15670 lines
859 KiB
Plaintext
15670 lines
859 KiB
Plaintext
:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
|
||
: Earth's Dreamlands : Info on: RPG's, :(313)558-5024 : area code :
|
||
:RPGNet World HQ & Archive: Drugs, Industrial :(313)558-5517 : changes to :
|
||
: 1000's of text files : music, Fiction, :InterNet : (810) after :
|
||
: No Elite / No porn : HomeBrew Beer. :rpgnet@aol.com: Dec 1,1993 :
|
||
:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:.:
|
||
|
||
|
||
This text was digitized (typed by hand) by
|
||
|
||
Ted & Florence Daniel
|
||
New Wave Publishers
|
||
2103 N. Liberty Street
|
||
Portland OR 97217-4971
|
||
BBS: (503) 286-5577
|
||
|
||
This text is in the public domain.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
DRACULA
|
||
|
||
|
||
c 1897
|
||
|
||
|
||
by
|
||
|
||
|
||
Bram Stoker
|
||
|
||
|
||
|
||
CHAPTER 1
|
||
|
||
Jonathan Harker's Journal
|
||
|
||
|
||
|
||
3 May. Bistritz.__Left Munich at 8:35 P.M, on 1st May,
|
||
arriving at Vienna early next morning; should have arrived
|
||
at 6:46, but train was an hour late. Buda-Pesth seems a won-
|
||
derful place, from the glimpse which I got of it from the
|
||
train and the little I could walk through the streets. I
|
||
feared to go very far from the station, as we had arrived
|
||
late and would start as near the correct time as possible.
|
||
The impression I had was that we were leaving the West
|
||
and entering the East; the most western of splendid bridges
|
||
over the Danube, which is here of noble width and depth,
|
||
took us among the traditions of Turkish rule.
|
||
We left in pretty good time, and came after nightfall
|
||
to Klausenburgh. Here I stopped for the night at the Hotel
|
||
Royale. I had for dinner, or rather supper, a chicken done
|
||
up some way with red pepper, which was very good but thirsty.
|
||
(Mem. get recipe for Mina.) I asked the waiter, and he said
|
||
it was called "paprika hendl," and that, as it was a nation-
|
||
al dish, I should be able to get it anywhere along the Car-
|
||
pathians.
|
||
I found my smattering of German very useful here,in-
|
||
deed, I don't know how I should be able to get on without
|
||
it.
|
||
Having had some time at my disposal when in London, I
|
||
had visited the British Museum, and made search among the
|
||
books and maps in the library regarding Transylvania; it
|
||
had struck me that some foreknowledge of the country could
|
||
hardly fail to have some importance in dealing with a
|
||
nobleman of that country.
|
||
|
||
I find that the district he named is in the extreme
|
||
east of the country, just on the borders of three states,
|
||
Transylvania, Moldavia, and Bukovina, in the midst of the
|
||
Carpathian mountains; one of the wildest and least known
|
||
portions of Europe.
|
||
I was not able to light on any map or work giving the
|
||
exact locality of the Castle Dracula, as there are no maps
|
||
of this country as yet to compare with our own Ordance
|
||
Survey Maps; but I found that Bistritz, the post town named
|
||
by Count Dracula, is a fairly well-known place. I shall
|
||
enter here some of my notes, as they may refresh my memory
|
||
when I talk over my travels with Mina.
|
||
In the population of Transylvania there are four dis-
|
||
tinct nationalities: Saxons in the South, and mixed with
|
||
them the Wallachs, who are the descendants of the Dacians;
|
||
Magyars in the West, and Szekelys in the East and North. I
|
||
am going among the latter, who claim to be descended from
|
||
Attila and the Huns. This may be so, for when the Magyars
|
||
conquered the country in the eleventh century they found
|
||
the Huns settled in it.
|
||
I read that every known superstition in the world is
|
||
gathered into the horseshoe of the Carpathians, as if it
|
||
were the centre of some sort of imaginative whirlpool; if
|
||
so my stay may be very interesting. (Mem., I must ask the
|
||
Count all about them.)
|
||
I did not sleep well, though my bed was comfortable
|
||
enough, for I had all sorts of queer dreams. There was
|
||
a dog howling all night under my window, which may have
|
||
had something to do with it; or it may have been the
|
||
paprika, for I had to drink up all the water in my car-
|
||
afe, and was still thirsty. Towards morning I slept
|
||
and was wakened by the continuous knocking at my door,
|
||
so I guess I must have been sleeping soundly then.
|
||
I had for breakfast more paprika, and a sort of
|
||
porridge of maize flour which they said was "mamaliga",
|
||
and egg-plant stuffed with forcemeat, a very excellent
|
||
dish, which they call "impletata". (Mem.,get recipe for this
|
||
also.)
|
||
I had to hurry breakfast, for the train started a
|
||
little before eight, or rather it ought to have done so,
|
||
for after rushing to the station at 7:30 I had to sit in
|
||
the carriage for more than an hour before we began to move.
|
||
It seems to me that the further east you go the more
|
||
unpunctual are the trains. What ought they to be in China?
|
||
All day long we seemed to dawdle through a country
|
||
which was full of beauty of every kind. Sometimes we saw
|
||
little towns or castles on the top of steep hills such as we
|
||
see in old missals; sometimes we ran by rivers and streams
|
||
which seemed from the wide stony margin on each side of them
|
||
to be subject ot great floods. It takes a lot of water, and
|
||
running strong, to sweep the outside edge of a river clear.
|
||
At every station there were groups of people, sometimes
|
||
crowds, and in all sorts of attire. Some of them were just
|
||
like the peasants at home or those I saw coming through
|
||
France and Germany, with short jackets, and round hats, and
|
||
home-made trousers; but others were very picturesque.
|
||
The women looked pretty, except when you got near them,
|
||
but they were very clumsy about the waist. They had all
|
||
full white sleeves of some kind or other, and most of them
|
||
had big belts with a lot of strips of something fluttering
|
||
from them like the dresses in a ballet, but of course there
|
||
were petticoats under them.
|
||
The strangest figures we saw were the Slovaks, who
|
||
were more barbarian than the rest, with their big cow-boy
|
||
hats, great baggy dirty-white trousers, white linen shirts,
|
||
and enormous heavy leather belts, nearly a foot wide, all
|
||
studded over with brass nails. They wore high boots, with
|
||
their trousers tucked into them, and had long black hair
|
||
and heavy black moustaches. They are very picturesque,
|
||
but do not look prepossessing. On the stage they would
|
||
be set down at once as some old Oriental band of brigands.
|
||
They are, however, I am told, very harmless and rather
|
||
wanting in natural self-assertion.
|
||
It was on the dark side of twilight when we got to
|
||
Bistritz, which is a very interesting old place. Being
|
||
practically on the frontier--for the Borgo Pass leads from
|
||
it into Bukovina--it has had a very stormy existence, and
|
||
it certainly shows marks of it. Fifty years ago a series
|
||
of great fires took place, which made terrible havoc on
|
||
five separate occasions. At the very beginning of the
|
||
seventeenth century it underwent a siege of three weeks
|
||
and lost 13,000 people, the casualties of war proper be-
|
||
ing assisted by famine and disease.
|
||
Count Dracula had directed me to go to the Golden
|
||
Krone Hotel, which I found, to my great delight, to be
|
||
thoroughly old-fashioned, for of course I wanted to see all
|
||
I could of the ways of the country.
|
||
I was evidently expected, for when I got near the
|
||
door I faced a cheery-looking elderly woman in the usual
|
||
peasant dress--white undergarment with a long double apron,
|
||
front, and back, of coloured stuff fitting almost too tight
|
||
for modesty. When I came close she bowed and said, "The
|
||
Herr Englishman?"
|
||
"Yes," I said, "Jonathan Harker."
|
||
She smiled, and gave some message to an elderly man in
|
||
white shirt-sleeves, who had followed her to the door.
|
||
He went, but immediately returned with a letter:
|
||
|
||
"My friend.--Welcome to the Carpathians. I am anxious-
|
||
ly expecting you. Sleep well tonight. At three tomorrow
|
||
the diligence will start for Bukovina; a place on it is kept
|
||
for you. At the Borgo Pass my carriage will await you and
|
||
will bring you to me. I trust that your journey from London
|
||
has been a happy one, and that you will enjoy your stay in
|
||
my beautiful land.--Your friend, Dracula."
|
||
|
||
4 May--I found that my landlord had got a letter from
|
||
the Count, directing him to secure the best place on the
|
||
coach for me; but on making inquiries as to details he seem-
|
||
ed somewhat reticent, and pretended that he could not under-
|
||
stand my German.
|
||
This could not be true,because up to then he had under-
|
||
stood it perfectly; at least, he answered my questions
|
||
exactly as if he did.
|
||
He and his wife, the old lady who had received me,look-
|
||
ed at each other in a frightened sort of way. He mumbled out
|
||
that the money had been sent in a letter,and that was all he
|
||
knew. When I asked him if he knew Count Dracula, and could
|
||
tell me anything of his castle, both he and his wife crossed
|
||
themselves, and, saying that they knew nothing at all,simply
|
||
refused to speak further. It was so near the time of start-
|
||
ing that I had no time to ask anyone else, for it was all
|
||
very mysterious and not by any means comforting.
|
||
Just before I was leaving, the old lady came up to my
|
||
room and said in a hysterical way: "Must you go? Oh! Young
|
||
Herr, must you go?" She was in such an excited state that
|
||
she seemed to have lost her grip of what German she knew,
|
||
and mixed it all up with some other language which I did
|
||
not know at all. I was just able to follow her by asking
|
||
many questions. When I told her that I must go at once, and
|
||
that I was engaged on important business, she asked again:
|
||
"Do you know what day it is?" I answered that it was
|
||
the fourth of May. She shook her head as she said again:
|
||
"Oh, yes! I know that! I know that, but do you know
|
||
what day it is?"
|
||
On my saying that I did not understand, she went on:
|
||
"It is the eve of St. George's Day. Do you not know
|
||
that to-night, when the clock strikes midnight, all the
|
||
evil things in the world will have full sway? Do you know
|
||
where you are going, and what you are going to?" She was
|
||
in such evident distress that I tried to comfort her, but
|
||
without effect. Finally, she went down on her knees and
|
||
implored me not to go; at least to wait a day or two be-
|
||
fore starting.
|
||
It was all very ridiculous but I did not feel com-
|
||
fortable. However, there was business to be done, and I
|
||
could allow nothing to interfere with it.
|
||
I tried to raise her up, and said, as gravely as I
|
||
could, that I thanked her, but my duty was imperative, and
|
||
that I must go.
|
||
She then rose and dried her eyes, and taking a cruci-
|
||
fix from her neck offered it to me.
|
||
I did not know what to do, for, as an English Church-
|
||
man, I have been taught to regard such things as in some
|
||
measure idolatrous, and yet it seemed so ungracious to re-
|
||
fuse an old lady meaning so well and in such a state of
|
||
mind.
|
||
She saw, I suppose, the doubt in my face, for she put
|
||
the rosary round my neck and said, "For your mother's sake,"
|
||
and went out of the room.
|
||
I am writing up this part of the diary whilst I am
|
||
waiting for the coach, which is, of course, late; and the
|
||
crucifix is still round my neck.
|
||
Whether it is the old lady's fear, or the many ghostly
|
||
traditions of this place, or the crucifix itself, I do not
|
||
know, but I am not feeling nearly as easy in my mind as
|
||
usual.
|
||
If this book should ever reach Mina before I do, let
|
||
it bring my good-bye. Here comes the coach!
|
||
|
||
5 May. The Castle.--The gray of the morning has passed,
|
||
and the sun is high over the distant horizon, which seems
|
||
jagged, whether with trees or hills I know not, for it is
|
||
so far off that big things and little are mixed.
|
||
I am not sleepy, and, as I am not to be called till I
|
||
awake, naturally I write till sleep comes.
|
||
There are many odd things to put down, and, lest who
|
||
reads them may fancy that I dined too well before I left
|
||
Bistritz, let me put down my dinner exactly.
|
||
I dined on what they called "robber steak"--bits of
|
||
bacon, onion, and beef, seasoned with red pepper, and
|
||
strung on sticks, and roasted over the fire, in simple style
|
||
of the London cat's meat!
|
||
The wine was Golden Mediasch, which produces a queer
|
||
sting on the tongue, which is, however, not disagreeable.
|
||
I had only a couple of glasses of this, and nothing
|
||
else.
|
||
When I got on the coach, the driver had not taken his
|
||
seat, and I saw him talking to the landlady.
|
||
They were evidently talking of me, for every now and
|
||
then they looked at me, and some of the people who were
|
||
sitting on the bench outside the door--came and listened,
|
||
and then looked at me, most of them pityingly. I could hear
|
||
a lot of words often repeated, queer words, for there were
|
||
many nationalities in the crowd,so I quietly got my polyglot
|
||
dictionary from my bag and looked them out.
|
||
I must say they were not cheering to me, for amongst
|
||
them were "Ordog"--Satan, "Pokol"--hell, "stregoica"--witch,
|
||
"vrolok" and "vlkoslak"--both mean the same thing, one being
|
||
Slovak and the other Servian for something that is either
|
||
werewolf or vampire. (Mem.,I must ask the Count about these
|
||
superstitions.)
|
||
When we started, the crowd round the inn door, which
|
||
had by this time swelled to a considerable size, all made
|
||
the sign of the cross and pointed two fingers towards me.
|
||
With some difficulty, I got a fellow passenger to tell
|
||
me what they meant. He would not answer at first, but on
|
||
learning that I was English, he explained that it was a
|
||
charm or guard against the evil eye.
|
||
This was not very pleasant for me, just starting for an
|
||
unknown place to meet an unknown man. But everyone seemed
|
||
so kind-hearted, and so sorrowful, and so sympathetic that I
|
||
could not but be touched.
|
||
I shall never forget the last glimpse which I had of
|
||
the inn yard and its crowd of picturesque figures,all cross-
|
||
ing themselves, as they stood round the wide archway, with
|
||
its background of rich foliage of oleander and orange trees
|
||
in green tubs clustered in the centre of the yard.
|
||
Then our driver, whose wide linen drawers covered the
|
||
whole front of the boxseat,--"gotza" they call them--cracked
|
||
his big whip over his four small horses, which ran abreast,
|
||
and we set off on our journey.
|
||
I soon lost sight and recollection of ghostly fears in
|
||
the beauty of the scene as we drove along, although had I
|
||
known the language, or rather languages, which my fellow-
|
||
passengers were speaking, I might not have been able to
|
||
throw them off so easily. Before us lay a green sloping
|
||
land full of forests and woods, with here and there steep
|
||
hills, crowned with clumps of trees or with farmhouses, the
|
||
blank gable end to the road. There was everywhere a bewild-
|
||
ering mass of fruit blossom--apple, plum, pear, cherry. And
|
||
as we drove by I could see the green grass under the trees
|
||
spangled with the fallen petals. In and out amongst these
|
||
green hills of what they call here the "Mittel Land" ran the
|
||
road, losing itself as it swept round the grassy curve, or
|
||
was shut out by the straggling ends of pine woods, which
|
||
here and there ran down the hillsides like tongues of flame.
|
||
The road was rugged, but still we seemed to fly over it with
|
||
a feverish haste. I could not understand then what the haste
|
||
meant, but the driver was evidently bent on losing no time
|
||
in reaching Borgo Prund. I was told that this road is in
|
||
summertime excellent, but that it had not yet been put in
|
||
order after the winter snows. In this respect it is differ-
|
||
ent from the general run of roads in the Carpathians, for it
|
||
is an old tradition that they are not to be kept in too good
|
||
order. Of old the Hospadars would not repair them, lest the
|
||
Turk should think that they were preparing to bring in for-
|
||
eign troops, and so hasten the war which was always really
|
||
at loading point.
|
||
Beyond the green swelling hills of the Mittel Land rose
|
||
mighty slopes of forest up to the lofty steeps of the Car-
|
||
pathians themselves. Right and left of us they towered, with
|
||
the afternoon sun falling full upon them and bringing out
|
||
all the glorious colours of this beautiful range, deep blue
|
||
and purple in the shadows of the peaks,green and brown where
|
||
grass and rock mingled, and an endless perspective of jagged
|
||
rock and pointed crags, till these were themselves lost in
|
||
the distance, where the snowy peaks rose grandly. Here and
|
||
there seemed mighty rifts in the mountains, through which,
|
||
as the sun began to sink, we saw now and again the white
|
||
gleam of falling water. One of my companions touched my arm
|
||
as we swept round the base of a hill and opened up the lofty,
|
||
snow-covered peak of a mountain,which seemed, as we wound on
|
||
our serpentine way, to be right before us.
|
||
"Look! Isten szek!"--"God's seat!"--and he crossed him-
|
||
self reverently.
