9974 lines
425 KiB
Plaintext
9974 lines
425 KiB
Plaintext
**The Project Gutenberg Etext of The Insidious Dr. Fu Manchu**
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The Insidious Dr. Fu Manchu
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by Sax Rohmer
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October, 1994 [Etext #173]
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**The Project Gutenberg Etext of The Insidious Dr. Fu Manchu**
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CHAPTER I
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"A GENTLEMAN to see you, Doctor."
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From across the common a clock sounded the half-hour.
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"Ten-thirty!" I said. "A late visitor. Show him up, if you please."
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I pushed my writing aside and tilted the lamp-shade, as footsteps
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sounded on the landing. The next moment I had jumped to my feet,
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for a tall, lean man, with his square-cut, clean-shaven face
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sun-baked to the hue of coffee, entered and extended both hands,
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with a cry:
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"Good old Petrie! Didn't expect me, I'll swear!"
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It was Nayland Smith--whom I had thought to be in Burma!
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"Smith," I said, and gripped his hands hard, "this is a delightful surprise!
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Whatever--however--"
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"Excuse me, Petrie!" he broke in. "Don't put it down to the sun!"
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And he put out the lamp, plunging the room into darkness.
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I was too surprised to speak.
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"No doubt you will think me mad," he continued, and, dimly,
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I could see him at the window, peering out into the road,
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"but before you are many hours older you will know that I
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have good reason to be cautious. Ah, nothing suspicious!
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Perhaps I am first this time." And, stepping back to the
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writing-table he relighted the lamp.
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"Mysterious enough for you?" he laughed, and glanced at my unfinished MS.
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"A story, eh? From which I gather that the district is beastly healthy--
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what, Petrie? Well, I can put some material in your way that, if sheer
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uncanny mystery is a marketable commodity, ought to make you independent
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of influenza and broken legs and shattered nerves and all the rest."
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I surveyed him doubtfully, but there was nothing in his appearance
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to justify me in supposing him to suffer from delusions. His eyes
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were too bright, certainly, and a hardness now had crept over his face.
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I got out the whisky and siphon, saying:
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"You have taken your leave early?"
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"I am not on leave," he replied, and slowly filled his pipe.
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"I am on duty."
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"On duty!" I exclaimed. "What, are you moved to London or something?"
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"I have got a roving commission, Petrie, and it doesn't rest
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with me where I am to-day nor where I shall be to-morrow."
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There was something ominous in the words, and, putting down my glass,
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its contents untasted, I faced round and looked him squarely in the eyes.
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"Out with it!" I said. "What is it all about?"
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Smith suddenly stood up and stripped off his coat.
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Rolling back his left shirt-sleeve he revealed a wicked-looking
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wound in the fleshy part of the forearm. It was quite healed,
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but curiously striated for an inch or so around.
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"Ever seen one like it?" he asked.
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"Not exactly," I confessed. "It appears to have been deeply cauterized."
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"Right! Very deeply!" he rapped. "A barb steeped in the venom
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of a hamadryad went in there!"
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A shudder I could not repress ran coldly through me at mention
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of that most deadly of all the reptiles of the East.
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"There's only one treatment," he continued, rolling his sleeve down again,
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"and that's with a sharp knife, a match, and a broken cartridge.
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I lay on my back, raving, for three days afterwards, in a forest that stank
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with malaria, but I should have been lying there now if I had hesitated.
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Here's the point. It was not an accident!"
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"What do you mean?"
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"I mean that it was a deliberate attempt on my life, and I am hard upon
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the tracks of the man who extracted that venom--patiently, drop by drop--
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from the poison-glands of the snake, who prepared that arrow, and who caused
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it to be shot at me."
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"What fiend is this?"
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"A fiend who, unless my calculations are at fault is now in London,
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and who regularly wars with pleasant weapons of that kind. Petrie, I have
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traveled from Burma not in the interests of the British Government merely,
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but in the interests of the entire white race, and I honestly believe--
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though I pray I may be wrong--that its survival depends largely upon
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the success of my mission."
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To say that I was perplexed conveys no idea of the mental chaos
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created by these extraordinary statements, for into my humdrum
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suburban life Nayland Smith had brought fantasy of the wildest.
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I did not know what to think, what to believe.
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"I am wasting precious time!" he rapped decisively, and, draining his glass,
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he stood up. "I came straight to you, because you are the only man I dare
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to trust. Except the big chief at headquarters, you are the only person
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in England, I hope, who knows that Nayland Smith has quitted Burma.
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I must have someone with me, Petrie, all the time--it's imperative!
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Can you put me up here, and spare a few days to the strangest business,
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I promise you, that ever was recorded in fact or fiction?"
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I agreed readily enough, for, unfortunately, my professional
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duties were not onerous.
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"Good man!" he cried, wringing my hand in his impetuous way.
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"We start now."
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"What, to-night?
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"To-night! I had thought of turning in, I must admit. I have not dared
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to sleep for forty-eight hours, except in fifteen-minute stretches.
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But there is one move that must be made to-night and immediately.
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I must warn Sir Crichton Davey."
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"Sir Crichton Davey--of the India--"
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"Petrie, he is a doomed man! Unless he follows my instructions
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without question, without hesitation--before Heaven, nothing can
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save him! I do not know when the blow will fall, how it will fall,
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nor from whence, but I know that my, first duty is to warn him.
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Let us walk down to the corner of the common and get a taxi."
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How strangely does the adventurous intrude upon the humdrum;
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for, when it intrudes at all, more often than not its intrusion
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is sudden and unlooked for. To-day, we may seek for romance
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and fail to find it: unsought, it lies in wait for us at most
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prosaic corners of life's highway.
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The drive that night, though it divided the drably commonplace
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from the wildly bizarre--though it was the bridge between the
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ordinary and the outre--has left no impression upon my mind.
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Into the heart of a weird mystery the cab bore me; and in reviewing
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my memories of those days I wonder that the busy thoroughfares
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through which we passed did not display before my eyes signs
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and portents--warnings.
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It was not so. I recall nothing of the route and little of import
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that passed between us (we both were strangely silent, I think)
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until we were come to our journey's end. Then:
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"What's this?" muttered my friend hoarsely.
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Constables were moving on a little crowd of curious idlers who pressed
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about the steps of Sir Crichton Davey's house and sought to peer in at
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the open door. Without waiting for the cab to draw up to the curb,
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Nayland Smith recklessly leaped out and I followed close at his heels.
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"What has happened?" he demanded breathlessly of a constable.
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The latter glanced at him doubtfully, but something in his voice
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and bearing commanded respect.
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"Sir Crichton Davey has been killed, sir."
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Smith lurched back as though he had received a physical blow, and clutched
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my shoulder convulsively. Beneath the heavy tan his face had blanched,
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and his eyes were set in a stare of horror.
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"My God!" he whispered. "I am too late!"
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With clenched fists he turned and, pressing through the group
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of loungers, bounded up the steps. In the hall a man who unmistakably
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was a Scotland Yard official stood talking to a footman.
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Other members of the household were moving about, more or
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less aimlessly, and the chilly hand of King Fear had touched
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one and all, for, as they came and went, they glanced ever over
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their shoulders, as if each shadow cloaked a menace, and listened,
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as it seemed, for some sound which they dreaded to hear.
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Smith strode up to the detective and showed him a card,
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upon glancing at which the Scotland Yard man said something
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in a low voice, and, nodding, touched his hat to Smith
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in a respectful manner.
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A few brief questions and answers, and, in gloomy silence,
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we followed the detective up the heavily carpeted stair,
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along a corridor lined with pictures and busts, and into a
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large library. A group of people were in this room, and one,
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in whom I recognized Chalmers Cleeve, of Harley Street,
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was bending over a motionless form stretched upon a couch.
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Another door communicated with a small study, and through
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the opening I could see a man on all fours examining the carpet.
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The uncomfortable sense of hush, the group about the physician,
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the bizarre figure crawling, beetle-like, across the inner room,
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and the grim hub, around which all this ominous activity turned,
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made up a scene that etched itself indelibly on my mind.
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As we entered Dr. Cleeve straightened himself, frowning thoughtfully.
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"Frankly, I do not care to venture any opinion at present regarding
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the immediate cause of death," he said. "Sir Crichton was addicted
|
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to cocaine, but there are indications which are not in accordance
|
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with cocaine-poisoning. I fear that only a post-mortem can
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establish the facts--if," he added, "we ever arrive at them.
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A most mysterious case!"
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Smith stepping forward and engaging the famous pathologist in conversation,
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I seized the opportunity to examine Sir Crichton's body.
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The dead man was in evening dress, but wore an old
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smoking-jacket. He Lad been of spare but hardy build,
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with thin, aquiline features, which now were oddly puffy,
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as were his clenched hands. I pushed back his sleeve,
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and saw the marks of the hypodermic syringe upon his left arm.
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Quite mechanically I turned my attention to the right arm.
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It was unscarred, but on the back of the hand was a faint
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red mark, not unlike the imprint of painted lips.
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I examined it closely, and even tried to rub it off, but it
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|
evidently was caused by some morbid process of local inflammation,
|
|
if it were not a birthmark.
|
|
|
|
Turning to a pale young man whom I had understood to be Sir
|
|
Crichton's private secretary, I drew his attention to this mark,
|
|
and inquired if it were constitutional. "It is not, sir,"
|
|
answered Dr. Cleeve, overhearing my question. "I have already
|
|
made that inquiry. Does it suggest anything to your mind?
|
|
I must confess that it affords me no assistance."
|
|
|
|
"Nothing," I replied. "It is most curious."
|
|
|
|
"Excuse me, Mr. Burboyne," said Smith, now turning to the secretary,
|
|
"but Inspector Weymouth will tell you that I act with authority.
|
|
I understand that Sir Crichton was--seized with, illness in his study?"
|
|
|
|
"Yes--at half-past ten. I was working here in the library, and he inside,
|
|
as was our custom."
|
|
|
|
"The communicating door was kept closed?"
|
|
|
|
"Yes, always. It was open for a minute or less about
|
|
ten-twenty-five, when a message came for Sir Crichton.
|
|
I took it in to him, and he then seemed in his usual health."
|
|
|
|
"What was the message?"
|
|
|
|
"I could not say. it was brought by a district messenger, and he placed
|
|
it beside him on the table. It is there now, no doubt."
|
|
|
|
"And at half-past ten?"
|
|
|
|
"Sir Crichton suddenly burst open the door and threw himself,
|
|
with a scream, into the library. I ran to him but he waved
|
|
me back. His eyes were glaring horribly. I had just
|
|
reached his side when he fell, writhing, upon the floor.
|
|
He seemed past speech, but as I raised him and laid him upon
|
|
the couch, he gasped something that sounded like `The red hand!'
|
|
Before I could get to bell or telephone he was dead!"
|
|
|
|
Mr. Burboyne's voice shook as he spoke the words, and Smith seemed
|
|
to find this evidence confusing.
|
|
|
|
"You do not think he referred to the mark on his own hand?"
|
|
|
|
"I think not. From the direction of his last glance, I feel
|
|
sure he referred to something in the study."
|
|
|
|
"What did you do? Having summoned the servants, I ran into the study.
|
|
But there was absolutely nothing unusual to be seen. The windows were closed
|
|
and fastened. He worked with closed windows in the hottest weather.
|
|
There is no other door, for the study occupies the end of a narrow wing,
|
|
so that no one could possibly have gained access to it, whilst I was
|
|
in the library, unseen by me. Had someone concealed himself in the study
|
|
earlier in the evening--and I am convinced that it offers no hiding-place--
|
|
he could only have come out again by passing through here."
|
|
|
|
Nayland Smith tugged at the lobe of his left ear, as was his
|
|
habit when meditating.
|
|
|
|
"You had been at work here in this way for some time?"
|
|
|
|
"Yes. Sir Crichton was preparing an important book."
|
|
|
|
"Had anything unusual occurred prior to this evening?"
|
|
|
|
"Yes," said Mr. Burboyne, with evident perplexity; "though I attached
|
|
no importance to it at the time. Three nights ago Sir Crichton
|
|
came out to me, and appeared very nervous; but at times his nerves--
|
|
you know? Well, on this occasion he asked me to search the study.
|
|
He had an idea that something was concealed there."
|
|
|
|
"Some THING or someone?"
|
|
|
|
"`Something' was the word he used. I searched, but fruitlessly,
|
|
and he seemed quite satisfied, and returned to his work."
|
|
|
|
"Thank you, Mr. Burboyne. My friend and I would like a few minutes'
|
|
private investigation in the study."
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
SIR CRICHTON DAVEY'S study was a small one, and a glance sufficed to
|
|
show that, as the secretary had said, it offered no hiding-place. It was
|
|
heavily carpeted, and over-full of Burmese and Chinese ornaments and curios,
|
|
and upon the mantelpiece stood several framed photographs which showed
|
|
this to be the sanctum of a wealthy bachelor who was no misogynist.
|
|
A map of the Indian Empire occupied the larger part of one wall.
|
|
The grate was empty, for the weather was extremely warm, and a
|
|
green-shaded lamp on the littered writing-table afforded the only light.
|
|
The air was stale, for both windows were closed and fastened.
|
|
|
|
Smith immediately pounced upon a large, square envelope that lay beside
|
|
the blotting-pad. Sir Crichton had not even troubled to open it,
|
|
but my friend did so. It contained a blank sheet of paper!
|
|
|
|
"Smell!" he directed, handing the letter to me. I raised it to my nostrils.
|
|
It was scented with some pungent perfume.
|
|
|
|
"What is it?" I asked.
|
|
|
|
"It is a rather rare essential oil," was the reply,
|
|
"which I have met with before, though never in Europe.
|
|
I begin to understand, Petrie."
|
|
|
|
He tilted the lamp-shade and made a close examination of the scraps
|
|
of paper, matches, and other debris that lay in the grate and on the hearth.
|
|
I took up a copper vase from the mantelpiece, and was examining it curiously,
|
|
when he turned, a strange expression upon his face.
|
|
|
|
"Put that back, old man," he said quietly.
|
|
|
|
Much surprised, I did as he directed.
|
|
|
|
"Don't touch anything in the room. It may he dangerous."
|
|
|
|
Something in the tone of his voice chilled me, and I hastily
|
|
replaced the vase, and stood by the door of the study,
|
|
watching him search, methodically, every inch of the room--
|
|
behind the books, in all the ornaments, in table drawers,
|
|
in cupboards, on shelves.
|
|
|
|
"That will do," he said at last. "There is nothing here and I
|
|
have no time to search farther."
|
|
|
|
We returned to the library.
|
|
|
|
"Inspector Weymouth," said my friend, "I have a particular
|
|
reason for asking that Sir Crichton's body be removed from
|
|
this room at once and the library locked. Let no one be
|
|
admitted on any pretense whatever until you hear from me."
|
|
It spoke volumes for the mysterious credentials borne by my
|
|
friend that the man from Scotland Yard accepted his orders
|
|
without demur, and, after a brief chat with Mr. Burboyne,
|
|
Smith passed briskly downstairs. In the hall a man who looked
|
|
like a groom out of livery was waiting.
|
|
|
|
"Are you Wills?" asked Smith.
|
|
|
|
"Yes, sir."
|
|
|
|
"It was you who heard a cry of some kind at the rear of the house
|
|
about the time of Sir Crichton's death?"
|
|
|
|
"Yes, sir. I was locking the garage door, and, happening to look up
|
|
at the window of Sir Crichton's study, I saw him jump out of his chair.
|
|
Where he used to sit at his writing, sir, you could see his shadow
|
|
on the blind. Next minute I heard a call out in the lane."
|
|
|
|
"What kind of call?"
|
|
|
|
The man, whom the uncanny happening clearly had frightened,
|
|
seemed puzzled for a suitable description.
|
|
|
|
"A sort of wail, sir," he said at last. "I never heard anything
|
|
like it before, and don't want to again."
|
|
|
|
"Like this?" inquired Smith, and he uttered a low, wailing cry,
|
|
impossible to describe. Wills perceptibly shuddered; and, indeed,
|
|
it was an eerie sound.
|
|
|
|
"The same, sir, I think," he said, "but much louder."
|
|
|
|
"That will do," said Smith, and I thought I detected a note of triumph
|
|
in his voice. "But stay! Take us through to the back of the house."
|
|
|
|
The man bowed and led the way, so that shortly we found ourselves
|
|
in a small, paved courtyard. It was a perfect summer's night,
|
|
and the deep blue vault above was jeweled with myriads of starry points.
|
|
How impossible it seemed to reconcile that vast, eternal calm
|
|
with the hideous passions and fiendish agencies which that night
|
|
had loosed a soul upon the infinite.
|
|
|
|
"Up yonder are the study windows, sir. Over that wall on your left
|
|
is the back lane from which the cry came, and beyond is Regent's Park."
|
|
|
|
"Are the study windows visible from there?"
|
|
|
|
"Oh, yes, sir."
|
|
|
|
"Who occupies the adjoining house?"
|
|
|
|
"Major-General Platt-Houston, sir; but the family is out of town."
|
|
|
|
"Those iron stairs are a means of communication between the domestic
|
|
offices and the servants' quarters, I take it?"
|
|
|
|
"Yes, sir." "Then send someone to make my business known to
|
|
the Major-General's housekeeper; I want to examine those stairs."
|
|
|
|
Singular though my friend's proceedings appeared to me, I had ceased
|
|
to wonder at anything. Since Nayland Smith's arrival at my rooms I
|
|
seemed to have been moving through the fitful phases of a nightmare.
|
|
My friend's account of how he came by the wound in his arm;
|
|
the scene on our arrival at the house of Sir Crichton Davey;
|
|
the secretary's story of the dying man's cry, "The red hand!";
|
|
the hidden perils of the study; the wall in the lane--
|
|
all were fitter incidents of delirium than of sane reality.
|
|
So, when a white-faced butler made us known to a nervous old lady
|
|
who proved to be the housekeeper of the next-door residence,
|
|
I was not surprised at Smith's saying:
|
|
|
|
"Lounge up and down outside, Petrie. Everyone has cleared off now.
|
|
It is getting late. Keep your eyes open and be on your guard.
|
|
I thought I had the start, but he is here before me, and, what is worse,
|
|
he probably knows by now that I am here, too."
|
|
|
|
With which he entered the house and left me out in the square,
|
|
with leisure to think, to try to understand.
|
|
|
|
The crowd which usually haunts the scene of a sensational crime
|
|
had been cleared away, and it had been circulated that Sir Crichton
|
|
had died from natural causes. The intense heat having driven most
|
|
of the residents out of town, practically I had the square to myself,
|
|
and I gave myself up to a brief consideration of the mystery in which I
|
|
so suddenly had found myself involved.
|
|
|
|
By what agency had Sir Crichton met his death?
|
|
Did Nayland Smith know? I rather suspected that he did.
|
|
What was the hidden significance of the perfumed envelope?
|
|
Who was that mysterious personage whom Smith so evidently dreaded,
|
|
who had attempted his life, who, presumably, had murdered
|
|
Sir Crichton? Sir Crichton Davey, during the time that he had held
|
|
office in India, and during his long term of service at home,
|
|
had earned the good will of all, British and native alike.
|
|
Who was his secret enemy?
|
|
|
|
Something touched me lightly on the shoulder.
|
|
|
|
I turned, with my heart fluttering like a child's. This night's
|
|
work had imposed a severe strain even upon my callous nerves.
|
|
|
|
A girl wrapped in a hooded opera-cloak stood at my elbow,
|
|
and, as she glanced up at me, I thought that I never had seen
|
|
a face so seductively lovely nor of so unusual a type.
|
|
With the skin of a perfect blonde, she had eyes and lashes
|
|
as black as a Creole's, which, together with her full red lips,
|
|
told me that this beautiful stranger, whose touch had so startled me,
|
|
was not a child of our northern shores.
|
|
|
|
"Forgive me," she said, speaking with an odd, pretty accent,
|
|
and laying a slim hand, with jeweled fingers, confidingly upon
|
|
my arm, "if I startled you. But--is it true that Sir Crichton
|
|
Davey has been--murdered?"
|
|
|
|
I looked into her big, questioning eyes, a harsh suspicion laboring
|
|
in my mind, but could read nothing in their mysterious depths--
|
|
only I wondered anew at my questioner's beauty. The grotesque
|
|
idea momentarily possessed me that, were the bloom of her red
|
|
lips due to art and not to nature, their kiss would leave--
|
|
though not indelibly--just such a mark as I had seen upon the dead
|
|
man's hand. But I dismissed the fantastic notion as bred
|
|
of the night's horrors, and worthy only of a mediaeval legend.
|
|
No doubt she was some friend or acquaintance of Sir Crichton
|
|
who lived close by.
|
|
|
|
"I cannot say that he has been murdered," I replied, acting upon the latter
|
|
supposition, and seeking to tell her what she asked as gently as possible.
|
|
"But he is--Dead?"
|
|
|
|
I nodded.
|
|
|
|
She closed her eyes and uttered a low, moaning sound, swaying dizzily.
|
|
Thinking she was about to swoon, I threw my arm round her shoulder
|
|
to support her, but she smiled sadly, and pushed me gently away.
|
|
|
|
"I am quite well, thank you," she said.
|
|
|
|
"You are certain? Let me walk with you until you feel quite
|
|
sure of yourself."
|
|
|
|
She shook her head, flashed a rapid glance at me with her beautiful eyes,
|
|
and looked away in a sort of sorrowful embarrassment, for which I was entirely
|
|
at a loss to account. Suddenly she resumed:
|
|
|
|
"I cannot let my name be mentioned in this dreadful matter, but--I think
|
|
I have some information--for the police. Will you give this to--
|
|
whomever you think proper?"
|
|
|
|
She handed me a sealed envelope, again met my eyes
|
|
with one of her dazzling glances, and hurried away.
|
|
She had gone no more than ten or twelve yards, and I still was
|
|
standing bewildered, watching her graceful, retreating figure,
|
|
when she turned abruptly and came back.
|
|
|
|
Without looking directly at me, but alternately glancing towards a distant
|
|
corner of the square and towards the house of Major-General Platt-Houston,
|
|
she made the following extraordinary request:
|
|
|
|
"If you would do me a very great service, for which I always would
|
|
be grateful,"--she glanced at me with passionate intentness--"when you
|
|
have given my message to the proper person, leave him and do not go
|
|
near him any more to-night!"
|
|
|
|
Before I could find words to reply she gathered up her cloak and ran.
|
|
Before I could determine whether or not to follow her (for her words
|
|
had aroused anew all my worst suspicions) she had disappeared!
|
|
I heard the whir of a restarted motor at no great distance, and,
|
|
in the instant that Nayland Smith came running down the steps,
|
|
I knew that I had nodded at my post.
|
|
|
|
"Smith!" I cried as he joined me, "tell me what we must do!"
|
|
And rapidly I acquainted him with the incident.
|
|
|
|
My friend looked very grave; then a grim smile crept round his lips.
|
|
|
|
"She was a big card to play," he said; "but he did not know that I
|
|
held one to beat it."
|
|
|
|
"What! You know this girl! Who is she?"
|
|
|
|
"She is one of the finest weapons in the enemy's armory, Petrie.
|
|
But a woman is a two-edged sword, and treacherous.
|
|
To our great good fortune, she has formed a sudden predilection,
|
|
characteristically Oriental, for yourself. Oh, you may scoff, but it
|
|
is evident. She was employed to get this letter placed in my hands.
|
|
Give it to me."
|
|
|
|
I did so.
|
|
|
|
"She has succeeded. Smell."
|
|
|
|
He held the envelope under my nose, and, with a sudden sense of nausea,
|
|
I recognized the strange perfume.
|
|
|
|
"You know what this presaged in Sir Crichton's case?
|
|
Can you doubt any longer? She did not want you to share
|
|
my fate, Petrie."
|
|
|
|
"Smith," I said unsteadily, "I have followed your lead blindly
|
|
in this horrible business and have not pressed for an explanation,
|
|
but I must insist before I go one step farther upon knowing
|
|
what it all means."
|
|
|
|
"Just a few steps farther," he rejoined; "as far as a cab.
|
|
We are hardly safe here. Oh, you need not fear shots or knives.
|
|
The man whose servants are watching us now scorns to employ
|
|
such clumsy, tell-tale weapons."
|
|
|
|
Only three cabs were on the rank, and, as we entered the first,
|
|
something hissed past my ear. missed both Smith and me
|
|
by a miracle, and, passing over the roof of the taxi,
|
|
presumably fell in the enclosed garden occupying the center
|
|
of the square.
|
|
|
|
"What was that?" I cried.
|
|
|
|
"Get in--quickly!" Smith rapped back. "It was attempt number one!
|
|
More than that I cannot say. Don't let the man hear.
|
|
He has noticed nothing. Pull up the window on your side,
|
|
Petrie, and look out behind. Good! We've started."
|
|
|
|
The cab moved off with a metallic jerk, and I turned and looked
|
|
back through the little window in the rear.
|
|
|
|
"Someone has got into another cab. It is following ours, I think."
|
|
|
|
Nayland Smith lay back and laughed unmirthfully.
|
|
|
|
"Petrie," he said, "if I escape alive from this business I shall
|
|
know that I bear a charmed life."
|
|
|
|
I made no reply, as he pulled out the dilapidated pouch and filled his pipe.
|
|
|
|
"You have asked me to explain matters," he continued, "and I
|
|
will do so to the best of my ability. You no doubt wonder why
|
|
a servant of the British Government, lately stationed in Burma,
|
|
suddenly appears in London, in the character of a detective.
|
|
I am here, Petrie--and I bear credentials from the very
|
|
highest sources--because, quite by accident, I came upon a clew.
|
|
Following it up, in the ordinary course of routine, I obtained
|
|
evidence of the existence and malignant activity of a certain man.
|
|
At the present stage of the case I should not be justified
|
|
in terming him the emissary of an Eastern Power, but I may say
|
|
that representations are shortly to be made to that Power's
|
|
ambassador in London."
|
|
|
|
He paused and glanced back towards the pursuing cab.
|
|
|
|
"There is little to fear until we arrive home," he said calmly.
|
|
"Afterwards there is much. To continue: This man, whether a fanatic
|
|
or a duly appointed agent, is, unquestionably, the most malign
|
|
and formidable personality existing in the known world today.
|
|
He is a linguist who speaks with almost equal facility in any
|
|
of the civilized languages, and in most of the barbaric.
|
|
He is an adept in all the arts and sciences which a great
|
|
university could teach him. He also is an adept in certain obscure
|
|
arts and sciences which no university of to-day can teach.
|
|
He has the brains of any three men of genius. Petrie, he is
|
|
a mental giant."
|
|
|
|
"You amaze me!" I said.
|
|
|
|
"As to his mission among men. Why did M. Jules Furneaux fall
|
|
dead in a Paris opera house? Because of heart failure?
|
|
No! Because his last speech had shown that he held the key
|
|
to the secret of Tongking. What became of the Grand
|
|
Duke Stanislaus? Elopement? Suicide? Nothing of the kind.
|
|
He alone was fully alive to Russia's growing peril.
|
|
He alone knew the truth about Mongolia. Why was Sir Crichton
|
|
Davey murdered? Because, had the work he was engaged upon ever
|
|
seen the light it would have shown him to be the only living
|
|
Englishman who understood the importance of the Tibetan frontiers.
|
|
I say to you solemnly, Petrie, that these are but a few.
|
|
Is there a man who would arouse the West to a sense of
|
|
the awakening of the East, who would teach the deaf to hear,
|
|
the blind to see, that the millions only await their leader?
|
|
He will die. And this is only one phase of the devilish campaign.
|
|
The others I can merely surmise."
|
|
|
|
"But, Smith, this is almost incredible! What perverted genius
|
|
controls this awful secret movement?"
|
|
|
|
"Imagine a person, tall, lean and feline, high-shouldered, with a
|
|
brow like Shakespeare and a face like Satan, a close-shaven skull,
|
|
and long, magnetic eyes of the true cat-green. Invest him with all
|
|
the cruel cunning of an entire Eastern race, accumulated in one
|
|
giant intellect, with all the resources of science past and present,
|
|
with all the resources, if you will, of a wealthy government--
|
|
which, however, already has denied all knowledge of his existence.
|
|
Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu,
|
|
the yellow peril incarnate in one man."
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
I SANK into an arm-chair in my rooms and gulped down a strong
|
|
peg of brandy.
|
|
|
|
"We have been followed here," I said. "Why did you make no attempt
|
|
to throw the pursuers off the track, to have them intercepted?"
|
|
|
|
Smith laughed.
|
|
|
|
"Useless, in the first place. Wherever we went, HE
|
|
would find us. And of what use to arrest his creatures?
|
|
We could prove nothing against them. Further, it is evident
|
|
that an attempt is to be made upon my life to-night--
|
|
and by the same means that proved so successful in the case
|
|
of poor Sir Crichton."
|
|
|
|
His square jaw grew truculently prominent, and he leapt stormily to his feet,
|
|
shaking his clenched fists towards the window.
|
|
|
|
"The villain!" he cried. "The fiendishly clever villain!
|
|
I suspected that Sir Crichton was next, and I was right.
|
|
But I came too late, Petrie! That hits me hard, old man.
|
|
To think that I knew and yet failed to save him!"
|
|
|
|
He resumed his seat, smoking hard.
|
|
|
|
"Fu-Manchu has made the blunder common to all men of unusual genius,"
|
|
he said. "He has underrated his adversary. He has not given
|
|
me credit for perceiving the meaning of the scented messages.
|
|
He has thrown away one powerful weapon--to get such a message
|
|
into my hands--and he thinks that once safe within doors,
|
|
I shall sleep, unsuspecting, and die as Sir Crichton died.
|
|
But without the indiscretion of your charming friend, I should
|
|
have known what to expect when I receive her `information'--
|
|
which by the way, consists of a blank sheet of paper."
|
|
|
|
"Smith," I broke in, "who is she?"
|
|
|
|
"She is either Fu-Manchu's daughter, his wife, or his slave.
|
|
I am inclined to believe the last, for she has no will but
|
|
his will, except"--with a quizzical glance--"in a certain instance."
|
|
|
|
"How can you jest with some awful thing--Heaven knows what--
|
|
hanging over your head? What is the meaning of these perfumed envelopes?
|
|
How did Sir Crichton die?"
|
|
|
|
"He died of the Zayat Kiss. Ask me what that is and I reply
|
|
'I do not know.' The zayats are the Burmese caravanserais,
|
|
or rest-houses. Along a certain route--upon which I set eyes,
|
|
for the first and only time, upon Dr. Fu-Manchu--travelers who use
|
|
them sometimes die as Sir Crichton died, with nothing to show
|
|
the cause of death but a little mark upon the neck, face, or limb,
|
|
which has earned, in those parts, the title of the `Zayat Kiss.'
|
|
The rest-houses along that route are shunned now.
|
|
I have my theory and I hope to prove it to-night, if I live.
|
|
It will be one more broken weapon in his fiendish armory,
|
|
and it is thus, and thus only, that I can hope to crush him.
|
|
This was my principal reason for not enlightening Dr. Cleeve.
|
|
Even walls have ears where Fu-Manchu is concerned, so I feigned
|
|
ignorance of the meaning of the mark, knowing that he would be
|
|
almost certain to employ the same methods upon some other victim.
|
|
I wanted an opportunity to study the Zayat Kiss in operation,
|
|
and I shall have one."
|
|
|
|
"But the scented envelopes?"
|
|
|
|
"In the swampy forests of the district I have referred to a rare
|
|
species of orchid, almost green, and with a peculiar scent,
|
|
is sometimes met with. I recognized the heavy perfume at once.
|
|
I take it that the thing which kills the traveler is attracted
|
|
by this orchid. You will notice that the perfume clings to whatever
|
|
it touches. I doubt if it can be washed off in the ordinary way.
|
|
After at least one unsuccessful attempt to kill Sir Crichton--
|
|
you recall that he thought there was something concealed in his study
|
|
on a previous occasion?--Fu-Manchu hit upon the perfumed envelopes.
|
|
He may have a supply of these green orchids in his possession--
|
|
possibly to feed the creature."
|
|
|
|
"What creature? How could any kind of creature have got into Sir
|
|
Crichton's room tonight?"
|
|
|
|
"You no doubt observed that I examined the grate of the study.
|
|
I found a fair quantity of fallen soot. I at once assumed, since it
|
|
appeared to be the only means of entrance, that something has been
|
|
dropped down; and I took it for granted that the thing, whatever it was,
|
|
must still be concealed either in the study or in the library.
|
|
But when I had obtained the evidence of the groom, Wills, I perceived
|
|
that the cry from the lane or from the park was a signal.
|
|
I noted that the movements of anyone seated at the study table
|
|
were visible, in shadow, on the blind, and that the study occupied
|
|
the corner of a two-storied wing and, therefore, had a short chimney.
|
|
What did the signal mean? That Sir Crichton had leaped up from
|
|
his chair, and either had received the Zayat Kiss or had seen the thing
|
|
which someone on the roof had lowered down the straight chimney.
|
|
It was the signal to withdraw that deadly thing. By means of
|
|
the iron stairway at the rear of Major-General Platt-Houston's, I
|
|
quite easily, gained access to the roof above Sir Crichton's study--
|
|
and I found this."
|
|
|
|
Out from his pocket Nayland Smith drew a tangled piece of silk,
|
|
mixed up with which were a brass ring and a number of unusually
|
|
large-sized split-shot, nipped on in the manner usual on a fishing-line.
|
|
|
|
"My theory proven," he resumed. "Not anticipating a search on the roof,
|
|
they had been careless. This was to weight the line and to prevent
|
|
the creature clinging to the walls of the chimney. Directly it had dropped
|
|
in the grate, however, by means of this ring I assume that the weighted
|
|
line was withdrawn, and the thing was only held by one slender thread,
|
|
which sufficed, though, to draw it back again when it had done its work.
|
|
lt might have got tangled, of course, but they reckoned on its making
|
|
straight up the carved leg of the writing-table for the prepared envelope.
|
|
From there to the hand of Sir Crichton--which, from having touched
|
|
the envelope, would also be scented with the perfume--was a certain move."
|
|
|
|
"My God! How horrible!" I exclaimed, and glanced apprehensively into
|
|
the dusky shadows of the room. "What is your theory respecting this creature--
|
|
what shape, what color--?"
|
|
|
|
"It is something that moves rapidly and silently. I will
|
|
venture no more at present, but I think it works in the dark.
|
|
The study was dark, remember, save for the bright patch beneath
|
|
the reading-lamp. I have observed that the rear of this
|
|
house is ivy-covered right up to and above your bedroom.
|
|
Let us make ostentatious preparations to retire, and I think
|
|
we may rely upon Fu-Manchu's servants to attempt my removal,
|
|
at any rate--if not yours."
|
|
|
|
"But, my dear fellow, it is a climb of thirty-five feet at the very least."
|
|
|
|
"You remember the cry in the back lane? It suggested something to me,
|
|
and I tested my idea--successfully. It was the cry of a dacoit.
|
|
Oh, dacoity, though quiescent, is by no means extinct. Fu-Manchu has
|
|
dacoits in his train, and probably it is one who operates the Zayat Kiss,
|
|
since it was a dacoit who watched the window of the study this evening.
|
|
To such a man an ivy-covered wall is a grand staircase."
|
|
|
|
The horrible events that followed are punctuated, in my mind,
|
|
by the striking of a distant clock. It is singular how
|
|
trivialities thus assert themselves in moments of high tension.
|
|
I will proceed, then, by these punctuations, to the coming
|
|
of the horror that it was written we should encounter.
|
|
|
|
The clock across the common struck two.
|
|
|
|
Having removed all traces of the scent of the orchid from our hands with
|
|
a solution of ammonia Smith and I had followed the programme laid down.
|
|
It was an easy matter to reach the rear of the house, by simply climbing
|
|
a fence, and we did not doubt that seeing the light go out in the front,
|
|
our unseen watcher would proceed to the back.
|
|
|
|
The room was a large one, and we had made up my camp-bed at one end,
|
|
stuffing odds and ends under the clothes to lend the appearance of a sleeper,
|
|
which device we also had adopted in the case of the larger bed.
|
|
The perfumed envelope lay upon a little coffee table in the center
|
|
of the floor, and Smith, with an electric pocket lamp, a revolver,
|
|
and a brassey beside him, sat on cushions in the shadow of the wardrobe.
|
|
I occupied a post between the windows.
|
|
|
|
No unusual sound, so far, had disturbed the stillness of the night.
|
|
Save for the muffled throb of the rare all-night cars passing
|
|
the front of the house, our vigil had been a silent one.
|
|
The full moon bad painted about the floor weird shadows of
|
|
the clustering ivy, spreading the design gradually from the door,
|
|
across the room, past the little table where the envelope lay,
|
|
and finally to the foot of the bed.
|
|
|
|
The distant clock struck a quarter-past two.
|
|
|
|
A slight breeze stirred the ivy, and a new shadow added itself
|
|
to the extreme edge of the moon's design.
|
|
|
|
Something rose, inch by inch, above the sill of the westerly window.
|
|
I could see only its shadow, but a sharp, sibilant breath from Smith
|
|
told me that he, from his post, could see the cause of the shadow.
|
|
|
|
Every nerve in my body seemed to be strung tensely.
|
|
I was icy cold, expectant, and prepared for whatever horror
|
|
was upon us.
|
|
|
|
The shadow became stationary. The dacoit was studying the interior
|
|
of the room.
|
|
|
|
Then it suddenly lengthened, and, craning my head to the left,
|
|
I saw a lithe, black-clad form, surmounted by a Yellow face,
|
|
sketchy in the moonlight, pressed against the window-panes!
|
|
|
|
One thin, brown hand appeared over the edge of the lowered sash,
|
|
which it grasped--and then another. The man made absolutely
|
|
no sound whatever. The second hand disappeared--and reappeared.
|
|
It held a small, square box. There was a very faint CLICK.
|
|
|
|
The dacoit swung himself below the window with the agility
|
|
of an ape, as, with a dull, muffled thud, SOMETHING dropped
|
|
upon the carpet!
|
|
|
|
"Stand still, for your life!" came Smith's voice, high-pitched.
|
|
|
|
A beam of white leaped out across the room and played full upon
|
|
the coffee-table in the center.
|
|
|
|
Prepared as I was for something horrible, I know that I paled at sight
|
|
of the thing that was running round the edge of the envelope.
|
|
|
|
It was an insect, full six inches long, and of a vivid, venomous, red color!
|
|
It had something of the appearance of a great ant, with its long, quivering
|
|
antennae and its febrile, horrible vitality; but it was proportionately
|
|
longer of body and smaller of head, and had numberless rapidly moving legs.
|
|
In short, it was a giant centipede, apparently of the scolopendra group,
|
|
but of a form quite new to me.
|
|
|
|
These things I realized in one breathless instant; in the next--
|
|
Smith had dashed the thing's poisonous life out with one straight,
|
|
true blow of the golf club!
|
|
|
|
I leaped to the window and threw it widely open, feeling a silk
|
|
thread brush my hand as I did so. A black shape was dropping,
|
|
with incredible agility from branch to branch of the ivy,
|
|
and, without once offering a mark for a revolver-shot, it
|
|
merged into the shadows beneath the trees of the garden.
|
|
As I turned and switched on the light Nayland Smith dropped
|
|
limply into a chair, leaning his head upon his hands.
|
|
Even that grim courage had been tried sorely.
|
|
|
|
"Never mind the dacoit, Petrie," he said. "Nemesis will know where
|
|
to find him. We know now what causes the mark of the Zayat Kiss.
|
|
Therefore science is richer for our first brush with the enemy,
|
|
and the enemy is poorer--unless he has any more unclassified centipedes.
|
|
I understand now something that has been puzzling me since I heard of it--
|
|
Sir Crichton's stifled cry. When we remember that he was almost past speech,
|
|
it is reasonable to suppose that his cry was not `The red hand!'
|
|
but `The red ANT! Petrie, to think that I failed, by less than an hour,
|
|
to save him from such an end!"
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
"THE body of a lascar, dressed in the manner usual on the P. & O. boats,
|
|
was recovered from the Thames off Tilbury by the river police at six
|
|
A.M. this morning. It is supposed that the man met with an accident
|
|
in leaving his ship."
|
|
|
|
Nayland Smith passed me the evening paper and pointed to the above paragraph.
|
|
|
|
"For `lascar' read `dacoit,'" he said. "Our visitor, who came by way
|
|
of the ivy, fortunately for us, failed to follow his instructions.
|
|
Also, he lost the centipede and left a clew behind him.
|
|
Dr. Fu-Manchu does not overlook such lapses."
|
|
|
|
It was a sidelight upon the character of the awful being with whom we
|
|
had to deal. My very soul recoiled from bare consideration of the fate
|
|
that would be ours if ever we fell into his hands.
|
|
|
|
The telephone bell rang. I went out and found that Inspector
|
|
Weymouth of New Scotland Yard had called us up.
|
|
|
|
"Will Mr. Nayland Smith please come to the Wapping River Police
|
|
Station at once," was the message.
|
|
|
|
Peaceful interludes were few enough throughout that wild pursuit.
|
|
|
|
"It is certainly something important," said my friend; "and, if
|
|
Fu-Manchu is at the bottom of it--as we must presume him to be--
|
|
probably something ghastly."
|
|
|
|
A brief survey of the time-tables showed us that there were no trains
|
|
to serve our haste. We accordingly chartered a cab and proceeded east.
|
|
|
|
Smith, throughout the journey, talked entertainingly about his work in Burma.
|
|
Of intent, I think, he avoided any reference to the circumstances which first
|
|
had brought him in contact with the sinister genius of the Yellow Movement.
|
|
His talk was rather of the sunshine of the East than of its shadows.
|
|
|
|
But the drive concluded--and all too soon. In a silence which neither
|
|
of us seemed disposed to break, we entered the police depot, and followed
|
|
an officer who received us into the room where Weymouth waited.
|
|
|
|
The inspector greeted us briefly, nodding toward the table.
|
|
|
|
"Poor Cadby, the most promising lad at the Yard," he said;
|
|
and his usually gruff voice had softened strangely.
|
|
|
|
Smith struck his right fist into the palm of his left hand and swore
|
|
under his breath, striding up and down the neat little room.
|
|
No one spoke for a moment, and in the silence I could hear the whispering
|
|
of the Thames outside--of the Thames which had so many strange secrets
|
|
to tell, and now was burdened with another.
|
|
|
|
The body lay prone upon the deal table--this latest of the river's dead--
|
|
dressed in rough sailor garb, and, to all outward seeming, a seaman of
|
|
nondescript nationality--such as is no stranger in Wapping and Shadwell.
|
|
His dark, curly hair clung clammily about the brown forehead;
|
|
his skin was stained, they told me. He wore a gold ring in one ear,
|
|
and three fingers of the left hand were missing.
|
|
|
|
"It was almost the same with Mason." The river police inspector
|
|
was speaking. "A week ago, on a Wednesday, he went off in his own
|
|
time on some funny business down St. George's way--and Thursday
|
|
night the ten-o'clock boat got the grapnel on him off Hanover Hole.
|
|
His first two fingers on the right hand were clean gone, and his left
|
|
hand was mutilated frightfully."
|
|
|
|
He paused and glanced at Smith.
|
|
|
|
"That lascar, too," he continued, "that you came down to see, sir;
|
|
you remember his hands?"
|
|
|
|
Smith nodded.
|
|
|
|
"He was not a lascar," he said shortly. "He was a dacoit."
|
|
|
|
Silence fell again.
|
|
|
|
I turned to the array of objects lying on the table--those which
|
|
had been found in Cadby's clothing. None of them were noteworthy,
|
|
except that which had been found thrust into the loose neck of his shirt.
|
|
This last it was which had led the police to send for Nayland Smith,
|
|
for it constituted the first clew which had come to light pointing
|
|
to the authors of these mysterious tragedies.
|
|
|
|
It was a Chinese pigtail. That alone was sufficiently remarkable;
|
|
but it was rendered more so by the fact that the plaited queue
|
|
was a false one being attached to a most ingenious bald wig.
|
|
|
|
"You're sure it wasn't part of a Chinese make-up?" questioned Weymouth,
|
|
his eye on the strange relic. "Cadby was clever at disguise."
|
|
|
|
Smith snatched the wig from my hands with a certain irritation,
|
|
and tried to fit it on the dead detective.
|
|
|
|
"Too small by inches!" he jerked. "And look how it's padded in the crown.
|
|
This thing was made for a most abnormal head."
|
|
|
|
He threw it down, and fell to pacing the room again.
|
|
|
|
"Where did you find him--exactly?" he asked.
|
|
|
|
"Limehouse Reach--under Commercial Dock Pier--exactly an hour ago."
|
|
|
|
"And you last saw him at eight o'clock last night?"--to Weymouth.
|
|
|
|
"Eight to a quarter past."
|
|
|
|
"You think he has been dead nearly twenty-four hours, Petrie?"
|
|
|
|
"Roughly, twenty-four hours," I replied.
|
|
|
|
"Then, we know that he was on the track of the Fu-Manchu group,
|
|
that he followed up some clew which led him to the neighborhood
|
|
of old Ratcliff Highway, and that he died the same night.
|
|
You are sure that is where he was going?"
|
|
|
|
"Yes," said Weymouth; "He was jealous of giving anything away,
|
|
poor chap; it meant a big lift for him if he pulled the case off.
|
|
But he gave me to understand that he expected to spend last night
|
|
in that district. He left the Yard about eight, as I've said,
|
|
to go to his rooms, and dress for the job."
|
|
|
|
"Did he keep any record of his cases?"
|
|
|
|
"Of course! He was most particular. Cadby was a man
|
|
with ambitions, sir! You'll want to see his book.
|
|
Wait while I get his address; it's somewhere in Brixton."
|
|
|
|
He went to the telephone, and Inspector Ryman covered up the dead man's face.
|
|
|
|
Nayland Smith was palpably excited.
|
|
|
|
"He almost succeeded where we have failed, Petrie," he said.
|
|
"There is no doubt in my mind that he was hot on the track
|
|
of Fu-Manchu! Poor Mason had probably blundered on the scent,
|
|
too, and he met with a similar fate. Without other evidence,
|
|
the fact that they both died in the same way as the dacoit would
|
|
be conclusive, for we know that Fu-Manchu killed the dacoit!"
|
|
|
|
"What is the meaning of the mutilated hands, Smith?"
|
|
|
|
"God knows! Cadby's death was from drowning, you say?"
|
|
|
|
"There are no other marks of violence."
|
|
|
|
"But he was a very strong swimmer, Doctor," interrupted Inspector Ryman.
|
|
"Why, he pulled off the quarter-mile championship at the Crystal Palace
|
|
last year! Cadby wasn't a man easy to drown. And as for Mason,
|
|
he was an R.N.R., and like a fish in the water!"
|
|
|
|
Smith shrugged his shoulders helplessly.
|
|
|
|
"Let us hope that one day we shall know how they died,"
|
|
he said simply.
|
|
|
|
Weymouth returned from the telephone.
|
|
|
|
"The address is No.--Cold Harbor Lane," he reported.
|
|
"I shall not be able to come along, but you can't
|
|
miss it; it's close by the Brixton Police Station.
|
|
There's no family, fortunately; he was quite alone in the world.
|
|
His case-book isn't in the American desk, which you'll find in
|
|
his sitting-room; it's in the cupboard in the corner--top shelf.
|
|
Here are his keys, all intact. I think this is the cupboard key."
|
|
|
|
Smith nodded.
|
|
|
|
"Come on, Petrie," he said. "We haven't a second to waste."
|
|
|
|
Our cab was waiting, and in a few seconds we were speeding along Wapping
|
|
High Street. We had gone no more than a few hundred yards, I think,
|
|
when Smith suddenly slapped his open hand down on his knee.
|
|
|
|
"That pigtail!" he cried. "I have left it behind!
|
|
We must have it, Petrie! Stop! Stop!"
|
|
|
|
The cab was pulled up, and Smith alighted.
|
|
|
|
"Don't wait for me," he directed hurriedly. "Here, take Weymouth's card.
|
|
Remember where he said the book was? It's all we want. Come straight
|
|
on to Scotland Yard and meet me there."
|
|
|
|
"But Smith," I protested, "a few minutes can make no difference!"
|
|
|
|
"Can't it!" he snapped. "Do you suppose Fu-Manchu is going to leave
|
|
evidence like that lying about? It's a thousand to one he has it already,
|
|
but there is just a bare chance."
|
|
|
|
It was a new aspect of the situation and one that afforded
|
|
no room for comment; and so lost in thought did I become
|
|
that the cab was outside the house for which I was bound ere
|
|
I realized that we had quitted the purlieus of Wapping.
|
|
Yet I had had leisure to review the whole troop of events which had
|
|
crowded my life since the return of Nayland Smith from Burma.
|
|
Mentally, I had looked again upon the dead Sir Crichton Davey,
|
|
and with Smith had waited in the dark for the dreadful thing
|
|
that had killed him. Now, with those remorseless memories
|
|
jostling in my mind, I was entering the house of Fu-Manchu's
|
|
last victim, and the shadow of that giant evil seemed to be
|
|
upon it like a palpable cloud.
|
|
|
|
Cadby's old landlady greeted me with a queer mixture of fear
|
|
and embarrassment in her manner.
|
|
|
|
"I am Dr. Petrie," I said, "and I regret that I bring bad news
|
|
respecting Mr. Cadby."
|
|
|
|
"Oh, sir!" she cried. "Don't tell me that anything has happened to him!"
|
|
And divining something of the mission on which I was come,
|
|
for such sad duty often falls to the lot of the medical man:
|
|
"Oh, the poor, brave lad!"
|
|
|
|
Indeed, I respected the dead man's memory more than ever from that hour,
|
|
since the sorrow of the worthy old soul was quite pathetic, and spoke
|
|
eloquently for the unhappy cause of it.
|
|
|
|
"There was a terrible wailing at the back of the house last night,
|
|
Doctor, and I heard it again to-night, a second before you knocked.
|
|
Poor lad! It was the same when his mother died."
|
|
|
|
At the moment I paid little attention to her words, for such
|
|
beliefs are common, unfortunately; but when she was sufficiently
|
|
composed I went on to explain what I thought necessary.
|
|
And now the old lady's embarrassment took precedence of her sorrow,
|
|
and presently the truth came out:
|
|
|
|
"There's a--young lady--in his rooms, sir."
|
|
|
|
I started. This might mean little or might mean much.
|
|
|
|
"She came and waited for him last night, Doctor--from ten until half-past--
|
|
and this morning again. She came the third time about an hour ago,
|
|
and has been upstairs since."
|
|
|
|
"Do you know her, Mrs. Dolan?"
|
|
|
|
Mrs. Dolan grew embarrassed again.
|
|
|
|
"Well, Doctor," she said, wiping her eyes the while, "I DO.
|
|
And God knows he was a good lad, and I like a mother to him;
|
|
but she is not the girl I should have liked a son of mine
|
|
to take up with."
|
|
|
|
At any other time, this would have been amusing; now, it might be serious.
|
|
Mrs. Dolan's account of the wailing became suddenly significant, for perhaps
|
|
it meant that one of Fu-Manchu's dacoit followers was watching the house,
|
|
to give warning of any stranger's approach! Warning to whom? It was unlikely
|
|
that I should forget the dark eyes of another of Fu-Manchu's servants.
|
|
Was that lure of men even now in the house, completing her evil work?
|
|
|
|
"I should never have allowed her in his rooms--" began Mrs. Dolan again.
|
|
Then there was an interruption.
|
|
|
|
A soft rustling retched my ears--intimately feminine.
|
|
The girl was stealing down!
|
|
|
|
I leaped out into the hall, and she turned and fled blindly before me--
|
|
back up the stairs! Taking three steps at a time, I followed her,
|
|
bounded into the room above almost at her heels, and stood with my back
|
|
to the door.
|
|
|
|
She cowered against the desk by the window, a slim figure in a
|
|
clinging silk gown, which alone explained Mrs. Dolan's distrust.
|
|
The gaslight was turned very low, and her hat shadowed her face,
|
|
but could not hide its startling, beauty, could not mar the brilliancy
|
|
of the skin, nor dim the wonderful eyes of this modern Delilah.
|
|
For it was she!
|
|
|
|
"So I came in time" I said grimly, and turned the key in the lock.
|
|
|
|
"Oh!" she panted at that, and stood facing me, leaning back
|
|
with her jewel-laden hands clutching the desk edge.
|
|
|
|
"Give me whatever you have removed from here," I said sternly,
|
|
"and then prepare to accompany me."
|
|
|
|
She took a step forward, her eyes wide with fear, her lips parted.
|
|
|
|
"I have taken nothing," she said. her breast was heaving tumultuously.
|
|
"Oh, let me go! Please, let me go!" And impulsively she threw
|
|
herself forward, pressing clasped hands against my shoulder and looking
|
|
up into my face with passionate, pleading eyes.
|
|
|
|
It is with some shame that I confess how her charm enveloped me like a
|
|
magic cloud. Unfamiliar with the complex Oriental temperament, I had
|
|
laughed at Nayland Smith when he had spoken of this girl's infatuation.
|
|
"Love in the East," he had said, "is like the conjurer's mango-tree;
|
|
it is born, grows and flowers at the touch of a hand."
|
|
Now, in those pleading eyes I read confirmation of his words.
|
|
Her clothes or her hair exhaled a faint perfume. Like all
|
|
Fu-Manchu's servants, she was perfectly chosen for her peculiar duties.
|
|
Her beauty was wholly intoxicating.
|
|
|
|
But I thrust her away.
|
|
|
|
"You have no claim to mercy," I said. "Do not count upon any.
|
|
What have you taken from here?"
|
|
|
|
She grasped the lapels of my coat.
|
|
|
|
"I will tell you all I can--all I dare," she panted eagerly, fearfully.
|
|
"I should know how to deal with your friend, but with you I am lost!
|
|
If you could only understand you would not be so cruel." Her slight accent
|
|
added charm to the musical voice. "I am not free, as your English women are.
|
|
What I do I must do, for it is the will of my master, and I am only
|
|
a slave. Ah, you are not a man if you can give me to the police.
|
|
You have no heart if you can forget that I tried to save you once."
|
|
|
|
I had feared that plea, for, in her own Oriental fashion, she certainly
|
|
had tried to save me from a deadly peril once--at the expense of my friend.
|
|
But I had feared the plea, for I did not know how to meet it.
|
|
How could I give her up, perhaps to stand her trial for murder?
|
|
And now I fell silent, and she saw why I was silent.
|
|
|
|
"I may deserve no mercy; I may be even as bad as you think;
|
|
but what have YOU to do with the police?
|
|
It is not your work to hound a woman to death. Could you
|
|
ever look another woman in the eyes--one that you loved,
|
|
and know that she trusted you--if you had done such a thing?
|
|
Ah, I have no friend in all the world, or I should not be here.
|
|
Do not be my enemy, my judge, and make me worse than I am;
|
|
be my friend, and save me--from HIM." The tremulous
|
|
lips were close to mine, her breath fanned my cheek.
|
|
"Have mercy on me."
|
|
|
|
At that moment I honestly would have given half of my worldly
|
|
possessions to have been spared the decision which I knew I must
|
|
come to. After all, what proof had I that she was a willing
|
|
accomplice of Dr. Fu-Manchu? Furthermore, she was an Oriental,
|
|
and her code must necessarily be different from mine.
|
|
Irreconcilable as the thing may be with Western ideas, Nayland Smith
|
|
had really told me that he believed the girl to be a slave.
|
|
Then there remained that other reason why I loathed the idea
|
|
of becoming her captor. It was almost tantamount to betrayal!
|
|
Must I soil my hands with such work?
|
|
|
|
Thus--I suppose--her seductive beauty argued against my sense of right.
