
DEAR JO:
|
|
What ho!
|
|
Some English girls and boys are coming to see me to-morrow and I
|
|
want to have a jolly time. If it's fine, I'm going to pitch my tent in
|
|
Longmeadow, and row up the whole crew to lunch and croquet- have a
|
|
fire, make messes, gypsy fashion, and all sorts of larks. They are
|
|
nice people, and like such things. Brooke will go, to keep us boys
|
|
steady, and Kate Vaughn will play propriety for the girls. I want
|
|
you all to come; can't let Beth off, at any price, and nobody shall
|
|
worry her. Don't bother about rations- I'll see to that, and
|
|
everything else- only do come, there's a good fellow!
|
|
In a tearing hurry,
|
|
Yours ever,
|
|
LAURIE.
|
|
|
|
"Here's richness!" cried Jo, flying in to tell the news to Meg.
|
|
"Of course we can go, mother? it will be such a help to Laurie,
|
|
for I can row, and Meg see to the lunch, and the children be useful in
|
|
some way."
|
|
"I hope the Vaughns are not fine, grown-up people. Do you know
|
|
anything about them, Jo?" asked Meg.
|
|
"Only that there are four of them. Kate is older than you, Fred
|
|
and Frank (twins) about my age, and a little girl (Grace), who is nine
|
|
or ten. Laurie knew them abroad, and liked the boys; I fancied, from
|
|
the way he primmed up his mouth in speaking of her, that he didn't
|
|
admire Kate much."
|
|
"I'm so glad my French print is clean; it's just the thing, and so
|
|
becoming!" observed Meg complacently. "Have you anything decent, Jo?"
|
|
"Scarlet and gray boating suit, good enough for me. I shall row
|
|
and tramp about, so I don't want any starch to think of. You'll
|
|
come, Betty?"
|
|
"If you won't let any of the boys talk to me."
|
|
"Not a boy!"
|
|
"I like to please Laurie; and I'm not afraid of Mr. Brooke, he is so
|
|
kind; but I don't want to play, or sing, or say anything. I'll work
|
|
hard, and not trouble any one; and you'll take care of me, Jo, so I'll
|
|
go."
|
|
"That's my good girl; you do try to fight off your shyness, and I
|
|
love you for it. Fighting faults isn't easy, as I know; and a cheery
|
|
word kind of gives a lift. Thank you, mother," and Jo gave the thin
|
|
cheek a grateful kiss, more precious to Mrs. March than if it had
|
|
given back the rosy roundness of her youth.
|
|
"I had a box of chocolate drops, and the picture I wanted to
|
|
copy," said Amy, showing her mail.
|
|
"And I got a note from Mr. Laurence, asking me to come over and play
|
|
to him to-night, before the lamps are lighted, and I shall go,"
|
|
added Beth, whose friendship with the old gentleman prospered finely.
|
|
"Now let's fly round, and do double duty to-day, so that we can play
|
|
tomorrow with free minds," said Jo, preparing to replace her pen
|
|
with a broom.
|
|
When the sun peeped into the girls' room early next morning, to
|
|
promise them a fine day, he saw a comical sight. Each had made such
|
|
preparation for the fete as seemed necessary and proper. Meg had an
|
|
extra row of little curl-papers across her forehead, Jo had
|
|
copiously anointed her afflicted face with cold cream, Beth had
|
|
taken Joanna to bed with her to atone for the approaching
|
|
separation, and Amy had capped the climax by putting a clothes-pin
|
|
on her nose, to uplift the offending feature. It was one of the kind
|
|
artists use to hold the paper on their drawing-boards, therefore quite
|
|
appropriate and effective for the purpose to which it was now put.
|
|
This funny spectacle appeared to amuse the sun, for he burst out
|
|
with such radiance that Jo woke up, and roused all her sisters by a
|
|
hearty laugh at Amy's ornament.
|
|
Sunshine and laughter were good omens for a pleasure party, and soon
|
|
a lively bustle began in both houses. Beth, who was ready first,
|
|
kept reporting what went on next door, and enlivened her sisters'
|
|
toilets by frequent telegrams from the window.
|
|
"There goes the man with the tent! I see Mrs. Barker doing up the
|
|
lunch in a hamper and a great basket. Now Mr. Laurence is looking up
|
|
at the sky, and the weathercock; I wish he would go, too. There's
|
|
Laurie, looking like a sailor- nice boy! Oh, mercy me! here's a
|
|
carriage full of people- a tall lady, a little girl, and two
|
|
dreadful boys. One is lame; poor thing, he's got a crutch. Laurie
|
|
didn't tell us that. Be quick, girls! it's getting late. Why, there is
|
|
Ned Moffat, I do declare. Look, Meg, isn't that the man who bowed to
|
|
you one day, when we were shopping?"
|
|
"So it is. How queer that he should come. I thought he was at the
|
|
Mountains. There is Sallie; I'm glad she got back in time. Am I all
|
|
right, Jo?" cried Meg, in a flutter.
|
|
"A regular daisy. Hold up your dress and put your hat straight; it
|
|
looks sentimental tipped that way, and will fly off at the first puff.
|
|
Now, then, come on!"
|
|
"O Jo, you are not going to wear that awful hat? It's too absurd!
|
|
You shall not make a guy of yourself," remonstrated Meg, as Jo tied
|
|
down, with a red ribbon, the broad-brimmed, old-fashioned Leghorn
|
|
Laurie had sent for a joke.
|
|
"I just will, though, for it's capital- so shady, light, and big. It
|
|
will make fun; and I don't mind being a guy if I'm comfortable."
|
|
With that Jo marched straight away, and the rest followed- a bright
|
|
little band of sisters, all looking their best, in summer suits,
|
|
with happy faces under the jaunty hat-brims.
|
|
Laurie ran to meet, and present them to his friends, in the most
|
|
cordial manner. The lawn was the reception-room, and for several
|
|
minutes a lively scene was enacted there. Meg was grateful to see that
|
|
Miss Kate, though twenty, was dressed with a simplicity which American
|
|
girls would do well to imitate; and she was much flattered by Mr.
|
|
Ned's assurances that he came especially to see her. Jo understood why
|
|
Laurie "primmed up his mouth" when speaking of Kate, for that young
|
|
lady had a stand-off-don't-touch-me air, which contrasted strongly
|
|
with the free and easy demeanor of the other girls. Beth took an
|
|
observation of the new boys, and decided that the lame one was not
|
|
"dreadful," but gentle and feeble, and she would be kind to him on
|
|
that account. Amy found Grace a well-mannered, merry little person;
|
|
and after staring dumbly at one another for a few minutes, they
|
|
suddenly became very good friends.
|
|
Tents, lunch, and croquet utensils having been sent on beforehand,
|
|
the party was soon embarked, and the two boats pushed off together,
|
|
leaving Mr. Laurence waving his hat on the shore. Laurie and Jo
|
|
rowed one boat; Mr. Brooke and Ned the other; while Fred Vaughn, the
|
|
riotous twin, did his best to upset both by paddling about in a wherry
|
|
like a disturbed water-bug. Jo's funny hat deserved a vote of
|
|
thanks, for it was of general utility; it broke the ice in the
|
|
beginning, by producing a laugh; it created quite a refreshing breeze,
|
|
flapping to and fro, as she rowed, and would make an excellent
|
|
umbrella for the whole party, if a shower came up, she said. Kate
|
|
looked rather amazed at Jo's proceedings, especially as she
|
|
exclaimed "Christopher Columbus!" when she lost her oar; and Laurie
|
|
said, "My dear fellow, did I hurt you?" when he tripped over her
|
|
feet in taking his place. But after putting up her glass to examine
|
|
the queer girl several times, Miss Kate decided that she was "odd, but
|
|
rather clever," and smiled upon her from afar.
|
|
Meg, in the other boat, was delightfully situated, face to face with
|
|
the rowers, who both admired the prospect, and feathered their oars
|
|
with uncommon "skill and dexterity." Mr. Brooke was a grave, silent
|
|
young man, with handsome brown eyes and a pleasant voice. Meg liked
|
|
his quiet manners, and considered him a walking encyclopaedia of
|
|
useful knowledge. He never talked to her much; but he looked at her
|
|
a good deal, and she felt sure that he did not regard her with
|
|
aversion. Ned, being in college, of course put on all the airs which
|
|
Freshmen think it their bounden duty to assume; he was not very
|
|
wise, but very good-natured, and altogether an excellent person to
|
|
carry on a picnic. Sallie Gardiner was absorbed in keeping her white
|
|
pique dress clean, and chattering with the ubiquitous Fred, who kept
|
|
Beth in constant terror by his pranks.
|
|
It was not far to Longmeadow; but the tent was pitched and the
|
|
wickets down by the time they arrived. A pleasant green field, with
|
|
three wide-spreading oaks in the middle, and a smooth strip of turf
|
|
for croquet.
|
|
"Welcome to Camp Laurence!" said the young host, as they landed,
|
|
with exclamations of delight.
|
|
"Brooke is commander-in-chief; I am commissary-general; the other
|
|
fellows are staff-officers; and you, ladies, are company. The tent
|
|
is for your especial benefit, and that oak is your drawing-room;
|
|
this is the messroom, and the third is the camp-kitchen. Now, let's
|
|
have a game before it gets hot, and then we'll see about dinner."
|
|
Frank, Beth, Amy, and Grace sat down to watch the game played by the
|
|
other eight. Mr. Brooke chose Meg, Kate, and Fred; Laurie took Sallie,
|
|
Jo, and Ned. The Englishers played well; but the Americans played
|
|
better, and contested every inch of the ground as strongly as if the
|
|
spirit Of '76 inspired them. Jo and Fred had several skirmishes, and
|
|
once narrowly escaped high words. Jo was through the last wicket,
|
|
and had missed the stroke, which failure ruffled her a good deal. Fred
|
|
was close behind her, and his turn came before hers; he gave a stroke,
|
|
his ball hit the wicket, and stopped an inch on the wrong side. No one
|
|
was very near; and running up to examine, he gave it a sly nudge
|
|
with his toe, which put it just an inch on the right side.
|
|
"I'm through! Now, Miss Jo, I'll settle you, and get in first,"
|
|
cried the young gentleman, swinging his mallet for another blow.
|
|
"You pushed it; I saw you; it's my turn now," said Jo sharply.
|
|
"Upon my word, I didn't move it; it rolled a bit, perhaps, but
|
|
that is allowed; so stand off, please, and let me have a go at the
|
|
stake."
|
|
"We don't cheat in America, but you can, if you choose," said Jo
|
|
angrily.
|
|
"Yankees are a deal the most tricky, everybody knows. There you go!"
|
|
returned Fred, croqueting her ball far away.
|
|
Jo opened her lips to say something rude, but checked herself in
|
|
time, colored up to her forehead, and stood a minute, hammering down a
|
|
wicket with all her might, while Fred hit the stake, and declared
|
|
himself out with much exultation. She went off to get her ball, and
|
|
was a long time finding it, among the bushes; but she came back,
|
|
looking cool and quiet, and waited her turn patiently. It took several
|
|
strokes to regain the place she had lost; and, when she got there, the
|
|
other side had nearly won, for Kate's ball was the last but one, and
|
|
lay near the stake.
|
|
"By George, it's all up with us! Good-by, Kate. Miss Jo owes me one,
|
|
so you are finished," cried Fred excitedly, as they all drew near to
|
|
see the finish.
|
|
"Yankees have a trick of being generous to their enemies," said
|
|
Jo, with a look that made the lad redden, especially when they beat
|
|
them, she added, as, leaving Kate's ball untouched, she won the game
|
|
by a clever stroke.
|
|
Laurie threw up his hat; then remembered that it wouldn't do to
|
|
exult over the defeat of his guests, and stopped in the middle of a
|
|
cheer to whisper to his friend, "Good for you, Jo! He did cheat, I saw
|
|
him; we can't tell him so, but he won't do it again, take my word
|
|
for it."
|
|
Meg drew her aside, under pretence of pinning up a loose braid,
|
|
and said approvingly, "It was dreadfully provoking; but you kept
|
|
your temper, and I'm so glad, Jo."
|
|
"Don't praise me, Meg, for I could box his ears this minute. I
|
|
should certainly have boiled over if I hadn't stayed among the nettles
|
|
till I got my rage under enough to hold my tongue. It's simmering now,
|
|
so I hope he'll keep out of my way," returned Jo, biting her lips,
|
|
as she glowered at Fred from under her big hat.
|
|
"Time for lunch," said Mr. Brooke, looking at his watch. "Commissary
|
|
general, will you make the fire and get water, while Miss March,
|
|
Sallie, and I spread the table? Who can make good coffee?"
|
|
"Jo can," said Meg, glad to recommend her sister. So Jo, feeling
|
|
that her late lessons in cookery were to do her honor, went to preside
|
|
over the coffee-pot, while the children collected dry sticks, and
|
|
the boys made a fire, and got water from a spring near by. Miss Kate
|
|
sketched, and Frank talked to Beth, who was making little mats of
|
|
braided rushes to serve as plates.
|
|
The commander-in-chief and his aids soon spread the table-cloth with
|
|
an inviting array of eatables and drinkables, prettily decorated
|
|
with green leaves. Jo announced that the coffee was ready, and every
|
|
one settled themselves to a hearty meal; for youth is seldom
|
|
dyspeptic, and exercise develops wholesome appetites. A very merry
|
|
lunch it was; for everything seemed fresh and funny, and frequent
|
|
peals of laughter startled a venerable horse who fed near by. There
|
|
was a pleasing inequality in the table, which produced many mishaps to
|
|
cups and plates; acorns dropped into the milk, little black ants
|
|
partook of the refreshments without being invited, and fuzzy
|
|
caterpillars swung down from the tree, to see what was going on. Three
|
|
white-headed children peeped over the fence, and an objectionable
|
|
dog barked at them from the other side of the river with all his might
|
|
and main.
|
|
"There's salt here, if you prefer it," said Laurie, as he handed
|
|
Jo a saucer of berries.
|
|
"Thank you, I prefer spiders," she replied, fishing up two unwary
|
|
little ones who had gone to a creamy death. "How dare you remind me of
|
|
that horrid dinner-party, when yours is so nice in every way?" added
|
|
Jo, as they both laughed, and ate out of one plate, the china having
|
|
run short.
|
|
"I had an uncommonly good time that day, and haven't got over it
|
|
yet. This is no credit to me, you know; I don't do anything; it's
|
|
you and Meg and Brooke who make it go, and I'm no end obliged to
|
|
you. What shall we do when we can't eat any more?" asked Laurie,
|
|
feeling that his trump card had been played when lunch was over.
|
|
"Have games, till it's cooler. I brought 'Authors,' and I dare say
|
|
Miss Kate knows something new and nice. Go and ask her; she's company,
|
|
and you ought to stay with her more."
|
|
"Aren't you company too? I thought she'd suit Brooke; but he keeps
|
|
talking to Meg, and Kate just stares at them through that ridiculous
|
|
glass of hers. I'm going, so you needn't try to preach propriety,
|
|
for you can't do it, Jo."
|
|
Miss Kate did know several new games; and as the girls would not,
|
|
and the boys could not, eat any more, they all adjourned to the
|
|
drawing-room to play "Rigmarole."
|
|
"One person begins a story, any nonsense you like, and tells as long
|
|
as he pleases, only taking care to stop short at some exciting
|
|
point, when the next takes it up and does the same. It's very funny
|
|
when well done, and makes a perfect jumble of tragical comical stuff
|
|
to laugh over. Please start it, Mr. Brooke," said Kate, with a
|
|
commanding air, which surprised Meg, who treated the tutor with as
|
|
much respect as any other gentleman.
|
|
Lying on the grass at the feet of the two young ladies, Mr. Brooke
|
|
obediently began the story with the handsome brown eyes steadily fixed
|
|
upon the sunshiny river.
|
|
"Once on a time, a knight went out into the world to seek his
|
|
fortune, for he had nothing but his sword and his shield. He travelled
|
|
a long while, nearly eight-and-twenty years, and had a hard time of
|
|
it, till he came to the palace of a good old king, who had offered a
|
|
reward to any one who would tame and train a fine but unbroken colt,
|
|
of which he was very fond. The knight agreed to try, and got on slowly
|
|
but surely; for the colt was a gallant fellow, and soon learned to
|
|
love his new master, though he was freakish and wild. Every day,
|
|
when he gave his lessons to this pet of the king's, the knight rode
|
|
him through the city; and, as he rode, he looked everywhere for a
|
|
certain beautiful face, which he had seen many times in his dreams,
|
|
but never found. One day, as he went prancing down a quiet street,
|
|
he saw at the window of a ruinous castle the lovely face. He was
|
|
delighted, inquired who lived in this old castle, and was told that
|
|
several captive princesses were kept there by a spell, and spun all
|
|
day to lay up money to buy their liberty. The knight wished
|
|
intensely that he could free them; but he was poor, and could only
|
|
go by each day, watching for the sweet face, and longing to see it out
|
|
in the sunshine. At last he resolved to get into the castle and ask
|
|
how he could help them. He went and knocked; the great door flew open,
|
|
and he beheld-"
|
|
"A ravishingly lovely lady, who exclaimed, with a cry of rapture,
|
|
'At last! at last!'" continued Kate, who had read French novels, and
|
|
admired the style. "'Tis she!' cried Count Gustave, and fell at her
|
|
feet in an ecstasy of joy. 'Oh, rise!' she said, extending a hand of
|
|
marble fairness. 'Never! till you tell me how I may rescue you,' swore
|
|
the knight, still kneeling. 'Alas, my cruel fate condemns me to remain
|
|
here till my tyrant is destroyed.' 'Where is the villain?' 'In the
|
|
mauve salon. Go, brave heart, and save me from despair.' 'I obey,
|
|
and return victorious or dead!' With these thrilling words he rushed
|
|
away, and flinging open the door of the mauve salon, was about to
|
|
enter, when he received-"
|
|
"A stunning blow from the big Greek lexicon, which an old fellow
|
|
in a black gown fired at him," said Ned. "Instantly Sir
|
|
What's-his-name recovered himself, pitched the tyrant out of the
|
|
window, and turned to join the lady, victorious, but with a bump on
|
|
his brow; found the door locked, tore up the curtains, made a rope
|
|
ladder, got half-way down when the ladder broke, and he went head
|
|
first into the moat, sixty feet below. Could swim like a duck, paddled
|
|
round the castle till he came to a little door guarded by two stout
|
|
fellows; knocked their heads together till they cracked like a
|
|
couple of nuts, then, by a trifling exertion of his prodigious
|
|
strength, he smashed in the door, went up a pair of stone steps
|
|
covered with dust a foot thick, toads as big as your fist, and spiders
|
|
that would frighten you into hysterics, Miss March. At the top of
|
|
these steps he came plump upon a sight that took his breath away and
|
|
chilled his blood-"
|
|
"A tall figure, all in white with a veil over its face and a lamp in
|
|
its wasted hand," went on Meg. "It beckoned gliding noiselessly before
|
|
him down a corridor as dark and cold as any tomb. Shadowy effigies
|
|
in armor stood on either side, a dead silence reigned, the lamp burned
|
|
blue, and the ghostly figure ever and anon turned its face toward him,
|
|
showing the glitter of awful eyes through its white veil. They reached
|
|
a curtained door, behind which sounded lovely music; he sprang forward
|
|
to enter but the spectre plucked him back, and waved threateningly
|
|
before him a-"
|
|
"Snuff-box," said Jo, in a sepulchral tone, which convulsed the
|
|
audience. "'Thankee,' said the knight politely, as he took a pinch,
|
|
and sneezed seven times so violently that his head fell off. 'Ha! ha!'
|
|
laughed the ghost; and having peeped through the key-hole at the
|
|
princesses spinning away for dear life, the evil spirit picked up
|
|
her victim and put him in a large tin box, where there were eleven
|
|
other knights packed together without their heads, like sardines,
|
|
who all rose and began to-"
|
|
"Dance a hornpipe," cut in Fred, as Jo paused for breath; "and, as
|
|
they danced, the rubbishy old castle turned to a man-of-war in full
|
|
sail. 'Up with the jib, reef the tops'l halliards, helm hard a lee,
|
|
and man the guns!' roared the captain, as a Portuguese pirate hove
|
|
in sight, with a flag black as ink flying from her foremast. 'Go in
|
|
and win, my hearties!' says the captain; and a tremendous fight begun.
|
|
Of course the British beat; they always do."
|
|
"No, they don't!" cried Jo, aside.
|
|
"Having taken the pirate captain prisoner, sailed slap over the
|
|
schooner, whose decks were piled with dead, and whose lee-scuppers ran
|
|
blood, for the order had been 'Cutlasses, and die hard!' 'Bosen's
|
|
mate, take a bight of the flying-jib sheet, and start this villain
|
|
if he don't confess his sins double quick,' said the British
|
|
captain. The Portuguese held his tongue like a brick, and walked the
|
|
plank, while the jolly tars cheered like mad. But the sly dog dived,
|
|
came up under the man-of-war, scuttled her, and down she went, with
|
|
all sail set, 'To the bottom of the sea, sea, sea,' where-"
|
|
"Oh, gracious! what shall I say?" cried Sallie, as Fred ended his
|
|
rigmarole, in which he had jumbled together, pell-mell, nautical
|
|
phrases and facts, out of one of his favorite books. "Well, they
|
|
went to the bottom, and a nice mermaid welcomed them, but was much
|
|
grieved on finding the box of headless knights, and kindly pickled
|
|
them in brine, hoping to discover the mystery about them; for, being a
|
|
woman she was curious. By and by a diver came down, and the mermaid
|
|
said, 'I'll give you this box of pearls if you can take it up'; for
|
|
she wanted to restore the poor things to life, and couldn't raise
|
|
the heavy load herself. So the diver hoisted it up, and was much
|
|
disappointed, on opening it, to find no pearls. He left it in a
|
|
great lonely field, where it was found by a-"
|
|
"Little goose-girl, who kept a hundred fat geese in the field," said
|
|
Amy, when Sallie's invention gave out. "The little girl was sorry
|
|
for them, and asked an old woman what she should do to help them.
|
|
'Your geese will tell you, they know everything,' said the old
|
|
woman. So she asked what she should use for new heads, since the old
|
|
ones were lost, and all the geese opened their hundred mouths and
|
|
screamed-"
|
|
"'Cabbages!'" continued Laurie promptly. "'Just the thing,' said the
|
|
girl, and ran to get twelve fine ones from her garden. She put them
|
|
on, the knights revived at once, thanked her, and went on their way
|
|
rejoicing, never knowing the difference, for there were so many
|
|
other heads like them in the world that no one thought anything of it.
|
|
The knight in whom I'm interested went back to find the pretty face,
|
|
and learned that the princesses had spun themselves free, and all gone
|
|
to be married, but one. He was in a great state of mind at that; and
|
|
mounting the colt, who stood by him through thick and thin, rushed
|
|
to the castle to see which was left. Peeping over the hedge, he saw
|
|
the queen of his affections picking flowers in her garden. 'Will you
|
|
give me a rose?' said he. 'You must come and get it. I can't come to
|
|
you; it isn't proper,' said she, as sweet as honey. He tried to
|
|
climb over the hedge, but it seemed to grow higher and higher; then he
|
|
tried to push through, but it grew thicker and thicker, and he was
|
|
in despair. So he patiently broke twig after twig, till he had made
|
|
a little hole, through which he peeped, saying imploringly, 'Let me
|
|
in! let me in!' But the pretty princess did not seem to understand,
|
|
for she picked her roses quietly, and left him to fight his way in.
|
|
Whether he did or not, Frank will tell you."
|
|
"I can't; I'm not playing, I never do," said Frank, dismayed at
|
|
the sentimental predicament out of which he was to rescue the absurd
|
|
couple. Beth had disappeared behind Jo, and Grace was asleep.
|
|
"So the poor knight is to be left sticking in the hedge, is he?"
|
|
asked Mr. Brooke, still watching the river, and playing with the
|
|
wild rose in his button-hole.
|
|
"I guess the princess gave him a posy, and opened the gate, after
|
|
a while," said Laurie, smiling to himself, as he threw acorns at his
|
|
tutor.
|
|
"What a piece of nonsense we have made! With practice we might do
|
|
something quite clever. Do you know 'Truth'?" asked Sallie, after they
|
|
had laughed over their story.
|
|
"I hope so," said Meg soberly.
|
|
"The game, I mean?"
|
|
"What is it?" said Fred.
|
|
"Why, you pile up your hands, choose a number, and draw out in turn,
|
|
and the person who draws at the number has to answer truly any
|
|
questions put by the rest. It's great fun."
|
|
"Let's try it," said Jo, who liked new experiments.
|
|
Miss Kate and Mr. Brooke, Meg, and Ned declined, but Fred, Sallie,
|
|
Jo, and Laurie piled and drew; and the lot fell to Laurie.
|
|
"Who are your heroes?" asked Jo.
|
|
"Grandfather and Napoleon."
|
|
"Which lady here do you think prettiest?" said Sallie.
|
|
"Margaret."
|
|
"Which do you like best?" from Fred.
|
|
"Jo, of course."
|
|
"What silly questions you ask!" and Jo gave a disdainful shrug as
|
|
the rest laughed at Laurie's matter-of-fact tone.
|
|
"Try again; Truth isn't a bad game," said Fred.
|
|
"It's a very good one for you," retorted Jo, in a low voice.
|
|
Her turn came next.
|
|
"What is your greatest fault?" asked Fred, by way of testing in
|
|
her the virtue he lacked himself.
|
|
"A quick temper."
|
|
"What do you most wish for?" said Laurie.
|
|
"A pair of boot-lacings," returned Jo, guessing and defeating his
|
|
purpose.
|
|
"Not a true answer; you must say what you really do want most."
|
|
"Genius; don't you wish you could give it to me, Laurie?" and she
|
|
slyly smiled in his disappointed face.
|
|
"What virtues do you most admire in a man?" asked Sallie.
|
|
"Courage and honesty."
|
|
"Now my turn," said Fred, as his hand came last.
|
|
"Let's give it to him," whispered Laurie to Jo, who nodded, and
|
|
asked at once-
|
|
"Didn't you cheat at croquet?"
|
|
"Well, yes, a little bit."
|
|
"Good! Didn't you take your story out of 'The Sea-Lion'?" said
|
|
Laurie.
|
|
"Rather."
|
|
"Don't you think the English nation perfect in every respect?" asked
|
|
Sallie.
|
|
"I should be ashamed of myself if I didn't."
|
|
"He's a true John Bull. Now, Miss Sallie, you shall have a chance
|
|
without waiting to draw. I'll harrow up your feelings first, by asking
|
|
if you don't think you are something of a flirt," said Laurie, as Jo
|
|
nodded to Fred, as a sign that peace was declared.
|
|
"You impertinent boy! of course I'm not," exclaimed Sallie, with
|
|
an air that proved the contrary.
|
|
"What do you hate most?" asked Fred.
|
|
"Spiders and rice-pudding."
|
|
"What do you like best?" asked Jo.
|
|
"Dancing and French gloves."
|
|
"Well, I think Truth is a very silly play; let's have a sensible
|
|
game of Authors, to refresh our minds," proposed Jo.
|
|
Ned, Frank, and the little girls joined in this, and, while it
|
|
went on, the three elders sat apart, talking. Miss Kate took out her
|
|
sketch again, and Margaret watched her, while Mr. Brooke lay on the
|
|
grass, with a book, which he did not read.
|
|
"How beautifully you do it! I wish I could draw," said Meg, with
|
|
mingled admiration and regret in her voice.
|
|
"Why don't you learn? I should think you had taste and talent for
|
|
it," replied Miss Kate graciously.
|
|
"I haven't time."
|
|
"Your mamma prefers other accomplishments, I fancy. So did mine; but
|
|
I proved to her that I had talent, by taking a few lessons
|
|
privately, and then she was quite willing I should go on. Can't you do
|
|
the same with your governess?"
|
|
"I have none."
|
|
"I forgot; young ladies in America go to school more than with us.
|
|
Very fine schools they are, too, papa says. You go to a private one, I
|
|
suppose?"
|
|
"I don't go at all; I am a governess myself."
|
|
"Oh, indeed!" said Miss Kate; but she might as well have said, "Dear
|
|
me, how dreadful!" for her tone implied it, and something in her
|
|
face made Meg color, and wish she had not been so frank.
|
|
Mr. Brooke looked up, and said quickly, "Young ladies in America
|
|
love independence as much as their ancestors did, and are admired
|
|
and respected for supporting themselves."
|
|
"Oh, yes; of course it's very nice and proper in them to do so. We
|
|
have many most respectable and worthy young women, who do the same and
|
|
are employed by the nobility, because, being the daughters of
|
|
gentlemen, they are both well-bred and accomplished, you know," said
|
|
Miss Kate, in a patronizing tone, that hurt Meg's pride, and made
|
|
her work seem not only more distasteful, but degrading.
|
|
"Did the German song suit, Miss March?" inquired Mr. Brooke,
|
|
breaking an awkward pause.
|
|
"Oh, yes! it was very sweet, and I'm much obliged to whoever
|
|
translated it for me"; and Meg's downcast face brightened as she
|
|
spoke.
|
|
"Don't you read German?" asked Miss Kate, with a look of surprise.
|
|
"Not very well. My father, who taught me, is away, and I don't get
|
|
on very fast alone, for I've no one to correct my pronunciation."
|
|
"Try a little now; here is Schiller's 'Mary Stuart,' and a tutor who
|
|
loves to teach," and Mr. Brooke laid his book on her lap, with an
|
|
inviting smile.
|
|
"It's so hard I'm afraid to try," said Meg, grateful, but bashful in
|
|
the presence of the accomplished young lady beside her.
|
|
"I'll read a bit to encourage you"; and Miss Kate read one of the
|
|
most beautiful passages, in a perfectly correct but perfectly
|
|
expressionless manner.
|
|
Mr. Brooke made no comment, as she returned the book to Meg, who
|
|
said innocently-
|
|
"I thought it was poetry."
|
|
"Some of it is. Try this passage."
|
|
There was a queer smile about Mr. Brooke's mouth as he opened at
|
|
poor Mary's lament.
|
|
Meg obediently following the long grass-blade which her new tutor
|
|
used to point with, read slowly and timidly, unconsciously making
|
|
poetry of the hard words by the soft intonation of her musical
|
|
voice. Down the page went the green guide, and presently, forgetting
|
|
her listener in the beauty of the sad scene, Meg read as if alone,
|
|
giving a little touch of tragedy to the words of the unhappy queen. If
|
|
she had seen the brown eyes then, she would have stopped short; but
|
|
she never looked up, and the lesson was not spoiled for her.
|
|
"Very well indeed!" said Mr. Brooke, as she paused, quite ignoring
|
|
her many mistakes, and looking as if he did, indeed, "love to teach."
|
|
Miss Kate put up her glass, and, having taken a survey of the little
|
|
tableau before her, shut her sketch-book, saying, with condescension-
|
|
"You've a nice accent, and, in time, will be a clever reader. I
|
|
advise you to learn, for German is a valuable accomplishment to
|
|
teachers. I must look after Grace, she is romping"; and Miss Kate
|
|
strolled away, adding to herself, with a shrug, "I didn't come to
|
|
chaperone a governess, though she is young and pretty. What odd people
|
|
these Yankees are; I'm afraid Laurie will be quite spoilt among them."
|
|
"I forgot that English people rather turn up their noses at
|
|
governesses, and don't treat them as we do," said Meg, looking after
|
|
the retreating figure with an annoyed expression.
|
|
"Tutors, also, have rather a hard time of it there, as I know to
|
|
my sorrow. There's no place like America for us workers, Miss
|
|
Margaret"; and Mr. Brooke looked so contented and cheerful, that Meg
|
|
was shamed to lament her hard lot.
|
|
"I'm glad I live in it then. I don't like my work, but I get a
|
|
good deal of satisfaction out of it after all, so I won't complain;
|
|
I only wish I liked teaching as you do."
|
|
"I think you would if you had Laurie for a pupil. I shall be very
|
|
sorry to lose him next year," said Mr. Brooke, busily punching holes
|
|
in the turf.
|
|
"Going to college, I suppose?" Meg's lips asked that question, but
|
|
her eyes added, "And what becomes of you?"
|
|
"Yes; it's high time he went, for he is ready; and as soon as he
|
|
is off, I shall turn soldier. I am needed."
|
|
"I am glad of that!" exclaimed Meg. "I should think every young
|
|
man would want to go; though it is hard for the mothers and sisters
|
|
who stay at home," she added sorrowfully.
|
|
"I have neither, and very few friends, to care whether I live or
|
|
die," said Mr. Brooke, rather bitterly, as he absently put the dead
|
|
rose in the hole he had made and covered it up, like a little grave.
|
|
"Laurie and his grandfather would care a great deal, and we should
|
|
all be very sorry to have any harm happen to you," said Meg heartily.
|
|
"Thank you; that sounds pleasant," began Mr. Brooke, looking
|
|
cheerful again; but before he could finish his speech, Ned, mounted on
|
|
the old horse, came lumbering up to display his equestrian skill
|
|
before the young ladies, and there was no more quiet that day.
|
|
"Don't you love to ride?" asked Grace of Amy, as they stood resting,
|
|
after a race round the field with the others, led by Ned.
|
|
"I dote upon it; my sister Meg used to ride when papa was rich,
|
|
but we don't keep any horses now, except Ellen Tree," added Amy,
|
|
laughing.
|
|
"Tell me about Ellen Tree; is it a donkey?" asked Grace, curiously.
|
|
"Why, you see, Jo is crazy about horses, and so am I, but we've only
|
|
got an old side-saddle, and no horse. Out in our garden is an
|
|
apple-tree, that has a nice low branch; so Jo put the saddle on it,
|
|
fixed some reins on the part that turns up, and we bounce away on
|
|
Ellen Tree whenever we like."
|
|
"How funny!" laughed Grace. "I have a pony at home, and ride
|
|
nearly every day in the park, with Fred and Kate; it's very nice,
|
|
for my friends go too, and the Row is full of ladies and gentlemen."
|
|
"Dear, how charming! I hope I shall go abroad some day; but I'd
|
|
rather go to Rome than the Row," said Amy who had not the remotest
|
|
idea what the Row was, and wouldn't have asked for the world.
|
|
Frank, sitting just behind the little girls, heard what they were
|
|
saying, and pushed his crutch away from him with an impatient
|
|
gesture as he watched the active lads going through all sorts of
|
|
comical gymnastics. Beth, who was collecting the scattered
|
|
Author-cards, looked up, and said, in her shy yet friendly way-
|
|
"I'm afraid you are tired; can I do anything for you?"
|
|
"Talk to me, please; it's dull, sitting by myself," answered
|
|
Frank, who had evidently been used to being made much of at home.
|
|
If he had asked her to deliver a Latin oration, it would not have
|
|
seemed a more impossible task to bashful Beth; but there was no
|
|
place to run to, no Jo to hide behind now, and the poor boy looked
|
|
so wistfully at her, that she bravely resolved to try.
|
|
"What do you like to talk about?" she asked, fumbling over the
|
|
cards, and dropping half as she tried to tie them up.
|
|
"Well, I like to hear about cricket and boating and hunting," said
|
|
Frank, who had not yet learned to suit his amusements to his strength.
|
|
"My heart! what shall I do? I don't know anything about them,"
|
|
thought Beth; and, forgetting the boy's misfortune in her flurry,
|
|
she said, hoping to make him talk, "I never saw any hunting, but I
|
|
suppose you know all about it."
|
|
"I did once; but I can never hunt again, for I got hurt leaping a
|
|
confounded five-barred gate; so there are no more horses and hounds
|
|
for me," said Frank, with a sigh that made Beth hate herself for her
|
|
innocent blunder.
|
|
"Your deer are much prettier than our ugly buffaloes," she said,
|
|
turning to the prairies for help, and feeling glad that she had read
|
|
one of the boys' books in which Jo delighted.
|
|
Buffaloes proved soothing and satisfactory; and, in her eagerness to
|
|
amuse another, Beth forgot herself, and was quite unconscious of her
|
|
sister's surprise and delight at the unusual spectacle of Beth talking
|
|
away to one of the dreadful boys, against whom she had begged
|
|
protection.
|
|
"Bless her heart! She pities him, so she is good to him," said Jo,
|
|
beaming at her from the croquet-ground.
|
|
"I always said she was a little saint," added Meg, as if there could
|
|
be no further doubt of it.
|
|
"I haven't heard Frank laugh so much for ever so long," said Grace
|
|
to Amy, as they sat discussing dolls, and making tea-sets out of the
|
|
acorn-cups.
|
|
"My sister Beth is a very fastidious girl, when she likes to be,"
|
|
said Amy, well pleased at Beth's success. She meant "fascinating," but
|
|
as Grace didn't know the exact meaning of either word, "fastidious"
|
|
sounded well, and made a good impression.
|
|
An impromptu circus, fox and geese, and an amicable game of croquet,
|
|
finished the afternoon. At sunset the tent was struck, hampers packed,
|
|
wickets pulled up, boats loaded, and the whole party floated down
|
|
the river, singing at the tops of their voices. Ned, getting
|
|
sentimental, warbled a serenade with the pensive refrain-
|
|
|
|
"Alone, alone, ah! woe, alone,"
|
|
|
|
and at the lines-
|
|
|
|
"We each are young, we each have a heart,
|
|
Oh, why should we stand thus coldly apart?"
|
|
|
|
he looked at Meg with such a lackadaisical expression that she laughed
|
|
outright and spoilt his song.
|
|
"How can you be so cruel to me?" he whispered, under cover of a
|
|
lively chorus. "You've kept close to that starched-up Englishwoman all
|
|
day, and now you snub me."
|
|
"I didn't mean to; but you looked so funny I really couldn't help
|
|
it," replied Meg, passing over the first part of his reproach; for
|
|
it was quite true that she had shunned him, remembering the Moffat
|
|
party and the talk after it.
|
|
Ned was offended, and turned to Sallie for consolation, saying to
|
|
her rather pettishly, "There isn't a bit of flirt in that girl, is
|
|
there?"
|
|
"Not a particle; but she's a dear," returned Sallie, defending her
|
|
friend even while confessing her shortcomings.
|
|
"She's not a stricken deer, anyway," said Ned, trying to be witty,
|
|
and succeeding as well as very young gentlemen usually do.
|
|
On the lawn, where it had gathered, the little party separated
|
|
with cordial good-nights and good-byes, for the Vaughns were going
|
|
to Canada. As the four sisters went home through the garden, Miss Kate
|
|
looked after them, saying, without the patronizing tone in her
|
|
voice, "In spite of their demonstrative manners, American girls are
|
|
very nice when one knows them."
|
|
"I quite agree with you," said Mr. Brooke.
|
|
13
|
|
Castles in the Air
|
|
|
|
LAURIE lay luxuriously swinging to and fro in his hammock, one
|
|
warm September afternoon, wondering what his neighbors were about, but
|
|
too lazy to go and find out. He was in one of his moods; for the day
|
|
had been both unprofitable and unsatisfactory, and he was wishing he
|
|
could live it over again. The hot weather made him indolent, and he
|
|
had shirked his studies, tried Mr. Brooke's patience to the utmost,
|
|
displeased his grandfather by practising half the afternoon,
|
|
frightened the maid-servants half out of their wits, by
|
|
mischievously hinting that one of his dogs was going mad, and, after
|
|
high words with the stable-man about some fancied neglect of his
|
|
horse, he had flung himself into his hammock, to fume over the
|
|
stupidity of the world in general, till the peace of the lovely day
|
|
quieted him in spite of himself Staring up into the green gloom of the
|
|
horse-chestnut trees above him, he dreamed dreams of all sorts, and
|
|
was just imagining himself tossing on the ocean, in a voyage round the
|
|
world, when the sound of voices brought him ashore in a flash. Peeping
|
|
through the meshes of the hammock, he saw the Marches coming out, as
|
|
if bound on some expedition.
|
|
"What in the world are those girls about now?" thought Laurie,
|
|
opening his sleepy eyes to take a good look, for there was something
|
|
rather peculiar in the appearance of his neighbors. Each wore a large,
|
|
flapping hat, a brown linen pouch slung over one shoulder, and carried
|
|
a long staff. Meg had a cushion, Jo a book, Beth a basket, and Amy a
|
|
portfolio. All walked quietly through the garden, out at the little
|
|
back gate, and began to climb the hill that lay between the house
|
|
and river.
|
|
"Well, that's cool!" said Laurie to himself, "to have a picnic and
|
|
never ask me. They can't be going in the boat, for they haven't got
|
|
the key. Perhaps they forgot it; I'll take it to them, and see
|
|
what's going on."
|
|
Though possessed of half a dozen hats, it took him some time to find
|
|
one; then there was a hunt for the key, which was at last discovered
|
|
in his pocket; so that the girls were quite out of sight when he
|
|
leaped the fence and ran after them. Taking the shortest way to the
|
|
boat-house, he waited for them to appear: but no one came, and he went
|
|
up the hill to take an observation. A grove of pines covered one
|
|
part of it, and from the heart of this green spot came a clearer sound
|
|
than the soft sigh of the pines or the drowsy chirp of the crickets.
|
|
"Here's a landscape!" thought Laurie, peeping through the bushes,
|
|
and looking wide-awake and good-natured already.
|
|
It was rather a pretty little picture; for the sisters sat
|
|
together in the shady nook, with sun and shadow flickering over
|
|
them, the aromatic wind lifting their hair and cooling their hot
|
|
cheeks, and all the little wood-people going on with their affairs
|
|
as if these were no strangers, but old friends. Meg sat upon her
|
|
cushion, sewing daintily with her white hands, and looking as fresh
|
|
and sweet as a rose, in her pink dress, among the green. Beth was
|
|
sorting the cones that lay thick under the hemlock near by, for she
|
|
made pretty things of them. Amy was sketching a group of ferns, and Jo
|
|
was knitting as she read aloud. A shadow passed over the boy's face as
|
|
he watched them, feeling that he ought to go away, because
|
|
uninvited; yet lingering, because home seemed very lonely, and this
|
|
quiet party in the woods most attractive to his restless spirit. He
|
|
stood so still that a squirrel, busy with its harvesting, ran down a
|
|
pine close beside him, saw him suddenly and skipped back, scolding
|
|
so shrilly that Beth looked up, espied the wistful face behind the
|
|
birches, and beckoned with a reassuring smile.
|
|
"May I come in, please? or shall I be a bother?" he asked, advancing
|
|
slowly.
|
|
Meg lifted her eyebrows, but Jo scowled at her defiantly, and
|
|
said, at once, "Of course you may. We should have asked you before,
|
|
only we thought you wouldn't care for such a girl's game as this."
|
|
"I always liked your games; but if Meg doesn't want me, I'll go
|
|
away."
|
|
"I've no objection, if you do something; it's against the rules to
|
|
be idle here," replied Meg, gravely but graciously.
|
|
"Much obliged; I'll do anything if you'll let me stop a bit, for
|
|
it's as dull as the Desert of Sahara down there. Shall I sew, read,
|
|
cone, draw, or do all at once? Bring on your bears; I'm ready," and
|
|
Laurie sat down, with a submissive expression delightful to behold.
|
|
"Finish this story while I set my heel," said Jo, handing him the
|
|
book.
|
|
"Yes'm," was the meek answer, as he began, doing his best to prove
|
|
his gratitude for the favor of an admission into the "Busy Bee
|
|
Society."
|
|
The story was not a long one, and, when it was finished, he ventured
|
|
to ask a few questions as a reward of merit.
|
|
"Please, ma'am, could I inquire if this highly instructive and
|
|
charming institution is a new one?"
|
|
"Would you tell him?" asked Meg of her sisters.
|
|
"He'll laugh," said Amy warningly.
|
|
"Who cares?" said Jo.
|
|
"I guess he'll like it," added Beth.
|
|
"Of course I shall! I give you my word I won't laugh. Tell away, Jo,
|
|
and don't be afraid."
|
|
"The idea of being afraid of you! Well, you see we used to play
|
|
'Pilgrim's Progress,' and we have been going on with it in earnest,
|
|
all winter and summer."
|
|
"Yes, I know," said Laurie, nodding wisely.
|
|
"Who told you?" demanded Jo.
|
|
"Spirits."
|
|
"No, I did; I wanted to amuse him one night when you were all
|
|
away, and he was rather dismal. He did like it, so don't scold, Jo,"
|
|
said Beth meekly.
|
|
"You can't keep a secret. Never mind; it saves trouble now."
|
|
"Go on, please," said Laurie, as Jo became absorbed in her work,
|
|
looking a trifle displeased.
|
|
"Oh, didn't she tell you about this new plan of ours? Well, we
|
|
have tried not to waste our holiday, but each has had a task, and
|
|
worked at it with a will. The vacation is nearly over, the stints
|
|
are all done, and we are ever so glad we didn't dawdle."
|
|
"Yes, I should think so"; and Laurie thought regretfully of his
|
|
own idle days.
|
|
"Mother likes to have us out of doors as much as possible; so we
|
|
bring our work here, and have nice times. For the fun of it we bring
|
|
our things in these bags, wear the old hats, use poles to climb the
|
|
hill, and play pilgrims, as we used to do years ago. We call this hill
|
|
the 'Delectable Mountain,' for we can look far away and see the
|
|
country where we hope to live some time."
|
|
Jo pointed, and Laurie sat up to examine; for through an opening
|
|
in the wood one could look across the wide, blue river, the meadows on
|
|
the other side, far over the outskirts of the great city, to the green
|
|
hills that rose to meet the sky. The sun was low, and the heavens
|
|
glowed with the splendor of an autumn sunset. Gold and purple clouds
|
|
lay on the hill-tops; and rising high into the ruddy light were
|
|
silvery white peaks, that shone like the airy spires of some Celestial
|
|
City.
|
|
"How beautiful that is!" said Laurie softly, for he was quick to see
|
|
and feel beauty of any kind.
|
|
"It's often so; and we like to watch it, for it is never the same,
|
|
but always splendid," replied Amy, wishing she could paint it.
|
|
"Jo talks about the country where we hope to live some time- the
|
|
real country, she means, with pigs and chickens and haymaking. It
|
|
would be nice, but I wish the beautiful country up there was real, and
|
|
we could ever go to it," said Beth musingly.
|
|
"There is a lovelier country even than that, where we shall go, by
|
|
and by, when we are good enough," answered Meg, with her sweet voice.
|
|
"It seems so long to wait, so hard to do; I want to fly away at
|
|
once, as those swallows fly, and go in at that splendid gate."
|
|
"You'll get there, Beth, sooner or later; no fear of that," said Jo;
|
|
"I'm the one that will have to fight and work, and climb and wait, and
|
|
maybe never get in after all."
|
|
"You'll have me for company, if that's any comfort. I shall have
|
|
to do a deal of travelling before I come in sight of your Celestial
|
|
City. If I arrive late, you'll say a good word for me, won't you,
|
|
Beth?"
|
|
Something in the boy's face troubled his little friend; but she said
|
|
cheerfully, with her quiet eyes on the changing clouds, "If people
|
|
really want to go, and really try all their lives, I think they will
|
|
get in; for I don't believe there are any locks on that door, or any
|
|
guards at the gate. I always imagine it is as it is in the picture,
|
|
where the shining ones stretch out their hands to welcome poor
|
|
Christian as he comes up from the river."
|
|
"Wouldn't it be fun if all the castles in the air which we make
|
|
could come true, and we could live in them?" said Jo, after a little
|
|
pause.
|
|
"I've made such quantities it would be hard to choose which I'd
|
|
have," said Laurie, lying flat, and throwing cones at the squirrel who
|
|
had betrayed him.
|
|
"You'd have to take your favorite one. What is it?" asked Meg.
|
|
"If I tell mine, will you tell yours?"
|
|
"Yes, if the girls will too."
|
|
"We will. Now, Laurie."
|
|
"After I'd seen as much of the world as I want to, I'd like to
|
|
settle in Germany, and have just as much music as I choose. I'm to
|
|
be a famous musician myself, and all creation is to rush to hear me;
|
|
and I'm never to be bothered about money or business, but just enjoy
|
|
myself, and live for what I like. That's my favorite castle. What's
|
|
yours, Meg?"
|
|
Margaret seemed to find it a little hard to tell hers, and waved a
|
|
brake before her face, as if to disperse imaginary gnats, while she
|
|
said slowly, "I should like a lovely house, full of all sorts of
|
|
luxurious things- nice food, pretty clothes, handsome furniture,
|
|
pleasant people, and heaps of money. I am to be mistress of it, and
|
|
manage it as I like, with plenty of servants, so I never need work a
|
|
bit. How I should enjoy it! for I wouldn't be idle, but do good, and
|
|
make every one love me dearly."
|
|
"Wouldn't you have a master for your castle in the air?" asked
|
|
Laurie slyly.
|
|
"I said 'pleasant people,' you know"; and Meg carefully tied up
|
|
her shoe as she spoke, so that no one saw her face.
|
|
"Why don't you say you'd have a splendid, wise, good husband, and
|
|
some angelic little children? You know your castle wouldn't be perfect
|
|
without," said blunt Jo, who had no tender fancies yet, and rather
|
|
scorned romance, except in books.
|
|
"You'd have nothing but horses, inkstands, and novels in yours,"
|
|
answered Meg petulantly.
|
|
"Wouldn't I, though? I'd have a stable full of Arabian steeds, rooms
|
|
piled with books, and I'd write out of a magic inkstand, so that my
|
|
works should be as famous as Laurie's music. I want to do something
|
|
splendid before I go into my castle- something heroic or wonderful,
|
|
that won't be forgotten after I'm dead. I don't know what, but I'm
|
|
on the watch for it, and mean to astonish you all, some day. I think I
|
|
shall write books, and get rich and famous: that would suit me, so
|
|
that is my favorite dream."
|
|
"Mine is to stay at home safe with father and mother, and help
|
|
take care of the family," said Beth contentedly.
|
|
"Don't you wish for anything else?" asked Laurie.
|
|
"Since I had my little piano, I am perfectly satisfied. I only
|
|
wish we may all keep well and be together; nothing else."
|
|
"I have ever so many wishes; but the pet one is to be an artist, and
|
|
go to Rome, and do fine pictures, and be the best artist in the
|
|
whole world," was Amy's modest desire.
|
|
"We're an ambitious set, aren't we? Every one of us, but Beth, wants
|
|
to be rich and famous, and gorgeous in every respect. I do wonder if
|
|
any of us will ever get our wishes," said Laurie, chewing grass,
|
|
like a meditative calf.
|
|
"I've got the key to my castle in the air; but whether I can
|
|
unlock the door remains to be seen," observed Jo mysteriously.
|
|
"I've got the key to mine, but I'm not allowed to try it. Hang
|
|
college!" muttered Laurie, with an impatient sigh.
|
|
"Here's mine!" and Amy waved her pencil.
|
|
"I haven't got any," said Meg forlornly.
|
|
"Yes, you have," said Laurie at once.
|
|
"Where?"
|
|
"In your face."
|
|
"Nonsense; that's of no use."
|
|
"Wait and see if it doesn't bring you something worth having,"
|
|
replied the boy, laughing at the thought of a charming little secret
|
|
which he fancied he knew.
|
|
Meg colored behind the brake, but asked no questions, and looked
|
|
across the river with the same expectant expression which Mr. Brooke
|
|
had worn when he told the story of the knight.
|
|
"If we are all alive ten years hence, let's meet, and see how many
|
|
of us have got our wishes, or how much nearer we are then than now,"
|
|
said Jo, always ready with a plan.
|
|
"Bless me! how old I shall be- twenty-seven!" exclaimed Meg, who
|
|
felt grown up already, having just reached seventeen.
|
|
"You and I will be twenty-six, Teddy, Beth twenty-four, and Amy
|
|
twenty-two. What a venerable party!" said Jo.
|
|
"I hope I shall have done something to be proud of by that time; but
|
|
I'm such a lazy dog, I'm afraid I shall 'dawdle,' Jo."
|
|
"You need a motive, mother says; and when you get it, she is sure
|
|
you'll work splendidly."
|
|
"Is she? By Jupiter I will, if I only get the chance!" cried Laurie,
|
|
sitting up with sudden energy. "I ought to be satisfied to please
|
|
grandfather, and I do try, but it's working against the grain, you
|
|
see, and comes hard. He wants me to be an India merchant, as he was,
|
|
and I'd rather be shot. I hate tea and silk and spices, and every sort
|
|
of rubbish his old ships bring, and I don't care how soon they go to
|
|
the bottom when I own them. Going to college ought to satisfy him, for
|
|
if I give him four years he ought to let me off from the business; but
|
|
he's set, and I've got to do just as he did, unless I break away and
|
|
please myself, as my father did. If there was any one left to stay
|
|
with the old gentleman, I'd do it to-morrow."
|
|
Laurie spoke excitedly, and looked ready to carry his threat into
|
|
execution on the slightest provocation; for he was growing up very
|
|
fast, and, in spite of his indolent ways, had a young man's hatred
|
|
of subjection, a young man's restless longing to try the world for
|
|
himself.
|
|
"I advise you to sail away in one of your ships, and never come home
|
|
again till you have tried your own way," said Jo, whose imagination
|
|
was fired by the thought of such a daring exploit, and whose
|
|
sympathy was excited by what she called "Teddy's wrongs."
|
|
"That's not right, Jo; you mustn't talk in that way, and Laurie
|
|
mustn't take your bad advice. You should do just what your grandfather
|
|
wishes, my dear boy," said Meg, in her most maternal tone. "Do your
|
|
best at college, and, when he sees that you try to please him, I'm
|
|
sure he won't be hard or unjust to you. As you say, there is no one
|
|
else to stay with and love him, and you'd never forgive yourself if
|
|
you left him without his permission. Don't be dismal or fret, but do
|
|
your duty; and you'll get your reward, as good Mr. Brooke has, by
|
|
being respected and loved."
|
|
"What do you know about him?" asked Laurie, grateful for the good
|
|
advice, but objecting to the lecture, and glad to turn the
|
|
conversation from himself, after his unusual outbreak.
|
|
"Only what your grandpa told us about him- how he took good care
|
|
of his own mother till she died, and wouldn't go abroad as tutor to
|
|
some nice person, because he wouldn't leave her; and how he provides
|
|
now for an old woman who nursed his mother; and never tells any one,
|
|
but is just as generous and patient and good as he can be."
|
|
"So he is, dear old fellow!" said Laurie heartily, as Meg paused,
|
|
looking flushed and earnest with her story. "It's like grandpa to find
|
|
out all about him, without letting him know, and to tell all his
|
|
goodness to others, so that they might like him. Brooke couldn't
|
|
understand why your mother was so kind to him, asking him over with
|
|
me, and treating him in her beautiful friendly way. He thought she was
|
|
just perfect, and talked about it for days and days, and went on about
|
|
you all in flaming style. If ever I do get my wish, you see what
|
|
I'll do for Brooke."
|
|
"Begin to do something now, by not plaguing his life out," said
|
|
Meg sharply.
|
|
"How do you know I do, miss?"
|
|
"I can always tell by his face, when he goes away. If you have
|
|
been good, he looks satisfied and walks briskly; if you have plagued
|
|
him, he's sober and walks slowly, as if he wanted to go back and do
|
|
his work better."
|
|
"Well, I like that! So you keep an account of my good and bad
|
|
marks in Brooke's face, do you? I see him bow and smile as he passes
|
|
your window, but I didn't know you'd got up a telegraph."
|
|
"We haven't; don't be angry, and oh, don't tell him I said anything!
|
|
It was only to show that I cared how you get on, and what is said here
|
|
is said in confidence, you know," cried Meg, much alarmed at the
|
|
thought of what might follow from her careless speech.
|
|
"I don't tell tales," replied Laurie, with his "high and mighty"
|
|
air, as Jo called a certain expression which he occasionally wore.
|
|
"Only if Brooke is going to be a thermometer, I must mind and have
|
|
fair weather for him to report."
|
|
"Please don't be offended. I didn't mean to preach or tell tales
|
|
or be silly; I only thought Jo was encouraging you in a feeling
|
|
which you'd be sorry for, by and by. You are so kind to us, we feel as
|
|
if you were our brother, and say just what we think. Forgive me, I
|
|
meant it kindly." And Meg offered her hand with a gesture both
|
|
affectionate and timid.
|
|
Ashamed of his momentary pique, Laurie squeezed the kind little
|
|
hand, and said frankly, "I'm the one to be forgiven; I'm cross, and
|
|
have been out of sorts all day. I like to have you tell me my faults
|
|
and be sisterly, so don't mind if I am grumpy sometimes; I thank you
|
|
all the same."
|
|
Bent on showing that he was not offended, he made himself as
|
|
agreeable as possible- wound cotton for Meg, recited poetry to
|
|
please Jo, shook down cones for Beth and helped Amy with her ferns,
|
|
proving himself a fit person to belong to the "Busy Bee Society." In
|
|
the midst of an animated discussion on the domestic habits of
|
|
turtles (one of those amiable creatures having strolled up from the
|
|
river), the faint sound of a bell warned them that Hannah had put
|
|
the tea "to draw," and they would just have time to get home to
|
|
supper.
|
|
"May I come again?" asked Laurie.
|
|
"Yes, if you are good, and love your book, as the boys in the primer
|
|
are told to do," said Meg, smiling.
|
|
"I'll try."
|
|
"Then you may come, and I'll teach you to knit as the Scotchmen
|
|
do; there's a demand for socks just now," added Jo, waving hers,
|
|
like a big blue worsted banner, as they parted at the gate.
|
|
That night, when Beth played to Mr. Laurence in the twilight,
|
|
Laurie, standing in the shadow of the curtain, listened to the
|
|
little David, whose simple music always quieted his moody spirit,
|
|
and watched the old man, who sat with his gray head on his hand,
|
|
thinking tender thoughts of the dead child he had loved so much.
|
|
Remembering the conversation of the afternoon, the boy said to
|
|
himself, with the resolve to make the sacrifice cheerfully, "I'll
|
|
let my castle go, and stay with the dear old gentleman while he
|
|
needs me, for I am all he has."
|
|
14
|
|
Secrets
|
|
|
|
JO was very busy in the garret, for the October days began to grow
|
|
chilly, and the afternoons were short. For two or three hours the
|
|
sun lay warmly in the high window, showing Jo seated on the old
|
|
sofa, writing busily, with her papers spread out upon a trunk before
|
|
her, while Scrabble, the pet rat, promenaded the beams overhead,
|
|
accompanied by his oldest son, a fine young fellow, who was
|
|
evidently very proud of his whiskers. Quite absorbed in her work, Jo
|
|
scribbled away till the last page was filled, when she signed her name
|
|
with a flourish, and threw down her pen, exclaiming-
|
|
"There, I've done my best! If this won't suit I shall have to wait
|
|
till I can do better."
|
|
Lying back on the sofa, she read the manuscript carefully through,
|
|
making dashes here and there, and putting in many exclamation
|
|
points, which looked like little balloons; then she tied it up with
|
|
a smart red ribbon, and sat a minute looking at it with a sober,
|
|
wistful expression, which plainly showed how earnest her work had
|
|
been. Jo's desk up here was an old tin kitchen, which hung against the
|
|
wall. In it she kept her papers and a few books, safely shut away from
|
|
Scrabble, who, being likewise of a literary turn, was fond of making a
|
|
circulating library of such books as were left in his way, by eating
|
|
the leaves. From this tin receptacle Jo produced another manuscript;
|
|
and, putting both in her pocket, crept quietly down stairs, leaving
|
|
her friends to nibble her pens and taste her ink.
|
|
She put on her hat and jacket as noiselessly as possible, and, going
|
|
to the back entry window, got out upon the roof of a low porch,
|
|
swung herself down to the grassy bank, and took a roundabout way to
|
|
the road. Once there, she composed herself, hailed a passing
|
|
omnibus, and rolled away to town, looking very merry and mysterious.
|
|
If any one had been watching her, he would have thought her
|
|
movements decidedly peculiar; for, on alighting, she went off at a
|
|
great pace till she reached a certain number in a certain busy street;
|
|
having found the place with some difficulty, she went into the
|
|
doorway, looked up the dirty stairs, and, after standing stock still a
|
|
minute suddenly dived into the street, and walked away as rapidly as
|
|
she came. This manoeuvre she repeated several times, to the great
|
|
amusement of a black-eyed young gentleman lounging in the window of
|
|
a building opposite. On returning for the third time, Jo gave
|
|
herself a shake, pulled her hat over her eyes, and walked up the
|
|
stairs, looking as if she were going to have all her teeth out.
|
|
There was a dentist's sign, among others, which adorned the
|
|
entrance, and, after staring a moment at the pair of artificial jaws
|
|
which slowly opened and shut to draw attention to a fine set of teeth,
|
|
the young gentleman put on his coat, took his hat, and went down to
|
|
post himself in the opposite doorway, saying, with a smile and a
|
|
shiver-
|
|
"It's like her to come alone, but if she has a bad time she'll
|
|
need some one to help her home."
|
|
In ten minutes Jo came running down stairs with a very red face, and
|
|
the general appearance of a person who had just passed through a
|
|
trying ordeal of some sort. When she saw the young gentleman she
|
|
looked anything but pleased, and passed him with a nod; but he
|
|
followed, asking, with an air of sympathy-
|
|
"Did you have a bad time?"
|
|
"Not very."
|
|
"You got through quickly."
|
|
"Yes, thank goodness!"
|
|
"Why did you go alone?"
|
|
"Didn't want any one to know."
|
|
"You're the oddest fellow I ever saw. How many did you have out?"
|
|
Jo looked at her friend as if she did not understand him; then began
|
|
to laugh, as if mightily amused at something.
|
|
"There are two which I want to have come out, but I must wait a
|
|
week."
|
|
"What are you laughing at? You are up to some mischief, Jo," said
|
|
Laurie, looking mystified.
|
|
"So are you. What were you doing, sir, up in that billiard saloon?"
|
|
"Begging your pardon, ma'am, it wasn't a billiard saloon, but a
|
|
gymnasium, and I was taking a lesson in fencing."
|
|
"I'm glad of that."
|
|
"Why?"
|
|
"You can teach me, and then when we play Hamlet, you can be Laertes,
|
|
and we'll make a fine thing of the fencing scene."
|
|
Laurie burst out with a hearty boy's laugh, which made several
|
|
passers-by smile in spite of themselves.
|
|
"I'll teach you whether we play Hamlet or not; it's grand fun, and
|
|
will straighten you up capitally. But I don't believe that was your
|
|
only reason for saying 'I'm glad,' in that decided way; was it, now?"
|
|
"No, I was glad that you were not in the saloon, because I hope
|
|
you never go to such places. Do you?"
|
|
"Not often."
|
|
"I wish you wouldn't."
|
|
"It's no harm, Jo. I have billiards at home, but it's no fun
|
|
unless you have good players; so, as I'm fond of it, I come
|
|
sometimes and have a game with Ned Moffat or some of the other
|
|
fellows."
|
|
"Oh dear, I'm so sorry, for you'll get to liking it better and
|
|
better, and will waste time and money, and grow like those dreadful
|
|
boys. I did hope you'd stay respectable, and be a satisfaction to your
|
|
friends," said Jo, shaking her head.
|
|
"Can't a fellow take a little innocent amusement now and then
|
|
without losing his respectability?" asked Laurie, looking nettled.
|
|
"That depends upon how and where he takes it. I don't like Ned and
|
|
his set, and wish you'd keep out of it. Mother won't let us have him
|
|
at our house, though he wants to come; and if you grow like him she
|
|
won't be willing to have us frolic together as we do now."
|
|
"Won't she?" asked Laurie anxiously.
|
|
"No, she can't bear fashionable young men, and she'd shut us all
|
|
up in bandboxes rather than have us associate with them."
|
|
"Well, she needn't get out her bandboxes yet; I'm not a
|
|
fashionable party, and don't mean to be; but I do like harmless
|
|
larks now and then, don't you?"
|
|
"Yes, nobody minds them, so lark away, but don't get wild, will you?
|
|
or there will be an end of all our good times."
|
|
"I'll be a double-distilled saint."
|
|
"I can't bear saints: just be a simple, honest, respectable boy, and
|
|
we'll never desert you. I don't know what I should do if you acted
|
|
like Mr. King's son; he had plenty of money, but didn't know how to
|
|
spend it, and got tipsy and gambled, and ran away, and forged his
|
|
father's name, I believe, and was altogether horrid."
|
|
"You think I'm likely to do the same? Much obliged."
|
|
"No, I don't- oh, dear, no!- but I hear people talking about money
|
|
being such a temptation, and I sometimes wish you were poor; I
|
|
shouldn't worry then."
|
|
"Do you worry about me, Jo?"
|
|
"A little, when you look moody or discontented, as you sometimes do;
|
|
for you've got such a strong will, if you once get started wrong,
|
|
I'm afraid it would be hard to stop you."
|
|
Laurie walked in silence a few minutes, and Jo watched him,
|
|
wishing she had held her tongue, for his eyes looked angry, though his
|
|
lips still smiled as if at her warnings.
|
|
"Are you going to deliver lectures all the way home?" he asked
|
|
presently.
|
|
"Of course not; why?"
|
|
"Because if you are, I'll take a 'bus; if you are not, I'd like to
|
|
walk with you, and tell you something very interesting."
|
|
"I won't preach any more, and I'd like to hear the news immensely."
|
|
"Very well, then; come on. It's a secret, and if I tell you, you
|
|
must tell me yours."
|
|
"I haven't got any," began Jo, but stopped suddenly, remembering
|
|
that she had.
|
|
"You know you have- you can't hide anything; so up and 'fess, or I
|
|
won't tell," cried Laurie.
|
|
"Is your secret a nice one?"
|
|
"Oh, isn't it! all about people you know, and such fun! You ought to
|
|
hear it, and I've been aching to tell it this long time. Come, you
|
|
begin."
|
|
"You'll not say anything about it at home, will you?"
|
|
"Not a word."
|
|
"And you won't tease me in private?"
|
|
"I never tease."
|
|
"Yes, you do; you get everything you want out of people. I don't
|
|
know how you do it, but you are a born wheedler."
|
|
"Thank you; fire away."
|
|
"Well, I've left two stories with a newspaper man, and he's to
|
|
give his answer next week," whispered Jo, in her confidant's ear.
|
|
"Hurrah for Miss March, the celebrated American authoress!" cried
|
|
Laurie, throwing up his hat and catching it again, to the great
|
|
delight of two ducks, four cats, five hens, and half a dozen Irish
|
|
children; for they were out of the city now.
|
|
"Hush! It won't come to anything, I dare say; but I couldn't rest
|
|
till I had tried, and I said nothing about it, because I didn't want
|
|
any one else to be disappointed."
|
|
"It won't fail. Why, Jo, your stories are works of Shakespeare,
|
|
compared to half the rubbish that is published every day. Won't it
|
|
be fun to see them in print; and shan't we feel proud of our
|
|
authoress?"
|
|
Jo's eyes sparkled, for it is always pleasant to be believed in; and
|
|
a friend's praise is always sweeter than a dozen newspaper puffs.
|
|
"Where's your secret? Play fair, Teddy, or I'll never believe you
|
|
again," she said, trying to extinguish the brilliant hopes that blazed
|
|
up at a word of encouragement.
|
|
"I may get into a scrape for telling; but I didn't promise not to,
|
|
so I will, for I never feel easy in my mind till I've told you any
|
|
plummy bit of news I get. I know where Meg's glove is."
|
|
"Is that all?" said Jo, looking disappointed, as Laurie nodded and
|
|
twinkled, with a face full of mysterious intelligence.
|
|
"It's quite enough for the present, as you'll agree when I tell
|
|
you where it is."
|
|
"Tell, then."
|
|
Laurie bent, and whispered three words in Jo's ear, which produced a
|
|
comical change. She stood and stared at him for a minute, looking both
|
|
surprised and displeased, then walked on, saying sharply, "How do
|
|
you know?"
|
|
"Saw it."
|
|
"Where?"
|
|
"Pocket."
|
|
"All this time?"
|
|
"Yes; isn't that romantic?"
|
|
"No, it's horrid."
|
|
"Don't you like it?"
|
|
"Of course I don't. It's ridiculous; it won't be allowed. My
|
|
patience! what would Meg say?"
|
|
"You are not to tell any one; mind that."
|
|
"I didn't promise."
|
|
"That was understood, and I trusted you."
|
|
"Well, I won't for the present, any way; but I'm disgusted, and wish
|
|
you hadn't told me."
|
|
"I thought you'd be pleased."
|
|
"At the idea of anybody coming to take Meg away? No, thank you."
|
|
"You'll feel better about it when somebody comes to take you away."
|
|
"I'd like to see any one try it," cried Jo fiercely.
|
|
"So should I!" and Laurie chuckled at the idea.
|
|
"I don't think secrets agree with me; I feel rumpled up in my mind
|
|
since you told me that," said Jo, rather ungratefully.
|
|
"Race down this hill with me, and you'll be all right," suggested
|
|
Laurie.
|
|
No one was in sight; the smooth road sloped invitingly before her;
|
|
and finding the temptation irresistible, Jo darted away, soon
|
|
leaving hat and comb behind her, and scattering hair-pins as she
|
|
ran. Laurie reached the goal first, and was quite satisfied with the
|
|
success of his treatment; for his Atalanta came panting up, with
|
|
flying hair, bright eyes, ruddy cheeks, and no signs of
|
|
dissatisfaction in her face.
|
|
"I wish I was a horse; then I could run for miles in this splendid
|
|
air, and not lose my breath. It was capital; but see what a guy it's
|
|
made me. Go, pick up my things, like a cherub as you are," said Jo,
|
|
dropping down under a maple-tree, which was carpeting the bank with
|
|
crimson leaves.
|
|
Laurie leisurely departed to recover the lost property, and Jo
|
|
bundled up her braids, hoping no one would pass by till she was tidy
|
|
again. But some one did pass, and who should it be but Meg, looking.
|
|
particularly ladylike in her state and festival suit, for she had been
|
|
making calls.
|
|
"What in the world are you doing here?" she asked, regarding her
|
|
dishevelled sister with well-bred surprise.
|
|
"Getting leaves," meekly answered Jo, sorting the rosy handful she
|
|
had just swept up.
|
|
"And hair-pins," added Laurie, throwing half a dozen into Jo's
|
|
lap. "They grow on this road, Meg; so do combs and brown straw hats."
|
|
"You have been running, Jo; how could you? When will you stop such
|
|
romping ways?" said Meg reprovingly, as she settled her cuffs, and
|
|
smoothed her hair, with which the wind had taken liberties.
|
|
"Never till I'm stiff and old, and have to use a crutch. Don't try
|
|
to make me grow up before my time, Meg; it's hard enough to have you
|
|
change all of a sudden; let me be a little girl as long as I can."
|
|
As she spoke, Jo bent over the leaves to hide the trembling of her
|
|
lips; for lately she had felt that Margaret was fast getting to be a
|
|
woman, and Laurie's secret made her dread the separation which must
|
|
surely come some time, and now seemed very near. He saw the trouble in
|
|
her face? and drew Meg's attention from it by asking quickly, "Where
|
|
have you been calling, all so fine?"
|
|
"'At the Gardiners' and Sallie has been telling me all about Belle
|
|
Moffat's wedding. It was very splendid, and they have gone to spend
|
|
the winter in Paris. Just think how delightful that must be!"
|
|
"Do you envy her, Meg?" said Laurie.
|
|
"I'm afraid I do."
|
|
"I'm glad of it!" murmured Jo, tying on her hat with a jerk.
|
|
"Why?" asked Meg, looking surprised.
|
|
"Because if you care much about riches, you will never go and
|
|
marry a poor man," said Jo, frowning at Laurie, who was mutely warning
|
|
her to mind what she said.
|
|
"I shall never 'go and marry' any one," observed Meg, walking on
|
|
with great dignity, while the others followed, laughing, whispering,
|
|
skipping stones, and "behaving like children," as Meg said to herself,
|
|
though she might have been tempted to join them if she had not had her
|
|
best dress on.
|
|
For a week or two, Jo behaved so queerly that her sisters were quite
|
|
bewildered. She rushed to the door when the postman rang; was rude
|
|
to Mr. Brooke whenever they met; would sit looking at Meg with a
|
|
woebegone face, occasionally jumping up to shake and then to kiss her,
|
|
in a very mysterious manner; Laurie and she were always making signs
|
|
to one another, and talking about "Spread Eagles," till the girls
|
|
declared they had both lost their wits. On the second Saturday after
|
|
Jo got out of the window, Meg, as she sat sewing at her window, was
|
|
scandalized by the sight of Laurie chasing Jo all over the garden, and
|
|
finally capturing her in Amy's bower. What went on there, Meg could
|
|
not see; but shrieks of laughter were heard, followed by the murmur of
|
|
voices and a great flapping of newspapers.
|
|
"What shall we do with that girl? She never will behave like a young
|
|
lady," sighed Meg, as she watched the race with a disapproving face.
|
|
"I hope she won't; she is so funny and dear as she is," said Beth,
|
|
who had never betrayed that she was a little hurt at Jo's having
|
|
secrets with any one but her.
|
|
"It's very trying, but we never can make her commy la fo," added
|
|
Amy, who sat making some new frills for herself, with her curls tied
|
|
up in a very becoming way- two agreeable things, which made her feel
|
|
unusually elegant and ladylike.
|
|
In a few minutes Jo bounced in, laid herself on the sofa, and
|
|
affected to read.
|
|
"Have you anything interesting there?" asked Meg, with
|
|
condescension.
|
|
"Nothing but a story; won't amount to much, I guess," returned Jo,
|
|
carefully keeping the name of the paper out of sight.
|
|
"You'd better read it aloud; that will amuse us and keep you out
|
|
of mischief," said Amy, in her most grown-up tone.
|
|
"What's the name?" asked Beth, wondering why Jo kept her face behind
|
|
the sheet.
|
|
"The Rival Painters."
|
|
"That sounds well; read it," said Meg.
|
|
With a loud "Hem!" and a long breath, Jo began to read very fast.
|
|
The girls listened with interest, for the tale was romantic, and
|
|
somewhat pathetic, as most of the characters died in the end.
|
|
"I like that about the splendid picture," was Amy's approving
|
|
remark, as Jo paused.
|
|
"I prefer the lovering part. Viola and Angelo are two of our
|
|
favorite names; isn't that queer?" said Meg, wiping her eyes, for
|
|
the "lovering part" was tragical.
|
|
"Who wrote it?" asked Beth, who had caught a glimpse of Jo's face.
|
|
The reader suddenly sat up, cast away the paper, displaying a
|
|
flushed countenance, and, with a funny mixture of solemnity and
|
|
excitement, replied in a loud voice, "Your sister."
|
|
"You?" cried Meg, dropping her work.
|
|
"It's very good," said Amy critically.
|
|
"I knew it! I knew it! O my Jo, I am so proud!" and Beth ran to
|
|
hug her sister, and exult over this splendid success.
|
|
Dear me, how delighted they all were, to be sure! how Meg wouldn't
|
|
believe it till she saw the words, "Miss Josephine March," actually
|
|
printed in the paper; how graciously Amy criticized the artistic parts
|
|
of the story, and offered hints for a sequel, which unfortunately
|
|
couldn't be carried out, as the hero and heroine were dead; how Beth
|
|
got excited, and skipped and sung with joy; how Hannah came in to
|
|
exclaim "Sakes alive, well I never!" in great astonishment at "that
|
|
Jo's doin's"; how proud Mrs. March was when she knew it; how Jo
|
|
laughed, with tears in her eyes, as she declared she might as well
|
|
be a peacock and done with it; and how the "Spread Eagle" might be
|
|
said to flap his wings triumphantly over the House of March, as the
|
|
paper passed from hand to hand.
|
|
"Tell us all about it." "When did it come?" "How much did you get
|
|
for it?" "What will father say?" "Won't Laurie laugh?" cried the
|
|
family, all in one breath, as they clustered about Jo; for these
|
|
foolish, affectionate people made a jubilee of every little
|
|
household joy.
|
|
"Stop jabbering, girls, and I'll tell you everything," said Jo,
|
|
wondering if Miss Burney felt any grander over her "Evelina" than
|
|
she did over her "Rival Painters." Having told how she disposed of her
|
|
tales, Jo added, "And when I went to get my answer, the man said he
|
|
liked them both, but didn't pay beginners, only let them print in
|
|
his paper, and noticed the stories. It was good practice, he said; and
|
|
when the beginners improved, any one would pay. So I let him have
|
|
the two stories, and to-day this was sent to me, and Laurie caught
|
|
me with it, and insisted on seeing it, so I let him; and he said it
|
|
was good, and I shall write more, and he's going to get the next
|
|
paid for, and I am so happy, for in time I may be able to support
|
|
myself and help the girls."
|
|
Jo's breath gave out here; and, wrapping her head in the paper,
|
|
she bedewed her little story with a few natural tears; for to be
|
|
independent, and earn the praise of those she loved were the dearest
|
|
wishes of her heart, and this seemed to be the first step toward
|
|
that happy end.
|
|
15
|
|
A Telegram
|
|
|
|
"NOVEMBER is the most disagreeable mouth in the whole year," said
|
|
Margaret, standing at the window one dull afternoon, looking out at
|
|
the frost-bitten garden.
|
|
"That's the reason I was born in it," observed Jo pensively, quite
|
|
unconscious of the blot on her nose.
|
|
"If something very pleasant should happen now, we should think it
|
|
a delightful month," said Beth, who took a hopeful view of everything,
|
|
even November.
|
|
"I dare say; but nothing pleasant ever does happen in this
|
|
family," said Meg, who was out of sorts. "We go grubbing along day
|
|
after day, without a bit of change, and very little fun. We might as
|
|
well be in a treadmill."
|
|
"My patience, how blue we are!" cried Jo. "I don't much wonder, poor
|
|
dear, for you see other girls having splendid times, while you
|
|
grind, grind, year in and year out. Oh, don't I wish I could manage
|
|
things for you as I do for my heroines! You're pretty enough and
|
|
good enough already, so I'd have some rich relation leave you a
|
|
fortune unexpectedly; then you'd dash out as an heiress, scorn every
|
|
one who has slighted you, go abroad, and come home my Lady
|
|
Something, in a blaze of splendor and elegance."
|
|
"People don't have fortunes left them in that style now-a-days;
|
|
men have to work, and women to marry for money. It's a dreadfully
|
|
unjust world," said Meg bitterly.
|
|
"Jo and I are going to make fortunes for you all; just wait ten
|
|
years, and see if we don't," said Amy, who sat in a corner, making mud
|
|
pies, as Hannah called her little clay models of birds, fruit, and
|
|
faces.
|
|
"Can't wait, and I'm afraid I haven't much faith in ink and dirt,
|
|
though I'm grateful for your good intentions."
|
|
Meg sighed, and turned to the frost-bitten garden again; Jo groaned,
|
|
and leaned both elbows on the table in a despondent attitude, but
|
|
Amy spatted away energetically; and Beth, who sat at the other window,
|
|
said, smiling, "Two pleasant things are going to happen right away:
|
|
Marmee is coming down the street, and Laurie is tramping through the
|
|
garden as if he had something nice to tell."
|
|
In they both came, Mrs. March with her usual question, "Any letter
|
|
from father, girls?" and Laurie to say in his persuasive way, "Won't
|
|
some of you come for a drive? I've been working away at mathematics
|
|
till my head is in a muddle, and I'm going to freshen my wits by a
|
|
brisk turn. It's a dull day, but the air isn't bad, and I'm going to
|
|
take Brooke home, so it will be gay inside, if it isn't out. Come, Jo,
|
|
you and Beth will go, won't you?"
|
|
"Of course we will."
|
|
"Much obliged, but I'm busy"; and Meg whisked out her work-basket,
|
|
for she had agreed with her mother that it was best, for her at least,
|
|
not to drive often with the young gentleman.
|
|
"We three will be ready in a minute," cried Amy, running away to
|
|
wash her hands.
|
|
"Can I do anything for you, Madam Mother?" asked Laurie, leaning
|
|
over Mrs. March's chair, with the affectionate look and tone he always
|
|
gave her.
|
|
"No, thank you, except call at the office, if you'll be so kind,
|
|
dear. It's our day for a letter, and the postman hasn't been. Father
|
|
is as regular as the sun, but there's some delay on the way, perhaps."
|
|
A sharp ring interrupted her, and a minute after Hannah came in with
|
|
a letter.
|
|
"It's one of them horrid telegraph things, mum," she said, handing
|
|
it as if she was afraid it would explode and do some damage.
|
|
At the word "telegraph," Mrs. March snatched it, read the two
|
|
lines it contained, and dropped back into her chair as white as if the
|
|
little paper had sent a bullet to her heart. Laurie dashed down stairs
|
|
for water, while Meg and Hannah supported her, and Jo read aloud, in a
|
|
frightened voice-
|
|
|
|
"MRS. MARCH:
|
|
"Your husband is very ill. Come at once.
|
|
"S. HALE,
|
|
"Blank Hospital, Washington."
|
|
|
|
How still the room was as they listened breathlessly, how
|
|
strangely the day darkened outside, and how suddenly the whole world
|
|
seemed to change, as the girls gathered about their mother, feeling as
|
|
if all the happiness and support of their lives was about to be
|
|
taken from them, Mrs. March was herself again directly; read the
|
|
message over, and stretched out her arms to her daughters, saying in a
|
|
tone they never forgot, "I shall go at once, but it may be too late. O
|
|
children, children, help me to bear it!"
|
|
For several minutes there was nothing but the sound of sobbing in
|
|
the room, mingled with broken words of comfort, tender assurances of
|
|
help, and hopeful whispers that died away in tears. Poor Hannah was
|
|
the first to recover, and with unconscious wisdom she set all the rest
|
|
a good example; for, with her, work was the panacea for most
|
|
afflictions.
|
|
"The Lord keep the dear man! I won't waste no time a cryin', but git
|
|
your things ready right away, mum," she said heartily, as she wiped
|
|
her face on her apron, gave her mistress a warm shake of the hand with
|
|
her own hard one, and went away, to work like three women in one.
|
|
"She's right; there's no time for tears now. Be calm, girls, and let
|
|
me think."
|
|
They tried to be calm, poor things, as their mother sat up,
|
|
looking pale, but steady, and put away her grief to think and plan for
|
|
them.
|
|
"Where's Laurie?" she asked presently, when she had collected her
|
|
thoughts, and decided on the first duties to be done.
|
|
"Here, ma'am. Oh, let me do something!" cried the boy, hurrying from
|
|
the next room, whither he had withdrawn, feeling that their first
|
|
sorrow was too sacred for even his friendly eyes to see.
|
|
"Send a telegram saying I will come at once. The next train goes
|
|
early in the morning. I'll take that."
|
|
"What else? The horses are ready; I can go anywhere, do anything,"
|
|
he said, looking ready to fly to the ends of the earth.
|
|
"Leave a note at Aunt March's. Jo, give me that pen and paper."
|
|
Tearing off the blank side of one of her newly copied pages, Jo drew
|
|
the table before her mother, well knowing that money for the long, sad
|
|
journey must be borrowed, and feeling as if she could do anything to
|
|
add a little to the sum for her father.
|
|
"Now go, dear; but don't kill yourself driving at a desperate
|
|
pace; there is no need of that."
|
|
Mrs. March's warning was evidently thrown away; for five minutes
|
|
later Laurie tore by the window on his own fleet horse, riding as if
|
|
for his life.
|
|
"Jo, run to the rooms, and tell Mrs. King that I can't come. On
|
|
the way get these things. I'll put them down; they'll be needed, and I
|
|
must go prepared for nursing. Hospital stores are not always good.
|
|
Beth, go and ask Mr. Laurence for a couple of bottles of old wine: I'm
|
|
not too proud to beg for father; he shall have the best of everything.
|
|
Amy, tell Hannah to get down the black trunk; and, Meg, come and
|
|
help me find my things, for I'm half bewildered."
|
|
Writing, thinking, and directing, all at once, might well bewilder
|
|
the poor lady, and Meg begged her to sit quietly in her room for a
|
|
little while, and let them work. Every one scattered like leaves
|
|
before a gust of wind; and the quiet, happy household was broken up as
|
|
suddenly as if the paper had been an evil spell.
|
|
Mr. Laurence came hurrying back with Beth, bringing every comfort
|
|
the kind old gentleman could think of for the invalid, and friendliest
|
|
promises of protection for the girls during the mother's absence,
|
|
which comforted her very much. There was nothing he didn't offer, from
|
|
his own dressing-gown to himself as escort. But that last was
|
|
impossible. Mrs. March would not hear of the old gentleman's
|
|
undertaking the long journey; yet an expression of relief was
|
|
visible when he spoke of it, for anxiety ill fits one for
|
|
travelling. He saw the look, knit his heavy eyebrows, rubbed his
|
|
hands, and marched abruptly away, saying he'd be back directly. No one
|
|
had time to think of him again till, as Meg ran through the entry,
|
|
with a pair of rubbers in one hand and a cup of tea in the other,
|
|
she came suddenly upon Mr. Brooke.
|
|
"I'm very sorry to hear of this, Miss March," he said, in the
|
|
kind, quiet tone which sounded very pleasantly to her perturbed
|
|
spirit. "I came to offer myself as escort to your mother. Mr. Laurence
|
|
has commissions for me in Washington, and it will give me real
|
|
satisfaction to be of service to her there."
|
|
Down dropped the rubbers, and the tea was very near following, as
|
|
Meg put out her hand, with a face so full of gratitude, that Mr.
|
|
Brooke would have felt repaid for a much greater sacrifice than the
|
|
trifling one of time and comfort which he was about to make.
|
|
"How kind you all are! Mother will accept, I'm sure; and it will
|
|
be such a relief to know that she has some one to take care of her.
|
|
Thank you very, very much!"
|
|
Meg spoke earnestly, and forgot herself entirely till something in
|
|
the brown eyes looking down at her made her remember the cooling
|
|
tea, and lead the way into the parlor, saying she would call her
|
|
mother.
|
|
Everything was arranged by the time Laurie returned with a note from
|
|
Aunt March, enclosing the desired sum, and a few lines repeating
|
|
what she had often said before- that she had always told them it was
|
|
absurd for March to go into the army, always predicted that no good
|
|
would come of it, and she hoped they would take her advice next
|
|
time. Mrs. March put the note in the fire, the money in her purse, and
|
|
went on with her preparations, with her lips folded tightly, in a
|
|
way which Jo would have understood if she had been there.
|
|
The short afternoon wore away; all the other errands were done,
|
|
and Meg and her mother busy at some necessary needlework, while Beth
|
|
and Amy got tea, and Hannah finished her ironing with what she
|
|
called a "slap and a bang," but still Jo did not come. They began to
|
|
get anxious; and Laurie went off to find her, for no one ever knew
|
|
what freak Jo might take into her head. He missed her, however, and
|
|
she came walking in with a very queer expression of countenance, for
|
|
there was a mixture of fun and fear, satisfaction and regret, in it,
|
|
which puzzled the family as much as did the roll of bills she laid
|
|
before her mother, saying, with a little choke in her voice, "That's
|
|
my contribution towards making father comfortable and bringing him
|
|
home!"
|
|
"My dear, where did you get it? Twenty-five dollars! Jo, I hope
|
|
you haven't done anything rash?"
|
|
"No, it's mine honestly; I didn't beg, borrow, or steal it. I earned
|
|
it; and I don't think you'll blame me, for I only sold what was my
|
|
own."
|
|
As she spoke, Jo took off her bonnet, and a general outcry arose,
|
|
for all her abundant hair was cut short.
|
|
"Your hair! Your beautiful hair!" "O Jo, how could you? Your one
|
|
beauty." "My dear girl, there was no need of this." "She doesn't
|
|
look like my Jo any more, but I love her dearly for it!"
|
|
As every one exclaimed, and Beth hugged the cropped head tenderly,
|
|
Jo assumed an indifferent air, which did not deceive any one a
|
|
particle, and said, rumpling up the brown bush, and trying to look
|
|
as if she liked it, "It doesn't affect the fate of the nation, so
|
|
don't wail, Beth. It will be good for my vanity; I was getting too
|
|
proud of my wig. It will do my brains good to have that mop taken off;
|
|
my head feels deliciously light and cool, and the barber said I
|
|
could soon have a curly crop, which will be boyish, becoming, and easy
|
|
to keep in order. I'm satisfied; so please take the money, and let's
|
|
have supper."
|
|
"Tell me all about it, Jo. I am not quite satisfied, but I can't
|
|
blame you, for I know how willingly you sacrificed your vanity, as you
|
|
call it, to your love. But, my dear, it was not necessary, and I'm
|
|
afraid you will regret it, one of these days," said Mrs. March.
|
|
"No, I won't!" returned Jo stoutly, feeling much relieved that her
|
|
prank was not entirely condemned.
|
|
"What made you do it?" asked Amy, who would as soon have thought
|
|
of cutting off her head as her pretty hair.
|
|
"Well, I was wild to do something for father," replied Jo, as they
|
|
gathered about the table, for healthy young people can eat even in the
|
|
midst of trouble. "I hate to borrow as much as mother does, and I knew
|
|
Aunt March would croak; she always does, if you ask for a ninepence.
|
|
Meg gave all her quarterly salary toward the rent, and I only got some
|
|
clothes with mine, so I felt wicked, and was bound to have some money,
|
|
if I sold the nose off my face to get it."
|
|
"You needn't feel wicked, my child: you had no winter things, and
|
|
got the simplest with your own hard earnings," said Mrs. March, with a
|
|
look that warmed Jo's heart.
|
|
"I hadn't the least idea of selling my hair at first, but as I
|
|
went along I kept thinking what I could do, and feeling as if I'd like
|
|
to dive into some of the rich stores and help myself. In a barber's
|
|
window I saw tails of hair with the prices marked; and one black tail,
|
|
not so thick as mine, was forty dollars. It came over me all of a
|
|
sudden that I had one thing to make money out of, and without stopping
|
|
to think, I walked in, asked if they bought hair, and what they
|
|
would give for mine."
|
|
"I don't see how you dared to do it," said Beth, in a tone of awe.
|
|
"Oh, he was a little man who looked as if he merely lived to oil his
|
|
hair. He rather stared, at first, as if he wasn't used to having girls
|
|
bounce into his shop and ask him to buy their hair. He said he
|
|
didn't care about mine, it wasn't the fashionable color, and he
|
|
never paid much for it in the first place; the work put into it made
|
|
it dear, and so on. It was getting late, and I was afraid, if it
|
|
wasn't done right away, that I shouldn't have it done at all, and
|
|
you know when I start to do a thing, I hate to give it up; so I begged
|
|
him to take it, and told him why I was in such a hurry. It was
|
|
silly, I dare say, but it changed his mind, for I got rather
|
|
excited, and told the story in my topsy-turvy way, and his wife heard,
|
|
and said so kindly-
|
|
"'Take it, Thomas, and oblige the young lady; I'd do as much for our
|
|
Jimmy any day if I had a spire of hair worth selling.
|
|
"Who was Jimmy?" asked Amy, who liked to have things explained as
|
|
they went along.
|
|
"Her son, she said, who was in the army. How friendly such things
|
|
make strangers feel, don't they? She talked away all the time the
|
|
man clipped, and diverted my mind nicely."
|
|
"Didn't you feel dreadfully when the first cut came?" asked Meg,
|
|
with a shiver.
|
|
"I took a last look at my hair while the man got his things, and
|
|
that was the end of it. I never snivel over trifles like that; I
|
|
will confess, though, I felt queer when I saw the dear old hair laid
|
|
out on the table, and felt only the short, rough ends on my head. It
|
|
almost seemed as if I'd an arm or a leg off. The woman saw me look
|
|
at it, and picked out a long lock for me to keep. I'll give it to you,
|
|
Marmee, just to remember past glories by; for a crop is so comfortable
|
|
I don't think I shall ever have a mane again."
|
|
Mrs. March folded the wavy chestnut lock, and laid it away with a
|
|
short gray one in her desk. She only said "Thank you, deary," but
|
|
something in her face made the girls change the subject, and talk as
|
|
cheerfully as they could about Mr. Brooke's kindness, the prospect
|
|
of a fine day tomorrow, and the happy times they would have when
|
|
father came home to be nursed.
|
|
No one wanted to go to bed, when, at ten o'clock, Mrs. March put
|
|
by the last finished job, and said, "Come, girls." Beth went to the
|
|
piano and played the father's favorite hymn; all began bravely, but
|
|
broke down one by one, till Beth was left alone, singing with all
|
|
her heart, for to her music was always a sweet consoler.
|
|
"Go to bed and don't talk, for we must be up early, and shall need
|
|
all the sleep we can get. Good-night, my darlings," said Mrs. March,
|
|
as the hymn ended, for no one cared to try another.
|
|
They kissed her quietly, and went to bed as silently as if the
|
|
dear invalid lay in the next room. Beth and Amy soon fell asleep in
|
|
spite of the great trouble, but Meg lay awake, thinking the most
|
|
serious thoughts she had ever known in her short life. Jo lay
|
|
motionless, and her sister fancied that she was asleep, till a stifled
|
|
sob made her exclaim, as she touched a wet cheek-
|
|
"Jo, dear, what is it? Are you crying about father?"
|
|
"No, not now."
|
|
"What then?"
|
|
"My- my hair!" burst out poor Jo, trying vainly to smother her
|
|
emotion in the pillow.
|
|
It did not sound at all comical to Meg, who kissed and caressed
|
|
the afflicted heroine in the tenderest manner.
|
|
"I'm not sorry," protested Jo, with a choke. "I'd do it again
|
|
to-morrow, if I could. It's only the vain, selfish part of me that
|
|
goes and cries in this silly way. Don't tell any one, it's all over
|
|
now. I thought you were asleep, so I just made a little private moan
|
|
for my one beauty. How came you to be awake?"
|
|
"I can't sleep, I'm so anxious," said Meg.
|
|
"Think about something pleasant, and you'll soon drop off."
|
|
"I tried it, but felt wider awake than ever."
|
|
"What did you think of?"
|
|
"Handsome faces- eyes particularly," answered Meg, smiling to
|
|
herself, in the dark.
|
|
"What color do you like best?"
|
|
"Brown- that is, sometimes; blue are lovely."
|
|
Jo laughed, and Meg sharply ordered her not to talk, then amiably
|
|
promised to make her hair curl, and fell asleep to dream of living
|
|
in her castle in the air.
|
|
The clocks were striking midnight, and the rooms were very still, as
|
|
a figure glided quietly from bed to bed, smoothing a coverlid here,
|
|
settling a pillow there, and pausing to look long and tenderly at each
|
|
unconscious face, to kiss each with lips that mutely blessed, and to
|
|
pray the fervent prayers which only mothers utter. As she lifted the
|
|
curtain to look out into the dreary night, the moon broke suddenly
|
|
from behind the clouds, and shone upon her like a bright, benignant
|
|
face, which seemed to whisper in the silence, "Be comforted, dear
|
|
soul! There is always light behind the clouds."
|
|
16
|
|
Letters
|
|
|
|
IN the cold gray dawn the sisters lit their lamp, and read their
|
|
chapter with an earnestness never felt before; for now the shadow of a
|
|
real trouble had come, the little books were full of help and comfort;
|
|
and, as they dressed, they agreed to say good-by cheerfully and
|
|
hopefully, and send their mother on her anxious journey unsaddened
|
|
by tears or complaints from them. Everything seemed very strange
|
|
when they went down- so dim and still outside, so full of light and
|
|
bustle within. Breakfast at that early hour seemed odd, and even
|
|
Hannah's familiar face looked unnatural as she flew about her
|
|
kitchen with her night-cap on. The big trunk stood ready in the
|
|
hall, mother's cloak and bonnet lay on the sofa, and mother herself
|
|
sat trying to eat, but looking so pale and worn with sleeplessness and
|
|
anxiety that the girls found it very hard to keep their resolution.
|
|
Meg's eyes kept filling in spite of herself; Jo was obliged to hide
|
|
her face in the kitchen roller more than once; and the little girls
|
|
wore a grave, troubled expression, as if sorrow was a new experience
|
|
to them.
|
|
Nobody talked much, but as the time drew very near, and they sat
|
|
waiting for the carriage, Mrs. March said to the girls, who were all
|
|
busied about her, one folding her shawl, another smoothing out the
|
|
strings of her bonnet, a third putting on her overshoes, and a
|
|
fourth fastening up her travelling bag-
|
|
"Children, I leave you to Hannah's care and Mr. Laurence's
|
|
protection. Hannah is faithfulness itself, and our good neighbor
|
|
will guard you as if you were his own. I have no fears for you, yet
|
|
I am anxious that you should take this trouble rightly. Don't grieve
|
|
and fret when I am gone, or think that you can comfort yourselves by
|
|
being idle and trying to forget. Go on with your work as usual, for
|
|
work is a blessed solace. Hope and keep busy; and whatever happens,
|
|
remember that you never can be fatherless."
|
|
"Yes, mother."
|
|
"Meg, dear, be prudent, watch over your sisters, consult Hannah,
|
|
and, in any perplexity, go to Mr. Laurence. Be patient, Jo, don't
|
|
get despondent or do rash things; write to me often, and be my brave
|
|
girl, ready to help and cheer us all. Beth, comfort yourself with your
|
|
music, and be faithful to the little home duties; and you, Amy, help
|
|
all you can, be obedient, and keep happy safe at home."