|
||
As we wound on our endless way, and the sun sank lower
|
||
and lower behind us, the shadows of the evening began to
|
||
creep round us. This was emphasized by the fact that the
|
||
snowy mountain-top still held the sunset, and seemed to glow
|
||
out with a delicate cool pink. Here and there we passed
|
||
Cszeks and slovaks, all in picturesque attire, but I noticed
|
||
that goitre was painfully prevalent. By the roadside were
|
||
many crosses, and as we swept by, my companions all crossed
|
||
themselves. Here and there was a peasant man or woman kneel-
|
||
ing before a shrine, who did not even turn round as we
|
||
approached, but seemed in the self-surrender of devotion to
|
||
have neither eyes nor ears for the outer world. There were
|
||
many things new to me. For instance, hay-ricks in the trees,
|
||
and here and there very beautiful masses of weeping birch,
|
||
their white stems shining like silver through the delicate
|
||
green of the leaves.
|
||
Now and again we passed a leiter-wagon--the ordinary
|
||
peasants's cart--with its long, snakelike vertebra, calcu-
|
||
lated to suit the inequalities of the road. On this were
|
||
sure to be seated quite a group of homecoming peasants, the
|
||
Cszeks with their white, and the Slovaks with their coloured
|
||
sheepskins, the latter carrying lance-fashion their long
|
||
staves, with axe at end. As the evening fell it began to get
|
||
very cold, and the growing twilight seemed to merge into one
|
||
dark mistiness the gloom of the trees, oak, beech, and pine,
|
||
though in the valleys which ran deep between the spurs of
|
||
the hills, as we ascended through the Pass, the dark firs
|
||
stood out here and there against the background of late-
|
||
lying snow. Sometimes, as the road was cut through the pine
|
||
woods that seemed in the darkness to be closing down upon
|
||
us, great masses of greyness which here and there bestrewed
|
||
the trees, produced a peculiarly weird and solemn effect,
|
||
which carried on the thoughts and grim fancies engendered
|
||
earlier in the evening, when the falling sunset threw into
|
||
strange relief the ghost-like clouds which amongst the
|
||
Carpathians seem to wind ceaselessly through the valleys.
|
||
Sometimes the hills were so steep that, despite our driver's
|
||
haste, the horses could only go slowly. I wished to get down
|
||
and walk up them, as we do at home, but the driver would not
|
||
hear of it. "No, no," he said. "You must not walk here. The
|
||
dogs are too fierce." And then he added, with what he evi-
|
||
dently meant for grim pleasantry--for he looked round to
|
||
catch the approving smile of the rest--"And you may have
|
||
enough of such matters before you go to sleep." The only
|
||
stop he would make was a moment's pause to light his lamps.
|
||
When it grew dark there seemed to be some excitement
|
||
amongst the passengers, and they kept speaking to him, one
|
||
after the other, as though urging him to further speed. He
|
||
lashed the horses unmercifully with his long whip, and with
|
||
wild cries of encouragement urged them on to further
|
||
exertions. Then through the darkness I could see a sort of
|
||
patch of grey light ahead of us,as though there were a cleft
|
||
in the hills. The excitement of the passengers grew greater.
|
||
The crazy coach rocked on its great leather springs, and
|
||
swayed like a boat tossed on a stormy sea. I had to hold on.
|
||
The road grew more level, and we appeared to fly along. Then
|
||
the mountains seemed to come nearer to us on each side and
|
||
to frown down upon us. We were entering on the Borgo Pass.
|
||
One by one several of the passengers offered me gifts, which
|
||
they pressed upon me with an earnestness which would take no
|
||
denial. These were certainly of an odd and varied kind, but
|
||
each was given in simple good faith, with a kindly word, and
|
||
a blessing, and that same strange mixture of fear-meaning
|
||
movements which I had seen outside the hotel at Bistritz--
|
||
the sign of the cross and the guard against the evil eye.
|
||
Then, as we flew along, the driver leaned forward, and on
|
||
each side the passengers, craning over the edge of the coach,
|
||
peered eagerly into the darkness. It was evident that some-
|
||
thing very exciting was either happening or expected, but
|
||
though I asked each passenger, no one would give me the
|
||
slightest explanation. This state of excitement kept on for
|
||
some little time. And at last we saw before us the Pass
|
||
opening out on the eastern side. There were dark, rolling
|
||
clouds overhead, and in the air the heavy, oppressive sense
|
||
of thunder. It seemed as though the mountain range had sepa-
|
||
rated two atmospheres, and that now we had got into the
|
||
thunderous one. I was now myself looking out for the convey-
|
||
ance which was to take me to the Count. Each moment I
|
||
expected to see the glare of lamps through the blackness,but
|
||
all was dark. The only light was the flickering rays of our
|
||
own lamps, in which the steam from our hard-driven horses
|
||
rose in a white cloud. We could see now the sandy road lying
|
||
white before us, but there was on it no sign of a vehicle.
|
||
The passengers drew back with a sigh of gladness, which
|
||
seemed to mock my own disappointment. I was already thinking
|
||
what I had best do, when the driver, looking at his watch,
|
||
said to the others something which I could hardly hear, it
|
||
was spoken so quietly and in so low a tone, I thought it was
|
||
"An hour less than the time." Then turning to me, he spoke
|
||
in German worse than my own.
|
||
"There is no carriage here. The Herr is not expected
|
||
after all. He will now come on to Bukovina, and return tomor-
|
||
row or the next day, better the next day." Whilst he was
|
||
speaking the horses began to neigh and snort and plunge
|
||
wildly, so that the driver had to hold them up.Then, amongst
|
||
a chorus of screams from the peasants and a universal cross-
|
||
ing of themselves, a caleche, with four horses, drove up be-
|
||
hind us, overtook us, and drew up beside the coach. I could
|
||
see from the flash of our lamps as the rays fell on them,
|
||
that the horses were coal-black and splendid animals. They
|
||
were driven by a tall man, with a long brown beard and a
|
||
great black hat, which seemed to hide his face from us. I
|
||
could only see the gleam of a pair of very bright eyes,which
|
||
seemed red in the lamplight, as he turned to us.
|
||
He said to the driver, "You are early tonight, my
|
||
friend."
|
||
The man stammered in reply, "The English Herr was in
|
||
a hurry."
|
||
To which the stranger replied, "That is why, I suppose,
|
||
you wished him to go on to Bukovina. You cannot deceive me,
|
||
my friend. I know too much, and my horses are swift."
|
||
As he spoke he smiled,and the lamplight fell on a hard-
|
||
looking mouth, with very red lips and sharp-looking teeth,
|
||
as white as ivory. One of my companions whispered to another
|
||
the line from Burger's "Lenore".
|
||
|
||
"Denn die Todten reiten Schnell."
|
||
("For the dead travel fast.")
|
||
|
||
The strange driver evidently heard the words, for he
|
||
looked up with a gleaming smile. The passenger turned his
|
||
face away, at the same time putting out his two fingers and
|
||
crossing himself. "Give me the Herr's luggage," said the
|
||
driver, and with exceeding alacrity my bags were handed out
|
||
and put in the caleche. Then I descended from the side of
|
||
the coach, as the caleche was close alongside, the driver
|
||
helping me with a hand which caught my arm in a grip of
|
||
steel. His strength must have been prodigious.
|
||
Without a word he shook his reins, the horses turned,
|
||
and we swept into the darkness of the pass. As I looked back
|
||
I saw the steam from the horses of the coach by the light
|
||
of the lamps,and projected against it the figures of my late
|
||
companions crossing themselves. Then the driver cracked his
|
||
whip and called to his horses, and off they swept on their
|
||
way to Bukovina. As they sank into the darkness I felt a
|
||
strange chill, and a lonely feeling come over me. But a
|
||
cloak was thrown over my shoulders, and a rug across my
|
||
knees, and the driver said in excellent German--
|
||
"The night is chill, mein Herr, and my master the Count
|
||
bade me take all care of you. There is a flask of slivovitz
|
||
(the plum brandy of the country) underneath the seat, if you
|
||
should require it."
|
||
I did not take any, but it was a comfort to know it was
|
||
there all the same. I felt a little strangely, and not a
|
||
little frightened. I think had there been any alternative I
|
||
should have taken it, instead of prosecuting that unknown
|
||
night journey. The carriage went at a hard pace straight
|
||
along, then we made a complete turn and went along another
|
||
straight road. It seemed to me that we were simply going
|
||
over and over the same ground again, and so I took note of
|
||
some salient point, and found that this was so. I would have
|
||
liked to have asked the driver what this all meant, but I
|
||
really feared to do so, for I thought that, placed as I was,
|
||
any protest would have had no effect in case there had been
|
||
an intention to delay.
|
||
By-and-by, however, as I was curious to know how time
|
||
was passing, I struck a match, and by its flame looked at my
|
||
watch. It was within a few minutes of midnight. This gave me
|
||
a sort of shock, for I suppose the general superstition
|
||
about midnight was increased by my recent experiences. I
|
||
waited with a sick feeling of suspense.
|
||
Then a dog began to howl somewhere in a farmhouse far
|
||
down the road, a long, agonized wailing, as if from fear.
|
||
The sound was taken up by another dog, and then another and
|
||
another, till, borne on the wind which now sighed softly
|
||
through the Pass, a wild howling began, which seemed to come
|
||
from all over the country, as far as the imagination could
|
||
grasp it through the gloom of the night.
|
||
At the first howl the horses began to strain and rear,
|
||
but the driver spoke to them soothingly, and they quieted
|
||
down, but shivered and sweated as though after a runaway
|
||
from sudden fright. Then, far off in the distance, from the
|
||
mountains on each side of us began a louder and a sharper
|
||
howling, that of wolves, which affected both the horses and
|
||
myself in the same way. For I was minded to jump from the
|
||
caleche and run, whilst they reared again and plunged madly,
|
||
so that the driver had to use all his great strength to keep
|
||
them from bolting. In a few minutes, however, my own ears
|
||
got accustomed to the sound, and the horses so far became
|
||
quiet that the driver was able to descend and to stand be-
|
||
fore them.
|
||
He petted and soothed them, and whispered something in
|
||
their ears, as I have heard of horse-tamers doing, and with
|
||
extraordinary effect, for under his caresses they became
|
||
quite manageable again, though they still trembled. The
|
||
driver again took his seat, and shaking his reins, started
|
||
off at a great pace. This time, after going to the far side
|
||
or the Pass, he suddenly turned down a narrow roadway which
|
||
ran sharply to the right.
|
||
Soon we were hemmed in with trees, which in places
|
||
arched right over the roadway till we passed as through a
|
||
tunnel. And again great frowning rocks guarded us boldly on
|
||
either side. Though we were in shelter, we could hear the
|
||
rising wind, for it moaned and whistled through the rocks,
|
||
and the branches of the trees crashed together as we swept
|
||
along. It grew colder and colder still, and fine, powdery
|
||
snow began to fall, so that soon we and all around us were
|
||
covered with a white blanket. The keen wind still carried
|
||
the howling of the dogs, though this grew fainter as we went
|
||
on our way. The baying of the wolves sounded nearer and near-
|
||
er, as though they were closing round on us from every side.
|
||
I grew dreadfully afraid, and the horses shared my fear. The
|
||
driver, however, was not in the least disturbed.He kept turn-
|
||
ing his head to left and right, but I could not see anything
|
||
through the darkness.
|
||
Suddenly, away on our left I saw a fain flickering blue
|
||
flame. The driver saw it at the same moment. He at once
|
||
checked the horses, and, jumping to the ground, disappeared
|
||
into the darkness. I did not know what to do, the less as
|
||
the howling of the wolves grew closer. But while I wondered,
|
||
the driver suddenly appeared again, and without a word took
|
||
his seat, and we resumed our journey. I think I must have
|
||
fallen asleep and kept dreaming of the incident, for it
|
||
seemed to be repeated endlessly, and now looking back, it is
|
||
like a sort of awful nightmare. Once the flame appeared so
|
||
near the road, that even in the darkness around us I could
|
||
watch the driver's motions. He went rapidly to where the
|
||
blue flame arose, it must have been very faint, for it did
|
||
not seem to illumine the place around it at all, and gather-
|
||
ing a few stones, formed them into some device.
|
||
Once there appeared a strange optical effect. When he
|
||
stood between me and the flame he did not obstruct it, for I
|
||
could see its ghostly flicker all the same.This startled me,
|
||
but as the effect was only momentary, I took it that my eyes
|
||
deceived me straining through the darkness. Then for a time
|
||
there were no blue flames, and we sped onwards through the
|
||
gloom, with the howling of the wolves around us, as though
|
||
they were following in a moving circle.
|
||
At last there came a time when the driver went further
|
||
afield than he had yet gone, and during his absence, the
|
||
horses began to tremble worse than ever and to snort and
|
||
scream with fright.I could not see any cause for it, for the
|
||
howling of the wolves had ceased altogether. But just then
|
||
the moon, sailing through the black clouds, appeared behind
|
||
the jagged crest of a beetling, pine-clad rock, and by its
|
||
light I saw around us a ring of wolves, with white teeth and
|
||
lolling red tongues, with long, sinewy limbs and shaggy hair.
|
||
They were a hundred times more terrible in the grim silence
|
||
which held them than even when they howled. For myself, I
|
||
felt a sort of paralysis of fear.It is only when a man feels
|
||
himself face to face with such horrors that he can under-
|
||
stand their true import.
|
||
All at once the wolves began to howl as though the moon-
|
||
light had had some peculiar effect on them.The horses jumped
|
||
about and reared, and looked helplessly round with eyes that
|
||
rolled in a way painful to see.But the living ring of terror
|
||
encompassed them on every side, and they had perforce to
|
||
remain within it. I called to the coachman to come, for it
|
||
seemed to me that our only chance was to try to break out
|
||
through the ring and to aid his approach, I shouted and beat
|
||
the side of the caleche, hoping by the noise to scare the
|
||
wolves from the side, so as to give him a chance of reaching
|
||
the trap. How he came there, I know not, but I heard his
|
||
voice raised in a tone of imperious command, and looking
|
||
towards the sound, saw him stand in the roadway. As he swept
|
||
his long arms, as though brushing aside some impalpable
|
||
obstacle, the wolves fell back and back further still. Just
|
||
then a heavy cloud passed across the face of the moon, so
|
||
that we were again in darkness.
|
||
When I could see again the driver was climbing into the
|
||
caleche, and the wolves disappeared. This was all so strange
|
||
and uncanny that a dreadful fear came upon me, and I was
|
||
afraid to speak or move. The time seemed interminable as we
|
||
swept on our way, now in almost complete darkness, for the
|
||
rolling clouds obscured the moon.
|
||
We kept on ascending, with occasional periods of quick
|
||
descent, but in the main always ascending.Suddenly, I became
|
||
conscious of the fact that the driver was in the act of pull-
|
||
ing up the horses in the courtyard of a vast ruined castle,
|
||
from whose tall black windows came no ray of light,and whose
|
||
broken battlements showed a jagged line against the sky.
|
||
|
||
|
||
CHAPTER 2
|
||
|
||
Jonathan Harker's Journal Continued
|
||
|
||
|
||
5 May.--I must have been asleep, for certainly if I had
|
||
been fully awake I must have noticed the approach of such a
|
||
remarkable place. In the gloom the courtyard looked of con-
|
||
siderable size, and as several dark ways led from it under
|
||
great round arches, it perhaps seemed bigger than it really
|
||
is. I have not yet been able to see it by daylight.
|
||
When the caleche stopped, the driver jumped down and
|
||
held out his hand to assist me to alight. Again I could not
|
||
but notice his prodigious strength. His hand actually seemed
|
||
like a steel vice that could have crushed mine if he had
|
||
chosen. Then he took my traps, and placed them on the ground
|
||
beside me as I stood close to a great door, old and studded
|
||
with large iron nails, and set in a projecting doorway of
|
||
massive stone. I could see even in th e dim light that the
|
||
stone was massively carved, but that the carving had been
|
||
much worn by time and weather. As I stood, the driver jump-
|
||
ed again into his seat and shook the reins.The horses start-
|
||
ed forward,and trap and all disappeared down one of the dark
|
||
openings.
|
||
I stood in silence where I was, for I did not know what
|
||
to do. Of bell or knocker there was no sign. Through these
|
||
frowning walls and dark window openings it was not likely
|
||
that my voice could penetrate. The time I waited seemed end-
|
||
less, and I felt doubts and fears crowding upon me. What
|
||
sort of place had I come to, and among what kind of people?
|
||
What sort of grim adventure was it on which I had embarked?
|
||
Was this a customary incident in the life of a solicitor's
|
||
clerk sent out to explain the purchase of a London estate
|
||
to a foreigner? Solicitor's clerk! Mina would not like that.