|
|
The jeweled fingers grasped my shoulders nervously, and her slim body
|
|
quivered against mine as she watched me, with all her soul in her eyes,
|
|
in an abandonment of pleading despair. Then I remembered the fate
|
|
of the man in whose room we stood.
|
|
|
|
"You lured Cadby to his death," I said, and shook her off.
|
|
|
|
"No, no!" she cried wildly, clutching at me. "No, I swear by the holy name
|
|
I did not! I did not! I watched him, spied upon him--yes! But, listen:
|
|
it was because he would not be warned that he met his death.
|
|
I could not save him! Ah, I am not so bad as that. I will tell you.
|
|
I have taken his notebook and torn out the, last pages and burnt them.
|
|
Look! in the grate. The book was too big to steal away.
|
|
I came twice and could not find it. There, will you let me go?"
|
|
|
|
"If you will tell me where and how to seize Dr. Fu-Manchu--yes."
|
|
|
|
Her hands dropped and she took a backward step.
|
|
A new terror was to be read in her face.
|
|
|
|
"I dare not! I dare not!"
|
|
|
|
"Then you would--if you dared?"
|
|
|
|
She was watching me intently.
|
|
|
|
"Not if YOU would go to find him," she said.
|
|
|
|
And, with all that I thought her to be, the stern servant
|
|
of justice that I would have had myself, I felt the hot
|
|
blood leap to my cheek at all which the words implied.
|
|
She grasped my arm.
|
|
|
|
Could you hide me from him if I came to you, and told you all I know?
|
|
|
|
"The authorities--"
|
|
|
|
"Ah!" Her expression changed. "They can put me on the rack if they choose,
|
|
but never one word would I speak--never one little word."
|
|
|
|
She threw up her head scornfully. Then the proud glance softened again.
|
|
|
|
"But I will speak for you."
|
|
|
|
Closer she came, and closer, until she could whisper in my ear.
|
|
|
|
"Hide me from your police, from HIM, from everybody,
|
|
and I will no longer be his slave."
|
|
|
|
My heart was beating with painful rapidity. I had not counted on this
|
|
warring with a woman; moreover, it was harder than I could have dreamt of.
|
|
For some time I had been aware that by the charm of her personality
|
|
and the art of her pleading she bad brought me down from my judgment seat--
|
|
had made it all but impossible for me to give her up to justice.
|
|
Now, I was disarmed--but in a quandary. What should I do?
|
|
What COULD I do? I turned away from her and walked to the hearth,
|
|
in which some paper ash lay and yet emitted a faint smell.
|
|
|
|
Not more than ten seconds elapsed, I am confident, from the time
|
|
that I stepped across the room until I glanced back.
|
|
But she had gone!
|
|
|
|
As I leapt to the door the key turned gently from the outside.
|
|
|
|
"Ma 'alesh!" came her soft whisper; "but I am afraid to
|
|
trust you--yet. Be comforted, for there is one near who would
|
|
have killed you had I wished it. Remember, I will come to you
|
|
whenever you will take me and hide me."
|
|
|
|
Light footsteps pattered down the stairs. I heard a stifled
|
|
cry from Mrs. Dolan as the mysterious visitor ran past her.
|
|
The front door opened and closed.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
"Shen-Yan's is a dope-shop in one of the burrows off the old Ratcliff Highway,"
|
|
said Inspector Weymouth.
|
|
|
|
"`Singapore Charlie's,' they call it. It's a center for some of
|
|
the Chinese societies, I believe, but all sorts of opium-smokers
|
|
use it. There have never been any complaints that I know of.
|
|
I don't understand this."
|
|
|
|
We stood in his room at New Scotland Yard, bending over a sheet
|
|
of foolscap upon which were arranged some burned fragments
|
|
from poor Cadby's grate, for so hurriedly had the girl done
|
|
her work that combustion had not been complete.
|
|
|
|
"What do we make of this?" said Smith. "`. . .Hunchback. . .lascar
|
|
went up. . .unlike others. . .not return. . .till Shen-Yan'
|
|
(there is no doubt about the name, I think) `turned me out. . .
|
|
booming sound. . .lascar in. . .mortuary I could ident. . .
|
|
not for days, or suspici. . .Tuesday night in a different make
|
|
. . .snatch. . .pigtail. . .'"
|
|
|
|
"The pigtail again!" rapped Weymouth.
|
|
|
|
"She evidently burned the torn-out pages all together,"
|
|
continued Smith. "They lay flat, and this was in the middle.
|
|
I see the band of retributive justice in that, Inspector. Now we
|
|
have a reference to a hunchback, and what follows amounts to this:
|
|
A lascar (amongst several other persons) went up somewhere--
|
|
presumably upstairs--at Shen-Yan's, and did not come down again.
|
|
Cadby, who was there disguised, noted a booming sound.
|
|
Later, he identified the lascar in some mortuary.
|
|
We have no means of fixing the date of this visit to Shen-Yan's,
|
|
but I feel inclined to put down the `lascar' as the dacoit
|
|
who was murdered by Fu-Manchu! It is sheer supposition, however.
|
|
But that Cadby meant to pay another visit to the place in a
|
|
different `make-up' or disguise, is evident, and that the Tuesday
|
|
night proposed was last night is a reasonable deduction.
|
|
The reference to a pigtail is principally interesting because
|
|
of what was found on Cadby's body."
|
|
|
|
Inspector Weymouth nodded affirmatively, and Smith glanced at his watch.
|
|
|
|
"Exactly ten-twenty-three," he said. "I will trouble you, Inspector,
|
|
for the freedom of your fancy wardrobe. There is time to spend an hour
|
|
in the company of Shen-Yan's opium friends."
|
|
|
|
Weymouth raised his eyebrows.
|
|
|
|
"It might be risky. What about an official visit?"
|
|
|
|
Nayland Smith laughed.
|
|
|
|
"Worse than useless! By your own showing, the place is open to inspection.
|
|
No; guile against guile! We are dealing with a Chinaman, with the incarnate
|
|
essence of Eastern subtlety, with the most stupendous genius that the modern
|
|
Orient has produced."
|
|
|
|
"I don't believe in disguises," said Weymouth, with a certain truculence.
|
|
"It's mostly played out, that game, and generally leads to failure.
|
|
Still, if you're determined, sir, there's an end of it. Foster will make
|
|
your face up. What disguise do you propose to adopt?"
|
|
|
|
"A sort of Dago seaman, I think; something like poor Cadby.
|
|
I can rely on my knowledge of the brutes, if I am sure
|
|
of my disguise."
|
|
|
|
"You are forgetting me, Smith," I said.
|
|
|
|
He turned to me quickly.
|
|
|
|
"Petrie," he replied, "it is MY business, unfortunately, but it
|
|
is no sort of hobby."
|
|
|
|
"You mean that you can no longer rely upon me?"
|
|
I said angrily.
|
|
|
|
Smith grasped my hand, and met my rather frigid stare with a look
|
|
of real concern on his gaunt, bronzed face.
|
|
|
|
"My dear old chap," he answered, "that was really unkind.
|
|
You know that I meant something totally different."
|
|
|
|
"It's all right, Smith;" I said, immediately ashamed of my choler, and wrung
|
|
his hand heartily. "I can pretend to smoke opium as well as another.
|
|
I shall be going, too, Inspector."
|
|
|
|
As a result of this little passage of words, some twenty minutes
|
|
later two dangerous-looking seafaring ruffians entered a waiting cab,
|
|
accompanied by Inspector Weymouth, and were driven off into
|
|
the wilderness of London's night. In this theatrical business
|
|
there was, to my mind, something ridiculous--almost childish--
|
|
and I could have laughed heartily had it not been that grim
|
|
tragedy lurked so near to farce.
|
|
|
|
The mere recollection that somewhere at our journey's end Fu-Manchu
|
|
awaited us was sufficient to sober my reflections--Fu-Manchu, who,
|
|
with all the powers represented by Nayland Smith pitted against him,
|
|
pursued his dark schemes triumphantly, and lurked in hiding within
|
|
this very area which was so sedulously patrolled--Fu-Manchu, whom
|
|
I had never seen, but whose name stood for horrors indefinable!
|
|
Perhaps I was destined to meet the terrible Chinese doctor to-night.
|
|
|
|
I ceased to pursue a train of thought which promised to lead to morbid depths,
|
|
and directed my attention to what Smith was saying.
|
|
|
|
"We will drop down from Wapping and reconnoiter, as you say the place
|
|
is close to the riverside. Then you can put us ashore somewhere below.
|
|
Ryman can keep the launch close to the back of the premises, and your fellows
|
|
will be hanging about near the front, near enough to hear the whistle."
|
|
|
|
"Yes," assented Weymouth; "I've arranged for that.
|
|
If you are suspected, you shall give the alarm?"
|
|
|
|
"I don't know," said Smith thoughtfully. "Even in that event
|
|
I might wait awhile."
|
|
|
|
"Don't wait too long," advised the Inspector. "We shouldn't be
|
|
much wiser if your next appearance was on the end of a grapnel,
|
|
somewhere down Greenwich Reach, with half your fingers missing."
|
|
|
|
The cab pulled up outside the river police depot, and Smith and I
|
|
entered without delay, four shabby-looking fellows who had been
|
|
seated in the office springing up to salute the Inspector,
|
|
who followed us in.
|
|
|
|
"Guthrie and Lisle," he said briskly, "get along and find a dark corner
|
|
which commands the door of Singapore Charlie's off the old Highway.
|
|
You look the dirtiest of the troupe, Guthrie; you might drop asleep
|
|
on the pavement, and Lisle can argue with you about getting home.
|
|
Don't move till you hear the whistle inside or have my orders,
|
|
and note everybody that goes in and comes out. You other two belong
|
|
to this division?"
|
|
|
|
The C.I.D. men having departed, the remaining pair saluted again.
|
|
|
|
"Well, you're on special duty to-night. You've been prompt,
|
|
but don't stick your chests out so much. Do you know of a back
|
|
way to Shen-Yan's?"
|
|
|
|
The men looked at one another, and both shook their heads.
|
|
|
|
"There's an empty shop nearly opposite, sir," replied one of them.
|
|
"I know a broken window at the back where we could climb in.
|
|
Then we could get through to the front and watch from there."
|
|
|
|
"Good!" cried the Inspector. "See you are not spotted, though; and if you
|
|
hear the whistle, don't mind doing a bit of damage, but be inside Shen-Yan's
|
|
like lightning. Otherwise, wait for orders."
|
|
|
|
Inspector Ryman came in, glancing at the clock.
|
|
|
|
"Launch is waiting," he said.
|
|
|
|
"Right," replied Smith thoughtfully. "I am half afraid, though, that the
|
|
recent alarms may have scared our quarry--your man, Mason, and then Cadby.
|
|
Against which we have that, so far as he is likely to know, there has
|
|
been no clew pointing to this opium den. Remember, he thinks Cadby's
|
|
notes are destroyed."
|
|
|
|
"The whole business is an utter mystery to me," confessed Ryman.
|
|
"I'm told that there's some dangerous Chinese devil hiding
|
|
somewhere in London, and that you expect to find him at
|
|
Shen-Yan's. Supposing he uses that place, which is possible,
|
|
how do you know he's there to-night?"
|
|
|
|
"I don't," said Smith; "but it is the first clew we have had
|
|
pointing to one of his haunts, and time means precious lives
|
|
where Dr. Fu-Manchu is concerned."
|
|
|
|
"Who is he, sir, exactly, this Dr. Fu-Manchu?"
|
|
|
|
"I have only the vaguest idea, Inspector; but he is no ordinary criminal.
|
|
He is the greatest genius which the powers of evil have put on earth
|
|
for centuries. He has the backing of a political group whose wealth is
|
|
enormous, and his mission in Europe is to PAVE THE WAY! Do you follow me?
|
|
He is the advance-agent of a movement so epoch-making that not one Britisher,
|
|
and not one American, in fifty thousand has ever dreamed of it."
|
|
|
|
Ryman stared, but made no reply, and we went out,
|
|
passing down to the breakwater and boarding the waiting launch.
|
|
With her crew of three, the party numbered seven that swung
|
|
out into the Pool, and, clearing the pier, drew in again
|
|
and hugged the murky shore.
|
|
|
|
The night had been clear enough hitherto, but now came scudding rainbanks
|
|
to curtain the crescent moon, and anon to unveil her again and show
|
|
the muddy swirls about us. The view was not extensive from the launch.
|
|
Sometimes a deepening of the near shadows would tell of a moored barge,
|
|
or lights high above our heads mark the deck of a large vessel.
|
|
In the floods of moonlight gaunt shapes towered above; in the ensuing
|
|
darkness only the oily glitter of the tide occupied the foreground
|
|
of the night-piece.
|
|
|
|
The Surrey shore was a broken wall of blackness, patched with
|
|
lights about which moved hazy suggestions of human activity.
|
|
The bank we were following offered a prospect even more gloomy--
|
|
a dense, dark mass, amid which, sometimes, mysterious half-tones
|
|
told of a dock gate, or sudden high lights leapt flaring
|
|
to the eye.
|
|
|
|
Then, out of the mystery ahead, a green light grew and crept down upon us.
|
|
A giant shape loomed up, and frowned crushingly upon the little craft.
|
|
A blaze of light, the jangle of a bell, and it was past. We were dancing
|
|
in the wash of one of the Scotch steamers, and the murk had fallen again.
|
|
|
|
Discords of remote activity rose above the more intimate
|
|
throbbing of our screw, and we seemed a pigmy company
|
|
floating past the workshops of Brobdingnagian toilers.
|
|
The chill of the near water communicated itself to me, and I
|
|
felt the protection of my shabby garments inadequate against it.
|
|
|
|
Far over on the Surrey shore a blue light--vaporous, mysterious--
|
|
flicked translucent tongues against the night's curtain.
|
|
It was a weird, elusive flame, leaping, wavering, magically changing
|
|
from blue to a yellowed violet, rising, falling.
|
|
|
|
"Only a gasworks," came Smith's voice, and I knew that he, too, had been
|
|
watching those elfin fires. "But it always reminds me of a Mexican <i
|
|
teocalli,> and the altar of sacrifice."
|
|
|
|
The simile was apt, but gruesome. I thought of Dr. Fu-Manchu
|
|
and the severed fingers, and could not repress a shudder.
|
|
|
|
"On your left, past the wooden pier! Not where the lamp is--
|
|
beyond that; next to the dark, square building--Shen-Yan's."
|
|
|
|
It was Inspector Ryman speaking.
|
|
|
|
"Drop us somewhere handy, then," replied Smith, "and lie close in,
|
|
with your ears wide open. We may have to run for it, so don't
|
|
go far away."
|
|
|
|
From the tone of his voice I knew that the night mystery of the Thames
|
|
had claimed at least one other victim.
|
|
|
|
"Dead slow," came Ryman's order. "We'll put in to the Stone Stairs."
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
A SEEMINGLY drunken voice was droning from a neighboring alleyway as Smith
|
|
lurched in hulking fashion to the door of a little shop above which,
|
|
crudely painted, were the words:
|
|
|
|
|
|
"SHEN-YAN, Barber."
|
|
|
|
|
|
I shuffled along behind him, and had time to note the box of studs,
|
|
German shaving tackle and rolls of twist which lay untidily in the window
|
|
ere Smith kicked the door open, clattered down three wooden steps,
|
|
and pulled himself up with a jerk, seizing my arm for support.
|
|
|
|
We stood in a bare and very dirty room, which could only
|
|
claim kinship with a civilized shaving-saloon by virtue of
|
|
the grimy towel thrown across the back of the solitary chair.
|
|
A Yiddish theatrical bill of some kind, illustrated, adorned one
|
|
of the walls, and another bill, in what may have been Chinese,
|
|
completed the decorations. From behind a curtain heavily brocaded
|
|
with filth a little Chinaman appeared, dressed in a loose smock,
|
|
black trousers and thick-soled slippers, and, advancing,
|
|
shook his head vigorously.
|
|
|
|
"No shavee--no shavee," he chattered, simian fashion,
|
|
squinting from one to the other of us with his twinkling eyes.
|
|
"Too late! Shuttee shop!"
|
|
|
|
"Don't you come none of it wi' me!" roared Smith, in a voice of amazing
|
|
gruffness, and shook an artificially dirtied fist under the Chinaman's nose.
|
|
"Get inside and gimme an' my mate a couple o' pipes. Smokee pipe,
|
|
you yellow scum--savvy?"
|
|
|
|
My friend bent forward and glared into the other's eyes with a vindictiveness
|
|
that amazed me, unfamiliar as I was with this form of gentle persuasion.
|
|
|
|
"Kop 'old o' that," he said, and thrust a coin into the Chinaman's
|
|
yellow paw. "Keep me waitin' an' I'll pull the dam' shop down, Charlie.
|
|
You can lay to it."
|
|
|
|
"No hab got pipee--" began the other.
|
|
|
|
Smith raised his fist, and Yan capitulated.
|
|
|
|
"Allee lightee," he said. "Full up--no loom. You come see."
|
|
|
|
He dived behind the dirty curtain, Smith and I following, and ran up
|
|
a dark stair. The next moment I found myself in an atmosphere which
|
|
was literally poisonous. It was all but unbreathable, being loaded
|
|
with opium fumes. Never before had I experienced anything like it.
|
|
Every breath was an effort. A tin oil-lamp on a box in the middle
|
|
of the floor dimly illuminated the horrible place, about the walls
|
|
of which ten or twelve bunks were ranged and all of them occupied.
|
|
Most of the occupants were lying motionless, but one or two were
|
|
squatting in their bunks noisily sucking at the little metal pipes.
|
|
These had not yet attained to the opium-smoker's Nirvana.
|
|
|
|
"No loom--samee tella you," said Shen-Yan, complacently testing
|
|
Smith's shilling with his yellow, decayed teeth.
|
|
|
|
Smith walked to a corner and dropped cross-legged, on the floor,
|
|
pulling me down with him.
|
|
|
|
"Two pipe quick," he said. "Plenty room. Two piecee pipe--
|
|
or plenty heap trouble."
|
|
|
|
A dreary voice from one of the bunks came:
|
|
|
|
"Give 'im a pipe, Charlie, curse yer! an' stop 'is palaver."
|
|
|
|
Yan performed a curious little shrug, rather of the back than of
|
|
the shoulders, and shuffled to the box which bore the smoky lamp.
|
|
Holding a needle in the flame, he dipped it, when red-hot, into an old
|
|
cocoa tin, and withdrew it with a bead of opium adhering to the end.
|
|
Slowly roasting this over the lamp, he dropped it into the bowl
|
|
of the metal pipe which he held ready, where it burned with a
|
|
spirituous blue flame.
|
|
|
|
"Pass it over," said Smith huskily, and rose on his knees with the assumed
|
|
eagerness of a slave to the drug.
|
|
|
|
Yan handed him the pipe, which he promptly put to his lips,
|
|
and prepared another for me.
|
|
|
|
"Whatever you do, don't inhale any," came Smith's whispered injunction.
|
|
|
|
It was with a sense of nausea greater even than that occasioned by the
|
|
disgusting atmosphere of the den that I took the pipe and pretended to smoke.
|
|
Taking my cue from my friend, I allowed my head gradually to sink lower
|
|
and lower, until, within a few minutes, I sprawled sideways on the floor,
|
|
Smith lying close beside me.
|
|
|
|
"The ship's sinkin'," droned a voice from one of the bunks.
|
|
"Look at the rats."
|
|
|
|
Yan had noiselessly withdrawn, and I experienced a curious sense
|
|
of isolation from my fellows--from the whole of the Western world.
|
|
My throat was parched with the fumes, my head ached.
|
|
The vicious atmosphere seemed contaminating. I was as one dropped--
|
|
|
|
Somewhere East of Suez, where the best is like the worst,
|
|
And there ain't no Ten Commandments and a man can raise a thirst.
|
|
|
|
Smith began to whisper softly.
|
|
|
|
"We have carried it through successfully so far," he said.
|
|
"I don't know if you have observed it, but there is a stair
|
|
just behind you, half concealed by a ragged curtain.
|
|
We are near that, and well in the dark. I have seen nothing
|
|
suspicious so far--or nothing much. But if there was anything
|
|
going forward it would no doubt be delayed until we new arrivals
|
|
were well doped. S-SH!>"
|
|
|
|
He pressed my arm to emphasize the warning. Through my half-closed eyes
|
|
I perceived a shadowy form near the curtain to which he had referred.
|
|
I lay like a log, but my muscles were tensed nervously.
|
|
|
|
The shadow materialized as the figure moved forward into the room
|
|
with a curiously lithe movement.
|
|
|
|
The smoky lamp in the middle of the place afforded
|
|
scant illumination, serving only to indicate sprawling shapes--
|
|
here an extended hand, brown or yellow, there a sketchy,
|
|
corpse-like face; whilst from all about rose obscene sighings
|
|
and murmurings in far-away voices--an uncanny, animal chorus.
|
|
It was like a glimpse of the Inferno seen by some Chinese Dante.
|
|
But so close to us stood the newcomer that I was able to make out a
|
|
ghastly parchment face, with small, oblique eyes, and a misshapen head
|
|
crowned with a coiled pigtail, surmounting a slight, hunched body.
|
|
There was something unnatural, inhuman, about that masklike face,
|
|
and something repulsive in the bent shape and the long,
|
|
yellow hands clasped one upon the other.
|
|
|
|
Fu-Manchu, from Smith's account, in no way resembled this crouching
|
|
apparition with the death's-head countenance and lithe movements;
|
|
but an instinct of some kind told me that we were on the right scent--
|
|
that this was one of the doctor's servants. How I came to that conclusion,
|
|
I cannot explain; but with no doubt in my mind that this was a member
|
|
of the formidable murder group, I saw the yellow man creep nearer,
|
|
nearer, silently, bent and peering.
|
|
|
|
He was watching us.
|
|
|
|
Of another circumstance I became aware, and a disquieting circumstance.
|
|
There were fewer murmurings and sighings from the surrounding bunks.
|
|
The presence of the crouching figure had created a sudden semi-silence
|
|
in the den, which could only mean that some of the supposed opium-smokers
|
|
had merely feigned coma and the approach of coma.
|
|
|
|
Nayland Smith lay like a dead man, and trusting to the darkness,
|
|
I, too, lay prone and still, but watched the evil face bending
|
|
lower and lower, until it came within a few inches of my own.
|
|
I completely closed my eyes.
|
|
|
|
Delicate fingers touched my right eyelid. Divining what was coming,
|
|
I rolled my eyes up, as the lid was adroitly lifted and lowered again.
|
|
The man moved away.
|
|
|
|
I had saved the situation! And noting anew the hush about me--
|
|
a hush in which I fancied many pairs of ears listened--I was glad.
|
|
For just a moment I realized fully how, with the place watched back
|
|
and front, we yet were cut off, were in the hands of Far Easterns,
|
|
to some extent in the power of members of that most inscrutably
|
|
mysterious race, the Chinese.
|
|
|
|
"Good," whispered Smith at my side. "I don't think I could have done it.
|
|
He took me on trust after that. My God! what an awful face.
|
|
Petrie, it's the hunchback of Cadby's notes. Ah, I thought so.
|
|
Do you see that?"
|
|
|
|
I turned my eyes round as far as was possible. A man had scrambled down
|
|
from one of the bunks and was following the bent figure across the room.
|
|
|
|
They passed around us quietly, the little yellow man leading, with his
|
|
curious, lithe gait, and the other, an impassive Chinaman, following.
|
|
The curtain was raised, and I heard footsteps receding on the stairs.
|
|
|
|
"Don't stir," whispered Smith.
|
|
|
|
An intense excitement was clearly upon him, and he communicated it to me.
|
|
Who was the occupant of the room above?
|
|
|
|
Footsteps on the stair, and the Chinaman reappeared, recrossed the floor,
|
|
and went out. The little, bent man went over to another bunk, this time
|
|
leading up the stair one who looked like a lascar.
|
|
|
|
"Did you see his right hand?" whispered Smith. "A dacoit!
|
|
They come here to report and to take orders. Petrie, Dr. Fu-Manchu
|
|
is up there."
|
|
|
|
"What shall we do?"--softly.
|
|
|
|
"Wait. Then we must try to rush the stairs. It would be futile
|
|
to bring in the police first. He is sure to have some other exit.
|
|
I will give the word while the little yellow devil is down here.
|
|
You are nearer and will have to go first, but if the hunchback follows,
|
|
I can then deal with him."
|
|
|
|
Our whispered colloquy was interrupted by the return of the dacoit,
|
|
who recrossed the room as the Chinaman had done, and immediately
|
|
took his departure. A third man, whom Smith identified as a Malay,
|
|
ascended the mysterious stairs, descended, and went out; and a fourth,
|
|
whose nationality it was impossible to determine, followed.
|
|
Then, as the softly moving usher crossed to a bunk on the right
|
|
of the outer door--
|
|
|
|
"Up you go, Petrie," cried Smith, for further delay was dangerous
|
|
and further dissimulation useless.
|
|
|
|
I leaped to my feet. Snatching my revolver from the pocket
|
|
of the rough jacket I wore, I bounded to the stair and went
|
|
blundering up in complete darkness. A chorus of brutish cries
|
|
clamored from behind, with a muffled scream rising above them all.
|
|
But Nayland Smith was close behind as I raced along a covered gangway,
|
|
in a purer air, and at my heels when I crashed open a door at
|
|
the end and almost fell into the room beyond.
|
|
|
|
What I saw were merely a dirty table, with some odds and ends upon
|
|
it of which I was too excited to take note, an oil-lamp swung
|
|
by a brass chain above, and a man sitting behind the table.
|
|
But from the moment that my gaze rested upon the one who sat there,
|
|
I think if the place had been an Aladdin's palace I should have
|
|
had no eyes for any of its wonders.
|
|
|
|
He wore a plain yellow robe, of a hue almost identical with that
|
|
of his smooth, hairless countenance. His hands were large,
|
|
long and bony, and he held them knuckles upward, and rested his
|
|
pointed chin upon their thinness. He had a great, high brow,
|
|
crowned with sparse, neutral-colored hair.
|
|
|
|
Of his face, as it looked out at me over the dirty table,
|
|
I despair of writing convincingly. It was that of an archangel
|
|
of evil, and it was wholly dominated by the most uncanny
|
|
eyes that ever reflected a human soul, for they were narrow
|
|
and long, very slightly oblique, and of a brilliant green.
|
|
But their unique horror lay in a certain filminess
|
|
(it made me think of the membrana nictitans in a bird)
|
|
which, obscuring them as I threw wide the door, seemed to lift
|
|
as I actually passed the threshold, revealing the eyes in all
|
|
their brilliant iridescence.
|
|
|
|
I know that I stopped dead, one foot within the room, for the
|
|
malignant force of the man was something surpassing my experience.
|
|
He was surprised by this sudden intrusion--yes, but no trace of fear
|
|
showed upon that wonderful face, only a sort of pitying contempt.
|
|
And, as I paused, he rose slowly to his feet, never removing his
|
|
gaze from mine.
|
|
|
|
"IT'S FU-MANCHU!" cried Smith over my shoulder, in a voice
|
|
that was almost a scream. "IT'S FU-MANCHU! Cover him!
|
|
Shoot him dead if--"
|
|
|
|
The conclusion of that sentence I never heard.
|
|
|
|
Dr. Fu-Manchu reached down beside the table, and the floor slipped
|
|
from under me.
|
|
|
|
One last glimpse I had of the fixed green eyes, and with a scream I was
|
|
unable to repress I dropped, dropped, dropped, and plunged into icy water,
|
|
which closed over my head.
|
|
|
|
Vaguely I had seen a spurt of flame, had heard another cry following
|
|
my own, a booming sound (the trap), the flat note of a police whistle.
|
|
But when I rose to the surface impenetrable darkness enveloped me;
|
|
I was spitting filthy, oily liquid from my mouth, and fighting down
|
|
the black terror that had me by the throat--terror of the darkness
|
|
about me, of the unknown depths beneath me, of the pit into which I
|
|
was cast amid stifling stenches and the lapping of tidal water.
|
|
|
|
"Smith!" I cried. . . ."Help! Help!"
|
|
|
|
My voice seemed to beat back upon me, yet I was about
|
|
to cry out again, when, mustering all my presence of mind
|
|
and all my failing courage, I recognized that I had better
|
|
employment of my energies, and began to swim straight ahead,
|
|
desperately determined to face all the horrors of this place--
|
|
to die hard if die I must.
|
|
|
|
A drop of liquid fire fell through the darkness and hissed
|
|
into the water beside me!
|
|
|
|
I felt that, despite my resolution, I was going mad.
|
|
|
|
Another fiery drop--and another!
|
|
|
|
I touched a rotting wooden post and slimy timbers.
|
|
I had reached one bound of my watery prison. More fire fell
|
|
from above, and the scream of hysteria quivered, unuttered,
|
|
in my throat.
|
|
|
|
Keeping myself afloat with increasing difficulty in my heavy garments,
|
|
I threw my head back and raised my eyes.
|
|
|
|
No more drops fell, and no more drops would fall; but it
|
|
was merely a question of time for the floor to collapse.
|
|
For it was beginning to emit a dull, red glow.
|
|
|
|
The room above me was in flames!
|
|
|
|
It was drops of burning oil from the lamp, finding passage through
|
|
the cracks in the crazy flooring, which had fallen about me--
|
|
for the death trap had reclosed, I suppose, mechanically.
|
|
|
|
My saturated garments were dragging me down, and now I could hear
|
|
the flames hungrily eating into the ancient rottenness overhead.
|
|
Shortly that cauldron would be loosed upon my head. The glow of the
|
|
flames grew brighter. . .and showed me the half-rotten piles upholding
|
|
the building, showed me the tidal mark upon the slime-coated walls--
|
|
showed me that there was no escape!
|
|
|
|
By some subterranean duct the foul place was fed from the Thames.
|
|
By that duct, with the outgoing tide, my body would pass,
|
|
in the wake of Mason, Cadby, and many another victim!
|
|
|
|
Rusty iron rungs were affixed to one of the walls communicating with a trap--
|
|
but the bottom three were missing!
|
|
|
|
Brighter and brighter grew the awesome light the light of what
|
|
should be my funeral pyre--reddening the oily water and adding
|
|
a new dread to the whispering, clammy horror of the pit.
|
|
But something it showed me. . .a projecting beam a few feet
|
|
above the water. . .and directly below the iron ladder!
|
|
|
|
"Merciful Heaven!" I breathed. "Have I the strength?"
|
|
|
|
A desire for laughter claimed me with sudden, all but irresistible force.
|
|
I knew what it portended and fought it down--grimly, sternly.
|
|
|
|
My garments weighed upon me like a suit of mail; with my chest
|
|
aching dully, my veins throbbing to bursting, I forced tired
|
|
muscles to work, and, every stroke an agony, approached the beam.
|
|
Nearer I swam. . .nearer. Its shadow fell black upon
|
|
the water, which now had all the seeming of a pool of blood.
|
|
Confused sounds--a remote uproar--came to my ears.
|
|
I was nearly spent. . .I was in the shadow of the beam!
|
|
If I could throw up one arm. . .
|
|
|
|
A shrill scream sounded far above me!
|
|
|
|
"Petrie! Petrie!" (That voice must be Smith's!) "Don't touch the beam!
|
|
For God's sake DON'T TOUCH THE BEAM! Keep afloat another few seconds
|
|
and I can get to you!"
|
|
|
|
Another few seconds! Was that possible?
|
|
|
|
I managed to turn, to raise my throbbing head; and I saw the strangest
|
|
sight which that night yet had offered.
|
|
|
|
Nayland Smith stood upon the lowest iron rung. . .supported by the hideous,
|
|
crook-backed Chinaman, who stood upon the rung above!
|
|
|
|
"I can't reach him!"
|
|
|
|
It was as Smith hissed the words despairingly that I looked up--
|
|
and saw the Chinaman snatch at his coiled pigtail and pull it off!
|
|
With it came the wig to which it was attached; and the ghastly yellow mask,
|
|
deprived of its fastenings, fell from position! "Here! Here! Be quick!
|
|
Oh! be quick! You can lower this to him! Be quick! Be quick!"
|
|
|
|
A cloud of hair came falling about the slim shoulders
|
|
as the speaker bent to pass this strange lifeline to Smith;
|
|
and I think it was my wonder at knowing her for the girl whom
|
|
that day I had surprised in Cadby's rooms which saved my life.
|
|
|
|
For I not only kept afloat, but kept my gaze upturned to that beautiful,
|
|
flushed face, and my eyes fixed upon hers--which were wild with fear
|
|
. . .for me!
|
|
|
|
Smith, by some contortion, got the false queue into my grasp,
|
|
and I, with the strength of desperation, by that means seized
|
|
hold upon the lowest rung. With my friend's arm round me I
|
|
realized that exhaustion was even nearer than I had supposed.
|
|
My last distinct memory is of the bursting of the floor above
|
|
and the big burning joist hissing into the pool beneath us.
|
|
Its fiery passage, striated with light, disclosed two
|
|
sword blades, riveted, edges up along the top of the beam
|
|
which I had striven to reach.
|
|
|
|
"The severed fingers--" I said; and swooned.
|
|
|
|
How Smith got me through the trap I do not know--nor how we made our way
|
|
through the smoke and flames of the narrow passage it opened upon.
|
|
My next recollection is of sitting up, with my friend's arm supporting
|
|
me and Inspector Ryman holding a glass to my lips.
|
|
|
|
A bright glare dazzled my eyes. A crowd surged about us,
|
|
and a clangor and shouting drew momentarily nearer.
|
|
|
|
"It's the engines coming," explained Smith, seeing my bewilderment.
|
|
"Shen-Yan's is in flames. It was your shot, as you fell through the trap,
|
|
broke the oil-lamp."
|
|
|
|
"Is everybody out?"
|
|
|
|
"So far as we know."
|
|
|
|
"Fu-Manchu?"
|
|
|
|
Smith shrugged his shoulders.
|
|
|
|
"No one has seen him. There was some door at the back--"
|
|
|
|
"Do you think he may--"
|
|
|
|
"No," he said tensely. "Not until I see him lying dead before me
|
|
shall I believe it."
|
|
|
|
Then memory resumed its sway. I struggled to my feet.
|
|
|
|
"Smith, where is she?" I cried. "Where is she?"
|
|
|
|
"I don't know," be answered.
|
|
|
|
"She's given us the slip, Doctor," said Inspector Weymouth,
|
|
as a fire-engine came swinging round the corner of the narrow lane.
|
|
"So has Mr. Singapore Charlie--and, I'm afraid, somebody else.
|
|
We've got six or eight all-sorts, some awake and some asleep,
|
|
but I suppose we shall have to let 'em go again.
|
|
Mr. Smith tells me that the girl was disguised as a Chinaman.
|
|
I expect that's why she managed to slip away."
|
|
|
|
I recalled how I had been dragged from the pit by the false queue,
|
|
how the strange discovery which had brought death to poor Cadby
|
|
had brought life to me, and I seemed to remember, too, that Smith
|
|
had dropped it as he threw his arm about me on the ladder.
|
|
Her mask the girl might have retained, but her wig, I felt certain,
|
|
had been dropped into the water.
|
|
|
|
It was later that night, when the brigade still were playing,
|
|
upon the blackened shell of what had been Shen-Yan's opium-shop,
|
|
and Smith and I were speeding away in a cab from the scene of God
|
|
knows how many crimes, that I had an idea.
|
|
|
|
"Smith," I said, "did you bring the pigtail with you that was
|
|
found on Cadby?"
|
|
|
|
"Yes. I had hoped to meet the owner."
|
|
|
|
"Have you got it now?"
|
|
|
|
"No. I met the owner."
|
|
|
|
I thrust my hands deep into the pockets of the big pea-jacket
|
|
lent to me by Inspector Ryman, leaning back in my corner.
|
|
|
|
"We shall never really excel at this business," continued Nayland Smith.
|
|
"We are far too sentimental. I knew what it meant to us, Petrie, what it
|
|
meant to the world, but I hadn't the heart. I owed her your life--
|
|
I had to square the account."
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
NIGHT fell on Redmoat. I glanced from the window at
|
|
the nocturne in silver and green which lay beneath me.
|
|
To the west of the shrubbery, with its broken canopy of elms
|
|
and beyond the copper beech which marked the center of its mazes,
|
|
a gap offered a glimpse of the Waverney where it swept into a broad.
|
|
Faint bird-calls floated over the water. These, with the whisper
|
|
of leaves, alone claimed the ear.
|
|
|
|
Ideal rural peace, and the music of an English summer evening;
|
|
but to my eyes, every shadow holding fantastic terrors;
|
|
to my ears, every sound a signal of dread. For the deathful
|
|
hand of Fu-Manchu was stretched over Redmoat, at any hour
|
|
to loose strange, Oriental horrors upon its inmates.
|
|
|
|
"Well," said Nayland Smith, joining me at the window, "we had dared
|
|
to hope him dead, but we know now that he lives!"
|
|
|
|
The Rev. J. D. Eltham coughed nervously, and I turned, leaning my elbow
|
|
upon the table, and studied the play of expression upon the refined,
|
|
sensitive face of the clergyman.
|
|
|
|
"You think I acted rightly in sending for you, Mr. Smith?"
|
|
|
|
Nayland Smith smoked furiously.
|
|
|
|
"Mr. Eltham," he replied, "you see in me a man groping in the dark.
|
|
I am to-day no nearer to the conclusion of my mission than
|
|
upon the day when I left Mandalay. You offer me a clew;
|
|
I am here. Your affair, I believe, stands thus:
|
|
A series of attempted burglaries, or something of the kind,
|
|
has alarmed your household. Yesterday, returning from London
|
|
with your daughter, you were both drugged in some way and,
|
|
occupying a compartment to yourselves, you both slept.
|
|
Your daughter awoke, and saw someone else in the carriage--
|
|
a yellow-faced man who held a case of instruments in his hands."
|
|
|
|
"Yes; I was, of course, unable to enter into particulars over the telephone.
|
|
The man was standing by one of the windows. Directly he observed that my
|
|
daughter was awake, he stepped towards her."
|
|
|
|
"What did he do with the case in his hands?"
|
|
|
|
"She did not notice--or did not mention having noticed.
|
|
In fact, as was natural, she was so frightened that she recalls
|
|
nothing more, beyond the fact that she strove to arouse me,
|
|
without succeeding, felt hands grasp her shoulders--and swooned."
|
|
|
|
"But someone used the emergency cord, and stopped the train."
|
|
|
|
"Greba has no recollection of having done so."
|
|
|
|
"Hm! Of course, no yellow-faced man was on the train.
|
|
When did you awake?"
|
|
|
|
"I was aroused by the guard, but only when he had repeatedly shaken me."
|
|
|
|
"Upon reaching Great Yarmouth you immediately called up Scotland Yard?
|
|
You acted very wisely, sir. How long were you in China?"
|
|
|
|
Mr. Eltham's start of surprise was almost comical.
|
|
|
|
"It is perhaps not strange that you should be aware of my residence in China,
|
|
Mr. Smith," he said; "but my not having mentioned it may seem so.
|
|
The fact is"--his sensitive face flushed in palpable embarrassment--
|
|
"I left China under what I may term an episcopal cloud.
|
|
I have lived in retirement ever since. Unwittingly--I solemnly
|
|
declare to you, Mr. Smith, unwittingly--I stirred up certain
|
|
deep-seated prejudices in my endeavors to do my duty--my duty.
|
|
I think you asked me how long I was in China? I was there from 1896
|
|
until 1900--four years."
|
|
|
|
"I recall the circumstances, Mr. Eltham," said Smith, with an odd
|
|
note in his voice. "I have been endeavoring to think where I
|
|
had come across the name, and a moment ago I remembered.
|
|
I am happy to have met you, sir."
|
|
|
|
The clergyman blushed again like a girl, and slightly inclined his head,
|
|
with its scanty fair hair.
|
|
|
|
"Has Redmoat, as its name implies, a moat round it? I was unable to see
|
|
in the dusk." "It remains. Redmoat--a corruption of Round Moat--
|
|
was formerly a priory, disestablished by the eighth Henry in 1536."
|
|
His pedantic manner was quaint at times. "But the moat is no
|
|
longer flooded. In fact, we grow cabbages in part of it.
|
|
If you refer to the strategic strength of the place"--he smiled,
|
|
but his manner was embarrassed again--"it is considerable.
|
|
I have barbed wire fencing, and--other arrangements.
|
|
You see, it is a lonely spot," he added apologetically.
|
|
"And now, if you will excuse me, we will resume these gruesome
|
|
inquiries after the more pleasant affairs of dinner."
|
|
|
|
He left us.
|
|
|
|
"Who is our host?" I asked, as the door closed.
|
|
|
|
Smith smiled.
|
|
|
|
"You are wondering what caused the `episcopal cloud?'" he suggested.
|
|
"Well, the deep-seated prejudices which our reverend friend stirred up
|
|
culminated in the Boxer Risings."
|
|
|
|
"Good heavens, Smith!" I said; for I could not reconcile the diffident
|
|
personality of the clergyman with the memories which those words awakened.
|
|
|
|
"He evidently should be on our danger list," my friend continued quickly;
|
|
"but he has so completely effaced himself of recent years that I think it
|
|
probable that someone else has only just recalled his existence to mind.
|
|
The Rev. J. D. Eltham, my dear Petrie, though he may be a poor hand
|
|
at saving souls, at any rate, has saved a score of Christian women
|
|
from death--and worse."
|
|
|
|
"J. D. Eltham--" I began.
|
|
|
|
"Is `Parson Dan'!" rapped Smith, "the `Fighting Missionary,'
|
|
the man who with a garrison of a dozen cripples and a German
|
|
doctor held the hospital a Nan-Yang against two hundred Boxers.
|
|
That's who th Rev. J. D. Eltham is! But what is he up to,
|
|
now, I have yet to find out. He is keeping something back--
|
|
something which has made him an object of interest to Young China!"
|
|
|
|
During dinner the matters responsible for our presence there did not
|
|
hold priority in the conversation. In fact, this, for the most part,
|
|
consisted in light talk of books and theaters.
|
|
|
|
Greba Eltham, the clergyman's daughter, was a charming young hostess,
|
|
and she, with Vernon Denby, Mr. Eltham's nephew, completed the party.
|
|
No doubt the girl's presence, in part, at any rate, led us to refrain
|
|
from the subject uppermost in our minds.
|
|
|
|
These little pools of calm dotted along the torrential course of
|
|
the circumstances which were bearing my friend and I onward to unknown
|
|
issues form pleasant, sunny spots in my dark recollections.
|
|
|
|
So I shall always remember, with pleasure, that dinner-party
|
|
at Redmoat, in the old-world dining-room; it was so very peaceful,
|
|
so almost grotesquely calm. For I, within my very bones, felt it
|
|
to be the calm before the storm. When, later, we men passed
|
|
to the library, we seemed to leave that atmosphere behind us.
|
|
|
|
"Redmoat," said the Rev. J. D. Eltham, "has latterly become the theater
|
|
of strange doings."
|
|
|
|
He stood on the hearth-rug. A shaded lamp upon the big table
|
|
and candles in ancient sconces upon the mantelpiece afforded
|
|
dim illumination. Mr. Eltham's nephew, Vernon Denby,
|
|
lolled smoking on the window-seat, and I sat near to him.
|
|
Nayland Smith paced restlessly up and down the room.
|
|
|
|
"Some mouths ago, almost a year," continued the clergyman,
|
|
"a burglarious attempt was made upon the house. There was an arrest,
|
|
and the man confessed that he had been tempted by my collection."
|
|
He waved his hand vaguely towards the several cabinets about
|
|
the shadowed room.
|
|
|
|
"It was shortly afterwards that I allowed my hobby for--
|
|
playing at forts to run away with me." He smiled an apology.
|
|
"I virtually fortified Redmoat--against trespassers of any kind, I mean.
|
|
You have seen that the house stands upon a kind of large mound.
|
|
This is artificial, being the buried ruins of a Roman outwork;
|
|
a portion of the ancient castrum." Again he waved indicatively,
|
|
this time toward the window.
|
|
|
|
"When it was a priory it was completely isolated and defended
|
|
by its environing moat. Today it is completely surrounded by
|
|
barbed-wire fencing. Below this fence, on the east, is a narrow stream,
|
|
a tributary of the Waverney; on the north and west, the high road,
|
|
but nearly twenty feet below, the banks being perpendicular.
|
|
On the south is the remaining part of the moat--now my kitchen garden;
|
|
but from there up to the level of the house is nearly twenty feet again,
|
|
and the barbed wire must also be counted with.
|
|
|
|
"The entrance, as you know, is by the way of a kind of cutting.
|
|
There is a gate at the foot of the steps (they are some of the original
|
|
steps of the priory, Dr. Petrie), and another gate at the head."
|
|
|
|
He paused, and smiled around upon us boyishly.
|
|
|
|
"My secret defenses remain to be mentioned," he resumed;
|
|
and, opening a cupboard, he pointed to a row of batteries,
|
|
with a number of electric bells upon the wall behind.
|
|
"The more vulnerable spots are connected at night with these bells,"
|
|
he said triumphantly. "Any attempt to scale the barbed wire
|
|
or to force either gate would set two or more of these ringing.
|
|
A stray cow raised one false alarm," he added, "and a careless
|
|
rook threw us into a perfect panic on another occasion."
|
|
|
|
He was so boyish--so nervously brisk and acutely sensitive--
|
|
that it was difficult to see in him the hero of the Nan-Yang hospital.
|
|
I could only suppose that he had treated the Boxers' raid in the same spirit
|
|
wherein he met would-be trespassers within the precincts of Redmoat.
|
|
It had been an escapade, of which he was afterwards ashamed, as, faintly,
|
|
he was ashamed of his "fortifications." "But," rapped Smith, "it was not
|
|
the visit of the burglar which prompted these elaborate precautions."
|
|
|
|
Mr. Eltham coughed nervously.
|
|
|
|
"I am aware," he said, "that having invoked official aid, I must be
|
|
perfectly frank with you, Mr. Smith. It was the burglar who was responsible
|
|
for my continuing the wire fence all round the grounds, but the electrical
|
|
contrivance followed, later, as a result of several disturbed nights.
|
|
My servants grew uneasy about someone who came, they said, after dusk.
|
|
No one could describe this nocturnal visitor, but certainly we found traces.
|
|
I must admit that.
|
|
|
|
"Then--I received what I may term a warning. My position is a peculiar one--
|
|
a peculiar one. My daughter, too, saw this prowling, person,
|
|
over by the Roman castrum, and described him as a yellow man.
|
|
It was the incident in the train following closely upon this other, which led
|
|
me to speak to the police, little as I desired to--er--court publicity."
|
|
|
|
Nayland Smith walked to a window, and looked out across
|
|
the sloping lawn to where the shadows of the shrubbery lay.
|
|
A dog was howling dismally somewhere.
|
|
|
|
"Your defenses are not impregnable, after all, then?" he jerked.
|
|
"On our way up this evening Mr. Denby was telling us about the death
|
|
of his collie a few nights ago."
|
|
|
|
The clergyman's face clouded.
|
|
|
|
"That, certainly, was alarming," he confessed.
|
|
|
|
"I had been in London for a few days, and during my absence Vernon
|
|
came down, bringing the dog with him. On the night of his arrival
|
|
it ran, barking, into the shrubbery yonder, and did not come out.
|
|
He went to look for it with a lantern, and found it lying among
|
|
the bushes, quite dead. The poor creature had been dreadfully
|
|
beaten about the head."
|
|
|
|
"The gates were locked," Denby interrupted, "and no one could
|
|
have got out of the grounds without a ladder and someone
|
|
to assist him. But there was so sign of a living thing about.
|
|
Edwards and I searched every corner."
|
|
|
|
"How long has that other dog taken to howling?" inquired Smith.
|
|
|
|
"Only since Rex's death," said Denby quickly.
|
|
|
|
"It is my mastiff," explained the clergyman, "and he is confined in the yard.
|
|
He is never allowed on this side of the house."
|
|
|
|
Nayland Smith wandered aimlessly about the library.
|
|
|
|
"I am sorry to have to press you, Mr. Eltham," he said,
|
|
"but what was the nature of the warning to which you referred,
|
|
and from whom did it come?"
|
|
|
|
Mr. Eltham hesitated for a long time.
|
|
|
|
"I have been so unfortunate," he said at last, "in my previous efforts,
|
|
that I feel assured of your hostile criticism when I tell you that I am
|
|
contemplating an immediate return to Ho-Nan!"
|
|
|
|
Smith jumped round upon him as though moved by a spring.
|
|
|
|
"Then you are going back to Nan-Yang?" he cried.
|
|
"Now I understand! Why have you not told me before?
|
|
That is the key for which I have vainly been seeking.
|
|
Your troubles date from the time of your decision to return?"
|
|
|
|
"Yes, I must admit it," confessed the clergyman diffidently.
|
|
|
|
"And your warning came from China?"
|
|
|
|
"It did."
|
|
|
|
"From a Chinaman?"
|
|
|
|
"From the Mandarin, Yen-Sun-Yat."
|
|
|
|
"Yen-Sun-Yat! My good sir! He warned you to abandon your visit?
|
|
And you reject his advice? Listen to me." Smith was intensely
|
|
excited now, his eyes bright, his lean figure curiously strung up, alert.
|
|
"The Mandarin Yen-Sun-Yat is one of the seven!"
|
|
|
|
"I do not follow you, Mr. Smith."
|
|
|
|
"No, sir. China to-day is not the China of '98. It is a huge secret machine,
|
|
and Ho-Nan one of its most important wheels! But if, as I understand,
|
|
this official is a friend of yours, believe me, he has saved your life!
|
|
You would be a dead man now if it were not for your friend in China!
|
|
My dear sir, you must accept his counsel."
|
|
|
|
Then, for the first time since I had made his acquaintance, "Parson Dan"
|
|
showed through the surface of the Rev. J. D. Eltham.
|
|
|
|
"No, sir!" replied the clergyman--and the change in his voice was startling.
|
|
"I am called to Nan-Yang. Only One may deter my going."
|
|
|
|
The admixture of deep spiritual reverence with intense truculence
|
|
in his voice was dissimilar from anything I ever had heard.
|
|
|
|
"Then only One can protect you," cried Smith, "for, by Heaven,
|
|
no MAN will be able to do so! Your presence in Ho-Nan
|
|
can do no possible good at present. It must do harm.
|
|
Your experience in 1900 should be fresh in your memory."
|
|
|
|
"Hard words, Mr. Smith."
|
|
|
|
"The class of missionary work which you favor, sir, is injurious
|
|
to international peace. At the present moment, Ho-Nan is
|
|
a barrel of gunpowder; you would be the lighted match.
|
|
I do not willingly stand between any man and what he chooses
|
|
to consider his duty, but I insist that you abandon your visit
|
|
to the interior of China!"
|
|
|
|
"You insist, Mr. Smith?" "As your guest, I regret the necessity
|
|
for reminding you that I hold authority to enforce it."
|
|
|
|
Denby fidgeted uneasily. The tone of the conversation was growing harsh
|
|
and the atmosphere of the library portentous with brewing, storms.
|
|
|
|
There was a short, silent interval.
|
|
|
|
"This is what I had feared and expected," said the clergyman.
|
|
"This was my reason for not seeking official protection."
|
|
|
|
"The phantom Yellow Peril," said Nayland Smith, "to-day materializes
|
|
under the very eyes of the Western world."
|
|
|
|
"The `Yellow Peril'!"
|
|
|
|
"You scoff, sir, and so do others. We take the proffered right
|
|
hand of friendship nor inquire if the hidden left holds a knife!
|
|
The peace of the world is at stake, Mr. Eltham. Unknowingly, you tamper
|
|
with tremendous issues."
|
|
|
|
Mr. Eltham drew a deep breath, thrusting both hands in his pockets.
|
|
|
|
"You are painfully frank, Mr. Smith," he said; "but I like you for it.
|
|
I will reconsider my position and talk this matter over again
|
|
with you to-morrow."
|
|
|
|
Thus, then, the storm blew over. Yet I had never
|
|
experienced such an overwhelming sense of imminent peril--
|
|
of a sinister presence--as oppressed me at that moment.
|
|
The very atmosphere of Redmoat was impregnated with
|
|
Eastern devilry; it loaded the air like some evil perfume.
|
|
And then, through the silence, cut a throbbing scream--
|
|
the scream of a woman in direst fear.
|
|
|
|
"My God, it's Greba!" whispered Mr. Eltham.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
IN what order we dashed down to the drawing-room I cannot recall.
|
|
But none was before me when I leaped over the threshold and saw Miss
|
|
Eltham prone by the French windows.
|
|
|
|
These were closed and bolted, and she lay with hands
|
|
outstretched in the alcove which they formed. I bent over her.
|
|
Nayland Smith was at my elbow.
|
|
|
|
"Get my bag" I said. "She has swooned. It is nothing serious."
|
|
|
|
Her father, pale and wide-eyed, hovered about me, muttering incoherently;
|
|
but I managed to reassure him; and his gratitude when, I having administered
|
|
a simple restorative, the girl sighed shudderingly and opened her eyes,
|
|
was quite pathetic.
|
|
|
|
I would permit no questioning at that time, and on her father's
|
|
arm she retired to her own rooms.
|
|
|
|
It was some fifteen minutes later that her message was brought to me.
|
|
I followed the maid to a quaint little octagonal apartment, and Greba
|
|
Eltham stood before me, the candlelight caressing the soft curves
|
|
of her face and gleaming in the meshes of her rich brown hair.
|
|
|
|
When she had answered my first question she hesitated in pretty confusion.
|
|
|
|
"We are anxious to know what alarmed you, Miss Eltham."
|
|
|
|
She bit her lip and glanced with apprehension towards the window.
|
|
|
|
"I am almost afraid to tell father," she began rapidly.
|
|
"He will think me imaginative, but you have been so kind.
|
|
It was two green eyes! Oh! Dr. Petrie, they looked up at me
|
|
from the steps leading to the lawn. And they shone like the eyes
|
|
of a cat."
|
|
|
|
The words thrilled me strangely.
|
|
|
|
"Are you sure it was not a cat, Miss Eltham?"
|
|
|
|
"The eyes were too large, Dr. Petrie. There was
|
|
something dreadful, most dreadful, in their appearance.
|
|
I feel foolish and silly for having fainted, twice in two days!
|
|
But the suspense is telling upon me, I suppose.
|
|
Father thinks"--she was becoming charmingly confidential,
|
|
as a woman often will with a tactful physician--"that
|
|
shut up here we are safe from--whatever threatens us."
|
|
I noted, with concern, a repetition of the nervous shudder.
|
|
"But since our return someone else has been in Redmoat!"
|
|
|
|
"Whatever do you mean, Miss Eltham?"
|
|
|
|
"Oh! I don't quite know what I do mean, Dr. Petrie.
|
|
What does it ALL mean? Vernon has been explaining to me
|
|
that some awful Chinaman is seeking the life of Mr. Nayland Smith.
|
|
But if the same man wants to kill my father, why has
|
|
he not done so?"
|
|
|
|
"I am afraid you puzzle me."
|
|
|
|
"Of course, I must do so. But--the man in the train.
|
|
He could have killed us both quite easily! And--last night
|
|
someone was in father's room."
|
|
|
|
"In his room!"
|
|
|
|
"I could not sleep, and I heard something moving.
|
|
My room is the next one. I knocked on the wall and woke father.
|
|
There was nothing; so I said it was the howling of the dog
|
|
that had frightened me."
|
|
|
|
"How, could anyone get into his room?"
|
|
|
|
"I cannot imagine. But I am not sure it was a man."
|
|
|
|
"Miss Eltham, you alarm me. What do you suspect?"
|
|
|
|
"You must think me hysterical and silly, but whilst father and I have been
|
|
away from Redmoat perhaps the usual precautions have been neglected.
