17341 lines
786 KiB
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17341 lines
786 KiB
Plaintext
[pg/etext94/jude10.txt]
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Jude the Obscure by Thomas Hardy
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August, 1994 [Etext #153]
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Prepared by John Hamm <John_Hamm@MindLink.bc.ca>
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Scanned with OmniPage Professional OCR software
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donated to Project Gutenberg by Caere Corporation
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1-800-535-7226 Contact Mike Lough <Mikel@caere.com>
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This text is in the PUBLIC DOMAIN.
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Jude the Obscure
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by Thomas Hardy
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Part First
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AT MARYGREEN
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"Yea, many there be that have run out of their wits for women,
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and become servants for their sakes. Many also have perished,
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have erred, and sinned, for women.... O ye men, how can it be
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but women should be strong, seeing they do thus?" --ESDRAS.
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I
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THE schoolmaster was leaving the village, and everybody seemed sorry.
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The miller at Cresscombe lent him the small white tilted cart
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and horse to carry his goods to the city of his destination,
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about twenty miles off, such a vehicle proving of quite sufficient
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size for the departing teacher's effects. For the schoolhouse
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had been partly furnished by the managers, and the only cumbersome
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article possessed by the master, in addition to the packing-case
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of books, was a cottage piano that he had bought at an auction
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during the year in which he thought of learning instrumental music.
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But the enthusiasm having waned he had never acquired any skill in playing,
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and the purchased article had been a perpetual trouble to him ever
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since in moving house.
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The rector had gone away for the day, being a man who disliked
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the sight of changes. He did not mean to return till the evening,
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when the new school-teacher would have arrived and settled in,
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and everything would be smooth again.
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The blacksmith, the farm bailiff, and the schoolmaster himself were
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standing in perplexed attitudes in the parlour before the instrument.
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The master had remarked that even if he got it into the cart he
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should not know what to do with it on his arrival at Christminster,
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the city he was bound for, since he was only going into temporary
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lodgings just at first.
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A little boy of eleven, who had been thoughtfully assisting
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in the packing, joined the group of men, and as they rubbed
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their chins he spoke up, blushing at the sound of his own voice:
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"Aunt have got a great fuel-house, and it could be put there,
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perhaps, till you've found a place to settle in, sir."
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"A proper good notion," said the blacksmith.
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It was decided that a deputation should wait on the boy's aunt--
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an old maiden resident--and ask her if she would house the piano
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till Mr. Phillotson should send for it. The smith and the bailiff
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started to see about the practicability of the suggested shelter,
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and the boy and the schoolmaster were left standing alone.
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"Sorry I am going, Jude?" asked the latter kindly.
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Tears rose into the boy's eyes, for he was not among the regular
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day scholars, who came unromantically close to the schoolmaster's life,
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but one who had attended the night school only during the present
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teacher's term of office. The regular scholars, if the truth
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must be told, stood at the present moment afar off, like certain
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historic disciples, indisposed to any enthusiastic volunteering
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of aid.
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The boy awkwardly opened the book he held in his hand,
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which Mr. Phillotson had bestowed on him as a parting gift,
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and admitted that he was sorry.
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"So am I," said Mr. Phillotson.
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"Why do you go, sir?" asked the boy.
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"Ah--that would be a long story. You wouldn't understand
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my reasons, Jude. You will, perhaps, when you are older."
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"I think I should now, sir."
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"Well--don't speak of this everywhere. You know what a university is,
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and a university degree? It is the necessary hallmark of a man
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who wants to do anything in teaching. My scheme, or dream,
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is to be a university graduate, and then to be ordained. By going
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to live at Christminster, or near it, I shall be at headquarters,
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so to speak, and if my scheme is practicable at all, I consider
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that being on the spot will afford me a better chance of carrying it
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out than I should have elsewhere."
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The smith and his companion returned. Old Miss Fawley's fuel-house
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was dry, and eminently practicable; and she seemed willing to give
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the instrument standing-room there. It was accordingly left
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in the school till the evening, when more hands would be available
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for removing it; and the schoolmaster gave a final glance round.
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The boy Jude assisted in loading some small articles, and at nine o'clock
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Mr. Phillotson mounted beside his box of books and other IMPEDIMENTA,
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and bade his friends good-bye.
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"I shan't forget you, Jude," he said, smiling, as the cart moved off.
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"Be a good boy, remember; and be kind to animals and birds, and read
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all you can. And if ever you come to Christminster remember you hunt
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me out for old acquaintance' sake."
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The cart creaked across the green, and disappeared round the corner
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by the rectory-house. The boy returned to the draw-well at the edge
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of the greensward, where he had left his buckets when he went to help
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his patron and teacher in the loading. There was a quiver in his lip
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now and after opening the well-cover to begin lowering the bucket he
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paused and leant with his forehead and arms against the framework,
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his face wearing the fixity of a thoughtful child's who has felt
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the pricks of life somewhat before his time. The well into which he
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was looking was as ancient as the village itself, and from his present
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position appeared as a long circular perspective ending in a shining
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disk of quivering water at a distance of a hundred feet down.
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There was a lining of green moss near the top, and nearer still
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the hart's-tongue fern.
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He said to himself, in the melodramatic tones of a whimsical boy,
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that the schoolmaster had drawn at that well scores of times on a
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morning like this, and would never draw there any more. "I've seen
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him look down into it, when he was tired with his drawing, just as I
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do now, and when he rested a bit before carrying the buckets home!
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But he was too clever to bide here any longer--a small sleepy place
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like this!"
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A tear rolled from his eye into the depths of the well.
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The morning was a little foggy, and the boy's breathing unfurled
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itself as a thicker fog upon the still and heavy air. His thoughts
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were interrupted by a sudden outcry:
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"Bring on that water, will ye, you idle young harlican!"
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It came from an old woman who had emerged from her door towards
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the garden gate of a green-thatched cottage not far off.
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The boy quickly waved a signal of assent, drew the water with what was
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a great effort for one of his stature, landed and emptied the big
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bucket into his own pair of smaller ones, and pausing a moment
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for breath, started with them across the patch of clammy greensward
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whereon the well stood--nearly in the centre of the little village,
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or rather hamlet of Marygreen.
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It was as old-fashioned as it was small, and it rested in the lap
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of an undulating upland adjoining the North Wessex downs. Old as
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it was, however, the well-shaft was probably the only relic of the local
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history that remained absolutely unchanged. Many of the thatched
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and dormered dwelling-houses had been pulled down of late years,
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and many trees felled on the green. Above all, the original church,
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hump-backed, wood-turreted, and quaintly hipped, had been taken down,
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and either cracked up into heaps of road-metal in the lane,
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or utilized as pig-sty walls, garden seats, guard-stones to fences,
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and rockeries in the flower-beds of the neighbourhood. In place of it
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a tall new building of modern Gothic design, unfamiliar to English eyes,
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had been erected on a new piece of ground by a certain obliterator
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of historic records who had run down from London and back in a day.
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The site whereon so long had stood the ancient temple to the Christian
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divinities was not even recorded on the green and level grass-plot
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that had immemorially been the churchyard, the obliterated graves being
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commemorated by eighteen-penny castiron crosses warranted to last
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five years.
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II
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SLENDER as was Jude Fawley's frame he bore the two brimming house-buckets
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of water to the cottage without resting. Over the door was a little
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rectangular piece of blue board, on which was painted in yellow letters,
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"Drusilla Fawley, Baker." Within the little lead panes of the window--
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this being one of the few old houses left--were five bottles of sweets,
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and three buns on a plate of the willow pattern.
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While emptying the buckets at the back of the house he could hear
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an animated conversation in progress within-doors between his
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great-aunt, the Drusilla of the sign-board, and some other villagers.
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Having seen the school-master depart, they were summing up particulars
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of the event, and indulging in predictions of his future.
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"And who's he?" asked one, comparatively a stranger, when the boy entered.
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"Well ye med ask it, Mrs. Williams. He's my great-nephew--come since you
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was last this way." The old inhabitant who answered was a tall, gaunt woman,
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who spoke tragically on the most trivial subject, and gave a phrase
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of her conversation to each auditor in turn. "He come from Mellstock,
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down in South Wessex, about a year ago--worse luck for 'n, Belinda"
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(turning to the right) "where his father was living, and was took wi'
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the shakings for death, and died in two days, as you know, Caroline"
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(turning to the left). "It would ha' been a blessing if Goddy-mighty
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had took thee too, wi' thy mother and father, poor useless boy!
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But I've got him here to stay with me till I can see what's to be
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done with un, though I am obliged to let him earn any penny he can.
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Just now he's a-scaring of birds for Farmer Troutham. It keeps him
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out of mischty. Why do ye turn away, Jude?" she continued, as the boy,
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feeling the impact of their glances like slaps upon his face,
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moved aside.
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The local washerwoman replied that it was perhaps a very good
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plan of Miss or Mrs. Fawley's (as they called her indifferently)
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to have him with her--"to kip 'ee company in your loneliness,
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fetch water, shet the winder-shet-ters o' nights, and help in
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the bit o' baking."
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Miss Fawley doubted it.... "Why didn't ye get the schoolmaster
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to take 'ee to Christminster wi' un, and make a scholar of 'ee,"
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she continued, in frowning pleasantry. "I'm sure he couldn't ha'
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took a better one. The boy is crazy for books, that he is.
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It runs in our family rather. His cousin Sue is just the same--
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so I've heard; but I have not seen the child for years, though she
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was born in this place, within these four walls, as it happened.
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My niece and her husband, after they were married, didn' get a house
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of their own for some year or more; and then they only had one till--
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Well, I won't go into that. Jude, my child, don't you ever marry.
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'Tisn't for the Fawleys to take that step any more. She, their only one,
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was like a child o' my own, Belinda, till the split come! Ah, that a
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little maid should know such changes!"
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Jude, finding the general attention again centering on himself, went out
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to the bakehouse, where he ate the cake provided for his breakfast.
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The end of his spare time had now arrived, and emerging from the garden
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by getting over the hedge at the back he pursued a path northward,
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till he came to a wide and lonely depression in the general level
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of the upland, which was sown as a corn-field. This vast concave
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was the scene of his labours for Mr Troutham the farmer, and he
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descended into the midst of it.
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The brown surface of the field went right up towards the sky all round,
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where it was lost by degrees in the mist that shut out the actual
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verge and accentuated the solitude. The only marks on the uniformity
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of the scene were a rick of last year's produce standing in the midst
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of the arable, the rooks that rose at his approach, and the path
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athwart the fallow by which he had come, trodden now by he hardly
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knew whom, though once by many of his own dead family.
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"How ugly it is here!" he murmured.
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The fresh harrow-lines seemed to stretch like the channellings
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in a piece of new corduroy, lending a meanly utilitarian air
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to the expanse, taking away its gradations, and depriving it of all
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history beyond that of the few recent months, though to every clod
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and stone there really attached associations enough and to spare--
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echoes of songs from ancient harvest-days, of spoken words,
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and of sturdy deeds. Every inch of ground had been the site,
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first or last, of energy, gaiety, horse-play, bickerings, weariness.
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Groups of gleaners had squatted in the sun on every square yard.
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Love-matches that had populated the adjoining hamlet had been
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made up there between reaping and carrying. Under the hedge
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which divided the field from a distant plantation girls had given
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themselves to lovers who would not turn their heads to look at them
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by the next harvest; and in that ancient cornfield many a man
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had made love-promises to a woman at whose voice he had trembled
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by the next seed-time after fulfilling them in the church adjoining.
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But this neither Jude nor the rooks around him considered.
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For them it was a lonely place, possessing, in the one view,
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only the quality of a work-ground, and in the other that of a granary
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good to feed in.
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The boy stood under the rick before mentioned, and every few seconds
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used his clacker or rattle briskly. At each clack the rooks left
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off pecking, and rose and went away on their leisurely wings,
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burnished like tassets of mail, afterwards wheeling back and regarding
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him warily, and descending to feed at a more respectful distance.
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He sounded the clacker till his arm ached, and at length his heart
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grew sympathetic with the birds' thwarted desires. They seemed,
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like himself, to be living in a world which did not want them.
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Why should he frighten them away? They took upon more and more
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the aspect of gentle friends and pensioners--the only friends he
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could claim as being in the least degree interested in him, for his
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aunt had often told him that she was not. He ceased his rattling,
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and they alighted anew.
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"Poor little dears!" said Jude, aloud. "You SHALL have some dinner--
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you shall. There is enough for us all. Farmer Troutham can afford
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to let you have some. Eat, then my dear little birdies, and make
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a good meal!"
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They stayed and ate, inky spots on the nut-brown soil and Jude
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enjoyed their appetite. A magic thread of fellow-feeling united
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his own life with theirs. Puny and sorry as those lives were,
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they much resembled his own.
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His clacker he had by this time thrown away from him, as being a mean
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and sordid instrument, offensive both to the birds and to himself
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as their friend. All at once he became conscious of a smart blow upon
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his buttocks, followed by a loud clack, which announced to his surprised
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senses that the clacker had been the instrument of offence used.
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The birds and Jude started up simultaneously, and the dazed eyes
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of the latter beheld the farmer in person, the great Troutham himself,
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his red face glaring down upon Jude's cowering frame, the clacker
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swinging in his hand.
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"So it's 'Eat my dear birdies,' is it, young man? 'Eat, dear
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birdies,' indeed! I'll tickle your breeches, and see if you say,
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'Eat, dear birdies,' again in a hurry! And you've been idling
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at the schoolmaster's too, instead of coming here, ha'n't ye, hey?
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That's how you earn your sixpence a day for keeping the rooks off my corn!"
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Whilst saluting Jude's ears with this impassioned rhetoric,
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Troutham had seized his left hand with his own left, and swinging
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his slim frame round him at arm's-length, again struck Jude
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on the hind parts with the flat side of Jude's own rattle,
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till the field echoed with the blows, which were delivered once
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or twice at each revolution.
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"Don't 'ee, sir--please don't 'ee!" cried the whirling child, as helpless
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under the centrifugal tendency of his person as a hooked fish swinging
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to land, and beholding the hill, the rick, the plantation, the path,
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and the rooks going round and round him in an amazing circular race.
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"I--I-- sir--only meant that--there was a good crop in the ground--
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I saw 'em sow it--and the rooks could have a little bit for dinner--
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and you wouldn't miss it, sir--and Mr. Phillotson said I was to be kind
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to 'em--oh, oh, oh!"
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This truthful explanation seemed to exasperate the farmer even
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more than if Jude had stoutly denied saying anything at all,
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and he still smacked the whirling urchin, the clacks of the
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instrument continuing to resound all across the field and as far
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as the ears of distant workers--who gathered thereupon that Jude
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was pursuing his business of clacking with great assiduity--
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and echoing from the brand-new church tower just behind the mist,
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towards the building of which structure the farmer had largely subscribed,
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to testify his love for God and man.
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Presently Troutham grew tired of his punitive task, and depositing
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the quivering boy on his legs, took a sixpence from his pocket
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and gave it him in payment for his day's work, telling him to go
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home and never let him see him in one of those fields again.
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Jude leaped out of arm's reach, and walked along the trackway weeping--
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not from the pain, though that was keen enough; not from the perception
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of the flaw in the terrestrial scheme, by which what was good for God's
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birds was bad for God's gardener; but with the awful sense that he
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had wholly disgraced himself before he had been a year in the parish,
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and hence might be a burden to his great-aunt for life.
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With this shadow on his mind he did not care to show himself
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in the village, and went homeward by a roundabout track behind
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a high hedge and across a pasture. Here he beheld scores of coupled
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earthworms lying half their length on the surface of the damp ground,
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as they always did in such weather at that time of the year.
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It was impossible to advance in regular steps without crushing some
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of them at each tread.
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Though Farmer Troutham had just hurt him, he was a boy who could
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not himself bear to hurt anything. He had never brought home a nest
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of young birds without lying awake in misery half the night after,
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and often re-instating them and the nest in their original place
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the next morning. He could scarcely bear to see trees cut down
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or lopped, from a fancy that it hurt them; and late pruning,
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when the sap was up and the tree bled profusely, had been a
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positive grief to him in his infancy. This weakness of character,
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as it may be called, suggested that he was the sort of man who was
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born to ache a good deal before the fall of the curtain upon his
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unnecessary life should signify that all was well with him again.
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He carefully picked his way on tiptoe among the earthworms,
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without killing a single one.
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On entering the cottage he found his aunt selling a penny loaf
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to a little girl, and when the customer was gone she said,
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"Well, how do you come to be back here in the middle of the morning
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like this?"
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"I'm turned away."
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"What?"
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"Mr. Troutham have turned me away because I let the rooks have a few
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peckings of corn. And there's my wages--the last I shall ever hae!"
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He threw the sixpence tragically on the table.
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"Ah!" said his aunt, suspending her breath. And she opened upon
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him a lecture on how she would now have him all the spring upon her
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hands doing nothing. "If you can't skeer birds, what can ye do?
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There! don't ye look so deedy! Farmer Troutham is not so much
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better than myself, come to that. But 'tis as Job said, 'Now they
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that are younger than I have me in derision, whose fathers I
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would have disdained to have set with the dogs of my flock.'
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His father was my father's journeyman, anyhow, and I must have
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been a fool to let 'ee go to work for 'n, which I shouldn't ha'
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done but to keep 'ee out of mischty."
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More angry with Jude for demeaning her by coming there than for
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dereliction of duty, she rated him primarily from that point of view,
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and only secondarily from a moral one.
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"Not that you should have let the birds eat what Farmer Troutham planted.
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Of course you was wrong in that. Jude, Jude, why didstn't go off
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with that schoolmaster of thine to Christminster or somewhere?
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But, oh no--poor or'nary child--there never was any sprawl on thy
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side of the family, and never will be!"
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"Where is this beautiful city, Aunt--this place where Mr. Phillotson
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is gone to?" asked the boy, after meditating in silence.
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"Lord! you ought to know where the city of Christminster is.
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Near a score of miles from here. It is a place much too good for you
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ever to have much to do with, poor boy, I'm a-thinking."
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"And will Mr. Phillotson always be there?"
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"How can I tell?"
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"Could I go to see him?"
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"Lord, no! You didn't grow up hereabout, or you wouldn't ask such
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as that. We've never had anything to do with folk in Christminster,
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nor folk in Christminster with we."
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Jude went out, and, feeling more than ever his existence to be
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an undemanded one, he lay down upon his back on a heap of litter
|
|
near the pig-sty. The fog had by this time become more translucent,
|
|
and the position of the sun could be seen through it. He pulled
|
|
his straw hat over his face, and peered through the interstices
|
|
of the plaiting at the white brightness, vaguely reflecting.
|
|
Growing up brought responsibilities, he found. Events did not rhyme
|
|
quite as he had thought. Nature's logic was too horrid for him
|
|
to care for. That mercy towards one set of creatures was cruelty
|
|
towards another sickened his sense of harmony. As you got older,
|
|
and felt yourself to be at the centre of your time, and not at
|
|
a point in its circumference, as you had felt when you were little,
|
|
you were seized with a sort of shuddering, he perceived. All around you
|
|
there seemed to be something glaring, garish, rattling, and the noises
|
|
and glares hit upon the little cell called your life, and shook it,
|
|
and warped it.
|
|
|
|
If he could only prevent himself growing up! He did not want
|
|
to be a man.
|
|
|
|
Then, like the natural boy, he forgot his despondency, and sprang up.
|
|
During the remainder of the morning he helped his aunt, and in the afternoon,
|
|
when there was nothing more to be done, he went into the village.
|
|
Here he asked a man whereabouts Christminster lay.
|
|
|
|
"Christminster? Oh, well, out by there yonder; though I've never
|
|
bin there--not I. I've never had any business at such a place."
|
|
|
|
The man pointed north-eastward, in the very direction where lay that
|
|
field in which Jude had so disgraced himself. There was something
|
|
unpleasant about the coincidence for the moment, but the fearsomeness
|
|
of this fact rather increased his curiosity about the city.
|
|
The farmer had said he was never to be seen in that field again;
|
|
yet Christminster lay across it, and the path was a public one.
|
|
So, stealing out of the hamlet, he descended into the same hollow
|
|
which had witnessed his punishment in the morning, never swerving
|
|
an inch from the path, and climbing up the long and tedious ascent
|
|
on the other side till the track joined the highway by a little clump
|
|
of trees. Here the ploughed land ended, and all before him was bleak
|
|
open down.
|
|
|
|
III
|
|
|
|
NOT a soul was visible on the hedgeless highway, or on either side of it,
|
|
and the white road seemed to ascend and diminish till it joined the sky.
|
|
At the very top it was crossed at right angles by a green "ridgeway"--
|
|
the Ickneild Street and original Roman road through the district.
|
|
This ancient track ran east and west for many miles, and down almost
|
|
to within living memory had been used for driving flocks and herds
|
|
to fairs and markets. But it was now neglected and overgrown.
|
|
|
|
The boy had never before strayed so far north as this from the nestling
|
|
hamlet in which he had been deposited by the carrier from a railway
|
|
station southward, one dark evening some few months earlier, and till
|
|
now he had had no suspicion that such a wide, flat, low-lying country
|
|
lay so near at hand, under the very verge of his upland world.
|
|
The whole northern semicircle between east and west, to a distance
|
|
of forty or fifty miles, spread itself before him; a bluer,
|
|
moister atmosphere, evidently, than that he breathed up here.
|
|
|
|
Not far from the road stood a weather-beaten old barn of reddish-grey
|
|
brick and tile. It was known as the Brown House by the people
|
|
of the locality. He was about to pass it when he perceived a ladder
|
|
against the eaves; and the reflection that the higher he got,
|
|
the further he could see, led Jude to stand and regard it.
|
|
On the slope of the roof two men were repairing the tiling.
|
|
He turned into the ridgeway and drew towards the barn.
|
|
|
|
When he had wistfully watched the workmen for some time he took courage,
|
|
and ascended the ladder till he stood beside them.
|
|
|
|
"Well, my lad, and what may you want up here?~'
|
|
|
|
"I wanted to know where the city of Christminster is, if you please."
|
|
|
|
"Christminster is out across there, by that clump. You can see it--
|
|
at least you can on a clear day. Ah, no, you can't now."
|
|
|
|
The other tiler, glad of any kind of diversion from the monotony
|
|
of his labour, had also turned to look towards the quarter designated.
|
|
"You can't often see it in weather like this," he said. "The time
|
|
I've noticed it is when the sun is going down in a blaze of flame,
|
|
and it looks like--I don't know what."
|
|
|
|
"The heavenly Jerusalem," suggested the serious urchin.
|
|
|
|
"Ay--though I should never ha' thought of it myself.... But I can't
|
|
see no Christminster to-day."
|
|
|
|
The boy strained his eyes also; yet neither could he see the far-off city.
|
|
He descended from the barn, and abandoning Christminster with
|
|
the versatility of his age he walked along the ridge-track,
|
|
looking for any natural objects of interest that might lie
|
|
in the banks thereabout. When he repassed the barn to go back
|
|
to Marygreen he observed that the ladder was still in its place,
|
|
but that the men had finished their day's work and gone away.
|
|
|
|
It was waning towards evening; there was still a faint mist, but it
|
|
had cleared a little except in the damper tracts of subjacent country
|
|
and along the river-courses. He thought again of Christminster,
|
|
and wished, since he had come two or three miles from his aunt's
|
|
house on purpose, that he could have seen for once this attractive
|
|
city of which he had been told. But even if he waited here it
|
|
was hardly likely that the air would clear before night. Yet he
|
|
was loth to leave the spot, for the northern expanse became lost
|
|
to view on retreating towards the village only a few hundred yards.
|
|
|
|
He ascended the ladder to have one more look at the point the men
|
|
had designated, and perched himself on the highest rung, overlying the tiles.
|
|
He might not be able to come so far as this for many days.
|
|
Perhaps if he prayed, the wish to see Christminster might be forwarded.
|
|
People said that, if you prayed, things sometimes came to you,
|
|
even though they sometimes did not. He had read in a tract that a man
|
|
who had begun to build a church, and had no money to finish it,
|
|
knelt down and prayed, and the money came in by the next post.
|
|
Another man tried the same experiment, and the money did not come;
|
|
but he found afterwards that the breeches he knelt in were made
|
|
by a wicked Jew. This was not discouraging, and turning on the ladder
|
|
Jude knelt on the third rung, where, resting against those above it,
|
|
he prayed that the mist might rise.
|
|
|
|
He then seated himself again, and waited. In the course of ten
|
|
or fifteen minutes the thinning mist dissolved altogether from the
|
|
northern horizon, as it had already done elsewhere, and about a quarter
|
|
of an hour before the time of sunset the westward clouds parted,
|
|
the sun's position being partially uncovered, and the beams
|
|
streaming out in visible lines between two bars of slaty cloud.
|
|
The boy immediately looked back in the old direction.
|
|
|
|
Some way within the limits of the stretch of landscape, points of
|
|
light like the topaz gleamed. The air increased in transparency
|
|
with the lapse of minutes, till the topaz points showed themselves
|
|
to be the vanes, windows, wet roof slates, and other shining
|
|
spots upon the spires, domes, freestone-work, and varied outlines
|
|
that were faintly revealed. It was Christminster, unquestionably;
|
|
either directly seen, or miraged in the peculiar atmosphere.
|
|
|
|
The spectator gazed on and on till the windows and vanes lost
|
|
their shine, going out almost suddenly like extinguished candles.
|
|
The vague city became veiled in mist. Turning to the west,
|
|
he saw that the sun had disappeared. The foreground of the scene
|
|
had grown funereally dark, and near objects put on the hues and shapes
|
|
of chimaeras.
|
|
|
|
He anxiously descended the ladder, and started homewards at a run,
|
|
trying not to think of giants, Herne the Hunter, Apollyon lying
|
|
in wait for Christian, or of the captain with the bleeding hole
|
|
in his forehead and the corpses round him that remutinied every
|
|
night on board the bewitched ship. He knew that he had grown out
|
|
of belief in these horrors, yet he was glad when he saw the church
|
|
tower and the lights in the cottage windows, even though this was
|
|
not the home of his birth, and his great-aunt did not care much
|
|
about him.
|
|
|
|
Inside and round about that old woman's "shop" window, with its
|
|
twenty-four little panes set in lead-work, the glass of some of them
|
|
oxidized with age, so that you could hardly see the poor penny articles
|
|
exhibited within, and forming part of a stock which a strong man could
|
|
have carried, Jude had his outer being for some long tideless time.
|
|
But his dreams were as gigantic as his surroundings were small.
|
|
|
|
Through the solid barrier of cold cretaceous upland to the northward
|
|
he was always beholding a gorgeous city--the fancied place he
|
|
had likened to the new Jerusalem, though there was perhaps more
|
|
of the painter's imagination and less of the diamond merchant's
|
|
in his dreams thereof than in those of the Apocalyptic writer.
|
|
And the city acquired a tangibility, a permanence, a hold on his life,
|
|
mainly from the one nucleus of fact that the man for whose knowledge
|
|
and purposes he had so much reverence was actually living there;
|
|
not only so, but living among the more thoughtful and mentally shining
|
|
ones therein.
|
|
|
|
In sad wet seasons, though he knew it must rain at Christminster too,
|
|
he could hardly believe that it rained so drearily there.
|
|
Whenever he could get away from the confines of the hamlet for an hour
|
|
or two, which was not often, he would steal off to the Brown House
|
|
on the hill and strain his eyes persistently; sometimes to be rewarded
|
|
by the sight of a dome or spire, at other times by a little smoke,
|
|
which in his estimate had some of the mysticism of incense.
|
|
|
|
Then the day came when it suddenly occurred to him that if he
|
|
ascended to the point of view after dark, or possibly went a mile
|
|
or two further, he would see the night lights of the city.
|
|
It would be necessary to come back alone, but even that consideration
|
|
did not deter him, for he could throw a little manliness into his mood,
|
|
no doubt.
|
|
|
|
The project was duly executed. It was not late when he arrived at
|
|
the place of outlook, only just after dusk, but a black north-east sky,
|
|
accompanied by a wind from the same quarter, made the occasion
|
|
dark enough. He was rewarded; but what he saw was not the lamps
|
|
in rows, as he had half expected. No individual light was visible,
|
|
only a halo or glow-fog over-arching the place against the black
|
|
heavens behind it, making the light and the city seem distant
|
|
but a mile or so.
|
|
|
|
He set himself to wonder on the exact point in the glow
|
|
where the schoolmaster might be--he who never communicated
|
|
with anybody at Marygreen now; who was as if dead to them here.
|
|
In the glow he seemed to see Phillotson promenading at ease,
|
|
like one of the forms in Nebuchadnezzar's furnace.
|
|
|
|
He had heard that breezes travelled at the rate of ten miles an hour,
|
|
and the fact now came into his mind. He parted his lips as he faced
|
|
the north-east, and drew in the wind as if it were a sweet liquor.
|
|
|
|
"You," he said, addressing the breeze caressingly "were in Christminster
|
|
city between one and two hours ago, floating along the streets,
|
|
pulling round the weather-cocks, touching Mr. Phillotson's face,
|
|
being breathed by him; and now you are here, breathed by me--
|
|
you, the very same."
|
|
|
|
Suddenly there came along this wind something towards him--
|
|
a message from the place--from some soul residing there, it seemed.
|
|
Surely it was the sound of bells, the voice of the city, faint and musical,
|
|
calling to him, "We are happy here!"
|
|
|
|
He had become entirely lost to his bodily situation during this
|
|
mental leap, and only got back to it by a rough recalling.
|
|
A few yards below the brow of the hill on which he paused
|
|
a team of horses made its appearance, having reached the place
|
|
by dint of half an hour's serpentine progress from the bottom
|
|
of the immense declivity. They had a load of coals behind them--
|
|
a fuel that could only be got into the upland by this particular route.
|
|
They were accompanied by a carter, a second man, and a boy,
|
|
who now kicked a large stone behind one of the wheels, and allowed
|
|
the panting animals to have a long rest, while those in charge took
|
|
a flagon off the load and indulged in a drink round.
|
|
|
|
They were elderly men, and had genial voices. Jude addressed them,
|
|
inquiring if they had come from Christminster.
|
|
|
|
"Heaven forbid, with this load!" said they.
|
|
|
|
"The place I mean is that one yonder." He was getting so romantically
|
|
attached to Christminster that, like a young lover alluding
|
|
to his mistress, he felt bashful at mentioning its name again.
|
|
He pointed to the light in the sky--hardly perceptible to their
|
|
older eyes.
|
|
|
|
"Yes. There do seem a spot a bit brighter in the nor'- east
|
|
than elsewhere, though I shouldn't ha' noticed it myself,
|
|
and no doubt it med be Christminster."
|
|
|
|
Here a little book of tales which Jude had tucked up under his arm,
|
|
having brought them to read on his way hither before it grew dark,
|
|
slipped and fell into the road. The carter eyed him while he picked it
|
|
up and straightened the leaves.
|
|
|
|
"Ah, young man," he observed, "you'd have to get your head screwed
|
|
on t'other way before you could read what they read there."
|
|
|
|
"Why?" asked the boy.
|
|
|
|
"Oh, they never look at anything that folks like we can understand,"
|
|
the carter continued, by way of passing the time.
|
|
"On'y foreign tongues used in the days of the Tower of Babel,
|
|
when no two families spoke alike. They read that sort of thing
|
|
as fast as a night-hawk will whir. 'Tis all learning there--
|
|
nothing but learning, except religion. And that's learning too,
|
|
for I never could understand it. Yes, 'tis a serious-minded place.
|
|
Not but there's wenches in the streets o' nights.... You know,
|
|
I suppose, that they raise pa'sons there like radishes in a bed?
|
|
And though it do take--how many years, Bob?--five years to turn
|
|
a lirruping hobble-de-hoy chap into a solemn preaching man with no
|
|
corrupt passions, they'll do it, if it can be done, and polish un
|
|
off like the workmen they be, and turn un out wi' a long face,
|
|
and a long black coat and waistcoat, and a religious collar and hat,
|
|
same as they used to wear in the Scriptures, so that his own
|
|
mother wouldn't know un sometimes.... There, 'tis their business,
|
|
like anybody else's."
|
|
|
|
"But how should you know"
|
|
|
|
"Now don't you interrupt, my boy. Never interrupt your senyers.
|
|
Move the fore hoss aside, Bobby; here's som'at coming.... You
|
|
must mind that I be a-talking of the college life. 'Em lives on
|
|
a lofty level; there's no gainsaying it, though I myself med not
|
|
think much of 'em. As we be here in our bodies on this high ground,
|
|
so be they in their minds--noble-minded men enough, no doubt--
|
|
some on 'em--able to earn hundreds by thinking out loud.
|
|
And some on 'em be strong young fellows that can earn a'most
|
|
as much in silver cups. As for music, there's beautiful music
|
|
everywhere in Christminster. You med be religious, or you med not,
|
|
but you can't help striking in your homely note with the rest.
|
|
And there's a street in the place--the main street--that ha'n't
|
|
another like it in the world. I should think I did know a little
|
|
about Christminster!"
|
|
|
|
By this time the horses had recovered breath and bent to their
|
|
collars again. Jude, throwing a last adoring look at the distant halo,
|
|
turned and walked beside his remarkably well-informed friend, who had
|
|
no objection to telling him as they moved on more yet of the city--
|
|
its towers and halls and churches. The waggon turned into a cross-road,
|
|
whereupon Jude thanked the carter warmly for his information,
|
|
and said he only wished he could talk half as well about Christminster
|
|
as he.
|
|
|
|
"Well, 'tis oonly what has come in my way," said the carter unboastfully.
|
|
"I've never been there, no more than you; but I've picked
|
|
up the knowledge here and there, and you be welcome to it.
|
|
A-getting about the world as I do, and mixing with all classes of society,
|
|
one can't help hearing of things. A friend o' mine, that used
|
|
to clane the boots at the Crozier Hotel in Christminster when he was
|
|
in his prime, why, I knowed un as well as my own brother in his later years."
|
|
|
|
Jude continued his walk homeward alone, pondering so deeply
|
|
that he forgot to feel timid. He suddenly grew older.
|
|
It had been the yearning of his heart to find something to anchor on,
|
|
to cling to--for some place which he could call admirable.
|
|
Should he find that place in this city if he could get there?
|
|
Would it be a spot in which, without fear of farmers, or hindrance,
|
|
or ridicule, he could watch and wait, and set himself to some
|
|
mighty undertaking like the men of old of whom he had heard?
|
|
As the halo had been to his eyes when gazing at it a quarter of an
|
|
hour earlier, so was the spot mentally to him as he pursued his
|
|
dark way.
|
|
|
|
"It is a city of light," he said to himself.
|
|
|
|
"The tree of knowledge grows there," he added a few steps further on.
|
|
|
|
"It is a place that teachers of men spring from and go to."
|
|
|
|
"It is what you may call a castle, manned by scholarship and religion."
|
|
|
|
After this figure he was silent a long while, till he added:
|
|
|
|
"It would just suit me."
|
|
|
|
IV
|
|
|
|
WALKING somewhat slowly by reason of his concentration, the boy--
|
|
an ancient man in some phases of thought, much younger than his
|
|
years in others--was overtaken by a light-footed pedestrian,
|
|
whom, notwithstanding the gloom, he could perceive to be wearing
|
|
an extraordinarily tall hat, a swallow-tailed coat, and a watch-chain
|
|
that danced madly and threw around scintillations of sky-light as its
|
|
owner swung along upon a pair of thin legs and noiseless boots.
|
|
Jude, beginning to feel lonely, endeavoured to keep up with him.
|
|
|
|
"Well, my man! I'm in a hurry, so you'll have to walk pretty fast
|
|
if you keep alongside of me. Do you know who I am?"
|
|
|
|
"Yes, I think. Physician Vilbert?"
|
|
|
|
"Ah--l'm known everywhere, I see! That comes of being a public benefactor."
|
|
|
|
Vilbert was an itinerant quack-doctor, well known to the rustic population,
|
|
and absolutely unknown to anybody else, as he, indeed, took care
|
|
to be, to avoid inconvenient investigations. Cottagers formed his
|
|
only patients, and his Wessex-wide repute was among them alone.
|
|
His position was humbler and his field more obscure than those of
|
|
the quacks with capital and an organized system of advertising.
|
|
He was, in fact, a survival. The distances he traversed on foot
|
|
were enormous, and extended nearly the whole length and breadth
|
|
of Wessex. Jude had one day seen him selling a pot of coloured
|
|
lard to an old woman as a certain cure for a bad leg, the woman
|
|
arranging to pay a guinea, in instalments of a shilling a fortnight,
|
|
for the precious salve, which, according to the physician, could only
|
|
be obtained from a particular animal which grazed on Mount Sinai,
|
|
and was to be captured only at great risk to life and limb.
|
|
Jude, though he already had his doubts about this gentleman's medicines,
|
|
felt him to be unquestionably a travelled personage, and one
|
|
who might be a trustworthy source of information on matters not
|
|
strictly professional.
|
|
|
|
"I s'pose you've been to Christminster, Physician?"
|
|
|
|
"I have--many times," replied the long thin man. "That's one
|
|
of my centres."
|
|
|
|
"It's a wonderful city for scholarship and religion?"
|
|
|
|
"You'd say so, my boy, if you'd seen it. Why, the very sons of
|
|
the old women who do the washing of the colleges can talk in Latin--
|
|
not good Latin, that I admit, as a critic: dog-Latin--cat-Latin, as we
|
|
used to call it in my undergraduate days."
|
|
|
|
"And Greek?"
|
|
|
|
"Well--that's more for the men who are in training for bishops,
|
|
that they may be able to read the New Testament in the original."
|
|
|
|
"I want to learn Latin and Greek myself."
|
|
|
|
"A lofty desire. You must get a grammar of each tongue."
|
|
|
|
"I mean to go to Christminster some day."
|
|
|
|
"Whenever you do, you say that Physician Vilbert is the only proprietor
|
|
of those celebrated pills that infallibly cure all disorders of
|
|
the alimentary system, as well as asthma and shortness of breath.
|
|
Two and threepence a box--specially licensed by the government stamp."
|
|
|
|
"Can you get me the grammars if I promise to say it hereabout?"
|
|
|
|
"I'll sell you mine with pleasure--those I used as a student."
|
|
|
|
"Oh, thank you, sir!" said Jude gratefully, but in gasps,
|
|
for the amazing speed of the physician's walk kept him in a dog-trot
|
|
which was giving him a stitch in the side. "I think you'd better
|
|
drop behind, my young man. Now I'll tell you what I'll do. I'll get
|
|
you the grammars, and give you a first lesson, if you'll remember,
|
|
at every house in the village, to recommend Physician Vilbert's
|
|
golden ointment, life-drops, and female pills."
|
|
|
|
"Where will you be with the grammars?"
|
|
|
|
"I shall be passing here this day fortnight at precisely this hour
|
|
of five-and-twenty minutes past seven. My movements are as truly
|
|
timed as those of the planets in their courses."
|
|
|
|
"Here I'll be to meet you," said Jude.
|
|
|
|
"With orders for my medicines?"
|
|
|
|
"Yes, Physician."
|
|
|
|
Jude then dropped behind, waited a few minutes to recover breath,
|
|
and went home with a consciousness of having struck a blow
|
|
for Christminster.
|
|
|
|
Through the intervening fortnight he ran about and smiled outwardly at
|
|
his inward thoughts, as if they were people meeting and nodding to him--
|
|
smiled with that singularly beautiful irradiation which is seen
|
|
to spread on young faces at the inception of some glorious idea,
|
|
as if a supernatural lamp were held inside their transparent natures,
|
|
giving rise to the flattering fancy that heaven lies about them then.
|
|
|
|
He honestly performed his promise to the man of many cures,
|
|
in whom he now sincerely believed, walking miles hither and thither
|
|
among the surrounding hamlets as the Physician's agent in advance.
|
|
On the evening appointed he stood motionless on the plateau,
|
|
at the place where he had parted from Vilbert, and there
|
|
awaited his approach. The road-physician was fairly up
|
|
to time; but, to the surprise of Jude on striking into his pace,
|
|
which the pedestrian did not diminish by a single unit of force,
|
|
the latter seemed hardly to recognize his young companion,
|
|
though with the lapse of the fortnight the evenings had grown light.
|
|
Jude thought it might perhaps be owing to his wearing another hat,
|
|
and he saluted the physician with dignity.
|
|
|
|
"Well, my boy?" said the latter abstractedly.
|
|
|
|
"I've come," said Jude.
|
|
|
|
"You? who are you? Oh yes--to be sure! Got any orders, lad?"
|
|
|
|
"Yes." And Jude told him the names and addresses of the cottagers
|
|
who were willing to test the virtues of the world-renowned pills
|
|
and salve. The quack mentally registered these with great care.
|
|
|
|
"And the Latin and Greek grammars?" Jude's voice trembled with anxiety.
|
|
|
|
"What about them?"
|
|
|
|
"You were to bring me yours, that you used before you took your degree."
|
|
|
|
"Ah, yes, yes! Forgot all about it--all! So many lives depending
|
|
on my attention, you see, my man, that I can't give so much thought
|
|
as I would like to other things."
|
|
|
|
Jude controlled himself sufficiently long to make sure of the truth;
|
|
and he repeated, in a voice of dry misery, "You haven't brought 'em!"
|
|
|
|
"No. But you must get me some more orders from sick people,
|
|
and I'll bring the grammars next time."
|
|
|
|
Jude dropped behind. He was an unsophisticated boy, but the gift
|
|
of sudden insight which is sometimes vouchsafed to children showed
|
|
him all at once what shoddy humanity the quack was made of.
|
|
There was to be no intellectual light from this source. The leaves
|
|
dropped from his imaginary crown of laurel; he turned to a gate,
|
|
leant against it, and cried bitterly.
|
|
|
|
The disappointment was followed by an interval of blankness.
|
|
He might, perhaps, have obtained grammars from Alfredston,
|
|
but to do that required money, and a knowledge of what books to order;
|
|
and though physically comfortable, he was in such absolute dependence
|
|
as to be without a farthing of his own.
|
|
|
|
At this date Mr. Phillotson sent for his pianoforte, and it gave
|
|
Jude a lead. Why should he not write to the schoolmaster, and ask
|
|
him to be so kind as to get him the grammars in Christminster?
|
|
He might slip a letter inside the case of the instrument, and it would
|
|
be sure to reach the desired eyes. Why not ask him to send any old
|
|
second-hand copies, which would have the charm of being mellowed
|
|
by the university atmosphere?
|
|
|
|
To tell his aunt of his intention would be to defeat it.
|
|
It was necessary to act alone.
|
|
|
|
After a further consideration of a few days he did act, and on the day
|
|
of the piano's departure, which happened to be his next birthday,
|
|
clandestinely placed the letter inside the packing-case, directed
|
|
to his much-admired friend, being afraid to reveal the operation
|
|
to his aunt Drusilla, lest she should discover his motive,
|
|
and compel him to abandon his scheme.
|
|
|
|
The piano was despatched, and Jude waited days and weeks,
|
|
calling every morning at the cottage post office before his great-aunt
|
|
was stirring. At last a packet did indeed arrive at the village,
|
|
and he saw from the ends of it that it contained two thin books.
|
|
He took it away into a lonely place, and sat down on a felled elm to
|
|
open it.
|
|
|
|
Ever since his first ecstasy or vision of Christminster
|
|
and its possibilities, Jude had meditated much and curiously
|
|
on the probable sort of process that was involved in turning
|
|
the expressions of one language into those of another. He concluded
|
|
that a grammar of the required tongue would contain, primarily,
|
|
a rule, prescription, or clue of the nature of a secret cipher,
|
|
which, once known, would enable him, by merely applying it, to change
|
|
at will all words of his own speech into those of the foreign one.
|
|
His childish idea was, in fact, a pushing to the extremity of
|
|
mathematical precision what is everywhere known as Grimm's Law--
|
|
an aggrandizement of rough rules to ideal completeness. Thus he
|
|
assumed that the words of the required language were always to be found
|
|
somewhere latent in the words of the given language by those who
|
|
had the art to uncover them, such art being furnished by the books aforesaid.
|
|
|
|
When, therefore, having noted that the packet bore the postmark
|
|
of Christminster, he cut the string, opened the volumes,
|
|
and turned to the Latin grammar, which chanced to come uppermost,
|
|
he could scarcely believe his eyes.
|
|
|
|
The book was an old one--thirty years old, soiled, scribbled wantonly
|
|
over with a strange name in every variety of enmity to the letterpress,
|
|
and marked at random with dates twenty years earlier than his
|
|
own day. But this was not the cause of Jude's amazement.
|
|
He learnt for the first time that there was no law of transmutation,
|
|
as in his innocence he had supposed (there was, in some degree,
|
|
but the grammarian did not recognize it), but that every word
|
|
in both Latin and Greek was to be individually committed to memory
|
|
at the cost of years of plodding.
|
|
|
|
Jude flung down the books, lay backward along the broad trunk of the elm,
|
|
and was an utterly miserable boy for the space of a quarter of an hour.
|
|
As he had often done before, he pulled his hat over his face and watched
|
|
the sun peering insidiously at him through the interstices of the straw.
|
|
This was Latin and Greek, then, was it this grand delusion!
|
|
The charm he had supposed in store for him was really a labour like
|
|
that of Israel in Egypt.
|
|
|
|
What brains they must have in Christminster and the great schools,
|
|
he presently thought, to learn words one by one up to tens of thousands!
|
|
There were no brains in his head equal to this business; and as
|
|
the little sun-rays continued to stream in through his hat at him,
|
|
he wished he had never seen a book, that he might never see another,
|
|
that he had never been born.
|
|
|
|
Somebody might have come along that way who would have asked
|
|
him his trouble, and might have cheered him by saying that his
|
|
notions were further advanced than those of his grammarian.
|
|
But nobody did come, because nobody does; and under the crushing
|
|
recognition of his gigantic error Jude continued to wish himself
|
|
out of the world.
|
|
|
|
V
|
|
|
|
DURING the three or four succeeding years a quaint and singular
|
|
vehicle might have been discerned moving along the lanes and by-roads
|
|
near Marygreen, driven in a quaint and singular way.
|
|
|
|
In the course of a month or two after the receipt of the books Jude
|
|
had grown callous to the shabby trick played him by the dead languages.
|
|
In fact, his disappointment at the nature of those tongues had,
|
|
after a while, been the means of still further glorifying the erudition
|
|
of Christminster. To acquire languages, departed or living in spite
|
|
of such obstinacies as he now knew them inherently to possess,
|
|
was a herculean performance which gradually led him on to a
|
|
greater interest in it than in the presupposed patent process.
|
|
The mountain-weight of material under which the ideas lay in
|
|
those dusty volumes called the classics piqued him into a dogged,
|
|
mouselike subtlety of attempt to move it piecemeal.
|
|
|
|
He had endeavoured to make his presence tolerable to his crusty maiden
|
|
aunt by assisting her to the best of his ability, and the business
|
|
of the little cottage bakery had grown in consequence. An aged horse
|
|
with a hanging head had been purchased for eight pounds at a sale,
|
|
a creaking cart with a whity-brown tilt obtained for a few pounds more,
|
|
and in this turn-out it became Jude's business thrice a week to carry
|
|
loaves of bread to the villagers and solitary cotters immediately
|
|
round Marygreen.
|
|
|
|
The singularity aforesaid lay, after all, less in the conveyance
|
|
itself than in Jude's manner of conducting it along its route.
|
|
Its interior was the scene of most of Jude's education by "private study."
|
|
As soon as the horse had learnt the road and the houses at which he
|
|
was to pause awhile, the boy, seated in front, would slip the reins over
|
|
his arm, ingeniously fix open, by means of a strap attached to the tilt,
|
|
the volume he was reading, spread the dictionary on his knees,
|
|
and plunge into the simpler passages from Caesar, Virgil, or Horace,
|
|
as the case might be, in his purblind stumbling way, and with an
|
|
expenditure of labour that would have made a tender-hearted pedagogue
|
|
shed tears; yet somehow getting at the meaning of what he read,
|
|
and divining rather than beholding the spirit of the original,
|
|
which often to his mind was something else than that which he was taught
|
|
to look for.
|
|
|
|
The only copies he had been able to lay hands on were old
|
|
Delphin editions, because they were superseded, and therefore cheap.
|
|
But, bad for idle schoolboys, it did so happen that they were passably
|
|
good for him. The hampered and lonely itinerant conscientiously
|
|
covered up the marginal readings, and used them merely on points
|
|
of construction, as he would have used a comrade or tutor who should
|
|
have happened to be passing by. And though Jude may have had little
|
|
chance of becoming a scholar by these rough and ready means,
|
|
he was in the way of getting into the groove he wished to follow.
|
|
|
|
While he was busied with these ancient pages, which had already been
|
|
thumbed by hands possibly in the grave, digging out the thoughts
|
|
of these minds so remote yet so near, the bony old horse pursued
|
|
his rounds, and Jude would be aroused from the woes of Dido by
|
|
the stoppage of his cart and the voice of some old woman crying,
|
|
"Two to-day, baker, and I return this stale one."
|
|
|
|
He was frequently met in the lanes by pedestrians and others without
|
|
his seeing them, and by degrees the people of the neighbourhood
|
|
began to talk about his method of combining work and play
|
|
(such they considered his reading to be), which, though probably
|
|
convenient enough to himself, was not altogether a safe proceeding
|
|
for other travellers along the same roads. There were murmurs.
|
|
Then a private resident of an adjoining place informed the local
|
|
policeman that the baker's boy should not be allowed to read
|
|
while driving, and insisted that it was the constable's duty to catch
|
|
him in the act, and take him to the police court at Alfredston,
|
|
and get him fined for dangerous practices on the highway.
|
|
The policeman thereupon lay in wait for Jude, and one day accosted him
|
|
and cautioned him.
|
|
|
|
As Jude had to get up at three o'clock in the morning to heat the oven,
|
|
and mix and set in the bread that he distributed later in the day,
|
|
he was obliged to go to bed at night immediately after laying the sponge;
|
|
so that if he could not read his classics on the highways he could hardly
|
|
study at all. The only thing to be done was, therefore, to keep a sharp
|
|
eye ahead and around him as well as he could in the circumstances,
|
|
and slip away his books as soon as anybody loomed in the distance,
|
|
the policeman in particular. To do that official justice, he did
|
|
not put himself much in the way of Jude's bread-cart, considering
|
|
that in such a lonely district the chief danger was to Jude himself,
|
|
and often on seeing the white tilt over the hedges he would move in
|
|
another direction.
|
|
|
|
On a day when Fawley was getting quite advanced, being now
|
|
about sixteen, and had been stumbling through the "Carmen Saeculare,"
|
|
on his way home, he found himself to be passing over the high
|
|
edge of the plateau by the Brown House. The light had changed,
|
|
and it was the sense of this which had caused him to look up.
|
|
The sun was going down, and the full moon was rising simultaneously
|
|
behind the woods in the opposite quarter. His mind had become
|
|
so impregnated with the poem that, in a moment of the same impulsive
|
|
emotion which years before had caused him to kneel on the ladder,
|
|
he stopped the horse, alighted, and glancing round to see that nobody
|
|
was in sight, knelt down on the roadside bank with open book.
|
|
He turned first to the shiny goddess, who seemed to look so softly
|
|
and critically at his doings, then to the disappearing luminary on
|
|
the other hand, as he began:
|
|
|
|
"Phoebe silvarumque potens Diana!"
|
|
|
|
The horse stood still till he had finished the hymn, which Jude
|
|
repeated under the sway of a polytheistic fancy that he would
|
|
never have thought of humouring in broad daylight.
|
|
|
|
Reaching home, he mused over his curious superstition,
|
|
innate or acquired, in doing this, and the strange forgetfulness
|
|
which had led to such a lapse from common sense and custom in one
|
|
who wished, next to being a scholar, to be a Christian divine.
|
|
It had all come of reading heathen works exclusively. The more he
|
|
thought of it the more convinced he was of his inconsistency.
|
|
He began to wonder whether he could be reading quite the right books
|
|
for his object in life. Certainly there seemed little harmony between
|
|
this pagan literature and the mediaeval colleges at Christminster,
|
|
that ecclesiastical romance in stone.
|
|
|
|
Ultimately he decided that in his sheer love of reading he had taken
|
|
up a wrong emotion for a Christian young man. He had dabbled in
|
|
Clarke's Homer, but had never yet worked much at the New Testament
|
|
in the Greek, though he possessed a copy, obtained by post from
|
|
a second-hand bookseller. He abandoned the now familiar Ionic
|
|
for a new dialect, and for a long time onward limited his reading
|
|
almost entirely to the Gospels and Epistles in Griesbach's text.
|
|
Moreover, on going into Alfredston one day, he was introduced to patristic
|
|
literature by finding at the bookseller's some volumes of the Fathers
|
|
which had been left behind by an insolvent clergyman of the neighbourhood.
|
|
|
|
As another outcome of this change of groove he visited on Sundays
|
|
all the churches within a walk, and deciphered the Latin inscriptions
|
|
on fifteenth-century brasses and tombs. On one of these pilgrimages
|
|
he met with a hunch-backed old woman of great intelligence,
|
|
who read everything she could lay her hands on, and she told him
|
|
more yet of the romantic charms of the city of light and lore.
|
|
Thither he resolved as firmly as ever to go.
|
|
|
|
But how live in that city? At present he had no income at all.
|
|
He had no trade or calling of any dignity or stability whatever
|
|
on which he could subsist while carrying out an intellectual labour
|
|
which might spread over many years.
|
|
|
|
What was most required by citizens? Food, clothing, and shelter.
|
|
An income from any work in preparing the first would be too meagre;
|
|
for making the second he felt a distaste; the preparation
|
|
of the third requisite he inclined to. They built in a city;
|
|
therefore he would learn to build. He thought of his unknown uncle,
|
|
his cousin Susanna's father, an ecclesiastical worker in metal,
|
|
and somehow mediaeval art in any material was a trade for which he
|
|
had rather a fancy. He could not go far wrong in following his
|
|
uncle's footsteps, and engaging himself awhile with the carcases
|
|
that contained the scholar souls.
|
|
|
|
As a preliminary he obtained some small blocks of freestone,
|
|
metal not being available, and suspending his studies awhile,
|
|
occupied his spare half-hours in copying the heads and capitals
|
|
in his parish church.
|
|
|
|
There was a stone-mason of a humble kind in Alfredston, and as soon
|
|
as he had found a substitute for himself in his aunt's little business,
|
|
he offered his services to this man for a trifling wage.
|
|
Here Jude had the opportunity of learning at least the rudiments
|
|
of freestone-working. Some time later he went to a church-builder
|
|
in the same place, and under the architect's direction became handy
|
|
at restoring the dilapidated masonries of several village churches
|
|
round about.
|
|
|
|
Not forgetting that he was only following up this handicraft
|
|
as a prop to lean on while he prepared those greater engines
|
|
which he flattered himself would be better fitted for him,
|
|
he yet was interested in his pursuit on its own account.
|
|
He now had lodgings during the week in the little town,
|
|
whence he returned to Marygreen village every Saturday evening.
|
|
And thus he reached and passed his nineteenth year.
|
|
|
|
VI
|
|
|
|
AT this memorable date of his life he was, one Saturday, returning from
|
|
Alfredston to Marygreen about three o'clock in the afternoon.
|
|
It was fine, warm, and soft summer weather, and he walked with his
|
|
tools at his back, his little chisels clinking faintly against
|
|
the larger ones in his basket. It being the end of the week he
|
|
had left work early, and had come out of the town by a round-about
|
|
route which he did not usually frequent, having promised to call
|
|
at a flour-mill near Cresscombe to execute a commission for his aunt.
|
|
|
|
He was in an enthusiastic mood. He seemed to see his way to living
|
|
comfortably in Christminster in the course of a year or two,
|
|
and knocking at the doors of one of those strongholds of learning
|
|
of which he had dreamed so much. He might, of course, have gone
|
|
there now, in some capacity or other, but he preferred to enter
|
|
the city with a little more assurance as to means than he could be
|
|
said to feel at present. A warm self-content suffused him when he
|
|
considered what he had already done. Now and then as he went along
|
|
he turned to face the peeps of country on either side of him.
|
|
But he hardly saw them; the act was an automatic repetition of what he
|
|
had been accustomed to do when less occupied; and the one matter
|
|
which really engaged him was the mental estimate of his progress
|
|
thus far.
|
|
|
|
"I have acquired quite an average student's power to read
|
|
the common ancient classics, Latin in particular." This was true,
|
|
Jude possessing a facility in that language which enabled him
|
|
with great ease to himself to beguile his lonely walks by imaginary
|
|
conversations therein.
|
|
|
|
"I have read two books of the ILIAD, besides being pretty familiar
|
|
with passages such as the speech of Phoenix in the ninth book,
|
|
the fight of Hector and Ajax in the fourteenth, the appearance
|
|
of Achilles unarmed and his heavenly armour in the eighteenth,
|
|
and the funeral games in the twenty-third. I have also done some Hesiod,
|
|
a little scrap of Thucydides, and a lot of the Greek Testament.... I
|
|
wish there was only one dialect all the same.
|
|
|
|
"I have done some mathematics, including the first six and the eleventh
|
|
and twelfth books of Euclid; and algebra as far as simple equations.
|
|
|
|
"I know something of the Fathers, and something of Roman
|
|
and English history.
|
|
|
|
"These things are only a beginning. But I shall not make much
|
|
farther advance here, from the difficulty of getting books. Hence I
|
|
must next concentrate all my energies on settling in Christminster.
|
|
Once there I shall so advance, with the assistance I shall there get,
|
|
that my present knowledge will appear to me but as childish ignorance.
|
|
I must save money, and I will; and one of those colleges shall open
|
|
its doors to me--shall welcome whom now it would spurn, if I wait twenty
|
|
years for the welcome.
|
|
|
|
"I'll be D.D. before I have done!"
|
|
|
|
And then he continued to dream, and thought he might become even
|
|
a bishop by leading a pure, energetic, wise, Christian life.
|
|
And what an example he would set! If his income were 5000 pounds
|
|
a year, he would give away 4500 pounds in one form and another,
|
|
and live sumptuously (for him) on the remainder. Well, on second thoughts,
|
|
a bishop was absurd. He would draw the line at an archdeacon.
|
|
Perhaps a man could be as good and as learned and as useful in
|
|
the capacity of archdeacon as in that of bishop. Yet he thought of
|
|
the bishop again.
|
|
|
|
"Meanwhile I will read, as soon as I am settled in Christminster,
|
|
the books I have not been able to get hold of here:
|
|
Livy, Tacitus, Herodotus, AEschylus, Sophocles, Aristophanes--"
|
|
|
|
"Ha, ha, ha! Hoity-toity!" The sounds were expressed in light
|
|
voices on the other side of the hedge, but he did not notice them.
|
|
His thoughts went on:
|
|
|
|
"--Euripides, Plato, Aristotle, Lucretius, Epictetus, Seneca, Antoninus.
|
|
Then I must master other things: the Fathers thoroughly;
|
|
Bede and ecclesiastical history generally; a smattering of Hebrew--
|
|
I only know the letters as yet--"
|
|
|
|
"Hoity-toity!"
|
|
|
|
"--but I can work hard. I have staying power in abundance,
|
|
thank God! and it is that which tells.... Yes, Christminster shall
|
|
be my Alma Mater; and I'll be her beloved son, in whom she shall
|
|
be well pleased."
|
|
|
|
In his deep concentration on these transactions of the future
|
|
Jude's walk had slackened, and he was now standing quite still,
|
|
looking at the ground as though the future were thrown thereon by a
|
|
magic lantern. On a sudden something smacked him sharply in the ear,
|
|
and he became aware that a soft cold substance had been flung at him,
|
|
and had fallen at his feet.
|
|
|
|
A glance told him what it was--a piece of flesh, the characteristic
|
|
part of a barrow-pig, which the countrymen used for greasing
|
|
their boots, as it was useless for any other purpose.
|
|
Pigs were rather plentiful hereabout, being bred and fattened
|
|
in large numbers in certain parts of North Wessex.
|
|
|
|
On the other side of the hedge was a stream, whence, as he now
|
|
for the first time realized, had come the slight sounds of voices
|
|
and laughter that had mingled with his dreams. He mounted the bank
|
|
and looked over the fence. On the further side of the stream
|
|
stood a small homestead, having a garden and pig-sties attached;
|
|
in front of it, beside the brook, three young women were kneeling,
|
|
with buckets and platters beside them containing heaps of pigs'
|
|
chitterlings, which they were washing in the running water.
|
|
One or two pairs of eyes slyly glanced up, and perceiving that his
|
|
attention had at last been attracted, and that he was watching them,
|
|
they braced themselves for inspection by putting their mouths
|
|
demurely into shape and recommencing their rinsing operations
|
|
with assiduity.
|
|
|
|
"Thank you!" said Jude severely.
|
|
|
|
"I DIDN'T throw it, I tell you!" asserted one girl to her neighbour,
|
|
as if unconscious of the young man's presence.
|
|
|
|
"Nor I," the second answered.
|
|
|
|
"Oh, Anny, how can you!" said the third.
|
|
|
|
"If I had thrown anything at all, it shouldn't have been THAT!"
|
|
|
|
"Pooh! I don't care for him!" And they laughed and continued their work,
|
|
without looking up, still ostentatiously accusing each other.
|
|
|
|
Jude grew sarcastic as he wiped his face, and caught their remarks.
|
|
|
|
"YOU didn't do it--oh no!" he said to the up-stream one of the three.
|
|
|
|
She whom he addressed was a fine dark-eyed girl, not exactly handsome,
|
|
but capable of passing as such at a little distance, despite some
|
|
coarseness of skin and fibre. She had a round and prominent bosom,
|
|
full lips, perfect teeth, and the rich complexion of a Cochin hen's egg.
|
|
She was a complete and substantial female animal--no more, no less;
|
|
and Jude was almost certain that to her was attributable the enterprise
|
|
of attracting his attention from dreams of the humaner letters to what
|
|
was simmering in the minds around him.
|
|
|
|
"That you'll never be told," said she deedily.
|
|
|
|
"Whoever did it was wasteful of other people's property."
|
|
|
|
"Oh, that's nothing."
|
|
|
|
"But you want to speak to me, I suppose?"
|
|
|
|
"Oh yes; if you like to."
|
|
|
|
"Shall I clamber across, or will you come to the plank above here?"
|
|
|
|
Perhaps she foresaw an opportunity; for somehow or other the eyes
|
|
of the brown girl rested in his own when he had said the words,
|
|
and there was a momentary flash of intelligence, a dumb announcement
|
|
of affinity IN POSSE between herself and him, which, so far as Jude
|
|
Fawley was concerned, had no sort of premeditation in it. She saw
|
|
that he had singled her out from the three, as a woman is singled
|
|
out in such cases, for no reasoned purpose of further acquaintance,
|
|
but in commonplace obedience to conjunctive orders from headquarters,
|
|
unconsciously received by unfortunate men when the last intention of
|
|
their lives is to be occupied with the feminine.
|
|
|
|
Springing to her feet, she said: "Bring back what is lying there."
|
|
|
|
Jude was now aware that no message on any matter connected
|
|
with her father's business had prompted her signal to him.
|
|
He set down his basket of tools, picked up the scrap of offal,
|
|
beat a pathway for himself with his stick, and got over the hedge.
|
|
They walked in parallel lines, one on each bank of the stream,
|
|
towards the small plank bridge. As the girl drew nearer to it,
|
|
she gave without Jude perceiving it, an adroit little suck to the interior
|
|
of each of her cheeks in succession, by which curious and original
|
|
manoeuvre she brought as by magic upon its smooth and rotund surface
|
|
a perfect dimple, which she was able to retain there as long as she
|
|
continued to smile. This production of dimples at will was a not
|
|
unknown operation, which many attempted, but only a few succeeded
|
|
in accomplishing.
|
|
|
|
They met in the middle of the plank, and Jude, tossing back her missile,
|
|
seemed to expect her to explain why she had audaciously stopped
|
|
him by this novel artillery instead of by hailing him.
|
|
|
|
But she, slyly looking in another direction, swayed herself backwards
|
|
and forwards on her hand as it clutched the rail of the bridge;
|
|
till, moved by amatory curiosity, she turned her eyes critically
|
|
upon him.
|
|
|
|
"You don't think I would shy things at you?"
|
|
|
|
"Oh no."
|
|
|
|
"We are doing this for my father, who naturally doesn't want
|
|
anything thrown away. He makes that into dubbin." She nodded
|
|
towards the fragment on the grass.
|
|
|
|
"What made either of the others throw it, I wonder?" Jude asked,
|
|
politely accepting her assertion, though he had very large doubts
|
|
as to its truth.
|
|
|
|
"Impudence. Don't tell folk it was I, mind!"
|
|
|
|
"How can I? I don't know your name."
|
|
|
|
"Ah, no. Shall I tell it to you?"
|
|
|
|
"Do!"
|
|
|
|
"Arabella Donn. I'm living here."
|
|
|
|
"I must have known it if I had often come this way. But I mostly
|
|
go straight along the high-road."
|
|
|
|
"My father is a pig-breeder, and these girls are helping me wash
|
|
the innerds for black-puddings and such like."
|
|
|
|
They talked a little more and a little more, as they stood regarding
|
|
each other and leaning against the hand-rail of the bridge.
|
|
The unvoiced call of woman to man, which was uttered very distinctly
|
|
by Arabella's personality, held Jude to the spot against his intention--
|
|
almost against his will, and in a way new to his experience.
|
|
It is scarcely an exaggeration to say that till this moment Jude
|
|
had never looked at a woman to consider her as such, but had vaguely
|
|
regarded the sex as beings outside his life and purposes. He gazed
|
|
from her eyes to her mouth, thence to her bosom, and to her full
|
|
round naked arms, wet, mottled with the chill of the water, and firm
|
|
as marble.
|
|
|
|
"What a nice-looking girl you are!" he murmured, though the words
|
|
had not been necessary to express his sense of her magnetism.
|
|
|
|
"Ah, you should see me Sundays!" she said piquantly.
|
|
|
|
"I don't suppose I could?" he answered
|
|
|
|
"That's for you to think on. There's nobody after me just now,
|
|
though there med be in a week or two." She had spoken this without
|
|
a smile, and the dimples disappeared.
|
|
|
|
Jude felt himself drifting strangely, but could not help it.
|
|
"Will you let me?"
|
|
|
|
"I don't mind."
|
|
|
|
By this time she had managed to get back one dimple by turning
|
|
her face aside for a moment and repeating the odd little sucking
|
|
operation before mentioned, Jude being still unconscious of more than
|
|
a general impression of her appearance. "Next Sunday?" he hazarded.
|
|
"To-morrow, that is?"
|
|
|
|
"Yes."
|
|
|
|
"Shall I call?"
|
|
|
|
"Yes."
|
|
|
|
She brightened with a little glow of triumph, swept him almost
|
|
tenderly with her eyes in turning, and retracing her steps down
|
|
the brookside grass rejoined her companions.
|
|
|
|
Jude Fawley shouldered his tool-basket and resumed his lonely way,
|
|
filled with an ardour at which he mentally stood at gaze. He had just
|
|
inhaled a single breath from a new atmosphere, which had evidently
|
|
been hanging round him everywhere he went, for he knew not how long,
|
|
but had somehow been divided from his actual breathing as by a sheet
|
|
of glass. The intentions as to reading, working, and learning,
|
|
which he had so precisely formulated only a few minutes earlier,
|
|
were suffering a curious collapse into a corner, he knew not how.
|
|
|
|
"Well, it's only a bit of fun," he said to himself, faintly conscious
|
|
that to common sense there was something lacking, and still
|
|
more obviously something redundant in the nature of this girl
|
|
who had drawn him to her which made it necessary that he should
|
|
assert mere sportiveness on his part as his reason in seeking her--
|
|
something in her quite antipathetic to that side of him which had been
|
|
occupied with literary study and the magnificent Christminster dream.
|
|
It had been no vestal who chose THAT missile for opening her attack
|
|
on him. He saw this with his intellectual eye, just for a short;
|
|
fleeting while, as by the light of a falling lamp one might momentarily
|
|
see an inscription on a wall before being enshrouded in darkness.
|
|
And then this passing discriminative power was withdrawn, and Jude
|
|
was lost to all conditions of things in the advent of a fresh
|
|
and wild pleasure, that of having found a new channel for emotional
|
|
interest hitherto unsuspected, though it had lain close beside him.
|
|
He was to meet this enkindling one of the other sex on the
|
|
following Sunday.
|
|
|
|
Meanwhile the girl had joined her companions, and she silently resumed
|
|
her flicking and sousing of the chitterlings in the pellucid stream.
|
|
|
|
"Catched un, my dear?" laconically asked the girl called Anny.
|
|
|
|
"I don't know. I wish I had thrown something else than that!"
|
|
regretfully murmured Arabella.
|
|
|
|
"Lord! he's nobody, though you med think so. He used to drive old
|
|
Drusilla Fawley's bread-cart out at Marygreen, till he 'prenticed
|
|
himself at Alfredston. Since then he's been very stuck up,
|
|
and always reading. He wants to be a scholar, they say."
|
|
|
|
"Oh, I don't care what he is, or anything about 'n. Don't you think it,
|
|
my child!"
|
|
|
|
"Oh, don't ye! You needn't try to deceive us! What did you stay talking
|
|
to him for, if you didn't want un? Whether you do or whether you don't,
|
|
he's as simple as a child. I could see it as you courted on the bridge,
|
|
when he looked at 'ee as if he had never seen a woman before in his
|
|
born days. Well, he's to be had by any woman who can get him to
|
|
care for her a bit, if she likes to set herself to catch him the right way."
|
|
|
|
VII
|
|
|
|
THE next day Jude Fawley was pausing in his bedroom with the sloping
|
|
ceiling, looking at the books on the table, and then at the black
|
|
mark on the plaster above them, made by the smoke of his lamp in past months.
|
|
|
|
It was Sunday afternoon, four-and-twenty hours after his meeting
|
|
with Arabella Donn. During the whole bygone week he had been resolving
|
|
to set this afternoon apart for a special purpose,--the re-reading
|
|
of his Greek Testament--his new one, with better type than his old copy,
|
|
following Griesbach's text as amended by numerous correctors,
|
|
and with variorum readings in the margin. He was proud of the book,
|
|
having obtained it by boldly writing to its London publisher,
|
|
a thing he had never done before.
|
|
|
|
He had anticipated much pleasure in this afternoon's reading,
|
|
under the quiet roof of his great-aunt's house as formerly, where he
|
|
now slept only two nights a week. But a new thing, a great hitch,
|
|
had happened yesterday in the gliding and noiseless current of his life,
|
|
and he felt as a snake must feel who has sloughed off its winter skin,
|
|
and cannot understand the brightness and sensitiveness of its
|
|
new one.
|
|
|
|
He would not go out to meet her, after all. He sat down,
|
|
opened the book, and with his elbows firmly planted on the table,
|
|
and his hands to his temples began at the beginning:
|
|
|
|
[Three Greek words]
|
|
|
|
Had he promised to call for her? Surely he had! She would wait indoors,
|
|
poor girl, and waste all her afternoon on account of him. There was
|
|
a something in her, too, which was very winning, apart from promises.
|
|
He ought not to break faith with her. Even though he had only Sundays
|
|
and week-day evenings for reading he could afford one afternoon,
|
|
seeing that other young men afforded so many. After to-day he would
|
|
never probably see her again. Indeed, it would be impossible,
|
|
considering what his plans were.
|
|
|
|
In short, as if materially, a compelling arm of extraordinary muscular
|
|
power seized hold of him--something which had nothing in common
|
|
with the spirits and influences that had moved him hitherto.
|
|
This seemed to care little for his reason and his will,
|
|
nothing for his so-called elevated intentions, and moved him along,
|
|
as a violent schoolmaster a schoolboy he has seized by the collar,
|
|
in a direction which tended towards the embrace of a woman for whom
|
|
he had no respect, and whose life had nothing in common with his own
|
|
except locality.
|
|
|
|
[Three Greek words] was no more heeded, and the predestinate Jude
|
|
sprang up and across the room. Foreseeing such an event he had
|
|
already arrayed himself in his best clothes. In three minutes he
|
|
was out of the house and descending by the path across the wide
|
|
vacant hollow of corn-ground which lay between the village
|
|
and the isolated house of Arabella in the dip beyond the upland.
|
|
|
|
As he walked he looked at his watch. He could be back in two hours,
|
|
easily, and a good long time would still remain to him for reading after tea.
|
|
|
|
Passing the few unhealthy fir-trees and cottage where the path
|
|
joined the highway he hastened along, and struck away to the left,
|
|
descending the steep side of the country to the west of the Brown House.
|
|
Here at the base of the chalk formation he neared the brook that oozed
|
|
from it, and followed the stream till he reached her dwelling.
|
|
A smell of piggeries came from the back, and the grunting of the
|
|
originators of that smell. He entered the garden, and knocked at
|
|
the door with the knob of his stick.
|
|
|
|
Somebody had seen him through the window, for a male voice
|
|
on the inside said:
|
|
|
|
"Arabella! Here's your young man come coorting! Mizzle, my girl!"
|
|
|
|
Jude winced at the words. Courting in such a business-like aspect as it
|
|
evidently wore to the speaker was the last thing he was thinking of.
|
|
He was going to walk with her, perhaps kiss her; but "courting" was
|
|
too coolly purposeful to be anything but repugnant to his ideas.
|
|
The door was opened and he entered, just as Arabella came downstairs
|
|
in radiant walking attire.
|
|
|
|
"Take a chair, Mr. What's-your-name?" said her father, an energetic,
|
|
black-whiskered man, in the same businesslike tones Jude had heard
|
|
from outside.
|
|
|
|
"I'd rather go out at once, wouldn't you?" she whispered to Jude.
|
|
|
|
"Yes," said he. "We'll walk up to the Brown House and back,
|
|
we can do it in half an hour."
|
|
|
|
Arabella looked so handsome amid her untidy surroundings that he
|
|
felt glad he had come, and all the misgivings vanished that had
|
|
hitherto haunted him.
|
|
|
|
First they clambered to the top of the great down, during which ascent
|
|
he had occasionally to take her hand to assist her. Then they bore
|
|
off to the left along the crest into the ridgeway, which they followed
|
|
till it intersected the high-road at the Brown House aforesaid,
|
|
the spot of his former fervid desires to behold Christminster.
|
|
But he forgot them now. He talked the commonest local twaddle
|
|
to Arabella with greater zest than he would have felt in
|
|
discussing all the philosophies with all the Dons in the recently
|
|
adored university, and passed the spot where he had knelt to Diana
|
|
and Phoebus without remembering that there were any such people
|
|
in the mythology, or that the sun was anything else than a useful
|
|
lamp for illuminating Arabella's face. An indescribable lightness
|
|
of heel served to lift him along; and Jude, the incipient scholar,
|
|
prospective D.D., professor, bishop, or what not, felt himself honoured
|
|
and glorified by the condescension of this handsome country wench
|
|
in agreeing to take a walk with him in her Sunday frock and ribbons.
|
|
|
|
They reached the Brown House barn--the point at which he had planned
|
|
to turn back. While looking over the vast northern landscape
|
|
from this spot they were struck by the rising of a dense volume
|
|
of smoke from the neighbourhood of the little town which lay
|
|
beneath them at a distance of a couple of miles.
|
|
|
|
"It is a fire," said Arabella. "Let's run and see it--do! It is
|
|
not far!"
|
|
|
|
The tenderness which had grown up in Jude's bosom left him no will
|
|
to thwart her inclination now--which pleased him in affording him
|
|
excuse for a longer time with her. They started off down the hill
|
|
almost at a trot; but on gaining level ground at the bottom,
|
|
and walking a mile, they found that the spot of the fire was much
|
|
further off than it had seemed.
|
|
|
|
Having begun their journey, however, they pushed on; but it was
|
|
not till five o'clock that they found themselves on the scene,--
|
|
the distance being altogether about half-a-dozen miles from Marygreen,
|
|
and three from Arabella's. The conflagration had been got
|
|
under by the time they reached it, and after a short inspection
|
|
of the melancholy ruins they retraced their steps--their course
|
|
lying through the town of Alfredston.
|
|
|
|
Arabella said she would like some tea, and they entered an inn
|
|
of an inferior class, and gave their order. As it was not for beer
|
|
they had a long time to wait. The maid-servant recognized Jude,
|
|
and whispered her surprise to her mistress in the background,
|
|
that he, the student "who kept hisself up so particular,"
|
|
should have suddenly descended so low as to keep company with Arabella.
|
|
The latter guessed what was being said, and laughed as she met
|
|
the serious and tender gaze of her lover--the low and triumphant laugh
|
|
of a careless woman who sees she is winning her game.
|
|
|
|
They sat and looked round the room, and at the picture of Samson
|
|
and Delilah which hung on the wall, and at the circular beer-stains
|
|
on the table, and at the spittoons underfoot filled with sawdust.
|
|
The whole aspect of the scene had that depressing effect on Jude
|
|
which few places can produce like a tap-room on a Sunday evening
|
|
when the setting sun is slanting in, and no liquor is going,
|
|
and the unfortunate wayfarer finds himself with no other haven
|
|
of rest.
|
|
|
|
It began to grow dusk. They could not wait longer, really,
|
|
for the tea, they said. "Yet what else can we do?" asked Jude.
|
|
"It is a three-mile walk for you."
|
|
|
|
"I suppose we can have some beer," said Arabella.
|
|
|
|
"Beer, oh yes. I had forgotten that. Somehow it seems odd to come
|
|
to a public-house for beer on a Sunday evening."
|
|
|
|
"But we didn't."
|
|
|
|
"No, we didn't." Jude by this time wished he was out of such
|
|
an uncongenial atmosphere; but he ordered the beer, which was
|
|
promptly brought.
|
|
|
|
Arabella tasted it. "Ugh!" she said.
|
|
|
|
Jude tasted. "What's the matter with it?" he asked. "I don't
|
|
understand beer very much now, it is true. I like it well enough,
|
|
but it is bad to read on, and I find coffee better. But this seems
|
|
all right."
|
|
|
|
"Adulterated--I can't touch it!" She mentioned three or four
|
|
ingredients that she detected in the liquor beyond malt and hops,
|
|
much to Jude's surprise.
|
|
|
|
"How much you know!" he said good-humouredly.
|
|
|
|
Nevertheless she returned to the beer and drank her share,
|
|
and they went on their way. It was now nearly dark, and as soon
|
|
as they had withdrawn from the lights of the town they walked
|
|
closer together, till they touched each other. She wondered
|
|
why he did not put his arm round her waist, but he did not;
|
|
he merely said what to himself seemed a quite bold enough thing:
|
|
"Take my arm."
|
|
|
|
She took it, thoroughly, up to the shoulder. He felt the warmth
|
|
of her body against his, and putting his stick under his other arm
|
|
held with his right hand her right as it rested in its place.
|
|
|
|
"Now we are well together, dear, aren't we?" he observed.
|
|
|
|
"Yes," said she; adding to herself: "Rather mild!"
|
|
|
|
"How fast I have become!" he was thinking.
|
|
|
|
Thus they walked till they reached the foot of the upland, where they
|
|
could see the white highway ascending before them in the gloom.
|
|
From this point the only way of getting to Arabella's was by going
|
|
up the incline, and dipping again into her valley on the right.
|
|
Before they had climbed far they were nearly run into by two men who had
|
|
been walking on the grass unseen.
|
|
|
|
"These lovers--you find 'em out o' doors in all seasons and weathers--
|
|
lovers and homeless dogs only," said one of the men as they vanished
|
|
down the hill.
|
|
|
|
Arabella tittered lightly.
|
|
|
|
"Are we lovers?" asked Jude.
|
|
|
|
"You know best."
|
|
|
|
"But you can tell me?"
|
|
|
|
For answer she inclined her head upon his shoulder. Jude took
|
|
the hint, and encircling her waist with his arm, pulled her to him
|
|
and kissed her.
|
|
|
|
They walked now no longer arm in arm but, as she had desired,
|
|
clasped together. After all, what did it matter since it was dark,
|
|
said Jude to himself. When they were half-way up the long
|
|
hill they paused as by arrangement, and he kissed her again.
|
|
They reached the top, and he kissed her once more.
|
|
|
|
"You can keep your arm there, if you would like to," she said gently.
|
|
|
|
He did so, thinking how trusting she was.
|
|
|
|
Thus they slowly went towards her home. He had left his cottage at
|
|
half-past three, intending to be sitting down again to the New Testament
|
|
by half-past five. It was nine o'clock when, with another embrace,
|
|
he stood to deliver her up at her father's door.
|
|
|
|
She asked him to come in, if only for a minute, as it would seem
|
|
so odd otherwise, and as if she had been out alone in the dark.
|
|
He gave way, and followed her in. Immediately that the door was opened
|
|
he found, in addition to her parents, several neighbours sitting round.
|
|
They all spoke in a congratulatory manner, and took him seriously as
|
|
Arabella's intended partner.
|
|
|
|
They did not belong to his set or circle, and he felt out of place
|
|
and embarrassed. He had not meant this: a mere afternoon
|
|
of pleasant walking with Arabella, that was all he had meant.
|
|
He did not stay longer than to speak to her stepmother, a simple,
|
|
quiet woman without features or character; and bidding them all
|
|
good night plunged with a sense of relief into the track over
|
|
the down.
|
|
|
|
But that sense was only temporary: Arabella soon re-asserted her
|
|
sway in his soul. He walked as if he felt himself to be another man
|
|
from the Jude of yesterday. What were his books to him? what were
|
|
his intentions, hitherto adhered to so strictly, as to not wasting
|
|
a single minute of time day by day? "Wasting!" It depended on your
|
|
point of view to define that: he was just living for the first time:
|
|
not wasting life. It was better to love a woman than to be a graduate,
|
|
or a parson; ay, or a pope!
|
|
|
|
When he got back to the house his aunt had gone to bed, and a
|
|
general consciousness of his neglect seemed written on the face
|
|
of all things confronting him. He went upstairs without a light,
|
|
and the dim interior of his room accosted him with sad inquiry.
|
|
There lay his book open, just as he had left it, and the capital
|
|
letters on the title-page regarded him with fixed reproach in
|
|
the grey starlight, like the unclosed eyes of a dead man:
|
|
|
|
[Three Greek words.]
|
|
|
|
Jude had to leave early next morning for his usual week of absence
|
|
at lodgings; and it was with a sense of futility that he threw
|
|
into his basket upon his tools and other necessaries the unread
|
|
book he had brought with him.
|
|
|
|
He kept his impassioned doings a secret almost from himself.
|
|
Arabella, on the contrary, made them public among all her friends
|
|
and acquaintance.
|
|
|
|
Retracing by the light of dawn the road he had followed a few hours
|
|
earlier under cover of darkness, with his sweetheart by his side,
|
|
he reached the bottom of the hill, where he walked slowly, and stood still.
|
|
He was on the spot where he had given her the first kiss. As the sun
|
|
had only just risen it was possible that nobody had passed there since.
|
|
Jude looked on the ground and sighed. He looked closely, and could
|
|
just discern in the damp dust the imprints of their feet as they
|
|
had stood locked in each other's arms. She was not there now,
|
|
and "the embroidery of imagination upon the stuff of nature"
|
|
so depicted her past presence that a void was in his heart which
|
|
nothing could fill. A pollard willow stood close to the place,
|
|
and that willow was different from all other willows in the world.
|
|
Utter annihilation of the six days which must elapse before he could see
|
|
her again as he had promised would have been his intensest wish if he
|
|
had had only the week to live.
|
|
|
|
An hour and a half later Arabella came along the same way with her
|
|
two companions of the Saturday. She passed unheedingly the scene
|
|
of the kiss, and the willow that marked it, though chattering
|
|
freely on the subject to the other two.
|
|
|
|
"And what did he tell 'ee next?"
|
|
|
|
"Then he said--" And she related almost word for word some
|
|
of his tenderest speeches. If Jude had been behind the fence
|
|
he would have felt not a little surprised at learning
|
|
how very few of his sayings and doings on the previous evening were private.
|
|
|
|
"You've got him to care for 'ee a bit, 'nation if you han't!"
|
|
murmured Anny judicially. "It's well to be you!"
|
|
|
|
In a few moments Arabella replied in a curiously low, hungry tone
|
|
of latent sensuousness: "I've got him to care for me: yes! But I
|
|
want him to more than care for me; I want him to have me--to marry me!
|
|
I must have him. I can't do without him. He's the sort of man I
|
|
long for. I shall go mad if I can't give myself to him altogether!
|
|
I felt I should when I first saw him!"
|
|
|
|
"As he is a romancing, straightfor'ard, honest chap, he's to be had,
|
|
and as a husband, if you set about catching him in the right way."
|
|
|
|
Arabella remained thinking awhile. "What med be the right way?"
|
|
she asked.
|
|
|
|
"Oh you don't know--you don't!" said Sarah, the third girl.
|
|
|
|
"On my word I don't!--No further, that is, than by plain courting,
|
|
and taking care he don't go too far!"
|
|
|
|
The third girl looked at the second. "She DON'T know!"
|
|
|
|
"'Tis clear she don't!" said Anny.
|
|
|
|
"And having lived in a town, too, as one may say! Well, we can
|
|
teach 'ee som'at then, as well as you us."
|
|
|
|
"Yes. And how do you mean--a sure way to gain a man? Take me
|
|
for an innocent, and have done wi' it!"
|
|
|
|
"As a husband."
|
|
|
|
"As a husband."
|
|
|
|
"A countryman that's honourable and serious-minded such as he;
|
|
God forbid that I should say a sojer, or sailor, or commercial gent
|
|
from the towns, or any of them that be slippery with poor women!
|
|
I'd do no friend that harm!"
|
|
|
|
"Well, such as he, of course!"
|
|
|
|
Arabella's companions looked at each other, and turning up their eyes
|
|
in drollery began smirking. Then one went up close to Arabella, and,
|
|
although nobody was near, imparted some information in a low tone,
|
|
the other observing curiously the effect upon Arabella.
|
|
|
|
"Ah!" said the last-named slowly. "I own I didn't think of that
|
|
way! ... But suppose he ISN'T honourable? A woman had better
|
|
not have tried it!"
|
|
|
|
"Nothing venture nothing have! Besides, you make sure that he's
|
|
honourable before you begin. You'd be safe enough with yours.
|
|
I wish I had the chance! Lots of girls do it; or do you think they'd
|
|
get married at all?"
|
|
|
|
Arabella pursued her way in silent thought. "I'll try it!"
|
|
she whispered; but not to them.
|
|
|
|
VIII
|
|
|
|
ONE week's end Jude was as usual walking out to his aunt's at
|
|
Marygreen from his lodging in Alfredston, a walk which now had large
|
|
attractions for him quite other than his desire to see his aged and
|
|
morose relative. He diverged to the right before ascending the hill
|
|
with the single purpose of gaining, on his way, a glimpse of Arabella
|
|
that should not come into the reckoning of regular appointments.
|
|
Before quite reaching the homestead his alert eye perceived the top
|
|
of her head moving quickly hither and thither over the garden hedge.
|
|
Entering the gate he found that three young unfattened pigs
|
|
had escaped from their sty by leaping clean over the top,
|
|
and that she was endeavouring unassisted to drive them in through
|
|
the door which she had set open. The lines of her countenance
|
|
changed from the rigidity of business to the softness of love
|
|
when she saw Jude, and she bent her eyes languishingly upon him.
|
|
The animals took a vantage of the pause by doubling and bolting out
|
|
of the way.
|
|
|
|
"They were only put in this morning!" she cried, stimulated to pursue
|
|
in spite of her lover's presence. They were drove from Spaddleholt
|
|
Farm only yesterday, where Father bought 'em at a stiff price enough.
|
|
They are wanting to get home again, the stupid toads!
|
|
Will you shut the garden gate, dear, and help me to get 'em in.
|
|
There are no men folk at home, only Mother, and they'll be lost if we
|
|
don't mind."
|
|
|
|
He set himself to assist, and dodged this way and that over
|
|
the potato rows and the cabbages. Every now and then they
|
|
ran together, when he caught her for a moment an kissed her.
|
|
The first pig was got back promptly; the second with some difficulty;
|
|
the third a long-legged creature, was more obstinate and agile.
|
|
He plunged through a hole in the garden hedge, and into the lane.
|
|
|
|
"He'll be lost if I don't follow 'n!" said she. "Come along with me!"
|
|
|
|
She rushed in full pursuit out of the garden, Jude alongside her,
|
|
barely contriving to keep the fugitive in sight. Occasionally they
|
|
would shout to some boy to stop the animal, but he always wriggled
|
|
past and ran on as before.
|
|
|
|
"Let me take your hand, darling," said Jude. "You are getting out
|
|
of breath." She gave him her now hot hand with apparent willingness,
|
|
and they trotted along together.
|
|
|
|
"This comes of driving 'em home," she remarked. "They always know
|
|
the way back if you do that. They ought to have been carted over."
|
|
|
|
By this time the pig had reached an unfastened gate admitting to
|
|
the open down, across which he sped with all the agility his little
|
|
legs afforded. As soon as the pursuers had entered and ascended
|
|
to the top of the high ground it became apparent that they would
|
|
have to run all the way to the farmer's if they wished to get at him.
|
|
From this summit he could be seen as a minute speck, following an
|
|
unerring line towards his old home.
|
|
|
|
"It is no good!" cried Arabella. "He'll be there long before we get there.
|
|
It don't matter now we know he's not lost or stolen on the way.
|
|
They'll see it is ours, and send un back. Oh dear, how hot I be!"
|
|
|
|
Without relinquishing her hold of Jude's hand she swerved
|
|
aside and flung herself down on the sod under a stunted thorn,
|
|
precipitately pulling Jude on to his knees at the same time.
|
|
|
|
"Oh, I ask pardon--I nearly threw you down, didn't I! But I am
|
|
so tired!"
|
|
|
|
She lay supine, and straight as an arrow, on the sloping sod of this
|
|
hill-top, gazing up into the blue miles of sky, and still retaining
|
|
her warm hold of Jude's hand. He reclined on his elbow near her.
|
|
|
|
"We've run all this way for nothing," she went on, her form
|
|
heaving and falling in quick pants, her face flushed, her full
|
|
red lips parted, and a fine dew of perspiration on her skin.
|
|
"Well--why don't you speak, deary?"
|
|
|
|
"I'm blown too. It was all up hill."
|
|
|
|
They were in absolute solitude--the most apparent of all solitudes,
|
|
that of empty surrounding space. Nobody could be nearer than
|
|
a mile to them without their seeing him. They were, in fact,
|
|
on one of the summits of the county, and the distant landscape
|
|
around Christminster could be discerned from where they lay.
|
|
But Jude did not think of that then.
|
|
|
|
"Oh, I can see such a pretty thing up this tree," said Arabella.
|
|
"A sort of a--caterpillar, of the most loveliest green and yellow you
|
|
ever came across!"
|
|
|
|
"Where?" said Jude, sitting up.
|
|
|
|
"You can't see him there--you must come here," said she.
|
|
|
|
He bent nearer and put his head in front of hers. "No--I can't see it,"
|
|
he said.
|
|
|
|
"Why, on the limb there where it branches off--close to
|
|
the moving leaf--there!" She gently pulled him down beside her.
|
|
|
|
"I don't see it," he repeated, the back of his head against her cheek.
|
|
"But I can, perhaps, standing up." He stood accordingly,
|
|
placing himself in the direct line of her gaze.
|
|
|
|
"How stupid you are!" she said crossly, turning away her face.
|
|
|
|
"I don't care to see it, dear: why should I?" he replied looking
|
|
down upon her. "Get up, Abby."
|
|
|
|
"Why?"
|
|
|
|
"I want you to let me kiss you. I've been waiting to ever so long!"
|
|
|
|
She rolled round her face, remained a moment looking deedily aslant
|
|
at him; then with a slight curl of the lip sprang to her feet,
|
|
and exclaiming abruptly "I must mizzle!" walked off quickly homeward.
|
|
Jude followed and rejoined her.
|
|
|
|
"Just one!" he coaxed
|
|
|
|
"Shan't!" she said
|
|
|
|
He, surprised: "What's the matter?"
|
|
|
|
She kept her two lips resentfully together, and Jude followed
|
|
her like a pet lamb till she slackened her pace and walked
|
|
beside him, talking calmly on indifferent subjects, and always
|
|
checking him if he tried to take her hand or clasp her waist.
|
|
Thus they descended to the precincts of her father's homestead,
|
|
and Arabella went in, nodding good-bye to him with a supercilious,
|
|
affronted air.
|
|
|
|
"I expect I took too much liberty with her, somehow," Jude said
|
|
to himself, as he withdrew with a sigh and went on to Marygreen.
|
|
|
|
On Sunday morning the interior of Arabella's home was, as usual,
|
|
the scene of a grand weekly cooking, the preparation of the special
|
|
Sunday dinner. Her father was shaving before a little glass hung
|
|
on the mullion of the window, and her mother and Arabella herself
|
|
were shelling beans hard by. A neighbour passed on her way home
|
|
from morning service at the nearest church, and seeing Donn engaged
|
|
at the window with the razor, nodded and came in.
|
|
|
|
She at once spoke playfully to Arabella: "I zeed 'ee running
|
|
with 'un--hee-hee! I hope 'tis coming to something?"
|
|
|
|
Arabella merely threw a look of consciousness into her face without
|
|
raising her eyes.
|
|
|
|
"He's for Christminster, I hear, as soon as he can get there."
|
|
|
|
"Have you heard that lately--quite lately?" asked Arabella
|
|
with a jealous, tigerish indrawing of breath.
|
|
|
|
"Oh no! But it has been known a long time that it is his plan.
|
|
He's on'y waiting here for an opening. Ah well: he must walk about
|
|
with somebody, I s'pose. Young men don't mean much now-a-days. 'Tis
|
|
a sip here and a sip there with 'em. 'Twas different in my time."
|
|
|
|
When the gossip had departed Arabella said suddenly to her mother:
|
|
"I want you and Father to go and inquire how the Edlins be,
|
|
this evening after tea. Or no--there's evening service at Fensworth--
|
|
you can walk to that."
|
|
|
|
"Oh? What's up to-night, then?"
|
|
|
|
"Nothing. Only I want the house to myself. He's shy;
|
|
and I can't get un to come in when you are here. I shall let
|
|
him slip through my fingers if I don't mind, much as I care for 'n!"
|
|
|
|
"If it is fine we med as well go, since you wish."
|
|
|
|
In the afternoon Arabella met and walked with Jude, who had now for weeks
|
|
ceased to look into a book of Greek, Latin, or any other tongue.
|
|
They wandered up the slopes till they reached the green track along the ridge,
|
|
which they followed to the circular British earth-bank adjoining,
|
|
Jude thinking of the great age of the trackway, and of the drovers
|
|
who had frequented it, probably before the Romans knew the country.
|
|
Up from the level lands below them floated the chime of church bells.
|
|
Presently they were reduced to one note, which quickened,
|
|
and stopped.
|
|
|
|
"Now we'll go back," said Arabella, who had attended to the sounds.
|
|
|
|
Jude assented. So long as he was near her he minded little
|
|
where he was. When they arrived at her house he said lingeringly:
|
|
"I won't come in. Why are you in such a hurry to go in to-night? It
|
|
is not near dark."
|
|
|
|
"Wait a moment," said she. She tried the handle of the door
|
|
and found it locked.
|
|
|
|
"Ah--they are gone to church," she added. And searching behind
|
|
the scraper she found the key and unlocked the door. "Now, you'll
|
|
come in a moment?" she asked lightly. "We shall be all alone."
|
|
|
|
"Certainly," said Jude with alacrity, the case being unexpectedly altered.
|
|
|
|
Indoors they went. Did he want any tea? No, it was too late:
|
|
he would rather sit and talk to her. She took off her jacket and hat,
|
|
and they sat down--naturally enough close together.
|
|
|
|
"Don't touch me, please," she said softly. "I am part egg-shell. Or
|
|
perhaps I had better put it in a safe place." She began unfastening
|
|
the collar of her gown.
|
|
|
|
"What is it?" said her lover.
|
|
|
|
"An egg--a cochin's egg. I am hatching a very rare sort.
|
|
I carry it about everywhere with me, and it will get hatched in less
|
|
than three weeks."
|
|
|
|
"Where do you carry it?"
|
|
|
|
"Just here." She put her hand into her bosom and drew out the egg,
|
|
which was wrapped in wool, outside it being a piece of pig's bladder,
|
|
in case of accidents. Having exhibited it to him she put it back,
|
|
"Now mind you don't come near me. I don't want to get it broke,
|
|
and have to begin another."
|
|
|
|
"Why do you do such a strange thing?"
|
|
|
|
"It's an old custom. I suppose it is natural for a woman to want
|
|
to bring live things into the world."
|
|
|
|
"It is very awkward for me just now," he said, laughing.
|
|
|
|
"It serves you right. There--that's all you can have of me"
|
|
|
|
She had turned round her chair, and, reaching over the back of it,
|
|
presented her cheek to him gingerly.
|
|
|
|
"That's very shabby of you!"
|
|
|
|
"You should have catched me a minute ago when I had put
|
|
the egg down! There!" she said defiantly, "I am without it now!"
|
|
She had quickly withdrawn the egg a second time; but before he
|
|
could quite reach her she had put it back as quickly, laughing with
|
|
the excitement of her strategy. Then there was a little struggle,
|
|
Jude making a plunge for it and capturing it triumphantly.
|
|
Her face flushed; and becoming suddenly conscious he flushed also.
|
|
|
|
They looked at each other, panting; till he rose and said: "One kiss,
|
|
now I can do it without damage to property; and I'll go!"
|
|
|
|
But she had jumped up too. "You must find me first!" she cried.
|
|
|
|
Her lover followed her as she withdrew. It was now dark inside the room,
|
|
and the window being small he could not discover for a long time
|
|
what had become of her, till a laugh revealed her to have rushed
|
|
up the stairs, whither Jude rushed at her heels.
|
|
|
|
IX
|
|
|
|
IT was some two months later in the year, and the pair had met
|
|
constantly during the interval. Arabella seemed dissatisfied;
|
|
she was always imagining, and waiting, and wondering.
|
|
|
|
One day she met the itinerant Vilbert. She, like all the cottagers
|
|
thereabout, knew the quack well, and she began telling him of her
|
|
experiences. Arabella had been gloomy, but before he left her she had grown
|
|
brighter. That evening she kept an appointment with Jude, who seemed sad.
|
|
|
|
"I am going away," he said to her. "I think I ought to go.
|
|
I think it will be better both for you and for me. I wish
|
|
some things had never begun! I was much to blame, I know.
|
|
But it is never too late to mend."
|
|
|
|
Arabella began to cry. "How do you know it is not too late?"
|
|
she said. "That's all very well to say! I haven't told you yet!"
|
|
and she looked into his face with streaming eyes.
|
|
|
|
"What?" he asked, turning pale. "Not ... ?"
|
|
|
|
"Yes! And what shall I do if you desert me?"
|
|
|
|
"Oh, Arabella--how can you say that, my dear! You _know_ I wouldn't
|
|
desert you!"
|
|
|
|
"Well then----
|
|
|
|
"I have next to no wages as yet, you know; or perhaps I should
|
|
have thought of this before.... But, of course if that's the case,
|
|
we must marry! What other thing do you think I could dream of doing?"
|
|
|
|
"I thought--I thought, deary, perhaps you would go away all the more
|
|
for that, and leave me to face it alone!"
|
|
|
|
"You knew better! Of course I never dreamt six months ago,
|
|
or even three, of marrying. It is a complete smashing up
|
|
of my plans--I mean my plans before I knew you, my dear.
|
|
But what are they, after all! Dreams about books, and degrees,
|
|
and impossible fellowships, and all that. Certainly we'll marry:
|
|
we must!"
|
|
|
|
That night he went out alone, and walked in the dark self-communing. He
|
|
knew well, too well, in the secret centre of his brain, that Arabella
|
|
was not worth a great deal as a specimen of womankind. Yet, such being
|
|
the custom of the rural districts among honourable young men who had
|
|
drifted so far into intimacy with a woman as he unfortunately had done,
|
|
he was ready to abide by what he had said, and take the consequences.
|
|
For his own soothing he kept up a factitious belief in her.
|
|
His idea of her was the thing of most consequence, not Arabella herself,
|
|
he sometimes said laconically.
|
|
|
|
The banns were put in and published the very next Sunday.
|
|
The people of the parish all said what a simple fool young Fawley was.
|
|
All his reading had only come to this, that he would have to sell his
|
|
books to buy saucepans. Those who guessed the probable state of affairs,
|
|
Arabella's parents being among them, declared that it was the sort
|
|
of conduct they would have expected of such an honest young man as Jude
|
|
in reparation of the wrong he had done his innocent sweetheart.
|
|
The parson who married them seemed to think it satisfactory too.
|
|
And so, standing before the aforesaid officiator, the two swore
|
|
that at every other time of their lives till death took them,
|
|
they would assuredly believe, feel, and desire precisely as they
|
|
had believed, felt, and desired during the few preceding weeks.
|
|
What was as remarkable as the undertaking itself was the fact that nobody
|
|
seemed at all surprised at what they swore.
|
|
|
|
Fawley's aunt being a baker she made him a bride-cake, saying
|
|
bitterly that it was the last thing she could do for him,
|
|
poor silly fellow; and that it would have been far better if,
|
|
instead of his living to trouble her, he had gone underground years
|
|
before with his father and mother. Of this cake Arabella took
|
|
some slices, wrapped them up in white note-paper, and sent them
|
|
to her companions in the pork-dressing business, Anny and Sarah,
|
|
labelling each packet _"In remembrance of good advice."_
|
|
|
|
The prospects of the newly married couple were certainly not very brilliant
|
|
even to the most sanguine mind. He, a stone-mason's apprentice,
|
|
nineteen years of age, was working for half wages till he should be
|
|
out of his time. His wife was absolutely useless in a town-lodging,
|
|
where he at first had considered it would be necessary for them to live.
|
|
But the urgent need of adding to income in ever so little a degree
|
|
caused him to take a lonely roadside cottage between the Brown House
|
|
and Marygreen, that he might have the profits of a vegetable garden,
|
|
and utilize her past experiences by letting her keep a pig.
|
|
But it was not the sort of life he had bargained for, and it
|
|
was a long way to walk to and from Alfredston every day.
|
|
Arabella, however, felt that all these make-shifts were temporary;
|
|
she had gained a husband; that was the thing--a husband with a lot
|
|
of earning power in him for buying her frocks and hats when he
|
|
should begin to get frightened a bit, and stick to his trade,
|
|
and throw aside those stupid books for practical undertakings.
|
|
|
|
So to the cottage he took her on the evening of the marriage,
|
|
giving up his old room at his aunt's--where so much of the hard
|
|
labour at Greek and Latin had been carried on.