|
||
Solicitor, for just before leaving London I got word that my
|
||
examination was successful, and I am now a full-blown solic-
|
||
itor! I began to rub my eyes and pinch myself to see if I
|
||
were awake. It all seemed like a horrible nightmare to me,
|
||
and I expected that I should suddenly awake, and find myself
|
||
at home, with the dawn struggling in through the windows, as
|
||
I had now and again felt in the morning after a day of over-
|
||
work. But my flesh answered the pinching test, and my eyes
|
||
were not to be deceived. I was indeed awake and among the
|
||
Carpathians. All I could do now was to be patient, and to
|
||
wait the coming of morning.
|
||
Just as I had come to this conclusion I heard a heavy
|
||
step approaching behind the great door, and saw through the
|
||
chinks the gleam of a coming light. Then there was the
|
||
sound of rattling chains and the clanking of massive bolts
|
||
drawn back. A key was turned with the loud grating noise of
|
||
long disuse, and the great door swung back.
|
||
Within, stood a tall old man, clean shaven save for a
|
||
long white moustache, and clad in black from head to foot,
|
||
without a single speck of colour about him anywhere. He
|
||
held in his hand an antique silver lamp, in which the flame
|
||
burned without a chimney or globe of any kind, throwing long
|
||
quivering shadows as it flickered in the draught of the open
|
||
door. The old man motioned me in with his right hand with a
|
||
courtly gesture, saying in excellent English, but with a
|
||
strange intonation.
|
||
"Welcome to my house! Enter freely and of your own free
|
||
will!" He made no motion of stepping to meet me, but stood
|
||
like a statue,as though his gesture of welcome had fixed him
|
||
into stone.The instant, however, that I had stepped over the
|
||
threshold, he moved impulsively forward, and holding out his
|
||
hand grasped mine with a strength which made me wince, an
|
||
effect which was not lessened by the fact that it seemed
|
||
cold as ice, more like the hand of a dead than a living man.
|
||
Again he said.
|
||
"Welcome to my house! Enter freely.Go safely, and leave
|
||
something of the happiness you bring!" The strength of the
|
||
handshake was so much akin to that which I had noticed in
|
||
the driver, whose face I had not seen, that for a moment I
|
||
doubted if it were not the same person to whom I was speak-
|
||
ing. So to make sure, I said interrogatively, "Count Drac-
|
||
ula?"
|
||
He bowed in a courtly was as he replied, "I am Dracula,
|
||
and I bid you welcome, Mr. Harker, to my house. Come in, the
|
||
night air is chill, and you must need to eat and rest."As he
|
||
was speaking, he put the lamp on a bracket on the wall, and
|
||
stepping out, took my luggage. He had carried it in before I
|
||
could forestall him. I protested, but he insisted.
|
||
"Nay, sir, you are my guest. It is late, and my people
|
||
are not available. Let me see to your comfort myself."He in-
|
||
sisted on carrying my traps along the passage, and then up a
|
||
great winding stair, and along another great passage, on
|
||
whose stone floor our steps rang heavily. At the end of this
|
||
he threw open a heavy door, and I rejoiced to see within a
|
||
well-lit room in which a table was spread for supper, and on
|
||
whose mighty hearth a great fire of logs,freshly replenished,
|
||
flamed and flared.
|
||
The Count halted, putting down my bags, closed the door,
|
||
and crossing the room, opened another door, which led into a
|
||
small octagonal room lit by a single lamp, and seemingly
|
||
without a window of any sort. Passing through this, he open-
|
||
ed another door, and motioned me to enter. It was a welcome
|
||
sight. For here was a great bedroom well lighted and warmed
|
||
with another log fire, also added to but lately, for the top
|
||
logs were fresh, which sent a hollow roar up the wide chim-
|
||
ney. The Count himself left my luggage inside and withdrew,
|
||
saying, before he closed the door.
|
||
"You will need, after your journey, to refresh yourself
|
||
by making your toilet. I trust you will find all you wish.
|
||
When you are ready, come into the other room, where you will
|
||
find your supper prepared."
|
||
The light and warmth and the Count's courteous welcome
|
||
seemed to have dissipated all my doubts and fears. Having
|
||
then reached my normal state, I discovered that I was half
|
||
famished with hunger. So making a hasty toilet, I went into
|
||
the other room.
|
||
I found supper already laid out. My host, who stood on
|
||
one side of the great fireplace, leaning against the stone-
|
||
work, made a graceful wave of his hand to the table, and
|
||
said,
|
||
"I pray you, be seated and sup how you please. You will
|
||
I trust, excuse me that I do not join you, but I have dined
|
||
already, and I do not sup."
|
||
I handed to him the sealed letter which Mr. Hawkins had
|
||
entrusted to me. He opened it and read it gravely. Then,
|
||
with a charming smile, he handed it to me to read. One pass-
|
||
age of it, at least, gave me a thrill of pleasure.
|
||
"I must regret that an attack of gout, from which mal-
|
||
ady I am a constant sufferer, forbids absolutely any travel-
|
||
ling on my part for some time to come. But I am happy to say
|
||
I can send a sufficient substitute, one in whom I have every
|
||
possible confidence. He is a young man, full of energy and
|
||
talent in his own way, and of a very faithful disposition.
|
||
He is discreet and silent, and has grown into manhood in my
|
||
service. He shall be ready to attend on you when you will
|
||
during his stay, and shall take your instructions in all
|
||
matters."
|
||
The count himself came forward and took off the cover
|
||
of a dish, and I fell to at once on an excellent roast
|
||
chicken. This, with some cheese and a salad and a bottle of
|
||
old tokay, of which I had two glasses, was my supper.During
|
||
the time I was eating it the Count asked me many question
|
||
as to my journey, and I told him by degrees all I had
|
||
experienced.
|
||
By this time I had finished my supper,and by my host's
|
||
desire had drawn up a chair by the fire and begun to smoke
|
||
a cigar which he offered me, at the same time excusing him-
|
||
self that he did not smoke. I had now an opportunity of
|
||
observing him, and found him of a very marked physiognomy.
|
||
His face was a strong, a very strong, aquiline, with
|
||
high bridge of the thin nose and peculiarly arched nostrils,
|
||
with lofty domed forehead, and hair growing scantily round
|
||
the temples but profusely elsewhere. His eyebrows were very
|
||
massive, almost meeting over the nose, and with bushy hair
|
||
that seemed to curl in its own profusion. The mouth, so
|
||
far as I could see it under the heavy moustache, was fixed
|
||
and rather cruel-looking, with peculiarly sharp white teeth.
|
||
These protruded over the lips, whose remarkable ruddiness
|
||
showed astonishing vitality in a man of his years. For the
|
||
rest, his ears were pale, and at the tops extremely point-
|
||
ed. The chin was broad and strong, and the cheeks firm
|
||
though thin. The general effect was one of extraordinary
|
||
pallor.
|
||
Hitherto I had noticed the backs of his hands as they
|
||
lay on his knees in the firelight, and they had seemed
|
||
rather white and fine. But seeing them now close to me, I
|
||
could not but notice that they were rather coarse, broad,
|
||
with squat fingers. Strange to say, there were hairs in the
|
||
centre of the palm. The nails were long and fine, and cut
|
||
to a sharp point. As the Count leaned over me and his hands
|
||
touched me, I could not repress a shudder. It may have been
|
||
that his breath was rank, but a horrible feeling of nausea
|
||
came over me, which, do what I would, I could not conceal.
|
||
The Count, evidently noticing it, drew back. And with
|
||
a grim sort of smile, which showed more than he had yet
|
||
done his protruberant teeth, sat himself down again on his
|
||
own side of the fireplace. We were both silent for a while,
|
||
and as I looked towards the window I saw the first dim
|
||
streak of the coming dawn. There seemed a strange stillness
|
||
over everything. But as I listened, I heard as if from down
|
||
below in the valley the howling of many wolves. The Count's
|
||
eyes gleamed, and he said.
|
||
"Listen to them, the children of the night. What music
|
||
they make!" Seeing, I suppose, some expression in my face
|
||
strange to him, he added,"Ah, sir, you dwellers in the city
|
||
cannot enter into the feelings of the hunter." Then he rose
|
||
and said.
|
||
"But you must be tired. Your bedroom is all ready, and
|
||
tomorrow you shall sleep as late as you will. I have to be
|
||
away till the afternoon, so sleep well and dream well!"
|
||
With a courteous bow, he opened for me himself the door to
|
||
the octagonal room, and I entered my bedroom.
|
||
I am all in a sea of wonders. I doubt. I fear. I think
|
||
strange things, which I dare not confess to my own soul.
|
||
God keep me, if only for the sake of those dear to me!
|
||
|
||
7 May.--It is again early morning, but I have rested
|
||
and enjoyed the last twenty-four hours. I slept till late
|
||
in the day, and awoke of my own accord. When I had dressed
|
||
myself I went into the room where we had supped, and found
|
||
a cold breakfast laid out, with coffee kept hot by the pot
|
||
being placed on the hearth. There was a card on the table,
|
||
on which was written--
|
||
"I have to be absent for a while. Do not wait for me.
|
||
D." I set to and enjoyed a hearty meal. When I had done,
|
||
I looked for a bell, so that I might let the servants know
|
||
I had finished, but I could not find one. There are cer-
|
||
tainly odd deficiencies in the house, considering the ex-
|
||
traordinary evidences of wealth which are round me. The
|
||
table service is of gold, and so beautifully wrought that
|
||
it must be of immense value. The curtains and upholstery
|
||
of the chairs and sofas and the hangings of my bed are of
|
||
the costliest and most beautiful fabrics, and must have
|
||
been of fabulous value when they were made, for they are
|
||
centuries old, though in excellent order. I saw something
|
||
like them in Hampton Court, but they were worn and frayed
|
||
and moth-eaten. But still in none of the rooms is there a
|
||
mirror. There is not even a toilet glass on my table, and
|
||
I had to get the little shaving glass from my bag before I
|
||
could either shave or brush my hair. I have not yet seen a
|
||
servant anywhere, or heard a sound near the castle except
|
||
the howling of wolves. Some time after I had finished my
|
||
meal, I do not know whether to call it breakfast of dinner,
|
||
for it was between five and six o'clock when I had it, I
|
||
looked about for something to read, for I did not like to
|
||
go about the castle until I had asked the Count's permiss-
|
||
ion. There was absolutely nothing in the room, book, news-
|
||
paper, or even writing materials, so I opened another door
|
||
in the room and found a sort of library. The door opposite
|
||
mine I tried, but found locked.
|
||
In the library I found, to my great delight, a vast
|
||
number of English books, whole shelves full of them, and
|
||
bound volumes of magazines and newspapers. A table in the
|
||
center was littered with English magazines and newspapers,
|
||
though none of them were of very recent date. The books
|
||
were of the most varied kind, history, geography, politics,
|
||
political economy, botany, geology, law, all relating to
|
||
England and English life and customs and manners. There
|
||
were even such books of reference as the London Directory,
|
||
the "Red" and "Blue" books, Whitaker's Almanac, the Army
|
||
and Navy Lists, and it somehow gladdened my heart to see
|
||
it, the Law List.
|
||
Whilst I was looking at the books, the door opened,
|
||
and the Count entered. He saluted me in a hearty way, and
|
||
hoped that I had had a good night's rest. Then he went on.
|
||
"I am glad you found your way in here, for I am sure
|
||
there is much that will interest you. These companions,"
|
||
and he laid his hand on some of the books, "have been good
|
||
friends to me, and for some years past, ever since I had
|
||
the idea of going to London, have given me many, many hours
|
||
of pleasure. Through them I have come to know your great
|
||
England, and to know her is to love her. I long to go
|
||
through the crowded streets of your mighty London, to be
|
||
in the midst of the whirl and rush of humanity, to share
|
||
its life, its change, its death, and all that makes it what
|
||
it is. But alas! As yet I only know your tongue through
|
||
books. To you, my friend, I look that I know it to speak."
|
||
"But, Count," I said, "You know and speak English
|
||
thoroughly!" He bowed gravely.
|
||
"I thank you, my friend, for your all too-flattering
|
||
estimate, but yet I fear that I am but a little way on the
|
||
road I would travel. True,I know the grammar and the words,
|
||
but yet I know not how to speak them.
|
||
"Indeed," I said, "You speak excellently."
|
||
"Not so," he answered. "Well, I know that, did I move
|
||
and speak in your London, none there are who would not know
|
||
me for a stranger. That is not enough for me. Here I am nob-
|
||
le.I am a Boyar. The common people know me, and I am master.
|
||
But a stranger in a strange land, he is no one. Men know
|
||
him not, and to know not is to care not for. I am content
|
||
if I am like the rest, so that no man stops if he sees me,
|
||
or pauses in his speaking if he hears my words, `Ha, ha!
|
||
A stranger!' I have been so long master that I would be
|
||
master still, or at least that none other should be master
|
||
of me. You come to me not alone as agent of my friend Peter
|
||
Hawkins, of Exeter, to tell me all about my new estate in
|
||
London. You shall, I trust, rest here with me a while, so
|
||
that by our talking I may learn the English intonation. And
|
||
I would that you tell me when I make error, even of the
|
||
smallest, in my speaking. I am sorry that I had to be away
|
||
so long today, but you will, I know forgive one who has so
|
||
many important affairs in hand."
|
||
Of course I said all I could about being willing, and
|
||
asked if I might come into that room when I chose. He ans-
|
||
wered, "Yes, certainly," and added.
|
||
"You may go anywhere you wish in the castle, except
|
||
where the doors are locked, where of course you will not
|
||
wish to go. There is reason that all things are as they are,
|
||
and did you see with my eyes and know with my knowledge,
|
||
you would perhaps better understand." I said I was sure of
|
||
this, and then he went on.
|
||
"We are in Transylvania, and Transylvania is not Eng-
|
||
land. Our ways are not your ways, and there shall be to you
|
||
many strange things. Nay, from what you have told me of
|
||
your experiences already, you know something of what
|
||
strange things there may be."
|
||
This led to much conversation, and as it was evident
|
||
that he wanted to talk, if only for talking's sake, I ask-
|
||
ed him many questions regarding things that had already
|
||
happened to me or come within my notice. Sometimes he
|
||
sheered off the subject, or turned the conversation by
|
||
pretending not to understand, but generally he answered
|
||
all I asked most frankly. Then as time went on, and I had
|
||
got somewhat bolder, I asked him of some of the strange
|
||
things of the preceding night, as for instance, why the
|
||
coachman went to the places where he had seen the blue
|
||
flames. He then explained to me that it was commonly
|
||
believed that on a certain night of the year, last night,
|
||
in fact, when all evil spirits are supposed to have un-
|
||
checked sway, a blue flame is seen over any place where
|
||
treasure has been concealed.
|
||
"That treasure has been hidden," he went on, "in the
|
||
region through which you came last night, there can be but
|
||
little doubt. For it was the ground fought over for centur-
|
||
ies by the Wallachian, the Saxon, and the Turk. Why, there
|
||
is hardly a foot of soil in all this region that has not
|
||
been enriched by the blood of men, patriots or invaders.
|
||
In the old days there were stirring times, when the Aust-
|
||
rian and the Hungarian came up in hordes, and the patriots
|
||
went out to meet them, men and women, the aged and the chil-
|
||
dren too, and waited their coming on the rocks above the
|
||
passes, that they might sweep destruction on them with
|
||
their artificial avalanches. When the invader was trium-
|
||
phant he found but little, for whatever there was had been
|
||
sheltered in the friendly soil."
|
||
"But how," said I, "can it have remained so long un-
|
||
discovered, when there is a sure index to it if men will
|
||
but take the trouble to look? "The Count smiled, and as his
|
||
lips ran back over his gums, the long, sharp, canine teeth
|
||
showed out strangely. He answered.
|
||
"Because your peasant is at heart a coward and a fool!
|
||
Those flames only appear on one night, and on that night no
|
||
man of this land will, if he can help it, stir without his
|
||
doors. And,dear sir, even if he did he would not know what
|
||
to do. Why, even the peasant that you tell me of who marked
|
||
the place of the flame would not know where to look in day-
|
||
light even for his own work. Even you would not, I dare be
|
||
sworn, be able to find these places again?"
|
||
"There you are right," I said. "I know no more than the
|
||
dead where even to look for them." Then we drifted into
|
||
other matters.
|
||
"Come," he said at last, "tell me of London and of the
|
||
house which you have procured for me." With an apology for
|
||
my remissness, I went into my own room to get the papers
|
||
from my bag. Whilst I was placing them in order I heard a
|
||
rattling of china and silver in the next room, and as I
|
||
passed through, noticed that the table had been cleared and
|
||
the lamp lit, for it was by this time deep into the dark.