|
|
"We will, mother! we will!"
|
|
The rattle of an approaching carriage made them all start and
|
|
listen. That was the hard minute, but the girls stood it well: no
|
|
one cried, no one ran away or uttered a lamentation, though their
|
|
hearts were very heavy as they sent loving messages to father,
|
|
remembering, as they spoke, that it might be too late to deliver them.
|
|
They kissed their mother quietly, clung about her tenderly, and
|
|
tried to wave their hands cheerfully when she drove away.
|
|
Laurie and his grandfather came over to see her off, and Mr.
|
|
Brooke looked so strong and sensible and kind that the girls
|
|
christened him "Mr. Greatheart" on the spot.
|
|
"Good-by, my darlings! God bless and keep us all!" whispered Mrs.
|
|
March, as she kissed one dear little face after the other, and hurried
|
|
into the carriage.
|
|
As she rolled away, the sun came out, and, looking back, she saw
|
|
it shining on the group at the gate, like a good omen. They saw it
|
|
also, and smiled and waved their hands; and the last thing she beheld,
|
|
as she turned the corner, was the four bright faces, and behind
|
|
them, like a body-guard, old Mr. Laurence, faithful Hannah, and
|
|
devoted Laurie.
|
|
"How kind every one is to us!" she said, turning to find fresh proof
|
|
of it in the respectful sympathy of the young man's face.
|
|
"I don't see how they can help it," returned Mr. Brooke, laughing so
|
|
infectiously that Mrs. March could not help smiling; and so the long
|
|
journey began with the good omens of sunshine, smiles, and cheerful
|
|
words.
|
|
"I feel as if there had been an earthquake," said Jo, as their
|
|
neighbors went home to breakfast, leaving them to rest and refresh
|
|
themselves.
|
|
"It seems as if half the house was gone," added Meg forlornly.
|
|
Beth opened her lips to say something, but could only point to the
|
|
pile of nicely-mended hose which lay on mother's table, showing that
|
|
even in her last hurried moments she had thought and worked for
|
|
them. It was a little thing, but it went straight to their hearts;
|
|
and, in spite of their brave resolutions, they all broke down, and
|
|
cried bitterly.
|
|
Hannah wisely allowed them to relieve their feelings, and, when
|
|
the shower showed signs of clearing up, she came to the rescue,
|
|
armed with a coffee-pot.
|
|
"Now, my dear young ladies, remember what your ma said, and don't
|
|
fret. Come and have a cup of coffee all round, and then let's fall
|
|
to work, and be a credit to the family."
|
|
Coffee was a treat, and Hannah showed great tact in making it that
|
|
morning. No one could resist her persuasive nods, or the fragrant
|
|
invitation issuing from the nose of the coffee-pot. They drew up to
|
|
the table, exchanged their handkerchiefs for napkins, and in ten
|
|
minutes were all right again.
|
|
"'Hope and keep busy'; that's the motto for us, so let's see who
|
|
will remember it best. I shall go to Aunt March, as usual. Oh, won't
|
|
she lecture though!" said Jo, as she sipped with returning spirit.
|
|
"I shall go to my Kings, though I'd much rather stay at home and
|
|
attend to things here," said Meg, wishing she hadn't made her eyes
|
|
so red.
|
|
"No need of that; Beth and I can keep house perfectly well," put
|
|
in Amy, with an important air.
|
|
"Hannah will tell us what to do; and we'll have everything nice when
|
|
you come home," added Beth, getting out her mop and dish-tub without
|
|
delay.
|
|
"I think anxiety is very interesting," observed Amy, eating sugar,
|
|
pensively.
|
|
The girls couldn't help laughing, and felt better for it, though Meg
|
|
shook her head at the young lady who could find consolation in a
|
|
sugar-bowl.
|
|
The sight of the turnovers made Jo sober again; and when the two
|
|
went out to their daily tasks, they looked sorrowfully back at the
|
|
window where they were accustomed to see their mother's face. It was
|
|
gone; but Beth had remembered the little household ceremony, and there
|
|
she was, nodding away at them like a rosy-faced mandarin.
|
|
"That's so like my Beth!" said Jo, waving her hat, with a grateful
|
|
face. "Good-by, Meggy; I hope the Kings won't train to-day. Don't fret
|
|
about father, dear," she added, as they parted.
|
|
"And I hope Aunt March won't croak. Your hair is becoming, and it
|
|
looks very boyish and nice," returned Meg, trying not to smile at
|
|
the curly head, which looked comically small on her tall sister's
|
|
shoulders.
|
|
"That's my only comfort"; and, touching her hat a la Laurie, away
|
|
went Jo, feeling like a shorn sheep on a wintry day.
|
|
News from their father comforted the girls very much; for, though
|
|
dangerously ill, the presence of the best and tenderest of nurses
|
|
had already done him good. Mr. Brooke sent a bulletin every day,
|
|
and, as the head of the family, Meg insisted on reading the
|
|
despatches, which grew more and more cheering as the week passed. At
|
|
first, every one was eager to write, and plump envelopes were
|
|
carefully poked into the letter-box by one or other of the sisters,
|
|
who felt rather important with their Washington correspondence. As one
|
|
of these packets contained characteristic notes from the party, we
|
|
will rob an imaginary mail, and read them:
|
|
|
|
MY DEAREST MOTHER:
|
|
It is impossible to tell you how happy your last letter made us,
|
|
for the news was so good we couldn't help laughing and crying over it.
|
|
How very kind Mr. Brooke is, and how fortunate that Mr. Laurence's
|
|
business detains him near you so long, since he is so useful to you
|
|
and father. The girls are all as good as gold. Jo helps me with the
|
|
sewing, and insists on doing all sorts of hard jobs. I should be
|
|
afraid she might overdo, if I didn't know that her "moral fit"
|
|
wouldn't last long. Beth is as regular about her tasks as a clock, and
|
|
never forgets what you told her. She grieves about father, and looks
|
|
sober except when she is at her little piano. Amy minds me nicely, and
|
|
I take great care of her. She does her own hair, and I am teaching her
|
|
to make button-holes and mend her stockings. She tries very hard,
|
|
and I know you will be pleased with her improvement when you come. Mr.
|
|
Laurence watches over us like a motherly old hen, as Jo says; and
|
|
Laurie is very kind and neighborly. He and Jo keep us merry, for we
|
|
get pretty blue sometimes, and feel like orphans with you so far away.
|
|
Hannah is a perfect saint; she does not scold at all, and always calls
|
|
me Miss "Margaret," which is quite proper, you know, and treats me
|
|
with respect. We are all well and busy; but we long, day and night, to
|
|
have you hack. Give my dearest love to father, and believe me, ever
|
|
your own
|
|
MEG.
|
|
|
|
This note, prettily written on scented paper, was a great contrast
|
|
to the next, which was scribbled on a big sheet of thin foreign paper,
|
|
ornamented with blots and all manner of flourishes and curly-tailed
|
|
letters:
|
|
|
|
MY PRECIOUS MARMEE:
|
|
Three cheers for dear father! Brooke was a trump to telegraph
|
|
right off, and let us know the minute he was better. I rushed up
|
|
garret when the letter came, and tried to thank God for being so
|
|
good to us; but I could only cry, and say, "I'm glad! I'm glad!"
|
|
Didn't that do as well as a regular prayer? for I felt a great many in
|
|
my heart. We have such funny times; and now I can enjoy them, for
|
|
every one is so desperately good, it's like living in a nest of
|
|
turtle-doves. You'd laugh to see Meg head the table and try to be
|
|
motherish. She gets prettier every day, and I'm in love with her
|
|
sometimes. The children are regular archangels, and I- well, I'm Jo,
|
|
and never shall be anything else. Oh, I must tell you that I came near
|
|
having a quarrel with Laurie. I freed my mind about a silly little
|
|
thing, and he was offended. I was right, but didn't speak as I
|
|
ought, and he marched home, saying he wouldn't come again till I
|
|
begged pardon. I declared I wouldn't, and got mad. It lasted all
|
|
day; I felt bad, and wanted you very much. Laurie and I are both so
|
|
proud, it's hard to beg pardon; but I thought he'd come to it, for I
|
|
was in the right. He didn't come; and just at night I remembered
|
|
what you said when Amy fell into the river. I read my little book,
|
|
felt better, resolved not to let the sun set on my anger, and ran over
|
|
to tell Laurie I was sorry. I met him at the gate, coming for the same
|
|
thing. We both laughed, begged each other's pardon, and felt all
|
|
good and comfortable again.
|
|
I made a "pome" yesterday, when I was helping Hannah wash; and, as
|
|
father likes my silly little things, I put it in to amuse him. Give
|
|
him the lovingest hug that ever was, and kiss yourself a dozen times
|
|
for your
|
|
TOPSY-TURVY JO.
|
|
|
|
A SONG FROM THE SUDS.
|
|
|
|
Queen of my tub, I merrily sing,
|
|
While the white foam rises high;
|
|
And sturdily wash and rinse and wring,
|
|
And fasten the clothes to dry;
|
|
Then out in the free fresh air they swing,
|
|
Under the sunny sky.
|
|
|
|
I wish we could wash from our hearts and souls
|
|
The stains of the week away,
|
|
And let water and air by their magic make
|
|
Ourselves as pure as they;
|
|
Then on the earth there would be indeed
|
|
A glorious washing-day!
|
|
|
|
Along the path of a useful life,
|
|
Will heart's-ease ever bloom;
|
|
The busy mind has no time to think
|
|
Of sorrow or care or gloom;
|
|
And anxious thoughts may be swept away,
|
|
As we bravely wield a broom.
|
|
|
|
I am glad a task to me is given,
|
|
To labor at day by day;
|
|
For it brings me health and strength and hope,
|
|
And I cheerfully learn to say,
|
|
"Head, you may think, Heart, you may feel,
|
|
But, Hand, you shall work alway!"
|
|
|
|
DEAR MOTHER:
|
|
There is only room for me to send my love, and some pressed
|
|
pansies from the root I have been keeping safe in the house for father
|
|
to see. I read every morning, try to be good all day, and sing
|
|
myself to sleep with father's tune. I can't sing "Land of the Leal"
|
|
now; it makes me cry. Every one is very kind, and we are as happy as
|
|
we can be without you. Amy wants the rest of the page, so I must stop.
|
|
I didn't forget to cover the holders, and I wind the clock and air the
|
|
rooms every day.
|
|
Kiss dear father on the cheek he calls mine. Oh, do come soon to
|
|
your loving LITTLE BETH.
|
|
|
|
MA CHERE MAMMA:
|
|
We are all well I do my lessons always and never corroberate the
|
|
girls- Meg says I mean contradick so I put in both words and you can
|
|
take the properest. Meg is a great comfort to me and lets me have
|
|
jelly every night at tea its so good for me Jo says because it keeps
|
|
me sweet tempered. Laurie is not as respeckful as he ought to be now I
|
|
am almost in my teens, he calls me Chick and hurts my feelings by
|
|
talking French to me very fast when I say Merci or Bon jour as
|
|
Hattie King does. The sleeves of my blue dress were all worn out,
|
|
and Meg put in new ones, but the full front came wrong and they are
|
|
more blue than the dress. I felt bad but did not fret I bear my
|
|
troubles well but I do wish Hannah would put more starch in my
|
|
aprons and have buckwheats every day. Can't she? Didn't I make that
|
|
interrigation point nice? Meg says my punchtuation and spelling are
|
|
disgraceful and I am mortyfied but dear me I have so many things to
|
|
do, I can't stop. Adieu, I send heaps of love to Papa.
|
|
Your affectionate daughter,
|
|
AMY CURTIS MARCH.
|
|
|
|
DEAR MIS MARCH:
|
|
I jes drop a line to say we git on fust rate. The girls is
|
|
clever and fly round right smart. Miss Meg is going to make a proper
|
|
good housekeeper; she hes the liking for it, and gits the hang of
|
|
things surprisin quick. Jo doos beat all for goin ahead, but she don't
|
|
stop to cal'k'late fust, and you never know where she's like to
|
|
bring up. She done out a tub of clothes on Monday, but she starched em
|
|
afore they was wrenched, and blued a pink calico dress till I
|
|
thought I should a died a laughin. Beth is the best of little
|
|
creeters, and a sight of help to me, bein so forehanded and
|
|
dependable. She tries to learn everything, and really goes to market
|
|
beyond her years; likewise keeps accounts, with my help, quite
|
|
wonderful. We have got on very economical so fur; I don't let the
|
|
girls hev coffee only once a week, accordin to your wish, and keep
|
|
em on plain wholesome vittles. Amy does well about frettin, wearin her
|
|
best clothes and eatin sweet stuff. Mr. Laurie is as full of didoes as
|
|
usual, and turns the house upside down frequent; but he heartens up
|
|
the girls, and so I let em hev full swing. The old gentleman sends
|
|
heaps of things, and is rather wearin, but means wal, and it aint my
|
|
place to say nothin. My bread is riz, so no more at this time. I
|
|
send my duty to Mr. March. and hope he's seen the last of his
|
|
Pewmonia.
|
|
Yours Respectful,
|
|
HANNAH MULLET.
|
|
|
|
HEAD NURSE OF WARD NO. 2:
|
|
All serene on the Rappahannock, troops in fine condition,
|
|
commissary department well conducted, the Home Guard under Colonel
|
|
Teddy always on duty, Commander-in-chief General Laurence reviews
|
|
the army daily, Quartermaster Mullet keeps order in camp, and Major
|
|
Lion does picket duty at night. A salute of twenty-four guns was fired
|
|
on receipt of good news from Washington, and a dress parade took place
|
|
at head-quarters. Commander-in-chief sends best wishes, in which he is
|
|
heartily joined by
|
|
COLONEL TEDDY.
|
|
|
|
|
|
DEAR MADAM:
|
|
The little girls are all well; Beth and my boy report daily;
|
|
Hannah is a model servant, and guards pretty Meg like a dragon. Glad
|
|
the fine weather holds; pray make Brooke useful, and draw on me for
|
|
funds if expenses exceed your estimate. Don't let your husband want
|
|
anything. Thank God he is mending.
|
|
Your sincere friend and servant,
|
|
JAMES LAURENCE.
|
|
17
|
|
Little Faithful
|
|
|
|
FOR a week the amount of virtue in the old house would have supplied
|
|
the neighborhood. It was really amazing, for every one seemed in a
|
|
heavenly frame of mind, and self-denial was all the fashion.
|
|
Relieved of their first anxiety about their father, the girls
|
|
insensibly relaxed their praiseworthy efforts a little, and began to
|
|
fall back into the old ways. They did not forget their motto, but
|
|
hoping and keeping busy seemed to grow easier; and after such
|
|
tremendous exertions, they felt that Endeavor deserved a holiday,
|
|
and gave it a good many.
|
|
Jo caught a bad cold through neglect to cover the shorn head enough,
|
|
and was ordered to stay at home till she was better, for Aunt March
|
|
didn't like to hear people read with colds in their heads. Jo liked
|
|
this, and after an energetic rummage from garret to cellar, subsided
|
|
on the sofa to nurse her cold with arsenicum and books. Amy found that
|
|
housework and art did not go well together, and returned to her mud
|
|
pies. Meg went daily to her pupils, and sewed, or thought she did,
|
|
at home, but much time was spent in writing long letters to her
|
|
mother, or reading the Washington despatches over and over. Beth
|
|
kept on, with only slight relapses into idleness or grieving.
|
|
All the little duties were faithfully done each day, and many of her
|
|
sisters' also, for they were forgetful, and the house seemed like a
|
|
clock whose pendulum was gone a-visiting. When her heart got heavy
|
|
with longings for mother or fears for father, she went away into a
|
|
certain closet, hid her face in the folds of a certain dear old
|
|
gown, and made her little moan and prayed her little prayer quietly by
|
|
herself. Nobody knew what cheered her up after a sober fit, but
|
|
every one felt how sweet and helpful Beth was, and fell into a way
|
|
of going to her for comfort or advice in their small affairs.
|
|
All were unconscious that this experience was a test of character;
|
|
and, when the first excitement was over, felt that they had done well,
|
|
and deserved praise. So they did; but their mistake was in ceasing
|
|
to do well, and they learned this lesson through much anxiety and
|
|
regret.
|
|
"Meg, I wish you'd go and see the Hummels; you know mother told us
|
|
not to forget them," said Beth, ten days after Mrs. March's departure.
|
|
"I'm too tired to go this afternoon," replied Meg, rocking
|
|
comfortably as she sewed.
|
|
"Can't you, Jo?" asked Beth.
|
|
"Too stormy for me with my cold."
|
|
"I thought it was almost well."
|
|
"It's well enough for me to go out with Laurie, but not well
|
|
enough to go to the Hummels'," said Jo, laughing, but looking a little
|
|
ashamed of her inconsistency.
|
|
"Why don't you go yourself?" asked Meg.
|
|
"I have been every day, but the baby is sick, and I don't know
|
|
what to do for it. Mrs. Hummel goes away to work, and Lottchen takes
|
|
care of it; but it gets sicker and sicker, and I think you or Hannah
|
|
ought to go."
|
|
Beth spoke earnestly, and Meg promised she would go to-morrow.
|
|
"Ask Hannah for some nice little mess, and take it round, Beth;
|
|
the air will do you good," said Jo, adding apologetically, "I'd go,
|
|
but I want to finish my writing."
|
|
"My head aches and I'm tired, so I thought maybe some of you would
|
|
go," said Beth.
|
|
"Amy will be in presently, and she will run down for us,"
|
|
suggested Meg.
|
|
"Well, I'll rest a little and wait for her."
|
|
So Beth lay down on the sofa, the others returned to their work, and
|
|
the Hummels were forgotten. An hour passed: Amy did not come; Meg went
|
|
to her room to try on a new dress; Jo was absorbed in her story, and
|
|
Hannah was sound asleep before the kitchen fire, when Beth quietly put
|
|
on her hood, filled her basket with odds and ends for the poor
|
|
children, and went out into the chilly air, with a heavy head, and a
|
|
grieved look in her patient eyes. It was late when she came back,
|
|
and no one saw her creep upstairs and shut herself into her mother's
|
|
room. Half an hour after Jo went to "mother's closet" for something,
|
|
and there found Beth sitting on the medicine chest, looking very
|
|
grave, with red eyes, and a camphor-bottle in her hand.
|
|
"Christopher Columbus! What's the matter?" cried Jo, as Beth put out
|
|
her hand as if to warn her off, and asked quickly-
|
|
"You've had the scarlet fever, haven't you?"
|
|
"Years ago, when Meg did. Why?"
|
|
"Then I'll tell you. Oh, Jo, the baby's dead!"
|
|
"What baby?"
|
|
"Mrs. Hummel's; it died in my lap before she got home," cried
|
|
Beth, with a sob.
|
|
"My poor dear, how dreadful for you! I ought to have gone," said Jo,
|
|
taking her sister in her arms as she sat down in her mother's big
|
|
chair, with a remorseful face.
|
|
"It wasn't dreadful, Jo, only so sad! I saw in a minute that it
|
|
was sicker, but Lottchen said her mother had gone for a doctor, so I
|
|
took baby and let Lotty rest. It seemed asleep, but all of a sudden it
|
|
gave a little cry, and trembled, and then lay very still. I tried to
|
|
warm its feet, and Lotty gave it some milk, but it didn't stir, and
|
|
I knew it was dead."
|
|
"Don't cry, dear! What did you do?"
|
|
"I just sat and held it softly till Mrs. Hummel came with the
|
|
doctor. He said it was dead, and looked at Heinrich and Minna, who
|
|
have got sore throats. 'Scarlet fever, ma'am. Ought to have called
|
|
me before,' he said crossly. Mrs. Hummel told him she was poor, and
|
|
had tried to cure baby herself, but now it was too late, and she could
|
|
only ask him to help the others, and trust to charity for his pay.
|
|
He smiled then, and was kinder; but it was very sad, and I cried
|
|
with them till he turned round, all of a sudden, and told me to go
|
|
home and take belladonna right away, or I'd have the fever."
|
|
"No, you won't!" cried Jo, hugging her close, with a frightened
|
|
look.
|
|
"O Beth, if you should be sick I never could forgive myself! What
|
|
shall we do?"
|
|
"Don't be frightened, I guess I shan't have it badly. I looked in
|
|
mother's book, and saw that it begins with headache, sore throat,
|
|
and queer feelings like mine, so I did take some belladonna, and I
|
|
feel better," said Beth, laying her cold hands on her hot forehead,
|
|
and trying to look well.
|
|
"If mother was only at home!" exclaimed Jo, seizing the book, and
|
|
feeling that Washington was an immense way off. She read a page,
|
|
looked at Beth, felt her head, peeped into her throat, and then said
|
|
gravely, "You've been over the baby every day for more than a week,
|
|
and among the others who are going to have it; so I'm afraid you are
|
|
going to have it, Beth. I'll call Hannah, she knows all about
|
|
sickness."
|
|
"Don't let Amy come; she never had it, and I should hate to give
|
|
it to her. Can't you and Meg have it over again?" asked Beth,
|
|
anxiously.
|
|
"I guess not; don't care if I do; serve me right, selfish pig, to
|
|
let you go, and stay writing rubbish myself!" muttered Jo, as she went
|
|
to consult Hannah.
|
|
The good soul was wide awake in a minute, and took the lead at once,
|
|
assuring Jo that there was no need to worry; every one had scarlet
|
|
fever, and, if rightly treated, nobody died- all of which Jo believed,
|
|
and felt much relieved as they went up to call Meg.
|
|
"Now I'll tell you what we'll do," said Hannah, when she had
|
|
examined and questioned Beth; "we will have Dr. Bangs, just to take
|
|
a look at you, dear, and see that we start right; then we'll send
|
|
Amy off to Aunt March's, for a spell, to keep her out of harm's way,
|
|
and one of you girls can stay at home and amuse Beth for a day or two.
|
|
"I shall stay, of course; I'm oldest," began Meg, looking anxious
|
|
and self-reproachful.
|
|
"I shall, because it's my fault she is sick; I told mother I'd do
|
|
the errands, and I haven't," said Jo decidedly.
|
|
"Which will you have, Beth? there ain't no need of but one," said
|
|
Hannah.
|
|
"Jo, please"; and Beth leaned her head against her sister, with a
|
|
contented look, which effectually settled that point.
|
|
"I'll go and tell Amy," said Meg, feeling a little hurt, yet
|
|
rather relieved, on the whole, for she did not like nursing, and Jo
|
|
did.
|
|
Amy rebelled outright, and passionately declared that she had rather
|
|
have the fever than go to Aunt March. Meg reasoned, pleaded, and
|
|
commanded: all in vain. Amy protested that she would not go; and Meg
|
|
left her in despair, to ask Hannah what should be done. Before she
|
|
came back, Laurie walked into the parlor to find Amy sobbing, with her
|
|
head in the sofa-cushions. She told her story, expecting to be
|
|
consoled; but Laurie only put his hands in his pockets and walked
|
|
about the room, whistling softly, as he knit his brows in deep
|
|
thought. Presently he sat down beside her, and said, in his most
|
|
wheedlesome tone, "Now be a sensible little woman, and do as they say.
|
|
No, don't cry, but hear what a jolly plan I've got. You go to Aunt
|
|
March's, and I'll come and take you out every day, driving or walking,
|
|
and we'll have capital times. Won't that be better than moping here?"
|
|
"I don't wish to be sent off as if I was in the way," began Amy,
|
|
in an injured voice.
|
|
"Bless your heart, child, it's to keep you well. You don't want to
|
|
be sick, do you?"
|
|
"No, I'm sure I don't; but I dare say I shall be, for I've been with
|
|
Beth all the time."
|
|
"That's the very reason you ought to go away at once, so that you
|
|
may escape it. Change of air and care will keep you well, I dare
|
|
say; or, if it does not entirely, you will have the fever more
|
|
lightly. I advise you to be off as soon as you can, for scarlet
|
|
fever is no joke, miss."
|
|
"But it's dull at Aunt March's, and she is so cross," said Amy,
|
|
looking rather frightened.
|
|
"It won't be dull with me popping in every day to tell you how
|
|
Beth is, and take you out gallivanting. The old lady likes me, and
|
|
I'll be as sweet as possible to her, so she won't peck at us, whatever
|
|
we do."
|
|
"Will you take me out in the trotting wagon with Puck?"
|
|
"On my honor as a gentleman."
|
|
"And come every single day?"
|
|
"See if I don't."
|
|
"And bring me back the minute Beth is well?"
|
|
"The identical minute."
|
|
"And go to the theater, truly?"
|
|
"A dozen theaters, if we may."
|
|
"Well- I guess- I will," said Amy slowly.
|
|
"Good girl! Call Meg, and tell her you'll give in," said Laurie,
|
|
with an approving pat, which annoyed Amy more than the "giving in."
|
|
Meg and Jo came running down to behold the miracle which had been
|
|
wrought; and Amy, feeling very precious and self-sacrificing, promised
|
|
to go, if the doctor said Beth was going to be ill.
|
|
"How is the little dear?" asked Laurie; for Beth was his especial
|
|
pet, and he felt more anxious about her than he liked to show.
|
|
"She is lying down on mother's bed, and feels better. The baby's
|
|
death troubled her, but I dare say she has only got cold. Hannah
|
|
says she thinks so; but she looks worried, and that makes me fidgety,"
|
|
answered Meg.
|
|
"What a trying world it is!" said Jo, rumpling up her hair in a
|
|
fretful sort of way. "No sooner do we get out of one trouble than down
|
|
comes another. There doesn't seem to be anything to hold on to when
|
|
mother's gone; so I'm all at sea."
|
|
"Well, don't make a porcupine of yourself, it isn't becoming. Settle
|
|
your wig, Jo, and tell me if I shall telegraph to your mother, or do
|
|
anything?" asked Laurie, who never had been reconciled to the loss
|
|
of his friend's one beauty.
|
|
"That is what troubles me," said Meg. "I think we ought to tell
|
|
her if Beth is really ill, but Hannah says we mustn't, for mother
|
|
can't leave father, and it will only make them anxious. Beth won't
|
|
be sick long, and Hannah knows just what to do, and mother said we
|
|
were to mind her, so I suppose we must, but it doesn't seem quite
|
|
right to me."
|
|
"Hum, well, I can't say; suppose you ask grandfather after the
|
|
doctor has been."
|
|
"We will. Jo, go and get Dr. Bangs at once," commanded Meg; "we
|
|
can't decide anything till he has been."
|
|
"Stay where you are, Jo; I'm errand-boy to this establishment," said
|
|
Laurie, taking up his cap.
|
|
"I'm afraid you are busy," began Meg.
|
|
"No, I've done my lessons for the day."
|
|
"Do you study in vacation time?" asked Jo.
|
|
"I follow the good example my neighbors set me," was Laurie's
|
|
answer, as he swung himself out of the room.
|
|
"I have great hopes of my boy," observed Jo, watching him fly over
|
|
the fence with an approving smile.
|
|
"He does very well- for a boy," was Meg's somewhat ungracious
|
|
answer, for the subject did not interest her.
|
|
Dr. Bangs came, said Beth had symptoms of the fever, but thought she
|
|
would have it lightly, though he looked sober over the Hummel story.
|
|
Amy was ordered off at once, and provided with something to ward off
|
|
danger, she departed in great state, with Jo and Laurie as escort.
|
|
Aunt March received them with her usual hospitality.
|
|
"What do you want now?" she asked, looking sharply over her
|
|
spectacles, while the parrot, sitting on the back of her chair, called
|
|
out-
|
|
"Go away. No boys allowed here."
|
|
Laurie retired to the window, and Jo told her story.
|
|
"No more than I expected, if you are allowed to go poking about
|
|
among poor folks. Amy can stay and make herself useful if she isn't
|
|
sick, which I've no doubt she will be- looks like it now. Don't cry,
|
|
child, it worries me to hear people sniff."
|
|
Amy was on the point of crying, but Laurie slyly pulled the parrot's
|
|
tail, which caused Polly to utter an astonished croak, and call out-
|
|
"Bless my boots!" in such a funny way, that she laughed instead.
|
|
"What do you hear from your mother?" asked the old lady gruffly.
|
|
"Father is much better," replied Jo, trying to keep sober.
|
|
"Oh, is he? Well, that won't last long, I fancy; March never had any
|
|
stamina," was the cheerful reply.
|
|
"Ha, ha! never say die, take a pinch of snuff, good-by, good-by!"
|
|
squalled Polly, dancing on her perch, and clawing at the old lady's
|
|
cap as Laurie tweaked him in the rear.
|
|
"Hold your tongue, you disrespectful old bird! and, Jo, you'd better
|
|
go at once; it isn't proper to be gadding about so late with a
|
|
rattle-pated boy like-"
|
|
"Hold your tongue, you disrespectful old bird!" cried Polly,
|
|
tumbling off the chair with a bounce, and running to peck the
|
|
"rattle-pated" boy, who was shaking with laughter at the last speech.
|
|
"I don't think I can bear it, but I'll try," thought Amy, as she was
|
|
left alone with Aunt March.
|
|
"Get along, you fright!" screamed Polly; and at that rude speech Amy
|
|
could not restrain a sniff.
|
|
18
|
|
Dark Days
|
|
|
|
BETH did have the fever, and was much sicker than any one but Hannah
|
|
and the doctor suspected. The girls knew nothing about illness, and
|
|
Mr. Laurence was not allowed to see her, so Hannah had everything
|
|
all her own way, and busy Dr. Bangs did his best, but left a good deal
|
|
to the excellent nurse. Meg stayed at home, lest she should infect the
|
|
Kings, and kept house, feeling very anxious and a little guilty when
|
|
she wrote letters in which no mention was made of Beth's illness.
|
|
She could not think it right to deceive her mother, but she had been
|
|
bidden to mind Hannah, and Hannah wouldn't hear of "Mrs. March bein'
|
|
told, and worried just for sech a trifle." Jo devoted herself to
|
|
Beth day and night; not a hard task, for Beth was very patient, and
|
|
bore her pain uncomplainingly as long as she could control herself.
|
|
But there came a time when during the fever fits she began to talk
|
|
in a hoarse, broken voice, to play on the coverlet, as if on her
|
|
beloved little piano, and try to sing with a throat so swollen that
|
|
there was no music left; a time when she did not know the familiar
|
|
faces round her, but addressed them by wrong names, and called
|
|
imploringly for her mother. Then Jo grew frightened, Meg begged to
|
|
be allowed to write the truth, and even Hannah said she "would think
|
|
of it, though there was no danger yet." A letter from Washington added
|
|
to their trouble, for Mr. March had had a relapse, and could not think
|
|
of coming home for a long while.
|
|
How dark the days seemed now, how sad and lonely the house, and
|
|
how heavy were the hearts of the sisters as they worked and waited,
|
|
while the shadow of death hovered over the once happy home! Then it
|
|
was that Margaret, sitting alone with tears dropping often on her
|
|
work, felt how rich she had been in things more precious than any
|
|
luxuries money could buy- in love, protection, peace, and health,
|
|
the real blessings of life. Then it was that Jo, living in the
|
|
darkened room, with that suffering little sister always before her
|
|
eyes, and that pathetic voice sounding in her ears, learned to see the
|
|
beauty and the sweetness of Beth's nature, to feel how deep and tender
|
|
a place she filled in all hearts, and to acknowledge the worth of
|
|
Beth's unselfish ambition to live for others, and make home happy by
|
|
the exercise of those simple virtues which all may possess, and
|
|
which all should love and value more than talent, wealth, or beauty.
|
|
And Amy, in her exile, longed eagerly to be at home, that she might
|
|
work for Beth, feeling now that no service would be hard or irksome,
|
|
and remembering, with regretful grief, how many neglected tasks
|
|
those willing hands had done for her. Laurie haunted the house like
|
|
a restless ghost, and Mr. Laurence locked the grand piano, because
|
|
he could not bear to be reminded of the young neighbor who used to
|
|
make the twilight pleasant for him. Every one missed Beth. The
|
|
milkman, baker, grocer, and butcher inquired how she did; poor Mrs.
|
|
Hummel came to beg pardon for her thoughtlessness, and to get a shroud
|
|
for Minna; the neighbors sent all sorts of comforts and good wishes,
|
|
and even those who knew her best were surprised to find how many
|
|
friends shy little Beth had made.
|
|
Meanwhile she lay on her bed with old Joanna at her side, for even
|
|
in her wanderings she did not forget her forlorn protege. She longed
|
|
for her cats, but would not have them brought, lest they should get
|
|
sick; and, in her quiet hours, she was full of anxiety about Jo. She
|
|
sent loving messages to Amy, bade them tell her mother that she
|
|
would write soon; and often begged for pencil and paper to try to
|
|
say a word, that father might not think she had neglected him. But
|
|
soon even these intervals of consciousness ended, and she lay hour
|
|
after hour, tossing to and fro, with incoherent words on her lips,
|
|
or sank into a heavy sleep which brought her no refreshment. Dr. Bangs
|
|
came twice a day, Hannah sat up at night, Meg kept a telegram in her
|
|
desk all ready to send off at any minute, and Jo never stirred from
|
|
Beth's side.
|
|
The first of December was a wintry day indeed to them, for a
|
|
bitter wind blew, snow fell fast, and the year seemed getting ready
|
|
for its death. When Dr. Bangs came that morning, he looked long at
|
|
Beth, held the hot hand in both his own a minute, and laid it gently
|
|
down, saying, in a low tone, to Hannah-
|
|
"If Mrs. March can leave her husband, she'd better be sent for."
|
|
Hannah nodded without speaking, for her lips twitched nervously; Meg
|
|
dropped down into a chair as the strength seemed to go out of her
|
|
limbs at the sound of those words; and Jo, after standing with a
|
|
pale face for a minute, ran to the parlor, snatched up the telegram,
|
|
and, throwing on her things, rushed out into the storm. She was soon
|
|
back, and, while noiselessly taking off her cloak, Laurie came in with
|
|
a letter, saying that Mr. March was mending again. Jo read it
|
|
thankfully, but the heavy weight did not seem lifted off her heart,
|
|
and her face was so full of misery that Laurie asked quickly-
|
|
"What is it? is Beth worse?"
|
|
"I've sent for mother," said Jo, tugging at her rubber boots with
|
|
a tragical expression.
|
|
"Good for you, Jo! Did you do it on your own responsibility?"
|
|
asked Laurie, as he seated her in the hall chair, and took off the
|
|
rebellious boots, seeing how her hands shook.
|
|
"No, the doctor told us to."
|
|
"O Jo, it's not so bad as that?" cried Laurie, with a startled face.
|
|
"Yes, it is; she doesn't know us, she doesn't even talk about the
|
|
flocks of green doves, as she calls the vineleaves on the wall; she
|
|
doesn't look like my Beth, and there's nobody to help us bear it;
|
|
mother and father both gone, and God seems so far away I can't find
|
|
Him."
|
|
As the tears streamed fast down poor Jo's cheeks, she stretched
|
|
out her hand in a helpless sort of way, as if groping in the dark, and
|
|
Laurie took it in his, whispering, as well as he could, with a lump in
|
|
his throat-
|
|
"I'm here. Hold on to me, Jo, dear!"
|
|
She could not speak, but she did "hold on," and the warm grasp of
|
|
the friendly human hand comforted her sore heart, and seemed to lead
|
|
her nearer to the Divine arm which alone could uphold her in her
|
|
trouble. Laurie longed to say something tender and comfortable, but no
|
|
fitting words came to him, so he stood silent, gently stroking her
|
|
bent head as her mother used to do. It was the best thing he could
|
|
have done; far more soothing than the most eloquent words, for Jo felt
|
|
the unspoken sympathy, and, in the silence, learned the sweet solace
|
|
which affection administers to sorrow. Soon she dried the tears
|
|
which had relieved her, and looked up with a grateful face.
|
|
"Thank you, Teddy, I'm better now; I don't feel so forlorn, and will
|
|
try to bear it if it comes."
|
|
"Keep hoping for the best; that will help you, Jo. Soon your
|
|
mother will be here, and then everything will be right."
|
|
"I'm so glad father is better; now she won't feel so bad about
|
|
leaving him. Oh, me! it does seem as if all the troubles came in a
|
|
heap, and I got the heaviest part on my shoulders," sighed Jo,
|
|
spreading her wet handkerchief over her knees to dry.
|
|
"Doesn't Meg pull fair?" asked Laurie, looking indignant.
|
|
"Oh, yes; she tries to, but she can't love Bethy as I do; and she
|
|
won't miss her as I shall. Beth is my conscience, and I can't give her
|
|
up. I can't! I can't!"
|
|
Down went Jo's face into the wet handkerchief, and she cried
|
|
despairingly; for she had kept up bravely till now, and never shed a
|
|
tear. Laurie drew his hand across his eyes, but could not speak till
|
|
he had subdued the choky feeling in his throat and steadied his
|
|
lips. It might be unmanly, but he couldn't help it, and I am glad of
|
|
it. Presently, as Jo's sobs quieted, he said hopefully, "I don't think
|
|
she will die; she's so good, and we all love her so much, I don't
|
|
believe God will take her away yet."
|
|
"The good and dear people always do die," groaned Jo, but she
|
|
stopped crying, for her friend's words cheered her up, in spite of her
|
|
own doubts and fears.
|
|
"Poor girl, you're worn out. It isn't like you to be forlorn. Stop a
|
|
bit; I'll hearten you up in a jiffy."
|
|
Laurie went off two stairs at a time, and Jo laid her wearied head
|
|
down on Beth's little brown hood, which no one had thought of moving
|
|
from the table where she left it. It must have possessed some magic,
|
|
for the submissive spirit of its gentle owner seemed to enter into Jo;
|
|
and, when Laurie came running down with a glass of wine, she took it
|
|
with a smile, and said bravely, "I drink- Health to my Beth! You are a
|
|
good doctor, Teddy, and such a comfortable friend; how can I ever
|
|
pay you?" she added, as the wine refreshed her body, as the kind words
|
|
had done her troubled mind.
|
|
"I'll send in my bill, by and by; and to-night I'll give you
|
|
something that will warm the cockles of your heart better than
|
|
quarts of wine," said Laurie, beaming at her with a face of suppressed
|
|
satisfaction at something.
|
|
"What is it?" cried Jo, forgetting her woes for a minute, in her
|
|
wonder.
|
|
"I telegraphed to your mother yesterday, and Brooke answered she'd
|
|
come at once, and she'll be here to-night, and everything will be
|
|
all right. Aren't you glad I did it?"
|
|
Laurie spoke very fast, and turned red and excited all in a
|
|
minute, for he had kept his plot a secret, for fear of disappointing
|
|
the girls or harming Beth. Jo grew quite white, flew out of her chair,
|
|
and the moment he stopped speaking she electrified him by throwing her
|
|
arms round his neck, and crying out, with a joyful cry, "O Laurie! O
|
|
mother! I am so glad!" She did not weep again, but laughed
|
|
hysterically, and trembled and clung to her friend as if she was a
|
|
little bewildered by the sudden news.
|
|
Laurie, though decidedly amazed, behaved with great presence of
|
|
mind; he patted her back soothingly, and, finding that she was
|
|
recovering, followed it up by a bashful kiss or two, which brought
|
|
Jo round at once. Holding on to the banisters, she put him gently
|
|
away, saying breathlessly, "Oh, don't! I didn't mean to; it was
|
|
dreadful of me; but you were such a dear to go and do it in spite of
|
|
Hannah that I couldn't help flying at you. Tell me all about it, and
|
|
don't give me wine again; it makes me act so."
|
|
"I don't mind," laughed Laurie, as he settled his tie. "Why, you see
|
|
I got fidgety, and so did grandpa. We thought Hannah was overdoing the
|
|
authority business, and your mother ought to know. She'd never forgive
|
|
us if Beth- well, if anything happened, you know. So I got grandpa
|
|
to say it was high time we did something, and off I pelted to the
|
|
office yesterday, for the doctor looked sober, and Hannah most took my
|
|
head off when I proposed a telegram. I never can bear to be 'lorded
|
|
over'; so that settled my mind, and I did it. Your mother will come, I
|
|
know, and the late train is in at two A.M. I shall go for her; and
|
|
you've only got to bottle up your rapture, and keep Beth quiet, till
|
|
that blessed lady gets here."
|
|
"Laurie, you're an angel! How shall I ever thank you?"
|
|
"Fly at me again; I rather like it," said Laurie, looking
|
|
mischievous- a thing he had not done for a fortnight.
|
|
"No, thank you. I'll do it by proxy, when your grandpa comes.
|
|
Don't tease, but go home and rest, for you'll be up half the night.
|
|
Bless you, Teddy, bless you!"
|
|
Jo had backed into a corner; and, as she finished her speech, she
|
|
vanished precipitately into the kitchen, where she sat down upon a
|
|
dresser, and told the assembled cats that she was "happy, oh so
|
|
happy!" while Laurie departed, feeling that he had made rather a
|
|
neat thing of it.
|
|
"That's the interferingest chap I ever see; but I forgive him, and
|
|
do hope Mrs. March is coming on right away," said Hannah, with an
|
|
air of relief, when Jo told the good news.
|
|
Meg had a quiet rapture, and then brooded over the letter, while
|
|
Jo set the sick-room in order, and Hannah "knocked up a couple of pies
|
|
in case of company unexpected." A breath of fresh air seemed to blow
|
|
through the house, and something better than sunshine brightened the
|
|
quiet rooms, Everything appeared to feel the hopeful change; Beth's
|
|
bird began to chirp again, and a half-blown rose was discovered on
|
|
Amy's bush in the window; the fires seemed to burn with unusual
|
|
cheeriness; and every time the girls met, their pale faces broke
|
|
into smiles as they hugged one another, whispering encouragingly,
|
|
"Mother's coming, dear! mother's coming!" Every one rejoiced but Beth;
|
|
she lay in that heavy stupor, alike unconscious of hope and joy, doubt
|
|
and danger. It was a piteous sight- the once rosy face so changed
|
|
and vacant, the once busy hands so weak and wasted, the once smiling
|
|
lips quite dumb, and the once pretty, well-kept hair scattered rough
|
|
and tangled on the pillow. All day she lay so, only rousing now and
|
|
then to mutter, "Water!" with lips so parched they could hardly
|
|
shape the word; all day Jo and Meg hovered over her, watching,
|
|
waiting, hoping, and trusting in God and mother; and all day the
|
|
snow fell, the bitter wind raged, and the hours dragged slowly by. But
|
|
night came at last; and every time the clock struck, the sisters,
|
|
still sitting on either side the bed, looked at each other with
|
|
brightening eyes, for each hour brought help nearer. The doctor had
|
|
been in to say that some change, for better or worse, would probably
|
|
take place about midnight, at which time he would return.
|
|
Hannah, quite worn out, lay down on the sofa at the bed's foot,
|
|
and fell fast asleep; Mr. Laurence marched to and fro in the parlor,
|
|
feeling that he would rather face a rebel battery than Mrs. March's
|
|
anxious countenance as she entered; Laurie lay on the rug,
|
|
pretending to rest, but staring into the fire with the thoughtful look
|
|
which made his black eyes beautifully soft and clear.
|
|
The girls never forgot that night, for no sleep came to them as they
|
|
kept their watch, with that dreadful sense of powerlessness which
|
|
comes to us in hours like those.
|
|
"If God spares Beth I never will complain again," whispered Meg
|
|
earnestly.
|
|
"If God spares Beth I'll try to love and serve Him all my life,"
|
|
answered Jo, with equal fervor.
|
|
"I wish I had no heart, it aches so," sighed Meg, after a pause.
|
|
"If life is often as hard as this, I don't see how we ever shall get
|
|
through it," added her sister despondently.
|
|
Here the clock struck twelve, and both forgot themselves in watching
|
|
Beth, for they fancied a change passed over her wan face. The house
|
|
was still as death, and nothing but the wailing of the wind broke
|
|
the deep hush. Weary Hannah slept on, and no one but the sisters saw
|
|
the pale shadow which seemed to fall upon the little bed. An hour went
|
|
by, and nothing happened except Laurie's quiet departure for the
|
|
station. Another hour- still no one came; and anxious fears of delay
|
|
in the storm, or accidents by the way, or, worst of all, a great grief
|
|
at Washington, haunted the poor girls.
|
|
It was past two, when Jo, who stood at the window thinking how
|
|
dreary the world looked in its winding-sheet of snow, heard a movement
|
|
by the bed, and, turning quickly, saw Meg kneeling before their
|
|
mother's easy-chair, with her face hidden. A dreadful fear passed
|
|
coldly over Jo, as she thought, "Beth is dead, and Meg is afraid to
|
|
tell me."
|
|
She was back at her post in an instant, and to her excited eyes a
|
|
great change seemed to have taken place. The fever flush and the
|
|
look of pain were gone, and the beloved little face looked so pale and
|
|
peaceful in its utter repose, that Jo felt no desire to weep or to
|
|
lament. Leaning low over this dearest of her sisters, she kissed the
|
|
damp forehead with her heart on her lips, and softly whispered,
|
|
"Good-by, my Beth; good-by!"
|
|
As if waked by the stir, Hannah started out of her sleep, hurried to
|
|
the bed, looked at Beth, felt her hands, listened at her lips, and
|
|
then, throwing her apron over her head, sat down to rock to and fro,
|
|
exclaiming, under her breath, "The fever's turned; she's sleepin'
|
|
nat'ral; her skin's damp, and she breathes easy. Praise be given!
|
|
Oh, my goodness me!"
|
|
Before the girls could believe the happy truth, the doctor came to
|
|
confirm it. He was a homely man, but they thought his face quite
|
|
heavenly when he smiled, and said, with a fatherly look at them, "Yes,
|
|
my dears, I think the little girl will pull through this time. Keep
|
|
the house quiet; let her sleep, and when she wakes, give her-"
|
|
What they were to give, neither heard; for both crept into the
|
|
dark hall, and, sitting on the stairs, held each other close,
|
|
rejoicing with hearts too full for words. When they went back to be
|
|
kissed and cuddled by faithful Hannah, they found Beth lying, as she
|
|
used to do, with her cheek pillowed on her hand, the dreadful pallor
|
|
gone, and breathing quietly, as if just fallen asleep.
|
|
"If mother would only come now!" said Jo, as the winter night
|
|
began to wane.
|
|
"See," said Meg, coming up with a white, half-opened rose, "I
|
|
thought this would hardly be ready to lay in Beth's hand to-morrow
|
|
if she- went away from us. But it has blossomed in the night, and
|
|
now I mean to put it in my vase here, so that when the darling
|
|
wakes, the first thing she sees will be the little rose, and
|
|
mother's face."
|
|
Never had the sun risen so beautifully, and never had the world
|
|
seemed so lovely, as it did to the heavy eyes of Meg and Jo, as they
|
|
looked out in the early morning, when their long, sad vigil was done.
|
|
"It looks like a fairy world," said Meg, smiling to herself, as
|
|
she stood behind the curtain, watching the dazzling sight.
|
|
"Hark!" cried Jo, starting to her feet.
|
|
Yes, there was a sound of bells at the door below, a cry from
|
|
Hannah, and then Laurie's voice saying, in a joyful whisper, "Girls,
|
|
she's come! she's come!"
|
|
19
|
|
Amy's Will
|
|
|
|
WHILE these things were happening at home, Amy was having hard times
|
|
at Aunt March's. She felt her exile deeply, and, for the first time in
|
|
her life, realized how much she was beloved and petted at home. Aunt
|
|
March never petted any one; she did not approve of it; but she meant
|
|
to be kind, for the well-behaved little girl pleased her very much,
|
|
and Aunt March had a soft place in her old heart for her nephew's
|
|
children, though she didn't think proper to confess it. She really did
|
|
her best to make Amy happy, but, dear me, what mistakes she made! Some
|
|
old people keep young at heart in spite of wrinkles and gray hairs,
|
|
can sympathize with children's little cares and joys, make them feel
|
|
at home, and can hide wise lessons under pleasant plays, giving and
|
|
receiving friendship in the sweetest way. But Aunt March had not
|
|
this gift, and she worried Amy very much with her rules and orders,
|
|
her prim ways, and long, prosy talks. Finding the child more docile
|
|
and amiable than her sister, the old lady felt it her duty to try
|
|
and counteract, as far as possible, the bad effects of home freedom
|
|
and indulgence. So she took Amy in hand, and taught her as she herself
|
|
had been taught sixty years ago- a process which carried dismay to
|
|
Amy's soul, and made her feel like a fly in the web of a very strict
|
|
spider.
|
|
She had to wash the cups every morning, and polish up the
|
|
old-fashioned spoons, the fat silver teapot, and the glasses, till
|
|
they shone. Then she must dust the room, and what a trying job that
|
|
was! Not a speck escaped Aunt March's eye, and all the furniture had
|
|
claw legs, and much carving, which was never dusted to suit. Then
|
|
Polly must be fed, the lap-dog combed, and a dozen trips upstairs
|
|
and down, to get things, or deliver orders, for the old lady was
|
|
very lame, and seldom left her big chair. After these tiresome labors,
|
|
she must do her lessons, which was a daily trial of every virtue she
|
|
possessed. Then she was allowed one hour for exercise or play, and
|
|
didn't she enjoy it? Laurie came every day, and wheedled Aunt March,
|
|
till Amy was allowed to go out with him, when they walked and rode,
|
|
and had capital times. After dinner, she had to read aloud, and sit
|
|
still while the old lady slept, which she usually did for an hour,
|
|
as she dropped off over the first page. Then patchwork or towels
|
|
appeared, and Amy sewed with outward meekness and inward rebellion
|
|
till dusk, when she was allowed to amuse herself as she liked till
|
|
tea-time. The evenings were the worst of all, for Aunt March fell to
|
|
telling long stories about her youth, which were so unutterably dull
|
|
that Amy was always ready to go to bed, intending to cry over her hard
|
|
fate, but usually going to sleep before she had squeezed out more than
|
|
a tear or two.
|
|
If it had not been for Laurie, and old Esther the maid, she felt
|
|
that she never could have got through that dreadful time. The parrot
|
|
alone was enough to drive her distracted, for he soon felt that she
|
|
did not admire him, and revenged himself by being as mischievous as
|
|
possible. He pulled her hair whenever she came near him, upset his
|
|
bread and milk to plague her when she had newly cleaned his cage, made
|
|
Mop bark by pecking at him while Madam dozed; called her names
|
|
before company, and behaved in all respects like a reprehensible old
|
|
bird. Then she could not endure the dog- a fat, cross beast, who
|
|
snarled and yelped at her when she made his toilet, and who lay on his
|
|
back, with all his legs in the air and a most idiotic expression of
|
|
countenance when he wanted something to eat, which was about a dozen
|
|
times a day. The cook was bad-tempered, the old coachman deaf, and
|
|
Esther the only one who ever took any notice of the young lady.
|
|
Esther was a Frenchwoman, who had lived with "Madame," as she called
|
|
her mistress, for many years, and who rather tyrannized over the old
|
|
lady, who could not get along without her. Her real name was
|
|
Estelle, but Aunt March ordered her to change it, and she obeyed, on
|
|
condition that she was never asked to change her religion. She took
|
|
a fancy to Mademoiselle, and amused her very much, with odd stories of
|
|
her life in France, when Amy sat with her while she got up Madame's
|
|
laces. She also allowed her to roam about the great house, and examine
|
|
the curious and pretty things stored, away in the big wardrobes and
|
|
the ancient chests; for Aunt March hoarded like a magpie. Amy's
|
|
chief delight was an Indian cabinet, full of queer drawers, little
|
|
pigeon-holes, and secret places, in which were kept all sorts of
|
|
ornaments, some precious, some merely curious, all more or less
|
|
antique. To examine and arrange these things gave Amy great
|
|
satisfaction, especially the jewel-cases, in which, on velvet
|
|
cushions, reposed the ornaments which had adorned a belle forty
|
|
years ago. There was the garnet set which Aunt March wore when she
|
|
came out, the pearls her father gave her on her wedding-day, her
|
|
lover's diamonds, the jet mourning rings and pins, the queer
|
|
lockets, with portraits of dead friends, and weeping willows made of
|
|
hair inside; the baby bracelets her one little daughter had worn;
|
|
Uncle March's big watch, with the red seal so many childish hands
|
|
had played with, and in a box, all by itself, lay Aunt March's
|
|
wedding-ring, too small now for her fat finger, but put carefully
|
|
away, like the most precious jewel of them all.
|
|
"Which would Mademoiselle choose if she had her will?" asked
|
|
Esther who always sat near to watch over and lock up the valuables.
|
|
"I like the diamonds best, but there is no necklace among them,
|
|
and I'm fond of necklaces, they are so becoming. I should choose
|
|
this if I might," replied Amy, looking with great admiration at a
|
|
string of gold and ebony beads, from which hung a heavy cross of the
|
|
same.
|
|
"I too, covet that, but not as a necklace; ah, no! to me it is a
|
|
rosary, and as such I should use it like a good Catholic," said
|
|
Esther, eying the handsome thing wistfully.
|
|
"Is it meant to use as you use the string of good-smelling wooden
|
|
beads hanging over your glass?" asked Amy.
|
|
"Truly, yes, to pray with. It would be pleasing to the saints if one
|
|
used so fine a rosary as this, instead of wearing it as a vain bijou."
|
|
"You seem to take a great deal of comfort in your prayers, Esther,
|
|
and always come down looking quiet and satisfied. I wish I could."
|
|
"If Mademoiselle was a Catholic, she would find true comfort; but as
|
|
that is not to be, it would be well if you went apart each day, to
|
|
meditate and pray, as did the good mistress whom I served before
|
|
Madame. She had a little chapel, and in it found solacement for much
|
|
trouble."
|
|
"Would it be right for me to do so too?" asked Amy, who, in her
|
|
loneliness, felt the need of help of some sort, and found that she was
|
|
apt to forget her little book, now that Beth was not there to remind
|
|
her of it.
|
|
"It would be excellent and charming; and I shall gladly arrange
|
|
the little dressing-room for you if you like it. Say nothing to
|
|
Madame, but when she sleeps go you and sit alone a while to think good
|
|
thoughts, and pray the dear God to preserve your sister."
|
|
Esther was truly pious, and quite sincere in her advice; for she had
|
|
an affectionate heart, and felt much for the sisters in their anxiety.
|
|
Amy liked the ideal and gave her leave to arrange the light closet
|
|
next her room, hoping it would do her good.
|
|
"I wish I knew where all these pretty things would go when Aunt.
|
|
March dies," she said, as she slowly replaced the shining rosary,
|
|
and shut the jewel-cases one by one.
|
|
"To you and your sisters. I know it: Madame confides in me; I
|
|
witnessed her will, and it is to be so," whispered Esther, smiling.
|
|
"How nice! but I wish she'd let us have them now. Pro-cras-ti-nation
|
|
is not agreeable," observed Amy, taking a last look at the diamonds.
|
|
"It is too soon yet for the young ladies to wear these things. The
|
|
first one who is affianced will have the pearls- Madame has said it;
|
|
and I have a fancy that the little turquoise ring will be given to you
|
|
when you go, for Madame approves your good behavior and charming
|
|
manners."
|
|
"Do you think so? Oh, I'll be a lamb, if I can only have that lovely
|
|
ring! It's ever so much prettier than Kitty Bryant's. I do like Aunt
|
|
March, after all"; and Amy tried on the blue ring with a delighted
|
|
face, and a firm resolve to earn it.
|
|
From that day she was a model of obedience, and the old lady
|
|
complacently admired the success of her training. Esther fitted up the
|
|
closet with a little table, placed a footstool before it, and over
|
|
it a picture taken from one of the shut-up rooms. She thought it was
|
|
of no great value, but, being appropriate, she borrowed it, well
|
|
knowing that Madame would never know it, nor care if she did. It
|
|
was, however, a very valuable copy of one of the famous pictures of
|
|
the world, and Amy's beauty-loving eyes were never tired of looking up
|
|
at the sweet face of the divine mother, while tender thoughts of her
|
|
own were busy at her heart. On the table she laid her little Testament
|
|
and hymn-book, kept a vase always full of the best flowers Laurie
|
|
brought her, and came every day to "sit alone, thinking good thoughts,
|
|
and praying the dear God to preserve her sister." Esther had given her
|
|
a rosary of black beads, with a silver cross, but Amy hung it up and
|
|
did not use it, feeling doubtful as to its fitness for Protestant
|
|
prayers.
|
|
The little girl was very sincere in all this, for, being left
|
|
alone outside the safe home-nest, she felt the need of some kind
|
|
hand to hold by so sorely, that she instinctively turned to the strong
|
|
and tender Friend, whose fatherly love most closely surrounds his
|
|
little children. She missed her mother's help to understand and rule
|
|
herself, but having been taught where to look, she did her best to
|
|
find the way, and walk in it confidingly. But Amy was a young pilgrim,
|
|
and just now her burden seemed very heavy. She tried to forget
|
|
herself, to keep cheerful, and be satisfied with doing right, though
|
|
no one saw or praised her for it. In her first effort at being very,
|
|
very good, she decided to make her will, as Aunt March had done; so
|
|
that if she did fall ill and die, her possessions might be justly
|
|
and generously divided. It cost her a pang even to think of giving
|
|
up the little treasures which in her eyes were as precious as the
|
|
old lady's jewels.
|
|
During one of her play-hours she wrote out the important document as
|
|
well as she could, with some help from Esther as to certain legal
|
|
terms, and, when the good-natured Frenchwoman had signed her name, Amy
|
|
felt relieved, and laid it by to show Laurie, whom she wanted as a
|
|
second witness. As it was a rainy day, she went upstairs to amuse
|
|
herself in one of the large chambers, and took Polly with her for
|
|
company. In this room there was a wardrobe full of old-fashioned
|
|
costumes, with which Esther allowed her to play, and it was her
|
|
favorite amusement to array herself in the faded brocades, and
|
|
parade up and down before the long mirror, making stately
|
|
courtesies, and sweeping her train about, with a rustle which
|
|
delighted her ears. So busy was she on this day that she did not
|
|
hear Laurie's ring, nor see his face peeping in at her, as she gravely
|
|
promenaded to and fro, flirting her fan and tossing her head, on which
|
|
she wore a great pink turban, contrasting oddly with her blue
|
|
brocade dress and yellow quilted petticoat. She was obliged to walk
|
|
carefully, for she had on high-heeled shoes, and, as Laurie told Jo
|
|
afterward, it was a comical sight to see her mince along in her gay
|
|
suit, with Polly sidling and bridling just behind her, imitating her
|
|
as well as he could, and occasionally stopping to laugh or exclaim,
|
|
"Ain't we fine? Get along, you fright! Hold your tongue! Kiss me,
|
|
dear! Ha! ha!"
|
|
Having with difficulty restrained an explosion of merriment, lest it
|
|
should offend her majesty, Laurie tapped, and was graciously received.
|
|
"Sit down and rest while I put these things away; then I want to
|
|
consult you about a very serious matter," said Amy, when she had shown
|
|
her splendor, and driven Polly into a corner. "That bird is the
|
|
trial of my life," she continued, removing the pink mountain from
|
|
her head, while Laurie seated himself astride of a chair.
|
|
"Yesterday, when aunt was asleep, and I was trying to be as still as a
|
|
mouse, Polly began to squall and flap about in his cage; so I went
|
|
to let him out, and found a big spider there. I poked it out, and it
|
|
ran under the bookcase; Polly marched straight after it, stooped
|
|
down and peeped under the bookcase, saying, in his funny way, with a
|
|
cock of his eye, 'Come out and take a walk, my dear.' I couldn't
|
|
help laughing, which made Poll swear, and aunt woke up and scolded
|
|
us both."
|
|
"Did the spider accept the old fellow's invitation?" asked Laurie,
|
|
yawning.
|
|
"Yes; out it came, and away ran Polly, frightened to death, and
|
|
scrambled up on aunt's chair, calling out, 'Catch her! catch her!
|
|
catch her!' as I chased the spider."
|
|
"That's a lie! Oh lor!" cried the parrot, pecking at Laurie's toes.
|
|
"I'd wring your neck if you were mine, you old torment," cried
|
|
Laurie, shaking his fist at the bird, who put his head on one side,
|
|
and gravely croaked, "Allyluyer! bless your buttons, dear!"
|
|
"Now I'm ready," said Amy, shutting the wardrobe, and taking a paper
|
|
out of her pocket. "I want you to read that, please, and tell me if it
|
|
is legal and right. I felt that I ought to do it, for life is
|
|
uncertain and I don't want any ill-feeling over my tomb."
|
|
Laurie bit his lips, and turning a little from the pensive
|
|
speaker, read the following document, with praiseworthy gravity,
|
|
considering the spelling:
|
|
|
|
MY LAST WILL AND TESTIMENT.
|
|
|
|
I, Amy Curtis March, being in my sane mind, do give and bequeath all
|
|
my earthly property- viz. to wit:- namely
|
|
To my father, my best pictures, sketches, maps, and works of art,
|
|
including frames. Also my $100, to do what he likes with.
|
|
To my mother, all my clothes, except the blue apron with pockets-
|
|
also my likeness, and my medal, with much love.
|
|
To my dear sister Margaret, I give my turkquoise ring (if I get it),
|
|
also my green box with the doves on it, also my piece of real lace for
|
|
her neck, and my sketch of her as a memorial of her "little girl."
|
|
To Jo I leave my breast-pin, the one mended with sealing wax, also
|
|
my bronze inkstand- she lost the cover- and my most precious plaster
|
|
rabbit, because I am sorry I burnt up her Story.
|
|
To Beth (if she lives after me) I give my dolls and the little
|
|
bureau, my fan, my linen collars and my new slippers if she can wear
|
|
them being thin when she gets well. And I herewith also leave her my
|
|
regret that I ever made fun of old Joanna.
|
|
To my friend and neighbor Theodore Laurence I bequeethe my paper
|
|
marshay portfolio, my clay model of a horse though he did say it
|
|
hadn't any neck. Also in return for his great kindness in the hour
|
|
of affliction any one of my artistic works he likes, Noter Dame is the
|
|
best.
|
|
To our venerable benefactor Mr. Laurence I leave my purple box
|
|
with a looking glass in the cover which will be nice for his pens
|
|
and remind him of the departed girl who thanks him for his favors to
|
|
her family, specially Beth.
|
|
I wish my favorite playmate Kitty Bryant to have the blue silk apron
|
|
and my gold-bead ring with a kiss.
|
|
To Hannah I the bandbox she wanted and all the patch work I leave
|
|
hoping she "will remember me, when it you see."
|
|
And now having disposed of my most valuable property I hope all will
|
|
be satisfied and not blame the dead. I forgive every one, and trust we
|
|
may all meet when the trump shall sound. Amen.
|
|
To this will and testiment I set my hand and seal on this 20th day
|
|
of Nov. Anni Domino 1861.
|
|
AMY CURTIS MARCH.
|
|
|
|
Witnesses: ESTELLE VALNOR,
|
|
THEODORE LAURENCE.
|
|
|
|
The last name was written in pencil, and Amy explained that he was
|
|
to rewrite it in ink, and seal it up for her properly.
|
|
"What put it into your head? Did any one tell you about Beth's
|
|
giving away her things?" asked Laurie soberly, as Amy laid a bit of
|
|
red tape, with sealing-wax, a taper, and a standish before him.
|
|
She explained; and then asked anxiously, "What about Beth?"
|
|
"I'm sorry I spoke; but as I did, I'll tell you. She felt so ill one
|
|
day that she told Jo she wanted to give her piano to Meg, her cats
|
|
to you, and the poor old doll to Jo, who would love it for her sake.
|
|
She was sorry she had so little to give, and left locks of hair to the
|
|
rest of us, and her best love to grandpa. She never thought of a
|
|
will."
|
|
Laurie was signing and sealing as he spoke, and did not look up till
|
|
a great tear dropped on the paper. Amy's face was full of trouble; but
|
|
she only said, "Don't people put sort of postscrips to their wills,
|
|
sometimes?"
|
|
"Yes 'codicils,' they call them."
|
|
"Put one in mine then- that I wish all my curls cut off, and given
|
|
round to my friends. I forgot it; but I want it done, though it will
|
|
spoil my looks."
|
|
Laurie added it, smiling at Amy's last and greatest sacrifice.
|
|
Then he amused her for an hour, and was much interested in all her
|
|
trials. But when he came to go, Amy held him back to whisper, with
|
|
trembling lips, "Is there really any danger about Beth?"
|
|
"I'm afraid there is; but we must hope for the best, so don't cry,
|
|
dear"; and Laurie put his arm about her with a brotherly gesture which
|
|
was very comforting.
|
|
When he had gone, she went to her little chapel, and, sitting in the
|
|
twilight, prayed for Beth, with streaming tears and an aching heart,
|
|
feeling that a million turquoise rings would not console her for the
|
|
loss of her gentle little sister.
|
|
20
|
|
Confidential
|
|
|
|
I DON'T think I have any words in which to tell the meeting of the
|
|
mother and daughters; such hours are beautiful to live, but very
|
|
hard to describe, so I will leave it to the imagination of my readers,
|
|
merely saying that the house was full of genuine happiness, and that
|
|
Meg's tender hope was realized; for when Beth woke from that long,
|
|
healing sleep, the first objects on which her eyes fell were the
|
|
little rose and mother's face. Too weak to wonder at anything, she
|
|
only smiled, and nestled close into the loving arms about her, feeling
|
|
that the hungry longing was satisfied at last. Then she slept again,
|
|
and the girls waited upon their mother, for she would not unclasp
|
|
the thin hand which clung to hers even in sleep.
|
|
Hannah had "dished up" an astonishing breakfast for the traveller,
|
|
finding it impossible to vent her excitement in any other way; and Meg
|
|
and Jo fed their mother like dutiful young storks, while they listened
|
|
to her whispered account of father's state, Mr. Brooke's promise to
|
|
stay and nurse him, the delays which the storm occasioned on the
|
|
homeward journey, and the unspeakable comfort Laurie's hopeful face
|
|
had given her when she arrived, worn out with fatigue, anxiety, and
|
|
cold.
|
|
What a strange, yet pleasant day that was! so brilliant and gay
|
|
without, for all the world seemed abroad to welcome the first snow; so
|
|
quiet and reposeful within, for every one slept, spent with
|
|
watching, and a Sabbath stillness reigned through the house, while
|
|
nodding Hannah mounted guard at the door. With a blissful sense of
|
|
burdens lifted off, Meg and Jo closed their weary eyes, and lay at
|
|
rest, like storm-beaten boats, safe at anchor in a quiet harbor.
|
|
Mrs. March would not leave Beth's side, but rested in the big chair,
|
|
waking often to look at, touch, and brood over her child, like a miser
|
|
over some recovered treasure.
|
|
Laurie, meanwhile, posted off to comfort Amy, and told his story
|
|
so well that Aunt March actually "sniffed" herself, and never once
|
|
said, "I told you so." Amy came out so strong on this occasion that
|
|
I think the good thoughts in the little chapel really began to bear
|
|
fruit. She dried her tears quickly, restrained her impatience to see
|
|
her mother, and never even thought of the turquoise ring, when the old
|
|
lady heartily agreed in Laurie's opinion, that she behaved "like a
|
|
capital little woman." Even Polly seemed impressed, for he called
|
|
her "good girl," blessed her buttons, and begged her to "come and take
|
|
a walk, dear," in his most affable tone. She would very gladly have
|
|
gone out to enjoy the bright wintry weather; but, discovering that
|
|
Laurie was dropping with sleep in spite of manful efforts to conceal
|
|
the fact, she persuaded him to rest on the sofa, while she wrote a
|
|
note to her mother. She was a long time about it; and, when she
|
|
returned, he was stretched out, with both arms under his head, sound
|
|
asleep, while Aunt March had pulled down the curtains, and sat doing
|
|
nothing in an unusual fit of benignity.
|
|
After a while, they began to think he was not going to wake till
|
|
night, and I'm not sure that he would, had he not been effectually
|
|
roused by Amy's cry of joy at sight of her mother. There probably were
|
|
a good many happy little girls in and about the city that day, but
|
|
it is my private opinion that Amy was the happiest of all, when she
|
|
sat in her mother's lap and told her trials, receiving consolation and
|
|
compensation in the shape of approving smiles and fond caresses.
|
|
They were alone together in the chapel, to which her mother did not
|
|
object when its purpose was explained to her.
|
|
"On the contrary, I like it very much, dear," looking from the dusty
|
|
rosary to the well-worn little book, and the lovely picture with its
|
|
garland of evergreen. "It is an excellent plan to have some place
|
|
where we can go to be quiet, when things vex or grieve us. There are a
|
|
good many hard times in this life of ours, but we can always bear them
|
|
if we ask help in the right way. I think my little girl is learning
|
|
this?"
|
|
"Yes, mother; and when I go home I mean to have a corner in the
|
|
big closet to put my books, and the copy of that picture which I've
|
|
tried to make. The woman's face is not good- it's too beautiful for me
|
|
to draw- but the baby is done better, and I love it very much. I
|
|
like to think He was a little child once, for then I don't seem so far
|
|
away, and that helps me."
|
|
As Amy pointed to the smiling Christ-child on his mother's knee,
|
|
Mrs. March saw something on the lifted hand that made her smile. She
|
|
said nothing, but Amy understood the look, and, after a minute's
|
|
pause, she added gravely-
|
|
"I wanted to speak to you about this, but I forgot it. Aunt gave
|
|
me the ring to-day; she called me to her and kissed me, and put it
|
|
on my finger, and said I was a credit to her, and she'd like to keep
|
|
me always. She gave that funny guard to keep the turquoise on, as it's
|
|
too big. I'd like to wear them, mother; can I?"
|
|
"They are very pretty, but I think you're rather too young for
|
|
such ornaments, Amy," said Mrs. March, looking at the plump little
|
|
hand, with the band of sky-blue stones on the forefinger, and the
|
|
quaint guard, formed of two tiny, golden hands clasped together.
|
|
"I'll try not to be vain," said Amy. "I don't think I like it only
|
|
because it's so pretty; but I want to wear it as the girl in the story
|
|
wore her bracelet, to remind me of something."
|
|
"Do you mean Aunt March?" asked her mother, laughing.
|
|
"No, to remind me not to be selfish." Amy looked so earnest and
|
|
sincere about it, that her mother stopped laughing, and listened
|
|
respectfully to the little plan.
|
|
"I've thought a great deal lately about my 'bundle of naughties,'
|
|
and being selfish is the largest one in it; so I'm going to try hard
|
|
to cure it, if I can. Beth isn't selfish, and that's the reason
|
|
every one loves her and feels so bad at the thoughts of losing her.
|
|
People wouldn't feel half so bad about me if I was sick, and I don't
|
|
deserve to have them; but I'd like to be loved and missed by a great
|
|
many friends, so I'm going to try and be like Beth all I can. I'm
|
|
apt to forget my resolutions; but if I had something always about me
|
|
to remind me, I guess I should do better. May I try this way?"
|
|
"Yes; but I have more faith in the corner of the big closet. Wear
|
|
your ring, dear, and do your best; I think you will prosper, for the
|
|
sincere wish to be good is half the battle. Now I must go back to
|
|
Beth. Keep up your heart, little daughter, and we will soon have you
|
|
home again."
|
|
That evening, while Meg was writing to her father to report the
|
|
traveller's safe arrival, Jo slipped upstairs into Beth's room, and,
|
|
finding her mother in her usual place, stood a minute twisting her
|
|
fingers in her hair, with a worried gesture and an undecided look.
|
|
"What is it, deary?" asked Mrs. March, holding out her hand, with
|
|
a face which invited confidence.
|
|
"I want to tell you something, mother."
|
|
"About Meg?"
|
|
"How quickly you guessed! Yes, it's about her, and though it's a
|
|
little thing, it fidgets me."
|
|
"Beth is asleep; speak low, and tell me all about it. That Moffat
|
|
hasn't been here, I hope?" asked Mrs. March rather sharply.
|
|
"No, I should have shut the door in his face if he had," said Jo,
|
|
settling herself on the floor at her mother's feet. "Last summer Meg
|
|
left a pair of gloves over at the Laurences', and only one was
|
|
returned. We forgot all about it, till Teddy told me that Mr. Brooke
|
|
had it. He kept it in his waistcoat pocket, and once it fell out,
|
|
and Teddy joked him about it, and Mr. Brooke owned that he liked
|
|
Meg, but didn't dare say so, she was so young and he so poor. Now,
|
|
isn't it a dreadful state of things?"
|
|
"Do you think Meg cares for him?" asked Mrs. March, with an
|
|
anxious look.
|
|
"Mercy me! I don't know anything about love and such nonsense!"
|
|
cried Jo, with a funny mixture of interest and contempt. "In novels,
|
|
the girls show it by starting and blushing, fainting away, growing
|
|
thin, and acting like fools. Now Meg does not do anything of the sort:
|
|
she eats and drinks and sleeps, like a sensible creature; she looks
|
|
straight in my face when I talk about that man, and only blushes a
|
|
little bit when Teddy jokes about lovers. I forbid him to do it, but
|
|
he doesn't mind me as he ought."
|
|
"Then you fancy that Meg is not interested in John?"
|
|
"Who?" cried Jo, staring.
|
|
"Mr. Brooke. I call him 'John' now; we fell into the way of doing so
|
|
at the hospital, and he likes it."
|
|
"Oh, dear! I know you'll take his part: he's been good to father,
|
|
and you won't send him away, but let Meg marry him, if she wants to.
|
|
Mean thing! to go petting papa and helping you, just to wheedle you
|
|
into liking him"; and Jo pulled her hair again with a wrathful tweak.
|
|
"My dear, don't get angry about it, and I will tell you how it
|
|
happened. John went with me at Mr. Laurence's request, and was so
|
|
devoted to poor father that we couldn't help getting fond of him. He
|
|
was perfectly open and honorable about Meg, for he told us he loved
|
|
her, but would earn a comfortable home before he asked her to marry
|
|
him. He only wanted our leave to love her and work for her, and the
|
|
right to make her love him if he could. He is a truly excellent
|
|
young man, and we could not refuse to listen to him; but I will not
|
|
consent to Meg's engaging herself so young."
|
|
"Of course not; it would be idiotic! I know there was mischief
|
|
brewing; I felt it; and now it's worse than I imagined. I just wish
|
|
I could marry Meg myself, and keep her safe in the family."
|
|
This odd arrangement made Mrs. March smile; but she said gravely,
|
|
"Jo, I confide in you, and don't wish you to say anything to Meg
|
|
yet, When John comes back, and I see them together, I can judge better
|
|
of her feelings toward him."
|
|
"She'll see his in those handsome eyes that she talks about, and
|
|
then it will be all up with her. She's got such a soft heart, it
|
|
will melt like butter in the sun if any one looks sentimentally at
|
|
her. She read the short reports he sent more than she did your
|
|
letters, and pinched me when I spoke of it, and likes brown eyes,
|
|
and doesn't think John an ugly name, and she'll go and fall in love,
|
|
and there's an end of peace and fun, and cosy times together. I see it
|
|
all! they'll go lovering around the house, and we shall have to dodge;
|
|
Meg will be absorbed, and no good to me any more; Brooke will
|
|
scratch up a fortune somehow, carry her off, and make a hole in the
|
|
family; and I shall break my heart, and everything will be
|
|
abominably uncomfortable. Oh, dear me! why weren't we all boys, then
|
|
there wouldn't be any bother."
|
|
Jo leaned her chin on her knees, in a disconsolate attitude, and
|
|
shook her fist at the reprehensible John. Mrs. March sighed, and Jo
|
|
looked up with an air of relief.
|
|
"You don't like it, mother? I'm glad of it. Let's send him about his
|
|
business, and not tell Meg a word of it, but all be happy together
|
|
as we always have been."
|
|
"I did wrong to sigh, Jo. It is natural and right you should all
|
|
go to homes of your own, in time; but I do want to keep my girls as
|
|
long as I can; and I am sorry that this happened so soon, for Meg is
|
|
only seventeen, and it will be some years before John can make a
|
|
home for her. Your father and I have agreed that she shall not bind
|
|
herself in any way, nor be married, before twenty. If she and John
|
|
love one another, they can wait, and test the love by doing so. She is
|
|
conscientious, and I have no fear of her treating him unkindly. My
|
|
pretty, tender-hearted girl! I hope things will go happily with her."
|
|
"Hadn't you rather have her marry a rich man?" asked Jo, as her
|
|
mother's voice faltered a little over the last words.
|
|
"Money is a good and useful thing, Jo; and I hope my girls will
|
|
never feel the need of it too bitterly, nor be tempted by too much.
|
|
I should like to know that John was firmly established in some good
|
|
business, which gave him an income large enough to keep free from debt
|
|
and make Meg comfortable. I'm not ambitious for a splendid fortune,
|
|
a fashionable position, or a great name for my girls. If rank and
|
|
money come with love and virtue, also, I should accept them
|
|
gratefully, and enjoy your good fortune; but I know, by experience,
|
|
how much genuine happiness can be had in a plain little house, where
|
|
the daily bread is earned, and some privations give sweetness to the
|
|
few pleasures. I am content to see Meg begin humbly, for, if I am
|
|
not mistaken, she will be rich in the possession of a good man's
|
|
heart, and that is better than a fortune."
|
|
"I understand, mother, and quite agree; but I'm disappointed about
|
|
Meg, for I'd planned to have her marry Teddy by and by, and sit in the
|
|
lap of luxury all her days. Wouldn't it be nice?" asked Jo, looking
|
|
up, with a brighter face.
|
|
"He is younger than she, you know," began Mrs. March; but Jo broke
|
|
in-
|
|
"Only a little; he's old for his age, and tall; and can be quite
|
|
grown-up in his manners if he likes. Then he's rich and generous and
|
|
good, and loves us all; and I say it's a pity my plan is spoilt."
|
|
"I'm afraid Laurie is hardly grown up enough for Meg, and altogether
|
|
too much of a weathercock, just now, for any one to depend on. Don't
|
|
make plans, Jo; but let time and their own hearts mate your friends.
|
|
We can't meddle safely in such matters, and had better not get
|
|
'romantic rubbish,' as you call it, into our heads, lest it spoil
|
|
our friendship."
|
|
"Well, I won't; but I hate to see things going all criss-cross and
|
|
getting snarled up, when a pull here and a snip there would straighten
|
|
it out. I wish wearing flat-irons on our heads would keep us from
|
|
growing up. But buds will be roses, and kittens, cats- more's the
|
|
pity!"
|
|
"What's that about flat-irons and cats?" asked Meg, as she crept
|
|
into the room, with the finished letter in her hand.
|
|
"Only one of my stupid speeches. I'm going to bed; come, Peggy,"
|
|
said Jo, unfolding herself, like an animated puzzle.
|
|
"Quite right, and beautifully written. Please add that I send my
|
|
love to John," said Mrs. March, as she glanced over the letter, and
|
|
gave it back.
|
|
"Do you call him 'John'?" asked Meg, smiling, with her innocent eyes
|
|
looking down into her mother's.
|
|
"Yes; he has been like a son to us, and we are very fond of him,"
|
|
replied Mrs. March, returning the look with a keen one.
|
|
"I'm glad of that, he is so lonely. Good-night, mother, dear. It
|
|
is so inexpressibly comfortable to have you here," was Meg's quiet
|
|
answer.
|
|
The kiss her mother gave her was a very tender one; and, as she went
|
|
away, Mrs. March said, with a mixture of satisfaction and regret, "She
|
|
does not love John yet, but will soon learn to."
|
|
21
|
|
Laurie Makes Mischief, and Jo Makes Peace
|
|
|
|
JO'S face was a study next day, for the secret rather weighed upon
|
|
her, and she found it hard not to look mysterious and important. Meg
|
|
observed it, but did not trouble herself to make inquiries, for she
|
|
had learned that the best way to manage Jo was by the law of
|
|
contraries, so she felt sure of being told everything if she did not
|
|
ask. She was rather surprised, therefore, when the silence remained
|
|
unbroken, and Jo assumed a patronizing air, which decidedly aggravated
|
|
Meg, who in her turn assumed an air of dignified reserve, and
|
|
devoted herself to her mother. This left Jo to her own devices; for
|
|
Mrs. March had taken her place as nurse, and bade her rest,
|
|
exercise, and amuse herself after her long confinement. Amy being
|
|
gone, Laurie was her only refuge; and, much as she enjoyed his
|
|
society, she rather dreaded him just then, for he was an
|
|
incorrigible tease, and she feared he would coax her secret from her.
|
|
She was quite right; for the mischief-loving lad no sooner suspected
|
|
a mystery than he set himself to find it out, and led Jo a trying life
|
|
of it. He wheedled, bribed, ridiculed, threatened, and scolded;
|
|
affected indifference, that he might surprise the truth from her;
|
|
declared he knew, then that he didn't care; and, at last, by dint of
|
|
perseverance, he satisfied himself that it concerned Meg and Mr.
|
|
Brooke. Feeling indignant that he was not taken into his tutor's
|
|
confidence, he set his wits to work to devise some proper
|
|
retaliation for the slight.
|
|
Meg meanwhile had apparently forgotten the matter, and was
|
|
absorbed in preparations for her father's return; but all of a
|
|
sudden a change seemed to come over her, and, for a day or two, she
|
|
was quite unlike herself. She started when spoken to, blushed when
|
|
looked at, was very quiet, and sat over her sewing, with a timid,
|
|
troubled look on her face. To her mother's inquiries she answered that
|
|
she was quite well, and Jo's she silenced by begging to be let alone.
|
|
"She feels it in the air- love, I mean- and she's going very fast.
|
|
She's got most of the symptoms- is twittery and cross, doesn't eat,
|
|
lies awake, and mopes in corners. I caught her singing that song he
|
|
gave her, and once she said 'John,' as you do, and then turned as
|
|
red as a poppy. Whatever shall we do?" said Jo, looking ready for
|
|
any measures, however violent.
|
|
"Nothing but wait. Let her alone, be kind and patient, and
|
|
father's coming will settle everything," replied her mother.
|
|
"Here's a note to you, Meg, all sealed up. How odd! Teddy never
|
|
seals mine," said Jo, next day, as she distributed the contents of the
|
|
little post-office.
|
|
Mrs. March and Jo were deep in their own affairs, when a sound
|
|
from Meg made them look up to see her staring at her note, with a
|
|
frightened face.
|
|
"My child, what is it?" cried her mother, running to her, while Jo
|
|
tried to take the paper which had done the mischief.
|
|
"It's all a mistake- he didn't send it. O Jo, how could you do
|
|
it?" and Meg hid her face in her hands, crying as if her heart was
|
|
quite broken.
|
|
"Me? I've done nothing! What's she talking about?" cried Jo,
|
|
bewildered.
|
|
Meg's mild eyes kindled with anger as she pulled a crumpled note
|
|
from her pocket, and threw it at Jo, saying reproachfully-
|
|
"You wrote it, and that bad boy helped you. How could you be so
|
|
rude, so mean, and cruel to us both?"
|
|
Jo hardly heard her, for she and her mother were reading the note,
|
|
which was written in a peculiar hand.
|
|
|
|
MY DEAREST MARGARET:
|
|
I can no longer restrain my passion, and must know my fate
|
|
before I return. I dare not tell your parents yet, but I think they
|
|
would consent if they knew that we adored one another. Mr. Laurence
|
|
will help me to some good place, and then, my sweet girl, You will
|
|
make me happy. I implore you to say nothing to your family yet, but to
|
|
send one word of hope through Laurie to
|
|
Your devoted JOHN.
|
|
|
|
"Oh, the little villain! that's the way he meant to pay me for
|
|
keeping my word to mother. I'll give him a hearty scolding, and
|
|
bring him over to beg pardon," cried Jo, burning to execute
|
|
immediate justice. But her mother held her back, saying, with a look
|
|
she seldom wore-
|
|
"Stop, Jo, you must clear yourself first. You have played so many
|
|
pranks, that I am afraid you have had a hand in this."
|
|
"On my word, mother, I haven't! I never saw that note before, and
|
|
don't know anything about it, as true as I live!" said Jo, so
|
|
earnestly that they believed her. "If I had taken a part in it I'd
|
|
have done it better than this, and have written a sensible note. I
|
|
should think you'd have known Mr. Brooke wouldn't write such stuff
|
|
as that," she added, scornfully tossing down the paper.
|
|
"It's like his writing," faltered Meg, comparing it with the note in
|
|
her hand.
|
|
"O Meg, you didn't answer it?" cried Mrs. March quickly.
|
|
"Yes I did!" and Meg hid her face again, overcome with shame.
|
|
"Here's a scrape! Do let me bring that wicked boy over to explain,
|
|
and be lectured. I can't rest till I get hold of him"; and Jo made for
|
|
the door again.
|
|
"Hush! let me manage this, for it is worse than I thought. Margaret,
|
|
tell me the whole story," commanded Mrs. March, sitting down by Meg,
|
|
yet keeping hold of Jo, lest she should fly off.
|
|
"I received the first letter from Laurie, who didn't look as if he
|
|
knew anything about it," began Meg, without looking up. "I was worried
|
|
at first, and meant to tell you; then I remembered how you liked Mr.
|
|
Brooke, so I thought you wouldn't mind if I kept my little secret
|
|
for a few days. I'm so silly that I liked to think no one knew; and,
|
|
while I was deciding what to say, I felt like the girls in books,
|
|
who have such things to do. Forgive me, mother, I'm paid for my
|
|
silliness now; I never can look him in the face again."
|
|
"What did you say to him?" asked Mrs. March.
|
|
"I only said I was too young to do anything about it yet; that I
|
|
didn't wish to have secrets from you, and he must speak to father. I
|
|
was very grateful for his kindness, and would be his friend, but
|
|
nothing more, for a long while."
|
|
Mrs. March smiled, as if well pleased, and Jo clapped her hands,
|
|
exclaiming, with a laugh "You are almost equal to Caroline Percy,
|
|
who was a pattern of prudence! Tell on, Meg. What did he say to that?"
|
|
"He writes in a different way entirely, telling me that he never
|
|
sent any love-letter at all, and is very sorry that my roguish sister,
|
|
Jo, should take such liberties with our names. It's very kind and
|
|
respectful, but think how dreadful for me!"
|
|
Meg leaned against her mother, looking the image of despair, and
|
|
Jo tramped about the room, calling Laurie names. All of a sudden she
|
|
stopped, caught up the two notes, and, after looking at them
|
|
closely, said decidedly, "I don't believe Brooke ever saw either of
|
|
these letters. Teddy wrote both, and keeps yours to crow over me with,
|
|
because I wouldn't tell him my secret."
|
|
"Don't have any secrets, Jo; tell it to mother, and keep out of
|
|
trouble, as I should have done," said Meg warningly.
|
|
"Bless you, child! Mother told me."
|
|
"That will do, Jo. I'll comfort Meg while you go and get Laurie. I
|
|
shall sift the matter to the bottom, and put a stop to such pranks
|
|
at once."
|
|
Away ran Jo, and Mrs. March gently told Meg Mr. Brooke's real
|
|
feelings. "Now, dear, what are your own? Do you love him enough to
|
|
wait till he can make a home for you, or will you keep yourself
|
|
quite free for the present?"
|
|
"I've been so scared and worried, I don't want to have anything to
|
|
do with lovers for a long while- perhaps never," answered Meg
|
|
petulantly. "If John doesn't know anything about this nonsense,
|
|
don't tell him, and make Jo and Laurie hold their tongues. I won't
|
|
be deceived and plagued and made a fool of- it's a shame!"
|
|
Seeing that Meg's usually gentle temper was roused and her pride
|
|
hurt by this mischievous joke, Mrs. March soothed her by promises of
|
|
entire silence, and great discretion for the future. The instant
|
|
Laurie's step was heard in the hall, Meg flew into the study, and Mrs.
|
|
March received the culprit alone. Jo had not told him why he was
|
|
wanted, fearing he wouldn't come; but he knew the minute he saw Mrs.
|
|
March's face, and stood twirling his hat, with a guilty air which
|
|
convicted him at once. Jo was dismissed, but chose to march up and
|
|
down the hall like a sentinel, having some fear that the prisoner
|
|
might bolt. The sound of voices in the parlor rose and fell for half
|
|
an hour; but what happened during that interview the girls never knew.
|
|
When they were called in, Laurie was standing by their mother,
|
|
with such a penitent face that Jo forgave him on the spot, but did not
|
|
think it wise to betray the fact. Meg received his humble apology, and
|
|
was much comforted by the assurance that Brooke knew nothing of the
|
|
joke.
|
|
"I'll never tell him to my dying day- wild horses shan't drag it out
|
|
of me; so you'll forgive me, Meg, and I'll do anything to show how
|
|
out-and-out sorry I am," he added, looking very much ashamed of
|
|
himself.
|
|
"I'll try; but it was a very ungentlemanly thing to do. I didn't
|
|
think you could be so sly and malicious, Laurie," replied Meg,
|
|
trying to hide her maidenly confusion under a gravely reproachful air.
|
|
"It was altogether abominable, and I don't deserve to be spoken to
|
|
for a month; but you will, though, won't you?" and Laurie folded his
|
|
hands together with such an imploring gesture, as he spoke in his
|
|
irresistibly persuasive tone, that it was impossible to frown upon
|
|
him, in spite of his scandalous behavior. Meg pardoned him, and Mrs.
|
|
March's grave face relaxed, in spite of her efforts to keep sober,
|
|
when she heard him declare that he would atone for his sins by all
|
|
sorts of penances, and abase himself like a worm before the injured
|
|
damsel.
|
|
Jo stood aloof, meanwhile, trying to harden her heart against him,
|
|
and succeeding only in primming up her face into an expression of
|
|
entire disapprobation. Laurie looked at her once or twice, but, as she
|
|
showed no sign of relenting, he felt injured, and turned his back on
|
|
her till the others were done with him, when he made her a low bow,
|
|
and walked off without a word.
|
|
As soon as he had gone, she wished she had been more forgiving;
|
|
and when Meg and her mother went upstairs, she felt lonely, and longed
|
|
for Teddy. After resisting for some time, she yielded to the
|
|
impulse, and, armed with a book to return, went over to the big house.
|
|
"Is Mr. Laurence in?" asked Jo, of a housemaid, who was coming
|
|
downstairs.
|
|
"Yes, miss; but I don't believe he's seeable just yet."
|
|
"Why not? is he ill?"
|
|
"La, no, miss, but he's had a scene with Mr. Laurie, who is in one
|
|
of his tantrums about something, which vexes the old gentleman, so I
|
|
dursn't go nigh him."
|
|
"Where is Laurie?"
|
|
"Shut up in his room, and he won't answer, though I've been
|
|
a-tapping. I don't know what's to become of the dinner, for it's
|
|
ready, and there's no one to eat it."
|
|
"I'll go and see what the matter is. I'm not afraid of either of
|
|
them."
|
|
Up went Jo, and knocked smartly on the door of Laurie's little
|
|
study.
|
|
"Stop that, or I'll open the door and make you!" called out the
|
|
young gentleman, in a threatening tone.
|
|
Jo immediately knocked again; the door flew open, and in she
|
|
bounced, before Laurie could recover from his surprise. Seeing that he
|
|
really was out of temper, Jo, who knew how to manage him, assumed a
|
|
contrite expression, and going artistically down upon her knees,
|
|
said meekly, "Please forgive me for being so cross. I came to make
|
|
it up, and can't go away till I have."
|
|
"It's all right. Get up, and don't be a goose, Jo," was the cavalier
|
|
reply to her petition.
|
|
"Thank you; I will. Could I ask what's the matter? You don't look
|
|
exactly easy in your mind."
|
|
"I've been shaken, and I won't bear it!" growled Laurie indignantly.
|
|
"Who did it?" demanded Jo.
|
|
"Grandfather; if it had been any one else I'd have-" and the injured
|
|
youth finished his sentence by an energetic gesture of the right arm.
|
|
"That's nothing; I often shake you, and you don't mind," said Jo
|
|
soothingly.
|
|
"Pooh! you're a girl, and it's fun; but I'll allow no man to shake
|
|
me."
|
|
"I don't think any one would care to try it, if you looked as much
|
|
like a thunder-cloud as you do now. Why were you treated so?"
|
|
"Just because I wouldn't say what your mother wanted me for. I'd
|
|
promised not to tell, and of course I wasn't going to break my word."
|
|
"Couldn't you satisfy your grandpa in any other way?"
|
|
"No; he would have the truth, the whole truth, and nothing but the
|
|
truth. I'd have told my part of the scrape, if I could without
|
|
bringing Meg in. As I couldn't, I held my tongue, and bore the
|
|
scolding till the old gentleman collared me. Then I got angry, and
|
|
bolted, for fear I should forget myself."
|
|
"It wasn't nice, but he's sorry, I know; so go down and make up.
|
|
I'll help you."
|
|
"Hanged if I do! I'm not going to be lectured and pummelled by every
|
|
one, just for a bit of a frolic. I was sorry about Meg, and begged
|
|
pardon like a man; but I won't do it again, when I wasn't in the
|
|
wrong."
|
|
"He didn't know that."
|
|
"He ought to trust me, and not act as if I was a baby. It's no
|
|
use, Jo; he's got to learn that I'm able to take care of myself, and
|
|
don't need any one's apron-string to hold on by."
|
|
"What pepper-pots you are!" sighed Jo. "How do you mean to settle
|
|
this affair?"
|
|
"Well, he ought to beg pardon, and believe me when I say I can't
|
|
tell him what the fuss 's about."
|
|
"Bless you! he won't do that."
|
|
"I won't go down till he does."
|
|
"Now, Teddy, be sensible; let it pass, and I'll explain what I
|
|
can. You can't stay here, so what's the use of being melodramatic?"
|
|
"I don't intend to stay here long, any way. I'll slip off and take a
|
|
journey somewhere, and when grandpa misses me he'll come round fast
|
|
enough."
|
|
"I dare say; but you ought not to go and worry him."
|
|
"Don't preach. I'll go to Washington and see Brooke; it's gay there,
|
|
and I'll enjoy myself after the troubles."
|
|
"What fun you'd have! I wish I could run off too," said Jo,
|
|
forgetting her part of Mentor in lively visions of martial life at the
|
|
capital.
|
|
"Come on, then! Why not? You go and surprise your father, and I'll
|
|
stir up old Brooke. It would be a glorious joke; let's do it, Jo.
|
|
We'll leave a letter saying we are all right, and trot off at once.
|
|
I've got money enough; it will do you good, and be no harm, as you
|
|
go to your father."
|
|
For a moment Jo looked as if she would agree; for, wild as the
|
|
plan was, it just suited her. She was tired of care and confinement,
|
|
longed for change, and thoughts of her father blended temptingly
|
|
with the novel charms of camps and hospitals, liberty and fun. Her
|
|
eyes kindled as they turned wistfully toward the window, but they fell
|
|
on the old house opposite, and she shook her head with sorrowful
|
|
decision.
|
|
"If I was a boy, we'd run away together, and have a capital time;
|
|
but as I'm a miserable girl, I must be proper, and stop at home. Don't
|
|
tempt me, Teddy, it's a crazy plan."
|
|
"That's the fun of it," began Laurie, who had got a wilful fit on
|
|
him, and was possessed to break out of bounds in some way.
|
|
"Hold your tongue!" cried Jo, covering her ears. "'Prunes and
|
|
prisms' are my doom, and I may as well make up my mind to it. I came
|
|
here to moralize, not to hear about things that make me skip to
|
|
think of."
|
|
"I know Meg would wet-blanket such a proposal, but I thought you had
|
|
more spirit," began Laurie insinuatingly.
|
|
"Bad boy, be quiet! Sit down and think of your own sins, don't go
|
|
making me add to mine. If I get your grandpa to apologize for the
|
|
shaking, will you give up running away?" asked Jo seriously.
|
|
"Yes, but you won't do it," answered Laurie, who wished "to make
|
|
up," but felt that his outraged dignity must be appeased first.
|
|
"If I can manage the young one I can the old one," muttered Jo, as
|
|
she walked away, leaving Laurie bent over a railroad map, with his
|
|
head propped up on both hands.
|
|
"Come in!" and Mr. Laurence's gruff voice sounded gruffer than ever,
|
|
as Jo tapped at his door.
|
|
"It's only me, sir, come to return a book," she said blandly, as she
|
|
entered.
|
|
"Want any more?" asked the old gentleman, looking grim and vexed,
|
|
but trying not to show it.
|
|
"Yes, please. I like old Sam so well, I think I'll try the second
|
|
volume," returned Jo, hoping to propitiate him by accepting a second
|
|
dose of Boswell's "Johnson," as he had recommended that lively work.
|
|
The shaggy eyebrows unbent a little, as he rolled the steps toward
|
|
the shelf where the Johnsonian literature was placed. Jo skipped up,
|
|
and, sitting on the top step, affected to be searching for her book,
|
|
but was really wondering how best to introduce the dangerous object of
|
|
her visit. Mr. Laurence seemed to suspect that something was brewing
|
|
in her mind; for, after taking several brisk turns about the room,
|
|
he faced round on her, speaking so abruptly that "Rasselas" tumbled
|
|
face downward on the floor.