|
|
Is there any creature, any large creature, which could climb up the wall
|
|
to the window? Do you know of anything with a long, thin body?"
|
|
|
|
For a moment I offered no reply, studying the girl's pretty face,
|
|
her eager, blue-gray eyes widely opened and fixed upon mine.
|
|
She was not of the neurotic type, with her clear complexion
|
|
and sun-kissed neck; her arms, healthily toned by exposure
|
|
to the country airs, were rounded and firm, and she had the agile
|
|
shape of a young Diana with none of the anaemic languor which breeds
|
|
morbid dreams. She was frightened; yes, who would not have been?
|
|
But the mere idea of this thing which she believed to be in Redmoat,
|
|
without the apparition of the green eyes, must have prostrated
|
|
a victim of "nerves."
|
|
|
|
"Have you seen such a creature, Miss Eltham?"
|
|
|
|
She hesitated again, glancing down and pressing her finger-tips together.
|
|
|
|
"As father awoke and called out to know why I knocked,
|
|
I glanced from my window. The moonlight threw half the lawn
|
|
into shadow, and just disappearing in this shadow was something--
|
|
something of a brown color, marked with sections!"
|
|
|
|
"What size and shape?"
|
|
|
|
"It moved so quickly I could form no idea of its shape;
|
|
but I saw quite six feet of it flash across the grass!"
|
|
|
|
"Did you hear anything?"
|
|
|
|
"A swishing sound in the shrubbery, then nothing more."
|
|
|
|
She met my eyes expectantly. Her confidence in my powers of understanding
|
|
and sympathy was gratifying, though I knew that I but occupied the position
|
|
of a father-confessor.
|
|
|
|
"Have you any idea," I said, "how it came about that you awoke
|
|
in the train yesterday whilst your father did not?"
|
|
|
|
"We had coffee at a refreshment-room; it must have been drugged in some way.
|
|
I scarcely tasted mine, the flavor was so awful; but father is an old traveler
|
|
and drank the whole of his cupful!"
|
|
|
|
Mr. Eltham's voice called from below.
|
|
|
|
"Dr. Petrie," said the girl quickly, "what do you think they
|
|
want to do to him?"
|
|
|
|
"Ah!" I replied, "I wish I knew that."
|
|
|
|
"Will you think over what I have told you? For I do assure you there
|
|
is something here in Redmoat--something that comes and goes in spite
|
|
of father's `fortifications'? Caesar knows there is. Listen to him.
|
|
He drags at his chain so that I wonder he does not break it."
|
|
|
|
As we passed downstairs the howling of the mastiff sounded eerily
|
|
through the house, as did the clank-clank of the tightening chain
|
|
as he threw the weight of his big body upon it.
|
|
|
|
I sat in Smith's room that night for some time, he pacing the floor
|
|
smoking and talking.
|
|
|
|
"Eltham has influential Chinese friends," he said;
|
|
"but they dare not have him in Nan-Yang at present.
|
|
He knows the country as he knows Norfolk; he would see things!
|
|
|
|
"His precautions here have baffled the enemy, I think.
|
|
The attempt in the train points to an anxiety to waste no opportunity.
|
|
But whilst Eltham was absent (he was getting his outfit in London,
|
|
by the way) they have been fixing some second string to their fiddle here.
|
|
In case no opportunity offered before he returned, they provided
|
|
for getting at him here!"
|
|
|
|
"But how, Smith?"
|
|
|
|
"That's the mystery. But the dead dog in the shrubbery is significant."
|
|
|
|
"Do you think some emissary of Fu-Manchu is actually inside the moat?"
|
|
|
|
"It's impossible, Petrie. You are thinking of secret passages,
|
|
and so forth. There are none. Eltham has measured up every
|
|
foot of the place. There isn't a rathole left unaccounted for;
|
|
and as for a tunnel under the moat, the house stands on a solid
|
|
mass of Roman masonry, a former camp of Hadrian's time.
|
|
I have seen a very old plan of the Round Moat Priory as it
|
|
was called. There is no entrance and no exit save by the steps.
|
|
So how was the dog killed?"
|
|
|
|
I knocked out my pipe on a bar of the grate.
|
|
|
|
"We are in the thick of it here," I said.
|
|
|
|
"We are always in the thick of it," replied Smith. "Our danger is
|
|
no greater in Norfolk than in London. But what do they want to do?
|
|
That man in the train with the case of instruments--WHAT instruments?
|
|
Then the apparition of the green eyes to-night. Can they have been
|
|
the eyes of Fu-Manchu? Is some peculiarly unique outrage contemplated--
|
|
something calling for the presence of the master?"
|
|
|
|
"He may have to prevent Eltham's leaving England without killing him."
|
|
|
|
"Quite so. He probably has instructions to be merciful.
|
|
But God help the victim of Chinese mercy!"
|
|
|
|
I went to my own room then. But I did not even undress,
|
|
refilling my pipe and seating myself at the open window.
|
|
Having looked upon the awful Chinese doctor, the memory of
|
|
his face, with its filmed green eyes, could never leave me.
|
|
The idea that he might be near at that moment was a poor narcotic.
|
|
|
|
The howling and baying of the mastiff was almost continuous.
|
|
|
|
When all else in Redmoat was still the dog's mournful note yet rose on
|
|
the night with something menacing in it. I sat looking out across the sloping
|
|
turf to where the shrubbery showed as a black island in a green sea.
|
|
The moon swam in a cloudless sky, and the air was warm and fragrant
|
|
with country scents.
|
|
|
|
It was in the shrubbery that Denby's collie had met his mysterious death--
|
|
that the thing seen by Miss Eltham had disappeared. What uncanny secret
|
|
did it hold?
|
|
|
|
Caesar became silent.
|
|
|
|
As the stopping of a clock will sometimes awaken a sleeper, the abrupt
|
|
cessation of that distant howling, to which I had grown accustomed,
|
|
now recalled me from a world of gloomy imaginings.
|
|
|
|
I glanced at my watch in the moonlight. It was twelve minutes past midnight.
|
|
|
|
As I replaced it the dog suddenly burst out afresh, but now in a tone
|
|
of sheer anger. He was alternately howling and snarling in a way
|
|
that sounded new to me. The crashes, as he leapt to the end
|
|
of his chain, shook the building in which he was confined.
|
|
It was as I stood up to lean from the window and commanded a view
|
|
of the corner of the house that he broke loose.
|
|
|
|
With a hoarse bay he took that decisive leap, and I
|
|
heard his heavy body fall against the wooden wall.
|
|
There followed a strange, guttural cry. . .and the growling
|
|
of the dog died away at the rear of the house. He was out!
|
|
But that guttural note had not come from the throat of a dog.
|
|
Of what was he in pursuit?
|
|
|
|
At which point his mysterious quarry entered the shrubbery I do not know.
|
|
I only know that I saw absolutely nothing, until Caesar's lithe shape
|
|
was streaked across the lawn, and the great creature went crashing
|
|
into the undergrowth.
|
|
|
|
Then a faint sound above and to my right told me that I was not the only
|
|
spectator of the scene. I leaned farther from the window.
|
|
|
|
"Is that you, Miss Eltham?" I asked.
|
|
|
|
"Oh, Dr. Petrie!" she said. "I am so glad you are awake.
|
|
Can we do nothing to help? Caesar will be killed."
|
|
|
|
"Did you see what he went after?"
|
|
|
|
"No," she called back, and drew her breath sharply.
|
|
|
|
For a strange figure went racing across the grass.
|
|
It was that of a man in a blue dressing-gown, who held
|
|
a lantern high before him, and a revolver in his right hand.
|
|
Coincident with my recognition of Mr. Eltham he leaped,
|
|
plunging into the shrubbery in the wake of the dog.
|
|
|
|
But the night held yet another surprise; for Nayland Smith's voice came:
|
|
|
|
"Come back! Come back, Eltham!"
|
|
|
|
I ran out into the passage and downstairs. The front door was open.
|
|
A terrible conflict waged in the shrubbery, between the mastiff and
|
|
something else. Passing round to the lawn, I met Smith fully dressed.
|
|
He just had dropped from a first-floor window.
|
|
|
|
"The man is mad!" he snapped. "Heaven knows what lurks there!
|
|
He should not have gone alone!"
|
|
|
|
Together we ran towards the dancing light of Eltham's lantern.
|
|
The sounds of conflict ceased suddenly. Stumbling over
|
|
stumps and lashed by low-sweeping branches, we struggled
|
|
forward to where the clergyman knelt amongst the bushes.
|
|
He glanced up with tears in his eyes, as was revealed by
|
|
the dim light.
|
|
|
|
"Look!" he cried.
|
|
|
|
The body of the dog lay at his feet.
|
|
|
|
It was pitiable to think that the fearless brute should have met
|
|
his death in such a fashion, and when I bent and examined him I
|
|
was glad to find traces of life.
|
|
|
|
"Drag him out. He is not dead," I said.
|
|
|
|
"And hurry," rapped Smith, peering about him right and left.
|
|
|
|
So we three hurried from that haunted place, dragging the dog with us.
|
|
We were not molested. No sound disturbed the now perfect stillness.
|
|
|
|
By the lawn edge we came upon Denby, half dressed;
|
|
and almost immediately Edwards the gardener also appeared.
|
|
The white faces of the house servants showed at one window,
|
|
and Miss Eltham called to me from her room:
|
|
|
|
"Is he dead?"
|
|
|
|
"No," I replied; "only stunned."
|
|
|
|
We carried the dog round to the yard, and I examined his head.
|
|
It had been struck by some heavy blunt instrument, but the skull
|
|
was not broken. It is hard to kill a mastiff.
|
|
|
|
"Will you attend to him, Doctor?" asked Eltham.
|
|
"We must see that the villain does not escape."
|
|
|
|
His face was grim and set. This was a different man from the diffident
|
|
clergyman we knew: this was "Parson Dan" again.
|
|
|
|
I accepted the care of the canine patient, and Eltham with
|
|
the others went off for more lights to search the shrubbery.
|
|
As I was washing a bad wound between the mastiff's ears,
|
|
Miss Eltham joined me. It was the sound of her voice,
|
|
I think, rather than my more scientific ministration,
|
|
which recalled Caesar to life. For, as she entered, his tail
|
|
wagged feebly, and a moment later he struggled to his feet--
|
|
one of which was injured.
|
|
|
|
Having provided for his immediate needs, I left him in
|
|
charge of his young mistress and joined the search party.
|
|
They had entered the shrubbery from four points and drawn blank.
|
|
|
|
"There is absolutely nothing there, and no one can possibly have left
|
|
the grounds," said Eltham amazedly.
|
|
|
|
We stood on the lawn looking at one another, Nayland Smith,
|
|
angry but thoughtful, tugging at the lobe of his left ear,
|
|
as was his habit in moments of perplexity.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
|
|
WITH the first coming of light, Eltham, Smith and I tested the electrical
|
|
contrivances from every point. They were in perfect order.
|
|
It became more and more incomprehensible how anyone could have entered
|
|
and quitted Redmoat during the night. The barbed-wire fencing was intact,
|
|
and bore no signs of having been tampered with.
|
|
|
|
Smith and I undertook an exhaustive examination of the shrubbery.
|
|
|
|
At the spot where we had found the dog, some five paces to the west
|
|
of the copper beech, the grass and weeds were trampled and the
|
|
surrounding laurels and rhododendrons bore evidence of a struggle,
|
|
but no human footprint could be found.
|
|
|
|
"The ground is dry," said Smith. "We cannot expect much."
|
|
|
|
"In my opinion," I said, "someone tried to get at Caesar;
|
|
his presence is dangerous. And in his rage he broke loose."
|
|
|
|
"I think so, too," agreed Smith. "But why did this person make
|
|
for here? And how, having mastered the dog, get out of Redmoat?
|
|
I am open to admit the possibility of someone's getting in during
|
|
the day whilst the gates are open, and hiding until dusk.
|
|
But how in the name of all that's wonderful does he GET OUT?
|
|
He must possess the attributes of a bird."
|
|
|
|
I thought of Greba Eltham's statements, reminding my friend
|
|
of her description of the thing which she had seen passing
|
|
into this strangely haunted shrubbery.
|
|
|
|
"That line of speculation soon takes us out of our depth, Petrie," he said.
|
|
"Let us stick to what we can understand, and that may help us
|
|
to a clearer idea of what, at present, is incomprehensible.
|
|
My view of the case to date stands thus:
|
|
|
|
"(1) Eltham, having rashly decided to return to the interior of China,
|
|
is warned by an official whose friendship he has won in some way
|
|
to stay in England.
|
|
|
|
"(2) I know this official for one of the Yellow group represented
|
|
in England by Dr. Fu-Manchu.
|
|
|
|
"(3) Several attempts, of which we know but little, to get at
|
|
Eltham are frustrated, presumably by his curious `defenses.'
|
|
An attempt in a train fails owing to Miss Eltham's distaste
|
|
for refreshment-room coffee. An attempt here fails owing
|
|
to her insomnia.
|
|
|
|
"(4) During Eltham's absence from Redmoat certain preparations
|
|
are made for his return. These lead to:
|
|
|
|
"(a) The death of Denby's collie;
|
|
|
|
"(b) The things heard and seen by Miss Eltham;
|
|
|
|
"(c) The things heard and seen by us all last night.
|
|
|
|
"So that the clearing up of my fourth point--id est, the discovery
|
|
of the nature of these preparations--becomes our immediate concern.
|
|
The prime object of these preparations, Petrie, was to enable someone
|
|
to gain access to Eltham's room. The other events are incidental.
|
|
The dogs HAD to be got rid of, for instance; and there is no doubt
|
|
that Miss Eltham's wakefulness saved her father a second time."
|
|
|
|
"But from what? For Heaven's sake, from what?"
|
|
|
|
Smith glanced about into the light-patched shadows.
|
|
|
|
"From a visit by someone--perhaps by Fu-Manchu himself," he said in a
|
|
hushed voice. "The object of that visit I hope we may never learn;
|
|
for that would mean that it had been achieved."
|
|
|
|
"Smith," I said, "I do not altogether understand you; but do you
|
|
think he has some incredible creature hidden here somewhere?
|
|
It would be like him."
|
|
|
|
"I begin to suspect the most formidable creature in the known world
|
|
to be hidden here. I believe Fu-Manchu is somewhere inside Redmoat!"
|
|
|
|
Our conversation was interrupted at this point by Denby,
|
|
who came to report that he had examined the moat, the roadside,
|
|
and the bank of the stream, but found no footprints or clew
|
|
of any kind.
|
|
|
|
"No one left the grounds of Redmoat last night, I think," he said.
|
|
And his voice had awe in it.
|
|
|
|
That day dragged slowly on. A party of us scoured the neighborhood
|
|
for traces of strangers, examining every foot of the Roman ruin
|
|
hard by; but vainly.
|
|
|
|
"May not your presence here induce Fu-Manchu to abandon his plans?"
|
|
I asked Smith.
|
|
|
|
"I think not," he replied. "You see, unless we can prevail upon him,
|
|
Eltham sails in a fortnight. So the Doctor has no time to waste.
|
|
Furthermore, I have an idea that his arrangements are of such a character
|
|
that they MUST go forward. He might turn aside, of course,
|
|
to assassinate me, if opportunity arose! But we know, from experience,
|
|
that he permits nothing to interfere with his schemes."
|
|
|
|
There are few states, I suppose, which exact so severe a toll from one's
|
|
nervous system as the ANTICIPATION of calamity.
|
|
|
|
All anticipation is keener, be it of joy or pain, than the reality
|
|
whereof it is a mental forecast; but that inactive waiting at Redmoat,
|
|
for the blow which we knew full well to be pending exceeded in its
|
|
nerve taxation, anything, I hitherto had experienced.
|
|
|
|
I felt as one bound upon an Aztec altar, with the priest's obsidian
|
|
knife raised above my breast!
|
|
|
|
Secret and malign forces throbbed about us; forces against which
|
|
we had no armor. Dreadful as it was, I count it a mercy that
|
|
the climax was reached so quickly. And it came suddenly enough;
|
|
for there in that quiet Norfolk home we found ourselves at hand
|
|
grips with one of the mysterious horrors which characterized
|
|
the operations of Dr. Fu-Manchu. It was upon us before we realized it.
|
|
There is no incidental music to the dramas of real life.
|
|
|
|
As we sat on the little terrace in the creeping twilight,
|
|
I remember thinking how the peace of the scene gave the lie
|
|
to my fears that we bordered upon tragic things. Then Caesar,
|
|
who had been a docile patient all day, began howling again;
|
|
and I saw Greba Eltham shudder.
|
|
|
|
I caught Smith's eye, and was about to propose our retirement indoors,
|
|
when the party was broken up in more turbulent fashion. I suppose it
|
|
was the presence of the girl which prompted Denby to the rash act,
|
|
a desire personally to distinguish himself. But, as I recalled afterwards,
|
|
his gaze had rarely left the shrubbery since dusk, save to seek her face,
|
|
and now he leaped wildly to his feet, overturning his chair, and dashed
|
|
across the grass to the trees.
|
|
|
|
"Did you see it?" he yelled. "Did you see it?"
|
|
|
|
He evidently carried a revolver. For from the edge of the shrubbery
|
|
a shot sounded, and in the flash we saw Denby with the weapon raised.
|
|
|
|
"Greba, go in and fasten the windows," cried Eltham.
|
|
"Mr. Smith, will you enter the bushes from the west.
|
|
Dr. Petrie, east. Edwards, Edwards--" And he was off across
|
|
the lawn with the nervous activity of a cat.
|
|
|
|
As I made off in an opposite direction I heard the gardener's
|
|
voice from the lower gate, and I saw Eltham's plan.
|
|
It was to surround the shrubbery.
|
|
|
|
Two more shots and two flashes from the dense heart of greenwood.
|
|
Then a loud cry--I thought, from Denby--and a second, muffled one.
|
|
|
|
Following--silence, only broken by the howling of the mastiff.
|
|
|
|
I sprinted through the rose garden, leaped heedlessly over a bed of geranium
|
|
and heliotrope, and plunged in among the bushes and under the elms.
|
|
Away on the left I heard Edwards shouting, and Eltham's answering voice.
|
|
|
|
"Denby!" I cried, and yet louder: "Denby!"
|
|
|
|
But the silence fell again.
|
|
|
|
Dusk was upon Redmoat now, but from sitting in the twilight my eyes had
|
|
grown accustomed to gloom, and I could see fairly well what lay before me.
|
|
Not daring to think what might lurk above, below, around me, I pressed
|
|
on into the midst of the thicket.
|
|
|
|
"Vernon!" came Eltham's voice from one side.
|
|
|
|
"Bear more to the right, Edwards," I heard Nayland Smith cry
|
|
directly ahead of me.
|
|
|
|
With an eerie and indescribable sensation of impending disaster upon me,
|
|
I thrust my way through to a gray patch which marked a break in the
|
|
elmen roof. At the foot of the copper beech I almost fell over Eltham.
|
|
Then Smith plunged into view. Lastly, Edwards the gardener rounded a big
|
|
rhododendron and completed the party.
|
|
|
|
We stood quite still for a moment.
|
|
|
|
A faint breeze whispered through the beech leaves.
|
|
|
|
"Where is he?"
|
|
|
|
I cannot remember who put it into words; I was too dazed with amazement
|
|
to notice. Then Eltham began shouting:
|
|
|
|
"Vernon! Vernon! VERNON!"
|
|
|
|
His voice pitched higher upon each repetition. There was something
|
|
horrible about that vain calling, under the whispering beech,
|
|
with shrubs banked about us cloaking God alone could know what.
|
|
|
|
From the back of the house came Caesar's faint reply.
|
|
|
|
"Quick! Lights!" rapped Smith. "Every lamp you have!"
|
|
|
|
Off we went, dodging laurels and privets, and poured out on to the lawn,
|
|
a disordered company. Eltham's face was deathly pale, and his jaw set hard.
|
|
He met my eye.
|
|
|
|
"God forgive me!" he said. "I could do murder to-night!"
|
|
|
|
He was a man composed of strange perplexities.
|
|
|
|
It seemed an age before the lights were found. But at last we returned
|
|
to the bushes, really after a very brief delay; and ten minutes
|
|
sufficed us to explore the entire shrubbery, for it was not extensive.
|
|
We found his revolver, but there was no one there--nothing.
|
|
|
|
When we all stood again on the lawn, I thought that I had never seen
|
|
Smith so haggard.
|
|
|
|
"What in Heaven's name can we do?" he muttered.
|
|
"What does it mean?"
|
|
|
|
He expected no answer; for there was none to offer one.
|
|
|
|
"Search! Everywhere," said Eltham hoarsely.
|
|
|
|
He ran off into the rose garden, and began beating about among
|
|
the flowers like a madman, muttering: "Vernon! Vernon!" For close
|
|
upon an hour we all searched. We searched every square yard, I think,
|
|
within the wire fencing, and found no trace. Miss Eltham slipped out
|
|
in the confusion, and joined with the rest of us in that frantic hunt.
|
|
Some of the servants assisted too.
|
|
|
|
It was a group terrified and awestricken which came together
|
|
again on the terrace. One and then another would give up,
|
|
until only Eltham and Smith were missing. Then they came back
|
|
together from examining the steps to the lower gate.
|
|
|
|
Eltham dropped on to a rustic seat, and sank his head in his hands.
|
|
|
|
Nayland Smith paced up and down like a newly caged animal,
|
|
snapping his teeth together and tugging at his ear.
|
|
|
|
Possessed by some sudden idea, or pressed to action by his
|
|
tumultuous thoughts, he snatched up a lantern and strode silently off
|
|
across the grass and to the shrubbery once more. I followed him.
|
|
I think his idea was that he might surprise anyone who lurked there.
|
|
He surprised himself, and all of us.
|
|
|
|
For right at the margin he tripped and fell flat.
|
|
I ran to him.
|
|
|
|
He had fallen over the body of Denby, which lay there!
|
|
|
|
Denby had not been there a few moments before, and how he came
|
|
to be there now we dared not conjecture. Mr. Eltham joined us,
|
|
uttered one short, dry sob, and dropped upon his knees.
|
|
Then we were carrying Denby back to the house, with the mastiff
|
|
howling a marche funebre.
|
|
|
|
We laid him on the grass where it sloped down from the terrace.
|
|
Nayland Smith's haggard face was terrible. But the stark horror of
|
|
the thing inspired him to that, which conceived earlier, had saved Denby.
|
|
Twisting suddenly to Eltham, he roared in a voice audible beyond the river:
|
|
|
|
"Heavens! we are fools! LOOSE THE DOG!"
|
|
|
|
"But the dog--" I began.
|
|
|
|
Smith clapped his hand over my mouth.
|
|
|
|
"I know he's crippled," he whispered. "But if anything human lurks there,
|
|
the dog will lead us to it. If a MAN is there, he will fly! Why did
|
|
we not think of it before. Fools, fools!" He raised his voice again.
|
|
"Keep him on leash, Edwards. He will lead us."
|
|
|
|
The scheme succeeded.
|
|
|
|
Edwards barely had started on his errand when bells began ridging
|
|
inside the house.
|
|
|
|
"Wait!" snapped Eltham, and rushed indoors.
|
|
|
|
A moment later he was out again, his eyes gleaming madly.
|
|
"Above the moat," he panted. And we were off en masse
|
|
round the edge of the trees.
|
|
|
|
It was dark above the moat; but not so dark as to prevent our
|
|
seeing a narrow ladder of thin bamboo joints and silken cord
|
|
hanging by two hooks from the top of the twelve-foot wire fence.
|
|
There was no sound.
|
|
|
|
"He's out!" screamed Eltham. "Down the steps!"
|
|
|
|
We all ran our best and swiftest. But Eltham outran us. Like a fury
|
|
he tore at bolts and bars, and like a fury sprang out into the road.
|
|
Straight and white it showed to the acclivity by the Roman ruin.
|
|
But no living thing moved upon it. The distant baying of the dog
|
|
was borne to our ears.
|
|
|
|
"Curse it! he's crippled," hissed Smith. "Without him,
|
|
as well pursue a shadow!"
|
|
|
|
|
|
A few hours later the shrubbery yielded up its secret, a simple one enough:
|
|
A big cask sunk in a pit, with a laurel shrub cunningly affixed
|
|
to its movable lid, which was further disguised with tufts of grass.
|
|
A slender bamboo-jointed rod lay near the fence. It had a hook on the top,
|
|
and was evidently used for attaching the ladder.
|
|
|
|
"It was the end of this ladder which Miss Eltham saw," said Smith,
|
|
"as he trailed it behind him into the shrubbery when she interrupted
|
|
him in her fathers room. He and whomever he had with him doubtless
|
|
slipped in during the daytime--whilst Eltham was absent in London--
|
|
bringing the prepared cask and all necessary implements with them.
|
|
They concealed themselves somewhere--probably in the shrubbery--
|
|
and during the night made the cache. The excavated earth would be
|
|
disposed of on the flower-beds; the dummy bush they probably had ready.
|
|
You see, the problem of getting IN was never a big one.
|
|
But owing to the `defenses' it was impossible (whilst Eltham
|
|
was in residence at any rate) to get OUT after dark.
|
|
For Fu-Manchu's purposes, then, a working-base INSIDE
|
|
Redmoat was essential. His servant--for he needed assistance--
|
|
must have been in hiding somewhere outside; Heaven knows where!
|
|
During the day they could come or go by the gates, as we
|
|
have already noted."
|
|
|
|
"You think it was the Doctor himself?"
|
|
|
|
"It seems possible. Whom else has eyes like the eyes Miss Eltham
|
|
saw from the window last night?"
|
|
|
|
Then remains to tell the nature of the outrage whereby Fu-Manchu had planned
|
|
to prevent Eltham's leaving England for China. This we learned from Denby.
|
|
For Denby was not dead.
|
|
|
|
It was easy to divine that he had stumbled upon the fiendish
|
|
visitor at the very entrance to his burrow; had been stunned
|
|
(judging from the evidence, with a sand-bag), and dragged down into
|
|
the cache--to which he must have lain in such dangerous proximity
|
|
as to render detection of the dummy bush possible in removing him.
|
|
The quickest expedient, then, had been to draw him beneath.
|
|
When the search of the shrubbery was concluded, his body had been
|
|
borne to the edge of the bushes and laid where we found it.
|
|
|
|
Why his life had been spared, I cannot conjecture, but provision
|
|
had been made against his recovering consciousness and revealing
|
|
the secret of the shrubbery. The ruse of releasing the mastiff alone
|
|
had terminated the visit of the unbidden guest within Redmoat.
|
|
|
|
Denby made a very slow recovery; and, even when convalescent,
|
|
consciously added not one fact to those we already had collated;
|
|
his memory had completely deserted him!
|
|
|
|
This, in my opinion, as in those of the several specialists consulted,
|
|
was due, not to the blow on the head, but to the presence,
|
|
slightly below and to the right of the first cervical curve of the spine,
|
|
of a minute puncture--undoubtedly caused by a hypodermic syringe.
|
|
Then, unconsciously, poor Denby furnished the last link in the chain;
|
|
for undoubtedly, by means of this operation, Fu-Manchu had designed
|
|
to efface from Eltham's mind his plans of return to Ho-Nan.
|
|
|
|
The nature of the fluid which could produce such mental symptoms
|
|
was a mystery--a mystery which defied Western science:
|
|
one of the many strange secrets of Dr. Fu-Manchu.
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
|
|
SINCE Nayland Smith's return from Burma I had rarely taken up a paper
|
|
without coming upon evidences of that seething which had cast up
|
|
Dr. Fu-Manchu. Whether, hitherto, such items had escaped my attention
|
|
or had seemed to demand no particular notice, or whether they now became
|
|
increasingly numerous, I was unable to determine.
|
|
|
|
One evening, some little time after our sojourn in Norfolk,
|
|
in glancing through a number of papers which I had brought in with me,
|
|
I chanced upon no fewer than four items of news bearing more or less
|
|
directly upon the grim business which engaged my friend and I.
|
|
|
|
No white man, I honestly believe, appreciates the unemotional cruelty
|
|
of the Chinese. Throughout the time that Dr. Fu-Manchu remained in England,
|
|
the press preserved a uniform silence upon the subject of his existence.
|
|
This was due to Nayland Smith. But, as a result, I feel assured
|
|
that my account of the Chinaman's deeds will, in many quarters,
|
|
meet with an incredulous reception.
|
|
|
|
I had been at work, earlier in the evening, upon the opening
|
|
chapters of this chronicle, and I had realized how difficult
|
|
it would be for my reader, amid secure and cozy surroundings,
|
|
to credit any human being, with a callous villainy great enough
|
|
to conceive and to put into execution such a death pest
|
|
as that directed against Sir Crichton Davey.
|
|
|
|
One would expect God's worst man to shrink from employing--
|
|
against however vile an enemy--such an instrument as the Zayat Kiss.
|
|
So thinking, my eye was caught by the following:--
|
|
|
|
|
|
EXPRESS CORRESPONDENT
|
|
|
|
NEW YORK.
|
|
|
|
"Secret service men of the United States Government are searching
|
|
the South Sea Islands for a certain Hawaiian from the island
|
|
of Maui, who, it is believed, has been selling poisonous scorpions
|
|
to Chinese in Honolulu anxious to get rid of their children.
|
|
|
|
"Infanticide, by scorpion and otherwise, among the Chinese,
|
|
has increased so terribly that the authorities have started
|
|
a searching inquiry, which has led to the hunt for the scorpion
|
|
dealer of Maui.
|
|
|
|
"Practically all the babies that die mysteriously are unwanted girls,
|
|
and in nearly every case the parents promptly ascribe the death to the bite
|
|
of a scorpion, and are ready to produce some more or less poisonous insect
|
|
in support of the statement.
|
|
|
|
"The authorities have no doubt that infanticide by scorpion
|
|
bite is a growing practice, and orders have been given to hunt
|
|
down the scorpion dealer at any cost."
|
|
|
|
|
|
Is it any matter for wonder that such a people had produced a
|
|
Fu-Manchu? I pasted the cutting into a scrap-book, determined that,
|
|
if I lived to publish my account of those days, I would quote it
|
|
therein as casting a sidelight upon Chinese character.
|
|
|
|
A Reuter message to The Globe and a paragraph in The
|
|
Star also furnished work for my scissors. Here were evidences
|
|
of the deep-seated unrest, the secret turmoil, which manifested
|
|
itself so far from its center as peaceful England in the person
|
|
of the sinister Doctor.
|
|
|
|
|
|
"HONG KONG, Friday.
|
|
|
|
"Li Hon Hung, the Chinaman who fired at the Governor yesterday,
|
|
was charged before the magistrate with shooting at him with
|
|
intent to kill, which is equivalent to attempted murder.
|
|
The prisoner, who was not defended, pleaded guilty.
|
|
The Assistant Crown Solicitor, who prosecuted, asked for a remand
|
|
until Monday, which was granted.
|
|
|
|
"Snapshots taken by the spectators of the outrage yesterday disclosed
|
|
the presence of an accomplice, also armed with a revolver.
|
|
It is reported that this man, who was arrested last night,
|
|
was in possession of incriminating documentary evidence."
|
|
|
|
|
|
Later.
|
|
|
|
"Examination of the documents found on Li Hon Hung's accomplice
|
|
has disclosed the fact that both men were well financed by
|
|
the Canton Triad Society, the directors of which had enjoined
|
|
the assassination of Sir F. M. or Mr. C. S., the Colonial Secretary.
|
|
In a report prepared by the accomplice for dispatch to Canton,
|
|
also found on his person, he expressed regret that the attempt
|
|
had failed."--Reuter.
|
|
|
|
"It is officially reported in St. Petersburg that a force of Chinese soldiers
|
|
and villagers surrounded the house of a Russian subject named Said Effendi,
|
|
near Khotan, in Chinese Turkestan.
|
|
|
|
"They fired at the house and set it in flames. There were in the house
|
|
about 100 Russians, many of whom were killed.
|
|
|
|
"The Russian Government has instructed its Minister at Peking to make
|
|
the most vigorous representations on the subject."--Reuter.
|
|
|
|
|
|
Finally, in a Personal Column, I found the following:--
|
|
|
|
"HO-NAN. Have abandoned visit.--ELTHAM."
|
|
|
|
|
|
I had just pasted it into my book when Nayland Smith came in and
|
|
threw himself into an arm-chair, facing me across the table.
|
|
I showed him the cutting.
|
|
|
|
"I am glad, for Eltham's sake--and for the girl's," was his comment.
|
|
"But it marks another victory for Fu-Manchu! Just Heaven! Why is
|
|
retribution delayed!"
|
|
|
|
Smith's darkly tanned face had grown leaner than ever
|
|
since he bad begun his fight with the most uncanny opponent,
|
|
I suppose, against whom a man ever had pitted himself.
|
|
He stood up and began restlessly to pace the room,
|
|
furiously stuffing tobacco into his briar.
|
|
|
|
"I have seen Sir Lionel Barton," he said abruptly; "and, to put the whole
|
|
thing in a nutshell, he has laughed at me! During the months that I
|
|
have been wondering where he had gone to he has been somewhere in Egypt.
|
|
He certainly bears a charmed life, for on the evidence of his letter
|
|
to The Times he has seen things in Tibet which Fu-Manchu would
|
|
have the West blind to; in fact, I think he has found a new keyhole
|
|
to the gate of the Indian Empire!"
|
|
|
|
Long ago we had placed the name of Sir Lionel Barton upon the list of
|
|
those whose lives stood between Fu-Manchu and the attainment of his end.
|
|
Orientalist and explorer, the fearless traveler who first had penetrated
|
|
to Lhassa, who thrice, as a pilgrim, had entered forbidden Mecca,
|
|
he now had turned his attention again to Tibet--thereby signing
|
|
his own death-warrant.
|
|
|
|
"That he has reached England alive is a hopeful sign?" I suggested.
|
|
|
|
Smith shook his head, and lighted the blackened briar.
|
|
|
|
"England at present is the web," he replied. "The spider will be waiting.
|
|
Petrie, I sometimes despair. Sir Lionel is an impossible man to shepherd.
|
|
You ought to see his house at Finchley. A low, squat place completely
|
|
hemmed in by trees. Damp as a swamp; smells like a jungle.
|
|
Everything topsy-turvy. He only arrived to-day, and he is working and eating
|
|
(and sleeping I expect), in a study that looks like an earthquake at Sotheby's
|
|
auction-rooms. The rest of the house is half a menagerie and half a circus.
|
|
He has a Bedouin groom, a Chinese body-servant, and Heaven only knows
|
|
what other strange people!"
|
|
|
|
"Chinese!"
|
|
|
|
"Yes, I saw him; a squinting Cantonese he calls Kwee. I don't like him.
|
|
Also, there is a secretary known as Strozza, who has an unpleasant face.
|
|
He is a fine linguist, I understand, and is engaged upon the Spanish
|
|
notes for Barton's forthcoming book on the Mayapan temples.
|
|
By the way, all Sir Lionel's baggage disappeared from the landing-stage--
|
|
including his Tibetan notes."
|
|
|
|
"Significant!"
|
|
|
|
"Of course. But he argues that he has crossed Tibet from the Kuen-Lun
|
|
to the Himalayas without being assassinated, and therefore
|
|
that it is unlikely he will meet with that fate in London.
|
|
I left him dictating the book from memory, at the rate of about
|
|
two hundred words a minute."
|
|
|
|
"He is wasting no time."
|
|
|
|
"Wasting time! In addition to the Yucatan book and the work on Tibet,
|
|
he has to read a paper at the Institute next week about some tomb he has
|
|
unearthed in Egypt. As I came away, a van drove up from the docks
|
|
and a couple of fellows delivered a sarcophagus as big as a boat.
|
|
It is unique, according to Sir Lionel, and will go to the British Museum
|
|
after he has examined it. The man crams six months' work into six weeks;
|
|
then he is off again."
|
|
|
|
"What do you propose to do?"
|
|
|
|
"What CAN I do? I know that Fu-Manchu will make an attempt upon him.
|
|
I cannot doubt it. Ugh! that house gave me the shudders.
|
|
No sunlight, I'll swear, Petrie, can ever penetrate to the rooms,
|
|
and when I arrived this afternoon clouds of gnats floated like motes
|
|
wherever a stray beam filtered through the trees of the avenue.
|
|
There's a steamy smell about the place that is almost malarious,
|
|
and the whole of the west front is covered with a sort of
|
|
monkey-creeper, which he has imported at some time or other.
|
|
It has a close, exotic perfume that is quite in the picture.
|
|
I tell you, the place was made for murder."
|
|
|
|
"Have you taken any precautions?"
|
|
|
|
"I called at Scotland Yard and sent a man down to watch the house, but--"
|
|
|
|
He shrugged his shoulders helplessly.
|
|
|
|
"What is Sir Lionel like?"
|
|
|
|
"A madman, Petrie. A tall, massive man, wearing a dirty
|
|
dressing-gown of neutral color; a man with untidy gray hair
|
|
and a bristling mustache, keen blue eyes, and a brown skin;
|
|
who wears a short beard or rarely shaves--I don't know which.
|
|
I left him striding about among the thousand and one curiosities
|
|
of that incredible room, picking his way through his antique
|
|
furniture, works of reference, manuscripts, mummies, spears,
|
|
pottery and what not--sometimes kicking a book from his course,
|
|
or stumbling over a stuffed crocodile or a Mexican mask--
|
|
alternately dictating and conversing. Phew!"
|
|
|
|
For some time we were silent.
|
|
|
|
"Smith" I said, "we are making no headway in this business.
|
|
With all the forces arrayed against him, Fu-Manchu still eludes us,
|
|
still pursues his devilish, inscrutable way."
|
|
|
|
Nayland Smith nodded.
|
|
|
|
"And we don't know all," he said. "We mark such and such a man
|
|
as one alive to the Yellow Peril, and we warn him--if we have time.
|
|
Perhaps he escapes; perhaps he does not. But what do we know, Petrie,
|
|
of those others who may die every week by his murderous agency?
|
|
We cannot know EVERYONE who has read the riddle of China.
|
|
I never see a report of someone found drowned, of an apparent suicide,
|
|
of a sudden, though seemingly natural death, without wondering.
|
|
I tell you, Fu-Manchu is omnipresent; his tentacles embrace everything.
|
|
I said that Sir Lionel must bear a charmed life. The fact that <i
|
|
we> are alive is a miracle."
|
|
|
|
He glanced at his watch.
|
|
|
|
"Nearly eleven," he said. "But sleep seems a waste of time--
|
|
apart from its dangers."
|
|
|
|
We heard a bell ring. A few moments later followed a knock
|
|
at the room door.
|
|
|
|
"Come in!" I cried.
|
|
|
|
A girl entered with a telegram addressed to Smith.
|
|
His jaw looked very square in the lamplight, and his eyes shone
|
|
like steel as he took it from her and opened the envelope.
|
|
He glanced at the form, stood up and passed it to me,
|
|
reaching for his hat, which lay upon my writing-table.
|
|
|
|
"God help us, Petrie!" he said.
|
|
|
|
This was the message:
|
|
|
|
|
|
"Sir Lionel Barton murdered. Meet me at his house
|
|
at once.--WEYMOUTH, INSPECTOR."
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
|
|
ALTHOUGH we avoided all unnecessary delay, it was close upon
|
|
midnight when our cab swung round into a darkly shadowed avenue,
|
|
at the farther end of which, as seen through a tunnel,
|
|
the moonlight glittered upon the windows of Rowan House,
|
|
Sir Lionel Barton's home.
|
|
|
|
Stepping out before the porch of the long, squat building, I saw
|
|
that it was banked in, as Smith had said, by trees and shrubs.
|
|
The facade showed mantled in the strange exotic creeper
|
|
which he had mentioned, and the air was pungent with an odor
|
|
of decaying vegetation, with which mingled the heavy perfume
|
|
of the little nocturnal red flowers which bloomed luxuriantly
|
|
upon the creeper.
|
|
|
|
The place looked a veritable wilderness, and when we were admitted
|
|
to the hall by Inspector Weymouth I saw that the interior was in keeping
|
|
with the exterior, for the hall was constructed from the model of some
|
|
apartment in an Assyrian temple, and the squat columns, the low seats,
|
|
the hangings, all were eloquent of neglect, being thickly dust-coated.
|
|
The musty smell, too, was almost as pronounced here as outside,
|
|
beneath the trees.
|
|
|
|
To a library, whose contents overflowed in many literary torrents
|
|
upon the floor, the detective conducted us.
|
|
|
|
"Good heavens!" I cried, "what's that?"
|
|
|
|
Something leaped from the top of the bookcase, ambled silently
|
|
across the littered carpet, and passed from the library like a
|
|
golden streak. I stood looking after it with startled eyes.
|
|
Inspector Weymouth laughed dryly.
|
|
|
|
"It's a young puma, or a civet-cat, or something, Doctor," he said.
|
|
"This house is full of surprises--and mysteries."
|
|
|
|
His voice was not quite steady, I thought, and he carefully closed
|
|
the door ere proceeding further.
|
|
|
|
"Where is he?" asked Nayland Smith harshly. "How was it done?"
|
|
|
|
Weymouth sat down and lighted a cigar which I offered him.
|
|
|
|
"I thought you would like to hear what led up to it--so far as we know--
|
|
before seeing him?"
|
|
|
|
Smith nodded.
|
|
|
|
"Well," continued the Inspector, "the man you arranged to send
|
|
down from the Yard got here all right and took up a post in the
|
|
road outside, where he could command a good view of the gates.
|
|
He saw and heard nothing, until going on for half-past ten,
|
|
when a young lady turned up and went in."
|
|
|
|
"A young lady?"
|
|
|
|
"Miss Edmonds, Sir Lionel's shorthand typist. She had found,
|
|
after getting home, that her bag, with her purse in,
|
|
was missing, and she came back to see if she had left it here.
|
|
She gave the alarm. My man heard the row from the road and came in.
|
|
Then he ran out and rang us up. I immediately wired for you."
|
|
|
|
"He heard the row, you say. What row?"
|
|
|
|
"Miss Edmonds went into violent hysterics!"
|
|
|
|
Smith was pacing the room now in tense excitement.
|
|
|
|
"Describe what he saw when he came in."
|
|
|
|
"He saw a negro footman--there isn't an Englishman in the house--
|
|
trying to pacify the girl out in the hall yonder, and a Malay
|
|
and another colored man beating their foreheads and howling.
|
|
There was no sense to be got out of any of them, so he started
|
|
to investigate for himself. He had taken the bearings of the place
|
|
earlier in the evening, and from the light in a window on the ground
|
|
floor had located the study; so he set out to look for the door.
|
|
When he found it, it was locked from the inside."
|
|
|
|
"Well?"
|
|
|
|
"He went out and round to the window. There's no blind, and from
|
|
the shrubbery you can see into the lumber-room known as the study.
|
|
He looked in, as apparently Miss Edmonds had done before him.
|
|
What he saw accounted for her hysterics."
|
|
|
|
Both Smith and I were hanging upon his words.
|
|
|
|
"All amongst the rubbish on the floor a big Egyptian mummy case was
|
|
lying on its side, and face downwards, with his arms thrown across it,
|
|
lay Sir Lionel Barton."
|
|
|
|
"My God! Yes. Go on."
|
|
|
|
"There was only a shaded reading-lamp alight, and it stood on a chair,
|
|
shining right down on him; it made a patch of light on the floor,
|
|
you understand." The Inspector indicated its extent with his bands.
|
|
"Well, as the man smashed the glass and got the window open,
|
|
and was just climbing in, he saw something else, so he says."
|
|
|
|
He paused.
|
|
|
|
"What did he see?" demanded Smith shortly.
|
|
|
|
"A sort of GREEN MIST, sir. He says it seemed to be alive.
|
|
It moved over the floor, about a foot from the ground, going away
|
|
from him and towards a curtain at the other end of the study."
|
|
|
|
Nayland Smith fixed his eyes upon the speaker.
|
|
|
|
"Where did he first see this green mist?"
|
|
|
|
"He says, Mr. Smith, that he thinks it came from the mummy case."
|
|
|
|
"Yes; go on."
|
|
|
|
"It is to his credit that he climbed into the room after
|
|
seeing a thing like that. He did. He turned the body over,
|
|
and Sir Lionel looked horrible. He was quite dead.
|
|
Then Croxted--that's the man's name--went over to this curtain.
|
|
There was a glass door--shut. He opened it, and it gave on
|
|
a conservatory--a place stacked from the tiled floor to the glass
|
|
roof with more rubbish. It was dark inside, but enough light
|
|
came from the study--it's really a drawing-room, by the way--
|
|
as he'd turned all the lamps on, to give him another glimpse
|
|
of this green, crawling mist. There are three steps to go down.
|
|
On the steps lay a dead Chinaman."
|
|
|
|
"A dead Chinaman!"
|
|
|
|
"A dead CHINAMAN."
|
|
|
|
"Doctor seen them?" rapped Smith.
|
|
|
|
"Yes; a local man. He was out of his depth, I could see.
|
|
Contradicted himself three times. But there's no need for
|
|
another opinion--until we get the coroner's."
|
|
|
|
"And Croxted?"
|
|
|
|
"Croxted was taken ill, Mr. Smith, and had to be sent home in a cab."
|
|
|
|
"What ails him?"
|
|
|
|
Detective-Inspector Weymouth raised his eyebrows and carefully
|
|
knocked the ash from his cigar.
|
|
|
|
"He held out until I came, gave me the story, and then fainted right away.
|
|
He said that something in the conservatory seemed to get him by the throat."
|
|
|
|
"Did he mean that literally?"
|
|
|
|
"I couldn't say. We had to send the girl home, too, of course."
|
|
|
|
Nayland Smith was pulling thoughtfully at the lobe of his left ear.
|
|
|
|
"Got any theory?" he jerked.
|
|
|
|
Weymouth shrugged his shoulders.
|
|
|
|
"Not one that includes the green mist," he said.
|
|
"Shall we go in now?"
|
|
|
|
We crossed the Assyrian hall, where the members of that strange
|
|
household were gathered in a panic-stricken group. They numbered four.
|
|
Two of them were negroes, and two Easterns of some kind. I missed
|
|
the Chinaman, Kwee, of whom Smith had spoken, and the Italian secretary;
|
|
and from the way in which my friend peered about the shadows
|
|
of the hall I divined that he, too, wondered at their absence.
|
|
We entered Sir Lionel's study--an apartment which I despair of describing.
|
|
|
|
Nayland Smith's words, "an earthquake at Sotheby's auction-rooms,"
|
|
leaped to my mind at once; for the place was simply stacked
|
|
with curious litter--loot of Africa, Mexico and Persia.
|
|
In a clearing by the hearth a gas stove stood upon a packing-case,
|
|
and about it lay a number of utensils for camp cookery.
|
|
The odor of rotting vegetation, mingled with the insistent
|
|
perfume of the strange night-blooming flowers, was borne
|
|
in through the open window.
|
|
|
|
In the center of the floor, beside an overturned sarcophagus,
|
|
lay a figure in a neutral-colored dressing-gown, face downwards,
|
|
and arms thrust forward and over the side of the ancient
|
|
Egyptian mummy case.
|
|
|
|
My friend advanced and knelt beside the dead man.
|
|
|
|
"Good God!"
|
|
|
|
Smith sprang upright and turned with an extraordinary expression
|
|
to Inspector Weymouth.
|
|
|
|
"You do not know Sir Lionel Barton by sight?" he rapped.
|
|
|
|
"No," began Weymouth, "but--"
|
|
|
|
"This is not Sir Lionel. This is Strozza, the secretary."
|
|
|
|
"What!" shouted Weymouth.
|
|
|
|
"Where is the other--the Chinaman--quick!" cried Smith.
|
|
|
|
"I have had him left where he was found--on the conservatory steps,"
|
|
said the Inspector.
|
|
|
|
Smith ran across the room to where, beyond the open door,
|
|
a glimpse might be obtained of stacked-up curiosities.
|
|
Holding back the curtain to allow more light to penetrate,
|
|
he bent forward over a crumpled-up figure which lay upon
|
|
the steps below.
|
|
|
|
"It is!" he cried aloud. "It is Sir Lionel's servant, Kwee."
|
|
|
|
Weymouth and I looked at one another across the body of the Italian;
|
|
then our eyes turned together to where my friend, grim-faced, stood
|
|
over the dead Chinaman. A breeze whispered through the leaves;
|
|
a great wave of exotic perfume swept from the open window towards
|
|
the curtained doorway.
|
|
|
|
It was a breath of the East--that stretched out a yellow hand to the West.
|
|
It was symbolic of the subtle, intangible power manifested in Dr. Fu-Manchu,
|
|
as Nayland Smith--lean, agile, bronzed with the suns of Burma, was symbolic
|
|
of the clean British efficiency which sought to combat the insidious enemy.
|
|
|
|
"One thing is evident," said Smith: "no one in the house, Strozza excepted,
|
|
knew that Sir Lionel was absent."
|
|
|
|
"How do you arrive at that?" asked Weymouth.
|
|
|
|
"The servants, in the hall, are bewailing him as dead.
|
|
If they had seen him go out they would know that it must
|
|
be someone else who lies here."
|
|
|
|
"What about the Chinaman?"
|
|
|
|
"Since there is no other means of entrance to the conservatory save
|
|
through the study, Kwee must have hidden himself there at some time
|
|
when his master was absent from the room."
|
|
|
|
"Croxted found the communicating door closed. What killed the Chinaman?"
|
|
|
|
"Both Miss Edmonds and Croxted found the study door locked from the inside.
|
|
What killed Strozza?" retorted Smith.
|
|
|
|
"You will have noted," continued the Inspector, "that the secretary is
|
|
wearing Sir Lionel's dressing-gown. It was seeing him in that, as she looked
|
|
in at the window, which led Miss Edmonds to mistake him for her employer--
|
|
and consequently to put us on the wrong scent."
|
|
|
|
"He wore it in order that anybody looking in at the window would
|
|
be sure to make that mistake," rapped Smith.
|
|
|
|
"Why?" I asked.
|
|
|
|
"Because he came here for a felonious purpose. See." Smith stooped
|
|
and took up several tools from the litter on the floor.
|
|
"There lies the lid. He came to open the sarcophagus.
|
|
It contained the mummy of some notable person who flourished
|
|
under Meneptah II; and Sir Lionel told me that a number of valuable
|
|
ornaments and jewels probably were secreted amongst the wrappings.
|
|
He proposed to open the thing and to submit the entire contents
|
|
to examination to-night. He evidently changed his mind--
|
|
fortunately for himself."
|
|
|
|
I ran my fingers through my hair in perplexity.
|
|
|
|
"Then what has become of the mummy?"
|
|
|
|
Nayland Smith laughed dryly.
|
|
|
|
"It has vanished in the form of a green vapor apparently," he said.
|
|
"Look at Strozza's face."
|
|
|
|
He turned the body over, and, used as I was to such spectacles,
|
|
the contorted features of the Italian filled me with horror, so--
|
|
suggestive were they of a death more than ordinarily violent. I pulled aside
|
|
the dressing-gown and searched the body for marks, but failed to find any.
|
|
Nayland Smith crossed the room, and, assisted by the detective,
|
|
carried Kwee, the Chinaman, into the study and laid him fully in the light.
|
|
His puckered yellow face presented a sight even more awful than the other,
|
|
and his blue lips were drawn back, exposing both upper and lower teeth.
|
|
There were no marks of violence, but his limbs, like Strozza's, had been
|
|
tortured during his mortal struggles into unnatural postures.
|
|
|
|
The breeze was growing higher, and pungent odor-waves from
|
|
the damp shrubbery, bearing, too, the oppressive sweetness of
|
|
the creeping, plant, swept constantly through the open window.
|
|
Inspector Weymouth carefully relighted his cigar.
|
|
|
|
"I'm with you this far, Mr. Smith," he said. "Strozza, knowing Sir
|
|
Lionel to be absent, locked himself in here to rifle the mummy case,
|
|
for Croxted, entering by way of the window, found the key on the inside.
|
|
Strozza didn't know that the Chinaman was hidden in the conservatory--"
|
|
|
|
"And Kwee did not dare to show himself, because he too was there
|
|
for some mysterious reason of his own," interrupted Smith.
|
|
|
|
"Having got the lid off, something,--somebody--"
|
|
|
|
"Suppose we say the mummy?"
|
|
|
|
Weymouth laughed uneasily.
|
|
|
|
"Well, sir, something that vanished from a locked room without
|
|
opening the door or the window killed Strozza."
|
|
|
|
"And something which, having killed Strozza, next killed the Chinaman,
|
|
apparently without troubling to open the door behind which he lay concealed,"
|
|
Smith continued. "For once in a way, Inspector, Dr. Fu-Manchu has employed
|
|
an ally which even his giant will was incapable entirely to subjugate.
|
|
What blind force--what terrific agent of death--had he confined
|
|
in that sarcophagus!"
|
|
|
|
"You think this is the work of Fu-Manchu?" I said.
|
|
"If you are correct, his power indeed is more than human."
|
|
|
|
Something in my voice, I suppose, brought Smith right about.
|
|
He surveyed me curiously.
|
|
|
|
"Can you doubt it? The presence of a concealed Chinaman surely
|
|
is sufficient. Kwee, I feel assured, was one of the murder group,
|
|
though probably he had only recently entered that mysterious service.
|
|
He is unarmed, or I should feel disposed to think that his part
|
|
was to assassinate Sir Lionel whilst, unsuspecting the presence of a
|
|
hidden enemy, he was at work here. Strozza's opening the sarcophagus
|
|
clearly spoiled the scheme."
|
|
|
|
"And led to the death--"
|
|
|
|
"Of a servant of Fu-Manchu. Yes. I am at a loss to account for that."
|
|
|
|
"Do you think that the sarcophagus entered into the scheme, Smith?"
|
|
|
|
My friend looked at me in evident perplexity.
|
|
|
|
"You mean that its arrival at the time when a creature of the Doctor--
|
|
Kwee--was concealed here, may have been a coincidence?"
|
|
|
|
I nodded; and Smith bent over the sarcophagus, curiously examining
|
|
the garish paintings with which it was decorated inside and out.
|
|
It lay sideways upon the floor, and seizing it by its edge,
|
|
he turned it over.
|
|
|
|
"Heavy," he muttered; "but Strozza must have capsized it as he fell.
|
|
He would not have laid it on its side to remove the lid. Hallo!"
|
|
|
|
He bent farther forward, catching at a piece of twine,
|
|
and out of the mummy case pulled a rubber stopper or "cork."
|
|
|
|
"This was stuck in a hole level with the floor of the thing," he said.
|
|
"Ugh! it has a disgusting smell."
|
|
|
|
I took it from his hands, and was about to examine it, when a loud
|
|
voice sounded outside in the hall. The door was thrown open,
|
|
and a big man, who, despite the warmth of the weather,
|
|
wore a fur-lined overcoat, rushed impetuously into the room.
|
|
|
|
"Sir Lionel!" cried Smith eagerly. "I warned you!
|
|
And see, you have had a very narrow escape."
|
|
|
|
Sir Lionel Barton glanced at what lay upon the floor,
|
|
then from Smith to myself, and from me to Inspector Weymouth.
|
|
He dropped into one of the few chairs unstacked with books.
|
|
|
|
"Mr. Smith," he said, with emotion, "what does this mean?
|
|
Tell me--quickly."
|
|
|
|
In brief terms Smith detailed the happenings of the night--
|
|
or so much as he knew of them. Sir Lionel Barton listened,
|
|
sitting quite still the while--an unusual repose in a man
|
|
of such evidently tremendous nervous activity.
|
|
|
|
"He came for the jewels," he said slowly, when Smith was finished;
|
|
and his eyes turned to the body of the dead Italian.
|
|
"I was wrong to submit him to the temptation. God knows what
|
|
Kwee was doing in hiding. Perhaps he had come to murder me,
|
|
as you surmise, Mr. Smith, though I find it hard to believe.
|
|
But--I don't think this is the handiwork of your Chinese doctor."
|
|
He fixed his gaze upon the sarcophagus.
|
|
|
|
Smith stared at him in surprise. "What do you mean, Sir Lionel?"
|
|
|
|
The famous traveler continued to look towards the sarcophagus
|
|
with something in his blue eyes that might have been dread.
|
|
|
|
"I received a wire from Professor Rembold to-night," he continued.
|
|
"You were correct in supposing that no one but Strozza knew
|
|
of my absence. I dressed hurriedly and met the professor at
|
|
the Traveler's. He knew that I was to read a paper next week upon"--
|
|
again he looked toward the mummy case--"the tomb of Mekara;
|
|
and he knew that the sarcophagus had been brought, untouched, to England.
|
|
He begged me not to open it."
|
|
|
|
Nayland Smith was studying the speaker's face.
|
|
|
|
"What reason did he give for so extraordinary a request?" he asked.
|
|
|
|
Sir Lionel Barton hesitated.
|
|
|
|
"One," he replied at last, "which amused me--at the time. I must inform
|
|
you that Mekara--whose tomb my agent had discovered during my absence
|
|
in Tibet, and to enter which I broke my return journey to Alexandria--
|
|
was a high priest and first prophet of Amen--under the Pharaoh of the Exodus;
|
|
in short, one of the magicians who contested in magic arts with Moses.
|
|
I thought the discovery unique, until Professor Rembold furnished me
|
|
with some curious particulars respecting the death of M. Page le Roi,
|
|
the French Egyptologist--particulars new to me."
|
|
|
|
We listened in growing surprise, scarcely knowing to what this tended.
|
|
|
|
"M. le Roi," continued Barton, "discovered, but kept secret,
|
|
the tomb of Amenti--another of this particular brotherhood.
|
|
It appears that he opened the mummy case on the spot--
|
|
these priests were of royal line, and are buried in the valley
|
|
of Biban-le-Moluk. His Fellah and Arab servants deserted him
|
|
for some reason--on seeing the mummy case--and he was found dead,
|
|
apparently strangled, beside it. The matter was hushed up
|
|
by the Egyptian Government. Rembold could not explain why.
|
|
But he begged of me not to open the sarcophagus of Mekara."
|
|
|
|
A silence fell.
|
|
|
|
The strange facts regarding the sudden death of Page le Roi,
|
|
which I now heard for the first time, had impressed me unpleasantly,
|
|
coming from a man of Sir Lionel Barton's experience and reputation.
|
|
|
|
"How long had it lain in the docks?" jerked Smith.
|
|
|
|
"For two days, I believe. I am not a superstitious man, Mr. Smith,
|
|
but neither is Professor Rembold, and now that I know the facts
|
|
respecting Page le Roi, I can find it in my heart to thank God
|
|
that I did not see. . .whatever came out of that sarcophagus."
|
|
|
|
Nayland Smith stared him hard in the face. "I am glad you
|
|
did not, Sir Lionel," he said; "for whatever the priest Mekara
|
|
has to do with the matter, by means of his sarcophagus,
|
|
Dr. Fu-Manchu has made his first attempt upon your life.
|
|
He has failed, but I hope you will accompany me from here to a hotel.
|
|
He will not fall twice."