|
||
The lamps were also lit in the study or library, and I
|
||
found the Count lying on the sofa, reading, of all things
|
||
in the world, and English Bradshaw's Guide. When I came in
|
||
he cleared the books and papers from the table, and with
|
||
him I went into plans and deeds and figures of all sorts.
|
||
He was interested in everything, and asked me a myriad
|
||
questions about the place and its surroundings. He clearly
|
||
had studied beforehand all he could get on the subject of
|
||
the neighborhood, for he evidently at the end knew very
|
||
much more than I did. When I remarked this, he answered.
|
||
"Well, but, my friend, is it not needful that I should?
|
||
When I go there I shall be all alone, and my friend Harker
|
||
Jonathan, nay, pardon me. I fall into my country's habit of
|
||
putting your patronymic first, my friend Jonathan Harker
|
||
will not be by my side to correct and aid me. He will be
|
||
in Exeter, miles away, probably working at papers of the
|
||
law with my other friend, Peter Hawkins. So!"
|
||
We went thoroughly into the business of the purchase
|
||
of the estate at Purfleet. When I had told him the facts
|
||
and got his signature to the necessary papers, and had
|
||
written a letter with them ready to post to Mr. Hawkins, he
|
||
began to ask me how I had come across so suitable a place.
|
||
I read to him the notes which I had made at the time, and
|
||
which I inscribe here.
|
||
"At Purfleet, on a by-road, I came across just such a
|
||
place as seemed to be required, and where was displayed a
|
||
dilapidated notice that the place was for sale. It was sur-
|
||
rounded by a high wall, of ancient structure, built of heavy
|
||
stones, and has not been repaired for a large number of
|
||
years. The closed gates are of heavy old oak and iron, all
|
||
eaten with rust.
|
||
"The estate is called Carfax, no doubt a corruption of
|
||
the old Quatre Face, as the house is four sided, agreeing
|
||
with the cardinal points of the compass. It contains in all
|
||
some twenty acres, quite surrounded by the solid stone wall
|
||
above mentioned. There are many trees on it, which make it
|
||
in places gloomy, and there is a deep, dark-looking pond
|
||
or small lake, evidently fed by some springs, as the water
|
||
is clear and flows away in a fair-sized stream. The house
|
||
is very large and of all periods back, I should say, to
|
||
mediaeval times, for one part is of stone immensely thick,
|
||
with only a few windows high up and heavily barred with
|
||
iron. It looks like part of a keep, and is close to an old
|
||
chapel or church. I could not enter it, as I had not the
|
||
key of the door leading to it from the house, but I have
|
||
taken with my Kodak views of it from various points. The
|
||
house had been added to, but in a very straggling way, and
|
||
I can only guess at the amount of ground it covers, which
|
||
must be very great. There are but few houses close at
|
||
hand, one being a very large house only recently added
|
||
to and formed into a private lunatic asylum. It is not, how-
|
||
ever, visible from the grounds."
|
||
When I had finished, he said, "I am glad that it is old
|
||
and big. I myself am of an old family, and to live in a new
|
||
house would kill me. A house cannot be made habitable in a
|
||
day, and after all, how few days go to make up a century. I
|
||
rejoice also that there is a chapel of old times. We Tran-
|
||
sylvanian nobles love not to think that our bones may lie
|
||
amongst the common dead. I seek not gaiety nor mirth, not
|
||
the bright voluptuousness of much sunshine and sparkling
|
||
waters which please the young and gay. I am no longer
|
||
young, and my heart, through weary years of mourning over
|
||
the dead, is attuned to mirth. Moreover, the walls of my
|
||
castle are broken. The shadows are many, and the wind
|
||
breathes cold through the broken battlements and casements.
|
||
I love the shade and the shadow, and would be alone with
|
||
my thoughts when I may." Somehow his words and his look
|
||
did not seem to accord, or else it was that his cast of
|
||
face made his smile look malignant and saturnine.
|
||
Presently, with an excuse, he left me, asking me to
|
||
pull my papers together. He was some little time away, and
|
||
I began to look at some of the books around me. One was an
|
||
atlas, which I found opened naturally to England, as if
|
||
that map had been much used. On looking at it I found in
|
||
certain places little rings marked, and on examining these
|
||
I noticed that one was near London on the east side, mani-
|
||
festly where his new estate was situated. The other two
|
||
were Exeter, and Whitby on the Yorkshire coast.
|
||
It was the better part of an hour when the Count re-
|
||
turned. "Aha!" he said. "Still at your books? Good! But
|
||
you must not work always. Come! I am informed that your
|
||
supper is ready." He took my arm, and we went into the next
|
||
room, where I found an excellent supper ready on the table.
|
||
The Count again excused himself, as he had dined out on
|
||
his being away from home. But he sat as on the previous
|
||
night, and chatted whilst I ate. After supper I smoked,
|
||
as on the last evening, and the Count stayed with me, chat-
|
||
ting and asking questions on every conceivable subject,
|
||
hour after hour. I felt that it was getting very late in-
|
||
deed, but I did not say anything, for I felt under
|
||
obligation to meet my host's wishes in every way. I was
|
||
not sleepy, as the long sleep yesterday had fortified me,
|
||
but I could not help experiencing that chill which comes
|
||
over one at the coming of the dawn, which is like, in its
|
||
way, the turn of the tide. They say that people who are
|
||
near death die generally at the change to dawn or at the
|
||
turn of the tide. Anyone who has when tired, and tied as
|
||
it were to his post, experienced this change in the
|
||
atmosphere can well believe it. All at once we heard the
|
||
crow of the cock coming up with preternatural shrillness
|
||
through the clear morning air.
|
||
Count Dracula, jumping to his feet, said, "Why there
|
||
is the morning again! How remiss I am to let you stay up so
|
||
long. You must make your conversation regarding my dear new
|
||
country of England less interesting, so that I may not for-
|
||
get how time flies by us," and with a courtly bow, he
|
||
quickly left me.
|
||
I went into my room and drew the curtains, but there
|
||
was little to notice. My window opened into the courtyard,
|
||
all I could see was the warm grey of quickening sky. So I
|
||
pulled the curtains again, and have written of this day.
|
||
|
||
8 May.--I began to fear as I wrote in this book that I
|
||
was getting too diffuse. But now I am glad that I went into
|
||
detail from the first, for there is something so strange
|
||
about this place and all in it that I cannot but feel uneasy.
|
||
I wish I were safe out of it, or that I had never come. It
|
||
may be that this strange night existence is telling on me,
|
||
but would that that were all! If there were any one to
|
||
talk to I could bear it, but there is no one.I have only the
|
||
Count to speak with, and he-- I fear I am myself the only
|
||
living soul within the place. Let me be prosaiac so far as
|
||
facts can be. It will help me to bear up, and imagination
|
||
must not run riot with me. If it does I am lost. Let me say
|
||
at once how I stand, or seem to.
|
||
I only slept a few hours when I went to bed,and feeling
|
||
that I could not sleep any more, got up. I had hung my shav-
|
||
ing glass by the window, and was just beginning to shave.
|
||
Suddenly I felt a hand on my shoulder, and heard the Count's
|
||
voice saying to me, "Good morning." I started, for it amazed
|
||
me that I had not seen him,since the reflection of the glass
|
||
covered the whole room behind me. In starting I had cut my-
|
||
self slightly, but did not notice it at the moment. Having
|
||
answered the Count's salutation, I turned to the glass again
|
||
to see how I had been mistaken. This time there could be no
|
||
error, for the man was close to me, and I could see him
|
||
over my shoulder. But there was no reflection of him in the
|
||
mirror! The whole room behind me was displayed, but there
|
||
was no sign of a man in it, except myself.
|
||
This was startling, and coming on the top of so many
|
||
strange things, was beginning to increase that vague feeling
|
||
of uneasiness which I always have when the Count is near.
|
||
But at the instant I saw the the cut had bled a little, and
|
||
the blood was trickling over my chin. I laid down the razor,
|
||
turning as I did so half round to look for some sticking
|
||
plaster. When the Count saw my face, his eyes blazed with a
|
||
sort of demoniac fury, and he suddenly made a grab at my
|
||
throat. I drew away and his hand touched the string of
|
||
beads which held the crucifix. It made an instant change
|
||
in him, for the fury passed so quickly that I could hardly
|
||
believe that it was ever there.
|
||
"Take care," he said, "take care how you cut yourself.
|
||
It is more dangerous that you think in this country." Then
|
||
seizing the shaving glass, he went on, "And this is the
|
||
wretched thing that has done the mischief. It is a foul
|
||
bauble of man's vanity. Away with it!" And opening the
|
||
window with one wrench of his terrible hand, he flung out
|
||
the glass, which was shattered into a thousand pieces on
|
||
the stones of the courtyard far below. Then he withdrew
|
||
without a word. It is very annoying, for I do not see how
|
||
I am to shave, unless in my watch-case or the bottom of
|
||
the shaving pot, which is fortunately of metal.
|
||
When I went into the dining room, breakfast was pre-
|
||
pared, but I could not find the Count anywhere. So I break-
|
||
fasted alone. It is strange that as yet I have not seen the
|
||
Count eat or drink. He must be a very peculiar man! After
|
||
breakfast I did a little exploring in the castle. I went out
|
||
on the stairs, and found a room looking towards the South.
|
||
The view was magnificent, and from where I stood there
|
||
was every opportunity of seeing it. The castle is on the
|
||
very edge of a terrific precipice. A stone falling from the
|
||
window would fall a thousand feet without touching anything!
|
||
As far as the eye can reach is a sea of green tree tops,with
|
||
occasionally a deep rift where there is a chasm. Here and
|
||
there are silver threads where the rivers wind in deep
|
||
gorges through the forests.
|
||
But I am not in heart to describe beauty,for when I had
|
||
seen the view I explored further. Doors, doors, doors every-
|
||
where, and all locked and bolted. In no place save from the
|
||
windows in the castle walls is there an available exit. The
|
||
castle is a veritable prison, and I am a prisoner!
|
||
|
||
|
||
CHAPTER 3
|
||
|
||
Jonathan Harker's Journal Continued
|
||
|
||
When I found that I was a prisoner a sort of wild feel-
|
||
ing came over me. I rushed up and down the stairs, trying
|
||
every door and peering out of every window I could find, but
|
||
after a little the conviction of my helplessness overpowered
|
||
all other feelings. When I look back after a few hours I
|
||
think I must have been mad for the time, for I behaved much
|
||
as a rat does in a trap. When, however, the conviction had
|
||
come to me that I was helpless I sat down quietly, as quiet-
|
||
ly as I have ever done anything in my life, and began to
|
||
think over what was best to be done. I am thinking still,
|
||
and as yet have come to no definite conclusion. Of one thing
|
||
only am I certain. That it is no use making my ideas known
|
||
to the Count. He knows well that I am imprisoned, and as he
|
||
has done it himself, and has doubtless his own motives for
|
||
it, he would only deceive me if I trusted him fully with the
|
||
facts. So far as I can see, my only plan will be to keep my
|
||
knowledge and my fears to myself, and my eyes open. I am, I
|
||
know, either being deceived, like a baby, by my own fears,
|
||
or else I am in desperate straits, and if the latter be so,
|
||
I need, and shall need, all my brains to get through.
|
||
I had hardly come to this conclusion when I heard the
|
||
great door below shut, and knew that the Count had returned.
|
||
He did not come at once into the library, so I went cau-
|
||
tiously to my own room and found him making the bed. This
|
||
was odd, but only confirmed what I had all along thought,
|
||
that there are no servants in the house. When later I saw
|
||
him through the chink of the hinges of the door laying the
|
||
table in the dining room, I was assured of it. For if he
|
||
does himself all these menial offices, surely it is proof
|
||
that there is no one else in the castle, it must have been
|
||
the Count himself who was the driver of the coach that
|
||
brought me here. This is a terrible thought, for if so,
|
||
what does it mean that he could control the wolves, as he
|
||
did, by only holding up his hand for silence? How was it
|
||
that all the people at Bistritz and on the coach had some
|
||
terrible fear for me? What meant the giving of the crucifix,
|
||
of the garlic, of the wild rose, of the mountain ash?
|
||
Bless that good, good woman who hung the crucifix round
|
||
my neck! For it is a comfort and a strength to me whenever I
|
||
touch it. It is odd that a thing which I have been taught to
|
||
regard with disfavour and as idolatrous should in a time of
|
||
loneliness and trouble be of help. Is it that there is some-
|
||
thing in the essence of the thing itself, or that it is a
|
||
medium, a tangible help, in conveying memories of sympathy
|
||
and comfort? Some time, if it may be, I must examine this
|
||
matter and try to make up my mind about it. In the meantime
|
||
I must find out all I can about Count Dracula,as it may help
|
||
me to understand. Tonight he may talk of himself, if I turn
|
||
the conversation that way. I must be very careful, however,
|
||
not to awake his suspicion.
|
||
|
||
Midnight.--I have had a long talk with the Count. I
|
||
asked him a few questions on Transylvania history, and he
|
||
warmed up to the subject wonderfully. In his speaking of
|
||
things and people, and especially of battles, he spoke as if
|
||
he had been present at them all.This he afterwards explained
|
||
by saying that to a Boyar the pride of his house and name is
|
||
his own pride,that their glory is his glory, that their fate
|
||
is his fate. Whenever he spoke of his house he always said
|
||
"we", and spoke almost in the plural, like a king speaking.
|
||
I wish I could put down all he said exactly as he said it,
|
||
for to me it was most fascinating. It seemed to have in it
|
||
a whole history of the country. He grew excited as he spoke,
|
||
and walked about the room pulling his great white moustache
|
||
and grasping anything on which he laid his hands as though
|
||
he would crush it by main strength. One thing he said which
|
||
I shall put down as nearly as I can, for it tells in its way
|
||
the story of his race.
|
||
"We Szekelys have a right to be proud, for in our veins
|
||
flows the blood of many brave races who fought as the lion
|
||
fights, for lordship. Here, in the whirlpool of European
|
||
races, the Ugric tribe bore down from Iceland the fighting
|
||
spirit which Thor and Wodin game them,which their Berserkers
|
||
displayed to such fell intent on the seaboards of Europe,
|
||
aye, and of Asia and Africa too, till the peoples thought
|
||
that the werewolves themselves had come. Here, too, when
|
||
they came, they found the Huns, whose warlike fury had
|
||
swept the earth like a living flame, till the dying peoples
|
||
held that in their veins ran the blood of those old witches,
|
||
who, expelled from Scythia had mated with the devils in the
|
||
desert. Fools, fools! What devil or what witch was ever so
|
||
great as Attila, whose blood is in these veins?" He held up
|
||
his arms. "Is it a wonder that we were a conquering race,
|
||
that we were proud, that when the Magyar, the Lombard, the
|
||
Avar, the Bulgar, or the Turk poured his thousands on our
|
||
frontiers, we drove them back? Is it strange that when Arpad
|
||
and his legions swept through the Hungarian fatherland he
|
||
found us here when he reached the frontier, that the Honfog-
|
||
lalas was completed there?And when the Hungarian flood swept
|
||
eastward,the Szekelys were claimed as kindred by the victor-
|
||
ious Magyars, and to us for centuries was trusted the guard-
|
||
ing of the frontier of Turkeyland. Aye, and more than that,
|
||
endless duty of the frontier guard, for as the Turks say,
|
||
`water sleeps, and the enemy is sleepless.' Who more gladly
|
||
than we throughout the Four Nations received the `bloody
|
||
sword,' or at its warlike call flocked quicker to the stand-
|
||
ard of the King? When was redeemed that great shame of my
|
||
nation, the shame of Cassova, when the flags of the Wallach
|
||
and the Magyar went down beneath the Crescent?Who was it but
|
||
one of my own race who as Voivode crossed the Danube and
|
||
beat the Turk on his own ground? This was a Dracula indeed!
|
||
Woe was it that his own unworthy brother,when he had fallen,
|
||
sold his people to the Turk and brought the shame of slavery
|
||
on them! Was it not this Dracula, indeed, who inspired that
|
||
other of his race who in a later age again and again brought
|
||
his forces over the great river into Turkeyland,who, when he
|
||
was beaten back, came again, and again,though he had to come
|
||
alone from the bloody field where his troops were being
|
||
slaughtered, since he knew that he alone could ultimately
|
||
triumph! They said that he thought only of himself.Bah! What
|
||
good are peasants without a leader? Where ends the war with-
|
||
out a brain and heart to conduct it? Again, when, after the
|
||
battle of Mohacs, we threw off the Hungarian yoke, we of the
|
||
Dracula blood were amongst their leaders, for our spirit
|
||
would not brook that we were not free. Ah, young sir, the
|
||
Szekelys, and the Dracula as their heart's blood, their
|
||
brains, and their swords, can boast a record that mushroom
|
||
growths like the Hapsburgs and the Romanoffs can never reach.