|
|
"What has that boy been about? Don't try to shield him. I know he
|
|
has been in mischief by the way he acted when he came home. I can't
|
|
get a word from him; and when I threatened to shake the truth out of
|
|
him he bolted upstairs, and locked himself into his room."
|
|
"He did do wrong, but we forgave him, and all promised not to say
|
|
a word to any one," began Jo reluctantly.
|
|
"That won't do; he shall not shelter himself behind a promise from
|
|
you soft-hearted girls. If he's done anything amiss, he shall confess,
|
|
beg pardon, and be punished. Out with it, Jo, I won't be kept in the
|
|
dark."
|
|
Mr. Laurence looked so alarming and spoke so sharply that Jo would
|
|
have gladly run away, if she could, but she was perched aloft on the
|
|
steps, and he stood at the foot, a lion in the path, so she had to
|
|
stay and brave it out.
|
|
"Indeed, sir, I cannot tell; mother forbade it. Laurie has
|
|
confessed, asked pardon, and been punished quite enough. We don't keep
|
|
silence to shield him, but some one else, and it will make more
|
|
trouble if you interfere. Please don't; it was partly my fault, but
|
|
it's all right now; so let's forget it, and talk about the
|
|
'Rambler,' or something pleasant."
|
|
"Hang the 'Rambler'! Come down and give me your word that this
|
|
harum-scarum boy of mine hasn't done anything ungrateful or
|
|
impertinent. If he has, after all your kindness to him, I'll thrash
|
|
him with my own hands."
|
|
The threat sounded awful, but did not alarm Jo, for she knew the
|
|
irascible old gentleman would never lift a finger against his
|
|
grandson, whatever he might say to the contrary. She obediently
|
|
descended, and made as light of the prank as she could without
|
|
betraying Meg or forgetting the truth.
|
|
"Hum- ha- well, if the boy held his tongue because he promised,
|
|
and not from obstinacy, I'll forgive him. He's a stubborn fellow,
|
|
and hard to manage," said Mr. Laurence, rubbing up his hair till it
|
|
looked as if he had been out in a gale, and smoothing the frown from
|
|
his brow with an air of relief.
|
|
"So am I; but a kind word will govern me when all the king's
|
|
horses and all the king's men couldn't," said Jo, trying to say a kind
|
|
word for her friend, who seemed to get out of one scrape only to
|
|
fall into another.
|
|
"You think I'm not kind to him, hey?" was the sharp answer.
|
|
"Oh, dear, no, sir; you are rather too kind sometimes, and then just
|
|
a trifle hasty when he tries your patience. Don't you think you are?"
|
|
Jo was determined to have it out now, and tried to look quite
|
|
placid, though she quaked a little after her bold speech. To her great
|
|
relief and surprise, the old gentleman only threw his spectacles on to
|
|
the table with a rattle, and exclaimed frankly-
|
|
"You're right, girl, I am! I love the boy, but he tries my
|
|
patience past bearing, and I don't know how it will end, if we go on
|
|
so."
|
|
"I'll tell, he'll run away." Jo was sorry for that speech the minute
|
|
it was made; she meant to warn him that Laurie would not bear much
|
|
restraint, and hoped he would be more forbearing with the lad.
|
|
Mr. Laurence's ruddy face changed suddenly, and he sat down, with
|
|
a troubled glance at the picture of a handsome man, which hung over
|
|
his table. It was Laurie's father, who had run away in his youth,
|
|
and married against the imperious old man's will. Jo fancied he
|
|
remembered and regretted the past, and she wished she had held her
|
|
tongue.
|
|
"He won't do it unless he is very much worried, and only threatens
|
|
it sometimes, when he gets tired of studying. I often think I should
|
|
like to, especially since my hair was cut; so, if you ever miss us,
|
|
you may advertise for two boys, and look among the ships bound for
|
|
India."
|
|
She laughed as she spoke, and Mr. Laurence looked relieved,
|
|
evidently taking the whole as a joke.
|
|
"You hussy, how dare you talk in that way? Where's your respect
|
|
for me, and your proper bringing up? Bless the boys and girls! What
|
|
torments they are; yet we can't do without them," he said, pinching
|
|
her cheeks good-humoredly. "Go and bring that boy down to his
|
|
dinner, tell him it's all right, and advise him not to put on
|
|
tragedy airs with his grandfather. I won't bear it."
|
|
"He won't come, sir; he feels badly because you didn't believe him
|
|
when he said he couldn't tell. I think the shaking hurt his feelings
|
|
very much."
|
|
Jo tried to look pathetic, but must have failed, for Mr. Laurence
|
|
began to laugh, and she knew the day was won.
|
|
"I'm sorry for that, and ought to thank him for not shaking me, I
|
|
suppose. What the dickens does the fellow expect?" and the old
|
|
gentleman looked a trifle ashamed of his own testiness.
|
|
"If I were you, I'd write him an apology, sir. He says he won't come
|
|
down till he has one, and talks about Washington, and goes on in an
|
|
absurd way. A formal apology will make him see how foolish he is,
|
|
and bring him down quite amiable. Try it; he likes fun, and this way
|
|
is better than talking. I'll carry it up, and teach him his duty."
|
|
Mr. Laurence gave her a sharp look, and put on his spectacles,
|
|
saying slowly, "You're a sly puss, but I don't mind being managed by
|
|
you and Beth. Here, give me a bit of paper, and let us have done
|
|
with this nonsense."
|
|
The note was written in the terms which one gentleman would use to
|
|
another after offering some deep insult. Jo dropped a kiss on the
|
|
top of Mr. Laurence's bald head, and ran up to slip the apology
|
|
under Laurie's door, advising him, through the key-hole, to be
|
|
submissive, decorous, and a few other agreeable impossibilities.
|
|
Finding the door locked again, she left the note to do its work, and
|
|
was going quietly away, when the young gentleman slid down the
|
|
banisters, and waited for her at the bottom, saying, with his most
|
|
virtuous expression of countenance, "What a good fellow you are, Jo!
|
|
Did you get blown up?" he added, laughing.
|
|
"No; he was pretty mild, on the whole."
|
|
"Ah! I got it all round; even you cast me off over there, and I felt
|
|
just ready to go to the deuce," he began apologetically.
|
|
"Don't talk in that way; turn over a new leaf and begin again,
|
|
Teddy, my son."
|
|
"I keep turning over new leaves, and spoiling them, as I used to
|
|
spoil my copy-books; and I make so many beginnings there never will be
|
|
an end," he said dolefully.
|
|
"Go and eat your dinner; you'll feel better after it. Men always
|
|
croak when they are hungry," and Jo whisked out at the front door
|
|
after that.
|
|
"That's a 'label' on my 'sect,'" answered Laurie, quoting Amy, as he
|
|
went to partake of humble-pie dutifully with his grandfather, who
|
|
was quite saintly in temper and overwhelmingly respectful in manner
|
|
all the rest of the day.
|
|
Every one thought the matter ended and the little cloud blown
|
|
over; but the mischief was done, for, though others forgot it, Meg
|
|
remembered. She never alluded to a certain person, but she thought
|
|
of him a good deal, dreamed dreams more than ever; and once Jo,
|
|
rummaging her sister's desk for stamps, found a bit of paper scribbled
|
|
over with the words, "Mrs. John Brooke"; whereat she groaned
|
|
tragically, and cast it into the fire, feeling that Laurie's prank had
|
|
hastened the evil day for her.
|
|
22
|
|
Pleasant Meadows
|
|
|
|
LIKE sunshine after storm were the peaceful weeks which followed.
|
|
The invalids improved rapidly, and Mr. March began to talk of
|
|
returning early in the new year. Beth was soon able to lie on the
|
|
study sofa all day, amusing herself with the well-beloved cats, at
|
|
first, and, in time, with doll's sewing, which had fallen sadly
|
|
behindhand. Her once active limbs were so stiff and feeble that Jo
|
|
took her a daily airing about the house in her strong arms. Meg
|
|
cheerfully blackened and burnt her white hands cooking delicate messes
|
|
for "the dear"; while Amy, a loyal slave of the ring, celebrated her
|
|
return by giving away as many of her treasures as she could prevail on
|
|
her sisters to accept.
|
|
As Christmas approached, the usual mysteries began to haunt the
|
|
house, and Jo frequently convulsed the family by proposing utterly
|
|
impossible or magnificently absurd ceremonies, in honor of this
|
|
unusually merry Christmas. Laurie was equally impracticable, and would
|
|
have had bonfires, sky-rockets, and triumphal arches, if he had had
|
|
his own way. After many skirmishes and snubbings, the ambitious pair
|
|
were considered effectually quenched, and went about with forlorn
|
|
faces, which were rather belied by explosions of laughter when the two
|
|
got together.
|
|
Several days of unusually mild weather fitly ushered in a splendid
|
|
Christmas Day. Hannah "felt in her bones" that it was going to be an
|
|
unusually fine day, and she proved herself a true prophetess, for
|
|
everybody and everything seemed bound to produce a grand success. To
|
|
begin with, Mr. March wrote that he should soon be with them; then
|
|
Beth felt uncommonly well that morning, and, being dressed in her
|
|
mother's gift- a soft crimson merino wrapper- was borne in triumph
|
|
to the window to behold the offering of Jo and Laurie. The
|
|
Unquenchables had done their best to be worthy of the name, for,
|
|
like elves, they had worked by night, and conjured up a comical
|
|
surprise. Out in the garden stood a stately snow-maiden, crowned
|
|
with holly, bearing a basket of fruit and flowers in one hand, a great
|
|
roll of new music in the other, a perfect rainbow of an Afghan round
|
|
her chilly shoulders, and a Christmas carol issuing from her lips,
|
|
on a pink paper streamer:
|
|
|
|
THE JUNGFRAU TO BETH.
|
|
|
|
God bless you, dear Queen Bess!
|
|
May nothing you dismay,
|
|
But health and peace and happiness
|
|
Be yours, this Christmas Day.
|
|
|
|
Here's fruit to feed our busy bee,
|
|
And flowers for her nose;
|
|
Here's music for her pianee,
|
|
An Afghan for her toes.
|
|
|
|
A portrait of Joanna, see,
|
|
By Raphael No. 2,
|
|
Who labored with great industry
|
|
To make it fair and true.
|
|
|
|
Accept a ribbon red, I beg,
|
|
For Madam Purrer's tail;
|
|
And ice-cream made by lovely Peg,
|
|
A Mont Blanc in a pail.
|
|
|
|
Their dearest love my makers laid
|
|
Within my breast of snow:
|
|
Accept it, and the Alpine maid,
|
|
From Laurie and from Jo.
|
|
|
|
How Beth laughed when she saw it, how Laurie ran up and down to
|
|
bring in the gifts, and what ridiculous speeches Jo made as she
|
|
presented them!
|
|
"I'm so full of happiness, that, if father was only here, I couldn't
|
|
hold one drop more," said Beth, quite sighing with contentment as Jo
|
|
carried her off to the study to rest after the excitement, and to
|
|
refresh herself with some of the delicious grapes the "Jungfrau" had
|
|
sent her.
|
|
"So am I," added Jo, slapping the pocket wherein reposed the long
|
|
desired Undine and Sintram.
|
|
"I'm sure I am," echoed Amy, poring over the engraved copy of the
|
|
Madonna and Child, which her mother had given her, in a pretty frame.
|
|
"Of course I am!" cried Meg, smoothing the silvery folds of her
|
|
first silk dress; for Mr. Laurence had insisted on giving it.
|
|
"How can I be otherwise?" said Mrs. March gratefully, as her eyes
|
|
went from her husband's letter to Beth's smiling face, and her hand
|
|
caressed the brooch made of gray and golden, chestnut and dark brown
|
|
hair, which the girls had just fastened on her breast.
|
|
Now and then, in this work-a-day world, things do happen in the
|
|
delightful story-book fashion, and what a comfort that is. Half an
|
|
hour after every one had said they were so happy they could only
|
|
hold one drop more, the drop came. Laurie opened the parlor door,
|
|
and popped his head in very quietly. He might just as well have turned
|
|
a somersault and uttered an Indian war-whoop; for his face was so full
|
|
of suppressed excitement and his voice so treacherously joyful, that
|
|
every one jumped up, though he only said, in a queer, breathless
|
|
voice, "Here's another Christmas present for the March family."
|
|
Before the words were well out of his mouth, he was whisked away
|
|
somehow, and in his place appeared a tall man, muffled up to the eyes,
|
|
leaning on the arm of another tall man, who tried to say something and
|
|
couldn't. Of course there was a general stampede; and for several
|
|
minutes everybody seemed to lose their wits, for the strangest
|
|
things were done, and no one said a word. Mr. March became invisible
|
|
in the embrace of four pairs of loving arms; Jo disgraced herself by
|
|
nearly fainting away, and had to be doctored by Laurie in the
|
|
china-closet; Mr. Brooke kissed Meg entirely by mistake, as he
|
|
somewhat incoherently explained; and Amy, the dignified, tumbled
|
|
over a stool, and, never stopping to get up, hugged and cried over her
|
|
father's boots in the most touching manner. Mrs. March was the first
|
|
to recover herself, and held up her hand with a warning, "Hush!
|
|
remember Beth!"
|
|
But it was too late; the study door flew open, the little red
|
|
wrapper appeared on the threshold- joy put strength into the feeble
|
|
limbs- and Beth ran straight into her father's arms. Never mind what
|
|
happened just after that; for the full hearts overflowed, washing away
|
|
the bitterness of the past, and leaving only the sweetness of the
|
|
present.
|
|
It was not at all romantic, but a hearty laugh set everybody
|
|
straight again, for Hannah was discovered behind the door, sobbing
|
|
over the fat turkey, which she had forgotten to put down when she
|
|
rushed up from the kitchen. As the laugh subsided, Mrs. March began to
|
|
thank Mr. Brooke for his faithful care of her husband, at which Mr.
|
|
Brooke suddenly remembered that Mr. March needed rest, and, seizing
|
|
Laurie, he precipitately retired. Then the two invalids were ordered
|
|
to repose, which they did, by both sitting in one big chair, and
|
|
talking hard.
|
|
Mr. March told how he had longed to surprise them, and how, when the
|
|
fine weather came, he had been allowed by his doctor to take advantage
|
|
of it; how devoted Brooke had been, and how he was altogether a most
|
|
estimable and upright young man. Why Mr. March paused a minute just
|
|
there, and, after a glance at Meg, who was violently poking the
|
|
fire, looked at his wife with an inquiring lift of the eyebrows, I
|
|
leave you to imagine; also why Mrs. March gently nodded her head,
|
|
and asked, rather abruptly, if he wouldn't have something to eat. Jo
|
|
saw and understood the look; and she stalked grimly away to get wine
|
|
and beef-tea, muttering to herself, as she slammed the door, "I hate
|
|
estimable young men with brown eyes!"
|
|
There never was such a Christmas dinner as they had that day. The
|
|
fat turkey was a sight to behold, when Hannah sent him up, stuffed,
|
|
browned, and decorated; so was the plum-pudding, which quite melted in
|
|
one's mouth; likewise the jellies, in which Amy revelled like a fly in
|
|
a honey-pot. Everything turned out well, which was a mercy, Hannah
|
|
said, "For my mind was that flustered, mum, that it's a merrycle I
|
|
didn't roast the pudding, and stuff the turkey with raisins, let alone
|
|
bilin' of it in a cloth."
|
|
Mr. Laurence and his grandson dined with them, also Mr. Brooke- at
|
|
whom Jo glowered darkly, to Laurie's infinite amusement. Two
|
|
easy-chairs stood side by side at the head of the table, in which
|
|
sat Beth and her father, feasting modestly on chicken and a little
|
|
fruit. They drank healths, told stories, sung songs, "reminisced,"
|
|
as the old folks say, and had a thoroughly good time. A sleigh-ride
|
|
had been planned, but the girls would not leave their father; so the
|
|
guests departed early, and, as twilight gathered, the happy family sat
|
|
together round the fire.
|
|
"Just a year ago we were groaning over the dismal Christmas we
|
|
expected to have. Do you remember?" asked Jo, breaking a short pause
|
|
which had followed a long conversation about many things.
|
|
"Rather a pleasant year on the whole!" said Meg, smiling at the
|
|
fire, and congratulating herself on having treated Mr. Brooke with
|
|
dignity.
|
|
"I think it's been a pretty hard one," observed Amy, watching the
|
|
light shine on her ring, with thoughtful eyes.
|
|
"I'm glad it's over, because we've got you back," whispered Beth,
|
|
who sat on her father's knee.
|
|
"Rather a rough road for you to travel, my little pilgrims,
|
|
especially the latter part of it. But you have got on bravely; and I
|
|
think the burdens are in a fair way to tumble off very soon," said Mr.
|
|
March, looking with fatherly satisfaction at the four young faces
|
|
gathered round him.
|
|
"How do you know? Did mother tell you?" asked Jo.
|
|
"Not much; straws show which way the wind blows, and I've made
|
|
several discoveries to-day."
|
|
"Oh, tell us what they are!" cried Meg, who sat beside him.
|
|
"Here is one"; and taking up the hand which lay on the arm of his
|
|
chair, he pointed to the roughened forefinger, a burn on the back, and
|
|
two or three little hard spots on the palm. "I remember a time when
|
|
this hand was white and smooth, and your first care was to keep it so.
|
|
It was very pretty then, but to me it is much prettier now- for in
|
|
these seeming blemishes I read a little history. A burnt-offering
|
|
has been made of vanity; this hardened palm has earned something
|
|
better than blisters; and I'm sure the sewing done by these pricked
|
|
fingers will last a long time, so much good-will went into the
|
|
stitches. Meg, my dear, I value the womanly skill which keeps home
|
|
happy more than white hands or fashionable accomplishments. I'm
|
|
proud to shake this good, industrious little hand, and hope I shall
|
|
not soon be asked to give it away."
|
|
If Meg had wanted a reward for hours of patient labor, she
|
|
received it in the hearty pressure of her father's hand and the
|
|
approving smile he gave her.
|
|
"What about Jo? Please say something nice; for she has tried so
|
|
hard, and been so very, very good to me," said Beth, in her father's
|
|
ear.
|
|
He laughed, and looked across at the tall girl who sat opposite,
|
|
with an unusually mild expression in her brown face.
|
|
"In spite of the curly crop, I don't see the 'son Jo' whom I left
|
|
a year ago," said Mr. March. "I see a young lady who pins her collar
|
|
straight, laces her boots neatly, and neither whistles, talks slang,
|
|
nor lies on the rug as she used to do. Her face is rather thin and
|
|
pale, just now, with watching and anxiety; but I like to look at it,
|
|
for it has grown gentler, and her voice is lower; she doesn't
|
|
bounce, but moves quietly, and takes care of a certain little person
|
|
in a motherly way which delights me. I rather miss my wild girl; but
|
|
if I get a strong, helpful, tender-hearted woman in her place, I shall
|
|
feel quite satisfied. I don't know whether the shearing sobered our
|
|
black sheep, but I do know that in all Washington I couldn't find
|
|
anything beautiful enough to be bought with the five-and-twenty
|
|
dollars which my good girl sent me."
|
|
Jo's keen eyes were rather dim for a minute, and her thin face
|
|
grew rosy in the firelight, as she received her father's praise,
|
|
feeling that she did deserve a portion of it.
|
|
"Now Beth," said Amy, longing for her turn, but ready to wait.
|
|
"There's so little of her, I'm afraid to say much, for fear she will
|
|
slip away altogether, though she is not so shy as she used to be,"
|
|
began their father cheerfully; but recollecting how nearly he had lost
|
|
her, he held her close, saying tenderly, with her cheek against his
|
|
own, "I've got you safe, my Beth, and I'll keep you so, please God."
|
|
After a minute's silence, he looked down at Amy, who sat on the
|
|
cricket at his feet, and said, with a caress of the shining hair-
|
|
"I observed that Amy took drumsticks at dinner, ran errands for
|
|
her mother all the afternoon, gave Meg her place to-night, and has
|
|
waited on every one with patience and good-humor. I also observe
|
|
that she does not fret much nor look in the glass, and has not even
|
|
mentioned a very pretty ring which she wears; so I conclude that she
|
|
has learned to think of other people more and of herself less, and has
|
|
decided to try and mould her character as carefully as she moulds
|
|
her little day figures. I am glad of this; for though I should be very
|
|
proud of a graceful statue made by her, I shall be infinitely
|
|
prouder of a lovable daughter, with a talent for making life beautiful
|
|
to herself and others."
|
|
"What are you thinking of, Beth?" asked Jo, when Amy had thanked her
|
|
father and told about her ring.
|
|
"I read in 'Pilgrim's Progress' to-day, how, after many troubles,
|
|
Christian and Hopeful came to a pleasant green meadow, where lilies
|
|
bloomed all the year round, and there they rested happily, as we do
|
|
now, before they went on to their journey's end," answered Beth;
|
|
adding, as she slipped out of her father's arms, and went slowly to
|
|
the instrument, "It's singing time now, and I want to be in my old
|
|
place. I'll try to sing the song of the shepherd-boy which the
|
|
Pilgrims heard. I made the music for father, because he likes the
|
|
verses."
|
|
So, sitting at the dear little piano, Beth softly touched the
|
|
keys, and, in the sweet voice they had never thought to hear again,
|
|
sung to her own accompaniment the quaint hymn, which was a
|
|
singularly fitting song for her:
|
|
|
|
He that is down need fear no fall,
|
|
He that is low no pride;
|
|
He that is humble ever shall
|
|
Have God to be his guide.
|
|
|
|
I am content with what I have,
|
|
Little be it or much;
|
|
And, Lord! contentment still I crave,
|
|
Because Thou savest such.
|
|
|
|
Fulness to them a burden is,
|
|
That go on pilgrimage;
|
|
Here little, and hereafter bliss,
|
|
Is best from age to age!
|
|
23
|
|
Aunt March Settles the Question
|
|
|
|
LIKE bees swarming after their queen, mother and daughters hovered
|
|
about Mr. March the next day, neglecting everything to look at, wait
|
|
upon, and listen to the new invalid, who was in a fair way to be
|
|
killed by kindness. As he sat propped up in a big chair by Beth's
|
|
sofa, with the other three close by, and Hannah popping in her head
|
|
now and then, "to peek at the dear man," nothing seemed needed to
|
|
complete their happiness. But something was needed, and the elder ones
|
|
felt it, though none confessed the fact. Mr. and Mrs. March looked
|
|
at one another with an anxious expression, as their eyes followed Meg.
|
|
Jo had sudden fits of sobriety, and was seen to shake her fist at
|
|
Mr. Brooke's umbrella, which had been left in the hall; Meg was
|
|
absent-minded, shy, and silent, started when the bell rang, and
|
|
colored when John's name was mentioned; Amy said "Every one seemed
|
|
waiting for something, and couldn't settle down, which was queer,
|
|
since father was safe at home," and Beth innocently wondered why their
|
|
neighbors didn't run over as usual.
|
|
Laurie went by in the afternoon, and, seeing Meg at the window,
|
|
seemed suddenly possessed with a melodramatic fit, for he fell down
|
|
upon one knee in the snow, beat his breast, tore his hair, and clasped
|
|
his hands imploringly, as if begging some boon; and when Meg told
|
|
him to behave himself and go away, he wrung imaginary tears out of his
|
|
handkerchief, and staggered round the corner as if in utter despair.
|
|
"What does the goose mean?" said Meg, laughing, and trying to look
|
|
unconscious.
|
|
"He's showing you how your John will go on by and by. Touching,
|
|
isn't it?" answered Jo scornfully.
|
|
"Don't say my John, it isn't proper or true"; but Meg's voice
|
|
lingered over the words as if they sounded pleasant to her. "Please
|
|
don't plague me, Jo; I've told you I don't care much about him, and
|
|
there isn't to be anything said, but we are all to be friendly, and go
|
|
on as before."
|
|
"We can't, for something has been said, and Laurie's mischief has
|
|
spoilt you for me. I see it, and so does mother; you are not like your
|
|
old self a bit, and seem ever so far away from me. I don't mean to
|
|
plague you, and will bear it like a man, but I do wish it was all
|
|
settled. I hate to wait; so if you mean ever to do it, make haste
|
|
and have it over quickly," said Jo pettishly.
|
|
"I can't say or do anything till he speaks, and he won't, because
|
|
father said I was too young," began Meg, bending over her work, with a
|
|
queer little smile, which suggested that she did not quite agree
|
|
with her father on that point.
|
|
"If he did speak, you wouldn't know what to say, but would cry or
|
|
blush, or let him have his own way, instead of giving a good, decided,
|
|
No."
|
|
"I'm not so silly and weak as you think. I know just what I should
|
|
say, for I've planned it all, so I needn't be taken unawares;
|
|
there's no knowing what may happen, and I wished to be prepared."
|
|
Jo couldn't help smiling at the important air which Meg had
|
|
unconsciously assumed, and which was as becoming as the pretty color
|
|
varying in her cheeks.
|
|
"Would you mind telling me what you'd say?" asked Jo more
|
|
respectfully.
|
|
"Not at all; you are sixteen now, quite old enough to be my
|
|
confidant, and my experience will be useful to you by and by, perhaps,
|
|
in your own affairs of this sort."
|
|
"Don't mean to have any; it's fun to watch other people philander,
|
|
but I should feel like a fool doing it myself," said Jo, looking
|
|
alarmed at the thought.
|
|
"I think not, if you liked any one very much, and he liked you." Meg
|
|
spoke as if to herself, and glanced out at the lane, where she had
|
|
often seen lovers walking together in the summer twilight.
|
|
"I thought you were going to tell your speech to that man," said Jo,
|
|
rudely shortening her sister's little reverie.
|
|
"Oh, I should merely say, quite calmly and decidedly, 'Thank you,
|
|
Mr. Brooke, you are very kind, but I agree with father that I am too
|
|
young to enter into any engagement at present; so please say no
|
|
more, but let us be friends as we were.'"
|
|
"Hum! that's stiff and cool enough. I don't believe you'll ever
|
|
say it, and I know he won't be satisfied if you do. If he goes on like
|
|
the rejected lovers in books, you'll give in, rather than hurt his
|
|
feelings."
|
|
"No, I won't. I shall tell him I've made up my mind, and shall
|
|
walk out of the room with dignity."
|
|
Meg rose as she spoke, and was just going to rehearse the
|
|
dignified exit, when a step in the hall made her fly into her seat,
|
|
and begin to sew as if her life depended on finishing that
|
|
particular seam in a given time. Jo smothered a laugh at the sudden
|
|
change, and, when some one gave a modest tap, opened the door with a
|
|
grim aspect, which was anything but hospitable.
|
|
"Good afternoon. I came to get my umbrella- that is, to see how your
|
|
father finds himself to-day," said Mr. Brooke, getting a trifle
|
|
confused as his eye went from one tell-tale face to the other.
|
|
"It's very well, he's in the rack, I'll get him, and tell it you are
|
|
here," and having jumbled her father and the umbrella well together in
|
|
her reply, Jo slipped out of the room to give Meg a chance to make her
|
|
speech and air her dignity. But the instant she vanished, Meg began to
|
|
sidle towards the door, murmuring-
|
|
"Mother will like to see you. Pray sit down, I'll call her."
|
|
"Don't go; are you afraid of me, Margaret?" and Mr. Brooke looked so
|
|
hurt that Meg thought she must have done something very rude. She
|
|
blushed up to the little curls on her forehead, for he had never
|
|
called her Margaret before, and she was surprised to find how
|
|
natural and sweet it seemed to hear him say it. Anxious to appear
|
|
friendly and at her ease, she put out her hand with a confiding
|
|
gesture, and said gratefully-
|
|
"How can I be afraid when you have been so kind to father? I only
|
|
wish I could thank you for it."
|
|
"Shall I tell you how?" asked Mr. Brooke, holding the small hand
|
|
fast in both his own, and looking down at Meg with so much love in the
|
|
brown eyes, that her heart began to flutter, and she both longed to
|
|
run away and to stop and listen.
|
|
"Oh no, please don't- I'd rather not," she said, trying to
|
|
withdraw her hand, and looking frightened in spite of her denial.
|
|
"I won't trouble you, I only want to know if you care for me a
|
|
little, Meg. I love you so much, dear," added Mr. Brooke tenderly.
|
|
This was the moment for the calm, proper speech, but Meg didn't make
|
|
it; she forgot every word of it, hung her head, and answered, "I don't
|
|
know," so softly, that John had to stoop down to catch the foolish
|
|
little reply.
|
|
He seemed to think it was worth the trouble, for he smiled to
|
|
himself as if quite satisfied, pressed the plump hand gratefully,
|
|
and said, in his most persuasive tone, "Will you try and find out? I
|
|
want to know so much; for I can't go to work with any heart until I
|
|
learn whether I am to have my reward in the end or not."
|
|
"I'm too young," faltered Meg, wondering why she was so fluttered,
|
|
yet rather enjoying it.
|
|
"I'll wait; and in the meantime, you could be learning to like me.
|
|
Would it be a very hard lesson, dear?"
|
|
"Not if I chose to learn it, but-"
|
|
"Please choose to learn, Meg. I love to teach, and this is easier
|
|
than German," broke in John, getting possession of the other hand,
|
|
so that she had no way of hiding her face, as he bent to look into it.
|
|
His tone was properly beseeching; but, stealing a shy look at him,
|
|
Meg saw that his eyes were merry as well as tender, and that he wore
|
|
the satisfied smile of one who had no doubt of his success. This
|
|
nettled her; Annie Moffat's foolish lessons in coquetry came into
|
|
her mind, and the love of power, which sleeps in the bosoms of the
|
|
best of little women, woke up all of a sudden and took possession of
|
|
her. She felt excited and strange, and, not knowing what else to do,
|
|
followed a capricious impulse, and, withdrawing her hands, said
|
|
petulantly, "I don't choose. Please go away and let me be!"
|
|
Poor Mr. Brooke looked as if his lovely castle in the air was
|
|
tumbling about his ears, for he had never seen Meg in such a mood
|
|
before, and it rather bewildered him.
|
|
"Do you really mean that?" he asked anxiously, following her as
|
|
she walked away.
|
|
"Yes, I do; I don't want to be worried about such things. Father
|
|
says I needn't; it's too soon and I'd rather not."
|
|
"Mayn't I hope you'll change your mind by and by? I'll wait, and say
|
|
nothing till you have had more time. Don't play with me, Meg. I didn't
|
|
think that of you."
|
|
"Don't think of me at all. I'd rather you wouldn't," said Meg,
|
|
taking a naughty satisfaction in trying her lover's patience and her
|
|
own power.
|
|
He was grave and pale now, and looked decidedly more like the
|
|
novel heroes whom she admired; but he neither slapped his forehead nor
|
|
tramped about the room, as they did; he just stood looking at her so
|
|
wistfully, so tenderly, that she found her heart relenting in spite of
|
|
her. What would have happened next I cannot say, if Aunt March had not
|
|
come hobbling in at this interesting minute.
|
|
The old lady couldn't resist her longing to see her nephew, for
|
|
she had met Laurie as she took her airing, and, hearing of Mr. March's
|
|
arrival, drove straight out to see him. The family were all busy in
|
|
the back part of the house, and she had made her way quietly in,
|
|
hoping to surprise them. She did surprise two of them so much that Meg
|
|
started as if she had seen a ghost, and Mr. Brooke vanished into the
|
|
study.
|
|
"Bless me, what's all this?" cried the old lady, with a rap of her
|
|
cane, as she glanced from the pale young gentleman to the scarlet
|
|
young lady.
|
|
"It's father's friend. I'm so surprised to see you!" stammered
|
|
Meg, feeling that she was in for a lecture now.
|
|
"That's evident," returned Aunt March, sitting down. "But what is
|
|
father's friend saying to make you look like a peony? There's mischief
|
|
going on, and I insist upon knowing what it is," with another rap.
|
|
"We were merely talking. Mr. Brooke came for his umbrella," began
|
|
Meg, wishing that Mr. Brooke and the umbrella were safely out of the
|
|
house.
|
|
"Brooke? That boy's tutor? Ah! I understand now. I know all about
|
|
it. Jo blundered into a wrong message in one of your father's letters,
|
|
and I made her tell me. You haven't gone and accepted him, child?"
|
|
cried Aunt March, looking scandalized.
|
|
"Hush! he'll hear. Shan't I call mother?" said Meg, much troubled.
|
|
"Not yet. I've something to say to you, and I must free my mind at
|
|
once. Tell me, do you mean to marry this Cook? If you do, not one
|
|
penny of my money ever goes to you. Remember that, and be a sensible
|
|
girl," said the old lady impressively.
|
|
Now Aunt March possessed in perfection the art of rousing the spirit
|
|
of opposition in the gentlest people, and enjoyed doing it. The best
|
|
of us have a spice of perversity in us, especially when we are young
|
|
and in love. If Aunt March had begged Meg to accept John Brooke, she
|
|
would probably have declared she couldn't think of it; but as she
|
|
was peremptorily ordered not to like him, she immediately made up
|
|
her mind that she would. Inclination as well as perversity made the
|
|
decision easy, and, being already much excited, Meg opposed the old
|
|
lady with unusual spirit.
|
|
"I shall marry whom I please, Aunt March, and you can leave your
|
|
money to any one you like," she said, nodding her head with a resolute
|
|
air.
|
|
"Highty tighty! Is that the way you take my advice, miss? You'll
|
|
be sorry for it, by and by, when you've tried love in a cottage, and
|
|
found it a failure."
|
|
"It can't be a worse one than some people find in big houses,"
|
|
retorted Meg.
|
|
Aunt March put on her glasses and took a look at the girl, for she
|
|
did not know her in this new mood. Meg hardly knew herself, she felt
|
|
so brave and independent- so glad to defend John, and assert her right
|
|
to love him, if she liked. Aunt March saw that she had begun wrong,
|
|
and, after a little pause, made a fresh start, saying, as mildly as
|
|
she could, "Now, Meg, my dear, be reasonable, and take my advice. I
|
|
mean it kindly, and don't want you to spoil your whole life by
|
|
making a mistake at the beginning. You ought to marry well, and help
|
|
your family; it's your duty to make a rich match, and it ought to be
|
|
impressed upon you."
|
|
"Father and mother don't think so; they like John, though he is
|
|
poor."
|
|
"Your parents, my dear, have no more worldly wisdom than two
|
|
babies."
|
|
"I'm glad of it," cried Meg stoutly.
|
|
Aunt March took no notice, but went on with her lecture. "This
|
|
Rook is poor, and hasn't got any rich relations, has he?"
|
|
"No; but he has many warm friends."
|
|
"You can't live on friends; try it, and see how cool they'll grow.
|
|
He hasn't any business, has he?"
|
|
"Not yet; Mr. Laurence is going to help him."
|
|
"That won't last long. James Laurence is a crochety old fellow,
|
|
and not to be depended on. So you intend to marry a man without money,
|
|
position, or business, and go on working harder than you do now,
|
|
when you might be comfortable all your days by minding me and doing
|
|
better? I thought you had more sense, Meg."
|
|
"I couldn't do better if I waited half my life! John is good and
|
|
wise; he's got heaps of talent; he's willing to work, and sure to
|
|
get on, he's so energetic and brave. Every one likes and respects him,
|
|
and I'm proud to think he cares for me, though I'm so poor and young
|
|
and silly," said Meg, looking prettier than ever in her earnestness.
|
|
"He knows you have got rich relations, child; that's the secret of
|
|
his liking, I suspect."
|
|
"Aunt March, how dare you say such a thing? John is above such
|
|
meanness, and I won't listen to you a minute if you talk so," cried
|
|
Meg indignantly, forgetting everything but the injustice of the old
|
|
lady's suspicions. "My John wouldn't marry for money, any more than
|
|
I would. We are willing to work, and we mean to wait. I'm not afraid
|
|
of being poor, for I've been happy so far, and I know I shall be
|
|
with him, because he loves me, and I-"
|
|
Meg stopped there, remembering all of a sudden that she hadn't
|
|
made up her mind; that she had told "her John" to go away, and that he
|
|
might be overhearing her inconsistent remarks.
|
|
Aunt March was very angry, for she had set her heart on having her
|
|
pretty niece make a fine match, and something in the girl's happy
|
|
young face made the lonely old woman feel both sad and sour.
|
|
"Well, I wash my hands of the whole affair! You are a wilful
|
|
child, and you've lost more than you know by this piece of folly.
|
|
No, I won't stop; I'm disappointed in you, and haven't spirits to
|
|
see your father now. Don't expect anything from me when you are
|
|
married: your Mr. Book's friends must take care of you. I'm done
|
|
with you forever."
|
|
And, slamming the door in Meg's face, Aunt March drove off in high
|
|
dudgeon. She seemed to take all the girl's courage with her; for, when
|
|
left alone, Meg stood a moment, undecided whether to laugh or cry.
|
|
Before she could make up her mind, she was taken possession of by
|
|
Mr. Brooke, who said, all in one breath, "I couldn't help hearing,
|
|
Meg. Thank you for defending me, and Aunt March for proving that you
|
|
do care for me a little bit."
|
|
"I didn't know how much, till she abused you," began Meg.
|
|
"And I needn't go away, but may stay and be happy, may I, dear?"
|
|
Here was another fine chance to make the crushing speech and the
|
|
stately exit, but Meg never thought of doing either, and disgraced
|
|
herself forever in Jo's eyes by meekly whispering, "Yes, John," and
|
|
hiding her face on Mr. Brooke's waistcoat.
|
|
Fifteen minutes after Aunt March's departure, Jo came softly
|
|
downstairs, paused an instant at the parlor door, and, hearing no
|
|
sound within, nodded and smiled, with a satisfied expression, saying
|
|
to herself, "She has sent him away as we planned, and that affair is
|
|
settled. I'll go and hear the fun, and have a good laugh over it."
|
|
But poor Jo never got her laugh, for she was transfixed upon the
|
|
threshold by a spectacle which held her there, staring with her
|
|
mouth nearly as wide open as her eyes. Going in to exult over a fallen
|
|
enemy, and to praise a strong-minded sister for the banishment of an
|
|
objectionable lover, it certainly was a shock to behold the
|
|
aforesaid enemy serenely sitting on the sofa, with the strong-minded
|
|
sister enthroned upon his knee, and wearing an expression of the
|
|
most abject submission. Jo gave a sort of gasp, as if a cold
|
|
shower-bath had suddenly fallen upon her- for such an unexpected
|
|
turning of the tables actually took her breath away. At the odd sound,
|
|
the lovers turned and saw her. Meg jumped up, looking both proud and
|
|
shy; but "that man," as Jo called him, actually laughed, and said
|
|
coolly, as he kissed the astonished new-comer, "Sister Jo,
|
|
congratulate us!"
|
|
That was adding insult to injury- it was altogether too much- and,
|
|
making some wild demonstration with her hands, Jo vanished without a
|
|
word. Rushing upstairs, she startled the invalids by exclaiming
|
|
tragically, as she burst into the room, "Oh, do somebody go down
|
|
quick; John Brooke is acting dreadfully, and Meg likes it!"
|
|
Mr. and Mrs. March left the room with speed; and, casting herself
|
|
upon the bed, Jo cried and scolded tempestuously as she told the awful
|
|
news to Beth and Amy. The little girls, however, considered it a
|
|
most agreeable and interesting event, and Jo got little comfort from
|
|
them; so she went up to her refuge in the garret, and confided her
|
|
troubles to the rats.
|
|
Nobody ever knew what went on in the parlor that afternoon; but a
|
|
great deal of talking was done, and quiet Mr. Brooke astonished his
|
|
friends by the eloquence and spirit with which he pleaded his suit,
|
|
told his plans, and persuaded them to arrange everything just as he
|
|
wanted it.
|
|
The tea-bell rang before he had finished describing the paradise
|
|
which he meant to earn for Meg, and he proudly took her in to
|
|
supper, both looking so happy that Jo hadn't the heart to be jealous
|
|
or dismal. Amy was very much impressed by John's devotion and Meg's
|
|
dignity, Beth beamed at them from a distance, while Mr. and Mrs. March
|
|
surveyed the young couple with such tender satisfaction that it was
|
|
perfectly evident Aunt March was right in calling them as "unworldly
|
|
as a pair of babies." No one ate much, but every one looked very
|
|
happy, and the old room seemed to brighten up amazingly when the first
|
|
romance of the family began there.
|
|
"You can't say nothing pleasant ever happens now, can you, Meg?"
|
|
said Amy, trying to decide how she would group the lovers in the
|
|
sketch she was planning to take.
|
|
"No, I'm sure I can't. How much has happened since I said that! It
|
|
seems a year ago," answered Meg, who was in a blissful dream, lifted
|
|
far above such common things as bread and butter.
|
|
"The joys come close upon the sorrows this time, and I rather
|
|
think the changes have begun," said Mrs. March. "In most families
|
|
there comes, now and then, a year full of events; this has been such
|
|
an one, but it ends well, after all."
|
|
"Hope the next will end better," muttered Jo, who found it very hard
|
|
to see Meg absorbed in a stranger before her face; for Jo loved a
|
|
few persons very dearly, and dreaded to have their affection lost or
|
|
lessened in any way.
|
|
"I hope the third year from this will end better; I mean it shall,
|
|
if I live to work out my plans," said Mr. Brooke, smiling at Meg, as
|
|
if everything had become possible to him now.
|
|
"Doesn't it seem very long to wait?" asked Amy, who was in a hurry
|
|
for the wedding.
|
|
"I've got so much to learn before I shall be ready, it seems a short
|
|
time to me," answered Meg, with a sweet gravity in her face, never
|
|
seen there before.
|
|
"You have only to wait; I am to do the work," said John, beginning
|
|
his labors by picking up Meg's napkin, with an expression which caused
|
|
Jo to shake her head, and then say to herself, with an air of
|
|
relief, as the front door banged, "Here comes Laurie. Now we shall
|
|
have a little sensible conversation."
|
|
But Jo was mistaken; for Laurie came prancing in, overflowing with
|
|
spirits, bearing a great bridal-looking bouquet for "Mrs. John
|
|
Brooke," and evidently laboring under the delusion that the whole
|
|
affair had been brought about by his excellent management.
|
|
"I knew Brooke would have it all his own way, he always does; for
|
|
when he makes up his mind to accomplish anything, it's done, though
|
|
the sky falls," said Laurie, when he had presented his offering and
|
|
his congratulations.
|
|
"Much obliged for that recommendation. I take it as a good omen
|
|
for the future, and invite you to my wedding on the spot," answered
|
|
Mr. Brooke, who felt at peace with all mankind, even his mischievous
|
|
pupil.
|
|
"I'll come if I'm at the ends of the earth; for the sight of Jo's
|
|
face alone, on that occasion, would be worth a long journey. You don't
|
|
look festive, ma'am; what's the matter?" asked Laurie, following her
|
|
into a corner of the parlor, whither all had adjourned to greet Mr.
|
|
Laurence.
|
|
"I don't approve of the match, but I've made up my mind to bear
|
|
it, and shall not say a word against it," said Jo solemnly. "You can't
|
|
know how hard it is for me to give up Meg," she continued, with a
|
|
little quiver in her voice.
|
|
"You don't give her up. You only go halves," said Laurie
|
|
consolingly.
|
|
"It never can be the same again. I've lost my dearest friend,"
|
|
sighed Jo.
|
|
"You've got me, anyhow. I'm not good for much, I know; but I'll
|
|
stand by you, Jo, all the days of my life; upon my word I will!" and
|
|
Laurie meant what he said.
|
|
"I know you will, and I'm ever so much obliged; you are always a
|
|
great comfort to me, Teddy," returned Jo, gratefully shaking hands.
|
|
"Well, now, don't be dismal, there's a good fellow. It's all
|
|
right, you see. Meg is happy; Brooke will fly round and get settled
|
|
immediately; grandpa will attend to him, and it will be very jolly
|
|
to see Meg in her own little house. We'll have capital times after she
|
|
is gone, for I shall be through college before long, and then we'll go
|
|
abroad, or some nice trip or other. Wouldn't that console you?"
|
|
"I rather think it would; but there's no knowing what may happen
|
|
in three years," said Jo thoughtfully.
|
|
"That's true. Don't you wish you could take a look forward, and
|
|
see where we shall all be then? I do," returned Laurie.
|
|
"I think not, for I might see something sad; and every one looks
|
|
so happy now, I don't believe they could be much improved"; and Jo's
|
|
eyes went slowly round the room, brightening as they looked, for the
|
|
prospect was a pleasant one.
|
|
Father and mother sat together, quietly re-living the first
|
|
chapter of the romance which for them began some twenty years ago. Amy
|
|
was drawing the lovers, who sat apart in a beautiful world of their
|
|
own, the light of which touched their faces with a grace the little
|
|
artist could not copy. Beth lay on her sofa, talking cheerily with her
|
|
old friend, who held her little hand as if he felt that it possessed
|
|
the power to lead him along the peaceful way she walked. Jo lounged in
|
|
her favorite low seat, with the grave, quiet look which best became
|
|
her; and Laurie, leaning on the back of her chair, his chin on a level
|
|
with her curly head, smiled with his friendliest aspect, and nodded at
|
|
her in the long glass which reflected them both.
|
|
|
|
So grouped, the curtain falls upon Meg, Jo, Beth, and Amy. Whether
|
|
it ever rises again, depends upon the reception given to the first act
|
|
of the domestic drama called "LITTLE WOMEN."
|
|
PART SECOND
|
|
|
|
24
|
|
Gossip
|
|
|
|
IN order that we may start afresh, and go to Meg's wedding with free
|
|
minds, it will be well to begin with a little gossip about the
|
|
Marches. And here let me premise, that if any of the elders think
|
|
there is too much "lovering" in the story, as I fear they may (I'm not
|
|
afraid the young folks will make that objection), I can only say
|
|
with Mrs. March, "What can you expect when I have four gay girls in
|
|
the house, and a dashing young neighbor over the way?"
|
|
The three years that have passed have brought but few changes to the
|
|
quiet family. The war is over, and Mr. March safely at home, busy with
|
|
his books and the small parish which found in him a minister by nature
|
|
as by grace- a quiet, studious man, rich in the wisdom that is
|
|
better than learning, the charity which calls all mankind "brother,"
|
|
the piety that blossoms into character, making it august and lovely.
|
|
These attributes, in spite of poverty and the strict integrity which
|
|
shut him out from the more worldly successes, attracted to him many
|
|
admirable persons, as naturally as sweet herbs draw bees, and as
|
|
naturally he gave them the honey into which fifty years of hard
|
|
experience had distilled no bitter drop. Earnest young men found the
|
|
gray-headed scholar as young at heart as they; thoughtful or
|
|
troubled women instinctively brought their doubts and sorrows to
|
|
him, sure of finding the gentlest sympathy, the wisest counsel;
|
|
sinners told their sins to the pure-hearted old man, and were both
|
|
rebuked and saved; gifted men found a companion in him; ambitious
|
|
men caught glimpses of nobler ambitions than their own; and even
|
|
worldlings confessed that his beliefs were beautiful and true,
|
|
although "they wouldn't pay."
|
|
To outsiders, the five energetic women seemed to rule the house, and
|
|
so they did in many things; but the quiet scholar, sitting among his
|
|
books, was still the head of the family, the household conscience,
|
|
anchor, and comforter; for to him the busy, anxious women always
|
|
turned in troublous times, finding him, in the truest sense of those
|
|
sacred words husband and father.
|
|
The girls gave their hearts into their mother's keeping, their souls
|
|
into their father's; and to both parents, who lived and labored so
|
|
faithfully for them, they gave a love that grew with their growth, and
|
|
bound them tenderly together by the sweetest tie which blesses life
|
|
and outlives death.
|
|
Mrs. March is as brisk and cheery, though rather grayer, than when
|
|
we saw her last, and just now so absorbed in Meg's affairs that the
|
|
hospitals and homes, still full of wounded "boys" and soldiers'
|
|
widows, decidedly miss the motherly missionary's visits.
|
|
John Brooke did his duty manfully for a year, got wounded, was
|
|
sent home, and not allowed to return. He received no stars or bars,
|
|
but he deserved them, for he cheerfully risked all he had; and life
|
|
and love are very precious when both are in full bloom. Perfectly
|
|
resigned to his discharge, he devoted himself to getting well,
|
|
preparing for business, and earning a home for Meg. With the good
|
|
sense and sturdy independence that characterized him, he refused Mr.
|
|
Laurence's more generous offers, and accepted the place of
|
|
book-keeper, feeling better satisfied to begin with an honestly earned
|
|
salary than by running any risks with borrowed money.
|
|
Meg had spent the time in working as well as waiting, growing
|
|
womanly in character, wise in housewifely arts, and prettier than
|
|
ever; for love is a great beautifier. She had her girlish ambitions
|
|
and hopes, and felt some disappointment at the humble way in which the
|
|
new life must begin. Ned Moffat had just married Sallie Gardiner,
|
|
and Meg couldn't help contrasting their fine house and carriage,
|
|
many gifts, and splendid outfit, with her own, and secretly wishing
|
|
she could have the same. But somehow envy and discontent soon vanished
|
|
when she thought of all the patient love and labor John had put into
|
|
the little home awaiting her; and when they sat together in the
|
|
twilight, talking over their small plans, the future always grew so
|
|
beautiful and bright that she forgot Sallie's splendor, and felt
|
|
herself the richest, happiest girl in Christendom.
|
|
Jo never went back to Aunt March, for the old lady took such a fancy
|
|
to Amy that she bribed her with the offer of drawing lessons from
|
|
one of the best teachers going; and for the sake of this advantage,
|
|
Amy would have served a far harder mistress. So she gave her
|
|
mornings to duty, her afternoons to pleasure, and prospered finely.
|
|
Jo, meantime, devoted herself to literature and Beth, who remained
|
|
delicate long after the fever was a thing of the past. Not an
|
|
invalid exactly, but never again the rosy, healthy creature she had
|
|
been; yet always hopeful, happy, and serene, busy with the quiet
|
|
duties she loved, every one's friend, and an angel in the house,
|
|
long before those who loved her most had learned to know it.
|
|
As long as "The Spread Eagle" paid her a dollar a column for her
|
|
"rubbish," as she called it, Jo felt herself a woman of means, and
|
|
spun her little romances diligently. But great plans fermented in
|
|
her busy brain and ambitious mind, and the old tin kitchen in the
|
|
garret held a slowly increasing pile of blotted manuscript, which
|
|
was one day to place the name of March upon the roll of fame.
|
|
Laurie, having dutifully gone to college to please his
|
|
grandfather, was now getting through it in the easiest possible manner
|
|
to please himself. A universal favorite, thanks to money, manners,
|
|
much talent, and the kindest heart that ever got its owner into
|
|
scrapes by trying to get other people out of them, he stood in great
|
|
danger of being spoilt, and probably would have been, like many
|
|
another promising boy, if he had not possessed a talisman against evil
|
|
in the memory of the kind old man who was bound up in his success, the
|
|
motherly friend who watched over him as if he were her son, and
|
|
last, but not least by any means, the knowledge that four innocent
|
|
girls loved, admired, and believed in him with all their hearts.
|
|
Being only "a glorious human boy," of course he frolicked and
|
|
flirted, grew dandified, aquatic, sentimental, or gymnastic, as
|
|
college fashions ordained; hazed and was hazed, talked slang, and more
|
|
than once came perilously near suspension and expulsion. But as high
|
|
spirits and the love of fun were the causes of these pranks, he always
|
|
managed to save himself by frank confession, honorable atonement, or
|
|
the irresistible power of persuasion which he possessed in perfection.
|
|
In fact, he rather prided himself on his narrow escapes, and liked
|
|
to thrill the girls with graphic accounts of his triumphs over
|
|
wrathful tutors, dignified professors, and vanquished enemies. The
|
|
"men of my class" were heroes in the eyes of the girls, who never
|
|
wearied of the exploits of "our fellows," and were frequently
|
|
allowed to bask in the smiles of these great creatures, when Laurie
|
|
brought them home with him.
|
|
Amy especially enjoyed this high honor, and became quite a belle
|
|
among them; for her ladyship early felt and learned to use the gift of
|
|
fascination with which she was endowed. Meg was too much absorbed in
|
|
her private and particular John to care for any other lords of
|
|
creation, and Beth too shy to do more than peep at them, and wonder
|
|
how Amy dared to order them about so; but Jo felt quite in her
|
|
element, and found it very difficult to refrain from imitating the
|
|
gentlemanly attitudes, phrases, and feats, which seemed more natural
|
|
to her than the decorums prescribed for young ladies. They all liked
|
|
Jo immensely, but never fell in love with her, though very few escaped
|
|
without paying the tribute of a sentimental sigh or two at Amy's
|
|
shrine. And speaking of sentiment brings us very naturally to the
|
|
"Dove-cote."
|
|
That was the name of the little brown house which Mr. Brooke had
|
|
prepared for Meg's first home. Laurie had christened it, saying it was
|
|
highly appropriate to the gentle lovers, who "went on together like
|
|
a pair of turtle-doves, with first a bill and then a coo." It was a
|
|
tiny house, with a little garden behind, and a lawn about as big as
|
|
a pocket-handkerchief in front. Here Meg meant to have a fountain,
|
|
shrubbery, and a profusion of lovely flowers; though just at
|
|
present, the fountain was represented by a weather-beaten urn, very
|
|
like a dilapidated slop-bowl; the shrubbery consisted of several young
|
|
larches, undecided whether to live or die; and the profusion of
|
|
flowers was merely hinted by regiments of sticks, to show where
|
|
seeds were planted. But inside, it was altogether charming, and the
|
|
happy bride saw no fault from garret to cellar. To be sure, the hall
|
|
was so narrow, it was fortunate that they had no piano, for one
|
|
never could have been got in whole; the dining-room was so small
|
|
that six people were a tight fit; and the kitchen stairs seemed
|
|
built for the express purpose of precipitating both servants and china
|
|
pell-mell into the coal-bin. But once get used to these slight
|
|
blemishes, and nothing could be more complete, for good sense and good
|
|
taste had presided over the furnishing, and the result was highly
|
|
satisfactory. There were no marble-topped tables, long mirrors, or
|
|
lace curtains in the little parlor, but simple furniture, plenty of
|
|
books, a fine picture or two, a stand of flowers in the bay-window,
|
|
and, scattered all about, the pretty gifts which came from friendly
|
|
hands, and were the fairer for the loving messages they brought.
|
|
I don't think the Parian Psyche Laurie gave lost any of its beauty
|
|
because John put up the bracket it stood upon; that any upholsterer
|
|
could have draped the plain muslin curtains more gracefully than Amy's
|
|
artistic hand; or that any store-room was ever better provided with
|
|
good wishes, merry words, and happy hopes, than that in which Jo and
|
|
her mother put away Meg's few boxes, barrels, and bundles; and I am
|
|
morally certain that the spandy-new kitchen never could have looked so
|
|
cosey and neat if Hannah had not arranged every pot and pan a dozen
|
|
times over, and laid the fire all ready for lighting, the minute "Mis.
|
|
Brooke came home." I also doubt if any young matron ever began life
|
|
with so rich a supply of dusters, holders, and piece-bags; for Beth
|
|
made enough to last till the silver wedding came round, and invented
|
|
three different kinds of dishclothes for the express service of the
|
|
bridal china.
|
|
People who hire all these things done for them never know what
|
|
they lose; for the homeliest tasks get beautified if loving hands do
|
|
them, and Meg found so many proofs of this, that everything in her
|
|
small nest, from the kitchen roller to the silver vase on her parlor
|
|
table, was eloquent of home love and tender forethought.
|
|
What happy times they had planning together, what solemn shopping
|
|
excursions; what funny mistakes they made, and what shouts of laughter
|
|
arose over Laurie's ridiculous bargains. In his love of jokes, this
|
|
young gentleman, though nearly through college, was as much of a boy
|
|
as ever. His last whim had been to bring with him, on his weekly
|
|
visits, some new, useful, and ingenious article for the young
|
|
housekeeper. Now a bag of remarkable clothes-pins; next, a wonderful
|
|
nutmeg-grater, which fell to pieces at the first trial; a
|
|
knife-cleaner that spoilt all the knives; or a sweeper that picked the
|
|
nap neatly off the carpet, and left the dirt; labor-saving soap that
|
|
took the skin off one's hands; infallible cements which stuck firmly
|
|
to nothing but the fingers of the deluded buyer; and every kind of
|
|
tin-ware, from a toy savings-bank for odd pennies, to a wonderful
|
|
boiler which would wash articles in its own steam, with every prospect
|
|
of exploding in the process.
|
|
In vain Meg begged him to stop. John laughed at him, and Jo called
|
|
him "Mr. Toodles." He was possessed with a mania for patronizing
|
|
Yankee ingenuity, and seeing his friends fitly furnished forth. So
|
|
each week beheld some fresh absurdity.
|
|
Everything was done at last, even to Amy's arranging different
|
|
colored soaps to match the different colored rooms, and Beth's setting
|
|
the table for the first meal.
|
|
"Are you satisfied? Does it seem like home, and do you feel as if
|
|
you should be happy here?" asked Mrs. March, as she and her daughter
|
|
went through the new kingdom, arm-in-arm; for just then they seemed to
|
|
cling together more tenderly than ever.
|
|
"Yes, mother, perfectly satisfied, thanks to you all, and so happy
|
|
that I can't talk about it," answered Meg with a look that was
|
|
better than words.
|
|
"If she only had a servant or two it would be all right," said
|
|
Amy, coming out of the parlor, where she had been trying to decide
|
|
whether the bronze Mercury looked best on the whatnot or the
|
|
mantle-piece.
|
|
"Mother and I have talked that over, and I have made up my mind to
|
|
try her way first. There will be so little to do, that, with Lotty
|
|
to run my errands and help me here and there, I shall only have enough
|
|
work to keep me from getting lazy or homesick," answered Meg
|
|
tranquilly.
|
|
"Sallie Moffat has four," began Amy.
|
|
"If Meg had four the house wouldn't hold them, and master and missis
|
|
would have to camp in the garden," broke in Jo, who, enveloped in a
|
|
big blue pinafore, was giving the last polish to the door-handles.
|
|
"Sallie isn't a poor man's wife, and many maids are in keeping
|
|
with her fine establishment. Meg and John begin humbly, but I have a
|
|
feeling that there will be quite as much happiness in the little house
|
|
as in the big one. It's a great mistake for young girls like Meg to
|
|
leave themselves nothing to do but dress, give orders, and gossip.
|
|
When I was first married, I used to long for my new clothes to wear
|
|
out or get torn, so that I might have the pleasure of mending them;
|
|
for I got heartily sick of doing fancy work and tending my
|
|
pocket-handkerchief."
|
|
"Why didn't you go into the kitchen and make messes, as Sallie
|
|
says she does, to amuse herself, though they never turn out well,
|
|
and the servants laugh at her," said Meg.
|
|
"I did, after a while; not to 'mess,' but to learn of Hannah how
|
|
things should be done, that my servants need not laugh at me. It was
|
|
play then; but there came a time when I was truly grateful that I
|
|
not only possessed the will but the power to cook wholesome food for
|
|
my little girls, and help myself when I could no longer afford to hire
|
|
help. You begin at the other end, Meg, dear; but the lessons you learn
|
|
now will be of use to you by and by, when John is a richer man, for
|
|
the mistress of a house, however splendid, should know how work
|
|
ought to be done, if she wishes to be well and honestly served."
|
|
"Yes, mother, I'm sure of that," said Meg, listening respectfully to
|
|
the little lecture; for the best of women will hold forth upon the
|
|
all-absorbing subject of housekeeping. "Do you know I like this room
|
|
most of all in my baby-house," added Meg, a minute after, as they went
|
|
upstairs, and she looked into her well-stored linen-closet.
|
|
Beth was there, laying the snowy piles smoothly on the shelves,
|
|
and exulting over the goodly array. All three laughed as Meg spoke;
|
|
for that linen-closet was a joke. You see, having said that if Meg
|
|
married "that Brooke" she shouldn't have a cent of her money, Aunt
|
|
March was rather in a quandary, when time had appeased her wrath and
|
|
made her repent her vow. She never broke her word, and was much
|
|
exercised in her mind how to get round it, and at last devised a
|
|
plan whereby she could satisfy herself. Mrs. Carrol, Florence's mamma,
|
|
was ordered to buy, have made, and marked, a generous supply of
|
|
house and table linen, and send it as her present, all of which was
|
|
faithfully done; but the secret leaked out, and was greatly enjoyed by
|
|
the family; for Aunt March tried to look utterly unconscious, and
|
|
insisted that she could give nothing but the old-fashioned pearls,
|
|
long promised to the first bride.
|
|
"That's a housewifely taste which I am glad to see. I had a young
|
|
friend who set up housekeeping with six sheets, but she had
|
|
finger-bowls for company, and that satisfied her," said Mrs. March,
|
|
patting the damask tableclothes, with a truly feminine appreciation of
|
|
their fineness.
|
|
"I haven't a single finger-bowl, but this is a 'set out' that will
|
|
last me all my days, Hannah says"; and Meg looked quite contented,
|
|
as well she might.
|
|
"Toodles is coming," cried Jo from below; and they all went down
|
|
to meet Laurie, whose weekly visit was an important event in their
|
|
quiet lives.
|
|
A tall, broad-shouldered young fellow, with a cropped head, a
|
|
felt-basin of a hat, and a fly-away coat, came tramping down the
|
|
road at a great pace, walked over the low fence without stopping to
|
|
open the gate, straight up to Mrs. March, with both hands out, and a
|
|
hearty-
|
|
"Here I am, mother! Yes, it's all right."
|
|
The last words were in answer to the look the elder lady gave him; a
|
|
kindly questioning look, which the handsome eyes met so frankly that
|
|
the little ceremony closed, as usual, with a motherly kiss.
|
|
"For Mrs. John Brooke, with the maker's congratulations and
|
|
compliments. Bless you, Beth! What a refreshing spectacle you are, Jo.
|
|
Amy, you are getting altogether too handsome for a single lady."
|
|
As Laurie spoke, he delivered a brown paper parcel to Meg, pulled
|
|
Beth's hair-ribbon, stared at Jo's big pinafore, and fell into an
|
|
attitude of mock rapture before Amy, then shook hands all round, and
|
|
every one began to talk.
|
|
"Where is John?" asked Meg anxiously.
|
|
"Stopped to get the license for to-morrow, ma'am."
|
|
"Which side won the last match, Teddy?" inquired Jo, who persisted
|
|
in feeling an interest in manly sports despite her nineteen years.
|
|
"Ours, of course. Wish you'd been there to see."
|
|
"How is the lovely Miss Randal?" asked Amy, with a significant
|
|
smile.
|
|
"More cruel than ever; don't you see how I'm pining away?" and
|
|
Laurie gave his broad chest a sounding slap and heaved a
|
|
melodramatic sigh.
|
|
"What's the last joke? Undo the bundle and see, Meg," said Beth,
|
|
eying the knobby parcel with curiosity.
|
|
"It's a useful thing to have in the house in case of fire or
|
|
thieves," observed Laurie, as a watchman's rattle appeared, amid the
|
|
laughter of the girls.
|
|
"Any time when John is away, and you get frightened, Mrs. Meg,
|
|
just swing that out of the front window, and it will rouse the
|
|
neighborhood in a jiffy. Nice thing, isn't it?" and Laurie gave them a
|
|
sample of its powers that made them cover up their ears.
|
|
"There's gratitude for you! and speaking of gratitude reminds me
|
|
to mention that you may thank Hannah for saving your wedding-cake from
|
|
destruction. I saw it going into your house as I came by, and if she
|
|
hadn't defended it manfully I'd have had a pick at it, for it looked
|
|
like a remarkably plummy one."
|
|
"I wonder if you will ever grow up, Laurie," said Meg, in a matronly
|
|
tone.
|
|
"I'm doing my best, ma'am, but can't get much higher, I'm afraid, as
|
|
six feet is about all men can do in these degenerate days,"
|
|
responded the young gentleman, whose head was about level with the
|
|
little chandelier.
|
|
"I suppose it would be profanation to eat anything in this spick and
|
|
span new bower, so, as I'm tremendously hungry, I propose an
|
|
adjournment," he added presently.
|
|
"Mother and I are going to wait for John. There are some last things
|
|
to settle," said Meg, bustling away.
|
|
"Beth and I are going over to Kitty Bryant's to get more flowers for
|
|
to-morrow," added Amy, tying a picturesque hat over her picturesque
|
|
curls, and enjoying the effect as much as anybody.
|
|
"Come, Jo, don't desert a fellow. I'm in such a state of
|
|
exhaustion I can't get home without help. Don't take off your apron,
|
|
whatever you do; it's peculiarly becoming," said Laurie, as Jo
|
|
bestowed his especial aversion in her capacious pocket, and offered
|
|
him her arm to support his feeble steps.
|
|
"Now, Teddy, I want to talk seriously to you about to-morrow," began
|
|
Jo, as they strolled away together. "You must promise to behave
|
|
well, and not cut up any pranks, and spoil our plans."
|
|
"Not a prank."
|
|
"And don't say funny things when we ought to be sober."
|
|
"I never do; you are the one for that."
|
|
"And I implore you not to look at me during the ceremony; I shall
|
|
certainly laugh if you do."
|
|
"You won't see me; you'll be crying so hard that the thick fog round
|
|
you will obscure the prospect."
|
|
"I never cry unless for some great affliction."
|
|
"Such as fellows going to college, hey?" cut in Laurie, with a
|
|
suggestive laugh.
|
|
"Don't be a peacock. I only moaned a trifle to keep the girls
|
|
company."
|
|
"Exactly. I say, Jo, how is grandpa this week; pretty amiable?"
|
|
"Very; why, have you got into a scrape, and want to know how he'll
|
|
take it?" asked Jo rather sharply.
|
|
"Now, Jo, do you think I'd look your mother in the face, and say
|
|
'All right,' if it wasn't?" and Laurie stopped short, with an
|
|
injured air.
|
|
"No, I don't."
|
|
"Then don't go and be suspicious; I only want some money," said
|
|
Laurie, walking on again, appeased by her hearty tone.
|
|
"You spend a great deal, Teddy."
|
|
"Bless you, I don't spend it; it spends itself, somehow, and is gone
|
|
before I know it."
|
|
"You are so generous and kind-hearted that you let people borrow,
|
|
and can't say 'No' to any one. We heard about Henshaw, and all you did
|
|
for him. If you always spent money in that way, no one would blame
|
|
you," said Jo warmly.
|
|
"Oh, he made a mountain out of a mole-hill. You wouldn't have me let
|
|
that fine fellow work himself to death, just for the want of a
|
|
little help, when he is worth a dozen of us lazy chaps, would you?"
|
|
"Of course not; but I don't see the use of your having seventeen
|
|
waistcoats, endless neckties, and a new hat every time you come
|
|
home. I thought you'd got over the dandy period; but every now and
|
|
then it breaks out in a new spot. Just now it's the fashion to be
|
|
hideous-to make your head look like a scrubbing-brush, wear a
|
|
strait-jacket, orange gloves, and clumping, square-toed boots. If it
|
|
was cheap ugliness, I'd say nothing; but it costs as much as the
|
|
other, and I don't get any satisfaction out of it."
|
|
Laurie threw back his head, and laughed so heartily at this
|
|
attack, that the felt-basin fell off, and Jo walked on it, which
|
|
insult only afforded him an opportunity for expatiating on the
|
|
advantages of a rough-and-ready costume, as he folded up the
|
|
maltreated hat, and stuffed it into his pocket.
|
|
"Don't lecture any more, there's a good soul! I have enough all
|
|
through the week, and like to enjoy myself when I come home. I'll
|
|
get myself up regardless of expense, to-morrow, and be a
|
|
satisfaction to my friends."
|
|
"I'll leave you in peace if you'll only let your hair grow. I'm
|
|
not aristocratic, but I do object to being seen with a person who
|
|
looks like a young prize-fighter," observed Jo severely.
|
|
"This unassuming style promotes study; that's why we adopt it,"
|
|
returned Laurie, who certainly could not be accused of vanity,
|
|
having voluntarily sacrificed a handsome curly crop to the demand
|
|
for quarter-of-an-inch-long stubble.
|
|
"By the way, Jo, I think that little Parker is really getting
|
|
desperate about Amy. He talks of her constantly, writes poetry, and
|
|
moons about in a most suspicious manner. He'd better nip his little
|
|
passion in the bud, hadn't he?" added Laurie, in a confidential,
|
|
elder-brotherly tone, after a minute's silence.
|
|
"Of course he had; we don't want any more marrying in this family
|
|
for years to come. Mercy on us, what are the children thinking of?"
|
|
and Jo looked as much scandalized as if Amy and little Parker were not
|
|
yet in their teens.
|
|
"It's a fast age, and I don't know what we are coming to, ma'am. You
|
|
are a mere infant, but you'll go next, Jo, and we'll be left
|
|
lamenting," said Laurie, shaking his head over the degeneracy of the
|
|
times.
|
|
"Don't be alarmed; I'm not one of the agreeable sort. Nobody will
|
|
want me, and it's a mercy, for there should always be one old maid
|
|
in a family."
|
|
"You won't give any one a chance," said Laurie, with a sidelong
|
|
glance, and a little more color than before in his sunburnt face. "You
|
|
won't show the soft side of your character; and if a fellow gets a
|
|
peep at it by accident, and can't help showing that he likes it, you
|
|
treat him as Mrs. Gummidge did her sweetheart- throw cold water over
|
|
him- and get so thorny no one dares touch or look at you."
|
|
"I don't like that sort of thing; I'm too busy to be worried with
|
|
nonsense, and I think it's dreadful to break up families so. Now don't
|
|
say any more about it; Meg's wedding has turned all our heads, and
|
|
we talk of nothing but lovers and such absurdities. I don't wish to
|
|
get cross, so let's change the subject"; and Jo looked quite ready
|
|
to fling cold water on the slightest provocation.
|
|
Whatever his feelings might have been, Laurie found a vent for
|
|
them in a long low whistle, and the fearful prediction, as they parted
|
|
at the gate, "Mark my words, Jo, you'll go next."
|
|
25
|
|
The First Wedding
|
|
|
|
THE June roses over the porch were awake bright and early on that
|
|
morning, rejoicing with all their hearts in the cloudless sunshine,
|
|
like friendly little neighbors, as they were. Quite flushed with
|
|
excitement were their ruddy faces, as they swung in the wind,
|
|
whispering to one another what they had seen; for some peeped in at
|
|
the dining-room windows, where the feast was spread, some climbed up
|
|
to nod and smile at the sisters as they dressed the bride, others
|
|
waved a welcome to those who came and went on various errands in
|
|
garden, porch, and hall, and all, from the rosiest full-blown flower
|
|
to the palest baby-bud, offered their tribute of beauty and
|
|
fragrance to the gentle mistress who had loved and tended them so
|
|
long.
|
|
Meg looked very like a rose herself; for all that was best and
|
|
sweetest in heart and soul seemed to bloom into her face that day,
|
|
making it fair and tender, with a charm more beautiful than beauty.
|
|
Neither silk, lace, nor orange-flowers would she have. "I don't want
|
|
to look strange or fixed up to-day," she said. "I don't want a
|
|
fashionable wedding, but only those about me whom I love,, and to them
|
|
I wish to look and be my familiar self."
|
|
So she made her wedding gown herself, sewing into it the tender
|
|
hopes and innocent romances of a girlish heart. Her sisters braided up
|
|
her pretty hair, and the only ornaments she wore were the lilies of
|
|
the valley, which "her John" liked best of all the flowers that grew.
|
|
"You do look just like our own dear Meg, only so very sweet and
|
|
lovely that I should hug you if it wouldn't crumple your dress," cried
|
|
Amy, surveying her with delight, when all was done.
|
|
"Then I am satisfied. But please hug and kiss me, every one, and
|
|
don't mind my dress; I want a great many crumples of this sort put
|
|
into it to-day"; and Meg opened her arms to her sisters, who clung
|
|
about her with April faces for a minute, feeling that the new love had
|
|
not changed the old.
|
|
"Now I'm going to tie John's cravat for him, and then to stay a
|
|
few minutes with father quietly in the study"; and Meg ran down to
|
|
perform these little ceremonies, and then to follow her mother
|
|
wherever she went, conscious that, in spite of the smiles on the
|
|
motherly face, there was a secret sorrow hid in the motherly heart
|
|
at the flight of the first bird from the nest.
|
|
As the younger girls stand together, giving the last touches to
|
|
their simple toilet, it may be a good time to tell of a few changes
|
|
which three years have brought in their appearance; for all are
|
|
looking their best just now.
|
|
Jo's angles are much softened; she has learned to carry herself with
|
|
ease, if not grace. The curly crop has lengthened into a thick coil,
|
|
more becoming to the small head atop of the tall figure. There is a
|
|
fresh color in her brown cheeks, a soft shine in her eyes, and only
|
|
gentle words fall from her sharp tongue to-day.
|
|
Beth has grown slender, pale, and more quiet than ever; the
|
|
beautiful, kind eyes are larger, and in them lies an expression that
|
|
saddens one, although it is not sad itself. It is the shadow of pain
|
|
which touches the young face with such pathetic patience; but Beth
|
|
seldom complains, and always speaks hopefully of "being better soon."
|
|
Amy is with truth considered "the flower of the family"; for at
|
|
sixteen she has the air and bearing of a full-grown woman- not
|
|
beautiful, but possessed of that indescribable charm called grace. One
|
|
saw it in the lines of her figure, the make and motion of her hands,
|
|
the flow of her dress, the droop of her hair- unconscious, yet
|
|
harmonious, and as attractive to many as beauty itself. Amy's nose
|
|
still afflicted her, for it never would grow Grecian; so did her
|
|
mouth, being too wide, and having a decided chin. These offending
|
|
features gave character to her whole face, but she never could see it,
|
|
and consoled herself with her wonderfully fair complexion, keen blue
|
|
eyes, and curls, more golden and abundant than ever.
|
|
All three wore suits of thin silver gray (their best gowns for the
|
|
summer), with blush-roses in hair and bosom; and all three looked just
|
|
what they were- fresh-faced, happy-hearted girls, pausing a moment
|
|
in their busy lives to read with wistful eyes the sweetest chapter
|
|
in the romance of womanhood.
|
|
There were to be no ceremonious performances, everything was to be
|
|
as natural and homelike as possible; so when Aunt March arrived, she
|
|
was scandalized to see the bride come running to welcome and lead
|
|
her in, to find the bridegroom fastening up a garland that had
|
|
fallen down, and to catch a glimpse of the paternal minister
|
|
marching upstairs with a grave countenance, and a wine-bottle under
|
|
each arm.
|
|
"Upon my word, here's a state of things!" cried the old lady, taking
|
|
the seat of honor prepared for her, and settling the folds of her
|
|
lavender moire with a great rustle. "You oughtn't to be seen till
|
|
the last minute, child."
|
|
"I'm not a show, aunty, and no one is coming to stare at me, to
|
|
criticize my dress, or count the cost of my luncheon. I'm too happy to
|
|
care what any one says or thinks, and I'm going to have my little
|
|
wedding just as I like it. John, dear, here's your hammer"; and away
|
|
went Meg to help "that man" in his highly improper employment.
|
|
Mr. Brooke didn't even say "Thank you," but as he stooped for the
|
|
unromantic tool, he kissed his little bride behind the folding-door,
|
|
with a look that made Aunt March whisk out her pocket-handkerchief,
|
|
with a sudden dew in her sharp old eyes.
|
|
A crash, a cry, and a laugh from Laurie, accompanied by the
|
|
indecorous exclamation, "Jupiter Ammon! Jo's upset the cake again!"
|
|
caused a momentary flurry, which was hardly over when a flock of
|
|
cousins arrived, and "the party came in," as Beth used to say when a
|
|
child.
|
|
"Don't let that young giant come near me; he worries me worse than
|
|
mosquitoes," whispered the old lady to Amy, as the rooms filled, and
|
|
Laurie's black head towered above the rest.
|
|
"He has promised to be very good to-day, and he can be perfectly
|
|
elegant if he likes," returned Amy, gliding away to warn Hercules to
|
|
beware of the dragon, which warning caused him to haunt the old lady
|
|
with a devotion that nearly distracted her.
|
|
There was no bridal procession, but a sudden silence fell upon the
|
|
room as Mr. March and the young pair took their places under the green
|
|
arch. Mother and sisters gathered close, as if loath to give Meg up;
|
|
the fatherly voice broke more than once, which only seemed to make the
|
|
service more beautiful and solemn; the bridegroom's hand trembled
|
|
visibly, and no one heard his replies; but Meg looked straight up in
|
|
her husband's eyes, and said, "I will!" with such tender trust in
|
|
her own face and voice that her mother's heart rejoiced, and Aunt
|
|
March sniffed audibly.
|
|
Jo did not cry, though she was very near it once, and was only saved
|
|
from a demonstration by the consciousness that Laurie was staring
|
|
fixedly at her, with a comical mixture of merriment and emotion in his
|
|
wicked black eyes. Beth kept her face hidden on her mother's shoulder,
|
|
but Amy stood like a graceful statue, with a most becoming ray of
|
|
sunshine touching her white forehead and the flower in her hair.
|
|
It wasn't at all the thing, I'm afraid, but the minute she was
|
|
fairly married, Meg cried, "The first kiss for Marmee!" and,
|
|
turning, gave it with her heart on her lips. During the next fifteen
|
|
minutes she looked more like a rose than ever, for every one availed
|
|
themselves of their privileges to the fullest extent, from Mr.
|
|
Laurence to old Hannah, who, adorned with a head-dress fearfully and
|
|
wonderfully made, fell upon her in the hall, crying, with a sob and
|
|
a chuckle, "Bless you, deary, a hundred times! The cake ain't hurt a
|
|
mite, and everything looks lovely."
|
|
Everybody cleared up after that, and said something brilliant, or
|
|
tried to, which did just as well, for laughter is ready when hearts
|
|
are light. There was no display of gifts, for they were already in the
|
|
little house, nor was there an elaborate breakfast, but a plentiful
|
|
lunch of cake and fruit, dressed with flowers. Mr. Laurence and Aunt
|
|
March shrugged and smiled at one another when water, lemonade, and
|
|
coffee were found to be the only sorts of nectar which the three Hebes
|
|
carried round. No one said anything, however, till Laurie, who
|
|
insisted on serving the bride, appeared before her, with a loaded
|
|
salver in his hand and a puzzled expression on his face.
|
|
"Has Jo smashed all the bottles by accident?" he whispered, "or am I
|
|
merely laboring under a delusion that I saw some lying about loose
|
|
this morning?"
|
|
"No; your grandfather kindly offered us his best, and Aunt March
|
|
actually sent some, but father put away a little for Beth, and
|
|
despatched the rest to the Soldiers' Home. You know he thinks that
|
|
wine should be used only in illness, and mother says that neither
|
|
she nor her daughters will ever offer it to any young man under her
|
|
roof."
|
|
Meg spoke seriously, and expected to see Laurie frown or laugh;
|
|
but he did neither, for after a quick look at her, he said, in his
|
|
impetuous way, "I like that! for I've seen enough harm done to wish
|
|
other women would think as you do."
|
|
"You are not made wise by experience, I hope?" and there was an
|
|
anxious accent in Meg's voice.
|
|
"No; I give you my word for it. Don't think too well of me,
|
|
either; this is not one of my temptations. Being brought up where wine
|
|
is as common as water, and almost as harmless, I don't care for it;
|
|
but when a pretty girl offers it, one doesn't like to refuse, you
|
|
see."
|
|
"But you will, for the sake of others, if not for your own. Come,
|
|
Laurie, promise, and give me one more reason to call this the happiest
|
|
day of my life."
|
|
A demand so sudden and so serious made the young man hesitate a
|
|
moment, for ridicule is often harder to bear than self-denial. Meg
|
|
knew that if he gave the promise he would keep it at all costs; and,
|
|
feeling her power, used it as a woman may for her friend's good. She
|
|
did not speak, but she looked up at him with a face made very eloquent
|
|
by happiness, and a smile which said, "No one can refuse me anything
|
|
to-day." Laurie certainly could not; and, with an answering smile,
|
|
he gave her his hand, saying heartily, "I promise, Mrs. Brooke!"
|
|
"I thank you, very, very much."
|
|
"And I drink 'long life to your resolution,' Teddy," cried Jo,
|
|
baptizing him with a splash of lemonade, as she waved her glass, and
|
|
beamed approvingly upon him.
|
|
So the toast was drunk, the pledge made, and loyally kept, in
|
|
spite of many temptations; for, with instinctive wisdom, the girls had
|
|
seized a happy moment to do their friend a service, for which he
|
|
thanked them all his life.
|
|
After lunch, people strolled about, by twos and threes, through
|
|
house and garden, enjoying the sunshine without and within. Meg and
|
|
John happened to be standing together in the middle of the grass-plot,
|
|
when Laurie was seized with an inspiration which put the finishing
|
|
touch to this unfashionable wedding.
|
|
"All the married people take hands and dance round the new-made
|
|
husband and wife, as the Germans do, while we bachelors and
|
|
spinsters prance in couples outside!" cried Laurie, promenading down
|
|
the path with Amy, with such infectious spirit and skill that every
|
|
one else followed their example without a murmur. Mr. and Mrs.
|
|
March, Aunt and Uncle Carrol, began it; others rapidly joined in; even
|
|
Sallie Moffat, after a moment's hesitation, threw her train over her
|
|
arm, and whisked Ned into the ring. But the crowning joke was Mr.
|
|
Laurence and Aunt March; for when the stately old gentleman chasseed
|
|
solemnly up to the old lady, she just tucked her cane under her arm,
|
|
and hopped briskly away to join hands with the rest, and dance about
|
|
the bridal pair, while the young folks pervaded the garden, like
|
|
butterflies on a midsummer day.
|
|
Want of breath brought the impromptu ball to a close, and then
|
|
people began to go.
|
|
"I wish you well, my dear, I heartily wish you well; but I think
|
|
you'll be sorry for it," said Aunt March to Meg, adding to the
|
|
bridegroom, as he led her to the carriage, "You've got a treasure,
|
|
young man, see that you deserve it."
|
|
"That is the prettiest wedding I've been to for an age, Ned, and I
|
|
don't see why, for there wasn't a bit of style about it," observed
|
|
Mrs. Moffat to her husband, as they drove away.
|
|
"Laurie, my lad, if you ever want to indulge in this sort of
|
|
thing, get one of those little girls to help you, and I shall be
|
|
perfectly satisfied," said Mr. Laurence, settling himself in his
|
|
easy-chair to rest, after the excitement of the morning.
|
|
"I'll do my best to gratify you, sir," was Laurie's unusually
|
|
dutiful reply, as he carefully unpinned the posy Jo had put in his
|
|
button-hole.
|
|
The little house was not far away, and the only bridal journey Meg
|
|
had was the quiet walk with John, from the old home to the new. When
|
|
she came down, looking like a pretty Quakeress in her dove-colored
|
|
suit and straw bonnet tied with white, they all gathered about her
|
|
to say "good-by," as tenderly as if she had been going to make the
|
|
grand tour.
|
|
"Don't feel that I am separated from you, Marmee dear, or that I
|
|
love you any the less for loving John so much," she said, clinging
|
|
to her mother, with full eyes, for a moment. "I shall come every
|
|
day, father, and expect to keep my old place in all your hearts,
|
|
though I am married. Beth is going to be with me a great deal, and the
|
|
other girls will drop in now and then to laugh at my housekeeping
|
|
struggles. Thank you all for my happy wedding-day. Good-by, good-by!"
|
|
They stood watching her, with faces full of love and hope and tender
|
|
pride, as she walked away, leaning on her husband's arm, with her
|
|
hands full of flowers, and the June sunshine brightening her happy
|
|
face- and so Meg's married life began.
|
|
26
|
|
Artistic Attempts
|
|
|
|
IT takes people a long time to learn the difference between talent
|
|
and genius, especially ambitious young men and women. Amy was learning
|
|
this distinction through much tribulation; for, mistaking enthusiasm
|
|
for inspiration, she attempted every branch of art with youthful
|
|
audacity. For a long time there was a lull in the "mud-pie"
|
|
business, and she devoted herself to the finest pen-and-ink drawing,
|
|
in which she showed such taste and skill that her graceful handiwork
|
|
proved both pleasant and profitable. But overstrained eyes soon caused
|
|
pen and ink to be laid aside for a bold attempt at poker-sketching.
|
|
While this attack lasted, the family lived in constant fear of a
|
|
conflagration; for the odor of burning wood pervaded the house at
|
|
all hours; smoke issued from attic and shed with alarming frequency,
|
|
red-hot pokers lay about promiscuously, and Hannah never went to bed
|
|
without a pail of water and the dinner-bell at her door, in case of
|
|
fire. Raphael's face was found boldly executed on the under side of
|
|
the moulding-board, and Bacchus on the head of a beer-barrel; a
|
|
chanting cherub adorned the cover of the sugar-bucket, and attempts to
|
|
portray Romeo and Juliet supplied kindlings for some time.
|
|
From fire to oil was a natural transition for burnt fingers, and Amy
|
|
fell to painting with undiminished ardor. An artist friend fitted
|
|
her out with his cast-off palettes, brushes, and colors; and she
|
|
daubed away, producing pastoral and marine views such as were never
|
|
seen on land or sea. Her monstrosities in the way of cattle would have
|
|
taken prizes at an agricultural fair; and the perilous pitching of her
|
|
vessels would have produced seasickness in the most nautical observer,
|
|
if the utter disregard to all known rules of shipbuilding and
|
|
rigging had not convulsed him with laughter at the first glance.
|
|
Swarthy boys and dark-eyed Madonnas, staring at you from one corner of
|
|
the studio, suggested Murillo; oily-brown shadows of faces, with a
|
|
lurid streak in the wrong place, meant Rembrandt; buxom ladies and
|
|
dropsical infants, Rubens; and Turner appeared in tempests of blue
|
|
thunder, orange lightning, brown rain, and purple clouds, with a
|
|
tomato-colored splash in the middle, which might be the sun or a buoy,
|
|
a sailor's shirt or a king's robe, as the spectator pleased.
|
|
Charcoal portraits came next; and the entire family hung in a row,
|
|
looking as wild and crocky as if just evoked from a coal-bin. Softened
|
|
into crayon sketches, they did better; for the likenesses were good,
|
|
and Amy's hair, Jo's nose, Meg's mouth, and Laurie's eyes were
|
|
pronounced "wonderfully fine." A return to clay and plaster
|
|
followed, and ghostly casts of her acquaintances haunted corners of
|
|
the house, or tumbled off closet-shelves onto people's heads. Children
|
|
were enticed in as models, till their incoherent accounts of her
|
|
mysterious doings caused Miss Amy to be regarded in the light of a
|
|
young ogress. Her efforts in this line, however, were brought to an
|
|
abrupt close by an untoward accident, which quenched her ardor.
|
|
Other models failing her for a time, she undertook to cast her own
|
|
pretty foot, and the family were one day alarmed by an unearthly
|
|
bumping and screaming, and running to the rescue, found the young
|
|
enthusiast hopping wildly about the shed, with her foot held fast in a
|
|
pan-full of plaster, which had hardened with unexpected rapidity. With
|
|
much difficulty and some danger she was dug out; for Jo was so
|
|
overcome with laughter while she excavated, that her knife went too
|
|
far, cut the poor foot, and left a lasting memorial of one artistic
|
|
attempt, at least.
|
|
After this Amy subsided, till a mania for sketching from nature
|
|
set her to haunting river, field, and wood, for picturesque studies,
|
|
and sighing for ruins to copy. She caught endless colds sitting on
|
|
damp grass to book "a delicious bit," composed of a stone, a stump,
|
|
one mushroom, and a broken mullein-stalk, or "a heavenly mass of
|
|
clouds," that looked like a choice display of feather-beds when
|
|
done. She sacrificed her complexion floating on the river in the
|
|
midsummer sun, to study light and shade, and got a wrinkle over her
|
|
nose, trying after "points of sight," or whatever the
|
|
squint-and-string performance is called.
|
|
If "genius is eternal patience," as Michelangelo affirms, Amy
|
|
certainly had some claim to the divine attribute, for she persevered
|
|
in spite of all obstacles, failures, and discouragements, firmly
|
|
believing that in time she should do something worthy to be called
|
|
"high art."
|
|
She was learning, doing, and enjoying other things, meanwhile, for
|
|
she had resolved to be an attractive and accomplished woman, even if
|
|
she never became a great artist. Here she succeeded better; for she
|
|
was one of those happily created beings who please without effort,
|
|
make friends everywhere, and take life so gracefully and easily that
|
|
less fortunate souls are tempted to believe that such are born under a
|
|
lucky star. Everybody liked her, for among her good gifts was tact.
|
|
She had an instinctive sense of what was pleasing and proper, always
|
|
said the right thing to the right person, did just what suited the
|
|
time and place, and was so self-possessed that her sisters used to
|
|
say, "If Amy went to court without any rehearsal beforehand, she'd
|
|
know exactly what to do."
|
|
One of her weaknesses was a desire to move in "our best society,"
|
|
without being quite sure what the best really was. Money, position,
|
|
fashionable accomplishments, and elegant manners were most desirable
|
|
things in her eyes, and she liked to associate with those who
|
|
possessed them, often mistaking the false for the true, and admiring
|
|
what was not admirable. Never forgetting that by birth she was a
|
|
gentlewoman, she cultivated her aristocratic tastes and feelings, so
|
|
that when the opportunity came she might be ready to take the place
|
|
from which poverty now excluded her.
|
|
"My lady," as her friends called her, sincerely desired to be a
|
|
genuine lady, and was so at heart, but had yet to learn that money
|
|
cannot buy refinement of nature, that rank does not always confer
|
|
nobility, and that true breeding makes itself felt in spite of
|
|
external drawbacks.
|
|
"I want to ask a favor of you, mamma," Amy said, coming in, with
|
|
an important air, one day.
|
|
"Well, little girl, what is it?" replied her mother, in whose eyes
|
|
the stately young lady still remained "the baby."
|
|
"Our drawing class breaks up next week, and before the girls
|
|
separate for the summer, I want to ask them out here for a day. They
|
|
are wild to see the river, sketch the broken bridge, and copy some
|
|
of the things they admire in my book. They have been very kind to me
|
|
in many ways, and I am grateful, for they are all rich, and know I
|
|
am poor, yet they never made any difference."
|
|
"Why should they?" and Mrs. March put the question with what the
|
|
girls called her "Maria Theresa air."
|
|
"You know as well as I that it does make a difference with nearly
|
|
every one, so don't ruffle up, like a dear, motherly hen, when your
|
|
chickens get pecked by smarter birds; the ugly duckling turned out a
|
|
swan, you know"; and Amy smiled without bitterness, for she
|
|
possessed a happy temper and hopeful spirit.
|
|
Mrs. March laughed, and smoothed down her maternal pride as she
|
|
asked-
|
|
"Well, my swan, what is your plan?"
|
|
"I should like to ask the girls out to lunch next week, to take them
|
|
a drive to the places they want to see, a row on the river, perhaps,
|
|
and make a little artistic fete for them."
|
|
"That looks feasible. What do you want for lunch? Cake,
|
|
sandwiches, fruit, and coffee will be all that is necessary, I
|
|
suppose?"
|
|
"Oh dear, no! we must have cold tongue and chicken, French chocolate
|
|
and ice-cream, besides. The girls are used to such things, and I
|
|
want my lunch to be proper and elegant, though I do work for my
|
|
living."
|
|
"How many young ladies are there?" asked her mother, beginning to
|
|
look sober.
|
|
"Twelve or fourteen in the class, but I dare say they won't all
|
|
come."
|
|
"Bless me, child, you will have to charter an omnibus to carry
|
|
them about."
|
|
"Why, mother, how can you think of such a thing? Not more than six
|
|
or eight will probably come, so I shall hire a beach-wagon, and borrow
|
|
Mr. Laurence's cherry-bounce." (Hannah's pronunciation of
|
|
char-a-banc.)
|
|
"All this will be expensive, Amy."
|
|
"Not very; I've calculated the cost, and I'll pay for it myself."
|
|
"Don't you think, dear, that as these girls are used to such things,
|
|
and the best we can do will be nothing new, that some simpler plan
|
|
would be pleasanter to them, as a change, if nothing more, and much
|
|
better for us than buying or borrowing what we don't need, and
|
|
attempting a style not in keeping with our circumstances?"
|
|
"If I can't have it as I like, I don't care to have it at all. I
|
|
know that I can carry it out perfectly well, if you and the girls will
|
|
help a little; and I don't see why I can't if I'm willing to pay for
|
|
it," said Amy, with the decision which opposition was apt to change
|
|
into obstinacy.
|
|
Mrs. March knew that experience was an excellent teacher, and when
|
|
it was possible she left her children to learn alone the lessons which
|
|
she would gladly have made easier, if they had not objected to
|
|
taking advice as much as they did salts and senna.
|
|
"Very well, Amy; if your heart is set upon it, and you see your
|
|
way through without too great an outlay of money, time, and temper,
|
|
I'll say no more. Talk it over with the girls, and whichever way you
|
|
decide, I'll do my best to help you."
|
|
"Thanks, mother; you are always so kind"; and away went Amy to lay
|
|
her plan before her sisters.
|
|
Meg agreed at once, and promised her aid, gladly offering anything
|
|
she possessed, from her little house itself to her very best
|
|
salt-spoons. But Jo frowned upon the whole project, and would have
|
|
nothing to do with it at first.
|
|
"Why in the world should you spend your money, worry your family,
|
|
and turn the house upside down for a parcel of girls who don't care
|
|
a sixpence for you? I thought you had too much pride and sense to
|
|
truckle to any mortal woman just because she wears French boots and
|
|
rides in a coupe," said Jo, who, being called from the tragical climax
|
|
of her novel, was not in the best mood for social enterprises.
|
|
"I don't truckle, and I hate being patronized as much as you do!"
|
|
returned Amy indignantly, for the two still jangled when such
|
|
questions arose. "The girls do care for me, and I for them, and
|
|
there's a great deal of kindness and sense and talent among them, in
|
|
spite of what you call fashionable nonsense. You don't care to make
|
|
people like you, to go into good society, and cultivate your manners
|
|
and tastes. I do, and I mean to make the most of every chance that
|
|
comes. You can go through the world with your elbows out and your nose
|
|
in the air, and call it independence, if you like. That's not my way."
|
|
When Amy whetted her tongue and freed her mind she usually got the
|
|
best of it, for she seldom failed to have common sense on her side,
|
|
while Jo carried her love of liberty and hate of conventionalities
|
|
to such an unlimited extent that she naturally found herself worsted
|
|
in an argument. Amy's definition of Jo's idea of independence was such
|
|
a good hit that both burst out laughing, and the discussion took a
|
|
more amiable turn. Much against her will, Jo at length consented to
|
|
sacrifice a day to Mrs. Grundy, and help her sister through what she
|
|
regarded as "a nonsensical business."
|
|
The invitations were sent, nearly all accepted, and the following
|
|
Monday was set apart for the grand event. Hannah was out of humor
|
|
because her week's work was deranged, and prophesied that "ef the
|
|
washin' and ironin' warn't done reg'lar nothin' would go well
|
|
anywheres." This hitch in the mainspring of the domestic machinery had
|
|
a bad effect upon the whole concern; but Amy's motto was "Nil
|
|
desperandum," and having made up her mind what to do, she proceeded to
|
|
do it in spite of all obstacles. To begin with, Hannah's cooking
|
|
didn't turn out well: the chicken was tough, the tongue too salt,
|
|
and the chocolate wouldn't froth properly. Then the cake and ice
|
|
cost more than Amy expected, so did the wagon; and various other
|
|
expenses, which seemed trifling at the outset, counted up rather
|
|
alarmingly afterward. Beth got cold and took to her bed, Meg had an
|
|
unusual number of callers to keep her at home, and Jo was in such a
|
|
divided state of mind that her breakages, accidents, and mistakes were
|
|
uncommonly numerous, serious, and trying.
|
|
"If it hadn't been for mother I never should have got through," as
|
|
Amy declared afterward, and gratefully remembered when "the best
|
|
joke of the season" was entirely forgotten by everybody else.
|
|
If it was not fair on Monday, the young ladies were to come on
|
|
Tuesday- an arrangement which aggravated Jo and Hannah to the last
|
|
degree. On Monday morning the weather was in that undecided state
|
|
which is more exasperating than a steady pour. It drizzled a little,
|
|
shone a little, blew a little, and didn't make up its mind until it
|
|
was too late for any one else to make up theirs. Amy was up at dawn,
|
|
hustling people out of their beds and through their breakfasts, that
|
|
the house might be got in order. The parlor struck her as looking
|
|
uncommonly shabby; but without stopping to sigh for what she had
|
|
not, she skillfully made the best of what she had, arranging chairs
|
|
over the worn places in the carpet, covering stains on the walls
|
|
with pictures framed in ivy, and filling up empty corners with
|
|
homemade statuary, which gave an artistic air to the room, as did
|
|
the lovely vases of flowers Jo scattered about.