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
|
|
IT was the night following that of the double tragedy at Rowan House.
|
|
Nayland Smith, with Inspector Weymouth, was engaged in some mysterious inquiry
|
|
at the docks, and I had remained at home to resume my strange chronicle.
|
|
And--why should I not confess it?--my memories had frightened me.
|
|
|
|
I was arranging my notes respecting the case of Sir Lionel Barton.
|
|
They were hopelessly incomplete. For instance, I had jotted down
|
|
the following queries:--(1) Did any true parallel exist between the death
|
|
of M. Page le Roi and the death of Kwee, the Chinaman, and of Strozza?
|
|
(2) What had become of the mummy of Mekara? (3) How had the murderer
|
|
escaped from a locked room? (4) What was the purpose of the rubber stopper?
|
|
(5) Why was Kwee hiding in the conservatory? (6) Was the green mist
|
|
a mere subjective hallucination--a figment of Croxted's imagination--
|
|
or had he actually seen it?
|
|
|
|
Until these questions were satisfactorily answered, further progress
|
|
was impossible. Nayland Smith frankly admitted that he was out of his depth.
|
|
"It looks, on the face of it, more like a case for the Psychical
|
|
Research people than for a plain Civil Servant, lately of Mandalay,"
|
|
he had said only that morning.
|
|
|
|
"Sir Lionel Barton really believes that supernatural agencies were
|
|
brought into operation by the opening of the high priest's coffin.
|
|
For my part, even if I believed the same, I should still maintain
|
|
that Dr. Fu-Manchu controlled those manifestations. But reason
|
|
it out for yourself and see if we arrive at any common center.
|
|
Don't work so much upon the datum of the green mist, but keep
|
|
to the FACTS which are established."
|
|
|
|
I commenced to knock out my pipe in the ash-tray; then paused,
|
|
pipe in hand. The house was quite still, for my landlady
|
|
and all the small household were out.
|
|
|
|
Above the noise of the passing tramcar I thought I had heard the hall
|
|
door open. In the ensuing silence I sat and listened.
|
|
|
|
Not a sound. Stay! I slipped my hand into the table drawer,
|
|
took out my revolver, and stood up.
|
|
|
|
There WAS a sound. Someone or something was creeping upstairs
|
|
in the dark!
|
|
|
|
Familiar with the ghastly media employed by the Chinaman, I was seized
|
|
with an impulse to leap to the door, shut and lock it. But the rustling
|
|
sound proceeded, now, from immediately outside my partially opened door.
|
|
I had not the time to close it; knowing somewhat of the horrors
|
|
at the command of Fu-Manchu, I had not the courage to open it.
|
|
My heart leaping wildly, and my eyes upon that bar of darkness with its
|
|
gruesome potentialities, I waited--waited for whatever was to come.
|
|
Perhaps twelve seconds passed in silence.
|
|
|
|
"Who's there?" I cried. "Answer, or I fire!"
|
|
|
|
"Ah! no," came a soft voice, thrillingly musical. "Put it down--
|
|
that pistol. Quick! I must speak to you."
|
|
|
|
The door was pushed open, and there entered a slim figure wrapped
|
|
in a hooded cloak. My hand fell, and I stood, stricken to silence,
|
|
looking into the beautiful dark eyes of Dr. Fu-Manchu's messenger--
|
|
if her own statement could be credited, slave. On two occasions
|
|
this girl, whose association with the Doctor was one of the most
|
|
profound mysteries of the case, had risked--I cannot say what;
|
|
unnameable punishment, perhaps--to save me from death; in both cases
|
|
from a terrible death. For what was she come now?
|
|
|
|
Her lips slightly parted, she stood, holding her cloak about her,
|
|
and watching me with great passionate eyes.
|
|
|
|
"How--" I began.
|
|
|
|
But she shook her head impatiently.
|
|
|
|
"HE has a duplicate key of the house door," was her amazing statement.
|
|
"I have never betrayed a secret of my master before, but you must arrange
|
|
to replace the lock."
|
|
|
|
She came forward and rested her slim hands confidingly upon my shoulders.
|
|
"I have come again to ask you to take me away from him," she said simply.
|
|
|
|
And she lifted her face to me.
|
|
|
|
Her words struck a chord in my heart which sang with strange music,
|
|
with music so barbaric that, frankly, I blushed to find it harmony.
|
|
Have I said that she was beautiful? It can convey no faint
|
|
conception of her. With her pure, fair skin, eyes like the velvet
|
|
darkness of the East, and red lips so tremulously near to mine,
|
|
she was the most seductively lovely creature I ever had looked upon.
|
|
In that electric moment my heart went out in sympathy to every man
|
|
who had bartered honor, country, all for a woman's kiss.
|
|
|
|
"I will see that you are placed under proper protection,"
|
|
I said firmly, but my voice was not quite my own.
|
|
"It is quite absurd to talk of slavery here in England.
|
|
You are a free agent, or you could not be here now.
|
|
Dr. Fu-Manchu cannot control your actions."
|
|
|
|
"Ah!" she cried, casting back her head scornfully, and releasing a cloud
|
|
of hair, through whose softness gleamed a jeweled head-dress. "No?
|
|
He cannot? Do you know what it means to have been a slave?
|
|
Here, in your free England, do you know what it means--the razzia,
|
|
the desert journey, the whips of the drivers, the house of the dealer,
|
|
the shame. Bah!"
|
|
|
|
How beautiful she was in her indignation!
|
|
|
|
"Slavery is put down, you imagine, perhaps? You do not believe that
|
|
to-day--TO-DAY--twenty-five English sovereigns will buy a Galla girl,
|
|
who is brown, and"--whisper--"two hundred and fifty a Circassian,
|
|
who is white. No, there is no slavery! So! Then what am I?"
|
|
|
|
She threw open her cloak, and it is a literal fact that I rubbed my eyes,
|
|
half believing that I dreamed. For beneath, she was arrayed in gossamer
|
|
silk which more than indicated the perfect lines of her slim shape;
|
|
wore a jeweled girdle and barbaric ornaments; was a figure fit for the walled
|
|
gardens of Stamboul--a figure amazing, incomprehensible, in the prosaic
|
|
setting of my rooms.
|
|
|
|
"To-night I had no time to make myself an English miss,"
|
|
she said, wrapping her cloak quickly about her.
|
|
"You see me as I am." Her garments exhaled a faint perfume,
|
|
and it reminded me of another meeting I had had with her.
|
|
I looked into the challenging eyes.
|
|
|
|
"Your request is but a pretense," I said. "Why do you keep the secrets
|
|
of that man, when they mean death to so many?"
|
|
|
|
"Death! I have seen my own sister die of fever in the desert--
|
|
seen her thrown like carrion into a hole in the sand.
|
|
I have seen men flogged until they prayed for death as a boon.
|
|
I have known the lash myself. Death! What does it matter?"
|
|
|
|
She shocked me inexpressibly. Enveloped in her cloak again,
|
|
and with only her slight accent to betray her, it was dreadful
|
|
to hear such words from a girl who, save for her singular type
|
|
of beauty, might have been a cultured European.
|
|
|
|
"Prove, then, that you really wish to leave this man's service.
|
|
Tell me what killed Strozza and the Chinaman," I said.
|
|
|
|
She shrugged her shoulders.
|
|
|
|
"I do not know that. But if you will carry me off"--she clutched me
|
|
nervously--"so that I am helpless, lock me up so that I cannot escape,
|
|
beat me, if you like, I will tell you all I do know. While he is
|
|
my master I will never betray him. Tear me from him--by force,
|
|
do you understand, BY FORCE, and my lips will be sealed no longer.
|
|
Ah! but you do not understand, with your `proper authorities'--
|
|
your police. Police! Ah, I have said enough."
|
|
|
|
A clock across the common began to strike. The girl
|
|
started and laid her hands upon my shoulders again.
|
|
There were tears glittering among the curved black lashes.
|
|
|
|
"You do not understand," she whispered. "Oh, will you
|
|
never understand and release me from him! I must go.
|
|
Already I have remained too long. Listen. Go out without delay.
|
|
Remain out--at a hotel, where you will, but do not stay here."
|
|
|
|
"And Nayland Smith?"
|
|
|
|
"What is he to me, this Nayland Smith? Ah, why will you not unseal my lips?
|
|
You are in danger--you hear me, in danger! Go away from here to-night."
|
|
|
|
She dropped her hands and ran from the room. In the open doorway she turned,
|
|
stamping her foot passionately.
|
|
|
|
"You have hands and arms," she cried, "and yet you let me go.
|
|
Be warned, then; fly from here--" She broke off with something
|
|
that sounded like a sob.
|
|
|
|
I made no move to stay her--this beautiful accomplice of the arch-murderer,
|
|
Fu-Manchu. I heard her light footsteps paltering down the stairs, I heard
|
|
her open and close the door--the door of which Dr. Fu-Manchu held the key.
|
|
Still I stood where she had parted from me, and was so standing when a key
|
|
grated in the lock and Nayland Smith came running up.
|
|
|
|
"Did you see her?" I began.
|
|
|
|
But his face showed that he had not done so, and rapidly I told
|
|
him of my strange visitor, of her words, of her warning.
|
|
|
|
"How can she have passed through London in that costume?"
|
|
I cried in bewilderment. "Where can she have come from?"
|
|
|
|
Smith shrugged his shoulders and began to stuff broad-cut mixture
|
|
into the familiar cracked briar.
|
|
|
|
"She might have traveled in a car or in a cab," he said;
|
|
"and undoubtedly she came direct from the house of Dr. Fu-Manchu.
|
|
You should have detained her, Petrie. It is the third time we
|
|
have had that woman in our power, the third time we have let
|
|
her go free."
|
|
|
|
"Smith," I replied, "I couldn't. She came of her own free will to give
|
|
me a warning. She disarms me."
|
|
|
|
"Because you can see she is in love with you?" he suggested, and burst
|
|
into one of his rare laughs when the angry flush rose to my cheek.
|
|
"She is, Petrie why pretend to be blind to it? You don't know
|
|
the Oriental mind as I do; but I quite understand the girl's position.
|
|
She fears the English authorities, but would submit to capture by you!
|
|
If you would only seize her by the hair, drag her to some cellar,
|
|
hurl her down and stand over her with a whip, she would tell you
|
|
everything she knows, and salve her strange Eastern conscience with
|
|
the reflection that speech was forced from her. I am not joking;
|
|
it is so, I assure you. And she would adore you for your savagery,
|
|
deeming you forceful and strong!"
|
|
|
|
"Smith," I said, "be serious. You know what her warning meant before."
|
|
|
|
"I can guess what it means now," he rapped. "Hallo!"
|
|
|
|
Someone was furiously ringing the bell.
|
|
|
|
"No one at home?" said my friend. "I will go. I think I know
|
|
what it is."
|
|
|
|
A few minutes later he returned, carrying a large square package.
|
|
|
|
"From Weymouth," he explained, "by district messenger.
|
|
I left him behind at the docks, and he arranged to forward any
|
|
evidence which subsequently he found. This will be fragments
|
|
of the mummy."
|
|
|
|
"What! You think the mummy was abstracted?"
|
|
|
|
"Yes, at the docks. I am sure of it; and somebody else
|
|
was in the sarcophagus when it reached Rowan House.
|
|
A sarcophagus, I find, is practically airtight, so that the use
|
|
of the rubber stopper becomes evident--ventilation. How this
|
|
person killed Strozza I have yet to learn."
|
|
|
|
"Also, how he escaped from a locked room. And what about the green mist?"
|
|
|
|
Nayland Smith spread his hands in a characteristic gesture.
|
|
|
|
"The green mist, Petrie, can be explained in several ways.
|
|
Remember, we have only one man's word that it existed.
|
|
It is at best a confusing datum to which we must not attach
|
|
a fictitious importance."
|
|
|
|
He threw the wrappings on the floor and tugged at a twine loop
|
|
in the lid of the square box, which now stood upon the table.
|
|
Suddenly the lid came away, bringing with it a lead lining,
|
|
such as is usual in tea-chests. This lining was partially attached
|
|
to one side of the box, so that the action of removing the lid
|
|
at once raised and tilted it.
|
|
|
|
Then happened a singular thing.
|
|
|
|
Out over the table billowed a sort of yellowish-green cloud--
|
|
an oily vapor--and an inspiration, it was nothing less,
|
|
born of a memory and of some words of my beautiful visitor,
|
|
came to me.
|
|
|
|
"RUN, SMITH!" I screamed. "The door! the door, for your life!
|
|
Fu-Manchu sent that box!" I threw my arms round him.
|
|
As he bent forward the moving vapor rose almost to his nostrils.
|
|
I dragged him back and all but pitched him out on to the landing.
|
|
We entered my bedroom, and there, as I turned on the light,
|
|
I saw that Smith's tanned face was unusually drawn,
|
|
and touched with pallor.
|
|
|
|
"It is a poisonous gas!" I said hoarsely; "in many respects
|
|
identical with chlorine, but having unique properties which prove
|
|
it to be something else--God and Fu-Manchu, alone know what!
|
|
It is the fumes of chlorine that kill the men in the bleaching
|
|
powder works. We have been blind--I particularly. Don't you see?
|
|
There was no one in the sarcophagus, Smith, but there was enough
|
|
of that fearful stuff to have suffocated a regiment!"
|
|
|
|
Smith clenched his fists convulsively.
|
|
|
|
"My God!" he said, "how can I hope to deal with the author of such a scheme?
|
|
I see the whole plan. He did not reckon on the mummy case being overturned,
|
|
and Kwee's part was to remove the plug with the aid of the string--after Sir
|
|
Lionel had been suffocated. The gas, I take it, is heavier than air."
|
|
|
|
"Chlorine gas has a specific gravity of 2.470," I said;
|
|
"two and a half times heavier than air. You can pour it from
|
|
jar to jar like a liquid--if you are wearing a chemist's mask.
|
|
In these respects this stuff appears to be similar; the points
|
|
of difference would not interest you. The sarcophagus would
|
|
have emptied through the vent, and the gas have dispersed,
|
|
with no clew remaining--except the smell."
|
|
|
|
"I did smell it, Petrie, on the stopper, but, of course,
|
|
was unfamiliar with it. You may remember that you were
|
|
prevented from doing so by the arrival of Sir Lionel?
|
|
The scent of those infernal flowers must partially have
|
|
drowned it, too. Poor, misguided Strozza inhaled the stuff,
|
|
capsized the case in his fall, and all the gas--"
|
|
|
|
"Went pouring under the conservatory door, and down the steps, where Kwee
|
|
was crouching. Croxted's breaking the window created sufficient draught
|
|
to disperse what little remained. It will have settled on the floor now.
|
|
I will go and open both windows."
|
|
|
|
Nayland raised his haggard face.
|
|
|
|
"He evidently made more than was necessary to dispatch Sir Lionel Barton,"
|
|
he said; "and contemptuously--you note the attitude, Petrie?--
|
|
contemptuously devoted the surplus to me. His contempt is justified.
|
|
I am a child striving to cope with a mental giant. It is by no wit
|
|
of mine that Dr. Fu-Manchu scores a double failure."
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
|
|
I WILL tell you, now of a strange dream which I dreamed, and of the stranger
|
|
things to which I awakened. Since, out of a blank--a void--this vision
|
|
burst in upon my mind, I cannot do better than relate it, without preamble.
|
|
It was thus:
|
|
|
|
I dreamed that I lay writhing on the floor in agony indescribable.
|
|
My veins were filled with liquid fire, and but that stygian darkness
|
|
was about me, I told myself that I must have seen the smoke arising
|
|
from my burning body.
|
|
|
|
This, I thought, was death.
|
|
|
|
Then, a cooling shower descended upon me, soaked through skin
|
|
and tissue to the tortured arteries and quenched the fire within.
|
|
Panting, but free from pain, I lay--exhausted.
|
|
|
|
Strength gradually returning to me, I tried to rise; but the carpet
|
|
felt so singularly soft that it offered me no foothold.
|
|
I waded and plunged like a swimmer treading water; and all about me
|
|
rose impenetrable walls of darkness, darkness all but palpable.
|
|
I wondered why I could not see the windows. The horrible idea
|
|
flashed to my mind that I was become blind!
|
|
|
|
Somehow I got upon my feet, and stood swaying dizzily.
|
|
I became aware of a heavy perfume, and knew it for some
|
|
kind of incense.
|
|
|
|
Then--a dim light was born, at an immeasurable distance away.
|
|
It grew steadily in brilliance. It spread like a bluish-red stain--
|
|
like a liquid. It lapped up the darkness and spread throughout the room.
|
|
|
|
But this was not my room! Nor was it any room known to me.
|
|
|
|
It was an apartment of such size that its dimensions filled me with a
|
|
kind of awe such as I never had known: the awe of walled vastness.
|
|
Its immense extent produced a sensation of sound. Its hugeness had
|
|
a distinct NOTE.
|
|
|
|
Tapestries covered the four walls. There was no door visible.
|
|
These tapestries were magnificently figured with golden dragons;
|
|
and as the serpentine bodies gleamed and shimmered in the
|
|
increasing radiance, each dragon, I thought, intertwined its
|
|
glittering coils more closely with those of another.
|
|
The carpet was of such richness that I stood knee-deep in its pile.
|
|
And this, too, was fashioned all over with golden dragons; and they
|
|
seemed to glide about amid the shadows of the design--stealthily.
|
|
|
|
At the farther end of the hall--for hall it was--a huge table
|
|
with dragons' legs stood solitary amid the luxuriance of the carpet.
|
|
It bore scintillating globes, and tubes that held living organisms,
|
|
and books of a size and in such bindings as I never had imagined,
|
|
with instruments of a type unknown to Western science--a heterogeneous
|
|
litter quite indescribable, which overflowed on to the floor,
|
|
forming an amazing oasis in a dragon-haunted desert of carpet.
|
|
A lamp hung above this table, suspended by golden chains from
|
|
the ceiling-which was so lofty that, following the chains upward,
|
|
my gaze lost itself in the purple shadows above.
|
|
|
|
In a chair piled high with dragon-covered cushions a man sat
|
|
behind this table. The light from the swinging lamp fell fully
|
|
upon one side of his face, as he leaned forward amid the jumble
|
|
of weird objects, and left the other side in purplish shadow.
|
|
From a plain brass bowl upon the corner of the huge table smoke
|
|
writhed aloft and at times partially obscured that dreadful face.
|
|
|
|
From the instant that my eyes were drawn to the table and to the man
|
|
who sat there, neither the incredible extent of the room, nor the nightmare
|
|
fashion of its mural decorations, could reclaim my attention.
|
|
I had eyes only for him.
|
|
|
|
For it was Dr. Fu-Manchu!
|
|
|
|
Something of the delirium which had seemed to fill my veins
|
|
with fire, to people the walls with dragons, and to plunge me
|
|
knee-deep in the carpet, left me. Those dreadful, filmed green
|
|
eyes acted somewhat like a cold douche. I knew, without removing
|
|
my gaze from the still face, that the walls no longer lived,
|
|
but were merely draped in exquisite Chinese dragon tapestry.
|
|
The rich carpet beneath my feet ceased to be as a jungle and became
|
|
a normal carpet--extraordinarily rich, but merely a carpet.
|
|
But the sense of vastness nevertheless remained, with the uncomfortable
|
|
knowledge that the things upon the table and overflowing about it
|
|
were all, or nearly all, of a fashion strange to me.
|
|
|
|
Then, and almost instantaneously, the comparative sanity which I had
|
|
temporarily experienced began to slip from me again; for the smoke
|
|
faintly penciled through the air--from the burning perfume on the table--
|
|
grew in volume, thickened, and wafted towards me in a cloud of gray horror.
|
|
It enveloped me, clammily. Dimly, through its oily wreaths, I saw
|
|
the immobile yellow face of Fu-Manchu. And my stupefied brain acclaimed him
|
|
a sorcerer, against whom unwittingly we had pitted our poor human wits.
|
|
The green eyes showed filmy through the fog. An intense pain shot
|
|
through my lower limbs, and, catching my breath, I looked down.
|
|
As I did so, the points of the red slippers which I dreamed that I wore
|
|
increased in length, curled sinuously upward, twined about my throat
|
|
and choked the breath from my body!
|
|
|
|
Came an interval, and then a dawning like consciousness;
|
|
but it was a false consciousness, since it brought with it the idea
|
|
that my head lay softly pillowed and that a woman's hand caressed
|
|
my throbbing forehead. Confusedly, as though in the remote past,
|
|
I recalled a kiss--and the recollection thrilled me strangely.
|
|
Dreamily content I lay, and a voice stole to my ears:
|
|
|
|
"They are killing him! they are killing him! Oh! do you not understand?"
|
|
In my dazed condition, I thought that it was I who had died, and that this
|
|
musical girl-voice was communicating to me the fact of my own dissolution.
|
|
|
|
But I was conscious of no interest in the matter.
|
|
|
|
For hours and hours, I thought, that soothing hand caressed me.
|
|
I never once raised my heavy lids, until there came a resounding
|
|
crash that seemed to set my very bones vibrating--a metallic,
|
|
jangling crash, as the fall of heavy chains. I thought that, then,
|
|
I half opened my eyes, and that in the dimness I had a fleeting
|
|
glimpse of a figure clad in gossamer silk, with arms covered
|
|
with barbaric bangles and slim ankles surrounded by gold bands.
|
|
The girl was gone, even as I told myself that she was an houri,
|
|
and that I, though a Christian, had been consigned by some error
|
|
to the paradise of Mohammed.
|
|
|
|
Then--a complete blank.
|
|
|
|
|
|
My head throbbed madly; my brain seemed to be clogged--inert; and though
|
|
my first, feeble movement was followed by the rattle of a chain, some moments
|
|
more elapsed ere I realized that the chain was fastened to a steel collar--
|
|
that the steel collar was clasped about my neck.
|
|
|
|
I moaned weakly.
|
|
|
|
"Smith!" I muttered, "Where are you? Smith!"
|
|
|
|
On to my knees I struggled, and the pain on the top of my skull grew
|
|
all but insupportable. It was coming back to me now; how Nayland Smith
|
|
and I had started for the hotel to warn Graham Guthrie; how, as we
|
|
passed up the steps from the Embankment and into Essex Street,
|
|
we saw the big motor standing before the door of one of the offices.
|
|
I could recall coming up level with the car--a modern limousine;
|
|
but my mind retained no impression of our having passed it--
|
|
only a vague memory of a rush of footsteps--a blow. Then, my vision
|
|
of the hall of dragons, and now this real awakening to a worse reality.
|
|
|
|
Groping in the darkness, my hands touched a body that lay close beside me.
|
|
My fingers sought and found the throat, sought and found the steel
|
|
collar about it.
|
|
|
|
"Smith," I groaned; and I shook the still form. "Smith, old man--
|
|
speak to me! Smith!"
|
|
|
|
Could he be dead? Was this the end of his gallant fight with Dr. Fu-Manchu
|
|
and the murder group? If so, what did the future hold for me--
|
|
what had I to face?
|
|
|
|
He stirred beneath my trembling hands.
|
|
|
|
"Thank God!" I muttered, and I cannot deny that my joy was tainted
|
|
with selfishness. For, waking in that impenetrable darkness, and yet obsessed
|
|
with the dream I had dreamed, I had known what fear meant, at the realization
|
|
that alone, chained, I must face the dreadful Chinese doctor in the flesh.
|
|
Smith began incoherent mutterings.
|
|
|
|
"Sand-bagged!. . .Look out, Petrie!. . .He has us at last!. . .Oh, Heavens!"
|
|
. . .He struggled on to his knees, clutching at my hand.
|
|
|
|
"All right, old man," I said. "We are both alive!
|
|
So let's be thankful."
|
|
|
|
A moment's silence, a groan, then:
|
|
|
|
"Petrie, I have dragged you into this. God forgive me--"
|
|
|
|
"Dry up, Smith," I said slowly. "I'm not a child.
|
|
There is no question of being dragged into the matter.
|
|
I'm here; and if I can be of any use, I'm glad I am here!"
|
|
|
|
He grasped my hand.
|
|
|
|
"There were two Chinese, in European clothes--lord, how my head throbs!--
|
|
in that office door. They sand-bagged us, Petrie--think of it!--
|
|
in broad daylight, within hail of the Strand! We were rushed
|
|
into the car--and it was all over, before--" His voice grew faint.
|
|
"God! they gave me an awful knock!"
|
|
|
|
"Why have we been spared, Smith? Do you think he is saving us for--"
|
|
|
|
"Don't, Petrie! If you had been in China, if you had seen
|
|
what I have seen--"
|
|
|
|
Footsteps sounded on the flagged passage. A blade of light crept
|
|
across the floor towards us. My brain was growing clearer.
|
|
The place had a damp, earthen smell. It was slimy--some noisome cellar.
|
|
A door was thrown open and a man entered, carrying a lantern.
|
|
Its light showed my surmise to be accurate, showed the
|
|
slime-coated walls of a dungeon some fifteen feet square--
|
|
shone upon the long yellow robe of the man who stood watching us,
|
|
upon the malignant, intellectual countenance.
|
|
|
|
It was Dr. Fu-Manchu.
|
|
|
|
At last they were face to face--the head of the great Yellow Movement,
|
|
and the man who fought on behalf of the entire white race.
|
|
How can I paint the individual who now stood before us--
|
|
perhaps the greatest genius of modern times?
|
|
|
|
Of him it Had been fitly said that he had a brow like Shakespeare and a face
|
|
like Satan. Something serpentine, hypnotic, was in his very presence.
|
|
Smith drew one sharp breath, and was silent. Together, chained to the wall,
|
|
two mediaeval captives, living mockeries of our boasted modern security,
|
|
we crouched before Dr. Fu-Manchu.
|
|
|
|
He came forward with an indescribable gait, cat-like yet awkward,
|
|
carrying his high shoulders almost hunched. He placed the lantern
|
|
in a niche in the wall, never turning away the reptilian gaze
|
|
of those eyes which must haunt my dreams forever. They possessed
|
|
a viridescence which hitherto I had supposed possible only in the eye
|
|
of the cat--and the film intermittently clouded their brightness--
|
|
but I can speak of them no more.
|
|
|
|
I had never supposed, prior to meeting Dr. Fu-Manchu, that so intense
|
|
a force of malignancy could radiate--from any human being. He spoke.
|
|
His English was perfect, though at times his words were oddly chosen;
|
|
his delivery alternately was guttural and sibilant.
|
|
|
|
"Mr. Smith and Dr. Petrie, your interference with my plans has gone too far.
|
|
I have seriously turned my attention to you."
|
|
|
|
He displayed his teeth, small and evenly separated,
|
|
but discolored in a way that was familiar to me.
|
|
I studied his eyes with a new professional interest,
|
|
which even the extremity of our danger could not wholly banish.
|
|
Their greenness seemed to be of the iris; the pupil was
|
|
oddly contracted--a pin-point.
|
|
|
|
Smith leaned his back against the wall with assumed indifference.
|
|
|
|
"You have presumed," continued Fu-Manchu, "to meddle with a
|
|
world-change. Poor spiders--caught in the wheels of the inevitable!
|
|
You have linked my name with the futility of the Young China Movement--
|
|
the name of Fu-Manchu! Mr. Smith, you are an incompetent meddler--
|
|
I despise you! Dr. Petrie, you are a fool--I am sorry for you!"
|
|
|
|
He rested one bony hand on his hip, narrowing the long
|
|
eyes as he looked down on us. The purposeful cruelty
|
|
of the man was inherent; it was entirely untheatrical.
|
|
Still Smith remained silent.
|
|
|
|
"So I am determined to remove you from the scene of your blunders!"
|
|
added Fu-Manchu.
|
|
|
|
"Opium will very shortly do the same for you!" I rapped at him savagely.
|
|
|
|
Without emotion he turned the narrowed eyes upon me.
|
|
|
|
"That is a matter of opinion, Doctor," he said. "You may have lacked
|
|
the opportunities which have been mine for studying that subject--
|
|
and in any event I shall not be privileged to enjoy your advice
|
|
in the future."
|
|
|
|
"You will not long outlive me," I replied. "And our deaths will not
|
|
profit you, incidentally; because--" Smith's foot touched mine.
|
|
|
|
"Because?" inquired Fu-Manchu softly.
|
|
|
|
"Ah! Mr. Smith is so prudent! He is thinking that I have FILES!"
|
|
He pronounced the word in a way that made me shudder. "Mr. Smith
|
|
has seen a WIRE JACKET! Have you ever seen a wire jacket?
|
|
As a surgeon its functions would interest you!"
|
|
|
|
I stifled a cry that rose to my lips; for, with a shrill whistling sound,
|
|
a small shape came bounding into the dimly lit vault, then shot upward.
|
|
A marmoset landed on the shoulder of Dr. Fu-Manchu and peered grotesquely
|
|
into the dreadful yellow face. The Doctor raised his bony hand and fondled
|
|
the little creature, crooning to it.
|
|
|
|
"One of my pets, Mr. Smith," he said, suddenly opening
|
|
his eyes fully so that they blazed like green lamps.
|
|
"I have others, equally useful. My scorpions--have you
|
|
met my scorpions? No? My pythons and hamadryads?
|
|
Then there are my fungi and my tiny allies, the bacilli.
|
|
I have a collection in my laboratory quite unique. Have you ever
|
|
visited Molokai, the leper island, Doctor? No? But Mr. Nayland
|
|
Smith will be familiar with the asylum at Rangoon!
|
|
And we must not forget my black spiders, with their diamond eyes--
|
|
my spiders, that sit in the dark and watch--then leap!"
|
|
|
|
He raised his lean hands, so that the sleeve of the robe fell back
|
|
to the elbow, and the ape dropped, chattering, to the floor and ran
|
|
from the cellar.
|
|
|
|
"O God of Cathay!" he cried, "by what death shall these die--
|
|
these miserable ones who would bind thine Empire, which is boundless!"
|
|
|
|
Like some priest of Tezcat he stood, his eyes upraised to the roof,
|
|
his lean body quivering--a sight to shock the most unimpressionable mind.
|
|
|
|
"He is mad!" I whispered to Smith. "God help us, the man
|
|
is a dangerous homicidal maniac!"
|
|
|
|
Nayland Smith's tanned face was very drawn, but he shook his head grimly.
|
|
|
|
"Dangerous, yes, I agree," he muttered; "his existence is a danger
|
|
to the entire white race which, now, we are powerless to avert."
|
|
|
|
Dr. Fu-Manchu recovered himself, took up the lantern and,
|
|
turning abruptly, walked to the door, with his awkward, yet feline gait.
|
|
At the threshold be looked back.
|
|
|
|
"You would have warned Mr. Graham Guthrie?" he said, in a soft voice.
|
|
"To-night, at half-past twelve, Mr. Graham Guthrie dies!"
|
|
|
|
Smith sat silent and motionless, his eyes fixed upon the speaker.
|
|
|
|
"You were in Rangoon in 1908?" continued Dr. Fu-Manchu--
|
|
"you remember the Call?"
|
|
|
|
From somewhere above us--I could not determine the exact direction--
|
|
came a low, wailing cry, an uncanny thing of falling cadences, which, in that
|
|
dismal vault, with the sinister yellow-robed figure at the door, seemed to
|
|
pour ice into my veins. Its effect upon Smith was truly extraordinary.
|
|
His face showed grayly in the faint light, and I heard him draw a hissing
|
|
breath through clenched teeth.
|
|
|
|
"It calls for you!" said Fu-Manchu. "At half-past twelve it calls
|
|
for Graham Guthrie!"
|
|
|
|
The door closed and darkness mantled us again.
|
|
|
|
"Smith," I said, "what was that?" The horrors about us were playing
|
|
havoc with my nerves.
|
|
|
|
"It was the Call of Siva!" replied Smith hoarsely.
|
|
|
|
"What is it? Who uttered it? What does it mean?"
|
|
|
|
"I don't know what it is, Petrie, nor who utters it.
|
|
But it means death!"
|
|
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|
|
|
|
|
CHAPTER XIV
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|
|
|
THERE may be some who could have lain, chained to that noisome cell,
|
|
and felt no fear--no dread of what the blackness might hold.
|
|
I confess that I am not one of these. I knew that Nayland
|
|
Smith and I stood in the path of the most stupendous genius
|
|
who in the world's history had devoted his intellect to crime.
|
|
I knew that the enormous wealth of the political group backing
|
|
Dr. Fu-Manchu rendered him a menace to Europe and to America
|
|
greater than that of the plague. He was a scientist trained
|
|
at a great university--an explorer of nature's secrets, who had
|
|
gone farther into the unknown, I suppose, than any living man.
|
|
His mission was to remove all obstacles--human obstacles--
|
|
from the path of that secret movement which was progressing
|
|
in the Far East. Smith and I were two such obstacles;
|
|
and of all the horrible devices at his command, I wondered,
|
|
and my tortured brain refused to leave the subject, by which
|
|
of them were we doomed to be dispatched?
|
|
|
|
Even at that very moment some venomous centipede might
|
|
be wriggling towards me over the slime of the stones,
|
|
some poisonous spider be preparing to drop from the roof!
|
|
Fu-Manchu might have released a serpent in the cellar,
|
|
or the air be alive with microbes of a loathsome disease!
|
|
|
|
"Smith," I said, scarcely recognizing my own voice, "I can't bear
|
|
this suspense. He intends to kill us, that is certain, but--"
|
|
|
|
"Don't worry," came the reply; "he intends to learn our plans first."
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|
|
|
"You mean--?"
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|
|
|
"You heard him speak of his files and of his wire jacket?"
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|
|
|
"Oh, my God!" I groaned; "can this be England?"
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|
|
|
Smith laughed dryly, and I heard him fumbling with the steel
|
|
collar about his neck.
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|
|
"I have one great hope," he said, "since you share
|
|
my captivity, but we must neglect no minor chance.
|
|
Try with your pocket-knife if you can force the lock.
|
|
I am trying to break this one."
|
|
|
|
Truth to tell, the idea had not entered my half-dazed mind, but I
|
|
immediately acted upon my friend's suggestion, setting to work with
|
|
the small blade of my knife. I was so engaged, and, having snapped
|
|
one blade, was about to open another, when a sound arrested me.
|
|
It came from beneath my feet.
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|
|
|
"Smith," I whispered, "listen!"
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|
|
The scraping and clicking which told of Smith's efforts ceased.
|
|
Motionless, we sat in that humid darkness and listened.
|
|
|
|
Something was moving beneath the stones of the cellar.
|
|
I held my breath; every nerve in my body was strung up.
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|
|
|
A line of light showed a few feet from where we lay.
|
|
It widened--became an oblong. A trap was lifted,
|
|
and within a yard of me, there rose a dimly seen head.
|
|
Horror I had expected--and death, or worse. Instead, I saw
|
|
a lovely face, crowned with a disordered mass of curling hair;
|
|
I saw a white arm upholding the stone slab, a shapely arm
|
|
clasped about the elbow by a broad gold bangle.
|
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|
|
The girl climbed into the cellar and placed the lantern on the stone floor.
|
|
In the dim light she was unreal--a figure from an opium vision, with her
|
|
clinging silk draperies and garish jewelry, with her feet encased in little
|
|
red slippers. In short, this was the houri of my vision, materialized.
|
|
It was difficult to believe that we were in modern, up-to-date England;
|
|
easy to dream that we were the captives of a caliph, in a dungeon
|
|
in old Bagdad.
|
|
|
|
"My prayers are answered," said Smith softly. "She has come
|
|
to save YOU."
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|
|
"S-sh!" warned the girl, and her wonderful eyes opened widely, fearfully.
|
|
"A sound and he will kill us all."
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|
|
She bent over me; a key jarred in the lock which had broken my penknife--
|
|
and the collar was off. As I rose to my feet the girl turned and
|
|
released Smith. She raised the lantern above the trap, and signed
|
|
to us to descend the wooden steps which its light revealed.
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|
|
|
"Your knife," she whispered to me. "Leave it on the floor.
|
|
He will think you forced the locks. Down! Quickly!"
|
|
|
|
Nayland Smith, stepping gingerly, disappeared into the darkness.
|
|
I rapidly followed. Last of all came our mysterious friend, a gold band about
|
|
one of her ankles gleaming in the rays of the lantern which she carried.
|
|
We stood in a low-arched passage.
|
|
|
|
"Tie your handkerchiefs over your eyes and do exactly as I
|
|
tell you," she ordered.
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|
|
|
Neither of us hesitated to obey her. Blind-folded, I allowed
|
|
her to lead me, and Smith rested his hand upon my shoulder.
|
|
In that order we proceeded, and came to stone steps,
|
|
which we ascended.
|
|
|
|
"Keep to the wall on the left," came a whisper.
|
|
"There is danger on the right."
|
|
|
|
With my free hand I felt for and found the wall, and we pressed forward.
|
|
The atmosphere of the place through which we were passing was steamy,
|
|
and loaded with an odor like that of exotic plant life. But a faint animal
|
|
scent crept to my nostrils, too, and there was a subdued stir about me,
|
|
infinitely suggestive--mysterious.
|
|
|
|
Now my feet sank in a soft carpet, and a curtain brushed my shoulder.
|
|
A gong sounded. We stopped.
|
|
|
|
The din of distant drumming came to my ears.
|
|
|
|
"Where in Heaven's name are we?" hissed Smith in my ear;
|
|
"that is a tom-tom!"
|
|
|
|
"S-sh! S-sh!"
|
|
|
|
The little hand grasping mine quivered nervously. We were near a door
|
|
or a window, for a breath of perfume was wafted through the air;
|
|
and it reminded me of my other meetings with the beautiful woman
|
|
who was now leading us from the house of Fu-Manchu; who, with her
|
|
own lips, had told me that she was his slave. Through the horrible
|
|
phantasmagoria she flitted--a seductive vision, her piquant loveliness
|
|
standing out richly in its black setting of murder and devilry.
|
|
Not once, but a thousand times, I had tried to reason out the nature
|
|
of the tie which bound her to the sinister Doctor.
|
|
|
|
Silence fell.
|
|
|
|
"Quick! This way!"
|
|
|
|
Down a thickly carpeted stair we went. Our guide opened a door, and led us
|
|
along a passage. Another door was opened; and we were in the open air.
|
|
But the girl never tarried, pulling me along a graveled path, with a fresh
|
|
breeze blowing in my face, and along until, unmistakably, I stood upon
|
|
the river bank. Now, planking creaked to our tread; and looking downward
|
|
beneath the handkerchief, I saw the gleam of water beneath my feet.
|
|
|
|
"Be careful!" I was warned, and found myself stepping into
|
|
a narrow boat--a punt.
|
|
|
|
Nayland Smith followed, and the girl pushed the punt off and poled
|
|
out into the stream.
|
|
|
|
"Don't speak!" she directed.
|
|
|
|
My brain was fevered; I scarce knew if I dreamed and was waking,
|
|
or if the reality ended with my imprisonment in the clammy cellar
|
|
and this silent escape, blindfolded, upon the river with a girl for our
|
|
guide who might have stepped out of the pages of "The Arabian Nights"
|
|
were fantasy--the mockery of sleep.
|
|
|
|
Indeed, I began seriously to doubt if this stream whereon we floated,
|
|
whose waters plashed and tinkled about us, were the Thames, the Tigris,
|
|
or the Styx.
|
|
|
|
The punt touched a bank.
|
|
|
|
"You will hear a clock strike in a few minutes,"
|
|
said the girl, with her soft, charming accent, "but I rely
|
|
upon your honor not to remove the handkerchiefs until then.
|
|
You owe me this."
|
|
|
|
"We do!" said Smith fervently.
|
|
|
|
I heard him scrambling to the bank, and a moment later a soft hand
|
|
was placed in mine, and I, too, was guided on to terra firma.
|
|
Arrived on the bank, I still held the girl's hand, drawing her towards me.
|
|
|
|
"You must not go back," I whispered. "We will take care of you.
|
|
You must not return to that place."
|
|
|
|
"Let me go!" she said. "When, once, I asked you to take me from him,
|
|
you spoke of police protection; that was your answer, police protection!
|
|
You would let them lock me up--imprison me--and make me betray him!
|
|
For what? For what?" She wrenched herself free. "How little
|
|
you understand me. Never mind. Perhaps one day you will know!
|
|
Until the clock strikes!"
|
|
|
|
She was gone. I heard the creak of the punt, the drip of the water
|
|
from the pole. Fainter it grew, and fainter.
|
|
|
|
"What is her secret?" muttered Smith, beside me.
|
|
"Why does she cling to that monster?"
|
|
|
|
The distant sound died away entirely. A clock began to strike;
|
|
it struck the half-hour. In an instant my handkerchief was off,
|
|
and so was Smith's. We stood upon a towing-path. Away to the left
|
|
the moon shone upon the towers and battlements of an ancient fortress.
|
|
|
|
It was Windsor Castle.
|
|
|
|
"Half-past ten," cried Smith. "Two hours to save Graham Guthrie!"
|
|
|
|
We had exactly fourteen minutes in which to catch the last
|
|
train to Waterloo; and we caught it. But I sank into a corner
|
|
of the compartment in a state bordering upon collapse.
|
|
Neither of us, I think, could have managed another twenty yards.
|
|
With a lesser stake than a human life at issue, I doubt if we
|
|
should have attempted that dash to Windsor station.
|
|
|
|
"Due at Waterloo at eleven-fifty-one," panted Smith.
|
|
"That gives us thirty-nine minutes to get to the other side
|
|
of the river and reach his hotel."
|
|
|
|
"Where in Heaven's name is that house situated?
|
|
Did we come up or down stream?"
|
|
|
|
"I couldn't determine. But at any rate, it stands close to the riverside.
|
|
It should be merely a question of time to identify it. I shall set
|
|
Scotland Yard to work immediately; but I am hoping for nothing.
|
|
Our escape will warn him."
|
|
|
|
I said no more for a time, sitting wiping the perspiration
|
|
from my forehead and watching my friend load his cracked briar
|
|
with the broadcut Latakia mixture.
|
|
|
|
"Smith," I said at last, "what was that horrible wailing we heard,
|
|
and what did Fu-Manchu mean when he referred to Rangoon?
|
|
I noticed how it affected you."
|
|
|
|
My friend nodded and lighted his pipe.
|
|
|
|
"There was a ghastly business there in 1908 or early in 1909,"
|
|
he replied: "an utterly mysterious epidemic. And this beastly
|
|
wailing was associated with it."
|
|
|
|
"In what way? And what do you mean by an epidemic?"
|
|
|
|
"It began, I believe, at the Palace Mansions Hotel, in the cantonments.
|
|
A young American, whose name I cannot recall, was staying there on business
|
|
connected with some new iron buildings. One night he went to his room,
|
|
locked the door, and jumped out of the window into the courtyard.
|
|
Broke his neck, of course."
|
|
|
|
"Suicide?"
|
|
|
|
"Apparently. But there were singular features in the case.
|
|
For instance, his revolver lay beside him, fully loaded!"
|
|
|
|
"In the courtyard?"
|
|
|
|
"In the courtyard!"
|
|
|
|
"Was it murder by any chance?"
|
|
|
|
Smith shrugged his shoulders.
|
|
|
|
"His door was found locked from the inside; had to be broken in."
|
|
|
|
"But the wailing business?"
|
|
|
|
"That began later, or was only noticed later. A French doctor,
|
|
named Lafitte, died in exactly the same way."
|
|
|
|
"At the same place?"
|
|
|
|
"At the same hotel; but he occupied a different room.
|
|
Here is the extraordinary part of the affair: a friend shared
|
|
the room with him, and actually saw him go!"
|
|
|
|
"Saw him leap from the window?"
|
|
|
|
"Yes. The friend--an Englishman--was aroused by the uncanny wailing.
|
|
I was in Rangoon at the time, so that I know more of the case of Lafitte
|
|
than of that of the American. I spoke to the man about it personally.
|
|
He was an electrical engineer, Edward Martin, and he told me that the cry
|
|
seemed to come from above him."
|
|
|
|
"It seemed to come from above when we heard it at Fu-Manchu's house."
|
|
|
|
"Martin sat up in bed, it was a clear moonlight night--
|
|
the sort of moonlight you get in Burma. Lafitte, for some reason,
|
|
had just gone to the window. His friend saw him look out.
|
|
The next moment with a dreadful scream, he threw himself forward--
|
|
and crashed down into the courtyard!"
|
|
|
|
"What then?"
|
|
|
|
"Martin ran to the window and looked down.
|
|
Lafitte's scream had aroused the place, of course.
|
|
But there was absolutely nothing to account for the occurrence.
|
|
There was no balcony, no ledge, by means of which anyone could
|
|
reach the window."
|
|
|
|
"But how did you come to recognize the cry?" "I stopped at the Palace
|
|
Mansions for some time; and one night this uncanny howling aroused me.
|
|
I heard it quite distinctly, and am never likely to forget it.
|
|
It was followed by a hoarse yell. The man in the next room,
|
|
an orchid hunter, had gone the same way as the others!"
|
|
|
|
"Did you change your quarters?"
|
|
|
|
"No. Fortunately for the reputation of the hotel--a first-class establishment--
|
|
several similar cases occurred elsewhere, both in Rangoon, in Prome
|
|
and in Moulmein. A story got about the native quarter, and was fostered
|
|
by some mad fakir, that the god Siva was reborn and that the cry was his call
|
|
for victims; a ghastly story, which led to an outbreak of dacoity and gave
|
|
the District Superintendent no end of trouble."
|
|
|
|
"Was there anything unusual about the bodies?"
|
|
|
|
"They all developed marks after death, as though they had been strangled!
|
|
The marks were said all to possess a peculiar form, though it was not
|
|
appreciable to my eye; and this, again, was declared to be the five
|
|
heads of Siva."
|
|
|
|
"Were the deaths confined to Europeans?"
|
|
|
|
"Oh, no. Several Burmans and others died in the same way.
|
|
At first there was a theory that the victims had contracted leprosy and
|
|
committed suicide as a result; but the medical evidence disproved that.
|
|
The Call of Siva became a perfect nightmare throughout Burma."
|
|
|
|
"Did you ever hear it again, before this evening?"
|
|
|
|
"Yes. I beard it on the Upper Irrawaddy one clear,
|
|
moonlight night, and a Colassie--a deck-hand--leaped from
|
|
the top deck of the steamer aboard which I was traveling!
|
|
My God! to think that the fiend Fu-Manchu has brought <i
|
|
that> to England!"
|
|
|
|
"But brought what, Smith?" I cried, in perplexity.
|
|
"What has he brought? An evil spirit? A mental disease?
|
|
What is it? What CAN it be?"
|
|
|
|
"A new agent of death, Petrie! Something born in a plague-spot of Burma--
|
|
the home of much that is unclean and much that is inexplicable.
|
|
Heaven grant that we be in time, and are able to save Guthrie."