|
|
|
|
A little chill overspread him at her first unrobing. A long
|
|
tail of hair, which Arabella wore twisted up in an enormous knob
|
|
at the back of her head, was deliberately unfastened, stroked out,
|
|
and hung upon the looking-glass which he had bought her.
|
|
|
|
"What--it wasn't your own?" he said, with a sudden distaste for her.
|
|
|
|
"Oh no--it never is nowadays with the better class."
|
|
|
|
"Nonsense! Perhaps not in towns. But in the country it is supposed
|
|
to be different. Besides, you've enough of your own, surely?"
|
|
|
|
"Yes, enough as country notions go. But in town the men expect more,
|
|
and when I was barmaid at Aldbrickham----"
|
|
|
|
"Barmaid at Aldbrickham?"
|
|
|
|
"Well, not exactly barmaid--I used to draw the drink at
|
|
a public-house there--just for a little time; that was all.
|
|
Some people put me up to getting this, and I bought it just for a fancy.
|
|
The more you have the better in Aldbrickham, which is a finer town
|
|
than all your Christminsters. Every lady of position wears false hair--
|
|
the barber's assistant told me so."
|
|
|
|
Jude thought with a feeling of sickness that though this might be
|
|
true to some extent, for all that he knew, many unsophisticated
|
|
girls would and did go to towns and remain there for years without
|
|
losing their simplicity of life and embellishments. Others, alas,
|
|
had an instinct towards artificiality in their very blood,
|
|
and became adepts in counterfeiting at the first glimpse of it.
|
|
However, perhaps there was no great sin in a woman adding to her hair,
|
|
and he resolved to think no more of it.
|
|
|
|
A new-made wife can usually manage to excite interest for a few weeks,
|
|
even though the prospects of the house-hold ways and means are cloudy.
|
|
There is a certain piquancy about her situation, and her manner to her
|
|
acquaintance at the sense of it, which carries off the gloom of facts,
|
|
and renders even the humblest bride independent awhile of the real.
|
|
Mrs. Jude Fawley was walking in the streets of Alfredston one market-day
|
|
with this quality in her carriage when she met Anny her former friend,
|
|
whom she had not seen since the wedding.
|
|
|
|
As usual they laughed before talking; the world seemed funny to them
|
|
without saying it.
|
|
|
|
"So it turned out a good plan, you see!" remarked the girl to the wife.
|
|
"I knew it would with such as him. He's a dear good fellow, and you
|
|
ought to be proud of un."
|
|
|
|
"I am," said Mrs. Fawley quietly.
|
|
|
|
"And when do you expect?"
|
|
|
|
"Ssh! Not at all."
|
|
|
|
"What!"
|
|
|
|
"I was mistaken."
|
|
|
|
"Oh, Arabella, Arabella; you be a deep one! Mistaken! well, that's clever--
|
|
it's a real stroke of genius! It is a thing I never thought o', wi'
|
|
all my experience! I never thought beyond bringing about the real thing--
|
|
not that one could sham it!"
|
|
|
|
"Don't you be too quick to cry sham! 'Twasn't sham. I didn't know."
|
|
|
|
"My word--won't he be in a taking! He'll give it to 'ee o'
|
|
Saturday nights! Whatever it was, he'll say it was a trick--
|
|
a double one, by the Lord!"
|
|
|
|
"I'll own to the first, but not to the second.... Pooh--
|
|
he won't care! He'll be glad I was wrong in what I said.
|
|
He'll shake down, bless 'ee--men always do. What can 'em do otherwise?
|
|
Married is married."
|
|
|
|
Nevertheless it was with a little uneasiness that Arabella approached
|
|
the time when in the natural course of things she would have to
|
|
reveal that the alarm she had raised had been without foundation.
|
|
The occasion was one evening at bedtime, and they were in their
|
|
chamber in the lonely cottage by the wayside to which Jude walked home
|
|
from his work every day. He had worked hard the whole twelve hours,
|
|
and had retired to rest before his wife. When she came into the room
|
|
he was between sleeping and waking, and was barely conscious of her
|
|
undressing before the little looking-glass as he lay.
|
|
|
|
One action of hers, however, brought him to full cognition.
|
|
Her face being reflected towards him as she sat, he could perceive
|
|
that she was amusing herself by artificially producing in each
|
|
cheek the dimple before alluded to, a curious accomplishment
|
|
of which she was mistress, effecting it by a momentary suction.
|
|
It seemed to him for the first time that the dimples were far oftener
|
|
absent from her face during his intercourse with her nowadays than they
|
|
had been in the earlier weeks of their acquaintance.
|
|
|
|
"Don't do that, Arabella!" he said suddenly. "There is no harm
|
|
in it, but--I don't like to see you."
|
|
|
|
She turned and laughed. "Lord, I didn't know you were awake!"
|
|
she said. "How countrified you are! That's nothing."
|
|
|
|
"Where did you learn it?"
|
|
|
|
"Nowhere that I know of. They used to stay without any trouble when I
|
|
was at the public-house; but now they won't. My face was fatter then."
|
|
|
|
"I don't care about dimples. I don't think they improve a woman--
|
|
particularly a married woman, and of full-sized figure like you."
|
|
|
|
"Most men think otherwise."
|
|
|
|
"I don't care what most men think, if they do. How do you know?"
|
|
|
|
"I used to be told so when I was serving in the tap-room."
|
|
|
|
"Ah--that public-house experience accounts for your knowing about the
|
|
adulteration of the ale when we went and had some that Sunday evening. I
|
|
thought when I married you that you had always lived in your father's house."
|
|
|
|
"You ought to have known better than that, and seen I was a little
|
|
more finished than I could have been by staying where I was born.
|
|
There was not much to do at home, and I was eating my head off, so I
|
|
went away for three months."
|
|
|
|
"You'll soon have plenty to do now, dear, won't you?"
|
|
|
|
"How do you mean?"
|
|
|
|
"Why, of course--little things to make."
|
|
|
|
"Oh."
|
|
|
|
"When will it be? Can't you tell me exactly, instead of in such
|
|
general terms as you have used?"
|
|
|
|
"Tell you?"
|
|
|
|
"Yes--the date."
|
|
|
|
"There's nothing to tell. I made a mistake."
|
|
|
|
"What?"
|
|
|
|
"It was a mistake."
|
|
|
|
He sat bolt upright in bed and looked at her. "How can that be?"
|
|
|
|
"Women fancy wrong things sometimes."
|
|
|
|
"But--! Why, of course, so unprepared as I was, without a stick
|
|
of furniture, and hardly a shilling, I shouldn't have hurried
|
|
on our affair, and brought you to a half-furnished hut before I
|
|
was ready, if it had not been for the news you gave me, which made
|
|
it necessary to save you, ready or no.... Good God!"
|
|
|
|
"Don't take on, dear. What's done can't be undone."
|
|
|
|
"I have no more to say!"
|
|
|
|
He gave the answer simply, and lay down; and there was silence
|
|
between them.
|
|
|
|
When Jude awoke the next morning he seemed to see the world with a
|
|
different eye. As to the point in question he was compelled to accept
|
|
her word; in the circumstances he could not have acted otherwise
|
|
while ordinary notions prevailed. But how came they to prevail?
|
|
|
|
There seemed to him, vaguely and dimly, something wrong in a social
|
|
ritual which made necessary a cancelling of well-formed schemes
|
|
involving years of thought and labour, of foregoing a man's one
|
|
opportunity of showing himself superior to the lower animals,
|
|
and of contributing his units of work to the general progress
|
|
of his generation, because of a momentary surprise by a new and
|
|
transitory instinct which had nothing in it of the nature of vice,
|
|
and could be only at the most called weakness. He was inclined
|
|
to inquire what he had done, or she lost, for that matter,
|
|
that he deserved to be caught in a gin which would cripple him,
|
|
if not her also, for the rest of a lifetime? There was perhaps
|
|
something fortunate in the fact that the immediate reason of his
|
|
marriage had proved to be non-existent. But the marriage remained.
|
|
|
|
X
|
|
|
|
THE time arrived for killing the pig which Jude and his wife had
|
|
fattened in their sty during the autumn months, and the butchering
|
|
was timed to take place as soon as it was light in the morning,
|
|
so that Jude might get to Alfredston without losing more than
|
|
a quarter of a day.
|
|
|
|
The night had seemed strangely silent. Jude looked out of the window
|
|
long before dawn, and perceived that the ground was covered with snow--
|
|
snow rather deep for the season, it seemed, a few flakes still falling.
|
|
|
|
"I'm afraid the pig-killer won't be able to come," he said to Arabella.
|
|
|
|
"Oh, he'll come. You must get up and make the water hot, if you
|
|
want Challow to scald him. Though I like singeing best."
|
|
|
|
"I'll get up," said Jude. "I like the way of my own county."
|
|
|
|
He went downstairs, lit the fire under the copper, and began feeding
|
|
it with bean-stalks, all the time without a candle, the blaze flinging
|
|
a cheerful shine into the room; though for him the sense of cheerfulness
|
|
was lessened by thoughts on the reason of that blaze--to heat water
|
|
to scald the bristles from the body of an animal that as yet lived,
|
|
and whose voice could be continually heard from a corner of the garden.
|
|
At half-past six, the time of appointment with the butcher,
|
|
the water boiled, and Jude's wife came downstairs.
|
|
|
|
"Is Challow come?" she asked.
|
|
|
|
"No."
|
|
|
|
They waited, and it grew lighter, with the dreary light of a snowy dawn.
|
|
She went out, gazed along the road, and returning said, "He's not coming.
|
|
Drunk last night, I expect. The snow is not enough to hinder him, surely!"
|
|
|
|
"Then we must put it off. It is only the water boiled for nothing.
|
|
The snow may be deep in the valley."
|
|
|
|
"Can't be put off. There's no more victuals for the pig.
|
|
He ate the last mixing o' barleymeal yesterday morning."
|
|
|
|
"Yesterday morning? What has he lived on since?"
|
|
|
|
"Nothing."
|
|
|
|
"What--he has been starving?"
|
|
|
|
"Yes. We always do it the last day or two, to save bother
|
|
with the innerds. What ignorance, not to know that!"
|
|
|
|
"That accounts for his crying so. Poor creature!"
|
|
|
|
"Well--you must do the sticking--there's no help for it.
|
|
I'll show you how. Or I'll do it myself--I think I could.
|
|
Though as it is such a big pig I had rather Challow had done it.
|
|
However, his basket o' knives and things have been already sent on here,
|
|
and we can use 'em."
|
|
|
|
"Of course you shan't do it," said Jude. "I'll do it, since it
|
|
must be done."
|
|
|
|
He went out to the sty, shovelled away the snow for the space
|
|
of a couple of yards or more, and placed the stool in front,
|
|
with the knives and ropes at hand. A robin peered down at the
|
|
preparations from the nearest tree, and, not liking the sinister
|
|
look of the scene, flew away, though hungry. By this time Arabella
|
|
had joined her husband, and Jude, rope in hand, got into the sty,
|
|
and noosed the affrighted animal, who, beginning with a squeak
|
|
of surprise, rose to repeated cries of rage. Arabella opened
|
|
the sty-door, and together they hoisted the victim on to the stool,
|
|
legs upward, and while Jude held him Arabella bound him down,
|
|
looping the cord over his legs to keep him from struggling.
|
|
|
|
The animal's note changed its quality. It was not now rage,
|
|
but the cry of despair; long-drawn, slow and hopeless.
|
|
|
|
"Upon my soul I would sooner have gone without the pig than have had
|
|
this to do!" said Jude. "A creature I have fed with my own hands."
|
|
|
|
"Don't be such a tender-hearted fool! There's the sticking-knife--
|
|
the one with the point. Now whatever you do, don't stick un
|
|
too deep."
|
|
|
|
"I'll stick him effectually, so as to make short work of it.
|
|
That's the chief thing."
|
|
|
|
"You must not!" she cried. "The meat must be well bled,
|
|
and to do that he must die slow. We shall lose a shilling a score
|
|
if the meat is red and bloody! Just touch the vein, that's all.
|
|
I was brought up to it, and I know. Every good butcher keeps
|
|
un bleeding long. He ought to be eight or ten minutes dying,
|
|
at least."
|
|
|
|
"He shall not be half a minute if I can help it, however the meat
|
|
may look," said Jude determinedly. Scraping the bristles from the pig's
|
|
upturned throat, as he had seen the butchers do, he slit the fat;
|
|
then plunged in the knife with all his might.
|
|
|
|
"'Od damn it all!" she cried, "that ever I should say it!
|
|
You've over-stuck un! And I telling you all the time----"
|
|
|
|
"Do be quiet, Arabella, and have a little pity on the creature!"
|
|
|
|
"Hold up the pail to catch the blood, and don't talk!"
|
|
|
|
However unworkmanlike the deed, it had been mercifully done.
|
|
The blood flowed out in a torrent instead of in the trickling stream she
|
|
had desired. The dying animal's cry assumed its third and final tone,
|
|
the shriek of agony; his glazing eyes riveting themselves on Arabella
|
|
with the eloquently keen reproach of a creature recognizing at last
|
|
the treachery of those who had seemed his only friends.
|
|
|
|
"Make un stop that!" said Arabella. "Such a noise will bring somebody
|
|
or other up here, and I don't want people to know we are doing
|
|
it ourselves." Picking up the knife from the ground whereon Jude
|
|
had flung it, she slipped it into the gash, and slit the windpipe.
|
|
The pig was instantly silent, his dying breath coming through
|
|
the hole
|
|
|
|
"That's better," she said.
|
|
|
|
"It is a hateful business!" said he.
|
|
|
|
"Pigs must be killed."
|
|
|
|
The animal heaved in a final convulsion, and, despite the rope,
|
|
kicked out with all his last strength. A tablespoonful of black clot
|
|
came forth, the trickling of red blood having ceased for some seconds.
|
|
|
|
"That's it; now he'll go," said she. "Artful creatures--
|
|
they always keep back a drop like that as long as they can!"
|
|
|
|
The last plunge had come so unexpectedly as to make Jude stagger,
|
|
and in recovering himself he kicked over the vessel in which the blood
|
|
had been caught.
|
|
|
|
"There!" she cried, thoroughly in a passion. "Now I can't make
|
|
any blackpot. There's a waste, all through you!"
|
|
|
|
Jude put the pail upright, but only about a third of the whole
|
|
steaming liquid was left in it, the main part being splashed
|
|
over the snow, and forming a dismal, sordid, ugly spectacle--
|
|
to those who saw it as other than an ordinary obtaining of meat.
|
|
The lips and nostrils of the animal turned livid, then white,
|
|
and the muscles of his limbs relaxed.
|
|
|
|
"Thank God!" Jude said. "He's dead."
|
|
|
|
"What's God got to do with such a messy job as a pig-killing, I
|
|
should like to know!" she said scornfully. "Poor folks must live."
|
|
|
|
"I know, I know," said he. "I don't scold you."
|
|
|
|
Suddenly they became aware of a voice at hand.
|
|
|
|
"Well done, young married volk! I couldn't have carried it out much
|
|
better myself, cuss me if I could!" The voice, which was husky,
|
|
came from the garden-gate, and looking up from the scene of slaughter
|
|
they saw the burly form of Mr. Challow leaning over the gate,
|
|
critically surveying their performance.
|
|
|
|
"'Tis well for 'ee to stand there and glane!" said Arabella.
|
|
"Owing to your being late the meat is blooded and half spoiled!
|
|
'Twon't fetch so much by a shilling a score!"
|
|
|
|
Challow expressed his contrition. "You should have waited
|
|
a bit" he said, shaking his head, "and not have done this--
|
|
in the delicate state, too, that you be in at present, ma'am. 'Tis
|
|
risking yourself too much."
|
|
|
|
"You needn't be concerned about that," said Arabella, laughing.
|
|
Jude too laughed, but there was a strong flavour of bitterness
|
|
in his amusement.
|
|
|
|
Challow made up for his neglect of the killing by zeal in the scalding
|
|
and scraping. Jude felt dissatisfied with himself as a man at what he
|
|
had done, though aware of his lack of common sense, and that the deed
|
|
would have amounted to the same thing if carried out by deputy.
|
|
The white snow, stained with the blood of his fellow-mortal, wore
|
|
an illogical look to him as a lover of justice, not to say a Christian;
|
|
but he could not see how the matter was to be mended. No doubt he was,
|
|
as his wife had called him, a tender-hearted fool.
|
|
|
|
He did not like the road to Alfredston now. It stared him cynically
|
|
in the face. The wayside objects reminded him so much of his courtship
|
|
of his wife that, to keep them out of his eyes, he read whenever
|
|
he could as he walked to and from his work. Yet he sometimes felt
|
|
that by caring for books he was not escaping common-place nor
|
|
gaining rare ideas, every working-man being of that taste now.
|
|
When passing near the spot by the stream on which he had first
|
|
made her acquaintance he one day heard voices just as he had done
|
|
at that earlier time. One of the girls who had been Arabella's
|
|
companions was talking to a friend in a shed, himself being the subject
|
|
of discourse, possibly because they had seen him in the distance.
|
|
They were quite unaware that the shed-walls were so thin that he
|
|
could hear their words as he passed.
|
|
|
|
"Howsomever, 'twas I put her up to it! 'Nothing venture nothing have,'
|
|
I said. If I hadn't she'd no more have been his mis'ess than I."
|
|
|
|
"'Tis my belief she knew there was nothing the matter when she told
|
|
him she was ..."
|
|
|
|
What had Arabella been put up to by this woman, so that he
|
|
should make her his "mis'ess," otherwise wife? The suggestion
|
|
was horridly unpleasant, and it rankled in his mind so much
|
|
that instead of entering his own cottage when he reached it
|
|
he flung his basket inside the garden-gate and passed on,
|
|
determined to go and see his old aunt and get some supper there.
|
|
|
|
This made his arrival home rather late. Arabella however,
|
|
was busy melting down lard from fat of the deceased pig,
|
|
for she had been out on a jaunt all day, and so delayed her work.
|
|
Dreading lest what he had heard should lead him to say something
|
|
regrettable to her he spoke little. But Arabella was very talkative,
|
|
and said among other things that she wanted some money.
|
|
Seeing the book sticking out of his pocket she added that he ought
|
|
to earn more.
|
|
|
|
"An apprentice's wages are not meant to be enough to keep a wife on,
|
|
as a rule, my dear."
|
|
|
|
"Then you shouldn't have had one."
|
|
|
|
"Come, Arabella! That's too bad, when you know how it came about."
|
|
|
|
"I'll declare afore Heaven that I thought what I told you was true.
|
|
Doctor Vilbert thought so. It was a good job for you that it
|
|
wasn't so!"
|
|
|
|
"I don't mean that," he said hastily. "I mean before that time.
|
|
I know it was not your fault; but those women friends of yours
|
|
gave you bad advice. If they hadn't, or you hadn't taken it,
|
|
we should at this moment have been free from a bond which, not to
|
|
mince matters, galls both of us devilishly. It may be very sad,
|
|
but it is true."
|
|
|
|
"Who's been telling you about my friends? What advice?
|
|
I insist upon you telling me."
|
|
|
|
"Pooh--I d rather not."
|
|
|
|
"But you shall--you ought to. It is mean of 'ee not to!"
|
|
|
|
"Very well." And he hinted gently what had been revealed to him.
|
|
"But I don't wish to dwell upon it. Let us say no more about it."
|
|
|
|
Her defensive manner collapsed. "That was nothing," she said,
|
|
laughing coldly. "Every woman has a right to do such as that.
|
|
The risk is hers."
|
|
|
|
"I quite deny it, Bella. She might if no lifelong penalty attached
|
|
to it for the man, or, in his default, for herself; if the weakness
|
|
of the moment could end with the moment, or even with the year.
|
|
But when effects stretch so far she should not go and do that which
|
|
entraps a man if he is honest, or herself if he is otherwise."
|
|
|
|
"What ought I to have done?"
|
|
|
|
"Given me time.... Why do you fuss yourself about melting down
|
|
that pig's fat to-night? Please put it away!"
|
|
|
|
"Then I must do it to-morrow morning. It won't keep."
|
|
|
|
"Very well--do."
|
|
|
|
XI
|
|
|
|
NEXT morning, which was Sunday, she resumed operations about ten o'clock;
|
|
and the renewed work recalled the conversation which had accompanied
|
|
it the night before, and put her back into the same intractable temper.
|
|
|
|
"That's the story about me in Marygreen, is it--that I entrapped 'ee?
|
|
Much of a catch you were, Lord send!" As she warmed she saw
|
|
some of Jude's dear ancient classics on a table where they ought
|
|
not to have been laid. "I won't have them books here in the way!"
|
|
she cried petulantly; and seizing them one by one she began throwing
|
|
them upon the floor.
|
|
|
|
"Leave my books alone!" he said. "You might have thrown them aside
|
|
if you had liked, but as to soiling them like that, it is disgusting!"
|
|
In the operation of making lard Arabella's hands had become smeared
|
|
with the hot grease, and her fingers consequently left very perceptible
|
|
imprints on the book-covers. She continued deliberately to toss
|
|
the books severally upon the floor, till Jude, incensed beyond bearing,
|
|
caught her by the arms to make her leave off. Somehow, in going so,
|
|
he loosened the fastening of her hair, and it rolled about her ears.
|
|
|
|
"Let me go!" she said.
|
|
|
|
"Promise to leave the books alone."
|
|
|
|
She hesitated. "Let me go!" she repeated.
|
|
|
|
"Promise!"
|
|
|
|
After a pause: "I do."
|
|
|
|
Jude relinquished his hold, and she crossed the room to the door,
|
|
out of which she went with a set face, and into the highway. Here she
|
|
began to saunter up and down, perversely pulling her hair into a worse
|
|
disorder than he had caused, and unfastening several buttons of her gown.
|
|
It was a fine Sunday morning, dry, clear and frosty, and the bells
|
|
of Alfredston Church could be heard on the breeze from the north.
|
|
People were going along the road, dressed in their holiday clothes;
|
|
they were mainly lovers--such pairs as Jude and Arabella had been
|
|
when they sported along the same track some months earlier.
|
|
These pedestrians turned to stare at the extraordinary spectacle she
|
|
now presented, bonnetless, her dishevelled hair blowing in the wind,
|
|
her bodice apart her sleeves rolled above her elbows for her work, and her
|
|
hands reeking with melted fat. One of the passers said in mock terror:
|
|
"Good Lord deliver us!"
|
|
|
|
"See how he's served me!" she cried. "Making me work Sunday mornings
|
|
when I ought to be going to my church, and tearing my hair off my head,
|
|
and my gown off my back!"
|
|
|
|
Jude was exasperated, and went out to drag her in by main force.
|
|
Then he suddenly lost his heat. Illuminated with the sense that all
|
|
was over between them, and that it mattered not what she did, or he,
|
|
her husband stood still, regarding her. Their lives were ruined,
|
|
he thought; ruined by the fundamental error of their matrimonial union:
|
|
that of having based a permanent contract on a temporary feeling
|
|
which had no necessary connection with affinities that alone render
|
|
a lifelong comradeship tolerable.
|
|
|
|
"Going to ill-use me on principle, as your father ill-used your mother,
|
|
and your father's sister ill-used her husband?" she asked.
|
|
"All you be a queer lot as husbands and wives!"
|
|
|
|
Jude fixed an arrested, surprised look on her. But she said
|
|
no more, and continued her saunter till she was tired.
|
|
He left the spot, and, after wandering vaguely a little while,
|
|
walked in the direction of Marygreen. Here he called upon his
|
|
great-aunt, whose infirmities daily increased.
|
|
|
|
"Aunt--did my father ill-use my mother, and my aunt her husband?"
|
|
said Jude abruptly, sitting down by the fire.
|
|
|
|
She raised her ancient eyes under the rim of the by-gone bonnet
|
|
that she always wore. "Who's been telling you that?" she said.
|
|
|
|
"I have heard it spoken of, and want to know all."
|
|
|
|
"You med so well, I s'pose; though your wife--I reckon 'twas she--
|
|
must have been a fool to open up that! There isn't much to know after all.
|
|
Your father and mother couldn't get on together, and they parted.
|
|
It was coming home from Alfredston market, when you were a baby--
|
|
on the hill by the Brown House barn--that they had their
|
|
last difference, and took leave of one another for the last time.
|
|
Your mother soon afterwards died--she drowned herself, in short,
|
|
and your father went away with you to South Wessex, and never came here
|
|
any more."
|
|
|
|
Jude recalled his father's silence about North Wessex and Jude's mother,
|
|
never speaking of either till his dying day.
|
|
|
|
"It was the same with your father's sister. Her husband offended her,
|
|
and she so disliked living with him afterwards that she went away
|
|
to London with her little maid. The Fawleys were not made for wedlock:
|
|
it never seemed to sit well upon us. There's sommat in our blood
|
|
that won't take kindly to the notion of being bound to do what we do
|
|
readily enough if not bound. That's why you ought to have hearkened
|
|
to me, and not ha' married."
|
|
|
|
"Where did Father and Mother part--by the Brown House, did you say?"
|
|
|
|
"A little further on--where the road to Fenworth branches off,
|
|
and the handpost stands. A gibbet once stood there not onconnected
|
|
with our history. But let that be."
|
|
|
|
In the dusk of that evening Jude walked away from his old
|
|
aunt's as if to go home. But as soon as he reached the open
|
|
down he struck out upon it till he came to a large round pond.
|
|
The frost continued, though it was not particularly sharp,
|
|
and the larger stars overhead came out slow and flickering.
|
|
Jude put one foot on the edge of the ice, and then the other:
|
|
it cracked under his weight; but this did not deter him. He ploughed
|
|
his way inward to the centre, the ice making sharp noises as he went.
|
|
When just about the middle he looked around him and gave a jump.
|
|
The cracking repeated itself; but he did not go down. He jumped again,
|
|
but the cracking had ceased. Jude went back to the edge, and stepped upon
|
|
the ground.
|
|
|
|
It was curious, he thought. What was he reserved for?
|
|
He supposed he was not a sufficiently dignified person for suicide.
|
|
Peaceful death abhorred him as a subject, and would not take him.
|
|
|
|
What could he do of a lower kind than self-extermination; what was
|
|
there less noble, more in keeping with his present degraded position?
|
|
He could get drunk. Of course that was it; he had forgotten.
|
|
Drinking was the regular, stereotyped resource of the despairing worthless.
|
|
He began to see now why some men boozed at inns. He struck down
|
|
the hill northwards and came to an obscure public-house. On entering
|
|
and sitting down the sight of the picture of Samson and Delilah
|
|
on the wall caused him to recognize the place as that he had visited
|
|
with Arabella on that first Sunday evening of their courtship.
|
|
He called for liquor and drank briskly for an hour or more.
|
|
|
|
Staggering homeward late that night, with all his sense of depression gone,
|
|
and his head fairly clear still, he began to laugh boisterously,
|
|
and to wonder how Arabella would receive him in his new aspect.
|
|
The house was in darkness when he entered, and in his stumbling state
|
|
it was some time before he could get a light. Then he found that,
|
|
though the marks of pig-dressing, of fats and scallops, were visible,
|
|
the materials themselves had been taken away. A line written by his
|
|
wife on the inside of an old envelope was pinned to the cotton blower
|
|
of the fireplace:
|
|
|
|
"HAVE GONE TO MY FRIENDS. SHALL NOT RETURN."
|
|
|
|
All the next day he remained at home, and sent off the carcase
|
|
of the pig to Alfredston. He then cleaned up the premises,
|
|
locked the door, put the key in a place she would know if she came back,
|
|
and returned to his masonry at Alfredston.
|
|
|
|
At night when he again plodded home he found she had not visited
|
|
the house. The next day went in the same way, and the next.
|
|
Then there came a letter from her.
|
|
|
|
That she had gone tired of him she frankly admitted. He was such
|
|
a slow old coach, and she did not care for the sort of life he led.
|
|
There was no prospect of his ever bettering himself or her.
|
|
She further went on to say that her parents had, as he knew,
|
|
for some time considered the question of emigrating to Australia,
|
|
the pig-jobbing business being a poor one nowadays. They had at last
|
|
decided to go, and she proposed to go with them, if he had no objection.
|
|
A woman of her sort would have more chance over there than in this
|
|
stupid country.
|
|
|
|
Jude replied that he had not the least objection to her going.
|
|
He thought it a wise course, since she wished to go, and one that might
|
|
be to the advantage of both. He enclosed in the packet containing
|
|
the letter the money that had been realized by the sale of the pig,
|
|
with all he had besides, which was not much.
|
|
|
|
From that day he heard no more of her except indirectly,
|
|
though her father and his household did not immediately leave,
|
|
but waited till his goods and other effects had been sold off.
|
|
When Jude learnt that there was to be an auction at the house of
|
|
the Donns he packed his own household goods into a waggon, and sent
|
|
them to her at the aforesaid homestead, that she might sell them
|
|
with the rest, or as many of them as she should choose.
|
|
|
|
He then went into lodgings at Alfredston, and saw in a shopwindow
|
|
the little handbill announcing the sale of his father-in-law's furniture.
|
|
He noted its date, which came and passed without Jude's going
|
|
near the place, or perceiving that the traffic out of Alfredston
|
|
by the southern road was materially increased by the auction.
|
|
A few days later he entered a dingy broker's shop in the main street
|
|
of the town, and amid a heterogeneous collection of saucepans,
|
|
a clothes-horse, rolling-pin, brass candlestick, swing looking-glass,
|
|
and other things at the back of the shop, evidently just brought
|
|
in from a sale, he perceived a framed photograph, which turned out
|
|
to be his own portrait.
|
|
|
|
It was one which he had had specially taken and framed by a local
|
|
man in bird's-eye maple, as a present for Arabella, and had duly
|
|
given her on their wedding-day. On the back was still to be read,
|
|
"JUDE TO ARABELLA," with the date. She must have thrown it in with
|
|
the rest of her property at the auction.
|
|
|
|
"Oh," said the broker, seeing him look at this and the other articles
|
|
in the heap, and not perceiving that the portrait was of himself:
|
|
"It is a small lot of stuff that was knocked down to me at a cottage
|
|
sale out on the road to Marygreen. The frame is a very useful one,
|
|
if you take out the likeness. You shall have it for a shilling."
|
|
|
|
The utter death of every tender sentiment in his wife, as brought
|
|
home to him by this mute and undesigned evidence of her sale
|
|
of his portrait and gift, was the conclusive little stroke
|
|
required to demolish all sentiment in him. He paid the shilling,
|
|
took the photograph away with him, and burnt it, frame and all,
|
|
when he reached his lodging.
|
|
|
|
Two or three days later he heard that Arabella and her parents
|
|
had departed. He had sent a message offering to see her for a formal
|
|
leave-taking, but she had said that it would be better otherwise,
|
|
since she was bent on going, which perhaps was true. On the evening
|
|
following their emigration, when his day's work was done, he came
|
|
out of doors after supper, and strolled in the starlight along
|
|
the too familiar road towards the upland whereon had been experienced
|
|
the chief emotions of his life. It seemed to be his own again.
|
|
|
|
He could not realize himself. On the old track he seemed to be
|
|
a boy still, hardly a day older than when he had stood dreaming at
|
|
the top of that hill, inwardly fired for the first time with ardours
|
|
for Christminster and scholarship. "Yet I am a man," he said.
|
|
"I have a wife. More, I have arrived at the still riper stage
|
|
of having disagreed with her, disliked her, had a scuffle with her,
|
|
and parted from her."
|
|
|
|
He remembered then that he was standing not far from the spot
|
|
at which the parting between his father and his mother was said
|
|
to have occurred.
|
|
|
|
A little further on was the summit whence Christminster,
|
|
or what he had taken for that city, had seemed to be visible.
|
|
A milestone, now as always, stood at the roadside hard by.
|
|
Jude drew near it, and felt rather than read the mileage to the city.
|
|
He remembered that once on his way home he had proudly cut with
|
|
his keen new chisel an inscription on the back of that milestone,
|
|
embodying his aspirations. It had been done in the first week of
|
|
his apprenticeship, before he had been diverted from his purposes by an
|
|
unsuitable woman. He wondered if the inscription were legible still,
|
|
and going to the back of the milestone brushed away the nettles.
|
|
By the light of a match he could still discern what he had cut so
|
|
enthusiastically so long ago:
|
|
|
|
THITHER
|
|
J. F.
|
|
[with a pointing finger]
|
|
|
|
The sight of it, unimpaired, within its screen of grass and nettles,
|
|
lit in his soul a spark of the old fire. Surely his plan should be
|
|
to move onward through good and ill--to avoid morbid sorrow even
|
|
though he did see uglinesses in the world? BENE AGERE ET LOETARI--
|
|
to do good cheerfully--which he had heard to be the philosophy of
|
|
one Spinoza, might be his own even now.
|
|
|
|
He might battle with his evil star, and follow out his original intention.
|
|
|
|
By moving to a spot a little way off he uncovered the horizon
|
|
in a north-easterly direction. There actually rose the faint halo,
|
|
a small dim nebulousness, hardly recognizable save by the eye of faith.
|
|
It was enough for him. He would go to Christminster as soon
|
|
as the term of his apprenticeship expired.
|
|
|
|
He returned to his lodgings in a better mood, and said his prayers.
|
|
|
|
Part Second
|
|
|
|
AT CHRISTMINSTER
|
|
|
|
"Save his own soul he hath no star."--SWINBURNE.
|
|
|
|
"Notitiam primosque gradus vicinia fecit;
|
|
Tempore crevit amor."--OVID.
|
|
|
|
I
|
|
|
|
THE next noteworthy move in Jude's life was that in which he appeared
|
|
gliding steadily onward through a dusky landscape of some three years'
|
|
later leafage than had graced his courtship of Arabella,
|
|
and the disruption of his coarse conjugal life with her.
|
|
He was walking towards Christminster City, at a point a mile or two
|
|
to the south-west of it.
|
|
|
|
He had at last found himself clear of Marygreen and Alfredston:
|
|
he was out of his apprenticeship, and with his tools at his back
|
|
seemed to be in the way of making a new start--the start to which,
|
|
barring the interruption involved in his intimacy and married
|
|
experience with Arabella, he had been looking forward for about
|
|
ten years.
|
|
|
|
Jude would now have been described as a young man with a forcible,
|
|
meditative, and earnest rather than handsome cast of countenance.
|
|
He was of dark complexion, with dark harmonizing eyes, and he
|
|
wore a closely trimmed black beard of more advanced growth
|
|
than is usual at his age; this, with his great mass of black
|
|
curly hair, was some trouble to him in combing and washing out
|
|
the stone-dust that settled on it in the pursuit of his trade.
|
|
His capabilities in the latter, having been acquired in the country,
|
|
were of an all-round sort, including monumental stone-cutting, gothic
|
|
free-stone work for the restoration of churches, and carving of a
|
|
general kind. In London he would probably have become specialized
|
|
and have made himself a "moulding mason," a "foliage sculptor"--
|
|
perhaps a "statuary."
|
|
|
|
He had that afternoon driven in a cart from Alfredston to the
|
|
village nearest the city in this direction, and was now walking
|
|
the remaining four miles rather from choice than from necessity,
|
|
having always fancied himself arriving thus.
|
|
|
|
The ultimate impulse to come had had a curious origin--one more nearly
|
|
related to the emotional side of him than to the intellectual,
|
|
as is often the case with young men. One day while in lodgings
|
|
at Alfredston he had gone to Marygreen to see his old aunt,
|
|
and had observed between the brass candlesticks on her mantlepiece
|
|
the photograph of a pretty girlish face, in a broad hat
|
|
with radiating folds under the brim like the rays of a halo.
|
|
He had asked who she was. His grand-aunt had gruffly replied that she
|
|
was his cousin Sue Bridehead, of the inimical branch of the family;
|
|
and on further questioning the old woman had replied that the girl
|
|
lived in Christminster, though she did not know where, or what she
|
|
was doing.
|
|
|
|
His aunt would not give him the photograph. But it haunted him;
|
|
and ultimately formed a quickening ingredient in his latent intent
|
|
of following his friend the school master thither.
|
|
|
|
He now paused at the top of a crooked and gentle declivity,
|
|
and obtained his first near view of the city. Grey-stoned and
|
|
dun-roofed, it stood within hail of the Wessex border, and almost
|
|
with the tip of one small toe within it, at the northernmost point
|
|
of the crinkled line along which the leisurely Thames strokes
|
|
the fields of that ancient kingdom. The buildings now lay quiet
|
|
in the sunset, a vane here and there on their many spires and domes
|
|
giving sparkle to a picture of sober secondary and tertiary hues.
|
|
|
|
Reaching the bottom he moved along the level way between pollard
|
|
willows growing indistinct in the twilight, and soon confronted
|
|
the outmost lamps of the town--some of those lamps which had sent
|
|
into the sky the gleam and glory that caught his strained gaze
|
|
in his days of dreaming, so many years ago. They winked their
|
|
yellow eyes at him dubiously, and as if, though they had been
|
|
awaiting him all these years in disappointment at his tarrying,
|
|
they did not much want him now.
|
|
|
|
He was a species of Dick Whittington whose spirit was touched to
|
|
finer issues than a mere material gain. He went along the outlying
|
|
streets with the cautious tread of an explorer. He saw nothing
|
|
of the real city in the suburbs on this side. His first want being
|
|
a lodging he scrutinized carefully such localities as seemed to offer
|
|
on inexpensive terms the modest type of accommodation he demanded;
|
|
and after inquiry took a room in a suburb nicknamed "Beersheba,"
|
|
though he did not know this at the time. Here he installed himself,
|
|
and having had some tea sallied forth.
|
|
|
|
It was a windy, whispering, moonless night. To guide himself he
|
|
opened under a lamp a map he had brought. The breeze ruffled
|
|
and fluttered it, but he could see enough to decide on the direction
|
|
he should take to reach the heart of the place.
|
|
|
|
After many turnings he came up to the first ancient mediaeval pile that he
|
|
had encountered. It was a college, as he could see by the gateway.
|
|
He entered it, walked round, and penetrated to dark corners
|
|
which no lamplight reached. Close to this college was another;
|
|
and a little further on another; and then he began to be encircled
|
|
as it were with the breath and sentiment of the venerable city.
|
|
When he passed objects out of harmony with its general expression he
|
|
allowed his eyes to slip over them as if he did not see them.
|
|
|
|
A bell began clanging, and he listened till a hundred-and-one
|
|
strokes had sounded. He must have made a mis-take, he thought:
|
|
it was meant for a hundred.
|
|
|
|
When the gates were shut, and he could no longer get into the quadrangles,
|
|
he rambled under the walls and doorways, feeling with his fingers
|
|
the contours of their mouldings and carving. The minutes passed,
|
|
fewer and fewer people were visible, and still he serpentined
|
|
among the shadows, for had he not imagined these scenes through
|
|
ten bygone years, and what mattered a night's rest for once?
|
|
High against the black sky the flash of a lamp would show crocketed
|
|
pinnacles and indented battlements. Down obscure alleys,
|
|
apparently never trodden now by the foot of man, and whose very
|
|
existence seemed to be forgotten, there would jut into the path
|
|
porticoes, oriels, doorways of enriched and florid middle-age design,
|
|
their extinct air being accentuated by the rottenness of the stones.
|
|
It seemed impossible that modern thought could house itself
|
|
in such decrepit and superseded chambers.
|
|
|
|
Knowing not a human being here, Jude began to be impressed with the
|
|
isolation of his own personality, as with a self-spectre, the sensation
|
|
being that of one who walked but could not make himself seen or heard.
|
|
He drew his breath pensively, and, seeming thus almost his own ghost,
|
|
gave his thoughts to the other ghostly presences with which the nooks
|
|
were haunted.
|
|
|
|
During the interval of preparation for this venture, since his wife
|
|
and furniture's uncompromising disappearance into space, he had
|
|
read and learnt almost all that could be read and learnt by one in
|
|
his position, of the worthies who had spent their youth within these
|
|
reverend walls, and whose souls had haunted them in their maturer age.
|
|
Some of them, by the accidents of his reading, loomed out in his
|
|
fancy disproportionately large by comparison with the rest.
|
|
The brushings of the wind against the angles, buttresses, and door-jambs
|
|
were as the passing of these only other inhabitants, the tappings
|
|
of each ivy leaf on its neighbour were as the mutterings of their
|
|
mournful souls, the shadows as their thin shapes in nervous movement,
|
|
making him comrades in his solitude. In the gloom it was as if he
|
|
ran against them without feeling their bodily frames.
|
|
|
|
The streets were now deserted, but on account of these things he
|
|
could not go in. There were poets abroad, of early date and of late,
|
|
from the friend and eulogist of Shakespeare down to him who has
|
|
recently passed into silence, and that musical one of the tribe
|
|
who is still among us. Speculative philosophers drew along,
|
|
not always with wrinkled foreheads and hoary hair as in
|
|
framed portraits, but pink-faced, slim, and active as in youth;
|
|
modern divines sheeted in their surplices, among whom the most
|
|
real to Jude Fawley were the founders of the religious school
|
|
called Tractarian; the well-known three, the enthusiast, the poet,
|
|
and the formularist, the echoes of whose teachings had influenced him
|
|
even in his obscure home. A start of aversion appeared in his fancy
|
|
to move them at sight of those other sons of the place, the form
|
|
in the full-bottomed wig, statesman rake, reasoner and sceptic;
|
|
the smoothly shaven historian so ironically civil to Christianity;
|
|
with others of the same incredulous temper, who knew each quad
|
|
as well as the faithful, and took equal freedom in haunting
|
|
its cloisters.
|
|
|
|
He regarded the statesmen in their various types, men of firmer
|
|
movement and less dreamy air; the scholar, the speaker, the plodder;
|
|
the man whose mind grew with his growth in years, and the man whose
|
|
mind contracted with the same.
|
|
|
|
The scientists and philologists followed on in his mind-sight in an odd
|
|
impossible combination, men of meditative faces, strained foreheads,
|
|
and weak-eyed as bats with constant research; then official characters--
|
|
such men as governor-generals and lord-lieutenants, in whom
|
|
he took little interest; chief-justices and lord chancellors,
|
|
silent thin-lipped figures of whom he knew barely the names.
|
|
A keener regard attached to the prelates, by reason of his own
|
|
former hopes. Of them he had an ample band--some men of heart,
|
|
others rather men of head; he who apologized for the Church in Latin;
|
|
the saintly author of the Evening Hymn; and near them the great
|
|
itinerant preacher, hymn-writer, and zealot, shadowed like Jude by his
|
|
matrimonial difficulties.
|
|
|
|
Jude found himself speaking out loud, holding conversations with them
|
|
as it were, like an actor in a melodrama who apostrophizes the audience
|
|
on the other side of the footlights; till he suddenly ceased with a start
|
|
at his absurdity. Perhaps those incoherent words of the wanderer
|
|
were heard within the walls by some student or thinker over his lamp;
|
|
and he may have raised his head, and wondered what voice it was,
|
|
and what it betokened. Jude now perceived that, so far as solid
|
|
flesh went, he had the whole aged city to himself with the exception of
|
|
a belated townsman here and there, and that he seemed to be catching a cold.
|
|
|
|
A voice reached him out of the shade; a real and local voice:
|
|
|
|
"You've been a-settin' a long time on that plinth-stone, young man.
|
|
What med you be up to?"
|
|
|
|
It came from a policeman who had been observing Jude without
|
|
the latter observing him.
|
|
|
|
Jude went home and to bed, after reading up a little about these men
|
|
and their several messages to the world from a book or two that he
|
|
had brought with him concerning the sons of the university.
|
|
As he drew towards sleep various memorable words of theirs that he
|
|
had just been conning seemed spoken by them in muttering utterances;
|
|
some audible, some unintelligible to him. One of the spectres
|
|
(who afterwards mourned Christminster as "the home of lost causes,"
|
|
though Jude did not remember this) was now apostrophizing
|
|
her thus:
|
|
|
|
"Beautiful city! so venerable, so lovely, so unravaged by the fierce
|
|
intellectual life of our century, so serene! ... Her ineffable charm
|
|
keeps ever calling us to the true goal of all of us, to the ideal,
|
|
to perfection."
|
|
|
|
Another voice was that of the Corn Law convert, whose phantom he
|
|
had just seen in the quadrangle with a great bell. Jude thought his
|
|
soul might have been shaping the historic words of his master-speech:
|
|
|
|
"Sir, I may be wrong, but my impression is that my duty towards
|
|
a country threatened with famine requires that that which has been
|
|
the ordinary remedy under all similar circumstances should be resorted
|
|
to now, namely, that there should be free access to the food of man
|
|
from whatever quarter it may come.... Deprive me of office to-morrow,
|
|
you can never deprive me of the consciousness that I have exercised
|
|
the powers committed to me from no corrupt or interested motives,
|
|
from no desire to gratify ambition, for no personal gain."
|
|
|
|
Then the sly author of the immortal Chapter on Christianity: "How shall
|
|
we excuse the supine inattention of the Pagan and philosophic world,
|
|
to those evidences [miracles] which were presented by Omnipotence? ...
|
|
The sages of Greece and Rome turned aside from the awful spectacle,
|
|
and appeared unconscious of any alterations in the moral or physical
|
|
government of the world."
|
|
|
|
Then the shade of the poet, the last of the optimists:
|
|
|
|
How the world is made for each of us!
|
|
. . . . . . . . . . .
|
|
And each of the Many helps to recruit
|
|
The life of the race by a general plan.
|
|
|
|
Then one of the three enthusiasts he had seen just now, the author
|
|
of the APOLOGIA:
|
|
|
|
"My argument was ... that absolute certitude as to the truths
|
|
of natural theology was the result of an assemblage of concurring
|
|
and converging probabilities ... that probabilities which did
|
|
not reach to logical certainty might create a mental certitude."
|
|
|
|
The second of them, no polemic, murmured quieter things:
|
|
|
|
Why should we faint, and fear to live alone,
|
|
Since all alone, so Heaven has will'd, we die?
|
|
|
|
He likewise heard some phrases spoken by the phantom with the short face,
|
|
the genial Spectator:
|
|
|
|
"When I look upon the tombs of the great, every motion of envy dies in me;
|
|
when I read the epitaphs of the beautiful, every inordinate desire goes out;
|
|
when I meet with the grief of parents upon a tombstone, my heart melts
|
|
with compassion; when I see the tombs of the parents themselves,
|
|
I consider the vanity of grieving for those whom we must quickly follow."
|
|
|
|
And lastly a gentle-voiced prelate spoke, during whose meek,
|
|
familiar rhyme, endeared to him from earliest childhood,
|
|
Jude fell asleep:
|
|
|
|
Teach me to live, that I may dread
|
|
The grave as little as my bed.
|
|
Teach me to die ...
|
|
|
|
He did not wake till morning. The ghostly past seemed to have gone,
|
|
and everything spoke of to-day. He started up in bed, thinking he
|
|
had overslept himself and then said:
|
|
|
|
"By Jove--I had quite forgotten my sweet-faced cousin, and that
|
|
she's here all the time! ... and my old schoolmaster, too."
|
|
His words about his schoolmaster had, perhaps, less zest in them
|
|
than his words concerning his cousin.
|
|
|
|
II
|
|
|
|
NECESSARY meditations on the actual, including the mean
|
|
bread-and-cheese question, dissipated the phantasmal for a while,
|
|
and compelled Jude to smother high thinkings under immediate needs.
|
|
He had to get up, and seek for work, manual work; the only kind
|
|
deemed by many of its professors to be work at all.
|
|
|
|
Passing out into the streets on this errand he found that the colleges
|
|
had treacherously changed their sympathetic countenances:
|
|
some were pompous; some had put on the look of family vaults
|
|
above ground; something barbaric loomed in the masonries of all.
|
|
The spirits of the great men had disappeared.
|
|
|
|
The numberless architectural pages around him he read, naturally, less as
|
|
an artist-critic of their forms than as an artizan and comrade of the dead
|
|
handicraftsmen whose muscles had actually executed those forms.
|
|
He examined the mouldings, stroked them as one who knew their beginning,
|
|
said they were difficult or easy in the working, had taken little
|
|
or much time, were trying to the arm, or convenient to the tool.
|
|
|
|
What at night had been perfect and ideal was by day the more
|
|
or less defective real. Cruelties, insults, had, he perceived,
|
|
been inflicted on the aged erections. The condition of several
|
|
moved him as he would have been moved by maimed sentient beings.
|
|
They were wounded, broken, sloughing off their outer shape in the deadly
|
|
struggle against years, weather, and man.
|
|
|
|
The rottenness of these historical documents reminded him that he
|
|
was not, after all, hastening on to begin the morning practically
|
|
as he had intended. He had come to work, and to live by work,
|
|
and the morning had nearly gone. It was, in one sense,
|
|
encouraging to think that in a place of crumbling stones there must
|
|
be plenty for one of his trade to do in the business of renovation.
|
|
He asked his way to the workyard of the stone-mason whose name
|
|
had been given him at Alfredston; and soon heard the familiar sound
|
|
of the rubbers and chisels.
|
|
|
|
The yard was a little centre of regeneration. Here, with keen edges
|
|
and smooth curves, were forms in the exact likeness of those he
|
|
had seen abraded and time-eaten on the walls. These were the ideas
|
|
in modern prose which the lichened colleges presented in old poetry.
|
|
Even some of those antiques might have been called prose when they
|
|
were new. They had done nothing but wait, and had become poetical.
|
|
How easy to the smallest building; how impossible to most men.
|
|
|
|
He asked for the foreman, and looked round among the new traceries,
|
|
mullions, transoms, shafts, pinnacles, and battlements standing on
|
|
the bankers half worked, or waiting to be removed. They were marked
|
|
by precision, mathematical straightness, smoothness, exactitude:
|
|
there in the old walls were the broken lines of the original idea;
|
|
jagged curves, disdain of precision, irregularity, disarray.
|
|
|
|
For a moment there fell on Jude a true illumination; that here in
|
|
the stone yard was a centre of effort as worthy as that dignified
|
|
by the name of scholarly study within the noblest of the colleges.
|
|
But he lost it under stress of his old idea. He would accept any
|
|
employment which might be offered him on the strength of his late
|
|
employer's recommendation; but he would accept it as a provisional
|
|
thing only. This was his form of the modern vice of unrest.
|
|
|
|
Moreover he perceived that at best only copying, patching and
|
|
imitating went on here; which he fancied to be owing to some
|
|
temporary and local cause. He did not at that time see that
|
|
mediaevalism was as dead as a fern-leaf in a lump of coal;
|
|
that other developments were shaping in the world around him,
|
|
in which Gothic architecture and its associations had no place.
|
|
The deadly animosity of contemporary logic and vision towards
|
|
so much of what he held in reverence was not yet revealed to him.
|
|
|
|
Having failed to obtain work here as yet he went away,
|
|
and thought again of his cousin, whose presence somewhere at hand
|
|
he seemed to feel in wavelets of interest, if not of emotion.
|
|
How he wished he had that pretty portrait of her! At last he wrote
|
|
to his aunt to send it. She did so, with a request, however, that he
|
|
was not to bring disturbance into the family by going to see the girl
|
|
or her relations. Jude, a ridiculously affectionate fellow,
|
|
promised nothing, put the photograph on the mantel-piece, kissed it--
|
|
he did not know why--and felt more at home. She seemed to look down
|
|
and preside over his tea. It was cheering--the one thing uniting
|
|
him to the emotions of the living city.
|
|
|
|
There remained the schoolmaster--probably now a reverend parson.
|
|
But he could not possibly hunt up such a respectable man just yet;
|
|
so raw and unpolished was his condition, so precarious were his fortunes.
|
|
Thus he still remained in loneliness. Although people moved
|
|
round him he virtually saw none. Not as yet having mingled with
|
|
the active life of the place it was largely non-existent to him.
|
|
But the saints and prophets in the window-tracery, the paintings in
|
|
the galleries, the statues, the busts, the gargoyles, the corbel-heads--
|
|
these seemed to breathe his atmosphere. Like all new comers to a spot
|
|
on which the past is deeply graven he heard that past announcing itself
|
|
with an emphasis altogether unsuspected by, and even incredible to,
|
|
the habitual residents.
|
|
|
|
For many days he haunted the cloisters and quadrangles of the colleges
|
|
at odd minutes in passing them, surprised by impish echoes of his
|
|
own footsteps, smart as the blows of a mallet. The Christminster
|
|
"sentiment," as it had been called, ate further and further into him;
|
|
till he probably knew more about those buildings materially,
|
|
artistically, and historically, than any one of their inmates.
|
|
|
|
It was not till now, when he found himself actually on the spot
|
|
of his enthusiasm, that Jude perceived how far away from the object
|
|
of that enthusiasm he really was. Only a wall divided him
|
|
from those happy young contemporaries of his with whom he shared
|
|
a common mental life; men who had nothing to do from morning till
|
|
night but to read, mark, learn, and inwardly digest. Only a wall--
|
|
but what a wall!
|
|
|
|
Every day, every hour, as he went in search of labour, he saw them
|
|
going and coming also, rubbed shoulders with them, heard their voices,
|
|
marked their movements. The conversation of some of the more thoughtful
|
|
among them seemed oftentimes, owing to his long and persistent
|
|
preparation for this place, to be peculiarly akin to his own thoughts.
|
|
Yet he was as far from them as if he had been at the antipodes.
|
|
Of course he was. He was a young workman in a white blouse,
|
|
and with stone-dust in the creases of his clothes; and in passing
|
|
him they did not even see him, or hear him, rather saw through
|
|
him as through a pane of glass at their familiars beyond.
|
|
Whatever they were to him, he to them was not on the spot at all;
|
|
and yet he had fancied he would be close to their lives by
|
|
coming there.
|
|
|
|
But the future lay ahead after all; and if he could only be so fortunate
|
|
as to get into good employment he would put up with the inevitable.
|
|
So he thanked God for his health and strength, and took courage.
|
|
For the present he was outside the gates of everything, colleges included:
|
|
perhaps some day he would be inside. Those palaces of light and leading;
|
|
he might some day look down on the world through their panes.
|
|
|
|
At length he did receive a message from the stone-mason's yard--
|
|
that a job was waiting for him. It was his first encouragement,
|
|
and he closed with the offer promptly.
|
|
|
|
He was young and strong, or he never could have executed with such
|
|
zest the undertakings to which he now applied himself, since they
|
|
involved reading most of the night after working all the day.
|
|
First he bought a shaded lamp for four and six-pence, and obtained
|
|
a good light. Then he got pens, paper, and such other necessary books
|
|
as he had been unable to obtain elsewhere. Then, to the consternation
|
|
of his landlady, he shifted all the furniture of his room--a single
|
|
one for living and sleeping--rigged up a curtain on a rope across
|
|
the middle, to make a double chamber out of one, hung up a thick blind
|
|
that no-body should know how he was curtailing the hours of sleep,
|
|
laid out his books, and sat down.
|
|
|
|
Having been deeply encumbered by marrying, getting a cottage,
|
|
and buying the furniture which had disappeared in the wake
|
|
of his wife, he had never been able to save any money since
|
|
the time of those disastrous ventures, and till his wages
|
|
began to come in he was obliged to live in the narrowest way.
|
|
After buying a book or two he could not even afford himself a fire;
|
|
and when the nights reeked with the raw and cold air from the Meadows
|
|
he sat over his lamp in a great-coat, hat, and woollen gloves.
|
|
|
|
From his window he could perceive the spire of the cathedral,
|
|
and the ogee dome under which resounded the great bell of the city.
|
|
The tall tower, tall belfry windows, and tall pinnacles of the college
|
|
by the bridge he could also get a glimpse of by going to the staircase.
|
|
These objects he used as stimulants when his faith in the future
|
|
was dim.
|
|
|
|
Like enthusiasts in general he made no inquiries into details
|
|
of procedure. Picking up general notions from casual acquaintance,
|
|
he never dwelt upon them. For the present, he said to himself,
|
|
the one thing necessary was to get ready by accumulating money
|
|
and knowledge, and await whatever chances were afforded to such an
|
|
one of becoming a son of the University. "For wisdom is a defence,
|
|
and money is a defence; but the excellency of knowledge is,
|
|
that wisdom giveth life to them that have it." His desire absorbed him,
|
|
and left no part of him to weigh its practicability.
|
|
|
|
At this time he received a nervously anxious letter from his poor
|
|
old aunt, on the subject which had previously distressed her--a fear
|
|
that Jude would not be strong-minded enough to keep away from his cousin
|
|
Sue Bridehead and her relations. Sue's father, his aunt believed,
|
|
had gone back to London, but the girl remained at Christminster.
|
|
To make her still more objectionable she was an artist or designer
|
|
of some sort in what was called an ecclesiastical warehouse,
|
|
which was a perfect seed-bed of idolatry, and she was no doubt
|
|
abandoned to mummeries on that account--if not quite a Papist.
|
|
(Miss Drusilla Fawley was of her date, Evangelical.)
|
|
|
|
As Jude was rather on an intellectual track than a theological,
|
|
this news of Sue's probable opinions did not much influence him one way
|
|
or the other, but the clue to her whereabouts was decidedly interesting.
|
|
With an altogether singular pleasure he walked at his earliest spare
|
|
minutes past the shops answering to his great-aunt's description;
|
|
and beheld in one of them a young girl sitting behind a desk,
|
|
who was suspiciously like the original of the portrait. He ventured
|
|
to enter on a trivial errand, and having made his purchase lingered
|
|
on the scene. The shop seemed to be kept entirely by women.
|
|
It contained Anglican books, stationery, texts, and fancy goods:
|
|
little plaster angels on brackets, Gothic-framed pictures of saints,
|
|
ebony crosses that were almost crucifixes, prayer-books that were
|
|
almost missals. He felt very shy of looking at the girl in the desk;
|
|
she was so pretty that he could not believe it possible that she
|
|
should belong to him. Then she spoke to one of the two older
|
|
women behind the counter; and he recognized in the accents certain
|
|
qualities of his own voice; softened and sweetened, but his own.
|
|
What was she doing? He stole a glance round. Before her lay a piece
|
|
of zinc, cut to the shape of a scroll three or four feet long,
|
|
and coated with a dead-surface paint on one side. Hereon she was
|
|
designing or illuminating, in characters of Church text, the single
|
|
word
|
|
|
|
A L L E L U J H
|
|
|
|
"A sweet, saintly, Christian business, hers!" thought he.
|
|
|
|
Her presence here was now fairly enough explained, her skill
|
|
in work of this sort having no doubt been acquired from her
|
|
father's occupation as an ecclesiastical worker in metal.
|
|
The lettering on which she was engaged was clearly intended
|
|
to be fixed up in some chancel to assist devotion.
|
|
|
|
He came out. It would have been easy to speak to her there and then,
|
|
but it seemed scarcely honourable towards his aunt to disregard
|
|
her request so incontinently. She had used him roughly, but she
|
|
had brought him up: and the fact of her being powerless to control
|
|
him lent a pathetic force to a wish that would have been inoperative
|
|
as an argument.
|
|
|
|
So Jude gave no sign. He would not call upon Sue just yet.
|
|
He had other reasons against doing so when he had walked away.
|
|
She seemed so dainty beside himself in his rough working-jacket and
|
|
dusty trousers that he felt he was as yet unready to encounter her,
|
|
as he had felt about Mr. Phillotson. And how possible it was that she
|
|
had inherited the antipathies of her family, and would scorn him,
|
|
as far as a Christian could, particularly when he had told her
|
|
that unpleasant part of his history which had resulted in his
|
|
becoming enchained to one of her own sex whom she would certainly
|
|
not admire.
|
|
|
|
Thus he kept watch over her, and liked to feel she was there.
|
|
The consciousness of her living presence stimulated him. But she
|
|
remained more or less an ideal character, about whose form he began
|
|
to weave curious and fantastic day-dreams.
|
|
|
|
Between two and three weeks afterwards Jude was engaged with some
|
|
more men, outside Crozier College in Old-time Street, in getting
|
|
a block of worked freestone from a waggon across the pavement,
|
|
before hoisting it to the parapet which they were repairing.
|
|
Standing in position the head man said, "Spaik when he heave!
|
|
He-ho!" And they heaved.
|
|
|
|
All of a sudden, as he lifted, his cousin stood close to his elbow,
|
|
pausing a moment on the bend of her foot till the obstructing object
|
|
should have been removed. She looked right into his face with liquid,
|
|
untranslatable eyes, that combined, or seemed to him to combine,
|
|
keenness with tenderness, and mystery with both, their expression,
|
|
as well as that of her lips, taking its life from some words just spoken
|
|
to a companion, and being carried on into his face quite unconsciously.
|
|
She no more observed his presence than that of the dust-motes which his
|
|
manipulations raised into the sunbeams.
|
|
|
|
His closeness to her was so suggestive that he trembled, and turned
|
|
his face away with a shy instinct to prevent her recognizing him,
|
|
though as she had never once seen him she could not possibly
|
|
do so; and might very well never have heard even his name.
|
|
He could perceive that though she was a country-girl at bottom,
|
|
a latter girlhood of some years in London, and a womanhood here,
|
|
had taken all rawness out of her.
|
|
|
|
When she was gone he continued his work, reflecting on her.
|
|
He had been so caught by her influence that he had taken
|
|
no count of her general mould and build. He remembered now
|
|
that she was not a large figure, that she was light and slight,
|
|
of the type dubbed elegant. That was about all he had seen.
|
|
There was nothing statuesque in her; all was nervous motion.
|
|
She was mobile, living, yet a painter might not have called her
|
|
handsome or beautiful. But the much that she was surprised him.
|
|
She was quite a long way removed from the rusticity that was his.
|
|
How could one of his cross-grained, unfortunate, almost accursed stock,
|
|
have contrived to reach this pitch of niceness? London had done it,
|
|
he supposed.
|
|
|
|
From this moment the emotion which had been accumulating in his breast
|
|
as the bottled-up effect of solitude and the poetized locality he dwelt in,
|
|
insensibly began to precipitate itself on this half-visionary form;
|
|
and he perceived that, whatever his obedient wish in a contrary direction,
|
|
he would soon be unable to resist the desire to make himself known to her.
|
|
|
|
He affected to think of her quite in a family way, since there
|
|
were crushing reasons why he should not and could not think
|
|
of her in any other.
|
|
|
|
The first reason was that he was married, and it would be wrong.
|
|
The second was that they were cousins. It was not well for cousins
|
|
to fall in love even when circumstances seemed to favour the passion.
|
|
The third: even were he free, in a family like his own where marriage
|
|
usually meant a tragic sadness, marriage with a blood-relation would
|
|
duplicate the adverse conditions, and a tragic sadness might be
|
|
intensified to a tragic horror.
|
|
|
|
Therefore, again, he would have to think of Sue with only a
|
|
relation's mutual interest in one belonging to him; regard her
|
|
in a practical way as some one to be proud of; to talk and nod to;
|
|
later on, to be invited to tea by, the emotion spent on her being
|
|
rigorously that of a kinsman and well-wisher. So would she be to him
|
|
a kindly star, an elevating power, a companion in Anglican worship,
|
|
a tender friend
|
|
|
|
III
|
|
|
|
BUT under the various deterrent influences Jude's instinct was
|
|
to approach her timidly, and the next Sunday he went to the morning
|
|
service in the Cathedral church of Cardinal College to gain a further
|
|
view of her, for he had found that she frequently attended there.
|
|
|
|
She did not come, and he awaited her in the afternoon, which was finer.
|
|
He knew that if she came at all she would approach the building
|
|
along the eastern side of the great green quadrangle from which it
|
|
was accessible, and he stood in a corner while the bell was going.
|
|
A few minutes before the hour for service she appeared as one of the
|
|
figures walking along under the college walls, and at sight of her he
|
|
advanced up the side opposite, and followed her into the building,
|
|
more than ever glad that he had not as yet revealed himself.
|
|
To see her, and to be himself unseen and unknown, was enough for him
|
|
at present.
|
|
|
|
He lingered awhile in the vestibule, and the service was some way advanced
|
|
when he was put into a seat. It was a louring, mournful, still afternoon,
|
|
when a religion of some sort seems a necessity to ordinary practical men,
|
|
and not only a luxury of the emotional and leisured classes.
|
|
In the dim light and the baffling glare of the clerestory windows
|
|
he could discern the opposite worshippers indistinctly only,
|
|
but he saw that Sue was among them. He had not long discovered
|
|
the exact seat that she occupied when the chanting of the 119th
|
|
Psalm in which the choir was engaged reached its second part,
|
|
IN QUO CORRIGET, the organ changing to a pathetic Gregorian tune
|
|
as the singers gave forth:
|
|
|
|
Wherewithal shall a young man cleanse his way?
|
|
|
|
It was the very question that was engaging Jude's attention at this moment.
|
|
What a wicked worthless fellow he had been to give vent as he had
|
|
done to an animal passion for a woman, and allow it to lead to such
|
|
disastrous consequences; then to think of putting an end to himself;
|
|
then to go recklessly and get drunk. The great waves of pedal
|
|
music tumbled round the choir, and, nursed on the supernatural
|
|
as he had been, it is not wonderful that he could hardly believe
|
|
that the psalm was not specially set by some regardful Providence
|
|
for this moment of his first entry into the solemn building.
|
|
And yet it was the ordinary psalm for the twenty-fourth evening
|
|
of the month.
|
|
|
|
The girl for whom he was beginning to nourish an extraordinary
|
|
tenderness was at this time ensphered by the same harmonies as those
|
|
which floated into his ears; and the thought was a delight to him.
|
|
She was probably a frequenter of this place, and, steeped body and soul
|
|
in church sentiment as she must be by occupation and habit, had, no doubt,
|
|
much in common with him. To an impressionable and lonely young man
|
|
the consciousness of having at last found anchorage for his thoughts,
|
|
which promised to supply both social and spiritual possibilities,
|
|
was like the dew of Hermon, and he remained throughout the service
|
|
in a sustaining atmosphere of ecstasy.
|
|
|
|
Though he was loth to suspect it, some people might have said to him
|
|
that the atmosphere blew as distinctly from Cyprus as from Galilee.
|
|
|
|
Jude waited till she had left her seat and passed under the screen
|
|
before he himself moved. She did not look towards him, and by
|
|
the time he reached the door she was half-way down the broad path.
|
|
Being dressed up in his Sunday suit he was inclined to follow her
|
|
and reveal himself. But he was not quite ready; and, alas, ought he
|
|
to do so with the kind of feeling that was awakening in him?
|
|
|
|
For though it had seemed to have an ecclesiastical basis during
|
|
the service, and he had persuaded himself that such was the case,
|
|
he could not altogether be blind to the real nature of the magnetism.
|
|
She was such a stranger that the kinship was affectation, and he said,
|
|
"It can't be! I, a man with a wife, must not know her!" Still Sue
|
|
WAS his own kin, and the fact of his having a wife, even though she
|
|
was not in evidence in this hemisphere, might be a help in one sense.
|
|
It would put all thought of a tender wish on his part out of
|
|
Sue's mind, and make her intercourse with him free and fearless.
|
|
It was with some heartache that he saw how little he cared
|
|
for the freedom and fearlessness that would result in her from
|
|
such knowledge.
|
|
|
|
Some little time before the date of this service in the cathedral
|
|
the pretty, liquid-eyed, light-footed young woman Sue Bridehead
|
|
had an afternoon's holiday, and leaving the ecclesiastical
|
|
establishment in which she not only assisted but lodged,
|
|
took a walk into the country with a book in her hand.
|
|
It was one of those cloudless days which sometimes occur in Wessex
|
|
and elsewhere between days of cold and wet, as if intercalated
|
|
by caprice of the weather-god. She went along for a mile or two until
|
|
she came to much higher ground than that of the city she had left
|
|
behind her. The road passed between green fields, and coming
|
|
to a stile Sue paused there, to finish the page she was reading,
|
|
and then looked back at the towers and domes and pinnacles new and old.
|
|
|
|
On the other side of the stile, in the footpath, she beheld
|
|
a foreigner with black hair and a sallow face, sitting on the grass
|
|
beside a large square board whereon were fixed, as closely as they
|
|
could stand, a number of plaster statuettes, some of them bronzed,
|
|
which he was re-arranging before proceeding with them on his way.
|
|
They were in the main reduced copies of ancient marbles, and comprised
|
|
divinities of a very different character from those the girl was
|
|
accustomed to see portrayed, among them being a Venus of standard pattern,
|
|
a Diana, and, of the other sex, Apollo, Bacchus, and Mars.
|
|
Though the figures were many yards away from her the south-west sun
|
|
brought them out so brilliantly against the green herbage that she could
|
|
discern their contours with luminous distinctness; and being almost
|
|
in a line between herself and the church towers of the city they awoke
|
|
in her an oddly foreign and contrasting set of ideas by comparison.
|
|
The man rose, and, seeing her, politely took off his cap, and cried
|
|
"I-i-i-mages!" in an accent that agreed with his appearance.
|
|
In a moment he dexterously lifted upon his knee the great board
|
|
with its assembled notabilities divine and human, and raised
|
|
it to the top of his head, bringing them on to her and resting
|
|
the board on the stile. First he offered her his smaller wares--
|
|
the busts of kings and queens, then a minstrel, then a winged Cupid.
|
|
She shook her head.
|
|
|
|
"How much are these two?" she said, touching with her finger
|
|
the Venus and the Apollo--the largest figures on the tray.
|
|
|
|
He said she should have them for ten shillings.
|
|
|
|
"I cannot afford that," said Sue. She offered considerably less,
|
|
and to her surprise the image-man drew them from their wire stay
|
|
and handed them over the stile. She clasped them as treasures.
|
|
|
|
When they were paid for, and the man had gone, she began to be
|
|
concerned as to what she should do with them. They seemed so very
|
|
large now that they were in her possession, and so very naked.
|
|
Being of a nervous temperament she trembled at her enterprise.
|
|
When she handled them the white pipeclay came off on her gloves
|
|
and jacket. After carrying them along a little way openly an idea
|
|
came to her, and, pulling some huge burdock leaves, parsley,
|
|
and other rank growths from the hedge, she wrapped up her burden
|
|
as well as she could in these, so that what she carried appeared
|
|
to be an enormous armful of green stuff gathered by a zealous lover
|
|
of nature.
|
|
|
|
"Well, anything is better than those everlasting church fallals!"
|
|
she said. But she was still in a trembling state, and seemed almost
|
|
to wish she had not bought the figures.
|
|
|
|
Occasionally peeping inside the leaves to see that Venus's arm was
|
|
not broken, she entered with her heathen load into the most Christian city
|
|
in the country by an obscure street running parallel to the main one,
|
|
and round a corner to the side door of the establishment to which she
|
|
was attached. Her purchases were taken straight up to her own chamber,
|
|
and she at once attempted to lock them in a box that was her very
|
|
own property; but finding them too cumbersome she wrapped them
|
|
in large sheets of brown paper, and stood them on the floor in a corner.
|
|
|
|
The mistress of the house, Miss Fontover, was an elderly lady in spectacles,
|
|
dressed almost like an abbess; a dab at Ritual, as become one of her business,
|
|
and a worshipper at the ceremonial church of St. Silas, in the suburb
|
|
of Beersheba before-mentioned, which Jude also had begun to attend.
|
|
She was the daughter of a clergyman in reduced circumstances,
|
|
and at his death, which had occurred several years before this date,
|
|
she boldly avoided penury by taking over a little shop of church
|
|
requisites and developing it to its present creditable proportions.
|
|
She wore a cross and beads round her neck as her only ornament,
|
|
and knew the Christian Year by heart.
|
|
|
|
She now came to call Sue to tea, and, finding that the girl did
|
|
not respond for a moment, entered the room just as the other was
|
|
hastily putting a string round each parcel.
|
|
|
|
"Something you have been buying, Miss Bridehead?" she asked,
|
|
regarding the enwrapped objects.
|
|
|
|
"Yes--just something to ornament my room," said Sue.
|
|
|
|
"Well, I should have thought I had put enough here already,"
|
|
said Miss Fontover, looking round at the Gothic-framed prints of saints,
|
|
the Church-text scrolls, and other articles which, having become
|
|
too stale to sell, had been used to furnish this obscure chamber.
|
|
"What is it? How bulky!" She tore a little hole, about as big as a wafer,
|
|
in the brown paper, and tried to peep in. "Why, statuary? Two figures?
|
|
Where did you get them?"
|
|
|
|
"Oh--I bought them of a travelling man who sells casts"
|
|
|
|
"Two saints?"
|
|
|
|
"Yes."
|
|
|
|
"What ones?"
|
|
|
|
"St. Peter and St.--St. Mary Magdalen."
|
|
|
|
"Well--now come down to tea, and go and finish that organ-text,
|
|
if there's light enough afterwards."
|
|
|
|
These little obstacles to the indulgence of what had been
|
|
the merest passing fancy created in Sue a great zest for unpacking
|
|
her objects and looking at them; and at bedtime, when she was sure
|
|
of being undisturbed, she unrobed the divinities in comfort.
|
|
Placing the pair of figures on the chest of drawers, a candle
|
|
on each side of them, she withdrew to the bed, flung herself
|
|
down thereon, and began reading a book she had taken from her box,
|
|
which Miss Fontover knew nothing of. It was a volume of Gibbon,
|
|
and she read the chapter dealing with the reign of Julian the Apostate.
|
|
Occasionally she looked up at the statuettes, which appeared strange
|
|
and out of place, there happening to be a Calvary print hanging
|
|
between them, and, as if the scene suggested the action, she at length
|
|
jumped up and withdrew another book from her box--a volume of verse--
|
|
and turned to the familiar poem--
|
|
|
|
Thou hast conquered, O pale Galilean:
|
|
The world has grown grey from thy breath!
|
|
|
|
which she read to the end. Presently she put out the candles,
|
|
undressed, and finally extinguished her own light.
|
|
|
|
She was of an age which usually sleeps soundly, yet to-night
|
|
she kept waking up, and every time she opened her eyes there
|
|
was enough diffused light from the street to show her the white
|
|
plaster figures, standing on the chest of drawers in odd contrast
|
|
to their environment of text and martyr, and the Gothic-framed
|
|
Crucifix-picture that was only discernible now as a Latin cross,
|
|
the figure thereon being obscured by the shades.
|
|
|
|
On one of these occasions the church clocks struck some small hour.
|
|
It fell upon the ears of another person who sat bending
|
|
over his books at a not very distant spot in the same city.
|
|
Being Saturday night the morrow was one on which Jude had not
|
|
set his alarm-clock to call him at his usually early time,
|
|
and hence he had stayed up, as was his custom, two or three hours
|
|
later than he could afford to do on any other day of the week.
|
|
Just then he was earnestly reading from his Griesbach's text.
|
|
At the very time that Sue was tossing and staring at her figures,
|
|
the policeman and belated citizens passing along under his window
|
|
might have heard, if they had stood still, strange syllables mumbled
|
|
with fervour within--words that had for Jude an indescribable enchantment:
|
|
inexplicable sounds something like these:--
|
|
|
|
"ALL HEMIN HEIS THEOS HO PATER, EX HOU TA PANTA, KAI HEMEIS EIS AUTON:"
|
|
|
|
Till the sounds rolled with reverent loudness, as a book was heard
|
|
to close:--
|
|
|
|
"KAI HEIS KURIOS IESOUS CHRISTOS, DI HOU TA PANTA KAI HEMEIS DI AUTOU!"
|
|
|
|
IV
|
|
|
|
HE was a handy man at his trade, an all-round man, as artizans
|
|
in country-towns are apt to be. In London the man who carves
|
|
the boss or knob of leafage declines to cut the fragment of moulding
|
|
which merges in that leafage, as if it were a degradation to do
|
|
the second half of one whole. When there was not much Gothic
|
|
moulding for Jude to run, or much window-tracery on the bankers,
|
|
he would go out lettering monuments or tombstones, and take
|
|
a pleasure in the change of handiwork.
|
|
|
|
The next time that he saw her was when he was on a ladder executing
|
|
a job of this sort inside one of the churches. There was a short
|
|
morning service, and when the parson entered Jude came down from
|
|
his ladder, and sat with the half-dozen people forming the congregation,
|
|
till the prayer should be ended, and he could resume his tapping.
|
|
He did not observe till the service was half over that one of
|
|
the women was Sue, who had perforce accompanied the elderly Miss
|
|
Fontover thither.
|
|
|
|
Jude sat watching her pretty shoulders, her easy, curiously nonchalant
|
|
risings and sittings, and her perfunctory genuflexions, and thought what
|
|
a help such an Anglican would have been to him in happier circumstances.
|
|
It was not so much his anxiety to get on with his work that made him
|
|
go up to it immediately the worshipers began to take their leave:
|
|
it was that he dared not, in this holy spot, confront the woman
|
|
who was beginning to influence him in such an indescribable manner.
|
|
Those three enormous reasons why he must not attempt intimate acquaintance
|
|
with Sue Bridehead, now that his interest in her had shown itself
|
|
to be unmistakably of a sexual kind, loomed as stubbornly as ever.
|
|
But it was also obvious that man could not live by work alone;
|
|
that the particular man Jude, at any rate, wanted something to love.
|
|
Some men would have rushed incontinently to her, snatched the pleasure
|
|
of easy friendship which she could hardly refuse, and have left
|
|
the rest to chance. Not so Jude--at first.
|
|
|
|
But as the days, and still more particularly the lonely evenings,
|
|
dragged along, he found himself, to his moral consternation, to be
|
|
thinking more of her instead of thinking less of her, and experiencing
|
|
a fearful bliss in doing what was erratic, informal, and unexpected.
|
|
Surrounded by her influence all day, walking past the spots
|
|
she frequented, he was always thinking of her, and was obliged
|
|
to own to himself that his conscience was likely to be the loser
|
|
in this battle.
|
|
|
|
To be sure she was almost an ideality to him still. Perhaps to know her
|
|
would be to cure himself of this unexpected and unauthorized passion.
|
|
A voice whispered that, though he desired to know her, he did
|
|
not desire to be cured.
|
|
|
|
There was not the least doubt that from his own orthodox point
|
|
of view the situation was growing immoral. For Sue to be the loved
|
|
one of a man who was licensed by the laws of his country to love
|
|
Arabella and none other unto his life's end, was a pretty bad second
|
|
beginning when the man was bent on such a course as Jude purposed.
|
|
This conviction was so real with him that one day when, as was frequent,
|
|
he was at work in a neighbouring village church alone, he felt
|
|
it to be his duty to pray against his weakness. But much as he
|
|
wished to be an exemplar in these things he could not get on.
|
|
It was quite impossible, he found, to ask to be delivered from
|
|
temptation when your heart's desire was to be tempted unto seventy
|
|
times seven. So he excused himself. "After all," he said,
|
|
"it is not altogether an EROTOLEPSY that is the matter with me,
|
|
as at that first time. I can see that she is exceptionally bright;
|
|
and it is partly a wish for intellectual sympathy, and a craving
|
|
for loving-kindness in my solitude." Thus he went on adoring her,
|
|
fearing to realize that it was human perversity. For whatever
|
|
Sue's virtues, talents, or ecclesiastical saturation, it was
|
|
certain that those items were not at all the cause of his affection
|
|
for her.
|
|
|
|
On an afternoon at this time a young girl entered the stone-mason's
|
|
yard with some hesitation, and, lifting her skirts to avoid draggling
|
|
them in the white dust, crossed towards the office.
|
|
|
|
"That's a nice girl," said one of the men known as Uncle Joe.
|
|
|
|
"Who is she?" asked another.
|
|
|
|
"I don't know--I've seen her about here and there. Why, yes,
|
|
she's the daughter of that clever chap Bridehead who did all
|
|
the wrought ironwork at St. Silas' ten years ago, and went
|
|
away to London afterwards. I don't know what he's doing now--
|
|
not much I fancy--as she's come back here."
|
|
|
|
Meanwhile the young woman had knocked at the office door and asked
|
|
if Mr. Jude Fawley was at work in the yard. It so happened
|
|
that Jude had gone out somewhere or other that afternoon,
|
|
which information she received with a look of disappointment,
|
|
and went away immediately. When Jude returned they told him,
|
|
and described her, whereupon he exclaimed, "Why--that's my cousin Sue!"
|
|
|
|
He looked along the street after her, but she was out of sight.
|
|
He had no longer any thought of a conscientious avoidance of her,
|
|
and resolved to call upon her that very evening. And when he reached
|
|
his lodging he found a note from her--a first note--one of those
|
|
documents which, simple and commonplace in themselves, are seen
|
|
retrospectively to have been pregnant with impassioned consequences.
|
|
The very unconsciousness of a looming drama which is shown
|
|
in such innocent first epistles from women to men, or VICE VERSA,
|
|
makes them, when such a drama follows, and they are read over by
|
|
the purple or lurid light of it, all the more impressive, solemn,
|
|
and in cases, terrible.
|
|
|
|
Sue's was of the most artless and natural kind. She addressed
|
|
him as her dear cousin Jude; said she had only just learnt
|
|
by the merest accident that he was living in Christminster,
|
|
and reproached him with not letting her know. They might have
|
|
had such nice times together, she said, for she was thrown
|
|
much upon herself, and had hardly any congenial friend.
|
|
But now there was every probability of her soon going away,
|
|
so that the chance of companionship would be lost perhaps for ever.
|
|
|
|
A cold sweat overspread Jude at the news that she was going away.
|
|
That was a contingency he had never thought of, and it spurred
|
|
him to write all the more quickly to her. He would meet her
|
|
that very evening, he said, one hour from the time of writing,
|
|
at the cross in the pavement which marked the spot of the Martyrdoms.
|
|
|
|
When he had despatched the note by a boy he regretted that in his
|
|
hurry he should have suggested to her to meet him out of doors,
|
|
when he might have said he would call upon her. It was, in fact,
|
|
the country custom to meet thus, and nothing else had occurred to him.
|
|
Arabella had been met in the same way, unfortunately, and it might
|
|
not seem respectable to a dear girl like Sue. However, it could
|
|
not be helped now, and he moved towards the point a few minutes
|
|
before the hour, under the glimmer of the newly lighted lamps.
|
|
|
|
The broad street was silent, and almost deserted, although it was not late.
|
|
He saw a figure on the other side, which turned out to be hers,
|
|
and they both converged towards the crossmark at the same moment.
|
|
Before either had reached it she called out to him:
|
|
|
|
"I am not going to meet you just there, for the first time in my life!
|
|
Come further on."
|
|
|
|
The voice, though positive and silvery, had been tremulous.
|
|
They walked on in parallel lines, and, waiting her pleasure,
|
|
Jude watched till she showed signs of closing in, when he did likewise,
|
|
the place being where the carriers' carts stood in the daytime,
|
|
though there was none on the spot then.
|
|
|
|
"I am sorry that I asked you to meet me, and didn't call,"
|
|
began Jude with the bashfulness of a lover. "But I thought it would
|
|
save time if we were going to walk."
|
|
|
|
"Oh--I don't mind that," she said with the freedom of a friend.
|
|
"I have really no place to ask anybody in to. What I meant was that
|
|
the place you chose was so horrid--I suppose I ought not to say horrid--
|
|
I mean gloomy and inauspicious in its associations.... But
|
|
isn't it funny to begin like this, when I don't know you yet?"
|
|
She looked him up and down curiously, though Jude did not look much
|
|
at her.
|
|
|
|
"You seem to know me more than I know you," she added.
|
|
|
|
"Yes--I have seen you now and then."
|
|
|
|
"And you knew who I was, and didn't speak? And now I am going away!"
|
|
|
|
"Yes. That's unfortunate. I have hardly any other friend.
|
|
I have, indeed, one very old friend here somewhere, but I don't quite
|
|
like to call on him just yet. I wonder if you know anything of him--
|
|
Mr. Phillotson? A parson somewhere about the county I think
|
|
he is."
|
|
|
|
"No--I only know of one Mr. Phillotson. He lives a little way
|
|
out in the country, at Lumsdon. He's a village schoolmaster."
|
|
|
|
"Ah! I wonder if he's the same. Surely it is impossible!
|
|
Only a schoolmaster still! Do you know his Christian name--
|
|
is it Richard?"
|
|
|
|
"Yes--it is; I've directed books to him, though I've never seen him."
|
|
|
|
"Then he couldn't do it!"
|
|
|
|
Jude's countenance fell, for how could he succeed in an enterprise
|
|
wherein the great Phillotson had failed? He would have had a day
|
|
of despair if the news had not arrived during his sweet Sue's presence,
|
|
but even at this moment he had visions of how Phillotson's failure
|
|
in the grand university scheme would depress him when she had gone.
|
|
|
|
"As we are going to take a walk, suppose we go and call upon him?"
|
|
said Jude suddenly. "It is not late."
|
|
|
|
She agreed, and they went along up a hill, and through some prettily
|
|
wooded country. Presently the embattled tower and square turret
|
|
of the church rose into the sky, and then the school-house. They
|
|
inquired of a person in the street if Mr. Phillotson was likely
|
|
to be at home, and were informed that he was always at home.
|
|
A knock brought him to the school-house door, with a candle in his hand
|
|
and a look of inquiry on his face, which had grown thin and careworn
|
|
since Jude last set eyes on him.
|
|
|
|
That after all these years the meeting with Mr. Phillotson should be
|
|
of this homely complexion destroyed at one stroke the halo which had
|
|
surrounded the school-master's figure in Jude's imagination ever
|
|
since their parting. It created in him at the same time a sympathy
|
|
with Phillotson as an obviously much chastened and disappointed man.
|
|
Jude told him his name, and said he had come to see him as an old
|
|
friend who had been kind to him in his youthful days.
|
|
|
|
"I don't remember you in the least," said the school-master thoughtfully.
|
|
"You were one of my pupils, you say? Yes, no doubt; but they number
|
|
so many thousands by this time of my life, and have naturally changed
|
|
so much, that I remember very few except the quite recent ones."
|
|
|
|
"It was out at Marygreen," said Jude, wishing he had not come.
|
|
|
|
"Yes. I was there a short time. And is this an old pupil, too?"
|
|
|
|
"No--that's my cousin.... I wrote to you for some grammars,
|
|
if you recollect, and you sent them?"
|
|
|
|
"Ah--yes!--I do dimly recall that incident."
|
|
|
|
"It was very kind of you to do it. And it was you who first
|
|
started me on that course. On the morning you left Marygreen,
|
|
when your goods were on the waggon, you wished me good-bye, and said
|
|
your scheme was to be a university man and enter the Church--
|
|
that a degree was the necessary hall-mark of one who wanted to do
|
|
anything as a theologian or teacher."
|
|
|
|
"I remember I thought all that privately; but I wonder I did
|
|
not keep my own counsel. The idea was given up years ago."
|
|
|
|
"I have never forgotten it. It was that which brought me to this
|
|
part of the country, and out here to see you to-night."
|
|
|
|
"Come in," said Phillotson. "And your cousin, too."
|
|
|
|
They entered the parlour of the school-house, where there was a lamp
|
|
with a paper shade, which threw the light down on three or four books.
|
|
Phillotson took it off, so that they could see each other better,
|
|
and the rays fell on the nervous little face and vivacious dark
|
|
eyes and hair of Sue, on the earnest features of her cousin,
|
|
and on the schoolmaster's own maturer face and figure, showing him
|
|
to be a spare and thoughtful personage of five-and-forty, with a
|
|
thin-lipped, somewhat refined mouth, a slightly stooping habit,
|
|
and a black frock coat, which from continued frictions shone
|
|
a little at the shoulder-blades, the middle of the back,
|
|
and the elbows.
|
|
|
|
The old friendship was imperceptibly renewed, the schoolmaster
|
|
speaking of his experiences, and the cousins of theirs.
|
|
He told them that he still thought of the Church sometimes,
|
|
and that though he could not enter it as he had intended to do in
|
|
former years he might enter it as a licentiate. Meanwhile, he said,
|
|
he was comfortable in his present position, though he was in want
|
|
of a pupil-teacher.
|
|
|
|
They did not stay to supper, Sue having to be indoors before
|
|
it grew late, and the road was retraced to Christminster.
|
|
Though they had talked of nothing more than general subjects, Jude was
|
|
surprised to find what a revelation of woman his cousin was to him.
|
|
She was so vibrant that everything she did seemed to have its source
|
|
in feeling. An exciting thought would make her walk ahead so fast
|
|
that he could hardly keep up with her; and her sensitiveness on
|
|
some points was such that it might have been misread as vanity.
|
|
It was with heart-sickness he perceived that, while her sentiments
|
|
towards him were those of the frankest friendliness only,
|
|
he loved her more than before becoming acquainted with her;
|
|
and the gloom of the walk home lay not in the night overhead,
|
|
but in the thought of her departure.
|
|
|
|
"Why must you leave Christminster?" he said regretfully.
|
|
"How can you do otherwise than cling to a city in whose history
|
|
such men as Newman, Pusey, Ward, Keble, loom so large!"
|
|
|
|
"Yes--they do. Though how large do they loom in the history
|
|
of the world? ... What a funny reason for caring to stay!
|
|
I should never have thought of it!" She laughed.
|
|
|
|
"Well--I must go," she continued. "Miss Fontover, one of
|
|
the partners whom I serve, is offended with me, and I with her;
|
|
and it is best to go."
|
|
|
|
"How did that happen?"
|
|
|
|
"She broke some statuary of mine."
|
|
|
|
"Oh? Wilfully?"
|
|
|
|
"Yes. She found it in my room, and though it was my property she
|
|
threw it on the floor and stamped on it, because it was not according
|
|
to her taste, and ground the arms and the head of one of the figures
|
|
all to bits with her heel--a horrid thing!"
|
|
|
|
"Too Catholic-Apostolic for her, I suppose? No doubt she called
|
|
them popish images and talked of the invocation of saints."
|
|
|
|
"No.... No, she didn't do that. She saw the matter quite differently."
|
|
|
|
"Ah! Then I am surprised!"
|
|
|
|
"Yes. It was for quite some other reason that she didn't like my
|
|
patron-saints. So I was led to retort upon her; and the end of it
|
|
was that I resolved not to stay, but to get into an occupation
|
|
in which I shall be more independent."
|
|
|
|
"Why don't you try teaching again? You once did, I heard."
|
|
|
|
"I never thought of resuming it; for I was getting on as an art-designer."
|
|
|
|
"DO let me ask Mr. Phillotson to let you try your hand in his school?
|
|
If you like it, and go to a training college, and become a first-class
|
|
certificated mistress, you get twice as large an income as any
|
|
designer or church artist, and twice as much freedom."
|
|
|
|
"Well--ask him. Now I must go in. Good-bye, dear Jude! I am so glad
|
|
we have met at last. We needn't quarrel because our parents did,
|
|
need we?"
|
|
|
|
Jude did not like to let her see quite how much he agreed with her,
|
|
and went his way to the remote street in which he had his lodging.
|
|
|
|
To keep Sue Bridehead near him was now a desire which operated
|
|
without regard of consequences, and the next evening he again set out
|
|
for Lumsdon, fearing to trust to the persuasive effects of a note only.
|
|
The school-master was unprepared for such a proposal.
|
|
|
|
"What I rather wanted was a second year's transfer, as it is called,"
|
|
he said. "Of course your cousin would do, personally; but she has
|
|
had no experience. Oh--she has, has she? Does she really think
|
|
of adopting teaching as a profession?"
|
|
|
|
Jude said she was disposed to do so, he thought, and his ingenious
|
|
arguments on her natural fitness for assisting Mr. Phillotson,
|
|
of which Jude knew nothing whatever, so influenced the schoolmaster
|
|
that he said he would engage her, assuring Jude as a friend that
|
|
unless his cousin really meant to follow on in the same course,
|
|
and regarded this step as the first stage of an apprenticeship,
|
|
of which her training in a normal school would be the second stage,
|
|
her time would be wasted quite, the salary being merely nominal.
|
|
|
|
The day after this visit Phillotson received a letter from Jude,
|
|
containing the information that he had again consulted his cousin,
|
|
who took more and more warmly to the idea of tuition; and that she
|
|
had agreed to come. It did not occur for a moment to the schoolmaster
|
|
and recluse that Jude's ardour in promoting the arrangement arose
|
|
from any other feelings towards Sue than the instinct of co-operation
|
|
common among members of the same family.
|
|
|
|
V
|
|
|
|
THE schoolmaster sat in his homely dwelling attached to the school,
|
|
both being modern erections; and he looked across the way at the old
|
|
house in which his teacher Sue had a lodging. The arrangement had
|
|
been concluded very quickly. A pupil-teacher who was to have been
|
|
transferred to Mr. Phillotson's school had failed him, and Sue had been
|
|
taken as stop-gap. All such provisional arrangements as these could
|
|
only last till the next annual visit of H.M. Inspector, whose approval
|
|
was necessary to make them permanent. Having taught for some two
|
|
years in London, though she had abandoned that vocation of late,
|
|
Miss Bridehead was not exactly a novice, and Phillotson thought there
|
|
would be no difficulty in retaining her services, which he already
|
|
wished to do, though she had only been with him three or four weeks.
|
|
He had found her quite as bright as Jude had described her;
|
|
and what master-tradesman does not wish to keep an apprentice who saves
|
|
him half his labour?
|
|
|
|
It was a little over half-past eight o'clock in the morning
|
|
and he was waiting to see her cross the road to the school,
|
|
when he would follow. At twenty minutes to nine she did cross,
|
|
a light hat tossed on her head; and he watched her as a curiosity.
|
|
A new emanation, which had nothing to do with her skill as a teacher,
|
|
seemed to surround her this morning. He went to the school also,
|
|
and Sue remained governing her class at the other end of the room,
|
|
all day under his eye. She certainly was an excellent teacher.
|
|
|
|
It was part of his duty to give her private lessons in the evening,
|
|
and some article in the Code made it necessary that a respectable,
|
|
elderly woman should be present at these lessons when the teacher
|
|
and the taught were of different sexes. Richard Phillotson thought
|
|
of the absurdity of the regulation in this case, when he was old
|
|
enough to be the girl's father; but he faithfully acted up to it;
|
|
and sat down with her in a room where Mrs. Hawes, the widow
|
|
at whose house Sue lodged, occupied herself with sewing.
|
|
The regulation was, indeed, not easy to evade, for there was no
|
|
other sitting-room in the dwelling.
|
|
|
|
Sometimes as she figured--it was arithmetic that they were working at--
|
|
she would involuntarily glance up with a little inquiring smile
|
|
at him, as if she assumed that, being the master, he must
|
|
perceive all that was passing in her brain, as right or wrong.
|
|
Phillotson was not really thinking of the arithmetic at all, but of her,
|
|
in a novel way which somehow seemed strange to him as preceptor.
|
|
Perhaps she knew that he was thinking of her thus.
|
|
|
|
For a few weeks their work had gone on with a monotony which in itself
|
|
was a delight to him. Then it happened that the children were to be
|
|
taken to Christminster to see an itinerant exhibition, in the shape
|
|
of a model of Jerusalem, to which schools were admitted at a penny
|
|
a head in the interests of education. They marched along the road
|
|
two and two, she beside her class with her simple cotton sunshade,
|
|
her little thumb cocked up against its stem; and Phillotson behind
|
|
in his long dangling coat, handling his walking-stick genteelly,
|
|
in the musing mood which had come over him since her arrival.
|
|
The afternoon was one of sun and dust, and when they entered
|
|
the exhibition room few people were present but themselves.
|
|
The model of the ancient city stood in the middle of the apartment,
|
|
and the proprietor, with a fine religious philanthropy written
|
|
on his features, walked round it with a pointer in his hand,
|
|
showing the young people the various quarters and places known
|
|
to them by name from reading their Bibles, Mount Moriah,
|
|
the Valley of Jehoshaphat, the City of Zion, the walls and the gates,
|
|
outside one of which there was a large mound like a tumulus,
|
|
and on the mound a little white cross. The spot, he said,
|
|
was Calvary.
|
|
|
|
"I think," said Sue to the schoolmaster, as she stood with him
|
|
a little in the background, "that this model, elaborate as it is,
|
|
is a very imaginary production. How does anybody know that Jerusalem
|
|
was like this in the time of Christ? I am sure this man doesn't."
|
|
|
|
"It is made after the best conjectural maps, based on actual visits
|
|
to the city as it now exists."
|
|
|
|
"I fancy we have had enough of Jerusalem," she said, "considering we
|
|
are not descended from the Jews. There was nothing first-rate
|
|
about the place, or people, after all--as there was about Athens,
|
|
Rome, Alexandria, and other old cities."
|
|
|
|
"But my dear girl, consider what it is to us!"
|
|
|
|
She was silent, for she was easily repressed; and then perceived
|
|
behind the group of children clustered round the model a young man
|
|
in a white flannel jacket, his form being bent so low in his intent
|
|
inspection of the Valley of Jehoshaphat that his face was almost
|
|
hidden from view by the Mount of Olives. "Look at your cousin Jude,"
|
|
continued the schoolmaster. "He doesn't think we have had enough
|
|
of Jerusalem!"
|
|
|
|
"Ah--I didn't see him!" she cried in her quick, light voice.
|
|
"Jude--how seriously you are going into it!"
|
|
|
|
Jude started up from his reverie, and saw her. "Oh--Sue!" he said,
|
|
with a glad flush of embarrassment. "These are your school-children,
|
|
of course! I saw that schools were admitted in the afternoons,
|
|
and thought you might come; but I got so deeply interested that I
|
|
didn't remember where I was. How it carries one back, doesn't it!
|
|
I could examine it for hours, but I have only a few minutes, unfortunately;
|
|
for I am in the middle of a job out here."
|
|
|
|
"Your cousin is so terribly clever that she criticizes it unmercifully,"
|
|
said Phillotson, with good-humoured satire. "She is quite sceptical
|
|
as to its correctness."
|
|
|
|
"No, Mr. Phillotson, I am not--altogether! I hate to be what is
|
|
called a clever girl--there are too many of that sort now!"
|
|
answered Sue sensitively. "I only meant--I don't know what I meant--
|
|
except that it was what you don't understand!"
|
|
|
|
"I know your meaning," said Jude ardently (although he did not).
|
|
"And I think you are quite right."
|
|
|
|
"That's a good Jude--I know you believe in me!" She impulsively
|
|
seized his hand, and leaving a reproachful look on the schoolmaster
|
|
turned away to Jude, her voice revealing a tremor which she
|
|
herself felt to be absurdly uncalled for by sarcasm so gentle.
|
|
She had not the least conception how the hearts of the twain went
|
|
out to her at this momentary revelation of feeling, and what a
|
|
complication she was building up thereby in the futures of both.
|
|
|
|
The model wore too much of an educational aspect for the children
|
|
not to tire of it soon, and a little later in the afternoon they
|
|
were all marched back to Lumsdon, Jude returning to his work.
|
|
He watched the juvenile flock in their clean frocks and pinafores,
|
|
filing down the street towards the country beside Phillotson and Sue,
|
|
and a sad, dissatisfied sense of being out of the scheme of the latters'
|
|
lives had possession of him. Phillotson had invited him to walk
|
|
out and see them on Friday evening, when there would be no lessons
|
|
to give to Sue, and Jude had eagerly promised to avail himself of
|
|
the opportunity.
|
|
|
|
Meanwhile the scholars and teachers moved homewards, and the next day,
|
|
on looking on the blackboard in Sue's class, Phillotson was surprised
|
|
to find upon it, skilfully drawn in chalk, a perspective view
|
|
of Jerusalem, with every building shown in its place.
|
|
|
|
"I thought you took no interest in the model, and hardly looked at it?"
|
|
he said.
|
|
|
|
"I hardly did," said she, "but I remembered that much of it."
|
|
|
|
"It is more than I had remembered myself."
|
|
|
|
Her Majesty's school-inspector was at that time paying "surprise-visits"
|
|
in this neighbourhood to test the teaching unawares; and two days later,
|
|
in the middle of the morning lessons, the latch of the door was
|
|
softly lifted, and in walked my gentleman, the king of terrors--
|
|
to pupil-teachers.
|
|
|
|
To Mr. Phillotson the surprise was not great; like the lady in the story
|
|
he had been played that trick too many times to be unprepared.
|
|
But Sue's class was at the further end of the room, and her back
|
|
was towards the entrance; the inspector therefore came and stood
|
|
behind her and watched her teaching some half-minute before she became
|
|
aware of his presence. She turned, and realized that an oft-dreaded
|
|
moment had come. The effect upon her timidity was such that she
|
|
uttered a cry of fright. Phillotson, with a strange instinct
|
|
of solicitude quite beyond his control, was at her side just in time
|
|
to prevent her falling from faintness. She soon recovered herself,
|
|
and laughed; but when the inspector had gone there was a reaction,
|
|
and she was so white that Phillotson took her into his room,
|
|
and gave her some brandy to bring her round. She found him holding
|
|
her hand.
|
|
|
|
"You ought to have told me," she gasped petulantly, "that one of
|
|
the inspector's surprise-visits was imminent! Oh, what shall I do!
|
|
Now he'll write and tell the managers that I am no good, and I shall
|
|
be disgraced for ever!"
|
|
|
|
"He won't do that, my dear little girl. You are the best teacher
|
|
ever I had!"
|
|
|
|
He looked so gently at her that she was moved, and regretted
|
|
that she had upbraided him. When she was better she went home.
|
|
|
|
Jude in the meantime had been waiting impatiently for Friday.
|
|
On both Wednesday and Thursday he had been so much under the influence
|
|
of his desire to see her that he walked after dark some distance
|
|
along the road in the direction of the village, and, on returning
|
|
to his room to read, found himself quite unable to concentrate
|
|
his mind on the page. On Friday, as soon as he had got himself
|
|
up as he thought Sue would like to see him, and made a hasty tea,
|
|
he set out, notwithstanding that the evening was wet. The trees
|
|
overhead deepened the gloom of the hour, and they dripped sadly
|
|
upon him, impressing him with forebodings--illogical forebodings;
|
|
for though he knew that he loved her he also knew that he could not be
|
|
more to her than he was.
|
|
|
|
On turning the corner and entering the village the first sight that
|
|
greeted his eyes was that of two figures under one umbrella coming
|
|
out of the vicarage gate. He was too far back for them to notice him,
|
|
but he knew in a moment that they were Sue and Phillotson.
|
|
The latter was holding the umbrella over her head, and they had evidently
|
|
been paying a visit to the vicar--probably on some business connected
|
|
with the school work. And as they walked along the wet and deserted
|
|
lane Jude saw Phillotson place his arm round the girl's waist;
|
|
whereupon she gently removed it; but he replaced it; and she let
|
|
it remain, looking quickly round her with an air of misgiving.
|
|
She did not look absolutely behind her, and therefore did not
|
|
see Jude, who sank into the hedge like one struck with a blight.
|
|
There he remained hidden till they had reached Sue's cottage and she
|
|
had passed in, Phillotson going on to the school hard by.