|
|
The lunch looked charmingly; and as she surveyed it, she sincerely
|
|
hoped it would taste well, and that the borrowed glass, china, and
|
|
silver would get safely home again. The carriages were promised, Meg
|
|
and mother were all ready to do the honors, Beth was able to help
|
|
Hannah behind the scenes, Jo had engaged to be as lively and amiable
|
|
as an absent mind, an aching head, and a very decided disapproval of
|
|
everybody and everything would allow, and, as she wearily dressed, Amy
|
|
cheered herself with anticipations of the happy moment, when, lunch
|
|
safely over, she should drive away with her friends for an afternoon
|
|
of artistic delights; for the "cherry-bounce" and the broken bridge
|
|
were her strong points.
|
|
Then came two hours of suspense, during which she vibrated from
|
|
parlor to porch, while public opinion varied like the weathercock. A
|
|
smart shower at eleven had evidently quenched the enthusiasm of the
|
|
young ladies who were to arrive at twelve, for nobody came; and at two
|
|
the exhausted family sat down in a blaze of sunshine to consume the
|
|
perishable portions of the feast, that nothing might be lost.
|
|
"No doubt about the weather to-day; they will certainly come, so
|
|
we must fly around and be ready for them," said Amy, as the sun woke
|
|
her next morning. She spoke briskly, but in her secret soul she wished
|
|
she had said nothing about Tuesday, for her interest, like her cake,
|
|
was getting a little stale.
|
|
"I can't get any lobsters, so you will have to do without salad
|
|
to-day," said Mr. March, coming in half an hour later, with an
|
|
expression of placid despair.
|
|
"Use the chicken, then; the toughness won't matter in a salad,"
|
|
advised his wife.
|
|
Hannah left it on the kitchen-table a minute, and the kittens got at
|
|
it. "I'm very sorry, Amy," added Beth, who was still a patroness of
|
|
cats.
|
|
"Then I must have a lobster, for tongue alone won't do," said Amy
|
|
decidedly.
|
|
"Shall I rush into town and demand one?" asked Jo, with the
|
|
magnanimity of a martyr.
|
|
"You'd come bringing it home under your arm, without any paper, just
|
|
to try me. I'll go myself," answered Amy, whose temper was beginning
|
|
to fail.
|
|
Shrouded in a thick veil and armed with a genteel travelling-basket,
|
|
she departed, feeling that a cool drive would soothe her ruffled
|
|
spirit, and fit her for the labors of the day. After some delay, the
|
|
object of her desire was procured, likewise a bottle of dressing, to
|
|
prevent further loss of time at home, and off she drove again, well
|
|
pleased with her own forethought.
|
|
As the omnibus contained only one other passenger, a sleepy old
|
|
lady, Amy pocketed her veil, and beguiled the tedium of the way by
|
|
trying to find out where all her money had gone to. So busy was she
|
|
with her card full of refractory figures that she did not observe a
|
|
new-comer, who entered without stopping the vehicle, till a
|
|
masculine voice said, "Good-morning, Miss March," and, looking up, she
|
|
beheld one of Laurie's most elegant college friends. Fervently
|
|
hoping that he would get out before she did, Amy utterly ignored the
|
|
basket at her feet, and, congratulating herself that she had on her
|
|
new travelling dress, returned the young man's greeting with her usual
|
|
suavity and spirit.
|
|
They got on excellently; for Amy's chief care was soon set at rest
|
|
by learning that the gentleman would leave first, and she was chatting
|
|
away in a peculiarly lofty strain, when the old lady got out. In
|
|
stumbling to the door, she upset the basket, and- oh, horror!- the
|
|
lobster, in all its vulgar size and brilliancy, was revealed to the
|
|
high-born eyes of a Tudor.
|
|
"By Jove, she's forgotten her dinner!" cried the unconscious
|
|
youth, poking the scarlet monster into its place with his cane, and
|
|
preparing to hand out the basket after the old lady.
|
|
"Please don't- it's- it's mine," murmured Amy, with a face nearly as
|
|
red as her fish.
|
|
"Oh, really, I beg pardon; it's an uncommonly fine one, isn't it?"
|
|
said Tudor, with great presence of mind, and an air of sober
|
|
interest that did credit to his breeding.
|
|
Amy recovered herself in a breath, set her basket boldly on the
|
|
seat, and said, laughing-
|
|
"Don't you wish you were to have some of the salad he's to make, and
|
|
to see the charming young ladies who are to eat it?"
|
|
Now that was tact, for two of the ruling foibles of the masculine
|
|
mind were touched: the lobster was instantly surrounded by a halo of
|
|
pleasing reminiscences, and curiosity about "the charming young
|
|
ladies" diverted his mind from the comical mishap.
|
|
"I suppose he'll laugh and joke over it with Laurie, but I shan't
|
|
see them; that's a comfort," thought Amy, as Tudor bowed and departed.
|
|
She did not mention this meeting at home (though she discovered
|
|
that, thanks to the upset, her new dress was much damaged by the
|
|
rivulets of dressing that meandered down the skirt), but went
|
|
through with the preparations which now seemed more irksome than
|
|
before; and at twelve o'clock all was ready again. Feeling that the
|
|
neighbors were interested in her movements, she wished to efface the
|
|
memory of yesterday's failure by a grand success to-day; so she
|
|
ordered the "cherry-bounce," and drove away in state to meet and
|
|
escort her guests to the banquet.
|
|
"There's the rumble, they're coming! I'll go into the porch to
|
|
meet them; it looks hospitable, and I want the poor child to have a
|
|
good time after all her trouble," said Mrs. March, suiting the
|
|
action to the word, But after one glance, she retired, with an
|
|
indescribable expression, for, looking quite lost in the big carriage,
|
|
sat Amy and one young lady.
|
|
"Run, Beth, and help Hannah clear half the things off the table;
|
|
it will be too absurd to put a luncheon for twelve before a single
|
|
girl," cried Jo, hurrying away to the lower regions, too excited to
|
|
stop even for a laugh.
|
|
In came Amy, quite calm, and delightfully cordial to the one guest
|
|
who had kept her promise; the rest of the family, being of a
|
|
dramatic turn, played their parts equally well, and Miss Eliott
|
|
found them a most hilarious set; for it was impossible to entirely
|
|
control the merriment which possessed them. The remodelled lunch being
|
|
gayly partaken of, the studio and garden visited, and art discussed
|
|
with enthusiasm, Amy ordered a buggy (alas for the elegant
|
|
cherry-bounce!) and drove her friend quietly about the neighborhood
|
|
till sunset, when "the party went out."
|
|
As she came walking in, looking very tired, but as composed as ever,
|
|
she observed that every vestige of the unfortunate fete had
|
|
disappeared, except a suspicious pucker about the corners of Jo's
|
|
mouth.
|
|
"You've had a lovely afternoon for your drive, dear," said her
|
|
mother, as respectfully as if the whole twelve had come.
|
|
"Miss Eliott is a very sweet girl, and seemed to enjoy herself, I
|
|
thought," observed Beth, with unusual warmth.
|
|
"Could you spare me some of your cake? I really need some, I have so
|
|
much company, and I can't make such delicious stuff as yours," asked
|
|
Meg soberly.
|
|
"Take it all; I'm the only one here who likes sweet things, and it
|
|
will mould before I can dispose of it," answered Amy, thinking with
|
|
a sigh of the generous store she had laid in for such an end as this.
|
|
"It's a pity Laurie isn't here to help us," began Jo, as they sat
|
|
down to ice-cream and salad for the second time in two days.
|
|
A warning look from her mother checked any further remarks, and
|
|
the whole family ate in heroic silence, till Mr. March mildly
|
|
observed, "Salad was one of the favorite dishes of the ancients, and
|
|
Evelyn"- here a general explosion of laughter cut short the "history
|
|
of sallets," to the great surprise of the learned gentleman.
|
|
"Bundle everything into a basket and send it to the Hummels: Germans
|
|
like messes. I'm sick of the sight of this; and there's no reason
|
|
you should all die of a surfeit because I've been a fool," cried
|
|
Amy, wiping her eyes.
|
|
"I thought I should have died when I saw you two girls rattling
|
|
about in the what-you-call-it, like two little kernels in a very big
|
|
nut-shell, and mother waiting in state to receive the throng,"
|
|
sighed Jo, quite spent with laughter.
|
|
"I'm very sorry you were disappointed, dear, but we all did our best
|
|
to satisfy you," said Mrs. March, in a tone full of motherly regret.
|
|
"I am satisfied; I've done what I undertook, and it's not my fault
|
|
that it failed; I comfort myself with that," said Amy, with a little
|
|
quiver in her voice. "I thank you all very much for helping me, and
|
|
I'll thank you still more if you won't allude to it for a month, at
|
|
least."
|
|
No one did for several months; but the word "fete" always produced a
|
|
general smile, and Laurie's birthday gift to Amy was a tiny coral
|
|
lobster in the shape of a charm for her watch-guard.
|
|
27
|
|
Literary Lessons
|
|
|
|
FORTUNE suddenly smiled upon Jo, and dropped a good-luck penny in
|
|
her path. Not a golden penny, exactly, but I doubt if half a million
|
|
would have given more real happiness than did the little sum that came
|
|
to her in this wise.
|
|
Every few weeks she would shut herself up in her room, put on her
|
|
scribbling suit, and "fall into a vortex," as she expressed it,
|
|
writing away at her novel with all her heart and soul, for till that
|
|
was finished she could find no peace. Her "scribbling suit"
|
|
consisted of a black woollen pinafore on which she could wipe her
|
|
pen at will, and a cap of the same material, adorned with a cheerful
|
|
red bow, into which she bundled her hair when the decks were cleared
|
|
for action. This cap was a beacon to the inquiring eyes of her family,
|
|
who during these periods kept their distance, merely popping in
|
|
their heads semi-occasionally, to ask, with interest, "Does genius
|
|
burn, Jo?" They did not always venture even to ask this question,
|
|
but took an observation of the cap, and judged accordingly. If this
|
|
expressive article of dress was drawn low upon the forehead, it was
|
|
a sign that hard work was going on; in exciting moments it was
|
|
pushed rakishly askew; and when despair seized the author it was
|
|
plucked wholly off, and cast upon the floor. At such times the
|
|
intruder silently withdrew; and not until the red bow was seen gayly
|
|
erect upon the gifted brow, did any one dare address Jo.
|
|
She did not think herself a genius by any means; but when the
|
|
writing fit came on, she gave herself up to it with entire abandon,
|
|
and led a blissful life, unconscious of want, care, or bad weather,
|
|
while she sat safe and happy in an imaginary world, full of friends
|
|
almost as real and dear to her as any in the flesh. Sleep forsook
|
|
her eyes, meals stood untasted, day and night were all too short to
|
|
enjoy the happiness which blessed her only at such times, and made
|
|
these hours worth living, even if they bore no other fruit. The divine
|
|
afflatus usually lasted a week or two, and then she emerged from her
|
|
"vortex," hungry, sleepy, cross, or despondent.
|
|
She was just recovering from one of these attacks when she was
|
|
prevailed upon to escort Miss Crocker to a lecture, and in return
|
|
for her virtue was rewarded with a new idea. It was a People's Course,
|
|
the lecture on the Pyramids, and Jo rather wondered at the choice of
|
|
such a subject for such an audience, but took it for granted that some
|
|
great social evil would be remedied or some great want supplied by
|
|
unfolding the glories of the Pharaohs to an audience whose thoughts
|
|
were busy with the price of coal and flour, and whose lives were spent
|
|
in trying to solve harder riddles than that of the Sphinx.
|
|
They were early; and while Miss Crocker set the heel of her
|
|
stocking, Jo amused herself by examining the faces of the people who
|
|
occupied the seat with them. On her left were two matrons, with
|
|
massive foreheads, and bonnets to match, discussing Woman's Rights and
|
|
making tatting. Beyond sat a pair of humble lovers, artlessly
|
|
holding each other by the hand, a sombre spinster eating peppermints
|
|
out of a paper bag, and an old gentleman taking his preparatory nap
|
|
behind a yellow bandanna. On her right, her only neighbor was a
|
|
studious-looking lad absorbed in a newspaper.
|
|
It was a pictorial sheet, and Jo examined the work of art nearest
|
|
her, idly wondering what unfortuitous concatenation of circumstances
|
|
needed the melodramatic illustration of an Indian in full war costume,
|
|
tumbling over a precipice with a wolf at his throat, while two
|
|
infuriated young gentlemen, with unnaturally small feet and big
|
|
eyes, were stabbing each other close by, and a dishevelled female
|
|
was flying away in the background with her mouth wide open. Pausing to
|
|
turn a page, the lad saw her looking, and, with boyish good-nature,
|
|
offered half his paper, saying bluntly, "Want to read it? That's a
|
|
first-rate story."
|
|
Jo accepted it with a smile, for she had never outgrown her liking
|
|
for lads, and soon found herself involved in the usual labyrinth of
|
|
love, mystery, and murder, for the story belonged to that class of
|
|
light literature in which the passions have a holiday, and when the
|
|
author's invention fails, a grand catastrophe clears the stage of
|
|
one half the dramatis personae, leaving the other half to exult over
|
|
their downfall.
|
|
"Prime, isn't it?" asked the boy, as her eye went down the last
|
|
paragraph of her portion.
|
|
"I think you and I could do as well as that if we tried," returned
|
|
Jo, amused at his admiration of the trash.
|
|
"I should think I was a pretty lucky chap if I could. She makes a
|
|
good living out of such stories, they say"; and he pointed to the name
|
|
of Mrs. S. L. A. N. G. Northbury, under the title of the tale.
|
|
"Do you know her?" asked Jo, with sudden interest.
|
|
"No; but I read all her pieces, and I know a fellow who works in the
|
|
office where this paper is printed."
|
|
"Do you say she makes a good living out of stories like this?" and
|
|
Jo looked more respectfully at the agitated group and
|
|
thickly-sprinkled exclamation-points that adorned the page.
|
|
"Guess she does! She knows just what folks like, and gets paid
|
|
well for writing it."
|
|
Here the lecture began, but Jo heard very little of it, for while
|
|
Prof. Sands was prosing away about Belzoni, Cheops, scarabei, and
|
|
hieroglyphics, she was covertly taking down the address of the
|
|
paper, and boldly resolving to try for the hundred-dollar prize
|
|
offered in its columns for a sensational story. By the time the
|
|
lecture ended and the audience awoke, she had built up a splendid
|
|
fortune for herself (not the first founded upon paper), and was
|
|
already deep in the concoction of her story, being unable to decide
|
|
whether the duel should come before the elopement or after the murder.
|
|
She said nothing of her plan at home, but fell to work next day,
|
|
much to the disquiet of her mother, who always looked a little anxious
|
|
when "genius took to burning." Jo had never tried this style before,
|
|
contenting herself with very mild romances for the "Spread Eagle." Her
|
|
theatrical experience and miscellaneous reading were of service now,
|
|
for they gave her some idea of dramatic effect, and supplied plot,
|
|
language, and costumes. Her story was as full of desperation and
|
|
despair as her limited acquaintance with those uncomfortable
|
|
emotions enabled her to make it, and, having located it in Lisbon, she
|
|
wound up with an earthquake, as a striking and appropriate denouement.
|
|
The manuscript was privately despatched, accompanied by a note,
|
|
modestly saying that if the tale didn't get the prize, which the
|
|
writer hardly dared expect, she would be very glad to receive any
|
|
sum it might be considered worth.
|
|
Six weeks is a long time to wait, and a still longer time for a girl
|
|
to keep a secret; but Jo did both, and was just beginning to give up
|
|
all hope of ever seeing her manuscript again, when a letter arrived
|
|
which almost took her breath away; for on opening it, a check for a
|
|
hundred dollars fell into her lap. For a minute she stared at it as if
|
|
it had been a snake, then she read her letter and began to cry. If the
|
|
amiable gentleman who wrote that kindly note could have known what
|
|
intense happiness he was giving a fellow-creature, I think he would
|
|
devote his leisure hours, if he has any, to that amusement; for Jo
|
|
valued the letter more than the money, because it was encouraging; and
|
|
after years of effort it was so pleasant to find that she had
|
|
learned to do something, though it was only to write a sensation
|
|
story.
|
|
A prouder young woman was seldom seen than she, when, having
|
|
composed herself, she electrified the family by appearing before
|
|
them with the letter in one hand, the check in the other, announcing
|
|
that she had won the prize. Of course there was a great jubilee, and
|
|
when the story came every one read and praised it; though after her
|
|
father had told her that the language was good, the romance fresh
|
|
and hearty, and the tragedy quite thrilling, he shook his head, and
|
|
said in his unworldly way-
|
|
"You can do better than this, Jo. Aim at the highest, and never mind
|
|
the money."
|
|
"I think the money is the best part of it. What will you do with
|
|
such a fortune?" asked Amy, regarding the magic slip of paper with a
|
|
reverential eye.
|
|
"Send Beth and mother to the seaside for a month or two," answered
|
|
Jo promptly.
|
|
"Oh, how splendid! No, I can't do it, dear, it would be so selfish,"
|
|
cried Beth, who had clapped her thin hands, and taken a long breath,
|
|
as if pining for fresh ocean-breezes; then stopped herself, and
|
|
motioned away the check which her sister waved before her.
|
|
"Ah, but you shall go, I've set my heart on it; that's what I
|
|
tried for, and that's why I succeeded. I never get on when I think
|
|
of myself alone, so it will help me to work for you, don't you see?
|
|
Besides, Marmee needs the change, and she won't leave you, so you must
|
|
go. Won't it be fun to see you come home plump and rosy again?
|
|
Hurrah for Dr. Jo, who always cures her patients!"
|
|
To the seaside they went, after much discussion; and though Beth
|
|
didn't come home as plump and rosy as could be desired, she was much
|
|
better, while Mrs. March declared she felt ten years younger; so Jo
|
|
was satisfied with the investment of her prize money, and fell to work
|
|
with a cheery spirit, bent on earning more of those delightful checks.
|
|
She did earn several that year, and began to feel herself a power in
|
|
the house; for by the magic of a pen, her "rubbish" turned into
|
|
comforts for them all. "The Duke's Daughter" paid the butcher's
|
|
bill, "A Phantom Hand" put down a new carpet, and the "Curse of the
|
|
Coventrys" proved the blessing of the Marches in the way of
|
|
groceries and gowns.
|
|
Wealth is certainly a most desirable thing, but poverty has its
|
|
sunny side, and one of the sweet uses of adversity is the genuine
|
|
satisfaction which comes from hearty work of head or hand; and to
|
|
the inspiration of necessity, we owe half the wise, beautiful, and
|
|
useful blessings of the world. Jo enjoyed a taste of this
|
|
satisfaction, and ceased to envy richer girls, taking great comfort in
|
|
the knowledge that she could supply her own wants, and need ask no one
|
|
for a penny.
|
|
Little notice was taken of her stories, but they found a market;
|
|
and, encouraged by this fact, she resolved to make a bold stroke for
|
|
fame and fortune. Having copied her novel for the fourth time, read it
|
|
to all her confidential friends, and submitted it with fear and
|
|
trembling to three publishers, she at last disposed of it, on
|
|
condition that she would cut it down one third, and omit all the parts
|
|
which she particularly admired.
|
|
"Now I must either bundle it back into my tin-kitchen to mould,
|
|
pay for printing it myself, or chop it up to suit purchasers, and
|
|
get what I can for it. Fame is a very good thing to have in the house,
|
|
but cash is more convenient; so I wish to take the sense of the
|
|
meeting on this important subject," said Jo, calling a family council.
|
|
"Don't spoil your book, my girl, for there is more in it than you
|
|
know, and the idea is well worked out. Let it wait and ripen," was her
|
|
father's advice; and he practised as he preached, having waited
|
|
patiently thirty years for fruit of his own to ripen, and being in
|
|
no haste to gather it, even now, when it was sweet and mellow.
|
|
"It seems to me that Jo will profit more by making the trial than by
|
|
waiting," said Mrs. March. "Criticism is the best test of such work,
|
|
for it will show her both unsuspected merits and faults, and help
|
|
her to do better next time. We are too partial; but the praise and
|
|
blame of outsiders will prove useful, even if she gets but little
|
|
money."
|
|
"Yes," said Jo, knitting her brows, "that's just it; I've been
|
|
fussing over the thing so long, I really don't know whether it's good,
|
|
bad, or indifferent. It will be a great help to have cool, impartial
|
|
persons take a look at it, and tell me what they think of it."
|
|
"I wouldn't leave out a word of it; you'll spoil it if you do, for
|
|
the interest of the story is more in the minds than in the actions
|
|
of the people, and it will be all a muddle if you don't explain as you
|
|
go on," said Meg, who firmly believed that this book was the most
|
|
remarkable novel ever written.
|
|
"But Mr. Allen says, 'Leave out the explanations, make it brief
|
|
and dramatic, and let the characters tell the story,'" interrupted Jo,
|
|
turning to the publisher's note.
|
|
"Do as he tells you; he knows what will sell, and we don't. Make a
|
|
good, popular book, and get as much money as you can. By and by,
|
|
when you've got a name, you can afford to digress, and have
|
|
philosophical and metaphysical people in your novel," said Amy, who
|
|
took a strictly practical view of the subject.
|
|
"Well," said Jo, laughing, "if my people are 'philosophical and
|
|
metaphysical,' it isn't my fault, for I know nothing about such
|
|
things, except what I hear father say, sometimes. If I've got some
|
|
of his wise ideas jumbled up with my romance, so much the better for
|
|
me. Now, Beth, what do you say?"
|
|
"I should so like to see it printed soon," was all Beth said, and
|
|
smiled in saying it; but there was an unconscious emphasis on the last
|
|
word, and a wistful look in the eyes that never lost their childlike
|
|
candor, which chilled Jo's heart, for a minute, with a foreboding
|
|
fear, and decided her to make her little venture "soon."
|
|
So, with Spartan firmness, the young authoress laid her first-born
|
|
on her table, and chopped it up as ruthlessly as any ogre. In the hope
|
|
of pleasing every one, she took every one's advice; and, like the
|
|
old man and his donkey in the fable, suited nobody.
|
|
Her father liked the metaphysical streak which had unconsciously got
|
|
into it; so that was allowed to remain, though she had her doubts
|
|
about it. Her mother thought that there was a trifle too much
|
|
description; out, therefore, it nearly all came, and with it many
|
|
necessary links in the story. Meg admired the tragedy; so Jo piled
|
|
up the agony to suit her, while Amy objected to the fun, and, with the
|
|
best intentions in life, Jo quenched the sprightly scenes which
|
|
relieved the sombre character of the story. Then, to complete the
|
|
ruin, she cut it down one third, and confidingly sent the poor
|
|
little romance, like a picked robin, out into the big, busy world,
|
|
to try its fate.
|
|
Well, it was printed, and she got three hundred dollars for it;
|
|
likewise plenty of praise and blame, both so much greater than she
|
|
expected that she was thrown into a state of bewilderment, from
|
|
which it took her some time to recover.
|
|
"You said, mother, that criticism would help me; but how can it,
|
|
when it's so contradictory that I don't know whether I've written a
|
|
promising book or broken all the ten commandments?" cried poor Jo,
|
|
turning over a heap of notices, the perusal of which filled her with
|
|
pride and joy one minute, wrath and dire dismay the next. "This man
|
|
says, 'An exquisite book, full of truth, beauty, and earnestness;
|
|
all is sweet, pure, and healthy,'" continued the perplexed
|
|
authoress. "The next, 'The theory of the book is bad, full of morbid
|
|
fancies, spiritualistic ideas, and unnatural characters.' Now, as I
|
|
had no theory of any kind, don't believe in Spiritualism, and copied
|
|
my characters from life, I don't see how this critic can be right.
|
|
Another says, 'It's one of the best American novels which has appeared
|
|
for years' (I know better than that); and the next asserts that
|
|
'though it is original, and written with great force and feeling, it
|
|
is a dangerous book.' 'Tisn't! Some make fun of it, some
|
|
over-praise, and nearly all insist that I had a deep theory to
|
|
expound, when I only wrote it for the pleasure and the money. I wish
|
|
I'd printed it whole or not at all, for I do hate to be so misjudged."
|
|
Her family and friends administered comfort and commendation
|
|
liberally; yet it was a hard time for sensitive, high-spirited Jo, who
|
|
meant so well, and had apparently done so ill. But it did her good,
|
|
for those whose opinion had real value gave her the criticism which is
|
|
an author's best education; and when the first soreness was over, she
|
|
could laugh at her poor little book, yet believe in it still, and feel
|
|
herself the wiser and stronger for the buffeting she had received.
|
|
"Not being a genius, like Keats, it won't kill me," she said
|
|
stoutly; "and I've got the joke on my side, after all; for the parts
|
|
that were taken straight out of real life are denounced as
|
|
impossible and absurd, and the scenes that I made up out of my own
|
|
silly head are pronounced 'charmingly natural, tender, and true.' So
|
|
I'll comfort myself with that; and when I'm ready, I'll up again and
|
|
take another."
|
|
28
|
|
Domestic Experiences
|
|
|
|
LIKE most other young matrons, Meg began her married life with the
|
|
determination to be a model housekeeper. John should find home a
|
|
paradise; he should always see a smiling face, should fare sumptuously
|
|
every day, and never know the loss of a button. She brought so much
|
|
love, energy, and cheerfulness to the work that she could not but
|
|
succeed, in spite of some obstacles. Her paradise was not a tranquil
|
|
one; for the little woman fussed, was over-anxious to please, and
|
|
bustled about like a true Martha, cumbered with many cares. She was
|
|
too tired, sometimes, even to smile; John grew dyspeptic after a
|
|
course of dainty dishes, and ungratefully demanded plain fare. As
|
|
for buttons, she soon learned to wonder where they went, to shake
|
|
her head over the carelessness of men, and to threaten to make him sew
|
|
them on himself, and then see if his work would stand impatient tugs
|
|
and clumsy fingers any better than hers.
|
|
They were very happy, even after they discovered that they
|
|
couldn't live on love alone. John did not find Meg's beauty
|
|
diminished, though she beamed on him from behind the familiar
|
|
coffee-pot; nor did Meg miss any of the romance from the daily
|
|
parting, when her husband followed up his kiss with the tender
|
|
inquiry, "Shall I send home veal or mutton for dinner, darling?" The
|
|
little house ceased to be a glorified bower, but it became a home, and
|
|
the young couple soon felt that it was a change for the better. At
|
|
first they played keep-house, and frolicked over it like children;
|
|
then John took steadily to business, feeling the cares of the head
|
|
of a family upon his shoulders; and Meg laid by her cambric
|
|
wrappers, put on a big apron, and fell to work, as before said, with
|
|
more energy than discretion.
|
|
While the cooking mania lasted she went through Mrs. Cornelius's
|
|
Receipt Book as if it were a mathematical exercise, working out the
|
|
problems with patience and care. Sometimes her family were invited
|
|
in to help eat up a too bounteous feast of successes, or Lotty would
|
|
be privately despatched with a batch of failures, which were to be
|
|
concealed from all eyes in the convenient stomachs of the little
|
|
Hummels. An evening with John over the account-books usually
|
|
produced a temporary lull in the culinary enthusiasm, and a frugal fit
|
|
would ensue, during which the poor man was put through a course of
|
|
bread-pudding, hash, and warmed-over coffee, which tried his soul,
|
|
although he bore it with praiseworthy fortitude. Before the golden
|
|
mean was found, however, Meg added to her domestic possessions what
|
|
young couples seldom get on long without- a family jar.
|
|
Fired with a housewifely wish to see her store-room stocked with
|
|
home-made preserves, she undertook to put up her own currant jelly.
|
|
John was requested to order home a dozen or so of little pots, and
|
|
an extra quantity of sugar, for their own currants were ripe, and were
|
|
to be attended to at once. As John firmly believed that "my wife"
|
|
was equal to anything, and took a natural pride in her skill, he
|
|
resolved that she should be gratified, and their only crop of fruit
|
|
laid by in a most pleasing form for winter use. Home came four dozen
|
|
delightful little pots, half a barrel of sugar, and a small boy to
|
|
pick the currants for her. With her pretty hair tucked into a little
|
|
cap, arms bare to the elbow, and a checked apron which had a
|
|
coquettish look in spite of the bib, the young housewife fell to work,
|
|
feeling no doubts about her success; for hadn't she seen Hannah do
|
|
it hundreds of times? The array of pots rather amazed her at first,
|
|
but John was so fond of jelly, and the nice little jars would look
|
|
so well on the top shelf, that Meg resolved to fill them all, and
|
|
spent a long day picking, boiling, straining, and fussing over her
|
|
jelly. She did her best; she asked advice of Mrs. Cornelius; she
|
|
racked her brain to remember what Hannah did that she had left undone;
|
|
she reboiled, resugared, and restrained, but that dreadful stuff
|
|
wouldn't "jell."
|
|
She longed to run home, bib and all, and ask mother to lend a
|
|
hand, but John and she had agreed that they would never annoy any
|
|
one with their private worries, experiments, or quarrels. They had
|
|
laughed over that last word as if the idea it suggested was a most
|
|
preposterous one; but they had held to their resolve, and whenever
|
|
they could get on without help they did so, and no one interfered, for
|
|
Mrs. March had advised the plan. So Meg wrestled alone with the
|
|
refractory sweetmeats all that hot summer day, and at five o'clock sat
|
|
down in her topsy-turvy kitchen, wrung her bedaubed hands, lifted up
|
|
her voice and wept.
|
|
Now, in the first flush of the new life, she had often said-
|
|
"My husband shall always feel free to bring a friend home whenever
|
|
he likes. I shall always be prepared; there shall be no flurry, no
|
|
scolding, no discomfort, but a neat house, a cheerful wife, and a good
|
|
dinner. John, dear, never stop to ask my leave, invite whom you
|
|
please, and be sure of a welcome from me."
|
|
How charming that was, to be sure! John quite glowed with pride to
|
|
hear her say it, and felt what a blessed thing it was to have a
|
|
superior wife. But, although they had had company from time to time,
|
|
it never happened to be unexpected, and Meg had never had an
|
|
opportunity to distinguish herself till now. It always happens so in
|
|
this vale of tears; there is an inevitability about such things
|
|
which we can only wonder at, deplore, and bear as we best can.
|
|
If John had not forgotten all about the jelly, it really would
|
|
have been unpardonable in him to choose that day, of all the days in
|
|
the year, to bring a friend home to dinner unexpectedly.
|
|
Congratulating himself that a handsome repast had been ordered that
|
|
morning, feeling sure that it would be ready to the minute, and
|
|
indulging in pleasant anticipations of the charming effect it would
|
|
produce, when his pretty wife came running out to meet him, he
|
|
escorted his friend to his mansion, with the irrepressible
|
|
satisfaction of a young host and husband.
|
|
It is a world of disappointments, as John discovered when he reached
|
|
the Dove-cote. The front door usually stood hospitably open; now it
|
|
was not only shut, but locked, and yesterday's mud still adorned the
|
|
steps. The parlor-windows were closed and curtained, no picture of the
|
|
pretty wife sewing on the piazza, in white, with a distracting
|
|
little bow in her hair, or a bright-eyed hostess, smiling a shy
|
|
welcome as she greeted her guest. Nothing of the sort, for not a
|
|
soul appeared, but a sanguinary-looking boy asleep under the
|
|
currant-bushes.
|
|
"I'm afraid something has happened. Step into the garden, Scott,
|
|
while I look up Mrs. Brooke," said John, alarmed at the silence and
|
|
solitude.
|
|
Round the house he hurried, led by a pungent smell of burnt sugar,
|
|
and Mr. Scott strolled after him, with a queer look on his face. He
|
|
paused discreetly at a distance when Brooke disappeared; but he
|
|
could both see and hear, and, being a bachelor, enjoyed the prospect
|
|
mightily.
|
|
In the kitchen reigned confusion and despair; one edition of jelly
|
|
was trickled from pot to pot, another lay upon the floor, and a
|
|
third was burning gayly on the stove. Lotty, with Teutonic phlegm, was
|
|
calmly eating bread and currant wine, for the jelly was still in a
|
|
hopelessly liquid state, while Mrs. Brooke, with her apron over her
|
|
head, sat sobbing dismally.
|
|
"My dearest girl, what is the matter?" cried John, rushing in,
|
|
with awful visions of scalded hands, sudden news of affliction, and
|
|
secret consternation at the thought of the guest in the garden.
|
|
"O John, I am so tired and hot and cross and worried! I've been at
|
|
it till I'm all worn out. Do come and help me or I shall die!" and the
|
|
exhausted housewife cast herself upon his breast, giving him a sweet
|
|
welcome in every sense of the word, for her pinafore had been baptized
|
|
at the same time as the floor.
|
|
"What worries you, dear? Has anything dreadful happened?" asked
|
|
the anxious John, tenderly kissing the crown of the little cap,
|
|
which was all askew.
|
|
"Yes," sobbed Meg despairingly.
|
|
"Tell me quick then. Don't cry, I can bear anything better than
|
|
that. Out with it, love."
|
|
"The- the jelly won't jell and I don't know what to do!"
|
|
John Brooke laughed then as he never dared to laugh afterward; and
|
|
the derisive Scott smiled involuntarily as he heard the hearty peal,
|
|
which put the finishing stroke to poor Meg's woe.
|
|
"Is that all? Fling it out of window, and don't bother any more
|
|
about it. I'll buy you quarts if you want it; but for heaven's sake
|
|
don't have hysterics, for I've brought Jack Scott home to dinner,
|
|
and-"
|
|
John got no further, for Meg cast him off, and clasped her hands
|
|
with a tragic gesture as she fell into a chair, exclaiming in a tone
|
|
of mingled indignation, reproach, and dismay "A man to dinner, and
|
|
everything in a mess! John Brooke, how could you do such a thing?"
|
|
"Hush, he's in the garden! I forgot the confounded jelly, but it
|
|
can't be helped now," said John, surveying the prospect with an
|
|
anxious eye.
|
|
"You ought to have sent word, or told me this morning, and you ought
|
|
to have remembered how busy I was," continued Meg petulantly; for even
|
|
turtle-doves will peck when ruffled.
|
|
"I didn't know it this morning, and there was no time to send
|
|
word, for I met him on the way out. I never thought of asking leave,
|
|
when you have always told me to do as I liked. I never tried it
|
|
before, and hang me if I ever do again!" added John, with an aggrieved
|
|
air.
|
|
"I should hope not! Take him away at once; I can't see him, and
|
|
there isn't any dinner."
|
|
"Well, I like that! Where's the beef and vegetables I sent home, and
|
|
the pudding you promised?" cried John, rushing to the larder.
|
|
"I hadn't time to cook anything; I meant to dine at mother's. I'm
|
|
sorry, but I was so busy"; and Meg's tears began again.
|
|
John was a mild man, but he was human; and after a long day's
|
|
work, to come home tired, hungry, and hopeful, to find a chaotic
|
|
house, an empty table, and a cross wife was not exactly conducive to
|
|
repose of mind or manner. He restrained himself, however, and the
|
|
little squall would have blown over, but for one unlucky word.
|
|
"It's a scrape, I acknowledge; but if you will lend a hand, we'll
|
|
pull through, and have a good time yet. Don't cry, dear, but just
|
|
exert yourself a bit, and knock us up something to eat. We're both
|
|
as hungry as hunters, so we shan't mind what it is. Give us the cold
|
|
meat, and bread and cheese; we won't ask for jelly."
|
|
He meant it for a good-natured joke; but that one word sealed his
|
|
fate. Meg thought it was too cruel to hint about her sad failure,
|
|
and the last atom of patience vanished as he spoke.
|
|
"You must get yourself out of the scrape as you can; I'm too used up
|
|
to 'exert' myself for any one. It's like a man to propose a bone and
|
|
vulgar bread and cheese for company. I won't have anything of the sort
|
|
in my house. Take that Scott up to mother's, and tell him I'm away,
|
|
sick, dead- anything. I won't see him, and you two can laugh at me and
|
|
my jelly as much as you like: you won't have anything else here";
|
|
and having delivered her defiance all in one breath, Meg cast away her
|
|
pinafore, and precipitately left the field to bemoan herself in her
|
|
own room.
|
|
What those two creatures did in her absence, she never knew; but Mr.
|
|
Scott was not taken "up to mother's," and when Meg descended, after
|
|
they had strolled away together, she found traces of a promiscuous
|
|
lunch which filled her with horror. Lotty reported that they had eaten
|
|
"a much, and greatly laughed, and the master bid her throw away all
|
|
the sweet stuff, and hide the pots."
|
|
Meg longed to go and tell mother; but a sense of shame at her own
|
|
shortcomings, of loyalty to John, "who might be cruel, but nobody
|
|
should know it," restrained her; and after a summary clearing up,
|
|
she dressed herself prettily, and sat down to wait for John to come
|
|
and be forgiven.
|
|
Unfortunately, John didn't come, not seeing the matter in that
|
|
light. He had carried it off as a good joke with Scott, excused his
|
|
little wife as well as he could, and played the host so hospitably
|
|
that his friend enjoyed the impromptu dinner, and promised to come
|
|
again. But John was angry, though he did not show it; he felt that Meg
|
|
had got him into a scrape, and then deserted him in his hour of
|
|
need. "It wasn't fair to tell a man to bring folks home any time, with
|
|
perfect freedom, and when he took you at your word, to flame up and
|
|
blame him, and leave him in the lurch, to be laughed at or pitied. No,
|
|
by George, it wasn't! and Meg must know it." He had fumed inwardly
|
|
during the feast, but when the flurry was over, and he strolled
|
|
home, after seeing Scott off, a milder mood came over him. "Poor
|
|
little thing! it was hard upon her when she tried so heartily to
|
|
please me. She was wrong, of course, but then she was young. I must be
|
|
patient and teach her." He hoped she had not gone home-he hated gossip
|
|
and interference. For a minute he was ruffled again at the mere
|
|
thought of it; and then the fear that Meg would cry herself sick
|
|
softened his heart, and sent him on at a quicker pace, resolving to be
|
|
calm and kind, but firm, quite firm, and show her where she had failed
|
|
in her duty to her spouse.
|
|
Meg likewise resolved to be "calm and kind, but firm," and show
|
|
him his duty. She longed to run to meet him, and beg pardon, and be
|
|
kissed and comforted, as she was sure of being; but, of course, she
|
|
did nothing of the sort, and when she saw John coming, began to hum
|
|
quite naturally, as she rocked and sewed, like a lady of leisure in
|
|
her best parlor.
|
|
John was a little disappointed not to find a tender Niobe; but,
|
|
feeling that his dignity demanded the first apology, he made none,
|
|
only came leisurely in, and laid himself upon the sofa, with the
|
|
singularly relevant remark-
|
|
"We are going to have a new moon, my dear."
|
|
"I've no objection," was Meg's equally soothing remark.
|
|
A few other topics of general interest were introduced by Mr.
|
|
Brooke, and wet-blanketed by Mrs. Brooke, and conversation languished.
|
|
John went to one window, unfolded his paper, and wrapped himself in
|
|
it, figuratively speaking. Meg went to the other window, and sewed
|
|
as if new rosettes for her slippers were among the necessaries of
|
|
life. Neither spoke; both looked quite "calm and firm," and both
|
|
felt desperately uncomfortable.
|
|
"Oh dear," thought Meg, "married life is very trying, and does
|
|
need infinite patience, as well as love, as mother says." The word
|
|
"mother" suggested other maternal counsels, given long ago, and
|
|
received with unbelieving protests.
|
|
"John is a good man, but he has his faults, and you must learn to
|
|
see and bear with them, remembering your own. He is very decided,
|
|
but never will be obstinate, if you reason kindly, not oppose
|
|
impatiently. He is very accurate, and particular about the truth- a
|
|
good trait, though you call him 'fussy.' Never deceive him by look
|
|
or word, Meg, and he will give you the confidence you deserve, the
|
|
support you need. He has a temper, not like ours- one flash, and
|
|
then all over- but the white, still anger, that is seldom stirred, but
|
|
once kindled, is hard to quench. Be careful, very careful, not to wake
|
|
this anger against yourself, for peace and happiness depend on keeping
|
|
his respect. Watch yourself, be the first to ask pardon if you both
|
|
err, and guard against the little piques, misunderstandings, and hasty
|
|
words that often pave the way for bitter sorrow and regret."
|
|
These words came back to Meg, as she sat sewing in the sunset,
|
|
especially the last. This was the first serious disagreement; her
|
|
own hasty speeches sounded both silly and unkind, as she recalled
|
|
them, her own anger looked childish now, and thoughts of poor John
|
|
coming home to such a scene quite melted her heart. She glanced at him
|
|
with tears in her eyes, but he did not see them; she put down her work
|
|
and got up, thinking, "I will be the first to say, 'Forgive me,'"
|
|
but he did not seem to hear her; she went very slowly across the room,
|
|
for pride was hard to swallow, and stood by him, but he did not turn
|
|
his head. For a minute she felt as if she really couldn't do it;
|
|
then came the thought, "This is the beginning, I'll do my part, and
|
|
have nothing to reproach myself with," and stooping down, she softly
|
|
kissed her husband on the forehead. Of course that settled it; the
|
|
penitent kiss was better than a world of words, and John had her on
|
|
his knee in a minute, saying tenderly "It was too bad to laugh at
|
|
the poor little jelly-pots. Forgive me, dear, I never will again!"
|
|
But he did, oh bless you, yes, hundreds of times, and so did Meg,
|
|
both declaring that it was the sweetest jelly they ever made; for
|
|
family peace was preserved in that little family jar.
|
|
After this Meg had Mr. Scott to dinner by special invitation, and
|
|
served him up a pleasant feast without a cooked wife for the first
|
|
course; on which occasion she was so gay and gracious, and made
|
|
everything go off so charmingly, that Mr. Scott told John he was a
|
|
happy fellow, and shook his head over the hardships of bachelorhood
|
|
all the way home.
|
|
In the autumn, new trials and experiences came to Meg. Sallie Moffat
|
|
renewed her friendship, was always running out for a dish of gossip at
|
|
the little house, or inviting "that poor dear" to come in and spend
|
|
the day at the big house. It was pleasant, for in dull weather Meg
|
|
often felt lonely; all were busy at home, John absent till night,
|
|
and nothing to do but sew, or read, or potter about. So it naturally
|
|
fell out that Meg got into the way of gadding and gossiping with her
|
|
friend. Seeing Sallie's pretty things made her long for such, and pity
|
|
herself because she had not got them. Sallie was very kind, and
|
|
often offered her the coveted trifles; but Meg declined them,
|
|
knowing John wouldn't like it; and then this foolish little woman went
|
|
and did what John disliked infinitely worse.
|
|
She knew her husband's income, and she loved to feel that he trusted
|
|
her, not only with his happiness, but what some men seem to value
|
|
more- his money. She knew where it was, was free to take what she
|
|
liked, and all he asked was that she should keep account of every
|
|
penny, pay bills once a month, and remember that she was a poor
|
|
man's wife. Till now, she had done well, been prudent and exact,
|
|
kept her little account-books neatly, and showed them to him monthly
|
|
without fear. But that autumn the serpent got into Meg's paradise, and
|
|
tempted her, like many a modern Eve, not with apples, but with
|
|
dress. Meg didn't like to be pitied and made to feel poor; it
|
|
irritated her, but she was ashamed to confess it, and now and then she
|
|
tried to console herself by buying something pretty, so that Sallie
|
|
needn't think she had to economize. She always felt wicked after it,
|
|
for the pretty things were seldom necessaries; but then they cost so
|
|
little, it wasn't worth worrying about; so the trifles increased
|
|
unconsciously, and in the shopping excursions she was no longer a
|
|
passive looker-on.
|
|
But the trifles cost more than one would imagine; and when she
|
|
cast up her accounts at the end of the month, the sum total rather
|
|
scared her. John was busy that month, and left the bills to her; the
|
|
next month he was absent; but the third he had a grand quarterly
|
|
settling up, and Meg never forgot it. A few days before she had done a
|
|
dreadful thing, and it weighed upon her conscience. Sallie had been
|
|
buying silks, and Meg longed for a new one- just a handsome light
|
|
one for parties, her black silk was so common, and thin things for
|
|
evening wear were only proper for girls. Aunt March usually gave the
|
|
sisters a present of twenty-five dollars apiece at New Year; that
|
|
was only a month to wait, and here was a lovely violet silk going at a
|
|
bargain, and she had the money, if she only dared to take it. John
|
|
always said what was his was hers; but would he think it right to
|
|
spend not only the prospective five-and-twenty, but another
|
|
five-and-twenty out of the household fund? That was the question.
|
|
Sallie had urged her to do it, had offered to loan the money, and with
|
|
the best intentions in life, had tempted Meg beyond her strength. In
|
|
an evil moment the shopman held up the lovely, shimmering folds, and
|
|
said, "A bargain, I assure you, ma'am." She answered, "I'll take
|
|
it"; and it was cut off and paid for, and Sallie had exulted, and
|
|
she had laughed as if it were a thing of no consequence, and driven
|
|
away, feeling as if she had stolen something, and the police were
|
|
after her.
|
|
When she got home, she tried to assuage the pangs of remorse by
|
|
spreading forth the lovely silk; but it looked less silvery now,
|
|
didn't become her, after all, and the words "fifty dollars" seemed
|
|
stamped like a pattern down each breadth. She put it away; but it
|
|
haunted her, not delightfully, as a new dress should, but
|
|
dreadfully, like the ghost of a folly that was not easily laid. When
|
|
John got out his books that night, Meg's heart sank, and, for the
|
|
first time in her married life, she was afraid of her husband. The
|
|
kind, brown eyes looked as if they could be stern; and though he was
|
|
unusually merry, she fancied he had found her out, but didn't mean
|
|
to let her know it. The house-bills were all paid, the books all in
|
|
order. John had praised her, and was undoing the old pocketbook
|
|
which they called the "bank," when Meg, knowing that it was quite
|
|
empty, stopped his hand, saying nervously, "You haven't seen my
|
|
private expense book yet."
|
|
John never asked to see it; but she always insisted on his doing so,
|
|
and used to enjoy his masculine amazement at the queer things women
|
|
wanted, and made him guess what "piping" was, demand fiercely the
|
|
meaning of a "hug-me-tight," or wonder how a little thing composed
|
|
of three rosebuds, a bit of velvet, and a pair of strings, could
|
|
possibly be a bonnet, and cost five or six dollars. That night he
|
|
looked as if he would like the fun of quizzing her figures and
|
|
pretending to be horrified at her extravagance, as he often did, being
|
|
particularly proud of his prudent wife.
|
|
The little book was brought slowly out, and laid down before him.
|
|
Meg got behind his chair under pretence of smoothing the wrinkles
|
|
out of his tired forehead, and standing there, she said, with her
|
|
panic increasing with every word-
|
|
"John, dear, I'm ashamed to show you my book, for I've really been
|
|
dreadfully extravagant lately. I go about so much I must have
|
|
things, you know, and Sallie advised my getting it, so I did; and my
|
|
New-Year's money will partly pay for it: but I was sorry after I'd
|
|
done it, for I knew you'd think it wrong in me."
|
|
John laughed, and drew her round beside him, saying
|
|
good-humoredly, "Don't go and hide. I won't beat you if you have got a
|
|
pair of killing boots; I'm rather proud of my wife's feet, and don't
|
|
mind if she does pay eight or nine dollars for her boots, if they
|
|
are good ones."
|
|
That had been one of her last "trifles," and John's eye had fallen
|
|
on it as he spoke. "Oh, what will he say when he comes to that awful
|
|
fifty dollars!" thought Meg, with a shiver.
|
|
"It's worse than boots, it's a silk dress," she said, with the
|
|
calmness of desperation, for she wanted the worst over.
|
|
"Well, dear, what is the 'dem'd total,' as Mr. Mantalini says?"
|
|
That didn't sound like John, and she knew he was looking up at her
|
|
with the straightforward look that she had always been ready to meet
|
|
and answer with one as frank till now. She turned the page and her
|
|
head at the same time, pointing to the sum which would have been bad
|
|
enough without the fifty, but which was appalling to her with that
|
|
added. For a minute the room was very still; then John said slowly-
|
|
but she could feel it cost him an effort to express no displeasure-
|
|
"Well, I don't know that fifty is much for a dress, with all the
|
|
fur-belows and notions you have to have to finish it off these days."
|
|
"It isn't made or trimmed," sighed Meg faintly, for a sudden
|
|
recollection of the cost still to be incurred quite overwhelmed her.
|
|
"Twenty-five yards of silk seems a good deal to cover one small
|
|
woman, but I've no doubt my wife will look as fine as Ned Moffat's
|
|
when she gets it on," said John dryly.
|
|
"I know you are angry, John, but I can't help it. I don't mean to
|
|
waste your money, and I didn't think those little things would count
|
|
up so. I can't resist them when I see Sallie buying all she wants, and
|
|
pitying me because I don't. I try to be contented, but it is hard, and
|
|
I'm tired of being poor."
|
|
The last words were spoken so low she thought he did not hear
|
|
them, but he did, and they wounded him deeply, for he had denied
|
|
himself many pleasures for Meg's sake. She could have bitten her
|
|
tongue out the minute she had said it, but John pushed the books away,
|
|
and got up, saying, with a little quiver in his voice, "I was afraid
|
|
of this; I do my best, Meg." If he had scolded her, or even shaken
|
|
her, it would not have broken her heart like those few words. She
|
|
ran to him and held him close, crying, with repentant tears, "O
|
|
John, my dear, kind, hard-working boy, I didn't mean it! It was so
|
|
wicked, so untrue and ungrateful, how could I say it! Oh, how could
|
|
I say it!"
|
|
He was very kind, forgave her readily, and did not utter one
|
|
reproach; but Meg knew that she had done and said a thing which
|
|
would not be forgotten soon, although he might never allude to it
|
|
again. She had promised to love him for better for worse; and then
|
|
she, his wife, had reproached him with his poverty, after spending his
|
|
earnings recklessly. It was dreadful; and the worst of it was John
|
|
went on so quietly afterward, just as if nothing had happened,
|
|
except that he stayed in town later, and worked at night when she
|
|
had gone to cry herself to sleep. A week of remorse nearly made Meg
|
|
sick; and the discovery that John had countermanded the order for
|
|
his new great-coat reduced her to a state of despair which was
|
|
pathetic to behold. He had simply said, in answer to her surprised
|
|
inquiries as to the change, "I can't afford it, my dear."
|
|
Meg said no more, but a few minutes after he found her in the
|
|
hall, with her face buried in the old great-coat, crying as if her
|
|
heart would break.
|
|
They had a long talk that night, and Meg learned to love her husband
|
|
better for his poverty, because it seemed to have made a man of him,
|
|
given him the strength and courage to fight his own way, and taught
|
|
him a tender patience with which to bear and comfort the natural
|
|
longings and failures of those he loved.
|
|
Next day she put her pride in her pocket, went to Sallie, told the
|
|
truth, and asked her to buy the silk as a favor. The good-natured Mrs.
|
|
Moffat willingly did so, and had the delicacy not to make her a
|
|
present of it immediately afterward. Then Meg ordered home the
|
|
great-coat, and, when John arrived, she put it on, and asked him how
|
|
he liked her new silk gown. One can imagine what answer he made, how
|
|
he received his present, and what a blissful state of things ensued.
|
|
John came home early, Meg gadded no more; and that great-coat was
|
|
put on in the morning by a very happy husband, and taken off at
|
|
night by a most devoted little wife. So the year rolled round, and
|
|
at midsummer there came to Meg a new experience- the deepest and
|
|
tenderest of a woman's life.
|
|
Laurie came sneaking into the kitchen of the Dove-cote, one
|
|
Saturday, with an excited face, and was received with the clash of
|
|
cymbals; for Hannah clapped her hands with a saucepan in one and the
|
|
cover in the other.
|
|
"How's the little mamma? Where is everybody? Why didn't you tell
|
|
me before I came home?" began Laurie, in a loud whisper.
|
|
"Happy as a queen, the dear! Every soul of 'em is upstairs a
|
|
worshipin'; we didn't want no hurrycanes round. Now you go into the
|
|
parlor, and I'll send 'em down to you," with which somewhat involved
|
|
reply Hannah vanished, chuckling ecstatically.
|
|
Presently Jo appeared, proudly bearing a flannel bundle laid forth
|
|
upon a large pillow. Jo's face was very sober, but her eyes
|
|
twinkled, and there was an odd sound in her voice of repressed emotion
|
|
of some sort.
|
|
"Shut your eyes and hold out your arms," she said invitingly.
|
|
Laurie backed precipitately into a corner, and put his hands
|
|
behind him with an imploring gesture: "No, thank you, I'd rather
|
|
not. I shall drop it or smash it, as sure as fate."
|
|
"Then you shan't see your nevvy," said Jo decidedly, turning as if
|
|
to go.
|
|
"I will, I will! only you must be responsible for damages"; and,
|
|
obeying orders, Laurie heroically shut his eyes and something was
|
|
put into his arms. A peal of laughter from Jo, Amy, Mrs. March,
|
|
Hannah, and John caused him to open them the next minute, to find
|
|
himself invested with two babies instead of one.
|
|
No wonder they laughed, for the expression of his face was droll
|
|
enough to convulse a Quaker, as he stood and stared wildly from the
|
|
unconscious innocents to the hilarious spectators, with such dismay
|
|
that Jo sat down on the floor and screamed.
|
|
"Twins, by Jupiter!" was all he said for a minute; then, turning
|
|
to the women with an appealing look that was comically piteous, he
|
|
added, "Take 'em quick, somebody! I'm going to laugh, and I shall drop
|
|
'em."
|
|
John rescued his babies, and marched up and down, with one on each
|
|
arm, as if already initiated into the mysteries of baby-tending, while
|
|
Laurie laughed till the tears ran down his cheeks.
|
|
"It's the best joke of the season, isn't it? I wouldn't have you
|
|
told, for I set my heart on surprising you, and I flatter myself, I've
|
|
done it," said Jo, when she got her breath.
|
|
"I never was more staggered in my life. Isn't it fun? Are they boys?
|
|
What are you going to name them? Let's have another look. Hold me
|
|
up, Jo; for upon my life it's one too many for me," returned Laurie,
|
|
regarding the infants with the air of a big, benevolent Newfoundland
|
|
looking at a pair of infantile kittens.
|
|
"Boy and girl. Aren't they beauties?" said the proud papa, beaming
|
|
upon the little red squirmers as if they were unfledged angels.
|
|
"Most remarkable children I ever saw. Which is which?" and Laurie
|
|
bent like a well-sweep to examine the prodigies.
|
|
"Amy put a blue ribbon on the boy and a pink on the girl, French
|
|
fashion, so you can always tell. Besides, one has blue eyes and one
|
|
brown. Kiss them, Uncle Teddy," said wicked Jo.
|
|
"I'm afraid they mightn't like it," began Laurie, with unusual
|
|
timidity in such matters.
|
|
"Of course they will; they are used to it now. Do it this minute,
|
|
sir!" commanded Jo, fearing he might propose a proxy.
|
|
Laurie screwed up his face, and obeyed with a gingerly peck at
|
|
each little cheek that produced another laugh, and made the babies
|
|
squeal.
|
|
"There, I knew they didn't like it! That's the boy; see him kick; he
|
|
hits out with his fists like a good one. Now then, young Brooke, pitch
|
|
into a man of your own size, will you?" cried Laurie, delighted with a
|
|
poke in the face from a tiny fist, flapping aimlessly about.
|
|
"He's to be named John Laurence, and the girl Margaret, after mother
|
|
and grandmother. We shall call her Daisy, so as not to have two
|
|
Megs, and I suppose the mannie will be Jack, unless we find a better
|
|
name," said Amy, with aunt-like interest.
|
|
"Name him Demijohn, and call him 'Demi' for short," said Laurie.
|
|
"Daisy and Demi- just the thing! I knew Teddy would do it," cried
|
|
Jo, clapping her hands.
|
|
Teddy certainly had done it that time, for the babies were "Daisy"
|
|
and "Demi" to the end of the chapter.
|
|
29
|
|
Calls
|
|
|
|
"COME, Jo, it's time."
|
|
"For what?"
|
|
"You don't mean to say you have forgotten that you promised to
|
|
make half a dozen calls with me to-day?"
|
|
"I've done a good many rash and foolish things in my life, but I
|
|
don't think I ever was mad enough to say I'd make six calls in one
|
|
day, when a single one upsets me for a week."
|
|
"Yes, you did; it was a bargain between us. I was to finish the
|
|
crayon of Beth for you, and you were to go properly with me, and
|
|
return our neighbors' visits."
|
|
"If it was fair- that was in the bond; and I stand to the letter
|
|
of my bond, Shylock. There is a pile of clouds in the east; it's not
|
|
fair, and I don't go."
|
|
"Now, that's shirking. It's a lovely day, no prospect of rain, and
|
|
you pride yourself on keeping promises; so be honorable; come and do
|
|
your duty, and then be at peace for another six months."
|
|
At that minute Jo was particularly absorbed in dressmaking; for
|
|
she was mantua-maker general to the family, and took especial credit
|
|
to herself because she could use a needle as well as a pen. It was
|
|
very provoking to be arrested in the act of a first trying-on, and
|
|
ordered out to make calls in her best array, on a warm July day. She
|
|
hated calls of the formal sort, and never made any till Amy
|
|
compelled her with a bargain, bribe, or promise. In the present
|
|
instance, there was no escape; and having clashed her scissors
|
|
rebelliously, while protesting that she smelt thunder, she gave in,
|
|
put away her work, and taking up her hat and gloves with an air of
|
|
resignation, told Amy the victim was ready.
|
|
"Jo March, you are perverse enough to provoke a saint! You don't
|
|
intend to make calls in that state, I hope," cried Amy, surveying
|
|
her with amazement.
|
|
"Why not? I'm neat and cool and comfortable; quite proper for a
|
|
dusty walk on a warm day. If people care more for my clothes than they
|
|
do for me, I don't wish to see them. You can dress for both, and be as
|
|
elegant as you please: it pays for you to be fine; it doesn't for
|
|
me, and furbelows only worry me."
|
|
"Oh dear!" sighed Amy; "now she's in a contrary fit, and will
|
|
drive me distracted before I can get her properly ready. I'm sure it's
|
|
no pleasure to me to go to-day, but it's a debt we owe society, and
|
|
there's no one to pay it but you and me. I'll do anything for you, Jo,
|
|
if you'll only dress yourself nicely, and come and help me do the
|
|
civil. You can talk so well, look so aristocratic in your best things,
|
|
and behave so beautifully, if you try, that I'm proud of you. I'm
|
|
afraid to go alone; do come and take care of me."
|
|
"You're an artful little puss to flatter and wheedle your cross
|
|
old sister in that way. The idea of my being aristocratic and
|
|
well-bred, and your being afraid to go anywhere alone! I don't know
|
|
which is the most absurd. Well, I'll go if I must, and do my best. You
|
|
shall be commander of the expedition, and I'll obey blindly; will that
|
|
satisfy you?" said Jo, with a sudden change from perversity to
|
|
lamb-like submission.
|
|
"You're a perfect cherub! Now put on all your best things, and
|
|
I'll tell you how to behave at each place, so that you will make a
|
|
good impression. I want people to like you, and they would if you'd
|
|
only try to be a little more agreeable. Do your hair the pretty way,
|
|
and put the pink rose in your bonnet; it's becoming, and you look
|
|
too sober in your plain suit. Take your light gloves and the
|
|
embroidered handkerchief. We'll stop at Meg's, and borrow her white
|
|
sunshade, and then you can have my dove-colored one."
|
|
While Amy dressed, she issued her orders, and Jo obeyed them; not
|
|
without entering her protest, however, for she sighed as she rustled
|
|
into her new organdie, frowned darkly at herself as she tied her
|
|
bonnet strings in an irreproachable bow, wrestled viciously with
|
|
pins as she put on her collar, wrinkled up her features generally as
|
|
she shook out the handkerchief, whose embroidery was as irritating
|
|
to her nose as the present mission was to her feelings; and when she
|
|
had squeezed her hands into tight gloves with three buttons and a
|
|
tassel, as the last touch of elegance, she turned to Amy with an
|
|
imbecile expression of countenance, saying meekly-
|
|
"I'm perfectly miserable; but if you consider me presentable, I
|
|
die happy."
|
|
"You are highly satisfactory; turn slowly round, and let me get a
|
|
careful view." Jo revolved, and Amy gave a touch here and there,
|
|
then fell back, with her head on one side, observing graciously, "Yes,
|
|
you'll do; your head is all I could ask, for that white bonnet with
|
|
the rose is quite ravishing. Hold back your shoulders, and carry
|
|
your hands easily, no matter if your gloves do pinch. There's one
|
|
thing you can do well, Jo, that is, wear a shawl- I can't; but it's
|
|
very nice to see you, and I'm so glad Aunt March gave you that
|
|
lovely one; it's simple, but handsome, and those folds over the arm
|
|
are really artistic. Is the point of my mantle in the middle, and have
|
|
I looped my dress evenly? I like to show my boots, for my feet are
|
|
pretty, though my nose isn't."
|
|
"You are a thing of beauty and a joy forever," said Jo, looking
|
|
through her hand with the air of a connoisseur at the blue feather
|
|
against the gold hair. "Am I to drag my best dress through the dust,
|
|
or loop it up, please, ma'am?"
|
|
"Hold it up when you walk, but drop it in the house; the sweeping
|
|
style suits you best, and you must learn to trail your skirts
|
|
gracefully. You haven't half buttoned one cuff; do it at once.
|
|
You'll never look finished if you are not careful about the little
|
|
details, for they make up the pleasing whole."
|
|
Jo sighed, and proceeded to burst the buttons off her glove, in
|
|
doing up her cuff; but at last both were ready, and sailed away,
|
|
looking as "pretty as picters," Hannah said, as she hung out of the
|
|
upper window to watch them.
|
|
"Now, Jo dear, the Chesters consider themselves very elegant people,
|
|
so I want you to put on your best deportment. Don't make any of your
|
|
abrupt remarks, or do anything odd, will you? Just be calm, cool,
|
|
and quiet- that's safe and ladylike; and you can easily do it for
|
|
fifteen minutes," said Amy, as they approached the first place, having
|
|
borrowed the white parasol and been inspected by Meg, with a baby on
|
|
each arm.
|
|
"Let me see. 'Calm, cool, and quiet'- yes, I think I can promise
|
|
that. I've played the part of a prim young lady on the stage, and I'll
|
|
try it off. My powers are great, as you shall see; so be easy in
|
|
your mind, my child."
|
|
Amy looked relieved, but naughty Jo took her at her word; for,
|
|
during the first call, she sat with every limb gracefully composed,
|
|
every fold correctly draped, calm as a summer sea, cool as a
|
|
snow-bank, and as silent as a sphinx. In vain Mrs. Chester alluded
|
|
to her "charming novel," and the Misses Chester introduced parties,
|
|
picnics, the opera, and the fashions; each and all were answered by
|
|
a smile, a bow, and a demure "Yes" or "No," with the chill on. In vain
|
|
Amy telegraphed the word "Talk," tried to draw her out, and
|
|
administered covert pokes with her foot. Jo sat as if blandly
|
|
unconscious of it all, with deportment like Maud's face, "icily
|
|
regular, splendidly null."
|
|
"What a haughty, uninteresting creature that oldest Miss March
|
|
is!" was the unfortunately audible remark of one of the ladies, as the
|
|
door closed upon their guests. Jo laughed noiselessly all through
|
|
the hall, but Amy looked disgusted at the failure of her instructions,
|
|
and very naturally laid the blame upon Jo.
|
|
"How could you mistake me so? I merely meant you to be properly
|
|
dignified and composed, and you made yourself a perfect stock and
|
|
stone. Try to be sociable at the Lambs', gossip as other girls do, and
|
|
be interested in dress and flirtations and whatever nonsense comes up.
|
|
They move in the best society, are valuable persons for us to know,
|
|
and I wouldn't fail to make a good impression there for anything."
|
|
"I'll be agreeable; I'll gossip and giggle, and have horrors and
|
|
raptures over any trifle you like. I rather enjoy this, and now I'll
|
|
imitate what is called 'a charming girl'; I can do it, for I have
|
|
May Chester as a model, and I'll improve upon her. See if the Lambs
|
|
don't say, 'What a lively, nice creature that Jo March is!'"
|
|
Amy felt anxious, as well she might, for when Jo turned freakish
|
|
there was no knowing where she would stop. Amy's face was a study when
|
|
she saw her sister skim into the next drawing-room, kiss all the young
|
|
ladies with effusion, beam graciously upon the young gentlemen, and
|
|
join in the chat with a spirit which amazed the beholder. Amy was
|
|
taken possession of by Mrs. Lamb, with whom she was a favorite, and
|
|
forced to hear a long account of Lucretia's last attack, while three
|
|
delightful young gentlemen hovered near, waiting for a pause when they
|
|
might rush in and rescue her. So situated, she was powerless to
|
|
check Jo, who seemed possessed by a spirit of mischief, and talked
|
|
away as volubly as the old lady. A knot of heads gathered about her,
|
|
and Amy strained her ears to hear what was going on; for broken
|
|
sentences filled her with alarm, round eyes and uplifted hands
|
|
tormented her with curiosity, and frequent peals of laughter made
|
|
her wild to share the fun. One may imagine her suffering on
|
|
overhearing fragments of this sort of conversation:
|
|
"She rides splendidly- who taught her?"
|
|
"No one; she used to practise mounting, holding the reins, and
|
|
sitting straight on an old saddle in a tree. Now she rides anything,
|
|
for she doesn't know what fear is, and the stable-man lets her have
|
|
horses cheap, because she trains them to carry ladies so well. She has
|
|
such a passion for it, I often tell her if everything else fails she
|
|
can be a horse-breaker, and get her living so."
|
|
At this awful speech Amy contained herself with difficulty, for
|
|
the impression was being given that she was rather a fast young
|
|
lady, which was her especial aversion. But what could she do? for
|
|
the old lady was in the middle of her story, and long before it was
|
|
done Jo was off again, making more droll revelations, and committing
|
|
still more fearful blunders.
|
|
"Yes, Amy was in despair that day, for all the good beasts were
|
|
gone, and of three left, one was lame, one blind, and the other so
|
|
balky that you had to put dirt in his mouth before he would start.
|
|
Nice animal for a pleasure party, wasn't it?"
|
|
"Which did she choose?" asked one of the laughing gentlemen, who
|
|
enjoyed the subject.
|
|
"None of them; she heard of a young horse at the farmhouse over
|
|
the river, and, though a lady had never ridden him, she resolved to
|
|
try, because he was handsome and spirited. Her struggles were really
|
|
pathetic; there was no one to bring the horse to the saddle, so she
|
|
took the saddle to the horse. My dear creature, she actually rowed
|
|
it over the river, put it on her head, and marched up to the barn to
|
|
the utter amazement of the old man!"
|
|
"Did she ride the horse?"
|
|
"Of course she did, and had a capital time. I expected to see her
|
|
brought home in fragments, but she managed him perfectly, and was
|
|
the life of the party."
|
|
"Well, I call that plucky!" and young Mr. Lamb turned an approving
|
|
glance upon Amy, wondering what his mother could be saying to make the
|
|
girl look so red and uncomfortable.
|
|
She was still redder and more uncomfortable a moment after, when a
|
|
sudden turn in the conversation introduced the subject of dress. One
|
|
of the young ladies asked Jo where she got the pretty drab hat she
|
|
wore to the picnic; and stupid Jo, instead of mentioning the place
|
|
where it was bought two years ago, must needs answer, with unnecessary
|
|
frankness, "Oh, Amy painted it; you can't buy those soft shades, so we
|
|
paint ours any color we like. It's a great comfort to have an artistic
|
|
sister."
|
|
"Isn't that an original idea?" cried Miss Lamb, who found Jo great
|
|
fun.
|
|
"That's nothing compared to some of her brilliant performances.
|
|
There's nothing the child can't do. Why, she wanted a pair of blue
|
|
boots for Sallie's party, so she just painted her soiled white ones
|
|
the loveliest shade of sky-blue you ever saw, and they looked
|
|
exactly like satin," added Jo, with an air of pride in her sister's
|
|
accomplishments that exasperated Amy till she felt that it would be
|
|
a relief to throw her card-case at her.
|
|
"We read a story of yours the other day, and enjoyed it very
|
|
much," observed the elder Miss Lamb, wishing to compliment the
|
|
literary lady, who did not look the character just then, it must be
|
|
confessed.
|
|
Any mention of her "works" always had a bad effect upon Jo, who
|
|
either grew rigid and looked offended, or changed the subject with a
|
|
brusque remark, as now. "Sorry you could find nothing better to
|
|
read. I write that rubbish because it sells, and ordinary people
|
|
like it. Are you going to New York this winter?"
|
|
As Miss Lamb had "enjoyed" the story, this speech was not exactly
|
|
grateful or complimentary. The minute it was made Jo saw her
|
|
mistake; but, fearing to make the matter worse, suddenly remembered
|
|
that it was for her to make the first move toward departure, and did
|
|
so with an abruptness that left three people with half-finished
|
|
sentences in their mouths.
|
|
"Amy, we must go. Good-by, dear; do come and see us; we are pining
|
|
for a visit. I don't dare to ask you, Mr. Lamb; but if you should
|
|
come, I don't think I shall have the heart to send you away."
|
|
Jo said this with such a droll imitation of May Chester's gushing
|
|
style that Amy got out of the room as rapidly as possible, feeling a
|
|
strong desire to laugh and cry at the same time.
|
|
"Didn't I do that well?" asked Jo, with a satisfied air, as they
|
|
walked away.
|
|
"Nothing could have been worse," was Amy's crushing reply. "What
|
|
possessed you to tell those stories about my saddle, and the hats
|
|
and boots, and all the rest of it?"
|
|
"Why, it's funny, and amuses people. They know we are poor, so
|
|
it's no use pretending that we have grooms, buy three or four hats a
|
|
season, and have things as easy and fine as they do."
|
|
"You needn't go and tell them all our little shifts, and expose
|
|
our poverty in that perfectly unnecessary way. You haven't a bit of
|
|
proper pride, and never will learn when to hold your tongue and when
|
|
to speak," said Amy despairingly.
|
|
Poor Jo looked abashed, and silently chafed the end of her nose with
|
|
the stiff handkerchief, as if performing a penance for her
|
|
misdemeanors.
|
|
"How shall I behave here?" she asked, as they approached the third
|
|
mansion.
|
|
"Just as you please; I wash my hands of you," was Amy's short
|
|
answer.
|
|
"Then I'll enjoy myself. The boys are at home, and we'll have a
|
|
comfortable time. Goodness knows I need a little change, for
|
|
elegance has a bad effect upon my constitution," returned Jo
|
|
gruffly, being disturbed by her failures to suit.
|
|
An enthusiastic welcome from three big boys and several pretty
|
|
children speedily soothed her ruffled feelings; and, leaving Amy to
|
|
entertain the hostess and Mr. Tudor, who happened to be calling
|
|
likewise, Jo devoted herself to the young folks, and found the
|
|
change refreshing. She listened to college stories with deep interest,
|
|
caressed pointers and poodles without a murmur, agreed heartily that
|
|
"Tom Brown was a brick," regardless of the improper form of praise;
|
|
and when one lad proposed a visit to his turtle-tank, she went with an
|
|
alacrity which caused mamma to smile upon her, as that motherly lady
|
|
settled the cap which was left in a ruinous condition by filial
|
|
hugs, bearlike but affectionate, and dearer to her than the most
|
|
faultless coiffure from the hands of an inspired Frenchwoman.
|
|
Leaving her sister to her own devices, Amy proceeded to enjoy
|
|
herself to her heart's content. Mr. Tudor's uncle had married an
|
|
English lady who was third cousin to a living lord, and Amy regarded
|
|
the whole family with great respect; for, in spite of her American
|
|
birth and breeding, she possessed that reverence for titles which
|
|
haunts the best of us- that unacknowledged loyalty to the early
|
|
faith in kings which set the most democratic nation under the sun in a
|
|
ferment at the coming of a royal yellow-haired laddie, some years ago,
|
|
and which still has something to do with the love the young country
|
|
bears the old, like that of a big son for an imperious little
|
|
mother, who held him while she could, and let him go with a farewell
|
|
scolding when he rebelled. But even the satisfaction of talking with a
|
|
distant connection of the British nobility did not render Amy
|
|
forgetful of time; and when the proper number of minutes had passed,
|
|
she reluctantly tore herself from this aristocratic society, and
|
|
looked about for Jo, fervently hoping that her incorrigible sister
|
|
would not be found in any position which should bring disgrace upon
|
|
the name of March.
|
|
It might have been worse, but Amy considered it bad; for Jo sat on
|
|
the grass, with an encampment of boys about her, and a dirty-footed
|
|
dog reposing on the skirt of her state and festival dress, as she
|
|
related one of Laurie's pranks to her admiring audience. One small
|
|
child was poking turtles with Amy's cherished parasol, a second was
|
|
eating gingerbread over Jo's best bonnet, and a third playing ball
|
|
with her gloves. But all were enjoying themselves; and when Jo
|
|
collected her damaged property to go, her escort accompanied her,
|
|
begging her to come again, "it was such fun to hear about Laurie's
|
|
larks."
|
|
"Capital boys, aren't they? I feel quite young and brisk again after
|
|
that," said Jo, strolling along with her hands behind her, partly from
|
|
habit, partly to conceal the bespattered parasol.
|
|
"Why do you always avoid Mr. Tudor?" asked Amy, wisely refraining
|
|
from any comment upon Jo's dilapidated appearance.
|
|
"Don't like him; he puts on airs, snubs his sisters, worries his
|
|
father and doesn't speak respectfully of his mother. Laurie says he is
|
|
fast, and I don't consider him a desirable acquaintance; so I let
|
|
him alone."
|
|
"You might treat him civilly, at least. You gave him a cool nod; and
|
|
just now you bowed and smiled in the politest way to Tommy
|
|
Chamberlain, whose father keeps a grocery store. If you had just
|
|
reversed the nod and the bow, it would have been right," said Amy
|
|
reprovingly.
|
|
"No, it wouldn't," returned perverse Jo; "I neither like, respect,
|
|
nor admire Tudor, though his grandfather's uncle's nephew's niece
|
|
was third cousin to a lord. Tommy is poor and bashful and good and
|
|
very clever; I think well of him, and like to show that I do, for he
|
|
is a gentleman in spite of the brown-paper parcels."
|
|
"It's no use trying to argue with you," began Amy.
|
|
"Not the least, my dear," interrupted Jo; "so let us look amiable,
|
|
and drop a card here, as the Kings are evidently out, for which I'm
|
|
deeply grateful."
|
|
The family card-case having done its duty, the girls walked on,
|
|
and Jo uttered another thanksgiving on reaching the fifth house, and
|
|
being told that the young ladies were engaged.
|
|
"Now let us go home, and never mind Aunt March to-day. We can run
|
|
down there any time, and it's really a pity to trail through the
|
|
dust in our best bibs and tuckers, when we are tired and cross."
|
|
"Speak for yourself, if you please. Aunt likes to have us pay her
|
|
the compliment of coming in style, and making a formal call; it's a
|
|
little thing to do, but it gives her pleasure, and I don't believe
|
|
it will hurt your things half so much as letting dirty dogs and
|
|
clumping boys spoil them. Stoop down, and let me take the crumbs off
|
|
of your bonnet."
|
|
"What a good girl you are, Amy!" said Jo, with a repentant glance
|
|
from her own damaged costume to that of her sister, which was fresh
|
|
and spotless still. "I wish it was easy for me to do little things
|
|
to please people as it is for you. I think of them, but it takes too
|
|
much time to do them; so I wait for a chance to confer a great
|
|
favor, and let the small ones slip; but they tell best in the end, I
|
|
fancy."
|
|
Amy smiled, and was mollified at once, saying with a maternal air-
|
|
"Women should learn to be agreeable, particularly poor ones; for
|
|
they have no other way of repaying the kindnesses they receive. If
|
|
you'd remember that, and practise it, you'd be better liked than I am,
|
|
because there is more of you."
|
|
"I'm a crotchety old thing, and always shall be, but I'm willing
|
|
to own that you are right; only it's easier for me to risk my life for
|
|
a person than to be pleasant to him when I don't feel like it. It's
|
|
a great misfortune to have such strong likes and dislikes, isn't it?"
|
|
"It's a greater not to be able to hide them. I don't mind saying
|
|
that I don't approve of Tudor any more than you do; but I'm not called
|
|
upon to tell him so; neither are you, and there is no use in making
|
|
yourself disagreeable because he is."
|
|
"But I think girls ought to show when they disapprove of young
|
|
men; and how can they do it except by their manners? Preaching does
|
|
not do any good, as I know to my sorrow, since I've had Teddy to
|
|
manage; but there are many little ways in which I can influence him
|
|
without a word, and I say we ought to do it to others if we can."
|
|
"Teddy is a remarkable boy, and can't be taken as a sample of
|
|
other boys," said Amy, in a tone of solemn conviction, which would
|
|
have convulsed the "remarkable boy," if he had heard it. "If we were
|
|
belles, or women of wealth and position, we might do something,
|
|
perhaps; but for us to frown at one set of young gentlemen because
|
|
we don't approve of them, and smile upon another set because we do,
|
|
wouldn't have a particle of effect, and we should only be considered
|
|
odd and puritanical."
|
|
"So we are to countenance things and people which we detest,
|
|
merely because we are not belles and millionaires, are we? That's a
|
|
nice sort of morality."
|
|
"I can't argue about it, I only know that it's the way of the world;
|
|
and people who set themselves against it only get laughed at for their
|
|
pains. I don't like reformers, and I hope you will never try to be
|
|
one."
|
|
"I do like them, and I shall be one if I can; for, in spite of the
|
|
laughing, the world would never get on without them. We can't agree
|
|
about that, for you belong to the old set, and I to the new: you
|
|
will get on the best, but I shall have the liveliest time of it. I
|
|
should rather enjoy the brickbats and hooting, I think."
|
|
"Well, compose yourself now, and don't worry aunt with your new
|
|
ideas."
|
|
"I'll try not to, but I'm always possessed to burst out with some
|
|
particularly blunt speech or revolutionary sentiment before her;
|
|
it's my doom, and I can't help it."
|
|
They found Aunt Carrol with the old lady, both absorbed in some very
|
|
interesting subject; but they dropped it as the girls came in, with
|
|
a conscious look which betrayed that they had been talking about their
|
|
nieces. Jo was not in a good humor, and the perverse fit returned; but
|
|
Amy, who had virtuously done her duty, kept her temper, and pleased
|
|
everybody, was in a most angelic frame of mind. This amiable spirit
|
|
was felt at once, and both the aunts "my deared" her affectionately,
|
|
looking what they afterwards said emphatically- "That child improves
|
|
every day."
|
|
"Are you going to help about the fair, dear?" asked Mrs. Carrol,
|
|
as Amy sat down beside her with the confiding air elderly people
|
|
like so well in the young.
|
|
"Yes, aunt. Mrs. Chester asked me if I would, and I offered to
|
|
tend a table, as I have nothing but my time to give."
|
|
"I'm not," put in Jo decidedly. "I hate to be patronized, and the
|
|
Chesters think it's a great favor to allow us to help with their
|
|
highly connected fair. I wonder you consented, Amy: they only want you
|
|
to work."
|
|
"I am willing to work: it's for the freedmen as well as the
|
|
Chesters, and I think it very kind of them to let me share the labor
|
|
and the fun. Patronage does not trouble me when it is well meant."
|
|
"Quite right and proper. I like your grateful spirit, my dear;
|
|
it's a pleasure to help people who appreciate our efforts: some do
|
|
not, and that is trying," observed Aunt March, looking over her
|
|
spectacles at Jo, who sat apart, rocking herself, with a somewhat
|
|
morose expression.
|
|
If Jo had only known what a great happiness was wavering in the
|
|
balance for one of them, she would have turned dovelike in a minute;
|
|
but, unfortunately, we don't have windows in our breasts, and cannot
|
|
see what goes on in the minds of our friends; better for us that we
|
|
cannot as a general thing, but now and then it would be such a
|
|
comfort, such a saving of time and temper. By her next speech, Jo
|
|
deprived herself of several years of pleasure, and received a timely
|
|
lesson in the art of holding her tongue.
|
|
"I don't like favors; they oppress and make me feel like a slave.
|
|
I'd rather do everything for myself, and be perfectly independent."
|
|
"Ahem!" coughed Aunt Carrol softly, with a look at Aunt March.
|
|
"I told you so," said Aunt March, with a decided nod to Aunt Carrol.
|
|
Mercifully unconscious of what she had done, Jo sat with her nose in
|
|
the air, and a revolutionary aspect which was anything but inviting.
|
|
"Do you speak French, dear?" asked Mrs. Carrol, laying her hand on
|
|
Amy's.
|
|
"Pretty well, thanks to Aunt March, who lets Esther talk to me as
|
|
often as I like," replied Amy, with a grateful look, which caused
|
|
the old lady to smile affably.
|
|
"How are you about languages?" asked Mrs. Carrol of Jo.
|
|
"Don't know a word; I'm very stupid about studying anything; can't
|
|
bear French, it's such a slippery, silly sort of language," was the
|
|
brusque reply.
|
|
Another look passed between the ladies, and Aunt March said to
|
|
Amy, "You are quite strong and well, now, dear, I believe? Eyes
|
|
don't trouble you any more, do they?"
|
|
"Not at all, thank you, ma'am. I'm very well, and mean to do great
|
|
things next winter, so that I may be ready for Rome, whenever that
|
|
joyful time arrives."
|
|
"Good girl! You deserve to go, and I'm sure you will some day," said
|
|
Aunt March, with an approving pat on the head, as Amy picked up her
|
|
ball for her.
|
|
|
|
"Cross-patch, draw the latch,
|
|
Sit by the fire and spin,"
|
|
|
|
squalled Polly, bending down from his perch on the back of her chair
|
|
to peep into Jo's face, with such a comical air of impertinent inquiry
|
|
that it was impossible to help laughing.
|
|
"Most observing bird," said the old lady.
|
|
"Come and take a walk, my dear?" cried Polly, hopping toward the
|
|
china-closet, with a look suggestive of lump-sugar.
|
|
"Thank you, I will. Come, Amy"; and Jo brought the visit to an
|
|
end, feeling more strongly than ever that calls did have a bad
|
|
effect upon her constitution. She shook hands in a gentlemanly manner,
|
|
but Amy kissed both the aunts, and the girls departed, leaving
|
|
behind them the impression of shadow and sunshine; which impression
|
|
caused Aunt March to say, as they vanished "You'd better do it,
|
|
Mary; I'll supply the money," and Aunt Carrol to reply decidedly, "I
|
|
certainly will, if her father and mother consent."
|
|
30
|
|
Consequences
|
|
|
|
MRS. CHESTER'S fair was so very elegant and select that it was
|
|
considered a great honor by the young ladies of the neighborhood to be
|
|
invited to take a table, and every one was much interested in the
|
|
matter. Amy was asked, but Jo was not, which was fortunate for all
|
|
parties, as her elbows were decidedly akimbo at this period of her
|
|
life, and it took a good many hard knocks to teach her how to get on
|
|
easily. The "haughty, uninteresting creature" was let severely
|
|
alone; but Amy's talent and taste were duly complimented by the
|
|
offer of the art-table, and she exerted herself to prepare and
|
|
secure appropriate and valuable contributions to it.
|
|
Everything went on smoothly till the day before the fair opened;
|
|
then there occurred one of the little skirmishes which it is almost
|
|
impossible to avoid, when some five and twenty women, old and young,
|
|
with all their private piques and prejudices, try to work together.
|
|
May Chester was rather jealous of Amy because the latter was a
|
|
greater favorite than herself; and, just at this time, several
|
|
trifling circumstances occurred to increase the feeling. Amy's
|
|
dainty pen-and-ink work entirely eclipsed May's painted vases- that
|
|
was one thorn; then the all-conquering Tudor had danced four times
|
|
with Amy, at a late party, and only once with May- that was thorn
|
|
number two; but the chief grievance that rankled in her soul, and gave
|
|
her an excuse for her unfriendly conduct, was a rumor which some
|
|
obliging gossip had whispered to her, that the March girls had made
|
|
fun of her at the Lambs'. All the blame of this should have fallen
|
|
upon Jo, for her naughty imitation had been too lifelike to escape
|
|
detection, and the frolicsome Lambs had permitted the joke to
|
|
escape. No hint of this had reached the culprits, however, and Amy's
|
|
dismay can be imagined, when, the very evening before the fair, as she
|
|
was putting the last touches to her pretty table, Mrs. Chester, who,
|
|
of course, resented the supposed ridicule of her daughter, said, in
|
|
a bland tone, but with a cold look-
|
|
"I find, dear, that there is some feeling among the young ladies
|
|
about my giving this table to any one but my girls. As this is the
|
|
most prominent, and some say the most attractive table of all, and
|
|
they are the chief getters-up of the fair, it is thought best for them
|
|
to take this place. I'm sorry, but I know you are too sincerely
|
|
interested in the cause to mind a little personal disappointment,
|
|
and you shall have another table if you like."
|
|
Mrs. Chester had fancied beforehand that it would be easy to deliver
|
|
this little speech; but when the time came, she found it rather
|
|
difficult to utter it naturally, with Amy's unsuspicious eyes
|
|
looking straight at her, full of surprise and trouble.
|
|
Amy felt that there was something behind this, but could not guess
|
|
what, and said quietly, feeling hurt, and showing that she did-
|
|
"Perhaps you had rather I took no table at all?"
|
|
"Now, my dear, don't have any ill feeling, I beg; it's merely a
|
|
matter of expediency, you see; my girls will naturally take the
|
|
lead, and this table is considered their proper place. I think it very
|
|
appropriate to you, and feel very grateful for your efforts to make it
|
|
so pretty; but we must give up our private wishes, of course, and I
|
|
will see that you have a good place elsewhere. Wouldn't you like the
|
|
flower-table? The little girls undertook it, but they are discouraged.
|
|
You could make a charming thing of it, and the flower-table is
|
|
always attractive, you know."
|
|
"Especially to gentlemen," added May, with a look which
|
|
enlightened Amy as to one cause of her sudden fall from favor. She
|
|
colored angrily, but took no other notice of that girlish sarcasm, and
|
|
answered, with unexpected amiability-
|
|
"It shall be as you please, Mrs. Chester. I'll give up my place here
|
|
at once, and attend to the flowers, if you like."
|
|
"You can put your own things on your own table, if you prefer,"
|
|
began May, feeling a little conscience-stricken, as she looked at
|
|
the pretty racks, the painted shells, and quaint illuminations Amy had
|
|
so carefully made and so gracefully arranged. She meant it kindly, but
|
|
Amy mistook her meaning, and said quickly-
|
|
"Oh, certainly, if they are in your way"; and sweeping her
|
|
contributions into her apron, pell-mell, she walked off, feeling
|
|
that herself and her works of art had been insulted past forgiveness.
|
|
"Now she's mad. Oh, dear, I wish I hadn't asked you to speak,
|
|
mamma," said May, looking disconsolately at the empty spaces on her
|
|
table.
|
|
"Girls' quarrels are soon over," returned her mother, feeling a
|
|
trifle ashamed of her own part in this one, as well she might.
|
|
The little girls hailed Amy and her treasures with delight, which
|
|
cordial reception somewhat soothed her perturbed spirit, and she
|
|
fell to work, determined to succeed florally, if she could not
|
|
artistically. But everything seemed against her: it was late, and she
|
|
was tired; every one was too busy with their own affairs to help
|
|
her; and the little girls were only hindrances, for the dears fussed
|
|
and chattered like so many magpies, making a great deal of confusion
|
|
in their artless efforts to preserve the most perfect order. The
|
|
evergreen arch wouldn't stay firm after she got it up, but wiggled and
|
|
threatened to tumble down on her head when the hanging baskets were
|
|
filled; her best tile got a splash of water, which left a sepia tear
|
|
on the Cupid's cheek; she bruised her hands with hammering, and got
|
|
cold working in a draught, which last affliction filled her with
|
|
apprehensions for the morrow. Any girl-reader who has suffered like
|
|
afflictions will sympathize with poor Amy, and wish her well through
|
|
with her task.
|
|
There was great indignation at home when she told her story that
|
|
evening. Her mother said it was a shame, but told her she had done
|
|
right; Beth declared she wouldn't go to the fair at all; and Jo
|
|
demanded why she didn't take all her pretty things and leave those
|
|
mean people to get on without her.
|
|
"Because they are mean is no reason why I should be. I hate such
|
|
things, and though I think I've a right to be hurt, I don't intend
|
|
to show it. They will feel that more than angry speeches or huffy
|
|
actions, won't they, Marmee?"
|
|
"That's the right spirit, my dear; a kiss for a blow is always best,
|
|
though it's not very easy to give it sometimes," said her mother, with
|
|
the air of one who had learned the difference between preaching and
|
|
practising.
|
|
In spite of various very natural temptations to resent and
|
|
retaliate, Amy adhered to her resolution all the next day, bent on
|
|
conquering her enemy by kindness. She began well, thanks to a silent
|
|
reminder that came to her unexpectedly, but most opportunely. As she
|
|
arranged her table that morning, while the little girls were in an
|
|
ante-room filling the baskets, she took up her pet production- a
|
|
little book, the antique cover of which her father had found among his
|
|
treasures, and in which, on leaves of vellum, she had beautifully
|
|
illuminated different texts. As she turned the pages, rich in dainty
|
|
devices, with very pardonable pride, her eye fell upon one verse
|
|
that made her stop and think. Framed in a brilliant scroll-work of
|
|
scarlet, blue, and gold, with little spirits of good-will helping
|
|
one another up and down among the thorns and flowers, were the
|
|
words, "Thou shalt love thy neighbor as thyself."
|
|
"I ought, but I don't," thought Amy, as her eye went from the bright
|
|
page to May's discontented face behind the big vases, that could not
|
|
hide the vacancies her pretty work had once filled. Amy stood a
|
|
minute, turning the leaves in her hand, reading on each some sweet
|
|
rebuke for all heart-burnings and uncharitableness of spirit. Many
|
|
wise and true sermons are preached us every day by unconscious
|
|
ministers in street, school, office, or home; even a fair-table may
|
|
become a pulpit, if it can offer the good and helpful words which
|
|
are never out of season. Amy's conscience preached her a little sermon
|
|
from that text, then and there; and she did what many of us do not
|
|
always do- took the sermon to heart, and straightway put it in
|
|
practice.
|
|
A group of girls were standing about May's table, admiring the
|
|
pretty things, and talking over the change of saleswomen. They dropped
|
|
their voices, but Amy knew they were speaking of her, hearing one side
|
|
of the story, and judging accordingly. It was not pleasant, but a
|
|
better spirit had come over her, and presently a chance offered for
|
|
proving it. She heard May say sorrowfully-
|
|
"It's too bad, for there is no time to make other things, and I
|
|
don't want to fill up with odds and ends. The table was just
|
|
complete then: now it's spoilt."
|
|
"I dare say she'd put them back if you asked her," suggested some
|
|
one.
|
|
"How could I after all the fuss?" began May, but she did not finish,
|
|
for Amy's voice came across the hall, saying pleasantly-
|
|
"You may have them, and welcome, without asking, if you want them. I
|
|
was just thinking I'd offer to put them back, for they belong to
|
|
your table rather than mine. Here they are; please take them, and
|
|
forgive me if I was hasty in carrying them away last night."
|
|
As she spoke, Amy returned her contribution, with a nod and a smile,
|
|
and hurried away again, feeling that it was easier to do a friendly
|
|
thing than it was to stay and be thanked for it.
|
|
"Now, I call that lovely of her, don't you?" cried one girl.
|
|
May's answer was inaudible; but another young lady, whose temper was
|
|
evidently a little soured by making lemonade, added, with a
|
|
disagreeable laugh, "Very lovely; for she knew she wouldn't sell
|
|
them at her own table."
|
|
Now, that was hard; when we make little sacrifices we like to have
|
|
them appreciated, at least; and for a minute Amy was sorry she had
|
|
done it, feeling that virtue was not always its own reward. But it is-
|
|
as she presently discovered; for her spirits began to rise, and her
|
|
table to blossom under her skillful hands; the girls were very kind,
|
|
and that one little act seemed to have cleared the atmosphere
|
|
amazingly.
|
|
It was a very long day, and a hard one to Amy, as she sat behind her
|
|
table, often quite alone, for the little girls deserted very soon: few
|
|
cared to buy flowers in summer, and her bouquets began to droop long
|
|
before night.
|
|
The art-table was the most attractive in the room; there was a crowd
|
|
about it all day long, and the tenders were constantly flying to and
|
|
fro with important faces and rattling money-boxes. Amy often looked
|
|
wistfully across, longing to be there, where she felt at home and
|
|
happy, instead of in a corner with nothing to do. It might seem no
|
|
hardship to some of us; but to a pretty, blithe young girl, it was not
|
|
only tedious, but very trying; and the thought of being found there in
|
|
the evening by her family, and Laurie and his friends, made it a
|
|
real martyrdom.
|
|
She did not go home till night, and then she looked so pale and
|
|
quiet that they knew the day had been a hard one, though she made no
|
|
complaint, and did not even tell what she had done. Her mother gave
|
|
her an extra cordial cup of tea, Beth helped her dress, and made a
|
|
charming little wreath for her hair, while Jo astonished her family by
|
|
getting herself up with unusual care, and hinting darkly that the
|
|
tables were about to be turned.
|
|
"Don't do anything rude, pray, Jo. I won't have any fuss made, so
|
|
let it all pass, and behave yourself," begged Amy, as she departed
|
|
early, hoping to find a reinforcement of flowers to refresh her poor
|
|
little table.
|
|
"I merely intend to make myself entrancingly agreeable to every
|
|
one I know, and to keep them in your corner as long as possible. Teddy
|
|
and his boys will lend a hand, and we'll have a good time yet,"
|
|
returned Jo, leaning over the gate to watch for Laurie. Presently
|
|
the familiar tramp was heard in the dusk, and she ran out to meet him.
|
|
"Is that my boy?"
|
|
"As sure as this is my girl!" and Laurie tucked her hand under his
|
|
arm, with the air of a man whose every wish was gratified.
|
|
"O Teddy, such doings!" and Jo told Amy's wrongs with sisterly zeal.
|
|
"A flock of our fellows are going to drive over by and by, and
|
|
I'll be hanged if I don't make them buy every flower she's got, and
|
|
camp down before her table afterward," said Laurie, espousing her
|
|
cause with warmth.
|
|
"The flowers are not at all nice, Amy says, and the fresh ones may
|
|
not arrive in time. I don't wish to be unjust or suspicious, but I
|
|
shouldn't wonder if they never came at all. When people do one mean
|
|
thing they are very likely to do another," observed Jo, in a disgusted
|
|
tone.
|
|
"Didn't Hayes give you the best out of our gardens? I told him to."
|
|
"I didn't know that; he forgot, I suppose; and, as your grandpa
|
|
was poorly, I didn't like to worry him by asking, though I did want
|
|
some."
|
|
"Now, Jo, how could you think there was any need of asking! They are
|
|
just as much yours as mine. Don't we always go halves in
|
|
everything?" began Laurie, in the tone that always made Jo turn
|
|
thorny.
|
|
"Gracious, I hope not! half of some of your things wouldn't suit
|
|
me at all. But we mustn't stand philandering here; I've got to help
|
|
Amy, so you go and make yourself splendid; and if you'll be so very
|
|
kind as to let Hayes take a few nice flowers up to the Hall, I'll
|
|
bless you forever."
|
|
"Couldn't you do it now?" asked Laurie, so suggestively that Jo shut
|
|
the gate in his face with inhospitable haste, and called through the
|
|
bars, "Go away, Teddy; I'm busy."
|
|
Thanks to the conspirators, the tables were turned that night; for
|
|
Hayes sent up a wilderness of flowers, with a lovely basket,
|
|
arranged in his best manner, for a centre-piece; then the March family
|
|
turned out en masse, and Jo exerted herself to some purpose, for
|
|
people not only came, but stayed, laughing at her nonsense, admiring
|
|
Amy's taste, and apparently enjoying themselves very much. Laurie
|
|
and his friends gallantly threw themselves into the breach, bought
|
|
up the bouquets, encamped before the table, and made that corner the
|
|
liveliest spot in the room. Amy was in her element now, and, out of
|
|
gratitude, if nothing more, was as sprightly and gracious as possible-
|
|
coming to the conclusion, about that time, that virtue was its own
|
|
reward, after all.
|
|
Jo behaved herself with exemplary propriety; and when Amy was
|
|
happily surrounded by her guard of honor, Jo circulated about the
|
|
hall, picking up various bits of gossip, which enlightened her upon
|
|
the subject of the Chester change of base. She reproached herself
|
|
for her share of the ill-feeling, and resolved to exonerate Amy as
|
|
soon as possible; she also discovered what Amy had done about the
|
|
things in the morning, and considered her a model of magnanimity. As
|
|
she passed the art-table, she glanced over it for her sister's things,
|
|
but saw no signs of them. "Tucked away out of sight, I dare say,"
|
|
thought Jo, who could forgive her own wrongs, but hotly resented any
|
|
insult offered to her family.