|
||
The warlike days are over. Blood is too precious a thing in
|
||
these days of dishonourable peace, and the glories of the
|
||
great races are as a tale that is told."
|
||
It was by this time close on morning, and we went to
|
||
bed. (Mem., this diary seems horribly like the beginning of
|
||
the "Arabian Nights," for everything has to break off at
|
||
cockcrow, or like the ghost of Hamlet's father.)
|
||
|
||
12 May.--Let me begin with facts, bare, meager facts,
|
||
verified by books and figures, and of which there can be no
|
||
doubt. I must not confuse them with experiences which will
|
||
have to rest on my own observation, or my memory of them.
|
||
Last evening when the Count came from his room he began by
|
||
asking me questions on legal matters and on the doing of
|
||
certain kinds of business. I had spent the day wearily over
|
||
books, and, simply to keep my mind occupied, went over some
|
||
of the matters I had been examined in at Lincoln's Inn.There
|
||
was a certain method in the Count's inquiries, so I shall
|
||
try to put them down in sequence. The knowledge may somehow
|
||
or some time be useful to me.
|
||
First, he asked if a man in England might have two so-
|
||
licitors or more. I told him he might have a dozen if he
|
||
wished, but that it would not be wise to have more than one
|
||
solicitor engaged in one transaction, as only one could act
|
||
at a time, and that to change would be certain to militate
|
||
against his interest. He seemed thoroughly to understand,
|
||
and went on to ask if there would be any practical difficul-
|
||
ty in having one man to attend, say, to banking, and another
|
||
to look after shipping, in case local help were needed in a
|
||
place far from the home of the banking solicitor. I asked
|
||
to explain more fully, so that I might not by any chance
|
||
mislead him, so he said,
|
||
"I shall illustrate. Your friend and mine, Mr. Peter
|
||
Hawkins, from under the shadow of your beautiful cathedral
|
||
at Exeter, which is far from London, buys for me through
|
||
your good self my place at London. Good! Now here let me
|
||
say frankly, lest you should think it strange that I have
|
||
sought the services of one so far off from London instead of
|
||
some one resident there, that my motive was that no local
|
||
interest might be served save my wish only, and as one of
|
||
London residence might, perhaps,have some purpose of himself
|
||
or friend to serve, I went thus afield to seek my agent,
|
||
whose labours should be only to my interest. Now, suppose I,
|
||
who have much of affairs, wish to ship goods, say, to New-
|
||
castle, or Durham, or Harwich, or Dover,might it not be that
|
||
it could with more ease be done by consigning to one in
|
||
these ports?"
|
||
I answered that certainly it would be most easy, but
|
||
that we solicitors had a system of agency one for the other,
|
||
so that local work could be done locally on instruction from
|
||
any solicitor, so that the client, simply placing himself
|
||
in the hands of one man, could have his wishes carried out
|
||
by him without further trouble.
|
||
"But," said he,"I could be at liberty to direct myself.
|
||
Is it not so?"
|
||
"Of course, " I replied, and "Such is often done by men
|
||
of business,who do not like the whole of their affairs to be
|
||
known by any one person."
|
||
"Good!" he said,and then went on to ask about the means
|
||
of making consignments and the forms to be gone through, and
|
||
of all sorts of difficulties which might arise, but by fore-
|
||
thought could be guarded against. I explained all these
|
||
things to him to the best of my ability, and he certainly
|
||
left me under the impression that he would have made a
|
||
wonderful solicitor, for there was nothing that he did not
|
||
think of or foresee. For a man who was never in the country,
|
||
and who did not evidently do much in the way of business,his
|
||
knowledge and acumen were wonderful. When he had satisfied
|
||
himself on these points of which he had spoken, and I had
|
||
verified all as well as I could by the books available, he
|
||
suddenly stood up and said, "Have you written since your
|
||
first letter to our friend Mr. Peter Hawkins, or to any
|
||
other?"
|
||
It was with some bitterness in my heart that I answered
|
||
that I had not, that as yet I had not seen any opportunity
|
||
of sending letters to anybody.
|
||
"Then write now, my young friend," he said, laying a
|
||
heavy hand on my shoulder, "write to our friend and to any
|
||
other, and say, if it will please you, that you shall stay
|
||
with me until a month from now."
|
||
"Do you wish me to stay so long?" I asked, for my heart
|
||
grew cold at the thought.
|
||
"I desire it much, nay I will take no refusal.When your
|
||
master, employer, what you will, engaged that someone should
|
||
come on his behalf,it was understood that my needs only were
|
||
to be consulted. I have not stinted. Is it not so?"
|
||
What could I do but bow acceptance? It was Mr.Hawkins'
|
||
interest, not mine, and I had to think of him, not myself,
|
||
and besides, while Count Dracula was speaking, there was
|
||
that in his eyes and in his bearing which made me remember
|
||
that I was a prisoner, and that if I wished it I could have
|
||
no choice. The Count saw his victory in my bow, and his mas-
|
||
tery in the trouble of my face, for he began at once to use
|
||
them, but in his own smooth, resistless way.
|
||
"I pray you, my good young friend, that you will not
|
||
discourse of things other than business in your letters. It
|
||
will doubtless please your friends to know that you are well,
|
||
and that you look forward to getting home to them. Is it not
|
||
so?" As he spoke he handed me three sheets of note paper
|
||
and three envelopes. They were all of the thinnest foreign
|
||
post, and looking at them, then at him, and noticing his
|
||
quiet smile, with the sharp, canine teeth lying over the red
|
||
underlip, I understood as well as if he had spoken that I
|
||
should be more careful what I wrote, for he would be able to
|
||
read it. So I determined to write only formal notes now, but
|
||
to write fully to Mr. Hawkins in secret, and also to Mina,
|
||
for to her I could write shorthand, which would puzzle the
|
||
Count, if he did see it. When I had written my two letters I
|
||
sat quiet, reading a book whilst the Count wrote several
|
||
notes, referring as he wrote them to some books on his table.
|
||
Then he took up my two and placed them with his own, and put
|
||
by his writing materials, after which, the instant the door
|
||
had closed behind him, I leaned over and looked at the lett-
|
||
ers, which were face down on the table.I felt no compunction
|
||
in doing so for under the circumstances I felt that I should
|
||
protect myself in every way I could.
|
||
One of the letters was directed to Samuel F.Billington,
|
||
No. 7, The Crescent, Whitby, another to Herr Leutner, Varna.
|
||
The third was to Coutts & Co., London, and the fourth to
|
||
Herren Klopstock & Billreuth, bankers, Buda Pesth. The
|
||
second and fourth were unsealed. I was just about to look at
|
||
them when I saw the door handle move.I sank back in my seat,
|
||
having just had time to resume my book before the Count,
|
||
holding still another letter in his hand, entered the room.
|
||
He took up the letters on the table and stamped them care-
|
||
fully, and then turning to me, said,
|
||
"I trust you will forgive me, but I have much work to
|
||
do in private this evening. You will,I hope, find all things
|
||
as you wish." At the door he turned, and after a moment's
|
||
pause said, "Let me advise you, my dear young friend. Nay,
|
||
let me warn you with all seriousness, that should you leave
|
||
these rooms you will not by any chance go to sleep in any
|
||
other part of the castle. It is old, and has many memories,
|
||
and there are bad dreams for those who sleep unwisely. Be
|
||
warned! Should sleep now or ever overcome you, or be like to
|
||
do, then haste to your own chamber or to these rooms, for
|
||
your rest will then be safe. But if you be not careful in
|
||
this respect, then," He finished his speech in a gruesome
|
||
way, for he motioned with his hands as if he were washing
|
||
them. I quite understood. My only doubt was as to whether
|
||
any dream could be more terrible than the unnatural,horrible
|
||
net of gloom and mystery which seemed closing around me.
|
||
|
||
Later.--I endorse the last words written, but this time
|
||
there is no doubt in question. I shall not fear to sleep in
|
||
any place where he is not. I have placed the crucifix over
|
||
the head of my bed,I imagine that my rest is thus freer from
|
||
dreams, and there it shall remain.
|
||
When he left me I went to my room.After a little while,
|
||
not hearing any sound,I came out and went up the stone stair
|
||
to where I could look out towards the South. There was some
|
||
sense of freedom in the vast expanse, inaccessible though it
|
||
was to me,as compared with the narrow darkness of the court-
|
||
yard. Looking out on this, I felt that I was indeed in pri-
|
||
son, and I seemed to want a breath of fresh air, though it
|
||
were of the night. I am beginning to feel this nocturnal ex-
|
||
istence tell on me. It is destroying my nerve. I start at
|
||
my own shadow, and am full of all sorts of horrible imagin-
|
||
ings. God knows that there is ground for my terrible fear in
|
||
this accursed place!I looked out over the beautiful expanse,
|
||
bathed in soft yellow moonlight till it was almost as light
|
||
as day. In the soft light the distant hills became melted,
|
||
and the shadows in the valleys and gorges of velvety black-
|
||
ness. The mere beauty seemed to cheer me. There was peace
|
||
and comfort in every breath I drew.As I leaned from the win-
|
||
dow my eye was caught by something moving a storey below me,
|
||
and somewhat to my left, where I imagined, from the order of
|
||
the rooms, that the windows of the Count's own room would
|
||
look out. The window at which I stood was tall and deep,
|
||
stone-mullioned, and though weatherworn, was still complete.
|
||
But it was evidently many a day since the case had been
|
||
there.I drew back behind the stonework, and looked carefully
|
||
out.
|
||
What I saw was the Count's head coming out from the
|
||
window. I did not see the face, but I knew the man by the
|
||
neck and the movement of his back and arms. In any case I
|
||
could not mistake the hands which I had had some many oppor-
|
||
tunities of studying. I was at first interested and somewhat
|
||
amused, for it is wonderful how small a matter will interest
|
||
and amuse a man when he is a prisoner. But my very feelings
|
||
changed to repulsion and terror when I saw the whole man
|
||
slowly emerge from the window and begin to crawl down the
|
||
castle wall over the dreadful abyss,face down with his cloak
|
||
spreading out around him like great wings. At first I could
|
||
not believe my eyes.I thought it was some trick of the moon-
|
||
light, some weird effect of shadow, but I kept looking, and
|
||
it could be no delusion.I saw the fingers and toes grasp the
|
||
corners of the stones,worn clear of the mortar by the stress
|
||
of years, and by thus using every projection and inequality
|
||
move downwards with considerable speed, just as a lizard
|
||
moves along a wall.
|
||
What manner of man is this, or what manner of creature,
|
||
is it in the semblance of man? I feel the dread of this hor-
|
||
rible place overpowering me.I am in fear, in awful fear, and
|
||
there is no escape for me. I am encompassed about with
|
||
terrors that I dare not think of.
|
||
|
||
15 May.--Once more I have seen the count go out in his
|
||
lizard fashion. He moved downwards in a sidelong way, some
|
||
hundred feet down, and a good deal to the left. He vanished
|
||
into some hole or window. When his head had disappeared, I
|
||
leaned out to try and see more, but without avail. The dis-
|
||
tance was too great to allow a proper angle of sight. I knew
|
||
he had left the castle now, and thought to use the opportun-
|
||
ity to explore more than I had dared to do as yet. I went
|
||
back to the room, and taking a lamp, tried all the doors.
|
||
They were all locked, as I had expected, and the locks were
|
||
comparatively new. But I went down the stone stairs to the
|
||
hall where I had entered originally. I found I could pull
|
||
back the bolts easily enough and unhook the great chains.
|
||
But the door was locked, and the key was gone! That key must
|
||
be in the Count's room. I must watch should his door be un-
|
||
locked, so that I may get it and escape. I went on to make
|
||
a thorough examination of the various stairs and passages,
|
||
and to try the doors that opened from them. One or two
|
||
small rooms near the hall were open, but there was nothing
|
||
to see in them except old furniture, dusty with age and
|
||
moth-eaten. At last, however, I found one door at the top of
|
||
the stairway which, though it seemed locked, gave a little
|
||
under pressure. I tried it harder, and found that it was not
|
||
really locked, but that the resistance came from the fact
|
||
that the hinges had fallen somewhat,and the heavy door rest-
|
||
ed on the floor. Here was an opportunity which I might not
|
||
have again, so I exerted myself,and with many efforts forced
|
||
it back so that I could enter. I was now in a wing of the
|
||
castle further to the right than the rooms I knew and a
|
||
storey lower down. From the windows I could see that the
|
||
suite of rooms lay along to the south of the castle,the win-
|
||
dows of the end room looking out both west and south. On the
|
||
latter side, as well as to the former, there was a great
|
||
precipice. The castle was built on the corner of a great
|
||
rock, so that on three sides it was quite impregnable, and
|
||
great windows were placed here where sling, or bow, or culv-
|
||
erin could not reach, and consequently light and comfort,
|
||
impossible to a position which had to be guarded, were secu-
|
||
red. To the west was a great valley, and then, rising far
|
||
away, great jagged mountain fastnesses, rising peak on peak,
|
||
the sheer rock studded with mountain ash and thorn, whose
|
||
roots clung in cracks and crevices and crannies of the stone.
|
||
This was evidently the portion of the castle occupied by the
|
||
ladies in bygone days, for the furniture had more an air of
|
||
comfort than any I had seen.
|
||
The windows were curtainless, and the yellow moonlight,
|
||
flooding in through the diamond panes, enabled one to see
|
||
even colours,whilst it softened the wealth of dust which lay
|
||
over all and disguised in some measure the ravages of time
|
||
and moth.My lamp seemed to be of little effect in the brill-
|
||
iant moonlight, but I was glad to have it with me, for there
|
||
was a dread loneliness in the place which chilled my heart
|
||
and made my nerves tremble. Still, it was better than living
|
||
alone in the rooms which I had come to hate from the pre-
|
||
sence of the Count, and after trying a little to school my
|
||
nerves, I found a soft quietude come over me. Here I am,
|
||
sitting at a little oak table where in old times possibly
|
||
some fair lady sat to pen,with much thought and many blushes,
|
||
her ill-spelt love letter, and writing in my diary in short-
|
||
hand all that has happened since I closed it last. It is the
|
||
nineteenth century up-to-date with a vengeance. And yet, un-
|
||
less my senses deceive me, the old centuries had, and have,
|
||
powers of their own which mere "modernity" cannot kill.
|
||
|
||
Later: The morning of 16 May.--God preserve my sanity,
|
||
for to this I am reduced. Safety and the assurance of safety
|
||
are things of the past. Whilst I live on here there is but
|
||
one thing to hope for, that I may not go mad, if, indeed, I
|
||
be not mad already.If I be sane, then surely it is maddening
|
||
to think that of all the foul things that lurk in this hate-
|
||
ful place the Count is the least dreadful to me, that to him
|
||
alone I can look for safety, even though this be only whilst
|
||
I can serve his purpose. Great God! Merciful God, let me be
|
||
calm, for out of that way lies madness indeed. I begin to
|
||
get new lights on certain things which have puzzled me. Up
|
||
to now I never quite knew what Shakespeare meant when he
|
||
made Hamlet say, "My tablets! Quick, my tablets! `tis meet
|
||
that I put it down," etc., For now, feeling as though my own
|
||
brain were unhinged or as if the shock had come which must
|
||
end in its undoing, I turn to my diary for repose. The habit
|
||
of entering accurately must help to soothe me.
|
||
The Count's mysterious warning frightened me at the
|
||
time. It frightens me more not when I think of it, for in
|
||
the future he has a fearful hold upon me. I shall fear to
|
||
doubt what he may say!
|
||
When I had written in my diary and had fortunately re-
|
||
placed the book and pen in my pocket I felt sleepy. The
|
||
Count's warning came into my mind, but I took pleasure in
|
||
disobeying it. The sense of sleep was upon me, and with it
|
||
the obstinacy which sleep brings as outrider. The soft moon-
|
||
light soothed, and the wide expanse without gave a sense of
|
||
freedom which refreshed me. I determined not to return to-
|
||
night to the gloom-haunted rooms, but to sleep here, where,
|
||
of old, ladies had sat and sung and lived sweet lives whilst
|
||
their gentle breasts were sad for their menfolk away in the
|
||
midst of remorseless wars. I drew a great couch out of its
|
||
place near the corner, so that as I lay, I could look at the
|
||
lovely view to east and south,and unthinking of and uncaring
|
||
for the dust, composed myself for sleep. I suppose I must
|
||
have fallen asleep. I hope so, but I fear, for all that fol-
|
||
lowed was startlingly real, so real that now sitting here in
|
||
the broad, full sunlight of the morning, I cannot in the
|
||
least believe that it was all sleep.