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
|
|
THE train was late, and as our cab turned out of Waterloo Station
|
|
and began to ascend to the bridge, from a hundred steeples rang
|
|
out the gongs of midnight, the bell of St. Paul's raised above
|
|
them all to vie with the deep voice of Big Ben.
|
|
|
|
I looked out from the cab window across the river to where, towering above
|
|
the Embankment, that place of a thousand tragedies, the light of some
|
|
of London's greatest caravanserais formed a sort of minor constellation.
|
|
From the subdued blaze that showed the public supper-rooms I looked
|
|
up to the hundreds of starry points marking the private apartments
|
|
of those giant inns.
|
|
|
|
I thought how each twinkling window denoted the presence of some
|
|
bird of passage, some wanderer temporarily abiding in our midst.
|
|
There, floor piled upon floor above the chattering throngs,
|
|
were these less gregarious units, each something of a mystery
|
|
to his fellow-guests, each in his separate cell; and each as remote
|
|
from real human companionship as if that cell were fashioned,
|
|
not in the bricks of London, but in the rocks of Hindustan!
|
|
|
|
In one of those rooms Graham Guthrie might at that moment be sleeping,
|
|
all unaware that he would awake to the Call of Siva, to the summons of death.
|
|
As we neared the Strand, Smith stopped the cab, discharging the man
|
|
outside Sotheby's auction-rooms.
|
|
|
|
"One of the doctor's watch-dogs may be in the foyer," he said thoughtfully,
|
|
"and it might spoil everything if we were seen to go to Guthrie's rooms.
|
|
There must be a back entrance to the kitchens, and so on?"
|
|
|
|
"There is," I replied quickly. "I have seen the vans delivering there.
|
|
But have we time?"
|
|
|
|
"Yes. Lead on."
|
|
|
|
We walked up the Strand and hurried westward. Into that narrow court,
|
|
with its iron posts and descending steps, upon which opens a well-known
|
|
wine-cellar, we turned. Then, going parallel with the Strand,
|
|
but on the Embankment level, we ran round the back of the great hotel,
|
|
and came to double doors which were open. An arc lamp illuminated
|
|
the interior and a number of men were at work among the casks,
|
|
crates and packages stacked about the place. We entered.
|
|
|
|
"Hallo!" cried a man in a white overall, "where d'you think you're going?"
|
|
|
|
Smith grasped him by the arm.
|
|
|
|
"I want to get to the public part of the hotel without being seen
|
|
from the entrance hall," he said. "Will you please lead the way?
|
|
|
|
"Here--" began the other, staring.
|
|
|
|
"Don't waste time!" snapped my friend, in that tone of authority
|
|
which he knew so well how to assume. "It's a matter of life and death.
|
|
Lead the way, I say!"
|
|
|
|
"Police, sir?" asked the man civilly.
|
|
|
|
"Yes," said Smith; "hurry!"
|
|
|
|
Off went our guide without further demur. Skirting sculleries, kitchens,
|
|
laundries and engine-rooms, he led us through those mysterious labyrinths
|
|
which have no existence for the guest above, but which contain the machinery
|
|
that renders these modern khans the Aladdin's palaces they are.
|
|
On a second-floor landing we met a man in a tweed suit, to whom our
|
|
cicerone presented us.
|
|
|
|
"Glad I met you, sir. Two gentlemen from the police."
|
|
|
|
The man regarded us haughtily with a suspicious smile.
|
|
|
|
"Who are you?" he asked. "You're not from Scotland Yard,
|
|
at any rate!"
|
|
|
|
Smith pulled out a card and thrust it into the speaker's hand.
|
|
|
|
"If you are the hotel detective," he said, "take us without delay
|
|
to Mr. Graham Guthrie."
|
|
|
|
A marked change took place in the other's demeanor on glancing
|
|
at the card in his hand.
|
|
|
|
"Excuse me, sir," he said deferentially, "but, of course,
|
|
I didn't know who I was speaking to. We all have instructions
|
|
to give you every assistance."
|
|
|
|
"Is Mr. Guthrie in his room?"
|
|
|
|
"He's been in his room for some time, sir. You will want to get there
|
|
without being seen? This way. We can join the lift on the third floor."
|
|
|
|
Off we went again, with our new guide. In the lift:
|
|
|
|
"Have you noticed anything suspicious about the place to-night?" asked Smith.
|
|
|
|
"I have!" was the startling reply. "That accounts for your
|
|
finding me where you did. My usual post is in the lobby.
|
|
But about eleven o'clock, when the theater people began to come
|
|
in I had a hazy sort of impression that someone or something
|
|
slipped past in the crowd--something that had no business
|
|
in the hotel."
|
|
|
|
We got out of the lift.
|
|
|
|
"I don't quite follow you," said Smith. "If you thought you saw
|
|
something entering, you must have formed a more or less definite
|
|
impression regarding it."
|
|
|
|
"That's the funny part of the business," answered the man doggedly.
|
|
"I didn't! But as I stood at the top of the stairs I could
|
|
have sworn that there was something crawling up behind a party--
|
|
two ladies and two gentlemen."
|
|
|
|
"A dog, for instance?"
|
|
|
|
"It didn't strike me as being a dog, sir. Anyway, when the party passed me,
|
|
there was nothing there. Mind you, whatever it was, it hadn't come
|
|
in by the front. I have made inquiries everywhere, but without result."
|
|
He stopped abruptly. "No. 189--Mr. Guthrie's door, sir."
|
|
|
|
Smith knocked.
|
|
|
|
"Hallo!" came a muffled voice; "what do you want?"
|
|
|
|
"Open the door! Don't delay; it is important."
|
|
|
|
He turned to the hotel detective.
|
|
|
|
"Stay right there where you can watch the stairs and the lift,"
|
|
he instructed; "and note everyone and everything that passes this door.
|
|
But whatever you see or hear, do nothing without my orders."
|
|
|
|
The man moved off, and the door was opened. Smith whispered
|
|
in my ear:
|
|
|
|
"Some creature of Dr. Fu-Manchu is in the hotel!"
|
|
|
|
Mr. Graham Guthrie, British resident in North Bhutan, was a big,
|
|
thick-set man--gray-haired and florid, with widely opened eyes of the true
|
|
fighting blue, a bristling mustache and prominent shaggy brows.
|
|
Nayland Smith introduced himself tersely, proffering his card
|
|
and an open letter.
|
|
|
|
"Those are my credentials, Mr. Guthrie," he said; "so no doubt
|
|
you will realize that the business which brings me and my friend,
|
|
Dr. Petrie, here at such an hour is of the first importance."
|
|
|
|
He switched off the light.
|
|
|
|
"There is no time for ceremony," he explained. "It is now twenty-five minutes
|
|
past twelve. At half-past an attempt will be made upon your life!"
|
|
|
|
"Mr. Smith," said the other, who, arrayed in his pajamas,
|
|
was seated on the edge of the bed, "you alarm me very greatly.
|
|
I may mention that I was advised of your presence in
|
|
England this morning."
|
|
|
|
"Do you know anything respecting the person called Fu-Manchu--Dr. Fu-Manchu?"
|
|
|
|
"Only what I was told to-day--that he is the agent of an
|
|
advanced political group."
|
|
|
|
"It is opposed to his interests that you should return to Bhutan.
|
|
A more gullible agent would be preferable. Therefore, unless you
|
|
implicitly obey my instructions, you will never leave England!"
|
|
|
|
Graham Guthrie breathed quickly. I was growing more used to the gloom,
|
|
and I could dimly discern him, his face turned towards Nayland Smith,
|
|
whilst with his hand he clutched the bed-rail. Such a visit as ours,
|
|
I think, must have shaken the nerve of any man.
|
|
|
|
"But, Mr. Smith," he said, "surely I am safe enough here!
|
|
The place is full of American visitors at present,
|
|
and I have had to be content with a room right at the top;
|
|
so that the only danger I apprehend is that of fire."
|
|
|
|
"There is another danger," replied Smith. "The fact that
|
|
you are at the top of the building enhances that danger.
|
|
Do you recall anything of the mysterious epidemic which broke
|
|
out in Rangoon in 1908--the deaths due to the Call of Siva?"
|
|
|
|
"I read of it in the Indian papers," said Guthrie uneasily.
|
|
"Suicides, were they not?" "No!" snapped Smith. "Murders!"
|
|
|
|
There was a brief silence.
|
|
|
|
"From what I recall of the cases," said Guthrie, "that seems impossible.
|
|
In several instances the victims threw themselves from the windows
|
|
of locked rooms--and the windows were quite inaccessible."
|
|
|
|
"Exactly," replied Smith; and in the dim light his revolver
|
|
gleamed dully, as he placed it on the small table beside the bed.
|
|
"Except that your door is unlocked, the conditions to-night
|
|
are identical. Silence, please, I hear a clock striking."
|
|
|
|
It was Big Ben. It struck the half-hour, leaving the stillness complete.
|
|
In that room, high above the activity which yet prevailed below,
|
|
high above the supping crowds in the hotel, high above the starving
|
|
crowds on the Embankment, a curious chill of isolation swept about me.
|
|
Again I realized how, in the very heart of the great metropolis, a man
|
|
may be as far from aid as in the heart of a desert. I was glad that I
|
|
was not alone in that room--marked with the death-mark of Fu-Manchu;
|
|
and I am certain that Graham Guthrie welcomed his unexpected company.
|
|
|
|
I may have mentioned the fact before, but on this occasion it became
|
|
so peculiarly evident to me that I am constrained to record it here--
|
|
I refer to the sense of impending danger which invariably preceded a--
|
|
visit from Fu-Manchu. Even had I not known that an attempt was to be
|
|
made that night, I should have realized it, as, strung to high tension,
|
|
I waited in the darkness. Some invisible herald went ahead of the
|
|
dreadful Chinaman, proclaiming his coming to every nerve in one's body.
|
|
It was like a breath of astral incense, announcing the presence
|
|
of the priests of death.
|
|
|
|
A wail, low but singularly penetrating, falling in minor cadences
|
|
to a new silence, came from somewhere close at hand.
|
|
|
|
"My God!" hissed Guthrie, "what was that?"
|
|
|
|
"The Call of Siva," whispered Smith.
|
|
|
|
"Don't stir, for your life!"
|
|
|
|
Guthrie was breathing hard.
|
|
|
|
I knew that we were three; that the hotel detective was within hail;
|
|
that there was a telephone in the room; that the traffic of
|
|
the Embankment moved almost beneath us; but I knew, and am not
|
|
ashamed to confess, that King Fear had icy fingers about my heart.
|
|
It was awful--that tense waiting--for--what?
|
|
|
|
Three taps sounded--very distinctly upon the window.
|
|
|
|
Graham Guthrie started so as to shake the bed.
|
|
|
|
"It's supernatural!" he muttered--all that was Celtic in his blood
|
|
recoiling from the omen. "Nothing human can reach that window!"
|
|
"S-sh!" from Smith. "Don't stir."
|
|
|
|
The tapping was repeated.
|
|
|
|
Smith softly crossed the room. My heart was beating painfully.
|
|
He threw open the window. Further inaction was impossible.
|
|
I joined him; and we looked out into the empty air.
|
|
|
|
"Don't come too near, Petrie!" he warned over his shoulder.
|
|
|
|
One on either side of the open window, we stood and looked down
|
|
at the moving Embankment lights, at the glitter of the Thames,
|
|
at the silhouetted buildings on the farther bank, with the Shot
|
|
Tower starting above them all.
|
|
|
|
Three taps sounded on the panes above us.
|
|
|
|
In all my dealings with Dr. Fu-Manchu I had had to face nothing so uncanny
|
|
as this. What Burmese ghoul had he loosed? Was it outside, in the air?
|
|
Was it actually in the room?
|
|
|
|
"Don't let me go, Petrie!" whispered Smith suddenly.
|
|
"Get a tight hold on me!"
|
|
|
|
That was the last straw; for I thought that some dreadful
|
|
fascination was impelling my friend to hurl himself out!
|
|
Wildly I threw my arms about him, and Guthrie leaped
|
|
forward to help.
|
|
|
|
Smith leaned from the window and looked up.
|
|
|
|
One choking cry he gave--smothered, inarticulate--and I found him slipping
|
|
from my grip--being drawn out of the window--drawn to his death!
|
|
|
|
"Hold him, Guthrie!" I gasped hoarsely. "My God, he's going!
|
|
Hold him!"
|
|
|
|
My friend writhed in our grasp, and I saw him stretch his arm upward.
|
|
The crack of his revolver came, and he collapsed on to the floor,
|
|
carrying me with him.
|
|
|
|
But as I fell I heard a scream above. Smith's revolver went
|
|
hurtling through the air, and, hard upon it, went a black shape--
|
|
flashing past the open window into the gulf of the night.
|
|
|
|
"The light! The light!" I cried.
|
|
|
|
Guthrie ran and turned on the light. Nayland Smith, his eyes
|
|
starting from his head, his face swollen, lay plucking at a silken
|
|
cord which showed tight about his throat.
|
|
|
|
"It was a Thug!" screamed Guthrie. "Get the rope off! He's choking!"
|
|
|
|
My hands a-twitch, I seized the strangling-cord.
|
|
|
|
"A knife! Quick!" I cried. "I have lost mine!"
|
|
|
|
Guthrie ran to the dressing-table and passed me an open penknife.
|
|
I somehow forced the blade between the rope and Smith's swollen neck,
|
|
and severed the deadly silken thing.
|
|
|
|
Smith made a choking noise, and fell back, swooning in my arms.
|
|
|
|
|
|
When, later, we stood looking down upon the mutilated thing which had
|
|
been brought in from where it fell, Smith showed me a mark on the brow--
|
|
close beside the wound where his bullet had entered.
|
|
|
|
"The mark of Kali," he said. "The man was a phansigar--
|
|
a religious strangler. Since Fu-Manchu has dacoits in his
|
|
service I might have expected that he would have Thugs.
|
|
A group of these fiends would seem to have fled into Burma;
|
|
so that the mysterious epidemic in Rangoon was really an outbreak
|
|
of thuggee--on slightly improved lines! I had suspected something
|
|
of the kind but, naturally, I had not looked for Thugs near Rangoon.
|
|
My unexpected resistance led the strangler to bungle the rope.
|
|
You have seen how it was fastened about my throat?
|
|
That was unscientific. The true method, as practiced
|
|
by the group operating in Burma, was to throw the line
|
|
about the victim's neck and jerk him from the window.
|
|
A man leaning from an open window is very nicely poised:
|
|
it requires only a slight jerk to pitch him forward.
|
|
No loop was used, but a running line, which, as the victim fell,
|
|
remained in the hand of the murderer. No clew! Therefore we
|
|
see at once what commended the system to Fu-Manchu."
|
|
|
|
Graham Guthrie, very pale, stood looking down at the dead strangler.
|
|
|
|
"I owe you my life, Mr. Smith," he said. "If you had come
|
|
five minutes later--"
|
|
|
|
He grasped Smith's hand.
|
|
|
|
"You see," Guthrie continued, "no one thought of looking for a Thug in Burma!
|
|
And no one thought of the ROOF! These fellows are as active as monkeys,
|
|
and where an ordinary man would infallibly break his neck, they are entirely
|
|
at home. I might have chosen my room especially for the business!"
|
|
|
|
"He slipped in late this evening," said Smith. "The hotel detective saw him,
|
|
but these stranglers are as elusive as shadows, otherwise, despite their
|
|
having changed the scene of their operations, not one could have survived."
|
|
|
|
"Didn't you mention a case of this kind on the Irrawaddy?" I asked.
|
|
|
|
"Yes," was the reply; "and I know of what you are thinking.
|
|
The steamers of the Irrawaddy flotilla have a corrugated-iron
|
|
roof over the top deck. The Thug must have been lying up there
|
|
as the Colassie passed on the deck below."
|
|
|
|
"But, Smith, what is the motive of the Call?" I continued.
|
|
|
|
"Partly religious," he explained, "and partly to wake the victims!
|
|
You are perhaps going to ask me how Dr. Fu-Manchu has obtained power over
|
|
such people as phansigars? I can only reply that Dr. Fu-Manchu has secret
|
|
knowledge of which, so far, we know absolutely nothing; but, despite all,
|
|
at last I begin to score."
|
|
|
|
"You do," I agreed; "but your victory took you near to death."
|
|
|
|
"I owe my life to you, Petrie," he said. "Once to your strength of arm,
|
|
and once to--"
|
|
|
|
"Don't speak of her, Smith," I interrupted.
|
|
"Dr. Fu-Manchu may have discovered the part she played!
|
|
In which event--"
|
|
|
|
"God help her!"
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
|
|
UPON the following day we were afoot again, and shortly at handgrips with
|
|
the enemy. In retrospect, that restless time offers a chaotic prospect,
|
|
with no peaceful spot amid its turmoils.
|
|
|
|
All that was reposeful in nature seemed to have become
|
|
an irony and a mockery to us--who knew how an evil demigod
|
|
had his sacrificial altars amid our sweetest groves.
|
|
This idea ruled strongly in my mind upon that soft autumnal day.
|
|
|
|
"The net is closing in," said Nayland Smith.
|
|
|
|
"Let us hope upon a big catch," I replied, with a laugh.
|
|
|
|
Beyond where the Thames tided slumberously seaward showed the roofs
|
|
of Royal Windsor, the castle towers showing through the autumn haze.
|
|
The peace of beautiful Thames-side was about us.
|
|
|
|
This was one of the few tangible clews upon which thus
|
|
far we had chanced; but at last it seemed indeed that we
|
|
were narrowing the resources of that enemy of the white race
|
|
who was writing his name over England in characters of blood.
|
|
To capture Dr. Fu-Manchu we did not hope; but at least there
|
|
was every promise of destroying one of the enemy's strongholds.
|
|
|
|
We had circled upon the map a tract of country cut by the Thames,
|
|
with Windsor for its center. Within that circle was the house from
|
|
which miraculously we had escaped--a house used by the most highly
|
|
organized group in the history of criminology. So much we knew.
|
|
Even if we found the house, and this was likely enough, to find it
|
|
vacated by Fu-Manchu and his mysterious servants we were prepared.
|
|
But it would be a base destroyed.
|
|
|
|
We were working upon a methodical plan, and although our cooperators
|
|
were invisible, these numbered no fewer than twelve--all of them
|
|
experienced men. Thus far we had drawn blank, but the place for which
|
|
Smith and I were making now came clearly into view: an old mansion
|
|
situated in extensive walled grounds. Leaving the river behind us,
|
|
we turned sharply to the right along a lane flanked by a high wall.
|
|
On an open patch of ground, as we passed, I noted a gypsy caravan.
|
|
An old woman was seated on the steps, her wrinkled face bent,
|
|
her chin resting in the palm of her hand.
|
|
|
|
I scarcely glanced at her, but pressed on, nor did I notice that my friend
|
|
no longer was beside me. I was all anxiety to come to some point from
|
|
whence I might obtain a view of the house; all anxiety to know if this
|
|
was the abode of our mysterious enemy--the place where he worked amid
|
|
his weird company, where he bred his deadly scorpions and his bacilli,
|
|
reared his poisonous fungi, from whence he dispatched his murder ministers.
|
|
Above all, perhaps, I wondered if this would prove to be the hiding-place of
|
|
the beautiful slave girl who was such a potent factor in the Doctor's plans,
|
|
but a two-edged sword which yet we hoped to turn upon Fu-Manchu. Even
|
|
in the hands of a master, a woman's beauty is a dangerous weapon.
|
|
|
|
A cry rang out behind me. I turned quickly. And a singular
|
|
sight met my gaze.
|
|
|
|
Nayland Smith was engaged in a furious struggle with the old gypsy woman!
|
|
His long arms clasped about her, he was roughly dragging her out into
|
|
the roadway, she fighting like a wild thing--silently, fiercely.
|
|
|
|
Smith often surprised me, but at that sight, frankly, I thought that
|
|
he was become bereft of reason. I ran back; and I had almost reached
|
|
the scene of this incredible contest, and Smith now was evidently hard put
|
|
to it to hold his own when a man, swarthy, with big rings in his ears,
|
|
leaped from the caravan.
|
|
|
|
One quick glance he threw in our direction, and made off towards the river.
|
|
|
|
Smith twisted round upon me, never releasing his hold of the woman.
|
|
|
|
"After him, Petrie!" he cried. "After him. Don't let him escape.
|
|
It's a dacoit!"
|
|
|
|
My brain in a confused whirl; my mind yet disposed to a belief that my friend
|
|
had lost his senses, the word "dacoit" was sufficient.
|
|
|
|
I started down the road after the fleetly running man.
|
|
Never once did he glance behind him, so that he evidently had occasion
|
|
to fear pursuit. The dusty road rang beneath my flying footsteps.
|
|
That sense of fantasy, which claimed me often enough in those days
|
|
of our struggle with the titantic genius whose victory meant the victory
|
|
of the yellow races over the white, now had me fast in its grip again.
|
|
I was an actor in one of those dream-scenes of the grim Fu-Manchu drama.
|
|
|
|
Out over the grass and down to the river's brink ran the gypsy
|
|
who was no gypsy, but one of that far more sinister brotherhood,
|
|
the dacoits. I was close upon his heels. But I was not
|
|
prepared for him to leap in among the rushes at the margin
|
|
of the stream; and seeing him do this I pulled up quickly.
|
|
Straight into the water he plunged; and I saw that he held some
|
|
object in his hand. He waded out; he dived; and as I gained
|
|
the bank and looked to right and left he had vanished completely.
|
|
Only ever--widening rings showed where he had been.
|
|
I had him.
|
|
|
|
For directly he rose to the surface he would be visible from
|
|
either bank, and with the police whistle which I carried I could,
|
|
if necessary, summon one of the men in hiding across the stream.
|
|
I waited. A wild-fowl floated serenely past, untroubled by this
|
|
strange invasion of his precincts. A full minute I waited.
|
|
From the lane behind me came Smith's voice:
|
|
|
|
"Don't let him escape, Petrie!"
|
|
|
|
Never lifting my eyes from the water, I waved my hand reassuringly.
|
|
But still the dacoit did not rise. I searched the surface in all
|
|
directions as far as my eyes could reach; but no swimmer showed
|
|
above it. Then it was that I concluded he had dived too deeply,
|
|
become entangled in the weeds and was drowned. With a final glance
|
|
to right and left and some feeling of awe at this sudden tragedy--
|
|
this grim going out of a life at glorious noonday--I turned away.
|
|
Smith had the woman securely; but I had not taken five steps towards
|
|
him when a faint splash behind warned me. Instinctively I ducked.
|
|
From whence that saving instinct arose I cannot surmise,
|
|
but to it I owed my life. For as I rapidly lowered my head,
|
|
something hummed past me, something that flew out over the grass bank,
|
|
and fell with a jangle upon the dusty roadside. A knife!
|
|
|
|
I turned and bounded back to the river's brink. I heard a faint
|
|
cry behind me, which could only have come from the gypsy woman.
|
|
Nothing disturbed the calm surface of the water. The reach was lonely
|
|
of rowers. Out by the farther bank a girl was poling a punt along,
|
|
and her white-clad figure was the only living thing that moved upon
|
|
the river within the range of the most expert knife-thrower.
|
|
|
|
To say that I was nonplused is to say less than the truth; I was amazed.
|
|
That it was the dacoit who had shown me this murderous attention
|
|
I could not doubt. But where in Heaven's name WAS he?
|
|
He could not humanly have remained below water for so long;
|
|
yet he certainly was not above, was not upon the surface,
|
|
concealed amongst the reeds, nor hidden upon the bank.
|
|
|
|
There, in the bright sunshine, a consciousness of the eerie possessed me.
|
|
It was with an uncomfortable feeling that my phantom foe might be aiming
|
|
a second knife at my back that I turned away and hastened towards Smith.
|
|
My fearful expectations were not realized, and I picked up the little weapon
|
|
which had so narrowly missed me, and with it in my hand rejoined my friend.
|
|
|
|
He was standing with one arm closely clasped about the apparently
|
|
exhausted woman, and her dark eyes were fixed upon him with
|
|
an extraordinary expression.
|
|
|
|
"What does it mean, Smith?" I began.
|
|
|
|
But he interrupted me.
|
|
|
|
"Where is the dacoit?" he demanded rapidly.
|
|
|
|
"Since he seemingly possesses the attributes of a fish,"
|
|
I replied, "I cannot pretend to say."
|
|
|
|
The gypsy woman lifted her eyes to mine and laughed.
|
|
Her laughter was musical, not that of such an old hag as Smith
|
|
held captive; it was familiar, too.
|
|
|
|
I started and looked closely into the wizened face.
|
|
|
|
"He's tricked you," said Smith, an angry note in his voice.
|
|
"What is that you have in your hand?"
|
|
|
|
I showed him the knife, and told him how it had come into my possession.
|
|
|
|
"I know," he rapped. "I saw it. He was in the water not
|
|
three yards from where you stood. You must have seen him.
|
|
Was there nothing visible?"
|
|
|
|
"Nothing."
|
|
|
|
The woman laughed again, and again I wondered.
|
|
|
|
"A wild-fowl," I added; "nothing else."
|
|
|
|
"A wild-fowl," snapped Smith. "If you will consult your
|
|
recollections of the habits of wild-fowl you will see
|
|
that this particular specimen was a RARA AVIS. It's an
|
|
old trick, Petrie, but a good one, for it is used in decoying.
|
|
A dacoit's head was concealed in that wild-fowl! It's useless.
|
|
He has certainly made good his escape by now."
|
|
|
|
"Smith," I said, somewhat crestfallen, "why are you detaining
|
|
this gypsy woman?"
|
|
|
|
"Gypsy woman!" he laughed, hugging her tightly as she made
|
|
an impatient movement. "Use your eyes, old man."
|
|
|
|
He jerked the frowsy wig from her head, and beneath was a cloud
|
|
of disordered hair that shimmered in the sunlight.
|
|
|
|
"A wet sponge will do the rest," he said.
|
|
|
|
Into my eyes, widely opened in wonder, looked the dark eyes
|
|
of the captive; and beneath the disguise I picked out the charming
|
|
features of the slave girl. There were tears on the whitened lashes,
|
|
and she was submissive now.
|
|
|
|
"This time," said my friend hardly, "we have fairly captured her--
|
|
and we will hold her."
|
|
|
|
From somewhere up-stream came a faint call.
|
|
|
|
"The dacoit!"
|
|
|
|
Nayland Smith's lean body straightened; he stood alert, strung up.
|
|
|
|
Another call answered, and a third responded.
|
|
Then followed the flatly shrill note of a police whistle,
|
|
and I noted a column of black vapor rising beyond the wall,
|
|
mounting straight to heaven as the smoke of a welcome offering.
|
|
|
|
The surrounded mansion was in flames!
|
|
|
|
"Curse it!" rapped Smith. "So this time we were right. But, of course,
|
|
he has had ample opportunity to remove his effects. I knew that.
|
|
The man's daring is incredible. He has given himself till the very
|
|
last moment--and we blundered upon two of the outposts."
|
|
|
|
"I lost one."
|
|
|
|
"No matter. We have the other. I expect no further arrests,
|
|
and the house will have been so well fired by the Doctor's
|
|
servants that nothing can save it. I fear its ashes will afford
|
|
us no clew, Petrie; but we have secured a lever which should
|
|
serve to disturb Fu-Manchu's world."
|
|
|
|
He glanced at the queer figure which hung submissively in his arms.
|
|
She looked up proudly.
|
|
|
|
"You need not hold me so tight," she said, in her soft voice.
|
|
"I will come with you."
|
|
|
|
That I moved amid singular happenings, you, who have borne with me
|
|
thus far, have learned, and that I witnessed many curious scenes;
|
|
but of the many such scenes in that race--drama wherein Nayland
|
|
Smith and Dr. Fu-Manchu played the leading parts, I remember none
|
|
more bizarre than the one at my rooms that afternoon.
|
|
|
|
Without delay, and without taking the Scotland Yard men into
|
|
our confidence, we had hurried our prisoner back to London,
|
|
for my friend's authority was supreme. A strange trio we were,
|
|
and one which excited no little comment; but the journey came
|
|
to an end at last. Now we were in my unpretentious sitting-room--
|
|
the room wherein Smith first had unfolded to me the story
|
|
of Dr. Fu-Manchu and of the great secret society which sought
|
|
to upset the balance of the world--to place Europe and America
|
|
beneath the scepter of Cathay.
|
|
|
|
I sat with my elbows upon the writing-table, my chin in my hands;
|
|
Smith restlessly paced the floor, relighting his blackened
|
|
briar a dozen times in as many minutes. In the big arm-chair
|
|
the pseudogypsy was curled up. A brief toilet had converted
|
|
the wizened old woman's face into that of a fascinatingly pretty girl.
|
|
Wildly picturesque she looked in her ragged Romany garb.
|
|
She held a cigarette in her fingers and watched us
|
|
through lowered lashes.
|
|
|
|
Seemingly, with true Oriental fatalism, she was quite reconciled to her fate,
|
|
and ever and anon she would bestow upon me a glance from her beautiful
|
|
eyes which few men, I say with confidence, could have sustained unmoved.
|
|
Though I could not be blind to the emotions of that passionate Eastern soul,
|
|
yet I strove not to think of them. Accomplice of an arch-murderer she
|
|
might be; but she was dangerously lovely.
|
|
|
|
"That man who was with you," said Smith, suddenly turning
|
|
upon her, "was in Burma up till quite recently. He murdered
|
|
a fisherman thirty miles above Prome only a mouth before I left.
|
|
The D.S.P. had placed a thousand rupees on his head.
|
|
Am I right?"
|
|
|
|
The girl shrugged her shoulders.
|
|
|
|
"Suppose--What then?" she asked.
|
|
|
|
"Suppose I handed you over to the police?" suggested Smith.
|
|
But he spoke without conviction, for in the recent past we
|
|
both had owed our lives to this girl.
|
|
|
|
"As you please," she replied. "The police would learn nothing."
|
|
|
|
"You do not belong to the Far East," my friend said abruptly.
|
|
"You may have Eastern blood in your veins, but you are no
|
|
kin of Fu-Manchu."
|
|
|
|
"That is true," she admitted, and knocked the ash from her cigarette.
|
|
|
|
"Will you tell me where to find Fu-Manchu?"
|
|
|
|
She shrugged her shoulders again, glancing eloquently in my direction.
|
|
|
|
Smith walked to the door.
|
|
|
|
"I must make out my report, Petrie," he said. "Look after the prisoner."
|
|
|
|
And as the door closed softly behind him I knew what was
|
|
expected of me; but, honestly, I shirked my responsibility.
|
|
What attitude should I adopt? How should I go about my delicate task?
|
|
In a quandary, I stood watching the girl whom singular circumstances
|
|
saw captive in my rooms.
|
|
|
|
"You do not think we would harm you?" I began awkwardly.
|
|
"No harm shall come to you. Why will you not trust us?"
|
|
|
|
She raised her brilliant eyes.
|
|
|
|
"Of what avail has your protection been to some of those others,"
|
|
she said; "those others whom HE has sought for?"
|
|
|
|
Alas! it had been of none, and I knew it well. I thought I grasped
|
|
the drift of her words.
|
|
|
|
"You mean that if you speak, Fu-Manchu will find a way of killing you?"
|
|
|
|
"Of killing ME!" she flashed scornfully. "Do I seem one
|
|
to fear for myself?"
|
|
|
|
"Then what do you fear?" I asked, in surprise.
|
|
|
|
She looked at me oddly.
|
|
|
|
"When I was seized and sold for a slave," she answered slowly,
|
|
"my sister was taken, too, and my brother--a child."
|
|
She spoke the word with a tender intonation, and her slight accent
|
|
rendered it the more soft. "My sister died in the desert.
|
|
My brother lived. Better, far better, that he had died, too."
|
|
|
|
Her words impressed me intensely.
|
|
|
|
"Of what are you speaking?" I questioned. "You speak of
|
|
slave-raids, of the desert. Where did these things take place?
|
|
Of what country are you?"
|
|
|
|
"Does it matter?" she questioned in turn. "Of what country am I?
|
|
A slave has no country, no name."
|
|
|
|
"No name!" I cried.
|
|
|
|
"You may call me Karamaneh," she said. "As Karamaneh I was
|
|
sold to Dr. Fu-Manchu, and my brother also he purchased.
|
|
We were cheap at the price he paid." She laughed shortly, wildly.
|
|
|
|
"But he has spent a lot of money to educate me. My brother is all
|
|
that is left to me in the world to love, and he is in the power
|
|
of Dr. Fu-Manchu. You understand? It is upon him the blow will fall.
|
|
You ask me to fight against Fu-Manchu. You talk of protection.
|
|
Did your protection save Sir Crichton Davey?"
|
|
|
|
I shook my head sadly.
|
|
|
|
"You understand now why I cannot disobey my master's orders--why, if I would,
|
|
I dare not betray him."
|
|
|
|
I walked to the window and looked out. How could I answer her arguments?
|
|
What could I say? I heard the rustle of her ragged skirts, and she who called
|
|
herself Karamaneh stood beside me. She laid her hand upon my arm.
|
|
|
|
"Let me go," she pleaded. "He will kill him! He will kill him!"
|
|
|
|
Her voice shook with emotion.
|
|
|
|
"He cannot revenge himself upon your brother when you are in no way to blame,"
|
|
I said angrily. "We arrested you; you are not here of your own free will."
|
|
|
|
She drew her breath sharply, clutching at my arm, and in her eyes I
|
|
could read that she was forcing her mind to some arduous decision.
|
|
|
|
"Listen." She was speaking rapidly, nervously. "If I help you
|
|
to take Dr. Fu-Manchu--tell you where he is to be found ALONE--
|
|
will you promise me, solemnly promise me, that you will immediately
|
|
go to the place where I shall guide you and release my brother;
|
|
that you will let us both go free?"
|
|
|
|
"I will," I said, without hesitation. "You may rest assured of it."
|
|
|
|
"But there is a condition," she added.
|
|
|
|
"What is it?"
|
|
|
|
"When I have told you where to capture him you must release me."
|
|
|
|
I hesitated. Smith often had accused me of weakness
|
|
where this girl was concerned. What now was my plain duty?
|
|
That she would utterly decline to speak under any circumstances
|
|
unless it suited her to do so I felt assured. If she spoke
|
|
the truth, in her proposed bargain there was no personal element;
|
|
her conduct I now viewed in a new light. Humanity, I thought,
|
|
dictated that I accept her proposal; policy also.
|
|
|
|
"I agree," I said, and looked into her eyes, which were aflame
|
|
now with emotion, an excitement perhaps of anticipation,
|
|
perhaps of fear.
|
|
|
|
She laid her hands upon my shoulders.
|
|
|
|
"You will be careful?" she said pleadingly.
|
|
|
|
"For your sake," I replied, "I shall."
|
|
|
|
"Not for my sake."
|
|
|
|
"Then for your brother's."
|
|
|
|
"No." Her voice had sunk to a whisper. "For your own."
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
|
|
A COOL breeze met us, blowing from the lower reaches of the Thames.
|
|
Far behind us twinkled the dim lights of Low's Cottages,
|
|
the last regular habitations abutting upon the marshes.
|
|
Between us and the cottages stretched half-a-mile of lush land
|
|
through which at this season there were, however, numerous dry paths.
|
|
Before us the flats again, a dull, monotonous expanse beneath the moon,
|
|
with the promise of the cool breeze that the river flowed round
|
|
the bend ahead. It was very quiet. Only the sound of our footsteps,
|
|
as Nayland Smith and I tramped steadily towards our goal,
|
|
broke the stillness of that lonely place.
|
|
|
|
Not once but many times, within the last twenty minutes,
|
|
I had thought that we were ill-advised to adventure
|
|
alone upon the capture of the formidable Chinese doctor;
|
|
but we were following out our compact with Karamaneh;
|
|
and one of her stipulations had been that the police must
|
|
not be acquainted with her share in the matter.
|
|
|
|
A light came into view far ahead of us.
|
|
|
|
"That's the light, Petrie," said Smith. "If we keep that straight before us,
|
|
according to our information we shall strike the hulk."
|
|
|
|
I grasped the revolver in my pocket, and the presence
|
|
of the little weapon was curiously reassuring.
|
|
I have endeavored, perhaps in extenuation of my own fears,
|
|
to explain how about Dr. Fu-Manchu there rested an atmosphere
|
|
of horror, peculiar, unique. He was not as other men.
|
|
The dread that he inspired in all with whom he came in contact,
|
|
the terrors which he controlled and hurled at whomsoever
|
|
cumbered his path, rendered him an object supremely sinister.
|
|
I despair of conveying to those who may read this account
|
|
any but the coldest conception of the man's evil power.
|
|
|
|
Smith stopped suddenly and grasped my arm.
|
|
We stood listening. "What?" I asked.
|
|
|
|
"You heard nothing?"
|
|
|
|
I shook my head.
|
|
|
|
Smith was peering back over the marshes in his oddly alert way.
|
|
He turned to me, and his tanned face wore a peculiar expression.
|
|
|
|
"You don't think it's a trap?" he jerked. "We are trusting her blindly."
|
|
|
|
Strange it may seem, but something within me rose in arms
|
|
against the innuendo.
|
|
|
|
"I don't," I said shortly.
|
|
|
|
He nodded. We pressed on.
|
|
|
|
Ten minutes' steady tramping brought us within sight of the Thames.
|
|
Smith and I both had noticed how Fu-Manchu's activities centered
|
|
always about the London river. Undoubtedly it was his highway,
|
|
his line of communication, along which he moved his mysterious forces.
|
|
The opium den off Shadwell Highway, the mansion upstream,
|
|
at that hour a smoldering shell; now the hulk lying off the marshes.
|
|
Always he made his headquarters upon the river. It was significant;
|
|
and even if to-night's expedition should fail, this was a clew
|
|
for our future guidance.
|
|
|
|
"Bear to the right," directed Smith. "We must reconnoiter
|
|
before making our attack."
|
|
|
|
We took a path that led directly to the river bank.
|
|
Before us lay the gray expanse of water, and out upon it
|
|
moved the busy shipping of the great mercantile city.
|
|
But this life of the river seemed widely removed from us.
|
|
The lonely spot where we stood had no kinship with human activity.
|
|
Its dreariness illuminated by the brilliant moon, it looked
|
|
indeed a fit setting for an act in such a drama as that wherein
|
|
we played our parts. When I had lain in the East End opium den,
|
|
when upon such another night as this I had looked out upon
|
|
a peaceful Norfolk countryside, the same knowledge of aloofness,
|
|
of utter detachment from the world of living men, had come to me.
|
|
|
|
Silently Smith stared out at the distant moving lights.
|
|
|
|
"Karamaneh merely means a slave," he said irrelevantly.
|
|
|
|
I made no comment.
|
|
|
|
"There's the hulk," he added.
|
|
|
|
The bank upon which we stood dipped in mud slopes to the level
|
|
of the running tide. Seaward it rose higher, and by a narrow inlet--
|
|
for we perceived that we were upon a kind of promontory--
|
|
a rough pier showed. Beneath it was a shadowy shape in the patch
|
|
of gloom which the moon threw far out upon the softly eddying water.
|
|
Only one dim light was visible amid this darkness.
|
|
|
|
"That will be the cabin," said Smith.
|
|
|
|
Acting upon our prearranged plan, we turned and walked up on
|
|
to the staging above the hulk. A wooden ladder led out and down
|
|
to the deck below, and was loosely lashed to a ring on the pier.
|
|
With every motion of the tidal waters the ladder rose and fell,
|
|
its rings creaking harshly, against the crazy railing.
|
|
|
|
"How are we going to get down without being detected?" whispered Smith.
|
|
|
|
"We've got to risk it," I said grimly.
|
|
|
|
Without further words my friend climbed around on to the ladder
|
|
and commenced to descend. I waited until his head disappeared
|
|
below the level, and, clumsily enough, prepared to follow him.
|
|
|
|
The hulk at that moment giving an unusually heavy heave,
|
|
I stumbled, and for one breathless moment looked down upon
|
|
the glittering surface streaking the darkness beneath me.
|
|
My foot had slipped, and but that I had a firm grip upon the top rung,
|
|
that instant, most probably, had marked the end of my share
|
|
in the fight with Fu-Manchu. As it was I had a narrow escape.
|
|
I felt something slip from my hip pocket, but the weird
|
|
creaking of the ladder, the groans of the laboring hulk,
|
|
and the lapping of the waves about the staging drowned the sound
|
|
of the splash as my revolver dropped into the river.
|
|
|
|
Rather, white-faced, I think, I joined Smith on the deck.
|
|
He had witnessed my accident, but--
|
|
|
|
"We must risk it," he whispered in my ear. "We dare not turn back now."
|
|
|
|
He plunged into the semi-darkness, making for the cabin,
|
|
I perforce following.
|
|
|
|
At the bottom of the ladder we came fully into the light streaming out
|
|
from the singular apartments at the entrance to which we found ourselves.
|
|
It was fitted up as a laboratory. A glimpse I had of shelves loaded
|
|
with jars and bottles, of a table strewn with scientific paraphernalia,
|
|
with retorts, with tubes of extraordinary shapes, holding living organisms,
|
|
and with instruments--some of them of a form unknown to my experience.
|
|
I saw too that books, papers and rolls of parchment littered the bare
|
|
wooden floor. Then Smith's voice rose above the confused sounds
|
|
about me, incisive, commanding:
|
|
|
|
"I have you covered, Dr. Fu-Manchu!"
|
|
|
|
For Fu-Manchu sat at the table.
|
|
|
|
The picture that he presented at that moment is one which persistently
|
|
clings in my memory. In his long, yellow robe, his masklike,
|
|
intellectual face bent forward amongst the riot of singular objects upon
|
|
the table, his great, high brow gleaming in the light of the shaded
|
|
lamp above him, and with the abnormal eyes, filmed and green,
|
|
raised to us, he seemed a figure from the realms of delirium.
|
|
But, most amazing circumstance of all, he and his surroundings tallied,
|
|
almost identically, with the dream-picture which had come to me as I
|
|
lay chained in the cell!
|
|
|
|
Some of the large jars about the place held anatomy specimens.
|
|
A faint smell of opium hung in the air, and playing with the tassel
|
|
of one of the cushions upon which, as upon a divan, Fu-Manchu was seated,
|
|
leaped and chattered a little marmoset.
|
|
|
|
That was an electric moment. I was prepared for anything--
|
|
for anything except for what really happened.
|
|
|
|
The doctor's wonderful, evil face betrayed no hint of emotion.
|
|
The lids flickered over the filmed eyes, and their greenness grew
|
|
momentarily brighter, and filmed over again.
|
|
|
|
"Put up your hands!" rapped Smith, "and attempt no tricks."
|
|
His voice quivered with excitement. "The game's up,
|
|
Fu-Manchu. Find something to tie him up with, Petrie."
|
|
|
|
I moved forward to Smith's side, and was about to pass him
|
|
in the narrow doorway. The hulk moved beneath our feet
|
|
like a living thing groaning, creaking--and the water lapped
|
|
about the rotten woodwork with a sound infinitely dreary.
|
|
|
|
"Put up your hands!" ordered Smith imperatively.
|
|
|
|
Fu-Manchu slowly raised his hands, and a smile dawned upon
|
|
the impassive features--a smile that had no mirth in it,
|
|
only menace, revealing as it did his even, discolored teeth,
|
|
but leaving the filmed eyes inanimate, dull, inhuman.
|
|
|
|
He spoke softly, sibilantly.
|
|
|
|
"I would advise Dr. Petrie to glance behind him before he moves."
|
|
|
|
Smith's keen gray eyes never for a moment quitted the speaker.
|
|
The gleaming barrel moved not a hair's-breadth. But I glanced
|
|
quickly over my shoulder--and stifled a cry of pure horror.
|
|
|
|
A wicked, pock-marked face, with wolfish fangs bared, and jaundiced
|
|
eyes squinting obliquely into mine, was within two inches of me.
|
|
A lean, brown hand and arm, the great thews standing up like cords,
|
|
held a crescent-shaped knife a fraction of an inch above my jugular vein.
|
|
A slight movement must have dispatched me; a sweep of the fearful weapon,
|
|
I doubt not, would have severed my head from my body.
|
|
|
|
"Smith!" I whispered hoarsely, "don't look around.
|
|
For God's sake keep him covered. But a dacoit has his knife
|
|
at my throat!"
|
|
|
|
Then, for the first time, Smith's hand trembled. But his glance never wavered
|
|
from the malignant, emotionless countenance of Dr. Fu-Manchu. He clenched
|
|
his teeth hard, so that the muscles stood out prominently upon his jaw.
|
|
|
|
I suppose that silence which followed my awful discovery prevailed
|
|
but a few seconds. To me those seconds were each a lingering death.
|
|
|
|
There, below, in that groaning hulk, I knew more of icy terror
|
|
than any of our meetings with the murder-group had brought
|
|
to me before; and through my brain throbbed a thought:
|
|
the girl had betrayed us!
|
|
|
|
"You supposed that I was alone?" suggested Fu-Manchu. "So I was."
|
|
|
|
Yet no trace of fear had broken through the impassive yellow
|
|
mask when we had entered.
|
|
|
|
"But my faithful servant followed you," he added. "I thank him.
|
|
The honors, Mr. Smith, are mine, I think?"
|
|
|
|
Smith made no reply. I divined that he was thinking furiously.
|
|
Fu-Manchu moved his hand to caress the marmoset, which had leaped
|
|
playfully upon his shoulder, and crouched there gibing at us
|
|
in a whistling voice.
|
|
|
|
"Don't stir!" said Smith savagely. "I warn you!"
|
|
|
|
Fu-Manchu kept his hand raised.
|
|
|
|
"May I ask you how you discovered my retreat?" he asked.
|
|
|
|
"This hulk has been watched since dawn," lied Smith brazenly.
|
|
|
|
"So?" The Doctor's filmed eyes cleared for a moment.
|
|
"And to-day you compelled me to burn a house, and you
|
|
have captured one of my people, too. I congratulate you.
|
|
She would not betray me though lashed with scorpions."
|
|
|
|
The great gleaming knife was so near to my neck that a sheet of notepaper
|
|
could scarcely have been slipped between blade and vein, I think;
|
|
but my heart throbbed even more wildly when I heard those words.
|
|
|
|
"An impasse," said Fu-Manchu. "I have a proposal to make.
|
|
I assume that you would not accept my word for anything?"
|
|
|
|
"I would not," replied Smith promptly.
|
|
|
|
"Therefore," pursued the Chinaman, and the occasional guttural
|
|
alone marred his perfect English, "I must accept yours.
|
|
Of your resources outside this cabin I know nothing.
|
|
You, I take it, know as little of mine. My Burmese friend and
|
|
Doctor Petrie will lead the way, then; you and I will follow.
|
|
We will strike out across the marsh for, say, three hundred yards.
|
|
You will then place your pistol on the ground, pledging me your
|
|
word to leave it there. I shall further require your assurance
|
|
that you will make no attempt upon me until I have retraced
|
|
my steps. I and my good servant will withdraw, leaving you,
|
|
at the expiration of the specified period, to act as you see fit.
|
|
Is it agreed?"
|
|
|
|
Smith hesitated. Then:
|
|
|
|
"The dacoit must leave his knife also," he stipulated.
|
|
Fu-Manchu smiled his evil smile again.
|
|
|
|
"Agreed. Shall I lead the way?"
|
|
|
|
"No!" rapped Smith. "Petrie and the dacoit first; then you; I last."
|
|
|
|
A guttural word of command from Fu-Manchu, and we left the cabin,
|
|
with its evil odors, its mortuary specimens, and its strange instruments,
|
|
and in the order arranged mounted to the deck.
|
|
|
|
"It will be awkward on the ladder," said Fu-Manchu. "Dr. Petrie,
|
|
I will accept your word to adhere to the terms."
|
|
|
|
"I promise," I said, the words almost choking me.
|
|
|
|
We mounted the rising and dipping ladder, all reached the pier,
|
|
and strode out across the flats, the Chinaman always under close
|
|
cover of Smith's revolver. Round about our feet, now leaping ahead,
|
|
now gamboling back, came and went the marmoset. The dacoit,
|
|
dressed solely in a dark loin-cloth, walked beside me, carrying his
|
|
huge knife, and sometimes glancing at me with his blood-lustful eyes.
|
|
Never before, I venture to say, had an autumn moon lighted such
|
|
a scene in that place.
|
|
|
|
"Here we part," said Fu-Manchu, and spoke another word to his follower.
|
|
|
|
The man threw his knife upon the ground.
|
|
|
|
"Search him, Petrie," directed Smith. "He may have a second concealed."
|
|
|
|
The Doctor consented; and I passed my hands over the man's scanty garments.
|
|
|
|
"Now search Fu-Manchu."
|
|
|
|
This also I did. And never have I experienced a similar sense
|
|
of revulsion from any human being. I shuddered, as though I
|
|
had touched a venomous reptile.
|
|
|
|
Smith drew down his revolver.
|
|
|
|
"I curse myself for an honorable fool," he said. "No one could
|
|
dispute my right to shoot you dead where you stand."
|
|
|
|
Knowing him as I did, I could tell from the suppressed passion
|
|
in Smith's voice that only by his unhesitating acceptance
|
|
of my friend's word, and implicit faith in his keeping it,
|
|
had Dr. Fu-Manchu escaped just retribution at that moment.
|
|
Fiend though he was, I admired his courage; for all this he,
|
|
too, must have known.
|
|
|
|
The Doctor turned, and with the dacoit walked back.
|
|
Nayland Smith's next move filled me with surprise.
|
|
For just as, silently, I was thanking God for my escape,
|
|
my friend began shedding his coat, collar and waistcoat.
|
|
|
|
"Pocket your valuables, and do the same," he muttered hoarsely.
|
|
"We have a poor chances but we are both fairly fit.
|
|
To-night, Petrie, we literally have to run for our lives."
|
|
|
|
We live in a peaceful age, wherein it falls to the lot of few
|
|
men to owe their survival to their fleetness of foot.
|
|
At Smith's words I realized in a flash that such was to be
|
|
our fate to-night.
|
|
|
|
I have said that the hulk lay off a sort of promontory.
|
|
East and west, then, we had nothing to hope for. To the south
|
|
was Fu-Manchu; and even as, stripped of our heavier garments,
|
|
we started to run northward, the weird signal of a dacoit rose
|
|
on the night and was answered--was answered again.
|
|
|
|
"Three, at least," hissed Smith; "three armed dacoits. Hopeless."
|
|
|
|
"Take the revolver," I cried. "Smith, it's--"
|
|
|
|
"No," he rapped, through clenched teeth. "A servant of the Crown
|
|
in the East makes his motto: `Keep your word, though it break
|
|
your neck!' I don't think we need fear it being used against us.
|
|
Fu-Manchu avoids noisy methods."
|
|
|
|
So back we ran, over the course by which, earlier, we had come.
|
|
It was, roughly, a mile to the first building--a deserted cottage--
|
|
and another quarter of a mile to any that was occupied.
|
|
|
|
Our chance of meeting a living soul, other than Fu-Manchu's dacoits,
|
|
was practically nil.
|
|
|
|
At first we ran easily, for it was the second half-mile that would
|
|
decide our fate. The professional murderers who pursued us ran
|
|
like panthers, I knew; and I dare not allow my mind to dwell
|
|
upon those yellow figures with the curved, gleaming, knives.
|
|
For a long time neither of us looked back.
|
|
|
|
On we ran, and on--silently, doggedly.
|
|
|
|
Then a hissing breath from Smith warned me what to expect.
|
|
|
|
Should I, too, look back? Yes. It was impossible to resist
|
|
the horrid fascination.
|
|
|
|
I threw a quick glance over my shoulder.
|
|
|
|
And never while I live shall I forget what I saw.
|
|
Two of the pursuing dacoits had outdistanced their fellow
|
|
(or fellows), and were actually within three hundred yards of us.
|
|
|
|
More like dreadful animals they looked than human beings,
|
|
running bent forward, with their faces curiously uptilted.
|
|
The brilliant moonlight gleamed upon bared teeth, as I could see,
|
|
even at that distance, even in that quick, agonized glance,
|
|
and it gleamed upon the crescent-shaped knives.
|
|
|
|
"As hard as you can go now," panted Smith. "We must make an attempt
|
|
to break into the empty cottage. Only chance."
|
|
|
|
I had never in my younger days been a notable runner; for Smith I
|
|
cannot speak. But I am confident that the next half-mile was done
|
|
in time that would not have disgraced a crack man. Not once again did
|
|
either of us look back. Yard upon yard we raced forward together.
|
|
My heart seemed to be bursting. My leg muscles throbbed with pain.
|
|
At last, with the empty cottage in sight, it came to that pass with me
|
|
when another three yards looks as unattainable as three miles.
|
|
Once I stumbled.
|
|
|
|
"My God!" came from Smith weakly.
|
|
|
|
But I recovered myself. Bare feet pattered close upon our heels,
|
|
and panting breaths told how even Fu-Manchu's bloodhounds were hard
|
|
put to it by the killing pace we had made.
|
|
|
|
"Smith," I whispered, "look in front. Someone!"
|
|
|
|
As through a red mist I had seen a dark shape detach itself
|
|
from the shadows of the cottage, and merge into them again.
|
|
It could only be another dacoit; but Smith, not heeding,
|
|
or not hearing, my faintly whispered words, crashed open
|
|
the gate and hurled himself blindly at the door.
|
|
|
|
It burst open before him with a resounding boom, and he pitched forward
|
|
into the interior darkness. Flat upon the floor he lay, for as,
|
|
with a last effort, I gained the threshold and dragged myself within,
|
|
I almost fell over his recumbent body.
|
|
|
|
Madly I snatched at the door. His foot held it open.
|
|
I kicked the foot away, and banged the door to. As I turned,
|
|
the leading dacoit, his eyes starting from their sockets,
|
|
his face the face of a demon leaped wildly through the gateway.
|
|
|
|
That Smith had burst the latch I felt assured, but by some divine
|
|
accident my weak hands found the bolt. With the last ounce
|
|
of strength spared to me I thrust it home in the rusty socket--
|
|
as a full six inches of shining steel split the middle panel
|
|
and protruded above my head.
|
|
|
|
I dropped, sprawling, beside my friend.
|
|
|
|
A terrific blow shattered every pane of glass in the solitary window,
|
|
and one of the grinning animal faces looked in.
|
|
|
|
"Sorry, old man," whispered Smith, and his voice was barely audible.
|
|
Weakly he grasped my hand. "My fault. I shouldn't have let, you come."
|
|
|
|
From the corner of the room where the black shadows lay flicked
|
|
a long tongue of flame. Muffled, staccato, came the report.
|
|
And the yellow face at the window was blotted out.
|
|
|
|
One wild cry, ending in a rattling gasp, told of a dacoit gone
|
|
to his account.
|
|
|
|
A gray figure glided past me and was silhouetted against the broken window.
|
|
|
|
Again the pistol sent its message into the night, and again came
|
|
the reply to tell how well and truly that message had been delivered.
|
|
In the stillness, intense by sharp contrast, the sound
|
|
of bare soles pattering upon the path outside stole to me.
|
|
Two runners, I thought there were, so that four dacoits must
|
|
have been upon our trail. The room was full of pungent smoke.
|
|
I staggered to my feet as the gray figure with the revolver
|
|
turned towards me. Something familiar there was in that long,
|
|
gray garment, and now I perceived why I had thought so.
|
|
|
|
It was my gray rain-coat.
|
|
|
|
"Karamaneh," I whispered.
|
|
|
|
And Smith, with difficulty, supporting himself upright, and holding
|
|
fast to the ledge beside the door, muttered something hoarsely,
|
|
which sounded like "God bless her!"
|
|
|
|
The girl, trembling now, placed her hands upon my shoulders with that quaint,
|
|
pathetic gesture peculiarly her own.
|
|
|
|
"I followed you," she said. "Did you not know I should follow you?
|
|
But I had to hide because of another who was following also.
|
|
I had but just reached this place when I saw you running towards me."
|
|
|
|
She broke off and turned to Smith.
|
|
|
|
"This is your pistol," she said naively. "I found it in your bag.
|
|
Will you please take it!"
|
|
|
|
He took it without a word. Perhaps he could not trust himself to speak.
|
|
|
|
"Now go. Hurry!" she said. "You are not safe yet."
|
|
|
|
"But you?" I asked.
|
|
|
|
"You have failed," she replied. "I must go back to him.
|
|
There is no other way."
|
|
|
|
Strangely sick at heart for a man who has just had a miraculous
|
|
escape from death, I opened the door. Coatless, disheveled figures,
|
|
my friend and I stepped out into the moonlight.
|
|
|
|
Hideous under the pale rays lay the two dead men,
|
|
their glazed eyes upcast to the peace of the blue heavens.
|
|
Karamaneh had shot to kill, for both had bullets in their brains.
|
|
If God ever planned a more complex nature than hers--a nature more
|
|
tumultuous with conflicting passions, I cannot conceive of it.
|
|
Yet her beauty was of the sweetest; and in some respects she
|
|
had the heart of a child--this girl who could shoot so straight.
|
|
|
|
"We must send the police to-night," said Smith.
|
|
"Or the papers--"
|
|
|
|
"Hurry," came the girl's voice commandingly from the darkness
|
|
of the cottage.
|
|
|
|
It was a singular situation. My very soul rebelled against it.
|
|
But what could we do?
|
|
|
|
"Tell us where we can communicate," began Smith.
|
|
|
|
"Hurry. I shall be suspected. Do you want him to kill me!"
|
|
|
|
We moved away. All was very still now, and the lights glimmered
|
|
faintly ahead. Not a wisp of cloud brushed the moon's disk.
|
|
|
|
"Good-night, Karamaneh," I whispered softly.