|
|
"Good evening, Miss Jo. How does Amy get on?" asked May, with a
|
|
conciliatory air, for she wanted to show that she also could be
|
|
generous.
|
|
"She has sold everything she had that was worth selling, and now she
|
|
is enjoying herself. The flower-table is always attractive, you
|
|
know, 'especially to gentlemen.'"
|
|
Jo couldn't resist giving that little slap, but May took it so
|
|
meekly she regretted it a minute after, and fell to praising the great
|
|
vases, which still remained unsold.
|
|
"Is Amy's illumination anywhere about? I took a fancy to buy that
|
|
for father," said Jo, very anxious to learn the fate of her sister's
|
|
work.
|
|
"Everything of Amy's sold long ago; I took care that the right
|
|
people saw them, and they made a nice little sum of money for us,"
|
|
returned May, who had overcome sundry small temptations, as well as
|
|
Amy, that day.
|
|
Much gratified, Jo rushed back to tell the good news; and Amy looked
|
|
both touched and surprised by the report of May's words and manner.
|
|
"Now, gentlemen, I want you to go and do your duty by the other
|
|
tables as generously as you have by mine- especially the art-table,"
|
|
she said, ordering out "Teddy's Own," as the girls called the
|
|
college friends.
|
|
"'Charge, Chester, charge!' is the motto for that table; but do your
|
|
duty like men, and you'll get your money's worth of art in every sense
|
|
of the word," said the irrepressible Jo, as the devoted phalanx
|
|
prepared to take the field.
|
|
"To hear is to obey, but March is fairer far than May," said
|
|
little Parker, making a frantic effort to be both witty and tender,
|
|
and getting promptly quenched by Laurie, who said, "Very well, my son,
|
|
for a small boy!" and walked him off, with a paternal pat on the head.
|
|
"Buy the vases," whispered Amy to Laurie, as a final heaping of
|
|
coals of fire on her enemy's head.
|
|
To May's great delight, Mr. Laurence not only bought the vases,
|
|
but pervaded the hall with one under each arm. The other gentlemen
|
|
speculated with equal rashness in all sorts of frail trifles, and
|
|
wandered helplessly about afterward, burdened with wax flowers,
|
|
painted fans, filigree portfolios, and other useful and appropriate
|
|
purchases.
|
|
Aunt Carrol was there, heard the story, looked pleased, and said
|
|
something to Mrs. March in a corner, which made the latter lady beam
|
|
with satisfaction, and watch Amy with a face full of mingled pride and
|
|
anxiety, though she did not betray the cause of her pleasure till
|
|
several days later.
|
|
The fair was pronounced a success; and when May bade Amy good-night,
|
|
she did not "gush" as usual, but gave her an affectionate kiss, and
|
|
a look which said, "Forgive and forget." That satisfied Amy; and
|
|
when she got home she found the vases paraded on the parlor
|
|
chimney-piece, with a great bouquet in each. "The reward of merit
|
|
for a magnanimous March," as Laurie announced with a flourish.
|
|
"You've a deal more principle and generosity and nobleness of
|
|
character than I ever gave you credit for, Amy. You've behaved
|
|
sweetly, and I respect you with all my heart," said Jo warmly, as they
|
|
brushed their hair together late that night.
|
|
"Yes, we all do, and love her for being so ready to forgive. It must
|
|
have been dreadfully hard, after working so long, and setting your
|
|
heart on selling your own pretty things. I don't believe I could
|
|
have done it as kindly as you did," added Beth from her pillow.
|
|
"Why, girls, you needn't praise me so; I only did as I'd be done by.
|
|
You laugh at me when I say I want to be a lady, but I mean a true
|
|
gentlewoman in mind and manners, and I try to do it as far as I know
|
|
how. I can't explain exactly, but I want to be above the little
|
|
meannesses and follies and faults that spoil so many women. I'm far
|
|
from it now, but I do my best, and hope in time to be what mother is."
|
|
Amy spoke earnestly, and Jo said, with a cordial hug-
|
|
"I understand now what you mean, and I'll never laugh at you
|
|
again. You are getting on faster than you think, and I'll take lessons
|
|
of you in true politeness, for you've learned the secret, I believe.
|
|
Try away, deary; you'll get your reward some day, and no one will be
|
|
more delighted than I shall."
|
|
A week later Amy did get her reward, and poor Jo found it hard to be
|
|
delighted. A letter came from Aunt Carrol, and Mrs. March's face was
|
|
illuminated to such a degree, when she read it, that Jo and Beth,
|
|
who were with her, demanded what the glad tidings were.
|
|
"Aunt Carrol is going abroad next month, and wants-"
|
|
"Me to go with her!" burst in Jo, flying out of her chair in an
|
|
uncontrollable rapture.
|
|
"No, dear, not you; it's Amy."
|
|
"O mother! she's too young; it's my turn first. I've wanted it so
|
|
long- it would do me so much good, and be so altogether splendid- I
|
|
must go."
|
|
"I'm afraid it's impossible, Jo. Aunt says Amy, decidedly, and it is
|
|
not for us to dictate when she offers such a favor."
|
|
"It's always so. Amy has all the fun and I have all the work. It
|
|
isn't fair, oh, it isn't fair!" cried Jo passionately.
|
|
"I'm afraid it is partly your own fault, dear. When Aunt spoke to me
|
|
the other day, she regretted your blunt manners and too independent
|
|
spirit; and here she writes, as if quoting something you had said-
|
|
'I planned at first to ask Jo;' but as "favors burden her," and she
|
|
"hates French," I think I won't venture to invite her. Amy is more
|
|
docile, will make a good companion for Flo, and receive gratefully any
|
|
help the trip may give her."
|
|
"Oh, my tongue, my abominable tongue! why can't I learn to keep it
|
|
quiet?" groaned Jo, remembering words which had been her undoing. When
|
|
she had heard the explanation of the quoted phrases, Mrs. March said
|
|
sorrowfully-
|
|
"I wish you could have gone, but there is no hope of it this time;
|
|
so try to bear it cheerfully, and don't sadden Amy's pleasure by
|
|
reproaches or regrets."
|
|
"I'll try," said Jo, winking hard, as she knelt down to pick up
|
|
the basket she had joyfully upset. "I'll take a leaf out of her
|
|
book, and try not only to seem glad, but to be so, and not grudge
|
|
her one minute of happiness; but it won't be easy, for it is a
|
|
dreadful disappointment"; and poor Jo bedewed the little fat
|
|
pincushion she held with several very bitter tears.
|
|
"Jo, dear, I'm very selfish, but I couldn't spare you, and I'm
|
|
glad you are not going quite yet," whispered Beth, embracing her,
|
|
basket and all, with such a clinging touch and loving face, that Jo
|
|
felt comforted in spite of the sharp regret that made her want to
|
|
box her own ears, and humbly beg Aunt Carrol to burden her with this
|
|
favor, and see how gratefully she would bear it.
|
|
By the time Amy came in, Jo was able to take her part in the
|
|
family jubilation; not quite as heartily as usual, perhaps, but
|
|
without repinings at Amy's good fortune. The young lady herself
|
|
received the news as tidings of great joy, went about in a solemn sort
|
|
of rapture, and began to sort her colors and pack her pencils that
|
|
evening, leaving such trifles as clothes, money, and passports to
|
|
those less absorbed in visions of art than herself.
|
|
"It isn't a mere pleasure trip to me, girls," she said impressively,
|
|
as she scraped her best palette. "It will decide my career; for if I
|
|
have any genius, I shall find it out in Rome, and will do something to
|
|
prove it."
|
|
"Suppose you haven't?" said Jo, sewing away, with red eyes, at the
|
|
new collars which were to be handed over to Amy.
|
|
"Then I shall come home and teach drawing for my living," replied
|
|
the aspirant for fame, with philosophic composure; but she made a
|
|
wry face at the prospect, and scratched away at her palette as if bent
|
|
on vigorous measures before she gave up her hopes.
|
|
"No, you won't; you hate hard work, and you'll marry some rich
|
|
man, and come home to sit in the lap of luxury all your days," said
|
|
Jo.
|
|
"Your predictions sometimes come to pass, but I don't believe that
|
|
one will. I'm sure I wish it would, for if I can't be an artist
|
|
myself, I should like to be able to help those who are," said Amy,
|
|
smiling, as if the part of Lady Bountiful would suit her better than
|
|
that of a poor drawing-teacher.
|
|
"Hum!" said Jo, with a sigh; "if you wish it you'll have it, for
|
|
your wishes are always granted- mine never."
|
|
"Would you like to go?" asked Amy, thoughtfully patting her nose
|
|
with her knife.
|
|
"Rather!"
|
|
"Well, in a year or two I'll send for you, and we'll dig in the
|
|
Forum for relics, and carry out all the plans we've made so many
|
|
times."
|
|
"Thank you; I'll remind you of your promise when that joyful day
|
|
comes, if it ever does," returned Jo, accepting the vague but
|
|
magnificent offer as gratefully as she could.
|
|
There was not much time for preparation, and the house was in a
|
|
ferment till Amy was off. Jo bore up very well till the last flutter
|
|
of blue ribbon vanished, when she retired to her refuge, the garret,
|
|
and cried till she couldn't cry any more. Amy likewise bore up stoutly
|
|
till the steamer sailed; then, just as the gangway was about to be
|
|
withdrawn, it suddenly came over her that a whole ocean was soon to
|
|
roll between her and those who loved her best, and she clung to
|
|
Laurie, the last lingerer, saying with a sob-
|
|
"Oh, take care of them for me; and if anything should happen-"
|
|
"I Will, dear, I will; and if anything happens, I'll come and
|
|
comfort you," whispered Laurie, little dreaming that he would be
|
|
called upon to keep his word.
|
|
So Amy sailed away to find the old world, which is always new and
|
|
beautiful to young eyes, while her father and friend watched her
|
|
from the shore, fervently hoping that none but gentle fortunes would
|
|
befall the happy-hearted girl, who waved her hand to them till they
|
|
could see nothing but the summer sunshine dazzling on the sea.
|
|
31
|
|
Our Foreign Correspondent
|
|
|
|
LONDON.
|
|
DEAREST PEOPLE:
|
|
Here I really sit at a front window of the Bath Hotel, Piccadilly.
|
|
It's not a fashionable place, but uncle stopped here years ago, and
|
|
won't go anywhere else; however, we don't mean to stay long, so it's
|
|
no great matter. Oh, I can't begin to tell you how I enjoy it all! I
|
|
never can, so I'll only give you bits out of my note-book, for I've
|
|
done nothing but sketch and scribble since I started.
|
|
I sent a line from Halifax, when I felt pretty miserable, but
|
|
after that I got on delightfully, seldom ill, on deck all day, with
|
|
plenty of pleasant people to amuse me. Every one was very kind to
|
|
me, especially the officers. Don't laugh, Jo; gentlemen really are
|
|
necessary aboard ship, to hold on to, or to wait aboard ship, to
|
|
hold on to, or to wait upon one; and as they have nothing to do,
|
|
it's a mercy to make them useful, otherwise they would smoke
|
|
themselves to death, I'm afraid.
|
|
Aunt and Flo were poorly all the way, and liked to be let alone,
|
|
so when I had done what I could for them, I went and enjoyed myself.
|
|
Such walks on deck, such sunsets, such splendid air and waves! I was
|
|
almost as exciting as riding a fast horse, when we went rushing on
|
|
so grandly. I wish Beth could have come, it would have done her so
|
|
much good; as for Jo, she would have gone up and sat on the main-top
|
|
jib, or whatever the high thing is called, made friends with the
|
|
engineers, and tooted on the captain's speaking-trumpet, she'd have
|
|
been in such a state of rapture.
|
|
It was all heavenly, but I was glad to see the Irish coast, and
|
|
found it very lovely, so green and sunny, with brown cabins here and
|
|
there, ruins on some of the hills, and gentlemen's country-seats in
|
|
the valleys, with deer feeding in the parks. It was early in the
|
|
morning, but I didn't regret getting up to see it, for the bay was
|
|
full of little boats, the shore so picturesque, and a rosy sky
|
|
overhead. I never shall forget it.
|
|
At Queenstown one of my new acquaintances left us- Mr. Lennox- and
|
|
when I said something about the Lakes of Killarney, he sighed and
|
|
sung, with a look at me-
|
|
|
|
"Oh, have you e'er heard of Kate Kearney?
|
|
She lives on the banks of Killarney;
|
|
From the glance of her eye,
|
|
Shun danger and fly,
|
|
For fatal's the glance of Kate Kearney."
|
|
|
|
Wasn't that nonsensical?
|
|
We only stopped at Liverpool a few hours. It's a dirty, noisy place,
|
|
and I was glad to leave it. Uncle rushed out and bought a pair of
|
|
dog-skin gloves, some ugly, thick shoes, and an umbrella, and got
|
|
shaved a la mutton-chop, the first thing. Then he flattered himself
|
|
that he looked like a true Briton; but the first time he had the mud
|
|
cleaned off his shoes, the little bootblack knew that an American
|
|
stood in them, and said, with a grin, "There yer har, sir. I've give
|
|
'em the latest Yankee shine." It amused uncle immensely. Oh, I must
|
|
tell you what that absurd Lennox did! He got his friend Ward, who came
|
|
on with us, to order a bouquet for me, and the first thing I saw in my
|
|
room was a lovely one, with "Robert Lennox's compliments," on the
|
|
card. Wasn't that fun, girls? I like travelling.
|
|
I never shall get to London if I don't hurry. The trip was like
|
|
riding through a long picture-gallery, full of lovely landscapes.
|
|
The farmhouses were my delight; with thatched roofs, ivy up to the
|
|
eaves, latticed windows, and stout women with rosy children at the
|
|
doors. The very cattle looked more tranquil than ours, as they stood
|
|
knee-deep in clover, and the hens had a contented cluck, as if they
|
|
never got nervous, like Yankee biddies. Such perfect color I never
|
|
saw- the grass so green, sky so blue, grain so yellow, woods so
|
|
dark- I was in a rapture all the way. So was Flo; and we kept bouncing
|
|
from one side to the other, trying to see everything while we were
|
|
whisking along at the rate of sixty miles an hour. Aunt was tired
|
|
and went to sleep, but uncle read his guide-book and wouldn't be
|
|
astonished at anything. This is the way we went on, Amy flying up-
|
|
"Oh, that must he Kenilworth, that gray place among the trees!" Flo,
|
|
darting to my window- "How sweet! We must go there some time, won't
|
|
we, papa?" Uncle, calmly admiring his boots- "No, my dear, not
|
|
unless you want beer; that's a brewery."
|
|
A pause- then Flo cried out, "Bless me, there's a gallows and a
|
|
man going up." "Where, where?" shrieks Amy, staring out at two tall
|
|
posts with a cross-beam and some dangling chains. "A colliery,"
|
|
remarks uncle, with a twinkle of the eye. "Here's a lovely flock of
|
|
lambs all lying down," says Amy. "See, papa, aren't they pretty!"
|
|
added Flo sentimentally. "Geese, young ladies," returns uncle, in a
|
|
tone that keeps us quiet till Flo settles down to enjoy "The
|
|
Flirtations of Capt. Cavendish," and I have the scenery all to myself.
|
|
Of course it rained when we got to London, and there was nothing
|
|
to be seen but fog and umbrellas. We rested, unpacked, and shopped a
|
|
little between the showers. Aunt Mary got me some new things, for I
|
|
came off in such a hurry I wasn't half ready. A white hat and blue
|
|
feather, a muslin dress to match, and the loveliest mantle you ever
|
|
saw. Shopping in Regent Street is perfectly splendid; things seem so
|
|
cheap- nice ribbons only sixpence a yard. I laid in a stock, but shall
|
|
get my gloves in Paris. Doesn't that sound sort of elegant and rich?
|
|
Flo and I, for the fun of it, ordered a hansom cab, while aunt and
|
|
uncle were out, and went for a drive, though we learned afterward that
|
|
it wasn't the thing for young ladies to ride in them alone. It was
|
|
so droll! for when we were shut in by the wooden apron, the man
|
|
drove so fast that Flo was frightened, and told me to stop him. But he
|
|
was up outside behind somewhere, and I couldn't get at him. He
|
|
didn't hear me call, nor see me flap my parasol in front, and there we
|
|
were, quite helpless, rattling away, and whirling around corners at
|
|
a break-neck pace. At last, in my despair, I saw a little door in
|
|
the roof, and on poking it open, a red eye appeared, and a beery voice
|
|
said-
|
|
"Now then, mum?"
|
|
I gave my order as soberly as I could, and slamming down the door,
|
|
with an, "Aye, aye, mum," the man made his horse walk, as if going
|
|
to a funeral. I poked again, and said, "A little faster"; then off
|
|
he went, helter-skelter, as before, and we resigned ourselves to our
|
|
fate.
|
|
To-day was fair, and we went to Hyde Park, close by for we are
|
|
more aristocratic than we look. The Duke of Devonshire lives near. I
|
|
often see his footmen lounging at the back gate; and the Duke of
|
|
Wellington's house is not far off. Such sights as I saw, my dear! It
|
|
was as good as Punch, for there were fat dowagers rolling about in
|
|
their red and yellow coaches, with gorgeous Jeameses in silk stockings
|
|
and velvet coats, up behind, and powdered coachmen in front. Smart
|
|
maids, with the rosiest children I ever saw; handsome girls, looking
|
|
half asleep; dandies, in queer English hats and lavender kids,
|
|
lounging about, and tall soldiers, in short red jackets and muffin
|
|
caps stuck on one side, looking so funny I longed to sketch them.
|
|
Rotten Row means "Route de Roi," or the king's way; but now it's
|
|
more like a riding-school than anything else. The horses are splendid,
|
|
and the men, especially the grooms, ride well; but the women are
|
|
stiff, and bounce, which isn't according to our rules. I longed to
|
|
show them a tearing American gallop, for they trotted solemnly up
|
|
and down, in their scant habits and high hats, looking like the
|
|
women in a toy Noah's Ark. Every one rides- old men, stout ladies,
|
|
little children- and the young folks do a deal of flirting here; I saw
|
|
a pair exchange rosebuds, for it's the thing to wear in the
|
|
button-hole, and I thought it rather a nice little idea.
|
|
In the p.m. to Westminster Abbey; but don't expect me to describe
|
|
it, that's impossible- so I'll only say it was sublime! This evening
|
|
we are going to see Fechter, which will be an appropriate end to the
|
|
happiest day of my life.
|
|
|
|
MIDNIGHT.
|
|
|
|
It's very late, but I can't let my letter go in the morning
|
|
without telling you what happened last evening. Who do you think
|
|
came in, as we were at tea? Laurie's English friends, Fred and Frank
|
|
Vaughn! I was so surprised, for I shouldn't have known them but for
|
|
the cards. Both are tall fellows, with whiskers; Fred handsome in
|
|
the English style, and Frank much better, for he only limps
|
|
slightly, and uses no crutches. They had heard from Laurie where we
|
|
were to be, and came to ask us to their house; but uncle won't go,
|
|
so we shall return the call, and see them as we can. They went to
|
|
the theatre with us, and we did have such a good time, for Frank
|
|
devoted himself to Flo, and Fred and I talked over past, present,
|
|
and future fun as if we had known each other all our days. Tell Beth
|
|
Frank asked for her, and was sorry to hear of her ill health. Fred
|
|
laughed when I spoke of Jo, and sent his "respectful compliments to
|
|
the big hat." Neither of them had forgotten Camp Laurence, or the
|
|
fun we had there. What ages ago it seems, doesn't it?
|
|
Aunt is tapping on the wall for the third time, so I must stop. I
|
|
really feel like a dissipated London fine lady, writing here so
|
|
late, with my room full of pretty things, and my head a jumble of
|
|
parks, theatres, new gowns, and gallant creatures who say "Ah!" and
|
|
twirl their blond mustaches with the true English lordliness. I long
|
|
to see you all, and in spite of my nonsense am, as ever, your loving
|
|
AMY.
|
|
|
|
PARIS.
|
|
DEAR GIRLS:
|
|
In my last I told you about our London visit- how kind the Vaughns
|
|
were, and what pleasant parties they made for us. I enjoyed the
|
|
trips to Hampton Court and the Kensington Museum more than anything
|
|
else- for at Hampton I saw Raphael's cartoons, and, at the Museum,
|
|
rooms full of pictures by Turner, Lawrence, Reynolds, Hogarth, and the
|
|
other great creatures. The day in Richmond Park was charming, for we
|
|
had a regular English picnic, and I had more splendid oaks and
|
|
groups of deer than I could copy; also heard a nightingale, and saw
|
|
larks go up. We "did" London to our hearts' content, thanks to Fred
|
|
and Frank, and were sorry to go away; for, though English people are
|
|
slow to take you in, when they once make up their minds to do it
|
|
they cannot be outdone in hospitality, I think. The Vaughns hope to
|
|
meet us in Rome next winter, and I shall be dreadfully disappointed if
|
|
they don't, for Grace and I are great friends, and the boys very
|
|
nice fellows- especially Fred.
|
|
Well, we were hardly settled here, when he turned up again, saying
|
|
he had come for a holiday, and was going to Switzerland. Aunt looked
|
|
sober at first, but he was so cool about it she couldn't say a word;
|
|
and now we get on nicely, and are very glad he came, for he speaks
|
|
French like a native, and I don't know what we should do without
|
|
him. Uncle doesn't know ten words, and insists on talking English very
|
|
loud, as if that would make people understand him. Aunt's
|
|
pronunciation is old-fashioned, and Flo and I, though we flattered
|
|
ourselves that we knew a good deal, find we don't, and are very
|
|
grateful to have Fred do the "parley vooing," as uncle calls it.
|
|
Such delightful times as we are having! sight-seeing from morning
|
|
till night, stopping for nice lunches in the gay cafes, and meeting
|
|
with all sorts of droll adventures. Rainy days I spend in the
|
|
Louvre, revelling in pictures. Jo would turn up her naughty nose at
|
|
some of the finest, because she has no soul for art; but I have, and
|
|
I'm cultivating eye and taste as fast as I can. She would like the
|
|
relics of great people better, for I've seen her Napoleon's cocked hat
|
|
and gray coat, his baby's cradle and his old toothbrush; also Marie
|
|
Antoinette's little shoe, the ring of Saint Denis, Charlemagne's
|
|
sword, and many other interesting things. I'll talk for hours about
|
|
them when I come, but haven't time to write.
|
|
The Palais Royal is a heavenly place- so full of bijouterie and
|
|
lovely things that I'm nearly distracted because I can't buy them.
|
|
Fred wanted to get me some, but of course I didn't allow it. Then
|
|
the Bois and the Champs Elysees are tres magnifique. I've seen the
|
|
imperial family several times- the emperor an ugly, hard-looking
|
|
man, the empress pale and pretty, but dressed in bad taste, I thought-
|
|
purple dress, green hat, and yellow gloves. Little Nap. is a
|
|
handsome boy, who sits chatting to his tutor, and kisses his hand to
|
|
the people as he passes in his four-horse barouche, with postilions in
|
|
red satin jackets, and a mounted guard before and behind.
|
|
We often walk in the Tuileries Gardens, for they are lovely,
|
|
though the antique Luxembourg Gardens suit me better. Pere la Chaise
|
|
is very curious, for many of the tombs are like small rooms, and,
|
|
looking in, one sees a table, with image, or pictures of the dead, and
|
|
chairs for the mourners to sit in when they come to lament. That is so
|
|
Frenchy.
|
|
Our rooms are on the Rue de Rivoli, and, sitting in the balcony,
|
|
we look up and down the long, brilliant street. It is so pleasant that
|
|
we spend our evenings talking there, when too tired with our day's
|
|
work to go out. Fred is very entertaining, and is altogether the
|
|
most agreeable young man I ever knew- except Laurie, whose manners are
|
|
more charming. I wish Fred was dark, for I don't fancy light men;
|
|
however, the Vaughns are very rich, and come of an excellent family,
|
|
so I won't find fault with their yellow hair, as my own is yellower.
|
|
Next week we are off to Germany and Switzerland; and, as we shall
|
|
travel fast, I shall only be able to give you hasty letters. I keep my
|
|
diary, and try to "remember correctly and describe clearly all that
|
|
I see and admire," as father advised. It is good practice for me, and,
|
|
with my sketchbook, will give you a better idea of my tour than
|
|
these scribbles.
|
|
Adieu; I embrace you tenderly.
|
|
VOTRE AMIE.
|
|
|
|
HEIDELBERG.
|
|
MY DEAR MAMMA:
|
|
Having a quiet hour before we leave for Berne, I'll try to tell
|
|
you what has happened, for some of it is very important, as you will
|
|
see.
|
|
The sail up the Rhine was perfect, and I just sat and enjoyed it
|
|
with all my might. Get father's old guide-books, and read about it;
|
|
I haven't words beautiful enough to describe it. At Coblentz we had
|
|
a lovely time, for some students from Bonn, with whom Fred got
|
|
acquainted on the boat, gave us a serenade. It was a moonlight
|
|
night, and, about one o'clock, Flo and I were waked by the most
|
|
delicious music under our windows. We flew up, and hid behind the
|
|
curtains; but sly peeps showed us Fred and the students singing away
|
|
down below. It was the most romantic thing I ever saw- the river,
|
|
the bridge of boats, the great fortress opposite, moonlight,
|
|
everywhere, and music fit to melt a heart of stone.
|
|
When they were done we threw down some flowers, and saw them
|
|
scramble for them, kiss their hands to the invisible ladies, and go
|
|
laughing away- to smoke and drink beer, I suppose. Next morning Fred
|
|
showed me one of the crumpled flowers in his vest-pocket, and looked
|
|
very sentimental. I laughed at him, and said I didn't throw it, but
|
|
Flo, which seemed to disgust him, for he tossed it out of the
|
|
window, and turned sensible again. I'm afraid I'm going to have
|
|
trouble with that boy, it begins to look like it.
|
|
The baths at Nassau were very gay, so was Baden-Baden, where Fred
|
|
lost some money, and I scolded him. He needs some one to look after
|
|
him when Frank is not with him. Kate said once she hoped he'd marry
|
|
soon, and I quite agree with her that it would be well for him.
|
|
Frankfort was delightful; I saw Goethe's house, Schiller's statue, and
|
|
Dannecker's famous "Ariadne." It was very lovely, but I should have
|
|
enjoyed it more if I had known the story better. I didn't like to ask,
|
|
as every one knew it or pretended they did. I wish Jo would tell me
|
|
all about it; I ought to have read more, for I find I don't know
|
|
anything, and it mortifies me.
|
|
Now comes the serious part- for it happened here, and Fred is just
|
|
gone. He has been so kind and jolly that we all got quite fond of him;
|
|
I never thought of anything but a travelling friendship, till the
|
|
serenade night. Since then I've begun to feel that the moonlight walk,
|
|
balcony talks, and daily adventures were something more to him than
|
|
fun. I haven't flirted, mother, truly, but remember what you said to
|
|
me, and have done my very best. I can't help it if people like me; I
|
|
don't try to make them, and it worries me if I don't care for them,
|
|
though Jo says I haven't got any heart. Now I know mother will shake
|
|
her head, and the girls say, "Oh, the mercenary little wretch!" but
|
|
I've made up my mind, and, if Fred asks me, I shall accept him, though
|
|
I'm not madly in love. I like him, and we get on comfortably together.
|
|
He is handsome, young, clever enough, and very rich- ever so much
|
|
richer than the Laurences. I don't think his family would object,
|
|
and I should be very happy, for they are all kind, well-bred, generous
|
|
people, and they like me. Fred, as the eldest twin, will have the
|
|
estate, I suppose, and such a splendid one as it is! A city house in a
|
|
fashionable street, not so showy as our big houses, but twice as
|
|
comfortable, and full of solid luxury, such as English people
|
|
believe in. I like it, for it's genuine. I've seen the plate, the
|
|
family jewels, the old servants, and pictures of the country place,
|
|
with its park, great house, lovely grounds, and fine horses. Oh, it
|
|
would be all I should ask! and I'd rather have it than any title
|
|
such as girls snap up so readily, and find nothing behind. I may be
|
|
mercenary, but I hate poverty, and don't mean to bear it a minute
|
|
longer than I can help. One of us must marry well; Meg didn't, Jo
|
|
won't, Beth can't yet, so I shall, and make everything cosy all
|
|
around. I wouldn't marry a man I hated or despised. You may be sure of
|
|
that; and, though Fred is not my model hero, he does very well, and,
|
|
in time, I should get fond enough of him if he was very fond of me,
|
|
and let me do just as I liked. So I've been turning the matter over in
|
|
my mind the last week, for it was impossible to help seeing that
|
|
Fred liked me. He said nothing, but little things showed it; he
|
|
never goes with Flo, always gets on my side of the carriage, table, or
|
|
promenade, looks sentimental when we are alone, and frowns at any
|
|
one else who ventures to speak to me. Yesterday, at dinner, when an
|
|
Austrian officer stared at us, and then said something to his
|
|
friend- a rakish-looking baron- about "ein wunderschones Blondchen,"
|
|
Fred looked as fierce as a lion, and cut his meat so savagely, it
|
|
nearly flew off his plate. He isn't one of the cool, stiff Englishmen,
|
|
but is rather peppery, for he has Scotch blood in him, as one might
|
|
guess from his bonnie blue eyes.
|
|
Well, last evening we went up to the castle about sunset- at least
|
|
all of us but Fred, who was to meet us there, after going to the Poste
|
|
Restante for letters. We had a charming time poking about the ruins,
|
|
the vaults where the monster tun is, and the beautiful gardens made by
|
|
the elector, long ago, for his English wife. I liked the great terrace
|
|
best, for the view was divine; so, while the rest went to see the
|
|
rooms inside, I sat there trying to sketch the gray stone lion's
|
|
head on the wall, with scarlet woodbine sprays hanging round it. I
|
|
felt as if I'd got into a romance, sitting there, watching the
|
|
Neckar rolling through the valley, listening to the music of the
|
|
Austrian hand below, and waiting for my lover, like a real
|
|
story-book girl. I had a feeling that something was going to happen,
|
|
and I was ready for it. I didn't feel blushy or quakey, but quite
|
|
cool, and only a little excited.
|
|
By and by I heard Fred's voice, and then he came hurrying through
|
|
the great arch to find me. He looked so troubled that I forgot all
|
|
about myself, and asked what the matter was. He said he'd just got a
|
|
letter begging him to come home, for Frank was very ill; so he was
|
|
going at once, in the night train, and only had time to say good-by. I
|
|
was very sorry for him, and disappointed for myself, but only for a
|
|
minute, because he said, as he shook hands- and said it in a way
|
|
that I could not mistake- "I shall soon come back; you won't forget
|
|
me, Amy?"
|
|
I didn't promise him anything, but I looked at him, and he seemed
|
|
satisfied, and there was no time for anything but messages and
|
|
good-byes, for he was off in an hour, and we all miss him very much. I
|
|
knew he wanted to speak, but I think, from something he once hinted,
|
|
that he had promised his father not to do anything of the sort yet
|
|
awhile, for he is a rash boy, and the old gentleman dreads a foreign
|
|
daughter-in-law. We shall soon meet in Rome; and then, if I don't
|
|
change my mind, I'll say "Yes, thank you," when he says "Will you,
|
|
please?"
|
|
Of course this is all very private, but I wish you to know what
|
|
was going on. Don't be anxious about me; remember I am your "prudent
|
|
Amy," and be sure I will do nothing rashly. Send me as much advice
|
|
as you like; I'll use it if I can. I wish I could see you for a good
|
|
talk, Marmee. Love and trust me.
|
|
Ever your AMY.
|
|
32
|
|
Tender Troubles
|
|
|
|
"JO, I'm anxious about Beth."
|
|
"Why, mother, she has seemed unusually well since the babies came."
|
|
"It's not her health that troubles me now; it's her spirits. I'm
|
|
sure there is something on her mind, and I want you to discover what
|
|
it is."
|
|
"What makes you think so, mother?"
|
|
"She sits alone a good deal, and doesn't talk to her father as
|
|
much as she used. I found her crying over the babies the other day.
|
|
When she sings, the songs are always sad ones, and now and then I
|
|
see a look in her face that I don't understand. This isn't like
|
|
Beth, and it worries me."
|
|
"Have you asked her about it?"
|
|
"I have tried once or twice; but she either evaded my questions,
|
|
or looked so distressed that I stopped. I never force my children's
|
|
confidence, and I seldom have to wait for it long."
|
|
Mrs. March glanced at Jo as she spoke, but the face opposite
|
|
seemed quite unconscious of any secret disquietude but Beth's; and,
|
|
after sewing thoughtfully for a minute, Jo said-
|
|
"I think she is growing up, and so begins to dream dreams, and
|
|
have hopes and fears and fidgets, without knowing why, or being able
|
|
to explain them. Why, mother, Beth's eighteen, but we don't realize
|
|
it, and treat her like a child, forgetting she's a woman."
|
|
"So she is. Dear heart, how fast you do grow up," returned her
|
|
mother, with a sigh and a smile.
|
|
"Can't be helped, Marmee, so you must resign yourself to all sorts
|
|
of worries, and let your birds hop out of the nest, one by one. I
|
|
promise never to hop very far, if that is any comfort to you."
|
|
"It is a great comfort, Jo; I always feel strong when you are at
|
|
home, now Meg is gone. Beth is too feeble and Amy too young to
|
|
depend upon; but when the tug comes, you are always ready."
|
|
"Why, you know I don't mind hard jobs much, and there must always be
|
|
one scrub in a family. Amy is splendid in fine works, and I'm not; but
|
|
I feel in my element when all the carpets are to be taken up, or
|
|
half the family fall sick at once. Amy is distinguishing herself
|
|
abroad; but if anything is amiss at home, I'm your man."
|
|
"I leave Beth to your hands, then, for she will open her tender
|
|
little heart to her Jo sooner than to any one else. Be very kind,
|
|
and don't let her think any one watches or talks about her. If she
|
|
only would get quite strong and cheerful again, I shouldn't have a
|
|
wish in the world."
|
|
"Happy woman! I've got heaps."
|
|
"My dear, what are they?"
|
|
"I'll settle Bethy's troubles, and then I'll tell you mine. They are
|
|
not very wearing, so they'll keep"; and Jo stitched away, with a
|
|
wise nod which set her mother's heart at rest about her, for the
|
|
present at least.
|
|
While apparently absorbed in her own affairs, Jo watched Beth;
|
|
and, after many conflicting conjectures, finally settled upon one
|
|
which seemed to explain the change in her. A slight incident gave Jo
|
|
the clue to the mystery, she thought, and lively fancy, loving heart
|
|
did the rest. She was affecting to write busily one Saturday
|
|
afternoon, when she and Beth were alone together; yet as she
|
|
scribbled, she kept her eye on her sister, who seemed unusually quiet.
|
|
Sitting at the window, Beth's work often dropped into her lap, and she
|
|
leaned her head upon her hand, in a dejected attitude, while her
|
|
eyes rested on the dull, autumnal landscape. Suddenly some one
|
|
passed below, whistling like an operatic blackbird, and a voice called
|
|
out-
|
|
"All serene! Coming in to-night."
|
|
Beth started, leaned forward, smiled and nodded, watched the
|
|
passer-by till his quick tramp died away, then said softly, as if to
|
|
herself-
|
|
"How strong and well and happy that dear boy looks."
|
|
"Hum!" said Jo, still intent upon her sister's face; for the
|
|
bright color faded as quickly as it came, the smile vanished, and
|
|
presently a tear lay shining on the window-ledge. Beth whisked it off,
|
|
and glanced apprehensively at Jo; but she was scratching away at a
|
|
tremendous rate, apparently engrossed in "Olympia's Oath." The instant
|
|
Beth turned, Jo began her watch again, saw Beth's hand go quietly to
|
|
her eyes more than once, and, in her half-averted face, read a
|
|
tender sorrow that made her own eyes fill. Fearing to betray
|
|
herself, she slipped away, murmuring something about needing more
|
|
paper.
|
|
"Mercy on me, Beth loves Laurie!" she said, sitting down in her
|
|
own room, pale with the shock of the discovery which she believed
|
|
she had just made. "I never dreamt of such a thing. What will mother
|
|
say? I wonder if he-" there Jo stopped, and turned scarlet with a
|
|
sudden thought. "If he shouldn't love back again, how dreadful it
|
|
would be. He must; I'll make him!" and she shook her head
|
|
threateningly at the picture of the mischievous-looking boy laughing
|
|
at her from the wall. "Oh dear, we are growing up with a vengeance.
|
|
Here's Meg married and a mamma, Amy flourishing away at Paris, and
|
|
Beth in love. I'm the only one that has sense enough to keep out of
|
|
mischief." Jo thought intently for a minute, with her eyes fixed on
|
|
the picture; then she smoothed out her wrinkled forehead, and said,
|
|
with a decided nod at the face opposite, "No, thank you, sir; you're
|
|
very charming, but you've no more stability than a weather-cock; so
|
|
you needn't write touching notes, and smile in that insinuating way,
|
|
for it won't do a bit of good, and I won't have it."
|
|
Then she sighed, and fell into a reverie, from which she did not
|
|
wake till the early twilight sent her down to take new observations,
|
|
which only confirmed her suspicion. Though Laurie flirted with Amy and
|
|
joked with Jo, his manner to Beth had always been peculiarly kind
|
|
and gentle, but so was everybody's; therefore, no one thought of
|
|
imagining that he cared more for her than for the others. Indeed, a
|
|
general impression had prevailed in the family, of late, that "our
|
|
boy" was getting fonder than ever of Jo, who, however, wouldn't hear a
|
|
word upon the subject, and scolded violently if any one dared to
|
|
suggest it. If they had known the various tender passages of the
|
|
past year, or rather attempts at tender passages which had been nipped
|
|
in the bud, they would have had the immense satisfaction of saying, "I
|
|
told you so." But Jo hated "philandering," and wouldn't allow it,
|
|
always having a joke or a smile ready at the least sign of impending
|
|
danger.
|
|
When Laurie first went to college, he fell in love about once a
|
|
month; but these small flames were as brief as ardent, did no
|
|
damage, and much amused Jo, who took great interest in the
|
|
alternations of hope, despair, and resignation, which were confided to
|
|
her in their weekly conferences. But there came a time when Laurie
|
|
ceased to worship at many shrines, hinted darkly at one
|
|
all-absorbing passion, and indulged occasionally in Byronic fits of
|
|
gloom. Then he avoided the tender subject altogether, wrote
|
|
philosophical notes to Jo, turned studious, and gave out that he was
|
|
going to "dig," intending to graduate in a blaze of glory. This suited
|
|
the young lady better than twilight confidences, tender pressures of
|
|
the hand, and eloquent glances of the eye; for with Jo, brain
|
|
developed earlier than heart, and she preferred imaginary heroes to
|
|
real ones, because, when tired of them, the former could be shut up in
|
|
the tin-kitchen till called for, and the latter were less manageable.
|
|
Things were in this state when the grand discovery was made, and
|
|
Jo watched Laurie that night as she had never done before. If she
|
|
had not got the new idea into her head, she would have seen nothing
|
|
unusual in the fact that Beth was very quiet, and Laurie very kind
|
|
to her. But having given the rein to her lively fancy, it galloped
|
|
away with her at a great pace; and common sense, being rather weakened
|
|
by a long course of romance writing, did not come to the rescue. As
|
|
usual, Beth lay on the sofa, and Laurie sat in a low chair close by,
|
|
amusing her with all sorts of gossip; for she depended on her weekly
|
|
"spin," and he never disappointed her. But that evening, Jo fancied
|
|
that Beth's eyes rested on the lively, dark face beside her with
|
|
peculiar pleasure, and that she listened with intense interest to an
|
|
account of some exciting cricket-match, though the phrases, "caught
|
|
off a tice," "stumped off his ground," and "the leg hit for three,"
|
|
were as intelligible to her as Sanscrit. She also fancied, having
|
|
set her heart upon seeing it, that she saw a certain increase of
|
|
gentleness in Laurie's manner, that he dropped his voice now and then,
|
|
laughed less than usual, was a little absent-minded, and settled the
|
|
afghan over Beth's feet with an assiduity that was really almost
|
|
tender.
|
|
"Who knows? stranger things have happened," thought Jo, as she
|
|
fussed about the room. "She will make quite an angel of him, and he
|
|
will make life delightfully easy and pleasant for the dear, if they
|
|
only love each other. I don't see how he can help it; and I do believe
|
|
he would if the rest of us were out of the way."
|
|
As every one was out of the way but herself, Jo began to feel that
|
|
she ought to dispose of herself with all speed. But where should she
|
|
go? and burning to lay herself upon the shrine of sisterly devotion,
|
|
she sat down to settle that point.
|
|
Now, the old sofa was a regular patriarch of a sofa- long, broad,
|
|
well-cushioned, and low; a trifle shabby, as well it might be, for the
|
|
girls had slept and sprawled on it as babies, fished over the back,
|
|
rode on the arms, and had menageries under it as children, and
|
|
rested tired heads, dreamed dreams, and listened to tender talk on
|
|
it as young women. They all loved it, for it was a family refuge,
|
|
and one corner had always been Jo's favorite lounging-place. Among the
|
|
many pillows that adorned the venerable couch was one, hard, round,
|
|
covered with prickly horsehair, and furnished with a knobby button
|
|
at each end; this repulsive pillow was her especial property, being
|
|
used as a weapon of defence, a barricade, or a stern preventive of too
|
|
much slumber.
|
|
Laurie knew this pillow well, and had cause to regard it with deep
|
|
aversion, having been unmercifully pummelled with it in former days
|
|
when romping was allowed, and now frequently debarred by it from
|
|
taking the seat he most coveted, next to Jo in the sofa corner. If
|
|
"the sausage" as they called it, stood on end, it was a sign that he
|
|
might approach and repose; but if it lay flat across the sofa, woe
|
|
to the man, woman, or child who dared disturb it! That evening Jo
|
|
forgot to barricade her corner, and had not been in her seat five
|
|
minutes, before a massive form appeared beside her, and, with both
|
|
arms spread over the sofa-back, both long legs stretched out before
|
|
him, Laurie exclaimed, with a sigh of satisfaction-
|
|
"Now, this is filling at the price."
|
|
"No slang," snapped Jo, slamming down the pillow. But it was too
|
|
late, there was no room for it; and, coasting onto the floor, it
|
|
disappeared in a most mysterious manner.
|
|
"Come, Jo, don't be thorny. After studying himself to a skeleton all
|
|
the week, a fellow deserves petting, and ought to get it."
|
|
"Beth will pet you; I'm busy."
|
|
"No, she's not to be bothered with me; but you like that sort of
|
|
thing, unless you suddenly lost your taste for it. Have you? Do you
|
|
hate your boy, and want to fire pillows at him?"
|
|
Anything more wheedlesome than that touching appeal was seldom
|
|
heard, but Jo quenched "her boy" by turning on him with the stern
|
|
query, "How many bouquets have you sent Miss Randal this week?"
|
|
"Not one, upon my word. She's engaged. Now then."
|
|
"I'm glad of it; that's one of your foolish extravagances- sending
|
|
flowers and things to girls for whom you don't care two pins,"
|
|
continued Jo reprovingly.
|
|
"Sensible girls, for whom I do care whole papers of pins, won't
|
|
let me send them 'flowers and things,' so what can I do? My feelings
|
|
must have a went."
|
|
"Mother doesn't approve of flirting, even in fun; and you do flirt
|
|
desperately, Teddy."
|
|
"I'd give anything if I could answer, 'So do you.' As I can't,
|
|
I'll merely say that I don't see any harm in that pleasant little
|
|
game, if all parties understand that it's only play."
|
|
"Well, it does look pleasant, but I can't learn how it's done,
|
|
I've tried, because one feels awkward in company, not to do as
|
|
everybody else is doing; but I don't seem to get on," said Jo,
|
|
forgetting to play Mentor.
|
|
"Take lessons of Amy; she has a regular talent for it."
|
|
"Yes, she does it very prettily, and never seems to go too far. I
|
|
suppose it's natural to some people to please without trying, and
|
|
others to always say and do the wrong thing in the wrong place."
|
|
"I'm glad you can't flirt; it's really refreshing to see a sensible,
|
|
straight-forward girl, who can be jolly and kind without making a fool
|
|
of herself Between ourselves, Jo, some of the girls I know really do
|
|
go on at such a rate I'm ashamed of them. They don't mean any harm,
|
|
I'm sure; but if they knew how we fellows talked about them afterward,
|
|
they'd mend their ways, I fancy."
|
|
"They do the same; and, as their tongues are the sharpest, you
|
|
fellows get the worst of it, for you are as silly as they, every
|
|
bit. If you behaved properly, they would; but, knowing you like
|
|
their nonsense, they kept it up, and then you blame them."
|
|
"Much you know about it, ma'am," said Laurie, in a superior tone.
|
|
"We don't like romps and flirts, though we may act as if we did
|
|
sometimes. The pretty, modest girls are never talked about, except
|
|
respectfully, among gentlemen. Bless your innocent soul! If you
|
|
could be in my place for a month you'd see things that would
|
|
astonish you a trifle. Upon my word, when I see one of those
|
|
harum-scarum girls, I always want to say with our friend Cock Robin-
|
|
|
|
"'Out upon you, fie upon you,
|
|
Bold-faced jig!'"
|
|
|
|
It was impossible to help laughing at the funny conflict between
|
|
Laurie's chivalrous reluctance to speak ill of womankind, and his very
|
|
natural dislike of the unfeminine folly of which fashionable society
|
|
showed him many samples. Jo knew that "young Laurence" was regarded as
|
|
a most eligible parti by worldly mammas, was much smiled upon by their
|
|
daughters, and flattered enough by ladies of all ages to make a
|
|
coxcomb of him; so she watched him rather jealously, fearing he
|
|
would be spoilt, and rejoiced more than she confessed to find that
|
|
he still believed in modest girls. Returning suddenly to her
|
|
admonitory tone, she said, dropping her voice, "If you must have a
|
|
'went,' Teddy, go and devote yourself to one of the 'pretty, modest
|
|
girls' whom you do respect, and not waste your time with the silly
|
|
ones."
|
|
"You really advise it?" and Laurie looked at her with an odd mixture
|
|
of anxiety and merriment in his face.
|
|
"Yes, I do; but you'd better wait till you are through college, on
|
|
the whole, and be fitting yourself for the place meantime. You're
|
|
not half good enough for- well, whoever the modest girl may be," and
|
|
Jo looked a little queer likewise, for a name had almost escaped her.
|
|
"That I'm not!" acquiesced Laurie, with an expression of humility
|
|
quite new to him, as he dropped his eyes, and absently wound Jo's
|
|
apron-tassel round his finger.
|
|
"Mercy on us, this will never do," thought Jo; adding aloud, "Go and
|
|
sing to me. I'm dying for some music, and always like yours."
|
|
"I'd rather stay here, thank you."
|
|
"Well, you can't; there isn't room. Go and make yourself useful,
|
|
since you are too big to be ornamental. I thought you hated to be tied
|
|
to a woman's apron-string?" retorted Jo, quoting certain rebellious
|
|
words of his own.
|
|
"Ah, that depends on who wears the apron!" and Laurie gave an
|
|
audacious tweak at the tassel.
|
|
"Are you going?" demanded Jo, diving for the Pillow.
|
|
He fled at once, and the minute it was well "Up with the bonnets
|
|
of bonnie Dundee," she slipped away, to return no more till the
|
|
young gentleman had departed in high dudgeon.
|
|
Jo lay long awake that night, and was just dropping off when the
|
|
sound of a stifled sob made her fly to Beth's bedside, with the
|
|
anxious inquiry, "Why is it, dear?"
|
|
"I thought you were asleep," sobbed Beth.
|
|
"Is it the old pain, my precious?"
|
|
"No; it's a new one; but I can bear it," and Beth tried to check her
|
|
tears.
|
|
"Tell me all about it, and let me cure it as I often did the other."
|
|
"You can't; there is no cure." There Beth's voice gave away, and,
|
|
clinging to her sister, she cried so despairingly that Jo was
|
|
frightened.
|
|
"Where is it? Shall I call mother?"
|
|
Beth did not answer the first question; but in the dark one hand
|
|
went involuntarily to her heart, as if the pain were there; with the
|
|
other she held Jo fast, whispering eagerly, "No, no, don't call her,
|
|
don't tell her. I shall be better soon. Lie down here and 'poor' my
|
|
head. I'll be quiet, and go to sleep; indeed I will."
|
|
Jo obeyed; but as her hand went softly to and fro across Beth's
|
|
hot forehead and wet eyelids, her heart was very full, and she
|
|
longed to speak. But young as she was, Jo had learned that hearts,
|
|
like flowers, cannot be rudely handled, but must open naturally; so,
|
|
though she believed she knew the cause of Beth's new pain, she only
|
|
said, in her tenderest tone, "Does anything trouble you, deary?"
|
|
"Yes, Jo," after a long pause.
|
|
"Wouldn't it comfort you to tell me what it is?"
|
|
"Not now, not yet."
|
|
"Then I won't ask; but remember, Bethy, that mother and Jo are
|
|
always glad to hear and help you, if they can."
|
|
"I know it. I'll tell you by and by."
|
|
"Is the pain better now?"
|
|
"Oh, yes, much better; you are so comfortable, Jo!"
|
|
"Go to sleep, dear; I'll stay with you."
|
|
So cheek to cheek they fell asleep, and on the morrow Beth seemed
|
|
quite herself again; for at eighteen, neither heads nor hearts ache
|
|
long, and a loving word can medicine most ills.
|
|
But Jo had made up her mind, and, after pondering over a project for
|
|
some days, she confided it to her mother.
|
|
"You asked me the other day what my wishes were. I'll tell you one
|
|
of them, Marmee," she began, as they sat alone together. "I want to go
|
|
away somewhere this winter for a change."
|
|
"Why, Jo?" and her mother looked up quickly, as if the words
|
|
suggested a double meaning.
|
|
With her eyes on her work, Jo answered soberly, "I want something
|
|
new; I feel restless, and anxious to be seeing, doing, and learning
|
|
more than I am. I brood too much over my own small affairs, and need
|
|
stirring up, so, as I can be spared this winter, I'd like to hop a
|
|
little way, and try my wings."
|
|
"Where will you hop?"
|
|
"To New York. I had a bright idea yesterday, and this is it. You
|
|
know Mrs. Kirke wrote to you for some respectable young person to
|
|
teach her children and sew. It's rather hard to find just the thing,
|
|
but I think I should suit if I tried."
|
|
"My dear, go out to service in that great boarding-house!" and
|
|
Mrs. March looked surprised, but not displeased.
|
|
"It's not exactly going out to service; for Mrs. Kirke is your
|
|
friend- the kindest soul that ever lived- and would make things
|
|
pleasant for me, I know. Her family is separate from the rest, and
|
|
no one knows me there. I don't care if they do; it's honest work,
|
|
and I'm not ashamed of it."
|
|
"Nor I; but your writing?"
|
|
"All the better for the change. I shall see and hear new things, get
|
|
new ideas, and, even if I haven't much time there, I shall bring
|
|
home quantities of material for my rubbish."
|
|
"I have no doubt of it; but are these your only reasons for this
|
|
sudden fancy?"
|
|
"No, mother."
|
|
"May I know the others?"
|
|
Jo looked up and Jo looked down, then said slowly, with sudden color
|
|
in her cheeks, "It may be vain and wrong to say it, but- I'm afraid-
|
|
Laurie is getting too fond of me."
|
|
"Then you don't care for him in the way it is evident he begins to
|
|
care for you?" and Mrs. March looked anxious as she put the question.
|
|
"Mercy no! I love the dear boy, as I always have, and am immensely
|
|
proud of him; but as for anything more, it's out of the question."
|
|
"I'm glad of that, Jo."
|
|
"Why, please?"
|
|
"Because, dear, I don't think you suited to one another. As
|
|
friends you are very happy, and your frequent quarrels soon blow over;
|
|
but I fear you would both rebel if you were mated for life. You are
|
|
too much alike. and too fond of freedom, not to mention hot tempers
|
|
and strong wills, to get on happily together, in a relation which
|
|
needs infinite patience and forbearance, as well as love."
|
|
"That's just the feeling I had, though I couldn't express it. I'm
|
|
glad you think he is only beginning to care for me. It would trouble
|
|
me sadly to make him unhappy; for I couldn't fall in love with the
|
|
dear old fellow merely out of gratitude, could I?"
|
|
"You are sure of his feeling for you?"
|
|
The color deepened in Jo's cheeks, as she answered, with the look of
|
|
mingled pleasure, pride, and pain which young girls wear when speaking
|
|
of first lovers-
|
|
"I'm afraid it is so, mother; he hasn't said anything, but he
|
|
looks a great deal. I think I had better go away before it comes to
|
|
anything."
|
|
"I agree with you, and if it can be managed you shall go."
|
|
Jo looked relieved, and, after a pause, said, smiling, "How Mrs.
|
|
Moffat would wonder at your want of management, if she knew; and how
|
|
she will rejoice that Annie still may hope."
|
|
"Ah, Jo, mothers may differ in their management, but the hope is the
|
|
same in all- the desire to see their children happy. Meg is so, and
|
|
I am content with her success. You I leave to enjoy your liberty
|
|
till you tire of it; for only then will you find that there is
|
|
something sweeter. Amy is my chief care now, but her good sense will
|
|
help her. For Beth, I indulge no hopes except that she may be well. By
|
|
the way, she seems brighter this last day or two. Have you spoken to
|
|
her?"
|
|
"Yes; she owned she had a trouble, and promised to tell me by and
|
|
by. I said no more, for I think I know it"; and Jo told her little
|
|
story.
|
|
Mrs. March shook her head, and did not take so romantic a view of
|
|
the case, but looked grave, and repeated her opinion that, for
|
|
Laurie's sake, Jo should go away for a time.
|
|
"Let us say nothing about it to him till the plan is settled; then
|
|
I'll run away before he can collect his wits and be tragical. Beth
|
|
must think I'm going to please myself, as I am, for I can't talk about
|
|
Laurie to her; but she can pet and comfort him after I'm gone, and
|
|
so cure him of this romantic notion. He's been through so many
|
|
little trials of the sort, he's used to it, and will soon get over his
|
|
love-lornity."
|
|
Jo spoke hopefully, but could not rid herself of the foreboding fear
|
|
that this "little trial" would be harder than the others, and that
|
|
Laurie would not get over his "love-lornity" as easily as heretofore.
|
|
The plan was talked over in a family council, and agreed upon; for
|
|
Mrs. Kirke gladly accepted Jo, and promised to make a pleasant home
|
|
for her. The teaching would render her independent; and such leisure
|
|
as she got might be made profitable by writing, while the new scenes
|
|
and society would be both useful and agreeable. Jo liked the
|
|
prospect and was eager to be gone, for the home-nest was growing too
|
|
narrow for her restless nature and adventurous spirit. When all was
|
|
settled, with fear and trembling she told Laurie; but to her
|
|
surprise he took it very quietly. He had been graver than usual of
|
|
late, but very pleasant; and, when jokingly accused of turning over
|
|
a new leaf, he answered soberly, "So I am; and I mean this one shall
|
|
stay turned."
|
|
Jo was very much relieved that one of his virtuous fits should
|
|
come on just then, and made her preparations with a lightened heart-
|
|
for Beth seemed more cheerful- and hoped she was doing the best for
|
|
all.
|
|
"One thing I leave to your especial care," she said, the night
|
|
before she left.
|
|
"You mean your papers?" asked Beth.
|
|
"No, my boy. Be very good to him, won't you?"
|
|
"Of course I will; but I can't fill your place, and he'll miss you
|
|
sadly."
|
|
"It won't hurt him; so remember, I leave him in your charge, to
|
|
plague, pet, and keep in order."
|
|
"I'll do my best, for your sake," promised Beth, wondering why Jo
|
|
looked at her so queerly.
|
|
When Laurie said "Good-by," he whispered significantly, "It won't do
|
|
a bit of good, Jo. My eye is on you; so mind what you do, or I'll come
|
|
and bring you home."
|
|
33
|
|
Jo's Journal
|
|
|
|
NEW YORK, NOVEMBER.
|
|
DEAR MARMEE AND BETH:
|
|
I'm going to write you a regular volume, for I've got heaps to
|
|
tell, though I'm not a fine young lady travelling on the continent.
|
|
When I lost sight of father's dear old face, I felt a trifle blue, and
|
|
might have shed a briny drop or two, if an Irish lady with four
|
|
small children, all crying more or less, hadn't diverted my mind;
|
|
for I amused myself by dropping gingerbread nuts over the seat every
|
|
time they opened their mouths to roar.
|
|
Soon the sun came out, and taking it as a good omen, I cleared up
|
|
likewise, and enjoyed my journey with all my heart.
|
|
Mrs. Kirke welcomed me so kindly I felt at home at once, even in
|
|
that big house full of strangers. She gave me a funny little
|
|
sky-parlor- all she had; but there is a stove in it, and a nice
|
|
table in a sunny window, so I can sit here and write whenever I
|
|
like. A fine view and a church-tower opposite atone for the many
|
|
stairs, and I took a fancy to my den on the spot. The nursery, where I
|
|
am to teach and sew, is a pleasant room next Mrs. Kirke's private
|
|
parlor, and the two little girls are pretty children- rather spoilt, I
|
|
fancy, but they took to me after telling them "The Seven Bad Pigs";
|
|
and I've no doubt I shall make a model governess.
|
|
I am to have my meals with the children, if I prefer it to the great
|
|
table, and for the present I do, for I am bashful, though no one
|
|
will believe it.
|
|
"Now, my dear, make yourself at home," said Mrs. K. in her
|
|
motherly way; "I'm on the drive from morning to night, as you may
|
|
suppose with such a family; but a great anxiety will be off my mind if
|
|
I know the children are safe with you. My rooms are always open to
|
|
you, and your own shall be as comfortable as I can make it. There
|
|
are some pleasant people in the house if you feel sociable, and your
|
|
evenings are always free. Come to me if anything goes wrong, and be as
|
|
happy as you can. There's the tea-bell; I must run and change my cap";
|
|
and off she bustled, leaving me to settle myself in my new nest.
|
|
As I went downstairs, soon after, I saw something I liked. The
|
|
flights are very long in this tall house, and as I stood waiting at
|
|
the head of the third one for a little servant-girl to lumber up, I
|
|
saw a gentleman come along behind her, take the heavy hod of coal
|
|
out of her hand, carry it all the way up, put it down at a door near
|
|
by, and walk away, saying, with a kind nod and a foreign accent-
|
|
"It goes better so. The little back is too young to haf such
|
|
heaviness."
|
|
Wasn't it good of him? I like such things, for, as father says,
|
|
trifles show character. When I mentioned it to Mrs. K., that
|
|
evening, she laughed, and said, "That must have been Professor
|
|
Bhaer; he's always doing things of that sort."
|
|
Mrs. K. told me he was from Berlin; very learned and good, but
|
|
poor as a church-mouse, and gives lessons to support himself and two
|
|
little orphan nephews whom he is educating here, according to the
|
|
wishes of his sister, who married an American. Not a very romantic
|
|
story, but it interested me; and I was glad to hear that Mrs. K. lends
|
|
him her parlor for some of his scholars. There is a glass door between
|
|
it and the nursery, and I mean to peep at him, and then I'll tell
|
|
you how he looks. He's almost forty, so it's no harm, Marmee.
|
|
After tea and a go-to-bed romp with the little girls, I attacked the
|
|
big work-basket, and had a quiet evening chatting with my new
|
|
friend. I shall keep a journal-letter, and send it once a week; so
|
|
good-night, and more to-morrow.
|
|
|
|
TUESDAY EVE.
|
|
|
|
Had a lively time in my seminary, this morning, for the children
|
|
acted like Sancho; and at one time I really thought I should shake
|
|
them all round. Some good angel inspired me to try gymnastics, and I
|
|
kept it up till they were glad to sit down and keep still. After
|
|
luncheon, the girl took them out for a walk, and I went to my
|
|
needlework, like little Mabel, "with a willing mind." I was thanking
|
|
my stars that I'd learned to make nice button-holes, when the
|
|
parlor-door opened and shut, and some one began to hum-
|
|
|
|
"Kennst du das Land,"
|
|
|
|
like a big bumble-bee. It was dreadfully improper, I know, but I
|
|
couldn't resist the temptation; and lifting one end of the curtain
|
|
before the glass door, I peeped in. Professor Bhaer was there; and
|
|
while he arranged his books, I a good look at him. A regular German-
|
|
rather stout, with brown hair tumbled all over his head, a bushy
|
|
beard, good nose, the kindest eyes I ever saw, and a splendid big
|
|
voice that does one's ears good, after our sharp or slipshod
|
|
American gabble. His clothes were rusty, his hands were large, and
|
|
he hadn't a really handsome feature in his face, except his
|
|
beautiful teeth; yet I liked him, for he had a fine head; his linen
|
|
was very nice, and he looked like a gentleman, though two buttons were
|
|
off his coat, and there was a patch on one shoe. He looked sober in
|
|
spite of his humming, till he went to the window to turn the
|
|
hyacinth bulbs toward the sun, and stroke the cat, who received him
|
|
like an old friend. Then he smiled; and when a tap came at the door,
|
|
called out in a loud, brisk tone-
|
|
"Herein!"
|
|
I was just going to run, when I caught sight of a morsel of a
|
|
child carrying a big book, and stopped to see what was going on.
|
|
"Me wants my Bhaer," said the mite, slamming down her book, and
|
|
running to meet him.
|
|
"Thou shalt haf thy Bhaer; come, then, and take a goot hug from him,
|
|
my Tina," said the Professor, catching her up, with a laugh, and
|
|
holding her so high over his head that she had to stoop her little
|
|
face to kiss him.
|
|
"Now me mus tuddy my lessin," went on the funny little thing; so
|
|
he put her up at the table, opened the great dictionary she had
|
|
brought, and gave her a paper and pencil, and she scribbled away,
|
|
turning a leaf now and then, and passing her little fat finger down
|
|
the page, as if finding a word, so soberly that I nearly betrayed
|
|
myself by a laugh, while Mr. Bhaer stood stroking her pretty hair,
|
|
with a fatherly look, that made me think she must be his own, though
|
|
she looked more French than German.
|
|
Another knock and the appearance of two young ladies sent me back to
|
|
my work, and there I virtuously remained through all the noise and
|
|
gabbling that went on next door. One of the girls kept laughing
|
|
affectedly, and saying "Now Professor," in a coquettish tone, and
|
|
the other pronounced her German with an accent that must have made
|
|
it hard for him to keep sober.
|
|
Both seemed to try his patience sorely; for more than once I heard
|
|
him say emphatically, "No, no, it is not so; you haf not attend to
|
|
what I say"; and once there was a loud rap, as if he struck the
|
|
table with his book, followed by the despairing exclamation, "Prut! it
|
|
all goes bad this day."
|
|
Poor man, I pitied him; and when the girls were gone, took just
|
|
one more peep, to see if he survived it. He seemed to have thrown
|
|
himself back in his chair, tired out, and sat there with his eyes shut
|
|
till the clock struck two, when he jumped up, put his books in his
|
|
pocket, as if ready for another lesson, and, taking little Tina, who
|
|
had fallen asleep on the sofa, in his arms, he carried her quietly
|
|
away. I fancy he has a hard life of it.
|
|
Mrs. Kirke asked me if I wouldn't go down to the five o'clock
|
|
dinner; and, feeling a little bit homesick, I thought I would, just to
|
|
see what sort of people are under the same roof with me. So I made
|
|
myself respectable, and tried to slip in behind Mrs. Kirke; but as she
|
|
is short, and I'm tall, my efforts at concealment were rather a
|
|
failure. She gave me a seat by her, and after my face cooled off, I
|
|
plucked up courage, and looked about me. The long table was full,
|
|
and every one intent on getting their dinner- the gentlemen
|
|
especially, who seemed to be eating on time, for they bolted in
|
|
every sense of the word, vanishing as soon as they were done. There
|
|
was the usual assortment of young men absorbed in themselves; young
|
|
couples absorbed in each other; married ladies in their babies, and
|
|
old gentlemen in politics. I don't think I shall care to have much
|
|
to do with any of them, except one sweet-faced maiden lady, who
|
|
looks as if she had something in her.
|
|
Cast away at the very bottom of the table was the Professor,
|
|
shouting answers to the questions of a very inquisitive, deaf old
|
|
gentleman on one side, and talking philosophy with a Frenchman on
|
|
the other. If Amy had been here, she'd have turned her back on him
|
|
forever, because, sad to relate, he had a great appetite, and
|
|
shovelled in his dinner in a manner which would have horrified "her
|
|
ladyship." I didn't mind, for I like "to see folks eat with a relish,"
|
|
as Hannah says, and the poor man must have needed a deal of food after
|
|
teaching idiots all day.
|
|
As I went upstairs after dinner, two of the young men were
|
|
settling their hats before the hall-mirror, and I heard one say low to
|
|
the other, "Who's the new party?"
|
|
"Governess, or something of that sort."
|
|
"What the deuce is she at our table for?"
|
|
"Friend of the old lady's."
|
|
"Handsome head, but no style."
|
|
"Not a bit of it. Give us a light and come on."
|
|
I felt angry at first, and then I didn't care, for a governess is as
|
|
good as a clerk, and I've got sense, if I haven't style, which is more
|
|
than some people have, judging from the remarks of the elegant
|
|
beings who clattered away, smoking like bad chimneys. I hate
|
|
ordinary people!
|
|
|
|
THURSDAY.
|
|
|
|
Yesterday was a quiet day, spent in teaching, sewing, and writing in
|
|
my little room, which is very cosy, with a light and fire. I picked up
|
|
a few bits of news, and was introduced to the Professor. It seems that
|
|
Tina is the child of the Frenchwoman who does the fine ironing in
|
|
the laundry here. The little thing has lost her heart to Mr. Bhaer,
|
|
and follows him about the house like a dog whenever he is at home,
|
|
which delights him, as he is very fond of children, though a
|
|
"bacheldore." Kitty and Minnie Kirke likewise regard him with
|
|
affection, and tell all sorts of stories about the plays he invents,
|
|
the presents he brings, and the splendid tales he tells. The young men
|
|
quiz him, it seems, call him Old Fritz, Lager Beer, Ursa Major, and
|
|
make all manner of jokes on his name. But he enjoys it like a boy,
|
|
Mrs. K. says, and takes it so good-naturedly that they all like him,
|
|
in spite of his foreign ways.
|
|
The maiden lady is a Miss Norton- rich, cultivated, and kind. She
|
|
spoke to me at dinner to-day (for I went to table again, it's such fun
|
|
to watch people), and asked me to come and see her at her room. She
|
|
has fine books and pictures, knows interesting persons, and seems
|
|
friendly; so I shall make myself agreeable, for I do want to get
|
|
into good society, only it isn't the same sort that Amy likes.
|
|
I was in our parlor last evening, when Mr. Bhaer came in with some
|
|
newspapers for Mrs. Kirke. She wasn't there, but Minnie, who is a
|
|
little old woman, introduced me very prettily: "This is mamma's
|
|
friend, Miss March."
|
|
"Yes; and she's jolly and we like her lots," added Kitty, who is
|
|
an enfant terrible.
|
|
We both bowed, and then we laughed, for the prim introduction and
|
|
the blunt addition were rather a comical contrast.
|
|
"Ah, yes, I heard these naughty ones go to vex you, Mees Marsch.
|
|
If so again, call at me and I come," he said, with a threatening frown
|
|
that delighted the little wretches.
|
|
I promised I would, and he departed; but it seems as if I was doomed
|
|
to see a good deal of him, for to-day, as I passed his door on my
|
|
way out, by accident I knocked against it with my umbrella. It flew
|
|
open, and there he stood in his dressing gown, with a big blue sock on
|
|
one hand, and a darning-needle in the other; he didn't seem at all
|
|
ashamed of it, for when I explained and hurried on, he waved his hand,
|
|
sock and all, saying in his loud, cheerful way-
|
|
"You haf a fine day to make your walk. Bon voyage, mademoiselle."
|
|
I laughed all the way downstairs; but it was a little pathetic,
|
|
also, to think of the poor man having to mend his own clothes. The
|
|
German gentlemen embroider, I know; but darning hose is another thing,
|
|
and not so pretty.
|
|
|
|
SATURDAY.
|
|
|
|
Nothing has happened to write about, except a call on Miss Norton,
|
|
who has a room full of lovely things, and who was very charming, for
|
|
she showed me all her treasures, and asked me if I would sometimes
|
|
go with her to lectures and concerts, as her escort- if I enjoyed
|
|
them. She put it as a favor, but I'm sure Mrs. Kirke has told her
|
|
about us, and she does it out of kindness to me. I'm proud as Lucifer,
|
|
but such favors from such people don't burden me, and I accepted
|
|
gratefully.
|
|
When I got back to the nursery there was such an uproar in the
|
|
parlor that I looked in; and there was Mr. Bhaer down on his hands and
|
|
knees, with Tina on his hack, Kitty leading him with a jump-rope,
|
|
and Minnie feeding two small boys with seed-cakes, as they roared
|
|
and ramped in cages built of chairs.
|
|
"We are playing nargerie," explained Kitty.
|
|
"Dis is mine effalunt!" added Tina, holding on by the Professor's
|
|
hair.
|
|
"Mamma always allows us to do what we like Saturday afternoon,
|
|
when Franz and Emil come, doesn't she, Mr. Bhaer?" said Minnie.
|
|
The "effalunt" sat up, looking as much in earnest as any of them,
|
|
and said soberly to me-
|
|
"I gif you my wort it is so. If we make too large a noise you
|
|
shall say 'Hush!' to us, and we go more softly."
|
|
I promised to do so, but left the door open, and enjoyed the fun
|
|
as much as they did- for a more glorious frolic I never witnessed.
|
|
They played tag and soldiers, danced and sung, and when it began to
|
|
grow dark they all piled on to the sofa about the Professor, while
|
|
he told charming fairy stories of the storks on the chimney-tops,
|
|
and the little "kobolds," who ride the snowflakes as they fall. I wish
|
|
Americans were as simple and natural as Germans, don't you?
|
|
I'm so fond of writing, I should go spinning on forever if motives
|
|
of economy didn't stop me; for though I've used thin paper and written
|
|
fine, I tremble to think of the stamps this long letter will need.
|
|
Pray forward Amy's as soon as you can spare them. My small news will
|
|
sound very flat after her splendors, but you will like them, I know.
|
|
Is Teddy studying so hard that he can't find time to write to his
|
|
friends? Take good care of him for me, Beth, and tell me all about the
|
|
babies, and give heaps of love to every one.
|
|
From your faithful
|
|
JO.
|
|
|
|
P.S. On reading over my letter it strikes me as rather Bhaery; but I
|
|
am always interested in odd people, and I really had nothing else to
|
|
write about. Bless you!
|
|
|
|
DECEMBER.
|
|
|
|
MY PRECIOUS BETSY:
|
|
As this is to be a scribble-scrabble letter, I direct it to you,
|
|
for it may amuse you, and give you some idea of my goings on; for,
|
|
though quiet, they are rather amusing, for which, oh, be joyful! After
|
|
what Amy would call Herculaneum efforts, in the way of mental and
|
|
moral agriculture, my young ideas begin to shoot and my little twigs
|
|
to bend as I could wish. They are not so interesting to me as Tina and
|
|
the boys, but I do my duty by them, and they are fond of me. Franz and
|
|
Emil are jolly little lads, quite after my own heart; for the
|
|
mixture of German and American spirit in them produces a constant
|
|
state of effervescence. Saturday afternoons are riotous times, whether
|
|
spent in the house or out; for on pleasant days they all go to walk,
|
|
like a seminary, with the Professor and myself to keep order; and then
|
|
such fun!
|
|
We are very good friends now, and I've begun to take lessons. I
|
|
really couldn't help it, and it all came about in such a droll way
|
|
that I must tell you. To begin at the beginning, Mrs. Kirke called
|
|
to me, one day, as I passed Mr. Bhaer's room, where she was rummaging.
|
|
"Did you ever see such a den, my dear? Just come and help me put
|
|
these books to rights, for I've turned everything upside down,
|
|
trying to discover what he has done with the six new handkerchiefs I
|
|
gave him not long ago."
|
|
I went in, and while we worked I looked about me, for it was "a
|
|
den," to be sure. Books and papers everywhere; a broken meerschaum,
|
|
and an old flute over the mantel-piece as if done with; a ragged bird,
|
|
without any tail, chirped on one window-seat, and a box of white
|
|
mice adorned the other; half-finished boats and bits of string lay
|
|
among the manuscripts; dirty little boots stood drying before the
|
|
fire; and traces of the dearly beloved boys, for whom he makes a slave
|
|
of himself, were to be seen all over the room. After a great rummage
|
|
three of the missing articles were found- one over the bird-cage,
|
|
one covered with ink, and a third burnt brown, having been used as a
|
|
holder.
|
|
"Such a man!" laughed good-natured Mrs. K., as she put the relics in
|
|
the rag-bag. "I suppose the others are torn up to rig ships, bandage
|
|
cut fingers, or make kite-tails. It's dreadful, but I can't scold him;
|
|
he's so absent-minded and good-natured, he lets those boys ride over
|
|
him rough-shod. I agreed to do his washing and mending, but he forgets
|
|
to give out his things and I forget to look them over, so he comes
|
|
to a sad pass sometimes."
|
|
"Let me mend them," said I. "I don't mind it, and he needn't know.
|
|
I'd like to- he's so kind to me about bringing my letters and
|
|
lending books."
|
|
So I have got his things in order, and knit heels into two pairs
|
|
of the socks- for they were boggled out of shape with his queer darns.
|
|
Nothing was said and I hoped he wouldn't find it out, but one day last
|
|
week he caught me at it. Hearing the lessons he gives to others has
|
|
interested and amused me so much that I took a fancy to learn; for
|
|
Tina runs in and out, leaving the door open, and I can hear. I had
|
|
been sitting near this door, finishing off the last sock, and trying
|
|
to understand what he said to a new scholar, who is as stupid as I am.
|
|
The girl had gone, and I thought he had also, it was so still, and I
|
|
was busily gabbling over a verb, and rocking to and fro in a most
|
|
absurd way, when a little crow made me look up, and there was Mr.
|
|
Bhaer looking and laughing quietly, while he made signs to Tina not to
|
|
betray him.
|
|
"So!" he said, as I stopped and stared like a goose, "You Peep at
|
|
me, I peep at you, and that is not bad; but see, I am not
|
|
pleasanting when I say, haf you a wish for German?"
|
|
"Yes; but you are too busy. I am too stupid to learn," I blundered
|
|
out, as red as a peony.
|
|
"Prut! we will make the time, and we fail not to find the sense.
|
|
At efening I shall gif a little lesson with much gladness; for, look
|
|
you, Mees Marsch I haf this debt to pay," and he pointed to my work.
|
|
"'Yes,' they say to one another, these so kind ladies, 'he is a stupid
|
|
old fellow; he will see not what we do; he will never opserve that his
|
|
sock-heels go not in holes any more, he will think his buttons grow
|
|
out new when they fall, and believe that strings make theirselves.'
|
|
Ah! but I haf an eye, and I see much. I haf a heart, and I feel the
|
|
thanks for this. Come, a little lesson then and now, or no more good
|
|
fairy works for me and mine."
|
|
Of course I couldn't say anything after that, and as it really is
|
|
a splendid opportunity, I made the bargain, and we began. I took
|
|
four lessons, and then I stuck fast in a grammatical bog. The
|
|
Professor was very patient with me, but it must have been torment to
|
|
him, and now and then he'd look at me with such an expression of
|
|
mild despair that it was a toss-up with me whether to laugh or cry.
|
|
I tried both ways; and when it came to a sniff of utter
|
|
mortification and woe, he just threw the grammar on to the floor,
|
|
and marched out of the room. I felt myself disgraced and deserted
|
|
forever, but didn't blame him a particle, and was scrambling my papers
|
|
together, meaning to rush upstairs and shake myself hard, when in he
|
|
came, as brisk and beaming as if I'd covered myself with glory.
|
|
"Now we shall try a new way. You and I will read these pleasant
|
|
little Marchen together, and dig no more in that dry book, that goes
|
|
in the corner for making us trouble."
|
|
He spoke so kindly, and opened Hans Andersen's fairy tales so
|
|
invitingly before me, that I was more ashamed than ever, and went at
|
|
my lesson in a neck-or-nothing style that seemed to amuse him
|
|
immensely. I forgot my bashfulness, and pegged away (no other word
|
|
will express it) with all my might, tumbling over long words,
|
|
pronouncing according to the inspiration of the minute, and doing my
|
|
very best. When I finished reading my first page, and stopped for
|
|
breath, he clapped his hands and cried out, in his hearty way, "Das
|
|
ist gut! Now we go well! My turn. I do him in German; gif me your
|
|
ear." And away he went, rumbling out the words with his strong
|
|
voice, and a relish which was good to see as well as hear. Fortunately
|
|
the story was the "Constant Tin Soldier," which is droll, you know, so
|
|
I could laugh- and I did- though I didn't understand half he read, for
|
|
I couldn't help it, he was so earnest, I so excited, and the whole
|
|
thing so comical.
|
|
After that we got on better, and now I read my lessons pretty
|
|
well; for this way of studying suits me, and I can see that the
|
|
grammar gets tucked into the tales and poetry as one gives pills in
|
|
jelly. I like it very much, and he doesn't seem tired of it yet- which
|
|
is very good of him, isn't it? I mean to give him something on
|
|
Christmas, for I dare not offer money. Tell me something nice, Marmee.
|
|
I'm glad Laurie seems so happy and busy that he has given up
|
|
smoking, and lets his hair grow. You see Beth manages him better
|
|
than I did. I'm not jealous, dear; do your best, only don't make a
|
|
saint of him. I'm afraid I couldn't like him without a spice of
|
|
human naughtiness. Read him bits of my letters. I haven't time to
|
|
write much, and that will do just as well. Thank Heaven Beth continues
|
|
so comfortable.
|
|
|
|
JANUARY.
|
|
|
|
A Happy New Year to you all, my dearest family, which of course
|
|
includes Mr. L. and a young man by the name of Teddy. I can't tell you
|
|
how much I enjoyed your Christmas bundle, for I didn't get it till
|
|
night, and had given up hoping. Your letter came in the morning, but
|
|
you said nothing about a parcel, meaning it for a surprise; so I was
|
|
disappointed, for I'd had a "kind of a feeling" that you wouldn't
|
|
forget me. I felt a little low in my mind, as I sat up in my room,
|
|
after tea; and when the big, muddy, battered-looking bundle was
|
|
brought to me, I just hugged it, and pranced. It was so homey and
|
|
refreshing, that I sat down on the floor and read and looked and ate
|
|
and laughed and cried, in my usual absurd way. The things were just
|
|
what I wanted, and all the better for being made instead of bought.
|
|
Beth's new "ink-bib" was capital; and Hannah's box of hard gingerbread
|
|
will be a treasure. I'll be sure and wear the nice flannels you
|
|
sent, Marmee, and read carefully the books father has marked. Thank
|
|
you all, heaps and heaps!
|
|
Speaking of books reminds me that I'm getting rich in that line,
|
|
for, on New Year's Day, Mr. Bhaer gave me a fine Shakespeare. It is
|
|
one he values much, and I've often admired it, set up in the place
|
|
of honor with his German Bible, Plato, Homer, and Milton; so you may
|
|
imagine how I felt when he brought it down, without its cover, and
|
|
showed me my name in it, "from my friend Friedrich Bhaer."
|
|
"You say often you wish a library: here I gif you one; for between
|
|
these lids (he meant covers), is many books in one. Read him well, and
|
|
he will help you much; for the study of character in this book will
|
|
help you to read it in the world and paint it with your pen."
|
|
I thanked him as well as I could, and talk now about "my library,"
|
|
as if I had a hundred books. I never knew how much there was in
|
|
Shakespeare before; but then I never had a Bhaer to explain it to
|
|
me. Now don't laugh at his horrid name; it isn't pronounced either
|
|
Bear or Beer, as people will say it, but something between the two, as
|
|
only Germans can give it. I'm glad you both like what I tell you about
|
|
him, and hope you will know him some day. Mother would admire his warm
|
|
heart, father his wise head. I admire both, and feel rich in my new
|
|
"friend Friedrich Bhaer."
|
|
Not having much money, or knowing what he'd like, I got several
|
|
little things, and put them about the room, where he would find them
|
|
unexpectedly. They were useful, pretty, or funny- a new standish on
|
|
his table, a little vase for his flower- he always has one, or a bit
|
|
of green in a glass, to keep him fresh, he says- and a holder for
|
|
his blower, so that he needn't burn up what Amy calls "mouchoirs." I
|
|
made it like those Beth invented- a big butterfly with a fat body, and
|
|
black and yellow wings, worsted feelers, and bead eyes. It took his
|
|
fancy immensely, and he put it on his mantel-piece as an article of
|
|
vertu; so it was rather a failure after all. Poor as he is, he
|
|
didn't forget a servant or a child in the house; and not a soul
|
|
here, from the French laundry-woman to Miss Norton, forgot him. I
|
|
was so glad of that.
|
|
They got up a masquerade, and had a gay time New Year's Eve. I
|
|
didn't mean to go down, having no dress; but at the last minute,
|
|
Mrs. Kirke remembered some old brocades, and Miss Norton lent me
|
|
lace and feathers; so I dressed up as Mrs. Malaprop, and sailed in
|
|
with a mask on. No one knew me, for I disguised my voice, and no one
|
|
dreamed the silent, haughty Miss March (for they think I am very stiff
|
|
and cool, most of them; and so I am to whipper-snappers) could dance
|
|
and dress, and burst out into a "nice derangement of epitaphs, like an
|
|
allegory on the banks of the Nile." I enjoyed it very much; and when
|
|
we unmasked, it was fun to see them stare at me. I heard one of the
|
|
young men tell another that he knew I'd been an actress; in fact, he
|
|
thought he remembered seeing me at one of the minor theatres. Meg will
|
|
relish that joke. Mr. Bhaer was Nick Bottom, and Tina was Titania- a
|
|
perfect little fairy in his arms. To see them dance was "quite a
|
|
landscape," to use a Teddyism.
|
|
I had a very happy New Year, after all; and when I thought it over
|
|
in my room, I felt as if I was getting on a little in spite of my many
|
|
failures; for I'm cheerful all the time now, work with a will, and
|
|
take more interest in other people than I used to, which is
|
|
satisfactory. Bless you all! Ever your loving
|
|
JO.
|
|
34
|
|
A Friend
|
|
|
|
THOUGH very happy in the social atmosphere about her, and very
|
|
busy with the daily work that earned her bread, and made it sweeter
|
|
for the effort, Jo still found time for literary labors. The purpose
|
|
which now took possession of her was a natural one to a poor and
|
|
ambitious girl; but the means she took to gain her end were not the
|
|
best. She saw that money conferred power: money and power,
|
|
therefore, she resolved to have; not to be used for herself alone, but
|
|
for those whom she loved more than self.
|
|
The dream of filling home with comforts, giving Beth everything
|
|
she wanted, from strawberries in winter to an organ in her bedroom;
|
|
going abroad herself, and always having more than enough, so that
|
|
she might indulge in the luxury of charity, had been for years Jo's
|
|
most cherished castle in the air.
|
|
The prize-story experience had seemed to open a way which might,
|
|
after long travelling and much up-hill work lead to this delightful
|
|
chateau en Espagne. But the novel disaster quenched her courage for
|
|
a time, for public opinion is a giant which has frightened
|
|
stouter-hearted Jacks on bigger bean-stalks than hers. Like that
|
|
immortal hero, she reposed awhile after the first attempt, which
|
|
resulted in a tumble, and the least lovely of the giant's treasures,
|
|
if I remember rightly. But the "up again and take another" spirit
|
|
was as strong in Jo as in Jack; so she scrambled up, on the shady side
|
|
this time, and got more booty, but nearly left behind her what was far
|
|
more precious than the money-bags.
|
|
She took to writing sensation stories; for in those dark ages,
|
|
even all-perfect America read rubbish. She told no one, but
|
|
concocted a "thrilling tale," and boldly carried it herself to Mr.
|
|
Dashwood, editor of the "Weekly Volcano." She had never read "Sartor
|
|
Resartus," but she had a womanly instinct that clothes possess an
|
|
influence more powerful over many than the worth of character or the
|
|
magic of manners. So she dressed herself in her best, and, trying to
|
|
persuade herself that she was neither excited nor nervous, bravely
|
|
climbed two pairs of dark and dirty stairs to find herself in a
|
|
disorderly room, a cloud of cigar-smoke, and the presence of three
|
|
gentlemen, sitting with their heels rather higher than their hats,
|
|
which articles of dress none of them took the trouble to remove on her
|
|
appearance. Somewhat daunted by this reception, Jo hesitated on the
|
|
threshold, murmuring in much embarrassment-
|
|
"Excuse me, I was looking for the 'Weekly Volcano' office; I
|
|
wished to see Mr. Dashwood."
|
|
Down went the highest pair of heels, up rose the smokiest gentleman,
|
|
and, carefully cherishing his cigar between his fingers, he
|
|
advanced, with a nod, and a countenance expressive of nothing but
|
|
sleep. Feeling that she must get through the matter somehow, Jo
|
|
produced her manuscript, and, blushing redder and redder with each
|
|
sentence, blundered out fragments of the little speech carefully
|
|
prepared for the occasion.
|
|
"A friend of mine desired me to offer- a story- just as an
|
|
experiment- would like your opinion- be glad to write more if this
|
|
suits."
|
|
While she blushed and blundered, Mr. Dashwood had taken the
|
|
manuscript, and was turning over the leaves with a pair of rather
|
|
dirty fingers, and casting critical glances up and down the neat
|
|
pages.
|
|
"Not a first attempt, I take it?" observing that the pages were
|
|
numbered, covered only on one side, and not tied up with a ribbon-
|
|
sure sign of a novice.
|
|
"No, sir; she has had some experience, and got a prize for a tale in
|
|
the 'Blarneystone Banner.'"
|
|
"Oh, did she?" and Mr. Dashwood gave Jo a quick look, which seemed
|
|
to take note of everything she had on, from the bow in her bonnet to
|
|
the buttons on her boots. "Well, you can leave it, if you like.
|
|
We've more of this sort of thing on hand than we know what to do
|
|
with at present; but I'll run my eye over it, and give you an answer
|
|
next week."
|
|
Now, Jo did not like to leave it, for Mr. Dashwood didn't suit her
|
|
at all; but, under the circumstances, there was nothing for her to
|
|
do but bow and walk away, looking particularly tall and dignified,
|
|
as she was apt to do when nettled or abashed. Just then she was
|
|
both; for it was perfectly evident, from the knowing glances exchanged
|
|
among the gentlemen, that her little fiction of "my friend" was
|
|
considered a good joke; and a laugh, produced by some inaudible remark
|
|
of the editor, as he closed the door, completed her discomfiture. Half
|
|
resolving never to return, she went home, and worked off her
|
|
irritation by stitching pinafores vigorously; and in an hour or two
|
|
was cool enough to laugh over the scene, and long for next week.
|
|
When she went again, Mr. Dashwood was alone, whereat she rejoiced;
|
|
Mr. Dashwood was much wider awake than before, which was agreeable;
|
|
and Mr. Dashwood was not too deeply absorbed in a cigar to remember
|
|
his manners: so the second interview was much more comfortable than
|
|
the first.
|
|
"We'll take this" (editors never say I), "if you don't object to a
|
|
few alterations. It's too long, but omitting the passages I've
|
|
marked will make it just the right length," he said, in a
|
|
business-like tone.
|
|
Jo hardly knew her own MS. again, so crumpled and underscored were
|
|
its pages and paragraphs; but, feeling as a tender parent might on
|
|
being asked to cut off her baby's legs in order that it might fit into
|
|
a new cradle, she looked at the marked passages, and was surprised
|
|
to find that all the moral reflections- which she had carefully put in
|
|
as ballast for much romance- had been stricken out.
|
|
"But, sir, I thought every story should have some sort of a moral,
|
|
so I took care to have a few of my sinners repent."
|
|
Mr. Dashwood's editorial gravity relaxed into a smile, for Jo had
|
|
forgotten her "friend," and spoken as only an author could.
|
|
"People want to be amused, not preached at, you know. Morals don't
|
|
sell nowadays" which was not quite a correct statement, by the way.
|
|
"You think it would do with these alterations, then?"
|
|
"Yes; it's a new plot, and pretty well worked up- language good, and
|
|
so on," was Mr. Dashwood's affable reply.
|
|
"What do you- that is, what compensation-" began Jo, not exactly
|
|
knowing how to express herself.
|
|
"Oh, yes, well, we give from twenty-five to thirty for things of
|
|
this sort. Pay when it comes out," returned Mr. Dashwood, as if that
|
|
point had escaped him; such trifles often do escape the editorial
|
|
mind, it is said.
|
|
"Very well; you can have it," said Jo, handing back the story,
|
|
with a satisfied air; for, after the dollar-a-column work, even
|
|
twenty-five seemed good pay.
|
|
"Shall I tell my friend you will take another if she has one
|
|
better than this?" asked Jo, unconscious of her little slip of the
|
|
tongue, and emboldened by her success.
|
|
"Well, we'll look at it; can't promise to take it. Tell her to
|
|
make it short and spicy, and never mind the moral. What name would
|
|
your friend like to put to it?" in a careless tone.
|
|
"None at all, if you please; she doesn't wish her name to appear,
|
|
and has no nom de plume," said Jo, blushing in spite of herself.
|
|
"Just as she likes, of course. The tale will be out next week;
|
|
will you call for the money, or shall I send it?" asked Mr.
|
|
Dashwood, who felt a natural desire to know who his new contributor
|
|
might be.
|
|
"I'll call. Good morning, sir."
|
|
As she departed, Mr. Dashwood put up his feet, with the graceful
|
|
remark, "Poor and proud, as usual, but she'll do."
|
|
Following Mr. Dashwood's directions, and making Mrs. Northbury her
|
|
model, Jo rashly took a plunge into the frothy sea of sensational
|
|
literature; but, thanks to the life-preserver thrown her by a
|
|
friend, she came up again, not much the worse for her ducking.
|
|
Like most young scribblers, she went abroad for her characters and
|
|
scenery; and banditti, counts, gypsies, nuns, and duchesses appeared
|
|
upon her stage, and played their parts with as much accuracy and
|
|
spirit as could be expected. Her readers were not particular about
|
|
such trifles as grammar, punctuation, and probability, and Mr.
|
|
Dashwood graciously permitted her to fill his columns at the lowest
|
|
prices, not thinking it necessary to tell her that the real cause of
|
|
his hospitality was the fact that one of his hacks, on being offered
|
|
higher wages, had basely left him in the lurch.
|
|
She soon became interested in her work, for her emaciated purse grew
|
|
stout, and the little board she was making to take Beth to the
|
|
mountains next summer grew slowly but surely as the weeks passed.
|
|
One thing disturbed her satisfaction, and that was that she did not
|
|
tell them at home. She had a feeling that father and mother would
|
|
not approve, and preferred to have her own way first, and beg pardon
|
|
afterward. It was easy to keep her secret, for no name appeared with
|
|
her stories; Mr. Dashwood had, of course, found it out very soon,
|
|
but promised to be dumb; and, for a wonder, kept his word.
|
|
She thought it would do her no harm, for she sincerely meant to
|
|
write nothing of which she should be ashamed, and quieted all pricks
|
|
of conscience by anticipations of the happy minute when she should
|
|
show her earnings and laugh over her well-kept secret.
|
|
But Mr. Dashwood rejected any but thrilling tales; and, as thrills
|
|
could not be produced except by harrowing up the souls of the readers,
|
|
history and romance, land and sea, science and art, police records and
|
|
lunatic asylums, had to be ransacked for the purpose. Jo soon found
|
|
that her innocent experience had given her but few glimpses of the
|
|
tragic world which underlies society; so, regarding it in a business
|
|
light, she set about supplying her deficiencies with characteristic
|
|
energy. Eager to find material for stories, and bent on making them
|
|
original in plot, if not masterly in execution, she searched
|
|
newspapers for accidents, incidents, and crimes; she excited the
|
|
suspicions of public librarians by asking for works on poisons; she
|
|
studied faces in the street, and characters, good, bad, and
|
|
indifferent, all about her; she delved in the dust of ancient times
|
|
for facts or fictions so old that they were as good as new, and
|
|
introduced herself to folly, sin, and misery, as well as her limited
|
|
opportunities allowed. She thought she was prospering finely; but,
|
|
unconsciously, she was beginning to desecrate some of the womanliest
|
|
attributes of a woman's character. She was living in bad society; and,
|
|
imaginary though it was, its influence affected her, for she was
|
|
feeding heart and fancy on dangerous and unsubstantial food, and was
|
|
fast brushing the innocent bloom from her nature by a premature
|
|
acquaintance with the darker side of life, which comes soon enough
|
|
to all of us.
|
|
She was beginning to feel rather than see this, for much
|
|
describing of other people's passions and feelings set her to studying
|
|
and speculating about her own- a morbid amusement, in which healthy
|
|
young minds do not voluntarily indulge. Wrong-doing always brings
|
|
its own punishment; and, when Jo most needed hers, she got it.
|
|
I don't know whether the study of Shakespeare helped her to read
|
|
character, or the natural instinct of a woman for what was honest,
|
|
brave, and strong; but while endowing her imaginary heroes with
|
|
every perfection under the sun, Jo was discovering a live hero, who
|
|
interested her in spite of many human imperfections. Mr. Bhaer, in one
|
|
of their conversations, had advised her to study simple, true, and
|
|
lovely characters, wherever she found them, as good training for a
|
|
writer. Jo took him at his word, for she coolly turned round and
|
|
studied him- a proceeding which would have much surprised him, had
|
|
he known it, for the worthy Professor was very humble in his own
|
|
conceit.
|
|
Why everybody liked him was what puzzled Jo, at first. He was
|
|
neither rich nor great, young nor handsome; in no respect what is
|
|
called fascinating, imposing, or brilliant; and yet he was as
|
|
attractive as a genial fire, and people seemed to gather about him
|
|
as naturally as about a warm hearth. He was poor, yet always
|
|
appeared to be giving something away; a stranger, yet every one was
|
|
his friend; no longer young, but as happy-hearted as a boy; plain
|
|
and peculiar, yet his face looked beautiful to many, and his
|
|
oddities were freely forgiven for his sake. Jo often watched him,
|
|
trying to discover the charm, and, at last, decided that it was
|
|
benevolence which worked the miracle. If he had any sorrow, "it sat
|
|
with its head under its wing," and he turned only his sunny side to
|
|
the world. There were lines upon his forehead, but Time seemed to have
|
|
touched him gently, remembering how kind he was to others. The
|
|
pleasant curves about his mouth were the memorials of many friendly
|
|
words and cheery laughs; his eyes were never cold or hard, and his big
|
|
hand had a warm, strong grasp that was more expressive than words.
|
|
His very clothes seemed to partake of the hospitable nature of the
|
|
wearer. They looked as if they were at ease, and liked to make him
|
|
comfortable; his capacious waistcoat was suggestive of a large heart
|
|
underneath; his rusty coat had a social air, and the baggy pockets
|
|
plainly proved that little hands often went in empty and came out
|
|
full; his very boots were benevolent, and his collars never stiff
|
|
and raspy like other people's.
|
|
"That's it!" said Jo to herself, when she at length discovered
|
|
that genuine good-will towards one's fellow-men could beautify and
|
|
dignify even a stout German teacher, who shovelled in his dinner,
|
|
darned his own socks, and was burdened with the name of Bhaer.
|
|
Jo valued goodness highly, but she also possessed a most feminine
|
|
respect for intellect, and a little discovery which she made about the
|
|
Professor added much to her regard for him. He never spoke of himself,
|
|
and no one ever knew that in his native city he had been a man much
|
|
honored and esteemed for learning and integrity, till a countryman
|
|
came to see him, and, in a conversation with Miss Norton, divulged the
|
|
pleasing fact. From her Jo learned it, and liked it all the better
|
|
because Mr. Bhaer had never told it. She felt proud to know that he
|
|
was an honored Professor in Berlin, though only a poor language-master
|
|
in America; and his homely, hard-working life was much beautified by
|
|
the spice of romance which this discovery gave it.
|
|
Another and a better gift than intellect was shown her in a most
|
|
unexpected manner. Miss Norton had the entree into literary society,
|
|
which Jo would have had no chance of seeing but for her. The
|
|
solitary woman felt an interest in the ambitious girl, and kindly
|
|
conferred many favors of this sort both on Jo and the Professor. She
|
|
took them with her, one night, to a select symposium, held in honor of
|
|
several celebrities.
|
|
Jo went prepared to bow down and adore the mighty ones whom she
|
|
had worshipped with youthful enthusiasm afar off. But her reverence
|
|
for genius received a severe shock that night, and it took her some
|
|
time to recover from the discovery that the great creatures were
|
|
only men and women after all. Imagine her dismay, on stealing a glance
|
|
of timid admiration at the poet whose lines suggested an ethereal
|
|
being fed on "spirit, fire, and dew," to behold him devouring his
|
|
supper with an ardor which flushed his intellectual countenance.