|
||
I was not alone.The room was the same, unchanged in any
|
||
way since I came into it.I could see along the floor, in the
|
||
brilliant moonlight,my own footsteps marked where I had dis-
|
||
turbed the long accumulation of dust. In the moonlight opp-
|
||
osite me were three young women, ladies by their dress and
|
||
manner. I thought at the time that I must be dreaming when I
|
||
saw them, they threw no shadow on the floor. They came close
|
||
to me, and looked at me for some time, and then whispered
|
||
together. Two were dark, and had high aquiline noses, like
|
||
the Count, and great dark, piercing eyes, that seemed to be
|
||
almost red when contrasted with the pale yellow moon. The
|
||
other was fair,as fair as can be, with great masses of gold-
|
||
en hair and eyes like pale sapphires. I seemed somehow to
|
||
know her face, and to know it in connection with some dreamy
|
||
fear, but I could not recollect at the moment how or where.
|
||
All three had brilliant white teeth that shone like pearls
|
||
against the ruby of their voluptuous lips. There was some-
|
||
thing about them that made me uneasy,some longing and at the
|
||
same time some deadly fear.I felt in my heart a wicked,burn-
|
||
ing desire that they would kiss me with those red lips.It is
|
||
not good to note this down, lest some day it should meet
|
||
Mina's eyes and cause her pain, but it is the truth. They
|
||
whispered together, and then they all three laughed, such a
|
||
silvery,musical laugh, but as hard as though the sound never
|
||
could have come through the softness of human lips. It was
|
||
like the intolerable,tingling sweetness of waterglasses when
|
||
played on by a cunning hand. The fair girl shook her head
|
||
coquettishly, and the other two urged her on.
|
||
One said, "Go on! You are first, and we shall follow.
|
||
Yours' is the right to begin."
|
||
The other added, "He is young and strong. There are
|
||
kisses for us all."
|
||
I lay quiet, looking out from under my eyelashes in an
|
||
agony of delightful anticipation. The fair girl advanced and
|
||
bent over me till I could feel the movement of her breath
|
||
upon me. Sweet it was in one sense,honey-sweet, and sent the
|
||
same tingling through the nerves as her voice, but with a
|
||
bitter underlying the sweet, a bitter offensiveness, as one
|
||
smells in blood.
|
||
I was afraid to raise my eyelids,but looked out and saw
|
||
perfectly under the lashes. The girl went on her knees, and
|
||
bent over me, simply gloating.There was a deliberate volupt-
|
||
uousness which was both thrilling and repulsive, and as she
|
||
arched her neck she actually licked her lips like an animal,
|
||
till I could see in the moonlight the moisture shining on
|
||
the scarlet lips and on the red tongue as it lapped the
|
||
white sharp teeth. Lower and lower went her head as the lips
|
||
went below the range of my mouth and chin and seemed to
|
||
fasten on my throat. Then she paused, and I could hear the
|
||
churning sound of her tongue as it licked her teeth and lips,
|
||
and I could feel the hot breath on my neck. Then the skin of
|
||
my throat began to tingle as one's flesh does when the hand
|
||
that is to tickle it approaches nearer, nearer. I could feel
|
||
the soft, shivering touch of the lips on the super sensitive
|
||
skin of my throat, and the hard dents of two sharp teeth,
|
||
just touching and pausing there. I closed my eyes in lang-
|
||
uorous ecstasy and waited, waited with beating heart.
|
||
But at that instant, another sensation swept through me
|
||
as quick as lightning.I was conscious of the presence of the
|
||
Count, and of his being as if lapped in a storm of fury. As
|
||
my eyes opened involuntarily I saw his strong hand grasp the
|
||
slender neck of the fair woman and with giant's power draw
|
||
it back, the blue eyes transformed with fury, the white
|
||
teeth champing with rage, and the fair cheeks blazing red
|
||
with passion. But the Count! Never did I imagine such wrath
|
||
and fury, even to the demons of the pit. His eyes were pos-
|
||
itively blazing. The red light in them was lurid, as if the
|
||
flames of hell fire blazed behind them. His face was deathly
|
||
pale, and the lines of it were hard like drawn wires. The
|
||
thick eyebrows that met over the nose now seemed like a
|
||
heaving bar of white-hot metal. With a fierce sweep of his
|
||
arm, he hurled the woman from him, and then motioned to the
|
||
others, as though he were beating them back. It was the same
|
||
imperious gesture that I had seen used to the wolves. In a
|
||
voice which,though low and almost in a whisper seemed to cut
|
||
through the air and then ring in the room he said,
|
||
"How dare you touch him, any of you? How dare you cast
|
||
eyes on him when I had forbidden it? Back, I tell you all!
|
||
This man belongs to me! Beware how you meddle with him, or
|
||
you'll have to deal with me."
|
||
The fair girl, with a laugh of ribald coquetry, turned
|
||
to answer him. "You yourself never loved.You never love!" On
|
||
this the other women joined,and such a mirthless,hard, soul-
|
||
less laughter rang through the room that it almost made me
|
||
faint to hear. It seemed like the pleasure of fiends.
|
||
Then the Count turned, after looking at my face atten-
|
||
tively, and said in a soft whisper, "Yes, I too can love.You
|
||
yourselves can tell it from the past. Is it not so? Well,now
|
||
I promise you that when I am done with him you shall kiss
|
||
him at your will.Now go! Go! I must awaken him, for there is
|
||
work to be done."
|
||
"Are we to have nothing tonight?"said one of them, with
|
||
a low laugh, as she pointed to the bag which he had thrown
|
||
upon the floor, and which moved as though there were some
|
||
living thing within it. For answer he nodded his head. One
|
||
of the women jumped forward and opened it.If my ears did not
|
||
deceive me there was a gasp and a low wail, as of a half
|
||
smothered child. The women closed round, whilst I was aghast
|
||
with horror. But as I looked,they disappeared, and with them
|
||
the dreadful bag.There was no door near them, and they could
|
||
not have passed me without my noticing.They simply seemed to
|
||
fade into the rays of the moonlight and pass out through the
|
||
window, for I could see outside the dim, shadowy forms for a
|
||
moment before they entirely faded away.
|
||
Then the horror overcame me,and I sank down unconscious.
|
||
|
||
|
||
CHAPTER 4
|
||
|
||
Jonathan Harker's Journal Continued
|
||
|
||
I awoke in my own bed. If it be that I had not dreamt,
|
||
the Count must have carried me here. I tried to satisfy
|
||
myself on the subject, but could not arrive at any un-
|
||
questionable result. To be sure, there were certain small
|
||
evidences, such as that my clothes were folded and laid by
|
||
in a manner which was not my habit. My watch was still
|
||
unwound, and I am rigorously accustomed to wind it the last
|
||
thing before going to bed, and many such details. But these
|
||
things are no proof, for they may have been evidences that
|
||
my mind was not as usual, and, for some cause or another, I
|
||
had certainly been much upset.I must watch for proof. Of one
|
||
thing I am glad.If it was that the Count carried me here and
|
||
undressed me, he must have been hurried in his task, for my
|
||
pockets are intact. I am sure this diary would have been a
|
||
mystery to him which he would not have brooked.He would have
|
||
taken or destroyed it. As I look round this room, although
|
||
it has been to me so full of fear, it is now a sort of sanc-
|
||
tuary, for nothing can be more dreadful than those awful
|
||
women, who were, who are, waiting to suck my blood.
|
||
|
||
18 May.--I have been down to look at that room again in
|
||
daylight, for I must know the truth. When I got to the door-
|
||
way at the top of the stairs I found it closed. It had been
|
||
so forcibly driven against the jamb that part of the wood-
|
||
work was splintered. I could see that the bolt of the lock
|
||
had not been shot, but the door is fastened from the inside.
|
||
I fear it was no dream, and must act on this surmise.
|
||
|
||
19 May.--I am surely in the toils. Last night the Count
|
||
asked me in the sauvest tones to write three letters, one
|
||
saying that my work here was nearly done, and that I should
|
||
start for home within a few days,another that I was starting
|
||
on the next morning from the time of the letter, and the
|
||
third that I had left the castle and arrived at Bistritz. I
|
||
would fain have rebelled, but felt that in the present state
|
||
of things it would be madness to quarrel openly with the
|
||
Count whilst I am so absolutely in his power. And to refuse
|
||
would be to excite his suspicion and to arouse his anger. He
|
||
knows that I know too much, and that I must not live, lest I
|
||
be dangerous to him. My only chance is to prolong my oppor-
|
||
tunities. Something may occur which will give ma a chance to
|
||
escape. I saw in his eyes something of that gathering wrath
|
||
which was manifest when he hurled that fair woman from him.
|
||
He explained to me that posts were few and uncertain, and
|
||
that my writing now would ensure ease of mind to my friends.
|
||
And he assured me with so much impressiveness that he would
|
||
countermand the later letters, which would be held over at
|
||
Bistritz until due time in case chance would admit of my
|
||
prolonging my stay, that to oppose him would have been to
|
||
create new suspicion. I therefore pretended to fall in with
|
||
his views, and asked him what dates I should put on the
|
||
letters.
|
||
He calculated a minute, and then said, "The first
|
||
should be June 12,the second June 19,and the third June 29."
|
||
I know now the span of my life. God help me!
|
||
|
||
28 May.--There is a chance of escape, or at any rate of
|
||
being able to send word home. A band of Szgany have come to
|
||
the castle, and are encamped in the courtyard. These are
|
||
gipsies. I have notes of them in my book. They are peculiar
|
||
to this part of the world, though allied to the ordinary
|
||
gipsies all the world over. There are thousands of them in
|
||
Hungary and Transylvania, who are almost outside all law.
|
||
They attach themselves as a rule to some great noble or
|
||
boyar, and call themselves by his name. They are fearless
|
||
and without religion, save superstition, and they talk only
|
||
their own varieties of the Romany tongue.
|
||
I shall write some letters home, and shall try to get
|
||
them to have them posted. I have already spoken to them
|
||
through my window to begin acquaintanceship. They took their
|
||
hats off and made obeisance and many signs, which however, I
|
||
could not understand any more than I could their spoken
|
||
language . . .
|
||
I have written the letters. Mina's is in shorthand, and
|
||
I simply ask Mr. Hawkins to communicate with her. To her I
|
||
have explained my situation, but without the horrors which I
|
||
may only surmise. It would shock and frighten her to death
|
||
were I to expose my heart to her. Should the letters not
|
||
carry, then the Count shall not yet know my secret or the
|
||
extent of my knowledge . . .
|
||
|
||
I have given the letters. I threw them through the bars
|
||
of my window with a gold piece, and made what signs I could
|
||
to have them posted. The man who took them pressed them to
|
||
his heart and bowed, and then put them in his cap. I could
|
||
do no more. I stole back to the study, and began to read. As
|
||
the Count did not come in, I have written here . . .
|
||
|
||
The Count has come. He sat down beside me, and said in
|
||
his smoothest voice as he opened two letters, "The Szgany
|
||
has given me these, of which, though I know not whence they
|
||
come, I shall, of course, take care. See!"--He must have
|
||
looked at it.--"One is from you, and to my friend Peter
|
||
Hawkins. The other,"--here he caught sight of the strange
|
||
symbols as he opened the envelope, and the dark look came
|
||
into his face, and his eyes blazed wickedly,--"The other is
|
||
a vile thing, an outrage upon friendship and hospitality! It
|
||
is not signed. Well! So it cannot matter to us."And he calm-
|
||
ly held letter and envelope in the flame of the lamp till
|
||
they were consumed.
|
||
Then he went on, "The letter to Hawkins, that I shall,
|
||
of course send on, since it is yours.Your letters are sacred
|
||
to me. Your pardon, my friend, that unknowingly I did break
|
||
the seal.Will you not cover it again?"He held out the letter
|
||
to me, and with a courteous bow handed me a clean envelope.
|
||
I could only redirect it and hand it to him in silence.
|
||
When he went out of the room I could hear the key turn soft-
|
||
ly. A minute later I went over and tried it, and the door
|
||
was locked.
|
||
When, an hour or two after, the Count came quietly into
|
||
the room, his coming awakened me, for I had gone to sleep on
|
||
the sofa.He was very courteous and very cheery in his manner,
|
||
and seeing that I had been sleeping, he said, "So, my friend,
|
||
you are tired? Get to bed. There is the surest rest. I may
|
||
not have the pleasure of talk tonight, since there are many
|
||
labours to me, but you will sleep, I pray."
|
||
I passed to my room and went to bed, and, strange to
|
||
say, slept without dreaming. Despair has its own calms.
|
||
31 May.--This morning when I woke I thought I would
|
||
provide myself with some papers and envelopes from my bag
|
||
and keep them in my pocket, so that I might write in case I
|
||
should get an opportunity, but again a surprise, again a
|
||
shock!
|
||
Every scrap of paper was gone, and with it all my notes,
|
||
my memoranda, relating to railways and travel, my letter of
|
||
credit, in fact all that might be useful to me were I once
|
||
outside the castle. I sat and pondered awhile, and then some
|
||
thought occurred to me, and I made search of my portmanteau
|
||
and in the wardrobe where I had placed my clothes.
|
||
The suit in which I had travelled was gone, and also my
|
||
overcoat and rug. I could find no trace of them anywhere.
|
||
This looked like some new scheme of villainy . . .
|
||
|
||
17 June.--This morning, as I was sitting on the edge of
|
||
my bed cudgelling my brains, I heard without a crackling of
|
||
whips and pounding and scraping of horses' feet up the
|
||
rocky path beyond the courtyard. With joy I hurried to the
|
||
window, and saw drive into the yard two great leiter-wagons,
|
||
each drawn by eight sturdy horses, and at the head of each
|
||
pair a Slovak, with his wide hat, great nail-studded belt,
|
||
dirty sheepskin, and high boots. They had also their long
|
||
staves in hand. I ran to the door, intending to descend and
|
||
try and join them through the main hall, as I thought that
|
||
way might be opened for them. Again a shock, my door was
|
||
fastened on the outside.
|
||
Then I ran to the window and cried to them. They looked
|
||
up at me stupidly and pointed, but just then the "hetman" of
|
||
the Szgany came out, and seeing them pointing to my window,
|
||
said something, at which they laughed.
|
||
Henceforth no effort of mine,no piteous cry or agonized
|
||
entreaty, would make them even look at me. They resolutely
|
||
turned away. The leiter-wagons contained great,square boxes,
|
||
with handles of thick rope. These were evidently empty by
|
||
the ease with which the Slovaks handled them, and by their
|
||
resonance as they were roughly moved.
|
||
When they were all unloaded and packed in a great heap
|
||
in one corner of the yard, the Slovaks were given some money
|
||
by the Szgany, and spitting on it for luck, lazily went each
|
||
to his horse's head. Shortly afterwards, I heard the crack-
|
||
ling of their whips die away in the distance.
|
||
|
||
24 June.--Last night the Count left me early, and lock-
|
||
ed himself into his own room.As soon as I dared I ran up the
|
||
winding stair, and looked out of the window, which opened
|
||
South. I thought I would watch for the Count, for there is
|
||
something going on.The Szgany are quartered somewhere in the
|
||
castle and are doing work of some kind. I know it, for now
|
||
and then, I hear a far-away muffled sound as of mattock and
|
||
spade, and, whatever it is, it must be the end of some ruth-
|
||
less villainy.
|
||
I had been at the window somewhat less than half an
|
||
hour, when I saw something coming out of the Count's window.
|
||
I drew back and watched carefully, and saw the whole man
|
||
emerge. It was a new shock to me to find that he had on the
|
||
suit of clothes which I had worn whilst travelling here, and
|
||
slung over his shoulder the terrible bag which I had seen
|
||
the women take away. There could be no doubt as to his quest,
|
||
and in my garb, too! This, then, is his new scheme of evil,
|
||
that he will allow others to see me, as they think, so that
|
||
he may both leave evidence that I have been seen in the
|
||
towns or villages posting my own letters, and that any
|
||
wickedness which he may do shall by the local people be
|
||
attributed to me.
|
||
It makes me rage to think that this can go on, and
|
||
whilst I am shut up here, a veritable prisoner, but without
|
||
that protection of the law which is even a criminal's right
|
||
and consolation.
|
||
I thought I would watch for the Count's return, and for
|
||
a long time sat doggedly at the window. Then I began to not-
|
||
ice that there were some quaint little specks floating in
|
||
the rays of the moonlight. They were like the tiniest grains
|
||
of dust,and they whirled round and gathered in clusters in a
|
||
nebulous sort of way.I watched them with a sense of soothing,
|
||
and a sort of calm stole over me.I leaned back in the embra-
|
||
sure in a more comfortable position, so that I could enjoy
|
||
more fully the aerial gambolling.