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
|
|
TO pursue further the adventure on the marshes would be a task
|
|
at once useless and thankless. In its actual and in its dramatic
|
|
significance it concluded with our parting from Karamaneh.
|
|
And in that parting I learned what Shakespeare meant
|
|
by "Sweet Sorrow."
|
|
|
|
There was a world, I learned, upon the confines of which I stood,
|
|
a world whose very existence hitherto had been unsuspected.
|
|
Not the least of the mysteries which peeped from the darkness was
|
|
the mystery of the heart of Karamaneh. I sought to forget her.
|
|
I sought to remember her. Indeed, in the latter task I found
|
|
one more congenial, yet, in the direction and extent of the ideas
|
|
which it engendered, one that led me to a precipice.
|
|
|
|
East and West may not intermingle. As a student of
|
|
world-policies, as a physician, I admitted, could not deny,
|
|
that truth. Again, if Karamaneh were to be credited,
|
|
she had come to Fu-Manchu a slave; had fallen into the hands
|
|
of the raiders; had crossed the desert with the slave-drivers;
|
|
had known the house of the slave-dealer. Could it be?
|
|
With the fading of the crescent of Islam I had thought such
|
|
things to have passed.
|
|
|
|
But if it were so?
|
|
|
|
At the mere thought of a girl so deliciously beautiful in the brutal
|
|
power of slavers, I found myself grinding my teeth--closing my eyes
|
|
in a futile attempt to blot out the pictures called up.
|
|
|
|
Then, at such times, I would find myself discrediting her story.
|
|
Again, I would find myself wondering, vaguely, why such problems
|
|
persistently haunted my mind. But, always, my heart had an answer.
|
|
And I was a medical man, who sought to build up a family practice!--
|
|
who, in short, a very little time ago, had thought himself past
|
|
the hot follies of youth and entered upon that staid phase of life
|
|
wherein the daily problems of the medical profession hold absolute
|
|
sway and such seductive follies as dark eyes and red lips find--
|
|
no place--are excluded!
|
|
|
|
But it is foreign from the purpose of this plain record to
|
|
enlist sympathy for the recorder. The topic upon which, here,
|
|
I have ventured to touch was one fascinating enough to me;
|
|
I cannot hope that it holds equal charm for any other.
|
|
Let us return to that which it is my duty to narrate and let
|
|
us forget my brief digression.
|
|
|
|
It is a fact, singular, but true, that few Londoners know London.
|
|
Under the guidance of my friend, Nayland Smith, I had learned,
|
|
since his return from Burma, how there are haunts in the very heart
|
|
of the metropolis whose existence is unsuspected by all but the few;
|
|
places unknown even to the ubiquitous copy-hunting pressman.
|
|
|
|
Into a quiet thoroughfare not two minutes' walk from
|
|
the pulsing life of Leicester Square, Smith led the way.
|
|
Before a door sandwiched in between two dingy shop-fronts
|
|
he paused and turned to me.
|
|
|
|
"Whatever you see or hear," he cautioned, "express no surprise."
|
|
|
|
A cab had dropped us at the corner. We both wore dark suits and fez
|
|
caps with black silk tassels. My complexion had been artificially
|
|
reduced to a shade resembling the deep tan of my friend's. He rang
|
|
the bell beside the door.
|
|
|
|
Almost immediately it was opened by a negro woman--gross, hideously ugly.
|
|
|
|
Smith uttered something in voluble Arabic. As a linguist his
|
|
attainments were a constant source of surprise. The jargons
|
|
of the East, Far and Near, he spoke as his mother tongue.
|
|
The woman immediately displayed the utmost servility, ushering us
|
|
into an ill-lighted passage, with every evidence of profound respect.
|
|
Following this passage, and passing an inner door,
|
|
from beyond whence proceeded bursts of discordant music,
|
|
we entered a little room bare of furniture, with coarse matting
|
|
for mural decorations, and a patternless red carpet on the floor.
|
|
In a niche burned a common metal lamp.
|
|
|
|
The negress left us, and close upon her departure entered a very aged man
|
|
with a long patriarchal beard, who greeted my friend with dignified courtesy.
|
|
Following a brief conversation, the aged Arab--for such he appeared to be--
|
|
drew aside a strip of matting, revealing a dark recess. Placing his finger
|
|
upon his lips, he silently invited us to enter.
|
|
|
|
We did so, and the mat was dropped behind us. The sounds of crude
|
|
music were now much plainer, and as Smith slipped a little shutter
|
|
aside I gave a start of surprise.
|
|
|
|
Beyond lay a fairly large apartment, having divans or low seats around
|
|
three of its walls. These divans were occupied by a motley company
|
|
of Turks, Egyptians, Greeks, and others; and I noted two Chinese.
|
|
Most of them smoked cigarettes, and some were drinking.
|
|
A girl was performing a sinuous dance upon the square carpet occupying
|
|
the center of the floor, accompanied by a young negro woman upon
|
|
a guitar and by several members of the assembly who clapped their
|
|
hands to the music or hummed a low, monotonous melody.
|
|
|
|
Shortly after our entrance into the passage the dance terminated,
|
|
and the dancer fled through a curtained door at the farther end of the room.
|
|
A buzz of conversation arose.
|
|
|
|
"It is a sort of combined Wekaleh and place of entertainment for a certain
|
|
class of Oriental residents in, or visiting, London," Smith whispered.
|
|
"The old gentleman who has just left us is the proprietor or host.
|
|
I have been here before on several occasions, but have always drawn blank."
|
|
|
|
He was peering out eagerly into the strange clubroom.
|
|
|
|
"Whom do you expect to find here?" I asked.
|
|
|
|
"It is a recognized meeting-place," said Smith in my ear.
|
|
"It is almost a certainty that some of the Fu-Manchu group
|
|
use it at times."
|
|
|
|
Curiously I surveyed all these faces which were visible from the spy-hole.
|
|
My eyes rested particularly upon the two Chinamen.
|
|
|
|
"Do you recognize anyone?" I whispered.
|
|
|
|
"S-sh!"
|
|
|
|
Smith was craning his neck so as to command a sight of the doorway.
|
|
He obstructed my view, and only by his tense attitude and some
|
|
subtle wave of excitement which he communicated to me did I know
|
|
that a new arrival was entering. The hum of conversation died away,
|
|
and in the ensuing silence I heard the rustle of draperies.
|
|
The newcomer was a woman, then. Fearful of making any noise I yet
|
|
managed to get my eyes to the level of the shutter.
|
|
|
|
A woman in an elegant, flame-colored opera cloak was crossing the floor
|
|
and coming in the direction of the spot where we were concealed.
|
|
She wore a soft silk scarf about her head, a fold partly draped across
|
|
her face. A momentary view I had of her--and wildly incongruous
|
|
she looked in that place--and she had disappeared from sight,
|
|
having approached someone invisible who sat upon the divan immediately
|
|
beneath our point of vantage.
|
|
|
|
From the way in which the company gazed towards her, I divined that she
|
|
was no habitue of the place, but that her presence there was as greatly
|
|
surprising to those in the room as it was to me.
|
|
|
|
Whom could she be, this elegant lady who visited such a haunt--
|
|
who, it would seem, was so anxious to disguise her identity,
|
|
but who was dressed for a society function rather than for a
|
|
midnight expedition of so unusual a character?
|
|
|
|
I began a whispered question, but Smith tugged at my arm to silence me.
|
|
His excitement was intense. Had his keener powers enabled him
|
|
to recognize the unknown?
|
|
|
|
A faint but most peculiar perfume stole to my nostrils, a perfume
|
|
which seemed to contain the very soul of Eastern mystery.
|
|
Only one woman known to me used that perfume--Karamaneh.
|
|
|
|
Then it was she!
|
|
|
|
At last my friend's vigilance had been rewarded. Eagerly I bent forward.
|
|
Smith literally quivered in anticipation of a discovery. Again the strange
|
|
perfume was wafted to our hiding-place; and, glancing neither to right
|
|
nor left, I saw Karamaneh--for that it was she I no longer doubted--
|
|
recross the room and disappear.
|
|
|
|
"The man she spoke to," hissed Smith. "We must see him!
|
|
We must have him!"
|
|
|
|
He pulled the mat aside and stepped out into the anteroom.
|
|
It was empty. Down the passage he led, and we were almost come
|
|
to the door of the big room when it was thrown open and a man came
|
|
rapidly out, opened the street door before Smith could reach him,
|
|
and was gone, slamming it fast.
|
|
|
|
I can swear that we were not four seconds behind him, but when we gained
|
|
the street it was empty. Our quarry had disappeared as if by magic.
|
|
A big car was just turning the corner towards Leicester Square.
|
|
|
|
"That is the girl," rapped Smith; "but where in Heaven's
|
|
name is the man to whom she brought the message?
|
|
I would give a hundred pounds to know what business is afoot.
|
|
To think that we have had such an opportunity and have
|
|
thrown it away!"
|
|
|
|
Angry and nonplused he stood at the corner, looking in the direction
|
|
of the crowded thoroughfare into which the car had been driven, tugging at
|
|
the lobe of his ear, as was his habit in such moments of perplexity,
|
|
and sharply clicking his teeth together. I, too, was very thoughtful.
|
|
Clews were few enough in those days of our war with that giant antagonist.
|
|
The mere thought that our trifling error of judgment tonight in tarrying
|
|
a moment too long might mean the victory of Fu-Manchu, might mean the turning
|
|
of the balance which a wise providence had adjusted between the white
|
|
and yellow races, was appalling.
|
|
|
|
To Smith and me, who knew something of the secret influences
|
|
at work to overthrow the Indian Empire, to place, it might be,
|
|
the whole of Europe and America beneath an Eastern rule,
|
|
it seemed that a great yellow hand was stretched out over London.
|
|
Doctor Fu-Manchu was a menace to the civilized world.
|
|
Yet his very existence remained unsuspected by the millions
|
|
whose fate he sought to command.
|
|
|
|
"Into what dark scheme have we had a glimpse?" said Smith.
|
|
"What State secret is to be filched? What faithful servant
|
|
of the British Raj to be spirited away? Upon whom now has
|
|
Fu-Manchu set his death seal?"
|
|
|
|
"Karamaneh on this occasion may not have been acting as an emissary
|
|
of the Doctor's."
|
|
|
|
"I feel assured that she was, Petrie. Of the many whom this yellow
|
|
cloud may at any moment envelop, to which one did her message refer?
|
|
The man's instructions were urgent. Witness his hasty departure.
|
|
Curse it!" He dashed his right clenched fist into the palm of his
|
|
left hand. "I never had a glimpse of his face, first to last.
|
|
To think of the hours I have spent in that place, in anticipation
|
|
of just such a meeting--only to bungle the opportunity when it arose!"
|
|
Scarce heeding what course we followed, we had come now to Piccadilly
|
|
Circus, and had walked out into the heart of the night's traffic.
|
|
I just dragged Smith aside in time to save him from the off-front
|
|
wheel of a big Mercedes. Then the traffic was blocked, and we found
|
|
ourselves dangerously penned in amidst the press of vehicles.
|
|
|
|
Somehow we extricated ourselves, jeered at by taxi-drivers,
|
|
who naturally took us for two simple Oriental visitors,
|
|
and just before that impassable barrier the arm of a London
|
|
policeman was lowered and the stream moved on a faint breath
|
|
of perfume became perceptible to me.
|
|
|
|
The cabs and cars about us were actually beginning to move again,
|
|
and there was nothing for it but a hasty retreat to the curb.
|
|
I could not pause to glance behind, but instinctively I knew
|
|
that someone--someone who used that rare, fragrant essence--
|
|
was leaning from the window of the car.
|
|
|
|
"ANDAMAN--SECOND!" floated a soft whisper.
|
|
|
|
We gained the pavement as the pent-up traffic roared upon its way.
|
|
|
|
Smith had not noticed the perfume worn by the unseen
|
|
occupant of the car, had not detected the whispered words.
|
|
But I had no reason to doubt my senses, and I knew beyond
|
|
question that Fu-Manchu's lovely slave, Karamaneh, had been
|
|
within a yard of us, had recognized us, and had uttered
|
|
those words for our guidance.
|
|
|
|
On regaining my rooms, we devoted a whole hour to considering
|
|
what "ANDAMAN--SECOND" could possibly mean.
|
|
|
|
"Hang it all!" cried Smith, "it might mean anything--
|
|
the result of a race, for instance."
|
|
|
|
He burst into one of his rare laughs, and began to stuff broadcut mixture
|
|
into his briar. I could see that he had no intention of turning in.
|
|
|
|
"I can think of no one--no one of note--in London at present
|
|
upon whom it is likely that Fu-Manchu would make an attempt,"
|
|
he said, "except ourselves."
|
|
|
|
We began methodically to go through the long list of names
|
|
which we had compiled and to review our elaborate notes.
|
|
When, at last, I turned in, the night had given place to a new day.
|
|
But sleep evaded me, and "ANDAMAN--SECOND" danced like a
|
|
mocking phantom through my brain.
|
|
|
|
Then I heard the telephone bell. I heard Smith speaking.
|
|
|
|
A minute afterwards he was in my room, his face very grim.
|
|
|
|
"I knew as well as if I'd seen it with my own eyes that some
|
|
black business was afoot last night," he said. "And it was.
|
|
Within pistol-shot of us! Someone has got at Frank Norris West.
|
|
Inspector Weymouth has just been on the 'phone."
|
|
|
|
"Norris West!" I cried, "the American aviator--and inventor--"
|
|
"Of the West aero-torpedo--yes. He's been offering it to the English
|
|
War Office, and they have delayed too long."
|
|
|
|
I got out of bed.
|
|
|
|
"What do you mean?"
|
|
|
|
"I mean that the potentialities have attracted the attention
|
|
of Dr. Fu-Manchu!"
|
|
|
|
Those words operated electrically. I do not know how long I was in dressing,
|
|
how long a time elapsed ere the cab for which Smith had 'phoned arrived,
|
|
how many precious minutes were lost upon the journey; but, in a nervous whirl,
|
|
these things slipped into the past, like the telegraph poles seen from
|
|
the window of an express, and, still in that tense state, we came upon
|
|
the scene of this newest outrage.
|
|
|
|
Mr. Norris West, whose lean, stoic face had latterly figured so often
|
|
in the daily press, lay upon the floor in the little entrance hall
|
|
of his chambers, flat upon his back, with the telephone receiver
|
|
in his hand.
|
|
|
|
The outer door had been forced by the police. They had
|
|
had to remove a piece of the paneling to get at the bolt.
|
|
A medical man was leaning over the recumbent figure in the striped
|
|
pajama suit, and Detective-Inspector Weymouth stood watching
|
|
him as Smith and I entered.
|
|
|
|
"He has been heavily drugged," said the Doctor, sniffing at
|
|
West's lips, "but I cannot say what drug has been used.
|
|
It isn't chloroform or anything of that nature.
|
|
He can safely be left to sleep it off, I think."
|
|
|
|
I agreed, after a brief examination.
|
|
|
|
"It's most extraordinary," said Weymouth. "He rang up the Yard
|
|
about an hour ago and said his chambers had been invaded by Chinamen.
|
|
Then the man at the 'phone plainly heard him fall. When we got here his
|
|
front door was bolted, as you've seen, and the windows are three floors up.
|
|
Nothing is disturbed."
|
|
|
|
"The plans of the aero-torpedo?" rapped Smith.
|
|
|
|
"I take it they are in the safe in his bedroom,"
|
|
replied the detective, "and that is locked all right. I think
|
|
he must have taken an overdose of something and had illusions.
|
|
But in case there was anything in what he mumbled (you could
|
|
hardly understand him) I thought it as well to send for you."
|
|
|
|
"Quite right," said Smith rapidly. His eyes shone like steel.
|
|
"Lay him on the bed, Inspector."
|
|
|
|
It was done, and my friend walked into the bedroom.
|
|
|
|
Save that the bed was disordered, showing that West had been
|
|
sleeping in it, there were no evidences of the extraordinary
|
|
invasion mentioned by the drugged man. It was a small room--
|
|
the chambers were of that kind which are let furnished--and very neat.
|
|
A safe with a combination lock stood in a corner. The window was open
|
|
about a foot at the top. Smith tried the safe and found it fast.
|
|
He stood for a moment clicking his teeth together, by which I knew
|
|
him to be perplexed. He walked over to the window and threw it up.
|
|
We both looked out.
|
|
|
|
"You see," came Weymouth's voice, "it is altogether too far from
|
|
the court below for our cunning Chinese friends to have fixed a ladder
|
|
with one of their bamboo rod arrangements. And, even if they could
|
|
get up there, it's too far down from the roof--two more stories--
|
|
for them to have fixed it from there."
|
|
|
|
Smith nodded thoughtfully, at the same time trying the strength of an iron
|
|
bar which ran from side to side of the window-sill. Suddenly he stooped,
|
|
with a sharp exclamation. Bending over his shoulder I saw what it was
|
|
that had attracted his attention.
|
|
|
|
Clearly imprinted upon the dust-coated gray stone of the sill was a confused
|
|
series of marks--tracks call them what you will.
|
|
|
|
Smith straightened himself and turned a wondering look upon me.
|
|
|
|
"What is it, Petrie?" he said amazedly. "Some kind of bird has been here,
|
|
and recently." Inspector Weymouth in turn examined the marks.
|
|
|
|
"I never saw bird tracks like these, Mr. Smith," he muttered.
|
|
|
|
Smith was tugging at the lobe of his ear.
|
|
|
|
"No," he returned reflectively; "come to think of it, neither did I."
|
|
|
|
He twisted around, looking at the man on the bed.
|
|
|
|
"Do you think it was all an illusion?" asked the detective.
|
|
|
|
"What about those marks on the window-sill?" jerked Smith.
|
|
|
|
He began restlessly pacing about the room, sometimes stopping
|
|
before the locked safe and frequently glancing at Norris West.
|
|
|
|
Suddenly he walked out and briefly examined the other apartments,
|
|
only to return again to the bedroom.
|
|
|
|
"Petrie," he said, "we are losing valuable time.
|
|
West must be aroused."
|
|
|
|
Inspector Weymouth stared.
|
|
|
|
Smith turned to me impatiently. The doctor summoned by the police had gone.
|
|
"Is there no means of arousing him, Petrie?" he said.
|
|
|
|
"Doubtless," I replied, "he could be revived if one but knew
|
|
what drug he had taken."
|
|
|
|
My friend began his restless pacing again, and suddenly pounced upon
|
|
a little phial of tabloids which had been hidden behind some books
|
|
on a shelf near the bed. He uttered a triumphant exclamation.
|
|
|
|
"See what we have here, Petrie!" he directed, handing the phial to me.
|
|
"It bears no label."
|
|
|
|
I crushed one of the tabloids in my palm and applied my tongue
|
|
to the powder.
|
|
|
|
"Some preparation of chloral hydrate," I pronounced.
|
|
|
|
"A sleeping draught?" suggested Smith eagerly.
|
|
|
|
"We might try," I said, and scribbled a formula upon a leaf of my notebook.
|
|
I asked Weymouth to send the man who accompanied him to call up the nearest
|
|
chemist and procure the antidote.
|
|
|
|
During the man's absence Smith stood contemplating the unconscious inventor,
|
|
a peculiar expression upon his bronzed face.
|
|
|
|
"ANDAMAN--SECOND," he muttered. "Shall we find the key
|
|
to the riddle here, I wonder?"
|
|
|
|
Inspector Weymouth, who had concluded, I think, that the mysterious
|
|
telephone call was due to mental aberration on the part of Norris West,
|
|
was gnawing at his mustache impatiently when his assistant returned.
|
|
I administered the powerful restorative, and although,
|
|
as later transpired, chloral was not responsible for West's condition,
|
|
the antidote operated successfully.
|
|
|
|
Norris West struggled into a sitting position, and looked about him
|
|
with haggard eyes.
|
|
|
|
"The Chinamen! The Chinamen!" he muttered.
|
|
|
|
He sprang to his feet, glaring wildly at Smith and me, reeled,
|
|
and almost fell.
|
|
|
|
"It is all right," I said, supporting him. "I'm a doctor.
|
|
You have been unwell."
|
|
|
|
"Have the police come?" he burst out. "The safe--try the safe!"
|
|
|
|
"It's all right," said Inspector Weymouth. "The safe is locked--
|
|
unless someone else knows the combination, there's nothing
|
|
to worry about."
|
|
|
|
"No one else knows it," said West, and staggered unsteadily to the safe.
|
|
Clearly his mind was in a dazed condition, but, setting his jaw with
|
|
a curious expression of grim determination, he collected his thoughts
|
|
and opened the safe.
|
|
|
|
He bent down, looking in.
|
|
|
|
In some way the knowledge came to me that the curtain was about to rise
|
|
on a new and surprising act in the Fu-Manchu drama.
|
|
|
|
"God!" he whispered--we could scarcely hear him--"the plans are gone!"
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
|
|
I HAVE never seen a man quite so surprised as Inspector Weymouth.
|
|
|
|
"This is absolutely incredible!" he said. "There's only one door
|
|
to your chambers. We found it bolted from the inside."
|
|
|
|
"Yes," groaned West, pressing his hand to his forehead.
|
|
"I bolted it myself at eleven o'clock, when I came in."
|
|
|
|
"No human being could climb up or down to your windows.
|
|
The plans of the aero-torpedo were inside a safe."
|
|
|
|
"I put them there myself," said West, "on returning from the War Office,
|
|
and I had occasion to consult them after I had come in and bolted the door.
|
|
I returned them to the safe and locked it. That it was still locked you
|
|
saw for yourselves, and no one else in the world knows the combination."
|
|
|
|
"But the plans have gone," said Weymouth. "It's magic! How was it done?
|
|
What happened last night, sir? What did you mean when you rang us up?"
|
|
|
|
Smith during this colloquy was pacing rapidly up and down the room.
|
|
He turned abruptly to the aviator.
|
|
|
|
"Every fact you can remember, Mr. West, please," he said tersely;
|
|
"and be as brief as you possibly can."
|
|
|
|
"I came in, as I said," explained West "about eleven o'clock and having
|
|
made some notes relating to an interview arranged for this morning,
|
|
I locked the plans in the safe and turned in."
|
|
|
|
"There was no one hidden anywhere in your chambers?" snapped Smith.
|
|
|
|
"There was not," replied West. "I looked. I invariably do.
|
|
Almost immediately, I went to sleep."
|
|
|
|
"How many chloral tabloids did you take?" I interrupted.
|
|
|
|
Norris West turned to me with a slow smile.
|
|
|
|
"You're cute, Doctor," he said. "I took two. It's a bad habit,
|
|
but I can't sleep without. They are specially made up for me
|
|
by a firm in Philadelphia."
|
|
|
|
"How long sleep lasted, when it became filled with uncanny dreams,
|
|
and when those dreams merged into reality, I do not know--
|
|
shall never know, I suppose. But out of the dreamless void
|
|
a face came to me--closer--closer--and peered into mine.
|
|
|
|
"I was in that curious condition wherein one knows
|
|
that one is dreaming and seeks to awaken--to escape.
|
|
But a nightmare-like oppression held me. So I must lie
|
|
and gaze into the seared yellow face that hung over me,
|
|
for it would drop so close that I could trace the cicatrized
|
|
scar running from the left ear to the corner of the mouth,
|
|
and drawing up the lip like the lip of a snarling cur.
|
|
I could look into the malignant, jaundiced eyes;
|
|
I could hear the dim whispering of the distorted mouth--
|
|
whispering that seemed to counsel something--something evil.
|
|
That whispering intimacy was indescribably repulsive.
|
|
Then the wicked yellow face would be withdrawn, and would recede
|
|
until it became as a pin's head in the darkness far above me--
|
|
almost like a glutinous, liquid thing.
|
|
|
|
"Somehow I got upon my feet, or dreamed I did--God knows where dreaming ended
|
|
and reality began. Gentlemen maybe you'll conclude I went mad last night,
|
|
but as I stood holding on to the bedrail I heard the blood throbbing through
|
|
my arteries with a noise like a screw-propeller. I started laughing.
|
|
The laughter issued from my lips with a shrill whistling sound that pierced
|
|
me with physical pain and seemed to wake the echoes of the whole block.
|
|
I thought myself I was going mad, and I tried to command my will--
|
|
to break the power of the chloral--for I concluded that I had accidentally
|
|
taken an overdose.
|
|
|
|
"Then the walls of my bedroom started to recede, till at last I
|
|
stood holding on to a bed which had shrunk to the size of a
|
|
doll's cot, in the middle of a room like Trafalgar Square!
|
|
That window yonder was such a long way off I could scarcely see it,
|
|
but I could just defect a Chinaman--the owner of the evil
|
|
yellow face--creeping through it. He was followed by another,
|
|
who was enormously tall--so tall that, as they came towards me
|
|
(and it seemed to take them something like half-an-hour to cross
|
|
this incredible apartment in my dream), the second Chinaman
|
|
seemed to tower over me like a cypress-tree.
|
|
|
|
"I looked up to his face--his wicked, hairless face.
|
|
Mr. Smith, whatever age I live to, I'll never forget
|
|
that face I saw last night--or did I see it? God knows!
|
|
The pointed chin, the great dome of a forehead, and the eyes--
|
|
heavens above, the huge green eyes!"
|
|
|
|
He shook like a sick man, and I glanced at Smith significantly.
|
|
Inspector Weymouth was stroking his mustache, and his mingled
|
|
expression of incredulity and curiosity was singular to behold.
|
|
|
|
"The pumping of my blood," continued West, "seemed to be
|
|
bursting my body; the room kept expanding and contracting.
|
|
One time the ceiling would be pressing down on my head,
|
|
and the Chinamen--sometimes I thought there were two of them,
|
|
sometimes twenty--became dwarfs; the next instant it shot up
|
|
like the roof of a cathedral.
|
|
|
|
"`Can I be awake,' I whispered, `or am I dreaming?'
|
|
|
|
"My whisper went sweeping in windy echoes about the walls,
|
|
and was lost in the shadowy distances up under the invisible roof.
|
|
|
|
"`You are dreaming--yes.' It was the Chinaman with the green
|
|
eyes who was addressing me, and the words that he uttered
|
|
appeared to occupy an immeasurable time in the utterance.
|
|
'But at will I can render the subjective objective.'
|
|
I don't think I can have dreamed those singular words, gentlemen.
|
|
"And then he fixed the green eyes upon me--the blazing green eyes.
|
|
I made no attempt to move. They seemed to be draining me
|
|
of something vital--bleeding me of every drop of mental power.
|
|
The whole nightmare room grew green, and I felt that I was being
|
|
absorbed into its greenness.
|
|
|
|
"I can see what you think. And even in my delirium--
|
|
if it was delirium--I thought the same. Now comes the climax
|
|
of my experience--my vision--I don't know what to call it.
|
|
I SAW some WORDS issuing from my own mouth!"
|
|
|
|
Inspector Weymouth coughed discreetly. Smith whisked round upon him.
|
|
|
|
"This will be outside your experience, Inspector, I know," he said,
|
|
"but Mr. Norris West's statement does not surprise me in the least.
|
|
I know to what the experience was due."
|
|
|
|
Weymouth stared incredulously, but a dawning perception of the truth
|
|
was come to me, too.
|
|
|
|
"How I SAW a SOUND I just won't attempt to explain;
|
|
I simply tell you I saw it. Somehow I knew I had betrayed myself--
|
|
given something away."
|
|
|
|
"You gave away the secret of the lock combination!" rapped Smith.
|
|
|
|
"Eh!" grunted Weymouth.
|
|
|
|
But West went on hoarsely:
|
|
|
|
"Just before the blank came a name flashed before my eyes.
|
|
It was `Bayard Taylor.'"
|
|
|
|
At that I interrupted West.
|
|
|
|
"I understand!" I cried. "I understand! Another name has just occurred
|
|
to me, Mr. West--that of the Frenchman, Moreau."
|
|
|
|
"You have solved the mystery," said Smith. "It was natural
|
|
Mr. West should have thought of the American traveler,
|
|
Bayard Taylor, though. Moreau's book is purely scientific.
|
|
He has probably never read it."
|
|
|
|
"I fought with the stupor that was overcoming me," continued West,
|
|
"striving to associate that vaguely familiar name with the fantastic things
|
|
through which I moved. It seemed to me that the room was empty again.
|
|
I made for the hall, for the telephone. I could scarcely drag my feet along.
|
|
It seemed to take me half-an-hour to get there. I remember calling up
|
|
Scotland Yard, and I remember no more."
|
|
|
|
There was a short, tense interval.
|
|
|
|
In some respects I was nonplused; but, frankly, I think Inspector Weymouth
|
|
considered West insane. Smith, his hands locked behind his back,
|
|
stared out of the window.
|
|
|
|
"ANDAMAN--SECOND" he said suddenly. "Weymouth, when is the first
|
|
train to Tilbury?"
|
|
|
|
"Five twenty-two from Fenchurch Street," replied the Scotland
|
|
Yard man promptly.
|
|
|
|
"Too late!" rapped my friend. "Jump in a taxi and pick up
|
|
two good men to leave for China at once! Then go and charter
|
|
a special to Tilbury to leave in twenty-five minutes.
|
|
Order another cab to wait outside for me."
|
|
|
|
Weymouth was palpably amazed, but Smith's tone was imperative.
|
|
The Inspector departed hastily.
|
|
|
|
I stared at Smith, not comprehending what prompted this singular course.
|
|
|
|
"Now that you can think clearly, Mr. West," he said, "of what
|
|
does your experience remind you? The errors of perception
|
|
regarding time; the idea of SEEING A SOUND; the illusion
|
|
that the room alternately increased and diminished in size;
|
|
your fit of laughter, and the recollection of the name Bayard Taylor.
|
|
Since evidently you are familiar with that author's work--
|
|
'The Land of the Saracen,' is it not?--these symptoms of the attack
|
|
should be familiar, I think."
|
|
|
|
Norris West pressed his hands to his evidently aching head.
|
|
|
|
"Bayard Taylor's book," he said dully. "Yes!. . .I know of what my brain
|
|
sought to remind me--Taylor's account of his experience under hashish.
|
|
Mr. Smith, someone doped me with hashish!"
|
|
|
|
Smith nodded grimly.
|
|
|
|
"Cannabis indica," I said--"Indian hemp. That is what you were
|
|
drugged with. I have no doubt that now you experience a feeling of nausea
|
|
and intense thirst, with aching in the muscles, particularly the deltoid.
|
|
I think you must have taken at least fifteen grains."
|
|
|
|
Smith stopped his perambulations immediately in front of West,
|
|
looking into his dulled eyes.
|
|
|
|
"Someone visited your chambers last night," he said slowly,
|
|
"and for your chloral tabloids substituted some containing hashish,
|
|
or perhaps not pure hashish. Fu-Manchu is a profound chemist."
|
|
|
|
Norris West started.
|
|
|
|
"Someone substituted--" he began.
|
|
|
|
"Exactly," said Smith, looking at him keenly; "someone who was
|
|
here yesterday. Have you any idea whom it could have been?"
|
|
|
|
West hesitated. "I had a visitor in the afternoon," he said,
|
|
seemingly speaking the words unwillingly, "but--"
|
|
|
|
"A lady?" jerked Smith. "I suggest that it was a lady."
|
|
|
|
West nodded.
|
|
|
|
"You're quite right," he admitted. "I don't know how you arrived
|
|
at the conclusion, but a lady whose acquaintance I made recently--
|
|
a foreign lady."
|
|
|
|
"Karamaneh!" snapped Smith.
|
|
|
|
"I don't know what you mean in the least, but she came here--
|
|
knowing this to be my present address--to ask me to protect her from
|
|
a mysterious man who had followed her right from Charing Cross.
|
|
She said he was down in the lobby, and naturally, I asked her to wait
|
|
here whilst I went and sent him about his business."
|
|
|
|
He laughed shortly.
|
|
|
|
"I am over-old," he said, "to be guyed by a woman.
|
|
You spoke just now of someone called Fu-Manchu. Is
|
|
that the crook I'm indebted to for the loss of my plans?
|
|
I've had attempts made by agents of two European governments,
|
|
but a Chinaman is a novelty."
|
|
|
|
"This Chinaman," Smith assured him, "is the greatest novelty of his age.
|
|
You recognize your symptoms now from Bayard Taylors account?"
|
|
|
|
"Mr. West's statement," I said, "ran closely parallel
|
|
with portions of Moreau's book on `Hashish Hallucinations.'
|
|
Only Fu-Manchu, I think, would have thought of employing Indian hemp.
|
|
I doubt, though, if it was pure Cannabis indica. At any rate,
|
|
it acted as an opiate--"
|
|
|
|
"And drugged Mr. West," interrupted Smith, "sufficiently to enable
|
|
Fu-Manchu to enter unobserved."
|
|
|
|
"Whilst it produced symptoms which rendered him an easy subject
|
|
for the Doctor's influence. It is difficult in this case to separate
|
|
hallucination from reality, but I think, Mr. West, that Fu-Manchu
|
|
must have exercised an hypnotic influence upon your drugged brain.
|
|
We have evidence that he dragged from you the secret of the combination."
|
|
|
|
"God knows we have!" said West. "But who is this Fu-Manchu, and how--
|
|
how in the name of wonder did he get into my chambers?"
|
|
|
|
Smith pulled out his watch. "That," he said rapidly, "I cannot
|
|
delay to explain if I'm to intercept the man who has the plans.
|
|
Come along, Petrie; we must be at Tilbury within the hour.
|
|
There is just a bare chance."
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
|
|
IT was with my mind in a condition of unique perplexity that I hurried
|
|
with Nayland Smith into the cab which waited and dashed off through
|
|
the streets in which the busy life of London just stirred into being.
|
|
I suppose I need not say that I could penetrate no farther into this,
|
|
Fu-Manchu's latest plot, than the drugging of Norris West with hashish?
|
|
Of his having been so drugged with Indian hemp--that is,
|
|
converted temporarily into a maniac--would have been evident to any
|
|
medical man who had heard his statement and noted the distressing
|
|
after-effects which conclusively pointed to Indian hemp poisoning.
|
|
Knowing something of the Chinese doctor's powers, I could understand that
|
|
he might have extracted from West the secret of the combination by sheer
|
|
force of will whilst the American was under the influence of the drug.
|
|
But I could not understand how Fu-Manchu had gained access to locked
|
|
chambers on the third story of a building.
|
|
|
|
"Smith," I said, "those bird tracks on the window-sill--
|
|
they furnish the key to a mystery which is puzzling me."
|
|
|
|
"They do," said Smith, glancing impatiently at his watch.
|
|
"Consult your memories of Dr. Fu-Manchu's habits--especially your
|
|
memories of his pets."
|
|
|
|
I reviewed in my mind the creatures gruesome and terrible which
|
|
surrounded the Chinaman--the scorpions, the bacteria, the noxious
|
|
things which were the weapons wherewith he visited death upon
|
|
whomsoever opposed the establishment of a potential Yellow Empire.
|
|
But no one of them could account for the imprints upon the dust
|
|
of West's window-sill.
|
|
|
|
"You puzzle me, Smith," I confessed. "There is much in this extraordinary
|
|
case that puzzles me. I can think of nothing to account for the marks."
|
|
|
|
"Have you thought of Fu-Manchu's marmoset?" asked Smith.
|
|
|
|
"The monkey!" I cried.
|
|
|
|
"They were the footprints of a small ape," my friend continued.
|
|
"For a moment I was deceived as you were, and believed them
|
|
to be the tracks of a large bird; but I have seen the footprints
|
|
of apes before now, and a marmoset, though an American variety,
|
|
I believe, is not unlike some of the apes of Burma."
|
|
|
|
"I am still in the dark," I said.
|
|
|
|
"It is pure hypothesis," continued Smith, "but here is the theory--
|
|
in lieu of a better one it covers the facts. The marmoset--
|
|
and it is contrary from the character of Fu-Manchu to keep any
|
|
creature for mere amusement--is trained to perform certain duties.
|
|
|
|
"You observed the waterspout running up beside the window; you observed
|
|
the iron bar intended to prevent a window-cleaner from falling out?
|
|
For an ape the climb from the court below to the sill above was
|
|
a simple one. He carried a cord, probably attached to his body.
|
|
He climbed on to the sill, over the bar, and climbed down again.
|
|
By means of this cord a rope was pulled up over the bar,
|
|
by means of the rope one of those ladders of silk and bamboo.
|
|
One of the Doctor's servants ascended--probably to
|
|
ascertain if the hashish had acted successfully.
|
|
That was the yellow dream-face which West saw bending over him.
|
|
Then followed the Doctor, and to his giant will the drugged brain
|
|
of West was a pliant instrument which he bent to his own ends.
|
|
The court would be deserted at that hour of the night, and,
|
|
in any event, directly after the ascent the ladder probably
|
|
was pulled up, only to be lowered again when West had revealed
|
|
the secret of his own safe and Fu-Manchu had secured the plans.
|
|
The reclosing of the safe and the removing of the hashish tabloids,
|
|
leaving no clew beyond the delirious ravings of a drug slave--
|
|
for so anyone unacquainted with the East must have construed
|
|
West's story--is particularly characteristic. His own tabloids
|
|
were returned, of course. The sparing of his life alone is
|
|
a refinement of art which points to a past master."
|
|
|
|
"Karamaneh was the decoy again?" I said shortly.
|
|
|
|
"Certainly. Hers was the task to ascertain West's habits and to
|
|
substitute the tabloids. She it was who waited in the luxurious car--
|
|
infinitely less likely to attract attention at that hour in
|
|
that place than a modest taxi--and received the stolen plans.
|
|
She did her work well.
|
|
|
|
"Poor Karamaneh; she had no alternative! I said I would have given a hundred
|
|
pounds for a sight of the messenger's face--the man to whom she handed them.
|
|
I would give a thousand now!"
|
|
|
|
"ANDAMAN--SECOND," I said. "What did she mean?"
|
|
|
|
"Then it has not dawned upon you?" cried Smith excitedly, as the cab
|
|
turned into the station. "The ANDAMAN, of the Oriental Navigation
|
|
Company's line, leaves Tilbury with the next tide for China ports.
|
|
Our man is a second-class passenger. I am wiring to delay her departure,
|
|
and the special should get us to the docks inside of forty minutes."
|
|
|
|
|
|
Very vividly I can reconstruct in my mind that dash to the docks
|
|
through the early autumn morning. My friend being invested
|
|
with extraordinary powers from the highest authorities,
|
|
by Inspector Weymouth's instructions the line had been cleared
|
|
all the way.
|
|
|
|
Something of the tremendous importance of Nayland Smith's mission came home
|
|
to me as we hurried on to the platform, escorted by the station-master,
|
|
and the five of us--for Weymouth had two other C.I.D. men with him--
|
|
took our seats in the special.
|
|
|
|
Off we went on top speed, roaring through stations,
|
|
where a glimpse might be had of wondering officials upon
|
|
the platforms, for a special train was a novelty on the line.
|
|
All ordinary traffic arrangements were held up until we had
|
|
passed through, and we reached Tilbury in time which I doubt
|
|
not constituted a record.
|
|
|
|
There at the docks was the great liner, delayed in her passage
|
|
to the Far East by the will of my royally empowered companion.
|
|
It was novel, and infinitely exciting.
|
|
|
|
"Mr. Commissioner Nayland Smith?" said the captain interrogatively,
|
|
when we were shown into his room, and looked from one to another and back
|
|
to the telegraph form which he held in his hand.
|
|
|
|
"The same, Captain," said my friend briskly. "I shall not detain
|
|
you a moment. I am instructing the authorities at all ports
|
|
east of Suez to apprehend one of your second-class passengers,
|
|
should he leave the ship. He is in possession of plans
|
|
which practically belong to the British Government?"
|
|
"Why not arrest him now?" asked the seaman bluntly.
|
|
|
|
"Because I don't know him. All second-class passengers'
|
|
baggage will be searched as they land. I am hoping something from that,
|
|
if all else fails. But I want you privately to instruct your stewards
|
|
to watch any passenger of Oriental nationality, and to cooperate
|
|
with the two Scotland Yard men who are joining you for the voyage.
|
|
I look to you to recover these plans, Captain."
|
|
|
|
"I will do my best," the captain assured him.
|
|
|
|
Then, from amid the heterogeneous group on the dockside, we were watching
|
|
the liner depart, and Nayland Smith's expression was a very singular one.
|
|
Inspector Weymouth stood with us, a badly puzzled man. Then occurred
|
|
the extraordinary incident which to this day remains inexplicable, for,
|
|
clearly heard by all three of us, a guttural voice said:
|
|
|
|
"Another victory for China, Mr. Nayland Smith!"
|
|
|
|
I turned as though I had been stung. Smith turned also.
|
|
My eyes passed from face to face of the group about us.
|
|
None was familiar. No one apparently had moved away.
|
|
|
|
But the voice was the voice of DOCTOR FU-MANCHU.
|
|
|
|
As I write of it, now, I can appreciate the difference
|
|
between that happening, as it appealed to us, and as it must
|
|
appeal to you who merely read of it. It is beyond my powers
|
|
to convey the sense of the uncanny which the episode created.
|
|
Yet, even as I think of it, I feel again, though in lesser degree,
|
|
the chill which seemed to creep through my veins that day.
|
|
|
|
From my brief history of the wonderful and evil man who once walked,
|
|
by the way unsuspected, in the midst of the people of England--
|
|
near whom you, personally, may at some time unwittingly, have been--
|
|
I am aware that much must be omitted. I have no space for lengthy
|
|
examinations of the many points but ill illuminated with which it is dotted.
|
|
This incident at the docks is but one such point.
|
|
|
|
Another is the singular vision which appeared to me whilst I lay in
|
|
the cellar of the house near Windsor. It has since struck me that it
|
|
possessed peculiarities akin to those of a hashish hallucination.
|
|
Can it be that we were drugged on that occasion with Indian hemp? Cannabis
|
|
indica is a treacherous narcotic, as every medical man knows full well;
|
|
but Fu-Manchu's knowledge of the drug was far in advance of our slow science.
|
|
West's experience proved so much.
|
|
|
|
I may have neglected opportunities--later, you shall judge if I did so--
|
|
opportunities to glean for the West some of the strange knowledge of
|
|
the secret East. Perhaps, at a future time, I may rectify my errors.
|
|
Perhaps that wisdom--the wisdom stored up by Fu-Manchu--is lost forever.
|
|
There is, however, at least a bare possibility of its survival, in part;
|
|
and I do not wholly despair of one day publishing a scientific sequel
|
|
to this record of our dealings with the Chinese doctor.
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
|
|
TIME wore on and seemingly brought us no nearer, or very little nearer,
|
|
to our goal. So carefully had my friend Nayland Smith excluded
|
|
the matter from the press that, whilst public interest was much engaged
|
|
with some of the events in the skein of mystery which he had come from
|
|
Burma to unravel, outside the Secret Service and the special department
|
|
of Scotland Yard few people recognized that the several murders,
|
|
robberies and disappearances formed each a link in a chain; fewer still
|
|
were aware that a baneful presence was in our midst, that a past
|
|
master of the evil arts lay concealed somewhere in the metropolis;
|
|
searched for by the keenest wits which the authorities could direct
|
|
to the task, but eluding all-triumphant, contemptuous.
|
|
|
|
One link in that chain Smith himself for long failed to recognize.
|
|
Yet it was a big and important link.
|
|
|
|
"Petrie," he said to me one morning, "listen to this:
|
|
|
|
"`. . .In sight of Shanghai--a clear, dark night. On board the deck of a junk
|
|
passing close to seaward of the Andaman a blue flare started up.
|
|
A minute later there was a cry of "Man overboard!"
|
|
|
|
"`Mr. Lewin, the chief officer, who was in charge, stopped the engines.
|
|
A boat was put out. But no one was recovered. There are sharks
|
|
in these waters. A fairly heavy sea was running.
|
|
|
|
"`Inquiry showed the missing man to be a James Edwards,
|
|
second class, booked to Shanghai. I think the name was assumed.
|
|
The man was some sort of Oriental, and we had had him
|
|
under close observation. . . .'"
|
|
|
|
"That's the end of their report," exclaimed Smith.
|
|
|
|
He referred to the two C.I.D. men who had joined the Andaman
|
|
at the moment of her departure from Tilbury.
|
|
|
|
He carefully lighted his pipe.
|
|
|
|
"IS it a victory for China, Petrie?" he said softly.
|
|
|
|
"Until the great war reveals her secret resources--and I pray that the day
|
|
be not in my time--we shall never know," I replied.
|
|
|
|
Smith began striding up and down the room,
|
|
|
|
"Whose name," he jerked abruptly, "stands now at the head
|
|
of our danger list?"
|
|
|
|
He referred to a list which we had compiled of the notable men intervening
|
|
between the evil genius who secretly had invaded London and the triumph
|
|
of his cause--the triumph of the yellow races.
|
|
|
|
I glanced at our notes. "Lord Southery," I replied.
|
|
|
|
Smith tossed the morning paper across to me.
|
|
|
|
"Look," he said shortly. "He's dead."
|
|
|
|
I read the account of the peer's death, and glanced at
|
|
the long obituary notice; but no more than glanced at it.
|
|
He had but recently returned from the East, and now, after a
|
|
short illness, had died from some affection of the heart.
|
|
There had been no intimation that his illness was of a
|
|
serious nature, and even Smith, who watched over his flock--
|
|
the flock threatened by the wolf, Fu-Manchu--with jealous zeal,
|
|
had not suspected that the end was so near.
|
|
|
|
"Do you think he died a natural death, Smith?" I asked.
|
|
|
|
My friend reached across the table and rested the tip of a long
|
|
ringer upon one of the sub-headings to the account:
|
|
|
|
|
|
"SIR FRANK NARCOMBE SUMMONED TOO LATE."
|
|
|
|
|
|
"You see," said Smith, "Southery died during the night,
|
|
but Sir Frank Narcombe, arriving a few minutes later,
|
|
unhesitatingly pronounced death to be due to syncope,
|
|
and seems to have noticed nothing suspicious."
|
|
|
|
I looked at him thoughtfully.
|
|
|
|
"Sir Frank is a great physician," I said slowly; "but we must
|
|
remember he would be looking for nothing suspicious."
|
|
|
|
"We must remember," rapped Smith, "that, if Dr. Fu-Manchu
|
|
is responsible for Southery's death, except to the eye
|
|
of an expert there would be nothing suspicious to see.
|
|
Fu-Manchu leaves no clews."
|
|
|
|
"Are you going around?" I asked.
|
|
|
|
Smith shrugged his shoulders.
|
|
|
|
"I think not," he replied. "Either a greater One than Fu-Manchu
|
|
has taken Lord Southery, or the yellow doctor has done his work
|
|
so well that no trace remains of his presence in the matter."
|
|
|
|
Leaving his breakfast untasted, he wandered aimlessly about the room,
|
|
littering the hearth with matches as he constantly relighted his pipe,
|
|
which went out every few minutes.
|
|
|
|
"It's no good, Petrie," he burst out suddenly; "it cannot be a coincidence.
|
|
We must go around and see him."
|
|
|
|
An hour later we stood in the silent room, with its drawn blinds and
|
|
its deathful atmosphere, looking down at the pale, intellectual face
|
|
of Henry Stradwick, Lord Southery, the greatest engineer of his day.
|
|
The mind that lay behind that splendid brow had planned the construction
|
|
of the railway for which Russia had paid so great a price, had conceived
|
|
the scheme for the canal which, in the near future, was to bring
|
|
two great continents, a full week's journey nearer one to the other.
|
|
But now it would plan no more.
|
|
|
|
"He had latterly developed symptoms of angina pectoris,"
|
|
explained the family physician; "but I had not anticipated a fatal
|
|
termination so soon. I was called about two o'clock this morning,
|
|
and found Lord Southery in a dangerously exhausted condition.
|
|
I did all that was possible, and Sir Frank Narcombe was sent for.
|
|
But shortly before his arrival the patient expired."
|
|
|
|
"I understand, Doctor, that you had been treating Lord Southery
|
|
for angina pectoris?" I said.
|
|
|
|
"Yes," was the reply, "for some months."
|
|
|
|
"You regard the circumstances of his end as entirely consistent
|
|
with a death from that cause?"
|
|
|
|
"Certainly. Do you observe anything unusual yourself?
|
|
Sir Frank Narcombe quite agrees with me. There is surely
|
|
no room for doubt?"
|
|
|
|
"No," said Smith, tugging reflectively at the lobe of his left ear.
|
|
"We do not question the accuracy of your diagnosis in any way, sir."
|
|
|
|
The physician seemed puzzled.
|
|
|
|
"But am I not right in supposing that you are connected with the police?"
|
|
asked the physician.
|
|
|
|
"Neither Dr. Petrie nor myself are in any way connected with the police,"
|
|
answered Smith. "But, nevertheless, I look to you to regard our recent
|
|
questions as confidential."
|
|
|
|
As we were leaving the house, hushed awesomely in deference to the unseen
|
|
visitor who had touched Lord Southery with gray, cold fingers, Smith paused,
|
|
detaining a black-coated man who passed us on the stairs.
|
|
|
|
"You were Lord Southery's valet?"
|
|
|
|
The man bowed.
|
|
|
|
"Were you in the room at the moment of his fatal seizure?"
|
|
|
|
"I was, sir."
|
|
|
|
"Did you see or hear anything unusual--anything unaccountable?"
|
|
|
|
"Nothing, sir."
|
|
|
|
"No strange sounds outside the house, for instance?"
|
|
|
|
The man shook his head, and Smith, taking my arm, passed out into the street.
|
|
|
|
"Perhaps this business is making me imaginative," he said;
|
|
"but there seems to be something tainting the air in yonder--
|
|
something peculiar to houses whose doors bear the invisible
|
|
death-mark of Fu-Manchu."
|
|
|
|
"You are right, Smith!" I cried. "I hesitated to mention the matter, but I,
|
|
too, have developed some other sense which warns me of the Doctor's presence.
|
|
Although there is not a scrap of confirmatory evidence, I am as sure that he
|
|
has brought about Lord Southery's death as if I had seen him strike the blow."
|
|
|
|
It was in that torturing frame of mind--chained, helpless,
|
|
in our ignorance, or by reason of the Chinaman's
|
|
supernormal genius--that we lived throughout the ensuing days.
|
|
My friend began to look like a man consumed by a burning fever.
|
|
Yet, we could not act.
|
|
|
|
In the growing dark of an evening shortly following I
|
|
stood idly turning over some of the works exposed for sale
|
|
outside a second-hand bookseller's in New Oxford Street.
|
|
One dealing with the secret societies of China struck me
|
|
as being likely to prove instructive, and I was about to call
|
|
the shopman when I was startled to feel a hand clutch my arm.
|
|
|
|
I turned around rapidly--and was looking into the darkly beautiful
|
|
eyes of Karamaneh! She--whom I had seen in so many guises--
|
|
was dressed in a perfectly fitting walking habit, and had much
|
|
of her wonderful hair concealed beneath a fashionable hat.
|
|
|
|
She glanced about her apprehensively.
|
|
|
|
"Quick! Come round the corner. I must speak to you," she said,
|
|
her musical voice thrilling with excitement.
|
|
|
|
I never was quite master of myself in her presence.
|
|
He must have been a man of ice who could have been,
|
|
I think for her beauty had all the bouquet of rarity;
|
|
she was a mystery--and mystery adds charm to a woman.
|
|
Probably she should have been under arrest, but I know I would
|
|
have risked much to save her from it.
|
|
|
|
As we turned into a quiet thoroughfare she stopped and said:
|
|
|
|
"I am in distress. You have often asked me to enable you to capture
|
|
Dr. Fu-Manchu. I am prepared to do so."
|
|
|
|
I could scarcely believe that I heard right.
|
|
|
|
"Your brother--" I began.
|
|
|
|
She seized my arm entreatingly, looking into my eyes.
|
|
|
|
"You are a doctor," she said. "I want you to come and see him now."
|
|
|
|
"What! Is he in London?"
|
|
|
|
"He is at the house of Dr. Fu-Manchu."
|
|
|
|
"And you would have me ---"
|
|
|
|
"Accompany me there, yes."
|
|
|
|
Nayland Smith, I doubted not, would have counseled me against
|
|
trusting my life in the hands of this girl with the pleading eyes.
|
|
Yet I did so, and with little hesitation; shortly we were traveling
|
|
eastward in a closed cab. Karamaneh was very silent, but always when I
|
|
turned to her I found her big eyes fixed upon me with an expression
|
|
in which there was pleading, in which there was sorrow, in which there
|
|
was something else--something indefinable, yet strangely disturbing.
|
|
The cabman she had directed to drive to the lower end of the Commercial Road,
|
|
the neighborhood of the new docks, and the scene of one of our early
|
|
adventures with Dr. Fu-Manchu. The mantle of dusk had closed about
|
|
the squalid activity of the East End streets as we neared our destination.
|
|
Aliens of every shade of color were about us now, emerging from
|
|
burrow-like alleys into the glare of the lamps upon the main road.
|
|
In the short space of the drive we had passed from the bright world
|
|
of the West into the dubious underworld of the East.
|
|
|
|
I do not know that Karamaneh moved; but in sympathy, as we neared
|
|
the abode of the sinister Chinaman, she crept nearer to me,
|
|
and when the cab was discharged, and together we walked down
|
|
a narrow turning leading riverward, she clung to me fearfully,
|
|
hesitated, and even seemed upon the point of turning back.
|
|
But, overcoming her fear or repugnance, she led on, through a maze
|
|
of alleyways and courts, wherein I hopelessly lost my bearings,
|
|
so that it came home to me how wholly I was in the hands of this
|
|
girl whose history was so full of shadows, whose real character
|
|
was so inscrutable, whose beauty, whose charm truly might mask
|
|
the cunning of a serpent.
|
|
|
|
I spoke to her.
|
|
|
|
"S-SH!" She laid her hand upon my arm, enjoining me to silence.
|
|
|
|
The high, drab brick wall of what looked like some part of a dock
|
|
building loomed above us in the darkness, and the indescribable
|
|
stenches of the lower Thames were borne to my nostrils through
|
|
a gloomy, tunnel-like opening, beyond which whispered the river.
|
|
The muffled clangor of waterside activity was about us.
|
|
I heard a key grate in a lock, and Karamaneh drew me into the shadow
|
|
of an open door, entered, and closed it behind her.
|
|
|
|
For the first time I perceived, in contrast to the odors
|
|
of the court without, the fragrance of the peculiar perfume
|
|
which now I had come to associate with her. Absolute darkness
|
|
was about us, and by this perfume alone I knew that she,
|
|
was near to me, until her hand touched mine, and I was led
|
|
along an uncarpeted passage and up an uncarpeted stair.
|
|
A second door was unlocked, and I found myself in an exquisitely
|
|
furnished room, illuminated by the soft light of a shaded lamp
|
|
which stood upon a low, inlaid table amidst a perfect ocean
|
|
of silken cushions, strewn upon a Persian carpet, whose yellow
|
|
richness was lost in the shadows beyond the circle of light.
|
|
|
|
Karamaneh raised a curtain draped before a doorway, and stood
|
|
listening intently for a moment.
|
|
|
|
The silence was unbroken.
|
|
|
|
Then something stirred amid the wilderness of cushions, and two
|
|
tiny bright eyes looked up at me. Peering closely, I succeeded
|
|
in distinguishing, crouched in that soft luxuriance, a little ape.
|
|
It was Dr. Fu-Manchu's marmoset. "This way," whispered Karamaneh.
|
|
|
|
Never, I thought, was a staid medical man committed to a more
|
|
unwise enterprise, but so far I had gone, and no consideration
|
|
of prudence could now be of avail.
|
|
|
|
The corridor beyond was thickly carpeted. Following the direction
|
|
of a faint light which gleamed ahead, it proved to extend
|
|
as a balcony across one end of a spacious apartment.
|
|
Together we stood high up there in the shadows, and looked
|
|
down upon such a scene as I never could have imagined to exist
|
|
within many a mile of that district.
|
|
|
|
The place below was even more richly appointed than the room into
|
|
which first we had come. Here, as there, piles of cushions formed
|
|
splashes of gaudy color about the floor. Three lamps hung by chains
|
|
from the ceiling, their light softened by rich silk shades.
|
|
One wall was almost entirely occupied by glass cases containing
|
|
chemical apparatus, tubes, retorts and other less orthodox indications
|
|
of Dr. Fu-Manchu's pursuits, whilst close against another lay
|
|
the most extraordinary object of a sufficiently extraordinary room--
|
|
a low couch, upon which was extended the motionless form of a boy.
|
|
In the light of a lamp which hung directly above him, his olive
|
|
face showed an almost startling resemblance to that of Karamaneh--
|
|
save that the girl's coloring was more delicate. He had black,
|
|
curly hair, which stood out prominently against the white covering
|
|
upon which he lay, his hands crossed upon his breast.
|
|
|
|
Transfixed with astonishment, I stood looking down upon him.
|
|
The wonders of the "Arabian Nights" were wonders no longer,
|
|
for here, in East-End London, was a true magician's palace,
|
|
lacking not its beautiful slave lacking not its enchanted prince!
|
|
|
|
"It is Aziz, my brother," said Karamaneh.
|
|
|
|
We passed down a stairway on to the floor of the apartment.
|
|
Karamaneh knelt and bent over the boy, stroking his hair
|
|
and whispering to him lovingly. I, too, bent over him;
|
|
and I shall never forget the anxiety in the girl's eyes as she
|
|
watched me eagerly whilst I made a brief examination.
|
|
|
|
Brief, indeed, for even ere I had touched him I knew that the comely
|
|
shell held no spark of life. But Karamaneh fondled the cold hands,
|
|
and spoke softly in that Arabic tongue which long before I had divined
|
|
must be her native language.
|
|
|
|
Then, as I remained silent, she turned and looked at me,
|
|
read the truth in my eyes, and rose from her knees,
|
|
stood rigidly upright, and clutched me tremblingly.
|
|
|
|
"He is not dead--he is NOT dead!" she whispered, and shook me
|
|
as a child might, seeking to arouse me to a proper understanding.
|
|
"Oh, tell me he is not ---"
|
|
|
|
"I cannot," I replied gently, "for indeed he is."
|
|
|
|
"No!" she said, wild-eyed, and raising her hands to her face as though
|
|
half distraught. "You do not understand--yet you are a doctor.
|
|
You do not understand ---"
|
|
|
|
She stopped, moaning to herself and looking from the handsome
|
|
face of the boy to me. It was pitiful; it was uncanny.
|
|
But sorrow for the girl predominated in my mind.
|
|
|
|
Then from somewhere I heard a sound which I had heard before in houses
|
|
occupied by Dr. Fu-Manchu--that of a muffled gong.
|
|
|
|
"Quick!" Karamaneh had me by the arm. "Up! He has returned!"
|
|
|
|
She fled up the stairs to the balcony, I close at her heels.
|
|
The shadows veiled us, the thick carpet deadened the sound
|
|
of our tread, or certainly we must have been detected by the man
|
|
who entered the room we had just quitted.
|
|
|
|
It was Dr. Fu-Manchu!
|
|
|
|
Yellow-robbed, immobile, the inhuman green eyes glittering catlike even,
|
|
it seemed, before the light struck them, he threaded his way through
|
|
the archipelago of cushions and bent over the couch of Aziz.
|
|
|
|
Karamaneh dragged me down on to my knees.
|
|
|
|
"Watch!" she whispered. "Watch!"
|
|
|
|
Dr. Fu-Manchu felt for the pulse of the boy whom a moment since I
|
|
had pronounced dead, and, stepping to the tall glass case,
|
|
took out a long-necked flask of chased gold, and from it,
|
|
into a graduated glass, he poured some drops of an amber liquid
|
|
wholly unfamiliar to me. I watched him with all my eyes,
|
|
and noted how high the liquid rose in the measure.
|
|
He charged a needle-syringe, and, bending again over Aziz,
|
|
made an injection.
|
|
|
|
Then all the wonders I had heard of this man became possible,
|
|
and with an awe which any other physician who had examined
|
|
Aziz must have felt, I admitted him a miracle-worker. For
|
|
as I watched, all but breathless, the dead came to life!
|
|
The glow of health crept upon the olive cheek--the boy moved--
|
|
he raised his hands above his head--he sat up, supported by
|
|
the Chinese doctor!
|
|
|
|
Fu-Manchu touched some hidden bell. A hideous yellow man with a scarred
|
|
face entered, carrying a tray upon which were a bowl containing
|
|
some steaming fluid, apparently soup, what looked like oaten cakes,
|
|
and a flask of red wine.
|
|
|
|
As the boy, exhibiting no more unusual symptoms than if he had just
|
|
awakened from a normal sleep, commenced his repast, Karamaneh drew me
|
|
gently along the passage into the room which we had first entered.
|
|
My heart leaped wildly as the marmoset bounded past us to drop hand
|
|
over hand to the lower apartment in search of its master.
|
|
|
|
"You see," said Karamaneh, her voice quivering, "he is not dead!
|
|
But without Fu-Manchu he is dead to me. How can I leave him
|
|
when he holds the life of Aziz in his hand?"
|
|
|
|
"You must get me that flask, or some of its contents," I directed.
|
|
"But tell me, how does he produce the appearance of death?"
|
|
|
|
"I cannot tell you," she replied. "I do not know. It is something
|
|
in the wine. In another hour Aziz will be again as you saw him.
|
|
But see." And, opening a little ebony box, she produced a phial
|
|
half filled with the amber liquid.
|
|
|
|
"Good!" I said, and slipped it into my pocket. "When will be the best
|
|
time to seize Fu-Manchu and to restore your brother?"
|
|
|
|
"I will let you know," she whispered, and, opening the door, pushed me
|
|
hurriedly from the room. "He is going away to-night to the north;
|
|
but you must not come to-night. Quick! Quick! Along the passage.
|
|
He may call me at any moment."
|
|
|
|
So, with the phial in my pocket containing a potent preparation unknown
|
|
to Western science, and with a last long look into the eyes of Karamaneh,
|
|
I passed out into the narrow alley, out from the fragrant perfumes
|
|
of that mystery house into the place of Thames-side stenches.