|
|
|
|
"Oh, he's too old for her--too old!" cried Jude in all the terrible
|
|
sickness of hopeless, handicapped love.
|
|
|
|
He could not interfere. Was he not Arabella's? He was unable
|
|
to go on further, and retraced his steps towards Christminster.
|
|
Every tread of his feet seemed to say to him that he must on no
|
|
account stand in the schoolmaster's way with Sue. Phillotson was
|
|
perhaps twenty years her senior, but many a happy marriage had been
|
|
made in such conditions of age. The ironical clinch to his sorrow
|
|
was given by the thought that the intimacy between his cousin
|
|
and the schoolmaster had been brought about entirely by himself.
|
|
|
|
VI
|
|
|
|
JUDE'S old and embittered aunt lay unwell at Marygreen, and on
|
|
the following Sunday he went to see her--a visit which was the result
|
|
of a victorious struggle against his inclination to turn aside
|
|
to the village of Lumsdon and obtain a miserable interview with
|
|
his cousin, in which the word nearest his heart could not be spoken,
|
|
and the sight which had tortured him could not be revealed.
|
|
|
|
His aunt was now unable to leave her bed, and a great part of Jude's
|
|
short day was occupied in making arrangements for her comfort.
|
|
The little bakery business had been sold to a neighbour, and with
|
|
the proceeds of this and her savings she was comfortably supplied
|
|
with necessaries and more, a widow of the same village living
|
|
with her and ministering to her wants. It was not till the time had
|
|
nearly come for him to leave that he obtained a quiet talk with her,
|
|
and his words tended insensibly towards his cousin.
|
|
|
|
"Was Sue born here?"
|
|
|
|
"She was--in this room. They were living here at that time.
|
|
What made 'ee ask that?"
|
|
|
|
"Oh--I wanted to know."
|
|
|
|
"Now you've been seeing her!" said the harsh old woman.
|
|
"And what did I tell 'ee?"
|
|
|
|
"Well--that I was not to see her."
|
|
|
|
"Have you gossiped with her?"
|
|
|
|
"Yes."
|
|
|
|
"Then don't keep it up. She was brought up by her father
|
|
to hate her mother's family; and she'll look with no favour upon
|
|
a working chap like you--a townish girl as she's become by now.
|
|
I never cared much about her. A pert little thing, that's what she
|
|
was too often, with her tight-strained nerves. Many's the time I've
|
|
smacked her for her impertinence. Why, one day when she was walking
|
|
into the pond with her shoes and stockings off, and her petticoats
|
|
pulled above her knees, afore I could cry out for shame, she said:
|
|
'Move on, Aunty! This is no sight for modest eyes!'"
|
|
|
|
"She was a little child then."
|
|
|
|
"She was twelve if a day."
|
|
|
|
"Well--of course. But now she's older she's of a thoughtful,
|
|
quivering, tender nature, and as sensitive as--"
|
|
|
|
"Jude!" cried his aunt, springing up in bed. "Don't you be a fool
|
|
about her!"
|
|
|
|
"No, no, of course not."
|
|
|
|
"Your marrying that woman Arabella was about as bad a thing as a man
|
|
could possibly do for himself by trying hard. But she's gone
|
|
to the other side of the world, and med never trouble you again.
|
|
And there'll be a worse thing if you, tied and bound as you be,
|
|
should have a fancy for Sue. If your cousin is civil to you,
|
|
take her civility for what it is worth. But anything more than
|
|
a relation's good wishes it is stark madness for 'ee to give her.
|
|
If she's townish and wanton it med bring 'ee to ruin."
|
|
|
|
"Don't say anything against her, Aunt! Don't, please!"
|
|
|
|
A relief was afforded to him by the entry of the companion and nurse
|
|
of his aunt, who must have been listening to the conversation, for she
|
|
began a commentary on past years, introducing Sue Bridehead as a character
|
|
in her recollections. She described what an odd little maid Sue had
|
|
been when a pupil at the village school across the green opposite,
|
|
before her father went to London--how, when the vicar arranged
|
|
readings and recitations, she appeared on the platform, the smallest
|
|
of them all, "in her little white frock, and shoes, and pink sash";
|
|
how she recited "Excelsior," "There was a sound of revelry by night,"
|
|
and "The Raven"; how during the delivery she would knit her little
|
|
brows and glare round tragically, and say to the empty air,
|
|
as if some real creature stood there--
|
|
|
|
"Ghastly, grim, and ancient Raven, wandering from the
|
|
Nightly shore,
|
|
Tell me what thy lordly name is on the Night's
|
|
Plutonian shore!"
|
|
|
|
"She'd bring up the nasty carrion bird that clear," corroborated the
|
|
sick woman reluctantly, "as she stood there in her little sash
|
|
and things, that you could see un a'most before your very eyes.
|
|
You too, Jude, had the same trick as a child of seeming to see
|
|
things in the air."
|
|
|
|
The neighbour told also of Sue's accomplishments in other kinds:
|
|
|
|
"She was not exactly a tomboy, you know; but she could do things that
|
|
only boys do, as a rule. I've seen her hit in and steer down the long
|
|
slide on yonder pond, with her little curls blowing, one of a file
|
|
of twenty moving along against the sky like shapes painted on glass,
|
|
and up the back slide without stopping. All boys except herself;
|
|
and then they'd cheer her, and then she'd say, 'Don't be saucy, boys,'
|
|
and suddenly run indoors. They'd try to coax her out again.
|
|
But 'a wouldn't come."
|
|
|
|
These retrospective visions of Sue only made Jude the more miserable
|
|
that he was unable to woo her, and he left the cottage of his aunt
|
|
that day with a heavy heart. He would fain have glanced into the school
|
|
to see the room in which Sue's little figure had so glorified itself;
|
|
but he checked his desire and went on.
|
|
|
|
It being Sunday evening some villagers who had known him during
|
|
his residence here were standing in a group in their best clothes.
|
|
Jude was startled by a salute from one of them:
|
|
|
|
"Ye've got there right enough, then!"
|
|
|
|
Jude showed that he did not understand.
|
|
|
|
"Why, to the seat of l'arning--the 'City of Light' you used to talk
|
|
to us about as a little boy! Is it all you expected of it?"
|
|
|
|
"Yes; more!" cried Jude.
|
|
|
|
"When I was there once for an hour I didn't see much in it for my part;
|
|
auld crumbling buildings, half church, half almshouse, and not much
|
|
going on at that."
|
|
|
|
"You are wrong, John; there is more going on than meets the eye
|
|
of a man walking through the streets. It is a unique centre
|
|
of thought and religion--the intellectual and spiritual granary
|
|
of this country. All that silence and absence of goings-on is
|
|
the stillness of infinite motion--the sleep of the spinning-top,
|
|
to borrow the simile of a well-known writer."
|
|
|
|
"Oh, well, it med be all that, or it med not. As I say,
|
|
I didn't see nothing of it the hour or two I was there;
|
|
so I went in and had a pot o' beer, and a penny loaf, and a
|
|
ha'porth o' cheese, and waited till it was time to come along home.
|
|
You've j'ined a college by this time, I suppose?"
|
|
|
|
"Ah, no!" said Jude. "I am almost as far off that as ever."
|
|
|
|
"How so?"
|
|
|
|
Jude slapped his pocket.
|
|
|
|
"Just what we thought! Such places be not for such as you--
|
|
only for them with plenty o' money."
|
|
|
|
"There you are wrong," said Jude, with some bitterness.
|
|
"They are for such ones!"
|
|
|
|
Still, the remark was sufficient to withdraw Jude's attention
|
|
from the imaginative world he had lately inhabited, in which an
|
|
abstract figure, more or less himself, was steeping his mind
|
|
in a sublimation of the arts and sciences, and making his calling
|
|
and election sure to a seat in the paradise of the learned.
|
|
He was set regarding his prospects in a cold northern light.
|
|
He had lately felt that he could not quite satisfy himself in his Greek--
|
|
in the Greek of the dramatists particularly. So fatigued was he
|
|
sometimes after his day's work that he could not maintain the critical
|
|
attention necessary for thorough application. He felt that he wanted
|
|
a coach--a friend at his elbow to tell him in a moment what sometimes
|
|
would occupy him a weary month in extracting from unanticipative,
|
|
clumsy books.
|
|
|
|
It was decidedly necessary to consider facts a little more
|
|
closely than he had done of late. What was the good, after all,
|
|
of using up his spare hours in a vague labour called "private study"
|
|
without giving an outlook on practicabilities?
|
|
|
|
"I ought to have thought of this before," he said, as he journeyed back.
|
|
"It would have been better never to have embarked in the scheme at
|
|
all than to do it without seeing clearly where I am going, or what I
|
|
am aiming at.... This hovering outside the walls of the colleges,
|
|
as if expecting some arm to be stretched out from them to lift me inside,
|
|
won't do! I must get special information."
|
|
|
|
The next week accordingly he sought it. What at first seemed an
|
|
opportunity occurred one afternoon when he saw an elderly gentleman,
|
|
who had been pointed out as the head of a particular college,
|
|
walking in the public path of a parklike enclosure near the spot
|
|
at which Jude chanced to be sitting. The gentleman came nearer,
|
|
and Jude looked anxiously at his face. It seemed benign,
|
|
considerate, yet rather reserved. On second thoughts Jude felt
|
|
that he could not go up and address him; but he was sufficiently
|
|
influenced by the incident to think what a wise thing it would
|
|
be for him to state his difficulties by letter to some of the best
|
|
and most judicious of these old masters, and obtain their advice.
|
|
|
|
During the next week or two he accordingly placed himself in such positions
|
|
about the city as would afford him glimpses of several of the most
|
|
distinguished among the provosts, wardens, and other heads of houses;
|
|
and from those he ultimately selected five whose physiognomies seemed
|
|
to say to him that they were appreciative and far-seeing men.
|
|
To these five he addressed letters, briefly stating his difficulties,
|
|
and asking their opinion on his stranded situation.
|
|
|
|
When the letters were posted Jude mentally began to criticize them;
|
|
he wished they had not been sent. "It is just one of those intrusive,
|
|
vulgar, pushing, applications which are so common in these days,"
|
|
he thought. "Why couldn't I know better than address utter strangers
|
|
in such a way? I may be an impostor, and idle scamp, a man with a
|
|
bad character, for all that they know to the contrary.... Perhaps
|
|
that's what I am!"
|
|
|
|
Nevertheless, he found himself clinging to the hope of some reply
|
|
as to his one last chance of redemption. He waited day after day,
|
|
saying that it was perfectly absurd to expect, yet expecting.
|
|
While he waited he was suddenly stirred by news about Phillotson.
|
|
Phillotson was giving up the school near Christminster,
|
|
for a larger one further south, in Mid-Wessex. What this meant;
|
|
how it would affect his cousin; whether, as seemed possible,
|
|
it was a practical move of the schoolmaster's towards a larger income,
|
|
in view of a provision for two instead of one, he would not allow himself
|
|
to say. And the tender relations between Phillotson and the young
|
|
girl of whom Jude was passionately enamoured effectually made it
|
|
repugnant to Jude's tastes to apply to Phillotson for advice on his
|
|
own scheme.
|
|
|
|
Meanwhile the academic dignitaries to whom Jude had written
|
|
vouchsafed no answer, and the young man was thus thrown back entirely
|
|
on himself, as formerly, with the added gloom of a weakened hope.
|
|
By indirect inquiries he soon perceived clearly what he had long
|
|
uneasily suspected, that to qualify himself for certain open scholarships
|
|
and exhibitions was the only brilliant course. But to do this
|
|
a good deal of coaching would be necessary, and much natural ability.
|
|
It was next to impossible that a man reading on his own system,
|
|
however widely and thoroughly, even over the prolonged period
|
|
of ten years, should be able to compete with those who had passed
|
|
their lives under trained teachers and had worked to ordained lines.
|
|
|
|
The other course, that of buying himself in, so to speak,
|
|
seemed the only one really open to men like him, the difficulty being
|
|
simply of a material kind. With the help of his information he began
|
|
to reckon the extent of this material obstacle, and ascertained,
|
|
to his dismay, that, at the rate at which, with the best of fortune,
|
|
he would be able to save money, fifteen years must elapse before
|
|
he could be in a position to forward testimonials to the head
|
|
of a college and advance to a matriculation examination.
|
|
The undertaking was hopeless.
|
|
|
|
He saw what a curious and cunning glamour the neighbourhood of the place
|
|
had exercised over him. To get there and live there, to move among
|
|
the churches and halls and become imbued with the GENIUS LOCI,
|
|
had seemed to his dreaming youth, as the spot shaped its charms to him
|
|
from its halo on the horizon, the obvious and ideal thing to do.
|
|
"Let me only get there," he had said with the fatuousness of Crusoe
|
|
over his big boat, "and the rest is but a matter of time and energy."
|
|
It would have been far better for him in every way if he had never come
|
|
within sight and sound of the delusive precincts, had gone to some busy
|
|
commercial town with the sole object of making money by his wits,
|
|
and thence surveyed his plan in true perspective. Well, all that was
|
|
clear to him amounted to this, that the whole scheme had burst up,
|
|
like an iridescent soap-bubble, under the touch of a reasoned inquiry.
|
|
He looked back at himself along the vista of his past years, and his
|
|
thought was akin to Heine's:
|
|
|
|
Above the youth's inspired and flashing eyes
|
|
I see the motley mocking fool's-cap rise!
|
|
|
|
Fortunately he had not been allowed to bring his disappointment
|
|
into his dear Sue's life by involving her in this collapse.
|
|
And the painful details of his awakening to a sense of his
|
|
limitations should now be spared her as far as possible. After all,
|
|
she had only know a little part of the miserable struggle in which he
|
|
had been engaged thus unequipped, poor, and unforeseeing.
|
|
|
|
He always remembered the appearance of the afternoon on which he
|
|
awoke from his dream. Not quite knowing what to do with himself,
|
|
he went up to an octagonal chamber in the lantern of a singularly
|
|
built theatre that was set amidst this quaint and singular city.
|
|
It had windows all round, from which an outlook over the whole
|
|
town and its edifices could be gained. Jude's eyes swept all
|
|
the views in succession, meditatively, mournfully, yet sturdily.
|
|
Those buildings and their associations and privileges were not for him.
|
|
From the looming roof of the great library, into which he hardly
|
|
ever had time to enter, his gaze travelled on to the varied spires,
|
|
halls, gables, streets, chapels, gardens, quadrangles, which composed
|
|
the ensemble of this unrivalled panorama. He saw that his destiny lay
|
|
not with these, but among the manual toilers in the shabby purlieu
|
|
which he himself occupied, unrecognized as part of the city at all
|
|
by its visitors and panegyrists, yet without whose denizens the hard
|
|
readers could not read nor the high thinkers live.
|
|
|
|
He looked over the town into the country beyond, to the trees
|
|
which screened her whose presence had at first been the support
|
|
of his heart, and whose loss was now a maddening torture.
|
|
But for this blow he might have borne with his fate. With Sue
|
|
as companion he could have renounced his ambitions with a smile.
|
|
Without her it was inevitable that the reaction from the long strain
|
|
to which he had subjected himself should affect him disastrously.
|
|
Phillotson had no doubt passed through a similar intellectual
|
|
disappointment to that which now enveloped him. But the schoolmaster
|
|
had been since blest with the consolation of sweet Sue, while for him
|
|
there was no consoler.
|
|
|
|
Descending to the streets, he went listlessly along till he
|
|
arrived at an inn, and entered it. Here he drank several glasses
|
|
of beer in rapid succession, and when he came out it was night.
|
|
By the light of the flickering lamps he rambled home to supper,
|
|
and had not long been sitting at table when his landlady
|
|
brought up a letter that had just arrived for him. She laid it
|
|
down as if impressed with a sense of its possible importance,
|
|
and on looking at it Jude perceived that it bore the embossed stamp
|
|
of one of the colleges whose heads he had addressed. "ONE--at last!"
|
|
cried Jude.
|
|
|
|
The communication was brief, and not exactly what he had expected;
|
|
though it really was from the master in person. It ran thus:
|
|
|
|
"BIBLIOLL COLLEGE.
|
|
|
|
"SIR,--I have read your letter with interest; and, judging from your
|
|
description of yourself as a working-man, I venture to think that you
|
|
will have a much better chance of success in life by remaining
|
|
in your own sphere and sticking to your trade than by adopting
|
|
any other course. That, therefore, is what I advise you to do.
|
|
Yours faithfully,
|
|
"T. TETUPHENAY.
|
|
"To Mr. J. FAWLEY, Stone-mason."
|
|
|
|
This terribly sensible advice exasperated Jude. He had known all
|
|
that before. He knew it was true. Yet it seemed a hard slap after
|
|
ten years of labour, and its effect upon him just now was to make him
|
|
rise recklessly from the table, and, instead of reading as usual,
|
|
to go downstairs and into the street. He stood at a bar and tossed
|
|
off two or three glasses, then unconsciously sauntered along till
|
|
he came to a spot called The Fourways in the middle of the city,
|
|
gazing abstractedly at the groups of people like one in a trance,
|
|
till, coming to himself, he began talking to the policeman fixed there.
|
|
|
|
That officer yawned, stretched out his elbows, elevated himself
|
|
an inch and a half on the balls of his toes, smiled, and looking
|
|
humorously at Jude, said, "You've had a wet, young man."
|
|
|
|
"No; I've only begun," he replied cynically.
|
|
|
|
Whatever his wetness, his brains were dry enough. He only heard
|
|
in part the policeman's further remarks, having fallen into thought
|
|
on what struggling people like himself had stood at that crossway,
|
|
whom nobody ever thought of now. It had more history than
|
|
the oldest college in the city. It was literally teeming,
|
|
stratified, with the shades of human groups, who had met there
|
|
for tragedy, comedy, farce; real enactments of the intensest kind.
|
|
At Fourways men had stood and talked of Napoleon, the loss of America,
|
|
the execution of King Charles, the burning of the Martyrs,
|
|
the Crusades, the Norman Conquest, possibly of the arrival of Caesar.
|
|
Here the two sexes had met for loving, hating, coupling, parting;
|
|
had waited, had suffered, for each other; had triumphed over each other;
|
|
cursed each other in jealousy, blessed each other in forgiveness.
|
|
|
|
He began to see that the town life was a book of humanity infinitely
|
|
more palpitating, varied, and compendious than the gown life.
|
|
These struggling men and women before him were the reality
|
|
of Christminster, though they knew little of Christ or Minster.
|
|
That was one of the humours of things. The floating population
|
|
of students and teachers, who did know both in a way, were not
|
|
Christminster in a local sense at all.
|
|
|
|
He looked at his watch, and, in pursuit of this idea, he went
|
|
on till he came to a public hall, where a promenade concert was
|
|
in progress. Jude entered, and found the room full of shop youths
|
|
and girls, soldiers, apprentices, boys of eleven smoking cigarettes,
|
|
and light women of the more respectable and amateur class.
|
|
He had tapped the real Christminster life. A band was playing,
|
|
and the crowd walked about and jostled each other, and every now
|
|
and then a man got upon a platform and sang a comic song.
|
|
|
|
The spirit of Sue seemed to hover round him and prevent his
|
|
flirting and drinking with the frolicsome girls who made advances--
|
|
wistful to gain a little joy. At ten o'clock he came away,
|
|
choosing a circuitous route homeward to pass the gates of the college
|
|
whose head had just sent him the note.
|
|
|
|
The gates were shut, and, by an impulse, he took from his pocket
|
|
the lump of chalk which as a workman he usually carried there,
|
|
and wrote along the wall:
|
|
|
|
"I HAVE UNDERSTANDING AS WELL AS YOU; I AM NOT INFERIOR TO YOU:
|
|
YEA, WHO KNOWETH NOT SUCH THINGS AS THESE?"--Job xii. 3.
|
|
|
|
VII
|
|
|
|
THE stroke of scorn relieved his mind, and the next morning he
|
|
laughed at his self-conceit. But the laugh was not a healthy one.
|
|
He re-read the letter from the master, and the wisdom in its lines,
|
|
which had at first exasperated him, chilled and depressed him now.
|
|
He saw himself as a fool indeed.
|
|
|
|
Deprived of the objects of both intellect and emotion, he could not proceed
|
|
to his work. Whenever he felt reconciled to his fate as a student,
|
|
there came to disturb his calm his hopeless relations with Sue.
|
|
That the one affined soul he had ever met was lost to him through his
|
|
marriage returned upon him with cruel persistency, till, unable to bear
|
|
it longer, he again rushed for distraction to the real Christminster life.
|
|
He now sought it out in an obscure and low-ceiled tavern up a court
|
|
which was well known to certain worthies of the place, and in
|
|
brighter times would have interested him simply by its quaintness.
|
|
Here he sat more or less all the day, convinced that he was at bottom
|
|
a vicious character, of whom it was hopeless to expect anything.
|
|
|
|
In the evening the frequenters of the house dropped in one by one,
|
|
Jude still retaining his seat in the corner, though his money was
|
|
all spent, and he had not eaten anything the whole day except a biscuit.
|
|
He surveyed his gathering companions with all the equanimity
|
|
and philosophy of a man who has been drinking long and slowly,
|
|
and made friends with several: to wit, Tinker Taylor, a decayed
|
|
church-ironmonger who appeared to have been of a religious
|
|
turn in earlier years, but was somewhat blasphemous now;
|
|
also a red-nosed auctioneer; also two Gothic masons like himself,
|
|
called Uncle Jim and Uncle Joe. There were present, too, some clerks,
|
|
and a gown- and surplice-maker's assistant; two ladies who sported moral
|
|
characters of various depths of shade, according to their company,
|
|
nicknamed "Bower o' Bliss" and "Freckles"; some horsey men "in the know"
|
|
of betting circles; a travelling actor from the theatre, and two
|
|
devil-may-care young men who proved to be gownless undergraduates;
|
|
they had slipped in by stealth to meet a man about bull-pups, and stayed
|
|
to drink and smoke short pipes with the racing gents aforesaid,
|
|
looking at their watches every now and then.
|
|
|
|
The conversation waxed general. Christminster society was criticized,
|
|
the dons, magistrates, and other people in authority being sincerely
|
|
pitied for their shortcomings, while opinions on how they ought
|
|
to conduct themselves and their affairs to be properly respected,
|
|
were exchanged in a large-minded and disinterested manner.
|
|
|
|
Jude Fawley, with the self-conceit, effrontery, and APLOMB
|
|
of a strong-brained fellow in liquor, threw in his remarks
|
|
somewhat peremptorily; and his aims having been what they were for
|
|
so many years, everything the others said turned upon his tongue,
|
|
by a sort of mechanical craze, to the subject of scholarship and study,
|
|
the extent of his own learning being dwelt upon with an insistence
|
|
that would have appeared pitiable to himself in his sane hours.
|
|
|
|
"I don't care a damn," he was saying, "for any provost, warden,
|
|
principal, fellow, or cursed master of arts in the university!
|
|
What I know is that I'd lick 'em on their own ground if they'd
|
|
give me a chance, and show 'em a few things they are not up to yet!"
|
|
|
|
"Hear, hear!" said the undergraduates from the corner, where they
|
|
were talking privately about the pups
|
|
|
|
"You always was fond o' books, I've heard," said Tinker Taylor,
|
|
"and I don't doubt what you state. Now with me 'twas different.
|
|
I always saw there was more to be learnt outside a book than in;
|
|
and I took my steps accordingly, or I shouldn't have been the man
|
|
I am."
|
|
|
|
"You aim at the Church, I believe?" said Uncle Joe. "If you are such
|
|
a scholar as to pitch yer hopes so high as that, why not give us
|
|
a specimen of your scholarship? Canst say the Creed in Latin, man?
|
|
That was how they once put it to a chap down in my country."
|
|
|
|
"I should think so!" said Jude haughtily.
|
|
|
|
"Not he! Like his conceit!" screamed one of the ladies.
|
|
|
|
"Just you shut up, Bower o' Bliss!" said one of the undergraduates.
|
|
"Silence!" He drank off the spirits in his tumbler, rapped with it
|
|
on the counter, and announced, "The gentleman in the corner is
|
|
going to rehearse the Articles of his Belief, in the Latin tongue,
|
|
for the edification of the company."
|
|
|
|
"I won't!" said Jude.
|
|
|
|
"Yes--have a try!" said the surplice-maker.
|
|
|
|
"You can't!" said Uncle Joe.
|
|
|
|
"Yes, he can!" said Tinker Taylor.
|
|
|
|
"I'll swear I can!" said Jude. "Well, come now, stand me a small
|
|
Scotch cold, and I'll do it straight off."
|
|
|
|
"That's a fair offer," said the undergraduate, throwing down
|
|
the money for the whisky.
|
|
|
|
The barmaid concocted the mixture with the bearing of a person
|
|
compelled to live amongst animals of an inferior species, and the
|
|
glass was handed across to Jude, who, having drunk the contents,
|
|
stood up and began rhetorically, without hesitation:
|
|
|
|
"CREDO IN UNUM DEUM, PATREM OMNIPOTENTEM, FACTOREM COELI ET TERRAE,
|
|
VISIBILIUM OMNIUM ET INVISIBILIUM."
|
|
|
|
"Good! Excellent Latin!" cried one of the undergraduates,
|
|
who, however, had not the slightest conception of a single word.
|
|
|
|
A silence reigned among the rest in the bar, and the maid stood still,
|
|
Jude's voice echoing sonorously into the inner parlour, where the
|
|
landlord was dozing, and bringing him out to see what was going on.
|
|
Jude had declaimed steadily ahead, and was continuing:
|
|
|
|
"CRUCIFIXUS ETIAM PRO NOBIS: SUB PONTIO PILATO PASSUS, ET SEPULTUS EST.
|
|
ET RESURREXIT TERTIA DIE, SECUNDUM SCRIPTURAS."
|
|
|
|
"That's the Nicene," sneered the second undergraduate. "And we
|
|
wanted the Apostles'!"
|
|
|
|
"You didn't say so! And every fool knows, except you, that the Nicene
|
|
is the most historic creed!"
|
|
|
|
"Let un go on, let un go on!" said the auctioneer.
|
|
|
|
But Jude's mind seemed to grow confused soon, and he could not get on.
|
|
He put his hand to his forehead, and his face assumed an expression
|
|
of pain.
|
|
|
|
"Give him another glass--then he'll fetch up and get through it,"
|
|
said Tinker Taylor.
|
|
|
|
Somebody threw down threepence, the glass was handed, Jude stretched
|
|
out his arm for it without looking, and having swallowed the liquor,
|
|
went on in a moment in a revived voice, raising it as he neared
|
|
the end with the manner of a priest leading a congregation:
|
|
|
|
"ET IN SPIRITUM SANCTUM, DOMINUM ET VIVIFICANTEM, QUI EX PATRE
|
|
FILIOQUE PROCEDIT. QUI CUM PATRE ET FILIO SIMUL ADORATUR
|
|
ET CONGLORIFICATUR. QUI LOCUTUS EST PER PROPHETAS.
|
|
|
|
"ET UNAM CATHOLICAM ET APOSTOLICAM ECCLESIAM. CONFITEOR UNUM BAPTISMA
|
|
IN REMISSIONEM PECCATORUM. ET EXSPECTO RESURRECTIONEM MORTUORUM.
|
|
ET VITAM VENTURI SAECULI. AMEN."
|
|
|
|
"Well done!" said several, enjoying the last word, as being
|
|
the first and only one they had recognized.
|
|
|
|
Then Jude seemed to shake the fumes from his brain, as he stared
|
|
round upon them.
|
|
|
|
"You pack of fools!" he cried. "Which one of you knows whether I
|
|
have said it or no? It might have been the Ratcatcher's Daughter
|
|
in double Dutch for all that your besotted heads can tell!
|
|
See what I have brought myself to--the crew I have come among!"
|
|
|
|
The landlord, who had already had his license endorsed for harbouring
|
|
queer characters, feared a riot, and came outside the counter;
|
|
but Jude, in his sudden flash of reason, had turned in disgust
|
|
and left the scene, the door slamming with a dull thud behind him.
|
|
|
|
He hastened down the lane and round into the straight broad street,
|
|
which he followed till it merged in the highway, and all sound
|
|
of his late companions had been left behind. Onward he still went,
|
|
under the influence of a childlike yearning for the one being in the world
|
|
to whom it seemed possible to fly--an unreasoning desire, whose ill
|
|
judgement was not apparent to him now. In the course of an hour,
|
|
when it was between ten and eleven o'clock, he entered the village
|
|
of Lumsdon, and reaching the cottage, saw that a light was burning
|
|
in a downstairs room, which he assumed, rightly as it happened,
|
|
to be hers.
|
|
|
|
Jude stepped close to the wall, and tapped with his finger on the pane,
|
|
saying impatiently, "Sue, Sue!"
|
|
|
|
She must have recognized his voice, for the light disappeared from
|
|
the apartment, and in a second or two the door was unlocked and opened,
|
|
and Sue appeared with a candle in her hand.
|
|
|
|
"Is it Jude? Yes, it is! My dear, dear cousin, what's the matter?"
|
|
|
|
"Oh, I am--I couldn't help coming, Sue!" said he, sinking down upon
|
|
the doorstep. "I am so wicked, Sue--my heart is nearly broken,
|
|
and I could not bear my life as it was! So I have been drinking,
|
|
and blaspheming, or next door to it, and saying holy things in
|
|
disreputable quarters--repeating in idle bravado words which ought never
|
|
to be uttered but reverently! Oh, do anything with me, Sue--kill me--
|
|
I don't care! Only don't hate me and despise me like all the rest
|
|
of the world!"
|
|
|
|
"You are ill, poor dear! No, I won't despise you; of course I
|
|
won't! Come in and rest, and let me see what I can do for you.
|
|
Now lean on me, and don't mind." With one hand holding the candle
|
|
and the other supporting him, she led him indoors, and placed him
|
|
in the only easy chair the meagrely furnished house afforded,
|
|
stretching his feet upon another, and pulling off his boots.
|
|
Jude, now getting towards his sober senses, could only say,
|
|
"Dear, dear Sue!" in a voice broken by grief and contrition.
|
|
|
|
She asked him if he wanted anything to eat, but he shook his head.
|
|
Then telling him to go to sleep, and that she would come down early
|
|
in the morning and get him some breakfast, she bade him good-night
|
|
and ascended the stairs.
|
|
|
|
Almost immediately he fell into a heavy slumber, and did not wake till dawn.
|
|
At first he did not know where he was, but by degrees his situation
|
|
cleared to him, and he beheld it in all the ghastliness of a right mind.
|
|
She knew the worst of him--the very worst. How could he face her now?
|
|
She would soon be coming down to see about breakfast, as she
|
|
had said, and there would he be in all his shame confronting her.
|
|
He could not bear the thought, and softly drawing on his boots,
|
|
and taking his hat from the nail on which she had hung it, he slipped
|
|
noiselessly out of the house.
|
|
|
|
His fixed idea was to get away to some obscure spot and hide,
|
|
and perhaps pray; and the only spot which occurred to him
|
|
was Marygreen. He called at his lodging in Christminster,
|
|
where he found awaiting him a note of dismissal from his employer;
|
|
and having packed up he turned his back upon the city that had
|
|
been such a thorn in his side, and struck southward into Wessex.
|
|
He had no money left in his pocket, his small savings, deposited at one
|
|
of the banks in Christminster, having fortunately been left untouched.
|
|
To get to Marygreen, therefore, his only course was walking;
|
|
and the distance being nearly twenty miles, he had ample time to complete
|
|
on the way the sobering process begun in him.
|
|
|
|
At some hour of the evening he reached Alfredston. Here he pawned
|
|
his waistcoat, and having gone out of the town a mile or two,
|
|
slept under a rick that night. At dawn he rose, shook off
|
|
the hayseeds and stems from his clothes, and started again,
|
|
breasting the long white road up the hill to the downs, which had been
|
|
visible to him a long way off, and passing the milestone at the top,
|
|
whereon he had carved his hopes years ago.
|
|
|
|
He reached the ancient hamlet while the people were at breakfast.
|
|
Weary and mud-bespattered, but quite possessed of his ordinary
|
|
clearness of brain, he sat down by the well, thinking as he did
|
|
so what a poor Christ he made. Seeing a trough of water near he
|
|
bathed his face, and went on to the cottage of his great-aunt,
|
|
whom he found breakfasting in bed, attended by the woman who lived
|
|
with her.
|
|
|
|
"What--out o' work?" asked his relative, regarding him through
|
|
eyes sunken deep, under lids heavy as pot-covers, no other cause
|
|
for his tumbled appearance suggesting itself to one whose whole
|
|
life had been a struggle with material things.
|
|
|
|
"Yes," said Jude heavily. "I think I must have a little rest."
|
|
|
|
Refreshed by some breakfast, he went up to his old room and lay
|
|
down in his shirt-sleeves, after the manner of the artizan.
|
|
He fell asleep for a short while, and when he awoke it was as if he
|
|
had awakened in hell. It WAS hell--"the hell of conscious failure,"
|
|
both in ambition and in love. He thought of that previous abyss
|
|
into which he had fallen before leaving this part of the country;
|
|
the deepest deep he had supposed it then; but it was not so deep as this.
|
|
That had been the breaking in of the outer bulwarks of his hope:
|
|
this was of his second line.
|
|
|
|
If he had been a woman he must have screamed under the nervous
|
|
tension which he was now undergoing. But that relief being denied
|
|
to his virility, he clenched his teeth in misery, bringing lines about
|
|
his mouth like those in the Laocoon, and corrugations between his brows.
|
|
|
|
A mournful wind blew through the trees, and sounded in the chimney
|
|
like the pedal notes of an organ. Each ivy leaf overgrowing
|
|
the wall of the churchless church-yard hard by, now abandoned,
|
|
pecked its neighbour smartly, and the vane on the new Victorian-Gothic
|
|
church in the new spot had already begun to creak. Yet apparently
|
|
it was not always the outdoor wind that made the deep murmurs;
|
|
it was a voice. He guessed its origin in a moment or two;
|
|
the curate was praying with his aunt in the adjoining room.
|
|
He remembered her speaking of him. Presently the sounds ceased,
|
|
and a step seemed to cross the landing. Jude sat up,
|
|
and shouted "Hoi!"
|
|
|
|
The step made for his door, which was open, and a man looked in.
|
|
It was a young clergyman.
|
|
|
|
"I think you are Mr. Highridge," said Jude. "My aunt has mentioned
|
|
you more than once. Well, here I am, just come home; a fellow gone
|
|
to the bad; though I had the best intentions in the world at one time.
|
|
Now I am melancholy mad, what with drinking and one thing and another."
|
|
|
|
Slowly Jude unfolded to the curate his late plans and movements,
|
|
by an unconscious bias dwelling less upon the intellectual
|
|
and ambitious side of his dream, and more upon the theological,
|
|
though this had, up till now, been merely a portion of the general
|
|
plan of advancement.
|
|
|
|
"Now I know I have been a fool, and that folly is with me," added Jude
|
|
in conclusion. "And I don't regret the collapse of my university
|
|
hopes one jot. I wouldn't begin again if I were sure to succeed.
|
|
I don't care for social success any more at all. But I do feel I
|
|
should like to do some good thing; and I bitterly regret the Church,
|
|
and the loss of my chance of being her ordained minister."
|
|
|
|
The curate, who was a new man to this neighbourhood, had grown
|
|
deeply interested, and at last he said: "If you feel a real
|
|
call to the ministry, and I won't say from your conversation
|
|
that you do not, for it is that of a thoughtful and educated man,
|
|
you might enter the Church as a licentiate. Only you must make
|
|
up your mind to avoid strong drink."
|
|
|
|
"I could avoid that easily enough, if I had any kind of hope
|
|
to support me!"
|
|
|
|
Part Third
|
|
|
|
AT MELCHESTER
|
|
|
|
"For there was no other girl, O bridegroom, like her!"
|
|
--SAPPHO (H.T. Wharton).
|
|
|
|
I
|
|
|
|
IT was a new idea--the ecclesiastical and altruistic life as distinct
|
|
from the intellectual and emulative life. A man could preach and do
|
|
good to his fellow-creatures without taking double-firsts in the schools
|
|
of Christminster, or having anything but ordinary knowledge.
|
|
The old fancy which had led on to the culminating vision of the bishopric
|
|
had not been an ethical or theological enthusiasm at all, but a mundane
|
|
ambition masquerading in a surplice. He feared that his whole scheme
|
|
had degenerated to, even though it might not have originated in,
|
|
a social unrest which had no foundation in the nobler instincts;
|
|
which was purely an artificial product of civilization.
|
|
There were thousands of young men on the same self-seeking track
|
|
at the present moment. The sensual hind who ate, drank, and lived
|
|
carelessly with his wife through the days of his vanity was a more
|
|
likable being than he.
|
|
|
|
But to enter the Church in such an unscholarly way that he could
|
|
not in any probability rise to a higher grade through all his career
|
|
than that of the humble curate wearing his life out in an obscure
|
|
village or city slum--that might have a touch of goodness and
|
|
greatness in it; that might be true religion, and a purgatorial
|
|
course worthy of being followed by a remorseful man.
|
|
|
|
The favourable light in which this new thought showed itself
|
|
by contrast with his foregone intentions cheered Jude, as he
|
|
sat there, shabby and lonely; and it may be said to have given,
|
|
during the next few days, the COUP DE GRACE to his intellectual career--
|
|
a career which had extended over the greater part of a dozen years.
|
|
He did nothing, however, for some long stagnant time to advance
|
|
his new desire, occupying himself with little local jobs in putting
|
|
up and lettering headstones about the neighbouring villages,
|
|
and submitting to be regarded as a social failure, a returned purchase,
|
|
by the half-dozen or so of farmers and other country-people who
|
|
condescended to nod to him.
|
|
|
|
The human interest of the new intention--and a human interest is
|
|
indispensable to the most spiritual and self-sacrificing--was created
|
|
by a letter from Sue, bearing a fresh postmark. She evidently wrote
|
|
with anxiety, and told very little about her own doings, more than
|
|
that she had passed some sort of examination for a Queen's Scholarship,
|
|
and was going to enter a training college at Melchester to complete
|
|
herself for the vocation she had chosen, partly by his influence.
|
|
There was a theological college at Melchester; Melchester was a quiet
|
|
and soothing place, almost entirely ecclesiastical in its tone;
|
|
a spot where worldly learning and intellectual smartness had
|
|
no establishment; where the altruistic feeling that he did possess
|
|
would perhaps be more highly estimated than a brilliancy which he
|
|
did not.
|
|
|
|
As it would be necessary that he should continue for a time to work
|
|
at his trade while reading up Divinity, which he had neglected at
|
|
Christminster for the ordinary classical grind, what better course
|
|
for him than to get employment at the further city, and pursue this
|
|
plan of reading? That his excessive human interest in the new
|
|
place was entirely of Sue's making, while at the same time Sue
|
|
was to be regarded even less than formerly as proper to create it,
|
|
had an ethical contradictoriness to which he was not blind.
|
|
But that much he conceded to human frailty, and hoped to learn to love
|
|
her only as a friend and kinswoman.
|
|
|
|
He considered that he might so mark out his coming years as to begin
|
|
his ministry at the age of thirty--an age which much attracted him
|
|
as being that of his exemplar when he first began to teach in Galilee.
|
|
This would allow him plenty of time for deliberate study, and for
|
|
acquiring capital by his trade to help his aftercourse of keeping
|
|
the necessary terms at a theological college.
|
|
|
|
Christmas had come and passed, and Sue had gone to the Melchester
|
|
Normal School. The time was just the worst in the year for Jude to get
|
|
into new employment, and he had written suggesting to her that he should
|
|
postpone his arrival for a month or so, till the days had lengthened.
|
|
She had acquiesced so readily that he wished he had not proposed it--
|
|
she evidently did not much care about him, though she had never once
|
|
reproached him for his strange conduct in coming to her that night,
|
|
and his silent disappearance. Neither had she ever said a word about
|
|
her relations with Mr. Phillotson.
|
|
|
|
Suddenly, however, quite a passionate letter arrived from Sue.
|
|
She was quite lonely and miserable, she told him. She hated the place
|
|
she was in; it was worse than the ecclesiastical designer's;
|
|
worse than anywhere. She felt utterly friendless; could he
|
|
come immediately?--though when he did come she would only be able
|
|
to see him at limited times, the rules of the establishment she found
|
|
herself in being strict to a degree. It was Mr. Phillotson who had
|
|
advised her to come there, and she wished she had never listened
|
|
to him.
|
|
|
|
Phillotson's suit was not exactly prospering, evidently; and Jude felt
|
|
unreasonably glad. He packed up his things and went to Melchester
|
|
with a lighter heart than he had known for months.
|
|
|
|
This being the turning over a new leaf he duly looked about
|
|
for a temperance hotel, and found a little establishment
|
|
of that description in the street leading from the station.
|
|
When he had had something to eat he walked out into the dull winter
|
|
light over the town bridge, and turned the corner towards the Close.
|
|
The day was foggy, and standing under the walls of the most graceful
|
|
architectural pile in England he paused and looked up. The lofty
|
|
building was visible as far as the roofridge; above, the dwindling
|
|
spire rose more and more remotely, till its apex was quite lost
|
|
in the mist drifting across it.
|
|
|
|
The lamps now began to be lighted, and turning to the west front
|
|
he walked round. He took it as a good omen that numerous blocks
|
|
of stone were lying about, which signified that the cathedral
|
|
was undergoing restoration or repair to a considerable extent.
|
|
It seemed to him, full of the superstitions of his beliefs,
|
|
that this was an exercise of forethought on the part of a ruling Power,
|
|
that he might find plenty to do in the art he practised while waiting
|
|
for a call to higher labours.
|
|
|
|
Then a wave of warmth came over him as he thought how near he now
|
|
stood to the bright-eyed vivacious girl with the broad forehead
|
|
and pile of dark hair above it; the girl with the kindling glance,
|
|
daringly soft at times--something like that of the girls he had seen
|
|
in engravings from paintings of the Spanish school. She was here--
|
|
actually in this Close--in one of the houses confronting this very
|
|
west facade.
|
|
|
|
He went down the broad gravel path towards the building.
|
|
It was an ancient edifice of the fifteenth century, once a palace,
|
|
now a training-school, with mullioned and transomed windows,
|
|
and a courtyard in front shut in from the road by a wall.
|
|
Jude opened the gate and went up to the door through which,
|
|
on inquiring for his cousin, he was gingerly admitted to a waiting-room,
|
|
and in a few minutes she came.
|
|
|
|
Though she had been here such a short while, she was not as he
|
|
had seen her last. All her bounding manner was gone; her curves
|
|
of motion had become subdued lines. The screens and subtleties
|
|
of convention had likewise disappeared. Yet neither was she
|
|
quite the woman who had written the letter that summoned him.
|
|
That had plainly been dashed off in an impulse which second thoughts
|
|
had somewhat regretted; thoughts that were possibly of his recent
|
|
self-disgrace. Jude was quite overcome with emotion.
|
|
|
|
"You don't--think me a demoralized wretch--for coming to you as I was--
|
|
and going so shamefully, Sue?"
|
|
|
|
"Oh, I have tried not to! You said enough to let me know what had
|
|
caused it. I hope I shall never have any doubt of your worthiness,
|
|
my poor Jude! And I am glad you have come!"
|
|
|
|
She wore a murrey-coloured gown with a little lace collar.
|
|
It was made quite plain, and hung about her slight figure with
|
|
clinging gracefulness. Her hair, which formerly she had worn
|
|
according to the custom of the day was now twisted up tightly,
|
|
and she had altogether the air of a woman clipped and pruned
|
|
by severe discipline, an under-brightness shining through from
|
|
the depths which that discipline had not yet been able to reach.
|
|
|
|
She had come forward prettily, but Jude felt that she had hardly
|
|
expected him to kiss her, as he was burning to do, under other
|
|
colours than those of cousinship. He could not perceive the least
|
|
sign that Sue regarded him as a lover, or ever would do so,
|
|
now that she knew the worst of him, even if he had the right
|
|
to behave as one; and this helped on his growing resolve to tell
|
|
her of his matrimonial entanglement, which he had put off doing
|
|
from time to time in sheer dread of losing the bliss of her company.
|
|
|
|
Sue came out into the town with him, and they walked and talked
|
|
with tongues centred only on the passing moments. Jude said he would
|
|
like to buy her a little present of some sort, and then she confessed,
|
|
with something of shame, that she was dreadfully hungry. They were
|
|
kept on very short allowances in the college, and a dinner, tea,
|
|
and supper all in one was the present she most desired in the world.
|
|
Jude thereupon took her to an inn and ordered whatever the house afforded,
|
|
which was not much. The place, however, gave them a delightful
|
|
opportunity for a TETE-A-TETE, nobody else being in the room,
|
|
and they talked freely.
|
|
|
|
She told him about the school as it was at that date, and the
|
|
rough living, and the mixed character of her fellow-students,
|
|
gathered together from all parts of the diocese, and how she
|
|
had to get up and work by gas-light in the early morning,
|
|
with all the bitterness of a young person to whom restraint was new.
|
|
To all this he listened; but it was not what he wanted especially to know--
|
|
her relations with Phillotson. That was what she did not tell.
|
|
When they had sat and eaten, Jude impulsively placed his hand upon hers;
|
|
she looked up and smiled, and took his quite freely into her own
|
|
little soft one, dividing his fingers and coolly examining them,
|
|
as if they were the fingers of a glove she was purchasing.
|
|
|
|
"Your hands are rather rough, Jude, aren't they?" she said.
|
|
|
|
"Yes. So would yours be if they held a mallet and chisel all day."
|
|
|
|
"I don't dislike it, you know. I think it is noble to see a man's
|
|
hands subdued to what he works in.... Well, I'm rather glad I came
|
|
to this training-school, after all. See how independent I shall be
|
|
after the two years' training! I shall pass pretty high, I expect,
|
|
and Mr. Phillotson will use his influence to get me a big school."
|
|
|
|
She had touched the subject at last. "I had a suspicion, a fear,"
|
|
said Jude, "that he--cared about you rather warmly, and perhaps wanted
|
|
to marry you."
|
|
|
|
"Now don't be such a silly boy!"
|
|
|
|
"He has said something about it, I expect."
|
|
|
|
"If he had, what would it matter? An old man like him!"
|
|
|
|
"Oh, come, Sue; he's not so very old. And I know what I saw him
|
|
doing
|
|
|
|
"Not kissing me--that I'm certain!"
|
|
|
|
"No. But putting his arm round your waist."
|
|
|
|
"Ah--I remember. But I didn't know he was going to."
|
|
|
|
"You are wriggling out if it, Sue, and it isn't quite kind!"
|
|
|
|
Her ever-sensitive lip began to quiver, and her eye to blink,
|
|
at something this reproof was deciding her to say.
|
|
|
|
"I know you'll be angry if I tell you everything, and that's why
|
|
I don't want to!"
|
|
|
|
"Very well, then, dear," he said soothingly. "I have no real
|
|
right to ask you, and I don't wish to know."
|
|
|
|
"I shall tell you!" said she, with the perverseness that was part of her.
|
|
"This is what I have done: I have promised--I have promised--
|
|
that I will marry him when I come out of the training-school two
|
|
years hence, and have got my certificate; his plan being that we
|
|
shall then take a large double school in a great town--he the boys'
|
|
and I the girls'--as married school-teachers often do, and make a good
|
|
income between us."
|
|
|
|
"Oh, Sue! ... But of course it is right--you couldn't have done better!"
|
|
|
|
He glanced at her and their eyes met, the reproach in his own
|
|
belying his words. Then he drew his hand quite away from hers,
|
|
and turned his face in estrangement from her to the window.
|
|
Sue regarded him passively without moving.
|
|
|
|
"I knew you would be angry!" she said with an air of no emotion whatever.
|
|
"Very well--I am wrong, I suppose! I ought not to have let you come
|
|
to see me! We had better not meet again; and we'll only correspond
|
|
at long intervals, on purely business matters!"
|
|
|
|
This was just the one thing he would not be able to bear, as she
|
|
probably knew, and it brought him round at once. "Oh yes, we will,"
|
|
he said quickly. "Your being engaged can make no difference
|
|
to me whatever. I have a perfect right to see you when I want to;
|
|
and I shall!"
|
|
|
|
"Then don't let us talk of it any more. It is quite spoiling
|
|
our evening together. What does it matter about what one is going
|
|
to do two years hence!"
|
|
|
|
She was something of a riddle to him, and he let the subject drift away.
|
|
"Shall we go and sit in the cathedral?" he asked, when their meal
|
|
was finished.
|
|
|
|
"Cathedral? Yes. Though I think I'd rather sit in the railway station,"
|
|
she answered, a remnant of vexation still in her voice.
|
|
"That's the centre of the town life now. The cathedral has had
|
|
its day!"
|
|
|
|
"How modern you are!"
|
|
|
|
"So would you be if you had lived so much in the Middle Ages as I
|
|
have done these last few years! The cathedral was a very good
|
|
place four or five centuries ago; but it is played out now ...
|
|
I am not modern, either. I am more ancient than mediaevalism,
|
|
if you only knew."
|
|
|
|
Jude looked distressed.
|
|
|
|
"There--I won't say any more of that!" she cried. "Only you
|
|
don't know how bad I am, from your point of view, or you wouldn't
|
|
think so much of me, or care whether I was engaged or not.
|
|
Now there's just time for us to walk round the Close, then I must go in,
|
|
or I shall be locked out for the night."
|
|
|
|
He took her to the gate and they parted. Jude had a conviction
|
|
that his unhappy visit to her on that sad night had precipitated this
|
|
marriage engagement, and it did anything but add to his happiness.
|
|
Her reproach had taken that shape, then, and not the shape
|
|
of words. However, next day he set about seeking employment,
|
|
which it was not so easy to get as at Christminster, there being,
|
|
as a rule, less stone-cutting in progress in this quiet city,
|
|
and hands being mostly permanent. But he edged himself in by degrees.
|
|
His first work was some carving at the cemetery on the hill;
|
|
and ultimately he became engaged on the labour he most desired--
|
|
the cathedral repairs, which were very extensive, the whole interior
|
|
stonework having been overhauled, to be largely replaced by new.
|
|
It might be a labour of years to get it all done, and he had
|
|
confidence enough in his own skill with the mallet and chisel
|
|
to feel that it would be a matter of choice with himself how long he
|
|
would stay.
|
|
|
|
The lodgings he took near the Close Gate would not have disgraced a curate,
|
|
the rent representing a higher percentage on his wages than mechanics
|
|
of any sort usually care to pay. His combined bed and sitting-room
|
|
was furnished with framed photographs of the rectories and deaneries
|
|
at which his landlady had lived as trusted servant in her time,
|
|
and the parlour downstairs bore a clock on the mantelpiece inscribed
|
|
to the effect that it was presented to the same serious-minded
|
|
woman by her fellow-servants on the occasion of her marriage.
|
|
Jude added to the furniture of his room by unpacking photographs
|
|
of the ecclesiastical carvings and monuments that he had executed
|
|
with his own hands; and he was deemed a satisfactory acquisition
|
|
as tenant of the vacant apartment.
|
|
|
|
He found an ample supply of theological books in the city
|
|
book-shops, and with these his studies were recommenced
|
|
in a different spirit and direction from his former course.
|
|
As a relaxation from the Fathers, and such stock works as Paley
|
|
and Butler, he read Newman, Pusey, and many other modern lights.
|
|
He hired a harmonium, set it up in his lodging, and practised
|
|
chants thereon, single and double.
|
|
|
|
II
|
|
|
|
"TO-MORROW is our grand day, you know. Where shall we go?"
|
|
|
|
"I have leave from three till nine. Wherever we can get to and come
|
|
back from in that time. Not ruins, Jude--I don't care for them."
|
|
|
|
"Well--Wardour Castle. And then we can do Fonthill if we like--
|
|
all in the same afternoon."
|
|
|
|
"Wardour is Gothic ruins--and I hate Gothic!"
|
|
|
|
"No. Quite otherwise. It is a classic building--Corinthian, I think;
|
|
with a lot of pictures."
|
|
|
|
"Ah--that will do. I like the sound of Corinthian. We'll go."
|
|
|
|
Their conversation had run thus some few weeks later, and next morning
|
|
they prepared to start. Every detail of the outing was a facet
|
|
reflecting a sparkle to Jude, and he did not venture to meditate
|
|
on the life of inconsistency he was leading. His Sue's conduct
|
|
was one lovely conundrum to him; he could say no more.
|
|
|
|
There duly came the charm of calling at the college door for her;
|
|
her emergence in a nunlike simplicity of costume that was rather
|
|
enforced than desired; the traipsing along to the station,
|
|
the porters' "B'your leave!," the screaming of the trains--
|
|
everything formed the basis of a beautiful crystallization.
|
|
Nobody stared at Sue, because she was so plainly dressed,
|
|
which comforted Jude in the thought that only himself knew
|
|
the charms those habiliments subdued. A matter of ten pounds
|
|
spent in a drapery-shop, which had no connection with her real
|
|
life or her real self, would have set all Melchester staring.
|
|
The guard of the train thought they were lovers, and put them into a
|
|
compartment all by themselves.
|
|
|
|
"That's a good intention wasted!" said she.
|
|
|
|
Jude did not respond. He thought the remark unnecessarily cruel,
|
|
and partly untrue.
|
|
|
|
They reached the park and castle and wandered through the picture-galleries,
|
|
Jude stopping by preference in front of the devotional pictures
|
|
by Del Sarto, Guido Reni, Spagnoletto, Sassoferrato, Carlo Dolci,
|
|
and others. Sue paused patiently beside him, and stole critical looks
|
|
into his face as, regarding the Virgins, Holy Families, and Saints,
|
|
it grew reverent and abstracted. When she had thoroughly estimated
|
|
him at this, she would move on and wait for him before a Lely
|
|
or Reynolds. It was evident that her cousin deeply interested her,
|
|
as one might be interested in a man puzzling out his way along
|
|
a labyrinth from which one had one's self escaped.
|
|
|
|
When they came out a long time still remained to them and Jude
|
|
proposed that as soon as they had had something to eat they should
|
|
walk across the high country to the north of their present position,
|
|
and intercept the train of another railway leading back to Melchester,
|
|
at a station about seven miles off. Sue, who was inclined for any
|
|
adventure that would intensify the sense of her day's freedom,
|
|
readily agreed; and away they went, leaving the adjoining station
|
|
behind them.
|
|
|
|
It was indeed open country, wide and high. They talked and bounded on,
|
|
Jude cutting from a little covert a long walking-stick for Sue as tall
|
|
as herself, with a great crook, which made her look like a shepherdess.
|
|
About half-way on their journey they crossed a main road running
|
|
due east and west--the old road from London to Land's End.
|
|
They paused, and looked up and down it for a moment, and remarked upon
|
|
the desolation which had come over this once lively thoroughfare,
|
|
while the wind dipped to earth and scooped straws and hay-stems from
|
|
the ground.
|
|
|
|
They crossed the road and passed on, but during the next half-mile
|
|
Sue seemed to grow tired, and Jude began to be distressed for her.
|
|
They had walked a good distance altogether, and if they could not reach
|
|
the other station it would be rather awkward. For a long time there
|
|
was no cottage visible on the wide expanse of down and turnip-land;
|
|
but presently they came to a sheepfold, and next to the shepherd,
|
|
pitching hurdles. He told them that the only house near was his
|
|
mother's and his, pointing to a little dip ahead from which a faint
|
|
blue smoke arose, and recommended them to go on and rest there.
|
|
|
|
This they did, and entered the house, admitted by an old woman
|
|
without a single tooth, to whom they were as civil as strangers can
|
|
be when their only chance of rest and shelter lies in the favour
|
|
of the householder.
|
|
|
|
"A nice little cottage," said Jude.
|
|
|
|
"Oh, I don't know about the niceness. I shall have to thatch it soon,
|
|
and where the thatch is to come from I can't tell, for straw do get
|
|
that dear, that 'twill soon be cheaper to cover your house wi'
|
|
chainey plates than thatch."
|
|
|
|
They sat resting, and the shepherd came in. "Don't 'ee mind I,"
|
|
he said with a deprecating wave of the hand "bide here as long as ye will.
|
|
But mid you be thinking o' getting back to Melchester to-night by train?
|
|
Because you'll never do it in this world, since you don't know
|
|
the lie of the country. I don't mind going with ye some o' the ways,
|
|
but even then the train mid be gone."
|
|
|
|
They started up.
|
|
|
|
"You can bide here, you know, over the night--can't 'em, Mother?
|
|
The place is welcome to ye. 'Tis hard lying, rather, but volk
|
|
may do worse." He turned to Jude and asked privately: "Be you a
|
|
married couple?"
|
|
|
|
"Hsh--no!" said Jude.
|
|
|
|
"Oh--I meant nothing ba'dy--not I! Well then, she can go into Mother's room,
|
|
and you and I can lie in the outer chimmer after they've gone through.
|
|
I can call ye soon enough to catch the first train back.
|
|
You've lost this one now."
|
|
|
|
On consideration they decided to close with this offer, and drew
|
|
up and shared with the shepherd and his mother the boiled bacon
|
|
and greens for supper.
|
|
|
|
"I rather like this," said Sue, while their entertainers were
|
|
clearing away the dishes. "Outside all laws except gravitation
|
|
and germination."
|
|
|
|
"You only think you like it; you don't: you are quite a product
|
|
of civilization," said Jude, a recollection of her engagement
|
|
reviving his soreness a little.
|
|
|
|
"Indeed I am not, Jude. I like reading and all that, but I crave
|
|
to get back to the life of my infancy and its freedom."
|
|
|
|
"Do you remember it so well? You seem to me to have nothing
|
|
unconventional at all about you."
|
|
|
|
"Oh, haven't I! You don't know what's inside me."
|
|
|
|
"What?"
|
|
|
|
"The Ishmaelite."
|
|
|
|
"An urban miss is what you are."
|
|
|
|
She looked severe disagreement, and turned away.
|
|
|
|
The shepherd aroused them the next morning, as he had said.
|
|
It was bright and clear, and the four miles to the train were
|
|
accomplished pleasantly. When they had reached Melchester,
|
|
and walked to the Close, and the gables of the old building
|
|
in which she was again to be immured rose before Sue's eyes,
|
|
she looked a little scared. "I expect I shall catch it!"
|
|
she murmured.
|
|
|
|
They rang the great bell and waited.
|
|
|
|
"Oh, I bought something for you, which I had nearly forgotten,"
|
|
she said quickly, searching her pocket. "It is a new little photograph
|
|
of me. Would you like it?"
|
|
|
|
"WOULD I!" He took it gladly, and the porter came. There seemed
|
|
to be an ominous glance on his face when he opened the gate.
|
|
She passed in, looking back at Jude, and waving her hand.
|
|
|
|
III
|
|
|
|
THE seventy young women, of ages varying in the main from nineteen
|
|
to one-and-twenty, though several were older, who at this date
|
|
filled the species of nunnery known as the Training-School
|
|
at Melchester, formed a very mixed community, which included
|
|
the daughters of mechanics, curates, surgeons, shopkeepers, farmers,
|
|
dairy-men, soldiers, sailors, and villagers. They sat in the large
|
|
school-room of the establishment on the evening previously described,
|
|
and word was passed round that Sue Bridehead had not come in at closing-time.
|
|
|
|
"She went out with her young man," said a second-year's student,
|
|
who knew about young men. "And Miss Traceley saw her at the station
|
|
with him. She'll have it hot when she does come."
|
|
|
|
"She said he was her cousin," observed a youthful new girl.
|
|
|
|
"That excuse has been made a little too often in this school to be
|
|
effectual in saving our souls," said the head girl of the year, drily.
|
|
|
|
The fact was that, only twelve months before, there had occurred
|
|
a lamentable seduction of one of the pupils who had made
|
|
the same statement in order to gain meetings with her lover.
|
|
The affair had created a scandal, and the management had consequently
|
|
been rough on cousins ever since.
|
|
|
|
At nine o'clock the names were called, Sue's being pronounced
|
|
three times sonorously by Miss Traceley without eliciting an answer.
|
|
|
|
At a quarter past nine the seventy stood up to sing the "Evening Hymn,"
|
|
and then knelt down to prayers. After prayers they went in
|
|
to supper, and every girl's thought was, Where is Sue Bridehead?
|
|
Some of the students, who had seen Jude from the window, felt that they
|
|
would not mind risking her punishment for the pleasure of being
|
|
kissed by such a kindly-faced young men. Hardly one among them
|
|
believed in the cousinship.
|
|
|
|
Half an hour later they all lay in their cubicles, their tender feminine
|
|
faces upturned to the flaring gas-jets which at intervals stretched
|
|
down the long dormitories, every face bearing the legend "The Weaker"
|
|
upon it, as the penalty of the sex wherein they were moulded,
|
|
which by no possible exertion of their willing hearts and abilities
|
|
could be made strong while the inexorable laws of nature remain
|
|
what they are. They formed a pretty, suggestive, pathetic sight,
|
|
of whose pathos and beauty they were themselves unconscious,
|
|
and would not discover till, amid the storms and strains of after-years,
|
|
with their injustice, loneliness, child-bearing, and bereavement,
|
|
their minds would revert to this experience as to something which had
|
|
been allowed to slip past them insufficiently regarded.
|
|
|
|
One of the mistresses came in to turn out the lights, and before
|
|
doing so gave a final glance at Sue's cot, which remained empty,
|
|
and at her little dressing-table at the foot, which, like all the rest,
|
|
was ornamented with various girlish trifles, framed photographs being
|
|
not the least conspicuous among them. Sue's table had a moderate show,
|
|
two men in their filigree and velvet frames standing together beside
|
|
her looking-glass.
|
|
|
|
"Who are these men--did she ever say?" asked the mistress.
|
|
"Strictly speaking, relations' portraits only are allowed on these tables,
|
|
you know."
|
|
|
|
"One--the middle-aged man," said a student in the next bed--"is
|
|
the schoolmaster she served under--Mr. Phillotson."
|
|
|
|
"And the other--this undergraduate in cap and gown--who is he?"
|
|
|
|
"He is a friend, or was. She has never told his name."
|
|
|
|
"Was it either of these two who came for her?"
|
|
|
|
"No."
|
|
|
|
"You are sure 'twas not the undergraduate?"
|
|
|
|
"Quite. He was a young man with a black beard."
|
|
|
|
The lights were promptly extinguished, and till they fell asleep
|
|
the girls indulged in conjectures about Sue, and wondered what games
|
|
she had carried on in London and at Christminster before she came here,
|
|
some of the more restless ones getting out of bed and looking from
|
|
the mullioned windows at the vast west front of the cathedral opposite,
|
|
and the spire rising behind it.
|
|
|
|
When they awoke the next morning they glanced into Sue's nook,
|
|
to find it still without a tenant. After the early lessons
|
|
by gas-light, in half-toilet, and when they had come up to dress
|
|
for breakfast, the bell of the entrance gate was heard to ring loudly.
|
|
The mistress of the dormitory went away, and presently came back
|
|
to say that the principal's orders were that nobody was to speak
|
|
to Bridehead without permission.
|
|
|
|
When, accordingly, Sue came into the dormitory to hastily tidy herself,
|
|
looking flushed and tired, she went to her cubicle in silence,
|
|
none of them coming out to greet her or to make inquiry. When they
|
|
had gone downstairs they found that she did not follow them into
|
|
the dining-hall to breakfast, and they then learnt that she had been
|
|
severely reprimanded, and ordered to a solitary room for a week,
|
|
there to be confined, and take her meals, and do all her reading.
|
|
|
|
At this the seventy murmured, the sentence being, they thought,
|
|
too severe. A round robin was prepared and sent in to the principal,
|
|
asking for a remission of Sue's punishment. No notice was taken.
|
|
Towards evening, when the geography mistress began dictating her subject,
|
|
the girls in the class sat with folded arms.
|
|
|
|
"You mean that you are not going to work?" said the mistress
|
|
at last. "I may as well tell you that it has been ascertained
|
|
that the young man Bridehead stayed out with was not her cousin,
|
|
for the very good reason that she has no such relative.
|
|
We have written to Christminster to ascertain."
|
|
|
|
"We are willing to take her word," said the head girl.
|
|
|
|
"This young man was discharged from his work at Christminster
|
|
for drunkenness and blasphemy in public-houses, and he has come
|
|
here to live, entirely to be near her."
|
|
|
|
However, they remained stolid and motionless, and the mistress left
|
|
the room to inquire from her superiors what was to be done.
|
|
|
|
Presently, towards dusk, the pupils, as they sat, heard exclamations
|
|
from the first-year's girls in an adjoining classroom, and one rushed
|
|
in to say that Sue Bridehead had got out of the back window of the room
|
|
in which she had been confined, escaped in the dark across the lawn,
|
|
and disappeared. How she had managed to get out of the garden
|
|
nobody could tell, as it was bounded by the river at the bottom,
|
|
and the side door was locked.
|
|
|
|
They went and looked at the empty room, the casement between
|
|
the middle mullions of which stood open. The lawn was again searched
|
|
with a lantern, every bush and shrub being examined, but she was
|
|
nowhere hidden. Then the porter of the front gate was interrogated,
|
|
and on reflection he said that he remembered hearing a sort of
|
|
splashing in the stream at the back, but he had taken no notice,
|
|
thinking some ducks had come down the river from above.
|
|
|
|
"She must have walked through the river!" said a mistress.
|
|
|
|
"Or drownded herself," said the porter.
|
|
|
|
The mind of the matron was horrified--not so much at the possible
|
|
death of Sue as at the possible half-column detailing that event
|
|
in all the newspapers, which, added to the scandal of the year before,
|
|
would give the college an unenviable notoriety for many months
|
|
to come.
|
|
|
|
More lanterns were procured, and the river examined; and then,
|
|
at last, on the opposite shore, which was open to the fields,
|
|
some little boot-tracks were discerned in the mud, which left no doubt
|
|
that the too excitable girl had waded through a depth of water reaching
|
|
nearly to her shoulders--for this was the chief river of the county,
|
|
and was mentioned in all the geography books with respect.
|
|
As Sue had not brought disgrace upon the school by drowning herself,
|
|
the matron began to speak superciliously of her, and to express gladness
|
|
that she was gone.
|
|
|
|
On the self-same evening Jude sat in his lodgings by the Close Gate.
|
|
Often at this hour after dusk he would enter the silent Close,
|
|
and stand opposite the house that contained Sue, and watch the shadows
|
|
of the girls' heads passing to and fro upon the blinds, and wish
|
|
he had nothing else to do but to sit reading and learning all day
|
|
what many of the thoughtless inmates despised. But to-night, having
|
|
finished tea and brushed himself up, he was deep in the perusal of
|
|
the Twenty-ninth Volume of Pusey's Library of the Fathers, a set of books
|
|
which he had purchased of a second-hand dealer at a price that seemed
|
|
to him to be one of miraculous cheapness for that invaluable work.
|
|
He fancied he heard something rattle lightly against his window;
|
|
then he heard it again. Certainly somebody had thrown gravel.
|
|
He rose and gently lifted the sash.
|
|
|
|
"Jude!" (from below) .
|
|
|
|
"Sue!"
|
|
|
|
"Yes--it is! Can I come up without being seen?"
|
|
|
|
"Oh yes!"
|
|
|
|
"Then don't come down. Shut the window."
|
|
|
|
Jude waited, knowing that she could enter easily enough, the front
|
|
door being opened merely by a knob which anybody could turn,
|
|
as in most old country towns. He palpitated at the thought that she
|
|
had fled to him in her trouble as he had fled to her in his.
|
|
What counterparts they were! He unlatched the door of his room,
|
|
heard a stealthy rustle on the dark stairs, and in a moment she
|
|
appeared in the light of his lamp. He went up to seize her hand,
|
|
and found she was clammy as a marine deity, and that her clothes clung
|
|
to her like the robes upon the figures in the Parthenon frieze.
|
|
|
|
"I'm so cold!" she said through her chattering teeth. "Can I come
|
|
by your fire, Jude?"
|
|
|
|
She crossed to his little grate and very little fire, but as the water
|
|
dripped from her as she moved, the idea of drying herself was absurd.
|
|
"Whatever have you done, darling?" he asked, with alarm, the tender
|
|
epithet slipping out unawares.
|
|
|
|
"Walked through the largest river in the county--that's what I've done!
|
|
They locked me up for being out with you; and it seemed so unjust
|
|
that I couldn't bear it, so I got out of the window and escaped
|
|
across the stream!" She had begun the explanation in her usual
|
|
slightly independent tones, but before she had finished the thin pink
|
|
lips trembled, and she could hardly refrain from crying.
|
|
|
|
"Dear Sue!" he said. "You must take off all your things!
|
|
And let me see--you must borrow some from the landlady.
|
|
I'll ask her."
|
|
|
|
"No, no! Don't let her know, for God's sake! We are so near
|
|
the school that they'll come after me!"
|
|
|
|
"Then you must put on mine. You don't mind?"
|
|
|
|
"Oh no."
|
|
|
|
"My Sunday suit, you know. It is close here." In fact, everything was
|
|
close and handy in Jude's single chamber, because there was not room
|
|
for it to be otherwise. He opened a drawer, took out his best dark suit,
|
|
and giving the garments a shake, said, "Now, how long shall I give you?"
|
|
|
|
"Ten minutes."
|
|
|
|
Jude left the room and went into the street, where he walked up
|
|
and down. A clock struck half-past seven, and he returned.
|
|
Sitting in his only arm-chair he saw a slim and fragile being
|
|
masquerading as himself on a Sunday, so pathetic in her
|
|
defencelessness that his heart felt big with the sense of it.
|
|
On two other chairs before the fire were her wet garments.
|
|
She blushed as he sat down beside her, but only for a moment.
|
|
|
|
"I suppose, Jude, it is odd that you should see me like this and all my
|
|
things hanging there? Yet what nonsense! They are only a woman's clothes--
|
|
sexless cloth and linen.... I wish I didn't feel so ill and sick!
|
|
Will you dry my clothes now? Please do, Jude, and I'll get a lodging
|
|
by and by. It is not late yet."
|
|
|
|
"No, you shan't, if you are ill. You must stay here. Dear, dear Sue,
|
|
what can I get for you?"
|
|
|
|
"I don't know! I can't help shivering. I wish I could get warm."
|
|
Jude put on her his great-coat in addition, and then ran out to the nearest
|
|
public-house, whence he returned with a little bottle in his hand.
|
|
"Here's six of best brandy," he said. "Now you drink it, dear;
|
|
all of it."
|
|
|
|
"I can't out of the bottle, can I?" Jude fetched the glass from
|
|
the dressing-table, and administered the spirit in some water.
|
|
She gasped a little, but gulped it down, and lay back in the armchair.
|
|
|
|
She then began to relate circumstantially her experiences since they
|
|
had parted; but in the middle of her story her voice faltered,
|
|
her head nodded, and she ceased. She was in a sound sleep.
|
|
Jude, dying of anxiety lest she should have caught a chill which might
|
|
permanently injure her, was glad to hear the regular breathing.
|
|
He softly went nearer to her, and observed that a warm flush now rosed
|
|
her hitherto blue cheeks, and felt that her hanging hand was no
|
|
longer cold. Then he stood with his back to the fire regarding her,
|
|
and saw in her almost a divinity.
|
|
|
|
IV
|
|
|
|
JUDE'S reverie was interrupted by the creak of footsteps ascending
|
|
the stairs.
|
|
|
|
He whisked Sue's clothing from the chair where it was drying,
|
|
thrust it under the bed, and sat down to his book. Somebody knocked
|
|
and opened the door immediately. It was the landlady.
|
|
|
|
"Oh, I didn't know whether you was in or not, Mr. Fawley.
|
|
I wanted to know if you would require supper. I see you've
|
|
a young gentleman----"
|
|
|
|
"Yes, ma'am. But I think I won't come down to-night. Will you bring
|
|
supper up on a tray, and I'll have a cup of tea as well."
|
|
|
|
It was Jude's custom to go downstairs to the kitchen, and eat his
|
|
meals with the family, to save trouble. His landlady brought up
|
|
the supper, however, on this occasion, and he took it from her at the door.
|
|
|
|
When she had descended he set the teapot on the hob, and drew out Sue's
|
|
clothes anew; but they were far from dry. A thick woollen gown,
|
|
he found, held a deal of water. So he hung them up again,
|
|
and enlarged his fire and mused as the steam from the garments went
|
|
up the chimney.
|
|
|
|
Suddenly she said, "Jude!"
|
|
|
|
"Yes. All right. How do you feel now?"
|
|
|
|
"Better. Quite well. Why, I fell asleep, didn't I? What time is it?
|
|
Not late surely?"
|
|
|
|
"It is past ten."
|
|
|
|
"Is it really? What SHALL I do!" she said, starting up.
|
|
|
|
"Stay where you are."
|
|
|
|
"Yes; that's what I want to do. But I don't know what they would say!
|
|
And what will you do?"
|
|
|
|
"I am going to sit here by the fire all night, and read.
|
|
To-morrow is Sunday, and I haven't to go out anywhere.
|
|
Perhaps you will be saved a severe illness by resting there.
|
|
Don't be frightened. I'm all right. Look here, what I have got for you.
|
|
Some supper."
|
|
|
|
When she had sat upright she breathed plaintively and said,
|
|
"I do feel rather weak still. l thought I was well; and I ought
|
|
not to be here, ought I?" But the supper fortified her somewhat,
|
|
and when she had had some tea and had lain back again she was bright
|
|
and cheerful.
|
|
|
|
The tea must have been green, or too long drawn, for she seemed
|
|
preternaturally wakeful afterwards, though Jude, who had not taken any,
|
|
began to feel heavy; till her conversation fixed his attention.
|
|
|
|
"You called me a creature of civilization, or something, didn't you?"
|
|
she said, breaking a silence. "It was very odd you should have
|
|
done that."
|
|
|
|
"Why?"
|
|
|
|
"Well, because it is provokingly wrong. I am a sort of negation
|
|
of it."
|
|
|
|
"You are very philosophical. 'A negation' is profound talking."
|
|
|
|
"Is it? Do I strike you as being learned?" she asked, with a touch
|
|
of raillery.
|
|
|
|
"No--not learned. Only you don't talk quite like a girl--well, a girl
|
|
who has had no advantages."
|
|
|
|
"I have had advantages. I don't know Latin and Greek, though I
|
|
know the grammars of those tongues. But I know most of the Greek
|
|
and Latin classics through translations, and other books too.
|
|
I read Lempriere, Catullus, Martial, Juvenal, Lucian, Beaumont
|
|
and Fletcher, Boccaccio, Scarron, De Brantame, Sterne, De Foe,
|
|
Smollett, Fielding, Shakespeare, the Bible, and other such;
|
|
and found that all interest in the unwholesome part of those books
|
|
ended with its mystery."
|
|
|
|
"You have read more than I," he said with a sigh. "How came you
|
|
to read some of those queerer ones?"
|
|
|
|
"Well," she said thoughtfully, "it was by accident. My life has been
|
|
entirely shaped by what people call a peculiarity in me. I have no
|
|
fear of men, as such, nor of their books. I have mixed with them--
|
|
one or two of them particularly--almost as one of their own sex.
|
|
I mean I have not felt about them as most women are taught
|
|
to feel--to be on their guard against attacks on their virtue;
|
|
for no average man--no man short of a sensual savage--will molest
|
|
a woman by day or night, at home or abroad, unless she invites him.
|
|
Until she says by a look 'Come on' he is always afraid to,
|
|
and if you never say it, or look it, he never comes. However, what I
|
|
was going to say is that when I was eighteen I formed a friendly
|
|
intimacy with an undergraduate at Christminster, and he taught me
|
|
a great deal, and lent me books which I should never have got hold
|
|
of otherwise."
|
|
|
|
"Is your friendship broken off?"
|
|
|
|
"Oh yes. He died, poor fellow, two or three years after he
|
|
had taken his degree and left Christminster."
|
|
|
|
"You saw a good deal of him, I suppose?"
|
|
|
|
"Yes. We used to go about together--on walking tours, reading tours,
|
|
and things of that sort--like two men almost. He asked me to live
|
|
with him, and I agreed to by letter. But when I joined him
|
|
in London I found he meant a different thing from what I meant.
|
|
He wanted me to be his mistress, in fact, but I wasn't in love with him--
|
|
and on my saying I should go away if he didn't agree to MY plan,
|
|
he did so. We shared a sitting-room for fifteen months;
|
|
and he became a leader-writer for one of the great London dailies;
|
|
till he was taken ill, and had to go abroad. He said I was breaking
|
|
his heart by holding out against him so long at such close quarters;
|
|
he could never have believed it of woman. I might play that
|
|
game once too often, he said. He came home merely to die.
|
|
His death caused a terrible remorse in me for my cruelty--
|
|
though I hope he died of consumption and not of me entirely.
|
|
l went down to Sandbourne to his funeral, and was his only mourner.
|
|
He left me a little money--because I broke his heart, I suppose.
|
|
That's how men are--so much better than women!"
|
|
|
|
"Good heavens!--what did you do then?"
|
|
|
|
"Ah--now you are angry with me!" she said, a contralto note
|
|
of tragedy coming suddenly into her silvery voice. "I wouldn't
|
|
have told you if I had known!"
|
|
|
|
"No, I am not. Tell me all."
|
|
|
|
"Well, I invested his money, poor fellow, in a bubble scheme,
|
|
and lost it. I lived about London by myself for some time,
|
|
and then I returned to Christminster, as my father--who was also
|
|
in London, and had started as an art metal-worker near Long-Acre--
|
|
wouldn't have me back; and I got that occupation in the artist-shop
|
|
where you found me.... I said you didn't know how bad I was!"
|
|
|
|
Jude looked round upon the arm-chair and its occupant, as if
|
|
to read more carefully the creature he had given shelter to.
|
|
His voice trembled as he said: "However you have lived, Sue, I believe
|
|
you are as innocent as you are unconventional!"
|
|
|
|
"I am not particularly innocent, as you see, now that I have
|
|
|
|
'twitched the robe
|
|
From that blank lay-figure your fancy draped,'"
|
|
|
|
said she, with an ostensible sneer, though he could hear that she was
|
|
brimming with tears. "But I have never yielded myself to any lover,
|
|
if that's what you mean! I have remained as I began."
|
|
|
|
"I quite believe you. But some women would not have remained
|
|
as they began."
|
|
|
|
"Pehaps not. Better women would not. People say I must
|
|
be cold-natured--sexless--on account of it. But I won't have it!
|
|
Some of the most passionately erotic poets have been the most
|
|
self-contained in their daily lives."
|
|
|
|
"Have you told Mr. Phillotson about this university scholar friend?"
|
|
|
|
"Yes--long ago. I have never made any secret of it to anybody."
|
|
|
|
"What did he say?"
|
|
|
|
"He did not pass any criticism--only said I was everything to him,
|
|
whatever I did; and things like that."
|
|
|
|
Jude felt much depressed; she seemed to get further and further
|
|
away from him with her strange ways and curious unconsciousness
|
|
of gender.
|
|
|
|
"Aren't you REALLY vexed with me, dear Jude?" she suddenly asked,
|
|
in a voice of such extraordinary tenderness that it hardly seemed
|
|
to come from the same woman who had just told her story so lightly.
|
|
"I would rather offend anybody in the world than you, I think!"
|
|
|
|
"I don't know whether I am vexed or not. I know I care very much
|
|
about you!"
|
|
|
|
"I care as much for you as for anybody I ever met."
|
|
|
|
"You don't care MORE! There, I ought not to say that.
|
|
Don't answer it!"
|
|
|
|
There was another long silence. He felt that she was treating
|
|
him cruelly, though he could not quite say in what way.
|
|
Her very helplessness seemed to make her so much stronger than he.
|
|
|
|
"I am awfully ignorant on general matters, although I have worked
|
|
so hard," he said, to turn the subject. "I am absorbed in theology,
|
|
you know. And what do you think I should be doing just about now,
|
|
if you weren't here? I should be saying my evening prayers.
|
|
I suppose you wouldn't like----"
|
|
|
|
"Oh no, no," she answered, "I would rather not, if you don't mind.
|
|
I should seem so--such a hypocrite."
|
|
|
|
"I thought you wouldn't join, so I didn't propose it. You must
|
|
remember that I hope to be a useful minister some day."
|
|
|
|
"To be ordained, I think you said?"
|
|
|
|
"Yes."
|
|
|
|
"Then you haven't given up the idea?--I thought that perhaps you
|
|
had by this time."
|
|
|
|
"Of course not. I fondly thought at first that you felt as I do
|
|
about that, as you were so mixed up in Christminster Anglicanism.
|
|
And Mr. Phillotson----"
|
|
|
|
"I have no respect for Christminster whatever, except, in a
|
|
qualified degree, on its intellectual side," said Sue
|
|
Bridehead earnestly. "My friend I spoke of took that out of me.
|
|
He was the most irreligious man I ever knew, and the most moral.
|
|
And intellect at Christminster is new wine in old bottles.
|
|
The mediaevalism of Christminster must go, be sloughed off,
|
|
or Christminster itself will have to go. To be sure, at times
|
|
one couldn't help having a sneaking liking for the traditions
|
|
of the old faith, as preserved by a section of the thinkers there
|
|
in touching and simple sincerity; but when I was in my saddest,
|
|
rightest mind I always felt,
|
|
|
|
'O ghastly glories of saints, dead limbs of
|
|
gibbeted Gods!'"...
|
|
|
|
"Sue, you are not a good friend of mine to talk like that!"
|
|
|
|
"Then I won't, dear Jude!" The emotional throat-note had come back,
|
|
and she turned her face away.
|
|
|
|
"I still think Christminster has much that is glorious; though I
|
|
was resentful because I couldn't get there." He spoke gently,
|
|
and resisted his impulse to pique her on to tears.
|
|
|
|
"It is an ignorant place, except as to the townspeople, artizans, drunkards,
|
|
and paupers," she said, perverse still at his differing from her.
|
|
"THEY see life as it is, of course; but few of the people in the colleges do.
|
|
You prove it in your own person. You are one of the very men
|
|
Christminster was intended for when the colleges were founded;
|
|
a man with a passion for learning, but no money, or opportunities,
|
|
or friends. But you were elbowed off the pavement by the millionaires' sons."
|
|
|
|
"Well, I can do without what it confers. I care for something higher."
|
|
|
|
"And I for something broader, truer," she insisted. "At present
|
|
intellect in Christminster is pushing one way, and religion the other;
|
|
and so they stand stock-still, like two rams butting each other."
|
|
|
|
"What would Mr. Phillotson----"
|
|
|
|
"It is a place full of fetishists and ghost-seers!"
|
|
|
|
He noticed that whenever he tried to speak of the schoolmaster she turned
|
|
the conversation to some generalizations about the offending university.
|
|
Jude was extremely, morbidly, curious about her life as Phillotson's
|
|
PROTEGEE and betrothed; yet she would not enlighten him.
|
|
|
|
"Well, that's just what I am, too," he said. "I am fearful of life,
|
|
spectre-seeing always."
|
|
|
|
"But you are good and dear!" she murmured.
|
|
|
|
His heart bumped, and he made no reply.
|
|
|
|
"You are in the Tractarian stage just now, are you not?" she added,
|
|
putting on flippancy to hide real feeling, a common trick with her.
|
|
"Let me see--when was I there? In the year eighteen hundred and----"
|
|
|
|
"There's a sarcasm in that which is rather unpleasant to me, Sue.
|
|
Now will you do what I want you to? At this time I read a chapter,
|
|
and then say prayers, as I told you. Now will you concentrate your
|
|
attention on any book of these you like, and sit with your back to me,
|
|
and leave me to my custom? You are sure you won't join me?"
|
|
|
|
"I'll look at you."
|
|
|
|
"No. Don't tease, Sue!"
|
|
|
|
"Very well--I'll do just as you bid me, and I won't vex you, Jude,"
|
|
she replied, in the tone of a child who was going to be good
|
|
for ever after, turning her back upon him accordingly.
|
|
A small Bible other than the one he was using lay near her,
|
|
and during his retreat she took it up, and turned over the leaves.
|
|
|
|
"Jude," she said brightly, when he had finished and come back to her;
|
|
"will you let me make you a NEW New Testament, like the one I made
|
|
for myself at Christminster?"
|
|
|
|
"Oh yes. How was that made?"
|
|
|
|
"I altered my old one by cutting up all the Epistles and Gospels
|
|
into separate BROCHURES, and rearranging them in chronological order
|
|
as written, beginning the book with Thessalonians, following on
|
|
with the Epistles, and putting the Gospels much further on.
|
|
Then I had the volume rebound. My university friend Mr. ---- --but
|
|
never mind his name, poor boy--said it was an excellent idea.
|
|
I know that reading it afterwards made it twice as interesting as before,
|
|
and twice as understandable."
|
|
|
|
"H'm!" said Jude, with a sense of sacrilege.
|
|
|
|
"And what a literary enormity this is," she said, as she glanced
|
|
into the pages of Solomon's Song. "I mean the synopsis at the head
|
|
of each chapter, explaining away the real nature of that rhapsody.
|
|
You needn't be alarmed: nobody claims inspiration for the
|
|
chapter headings. Indeed, many divines treat them with contempt.
|
|
It seems the drollest thing to think of the four-and-twenty elders,
|
|
or bishops, or whatever number they were, sitting with long faces and
|
|
writing down such stuff."
|
|
|
|
Jude looked pained. "You are quite Voltairean!" he murmured.
|
|
|
|
"Indeed? Then I won't say any more, except that people have no
|
|
right to falsify the Bible! I HATE such hum-bug as could attempt
|
|
to plaster over with ecclesiastical abstractions such ecstatic,
|
|
natural, human love as lies in that great and passionate song!"
|
|
Her speech had grown spirited, and almost petulant at his rebuke,
|
|
and her eyes moist. "I WISH I had a friend here to support me;
|
|
but nobody is ever on my side!"
|
|
|
|
"But my dear Sue, my very dear Sue, I am not against you!" he said,
|
|
taking her hand, and surprised at her introducing personal feeling
|
|
into mere argument.
|
|
|
|
"Yes you are, yes you are!" she cried, turning away her face
|
|
that he might not see her brimming eyes. "You are on the side of
|
|
the people in the training-school--at least you seem almost to be!
|
|
What I insist on is, that to explain such verses as this:
|
|
'Whither is thy beloved gone, O thou fairest among women?' by the note:
|
|
'THE CHURCH PROFESSETH HER FAITH,' is supremely ridiculous!"
|
|
|
|
"Well then, let it be! You make such a personal matter of everything!
|
|
I am--only too inclined just now to apply the words profanely.
|
|
You know YOU are fairest among women to me, come to that!"
|
|
|
|
"But you are not to say it now!" Sue replied, her voice changing
|
|
to its softest note of severity. Then their eyes met, and they
|
|
shook hands like cronies in a tavern, and Jude saw the absurdity
|
|
of quarrelling on such a hypothetical subject, and she the silliness
|
|
of crying about what was written in an old book like the Bible.
|
|
|
|
"I won't disturb your convictions--I really won't!" she went
|
|
on soothingly, for now he was rather more ruffled than she.
|
|
"But I did want and long to ennoble some man to high aims; and when I
|
|
saw you, and knew you wanted to be my comrade, I--shall I confess it?--
|
|
thought that man might be you. But you take so much tradition on trust
|
|
that I don't know what to say."
|
|
|
|
"Well, dear; I suppose one must take some things on trust.
|
|
Life isn't long enough to work out everything in Euclid problems
|
|
before you believe it. I take Christianity."
|
|
|
|
"Well, perhaps you might take something worse."
|
|
|
|
"Indeed I might. Perhaps I have done so!" He thought of Arabella.
|
|
|
|
"I won't ask what, because we are going to be VERY nice with
|
|
each other, aren't we, and never, never, vex each other any more?"
|
|
She looked up trustfully, and her voice seemed trying to nestle
|
|
in his breast.
|
|
|
|
"I shall always care for you!" said Jude.
|
|
|
|
"And I for you. Because you are single-hearted, and forgiving
|
|
to your faulty and tiresome little Sue!"
|
|
|
|
He looked away, for that epicene tenderness of hers was too harrowing.
|
|
Was it that which had broken the heart of the poor leader-writer;
|
|
and was he to be the next one? ... But Sue was so dear! ...
|
|
If he could only get over the sense of her sex, as she seemed
|
|
to be able to do so easily of his, what a comrade she would make;
|
|
for their difference of opinion on conjectural subjects only drew
|
|
them closer together on matters of daily human experience.
|
|
She was nearer to him than any other woman he had ever met, and he could
|
|
scarcely believe that time, creed, or absence, would ever divide him
|
|
from her.
|
|
|
|
But his grief at her incredulities returned. They sat on till
|
|
she fell asleep again, and he nodded in his chair likewise.
|
|
Whenever he aroused himself he turned her things, and made up
|
|
the fire anew. About six o'clock he awoke completely, and lighting
|
|
a candle, found that her clothes were dry. Her chair being a far
|
|
more comfortable one than his she still slept on inside his
|
|
great-coat, looking warm as a new bun and boyish as a Ganymede.
|
|
Placing the garments by her and touching her on the shoulder he
|
|
went downstairs, and washed himself by starlight in the yard.
|
|
|
|
V
|
|
|
|
WHEN he returned she was dressed as usual.
|
|
|
|
"Now could I get out without anybody seeing me?" she asked.
|
|
"The town is not yet astir."
|
|
|
|
"But you have had no breakfast."
|
|
|
|
"Oh, I don't want any! I fear I ought not to have run away from
|
|
that school! Things seem so different in the cold light of morning,
|
|
don't they? What Mr. Phillotson will say I don't know! It was quite
|
|
by his wish that I went there. He is the only man in the world
|
|
for whom I have any respect or fear. I hope he'll forgive me;
|
|
but he'll scold me dreadfully, I expect!"
|
|
|
|
"I'll go to him and explain--" began Jude.
|
|
|
|
"Oh no, you shan't. I don't care for him! He may think what he likes--
|
|
I shall do just as I choose!"
|
|
|
|
"But you just this moment said----"
|
|
|
|
"Well, if I did, I shall do as I like for all him! I have thought
|
|
of what I shall do--go to the sister of one of my fellow-students
|
|
in the training-school, who has asked me to visit her.
|
|
She has a school near Shaston, about eighteen miles from here--
|
|
and I shall stay there till this has blown over, and I get back
|
|
to the training-school again."
|
|
|
|
At the last moment he persuaded her to let him make her a cup of coffee,
|
|
in a portable apparatus he kept in his room for use on rising to go
|
|
to his work every day before the household was astir.
|
|
|
|
"Now a dew-bit to eat with it," he said; "and off we go.
|
|
You can have a regular breakfast when you get there."
|
|
|
|
They went quietly out of the house, Jude accompanying her to the station.
|
|
As they departed along the street a head was thrust out of an
|
|
upper window of his lodging and quickly withdrawn. Sue still
|
|
seemed sorry for her rashness, and to wish she had not rebelled;
|
|
telling him at parting that she would let him know as soon as she
|
|
got re-admitted to the training-school. They stood rather miserably
|
|
together on the platform; and it was apparent that he wanted
|
|
to say more.
|
|
|
|
"I want to tell you something--two things," he said hurriedly
|
|
as the train came up. "One is a warm one, the other a cold one!"
|
|
|
|
"Jude," she said. "I know one of them. And you mustn't!"
|
|
|
|
"What?"
|
|
|
|
"You mustn't love me. You are to like me--that's all!"
|
|
|
|
Jude's face became so full of complicated glooms that hers was agitated
|
|
in sympathy as she bade him adieu through the carriage window.
|
|
And then the train moved on, and waving her pretty hand to him she
|
|
vanished away.
|
|
|
|
Melchester was a dismal place enough for Jude that Sunday
|
|
of her departure, and the Close so hateful that he did not
|
|
go once to the cathedral services. The next morning there
|
|
came a letter from her, which, with her usual promptitude,
|
|
she had written directly she had reached her friend's house.
|
|
She told him of her safe arrival and comfortable quarters, and then added:--
|
|
|
|
What I really write about, dear Jude, is something I said
|
|
to you at parting. You had been so very good and kind to me
|
|
that when you were out of sight I felt what a cruel and ungrateful
|
|
woman I was to say it, and it has reproached me ever since.
|
|
IF YOU WANT TO LOVE ME, JUDE, YOU MAY: I don't mind at all;
|
|
and I'll never say again that you mustn't!
|
|
|
|
Now I won't write any more about that. You do forgive your
|
|
thoughtless friend for her cruelty? and won't make her miserable
|
|
by saying you don't?--Ever, SUE.
|
|
|
|
It would be superfluous to say what his answer was; and how he thought
|
|
what he would have done had he been free, which should have rendered
|
|
a long residence with a female friend quite unnecessary for Sue.
|
|
He felt he might have been pretty sure of his own victory if it had
|
|
come to a conflict between Phillotson and himself for the possession
|
|
of her.
|
|
|
|
Yet Jude was in danger of attaching more meaning to Sue's impulsive
|
|
note than it really was intended to bear.
|
|
|
|
After the lapse of a few days he found himself hoping that she
|
|
would write again. But he received no further communication;
|
|
and in the intensity of his solicitude he sent another note,
|
|
suggesting that he should pay her a visit some Sunday, the distance
|
|
being under eighteen miles.
|
|
|
|
He expected a reply on the second morning after despatching his missive;
|
|
but none came. The third morning arrived; the postman did not stop.
|
|
This was Saturday, and in a feverish state of anxiety about her he sent
|
|
off three brief lines stating that he was coming the following day,
|
|
for he felt sure something had happened.
|
|
|
|
His first and natural thought had been that she was ill from her immersion;
|
|
but it soon occurred to him that somebody would have written for her
|
|
in such a case. Conjectures were put an end to by his arrival at
|
|
the village school-house near Shaston on the bright morning of Sunday,
|
|
between eleven and twelve o'clock, when the parish was as vacant
|
|
as a desert, most of the inhabitants having gathered inside the church,
|
|
whence their voices could occasionally be heard in unison.
|
|
|
|
A little girl opened the door. "Miss Bridehead is up-stairs,"
|
|
she said. "And will you please walk up to her?"
|
|
|
|
"Is she ill?" asked Jude hastily.
|
|
|
|
"Only a little--not very."
|
|
|
|
Jude entered and ascended. On reaching the landing a voice
|
|
told him which way to turn--the voice of Sue calling his name.
|
|
He passed the doorway, and found her lying in a little bed in a room
|
|
a dozen feet square.
|
|
|
|
"Oh, Sue!" he cried, sitting down beside her and taking her hand.
|
|
"How is this! You couldn't write?"
|
|
|
|
"No--it wasn't that!" she answered. "I did catch a bad cold--
|
|
but I could have written. Only I wouldn't!"
|
|
|
|
"Why not?--frightening me like this!"
|
|
|
|
"Yes--that was what I was afraid of! But I had decided not to
|
|
write to you any more. They won't have me back at the school--
|
|
that's why I couldn't write. Not the fact, but the reason!"
|
|
|
|
"Well?"
|
|
|
|
"They not only won't have me, but they gave me a parting piece
|
|
of advice----"
|
|
|
|
"What?"
|
|
|
|
She did not answer directly. "I vowed I never would tell you, Jude--
|
|
it is so vulgar and distressing!"
|
|
|
|
"Is it about us?"
|
|
|
|
"Yes."
|
|
|
|
"But do tell me!"
|
|
|
|
"Well--somebody has sent them baseless reports about us,
|
|
and they say you and I ought to marry as soon as possible,
|
|
for the sake of my reputation! ... There--now I have told you,
|
|
and I wish I hadn't!"
|
|
|
|
"Oh, poor Sue!"
|
|
|
|
"I don't think of you like that means! It did just OCCUR to me
|
|
to regard you in the way they think I do, but I hadn't begun to.
|
|
I HAVE recognized that the cousinship was merely nominal, since we met
|
|
as total strangers. But my marrying you, dear Jude--why, of course,
|
|
if I had reckoned upon marrying you l shouldn't have come to you so often!
|
|
And I never supposed you thought of such a thing as marrying me till
|
|
the other evening; when I began to fancy you did love me a little.
|
|
Perhaps I ought not to have been so intimate with you. It is all my fault.
|
|
Everything is my fault always!"
|
|
|
|
The speech seemed a little forced and unreal, and they regarded
|
|
each other with a mutual distress.
|
|
|
|
"I was so blind at first!" she went on. "I didn't see what
|
|
you felt at all. Oh, you have been unkind to me--you have--
|
|
to look upon me as a sweetheart without saying a word, and leaving
|
|
me to discover it myself! Your attitude to me has become known;
|
|
and naturally they think we've been doing wrong! I'll never trust
|
|
you again!"
|
|
|
|
"Yes, Sue," he said simply; "I am to blame--more than you think.
|
|
I was quite aware that you did not suspect till within the last
|
|
meeting or two what I was feeling about you. I admit that our
|
|
meeting as strangers prevented a sense of relationship, and that it
|
|
was a sort of subterfuge to avail myself of it. But don't you
|
|
think l deserve a little consideration for concealing my wrong,
|
|
very wrong, sentiments, since I couldn't help having them?"
|
|
|
|
She turned her eyes doubtfully towards him, and then looked away
|
|
as if afraid she might forgive him.
|
|
|
|
By every law of nature and sex a kiss was the only rejoinder that
|
|
fitted the mood and the moment, under the suasion of which Sue's
|
|
undemonstrative regard of him might not inconceivably have changed
|
|
its temperature. Some men would have cast scruples to the winds,
|
|
and ventured it, oblivious both of Sue's declaration of her
|
|
neutral feelings, and of the pair of autographs in the vestry chest
|
|
of Arabella's parish church. Jude did not. He had, in fact,
|
|
come in part to tell his own fatal story. It was upon his lips;
|
|
yet at the hour of this distress he could not disclose it.
|
|
He preferred to dwell upon the recognized barriers between them.
|
|
|
|
"Of course--I know you don't--care about me in any particular way,"
|
|
he sorrowed. "You ought not, and you are right. You belong to--
|
|
Mr. Phillotson. I suppose he has been to see you?"
|
|
|
|
"Yes," she said shortly, her face changing a little. "Though I
|
|
didn't ask him to come. You are glad, of course, that he has been!
|
|
But I shouldn't care if he didn't come any more!"
|
|
|
|
It was very perplexing to her lover that she should be piqued at
|
|
his honest acquiescence in his rival, if Jude's feelings of love
|
|
were deprecated by her. He went on to something else.
|
|
|
|
"This will blow over, dear Sue," he said. "The training-school
|
|
authorities are not all the world. You can get to be a student
|
|
in some other, no doubt."
|
|
|
|
"I'll ask Mr. Phillotson," she said decisively.
|
|
|
|
Sue's kind hostess now returned from church, and there was no more
|
|
intimate conversation. Jude left in the afternoon, hopelessly unhappy.
|
|
But he had seen her, and sat with her. Such intercourse as
|
|
that would have to content him for the remainder of his life.
|
|
The lesson of renunciation it was necessary and proper that he,
|
|
as a parish priest, should learn.
|
|
|
|
But the next morning when he awoke he felt rather vexed with her,
|
|
and decided that she was rather unreasonable, not to say capricious.
|
|
Then, in illustration of what he had begun to discern as one of her
|
|
redeeming characteristics there came promptly a note, which she
|
|
must have written almost immediately he had gone from her:
|
|
|
|
Forgive me for my petulance yesterday! I was horrid to you;
|
|
I know it, and I feel perfectly miserable at my horridness.
|
|
It was so dear of you not to be angry! Jude please still keep me
|
|
as your friend and associate, with all my faults. I'll try not to he
|
|
like it again.
|
|
|
|
I am coming to Melchester on Saturday, to get my things away from
|
|
the T.S., &c. I could walk with you for half an hour, if you would like?--
|
|
Your repentant SUE.
|
|
|
|
Jude forgave her straightway, and asked her to call for him
|
|
at the cathedral works when she came.
|
|
|
|
VI
|
|
|
|
MEANWHILE a middle-aged man was dreaming a dream of great beauty
|
|
concerning the writer of the above letter. He was Richard Phillotson,
|
|
who had recently removed from the mixed village school at Lumsdon
|
|
near Christminster, to undertake a large boys' school in his native
|
|
town of Shaston, which stood on a hill sixty miles to the south-west
|
|
as the crow flies.
|
|
|
|
A glance at the place and its accessories was almost enough to reveal
|
|
that the schoolmaster's plans and dreams so long indulged in had
|
|
been abandoned for some new dream with which neither the Church nor
|
|
literature had much in common. Essentially an unpractical man,
|
|
he was now bent on making and saving money for a practical purpose--
|
|
that of keeping a wife, who, if she chose, might conduct one of the girls'
|
|
schools adjoining his own; for which purpose he had advised her to go
|
|
into training, since she would not marry him offhand.
|
|
|
|
About the time that Jude was removing from Marygreen to Melchester,
|
|
and entering on adventures at the latter place with Sue,
|
|
the schoolmaster was settling down in the new school-house
|
|
at Shaston. All the furniture being fixed, the books shelved,
|
|
and the nails driven, he had begun to sit in his parlour during
|
|
the dark winter nights and re-attempt some of his old studies--
|
|
one branch of which had included Roman-Britannic antiquities--
|
|
an unremunerative labour for a national school-master but
|
|
a subject, that, after his abandonment of the university scheme,
|
|
had interested him as being a comparatively unworked mine;
|
|
practicable to those who, like himself, had lived in lonely spots
|
|
where these remains were abundant, and were seen to compel inferences
|
|
in startling contrast to accepted views on the civilization of
|
|
that time.
|
|
|
|
A resumption of this investigation was the outward and apparent
|
|
hobby of Phillotson at present--his ostensible reason for going
|
|
alone into fields where causeways, dykes, and tumuli abounded,
|
|
or shutting himself up in his house with a few urns, tiles, and mosaics
|
|
he had collected, instead of calling round upon his new neighbours,
|
|
who for their part had showed themselves willing enough to be friendly
|
|
with him. But it was not the real, or the whole, reason, after all.
|
|
Thus on a particular evening in the month, when it had grown quite late--
|
|
to near midnight, indeed--and the light of his lamp, shining from his
|
|
window at a salient angle of the hill-top town over infinite miles
|
|
of valley westward, announced as by words a place and person given
|
|
over to study, he was not exactly studying.
|
|
|
|
The interior of the room--the books, the furniture, the schoolmaster's
|
|
loose coat, his attitude at the table, even the flickering of
|
|
the fire, bespoke the same dignified tale of undistracted research--
|
|
more than creditable to a man who had had no advantages beyond
|
|
those of his own making. And yet the tale, true enough till latterly,
|
|
was not true now. What he was regarding was not history.
|
|
They were historic notes, written in a bold womanly hand at his
|
|
dictation some months before, and it was the clerical rendering
|
|
of word after word that absorbed him.