|
|
Turning as from a fallen idol, she made other discoveries which
|
|
rapidly dispelled her romantic illusions. The great novelist
|
|
vibrated between two decanters with the regularity of a pendulum;
|
|
the famous divine flirted openly with one of the Madame de Staels of
|
|
the age, who looked daggers at another Corinne, who was amiably
|
|
satirizing her, after out-manoeuvring her in efforts to absorb the
|
|
profound philosopher, who imbibed tea Johnsonianly and appeared to
|
|
slumber, the loquacity of the lady rendering speech impossible. The
|
|
scientific celebrities, forgetting their mollusks and glacial periods,
|
|
gossiped about art, while devoting themselves to oysters and ices with
|
|
characteristic energy; the young musician, who was charming the city
|
|
like a second Orpheus, talked horses; and the specimen of the
|
|
British nobility present happened to be the most ordinary man of the
|
|
party.
|
|
Before the evening was half over, Jo felt so completely
|
|
desillusionnee, that she sat down in a corner to recover herself.
|
|
Mr. Bhaer soon joined her, looking rather out of his element, and
|
|
presently several of the philosophers, each mounted on his hobby, came
|
|
ambling up to hold an intellectual tournament in the recess. The
|
|
conversation was miles beyond Jo's comprehension, but she enjoyed
|
|
it, though Kant and Hegel were unknown gods, the Subjective and
|
|
Objective unintelligible terms; and the only thing "evolved from her
|
|
inner consciousness," was a bad headache after it was all over. It
|
|
dawned upon her gradually that the world was being picked to pieces,
|
|
and put together on new, and, according to the talkers, on
|
|
infinitely better principles than before; that religion was in a
|
|
fair way to be reasoned into nothingness, and intellect was to be
|
|
the only God. Jo knew nothing about philosophy or metaphysics of any
|
|
sort, but a curious excitement, half pleasurable, half painful, came
|
|
over her; as she listened with a sense of being turned adrift into
|
|
time and space, like a young balloon out on a holiday.
|
|
She looked round to see how the Professor liked it, and found him
|
|
looking at her with the grimmest expression she had ever seen him
|
|
wear. He shook his head, and beckoned her to come away; but she was
|
|
fascinated, just then, by the freedom of Speculative Philosophy, and
|
|
kept her seat, trying to find out what the wise gentlemen intended
|
|
to rely upon after they had annihilated all the old beliefs.
|
|
Now, Mr. Bhaer was a diffident man, and slow to offer his own
|
|
opinions, not because they were unsettled, but too sincere and earnest
|
|
to be lightly spoken. As he glanced from Jo to several other young
|
|
people, attracted by the brilliancy of the philosophic pyrotechnics,
|
|
he knit his brows, and longed to speak, fearing that some
|
|
inflammable young soul would be led astray by the rockets, to find,
|
|
when the display was over, that they had only an empty stick or a
|
|
scorched hand.
|
|
He bore it as long as he could; but when he was appealed to for an
|
|
opinion, he blazed up with honest indignation, and defended religion
|
|
with all the eloquence of truth- an eloquence which made his broken
|
|
English musical, and his plain face beautiful. He had a hard fight,
|
|
for the wise men argued well; but he didn't know when he was beaten,
|
|
and stood to his colors like a man. Somehow, as he talked, the world
|
|
got right again to Jo; the old beliefs, that had lasted so long,
|
|
seemed better than the new; God was not a blind force, and immortality
|
|
was not a pretty fable, but a blessed fact. She felt as if she had
|
|
solid ground under her feet again; and when Mr. Bhaer paused,
|
|
out-talked, but not one whit convinced, Jo wanted to clap her hands
|
|
and thank him.
|
|
She did neither; but she remembered this scene, and gave the
|
|
Professor her heartiest respect, for she knew it cost him an effort to
|
|
speak out then and there, because his conscience would not let him
|
|
be silent. She began to see that character is a better possession than
|
|
money rank, intellect, or beauty; and to feel that if greatness is
|
|
what a wise man has defined it to be, "truth, reverence, and
|
|
good-will," then her friend Friedrich Bhaer was not only good, but
|
|
great.
|
|
This belief strengthened daily. She valued his esteem, she coveted
|
|
his respect, she wanted to be worthy of his friendship; and, just when
|
|
the wish was sincerest, she came near losing everything. It all grew
|
|
out of a cocked hat; for one evening the Professor came in to give
|
|
Jo her lesson, with a paper soldier-cap on his head, which Tina had
|
|
put there, and he had forgotten to take off.
|
|
"It's evident he doesn't look in his glass before coming down,"
|
|
thought Jo, with a smile, as he said "Goot efening," and sat soberly
|
|
down, quite unconscious of the ludicrous contrast between his
|
|
subject and his headgear, for he was going to read her the "Death of
|
|
Wallenstein."
|
|
She said nothing at first, for she liked to hear him laugh out his
|
|
big, hearty laugh, when anything funny happened, so she left him to
|
|
discover it for himself, and presently forgot all about it; for to
|
|
hear a German read Schiller is rather an absorbing occupation. After
|
|
the reading came the lesson, which was a lively one, for Jo was in a
|
|
gay mood that night, and the cocked-hat kept her eyes dancing with
|
|
merriment. The Professor didn't know what to make of her, and
|
|
stopped at last, to ask, with an air of mild surprise that was
|
|
irresistible-
|
|
"Mees Marsch, for what do you laugh in your master's face? Haf you
|
|
no respect for me, that you go on so bad?"
|
|
"How can I be respectful, sir, when you forget to take your hat
|
|
off?" said Jo.
|
|
Lifting his hand to his head, the absent-minded Professor gravely
|
|
felt and removed the little cocked-hat, looked at it a minute, and
|
|
then threw back his head, and laughed like a merry bass-viol.
|
|
"Ah! I see him now; it is that imp Tina who makes me a fool with
|
|
my cap. Well, it is nothing; but see you, if this lesson goes not
|
|
well, you too shall wear him."
|
|
But the lesson did not go at all for a few minutes, because Mr.
|
|
Bhaer caught sight of a picture on the hat, and, unfolding it, said,
|
|
with an air of great disgust, "I wish these papers did not come in the
|
|
house; they are not for children to see, nor young people to read.
|
|
It is not well, and I haf no patience with those who make this harm."
|
|
Jo glanced at the sheet, and saw a pleasing illustration composed of
|
|
a lunatic, a corpse, a villain, and a viper. She did not like it;
|
|
but the impulse that made her turn it over was not one of displeasure,
|
|
but fear, because, for a minute, she fancied the paper was the
|
|
"Volcano." It was not, however, and her panic subsided as she
|
|
remembered that, even if it had been, and one of her own tales in
|
|
it, there would have been no name to betray her. She had betrayed
|
|
herself, however, by a look and a blush; for, though an absent man,
|
|
the Professor saw a good deal more than people fancied. He knew that
|
|
Jo wrote, and had met her down among the newspaper offices more than
|
|
once; but as she never spoke of it, he asked no questions, in spite of
|
|
a strong desire to see her work. Now it occurred to him that she was
|
|
doing what she was ashamed to own, and it troubled him. He did not say
|
|
to himself, "It is none of my business; I've no right to say
|
|
anything," as many people would have done; he only remembered that she
|
|
was young and poor, a girl far away from mother's love and father's
|
|
care; and he was moved to help her with an impulse as quick and
|
|
natural as that which would prompt him to put out his hand to save a
|
|
baby from a puddle. All this flashed through his mind in a minute, but
|
|
not a trace of it appeared in his face; and by the time the paper
|
|
was turned, and Jo's needle threaded, he was ready to say quite
|
|
naturally, but very gravely-
|
|
"Yes, you are right to put it from you. I do not like to think
|
|
that good girls should see such things. They are made pleasant to
|
|
some, but I would more rather give my boys gunpowder to play with than
|
|
this bad trash."
|
|
"All may not be bad, only silly, you know; and if there is a
|
|
demand for it, I don't see any harm in supplying it. Many very
|
|
respectable people make an honest living out of what are called
|
|
sensation stories," said Jo, scratching gathers so energetically
|
|
that a row of little slits followed her pin.
|
|
"There is a demand for whiskey, but I think you and I do not care to
|
|
sell it. If the respectable people knew what harm they did, they would
|
|
not feel that the living was honest. They haf no right to put poison
|
|
in the sugar-plum, and let the small ones eat it. No; they should
|
|
think a little, and sweep mud in the street before they do this
|
|
thing."
|
|
Mr. Bhaer spoke warmly, and walked to the fire, crumpling the
|
|
paper in his hands. Jo sat still, looking as if the fire had come to
|
|
her; for her cheeks burned long after the cocked-hat had turned to
|
|
smoke and gone harmlessly up the chimney.
|
|
"I should like much to send all the rest after him," muttered the
|
|
Professor, coming back with a relieved air.
|
|
Jo thought what a blaze her pile of papers upstairs would make,
|
|
and her hard-earned money lay rather heavily on her conscience at that
|
|
minute. Then she thought consolingly to herself, "Mine are not like
|
|
that; they are only silly, never bad, so I won't be worried"; and
|
|
taking up her book, she said, with a studious face-
|
|
"Shall we go on, sir? I'll be very good and proper now."
|
|
"I shall hope so," was all he said, but he meant more than she
|
|
imagined; and the grave, kind look he gave her made her feel as if the
|
|
words "Weekly Volcano" were printed in large type on her forehead.
|
|
As soon as she went to her room, she got out her papers, and
|
|
carefully re-read every one of her stories. Being a little
|
|
short-sighted, Mr. Bhaer sometimes used eye-glasses, and Jo had
|
|
tried them once, smiling to see how they magnified the fine print of
|
|
her book; now she seemed to have got on the Professor's mental or
|
|
moral spectacles also; for the faults of these poor stories glared
|
|
at her dreadfully, and filled her with dismay.
|
|
"They are trash, and will soon be worse than trash if I go on; for
|
|
each is more sensational than the last. I've gone blindly on,
|
|
hurting myself and other people, for the sake of money; I know it's
|
|
so, for I can't read this stuff in sober earnest without being
|
|
horribly ashamed of it; and what should I do if they were seen at
|
|
home, or Mr. Bhaer got hold of them?"
|
|
Jo turned hot at the bare idea, and stuffed the whole bundle into
|
|
her stove, nearly setting the chimney afire with the blaze.
|
|
"Yes, that's the best place for such inflammable nonsense; I'd
|
|
better burn the house down, I suppose, than let other people blow
|
|
themselves up with my gunpowder," she thought, as she watched the
|
|
"Demon of the Jura" whisk away, a little black cinder with fiery eyes.
|
|
But when nothing remained of all her three months' work except a
|
|
heap of ashes, and the money in her lap, Jo looked sober, as she sat
|
|
on the floor, wondering what she ought to do about her wages.
|
|
"I think I haven't done much harm yet, and may keep this to pay
|
|
for my time," she said, after a long meditation, adding impatiently,
|
|
"I almost wish I hadn't any conscience, it's so inconvenient. If I
|
|
didn't care about doing right, and didn't feel uncomfortable when
|
|
doing wrong, I should get on capitally. I can't help wishing
|
|
sometimes, that father and mother hadn't been so particular about such
|
|
things."
|
|
Ah, Jo, instead of wishing that, thank God that "father and mother
|
|
were particular," and pity from your heart those who have no such
|
|
guardians to hedge them round with principles which may seem like
|
|
prison-walls to impatient youth, but which will prove sure foundations
|
|
to build character upon in womanhood.
|
|
Jo wrote no more sensational stories, deciding that the money did
|
|
not pay for her share of the sensation; but, going to the other
|
|
extreme, as is the way with people of her stamp, she took a course
|
|
of Mrs. Sherwood, Miss Edgeworth, and Hannah More; and then produced a
|
|
tale which might have been more properly called an essay or a
|
|
sermon, so intensely moral was it. She had her doubts about it from
|
|
the beginning; for her lively fancy and girlish romance felt as ill at
|
|
ease in the new style as she would have done masquerading in the stiff
|
|
and cumbrous costume of the last century. She sent this didactic gem
|
|
to several markets, but it found no purchaser; and she was inclined to
|
|
agree with Mr. Dashwood, that morals didn't sell.
|
|
Then she tried a child's story, which she could easily have disposed
|
|
of if she had not been mercenary enough to demand filthy lucre for it.
|
|
The only person who offered enough to make it worth her while to try
|
|
juvenile literature was a worthy gentleman who felt it his mission
|
|
to convert all the world to his particular belief. But much as she
|
|
liked to write for children, Jo could not consent to depict all her
|
|
naughty boys as being eaten by bears or tossed by mad bulls, because
|
|
they did not go to a particular Sabbath-school, nor all the good
|
|
infants, who did go, as rewarded by every kind of bliss, from gilded
|
|
gingerbread to escorts of angels, when they departed this life with
|
|
psalms or sermons on their lisping tongues. So nothing came of these
|
|
trials; and Jo corked up her inkstand, and said, in a fit of very
|
|
wholesome humility-
|
|
"I don't know anything; I'll wait till I do before I try again, and,
|
|
meantime, 'sweep mud in the street,' if I can't do better; that's
|
|
honest, at least"; which decision proved that her second tumble down
|
|
the bean-stalk had done her some good.
|
|
While these internal revolutions were going on, her external life
|
|
had been as busy and uneventful as usual; and if she sometimes
|
|
looked serious or a little sad no one observed it but Professor Bhaer.
|
|
He did it so quietly that Jo never knew he was watching to see if
|
|
she would accept and profit by his reproof; but she stood the test,
|
|
and he was satisfied; for, though no words passed between them, he
|
|
knew that she had given up writing. Not only did he guess it by the
|
|
fact that the second finger of her right hand was no longer inky,
|
|
but she spent her evenings downstairs now, was met no more among
|
|
newspaper offices, and studied with a dogged patience, which assured
|
|
him that she was bent on occupying her mind with something useful,
|
|
if not pleasant.
|
|
He helped her in many ways, proving himself a true friend, and Jo
|
|
was happy; for, while her pen lay idle, she was learning other lessons
|
|
besides German, and laying a foundation for the sensation story of her
|
|
own life.
|
|
It was a pleasant winter and a long one, for she did not leave
|
|
Mrs. Kirke till June. Every one seemed sorry when the time came; the
|
|
children were inconsolable, and Mr. Bhaer's hair stuck straight up all
|
|
over his head, for he always rumpled it wildly when disturbed in mind.
|
|
"Going home? Ah, you are happy that you haf a home to go in," he
|
|
said, when she told him, and sat silently pulling his beard, in the
|
|
corner, while she held a little levee on that last evening.
|
|
She was going early, so she bade them all good-by over night; and
|
|
when his turn came, she said warmly-
|
|
"Now, sir, you won't forget to come and see us, if you ever travel
|
|
our way, will you? I'll never forgive you if you do, for I want them
|
|
all to know my friend."
|
|
"Do you? Shall I come?" he asked, looking down at her with an
|
|
eager expression which she did not see.
|
|
"Yes, come next month; Laurie graduates then, and you'd enjoy
|
|
Commencement as something new."
|
|
"That is your best friend, of whom you speak?" he said, in an
|
|
altered tone.
|
|
"Yes, my boy Teddy; I'm very proud of him, and should like you to
|
|
see him."
|
|
Jo looked up then, quite unconscious of anything but her own
|
|
pleasure in the prospect of showing them to one another. Something
|
|
in Mr. Bhaer's face suddenly recalled the fact that she might find
|
|
Laurie more than a "best friend," and, simply because she particularly
|
|
wished not to look as if anything was the matter, she involuntarily
|
|
began to blush; and the more she tried not to, the redder she grew. If
|
|
it had not been for Tina on her knee, she didn't know what would
|
|
have become of her. Fortunately, the child was moved to hug her; so
|
|
she managed to hide her face an instant, hoping the Professor did
|
|
not see it. But he did, and his own changed again from that
|
|
momentary anxiety to its usual expression, as he said cordially-
|
|
"I fear I shall not make the time for that, but I wish the friend
|
|
much success, and you all happiness. Gott bless you!" and with that,
|
|
he shook hands warmly, shouldered Tina, and went away.
|
|
But after the boys were abed, he sat long before his fire, with
|
|
the tired look on his face, and the "heimweh," or homesickness,
|
|
lying heavy at his heart. Once, when he remembered Jo, as she sat with
|
|
the little child in her lap and that new softness in her face, he
|
|
leaned his head on his hands a minute, and then roamed about the room,
|
|
as if in search of something that he could not find.
|
|
"It is not for me; I must not hope it now," he said to himself, with
|
|
a sigh that was almost a groan; then, as if reproaching himself for
|
|
the longing that he could not repress, he went and kissed the two
|
|
towzled heads upon the pillow, took down his seldom-used meerschaum,
|
|
and opened his Plato.
|
|
He did his best, and did it manfully; but I don't think he found
|
|
that a pair of rampant boys, a pipe, or even the divine Plato, were
|
|
very satisfactory substitutes for wife and child and home.
|
|
Early as it was, he was at the station, next morning, to see Jo off;
|
|
and, thanks to him, she began her solitary journey with the pleasant
|
|
memory of a familiar face smiling its farewell, a bunch of violets
|
|
to keep her company, and, best of all, the happy thought-
|
|
"Well, the winter's gone, and I've written no books, earned no
|
|
fortune; but I've made a friend worth having, and I'll try to keep him
|
|
all my life."
|
|
35
|
|
Heartache
|
|
|
|
WHATEVER his motive might have been, Laurie studied to some
|
|
purpose that year, for he graduated with honor, and gave the Latin
|
|
oration with the grace of a Phillips and the eloquence of a
|
|
Demosthenes, so his friends said. They were all there, his
|
|
grandfather- oh, so proud!- Mr. and Mrs. March, John and Meg, Jo and
|
|
Beth, and all exulted over him with the sincere admiration which
|
|
boys make light of at the time, but fail to win from the world by
|
|
any after-triumphs.
|
|
"I've got to stay for this confounded supper, but I shall be home
|
|
early to-morrow; you'll come and meet me as usual, girls?" Laurie
|
|
said, as he put the sisters into the carriage after the joys of the
|
|
day were over. He said "girls," but he meant Jo, for she was the
|
|
only one who kept up the old custom; she had not the heart to refuse
|
|
the splendid, successful boy anything, and answered warmly-
|
|
"I'll come, Teddy, rain or shine, and march before you, playing
|
|
'Hail the conquering hero comes,' on a jews-harp."
|
|
Laurie thanked her with a look that made her think, in a sudden
|
|
panic, "Oh, deary me! I know he'll say something, and then what
|
|
shall I do?"
|
|
Evening meditation and morning work somewhat allayed her fears,
|
|
and having decided that she wouldn't be vain enough to think people
|
|
were going to propose when she had given them every reason to know
|
|
what her answer would be, she set forth at the appointed time,
|
|
hoping Teddy wouldn't do anything to make her hurt his poor little
|
|
feelings. A call at Meg's, and a refreshing sniff and sip at the Daisy
|
|
and Demijohn, still further fortified her for the tete-a-tete, but
|
|
when she saw a stalwart figure looming in the distance, she had a
|
|
strong desire to turn about and run away.
|
|
"Where's the jews-harp, Jo?" cried Laurie, as soon as he was
|
|
within speaking distance.
|
|
"I forgot it"; and Jo took heart again, for that salutation could
|
|
not be called lover-like.
|
|
She always used to take his arm on these occasions; now she did not,
|
|
and he made no complaint, which was a bad sign, but talked on
|
|
rapidly about all sorts of far-away subjects, till they turned from
|
|
the road into the little path that led homeward through the grove.
|
|
Then he walked more slowly, suddenly lost his fine flow of language,
|
|
and, now and then, a dreadful pause occurred. To rescue the
|
|
conversation from one of the wells of silence into which it kept
|
|
falling, Jo said hastily-
|
|
"Now you must have a good long holiday!"
|
|
"I intend to."
|
|
Something in his resolute tone made Jo look up quickly to find him
|
|
looking down at her with an expression that assured her the dreaded
|
|
moment had come, and made her put out her hand with an imploring-
|
|
"No, Teddy, please don't!"
|
|
"I will, and you must hear me. It's no use, Jo; we've got to have it
|
|
out, and the sooner the better for both of us," he answered, getting
|
|
flushed and excited all at once.
|
|
"Say what you like, then; I'll listen," said Jo, with a desperate
|
|
sort of patience'
|
|
Laurie was a young lover, but he was in earnest, and meant to
|
|
"have it out," if he died in the attempt; so he plunged into the
|
|
subject with characteristic impetuosity, saying in a voice that
|
|
would get choky now and then, in spite of manful efforts to keep it
|
|
steady-
|
|
"I've loved you ever since I've known you, Jo; couldn't help it,
|
|
you've been so good to me. I've tried to show it, but you wouldn't let
|
|
me; now I'm going to make you hear, and give me an answer, for I can't
|
|
go on so any longer."
|
|
"I wanted to save you this; I thought you'd understand-" began Jo,
|
|
finding it a great deal harder than she expected.
|
|
"I know you did; but girls are so queer you never know what they
|
|
mean. They say No when they mean Yes, and drive a man out of his
|
|
wits just for the fun of it," returned Laurie, entrenching himself
|
|
behind an undeniable fact.
|
|
"I don't. I never wanted to make you care for me so, and I went away
|
|
to keep you from it if I could."
|
|
"I thought so; it was like you, but it was no use. I only loved
|
|
you all the more, and I worked hard to please you, and I gave up
|
|
billiards and everything you didn't like, and waited and never
|
|
complained, for I hoped you'd love me, though I'm not half good
|
|
enough-" here there was a choke that couldn't be controlled, so he
|
|
decapitated buttercups while he cleared his "confounded throat."
|
|
"Yes, you are; you're a great deal too good for me, and I'm so
|
|
grateful to you, and so proud and fond of you, I don't see why I can't
|
|
love you as you want me to. I've tried, but I can't change the
|
|
feeling, and it would be a lie to say I do when I don't."
|
|
"Really, truly, Jo?"
|
|
He stopped short, and caught both her hands as he put his question
|
|
with a look that she did not soon forget.
|
|
"Really, truly, dear."
|
|
They were in the grove now, close by the stile; and when the last
|
|
words fell reluctantly from Jo's lips, Laurie dropped her hands and
|
|
turned as if to go on, but for once in his life that fence was too
|
|
much for him; so he just laid his head down on the mossy post, and
|
|
stood so still that Jo was frightened.
|
|
"O Teddy, I'm so sorry, so desperately sorry, I could kill myself if
|
|
it would do any good! I wish you wouldn't take it so hard. I can't
|
|
help it; you know it's impossible for people to make themselves love
|
|
other people if they don't," cried Jo inelegantly but remorsefully, as
|
|
she softly patted his shoulder, remembering the time when he had
|
|
comforted her so long ago.
|
|
"They do sometimes," said a muffled voice from the post.
|
|
"I don't believe it's the right sort of love, and I'd rather not try
|
|
it," was the decided answer.
|
|
There was a long pause, while a blackbird sung blithely on the
|
|
willow by the river, and the tall grass rustled in the wind. Presently
|
|
Jo said very soberly, as she sat down on the step of the stile-
|
|
"Laurie, I want to tell you something."
|
|
He started as if he had been shot, threw up his head, and cried out,
|
|
in a fierce tone-
|
|
"Don't tell me that, Jo; I can't bear it now!"
|
|
"Tell what?" she asked, wondering at his violence.
|
|
"That you love that old man."
|
|
"What old man?" demanded Jo, thinking he must mean his grandfather.
|
|
"That devilish Professor you were always writing about. If you say
|
|
you love him, I know I shall do something desperate"; and he looked as
|
|
if he would keep his word, as he clenched his hands, with a wrathful
|
|
spark in his eyes.
|
|
Jo wanted to laugh, but restrained herself, and said warmly, for
|
|
she, too, was getting excited with all this-
|
|
"Don't swear, Teddy! He isn't old, nor anything bad, but good and
|
|
kind, and the best friend I've got, next to you. Pray, don't fly
|
|
into a passion; I want to be kind, but I know I shall get angry if you
|
|
abuse my Professor. I haven't the least idea of loving him or
|
|
anybody else."
|
|
"But you will after a while, and then what will become of me?"
|
|
"You'll love some one else too, like a sensible boy, and forget
|
|
all this trouble."
|
|
"I can't love any one else; and I'll never forget you, Jo, never!
|
|
never!" with a stamp to emphasize his passionate words.
|
|
"What shall I do with him?" sighed Jo, finding that emotions were
|
|
more unmanageable than she expected. "You haven't heard what I
|
|
wanted to tell you. Sit down and listen; for indeed I want to do right
|
|
and make you happy," she said, hoping to soothe him with a little
|
|
reason, which proved that she knew nothing about love.
|
|
Seeing a ray of hope in that last speech, Laurie threw himself
|
|
down on the grass at her feet, leaned his arm on the lower step of the
|
|
stile, and looked up at her with an expectant face. Now that
|
|
arrangement was not conducive to calm speech or clear thought on
|
|
Jo's part; for how could she say hard things to her boy while he
|
|
watched her with eyes full of love and longing, and lashes still wet
|
|
with the bitter drop or two her hardness of heart had wrung from
|
|
him? She gently turned his head away, saying, as she stroked the
|
|
wavy hair which had been allowed to grow for her sake- how touching
|
|
that was, to be sure!-
|
|
"I agree with mother that you and I are not suited to each other,
|
|
because our quick tempers and strong wills would probably make us very
|
|
miserable, if we were so foolish as to-" Jo paused a little over the
|
|
last word, but Laurie uttered it with a rapturous expression-
|
|
"Marry- no, we shouldn't! If you loved me, Jo, I should be a perfect
|
|
saint, for you could make me anything you like."
|
|
"No, I can't. I've tried it and failed, and I won't risk our
|
|
happiness by such a serious experiment. We don't agree and we never
|
|
shall; so we'll be good friends all our lives, but we won't go and
|
|
do anything rash."
|
|
"Yes, we will if we get the chance," muttered Laurie rebelliously.
|
|
"Now do be reasonable, and take a sensible view of the case,"
|
|
implored Jo, almost at her wit's end.
|
|
"I won't be reasonable; I don't want to take what you call 'a
|
|
sensible view'; it won't help me, and it only makes you harder. I
|
|
don't believe you've got any heart."
|
|
"I wish I hadn't!"
|
|
There was a little quiver in Jo's voice, and, thinking it a good
|
|
omen, Laurie turned round, bringing all his persuasive powers to
|
|
bear as he said, in the wheedlesome tone that had never been so
|
|
dangerously wheedlesome before-
|
|
"Don't disappoint us, dear! Every one expects it. Grandpa has set
|
|
his heart upon it, your people like it and I can't get on without you.
|
|
Say you will, and let's be happy. Do, do!"
|
|
Not until months afterward did Jo understand how she had the
|
|
strength of mind to hold fast to the resolution she had made when
|
|
she decided that she did not love her boy, and never could. It was
|
|
very hard to do, but she did it, knowing that delay was both useless
|
|
and cruel.
|
|
"I can't say 'Yes' truly, so I won't say it at all. You'll see
|
|
that I'm right, by and by, and thank me for it"- she began solemnly.
|
|
"I'll be hanged if I do!" and Laurie bounced up off the grass,
|
|
burning with indignation at the bare idea.
|
|
"Yes, you will!" persisted Jo; "you'll get over this after a
|
|
while, and find some lovely, accomplished girl, who will adore you,
|
|
and make a fine mistress for your fine house. I shouldn't. I'm
|
|
homely and awkward and odd and old, and you'd be ashamed of me, and we
|
|
should quarrel- we can't help it even now, you see- and I shouldn't
|
|
like elegant society and you would, and you'd hate my scribbling,
|
|
and I couldn't get on without it, and we should be unhappy, and wish
|
|
we hadn't done it, and everything would be horrid!"
|
|
"Anything more?" asked Laurie, finding it hard to listen patiently
|
|
to this prophetic burst.
|
|
"Nothing more, except that I don't believe I shall ever marry. I'm
|
|
happy as I am, and love my liberty too well to be in any hurry to give
|
|
it up for any mortal man."
|
|
"I know better!" broke in Laurie. "You think so now; but there'll
|
|
come a time when you will care for somebody, and you'll love him
|
|
tremendously, and live and die for him. I know you will, it's your
|
|
way, and I shall have to stand by and see it"; and the despairing
|
|
lover cast his hat upon the ground with a gesture that would have
|
|
seemed comical, if his face had not been so tragical.
|
|
"Yes, I will live and die for him, if he ever comes and makes me
|
|
love him in spite of myself, and you must do the best you can!"
|
|
cried Jo, losing patience with poor Teddy. "I've done my best, but you
|
|
won't be reasonable, and it's selfish of you to keep teasing for
|
|
what I can't give. I shall always be fond of you, very fond indeed, as
|
|
a friend, but I'll never marry you; and the sooner you believe it
|
|
the better for both of us- so now!"
|
|
That speech was like fire to gunpowder. Laurie looked at her a
|
|
minute as if he did not quite know what to do with himself, then
|
|
turned sharply away, saying, in a desperate sort of tone-
|
|
"You'll be sorry some day, Jo."
|
|
"Oh, where are you going?" she cried, for his face frightened her.
|
|
"To the devil!" was the consoling answer.
|
|
For a minute Jo's heart stood still, as he swung himself down the
|
|
bank, toward the river; but it takes much folly, sin, or misery to
|
|
send a young man to a violent death, and Laurie was not one of the
|
|
weak sort who are conquered by a single failure. He had no thought
|
|
of a melodramatic plunge, but some blind instinct led him to fling hat
|
|
and coat into his boat, and row away with all his might, making better
|
|
time up the river than he had done in many a race. Jo drew a long
|
|
breath and unclasped her hands as she watched the poor fellow trying
|
|
to outstrip the trouble which he carried in his heart.
|
|
"That will do him good, and he'll come home in such a tender,
|
|
penitent state of mind, that I shan't dare to see him, she said;
|
|
adding, as she went slowly home, feeling as if she had murdered some
|
|
innocent thing, and buried it under the leaves-
|
|
"Now I must go and prepare Mr. Laurence to be very kind to my poor
|
|
boy. I wish he'd love Beth; perhaps he may, in time, but I begin to
|
|
think I was mistaken about her. Oh dear! how can girls like to have
|
|
lovers and refuse them. I think it's dreadful."
|
|
Being sure that no one could do it so well as herself, she went
|
|
straight to Mr. Laurence, told the hard story bravely through, and
|
|
then broke down, crying so dismally over her own insensibility that
|
|
the kind old gentleman, though sorely disappointed, did not utter a
|
|
reproach. He found it difficult to understand how any girl could
|
|
help loving Laurie, and hoped she would change her mind, but he knew
|
|
even better than Jo that love cannot be forced, so he shook his head
|
|
sadly, and resolved to carry his boy out of harm's way; for Young
|
|
Impetuosity's parting words to Jo disturbed him more than he would
|
|
confess.
|
|
When Laurie came home, dead tired, but quite composed, his
|
|
grandfather met him as if he knew nothing, and kept up the delusion
|
|
very successfully for an hour or two. But when they sat together in
|
|
the twilight, the time they used to enjoy so much, it was hard work
|
|
for the old man to ramble on as usual, and harder still for the
|
|
young one to listen to praises of the last year's success, which to
|
|
him now seemed love's labor lost. He bore it as long as he could, then
|
|
went to his piano, and began to play. The windows were open; and Jo,
|
|
walking in the garden with Beth, for once understood music better than
|
|
her sister, for he played the "Sonata Pathetique," and played it as he
|
|
never did before.
|
|
"That's very fine, I dare say, but it's sad enough to make one
|
|
cry; give us something gayer, lad," said Mr. Laurence, whose kind
|
|
old heart was full of sympathy, which he longed to show, but knew
|
|
not how.
|
|
Laurie dashed into a livelier strain, played stormily for several
|
|
minutes, and would have got through bravely, if, in a momentary
|
|
lull, Mrs. March's voice had not been heard calling-
|
|
"Jo, dear, come in; I want you."
|
|
Just what Laurie longed to say, with a different meaning! As he
|
|
listened, he lost his place; the music ended with a broken chord,
|
|
and the musician sat silent in the dark.
|
|
"I can't stand this," muttered the old gentleman. Up he got,
|
|
groped his way to the piano, laid a kind hand on either of the broad
|
|
shoulders, and said, as gently as a woman, "I know, my boy, I know."
|
|
No answer for an instant; then Laurie asked sharply-
|
|
"Who told you?"
|
|
"Jo herself."
|
|
"Then there's an end of it!" and he shook off his grandfather's
|
|
hands with an impatient motion; for, though grateful for the sympathy,
|
|
his man's pride could not bear a man's pity.
|
|
"Not quite! I want to say one thing, and then there shall be an
|
|
end of it," returned Mr. Laurence, with unusual mildness. "You won't
|
|
care to stay at home just now, perhaps?"
|
|
"I don't intend to run away from a girl. Jo can't prevent my
|
|
seeing her, and I shall stay and do it as long as I like," interrupted
|
|
Laurie, in a defiant tone.
|
|
"Not if you are the gentleman I think you. I'm disappointed, but the
|
|
girl can't help it; and the only thing left for you to do is to go
|
|
away for a time. Where will you go?"
|
|
"Anywhere. I don't care what becomes of me" and Laurie got up,
|
|
with a reckless laugh, that grated on his grandfather's ear.
|
|
"Take it like a man, and don't do anything rash, for God's sake. Why
|
|
not go abroad, as you planned, and forget it?"
|
|
"I can't."
|
|
"But you've been wild to go, and I promised you should when you
|
|
got through college."
|
|
"Ah, but I didn't mean to go alone!" and Laurie walked fast
|
|
through the room, with an expression which it was well his grandfather
|
|
did not see.
|
|
"I don't ask you to go alone; there's some one ready and glad to
|
|
go with you, anywhere in the world."
|
|
"Who, sir?" stopping to listen.
|
|
"Myself."
|
|
Laurie came back as quickly as he went, and put out his hand, saying
|
|
huskily-
|
|
"I'm a selfish brute; but- you know- grandfather-"
|
|
"Lord help me, yes, I do know, for I've been through it all
|
|
before, once in my own young days, and then with your father. Now,
|
|
my dear boy, just sit quietly down, and hear my plan. It's all
|
|
settled, and can be carried out at once," said Mr. Laurence, keeping
|
|
hold of the young man, as if fearful that he would break away, as
|
|
his father had done before him.
|
|
"Well, sir, what is it?" and Laurie sat down, without a sign of
|
|
interest in face or voice.
|
|
"There is business in London that needs looking after; I meant you
|
|
should attend to it; but I can do it better myself, and things here
|
|
will get on very well with Brooke to manage them. My partners do
|
|
almost everything; I'm merely holding on till you take my place, and
|
|
can be off at any time."
|
|
"But you hate travelling, sir; I can't ask it of you at your age,"
|
|
began Laurie, who was grateful for the sacrifice, but much preferred
|
|
to go alone, if he went at all.
|
|
The old gentleman knew that perfectly well, and particularly desired
|
|
to prevent it; for the mood in which he found his grandson assured him
|
|
that it would not be wise to leave him to his own devices. So,
|
|
stiffing a natural regret at the thought of the home comforts he would
|
|
leave behind him, he said stoutly-
|
|
"Bless your soul, I'm not superannuated yet. I quite enjoy the idea;
|
|
it will do me good, and my old bones won't suffer, for travelling
|
|
nowadays is almost as easy as sitting in a chair."
|
|
A restless movement from Laurie suggested that his chair was not
|
|
easy, or that he did not like the plan, and made the old man add
|
|
hastily-
|
|
"I don't mean to be a marplot or a burden; I go because I think
|
|
you'd feel happier than if I was left behind. I don't intend to gad
|
|
about with you, but leave you free to go where you like, while I amuse
|
|
myself in my own way. I've friends in London and Paris, and should
|
|
like to visit them; meantime you can go to Italy, Germany,
|
|
Switzerland, where you will, and enjoy pictures, music, scenery, and
|
|
adventures to your heart's content."
|
|
Now, Laurie felt just then that his heart was entirely broken, and
|
|
the world a howling wilderness; but at the sound of certain words
|
|
which the old gentleman artfully introduced into his closing sentence,
|
|
the broken heart gave an unexpected leap, and a green oasis or two
|
|
suddenly appeared in the howling wilderness. He sighed, and then said,
|
|
in a spiritless tone-
|
|
"Just as you like, sir; it doesn't matter where I go or what I do."
|
|
"It does to me, remember that, my lad; I give you entire liberty,
|
|
but I trust you to make an honest use of it. Promise me that, Laurie."
|
|
"Anything you like, sir."
|
|
"Good," thought the old gentleman. "You don't care now, but there'll
|
|
come a time when that promise will keep you out of mischief, or I'm
|
|
much mistaken."
|
|
Being an energetic individual, Mr. Laurence struck while the iron
|
|
was hot; and before the blighted being recovered spirit enough to
|
|
rebel, they were off. During the time necessary for preparation,
|
|
Laurie bore himself as young gentlemen usually do in such cases. He
|
|
was moody, irritable, and pensive by turns; lost his appetite,
|
|
neglected his dress, and devoted much time to playing tempestuously on
|
|
his piano; avoided Jo, but consoled himself by staring at her from his
|
|
window, with a tragical face that haunted her dreams by night, and
|
|
oppressed her with a heavy sense of guilt by day. Unlike some
|
|
sufferers, he never spoke of his unrequited passion, and would allow
|
|
no one, not even Mrs. March, to attempt consolation or offer sympathy.
|
|
On some accounts, this was a relief to his friends; but the weeks
|
|
before his departure were very uncomfortable, and every one rejoiced
|
|
that the "poor, dear fellow was going away to forget his trouble,
|
|
and come home happy." Of course, he smiled darkly at their delusion,
|
|
but passed it by, with the sad superiority of one who knew that his
|
|
fidelity, like his love, was unalterable.
|
|
When the parting came he affected high spirits, to conceal certain
|
|
inconvenient emotions which seemed inclined to assert themselves. This
|
|
gayety did not impose upon anybody, but they tried to look as if it
|
|
did, for his sake, and he got on very well till Mrs. March kissed him,
|
|
with a whisper full of motherly solicitude; then, feeling that he
|
|
was going very fast, he hastily embraced them all round, not
|
|
forgetting the afflicted Hannah, and ran downstairs as if for his
|
|
life. Jo followed a minute after to wave her hand to him if he
|
|
looked round. He did look round, came back, put his arms about her, as
|
|
she stood on the step above him, and looked up at her with a face that
|
|
made his short appeal both eloquent and pathetic.
|
|
"O Jo, can't you?"
|
|
"Teddy, dear, I wish I could!"
|
|
That was all, except a little pause; then Laurie straightened
|
|
himself up, said, "It's all right, never mind," and went away
|
|
without another word. Ah, but it wasn't all right, and Jo did mind;
|
|
for while the curly head lay on her arm a minute after her hard
|
|
answer, she felt as if she had stabbed her dearest friend; and when he
|
|
left her without a look behind him, she knew that the boy Laurie never
|
|
would come again.
|
|
36
|
|
Beth's Secret
|
|
|
|
WHEN Jo came home that spring, she had been struck with the change
|
|
in Beth. No one spoke of it or seemed aware of it, for it had come too
|
|
gradually to startle those who saw her daily; but to eyes sharpened by
|
|
absence, it was very plain; and a heavy weight fell on Jo's heart as
|
|
she saw her sister's face. It was no paler and but little thinner than
|
|
in the autumn; yet there was a strange, transparent look about it,
|
|
as if the mortal was being slowly refined away, and the immortal
|
|
shining through the frail flesh with an indescribably pathetic beauty.
|
|
Jo saw and felt it, but said nothing at the time, and soon the first
|
|
impression lost much of its power; for Beth seemed happy, no one
|
|
appeared to doubt that she was better; and, presently, in other cares,
|
|
Jo for a time forgot her fear.
|
|
But when Laurie was gone, and peace prevailed again, the vague
|
|
anxiety returned and haunted her. She had confessed her sins and
|
|
been forgiven; but when she showed her savings and proposed the
|
|
mountain trip, Beth had thanked her heartily, but begged not to go
|
|
so far away from home. Another little visit to the seashore would suit
|
|
her better, and, as grandma could not be prevailed upon to leave the
|
|
babies, Jo took Beth down to the quiet place, where she could live
|
|
much in the open air, and let the fresh sea-breezes blow a little
|
|
color into her pale cheeks.
|
|
It was not a fashionable place, but, even among the pleasant
|
|
people there, the girls made few friends, preferring to live for one
|
|
another. Beth was too shy to enjoy society, and Jo too wrapped up in
|
|
her to care for any one else; so they were all in all to each other,
|
|
and came and went, quite unconscious of the interest they excited in
|
|
those about them, who watched with sympathetic eyes the strong
|
|
sister and the feeble one, always together, as if they felt
|
|
instinctively that a long separation was not far away.
|
|
They did feel it, yet neither spoke of it; for often between
|
|
ourselves and those nearest and dearest to us there exists a reserve
|
|
which it is very hard to overcome. Jo felt as if a veil had fallen
|
|
between her heart and Beth's; but when she put out her hand to lift it
|
|
up, there seemed something sacred in the silence, and she waited for
|
|
Beth to speak. She wondered, and was thankful also, that her parents
|
|
did not seem to see what she saw; and, during the quiet weeks, when
|
|
the shadow grew so plain to her, she said nothing of it to those at
|
|
home, believing that it would tell itself when Beth came back no
|
|
better. She wondered still more if her sister really guessed the
|
|
hard truth, and what thoughts were passing through her mind during the
|
|
long hours when she lay on the warm rocks, with her head in Jo's
|
|
lap, while the winds blew healthfully over her, and the sea made music
|
|
at her feet.
|
|
One day Beth told her. Jo thought she was asleep, she lay so
|
|
still; and, putting down her book, sat looking at her with wistful
|
|
eyes, trying to see signs of hope in the faint color on Beth's cheeks.
|
|
But she could not find enough to satisfy her, for the cheeks were very
|
|
thin, and the hands seemed too feeble to hold even the rosy little
|
|
shells they had been gathering. It came to her then more bitterly than
|
|
ever that Beth was slowly drifting away from her, and her arms
|
|
instinctively tightened their hold upon the dearest treasure she
|
|
possessed. For a minute her eyes were too dim for seeing, and, when
|
|
they cleared, Beth was looking up at her so tenderly that there was
|
|
hardly any need for her to say-
|
|
"Jo, dear, I'm glad you know it. I've tried to tell you, but I
|
|
couldn't."
|
|
There was no answer except her sister's cheek against her own, not
|
|
even tears; for when most deeply moved, Jo did not cry. She was the
|
|
weaker, then, and Beth tried to comfort and sustain her, with her arms
|
|
about her, and the soothing words she whispered in her ear.
|
|
"I've known it for a good while, dear, and, now I'm used to it, it
|
|
isn't hard to think of or to bear. Try to see it so, and don't be
|
|
troubled about me, because it's best; indeed it is."
|
|
"Is this what made you so unhappy in the autumn, Beth? You did not
|
|
feel it then, and keep it to yourself so long, did you?" asked Jo,
|
|
refusing to see or say that it was best, but glad to know that
|
|
Laurie had no part in Beth's trouble.
|
|
"Yes, I gave up hoping then, but I didn't like to own it. I tried to
|
|
think it was a sick fancy, and would not let it trouble any one. But
|
|
when I saw you all so well and strong, and full of happy plans, it was
|
|
hard to feel that I could never be like you, and then I was miserable,
|
|
Jo."
|
|
"O Beth, and you didn't tell me, didn't let me comfort and help you!
|
|
How could you shut me out, and bear it all alone?"
|
|
Jo's voice was full of tender reproach, and her heart ached to think
|
|
of the solitary struggle that must have gone on while Beth learned
|
|
to say good-by to health, love, and life, and take up her cross so
|
|
cheerfully.
|
|
"Perhaps it was wrong, but I tried to do right; I wasn't sure, no
|
|
one said anything, and I hoped I was mistaken. It would have been
|
|
selfish to frighten you all when Marmee was so anxious about Meg,
|
|
and Amy away, and you so happy with Laurie- at least, I thought so
|
|
then."
|
|
"And I thought that you loved him, Beth, and I went away because I
|
|
couldn't," cried Jo, glad to say all the truth.
|
|
Beth looked so amazed at the idea that Jo smiled in spite of her
|
|
pain, and added softly-
|
|
"Then you didn't, deary? I was afraid it was so, and imagined your
|
|
poor little heart full of love-lornity all that while."
|
|
"Why, Jo, how could I, when he was so fond of you?" asked Beth, as
|
|
innocently as a child. "I do love him dearly; he is so good to me, how
|
|
can I help it? But he never could be anything to me but my brother.
|
|
I hope he truly will be, sometime."
|
|
"Not through me," said Jo decidedly. "Amy is left for him, and
|
|
they would suit excellently; but I have no heart for such things, now.
|
|
I don't care what becomes of anybody but you, Beth. You must get
|
|
well."
|
|
"I want to, oh, so much! I try, but every day I lose a little, and
|
|
feel more sure that I shall never gain it back. It's like the tide,
|
|
Jo, when it turns, it goes slowly, but it can't be stopped."
|
|
"It shall be stopped, your tide must not turn so soon, nineteen is
|
|
too young. Beth, I can't let you go. I'll work and pray and fight
|
|
against it. I'll keep you in spite of everything; there must be
|
|
ways, it can't be too late. God won't be so cruel as to take you
|
|
from me," cried poor Jo rebelliously, for her spirit was far less
|
|
piously submissive than Beth's.
|
|
Simple, sincere people seldom speak much of their piety; it shows
|
|
itself in acts, rather than in words, and has more influence than
|
|
homilies or protestations. Beth could not reason upon or explain the
|
|
faith that gave her courage and patience to give up life, and
|
|
cheerfully wait for death. Like a confiding child, she asked no
|
|
questions, but left everything to God and nature, Father and mother of
|
|
us all, feeling sure that they, and they only, could teach and
|
|
strengthen heart and spirit for this life and the life to come. She
|
|
did not rebuke Jo with saintly speeches, only loved her better for her
|
|
passionate affection, and clung more closely to the dear human love,
|
|
from which our Father never means us to be weaned, but through which
|
|
He draws us closer to Himself. She could not say, "I'm glad to go,"
|
|
for life was very sweet to her; she could only sob out, "I try to be
|
|
willing," while she held fast to Jo, as the first bitter wave of
|
|
this great sorrow broke over them together.
|
|
By and by Beth said, with recovered serenity-
|
|
"You'll tell them this when we go home?"
|
|
"I think they will see it without words," sighed Jo; for now it
|
|
seemed to her that Beth changed every day.
|
|
"Perhaps not; I've heard that the people who love best are often
|
|
blindest to such things. If they don't see it, you will tell them
|
|
for me. I don't want any secrets, and it's kinder to prepare them. Meg
|
|
has John and the babies to comfort her, but you must stand by father
|
|
and mother, won't you, Jo?"
|
|
"If I can; but Beth, I don't give up yet; I'm going to believe
|
|
that it is a sick fancy, and not let you think it's true," said Jo,
|
|
trying to speak cheerfully.
|
|
Beth lay a minute thinking, and then said in her quiet way-
|
|
"I don't know how to express myself, and shouldn't try to any one
|
|
but you, because I can't speak out, except to my Jo. I only mean to
|
|
say that I have a feeling that it never was intended I should live
|
|
long. I'm not like the rest of you; I never made any plans about
|
|
what I'd do when I grew up; I never thought of being married, as you
|
|
all did. I couldn't seem to imagine myself anything but stupid
|
|
little Beth, trotting about at home, of no use anywhere but there. I
|
|
never wanted to go away, and the hard part now is the leaving you all.
|
|
I'm not afraid, but it seems as if I should be homesick for you even
|
|
in heaven."
|
|
Jo could not speak; and for several minutes there was no sound but
|
|
the sigh of the wind and the lapping of the tide. A white-winged
|
|
gull flew by, with the flash of sunshine on its silvery breast; Beth
|
|
watched it till it vanished, and her eyes were full of sadness. A
|
|
little gray-coated sand-bird came tripping over the beach, "peeping"
|
|
softly to itself, as if enjoying the sun and sea; it came quite
|
|
close to Beth, looked at her with a friendly eye, and sat upon a
|
|
warm stone, dressing its wet feathers, quite at home. Beth smiled, and
|
|
felt comforted, for the tiny thing seemed to offer its small
|
|
friendship, and remind her that a pleasant world was still to be
|
|
enjoyed.
|
|
"Dear little bird! See, Jo, how tame it is. I like peeps better than
|
|
the gulls: they are not so wild and handsome, but they seem happy,
|
|
confiding little things. I used to call them my birds, last summer;
|
|
and mother said they reminded her of me- busy, quaker-colored
|
|
creatures, always near the shore, and always chirping that contented
|
|
little song of theirs. You are the gull, Jo, strong and wild, fond
|
|
of the storm and the wind, flying far out to sea, and happy all alone.
|
|
Meg is the turtle-dove, and Amy is like the lark she writes about,
|
|
trying to get up among the clouds, but always dropping down into its
|
|
nest again. Dear little girl! she's so ambitious, but her heart is
|
|
good and tender; and no matter how high she flies, she never will
|
|
forget home. I hope I shall see her again, but she seems so far away."
|
|
"She is coming in the spring, and I mean that you shall be all ready
|
|
to see and enjoy her. I'm going to have you well and rosy by that
|
|
time," began Jo, feeling that of all the changes in Beth, the
|
|
talking change was the greatest, for it seemed to cost no effort
|
|
now, and she thought aloud in a way quite unlike bashful Beth.
|
|
"Jo, dear, don't hope any more; it won't do any good, I'm sure of
|
|
that. We won't be miserable, but enjoy being together while we wait.
|
|
We'll have happy times, for I don't suffer much, and I think the
|
|
tide will go out easily, if you help me."
|
|
Jo leaned down to kiss the tranquil face; and with that silent kiss,
|
|
she dedicated herself soul and body to Beth.
|
|
She was right: there was no need of any words when they got home,
|
|
for father and mother saw plainly, now, what they had prayed to be
|
|
saved from seeing. Tired with her short journey, Beth went at once
|
|
to bed, saying how glad she was to be at home; and when Jo went
|
|
down, she found that she would be spared the hard task of telling
|
|
Beth's secret. Her father stood leaning his head on the
|
|
mantel-piece, and did not turn as she came in; but her mother
|
|
stretched out her arms as if for help, and Jo went to comfort her
|
|
without a word.
|
|
37
|
|
New Impressions
|
|
|
|
AT three o'clock in the afternoon, all the fashionable world at Nice
|
|
may be seen on the Promenade des Anglais- a charming place; for the
|
|
wide walk, bordered with palms, flowers, and tropical shrubs, is
|
|
bounded on one side by the sea, on the other by the grand drive, lined
|
|
with hotels and villas, while beyond he orange-orchards and the hills.
|
|
Many nations are represented, many languages spoken, many costumes
|
|
worn; and, on a sunny day, the spectacle is as gay and brilliant as
|
|
a carnival. Haughty English, lively French, sober Germans, handsome
|
|
Spaniards, ugly Russians, meek Jews, free-and-easy Americans, all
|
|
drive, sit, or saunter here, chatting over the news, and criticizing
|
|
the latest celebrity who has arrived- Ristori or Dickens, Victor
|
|
Emmanuel or the Queen of the Sandwich Islands. The equipages are as
|
|
varied as the company, and attract as much attention, especially the
|
|
low basket-barouches in which ladies drive themselves, with a pair
|
|
of dashing ponies, gay nets to keep their voluminous flounces from
|
|
overflowing the diminutive vehicles, and little grooms on the perch
|
|
behind.
|
|
Along this walk, on Christmas Day, a tall young man walked slowly,
|
|
with his hands behind him, and a somewhat absent expression of
|
|
countenance. He looked like an Italian, was dressed like an
|
|
Englishman, and had the independent air of an American- a
|
|
combination which caused sundry pairs of feminine eyes to look
|
|
approvingly after him, and sundry dandies in black velvet suits,
|
|
with rose-colored neckties, buff gloves, and orange-flowers in their
|
|
button-holes, to shrug their shoulders, and then envy him his
|
|
inches. There were plenty of pretty faces to admire, but the young man
|
|
took little notice of them, except to glance, now and then, at some
|
|
blonde girl, or lady in blue. Presently he strolled out of the
|
|
promenade, and stood a moment at the crossing, as if undecided whether
|
|
to go and listen to the band in the Jardin Publique, or to wander
|
|
along the beach toward Castle Hill. The quick trot of ponies' feet
|
|
made him look up, as one of the little carriages, containing a
|
|
single lady, came rapidly down the street. The lady was young, blonde,
|
|
and dressed in blue. He stared a minute, then his whole face woke
|
|
up, and, waving his hat like a boy, he hurried forward to meet her.
|
|
"O Laurie, is it really you? I thought you'd never come!" cried Amy,
|
|
dropping the reins, and holding out both hands, to the great
|
|
scandalization of a French mamma, who hastened her daughter's steps,
|
|
lest she should be demoralized by beholding the free manners of
|
|
these "mad English."
|
|
"I was detained by the way, but I promised to spend Christmas with
|
|
you, and here I am."
|
|
"How is your grandfather? When did you come? Where are you staying?"
|
|
"Very well- last night- at the Chauvain. I called at your hotel, but
|
|
you were all out."
|
|
"I have so much to say, I don't know where to begin! Get in, and
|
|
we can talk at our ease; I was going for a drive, and longing for
|
|
company. Flo's saving up for to-night."
|
|
"What happens then, a ball?"
|
|
"A Christmas party at our hotel. There are many Americans there, and
|
|
they give it in honor of the day. You'll go with us, of course? Aunt
|
|
will be charmed."
|
|
"Thank you. Where now?" asked Laurie, leaning back and folding his
|
|
arms, a proceeding which suited Amy, who preferred to drive; for her
|
|
parasol-whip and blue reins over the white ponies' backs, afforded her
|
|
infinite satisfaction.
|
|
"I'm going to the banker's first, for letters, and then to Castle
|
|
Hill; the view is so lovely, and I like to feed the peacocks. Have you
|
|
ever been there?"
|
|
"Often, years ago; but I don't mind having a look at it."
|
|
"Now tell me all about yourself. The last I heard of you, your
|
|
grandfather wrote that he expected you from Berlin."
|
|
"Yes, I spent a month there, and then joined him in Paris, where
|
|
he has settled for the winter. He has friends there, and finds
|
|
plenty to amuse him; so I go and come, and we get on capitally."
|
|
"That's a sociable arrangement," said Amy, missing something in
|
|
Laurie's manner, though she couldn't tell what.
|
|
"Why, you see he hates to travel, and I hate to keep still; so we
|
|
each suit ourselves, and there is no trouble. I am often with him, and
|
|
he enjoys my adventures, while I like to feel that some one is glad to
|
|
see me when I get back from my wanderings. Dirty old hole, isn't
|
|
it?" he added, with a look of disgust, as they drove along the
|
|
boulevard to the Place Napoleon, in the old city.
|
|
"The dirt is picturesque, so I don't mind. The river and the hills
|
|
are delicious, and these glimpses of the narrow cross-streets are my
|
|
delight. Now we shall have to wait for that procession to pass; it's
|
|
going to the Church of St. John."
|
|
While Laurie listlessly watched the procession of priests under
|
|
their canopies, white-veiled nuns bearing lighted tapers, and some
|
|
brotherhood in blue, chanting as they walked, Amy watched him, and
|
|
felt a new sort of shyness steal over her; for he was changed, and she
|
|
could not find the merry-faced boy she left in the moody-looking man
|
|
beside her. He was handsomer than ever, and greatly improved, she
|
|
thought; but now that the flush of pleasure at meeting her was over,
|
|
he looked tired and spiritless- not sick, nor exactly unhappy, but
|
|
older and graver than a year or two of prosperous life should have
|
|
made him. She couldn't understand it, and did not venture to ask
|
|
questions; so she shook her head, and touched up her ponies, as the
|
|
procession wound away across the arches of the Paglioni bridge, and
|
|
vanished in the church.
|
|
"Que pensez-vous?" she said, airing her French, which had improved
|
|
in quantity, if not in quality, since she came abroad.
|
|
"That mademoiselle has made good use of her time, and the result
|
|
is charming," replied Laurie, bowing, with his hand on his heart,
|
|
and an admiring look.
|
|
She blushed with pleasure, but somehow the compliment did not
|
|
satisfy her like the blunt praises he used to give her at home, when
|
|
he promenaded round her on festival occasions, and told her she was
|
|
"altogether jolly," with a hearty smile and an approving pat on the
|
|
head. She didn't like the new tone; for, though not blase, it
|
|
sounded indifferent in spite of the look.
|
|
"If that's the way he's going to grow up, I wish he'd stay a boy,"
|
|
she thought, with a curious sense of disappointment and discomfort,
|
|
trying meantime to seem quite easy and gay.
|
|
At Avigdor's she found the precious home-letters, and, giving the
|
|
reins to Laurie, read them luxuriously as they wound up the shady road
|
|
between green hedges, where tea-roses bloomed as freshly as in June.
|
|
"Beth is very poorly, mother says. I often think I ought to go home,
|
|
but they all say 'stay'; so I do, for I shall never have another
|
|
chance like this," said Amy, looking sober over one page.
|
|
"I think you are right, there; you could do nothing at home, and
|
|
it is a great comfort to them to know that you are well and happy, and
|
|
enjoying so much, my dear."
|
|
He drew a little nearer, and looked more like his old self, as he
|
|
said that; and the fear that sometimes weighed on Amy's heart was
|
|
lightened, for the look, the act, the brotherly "my dear," seemed to
|
|
assure her that if any trouble did come, she would not be alone in a
|
|
strange land. Presently she laughed, and showed him a small sketch
|
|
of Jo in her scribbling-suit, with the bow rampantly erect upon her
|
|
cap, and issuing from her mouth the words, "Genius burns!"
|
|
Laurie smiled, took it, put it in his vest-pocket, "to keep it
|
|
from blowing away," and listened with interest to the lively letter
|
|
Amy read him.
|
|
"This will be a regularly merry Christmas to me, with presents in
|
|
the morning, you and letters in the afternoon, and a party at
|
|
night," said Amy, as they alighted among the ruins of the old fort,
|
|
and a flock of splendid peacocks came trooping about them, tamely
|
|
waiting to be fed. While Amy stood laughing on the bank above him as
|
|
she scattered crumbs to the brilliant birds, Laurie looked at her as
|
|
she had looked at him, with a natural curiosity to see what changes
|
|
time and absence had wrought. He found nothing to perplex or
|
|
disappoint, much to admire and approve; for, overlooking a few
|
|
little affectations of speech and manner, she was as sprightly and
|
|
graceful as ever, with the addition of that indescribable something in
|
|
dress and bearing which we call elegance. Always mature for her age,
|
|
she had gained a certain aplomb in both carriage and conversation,
|
|
which made her seem more of a woman of the world than she was; but her
|
|
old petulance now and then showed itself, her strong will held its
|
|
own, and her native frankness was unspoiled by foreign polish.
|
|
Laurie did not read all this while he watched her feed the peacocks,
|
|
but he saw enough to satisfy and interest him, and carried away a
|
|
pretty little picture of a bright-faced girl standing in the sunshine,
|
|
which brought out the soft hue of her dress, the fresh color of her
|
|
cheeks, the golden gloss of her hair, and made her a prominent
|
|
figure in the pleasant scene.
|
|
As they came up on to the stone plateau that crowns the hill, Amy
|
|
waved her hand as if welcoming him to her favorite haunt, and said,
|
|
pointing here and there-
|
|
"Do you remember the Cathedral and the Corso, the fishermen dragging
|
|
their nets in the bay, and the lovely road to Villa Franca, Schubert's
|
|
Tower, just below, and, best of all, that speck far out to sea which
|
|
they say is Corsica?"
|
|
"I remember; it's not much changed," he answered, without
|
|
enthusiasm.
|
|
"What Jo would give for a sight of that famous speck!" said Amy,
|
|
feeling in good spirits, and anxious to see him so also.
|
|
"Yes," was all he said, but he turned and strained his eyes to see
|
|
the island which a greater usurper than even Napoleon now made
|
|
interesting in his sight.
|
|
"Take a good look at it for her sake, and then come and tell me what
|
|
you have been doing with yourself all this while," said Amy, seating
|
|
herself, ready for a good talk.
|
|
But she did not get it; for, though he joined her, and answered
|
|
all her questions freely, she could only learn that he had roved about
|
|
the continent and been to Greece. So, after idling away an hour,
|
|
they drove home again; and, having paid his respects to Mrs. Carrol,
|
|
Laurie left them, promising to return in the evening.
|
|
It must be recorded of Amy that she deliberately "prinked" that
|
|
night. Time and absence had done its work on both the young people;
|
|
she had seen her old friend in a new light, not as "our boy," but as a
|
|
handsome and agreeable man, and she was conscious of a very natural
|
|
desire to find favor in his sight. Amy knew her good points, and
|
|
made the most of them, with the taste and skill which is a fortune
|
|
to a poor and pretty woman.
|
|
Tarlatan and tulle were cheap at Nice, so she enveloped herself in
|
|
them on such occasions, and, following the sensible English fashion of
|
|
simple dress for young girls, got up charming little toilettes with
|
|
fresh flowers, a few trinkets, and all manner of dainty devices, which
|
|
were both inexpensive and effective. It must be confessed that the
|
|
artist sometimes got possession of the woman, and indulged in
|
|
antique coiffures, statuesque attitudes, and classic draperies. But,
|
|
dear heart, we all have our little weaknesses, and find it easy to
|
|
pardon such in the young, who satisfy our eyes with their
|
|
comeliness, and keep our hearts merry with their artless vanities.
|
|
"I do want him to think I look well, and tell them so at home," said
|
|
Amy to herself, as she put on Flo's old white silk ball-dress, and
|
|
covered it with a cloud of fresh illusion, out of which her white
|
|
shoulders and golden head emerged with a most artistic effect. Her
|
|
hair she had the sense to let alone, after gathering up the thick
|
|
waves and curls into a Hebe-like knot at the back of her head.
|
|
"It's not the fashion, but it's becoming, and I can't afford to make
|
|
a fright of myself," she used to say, when advised to frizzle, puff,
|
|
or braid, as the latest style commanded.
|
|
Having no ornaments fine enough for this important occasion, Amy
|
|
looped her fleecy skirts with rosy clusters of azalea, and framed
|
|
the white shoulders in delicate green vines. Remembering the painted
|
|
boots, she surveyed her white satin slippers with girlish
|
|
satisfaction, and chasseed down the room, admiring her aristocratic
|
|
feet all by herself.
|
|
"My new fan just matches my flowers, my gloves fit to a charm, and
|
|
the real lace on aunt's mouchoir gives an air to my whole dress. If
|
|
I only had a classical nose and mouth I should be perfectly happy,"
|
|
she said, surveying herself with a critical eye, and a candle in
|
|
each hand.
|
|
In spite of this affliction, she looked unusually gay and graceful
|
|
as she glided away; she seldom ran- it did not suit her style, she
|
|
thought, for, being tall, the stately and Junoesque was more
|
|
appropriate than the sportive or piquante. She walked up and down
|
|
the long saloon while waiting for Laurie, and once arranged herself
|
|
under the chandelier, which had a good effect upon her hair; then
|
|
she thought better of it, and went away to the other end of the
|
|
room, as if ashamed of the girlish desire to have the first view a
|
|
propitious one. It so happened that she could not have done a better
|
|
thing, for Laurie came in so quietly she did not hear him; and, as she
|
|
stood at the distant window, with her head half turned, and one hand
|
|
gathering up her dress, the slender, white figure against the red
|
|
curtains was as effective as a well-placed statue.
|
|
"Good evening, Diana!" said Laurie, with the look of satisfaction
|
|
she liked to see in his eyes when they rested on her.
|
|
"Good evening, Apollo!" she answered, smiling back at him, for he,
|
|
too, looked unusually debonnaire, and the thought of entering the
|
|
ballroom on the arm of such a personable man caused Amy to pity the
|
|
four plain Misses Davis from the bottom of her heart.
|
|
"Here are your flowers; I arranged them myself, remembering that you
|
|
didn't like what Hannah calls a 'sot-bookay,'" said Laurie, handing
|
|
her a delicate nosegay, in a holder that she had long coveted as she
|
|
daily passed it in Cardiglia's window.
|
|
"How kind you are!" she exclaimed gratefully. "If I'd known you were
|
|
coming I'd have had something ready for you to-day, though not as
|
|
pretty as this, I'm afraid."
|
|
"Thank you; it isn't what it should be, but you have improved it,"
|
|
he added, as she snapped the silver bracelet on her wrist.
|
|
"Please don't."
|
|
"I thought you liked that sort of thing?"
|
|
"Not from you; it doesn't sound natural, and I like your old
|
|
bluntness better."
|
|
"I'm glad of it," he answered, with a look of relief; then
|
|
buttoned her gloves for her, and asked if his tie was straight, just
|
|
as he used to do when they went to parties together, at home.
|
|
The company assembled in the long salle a manger, that evening,
|
|
was such as one sees nowhere but on the Continent. The hospitable
|
|
Americans had invited every acquaintance they had in Nice, and, having
|
|
no prejudice against titles, secured a few to add lustre to their
|
|
Christmas ball.
|
|
A Russian prince condescended to sit in a corner for an hour, and
|
|
talk with a massive lady, dressed like Hamlet's mother, in black
|
|
velvet, with a pearl bridle under her chin. A Polish count, aged
|
|
eighteen, devoted himself to the ladies, who pronounced him "a
|
|
fascinating dear," and a German Serene Something, having come for
|
|
the supper alone, roamed vaguely about, seeking what he might
|
|
devour. Baron Rothschild's private secretary, a large-nosed Jew, in
|
|
tight boots, affably beamed upon the world, as if his master's name
|
|
crowned him with a golden halo; a stout Frenchman, who knew the
|
|
Emperor, came to indulge his mania for dancing, and Lady de Jones, a
|
|
British matron, adorned the scene with her little family of eight.
|
|
Of course, there were many light-footed, shrill-voiced American girls,
|
|
handsome, lifeless-looking English ditto, and a few plain but piquante
|
|
French demoiselles; likewise the usual set of travelling young
|
|
gentlemen, who disported themselves gayly, while mammas of all nations
|
|
lined the walls, and smiled upon them benignly when they danced with
|
|
their daughters.
|
|
Any young girl can imagine Amy's state of mind when she "took the
|
|
stage" that night, leaning on Laurie's arm. She knew she looked
|
|
well, she loved to dance, she felt that her foot was on her native
|
|
heath in a ballroom, and enjoyed the delightful sense of power which
|
|
comes when young girls first discover the new and lovely kingdom
|
|
they are born to rule by virtue of beauty, youth, and womanhood. She
|
|
did pity the Davis girls, who were awkward, plain, and destitute of
|
|
escort, except a grim papa and three grimmer maiden aunts, and she
|
|
bowed to them in her friendliest manner as she passed; which was
|
|
good of her, as it permitted them to see her dress, and burn with
|
|
curiosity to know who her distinguished-looking friend might be.
|
|
With the first burst of the band, Amy's color rose, her eyes began
|
|
to sparkle, and her feet to tap the floor impatiently; for she
|
|
danced well, and wanted Laurie to know it: therefore the shock she
|
|
received can better be imagined than described, when he said, in a
|
|
perfectly tranquil tone-
|
|
"Do you care to dance?"
|
|
"One usually does at a ball."
|
|
Her amazed look and quick answer caused Laurie to repair his error
|
|
as fast as possible.
|
|
"I meant the first dance. May I have the honor?"
|
|
"I can give you one if I put off the Count. He dances divinely;
|
|
but he will excuse me, as you are an old friend," said Amy, hoping
|
|
that the name would have a good effect, and show Laurie that she was
|
|
not to be trifled with.
|
|
"Nice little boy, but rather a short Pole to support
|
|
|
|
"'A daughter of the gods,
|
|
Divinely tall, and most divinely fair,'"
|
|
|
|
was all the satisfaction she got, however.
|
|
The set in which they found themselves was composed of English,
|
|
and Amy was compelled to walk decorously through a cotillion,
|
|
feeling all the while as if she could dance the Tarantula with a
|
|
relish. Laurie resigned her to the "nice little boy," and went to do
|
|
his duty to Flo, without securing Amy for the joys to come, which
|
|
reprehensible want of forethought was properly punished, for she
|
|
immediately engaged herself till supper, meaning to relent if he
|
|
then gave any signs of penitence. She showed him her ball-book with
|
|
demure satisfaction when he strolled, instead of rushing, up to
|
|
claim her for the next, a glorious polka-redowa; but his polite
|
|
regrets didn't impose upon her, and when she gallopaded away with
|
|
the Count, she saw Laurie sit down by her aunt with an actual
|
|
expression of relief.
|
|
That was unpardonable; and Amy took no more notice of him for a long
|
|
while, except a word now and then, when she came to her chaperon,
|
|
between the dances, for a necessary pin or a moment's rest. Her
|
|
anger had a good effect, however, for she hid it under a smiling face,
|
|
and seemed unusually blithe and brilliant. Laurie's eyes followed
|
|
her with pleasure for she neither romped nor sauntered, but danced
|
|
with spirit and grace, making the delightsome pastime what it should
|
|
be. He very naturally fell to studying her from this new point of
|
|
view; and, before the evening was half over, had decided that
|
|
"little Amy was going to make a very charming woman."
|
|
It was a lively scene, for soon the spirit of the social season took
|
|
possession of every one, and Christmas merriment made all faces shine,
|
|
hearts happy, and heels light. The musicians fiddled, tooted, and
|
|
banged as if they enjoyed it; everybody danced who could, and those
|
|
who couldn't admired their neighbors with uncommon warmth. The air was
|
|
dark with Davises, and many Joneses gambolled like a flock of young
|
|
giraffes. The golden secretary darted through the room like a
|
|
meteor, with a dashing Frenchwoman, who carpeted the floor with her
|
|
pink satin train. The Serene Teuton found the supper-table, and was
|
|
happy, eating steadily through the bill of fare, and dismayed the
|
|
garcons by the ravages he committed. But the Emperor's friend
|
|
covered himself with glory, for he danced everything, whether he
|
|
knew it or not, and introduced impromptu pirouettes when the figures
|
|
bewildered him. The boyish abandon of that stout man was charming to
|
|
behold; for, though he "carried weight," he danced like an
|
|
india-rubber ball. He ran, he flew, he pranced; his face glowed, his
|
|
bald head shone; his coat-tails waved wildly, his pumps actually
|
|
twinkled in the air, and when the music stopped, he wiped the drops
|
|
from his brow, and beamed upon his fellow-men like a French Pickwick
|
|
without glasses.
|
|
Amy and her Pole distinguished themselves by equal enthusiasm, but
|
|
more graceful agility; and Laurie found himself involuntarily
|
|
keeping time to the rhythmic rise and fall of the white slippers as
|
|
they flew by as indefatigably as if winged. When little Vladimir
|
|
finally relinquished her with assurances that he was "desolated to
|
|
leave so early," she was ready to rest, and see how her recreant
|
|
knight had borne his punishment.
|
|
It had been successful; for, at three-and-twenty, blighted
|
|
affections find a balm in friendly society, and young nerves will
|
|
thrill, young blood dance, and healthy young spirits rise, when
|
|
subjected to the enchantment of beauty, light, music, and motion.
|
|
Laurie had a waked-up look as he rose to give her his seat; and when
|
|
he hurried away to bring her some supper, she said to herself, with
|
|
a satisfied smile-
|
|
"Ah, I thought that would do him good!"
|
|
"You look like Balzac's 'Femme peinte par elle-meme,'" he said, as
|
|
he fanned her with one hand and held her coffee-cup in the other.
|
|
"My rouge won't come off"; and Amy rubbed her brilliant cheek, and
|
|
showed him her white glove with a sober simplicity that made him laugh
|
|
outright.
|
|
"What do you call this stuff?" he asked, touching a fold of her
|
|
dress that had blown over his knee.
|
|
"Illusion."
|
|
"Good name for it; it's very pretty- new thing, isn't it?"
|
|
"It's as old as the hills; you have seen it on dozens of girls,
|
|
and you never found out that it was pretty till now- stupide!"
|
|
"I never saw it on you before, which accounts for the mistake, you
|
|
see."
|
|
"None of that, it is forbidden; I'd rather take coffee than
|
|
compliments just now. No, don't lounge, it makes me nervous."
|
|
Laurie sat bolt upright, and meekly took her empty plate, feeling an
|
|
odd sort of pleasure in having "little Amy" order him about; for she
|
|
had lost her shyness now, and felt an irresistible desire to trample
|
|
on him, as girls have a delightful way of doing when lords of creation
|
|
show any signs of subjection.
|
|
"Where did you learn all this sort of thing?" he asked, with a
|
|
quizzical look.
|
|
"As 'this sort of thing' is rather a vague expression, would you
|
|
kindly explain?" returned Amy, knowing perfectly well what he meant,
|
|
but wickedly leaving him to describe what is indescribable.
|
|
"Well- the general air, the style, the self-possession, the- the-
|
|
illusion- you know," laughed Laurie, breaking down, and helping
|
|
himself out of his quandary with the new word.
|
|
Amy was gratified, but, of course, didn't show it, and demurely
|
|
answered, "Foreign life polishes one in spite of one's self; I study
|
|
as well as play; and as for this"- with a little gesture toward her
|
|
dress- "why, tulle is cheap, posies to be had for nothing, and I am
|
|
used to making the most of my poor little things."
|
|
Amy rather regretted that last sentence, fearing it wasn't in good
|
|
taste; but Laurie liked her the better for it, and found himself
|
|
both admiring and respecting the brave patience that made the most
|
|
of opportunity, and the cheerful spirit that covered poverty with
|
|
flowers. Amy did not know why he looked at her so kindly, nor why he
|
|
filled up her book with his own name, and devoted himself to her for
|
|
the rest of the evening, in the most delightful manner; but the
|
|
impulse that wrought this agreeable change was the result of one of
|
|
the new impressions which both of them were unconsciously giving and
|
|
receiving.
|
|
38
|
|
On the Shelf
|
|
|
|
IN France the young girls have a dull time of it till they are
|
|
married, when "Vive la liberte" becomes their motto. In America, as
|
|
every one knows, girls early sign the declaration of independence, and
|
|
enjoy their freedom with republican zest; but the young matrons
|
|
usually abdicate with the first heir to the throne, and go into a
|
|
seclusion almost as close as a French nunnery, though by no means as
|
|
quiet. Whether they like it or not, they are virtually put upon the
|
|
shelf as soon as the wedding excitement is over, and most of them
|
|
might exclaim, as did a very pretty woman the other day, "I am as
|
|
handsome as ever, but no one takes any notice of me because I'm
|
|
married."
|
|
Not being a belle or even a fashionable lady, Meg did not experience
|
|
this affliction till her babies were a year old, for in her little
|
|
world primitive customs prevailed, and she found herself more
|
|
admired and beloved than ever.
|
|
As she was a womanly little woman, the maternal instinct was very
|
|
strong, and she was entirely absorbed in her children, to the utter
|
|
exclusion of everything and everybody else. Day and night she
|
|
brooded over them with tireless devotion and anxiety, leaving John
|
|
to the tender mercies of the help, for an Irish lady now presided over
|
|
the kitchen department. Being a domestic man, John decidedly missed
|
|
the wifely attentions he had been accustomed to receive; but, as he
|
|
adored his babies, he cheerfully relinquished his comfort for a
|
|
time, supposing, with masculine ignorance, that peace would soon be
|
|
restored. But three months passed, and there was no return of
|
|
repose; Meg looked worn and nervous, the babies absorbed every
|
|
minute of her time, the house was neglected, and Kitty, the cook,
|
|
who took life "aisy," kept him on short commons. When he went out in
|
|
the morning he was bewildered by small commissions for the captive
|
|
mamma; if he came gayly in at night, eager to embrace his family, he
|
|
was quenched by a "Hush! they are just asleep after worrying all day."
|
|
If he proposed a little amusement at home, "No, it would disturb the
|
|
babies." If he hinted at a lecture or concert, he was answered with
|
|
a reproachful look, and a decided "Leave my children for pleasure,
|
|
never!" His sleep was broken by infant wails and visions of a
|
|
phantom figure pacing noiselessly to and fro in the watches of the
|
|
night; his meals were interrupted by the frequent flight of the
|
|
presiding genius, who deserted him, half-helped, if a muffled chirp
|
|
sounded from the nest above; and when he read his paper of an evening,
|
|
Demi's colic got into the shipping-list, and Daisy's fall affected the
|
|
price of stocks, for Mrs. Brooke was only interested in domestic news.
|
|
The poor man was very uncomfortable, for the children had bereft him
|
|
of his wife; home was merely a nursery, and the perpetual "hushing"
|
|
made him feel like a brutal intruder whenever he entered the sacred
|
|
precincts of Babyland. He bore it very patiently for six months,
|
|
and, when no signs of amendment appeared, he did what other paternal
|
|
exiles do- tried to get a little comfort elsewhere. Scott had
|
|
married and gone to housekeeping not far off, and John fell into the
|
|
way of running over for an hour or two of an evening, when his own
|
|
parlor was empty, and his own wife singing lullabies that seemed to
|
|
have no end. Mrs. Scott was a lively, pretty girl, with nothing to
|
|
do but be agreeable, and she performed her mission most
|
|
successfully. The parlor was always bright and attractive, the
|
|
chessboard ready, the piano in tune, plenty of gay gossip, and a
|
|
nice little supper set forth in tempting style.
|
|
John would have preferred his own fireside if it had not been so
|
|
lonely; but as it was, he gratefully took the next best thing, and
|
|
enjoyed his neighbor's society.
|
|
Meg rather approved of the new arrangement at first, and found it
|
|
a relief to know that John was having a good time instead of dozing in
|
|
the parlor, or tramping about the house and waking the children. But
|
|
by and by, when the teething worry was over, and the idols went to
|
|
sleep at proper hours, leaving mamma time to rest, she began to miss
|
|
John, and find her work basket dull company, when he was not sitting
|
|
opposite in his old dressing gown, comfortably scorching his
|
|
slippers on the fender. She would not ask him to stay at home, but
|
|
felt injured because he did not know that she wanted him without being
|
|
told, entirely forgetting the many evenings he had waited for her in
|
|
vain. She was nervous and worn out with watching and worry, and in
|
|
that unreasonable frame of mind which the best of mothers occasionally
|
|
experience when domestic cares oppress them. Want of exercise robs
|
|
them of cheerfulness, and too much devotion to that idol of American
|
|
women, the teapot, makes them feel as if they were all nerve and no
|
|
muscle.
|
|
"Yes," she would say, looking in the glass, "I'm getting old and
|
|
ugly; John doesn't find me interesting any longer, so he leaves his
|
|
faded wife and goes to see his pretty neighbor, who has no
|
|
incumbrances. Well, the babies love me; they don't care if I am thin
|
|
and pale, and haven't time to crimp my hair; they are my comfort,
|
|
and some day John will see what I've gladly sacrificed for them, won't
|
|
he, my precious?"
|
|
To which pathetic appeal Daisy would answer with a coo, or Demi with
|
|
a crow, and Meg would put by her lamentations for a maternal revel,
|
|
which soothed her solitude for the time being. But the pain
|
|
increased as politics absorbed John, who was always running over to
|
|
discuss interesting points with Scott, quite unconscious that Meg
|
|
missed him. Not a word did she say, however, till her mother found her
|
|
in tears one day, and insisted on knowing what the matter was, for
|
|
Meg's drooping spirits had not escaped her observation.
|
|
"I wouldn't tell any one except you, mother; but I really do need
|
|
advice, for, if John goes on so much longer I might as well be
|
|
widowed," replied Mrs. Brooke, drying her tears on Daisy's bib, with
|
|
an injured air.
|
|
"Goes on how, my dear?" asked her mother anxiously.
|
|
"He's away all day, and at night, when I want to see him, he is
|
|
continually going over to the Scotts'. It isn't fair that I should
|
|
have the hardest work, and never any amusement. Men are very
|
|
selfish, even the best of them."
|
|
"So are women; don't blame John till you see where you are wrong
|
|
yourself."
|
|
"But it can't be right for him to neglect me."
|
|
"Don't you neglect him?"
|
|
"Why, mother, I thought you'd take my part!"
|
|
"So I do, as far as sympathizing goes; but I think the fault is
|
|
yours, Meg."
|
|
"I don't see how."
|
|
"Let me show you. Did John ever neglect you, as you call it, while
|
|
you made it a point to give him your society of an evening, his only
|
|
leisure time?"
|
|
"No; but I can't do it now, with two babies to tend."
|
|
"I think you could, dear; and I think you ought. May I speak quite
|
|
freely, and will you remember that it's mother who blames as well as
|
|
mother who sympathizes?"
|
|
"Indeed I will! Speak to me as if I were little Meg again. I often
|
|
feel as if I needed teaching more than ever since these babies look to
|
|
me for everything."
|
|
Meg drew her low chair beside her mother's, and, with a little
|
|
interruption in either lap, the two women rocked and talked lovingly
|
|
together, feeling that the tie of motherhood made them more one than
|
|
ever.
|
|
"You have only made the mistake that most young wives make-
|
|
forgotten your duty to your husband in your love for your children.
|
|
A very natural and forgivable mistake, Meg, but one that had better be
|
|
remedied before you take to different ways; for children should draw
|
|
you nearer than ever, not separate you, as if they were all yours, and
|
|
John had nothing to do but support them. I've seen it for some
|
|
weeks, but have not spoken, feeling sure it would come right in time."
|
|
"I'm afraid it won't. If I ask him to stay, he'll think I'm jealous;
|
|
and I wouldn't insult him by such an idea. He doesn't see that I
|
|
want him, and I don't know how to tell him without words."
|
|
"Make it so pleasant he won't want to go away. My dear, he's longing
|
|
for his little home; but it isn't home without you, and you are always
|
|
in the nursery."
|
|
"Oughtn't I to be there?"
|
|
"Not all the time; too much confinement makes you nervous, and
|
|
then you are unfitted for everything. Besides, you owe something to
|
|
John as well as to the babies; don't neglect husband for children,
|
|
don't shut him out of the nursery, but teach him how to help in it.
|
|
His place is there as well as yours, and the children need him; let
|
|
him feel that he has his part to do, and he will do it gladly and
|
|
faithfully, and it will be better for you all."
|
|
"You really think so, mother?"
|
|
"I know it, Meg, for I've tried it; and I seldom give advice
|
|
unless I've proved its practicability. When you and Jo were little,
|
|
I went on just as you are, feeling as if I didn't do my duty unless
|
|
I devoted myself wholly to you. Poor father took to his books, after I
|
|
had refused all offers of help, and left me to try my experiment
|
|
alone. I struggled along as well as I could, but Jo was too much for
|
|
me. I nearly spoilt her by indulgence. You were poorly, and I
|
|
worried about you till I fell sick myself. Then father came to the
|
|
rescue, quietly managed everything, and made himself so helpful that I
|
|
saw my mistake, and never have been able to get on without him
|
|
since. That is the secret of our home happiness: he does not let
|
|
business wean him from the little cares and duties that affect us all,
|
|
and I try not to let domestic worries destroy my interest in his
|
|
pursuits. Each do our part alone in many things, but at home we work
|
|
together, always."
|
|
"It is so, mother; and my great wish is to be to my husband and
|
|
children what you have been to yours. Show me how; I'll do anything.
|
|
you say."
|
|
"You always were my docile daughter. Well, dear, if I were you,
|
|
I'd let John have more to do with the management of Demi, for the
|
|
boy needs training, and it's none too soon to begin. Then I'd do
|
|
what I have often proposed, let Hannah come and help you; she is a
|
|
capital nurse, and you may trust the precious babies to her while
|
|
you do more housework. You need the exercise, Hannah would enjoy the
|
|
rest, and John would find his wife again. Go out more; keep cheerful
|
|
as well as busy, for you are the sunshine-maker of the family, and
|
|
if you get dismal there is no fair weather. Then I'd try to take an
|
|
interest in whatever John likes- talk with him, let him read to you,
|
|
exchange ideas, and help each other in that way. Don't shut yourself
|
|
up in a bandbox because you are a woman, but understand what is
|
|
going on, and educate yourself to take your part in the world's
|
|
work, for it all affects you and yours."
|
|
"John is so sensible, I'm afraid he will think I'm stupid if I ask
|
|
questions about politics and things."
|
|
"I don't believe he would; love covers a multitude of sins, and of
|
|
whom could you ask more freely than of him? Try it, and see if he
|
|
doesn't find your society far more agreeable than Mrs. Scott's
|
|
suppers."
|
|
"I will. Poor John! I'm afraid I have neglected him sadly, but I
|
|
thought I was right, and he never said anything."
|
|
"He tried not to be selfish, but he has felt rather forlorn, I
|
|
fancy. This is just the time, Meg, when young married people are apt
|
|
to grow apart, and the very time when they ought to be most
|
|
together; for the first tenderness soon wears off, unless care is
|
|
taken to preserve it; and no time is so beautiful and precious to
|
|
parents as the first years of the little lives given them to train.
|
|
Don't let John be a stranger to the babies, for they will do more to
|
|
keep him safe and happy in this world of trial and temptation than
|
|
anything else, and through them you will learn to know and love one
|
|
another as you should. Now, dear, good-by; think over mother's
|
|
preachment, act upon it if it seems good, and God bless you all!"
|
|
Meg did think it over, found it good, and acted upon it, though
|
|
the first attempt was not made exactly as she planned to have it. Of
|
|
course the children tyrannized over her, and ruled the house as soon
|
|
as they found out that kicking and squalling brought them whatever
|
|
they wanted. Mamma was an abject slave to their caprices, but papa was
|
|
not so easily subjugated, and occasionally afflicted his tender spouse
|
|
by an attempt at paternal discipline with his obstreperous son. For
|
|
Demi inherited a trifle of his sire's firmness of character- we
|
|
won't call it obstinacy- and when he made up his little mind to have
|
|
or to do anything, all the king's horses and all the king's men
|
|
could not change that pertinacious little mind. Mamma thought the dear
|
|
too young to be taught to conquer his prejudices, but papa believed
|
|
that it never was too soon to learn obedience; so Master Demi early
|
|
discovered that when he undertook to "wrastle" with "parpar," he
|
|
always got the worst of it; yet, like the Englishman, Baby respected
|
|
the man who conquered him, and loved the father whose grave "No,
|
|
no," was more impressive than all mamma's love-pats.
|
|
A few days after the talk with her mother, Meg resolved to try a
|
|
social evening with John; so she ordered a nice supper, set the parlor
|
|
in order, dressed herself prettily, and put the children to bed early,
|
|
that nothing should interfere with her experiment. But, unfortunately,
|
|
Demi's most unconquerable prejudice was against going to bed, and that
|
|
night he decided to go on a rampage; so poor Meg sung and rocked, told
|
|
stories and tried every sleep-provoking wile she could devise, but all
|
|
in vain, the big eyes wouldn't shut; and long after Daisy had gone
|
|
to byelow, like the chubby little bunch of good-nature she was,
|
|
naughty Demi lay staring at the light, with the most discouragingly
|
|
wide-awake expression of countenance.
|
|
"Will Demi lie still like a good boy, while mamma runs down and
|
|
gives poor papa his tea?" asked Meg, as the hall-door softly closed,
|
|
and the well-known step went tiptoeing into the dining-room.
|
|
"Me has tea!" said Demi, preparing to join in the revel.
|
|
"No; but I'll save you some little cakies for breakfast, if you'll
|
|
go bye-by like Daisy. Will you, lovey?"
|
|
"Iss!" and Demi shut his eyes tight, as if to catch sleep and
|
|
hurry the desired day.
|
|
Taking advantage of the propitious moment, Meg slipped away, and ran
|
|
down to greet her husband with a smiling face, and the little blue bow
|
|
in her hair which was his especial admiration. He saw it at once,
|
|
and said, with pleased surprise-
|
|
"Why, little mother, how gay we are to-night. Do you expect
|
|
company?"
|
|
"Only you, dear."
|
|
"Is it a birthday, anniversary, or anything?"
|
|
"No; I'm tired of being a dowdy, so I dressed up as a change. You
|
|
always make yourself nice for table, no matter how tired you are; so
|
|
why shouldn't I when I have the time?"
|
|
"I do it out of respect to you, my dear," said old-fashioned John.
|
|
"Ditto, ditto, Mr. Brooke," laughed Meg, looking young and pretty
|
|
again, as she nodded to him over the teapot.
|
|
"Well, it's altogether delightful, and like old times. This tastes
|
|
right. I drink your health, dear." And John sipped his tea with an air
|
|
of reposeful rapture, which was of very short duration, however;
|
|
for, as he put down his cup, the door-handle rattled mysteriously, and
|
|
a little voice was heard, saying impatiently-
|
|
"Opy doy; me's tummin!"
|
|
"It's that naughty boy. I told him to go to sleep alone, and here he
|
|
is, downstairs, getting his death a-cold pattering over that
|
|
canvas," said Meg, answering the call.
|
|
"Mornin' now," announced Demi, in a joyful tone, as he entered, with
|
|
his long night-gown gracefully festooned over his arm, and every
|
|
curl bobbing gayly as he pranced about the table, eying the "cakies"
|
|
with loving glances.
|
|
"No, it isn't morning yet. You must go to bed, and not trouble
|
|
poor mamma; then you can have the little cake with sugar on it."
|
|
"Me loves parpar," said the artful one, preparing to climb the
|
|
paternal knee, and revel in forbidding joys. But John shook his
|
|
head, and said to Meg-
|
|
"If you told him to stay up there, and go to sleep alone, make him
|
|
do it, or he will never learn to mind you."
|
|
"Yes, of course. Come, Demi"; and Meg led her son away, feeling a
|
|
strong desire to spank the little marplot who hopped beside her,
|
|
laboring under the delusion that the bribe was to be administered as
|
|
soon as they reached the nursery.
|
|
Nor was he disappointed; for that short-sighted woman actually
|
|
gave him a lump of sugar, tucked him into his bed, and forbade any
|
|
more promenades till morning.
|
|
"Iss!" said Demi the perjured, blissfully sucking his sugar, and
|
|
regarding his first attempt as eminently successful.
|
|
Meg returned to her place, and supper was progressing pleasantly,
|
|
when the little ghost walked again, and exposed the maternal
|
|
delinquencies by boldly demanding-
|
|
"More sudar, marmar."
|
|
"Now this won't do," said John, hardening his heart against the
|
|
engaging little sinner. "We shall never know any peace till that child
|
|
learns to go to bed properly. You have made a slave of yourself long
|
|
enough; give him one lesson, and then there will be an end of it.
|
|
Put him in his bed and leave him, Meg."
|
|
"He won't stay there; he never does, unless I sit by him."
|
|
"I'll manage him. Demi, go upstairs, and get into your bed, as mamma
|
|
bids you."
|
|
"S'ant!" replied the young rebel, helping himself to the coveted
|
|
"cakie," and beginning to eat the same with calm audacity.
|
|
"You must never say that to papa; I shall carry you if you don't
|
|
go yourself."
|
|
"Go 'way; me don't love parpar"; and Demi retired to his mother's
|
|
skirts for protection.
|
|
But even that refuge proved unavailing, for he was delivered over to
|
|
the enemy, with a "Be gentle with him, John," which struck the culprit
|
|
with dismay; for when mamma deserted him, then the judgment-day was at
|
|
hand. Bereft of his cake, defrauded of his frolic, and borne away by a
|
|
strong hand to that detested bed, poor Demi could not restrain his
|
|
wrath, but openly defied papa, and kicked and screamed lustily all the
|
|
way upstairs. The minute he was put into bed on one side, he rolled
|
|
out on the other, and made for the door, only to be ignominiously
|
|
caught up the tail of his little toga, and put back again, which
|
|
lively performance kept up till the young man's strength gave out,
|
|
when he devoted himself to roaring at the top of his voice. This vocal
|
|
exercise usually conquered Meg; but John sat as unmoved as the post
|
|
which is popularly believed to be deaf. No coaxing, no sugar, no
|
|
lullaby, no story; even the light was put out, and only the red glow
|
|
of the fire enlivened the "big dark" which Demi regarded with
|
|
curiosity rather than fear. This new order of things disgusted him,
|
|
and he howled dismally for "marmar," as his angry passions subsided,
|
|
and recollections of his tender bondwoman returned to the captive
|
|
autocrat. The plaintive wail which succeeded the passionate roar
|
|
went to Meg's heart, and she ran up to say beseechingly-
|
|
"Let me stay with him; he'll be good, now, John."
|
|
"No, my dear, I've told him he must go to sleep, as you bid him; and
|
|
he must, if I stay here all night."
|
|
"But he'll cry himself sick," pleaded Meg, reproaching herself for
|
|
deserting her boy.
|
|
"No, he won't, he's so tired he will soon drop off, and then the
|
|
matter is settled; for he will understand that he has got to mind.
|
|
Don't interfere; I'll manage him."
|
|
"He's my child, and I can't have his spirit broken by harshness."
|
|
"He's my child, and I won't have his temper spoilt by indulgence. Go
|
|
down, my dear, and leave the boy to me."
|
|
When John spoke in that masterful tone, Meg always obeyed, and never
|
|
regretted her docility.
|
|
"Please let me kiss him once, John?"
|
|
"Certainly. Demi, say 'good-night' to mamma, and let her go and
|
|
rest, for she is very tired with taking care of you all day."
|
|
Meg always insisted upon it that the kiss won the victory; for after
|
|
it was given, Demi sobbed more quietly, and lay quite still at the
|
|
bottom of the bed, whither he had wriggled in his anguish of mind.
|
|
"Poor little man, he's worn out with sleep and crying. I'll cover
|
|
him up, and then go and set Meg's heart at rest," thought John,
|
|
creeping to the bedside, hoping to find his rebellious heir asleep.
|
|
But he wasn't; for the moment his father peeped at him, Demi's
|
|
eyes opened, his little chin began to quiver, and he put up his
|
|
arms, saying, with a penitent hiccough, "Me's dood, now."
|
|
Sitting on the stairs, outside, Meg wondered at the long silence
|
|
which followed the uproar; and, after imagining all sorts of
|
|
impossible accidents, she slipped into the room, to set her fears at
|
|
rest. Demi lay fast asleep; not in his usual spread-eagle attitude,
|
|
but in a subdued bunch, cuddled close in the circle of his father's
|
|
arm and holding his father's finger, as if he felt that justice was
|
|
tempered with mercy, and had gone to sleep a sadder and a wiser
|
|
baby. So held, John had waited with womanly patience till the little
|
|
hand relaxed its hold; and, while waiting, had fallen asleep, more
|
|
tired by that tussle with his son than with his whole day's work.
|
|
As Meg stood watching the two faces on the pillow, she smiled to
|
|
herself, and then slipped away again, saying, in a satisfied tone-
|
|
"I never need fear that John will be too harsh with my babies: he
|
|
does know how to manage them, and will be a great help, for Demi is
|
|
getting too much for me."
|
|
When John came down at last, expecting to find a pensive or
|
|
reproachful wife, he was agreeably surprised to find Meg placidly
|
|
trimming a bonnet, and to be greeted with the request to read
|
|
something about the election, if he was not too tired. John saw in a
|
|
minute that a revolution of some kind was going on, but wisely asked
|
|
no questions, knowing that Meg was such a transparent little person,
|
|
she couldn't keep a secret to save her life, and therefore the clew
|
|
would soon appear. He read a long debate with the most amiable
|
|
readiness and then explained it in his most lucid manner, while Meg
|
|
tried to look deeply interested, to ask intelligent questions, and
|
|
keep her thoughts from wandering from the state of the nation to the
|
|
state of her bonnet. In her secret soul, however, she decided that
|
|
politics were as bad as mathematics, and that the mission of
|
|
politicians seemed to be calling each other names; but she kept
|
|
these feminine ideas to herself, and when John paused, shook her head,
|
|
and said with what she thought diplomatic ambiguity, "Well, I really
|
|
don't see what we are coming to."
|
|
John laughed, and watched her for a minute, as she poised a pretty
|
|
little preparation of lace and flowers on her hand, and regarded it
|
|
with the genuine interest which his harangue had failed to waken.
|
|
"She is trying to like politics for my sake, so I'll try and like
|
|
millinery for hers, that's only fair," thought John the Just, adding
|
|
aloud-
|
|
"That's very pretty; is it what you call a breakfast-cap?"
|
|
"My dear man, it's a bonnet! My very best
|
|
go-to-concert-and-theatre bonnet."
|
|
"I beg your pardon; it was so small, I naturally mistook it for
|
|
one of the fly-away things you sometimes wear. How do you keep it on?"