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
|
|
"WE must arrange for the house to be raided without delay," said Smith.
|
|
"This time we are sure of our ally--"
|
|
|
|
"But we must keep our promise to her," I interrupted.
|
|
|
|
"You can look after that, Petrie," my friend said.
|
|
"I will devote the whole of my attention to Dr. Fu-Manchu!"
|
|
he added grimly.
|
|
|
|
Up and down the room he paced, gripping the blackened briar between
|
|
his teeth, so that the muscles stood out squarely upon his lean jaws.
|
|
The bronze which spoke of the Burmese sun enhanced the brightness
|
|
of his gray eyes.
|
|
|
|
"What have I all along maintained?" he jerked, looking back at me across
|
|
his shoulder--"that, although Karamaneh was one of the strongest weapons in
|
|
the Doctor's armory, she was one which some day would be turned against him.
|
|
That day has dawned."
|
|
|
|
"We must await word from her."
|
|
|
|
"Quite so."
|
|
|
|
He knocked out his pipe on the grate. Then:
|
|
|
|
"Have you any idea of the nature of the fluid in the phial?"
|
|
|
|
"Not the slightest. And I have none to spare for analytical purposes."
|
|
|
|
Nayland Smith began stuffing mixture into the hot pipe-bowl,
|
|
and dropping an almost equal quantity on the floor.
|
|
|
|
"I cannot rest, Petrie," he said. "I am itching to get to work.
|
|
Yet, a false move, and--" He lighted his pipe, and stood staring
|
|
from the window.
|
|
|
|
"I shall, of course, take a needle-syringe with me," I explained.
|
|
|
|
Smith made no reply.
|
|
|
|
"If I but knew the composition of the drug which produced the semblance
|
|
of death," I continued, "my fame would long survive my ashes."
|
|
|
|
My friend did not turn. But:
|
|
|
|
"She said it was something he put in the wine?" he jerked.
|
|
|
|
"In the wine, yes."
|
|
|
|
Silence fell. My thoughts reverted to Karamaneh, whom Dr. Fu-Manchu held
|
|
in bonds stronger than any slave-chains. For, with Aziz, her brother,
|
|
suspended between life and death, what could she do save obey
|
|
the mandates of the cunning Chinaman? What perverted genius was his!
|
|
If that treasury of obscure wisdom which he, perhaps alone of living men,
|
|
had rifled, could but be thrown open to the sick and suffering, the name
|
|
of Dr. Fu-Manchu would rank with the golden ones in the history of healing.
|
|
|
|
Nayland Smith suddenly turned, and the expression upon his face amazed me.
|
|
|
|
"Look up the next train to L--!" he rapped. "To L--? What--?"
|
|
|
|
"There's the Bradshaw. We haven't a minute to waste."
|
|
|
|
In his voice was the imperative note I knew so well; in his
|
|
eyes was the light which told of an urgent need for action--
|
|
a portentous truth suddenly grasped.
|
|
|
|
"One in half-an-hour--the last."
|
|
|
|
"We must catch it."
|
|
|
|
No further word of explanation he vouchsafed, but darted off to dress;
|
|
for he had spent the afternoon pacing the room in his dressing-gown
|
|
and smoking without intermission.
|
|
|
|
Out and to the corner we hurried, and leaped into the first taxi
|
|
upon the rank. Smith enjoined the man to hasten, and we were off--
|
|
all in that whirl of feverish activity which characterized my friend's
|
|
movements in times of important action.
|
|
|
|
He sat glancing impatiently from the window and twitching at the lobe
|
|
of his ear.
|
|
|
|
"I know you will forgive me, old man," he said, "but there
|
|
is a little problem which I am trying to work out in my mind.
|
|
Did you bring the things I mentioned?"
|
|
|
|
"Yes."
|
|
|
|
Conversation lapsed, until, just as the cab turned into the station,
|
|
Smith said: "Should you consider Lord Southery to have been the first
|
|
constructive engineer of his time, Petrie?"
|
|
|
|
"Undoubtedly," I replied.
|
|
|
|
"Greater than Von Homber, of Berlin?"
|
|
|
|
"Possibly not. But Von Homber has been dead for three years."
|
|
|
|
"Three years, is it?"
|
|
|
|
"Roughly."
|
|
|
|
"Ah!"
|
|
|
|
|
|
We reached the station in time to secure a non-corridor
|
|
compartment to ourselves, and to allow Smith leisure carefully
|
|
to inspect the occupants of all the others, from the engine
|
|
to the guard's van. He was muffled up to the eyes, and he warned
|
|
me to keep out of sight in the corner of the compartment.
|
|
In fact, his behavior had me bursting with curiosity.
|
|
The train having started:
|
|
|
|
"Don't imagine, Petrie," said Smith "that I am trying to lead you
|
|
blindfolded in order later to dazzle you with my perspicacity.
|
|
I am simply afraid that this may be a wild-goose chase.
|
|
The idea upon which I am acting does not seem to have struck you.
|
|
I wish it had. The fact would argue in favor of its being, sound."
|
|
|
|
"At present I am hopelessly mystified."
|
|
|
|
"Well, then, I will not bias you towards my view.
|
|
But just study the situation, and see if you can arrive at
|
|
the reason for this sudden journey. I shall be distinctly
|
|
encouraged if you succeed."
|
|
|
|
But I did not succeed, and since Smith obviously was
|
|
unwilling to enlighten me, I pressed him no more.
|
|
The train stopped at Rugby, where he was engaged with
|
|
the stationmaster in making some mysterious arrangements.
|
|
At L--, however, their object became plain, for a high-power car
|
|
was awaiting us, and into this we hurried and ere the greater
|
|
number of passengers had reached the platform were being driven
|
|
off at headlong speed along the moon-bathed roads.
|
|
|
|
Twenty minutes' rapid traveling, and a white mansion leaped into the line
|
|
of sight, standing out vividly against its woody backing.
|
|
|
|
"Stradwick Hall," said Smith. "The home of Lord Southery.
|
|
We are first--but Dr. Fu-Manchu was on the train."
|
|
|
|
Then the truth dawned upon the gloom of my perplexity.
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
|
|
"YOUR extraordinary proposal fills me with horror, Mr. Smith!"
|
|
|
|
The sleek little man in the dress suit, who looked like a head waiter
|
|
(but was the trusted legal adviser of the house of Southery)
|
|
puffed at his cigar indignantly. Nayland Smith, whose restless
|
|
pacing had led him to the far end of the library, turned, a remote
|
|
but virile figure, and looked back to where I stood by the open
|
|
hearth with the solicitor.
|
|
|
|
"I am in your hands, Mr. Henderson," he said, and advanced
|
|
upon the latter, his gray eyes ablaze. "Save for the heir,
|
|
who is abroad on foreign service, you say there is no kin
|
|
of Lord Southery to consider. The word rests with you.
|
|
If I am wrong, and you agree to my proposal, there is none
|
|
whose susceptibilities will suffer--"
|
|
|
|
"My own, sir!"
|
|
|
|
"If I am right, and you prevent me from acting, you become
|
|
a murderer, Mr. Henderson."
|
|
|
|
The lawyer started, staring nervously up at Smith, who now towered
|
|
over him menacingly.
|
|
|
|
"Lord Southery was a lonely man," continued my friend.
|
|
"If I could have placed my proposition before one of his blood,
|
|
I do not doubt what my answer had been. Why do you hesitate?
|
|
Why do you experience this feeling of horror?"
|
|
|
|
Mr. Henderson stared down into the fire. His constitutionally
|
|
ruddy face was pale.
|
|
|
|
"It is entirely irregular, Mr. Smith. We have not the necessary powers--"
|
|
|
|
Smith snapped his teeth together impatiently, snatching his watch
|
|
from his pocket and glancing at it.
|
|
|
|
"I am vested with the necessary powers. I will give you
|
|
a written order, sir."
|
|
|
|
"The proceeding savors of paganism. Such a course might be admissible
|
|
in China, in Burma--"
|
|
|
|
"Do you weigh a life against such quibbles? Do you suppose that,
|
|
granting MY irresponsibility, Dr. Petrie would countenance
|
|
such a thing if be doubted the necessity?"
|
|
|
|
Mr. Henderson looked at me with pathetic hesitance.
|
|
|
|
"There are guests in the house--mourners who attended
|
|
the ceremony to-day. They--"
|
|
|
|
"Will never know, if we are in error," interrupted Smith.
|
|
"Good God! why do you delay?"
|
|
|
|
"You wish it to be kept secret?"
|
|
|
|
"You and I, Mr. Henderson, and Dr. Petrie will go now.
|
|
We require no other witnesses. We are answerable only
|
|
to our consciences."
|
|
|
|
The lawyer passed his hand across his damp brow.
|
|
|
|
"I have never in my life been called upon to come to so
|
|
momentous a decision in so short a time," he confessed.
|
|
But, aided by Smith's indomitable will, he made his decision.
|
|
As its result, we three, looking and feeling like conspirators,
|
|
hurried across the park beneath a moon whose placidity was a rebuke
|
|
to the turbulent passions which reared their strangle-growth in
|
|
the garden of England. Not a breath of wind stirred amid the leaves.
|
|
The calm of perfect night soothed everything to slumber.
|
|
Yet, if Smith were right (and I did not doubt him),
|
|
the green eyes of Dr. Fu-Manchu had looked upon the scene;
|
|
and I found myself marveling that its beauty had not wilted up.
|
|
Even now the dread Chinaman must be near to us.
|
|
|
|
As Mr. Henderson unlocked the ancient iron gates he turned to Nayland Smith.
|
|
His face twitched oddly.
|
|
|
|
"Witness that I do this unwillingly," he said--"most unwillingly."
|
|
|
|
"Mine be the responsibility," was the reply.
|
|
|
|
Smith's voice quivered, responsive to the nervous vitality pent
|
|
up within that lean frame. He stood motionless, listening--and I
|
|
knew for whom he listened. He peered about him to right and left--
|
|
and I knew whom he expected but dreaded to see.
|
|
|
|
Above us now the trees looked down with a solemnity different from
|
|
the aspect of the monarchs of the park, and the nearer we came to our
|
|
journey's end the more somber and lowering bent the verdant arch--
|
|
or so it seemed.
|
|
|
|
By that path, patched now with pools of moonlight, Lord Southery
|
|
had passed upon his bier, with the sun to light his going;
|
|
by that path several generations of Stradwicks had gone
|
|
to their last resting-place.
|
|
|
|
To the doors of the vault the moon rays found free access.
|
|
No branch, no leaf, intervened. Mr. Henderson's face looked ghastly.
|
|
The keys which he carried rattled in his hand.
|
|
|
|
"Light the lantern," he said unsteadily.
|
|
|
|
Nayland Smith, who again had been peering suspiciously about into
|
|
the shadows, struck a match and lighted the lantern which he carried.
|
|
He turned to the solicitor.
|
|
|
|
"Be calm, Mr. Henderson," he said sternly. "It is your plain
|
|
duty to your client."
|
|
|
|
"God be my witness that I doubt it," replied Henderson,
|
|
and opened the door.
|
|
|
|
We descended the steps. The air beneath was damp and chill.
|
|
It touched us as with clammy fingers; and the sensation was
|
|
not wholly physical.
|
|
|
|
Before the narrow mansion which now sufficed Lord Southery, the great engineer
|
|
whom kings had honored, Henderson reeled and clutched at me for support.
|
|
Smith and I had looked to him for no aid in our uncanny task, and rightly.
|
|
|
|
With averted eyes he stood over by the steps of the tomb, whilst my friend
|
|
and myself set to work. In the pursuit of my profession I had undertaken
|
|
labors as unpleasant, but never amid an environment such as this.
|
|
It seemed that generations of Stradwicks listened to each turn of every screw.
|
|
|
|
At last it was done, and the pallid face of Lord Southery questioned
|
|
the intruding light. Nayland Smith's hand was as steady as a rigid bar
|
|
when he raised the lantern. Later, I knew, there would be a sudden
|
|
releasing of the tension of will--a reaction physical and mental--
|
|
but not until his work was finished.
|
|
|
|
That my own hand was steady I ascribed to one thing solely--
|
|
professional zeal. For, under conditions which, in the event
|
|
of failure and exposure, must have led to an unpleasant
|
|
inquiry by the British Medical Association, I was about
|
|
to attempt an experiment never before essayed by a physician
|
|
of the white races.
|
|
|
|
Though I failed, though I succeeded, that it ever came before the B.M.A., or
|
|
any other council, was improbable; in the former event, all but impossible.
|
|
But the knowledge that I was about to practice charlatanry, or what any one
|
|
of my fellow-practitioners must have designated as such, was with me. Yet so
|
|
profound had my belief become in the extraordinary being whose existence was
|
|
a danger to the world that I reveled in my immunity from official censure.
|
|
I was glad that it had fallen to my lot to take at least one step--
|
|
though blindly--into the FUTURE of medical science.
|
|
|
|
So far as my skill bore me, Lord Southery was dead. Unhesitatingly, I
|
|
would have given a death certificate, save for two considerations.
|
|
The first, although his latest scheme ran contrary from the interests
|
|
of Dr. Fu-Manchu, his genius, diverted into other channels,
|
|
would serve the yellow group better than his death. The second,
|
|
I had seen the boy Aziz raised from a state as like death as this.
|
|
|
|
From the phial of amber-hued liquid which I had with me,
|
|
I charged the needle syringe. I made the injection, and waited.
|
|
|
|
"If he is really dead!" whispered Smith. "It seems incredible
|
|
that he can have survived for three days without food.
|
|
Yet I have known a fakir to go for a week."
|
|
|
|
Mr. Henderson groaned.
|
|
|
|
Watch in hand, I stood observing the gray face.
|
|
|
|
A second passed; another; a third. In the fourth the miracle began.
|
|
Over the seemingly cold clay crept the hue of pulsing life.
|
|
It came in waves--in waves which corresponded with the throbbing
|
|
of the awakened heart; which swept fuller and stronger;
|
|
which filled and quickened the chilled body.
|
|
|
|
As we rapidly freed the living man from the trappings of
|
|
the dead one, Southery, uttering a stifled scream, sat up,
|
|
looked about him with half-glazed eyes, and fell back.
|
|
"My God!" cried Smith.
|
|
|
|
"It is all right," I said, and had time to note how my voice
|
|
had assumed a professional tone. "A little brandy from my flask
|
|
is all that is necessary now."
|
|
|
|
"You have two patients, Doctor," rapped my friend.
|
|
|
|
Mr. Henderson had fallen in a swoon to the floor of the vault.
|
|
|
|
"Quiet," whispered Smith; "HE is here."
|
|
|
|
He extinguished the light.
|
|
|
|
I supported Lord Southery. "What has happened?" he kept moaning.
|
|
"Where am I? Oh, God! what has happened?"
|
|
|
|
I strove to reassure him in a whisper, and placed my traveling
|
|
coat about him. The door at the top of the mausoleum steps we
|
|
had reclosed but not relocked. Now, as I upheld the man whom
|
|
literally we had rescued from the grave, I heard the door reopen.
|
|
To aid Henderson I could make no move. Smith was breathing hard beside me.
|
|
I dared not think what was about to happen, nor what its effects
|
|
might be upon Lord Southery in his exhausted condition.
|
|
|
|
Through the Memphian dark of the tomb cut a spear of light,
|
|
touching the last stone of the stairway.
|
|
|
|
A guttural voice spoke some words rapidly, and I knew that Dr. Fu-Manchu
|
|
stood at the head of the stairs. Although I could not see my friend,
|
|
I became aware that Nayland Smith had his revolver in his hand,
|
|
and I reached into my pocket for mine.
|
|
|
|
At last the cunning Chinaman was about to fall into a trap.
|
|
It would require all his genius, I thought, to save him to-night.
|
|
Unless his suspicions were aroused by the unlocked door,
|
|
his capture was imminent.
|
|
|
|
Someone was descending the steps.
|
|
|
|
In my right hand I held my revolver, and with my left arm about Lord Southery,
|
|
I waited through ten such seconds of suspense as I have rarely known.
|
|
|
|
The spear of light plunged into the well of darkness again.
|
|
|
|
Lord Southery, Smith and myself were hidden by the angle of the wall;
|
|
but full upon the purplish face of Mr. Henderson the beam shone.
|
|
In some way it penetrated to the murk in his mind; and he awakened
|
|
from his swoon with a hoarse cry, struggled to his feet, and stood
|
|
looking up the stair in a sort of frozen horror.
|
|
|
|
Smith was past him at a bound. Something flashed towards him as the light
|
|
was extinguished. I saw him duck, and heard the knife ring upon the floor.
|
|
|
|
I managed to move sufficiently to see at the top, as I fired up
|
|
the stairs, the yellow face of Dr. Fu-Manchu, to see the gleaming,
|
|
chatoyant eyes, greenly terrible, as they sought to pierce the gloom.
|
|
A flying figure was racing up, three steps at a time (that of a brown man
|
|
scantily clad). He stumbled and fell, by which I knew that he was hit;
|
|
but went on again, Smith hard on his heels.
|
|
|
|
"Mr. Henderson!" I cried, "relight the lantern and take
|
|
charge of Lord Southery. Here is my flask on the floor.
|
|
I rely upon you."
|
|
|
|
Smith's revolver spoke again as I went bounding up the stair.
|
|
Black against the square of moonlight I saw him stagger, I saw him fall.
|
|
As he fell, for the third time, I heard the crack of his revolver.
|
|
|
|
Instantly I was at his side. Somewhere along the black aisle
|
|
beneath the trees receding footsteps pattered.
|
|
|
|
"Are you hurt, Smith?" I cried anxiously.
|
|
|
|
He got upon his feet.
|
|
|
|
"He has a dacoit with him," he replied, and showed me the long curved
|
|
knife which he held in his hand, a full inch of the blade bloodstained.
|
|
"A near thing for me, Petrie."
|
|
|
|
I heard the whir of a restarted motor.
|
|
|
|
"We have lost him," said Smith.
|
|
|
|
"But we have saved Lord Southery," I said. "Fu-Manchu will credit
|
|
us with a skill as great as his own."
|
|
|
|
"We must get to the car," Smith muttered, "and try to overtake them.
|
|
Ugh! my left arm is useless."
|
|
|
|
"It would be mere waste of time to attempt to overtake them," I argued,
|
|
"for we have no idea in which direction they will proceed."
|
|
|
|
"I have a very good idea," snapped Smith. "Stradwick Hall is less
|
|
than ten miles from the coast. There is only one practicable means
|
|
of conveying an unconscious man secretly from here to London."
|
|
|
|
"You think he meant to take him from here to London?"
|
|
|
|
"Prior to shipping him to China; I think so. His clearing-house
|
|
is probably on the Thames."
|
|
|
|
"A boat?"
|
|
|
|
"A yacht, presumably, is lying off the coast in readiness.
|
|
Fu-Manchu may even have designed to ship him direct to China."
|
|
|
|
Lord Southery, a bizarre figure, my traveling coat wrapped about him,
|
|
and supported by his solicitor, who was almost as pale as himself,
|
|
emerged from the vault into the moonlight.
|
|
|
|
"This is a triumph for you, Smith," I said.
|
|
|
|
The throb of Fu-Manchu's car died into faintness and was lost
|
|
in the night's silence.
|
|
|
|
"Only half a triumph," he replied. "But we still have another chance--
|
|
the raid on his house. When will the word come from Karamaneh?"
|
|
|
|
Southery spoke in a weak voice.
|
|
|
|
"Gentlemen," he said, "it seems I am raised from the dead."
|
|
|
|
It was the weirdest moment of the night wherein we heard that newly
|
|
buried man speak from the mold of his tomb.
|
|
|
|
"Yes," replied Smith slowly, "and spared from the fate of Heaven
|
|
alone knows how many men of genius. The yellow society lacks
|
|
a Southery, but that Dr. Fu-Manchu was in Germany three years
|
|
ago I have reason to believe; so that, even without visiting
|
|
the grave of your great Teutonic rival, who suddenly died at about
|
|
that time, I venture to predict that they have a Von Homber.
|
|
And the futurist group in China knows how to MAKE men work!"
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
|
|
FROM the rescue of Lord Southery my story bears me mercilessly
|
|
on to other things. I may not tarry, as more leisurely penmen,
|
|
to round my incidents; they were not of my choosing.
|
|
I may not pause to make you better acquainted with the figure
|
|
of my drama; its scheme is none of mine. Often enough,
|
|
in those days, I found a fitness in the lines of Omar:
|
|
|
|
|
|
We are no other than a moving show
|
|
Of Magic Shadow-shapes that come and go
|
|
Round with the Sun-illumined Lantern held
|
|
In Midnight by the Master of the Show.
|
|
|
|
|
|
But "the Master of the Show," in this case, was Dr. Fu-Manchu!
|
|
|
|
I have been asked many times since the days with which these records deal:
|
|
Who WAS Dr. Fu-Manchu? Let me confess here that my final answer must
|
|
be postponed. I can only indicate, at this place, the trend of my reasoning,
|
|
and leave my reader to form whatever conclusion he pleases.
|
|
|
|
What group can we isolate and label as responsible for the overthrow
|
|
of the Manchus? The casual student of modern Chinese history will reply:
|
|
"Young China." This is unsatisfactory. What do we mean by Young China?
|
|
In my own hearing Fu-Manchu had disclaimed, with scorn, association with the
|
|
whole of that movement; and assuming that the name were not an assumed one,
|
|
he clearly can have been no anti-Manchu, no Republican.
|
|
|
|
The Chinese Republican is of the mandarin class, but of a new
|
|
generation which veneers its Confucianism with Western polish.
|
|
These youthful and unbalanced reformers, in conjunction
|
|
with older but no less ill-balanced provincial politicians,
|
|
may be said to represent Young China. Amid such turmoils as this
|
|
we invariably look for, and invariably find, a Third Party.
|
|
In my opinion, Dr. Fu-Manchu was one of the leaders of such a party.
|
|
|
|
Another question often put to me was: Where did the Doctor
|
|
hide during the time that he pursued his operations in London?
|
|
This is more susceptible of explanation. For a time Nayland
|
|
Smith supposed, as I did myself, that the opium den adjacent
|
|
to the old Ratcliff Highway was the Chinaman's base of operations;
|
|
later we came to believe that the mansion near Windsor was his
|
|
hiding-place, and later still, the hulk lying off the downstream flats.
|
|
But I think I can state with confidence that the spot which he had
|
|
chosen for his home was neither of these, but the East End riverside
|
|
building which I was the first to enter. Of this I am all but sure;
|
|
for the reason that it not only was the home of Fu-Manchu, of Karamaneh,
|
|
and of her brother, Aziz, but the home of something else--
|
|
of something which I shall speak of later.
|
|
|
|
The dreadful tragedy (or series of tragedies) which attended the raid upon the
|
|
place will always mark in my memory the supreme horror of a horrible case.
|
|
Let me endeavor to explain what occurred.
|
|
|
|
By the aid of Karamaneh, you have seen how we had located
|
|
the whilom warehouse, which, from the exterior, was so drab
|
|
and dreary, but which within was a place of wondrous luxury.
|
|
At the moment selected by our beautiful accomplice,
|
|
Inspector Weymouth and a body of detectives entirely surrounded it;
|
|
a river police launch lay off the wharf which opened from it
|
|
on the river-side; and this upon a singularly black night,
|
|
than which a better could not have been chosen.
|
|
|
|
"You will fulfill your promise to me?" said Karamaneh,
|
|
and looked up into my face.
|
|
|
|
She was enveloped in a big, loose cloak, and from the shadow
|
|
of the hood her wonderful eyes gleamed out like stars.
|
|
|
|
"What do you wish us to do?" asked Nayland Smith.
|
|
|
|
"You--and Dr. Petrie," she replied swiftly, "must enter first,
|
|
and bring out Aziz. Until he is safe--until he is out of that place--
|
|
you are to make no attempt upon--"
|
|
|
|
"Upon Dr. Fu-Manchu?" interrupted Weymouth; for Karamaneh
|
|
hesitated to pronounce the dreaded name, as she always did.
|
|
"But how can we be sure that there is no trap laid for us?"
|
|
|
|
The Scotland Yard man did not entirely share my confidence in the integrity
|
|
of this Eastern girl whom he knew to have been a creature of the Chinaman's.
|
|
|
|
"Aziz lies in the private room," she explained eagerly, her old accent more
|
|
noticeable than usual. "There is only one of the Burmese men in the house,
|
|
and he--he dare not enter without orders!"
|
|
|
|
"But Fu-Manchu?"
|
|
|
|
"We have nothing to fear from him. He will be your prisoner
|
|
within ten minutes from now! I have no time for words--
|
|
you must believe!" She stamped her foot impatiently.
|
|
"And the dacoit?" snapped Smith.
|
|
|
|
"He also."
|
|
|
|
"I think perhaps I'd better come in, too," said Weymouth slowly.
|
|
|
|
Karamaneh shrugged her shoulders with quick impatience,
|
|
and unlocked the door in the high brick wall which divided
|
|
the gloomy, evil-smelling court from the luxurious apartments
|
|
of Dr. Fu-Manchu.
|
|
|
|
"Make no noise," she warned. And Smith and myself followed her along
|
|
the uncarpeted passage beyond.
|
|
|
|
Inspector Weymouth, with a final word of instruction to his
|
|
second in command, brought up the rear. The door was reclosed;
|
|
a few paces farther on a second was unlocked. Passing through
|
|
a small room, unfurnished, a farther passage led us to a balcony.
|
|
The transition was startling.
|
|
|
|
Darkness was about us now, and silence: a perfumed, slumberous darkness--
|
|
a silence full of mystery. For, beyond the walls of the apartment whereon
|
|
we looked down waged the unceasing battle of sounds that is the hymn
|
|
of the great industrial river. About the scented confines which bounded
|
|
us now floated the smoke-laden vapors of the Lower Thames.
|
|
|
|
From the metallic but infinitely human clangor of dock-side life,
|
|
from the unpleasant but homely odors which prevail where ships swallow
|
|
in and belch out the concrete evidences of commercial prosperity,
|
|
we had come into this incensed stillness, where one shaded lamp
|
|
painted dim enlargements of its Chinese silk upon the nearer walls,
|
|
and left the greater part of the room the darker for its contrast.
|
|
|
|
Nothing of the Thames-side activity--of the riveting and scraping--
|
|
the bumping of bales--the bawling of orders--the hiss of steam--
|
|
penetrated to this perfumed place. In the pool of tinted light
|
|
lay the deathlike figure of a dark-haired boy, Karamaneh's muffled
|
|
form bending over him.
|
|
|
|
"At last I stand in the house of Dr. Fu-Manchu!" whispered Smith.
|
|
|
|
Despite the girl's assurance, we knew that proximity
|
|
to the sinister Chinaman must be fraught with danger.
|
|
We stood, not in the lion's den, but in the serpent's lair.
|
|
|
|
From the time when Nayland Smith had come from Burma in pursuit
|
|
of this advance-guard of a cogent Yellow Peril, the face of
|
|
Dr. Fu-Manchu rarely had been absent from my dreams day or night.
|
|
The millions might sleep in peace--the millions in whose
|
|
cause we labored!--but we who knew the reality of the danger
|
|
knew that a veritable octopus had fastened upon England--
|
|
a yellow octopus whose head was that of Dr. Fu-Manchu,
|
|
whose tentacles were dacoity, thuggee, modes of death,
|
|
secret and swift, which in the darkness plucked men from life
|
|
and left no clew behind.
|
|
|
|
"Karamaneh!" I called softly.
|
|
|
|
The muffled form beneath the lamp turned so that the soft
|
|
light fell upon the lovely face of the slave girl.
|
|
She who had been a pliant instrument in the hands of Fu-Manchu
|
|
now was to be the means whereby society should be rid of him.
|
|
|
|
She raised her finger warningly; then beckoned me to approach.
|
|
|
|
My feet sinking in the rich pile of the carpet, I came through
|
|
the gloom of the great apartment in to the patch of light,
|
|
and, Karamaneh beside me, stood looking down upon the boy.
|
|
It was Aziz, her brother; dead so far as Western lore had power
|
|
to judge, but kept alive in that deathlike trance by the uncanny
|
|
power of the Chinese doctor.
|
|
|
|
"Be quick," she said; "be quick! Awaken him! I am afraid."
|
|
|
|
From the case which I carried I took out a needle-syringe
|
|
and a phial containing a small quantity of amber-hued liquid.
|
|
It was a drug not to be found in the British Pharmacopoeia.
|
|
Of its constitution I knew nothing. Although I had had
|
|
the phial in my possession for some days I had not dared
|
|
to devote any of its precious contents to analytical purposes.
|
|
The amber drops spelled life for the boy Aziz, spelled success
|
|
for the mission of Nayland Smith, spelled ruin for
|
|
the fiendish Chinaman.
|
|
|
|
I raised the white coverlet. The boy, fully dressed,
|
|
lay with his arms crossed upon his breast. I discerned the mark
|
|
of previous injections as, charging the syringe from the phial,
|
|
I made what I hoped would be the last of such experiments upon him.
|
|
I would have given half of my small worldly possessions to have
|
|
known the real nature of the drug which was now coursing through
|
|
the veins of Aziz--which was tinting the grayed face with the olive
|
|
tone of life; which, so far as my medical training bore me,
|
|
was restoring the dead to life.
|
|
|
|
But such was not the purpose of my visit. I was come to remove from
|
|
the house of Dr. Fu-Manchu the living chain which bound Karamaneh to him.
|
|
The boy alive and free, the Doctor's hold upon the slave girl would be broken.
|
|
|
|
My lovely companion, her hands convulsively clasped, knelt and devoured
|
|
with her eyes the face of the boy who was passing through the most
|
|
amazing physiological change in the history of therapeutics.
|
|
The peculiar perfume which she wore--which seemed to be a part of her--
|
|
which always I associated with her--was faintly perceptible.
|
|
Karamaneh was breathing rapidly.
|
|
|
|
"You have nothing to fear," I whispered; "see, he is reviving.
|
|
In a few moments all will be well with him."
|
|
|
|
The hanging lamp with its garishly colored shade swung gently above us,
|
|
wafted, it seemed, by some draught which passed through the apartment.
|
|
The boy's heavy lids began to quiver, and Karamaneh nervously clutched
|
|
my arm, and held me so whilst we watched for the long-lashed eyes to open.
|
|
The stillness of the place was positively unnatural; it seemed inconceivable
|
|
that all about us was the discordant activity of the commercial East End.
|
|
Indeed, this eerie silence was becoming oppressive; it began positively
|
|
to appall me.
|
|
|
|
Inspector Weymouth's wondering face peeped over my shoulder.
|
|
|
|
"Where is Dr. Fu-Manchu?" I whispered, as Nayland Smith in turn appeared
|
|
beside me. "I cannot understand the silence of the house--"
|
|
|
|
"Look about," replied Karamaneh, never taking her eyes from the face of Aziz.
|
|
|
|
I peered around the shadowy walls. Tall glass cases there were,
|
|
shelves and niches: where once, from the gallery above, I had seen the tubes
|
|
and retorts, the jars of unfamiliar organisms, the books of unfamiliar lore,
|
|
the impedimenta of the occult student and man of science--the visible
|
|
evidences of Fu-Manchu's presence. Shelves--cases--niches--were bare.
|
|
Of the complicated appliances unknown to civilized laboratories,
|
|
wherewith he pursued his strange experiments, of the tubes wherein
|
|
he isolated the bacilli of unclassified diseases, of the yellow-bound
|
|
volumes for a glimpse at which (had they known of their contents)
|
|
the great men of Harley Street would have given a fortune--no trace remained.
|
|
The silken cushions; the inlaid tables; all were gone.
|
|
|
|
The room was stripped, dismantled. Had Fu-Manchu fled?
|
|
The silence assumed a new significance. His dacoits and kindred
|
|
ministers of death all must have fled, too.
|
|
|
|
"You have let him escape us!" I said rapidly.
|
|
"You promised to aid us to capture him--to send us a message--
|
|
and you have delayed until--"
|
|
|
|
"No," she said; "no!" and clutched at my arm again.
|
|
"Oh! is he not reviving slowly? Are you sure you have
|
|
made no mistake?"
|
|
|
|
Her thoughts were all for the boy; and her solicitude touched me.
|
|
I again examined Aziz, the most remarkable patient of my
|
|
busy professional career.
|
|
|
|
As I counted the strengthening pulse, he opened his dark eyes--
|
|
which were so like the eyes of Karamaneh--and, with the girl's
|
|
eager arms tightly about him, sat up, looking wonderingly around.
|
|
|
|
Karamaneh pressed her cheek to his, whispering loving words in that softly
|
|
spoken Arabic which had first betrayed her nationality to Nayland Smith.
|
|
I handed her my flask, which I had filled with wine.
|
|
|
|
"My promise is fulfilled!" I said. "You are free!
|
|
Now for Fu-Manchu! But first let us admit the police to this house;
|
|
there is something uncanny in its stillness."
|
|
|
|
"No," she replied. "First let my brother be taken out and placed in safety.
|
|
Will you carry him?"
|
|
|
|
She raised her face to that of Inspector Weymouth, upon which was written
|
|
awe and wonder.
|
|
|
|
The burly detective lifted the boy as tenderly as a woman, passed through
|
|
the shadows to the stairway, ascended, and was swallowed up in the gloom.
|
|
Nayland Smith's eyes gleamed feverishly. He turned to Karamaneh.
|
|
|
|
"You are not playing with us?" he said harshly. "We have done our part;
|
|
it remains for you to do yours."
|
|
|
|
"Do not speak so loudly," the girl begged. "HE is near us--
|
|
and, oh, God, I fear him so!"
|
|
|
|
"Where is he?" persisted my friend.
|
|
|
|
Karamaneh's eyes were glassy with fear now.
|
|
|
|
"You must not touch him until the police are here," she said--
|
|
but from the direction of her quick, agitated glances I knew that,
|
|
her brother safe now, she feared for me, and for me alone.
|
|
Those glances sent my blood dancing; for Karamaneh was
|
|
an Eastern jewel which any man of flesh and blood must
|
|
have coveted had he known it to lie within his reach.
|
|
Her eyes were twin lakes of mystery which, more than once,
|
|
I had known the desire to explore.
|
|
|
|
"Look--beyond that curtain"--her voice was barely audible--"but do not enter.
|
|
Even as he is, I fear him."
|
|
|
|
Her voice, her palpable agitation, prepared us for something extraordinary.
|
|
Tragedy and Fu-Manchu were never far apart. Though we were two, and help
|
|
was so near, we were in the abode of the most cunning murderer who ever came
|
|
out of the East.
|
|
|
|
It was with strangely mingled emotions that I crossed the thick carpet,
|
|
Nayland Smith beside me, and drew aside the draperies concealing a door,
|
|
to which Karamaneh had pointed. Then, upon looking into the dim place beyond,
|
|
all else save what it held was forgotten.
|
|
|
|
We looked upon a small, square room, the walls draped with fantastic
|
|
Chinese tapestry, the floor strewn with cushions; and reclining
|
|
in a corner, where the faint, blue light from a lamp, placed upon
|
|
a low table, painted grotesque shadows about the cavernous face--
|
|
was Dr. Fu-Manchu!
|
|
|
|
At sight of him my heart leaped--and seemed to suspend its functions,
|
|
so intense was the horror which this man's presence inspired in me.
|
|
My hand clutching the curtain, I stood watching him. The lids
|
|
veiled the malignant green eyes, but the thin lips seemed to smile.
|
|
Then Smith silently pointed to the hand which held a little pipe.
|
|
A sickly perfume assailed my nostrils, and the explanation
|
|
of the hushed silence, and the ease with which we had thus far
|
|
executed our plan, came to me. The cunning mind was torpid--
|
|
lost in a brutish world of dreams.
|
|
|
|
Fu-Manchu was in an opium sleep!
|
|
|
|
The dim light traced out a network of tiny lines, which covered
|
|
the yellow face from the pointed chin to the top of the great domed brow,
|
|
and formed deep shadow pools in the hollows beneath his eyes.
|
|
At last we had triumphed.
|
|
|
|
I could not determine the depth of his obscene trance; and mastering
|
|
some of my repugnance, and forgetful of Karamaneh's warning, I was about
|
|
to step forward into the room, loaded with its nauseating opium fumes,
|
|
when a soft breath fanned my cheek.
|
|
|
|
"Do not go in!" came Karamaneh's warning voice--hushed--trembling.
|
|
|
|
Her little hand grasped my arm. She drew Smith and myself back
|
|
from the door.
|
|
|
|
"There is danger there!" she whispered.
|
|
|
|
"Do not enter that room! The police must reach him in some way--
|
|
and drag him out! Do not enter that room!"
|
|
|
|
The girl's voice quivered hysterically; her eyes blazed into savage flame.
|
|
The fierce resentment born of dreadful wrongs was consuming her now;
|
|
but fear of Fu-Manchu held her yet. Inspector Weymouth came down the stairs
|
|
and joined us.
|
|
|
|
"I have sent the boy to Ryman's room at the station," he said.
|
|
"The divisional surgeon will look after him until you arrive,
|
|
Dr. Petrie. All is ready now. The launch is just off
|
|
the wharf and every side of the place under observation.
|
|
Where's our man?"
|
|
|
|
He drew a pair of handcuffs from his pocket and raised
|
|
his eyebrows interrogatively. The absence of sound--
|
|
of any demonstration from the uncanny Chinaman whom he was there
|
|
to arrest--puzzled him.
|
|
|
|
Nayland Smith jerked his thumb toward the curtain.
|
|
|
|
At that, and before we could utter a word, Weymouth stepped
|
|
to the draped door. He was a man who drove straight at
|
|
his goal and saved reflections for subsequent leisure.
|
|
I think, moreover, that the atmosphere of the place
|
|
(stripped as it was it retained its heavy, voluptuous perfume)
|
|
had begun to get a hold upon him. He was anxious to shake it off;
|
|
to be up and doing.
|
|
|
|
He pulled the curtain aside and stepped into the room.
|
|
Smith and I perforce followed him. Just within the door
|
|
the three of us stood looking across at the limp thing which
|
|
had spread terror throughout the Eastern and Western world.
|
|
Helpless as Fu-Manchu was, he inspired terror now, though the giant
|
|
intellect was inert--stupefied.
|
|
|
|
In the dimly lit apartment we had quitted I heard Karamaneh utter
|
|
a stifled scream. But it came too late.
|
|
|
|
As though cast up by a volcano, the silken cushions,
|
|
the inlaid table with its blue-shaded lamp, the garish walls,
|
|
the sprawling figure with the ghastly light playing upon
|
|
its features--quivered, and shot upward!
|
|
|
|
So it seemed to me; though, in the ensuing instant I remembered,
|
|
too late, a previous experience of the floors of Fu-Manchu's
|
|
private apartments; I knew what had indeed befallen us.
|
|
A trap had been released beneath our feet.
|
|
|
|
I recall falling--but have no recollection of the end of my fall--
|
|
of the shock marking the drop. I only remember fighting for my
|
|
life against a stifling something which had me by the throat.
|
|
I knew that I was being suffocated, but my hands met only
|
|
the deathly emptiness.
|
|
|
|
Into a poisonous well of darkness I sank. I could not cry out.
|
|
I was helpless. Of the fate of my companions I knew nothing--
|
|
could surmise nothing. Then. . .all consciousness ended.
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
|
|
I WAS being carried along a dimly lighted, tunnel-like place, slung, sackwise,
|
|
across the shoulder of a Burman. He was not a big man, but he supported
|
|
my considerable weight with apparent ease. A deadly nausea held me,
|
|
but the rough handling had served to restore me to consciousness.
|
|
My hands and feet were closely lashed. I hung limply as a wet towel:
|
|
I felt that this spark of tortured life which had flickered up in me must
|
|
ere long finally become extinguished.
|
|
|
|
A fancy possessed me, in these the first moments of my restoration
|
|
to the world of realities, that I had been smuggled into China;
|
|
and as I swung head downward I told myself that the huge,
|
|
puffy things which strewed the path were a species of giant toadstool,
|
|
unfamiliar to me and possibly peculiar to whatever district of China
|
|
I now was in.
|
|
|
|
The air was hot, steamy, and loaded with a smell as of rotting vegetation.
|
|
I wondered why my bearer so scrupulously avoided touching any of the
|
|
unwholesome-looking growths in passing through what seemed a succession
|
|
of cellars, but steered a tortuous course among the bloated, unnatural shapes,
|
|
lifting his bare brown feet with a catlike delicacy.
|
|
|
|
He passed under a low arch, dropped me roughly to the ground and ran back.
|
|
Half stunned, I lay watching the agile brown body melt into
|
|
the distances of the cellars. Their walls and roof seemed to emit
|
|
a faint, phosphorescent light.
|
|
|
|
"Petrie!" came a weak voice from somewhere ahead. . . ."Is that you, Petrie?"
|
|
|
|
It was Nayland Smith!
|
|
|
|
"Smith!" I said, and strove to sit up. But the intense nausea overcame me,
|
|
so that I all but swooned.
|
|
|
|
I heard his voice again, but could attach no meaning to the words
|
|
which he uttered. A sound of terrific blows reached my ears, too.
|
|
The Burman reappeared, bending under the heavy load which he bore.
|
|
For, as he picked his way through the bloated things which grew
|
|
upon the floors of the cellars, I realized that he was carrying
|
|
the inert body of Inspector Weymouth. And I found time to compare
|
|
the strength of the little brown man with that of a Nile beetle,
|
|
which can raise many times its own weight. Then, behind him,
|
|
appeared a second figure, which immediately claimed the whole
|
|
of my errant attention.
|
|
|
|
"Fu-Manchu!" hissed my friend, from the darkness which concealed him.
|
|
|
|
It was indeed none other than Fu-Manchu--the Fu-Manchu whom we
|
|
had thought to be helpless. The deeps of the Chinaman's cunning--
|
|
the fine quality of his courage, were forced upon me as amazing facts.
|
|
|
|
He had assumed the appearance of a drugged opium-smoker so well
|
|
as to dupe me--a medical man; so well as to dupe Karamaneh--
|
|
whose experience of the noxious habit probably was greater than
|
|
my own. And, with the gallows dangling before him, he had waited--
|
|
played the part of a lure--whilst a body of police actually
|
|
surrounded the place!
|
|
|
|
I have since thought that the room probably was one which he actually used
|
|
for opium debauches, and the device of the trap was intended to protect him
|
|
during the comatose period.
|
|
|
|
Now, holding a lantern above his head, the deviser of the trap
|
|
whereinto we, mouselike, had blindly entered, came through
|
|
the cellars, following the brown man who carried Weymouth.
|
|
The faint rays of the lantern (it apparently contained a candle)
|
|
revealed a veritable forest of the gigantic fungi--poisonously colored--
|
|
hideously swollen--climbing from the floor up the slimy walls--
|
|
climbing like horrid parasites to such part of the arched roof
|
|
as was visible to me.
|
|
|
|
Fu-Manchu picked his way through the fungi ranks as daintily
|
|
as though the distorted, tumid things had been viper-headed.
|
|
|
|
The resounding blows which I had noted before, and which had never ceased,
|
|
culminated in a splintering crash. Dr. Fu-Manchu and his servant,
|
|
who carried the apparently insensible detective, passed in under
|
|
the arch, Fu-Manchu glancing back once along the passages.
|
|
The lantern he extinguished, or concealed; and whilst I waited,
|
|
my mind dully surveying, memories of all the threats which this
|
|
uncanny being had uttered, a distant clamor came to my ears.
|
|
|
|
Then, abruptly, it ceased. Dr. Fu-Manchu had closed a heavy door;
|
|
and to my surprise I perceived that the greater part of it was of glass.
|
|
The will-o'-the-wisp glow which played around the fungi rendered the vista
|
|
of the cellars faintly luminous, and visible to me from where I lay.
|
|
Fu-Manchu spoke softly. His voice, its guttural note alternating
|
|
with a sibilance on certain words, betrayed no traces of agitation.
|
|
The man's unbroken calm had in it something inhuman. For he had just
|
|
perpetrated an act of daring unparalleled in my experience, and,
|
|
in the clamor now shut out by the glass door I tardily recognized
|
|
the entrance of the police into some barricaded part of the house--
|
|
the coming of those who would save us--who would hold the Chinese
|
|
doctor for the hangman!
|
|
|
|
"I have decided," he said deliberately, "that you are more worthy
|
|
of my attention than I had formerly supposed. A man who can solve
|
|
the secret of the Golden Elixir (I had not solved it; I had merely
|
|
stolen some) should be a valuable acquisition to my Council.
|
|
The extent of the plans of Mr. Commissioner Nayland Smith and
|
|
of the English Scotland Yard it is incumbent upon me to learn.
|
|
Therefore, gentlemen, you live--for the present!"
|
|
|
|
"And you'll swing," came Weymouth's hoarse voice, "in the near future!
|
|
You and all your yellow gang!"
|
|
|
|
"I trust not," was the placid reply. "Most of my people are safe:
|
|
some are shipped as lascars upon the liners; others have departed
|
|
by different means. Ah!"
|
|
|
|
That last word was the only one indicative of excitement
|
|
which had yet escaped him. A disk of light danced among
|
|
the brilliant poison hues of the passages--but no sound reached us;
|
|
by which I knew that the glass door must fit almost hermetically.
|
|
It was much cooler here than in the place through which we had passed,
|
|
and the nausea began to leave me, my brain to grow more clear.
|
|
Had I known what was to follow I should have cursed the lucidity
|
|
of mind which now came to me; I should have prayed for oblivion--
|
|
to be spared the sight of that which ensued.
|
|
|
|
"It's Logan!" cried Inspector Weymouth; and I could tell
|
|
that he was struggling to free himself of his bonds.
|
|
From his voice it was evident that he, too, was recovering
|
|
from the effects of the narcotic which had been administered
|
|
to us all.
|
|
|
|
"Logan!" he cried. "Logan! This way--HELP!"
|
|
|
|
But the cry beat back upon us in that enclosed space and seemed
|
|
to carry no farther than the invisible walls of our prison.
|
|
|
|
"The door fits well," came Fu-Manchu's mocking voice.
|
|
"It is fortunate for us all that it is so. This is my
|
|
observation window, Dr. Petrie, and you are about to enjoy
|
|
an unique opportunity of studying fungology. I have already
|
|
drawn your attention to the anaesthetic properties of the <i
|
|
lycoperdon,> or common puff-ball. You may have recognized the fumes?
|
|
The chamber into which you rashly precipitated yourselves
|
|
was charged with them. By a process of my own I have greatly
|
|
enhanced the value of the puff-ball in this respect.
|
|
Your friend, Mr. Weymouth, proved the most obstinate subject;
|
|
but he succumbed in fifteen seconds."
|
|
|
|
"Logan! Help! HELP! This way, man!"
|
|
|
|
Something very like fear sounded in Weymouth's voice now.
|
|
Indeed, the situation was so uncanny that it almost seemed unreal.
|
|
A group of men had entered the farthermost cellars, led by one who bore
|
|
an electric pocket-lamp. The hard, white ray danced from bloated gray
|
|
fungi to others of nightmare shape, of dazzling, venomous brilliance.
|
|
The mocking, lecture-room voice continued:
|
|
|
|
"Note the snowy growth upon the roof, Doctor. Do not be deceived by
|
|
its size. It is a giant variety of my own culture and is of the order <i
|
|
empusa.> You, in England, are familiar with the death of the common house-fly--
|
|
which is found attached to the window-pane by a coating of white mold.
|
|
I have developed the spores of this mold and have produced a giant species.
|
|
Observe the interesting effect of the strong light upon my orange and blue
|
|
amanita fungus!"
|
|
|
|
Hard beside me I heard Nayland Smith groan, Weymouth had become
|
|
suddenly silent. For my own part, I could have shrieked in pure horror.
|
|
FOR I KNEW WHAT WAS COMING. I realized in one agonized instant
|
|
the significance of the dim lantern, of the careful progress
|
|
through the subterranean fungi grove, of the care with which
|
|
Fu-Manchu and his servant had avoided touching any of the growths.
|
|
I knew, now, that Dr. Fu-Manchu was the greatest fungologist
|
|
the world had ever known; was a poisoner to whom the Borgias were
|
|
as children--and I knew that the detectives blindly were walking
|
|
into a valley of death.
|
|
|
|
Then it began--the unnatural scene--the saturnalia of murder.
|
|
|
|
Like so many bombs the brilliantly colored caps of the huge toadstool-like
|
|
things alluded to by the Chinaman exploded, as the white ray sought
|
|
them out in the darkness which alone preserved their existence.
|
|
A brownish cloud--I could not determine whether liquid or powdery--
|
|
arose in the cellar.
|
|
|
|
I tried to close my eyes--or to turn them away from the reeling forms
|
|
of the men who were trapped in that poison-hole. It was useless:
|
|
|
|
I must look.
|
|
|
|
The bearer of the lamp had dropped it, but the dim,
|
|
eerily illuminated gloom endured scarce a second.
|
|
A bright light sprang up--doubtless at the touch of the fiendish
|
|
being who now resumed speech:
|
|
|
|
"Observe the symptoms of delirium, Doctor!" Out there,
|
|
beyond the glass door, the unhappy victims were laughing--
|
|
tearing their garments from their bodies--leaping--waving their arms--
|
|
were become MANIACS!
|
|
|
|
"We will now release the ripe spores of giant entpusa,"
|
|
continued the wicked voice. "The air of the second cellar
|
|
being super-charged with oxygen, they immediately germinate.
|
|
Ah! it is a triumph! That process is the scientific triumph
|
|
of my life!"
|
|
|
|
Like powdered snow the white spores fell from the roof,
|
|
frosting the writhing shapes of the already poisoned men.
|
|
Before my horrified gaze, THE FUNGUS GREW; it spread
|
|
from the head to the, feet of those it touched; it enveloped
|
|
them as in glittering shrouds. . . .
|
|
|
|
"They die like flies!" screamed Fu-Manchu, with a sudden febrile excitement;
|
|
and I felt assured of something I had long suspected: that that magnificent,
|
|
perverted brain was the brain of a homicidal maniac--though Smith would
|
|
never accept the theory.
|
|
|
|
"It is my fly-trap!" shrieked the Chinaman. "And I am
|
|
the god of destruction!"