|
|
|
|
He presently took from a drawer a carefully tied bundle
|
|
of letters, few, very few, as correspondence counts nowadays.
|
|
Each was in its envelope just as it had arrived, and the handwriting
|
|
was of the same womanly character as the historic notes. He unfolded
|
|
them one by one and read them musingly. At first sight there seemed
|
|
in these small documents to be absolutely nothing to muse over.
|
|
They were straightforward, frank letters, signed "Sue B--";
|
|
just such ones as would be written during short absences, with no
|
|
other thought than their speedy destruction, and chiefly concerning
|
|
books in reading and other experiences of a training school,
|
|
forgotten doubtless by the writer with the passing of the day
|
|
of their inditing. In one of them--quite a recent note--the young
|
|
woman said that she had received his considerate letter, and that it
|
|
was honourable and generous of him to say he would not come to see
|
|
her oftener than she desired (the school being such an awkward place
|
|
for callers, and because of her strong wish that her engagement
|
|
to him should not be known, which it would infallibly be if he
|
|
visited her often). Over these phrases the school-master pored.
|
|
What precise shade of satisfaction was to be gathered from a woman's
|
|
gratitude that the man who loved her had not been often to see her?
|
|
The problem occupied him, distracted him.
|
|
|
|
He opened another drawer, and found therein an envelope, from which he
|
|
drew a photograph of Sue as a child, long before he had known her,
|
|
standing under trellis-work with a little basket in her hand.
|
|
There was another of her as a young woman, her dark eyes
|
|
and hair making a very distinct and attractive picture of her,
|
|
which just disclosed, too, the thoughtfulness that lay behind her
|
|
lighter moods. It was a duplicate of the one she had given Jude,
|
|
and would have given to any man. Phillotson brought it half-way
|
|
to his lips, but withdrew it in doubt at her perplexing phrases:
|
|
ultimately kissing the dead pasteboard with all the passionateness,
|
|
and more than all the devotion, of a young man of eighteen.
|
|
|
|
The schoolmaster's was an unhealthy-looking, old-fashioned face,
|
|
rendered more old-fashioned by his style of shaving. A certain
|
|
gentlemanliness had been imparted to it by nature, suggesting an
|
|
inherent wish to do rightly by all. His speech was a little slow,
|
|
but his tones were sincere enough to make his hesitation no defect.
|
|
His greying hair was curly, and radiated from a point in the middle
|
|
of his crown. There were four lines across his forehead,
|
|
and he only wore spectacles when reading at night. It was almost
|
|
certainly a renunciation forced upon him by his academic purpose,
|
|
rather than a distaste for women, which had hitherto kept him from
|
|
closing with one of the sex in matrimony.
|
|
|
|
Such silent proceedings as those of this evening were repeated
|
|
many and oft times when he was not under the eye of the boys,
|
|
whose quick and penetrating regard would frequently become almost
|
|
intolerable to the self-conscious master in his present anxious care
|
|
for Sue, making him, in the grey hours of morning, dread to meet
|
|
anew the gimlet glances, lest they should read what the dream within
|
|
him was.
|
|
|
|
He had honourably acquiesced in Sue's announced wish that he
|
|
was not often to visit her at the training school; but at length,
|
|
his patience being sorely tried, he set out one Saturday afternoon
|
|
to pay her an unexpected call. There the news of her departure--
|
|
expulsion as it might almost have been considered--was flashed upon
|
|
him without warning or mitigation as he stood at the door expecting
|
|
in a few minutes to behold her face; and when he turned away he could
|
|
hardly see the road before him.
|
|
|
|
Sue had, in fact, never written a line to her suitor on the subject,
|
|
although it was fourteen days old. A short reflection told him
|
|
that this proved nothing, a natural delicacy being as ample a reason
|
|
for silence as any degree of blameworthiness.
|
|
|
|
They had informed him at the school where she was living, and having
|
|
no immediate anxiety about her comfort his thoughts took the direction
|
|
of a burning indignation against the training school committee.
|
|
In his bewilderment Phillotson entered the adjacent cathedral,
|
|
just now in a direly dismantled state by reason of the repairs.
|
|
He sat down on a block of freestone, regardless of the dusty imprint
|
|
it made on his breeches; and his listless eyes following the movements
|
|
of the workmen he presently became aware that the reputed culprit,
|
|
Sue's lover Jude, was one amongst them.
|
|
|
|
Jude had never spoken to his former hero since the meeting by the model
|
|
of Jerusalem. Having inadvertently witnessed Phillotson's tentative
|
|
courtship of Sue in the lane there had grown up in the younger
|
|
man's mind a curious dislike to think of the elder, to meet him,
|
|
to communicate in any way with him; and since Phillotson's success
|
|
in obtaining at least her promise had become known to Jude,
|
|
he had frankly recognized that he did not wish to see or hear
|
|
of his senior any more, learn anything of his pursuits, or even
|
|
imagine again what excellencies might appertain to his character.
|
|
On this very day of the schoolmaster's visit Jude was expecting Sue,
|
|
as she had promised; and when therefore he saw the school master
|
|
in the nave of the building, saw, moreover, that he was coming to speak
|
|
to him, he felt no little embarrassment; which Phillotson's own
|
|
embarrassment prevented his observing.
|
|
|
|
Jude joined him, and they both withdrew from the other workmen
|
|
to the spot where Phillotson had been sitting. Jude offered him
|
|
a piece of sackcloth for a cushion, and told him it was dangerous
|
|
to sit on the bare block.
|
|
|
|
"Yes; yes," said Phillotson abstractedly, as he reseated himself,
|
|
his eyes resting on the ground as if he were trying to remember
|
|
where he was. "I won't keep you long. It was merely that I
|
|
have heard that you have seen my little friend Sue recently.
|
|
It occurred to me to speak to you on that account. I merely want
|
|
to ask about her."
|
|
|
|
"I think I know what!" Jude hurriedly said. "About her escaping
|
|
from the training school, and her coming to me?"
|
|
|
|
"Yes."
|
|
|
|
"Well"--Jude for a moment felt an unprincipled and fiendish wish
|
|
to annihilate his rival at all cost. By the exercise of that
|
|
treachery which love for the same woman renders possible to men
|
|
the most honourable in every other relation of life, he could send off
|
|
Phillotson in agony and defeat by saying that the scandal was true,
|
|
and that Sue had irretrievably committed herself with him.
|
|
But his action did not respond for a moment to his animal instinct;
|
|
and what he said was, "I am glad of your kindness in coming to talk
|
|
plainly to me about it. You know what they say?--that I ought to
|
|
marry her."
|
|
|
|
"What!"
|
|
|
|
"And I wish with all my soul I could!"
|
|
|
|
Phillotson trembled, and his naturally pale face acquired a corpselike
|
|
sharpness in its lines. "I had no idea that it was of this nature!
|
|
God forbid!"
|
|
|
|
"No, no!" said Jude aghast. "I thought you understood?
|
|
I mean that were I in a position to marry her, or someone,
|
|
and settle down, instead of living in lodgings here and there,
|
|
I should be glad!"
|
|
|
|
What he had really meant was simply that he loved her.
|
|
|
|
"But--since this painful matter has been opened up--what really happened?"
|
|
asked Phillotson, with the firmness of a man who felt that a sharp
|
|
smart now was better than a long agony of suspense hereafter.
|
|
"Cases arise, and this is one, when even ungenerous questions must be
|
|
put to make false assumptions impossible, and to kill scandal."
|
|
|
|
Jude explained readily; giving the whole series of adventures,
|
|
including the night at the shepherd's, her wet arrival at his lodging,
|
|
her indisposition from her immersion, their vigil of discussion,
|
|
and his seeing her off next morning.
|
|
|
|
"Well now," said Phillotson at the conclusion, "I take it as your
|
|
final word, and I know I can believe you, that the suspicion
|
|
which led to her rustication is an absolutely baseless one?"
|
|
|
|
"It is," said Jude solemnly. "Absolutely. So help me God!"
|
|
|
|
The schoolmaster rose. Each of the twain felt that the interview
|
|
could not comfortably merge in a friendly discussion of their
|
|
recent experiences, after the manner of friends; and when Jude
|
|
had taken him round, and shown him some features of the renovation
|
|
which the old cathedral was undergoing, Phillotson bade the young
|
|
man good-day and went away.
|
|
|
|
This visit took place about eleven o'clock in the morning;
|
|
but no Sue appeared. When Jude went to his dinner at one he saw his
|
|
beloved ahead of him in the street leading up from the North Gate,
|
|
walking as if no way looking for him. Speedily overtaking her he
|
|
remarked that he had asked her to come to him at the cathedral,
|
|
and she had promised.
|
|
|
|
"I have been to get my things from the college," she said--an observation
|
|
which he was expected to take as an answer, though it was not one.
|
|
Finding her to be in this evasive mood he felt inclined to give
|
|
her the information so long withheld.
|
|
|
|
"You have not seen Mr. Phillotson to-day?" he ventured to inquire.
|
|
|
|
"I have not. But I am not going to be cross-examined about him;
|
|
and if you ask anything more I won't answer!"
|
|
|
|
"It is very odd that--" He stopped, regarding her.
|
|
|
|
"What?"
|
|
|
|
"That you are often not so nice in your real presence as you
|
|
are in your letters!"
|
|
|
|
"Does it really seem so to you?" said she, smiling with quick curiosity.
|
|
"Well, that's strange; but I feel just the same about you, Jude.
|
|
When you are gone away I seem such a coldhearted----"
|
|
|
|
As she knew his sentiment towards her Jude saw that they were getting
|
|
upon dangerous ground. It was now, he thought, that he must speak
|
|
as an honest man.
|
|
|
|
But he did not speak, and she continued: "It was that which made me
|
|
write and say--I didn't mind your loving me--if you wanted to, much!"
|
|
|
|
The exultation he might have felt at what that implied, or seemed to imply,
|
|
was nullified by his intention, and he rested rigid till he began:
|
|
"I have never told you----"
|
|
|
|
"Yes you have," murmured she.
|
|
|
|
"I mean, I have never told you my history--all of it."
|
|
|
|
"But I guess it. l know nearly."
|
|
|
|
Jude looked up. Could she possibly know of that morning performance
|
|
of his with Arabella; which in a few months had ceased to be
|
|
a marriage more completely than by death? He saw that she did not.
|
|
|
|
"I can't quite tell you here in the street," he went on with a
|
|
gloomy tongue. "And you had better not come to my lodgings.
|
|
Let us go in here."
|
|
|
|
The building by which they stood was the market-house, it was
|
|
the only place available; and they entered, the market being over,
|
|
and the stalls and areas empty. He would have preferred a more
|
|
congenial spot, but, as usually happens, in place of a romantic
|
|
field or solemn aisle for his tale, it was told while they walked up
|
|
and down over a floor littered with rotten cabbage-leaves, and amid all
|
|
the usual squalors of decayed vegetable matter and unsaleable refuse.
|
|
He began and finished his brief narrative, which merely led up
|
|
to the information that he had married a wife some years earlier,
|
|
and that his wife was living still. Almost before her countenance
|
|
had time to change she hurried out the words,
|
|
|
|
"Why didn't you tell me before!"
|
|
|
|
"I couldn't. It seemed so cruel to tell it."
|
|
|
|
"To yourself, Jude. So it was better to be cruel to me!"
|
|
|
|
"No, dear darling!" cried Jude passionately. He tried to take
|
|
her hand, but she withdrew it. Their old relations of confidence
|
|
seemed suddenly to have ended, and the antagonisms of sex
|
|
to sex were left without any counter-poising predilections.
|
|
She was his comrade, friend, unconscious sweetheart no longer;
|
|
and her eyes regarded him in estranged silence.
|
|
|
|
"I was ashamed of the episode in my life which brought about
|
|
the marriage," he continued. "I can't explain it precisely now.
|
|
I could have done it if you had taken it differently!"
|
|
|
|
"But how can I?" she burst out. "Here I have been saying,
|
|
or writing, that--that you might love me, or something of the sort!--
|
|
just out of charity--and all the time--oh, it is perfectly damnable
|
|
how things are!" she said, stamping her foot in a nervous quiver.
|
|
|
|
"You take me wrong, Sue! I never thought you cared for me at all,
|
|
till quite lately; so I felt it did not matter! Do you care
|
|
for me, Sue?--you know how I mean?--I don't like 'out of charity'
|
|
at all!"
|
|
|
|
It was a question which in the circumstances Sue did not choose
|
|
to answer.
|
|
|
|
"I suppose she--your wife--is--a very pretty woman even if she's wicked?"
|
|
she asked quickly.
|
|
|
|
"She's pretty enough, as far as that goes."
|
|
|
|
"Prettier than I am, no doubt!"
|
|
|
|
"You are not the least alike. And I have never seen her for years....
|
|
But she's sure to come back--they always do!"
|
|
|
|
"How strange of you to stay apart from her like this!" said Sue,
|
|
her trembling lip and lumpy throat belying her irony. "You, such
|
|
a religious man. How will the demi-gods in your Pantheon--I mean
|
|
those legendary persons you call saints--intercede for you after this?
|
|
Now if I had done such a thing it would have been different,
|
|
and not remarkable, for I at least don't regard marriage as a sacrament.
|
|
Your theories are not so advanced as your practice!"
|
|
|
|
"Sue, you are terribly cutting when you like to be--a perfect Voltaire!
|
|
But you must treat me as you will!"
|
|
|
|
When she saw how wretched he was she softened, and trying to blink
|
|
away her sympathetic tears said with all the winning reproachfulness
|
|
of a heart-hurt woman: "Ah--you should have told me before you
|
|
gave me that idea that you wanted to be allowed to love me!
|
|
I had no feeling before that moment at the railway-station, except--"
|
|
For once Sue was as miserable as he, in her attempts to keep herself
|
|
free from emotion, and her less than half-success.
|
|
|
|
"Don't cry, dear!" he implored.
|
|
|
|
"I am--not crying--because I meant to--love you; but because
|
|
of your want of--confidence!"
|
|
|
|
They were quite screened from the market-square without,
|
|
and he could not help putting out his arm towards her waist.
|
|
His momentary desire was the means of her rallying. "No, no!" she said,
|
|
drawing back stringently, and wiping her eyes. "Of course not!
|
|
It would be hypocrisy to pretend that it would be meant as from my cousin;
|
|
and it can't be in any other way."
|
|
|
|
They moved on a dozen paces, and she showed herself recovered.
|
|
It was distracting to Jude, and his heart would have ached less had
|
|
she appeared anyhow but as she did appear; essentially large-minded
|
|
and generous on reflection, despite a previous exercise of those
|
|
narrow womanly humours on impulse that were necessary to give
|
|
her sex.
|
|
|
|
"I don't blame you for what you couldn't help," she said, smiling.
|
|
"How should I be so foolish? I do blame you a little bit
|
|
for not telling me before. But, after all, it doesn't matter.
|
|
We should have had to keep apart, you see, even if this had not been
|
|
in your life."
|
|
|
|
"No, we shouldn't, Sue! This is the only obstacle."
|
|
|
|
"You forget that I must have loved you, and wanted to be your wife,
|
|
even if there had been no obstacle," said Sue, with a gentle
|
|
seriousness which did not reveal her mind. "And then we are cousins,
|
|
and it is bad for cousins to marry. And--I am engaged to
|
|
somebody else. As to our going on together as we were going,
|
|
in a sort of friendly way, the people round us would have made it
|
|
unable to continue. Their views of the relations of man and woman
|
|
are limited, as is proved by their expelling me from the school.
|
|
Their philosophy only recognizes relations based on animal desire.
|
|
The wide field of strong attachment where desire plays, at least,
|
|
only a secondary part, is ignored by them--the part of--who is it?--
|
|
Venus Urania."
|
|
|
|
Her being able to talk learnedly showed that she was mistress
|
|
of herself again; and before they parted she had almost regained
|
|
her vivacious glance, her reciprocity of tone, her gay manner,
|
|
and her second-thought attitude of critical largeness towards others
|
|
of her age and sex.
|
|
|
|
He could speak more freely now. "There were several reasons against
|
|
my telling you rashly. One was what I have said; another, that it
|
|
was always impressed upon me that I ought not to marry--that I
|
|
belonged to an odd and peculiar family--the wrong breed for marriage."
|
|
|
|
"Ah--who used to say that to you?"
|
|
|
|
"My great-aunt. She said it always ended badly with us Fawleys."
|
|
|
|
"That's strange. My father used to say the same to me!"
|
|
|
|
They stood possessed by the same thought, ugly enough, even as
|
|
an assumption: that a union between them, had such been possible,
|
|
would have meant a terrible intensification of unfitness--
|
|
two bitters in one dish.
|
|
|
|
"Oh, but there can't be anything in it!" she said with nervous lightness.
|
|
"Our family have been unlucky of late years in choosing mates--
|
|
that's all."
|
|
|
|
And then they pretended to persuade themselves that all that had
|
|
happened was of no consequence, and that they could still be cousins
|
|
and friends and warm correspondents, and have happy genial times
|
|
when they met, even if they met less frequently than before.
|
|
Their parting was in good friendship, and yet Jude's last look
|
|
into her eyes was tinged with inquiry, for he felt that he did
|
|
not even now quite know her mind.
|
|
|
|
VII
|
|
|
|
TIDINGS from Sue a day or two after passed across Jude like a withering blast.
|
|
|
|
Before reading the letter he was led to suspect that its contents
|
|
were of a somewhat serious kind by catching sight of the signature--
|
|
which was in her full name, never used in her correspondence with him
|
|
since her first note:
|
|
|
|
MY DEAR JUDE,--I have something to tell you which perhaps you will not be
|
|
surprised to hear, though certainly it may strike you as being accelerated
|
|
(as the railway companies say of their trains). Mr. Phillotson
|
|
and I are to be married quite soon--in three or four weeks.
|
|
We had intended, as you know, to wait till I had gone through my
|
|
course of training and obtained my certificate, so as to assist him,
|
|
if necessary, in the teaching. But he generously says he does not
|
|
see any object in waiting, now I am not at the training school.
|
|
It is so good of him, because the awkwardness of my situation has
|
|
really come about by my fault in getting expelled.
|
|
|
|
Wish me joy. Remember I say you are to, and you mustn't refuse!--
|
|
Your affectionate cousin,
|
|
|
|
SUSANNA FLORENCE MARY BRIDEHEAD.
|
|
|
|
Jude staggered under the news; could eat no breakfast; and kept
|
|
on drinking tea because his mouth was so dry. Then presently
|
|
he went back to his work and laughed the usual bitter laugh
|
|
of a man so confronted. Everything seemed turning to satire.
|
|
And yet, what could the poor girl do? he asked himself: and felt
|
|
worse than shedding tears.
|
|
|
|
"O Susanna Florence Mary!" he said as he worked. "You don't know
|
|
what marriage means!"
|
|
|
|
Could it be possible that his announcement of his own marriage
|
|
had pricked her on to this, just as his visit to her when in liquor
|
|
may have pricked her on to her engagement? To be sure, there seemed
|
|
to exist these other and sufficient reasons, practical and social,
|
|
for her decision; but Sue was not a very practical or calculating person;
|
|
and he was compelled to think that a pique at having his secret
|
|
sprung upon her had moved her to give way to Phillotson's
|
|
probable representations, that the best course to prove how unfounded
|
|
were the suspicions of the school authorities would be to marry
|
|
him off-hand, as in fulfilment of an ordinary engagement.
|
|
Sue had, in fact, been placed in an awkward corner. Poor Sue!
|
|
|
|
He determined to play the Spartan; to make the best of it, and support her;
|
|
but he could not write the requested good wishes for a day or two.
|
|
Meanwhile there came another note from his impatient little dear:
|
|
|
|
Jude, will you give me away? I have nobody else who could do it
|
|
so conveniently as you, being the only married relation I have here
|
|
on the spot, even if my father were friendly enough to be willing,
|
|
which he isn't. I hope you won't think it a trouble? I have been
|
|
looking at the marriage service in the prayer-book, and it seems
|
|
to me very humiliating that a giver-away should be required at all.
|
|
According to the ceremony as there printed, my bridegroom chooses me
|
|
of his own will and pleasure; but I don't choose him. Somebody GIVES
|
|
me to him, like a she-ass or she-goat, or any other domestic animal.
|
|
Bless your exalted views of woman, O churchman! But I forget:
|
|
I am no longer privileged to tease you.--Ever,
|
|
|
|
SUSANNA FLORENCE MARY BRIDEHEAD.
|
|
|
|
Jude screwed himself up to heroic key; and replied:
|
|
|
|
MY DEAR SUE,--Of course I wish you joy! And also of course I will give
|
|
you away. What I suggest is that, as you have no house of your own,
|
|
you do not marry from your school friend's, but from mine.
|
|
It would be more proper, I think, since I am, as you say, the person
|
|
nearest related to you in this part of the world.
|
|
|
|
I don't see why you sign your letter in such a new and terribly formal way?
|
|
Surely you care a bit about me still!--Ever your affectionate, JUDE.
|
|
|
|
What had jarred on him even more than the signature was a little
|
|
sting he had been silent on--the phrase "married relation"--
|
|
What an idiot it made him seem as her lover! If Sue had written
|
|
that in satire, he could hardly forgive her; if in suffering--
|
|
ah, that was another thing!
|
|
|
|
His offer of his lodging must have commended itself to Phillotson
|
|
at any rate, for the schoolmaster sent him a line of warm thanks,
|
|
accepting the convenience. Sue also thanked him. Jude immediately
|
|
moved into more commodious quarters, as much to escape the espionage
|
|
of the suspicious landlady who had been one cause of Sue's unpleasant
|
|
experience as for the sake of room.
|
|
|
|
Then Sue wrote to tell him the day fixed for the wedding;
|
|
and Jude decided, after inquiry, that she should come into residence
|
|
on the following Saturday, which would allow of a ten days'
|
|
stay in the city prior to the ceremony, sufficiently representing
|
|
a nominal residence of fifteen.
|
|
|
|
She arrived by the ten o'clock train on the day aforesaid,
|
|
Jude not going to meet her at the station, by her special request,
|
|
that he should not lose a morning's work and pay, she said
|
|
(if this were her true reason). But so well by this time did he
|
|
know Sue that the remembrance of their mutual sensitiveness at
|
|
emotional crises might, he thought, have weighed with her in this.
|
|
When he came home to dinner she had taken possession of her apartment.
|
|
|
|
She lived in the same house with him, but on a different floor,
|
|
and they saw each other little, an occasional supper being
|
|
the only meal they took together, when Sue's manner was something
|
|
like that of a scared child. What she felt he did not know;
|
|
their conversation was mechanical, though she did not look pale or ill.
|
|
Phillotson came frequently, but mostly when Jude was absent.
|
|
On the morning of the wedding, when Jude had given himself a holiday,
|
|
Sue and her cousin had breakfast together for the first and last
|
|
time during this curious interval; in his room--the parlour--
|
|
which he had hired for the period of Sue's residence. Seeing, as
|
|
women do, how helpless he was in making the place comfortable,
|
|
she bustled about.
|
|
|
|
"What's the matter, Jude?" she said suddenly.
|
|
|
|
He was leaning with his elbows on the table and his chin on his hands,
|
|
looking into a futurity which seemed to be sketched out on the tablecloth.
|
|
|
|
"Oh--nothing!"
|
|
|
|
"You are 'father', you know. That's what they call the man who gives
|
|
you away."
|
|
|
|
Jude could have said "Phillotson's age entitles him to be called that!"
|
|
But he would not annoy her by such a cheap retort.
|
|
|
|
She talked incessantly, as if she dreaded his indulgence in reflection,
|
|
and before the meal was over both he and she wished they had not
|
|
put such confidence in their new view of things, and had taken
|
|
breakfast apart. What oppressed Jude was the thought that,
|
|
having done a wrong thing of this sort himself, he was aiding
|
|
and abetting the woman he loved in doing a like wrong thing,
|
|
instead of imploring and warning her against it. It was on his
|
|
tongue to say, "You have quite made up your mind?"
|
|
|
|
After breakfast they went out on an errand together moved by a mutual
|
|
thought that it was the last opportunity they would have of indulging
|
|
in unceremonious companionship. By the irony of fate, and the curious
|
|
trick in Sue's nature of tempting Providence at critical times,
|
|
she took his arm as they walked through the muddy street--
|
|
a thing she had never done before in her life--and on turning
|
|
the corner they found themselves close to a grey perpendicular
|
|
church with a low-pitched roof--the church of St. Thomas.
|
|
|
|
"That's the church," said Jude.
|
|
|
|
"Where I am going to be married?"
|
|
|
|
"Yes."
|
|
|
|
"Indeed!" she exclaimed with curiosity. "How I should like to go
|
|
in and see what the spot is like where I am so soon to kneel
|
|
and do it."
|
|
|
|
Again he said to himself, "She does not realize what marriage means!"
|
|
|
|
He passively acquiesced in her wish to go in, and they entered
|
|
by the western door. The only person inside the gloomy building was
|
|
a charwoman cleaning. Sue still held Jude's arm, almost as if she
|
|
loved him. Cruelly sweet, indeed, she had been to him that morning;
|
|
but his thoughts of a penance in store for her were tempered
|
|
by an ache:
|
|
|
|
... I can find no way
|
|
How a blow should fall, such as falls on men,
|
|
Nor prove too much for your womanhood!
|
|
|
|
They strolled undemonstratively up the nave towards the altar railing,
|
|
which they stood against in silence, turning then and walking down
|
|
the nave again, her hand still on his arm, precisely like a couple
|
|
just married. The too suggestive incident, entirely of her making,
|
|
nearly broke down Jude.
|
|
|
|
"I like to do things like this," she said in the delicate voice
|
|
of an epicure in emotions, which left no doubt that she spoke
|
|
the truth.
|
|
|
|
"I know you do!" said Jude.
|
|
|
|
"They are interesting, because they have probably never been done before.
|
|
I shall walk down the church like this with my husband in about
|
|
two hours, shan't I!"
|
|
|
|
"No doubt you will!"
|
|
|
|
"Was it like this when you were married?"
|
|
|
|
"Good God, Sue--don't be so awfully merciless! ... There, dear one,
|
|
I didn't mean it!"
|
|
|
|
"Ah--you are vexed!" she said regretfully, as she blinked away
|
|
an access of eye moisture. "And I promised never to vex you! ...
|
|
I suppose I ought not to have asked you to bring me in here.
|
|
Oh, I oughtn't! I see it now. My curiosity to hunt up a new sensation
|
|
always leads me into these scrapes. Forgive me! ... You will,
|
|
won't you, Jude?"
|
|
|
|
The appeal was so remorseful that Jude's eyes were even wetter
|
|
than hers as he pressed her hand for Yes.
|
|
|
|
"Now we'll hurry away, and I won't do it any more!" she continued humbly;
|
|
and they came out of the building, Sue intending to go on
|
|
to the station to meet Phillotson. But the first person they
|
|
encountered on entering the main street was the schoolmaster himself,
|
|
whose train had arrived sooner than Sue expected. There was nothing
|
|
really to demur to in her leaning on Jude's arm; but she withdrew
|
|
her hand, and Jude thought that Phillotson had looked surprised.
|
|
|
|
"We have been doing such a funny thing!" said she, smiling candidly.
|
|
"We've been to the church, rehearsing as it were. Haven't we, Jude?"
|
|
|
|
"How?" said Phillotson curiously.
|
|
|
|
Jude inwardly deplored what he thought to be unnecessary frankness;
|
|
but she had gone too far not to explain all, which she accordingly did,
|
|
telling him how they had marched up to the altar.
|
|
|
|
Seeing how puzzled Phillotson seemed, Jude said as cheerfully
|
|
as he could, "I am going to buy her another little present.
|
|
Will you both come to the shop with me?"
|
|
|
|
"No," said Sue, "I'll go on to the house with him"; and requesting
|
|
her lover not to be a long time she departed with the schoolmaster.
|
|
|
|
Jude soon joined them at his rooms, and shortly after they prepared
|
|
for the ceremony. Phillotson's hair was brushed to a painful extent,
|
|
and his shirt collar appeared stiffer than it had been for the previous
|
|
twenty years. Beyond this he looked dignified and thoughtful,
|
|
and altogether a man of whom it was not unsafe to predict that he would
|
|
make a kind and considerate husband. That he adored Sue was obvious;
|
|
and she could almost be seen to feel that she was undeserving
|
|
his adoration.
|
|
|
|
Although the distance was so short he had hired a fly from the Red Lion,
|
|
and six or seven women and children had gathered by the door
|
|
when they came out. The schoolmaster and Sue were unknown,
|
|
though Jude was getting to be recognized as a citizen; and the
|
|
couple were judged to be some relations of his from a distance,
|
|
nobody supposing Sue to have been a recent pupil at the training school.
|
|
|
|
In the carriage Jude took from his pocket his extra little
|
|
wedding-present, which turned out to be two or three yards
|
|
of white tulle, which he threw over her bonnet and all, as a veil.
|
|
|
|
"It looks so odd over a bonnet," she said. "I'll take the bonnet off."
|
|
|
|
"Oh no--let it stay," said Phillotson. And she obeyed.
|
|
|
|
When they had passed up the church and were standing in their places
|
|
Jude found that the antecedent visit had certainly taken off
|
|
the edge of this performance, but by the time they were half-way on
|
|
with the service he wished from his heart that he had not undertaken
|
|
the business of giving her away. How could Sue have had the temerity
|
|
to ask him to do it--a cruelty possibly to herself as well as to him?
|
|
Women were different from men in such matters. Was it that they were,
|
|
instead of more sensitive, as reputed, more callous, and less romantic;
|
|
or were they more heroic? Or was Sue simply so perverse that she
|
|
wilfully gave herself and him pain for the odd and mournful luxury
|
|
of practising long-suffering in her own person, and of being
|
|
touched with tender pity for him at having made him practise it?
|
|
He could perceive that her face was nervously set, and when they reached
|
|
the trying ordeal of Jude giving her to Phillotson she could hardly
|
|
command herself; rather, however, as it seemed, from her knowledge
|
|
of what her cousin must feel, whom she need not have had there at all,
|
|
than from self-consideration. Possibly she would go on inflicting such
|
|
pains again and again, and grieving for the sufferer again and again,
|
|
in all her colossal inconsistency.
|
|
|
|
Phillotson seemed not to notice, to be surrounded by a mist
|
|
which prevented his seeing the emotions of others. As soon as they
|
|
had signed their names and come away, and the suspense was over,
|
|
Jude felt relieved.
|
|
|
|
The meal at his lodging was a very simple affair, and at two
|
|
o'clock they went off. In crossing the pavement to the fly she
|
|
looked back; and there was a frightened light in her eyes.
|
|
Could it be that Sue had acted with such unusual foolishness
|
|
as to plunge into she knew not what for the sake of asserting
|
|
her independence of him, of retaliating on him for his secrecy?
|
|
Perhaps Sue was thus venturesome with men because she was childishly
|
|
ignorant of that side of their natures which wore out women's hearts
|
|
and lives.
|
|
|
|
When her foot was on the carriage-step she turned round, saying that
|
|
she had forgotten something. Jude and the landlady offered to get it.
|
|
|
|
"No," she said, running back. "It is my handkerchief.
|
|
I know where I left it."
|
|
|
|
Jude followed her back. She had found it, and came holding it
|
|
in her hand. She looked into his eyes with her own tearful ones,
|
|
and her lips suddenly parted as if she were going to avow something.
|
|
But she went on; and whatever she had meant to say remained unspoken.
|
|
|
|
VIII
|
|
|
|
JUDE wondered if she had really left her handkerchief behind;
|
|
or whether it were that she had miserably wished to tell him
|
|
of a love that at the last moment she could not bring herself
|
|
to express.
|
|
|
|
He could not stay in his silent lodging when they were gone,
|
|
and fearing that he might be tempted to drown his misery in
|
|
alcohol he went upstairs, changed his dark clothes for his white,
|
|
his thin boots for his thick, and proceeded to his customary work
|
|
for the afternoon.
|
|
|
|
But in the cathedral he seemed to hear a voice behind him,
|
|
and to be possessed with an idea that she would come back.
|
|
She could not possibly go home with Phillotson, he fancied.
|
|
The feeling grew and stirred. The moment that the clock struck the last
|
|
of his working hours he threw down his tools and rushed homeward.
|
|
"Has anybody been for me?" he asked.
|
|
|
|
Nobody had been there.
|
|
|
|
As he could claim the downstairs sitting-room till twelve o'clock
|
|
that night he sat in it all the evening; and even when the clock
|
|
had struck eleven, and the family had retired, he could not shake off
|
|
the feeling that she would come back and sleep in the little room
|
|
adjoining his own in which she had slept so many previous days.
|
|
Her actions were always unpredictable: why should she not come?
|
|
Gladly would he have compounded for the denial of her as a sweetheart
|
|
and wife by having her live thus as a fellow-lodger and friend,
|
|
even on the most distant terms. His supper still remained spread,
|
|
and going to the front door, and softly setting it open, he returned
|
|
to the room and sat as watchers sit on Old-Mid-summer eves,
|
|
expecting the phantom of the Beloved. But she did not come.
|
|
|
|
Having indulged in this wild hope he went upstairs, and looked
|
|
out of the window, and pictured her through the evening journey
|
|
to London, whither she and Phillotson had gone for their holiday;
|
|
their rattling along through the damp night to their hotel,
|
|
under the same sky of ribbed cloud as that he beheld, through which
|
|
the moon showed its position rather than its shape, and one or two
|
|
of the larger stars made themselves visible as faint nebulae only.
|
|
It was a new beginning of Sue's history. He projected his mind
|
|
into the future, and saw her with children more or less in her own
|
|
likeness around her. But the consolation of regarding them as a
|
|
continuation of her identity was denied to him, as to all such dreamers,
|
|
by the wilfulness of Nature in not allowing issue from one parent alone.
|
|
Every desired renewal of an existence is debased by being half alloy.
|
|
"If at the estrangement or death of my lost love, I could go and see
|
|
her child--hers solely--there would be comfort in it!" said Jude.
|
|
And then he again uneasily saw, as he had latterly seen with more
|
|
and more frequency, the scorn of Nature for man's finer emotions,
|
|
and her lack of interest in his aspirations.
|
|
|
|
The oppressive strength of his affection for Sue showed itself on
|
|
the morrow and following days yet more clearly. He could no longer
|
|
endure the light of the Melchester lamps; the sunshine was as drab paint,
|
|
and the blue sky as zinc. Then he received news that his old
|
|
aunt was dangerously ill at Marygreen, which intelligence almost
|
|
coincided with a letter from his former employer at Christminster,
|
|
who offered him permanent work of a good class if he would come back.
|
|
The letters were almost a relief to him. He started to visit
|
|
Aunt Drusilla, and resolved to go onward to Christminster to see
|
|
what worth there might be in the builder's offer.
|
|
|
|
Jude found his aunt even worse than the communication from the Widow
|
|
Edlin had led him to expect. There was every possibility of her
|
|
lingering on for weeks or months, though little likelihood.
|
|
He wrote to Sue informing her of the state of her aunt,
|
|
and suggesting that she might like to see her aged relative alive.
|
|
He would meet her at Alfredston Road, the following evening,
|
|
Monday, on his way back from Christminster, if she could come
|
|
by the up-train which crossed his down-train at that station.
|
|
Next morning, according, he went on to Christminster, intending to
|
|
return to Alfredston soon enough to keep the suggested appointment
|
|
with Sue.
|
|
|
|
The city of learning wore an estranged look, and he had lost all feeling
|
|
for its associations. Yet as the sun made vivid lights and shades
|
|
of the mullioned architecture of the facades, and drew patterns
|
|
of the crinkled battlements on the young turf of the quadrangles,
|
|
Jude thought he had never seen the place look more beautiful.
|
|
He came to the street in which he had first beheld Sue. The chair
|
|
she had occupied when, leaning over her ecclesiastical scrolls,
|
|
a hog-hair brush in her hand, her girlish figure had arrested
|
|
the gaze of his inquiring eyes, stood precisely in its
|
|
former spot, empty. It was as if she were dead, and nobody had
|
|
been found capable of succeeding her in that artistic pursuit.
|
|
Hers was now the city phantom, while those of the intellectual
|
|
and devotional worthies who had once moved him to emotion were no
|
|
longer able to assert their presence there.
|
|
|
|
However, here he was; and in fulfilment of his intention he went
|
|
on to his former lodging in "Beersheba," near the ritualistic
|
|
church of St. Silas. The old landlady who opened the door seemed
|
|
glad to see him again, and bringing some lunch informed him that
|
|
the builder who had employed him had called to inquire his address.
|
|
|
|
Jude went on to the stone-yard where he had worked. But the old
|
|
sheds and bankers were distasteful to him; he felt it impossible
|
|
to engage himself to return and stay in this place of vanished dreams.
|
|
He longed for the hour of the homeward train to Alfredston, where he
|
|
might probably meet Sue.
|
|
|
|
Then, for one ghastly half-hour of depression caused by these scenes,
|
|
there returned upon him that feeling which had been his undoing
|
|
more than once--that he was not worth the trouble of being taken care
|
|
of either by himself or others; and during this half-hour he met
|
|
Tinker Taylor, the bankrupt ecclesiastical ironmonger, at Fourways,
|
|
who proposed that they should adjourn to a bar and drink together.
|
|
They walked along the street till they stood before one of the great
|
|
palpitating centres of Christminster life, the inn wherein he formerly
|
|
had responded to the challenge to rehearse the Creed in Latin--
|
|
now a popular tavern with a spacious and inviting entrance, which gave
|
|
admittance to a bar that had been entirely renovated and refitted in
|
|
modern style since Jude's residence here.
|
|
|
|
Tinker Taylor drank off his glass and departed, saying it was too
|
|
stylish a place now for him to feel at home in unless he was drunker
|
|
than he had money to be just then. Jude was longer finishing his,
|
|
and stood abstractedly silent in the, for the minute, almost empty place.
|
|
The bar had been gutted and newly arranged throughout,
|
|
mahogany fixtures having taken the place of the old painted ones,
|
|
while at the back of the standing-space there were stuffed sofa-benches.
|
|
The room was divided into compartments in the approved manner,
|
|
between which were screens of ground glass in mahogany framing,
|
|
to prevent topers in one compartment being put to the blush by
|
|
the recognitions of those in the next. On the inside of the counter
|
|
two barmaids leant over the white-handled beer-engines, and the row
|
|
of little silvered taps inside, dripping into a pewter trough.
|
|
|
|
Feeling tired, and having nothing more to do till the train left,
|
|
Jude sat down on one of the sofas. At the back of the barmaids rose
|
|
bevel-edged mirrors, with glass shelves running along their front,
|
|
on which stood precious liquids that Jude did not know the name of,
|
|
in bottles of topaz, sapphire, ruby and amethyst. The moment was
|
|
enlivened by the entrance of some customers into the next compartment,
|
|
and the starting of the mechanical tell-tale of monies received,
|
|
which emitted a ting-ting every time a coin was put in.
|
|
|
|
The barmaid attending to this compartment was invisible to Jude's
|
|
direct glance, though a reflection of her back in the glass behind
|
|
her was occasionally caught by his eyes. He had only observed
|
|
this listlessly, when she turned her face for a moment to the glass
|
|
to set her hair tidy. Then he was amazed to discover that the face
|
|
was Arabella's.
|
|
|
|
If she had come on to his compartment she would have seen him.
|
|
But she did not, this being presided over by the maiden on the other side.
|
|
Abby was in a black gown, with white linen cuffs and a broad
|
|
white collar, and her figure, more developed than formerly,
|
|
was accentuated by a bunch of daffodils that she wore on her left bosom.
|
|
In the compartment she served stood an electro-plated fountain of water
|
|
over a spirit-lamp, whose blue flame sent a steam from the top,
|
|
all this being visible to him only in the mirror behind her;
|
|
which also reflected the faces of the men she was attending to--
|
|
one of them a handsome, dissipated young fellow, possibly an undergraduate,
|
|
who had been relating to her an experience of some humorous sort.
|
|
|
|
"Oh, Mr. Cockman, now! How can you tell such a tale to me
|
|
in my innocence!" she cried gaily. "Mr. Cockman, what do you
|
|
use to make your moustache curl so beautiful?" As the young
|
|
man was clean shaven the retort provoked a laugh at his expense.
|
|
|
|
"Come!" said he, "I'll have a curacao; and a light, please."
|
|
|
|
She served the liqueur from one of the lovely bottles and striking
|
|
a match held it to his cigarette with ministering archness while he whiffed.
|
|
|
|
"Well, have you heard from your husband lately, my dear?"
|
|
he asked.
|
|
|
|
"Not a sound," said she.
|
|
|
|
"Where is he?"
|
|
|
|
"I left him in Australia; and I suppose he's there still."
|
|
|
|
Jude's eyes grew rounder.
|
|
|
|
"What made you part from him?"
|
|
|
|
"Don't you ask questions, and you won't hear lies."
|
|
|
|
"Come then, give me my change, which you've been keeping from me
|
|
for the last quarter of an hour; and I'll romantically vanish up
|
|
the street of this picturesque city."
|
|
|
|
She handed the change over the counter, in taking which he caught
|
|
her fingers and held them. There was a slight struggle and titter,
|
|
and he bade her good-bye and left.
|
|
|
|
Jude had looked on with the eye of a dazed philosopher. It was
|
|
extraordinary how far removed from his life Arabella now seemed to be.
|
|
He could not realize their nominal closeness. And, this being
|
|
the case, in his present frame of mind he was indifferent to the fact
|
|
that Arabella was his wife indeed.
|
|
|
|
The compartment that she served emptied itself of visitors, and after
|
|
a brief thought he entered it, and went forward to the counter.
|
|
Arabella did not recognize him for a moment. Then their glances met.
|
|
She started; till a humorous impudence sparkled in her eyes,
|
|
and she spoke.
|
|
|
|
"Well, I'm blest! I thought you were underground years ago!"
|
|
|
|
"Oh!"
|
|
|
|
"I never heard anything of you, or I don't know that I should have
|
|
come here. But never mind! What shall I treat you to this afternoon?
|
|
A Scotch and soda? Come, anything that the house will afford,
|
|
for old acquaintance' sake!"
|
|
|
|
"Thanks, Arabella," said Jude without a smile. "But I don't want
|
|
anything more than I've had." The fact was that her unexpected presence
|
|
there had destroyed at a stroke his momentary taste for strong liquor
|
|
as completely as if it had whisked him back to his milk-fed infancy.
|
|
|
|
"That's a pity, now you could get it for nothing."
|
|
|
|
"How long have you been here?"
|
|
|
|
"About six weeks. I returned from Sydney three months ago.
|
|
I always liked this business, you know."
|
|
|
|
"I wonder you came to this place!"
|
|
|
|
"Well, as I say, I thought you were gone to glory, and being in London
|
|
I saw the situation in an advertisement. Nobody was likely to know
|
|
me here, even if I had minded, for I was never in Christminster
|
|
in my growing up."
|
|
|
|
"Why did you return from Australia?"
|
|
|
|
"Oh, I had my reasons.... Then you are not a don yet?"
|
|
|
|
"No."
|
|
|
|
"Not even a reverend?"
|
|
|
|
"No."
|
|
|
|
"Nor so much as a rather reverend dissenting gentleman?"
|
|
|
|
"I am as I was."
|
|
|
|
"True--you look so." She idly allowed her fingers to rest on
|
|
the pull of the beer-engine as she inspected him critically.
|
|
He observed that her hands were smaller and whiter than when he
|
|
had lived with her, and that on the hand which pulled the engine she
|
|
wore an ornamental ring set with what seemed to be real sapphires--
|
|
which they were, indeed, and were much admired as such by the young men
|
|
who frequented the bar.
|
|
|
|
"So you pass as having a living husband," he continued.
|
|
|
|
"Yes. I thought it might be awkward if I called myself a widow,
|
|
as I should have liked."
|
|
|
|
"True. I am known here a little."
|
|
|
|
"I didn't mean on that account--for as I said I didn't expect you.
|
|
It was for other reasons."
|
|
|
|
"What were they?"
|
|
|
|
"I don't care to go into them," she replied evasively. "I make
|
|
a very good living, and I don't know that I want your company."
|
|
|
|
Here a chappie with no chin, and a moustache like a lady's eyebrow,
|
|
came and asked for a curiously compounded drink, and Arabella was
|
|
obliged to go and attend to him. "We can't talk here," she said,
|
|
stepping back a moment. "Can't you wait till nine? Say yes,
|
|
and don't be a fool. I can get off duty two hours sooner than usual,
|
|
if I ask. I am not living in the house at present."
|
|
|
|
He reflected and said gloomily, "I'll come back. I suppose we'd
|
|
better arrange something."
|
|
|
|
"Oh, bother arranging! I'm not going to arrange anything!"
|
|
|
|
"But I must know a thing or two; and, as you say, we can't talk here.
|
|
Very well; I'll call for you."
|
|
|
|
Depositing his unemptied glass he went out and walked up and down
|
|
the street. Here was a rude flounce into the pellucid sentimentality
|
|
of his sad attachment to Sue. Though Arabella's word was
|
|
absolutely untrustworthy, he thought there might be some truth in her
|
|
implication that she had not wished to disturb him, and had really
|
|
supposed him dead. However, there was only one thing now to be done,
|
|
and that was to play a straightforward part, the law being the law,
|
|
and the woman between whom and himself there was no more unity than
|
|
between east and west being in the eye of the Church one person with him.
|
|
|
|
Having to meet Arabella here, it was impossible to meet Sue at
|
|
Alfredston as he had promised. At every thought of this a pang
|
|
had gone through him; but the conjuncture could not be helped.
|
|
Arabella was perhaps an intended intervention to punish him for his
|
|
unauthorized love. Passing the evening, therefore, in a desultory
|
|
waiting about the town wherein he avoided the precincts of every
|
|
cloister and hall, because he could not bear to behold them, he repaired
|
|
to the tavern bar while the hundred and one strokes were resounding
|
|
from the Great Bell of Cardinal College, a coincidence which seemed
|
|
to him gratuitous irony. The inn was now brilliantly lighted up,
|
|
and the scene was altogether more brisk and gay. The faces of the
|
|
barmaidens had risen in colour, each having a pink flush on her cheek;
|
|
their manners were still more vivacious than before--more abandoned,
|
|
more excited, more sensuous, and they expressed their sentiments
|
|
and desires less euphemistically, laughing in a lackadaisical tone,
|
|
without reserve.
|
|
|
|
The bar had been crowded with men of all sorts during the previous hour,
|
|
and he had heard from without the hubbub of their voices;
|
|
but the customers were fewer at last. He nodded to Arabella,
|
|
and told her that she would find him outside the door when she
|
|
came away.
|
|
|
|
"But you must have something with me first," she said with great good humour.
|
|
"Just an early night-cap: I always do. Then you can go out and wait
|
|
a minute, as it is best we should not be seen going together."
|
|
She drew a couple of liqueur glasses of brandy; and though she
|
|
had evidently, from her countenance, already taken in enough
|
|
alcohol either by drinking or, more probably, from the atmosphere
|
|
she had breathed for so many hours, she finished hers quickly.
|
|
He also drank his, and went outside the house.
|
|
|
|
In a few minutes she came, in a thick jacket and a hat with a
|
|
black feather. "l live quite near," she said, taking his arm,
|
|
"and can let myself in by a latch-key at any time. What arrangement
|
|
do you want to come to?"
|
|
|
|
"Oh--none in particular," he answered, thoroughly sick and tired,
|
|
his thoughts again reverting to Alfredston, and the train he did
|
|
not go by; the probable disappointment of Sue that he was not
|
|
there when she arrived, and the missed pleasure of her company on
|
|
the long and lonely climb by starlight up the hills to Marygreen.
|
|
"l ought to have gone back really! My aunt is on her deathbed,
|
|
I fear."
|
|
|
|
"I'll go over with you to-morrow morning. I think I could get
|
|
a day off."
|
|
|
|
There was something particularly uncongenial in the idea of Arabella,
|
|
who had no more sympathy than a tigress with his relations or him,
|
|
coming to the bedside of his dying aunt, and meeting Sue. Yet he said,
|
|
"Of course, if you'd like to, you can."
|
|
|
|
"Well, that we'll consider.... Now, until we have come to some
|
|
agreement it is awkward our being together here--where you are known,
|
|
and I am getting known, though without any suspicion that I have
|
|
anything to do with you. As we are going towards the station,
|
|
suppose we take the nine-forty train to Aldbrickham? We shall
|
|
be there in little more than half an hour, and nobody will know
|
|
us for one night, and we shall be quite free to act as we choose
|
|
till we have made up our minds whether we'll make anything public
|
|
or not."
|
|
|
|
"As you like."
|
|
|
|
"Then wait till I get two or three things. This is my lodging.
|
|
Sometimes when late I sleep at the hotel where I am engaged, so nobody
|
|
will think anything of my staying out."
|
|
|
|
She speedily returned, and they went on to the railway, and made
|
|
the half-hour's journey to Aldbrickham, where they entered
|
|
a third-rate inn near the station in time for a late supper.
|
|
|
|
IX
|
|
|
|
ON the morrow between nine and half-past they were journeying
|
|
back to Christminster, the only two occupants of a compartment
|
|
in a third-class railway-carriage. Having, like Jude, made rather
|
|
a hasty toilet to catch the train, Arabella looked a little frowsy,
|
|
and her face was very far from possessing the animation which had
|
|
characterized it at the bar the night before. When they came
|
|
out of the station she found that she still had half an hour
|
|
to spare before she was due at the bar. They walked in silence
|
|
a little way out of the town in the direction of Alfredston.
|
|
Jude looked up the far highway.
|
|
|
|
"Ah ... poor feeble me!" he murmured at last.
|
|
|
|
"What?" said she.
|
|
|
|
"This is the very road by which I came into Christminster years
|
|
ago full of plans!"
|
|
|
|
"Well, whatever the road is I think my time is nearly up, as I
|
|
have to be in the bar by eleven o'clock. And as I said, I shan't
|
|
ask for the day to go with you to see your aunt. So perhaps we
|
|
had better part here. I'd sooner not walk up Chief Street with you,
|
|
since we've come to no conclusion at all."
|
|
|
|
"Very well. But you said when we were getting up this morning
|
|
that you had something you wished to tell me before I left?"
|
|
|
|
"So I had--two things--one in particular. But you wouldn't
|
|
promise to keep it a secret. I'll tell you now if you promise?
|
|
As an honest woman I wish you to know it.... It was what I began
|
|
telling you in the night--about that gentleman who managed
|
|
the Sydney hotel." Arabella spoke somewhat hurriedly for her.
|
|
"You'll keep it close?"
|
|
|
|
"Yes--yes--I promise!" said Jude impatiently. "Of course I don't
|
|
want to reveal your secrets."
|
|
|
|
"Whenever I met him out for a walk, he used to say that he was
|
|
much taken with my looks, and he kept pressing me to marry him.
|
|
I never thought of coming back to England again; and being out there
|
|
in Australia, with no home of my own after leaving my father,
|
|
I at last agreed, and did."
|
|
|
|
"What--marry him?"
|
|
|
|
"Yes."
|
|
|
|
"Regularly--legally--in church?"
|
|
|
|
"Yes. And lived with him till shortly before I left. It was stupid,
|
|
I know; but I did! There, now I've told you. Don't round upon me!
|
|
He talks of coming back to England, poor old chap. But if he does,
|
|
he won't be likely to find me."
|
|
|
|
Jude stood pale and fixed.
|
|
|
|
"Why the devil didn't you tell me last, night!" he said.
|
|
|
|
"Well--I didn't.... Won't you make it up with me, then?"
|
|
|
|
"So in talking of 'your husband' to the bar gentlemen you meant him,
|
|
of course--not me!"
|
|
|
|
"Of course.... Come, don't fuss about it."
|
|
|
|
"I have nothing more to say!" replied Jude. "I have nothing
|
|
at all to say about the--crime--you've confessed to!"
|
|
|
|
"Crime! Pooh. They don't think much of such as that over there!
|
|
Lots of 'em do it.... Well, if you take it like that I shall go back
|
|
to him! He was very fond of me, and we lived honourable enough,
|
|
and as respectable as any married couple in the colony! How did I know
|
|
where you were?"
|
|
|
|
"I won't go blaming you. I could say a good deal; but perhaps it
|
|
would be misplaced. What do you wish me to do?"
|
|
|
|
"Nothing. There was one thing more I wanted to tell you;
|
|
but I fancy we've seen enough of one another for the present!
|
|
I shall think over what you said about your circumstances, and let
|
|
you know."
|
|
|
|
Thus they parted. Jude watched her disappear in the direction of the hotel,
|
|
and entered the railway station close by. Finding that it wanted
|
|
three-quarters of an hour of the time at which he could get a train
|
|
back to Alfredston, he strolled mechanically into the city as far
|
|
as to the Fourways, where he stood as he had so often stood before,
|
|
and surveyed Chief Street stretching ahead, with its college after college,
|
|
in picturesqueness unrivalled except by such Continental vistas
|
|
as the Street of Palaces in Genoa; the lines of the buildings being
|
|
as distinct in the morning air as in an architectural drawing.
|
|
But Jude was far from seeing or criticizing these things;
|
|
they were hidden by an indescribable consciousness of Arabella's
|
|
midnight contiguity, a sense of degradation at his revived
|
|
experiences with her, of her appearance as she lay asleep at dawn,
|
|
which set upon his motionless face a look as of one accurst.
|
|
If he could only have felt resentment towards her he would have been
|
|
less unhappy; but he pitied while he contemned her.
|
|
|
|
Jude turned and retraced his steps. Drawing again towards the station he
|
|
started at hearing his name pronounced--less at the name than at the voice.
|
|
To his great surprise no other than Sue stood like a vision before him--
|
|
her look bodeful and anxious as in a dream, her little mouth nervous,
|
|
and her strained eyes speaking reproachful inquiry.
|
|
|
|
"Oh, Jude--I am so glad--to meet you like this!" she said in quick,
|
|
uneven accents not far from a sob. Then she flushed as she observed
|
|
his thought that they had not met since her marriage.
|
|
|
|
They looked away from each other to hide their emotion,
|
|
took each other's hand without further speech, and went on
|
|
together awhile, till she glanced at him with furtive solicitude.
|
|
"I arrived at Alfredston station last night, as you asked me to,
|
|
and there was nobody to meet me! But I reached Marygreen alone,
|
|
and they told me Aunt was a trifle better. I sat up with her,
|
|
and as you did not come all night I was frightened about you--
|
|
I thought that perhaps, when you found yourself back in the old city,
|
|
you were upset at--at thinking I was--married, and not there as I
|
|
used to be; and that you had nobody to speak to; so you had tried
|
|
to drown your gloom--as you did at that former time when you were
|
|
disappointed about entering as a student, and had forgotten your
|
|
promise to me that you never would again. And this, I thought,
|
|
was why you hadn't come to meet me!"
|
|
|
|
"And you came to hunt me up, and deliver me, like a good angel!"
|
|
|
|
"I thought I would come by the morning train and try to find you--
|
|
in case--in case----"
|
|
|
|
"I did think of my promise to you, dear, continually! I shall
|
|
never break out again as I did, I am sure. I may have been doing
|
|
nothing better, but I was not doing that--I loathe the thought
|
|
of it."
|
|
|
|
"I am glad your staying had nothing to do with that. But," she said,
|
|
the faintest pout entering into her tone, "you didn't come back
|
|
last night and meet me, as you engaged to!"
|
|
|
|
"I didn't--I am sorry to say. I had an appointment at nine o'clock--
|
|
too late for me to catch the train that would have met yours,
|
|
or to get home at all."
|
|
|
|
Looking at his loved one as she appeared to him now, in his
|
|
tender thought the sweetest and most disinterested comrade
|
|
that he had ever had, living largely in vivid imaginings,
|
|
so ethereal a creature that her spirit could be seen trembling
|
|
through her limbs, he felt heartily ashamed of his earthliness
|
|
in spending the hours he had spent in Arabella's company.
|
|
There was something rude and immoral in thrusting these recent facts
|
|
of his life upon the mind of one who, to him, was so uncarnate
|
|
as to seem at times impossible as a human wife to any average man.
|
|
And yet she was Phillotson's. How she had become such, how she
|
|
lived as such, passed his comprehension as he regarded her to-day.
|
|
|
|
"You'll go back with me?" he said. "There's a train just now.
|
|
I wonder how my aunt is by this time.... And so, Sue, you really came
|
|
on my account all this way! At what an early time you must have started,
|
|
poor thing!"
|
|
|
|
"Yes. Sitting up watching alone made me all nerves for you,
|
|
and instead of going to bed when it got light I started.
|
|
And now you won't frighten me like this again about your morals
|
|
for nothing?"
|
|
|
|
He was not so sure that she had been frightened about his morals
|
|
for nothing. He released her hand till they had entered the train,--
|
|
it seemed the same carriage he had lately got out of with another--
|
|
where they sat down side by side, Sue between him and the window.
|
|
He regarded the delicate lines of her profile, and the small, tight,
|
|
applelike convexities of her bodice, so different from Arabella's amplitudes.
|
|
Though she knew he was looking at her she did not turn to him,
|
|
but kept her eyes forward, as if afraid that by meeting his own some
|
|
troublous discussion would be initiated.
|
|
|
|
"Sue--you are married now, you know, like me; and yet we have been
|
|
in such a hurry that we have not said a word about it!"
|
|
|
|
"There's no necessity," she quickly returned.
|
|
|
|
"Oh well--perhaps not.... But I wish"
|
|
|
|
"Jude--don't talk about ME--I wish you wouldn't!" she entreated.
|
|
"It distresses me, rather. Forgive my saying it! ... Where did you
|
|
stay last night?"
|
|
|
|
She had asked the question in perfect innocence, to change the topic.
|
|
He knew that, and said merely, "At an inn," though it would have
|
|
been a relief to tell her of his meeting with an unexpected one.
|
|
But the latter's final announcement of her marriage in Australia
|
|
bewildered him lest what he might say should do his ignorant wife
|
|
an injury.
|
|
|
|
Their talk proceeded but awkwardly till they reached Alfredston.
|
|
That Sue was not as she had been, but was labelled "Phillotson,"
|
|
paralyzed Jude whenever he wanted to commune with her as an individual.
|
|
Yet she seemed unaltered--he could not say why. There remained
|
|
the five-mile extra journey into the country, which it was just
|
|
as easy to walk as to drive, the greater part of it being uphill.
|
|
Jude had never before in his life gone that road with Sue,
|
|
though he had with another. It was now as if he carried a bright
|
|
light which temporarily banished the shady associations of the
|
|
earlier time.
|
|
|
|
Sue talked; but Jude noticed that she still kept the conversation
|
|
from herself. At length he inquired if her husband were well.
|
|
|
|
"O yes," she said. "He is obliged to be in the school all the day,
|
|
or he would have come with me. He is so good and kind that to
|
|
accompany me he would have dismissed the school for once, even against
|
|
his principles--for he is strongly opposed to giving casual holidays--
|
|
only I wouldn't let him. I felt it would be better to come alone.
|
|
Aunt Drusilla, I knew, was so very eccentric; and his being
|
|
almost a stranger to her now would have made it irksome to both.
|
|
Since it turns out that she is hardly conscious I am glad I did not
|
|
ask him."
|
|
|
|
Jude had walked moodily while this praise of Phillotson was being expressed.
|
|
"Mr. Phillotson obliges you in everything, as he ought," he said.
|
|
|
|
"Of course."
|
|
|
|
"You ought to be a happy wife."
|
|
|
|
"And of course I am."
|
|
|
|
"Bride, I might almost have said, as yet. It is not so many weeks
|
|
since I gave you to him, and----"
|
|
|
|
"Yes, I know! I know!" There was something in her face which belied
|
|
her late assuring words, so strictly proper and so lifelessly spoken
|
|
that they might have been taken from a list of model speeches in "The
|
|
Wife's Guide to Conduct." Jude knew the quality of every vibration
|
|
in Sue's voice, could read every symptom of her mental condition;
|
|
and he was convinced that she was unhappy, although she had not been
|
|
a month married. But her rushing away thus from home, to see the last
|
|
of a relative whom she had hardly known in her life, proved nothing;
|
|
for Sue naturally did such things as those.
|
|
|
|
"Well, you have my good wishes now as always, Mrs. Phillotson."
|
|
|
|
She reproached him by a glance.
|
|
|
|
"No, you are not Mrs. Phillotson," murmured Jude. "You are dear,
|
|
free Sue Bridehead, only you don't know it! Wifedom has not yet
|
|
squashed up and digested you in its vast maw as an atom which has
|
|
no further individuality."
|
|
|
|
Sue put on a look of being offended, till she answered, "Nor has
|
|
husbandom you, so far as I can see!"
|
|
|
|
"But it has!" he said, shaking his head sadly.
|
|
|
|
When they reached the lone cottage under the firs, between the Brown
|
|
House and Marygreen, in which Jude and Arabella had lived and quarrelled,
|
|
he turned to look at it. A squalid family lived there now.
|
|
He could not help saying to Sue: "That's the house my wife and I
|
|
occupied the whole of the time we lived together. I brought her home
|
|
to that house."
|
|
|
|
She looked at it. "That to you was what the school-house at Shaston
|
|
is to me."
|
|
|
|
"Yes; but I was not very happy there as you are in yours."
|
|
|
|
She closed her lips in retortive silence, and they walked
|
|
some way till she glanced at him to see how he was taking it.
|
|
"Of course I may have exaggerated your happiness--one never knows,"
|
|
he continued blandly.
|
|
|
|
"Don't think that, Jude, for a moment, even though you may have said
|
|
it to sting me! He's as good to me as a man can be, and gives me
|
|
perfect liberty--which elderly husbands don't do in general.... If
|
|
you think I am not happy because he's too old for me, you are wrong."
|
|
|
|
"I don't think anything against him--to you dear."
|
|
|
|
"And you won't say things to distress me, will you?"
|
|
|
|
"I will not."
|
|
|
|
He said no more, but he knew that, from some cause or other,
|
|
in taking Phillotson as a husband, Sue felt that she had done
|
|
what she ought not to have done.
|
|
|
|
They plunged into the concave field on the other side of which rose
|
|
the village--the field wherein Jude had received a thrashing
|
|
from the farmer many years earlier. On ascending to the village
|
|
and approaching the house they found Mrs. Edlin standing at
|
|
the door, who at sight of them lifted her hands deprecatingly.
|
|
"She's downstairs, if you'll believe me!" cried the widow. "Out o'
|
|
bed she got, and nothing could turn her. What will come o't I do
|
|
not know!"
|
|
|
|
On entering, there indeed by the fireplace sat the old woman,
|
|
wrapped in blankets, and turning upon them a countenance like that
|
|
of Sebastiano's Lazarus. They must have looked their amazement,
|
|
for she said in a hollow voice:
|
|
|
|
"Ah--sceered ye, have I! I wasn't going to bide up there no longer,
|
|
to please nobody! 'Tis more than flesh and blood can bear,
|
|
to be ordered to do this and that by a feller that don't know half
|
|
as well as you do your-self! ... Ah--you'll rue this marrying
|
|
as well as he!" she added, turning to Sue. "All our family do--
|
|
and nearly all everybody else's. You should have done as I did,
|
|
you simpleton! And Phillotson the schoolmaster, of all men!
|
|
What made 'ee marry him?"
|
|
|
|
"What makes most women marry, Aunt?"
|
|
|
|
"Ah! You mean to say you loved the man!"
|
|
|
|
"I don't meant to say anything definite."
|
|
|
|
"Do ye love un?"
|
|
|
|
"Don't ask me, Aunt."
|
|
|
|
"I can mind the man very well. A very civil, honourable liver;
|
|
but Lord!--I don't want to wownd your feelings, but--there be certain
|
|
men here and there that no woman of any niceness can stomach.
|
|
I should have said he was one. I don't say so NOW, since you must ha'
|
|
known better than I--but that's what I SHOULD have said!"
|
|
|
|
Sue jumped up and went out. Jude followed her, and found her
|
|
in the outhouse, crying.
|
|
|
|
"Don't cry, dear!" said Jude in distress. "She means well,
|
|
but is very crusty and queer now, you know."
|
|
|
|
"Oh no--it isn't that!" said Sue, trying to dry her eyes.
|
|
"I don't mind her roughness one bit."
|
|
|
|
"What is it, then?"
|
|
|
|
"It is that what she says is--is true!"
|
|
|
|
"God--what--you don't like him?" asked Jude.
|
|
|
|
"I don't mean that!" she said hastily. "That I ought--perhaps I
|
|
ought not to have married!"
|
|
|
|
He wondered if she had really been going to say that at first.
|
|
They went back, and the subject was smoothed over, and her aunt took
|
|
rather kindly to Sue, telling her that not many young women newly
|
|
married would have come so far to see a sick old crone like her.
|
|
In the afternoon Sue prepared to depart, Jude hiring a neighbour to drive
|
|
her to Alfredston.
|
|
|
|
"I'll go with you to the station, if you'd like?" he said.
|
|
|
|
She would not let him. The man came round with the trap,
|
|
and Jude helped her into it, perhaps with unnecessary attention,
|
|
for she looked at him prohibitively.
|
|
|
|
"I suppose--I may come to see you some day, when I am back again
|
|
at Melchester?" he half-crossly observed.
|
|
|
|
She bent down and said softly: "No, dear--you are not to come yet.
|
|
I don't think you are in a good mood."
|
|
|
|
"Very well," said Jude. "Good-bye!"
|
|
|
|
"Good-bye!" She waved her hand and was gone.
|
|
|
|
"She's right! I won't go!" he murmured.
|
|
|
|
He passed the evening and following days in mortifying by every
|
|
possible means his wish to see her, nearly starving himself in attempts
|
|
to extinguish by fasting his passionate tendency to love her.
|
|
He read sermons on discipline, and hunted up passages in Church
|
|
history that treated of the Ascetics of the second century.
|
|
Before he had returned from Marygreen to Melchester there arrived
|
|
a letter from Arabella. The sight of it revived a stronger feeling
|
|
of self-condemnation for his brief return to her society than for his
|
|
attachment to Sue.
|
|
|
|
The letter, he perceived, bore a London postmark instead of
|
|
the Christminster one. Arabella informed him that a few days
|
|
after their parting in the morning at Christminster, she had been
|
|
surprised by an affectionate letter from her Australian husband,
|
|
formerly manager of the hotel in Sydney. He had come to England
|
|
on purpose to find her; and had taken a free, fully-licensed public,
|
|
in Lambeth, where he wished her to join him in conducting the business,
|
|
which was likely to be a very thriving one, the house being situated
|
|
in an excellent, densely populated, gin-drinking neighbourhood,
|
|
and already doing a trade of 200 pounds a month, which could be
|
|
easily doubled.
|
|
|
|
As he had said that he loved her very much still, and implored her to
|
|
tell him where she was, and as they had only parted in a slight tiff,
|
|
and as her engagement in Christminster was only temporary, she had just
|
|
gone to join him as he urged. She could not help feeling that she
|
|
belonged to him more than to Jude, since she had properly married him,
|
|
and had lived with him much longer than with her first husband.
|
|
In thus wishing Jude good-bye she bore him no ill-will, and trusted
|
|
he would not turn upon her, a weak woman, and inform against her,
|
|
and bring her to ruin now that she had a chance of improving her
|
|
circumstances and leading a genteel life.
|
|
|
|
X
|
|
|
|
JUDE returned to Melchester, which had the questionable
|
|
recommendation of being only a dozen and a half miles from his
|
|
Sue's now permanent residence. At first he felt that this
|
|
nearness was a distinct reason for not going southward at all;
|
|
but Christminster was too sad a place to bear, while the proximity
|
|
of Shaston to Melchester might afford him the glory of worsting the Enemy
|
|
in a close engagement, such as was deliberately sought by the priests
|
|
and virgins of the early Church, who, disdaining an ignominious
|
|
flight from temptation, became even chamber-partners with impunity.
|
|
Jude did not pause to remember that, in the laconic words of the historian,
|
|
"insulted Nature sometimes vindicated her rights" in such circumstances.
|
|
|
|
He now returned with feverish desperation to his study for the priesthood--
|
|
in the recognition that the single-mindedness of his aims, and his
|
|
fidelity to the cause, had been more than questionable of late.
|
|
His passion for Sue troubled his soul; yet his lawful abandonment
|
|
to the society of Arabella for twelve hours seemed instinctively
|
|
a worse thing--even though she had not told him of her Sydney husband
|
|
till afterwards. He had, he verily believed, overcome all tendency
|
|
to fly to liquor--which, indeed, he had never done from taste,
|
|
but merely as an escape from intolerable misery of mind.
|
|
Yet he perceived with despondency that, taken all round,
|
|
he was a man of too many passions to make a good clergyman;
|
|
the utmost he could hope for was that in a life of constant internal
|
|
warfare between flesh and spirit the former might not always
|
|
be victorious.
|
|
|
|
As a hobby, auxiliary to his readings in Divinity, he developed
|
|
his slight skill in church-music and thorough-bass, till he
|
|
could join in part-singing from notation with some accuracy.
|
|
A mile or two from Melchester there was a restored village church,
|
|
to which Jude had originally gone to fix the new columns and capitals.
|
|
By this means he had become acquainted with the organist, and the ultimate
|
|
result was that he joined the choir as a bass voice.
|
|
|
|
He walked out to this parish twice every Sunday, and sometimes
|
|
in the week. One evening about Easter the choir met for practice,
|
|
and a new hymn which Jude had heard of as being by a Wessex
|
|
composer was to be tried and prepared for the following week.
|
|
It turned out to be a strangely emotional composition. As they all
|
|
sang it over and over again its harmonies grew upon Jude, and moved
|
|
him exceedingly.
|
|
|
|
When they had finished he went round to the organist to make inquiries.
|
|
The score was in manuscript, the name of the composer being at the head,
|
|
together with the title of the hymn: "The Foot of the Cross."
|
|
|
|
"Yes," said the organist. "He is a local man. He is a professional
|
|
musician at Kennetbridge--between here and Christminster.
|
|
The vicar knows him. He was brought up and educated in Christminster
|
|
traditions, which accounts for the quality of the piece. I think
|
|
he plays in the large church there, and has a surpliced choir.
|
|
He comes to Melchester sometimes, and once tried to get the cathedral
|
|
organ when the post was vacant. The hymn is getting about everywhere
|
|
this Easter."
|
|
|
|
As he walked humming the air on his way home, Jude fell to musing
|
|
on its composer, and the reasons why he composed it. What a man
|
|
of sympathies he must be! Perplexed and harassed as he himself
|
|
was about Sue and Arabella, and troubled as was his conscience by
|
|
the complication of his position, how he would like to know that man!"
|
|
He of all men would understand my difficulties," said the impulsive Jude.
|
|
If there were any person in the world to choose as a confidant,
|
|
this composer would be the one, for he must have suffered, and throbbed,
|
|
and yearned.
|
|
|
|
In brief, ill as he could afford the time and money for the journey,
|
|
Fawley resolved, like the child that he was, to go to Kennetbridge
|
|
the very next Sunday. He duly started, early in the morning, for it
|
|
was only by a series of crooked railways that he could get to the town.
|
|
About mid-day he reached it, and crossing the bridge into the quaint
|
|
old borough he inquired for the house of the composer.
|
|
|
|
They told him it was a red brick building some little way further on.
|
|
Also that the gentleman himself had just passed along the street not
|
|
five minutes before.
|
|
|
|
"Which way?" asked Jude with alacrity.
|
|
|
|
"Straight along homeward from church."
|
|
|
|
Jude hastened on, and soon had the pleasure of observing a man in a black
|
|
coat and a black slouched felt hat no considerable distance ahead.
|
|
Stretching out his legs yet more widely he stalked after.
|
|
"A hungry soul in pursuit of a full soul!" he said. "I must speak
|
|
to that man!"
|
|
|
|
He could not, however, overtake the musician before he had entered
|
|
his own house, and then arose the question if this were an expedient
|
|
time to call. Whether or not he decided to do so there and then,
|
|
now that he had got here, the distance home being too great for him
|
|
to wait till late in the afternoon. This man of soul would understand
|
|
scant ceremony, and might be quite a perfect adviser in a case
|
|
in which an earthly and illegitimate passion had cunningly obtained
|
|
entrance into his heart through the opening afforded for religion.
|
|
|
|
Jude accordingly rang the bell, and was admitted.
|
|
|
|
The musician came to him in a moment, and being respectably dressed,
|
|
good-looking, and frank in manner, Jude obtained a favourable reception.
|
|
He was nevertheless conscious that there would be a certain awkwardness
|
|
in explaining his errand.
|
|
|
|
"I have been singing in the choir of a little church near Melchester,"
|
|
he said. "And we have this week practised 'The Foot of the Cross,'
|
|
which I understand, sir, that you composed?"
|
|
|
|
"I did--a year or so ago."
|
|
|
|
"I--like it. I think it supremely beautiful!"
|
|
|
|
"Ah well--other people have said so too. Yes, there's money in it,
|
|
if I could only see about getting it published. I have other compositions
|
|
to go with it, too; I wish I could bring them out; for I haven't made
|
|
a five-pound note out of any of them yet. These publishing people--
|
|
they want the copyright of an obscure composer's work, such as mine is,
|
|
for almost less than I should have to pay a person for making,
|
|
a fair manuscript copy of the score. The one you speak of I have
|
|
lent to various friends about here and Melchester, and so it has
|
|
got to be sung a little. But music is a poor staff to lean on--
|
|
I am giving it up entirely. You must go into trade if you want
|
|
to make money nowadays. The wine business is what I am thinking of.
|
|
This is my forthcoming list--it is not issued yet--but you can
|
|
take one."
|
|
|
|
He handed Jude an advertisement list of several pages in booklet shape,
|
|
ornamentally margined with a red line, in which were set forth
|
|
the various clarets, champagnes, ports, sherries, and other wines
|
|
with which he purposed to initiate his new venture. It took Jude
|
|
more than by surprise that the man with the soul was thus and thus;
|
|
and he felt that he could not open up his confidences.
|
|
|
|
They talked a little longer, but constrainedly, for when the musician
|
|
found that Jude was a poor man his manner changed from what it had been
|
|
while Jude's appearance and address deceived him as to his position
|
|
and pursuits. Jude stammered out something about his feelings
|
|
in wishing to congratulate the author on such an exalted composition,
|
|
and took an embarrassed leave.
|
|
|
|
All the way home by the slow Sunday train, sitting in the fireless
|
|
waiting-rooms on this cold spring day, he was depressed enough at
|
|
his simplicity in taking such a journey. But no sooner did he reach
|
|
his Melchester lodging than he found awaiting him a letter which had
|
|
arrived that morning a few minutes after he had left the house.
|
|
It was a contrite little note from Sue, in which she said,
|
|
with sweet humility, that she felt she had been horrid in telling
|
|
him he was not to come to see her, that she despised herself
|
|
for having been so conventional; and that he was to be sure to come
|
|
by the eleven-forty-five train that very Sunday, and have dinner
|
|
with them at half-past one.
|
|
|
|
Jude almost tore his hair at having missed this letter till it
|
|
was too late to act upon its contents; but he had chastened himself
|
|
considerably of late, and at last his chimerical expedition
|
|
to Kennetbridge really did seem to have been another special
|
|
intervention of Providence to keep him away from temptation.
|
|
But a growing impatience of faith, which he had noticed in himself
|
|
more than once of late, made him pass over in ridicule the idea
|
|
that God sent people on fools' errands. He longed to see her;
|
|
he was angry at having missed her: and he wrote instantly,
|
|
telling her what had happened, and saying he had not enough patience
|
|
to wait till the following Sunday, but would come any day in the week
|
|
that she liked to name.
|
|
|
|
Since he wrote a little over-ardently, Sue, as her manner was,
|
|
delayed her reply till Thursday before Good Friday, when she said he
|
|
might come that afternoon if he wished, this being the earliest day
|
|
on which she could welcome him, for she was now assistant-teacher
|
|
in her husband's school. Jude therefore got leave from the cathedral
|
|
works at the trifling expense of a stoppage of pay, and went.
|
|
|
|
Part Fourth
|
|
|
|
AT SHASTON
|
|
|
|
"Whoso prefers either Matrimony or other Ordinance before the Good
|
|
of Man and the plain Exigence of Charity, let him profess Papist,
|
|
or Protestant, or what he will, he is no better than a Pharisee."--
|
|
J. Milton.
|
|
|
|
I
|
|
|
|
SHASTON, the ancient British Palladour,
|
|
|
|
From whose foundation first such strange reports
|
|
arise,
|
|
|
|
(as Drayton sang it), was, and is, in itself the city of a dream.
|
|
Vague imaginings of its castle, its three mints, its magnificent
|
|
apsidal abbey, the chief glory of South Wessex, its twelve churches,
|
|
its shrines, chantries, hospitals, its gabled freestone mansions--
|
|
all now ruthlessly swept away--throw the visitor, even against
|
|
his will, into a pensive melancholy, which the stimulating
|
|
atmosphere and limitless landscape around him can scarcely dispel.
|
|
The spot was the burial-place of a king and a queen, of abbots
|
|
and abbesses, saints and bishops, knights and squires.
|
|
The bones of King Edward "the Martyr," carefully removed hither
|
|
for holy preservation, brought Shaston a renown which made it
|
|
the resort of pilgrims from every part of Europe, and enabled it
|
|
to maintain a reputation extending far beyond English shores.
|
|
To this fair creation of the great Middle-Age the Dissolution was,
|
|
as historians tell us, the death-knell. With the destruction
|
|
of the enormous abbey the whole place collapsed in a general ruin:
|
|
the Martyr's bones met with the fate of the sacred pile that held them,
|
|
and not a stone is now left to tell where they lie.
|
|
|
|
The natural picturesqueness and singularity of the town still remain;
|
|
but strange to say these qualities, which were noted by many writers
|
|
in ages when scenic beauty is said to have been unappreciated,
|
|
are passed over in this, and one of the queerest and quaintest spots
|
|
in England stands virtually unvisited to-day.
|
|
|
|
It has a unique position on the summit of a steep and imposing scarp,
|
|
rising on the north, south, and west sides of the borough out of
|
|
the deep alluvial Vale of Blackmoor, the view from the Castle Green
|
|
over three counties of verdant pasture--South, Mid, and Nether Wessex--
|
|
being as sudden a surprise to the unexpectant traveller's eyes
|
|
as the medicinal air is to his lungs. Impossible to a railway,
|
|
it can best be reached on foot, next best by light vehicles;
|
|
and it is hardly accessible to these but by a sort of isthmus on
|
|
the north-east, that connects it with the high chalk table-land on
|
|
that side.
|
|
|
|
Such is, and such was, the now world-forgotten Shaston or Palladour.
|
|
Its situation rendered water the great want of the town;
|
|
and within living memory, horses, donkeys and men may have been
|
|
seen toiling up the winding ways to the top of the height,
|
|
laden with tubs and barrels filled from the wells beneath the mountain,
|
|
and hawkers retailing their contents at the price of a halfpenny
|
|
a bucketful.
|
|
|
|
This difficulty in the water supply, together with two other
|
|
odd facts, namely, that the chief graveyard slopes up as steeply
|
|
as a roof behind the church, and that in former times the town passed
|
|
through a curious period of corruption, conventual and domestic,
|
|
gave rise to the saying that Shaston was remarkable for three
|
|
consolations to man, such as the world afforded not elsewhere.
|
|
It was a place where the churchyard lay nearer heaven than
|
|
the church steeple, where beer was more plentiful than water,
|
|
and where there were more wanton women than honest wives and maids.
|
|
It is also said that after the Middle Ages the inhabitants were too
|
|
poor to pay their priests, and hence were compelled to pull down
|
|
their churches, and refrain altogether from the public worship of God;
|
|
a necessity which they bemoaned over their cups in the settles
|
|
of their inns on Sunday afternoons. In those days the Shastonians
|
|
were apparently not without a sense of humour.
|
|
|
|
There was another peculiarity--this a modern one--which Shaston appeared
|
|
to owe to its site. It was the resting-place and headquarters of
|
|
the proprietors of wandering vans, shows, shooting-galleries, and other
|
|
itinerant concerns, whose business lay largely at fairs and markets.
|
|
As strange wild birds are seen assembled on some lofty promontory,
|
|
meditatively pausing for longer flights, or to return by the course
|
|
they followed thither, so here, in this cliff-town, stood in stultified
|
|
silence the yellow and green caravans bearing names not local,
|
|
as if surprised by a change in the landscape so violent as to hinder
|
|
their further progress; and here they usually remained all the winter
|
|
till they turned to seek again their old tracks in the following spring.
|
|
|
|
It was to this breezy and whimsical spot that Jude ascended from
|
|
the nearest station for the first time in his life about four
|
|
o'clock one afternoon, and entering on the summit of the peak
|
|
after a toilsome climb, passed the first houses of the aerial town;
|
|
and drew towards the school-house. The hour was too early;
|
|
the pupils were still in school, humming small, like a swarm of gnats;
|
|
and he withdrew a few steps along Abbey Walk, whence he regarded the spot
|
|
which fate had made the home of all he loved best in the world.
|
|
In front of the schools, which were extensive and stone-built,
|
|
grew two enormous beeches with smooth mouse-coloured trunks,
|
|
as such trees will only grow on chalk uplands. Within the mullioned
|
|
and transomed windows he could see the black, brown, and flaxen crowns
|
|
of the scholars over the sills, and to pass the time away he walked
|
|
down to the level terrace where the abbey gardens once had spread,
|
|
his heart throbbing in spite of him.
|
|
|
|
Unwilling to enter till the children were dismissed he remained
|
|
here till young voices could be heard in the open air,
|
|
and girls in white pinafores over red and blue frocks appeared
|
|
dancing along the paths which the abbess, prioress, subprioress,
|
|
and fifty nuns had demurely paced three centuries earlier.
|
|
Retracing his steps he found that he had waited too long, and that
|
|
Sue had gone out into the town at the heels of the last scholar,
|
|
Mr. Phillotson having been absent all the afternoon at a teachers'
|
|
meeting at Shottsford.
|
|
|
|
Jude went into the empty schoolroom and sat down, the girl who
|
|
was sweeping the floor having informed him that Mrs. Phillotson
|
|
would be back again in a few minutes. A piano stood near--
|
|
actually the old piano that Phillotson had possessed at Marygreen--
|
|
and though the dark afternoon almost prevented him seeing the notes
|
|
Jude touched them in his humble way, and could not help modulating
|
|
into the hymn which had so affected him in the previous week.
|
|
|
|
A figure moved behind him, and thinking it was still the girl
|
|
with the broom Jude took no notice, till the person came close
|
|
and laid her fingers lightly upon his bass hand. The imposed
|
|
hand was a little one he seemed to know, and he turned.
|
|
|
|
"Don't stop," said Sue. "I like it. I learnt it before
|
|
I left Melchester. They used to play it in the training school."
|
|
|
|
"I can't strum before you! Play it for me."
|
|
|
|
"Oh well--I don't mind."
|
|
|
|
Sue sat down, and her rendering of the piece, though not remarkable,
|
|
seemed divine as compared with his own. She, like him,
|
|
was evidently touched--to her own surprise--by the recalled air;
|
|
and when she had finished, and he moved his hand towards hers,
|
|
it met his own half-way. Jude grasped it--just as he had done before
|
|
her marriage.
|
|
|
|
"It is odd," she said, in a voice quite changed, "that I should care
|
|
about that air; because----"
|
|
|
|
"Because what?"
|
|
|
|
"I am not that sort--quite."
|
|
|
|
"Not easily moved?"
|
|
|
|
"I didn't quite mean that."
|
|
|
|
"Oh, but you ARE one of that sort, for you are just like me at heart!"
|
|
|
|
"But not at head."
|
|
|
|
She played on and suddenly turned round; and by an unpremeditated
|
|
instinct each clasped the other's hand again.
|
|
|
|
She uttered a forced little laugh as she relinquished his quickly.
|
|
"How funny!" she said. "I wonder what we both did that for?"
|
|
|
|
"I suppose because we are both alike, as I said before."
|
|
|
|
"Not in our thoughts! Perhaps a little in our feelings."
|
|
|
|
"And they rule thoughts.... Isn't it enough to make one blaspheme
|
|
that the composer of that hymn is one of the most commonplace men
|
|
I ever met!"
|
|
|
|
"What--you know him?"
|
|
|
|
"I went to see him."
|
|
|
|
"Oh, you goose--to do just what I should have done! Why did you?"
|
|
|
|
"Because we are not alike," he said drily.
|
|
|
|
"Now we'll have some tea," said Sue. "Shall we have it here
|
|
instead of in my house? It is no trouble to get the kettle
|
|
and things brought in. We don't live at the school you know,
|
|
but in that ancient dwelling across the way called Old-Grove Place.
|
|
It is so antique and dismal that it depresses me dreadfully.
|
|
Such houses are very well to visit, but not to live in--I feel crushed
|
|
into the earth by the weight of so many previous lives there spent.
|
|
In a new place like these schools there is only your own life to support.
|
|
Sit down, and I'll tell Ada to bring the tea-things across."
|
|
|
|
He waited in the light of the stove, the door of which she flung
|
|
open before going out, and when she returned, followed by the maiden
|
|
with tea, they sat down by the same light, assisted by the blue
|
|
rays of a spirit-lamp under the brass kettle on the stand.
|
|
|
|
"This is one of your wedding-presents to me," she said,
|
|
signifying the latter.
|
|
|
|
"Yes," said Jude.
|
|
|
|
The kettle of his gift sang with some satire in its note, to his mind;
|
|
and to change the subject he said, "Do you know of any good
|
|
readable edition of the uncanonical books of the New Testament?
|
|
You don't read them in the school I suppose?"
|
|
|
|
"Oh dear no!--'twould alarm the neighbourhood.... Yes, there is one.
|
|
I am not familiar with it now, though I was interested in it when my
|
|
former friend was alive. Cowper's APOCRYPHAL GOSPELS."
|
|
|
|
"That sounds like what I want." His thoughts, however reverted
|
|
with a twinge to the "former friend"--by whom she meant, as he knew,
|
|
the university comrade of her earlier days. He wondered if she
|
|
talked of him to Phillotson.
|
|
|
|
"The Gospel of Nicodemus is very nice," she went on to keep him from
|
|
his jealous thoughts, which she read clearly, as she always did.
|
|
Indeed when they talked on an indifferent subject, as now,
|
|
there was ever a second silent conversation passing between
|
|
their emotions, so perfect was the reciprocity between them.
|
|
"It is quite like the genuine article. All cut up into verses, too;
|
|
so that it is like one of the other evangelists read in a dream,
|
|
when things are the same, yet not the same. But, Jude, do you
|
|
take an interest in those questions still? Are you getting
|
|
up APOLOGETICA?"
|
|
|
|
"Yes. I am reading Divinity harder than ever."
|
|
|
|
She regarded him curiously.
|
|
|
|
"Why do you look at me like that?" said Jude.
|
|
|
|
"Oh--why do you want to know?"
|
|
|
|
"I am sure you can tell me anything I may be ignorant of in that subject.
|
|
You must have learnt a lot of everything from your dear dead friend!"
|
|
|
|
"We won't get on to that now!" she coaxed. "Will you be carving
|
|
out at that church again next week, where you learnt the pretty hymn?"
|
|
|
|
"Yes, perhaps."
|
|
|
|
"That will be very nice. Shall I come and see you there?
|
|
It is in this direction, and I could come any afternoon by train
|
|
for half an hour?"
|
|
|
|
"No. Don't come!"
|
|
|
|
"What--aren't we going to be friends, then, any longer, as we used
|
|
to be?"
|
|
|
|
"No."
|
|
|
|
"I didn't know that. I thought you were always going to be kind
|
|
to me!"
|
|
|
|
"No, I am not."
|
|
|
|
"What have I done, then? I am sure I thought we two----
|
|
" The TREMOLO in her voice caused her to break off.
|
|
|
|
"Sue, I sometimes think you are a flirt," said he abruptly.
|
|
|
|
There was a momentary pause, till she suddenly jumped up; and to
|
|
his surprise he saw by the kettle-flame that her face was flushed.
|
|
|
|
"I can't talk to you any longer, Jude!" she said, the tragic
|
|
contralto note having come back as of old. "It is getting too dark
|
|
to stay together like this, after playing morbid Good Friday tunes
|
|
that make one feel what one shouldn't! ... We mustn't sit and talk
|
|
in this way any more. Yes--you must go away, for you mistake me!
|
|
I am very much the reverse of what you say so cruelly--Oh, Jude, it WAS
|
|
cruel to say that! Yet I can't tell you the truth--I should shock
|
|
you by letting you know how I give way to my impulses, and how much
|
|
I feel that I shouldn't have been provided with attractiveness
|
|
unless it were meant to be exercised! Some women's love of being
|
|
loved is insatiable; and so, often, is their love of loving;
|
|
and in the last case they may find that they can't give it continuously
|
|
to the chamber-officer appointed by the bishop's licence to receive it.
|
|
But you are so straightforward, Jude, that you can't understand me!
|
|
... Now you must go. I am sorry my husband is not at home."
|
|
|
|
"Are you?"
|
|
|
|
"I perceive I have said that in mere convention! Honestly I don't
|
|
think I am sorry. It does not matter, either way, sad to say!"
|
|
|
|
As they had overdone the grasp of hands some time sooner,
|
|
she touched his fingers but lightly when he went out now.
|
|
He had hardly gone from the door when, with a dissatisfied look,
|
|
she jumped on a form and opened the iron casement of a window beneath
|
|
which he was passing in the path without. "When do you leave here
|
|
to catch your train, Jude?" she asked.
|
|
|
|
He looked up in some surprise. "The coach that runs to meet it
|
|
goes in three-quarters of an hour or so."
|
|
|
|
"What will you do with yourself for the time?"
|
|
|
|
"Oh--wander about, I suppose. Perhaps I shall go and sit
|
|
in the old church."
|
|
|
|
"It does seem hard of me to pack you off so! You have thought enough
|
|
of churches, Heaven knows, without going into one in the dark.
|
|
Stay there."
|
|
|
|
"Where?"
|
|
|
|
"Where you are. I can talk to you better like this than when you
|
|
were inside.... It was so kind and tender of you to give up half
|
|
a day's work to come to see me! ... You are Joseph the dreamer
|
|
of dreams, dear Jude. And a tragic Don Quixote. And sometimes
|
|
you are St. Stephen, who, while they were stoning him, could see
|
|
Heaven opened. Oh, my poor friend and comrade, you'll suffer yet!"
|
|
|
|
Now that the high window-sill was between them, so that he could
|
|
not get at her, she seemed not to mind indulging in a frankness
|
|
she had feared at close quarters.
|
|
|
|
"I have been thinking," she continued, still in the tone of one
|
|
brimful of feeling, "that the social moulds civilization fits us
|
|
into have no more relation to our actual shapes than the conventional
|
|
shapes of the constellations have to the real star-patterns. I am
|
|
called Mrs. Richard Phillotson, living a calm wedded life with my
|
|
counterpart of that name. But I am not really Mrs. Richard Phillotson,
|
|
but a woman tossed about, all alone, with aberrant passions,
|
|
and unaccountable antipathies.... Now you mustn't wait longer,
|
|
or you will lose the coach. Come and see me again. You must come
|
|
to the house then."
|
|
|
|
"Yes!" said Jude. "When shall it be?"
|
|
|
|
"To-morrow week. Good-bye--good-bye!" She stretched out her hand
|
|
and stroked his forehead pitifully--just once. Jude said good-bye,
|
|
and went away into the darkness.
|
|
|
|
Passing along Bimport Street he thought he heard the wheels
|
|
of the coach departing, and, truly enough, when he reached
|
|
the Duke's Arms in the Market Place the coach had gone.
|
|
It was impossible for him to get to the station on foot in time
|
|
for this train, and he settled himself perforce to wait for the next--
|
|
the last to Melchester that night.
|
|
|
|
He wandered about awhile, obtained something to eat; and then,
|
|
having another half-hour on his hands, his feet involuntarily
|
|
took him through the venerable graveyard of Trinity Church,
|
|
with its avenues of limes, in the direction of the schools again.
|
|
They were entirely in darkness. She had said she lived over the way
|
|
at Old-Grove Place, a house which he soon discovered from her description
|
|
of its antiquity.
|
|
|
|
A glimmering candlelight shone from a front window, the shutters
|
|
being yet unclosed. He could see the interior clearly--
|
|
the floor sinking a couple of steps below the road without,
|
|
which had become raised during the centuries since the house
|
|
was built. Sue, evidently just come in, as standing with her hat
|
|
on in this front parlour or sitting-room, whose walls were lined
|
|
with wainscoting of panelled oak reaching from floor to ceiling,
|
|
the latter being crossed by huge moulded beams only a little way
|
|
above her head. The mantelpiece was of the same heavy description,
|
|
carved with Jacobean pilasters and scroll-work. The centuries did,
|
|
indeed, ponderously overhang a young wife who passed her time here.
|
|
|
|
She had opened a rosewood work-box, and was looking at a photograph.
|
|
Having contemplated it a little while she pressed it against her bosom,
|
|
and put it again in its place.
|
|
|
|
Then becoming aware that she had not obscured the windows she came
|
|
forward to do so, candle in hand. It was too dark for her to see
|
|
Jude without, but he could see her face distinctly, and there
|
|
was an unmistakable tearfulness about the dark, long-lashed eyes.
|
|
|
|
She closed the shutters, and Jude turned away to pursue his solitary
|
|
journey home. "Whose photograph was she looking at?" he said.
|
|
He had once given her his; but she had others, he knew. Yet it
|
|
was his, surely?
|
|
|
|
He knew he should go to see her again, according to her invitation.
|
|
Those earnest men he read of, the saints, whom Sue, with gentle
|
|
irreverence, called his demi-gods, would have shunned such
|
|
encounters if they doubted their own strength. But he could not.
|
|
He might fast and pray during the whole interval, but the human
|
|
was more powerful in him than the Divine.
|
|
|
|
II
|
|
|
|
HOWEVER, if God disposed not, woman did. The next morning but one
|
|
brought him this note from her:
|
|
|
|
Don't come next week. On your own account don't! We were too free,
|
|
under the influence of that morbid hymn and the twilight.
|
|
Think no more than you can help of
|
|
SUSANNA FLORENCE MARY.
|
|
|
|
The disappointment was keen. He knew her mood, the look
|
|
of her face, when she subscribed herself at length thus.
|
|
But whatever her mood he could not say she was wrong in her view.
|
|
He replied:
|
|
|
|
I acquiesce. You are right. It is a lesson in renunciation which I
|
|
suppose I ought to learn at this season.
|
|
JUDE
|
|
|
|
He despatched the note on Easter Eve, and there seemed a finality in
|
|
their decisions. But other forces and laws than theirs were in operation.
|
|
On Easter Monday morning he received a message from the Widow Edlin,
|
|
whom he had directed to telegraph if anything serious happened:
|
|
|
|
Your aunt is sinking. Come at once.
|
|
|
|
He threw down his tools and went. Three and a half hours later he
|
|
was crossing the downs about Marygreen, and presently plunged into
|
|
the concave field across which the short cut was made to the village.
|
|
As he ascended on the other side a labouring man, who had been
|
|
watching his approach from a gate across the path, moved uneasily,
|
|
and prepared to speak. "I can see in his face that she is dead,"
|
|
said Jude. "Poor Aunt Drusilla!"
|
|
|
|
It was as he had supposed, and Mrs. Edlin had sent out the man
|
|
to break the news to him.
|
|
|
|
"She wouldn't have knowed 'ee. She lay like a doll wi' glass eyes;
|
|
so it didn't matter that you wasn't here," said he.
|
|
|
|
Jude went on to the house, and in the afternoon, when everything
|
|
was done, and the layers-out had finished their beer, and gone,
|
|
he sat down alone in the silent place. It was absolutely necessary
|
|
to communicate with Sue, though two or three days earlier they had
|
|
agreed to mutual severance. He wrote in the briefest terms:
|
|
|
|
Aunt Drusilla is dead, having been taken almost suddenly.
|
|
The funeral is on Friday afternoon.
|
|
|
|
He remained in and about Marygreen through the intervening days,
|
|
went out on Friday morning to see that the grave was finished,
|
|
and wondered if Sue would come. She had not written, and that seemed
|
|
to signify rather that she would come than that she would not.
|
|
Having timed her by her only possible train, he locked the door
|
|
about mid-day, and crossed the hollow field to the verge of the upland
|
|
by the Brown House, where he stood and looked over the vast prospect
|
|
northwards, and over the nearer landscape in which Alfredston stood.
|
|
Two miles behind it a jet of white steam was travelling from the left
|
|
to the right of the picture.
|
|
|
|
There was a long time to wait, even now, till he would know if she
|
|
had arrived. He did wait, however, and at last a small hired
|
|
vehicle pulled up at the bottom of the hill, and a person alighted,
|
|
the conveyance going back, while the passenger began ascending the hill.
|
|
He knew her; and she looked so slender to-day that it seemed as if
|
|
she might be crushed in the intensity of a too passionate embrace--
|
|
such as it was not for him to give. Two-thirds of the way up her
|
|
head suddenly took a solicitous poise, and he knew that she had at
|
|
that moment recognized him. Her face soon began a pensive smile,
|
|
which lasted till, having descended a little way, he met her.
|
|
|
|
"I thought," she began with nervous quickness, "that it would be so sad
|
|
to let you attend the funeral alone! And so--at the last moment--
|
|
I came."
|
|
|
|
"Dear faithful Sue!" murmured Jude.
|
|
|
|
With the elusiveness of her curious double nature, however, Sue did
|
|
not stand still for any further greeting, though it wanted some time
|
|
to the burial. A pathos so unusually compounded as that which
|
|
attached to this hour was unlikely to repeat itself for years,
|
|
if ever, and Jude would have paused, and meditated, and conversed.
|
|
But Sue either saw it not at all, or, seeing it more than he,
|
|
would not allow herself to feel it.
|
|
|
|
The sad and simple ceremony was soon over, their progress
|
|
to the church being almost at a trot, the bustling undertaker
|
|
having a more important funeral an hour later, three miles off.
|
|
Drusilla was put into the new ground, quite away from her ancestors.
|
|
Sue and Jude had gone side by side to the grave, and now sat down
|
|
to tea in the familiar house; their lives united at least in this
|
|
last attention to the dead.
|
|
|
|
"She was opposed to marriage, from first to last, you say?"
|
|
murmured Sue.
|
|
|
|
"Yes. Particularly for members of our family."
|
|
|
|
Her eyes met his, and remained on him awhile.
|
|
|
|
"We are rather a sad family, don't you think, Jude?"
|
|
|
|
"She said we made bad husbands and wives. Certainly we make unhappy ones.
|
|
At all events, I do, for one!"
|
|
|
|
Sue was silent. "Is it wrong, Jude," she said with a tentative tremor,
|
|
"for a husband or wife to tell a third person that they are unhappy
|
|
in their marriage? If a marriage ceremony is a religious thing,
|
|
it is possibly wrong; but if it is only a sordid contract,
|
|
based on material convenience in householding, rating, and taxing,
|
|
and the inheritance of land and money by children, making it
|
|
necessary that the male parent should be known--which it seems to be--
|
|
why surely a person may say, even proclaim upon the housetops, that it
|
|
hurts and grieves him or her?"
|
|
|
|
"I have said so, anyhow, to you."
|
|
|
|
Presently she went on: "Are there many couples, do you think,
|
|
where one dislikes the other for no definite fault?"
|
|
|
|
"Yes, I suppose. If either cares for another person, for instance."
|
|
|
|
"But even apart from that? Wouldn't the woman, for example,
|
|
be very bad-natured if she didn't like to live with her husband;
|
|
merely"--her voice undulated, and he guessed things--"merely
|
|
because she had a personal feeling against it--a physical objection--
|
|
a fastidiousness, or whatever it may be called--although she
|
|
might respect and be grateful to him? I am merely putting a case.
|
|
Ought she to try to overcome her pruderies?"
|
|
|
|
Jude threw a troubled look at her. He said, looking away:
|
|
"It would be just one of those cases in which my experiences
|
|
go contrary to my dogmas. Speaking as an order-loving man--
|
|
which I hope I am, though I fear I am not--I should say, yes.
|
|
Speaking from experience and unbiased nature, I should say, no.... Sue,
|
|
I believe you are not happy!"
|
|
|
|
"Of course I am!" she contradicted. "How can a woman be unhappy
|
|
who has only been married eight weeks to a man she chose freely?"
|
|
|
|
"'Chose freely!'"
|
|
|
|
"Why do you repeat it? ... But I have to go back by the six o'clock train.
|
|
You will be staying on here, I suppose?"
|
|
|
|
"For a few days to wind up Aunt's affairs. This house is gone now.
|
|
Shall I go to the train with you?"
|
|
|
|
A little laugh of objection came from Sue. "I think not.
|
|
You may come part of the way."
|
|
|
|
"But stop--you can't go to-night! That train won't take you to Shaston.
|
|
You must stay and go back to-morrow. Mrs. Edlin has plenty of room,
|
|
if you don't like to stay here?"
|
|
|
|
"Very well," she said dubiously. "I didn't tell him I would come
|
|
for certain."
|
|
|
|
Jude went to the widow's house adjoining, to let her know;
|
|
and returning in a few minutes sat down again.
|
|
|
|
"It is horrible how we are circumstanced, Sue--horrible!"
|
|
he said abruptly, with his eyes bent to the floor.
|
|
|
|
"No! Why?"
|
|
|
|
"I can't tell you all my part of the gloom. Your part is that you
|
|
ought not to have married him. I saw it before you had done it,
|
|
but I thought I mustn't interfere. I was wrong. I ought to have!"
|
|
|
|
"But what makes you assume all this, dear?"
|
|
|
|
"Because--I can see you through your feathers, my poor little bird!"
|
|
|
|
Her hand lay on the table, and Jude put his upon it. Sue drew
|
|
hers away.
|
|
|
|
"That's absurd, Sue," cried he, "after what we've been talking about!
|
|
I am more strict and formal than you, if it comes to that;
|
|
and that you should object to such an innocent action shows that you
|
|
are ridiculously inconsistent!"
|
|
|
|
"Perhaps it was too prudish," she said repentantly. "Only I have
|
|
fancied it was a sort of trick of ours--too frequent perhaps.
|
|
There, you may hold it as much as you like. Is that good of me?"
|
|
|
|
"Yes; very."
|
|
|
|
"But I must tell him."
|
|
|
|
"Who?"
|
|
|
|
"Richard."
|
|
|
|
"Oh--of course, if you think it necessary. But as it means nothing
|
|
it may be bothering him needlessly."
|
|
|
|
"Well--are you sure you mean it only as my cousin?"
|
|
|
|
"Absolutely sure. I have no feelings of love left in me."