|
|
"These bits of lace are fastened under the chin with a rosebud,
|
|
so" and Meg illustrated by putting on the bonnet, and regarding him
|
|
with an air of calm satisfaction that was irresistible.
|
|
"It's a love of a bonnet, but I prefer the face inside, for it looks
|
|
young and happy again"; and John kissed the smiling face, to the great
|
|
detriment of the rosebud under the chin.
|
|
"I'm glad you like it, for I want you to take me to one of the new
|
|
concerts some night; I really need some music to put me in tune.
|
|
Will you, please?"
|
|
"Of course I will, with all my heart, or anywhere else you like. You
|
|
have been shut up so long, it will do you no end of good, and I
|
|
shall enjoy it, of all things. What put it into your head little
|
|
mother?"
|
|
"Well, I had a talk with Marmee the other day, and told her how
|
|
nervous and cross and out of sorts I felt, and she said I needed
|
|
change and less care; so Hannah is to help me with the children, and
|
|
I'm to see to things about the house more, and now and then have a
|
|
little fun, just to keep me from getting to be a fidgety,
|
|
broken-down old woman before my time. It's only an experiment, John,
|
|
and I want to try it for your sake as much as for mine, because I've
|
|
neglected you shamefully lately, and I'm going to make home what it
|
|
used to be, if I can. You don't object, I hope?"
|
|
Never mind what John said, or what a very narrow escape the little
|
|
bonnet had from utter ruin; all that we have any business to know is
|
|
that John did not appear to object, judging from the changes which
|
|
gradually took place in the house and its inmates. It was not all
|
|
Paradise by any means, but every one was better for the division of
|
|
labor system; the children throve under the paternal rule, for
|
|
accurate, steadfast John brought order and obedience into Babydom,
|
|
while Meg recovered her spirits and composed her nerves by plenty of
|
|
wholesome exercise, a little pleasure, and much confidential
|
|
conversation with her sensible husband. Home grew home-like again, and
|
|
John had no wish to leave it, unless he took Meg with him. The
|
|
Scotts came to the Brookes' now, and every one found the little
|
|
house a cheerful place, full of happiness, content, and family love.
|
|
Even gay Sallie Moffat liked to go there. "It is always so quiet and
|
|
pleasant here; it does me good, Meg," she used to say, looking about
|
|
her with wistful eyes, as if trying to discover the charm, that she
|
|
might use it in her great house, full of splendid loneliness; for
|
|
there were no riotous, sunny-faced babies there, and Ned lived in a
|
|
world of his own, where there was no place for her.
|
|
This household happiness did not come all at once, but John and
|
|
Meg had found the key to it, and each year of married life taught them
|
|
how to use it, unlocking the treasuries of real home-love and mutual
|
|
helpfulness, which the poorest may possess, and the richest cannot
|
|
buy. This is the sort of shelf on which young wives and mothers may
|
|
consent to be laid, safe from the restless fret and fever of the
|
|
world, finding loyal lovers in the little sons and daughters who cling
|
|
to them, undaunted by sorrow, poverty, or age; walking side by side,
|
|
through fair and stormy weather, with a faithful friend, who is, in
|
|
the true sense of the good old Saxon word, the "house-band," and
|
|
learning, as Meg learned, that a woman's happiest kingdom is home, her
|
|
highest honor the art of ruling it, not as a queen, but a wise wife
|
|
and mother.
|
|
39
|
|
Lazy Laurence
|
|
|
|
LAURIE went to Nice intending to stay a week, and remained a
|
|
month. He was tired of wandering about alone, and Amy's familiar
|
|
presence seemed to give a home-like charm to the foreign scenes in
|
|
which she bore a part. He rather missed the "petting" he used to
|
|
receive, and enjoyed a taste of it again; for no attentions, however
|
|
flattering, from strangers, were half so pleasant as the sisterly
|
|
adoration of the girls at home. Amy never would pet him like the
|
|
others, but she was very glad to see him now, and quite clung to
|
|
him, feeling that he was the representative of the dear family for
|
|
whom she longed more than she would confess. They naturally took
|
|
comfort in each other's society, and were much together, riding,
|
|
walking, dancing, or dawdling, for, at Nice no one can be very
|
|
industrious during the gay season. But, while apparently amusing
|
|
themselves in the most careless fashion, they were half-consciously
|
|
making discoveries and forming opinions about each other. Amy rose
|
|
daily in the estimation of her friend, but he sunk in hers, and each
|
|
felt the truth before a word was spoken. Amy tried to please, and
|
|
succeeded, for she was grateful for the many pleasures he gave her,
|
|
and repaid him with the little services to which womanly women know
|
|
how to lend an indescribable charm. Laurie made no effort of any kind,
|
|
but just let himself drift along as comfortably as possible, trying to
|
|
forget, and feeling that all women owed him a kind word because one
|
|
had been cold to him. It cost him no effort to be generous, and he
|
|
would have given Amy all the trinkets in Nice if she would have
|
|
taken them; but, at the same time, he felt that he could not change
|
|
the opinion she was forming of him, and he rather dreaded the keen
|
|
blue eyes that seemed to watch him with such half-sorrowful,
|
|
half-scornful surprise.
|
|
"All the rest have gone to Monaco for the day; I preferred to stay
|
|
at home and write letters. They are done now, and I am going to
|
|
Valrosa to sketch; will you come?" said Amy, as she joined Laurie
|
|
one lovely day when he lounged in as usual, about noon.
|
|
"Well, yes; but isn't it rather warm for such a long walk?" he
|
|
answered slowly, for the shaded salon looked inviting, after the glare
|
|
without.
|
|
"I'm going to have the little carriage, and Baptiste can drive, so
|
|
you'll have nothing to do but hold your umbrella and keep your
|
|
gloves nice," returned Amy, with a sarcastic glance at the
|
|
immaculate kids, which were a weak point with Laurie.
|
|
"Then I'll go with pleasure"; and he put out his hand for her
|
|
sketchbook. But she tucked it under her arm with a sharp-
|
|
"Don't trouble yourself; it's no exertion to me, but you don't
|
|
look equal to it."
|
|
Laurie lifted his eyebrows, and followed at a leisurely pace as
|
|
she ran downstairs; but when they got into the carriage he took the
|
|
reins himself, and left little Baptiste nothing to do but fold his
|
|
arms and fall asleep on his perch.
|
|
The two never quarrelled- Amy was too well-bred, and just now Laurie
|
|
was too lazy; so, in a minute he peeped under her hat-brim with an
|
|
inquiring air; she answered with a smile, and they went on together in
|
|
the most amicable manner.
|
|
It was a lovely drive, along winding roads rich in the picturesque
|
|
scenes that delight beauty-loving eyes. Here an ancient monastery,
|
|
whence the solemn chanting of the monks came down to them. There a
|
|
bare-legged shepherd, in wooden shoes, pointed hat, and rough jacket
|
|
over one shoulder, sat piping on a stone, while his goats skipped
|
|
among the rocks or lay at his feet. Meek, mouse-colored donkeys, laden
|
|
with panniers of freshly cut grass, passed by, with a pretty girl in a
|
|
capaline sitting between the green piles, or an old woman spinning
|
|
with a distaff as she went. Brown, soft-eyed children ran out from the
|
|
quaint stone hovels to offer nosegays, or bunches of oranges still
|
|
on the bough. Gnarled olive-trees covered the hills with their dusky
|
|
foliage, fruit hung golden in the orchard, and great scarlet
|
|
anemones fringed the roadside; while beyond green slopes and craggy
|
|
heights, the Maritime Alps rose sharp and white against the blue
|
|
Italian sky.
|
|
Valrosa well deserved its name, for, in that climate of perpetual
|
|
summer, roses blossomed everywhere. They overhung the archway,
|
|
thrust themselves between the bars of the great gate with a sweet
|
|
welcome to passers-by, and lined the avenue, winding through
|
|
lemon-trees and feathery palms up to the villa on the hill. Every
|
|
shadowy nook, where seats invited one to stop and rest, was a mass
|
|
of bloom; every cool grotto had its marble nymph smiling from a veil
|
|
of flowers, and every fountain reflected crimson, white, or pale
|
|
pink roses, leaning down to smile at their own beauty. Roses covered
|
|
the walls of the house, draped the cornices, climbed the pillars,
|
|
and ran riot over the balustrade of the wide terrace, whence one
|
|
looked down on the sunny Mediterranean, and the white-walled city on
|
|
its shore.
|
|
"This is a regular honeymoon Paradise, isn't it? Did you ever see
|
|
such roses?" asked Amy, pausing on the terrace to enjoy the view,
|
|
and a luxurious whiff of perfume that came wandering by.
|
|
"No, nor felt such thorns," returned Laurie, with his thumb in his
|
|
mouth, after a vain attempt to capture a solitary scarlet flower
|
|
that grew just beyond his reach.
|
|
"Try lower down, and pick those that have no thorns," said Amy,
|
|
gathering three of the tiny cream-colored ones that starred the wall
|
|
behind her. She put them in his button-hole, as a peace-offering,
|
|
and he stood a minute looking down at them with a curious
|
|
expression, for in the Italian part of his nature there was a touch of
|
|
superstition, and he was just then in that state of half-sweet,
|
|
half-bitter melancholy, when imaginative young men find significance
|
|
in trifles, and food for romance everywhere. He had thought of Jo in
|
|
reaching after the thorny red rose, for vivid flowers became her,
|
|
and she had often worn ones like that from the greenhouse at home. The
|
|
pale roses Amy gave him were the sort that the Italians lay in dead
|
|
hands, never in bridal wreaths, and, for a moment, he wondered if
|
|
the omen was for Jo or for himself; but the next instant his
|
|
American common sense got the better of sentimentality, and he laughed
|
|
a heartier laugh than Amy had heard since he came.
|
|
"It's good advice; you'd better take it and save your fingers,"
|
|
she said, thinking her speech amused him.
|
|
"Thank you, I will," he answered in jest, and a few months later
|
|
he did it in earnest.
|
|
"Laurie, when are you going to your grandfather?" she asked
|
|
presently, as she settled herself on a rustic seat.
|
|
"Very soon."
|
|
"You have said that a dozen times within the last three weeks."
|
|
"I dare say; short answers save trouble."
|
|
"He expects you, and you really ought to go."
|
|
"Hospitable creature! I know it."
|
|
"Then why don't you do it?"
|
|
"Natural depravity, I suppose."
|
|
"Natural indolence, you mean. It's really dreadful!" and Amy
|
|
looked severe.
|
|
"Not so bad as it seems, for I should only plague him if I went,
|
|
so I might as well stay, and plague you a little longer, you can
|
|
bear it better; in fact, I think it agrees with you excellently";
|
|
and Laurie composed himself for a lounge on the broad ledge of the
|
|
balustrade.
|
|
Amy shook her head, and opened her sketch-book with an air of
|
|
resignation; but she had made up her mind to lecture "that boy," and
|
|
in a minute she began.
|
|
"What are you doing just now?"
|
|
"Watching lizards."
|
|
"No, no; I mean what do you intend and wish to do?"
|
|
"Smoke a cigarette, if you'll allow me."
|
|
"How provoking you are! I don't approve of cigars, and I will only
|
|
allow it on condition that you let me put you into my sketch; I need a
|
|
figure."
|
|
"With all the pleasure in life. How will you have me-full-length
|
|
or three-quarters, on my head or my heels? I should respectfully
|
|
suggest a recumbent posture, then put yourself in also, and call it
|
|
'Dolce far niente.'"
|
|
"Stay as you are, and go to sleep if you like. I intend to work
|
|
hard," said Amy, in her most energetic tone.
|
|
"What delightful enthusiasm!" and he leaned against a tall urn
|
|
with an air of entire satisfaction.
|
|
"What would Jo say if she saw you now?" asked Amy impatiently,
|
|
hoping to stir him up by the mention of her still more energetic
|
|
sister's name.
|
|
"As usual, 'Go away, Teddy, I'm busy!'" He laughed as he spoke,
|
|
but the laugh was not natural, and a shade passed over his face, for
|
|
the utterance of the familiar name touched the wound that was not
|
|
healed yet. Both tone and shadow struck Amy, for she had seen and
|
|
heard them before, and now she looked up in time to catch a new
|
|
expression on Laurie's face- a hard, bitter look, full of pain,
|
|
dissatisfaction, and regret. It was gone before she could study it,
|
|
and the listless expression back again. She watched him for a moment
|
|
with artistic pleasure, thinking how like an Italian he looked, as
|
|
he lay basking in the sun with uncovered head, and eyes full of
|
|
southern dreaminess; for he seemed to have forgotten her, and fallen
|
|
into a reverie.
|
|
"You look like the effigy of a young knight asleep on his tomb," she
|
|
said, carefully tracing the well-cut profile defined against the
|
|
dark stone.
|
|
"Wish I was!"
|
|
"That's a foolish wish, unless you have spoilt your life. You are so
|
|
changed, I sometimes think-" there Amy stopped, with a half-timid,
|
|
half-wistful look, more significant than her unfinished speech.
|
|
Laurie saw and understood the affectionate anxiety which she
|
|
hesitated to express, and looking straight into her eyes, said, just
|
|
as he used to say it to her mother-
|
|
"It's all right, ma'am."
|
|
That satisfied her and set at rest the doubts that had begun to
|
|
worry her lately. It also touched her, and she showed that it did,
|
|
by the cordial tone in which she said-
|
|
"I'm glad of that! I didn't think you'd been a very bad boy, but I
|
|
fancied you might have wasted money at that wicked Baden-Baden, lost
|
|
your heart to some charming Frenchwoman with a husband, or got into
|
|
some of the scrapes that young men seem to consider a necessary part
|
|
of a foreign tour. Don't stay out there in the sun; come and lie on
|
|
the grass here, and 'let us be friendly,' as Jo used to say when we
|
|
got in the sofa-corner and told secrets."
|
|
Laurie obediently threw himself down on the turf, and began to amuse
|
|
himself by sticking daisies into the ribbons of Amy's hat, that lay
|
|
there.
|
|
"I'm all ready for the secrets"; and he glanced up with a decided
|
|
expression of interest in his eyes.
|
|
"I've none to tell; you may begin."
|
|
"Haven't one to bless myself with. I thought perhaps you'd had
|
|
some news from home."
|
|
"You have heard all that has come lately. Don't you hear often? I
|
|
fancied Jo would send you volumes."
|
|
"She's very busy; I'm roving about so, it's impossible to be
|
|
regular, you know. When do you begin your great work of art,
|
|
Raphaella?" he asked, changing the subject abruptly after another
|
|
pause, in which he had been wondering if Amy knew his secret, and
|
|
wanted to talk about it.
|
|
"Never," she answered, with a despondent but decided air. "Rome took
|
|
all the vanity out of me; for after seeing the wonders there, I felt
|
|
too insignificant to live, and gave up all my foolish hopes in
|
|
despair."
|
|
"Why should you, with so much energy and talent?"
|
|
"That's just why- because talent isn't genius, and no amount of
|
|
energy can make it so. I want to be great, or nothing. I won't be a
|
|
common-place dauber, so I don't intend to try any more."
|
|
"And what are you going to do with yourself now, if I may ask?"
|
|
"Polish up my other talents, and be an ornament to society, if I get
|
|
the chance."
|
|
It was a characteristic speech, and sounded daring; but audacity
|
|
becomes young people, and Amy's ambition had a good foundation. Laurie
|
|
smiled, but he liked the spirit with which she took up a new purpose
|
|
when a long-cherished one died, and spent no time lamenting.
|
|
"Good! and here is where Fred Vaughn comes in, I fancy."
|
|
Amy preserved a discreet silence, but there was a conscious look
|
|
in her downcast face, that made Laurie sit up and say gravely-
|
|
"Now I'm going to play brother, and ask questions. May I?"
|
|
"I don't promise to answer."
|
|
"Your face will, if your tongue won't. You aren't woman of the world
|
|
enough yet to hide your feelings, my dear. I heard rumors about Fred
|
|
and you last year, and it's my private opinion that, if he had not
|
|
been called home so suddenly and detained so long, something would
|
|
have come of it- hey?"
|
|
"That's not for me to say," was Amy's prim reply; but her lips would
|
|
smile, and there was a traitorous sparkle of the eye, which betrayed
|
|
that she knew her power and enjoyed the knowledge.
|
|
"You are not engaged, I hope?" and Laurie looked very
|
|
elder-brotherly and grave all of a sudden.
|
|
"No."
|
|
"But you will be, if he comes back and goes properly down upon his
|
|
knees, won't you?"
|
|
"Very likely."
|
|
"Then you are fond of old Fred?"
|
|
"I could be, if I tried."
|
|
"But you don't intend to try till the proper moment? Bless my
|
|
soul, what unearthly prudence! He's a good fellow, Amy, but not the
|
|
man I fancied you'd like."
|
|
"He is rich, a gentleman, and has delightful manners," began Amy,
|
|
trying to be quite cool and dignified, but feeling a little ashamed of
|
|
herself, in spite of the sincerity of her intentions.
|
|
"I understand; queens of society can't get on without money, so
|
|
you mean to make a good match, and start in that way? Quite right
|
|
and proper, as the world goes, but it sounds odd from the lips of
|
|
one of your mother's girls."
|
|
"True, nevertheless."
|
|
A short speech, but the quiet decision with which it was uttered
|
|
contrasted curiously with the young speaker. Laurie felt this
|
|
instinctively, and laid himself down again, with a sense of
|
|
disappointment which he could not explain. His look and silence, as
|
|
well as a certain inward self-disapproval, ruffled Amy, and made her
|
|
resolve to deliver her lecture without delay.
|
|
"I wish you'd do me the favor to rouse yourself a little," she
|
|
said sharply.
|
|
"Do it for me, there's a dear girl."
|
|
"I could, if I tried"; and she looked as if she would like doing
|
|
it in the most summary style.
|
|
"Try, then; I give you leave," returned Laurie, who enjoyed having
|
|
some one to tease, after his long abstinence from his favorite
|
|
pastime.
|
|
"You'd be angry in five minutes."
|
|
"I'm never angry with you. It takes two flints to make a fire: you
|
|
are as cool and soft as snow."
|
|
"You don't know what I can do; snow produces a glow and a tingle, if
|
|
applied rightly. Your indifference is half affectation, and a good
|
|
stirring up would prove it."
|
|
"Stir away; it won't hurt me and it may amuse you, as the big man
|
|
said when his little wife beat him. Regard me in the light of a
|
|
husband or a carpet, and beat till you are tired, if that sort of
|
|
exercise agrees with you."
|
|
Being decidedly nettled herself, and longing to see him shake off
|
|
the apathy that so altered him, Amy sharpened both tongue and
|
|
pencil, and began:
|
|
"Flo and I have got a new name for you; it's 'Lazy Laurence.' How do
|
|
you like it?"
|
|
She thought it would annoy him; but he only folded his arms under
|
|
his head, with an imperturbable "That's not bad. Thank you, ladies."
|
|
"Do you want to know what I honestly think of you?"
|
|
"Pining to be told."
|
|
"Well, I despise you."
|
|
If she had even said "I hate you," in a petulant or coquettish tone,
|
|
he would have laughed, and rather liked it; but the grave, almost sad,
|
|
accent of her voice made him open his eyes, and ask quickly-
|
|
"Why, if you please?"
|
|
"Because, with every chance for being good, useful, and happy, you
|
|
are faulty, lazy, and miserable."
|
|
"Strong language, mademoiselle."
|
|
"If you like it, I'll go on."
|
|
"Pray, do; it's quite interesting."
|
|
"I thought you'd find it so; selfish people always like to talk
|
|
about themselves."
|
|
"Am I selfish?" The question slipped out involuntarily and in a tone
|
|
of surprise, for the one virtue on which he prided himself was
|
|
generosity.
|
|
"Yes, very selfish," continued Amy, in a calm, cool voice, twice
|
|
as effective, just then, as an angry one. "I'll show you how, for I've
|
|
studied you while we have been frolicking, and I'm not at all
|
|
satisfied with you. Here you have been abroad nearly six months, and
|
|
done nothing but waste time and money and disappoint your friends."
|
|
"Isn't a fellow to have any pleasure after a four-year's grind?"
|
|
"You don't look as if you'd had much; at any rate, you are none
|
|
the better for it, as far as I can see. I said, when we first met,
|
|
that you had improved. Now I take it all back, for I don't think you
|
|
half so nice as when I left you at home. You have grown abominably
|
|
lazy; you like gossip, and waste time on frivolous things; you are
|
|
contented to be petted and admired by silly people, instead of being
|
|
loved and respected by wise ones. With money, talent, position,
|
|
health, and beauty- ah, you like that, Old Vanity! but it's the truth,
|
|
so I can't help saying it- with all these splendid things to use and
|
|
enjoy, you can find nothing to do but dawdle; and, instead of being
|
|
the man you might and ought to be, you are only-" There she stopped,
|
|
with a look that had both pain and pity in it.
|
|
"Saint Laurence on a gridiron," added Laurie, blandly finishing
|
|
the sentence. But the lecture began to take effect, for there was a
|
|
wide-awake sparkle in his eyes now, and a half-angry, half-injured
|
|
expression replaced the former indifference.
|
|
"I supposed you'd take it so. You men tell us we are angels, and say
|
|
we can make you what we will; but the instant we honestly try to do
|
|
you good, you laugh at us, and won't listen, which proves how much
|
|
your flattery is worth." Amy spoke bitterly, and turned her back on
|
|
the exasperating martyr at her feet.
|
|
In a minute a hand came down over the page, so that she could not
|
|
draw, and Laurie's voice said, with a droll imitation of a penitent
|
|
child-
|
|
"I will be good, oh, I will be good!"
|
|
But Amy did not laugh, for she was in earnest; and, tapping on the
|
|
outspread hand with her pencil, said soberly-
|
|
"Aren't you ashamed of a hand like that? It's as soft and white as a
|
|
woman's, and looks as if it never did anything but wear Jouvin's
|
|
best gloves, and pick flowers for ladies. You are not a dandy, thank
|
|
Heaven! so I'm glad to see there are no diamonds or big seal-rings
|
|
on it, only the little old one Jo gave you so long ago. Dear soul, I
|
|
wish she was here to help me!"
|
|
"So do I!"
|
|
The hand vanished as suddenly as it came, and there was energy
|
|
enough in the echo of her wish to suit even Amy. She glanced down at
|
|
him with a new thought in her mind; but he was lying with his hat half
|
|
over his face, as if for shade, and his mustache hid his mouth. She
|
|
only saw his chest rise and fall, with a long breath that might have
|
|
been a sigh, and the hand that wore the ring nestled down into the
|
|
grass, as if to hide something too precious or too tender to be spoken
|
|
of. All in a minute various hints and trifles assumed shape and
|
|
significance in Amy's mind, and told her what her sister never had
|
|
confided to her. She remembered that Laurie never spoke voluntarily of
|
|
Jo; she recalled the shadow on his face just now, the change in his
|
|
character, and the wearing of the little old ring, which was no
|
|
ornament to a handsome hand. Girls are quick to read such signs and
|
|
feel their eloquence. Amy had fancied that perhaps a love trouble
|
|
was at the bottom of the alteration, and now she was sure of it. Her
|
|
keen eyes filled, and, when she spoke again, it was in a voice that
|
|
could be beautifully soft and kind when she chose to make it so.
|
|
"I know I have no right to talk so to you, Laurie; and if you
|
|
weren't the sweetest-tempered fellow in the world, you'd be very angry
|
|
with me. But we are all so fond and proud of you, I couldn't bear to
|
|
think they should be disappointed in you at home as I have been,
|
|
though, perhaps, they would understand the change better than I do."
|
|
"I think they would," came from under the hat, in a grim tone, quite
|
|
as touching as a broken one.
|
|
"They ought to have told me, and not let me go blundering and
|
|
scolding, when I should have been more kind and patient than ever. I
|
|
never did like that Miss Randal, and now I hate her!" said artful Amy,
|
|
wishing to be sure of her facts this time.
|
|
"Hang Miss Randal!" and Laurie knocked the hat off his face with a
|
|
look that left no doubt of his sentiments toward that young lady.
|
|
"I beg pardon; I thought-" and there she paused diplomatically.
|
|
"No, you didn't; you knew perfectly well I never cared for any one
|
|
but Jo." Laurie said that in his old, impetuous tone, and turned his
|
|
face away as he spoke.
|
|
"I did think so; but as they never said anything about it, and you
|
|
came away, I supposed I was mistaken. And Jo wouldn't be kind to
|
|
you? Why, I was sure she loved you dearly."
|
|
"She was kind, but not in the right way; and it's lucky for her
|
|
she didn't love me, if I'm the good-for-nothing fellow you think me.
|
|
It's her fault, though, and you may tell her so."
|
|
The hard, bitter look came back again as he said that, and it
|
|
troubled Amy, for she did not know what balm to apply.
|
|
"I was wrong, I didn't know. I'm very sorry I was so cross, but I
|
|
can't help wishing you'd bear it better, Teddy, dear."
|
|
"Don't, that's her name for me!" and Laurie put up his hand with a
|
|
quick gesture to stop the words spoken in Jo's half-kind,
|
|
half-reproachful tone. "Wait till you've tried it yourself," he added,
|
|
in a low voice, as he pulled up the grass by the handful.
|
|
"I'd take it manfully, and be respected if I couldn't be loved,"
|
|
said Amy, with the decision of one who knew nothing about it.
|
|
Now, Laurie flattered himself that he had borne it remarkably
|
|
well, making no moan, asking no sympathy, and taking his trouble
|
|
away to live it down alone. Amy's lecture put the matter in a new
|
|
light, and for the first time it did look weak and selfish to lose
|
|
heart at the first failure, and shut himself up in moody indifference.
|
|
He felt as if suddenly shaken out of a pensive dream, and found it
|
|
impossible to go to sleep again. Presently he sat up, and asked
|
|
slowly-
|
|
"Do you think Jo would despise me as you do?"
|
|
"Yes, if she saw you now. She hates lazy people. Why don't you do
|
|
something splendid, and make her love you?"
|
|
"I did my best, but it was no use."
|
|
"Graduating well, you mean? That was no more than you ought to
|
|
have done, for your grandfather's sake. It would have been shameful to
|
|
fail after spending so much time and money, when every one knew you
|
|
could do well."
|
|
"I did fail, say what you will, for Jo wouldn't love me," began
|
|
Laurie, leaning his head on his hand in a despondent attitude.
|
|
"No, you didn't, and you'll say so in the end, for it did you
|
|
good, and proved that you could do something if you tried. If you'd
|
|
only set about another task of some sort, you'd soon be your hearty,
|
|
happy self again, and forget your trouble."
|
|
"That's impossible."
|
|
"Try it and see. You needn't shrug your shoulders, and think,
|
|
'Much she knows about such things.' I don't pretend to be wise, but
|
|
I am observing, and I see a great deal more than you'd imagine. I'm.
|
|
interested in other people's experiences and inconsistencies; and,
|
|
though I can't explain, I remember and use them for my own benefit.
|
|
Love Jo all your days, if you choose, but don't let it spoil you,
|
|
for it's wicked to throw away so many good gifts because you can't
|
|
have the one you want. There, I won't lecture any more, for I know
|
|
you'll wake up and be a man in spite of that hardhearted girl."
|
|
Neither spoke for several minutes. Laurie sat turning the little
|
|
ring on his finger, and Amy put the last touches to the hasty sketch
|
|
she had been working at while she talked. Presently she put it on
|
|
his knee, merely saying-
|
|
"How do you like that?"
|
|
He looked and then he smiled, as he could not well help doing, for
|
|
it was capitally done- the long, lazy figure on the grass, with
|
|
listless face, half-shut eyes, and one hand holding a cigar, from
|
|
which came the little wreath of smoke that encircled the dreamer's
|
|
head.
|
|
"How well you draw!" he said, with genuine surprise and pleasure
|
|
at her skill, adding, with a half-laugh-
|
|
"Yes, that's me."
|
|
"As you are: this is as you were"; and Amy laid another sketch
|
|
beside the one he held.
|
|
It was not nearly so well done, but there was a life and spirit in
|
|
it which atoned for many faults, and it recalled the past so vividly
|
|
that a sudden change swept over the young man's face as he looked.
|
|
Only a rough sketch of Laurie taming a horse; hat and coat were off,
|
|
and every line of the active figure, resolute face, and commanding
|
|
attitude, was full of energy and meaning. The handsome brute, just
|
|
subdued, stood arching his neck under the tightly drawn rein, with one
|
|
foot impatiently pawing the ground, and ears pricked up as if
|
|
listening for the voice that had mastered him. In the ruffled mane,
|
|
the rider's breezy hair and erect attitude, there was a suggestion
|
|
of suddenly arrested motion, of strength, courage, and youthful
|
|
buoyancy, that contrasted sharply with the supine grace of the
|
|
"Dolce far niente" sketch. Laurie said nothing; but, as his eye went
|
|
from one to the other, Amy saw him flush up and fold his lips together
|
|
as if he read and accepted the little lesson she had given him. That
|
|
satisfied her; and, without waiting for him to speak, she said in
|
|
her sprightly way-
|
|
"Don't you remember the day you played Rarey with Puck, and we all
|
|
looked on? Meg and Beth were frightened, but Jo clapped and pranced,
|
|
and I sat on the fence and drew you. I found that sketch in my
|
|
portfolio the other day, touched it up, and kept it to show you."
|
|
"Much obliged. You've improved immensely since then, and I
|
|
congratulate you. May I venture to suggest in 'a honeymoon Paradise'
|
|
that five o'clock is the dinner hour at your hotel?"
|
|
Laurie rose as he spoke, returned the pictures with a smile and a
|
|
bow, and looked at his watch, as if to remind her that even moral
|
|
lectures should have an end. He tried to resume his former easy,
|
|
indifferent air, but it was an affectation now, for the rousing had
|
|
been more efficacious than he would confess. Amy felt the shade of
|
|
coldness in his manner, and said to herself-
|
|
"Now I've offended him. Well, if it does him good, I'm glad; if it
|
|
makes him hate me, I'm sorry; but it's true, and I can't take back a
|
|
word of it."
|
|
They laughed and chatted all the way home; and little Baptiste, up
|
|
behind, thought that monsieur and mademoiselle were in charming
|
|
spirits. But both felt ill at ease; the friendly frankness was
|
|
disturbed, the sunshine had a shadow over it, and, despite their
|
|
apparent gayety, there was a secret discontent in the heart of each.
|
|
"Shall we see you this evening, mon frere?" asked Amy, as they
|
|
parted at her aunt's door.
|
|
"Unfortunately I have an engagement. Au revoir, mademoiselle," and
|
|
Laurie bent as if to kiss her hand, in the foreign fashion, which
|
|
became him better than many men. Something in his face made Amy say
|
|
quickly and warmly-
|
|
"No; be yourself with me, Laurie, and part in the good old way.
|
|
I'd rather have a hearty English hand-shake than all the sentimental
|
|
salutations in France."
|
|
"Good-by, dear," and with these words, uttered in the tone she
|
|
liked, Laurie left her, after a hand-shake almost painful in its
|
|
heartiness.
|
|
Next morning, instead of the usual call, Amy received a note which
|
|
made her smile at the beginning and sigh at the end:
|
|
|
|
MY DEAR MENTOR:
|
|
Please make my adieux to your aunt, and exult within yourself, for
|
|
"Lazy Laurence" has gone to his grandpa, like the best of boys. A
|
|
pleasant winter to you, and may the gods grant you a blissful
|
|
honeymoon at Valrosa! I think Fred would be benefited by a rouser.
|
|
Tell him so, with my congratulations.
|
|
Yours gratefully, TELEMACHUS.
|
|
|
|
"Good boy! I'm glad he's gone," said Amy, with an approving smile;
|
|
the next minute her face fell as she glanced about the empty room,
|
|
adding, with an involuntary sigh-
|
|
"Yes, I am glad, but how I shall miss him!"
|
|
40
|
|
The Valley of the Shadow
|
|
|
|
WHEN the first bitterness was over, the family accepted the
|
|
inevitable, and tried to bear it cheerfully, helping one another by
|
|
the increased affection which comes to bind households tenderly
|
|
together in times of trouble. They put away their grief, and each
|
|
did his or her part toward making that last year a happy one.
|
|
The pleasantest room in the house was set apart for Beth, and in
|
|
it was gathered everything that she most loved- flowers, pictures, her
|
|
piano, the little work-table, and the beloved pussies. Father's best
|
|
books found their way there, mother's easy-chair, Jo's desk, Amy's
|
|
finest sketches; and every day Meg brought her babies on a loving
|
|
pilgrimage, to make sunshine for Aunty Beth. John quietly set apart
|
|
a little sum, that he might enjoy the pleasure of keeping the
|
|
invalid supplied with the fruit she loved and longed for; old Hannah
|
|
never wearied of concocting dainty dishes to tempt a capricious
|
|
appetite, dropping tears as she worked; and from across the sea came
|
|
little gifts and cheerful letters, seeming to bring breaths of
|
|
warmth and fragrance from lands that know no winter.
|
|
Here, cherished like a household saint in its shrine, sat Beth,
|
|
tranquil and busy as ever; for nothing could change the sweet,
|
|
unselfish nature, and even while preparing to leave life, she tried to
|
|
make it happier for those who should remain behind. The feeble fingers
|
|
were never idle, and one of her pleasures was to make little things
|
|
for the school-children daily passing to and fro- to drop a pair of
|
|
mittens from her window for a pair of purple hands, a needle-book
|
|
for some small mother of many dolls, pen-wipers for young penmen
|
|
toiling through forests of pot-hooks, scrap-books for picture-loving
|
|
eyes, and all manner of pleasant devices, till the reluctant
|
|
climbers up the ladder of learning found their way strewn with
|
|
flowers, as it were, and came to regard the gentle giver as a sort
|
|
of fairy godmother, who sat above there, and showered down gifts
|
|
miraculously suited to their tastes and needs. If Beth had wanted
|
|
any reward, she found it in the bright little faces always turned up
|
|
to her window, with nods and smiles, and the droll little letters
|
|
which came to her, full of blots and gratitude.
|
|
The first few months were very happy ones, and Beth often used to
|
|
look round, and say "How beautiful this is!" as they all sat
|
|
together in her sunny room, the babies kicking and crowing on the
|
|
floor, mother and sisters working near, and father reading, in his
|
|
pleasant voice, from the wise old books which seemed rich in good
|
|
and comfortable words, as applicable now as when written centuries
|
|
ago; a little chapel, where a paternal priest taught his flock the
|
|
hard lessons all must learn, trying to show them that hope can comfort
|
|
love, and faith make resignation possible. Simple sermons, that went
|
|
straight to the souls of those who listened; for the father's heart
|
|
was in the minister's religion, and the frequent falter in the voice
|
|
gave a double eloquence to the words he spoke or read.
|
|
It was well for all that this peaceful time was given them as
|
|
preparation for the sad hours to come; for, by and by, Beth said the
|
|
needle was "so heavy," and put it down forever; talking wearied her,
|
|
faces troubled her, pain claimed her for its own, and her tranquil
|
|
spirit was sorrowfully perturbed by the ills that vexed her feeble
|
|
flesh. Ah me! such heavy days, such long, long nights, such aching
|
|
hearts and imploring prayers, when those who loved her best were
|
|
forced to see the thin hands stretched out to them beseechingly, to
|
|
hear the bitter cry, "Help me, help me!" and to feel that there was no
|
|
help. A sad eclipse of the serene soul, a sharp struggle of the
|
|
young life with death; but both were mercifully brief, and then, the
|
|
natural rebellion over, the old peace returned more beautiful than
|
|
ever. With the wreck of her frail body, Beth's soul grew strong;
|
|
and, though she said little, those about her felt she was ready, saw
|
|
that the first pilgrim called was likewise the fittest, and waited
|
|
with her on the shore, trying to see the Shining Ones coming to
|
|
receive her when she crossed the river.
|
|
Jo never left her for an hour since Beth had said, "I feel
|
|
stronger when you are here." She slept on a couch in the room,
|
|
waking often to renew the fire, to feed, lift, or wait upon the
|
|
patient creature who seldom asked for anything, and "tried not to be a
|
|
trouble." All day she haunted the room, jealous of any other nurse,
|
|
and prouder of being chosen then than of any honor her life ever
|
|
brought her. Precious and helpful hours to Jo, for now her heart
|
|
received the teaching that it needed; lessons in patience were so
|
|
sweetly taught her that she could not fail to learn them; charity
|
|
for all, the lovely spirit that can forgive and truly forget
|
|
unkindness, the loyalty to duty that makes the hardest easy, and the
|
|
sincere faith that fears nothing, but trusts undoubtingly.
|
|
Often, when she woke, Jo found Beth reading in her well-worn
|
|
little book, heard her singing softly, to beguile the sleepless night,
|
|
or saw her lean her face upon her hands, while slow tears dropped
|
|
through the transparent fingers; and Jo would lie watching her, with
|
|
thoughts too deep for tears, feeling that Beth, in her simple,
|
|
unselfish way, was trying to wean herself from the dear old life,
|
|
and fit herself for the life to come, by sacred words of comfort,
|
|
quiet prayers, and the music she loved so well.
|
|
Seeing this did more for Jo than the wisest sermons, the
|
|
saintliest hymns, the most fervent prayers that any voice could utter;
|
|
for, with eyes made clear by many tears, and a heart softened by the
|
|
tenderest sorrow, she recognized the beauty of her sister's life-
|
|
uneventful, unambitious, yet full of the genuine virtues which
|
|
"smell sweet, and blossom in the dust," the self-forgetfulness that
|
|
makes the humblest on earth remembered soonest in heaven, the true
|
|
success which is possible to all.
|
|
One night, when Beth looked among the books upon her table, to
|
|
find something to make her forget the mortal weariness that was almost
|
|
as hard to bear as pain, as she turned the leaves of her old
|
|
favorite "Pilgrim's Progress," she found a little paper, scribbled
|
|
over in Jo's hand. The name caught her eye, and the blurred look of
|
|
the lines made her sure that tears had fallen on it.
|
|
"Poor Jo! she's fast asleep, so I won't wake her to ask leave; she
|
|
shows me all her things, and I don't think she'll mind if I look at
|
|
this," thought Beth, with a glance at her sister, who lay on the
|
|
rug, with the tongs beside her, ready to wake up the minute the log
|
|
fell apart.
|
|
|
|
MY BETH.
|
|
|
|
Sitting patient in the shadow
|
|
Till the blessed light shall come,
|
|
A serene and saintly presence
|
|
Sanctifies our troubled home.
|
|
Earthly joys and hopes and sorrows
|
|
Break like ripples on the strand
|
|
Of the deep and solemn river
|
|
Where her willing feet now stand.
|
|
|
|
O my sister, passing from me,
|
|
Out of human care and strife,
|
|
Leave me, as a gift, those virtues
|
|
Which have beautified your life.
|
|
Dear, bequeath me that great patience,
|
|
Which has power to sustain
|
|
A cheerful, uncomplaining spirit
|
|
In its prison-house of pain.
|
|
|
|
Give me, for I need it sorely,
|
|
Of that courage, wise and sweet,
|
|
Which has made the path of duty
|
|
Green beneath your willing feet.
|
|
Give me that unselfish nature,
|
|
That with charity divine
|
|
Can pardon wrong for love's dear sake-
|
|
Meek heart, forgive me mine!
|
|
|
|
Thus our parting daily loseth
|
|
Something of its bitter pain,
|
|
And while learning this hard lesson,
|
|
My great loss becomes my gain.
|
|
For the touch of grief will render
|
|
My wild nature more serene,
|
|
Give to life new aspirations,
|
|
A new trust in the unseen.
|
|
|
|
Henceforth, safe across the river,
|
|
I shall see forevermore
|
|
A beloved, household spirit
|
|
Waiting for me on the shore.
|
|
Hope and faith, born of my sorrow,
|
|
Guardian angels shall become,
|
|
And the sister gone before me
|
|
By their hands shall lead me home.
|
|
|
|
Blurred and blotted, faulty and feeble, as the lines were, they
|
|
brought a look of inexpressible comfort to Beth's face, for her one
|
|
regret had been that she had done so little; and this seemed to assure
|
|
her that her life had not been useless, that her death would not bring
|
|
the despair she feared. As she sat with the paper folded between her
|
|
hands, the charred log fell asunder. Jo started up, revived the blaze,
|
|
and crept to the bedside, hoping Beth slept.
|
|
"Not asleep, but so happy, dear. See, I found this and read it; I
|
|
knew you wouldn't care. Have I been all that to you, Jo?" she asked,
|
|
with wistful, humble earnestness.
|
|
"O Beth, so much, so much!" and Jo's head went down upon the pillow,
|
|
beside her sister's.
|
|
"Then I don't feel as if I'd wasted my life. I'm not so good as
|
|
you make me, but I have tried to do right; and now, when it's too late
|
|
to begin even to do better, it's such a comfort to know that some
|
|
one loves me so much, and feels as if I'd helped them."
|
|
"More than any one in the world, Beth. I used to think I couldn't
|
|
let you go; but I'm learning to feel that I don't lose you; that
|
|
you'll be more to me than ever, and death can't part us, though it
|
|
seems to."
|
|
"I know it cannot, and I don't fear it any longer, for I'm sure I
|
|
shall be your Beth still, to love and help you more than ever. You
|
|
must take my place, Jo, and be everything to father and mother when
|
|
I'm gone. They will turn to you, don't fail them; and if it's hard
|
|
to work alone, remember that I don't forget you, and that you'll be
|
|
happier in doing that than writing splendid books or seeing all the
|
|
world; for love is the only thing that we can carry with us when we
|
|
go, and it makes the end so easy."
|
|
"I'll try, Beth"; and then and there Jo renounced her old
|
|
ambition, pledged herself to a new and better one, acknowledging the
|
|
poverty of other desires, and feeling the blessed solace of a belief
|
|
in the immortality of love.
|
|
So the spring days came and went, the sky grew clearer, the earth
|
|
greener, the flowers were up fair and early, and the birds came back
|
|
in time to say good-by to Beth, who, like a tired but trustful
|
|
child, clung to the hands that had led her all her life, as father and
|
|
mother guided her tenderly through the Valley of the Shadow, and
|
|
gave her up to God.
|
|
Seldom, except in books, do the dying utter memorable words, see
|
|
visions, or depart with beatified countenances; and those who have
|
|
sped many parting souls know that to most the end comes as naturally
|
|
and simply as sleep. As Beth had hoped, the "tide went out easily";
|
|
and in the dark hour before the dawn, on the bosom where she had drawn
|
|
her first breath, she quietly drew her last, with no farewell but
|
|
one loving look, one little sigh.
|
|
With tears and prayers and tender hands, mother and sisters made her
|
|
ready for the long sleep that pain would never mar again, seeing
|
|
with grateful eyes the beautiful serenity that soon replaced the
|
|
pathetic patience that had wrung their hearts so long, and feeling,
|
|
with reverent joy, that to their darling death was a benignant
|
|
angel, not a phantom full of dread.
|
|
When morning came, for the first time in many months the fire was
|
|
out, Jo's place was empty, and the room was very still. But a bird
|
|
sang blithely on a budding bough, close by, the snow-drops blossomed
|
|
freshly at the window, and the spring sunshine streamed in like a
|
|
benediction over the placid face upon the pillow-a face so full of
|
|
painless peace that those who loved it best smiled through their
|
|
tears, and thanked God that Beth was well at last.
|
|
41
|
|
Learning to Forget
|
|
|
|
AMY'S lecture did Laurie good, though, of course, he did not own
|
|
it till long afterward; men seldom do, for when women are the
|
|
advisers, the lords of creation don't take the advice till they have
|
|
persuaded themselves that it is just what they intended to do; then
|
|
they act upon it, and, if it succeeds, they give the weaker vessel
|
|
half the credit of it; if it fails, they generously give her the
|
|
whole. Laurie went back to his grandfather, and was so dutifully
|
|
devoted for several weeks that the old gentleman declared the
|
|
climate of Nice had improved him wonderfully, and he had better try it
|
|
again. There was nothing the young gentleman would have liked
|
|
better, but elephants could not have dragged him back after the
|
|
scolding he had received; pride forbid, and whenever the longing
|
|
grew very strong, he fortified his resolution by repeating the words
|
|
that had made the deepest impression, "I despise you"; "Go and do
|
|
something splendid that will make her love you."
|
|
Laurie turned the matter over in his mind so often that he soon
|
|
brought himself to confess that he had been selfish and lazy; but then
|
|
when a man has a great sorrow, he should be indulged in all sorts of
|
|
vagaries till he has lived it down. He felt that his blighted
|
|
affections were quite dead now; and, though he should never cease to
|
|
be a faithful mourner, there was no occasion to wear his weeds
|
|
ostentatiously. Jo wouldn't love him, but he might make her respect
|
|
and admire him by doing something which should prove that a girl's
|
|
"No" had not spoilt his life. He had always meant to do something, and
|
|
Amy's advice was quite unnecessary. He had only been waiting till
|
|
the aforesaid blighted affections were decently interred; that being
|
|
done, he felt that he was ready to "hide his stricken heart, and still
|
|
toil on."
|
|
As Goethe, when he had a joy or a grief, put it into a song, so
|
|
Laurie resolved to embalm his love-sorrow in music, and compose a
|
|
Requiem which should harrow up Jo's soul and melt the heart of every
|
|
hearer. Therefore the next time the old gentleman found him getting
|
|
restless and moody, and ordered him off, he went to Vienna, where he
|
|
had musical friends, and fell to work with the firm determination to
|
|
distinguish himself. But, whether the sorrow was too vast to be
|
|
embodied in music, or music too ethereal to uplift a mortal woe, he
|
|
soon discovered that the Requiem was beyond him, just at present. It
|
|
was evident that his mind was not in working order yet, and his
|
|
ideas needed clarifying; for often in the middle of a plaintive
|
|
strain, he would find himself humming a dancing tune that vividly
|
|
recalled the Christmas ball at Nice, especially the stout Frenchman,
|
|
and put an effectual stop to tragic composition for the time being.
|
|
Then he tried an Opera, for nothing seemed impossible in the
|
|
beginning; but here, again, unforeseen difficulties beset him. He
|
|
wanted Jo for his heroine, and called upon his memory to supply him
|
|
with tender recollections and romantic visions of his love. But memory
|
|
turned traitor; and, as if possessed by the perverse spirit of the
|
|
girl, would only recall Jo's oddities, faults, and freaks, would
|
|
only show her in the most unsentimental aspects- beating mats with her
|
|
head tied up in a bandanna, barricading herself with the
|
|
sofa-pillow, or throwing cold water over his passion a la Gummidge-
|
|
and an irresistible laugh spoilt the pensive picture he was
|
|
endeavoring to paint. Jo wouldn't be put into the Opera at any
|
|
price, and he had to give her up with a "Bless that girl, what a
|
|
torment she is!" and a clutch at his hair, as became a distracted
|
|
composer.
|
|
When he looked about him for another and a less intractable damsel
|
|
to immortalize in melody, memory produced one with the most obliging
|
|
readiness. This phantom wore many faces, but it always had golden
|
|
hair, was enveloped in a diaphanous cloud, and floated airily before
|
|
his mind's eye in a pleasing chaos of roses, peacocks, white ponies,
|
|
and blue ribbons. He did not give the complacent wraith any name,
|
|
but he took her for his heroine, and grew quite fond of her, as well
|
|
he might; for he gifted her with every gift and grace under the sun,
|
|
and escorted her, unscathed, through trials which would have
|
|
annihilated any mortal woman.
|
|
Thanks to this inspiration, he got on swimmingly for a time, but
|
|
gradually the work lost its charm, and he forgot to compose, while
|
|
he sat musing, pen in hand, or roamed about the gay city to get new
|
|
ideas and refresh his mind, which seemed to be in a somewhat unsettled
|
|
state that winter. He did not do much, but he thought a great deal and
|
|
was conscious of a change of some sort going on in spite of himself
|
|
"It's genius simmering, perhaps. I'll let it simmer, and see what
|
|
comes of it," he said, with a secret suspicion, all the while, that it
|
|
wasn't genius, but something far more common. Whatever it was, it
|
|
simmered to some purpose, for he grew more and more discontented
|
|
with his desultory life, began to long for some real and earnest
|
|
work to go at, soul and body, and finally came to the wise
|
|
conclusion that every one who loved music was not a composer.
|
|
Returning from one of Mozart's grand operas, splendidly performed at
|
|
the Royal Theatre, he looked over his own, played a few of the best
|
|
parts, sat staring up at the busts of Mendelssohn, Beethoven, and
|
|
Bach, who stared benignly back again; then suddenly he tore up his
|
|
music-sheets, one by one, and, as the last fluttered out of his
|
|
hand, he said soberly to himself-
|
|
"She is right! Talent isn't genius, and you can't make it so. That
|
|
music has taken the vanity out of me as Rome took it out of her, and I
|
|
won't be a humbug any longer. Now what shall I do?"
|
|
That seemed a hard question to answer, and Laurie began to wish he
|
|
had to work for his daily bread. Now, if ever, occurred an eligible
|
|
opportunity for "going to the devil," as he once forcibly expressed
|
|
it, for he had plenty of money and nothing to do, and Satan is
|
|
proverbially fond of providing employment for full and idle hands. The
|
|
poor fellow had temptations enough from without and from within, but
|
|
he withstood them pretty well; for, much as he valued liberty, he
|
|
valued good faith and confidence more, so his promise to his
|
|
grandfather, and his desire to be able to look honestly into the
|
|
eyes of the women who loved him, and say "All's well," kept him safe
|
|
and steady.
|
|
Very likely some Mrs. Grundy will observe, "I don't believe it; boys
|
|
will be boys, young men must sow their wild oats, and women must not
|
|
expect miracles." I dare say you don't, Mrs. Grundy, but it's true
|
|
nevertheless. Women work a good many miracles, and I have a persuasion
|
|
that they may perform even that of raising the standard of manhood
|
|
by refusing to echo such sayings. Let the boys be boys, the longer the
|
|
better, and let the young men sow their wild oats if they must; but
|
|
mothers, sisters, and friends may help to make the crop a small one,
|
|
and keep many tares from spoiling the harvest, by believing, and
|
|
showing that they believe, in the possibility of loyalty to the
|
|
virtues which make men manliest in good women's eyes. If it is a
|
|
feminine delusion, leave us to enjoy it while we may, for without it
|
|
half the beauty and the romance of life is lost, and sorrowful
|
|
forebodings would embitter all our hopes of the brave,
|
|
tender-hearted little lads, who still love their mothers better than
|
|
themselves, and are not ashamed to own it.
|
|
Laurie thought that the task of forgetting his love for Jo would
|
|
absorb all his powers for years; but, to his great surprise, he
|
|
discovered it grew easier every day. He refused to believe it at
|
|
first, got angry with himself, and couldn't understand it; but these
|
|
hearts of ours are curious and contrary things, and time and nature
|
|
work their will in spite of us. Laurie's heart wouldn't ache; the
|
|
wound persisted in healing with a rapidity that astonished him, and,
|
|
instead of trying to forget, he found himself trying to remember. He
|
|
had not foreseen this turn of affairs, and was not prepared for it. He
|
|
was disgusted with himself, surprised at his own fickleness, and
|
|
full of a queer mixture of disappointment and relief that he could
|
|
recover from such a tremendous blow so soon. He carefully stirred up
|
|
the embers of his lost love, but they refused to burst into a blaze:
|
|
there was only a comfortable glow that warmed and did him good without
|
|
putting him into a fever, and he was reluctantly obliged to confess
|
|
that the boyish passion was slowly subsiding into a more tranquil
|
|
sentiment, very tender, a little sad and resentful still, but that was
|
|
sure to pass away in time, leaving a brotherly affection which would
|
|
last unbroken to the end.
|
|
As the word "brotherly" passed through his mind in one of these
|
|
reveries, he smiled, and glanced up at the picture of Mozart that
|
|
was before him:
|
|
"Well, he was a great man; and when he couldn't have one sister he
|
|
took the other, and was happy."
|
|
Laurie did not utter the words, but he thought them; and the next
|
|
instant kissed the little old ring, saying to himself-
|
|
"No, I won't! I haven't forgotten, I never can. I'll try again,
|
|
and if that fails, why, then-"
|
|
Leaving his sentence unfinished, he seized pen and paper and wrote
|
|
to Jo, telling her that he could not settle to anything while there
|
|
was the least hope of her changing her mind. Couldn't she, wouldn't
|
|
she, and let him come home and be happy? While waiting for an answer
|
|
he did nothing, but he did it energetically, for he was in a fever
|
|
of impatience. It came at last, and settled his mind effectually on
|
|
one point, for Jo decidedly couldn't and wouldn't. She was wrapped
|
|
up in Beth, and never wished to hear the word "love" again. Then she
|
|
begged him to be happy with somebody else, but always to keep a little
|
|
corner of his heart for his loving sister Jo. In a postscript she
|
|
desired him not to tell Amy that Beth was worse; she was coming home
|
|
in the spring, and there was no need of saddening the remainder of her
|
|
stay. That would be time enough, please God, but Laurie must write
|
|
to her often, and not let her feel lonely, homesick, or anxious.
|
|
"So I will, at once. Poor little girl; it will be a sad going home
|
|
for her, I'm afraid"; and Laurie opened his desk, as if writing to Amy
|
|
had been the proper conclusion of the sentence left unfinished some
|
|
weeks before.
|
|
But he did not write the letter that day; for, as he rummaged out
|
|
his best paper, he came across something which changed his purpose.
|
|
Tumbling about in one part of the desk, among bills, passports, and
|
|
business documents of various kinds were several of Jo's letters,
|
|
and in another compartment were three notes from Amy, carefully tied
|
|
up with one of her blue ribbons, and sweetly suggestive of the
|
|
little dead roses put away inside. With a half-repentant,
|
|
half-amused expression, Laurie gathered up all Jo's letters, smoothed,
|
|
folded, and put them neatly into a small drawer of the desk, stood a
|
|
minute turning the ring thoughtfully, on his finger, then slowly
|
|
drew it off, laid it with the letters, locked the drawer, and went out
|
|
to hear High Mass at Saint Stefan's, feeling as if there had been a
|
|
funeral; and, though not overwhelmed with affliction, this seemed a
|
|
more proper way to spend the rest of the day than in writing letters
|
|
to charming young ladies.
|
|
The letter went very soon, however, and was promptly answered, for
|
|
Amy was homesick, and confessed it in the most delightfully
|
|
confiding manner. The correspondence flourished famously, and
|
|
letters flew to and fro, with unfailing regularity, all through the
|
|
early spring. Laurie sold his busts, made allumettes of his opera, and
|
|
went back to Paris, hoping somebody would arrive before long. He
|
|
wanted desperately to go to Nice, but would not till he was asked; and
|
|
Amy would not ask him, for just then she was having little experiences
|
|
of her own, which made her rather wish to avoid the quizzical eyes
|
|
of "our boy."
|
|
Fred Vaughn had returned, and put the question to which she had once
|
|
decided to answer, "Yes, thank you" but now she said, "No, thank you,"
|
|
kindly but steadily; for, when the time came, her courage failed
|
|
her, and she found that something more than money and position was
|
|
needed to satisfy the new longing that filled her heart so full of
|
|
tender hopes and fears. The words, "Fred is a good fellow, but not
|
|
at all the man I fancied you would ever like," and Laurie's face
|
|
when he uttered them, kept returning to her as pertinaciously as her
|
|
own did when she said in look, if not in words, "I shall marry for
|
|
money." It troubled her to remember that now, she wished she could
|
|
take it back, it sounded so unwomanly. She didn't want Laurie to think
|
|
her a heartless, worldly creature; she didn't care to be a queen of
|
|
society now half so much as she did to be a lovable woman; she was
|
|
so glad he didn't hate her for the dreadful things she said, but
|
|
took them so beautifully, and was kinder than ever. His letters were
|
|
such a comfort, for the home letters were very irregular, and were not
|
|
half so satisfactory as his when they did come. It was not only a
|
|
pleasure, but a duty to answer them, for the poor fellow was
|
|
forlorn, and needed petting, since Jo persisted in being
|
|
stony-hearted. She ought to have made an effort, and tried to love
|
|
him; it couldn't be very hard, many people would be proud and glad
|
|
to have such a dear boy care for them; but Jo never would act like
|
|
other girls, so there was nothing to do but be very kind, and treat
|
|
him like a brother.
|
|
If all brothers were treated as well as Laurie was at this period,
|
|
they would be a much happier race of beings than they are. Amy never
|
|
lectured now; she asked his opinion on all subjects; she was
|
|
interested in everything he did, made charming little presents for
|
|
him, and sent him two letters a week, full of lively gossip,
|
|
sisterly confidences, and captivating sketches of the lovely scenes
|
|
about her. As few brothers are complimented by having their letters
|
|
carried about in their sisters' pockets, read and reread diligently,
|
|
cried over when short, kissed when long, and treasured carefully, we
|
|
will not hint that Amy did any of these fond and foolish things. But
|
|
she certainly did grow a little pale and pensive that spring, lost
|
|
much of her relish for society, and went out sketching alone a good
|
|
deal. She never had much to show when she came home, but was
|
|
studying nature, I dare say, while she sat for hours, with her hands
|
|
folded, on the terrace at Valrosa, or absently sketched any fancy that
|
|
occurred to her- a stalwart knight carved on a tomb, a young man
|
|
asleep in the grass, with his hat over his eyes, or a curly-haired
|
|
girl in gorgeous array, promenading down a ball-room on the arm of a
|
|
tall gentleman, both faces being left a blur according to the last
|
|
fashion in art, which was safe, but not altogether satisfactory.
|
|
Her aunt thought that she regretted her answer to Fred; and, finding
|
|
denials useless and explanations impossible, Amy left her to think
|
|
what she liked, taking care that Laurie should know that Fred had gone
|
|
to Egypt. That was all, but he understood it, and looked relieved,
|
|
as he said to himself, with a venerable air-
|
|
"I was sure she would think better of it. Poor old fellow! I've been
|
|
through it all, and I can sympathize."
|
|
With that he heaved a great sigh, and then, as if he had
|
|
discharged his duty to the past, put his feet up on the sofa, and
|
|
enjoyed Amy's letter luxuriously.
|
|
While these changes were going on abroad, trouble had come at
|
|
home; but the letter telling that Beth was failing never reached
|
|
Amy, and when the next found her, the grass was green above her
|
|
sister. The sad news met her at Vevey, for the heat had driven them
|
|
from Nice in May, and they had travelled slowly to Switzerland, by way
|
|
of Genoa and the Italian lakes. She bore it very well, and quietly
|
|
submitted to the family decree that she should not shorten her
|
|
visit, for, since it was too late to say good-by to Beth, she had
|
|
better stay, and let absence soften her sorrow. But her heart was very
|
|
heavy; she longed to be at home, and every day looked wistfully across
|
|
the lake, waiting for Laurie to come and comfort her.
|
|
He did come very soon; for the same mail brought letters to them
|
|
both, but he was in Germany, and it took some days to reach him. The
|
|
moment he read it, he packed his knapsack, bade adieu to his
|
|
fellow-pedestrians, and was off to keep his promise, with a heart full
|
|
of joy and sorrow, hope and suspense.
|
|
He knew Vevey well; and as soon as the boat touched the little quay,
|
|
he hurried along the shore to La Tour, where the Carrols were living
|
|
en pension. The garcon was in despair that the whole family had gone
|
|
to take a promenade on the lake; but no, the blonde mademoiselle might
|
|
be in the chateau garden. If monsieur would give himself the pain of
|
|
sitting down, a flash of time should present her. But monsieur could
|
|
not wait even "a flash of time," and, in the middle of the speech,
|
|
departed to find mademoiselle himself.
|
|
A pleasant old garden on the borders of the lovely lake, with
|
|
chestnuts rustling overhead, ivy climbing everywhere, and the black
|
|
shadow of the tower falling far across the sunny water. At one
|
|
corner of the wide, low wall was a seat, and here Amy often came to
|
|
read or work, or console herself with the beauty all about her. She
|
|
was sitting here that day, leaning her head on her hand, with a
|
|
homesick heart and heavy eyes, thinking of Beth, and wondering why
|
|
Laurie did not come. She did not hear him cross the court-yard beyond,
|
|
nor see him pause in the archway that led from the subterranean path
|
|
into the garden. He stood a minute, looking at her with new eyes,
|
|
seeing what no one had ever seen before- the tender side of Amy's
|
|
character. Everything about her mutely suggested love and sorrow-
|
|
the blotted letters in her lap, the black ribbon that tied up her
|
|
hair, the womanly pain and patience in her face; even the little ebony
|
|
cross at her throat seemed pathetic to Laurie, for he had given it
|
|
to her, and she wore it as her only ornament. If he had any doubts
|
|
about the reception she would give him, they were set at rest the
|
|
minute she looked up and saw him; for, dropping everything, she ran to
|
|
him, exclaiming, in a tone of unmistakable love and longing-
|
|
"O Laurie, Laurie; I knew you'd come to me!"
|
|
I think everything was said and settled then; for, as they stood
|
|
together quite silent for a moment, with the dark head bent down
|
|
protectingly over the light one, Amy felt that no one could comfort
|
|
and sustain her so well as Laurie, and Laurie decided that Amy was the
|
|
only woman in the world who could fill Jo's place, and make him happy.
|
|
He did not tell her so; but she was not disappointed, for both felt
|
|
the truth, were satisfied, and gladly left the rest to silence.
|
|
In a minute Amy went back to her place; and, while she dried her
|
|
tears, Laurie gathered up the scattered papers, finding in the sight
|
|
of sundry well-worn letters and suggestive sketches good omens for the
|
|
future. As he sat down beside her, Amy felt shy again, and turned rosy
|
|
red at the recollection of her impulsive greeting.
|
|
"I couldn't help it; I felt so lonely and sad, and was so very
|
|
glad to see you. It was such a surprise to look up and find you,
|
|
just as I was beginning to fear you wouldn't come," she said, trying
|
|
in vain to speak quite naturally.
|
|
"I came the minute I heard. I wish I could say something to
|
|
comfort you for the loss of dear little Beth; but I can only feel,
|
|
and-" He could not get any further, for he, too, turned bashful all of
|
|
a sudden, and did not quite know what to say. He longed to lay Amy's
|
|
head down on his shoulder, and tell her to have a good cry, but he did
|
|
not dare; so took her hand instead, and gave it a sympathetic
|
|
squeeze that was better than words.
|
|
"You needn't say anything; this comforts me," she said softly. "Beth
|
|
is well and happy, and I mustn't wish her back; but I dread the
|
|
going home, much as I long to see them all. We won't talk about it
|
|
now, for it makes me cry, and I want to enjoy you while you stay.
|
|
You needn't go right back, need you?"
|
|
"Not if you want me, dear."
|
|
"I do, so much. Aunt and Flo are very kind; but you seem like one of
|
|
the family, and it would be so comfortable to have you for a little
|
|
while."
|
|
Amy spoke and looked so like a homesick child, whose heart was full,
|
|
that Laurie forgot his bashfulness all at once, and gave her just what
|
|
she wanted- the petting she was used to and the cheerful
|
|
conversation she needed.
|
|
"Poor little soul, you look as if you'd grieved yourself
|
|
half-sick! I'm going to take care of you, so don't cry any more, but
|
|
come and walk about with me; the wind is too chilly for you to sit
|
|
still," he said, in the half-caressing, half-commanding way that Amy
|
|
liked, as he tied on her hat, drew her arm through his, and began to
|
|
pace up and down the sunny walk, under the new-leaved chestnuts. He
|
|
felt more at ease upon his legs; and Amy found it very pleasant to
|
|
have a strong arm to lean upon, a familiar face to smile at her, and a
|
|
kind voice to talk delightfully for her alone.
|
|
The quaint old garden had sheltered many pairs of lovers, and seemed
|
|
expressly made for them, so sunny and secluded was it, with nothing
|
|
but the tower to overlook them, and the wide lake to carry away the
|
|
echo of their words, as it rippled by below. For an hour this new pair
|
|
walked and talked, or rested on the wall, enjoying the sweet
|
|
influences which gave such a charm to time and place; and when an
|
|
unromantic dinner-bell warned them away, Amy felt as if she left her
|
|
burden of loneliness and sorrow behind her in the chateau garden.
|
|
The moment Mrs. Carrol saw the girl's altered face, she was
|
|
illuminated with a new idea, and exclaimed to herself, "Now I
|
|
understand it all- the child has been pining for young Laurence. Bless
|
|
my heart, I never thought of such a thing!"
|
|
With praiseworthy discretion, the good lady said nothing, and
|
|
betrayed no sign of enlightenment; but cordially urged Laurie to stay,
|
|
and begged Amy to enjoy his society, for it would do her more good
|
|
than so much solitude. Amy was a model of docility; and, as her aunt
|
|
was a good deal occupied with Flo, she was left to entertain her
|
|
friend, and did it with more than her usual success.
|
|
At Nice, Laurie had lounged and Amy had scolded; at Vevey, Laurie
|
|
was never idle, but always walking, riding, boating, or studying, in
|
|
the most energetic manner, while Amy admired everything he did, and
|
|
followed his example as far and as fast as she could. He said the
|
|
change was owing to the climate, and she did not contradict him, being
|
|
glad of a like excuse for her own recovered health and spirits.
|
|
The invigorating air did them both good, and much exercise worked
|
|
wholesome changes in minds as well as bodies. They seemed to get
|
|
clearer views of life and duty up there among the everlasting hills;
|
|
the fresh winds blew away desponding doubts, delusive fancies, and
|
|
moody mists; the warm spring sunshine brought out all sorts of
|
|
aspiring ideas, tender hopes, and happy thoughts; the lake seemed to
|
|
wash away the troubles of the past, and the grand old mountains to
|
|
look benignly down upon them, saying, "Little children, love one
|
|
another."
|
|
In spite of the new sorrow, it was a very happy time, so happy
|
|
that Laurie could not bear to disturb it by a word. It took him a
|
|
little while to recover from his surprise at the rapid cure of his
|
|
first, and, as he had firmly believed, his last and only love. He
|
|
consoled himself for the seeming disloyalty by the thought that Jo's
|
|
sister was almost the same as Jo's self, and the conviction that it
|
|
would have been impossible to love any other woman but Amy so soon and
|
|
so well. His first wooing had been of the tempestuous order, and he
|
|
looked back upon it as if through a long vista of years, with a
|
|
feeling of compassion blended with regret. He was not ashamed of it,
|
|
but put it away as one of the bitter-sweet experiences of his life,
|
|
for which he could be grateful when the pain was over. His second
|
|
wooing he resolved should be as calm and simple as possible; there was
|
|
no need of having a scene, hardly any need of telling Amy that he
|
|
loved her; she knew it without words, and had given him his answer
|
|
long ago. It all came about so naturally that no one could complain,
|
|
and he knew that everybody would be pleased, even Jo. But when our
|
|
first little passion has been crushed, we are apt to be wary and
|
|
slow in making a second trial; so Laurie let the days pass, enjoying
|
|
every hour, and leaving to chance the utterance of the word that would
|
|
put an end to the first and sweetest part of his new romance.
|
|
He had rather imagined that the denouement would take place in the
|
|
chateau garden by moonlight, and in the most graceful and decorous
|
|
manner; but it turned out exactly the reverse, for the matter was
|
|
settled on the lake, at noonday, in a few blunt words. They had been
|
|
floating about all the morning, from gloomy St. Gingolf to sunny
|
|
Montreux, with the Alps of Savoy on one side, Mont St. Bernard and the
|
|
Dent du Midi on the other, pretty Vevey in the valley, and Lausanne
|
|
upon the hill beyond, a cloudless blue sky overhead, and the bluer
|
|
lake below, dotted with the picturesque boats that look like
|
|
white-winged gulls.
|
|
They had been talking of Bonnivard, as they glided past Chillon, and
|
|
of Rousseau, as they looked up at Clarens, where he wrote his
|
|
"Heloise." Neither had read it, but they knew it was a love-story, and
|
|
each privately wondered if it was half as interesting as their own.
|
|
Amy had been dabbling her hand in the water during the little pause
|
|
that fell between them, and, when she looked up, Laurie was leaning on
|
|
his oars, with an expression in his eyes that made her say hastily,
|
|
merely for the sake of saying something-
|
|
"You must be tired; rest a little, and let me row; it will do me
|
|
good; for, since you came, I have been altogether lazy and luxurious."
|
|
"I'm not tired; but you may take an oar, if you like. There's room
|
|
enough, though I have to sit nearly in the middle, else the boat won't
|
|
trim," returned Laurie, as if he rather liked the arrangement.
|
|
Feeling that she had not mended matters much, Amy took the offered
|
|
third of a seat, shook her hair over her face, and accepted an oar.
|
|
She rowed as well as she did many other things; and, though she used
|
|
both hands, and Laurie but one, the oars kept time, and the boat
|
|
went smoothly through the water.
|
|
"How well we pull together, don't we?" said Amy, who objected to
|
|
silence just then.
|
|
"So well that I wish we might always pull in the same boat. Will
|
|
you, Amy?" very tenderly.
|
|
"Yes, Laurie," very low.
|
|
Then they both stopped rowing, and unconsciously added a pretty
|
|
little tableau of human love and happiness to the dissolving views
|
|
reflected in the lake.
|
|
42
|
|
All Alone
|
|
|
|
IT was easy to promise self-abnegation when self was wrapped up in
|
|
another, and heart and soul were purified by a sweet example; but when
|
|
the helpful voice was silent, the daily lesson over, the beloved
|
|
presence gone, and nothing remained but loneliness and grief, then
|
|
Jo found her promise very hard to keep. How could she "comfort
|
|
father and mother," when her own heart ached with a ceaseless
|
|
longing for her sister; how could she "make the house cheerful,"
|
|
when all its light and warmth and beauty seemed to have deserted it
|
|
when Beth left the old home for the new; and where in all the world
|
|
could she "find some useful, happy work to do," that would take the
|
|
place of the loving service which had been its own reward? She tried
|
|
in a blind, hopeless way to do her duty, secretly rebelling against it
|
|
all the while, for it seemed unjust that her few joys should be
|
|
lessened, her burdens made heavier, and life get harder and harder
|
|
as she toiled along. Some people seemed to get all sunshine, and
|
|
some all shadow; it was not fair, for she tried more than Amy to be
|
|
good, but never got any reward, only disappointment, trouble, and hard
|
|
work.
|
|
Poor Jo, these were dark days to her, for something like despair
|
|
came over her when she thought of spending all her life in that
|
|
quiet house, devoted to humdrum cares, a few small pleasures, and
|
|
the duty that never seemed to grow any easier. "I can't do it. I
|
|
wasn't meant for a life like this, and I know I shall break away and
|
|
do something desperate if somebody don't come and help me," she said
|
|
to herself, when her first efforts failed, and she fell into the
|
|
moody, miserable state of mind which often comes when strong wills
|
|
have to yield to the inevitable.
|
|
But some one did come and help her, though Jo did not recognize
|
|
her good angels at once, because they wore familiar shapes, and used
|
|
the simple spells best fitted to poor humanity. Often she started up
|
|
at night, thinking Beth called her; and when the sight of the little
|
|
empty bed made her cry with the bitter cry of an unsubmissive
|
|
sorrow, "O Beth, come back! come back!" she did not stretch out her
|
|
yearning arms in vain; for, as quick to hear her sobbing as she had
|
|
been to hear her sister's faintest whisper, her mother came to comfort
|
|
her, not with words only, but the patient tenderness that soothes by a
|
|
touch, tears that were mute reminders of a greater grief than Jo's,
|
|
and broken whispers, more eloquent than prayers, because hopeful
|
|
resignation went hand-in-hand with natural sorrow. Sacred moments,
|
|
when heart talked to heart in the silence of the night, turning
|
|
affliction to a blessing, which chastened grief and strengthened love.
|
|
Feeling this, Jo's burden seemed easier to bear, duty grew sweeter,
|
|
and life looked more endurable, seen from the safe shelter of her
|
|
mother's arms.
|
|
When aching heart was a little comforted, troubled mind likewise
|
|
found help; for one day she went to the study, and, leaning over the
|
|
good gray head lifted to welcome her with a tranquil smile she said,
|
|
very humbly-
|
|
"Father, talk to me as you did to Beth. I need it more than she did,
|
|
for I'm all wrong."
|
|
"My dear, nothing can comfort me like this," he answered, with a
|
|
falter in his voice, and both arms round her, as if he, too, needed
|
|
help, and did not fear to ask it.
|
|
Then, sitting in Beth's little chair close beside him, Jo told her
|
|
troubles- the resentful sorrow for her loss, the fruitless efforts
|
|
that discouraged her, the want of faith that made life look so dark,
|
|
and all the sad bewilderment which we call despair. She gave him
|
|
entire confidence, he gave her the help she needed, and both found
|
|
consolation in the act; for the time had come when they could talk
|
|
together not only as father and daughter, but as man and woman, able
|
|
and glad to serve each other with mutual sympathy as well as mutual
|
|
love. Happy, thoughtful times there in the old study which Jo called
|
|
"the church of one member," and from which she came with fresh
|
|
courage, recovered cheerfulness, and a more submissive spirit; for the
|
|
parents who had taught one child to meet death without fear, were
|
|
trying now to teach another to accept life without despondency or
|
|
distrust, and to use its beautiful opportunities with gratitude and
|
|
power.
|
|
Other helps had Jo- humble, wholesome duties and delights that would
|
|
not be denied their part in serving her, and which she slowly
|
|
learned to see and value. Brooms and dishcloths never could be as
|
|
distasteful as they once had been, for Beth had presided over both;
|
|
and something of her housewifely spirit seemed to linger round the
|
|
little mop and the old brush, that was never thrown away. As she
|
|
used them, Jo found herself humming the songs Beth used to hum,
|
|
imitating Beth's orderly ways, and giving the little touches here
|
|
and there that kept everything fresh and cosey, which was the first
|
|
step toward making home happy, though she didn't know it, till
|
|
Hannah said with an approving squeeze of the hand-
|
|
"You thoughtful creeter, you're determined we shan't miss that
|
|
dear lamb ef you can help it. We don't say much, but we see it, and
|
|
the Lord will bless you for 't, see ef He don't."
|
|
As they sat sewing together, Jo discovered how much improved her
|
|
sister Meg was; how well she could talk, how much she knew about good,
|
|
womanly impulses, thoughts, and feelings, how happy she was in husband
|
|
and children, and how much they were all doing for each other.
|
|
"Marriage is an excellent thing, after all. I wonder if I should
|
|
blossom out half as well as you have, if I tried it?" said Jo, as
|
|
she constructed a kite for Demi, in the topsy-turvy nursery.
|
|
"It's just what you need to bring out the tender, womanly half of
|
|
your nature, Jo. You are like a chestnut-burr, prickly outside, but
|
|
silky-soft within, and a sweet kernel, if one can only get at it. Love
|
|
will make you show your heart some day, and then the rough burr will
|
|
fall off."
|
|
"Frost opens chestnut-burrs, ma'am, and it takes a good shake to
|
|
bring them down. Boys go nutting, and I don't care to be bagged by
|
|
them," returned Jo, pasting away at the kite which no wind that
|
|
blows would ever carry up, for Daisy had tied herself on as a bob.
|
|
Meg laughed, for she was glad to see a glimmer of Jo's old spirit,
|
|
but she felt it her duty to enforce her opinion by every argument in
|
|
her power; and the sisterly chats were not wasted, especially as two
|
|
of Meg's most effective arguments were the babies, whom Jo loved
|
|
tenderly. Grief is the best opener for some hearts, and Jo's was
|
|
nearly ready for the bag: a little more sunshine to ripen the nut,
|
|
then, not a boy's impatient shake, but a man's hand reached up to pick
|
|
it gently from the burr, and find the kernel sound and sweet. If she
|
|
had suspected this, she would have shut up tight, and been more
|
|
prickly than ever; fortunately she wasn't thinking about herself,
|
|
so, when the time came, down she dropped.
|
|
Now, if she had been the heroine of a moral story-book, she ought at
|
|
this period of her life to have become quite saintly, renounced the
|
|
world, and gone about doing good in a mortified bonnet, with tracts in
|
|
her pocket. But, you see, Jo wasn't a heroine; she was only a
|
|
struggling human girl, like hundreds of others, and she just acted out
|
|
her nature, being sad, cross, listless, or energetic, as the mood
|
|
suggested. It's highly virtuous to say we'll be good, but we can't
|
|
do it all at once, and it takes a long pull, a strong pull, and a pull
|
|
all together, before some of us even get our feet set in the right
|
|
way. Jo had got so far, she was learning to do her duty, and to feel
|
|
unhappy if she did not; but to do it cheerfully- ah, that was
|
|
another thing! She had often said she wanted to do something splendid,
|
|
no matter how hard; and now she had her wish, for what could be more
|
|
beautiful than to devote her life to father and mother, trying to make
|
|
home as happy to them as they had to her? And, if difficulties were
|
|
necessary to increase the splendor of the effort, what could be harder
|
|
for a restless, ambitious girl than to give up her own hopes, plans,
|
|
and desires, and cheerfully live for others?
|
|
Providence had taken her at her word; here was the task, not what
|
|
she had expected, but better, because self had no part in it: now,
|
|
could she do it? She decided that she would try; and, in her first
|
|
attempt, she found the helps I have suggested. Still another was given
|
|
her, and she took it, not as a reward, but as a comfort, as
|
|
Christian took the refreshment afforded by the little arbor where he
|
|
rested, as he climbed the hill called Difficulty.
|
|
"Why don't you write? That always used to make you happy," said
|
|
her mother, once, when the desponding fit overshadowed Jo.
|
|
"I've no heart to write, and if I had, nobody cares for my things."
|
|
"We do; write something for us, and never mind the rest of the
|
|
world. Try it, dear; I'm sure it would do you good, and please us very
|
|
much."
|
|
"Don't believe I can"; but Jo got out her desk, and began to
|
|
overhaul her half-finished manuscripts.
|
|
An hour afterward her mother peeped in, and there she was,
|
|
scratching away, with her black pinafore on, and an absorbed
|
|
expression, which caused Mrs. March to smile, and slip away, well
|
|
pleased with the success of her suggestion. Jo never knew how it
|
|
happened, but something got into that story that went straight to
|
|
the hearts of those who read it; for, when her family had laughed
|
|
and cried over it, her father sent it, much against her will, to one
|
|
of the popular magazines, and, to her utter surprise, it was not
|
|
only paid for, but others requested. Letters from several persons,
|
|
whose praise was honor, followed the appearance of the little story,
|
|
newspapers copied it, and strangers as well as friends admired it. For
|
|
a small thing it was a great success; and Jo was more astonished
|
|
than when her novel was commended and condemned all at once.
|
|
"I don't understand it. What can there be in a simple little story
|
|
like that, to make people praise it so?" she said, quite bewildered.
|
|
"There is truth in it, Jo, that's the secret; humor and pathos
|
|
make it alive, and you have found your style at last. You wrote with
|
|
no thought of fame or money, and put your heart into it, my
|
|
daughter; you have had the bitter, now comes the sweet. Do your
|
|
best, and grow as happy as we are in your success."
|
|
"If there is anything good or true in what I write, it isn't mine; I
|
|
owe it all to you and mother and to Beth," said Jo, more touched by
|
|
her father's words than by any amount of praise from the world.
|
|
So, taught by love and sorrow, Jo wrote her little stories, and sent
|
|
them away to make friends for themselves and her, finding it a very
|
|
charitable world to such humble wanderers; for they were kindly
|
|
welcomed, and sent home comfortable tokens to their mother, like
|
|
dutiful children whom good fortune overtakes.
|
|
When Amy and Laurie wrote of their engagement, Mrs. March feared
|
|
that Jo would find it difficult to rejoice over it, but her fears were
|
|
soon set at rest; for, though Jo looked grave at first, she took it
|
|
very quietly, and was full of hopes and plans for "the children"
|
|
before she read the letter twice. It was a sort of written duet,
|
|
wherein each glorified the other in lover-like fashion, very
|
|
pleasant to read and satisfactory to think of, for no one had any
|
|
objection to make.
|
|
"You like it, mother?" said Jo, as they laid down the closely
|
|
written sheets, and looked at one another.
|
|
"Yes, I hoped it would be so, ever since Amy wrote that she had
|
|
refused Fred. I felt sure then that something better than what you
|
|
call the 'mercenary spirit' had come over her, and a hint here and
|
|
there in her-letters made me suspect that love and Laurie would win
|
|
the day."
|
|
"How sharp you are, Marmee, and how silent! You never said a word to
|
|
me."
|
|
"Mothers have need of sharp eyes and discreet tongues when they have
|
|
girls to manage. I was half afraid to put the idea into your head,
|
|
lest you should write and congratulate them before the thing was
|
|
settled."
|
|
"I'm not the scatter-brain I was; you may trust me, I'm sober and
|
|
sensible enough for any one's confidante now."
|
|
"So you are, dear, and I should have made you mine, only I fancied
|
|
it might pain you to learn that your Teddy loved any one else."
|
|
"Now, mother, did you really think I could be so silly and
|
|
selfish, after I'd refused his love, when it was freshest, if not
|
|
best?"
|
|
"I knew you were sincere then, Jo, but lately I have thought that if
|
|
he came back, and asked again, you might, perhaps, feel like giving
|
|
another answer. Forgive me, dear, I can't help seeing that you are
|
|
very lonely, and sometimes there is a hungry look in your eyes that
|
|
goes to my heart; so I fancied that your boy might fill the empty
|
|
place if he tried now."
|
|
"No, mother, it is better as it is, and I'm glad Amy has learned
|
|
to love him. But you are right in one thing; I am lonely, and
|
|
perhaps if Teddy had tried again, I might have said 'Yes,' not because
|
|
I love him any more, but because I care more to be loved than when
|
|
he went away."
|
|
"I'm glad of that, Jo, for it shows that you are getting on. There
|
|
are plenty to love you, so try to be satisfied with father and mother,
|
|
sisters and brothers, friends and babies, till the best lover of all
|
|
comes to give you your reward."
|
|
"Mothers are the best lovers in the world; but I don't mind
|
|
whispering to Marmee that I'd like to try all kinds. It's very
|
|
curious, but the more I try to satisfy myself with all sorts of
|
|
natural affections, the more I seem to want. I'd no idea hearts
|
|
could take in so many; mine is so elastic, it never seems full now,
|
|
and I used to be quite contented with my family. I don't understand
|
|
it."
|
|
"I do"; and Mrs. March smiled her wise smile, as Jo turned back
|
|
the leaves to read what Amy said of Laurie.
|
|
"It is so beautiful to be loved as Laurie loves me; he isn't
|
|
sentimental, doesn't say much about it, but I see and feel it in all
|
|
he says and does, and it makes me so happy and so humble that I
|
|
don't seem to be the same girl I was. I never knew how good and
|
|
generous and tender he was till now, for he lets me read his heart,
|
|
and I find it full of noble impulses and hopes and purposes, and am so
|
|
proud to know it's mine. He says he feels as if he 'could make a
|
|
prosperous voyage now with me aboard as mate, and lots of love for
|
|
ballast.' I pray he may, and try to be all he believes me, for I
|
|
love my gallant captain with all my heart and soul and might, and
|
|
never will desert him, while God lets us be together. O mother, I
|
|
never knew how much like heaven this world could be, when two people
|
|
love and live for one another!"
|
|
"And that's our cool, reserved, and worldly Amy! Truly, love does
|
|
work miracles. How very, very happy they must be!" And Jo laid the
|
|
rustling sheets together with a careful hand, as one might shut the
|
|
covers of a lovely romance, which holds the reader fast till the end
|
|
comes, and he finds himself alone in the work-a-day world again.
|
|
By and by Jo roamed away upstairs, for it was rainy, and she could
|
|
not walk. A restless spirit possessed her, and the old feeling came
|
|
again, not bitter as it once was, but a sorrowfully patient wonder why
|
|
one sister should have all she asked, the other nothing. It was not
|
|
true; she knew that, and tried to put it away, but the natural craving
|
|
for affection was strong, and Amy's happiness woke the hungry
|
|
longing for some one to "love with heart and soul, and cling to
|
|
while God let them be together."
|
|
Up in the garret, where Jo's unquiet wanderings ended, stood four
|
|
little wooden chests in a row, each marked with its owner's name,
|
|
and each filled with relics of the childhood and girlhood ended now
|
|
for all. Jo glanced into them, and when she came to her own, leaned
|
|
her chin on the edge, and stared absently at the chaotic collection,
|
|
till a bundle of old exercise-books caught her eye. She drew them out,
|
|
turned them over, and re-lived that pleasant winter at kind Mrs.
|
|
Kirke's. She had smiled at first, then she looked thoughtful, next
|
|
sad, and when she came to a little message written in the
|
|
Professor's hand, her lips began to tremble, the books slid out of her
|
|
lap, and she sat looking at the friendly words, as if they took a
|
|
new meaning, and touched a tender spot in her heart.
|
|
"Wait for me, my friend. I may be a little late, but I shall
|
|
surely come."
|
|
"Oh, if he only would! So kind, so good, so patient with me
|
|
always; my dear old Fritz, I didn't value him half enough when I had
|
|
him, but now how I should love to see him, for every one seems going
|
|
away from me, and I'm all alone."
|
|
And holding the little paper fast, as if it were a promise yet to be
|
|
fulfilled, Jo laid her head down on a comfortable rag-bag and cried,
|
|
as if in opposition to the rain pattering on the roof.
|
|
Was it all self-pity, loneliness, or low spirits? or was it the
|
|
waking up of a sentiment which had bided its time as patiently as
|
|
its inspirer? Who shall say?
|
|
43
|
|
Surprises
|
|
|
|
JO was alone in the twilight, lying on the old sofa, looking at
|
|
the fire, and thinking. It was her favorite way of spending the hour
|
|
of dusk; no one disturbed her, and she used to lie there on Beth's
|
|
little red pillow, planning stories, dreaming dreams, or thinking
|
|
tender thoughts of the sister who never seemed far away. Her face
|
|
looked tired, grave, and rather sad; for to-morrow was her birthday,
|
|
and she was thinking how fast the years went by, how old she was
|
|
getting, and how little she seemed to have accomplished. Almost
|
|
twenty-five, and nothing to show for it. Jo was mistaken in that;
|
|
there was a good deal to show, and by and by she saw, and was grateful
|
|
for it.
|
|
"An old maid, that's what I'm to be. A literary spinster, with a pen
|
|
for a spouse, a family of stories for children, and twenty years hence
|
|
a morsel of fame, perhaps; when, like poor Johnson, I'm old, and can't
|
|
enjoy it, solitary, and can't share it, independent, and don't need
|
|
it. Well, I needn't be a sour saint nor a selfish sinner; and, I
|
|
dare say, old maids are very comfortable when they get used to it;
|
|
but-" and there Jo sighed, as if the prospect was not inviting.
|
|
It seldom is, at first, and thirty seems the end of all things to
|
|
five-and-twenty; but it's not so bad as it looks, and one can get on
|
|
quite happily if one has something in one's self to fall back upon. At
|
|
twenty-five, girls begin to talk about being old maids, but secretly
|
|
resolve that they never will be; at thirty they say nothing about
|
|
it, but quietly accept the fact, and, if sensible, console
|
|
themselves by remembering that they have twenty more useful, happy
|
|
years, in which they may be learning to grow old gracefully. Don't
|
|
laugh at the spinsters, dear girls, for often very tender, tragical
|
|
romances are hidden away in the hearts that beat so quietly under
|
|
the sober gowns, and many silent sacrifices of youth, health,
|
|
ambition, love itself, make the faded faces beautiful in God's
|
|
sight. Even the sad, sour sisters should be kindly dealt with, because
|
|
they have missed the sweetest part of life, if for no other reason;
|
|
and, looking at them with compassion, not contempt, girls in their
|
|
bloom should remember that they too may miss the blossom time; that
|
|
rosy cheeks don't last forever, that silver threads will come in the
|
|
bonnie brown hair, and that, by and by, kindness and respect will be
|
|
as sweet as love and admiration now.
|
|
Gentlemen, which means boys, be courteous to the old maids, no
|
|
matter how poor and plain and prim, for the only chivalry worth having
|
|
is that which is the readiest to pay deference to the old, protect the
|
|
feeble, and serve womankind, regardless of rank, age, or color. Just
|
|
recollect the good aunts who have not only lectured and fussed, but
|
|
nursed and petted, too often without thanks; the scrapes they have
|
|
helped you out of, the "tips" they have given you from their small
|
|
store, the stitches the patient old fingers have set for you, the
|
|
steps the willing old feet have taken, and gratefully pay the dear old
|
|
ladies the little attentions that women love to receive as long as
|
|
they live. The bright-eyed girls are quick to see such traits, and
|
|
will like you all the better for them; and if death, almost the only
|
|
power that can part mother and son, should rob you of yours, you
|
|
will be sure to find a tender welcome and maternal cherishing from
|
|
some Aunt Priscilla, who has kept the warmest corner of her lonely old
|
|
heart for "the best nevvy in the world."
|
|
Jo must have fallen asleep (as I dare say my reader has during
|
|
this little homily), for suddenly Laurie's ghost seemed to stand
|
|
before her- a substantial, lifelike ghost- leaning over her, with
|
|
the very look he used to wear when he felt a good deal and didn't like
|
|
to show it. But, like Jenny in the ballad-
|
|
|
|
"She could not think it he,"
|
|
|
|
and lay staring up at him in startled silence, till he stooped and
|
|
kissed her. Then she knew him, and flew up, crying joyfully-
|
|
"O my Teddy! O my Teddy!"
|
|
"Dear Jo, you are glad to see me, then?"
|
|
"Glad! My blessed boy, words can't express my gladness. Where's
|
|
Amy?"
|
|
"Your mother has got her down at Meg's. We stopped there by the way,
|
|
and there was no getting my wife out of their clutches."
|
|
"Your what?" cried Jo, for Laurie uttered those two words with an
|
|
unconscious pride and satisfaction which betrayed him.
|
|
"Oh, the dickens! now I've done it"; and he looked so guilty that Jo
|
|
was down upon him like a flash.
|
|
"You've gone and got married!"
|
|
"Yes, please, but I never will again"; and he went down upon his
|
|
knees, with a penitent clasping of hands, and a face full of mischief,
|
|
mirth, and triumph.
|
|
"Actually married?"
|
|
"Very much so, thank you."
|
|
"Mercy on us! What dreadful thing will you do next?" and Jo fell
|
|
into her seat, with a gasp.
|
|
"A characteristic, but not exactly complimentary, congratulation,"
|
|
returned Laurie, still in an abject attitude, but beaming with
|
|
satisfaction.
|
|
"What can you expect, when you take one's breath away, creeping in
|
|
like a burglar, and letting cats out of bags like that? Get up, you
|
|
ridiculous boy, and tell me all about it."
|
|
"Not a word, unless you let me come in my old place, and promise not
|
|
to barricade."
|
|
Jo laughed at that as she had not done for many a long day, and
|
|
patted the sofa invitingly, as she said, in a cordial tone-
|
|
"The old pillow is up garret, and we don't need it now; so, come and
|
|
'fess, Teddy."
|
|
"How good it sounds to hear you say 'Teddy'! No one ever calls me
|
|
that but you"; and Laurie sat down, with an air of great content.
|
|
"What does Amy call you?"
|
|
"My lord."
|
|
"That's like her. Well, you look it"; and Jo's eyes plainly betrayed
|
|
that she found her boy comelier than ever.
|
|
The pillow was gone, but there was a barricade, nevertheless- a
|
|
natural one, raised by time, absence, and change of heart. Both felt
|
|
it, and for a minute looked at one another as if that invisible
|
|
barrier cast a little shadow over them. It was gone directly, however,
|
|
for Laurie said, with a vain attempt at dignity-
|
|
"Don't I look like a married man and the head of a family?"
|
|
"Not a bit, and you never will. You've grown bigger and bonnier, but
|
|
you are the same scapegrace as ever."
|
|
"Now, really, Jo, you ought to treat me with more respect," began
|
|
Laurie, who enjoyed it all immensely.
|
|
"How can I, when the mere idea of you, married and settled, is so
|
|
irresistibly funny that I can't keep sober!" answered Jo, smiling
|
|
all over her face, so infectiously that they had another laugh, and
|
|
then settled down for a good talk, quite in the pleasant old fashion.
|
|
"It's no use your going out in the cold to get Amy, for they are all
|
|
coming up presently. I couldn't wait; I wanted to be the one to tell
|
|
you the grand surprise, and have 'first skim,' as we used to say
|
|
when we squabbled about the cream."
|
|
"Of course you did, and spoilt your story by beginning at the
|
|
wrong end. Now, start right, and tell me how it all happened; I'm
|
|
pining to know."
|
|
"Well, I did it to please Amy," began Laurie, with a twinkle that
|
|
made Jo exclaim-
|
|
"Fib number one; Amy did it to please you. Go on, and tell the
|
|
truth, if you can, sir."
|
|
"Now she's beginning to marm it; isn't it jolly to hear her?" said
|
|
Laurie to the fire, and the fire glowed and sparkled as if it quite
|
|
agreed. "It's all the same, you know, she and I being one. We
|
|
planned to come home with the Carrols, a month or more ago, but they
|
|
suddenly changed their minds, and decided to pass another winter in
|
|
Paris. But grandpa wanted to come home; he went to please me, and I
|
|
couldn't let him go alone, neither could I leave Amy; and Mrs.
|
|
Carrol had got English notions about chaperons and such nonsense,
|
|
and wouldn't let Amy come with us. So I just settled the difficulty by
|
|
saying, 'Let's be married, and then we can do as we like.'"
|
|
"Of course you did; you always have things to suit you."
|
|
"Not always"; and something in Laurie's voice made Jo say hastily-
|
|
"How did you ever get aunt to agree?"
|
|
"It was hard work; but, between us, we talked her over, for we had
|
|
heaps of good reasons on our side. There wasn't time to write and
|
|
ask leave, but you all liked it, had consented to it by and by, and it
|
|
was only 'taking Time by the fetlock,' as my wife says."
|
|
"Aren't we proud of those two words, and don't we like to say them?"
|
|
interrupted Jo, addressing the fire in her turn, and watching with
|
|
delight the happy light it seemed to kindle in the eyes that had
|
|
been so tragically gloomy when she saw them last.
|
|
"A trifle, perhaps; she's such a captivating little woman I can't
|
|
help being proud of her. Well, then, uncle and aunt were there to play
|
|
propriety; we were so absorbed in one another we were of no mortal use
|
|
apart, and that charming arrangement would make everything easy all
|
|
round; so we did it."
|
|
"When, where, how?" asked Jo, in a fever of feminine interest and
|
|
curiosity, for she could not realize it a particle.
|
|
"Six weeks ago, at the American consul's, in Paris; a very quiet
|
|
wedding, of course, for even in our happiness we didn't forget dear
|
|
little Beth."
|
|
Jo put her hand in his as he said that, and Laurie gently smoothed
|
|
the little red pillow, which he remembered well.
|
|
"Why didn't you let us know afterward?" asked Jo, in a quieter tone,
|
|
when they had sat quite still a minute.
|
|
"We wanted to surprise you; we thought we were coming directly home,
|
|
at first; but the dear old gentleman, as soon as we were married,
|
|
found he couldn't be ready under a month, at least, and sent us off to
|
|
spend our honeymoon wherever we liked. Amy had once called Valrosa a
|
|
regular honeymoon home, so we went there, and were as happy as
|
|
people are but once in their lives. My faith! wasn't it love among the
|
|
roses!"
|
|
Laurie seemed to forget Jo for a minute, and Jo was glad of it;
|
|
for the fact that he told her these things so freely and naturally
|
|
assured her that he had quite forgiven and forgotten. She tried to
|
|
draw away her hand; but, as if he guessed the thought that prompted
|
|
the half-involuntary impulse, Laurie held it fast, and said, with a
|
|
manly gravity she had never seen in him before-
|
|
"Jo, dear, I want to say one thing, and then we'll put it by
|
|
forever. As I told you in my letter, when I wrote that Amy had been so
|
|
kind to me, I never shall stop loving you; but the love is altered,
|
|
and I have learned to see that it is better as it is. Amy and you
|
|
change places in my heart, that's all. I think it was meant to be
|
|
so, and would have come about naturally, if I had waited, as you tried
|
|
to make me; but I never could be patient, and so I got a heartache.
|
|
I was a boy then, headstrong and violent; and it took a hard lesson to
|
|
show me my mistake. For it was one, Jo, as you said, and I found it
|
|
out, after making a fool of myself. Upon my word, I was so tumbled
|
|
up in my mind, at one time, that I didn't know which I loved best, you
|
|
or Amy, and tried to love both alike; but I couldn't, and when I saw
|
|
her in Switzerland, everything seemed to clear up all at once. You
|
|
both got into your right places, and I felt sure that it was well
|
|
off with the old love before it was on with the new; that I could
|
|
honestly share my heart between sister Jo and wife Amy, and love
|
|
them both dearly. Will you believe it, and go back to the happy old
|
|
times when we first knew one another?"