|
||
Something made me start up, a low, piteous howling of
|
||
dogs somewhere far below in the valley, which was hidden
|
||
from my sight. Louder it seemed to ring in my ears, and the
|
||
floating moats of dust to take new shapes to the sound as
|
||
they danced in the moonlight. I felt myself struggling to
|
||
awake to some call of my instincts. Nay, my very soul was
|
||
struggling, and my half-remembered sensibilities were striv-
|
||
ing to answer the call. I was becoming hypnotised!
|
||
Quicker and quicker danced the dust.The moonbeams seem-
|
||
ed to quiver as they went by me into the mass of gloom
|
||
beyond. More and more they gathered till they seemed to take
|
||
dim phantom shapes. And then I started, broad awake and in
|
||
full possession of my senses, and ran screaming from the
|
||
place.
|
||
The phantom shapes, which were becoming gradually mat-
|
||
erialised from the moonbeams, were those three ghostly women
|
||
to whom I was doomed.
|
||
I fled, and felt somewhat safer in my own room, where
|
||
there was no moonlight, and where the lamp was burning
|
||
brightly.
|
||
When a couple of hours had passed I heard something
|
||
stirring in the Count's room, something like a sharp wail
|
||
quickly suppressed. And then there was silence, deep, awful
|
||
silence, which chilled me. With a beating heart, I tried the
|
||
door, but I was locked in my prison, and could do nothing. I
|
||
sat down and simply cried.
|
||
As I sat I heard a sound in the courtyard without, the
|
||
agonised cry of a woman. I rushed to the window, and throw-
|
||
ing it up, peered between the bars.
|
||
There, indeed, was a woman with dishevelled hair, hold-
|
||
ing her hands over her heart as one distressed with running.
|
||
She was leaning against the corner of the gateway. When she
|
||
saw my face at the window she threw herself forward, and
|
||
shouted in a voice laden with menace, "Monster, give me my
|
||
child!"
|
||
She threw herself on her knees,and raising up her hands,
|
||
cried the same words in tones which wrung my heart. Then she
|
||
tore her hair and beat her breast, and abandoned herself to
|
||
all the violences of extravagant emotion. Finally, she threw
|
||
herself forward, and though I could not see her,I could hear
|
||
the beating of her naked hands against the door.
|
||
Somewhere high overhead, probably on the tower, I heard
|
||
the voice of the Count calling in his harsh,metallic whisper.
|
||
His call seemed to be answered from far and wide by the howl-
|
||
ing of wolves. Before many minutes had passed a pack of them
|
||
poured, like a pent-up dam when liberated, through the wide
|
||
entrance into the courtyard.
|
||
There was no cry from the woman, and the howling of the
|
||
wolves was but short. Before long they streamed away singly,
|
||
licking their lips.
|
||
I could not pity her, for I knew now what had become of
|
||
her child, and she was better dead.
|
||
What shall I do? What can I do? How can I escape from
|
||
this dreadful thing of night, gloom, and fear?
|
||
|
||
25 June.--No man knows till he has suffered from the
|
||
night how sweet and dear to his heart and eye the morning
|
||
can be. When the sun grew so high this morning that it
|
||
struck the top of the great gateway opposite my window, the
|
||
high spot which it touched seemed to me as if the dove from
|
||
the ark had lighted there. My fear fell from me as if it
|
||
had been a vaporous garment which dissolved in the warmth.
|
||
I must take action of some sort whilst the courage of
|
||
the day is upon me. Last night one of my post-dated letters
|
||
went to post, the first of that fatal series which is to
|
||
blot out the very traces of my existence from the earth.
|
||
Let me not think of it. Action!
|
||
It has always been at night-time that I have been mo-
|
||
lested or threatened, or in some way in danger or in fear.
|
||
I have not yet seen the Count in the daylight. Can it be
|
||
that he sleeps when others wake, that he may be awake whilst
|
||
they sleep? If I could only get into his room! But there is
|
||
no possible way. The door is always locked, no way for me.
|
||
Yes, there is a way, if one dares to take it. Where his
|
||
body has gone why may not another body go? I have seen him
|
||
myself crawl from his window. Why should not I imitate him,
|
||
and go in by his window? The chances are desperate, but my
|
||
need is more desperate still. I shall risk it. At the worst
|
||
it can only be death, and a man's death is not a calf's, and
|
||
the dreaded Hereafter may still be open to me. God help me
|
||
in my task! Goodbye, Mina, if I fail. Goodbye, my faithful
|
||
friend and second father.Goodbye, all, and last of all Mina!
|
||
|
||
Same day, later.--I have made the effort, and God help-
|
||
ing me, have come safely back to this room. I must put down
|
||
every detail in order. I went whilst my courage was fresh
|
||
straight to the window on the south side, and at once got
|
||
outside on this side.The stones are big and roughly cut, and
|
||
the mortar has by process of time been washed away between
|
||
them. I took off my boots, and ventured out on the desperate
|
||
way. I looked down once, so as to make sure that a sudden
|
||
glimpse of the awful depth would not overcome me, but after
|
||
that kept my eyes away from it.I know pretty well the direc-
|
||
tion and distance of the Count's window, and made for it as
|
||
well as I could,having regard to the opportunities available.
|
||
I did not feel dizzy, I suppose I was too excited, and the
|
||
time seemed ridiculously short till I found myself standing
|
||
on the window sill and trying to raise up the sash. I was
|
||
filled with agitation, however, when I bent down and slid
|
||
feet foremost in through the window.Then I looked around for
|
||
the Count, but with surprise and gladness, made a discovery.
|
||
The room was empty! It was barely furnished with odd things,
|
||
which seemed to have never been used.
|
||
The furniture was something the same style as that in
|
||
the south rooms, and was covered with dust. I looked for the
|
||
key, but it was not in the lock, and I could not find it any-
|
||
where. The only thing I found was a great heap of gold in
|
||
one corner, gold of all kinds, Roman, and British, and Aust-
|
||
rian,and Hungarian,and Greek and Turkish money, covered with
|
||
a film of dust, as though it had lain long in the ground.
|
||
None of it that I noticed was less than three hundred years
|
||
old.There were also chains and ornaments, some jewelled, but
|
||
all of them old and stained.
|
||
At one corner of the room was a heavy door. I tried it,
|
||
for, since I could not find the key of the room or the key
|
||
of the outer door, which was the main object of my search, I
|
||
must make further examination, or all my efforts would be
|
||
in vain. It was open, and led through a stone passage to a
|
||
circular stairway, which went steeply down.
|
||
I descended, minding carefully where I went for the
|
||
stairs were dark, being only lit by loopholes in the heavy
|
||
masonry. At the bottom there was a dark, tunnel-like pass-
|
||
age, through which came a deathly, sickly odour, the odour
|
||
of old earth newly turned. As I went through the passage
|
||
the smell grew closer and heavier. At last I pulled open
|
||
a heavy door which stood ajar, and found myself in an old
|
||
ruined chapel, which had evidently been used as a graveyard.
|
||
The roof was broken, and in two places were steps leading to
|
||
vaults, but the ground had recently been dug over, and the
|
||
earth placed in great wooden boxes, manifestly those which
|
||
had been brought by the Slovaks.
|
||
There was nobody about, and I made a search over every
|
||
inch of the ground, so as not to lose a chance. I went down
|
||
even into the vaults, where the dim light struggled,although
|
||
to do so was a dread to my very soul. Into two of these I
|
||
went, but saw nothing except fragments of old coffins and
|
||
piles of dust. In the third, however, I made a discovery.
|
||
There, in one of the great boxes, of which there were
|
||
fifty in all, on a pile of newly dug earth, lay the Count!
|
||
He was either dead or asleep.I could not say which, for eyes
|
||
were open and stony, but without the glassiness of death,and
|
||
the cheeks had the warmth of life through all their pallor.
|
||
The lips were as red as ever. But there was no sign of move-
|
||
ment, no pulse, no breath, no beating of the heart.
|
||
I bent over him, and tried to find any sign of life,
|
||
but in vain. He could not have lain there long, for the
|
||
earthy smell would have passed away in a few hours. By the
|
||
side of the box was its cover, pierced with holes here and
|
||
there. I thought he might have the keys on him, but when I
|
||
went to search I saw the dead eyes, and in them dead though
|
||
they were, such a look of hate, though unconscious of me or
|
||
my presence, that I fled from the place, and leaving the
|
||
Count's room by the window, crawled again up the castle wall.
|
||
Regaining my room, I threw myself panting upon the bed and
|
||
tried to think.
|
||
|
||
29 June.--Today is the date of my last letter, and the
|
||
Count has taken steps to prove that it was genuine,for again
|
||
I saw him leave the castle by the same window, and in my
|
||
clothes. As he went down the wall, lizard fashion, I wished
|
||
I had a gun or some lethal weapon, that I might destroy him.
|
||
But I fear that no weapon wrought along by man's hand would
|
||
have any effect on him. I dared not wait to see him return,
|
||
for I feared to see those weird sisters. I came back to the
|
||
library, and read there till I fell asleep.
|
||
I was awakened by the Count, who looked at me as grimly
|
||
as a man could look as he said,"Tomorrow, my friend, we must
|
||
part. You return to your beautiful England, I to some work
|
||
which may have such an end that we may never meet.Your lett-
|
||
er home has been despatched. Tomorrow I shall not be here,
|
||
but all shall be ready for your journey. In the morning come
|
||
the Szgany, who have some labours of their own here, and al-
|
||
so come some Slovaks. When they have gone, my carriage
|
||
shall come for you, and shall bear you to the Borgo Pass to
|
||
meet the diligence from Bukovina to Bistritz. But I am in
|
||
hopes that I shall see more of you at Castle Dracula."
|
||
I suspected him, and determined to test his sincerity.
|
||
Sincerity! It seems like a profanation of the word to write
|
||
it in connection with such a monster, so I asked him point-
|
||
blank, "Why may I not go tonight?"
|
||
"Because, dear sir, my coachman and horses are away on
|
||
a mission."
|
||
"But I would walk with pleasure. I want to get away at
|
||
once."
|
||
He smiled, such a soft, smooth, diabolical smile that I
|
||
knew there was some trick behind his smoothness. He said,
|
||
"And your baggage?"
|
||
"I do not care about it. I can send for it some other
|
||
time."
|
||
The Count stood up, and said, with a sweet courtesy
|
||
which made me rub my eyes, it seemed so real, "You English
|
||
have a saying which is close to my heart, for its spirit is
|
||
that which rules our boyars, `Welcome the coming, speed the
|
||
parting guest.' Come with me, my dear young friend. Not an
|
||
hour shall you wait in my house against your will,though sad
|
||
am I at your going,and that you so suddenly desire it. Come!"
|
||
With a stately gravity, he, with the lamp, preceded me down
|
||
the stairs and along the hall. Suddenly he stopped. "Hark!"
|
||
Close at hand came the howling of many wolves. It was
|
||
almost as if the sound sprang up at the rising of his hand,
|
||
just as the music of a great orchestra seems to leap under
|
||
the baton of the conductor. After a pause of a moment, he
|
||
proceeded, in his stately way, to the door, drew back the
|
||
ponderous bolts, unhooked the heavy chains, and began to
|
||
draw it open.
|
||
To my intense astonishment I saw that it was unlocked.
|
||
Suspiciously, I looked all round, but could see no key of
|
||
any kind.
|
||
As the door began to open, the howling of the wolves
|
||
without grew louder and angrier. Their red jaws, with champ-
|
||
ing teeth, and their blunt-clawed feet as they leaped, came
|
||
in through the opening door. I knew than that to struggle
|
||
at the moment against the Count was useless.With such allies
|
||
as these at his command, I could do nothing.
|
||
But still the door continued slowly to open, and only
|
||
the Count's body stood in the gap. Suddenly it struck me
|
||
that this might be the moment and means of my doom. I was to
|
||
be given to the wolves, and at my own instigation. There was
|
||
a diabolical wickedness in the idea great enough for the
|
||
Count, and as the last chance I cried out, "Shut the door! I
|
||
shall wait till morning." And I covered my face with my
|
||
hands to hide my tears of bitter disappointment.
|
||
With one sweep of his powerful arm, the Count threw the
|
||
door shut, and the great bolts clanged and echoed through
|
||
the hall as they shot back into their places.
|
||
In silence we returned to the library, and after a min-
|
||
ute or two I went to my own room. The last I saw of Count
|
||
Dracula was his kissing his hand to me, with a red light of
|
||
triumph in his eyes, and with a smile that Judas in hell
|
||
might be proud of.
|
||
When I was in my room and about to lie down,I thought I
|
||
heard a whispering at my door. I went to it softly and list-
|
||
ened. Unless my ears deceived me, I heard the voice of the
|
||
Count.
|
||
"Back! Back to your own place! Your time is not yet
|
||
come. Wait! Have patience! Tonight is mine. Tomorrow night
|
||
is yours!"
|
||
There was a low,sweet ripple of laughter, and in a rage
|
||
I threw open the door, and saw without the three terrible
|
||
women licking their lips. As I appeared, they all joined in
|
||
a horrible laugh, and ran away.
|
||
I came back to my room and threw myself on my knees. It
|
||
is then so near the end? Tomorrow! Tomorrow! Lord, help me,
|
||
and those to whom I am dear!
|
||
|
||
30 June.--These may be the last words I ever write in
|
||
this diary. I slept till just before the dawn, and when I
|
||
woke threw myself on my knees,for I determined that if Death
|
||
came he should find me ready.
|
||
At last I felt that subtle change in the air, and knew
|
||
that the morning had come. Then came the welcome cock-crow,
|
||
and I felt that I was safe. With a glad heart, I opened the
|
||
door and ran down the hall. I had seen that the door was
|
||
unlocked, and now escape was before me. With hands that
|
||
trembled with eagerness, I unhooked the chains and threw
|
||
back the massive bolts.
|
||
But the door would not move. Despair seized me. I
|
||
pulled and pulled at the door, and shook it till, massive as
|
||
it was, it rattled in its casement.I could see the bolt shot.
|
||
It had been locked after I left the Count.
|
||
Then a wild desire took me to obtain the key at any
|
||
risk,and I determined then and there to scale the wall again,
|
||
and gain the Count's room. He might kill me, but death now
|
||
seemed the happier choice of evils. Without a pause I rushed
|
||
up to the east window, and scrambled down the wall,as before,
|
||
into the Count's room. It was empty, but that was as I ex-
|
||
pected. I could not see a key anywhere, but the heap of gold
|
||
remained. I went through the door in the corner and down the
|
||
winding stair and along the dark passage to the old chapel.I
|
||
knew now well enough where to find the monster I sought.
|
||
The great box was in the same place, close against the
|
||
wall, but the lid was laid on it, not fastened down, but
|
||
with the nails ready in their places to be hammered home.
|
||
I knew I must reach the body for the key, so I raised
|
||
the lid, and laid it back against the wall. And then I saw
|
||
something which filled my very soul with horror. There lay
|
||
the Count,but looking as if his youth had been half restored.
|
||
For the white hair and moustache were changed to dark iron-
|
||
grey. The cheeks were fuller, and the white skin seemed
|
||
ruby-red underneath. The mouth was redder than ever, for on
|
||
the lips were gouts of fresh blood, which trickled from the
|
||
corners of the mouth and ran down over the chin and neck.
|
||
Even the deep,burning eyes seemed set amongst swollen flesh,
|
||
for the lids and pouches underneath were bloated. It seemed
|
||
as if the whole awful creature were simply gorged with blood.
|
||
He lay like a filthy leech, exhausted with his repletion.
|
||
I shuddered as I bent over to touch him,and every sense
|
||
in me revolted at the contact, but I had to search, or I was
|
||
lost. The coming night might see my own body a banquet in a
|
||
similar war to those horrid three. I felt all over the body,
|
||
but no sign could I find of the key.Then I stopped and look-
|
||
ed at the Count. There was a mocking smile on the bloated
|
||
face which seemed to drive me mad. This was the being I was
|
||
helping to transfer to London, where, perhaps, for centuries
|
||
to come he might, amongst its teeming millions, satiate his
|
||
lust for blood, and create a new and ever-widening circle of
|
||
semi-demons to batten on the helpless.
|
||
The very thought drove me mad. A terrible desire came
|
||
upon me to rid the world of such a monster. There was no
|
||
lethal weapon at hand, but I seized a shovel which the work-
|
||
men had been using to fill the cases, and lifting it high,
|
||
struck, with the edge downward, at the hateful face. But as
|
||
I did so the head turned, and the eyes fell upon me,with all
|
||
their blaze of basilisk horror. The sight seemed to paralyze
|
||
me, and the shovel turned in my hand and glanced from the
|
||
face, merely making a deep gash above the forehead. The sho-
|
||
vel fell from my hand across the box,and as I pulled it away
|
||
the flange of the blade caught the edge of the lid which
|
||
fell over again, and hid the horrid thing from my sight. The
|
||
last glimpse I had was of the bloated face,blood-stained and
|
||
fixed with a grin of malice which would have held its own in
|
||
the nethermost hell.