|
|
|
|
"That's news. How has it come to be?"
|
|
|
|
"I've seen Arabella."
|
|
|
|
She winced at the hit; then said curiously, "When did you see her?"
|
|
|
|
"When I was at Christminster."
|
|
|
|
"So she's come back; and you never told me! I suppose you will live
|
|
with her now?"
|
|
|
|
"Of course--just as you live with your husband."
|
|
|
|
She looked at the window pots with the geraniums and cactuses,
|
|
withered for want of attention, and through them at the outer distance,
|
|
till her eyes began to grow moist. "What is it?" said Jude,
|
|
in a softened tone.
|
|
|
|
"Why should you be so glad to go back to her if--if what you
|
|
used to say to me is still true--I mean if it were true then!
|
|
Of course it is not now! How could your heart go back to Arabella
|
|
so soon?"
|
|
|
|
"A special Providence, I suppose, helped it on its way."
|
|
|
|
"Ah--it isn't true!" she said with gentle resentment. "You are
|
|
teasing me--that's all--because you think I am not happy!"
|
|
|
|
"I don't know. I don't wish to know."
|
|
|
|
"If I were unhappy it would be my fault, my wickedness;
|
|
not that I should have a right to dislike him! He is considerate
|
|
to me in everything; and he is very interesting, from the amount
|
|
of general knowledge he has acquired by reading everything that
|
|
comes in his way.... Do you think, Jude, that a man ought to marry
|
|
a woman his own age, or one younger than himself--eighteen years--
|
|
as I am than he?"
|
|
|
|
"It depends upon what they feel for each other."
|
|
|
|
He gave her no opportunity of self-satisfaction, and she had to go
|
|
on unaided, which she did in a vanquished tone, verging on tears:
|
|
|
|
"I--I think I must be equally honest with you as you have been with me.
|
|
Perhaps you have seen what it is I want to say?--that though I
|
|
like Mr. Phillotson as a friend, I don't like him--it is a torture
|
|
to me to--live with him as a husband!--There, now I have let it out--
|
|
I couldn't help it, although I have been--pretending I am happy.--
|
|
Now you'll have a contempt for me for ever, I suppose!"
|
|
She bent down her face upon her hands as they lay upon the cloth,
|
|
and silently sobbed in little jerks that made the fragile three-legged
|
|
table quiver.
|
|
|
|
"I have only been married a month or two!" she went on, still remaining
|
|
bent upon the table, and sobbing into her hands. "And it is said
|
|
that what a woman shrinks from--in the early days of her marriage--
|
|
she shakes down to with comfortable indifference in half a dozen years.
|
|
But that is much like saying that the amputation of a limb is
|
|
no affliction, since a person gets comfortably accustomed to the use
|
|
of a wooden leg or arm in the course of time!"
|
|
|
|
Jude could hardly speak, but he said, "I thought there
|
|
was something wrong, Sue! Oh, I thought there was!"
|
|
|
|
"But it is not as you think!--there is nothing wrong except my own wickedness,
|
|
I suppose you'd call it--a repugnance on my part, for a reason I
|
|
cannot disclose, and what would not be admitted as one by the world
|
|
in general! ... What tortures me so much is the necessity of being
|
|
responsive to this man whenever he wishes, good as he is morally!--
|
|
the dreadful contract to feel in a particular way in a matter
|
|
whose essence is its voluntariness! ... I wish he would beat me,
|
|
or be faithless to me, or do some open thing that I could talk
|
|
about as a justification for feeling as I do! But he does nothing,
|
|
except that he has grown a little cold since he has found out how I feel.
|
|
That's why he didn't come to the funeral.... Oh, I am very miserable--
|
|
I don't know what to do! ... Don't come near me, Jude, because you
|
|
mustn't. Don't--don't!"
|
|
|
|
But he had jumped up and put his face against hers--or rather
|
|
against her ear, her face being inaccessible.
|
|
|
|
"I told you not to, Jude!"
|
|
|
|
"I know you did--I only wish to--console you! It all arose through
|
|
my being married before we met, didn't it? You would have been
|
|
my wife, Sue, wouldn't you, if it hadn't been for that?"
|
|
|
|
Instead of replying she rose quickly, and saying she was going
|
|
to walk to her aunt's grave in the churchyard to recover herself,
|
|
went out of the house. Jude did not follow her. Twenty minutes
|
|
later he saw her cross the village green towards Mrs. Edlin's,
|
|
and soon she sent a little girl to fetch her bag, and tell him she
|
|
was too tired to see him again that night.
|
|
|
|
In the lonely room of his aunt's house, Jude sat watching the cottage
|
|
of the Widow Edlin as it disappeared behind the night shade.
|
|
He knew that Sue was sitting within its walls equally lonely
|
|
and disheartened; and again questioned his devotional motto that all
|
|
was for the best.
|
|
|
|
He retired to rest early, but his sleep was fitful from the sense
|
|
that Sue was so near at hand. At some time near two o'clock, when he
|
|
was beginning to sleep more soundly, he was aroused by a shrill
|
|
squeak that had been familiar enough to him when he lived regularly
|
|
at Marygreen. It was the cry of a rabbit caught in a gin.
|
|
As was the little creature's habit, it did not soon repeat its cry;
|
|
and probably would not do so more than once or twice; but would
|
|
remain bearing its torture till the morrow when the trapper would
|
|
come and knock it on the head.
|
|
|
|
He who in his childhood had saved the lives of the earthworms now
|
|
began to picture the agonies of the rabbit from its lacerated leg.
|
|
If it were a "bad catch" by the hind-leg, the animal would tug during
|
|
the ensuing six hours till the iron teeth of the trap had stripped
|
|
the leg-bone of its flesh, when, should a weak-springed instrument
|
|
enable it to escape, it would die in the fields from the mortification
|
|
of the limb. If it were a "good catch," namely, by the fore-leg,
|
|
the bone would be broken and the limb nearly torn in two in attempts
|
|
at an impossible escape.
|
|
|
|
Almost half an hour passed, and the rabbit repeated its cry.
|
|
Jude could rest no longer till he had put it out of its pain,
|
|
so dressing himself quickly he descended, and by the light
|
|
of the moon went across the green in the direction of the sound.
|
|
He reached the hedge bordering the widow's garden, when he stood still.
|
|
The faint click of the trap as dragged about by the writhing animal
|
|
guided him now, and reaching the spot he struck the rabbit on the back
|
|
of the neck with the side of his palm, and it stretched itself
|
|
out dead.
|
|
|
|
He was turning away when he saw a woman looking out of the open
|
|
casement at a window on the ground floor of the adjacent cottage.
|
|
"Jude!" said a voice timidly--Sue's voice. "It is you--
|
|
is it not?"
|
|
|
|
"Yes, dear!"
|
|
|
|
"I haven't been able to sleep at all, and then I heard the rabbit,
|
|
and couldn't help thinking of what it suffered, till I felt I
|
|
must come down and kill it! But I am so glad you got there
|
|
first.... They ought not to be allowed to set these steel traps,
|
|
ought they!"
|
|
|
|
Jude had reached the window, which was quite a low one, so that she
|
|
was visible down to her waist. She let go the casement-stay and put
|
|
her hand upon his, her moonlit face regarding him wistfully.
|
|
|
|
"Did it keep you awake?" he said.
|
|
|
|
"No--I was awake."
|
|
|
|
"How was that?"
|
|
|
|
"Oh, you know--now! I know you, with your religious doctrines,
|
|
think that a married woman in trouble of a kind like mine commits
|
|
a mortal sin in making a man the confidant of it, as I did you.
|
|
I wish I hadn't, now!"
|
|
|
|
"Don't wish it, dear," he said. "That may have BEEN my view;
|
|
but my doctrines and I begin to part company."
|
|
|
|
"I knew it--I knew it! And that's why I vowed I wouldn't disturb
|
|
your belief. But--I am SO GLAD to see you!--and, oh, I didn't
|
|
mean to see you again, now the last tie between us, Aunt Drusilla,
|
|
is dead!"
|
|
|
|
Jude seized her hand and kissed it. "There is a stronger one left!"
|
|
he said. "I'll never care about my doctrines or my religion any more!
|
|
Let them go! Let me help you, even if I do love you, and even if you
|
|
..."
|
|
|
|
"Don't say it!--I know what you mean; but I can't admit so much as that.
|
|
There! Guess what you like, but don't press me to answer questions!"
|
|
|
|
"I wish you were happy, whatever I may be!"
|
|
|
|
"I CAN'T be! So few could enter into my feeling--they would say
|
|
'twas my fanciful fastidiousness, or something of that sort,
|
|
and condemn me.... It is none of the natural tragedies of love that's
|
|
love's usual tragedy in civilized life, but a tragedy artificially
|
|
manufactured for people who in a natural state would find relief
|
|
in parting! ... It would have been wrong, perhaps, for me to tell
|
|
my distress to you, if I had been able to tell it to anybody else.
|
|
But I have nobody. And I MUST tell somebody! Jude, before I
|
|
married him I had never thought out fully what marriage meant,
|
|
even though I knew. It was idiotic of me--there is no excuse.
|
|
I was old enough, and I thought I was very experienced.
|
|
So I rushed on, when I had got into that training school scrape,
|
|
with all the cock-sureness of the fool that I was! ... I am certain
|
|
one ought to be allowed to undo what one had done so ignorantly!
|
|
I daresay it happens to lots of women, only they submit, and I kick....
|
|
When people of a later age look back upon the barbarous customs and
|
|
superstitions of the times that we have the unhappiness to live in,
|
|
what WILL they say!"
|
|
|
|
"You are very bitter, darling Sue! How I wish--I wish----"
|
|
|
|
"You must go in now!"
|
|
|
|
In a moment of impulse she bent over the sill, and laid her face upon
|
|
his hair, weeping, and then imprinting a scarcely perceptible little
|
|
kiss upon the top of his head, withdrawing quickly, so that he could
|
|
not put his arms round her, as otherwise he unquestionably would
|
|
have done. She shut the casement, and he returned to his cottage.
|
|
|
|
III
|
|
|
|
SUE'S distressful confession recurred to Jude's mind all the night
|
|
as being a sorrow indeed.
|
|
|
|
The morning after, when it was time for her to go, the neighbours
|
|
saw her companion and herself disappearing on foot down the hill
|
|
path which led into the lonely road to Alfredston. An hour
|
|
passed before he returned along the same route, and in his face
|
|
there was a look of exaltation not unmixed with recklessness.
|
|
An incident had occurred.
|
|
|
|
They had stood parting in the silent highway, and their tense and
|
|
passionate moods had led to bewildered inquiries of each other on
|
|
how far their intimacy ought to go; till they had almost quarrelled,
|
|
and she said tearfully that it was hardly proper of him as a parson
|
|
in embryo to think of such a thing as kissing her even in farewell
|
|
as he now wished to do. Then she had conceded that the fact of
|
|
the kiss would be nothing: all would depend upon the spirit of it.
|
|
If given in the spirit of a cousin and a friend she saw no objection:
|
|
if in the spirit of a lover she could not permit it. "Will you swear
|
|
that it will not be in that spirit?" she had said.
|
|
|
|
No: he would not. And then they had turned from each other
|
|
in estrangement, and gone their several ways, till at a distance
|
|
of twenty or thirty yards both had looked round simultaneously.
|
|
That look behind was fatal to the reserve hitherto more
|
|
or less maintained. They had quickly run back, and met,
|
|
and embracing most unpremeditatedly, kissed close and long.
|
|
When they parted for good it was with flushed cheeks on her side,
|
|
and a beating heart on his.
|
|
|
|
The kiss was a turning-point in Jude's career. Back again
|
|
in the cottage, and left to reflection, he saw one thing:
|
|
that though his kiss of that aerial being had seemed the purest
|
|
moment of his faultful life, as long as he nourished this unlicensed
|
|
tenderness it was glaringly inconsistent for him to pursue the idea
|
|
of becoming the soldier and servant of a religion in which sexual love
|
|
was regarded as at its best a frailty, and at its worst damnation.
|
|
What Sue had said in warmth was really the cold truth. When to
|
|
defend his affection tooth and nail, to persist with headlong force
|
|
in impassioned attentions to her, was all he thought of, he was
|
|
condemned IPSO FACTO as a professor of the accepted school of morals.
|
|
He was as unfit, obviously, by nature, as he had been by social position,
|
|
to fill the part of a propounder of accredited dogma.
|
|
|
|
Strange that his first aspiration--towards academical proficiency--
|
|
had been checked by a woman, and that his second aspiration--
|
|
towards apostleship--had also been checked by a woman. "Is it,"
|
|
he said, "that the women are to blame; or is it the artificial system
|
|
of things, under which the normal sex-impulses are turned into devilish
|
|
domestic gins and springs to noose and hold back those who want
|
|
to progress?"
|
|
|
|
It had been his standing desire to become a prophet, however humble,
|
|
to his struggling fellow-creatures, without any thought of personal gain.
|
|
Yet with a wife living away from him with another husband,
|
|
and himself in love erratically, the loved one's revolt against
|
|
her state being possibly on his account, he had sunk to be barely
|
|
respectable according to regulation views.
|
|
|
|
It was not for him to consider further: he had only to confront
|
|
the obvious, which was that he had made himself quite an impostor
|
|
as a law-abiding religious teacher.
|
|
|
|
At dusk that evening he went into the garden and dug a shallow hole,
|
|
to which he brought out all the theological and ethical works
|
|
that he possessed, and had stored here. He knew that, in this
|
|
country of true believers, most of them were not saleable at a much
|
|
higher price than waste-paper value, and preferred to get rid
|
|
of them in his own way, even if he should sacrifice a little money
|
|
to the sentiment of thus destroying them. Lighting some loose
|
|
pamphlets to begin with, he cut the volumes into pieces as well as
|
|
he could, and with a three-pronged fork shook them over the flames.
|
|
They kindled, and lighted up the back of the house, the pigsty,
|
|
and his own face, till they were more or less consumed.
|
|
|
|
Though he was almost a stranger here now, passing cottagers talked
|
|
to him over the garden hedge.
|
|
|
|
"Burning up your awld aunt's rubbidge, I suppose? Ay; a lot gets
|
|
heaped up in nooks and corners when you've lived eighty years
|
|
in one house."
|
|
|
|
It was nearly one o'clock in the morning before the leaves, covers,
|
|
and binding of Jeremy Taylor, Butler, Doddridge, Paley, Pusey,
|
|
Newman and the rest had gone to ashes, but the night was quiet,
|
|
and as he turned and turned the paper shreds with the fork,
|
|
the sense of being no longer a hypocrite to himself afforded his mind
|
|
a relief which gave him calm. He might go on believing as before,
|
|
but he professed nothing, and no longer owned and exhibited engines
|
|
of faith which, as their proprietor, he might naturally be supposed
|
|
to exercise on himself first of all. In his passion for Sue he
|
|
could not stand as an ordinary sinner, and not as a whited sepulchre.
|
|
|
|
Meanwhile Sue, after parting from him earlier in the day,
|
|
had gone along to the station, with tears in her eyes for having
|
|
run back and let him kiss her. Jude ought not to have pretended
|
|
that he was not a lover, and made her give way to an impulse
|
|
to act unconventionally, if not wrongly. She was inclined to call
|
|
it the latter; for Sue's logic was extraordinarily compounded,
|
|
and seemed to maintain that before a thing was done it might be right
|
|
to do, but that being done it became wrong; or, in other words,
|
|
that things which were right in theory were wrong in practice.
|
|
|
|
"I have been too weak, I think!" she jerked out as she pranced on,
|
|
shaking down tear-drops now and then. "It was burning,
|
|
like a lover's--oh, it was! And I won't write to him any more,
|
|
or at least for a long time, to impress him with my dignity!
|
|
And I hope it will hurt him very much--expecting a letter
|
|
to-morrow morning, and the next, and the next, and no letter coming.
|
|
He'll suffer then with suspense--won't he, that's all!--and I am
|
|
very glad of it!"--Tears of pity for Jude's approaching sufferings
|
|
at her hands mingled with those which had surged up in pity
|
|
for herself.
|
|
|
|
Then the slim little wife or a husband whose person was
|
|
disagreeable to her, the ethereal, fine-nerved, sensitive girl,
|
|
quite unfitted by temperament and instinct to fulfil the conditions
|
|
of the matrimonial relation with Phillotson, possibly with scarce
|
|
any man, walked fitfully along, and panted, and brought weariness
|
|
into her eyes by gazing and worrying hopelessly.
|
|
|
|
Phillotson met her at the arrival station, and, seeing that she
|
|
was troubled, thought it must be owing to the depressing effect
|
|
of her aunt's death and funeral. He began telling her of his
|
|
day's doings, and how his friend Gillingham, a neighbouring
|
|
schoolmaster whom he had not seen for years, had called upon him.
|
|
While ascending to the town, seated on the top of the omnibus
|
|
beside him, she said suddenly and with an air of self-chastisement,
|
|
regarding the white road and its bordering bushes of hazel:
|
|
|
|
"Richard--I let Mr. Fawley hold my hand a long while. I don't know
|
|
whether you think it wrong?"
|
|
|
|
He, waking apparently from thoughts of far different mould,
|
|
said vaguely, "Oh, did you? What did you do that for?"
|
|
|
|
"I don't know. He wanted to, and I let him."
|
|
|
|
"I hope it pleased him. I should think it was hardly a novelty."
|
|
|
|
They lapsed into silence. Had this been a case in the court of an
|
|
omniscient judge, he might have entered on his notes the curious
|
|
fact that Sue had placed the minor for the major indiscretion,
|
|
and had not said a word about the kiss.
|
|
|
|
After tea that evening Phillotson sat balancing the school registers.
|
|
She remained in an unusually silent, tense, and restless condition,
|
|
and at last, saying she was tired, went to bed early.
|
|
When Phillotson arrived upstairs, weary with the drudgery of the
|
|
attendance-numbers, it was a quarter to twelve o'clock. Entering
|
|
their chamber, which by day commanded a view of some thirty or forty
|
|
miles over the Vale of Blackmoor, and even into Outer Wessex,
|
|
he went to the window, and, pressing his face against the pane,
|
|
gazed with hard-breathing fixity into the mysterious darkness
|
|
which now covered the far-reaching scene. He was musing, "I think,"
|
|
he said at last, without turning his head, "that I must get the committee
|
|
to change the school-stationer. All the copybooks are sent wrong
|
|
this time."
|
|
|
|
There was no reply. Thinking Sue was dozing he went on:
|
|
|
|
"And there must be a rearrangement of that ventilator in the class-room.
|
|
The wind blows down upon my head unmercifully and gives me the ear-ache."
|
|
|
|
As the silence seemed more absolute than ordinarily he turned round.
|
|
The heavy, gloomy oak wainscot, which extended over the walls
|
|
upstairs and down in the dilapidated "Old-Grove Place,"
|
|
and the massive chimney-piece reaching to the ceiling,
|
|
stood in odd contrast to the new and shining brass bedstead,
|
|
and the new suite of birch furniture that he had bought for her,
|
|
the two styles seeming to nod to each other across three centuries
|
|
upon the shaking floor.
|
|
|
|
"Soo!" he said (this being the way in which he pronounced her name).
|
|
|
|
She was not in the bed, though she had apparently been there--
|
|
the clothes on her side being flung back. Thinking she might have
|
|
forgotten some kitchen detail and gone downstairs for a moment
|
|
to see to it, he pulled off his coat and idled quietly enough
|
|
for a few minutes, when, finding she did not come, he went out upon
|
|
the landing, candle in hand, and said again "Soo!"
|
|
|
|
"Yes!" came back to him in her voice, from the distant kitchen quarter.
|
|
|
|
"What are you doing down there at midnight--tiring yourself
|
|
out for nothing!"
|
|
|
|
"I am not sleepy; I am reading; and there is a larger fire here."
|
|
|
|
He went to bed. Some time in the night he awoke. She was not there,
|
|
even now. Lighting a candle he hastily stepped out upon the landing,
|
|
and again called her name.
|
|
|
|
She answered "Yes!" as before, but the tones were small and confined,
|
|
and whence they came he could not at first understand.
|
|
Under the staircase was a large clothes-closet, without a window;
|
|
they seemed to come from it. The door was shut, but there was no
|
|
lock or other fastening. Phillotson, alarmed, went towards it,
|
|
wondering if she had suddenly become deranged.
|
|
|
|
"What are you doing in there?" he asked.
|
|
|
|
"Not to disturb you I came here, as it was so late."
|
|
|
|
"But there's no bed, is there? And no ventilation! Why, you'll be
|
|
suffocated if you stay all night!"
|
|
|
|
"Oh no, I think not. Don't trouble about me."
|
|
|
|
"But--" Phillotson seized the knob and pulled at the door.
|
|
She had fastened it inside with a piece of string, which broke
|
|
at his pull. There being no bedstead she had flung down some rugs
|
|
and made a little nest for herself in the very cramped quarters
|
|
the closet afforded.
|
|
|
|
When he looked in upon her she sprang out of her lair,
|
|
great-eyed and trembling.
|
|
|
|
"You ought not to have pulled open the door!" she cried excitedly.
|
|
"It is not becoming in you! Oh, will you go away; please will you!"
|
|
|
|
She looked so pitiful and pleading in her white nightgown
|
|
against the shadowy lumber-hole that he was quite worried.
|
|
She continued to beseech him not to disturb her.
|
|
|
|
He said: "I've been kind to you, and given you every liberty;
|
|
and it is monstrous that you should feel in this way!"
|
|
|
|
"Yes," said she, weeping. "I know that! It is wrong and wicked of me,
|
|
I suppose! I am very sorry. But it is not I altogether that am
|
|
to blame!"
|
|
|
|
"Who is then? Am l?"
|
|
|
|
"No--I don't know! The universe, I suppose--things in general,
|
|
because they are so horrid and cruel!"
|
|
|
|
"Well, it is no use talking like that. Making a man's house so
|
|
unseemly at this time o' night! Eliza will hear if we don't mind."
|
|
(He meant the servant.) "Just think if either of the parsons in this
|
|
town was to see us now! I hate such eccentricities, Sue. There's no
|
|
order or regularity in your sentiments! ... But I won't intrude on
|
|
you further; only I would advise you not to shut the door too tight,
|
|
or I shall find you stifled to-morrow."
|
|
|
|
On rising the next morning he immediately looked into the closet,
|
|
but Sue had already gone downstairs. There was a little nest
|
|
where she had lain, and spiders' webs hung overhead. "What must
|
|
a woman's aversion be when it is stronger than her fear of spiders!"
|
|
he said bitterly.
|
|
|
|
He found her sitting at the breakfast-table, and the meal began
|
|
almost in silence, the burghers walking past upon the pavement--
|
|
or rather roadway, pavements being scarce here--which was
|
|
two or three feet above the level of the parlour floor.
|
|
They nodded down to the happy couple their morning greetings,
|
|
as they went on.
|
|
|
|
"Richard," she said all at once; "would you mind my living away
|
|
from you?"
|
|
|
|
"Away from me? Why, that's what you were doing when I married you.
|
|
What then was the meaning of marrying at all?"
|
|
|
|
"You wouldn't like me any the better for telling you."
|
|
|
|
"I don't object to know."
|
|
|
|
"Because I thought I could do nothing else. You had got my
|
|
promise a long time before that, remember. Then, as time went on,
|
|
I regretted I had promised you, and was trying to see an honourable
|
|
way to break it off. But as I couldn't I became rather reckless
|
|
and careless about the conventions. Then you know what scandals
|
|
were spread, and how I was turned out of the training school you
|
|
had taken such time and trouble to prepare me for and get me into;
|
|
and this frightened me and it seemed then that the one thing I
|
|
could do would be to let the engagement stand. Of course I,
|
|
of all people, ought not to have cared what was said, for it was
|
|
just what I fancied I never did care for. But I was a coward--
|
|
as so many women are--and my theoretic unconventionality broke down.
|
|
If that had not entered into the case it would have been better to
|
|
have hurt your feelings once for all then, than to marry you and hurt
|
|
them all my life after.... And you were so generous in never giving
|
|
credit for a moment to the rumour."
|
|
|
|
"I am bound in honesty to tell you that I weighed its probability
|
|
and inquired of your cousin about it."
|
|
|
|
"Ah!" she said with pained surprise.
|
|
|
|
"I didn't doubt you."
|
|
|
|
"But you inquired!"
|
|
|
|
"I took his word."
|
|
|
|
Her eyes had filled. "HE wouldn't have inquired!" she said.
|
|
"But you haven't answered me. Will you let me go away?
|
|
I know how irregular it is of me to ask it----"
|
|
|
|
"It is irregular."
|
|
|
|
"But I do ask it! Domestic laws should be made according
|
|
to temperaments, which should be classified. If people
|
|
are at all peculiar in character they have to suffer
|
|
from the very rules that produce comfort in others! ... Will you let me?"
|
|
|
|
"But we married"
|
|
|
|
"What is the use of thinking of laws and ordinances," she burst out,
|
|
"if they make you miserable when you know you are committing
|
|
no sin?"
|
|
|
|
"But you are committing a sin in not liking me."
|
|
|
|
"I DO like you! But I didn't reflect it would be--that it would
|
|
be so much more than that.... For a man and woman to live on intimate
|
|
terms when one feels as I do is adultery, in any circumstances,
|
|
however legal. There--I've said it! ... Will you let me, Richard?"
|
|
|
|
"You distress me, Susanna, by such importunity!"
|
|
|
|
"Why can't we agree to free each other? We made the compact,
|
|
and surely we can cancel it--not legally of course; but we can morally,
|
|
especially as no new interests, in the shape of children,
|
|
have arisen to be looked after. Then we might be friends, and meet
|
|
without pain to either. Oh Richard, be my friend and have pity!
|
|
We shall both be dead in a few years, and then what will it matter
|
|
to anybody that you relieved me from constraint for a little while?
|
|
I daresay you think me eccentric, or super-sensitive, or
|
|
something absurd. Well--why should I suffer for what I was born to be,
|
|
if it doesn't hurt other people?"
|
|
|
|
"But it does--it hurts me! And you vowed to love me."
|
|
|
|
"Yes--that's it! I am in the wrong. I always am! It is as culpable
|
|
to bind yourself to love always as to believe a creed always,
|
|
and as silly as to vow always to like a particular food or drink!"
|
|
|
|
"And do you mean, by living away from me, living by yourself?"
|
|
|
|
"Well, if you insisted, yes. But I meant living with Jude."
|
|
|
|
"As his wife?"
|
|
|
|
"As I choose."
|
|
|
|
Phillotson writhed.
|
|
|
|
Sue continued: "She, or he, 'who lets the world, or his own portion
|
|
of it, choose his plan of life for him, has no need of any other
|
|
faculty than the apelike one of imitation.' J. S. Mill's words,
|
|
those are. I have been reading it up. Why can't you act upon them?
|
|
I wish to, always."
|
|
|
|
"What do I care about J. S. Mill!" moaned he. "I only want to lead
|
|
a quiet life! Do you mind my saying that I have guessed what never
|
|
once occurred to me before our marriage--that you were in love,
|
|
and are in love, with Jude Fawley!"
|
|
|
|
"You may go on guessing that I am, since you have begun.
|
|
But do you suppose that if I had been I should have asked you to let
|
|
me go and live with him?"
|
|
|
|
The ringing of the school bell saved Phillotson from the necessity
|
|
of replying at present to what apparently did not strike him
|
|
as being such a convincing ARGUMENTUM AD VERECUNDIAM as she,
|
|
in her loss of courage at the last moment, meant it to appear.
|
|
She was beginning to be so puzzling and unstateable that he was ready
|
|
to throw in with her other little peculiarities the extremest request
|
|
which a wife could make.
|
|
|
|
They proceeded to the schools that morning as usual, Sue entering
|
|
the class-room, where he could see the back of her head through
|
|
the glass partition whenever he turned his eyes that way.
|
|
As he went on giving and hearing lessons his forehead and eyebrows
|
|
twitched from concentrated agitation of thought, till at length he
|
|
tore a scrap from a sheet of scribbling paper and wrote:
|
|
|
|
Your request prevents my attending to work at all. I don't know
|
|
what I am doing! Was it seriously made?
|
|
|
|
He folded the piece of paper very small, and gave it to a little
|
|
boy to take to Sue. The child toddled off into the class-room.
|
|
Phillotson saw his wife turn and take the note, and the bend
|
|
of her pretty head as she read it, her lips slightly crisped,
|
|
to prevent undue expression under fire of so many young eyes.
|
|
He could not see her hands, but she changed her position, and soon
|
|
the child returned, bringing nothing in reply. In a few minutes, however,
|
|
one of Sue's class appeared, with a little note similar to his own.
|
|
These words only were pencilled therein:
|
|
|
|
I am sincerely sorry to say that it was seriously made.
|
|
|
|
Phillotson looked more disturbed than before, and the meeting-place
|
|
of his brows twitched again. In ten minutes he called up the child
|
|
he had just sent to her, and dispatched another missive:
|
|
|
|
God knows I don't want to thwart you in any reasonable way.
|
|
My whole thought is to make you comfortable and happy. But I
|
|
cannot agree to such a preposterous notion as your going to live
|
|
with your lover. You would lose everybody's respect and regard;
|
|
and so should I!
|
|
|
|
After an interval a similar part was enacted in the class-room,
|
|
and an answer came:
|
|
|
|
I know you mean my good. But I don't want to be respectable!
|
|
To produce "Human development in its richest diversity"
|
|
(to quote your Humboldt) is to my mind far above respectability.
|
|
No doubt my tastes are low--in your view--hopelessly low! If you
|
|
won t let me go to him, will you grant me this one request--allow me
|
|
to live in your house in a separate way?
|
|
|
|
To this he returned no answer.
|
|
|
|
She wrote again:
|
|
|
|
I know what you think. But cannot you have pity on me? I beg you to;
|
|
I implore you to be merciful! I would not ask if I were not almost
|
|
compelled by what I can't bear! No poor woman has ever wished more than I
|
|
that Eve had not fallen, so that (as the primitive Christians believed)
|
|
some harmless mode of vegetation might have peopled Paradise.
|
|
But I won't trifle! Be kind to me--even though I have not been
|
|
kind to you! I will go away, go abroad, anywhere, and never
|
|
trouble you.
|
|
|
|
Nearly an hour passed, and then he returned an answer:
|
|
|
|
I do not wish to pain you. How well you KNOW I don't! Give me
|
|
a little time. I am disposed to agree to your last request.
|
|
|
|
One line from her:
|
|
|
|
Thank you from my heart, Richard. I do not deserve your kindness.
|
|
|
|
All day Phillotson bent a dazed regard upon her through
|
|
the glazed partition; and he felt as lonely as when he had not known her.
|
|
|
|
But he was as good as his word, and consented to her living
|
|
apart in the house. At first, when they met at meals,
|
|
she had seemed more composed under the new arrangement;
|
|
but the irksomeness of their position worked on her temperament,
|
|
and the fibres of her nature seemed strained like harp-strings.
|
|
She talked vaguely and indiscriminately to prevent his talking pertinently.
|
|
|
|
IV
|
|
|
|
PHILLOTSON was sitting up late, as was often his custom, trying to get
|
|
together the materials for his long-neglected hobby of Roman antiquities.
|
|
For the first time since reviving the subject he felt a return
|
|
of his old interest in it. He forgot time and place, and when he
|
|
remembered himself and ascended to rest it was nearly two o'clock.
|
|
|
|
His preoccupation was such that, though he now slept on the other side
|
|
of the house, he mechanically went to the room that he and his wife
|
|
had occupied when he first became a tenant of Old-Grove Place,
|
|
which since his differences with Sue had been hers exclusively.
|
|
He entered, and unconsciously began to undress.
|
|
|
|
There was a cry from the bed, and a quick movement.
|
|
Before the schoolmaster had realized where he was he perceived Sue
|
|
starting up half-awake, staring wildly, and springing out upon
|
|
the floor on the side away from him, which was towards the window.
|
|
This was somewhat hidden by the canopy of the bedstead, and in a moment
|
|
he heard her flinging up the sash. Before he had thought that she meant
|
|
to do more than get air she had mounted upon the sill and leapt out.
|
|
She disappeared in the darkness, and he heard her fall below.
|
|
|
|
Phillotson, horrified, ran downstairs, striking himself sharply
|
|
against the newel in his haste. Opening the heavy door he ascended
|
|
the two or three steps to the level of the ground, and there
|
|
on the gravel before him lay a white heap. Phillotson seized it
|
|
in his arms, and bringing Sue into the hall seated her on a chair,
|
|
where he gazed at her by the flapping light of the candle which he
|
|
had set down in the draught on the bottom stair.
|
|
|
|
She had certainly not broken her neck. She looked at him with eyes
|
|
that seemed not to take him in; and though not particularly large
|
|
in general they appeared so now.
|
|
|
|
She pressed her side and rubbed her arm, as if conscious of pain;
|
|
then stood up, averting her face, in evident distress at his gaze.
|
|
|
|
"Thank God--you are not killed! Though it's not for want of trying--
|
|
not much hurt I hope?"
|
|
|
|
Her fall, in fact, had not been a serious one, probably owing to the
|
|
lowness of the old rooms and to the high level of the ground without.
|
|
Beyond a scraped elbow and a blow in the side she had apparently
|
|
incurred little harm.
|
|
|
|
"I was asleep, I think!" she began, her pale face still turned away
|
|
from him. "And something frightened me--a terrible dream--I thought
|
|
I saw you--" The actual circumstances seemed to come back to her,
|
|
and she was silent.
|
|
|
|
Her cloak was hanging at the back of the door, and the wretched
|
|
Phillotson flung it round her. "Shall I help you upstairs?"
|
|
he asked drearily; for the significance of all this sickened him
|
|
of himself and of everything.
|
|
|
|
"No thank you, Richard. I am very little hurt. I can walk."
|
|
|
|
"You ought to lock your door," he mechanically said, as if lecturing
|
|
in school. "Then no one could intrude even by accident."
|
|
|
|
"I have tried--it won't lock. All the doors are out of order."
|
|
|
|
The aspect of things was not improved by her admission.
|
|
She ascended the staircase slowly, the waving light of the candle
|
|
shining on her. Phillotson did not approach her, or attempt to
|
|
ascend himself till he heard her enter her room. Then he fastened
|
|
up the front door, and returning, sat down on the lower stairs,
|
|
holding the newel with one hand, and bowing his face into the other.
|
|
Thus he remained for a long long time--a pitiable object enough
|
|
to one who had seen him; till, raising his head and sighing a sigh
|
|
which seemed to say that the business of his life must be carried on,
|
|
whether he had a wife or no, he took the candle and went upstairs
|
|
to his lonely room on the other side of the landing.
|
|
|
|
No further incident touching the matter between them occurred
|
|
till the following evening, when, immediately school was over,
|
|
Phillotson walked out of Shaston, saying he required no tea,
|
|
and not informing Sue where he was going. He descended from
|
|
the town level by a steep road in a north-westerly direction,
|
|
and continued to move downwards till the soil changed from its white
|
|
dryness to a tough brown clay. He was now on the low alluvial
|
|
beds
|
|
|
|
Where Duncliffe is the traveller's mark,
|
|
And cloty Stour's a-rolling dark.
|
|
|
|
More than once he looked back in the increasing obscurity of evening.
|
|
Against the sky was Shaston, dimly visible
|
|
|
|
On the grey-topp'd height
|
|
Of Paladore, as pale day wore
|
|
Away... [1]
|
|
|
|
The new-lit lights from its windows burnt with a steady shine
|
|
as if watching him, one of which windows was his own. Above it
|
|
he could just discern the pinnacled tower of Trinity Church.
|
|
The air down here, tempered by the thick damp bed of tenacious clay,
|
|
was not as it had been above, but soft and relaxing, so that when he
|
|
had walked a mile or two he was obliged to wipe his face with
|
|
his handkerchief.
|
|
|
|
Leaving Duncliffe Hill on the left he proceeded without hesitation
|
|
through the shade, as a man goes on, night or day, in a district
|
|
over which he has played as a boy. He had walked altogether
|
|
about four and a half miles
|
|
|
|
Where Stour receives her strength,
|
|
From six cleere fountains fed, [2]
|
|
|
|
when he crossed a tributary of the Stour, and reached Leddenton--
|
|
a little town of three or four thousand inhabitants--where he went on
|
|
to the boys' school, and knocked at the door of the master's residence.
|
|
|
|
[1] William Barnes. [2] Drayton.
|
|
|
|
A boy pupil-teacher opened it, and to Phillotson's inquiry if
|
|
Mr. Gillingham was at home replied that he was, going at once off to
|
|
his own house, and leaving Phillotson to find his way in as he could.
|
|
He discovered his friend putting away some books from which he
|
|
had been giving evening lessons. The light of the paraffin lamp
|
|
fell on Phillotson's face--pale and wretched by contrast with his
|
|
friend's, who had a cool, practical look. They had been schoolmates
|
|
in boyhood, and fellow-students at Wintoncester Training College,
|
|
many years before this time.
|
|
|
|
"Glad to see you, Dick! But you don't look well? Nothing the matter?"
|
|
|
|
Phillotson advanced without replying, and Gillingham closed
|
|
the cupboard and pulled up beside his visitor.
|
|
|
|
"Why you haven't been here--let me see--since you were married?
|
|
I called, you know, but you were out; and upon my word it is such
|
|
a climb after dark that I have been waiting till the days are longer
|
|
before lumpering up again. I am glad you didn't wait, however."
|
|
|
|
Though well-trained and even proficient masters, they occasionally
|
|
used a dialect-word of their boyhood to each other in private.
|
|
|
|
"I've come, George, to explain to you my reasons for taking a step
|
|
that I am about to take, so that you, at least, will understand
|
|
my motives if other people question them anywhen--as they may,
|
|
indeed certainly will.... But anything is better than the present
|
|
condition of things God forbid that you should ever have such an
|
|
experience as mine!"
|
|
|
|
"Sit down. You don't mean--anything wrong between you and Mrs. Phillotson?"
|
|
|
|
"I do.... My wretched state is that I've a wife I love who not only
|
|
does not love me, but--but Well, I won't say. I know her feeling!
|
|
I should prefer hatred from her!"
|
|
|
|
"Ssh!"
|
|
|
|
"And the sad part of it is that she is not so much to blame as I. She
|
|
was a pupil-teacher under me, as you know, and I took advantage
|
|
of her inexperience, and toled her out for walks, and got her
|
|
to agree to a long engagement before she well knew her own mind.
|
|
Afterwards she saw somebody else, but she blindly fulfilled
|
|
her engagement."
|
|
|
|
"Loving the other?"
|
|
|
|
"Yes; with a curious tender solicitude seemingly; though her exact feeling
|
|
for him is a riddle to me--and to him too, I think--possibly to herself.
|
|
She is one of the oddest creatures I ever met. However, I have
|
|
been struck with these two facts; the extraordinary sympathy,
|
|
or similarity, between the pair. He is her cousin, which perhaps
|
|
accounts for some of it. They seem to be one person split in two!
|
|
And with her unconquerable aversion to myself as a husband,
|
|
even though she may like me as a friend, 'tis too much to bear longer.
|
|
She has conscientiously struggled against it, but to no purpose.
|
|
I cannot bear it--I cannot! I can't answer her arguments--she has
|
|
read ten times as much as I. Her intellect sparkles like diamonds,
|
|
while mine smoulders like brown paper.... She's one too many
|
|
for me!"
|
|
|
|
"She'll get over it, good-now?"
|
|
|
|
"Never! It is--but I won't go into it--there are reasons why she
|
|
never will. At last she calmly and firmly asked if she might leave
|
|
me and go to him. The climax came last night, when, owing to
|
|
my entering her room by accident, she jumped out of window--
|
|
so strong was her dread of me! She pretended it was a dream,
|
|
but that was to soothe me. Now when a woman jumps out of window
|
|
without caring whether she breaks her neck or no, she's not to
|
|
be mistaken; and this being the case I have come to a conclusion:
|
|
that it is wrong to so torture a fellow-creature any longer; and I
|
|
won't be the inhuman wretch to do it, cost what it may!"
|
|
|
|
"What--you'll let her go? And with her lover?"
|
|
|
|
"Whom with is her matter. I shall let her go; with him certainly,
|
|
if she wishes. I know I may be wrong--I know I can't logically,
|
|
or religiously, defend my concession to such a wish of hers, or harmonize
|
|
it with the doctrines I was brought up in. Only I know one thing:
|
|
something within me tells me I am doing wrong in refusing her.
|
|
I, like other men, profess to hold that if a husband gets such
|
|
a so-called preposterous request from his wife, the only course
|
|
that can possibly be regarded as right and proper and honourable
|
|
in him is to refuse it, and put her virtuously under lock and key,
|
|
and murder her lover perhaps. But is that essentially right,
|
|
and proper, and honourable, or is it contemptibly mean and selfish?
|
|
I don't profess to decide. I simply am going to act by instinct,
|
|
and let principles take care of themselves. If a person who has blindly
|
|
walked into a quagmire cries for help, I am inclined to give it,
|
|
if possible."
|
|
|
|
"But--you see, there's the question of neighbours and society--
|
|
what will happen if everybody----"
|
|
|
|
"Oh, I am not going to be a philosopher any longer! I only see
|
|
what's under my eyes."
|
|
|
|
"Well--I don't agree with your instinct, Dick!" said Gillingham gravely.
|
|
"I am quite amazed, to tell the truth, that such a sedate,
|
|
plodding fellow as you should have entertained such a craze for a moment.
|
|
You said when I called that she was puzzling and peculiar:
|
|
I think you are!"
|
|
|
|
"Have you ever stood before a woman whom you know to be intrinsically
|
|
a good woman, while she has pleaded for release--been the man she
|
|
has knelt to and implored indulgence of?"
|
|
|
|
"I am thankful to say I haven't."
|
|
|
|
"Then I don't think you are in a position to give an opinion.
|
|
I have been that man, and it makes all the difference in the world,
|
|
if one has any manliness or chivalry in him. I had not the remotest idea--
|
|
living apart from women as I have done for so many years--
|
|
that merely taking a woman to church and putting a ring upon
|
|
her finger could by any possibility involve one in such a daily,
|
|
continuous tragedy as that now shared by her and me!"
|
|
|
|
"Well, I could admit some excuse for letting her leave you,
|
|
provided she kept to herself. But to go attended by a cavalier--
|
|
that makes a difference."
|
|
|
|
"Not a bit. Suppose, as I believe, she would rather endure her
|
|
present misery than be made to promise to keep apart from him?
|
|
All that is a question for herself. It is not the same thing at
|
|
all as the treachery of living on with a husband and playing him
|
|
false.... However, she has not distinctly implied living with him as wife,
|
|
though I think she means to.... And to the best of my understanding
|
|
it is not an ignoble, merely animal, feeling between the two:
|
|
that is the worst of it; because it makes me think their affection
|
|
will be enduring. I did not mean to confess to you that in the first
|
|
jealous weeks of my marriage, before I had come to my right mind,
|
|
I hid myself in the school one evening when they were together there,
|
|
and I heard what they said. I am ashamed of it now, though I suppose
|
|
I was only exercising a legal right. I found from their manner that
|
|
an extraordinary affinity, or sympathy, entered into their attachment,
|
|
which somehow took away all flavour of grossness. Their supreme
|
|
desire is to be together--to share each other's emotions, and fancies,
|
|
and dreams."
|
|
|
|
"Platonic!"
|
|
|
|
"Well no. Shelleyan would be nearer to it. They remind me of--
|
|
what are their names--Laon and Cythna. Also of Paul and Virginia a little.
|
|
The more I reflect, the more ENTIRELY I am on their side!"
|
|
|
|
"But if people did as you want to do, there'd be a general
|
|
domestic disintegration. The family would no longer be the social unit."
|
|
|
|
"Yes--I am all abroad, I suppose!" said Phillotson sadly.
|
|
"I was never a very bright reasoner, you remember.... And yet,
|
|
I don't see why the woman and the children should not be the unit
|
|
without the man."
|
|
|
|
"By the Lord Harry!--Matriarchy! ... Does SHE say all this too?"
|
|
|
|
"Oh no. She little thinks I have out-Sued Sue in this--
|
|
all in the last twelve hours!"
|
|
|
|
"It will upset all received opinion hereabout. Good God--
|
|
what will Shaston say!"
|
|
|
|
"I don't say that it won't. I don't know--I don't know! ... As I say,
|
|
I am only a feeler, not a reasoner."
|
|
|
|
"Now," said Gillingham, "let us take it quietly, and have something
|
|
to drink over it." He went under the stairs, and produced
|
|
a bottle of cider-wine, of which they drank a rummer each.
|
|
"I think you are rafted, and not yourself," he continued.
|
|
"Do go back and make up your mind to put up with a few whims.
|
|
But keep her. I hear on all sides that she's a charming young thing."
|
|
|
|
"Ah yes! That's the bitterness of it! Well, I won't stay.
|
|
I have a long walk before me."
|
|
|
|
Gillingham accompanied his friend a mile on his way, and at parting
|
|
expressed his hope that this consultation, singular as its subject was,
|
|
would be the renewal of their old comradeship. "Stick to her!"
|
|
were his last words, flung into the darkness after Phillotson;
|
|
from which his friend answered "Aye, aye!"
|
|
|
|
But when Phillotson was alone under the clouds of night, and no
|
|
sound was audible but that of the purling tributaries of the Stour,
|
|
he said, "So Gillingham, my friend, you had no stronger arguments
|
|
against it than those!"
|
|
|
|
"I think she ought to be smacked, and brought to her senses--
|
|
that's what I think!" murmured Gillingham, as he walked back alone.
|
|
|
|
The next morning came, and at breakfast Phillotson told Sue:
|
|
|
|
"You may go--with whom you will. I absolutely and unconditionally agree."
|
|
|
|
Having once come to this conclusion it seemed to Phillotson more
|
|
and more indubitably the true one. His mild serenity at the sense
|
|
that he was doing his duty by a woman who was at his mercy almost
|
|
overpowered his grief at relinquishing her.
|
|
|
|
Some days passed, and the evening of their last meal together had come--
|
|
a cloudy evening with wind--which indeed was very seldom absent
|
|
in this elevated place. How permanently it was imprinted upon
|
|
his vision; that look of her as she glided into the parlour to tea;
|
|
a slim flexible figure; a face, strained from its roundness,
|
|
and marked by the pallors of restless days and nights, suggesting tragic
|
|
possibilities quite at variance with her times of buoyancy;
|
|
a trying of this morsel and that, and an inability to eat either.
|
|
Her nervous manner, begotten of a fear lest he should be injured
|
|
by her course, might have been interpreted by a stranger as displeasure
|
|
that Phillotson intruded his presence on her for the few brief minutes
|
|
that remained.
|
|
|
|
"You had better have a slice of ham or an egg, or something with your tea?
|
|
You can't travel on a mouthful of bread and butter."
|
|
|
|
She took the slice he helped her to; and they discussed as they
|
|
sat trivial questions of housekeeping, such as where he would find
|
|
the key of this or that cupboard, what little bills were paid,
|
|
and what not.
|
|
|
|
"I am a bachelor by nature, as you know, Sue," he said,
|
|
in a heroic attempt to put her at her ease. "So that being without
|
|
a wife will not really be irksome to me, as it might be to other
|
|
men who have had one a little while. I have, too, this grand
|
|
hobby in my head of writing 'The Roman Antiquities of Wessex,'
|
|
which will occupy all my spare hours."
|
|
|
|
"If you will send me some of the manuscript to copy at any time,
|
|
as you used to, I will do it with so much pleasure!" she said with
|
|
amenable gentleness. "I should much like to be some help to you still--
|
|
as a--friend."
|
|
|
|
Phillotson mused, and said: "No, I think we ought to be really separate,
|
|
if we are to be at all. And for this reason, that I don't wish
|
|
to ask you any questions, and particularly wish you not to give me
|
|
information as to your movements, or even your address.... Now,
|
|
what money do you want? You must have some, you know."
|
|
|
|
"Oh, of course, Richard, I couldn't think of having any of your
|
|
money to go away from you with! I don't want any either.
|
|
I have enough of my own to last me for a long while, and Jude will
|
|
let me have----"
|
|
|
|
"I would rather not know anything about him, if you don't mind.
|
|
You are free, absolutely; and your course is your own."
|
|
|
|
"Very well. But I'll just say that I have packed only a change
|
|
or two of my own personal clothing, and one or two little things
|
|
besides that are my very own. I wish you would look into my trunk
|
|
before it is closed. Besides that I have only a small parcel
|
|
that will go into Jude's portmanteau."
|
|
|
|
"Of course I shall do no such thing as examine your luggage!
|
|
I wish you would take three-quarters of the household furniture.
|
|
I don't want to be bothered with it. I have a sort of affection
|
|
for a little of it that belonged to my poor mother and father.
|
|
But the rest you are welcome to whenever you like to send
|
|
for it."
|
|
|
|
"That I shall never do."
|
|
|
|
"You go by the six-thirty train, don't you? It is now a quarter
|
|
to six."
|
|
|
|
"You ... You don't seem very sorry I am going, Richard!"
|
|
|
|
"Oh no--perhaps not."
|
|
|
|
"I like you much for how you have behaved. It is a curious thing
|
|
that directly I have begun to regard you as not my husband,
|
|
but as my old teacher, I like you. I won't be so affected as to
|
|
say I love you, because you know I don't, except as a friend.
|
|
But you do seem that to me!"
|
|
|
|
Sue was for a few moments a little tearful at these reflections,
|
|
and then the station omnibus came round to take her up.
|
|
Phillotson saw her things put on the top, handed her in,
|
|
and was obliged to make an appearance of kissing her as he
|
|
wished her good-bye, which she quite understood and imitated.
|
|
From the cheerful manner in which they parted the omnibus-man had no
|
|
other idea than that she was going for a short visit.
|
|
|
|
When Phillotson got back into the house he went upstairs
|
|
and opened the window in the direction the omnibus had taken.
|
|
Soon the noise of its wheels died away. He came down then,
|
|
his face compressed like that of one bearing pain; he put on his
|
|
hat and went out, following by the same route for nearly a mile.
|
|
Suddenly turning round he came home.
|
|
|
|
He had no sooner entered than the voice of his friend Gillingham
|
|
greeted him from the front room.
|
|
|
|
"I could make nobody hear; so finding your door open I walked in,
|
|
and made myself comfortable. I said I would call, you remember."
|
|
|
|
"Yes. I am much obliged to you, Gillingham, particularly for
|
|
coming to-night."
|
|
|
|
"How is Mrs.----"
|
|
|
|
"She is quite well. She is gone--just gone. That's her tea-cup,
|
|
that she drank out of only an hour ago. And that's the plate she--"
|
|
Phillotson's throat got choked up, and he could not go on.
|
|
He turned and pushed the tea-things aside.
|
|
|
|
"Have you had any tea, by the by?" he asked presently in a renewed voice.
|
|
|
|
"No--yes--never mind," said Gillingham, preoccupied. "Gone, you
|
|
say she is?"
|
|
|
|
"Yes.... I would have died for her; but I wouldn't be cruel
|
|
to her in the name of the law. She is, as I understand,
|
|
gone to join her lover. What they are going to do I cannot say.
|
|
Whatever it may be she has my full consent to."
|
|
|
|
There was a stability, a ballast, in Phillotson's pronouncement
|
|
which restrained his friend's comment. "Shall I--leave you?"
|
|
he asked.
|
|
|
|
"No, no. It is a mercy to me that you have come. I have some
|
|
articles to arrange and clear away. Would you help me?"
|
|
|
|
Gillingham assented; and having gone to the upper rooms
|
|
the schoolmaster opened drawers, and began taking out all Sue's
|
|
things that she had left behind, and laying them in a large box.
|
|
"She wouldn't take all I wanted her to," he continued.
|
|
"But when I made up my mind to her going to live in her own way
|
|
I did make up my mind."
|
|
|
|
"Some men would have stopped at an agreement to separate."
|
|
|
|
"I've gone into all that, and don't wish to argue it. I was, and am,
|
|
the most old-fashioned man in the world on the question of marriage--
|
|
in fact I had never thought critically about its ethics at all.
|
|
But certain facts stared me in the face, and I couldn't go
|
|
against them."
|
|
|
|
They went on with the packing silently. When it was done Phillotson
|
|
closed the box and turned the key.
|
|
|
|
"There," he said. "To adorn her her somebody's eyes; never again
|
|
in mine!"
|
|
|
|
V
|
|
|
|
FOUR-AND-TWENTY hours before this time Sue had written the following
|
|
note to Jude:
|
|
|
|
It is as I told you; and I am leaving to-morrow evening.
|
|
Richard and I thought it could be done with less obtrusiveness
|
|
after dark. I feel rather frightened, and therefore ask you
|
|
to be sure you are on the Melchester platform to meet me.
|
|
I arrive at a little to seven. I know you will, of course, dear Jude;
|
|
but I feel so timid that I can't help begging you to be punctual.
|
|
He has been so VERY kind to me through it all!
|
|
|
|
Now to our meeting! S.
|
|
|
|
As she was carried by the omnibus farther and farther down
|
|
from the mountain town--the single passenger that evening--
|
|
she regarded the receding road with a sad face. But no hesitation
|
|
was apparent therein.
|
|
|
|
The up-train by which she was departing stopped by signal only.
|
|
To Sue it seemed strange that such a powerful organization as a
|
|
railway train should be brought to a stand-still on purpose for her--
|
|
a fugitive from her lawful home.
|
|
|
|
The twenty minutes' journey drew towards its close, and Sue began
|
|
gathering her things together to alight. At the moment that the train
|
|
came to a stand-still by the Melchester platform a hand was laid on
|
|
the door and she beheld Jude. He entered the compartment promptly.
|
|
He had a black bag in his hand, and was dressed in the dark suit he
|
|
wore on Sundays and in the evening after work. Altogether he looked
|
|
a very handsome young fellow, his ardent affection for her burning
|
|
in his eyes.
|
|
|
|
"Oh Jude!" She clasped his hand with both hers, and her tense state
|
|
caused her to simmer over in a little succession of dry sobs.
|
|
"I--I am so glad! I get out here?"
|
|
|
|
"No. I get in, dear one! I've packed. Besides this bag I've
|
|
only a big box which is labelled."
|
|
|
|
"But don't I get out? Aren't we going to stay here?"
|
|
|
|
"We couldn't possibly, don't you see. We are known here--I, at any rate,
|
|
am well known. I've booked for Aldbrickham; and here's your ticket
|
|
for the same place, as you have only one to here."
|
|
|
|
"I thought we should have stayed here," she repeated.
|
|
|
|
"It wouldn't have done at all."
|
|
|
|
"Ah! Perhaps not."
|
|
|
|
"There wasn't time for me to write and say the place I had decided on.
|
|
Aldbrickham is a much bigger town--sixty or seventy thousand inhabitants--
|
|
and nobody knows anything about us there."
|
|
|
|
"And you have given up your cathedral work here?"
|
|
|
|
"Yes. It was rather sudden--your message coming unexpectedly.
|
|
Strictly, I might have been made to finish out the week. But I
|
|
pleaded urgency and I was let off. I would have deserted any day
|
|
at your command, dear Sue. I have deserted more than that for you!"
|
|
|
|
"I fear I am doing you a lot of harm. Ruining your prospects
|
|
of the Church; ruining your progress in your trade; everything!"
|
|
|
|
"The Church is no more to me. Let it lie! I am not to be one of
|
|
|
|
The soldier-saints who, row on row,
|
|
Burn upward each to his point of bliss,
|
|
|
|
if any such there be! My point of bliss is not upward, but here."
|
|
|
|
"Oh I seem so bad--upsetting men's courses like this!" said she,
|
|
taking up in her voice the emotion that had begun in his.
|
|
But she recovered her equanimity by the time they had travelled a
|
|
dozen miles.
|
|
|
|
"He has been so good in letting me go," she resumed. "And here's
|
|
a note I found on my dressing-table, addressed to you."
|
|
|
|
"Yes. He's not an unworthy fellow," said Jude, glancing at the note.
|
|
"And I am ashamed of myself for hating him because he married you."
|
|
|
|
"According to the rule of women's whims I suppose I ought to suddenly
|
|
love him, because he has let me go so generously and unexpectedly,"
|
|
she answered smiling. "But I am so cold, or devoid of gratitude,
|
|
or so something, that even this generosity hasn't made me love him,
|
|
or repent, or want to stay with him as his wife; although I do feel I
|
|
like his large-mindedness, and respect him more than ever."
|
|
|
|
"It may not work so well for us as if he had been less kind,
|
|
and you had run away against his will," murmured Jude.
|
|
|
|
"That I NEVER would have done."
|
|
|
|
Jude's eyes rested musingly on her face. Then he suddenly kissed her;
|
|
and was going to kiss her again. "No--only once now--please, Jude!"
|
|
|
|
"That's rather cruel," he answered; but acquiesced. "Such a strange
|
|
thing has happened to me," Jude continued after a silence.
|
|
"Arabella has actually written to ask me to get a divorce from her--
|
|
in kindness to her, she says. She wants to honestly and legally marry
|
|
that man she has already married virtually; and begs me to enable her
|
|
to do it."
|
|
|
|
"What have you done?"
|
|
|
|
"I have agreed. I thought at first I couldn't do it without
|
|
getting her into trouble about that second marriage, and I don't
|
|
want to injure her in any way. Perhaps she's no worse than I am,
|
|
after all! But nobody knows about it over here, and I find it
|
|
will not be a difficult proceeding at all. If she wants to start
|
|
afresh I have only too obvious reasons for not hindering her."
|
|
|
|
"Then you'll be free?"
|
|
|
|
"Yes, I shall be free."
|
|
|
|
"Where are we booked for?" she asked, with the discontinuity
|
|
that marked her to-night.
|
|
|
|
"Aldbrickham, as I said."
|
|
|
|
"But it will be very late when we get there?"
|
|
|
|
"Yes. I
|
|
thought of that, and I wired for a room for us at the Temperance Hotel there."
|
|
|
|
"One?"
|
|
|
|
"Yes--one."
|
|
|
|
She looked at him. "Oh Jude!" Sue bent her forehead against
|
|
the corner of the compartment. "I thought you might do it;
|
|
and that I was deceiving you. But I didn't mean that!"
|
|
|
|
In the pause which followed, Jude's eyes fixed themselves with a
|
|
stultified expression on the opposite seat. "Well!" he said.... "Well!"
|
|
|
|
He remained in silence; and seeing how discomfited he was she put
|
|
her face against his cheek, murmuring, "Don't be vexed, dear!"
|
|
|
|
"Oh--there's no harm done," he said. "But--I understood it
|
|
like that.... Is this a sudden change of mind?"
|
|
|
|
"You have no right to ask me such a question; and I shan't answer!"
|
|
she said, smiling.
|
|
|
|
"My dear one, your happiness is more to me than anything--although we
|
|
seem to verge on quarrelling so often!--and your will is law to me.
|
|
I am something more than a mere--selfish fellow, I hope. Have it
|
|
as you wish!" On reflection his brow showed perplexity. "But perhaps
|
|
it is that you don't love me--not that you have become conventional!
|
|
Much as, under your teaching, I hate convention, I hope it IS that,
|
|
not the other terrible alternative!"
|
|
|
|
Even at this obvious moment for candour Sue could not be quite candid
|
|
as to the state of that mystery, her heart. "Put it down to my timidity,"
|
|
she said with hurried evasiveness; "to a woman's natural timidity
|
|
when the crisis comes. I may feel as well as you that I have a
|
|
perfect right to live with you as you thought--from this moment.
|
|
I may hold the opinion that, in a proper state of society, the father
|
|
of a woman's child will be as much a private matter of hers as the cut
|
|
of her underlinen, on whom nobody will have any right to question her.
|
|
But partly, perhaps, because it is by his generosity that I am
|
|
now free, I would rather not be other than a little rigid.
|
|
If there had been a rope-ladder, and he had run after us with pistols,
|
|
it would have seemed different, and I may have acted otherwise.
|
|
But don't press me and criticize me, Jude! Assume that I haven't
|
|
the courage of my opinions. I know I am a poor miserable creature.
|
|
My nature is not so passionate as yours!"
|
|
|
|
He repeated simply! "I thought--what I naturally thought.
|
|
But if we are not lovers, we are not. Phillotson thought so,
|
|
I am sure. See, here is what he has written to me." He opened
|
|
the letter she had brought, and read:
|
|
|
|
"I make only one condition--that you are tender and kind to her.
|
|
I know you love her. But even love may be cruel at times. You are made
|
|
for each other: it is obvious, palpable, to any unbiased older person.
|
|
You were all along 'the shadowy third' in my short life with her.
|
|
I repeat, take care of Sue."
|
|
|
|
"He's a good fellow, isn't he!" she said with latent tears.
|
|
On reconsideration she added, "He was very resigned to letting me go--
|
|
too resigned almost! I never was so near being in love with him
|
|
as when he made such thoughtful arrangements for my being comfortable
|
|
on my journey, and offering to provide money. Yet I was not.
|
|
If I loved him ever so little as a wife, I'd go back to him
|
|
even now."
|
|
|
|
"But you don't, do you?"
|
|
|
|
"It is true--oh so terribly true!--I don't."
|
|
|
|
"Nor me neither, I half-fear!" he said pettishly.
|
|
"Nor anybody perhaps! Sue, sometimes, when I am vexed with you,
|
|
I think you are incapable of real love."
|
|
|
|
"That's not good and loyal of you!" she said, and drawing away from
|
|
him as far as she could, looked severely out into the darkness.
|
|
She added in hurt tones, without turning round: "My liking for you
|
|
is not as some women's perhaps. But it is a delight in being with you,
|
|
of a supremely delicate kind, and I don't want to go further
|
|
and risk it by--an attempt to intensify it! I quite realized that,
|
|
as woman with man, it was a risk to come. But, as me with you,
|
|
I resolved to trust you to set my wishes above your gratification.
|
|
Don't discuss it further, dear Jude!"
|
|
|
|
"Of course, if it would make you reproach yourself ... but you
|
|
do like me very much, Sue? Say you do! Say that you do a quarter,
|
|
a tenth, as much as I do you, and I'll be content!"
|
|
|
|
"I've let you kiss me, and that tells enough."
|
|
|
|
"Just once or so!"
|
|
|
|
"Well--don't be a greedy boy."
|
|
|
|
He leant back, and did not look at her for a long time.
|
|
That episode in her past history of which she had told him--
|
|
of the poor Christminster graduate whom she had handled thus,
|
|
returned to Jude's mind; and he saw himself as a possible second in
|
|
such a torturing destiny.
|
|
|
|
"This is a queer elopement!" he murmured. "Perhaps you are making
|
|
a cat's paw of me with Phillotson all this time. Upon my word it
|
|
almost seems so--to see you sitting up there so prim!"
|
|
|
|
"Now you mustn't be angry--I won't let you!" she coaxed,
|
|
turning and moving nearer to him. "You did kiss me just now, you know;
|
|
and I didn't dislike you to, I own it, Jude. Only I don't want to let
|
|
you do it again, just yet--considering how we are circumstanced,
|
|
don't you see!"
|
|
|
|
He could never resist her when she pleaded (as she well knew). And
|
|
they sat side by side with joined hands, till she aroused herself
|
|
at some thought.
|
|
|
|
"I can't possibly go to that Temperance Inn, after your telegraphing
|
|
that message!"
|
|
|
|
"Why not?"
|
|
|
|
"You can see well enough!"
|
|
|
|
"Very well; there'll be some other one open, no doubt.
|
|
I have sometimes thought, since your marrying Phillotson because
|
|
of a stupid scandal, that under the affectation of independent
|
|
views you are as enslaved to the social code as any woman I know!"
|
|
|
|
"Not mentally. But I haven't the courage of my views, as I said before.
|
|
I didn't marry him altogether because of the scandal. But sometimes
|
|
a woman's LOVE OF BEING LOVED gets the better of her conscience,
|
|
and though she is agonized at the thought of treating a man cruelly,
|
|
she encourages him to love her while she doesn't love him at all.
|
|
Then, when she sees him suffering, her remorse sets in, and she does
|
|
what she can to repair the wrong."
|
|
|
|
"You simply mean that you flirted outrageously with him, poor old chap,
|
|
and then repented, and to make reparation, married him, though you
|
|
tortured yourself to death by doing it."
|
|
|
|
"Well--if you will put it brutally!--it was a little like that--
|
|
that and the scandal together--and your concealing from me what you
|
|
ought to have told me before!"
|
|
|
|
He could see that she was distressed and tearful at his criticisms,
|
|
and soothed her, saying: "There, dear; don't mind! Crucify me,
|
|
if you will! You know you are all the world to me, whatever you do!"
|
|
|
|
"I am very bad and unprincipled--I know you think that!" she said,
|
|
trying to blink away her tears.
|
|
|
|
"I think and know you are my dear Sue, from whom neither length
|
|
nor breadth, nor things present nor things to come, can divide me!"
|
|
|
|
Though so sophisticated in many things she was such a child in others
|
|
that this satisfied her, and they reached the end of their journey
|
|
on the best of terms. It was about ten o'clock when they arrived
|
|
at Aldbrickham, the county town of North Wessex. As she would
|
|
not go to the Temperance Hotel because of the form of his telegram,
|
|
Jude inquired for another; and a youth who volunteered to find
|
|
one wheeled their luggage to the George farther on, which proved
|
|
to be the inn at which Jude had stayed with Arabella on that one
|
|
occasion of their meeting after their division for years.
|
|
|
|
Owing, however, to their now entering it by another door,
|
|
and to his preoccupation, he did not at first recognize the place.
|
|
When they had engaged their respective rooms they went down to a
|
|
late supper. During Jude's temporary absence the waiting-maid spoke
|
|
to Sue.
|
|
|
|
"I think, ma'am, I remember your relation, or friend, or whatever
|
|
he is, coming here once before--late, just like this, with his wife--
|
|
a lady, at any rate, that wasn't you by no manner of means--
|
|
jest as med be with you now."
|
|
|
|
"Oh do you?" said Sue, with a certain sickness of heart.
|
|
"Though I think you must be mistaken! How long ago was it?"
|
|
|
|
"About a month or two. A handsome, full-figured woman.
|
|
They had this room."
|
|
|
|
When Jude came back and sat down to supper Sue seemed moping and miserable.
|
|
"Jude," she said to him plaintively, at their parting that night upon
|
|
the landing, "it is not so nice and pleasant as it used to be with us!
|
|
|
|
I don't like it here--I can't bear the place! And I don't like you
|
|
so well as I did!"
|
|
|
|
"How fidgeted you seem, dear! Why do you change like this?"
|
|
|
|
"Because it was cruel to bring me here!"
|
|
|
|
"Why?"
|
|
|
|
"You were lately here with Arabella. There, now I have said it!"
|
|
|
|
"Dear me, why--" said Jude looking round him. "Yes--it is the same!
|
|
I really didn't know it, Sue. Well--it is not cruel, since we have
|
|
come as we have--two relations staying together."
|
|
|
|
"How long ago was it you were here? Tell me, tell me!"
|
|
|
|
"The day before I met you in Christminster, when we went back
|
|
to Marygreen together. I told you I had met her."
|
|
|
|
"Yes, you said you had met her, but you didn't tell me all.
|
|
Your story was that you had met as estranged people, who were not
|
|
husband and wife at all in Heaven's sight--not that you had made it up
|
|
with her."
|
|
|
|
"We didn't make it up," he said sadly. "I can't explain, Sue."
|
|
|
|
"You've been false to me; you, my last hope! And I shall never
|
|
forget it, never!"
|
|
|
|
"But by your own wish, dear Sue, we are only to be friends, not lovers!
|
|
It is so very inconsistent of you to----"
|
|
|
|
"Friends can be jealous!"
|
|
|
|
"I don't see that. You concede nothing to me and I have to concede
|
|
everything to you. After all, you were on good terms with your
|
|
husband at that time."
|
|
|
|
"No, I wasn't, Jude. Oh how can you think so! And you have taken me in,
|
|
even if you didn't intend to." She was so mortified that he was obliged
|
|
to take her into her room and close the door lest the people should hear.
|
|
"Was it this room? Yes it was--I see by your look it was! I won't
|
|
have it for mine! Oh it was treacherous of you to have her again!
|
|
I jumped out of the window!"
|
|
|
|
"But Sue, she was, after all, my legal wife, if not--"
|
|
|
|
Slipping down on her knees Sue buried her face in the bed and wept.
|
|
|
|
"I never knew such an unreasonable--such a dog-in-the-manger feeling,"
|
|
said Jude. "I am not to approach you, nor anybody else!"
|
|
|
|
"Oh don't you UNDERSTAND my feeling! Why don't you! Why are you
|
|
so gross! I jumped out of the window!"
|
|
|
|
"Jumped out of window?"
|
|
|
|
"I can't explain!"
|
|
|
|
It was true that he did not understand her feelings very well.
|
|
But he did a little; and began to love her none the less.
|
|
|
|
"I--I thought you cared for nobody--desired nobody in the world
|
|
but me at that time--and ever since!" continued Sue.
|
|
|
|
"It is true. I did not, and don't now!" said Jude, as distressed
|
|
as she.
|
|
|
|
"But you must have thought much of her! Or--"
|
|
|
|
"No--I need not--you don't understand me either--women never do!
|
|
Why should you get into such a tantrum about nothing?"
|
|
|
|
Looking up from the quilt she pouted provokingly: "If it hadn't
|
|
been for that, perhaps I would have gone on to the Temperance Hotel,
|
|
after all, as you proposed; for I was beginning to think I did belong
|
|
to you!"
|
|
|
|
"Oh, it is of no consequence!" said Jude distantly.
|
|
|
|
"I thought, of course, that she had never been really your wife
|
|
since she left you of her own accord years and years ago! My sense
|
|
of it was, that a parting such as yours from her, and mine from him,
|
|
ended the marriage."
|
|
|
|
"I can't say more without speaking against her, and I don't want
|
|
to do that," said he. "Yet I must tell you one thing, which would
|
|
settle the matter in any case. She has married another man--
|
|
really married him! I knew nothing about it till after the visit we
|
|
made here."
|
|
|
|
"Married another? ... It is a crime--as the world treats it,
|
|
but does not believe."
|
|
|
|
"There--now you are yourself again. Yes, it is a crime--as you don't hold,
|
|
but would fearfully concede. But I shall never inform against her!
|
|
And it is evidently a prick of conscience in her that has led her
|
|
to urge me to get a divorce, that she may remarry this man legally.
|
|
So you perceive I shall not be likely to see her again."
|
|
|
|
"And you didn't really know anything of this when you saw her?"
|
|
said Sue more gently, as she rose.
|
|
|
|
"I did not. Considering all things, I don't think you ought
|
|
to be angry, darling!"
|
|
|
|
"I am not. But I shan't go to the Temperance Hotel!"
|
|
|
|
He laughed. "Never mind!" he said. "So that I am near you,
|
|
I am comparatively happy. It is more than this earthly wretch
|
|
called Me deserves--you spirit, you disembodied creature,
|
|
you dear, sweet, tantalizing phantom--hardly flesh at all;
|
|
so that when I put my arms round you I almost expect them to pass
|
|
through you as through air! Forgive me for being gross, as you call it!
|
|
Remember that our calling cousins when really strangers was a snare.
|
|
The enmity of our parents gave a piquancy to you in my eyes that was
|
|
intenser even than the novelty of ordinary new acquaintance."
|
|
|
|
"Say those pretty lines, then, from Shelley's 'Epipsychidion' as if they
|
|
meant me!" she solicited, slanting up closer to him as they stood.
|
|
"Don't you know them?"
|
|
|
|
"I know hardly any poetry," he replied mournfully.
|
|
|
|
"Don't you? These are some of them:
|
|
|
|
There was a Being whom my spirit oft
|
|
Met on its visioned wanderings far aloft.
|
|
|
|
A seraph of Heaven, too gentle to be human,
|
|
Veiling beneath that radiant form of woman....
|
|
|
|
Oh it is too flattering, so I won't go on! But say it's me!
|
|
Say it's me!"
|
|
|
|
"It is you, dear; exactly like you!"
|
|
|
|
"Now I forgive you! And you shall kiss me just once there--
|
|
not very long." She put the tip of her finger gingerly to her cheek;
|
|
and he did as commanded. "You do care for me very much, don't you,
|
|
in spite of my not--you know?"
|
|
|
|
"Yes, sweet!" he said with a sigh; and bade her good-night.
|
|
|
|
VI
|
|
|
|
IN returning to his native town of Shaston as schoolmaster Phillotson
|
|
had won the interest and awakened the memories of the inhabitants, who,
|
|
though they did not honour him for his miscellaneous aquirements as he
|
|
would have been honoured elsewhere, retained for him a sincere regard.
|
|
When, shortly after his arrival, he brought home a pretty wife--
|
|
awkwardly pretty for him, if he did not take care, they said--
|
|
they were glad to have her settle among them.
|
|
|
|
For some time after her flight from that home Sue's absence did
|
|
not excite comment. Her place as monitor in the school was taken
|
|
by another young woman within a few days of her vacating it,
|
|
which substitution also passed without remark, Sue's services
|
|
having been of a provisional nature only. When, however, a month
|
|
had passed, and Phillotson casually admitted to an acquaintance
|
|
that he did not know where his wife was staying, curiosity began
|
|
to be aroused; till, jumping to conclusions, people ventured
|
|
to affirm that Sue had played him false and run away from him.
|
|
The schoolmaster's growing languor and listlessness over his work gave
|
|
countenance to the idea.
|
|
|
|
Though Phillotson had held his tongue as long as he could, except to
|
|
his friend Gillingham, his honesty and directness would not allow him
|
|
to do so when misapprehensions as to Sue's conduct spread abroad.
|
|
On a Monday morning the chairman of the school committee called,
|
|
and after attending to the business of the school drew Phillotson aside
|
|
out of earshot of the children.
|
|
|
|
"You'll excuse my asking, Phillotson, since everybody is talking of it:
|
|
is this true as to your domestic affairs--that your wife's going
|
|
away was on no visit, but a secret elopement with a lover? If so,
|
|
I condole with you."
|
|
|
|
"Don't," said Phillotson. "There was no secret about it."
|
|
|
|
"She has gone to visit friends?"
|
|
|
|
"No."
|
|
|
|
"Then what has happened?"
|
|
|
|
"She has gone away under circumstances that usually call
|
|
for condolence with the husband. But I gave my consent."
|
|
|
|
The chairman looked as if he had not apprehended the remark.
|
|
|
|
"What I say is quite true," Phillotson continued testily. "She asked
|
|
leave to go away with her lover, and I let her. Why shouldn't I?
|
|
A woman of full age, it was a question of her own conscience--
|
|
not for me. I was not her gaoler. I can't explain any further.
|
|
I don't wish to be questioned."
|
|
|
|
The children observed that much seriousness marked the faces
|
|
of the two men, and went home and told their parents that something
|
|
new had happened about Mrs. Phillotson. Then Phillotson's
|
|
little maidservant, who was a schoolgirl just out of her standards,
|
|
said that Mr. Phillotson had helped in his wife's packing,
|
|
had offered her what money she required, and had written a friendly
|
|
letter to her young man, telling him to take care of her.
|
|
The chairman of committee thought the matter over, and talked to
|
|
the other managers of the school, till a request came to Phillotson
|
|
to meet them privately. The meeting lasted a long time, and at
|
|
the end the school-master came home, looking as usual pale and worn.
|
|
Gillingham was sitting in his house awaiting him.
|
|
|
|
"Well; it is as you said," observed Phillotson, flinging himself
|
|
down wearily in a chair. "They have requested me to send in my
|
|
resignation on account of my scandalous conduct in giving my tortured
|
|
wife her liberty--or, as they call it, condoning her adultery.
|
|
But I shan't resign!"
|
|
|
|
"I think I would."
|
|
|
|
"I won't. It is no business of theirs. It doesn't affect me
|
|
in my public capacity at all. They may expel me if they like."
|
|
|
|
"If you make a fuss it will get into the papers, and you'll never
|
|
get appointed to another school. You see, they have to consider
|
|
what you did as done by a teacher of youth--and its effects
|
|
as such upon the morals of the town; and, to ordinary opinion,
|
|
your position is indefensible. You must let me say that."
|
|
|
|
To this good advice, however, Phillotson would not listen.
|
|
|
|
"I don't care," he said. "I don't go unless I am turned out.
|
|
And for this reason; that by resigning I acknowledge I have acted
|
|
wrongly by her; when I am more and more convinced every day that in
|
|
the sight of Heaven and by all natural, straightforward humanity,
|
|
I have acted rightly."
|
|
|
|
Gillingham saw that his rather headstrong friend would not
|
|
be able to maintain such a position as this; but he said
|
|
nothing further, and in due time--indeed, in a quarter of an hour--
|
|
the formal letter of dismissal arrived, the managers having
|
|
remained behind to write it after Phillotson's withdrawal.
|
|
The latter replied that he should not accept dismissal;
|
|
and called a public meeting, which he attended, although he looked
|
|
so weak and ill that his friend implored him to stay at home.
|
|
When he stood up to give his reasons for contesting the decision
|
|
of the managers he advanced them firmly, as he had done to his friend,
|
|
and contended, moreover, that the matter was a domestic theory
|
|
which did not concern them. This they over-ruled, insisting that
|
|
the private eccentricities of a teacher came quite within their
|
|
sphere of control, as it touched the morals of those he taught.
|
|
Phillotson replied that he did not see how an act of natural charity
|
|
could injure morals.
|
|
|
|
All the respectable inhabitants and well-to-do fellow-natives of the town
|
|
were against Phillotson to a man. But, somewhat to his surprise,
|
|
some dozen or more champions rose up in his defence as from the ground.
|
|
|
|
It has been stated that Shaston was the anchorage of a curious
|
|
and interesting group of itinerants, who frequented the numerous
|
|
fairs and markets held up and down Wessex during the summer
|
|
and autumn months. Although Phillotson had never spoken to one of
|
|
these gentlemen they now nobly led the forlorn hope in his defence.
|
|
The body included two cheap Jacks, a shooting-gallery proprietor
|
|
and the ladies who loaded the guns, a pair of boxing-masters,
|
|
a steam-roundabout manager, two travelling broom-makers, who called
|
|
themselves widows, a gingerbread-stall keeper, a swing-boat owner,
|
|
and a "test-your-strength" man.
|
|
|
|
This generous phalanx of supporters, and a few others of independent judgment,
|
|
whose own domestic experiences had been not without vicissitude,
|
|
came up and warmly shook hands with Phillotson; after which they
|
|
expressed their thoughts so strongly to the meeting that issue
|
|
was joined, the result being a general scuffle, wherein a black
|
|
board was split, three panes of the school windows were broken,
|
|
an inkbottle was spilled over a town-councillor's shirt front,
|
|
a churchwarden was dealt such a topper with the map of Palestine
|
|
that his head went right through Samaria, and many black eyes
|
|
and bleeding noses were given, one of which, to everybody's horror,
|
|
was the venerable incumbent's, owing to the zeal of an emancipated
|
|
chimney-sweep, who took the side of Phillotson's party.
|
|
When Phillotson saw the blood running down the rector's face he
|
|
deplored almost in groans the untoward and degrading circumstances,
|
|
regretted that he had not resigned when called upon, and went home
|
|
so ill that next morning he could not leave his bed.
|
|
|
|
The farcical yet melancholy event was the beginning of a serious
|
|
illness for him; and he lay in his lonely bed in the pathetic state
|
|
of mind of a middle-aged man who perceives at length that his life,
|
|
intellectual and domestic, is tending to failure and gloom.
|
|
Gillingham came to see him in the evenings, and on one occasion
|
|
mentioned Sue's name.
|
|
|
|
"She doesn't care anything about me!" said Phillotson.
|
|
"Why should she?"
|
|
|
|
"She doesn't know you are ill."
|
|
|
|
"So much the better for both of us."
|
|
|
|
"Where are her lover and she living?"
|
|
|
|
"At Melchester--I suppose; at least he was living there some time ago."
|
|
|
|
When Gillingham reached home he sat and reflected, and at last wrote
|
|
an anonymous line to Sue, on the bare chance of its reaching her,
|
|
the letter being enclosed in an envelope addressed to Jude at
|
|
the diocesan capital. Arriving at that place it was forwarded
|
|
to Marygreen in North Wessex, and thence to Aldbrickham by the only
|
|
person who knew his present address--the widow who had nursed his aunt.
|
|
|
|
Three days later, in the evening, when the sun was going down in
|
|
splendour over the lowlands of Blackmoor, and making the Shaston
|
|
windows like tongues of fire to the eyes of the rustics in that vale,
|
|
the sick man fancied that he heard somebody come to the house,
|
|
and a few minutes after there was a tap at the bedroom door.
|
|
Phillotson did not speak; the door was hesitatingly opened,
|
|
and there entered--Sue.
|
|
|
|
She was in light spring clothing, and her advent seemed ghostly--
|
|
like the flitting in of a moth. He turned his eyes upon her, and flushed;
|
|
but appeared to check his primary impulse to speak.
|
|
|
|
"I have no business here," she said, bending her frightened face to him.
|
|
"But I heard you were ill--very ill; and--and as I know that you
|
|
recognize other feelings between man and woman than physical love,
|
|
I have come."
|
|
|
|
"I am not very ill, my dear friend. Only unwell."
|
|
|
|
"I didn't know that; and I am afraid that only a severe illness
|
|
would have justified my coming!"
|
|
|
|
"Yes ... yes. And I almost wish you had not come! It is a little
|
|
too soon--that's all I mean. Still, let us make the best of it.
|
|
You haven't heard about the school, I suppose?"
|
|
|
|
"No--what about it?"
|
|
|
|
"Only that I am going away from here to another place.
|
|
The managers and I don't agree, and we are going to part--
|
|
that's all."
|
|
|
|
Sue did not for a moment, either now or later, suspect what troubles
|
|
had resulted to him from letting her go; it never once seemed to cross
|
|
her mind, and she had received no news whatever from Shaston.
|
|
They talked on slight and ephemeral subjects, and when his tea
|
|
was brought up he told the amazed little servant that a cup was
|
|
to be set for Sue. That young person was much more interested
|
|
in their history than they supposed, and as she descended
|
|
the stairs she lifted her eyes and hands in grotesque amazement.
|
|
While they sipped Sue went to the window and thoughtfully said,
|
|
"It is such a beautiful sunset, Richard."
|
|
|
|
"They are mostly beautiful from here, owing to the rays crossing
|
|
the mist of the vale. But I lose them all, as they don't shine
|
|
into this gloomy corner where I lie."
|
|
|
|
"Wouldn't you like to see this particular one? It is like heaven opened."
|
|
|
|
"Ah yes! But I can't."
|
|
|
|
"I'll help you to."
|
|
|
|
"No--the bedstead can't be shifted."
|
|
|
|
"But see how I mean."
|
|
|
|
She went to where a swing-glass stood, and taking it in her hands
|
|
carried it to a spot by the window where it could catch the sunshine,
|
|
moving the glass till the beams were reflected into Phillotson's face.
|
|
|
|
"There--you can see the great red sun now!" she said. "And I am sure
|
|
it will cheer you--I do so hope it will!" She spoke with a childlike,
|
|
repentant kindness, as if she could not do too much for him.
|
|
|
|
Phillotson smiled sadly. "You are an odd creature!" he murmured
|
|
as the sun glowed in his eyes. "The idea of your coming to see me
|
|
after what has passed!"
|
|
|
|
"Don't let us go back upon that!" she said quickly. "I have to
|
|
catch the omnibus for the train, as Jude doesn't know I have come;
|
|
he was out when I started; so I must return home almost directly.
|
|
Richard, I am so very glad you are better. You don't hate me, do you?
|
|
You have been such a kind friend to me!"
|
|
|
|
"I am glad to know you think so," said Phillotson huskily.
|
|
"No. I don't hate you!"
|
|
|
|
It grew dusk quickly in the gloomy room during their intermittent chat,
|
|
and when candles were brought and it was time to leave she put
|
|
her hand in his or rather allowed it to flit through his; for she
|
|
was significantly light in touch. She had nearly closed the door
|
|
when he said, "Sue!" He had noticed that, in turning away from him,
|
|
tears were on her face and a quiver in her lip.
|
|
|
|
It was bad policy to recall her--he knew it while he pursued it.
|
|
But he could not help it. She came back.
|
|
|
|
"Sue," he murmured, "do you wish to make it up, and stay?
|
|
I'll forgive you and condone everything!"
|
|
|
|
"Oh you can't, you can't!" she said hastily. "You can't condone
|
|
it now!"
|
|
|
|
"He is your husband now, in effect, you mean, of course?"
|
|
|
|
"You may assume it. He is obtaining a divorce from his wife Arabella."
|
|
|
|
"His wife! It is altogether news to me that he has a wife."
|
|
|
|
"It was a bad marriage."
|
|
|
|
"Like yours."
|
|
|
|
"Like mine. He is not doing it so much on his own account as on hers.
|
|
She wrote and told him it would be a kindness to her, since then she
|
|
could marry and live respectably. And Jude has agreed."
|
|
|
|
"A wife.... A kindness to her. Ah, yes; a kindness to her to
|
|
release her altogether.... But I don't like the sound of it.
|
|
I can forgive, Sue."
|
|
|
|
"No, no! You can't have me back now I have been so wicked--
|
|
as to do what I have done!"
|
|
|
|
There had arisen in Sue's face that incipient fright which showed
|
|
itself whenever he changed from friend to husband, and which made
|
|
her adopt any line of defence against marital feeling in him.
|
|
"I MUST go now. I'll come again--may I?"
|
|
|
|
"I don't ask you to go, even now. I ask you to stay."
|
|
|
|
"I thank you, Richard; but I must. As you are not so ill as I thought,
|
|
I CANNOT stay!"
|
|
|
|
"She's his--his from lips to heel!" said Phillotson;
|
|
but so faintly that in closing the door she did not hear it.
|
|
The dread of a reactionary change in the schoolmaster's sentiments,
|
|
coupled, perhaps, with a faint shamefacedness at letting even him know
|
|
what a slipshod lack of thoroughness, from a man's point of view,
|
|
characterized her transferred allegiance, prevented her telling him
|
|
of her, thus far, incomplete relations with Jude; and Phillotson lay
|
|
writhing like a man in hell as he pictured the prettily dressed,
|
|
maddening compound of sympathy and averseness who bore his name,
|
|
returning impatiently to the home of her lover.
|
|
|
|
Gillingham was so interested in Phillotson's affairs, and so
|
|
seriously concerned about him, that he walked up the hill-side
|
|
to Shaston two or three times a week, although, there and back,
|
|
it was a journey of nine miles, which had to be performed between
|
|
tea and supper, after a hard day's work in school. When he called
|
|
on the next occasion after Sue's visit his friend was downstairs,
|
|
and Gillingham noticed that his restless mood had been supplanted
|
|
by a more fixed and composed one.
|
|
|
|
"She's been here since you called last," said Phillotson.
|
|
|
|
"Not Mrs. Phillotson?"
|
|
|
|
"Yes."
|
|
|
|
"Ah! You have made it up?"
|
|
|
|
"No.... She just came, patted my pillow with her little white hand,
|
|
played the thoughtful nurse for half an hour, and went away."
|
|
|
|
"Well--I'm hanged! A little hussy!"
|
|
|
|
"What do you say?"
|
|
|
|
"Oh--nothing!"
|
|
|
|
"What do you mean?"
|
|
|
|
"I mean, what a tantalizing, capricious little woman!
|
|
If she were not your wife"
|
|
|
|
"She is not; she's another man's except in name and law.
|
|
And I have been thinking--it was suggested to me by a conversation
|
|
I had with her--that, in kindness to her, I ought to dissolve
|
|
the legal tie altogether; which, singularly enough, I think I can do,
|
|
now she has been back, and refused my request to stay after I
|
|
said I had forgiven her. I believe that fact would afford me
|
|
opportunity of doing it, though I did not see it at the moment.
|
|
What's the use of keeping her chained on to me if she doesn't
|
|
belong to me? I know--I feel absolutely certain--that she would
|
|
welcome my taking such a step as the greatest charity to her.
|
|
For though as a fellow-creature she sympathizes with, and pities me,
|
|
and even weeps for me, as a husband she cannot endure me--
|
|
she loathes me--there's no use in mincing words--she loathes me,
|
|
and my only manly, and dignified, and merciful course is to complete
|
|
what I have begun.... And for worldly reasons, too, it will be better
|
|
for her to be independent. I have hopelessly ruined my prospects
|
|
because of my decision as to what was best for us, though she does
|
|
not know it; I see only dire poverty ahead from my feet to the grave;
|
|
for I can be accepted as teacher no more. I shall probably have
|
|
enough to do to make both ends meet during the remainder of my life,
|
|
now my occupation's gone; and I shall be better able to bear it alone.
|
|
I may as well tell you that what has suggested my letting her
|
|
go is some news she brought me--the news that Fawley is doing
|
|
the same."
|
|
|
|
"Oh--he had a spouse, too? A queer couple, these lovers!"
|
|
|
|
"Well--I don't want your opinion on that. What I was going to say
|
|
is that my liberating her can do her no possible harm, and will open up
|
|
a chance of happiness for her which she has never dreamt of hitherto.
|
|
For then they'll be able to marry, as they ought to have done
|
|
at first."
|
|
|
|
Gillingham did not hurry to reply. "I may disagree with your motive,"
|
|
he said gently, for he respected views he could not share. "But I
|
|
think you are right in your determination--if you can carry it out.
|
|
I doubt, however, if you can."
|
|
|
|
Part Fifth
|
|
|
|
AT ALDBRICKHAM AND ELSEWHERE
|
|
|
|
"Thy aerial part, and all the fiery parts which are
|
|
mingled in thee, though by nature they have an upward
|
|
tendency, still in obedience to the disposition of the
|
|
universe they are over-powered here in the compound
|
|
mass the body."--M. ANTONINUS (Long).
|
|
|
|
I
|
|
|
|
How Gillingham's doubts were disposed of will most quickly appear
|
|
by passing over the series of dreary months and incidents that
|
|
followed the events of the last chapter, and coming on to a Sunday
|
|
in the February of the year following.
|
|
|
|
Sue and Jude were living in Aldbrickham, in precisely the same
|
|
relations that they had established between themselves when she
|
|
left Shaston to join him the year before. The proceedings in
|
|
the law-courts had reached their consciousness, but as a distant
|
|
sound and an occasional missive which they hardly understood.
|
|
|
|
They had met, as usual, to breakfast together in the little house
|
|
with Jude's name on it, that he had taken at fifteen pounds a year,
|
|
with three-pounds-ten extra for rates and taxes, and furnished
|
|
with his aunt's ancient and lumbering goods, which had cost him
|
|
about their full value to bring all the way from Marygreen.
|
|
Sue kept house, and managed everything.
|
|
|
|
As he entered the room this morning Sue held up a letter she
|
|
had just received.
|
|
|
|
"Well; and what is it about?" he said after kissing her.
|
|
|
|
"That the decree NISI in the case of Phillotson VERSUS Phillotson
|
|
and Fawley, pronounced six months ago, has just been made absolute."
|
|
|
|
"Ah," said Jude, as he sat down.
|
|
|
|
The same concluding incident in Jude's suit against Arabella
|
|
had occurred about a month or two earlier. Both cases had been
|
|
too insignificant to be reported in the papers, further than
|
|
by name in a long list of other undefended cases.
|
|
|
|
"Now then, Sue, at any rate, you can do what you like!"
|
|
He looked at his sweetheart curiously.
|
|
|
|
"Are we--you and I--just as free now as if we had never married
|
|
at all?"
|
|
|
|
"Just as free--except, I believe, that a clergyman may object
|
|
personally to remarry you, and hand the job on to somebody else."
|
|
|
|
"But I wonder--do you think it is really so with us? I know it
|
|
is generally. But I have an uncomfortable feeling that my freedom
|
|
has been obtained under false pretences!"
|
|
|
|
"How?"
|
|
|
|
"Well--if the truth about us had been known, the decree wouldn't
|
|
have been pronounced. It is only, is it, because we have made
|
|
no defence, and have led them into a false supposition?
|
|
Therefore is my freedom lawful, however proper it may be?"
|
|
|
|
"Well--why did you let it be under false pretences? You have
|
|
only yourself to blame," he said mischievously.
|
|
|
|
"Jude--don't! You ought not to be touchy about that still.
|
|
You must take me as I am."
|
|
|
|
"Very well, darling: so I will. Perhaps you were right.
|
|
As to your question, we were not obliged to prove anything.
|
|
That was their business. Anyhow we are living together."
|
|
|
|
"Yes. Though not in their sense."
|
|
|
|
"One thing is certain, that however the decree may be
|
|
brought about, a marriage is dissolved when it is dissolved.
|
|
There is this advantage in being poor obscure people like us--
|
|
that these things are done for us in a rough and ready fashion.
|
|
It was the same with me and Arabella. I was afraid her criminal second
|
|
marriage would have been discovered, and she punished; but nobody
|
|
took any interest in her--nobody inquired, nobody suspected it.
|
|
If we'd been patented nobilities we should have had infinite trouble,
|
|
and days and weeks would have been spent in investigations."
|
|
|
|
By degrees Sue acquired her lover's cheerfulness at the sense
|
|
of freedom, and proposed that they should take a walk in the fields,
|
|
even if they had to put up with a cold dinner on account of it.
|
|
Jude agreed, and Sue went up-stairs and prepared to start,
|
|
putting on a joyful coloured gown in observance of her liberty;
|
|
seeing which Jude put on a lighter tie.
|
|
|
|
"Now we'll strut arm and arm," he said, "like any other engaged couple.
|
|
We've a legal right to."
|
|
|
|
They rambled out of the town, and along a path over the low-lying
|
|
lands that bordered it, though these were frosty now,
|
|
and the extensive seed-fields were bare of colour and produce.
|
|
The pair, however, were so absorbed in their own situation
|
|
that their surroundings were little in their consciousness.
|
|
|
|
"Well, my dearest, the result of all this is that we can marry
|
|
after a decent interval."
|
|
|
|
"Yes; I suppose we can," said Sue, without enthusiasm.
|
|
|
|
"And aren't we going to?"
|
|
|
|
"I don't like to say no, dear Jude; but I feel just the same about
|
|
it now as I have done all along. I have just the same dread
|
|
lest an iron contract should extinguish your tenderness for me,
|
|
and mine for you, as it did between our unfortunate parents."
|
|
|
|
"Still, what can we do? I do love you, as you know, Sue."
|
|
|
|
"I know it abundantly. But I think I would much rather go on living
|
|
always as lovers, as we are living now, and only meeting by day.
|
|
It is so much sweeter--for the woman at least, and when she is sure
|
|
of the man. And henceforward we needn't be so particular as we have
|
|
been about appearances."
|
|
|
|
"Our experiences of matrimony with others have not been encouraging,
|
|
I own," said he with some gloom; "either owing to our own dissatisfied,
|
|
unpractical natures, or by our misfortune. But we two----"
|
|
|
|
"Should be two dissatisfied ones linked together, which would
|
|
be twice as bad as before.... I think I should begin to be afraid
|
|
of you, Jude, the moment you had contracted to cherish me under
|
|
a Government stamp, and I was licensed to be loved on the premises
|
|
by you--Ugh, how horrible and sordid! Although, as you are,
|
|
free, I trust you more than any other man in the world."
|
|
|
|
"No, no--don't say I should change!" he expostulated; yet there
|
|
was misgiving in his own voice also.
|
|
|
|
"Apart from ourselves, and our unhappy peculiarities, it is foreign
|
|
to a man's nature to go on loving a person when he is told that he
|
|
must and shall be that person's lover. There would be a much
|
|
likelier chance of his doing it if he were told not to love.
|
|
If the marriage ceremony consisted in an oath and signed contract
|
|
between the parties to cease loving from that day forward,
|
|
in consideration of personal possession being given, and to avoid
|
|
each other's society as much as possible in public, there would be more
|
|
loving couples than there are now. Fancy the secret meetings between
|
|
the perjuring husband and wife, the denials of having seen each other,
|
|
the clambering in at bedroom windows, and the hiding in closets!
|
|
There'd be little cooling then."
|
|
|
|
"Yes; but admitting this, or something like it, to be true,
|
|
you are not the only one in the world to see it, dear little Sue.
|
|
People go on marrying because they can't resist natural forces,
|
|
although many of them may know perfectly well that they are
|
|
possibly buying a month's pleasure with a life's discomfort.
|
|
No doubt my father and mother, and your father and mother, saw it,
|
|
if they at all resembled us in habits of observation. But then they
|
|
went and married just the same, because they had ordinary passions.
|
|
But you, Sue, are such a phantasmal, bodiless creature, one who--
|
|
if you'll allow me to say it--has so little animal passion in you,
|
|
that you can act upon reason in the matter, when we poor unfortunate
|
|
wretches of grosser substance can't."
|
|
|
|
"Well," she sighed, "you've owned that it would probably end in
|
|
misery for us. And I am not so exceptional a woman as you think.
|
|
Fewer women like marriage than you suppose, only they enter into it
|
|
for the dignity it is assumed to confer, and the social advantages
|
|
it gains them sometimes--a dignity and an advantage that I am quite
|
|
willing to do without."
|
|
|
|
Jude fell back upon his old complaint--that, intimate as they were,
|
|
he had never once had from her an honest, candid declaration that she
|
|
loved or could love him. "I really fear sometimes that you cannot,"
|
|
he said, with a dubiousness approaching anger. "And you are so reticent.
|
|
I know that women are taught by other women that they must never admit
|
|
the full truth to a man. But the highest form of affection is based
|
|
on full sincerity on both sides. Not being men, these women don't
|
|
know that in looking back on those he has had tender relations with,
|
|
a man's heart returns closest to her who was the soul of truth
|
|
in her conduct. The better class of man, even if caught by airy
|
|
affectations of dodging and parrying, is not retained by them.
|
|
A Nemesis attends the woman who plays the game of elusiveness
|
|
too often, in the utter contempt for her that, sooner or later,
|
|
her old admirers feel; under which they allow her to go unlamented to
|
|
her grave."
|
|
|
|
Sue, who was regarding the distance, had acquired a guilty look;
|
|
and she suddenly replied in a tragic voice: "I don't think I like you
|
|
to-day so well as I did, Jude!"
|
|
|
|
"Don't you? Why?"
|
|
|
|
"Oh, well--you are not nice--too sermony. Though I suppose I am
|
|
so bad and worthless that I deserve the utmost rigour of lecturing!"
|
|
|
|
"No, you are not bad. You are a dear. But as slippery as an eel
|
|
when I want to get a confession from you."
|
|
|
|
"Oh yes I am bad, and obstinate, and all sorts! It is no use your
|
|
pretending I am not! People who are good don't want scolding as I
|
|
do.... But now that I have nobody but you, and nobody to defend me,
|
|
it is very hard that I mustn't have my own way in deciding how I'll
|
|
live with you, and whether I'll be married or no!"
|
|
|
|
"Sue, my own comrade and sweetheart, I don't want to force you
|
|
either to marry or to do the other thing--of course I don't!
|
|
It is too wicked of you to be so pettish! Now we won't say
|
|
any more about it, and go on just the same as we have done;
|
|
and during the rest of our walk we'll talk of the meadows only,
|
|
and the floods, and the prospect of the farmers this coming year."
|
|
|
|
After this the subject of marriage was not mentioned by them
|
|
for several days, though living as they were with only a landing
|
|
between them it was constantly in their minds. Sue was assisting
|
|
Jude very materially now: he had latterly occupied himself on his
|
|
own account in working and lettering headstones, which he kept in a
|
|
little yard at the back of his little house, where in the intervals
|
|
of domestic duties she marked out the letters full size for him,
|
|
and blacked them in after he had cut them. It was a lower class
|
|
of handicraft than were his former performances as a cathedral mason,
|
|
and his only patrons were the poor people who lived in his
|
|
own neighbourhood, and knew what a cheap man this "Jude Fawley:
|
|
Monumental Mason" (as he called himself on his front door)
|
|
was to employ for the simple memorials they required for their dead.
|
|
But he seemed more independent than before, and it was the only arrangement
|
|
under which Sue, who particularly wished to be no burden on him,
|
|
could render any assistance.
|
|
|
|
II
|
|
|
|
IT was an evening at the end of the month, and Jude had just returned home
|
|
from hearing a lecture on ancient history in the public hall not far off.
|
|
When he entered, Sue, who had been keeping indoors during his absence,
|
|
laid out supper for him. Contrary to custom she did not speak.
|
|
Jude had taken up some illustrated paper, which he perused till,
|
|
raising his eyes, he saw that her face was troubled.
|
|
|
|
"Are you depressed, Sue?" he said.
|
|
|
|
She paused a moment. "I have a message for you," she answered.
|
|
|
|
"Somebody has called?"
|
|
|
|
"Yes. A woman." Sue's voice quavered as she spoke, and she
|
|
suddenly sat down from her preparations, laid her hands in her lap,
|
|
and looked into the fire. "I don't know whether I did right or not!"
|
|
she continued. "I said you were not at home, and when she said she
|
|
would wait, I said I thought you might not be able to see her."
|
|
|
|
"Why did you say that, dear? I suppose she wanted a headstone.
|
|
Was she in mourning?"
|
|
|
|
"No. She wasn't in mourning, and she didn't want a headstone;
|
|
and I thought you couldn't see her." Sue looked critically and
|
|
imploringly at him.
|
|
|
|
"But who was she? Didn't she say?"
|
|
|
|
"No. She wouldn't give her name. But I know who she was--I think I do!
|
|
It was Arabella!"
|
|
|
|
"Heaven save us! What should Arabella come for? What made you
|
|
think it was she?"
|
|
|
|
"Oh, I can hardly tell. But I know it was! I feel perfectly
|
|
certain it was--by the light in her eyes as she looked at me.
|
|
She was a fleshy, coarse woman."
|
|
|
|
"Well--I should not have called Arabella coarse exactly,
|
|
except in speech, though she may be getting so by this time under
|
|
the duties of the public house. She was rather handsome when I knew her."
|
|
|
|
"Handsome! But yes!--so she is!"
|
|
|
|
"I think I heard a quiver in your little mouth. Well, waiving that,
|
|
as she is nothing to me, and virtuously married to another man,
|
|
why should she come troubling us?"
|
|
|
|
"Are you sure she's married? Have you definite news of it?"
|
|
|
|
"No--not definite news. But that was why she asked me to release her.
|
|
She and the man both wanted to lead a proper life, as I understood."
|
|
|
|
"Oh Jude--it was, it WAS Arabella!" cried Sue, covering her eyes
|
|
with her hand. "And I am so miserable! It seems such an ill omen,
|
|
whatever she may have come for. You could not possibly see her,
|
|
could you?"