|
|
"I'll believe it, with all my heart; but, Teddy, we never can be boy
|
|
and girl again: the happy old times can't come back, and we mustn't
|
|
expect it. We are man and woman now, with sober work to do, for
|
|
playtime is over, and we must give up frolicking. I'm sure you feel
|
|
this; I see the change in you, and you'll find it in me. I shall
|
|
miss my boy, but I shall love the man as much, and admire him more,
|
|
because he means to be what I hoped he would. We can't be little
|
|
playmates any longer, but we will be brother and sister, to love and
|
|
help one another all our lives, won't we, Laurie?"
|
|
He did not say a word, but took the hand she offered him, and laid
|
|
his face down on it for a minute, feeling that out of the grave of a
|
|
boyish passion, there had risen a beautiful, strong friendship to
|
|
bless them both. Presently Jo said cheerfully, for she didn't want the
|
|
coming home to be a sad one-
|
|
"I can't make it true that you children are really married, and
|
|
going to set up housekeeping. Why, it seems only yesterday that I
|
|
was buttoning Amy's pinafore, and pulling your hair when you teased.
|
|
Mercy me, how time does fly!"
|
|
"As one of the children is older than yourself, you needn't talk
|
|
so like a grandma. I flatter myself I'm a 'gentleman growed,' as
|
|
Peggotty said of David; and when you see Amy, you'll find her rather a
|
|
precocious infant," said Laurie, looking amused at her maternal air.
|
|
"You may be a little older in years, but I'm ever so much older in
|
|
feeling, Teddy. Women always are; and this last year has been such a
|
|
hard one that I feel forty."
|
|
"Poor Jo! we left you to bear it alone, while we went pleasuring.
|
|
You are older; here's a line, and there's another; unless you smile,
|
|
your eyes look sad, and when I touched the cushion, just now, I
|
|
found a tear on it. You've had a great deal to bear, and had to bear
|
|
it all alone. What a selfish beast I've been!" and Laurie pulled his
|
|
own hair, with a remorseful look.
|
|
But Jo only turned over the traitorous pillow, and answered, in a
|
|
tone which she tried to make quite cheerful-
|
|
"No, I had father and mother to help me, the dear babies to
|
|
comfort me, and the thought that you and Amy were safe and happy, to
|
|
make the troubles here easier to bear. I am lonely, sometimes, but I
|
|
dare say it's good for me, and-"
|
|
"You never shall be again," broke in Laurie, putting his arm about
|
|
her, as if to fence out every human ill. "Amy and I can't get on
|
|
without you, so you must come and teach 'the children' to keep
|
|
house, and go halves in everything, just as we used to do, and let
|
|
us pet you, and all be blissfully happy and friendly together."
|
|
"If I shouldn't be in the way, it would be very pleasant. I begin to
|
|
feel quite young already; for, somehow, all my troubles seemed to
|
|
fly away when you came. You always were a comfort, Teddy"; and Jo
|
|
leaned her head on his shoulder, just as she did years ago, when
|
|
Beth lay ill, and Laurie told her to hold on to him.
|
|
He looked down at her, wondering if she remembered the time, but
|
|
Jo was smiling to herself, as if, in truth, her troubles had all
|
|
vanished at his coming.
|
|
"You are the same Jo still, dropping tears about one minute, and
|
|
laughing the next. You look a little wicked now; what is it, grandma?"
|
|
"I was wondering how you and Amy get on together."
|
|
"Like angels!"
|
|
"Yes, of course, at first; but which rules?"
|
|
"I don't mind telling you that she does, now; at least I let her
|
|
think so- it pleases her, you know. By and by we shall take turns, for
|
|
marriage, they say, halves one's rights and doubles one's duties."
|
|
"You'll go on as you begin, and Amy will rule you all the days of
|
|
your life."
|
|
"Well, she does it so imperceptibly that I don't think I shall
|
|
mind much. She is the sort of woman who knows how to rule well; in
|
|
fact, I rather like it, for she winds one round her finger as softly
|
|
and prettily as a skein of silk, and makes you feel as if she was
|
|
doing you a favor all the while."
|
|
"That ever I should live to see you a henpecked husband and enjoying
|
|
it!" cried Jo, with uplifted hands.
|
|
It was good to see Laurie square his shoulders, and smile with
|
|
masculine scorn at that insinuation, as he replied, with his "high and
|
|
mighty" air-
|
|
"Amy is too well-bred for that, and I am not the sort of man to
|
|
submit to it. My wife and I respect ourselves and one another too much
|
|
ever to tyrannize or quarrel."
|
|
Jo liked that, and thought the new dignity very becoming, but the
|
|
boy seemed changing very fast into the man, and regret mingled with
|
|
her pleasure.
|
|
"I am sure of that; Amy and you never did quarrel as we used to. She
|
|
is the sun and I the wind, in the fable, and the sun managed the man
|
|
best, you remember."
|
|
"She can blow him up as well as shine on him," laughed Laurie. "Such
|
|
a lecture as I got at Nice! I give you my word it was a deal worse
|
|
than any of your scoldings- a regular rouser. I'll tell you all
|
|
about it sometime- she never will, because, after telling me that
|
|
she despised and was ashamed of me, she lost her heart to the
|
|
despicable party and married the good-for-nothing."
|
|
"What baseness! Well, if she abuses you, come to me, and I'll defend
|
|
you."
|
|
"I look as if I needed it, don't I?" said Laurie, getting up and
|
|
striking an attitude which suddenly changed from the imposing to the
|
|
rapturous, as Amy's voice was heard calling-
|
|
"Where is she? Where's my dear old Jo?"
|
|
In trooped the whole family, and every one was hugged and kissed all
|
|
over again, and, after several vain attempts, the three wanderers were
|
|
set down to be looked at and exulted over. Mr. Laurence, hale and
|
|
hearty as ever, was quite as much improved as the others by his
|
|
foreign tour, for the crustiness seemed to be nearly gone, and the
|
|
old-fashioned courtliness had received a polish which made it kindlier
|
|
than ever. It was good to see him beam at "my children," as he
|
|
called the young pair; it was better still to see Amy pay him the
|
|
daughterly duty and affection which completely won his old heart;
|
|
and best of all, to watch Laurie revolve about the two, as if never
|
|
tired of enjoying the pretty picture they made.
|
|
The minute she put her eyes upon Amy, Meg became conscious that
|
|
her own dress hadn't a Parisian air, that young Mrs. Moffat would be
|
|
entirely eclipsed by young Mrs. Laurence, and that "her ladyship"
|
|
was altogether a most elegant and graceful woman. Jo thought, as she
|
|
watched the pair, "How well they look together! I was right, and
|
|
Laurie has found the beautiful, accomplished girl who will become
|
|
his home better than clumsy old Jo, and be a pride, not a torment to
|
|
him." Mrs. March and her husband smiled and nodded at each other
|
|
with happy faces, for they saw that their youngest had done well,
|
|
not only in worldly things, but the better wealth of love, confidence,
|
|
and happiness.
|
|
For Amy's face was full of the soft brightness which betokens a
|
|
peaceful heart, her voice had a new tenderness in it, and the cool,
|
|
prim carriage was changed to a gentle dignity, both womanly and
|
|
winning. No little affectations marred it, and the cordial sweetness
|
|
of her manner was more charming than the new beauty or the old
|
|
grace, for it stamped her at once with the unmistakable sign of the
|
|
true gentlewoman she had hoped to become.
|
|
"Love has done much for our little girl," said her mother softly.
|
|
"She has had a good example before her all her life, my dear," Mr.
|
|
March whispered back, with a loving look at the worn face and gray
|
|
head beside him.
|
|
Daisy found it impossible to keep her eyes off her "pitty aunty,"
|
|
but attached herself like a lap-dog to the wonderful chatelaine full
|
|
of delightful charms. Demi paused to consider the new relationship
|
|
before he compromised himself by the rash acceptance of a bribe, which
|
|
took the tempting form of a family of wooden bears from Berne. A flank
|
|
movement produced an unconditional surrender, however, for Laurie knew
|
|
where to have him.
|
|
"Young man, when I first had the honor of making your acquaintance
|
|
you hit me in the face: now I demand the satisfaction of a gentleman";
|
|
and with that the tall uncle proceeded to toss and tousle the small
|
|
nephew in a way that damaged his philosophical dignity as much as it
|
|
delighted his boyish soul.
|
|
"Blest if she ain't in silk from head to foot? Ain't it a
|
|
relishin' sight to see her settin' there as fine as a fiddle, and hear
|
|
folks calling little Amy, Mis. Laurence?" muttered old Hannah, who
|
|
could not resist frequent "peeks" through the slide as she set the
|
|
table in a most decidedly promiscuous manner.
|
|
Mercy on us, how they did talk! first one, then the other, then
|
|
all burst out together, trying to tell the history of three years in
|
|
half an hour. It was fortunate that tea was at hand, to produce a lull
|
|
and provide refreshment, for they would have been hoarse and faint
|
|
if they had gone on much longer. Such a happy procession as filed away
|
|
into the little dining-room! Mr. March proudly escorted "Mrs.
|
|
Laurence"; Mrs. March as proudly leaned on the arm of "my son"; the
|
|
old gentleman took Jo, with a whispered "You must be my girl now," and
|
|
a glance at the empty corner by the fire, that made Jo whisper back,
|
|
with trembling lips, "I'll try to fill her place, sir."
|
|
The twins pranced behind, feeling that the millennium was at hand,
|
|
for every one was so busy with the new-comers that they were left to
|
|
revel at their own sweet will, and you may be sure they made the
|
|
most of the opportunity. Didn't they steal sips of tea, stuff
|
|
gingerbread ad libitum, get a hot biscuit apiece, and, as a crowning
|
|
trespass, didn't they each whisk a captivating little tart into
|
|
their tiny pockets, there to stick and crumble treacherously, teaching
|
|
them that both human nature and pastry are frail? Burdened with the
|
|
guilty consciousness of the sequestered tarts, and fearing that Dodo's
|
|
sharp eyes would pierce the thin disguise of cambric and merino
|
|
which hid their booty, the little sinners attached themselves to
|
|
"Dranpa," who hadn't his spectacles on. Amy, who was handed about like
|
|
refreshments, returned to the parlor on Father Laurence's arm; the
|
|
others paired off as before, and this arrangement left Jo
|
|
companionless. She did not mind it at the minute, for she lingered
|
|
to answer Hannah's eager inquiry-
|
|
"Will Miss Amy ride in her coop (coupe), and use all them lovely
|
|
silver dishes that's stored away over yander?"
|
|
"Shouldn't wonder if she drove six white horses, ate off gold plate,
|
|
and wore diamonds and point-lace every day. Teddy thinks nothing too
|
|
good for her," returned Jo with infinite satisfaction.
|
|
"No more there is! Will you have hash or fish-balls for
|
|
breakfast?" asked Hannah, who wisely mingled poetry and prose.
|
|
"I don't care"; and Jo shut the door, feeling that food was an
|
|
uncongenial topic just then. She stood a minute looking at the party
|
|
vanishing above, and, as Demi's short plaid legs toiled up the last
|
|
stair, a sudden sense of loneliness came over her so strongly that she
|
|
looked about her with dim eyes, as if to find something to lean
|
|
upon, for even Teddy had deserted her. If she had known what
|
|
birthday gift was coming every minute nearer and nearer, she would not
|
|
have said to herself, "I'll weep a little weep when I go to bed; it
|
|
won't do to be dismal now." Then she drew her hand over her eyes-
|
|
for one of her boyish habits was never to know where her
|
|
handkerchief was- and had just managed to call up a smile when there
|
|
came a knock at the porch-door.
|
|
She opened it with hospitable haste, and started as if another ghost
|
|
had come to surprise her; for there stood a tall, bearded gentleman,
|
|
beaming on her from the darkness like a midnight sun.
|
|
"O Mr. Bhaer, I am so glad to see you!" cried Jo, with a clutch,
|
|
as if she feared the night would swallow him up before she could get
|
|
him in.
|
|
"And I to see Miss Marsch- but no, you haf a party-" and the
|
|
Professor paused as the sound of voices and the tap of dancing feet
|
|
came down to them.
|
|
"No, we haven't, only the family. My sister and friends have just
|
|
come home, and we are all very happy. Come in, and make one of us."
|
|
Though a very social man, I think Mr. Bhaer would have gone
|
|
decorously away, and come again another day; but how could he, when Jo
|
|
shut the door behind him, and bereft him of his hat? Perhaps her
|
|
face had something to do with it, for she forgot to hide her joy at
|
|
seeing him, and showed it with a frankness that proved irresistible to
|
|
the solitary man, whose welcome far exceeded his boldest hopes.
|
|
"If I shall not be Monsieur de Trop, I will so gladly see them
|
|
all. You haf been ill, my friend?"
|
|
He put the question abruptly, for, as Jo hung up his coat, the light
|
|
fell on her face, and he saw a change in it.
|
|
"Not ill, but tired and sorrowful. We have had trouble since I saw
|
|
you last."
|
|
"Ah, yes, I know. My heart was sore for you when I heard that";
|
|
and he shook hands again, with such a sympathetic face that Jo felt as
|
|
if no comfort could equal the look of the kind eyes, the grasp of
|
|
the big, warm hand.
|
|
"Father, mother, this is my friend, Professor Bhaer," she said, with
|
|
a face and tone of such irrepressible pride and pleasure that she
|
|
might as well have blown a trumpet and opened the door with a
|
|
flourish.
|
|
If the stranger had had any doubts about his reception, they were
|
|
set at rest in a minute by the cordial welcome he received. Every
|
|
one greeted him kindly, for Jo's sake at first, but very soon they
|
|
liked him for his own. They could not help it, for he carried the
|
|
talisman that opens all hearts, and these simple people warmed to
|
|
him at once, feeling even the more friendly because he was poor; for
|
|
poverty enriches those who live above it, and is a sure passport to
|
|
truly hospitable spirits. Mr. Bhaer sat looking about him with the air
|
|
of a traveller who knocks at a strange door, and, when it opens, finds
|
|
himself at home. The children went to him like bees to a honey-pot;
|
|
and, establishing themselves on each knee, proceeded to captivate
|
|
him by rifling his pockets, pulling his beard, and investigating his
|
|
watch, with juvenile audacity. The women telegraphed their approval to
|
|
one another, and Mr. March, feeling that he had got a kindred
|
|
spirit, opened his choicest stores for his guest's benefit, while
|
|
silent John listened and enjoyed the talk, but said not a word, and
|
|
Mr. Laurence found it impossible to go to sleep.
|
|
If Jo had not been otherwise engaged, Laurie's behavior would have
|
|
amused her; for a faint twinge, not of jealousy, but something like
|
|
suspicion, caused that gentleman to stand aloof at first, and
|
|
observe the newcomer with brotherly circumspection. But it did not
|
|
last long. He got interested in spite of himself, and, before he
|
|
knew it, was drawn into the circle; for Mr. Bhaer talked well in
|
|
this genial atmosphere, and did himself justice. He seldom spoke to
|
|
Laurie, but he looked at him often, and a shadow would pass across his
|
|
face, as if regretting his own lost youth, as he watched the young man
|
|
in his prime. Then his eye would turn to Jo so wistfully that she
|
|
would have surely answered the mute inquiry if she had seen it; but Jo
|
|
had her own eyes to take care of, and, feeling that they could not
|
|
be trusted, she prudently kept them on the little sock she was
|
|
knitting, like a model maiden aunt.
|
|
A stealthy glance now and then refreshed her like sips of fresh
|
|
water after a dusty walk, for the sidelong peeps showed her several
|
|
propitious omens. Mr. Bhaer's face had lost the absent-minded
|
|
expression, and looked all alive with interest in the present
|
|
moment, actually young and handsome, she thought, forgetting to
|
|
compare him with Laurie, as she usually did strange men, to their
|
|
great detriment. Then he seemed quite inspired, though the burial
|
|
customs of the ancients, to which the conversation had strayed,
|
|
might not be considered an exhilarating topic. Jo quite glowed with
|
|
triumph when Teddy got quenched in an argument, and thought to
|
|
herself, as she watched her father's absorbed face, "How he would
|
|
enjoy having such a man as my Professor to talk with every day!"
|
|
Lastly, Mr. Bhaer was dressed in a new suit of black, which made him
|
|
look more like a gentleman than ever. His bushy hair had been cut
|
|
and smoothly brushed, but didn't stay in order long, for, in
|
|
exciting moments, he rumpled it up in the droll way he used to do; and
|
|
Jo liked it rampantly erect better than flat, because she thought it
|
|
gave his fine forehead a Jove-like aspect. Poor Jo, how she did
|
|
glorify that plain man, as she sat knitting away so quietly, yet
|
|
letting nothing escape her, not even the fact that Mr. Bhaer
|
|
actually had gold sleeve-buttons in his immaculate wrist-bands!
|
|
"Dear old fellow! He couldn't have got himself up with more care
|
|
if he'd been going a-wooing," said Jo to herself; and then a sudden
|
|
thought, born of the words, made her blush so dreadfully that she
|
|
had to drop her ball, and go down after it to hide her face.
|
|
The manoeuvre did not succeed as well as she expected, however; for,
|
|
though just in the act of setting fire to a funeral-pile, the
|
|
Professor dropped his torch, metaphorically speaking, and made a
|
|
dive after the little blue ball. Of course they bumped their heads
|
|
smartly together, saw stars, and both came up flushed and laughing,
|
|
without the ball, to resume their seats, wishing they had not left
|
|
them.
|
|
Nobody knew where the evening went to; for Hannah skilfully
|
|
abstracted the babies at an early hour, nodding like two rosy poppies,
|
|
and Mr. Laurence went home to rest. The others sat round the fire
|
|
talking away, utterly regardless of the lapse of time, till Meg, whose
|
|
maternal mind was impressed with a firm conviction that Daisy had
|
|
tumbled out of bed, and Demi set his night-gown afire studying the
|
|
structure of matches, made a move to go.
|
|
"We must have our sing, in the good old way, for we are all together
|
|
again once more," said Jo, feeling that a good shout would be a safe
|
|
and pleasant vent for the jubilant emotions of her soul.
|
|
They were not all there. But no one found the words thoughtless or
|
|
untrue; for Beth still seemed among them, a peaceful presence,
|
|
invisible, but dearer than ever, since death could not break the
|
|
household league that love made indissoluble. The little chair stood
|
|
in its old place; the tidy basket, with the bit of work she left
|
|
unfinished when the needle grew "so heavy," was still on its
|
|
accustomed shelf; the beloved instrument, seldom touched now, had
|
|
not been moved; and above it Beth's face serene and smiling, as in the
|
|
early days, looked down upon them, seeming to say, "Be happy. I am
|
|
here."
|
|
"Play something, Amy. Let them hear how much you have improved,"
|
|
said Laurie, with pardonable pride in his promising pupil.
|
|
But Amy whispered, with full eyes, as she twirled the faded stool-
|
|
"Not to-night, dear. I can't show off to-night."
|
|
But she did show something better than brilliancy or skill; for
|
|
she sung Beth's songs with a tender music in her voice which the
|
|
best master could not have taught, and touched the listeners' hearts
|
|
with a sweeter power than any other inspiration could have given
|
|
her. The room was very still, when the clear voice failed suddenly
|
|
at the last line of Beth's favorite hymn. It was hard to say-
|
|
|
|
"Earth hath no sorrow that heaven cannot heal,"
|
|
|
|
and Amy leaned against her husband, who stood behind her, feeling that
|
|
her welcome home was not quite perfect without Beth's kiss.
|
|
"Now, we must finish with Mignon's song; for Mr. Bhaer sings
|
|
that," said Jo, before the pause grew painful. And Mr. Bhaer cleared
|
|
his throat with a gratified "Hem!" as he stepped into the corner where
|
|
Jo stood, saying-
|
|
"You will sing with me? We go excellently well together."
|
|
A pleasing fiction, by the way; for Jo had no more idea of music
|
|
than a grasshopper. But she would have consented if he had proposed to
|
|
sing a whole opera, and warbled away, blissfully regardless of time
|
|
and tune. It didn't much matter; for Mr. Bhaer sang like a true
|
|
German, heartily and well; and Jo soon subsided into a subdued hum,
|
|
that she might listen to the mellow voice that seemed to sing for
|
|
her alone.
|
|
|
|
"Know'st thou the land where the citron blooms,"
|
|
|
|
used to be the Professor's favorite line, for "das Land" meant Germany
|
|
to him; but now he seemed to dwell, with peculiar warmth and melody,
|
|
upon the words-
|
|
|
|
"There, oh there, might I with thee,
|
|
O my beloved, go!"
|
|
|
|
and one listener was so thrilled by the tender invitation that she
|
|
longed to say she did know the land, and would joyfully depart thither
|
|
whenever he liked.
|
|
The song was considered a great success, and the singer retired
|
|
covered with laurels. But a few minutes afterward, he forgot his
|
|
manners entirely, and stared at Amy putting on her bonnet; for she had
|
|
been introduced simply as "my sister," and no one had called her by
|
|
her new name since he came. He forgot himself still further when
|
|
Laurie said, in his most gracious manner, at parting-
|
|
"My wife and I are very glad to meet you, sir. Please remember
|
|
that there is always a welcome waiting for you over the way."
|
|
Then the Professor thanked him so heartily, and looked so suddenly
|
|
illuminated with satisfaction, that Laurie thought him the most
|
|
delightfully demonstrative old fellow he ever met.
|
|
"I too shall go; but I shall gladly come again, if you will gif me
|
|
leave, dear madame, for a little business in the city will keep me
|
|
here some days."
|
|
He spoke to Mrs. March, but he looked at Jo; and the mother's
|
|
voice gave as cordial an assent as did the daughter's eyes; for Mrs.
|
|
March was not so blind to her children's interest as Mrs. Moffat
|
|
supposed.
|
|
"I suspect that is a wise man," remarked Mr. March, with placid
|
|
satisfaction, from the hearth-rug, after the last guest had gone.
|
|
"I know he is a good one," added Mrs. March, with decided
|
|
approval, as she wound up the clock.
|
|
"I thought you'd like him," was all Jo said, as she slipped away
|
|
to her bed.
|
|
She wondered what the business was that brought Mr. Bhaer to the
|
|
city, and finally decided that he had been appointed to some great
|
|
honor, somewhere, but had been too modest to mention the fact. If
|
|
she had seen his face when, safe in his own room, he looked at the
|
|
picture of a severe and rigid young lady, with a good deal of hair,
|
|
who appeared to be gazing darkly into futurity, it might have thrown
|
|
some light upon the subject, especially when he turned off the gas,
|
|
and kissed the picture in the dark.
|
|
44
|
|
My Lord and Lady
|
|
|
|
"PLEASE, Madam Mother, could you lend me my wife for half an hour?
|
|
The luggage has come, and I've been making hay of Amy's Paris
|
|
finery, trying to find some things I want," said Laurie, coming in the
|
|
next day to find Mrs. Laurence sitting in her mother's lap, as if
|
|
being made "the baby" again.
|
|
"Certainly. Go, dear; I forget that you have any home but this," and
|
|
Mrs. March pressed the white hand that wore the wedding-ring, as if
|
|
asking pardon for her maternal covetousness.
|
|
"I shouldn't have come over if I could have helped it; but I can't
|
|
get on without my little woman any more than a-"
|
|
"Weathercock can without wind," suggested Jo, as he paused for a
|
|
simile; Jo had grown quite her own saucy self again since Teddy came
|
|
home.
|
|
"Exactly; for Amy keeps me pointing due west most of the time,
|
|
with only an occasional whiffle round to the south, and I haven't
|
|
had an easterly spell since I was married; don't know anything about
|
|
the north, but am altogether salubrious and balmy, hey, my lady?"
|
|
"Lovely weather so far; I don't know how long it will last, but
|
|
I'm not afraid of storms, for I'm learning how to sail my ship. Come
|
|
home, dear, and I'll find your bootjack; I suppose that's what you are
|
|
rummaging after among my things. Men are so helpless, mother," said
|
|
Amy, with a matronly air, which delighted her husband.
|
|
"What are you going to do with yourselves after you get settled?"
|
|
asked Jo, buttoning Amy's cloak as she used to button her pinafores.
|
|
"We have our plans; we don't mean to say much about them yet,
|
|
because we are such very new brooms, but we don't intend to be idle.
|
|
I'm going into business with a devotion that shall delight
|
|
grandfather, and prove to him that I'm not spoilt. I need something of
|
|
the sort to keep me steady. I'm tired of dawdling, and mean to work
|
|
like a man."
|
|
"And Amy, what is she going to do?" asked Mrs. March, well pleased
|
|
at Laurie's decision, and the energy with which he spoke.
|
|
"After doing the civil all round, and airing our best bonnet, we
|
|
shall astonish you by the elegant hospitalities of our mansion, the
|
|
brilliant society we shall draw about us, and the beneficial influence
|
|
we shall exert over the world at large. That's about it, isn't it,
|
|
Madame Recamier?" asked Laurie, with a quizzical look at Amy.
|
|
"Time will show. Come away, Impertinence, and don't shock my
|
|
family by calling me names before their faces," answered Amy,
|
|
resolving that there should be a home with a good wife in it before
|
|
she set up a salon as a queen of society.
|
|
"How happy those children seem together!" observed Mr. March,
|
|
finding it difficult to become absorbed in his Aristotle after the
|
|
young couple had gone.
|
|
"Yes, and I think it will last," added Mrs. March, with the
|
|
restful expression of a pilot who has brought a ship safely into port.
|
|
"I know it will. Happy Amy!" and Jo sighed, then smiled brightly
|
|
as Professor Bhaer opened the gate with an impatient push.
|
|
Later in the evening, when his mind had been set at rest about the
|
|
bootjack, Laurie said suddenly to his wife, who was flitting about,
|
|
arranging her new art treasures-
|
|
"Mrs. Laurence."
|
|
"My lord!"
|
|
"That man intends to marry our Jo!"
|
|
"I hope so; don't you, dear?"
|
|
"Well, my love, I consider him a trump, in the fullest sense of that
|
|
expressive word, but I do wish he was a little younger and a good deal
|
|
richer."
|
|
"Now, Laurie, don't be too fastidious and worldly-minded. If they
|
|
love one another it doesn't matter a particle how old they are nor how
|
|
poor. Women never should marry for money-" Amy caught herself up short
|
|
as the words escaped her, and looked at her husband, who replied, with
|
|
malicious gravity-
|
|
"Certainly not, though you do hear charming girls say that they
|
|
intend to do it sometimes. If my memory serves me, you once thought it
|
|
your duty to make a rich match; that accounts, perhaps, for your
|
|
marrying a good-for-nothing like me."
|
|
"O my dearest boy, don't, don't say that! I forgot you were rich
|
|
when I said 'Yes.' I'd have married you if you hadn't a penny, and I
|
|
sometimes wish you were poor that I might show how much I love you";
|
|
and Amy, who was very dignified in public and very fond in private,
|
|
gave convincing proofs of the truth of her words.
|
|
"You don't really think I am such a mercenary creature as I tried to
|
|
be once, do you? It would break my heart if you didn't believe that
|
|
I'd gladly pull in the same boat with you, even if you had to get your
|
|
living by rowing on the lake."
|
|
"Am I an idiot and a brute? How could I think so, when you refused a
|
|
richer man for me, and won't let me give you half I want to now,
|
|
when I have the right? Girls do it every day, poor things, and are
|
|
taught to think it is their only salvation; but you had better
|
|
lessons, and, though I trembled for you at one time, I was not
|
|
disappointed, for the daughter was true to the mother's teaching. I
|
|
told mamma so yesterday, and she looked as glad and grateful as if I'd
|
|
given her a check for a million, to be spent in charity. You are not
|
|
listening to my moral remarks, Mrs. Laurence"; and Laurie paused,
|
|
for Amy's eyes had an absent look, though fixed upon his face.
|
|
"Yes, I am, and admiring the dimple in your chin at the same time. I
|
|
don't wish to make you vain, but I must confess that I'm prouder of my
|
|
handsome husband than of all his money. Don't laugh, but your nose
|
|
is such a comfort to me"; and Amy softly caressed the well-cut feature
|
|
with artistic satisfaction.
|
|
Laurie had received many compliments in his life, but never one that
|
|
suited him better, as he plainly showed, though he did laugh at his
|
|
wife's peculiar taste, while she said slowly-
|
|
"May I ask you a question, dear?"
|
|
"Of course you may."
|
|
"Shall you care if Jo does marry Mr. Bhaer?"
|
|
"Oh, that's the trouble, is it? I thought there was something in the
|
|
dimple that didn't suit you. Not being a dog in the manger, but the
|
|
happiest fellow alive, I assure you I can dance at Jo's wedding with a
|
|
heart as light as my heels. Do you doubt it, my darling?"
|
|
Amy looked up at him, and was satisfied; her last little jealous
|
|
fear vanished forever, and she thanked him, with a face full of love
|
|
and confidence.
|
|
"I wish we could do something for that capital old Professor.
|
|
Couldn't we invent a rich relation, who shall obligingly die out there
|
|
in Germany, and leave him a tidy little fortune?" said Laurie, when
|
|
they began to pace up and down the long drawing-room, arm-in-arm, as
|
|
they were fond of doing, in memory of the chateau garden.
|
|
"Jo would find us out, and spoil it all; she is very proud of him,
|
|
just as he is, and said yesterday that she thought poverty was a
|
|
beautiful thing."
|
|
"Bless her dear heart! she won't think so when she has a literary
|
|
husband, and a dozen little professors and professorins to support. We
|
|
won't interfere now, but watch our chance, and do them a good turn
|
|
in spite of themselves. I owe Jo for a part of my education, and she
|
|
believes in people's paying their honest debts, so I'll get round
|
|
her in that way."
|
|
"How delightful it is to be able to help others, isn't it? That
|
|
was always one of my dreams, to have the power of giving freely;
|
|
and, thanks to you, the dream has come true."
|
|
"Ah! we'll do quantities of good, won't we? There's one sort of
|
|
poverty that I particularly like to help. Out-and-out beggars get
|
|
taken care of, but poor gentlefolks fare badly, because they won't
|
|
ask, and people don't dare to offer charity; yet there are a
|
|
thousand ways of helping them, if one only knows how to do it so
|
|
delicately that it does not offend. I must say, I like to serve a
|
|
decayed gentleman better than a blarneying beggar; I suppose it's
|
|
wrong, but I do, though it is harder."
|
|
"Because it takes a gentleman to do it," added the other member of
|
|
the domestic admiration society.
|
|
"Thank you, I'm afraid I don't deserve that pretty compliment. But I
|
|
was going to say that while I was dawdling about abroad, I saw a
|
|
good many talented young fellows making all sorts of sacrifices, and
|
|
enduring real hardships, that they might realize their dreams.
|
|
Splendid fellows, some of them, working like heroes, poor and
|
|
friendless, but so full of courage, patience, and ambition, that I was
|
|
ashamed of myself, and longed to give them a right good lift. Those
|
|
are people whom it's a satisfaction to help, for if they've got
|
|
genius, it's an honor to be allowed to serve them, and not let it be
|
|
lost or delayed for want of fuel to keep the pot boiling; if they
|
|
haven't, it's a pleasure to comfort the poor souls, and keep them from
|
|
despair when they find it out."
|
|
"Yes, indeed; and there's another class who can't ask, and who
|
|
suffer in silence. I know something of it, for I belonged to it before
|
|
you made a princess of me, as the king does the beggar-maid in the old
|
|
story. Ambitious girls have a hard time, Laurie, and often have to see
|
|
youth, health, and precious opportunities go by, just for want of a
|
|
little help at the right minute. People have been very kind to me; and
|
|
whenever I see girls struggling along, as we used to do, I want to put
|
|
out my hand and help them, as I was helped."
|
|
"And so you shall, like an angel as you are!" cried Laurie,
|
|
resolving, with a glow of philanthropic zeal, to found and endow an
|
|
institution for the express benefit of young women with artistic
|
|
tendencies. "Rich people have no right to sit down and enjoy
|
|
themselves, or let their money accumulate for others to waste. It's
|
|
not half so sensible to leave legacies when one dies as it is to use
|
|
the money wisely while alive, and enjoy making one's
|
|
fellow-creatures happy with it. We'll have a good time ourselves,
|
|
and add an extra relish to our own pleasure by giving other people a
|
|
generous taste. Will you be a little Dorcas, going about emptying a
|
|
big basket of comforts, and filling it up with good deeds?"
|
|
"With all my heart, if you will be a brave St. Martin, stopping,
|
|
as you ride gallantly through the world, to share your cloak with
|
|
the beggar."
|
|
"It's a bargain; and we shall get the best of it!"
|
|
So the young pair shook hands upon it, and then paced happily on
|
|
again, feeling that their pleasant home was more home-like because
|
|
they hoped to brighten other homes, believing that their own feet
|
|
would walk more uprightly along the flowery path before them, if
|
|
they smoothed rough ways for other feet, and feeling that their hearts
|
|
were more closely knit together by a love which could tenderly
|
|
remember those less blest than they.
|
|
45
|
|
Daisy and Demi
|
|
|
|
I CANNOT feel that I have done my duty as humble historian of the
|
|
March family, without devoting at least one chapter to the two most
|
|
precious and important members of it. Daisy and Demi had now arrived
|
|
at years of discretion; for in this fast age babies of three or four
|
|
assert their rights, and get them, too, which is more than many of
|
|
their elders do. If there ever were a pair of twins in danger of being
|
|
utterly spoilt by adoration, it was these prattling Brookes. Of course
|
|
they were the most remarkable children ever born, as will be shown
|
|
when I mention that they walked at eight months, talked fluently at
|
|
twelve months, and at two years they took their places at table, and
|
|
behaved with a propriety which charmed all beholders. At three,
|
|
Daisy demanded a "needler," and actually made a bag with four stitches
|
|
in it; she likewise set up housekeeping in the sideboard, and
|
|
managed a microscopic cooking-stove with a skill that brought tears of
|
|
pride to Hannah's eyes, while Demi learned his letters with his
|
|
grandfather, who invented a new mode of teaching the alphabet by
|
|
forming the letters with his arms and legs, thus uniting gymnastics
|
|
for head and heels. The boy early developed a mechanical genius
|
|
which delighted his father and distracted his mother, for he tried
|
|
to imitate every machine he saw, and kept the nursery in a chaotic
|
|
condition with his "sewin-sheen"- a mysterious structure of string,
|
|
chairs, clothes-pins, and spools, for wheels to go "wound and
|
|
wound"; also a basket hung over the back of a big chair, in which he
|
|
vainly tried to hoist his too confiding sister, who, with feminine
|
|
devotion, allowed her little head to be bumped till rescued, when
|
|
the young inventor indignantly remarked, "Why, marmar, dat's my
|
|
lellywaiter, and me's trying to pull her up."
|
|
Though utterly unlike in character, the twins got on remarkably well
|
|
together, and seldom quarreled more than thrice a day. Of course, Demi
|
|
tyrannized over Daisy, and gallantly defended her from every other
|
|
aggressor; while Daisy made a galley-slave of herself, and adored
|
|
her brother as the one perfect being in the world. A rosy, chubby,
|
|
sunshiny little soul was Daisy, who found her way to everybody's
|
|
heart, and nestled there. One of the captivating children, who seem
|
|
made to be kissed and cuddled, adorned and adored like little
|
|
goddesses, and produced for general approval on all festive occasions.
|
|
Her small virtues were so sweet that she would have been quite angelic
|
|
if a few small naughtinesses had not kept her delightfully human. It
|
|
was all fair weather in her world, and every morning she scrambled
|
|
up to the window in her little night-gown to look out, and say, no
|
|
matter whether it rained or shone, "Oh, pitty day, oh, pitty day!"
|
|
Every one was a friend, and she offered kisses to a stranger so
|
|
confidingly that the most inveterate bachelor relented, and
|
|
baby-lovers became faithful worshippers.
|
|
"Me loves evvybody," she once said, opening her arms, with her spoon
|
|
in one hand, and her mug in the other, as if eager to embrace and
|
|
nourish the whole world.
|
|
As she grew, her mother began to feel that the Dove-cote would be
|
|
blest by the presence of an inmate as serene and loving as that
|
|
which had helped to make the old house home, and to pray that she
|
|
might be spared a loss like that which had lately taught them how long
|
|
they had entertained an angel unawares. Her grandfather often called
|
|
her "Beth," and her grandmother watched over her with untiring
|
|
devotion, as if trying to atone for some past mistake, which no eye
|
|
but her own could see.
|
|
Demi, like a true Yankee, was of an inquiring turn, wanting to
|
|
know everything, and often getting much disturbed because he could not
|
|
get satisfactory answers to his perpetual "What for?"
|
|
He also possessed a philosophic bent, to the great delight of his
|
|
grandfather, who used to hold Socratic conversations with him, in
|
|
which the precocious pupil occasionally posed as his teacher, to the
|
|
undisguised satisfaction of the womenfolk.
|
|
"What makes my legs go, dranpa?" asked the young philosopher,
|
|
surveying those active portions of his frame with a meditative air,
|
|
while resting after a go-to-bed frolic one night.
|
|
"It's your little mind, Demi," replied the sage, stroking the yellow
|
|
head respectfully.
|
|
"What is a little mine?"
|
|
"It is something which makes your body move, as the spring made
|
|
the wheels go in my watch when I showed it to you."
|
|
"Open me; I want to see it go wound."
|
|
"I can't do that any more than you could open the watch. God winds
|
|
you up, and you go till He stops you."
|
|
"Does I?" and Demi's brown eyes grew big and bright as he took in
|
|
the new thought. "Is I wounded up like the watch?"
|
|
"Yes; but I can't show you how; for it is done when we don't see."
|
|
Demi felt of his back, as if expecting to find it like that of the
|
|
watch, and then gravely remarked, "I dess Dod does it when I's
|
|
asleep."
|
|
A careful explanation followed, to which he listened so
|
|
attentively that his anxious grandmother said-
|
|
"My dear, do you think it wise to talk about such things to that
|
|
baby? He's getting great bumps over his eyes, and learning to ask
|
|
the most unanswerable questions."
|
|
"If he is old enough to ask questions he is old enough to receive
|
|
true answers. I am not putting the thoughts into his head, but helping
|
|
him unfold those already there. These children are wiser than we
|
|
are, and I have no doubt the boy understands every word I have said to
|
|
him. Now, Demi, tell me where you keep your mind?"
|
|
If the boy had replied like Alcibiades, "By the gods, Socrates, I
|
|
cannot tell," his grandfather would not have been surprised; but when,
|
|
after standing a moment on one leg, like a meditative young stork,
|
|
he answered, in a tone of calm conviction, "In my little belly," the
|
|
old gentleman could only join in grandma's laugh, and dismiss the
|
|
class in metaphysics.
|
|
There might have been cause for maternal anxiety, if Demi had not
|
|
given convincing proofs that he was a true boy, as well as a budding
|
|
philosopher; for, often, after a discussion which caused Hannah to
|
|
prophesy, with ominous nods, "That child ain't long for this world,"
|
|
he would turn about and set her fears at rest by some of the pranks
|
|
with which dear, dirty, naughty little rascals distract and delight
|
|
their parents' souls.
|
|
Meg made many moral rules, and tried to keep them; but what mother
|
|
was ever proof against the winning wiles, the ingenious evasions, or
|
|
the tranquil audacity of the miniature men and women who so early show
|
|
themselves accomplished Artful Dodgers?
|
|
"No more raisins, Demi, they'll make you sick," says mamma to the
|
|
young person who offers his services in the kitchen with unfailing
|
|
regularity on plum-pudding day.
|
|
"Me likes to be sick."
|
|
"I don't want to have you, so run away and help Daisy make
|
|
patty-cakes."
|
|
He reluctantly departs, but his wrongs weigh upon his spirit; and,
|
|
by and by, when an opportunity comes to redress them, he outwits mamma
|
|
by a shrewd bargain.
|
|
"Now you have been good children, and I'll play anything you
|
|
like," says Meg, as she leads her assistant cooks upstairs, when the
|
|
pudding is safely bouncing in the pot.
|
|
"Truly, marmar?" asks Demi, with a brilliant idea in his
|
|
well-powdered head.
|
|
"Yes, truly; anything you say," replies the short-sighted parent,
|
|
preparing herself to sing "The Three Little Kittens" half a dozen
|
|
times over, or to take her family to "Buy a penny bun," regardless
|
|
of wind or limb. But Demi corners her by the cool reply-
|
|
"Then we'll go and eat up all the raisins."
|
|
Aunt Dodo was chief playmate and confidante of both children, and
|
|
the trio turned the little house topsy-turvy. Aunt Amy was as yet only
|
|
a name to them, Aunt Beth soon faded into a pleasantly vague memory,
|
|
but Aunt Dodo was a living reality, and they made the most of her, for
|
|
which compliment she was deeply grateful. But when Mr. Bhaer came,
|
|
Jo neglected her playfellows, and dismay and desolation fell upon
|
|
their little souls. Daisy, who was fond of going about peddling
|
|
kisses, lost her best customer and became bankrupt; Demi, with
|
|
infantile penetration, soon discovered that Dodo liked to play with
|
|
"the bear-man" better than she did with him; but, though hurt, he
|
|
concealed his anguish, for he hadn't the heart to insult a rival who
|
|
kept a mine of chocolate-drops in his waistcoat-pocket, and a watch
|
|
that could be taken out of its case and freely shaken by ardent
|
|
admirers.
|
|
Some persons might have considered these pleasing liberties as
|
|
bribes; but Demi didn't see it in that light, and continued to
|
|
patronize the "bear-man" with pensive affability, while Daisy bestowed
|
|
her small affections upon him at the third call, and considered his
|
|
shoulder her throne, his arm her refuge, his gifts treasures of
|
|
surpassing worth.
|
|
Gentlemen are sometimes seized with sudden fits of admiration for
|
|
the young relatives of ladies whom they honor with their regard; but
|
|
this counterfeit philoprogenitiveness sits uneasily upon them, and
|
|
does not deceive anybody a particle. Mr. Bhaer's devotion was sincere,
|
|
however, likewise effective- for honesty is the best policy in love as
|
|
in law; he was one of the men who are at home with children, and
|
|
looked particularly well when little faces made a pleasant contrast
|
|
with his manly one. His business, whatever it was, detained him from
|
|
day to day, but evening seldom failed to bring him out to see- well,
|
|
he always asked for Mr. March, so I suppose he was the attraction. The
|
|
excellent papa labored under the delusion that he was, and revelled in
|
|
long discussions with the kindred spirit, till a chance remark of
|
|
his more observing grandson suddenly enlightened him.
|
|
Mr. Bhaer came in one evening to pause on the threshold of the
|
|
study, astonished by the spectacle that met his eye. Prone upon the
|
|
floor lay Mr. March, with his respectable legs in the air, and
|
|
beside him, likewise prone, was Demi, trying to imitate the attitude
|
|
with his own short, scarlet-stockinged legs, both grovellers so
|
|
seriously absorbed that they were unconscious of spectators, till
|
|
Mr. Bhaer laughed his sonorous laugh, and Jo cried out, with a
|
|
scandalized face-
|
|
"Father, father, here's the Professor!"
|
|
Down went the black legs and up came the gray head, as the preceptor
|
|
said, with undisturbed dignity-
|
|
"Good evening, Mr. Bhaer. Excuse me for a moment; we are just
|
|
finishing our lesson. Now, Demi, make the letter and tell its name."
|
|
"I knows him!" and, after a few convulsive efforts, the red legs
|
|
took the shape of a pair of compasses, and the intelligent pupil
|
|
triumphantly shouted, "It's a We, dranpa, it's a We!"
|
|
"He's a born Weller," laughed Jo, as her parent gathered himself up,
|
|
and her nephew tried to stand on his head, as the only mode of
|
|
expressing his satisfaction that school was over.
|
|
"What have you been at to-day, bubchen?" asked Mr. Bhaer, picking up
|
|
the gymnast.
|
|
"Me went to see little Mary."
|
|
"And what did you there?"
|
|
"I kissed her," began Demi, with artless frankness.
|
|
"Prut! thou beginnest early. What did the little Mary say to
|
|
that?" asked Mr. Bhaer, continuing to confess the young sinner, who
|
|
stood upon his knee, exploring the waistcoat-pocket.
|
|
"Oh, she liked it, and she kissed me, and I liked it. Don't little
|
|
boys like little girls?" added Demi, with his mouth full, and an air
|
|
of bland satisfaction.
|
|
"You precocious chick! Who put that into your head?" said Jo,
|
|
enjoying the innocent revelations as much as the Professor.
|
|
"'Tisn't in mine head; it's in mine mouf," answered literal Demi,
|
|
putting out his tongue, with a chocolate-drop on it, thinking she
|
|
alluded to confectionery, not ideas.
|
|
"Thou shouldst save some for the little friend: sweets to the sweet,
|
|
mannling"; and Mr. Bhaer offered Jo some, with a look that made her
|
|
wonder if chocolate was not the nectar drunk by the gods. Demi also
|
|
saw the smile, was impressed by it, and artlessly inquired-
|
|
"Do great boys like great girls, too, 'Fessor?"
|
|
Like young Washington, Mr. Bhaer "couldn't tell a lie"; so he gave
|
|
the somewhat vague reply that he believed they did sometimes, in a
|
|
tone that made Mr. March put down his clothes-brush, glance at Jo's
|
|
retiring face, and then sink into his chair, looking as if the
|
|
"precocious chick" had put an idea into his head that was both sweet
|
|
and sour.
|
|
Why Dodo, when she caught him in the china-closet half an hour
|
|
afterward, nearly squeezed the breath out of his little body with a
|
|
tender embrace, instead of shaking him for being there, and why she
|
|
followed up this novel performance by the unexpected gift of a big
|
|
slice of bread and jelly, remained one of the problems over which Demi
|
|
puzzled his small wits, and was forced to leave unsolved forever.
|
|
46
|
|
Under the Umbrella
|
|
|
|
WHILE Laurie and Amy were taking conjugal strolls over velvet
|
|
carpets, as they set their house in order, and planned a blissful
|
|
future, Mr. Bhaer and Jo were enjoying promenades of a different sort,
|
|
along muddy roads and sodden fields.
|
|
"I always do take a walk toward evening, and I don't know why I
|
|
should give it up, just because I often happen to meet the Professor
|
|
on his way out," said Jo to herself, after two or three encounters;
|
|
for, though there were two paths to Meg's, whichever one she took
|
|
she was sure to meet him, either going or returning. He was always
|
|
walking rapidly, and never seemed to see her till quite close, when he
|
|
would look as if his short-sighted eyes had failed to recognize the
|
|
approaching lady till that moment. Then, if she was going to Meg's, he
|
|
always had something for the babies; if her face was turned
|
|
homeward, he had merely strolled down to see the river, and was just
|
|
about returning, unless they were tired of his frequent calls.
|
|
Under the circumstances, what could Jo do but greet him civilly, and
|
|
invite him in? If she was tired of his visits, she concealed her
|
|
weariness with perfect skill, and took care that there should be
|
|
coffee for supper, "as Friedrich- I mean Mr. Bhaer- doesn't like tea."
|
|
By the second week, every one knew perfectly well what was going on,
|
|
yet every one tried to look as if they were stone-blind to the changes
|
|
in Jo's face. They never asked why she sang about her work, did up her
|
|
hair three times a day, and got so blooming with her evening exercise;
|
|
and no one seemed to have the slightest suspicion that Professor
|
|
Bhaer, while talking philosophy with the father, was giving the
|
|
daughter lessons in love.
|
|
Jo couldn't even lose her heart in a decorous manner, but sternly
|
|
tried to quench her feelings; and, failing to do so, led a somewhat
|
|
agitated life. She was mortally afraid of being laughed at for
|
|
surrendering, after her many vehement declarations of independence.
|
|
Laurie was her especial dread; but, thanks to the new manager, he
|
|
behaved with praiseworthy propriety, never called Mr. Bhaer "a capital
|
|
old fellow" in public, never alluded, in the remotest manner, to
|
|
Jo's improved appearance, or expressed the least surprise at seeing
|
|
the Professor's hat on the Marches' hall-table nearly every evening.
|
|
But he exulted in private and longed for the time to come when he
|
|
could give Jo a piece of plate, with a bear and a ragged staff on it
|
|
as an appropriate coat-of-arms.
|
|
For a fortnight, the Professor came and went with lover-like
|
|
regularity; then he stayed away for three whole days, and made no
|
|
sign- a proceeding which caused everybody to look sober, and Jo to
|
|
become pensive, at first, and then- alas for romance!- very cross.
|
|
"Disgusted, I dare say, and gone home as suddenly as he came. It's
|
|
nothing to me, of course; but I should think he would have come and
|
|
bid us good-by, like a gentleman," she said to herself, with a
|
|
despairing look at the gate, as she put on her things for the
|
|
customary walk, one dull afternoon.
|
|
"You'd better take the little umbrella, dear; it looks like rain,"
|
|
said her mother, observing that she had on her new bonnet, but not
|
|
alluding to the fact.
|
|
"Yes, Marmee; do you want anything in town? I've got to run in and
|
|
get some paper," returned Jo, pulling out the bow under her chin
|
|
before the glass as an excuse for not looking at her mother.
|
|
"Yes; I want some twilled silesia, a paper of number nine needles,
|
|
and two yards of narrow lavender ribbon. Have you got your thick boots
|
|
on, and something warm under your cloak?"
|
|
"I believe so," answered Jo absently.
|
|
"If you happen to meet Mr. Bhaer, bring him home to tea. I quite
|
|
long to see the dear man," added Mrs. March.
|
|
Jo heard that, but made no answer, except to kiss her mother, and
|
|
walk rapidly away, thinking with a glow of gratitude, in spite of
|
|
her heartache-
|
|
"How good she is to me! What do girls do who haven't any mothers
|
|
to help them through their troubles?"
|
|
The dry-goods stores were not down among the counting-houses, banks,
|
|
and wholesale warerooms, where gentlemen most do congregate; but Jo
|
|
found herself in that part of the city before she did a single errand,
|
|
loitering along as if waiting for some one, examining engineering
|
|
instruments in one window and samples of wool in another, with most
|
|
unfeminine interest; tumbling over barrels, being half-smothered by
|
|
descending bales, and hustled unceremoniously by busy men who looked
|
|
as if they wondered "how the deuce she got there." A drop of rain on
|
|
her cheek recalled her thoughts from baffled hopes to ruined
|
|
ribbons; for the drops continued to fall, and, being a woman as well
|
|
as a lover, she felt that, though it was too late to save her heart,
|
|
she might her bonnet. Now she remembered the little umbrella, which
|
|
she had forgotten to take in her hurry to be off; but regret was
|
|
unavailing, and nothing could be done but borrow one or submit to a
|
|
drenching. She looked up at the lowering sky, down at the crimson
|
|
bow already flecked with black, forward along the muddy street, then
|
|
one long, lingering look behind, at a certain grimy warehouse, with
|
|
"Hoffmann, Swartz, & Co." over the door, and said to herself, with a
|
|
sternly reproachful air-
|
|
"It serves me right! What business had I to put on all my best
|
|
things and come philandering down here, hoping to see the Professor?
|
|
Jo, I'm ashamed of you! No, you shall not go there to borrow an
|
|
umbrella, or find out where he is, from his friends. You shall
|
|
trudge away, and do your errands in the rain; and if you catch your
|
|
death and ruin your bonnet, it's no more than you deserve. Now then!"
|
|
With that she rushed across the street so impetuously that she
|
|
narrowly escaped annihilation from a passing truck, and precipitated
|
|
herself into the arms of a stately old gentleman, who said, "I beg
|
|
pardon, ma'am," and looked mortally offended. Somewhat daunted, Jo
|
|
righted herself, spread her handkerchief over the devoted ribbons,
|
|
and, putting temptation behind her, hurried on, with increasing
|
|
dampness about the ankles, and much clashing of umbrellas overhead,
|
|
The fact that a somewhat dilapidated blue one remained stationary
|
|
above the unprotected bonnet, attracted her attention; and, looking
|
|
up, she saw Mr. Bhaer looking down.
|
|
"I feel to know the strong-minded lady who goes so bravely under
|
|
many horse-noses, and so fast through much mud. What do you down here,
|
|
my friend?"
|
|
"I'm shopping."
|
|
Mr. Bhaer smiled, as he glanced from the pickle-factory on one side,
|
|
to the wholesale hide and leather concern on the other; but he only
|
|
said politely-
|
|
"You haf no umbrella. May I go also, and take for you the bundles?"
|
|
"Yes, thank you."
|
|
Jo's cheeks were as red as her ribbon, and she wondered what he
|
|
thought of her; but she didn't care, for in a minute she found herself
|
|
walking away arm-in-arm with her Professor, feeling as if the sun
|
|
had suddenly burst out with uncommon brilliancy, that the world was
|
|
all right again, and that one thoroughly happy woman was paddling
|
|
through the wet that day.
|
|
"We thought you had gone," said Jo hastily, for she knew he was
|
|
looking at her. Her bonnet wasn't big enough to hide her face, and she
|
|
feared he might think the joy it betrayed unmaidenly.
|
|
"Did you believe that I should go with no farewell to those who
|
|
haf been so heavenly kind to me?" he asked so reproachfully that she
|
|
felt as if she had insulted him by the suggestion, and answered
|
|
heartily-
|
|
"No, I didn't; I knew you were busy about your own affairs, but we
|
|
rather missed you- father and mother especially."
|
|
"And you?"
|
|
"I am always glad to see you, sir."
|
|
In her anxiety to keep her voice quite calm, Jo made it rather cool,
|
|
and the frosty little monosyllable at the end seemed to chill the
|
|
Professor, for his smile vanished, as he said gravely-
|
|
"I thank you, and come one time more before I go."
|
|
"You are going, then?"
|
|
"I haf no longer any business here; it is done."
|
|
"Successfully, I hope?" said Jo, for the bitterness of
|
|
disappointment was in that short reply of his.
|
|
"I ought to think so, for I haf a way opened to me by which I can
|
|
make my bread and gif my Junglings much help."
|
|
"Tell me, please! I like to know all about the- the boys," said
|
|
Jo, eagerly.
|
|
"That is so kind, I gladly tell you. My friends find for me a
|
|
place in a college, where I teach as at home, and earn enough to
|
|
make the way smooth for Franz and Emil. For this I should be grateful,
|
|
should I not?"
|
|
"Indeed you should. How splendid it will be to have you doing what
|
|
you like, and be able to see you often, and the boys!" cried Jo,
|
|
clinging to the lads as an excuse for the satisfaction she could not
|
|
help betraying.
|
|
"Ah! but we shall not meet often, I fear; this place is at the
|
|
West."
|
|
"So far away!" and Jo left her skirts to their fate, as if it didn't
|
|
matter now what became of her clothes or herself.
|
|
Mr. Bhaer could read several languages, but he had not learned to
|
|
read women yet. He flattered himself that he knew Jo pretty well,
|
|
and was, therefore, much amazed by the contradictions of voice,
|
|
face, and manner, which she showed him in rapid succession that day,
|
|
for she was in half a dozen different moods in the course of half an
|
|
hour. When she met him she looked surprised, though it was
|
|
impossible to help suspecting that she had come for that express
|
|
purpose. When he offered her his arm, she took it with a look that
|
|
filled him with delight; but when he asked if she missed him, she gave
|
|
such a chilly, formal reply that despair fell upon him. On learning
|
|
his good fortune she almost clapped her hands: was the joy all for the
|
|
boys? Then, on hearing his destination, she said, "So far away!" in
|
|
a tone of despair that lifted him on to a pinnacle of hope; but the
|
|
next minute she tumbled him down again by observing, like one entirely
|
|
absorbed in the matter-
|
|
"Here's the place for my errands; will you come in? It won't take
|
|
long.
|
|
Jo rather prided herself upon her shopping capabilities, and
|
|
particularly wished to impress her escort with the neatness and
|
|
despatch with which she would accomplish the business. But, owing to
|
|
the flutter she was in, everything went amiss; she upset the tray of
|
|
needles, forgot the silesia was to be "twilled" till it was cut off,
|
|
gave the wrong change, and covered herself with confusion by asking
|
|
for lavender ribbon at the calico counter. Mr. Bhaer stood by,
|
|
watching her blush and blunder; and, as he watched, his own
|
|
bewilderment seemed to subside, for he was beginning to see that on
|
|
some occasions women, like dreams, go by contraries.
|
|
When they came out, he put the parcel under his arm with a more
|
|
cheerful aspect, and splashed through the puddles as if he rather
|
|
enjoyed it, on the whole.
|
|
"Should we not do a little what you call shopping for the babies,
|
|
and haf a farewell feast to-night if I go for my last call at your
|
|
so pleasant home?" he asked, stopping before a window full of fruit
|
|
and flowers.
|
|
"What will we buy?" said Jo, ignoring the latter part of his speech,
|
|
and sniffing the mingled odors with an affectation of delight as
|
|
they went in.
|
|
"May they haf oranges and figs?" asked Mr. Bhaer, with a paternal
|
|
air.
|
|
"They eat them when they can get them."
|
|
"Do you care for nuts?"
|
|
"Like a squirrel."
|
|
"Hamburg grapes; yes, we shall surely drink to the Fatherland in
|
|
those?"
|
|
Jo frowned upon that piece of extravagance, and asked why he
|
|
didn't buy a frail of dates, a cask of raisins, and a bag of
|
|
almonds, and done with it? Whereat Mr. Bhaer confiscated her purse,
|
|
produced his own, and finished the marketing by buying several
|
|
pounds of grapes, a pot of rosy daisies, and a pretty jar of honey, to
|
|
be regarded in the light of a demijohn. Then, distorting his pockets
|
|
with the knobby bundles, and giving her the flowers to hold, he put up
|
|
the old umbrella, and they travelled on again.
|
|
"Miss Marsch, I haf a great favor to ask of you," began the
|
|
Professor, after a moist promenade of half a block.
|
|
"Yes, sir"; and Jo's heart began to beat so hard she was afraid he
|
|
would hear it.
|
|
"I am bold to say it in spite of the rain, because so short a time
|
|
remains to me."
|
|
"Yes, sir"; and Jo nearly crushed the small flower-pot with the
|
|
sudden squeeze she gave it.
|
|
"I wish to get a little dress for my Tina, and I am too stupid to go
|
|
alone. Will you kindly gif me a word of taste and help?"
|
|
"Yes, sir"; and Jo felt as calm and cool, all of a sudden, as if she
|
|
had stepped into a refrigerator.
|
|
"Perhaps also a shawl for Tina's mother, she is so poor and sick,
|
|
and the husband is such a care. Yes, yes, a thick, warm shawl would be
|
|
a friendly thing to take the little mother."
|
|
"I'll do it with pleasure, Mr. Bhaer. I'm going very fast and he's
|
|
getting dearer every minute," added Jo to herself; then, with a mental
|
|
shake, she entered into the business with an energy which was pleasant
|
|
to behold.
|
|
Mr. Bhaer left it all to her, so she chose a pretty gown for Tina,
|
|
and then ordered out the shawls. The clerk, being a married man,
|
|
condescended to take an interest in the couple, who appeared to be
|
|
shopping for their family.
|
|
"Your lady may prefer this; it's a superior article, a most
|
|
desirable color, quite chaste and genteel," he said, shaking out a
|
|
comfortable gray shawl, and throwing it over Jo's shoulders.
|
|
"Does this suit you, Mr. Bhaer?" she asked, turning her back to him,
|
|
and feeling deeply grateful for the chance of hiding her face.
|
|
"Excellently well; we will haf it," answered the Professor,
|
|
smiling to himself as he paid for it, while Jo continued to rummage
|
|
the counters like a confirmed bargain-hunter.
|
|
"Now shall we go home?" he asked, as if the words were very pleasant
|
|
to him.
|
|
"Yes; it's late, and I'm so tired." Jo's voice was more pathetic
|
|
than she knew; for now the sun seemed to have gone in as suddenly as
|
|
it came out, the world grew muddy and miserable again, and for the
|
|
first time she discovered that her feet were cold, her head ached, and
|
|
that her heart was colder than the former, fuller of pain than the
|
|
latter. Mr. Bhaer was going away; he only cared for her as a friend;
|
|
it was all a mistake, and the sooner it was over the better. With this
|
|
idea in her head, she hailed an approaching omnibus with such a
|
|
hasty gesture that the daisies flew out of the pot and were badly
|
|
damaged.
|
|
"This is not our omniboos," said the Professor, waving the loaded
|
|
vehicle away, and stopping to pick up the poor little flowers.
|
|
"I beg your pardon, I didn't see the name distinctly. Never mind,
|
|
I can walk. I'm used to plodding in the mud," returned Jo, winking
|
|
hard, because she would have died rather than openly wipe her eyes.
|
|
Mr. Bhaer saw the drops on her cheeks, though she turned her head
|
|
away; the sight seemed to touch him very much, for, suddenly
|
|
stooping down, he asked in a tone that meant a great deal-
|
|
"Heart's dearest, why do you cry?"
|
|
Now, if Jo had not been new to this sort of thing she would have
|
|
said she wasn't crying, had a cold in her head, or told any other
|
|
feminine fib proper to the occasion; instead of which that undignified
|
|
creature answered, with an irrepressible sob-
|
|
"Because you are going away."
|
|
"Ach, mein Gott, that is so good," cried Mr. Bhaer, managing to
|
|
clasp his hands in spite of the umbrella and the bundles. "Jo, I haf
|
|
nothing but much love to gif you; I came to see if you could care
|
|
for it, and I waited to be sure that I was something more than a
|
|
friend. Am I? Can you make a little place in your heart for old
|
|
Fritz?" he added, all in one breath.
|
|
"Oh, yes!" said Jo; and he was quite satisfied, for she folded
|
|
both hands over his arm, and looked up at him with an expression
|
|
that plainly showed how happy she would be to walk through life beside
|
|
him, even though she had no better shelter than the old umbrella, if
|
|
he carried it.
|
|
It was certainly proposing under difficulties, for, even if he had
|
|
desired to do so, Mr. Bhaer could not go down upon his knees, on
|
|
account of the mud; neither could he offer Jo his hand, except
|
|
figuratively, for both were full; much less could he indulge in tender
|
|
demonstrations in the open street, though he was near it: so the
|
|
only way in which he could express his rapture was to look at her,
|
|
with an expression which glorified his face to such a degree that
|
|
there actually seemed to be little rainbows in the drops that sparkled
|
|
on his beard. If he had not loved Jo very much, I don't think he could
|
|
have done it then, for she looked far from lovely, with her skirts
|
|
in a deplorable state, her rubber boots splashed to the ankle, and her
|
|
bonnet a ruin. Fortunately, Mr. Bhaer considered her the most
|
|
beautiful woman living, and she found him more "Jove-like" than
|
|
ever, though his hat-brim was quite limp with the little rills
|
|
trickling thence upon his shoulders (for he held the umbrella all over
|
|
Jo), and every finger of his gloves needed mending.
|
|
Passers-by probably thought them a pair of harmless lunatics, for
|
|
they entirely forgot to hail a 'bus, and strolled leisurely along,
|
|
oblivious of deepening dusk and fog. Little they cared what anybody
|
|
thought, for they were enjoying the happy hour that seldom comes but
|
|
once in any life, the magical moment which bestows youth on the old,
|
|
beauty on the plain, wealth on the poor, and gives human hearts a
|
|
foretaste of heaven. The Professor looked as if he had conquered a
|
|
kingdom, and the world had nothing more to offer him in the way of
|
|
bliss; while Jo trudged beside him, feeling as if her place had always
|
|
been there, and wondering how she ever could have chosen any other
|
|
lot. Of course, she was the first to speak- intelligibly, I mean,
|
|
for the emotional remarks which followed her impetuous "Oh, yes!" were
|
|
not of a coherent or reportable character.
|
|
"Friedrich, why didn't you-"
|
|
"Ah, heaven, she gifs me the name that no one speaks since Minna
|
|
died!" cried the Professor, pausing in a puddle to regard her with
|
|
grateful delight.
|
|
"I always call you so to myself- I forgot; but I won't, unless you
|
|
like it."
|
|
"Like it? it is more sweet to me than I can tell. Say 'thou,'
|
|
also, and I shall say your language is almost as beautiful as mine."
|
|
"Isn't 'thou' a little sentimental?" asked Jo, privately thinking it
|
|
a lovely monosyllable.
|
|
"Sentimental? Yes. Thank Gott, we Germans believe in sentiment,
|
|
and keep ourselves young mit it. Your English 'you' is so cold, say
|
|
'thou,' heart's dearest, it means so much to me," pleaded Mr. Bhaer,
|
|
more like a romantic student than a grave professor.
|
|
"Well, then, why didn't thou tell me all this sooner?" asked Jo
|
|
bashfully.
|
|
"Now I shall haf to show thee all my heart, and I so gladly will,
|
|
because thou must take care of it hereafter. See, then, my Jo- ah, the
|
|
dear, funny little name!- I had a wish to tell something the day I
|
|
said good-by, in New York; but I thought the handsome friend was
|
|
betrothed to thee, and so I spoke not. Wouldst thou have said 'Yes,'
|
|
then, if I had spoken?"
|
|
"I don't know; I'm afraid not, for I didn't have any heart just
|
|
then."
|
|
"Prut! that I do not believe. It was asleep till the fairy prince
|
|
came through the wood, and waked it up. Ah, well, 'Die erste Liebe ist
|
|
die beste'; but that I should not expect."
|
|
"Yes, the first love is the best; so be contented, for I never had
|
|
another. Teddy was only a boy, and soon got over his little fancy,"
|
|
said Jo, anxious to correct the Professor's mistake.
|
|
"Good! then I shall rest happy, and be sure that thou givest me all.
|
|
I haf waited so long, I am grown selfish, as thou wilt find,
|
|
Professorin."
|
|
"I like that," cried Jo, delighted with her new name. "Now tell me
|
|
what brought you, at last, just when I most wanted you?"
|
|
"This"; and Mr. Bhaer took a little worn paper out of his
|
|
waistcoat-pocket.
|
|
Jo unfolded it, and looked much abashed, for it was one of her own
|
|
contributions to a paper that paid for poetry, which accounted for her
|
|
sending it an occasional attempt.
|
|
"How could that bring you?" she asked, wondering what he meant.
|
|
"I found it by chance; I knew it by the names and the initials,
|
|
and in it there was one little verse that seemed to call me. Read
|
|
and find him; I will see that you go not in the wet."
|
|
Jo obeyed, and hastily skimmed through the lines which she had
|
|
christened-
|
|
|
|
IN THE GARRET.
|
|
|
|
Four little chests all in a row,
|
|
Dim with dust, and worn by time,
|
|
All fashioned and filled, long ago,
|
|
By children now in their prime.
|
|
Four little keys hung side by side,
|
|
With faded ribbons, brave and gay
|
|
When fastened there, with childish pride,
|
|
Long ago, on a rainy day.
|
|
Four little names, one on each lid,
|
|
Carved out by a boyish hand,
|
|
And underneath there lieth hid
|
|
Histories of the happy band
|
|
Once playing here, and pausing oft
|
|
To hear the sweet refrain,
|
|
That came and went on the roof aloft,
|
|
In the falling summer rain.
|
|
|
|
"Meg" on the first lid, smooth and fair.
|
|
I look in with loving eyes,
|
|
For folded here, with well-known care,
|
|
A goodly gathering lies,
|
|
The record of a peaceful life-
|
|
Gifts to gentle child and girl,
|
|
A bridal gown, lines to a wife,
|
|
A tiny shoe, a baby curl.
|
|
No toys in this first chest remain,
|
|
For all are carried away,
|
|
In their old age, to join again
|
|
In another small Meg's play.
|
|
Ah, happy mother! well I know
|
|
You hear, like a sweet refrain,
|
|
Lullabies ever soft and low
|
|
In the falling summer rain.
|
|
|
|
"Jo" on the next lid, scratched and worn,
|
|
And within a motley store
|
|
Of headless dolls, of school-books torn,
|
|
Birds and beasts that speak no more;
|
|
Spoils brought home from the fairy ground
|
|
Only trod by youthful feet,
|
|
Dreams of a future never found,
|
|
Memories of a past still sweet;
|
|
Half-writ poems, stories wild,
|
|
April letters, warm and cold,
|
|
Diaries of a wilful child,
|
|
Hints of a woman early old;
|
|
A woman in a lonely home,
|
|
Hearing, like a sad refrain-
|
|
"Be worthy love, and love will come,"
|
|
In the falling summer rain.
|
|
|
|
My Beth! the dust is always swept
|
|
From the lid that bears your name,
|
|
As if by loving eyes that wept,
|
|
By careful hands that often came.
|
|
Death canonized for us one saint,
|
|
Ever less human than divine,
|
|
And still we lay, with tender plaint,
|
|
Relics in this household shrine-
|
|
The silver bell, so seldom rung,
|
|
The little cap which last she wore,
|
|
The fair, dead Catherine that hung
|
|
By angels borne above her door;
|
|
The songs she sang, without lament,
|
|
In her prison-house of pain,
|
|
Forever are they sweetly blent
|
|
With the falling summer rain.
|
|
|
|
Upon the last lid's polished field-
|
|
Legend now both fair and true-
|
|
A gallant knight bears on his shield,
|
|
"Amy," in letters gold and blue.
|
|
Within lie snoods that bound her hair,
|
|
Slippers that have danced their last,
|
|
Faded flowers laid by with care,
|
|
Fans whose airy toils are past;
|
|
Gay valentines, all ardent flames,
|
|
Trifles that have borne their part
|
|
In girlish hopes and fears and shames-
|
|
The record of a maiden heart
|
|
Now learning fairer, truer spells,
|
|
Hearing, like a blithe refrain,
|
|
The silver sound of bridal bells
|
|
In the falling summer rain.
|
|
|
|
Four little chests all in a row,
|
|
Dim with dust, and worn by time,
|
|
Four women, taught by weal and woe
|
|
To love and labor in their prime.
|
|
Four sisters, parted for an hour,
|
|
None lost, one only gone before,
|
|
Made by love's immortal power,
|
|
Nearest and dearest evermore.
|
|
Oh, when these hidden stores of ours
|
|
Lie open to the Father's sight,
|
|
May they be rich in golden hours,
|
|
Deeds that show fairer for the light,
|
|
Lives whose brave music long shall ring,
|
|
Like a spirit-stirring strain,
|
|
Souls that shall gladly soar and sing
|
|
In the long sunshine after rain.
|
|
J. M.
|
|
|
|
"It's very bad poetry, but I felt it when I wrote it, one day when I
|
|
was very lonely, and had a good cry on a rag-bag. I never thought it
|
|
would go where it could tell tales," said Jo, tearing up the verses
|
|
the Professor had treasured so long.
|
|
"Let it go, it has done its duty, and I will haf a fresh one when
|
|
I read all the brown book in which she keeps her little secrets," said
|
|
Mr. Bhaer, with a smile, as he watched the fragments fly away on the
|
|
wind. "Yes," he added earnestly, "I read that, and I think to
|
|
myself, She has a sorrow, she is lonely, she would find comfort in
|
|
true love. I haf a heart full, full for her; shall I not go and say,
|
|
'If this is not too poor a thing to gif for what I shall hope to
|
|
receive, take it in Gott's name?'"
|
|
"And so you came to find that it was not too poor, but the one
|
|
precious thing I needed," whispered Jo.
|
|
"I had no courage to think that at first, heavenly kind as was
|
|
your welcome to me. But soon I began to hope, and then I said, 'I will
|
|
haf her if I die for it,' and so I will!" cried Mr. Bhaer, with a
|
|
defiant nod, as if the walls of mist closing round them were
|
|
barriers which he was to surmount or valiantly knock down.
|
|
Jo thought that was splendid, and resolved to be worthy of her
|
|
knight, though he did not come prancing on a charger in gorgeous
|
|
array.
|
|
"What made you stay away so long?" she asked presently, finding it
|
|
so pleasant to ask confidential questions and get delightful answers
|
|
that she could not keep silent.
|
|
"It was not easy, but I could not find the heart to take you from
|
|
that so happy home until I could haf a prospect of one to give you,
|
|
after much time, perhaps, and hard work. How could I ask you to gif up
|
|
so much for a poor old fellow, who has no fortune but a little
|
|
learning?"
|
|
"I'm glad you are poor; I couldn't bear a rich husband," said Jo
|
|
decidedly, adding, in a softer tone, "Don't fear poverty; I've known
|
|
it long enough to lose my dread, and be happy working for those I
|
|
love; and don't call yourself old- forty is the prime of life. I
|
|
couldn't help loving you if you were seventy!"
|
|
The Professor found that so touching that he would have been glad of
|
|
his handkerchief, if he could have got at it; as he couldn't, Jo wiped
|
|
his eyes for him, and said, laughing, as she took away a bundle or
|
|
two-
|
|
"I may be strong-minded, but no one can say I'm out of my sphere
|
|
now, for woman's special mission is supposed to be drying tears and
|
|
bearing burdens. I'm to carry my share, Friedrich, and help to earn
|
|
the home. Make up your mind to that, or I'll never go," she added
|
|
resolutely, as he tried to reclaim his load.
|
|
"We shall see. Haf you patience to wait a long time, Jo? I must go
|
|
away and do my work alone. I must help my boys first, because, even
|
|
for you, I may not break my word to Minna. Can you forgif that, and be
|
|
happy while we hope and wait?"
|
|
"Yes, I know I can; for we love one another, and that makes all
|
|
the rest easy to bear. I have my duty, also, and my work. I couldn't
|
|
enjoy myself if I neglected them even for you, so there's no need of
|
|
hurry or impatience. You can do your part out West, I can do mine
|
|
here, and both be happy hoping for the best, and leaving the future to
|
|
be as God wills."
|
|
"Ah! thou gifest me such hope and courage, and I haf nothing to
|
|
gif back but a full heart and these empty hands," cried the Professor,
|
|
quite overcome.
|
|
Jo never, never would learn to be proper; for when he said that as
|
|
they stood upon the steps, she just put both hands into his,
|
|
whispering tenderly, "Not empty now"; and, stooping down, kissed her
|
|
Friedrich under the umbrella. It was dreadful, but she would have done
|
|
it if the flock of draggle-tailed sparrows on the hedge had been human
|
|
beings, for she was very far gone indeed, and quite regardless of
|
|
everything but her own happiness. Though it came in such a very simple
|
|
guise, that was the crowning moment of both their lives, when, turning
|
|
from the night and storm and loneliness to the household light and
|
|
warmth and peace waiting to receive them, with a glad "Welcome
|
|
home!" Jo led her lover in, and shut the door.
|
|
47
|
|
Harvest Time
|
|
|
|
FOR a year Jo and her Professor worked and waited, hoped and
|
|
loved, met occasionally, and wrote such voluminous letters that the
|
|
rise in the price of paper was accounted for, Laurie said. The
|
|
second year began rather soberly, for their prospects did not
|
|
brighten, and Aunt March died suddenly. But when their first sorrow
|
|
was over- for they loved the old lady in spite of her sharp tongue-
|
|
they found they had cause for rejoicing, for she had left Plumfield to
|
|
Jo, which made all sorts of joyful things possible.
|
|
"It's a fine old place, and will bring a handsome sum; for of course
|
|
you intend to sell it," said Laurie, as they were all talking the
|
|
matter over, some weeks later.
|
|
"No, I don't," was Jo's decided answer, as she petted the fat
|
|
poodle, whom she had adopted, out of respect to his former mistress.
|
|
"You don't mean to live there?"
|
|
"Yes, I do."
|
|
"But, my dear girl, it's an immense house, and will take a power
|
|
of money to keep it in order. The garden and orchard alone need two or
|
|
three men, and farming isn't in Bhaer's line, I take it."
|
|
"He'll try his hand at it there, if I propose it."
|
|
"And you expect to live on the produce of the place? Well, that
|
|
sounds paradisiacal, but you'll find it desperate hard work."
|
|
"The crop we are going to raise is a profitable one"; and Jo
|
|
laughed.
|
|
"Of what is this fine crop to consist, ma'am?"
|
|
"Boys. I want to open a school for little lads- a good, happy,
|
|
homelike school, with me to take care of them, and Fritz to teach
|
|
them."
|
|
"There's a truly Joian plan for you! Isn't that just like her?"
|
|
cried Laurie, appealing to the family, who looked as much surprised as
|
|
he.
|
|
"I like it," said Mrs. March decidedly.
|
|
"So do I," added her husband, who welcomed the thought of a chance
|
|
for trying the Socratic method of education on modern youth.
|
|
"It will be an immense care for Jo," said Meg, stroking the head
|
|
of her one all-absorbing son.
|
|
"Jo can do it, and be happy in it. It's a splendid idea. Tell us all
|
|
about it," cried Mr. Laurence, who had been longing to lend the lovers
|
|
a hand, but knew that they would refuse his help.
|
|
"I knew you'd stand by me, sir. Amy does too- I see it in her
|
|
eyes, though she prudently waits to turn it over in her mind before
|
|
she speaks. Now, my dear people," continued Jo earnestly, "just
|
|
understand that this isn't a new idea of mine, but a long-cherished
|
|
plan. Before my Fritz came, I used to think how, when I'd made my
|
|
fortune, and no one needed me at home, I'd hire a big house, and
|
|
pick up some poor, forlorn little lads, who hadn't any mothers, and
|
|
take care of them, and make life jolly for them before it was too
|
|
late. I see so many going to ruin, for want of help at the right
|
|
minute; I love so to do anything for them; I seem to feel their wants,
|
|
and sympathize with their troubles, and, oh, I should so like to be
|
|
a mother to them!"
|
|
Mrs. March held out her hand to Jo, who took it, smiling, with tears
|
|
in her eyes, and went on in the old enthusiastic way, which they had
|
|
not seen for a long while.
|
|
"I told my plan to Fritz once, and he said it was just what he would
|
|
like, and agreed to try it when we got rich. Bless his dear heart,
|
|
he's been doing it all his life- helping poor boys, I mean, not
|
|
getting rich; that he'll never be; money doesn't stay in his pocket
|
|
long enough to lay up any. But now, thanks to my good old aunt, who
|
|
loved me better than I ever deserved, I'm rich, at least I feel so,
|
|
and we can live at Plumfield perfectly well, if we have a
|
|
flourishing school. It's just the place for boys, the house is big,
|
|
and the furniture strong and plain. There's plenty of room for
|
|
dozens inside, and splendid grounds outside. They could help in the
|
|
garden and orchard: such work is healthy, isn't it, sir? Then Fritz
|
|
can train and teach in his own way, and father will help him. I can
|
|
feed and nurse and pet and scold them; and mother will be my stand-by.
|
|
I've always longed for lots of boys, and never had enough; now I can
|
|
fill the house full, and revel in the little dears to my heart's
|
|
content. Think what luxury- Plumfield my own, and a wilderness of boys
|
|
to enjoy it with me!"
|
|
As Jo waved her hands, and gave a sigh of rapture, the family went
|
|
off into a gale of merriment, and Mr. Laurence laughed till they
|
|
thought he'd have an apoplectic fit.
|
|
"I don't see anything funny," she said gravely, when she could be
|
|
heard. "Nothing could be more natural or proper than for my
|
|
Professor to open a school, and for me to prefer to reside on my own
|
|
estate."
|
|
"She is putting on airs already," said Laurie, who regarded the idea
|
|
in the light of a capital joke. "But may I inquire how you intend to
|
|
support the establishment? If all the pupils are little ragamuffins,
|
|
I'm afraid your crop won't be profitable in a worldly sense, Mrs.
|
|
Bhaer."
|
|
"Now don't be a wet-blanket, Teddy. Of course I shall have rich
|
|
pupils, also- perhaps begin with such altogether; then, when I've
|
|
got a start, I can take a ragamuffin or two, just for a relish. Rich
|
|
people's children often need care and comfort, as well as poor. I've
|
|
seen unfortunate little creatures left to servants, or backward ones
|
|
pushed forward, when it's real cruelty. Some are naughty through
|
|
mismanagement or neglect, and some lose their mothers. Besides, the
|
|
best have to get through the hobbledehoy age, and that's the very time
|
|
they need most patience and kindness. People laugh at them, and hustle
|
|
them about, try to keep them out of sight, and expect them to turn,
|
|
all at once, from pretty children into fine young men. They don't
|
|
complain much- plucky little souls- but they feel it. I've been
|
|
through something of it, and I know all about it. I've a special
|
|
interest in such young bears, and like to show them that I see the
|
|
warm, honest, well-meaning boys' hearts, in spite of the clumsy arms
|
|
and legs and the topsy-turvy heads. I've had experience, too, for
|
|
haven't I brought up one boy to be a pride and honor to his family?"
|
|
"I'll testify that you tried to do it," said Laurie, with a grateful
|
|
look.
|
|
"And I've succeeded beyond my hopes; for here you are, a steady,
|
|
sensible business man, doing heaps of good with your money, and laying
|
|
up the blessings of the poor, instead of dollars. But you are not
|
|
merely a business man: you love good and beautiful things, enjoy
|
|
them yourself, and let others go halves, as you always did in the
|
|
old times. I am proud of you, Teddy, for you get better every year,
|
|
and every one feels it, though you won't let them say so. Yes, and
|
|
when I have my flock, I'll just point to you, and say, 'There's your
|
|
model, my lads.'"
|
|
Poor Laurie didn't know where to look; for, man though he was,
|
|
something of the old bashfulness came over him as this burst of praise
|
|
made all faces turn approvingly upon him.
|
|
"I say, Jo, that's rather too much," he began, just in his old
|
|
boyish way. "You have all done more for me than I can ever thank you
|
|
for, except by doing my best not to disappoint you. You have rather
|
|
cast me off lately, Jo, but I've had the best of help, nevertheless;
|
|
so, if I've got on at all, you may thank these two for it"; and he
|
|
laid one hand gently on his grandfather's white head, the other on
|
|
Amy's golden one, for the three were never far apart.
|
|
"I do think that families are the most beautiful things in all the
|
|
world!" burst out Jo, who was in an unusually uplifted frame of mind
|
|
just then. "When I have one of my own, I hope it will be as happy as
|
|
the three I know and love the best. If John and my Fritz were only
|
|
here, it would be quite a little heaven on earth," she added more
|
|
quietly. And that night, when she went to her room, after a blissful
|
|
evening of family counsels, hopes, and plans, her heart was so full of
|
|
happiness that she could only calm it by kneeling beside the empty bed
|
|
always near her own, and thinking tender thoughts of Beth.
|
|
It was a very astonishing year altogether, for things seemed to
|
|
happen in an unusually rapid and delightful manner. Almost before
|
|
she knew where she was, Jo found herself married and settled at
|
|
Plumfield. Then a family of six or seven boys sprung up like
|
|
mushrooms, and flourished surprisingly, poor boys as well as rich; for
|
|
Mr. Laurence was continually finding some touching case of
|
|
destitution, and begging the Bhaers to take pity on the child, and
|
|
he would gladly pay a trifle for its support. In this way the sly
|
|
old gentleman got round proud Jo, and furnished her with the style
|
|
of boy in which she most delighted.
|
|
Of course it was up-hill work at first, and Jo made queer
|
|
mistakes; but the wise Professor steered her safely into calmer
|
|
waters, and the most rampant ragamuffin was conquered in the end.
|
|
How Jo did enjoy her "wilderness of boys," and how poor, dear Aunt
|
|
March would have lamented had she been there to see the sacred
|
|
precincts of prim, well-ordered Plumfield overrun with Toms, Dicks,
|
|
and Harrys! There was a sort of poetic justice about it, after all,
|
|
for the old lady had been the terror of the boys for miles around; and
|
|
now the exiles feasted freely on forbidden plums, kicked up the gravel
|
|
with profane boots unreproved, and played cricket in the big field
|
|
where the irritable "cow with a crumpled horn" used to invite rash
|
|
youths to come and be tossed. It became a sort of boys' paradise,
|
|
and Laurie suggested that it should be called the "Bhaer-garten," as a
|
|
compliment to its master and appropriate to its inhabitants.
|
|
It never was a fashionable school, and the Professor did not lay
|
|
up a fortune; but it was just what Jo intended it to be- "a happy,
|
|
homelike place for boys, who needed teaching, care, and kindness."
|
|
Every room in the big house was soon full; every little plot in the
|
|
garden soon had its owner; a regular menagerie appeared in barn and
|
|
shed, for pet animals were allowed; and, three times a day Jo smiled
|
|
at her Fritz from the head of a long table lined on either side with
|
|
rows of happy young faces, which all turned to her with affectionate
|
|
eyes, confiding words, and grateful hearts, full of love for "Mother
|
|
Bhaer." She had boys enough now, and did not tire of them, though they
|
|
were not angels, by any means, and some of them caused both
|
|
Professor and Professorin much trouble and anxiety. But her faith in
|
|
the good spot which exists in the heart of the naughtiest, sauciest,
|
|
most tantalizing little ragamuffin gave her patience, skill, and, in
|
|
time, success; for no mortal boy could hold out long with Father Bhaer
|
|
shining on him as benevolently as the sun, and Mother Bhaer
|
|
forgiving him seventy times seven. Very precious to Jo was the
|
|
friendship of the lads; their penitent sniffs and whispers after
|
|
wrong-doings; their droll or touching little confidences; their
|
|
pleasant enthusiasms, hopes, and plans; even their misfortunes, for
|
|
they only endeared them to her all the more. There were slow boys
|
|
and bashful boys; feeble boys and riotous boys; boys that lisped and
|
|
boys that stuttered; one or two lame ones; and a merry little
|
|
quadroon, who could not be taken in elsewhere, but who was welcome
|
|
to the "Bhaer-garten," though some people predicted that his admission
|
|
would ruin the school.
|
|
Yes; Jo was a very happy woman there, in spite of hard work, much
|
|
anxiety, and a perpetual racket. She enjoyed it heartily, and found
|
|
the applause of her boys more satisfying than any praise of the world;
|
|
for now she told no stories except to her flock of enthusiastic
|
|
believers and admirers. As the years went on, two little lads of her
|
|
own came to increase her happiness- Rob, named for grandpa, and Teddy,
|
|
a happy-go-lucky baby, who seemed to have inherited his papa's
|
|
sunshiny temper as well as his mother's lively spirit. How they ever
|
|
grew up alive in that whirlpool of boys was a mystery to their grandma
|
|
and aunts; but they flourished like dandelions in spring, and their
|
|
rough nurses loved and served them well.
|
|
There were a great many holidays at Plumfield, and one of the most
|
|
delightful was the yearly apple-picking; for then the Marches,
|
|
Laurences, Brookes, and Bhaers turned out in full force, and made a
|
|
day of it. Five years after Jo's wedding, one of these fruitful
|
|
festivals occurred- a mellow October day, when the air was full of
|
|
an exhilarating freshness which made the spirits rise, and the blood
|
|
dance healthily in the veins. The old orchard wore its holiday attire;
|
|
goldenrod and asters fringed the mossy walls; grasshoppers skipped
|
|
briskly in the sere grass, and crickets chirped like fairy pipers at a
|
|
feast; squirrels were busy with their small harvesting; birds
|
|
twittered their adieux from the alders in the lane; and every tree
|
|
stood ready to send down its shower of red or yellow apples at the
|
|
first shake. Everybody was there; everybody laughed and sang,
|
|
climbed up and tumbled down; everybody declared that there never had
|
|
been such a perfect day or such a jolly set to enjoy it; and every one
|
|
gave themselves up to the simple pleasures of the hour as freely as if
|
|
there were no such things as care or sorrow in the world.
|
|
Mr. March strolled placidly about, quoting Tusser, Cowley, and
|
|
Columella to Mr. Laurence, while enjoying-
|
|
|
|
"The gentle apple's winey juice."
|
|
|
|
The Professor charged up and down the green aisles like a stout
|
|
Teutonic knight, with a pole for a lance, leading on the boys, who
|
|
made a hook and ladder company of themselves, and performed wonders in
|
|
the way of ground and lofty tumbling. Laurie devoted himself to the
|
|
little ones, rode his small daughter in a bushel-basket, took Daisy up
|
|
among the birds' nests, and kept adventurous Rob from breaking his
|
|
neck. Mrs. March and Meg sat among the apple piles like a pair of
|
|
Pomonas, sorting the contributions that kept pouring in; while Amy,
|
|
with a beautiful motherly expression in her face, sketched the various
|
|
groups, and watched over one pale lad, who sat adoring her with his
|
|
little crutch beside him.
|
|
Jo was in her element that day, and rushed about, with her gown
|
|
pinned up, her hat anywhere but on her head, and her baby tucked under
|
|
her arm, ready for any lively adventure which might turn up. Little
|
|
Teddy bore a charmed life, for nothing ever happened to him, and Jo
|
|
never felt any anxiety when he was whisked up into a tree by one
|
|
lad, galloped off on the back of another, or supplied with sour
|
|
russets by his indulgent papa, who labored under the Germanic delusion
|
|
that babies could digest anything, from pickled cabbage to buttons,
|
|
nails, and their own small shoes. She knew that little Ted would
|
|
turn up again in time, safe and rosy, dirty and serene, and she always
|
|
received him back with a hearty welcome, for Jo loved her babies
|
|
tenderly.
|
|
At four o'clock a lull took place, and baskets remained empty, while
|
|
the apple-pickers rested, and compared rents and bruises. Then Jo
|
|
and Meg, with a detachment of the bigger boys, set forth the supper on
|
|
the grass, for an out-of-door tea was always the crowning joy of the
|
|
day. The land literally flowed with milk and honey on such
|
|
occasions, for the lads were not required to sit at table, but allowed
|
|
to partake of refreshment as they liked- freedom being the sauce
|
|
best beloved by the boyish soul. They availed themselves of the rare
|
|
privilege to the fullest extent, for some tried the pleasing
|
|
experiment of drinking milk while standing on their heads, others lent
|
|
a charm to leap-frog by eating pie in the pauses of the game,
|
|
cookies were sown broadcast over the field, and apple-turnovers
|
|
roosted in the trees like a new style of bird. The little girls had
|
|
a private tea-party, and Ted roved among the edibles at his own
|
|
sweet will.
|
|
When no one could eat any more, the Professor proposed the first
|
|
regular toast, which was always drunk at such times- "Aunt March,
|
|
God bless her!" A toast heartily given by the good man, who never
|
|
forgot how much he owed her, and quietly drunk by the boys, who had
|
|
been taught to keep her memory green.
|
|
"Now, grandma's sixtieth birthday! Long life to her, with three
|
|
times three!"
|
|
That was given with a will, as you may well believe; and the
|
|
cheering once begun, it was hard to stop it. Everybody's health was
|
|
proposed, from Mr. Laurence, who was considered their special
|
|
patron, to the astonished guinea-pig, who had strayed from its
|
|
proper sphere in search of its young master. Demi, as the oldest
|
|
grandchild, then presented the queen of the day with various gifts, so
|
|
numerous that they were transported to the festive scene in a
|
|
wheelbarrow. Funny presents, some of them, but what would have been
|
|
defects to other eyes were ornaments to grandma's- for the
|
|
children's gifts were all their own. Every stitch Daisy's patient
|
|
little fingers had put into the handkerchiefs she hemmed was better
|
|
than embroidery to Mrs. March; Demi's shoe-box was a miracle of
|
|
mechanical skill, though the cover wouldn't shut; Rob's footstool
|
|
had a wiggle in its uneven legs, that she declared was very
|
|
soothing; and no page of the costly book Amy's child gave her was so
|
|
fair as that on which appeared, in tipsy capitals, the words- "To dear
|
|
Grandma, from her little Beth."
|
|
During this ceremony the boys had mysteriously disappeared; and,
|
|
when Mrs. March had tried to thank her children, and broken down,
|
|
while Teddy wiped her eyes on his pinafore, the Professor suddenly
|
|
began to sing. Then, from above him, voice after voice took up the
|
|
words, and from tree to tree echoed the music of the unseen choir,
|
|
as the boys sung with all their hearts, the little song Jo had
|
|
written, Laurie set to music, and the Professor trained his lads to
|
|
give with the best effect. This was something altogether new, and it
|
|
proved a grand success; for Mrs. March couldn't get over her surprise,
|
|
and insisted on shaking hands with every one of the featherless birds,
|
|
from tall Franz and Emil to the little quadroon, who had the
|
|
sweetest voice of all.
|
|
After this, the boys dispersed for a final lark, leaving Mrs.
|
|
March and her daughters under the festival tree.
|
|
"I don't think I ever ought to call myself 'Unlucky Jo' again,
|
|
when my greatest wish has been so beautifully gratified," said Mrs.
|
|
Bhaer, taking Teddy's little fist out of the milk-pitcher, in which he
|
|
was rapturously churning.
|
|
"And yet your life is very different from the one you pictured so
|
|
long ago. Do you remember our castles in the air?" asked Amy,
|
|
smiling as she watched Laurie and John playing cricket with the boys.
|
|
"Dear fellows! It does my heart good to see them forget business,
|
|
and frolic for a day," answered Jo, who now spoke in a maternal way of
|
|
all mankind. "Yes, I remember; but the life I wanted then seems
|
|
selfish, lonely, and cold to me now. I haven't given up the hope
|
|
that I may write a good book yet, but I can wait, and I'm sure it will
|
|
be all the better for such experiences and illustrations as these";
|
|
and Jo pointed from the lively lads in the distance to her father,
|
|
leaning on the Professor's arm, as they walked to and fro in the
|
|
sunshine, deep in one of the conversations which both enjoyed so much,
|
|
and then to her mother, sitting enthroned among her daughters, with
|
|
their children in her lap and at her feet, as if all found help and
|
|
happiness in the face which never could grow old to them.
|
|
"My castle was the most nearly realized of all. I asked for splendid
|
|
things, to be sure, but in my heart I knew I should be satisfied, if I
|
|
had a little home, and John, and some dear children like these. I've
|
|
got them all, thank God, and am the happiest woman in the world";
|
|
and Meg laid her hand on her tall boy's head, with a face full of
|
|
tender and devout content.
|
|
"My castle is very different from what I planned, but I would not
|
|
alter it, though, like Jo, I don't relinquish all my artistic hopes,
|
|
or confine myself to helping others fulfil their dreams of beauty.
|
|
I've begun to model a figure of baby, and Laurie says it is the best
|
|
thing I've ever done. I think so myself, and mean to do it in
|
|
marble, so that, whatever happens, I may at least keep the image of my
|
|
little angel."
|
|
As Amy spoke, a great tear dropped on the golden hair of the
|
|
sleeping child in her arms; for her one well-beloved daughter was a
|
|
frail little creature and the dread of losing her was the shadow
|
|
over Amy's sunshine. This cross was doing much for both father and
|
|
mother, for one love and sorrow bound them closely together. Amy's
|
|
nature was growing sweeter, deeper, and more tender; Laurie was
|
|
growing more serious, strong, and firm; and both were learning that
|
|
beauty, youth, good fortune, even love itself, cannot keep care and
|
|
pain, loss and sorrow, from the most blest; for-
|
|
|
|
"Into each life some rain must fall,
|
|
Some days must be dark and sad and dreary."
|
|
|
|
"She is growing better, I am sure of it, my dear. Don't despond, but
|
|
hope and keep happy," said Mrs. March, as tender-hearted Daisy stooped
|
|
from her knee, to lay her rosy cheek against her little cousin's
|
|
pale one.
|
|
"I never ought to, while I have you to cheer me up, Marmee, and
|
|
Laurie to take more than half of every burden," replied Amy warmly.
|
|
"He never lets me see his anxiety, but is so sweet and patient with
|
|
me, so devoted to Beth, and such a stay and comfort to me always, that
|
|
I can't love him enough. So, in spite of my one cross, I can say
|
|
with Meg, 'Thank God, I'm a happy woman.'"
|
|
"There's no need for me to say it, for every one can see that I'm
|
|
far happier than I deserve," added Jo, glancing from her good
|
|
husband to her chubby children, tumbling on the grass beside her.
|
|
"Fritz is getting gray and stout; I'm growing as thin as a shadow, and
|
|
am thirty; we never shall be rich, and Plumfield may burn up any
|
|
night, for that incorrigible Tommy Bangs will smoke sweet-fern
|
|
cigars under the bed-clothes, though he's set himself afire three
|
|
times already. But in spite of these unromantic facts, I have
|
|
nothing to complain of, and never was so jolly in my life. Excuse
|
|
the remark, but living among boys, I can't help using their
|
|
expressions now and then."
|
|
"Yes, Jo, I think your harvest will be a good one," began Mrs.
|
|
March, frightening away a big black cricket that was staring Teddy out
|
|
of countenance.
|
|
"Not half so good as yours, mother. Here it is, and we never can
|
|
thank you enough for the patient sowing and reaping you have done,"
|
|
cried Jo, with the loving impetuosity which she never could outgrow.
|
|
"I hope there will be more wheat and fewer tares every year," said
|
|
Amy softly.
|
|
"A large sheaf, but I know there's room in your heart for it, Marmee
|
|
dear," added Meg's tender voice.
|
|
Touched to the heart, Mrs. March could only stretch out her arms, as
|
|
if to gather children and grandchildren to herself, and say, with face
|
|
and voice full of motherly love, gratitude, and humility-
|
|
"O my girls, however long you may live, I never can wish you a
|
|
greater happiness than this!"
|
|
|
|
THE END
|