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
|
|
THE clammy touch of the mist revived me. The culmination of the scene
|
|
in the poison cellars, together with the effects of the fumes
|
|
which I had inhaled again, had deprived me of consciousness.
|
|
Now I knew that I was afloat on the river. I still was bound:
|
|
furthermore, a cloth was wrapped tightly about my mouth,
|
|
and I was secured to a ring in the deck.
|
|
|
|
By moving my aching head to the left I could look down into the oily water;
|
|
by moving it to the right I could catch a glimpse of the empurpled
|
|
face of Inspector Weymouth, who, similarly bound and gagged,
|
|
lay beside me, but only of the feet and legs of Nayland Smith.
|
|
For I could not turn my head sufficiently far to see more.
|
|
|
|
We were aboard an electric launch. I heard the hated guttural
|
|
voice of Fu-Manchu, subdued now to its habitual calm,
|
|
and my heart leaped to hear the voice that answered him.
|
|
It was that of Karamaneh. His triumph was complete.
|
|
Clearly his plans for departure were complete; his slaughter
|
|
of the police in the underground passages had been a final
|
|
reckless demonstration of which the Chinaman's subtle cunning
|
|
would have been incapable had he not known his escape from
|
|
the country to be assured.
|
|
|
|
What fate was in store for us? How would he avenge himself upon the girl
|
|
who had betrayed him to his enemies? What portion awaited those enemies?
|
|
He seemed to have formed the singular determination to smuggle me into China--
|
|
but what did he purpose in the case of Weymouth, and in the case
|
|
of Nayland Smith?
|
|
|
|
All but silently we were feeling our way through the mist.
|
|
Astern died the clangor of dock and wharf into a remote discord.
|
|
Ahead hung the foggy curtain veiling the traffic of the great waterway;
|
|
but through it broke the calling of sirens, the tinkling of bells.
|
|
|
|
The gentle movement of the screw ceased altogether.
|
|
The launch lay heaving slightly upon the swells.
|
|
|
|
A distant throbbing grew louder--and something advanced upon
|
|
us through the haze.
|
|
|
|
A bell rang and muffled by the fog a voice proclaimed itself--
|
|
a voice which I knew. I felt Weymouth writhing impotently
|
|
beside me; heard him mumbling incoherently; and I knew
|
|
that he, too, had recognized the voice.
|
|
|
|
It was that of Inspector Ryman of the river police and their launch
|
|
was within biscuit-throw of that upon which we lay!
|
|
|
|
"'Hoy! 'Hoy!"
|
|
|
|
I trembled. A feverish excitement claimed me. They were hailing us.
|
|
We carried no lights; but now--and ignoring the pain which shot from
|
|
my spine to my skull I craned my neck to the left--the port light
|
|
of the police launch glowed angrily through the mist.
|
|
|
|
I was unable to utter any save mumbling sounds, and my
|
|
companions were equally helpless. It was a desperate position.
|
|
Had the police seen us or had they hailed at random?
|
|
The light drew nearer.
|
|
|
|
"Launch, 'hoy!"
|
|
|
|
They had seen us! Fu-Manchu's guttural voice spoke shortly--
|
|
and our screw began to revolve again; we leaped ahead into the bank
|
|
of darkness. Faint grew the light of the police launch--and was gone.
|
|
But I heard Ryman's voice shouting.
|
|
|
|
"Full speed!" came faintly through the darkness. "Port! Port!"
|
|
|
|
Then the murk closed down, and with our friends far astern of us
|
|
we were racing deeper into the fog banks--speeding seaward;
|
|
though of this I was unable to judge at the time.
|
|
|
|
On we raced, and on, sweeping over growing swells.
|
|
Once, a black, towering shape dropped down upon us.
|
|
Far above, lights blazed, bells rang, vague cries pierced the fog.
|
|
The launch pitched and rolled perilously, but weathered the wash
|
|
of the liner which so nearly had concluded this episode.
|
|
It was such a journey as I had taken once before,
|
|
early in our pursuit of the genius of the Yellow Peril;
|
|
but this was infinitely more terrible; for now we were utterly
|
|
in Fu-Manchu's power.
|
|
|
|
A voice mumbled in my ear. I turned my bound-up face;
|
|
and Inspector Weymouth raised his hands in the dimness and partly
|
|
slipped the bandage from his mouth.
|
|
|
|
"I've been working at the cords since we left those filthy cellars,"
|
|
he whispered. "My wrists are all cut, but when I've got out a knife
|
|
and freed my ankles--"
|
|
|
|
Smith had kicked him with his bound feet. The detective slipped
|
|
the bandage back to position and placed his hands behind him again.
|
|
Dr. Fu-Manchu, wearing a heavy overcoat but no hat, came aft.
|
|
He was dragging Karamaneh by the wrists. He seated himself
|
|
on the cushions near to us, pulling the girl down beside him.
|
|
Now, I could see her face--and the expression in her beautiful
|
|
eyes made me writhe.
|
|
|
|
Fu-Manchu was watching us, his discolored teeth faintly visible
|
|
in the dim light, to which my eyes were becoming accustomed.
|
|
|
|
"Dr. Petrie," he said, "you shall be my honored guest at my home in China.
|
|
You shall assist me to revolutionize chemistry. Mr. Smith, I fear
|
|
you know more of my plans than I had deemed it possible for you
|
|
to have learned, and I am anxious to know if you have a confidant.
|
|
Where your memory fails you, and my files and wire jackets prove ineffectual,
|
|
Inspector Weymouth's recollections may prove more accurate."
|
|
|
|
He turned to the cowering girl--who shrank away from him
|
|
in pitiful, abject terror.
|
|
|
|
"In my hands, Doctor," he continued, "I hold a needle charged
|
|
with a rare culture. It is the link between the bacilli
|
|
and the fungi. You have seemed to display an undue interest
|
|
in the peach and pearl which render my Karamaneh so delightful,
|
|
In the supple grace of her movements and the sparkle of her eyes.
|
|
You can never devote your whole mind to those studies which I
|
|
have planned for you whilst such distractions exist.
|
|
A touch of this keen point, and the laughing Karamaneh becomes
|
|
the shrieking hag--the maniacal, mowing--"
|
|
|
|
Then, with an ox-like rush, Weymouth was upon him!
|
|
|
|
Karamaneh, wrought upon past endurance, with a sobbing cry, sank to the deck--
|
|
and lay still. I managed to writhe into a half-sitting posture, and Smith
|
|
rolled aside as the detective and the Chinaman crashed down together.
|
|
|
|
Weymouth had one big hand at the Doctor's yellow throat;
|
|
with his left he grasped the Chinaman's right.
|
|
It held the needle.
|
|
|
|
Now, I could look along, the length of the little craft, and, so far
|
|
as it was possible to make out in the fog, only one other was aboard--
|
|
the half-clad brown man who navigated her--and who had carried us through
|
|
the cellars. The murk had grown denser and now shut us in like a box.
|
|
The throb of the motor--the hissing breath of the two who fought--
|
|
with so much at issue--these sounds and the wash of the water alone
|
|
broke the eerie stillness.
|
|
|
|
By slow degrees, and with a reptilian agility horrible to watch,
|
|
Fu-Manchu was neutralizing the advantage gained by Weymouth.
|
|
His clawish fingers were fast in the big man's throat; the right hand
|
|
with its deadly needle was forcing down the left of his opponent.
|
|
He had been underneath, but now he was gaining the upper place.
|
|
His powers of physical endurance must have been truly marvelous.
|
|
His breath was whistling through his nostrils significantly,
|
|
but Weymouth was palpably tiring.
|
|
|
|
The latter suddenly changed his tactics. By a supreme effort,
|
|
to which he was spurred, I think, by the growing proximity
|
|
of the needle, he raised Fu-Manchu--by the throat and arm--
|
|
and pitched him sideways.
|
|
|
|
The Chinaman's grip did not relax, and the two wrestlers dropped,
|
|
a writhing mass, upon the port cushions. The launch heeled over,
|
|
and my cry of horror was crushed back into my throat by the bandage.
|
|
For, as Fu-Manchu sought to extricate himself, he overbalanced--
|
|
fell back--and, bearing Weymouth with him--slid into the river!
|
|
|
|
The mist swallowed them up.
|
|
|
|
There are moments of which no man can recall his mental impressions,
|
|
moments so acutely horrible that, mercifully, our memory retains
|
|
nothing of the emotions they occasioned. This was one of them.
|
|
A chaos ruled in my mind. I had a vague belief that the Burman,
|
|
forward, glanced back. Then the course of the launch was changed.
|
|
How long intervened between the tragic end of that Gargantuan struggle
|
|
and the time when a black wall leaped suddenly up before us I cannot
|
|
pretend to state.
|
|
|
|
With a sickening jerk we ran aground. A loud explosion ensued,
|
|
and I clearly remember seeing the brown man leap out into the fog--
|
|
which was the last I saw of him.
|
|
|
|
Water began to wash aboard.
|
|
|
|
Fully alive to our imminent peril, I fought with the cords
|
|
that bound me; but I lacked poor Weymouth's strength of wrist,
|
|
and I began to accept as a horrible and imminent possibility,
|
|
a death from drowning, within six feet of the bank.
|
|
|
|
Beside me, Nayland Smith was straining and twisting. I think
|
|
his object was to touch Karamaneh, in the hope of arousing her.
|
|
Where he failed in his project, the inflowing water succeeded.
|
|
A silent prayer of thankfulness came from my very soul when I
|
|
saw her stir--when I saw her raise her hands to her head--
|
|
and saw the big, horror-bright eyes gleam through the mist veil.
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
|
|
WE quitted the wrecked launch but a few seconds before her
|
|
stern settled down into the river. Where the mud-bank upon
|
|
which we found ourselves was situated we had no idea.
|
|
But at least it was terra firma and we were free from Dr. Fu-Manchu.
|
|
|
|
Smith stood looking out towards the river.
|
|
|
|
"My God!" he groaned. "My God!"
|
|
|
|
He was thinking, as I was, of Weymouth.
|
|
|
|
And when, an hour later, the police boat located us (on the mud-flats
|
|
below Greenwich) and we heard that the toll of the poison cellars
|
|
was eight men, we also heard news of our brave companion.
|
|
|
|
|
|
"Back there in the fog, sir," reported Inspector Ryman, who was in charge,
|
|
and his voice was under poor command, "there was an uncanny howling,
|
|
and peals of laughter that I'm going to dream about for weeks--"
|
|
|
|
Karamaneh, who nestled beside me like a frightened child, shivered; and I
|
|
knew that the needle had done its work, despite Weymouth's giant strength.
|
|
|
|
Smith swallowed noisily.
|
|
|
|
"Pray God the river has that yellow Satan," he said.
|
|
"I would sacrifice a year of my life to see his rat's body
|
|
on the end of a grappling-iron!"
|
|
|
|
We were a sad party that steamed through the fog homeward that night.
|
|
It seemed almost like deserting a staunch comrade to leave the spot--so nearly
|
|
as we could locate it--where Weymouth had put up that last gallant fight.
|
|
Our helplessness was pathetic, and although, had the night been clear
|
|
as crystal, I doubt if we could have acted otherwise, it came to me that this
|
|
stinking murk was a new enemy which drove us back in coward retreat.
|
|
|
|
But so many were the calls upon our activity, and so numerous
|
|
the stimulants to our initiative in those times, that soon we
|
|
had matter to relieve our minds from this stress of sorrow.
|
|
|
|
There was Karamaneh to be considered--Karamaneh and her brother.
|
|
A brief counsel was held, whereat it was decided that for the present
|
|
they should be lodged at a hotel.
|
|
|
|
"I shall arrange," Smith whispered to me, for the girl was watching us,
|
|
"to have the place patrolled night and day."
|
|
|
|
"You cannot suppose--"
|
|
|
|
"Petrie! I cannot and dare not suppose Fu-Manchu dead until with my own
|
|
eyes I have seen him so!"
|
|
|
|
Accordingly we conveyed the beautiful Oriental girl and her
|
|
brother away from that luxurious abode in its sordid setting.
|
|
I will not dwell upon the final scene in the poison cellars
|
|
lest I be accused of accumulating horror for horror's sake.
|
|
Members of the fire brigade, helmed against contagion, brought out
|
|
the bodies of the victims wrapped in their living shrouds. . . .
|
|
|
|
From Karamaneh we learned much of Fu-Manchu, little of herself.
|
|
|
|
"What am I? Does my poor history matter--to anyone?"
|
|
was her answer to questions respecting herself.
|
|
|
|
And she would droop her lashes over her dark eyes.
|
|
|
|
The dacoits whom the Chinaman had brought to England originally
|
|
numbered seven, we learned. As you, having followed me thus far,
|
|
will be aware, we had thinned the ranks of the Burmans.
|
|
Probably only one now remained in England. They had
|
|
lived in a camp in the grounds of the house near Windsor
|
|
(which, as we had learned at the time of its destruction,
|
|
the Doctor had bought outright). The Thames had been his highway.
|
|
|
|
Other members of the group had occupied quarters in various parts
|
|
of the East End, where sailormen of all nationalities congregate.
|
|
Shen-Yan's had been the East End headquarters. He had employed the hulk
|
|
from the time of his arrival, as a laboratory for a certain class
|
|
of experiments undesirable in proximity to a place of residence.
|
|
|
|
Nayland Smith asked the girl on one occasion if the Chinaman had had
|
|
a private sea-going vessel, and she replied in the affirmative.
|
|
She had never been on board, however, had never even set eyes upon it,
|
|
and could give us no information respecting its character.
|
|
It had sailed for China.
|
|
|
|
"You are sure," asked Smith keenly, "that it has actually left?"
|
|
|
|
"I understood so, and that we were to follow by another route."
|
|
|
|
"It would have been difficult for Fu-Manchu to travel by a passenger boat?"
|
|
|
|
"I cannot say what were his plans."
|
|
|
|
In a state of singular uncertainty, then, readily to be understood,
|
|
we passed the days following the tragedy which had deprived us
|
|
of our fellow-worker.
|
|
|
|
Vividly I recall the scene at poor Weymouth's home, on the day that we
|
|
visited it. I then made the acquaintance of the Inspector's brother.
|
|
Nayland Smith gave him a detailed account of the last scene.
|
|
|
|
"Out there in the mist," he concluded wearily, "it all seemed very unreal."
|
|
|
|
"I wish to God it had been!"
|
|
|
|
"Amen to that, Mr. Weymouth. But your brother made a gallant finish.
|
|
If ridding the world of Fu-Manchu were the only good deed to his credit,
|
|
his life had been well spent."
|
|
|
|
James Weymouth smoked awhile in thoughtful silence.
|
|
Though but four and a half miles S.S.E. of St. Paul's the quaint
|
|
little cottage, with its rustic garden, shadowed by the tall trees
|
|
which had so lined the village street before motor 'buses were,
|
|
was a spot as peaceful and secluded as any in broad England.
|
|
But another shadow lay upon it to-day--chilling, fearful.
|
|
An incarnate evil had come out of the dim East and in its dying
|
|
malevolence had touched this home.
|
|
|
|
"There are two things I don't understand about it, sir," continued Weymouth.
|
|
"What was the meaning of the horrible laughter which the river police heard
|
|
in the fog? And where are the bodies?"
|
|
|
|
Karamaneh, seated beside me, shuddered at the words.
|
|
Smith, whose restless spirit granted him little repose,
|
|
paused in his aimless wanderings about the room and looked at her.
|
|
|
|
In these latter days of his Augean labors to purge England
|
|
of the unclean thing which had fastened upon her, my friend
|
|
was more lean and nervous-looking than I had ever known him.
|
|
His long residence in Burma had rendered him spare
|
|
and had burned his naturally dark skin to a coppery hue;
|
|
but now his gray eyes had grown feverishly bright and his
|
|
face so lean as at times to appear positively emaciated.
|
|
But I knew that he was as fit as ever.
|
|
|
|
"This lady may be able to answer your first question," he said.
|
|
"She and her brother were for some time in the household of
|
|
Dr. Fu-Manchu. In fact, Mr. Weymouth, Karamaneh, as her name implies,
|
|
was a slave."
|
|
|
|
Weymouth glanced at the beautiful, troubled face with scarcely
|
|
veiled distrust. "You don't look as though you had come
|
|
from China, miss," he said, with a sort of unwilling admiration.
|
|
|
|
I do not come from China, replied Karamaneh. "My father
|
|
was a pure Bedawee. But my history does not matter."
|
|
(At times there was something imperious in her manner; and to this
|
|
her musical accent added force.) "When your brave brother,
|
|
Inspector Weymouth, and Dr. Fu-Manchu, were swallowed up
|
|
by the river, Fu-Manchu held a poisoned needle in his hand.
|
|
The laughter meant that the needle had done its work.
|
|
Your brother had become mad!"
|
|
|
|
Weymouth turned aside to hide his emotion. "What was on the needle?"
|
|
he asked huskily.
|
|
|
|
"It was something which he prepared from the venom of a kind of swamp adder,"
|
|
she answered. "It produces madness, but not always death."
|
|
|
|
"He would have had a poor chance," said Smith, "even had he been in complete
|
|
possession of his senses. At the time of the encounter we must have been
|
|
some considerable distance from shore, and the fog was impenetrable."
|
|
|
|
"But how do you account for the fact that neither of the bodies
|
|
have been recovered?"
|
|
|
|
"Ryman of the river police tells me that persons lost at that point
|
|
are not always recovered--or not until a considerable time later."
|
|
|
|
There was a faint sound from the room above. The news of that
|
|
tragic happening out in the mist upon the Thames had prostrated
|
|
poor Mrs. Weymouth.
|
|
|
|
"She hasn't been told half the truth," said her brother-in-law. "She doesn't
|
|
know about--the poisoned needle. What kind of fiend was this Dr. Fu-Manchu?"
|
|
He burst out into a sudden blaze of furious resentment. "John never told
|
|
me much, and you have let mighty little leak into the papers. What was he?
|
|
Who was he?"
|
|
|
|
Half he addressed the words to Smith, half to Karamaneh.
|
|
|
|
"Dr. Fu-Manchu," replied the former, "was the ultimate expression of
|
|
Chinese cunning; a phenomenon such as occurs but once in many generations.
|
|
He was a superman of incredible genius, who, had he willed,
|
|
could have revolutionized science. There is a superstition in some
|
|
parts of China according to which, under certain peculiar conditions
|
|
(one of which is proximity to a deserted burial-ground) an evil spirit
|
|
of incredible age may enter unto the body of a new-born infant.
|
|
All my efforts thus far have not availed me to trace the genealogy
|
|
of the man called Dr. Fu-Manchu. Even Karamaneh cannot help me in this.
|
|
But I have sometimes thought that he was a member of a certain very old
|
|
Kiangsu family--and that the peculiar conditions I have mentioned
|
|
prevailed at his birth!"
|
|
|
|
Smith, observing our looks of amazement, laughed shortly,
|
|
and quite mirthlessly.
|
|
|
|
"Poor old Weymouth!" he jerked. "I suppose my labors are finished;
|
|
but I am far from triumphant. Is there any improvement in
|
|
Mrs. Weymouth's condition?"
|
|
|
|
"Very little," was the reply; "she has lain in a semi-conscious
|
|
state since the news came. No one had any idea she would
|
|
take it so. At one time we were afraid her brain was going.
|
|
She seemed to have delusions."
|
|
|
|
Smith spun round upon Weymouth.
|
|
|
|
"Of what nature?" he asked rapidly.
|
|
|
|
The other pulled nervously at his mustache.
|
|
|
|
"My wife has been staying with her," he explained, "since--it happened;
|
|
and for the last three nights poor John's widow has cried out at
|
|
the same time--half-past two--that someone was knocking on the door."
|
|
|
|
"What door?"
|
|
|
|
"That door yonder--the street door."
|
|
|
|
All our eyes turned in the direction indicated.
|
|
|
|
"John often came home at half-past two from the Yard," continued Weymouth;
|
|
"so we naturally thought poor Mary was wandering in her mind.
|
|
But last night--and it's not to be wondered at--my wife couldn't sleep,
|
|
and she was wide awake at half-past two."
|
|
|
|
"Well?"
|
|
|
|
Nayland Smith was standing before him, alert, bright-eyed.
|
|
|
|
"She heard it, too!"
|
|
|
|
The sun was streaming into the cozy little sitting-room;
|
|
but I will confess that Weymouth's words chilled me uncannily.
|
|
Karamaneh laid her hand upon mine, in a quaint, childish fashion
|
|
peculiarly her own. Her hand was cold, but its touch thrilled me.
|
|
For Karamaneh was not a child, but a rarely beautiful girl--
|
|
a pearl of the East such as many a monarch has fought for.
|
|
|
|
"What then?" asked Smith.
|
|
|
|
"She was afraid to move--afraid to look from the window!"
|
|
|
|
My friend turned and stared hard at me.
|
|
|
|
"A subjective hallucination, Petrie?"
|
|
|
|
"In all probability," I replied. "You should arrange that
|
|
your wife be relieved in her trying duties, Mr. Weymouth.
|
|
It is too great a strain for an inexperienced nurse."
|
|
|
|
|
|
|
|
CHAPTER XXVIII
|
|
|
|
|
|
OF all that we had hoped for in our pursuit of Fu-Manchu how
|
|
little had we accomplished. Excepting Karamaneh and her brother
|
|
(who were victims and not creatures of the Chinese doctor's)
|
|
not one of the formidable group had fallen alive into our hands.
|
|
Dreadful crimes had marked Fu-Manchu's passage through the land.
|
|
Not one-half of the truth (and nothing of the later developments)
|
|
had been made public. Nayland Smith's authority was sufficient
|
|
to control the press.
|
|
|
|
In the absence of such a veto a veritable panic must have seized upon
|
|
the entire country; for a monster--a thing more than humanly evil--
|
|
existed in our midst.
|
|
|
|
Always Fu-Manchu's secret activities had centered about the great waterway.
|
|
There was much of poetic justice in his end; for the Thames had claimed him,
|
|
who so long had used the stream as a highway for the passage to and fro for
|
|
his secret forces. Gone now were the yellow men who had been the instruments
|
|
of his evil will; gone was the giant intellect which had controlled
|
|
the complex murder machine. Karamaneh, whose beauty he had used as a lure,
|
|
at last was free, and no more with her smile would tempt men to death--
|
|
that her brother might live.
|
|
|
|
Many there are, I doubt not, who will regard the Eastern girl with horror.
|
|
I ask their forgiveness in that I regarded her quite differently.
|
|
No man having seen her could have condemned her unheard. Many, having looked
|
|
into her lovely eyes, had they found there what I found, must have forgiven
|
|
her almost any crime.
|
|
|
|
That she valued human life but little was no matter for wonder.
|
|
Her nationality--her history--furnished adequate excuse for an attitude
|
|
not condonable in a European equally cultured.
|
|
|
|
But indeed let me confess that hers was a nature incomprehensible to me
|
|
in some respects. The soul of Karamaneh was a closed book to my short-sighted
|
|
Western eyes. But the body of Karamaneh was exquisite; her beauty of a kind
|
|
that was a key to the most extravagant rhapsodies of Eastern poets.
|
|
Her eyes held a challenge wholly Oriental in its appeal; her lips,
|
|
even in repose, were a taunt. And, herein, East is West and West is East.
|
|
|
|
Finally, despite her lurid history, despite the scornful self-possession
|
|
of which I knew her capable, she was an unprotected girl--
|
|
in years, I believe, a mere child--whom Fate had cast in my way.
|
|
At her request, we had booked passages for her brother and herself
|
|
to Egypt. The boat sailed in three days. But Karamaneh's beautiful
|
|
eyes were sad; often I detected tears on the black lashes.
|
|
Shall I endeavor to describe my own tumultuous, conflicting emotions?
|
|
It would be useless, since I know it to be impossible.
|
|
For in those dark eyes burned a fire I might not see; those silken
|
|
lashes veiled a message I dared not read.
|
|
|
|
Nayland Smith was not blind to the facts of the complicated situation.
|
|
I can truthfully assert that he was the only man of my acquaintance who,
|
|
having come in contact with Karamaneh, had kept his head.
|
|
|
|
We endeavored to divert her mind from the recent tragedies by a round
|
|
of amusements, though with poor Weymouth's body still at the mercy
|
|
of unknown waters Smith and I made but a poor show of gayety;
|
|
and I took a gloomy pride in the admiration which our lovely
|
|
companion everywhere excited. I learned, in those days, how rare
|
|
a thing in nature is a really beautiful woman.
|
|
|
|
One afternoon we found ourselves at an exhibition of water
|
|
colors in Bond Street. Karamaneh was intensely interested
|
|
in the subjects of the drawings--which were entirely Egyptian.
|
|
As usual, she furnished matter for comment amongst the other visitors,
|
|
as did the boy, Aziz, her brother, anew upon the world from his
|
|
living grave in the house of Dr. Fu-Manchu.
|
|
|
|
Suddenly Aziz clutched at his sister's arm, whispering rapidly in Arabic.
|
|
I saw her peachlike color fade; saw her become pale and wild-eyed--
|
|
the haunted Karamaneh of the old days.
|
|
|
|
She turned to me.
|
|
|
|
"Dr. Petrie--he says that Fu-Manchu is here!"
|
|
|
|
"Where?"
|
|
|
|
Nayland Smith rapped out the question violently, turning in a flash
|
|
from the picture which he was examining.
|
|
|
|
"In this room!" she whispered glancing furtively, affrightedly about her.
|
|
"Something tells Aziz when HE is near--and I, too, feel strangely afraid.
|
|
Oh, can it be that he is not dead!"
|
|
|
|
She held my arm tightly. Her brother was searching the room with big,
|
|
velvet black eyes. I studied the faces of the several visitors;
|
|
and Smith was staring about him with the old alert look, and tugging
|
|
nervously at the lobe of his ear. The name of the giant foe of the white
|
|
race instantaneously had strung him up to a pitch of supreme intensity.
|
|
|
|
Our united scrutinies discovered no figure which could have been
|
|
that of the Chinese doctor. Who could mistake that long, gaunt shape,
|
|
with the high, mummy-like shoulders, and the indescribable gait,
|
|
which I can only liken to that of an awkward cat?
|
|
|
|
Then, over the heads of a group of people who stood by the doorway, I saw
|
|
Smith peering at someone--at someone who passed across the outer room.
|
|
Stepping aside, I, too, obtained a glimpse of this person.
|
|
|
|
As I saw him, he was a tall, old man, wearing a black Inverness
|
|
coat and a rather shabby silk hat. He had long white hair
|
|
and a patriarchal beard, wore smoked glasses and walked slowly,
|
|
leaning upon a stick.
|
|
|
|
Smith's gaunt face paled. With a rapid glance at Karamaneh,
|
|
he made off across the room.
|
|
|
|
Could it be Dr. Fu-Manchu?
|
|
|
|
Many days had passed since, already half-choked by Inspector Weymouth's iron
|
|
grip, Fu-Manchu, before our own eyes, had been swallowed up by the Thames.
|
|
Even now men were seeking his body, and that of his last victim.
|
|
Nor had we left any stone unturned. Acting upon information furnished
|
|
by Karamaneh, the police had searched every known haunt of the murder group.
|
|
But everything pointed to the fact that the group was disbanded and dispersed;
|
|
that the lord of strange deaths who had ruled it was no more.
|
|
|
|
Yet Smith was not satisfied. Neither, let me confess,
|
|
was I. Every port was watched; and in suspected districts
|
|
a kind of house-to-house patrol had been instituted.
|
|
Unknown to the great public, in those days a secret war waged--
|
|
a war in which all the available forces of the authorities
|
|
took the field against one man! But that one man was the evil
|
|
of the East incarnate.
|
|
|
|
When we rejoined him, Nayland Smith was talking to the commissionaire
|
|
at the door. He turned to me.
|
|
|
|
"That is Professor Jenner Monde," he said. "The sergeant, here,
|
|
knows him well."
|
|
|
|
The name of the celebrated Orientalist of course was familiar to me,
|
|
although I had never before set eyes upon him.
|
|
|
|
"The Professor was out East the last time I was there, sir,"
|
|
stated the commissionaire. "I often used to see him. But he's
|
|
an eccentric old gentleman. Seems to live in a world of his own.
|
|
He's recently back from China, I think."
|
|
|
|
Nayland Smith stood clicking his teeth together in irritable hesitation.
|
|
I heard Karamaneh sigh, and, looking at her, I saw that her cheeks were
|
|
regaining their natural color.
|
|
|
|
She smiled in pathetic apology.
|
|
|
|
"If he was here he is gone," she said. "I am not afraid now."
|
|
|
|
Smith thanked the commissionaire for his information and we
|
|
quitted the gallery.
|
|
|
|
"Professor Jenner Monde," muttered my friend, "has lived so long
|
|
in China as almost to be a Chinaman. I have never met him--
|
|
never seen him, before; but I wonder--"
|
|
|
|
"You wonder what, Smith?"
|
|
|
|
"I wonder if he could possibly be an ally, of the Doctor's!"
|
|
|
|
I stared at him in amazement.
|
|
|
|
"If we are to attach any importance to the incident at all,"
|
|
I said, "we must remember that the boy's impression--and Karamaneh's--
|
|
was that Fu-Manchu was present in person."
|
|
|
|
"I DO attach importance to the incident, Petrie; they are naturally
|
|
sensitive to such impressions. But I doubt if even the abnormal
|
|
organization of Aziz could distinguish between the hidden presence
|
|
of a creature of the Doctor's and that of the Doctor himself.
|
|
I shall make a point of calling upon Professor Jenner Monde."
|
|
|
|
But Fate had ordained that much should happen ere Smith made
|
|
his proposed call upon the Professor.
|
|
|
|
Karamaneh and her brother safely lodged in their hotel
|
|
(which was watched night and day by four men under Smith's
|
|
orders), we returned to my quiet suburban rooms.
|
|
|
|
"First," said Smith, "let us see what we can find out
|
|
respecting Professor Monde."
|
|
|
|
He went to the telephone and called up New Scotland Yard.
|
|
There followed some little delay before the requisite information
|
|
was obtained. Finally, however, we learned that the Professor
|
|
was something of a recluse, having few acquaintances,
|
|
and fewer friends.
|
|
|
|
He lived alone in chambers in New Inn Court, Carey Street.
|
|
A charwoman did such cleaning as was considered necessary
|
|
by the Professor, who employed no regular domestic.
|
|
When he was in London he might be seen fairly frequently
|
|
at the British Museum, where his shabby figure was familiar
|
|
to the officials. When he was not in London--that is,
|
|
during the greater part of each year--no one knew where he went.
|
|
He never left any address to which letters might be forwarded.
|
|
|
|
"How long has he been in London now?" asked Smith.
|
|
|
|
So far as could be ascertained from New Inn Court (replied Scotland Yard)
|
|
roughly a week.
|
|
|
|
My friend left the telephone and began restlessly to pace the room.
|
|
The charred briar was produced and stuffed with that broad cut Latakia
|
|
mixture of which Nayland Smith consumed close upon a pound a week.
|
|
He was one of those untidy smokers who leave tangled tufts
|
|
hanging from the pipe-bowl and when they light up strew the floor
|
|
with smoldering fragments.
|
|
|
|
A ringing came, and shortly afterwards a girl entered.
|
|
|
|
"Mr. James Weymouth to see you, sir."
|
|
|
|
"Hullo!" rapped Smith. "What's this?"
|
|
|
|
Weymouth entered, big and florid, and in some respects
|
|
singularly like his brother, in others as singularly unlike.
|
|
Now, in his black suit, he was a somber figure; and in the blue
|
|
eyes I read a fear suppressed.
|
|
|
|
"Mr. Smith," he began, "there's something uncanny going on at Maple Cottage."
|
|
|
|
Smith wheeled the big arm-chair forward.
|
|
|
|
"Sit down, Mr. Weymouth," he said. "I am not entirely surprised.
|
|
But you have my attention. What has occurred?"
|
|
|
|
Weymouth took a cigarette from the box which I proffered and poured
|
|
out a peg of whisky. His hand was not quite steady.
|
|
|
|
"That knocking," he explained. "It came again the night
|
|
after you were there, and Mrs. Weymouth--my wife, I mean--
|
|
felt that she couldn't spend another night there, alone" "Did she
|
|
look out of the window?" I asked.
|
|
|
|
"No, Doctor; she was afraid. But I spent last night downstairs
|
|
in the sitting-room--and _I_ looked out!"
|
|
|
|
He took a gulp from his glass. Nayland Smith, seated on
|
|
the edge of the table, his extinguished pipe in his hand,
|
|
was watching him keenly.
|
|
|
|
"I'll admit I didn't look out at once," Weymouth resumed.
|
|
"There was something so uncanny, gentlemen, in that knocking--
|
|
knocking--in the dead of the night. I thought"--his voice
|
|
shook--"of poor Jack, lying somewhere amongst the slime
|
|
of the river--and, oh, my God! it came to me that it was Jack
|
|
who was knocking--and I dare not think what he--what it--
|
|
would look like!"
|
|
|
|
He leaned forward, his chin in his hand. For a few moments we
|
|
were all silent.
|
|
|
|
"I know I funked," he continued huskily. "But when the wife came
|
|
to the head of the stairs and whispered to me: `There it is again.
|
|
What in heaven's name can it be'--I started to unbolt the door.
|
|
The knocking had stopped. Everything was very still.
|
|
I heard Mary--HIS widow--sobbing, upstairs; that was all.
|
|
I opened the door, a little bit at a time."
|
|
|
|
Pausing again, he cleared his throat, and went on:
|
|
|
|
"It was a bright night, and there was no one there--not a soul.
|
|
But somewhere down the lane, as I looked out into the porch, I heard
|
|
most awful groans! They got fainter and fainter. Then--I could
|
|
have sworn I heard SOMEONE LAUGHING! My nerves cracked up at that;
|
|
and I shut the door again."
|
|
|
|
The narration of his weird experience revived something of the natural
|
|
fear which it had occasioned. He raised his glass, with unsteady hand,
|
|
and drained it.
|
|
|
|
Smith struck a match and relighted his pipe. He began to pace
|
|
the room again. His eyes were literally on fire.
|
|
|
|
"Would it be possible to get Mrs. Weymouth out of the house
|
|
before to-night? Remove her to your place, for instance?"
|
|
he asked abruptly.
|
|
|
|
Weymouth looked up in surprise.
|
|
|
|
"She seems to be in a very low state," he replied. He glanced at me.
|
|
"Perhaps Dr. Petrie would give us an opinion?"
|
|
|
|
"I will come and see her," I said. "But what is your idea, Smith?"
|
|
|
|
"I want to hear that knocking!" he rapped. "But in what I may see fit
|
|
to do I must not be handicapped by the presence of a sick woman."
|
|
|
|
"Her condition at any rate will admit of our administering an opiate,"
|
|
I suggested. "That would meet the situation?"
|
|
|
|
"Good!" cried Smith. He was intensely excited now.
|
|
"I rely upon you to arrange something, Petrie. Mr. Weymouth"--
|
|
he turned to our visitor--"I shall be with you this evening
|
|
not later than twelve o'clock."
|
|
|
|
Weymouth appeared to be greatly relieved. I asked him
|
|
to wait whilst I prepared a drought for the patient.
|
|
When he was gone:
|
|
|
|
"What do you think this knocking means, Smith?" I asked.
|
|
|
|
He tapped out his pipe on the side of the grate and began with nervous
|
|
energy to refill it again from the dilapidated pouch.
|
|
|
|
"I dare not tell you what I hope, Petrie," he replied--
|
|
"nor what I fear."
|
|
|
|
|
|
|
|
CHAPTER XXIX
|
|
|
|
|
|
DUSK was falling when we made our way in the direction of Maple Cottage.
|
|
Nayland Smith appeared to be keenly interested in the character
|
|
of the district. A high and ancient wall bordered the road along
|
|
which we walked for a considerable distance. Later it gave place
|
|
to a rickety fence.
|
|
|
|
My friend peered through a gap in the latter.
|
|
|
|
"There is quite an extensive estate here," he said, "not yet
|
|
cut up by the builder. It is well wooded on one side,
|
|
and there appears to be a pool lower down."
|
|
|
|
The road was a quiet one, and we plainly heard the tread--
|
|
quite unmistakable--of an approaching policeman.
|
|
Smith continued to peer through the hole in the fence,
|
|
until the officer drew up level with us. Then:
|
|
|
|
"Does this piece of ground extend down to the village,
|
|
constable?" he inquired.
|
|
|
|
Quite willing for a chat, the man stopped, and stood with his thumbs
|
|
thrust in his belt.
|
|
|
|
"Yes, sir. They tell me three new roads will be made through it
|
|
between here and the hill."
|
|
|
|
"It must be a happy hunting ground for tramps?"
|
|
|
|
"I've seen some suspicious-looking coves about at times.
|
|
But after dusk an army might be inside there and nobody would
|
|
ever be the wiser."
|
|
|
|
"Burglaries frequent in the houses backing on to it?"
|
|
|
|
"Oh, no. A favorite game in these parts is snatching
|
|
loaves and bottles of milk from the doors, first thing,
|
|
as they're delivered. There's been an extra lot of it lately.
|
|
My mate who relieves me has got special instructions
|
|
to keep his eye open in the mornings!" The man grinned.
|
|
"It wouldn't be a very big case even if he caught anybody!"
|
|
"No," said Smith absently; "perhaps not. Your business must
|
|
be a dry one this warm weather. Good-night."
|
|
|
|
"Good-night, sir," replied the constable, richer by
|
|
half-a-crown--"and thank you."
|
|
|
|
Smith stared after him for a moment, tugging reflectively at the lobe
|
|
of his ear.
|
|
|
|
"I don't know that it wouldn't be a big case, after all," he murmured.
|
|
"Come on, Petrie."
|
|
|
|
Not another word did he speak, until we stood at the gate of Maple Cottage.
|
|
There a plain-clothes man was standing, evidently awaiting Smith.
|
|
He touched his hat.
|
|
|
|
"Have you found a suitable hiding-place?" asked my companion rapidly.
|
|
|
|
"Yes, sir," was the reply. "Kent--my mate--is there now.
|
|
You'll notice that he can't be seen from here."
|
|
|
|
"No," agreed Smith, peering all about him. "He can't. Where is he?"
|
|
|
|
"Behind the broken wall," explained the man, pointing.
|
|
"Through that ivy there's a clear view of the cottage door."
|
|
|
|
"Good. Keep your eyes open. If a messenger comes for me, he is to
|
|
be intercepted, you understand. No one must be allowed to disturb us.
|
|
You will recognize the messenger. He will be one of your fellows.
|
|
Should he come--hoot three times, as much like an owl as you can."
|
|
|
|
We walked up to the porch of the cottage. In response to Smith's ringing
|
|
came James Weymouth, who seemed greatly relieved by our arrival.
|
|
|
|
"First," said my friend briskly, "you had better run up and see the patient."
|
|
|
|
Accordingly, I followed Weymouth upstairs and was admitted by his
|
|
wife to a neat little bedroom where the grief-stricken woman lay,
|
|
a wanly pathetic sight.
|
|
|
|
"Did you administer the draught, as directed?" I asked.
|
|
|
|
Mrs. James Weymouth nodded. She was a kindly looking woman,
|
|
with the same dread haunting her hazel eyes as that which lurked
|
|
in her husband's blue ones.
|
|
|
|
The patient was sleeping soundly. Some whispered instructions I gave to
|
|
the faithful nurse and descended to the sitting-room. It was a warm night,
|
|
and Weymouth sat by the open window, smoking. The dim light from the lamp
|
|
on the table lent him an almost startling likeness to his brother; and for
|
|
a moment I stood at the foot of the stairs scarce able to trust my reason.
|
|
Then he turned his face fully towards me, and the illusion was lost.
|
|
|
|
"Do you think she is likely to wake, Doctor?" he asked.
|
|
|
|
"I think not," I replied.
|
|
|
|
Nayland Smith stood upon the rug before the hearth, swinging from one
|
|
foot to the other, in his nervously restless way. The room was foggy
|
|
with the fumes of tobacco, for he, too, was smoking.
|
|
|
|
At intervals of some five to ten minutes, his blackened briar
|
|
(which I never knew him to clean or scrape) would go out.
|
|
I think Smith used more matches than any other smoker I have
|
|
ever met, and he invariably carried three boxes in various
|
|
pockets of his garments.
|
|
|
|
The tobacco habit is infectious, and, seating myself in an arm-chair,
|
|
I lighted a cigarette. For this dreary vigil I had come prepared
|
|
with a bunch of rough notes, a writing-block, and a fountain pen.
|
|
I settled down to work upon my record of the Fu-Manchu case.
|
|
|
|
Silence fell upon Maple Cottage. Save for the shuddering sigh
|
|
which whispered through the over-hanging cedars and Smith's eternal
|
|
match-striking, nothing was there to disturb me in my task.
|
|
Yet I could make little progress. Between my mind and the chapter upon
|
|
which I was at work a certain sentence persistently intruded itself.
|
|
It was as though an unseen hand held the written page closely before my eyes.
|
|
This was the sentence:
|
|
|
|
"Imagine a person, tall, lean, and feline, high-shouldered, with a brow
|
|
like Shakespeare and a face like Satan, a close-shaven skull, and long,
|
|
magnetic eyes of the true cat-green: invest him with all the cruel cunning
|
|
of an entire Eastern race, accumulated in one giant intellect. . ."
|
|
|
|
Dr. Fu-Manchu! Fu-Manchu as Smith had described him to me on that night
|
|
which now seemed so remotely distant--the night upon which I had learned
|
|
of the existence of the wonderful and evil being born of that secret
|
|
quickening which stirred in the womb of the yellow races.
|
|
|
|
As Smith, for the ninth or tenth time, knocked out his pipe on a bar
|
|
of the grate, the cuckoo clock in the kitchen proclaimed the hour.
|
|
|
|
"Two," said James Weymouth.
|
|
|
|
I abandoned my task, replacing notes and writing-block in the bag that I
|
|
had with me. Weymouth adjusted the lamp which had begun to smoke.
|
|
|
|
I tiptoed to the stairs and, stepping softly, ascended to the sick room.
|
|
All was quiet, and Mrs. Weymouth whispered to me that the patient still
|
|
slept soundly. I returned to find Nayland Smith pacing about the room
|
|
in that state of suppressed excitement habitual with him in the approach
|
|
of any crisis. At a quarter past two the breeze dropped entirely,
|
|
and such a stillness reigned all about us as I could not have supposed
|
|
possible so near to the ever-throbbing heart of the great metropolis.
|
|
Plainly I could hear Weymouth's heavy breathing. He sat at the window
|
|
and looked out into the black shadows under the cedars. Smith ceased
|
|
his pacing and stood again on the rug very still. He was listening!
|
|
I doubt not we were all listening.
|
|
|
|
Some faint sound broke the impressive stillness, coming from the direction
|
|
of the village street. It was a vague, indefinite disturbance,
|
|
brief, and upon it ensued a silence more marked than ever.
|
|
Some minutes before, Smith had extinguished the lamp.
|
|
In the darkness I heard his teeth snap sharply together.
|
|
|
|
The call of an owl sounded very clearly three times.
|
|
|
|
I knew that to mean that a messenger had come; but from whence or bearing
|
|
what tidings I knew not. My friend's plans were incomprehensible to me,
|
|
nor had I pressed him for any explanation of their nature, knowing him
|
|
to be in that high-strung and somewhat irritable mood which claimed him
|
|
at times of uncertainty--when he doubted the wisdom of his actions,
|
|
the accuracy of his surmises. He gave no sign.
|
|
|
|
Very faintly I heard a clock strike the half-hour. A soft breeze
|
|
stole again through the branches above. The wind I thought must
|
|
be in a new quarter since I had not heard the clock before.
|
|
In so lonely a spot it was difficult to believe that the bell
|
|
was that of St. Paul's. Yet such was the fact.
|
|
|
|
And hard upon the ringing followed another sound--a sound we all had expected,
|
|
had waited for; but at whose coming no one of us, I think, retained complete
|
|
mastery of himself.
|
|
|
|
Breaking up the silence in a manner that set my heart wildly leaping it came--
|
|
an imperative knocking on the door!
|
|
|
|
"My God!" groaned Weymouth--but he did not move from his position
|
|
at the window.
|
|
|
|
"Stand by, Petrie!" said Smith.
|
|
|
|
He strode to the door--and threw it widely open.
|
|
|
|
I know I was very pale. I think I cried out as I fell back--
|
|
retreated with clenched hands from before THAT which stood
|
|
on the threshold.
|
|
|
|
It was a wild, unkempt figure, with straggling beard, hideously staring eyes.
|
|
With its hands it clutched at its hair--at its chin; plucked at its mouth.
|
|
No moonlight touched the features of this unearthly visitant,
|
|
but scanty as was the illumination we could see the gleaming teeth--
|
|
and the wildly glaring eyes.
|
|
|
|
It began to laugh--peal after peal--hideous and shrill.
|
|
|
|
Nothing so terrifying had ever smote upon my ears.
|
|
I was palsied by the horror of the sound.
|
|
|
|
Then Nayland Smith pressed the button of an electric torch which he carried.
|
|
He directed the disk of white light fully upon the face in the doorway.
|
|
|
|
"Oh, God!" cried Weymouth. "It's John!"--and again and again:
|
|
"Oh, God! Oh, God!"
|
|
|
|
Perhaps for the first time in my life I really believed (nay, I
|
|
could not doubt) that a thing of another world stood before me.
|
|
I am ashamed to confess the extent of the horror that came upon me.
|
|
James Weymouth raised his hands, as if to thrust away from him
|
|
that awful thing in the door. He was babbling--prayers, I think,
|
|
but wholly incoherent.
|
|
|
|
"Hold him, Petrie!"
|
|
|
|
Smith's voice was low. (When we were past thought or intelligent action,
|
|
he, dominant and cool, with that forced calm for which, a crisis over,
|
|
he always paid so dearly, was thinking of the woman who slept above.)
|
|
|
|
He leaped forward; and in the instant that he grappled with
|
|
the one who had knocked I knew the visitant for a man of flesh
|
|
and blood--a man who shrieked and fought like a savage animal,
|
|
foamed at the mouth and gnashed his teeth in horrid frenzy;
|
|
knew him for a madman--knew him for the victim of Fu-Manchu--
|
|
not dead, but living--for Inspector Weymouth--a maniac!
|
|
|
|
In a flash I realized all this and sprang to Smith's assistance.
|
|
There was a sound of racing footsteps and the men who had been
|
|
watching outside came running into the porch. A third was with them;
|
|
and the five of us (for Weymouth's brother had not yet grasped
|
|
the fact that a man and not a spirit shrieked and howled in our midst)
|
|
clung to the infuriated madman, yet barely held our own with him.
|
|
|
|
"The syringe, Petrie!" gasped Smith. "Quick! You must manage
|
|
to make an injection!"
|
|
|
|
I extricated myself and raced into the cottage for my bag.
|
|
A hypodermic syringe ready charged I had brought with me
|
|
at Smith's request. Even in that thrilling moment I could
|
|
find time to admire the wonderful foresight of my friend,
|
|
who had divined what would befall--isolated the strange,
|
|
pitiful truth from the chaotic circumstances which saw us
|
|
at Maple Cottage that night.
|
|
|
|
Let me not enlarge upon the end of the awful struggle.
|
|
At one time I despaired (we all despaired) of quieting the poor,
|
|
demented creature. But at last it was done; and the gaunt,
|
|
blood-stained savage whom we had known as Detective-Inspector
|
|
Weymouth lay passive upon the couch in his own sitting-room. A
|
|
great wonder possessed my mind for the genius of the uncanny
|
|
being who with the scratch of a needle had made a brave
|
|
and kindly man into this unclean, brutish thing.
|
|
|
|
Nayland Smith, gaunt and wild-eyed, and trembling yet with his
|
|
tremendous exertions, turned to the man whom I knew to be
|
|
the messenger from Scotland Yard.
|
|
|
|
"Well?" he rapped.
|
|
|
|
"He is arrested, sir," the detective reported. "They have kept
|
|
him at his chambers as you ordered."
|
|
|
|
"Has she slept through it?" said Smith to me.
|
|
(I had just returned from a visit to the room above.) I nodded.
|
|
|
|
"Is HE safe for an hour or two?"--indicating the figure on the couch.
|
|
"For eight or ten," I replied grimly.
|
|
|
|
"Come, then. Our night's labors are not nearly complete."
|
|
|
|
|
|
|
|
CHAPTER XXX
|
|
|
|
|
|
LATER was forthcoming evidence to show that poor Weymouth had lived
|
|
a wild life, in hiding among the thick bushes of the tract of land
|
|
which lay between the village and the suburb on the neighboring hill.
|
|
Literally, he had returned to primitive savagery and some of his food
|
|
had been that of the lower animals, though he had not scrupled to steal,
|
|
as we learned when his lair was discovered.
|
|
|
|
He had hidden himself cunningly; but witnesses appeared who had seen him,
|
|
in the dusk, and fled from him. They never learned that the object
|
|
of their fear was Inspector John Weymouth. How, having escaped death
|
|
in the Thames, he had crossed London unobserved, we never knew;
|
|
but his trick of knocking upon his own door at half-past two each morning
|
|
(a sort of dawning of sanity mysteriously linked with old custom)
|
|
will be a familiar class of symptom to all students of alienation.
|
|
|
|
I revert to the night when Smith solved the mystery of the knocking.
|
|
|
|
In a car which he had in waiting at the end of the village we sped
|
|
through the deserted streets to New Inn Court. I, who had followed
|
|
Nayland Smith through the failures and successes of his mission,
|
|
knew that to-night he had surpassed himself; had justified the confidence
|
|
placed in him by the highest authorities.
|
|
|
|
We were admitted to an untidy room--that of a student,
|
|
a traveler and a crank--by a plain-clothes officer.
|
|
Amid picturesque and disordered fragments of a hundred ages,
|
|
in a great carven chair placed before a towering statue
|
|
of the Buddha, sat a hand-cuffed man. His white hair
|
|
and beard were patriarchal; his pose had great dignity.
|
|
But his expression was entirely masked by the smoked glasses
|
|
which he wore.
|
|
|
|
Two other detectives were guarding the prisoner.
|
|
|
|
"We arrested Professor Jenner Monde as he came in, sir,"
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reported the man who had opened the door. "He has made no statement.
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I hope there isn't a mistake."
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"I hope not," rapped Smith.
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He strode across the room. He was consumed by a fever of excitement.
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Almost savagely, he tore away the beard, tore off the snowy wig dashed
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the smoked glasses upon the floor.
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A great, high brow was revealed, and green, malignant eyes, which fixed
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themselves upon him with an expression I never can forget.
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IT WAS DR. FU-MANCHU!
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One intense moment of silence ensued--of silence which seemed
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to throb. Then:
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"What have you done with Professor Monde?" demanded Smith.
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Dr. Fu-Manchu showed his even, yellow teeth in the singularly evil
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smile which I knew so well. A manacled prisoner he sat as unruffled
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as a judge upon the bench. In truth and in justice I am compelled
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to say that Fu-Manchu was absolutely fearless.
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"He has been detained in China," he replied, in smooth,
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sibilant tones--"by affairs of great urgency. His well-known
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personality and ungregarious habits have served me well, here!"
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Smith, I could see, was undetermined how to act; he stood tugging at his ear
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and glancing from the impassive Chinaman to the wondering detectives.
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"What are we to do, sir?" one of them asked.
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"Leave Dr. Petrie and myself alone with the prisoner, until I call you."
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The three withdrew. I divined now what was coming.
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"Can you restore Weymouth's sanity?" rapped Smith abruptly.
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"I cannot save you from the hangman, nor"--his fists clenched
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convulsively--"would I if I could; but--"
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Fu-Manchu fixed his brilliant eyes upon him.
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"Say no more, Mr. Smith," he interrupted; "you misunderstand me.
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I do not quarrel with that, but what I have done from conviction
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and what I have done of necessity are separated--are seas apart.
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The brave Inspector Weymouth I wounded with a poisoned needle,
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in self-defense; but I regret his condition as greatly as you do.
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I respect such a man. There is an antidote to the poison
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of the needle."
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"Name it," said Smith.
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Fu-Manchu smiled again.
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"Useless," he replied. "I alone can prepare it. My secrets
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shall die with me. I will make a sane man of Inspector Weymouth,
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but no one else shall be in the house but he and I."
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"It will be surrounded by police," interrupted Smith grimly.
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"As you please," said Fu-Manchu. "Make your arrangements.
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In that ebony case upon the table are the instruments for the cure.
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Arrange for me to visit him where and when you will--"
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"I distrust you utterly. It is some trick," jerked Smith.
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Dr. Fu-Manchu rose slowly and drew himself up to his great height.
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His manacled hands could not rob him of the uncanny dignity which was his.
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He raised them above his head with a tragic gesture and fixed his piercing
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gaze upon Nayland Smith.
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"The God of Cathay bear me," he said, with a deep, guttural note
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in his voice--"I swear--"
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The most awful visitor who ever threatened the peace of England, the end
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of the visit of Fu-Manchu was characteristic--terrible--inexplicable.
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Strange to relate, I did not doubt that this weird
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being had conceived some kind of admiration or respect
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for the man to whom he had wrought so terrible an injury.
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He was capable of such sentiments, for he entertained some
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similar one in regard to myself.
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A cottage farther down the village street than Weymouth's was vacant, and in
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the early dawn of that morning became the scene of outre happenings.
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Poor Weymouth, still in a comatose condition, we removed there (Smith having
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secured the key from the astonished agent). I suppose so strange a specialist
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never visited a patient before--certainly not under such conditions.
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For into the cottage, which had been entirely surrounded by a ring
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of police, Dr. Fu-Manchu was admitted from the closed car in which,
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his work of healing complete, he was to be borne to prison--to death!
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Law and justice were suspended by my royally empowered friend that the enemy
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of the white race might heal one of those who had hunted him down!
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No curious audience was present, for sunrise was not yet come;
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no concourse of excited students followed the hand of the Master;
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but within that surrounded cottage was performed one of those
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miracles of science which in other circumstances had made the fame
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of Dr. Fu-Manchu to live forever.
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Inspector Weymouth, dazed, disheveled, clutching his head
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as a man who has passed through the Valley of the Shadow--
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but sane--sane!--walked out into the porch!
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He looked towards us--his eyes wild, but not with the fearsome
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wildness of insanity.
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"Mr. Smith!" he cried--and staggered down the path--"Dr. Petrie! What--"
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There came a deafening explosion. From EVERY visible window
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of the deserted cottage flames burst forth!
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"QUICK!" Smith's voice rose almost to a scream--"into the house!"
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He raced up the path, past Inspector Weymouth, who stood
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swaying there like a drunken man. I was close upon his heels.
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Behind me came the police.
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The door was impassable! Already, it vomited a deathly heat,
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borne upon stifling fumes like those of the mouth of the Pit.
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We burst a window. The room within was a furnace!
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"My God!" cried someone. "This is supernatural!"
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"Listen!" cried another. "Listen!"
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The crowd which a fire can conjure up at any hour of day
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or night, out of the void of nowhere, was gathering already.
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But upon all descended a pall of silence.
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From the heat of the holocaust a voice proclaimed itself--a voice raised,
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not in anguish but in TRIUMPH! It chanted barbarically--and was still.
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The abnormal flames rose higher--leaping forth from every window.
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"The alarm!" said Smith hoarsely. "Call up the brigade!"
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I come to the close of my chronicle, and feel that I betray a trust--
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the trust of my reader. For having limned in the colors at my
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command the fiendish Chinese doctor, I am unable to conclude my task
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as I should desire, unable, with any consciousness of finality,
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to write Finis to the end of my narrative.
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It seems to me sometimes that my pen is but temporarily idle--that I
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have but dealt with a single phase of a movement having a hundred phases.
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One sequel I hope for, and against all the promptings of logic and
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Western bias. If my hope shall be realized I cannot, at this time,
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pretend to state.
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The future, 'mid its many secrets, holds this precious one from me.
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I ask you then, to absolve me from the charge of ill completing my work;
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for any curiosity with which this narrative may leave the reader burdened
|
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is shared by the writer.
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With intent, I have rushed you from the chambers of Professor
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Jenner Monde to that closing episode at the deserted cottage;
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I have made the pace hot in order to impart to these last
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pages of my account something of the breathless scurry which
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characterized those happenings.
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My canvas may seem sketchy: it is my impression of the reality.
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No hard details remain in my mind of the dealings of that night.
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Fu-Manchu arrested--Fu-Manchu, manacled, entering the cottage on his
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mission of healing; Weymouth, miraculously rendered sane, coming forth;
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the place in flames.
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And then?
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To a shell the cottage burned, with an incredible rapidity
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which pointed to some hidden agency; to a shell about ashes
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which held NO TRACE OF HUMAN BONES!
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It has been asked of me: Was there no possibility of
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Fu-Manchu's having eluded us in the ensuing confusion?
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Was there no loophole of escape?
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I reply, that so far as I was able to judge, a rat could scarce
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have quitted the building undetected. Yet that Fu-Manchu had,
|
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in some incomprehensible manner and by some mysterious agency,
|
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produced those abnormal flames, I cannot doubt.
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Did he voluntarily ignite his own funeral pyre?
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As I write, there lies before me a soiled and creased sheet of vellum.
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It bears some lines traced in a cramped, peculiar, and all but
|
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illegible hand. This fragment was found by Inspector Weymouth
|
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(to this day a man mentally sound) in a pocket of his ragged garments.
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When it was written I leave you to judge. How it came to be where Weymouth
|
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found it calls for no explanation:
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"To Mr. Commissioner NAYLAND SMITH and Dr. PETRIE--
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"Greeting! I am recalled home by One who may not be denied.
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In much that I came to do I have failed. Much that I
|
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have done I would undo; some little I have undone.
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Out of fire I came--the smoldering fire of a thing one day
|
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to be a consuming flame; in fire I go. Seek not my ashes.
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I am the lord of the fires! Farewell.
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"FU-MANCHU."
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Who has been with me in my several meetings with the man
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who penned that message I leave to adjudge if it be the letter
|
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of a madman bent upon self-destruction by strange means,
|
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or the gibe of a preternaturally clever scientist and the most
|
|
elusive being ever born of the land of mystery--China.
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For the present, I can aid you no more in the forming of your verdict.
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A day may come though I pray it do not--when I shall be able to throw
|
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new light upon much that is dark in this matter. That day, so far as I
|
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can judge, could only dawn in the event of the Chinaman's survival;
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therefore I pray that the veil be never lifted.
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But, as I have said, there is another sequel to this story
|
|
which I can contemplate with a different countenance.
|
|
How, then, shall I conclude this very unsatisfactory account?
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Shall I tell you, finally, of my parting with lovely, dark-eyed Karamaneh,
|
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on board the liner which was to bear her to Egypt?
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No, let me, instead, conclude with the words of Nayland Smith:
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"_I_ sail for Burma in a fortnight, Petrie. I have leave to break my
|
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journey at the Ditch. How would a run up the Nile fit your programme?
|
|
Bit early for the season, but you might find something to amuse you!
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End of The Project Gutenberg Etext of The Insidious Dr. Fu Manchu
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