|
|
|
|
"I don't really think I could. It would be so very painful to talk
|
|
to her now--for her as much as for me. However, she's gone.
|
|
Did she say she would come again?"
|
|
|
|
"No. But she went away very reluctantly."
|
|
|
|
Sue, whom the least thing upset, could not eat any supper,
|
|
and when Jude had finished his he prepared to go to bed.
|
|
He had no sooner raked out the fire, fastened the doors, and got
|
|
to the top of the stairs than there came a knock. Sue instantly
|
|
emerged from her room, which she had but just entered.
|
|
|
|
"There she is again!" Sue whispered in appalled accents.
|
|
|
|
"How do you know?"
|
|
|
|
"She knocked like that last time."
|
|
|
|
They listened, and the knocking came again. No servant was kept
|
|
in the house, and if the summons were to be responded to one of them
|
|
would have to do it in person. "I'll open a window," said Jude.
|
|
"Whoever it is cannot be expected to be let in at this time."
|
|
|
|
He accordingly went into his bedroom and lifted the sash.
|
|
The lonely street of early retiring workpeople was empty from end
|
|
to end save of one figure--that of a woman walking up and down by
|
|
the lamp a few yards off.
|
|
|
|
"Who's there?" he asked.
|
|
|
|
"Is that Mr. Fawley?" came up from the woman, in a voice which was
|
|
unmistakably Arabella's.
|
|
|
|
Jude replied that it was.
|
|
|
|
"Is it she?" asked Sue from the door, with lips apart.
|
|
|
|
"Yes, dear," said Jude. "What do you want, Arabella?" he inquired.
|
|
|
|
"I beg your pardon, Jude, for disturbing you," said Arabella humbly.
|
|
"But I called earlier--I wanted particularly to see you to-night,
|
|
if I could. I am in trouble, and have nobody to help me!"
|
|
|
|
"In trouble, are you?"
|
|
|
|
"Yes."
|
|
|
|
There was a silence. An inconvenient sympathy seemed to be rising
|
|
in Jude's breast at the appeal. "But aren't you married?"
|
|
he said.
|
|
|
|
Arabella hesitated. "No, Jude, I am not," she returned.
|
|
"He wouldn't, after all. And I am in great difficulty.
|
|
I hope to get another situation as barmaid soon. But it takes time,
|
|
and I really am in great distress because of a sudden responsibility
|
|
that's been sprung upon me from Australia; or I wouldn't trouble you--
|
|
believe me I wouldn't. I want to tell you about it."
|
|
|
|
Sue remained at gaze, in painful tension, hearing every word,
|
|
but speaking none.
|
|
|
|
"You are not really in want of money, Arabella?" he asked,
|
|
in a distinctly softened tone.
|
|
|
|
"I have enough to pay for the night's lodging I have obtained,
|
|
but barely enough to take me back again."
|
|
|
|
"Where are you living?"
|
|
|
|
"In London still." She was about to give the address, but she said,
|
|
"I am afraid somebody may hear, so I don't like to call out particulars
|
|
of myself so loud. If you could come down and walk a little way
|
|
with me towards the Prince Inn, where I am staying to-night, I
|
|
would explain all. You may as well, for old time's sake!"
|
|
|
|
"Poor thing! I must do her the kindness of hearing what's the matter,
|
|
I suppose," said Jude in much perplexity. "As she's going back
|
|
to-morrow it can't make much difference."
|
|
|
|
"But you can go and see her to-morrow, Jude! Don't go now, Jude!"
|
|
came in plaintive accents from the doorway. "Oh, it is only
|
|
to entrap you, I know it is, as she did before! Don't go, dear!
|
|
She is such a low-passioned woman--I can see it in her shape,
|
|
and hear it in her voice!
|
|
|
|
"But I shall go," said Jude. "Don't attempt to detain me, Sue. God knows
|
|
I love her little enough now, but I don't want to be cruel to her."
|
|
He turned to the stairs.
|
|
|
|
"But she's not your wife!" cried Sue distractedly. "And I----"
|
|
|
|
"And you are not either, dear, yet," said Jude.
|
|
|
|
"Oh, but are you going to her? Don't! Stay at home! Please, please stay
|
|
at home, Jude, and not go to her, now she's not your wife any more than I!"
|
|
|
|
"Well, she is, rather more than you, come to that," he said,
|
|
taking his hat determinedly. "I've wanted you to be, and I've
|
|
waited with the patience of Job, and I don't see that I've got
|
|
anything by my self-denial. I shall certainly give her something,
|
|
and hear what it is she is so anxious to tell me; no man could
|
|
do less!"
|
|
|
|
There was that in his manner which she knew it would be futile to oppose.
|
|
She said no more, but, turning to her room as meekly as a martyr,
|
|
heard him go down-stairs, unbolt the door, and close it behind him.
|
|
With a woman's disregard of her dignity when in the presence of nobody
|
|
but herself, she also trotted down, sobbing articulately as she went.
|
|
She listened. She knew exactly how far it was to the inn that Arabella
|
|
had named as her lodging. It would occupy about seven minutes
|
|
to get there at an ordinary walking pace; seven to come back again.
|
|
If he did not return in fourteen minutes he would have lingered.
|
|
She looked at the clock. It was twenty-five minutes to eleven. He MIGHT
|
|
enter the inn with Arabella, as they would reach it before closing time;
|
|
she might get him to drink with her; and Heaven only knew what disasters
|
|
would befall him then.
|
|
|
|
In a still suspense she waited on. It seemed as if the whole time
|
|
had nearly elapsed when the door was opened again, and Jude appeared.
|
|
|
|
Sue gave a little ecstatic cry. "Oh, I knew I could trust you!--
|
|
how good you are!"--she began.
|
|
|
|
"I can't find her anywhere in this street, and I went out
|
|
in my slippers only. She has walked on, thinking I've been
|
|
so hard-hearted as to refuse her requests entirely, poor woman.
|
|
I've come back for my boots, as it is beginning to rain."
|
|
|
|
"Oh, but why should you take such trouble for a woman who has served
|
|
you so badly!" said Sue in a jealous burst of disappointment.
|
|
|
|
"But, Sue, she's a woman, and I once cared for her; and one can't
|
|
be a brute in such circumstances."
|
|
|
|
"She isn't your wife any longer!" exclaimed Sue, passionately excited.
|
|
"You MUSTN'T go out to find her! It isn't right! You CAN'T join her,
|
|
now she's a stranger to you. How can you forget such a thing, my dear,
|
|
dear one!"
|
|
|
|
"She seems much the same as ever--an erring, careless,
|
|
unreflecting fellow-creature," he said, continuing to pull on his boots.
|
|
"What those legal fellows have been playing at in London makes
|
|
no difference in my real relations to her. If she was my wife
|
|
while she was away in Australia with another husband she's my wife now."
|
|
|
|
"But she wasn't! That's just what I hold! There's the absurdity!--
|
|
Well--you'll come straight back, after a few minutes, won't you, dear?
|
|
She is too low, too coarse for you to talk to long, Jude, and was always!"
|
|
|
|
"Perhaps I am coarse too, worse luck! I have the germs of every
|
|
human infirmity in me, I verily believe--that was why I saw
|
|
it was so preposterous of me to think of being a curate.
|
|
I have cured myself of drunkenness I think; but I never know
|
|
in what new form a suppressed vice will break out in me!
|
|
I do love you, Sue, though I have danced attendance on you so long
|
|
for such poor returns! All that's best and noblest in me loves you,
|
|
and your freedom from everything that's gross has elevated me,
|
|
and enabled me to do what I should never have dreamt myself capable of,
|
|
or any man, a year or two ago. It is all very well to preach
|
|
about self-control, and the wickedness of coercing a woman.
|
|
But I should just like a few virtuous people who have condemned
|
|
me in the past, about Arabella and other things, to have been
|
|
in my tantalizing position with you through these late weeks!--
|
|
they'd believe, I think, that I have exercised some little restraint
|
|
in always giving in to your wishes--living here in one house,
|
|
and not a soul between us."
|
|
|
|
"Yes, you have been good to me, Jude; I know you have, my dear protector."
|
|
|
|
"Well--Arabella has appealed to me for help. I must go out and speak
|
|
to her, Sue, at least!"
|
|
|
|
"I can't say any more!--Oh, if you must, you must!" she said,
|
|
bursting out into sobs that seemed to tear her heart.
|
|
"I have nobody but you, Jude, and you are deserting me!
|
|
I didn't know you were like this--I can't bear it, I can't! If she
|
|
were yours it would be different!"
|
|
|
|
"Or if you were."
|
|
|
|
"Very well then--if I must I must. Since you will have it so, I agree!
|
|
I will be. Only I didn't mean to! And I didn't want to marry again,
|
|
either! ... But, yes--I agree, I agree! I do love you.
|
|
I ought to have known that you would conquer in the long run,
|
|
living like this!"
|
|
|
|
She ran across and flung her arms round his neck. "I am not a
|
|
cold-natured, sexless creature, am I, for keeping you at such a distance?
|
|
I am sure you don't think so! Wait and see! I do belong to you,
|
|
don't I? I give in!"
|
|
|
|
"And I'll arrange for our marriage to-morrow, or as soon as ever
|
|
you wish."
|
|
|
|
"Yes, Jude."
|
|
|
|
"Then I'll let her go," said he, embracing Sue softly. "I do feel
|
|
that it would be unfair to you to see her, and perhaps unfair to her.
|
|
She is not like you, my darling, and never was: it is only bare justice
|
|
to say that. Don't cry any more. There; and there; and there!"
|
|
He kissed her on one side, and on the other, and in the middle,
|
|
and rebolted the front door.
|
|
|
|
The next morning it was wet.
|
|
|
|
"Now, dear," said Jude gaily at breakfast; "as this is Saturday
|
|
I mean to call about the banns at once, so as to get the first
|
|
publishing done to-morrow, or we shall lose a week. Banns will do?
|
|
We shall save a pound or two."
|
|
|
|
Sue absently agreed to banns. But her mind for the moment was
|
|
running on something else. A glow had passed away from her,
|
|
and depression sat upon her features.
|
|
|
|
"I feel I was wickedly selfish last night!" she murmured.
|
|
"It was sheer unkindness in me--or worse--to treat Arabella as I did.
|
|
I didn't care about her being in trouble, and what she wished
|
|
to tell you! Perhaps it was really something she was justified
|
|
in telling you. That's some more of my badness, I suppose!
|
|
Love has its own dark morality when rivalry enters in--at least,
|
|
mine has, if other people's hasn't.... I wonder how she got on?
|
|
I hope she reached the inn all right, poor woman."
|
|
|
|
"Oh yes: she got on all right," said Jude placidly.
|
|
|
|
"I hope she wasn't shut out, and that she hadn't to walk the streets
|
|
in the rain. Do you mind my putting on my waterproof and going
|
|
to see if she got in? I've been thinking of her all the morning."
|
|
|
|
"Well--is it necessary? You haven't the least idea how Arabella
|
|
is able to shift for herself. Still, darling, if you want to go
|
|
and inquire you can."
|
|
|
|
There was no limit to the strange and unnecessary penances which Sue
|
|
would meekly undertake when in a contrite mood; and this going
|
|
to see all sorts of extraordinary persons whose relation to her
|
|
was precisely of a kind that would have made other people shun
|
|
them was her instinct ever, so that the request did not surprise him.
|
|
|
|
"And when you come back," he added, "I'll be ready to go about the banns.
|
|
You'll come with me?"
|
|
|
|
Sue agreed, and went off under cloak and umbrella letting Jude kiss
|
|
her freely, and returning his kisses in a way she had never done before.
|
|
Times had decidedly changed. "The little bird is caught at last!"
|
|
she said, a sadness showing in her smile.
|
|
|
|
"No--only nested," he assured her.
|
|
|
|
She walked along the muddy street till she reached the public house
|
|
mentioned by Arabella, which was not so very far off. She was informed
|
|
that Arabella had not yet left, and in doubt how to announce herself
|
|
so that her predecessor in Jude's affections would recognize her,
|
|
she sent up word that a friend from Spring Street had called,
|
|
naming the place of Jude's residence. She was asked to step upstairs,
|
|
and on being shown into a room found that it was Arabella's bedroom,
|
|
and that the latter had not yet risen. She halted on the turn of her
|
|
toe till Arabella cried from the bed, "Come in and shut the door,"
|
|
which Sue accordingly did.
|
|
|
|
Arabella lay facing the window, and did not at once turn her head:
|
|
and Sue was wicked enough, despite her penitence, to wish for a moment
|
|
that Jude could behold her forerunner now, with the daylight full upon her.
|
|
She may have seemed handsome enough in profile under the lamps,
|
|
but a frowsiness was apparent this morning; and the sight of her
|
|
own fresh charms in the looking-glass made Sue's manner bright,
|
|
till she reflected what a meanly sexual emotion this was in her,
|
|
and hated herself for it.
|
|
|
|
"I've just looked in to see if you got back comfortably last night,
|
|
that's all," she said gently. "I was afraid afterwards that you
|
|
might have met with any mishap?"
|
|
|
|
"Oh--how stupid this is! I thought my visitor was--your friend--
|
|
your husband--Mrs. Fawley, as I suppose you call yourself?" said Arabella,
|
|
flinging her head back upon the pillows with a disappointed toss,
|
|
and ceasing to retain the dimple she had just taken the trouble
|
|
to produce.
|
|
|
|
"Indeed I don't," said Sue.
|
|
|
|
"Oh, I thought you might have, even if he's not really yours.
|
|
Decency is decency, any hour of the twenty-four."
|
|
|
|
"I don't know what you mean," said Sue stiffly. "He is mine,
|
|
if you come to that!"
|
|
|
|
"He wasn't yesterday."
|
|
|
|
Sue coloured roseate, and said "How do you know?"
|
|
|
|
"From your manner when you talked to me at the door. Well, my dear,
|
|
you've been quick about it, and I expect my visit last night helped it on--
|
|
ha-ha! But I don't want to get him away from you."
|
|
|
|
Sue looked out at the rain, and at the dirty toilet-cover, and at
|
|
the detached tail of Arabella's hair hanging on the looking-glass,
|
|
just as it had done in Jude's time; and wished she had not come.
|
|
In the pause there was a knock at the door, and the chambermaid brought
|
|
in a telegram for "Mrs. Cartlett."
|
|
|
|
Arabella opened it as she lay, and her ruffled look disappeared.
|
|
|
|
"I am much obliged to you for your anxiety about me," she said blandly
|
|
when the maid had gone; "but it is not necessary you should feel it.
|
|
My man finds he can't do without me after all, and agrees to stand
|
|
by the promise to marry again over here that he has made me all along.
|
|
See here! This is in answer to one from me." She held out the telegram
|
|
for Sue to read, but Sue did not take it. "He asks me to come back.
|
|
His little corner public in Lambeth would go to pieces without me,
|
|
he says. But he isn't going to knock me about when he has had a drop,
|
|
any more after we are spliced by English law than before! ... As
|
|
for you, I should coax Jude to take me before the parson straight off,
|
|
and have done with it, if I were in your place. I say it as a friend,
|
|
my dear."
|
|
|
|
"He's waiting to, any day," returned Sue, with frigid pride.
|
|
|
|
"Then let him, in Heaven's name. Life with a man is more businesslike
|
|
after it, and money matters work better. And then, you see,
|
|
if you have rows, and he turns you out of doors, you can get the law
|
|
to protect you, which you can't otherwise, unless he half-runs
|
|
you through with a knife, or cracks your noddle with a poker.
|
|
And if he bolts away from you--I say it friendly, as woman to woman,
|
|
for there's never any knowing what a man med do--you'll have
|
|
the sticks o' furniture, and won't be looked upon as a thief.
|
|
I shall marry my man over again, now he's willing, as there was a little
|
|
flaw in the first ceremony. In my telegram last night which this
|
|
is an answer to, I told him I had almost made it up with Jude;
|
|
and that frightened him, I expect! Perhaps I should quite have done it
|
|
if it hadn't been for you," she said laughing; "and then how different
|
|
our histories might have been from to-day! Never such a tender fool
|
|
as Jude is if a woman seems in trouble, and coaxes him a bit!
|
|
Just as he used to be about birds and things. However, as it happens,
|
|
it is just as well as if I had made it up, and I forgive you.
|
|
And, as I say, I'd advise you to get the business legally done
|
|
as soon as possible. You'll find it an awful bother later on if
|
|
you don't."
|
|
|
|
"I have told you he is asking me to marry him--to make our
|
|
natural marriage a legal one," said Sue, with yet more dignity.
|
|
"It was quite by my wish that he didn't the moment I was free."
|
|
|
|
"Ah, yes--you are a oneyer too, like myself," said Arabella,
|
|
eyeing her visitor with humorous criticism. "Bolted from your first,
|
|
didn't you, like me?"
|
|
|
|
"Good morning!--I must go," said Sue hastily.
|
|
|
|
"And I, too, must up and off!" replied the other, springing out
|
|
of bed so suddenly that the soft parts of her person shook.
|
|
Sue jumped aside in trepidation. "Lord, I am only a woman--
|
|
not a six-foot sojer! ... Just a moment, dear," she continued,
|
|
putting her hand on Sue's arm. "I really did want to consult
|
|
Jude on a little matter of business, as I told him. I came about
|
|
that more than anything else. Would he run up to speak to me
|
|
at the station as I am going? You think not. Well, I'll write
|
|
to him about it. I didn't want to write it, but never mind--
|
|
I will."
|
|
|
|
III
|
|
|
|
WHEN Sue reached home Jude was awaiting her at the door to take
|
|
the initial step towards their marriage. She clasped his arm,
|
|
and they went along silently together, as true comrades oft-times do.
|
|
He saw that she was preoccupied, and forbore to question her.
|
|
|
|
"Oh Jude--I've been talking to her," she said at last. "I wish I
|
|
hadn't! And yet it is best to be reminded of things."
|
|
|
|
"I hope she was civil."
|
|
|
|
"Yes. I--I can't help liking her--just a little bit!
|
|
She's not an ungenerous nature; and I am so glad her difficulties
|
|
have all suddenly ended." She explained how Arabella had been
|
|
summoned back, and would be enabled to retrieve her position.
|
|
"I was referring to our old question. What Arabella has been
|
|
saying to me has made me feel more than ever how hopelessly vulgar
|
|
an institution legal marriage is--a sort of trap to catch a man--
|
|
I can't bear to think of it. I wish I hadn't promised to let you put up
|
|
the banns this morning!"
|
|
|
|
"Oh, don't mind me. Any time will do for me. I thought you
|
|
might like to get it over quickly, now."
|
|
|
|
"Indeed, I don't feel any more anxious now than I did before.
|
|
Perhaps with any other man I might be a little anxious; but among
|
|
the very few virtues possessed by your family and mine, dear, I think
|
|
I may set staunchness. So I am not a bit frightened about losing you,
|
|
now I really am yours and you really are mine. In fact, I am easier
|
|
in my mind than I was, for my conscience is clear about Richard,
|
|
who now has a right to his freedom. I felt we were deceiving
|
|
him before."
|
|
|
|
"Sue, you seem when you are like this to be one of the women of some
|
|
grand old civilization, whom I used to read about in my bygone, wasted,
|
|
classical days, rather than a denizen of a mere Christian country.
|
|
I almost expect you to say at these times that you have just been talking
|
|
to some friend whom you met in the Via Sacra, about the latest news
|
|
of Octavia or Livia; or have been listening to Aspasia's eloquence,
|
|
or have been watching Praxiteles chiselling away at his latest Venus,
|
|
while Phryne made complaint that she was tired of posing."
|
|
|
|
They had now reached the house of the parish clerk. Sue stood back,
|
|
while her lover went up to the door. His hand was raised to knock
|
|
when she said: "Jude!"
|
|
|
|
He looked round.
|
|
|
|
"Wait a minute, would you mind?"
|
|
|
|
He came back to her.
|
|
|
|
"Just let us think," she said timidly. "I had such a horrid dream
|
|
one night! ... And Arabella----"
|
|
|
|
"What did Arabella say to you?" he asked
|
|
|
|
"Oh, she said that when people were tied up you could get the law of a
|
|
man better if he beat you--and how when couples quarrelled.... Jude,
|
|
do you think that when you must have me with you by law, we shall
|
|
be so happy as we are now? The men and women of our family
|
|
are very generous when everything depends upon their goodwill,
|
|
but they always kick against compulsion. Don't you dread the attitude
|
|
that insensibly arises out of legal obligation? Don't you think
|
|
it is destructive to a passion whose essence is its gratuitousness?"
|
|
|
|
"Upon my word, love, you are beginning to frighten me, too, with all
|
|
this foreboding! Well, let's go back and think it over."
|
|
|
|
Her face brightened. "Yes--so we will!" said she. And they turned
|
|
from the clerk's door, Sue taking his arm and murmuring as they
|
|
walked on homeward:
|
|
|
|
Can you keep the bee from ranging,
|
|
Or the ring-dove s neck from changing?
|
|
No! Nor fetter'd love ...
|
|
|
|
They thought it over, or postponed thinking. Certainly they
|
|
postponed action, and seemed to live on in a dreamy paradise.
|
|
At the end of a fortnight or three weeks matters remained unadvanced,
|
|
and no banns were announced to the ears of any Aldbrickham congregation.
|
|
|
|
Whilst they were postponing and postponing thus a letter and a
|
|
newspaper arrived before breakfast one morning from Arabella.
|
|
Seeing the handwriting Jude went up to Sue's room and told her,
|
|
and as soon as she was dressed she hastened down. Sue opened
|
|
the newspaper; Jude the letter. After glancing at the paper she
|
|
held across the first page to him with her finger on a paragraph;
|
|
but he was so absorbed in his letter that he did not turn awhile.
|
|
|
|
"Look!" said she.
|
|
|
|
He looked and read. The paper was one that circulated in South
|
|
London only, and the marked advertisement was simply the announcement
|
|
of a marriage at St. John's Church, Waterloo Road, under the names,
|
|
"CARTLETT--DONN"; the united pair being Arabella and the inn-keeper.
|
|
|
|
"Well, it is satisfactory," said Sue complacently. "Though, after this,
|
|
it seems rather low to do likewise, and I am glad. However, she is
|
|
provided for now in a way, I suppose, whatever her faults, poor thing.
|
|
It is nicer that we are able to think that, than to be uneasy
|
|
about her. I ought, too, to write to Richard and ask him how he
|
|
is getting on, perhaps?"
|
|
|
|
But Jude's attention was still absorbed. Having merely glanced at
|
|
the announcement he said in a disturbed voice: "Listen to this letter.
|
|
What shall I say or do?"
|
|
|
|
THE THREE HORNS, LAMBETH.
|
|
|
|
DEAR JUDE (I won't be so distant as to call you Mr. Fawley),--
|
|
I send to-day a newspaper, from which useful document you will
|
|
learn that I was married over again to Cartlett last Tuesday.
|
|
So that business is settled right and tight at last. But what I write
|
|
about more particular is that private affair I wanted to speak to you
|
|
on when I came down to Aldbrickham. I couldn't very well tell it
|
|
to your lady friend, and should much have liked to let you know it
|
|
by word of mouth, as I could have explained better than by letter.
|
|
The fact is, Jude, that, though I have never informed you before,
|
|
there was a boy born of our marriage, eight months after I left you,
|
|
when I was at Sydney, living with my father and mother.
|
|
All that is easily provable. As I had separated from you before I
|
|
thought such a thing was going to happen, and I was over there,
|
|
and our quarrel had been sharp, I did not think it convenient to write
|
|
about the birth. I was then looking out for a good situation,
|
|
so my parents took the child, and he has been with them ever since.
|
|
That was why I did not mention it when I met you in Christminster,
|
|
nor at the law proceedings. He is now of an intelligent age,
|
|
of course, and my mother and father have lately written to say that,
|
|
as they have rather a hard struggle over there, and I am settled
|
|
comfortably here, they don't see why they should be encumbered
|
|
with the child any longer, his parents being alive. I would have him
|
|
with me here in a moment, but he is not old enough to be of any use
|
|
in the bar nor will be for years and years, and naturally Cartlett
|
|
might think him in the way. They have, however, packed him off
|
|
to me in charge of some friends who happened to be coming home,
|
|
and I must ask you to take him when he arrives, for I don't know
|
|
what to do with him. He is lawfully yours, that I solemnly swear.
|
|
If anybody says he isn't, call them brimstone liars, for my sake.
|
|
Whatever I may have done before or afterwards, I was honest to you
|
|
from the time we were married till I went away, and I remain, yours,
|
|
&c.,
|
|
|
|
ARABELLA CARTLETT.
|
|
|
|
Sue's look was one of dismay. "What will you do, dear?" she asked faintly.
|
|
|
|
Jude did not reply, and Sue watched him anxiously, with heavy breaths.
|
|
|
|
"It hits me hard!" said he in an under-voice. "It MAY be true!
|
|
I can't make it out. Certainly, if his birth was exactly when she says,
|
|
he's mine. I cannot think why she didn't tell me when I met her
|
|
at Christminster, and came on here that evening with her! ... Ah--
|
|
I do remember now that she said something about having a thing
|
|
on her mind that she would like me to know, if ever we lived
|
|
together again."
|
|
|
|
"The poor child seems to be wanted by nobody!" Sue replied,
|
|
and her eyes filled.
|
|
|
|
Jude had by this time come to himself. "What a view of life he must have,
|
|
mine or not mine!" he said. "I must say that, if I were better off,
|
|
I should not stop for a moment to think whose he might be.
|
|
I would take him and bring him up. The beggarly question of parentage--
|
|
what is it, after all? What does it matter, when you come
|
|
to think of it, whether a child is yours by blood or not?
|
|
All the little ones of our time are collectively the children
|
|
of us adults of the time, and entitled to our general care.
|
|
That excessive regard of parents for their own children, and their
|
|
dislike of other people's, is, like class-feeling, patriotism,
|
|
save-your-own-soul-ism, and other virtues, a mean exclusiveness
|
|
at bottom."
|
|
|
|
Sue jumped up and kissed Jude with passionate devotion.
|
|
"Yes--so it is, dearest! And we'll have him here! And if he
|
|
isn't yours it makes it all the better. I do hope he isn't--
|
|
though perhaps I ought not to feel quite that! If he isn't, I
|
|
should like so much for us to have him as an adopted child!"
|
|
|
|
"Well, you must assume about him what is most pleasing to you,
|
|
my curious little comrade!" he said. "I feel that, anyhow, I don't
|
|
like to leave the unfortunate little fellow to neglect. Just think
|
|
of his life in a Lambeth pothouse, and all its evil influences,
|
|
with a parent who doesn't want him, and has, indeed, hardly seen him,
|
|
and a stepfather who doesn't know him. 'Let the day perish wherein
|
|
I was born, and the night in which it was said, There is a man
|
|
child conceived!' That's what the boy--my boy, perhaps, will find
|
|
himself saying before long!"
|
|
|
|
"Oh no!"
|
|
|
|
"As I was the petitioner, I am really entitled to his custody,
|
|
I suppose."
|
|
|
|
"Whether or no, we must have him. I see that. I'll do the best I
|
|
can to be a mother to him, and we can afford to keep him somehow.
|
|
I'll work harder. I wonder when he'll arrive?"
|
|
|
|
"In the course of a few weeks, I suppose."
|
|
|
|
"I wish--When shall we have courage to marry, Jude?"
|
|
|
|
"Whenever you have it, I think I shall. It remains
|
|
with you entirely, dear. Only say the word, and it's done."
|
|
|
|
"Before the boy comes?"
|
|
|
|
"Certainly."
|
|
|
|
"It would make a more natural home for him, perhaps," she murmured.
|
|
|
|
Jude thereupon wrote in purely formal terms to request that the boy
|
|
should be sent on to them as soon as he arrived, making no remark
|
|
whatever on the surprising nature of Arabella's information,
|
|
nor vouchsafing a single word of opinion on the boy's paternity,
|
|
nor on whether, had he known all this, his conduct towards her would
|
|
have been quite the same.
|
|
|
|
In the down-train that was timed to reach Aldbrickham station
|
|
about ten o'clock the next evening, a small, pale child's face could
|
|
be seen in the gloom of a third-class carriage. He had large,
|
|
frightened eyes, and wore a white woollen cravat, over which a
|
|
key was suspended round his neck by a piece of common string:
|
|
the key attracting attention by its occasional shine in the lamplight.
|
|
In the band of his hat his half-ticket was stuck. His eyes
|
|
remained mostly fixed on the back of the seat opposite, and never
|
|
turned to the window even when a station was reached and called.
|
|
On the other seat were two or three passengers, one of them a working
|
|
woman who held a basket on her lap, in which was a tabby kitten.
|
|
The woman opened the cover now and then, whereupon the kitten
|
|
would put out its head, and indulge in playful antics. At these
|
|
the fellow-passengers laughed, except the solitary boy bearing
|
|
the key and ticket, who, regarding the kitten with his saucer eyes,
|
|
seemed mutely to say: "All laughing comes from misapprehension.
|
|
Rightly looked at there is no laughable thing under the sun."
|
|
|
|
Occasionally at a stoppage the guard would look into the compartment
|
|
and say to the boy, "All right, my man. Your box is safe in the van."
|
|
The boy would say, "Yes," without animation, would try to smile,
|
|
and fail.
|
|
|
|
He was Age masquerading as Juvenility, and doing it so badly
|
|
that his real self showed through crevices. A ground-swell
|
|
from ancient years of night seemed now and then to lift the child
|
|
in this his morning-life, when his face took a back view over
|
|
some great Atlantic of Time, and appeared not to care about what it saw.
|
|
|
|
When the other travellers closed their eyes, which they did one by one--
|
|
even the kitten curling itself up in the basket, weary of its too
|
|
circumscribed play--the boy remained just as before. He then
|
|
seemed to be doubly awake, like an enslaved and dwarfed divinity,
|
|
sitting passive and regarding his companions as if he saw their whole
|
|
rounded lives rather than their immediate figures.
|
|
|
|
This was Arabella's boy. With her usual carelessness she had postponed
|
|
writing to Jude about him till the eve of his landing, when she could
|
|
absolutely postpone no longer, though she had known for weeks of his
|
|
approaching arrival, and had, as she truly said, visited Aldbrickham
|
|
mainly to reveal the boy's existence and his near home-coming to Jude.
|
|
This very day on which she had received her former husband's answer
|
|
at some time in the afternoon, the child reached the London Docks,
|
|
and the family in whose charge he had come, having put him into
|
|
a cab for Lambeth and directed the cabman to his mother's house,
|
|
bade him good-bye, and went their way.
|
|
|
|
On his arrival at the Three Horns, Arabella had looked him
|
|
over with an expression that was as good as saying, "You are
|
|
very much what I expected you to be," had given him a good meal,
|
|
a little money, and, late as it was getting, dispatched him to Jude
|
|
by the next train, wishing her husband Cartlett, who was out,
|
|
not to see him.
|
|
|
|
The train reached Aldbrickham, and the boy was deposited on the lonely
|
|
platform beside his box. The collector took his ticket and,
|
|
with a meditative sense of the unfitness of things, asked him
|
|
where he was going by himself at that time of night.
|
|
|
|
"Going to Spring Street," said the little one impassively.
|
|
|
|
"Why, that's a long way from here; a'most out in the country;
|
|
and the folks will be gone to bed."
|
|
|
|
"I've got to go there."
|
|
|
|
"You must have a fly for your box."
|
|
|
|
"No. I must walk."
|
|
|
|
"Oh well: you'd better leave your box here and send for it.
|
|
There's a 'bus goes half-way, but you'll have to walk the rest."
|
|
|
|
"I am not afraid."
|
|
|
|
"Why didn't your friends come to meet 'ee?"
|
|
|
|
"I suppose they didn't know I was coming."
|
|
|
|
"Who is your friends?"
|
|
|
|
"Mother didn't wish me to say."
|
|
|
|
"All I can do, then, is to take charge of this. Now walk as fast
|
|
as you can."
|
|
|
|
Saying nothing further the boy came out into the street, looking round
|
|
to see that nobody followed or observed him. When he had walked
|
|
some little distance he asked for the street of his destination.
|
|
He was told to go straight on quite into the outskirts of the place.
|
|
|
|
The child fell into a steady mechanical creep which had in it
|
|
an impersonal quality--the movement of the wave, or of the breeze,
|
|
or of the cloud. He followed his directions literally, without an
|
|
inquiring gaze at anything. It could have been seen that the boy's
|
|
ideas of life were different from those of the local boys.
|
|
Children begin with detail, and learn up to the general; they begin
|
|
with the contiguous, and gradually comprehend the universal.
|
|
The boy seemed to have begun with the generals of life,
|
|
and never to have concerned himself with the particulars.
|
|
To him the houses, the willows, the obscure fields beyond,
|
|
were apparently regarded not as brick residences, pollards, meadows;
|
|
but as human dwellings in the abstract, vegetation, and the wide
|
|
dark world.
|
|
|
|
He found the way to the little lane, and knocked at the door
|
|
of Jude's house. Jude had just retired to bed, and Sue was about
|
|
to enter her chamber adjoining when she heard the knock and came down.
|
|
|
|
"Is this where Father lives?" asked the child.
|
|
|
|
"Who?"
|
|
|
|
"Mr. Fawley, that's his name."
|
|
|
|
Sue ran up to Jude's room and told him, and he hurried down as soon
|
|
as he could, though to her impatience he seemed long.
|
|
|
|
"What--is it he--so soon?" she asked as Jude came.
|
|
|
|
She scrutinized the child's features, and suddenly went away into
|
|
the little sitting-room adjoining. Jude lifted the boy to a level
|
|
with himself, keenly regarded him with gloomy tenderness, and telling
|
|
him he would have been met if they had known of his coming so soon,
|
|
set him provisionally in a chair whilst he went to look for Sue,
|
|
whose supersensitiveness was disturbed, as he knew. He found her
|
|
in the dark, bending over an arm-chair. He enclosed her with his arm,
|
|
and putting his face by hers, whispered, "What's the matter?"
|
|
|
|
"What Arabella says is true--true! I see you in him!"
|
|
|
|
"Well: that's one thing in my life as it should be, at any rate."
|
|
|
|
"But the other half of him is--SHE! And that's what I can't bear!
|
|
But I ought to--I'll try to get used to it; yes, I ought!"
|
|
|
|
"Jealous little Sue! I withdraw all remarks about your sexlessness.
|
|
Never mind! Time may right things.... And Sue, darling; I have an idea!
|
|
We'll educate and train him with a view to the university.
|
|
What I couldn't accomplish in my own person perhaps I can carry
|
|
out through him? They are making it easier for poor students now,
|
|
you know."
|
|
|
|
"Oh you dreamer!" said she, and holding his hand returned to the child
|
|
with him. The boy looked at her as she had looked at him.
|
|
"Is it you who's my REAL mother at last?" he inquired.
|
|
|
|
"Why? Do I look like your father's wife?"
|
|
|
|
"Well, yes; 'cept he seems fond of you, and you of him.
|
|
Can I call you Mother?"
|
|
|
|
Then a yearning look came over the child and he began to cry.
|
|
Sue thereupon could not refrain from instantly doing likewise,
|
|
being a harp which the least wind of emotion from another's heart could
|
|
make to vibrate as readily as a radical stir in her own.
|
|
|
|
"You may call me Mother, if you wish to, my poor dear!" she said,
|
|
bending her cheek against his to hide her tears.
|
|
|
|
"What's this round your neck?" asked Jude with affected calmness.
|
|
|
|
"The key of my box that's at the station."
|
|
|
|
They bustled about and got him some supper, and made him up
|
|
a temporary bed, where he soon fell asleep. Both went and looked
|
|
at him as he lay.
|
|
|
|
"He called you Mother two or three times before he dropped off,"
|
|
murmured Jude. "Wasn't it odd that he should have wanted to!"
|
|
|
|
"Well--it was significant," said Sue. "There's more for us to
|
|
think about in that one little hungry heart than in all the stars
|
|
of the sky.... I suppose, dear, we must pluck up courage, and get
|
|
that ceremony over? It is no use struggling against the current,
|
|
and I feel myself getting intertwined with my kind. Oh Jude,
|
|
you'll love me dearly, won't you, afterwards! I do want to be kind
|
|
to this child, and to be a mother to him; and our adding the legal
|
|
form to our marriage might make it easier for me."
|
|
|
|
IV
|
|
|
|
THEIR next and second attempt thereat was more deliberately made,
|
|
though it was begun on the morning following the singular child's
|
|
arrival at their home.
|
|
|
|
Him they found to be in the habit of sitting silent, his quaint
|
|
and weird face set, and his eyes resting on things they did not see
|
|
in the substantial world.
|
|
|
|
"His face is like the tragic mask of Melpomene," said Sue.
|
|
"What is your name, dear? Did you tell us?"
|
|
|
|
"Little Father Time is what they always called me. It is a nickname;
|
|
because I look so aged, they say."
|
|
|
|
"And you talk so, too," said Sue tenderly. "It is strange,
|
|
Jude, that these preternaturally old boys almost always
|
|
come from new countries. But what were you christened?"
|
|
|
|
"I never was."
|
|
|
|
"Why was that?"
|
|
|
|
"Because, if I died in damnation, 'twould save the expense
|
|
of a Christian funeral."
|
|
|
|
"Oh--your name is not Jude, then?" said his father with some disappointment.
|
|
|
|
The boy shook his head. "Never heerd on it."
|
|
|
|
"Of course not," said Sue quickly; "since she was hating you
|
|
all the time!"
|
|
|
|
"We'll have him christened," said Jude; and privately to Sue:
|
|
"The day we are married." Yet the advent of the child disturbed him.
|
|
|
|
Their position lent them shyness, and having an impression that a
|
|
marriage at a superintendent registrar's office was more private
|
|
than an ecclesiastical one, they decided to avoid a church this time.
|
|
Both Sue and Jude together went to the office of the district
|
|
to give notice: they had become such companions that they could
|
|
hardly do anything of importance except in each other's company.
|
|
|
|
Jude Fawley signed the form of notice, Sue looking over his
|
|
shoulder and watching his hand as it traced the words.
|
|
As she read the four-square undertaking, never before seen by her,
|
|
into which her own and Jude's names were inserted, and by which
|
|
that very volatile essence, their love for each other, was supposed
|
|
to be made permanent, her face seemed to grow painfully apprehensive.
|
|
"Names and Surnames of the Parties"--(they were to be parties now,
|
|
not lovers, she thought). "Condition"--(a horrid idea)--"Rank
|
|
or Occupation"--"Age"--"Dwelling at"--"Length of Residence"--"Church
|
|
or Building in which the Marriage is to be solemnized"--
|
|
"District and County in which the Parties respectively dwell."
|
|
|
|
"It spoils the sentiment, doesn't it!" she said on their way home.
|
|
"It seems making a more sordid business of it even than signing
|
|
the contract in a vestry. There is a little poetry in a church.
|
|
But we'll try to get through with it, dearest, now."
|
|
|
|
"We will. 'For what man is he that hath betrothed a wife and hath
|
|
not taken her? Let him go and return unto his house, lest he die
|
|
in the battle, and another man take her.' So said the Jewish law-giver."
|
|
|
|
"How you know the Scriptures, Jude! You really ought to have been
|
|
a parson. I can only quote profane writers!"
|
|
|
|
During the interval before the issuing of the certificate Sue,
|
|
in her housekeeping errands, sometimes walked past the office,
|
|
and furtively glancing in saw affixed to the wall the notice of
|
|
the purposed clinch to their union. She could not bear its aspect.
|
|
Coming after her previous experience of matrimony, all the romance
|
|
of their attachment seemed to be starved away by placing her
|
|
present case in the same category. She was usually leading little
|
|
Father Time by the hand, and fancied that people thought him hers,
|
|
and regarded the intended ceremony as the patching up of an
|
|
old error.
|
|
|
|
Meanwhile Jude decided to link his present with his past in some
|
|
slight degree by inviting to the wedding the only person remaining
|
|
on earth who was associated with his early life at Marygreen--
|
|
the aged widow Mrs. Edlin, who had been his great-aunt's friend and
|
|
nurse in her last illness. He hardly expected that she would come;
|
|
but she did, bringing singular presents, in the form of apples, jam,
|
|
brass snuffers, an ancient pewter dish, a warming-pan, and an enormous
|
|
bag of goose feathers towards a bed. She was allotted the spare
|
|
room in Jude's house, whither she retired early, and where they
|
|
could hear her through the ceiling below, honestly saying the Lord's
|
|
Prayer in a loud voice, as the Rubric directed.
|
|
|
|
As, however, she could not sleep, and discovered that Sue and
|
|
Jude were still sitting up--it being in fact only ten o'clock--
|
|
she dressed herself again and came down, and they all sat by the fire
|
|
till a late hour--Father Time included; though, as he never spoke,
|
|
they were hardly conscious of him.
|
|
|
|
"Well, I bain't set against marrying as your great-aunt was,"
|
|
said the widow. "And I hope 'twill be a jocund wedding
|
|
for ye in all respects this time. Nobody can hope it more,
|
|
knowing what I do of your families, which is more, I suppose,
|
|
than anybody else now living. For they have been unlucky that way,
|
|
God knows."
|
|
|
|
Sue breathed uneasily.
|
|
|
|
"They was always good-hearted people, too--wouldn't kill a fly if they
|
|
knowed it," continued the wedding guest. "But things happened
|
|
to thwart 'em, and if everything wasn't vitty they were upset.
|
|
No doubt that's how he that the tale is told of came to do what 'a did--
|
|
if he WERE one of your family."
|
|
|
|
"What was that?" said Jude.
|
|
|
|
"Well--that tale, ye know; he that was gibbeted just on the brow
|
|
of the hill by the Brown House--not far from the milestone between
|
|
Marygreen and Alfredston, where the other road branches off.
|
|
But Lord, 'twas in my grandfather's time; and it medn' have been one
|
|
of your folk at all."
|
|
|
|
"I know where the gibbet is said to have stood, very well,"
|
|
murmured Jude. "But I never heard of this. What--did this man--
|
|
my ancestor and Sue's--kill his wife?"
|
|
|
|
"'Twer not that exactly. She ran away from him, with their child,
|
|
to her friends; and while she was there the child died. He wanted
|
|
the body, to bury it where his people lay, but she wouldn't give it up.
|
|
Her husband then came in the night with a cart, and broke into the house
|
|
to steal the coffin away; but he was catched, and being obstinate,
|
|
wouldn't tell what he broke in for. They brought it in burglary,
|
|
and that's why he was hanged and gibbeted on Brown House Hill.
|
|
His wife went mad after he was dead. But it medn't be true that he
|
|
belonged to ye more than to me."
|
|
|
|
A small slow voice rose from the shade of the fireside, as if out
|
|
of the earth: "If I was you, Mother, I wouldn't marry Father!"
|
|
It came from little Time, and they started, for they had forgotten him.
|
|
|
|
"Oh, it is only a tale," said Sue cheeringly.
|
|
|
|
After this exhilarating tradition from the widow on the eve of
|
|
the solemnization they rose, and, wishing their guest good-night, retired.
|
|
|
|
The next morning Sue, whose nervousness intensified with the hours,
|
|
took Jude privately into the sitting-room before starting.
|
|
"Jude, I want you to kiss me, as a lover, incorporeally," she said,
|
|
tremulously nestling up to him, with damp lashes. "It won't be ever
|
|
like this any more, will it! I wish we hadn't begun the business.
|
|
But I suppose we must go on. How horrid that story was last night!
|
|
It spoilt my thoughts of to-day. It makes me feel as if a tragic doom
|
|
overhung our family, as it did the house of Atreus."
|
|
|
|
"Or the house of Jeroboam," said the quondam theologian.
|
|
|
|
"Yes. And it seems awful temerity in us two to go marrying!
|
|
I am going to vow to you in the same words I vowed in to my other husband,
|
|
and you to me in the same as you used to your other wife;
|
|
regardless of the deterrent lesson we were taught by those experiments!"
|
|
|
|
"If you are uneasy I am made unhappy," said he. "I had hoped you would
|
|
feel quite joyful. But if you don't, you don't. It is no use pretending.
|
|
It is a dismal business to you, and that makes it so to me!"
|
|
|
|
"It is unpleasantly like that other morning--that's all," she murmured.
|
|
"Let us go on now."
|
|
|
|
They started arm in arm for the office aforesaid, no witness
|
|
accompanying them except the Widow Edlin. The day was chilly and dull,
|
|
and a clammy fog blew through the town from "Royal-tower'd Thame."
|
|
On the steps of the office there were the muddy foot-marks
|
|
of people who had entered, and in the entry were damp umbrellas
|
|
Within the office several persons were gathered, and our couple
|
|
perceived that a marriage between a soldier and a young woman was
|
|
just in progress. Sue, Jude, and the widow stood in the background
|
|
while this was going on, Sue reading the notices of marriage on
|
|
the wall. The room was a dreary place to two of their temperament,
|
|
though to its usual frequenters it doubtless seemed ordinary enough.
|
|
Law-books in musty calf covered one wall, and elsewhere
|
|
were post-office directories, and other books of reference.
|
|
Papers in packets tied with red tape were pigeon-holed around,
|
|
and some iron safes filled a recess, while the bare wood floor was,
|
|
like the door-step, stained by previous visitors.
|
|
|
|
The soldier was sullen and reluctant: the bride sad and timid;
|
|
she was soon, obviously, to become a mother, and she had a black eye.
|
|
Their little business was soon done, and the twain and their friends
|
|
straggled out, one of the witnesses saying casually to Jude and Sue
|
|
in passing, as if he had known them before: "See the couple just
|
|
come in? Ha, ha! That fellow is just out of gaol this morning.
|
|
She met him at the gaol gates, and brought him straight here.
|
|
She's paying for everything."
|
|
|
|
Sue turned her head and saw an ill-favoured man, closely cropped,
|
|
with a broad-faced, pock-marked woman on his arm, ruddy with liquor
|
|
and the satisfaction of being on the brink of a gratified desire.
|
|
They jocosely saluted the outgoing couple, and went forward
|
|
in front of Jude and Sue, whose diffidence was increasing.
|
|
The latter drew back and turned to her lover, her mouth shaping itself
|
|
like that of a child about to give way to grief:
|
|
|
|
"Jude--I don't like it here! I wish we hadn't come! The place gives
|
|
me the horrors: it seems so unnatural as the climax of our love!
|
|
I wish it had been at church, if it had to be at all. It is not so
|
|
vulgar there!"
|
|
|
|
"Dear little girl," said Jude. "How troubled and pale you look!"
|
|
|
|
"It must be performed here now, I suppose?"
|
|
|
|
"No--perhaps not necessarily."
|
|
|
|
He spoke to the clerk, and came back. "No--we need not marry here
|
|
or anywhere, unless we like, even now," he said. "We can be married
|
|
in a church, if not with the same certificate with another he'll give us,
|
|
I think. Anyhow, let us go out till you are calmer, dear, and I too,
|
|
and talk it over."
|
|
|
|
They went out stealthily and guiltily, as if they had committed
|
|
a misdemeanour, closing the door without noise, and telling the widow,
|
|
who had remained in the entry, to go home and await them; that they
|
|
would call in any casual passers as witnesses, if necessary.
|
|
When in the street they turned into an unfrequented side alley where
|
|
they walked up and down as they had done long ago in the market-house
|
|
at Melchester.
|
|
|
|
"Now, darling, what shall we do? We are making a mess of it,
|
|
it strikes me. Still, ANYTHING that pleases you will please me."
|
|
|
|
"But Jude, dearest, I am worrying you! You wanted it to be there,
|
|
didn't you?"
|
|
|
|
"Well, to tell the truth, when I got inside I felt as if I didn't care
|
|
much about it. The place depressed me almost as much as it did you--
|
|
it was ugly. And then I thought of what you had said this morning
|
|
as to whether we ought."
|
|
|
|
They walked on vaguely, till she paused, and her little voice
|
|
began anew: "It seems so weak, too, to vacillate like this!
|
|
And yet how much better than to act rashly a second time.... How
|
|
terrible that scene was to me! The expression in that flabby
|
|
woman's face, leading her on to give herself to that gaol-bird,
|
|
not for a few hours, as she would, but for a lifetime, as she must.
|
|
And the other poor soul--to escape a nominal shame which was owing
|
|
to the weakness of her character, degrading herself to the real shame
|
|
of bondage to a tyrant who scorned her--a man whom to avoid for ever was
|
|
her only chance of salvation.... This is our parish church, isn't it?
|
|
This is where it would have to be, if we did it in the usual way?
|
|
A service or something seems to be going on."
|
|
|
|
Jude went up and looked in at the door. "Why--it is a wedding here too,"
|
|
he said. "Everybody seems to be on our tack to-day."
|
|
|
|
Sue said she supposed it was because Lent was just over, when there
|
|
was always a crowd of marriages. "Let us listen," she said,
|
|
"and find how it feels to us when performed in a church."
|
|
|
|
They stepped in, and entered a back seat, and watched the proceedings
|
|
at the altar. The contracting couple appeared to belong to the well-to-do
|
|
middle class, and the wedding altogether was of ordinary prettiness
|
|
and interest. They could see the flowers tremble in the bride's hand,
|
|
even at that distance, and could hear her mechanical murmur of words
|
|
whose meaning her brain seemed to gather not at all under the pressure
|
|
of her self-consciousness. Sue and Jude listened, and severally
|
|
saw themselves in time past going through the same form of self-committal.
|
|
|
|
"It is not the same to her, poor thing, as it would be to me doing
|
|
it over again with my present knowledge," Sue whispered. "You see,
|
|
they are fresh to it, and take the proceedings as a matter of course.
|
|
But having been awakened to its awful solemnity as we have,
|
|
or at least as I have, by experience, and to my own too squeamish
|
|
feelings perhaps sometimes, it really does seem immoral in me
|
|
to go and undertake the same thing again with open eyes.
|
|
Coming in here and seeing this has frightened me from a church wedding
|
|
as much as the other did from a registry one.... We are a weak,
|
|
tremulous pair, Jude, and what others may feel confident in I feel
|
|
doubts of--my being proof against the sordid conditions of a business
|
|
contract again!"
|
|
|
|
Then they tried to laugh, and went on debating in whispers
|
|
the object-lesson before them. And Jude said he also thought they
|
|
were both too thin-skinned--that they ought never to have been born--
|
|
much less have come together for the most preposterous of all joint
|
|
ventures for THEM--matrimony.
|
|
|
|
His betrothed shuddered; and asked him earnestly if he indeed felt that they
|
|
ought not to go in cold blood and sign that life-undertaking again?"
|
|
It is awful if you think we have found ourselves not strong enough
|
|
for it, and knowing this, are proposing to perjure ourselves,"
|
|
she said.
|
|
|
|
"I fancy I do think it--since you ask me," said Jude. "Remember I'll
|
|
do it if you wish, own darling." While she hesitated he went on
|
|
to confess that, though he thought they ought to be able to do it,
|
|
he felt checked by the dread of incompetency just as she did--
|
|
from their peculiarities, perhaps, because they were unlike other people.
|
|
"We are horribly sensitive; that's really what's the matter
|
|
with us, Sue!" he declared.
|
|
|
|
"I fancy more are like us than we think!"
|
|
|
|
"Well, I don't know. The intention of the contract is good,
|
|
and right for many, no doubt; but in our case it may defeat
|
|
its own ends because we are the queer sort of people we are--
|
|
folk in whom domestic ties of a forced kind snuff out cordiality
|
|
and spontaneousness."
|
|
|
|
Sue still held that there was not much queer or exceptional in them:
|
|
that all were so. "Everybody is getting to feel as we do.
|
|
We are a little beforehand, that's all. In fifty, a hundred,
|
|
years the descendants of these two will act and feel worse than we.
|
|
They will see weltering humanity still more vividly than we do now,
|
|
as
|
|
|
|
Shapes like our own selves hideously multiplied,
|
|
|
|
and will be afraid to reproduce them."
|
|
|
|
"What a terrible line of poetry! ... though I have felt it myself
|
|
about my fellow-creatures, at morbid times."
|
|
|
|
Thus they murmured on, till Sue said more brightly:
|
|
|
|
"Well--the general question is not our business, and why should
|
|
we plague ourselves about it? However different our reasons
|
|
are we come to the same conclusion; that for us particular two,
|
|
an irrevocable oath is risky. Then, Jude, let us go home
|
|
without killing our dream! Yes? How good you are, my friend:
|
|
you give way to all my whims!"
|
|
|
|
"They accord very much with my own."
|
|
|
|
He gave her a little kiss behind a pillar while the attention
|
|
of everybody present was taken up in observing the bridal procession
|
|
entering the vestry; and then they came outside the building.
|
|
By the door they waited till two or three carriages, which had gone
|
|
away for a while, returned, and the new husband and wife came into
|
|
the open daylight. Sue sighed.
|
|
|
|
"The flowers in the bride's hand are sadly like the garland
|
|
which decked the heifers of sacrifice in old times!"
|
|
|
|
"Still, Sue, it is no worse for the woman than for the man.
|
|
That's what some women fail to see, and instead of protesting against
|
|
the conditions they protest against the man, the other victim;
|
|
just as a woman in a crowd will abuse the man who crushes against her,
|
|
when he is only the helpless transmitter of the pressure put
|
|
upon him."
|
|
|
|
"Yes--some are like that, instead of uniting with the man against
|
|
the common enemy, coercion." The bride and bridegroom had by this
|
|
time driven off, and the two moved away with the rest of the idlers.
|
|
"No--don't let's do it," she continued. "At least just now."
|
|
|
|
They reached home, and passing the window arm in arm saw the widow
|
|
looking out at them. "Well," cried their guest when they entered,
|
|
"I said to myself when I zeed ye coming so loving up to the door,
|
|
'They made up their minds at last, then!'"
|
|
|
|
They briefly hinted that they had not.
|
|
|
|
"What--and ha'n't ye really done it? Chok' it all, that I should have
|
|
lived to see a good old saying like 'marry in haste and repent at leisure'
|
|
spoiled like this by you two! 'Tis time I got back again to Marygreen--
|
|
sakes if tidden--if this is what the new notions be leading us to!
|
|
Nobody thought o' being afeard o' matrimony in my time, nor of much
|
|
else but a cannon-ball or empty cup-board! Why when I and my poor man
|
|
were married we thought no more o't than of a game o' dibs!"
|
|
|
|
"Don't tell the child when he comes in," whispered Sue nervously.
|
|
"He'll think it has all gone on right, and it will be better that he
|
|
should not be surprised and puzzled. Of course it is only put off
|
|
for reconsideration. If we are happy as we are, what does it matter
|
|
to anybody?"
|
|
|
|
V
|
|
|
|
THE purpose of a chronicler of moods and deeds does not require him
|
|
to express his personal views upon the grave controversy above given.
|
|
That the twain were happy--between their times of sadness--was indubitable.
|
|
And when the unexpected apparition of Jude's child in the house
|
|
had shown itself to be no such disturbing event as it had looked,
|
|
but one that brought into their lives a new and tender interest
|
|
of an ennobling and unselfish kind, it rather helped than injured
|
|
their happiness.
|
|
|
|
To be sure, with such pleasing anxious beings as they were,
|
|
the boy's coming also brought with it much thought for the future,
|
|
particularly as he seemed at present to be singularly deficient
|
|
in all the usual hopes of childhood. But the pair tried to dismiss,
|
|
for a while at least, a too strenuously forward view.
|
|
|
|
There is in Upper Wessex an old town of nine or ten thousand souls;
|
|
the town may be called Stoke-Barehills. It stands with its gaunt,
|
|
unattractive, ancient church, and its new red brick suburb,
|
|
amid the open, chalk-soiled cornlands, near the middle of an imaginary
|
|
triangle which has for its three corners the towns of Aldbrickham
|
|
and Wintoncester, and the important military station of Quartershot.
|
|
The great western highway from London passes through it, near a point
|
|
where the road branches into two, merely to unite again some twenty
|
|
miles further westward. Out of this bifurcation and reunion there
|
|
used to arise among wheeled travellers, before railway days,
|
|
endless questions of choice between the respective ways.
|
|
But the question is now as dead as the scot-and-lot freeholder,
|
|
the road waggoner, and the mail coachman who disputed it;
|
|
and probably not a single inhabitant of Stoke-Barehills is now even
|
|
aware that the two roads which part in his town ever meet again;
|
|
for nobody now drives up and down the great western highway dally.
|
|
|
|
The most familiar object in Stoke-Barehills nowadays is its cemetery,
|
|
standing among some picturesque mediaeval ruins beside the railway;
|
|
the modern chapels, modern tombs, and modern shrubs having a look
|
|
of intrusiveness amid the crumbling and ivy-covered decay of the
|
|
ancient walls.
|
|
|
|
On a certain day, however, in the particular year which has
|
|
now been reached by this narrative--the month being early June--
|
|
the features of the town excite little interest, though many
|
|
visitors arrive by the trains; some down-trains, in especial,
|
|
nearly emptying themselves here. It is the week of the Great Wessex
|
|
Agricultural Show, whose vast encampment spreads over the open
|
|
outskirts of the town like the tents of an investing army.
|
|
Rows of marquees, huts, booths, pavilions, arcades, porticoes--
|
|
every kind of structure short of a permanent one--cover the green field
|
|
for the space of a square half-mile, and the crowds of arrivals walk
|
|
through the town in a mass, and make straight for the exhibition ground.
|
|
The way thereto is lined with shows, stalls, and hawkers on foot,
|
|
who make a market-place of the whole roadway to the show proper,
|
|
and lead some of the improvident to lighten their pockets appreciably
|
|
before they reach the gates of the exhibition they came expressly
|
|
to see.
|
|
|
|
It is the popular day, the shilling day, and of the fast arriving
|
|
excursion trains two from different directions enter the two contiguous
|
|
railway stations at almost the same minute. One, like several
|
|
which have preceded it, comes from London: the other by a cross-line
|
|
from Aldbrickham; and from the London train alights a couple;
|
|
a short, rather bloated man, with a globular stomach and small legs,
|
|
resembling a top on two pegs, accompanied by a woman of rather fine
|
|
figure and rather red face, dressed in black material, and covered
|
|
with beads from bonnet to skirt, that made her glisten as if clad
|
|
in chain-mail.
|
|
|
|
They cast their eyes around. The man was about to hire a fly
|
|
as some others had done, when the woman said, "Don't be in such
|
|
a hurry, Cartlett. It isn't so very far to the show-yard. Let us
|
|
walk down the street into the place. Perhaps I can pick up a cheap
|
|
bit of furniture or old china. It is years since I was here--
|
|
never since I lived as a girl at Aldbrickham, and used to come
|
|
across for a trip sometimes with my young man."
|
|
|
|
"You can't carry home furniture by excursion train," said, in a thick voice,
|
|
her husband, the landlord of The Three Horns, Lambeth; for they had
|
|
both come down from the tavern in that "excellent, densely populated,
|
|
gin-drinking neighbourhood," which they had occupied ever since
|
|
the advertisement in those words had attracted them thither.
|
|
The configuration of the landlord showed that he, too, like his customers,
|
|
was becoming affected by the liquors he retailed.
|
|
|
|
"Then I'll get it sent, if I see any worth having," said his wife.
|
|
|
|
They sauntered on, but had barely entered the town when her attention
|
|
was attracted by a young couple leading a child, who had come out from
|
|
the second platform, into which the train from Aldbrickham had steamed.
|
|
They were walking just in front of the inn-keepers.
|
|
|
|
"Sakes alive!" said Arabella.
|
|
|
|
"What's that?" said Cartlett.
|
|
|
|
"Who do you think that couple is? Don't you recognize the man?"
|
|
|
|
"No."
|
|
|
|
"Not from the photos I have showed you?"
|
|
|
|
"Is it Fawley?"
|
|
|
|
"Yes--of course."
|
|
|
|
"Oh, well. I suppose he was inclined for a little sight-seeing
|
|
like the rest of us." Cartlett's interest in Jude whatever it
|
|
might have been when Arabella was new to him, had plainly flagged
|
|
since her charms and her idiosyncrasies, her supernumerary hair-coils,
|
|
and her optional dimples, were becoming as a tale that is told.
|
|
|
|
Arabella so regulated her pace and her husband's as to keep just
|
|
in the rear of the other three, which it was easy to do without
|
|
notice in such a stream of pedestrians. Her answers to Cartlett's
|
|
remarks were vague and slight, for the group in front interested
|
|
her more than all the rest of the spectacle.
|
|
|
|
"They are rather fond of one another and of their child, seemingly,"
|
|
continued the publican.
|
|
|
|
"THEIR child! 'Tisn't their child," said Arabella with a curious,
|
|
sudden covetousness. "They haven't been married long enough for it
|
|
to be theirs!"
|
|
|
|
But although the smouldering maternal instinct was strong enough
|
|
in her to lead her to quash her husband's conjecture, she was not
|
|
disposed on second thoughts to be more candid than necessary.
|
|
Mr. Cartlett had no other idea than that his wife's child by her first
|
|
husband was with his grandparents at the Antipodes.
|
|
|
|
"Oh I suppose not. She looks quite a girl."
|
|
|
|
"They are only lovers, or lately married, and have the child in charge,
|
|
as anybody can see."
|
|
|
|
All continued to move ahead. The unwitting Sue and Jude, the couple
|
|
in question, had determined to make this agricultural exhibition within
|
|
twenty miles of their own town the occasion of a day's excursion
|
|
which should combine exercise and amusement with instruction,
|
|
at small expense. Not regardful of themselves alone, they had taken
|
|
care to bring Father Time, to try every means of making him kindle
|
|
and laugh like other boys, though he was to some extent a hindrance
|
|
to the delightfully unreserved intercourse in their pilgrimages
|
|
which they so much enjoyed. But they soon ceased to consider him
|
|
an observer, and went along with that tender attention to each
|
|
other which the shyest can scarcely disguise, and which these,
|
|
among entire strangers as they imagined, took less trouble to disguise
|
|
than they might have done at home. Sue, in her new summer clothes,
|
|
flexible and light as a bird, her little thumb stuck up by the stem
|
|
of her white cotton sunshade, went along as if she hardly
|
|
touched ground, and as if a moderately strong puff of wind would float
|
|
her over the hedge into the next field. Jude, in his light grey
|
|
holiday-suit, was really proud of her companionship, not more for her
|
|
external attractiveness than for her sympathetic words and ways.
|
|
That complete mutual understanding, in which every glance and movement
|
|
was as effectual as speech for conveying intelligence between them,
|
|
made them almost the two parts of a single whole.
|
|
|
|
The pair with their charge passed through the turnstiles,
|
|
Arabella and her husband not far behind them. When inside
|
|
the enclosure the publican's wife could see that the two ahead began
|
|
to take trouble with the youngster, pointing out and explaining
|
|
the many objects of interest, alive and dead; and a passing sadness
|
|
would touch their faces at their every failure to disturb his indifference.
|
|
|
|
"How she sticks to him!" said Arabella. "Oh no--I fancy they are
|
|
not married, or they wouldn't be so much to one another as that....
|
|
I wonder!"
|
|
|
|
"But I thought you said he did marry her?"
|
|
|
|
"I heard he was going to--that's all, going to make another attempt,
|
|
after putting it off once or twice.... As far as they themselves
|
|
are concerned they are the only two in the show. I should be ashamed
|
|
of making myself so silly if I were he!"
|
|
|
|
"I don't see as how there's anything remarkable in their behaviour.
|
|
I should never have noticed their being in love, if you hadn't
|
|
said so."
|
|
|
|
"You never see anything," she rejoined. Nevertheless Cartlett's
|
|
view of the lovers' or married pair's conduct was undoubtedly
|
|
that of the general crowd, whose attention seemed to be in no way
|
|
attracted by what Arabella's sharpened vision discerned.
|
|
|
|
"He's charmed by her as if she were some fairy!" continued Arabella.
|
|
"See how he looks round at her, and lets his eyes rest on her.
|
|
I am inclined to think that she don't care for him quite so much as he does
|
|
for her. She's not a particular warm-hearted creature to my thinking,
|
|
though she cares for him pretty middling much--as much as she's
|
|
able to; and he could make her heart ache a bit if he liked to try--
|
|
which he's too simple to do. There--now they are going across to
|
|
the cart-horse sheds. Come along."
|
|
|
|
"I don't want to see the cart-horses. It is no business of ours
|
|
to follow these two. If we have come to see the show let us see
|
|
it in our own way, as they do in theirs."
|
|
|
|
"Well--suppose we agree to meet somewhere in an hour's time--
|
|
say at that refreshment tent over there, and go about independent?
|
|
Then you can look at what you choose to, and so can I."
|
|
|
|
Cartlett was not loath to agree to this, and they parted--
|
|
he proceeding to the shed where malting processes were
|
|
being exhibited, and Arabella in the direction taken by Jude
|
|
and Sue. Before, however, she had regained their wake a laughing
|
|
face met her own, and she was confronted by Anny, the friend of her girlhood.
|
|
|
|
Anny had burst out in hearty laughter at the mere fact of
|
|
the chance encounter. "I am still living down there," she said,
|
|
as soon as she was composed. "I am soon going to be married,
|
|
but my intended couldn't come up here to-day. But there's lots of us
|
|
come by excursion, though I've lost the rest of 'em for the present."
|
|
|
|
"Have you met Jude and his young woman, or wife, or whatever she is?
|
|
I saw 'em by now."
|
|
|
|
"No. Not a glimpse of un for years!"
|
|
|
|
"Well, they are close by here somewhere. Yes--there they are--
|
|
by that grey horse!"
|
|
|
|
"Oh, that's his present young woman--wife did you say?
|
|
Has he married again?"
|
|
|
|
"I don't know."
|
|
|
|
"She's pretty, isn't she!"
|
|
|
|
"Yes--nothing to complain of; or jump at. Not much
|
|
to depend on, though; a slim, fidgety little thing like that."
|
|
|
|
"He's a nice-looking chap, too! You ought to ha' stuck to un, Arabella."
|
|
|
|
"I don't know but I ought," murmured she.
|
|
|
|
Anny laughed. "That's you, Arabella! Always wanting another man
|
|
than your own."
|
|
|
|
"Well, and what woman don't I should like to know? As for that body
|
|
with him--she don't know what love is--at least what I call love!
|
|
I can see in her face she don't."
|
|
|
|
"And perhaps, Abby dear, you don't know what she calls love."
|
|
|
|
"I'm sure I don't wish to! ... Ah--they are making for the
|
|
art department. I should like to see some pictures myself.
|
|
Suppose we go that way?--Why, if all Wessex isn't here,
|
|
I verily believe! There's Dr. Vilbert. Haven't seen him for years,
|
|
and he's not looking a day older than when I used to know him.
|
|
How do you do, Physician? I was just saying that you don't look
|
|
a day older than when you knew me as a girl."
|
|
|
|
"Simply the result of taking my own pills regular, ma'am. Only two
|
|
and threepence a box--warranted efficacious by the Government stamp.
|
|
Now let me advise you to purchase the same immunity from the ravages
|
|
of time by following my example? Only two-and-three."
|
|
|
|
The physician had produced a box from his waistcoat pocket,
|
|
and Arabella was induced to make the purchase.
|
|
|
|
"At the same time," continued he, when the pills were paid for,
|
|
"you have the advantage of me, Mrs.--Surely not Mrs. Fawley,
|
|
once Miss Donn, of the vicinity of Marygreen?"
|
|
|
|
"Yes. But Mrs. Cartlett now."
|
|
|
|
"Ah--you lost him, then? Promising young fellow! A pupil of mine,
|
|
you know. I taught him the dead languages. And believe me, he soon
|
|
knew nearly as much as I."
|
|
|
|
"I lost him; but not as you think," said Arabella dryly "The
|
|
lawyers untied us. There he is, look, alive and lusty;
|
|
along with that young woman, entering the art exhibition."
|
|
|
|
"Ah--dear me! Fond of her, apparently."
|
|
|
|
"They SAY they are cousins."
|
|
|
|
"Cousinship is a great convenience to their feelings, I should say?"
|
|
|
|
"Yes. So her husband thought, no doubt, when he divorced her....
|
|
Shall we look at the pictures, too?"
|
|
|
|
The trio followed across the green and entered. Jude and Sue,
|
|
with the child, unaware of the interest they were exciting,
|
|
had gone up to a model at one end of the building, which they regarded
|
|
with considerable attention for a long while before they went on.
|
|
Arabella and her friends came to it in due course, and the inscription
|
|
it bore was: "Model of Cardinal College, Christminster; by J. Fawley
|
|
and S. F. M. Bridehead."
|
|
|
|
"Admiring their own work," said Arabella. "How like Jude--
|
|
always thinking of colleges and Christminster, instead of attending
|
|
to his business!"
|
|
|
|
They glanced cursorily at the pictures, and proceeded to the
|
|
band-stand. When they had stood a little while listening to the music
|
|
of the military performers, Jude, Sue, and the child came up on
|
|
the other side. Arabella did not care if they should recognize her;
|
|
but they were too deeply absorbed in their own lives, as translated
|
|
into emotion by the military band, to perceive her under her
|
|
beaded veil. She walked round the outside of the listening throng,
|
|
passing behind the lovers, whose movements had an unexpected
|
|
fascination for her to-day. Scrutinizing them narrowly from
|
|
the rear she noticed that Jude's hand sought Sue's as they stood,
|
|
the two standing close together so as to conceal, as they supposed,
|
|
this tacit expression of their mutual responsiveness.
|
|
|
|
"Silly fools--like two children!" Arabella whispered to herself morosely,
|
|
as she rejoined her companions, with whom she preserved a preoccupied silence.
|
|
|
|
Anny meanwhile had jokingly remarked to Vilbert on Arabella's
|
|
hankering interest in her first husband.
|
|
|
|
"Now," said the physician to Arabella, apart; "do you want
|
|
anything such as this, Mrs. Cartlett? It is not compounded
|
|
out of my regular pharmacopoeia, but I am sometimes asked
|
|
for such a thing." He produced a small phial of clear liquid.
|
|
"A love-philtre, such as was used by the ancients with great effect.
|
|
I found it out by study of their writings, and have never known it
|
|
to fail."
|
|
|
|
"What is it made of?" asked Arabella curiously.
|
|
|
|
"Well--a distillation of the juices of doves' hearts--otherwise pigeons'--
|
|
is one of the ingredients. It took nearly a hundred hearts
|
|
to produce that small bottle full."
|
|
|
|
"How do you get pigeons enough?"
|
|
|
|
"To tell a secret, I get a piece of rock-salt, of which pigeons
|
|
are inordinately fond, and place it in a dovecot on my roof.
|
|
In a few hours the birds come to it from all points of the compass--
|
|
east, west, north, and south--and thus I secure as many as I require.
|
|
You use the liquid by contriving that the desired man shall take
|
|
about ten drops of it in his drink. But remember, all this is told you
|
|
because I gather from your questions that you mean to be a purchaser.
|
|
You must keep faith with me?"
|
|
|
|
"Very well--I don't mind a bottle--to give some friend or other
|
|
to try it on her young man." She produced five shillings,
|
|
the price asked, and slipped the phial in her capacious bosom.
|
|
Saying presently that she was due at an appointment with her husband
|
|
she sauntered away towards the refreshment bar, Jude, his companion,
|
|
and the child having gone on to the horticultural tent,
|
|
where Arabella caught a glimpse of them standing before a group
|
|
of roses in bloom.
|
|
|
|
She waited a few minutes observing them, and then proceeded to join
|
|
her spouse with no very amiable sentiments. She found him seated
|
|
on a stool by the bar, talking to one of the gaily dressed maids
|
|
who had served him with spirits.
|
|
|
|
"I should think you had enough of this business at home!"
|
|
Arabella remarked gloomily. "Surely you didn't come fifty miles
|
|
from your own bar to stick in another? Come, take me round the show,
|
|
as other men do their wives! Dammy, one would think you were a
|
|
young bachelor, with nobody to look after but yourself!"
|
|
|
|
"But we agreed to meet here; and what could I do but wait?"
|
|
|
|
"Well, now we have met, come along," she returned, ready to quarrel
|
|
with the sun for shining on her. And they left the tent together,
|
|
this pot-bellied man and florid woman, in the antipathetic,
|
|
recriminatory mood of the average husband and wife of Christendom.
|
|
|
|
In the meantime the more exceptional couple and the boy still
|
|
lingered in the pavilion of flowers--an enchanted palace to their
|
|
appreciative taste--Sue's usually pale cheeks reflecting the pink
|
|
of the tinted roses at which she gazed; for the gay sights,
|
|
the air, the music, and the excitement of a day's outing with Jude
|
|
had quickened her blood and made her eyes sparkle with vivacity.
|
|
She adored roses, and what Arabella had witnessed was Sue detaining
|
|
Jude almost against his will while she learnt the names of this
|
|
variety and that, and put her face within an inch of their blooms
|
|
to smell them.
|
|
|
|
"I should like to push my face quite into them--the dears!"
|
|
she had said. "But I suppose it is against the rules to touch them--
|
|
isn't it, Jude?"
|
|
|
|
"Yes, you baby," said he: and then playfully gave her a little push,
|
|
so that her nose went among the petals.
|
|
|
|
"The policeman will be down on us, and I shall say it was my husband's fault!"
|
|
|
|
Then she looked up at him, and smiled in a way that told so much
|
|
to Arabella.
|
|
|
|
"Happy?" he murmured.
|
|
|
|
She nodded.
|
|
|
|
"Why? Because you have come to the great Wessex Agricultural Show--
|
|
or because we have come?"
|
|
|
|
"You are always trying to make me confess to all sorts of absurdities.
|
|
Because I am improving my mind, of course, by seeing all these
|
|
steam-ploughs, and threshing-machines, and chaff-cutters, and cows,
|
|
and pigs, and sheep."
|
|
|
|
Jude was quite content with a baffle from his ever evasive companion.
|
|
But when he had forgotten that he had put the question, and because he
|
|
no longer wished for an answer, she went on: "I feel that we have
|
|
returned to Greek joyousness, and have blinded ourselves to sickness
|
|
and sorrow, and have forgotten what twenty-five centuries have taught
|
|
the race since their time, as one of your Christminster luminaries
|
|
says.... There is one immediate shadow, however--only one."
|
|
And she looked at the aged child, whom, though they had taken him
|
|
to everything likely to attract a young intelligence, they had utterly
|
|
failed to interest.
|
|
|
|
He knew what they were saying and thinking. "I am very, very sorry,
|
|
Father and Mother," he said. "But please don't mind!--I can't help it.
|
|
I should like the flowers very very much, if I didn't keep on thinking
|
|
they'd be all withered in a few days!"
|
|
|
|
VI
|
|
|
|
THE unnoticed lives that the pair had hitherto led began,
|
|
from the day of the suspended wedding onwards, to be observed
|
|
and discussed by other persons than Arabella. The society of
|
|
Spring Street and the neighbourhood generally did not understand,
|
|
and probably could not have been made to understand,
|
|
Sue and Jude's private minds, emotions, positions, and fears.
|
|
The curious facts of a child coming to them unexpectedly, who called
|
|
Jude "Father," and Sue "Mother," and a hitch in a marriage ceremony
|
|
intended for quietness to be performed at a registrar's office,
|
|
together with rumours of the undefended cases in the law-courts,
|
|
bore only one translation to plain minds.
|
|
|
|
Little Time--for though he was formally turned into "Jude," the apt
|
|
nickname stuck to him--would come home from school in the evening,
|
|
and repeat inquiries and remarks that had been made to him
|
|
by the other boys; and cause Sue, and Jude when he heard them,
|
|
a great deal of pain and sadness.
|
|
|
|
The result was that shortly after the attempt at the registrar's
|
|
the pair went off--to London it was believed--for several days,
|
|
hiring somebody to look to the boy. When they came back they let it be
|
|
understood indirectly, and with total indifference and weariness of mien,
|
|
that they were legally married at last. Sue, who had previously been
|
|
called Mrs. Bridehead now openly adopted the name of Mrs. Fawley.
|
|
Her dull, cowed, and listless manner for days seemed to substantiate
|
|
all this.
|
|
|
|
But the mistake (as it was called) of their going away so secretly
|
|
to do the business, kept up much of the mystery of their lives;
|
|
and they found that they made not such advances with their neighbours
|
|
as they had expected to do thereby. A living mystery was not much
|
|
less interesting than a dead scandal.
|
|
|
|
The baker's lad and the grocer's boy, who at first had used to lift
|
|
their hats gallantly to Sue when they came to execute their errands,
|
|
in these days no longer took the trouble to render her that homage,
|
|
and the neighbouring artizans' wives looked straight along the pavement
|
|
when they encountered her.
|
|
|
|
Nobody molested them, it is true; but an oppressive atmosphere began
|
|
to encircle their souls, particularly after their excursion to the show,
|
|
as if that visit had brought some evil influence to bear on them.
|
|
And their temperaments were precisely of a kind to suffer from
|
|
this atmosphere, and to be indisposed to lighten it by vigorous
|
|
and open statements. Their apparent attempt at reparation had come
|
|
too late to be effective.
|
|
|
|
The headstone and epitaph orders fell off: and two or three months later,
|
|
when autumn came, Jude perceived that he would have to return
|
|
to journey-work again, a course all the more unfortunate just now,
|
|
in that he had not as yet cleared off the debt he had unavoidably
|
|
incurred in the payment of the law-costs of the previous year.
|
|
|
|
One evening he sat down to share the common meal with Sue and the child
|
|
as usual. "I am thinking," he said to her, "that I'll hold on here
|
|
no longer. The life suits us, certainly; but if we could get away
|
|
to a place where we are unknown, we should be lighter hearted,
|
|
and have a better chance. And so I am afraid we must break it up here,
|
|
however awkward for you, poor dear!"
|
|
|
|
Sue was always much affected at a picture of herself as an object
|
|
of pity, and she saddened.
|
|
|
|
"Well--I am not sorry," said she presently. "I am much depressed
|
|
by the way they look at me here. And you have been keeping on this
|
|
house and furniture entirely for me and the boy! You don't want
|
|
it yourself, and the expense is unnecessary. But whatever we do,
|
|
wherever we go, you won't take him away from me, Jude dear?
|
|
I could not let him go now! The cloud upon his young mind makes him
|
|
so pathetic to me; I do hope to lift it some day! And he loves me so.
|
|
You won't take him away from me?"
|
|
|
|
"Certainly I won't, dear little girl! We'll get nice lodgings,
|
|
wherever we go. I shall be moving about probably--getting a job
|
|
here and a job there."
|
|
|
|
"I shall do something too, of course, till--till Well, now I
|
|
can't be useful in the lettering it behoves me to turn my hand
|
|
to something else."
|
|
|
|
"Don't hurry about getting employment," he said regretfully.
|
|
"I don't want you to do that. I wish you wouldn't, Sue. The boy
|
|
and yourself are enough for you to attend to."
|
|
|
|
There was a knock at the door, and Jude answered it. Sue could
|
|
hear the conversation:
|
|
|
|
"Is Mr. Fawley at home? ... Biles and Willis the building
|
|
contractors sent me to know if you'll undertake the relettering
|
|
of the ten commandments in a little church they've been restoring
|
|
lately in the country near here."
|
|
|
|
Jude reflected, and said he could undertake it.
|
|
|
|
"It is not a very artistic job," continued the messenger.
|
|
"The clergyman is a very old-fashioned chap, and he has refused to let
|
|
anything more be done to the church than cleaning and repairing."
|
|
|
|
"Excellent old man!" said Sue to herself, who was sentimentally
|
|
opposed to the horrors of over-restoration.
|
|
|
|
"The Ten Commandments are fixed to the east end," the messenger
|
|
went on, "and they want doing up with the rest of the wall there,
|
|
since he won't have them carted off as old materials belonging
|
|
to the contractor in the usual way of the trade."
|
|
|
|
A bargain as to terms was struck, and Jude came indoors.
|
|
"There, you see," he said cheerfully. "One more job yet,
|
|
at any rate, and you can help in it--at least you can try.
|
|
We shall have all the church to ourselves, as the rest of the work
|
|
is finished."
|
|
|
|
Next day Jude went out to the church, which was only two miles off.
|
|
He found that what the contractor's clerk had said was true.
|
|
The tables of the Jewish law towered sternly over the utensils
|
|
of Christian grace, as the chief ornament of the chancel end,
|
|
in the fine dry style of the last century. And as their framework
|
|
was constructed of ornamental plaster they could not be taken
|
|
down for repair. A portion, crumbled by damp, required renewal;
|
|
and when this had been done, and the whole cleansed, he began
|
|
to renew the lettering. On the second morning Sue came to see
|
|
what assistance she could render, and also because they liked to
|
|
be together.
|
|
|
|
The silence and emptiness of the building gave her confidence, and,
|
|
standing on a safe low platform erected by Jude, which she was
|
|
nevertheless timid at mounting, she began painting in the letters
|
|
of the first Table while he set about mending a portion of the second.
|
|
She was quite pleased at her powers; she had acquired them
|
|
in the days she painted illumined texts for the church-fitting
|
|
shop at Christminster. Nobody seemed likely to disturb them;
|
|
and the pleasant twitter of birds, and rustle of October leafage,
|
|
came in through an open window, and mingled with their talk.
|
|
|
|
They were not, however, to be left thus snug and peaceful for long.
|
|
About half-past twelve there came footsteps on the gravel without.
|
|
The old vicar and his churchwarden entered, and, coming up
|
|
to see what was being done, seemed surprised to discover that
|
|
a young woman was assisting. They passed on into an aisle,
|
|
at which time the door again opened, and another figure entered--
|
|
a small one, that of little Time, who was crying. Sue had told
|
|
him where he might find her between school-hours, if he wished.
|
|
She came down from her perch, and said, "What's the matter,
|
|
my dear?"
|
|
|
|
"I couldn't stay to eat my dinner in school, because they said----"
|
|
He described how some boys had taunted him about his nominal mother,
|
|
and Sue, grieved, expressed her indignation to Jude aloft.
|
|
The child went into the churchyard, and Sue returned to her work.
|
|
Meanwhile the door had opened again, and there shuffled in with a
|
|
businesslike air the white-aproned woman who cleaned the church.
|
|
Sue recognized her as one who had friends in Spring Street, whom she visited.
|
|
The church-cleaner looked at Sue, gaped, and lifted her hands;
|
|
she had evidently recognized Jude's companion as the latter had
|
|
recognized her. Next came two ladies, and after talking to the
|
|
charwoman they also moved forward, and as Sue stood reaching upward,
|
|
watched her hand tracing the letters, and critically regarded her person
|
|
in relief against the white wall, till she grew so nervous that she
|
|
trembled visibly.
|
|
|
|
They went back to where the others were standing, talking in undertones:
|
|
and one said--Sue could not hear which--"She's his wife, I suppose?"
|
|
|
|
"Some say Yes: some say No," was the reply from the charwoman.
|
|
|
|
"Not? Then she ought to be, or somebody's--that's very clear!"
|
|
|
|
"They've only been married a very few weeks, whether or no."
|
|
|
|
"A strange pair to be painting the Two Tables! I wonder Biles
|
|
and Willis could think of such a thing as hiring those!"
|
|
|
|
The churchwarden supposed that Biles and Willis knew of nothing wrong,
|
|
and then the other, who had been talking to the old woman,
|
|
explained what she meant by calling them strange people.
|
|
|
|
The probable drift of the subdued conversation which followed
|
|
was made plain by the churchwarden breaking into an anecdote,
|
|
in a voice that everybody in the church could hear, though obviously
|
|
suggested by the present situation:
|
|
|
|
"Well, now, it is a curious thing, but my grandfather told me
|
|
a strange tale of a most immoral case that happened at the painting
|
|
of the Commandments in a church out by Gaymead--which is quite within
|
|
a walk of this one. In them days Commandments were mostly done in gilt
|
|
letters on a black ground, and that's how they were out where I say,
|
|
before the owld church was rebuilded. It must have been somewhere
|
|
about a hundred years ago that them Commandments wanted doing up just
|
|
as ours do here, and they had to get men from Aldbrickham to do 'em.
|
|
Now they wished to get the job finished by a particular Sunday,
|
|
so the men had to work late Saturday night, against their will,
|
|
for overtime was not paid then as 'tis now. There was no true
|
|
religion in the country at that date, neither among pa'sons, clerks,
|
|
nor people, and to keep the men up to their work the vicar had
|
|
to let 'em have plenty of drink during the afternoon. As evening
|
|
drawed on they sent for some more themselves; rum, by all account.
|
|
It got later and later, and they got more and more fuddled,
|
|
till at last they went a-putting their rum-bottle and rummers upon
|
|
the communion table, and drawed up a trestle or two, and sate
|
|
round comfortable and poured out again right hearty bumpers.
|
|
No sooner had they tossed off their glasses than, so the story goes
|
|
they fell down senseless, one and all. How long they bode so they
|
|
didn't know, but when they came to themselves there was a terrible
|
|
thunder-storm a-raging, and they seemed to see in the gloom a dark
|
|
figure with very thin legs and a curious voot, a-standing on
|
|
the ladder, and finishing their work. When it got daylight they
|
|
could see that the work was really finished, and couldn't at all
|
|
mind finishing it themselves. They went home, and the next thing
|
|
they heard was that a great scandal had been caused in the church
|
|
that Sunday morning, for when the people came and service began,
|
|
all saw that the Ten Commandments wez painted with the "nots" left out.
|
|
Decent people wouldn't attend service there for a long time,
|
|
and the Bishop had to be sent for to reconsecrate the church.
|
|
That's the tradition as I used to hear it as a child. You must take
|
|
it for what it is wo'th, but this case to-day has reminded me o't, as
|
|
I say."
|
|
|
|
The visitors gave one more glance, as if to see whether Jude
|
|
and Sue had left the "nots" out likewise, and then severally
|
|
left the church, even the old woman at last. Sue and Jude,
|
|
who had not stopped working, sent back the child to school,
|
|
and remained without speaking; till, looking at her narrowly,
|
|
he found she had been crying silently.
|
|
|
|
"Never mind, comrade!" he said. "I know what it is!"
|
|
|
|
"I can't BEAR that they, and everybody, should think people wicked
|
|
because they may have chosen to live their own way! It is really
|
|
these opinions that make the best intentioned people reckless,
|
|
and actually become immoral!"
|
|
|
|
"Never be cast down! It was only a funny story."
|
|
|
|
"Ah, but we suggested it! I am afraid I have done you mischief,
|
|
Jude, instead of helping you by coming!"
|
|
|
|
To have suggested such a story was certainly not very exhilarating,
|
|
in a serious view of their position. However, in a few minutes Sue
|
|
seemed to see that their position this morning had a ludicrous side,
|
|
and wiping her eyes she laughed.
|
|
|
|
"It is droll, after all," she said, "that we two, of all people,
|
|
with our queer history, should happen to be here painting the
|
|
Ten Commandments! You a reprobate, and I--in my condition.... O dear!"
|
|
... And with her hand over her eyes she laughed again silently
|
|
and intermittently, till she was quite weak.
|
|
|
|
"That's better," said Jude gaily. "Now we are right again, aren't we,
|
|
little girl!"
|
|
|
|
"Oh but it is serious, all the same!" she sighed as she took up
|
|
the brush and righted herself. "But do you see they don't think
|
|
we are married? They WON'T believe it! It is extraordinary!"
|
|
|
|
"I don't care whether they think so or not," said Jude.
|
|
"I shan't take any more trouble to make them."
|
|
|
|
They sat down to lunch--which they had brought with them not to hinder time--
|
|
and having eaten it were about to set to work anew when a man entered
|
|
the church, and Jude recognized in him the contractor Willis.
|
|
He beckoned to Jude, and spoke to him apart.
|
|
|
|
"Here--I've just had a complaint about this," he said, with rather
|
|
breathless awkwardness. "I don't wish to go into the matter--
|
|
as of course I didn't know what was going on--but I am afraid I must
|
|
ask you and her to leave off, and let somebody else finish this!
|
|
It is best, to avoid all unpleasantness. I'll pay you for the week,
|
|
all the same."
|
|
|
|
Jude was too independent to make any fuss; and the contractor paid him,
|
|
and left. Jude picked up his tools, and Sue cleansed her brush.
|
|
Then their eyes met.
|
|
|
|
"How could we be so simple as to suppose we might do this!" said she,
|
|
dropping to her tragic note. "Of course we ought not--I ought not--
|
|
to have come!"
|
|
|
|
"I had no idea that anybody was going to intrude into such a lonely place
|
|
and see us!" Jude returned. "Well, it can't be helped, dear; and of
|
|
course I wouldn't wish to injure Willis's trade-connection by staying."
|
|
They sat down passively for a few minutes, proceeded out of the church,
|
|
and overtaking the boy pursued their thoughtful way to Aldbrickham.
|
|
|
|
Fawley had still a pretty zeal in the cause of education, and,
|
|
as was natural with his experiences, he was active in furthering
|
|
"equality of opportunity" by any humble means open to him.
|
|
He had joined an Artizans' Mutual Improvement Society established
|
|
in the town about the time of his arrival there; its members being
|
|
young men of all creeds and denominations, including Churchmen,
|
|
Congregationalists, Baptists, Unitarians, Positivists, and others--
|
|
agnostics had scarcely been heard of at this time--their one
|
|
common wish to enlarge their minds forming a sufficiently close
|
|
bond of union. The subscription was small, and the room homely;
|
|
and Jude's activity, uncustomary acquirements, and above all,
|
|
singular intuition on what to read and how to set about it--
|
|
begotten of his years of struggle against malignant stars--had led to
|
|
his being placed on the committee.
|
|
|
|
A few evenings after his dismissal from the church repairs,
|
|
and before he had obtained any more work to do, he went to attend
|
|
a meeting of the aforesaid committee. It was late when he arrived:
|
|
all the others had come, and as he entered they looked dubiously at him,
|
|
and hardly uttered a word of greeting. He guessed that something
|
|
bearing on himself had been either discussed or mooted. Some ordinary
|
|
business was transacted, and it was disclosed that the number
|
|
of subscriptions had shown a sudden falling off for that quarter.
|
|
One member--a really well-meaning and upright man--began speaking
|
|
in enigmas about certain possible causes: that it behoved them
|
|
to look well into their constitution; for if the committee were
|
|
not respected, and had not at least, in their differences, a common
|
|
standard of CONDUCT, they would bring the institution to the ground.
|
|
Nothing further was said in Jude's presence, but he knew what this meant;
|
|
and turning to the table wrote a note resigning his office there
|
|
and then.
|
|
|
|
Thus the supersensitive couple were more and more impelled to go away.
|
|
And then bills were sent in, and the question arose, what could Jude
|
|
do with his great-aunt's heavy old furniture, if he left the town
|
|
to travel he knew not whither? This, and the necessity of ready money,
|
|
compelled him to decide on an auction, much as he would have preferred
|
|
to keep the venerable goods.
|
|
|
|
The day of the sale came on; and Sue for the last time cooked
|
|
her own, the child's, and Jude's breakfast in the little house
|
|
he had furnished. It chanced to be a wet day; moreover Sue
|
|
was unwell, and not wishing to desert her poor Jude in such
|
|
gloomy circumstances, for he was compelled to stay awhile,
|
|
she acted on the suggestion of the auctioneer's man, and ensconced
|
|
herself in an upper room, which could be emptied of its effects,
|
|
and so kept closed to the bidders. Here Jude discovered her;
|
|
and with the child, and their few trunks, baskets, and bundles,
|
|
and two chairs and a table that were not in the sale, the two sat
|
|
in meditative talk.
|
|
|
|
Footsteps began stamping up and down the bare stairs, the comers
|
|
inspecting the goods, some of which were of so quaint and ancient
|
|
a make as to acquire an adventitious value as art. Their door was
|
|
tried once or twice, and to guard themselves against intrusion Jude
|
|
wrote "Private" on a scrap of paper, and stuck it upon the panel.
|
|
|
|
They soon found that, instead of the furniture, their own
|
|
personal histories and past conduct began to be discussed to an
|
|
unexpected and intolerable extent by the intending bidders.
|
|
It was not till now that they really discovered what a fools'
|
|
paradise of supposed unrecognition they had been living in of late.
|
|
Sue silently took her companion's hand, and with eyes on each
|
|
other they heard these passing remarks--the quaint and mysterious
|
|
personality of Father Time being a subject which formed a large
|
|
ingredient in the hints and innuendoes. At length the auction began
|
|
in the room below, whence they could hear each familiar article
|
|
knocked down, the highly prized ones cheaply, the unconsidered at
|
|
an unexpected price.
|
|
|
|
"People don't understand us," he sighed heavily. "I am glad we
|
|
have decided to go."
|
|
|
|
"The question is, where to?"
|
|
|
|
"It ought to be to London. There one can live as one chooses."
|
|
|
|
"No--not London, dear! I know it well. We should be unhappy there."
|
|
|
|
"Why?"
|
|
|
|
"Can't you think?"
|
|
|
|
"Because Arabella is there?"
|
|
|
|
"That's the chief reason."
|
|
|
|
"But in the country I shall always be uneasy lest there should
|
|
be some more of our late experience. And I don't care to lessen
|
|
it by explaining, for one thing, all about the boy's history.
|
|
To cut him off from his past I have determined to keep silence.
|
|
I am sickened of ecclesiastical work now; and I shouldn't like to accept it,
|
|
if offered me!"
|
|
|
|
"You ought to have learnt classic. Gothic is barbaric art, after all.
|
|
Pugin was wrong, and Wren was right. Remember the interior of
|
|
Christminster Cathedral--almost the first place in which we looked
|
|
in each other's faces. Under the picturesqueness of those Norman
|
|
details one can see the grotesque childishness of uncouth people
|
|
trying to imitate the vanished Roman forms, remembered by dim
|
|
tradition only."
|
|
|
|
"Yes--you have half-converted me to that view by what you have
|
|
said before. But one can work, and despise what one does.
|
|
I must do something, if not church gothic."
|
|
|
|
"I wish we could both follow an occupation in which personal
|
|
circumstances don't count," she said, smiling up wistfully.
|
|
"I am as disqualified for teaching as you are for ecclesiastical art.
|
|
You must fall back upon railway stations, bridges, theatres,
|
|
music-halls, hotels--everything that has no connection with conduct."
|
|
|
|
"I am not skilled in those.... I ought to take to bread-baking.
|
|
I grew up in the baking business with aunt, you know.
|
|
But even a baker must be conventional, to get customers."
|
|
|
|
"Unless he keeps a cake and gingerbread stall at markets and fairs,
|
|
where people are gloriously indifferent to everything except
|
|
the quality of the goods."
|
|
|
|
Their thoughts were diverted by the voice of the auctioneer:
|
|
"Now this antique oak settle--a unique example of old English furniture,
|
|
worthy the attention of all collectors!"
|
|
|
|
"That was my great-grandfather's," said Jude. "I wish we could
|
|
have kept the poor old thing!"
|
|
|
|
One by one the articles went, and the afternoon passed away.
|
|
Jude and the other two were getting tired and hungry, but after
|
|
the conversation they had heard they were shy of going out while
|
|
the purchasers were in their line of retreat. However, the later
|
|
lots drew on, and it became necessary to emerge into the rain soon,
|
|
to take on Sue's things to their temporary lodging.
|
|
|
|
"Now the next lot: two pairs of pigeons, all alive and plump--
|
|
a nice pie for somebody for next Sunday's dinner!"
|
|
|
|
The impending sale of these birds had been the most trying suspense
|
|
of the whole afternoon. They were Sue's pets, and when it was found
|
|
that they could not possibly be kept, more sadness was caused
|
|
than by parting from all the furniture. Sue tried to think away
|
|
her tears as she heard the trifling sum that her dears were deemed
|
|
to be worth advanced by small stages to the price at which they were
|
|
finally knocked down. The purchaser was a neighbouring poulterer,
|
|
and they were unquestionably doomed to die before the next market day.
|
|
|
|
Noting her dissembled distress Jude kissed her, and said it was time
|
|
to go and see if the lodgings were ready. He would go on with the boy,
|
|
and fetch her soon.
|
|
|
|
When she was left alone she waited patiently, but Jude did not come back.
|
|
At last she started, the coast being clear, and on passing the poulterer's
|
|
shop, not far off, she saw her pigeons in a hamper by the door.
|
|
An emotion at sight of them, assisted by the growing dusk of evening,
|
|
caused her to act on impulse, and first looking around her quickly,
|
|
she pulled out the peg which fastened down the cover, and went on.
|
|
The cover was lifted from within, and the pigeons flew away with a
|
|
clatter that brought the chagrined poulterer cursing and swearing
|
|
to the door.
|
|
|
|
Sue reached the lodging trembling, and found Jude and the boy making
|
|
it comfortable for her. "Do the buyers pay before they bring away
|
|
the things?" she asked breathlessly.
|
|
|
|
"Yes, I think. Why?"
|
|
|
|
"Because, then, I've done such a wicked thing!" And she explained,
|
|
in bitter contrition.
|
|
|
|
"I shall have to pay the poulterer for them, if he doesn't catch them,"
|
|
said Jude. "But never mind. Don't fret about it, dear."
|
|
|
|
"It was so foolish of me! Oh why should Nature's law be mutual butchery!"
|
|
|
|
"Is it so, Mother?" asked the boy intently.
|
|
|
|
"Yes!" said Sue vehemently.
|
|
|
|
"Well, they must take their chance, now, poor things," said Jude.
|
|
"As soon as the sale-account is wound up, and our bills paid,
|
|
we go."
|
|
|
|
"Where do we go to?" asked Time, in suspense.
|
|
|
|
"We must sail under sealed orders, that nobody may trace us....
|
|
We mustn't go to Alfredston, or to Melchester, or to Shaston,
|
|
or to Christminster. Apart from those we may go anywhere."
|
|
|
|
"Why mustn't we go there, Father?"
|
|
|
|
"Because of a cloud that has gathered over us; though 'we
|
|
have wronged no man, corrupted no man, defrauded no man!'
|
|
Though perhaps we have 'done that which was right in our own eyes.'"
|
|
|
|
VII
|
|
|
|
FROM that week Jude Fawley and Sue walked no more in the town
|
|
of Aldbrickham.
|
|
|
|
Whither they had gone nobody knew, chiefly because nobody cared to know.
|
|
Any one sufficiently curious to trace the steps of such an obscure
|
|
pair might have discovered without great trouble that they had taken
|
|
advantage of his adaptive craftsmanship to enter on a shifting,
|
|
almost nomadic, life, which was not without its pleasantness for
|
|
a time.
|
|
|
|
Wherever Jude heard of free-stone work to be done, thither he went,
|
|
choosing by preference places remote from his old haunts and Sue's.
|
|
He laboured at a job, long or briefly, till it was finished;
|
|
and then moved on.
|
|
|
|
Two whole years and a half passed thus. Sometimes he might have been
|
|
found shaping the mullions of a country mansion, sometimes setting
|
|
the parapet of a town-hall, sometimes ashlaring an hotel at Sandbourne,
|
|
sometimes a museum at Casterbridge, sometimes as far down as Exonbury,
|
|
sometimes at Stoke-Barehills. Later still he was at Kennetbridge,
|
|
a thriving town not more than a dozen miles south of Marygreen,
|
|
this being his nearest approach to the village where he was known;
|
|
for he had a sensitive dread of being questioned as to his life and
|
|
fortunes by those who had been acquainted with him during his ardent
|
|
young manhood of study and promise, and his brief and unhappy married
|
|
life at that time.
|
|
|
|
At some of these places he would be detained for months,
|
|
at others only a few weeks. His curious and sudden antipathy
|
|
to ecclesiastical work, both episcopal and noncomformist, which had
|
|
risen in him when suffering under a smarting sense of misconception,
|
|
remained with him in cold blood, less from any fear of renewed
|
|
censure than from an ultra-conscientiousness which would not allow
|
|
him to seek a living out of those who would disapprove of his ways;
|
|
also, too, from a sense of inconsistency between his former dogmas
|
|
and his present practice, hardly a shred of the beliefs with which
|
|
he had first gone up to Christminster now remaining with him.
|
|
He was mentally approaching the position which Sue had occupied
|
|
when he first met her.
|
|
|
|
On a Saturday evening in May, nearly three years after Arabella's
|
|
recognition of Sue and himself at the agricultural show,
|
|
some of those who there encountered each other met again.
|
|
|
|
It was the spring fair at Kennetbridge, and, though this ancient
|
|
trade-meeting had much dwindled from its dimensions of former times,
|
|
the long straight street of the borough presented a lively scene
|
|
about midday. At this hour a light trap, among other vehicles,
|
|
was driven into the town by the north road, and up to the door
|
|
of a temperance inn. There alighted two women, one the driver,
|
|
an ordinary country person, the other a finely built figure in
|
|
the deep mourning of a widow. Her sombre suit, of pronounced cut,
|
|
caused her to appear a little out of place in the medley and bustle
|
|
of a provincial fair.
|
|
|
|
"I will just find out where it is, Anny," said the widow-lady
|
|
to her companion, when the horse and cart had been taken by a man
|
|
who came forward: "and then I'll come back, and meet you here;
|
|
and we'll go in and have something to eat and drink. I begin to feel
|
|
quite a sinking."
|
|
|
|
"With all my heart," said the other. "Though I would sooner
|
|
have put up at the Chequers or The Jack. You can't get much
|
|
at these temperance houses."
|
|
|
|
"Now, don't you give way to gluttonous desires, my child,"
|
|
said the woman in weeds reprovingly. "This is the proper place.
|
|
Very well: we'll meet in half an hour, unless you come with me to find
|
|
out where the site of the new chapel is?"
|
|
|
|
"I don't care to. You can tell me."
|
|
|
|
The companions then went their several ways, the one in crape
|
|
walking firmly along with a mien of disconnection from her
|
|
miscellaneous surroundings. Making inquiries she came to a hoarding,
|
|
within which were excavations denoting the foundations of a building;
|
|
and on the boards without one or two large posters announcing
|
|
that the foundation-stone of the chapel about to be erected would
|
|
be laid that afternoon at three o'clock by a London preacher
|
|
of great popularity among his body.
|
|
|
|
Having ascertained thus much the immensely weeded widow retraced her steps,
|
|
and gave herself leisure to observe the movements of the fair.
|
|
By and by her attention was arrested by a little stall of cakes
|
|
and ginger-breads, standing between the more pretentious erections
|
|
of trestles and canvas. It was covered with an immaculate cloth,
|
|
and tended by a young woman apparently unused to the business,
|
|
she being accompanied by a boy with an octogenarian face,
|
|
who assisted her.
|
|
|
|
"Upon my--senses!" murmured the widow to herself. "His wife Sue--
|
|
if she is so!" She drew nearer to the stall. "How do you do,
|
|
Mrs. Fawley?" she said blandly.
|
|
|
|
Sue changed colour and recognized Arabella through the crape veil.
|
|
|
|
"How are you, Mrs. Cartlett?" she said stiffly. And then perceiving
|
|
Arabella's garb her voice grew sympathetic in spite of herself.
|
|
"What?--you have lost----"
|
|
|
|
"My poor husband. Yes. He died suddenly, six weeks ago,
|
|
leaving me none too well off, though he was a kind husband to me.
|
|
But whatever profit there is in public-house keeping goes to them
|
|
that brew the liquors, and not to them that retail 'em.... And you,
|
|
my little old man! You don't know me, I expect?"
|
|
|
|
"Yes, I do. You be the woman I thought wer my mother for a bit,
|
|
till I found you wasn't," replied Father Time, who had learned to use
|
|
the Wessex tongue quite naturally by now.
|
|
|
|
"All right. Never mind. I am a friend."
|
|
|
|
"Juey," said Sue suddenly, "go down to the station platform
|
|
with this tray--there's another train coming in, I think."
|
|
|
|
When he was gone Arabella continued: "He'll never be a beauty,
|
|
will he, poor chap! Does he know I am his mother really?"
|
|
|
|
"No. He thinks there is some mystery about his parentage--that's all.
|
|
Jude is going to tell him when he is a little older."
|
|
|
|
"But how do you come to be doing this? I am surprised."
|
|
|
|
"It is only a temporary occupation--a fancy of ours while we
|
|
are in a difficulty."
|
|
|
|
"Then you are living with him still?"
|
|
|
|
"Yes."
|
|
|
|
"Married?"
|
|
|
|
"Of course."
|
|
|
|
"Any children?"
|
|
|
|
"Two."
|
|
|
|
"And another coming soon, I see."
|
|
|
|
Sue writhed under the hard and direct questioning, and her tender
|
|
little mouth began to quiver.
|
|
|
|
"Lord--I mean goodness gracious--what is there to cry about?
|
|
Some folks would be proud enough!"
|
|
|
|
"It is not that I am ashamed--not as you think! But it seems
|
|
such a terribly tragic thing to bring beings into the world--
|
|
so presumptuous--that I question my right to do it sometimes!"
|
|
|
|
"Take it easy, my dear.... But you don't tell me why you do
|
|
such a thing as this? Jude used to be a proud sort of chap--
|
|
above any business almost, leave alone keeping a standing."
|
|
|
|
"Perhaps my husband has altered a little since then.
|
|
I am sure he is not proud now!" And Sue's lips quivered again.
|
|
"I am doing this because he caught a chill early in the year while
|
|
putting up some stonework of a music-hall, at Quartershot, which he
|
|
had to do in the rain, the work having to be executed by a fixed day.
|
|
He is better than he was; but it has been a long, weary time!
|
|
We have had an old widow friend with us to help us through it;
|
|
but she's leaving soon."
|
|
|
|
"Well, I am respectable too, thank God, and of a serious way
|
|
of thinking since my loss. Why did you choose to sell gingerbreads?"
|
|
|
|
"That's a pure accident. He was brought up to the baking business,
|
|
and it occurred to him to try his hand at these, which he can make
|
|
without coming out of doors. We call them Christminster cakes.
|
|
They are a great success."
|
|
|
|
"I never saw any like 'em. Why, they are windows and towers,
|
|
and pinnacles! And upon my word they are very nice." She had
|
|
helped herself, and was unceremoniously munching one of the cakes.
|
|
|
|
"Yes. They are reminiscences of the Christminster Colleges.
|
|
Traceried windows, and cloisters, you see. It was a whim of his to do
|
|
them in pastry."
|
|
|
|
"Still harping on Christminster--even in his cakes!" laughed Arabella.
|
|
"Just like Jude. A ruling passion. What a queer fellow he is,
|
|
and always will be!"
|
|
|
|
Sue sighed, and she looked her distress at hearing him criticized.
|
|
|
|
"Don't you think he is? Come now; you do, though you are so fond
|
|
of him!"
|
|
|
|
"Of course Christminster is a sort of fixed vision with him, which I
|
|
suppose he'll never be cured of believing in. He still thinks it
|
|
a great centre of high and fearless thought, instead of what it is,
|
|
a nest of commonplace schoolmasters whose characteristic is timid
|
|
obsequiousness to tradition."
|
|
|
|
Arabella was quizzing Sue with more regard of how she was speaking
|
|
than of what she was saying. "How odd to hear a woman selling cakes
|
|
talk like that!" she said. "Why don't you go back to school-keeping?"
|
|
|
|
She shook her head. "They won't have me."
|
|
|
|
"Because of the divorce, I suppose?"
|
|
|
|
"That and other things. And there is no reason to wish it.
|
|
We gave up all ambition, and were never so happy in our lives till
|
|
his illness came."
|
|
|
|
"Where are you living?"
|
|
|
|
"I don't care to say."
|
|
|
|
"Here in Kennetbridge?"
|
|
|
|
Sue's manner showed Arabella that her random guess was right.
|
|
|
|
"Here comes the boy back again," continued Arabella. "My boy
|
|
and Jude's!"
|
|
|
|
Sue's eyes darted a spark. "You needn't throw that in my face!"
|
|
she cried.
|
|
|
|
"Very well--though I half-feel as if I should like to have him
|
|
with me! ... But Lord, I don't want to take him from 'ee--ever I
|
|
should sin to speak so profane--though I should think you must
|
|
have enough of your own! He's in very good hands, that I know;
|
|
and I am not the woman to find fault with what the Lord has ordained.
|
|
I've reached a more resigned frame of mind."
|
|
|
|
"Indeed! I wish I had been able to do so."
|
|
|
|
"You should try," replied the widow, from the serene heights of a
|
|
soul conscious not only of spiritual but of social superiority.
|
|
"I make no boast of my awakening, but I'm not what I was.
|
|
After Cartlett's death I was passing the chapel in the street
|
|
next ours, and went into it for shelter from a shower of rain.
|
|
I felt a need of some sort of support under my loss, and,
|
|
as 'twas righter than gin, I took to going there regular,
|
|
and found it a great comfort. But I've left London now, you know,
|
|
and at present I am living at Alfredston, with my friend Anny,
|
|
to be near my own old country. I'm not come here to the fair
|
|
to-day. There's to be the foundation-stone of a new chapel laid this
|
|
afternoon by a popular London preacher, and I drove over with Anny.
|
|
Now I must go back to meet her."
|
|
|
|
Then Arabella wished Sue good-bye, and went on.
|
|
|
|
VIII
|
|
|
|
IN the afternoon Sue and the other people bustling about Kennetbridge
|
|
fair could hear singing inside the placarded hoarding farther
|
|
down the street. Those who peeped through the opening saw
|
|
a crowd of persons in broadcloth, with hymn-books in their hands,
|
|
standing round the excavations for the new chapel-walls. Arabella
|
|
Cartlett and her weeds stood among them. She had a clear,
|
|
powerful voice, which could be distinctly heard with the rest,
|
|
rising and falling to the tune, her inflated bosom being also seen
|
|
doing likewise.
|
|
|
|
It was two hours later on the same day that Anny and Mrs. Cartlett,
|
|
having had tea at the Temperance Hotel, started on their return
|
|
journey across the high and open country which stretches between
|
|
Kennetbridge and Alfredston. Arabella was in a thoughtful mood;
|
|
but her thoughts were not of the new chapel, as Anny at first surmised.
|
|
|
|
"No--it is something else," at last said Arabella sullenly.
|
|
"I came here to-day never thinking of anybody but poor Cartlett,
|
|
or of anything but spreading the Gospel by means of this new tabernacle
|
|
they've begun this afternoon. But something has happened to turn
|
|
my mind another way quite. Anny, I've heard of un again, and I've
|
|
seen HER!"
|
|
|
|
"Who?"
|
|
|
|
"I've heard of Jude, and I've seen his wife. And ever since,
|
|
do what I will, and though I sung the hymns wi' all my strength,
|
|
I have not been able to help thinking about 'n; which I've no right
|
|
to do as a chapel member."
|
|
|
|
"Can't ye fix your mind upon what was said by the London preacher
|
|
to-day, and try to get rid of your wandering fancies that way?"
|
|
|
|
"I do. But my wicked heart will ramble off in spite of myself!"
|
|
|
|
"Well--I know what it is to have a wanton mind o'
|
|
my own, too! If you on'y knew what I do dream sometimes o'
|
|
nights quite against my wishes, you'd say I had my struggles!"
|
|
(Anny, too, had grown rather serious of late, her lover having
|
|
jilted her.)
|
|
|
|
"What shall I do about it?" urged Arabella morbidly.
|
|
|
|
"You could take a lock of your late-lost husband's hair, and have it
|
|
made into a mourning brooch, and look at it every hour of the day."
|
|
|
|
"I haven't a morsel!--and if I had 'twould be no good.... After
|
|
all that's said about the comforts of this religion, I wish I
|
|
had Jude back again!"
|
|
|
|
"You must fight valiant against the feeling, since he's another's.
|
|
And I've heard that another good thing for it, when it afflicts
|
|
volupshious widows, is to go to your husband's grave in the dusk
|
|
of evening, and stand a long while a-bowed down."
|
|
|
|
"Pooh! I know as well as you what I should do; only I don't do it!"
|
|
|
|
They drove in silence along the straight road till they were within
|
|
the horizon of Marygreen, which lay not far to the left of their route.
|
|
They came to the junction of the highway and the cross-lane leading
|
|
to that village, whose church-tower could be seen athwart the hollow.
|
|
When they got yet farther on, and were passing the lonely house
|
|
in which Arabella and Jude had lived during the first months
|
|
of their marriage, and where the pig-killing had taken place,
|
|
she could control herself no longer.
|
|
|
|
"He's more mine than hers!" she burst out. "What right has she to him,
|
|
I should like to know! I'd take him from her if I could!"
|
|
|
|
"Fie, Abby! And your husband only six weeks gone! Pray against it!"
|
|
|
|
"Be damned if I do! Feelings are feelings! I won't be a creeping
|
|
hypocrite any longer--so there!"
|
|
|
|
Arabella had hastily drawn from her pocket a bundle of tracts
|
|
which she had brought with her to distribute at the fair, and of
|
|
which she had given away several. As she spoke she flung the whole
|
|
remainder of the packet into the hedge "I've tried that sort o'
|
|
physic and have failed wi' it. I must be as I was born!"
|
|
|
|
"Hush! You be excited, dear! Now you come along home quiet,
|
|
and have a cup of tea, and don't let us talk about un no more.
|
|
We won't come out this road again, as it leads to where he is,
|
|
because it inflames 'ee so. You'll be all right again soon."
|
|
|
|
Arabella did calm herself down by degrees; and they crossed
|
|
the Ridge-way. When they began to descend the long, straight hill,
|
|
they saw plodding along in front of them an elderly man of spare
|
|
stature and thoughtful gait. In his hand he carried a basket;
|
|
and there was a touch of slovenliness in his attire, together with
|
|
that indefinable something in his whole appearance which suggested
|
|
one who was his own housekeeper, purveyor, confidant, and friend,
|
|
through possessing nobody else at all in the world to act in those
|
|
capacities for him. The remainder of the journey was down-hill,
|
|
and guessing him to be going to Alfredston they offered him a lift,
|
|
which he accepted.
|
|
|
|
Arabella looked at him, and looked again, till at length she spoke.
|
|
"If I don't mistake I am talking to Mr. Phillotson?"
|
|
|
|
The wayfarer faced round and regarded her in turn. "Yes; my name
|
|
is Phillotson," he said. "But I don't recognize you, ma'am."
|
|
|
|
"I remember you well enough when you used to be schoolmaster out
|
|
at Marygreen, and I one of your scholars. I used to walk up there from
|
|
Cresscombe every day, because we had only a mistress down at our place,
|
|
and you taught better. But you wouldn't remember me as I should you?--
|
|
Arabella Donn."
|
|
|
|
He shook his head. "No," he said politely, "I don't recall the name.
|
|
And I should hardly recognize in your present portly self the slim
|
|
school child no doubt you were then."
|
|
|
|
"Well, I always had plenty of flesh on my bones. However, I am
|
|
staying down here with some friends at present. You know, I suppose,
|
|
who I married?"
|
|
|
|
"No."
|
|
|
|
"Jude Fawley--also a scholar of yours--at least a night scholar--
|
|
for some little time I think? And known to you afterwards, if I am
|
|
not mistaken."
|
|
|
|
"Dear me, dear me," said Phillotson, starting out of his stiffness.
|
|
"You Fawley's wife? To be sure--he had a wife! And he--
|
|
I understood--"
|
|
|
|
"Divorced her--as you did yours--perhaps for better reasons."
|
|
|
|
"Indeed?"
|
|
|
|
"Well--he med have been right in doing it--right for both; for I soon
|
|
married again, and all went pretty straight till my husband died lately.
|
|
But you--you were decidedly wrong!"
|
|
|
|
"No," said Phillotson, with sudden testiness. "I would rather
|
|
not talk of this, but--I am convinced I did only what was right,
|
|
and just, and moral. I have suffered for my act and opinions,
|
|
but I hold to them; though her loss was a loss to me in more ways
|
|
than one!"
|
|
|
|
"You lost your school and good income through her, did you not?"
|
|
|
|
"I don't care to talk of it. I have recently come back here--
|
|
to Marygreen. I mean."
|
|
|
|
"You are keeping the school there again, just as formerly?"
|
|
|
|
The pressure of a sadness that would out unsealed him. "I am there,"
|
|
he replied. "Just as formerly, no. Merely on sufferance.
|
|
It was a last resource--a small thing to return to after my
|
|
move upwards, and my long indulged hopes a returning to zero,
|
|
with all its humiliations. But it is a refuge. I like the seclusion
|
|
of the place, and the vicar having known me before my so-called
|
|
eccentric conduct towards my wife had ruined my reputation
|
|
as a schoolmaster, he accepted my services when all other schools
|
|
were closed against me. However, although I take fifty pounds a year
|
|
here after taking above two hundred elsewhere, I prefer it to running
|
|
the risk of having my old domestic experiences raked up against me,
|
|
as I should do if I tried to make a move."
|
|
|
|
"Right you are. A contented mind is a continual feast.
|
|
She has done no better."
|
|
|
|
"She is not doing well, you mean?"
|
|
|
|
"I met her by accident at Kennetbridge this very day, and she
|
|
is anything but thriving. Her husband is ill, and she anxious.
|
|
You made a fool of a mistake about her, I tell 'ee again, and the harm
|
|
you did yourself by dirting your own nest serves you right,
|
|
excusing the liberty."
|
|
|
|
"How?"
|
|
|
|
"She was innocent."
|
|
|
|
"But nonsense! They did not even defend the case!"
|
|
|
|
"That was because they didn't care to. She was quite innocent
|
|
of what obtained you your freedom, at the time you obtained it.
|
|
I saw her just afterwards, and proved it to myself completely
|
|
by talking to her."
|
|
|
|
Phillotson grasped the edge of the spring-cart, and appeared to be much
|
|
stressed and worried by the information. "Still--she wanted to go,"
|
|
he said.
|
|
|
|
"Yes. But you shouldn't have let her. That's the only way
|
|
with these fanciful women that chaw high--innocent or guilty.
|
|
She'd have come round in time. We all do! Custom does it!
|
|
It's all the same in the end! However, I think she's fond of her
|
|
man still--whatever he med be of her. You were too quick about her.
|
|
I shouldn't have let her go! I should have kept her chained on--
|
|
her spirit for kicking would have been broke soon enough!
|
|
There's nothing like bondage and a stone-deaf taskmaster for taming
|
|
us women. Besides, you've got the laws on your side. Moses knew.
|
|
Don't you call to mind what he says?"
|
|
|
|
"Not for the moment, ma'am, I regret to say."
|
|
|
|
"Call yourself a schoolmaster! I used to think o't when they read it
|
|
in church, and I was carrying on a bit. 'Then shall the man be guiltless;
|
|
but the woman shall bear her iniquity.' Damn rough on us women;
|
|
but we must grin and put up wi' it! Haw haw! Well; she's got her
|
|
deserts now."
|
|
|
|
"Yes," said Phillotson, with biting sadness. "Cruelty is the law
|
|
pervading all nature and society; and we can't get out of it
|
|
if we would!"
|
|
|
|
"Well--don't you forget to try it next time, old man."
|
|
|
|
"I cannot answer you, madam. I have never known much of womankind."
|
|
|
|
They had now reached the low levels bordering Alfredston, and passing
|
|
through the outskirts approached a mill, to which Phillotson said
|
|
his errand led him; whereupon they drew up, and he alighted,
|
|
bidding them good-night in a preoccupied mood.
|
|
|
|
In the meantime Sue, though remarkably successful in her cake-selling
|
|
experiment at Kennetbridge fair, had lost the temporary brightness
|
|
which had begun to sit upon her sadness on account of that success.
|
|
When all her "Christminster" cakes had been disposed of she took
|
|
upon her arm the empty basket, and the cloth which had covered
|
|
the standing she had hired, and giving the other things to the boy
|
|
left the street with him. They followed a lane to a distance of half
|
|
a mile, till they met an old woman carrying a child in short clothes,
|
|
and leading a toddler in the other hand.
|
|
|
|
Sue kissed the children, and said, "How is he now?"
|
|
|
|
"Still better!" returned Mrs. Edlin cheerfully. "Before you are
|
|
upstairs again your husband will be well enough--don't 'ee trouble."
|
|
|
|
They turned, and came to some old, dun-tiled cottages with gardens
|
|
and fruit-trees. Into one of these they entered by lifting the latch
|
|
without knocking, and were at once in the general living-room. Here
|
|
they greeted Jude, who was sitting in an arm-chair, the increased
|
|
delicacy of his normally delicate features, and the childishly
|
|
expectant look in his eyes, being alone sufficient to show that he
|
|
had been passing through a severe illness.
|
|
|
|
"What--you have sold them all?" he said, a gleam of interest
|
|
lighting up his face.
|
|
|
|
"Yes. Arcades, gables, east windows and all." She told him
|
|
the pecuniary results, and then hesitated. At last, when they were
|
|
left alone, she informed him of the unexpected meeting with Arabella,
|
|
and the latter's widowhood.
|
|
|
|
Jude was discomposed. "What--is she living here?" he said.
|
|
|
|
"No; at Alfredston," said Sue.
|
|
|
|
Jude's countenance remained clouded. "I thought I had better tell you?"
|
|
she continued, kissing him anxiously.
|
|
|
|
"Yes.... Dear me! Arabella not in the depths of London, but down here!
|
|
It is only a little over a dozen miles across the country to Alfredston.
|
|
What is she doing there?"
|
|
|
|
She told him all she knew. "She has taken to chapel-going," Sue added;
|
|
"and talks accordingly."
|
|
|
|
"Well," said Jude, "perhaps it is for the best that we have almost
|
|
decided to move on. I feel much better to-day, and shall be well
|
|
enough to leave in a week or two. Then Mrs. Edlin can go home again--
|
|
dear faithful old soul--the only friend we have in the world!"
|
|
|
|
"Where do you think to go to?" Sue asked, a troublousness in her tones.
|
|
|
|
Then Jude confessed what was in his mind. He said it would
|
|
surprise her, perhaps, after his having resolutely avoided all the old
|
|
places for so long. But one thing and another had made him think
|
|
a great deal of Christminster lately, and, if she didn't mind, he would
|
|
like to go back there. Why should they care if they were known?
|
|
It was oversensitive of them to mind so much. They could go
|
|
on selling cakes there, for that matter, if he couldn't work.
|
|
He had no sense of shame at mere poverty; and perhaps he would
|
|
be as strong as ever soon, and able to set up stone-cutting for
|
|
himself there.
|
|
|
|
"Why should you care so much for Christminster?" she said pensively.
|
|
"Christminster cares nothing for you, poor dear!"
|
|
|
|
"Well, I do, I can't help it. I love the place--although I know how it
|
|
hates all men like me--the so-called self-taught,--how it scorns our
|
|
laboured acquisitions, when it should be the first to respect them;
|
|
how it sneers at our false quantities and mispronunciations, when it
|
|
should say, I see you want help, my poor friend! ... Nevertheless,
|
|
it is the centre of the universe to me, because of my early dream:
|
|
and nothing can alter it. Perhaps it will soon wake up,
|
|
and be generous. I pray so! ... I should like to go back to live there--
|
|
perhaps to die there! In two or three weeks I might, I think.
|
|
It will then be June, and I should like to be there by a
|
|
particular day."
|
|
|
|
His hope that he was recovering proved so far well grounded
|
|
that in three weeks they had arrived in the city of many memories;
|
|
were actually treading its pavements, receiving the reflection
|
|
of the sunshine from its wasting walls.
|
|
|
|
Part Sixth
|
|
|
|
AT CHRISTMINSTER AGAIN
|
|
|
|
"... And she humbled her body greatly, and all the
|
|
places of her joy she filled with her torn hair."--
|
|
ESTHER (Apoc.).
|
|
|
|
"There are two who decline, a woman and I,
|
|
And enjoy our death in the darkness here."
|
|
--R. BROWNING.
|
|
|
|
ON their arrival the station was lively with straw-hatted young men,
|
|
welcoming young girls who bore a remarkable family likeness
|
|
to their welcomers, and who were dressed up in the brightest
|
|
and lightest of raiment.
|
|
|
|
"The place seems gay," said Sue. "Why--it is Remembrance Day!--
|
|
Jude--how sly of you--you came to-day on purpose!"
|
|
|
|
"Yes," said Jude quietly, as he took charge of the small child,
|
|
and told Arabella's boy to keep close to them, Sue attending
|
|
to their own eldest. "I thought we might as well come to-day
|
|
as on any other."
|
|
|
|
"But I am afraid it will depress you!" she said, looking anxiously
|
|
at him up and down.
|
|
|
|
"Oh, I mustn't let it interfere with our business; and we have a good
|
|
deal to do before we shall be settled here. The first thing is lodgings."
|
|
|
|
Having left their luggage and his tools at the station they proceeded
|
|
on foot up the familiar street, the holiday people all drifting
|
|
in the same direction. Reaching the Fourways they were about
|
|
to turn off to where accommodation was likely to be found when,
|
|
looking at the clock and the hurrying crowd, Jude said: "Let us
|
|
go and see the procession, and never mind the lodgings just now?
|
|
We can get them afterwards."
|
|
|
|
"Oughtn't we to get a house over our heads first?" she asked.
|
|
|
|
But his soul seemed full of the anniversary, and together they
|
|
went down Chief Street, their smallest child in Jude's arms,
|
|
Sue leading her little girl, and Arabella's boy walking thoughtfully
|
|
and silently beside them. Crowds of pretty sisters in airy costumes,
|
|
and meekly ignorant parents who had known no college in their youth,
|
|
were under convoy in the same direction by brothers and sons bearing
|
|
the opinion written large on them that no properly qualified human
|
|
beings had lived on earth till they came to grace it here and now.
|
|
|
|
"My failure is reflected on me by every one of those young fellows,"
|
|
said Jude. "A lesson on presumption is awaiting me to-day!--
|
|
Humiliation Day for me! ... If you, my dear darling, hadn't come to
|
|
my rescue, I should have gone to the dogs with despair!"
|
|
|
|
She saw from his face that he was getting into one of his tempestuous,
|
|
self-harrowing moods. "It would have been better if we had gone
|
|
at once about our own affairs, dear," she answered. "I am sure this
|
|
sight will awaken old sorrows in you, and do no good!"
|
|
|
|
"Well--we are near; we will see it now," said he.
|
|
|
|
They turned in on the left by the church with the Italian porch,
|
|
whose helical columns were heavily draped with creepers, and pursued
|
|
the lane till there arose on Jude's sight the circular theatre
|
|
with that well-known lantern above it, which stood in his mind as
|
|
the sad symbol of his abandoned hopes, for it was from that outlook
|
|
that he had finally surveyed the City of Colleges on the afternoon
|
|
of his great meditation, which convinced him at last of the futility
|
|
of his attempt to be a son of the university.
|
|
|
|
To-day, in the open space stretching between this building
|
|
and the nearest college, stood a crowd of expectant people.
|
|
A passage was kept clear through their midst by two barriers of timber,
|
|
extending from the door of the college to the door of the large
|
|
building between it and the theatre.
|
|
|
|
"Here is the place--they are just going to pass!" cried Jude
|
|
in sudden excitement. And pushing his way to the front he took up
|
|
a position close to the barrier, still hugging the youngest child
|
|
in his arms, while Sue and the others kept immediately behind him.
|
|
The crowd filled in at their back, and fell to talking, joking, and laughing
|
|
as carriage after carriage drew up at the lower door of the college,
|
|
and solemn stately figures in blood-red robes began to alight.
|
|
The sky had grown overcast and livid, and thunder rumbled now
|
|
and then.
|
|
|
|
Father Time shuddered. "It do seem like the Judgment Day!"
|
|
he whispered.
|
|
|
|
"They are only learned doctors," said Sue.
|
|
|
|
While they waited big drops of rain fell on their heads and shoulders,
|
|
and the delay grew tedious. Sue again wished not to stay.
|
|
|
|
"They won't be long now," said Jude, without turning his head.
|
|
|
|
But the procession did not come forth, and somebody in the crowd,
|
|
to pass the time, looked at the facade of the nearest college,
|
|
and said he wondered what was meant by the Latin inscription
|
|
in its midst. Jude, who stood near the inquirer, explained it,
|
|
and finding that the people all round him were listening with interest,
|
|
went on to describe the carving of the frieze (which he had studied
|
|
years before), and to criticize some details of masonry in other college
|
|
fronts about the city.
|
|
|
|
The idle crowd, including the two policemen at the doors, stared like
|
|
the Lycaonians at Paul, for Jude was apt to get too enthusiastic
|
|
over any subject in hand, and they seemed to wonder how the stranger
|
|
should know more about the buildings of their town than they
|
|
themselves did; till one of them said: "Why, I know that man;
|
|
he used to work here years ago--Jude Fawley, that's his name!
|
|
Don't you mind he used to be nicknamed Tutor of St. Slums, d'ye mind?--
|
|
because he aimed at that line o' business? He's married, I suppose,
|
|
then, and that's his child he's carrying. Taylor would know him,
|
|
as he knows everybody."
|
|
|
|
The speaker was a man named Jack Stagg, with whom Jude had formerly
|
|
worked in repairing the college masonries; Tinker Taylor was seen
|
|
to be standing near. Having his attention called the latter cried
|
|
across the barriers to Jude: "You've honoured us by coming back again,
|
|
my friend!"
|
|
|
|
"An' you don't seem to have done any great things for yourself
|
|
by going away?"
|
|
|
|
Jude assented to this also.
|
|
|
|
"Except found more mouths to fill!" This came in a new voice,
|
|
and Jude recognized its owner to be Uncle Joe, another mason whom he
|
|
had known.
|
|
|
|
Jude replied good-humouredly that he could not dispute it;
|
|
and from remark to remark something like a general conversation arose
|
|
between him and the crowd of idlers, during which Tinker Taylor
|
|
asked Jude if he remembered the Apostles' Creed in Latin still,
|
|
and the night of the challenge in the public house.
|
|
|
|
"But Fortune didn't lie that way?" threw in Joe. "Yer powers
|
|
wasn't enough to carry 'ee through?"
|
|
|
|
"Don't answer them any more!" entreated Sue.
|
|
|
|
"I don't think I like Christminster!" murmured little Time mournfully,
|
|
as he stood submerged and invisible in the crowd.
|
|
|
|
But finding himself the centre of curiosity, quizzing, and comment,
|
|
Jude was not inclined to shrink from open declarations of what he
|
|
had no great reason to be ashamed of; and in a little while was
|
|
stimulated to say in a loud voice to the listening throng generally:
|
|
|
|
"It is a difficult question, my friends, for any young man--
|
|
that question I had to grapple with, and which thousands are weighing
|
|
at the present moment in these uprising times--whether to follow
|
|
uncritically the track he finds himself in, without considering
|
|
his aptness for it, or to consider what his aptness or bent may be,
|
|
and re-shape his course accordingly. I tried to do the latter,
|
|
and I failed. But I don't admit that my failure proved my view
|
|
to be a wrong one, or that my success would have made it a right one;
|
|
though that's how we appraise such attempts nowadays--I mean,
|
|
not by their essential soundness, but by their accidental outcomes.
|
|
If I had ended by becoming like one of these gentlemen in red
|
|
and black that we saw dropping in here by now, everybody would
|
|
have said: 'See how wise that young man was, to follow the bent
|
|
of his nature!' But having ended no better than I began they say:
|
|
'See what a fool that fellow was in following a freak of
|
|
his fancy!'
|
|
|
|
"However it was my poverty and not my will that consented to be beaten.
|
|
It takes two or three generations to do what I tried to do in one;
|
|
and my impulses--affections--vices perhaps they should be called--
|
|
were too strong not to hamper a man without advantages;
|
|
who should be as cold-blooded as a fish and as selfish as a pig
|
|
to have a really good chance of being one of his country's worthies.
|
|
You may ridicule me--I am quite willing that you should--
|
|
I am a fit subject, no doubt. But I think if you knew what I
|
|
have gone through these last few years you would rather pity me.
|
|
And if they knew"--he nodded towards the college at which the dons
|
|
were severally arriving--"it is just possible they would do
|
|
the same."
|
|
|
|
"He do look ill and worn-out, it is true!" said a woman.
|
|
|
|
Sue's face grew more emotional; but though she stood close to Jude
|
|
she was screened.
|
|
|
|
"I may do some good before I am dead--be a sort of success as a
|
|
frightful example of what not to do; and so illustrate a moral story,"
|
|
continued Jude, beginning to grow bitter, though he had opened
|
|
serenely enough. "I was, perhaps, after all, a paltry victim
|
|
to the spirit of mental and social restlessness that makes so many
|
|
unhappy in these days!"
|
|
|
|
"Don't tell them that!" whispered Sue with tears, at perceiving
|
|
Jude's state of mind. "You weren't that. You struggled nobly
|
|
to acquire knowledge, and only the meanest souls in the world
|
|
would blame you!"
|
|
|
|
Jude shifted the child into a more easy position on his arm,
|
|
and concluded: "And what I appear, a sick and poor man, is not
|
|
the worst of me. I am in a chaos of principles--groping in the dark--
|
|
acting by instinct and not after example. Eight or nine years ago
|
|
when I came here first, I had a neat stock of fixed opinions, but they
|
|
dropped away one by one; and the further I get the less sure I am.
|
|
I doubt if I have anything more for my present rule of life
|
|
than following inclinations which do me and nobody else any harm,
|
|
and actually give pleasure to those I love best. There, gentlemen,
|
|
since you wanted to know how I was getting on, I have told you.
|
|
Much good may it do you! I cannot explain further here.
|
|
I perceive there is something wrong somewhere in our social formulas:
|
|
what it is can only be discovered by men or women with greater insight
|
|
than mine--if, indeed, they ever discover it--at least in our time.
|
|
'For who knoweth what is good for man in this life?--and who can tell
|
|
a man what shall be after him under the sun?'"
|
|
|
|
"Hear, hear," said the populace.
|
|
|
|
"Well preached!" said Tinker Taylor. And privately to his neighbours:
|
|
"Why, one of them jobbing pa'sons swarming about here, that takes
|
|
the services when our head reverends want a holiday, wouldn't ha'
|
|
discoursed such doctrine for less than a guinea down? Hey? I'll take
|
|
my oath not one o' 'em would! And then he must have had it wrote down
|
|
for 'n. And this only a working-man!"
|
|
|
|
As a sort of objective commentary on Jude's remarks there drove
|
|
up at this moment with a belated doctor, robed and panting,
|
|
a cab whose horse failed to stop at the exact point required
|
|
for setting down the hirer, who jumped out and entered the door.
|
|
The driver, alighting, began to kick the animal in the belly.
|
|
|
|
"If that can be done," said Jude, "at college gates in the most
|
|
religious and educational city in the world, what shall we say
|
|
as to how far we've got?"
|
|
|
|
"Order!" said one of the policemen, who had been engaged with
|
|
a comrade in opening the large doors opposite the college.
|
|
"Keep yer tongue quiet, my man, while the procession passes."
|
|
The rain came on more heavily, and all who had umbrellas opened them.
|
|
Jude was not one of these, and Sue only possessed a small one,
|
|
half sunshade. She had grown pale, though Jude did not notice
|
|
it then.
|
|
|
|
"Let us go on, dear," she whispered, endeavouring to shelter him.
|
|
"We haven't any lodgings yet, remember, and all our things are at
|
|
the station; and you are by no means well yet. I am afraid this wet
|
|
will hurt you!"
|
|
|
|
"They are coming now. Just a moment, and I'll go!" said he.
|
|
|
|
A peal of six bells struck out, human faces began to crowd
|
|
the windows around, and the procession of heads of houses and new
|
|
doctors emerged, their red and black gowned forms passing across
|
|
the field of Jude's vision like inaccessible planets across an object glass.
|
|
|
|
As they went their names were called by knowing informants,
|
|
and when they reached the old round theatre of Wren a cheer rose high.
|
|
|
|
"Let's go that way!" cried Jude, and though it now rained steadily
|
|
he seemed not to know it, and took them round to the theatre.
|
|
Here they stood upon the straw that was laid to drown the discordant
|
|
noise of wheels, where the quaint and frost-eaten stone busts
|
|
encircling the building looked with pallid grimness on the proceedings,
|
|
and in particular at the bedraggled Jude, Sue, and their children,
|
|
as at ludicrous persons who had no business there.
|
|
|
|
"I wish I could get in!" he said to her fervidly. "Listen--I
|
|
may catch a few words of the Latin speech by staying here;
|
|
the windows are open."
|
|
|
|
However, beyond the peals of the organ, and the shouts and hurrahs
|
|
between each piece of oratory, Jude's standing in the wet did
|
|
not bring much Latin to his intelligence more than, now and then,
|
|
a sonorous word in UM or IBUS.
|
|
|
|
"Well--I'm an outsider to the end of my days!" he sighed
|
|
after a while. "Now I'll go, my patient Sue. How good of you
|
|
to wait in the rain all this time--to gratify my infatuation!
|
|
I'll never care any more about the infernal cursed place, upon my soul
|
|
I won't! But what made you tremble so when we were at the barrier?
|
|
And how pale you are, Sue!"
|
|
|
|
"I saw Richard amongst the people on the other side."
|
|
|
|
"Ah--did you!"
|
|
|
|
"He is evidently come up to Jerusalem to see the festival like the rest
|
|
of us: and on that account is probably living not so very far away.
|
|
He had the same hankering for the university that you had,
|
|
in a milder form. I don't think he saw me, though he must have heard
|
|
you speaking to the crowd. But he seemed not to notice."
|
|
|
|
"Well--suppose he did. Your mind is free from worries about him now,
|
|
my Sue?"
|
|
|
|
"Yes, I suppose so. But I am weak. Although I know it is all right
|
|
with our plans, I felt a curious dread of him; an awe, or terror,
|
|
of conventions I don't believe in. It comes over me at times
|
|
like a sort of creeping paralysis, and makes me so sad!"
|
|
|
|
"You are getting tired, Sue. Oh--I forgot, darling! Yes, we'll go
|
|
on at once."
|
|
|
|
They started in quest of the lodging, and at last found something
|
|
that seemed to promise well, in Mildew Lane--a spot which to Jude
|
|
was irresistible--though to Sue it was not so fascinating--a narrow lane
|
|
close to the back of a college, but having no communication with it.
|
|
The little houses were darkened to gloom by the high collegiate buildings,
|
|
within which life was so far removed from that of the people
|
|
in the lane as if it had been on opposite sides of the globe;
|
|
yet only a thickness of wall divided them. Two or three of the houses
|
|
had notices of rooms to let, and the newcomers knocked at the door
|
|
of one, which a woman opened.
|
|
|
|
"Ah--listen!" said Jude suddenly, instead of addressing her.
|
|
|
|
"What?"
|
|
|
|
"Why the bells--what church can that be? The tones are familiar."
|
|
|
|
Another peal of bells had begun to sound out at some distance off.
|
|
|
|
"I don't know!" said the landlady tartly. "Did you knock to ask that?"
|
|
|
|
"No; for lodgings," said Jude, coming to himself.
|
|
|
|
The householder scrutinized Sue's figure a moment. "We haven't
|
|
any to let," said she, shutting the door.
|
|
|
|
Jude looked discomfited, and the boy distressed. "Now, Jude,"
|
|
said Sue, "let me try. You don't know the way."
|
|
|
|
They found a second place hard by; but here the occupier,
|
|
observing not only Sue, but the boy and the small children,
|
|
said civilly, "I am sorry to say we don't let where there are children";
|
|
and also closed the door.
|
|
|
|
The small child squared its mouth and cried silently, with an instinct
|
|
that trouble loomed. The boy sighed. "I don't like Christminster!"
|
|
he said. "Are the great old houses gaols?"
|
|
|
|
"No; colleges," said Jude; "which perhaps you'll study in some day."
|
|
|
|
"I'd rather not!" the boy rejoined.
|
|
|
|
"Now we'll try again," said Sue. "I'll pull my cloak more round
|
|
me.... Leaving Kennetbridge for this place is like coming from
|
|
Caiaphas to Pilate! ... How do I look now, dear?"
|
|
|
|
"Nobody would notice it now," said Jude.
|
|
|
|
There was one other house, and they tried a third time.
|
|
The woman here was more amiable; but she had little room to spare,
|
|
and could only agree to take in Sue and the children if her husband
|
|
could go elsewhere. This arrangement they perforce adopted,
|
|
in the stress from delaying their search till so late. They came
|
|
to terms with her, though her price was rather high for their pockets.
|
|
But they could not afford to be critical till Jude had time to get
|
|
a more permanent abode; and in this house Sue took possession of a back
|
|
room on the second floor with an inner closet-room for the children.
|
|
Jude stayed and had a cup of tea; and was pleased to find
|
|
that the window commanded the back of another of the colleges.
|
|
Kissing all four he went to get a few necessaries and look for lodgings
|
|
for himself.
|
|
|
|
When he was gone the landlady came up to talk a little with Sue,
|
|
and gather something of the circumstances of the family she had taken in.
|
|
Sue had not the art of prevarication, and, after admitting several
|
|
facts as to their late difficulties and wanderings, she was startled
|
|
by the landlady saying suddenly:
|
|
|
|
"Are you really a married woman?"
|
|
|
|
Sue hesitated; and then impulsively told the woman that her husband
|
|
and herself had each been unhappy in their first marriages,
|
|
after which, terrified at the thought of a second irrevocable union,
|
|
and lest the conditions of the contract should kill their love,
|
|
yet wishing to be together, they had literally not found the courage
|
|
to repeat it, though they had attempted it two or three times.
|
|
Therefore, though in her own sense of the words she was a married woman,
|
|
in the landlady's sense she was not.
|
|
|
|
The housewife looked embarrassed, and went down-stairs. Sue
|
|
sat by the window in a reverie, watching the rain. Her quiet
|
|
was broken by the noise of someone entering the house, and then
|
|
the voices of a man and woman in conversation in the passage below.
|
|
The land-lady's husband had arrived, and she was explaining to him
|
|
the incoming of the lodgers during his absence.
|
|
|
|
His voice rose in sudden anger. "Now who wants such a woman here? and
|
|
perhaps a confinement! ... Besides, didn't I say I wouldn't have children?
|
|
The hall and stairs fresh painted, to be kicked about by them!
|
|
You must have known all was not straight with 'em--coming like that.
|
|
Taking in a family when I said a single man."
|
|
|
|
The wife expostulated, but, as it seemed, the husband insisted on his point;
|
|
for presently a tap came to Sue's door, and the woman appeared.
|
|
|
|
"I am sorry to tell you, ma'am," she said, "that I can't let
|
|
you have the room for the week after all. My husband objects;
|
|
and therefore I must ask you to go. I don't mind your staying
|
|
over to-night, as it is getting late in the afternoon; but I shall
|
|
be glad if you can leave early in the morning.
|
|
|
|
Though she knew that she was entitled to the lodging for a week,
|
|
Sue did not wish to create a disturbance between the wife and husband,
|
|
and she said she would leave as requested. When the landlady had
|
|
gone Sue looked out of the window again. Finding that the rain
|
|
had ceased she proposed to the boy that, after putting the little
|
|
ones to bed, they should go out and search about for another place,
|
|
and bespeak it for the morrow, so as not to be so hard-driven then
|
|
as they had been that day.
|
|
|
|
Therefore, instead of unpacking her boxes, which had just been sent
|
|
on from the station by Jude, they sallied out into the damp though
|
|
not unpleasant streets, Sue resolving not to disturb her husband
|
|
with the news of her notice to quit while he was perhaps worried in
|
|
obtaining a lodging for himself. In the company of the boy she wandered
|
|
into this street and into that; but though she tried a dozen different
|
|
houses she fared far worse alone than she had fared in Jude's company,
|
|
and could get nobody to promise her a room for the following day.
|
|
Every householder looked askance at such a woman and child inquiring
|
|
for accommodation in the gloom.
|
|
|
|
"I ought not to be born, ought I?" said the boy with misgiving.
|
|
|
|
Thoroughly tired at last Sue returned to the place where she
|
|
was not welcome, but where at least she had temporary shelter.
|
|
In her absence Jude had left his address; but knowing how weak he
|
|
still was she adhered to her determination not to disturb him till
|
|
the next day.
|
|
|
|
II
|
|
|
|
SUE sat looking at the bare floor of the room, the house being
|
|
little more than an old intramural cottage, and then she regarded
|
|
the scene outside the uncurtained window. At some distance opposite,
|
|
the outer walls of Sarcophagus College--silent, black, and windowless--
|
|
threw their four centuries of gloom, bigotry, and decay into the little
|
|
room she occupied, shutting out the moonlight by night and the sun
|
|
by day. The outlines of Rubric College also were discernible
|
|
beyond the other, and the tower of a third farther off still.
|
|
She thought of the strange operation of a simple-minded man's
|
|
ruling passion, that it should have led Jude, who loved her and the
|
|
children so tenderly, to place them here in this depressing purlieu,
|
|
because he was still haunted by his dream. Even now he did not
|
|
distinctly hear the freezing negative that those scholared walls
|
|
had echoed to his desire.
|
|
|
|
The failure to find another lodging, and the lack of room in this
|
|
house for his father, had made a deep impression on the boy--
|
|
a brooding undemonstrative horror seemed to have seized him.
|
|
The silence was broken by his saying: "Mother, WHAT shall we do to-morrow!"
|
|
|
|
"I don't know!" said Sue despondently. "I am afraid this will
|
|
trouble your father."
|
|
|
|
"I wish Father was quite well, and there had been room for him!
|
|
Then it wouldn't matter so much! Poor Father!"
|
|
|
|
"It wouldn't!"
|
|
|
|
"Can I do anything?"
|
|
|
|
"No! All is trouble, adversity, and suffering!"
|
|
|
|
"Father went away to give us children room, didn't he?"
|
|
|
|
"Partly."
|
|
|
|
"It would be better to be out o' the world than in it, wouldn't it?"
|
|
|
|
"It would almost, dear."
|
|
|
|
"'Tis because of us children, too, isn't it, that you can't get
|
|
a good lodging?"
|
|
|
|
"Well--people do object to children sometimes."
|
|
|
|
"Then if children make so much trouble, why do people have 'em?"
|
|
|
|
"Oh--because it is a law of nature."
|
|
|
|
"But we don't ask to be born?"
|
|
|
|
"No indeed."
|
|
|
|
"And what makes it worse with me is that you are not my real mother,
|
|
and you needn't have had me unless you liked. I oughtn't to have
|
|
come to 'ee--that's the real truth! I troubled 'em in Australia,
|
|
and I trouble folk here. I wish I hadn't been born!"
|
|
|
|
"You couldn't help it, my dear."
|
|
|
|
"I think that whenever children be born that are not wanted they
|
|
should be killed directly, before their souls come to 'em, and not
|
|
allowed to grow big and walk about!"
|
|
|
|
Sue did not reply. She was doubtfully pondering how to treat this
|
|
too reflective child.
|
|
|
|
She at last concluded that, so far as circumstances permitted,
|
|
she would be honest and candid with one who entered into her
|
|
difficulties like an aged friend.
|
|
|
|
"There is going to be another in our family soon," she hesitatingly remarked.
|
|
|
|
"How?"
|
|
|
|
"There is going to be another baby."
|
|
|
|
"What!" The boy jumped up wildly. "Oh God, Mother, you've never
|
|
a-sent for another; and such trouble with what you've got!"
|
|
|
|
"Yes, I have, I am sorry to say!" murmured Sue, her eyes glistening
|
|
with suspended tears.
|
|
|
|
The boy burst out weeping. "Oh you don't care, you don't care!"
|
|
he cried in bitter reproach. "How EVER could you, Mother, be so
|
|
wicked and cruel as this, when you needn't have done it till we was
|
|
better off, and Father well! To bring us all into MORE trouble!
|
|
No room for us, and Father a-forced to go away, and we turned
|
|
out to-morrow; and yet you be going to have another of us soon! ...
|
|
'Tis done o' purpose!--'tis--'tis!" He walked up and down sobbing.
|
|
|
|
"Y-you must forgive me, little Jude!" she pleaded, her bosom
|
|
heaving now as much as the boy's. "I can't explain--I will when
|
|
you are older. It does seem--as if I had done it on purpose,
|
|
now we are in these difficulties! I can't explain, dear! But it--
|
|
is not quite on purpose--I can't help it!"
|
|
|
|
"Yes it is--it must be! For nobody would interfere with us, like that,
|
|
unless you agreed! I won't forgive you, ever, ever! I'll never
|
|
believe you care for me, or Father, or any of us any more!"
|
|
|
|
He got up, and went away into the closet adjoining her room,
|
|
in which a bed had been spread on the floor. There she heard him say:
|
|
"If we children was gone there'd be no trouble at all!"
|
|
|
|
"Don't think that, dear," she cried, rather peremptorily.
|
|
"But go to sleep!"
|
|
|
|
The following morning she awoke at a little past six, and decided to get
|
|
up and run across before breakfast to the inn which Jude had informed
|
|
her to be his quarters, to tell him what had happened before he went out.
|
|
She arose softly, to avoid disturbing the children, who, as she knew,
|
|
must be fatigued by their exertions of yesterday.
|
|
|
|
She found Jude at breakfast in the obscure tavern he had chosen
|
|
as a counterpoise to the expense of her lodging: and she explained
|
|
to him her homelessness. He had been so anxious about her all night,
|
|
he said. Somehow, now it was morning, the request to leave
|
|
the lodgings did not seem such a depressing incident as it had seemed
|
|
the night before, nor did even her failure to find another place
|
|
affect her so deeply as at first. Jude agreed with her that it
|
|
would not be worth while to insist upon her right to stay a week,
|
|
but to take immediate steps for removal.
|
|
|
|
"You must all come to this inn for a day or two," he said.
|
|
"It is a rough place, and it will not be so nice for the children,
|
|
but we shall have more time to look round. There are plenty
|
|
of lodgings in the suburbs--in my old quarter of Beersheba.
|
|
Have breakfast with me now you are here, my bird. You are sure
|
|
you are well? There will be plenty of time to get back and
|
|
prepare the children's meal before they wake. In fact, I'll go
|
|
with you."
|
|
|
|
She joined Jude in a hasty meal, and in a quarter of an hour they
|
|
started together, resolving to clear out from Sue's too respectable
|
|
lodging immediately. On reaching the place and going upstairs
|
|
she found that all was quiet in the children's room, and called
|
|
to the landlady in timorous tones to please bring up the tea-kettle
|
|
and something for their breakfast. This was perfunctorily done,
|
|
and producing a couple of eggs which she had brought with her she
|
|
put them into the boiling kettle, and summoned Jude to watch them
|
|
for the youngsters, while she went to call them, it being now about
|
|
half-past eight o'clock.
|
|
|
|
Jude stood bending over the kettle, with his watch in his hand,
|
|
timing the eggs, so that his back was turned to the little inner
|
|
chamber where the children lay. A shriek from Sue suddenly caused him
|
|
to start round. He saw that the door of the room, or rather closet--
|
|
which had seemed to go heavily upon its hinges as she pushed it back--
|
|
was open, and that Sue had sunk to the floor just within it.
|
|
Hastening forward to pick her up he turned his eyes to the little
|
|
bed spread on the boards; no children were there. He looked
|
|
in bewilderment round the room. At the back of the door were
|
|
fixed two hooks for hanging garments, and from these the forms
|
|
of the two youngest children were suspended, by a piece of box-cord
|
|
round each of their necks, while from a nail a few yards off
|
|
the body of little Jude was hanging in a similar manner.
|
|
An overturned chair was near the elder boy, and his glazed eyes
|
|
were slanted into the room; but those of the girl and the baby boy
|
|
were closed.
|
|
|
|
Half-paralyzed by the strange and consummate horror of the scene
|
|
he let Sue lie, cut the cords with his pocket-knife and threw
|
|
the three children on the bed; but the feel of their bodies
|
|
in the momentary handling seemed to say that they were dead.
|
|
He caught up Sue, who was in fainting fits, and put her on the bed
|
|
in the other room, after which he breathlessly summoned the landlady
|
|
and ran out for a doctor.
|
|
|
|
When he got back Sue had come to herself, and the two helpless women,
|
|
bending over the children in wild efforts to restore them,
|
|
and the triplet of little corpses, formed a sight which overthrew his
|
|
self-command. The nearest surgeon came in, but, as Jude had inferred,
|
|
his presence was superfluous. The children were past saving,
|
|
for though their bodies were still barely cold it was conjectured
|
|
that they had been hanging more than an hour. The probability held
|
|
by the parents later on, when they were able to reason on the case,
|
|
was that the elder boy, on waking, looked into the outer room
|
|
for Sue, and, finding her absent, was thrown into a fit of aggravated
|
|
despondency that the events and information of the evening before
|
|
had induced in his morbid temperament. Moreover a piece of paper
|
|
was found upon the floor, on which was written, in the boy's hand,
|
|
with the bit of lead pencil that he carried:
|
|
|
|
DONE BECAUSE WE ARE TOO MENNY.
|
|
|
|
At sight of this Sue's nerves utterly gave way, an awful conviction
|
|
that her discourse with the boy had been the main cause of the tragedy,
|
|
throwing her into a convulsive agony which knew no abatement.
|
|
They carried her away against her wish to a room on the lower floor;
|
|
and there she lay, her slight figure shaken with her gasps, and her
|
|
eyes staring at the ceiling, the woman of the house vainly trying to
|
|
soothe her.
|
|
|
|
They could hear from this chamber the people moving about above,
|
|
and she implored to be allowed to go back, and was only kept
|
|
from doing so by the assurance that, if there were any hope,
|
|
her presence might do harm, and the reminder that it was necessary
|
|
to take care of herself lest she should endanger a coming life.
|
|
Her inquiries were incessant, and at last Jude came down and told
|
|
her there was no hope. As soon as she could speak she informed him
|
|
what she had said to the boy, and how she thought herself the cause
|
|
of this.
|
|
|
|
"No," said Jude. "It was in his nature to do it. The doctor
|
|
says there are such boys springing up amongst us--boys of a sort
|
|
unknown in the last generation--the outcome of new views of life.
|
|
They seem to see all its terrors before they are old enough to have
|
|
staying power to resist them. He says it is the beginning of the coming
|
|
universal wish not to live. He's an advanced man, the doctor:
|
|
but he can give no consolation to----"
|
|
|
|
Jude had kept back his own grief on account of her; but he now broke down;
|
|
and this stimulated Sue to efforts of sympathy which in some degree
|
|
distracted her from her poignant self-reproach. When everybody
|
|
was gone, she was allowed to see the children.
|
|
|
|
The boy's face expressed the whole tale of their situation.
|
|
On that little shape had converged all the inauspiciousness
|
|
and shadow which had darkened the first union of Jude, and all
|
|
the accidents, mistakes, fears, errors of the last. He was their
|
|
nodal point, their focus, their expression in a single term.
|
|
For the rashness of those parents he had groaned, for their ill
|
|
assortment he had quaked, and for the misfortunes of these he
|
|
had died.
|
|
|
|
When the house was silent, and they could do nothing but await
|
|
the coroner's inquest, a subdued, large, low voice spread into
|
|
the air of the room from behind the heavy walls at the back.
|
|
|
|
"What is it?" said Sue, her spasmodic breathing suspended.
|
|
|
|
"The organ of the college chapel. The organist practising I suppose.
|
|
It's the anthem from the seventy-third Psalm; 'Truly God is loving
|
|
unto Israel.'"
|
|
|
|
She sobbed again. "Oh, Oh my babies! They had done no harm!
|
|
Why should they have been taken away, and not I!"
|
|
|
|
There was another stillness--broken at last by two persons
|
|
in conversation somewhere without.
|
|
|
|
"They are talking about us, no doubt!" moaned Sue. "'We are made
|
|
a spectacle unto the world, and to angels, and to men!'"
|
|
|
|
Jude listened--"No--they are not talking of us," he said. "They are
|
|
two clergymen of different views, arguing about the eastward position.
|
|
Good God--the eastward position, and all creation groaning!"
|
|
|
|
Then another silence, till she was seized with another uncontrollable fit
|
|
of grief. "There is something external to us which says, 'You shan't!'
|
|
First it said, 'You shan't learn!' Then it said, 'You shan't labour!'
|
|
Now it says, 'You shan't love!'"
|
|
|
|
He tried to soothe her by saying, "That's bitter of you, darling."
|
|
|
|
"But it's true!"
|
|
|
|
Thus they waited, and she went back again to her room.
|
|
The baby's frock, shoes, and socks, which had been lying on a
|
|
chair at the time of his death, she would not now have removed,
|
|
though Jude would fain have got them out of her sight.
|
|
But whenever he touched them she implored him to let them lie,
|
|
and burst out almost savagely at the woman of the house when she
|
|
also attempted to put them away.
|
|
|
|
Jude dreaded her dull apathetic silences almost more than her paroxysms.
|
|
"Why don't you speak to me, Jude?" she cried out, after one of these.
|
|
"Don't turn away from me! I can't BEAR the loneliness of being
|
|
out of your looks!"
|
|
|
|
"There, dear; here I am," he said, putting his face close to hers.
|
|
|
|
"Yes.... Oh, my comrade, our perfect union--our two-in-oneness--is
|
|
now stained with blood!"
|
|
|
|
"Shadowed by death--that's all."
|
|
|
|
"Ah; but it was I who incited him really, though I didn't know I was
|
|
doing it! I talked to the child as one should only talk to people
|
|
of mature age. I said the world was against us, that it was better
|
|
to be out of life than in it at this price; and he took it literally.
|
|
And I told him I was going to have another child. It upset him.
|
|
Oh how bitterly he upbraided me!"
|
|
|
|
"Why did you do it, Sue?"
|
|
|
|
"I can't tell. It was that I wanted to be truthful.
|
|
I couldn't bear deceiving him as to the facts of life. And yet I
|
|
wasn't truthful, for with a false delicacy I told him too obscurely.--
|
|
Why was I half-wiser than my fellow-women? And not entirely wiser!
|
|
Why didn't I tell him pleasant untruths, instead of half-realities? It
|
|
was my want of self-control, so that I could neither conceal things
|
|
nor reveal them!"
|
|
|
|
"Your plan might have been a good one for the majority of cases;
|
|
only in our peculiar case it chanced to work badly perhaps.
|
|
He must have known sooner or later."
|
|
|
|
"And I was just making my baby darling a new frock; and now I shall
|
|
never see him in it, and never talk to him any more! ... My eyes are
|
|
so swollen that I can scarcely see; and yet little more than a year
|
|
ago I called myself happy! We went about loving each other too much--
|
|
indulging ourselves to utter selfishness with each other!
|
|
We said--do you remember?--that we would make a virtue of joy.
|
|
I said it was Nature's intention, Nature's law and RAISON D'ETRE
|
|
that we should be joyful in what instincts she afforded us--
|
|
instincts which civilization had taken upon itself to thwart.
|
|
What dreadful things I said! And now Fate has given us this
|
|
stab in the back for being such fools as to take Nature at
|
|
her word!"
|
|
|
|
She sank into a quiet contemplation, till she said, "It is best,
|
|
perhaps, that they should be gone.--Yes--I see it is! Better that
|
|
they should be plucked fresh than stay to wither away miserably!"
|
|
|
|
"Yes," replied Jude. "Some say that the elders should rejoice
|
|
when their children die in infancy."
|
|
|
|
"But they don't know! ... Oh my babies, my babies, could you be
|
|
alive now! You may say the boy wished to be out of life, or he
|
|
wouldn't have done it. It was not unreasonable for him to die:
|
|
it was part of his incurably sad nature, poor little fellow!
|
|
But then the others--my OWN children and yours!"
|
|
|
|
Again Sue looked at the hanging little frock and at the socks and shoes;
|
|
and her figure quivered like a string. "I am a pitiable creature,"
|
|
she said, "good neither for earth nor heaven any more! I am driven
|
|
out of my mind by things! What ought to be done?" She stared at Jude,
|
|
and tightly held his hand.
|
|
|
|
"Nothing can be done," he replied. "Things are as they are,
|
|
and will be brought to their destined issue."
|
|
|
|
She paused. "Yes! Who said that?" she asked heavily.
|
|
|
|
"It comes in the chorus of the AGAMEMNON. It has been in my mind
|
|
continually since this happened."
|
|
|
|
"My poor Jude--how you've missed everything!--you more than I, for I
|
|
did get you! To think you should know that by your unassisted reading,
|
|
and yet be in poverty and despair!"
|
|
|
|
After such momentary diversions her grief would return in a wave.
|
|
|
|
The jury duly came and viewed the bodies, the inquest was held;
|
|
and next arrived the melancholy morning of the funeral. Accounts in
|
|
the newspapers had brought to the spot curious idlers, who stood
|
|
apparently counting the window-panes and the stones of the walls.
|
|
Doubt of the real relations of the couple added zest to their curiosity.
|
|
Sue had declared that she would follow the two little ones to the grave,
|
|
but at the last moment she gave way, and the coffins were quietly
|
|
carried out of the house while she was lying down. Jude got into
|
|
the vehicle, and it drove away, much to the relief of the landlord,
|
|
who now had only Sue and her luggage remaining on his hands, which he
|
|
hoped to be also clear of later on in the day, and so to have freed
|
|
his house from the exasperating notoriety it had acquired during
|
|
the week through his wife's unlucky admission of these strangers.
|
|
In the afternoon he privately consulted with the owner of the house,
|
|
and they agreed that if any objection to it arose from the tragedy
|
|
which had occurred there they would try to get its number changed.
|
|
|
|
When Jude had seen the two little boxes--one containing little Jude,
|
|
and the other the two smallest--deposited in the earth he hastened
|
|
back to Sue, who was still in her room, and he therefore did not
|
|
disturb her just then. Feeling anxious, however, he went again
|
|
about four o'clock. The woman thought she was still lying down,
|
|
but returned to him to say that she was not in her bedroom after all.
|
|
Her hat and jacket, too, were missing: she had gone out.
|
|
Jude hurried off to the public house where he was sleeping.
|
|
She had not been there. Then bethinking himself of possibilities
|
|
he went along the road to the cemetery, which he entered,
|
|
and crossed to where the interments had recently taken place.
|
|
The idlers who had followed to the spot by reason of the tragedy
|
|
were all gone now. A man with a shovel in his hands was attempting
|
|
to earth in the common grave of the three children, but his arm was held
|
|
back by an expostulating woman who stood in the half-filled hole.
|
|
It was Sue, whose coloured clothing, which she had never thought
|
|
of changing for the mourning he had bought, suggested to the eye a
|
|
deeper grief than the conventional garb of bereavement could express.
|
|
|
|
"He's filling them in, and he shan't till I've seen my little
|
|
ones again!" she cried wildly when she saw Jude. "I want to see
|
|
them once more. Oh Jude--please Jude--I want to see them!
|
|
I didn't know you would let them be taken away while I was asleep!
|
|
You said perhaps I should see them once more before they were
|
|
screwed down; and then you didn't, but took them away! Oh Jude,
|
|
you are cruel to me too!"
|
|
|
|
"She's been wanting me to dig out the grave again, and let her
|
|
get to the coffins," said the man with the spade. "She ought
|
|
to be took home, by the look o' her. She is hardly responsible,
|
|
poor thing, seemingly. Can't dig 'em up again now, ma'am. Do
|
|
ye go home with your husband, and take it quiet, and thank God
|
|
that there'll be another soon to swage yer grief."
|
|
|
|
But Sue kept asking piteously: "Can't I see them once more--just once!
|
|
Can't I? Only just one little minute, Jude? It would not take long!
|
|
And I should be so glad, Jude! I will be so good, and not disobey
|
|
you ever any more, Jude, if you will let me? I would go home
|
|
quietly afterwards, and not want to see them any more! Can't I?
|
|
Why can't I?"
|
|
|
|
Thus she went on. Jude was thrown into such acute sorrow
|
|
that he almost felt he would try to get the man to accede.
|
|
But it could do no good, and might make her still worse; and he saw
|
|
that it was imperative to get her home at once. So he coaxed her,
|
|
and whispered tenderly, and put his arm round her to support her;
|
|
till she helplessly gave in, and was induced to leave the cemetery.
|
|
|
|
He wished to obtain a fly to take her back in, but economy being
|
|
so imperative she deprecated his doing so, and they walked
|
|
along slowly, Jude in black crape, she in brown and red clothing.
|
|
They were to have gone to a new lodging that afternoon, but Jude
|
|
saw that it was not practicable, and in course of time they entered
|
|
the now hated house. Sue was at once got to bed, and the doctor
|
|
sent for.
|
|
|
|
Jude waited all the evening downstairs. At a very late hour
|
|
the intelligence was brought to him that a child had been
|
|
prematurely born, and that it, like the others, was a corpse.
|
|
|
|
III
|
|
|
|
SUE was convalescent, though she had hoped for death, and Jude had again
|
|
obtained work at his old trade. They were in other lodgings now,
|
|
in the direction of Beersheba, and not far from the Church of Ceremonies--
|
|
Saint Silas.
|
|
|
|
They would sit silent, more bodeful of the direct antagonism
|
|
of things than of their insensate and stolid obstructiveness.
|
|
Vague and quaint imaginings had haunted Sue in the days when her
|
|
intellect scintillated like a star, that the world resembled a stanza
|
|
or melody composed in a dream; it was wonderfully excellent to the
|
|
half-aroused intelligence, but hopelessly absurd at the full waking;
|
|
that the first cause worked automatically like a somnambulist,
|
|
and not reflectively like a sage; that at the framing of the terrestrial
|
|
conditions there seemed never to have been contemplated such a
|
|
development of emotional perceptiveness among the creatures subject
|
|
to those conditions as that reached by thinking and educated humanity.
|
|
But affliction makes opposing forces loom anthropomorphous;
|
|
and those ideas were now exchanged for a sense of Jude and herself
|
|
fleeing from a persecutor.
|
|
|
|
"We must conform!" she said mournfully. "All the ancient wrath
|
|
of the Power above us has been vented upon us. His poor creatures,
|
|
and we must submit. There is no choice. We must. It is no use
|
|
fighting against God!"
|
|
|
|
"It is only against man and senseless circumstance," said Jude.
|
|
|
|
"True!" she murmured. "What have I been thinking of! I am getting
|
|
as superstitious as a savage! ... But whoever or whatever our foe
|
|
may be, I am cowed into submission. I have no more fighting
|
|
strength left; no more enterprise. I am beaten, beaten! ... 'We
|
|
are made a spectacle unto the world, and to angels, and to men!'
|
|
I am always saying that now."
|
|
|
|
"I feel the same!"
|
|
|
|
"What shall we do? You are in work now; but remember, it may
|
|
only be because our history and relations are not absolutely
|
|
known.... Possibly, if they knew our marriage had not been formalized
|
|
they would turn you out of your job as they did at Aldbrickham!"
|
|
|
|
"I hardly know. Perhaps they would hardly do that. However, I think
|
|
that we ought to make it legal now--as soon as you are able to go out."
|
|
|
|
"You think we ought?"
|
|
|
|
"Certainly."
|
|
|
|
And Jude fell into thought. "I have seemed to myself lately,"
|
|
he said, "to belong to that vast band of men shunned by the virtuous--
|
|
the men called seducers. It amazes me when I think of it!
|
|
I have not been conscious of it, or of any wrongdoing towards you,
|
|
whom I love more than myself. Yet I am one of those men!
|
|
I wonder if any other of them are the same purblind,
|
|
simple creatures as I? ... Yes, Sue--that's what I am.
|
|
I seduced you.... You were a distinct type--a refined creature,
|
|
intended by Nature to be left intact. But I couldn't leave
|
|
you alone!"
|
|
|
|
"No, no, Jude!" she said quickly. "Don't reproach yourself
|
|
with being what you are not. If anybody is to blame it is I."
|
|
|
|
"I supported you in your resolve to leave Phillotson; and without
|
|
me perhaps you wouldn't have urged him to let you go."
|
|
|
|
"I should have, just the same. As to ourselves, the fact of our
|
|
not having entered into a legal contract is the saving feature
|
|
in our union. We have thereby avoided insulting, as it were,
|
|
the solemnity of our first marriages."
|
|
|
|
"Solemnity?" Jude looked at her with some surprise, and grew
|
|
conscious that she was not the Sue of their earlier time.
|
|
|
|
"Yes," she said, with a little quiver in her words, "I have had
|
|
dreadful fears, a dreadful sense of my own insolence of action.
|
|
I have thought--that I am still his wife!"
|
|
|
|
"Whose?"
|
|
|
|
"Richard's."
|
|
|
|
"Good God, dearest!--why?"
|
|
|
|
"Oh I can't explain! Only the thought comes to me."
|
|
|
|
"It is your weakness--a sick fancy, without reason or meaning!
|
|
Don't let it trouble you."
|
|
|
|
Sue sighed uneasily.
|
|
|
|
As a set-off against such discussions as these there had come
|
|
an improvement in their pecuniary position, which earlier in
|
|
their experience would have made them cheerful. Jude had quite
|
|
unexpectedly found good employment at his old trade almost directly
|
|
he arrived, the summer weather suiting his fragile constitution;
|
|
and outwardly his days went on with that monotonous uniformity
|
|
which is in itself so grateful after vicissitude. People seemed
|
|
to have forgotten that he had ever shown any awkward aberrancies:
|
|
and he daily mounted to the parapets and copings of colleges he
|
|
could never enter, and renewed the crumbling freestones of mullioned
|
|
windows he would never look from, as if he had known no wish to
|
|
do otherwise.
|
|
|
|
There was this change in him; that he did not often go to any service
|
|
at the churches now. One thing troubled him more than any other;
|
|
that Sue and himself had mentally travelled in opposite directions
|
|
since the tragedy: events which had enlarged his own views of life,
|
|
laws, customs, and dogmas, had not operated in the same manner
|
|
on Sue's. She was no longer the same as in the independent days,
|
|
when her intellect played like lambent lightning over conventions
|
|
and formalities which he at that time respected, though he did
|
|
not now.
|
|
|
|
On a particular Sunday evening he came in rather late.
|
|
She was not at home, but she soon returned, when he found her silent
|
|
and meditative.
|
|
|
|
"What are you thinking of, little woman?" he asked curiously.
|
|
|
|
"Oh I can't tell clearly! I have thought that we have been selfish,
|
|
careless, even impious, in our courses, you and I. Our life has been
|
|
a vain attempt at self-delight. But self-abnegation is the higher road.
|
|
We should mortify the flesh--the terrible flesh--the curse of Adam!"
|
|
|
|
"Sue!" he murmured. "What has come over you?"
|
|
|
|
"We ought to be continually sacrificing ourselves on the altar
|
|
of duty! But I have always striven to do what has pleased me.
|
|
I well deserved the scourging I have got! I wish something would
|
|
take the evil right out of me, and all my monstrous errors,
|
|
and all my sinful ways!"
|
|
|
|
"Sue--my own too suffering dear!--there's no evil woman in you.
|
|
Your natural instincts are perfectly healthy; not quite
|
|
so impassioned, perhaps, as I could wish; but good, and dear, and pure.
|
|
And as I have often said, you are absolutely the most ethereal,
|
|
least sensual woman I ever knew to exist without inhuman sexlessness.
|
|
Why do you talk in such a changed way? We have not been selfish,
|
|
except when no one could profit by our being otherwise.
|
|
You used to say that human nature was noble and long-suffering,
|
|
not vile and corrupt, and at last I thought you spoke truly.
|
|
And now you seem to take such a much lower view!"
|
|
|
|
"I want a humble heart; and a chastened mind; and I have never
|
|
had them yet!"
|
|
|
|
"You have been fearless, both as a thinker and as a feeler,
|
|
and you deserved more admiration than I gave. I was too full
|
|
of narrow dogmas at that time to see it."
|
|
|
|
"Don't say that, Jude! I wish my every fearless word and thought could
|
|
be rooted out of my history. Self-renunciation--that's everything!
|
|
I cannot humiliate myself too much. I should like to prick myself
|
|
all over with pins and bleed out the badness that's in me!"
|
|
|
|
"Hush!" he said, pressing her little face against his breast as if she
|
|
were an infant. "It is bereavement that has brought you to this!
|
|
Such remorse is not for you, my sensitive plant, but for the wicked
|
|
ones of the earth--who never feel it!"
|
|
|
|
"I ought not to stay like this," she murmured, when she had remained
|
|
in the position a long while.
|
|
|
|
"Why not?"
|
|
|
|
"It is indulgence."
|
|
|
|
"Still on the same tack! But is there anything better on earth
|
|
than that we should love one another?"
|
|
|
|
"Yes. It depends on the sort of love; and yours--ours is the wrong."
|
|
|
|
"I won't have it, Sue! Come, when do you wish our marriage to be
|
|
signed in a vestry?"
|
|
|
|
She paused, and looked up uneasily. "Never," she whispered.
|
|
|
|
Not knowing the whole of her meaning he took the objection serenely,
|
|
and said nothing. Several minutes elapsed, and he thought she
|
|
had fallen asleep; but he spoke softly, and found that she was wide
|
|
awake all the time. She sat upright and sighed.
|
|
|
|
"There is a strange, indescribable perfume or atmosphere about you
|
|
to-night, Sue," he said. "I mean not only mentally, but about
|
|
your clothes, also. A sort of vegetable scent, which I seem to know,
|
|
yet cannot remember."
|
|
|
|
"It is incense."
|
|
|
|
"Incense?"
|
|
|
|
"I have been to the service at St. Silas', and I was in the fumes
|
|
of it."
|
|
|
|
"Oh--St. Silas'."
|
|
|
|
"Yes. I go there sometimes."
|
|
|
|
"Indeed. You go there!"
|
|
|
|
"You see, Jude, it is lonely here in the weekday mornings,
|
|
when you are at work, and I think and think of--of my--"
|
|
She stopped till she could control the lumpiness of her throat.
|
|
"And I have taken to go in there, as it is so near."
|
|
|
|
"Oh well--of course, I say nothing against it. Only it is odd, for you.
|
|
They little think what sort of chiel is amang them!"
|
|
|
|
"What do you mean, Jude?"
|
|
|
|
"Well--a sceptic, to be plain."
|
|
|
|
"How can you pain me so, dear Jude, in my trouble! Yet I know you
|
|
didn't mean it. But you ought not to say that."
|
|
|
|
"I won't. But I am much surprised!"
|
|
|
|
"Well--I want to tell you something else, Jude. You won't be angry,
|
|
will you? I have thought of it a good deal since my babies died.
|
|
I don't think I ought to be your wife--or as your wife--
|
|
any longer."
|
|
|
|
"What? ... But you ARE!"
|
|
|
|
"From your point of view; but--"
|
|
|
|
"Of course we were afraid of the ceremony, and a good many others
|
|
would have been in our places, with such strong reasons for fears.
|
|
But experience has proved how we misjudged ourselves, and overrated
|
|
our infirmities; and if you are beginning to respect rites and ceremonies,
|
|
as you seem to be, I wonder you don't say it shall be carried
|
|
out instantly? You certainly ARE my wife, Sue, in all but law.
|
|
What do you mean by what you said?"
|
|
|
|
"I don't think I am!"
|
|
|
|
"Not? But suppose we HAD gone through the ceremony? Would you
|
|
feel that you were then?"
|
|
|
|
"No. I should not feel even then that I was. I should feel worse
|
|
than I do now."
|
|
|
|
"Why so--in the name of all that's perverse, my dear?"
|
|
|
|
"Because I am Richard's."
|
|
|
|
"Ah--you hinted that absurd fancy to me before!"
|
|
|
|
"It was only an impression with me then; I feel more and more
|
|
convinced as time goes on that--I belong to him, or to nobody."
|
|
|
|
"My good heavens--how we are changing places!"
|
|
|
|
"Yes. Perhaps so."
|
|
|
|
Some few days later, in the dusk of the summer evening, they were
|
|
sitting in the same small room down-stairs, when a knock came
|
|
to the front door of the carpenter's house where they were lodging,
|
|
and in a few moments there was a tap at the door of their room.
|
|
Before they could open it the comer did so, and a woman's
|
|
form appeared.
|
|
|
|
"Is Mr. Fawley here?"
|
|
|
|
Jude and Sue started as he mechanically replied in the affirmative,
|
|
for the voice was Arabella's.
|
|
|
|
He formally requested her to come in, and she sat down in the window bench,
|
|
where they could distinctly see her outline against the light;
|
|
but no characteristic that enabled them to estimate her general
|
|
aspect and air. Yet something seemed to denote that she was not
|
|
quite so comfortably circumstanced, nor so bouncingly attired,
|
|
as she had been during Cartlett's lifetime.
|
|
|
|
The three attempted an awkward conversation about the tragedy,
|
|
of which Jude had felt it to be his duty to inform her immediately,
|
|
though she had never replied to his letter.
|
|
|
|
"I have just come from the cemetery," she said. "I inquired and
|
|
found the child's grave. I couldn't come to the funeral--thank you
|
|
for inviting me all the same. I read all about it in the papers,
|
|
and I felt I wasn't wanted.... No--I couldn't come to the funeral,"
|
|
repeated Arabella, who, seeming utterly unable to reach the ideal
|
|
of a catastrophic manner, fumbled with iterations. "But I am glad I
|
|
found the grave. As 'tis your trade, Jude, you'll be able to put up
|
|
a handsome stone to 'em."
|
|
|
|
"I shall put up a headstone," said Jude drearily.
|
|
|
|
"He was my child, and naturally I feel for him."
|
|
|
|
"I hope so. We all did."
|
|
|
|
"The others that weren't mine I didn't feel so much for,
|
|
as was natural."
|
|
|
|
"Of course."
|
|
|
|
A sigh came from the dark corner where Sue sat.
|
|
|
|
"I had often wished I had mine with me," continued Mrs. Cartlett.
|
|
"Perhaps 'twouldn't have happened then! But of course I didn't wish
|
|
to take him away from your wife."
|
|
|
|
"I am not his wife," came from Sue.
|
|
|
|
The unexpectedness of her words struck Jude silent.
|
|
|
|
"Oh, I beg your pardon, I'm sure," said Arabella. "I thought
|
|
you were!"
|
|
|
|
Jude had known from the quality of Sue's tone that her new and
|
|
transcendental views lurked in her words; but all except their
|
|
obvious meaning was, naturally, missed by Arabella. The latter,
|
|
after evincing that she was struck by Sue's avowal, recovered herself,
|
|
and went on to talk with placid bluntness about "her" boy,
|
|
for whom, though in his lifetime she had shown no care at all,
|
|
she now exhibited a ceremonial mournfulness that was apparently
|
|
sustaining to the conscience. She alluded to the past, and in
|
|
making some remark appealed again to Sue. There was no answer:
|
|
Sue had invisibly left the room.
|
|
|
|
"She said she was not your wife?" resumed Arabella in another voice.
|
|
"Why should she do that?"
|
|
|
|
"I cannot inform you," said Jude shortly.
|
|
|
|
"She is, isn't she? She once told me so."
|
|
|
|
"I don't criticize what she says."
|
|
|
|
"Ah--I see! Well, my time is up. I am staying here to-night, and
|
|
thought I could do no less than call, after our mutual affliction.
|
|
I am sleeping at the place where I used to be barmaid, and to-morrow
|
|
I go back to Alfredston. Father is come home again, and I am living
|
|
with him."
|
|
|
|
"He has returned from Australia?" said Jude with languid curiosity.
|
|
|
|
"Yes. Couldn't get on there. Had a rough time of it.
|
|
Mother died of dys--what do you call it--in the hot weather,
|
|
and Father and two of the young ones have just got back.
|
|
He has got a cottage near the old place, and for the present I am
|
|
keeping house for him."
|
|
|
|
Jude's former wife had maintained a stereotyped manner of strict good
|
|
breeding even now that Sue was gone, and limited her stay to a number
|
|
of minutes that should accord with the highest respectability.
|
|
When she had departed Jude, much relieved, went to the stairs
|
|
and called Sue--feeling anxious as to what had become of her.
|
|
|
|
There was no answer, and the carpenter who kept the lodgings said
|
|
she had not come in. Jude was puzzled, and became quite alarmed
|
|
at her absence, for the hour was growing late. The carpenter called
|
|
his wife, who conjectured that Sue might have gone to St. Silas'
|
|
church, as she often went there.
|
|
|
|
"Surely not at this time o' night?" said Jude. "It is shut."
|
|
|
|
"She knows somebody who keeps the key, and she has it whenever she
|
|
wants it."
|
|
|
|
"How long has she been going on with this?"
|
|
|
|
"Oh, some few weeks, I think."
|
|
|
|
Jude went vaguely in the direction of the church, which he had
|
|
never once approached since he lived out that way years before,
|
|
when his young opinions were more mystical than they were now.
|
|
The spot was deserted, but the door was certainly unfastened;
|
|
he lifted the latch without noise, and pushing to the door behind him,
|
|
stood absolutely still inside. The prevalent silence seemed
|
|
to contain a faint sound, explicable as a breathing, or a sobbing,
|
|
which came from the other end of the building. The floor-cloth deadened
|
|
his footsteps as he moved in that direction through the obscurity,
|
|
which was broken only by the faintest reflected night-light
|
|
from without.
|
|
|
|
High overhead, above the chancel steps, Jude could discern a huge,
|
|
solidly constructed Latin cross--as large, probably, as the original
|
|
it was designed to commemorate. It seemed to be suspended in the air
|
|
by invisible wires; it was set with large jewels, which faintly
|
|
glimmered in some weak ray caught from outside, as the cross swayed
|
|
to and fro in a silent and scarcely perceptible motion. Underneath,
|
|
upon the floor, lay what appeared to be a heap of black clothes,
|
|
and from this was repeated the sobbing that he had heard before.
|
|
It was his Sue's form, prostrate on the paving.
|
|
|
|
"Sue!" he whispered.
|
|
|
|
Something white disclosed itself; she had turned up her face.
|
|
|
|
"What--do you want with me here, Jude?" she said almost sharply.
|
|
"You shouldn't come! I wanted to be alone! Why did you intrude here?"
|
|
|
|
"How can you ask!" he retorted in quick reproach, for his full heart
|
|
was wounded to its centre at this attitude of hers towards him.
|
|
"Why do I come? Who has a right to come, I should like to know, if I
|
|
have not! I, who love you better than my own self--better--far better--
|
|
than you have loved me! What made you leave me to come here alone?"
|
|
|
|
"Don't criticize me, Jude--I can't bear it!--I have often told you so.
|
|
You must take me as I am. I am a wretch--broken by my distractions!
|
|
I couldn't BEAR it when Arabella came--I felt so utterly miserable I
|
|
had to come away. She seems to be your wife still, and Richard to be
|
|
my husband!"
|
|
|
|
"But they are nothing to us!"
|
|
|
|
"Yes, dear friend, they are. I see marriage differently now.
|
|
My babies have been taken from me to show me this! Arabella's child
|
|
killing mine was a judgement--the right slaying the wrong.
|
|
What, WHAT shall I do! I am such a vile creature--too worthless
|
|
to mix with ordinary human beings!"
|
|
|
|
"This is terrible!" said Jude, verging on tears. "It is monstrous
|
|
and unnatural for you to be so remorseful when you have done no wrong!"
|
|
|
|
"Ah--you don't know my badness!"
|
|
|
|
He returned vehemently: "I do! Every atom and dreg of it! You make
|
|
me hate Christianity, or mysticism, or Sacerdotalism, or whatever it
|
|
may be called, if it's that which has caused this deterioration in you.
|
|
That a woman-poet, a woman-seer, a woman whose soul shone like
|
|
a diamond--whom all the wise of the world would have been proud of,
|
|
if they could have known you--should degrade herself like this!
|
|
I am glad I had nothing to do with Divinity--damn glad--if it's going
|
|
to ruin you in this way!"
|
|
|
|
"You are angry, Jude, and unkind to me, and don't see how things are."
|
|
|
|
"Then come along home with me, dearest, and perhaps I shall.
|
|
I am overburdened--and you, too, are unhinged just now."
|
|
He put his arm round her and lifted her; but though she came,
|
|
she preferred to walk without his support.
|
|
|
|
"I don't dislike you, Jude," she said in a sweet and imploring voice.
|
|
"I love you as much as ever! Only--I ought not to love you--any more.
|
|
Oh I must not any more!"
|
|
|
|
"I can't own it."
|
|
|
|
"But I have made up my mind that I am not your wife!
|
|
I belong to him--I sacramentally joined myself to him for life.
|
|
Nothing can alter it!"
|
|
|
|
"But surely we are man and wife, if ever two people were in this world?
|
|
Nature's own marriage it is, unquestionably!"
|
|
|
|
"But not Heaven's. Another was made for me there, and ratified
|
|
eternally in the church at Melchester."
|
|
|
|
"Sue, Sue--affliction has brought you to this unreasonable state!
|
|
After converting me to your views on so many things, to find you
|
|
suddenly turn to the right-about like this--for no reason whatever,
|
|
confounding all you have formerly said through sentiment merely!
|
|
You root out of me what little affection and reverence I had left in me
|
|
for the Church as an old acquaintance.... What I can't understand
|
|
in you is your extraordinary blindness now to your old logic.
|
|
Is it peculiar to you, or is it common to woman? Is a woman
|
|
a thinking unit at all, or a fraction always wanting its integer?
|
|
How you argued that marriage was only a clumsy contract--
|
|
which it is--how you showed all the objections to it--
|
|
all the absurdities! If two and two made four when we were
|
|
happy together, surely they make four now? I can't understand it,
|
|
I repeat!"
|
|
|
|
"Ah, dear Jude; that's because you are like a totally deaf man observing
|
|
people listening to music. You say 'What are they regarding?
|
|
Nothing is there.' But something is."
|
|
|
|
"That is a hard saying from you; and not a true parallel!
|
|
You threw off old husks of prejudices, and taught me to do it;
|
|
and now you go back upon yourself. I confess I am utterly stultified
|
|
in my estimate of you."
|
|
|
|
"Dear friend, my only friend, don't be hard with me! I can't help being
|
|
as I am, I am convinced I am right--that I see the light at last.
|
|
But oh, how to profit by it!"
|
|
|
|
They walked along a few more steps till they were outside
|
|
the building and she had returned the key. "Can this be the girl,"
|
|
said Jude when she came back, feeling a slight renewal of elasticity
|
|
now that he was in the open street; "can this be the girl
|
|
who brought the pagan deities into this most Christian city?--
|
|
who mimicked Miss Fontover when she crushed them with her heel?--
|
|
quoted Gibbon, and Shelley, and Mill? Where are dear Apollo,
|
|
and dear Venus now!"
|
|
|
|
"Oh don't, don't be so cruel to me, Jude, and I so unhappy!" she sobbed.
|
|
"I can't bear it! I was in error--I cannot reason with you.
|
|
I was wrong--proud in my own conceit! Arabella's coming was the finish.
|
|
Don't satirize me: it cuts like a knife!"
|
|
|
|
He flung his arms round her and kissed her passionately
|
|
there in the silent street, before she could hinder him.
|
|
They went on till they came to a little coffee-house. "Jude,"
|
|
she said with suppressed tears, "would you mind getting a lodging here?"
|
|
|
|
"I will--if, if you really wish? But do you? Let me go to our door
|
|
and understand you."
|
|
|
|
He went and conducted her in. She said she wanted no supper,
|
|
and went in the dark upstairs and struck a light. Turning she found
|
|
that Jude had followed her, and was standing at the chamber door.
|
|
She went to him, put her hand in his, and said "Good-night."
|
|
|
|
"But Sue! Don't we live here?"
|
|
|
|
"You said you would do as I wished!"
|
|
|
|
"Yes. Very well! ... Perhaps it was wrong of me to argue distastefully
|
|
as I have done! Perhaps as we couldn't conscientiously marry
|
|
at first in the old-fashioned way, we ought to have parted.
|
|
Perhaps the world is not illuminated enough for such experiments as ours!
|
|
Who were we, to think we could act as pioneers!"
|
|
|
|
"I am so glad you see that much, at any rate. I never deliberately
|
|
meant to do as I did. I slipped into my false position through
|
|
jealousy and agitation!"
|
|
|
|
"But surely through love--you loved me?"
|
|
|
|
"Yes. But I wanted to let it stop there, and go on always
|
|
as mere lovers; until----"
|
|
|
|
"But people in love couldn't live for ever like that!"
|
|
|
|
"Women could: men can't, because they--won't. An average woman
|
|
is in this superior to an average man--that she never instigates,
|
|
only responds. We ought to have lived in mental communion,
|
|
and no more."
|
|
|
|
"I was the unhappy cause of the change, as I have said before! ... Well,
|
|
as you will! ... But human nature can't help being itself."
|
|
|
|
"Oh yes--that's just what it has to learn--self-mastery."
|
|
|
|
"I repeat--if either were to blame it was not you but I."
|
|
|
|
"No--it was I. Your wickedness was only the natural man's desire
|
|
to possess the woman. Mine was not the reciprocal wish till envy
|
|
stimulated me to oust Arabella. I had thought I ought in charity
|
|
to let you approach me--that it was damnably selfish to torture
|
|
you as I did my other friend. But I shouldn't have given way
|
|
if you hadn't broken me down by making me fear you would go back
|
|
to her.... But don't let us say any more about it! Jude, will you
|
|
leave me to myself now?"
|
|
|
|
"Yes.... But Sue--my wife, as you are!" he burst out; "my old
|
|
reproach to you was, after all, a true one. You have never loved
|
|
me as I love you--never--never! Yours is not a passionate heart--
|
|
your heart does not burn in a flame! You are, upon the whole,
|
|
a sort of fay, or sprite--not a woman!"
|
|
|
|
"At first I did not love you, Jude; that I own. When I first knew you
|
|
I merely wanted you to love me. I did not exactly flirt with you;
|
|
but that inborn craving which undermines some women's morals
|
|
almost more than unbridled passion--the craving to attract
|
|
and captivate, regardless of the injury it may do the man--
|
|
was in me; and when I found I had caught you, I was frightened.
|
|
And then--I don't know how it was--I couldn't bear to let you go--
|
|
possibly to Arabella again--and so I got to love you, Jude.
|
|
But you see, however fondly it ended, it began in the selfish and
|
|
cruel wish to make your heart ache for me without letting mine ache
|
|
for you."
|
|
|
|
"And now you add to your cruelty by leaving me!"
|
|
|
|
"Ah--yes! The further I flounder, the more harm I do!"
|
|
|
|
"O Sue!" said he with a sudden sense of his own danger. "Do not do
|
|
an immoral thing for moral reasons! You have been my social salvation.
|
|
Stay with me for humanity's sake! You know what a weak fellow I am.
|
|
My two arch-enemies you know--my weakness for womankind and my
|
|
impulse to strong liquor. Don't abandon me to them, Sue, to save
|
|
your own soul only! They have been kept entirely at a distance
|
|
since you became my guardian-angel! Since I have had you I have
|
|
been able to go into any temptations of the sort, without risk.
|
|
Isn't my safety worth a little sacrifice of dogmatic principle?
|
|
I am in terror lest, if you leave me, it will be with me another
|
|
case of the pig that was washed turning back to his wallowing in
|
|
the mire!"
|
|
|
|
Sue burst out weeping. "Oh, but you must not, Jude! You won't!
|
|
I'll pray for you night and day!"
|
|
|
|
"Well--never mind; don't grieve," said Jude generously. "I did suffer,
|
|
God knows, about you at that time; and now I suffer again.
|
|
But perhaps not so much as you. The woman mostly gets the worst of it
|
|
in the long run!"
|
|
|
|
"She does."
|
|
|
|
"Unless she is absolutely worthless and contemptible. And this
|
|
one is not that, anyhow!"
|
|
|
|
Sue drew a nervous breath or two. "She is--I fear!
|
|
... Now Jude--good-night,--please!"
|
|
|
|
"I mustn't stay?--Not just once more? As it has been so many times--
|
|
O Sue, my wife, why not!"
|
|
|
|
"No--no--not wife! ... I am in your hands, Jude--don't tempt me
|
|
back now I have advanced so far!"
|
|
|
|
"Very well. I do your bidding. I owe that to you, darling,
|
|
in penance for how I overruled it at the first time. My God,
|
|
how selfish I was! Perhaps--perhaps I spoilt one of the highest
|
|
and purest loves that ever existed between man and woman!
|
|
... Then let the veil of our temple be rent in two from this hour!"
|
|
|
|
He went to the bed, removed one of the pair of pillows thereon,
|
|
and flung it to the floor.
|
|
|
|
Sue looked at him, and bending over the bed-rail wept silently.
|
|
"You don't see that it is a matter of conscience with me, and not
|
|
of dislike to you!" she brokenly murmured. "Dislike to you!
|
|
But I can't say any more--it breaks my heart--it will be undoing all I
|
|
have begun! Jude--good-night!"
|
|
|
|
"Good-night," he said, and turned to go.
|
|
|
|
"Oh but you shall kiss me!" said she, starting up. "I can't--bear!"
|
|
|
|
He clasped her, and kissed her weeping face as he had scarcely
|
|
ever done before, and they remained in silence till she said,
|
|
"Good-bye, good-bye!" And then gently pressing him away she got free,
|
|
trying to mitigate the sadness by saying: "We'll be dear friends
|
|
just the same, Jude, won't we? And we'll see each other sometimes--
|
|
yes!--and forget all this, and try to be as we were long ago?"
|
|
|
|
Jude did not permit himself to speak, but turned and descended
|
|
the stairs.
|
|
|
|
IV
|
|
|
|
THE man whom Sue, in her mental VOLTE-FACE, was now regarding
|
|
as her inseparable husband, lived still at Marygreen.
|
|
|
|
On the day before the tragedy of the children, Phillotson had seen
|
|
both her and Jude as they stood in the rain at Christminster
|
|
watching the procession to the theatre. But he had said nothing
|
|
of it at the moment to his companion Gillingham, who, being an
|
|
old friend, was staying with him at the village aforesaid,
|
|
and had, indeed, suggested the day's trip to Christminster.
|
|
|
|
"What are you thinking of?" said Gillingham, as they went home.
|
|
"The university degree you never obtained?"
|
|
|
|
"No, no," said Phillotson gruffly. "Of somebody I saw to-day."
|
|
In a moment he added, "Susanna."
|
|
|
|
"I saw her, too."
|
|
|
|
"You said nothing."
|
|
|
|
"I didn't wish to draw your attention to her. But, as you did see her,
|
|
you should have said: 'How d'ye do, my dear-that-was?'"
|
|
|
|
"Ah, well. I might have. But what do you think of this: I have
|
|
good reason for supposing that she was innocent when I divorced her--
|
|
that I was all wrong. Yes, indeed! Awkward, isn't it?"
|
|
|
|
"She has taken care to set you right since, anyhow, apparently."
|
|
|
|
"H'm. That's a cheap sneer. I ought to have waited, unquestionably."
|
|
|
|
At the end of the week, when Gillingham had gone back to his school
|
|
near Shaston, Phillotson, as was his custom, went to Alfredston market;
|
|
ruminating again on Arabella's intelligence as he walked
|
|
down the long hill which he had known before Jude knew it,
|
|
though his history had not beaten so intensely upon its incline.
|
|
Arrived in the town he bought his usual weekly local paper;
|
|
and when he had sat down in an inn to refresh himself for the five miles'
|
|
walk back, he pulled the paper from his pocket and read awhile.
|
|
The account of the "strange suicide of a stone-mason's children"
|
|
met his eye.
|
|
|
|
Unimpassioned as he was, it impressed him painfully, and puzzled
|
|
him not a little, for he could not understand the age of the elder
|
|
child being what it was stated to be. However, there was no doubt
|
|
that the newspaper report was in some way true.
|
|
|
|
"Their cup of sorrow is now full!" he said: and thought and thought
|
|
of Sue, and what she had gained by leaving him.
|
|
|
|
Arabella having made her home at Alfredston, and the schoolmaster
|
|
coming to market there every Saturday, it was not wonderful that
|
|
in a few weeks they met again--the precise time being just alter
|
|
her return from Christminster, where she had stayed much longer
|
|
than she had at first intended, keeping an interested eye on Jude,
|
|
though Jude had seen no more of her. Phillotson was on his way
|
|
homeward when he encountered Arabella, and she was approaching
|
|
the town.
|
|
|
|
"You like walking out this way, Mrs. Cartlett?" he said.
|
|
|
|
"I've just begun to again," she replied. "It is where I lived
|
|
as maid and wife, and all the past things of my life that are
|
|
interesting to my feelings are mixed up with this road.
|
|
And they have been stirred up in me too, lately; for I've been
|
|
visiting at Christminster. Yes; I've seen Jude."
|
|
|
|
"Ah! How do they bear their terrible affliction?"
|
|
|
|
"In a ve-ry strange way--ve-ry strange! She don't live with him
|
|
any longer. I only heard of it as a certainty just before I left;
|
|
though I had thought things were drifting that way from their manner
|
|
when I called on them."
|
|
|
|
"Not live with her husband? Why, I should have thought 'twould
|
|
have united them more."
|
|
|
|
"He's not her husband, after all. She has never really married
|
|
him although they have passed as man and wife so long.
|
|
And now, instead of this sad event making 'em hurry up, and get
|
|
the thing done legally, she's took in a queer religious way,
|
|
just as I was in my affliction at losing Cartlett, only hers is
|
|
of a more 'sterical sort than mine. And she says, so I was told,
|
|
that she's your wife in the eye of Heaven and the Church--yours only;
|
|
and can't be anybody else's by any act of man."
|
|
|
|
"Ah--indeed? ... Separated, have they!"
|
|
|
|
"You see, the eldest boy was mine--"
|
|
|
|
"Oh--yours!"
|
|
|
|
"Yes, poor little fellow--born in lawful wedlock, thank God.
|
|
And perhaps she feels, over and above other things, that I ought
|
|
to have been in her place. I can't say. However, as for me, I am
|
|
soon off from here. I've got Father to look after now, and we can't
|
|
live in such a hum-drum place as this. I hope soon to be in a bar
|
|
again at Christminster, or some other big town."
|
|
|
|
They parted. When Phillotson had ascended the hill a few steps
|
|
he stopped, hastened back, and called her.
|
|
|
|
"What is, or was, their address?"
|
|
|
|
Arabella gave it.
|
|
|
|
"Thank you. Good afternoon."
|
|
|
|
Arabella smiled grimly as she resumed her way, and practised
|
|
dimple-making all along the road from where the pollard willows
|
|
begin to the old almshouses in the first street of the town.
|
|
|
|
Meanwhile Phillotson ascended to Marygreen, and for the first
|
|
time during a lengthened period he lived with a forward eye.
|
|
On crossing under the large trees of the green to the humble
|
|
schoolhouse to which he had been reduced he stood a moment,
|
|
and pictured Sue coming out of the door to meet him. No man had ever
|
|
suffered more inconvenience from his own charity, Christian or heathen,
|
|
than Phillotson had done in letting Sue go. He had been knocked
|
|
about from pillar to post at the hands of the virtuous almost
|
|
beyond endurance; he had been nearly starved, and was now dependent
|
|
entirely upon the very small stipened from the school of this village
|
|
(where the parson had got ill-spoken of for befriending him ). He
|
|
had often thought of Arabella's remarks that he should have been
|
|
more severe with Sue, that her recalcitrant spirit would soon have
|
|
been broken. Yet such was his obstinate and illogical disregard
|
|
of opinion, and of the principles in which he had been trained,
|
|
that his convictions on the rightness of his course with his wife
|
|
had not been disturbed.
|
|
|
|
Principles which could be subverted by feeling in one direction were
|
|
liable to the same catastrophe in another. The instincts which had
|
|
allowed him to give Sue her liberty now enabled him to regard her
|
|
as none the worse for her life with Jude. He wished for her still,
|
|
in his curious way, if he did not love her, and, apart from policy,
|
|
soon felt that he would be gratified to have her again as his,
|
|
always provided that she came willingly.
|
|
|
|
But artifice was necessary, he had found, for stemming the cold
|
|
and inhumane blast of the world's contempt. And here were the
|
|
materials ready made. By getting Sue back and remarrying her on
|
|
the respectable plea of having entertained erroneous views of her,
|
|
and gained his divorce wrongfully, he might acquire some comfort,
|
|
resume his old courses, perhaps return to the Shaston school,
|
|
if not even to the Church as a licentiate.
|
|
|
|
He thought he would write to Gillingham to inquire his views,
|
|
and what he thought of his, Phillotson's, sending a letter to her.
|
|
Gillingham replied, naturally, that now she was gone it were best
|
|
to let her be, and considered that if she were anybody's wife
|
|
she was the wife of the man to whom she had borne three children
|
|
and owed such tragical adventures. Probably, as his attachment
|
|
to her seemed unusually strong, the singular pair would make their
|
|
union legal in course of time, and all would be well, and decent,
|
|
and in order.
|
|
|
|
"But they won't--Sue won't!" exclaimed Phillotson to himself.
|
|
"Gillingham is so matter of fact. She's affected by Christminster
|
|
sentiment and teaching. I can see her views on the indissolubility of
|
|
marriage well enough, and I know where she got them. They are not mine;
|
|
but I shall make use of them to further mine."
|
|
|
|
He wrote a brief reply to Gillingham. "I know I am entirely wrong,
|
|
but I don't agree with you. As to her having lived with and had
|
|
three children by him, my feeling is (though I can advance no
|
|
logical or moral defence of it, on the old lines) that it has done
|
|
little more than finish her education. I shall write to her,
|
|
and learn whether what that woman said is true or no."
|
|
|
|
As he had made up his mind to do this before he had written
|
|
to his friend, there had not been much reason for writing
|
|
to the latter at all. However, it was Phillotson's way to act thus.
|
|
|
|
He accordingly addressed a carefully considered epistle to Sue,
|
|
and, knowing her emotional temperament, threw a Rhadamanthine
|
|
strictness into the lines here and there, carefully hiding his
|
|
heterodox feelings, not to frighten her. He stated that, it having
|
|
come to his knowledge that her views had considerably changed,
|
|
he felt compelled to say that his own, too, were largely modified
|
|
by events subsequent to their parting. He would not conceal from
|
|
her that passionate love had little to do with his communication.
|
|
It arose from a wish to make their lives, if not a success,
|
|
at least no such disastrous failure as they threatened to become,
|
|
through his acting on what he had considered at the time a principle
|
|
of justice, charity, and reason.
|
|
|
|
To indulge one's instinctive and uncontrolled sense of justice and right,
|
|
was not, he had found, permitted with impunity in an old civilization
|
|
like ours. It was necessary to act under an acquired and cultivated
|
|
sense of the same, if you wished to enjoy an average share of comfort
|
|
and honour; and to let crude loving kindness take care of itself.
|
|
|
|
He suggested that she should come to him there at Marygreen.
|
|
|
|
On second thoughts he took out the last paragraph but one;
|
|
and having rewritten the letter he dispatched it immediately,
|
|
and in some excitement awaited the issue.
|
|
|
|
A few days after a figure moved through the white fog which enveloped
|
|
the Beersheba suburb of Christminster, towards the quarter in which
|
|
Jude Fawley had taken up his lodging since his division from Sue.
|
|
A timid knock sounded upon the door of his abode.
|
|
|
|
It was evening--so he was at home; and by a species of divination
|
|
he jumped up and rushed to the door himself.
|
|
|
|
"Will you come out with me? I would rather not come in. I want to--
|
|
to talk with you--and to go with you to the cemetery."
|
|
|
|
It had been in the trembling accents of Sue that these words came.
|
|
Jude put on his hat. "It is dreary for you to be out," he said.
|
|
"But if you prefer not to come in, I don't mind."
|
|
|
|
"Yes--I do. I shall not keep you long."
|
|
|
|
Jude was too much affected to go on talking at first; she, too,
|
|
was now such a mere cluster of nerves that all initiatory power
|
|
seemed to have left her, and they proceeded through the fog
|
|
like Acherontic shades for a long while, without sound or gesture.
|
|
|
|
"I want to tell you," she presently said, her voice now quick, now slow,
|
|
"so that you may not hear of it by chance. I am going back to Richard.
|
|
He has--so magnanimously--agreed to forgive all."
|
|
|
|
"Going back? How can you go----"
|
|
|
|
"He is going to marry me again. That is for form's sake,
|
|
and to satisfy the world, which does not see things as they are.
|
|
But of course I AM his wife already. Nothing has changed that."
|
|
|
|
He turned upon her with an anguish that was well-nigh fierce.
|
|
|
|
"But you are my wife! Yes, you are. You know it. I have always
|
|
regretted that feint of ours in going away and pretending to come back
|
|
legally married, to save appearances. I loved you, and you loved me;
|
|
and we closed with each other; and that made the marriage.
|
|
We still love--you as well as I--KNOW it, Sue! Therefore our marriage
|
|
is not cancelled."
|
|
|
|
"Yes; I know how you see it," she answered with despairing
|
|
self-suppression. "But I am going to marry him again, as it
|
|
would be called by you. Strictly speaking you, too--don't mind
|
|
my saying it, Jude!--you should take back--Arabella."
|
|
|
|
"I should? Good God--what next!
|
|
But how if you and I had married legally, as we were on the point of doing?"
|
|
|
|
"I should have felt just the same--that ours was not a marriage.
|
|
And I would go back to Richard without repeating the sacrament,
|
|
if he asked me. But 'the world and its ways have a certain worth'
|
|
(I suppose): therefore I concede a repetition of the ceremony.... Don't
|
|
crush all the life out of me by satire and argument, I implore you!
|
|
I was strongest once, I know, and perhaps I treated you cruelly.
|
|
But Jude, return good for evil! I am the weaker now. Don't retaliate
|
|
upon me, but be kind. Oh be kind to me--a poor wicked woman who is trying
|
|
to mend!"
|
|
|
|
He shook his head hopelessly, his eyes wet. The blow of her
|
|
bereavement seemed to have destroyed her reasoning faculty.
|
|
The once keen vision was dimmed. "All wrong, all wrong!"
|
|
he said huskily. "Error--perversity! It drives me out of my senses.
|
|
Do you care for him? Do you love him? You know you don't! It
|
|
will be a fanatic prostitution--God forgive me, yes--that's what it
|
|
will be!"
|
|
|
|
"I don't love him--I must, must, own it, in deepest remorse!
|
|
But I shall try to learn to love him by obeying him."
|
|
|
|
Jude argued, urged, implored; but her conviction was proof against all.
|
|
It seemed to be the one thing on earth on which she was firm,
|
|
and that her firmness in this had left her tottering in every other
|
|
impulse and wish she possessed.
|
|
|
|
"I have been considerate enough to let you know the whole truth,
|
|
and to tell it you myself," she said in cut tones; "that you might
|
|
not consider yourself slighted by hearing of it at second hand.
|
|
I have even owned the extreme fact that I do not love him.
|
|
I did not think you would be so rough with me for doing so! I was
|
|
going to ask you ..."
|
|
|
|
"To give you away?"
|
|
|
|
"No. To send--my boxes to me--if you would. But I suppose you won't."
|
|
|
|
"Why, of course I will. What--isn't he coming to fetch you--
|
|
to marry you from here? He won't condescend to do that?"
|
|
|
|
"No--I won't let him. I go to him voluntarily, just as I went away
|
|
from him. We are to be married at his little church at Marygreen."
|
|
|
|
She was so sadly sweet in what he called her wrong-headedness that
|
|
Jude could not help being moved to tears more than once for pity
|
|
of her. "I never knew such a woman for doing impulsive penances,
|
|
as you, Sue! No sooner does one expect you to go straight on,
|
|
as the one rational proceeding, than you double round the corner!"
|
|
|
|
"Ah, well; let that go! ... Jude, I must say good-bye! But I wanted
|
|
you to go to the cemetery with me. Let our farewell be there--
|
|
beside the graves of those who died to bring home to me the error
|
|
of my views."
|
|
|
|
They turned in the direction of the place, and the gate was opened
|
|
to them on application. Sue had been there often, and she knew
|
|
the way to the spot in the dark. They reached it, and stood still.
|
|
|
|
"It is here--I should like to part," said she.
|
|
|
|
"So be it!"
|
|
|
|
"Don't think me hard because I have acted on conviction.
|
|
Your generous devotion to me is unparalleled, Jude! Your worldly failure,
|
|
if you have failed, is to your credit rather than to your blame.
|
|
Remember that the best and greatest among mankind are those who do
|
|
themselves no worldly good. Every successful man is more or less a
|
|
selfish man. The devoted fail.... 'Charity seeketh not her own.'"
|
|
|
|
"In that chapter we are at one, ever beloved darling, and on it
|
|
we'll part friends. Its verses will stand fast when all the rest
|
|
that you call religion has passed away!"
|
|
|
|
"Well--don't discuss it. Good-bye, Jude; my fellow-sinner,
|
|
and kindest friend!"
|
|
|
|
"Good-bye, my mistaken wife. Good-bye!"
|
|
|
|
V
|
|
|
|
THE next afternoon the familiar Christminster fog still hung
|
|
over all things. Sue's slim shape was only just discernible
|
|
going towards the station.
|
|
|
|
Jude had no heart to go to his work that day. Neither could he go
|
|
anywhere in the direction by which she would be likely to pass.
|
|
He went in an opposite one, to a dreary, strange, flat scene,
|
|
where boughs dripped, and coughs and consumption lurked, and where he
|
|
had never been before.
|
|
|
|
"Sue's gone from me--gone!" he murmured miserably.
|
|
|
|
She in the meantime had left by the train, and reached Alfredston Road,
|
|
where she entered the steam-tram and was conveyed into the town.
|
|
It had been her request to Phillotson that he should not meet her.
|
|
She wished, she said, to come to him voluntarily, to his very house
|
|
and hearthstone.
|
|
|
|
It was Friday evening, which had been chosen because the schoolmaster was
|
|
disengaged at four o'clock that day till the Monday morning following.
|
|
The little car she hired at the Bear to drive her to Marygreen set
|
|
her down at the end of the lane, half a mile from the village,
|
|
by her desire, and preceded her to the schoolhouse with such portion
|
|
of her luggage as she had brought. On its return she encountered it,
|
|
and asked the driver if he had found the master's house open.
|
|
The man informed her that he had, and that her things had been taken
|
|
in by the schoolmaster himself.
|
|
|
|
She could now enter Marygreen without exciting much observation.
|
|
She crossed by the well and under the trees to the pretty new school on
|
|
the other side, and lifted the latch of the dwelling without knocking.
|
|
Phillotson stood in the middle of the room, awaiting her,
|
|
as requested.
|
|
|
|
"I've come, Richard," said she, looking pale and shaken, and sinking
|
|
into a chair. "I cannot believe--you forgive your--wife!"
|
|
|
|
"Everything, darling Susanna," said Phillotson.
|
|
|
|
She started at the endearment, though it had been spoken advisedly
|
|
without fervour. Then she nerved herself again.
|
|
|
|
"My children--are dead--and it is right that they should be!
|
|
I am glad--almost. They were sin-begotten. They were sacrificed to teach
|
|
me how to live! Their death was the first stage of my purification.
|
|
That's why they have not died in vain! ... You will take me back?"
|
|
|
|
He was so stirred by her pitiful words and tone that he did more
|
|
than he had meant to do. He bent and kissed her cheek.
|
|
|
|
Sue imperceptibly shrank away, her flesh quivering under the touch
|
|
of his lips.
|
|
|
|
Phillotson's heart sank, for desire was renascent in him.
|
|
"You still have an aversion to me!"
|
|
|
|
"Oh no, dear--I-- have been driving through the damp, and I was chilly!"
|
|
she said, with a hurried smile of apprehension. "When are we going
|
|
to have the marriage? Soon?"
|
|
|
|
"To-morrow morning, early, I thought--if you really wish.
|
|
I am sending round to the vicar to let him know you are come.
|
|
I have told him all, and he highly approves--he says it will bring
|
|
our lives to a triumphant and satisfactory issue. But--are you sure
|
|
of yourself? It is not too late to refuse now if--you think you can't
|
|
bring yourself to it, you know?"
|
|
|
|
"Yes, yes, I can! I want it done quick. Tell him, tell him at once!
|
|
My strength is tried by the undertaking--I can't wait long!"
|
|
|
|
"Have something to eat and drink then, and go over to your room
|
|
at Mrs. Edlin's. I'll tell the vicar half-past eight to-morrow,
|
|
before anybody is about--if that's not too soon for you?
|
|
My friend Gillingham is here to help us in the ceremony.
|
|
He's been good enough to come all the way from Shaston at great
|
|
inconvenience to himself."
|
|
|
|
Unlike a woman in ordinary, whose eye is so keen for material things,
|
|
Sue seemed to see nothing of the room they were in, or any detail
|
|
of her environment. But on moving across the parlour to put down
|
|
her muff she uttered a little "Oh!" and grew paler than before.
|
|
Her look was that of the condemned criminal who catches sight of
|
|
his coffin.
|
|
|
|
"What?" said Phillotson.
|
|
|
|
The flap of the bureau chanced to be open, and in placing her muff
|
|
upon it her eye had caught a document which lay there. "Oh--only a--
|
|
funny surprise!" she said, trying to laugh away her cry as she came
|
|
back to the table.
|
|
|
|
"Ah! Yes," said Phillotson. "The licence.... It has just come."
|
|
|
|
Gillingham now joined them from his room above, and Sue nervously
|
|
made herself agreeable to him by talking on whatever she thought
|
|
likely to interest him, except herself, though that interested him
|
|
most of all. She obediently ate some supper, and prepared to leave
|
|
for her lodging hard by. Phillotson crossed the green with her,
|
|
bidding her good-night at Mrs. Edlin's door.
|
|
|
|
The old woman accompanied Sue to her temporary quarters, and helped
|
|
her to unpack. Among other things she laid out a night-gown
|
|
tastefully embroidered.
|
|
|
|
"Oh--I didn't know THAT was put in!" said Sue quickly.
|
|
"I didn't mean it to be. Here is a different one." She handed
|
|
a new and absolutely plain garment, of coarse and unbleached calico.
|
|
|
|
"But this is the prettiest," said Mrs. Edlin. "That one is no
|
|
better than very sackcloth o' Scripture!"
|
|
|
|
"Yes--I meant it to be. Give me the other."
|
|
|
|
She took it, and began rending it with all her might, the tears
|
|
resounding through the house like a screech-owl.
|
|
|
|
"But my dear, dear!--whatever ..."
|
|
|
|
"It is adulterous! It signifies what I don't feel--I bought it long ago--
|
|
to please Jude. It must be destroyed!"
|
|
|
|
Mrs. Edlin lifted her hands, and Sue excitedly continued to tear
|
|
the linen into strips, laying the pieces in the fire.
|
|
|
|
"You med ha' give it to me!" said the widow. "It do make my heart
|
|
ache to see such pretty open-work as that a-burned by the flames--
|
|
not that ornamental night-rails can be much use to a' ould 'ooman
|
|
like I. My days for such be all past and gone!"
|
|
|
|
"It is an accursed thing--it reminds me of what I want to forget!"
|
|
Sue repeated. "It is only fit for the fire."
|
|
|
|
"Lord, you be too strict! What do ye use such words for, and condemn
|
|
to hell your dear little innocent children that's lost to 'ee!
|
|
Upon my life I don't call that religion!"
|
|
|
|
Sue flung her face upon the bed, sobbing. "Oh, don't, don't!
|
|
That kills me!" She remained shaken with her grief, and slipped
|
|
down upon her knees.
|
|
|
|
"I'll tell 'ee what--you ought not to marry this man again!"
|
|
said Mrs. Edlin indignantly. "You are in love wi' t' other still!"
|
|
|
|
"Yes I must--I am his already!"
|
|
|
|
"Pshoo! You be t' other man's. If you didn't like to commit yourselves
|
|
to the binding vow again, just at first, 'twas all the more credit
|
|
to your consciences, considering your reasons, and you med ha'
|
|
lived on, and made it all right at last. After all, it concerned
|
|
nobody but your own two selves."
|
|
|
|
"Richard says he'll have me back, and I'm bound to go!
|
|
If he had refused, it might not have been so much my duty to--
|
|
give up Jude. But--" She remained with her face in the bed-clothes,
|
|
and Mrs. Edlin left the room.
|
|
|
|
Phillotson in the interval had gone back to his friend Gillingham,
|
|
who still sat over the supper-table. They soon rose, and walked out
|
|
on the green to smoke awhile. A light was burning in Sue's room,
|
|
a shadow moving now and then across the blind.
|
|
|
|
Gillingham had evidently been impressed with the indefinable charm
|
|
of Sue, and after a silence he said, "Well: you've all but got
|
|
her again at last. She can't very well go a second time.
|
|
The pear has dropped into your hand."
|
|
|
|
"Yes! ... I suppose I am right in taking her at her word.
|
|
I confess there seems a touch of selfishness in it. Apart from
|
|
her being what she is, of course, a luxury for a fogy like me,
|
|
it will set me right in the eyes of the clergy and orthodox laity,
|
|
who have never forgiven me for letting her go. So I may get back in
|
|
some degree into my old track."
|
|
|
|
"Well--if you've got any sound reason for marrying her again, do it
|
|
now in God's name! I was always against your opening the cage-door
|
|
and letting the bird go in such an obviously suicidal way.
|
|
You might have been a school inspector by this time, or a reverend,
|
|
if you hadn't been so weak about her."
|
|
|
|
"I did myself irreparable damage--I know it."
|
|
|
|
"Once you've got her housed again, stick to her."
|
|
|
|
Phillotson was more evasive to-night. He did not care to admit
|
|
clearly that his taking Sue to him again had at bottom nothing
|
|
to do with repentance of letting her go, but was, primarily,
|
|
a human instinct flying in the face of custom and profession.
|
|
He said, "Yes--I shall do that. I know woman better now.
|
|
Whatever justice there was in releasing her, there was little logic,
|
|
for one holding my views on other subjects."
|
|
|
|
Gillingham looked at him, and wondered whether it would ever happen
|
|
that the reactionary spirit induced by the world's sneers and his
|
|
own physical wishes would make Phillotson more orthodoxly cruel
|
|
to her than he had erstwhile been informally and perversely kind.
|
|
|
|
"I perceive it won't do to give way to impulse," Phillotson resumed,
|
|
feeling more and more every minute the necessity of acting up
|
|
to his position. "I flew in the face of the Church's teaching;
|
|
but I did it without malice prepense. Women are so strange in their
|
|
influence that they tempt you to misplaced kindness. However, I know
|
|
myself better now. A little judicious severity, perhaps...."
|
|
|
|
"Yes; but you must tighten the reins by degrees only. Don't be
|
|
too strenuous at first. She'll come to any terms in time."
|
|
|
|
The caution was unnecessary, though Phillotson did not say so.
|
|
"I remember what my vicar at Shaston said, when I left after
|
|
the row that was made about my agreeing to her elopement.
|
|
'The only thing you can do to retrieve your position and hers is to
|
|
admit your error in not restraining her with a wise and strong hand,
|
|
and to get her back again if she'll come, and be firm in the future.'
|
|
But I was so headstrong at that time that I paid no heed.
|
|
And that after the divorce she should have thought of doing so I did
|
|
not dream."
|
|
|
|
The gate of Mrs. Edlin's cottage clicked, and somebody began crossing
|
|
in the direction of the school. Phillotson said "Good-night."
|
|
|
|
"Oh, is that Mr. Phillotson," said Mrs. Edlin. "I was going over to see 'ee.
|
|
I've been upstairs with her, helping her to unpack her things;
|
|
and upon my word, sir, I don't think this ought to be!"
|
|
|
|
"What--the wedding?"
|
|
|
|
"Yes. She's forcing herself to it, poor dear little thing;
|
|
and you've no notion what she's suffering. I was never much for
|
|
religion nor against it, but it can't be right to let her do this,
|
|
and you ought to persuade her out of it. Of course everybody will
|
|
say it was very good and forgiving of 'ee to take her to 'ee again.
|
|
But for my part I don't."
|
|
|
|
"It's her wish, and I am willing," said Phillotson with grave reserve,
|
|
opposition making him illogically tenacious now. "A great piece
|
|
of laxity will be rectified."
|
|
|
|
"I don't believe it. She's his wife if anybody's. She's had
|
|
three children by him, and he loves her dearly; and it's a wicked
|
|
shame to egg her on to this, poor little quivering thing!
|
|
She's got nobody on her side. The one man who'd be her friend
|
|
the obstinate creature won't allow to come near her. What first
|
|
put her into this mood o' mind, I wonder!"
|
|
|
|
"I can't tell. Not I certainly. It is all voluntary on her part.
|
|
Now that's all I have to say." Phillotson spoke stiffly.
|
|
"You've turned round, Mrs. Edlin. It is unseemly of you!"
|
|
|
|
"Well. I knowed you'd be affronted at what I had to say;
|
|
but I don't mind that. The truth's the truth."
|
|
|
|
"I'm not affronted, Mrs. Edlin. You've been too kind a neighbour for that.
|
|
But I must be allowed to know what's best for myself and Susanna.
|
|
I suppose you won't go to church with us, then?"
|
|
|
|
"No. Be hanged if I can.... I don't know what the times be coming to!
|
|
Matrimony have growed to be that serious in these days that one
|
|
really do feel afeard to move in it at all. In my time we took it
|
|
more careless; and I don't know that we was any the worse for it!
|
|
When I and my poor man were jined in it we kept up the junketing all
|
|
the week, and drunk the parish dry, and had to borrow half a crown to
|
|
begin housekeeping!"
|
|
|
|
When Mrs. Edlin had gone back to her cottage Phillotson spoke moodily.
|
|
"I don't know whether I ought to do it--at any rate quite so rapidly."
|
|
|
|
"Why?"
|
|
|
|
"If she is really compelling herself to this against her instincts--
|
|
merely from this new sense of duty or religion--I ought perhaps to let
|
|
her wait a bit."
|
|
|
|
"Now you've got so far you ought not to back out of it.
|
|
That's my opinion."
|
|
|
|
"I can't very well put it off now; that's true. But I had a qualm
|
|
when she gave that little cry at sight of the licence."
|
|
|
|
"Now, never you have qualms, old boy. I mean to give her away
|
|
to-morrow morning, and you mean to take her. It has always been
|
|
on my conscience that I didn't urge more objections to your letting
|
|
her go, and now we've got to this stage I shan't be content if I
|
|
don't help you to set the matter right."
|
|
|
|
Phillotson nodded, and seeing how staunch his friend was,
|
|
became more frank. "No doubt when it gets known what I've done I shall
|
|
be thought a soft fool by many. But they don't know Sue as I do.
|
|
Though so elusive, hers is such an honest nature at bottom that I
|
|
don't think she has ever done anything against her conscience.
|
|
The fact of her having lived with Fawley goes for nothing. At the time
|
|
she left me for him she thought she was quite within her right.
|
|
Now she thinks otherwise."
|
|
|
|
The next morning came, and the self-sacrifice of the woman
|
|
on the altar of what she was pleased to call her principles was
|
|
acquiesced in by these two friends, each from his own point of view.
|
|
Phillotson went across to the Widow Edlin's to fetch Sue a few
|
|
minutes after eight o'clock. The fog of the previous day or two
|
|
on the low-lands had travelled up here by now, and the trees on
|
|
the green caught armfuls, and turned them into showers of big drops.
|
|
The bride was waiting, ready; bonnet and all on. She had never in
|
|
her life looked so much like the lily her name connoted as she did
|
|
in that pallid morning light. Chastened, world-weary, remorseful,
|
|
the strain on her nerves had preyed upon her flesh and bones,
|
|
and she appeared smaller in outline than she had formerly done,
|
|
though Sue had not been a large woman in her days of rudest health.
|
|
|
|
"Prompt," said the schoolmaster, magnanimously taking her hand.
|
|
But he checked his impulse to kiss her, remembering her start
|
|
of yesterday, which unpleasantly lingered in his mind.
|
|
|
|
Gillingham joined them, and they left the house, Widow Edlin
|
|
continuing steadfast in her refusal to assist in the ceremony.
|
|
|
|
"Where is the church?" said Sue. She had not lived there
|
|
for any length of time since the old church was pulled down,
|
|
and in her preoccupation forgot the new one.
|
|
|
|
"Up here," said Phillotson; and presently the tower loomed large
|
|
and solemn in the fog. The vicar had already crossed to the building,
|
|
and when they entered he said pleasantly: "We almost want candles."
|
|
|
|
"You do--wish me to be yours, Richard?" gasped Sue in a whisper.
|
|
|
|
"Certainly, dear: above all things in the world."
|
|
|
|
Sue said no more; and for the second or third time he felt he
|
|
was not quite following out the humane instinct which had induced
|
|
him to let her go.
|
|
|
|
There they stood, five altogether: the parson, the clerk, the couple,
|
|
and Gillingham; and the holy ordinance was resolemnized forthwith.
|
|
In the nave of the edifice were two or three villagers, and when
|
|
the clergyman came to the words, "What God hath joined," a woman's
|
|
voice from among these was heard to utter audibly:
|
|
|
|
"God hath jined indeed!"
|
|
|
|
It was like a re-enactment by the ghosts of their former selves of
|
|
the similar scene which had taken place at Melchester years before.
|
|
When the books were signed the vicar congratulated the husband
|
|
and wife on having performed a noble, and righteous, and mutually
|
|
forgiving act. "All's well that ends well," he said smiling.
|
|
"May you long be happy together, after thus having been 'saved as
|
|
by fire.'"
|
|
|
|
They came down the nearly empty building, and crossed to the schoolhouse.
|
|
Gillingham wanted to get home that night, and left early. He, too,
|
|
congratulated the couple. "Now," he said in parting from Phillotson,
|
|
who walked out a little way, "I shall be able to tell the people in
|
|
your native place a good round tale; and they'll all say 'Well done,'
|
|
depend on it."
|
|
|
|
When the schoolmaster got back Sue was making a pretence of doing
|
|
some housewifery as if she lived there. But she seemed timid
|
|
at his approach, and compunction wrought on him at sight of it.
|
|
|
|
"Of course, my dear, I shan't expect to intrude upon your
|
|
personal privacy any more than I did before," he said gravely.
|
|
"It is for our good socially to do this, and that's its justification,
|
|
if it was not my reason." Sue brightened a little.
|
|
|
|
VI
|
|
|
|
THE place was the door of Jude's lodging in the out-skirts of Christminster--
|
|
far from the precincts of St. Silas' where he had formerly lived,
|
|
which saddened him to sickness. The rain was coming down.
|
|
A woman in shabby black stood on the doorstep talking to Jude,
|
|
who held the door in his hand.
|
|
|
|
"I am lonely, destitute, and houseless--that's what I am!
|
|
Father has turned me out of doors after borrowing every penny I'd got,
|
|
to put it into his business, and then accusing me of laziness when I
|
|
was only waiting for a situation. I am at the mercy of the world!
|
|
If you can't take me and help me, Jude, I must go to the workhouse,
|
|
or to something worse. Only just now two undergraduates winked
|
|
at me as I came along. 'Tis hard for a woman to keep virtuous
|
|
where there's so many young men!"
|
|
|
|
The woman in the rain who spoke thus was Arabella, the evening
|
|
being that of the day after Sue's remarriage with Phillotson.
|
|
|
|
"I am sorry for you, but I am only in lodgings," said Jude coldly.
|
|
|
|
"Then you turn me away?"
|
|
|
|
"I'll give you enough to get food and lodging for a few days."
|
|
|
|
"Oh, but can't you have the kindness to take me in? I cannot
|
|
endure going to a public house to lodge; and I am so lonely.
|
|
Please, Jude, for old times' sake!"
|
|
|
|
"No, no," said Jude hastily. "I don't want to be reminded
|
|
of those things; and if you talk about them I shall not help you."
|
|
|
|
"Then I suppose I must go!" said Arabella. She bent her head
|
|
against the doorpost and began sobbing.
|
|
|
|
"The house is full," said Jude. "And I have only a little extra
|
|
room to my own--not much more than a closet--where I keep my tools,
|
|
and templates, and the few books I have left!"
|
|
|
|
"That would be a palace for me!"
|
|
|
|
"There is no bedstead in it."
|
|
|
|
"A bit of a bed could be made on the floor. It would be good enough
|
|
for me."
|
|
|
|
Unable to be harsh with her, and not knowing what to do, Jude called
|
|
the man who let the lodgings, and said this was an acquaintance
|
|
of his in great distress for want of temporary shelter.
|
|
|
|
"You may remember me as barmaid at the Lamb and Flag formerly?"
|
|
spoke up Arabella. "My father has insulted me this afternoon,
|
|
and I've left him, though without a penny!"
|
|
|
|
The householder said he could not recall her features. "But still,
|
|
if you are a friend of Mr. Fawley's we'll do what we can for a day or two--
|
|
if he'll make himself answerable?"
|
|
|
|
"Yes, yes," said Jude. "She has really taken me quite unawares;
|
|
but I should wish to help her out of her difficulty." And an
|
|
arrangement was ultimately come to under which a bed was to be thrown
|
|
down in Jude's lumber-room, to make it comfortable for Arabella till
|
|
she could get out of the strait she was in--not by her own fault,
|
|
as she declared--and return to her father's again.
|
|
|
|
While they were waiting for this to be done Arabella said:
|
|
"You know the news, I suppose?"
|
|
|
|
"I guess what you mean; but I know nothing."
|
|
|
|
"I had a letter from Anny at Alfredston to-day. She had just heard
|
|
that the wedding was to be yesterday: but she didn't know if it
|
|
had come off."
|
|
|
|
"I don't wish to talk of it."
|
|
|
|
"No, no: of course you don't. Only it shows what kind of woman----"
|
|
|
|
"Don't speak of her I say! She's a fool! And she's an angel,
|
|
too, poor dear!"
|
|
|
|
"If it's done, he'll have a chance of getting back to his old position,
|
|
by everybody's account, so Anny says. All his well-wishers will
|
|
be pleased, including the bishop himself."
|
|
|
|
"Do spare me, Arabella."
|
|
|
|
Arabella was duly installed in the little attic, and at first she
|
|
did not come near Jude at all. She went to and fro about her
|
|
own business, which, when they met for a moment on the stairs
|
|
or in the passage, she informed him was that of obtaining another
|
|
place in the occupation she understood best. When Jude suggested
|
|
London as affording the most likely opening in the liquor trade,
|
|
she shook her head. "No--the temptations are too many," she said.
|
|
"Any humble tavern in the country before that for me."
|
|
|
|
On the Sunday morning following, when he breakfasted later than on
|
|
other days, she meekly asked him if she might come in to breakfast
|
|
with him, as she had broken her teapot, and could not replace
|
|
it immediately, the shops being shut.
|
|
|
|
"Yes, if you like," he said indifferently.
|
|
|
|
While they sat without speaking she suddenly observed: "You seem
|
|
all in a brood, old man. I'm sorry for you."
|
|
|
|
"I am all in a brood."
|
|
|
|
"It is about her, I know. It's no business of mine, but I could
|
|
find out all about the wedding--if it really did take place--
|
|
if you wanted to know."
|
|
|
|
"How could you?"
|
|
|
|
"I wanted to go to Alfredston to get a few things I left there.
|
|
And I could see Anny, who'll be sure to have heard all about it,
|
|
as she has friends at Marygreen."
|
|
|
|
Jude could not bear to acquiesce in this proposal; but his suspense
|
|
pitted itself against his discretion, and won in the struggle.
|
|
"You can ask about it if you like," he said. "I've not heard a sound
|
|
from there. It must have been very private, if--they have married."
|
|
|
|
"I am afraid I haven't enough cash to take me there and back,
|
|
or I should have gone before. I must wait till I have earned some."
|
|
|
|
"Oh--I can pay the journey for you," he said impatiently.
|
|
And thus his suspense as to Sue's welfare, and the possible marriage,
|
|
moved him to dispatch for intelligence the last emissary he would
|
|
have thought of choosing deliberately.
|
|
|
|
Arabella went, Jude requesting her to be home not later
|
|
than by the seven o'clock train. When she had gone he said:
|
|
"Why should I have charged her to be back by a particular time!
|
|
She's nothing to me--nor the other neither!"
|
|
|
|
But having finished work he could not help going to the station
|
|
to meet Arabella, dragged thither by feverish haste to get
|
|
the news she might bring, and know the worst. Arabella had made
|
|
dimples most successfully all the way home, and when she stepped
|
|
out of the railway carriage she smiled. He merely said "Well?"
|
|
with the very reverse of a smile.
|
|
|
|
"They are married."
|
|
|
|
"Yes--of course they are!" he returned. She observed, however,
|
|
the hard strain upon his lip as he spoke.
|
|
|
|
"Anny says she has heard from Belinda, her relation out at Marygreen,
|
|
that it was very sad, and curious!"
|
|
|
|
"How do you mean sad? She wanted to marry him again, didn't she?
|
|
And he her!"
|
|
|
|
"Yes--that was it. She wanted to in one sense, but not in the other.
|
|
Mrs. Edlin was much upset by it all, and spoke out her mind
|
|
at Phillotson. But Sue was that excited about it that she
|
|
burnt her best embroidery that she'd worn with you, to blot you
|
|
out entirely. Well--if a woman feels like it, she ought to do it.
|
|
I commend her for it, though others don't." Arabella sighed.
|
|
"She felt he was her only husband, and that she belonged
|
|
to nobody else in the sight of God A'mighty while he lived.
|
|
Perhaps another woman feels the same about herself, too!"
|
|
Arabella sighed again.
|
|
|
|
"I don't want any cant!" exclaimed Jude.
|
|
|
|
"It isn't cant," said Arabella. "I feel exactly the same as she!"
|
|
|
|
He closed that issue by remarking abruptly: "Well--now I know all I
|
|
wanted to know. Many thanks for your information. I am not going
|
|
back to my lodgings just yet." And he left her straightway.
|
|
|
|
In his misery and depression Jude walked to well-nigh every spot in
|
|
the city that he had visited with Sue; thence he did not know whither,
|
|
and then thought of going home to his usual evening meal.
|
|
But having all the vices of his virtues, and some to spare,
|
|
he turned into a public house, for the first time during many months.
|
|
Among the possible consequences of her marriage Sue had not dwelt
|
|
on this.
|
|
|
|
Arabella, meanwhile, had gone back. The evening passed, and Jude
|
|
did not return. At half-past nine Arabella herself went out,
|
|
first proceeding to an outlying district near the river where her
|
|
father lived, and had opened a small and precarious pork-shop lately.
|
|
|
|
"Well," she said to him, "for all your rowing me that night,
|
|
I've called in, for I have something to tell you. I think I
|
|
shall get married and settled again. Only you must help me:
|
|
and you can do no less, after what I've stood 'ee."
|
|
|
|
"I'll do anything to get thee off my hands!"
|
|
|
|
"Very well. I am now going to look for my young man. He's on the loose
|
|
I'm afraid, and I must get him home. All I want you to do to-night
|
|
is not to fasten the door, in case I should want to sleep here,
|
|
and should be late."
|
|
|
|
"I thought you'd soon get tired of giving yourself airs and keeping away!"
|
|
|
|
"Well--don't do the door. That's all I say."
|
|
|
|
She then sallied out again, and first hastening back to Jude's
|
|
to make sure that he had not returned, began her search for him.
|
|
A shrewd guess as to his probable course took her straight to the tavern
|
|
which Jude had formerly frequented, and where she had been barmaid
|
|
for a brief term. She had no sooner opened the door of the "Private Bar"
|
|
than her eyes fell upon him--sitting in the shade at the back of
|
|
the compartment, with his eyes fixed on the floor in a blank stare.
|
|
He was drinking nothing stronger than ale just then. He did not
|
|
observe her, and she entered and sat beside him.
|
|
|
|
Jude looked up, and said without surprise: "You've come to have something,
|
|
Arabella? ... I'm trying to forget her: that's all! But I can't;
|
|
and I am going home." She saw that he was a little way on in liquor,
|
|
but only a little as yet.
|
|
|
|
"I've come entirely to look for you, dear boy. You are not well.
|
|
Now you must have something better than that." Arabella held up
|
|
her finger to the barmaid. "You shall have a liqueur--that's better
|
|
fit for a man of education than beer. You shall have maraschino,
|
|
or curacao dry or sweet, or cherry brandy. I'll treat you,
|
|
poor chap!"
|
|
|
|
"I don't care which! Say cherry brandy.... Sue has served me badly,
|
|
very badly. I didn't expect it of Sue! I stuck to her, and she
|
|
ought to have stuck to me. I'd have sold my soul for her sake,
|
|
but she wouldn't risk hers a jot for me. To save her own soul she
|
|
lets mine go damn! ... But it isn't her fault, poor little girl--
|
|
I am sure it isn't!"
|
|
|
|
How Arabella had obtained money did not appear, but she ordered
|
|
a liqueur each, and paid for them. When they had drunk these Arabella
|
|
suggested another; and Jude had the pleasure of being, as it were,
|
|
personally conducted through the varieties of spirituous delectation
|
|
by one who knew the landmarks well. Arabella kept very considerably
|
|
in the rear of Jude; but though she only sipped where he drank,
|
|
she took as much as she could safely take without losing her head--
|
|
which was not a little, as the crimson upon her countenance showed.
|
|
|
|
Her tone towards him to-night was uniformly soothing and cajoling;
|
|
and whenever he said "I don't care what happens to me,"
|
|
a thing he did continually, she replied, "But I do very much!"
|
|
The closing hour came, and they were compelled to turn out;
|
|
whereupon Arabella put her arm round his waist, and guided his
|
|
unsteady footsteps.
|
|
|
|
When they were in the streets she said: "I don't know what
|
|
our landlord will say to my bringing you home in this state.
|
|
I expect we are fastened out, so that he'll have to come down and let
|
|
us in."
|
|
|
|
"I don't know--I don't know."
|
|
|
|
"That's the worst of not having a home of your own.
|
|
I tell you, Jude, what we had best do. Come round to my father's--
|
|
I made it up with him a bit to-day. I can let you in, and nobody
|
|
will see you at all; and by to-morrow morning you'll be all right."
|
|
|
|
"Anything--anywhere," replied Jude. "What the devil does it matter
|
|
to me?"
|
|
|
|
They went along together, like any other fuddling couple,
|
|
her arm still round his waist, and his, at last, round hers;
|
|
though with no amatory intent; but merely because he was weary,
|
|
unstable, and in need of support.
|
|
|
|
"This--is th' Martyrs'--burning-place," he stammered as they dragged
|
|
across a broad street. "I remember--in old Fuller's HOLY STATE--
|
|
and I am reminded of it--by our passing by here--old Fuller in his
|
|
HOLY STATE says, that at the burning of Ridley, Doctor Smith--
|
|
preached sermon, and took as his text 'THOUGH I GIVE MY BODY
|
|
TO BE BURNED, AND HAVE NOT CHARITY, IT PROFITETH ME NOTHING.'--
|
|
Often think of it as I pass here. Ridley was a----"
|
|
|
|
"Yes. Exactly. Very thoughtful of you, deary, even though it
|
|
hasn't much to do with our present business."
|
|
|
|
"Why, yes it has! I'm giving my body to be burned! But--ah--
|
|
you don't understand!--it wants Sue to understand such things!
|
|
And I was her seducer--poor little girl! And she's gone--
|
|
and I don't care about myself! Do what you like with me! ... And
|
|
yet she did it for conscience' sake, poor little Sue!"
|
|
|
|
"Hang her!--I mean, I think she was right," hiccuped Arabella.
|
|
"I've my feelings too, like her; and I feel I belong to you
|
|
in Heaven's eye, and to nobody else, till death us do part!
|
|
It is--hic--never too late--hic to mend!"
|
|
|
|
They had reached her father's house, and she softly unfastened the door,
|
|
groping about for a light within.
|
|
|
|
The circumstances were not altogether unlike those of their
|
|
entry into the cottage at Cresscombe, such a long time before.
|
|
Nor were perhaps Arabella's motives. But Jude did not think of that,
|
|
though she did.
|
|
|
|
"I can't find the matches, dear," she said when she had fastened up
|
|
the door. "But never mind--this way. As quiet as you can, please."
|
|
|
|
"It is as dark as pitch," said Jude.
|
|
|
|
"Give me your hand, and I'll lead you. That's it. Just sit down here,
|
|
and I'll pull off your boots. I don't want to wake him."
|
|
|
|
"Who?"
|
|
|
|
"Father. He'd make a row, perhaps."
|
|
|
|
She pulled off his boots. "Now," she whispered, "take hold of me--
|
|
never mind your weight. Now--first stair, second stair"
|
|
|
|
"But,--are we out in our old house by Marygreen?" asked the stupefied Jude.
|
|
"I haven't been inside it for years till now! Hey? And where
|
|
are my books? That's what I want to know?"
|
|
|
|
"We are at my house, dear, where there's nobody to spy out
|
|
how ill you are. Now--third stair, fourth stair--that's it.
|
|
Now we shall get on."
|
|
|
|
VII
|
|
|
|
ARABELLA was preparing breakfast in the downstairs back room of this small,
|
|
recently hired tenement of her father's. She put her head into the little
|
|
pork-shop in front, and told Mr. Donn it was ready. Donn, endeavouring
|
|
to look like a master pork-butcher, in a greasy blue blouse,
|
|
and with a strap round his waist from which a steel dangled, came in promptly.
|
|
|
|
"You must mind the shop this morning," he said casually.
|
|
"I've to go and get some inwards and half a pig from Lumsdon,
|
|
and to call elsewhere. If you live here you must put your shoulder
|
|
to the wheel, at least till I get the business started!"
|
|
|
|
"Well, for to-day I can't say." She looked deedily into his face.
|
|
"I've got a prize upstairs."
|
|
|
|
"Oh? What's that?"
|
|
|
|
"A husband--almost."
|
|
|
|
"No!"
|
|
|
|
"Yes. It's Jude. He's come back to me."
|
|
|
|
"Your old original one? Well, I'm damned!"
|
|
|
|
"Well, I always did like him, that I will say."
|
|
|
|
"But how does he come to be up there?" said Donn, humour-struck, and
|
|
nodding to the ceiling.
|
|
|
|
"Don't ask inconvenient questions, Father. What we've to do is
|
|
to keep him here till he and I are--as we were."
|
|
|
|
"How was that?"
|
|
|
|
"Married."
|
|
|
|
"Ah.... Well it is the rummest thing I ever heard of--marrying an old
|
|
husband again, and so much new blood in the world! He's no catch,
|
|
to my thinking. I'd have had a new one while I was about it."
|
|
|
|
"It isn't rum for a woman to want her old husband back
|
|
for respectability, though for a man to want his old wife back--
|
|
well, perhaps it is funny, rather!" And Arabella was suddenly seized
|
|
with a fit of loud laughter, in which her father joined more moderately.
|
|
|
|
"Be civil to him, and I'll do the rest," she said when she had
|
|
recovered seriousness. "He told me this morning that his head
|
|
ached fit to burst, and he hardly seemed to know where he was.
|
|
And no wonder, considering how he mixed his drink last night.
|
|
We must keep him jolly and cheerful here for a day or two,
|
|
and not let him go back to his lodging. Whatever you advance I'll
|
|
pay back to you again. But I must go up and see how he is now,
|
|
poor deary."
|
|
|
|
Arabella ascended the stairs, softly opened the door of the first bedroom,
|
|
and peeped in. Finding that her shorn Samson was asleep she entered
|
|
to the bedside and stood regarding him. The fevered flush on his
|
|
face from the debauch of the previous evening lessened the fragility
|
|
of his ordinary appearance, and his long lashes, dark brows,
|
|
and curly back hair and beard against the white pillow completed
|
|
the physiognomy of one whom Arabella, as a woman of rank passions,
|
|
still felt it worth while to recapture, highly important to recapture
|
|
as a woman straitened both in means and in reputation. Her ardent
|
|
gaze seemed to affect him; his quick breathing became suspended,
|
|
and he opened his eyes.
|
|
|
|
"How are you now, dear?" said she. "It is I--Arabella."
|
|
|
|
"Ah!--where--oh yes, I remember! You gave me shelter....
|
|
I am stranded--ill--demoralized--damn bad! That's what I am!"
|
|
|
|
"Then do stay here. There's nobody in the house but father and me,
|
|
and you can rest till you are thoroughly well. I'll tell them at
|
|
the stoneworks that you are knocked up."
|
|
|
|
"I wonder what they are thinking at the lodgings!"
|
|
|
|
"I'll go round and explain. Perhaps you had better let me pay up,
|
|
or they'll think we've run away?"
|
|
|
|
"Yes. You'll find enough money in my pocket there."
|
|
|
|
Quite indifferent, and shutting his eyes because he could not bear
|
|
the daylight in his throbbing eye-balls, Jude seemed to doze again.
|
|
Arabella took his purse, softly left the room, and putting on her
|
|
outdoor things went off to the lodgings she and he had quitted
|
|
the evening before.
|
|
|
|
Scarcely half an hour had elapsed ere she reappeared round the corner,
|
|
walking beside a lad wheeling a truck on which were piled all Jude's
|
|
household possessions, and also the few of Arabella's things
|
|
which she had taken to the lodging for her short sojourn there.
|
|
Jude was in such physical pain from his unfortunate break-down
|
|
of the previous night, and in such mental pain from the loss of Sue
|
|
and from having yielded in his half-somnolent state to Arabella,
|
|
that when he saw his few chattels unpacked and standing before his
|
|
eyes in this strange bedroom, intermixed with woman's apparel,
|
|
he scarcely considered how they had come there, or what their
|
|
coming signalized.
|
|
|
|
"Now," said Arabella to her father downstairs, "we must keep
|
|
plenty of good liquor going in the house these next few days.
|
|
I know his nature, and if he once gets into that fearfully low state
|
|
that he does get into sometimes, he'll never do the honourable
|
|
thing by me in this world, and I shall be left in the lurch.
|
|
He must be kept cheerful. He has a little money in the savings bank,
|
|
and he has given me his purse to pay for anything necessary.
|
|
Well, that will be the licence; for I must have that ready at hand,
|
|
to catch him the moment he's in the humour. You must pay for the liquor.
|
|
A few friends, and a quiet convivial party would be the thing,
|
|
if we could get it up. It would advertise the shop, and help
|
|
me too."
|
|
|
|
"That can be got up easy enough by anybody who'll afford victuals
|
|
and drink.... Well yes--it would advertise the shop--that's true."
|
|
|
|
Three days later, when Jude had recovered somewhat from the fearful
|
|
throbbing of his eyes and brain, but was still considerably
|
|
confused in his mind by what had been supplied to him by Arabella
|
|
during the interval--to keep him, jolly, as she expressed it--
|
|
the quiet convivial gathering, suggested by her, to wind Jude up
|
|
to the striking point, took place.
|
|
|
|
Donn had only just opened his miserable little pork and sausage shop,
|
|
which had as yet scarce any customers; nevertheless that party
|
|
advertised it well, and the Donns acquired a real notoriety among
|
|
a certain class in Christminster who knew not the colleges,
|
|
nor their works, nor their ways. Jude was asked if he could suggest
|
|
any guest in addition to those named by Arabella and her father,
|
|
and in a saturnine humour of perfect recklessness mentioned Uncle Joe,
|
|
and Stagg, and the decayed auctioneer, and others whom he remembered
|
|
as having been frequenters of the well-known tavern during
|
|
his bout therein years before. He also suggested Freckles and
|
|
Bower o' Bliss. Arabella took him at his word so far as the men went,
|
|
but drew the line at the ladies.
|
|
|
|
Another man they knew, Tinker Taylor, though he lived in the same street,
|
|
was not invited; but as he went homeward from a late job on the evening
|
|
of the party, he had occasion to call at the shop for trotters.
|
|
There were none in, but he was promised some the next morning.
|
|
While making his inquiry Taylor glanced into the back room, and saw
|
|
the guests sitting round, card-playing, and drinking, and otherwise
|
|
enjoying themselves at Donn's expense. He went home to bed,
|
|
and on his way out next morning wondered how the party went off.
|
|
He thought it hardly worth while to call at the shop for his
|
|
provisions at that hour, Donn and his daughter being probably not up,
|
|
if they caroused late the night before. However, he found in
|
|
passing that the door was open, and he could hear voices within,
|
|
though the shutters of the meat-stall were not down. He went and tapped
|
|
at the sitting-room door, and opened it.
|
|
|
|
"Well--to be sure!" he said, astonished.
|
|
|
|
Hosts and guests were sitting card-playing, smoking, and talking,
|
|
precisely as he had left them eleven hours earlier; the gas was
|
|
burning and the curtains drawn, though it had been broad daylight
|
|
for two hours out of doors.
|
|
|
|
"Yes!" cried Arabella, laughing. "Here we are, just the same.
|
|
We ought to be ashamed of ourselves, oughtn't we! But it is a sort
|
|
of housewarming, you see; and our friends are in no hurry. Come in,
|
|
Mr. Taylor, and sit down."
|
|
|
|
The tinker, or rather reduced ironmonger, was nothing loath, and entered
|
|
and took a seat. "I shall lose a quarter, but never mind," he said.
|
|
"Well, really, I could hardly believe my eyes when I looked in!
|
|
It seemed as if I was flung back again into last night, all of
|
|
a sudden."
|
|
|
|
"So you are. Pour out for Mr. Taylor."
|
|
|
|
He now perceived that she was sitting beside Jude, her arm being
|
|
round his waist. Jude, like the rest of the company, bore on his
|
|
face the signs of how deeply he had been indulging.
|
|
|
|
"Well, we've been waiting for certain legal hours to arrive,
|
|
to tell the truth," she continued bashfully, and making her
|
|
spirituous crimson look as much like a maiden blush as possible.
|
|
"Jude and I have decided to make up matters between us by tying
|
|
the knot again, as we find we can't do without one another after all.
|
|
So, as a bright notion, we agreed to sit on till it was late enough,
|
|
and go and do it off-hand."
|
|
|
|
Jude seemed to pay no great heed to what she was announcing,
|
|
or indeed to anything whatever. The entrance of Taylor infused fresh
|
|
spirit into the company, and they remained sitting, till Arabella
|
|
whispered to her father: "Now we may as well go."
|
|
|
|
"But the parson don't know?"
|
|
|
|
"Yes, I told him last night that we might come between eight
|
|
and nine, as there were reasons of decency for doing it as early
|
|
and quiet as possible; on account of it being our second marriage,
|
|
which might make people curious to look on if they knew.
|
|
He highly approved."
|
|
|
|
"Oh very well: I'm ready," said her father, getting up and shaking himself.
|
|
|
|
"Now, old darling," she said to Jude. "Come along, as you promised."
|
|
|
|
"When did I promise anything?" asked he, whom she had made so tipsy
|
|
by her special knowledge of that line of business as almost to have
|
|
made him sober again--or to seem so to those who did not know him.
|
|
|
|
"Why!" said Arabella, affecting dismay. "You've promised to marry
|
|
me several times as we've sat here to-night. These gentlemen
|
|
have heard you."
|
|
|
|
"I don't remember it," said Jude doggedly. "There's only one woman--
|
|
but I won't mention her in this Capharnaum!"
|
|
|
|
Arabella looked towards her father. "Now, Mr. Fawley be honourable,"
|
|
said Donn. "You and my daughter have been living here together
|
|
these three or four days, quite on the understanding that you were
|
|
going to marry her. Of course I shouldn't have had such goings on
|
|
in my house if I hadn't understood that. As a point of honour you
|
|
must do it now."
|
|
|
|
"Don't say anything against my honour!" enjoined Jude hotly, standing up.
|
|
"I'd marry the W---- of Babylon rather than do anything dishonourable!
|
|
No reflection on you, my dear. It is a mere rhetorical figure--
|
|
what they call in the books, hyperbole."
|
|
|
|
"Keep your figures for your debts to friends who shelter you,"
|
|
said Donn.
|
|
|
|
"If I am bound in honour to marry her--as I suppose I am--
|
|
though how I came to be here with her I know no more than a dead man--
|
|
marry her I will, so help me God! I have never behaved dishonourably
|
|
to a woman or to any living thing. I am not a man who wants to save
|
|
himself at the expense of the weaker among us!"
|
|
|
|
"There--never mind him, deary," said she, putting her cheek against
|
|
Jude's. "Come up and wash your face, and just put yourself tidy,
|
|
and off we'll go. Make it up with Father."
|
|
|
|
They shook hands. Jude went upstairs with her, and soon came down
|
|
looking tidy and calm. Arabella, too, had hastily arranged herself,
|
|
and accompanied by Donn away they went.
|
|
|
|
"Don't go," she said to the guests at parting. I've told the little
|
|
maid to get the breakfast while we are gone; and when we come back
|
|
we'll all have some. A good strong cup of tea will set everybody
|
|
right for going home."
|
|
|
|
When Arabella, Jude, and Donn had disappeared on their matrimonial
|
|
errand the assembled guests yawned themselves wider awake,
|
|
and discussed the situation with great interest. Tinker Taylor,
|
|
being the most sober, reasoned the most lucidly.
|
|
|
|
"I don't wish to speak against friends," he said. "But it
|
|
do seem a rare curiosity for a couple to marry over again!
|
|
If they couldn't get on the first time when their minds were limp,
|
|
they won't the second, by my reckoning."
|
|
|
|
"Do you think he'll do it?"
|
|
|
|
"He's been put upon his honour by the woman, so he med."
|
|
|
|
"He'd hardly do it straight off like this. He's got no licence
|
|
nor anything."
|
|
|
|
"She's got that, bless you. Didn't you hear her say so to her father?"
|
|
|
|
"Well," said Tinker Taylor, relighting his pipe at the gas-jet. "Take
|
|
her all together, limb by limb, she's not such a bad-looking piece--
|
|
particular by candlelight. To be sure, halfpence that have been
|
|
in circulation can't be expected to look like new ones from the mint.
|
|
But for a woman that's been knocking about the four hemispheres
|
|
for some time, she's passable enough. A little bit thick in
|
|
the flitch perhaps: but I like a woman that a puff o' wind won't
|
|
blow down."
|
|
|
|
Their eyes followed the movements of the little girl as she
|
|
spread the breakfast-cloth on the table they had been using,
|
|
without wiping up the slops of the liquor. The curtains were undrawn,
|
|
and the expression of the house made to look like morning.
|
|
Some of the guests, however, fell asleep in their chairs.
|
|
One or two went to the door, and gazed along the street more than once.
|
|
Tinker Taylor was the chief of these, and after a time he came
|
|
in with a leer on his face.
|
|
|
|
"By Gad, they are coming! I think the deed's done!"
|
|
|
|
"No," said Uncle Joe, following him in. "Take my word, he turned
|
|
rusty at the last minute. They are walking in a very unusual way;
|
|
and that's the meaning of it!"
|
|
|
|
They waited in silence till the wedding-party could be heard
|
|
entering the house. First into the room came Arabella boisterously;
|
|
and her face was enough to show that her strategy had succeeded.
|
|
|
|
"Mrs. Fawley, I presume?" said Tinker Taylor with mock courtesy.
|
|
|
|
"Certainly. Mrs. Fawley again," replied Arabella blandly, pulling off
|
|
her glove and holding out her left hand. "There's the padlock,
|
|
see.... Well, he was a very nice, gentlemanly man indeed.
|
|
I mean the clergyman. He said to me as gentle as a babe when all
|
|
was done: 'Mrs. Fawley, I congratulate you heartily,' he says.
|
|
'For having heard your history, and that of your husband,
|
|
I think you have both done the right and proper thing.
|
|
And for your past errors as a wife, and his as a husband, I think
|
|
you ought now to be forgiven by the world, as you have forgiven
|
|
each other,' says he. Yes: he was a very nice, gentlemanly man.
|
|
'The Church don't recognize divorce in her dogma, strictly speaking,'
|
|
he says: 'and bear in mind the words of the service in your goings
|
|
out and your comings in: What God hath joined together let no man
|
|
put asunder.' Yes: he was a very nice, gentlemanly man.... But,
|
|
Jude, my dear, you were enough to make a cat laugh! You walked
|
|
that straight, and held yourself that steady, that one would
|
|
have thought you were going 'prentice to a judge; though I knew
|
|
you were seeing double all the time, from the way you fumbled with
|
|
my finger."
|
|
|
|
"I said I'd do anything to--save a woman's honour," muttered Jude.
|
|
"And I've done it!"
|
|
|
|
"Well now, old deary, come along and have some breakfast."
|
|
|
|
"I want--some--more whisky," said Jude stolidly.
|
|
|
|
"Nonsense, dear. Not now! There's no more left. The tea will take
|
|
the muddle out of our heads, and we shall be as fresh as larks."
|
|
|
|
"All right. I've--married you. She said I ought to marry you again,
|
|
and I have straightway. It is true religion! Ha--ha--ha!"
|
|
|
|
VIII
|
|
|
|
MICHAELMAS came and passed, and Jude and his wife, who had lived
|
|
but a short time in her father's house after their remarriage,
|
|
were in lodgings on the top floor of a dwelling nearer to the centre
|
|
of the city.
|
|
|
|
He had done a few days' work during the two or three months
|
|
since the event, but his health had been indifferent, and it was
|
|
now precarious. He was sitting in an arm-chair before the fire,
|
|
and coughed a good deal.
|
|
|
|
"I've got a bargain for my trouble in marrying thee over again!"
|
|
Arabella was saying to him. "I shall have to keep 'ee entirely--
|
|
that's what 'twill come to! I shall have to make black-pot
|
|
and sausages, and hawk 'em about the street, all to support
|
|
an invalid husband I'd no business to be saddled with at all.
|
|
Why didn't you keep your health, deceiving one like this? You were
|
|
well enough when the wedding was!"
|
|
|
|
"Ah, yes!" said he, laughing acridly. "I have been thinking of my foolish
|
|
feeling about the pig you and I killed during our first marriage.
|
|
I feel now that the greatest mercy that could be vouchsafed to me
|
|
would be that something should serve me as I served that animal."
|
|
|
|
This was the sort of discourse that went on between them every day now.
|
|
The landlord of the lodging, who had heard that they were a queer couple,
|
|
had doubted if they were married at all, especially as he had seen
|
|
Arabella kiss Jude one evening when she had taken a little cordial;
|
|
and he was about to give them notice to quit, till by chance
|
|
overhearing her one night haranguing Jude in rattling terms,
|
|
and ultimately flinging a shoe at his head, he recognized the note
|
|
of genuine wedlock; and concluding that they must be respectable,
|
|
said no more.
|
|
|
|
Jude did not get any better, and one day he requested Arabella,
|
|
with considerable hesitation, to execute a commission for him.
|
|
She asked him indifferently what it was.
|
|
|
|
"To write to Sue."
|
|
|
|
"What in the name--do you want me to write to her for?"
|
|
|
|
"To ask how she is, and if she'll come to see me, because I'm ill,
|
|
and should like to see her--once again."
|
|
|
|
"It is like you to insult a lawful wife by asking such a thing!"
|
|
|
|
"It is just in order not to insult you that I ask you to do it.
|
|
You know I love Sue. I don't wish to mince the matter--
|
|
there stands the fact: I love her. I could find a dozen
|
|
ways of sending a letter to her without your knowledge.
|
|
But I wish to be quite above-board with you, and with her husband.
|
|
A message through you asking her to come is at least free from any
|
|
odour of intrigue. If she retains any of her old nature at all,
|
|
she'll come."
|
|
|
|
"You've no respect for marriage whatever, or its rights and duties!"
|
|
|
|
"What DOES it matter what my opinions are--a wretch like me! Can it
|
|
matter to anybody in the world who comes to see me for half an hour--
|
|
here with one foot in the grave! ... Come, please write, Arabella!"
|
|
he pleaded. "Repay my candour by a little generosity!"
|
|
|
|
"I should think NOT!"
|
|
|
|
"Not just once?--Oh do!" He felt that his physical weakness
|
|
had taken away all his dignity.
|
|
|
|
"What do you want HER to know how you are for? She don't want
|
|
to see 'ee. She's the rat that forsook the sinking ship!"
|
|
|
|
"Don't, don't!"
|
|
|
|
"And I stuck to un--the more fool I! Have that strumpet
|
|
in the house indeed!"
|
|
|
|
Almost as soon as the words were spoken Jude sprang from the chair,
|
|
and before Arabella knew where she was he had her on her back upon
|
|
a little couch which stood there, he kneeling above her.
|
|
|
|
"Say another word of that sort," he whispered, "and I'll kill you--
|
|
here and now! I've everything to gain by it--my own death not being
|
|
the least part. So don't think there's no meaning in what I say!"
|
|
|
|
"What do you want me to do?" gasped Arabella.
|
|
|
|
"Promise never to speak of her."
|
|
|
|
"Very well. I do."
|
|
|
|
"I take your word," he said scornfully as he loosened her.
|
|
"But what it is worth I can't say."
|
|
|
|
"You couldn't kill the pig, but you could kill me!"
|
|
|
|
"Ah--there you have me! No--I couldn't kill you--even in a passion.
|
|
Taunt away!"
|
|
|
|
He then began coughing very much, and she estimated his life with an
|
|
appraiser's eye as he sank back ghastly pale. "I'll send for her,"
|
|
Arabella murmured, "if you'll agree to my being in the room with you
|
|
all the time she's here."
|
|
|
|
The softer side of his nature, the desire to see Sue, made him
|
|
unable to resist the offer even now, provoked as he had been;
|
|
and he replied breathlessly: "Yes, I agree. Only send for her!"
|
|
|
|
In the evening he inquired if she had written.
|
|
|
|
"Yes," she said; "I wrote a note telling her you were ill, and asking
|
|
her to come to-morrow or the day after. I haven't posted it yet."
|
|
|
|
The next day Jude wondered if she really did post it, but would not
|
|
ask her; and foolish Hope, that lives on a drop and a crumb, made him
|
|
restless with expectation. He knew the times of the possible trains,
|
|
and listened on each occasion for sounds of her.
|
|
|
|
She did not come; but Jude would not address Arabella again thereon.
|
|
He hoped and expected all the next day; but no Sue appeared;
|
|
neither was there any note of reply. Then Jude decided in the privacy
|
|
of his mind that Arabella had never posted hers, although she
|
|
had written it. There was something in her manner which told it.
|
|
His physical weakness was such that he shed tears at the disappointment
|
|
when she was not there to see. His suspicions were, in fact,
|
|
well founded. Arabella, like some other nurses, thought that your duty
|
|
towards your invalid was to pacify him by any means short of really
|
|
acting upon his fancies.
|
|
|
|
He never said another word to her about his wish or his conjecture.
|
|
A silent, undiscerned resolve grew up in him, which gave him,
|
|
if not strength, stability and calm. One midday when, after an absence
|
|
of two hours, she came into the room, she beheld the chair empty.
|
|
|
|
Down she flopped on the bed, and sitting, meditated. "Now where
|
|
the devil is my man gone to!" she said.
|
|
|
|
A driving rain from the north-east had been falling with more
|
|
or less intermission all the morning, and looking from the window
|
|
at the dripping spouts it seemed impossible to believe that any
|
|
sick man would have ventured out to almost certain death.
|
|
Yet a conviction possessed Arabella that he had gone out,
|
|
and it became a certainty when she had searched the house.
|
|
"If he's such a fool, let him be!" she said. "I can do no more."
|
|
|
|
Jude was at that moment in a railway train that was drawing near
|
|
to Alfredston, oddly swathed, pale as a monumental figure in alabaster,
|
|
and much stared at by other passengers. An hour later his thin form,
|
|
in the long great-coat and blanket he had come with, but without
|
|
an umbrella, could have been seen walking along the five-mile road
|
|
to Marygreen. On his face showed the determined purpose that alone
|
|
sustained him, but to which has weakness afforded a sorry foundation.
|
|
By the up-hill walk he was quite blown, but he pressed on; and at
|
|
half-past three o'clock stood by the familiar well at Marygreen.
|
|
The rain was keeping everybody indoors; Jude crossed the green
|
|
to the church without observation, and found the building open.
|
|
Here he stood, looking forth at the school, whence he could hear
|
|
the usual sing-song tones of the little voices that had not learnt
|
|
Creation's groan.
|
|
|
|
He waited till a small boy came from the school--one evidently allowed
|
|
out before hours for some reason or other. Jude held up his hand,
|
|
and the child came.
|
|
|
|
"Please call at the schoolhouse and ask Mrs. Phillotson if she
|
|
will be kind enough to come to the church for a few minutes."
|
|
|
|
The child departed, and Jude heard him knock at the door of the dwelling.
|
|
He himself went further into the church. Everything was new,
|
|
except a few pieces of carving preserved from the wrecked old fabric,
|
|
now fixed against the new walls. He stood by these: they seemed
|
|
akin to the perished people of that place who were his ancestors
|
|
and Sue's.
|
|
|
|
A light footstep, which might have been accounted no more than an
|
|
added drip to the rainfall, sounded in the porch, and he looked round.
|
|
|
|
"Oh--I didn't think it was you! I didn't--Oh, Jude!" A hysterical
|
|
catch in her breath ended in a succession of them. He advanced,
|
|
but she quickly recovered and went back.
|
|
|
|
"Don't go--don't go!" he implored. "This is my last time!
|
|
I thought it would be less intrusive than to enter your house.
|
|
And I shall never come again. Don't then be unmerciful. Sue, Sue!
|
|
We are acting by the letter; and 'the letter killeth'!"
|
|
|
|
"I'll stay--I won't be unkind!" she said, her mouth quivering
|
|
and her tears flowing as she allowed him to come closer.
|
|
"But why did you come, and do this wrong thing, after doing such
|
|
a right thing as you have done?"
|
|
|
|
"What right thing?"
|
|
|
|
"Marrying Arabella again. It was in the Alfredston paper.
|
|
She has never been other than yours, Jude--in a proper sense.
|
|
And therefore you did so well--Oh so well!--in recognizing it--
|
|
and taking her to you again."
|
|
|
|
"God above--and is that all I've come to hear? If there is anything
|
|
more degrading, immoral, unnatural, than another in my life, it is
|
|
this meretricious contract with Arabella which has been called doing
|
|
the right thing! And you too--you call yourself Phillotson's wife!
|
|
HIS wife! You are mine."
|
|
|
|
"Don't make me rush away from you--I can't bear much! But on this
|
|
point I am decided."
|
|
|
|
"I cannot understand how you did it--how you think it--I cannot!"
|
|
|
|
"Never mind that. He is a kind husband to me--And I--I've wrestled
|
|
and struggled, and fasted, and prayed. I have nearly brought
|
|
my body into complete subjection. And you mustn't--will you--wake--"
|
|
|
|
"Oh you darling little fool; where is your reason? You seem
|
|
to have suffered the loss of your faculties! I would argue
|
|
with you if I didn't know that a woman in your state of feeling
|
|
is quite beyond all appeals to her brains. Or is it that you
|
|
are humbugging yourself, as so many women do about these things;
|
|
and don't actually believe what you pretend to, and only are indulging
|
|
in the luxury of the emotion raised by an affected belief?"
|
|
|
|
"Luxury! How can you be so cruel!"
|
|
|
|
"You dear, sad, soft, most melancholy wreck of a promising human
|
|
intellect that it has ever been my lot to behold! Where is your
|
|
scorn of convention gone? I WOULD have died game!"
|
|
|
|
"You crush, almost insult me, Jude! Go away from me!" She turned
|
|
off quickly.
|
|
|
|
"I will. I would never come to see you again, even if I
|
|
had the strength to come, which I shall not have any more.
|
|
Sue, Sue, you are not worth a man's love!"
|
|
|
|
Her bosom began to go up and down. "I can't endure you to say that!"
|
|
she burst out, and her eye resting on him a moment, she turned
|
|
back impulsively. "Don't, don't scorn me! Kiss me, oh kiss me
|
|
lots of times, and say I am not a coward and a contemptible humbug--
|
|
I can't bear it!" She rushed up to him and, with her mouth
|
|
on his, continued: "I must tell you--oh I must--my darling Love!
|
|
It has been--only a church marriage--an apparent marriage I mean!
|
|
He suggested it at the very first!"
|
|
|
|
"How?"
|
|
|
|
"I mean it is a nominal marriage only. It hasn't been more than
|
|
that at all since I came back to him!"
|
|
|
|
"Sue!" he said. Pressing her to him in his arms he bruised
|
|
her lips with kisses: "If misery can know happiness, I have
|
|
a moment's happiness now! Now, in the name of all you hold holy,
|
|
tell me the truth, and no lie. You do love me still?"
|
|
|
|
"I do! You know it too well! ... But I MUSTN'T do this!
|
|
I mustn't kiss you back as I would!"
|
|
|
|
"But do!"
|
|
|
|
"And yet you are so dear!--and you look so ill----"
|
|
|
|
"And so do you! There's one more, in memory of our dead little children--
|
|
yours and mine!"
|
|
|
|
The words struck her like a blow, and she bent her head.
|
|
"I MUSTN'T--I CAN'T go on with this!" she gasped presently.
|
|
"But there, there, darling; I give you back your kisses; I do,
|
|
I do! ... And now I'll HATE myself for ever for my sin!"
|
|
|
|
"No--let me make my last appeal. Listen to this! We've both remarried
|
|
out of our senses. I was made drunk to do it. You were the same.
|
|
I was gin-drunk; you were creed-drunk. Either form of intoxication
|
|
takes away the nobler vision.... Let us then shake off our mistakes,
|
|
and run away together!"
|
|
|
|
"No; again no! ... Why do you tempt me so far, Jude! It is too
|
|
merciless! ... But I've got over myself now. Don't follow me--
|
|
don't look at me. Leave me, for pity's sake!"
|
|
|
|
She ran up the church to the east end, and Jude did as she requested.
|
|
He did not turn his head, but took up his blanket, which she had not seen,
|
|
and went straight out. As he passed the end of the church she heard
|
|
his coughs mingling with the rain on the windows, and in a last
|
|
instinct of human affection, even now unsubdued by her fetters,
|
|
she sprang up as if to go and succour him. But she knelt down again,
|
|
and stopped her ears with her hands till all possible sound of him
|
|
had passed away.
|
|
|
|
He was by this time at the corner of the green, from which the path
|
|
ran across the fields in which he had scared rooks as a boy.
|
|
He turned and looked back, once, at the building which still contained Sue;
|
|
and then went on, knowing that his eyes would light on that scene
|
|
no more.
|
|
|
|
There are cold spots up and down Wessex in autumn and winter weather;
|
|
but the coldest of all when a north or east wind is blowing is
|
|
the crest of the down by the Brown House, where the road to Alfredston
|
|
crosses the old Ridgeway. Here the first winter sleets and snows
|
|
fall and lie, and here the spring frost lingers last unthawed.
|
|
Here in the teeth of the north-east wind and rain Jude now pursued
|
|
his way, wet through, the necessary slowness of his walk from lack
|
|
of his former strength being insufficent to maintain his heat.
|
|
He came to the milestone, and, raining as it was, spread his blanket
|
|
and lay down there to rest. Before moving on he went and felt
|
|
at the back of the stone for his own carving. It was still there;
|
|
but nearly obliterated by moss. He passed the spot where
|
|
the gibbet of his ancestor and Sue's had stood, and descended
|
|
the hill.
|
|
|
|
It was dark when he reached Alfredston, where he had a cup of tea,
|
|
the deadly chill that began to creep into his bones being too much
|
|
for him to endure fasting. To get home he had to travel by a steam
|
|
tram-car, and two branches of railway, with much waiting at a junction.
|
|
He did not reach Christminster till ten o'clock.
|
|
|
|
IX
|
|
|
|
ON the platform stood Arabella. She looked him up and down.
|
|
|
|
"You've been to see her?" she asked.
|
|
|
|
"I have," said Jude, literally tottering with cold and lassitude.
|
|
|
|
"Well, now you'd best march along home."
|
|
|
|
The water ran out of him as he went, and he was compelled to lean
|
|
against the wall to support himself while coughing.
|
|
|
|
"You've done for yourself by this, young man," said she.
|
|
"I don't know whether you know it."
|
|
|
|
"Of course I do. I meant to do for myself."
|
|
|
|
"What--to commit suicide?"
|
|
|
|
"Certainly."
|
|
|
|
"Well, I'm blest! Kill yourself for a woman."
|
|
|
|
"Listen to me, Arabella. You think you are the stronger; and so you are,
|
|
in a physical sense, now. You could push me over like a nine-pin.
|
|
You did not send that letter the other day, and I could not resent
|
|
your conduct. But I am not so weak in another way as you think.
|
|
I made up my mind that a man confined to his room by inflammation
|
|
of the lungs, a fellow who had only two wishes left in the world,
|
|
to see a particular woman, and then to die, could neatly accomplish
|
|
those two wishes at one stroke by taking this journey in the rain.
|
|
That I've done. I have seen her for the last time, and I've
|
|
finished myself--put an end to a feverish life which ought never to have
|
|
been begun!"
|
|
|
|
"Lord--you do talk lofty! Won't you have something warm to drink?"
|
|
|
|
"No thank you. Let's get home."
|
|
|
|
They went along by the silent colleges, and Jude kept stopping.
|
|
|
|
"What are you looking at?"
|
|
|
|
"Stupid fancies. I see, in a way, those spirits of the dead again,
|
|
on this my last walk, that I saw when I first walked here!"
|
|
|
|
"What a curious chap you are!"
|
|
|
|
"I seem to see them, and almost hear them rustling. But I don't
|
|
revere all of them as I did then. I don't believe in half of them.
|
|
The theologians, the apologists, and their kin the metaphysicians,
|
|
the high-handed statesmen, and others, no longer interest me.
|
|
All that has been spoilt for me by the grind of stern reality!"
|
|
|
|
The expression of Jude's corpselike face in the watery lamplight
|
|
was indeed as if he saw people where there was nobody. At moments
|
|
he stood still by an archway, like one watching a figure walk out;
|
|
then he would look at a window like one discerning a familiar face
|
|
behind it. He seemed to hear voices, whose words he repeated as if
|
|
to gather their meaning.
|
|
|
|
"They seem laughing at me!"
|
|
|
|
"Who?"
|
|
|
|
"Oh--I was talking to myself! The phantoms all about here,
|
|
in the college archways, and windows. They used to look friendly
|
|
in the old days, particularly Addison, and Gibbon, and Johnson,
|
|
and Dr. Browne, and Bishop Ken"
|
|
|
|
"Come along do! Phantoms! There's neither living nor dead hereabouts
|
|
except a damn policeman! I never saw the streets emptier."
|
|
|
|
"Fancy! The Poet of Liberty used to walk here, and the great
|
|
Dissector of Melancholy there!"
|
|
|
|
"I don't want to hear about 'em! They bore me."
|
|
|
|
"Walter Raleigh is beckoning to me from that lane--
|
|
Wycliffe--Harvey--Hooker--Arnold--and a whole crowd of Tractarian Shades"
|
|
|
|
"I DON'T WANT to know their names, I tell you! What do I care
|
|
about folk dead and gone? Upon my soul you are more sober
|
|
when you've been drinking than when you have not!"
|
|
|
|
"I must rest a moment," he said; and as he paused, holding to
|
|
the railings, he measured with his eye the height of a college front.
|
|
"This is old Rubric. And that Sarcophagus; and Up that lane Crozier
|
|
and Tudor: and all down there is Cardinal with its long front,
|
|
and its windows with lifted eyebrows, representing the polite surprise
|
|
of the university at the efforts of such as I."
|
|
|
|
"Come along, and I'll treat you!"
|
|
|
|
"Very well. It will help me home, for I feel the chilly fog
|
|
from the meadows of Cardinal as if death-claws were grabbing me
|
|
through and through. As Antigone said, I am neither a dweller
|
|
among men nor ghosts. But, Arabella, when I am dead, you'll see
|
|
my spirit flitting up and down here among these!"
|
|
|
|
"Pooh! You mayn't die after all. You are tough enough yet,
|
|
old man."
|
|
|
|
It was night at Marygreen, and the rain of the afternoon showed no
|
|
sign of abatement. About the time at which Jude and Arabella were
|
|
walking the streets of Christminster homeward, the Widow Edlin crossed
|
|
the green, and opened the back door of the schoolmaster's dwelling,
|
|
which she often did now before bedtime, to assist Sue in putting
|
|
things away.
|
|
|
|
Sue was muddling helplessly in the kitchen, for she was not a good housewife,
|
|
though she tried to be, and grew impatient of domestic details.
|
|
|
|
"Lord love 'ee, what do ye do that yourself for, when I've
|
|
come o' purpose! You knew I should come."
|
|
|
|
"Oh--I don't know--I forgot! No, I didn't forget. I did it
|
|
to discipline myself. I have scrubbed the stairs since eight
|
|
o'clock. I MUST practise myself in my household duties.
|
|
I've shamefully neglected them!"
|
|
|
|
"Why should ye? He'll get a better school, perhaps be a parson,
|
|
in time, and you'll keep two servants. 'Tis a pity to spoil them
|
|
pretty hands."
|
|
|
|
"Don't talk of my pretty hands, Mrs. Edlin. This pretty body
|
|
of mine has been the ruin of me already!"
|
|
|
|
"Pshoo--you've got no body to speak of! You put me more in mind
|
|
of a sperrit. But there seems something wrong to-night, my dear.
|
|
Husband cross?"
|
|
|
|
"No. He never is. He's gone to bed early."
|
|
|
|
"Then what is it?"
|
|
|
|
"I cannot tell you. I have done wrong to-day. And I want to eradicate
|
|
it.... Well--I will tell you this--Jude has been here this afternoon,
|
|
and I find I still love him--oh, grossly! I cannot tell you more."
|
|
|
|
"Ah!" said the widow. "I told 'ee how 'twould be!"
|
|
|
|
"But it shan't be! I have not told my husband of his visit;
|
|
it is not necessary to trouble him about it, as I never mean
|
|
to see Jude any more. But I am going to make my conscience right
|
|
on my duty to Richard--by doing a penance--the ultimate thing.
|
|
I must!"
|
|
|
|
"I wouldn't--since he agrees to it being otherwise, and it has gone
|
|
on three months very well as it is."
|
|
|
|
"Yes--he agrees to my living as I choose; but I feel it is an indulgence I
|
|
ought not to exact from him. It ought not to have been accepted by me.
|
|
To reverse it will be terrible--but I must be more just to him.
|
|
O why was I so unheroic!"
|
|
|
|
"What is it you don't like in him?" asked Mrs. Edlin curiously.
|
|
|
|
"I cannot tell you. It is something ... I cannot say. The mournful
|
|
thing is, that nobody would admit it as a reason for feeling as I do;
|
|
so that no excuse is left me."
|
|
|
|
"Did you ever tell Jude what it was?"
|
|
|
|
"Never."
|
|
|
|
"I've heard strange tales o' husbands in my time," observed the widow
|
|
in a lowered voice. "They say that when the saints were upon the earth
|
|
devils used to take husbands' forms o' nights, and get poor women
|
|
into all sorts of trouble. But I don't know why that should come
|
|
into my head, for it is only a tale.... What a wind and rain it
|
|
is to-night! Well--don't be in a hurry to alter things, my dear.
|
|
Think it over."
|
|
|
|
"No, no! I've screwed my weak soul up to treating him more courteously--
|
|
and it must be now--at once--before I break down!"
|
|
|
|
"I don't think you ought to force your nature. No woman ought
|
|
to be expected to."
|
|
|
|
"It is my duty. I will drink my cup to the dregs!"
|
|
|
|
Half an hour later when Mrs. Edlin put on her bonnet and shawl to leave,
|
|
Sue seemed to be seized with vague terror.
|
|
|
|
"No--no--don't go, Mrs. Edlin," she implored, her eyes enlarged,
|
|
and with a quick nervous look over her shoulder.
|
|
|
|
"But it is bedtime, child."
|
|
|
|
"Yes, but--there's the little spare room--my room that was.
|
|
It is quite ready. Please stay, Mrs. Edlin!--I shall want you in
|
|
the morning."
|
|
|
|
"Oh well--I don't mind, if you wish. Nothing will happen to my four
|
|
old walls, whether I be there or no."
|
|
|
|
She then fastened up the doors, and they ascended the stairs together.
|
|
|
|
"Wait here, Mrs. Edlin," said Sue. "I'll go into my old room
|
|
a moment by myself."
|
|
|
|
Leaving the widow on the landing Sue turned to the chamber which had
|
|
been hers exclusively since her arrival at Marygreen, and pushing
|
|
to the door knelt down by the bed for a minute or two. She then arose,
|
|
and taking her night-gown from the pillow undressed and came out
|
|
to Mrs. Edlin. A man could be heard snoring in the room opposite.
|
|
She wished Mrs. Edlin good-night, and the widow entered the room
|
|
that Sue had just vacated.
|
|
|
|
Sue unlatched the other chamber door, and, as if seized with faintness,
|
|
sank down outside it. Getting up again she half opened the door,
|
|
and said "Richard." As the word came out of her mouth she
|
|
visibly shuddered.
|
|
|
|
The snoring had quite ceased for some time, but he did not reply.
|
|
Sue seemed relieved, and hurried back to Mrs. Edlin's chamber.
|
|
"Are you in bed, Mrs. Edlin?" she asked.
|
|
|
|
"No, dear," said the widow, opening the door. "I be old and slow,
|
|
and it takes me a long while to un-ray. I han't unlaced my jumps yet."
|
|
|
|
"I--don't hear him! And perhaps--perhaps-- --"
|
|
|
|
"What, child?"
|
|
|
|
"Perhaps he's dead!" she gasped. "And then--I should be FREE,
|
|
and I could go to Jude! ... Ah--no--I forgot HER--and God!"
|
|
|
|
"Let's go and hearken. No--he's snoring again. But the rain and
|
|
the wind is so loud that you can hardly hear anything but between whiles."
|
|
|
|
Sue had dragged herself back. "Mrs. Edlin, good-night again!
|
|
I am sorry I called you out." The widow retreated a second time.
|
|
|
|
The strained, resigned look returned to Sue's face when she was alone.
|
|
"I must do it--I must! I must drink to the dregs!" she whispered.
|
|
"Richard!" she said again.
|
|
|
|
"Hey--what? Is that you, Susanna?"
|
|
|
|
"Yes."
|
|
|
|
"What do you want? Anything the matter? Wait a moment."
|
|
He pulled on some articles of clothing, and came to the door. "Yes?"
|
|
|
|
"When we were at Shaston I jumped out of the window rather than that you
|
|
should come near me. I have never reversed that treatment till now--
|
|
when I have come to beg your pardon for it, and ask you to let
|
|
me in."
|
|
|
|
"Perhaps you only think you ought to do this? I don't wish you
|
|
to come against your impulses, as I have said."
|
|
|
|
"But I beg to be admitted." She waited a moment, and repeated,
|
|
"I beg to be admitted! I have been in error--even to-day. I have
|
|
exceeded my rights. I did not mean to tell you, but perhaps I ought.
|
|
I sinned against you this afternoon."
|
|
|
|
"How?"
|
|
|
|
"I met Jude! I didn't know he was coming. And----"
|
|
|
|
"Well?"
|
|
|
|
"I kissed him, and let him kiss me."
|
|
|
|
"Oh--the old story!"
|
|
|
|
"Richard, I didn't know we were going to kiss each other till
|
|
we did!"
|
|
|
|
"How many times?"
|
|
|
|
"A good many. I don't know. I am horrified to look back on it,
|
|
and the least I can do after it is to come to you like this."
|
|
|
|
"Come--this is pretty bad, after what I've done! Anything else
|
|
to confess?"
|
|
|
|
"No." She had been intending to say: "I called him my darling love."
|
|
But, as a contrite woman always keeps back a little, that portion
|
|
of the scene remained untold. She went on: "I am never going
|
|
to see him any more. He spoke of some things of the past:
|
|
and it overcame me. He spoke of--the children. But, as I have said,
|
|
I am glad--almost glad I mean--that they are dead, Richard. It blots
|
|
out all that life of mine!"
|
|
|
|
"Well--about not seeing him again any more. Come--you really mean this?"
|
|
There was something in Phillotson's tone now which seemed to show
|
|
that his three months of remarriage with Sue had somehow not been
|
|
so satisfactory as his magnanimity or amative patience had anticipated.
|
|
|
|
"Yes, yes!"
|
|
|
|
"Perhaps you'll swear it on the New Testament?"
|
|
|
|
"I will."
|
|
|
|
He went back to the room and brought out a little brown Testament.
|
|
"Now then: So help you God!"
|
|
|
|
She swore.
|
|
|
|
"Very good!"
|
|
|
|
"Now I supplicate you, Richard, to whom I belong, and whom I wish
|
|
to honour and obey, as I vowed, to let me in."
|
|
|
|
"Think it over well. You know what it means. Having you back
|
|
in the house was one thing--this another. So think again."
|
|
|
|
"I have thought--I wish this!"
|
|
|
|
"That's a complaisant spirit--and perhaps you are right.
|
|
With a lover hanging about, a half-marriage should be completed.
|
|
But I repeat my reminder this third and last time."
|
|
|
|
"It is my wish! ... O God!"
|
|
|
|
"What did you say 'O God' for?"
|
|
|
|
"I don't know!"
|
|
|
|
"Yes you do! But ..." He gloomily considered her thin and fragile
|
|
form a moment longer as she crouched before him in her night-clothes.
|
|
"Well, I thought it might end like this," he said presently.
|
|
"I owe you nothing, after these signs; but I'll take you in at your word,
|
|
and forgive you."
|
|
|
|
He put his arm round her to lift her up. Sue started back.
|
|
|
|
"What's the matter?" he asked, speaking for the first time sternly.
|
|
"You shrink from me again?--just as formerly!"
|
|
|
|
"No, Richard--I-- I--was not thinking----"
|
|
|
|
"You wish to come in here?"
|
|
|
|
"Yes."
|
|
|
|
"You still bear in mind what it means?"
|
|
|
|
"Yes. It is my duty!"
|
|
|
|
Placing the candlestick on the chest of drawers he led her through
|
|
the doorway, and lifting her bodily, kissed her. A quick look of
|
|
aversion passed over her face, but clenching her teeth she uttered no cry.
|
|
|
|
Mrs. Edlin had by this time undressed, and was about to get into
|
|
bed when she said to herself: "Ah--perhaps I'd better go and see
|
|
if the little thing is all right. How it do blow and rain!"
|
|
|
|
The widow went out on the landing, and saw that Sue had disappeared.
|
|
"Ah! Poor soul! Weddings be funerals 'a b'lieve nowadays.
|
|
Fifty-five years ago, come Fall, since my man and I married!
|
|
Times have changed since then!"
|
|
|
|
X
|
|
|
|
DESPITE himself Jude recovered somewhat, and worked at his trade
|
|
for several weeks. After Christmas, however, he broke down again.
|
|
|
|
With the money he had earned he shifted his lodgings to a yet
|
|
more central part of the town. But Arabella saw that he was not
|
|
likely to do much work for a long while, and was cross enough
|
|
at the turn affairs had taken since her remarriage to him.
|
|
"I'm hanged if you haven't been clever in this last stroke!"
|
|
she would say, "to get a nurse for nothing by marrying me!"
|
|
|
|
Jude was absolutely indifferent to what she said, and indeed,
|
|
often regarded her abuse in a humorous light. Sometimes his mood
|
|
was more earnest, and as he lay he often rambled on upon the defeat
|
|
of his early aims.
|
|
|
|
"Every man has some little power in some one direction,"
|
|
he would say. "I was never really stout enough for the stone trade,
|
|
particularly the fixing. Moving the blocks always used to strain me,
|
|
and standing the trying draughts in buildings before the windows are
|
|
in always gave me colds, and I think that began the mischief inside.
|
|
But I felt I could do one thing if I had the opportunity.
|
|
I could accumulate ideas, and impart them to others. I wonder
|
|
if the founders had such as I in their minds--a fellow good for
|
|
nothing else but that particular thing? ... I hear that soon there
|
|
is going to be a better chance for such helpless students as I was.
|
|
There are schemes afoot for making the university less exclusive,
|
|
and extending its influence. I don't know much about it. And it
|
|
is too late, too late for me! Ah--and for how many worthier ones
|
|
before me!"
|
|
|
|
"How you keep a-mumbling!" said Arabella. "I should have thought
|
|
you'd have got over all that craze about books by this time.
|
|
And so you would, if you'd had any sense to begin with.
|
|
You are as bad now as when we were first married."
|
|
|
|
On one occasion while soliloquizing thus he called her "Sue" unconsciously.
|
|
|
|
"I wish you'd mind who you are talking to!" said Arabella indignantly.
|
|
"Calling a respectable married woman by the name of that--"
|
|
She remembered herself and he did not catch the word.
|
|
|
|
But in the course of time, when she saw how things were going,
|
|
and how very little she had to fear from Sue's rivalry, she had a fit
|
|
of generosity. "I suppose you want to see your--Sue?" she said.
|
|
"Well, I don't mind her coming. You can have her here if you like."
|
|
|
|
"I don't wish to see her again."
|
|
|
|
"Oh--that's a change!"
|
|
|
|
"And don't tell her anything about me--that I'm ill, or anything.
|
|
She has chosen her course. Let her go!"
|
|
|
|
One day he received a surprise. Mrs. Edlin came to see him,
|
|
quite on her own account. Jude's wife, whose feelings as to where his
|
|
affections were centred had reached absolute indifference by this time,
|
|
went out, leaving the old woman alone with Jude. He impulsively asked
|
|
how Sue was, and then said bluntly, remembering what Sue had told him:
|
|
"I suppose they are still only husband and wife in name?"
|
|
|
|
Mrs. Edlin hesitated. "Well, no--it's different now. She's begun
|
|
it quite lately--all of her own free will."
|
|
|
|
"When did she begin?" he asked quickly.
|
|
|
|
"The night after you came. But as a punishment to her poor self.
|
|
He didn't wish it, but she insisted."
|
|
|
|
"Sue, my Sue--you darling fool--this is almost more than I can
|
|
endure! ... Mrs. Edlin--don't be frightened at my rambling--
|
|
I've got to talk to myself lying here so many hours alone--
|
|
she was once a woman whose intellect was to mine like a star to a
|
|
benzoline lamp: who saw all MY superstitions as cobwebs that she
|
|
could brush away with a word. Then bitter affliction came to us,
|
|
and her intellect broke, and she veered round to darkness.
|
|
Strange difference of sex, that time and circumstance, which enlarge
|
|
the views of most men, narrow the views of women almost invariably.
|
|
And now the ultimate horror has come--her giving herself like this
|
|
to what she loathes, in her enslavement to forms! She, so sensitive,
|
|
so shrinking, that the very wind seemed to blow on her with a touch
|
|
of deference.... As for Sue and me when we were at our own best,
|
|
long ago--when our minds were clear, and our love of truth fearless--
|
|
the time was not ripe for us! Our ideas were fifty years too soon to be
|
|
any good to us. And so the resistance they met with brought reaction
|
|
in her, and recklessness and ruin on me! ... There--this, Mrs. Edlin,
|
|
is how I go on to myself continually, as I lie here. I must be boring
|
|
you awfully."
|
|
|
|
"Not at all, my dear boy. I could hearken to 'ee all day."
|
|
|
|
As Jude reflected more and more on her news, and grew more restless,
|
|
he began in his mental agony to use terribly profane language
|
|
about social conventions, which started a fit of coughing.
|
|
Presently there came a knock at the door downstairs. As nobody
|
|
answered it Mrs. Edlin herself went down.
|
|
|
|
The visitor said blandly: "The doctor." The lanky form was
|
|
that of Physician Vilbert, who had been called in by Arabella.
|
|
|
|
"How is my patient at present?" asked the physician.
|
|
|
|
"Oh bad--very bad! Poor chap, he got excited, and do blaspeam terribly,
|
|
since I let out some gossip by accident--the more to my blame.
|
|
But there--you must excuse a man in suffering for what he says, and I
|
|
hope God will forgive him."
|
|
|
|
"Ah. I'll go up and see him. Mrs. Fawley at home?"
|
|
|
|
"She's not in at present, but she'll be here soon."
|
|
|
|
Vilbert went; but though Jude had hitherto taken the medicines
|
|
of that skilful practitioner with the greatest indifference whenever
|
|
poured down his throat by Arabella, he was now so brought to bay by
|
|
events that he vented his opinion of Vilbert in the physician's face,
|
|
and so forcibly, and with such striking epithets, that Vilbert soon
|
|
scurried downstairs again. At the door he met Arabella, Mrs. Edlin
|
|
having left. Arabella inquired how he thought her husband was now,
|
|
and seeing that the doctor looked ruffled, asked him to take something.
|
|
He assented.
|
|
|
|
"I'll bring it to you here in the passage," she said.
|
|
"There's nobody but me about the house to-day."
|
|
|
|
She brought him a bottle and a glass, and he drank.
|
|
|
|
Arabella began shaking with suppressed laughter. "What is this,
|
|
my dear?" he asked, smacking his lips.
|
|
|
|
"Oh--a drop of wine--and something in it." Laughing again she said:
|
|
"I poured your own love-philtre into it, that you sold me at
|
|
the agricultural show, don't you re-member?"
|
|
|
|
"I do, I do! Clever woman! But you must be prepared for the consequences."
|
|
Putting his arm round her shoulders he kissed her there and then.
|
|
|
|
"Don't don't," she whispered, laughing good-humouredly. "My man
|
|
will hear."
|
|
|
|
She let him out of the house, and as she went back she said
|
|
to herself: "Well! Weak women must provide for a rainy day.
|
|
And if my poor fellow upstairs do go off--as I suppose he will soon--
|
|
it's well to keep chances open. And I can't pick and choose now as I
|
|
could when I was younger. And one must take the old if one can't get
|
|
the young."
|
|
|
|
XI
|
|
|
|
THE last pages to which the chronicler of these lives would ask
|
|
the reader's attention are concerned with the scene in and out
|
|
of Jude's bedroom when leafy summer came round again.
|
|
|
|
His face was now so thin that his old friends would hardly have known him.
|
|
It was afternoon, and Arabella was at the looking-glass curling her hair,
|
|
which operation she performed by heating an umbrella-stay in the flame
|
|
of a candle she had lighted, and using it upon the flowing lock.
|
|
When she had finished this, practised a dimple, and put on her things,
|
|
she cast her eyes round upon Jude. He seemed to be sleeping,
|
|
though his position was an elevated one, his malady preventing him
|
|
lying down.
|
|
|
|
Arabella, hatted, gloved, and ready, sat down and waited,
|
|
as if expecting some one to come and take her place as nurse.
|
|
|
|
Certain sounds from without revealed that the town was in festivity,
|
|
though little of the festival, whatever it might have been, could be
|
|
seen here. Bells began to ring, and the notes came into the room
|
|
through the open window, and travelled round Jude's head in a hum.
|
|
They made her restless, and at last she said to herself: "Why ever
|
|
doesn't Father come!"
|
|
|
|
She looked again at Jude, critically gauged his ebbing life,
|
|
as she had done so many times during the late months, and glancing
|
|
at his watch, which was hung up by way of timepiece, rose impatiently.
|
|
Still he slept, and coming to a resolution she slipped from the room,
|
|
closed the door noiselessly, and descended the stairs. The house
|
|
was empty. The attraction which moved Arabella to go abroad had
|
|
evidently drawn away the other inmates long before.
|
|
|
|
It was a warm, cloudless, enticing day. She shut the front door,
|
|
and hastened round into Chief Street, and when near the theatre could
|
|
hear the notes of the organ, a rehearsal for a coming concert being
|
|
in progress. She entered under the archway of Oldgate College,
|
|
where men were putting up awnings round the quadrangle for a ball
|
|
in the hall that evening. People who had come up from the country
|
|
for the day were picnicking on the grass, and Arabella walked along
|
|
the gravel paths and under the aged limes. But finding this place
|
|
rather dull she returned to the streets, and watched the carriages
|
|
drawing up for the concert, numerous dons and their wives,
|
|
and undergraduates with gay female companions, crowding up likewise.
|
|
When the doors were closed, and the concert began, she moved on.
|
|
|
|
The powerful notes of that concert rolled forth through the swinging
|
|
yellow blinds of the open windows, over the housetops, and into the still
|
|
air of the lanes. They reached so far as to the room in which Jude lay;
|
|
and it was about this time that his cough began again and awakened him.
|
|
|
|
As soon as he could speak he murmured, his eyes still closed:
|
|
"A little water, please."
|
|
|
|
Nothing but the deserted room received his appeal, and he
|
|
coughed to exhaustion again--saying still more feebly:
|
|
"Water--some water--Sue--Arabella!"
|
|
|
|
The room remained still as before. Presently he gasped again:
|
|
"Throat--water--Sue--darling--drop of water--please--oh please!"
|
|
|
|
No water came, and the organ notes, faint as a bee's hum,
|
|
rolled in as before.
|
|
|
|
While he remained, his face changing, shouts and hurrahs came
|
|
from somewhere in the direction of the river.
|
|
|
|
"Ah--yes! The Remembrance games," he murmured. "And I here.
|
|
And Sue defiled!"
|
|
|
|
The hurrahs were repeated, drowning the faint organ notes.
|
|
Jude's face changed more: he whispered slowly, his parched lips
|
|
scarcely moving:
|
|
|
|
"LET THE DAY PERISH WHEREIN I WAS BORN, AND THE NIGHT IN WHICH IT
|
|
WAS SAID, THERE IS A MAN-CHILD CONCEIVED."
|
|
|
|
("Hurrah!")
|
|
|
|
"LET THAT DAY BE DARKNESS; LET NOT GOD REGARD IT FROM ABOVE,
|
|
NEITHER LET THE LIGHT SHINE UPON IT. LO, LET THAT NIGHT BE SOLITARY,
|
|
LET NO JOYFUL VOICE COME THEREIN."
|
|
|
|
("Hurrah!")
|
|
|
|
"WHY DIED I NOT FROM THE WOMB? WHY DID I NOT GIVE UP THE GHOST
|
|
WHEN I CAME OUT OF THE BELLY? ... FOR NOW SHOULD I HAVE LAIN STILL
|
|
AND BEEN QUIET. I SHOULD HAVE SLEPT: THEN HAD I BEEN AT REST!"
|
|
|
|
("Hurrah!")
|
|
|
|
"THERE THE PRISONERS REST TOGETHER; THEY HEAR NOT THE VOICE OF THE
|
|
OPPRESSOR.... THE SMALL AND THE GREAT ARE THERE; AND THE SERVANT
|
|
IS FREE FROM HIS MASTER. WHEREFORE IS LIGHT GIVEN TO HIM THAT IS
|
|
IN MISERY, AND LIFE UNTO THE BITTER IN SOUL?"
|
|
|
|
Meanwhile Arabella, in her journey to discover what was going on,
|
|
took a short cut down a narrow street and through an obscure nook
|
|
into the quad of Cardinal. It was full of bustle, and brilliant
|
|
in the sunlight with flowers and other preparations for a ball
|
|
here also. A carpenter nodded to her, one who had formerly been
|
|
a fellow-workman of Jude's. A corridor was in course of erection
|
|
from the entrance to the hall staircase, of gay red and buff bunting.
|
|
Waggon-loads of boxes containing bright plants in full bloom were being
|
|
placed about, and the great staircase was covered with red cloth.
|
|
She nodded to one workman and another, and ascended to the hall on
|
|
the strength of their acquaintance, where they were putting down a new
|
|
floor and decorating for the dance.
|
|
|
|
The cathedral bell close at hand was sounding for five o'clock service.
|
|
|
|
"I should not mind having a spin there with a fellow's arm round my waist,"
|
|
she said to one of the men. "But Lord, I must be getting home again--
|
|
there's a lot to do. No dancing for me!"
|
|
|
|
When she reached home she was met at the door by Stagg, and one
|
|
or two other of Jude's fellow stoneworkers. "We are just going
|
|
down to the river," said the former, "to see the boat-bumping.
|
|
But we've called round on our way to ask how your husband is."
|
|
|
|
"He's sleeping nicely, thank you," said Arabella.
|
|
|
|
"That's right. Well now, can't you give yourself half an hour's
|
|
relaxation, Mrs. Fawley, and come along with us? 'Twould do you good."
|
|
|
|
"I should like to go," said she. "I've never seen the boat-racing,
|
|
and I hear it is good fun."
|
|
|
|
"Come along!"
|
|
|
|
"How I WISH I could!" She looked longingly down the street.
|
|
"Wait a minute, then. I'll just run up and see how he is now.
|
|
Father is with him, I believe; so I can most likely come."
|
|
|
|
They waited, and she entered. Downstairs the inmates were absent
|
|
as before, having, in fact, gone in a body to the river where
|
|
the procession of boats was to pass. When she reached the bedroom
|
|
she found that her father had not even now come.
|
|
|
|
"Why couldn't he have been here!" she said impatiently.
|
|
"He wants to see the boats himself--that's what it is!"
|
|
|
|
However, on looking round to the bed she brightened, for she saw
|
|
that Jude was apparently sleeping, though he was not in the usual
|
|
half-elevated posture necessitated by his cough. He had slipped down,
|
|
and lay flat. A second glance caused her to start, and she went
|
|
to the bed. His face was quite white, and gradually becoming rigid.
|
|
She touched his fingers; they were cold, though his body was still warm.
|
|
She listened at his chest. All was still within. The bumping of near
|
|
thirty years had ceased.
|
|
|
|
After her first appalled sense of what had happened the faint notes
|
|
of a military or other brass band from the river reached her ears;
|
|
and in a provoked tone she exclaimed, "To think he should die just now!
|
|
Why did he die just now!" Then meditating another moment or two she
|
|
went to the door, softly closed it as before, and again descended
|
|
the stairs.
|
|
|
|
"Here she is!" said one of the workmen. "We wondered if you
|
|
were coming after all. Come along; we must be quick to get
|
|
a good place.... Well, how is he? Sleeping well still? Of course,
|
|
we don't want to drag 'ee away if--"
|
|
|
|
"Oh yes--sleeping quite sound. He won't wake yet," she said hurriedly.
|
|
|
|
They went with the crowd down Cardinal Street, where they presently
|
|
reached the bridge, and the gay barges burst upon their view.
|
|
Thence they passed by a narrow slit down to the riverside path--
|
|
now dusty, hot, and thronged. Almost as soon as they had arrived
|
|
the grand procession of boats began; the oars smacking with a
|
|
loud kiss on the face of the stream, as they were lowered from
|
|
the perpendicular.
|
|
|
|
"Oh, I say--how jolly! I'm glad I've come," said Arabella.
|
|
"And--it can't hurt my husband--my being away."
|
|
|
|
On the opposite side of the river, on the crowded barges,
|
|
were gorgeous nosegays of feminine beauty, fashionably arrayed
|
|
in green, pink, blue, and white. The blue flag of the boat club denoted
|
|
the centre of interest, beneath which a band in red uniform gave
|
|
out the notes she had already heard in the death-chamber. Collegians
|
|
of all sorts, in canoes with ladies, watching keenly for "our" boat,
|
|
darted up and down. While she regarded the lively scene somebody
|
|
touched Arabella in the ribs, and looking round she saw Vilbert.
|
|
|
|
"That philtre is operating, you know!" he said with a leer.
|
|
"Shame on 'ee to wreck a heart so!"
|
|
|
|
"I shan't talk of love to-day."
|
|
|
|
"Why not? It is a general holiday."
|
|
|
|
She did not reply. Vilbert's arm stole round her waist, which act
|
|
could be performed unobserved in the crowd. An arch expression
|
|
overspread Arabella's face at the feel of the arm, but she kept
|
|
her eyes on the river as if she did not know of the embrace.
|
|
|
|
The crowd surged, pushing Arabella and her friends sometimes nearly
|
|
into the river, and she would have laughed heartily at the horse-play
|
|
that succeeded, if the imprint on her mind's eye of a pale,
|
|
statuesque countenance she had lately gazed upon had not sobered
|
|
her a little.
|
|
|
|
The fun on the water reached the acme of excitement;
|
|
there were immersions, there were shouts: the race was lost and won,
|
|
the pink and blue and yellow ladies retired from the barges,
|
|
and the people who had watched began to move.
|
|
|
|
"Well--it's been awfully good," cried Arabella. "But I think I
|
|
must get back to my poor man. Father is there, so far as I know;
|
|
but I had better get back."
|
|
|
|
"What's your hurry?"
|
|
|
|
"Well, I must go.... Dear, dear, this is awkward!"
|
|
|
|
At the narrow gangway where the people ascended from the riverside
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path to the bridge the crowd was literally jammed into one hot mass--
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Arabella and Vilbert with the rest; and here they remained motionless,
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Arabella exclaiming, "Dear, dear!" more and more impatiently;
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for it had just occurred to her mind that if Jude were discovered to
|
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have died alone an inquest might be deemed necessary.
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|
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"What a fidget you are, my love," said the physician, who, being pressed
|
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close against her by the throng, had no need of personal effort
|
|
for contact. "Just as well have patience: there's no getting away yet!"
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|
|
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It was nearly ten minutes before the wedged multitude moved
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|
sufficiently to let them pass through. As soon as she got up into
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the street Arabella hastened on, forbidding the physician to accompany
|
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her further that day. She did not go straight to her house;
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|
but to the abode of a woman who performed the last necessary
|
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offices for the poorer dead; where she knocked.
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|
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"My husband has just gone, poor soul," she said. "Can you come
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|
and lay him out?"
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|
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Arabella waited a few minutes; and the two women went along,
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|
elbowing their way through the stream of fashionable people pouring
|
|
out of Cardinal meadow, and being nearly knocked down by the carriages.
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|
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|
"I must call at the sexton's about the bell, too," said Arabella.
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|
"It is just round here, isn't it? I'll meet you at my door."
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|
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|
By ten o'clock that night Jude was lying on the bedstead at
|
|
his lodging covered with a sheet, and straight as an arrow.
|
|
Through the partly opened window the joyous throb of a waltz entered
|
|
from the ball-room at Cardinal.
|
|
|
|
Two days later, when the sky was equally cloudless, and the air equally still,
|
|
two persons stood beside Jude's open coffin in the same little bedroom.
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|
On one side was Arabella, on the other the Widow Edlin. They were
|
|
both looking at Jude's face, the worn old eyelids of Mrs. Edlin being red.
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|
|
|
"How beautiful he is!" said she.
|
|
|
|
"Yes. He's a 'andsome corpse," said Arabella.
|
|
|
|
The window was still open to ventilate the room, and it being
|
|
about noontide the clear air was motionless and quiet without.
|
|
From a distance came voices; and an apparent noise of persons stamping.
|
|
|
|
"What's that?" murmured the old woman.
|
|
|
|
"Oh, that's the doctors in the theatre, conferring honorary degrees on
|
|
the Duke of Hamptonshire and a lot more illustrious gents of that sort.
|
|
It's Remembrance Week, you know. The cheers come from the young men."
|
|
|
|
"Aye; young and strong-lunged! Not like our poor boy here."
|
|
|
|
An occasional word, as from some one making a speech, floated from the open
|
|
windows of the theatre across to this quiet corner, at which there
|
|
seemed to be a smile of some sort upon the marble features of Jude;
|
|
while the old, superseded, Delphin editions of Virgil and Horace,
|
|
and the dog-eared Greek Testament on the neighbouring shelf,
|
|
and the few other volumes of the sort that he had not parted with,
|
|
roughened with stone-dust where he had been in the habit of catching
|
|
them up for a few minutes between his labours, seemed to pale
|
|
to a sickly cast at the sounds. The bells struck out joyously;
|
|
and their reverberations travelled round the bed-room.
|
|
|
|
Arabella's eyes removed from Jude to Mrs. Edlin. "D'ye think she
|
|
will come?" she asked.
|
|
|
|
"I could not say. She swore not to see him again."
|
|
|
|
"How is she looking?"
|
|
|
|
"Tired and miserable, poor heart. Years and years older than when
|
|
you saw her last. Quite a staid, worn woman now. 'Tis the man--
|
|
she can't stomach un, even now!"
|
|
|
|
"If Jude had been alive to see her, he would hardly have cared
|
|
for her any more, perhaps."
|
|
|
|
"That's what we don't know.... Didn't he ever ask you to send for her,
|
|
since he came to see her in that strange way?"
|
|
|
|
"No. Quite the contrary. I offered to send, and he said I was
|
|
not to let her know how ill he was."
|
|
|
|
"Did he forgive her?"
|
|
|
|
"Not as I know."
|
|
|
|
"Well--poor little thing, 'tis to be believed she's found
|
|
forgiveness somewhere! She said she had found peace!
|
|
|
|
"She may swear that on her knees to the holy cross upon
|
|
her necklace till she's hoarse, but it won't be true!"
|
|
said Arabella. "She's never found peace since she left
|
|
his arms, and never will again till she's as he is now!
|
|
|
|
[End.]
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|
.
|