|
||
I thought and thought what should be my next move, but
|
||
my brain seemed on fire,and I waited with a despairing feel-
|
||
ing growing over me. As I waited I heard in the distance
|
||
a gipsy song sung by merry voices coming closer, and through
|
||
their song the rolling of heavy wheels and the cracking of
|
||
whips. The Szgany and the Slovaks of whom the Count had
|
||
spoken were coming. With a last look around and at the box
|
||
which contained the vile body, I ran from the place and
|
||
gained the Count's room,determined to rush out at the moment
|
||
the door should be opened. With strained ears, I listened,
|
||
and heard downstairs the grinding of the key in the great
|
||
lock and the falling back of the heavy door. There must
|
||
have been some other means of entry, or some one had a key
|
||
for one of the locked doors.
|
||
Then there came the sound of many feet tramping and
|
||
dying away in some passage which sent up a clanging echo. I
|
||
turned to run down again towards the vault, where I might
|
||
find the new entrance, but at the moment there seemed to
|
||
come a violent puff of wind, and the door to the winding
|
||
stair blew to with a shock that set the dust from the lint-
|
||
els flying. When I ran to push it open, I found that it
|
||
was hopelessly fast. I was again a prisoner, and the net
|
||
of doom was closing round me more closely.
|
||
As I write there is in the passage below a sound of
|
||
many tramping feet and the crash of weights being set down
|
||
heavily, doubtless the boxes, with their freight of earth.
|
||
There was a sound of hammering. It is the box being nailed
|
||
down. Now I can hear the heavy feet tramping again along
|
||
the hall, with with many other idle feet coming behind them.
|
||
The door is shut, the chains rattle. There is a grind-
|
||
ing of the key in the lock. I can hear the key withdrawn,
|
||
then another door opens and shuts. I hear the creaking of
|
||
lock and bolt.
|
||
Hark! In the courtyard and down the rocky way the
|
||
roll of heavy wheels, the crack of whips, and the chorus of
|
||
the Szgany as they pass into the distance.
|
||
I am alone in the castle with those horrible women.
|
||
Faugh! Mina is a woman, and there is nought in common. They
|
||
are devils of the Pit!
|
||
I shall not remain alone with them. I shall try to
|
||
scale the castle wall farther than I have yet attempted. I
|
||
shall take some of the gold with me, lest I want it later. I
|
||
may find a way from this dreadful place.
|
||
And then away for home! Away to the quickest and near-
|
||
est train! Away from the cursed spot, from this cursed land,
|
||
where the devil and his children still walk with earthly
|
||
feet!
|
||
At least God's mercy is better than that of those mon-
|
||
sters, and the precipice is steep and high. At its foot a
|
||
man may sleep, as a man. Goodbye, all. Mina!
|
||
|
||
|
||
CHAPTER 5
|
||
|
||
LETTER FROM MISS MINA MURRAY TO MISS LUCY WESTENRA
|
||
|
||
9 May.
|
||
|
||
My dearest Lucy,
|
||
|
||
Forgive my long delay in writing,but I have been simply
|
||
overwhelmed with work. The life of an assistant schoolmist-
|
||
ress is sometimes trying. I am longing to be with you, and
|
||
by the sea, where we can talk together freely and build our
|
||
castles in the air. I have been working very hard lately,
|
||
because I want to keep up with Jonathan's studies, and I
|
||
have been practicing shorthand very assiduously. When we are
|
||
married I shall be able to be useful to Jonathan, and if I
|
||
can stenograph well enough I can take down what he wants to
|
||
say in this way and write it out for him on the typewriter,
|
||
at which also I am practicing very hard.
|
||
He and I sometimes write letters in shorthand, and he
|
||
is keeping a stenographic journal of his travels abroad.
|
||
When I am with you I shall keep a diary in the same way. I
|
||
don't mean one of those two-pages-to-the-week-with-Sunday-
|
||
squeezed-in-a-corner diaries, but a sort of journal which
|
||
I can write in whenever I feel inclined.
|
||
I do not suppose there will be much of interest to
|
||
other people, but it is not intended for them. I may show
|
||
it to Jonathan some day if there is in it anything worth
|
||
sharing, but it is really an exercise book. I shall try to
|
||
do what I see lady journalists do, interviewing and writing
|
||
descriptions and trying to remember conversations. I am told
|
||
that, with a little practice, one can remember all that goes
|
||
on or that one hears said during a day.
|
||
However, we shall see. I will tell you of my little
|
||
plans when we meet. I have just had a few hurried lines from
|
||
Jonathan from Transylvania. He is well, and will be return-
|
||
ing in about a week. I am longing to hear all his news. It
|
||
must be nice to see strange countries. I wonder if we, I
|
||
mean Jonathan and I, shall ever see them together. There is
|
||
the ten o'clock bell ringing. Goodbye.
|
||
Your loving
|
||
Mina
|
||
|
||
Tell me all the news when you write. You have not told
|
||
me anything for a long time. I hear rumours, and especially
|
||
of a tall, handsome, curly-haired man.???
|
||
|
||
LETTER, LUCY WESTENRA TO MINA MURRAY
|
||
|
||
|
||
17, Chatham Street
|
||
Wednesday
|
||
|
||
My dearest Mina,
|
||
|
||
I must say you tax me very unfairly with being a bad
|
||
correspondent. I wrote you twice since we parted, and your
|
||
last letter was only your second. Besides, I have nothing
|
||
to tell you. There is really nothing to interest you.
|
||
Town is very pleasant just now, and we go a great deal
|
||
to picture-galleries and for walks and rides in the park. As
|
||
to the tall, curly-haired man, I suppose it was the one who
|
||
was with me at the last Pop. Someone has evidently been
|
||
telling tales.
|
||
That was Mr. Holmwood. He often comes to see us, and
|
||
he and Mamma get on very well together, they have so many
|
||
things to talk about in common.
|
||
We met some time ago a man that would just do for you,
|
||
if you were not already engaged to Jonathan. He is an
|
||
excellant parti, being handsome, well off, and of good birth.
|
||
He is a doctor and really clever. Just fancy! He is only
|
||
nine-and twenty, and he has an immense lunatic asylum all
|
||
under his own care. Mr. Holmwood introduced him to me, and
|
||
he called here to see us, and often comes now. I think he
|
||
is one of the most resolute men I ever saw, and yet the most
|
||
calm. He seems absolutely imperturbable. I can fancy what
|
||
a wonderful power he must have over his patients. He has a
|
||
curious habit of looking one straight in the face, as if
|
||
trying to read one's thoughts. He tries this on very much
|
||
with me,but I flatter myself he has got a tough nut to crack.
|
||
I know that from my glass.
|
||
Do you ever try to read your own face? I do, and I can
|
||
tell you it is not a bad study, and gives you more trouble
|
||
than you can well fancy if you have never tried it.
|
||
He say that I afford him a curious psychological study,
|
||
and I humbly think I do. I do not, as you know, take suff-
|
||
icient interest in dress to be able to describe the new
|
||
fashions. Dress is a bore. That is slang again, but never
|
||
mind. Arthur says that every day.
|
||
There, it is all out,Mina, we have told all our secrets
|
||
to each other since we were children. We have slept together
|
||
and eaten together, and laughed and cried together, and now,
|
||
though I have spoken, I would like to speak more. Oh, Mina,
|
||
couldn't you guess? I love him. I am blushing as I write,
|
||
for although I think he loves me, he has not told me so in
|
||
words. But, oh, Mina, I love him. I love him! There, that
|
||
does me good.
|
||
I wish I were with you, dear, sitting by the fire un-
|
||
dressing, as we used to sit, and I would try to tell you
|
||
what I feel. I do not know how I am writing this even to
|
||
you. I am afraid to stop, or I should tear up the letter,
|
||
and I don't want to stop, for I do so want to tell you all.
|
||
Let me hear from you at once, and tell me all that you think
|
||
about it. Mina, pray for my happiness.
|
||
|
||
Lucy
|
||
|
||
P.S.--I need not tell you this is a secret. Goodnight
|
||
again. L.
|
||
|
||
LETTER, LUCY WESTENRA TO MINA MURRAY
|
||
|
||
24 May
|
||
|
||
My dearest Mina,
|
||
|
||
Thanks, and thanks, and thanks again for your sweet
|
||
letter. It was so nice to be able to tell you and to have
|
||
your sympathy.
|
||
My dear, it never rains but it pours. How true the old
|
||
proverbs are. Here am I, who shall be twenty in September,
|
||
and yet I never had a proposal till today, not a real pro-
|
||
posal, and today I had three. Just fancy! Three proposals
|
||
in one day! Isn't it awful! I feel sorry, really and truly
|
||
sorry, for two of the poor fellows. Oh, Mina, I am so happy
|
||
that I don't know what to do with myself. And three propos-
|
||
als! But, for goodness' sake, don't tell any of the girls,
|
||
or they would be getting all sorts of extravagant ideas, and
|
||
imagining themselves injured and slighted if in their very
|
||
first day at home they did not get six at least. Some girls
|
||
are so vain! You and I, Mina dear, who are engaged and are
|
||
going to settle down soon soberly into old married women,
|
||
can despise vanity. Well, I must tell you about the three,
|
||
but you must keep it a secret, dear, from every one except,
|
||
of course, Jonathan. You will tell him, because I would, if
|
||
I were in your place, certainly tell Arthur. A woman ought
|
||
to tell her husband everything. Don't you think so, dear?
|
||
And I must be fair. Men like women, certainly their wives,
|
||
to be quite as fair as they are. And women, I am afraid, are
|
||
not always quite as fair as they should be.
|
||
Well, my dear, number One came just before lunch. I
|
||
told you of him, Dr. John Seward, the lunatic asylum man,
|
||
with the strong jaw and the good forehead. He was very cool
|
||
outwardly, but was nervous all the same. He had evidently
|
||
been schooling himself as to all sorts of little things, and
|
||
remembered them, but he almost managed to sit down on his
|
||
silk hat, which men don't generally do when they are cool,
|
||
and then when he wanted to appear at ease he kept playing
|
||
with a lancet in a way that made me nearly scream. He spoke
|
||
to me, Mina, very straightfordwardly. He told me how dear I
|
||
was to him, though he had known me so little, and what his
|
||
life would be with me to help and cheer him. He was going to
|
||
tell me how unhappy he would be if I did not care for him,
|
||
but when he saw me cry he said he was a brute and would not
|
||
add to my present trouble. Then he broke off and asked if I
|
||
could love him in time, and when I shook my head his hands
|
||
trembled, and then with some hesitation he asked me if I
|
||
cared already for any one else.He put it very nicely, saying
|
||
that he did not want to wring my confidence from me, but on-
|
||
ly to know, because if a woman's heart was free a man might
|
||
have hope. And then, Mina, I felt a sort of duty to tell
|
||
him that there was some one. I only told him that much, and
|
||
then he stood up, and he looked very strong and very grave
|
||
as he took both my hands in his and said he hoped I would be
|
||
happy, and that If I ever wanted a friend I must count him
|
||
one of my best.
|
||
Oh, Mina dear, I can't help crying, and you must excuse
|
||
this letter being all blotted. Being proposed to is all very
|
||
nice and all that sort of thing, but it isn't at all a happy
|
||
thing when you have to see a poor fellow,whom you know loves
|
||
you honestly, going away and looking all broken hearted, and
|
||
to know that, no matter what he may say at the moment, you
|
||
are passing out of his life. My dear, I must stop here at
|
||
present, I feel so miserable, though I am so happy.
|
||
|
||
Evening.
|
||
|
||
Arthur has just gone, and I feel in better spirits than
|
||
when I left off, so I can go on telling you about the day.
|
||
Well, my dear, number Two came after lunch. He is such
|
||
a nice fellow,and American from Texas, and he looks so young
|
||
and so fresh that it seems almost impossible that he has
|
||
been to so many places and has such adventures. I sympathize
|
||
with poor Desdemona when she had such a stream poured in her
|
||
ear, even by a black man. I suppose that we women are such
|
||
cowards that we think a man will save us from fears, and we
|
||
marry him. I know now what I would do if I were a man and
|
||
wanted to make a girl love me. No, I don't, for there was
|
||
Mr.Morris telling us his stories, and Arthur never told any,
|
||
and yet . . .
|
||
My dear, I am somewhat previous. Mr. Quincy P. Morris
|
||
found me alone. It seems that a man always does find a girl
|
||
alone. No, he doesn't, for Arthur tried twice to make a
|
||
chance, and I helping him all I could, I am not ashamed to
|
||
say it now. I must tell you beforehand that Mr. Morris does-
|
||
n't always speak slang, that is to say, he never does so to
|
||
strangers or before them, for he is really well educated and
|
||
has exquisite manners, but he found out that it amused me to
|
||
hear him talk American slang,and whenever I was present, and
|
||
there was no one to be shocked, he said such funny things. I
|
||
am afraid, my dear, he has to invent it all, for it fits
|
||
exactly into whatever else he has to say. But this is a way
|
||
slang has. I do not know myself if I shall ever speak slang.
|
||
I do not know if Arthur likes it, as I have never heard him
|
||
use any as yet.
|
||
Well, Mr. Morris sat down beside me and looked as happy
|
||
and jolly as he could, but I could see all the same that he
|
||
was very nervous. He took my hand in his, and said ever so
|
||
sweetly . . .
|
||
"Miss Lucy, I know I ain't good enough to regulate the
|
||
fixin's of your little shoes, but I guess if you wait till
|
||
you find a man that is you will go join them seven young wo-
|
||
men with the lamps when you quit. Won't you just hitch up
|
||
along-side of me and let us go down the long road together,
|
||
driving in double harness?"
|
||
Well, he did look so hood humoured and so jolly that it
|
||
didn't seem half so hard to refuse him as it did poor Dr.
|
||
Seward. So I said, as lightly as I could, that I did not
|
||
know anything of hitching, and that I wasn't broken to harn-
|
||
ess at all yet. Then he said that he had spoken in a light
|
||
manner, and he hoped that if he had made a mistake in doing
|
||
so on so grave, so momentous, and occasion for him, I would
|
||
forgive him. He really did look serious when he was saying
|
||
it, and I couldn't help feeling a sort of exultation that he
|
||
was number Two in one day. And then, my dear, before I could
|
||
say a word he began pouring out a perfect torrent of love-
|
||
making, laying his very heart and soul at my feet. He looked
|
||
so earnest over it that I shall never again think that a man
|
||
must be playful always, and never earnest, because he is
|
||
merry at times. I suppose he saw something in my face which
|
||
checked him, for he suddenly stopped,and said with a sort of
|
||
manly fervour that I could have loved him for if I had been
|
||
free . . .
|
||
"Lucy, you are an honest hearted girl, I know. I should
|
||
not be here speaking to you as I am now if I did not believe
|
||
you clean grit,right through to the very depths of your soul.
|
||
Tell me, like one good fellow to another, is there any one
|
||
else that you care for? And if there is I'll never trouble
|
||
you a hair's breadth again, but will be, if you will let me,
|
||
a very faithful friend."
|
||
My dear Mina, why are men so noble when we women are so
|
||
little worthy of them? Here was I almost making fun of this
|
||
great hearted, true gentleman. I burst into tears, I am
|
||
afraid, my dear, you will think this a very sloppy letter in
|
||
more ways than one, and I really felt very badly.
|
||
Why can't they let a girl marry three men,or as many as
|
||
want her, and save all this trouble? But this is heresy, and
|
||
I must not say it. I am glad to say that, though I was cry-
|
||
ing, I was able to look into Mr. Morris' brave eyes, and I
|
||
told him out straight . . .
|
||
"Yes, there is some one I love, though he has not told
|
||
me yet that he even loves me." I was right to speak to him
|
||
so frankly, for quite a light came into his face, and he put
|
||
out both his hands and took mine, I think I put them into
|
||
his, and said in a hearty way . . .
|
||
"That's my brave girl. It's better worth being late for
|
||
a chance of winning you than being in time for any other
|
||
girl in the world. Don't cry, my dear. If it's for me, I'm
|
||
a hard nut to crack, and I take it standing up. If that
|
||
other fellow doesn't know his happiness, well, he'd better
|
||
look for it soon, or he'll have to deal with me.Little girl,
|
||
your honesty and pluck have made me a friend, and that's
|
||
rarer than a lover, it's more selfish anyhow. My dear, I'm
|
||
going to have a pretty lonely walk between this and Kingdom
|
||
Come.Won't you give me one kiss? It'll be something to keep
|
||
off the darkness now and then. You can, you know, if you
|
||
like, for that other good fellow, or you could not love him,
|
||
hasn't spoken yet."
|
||
That quite won me, Mina, for it was brave and sweet of
|
||
him, and noble too, to a rival, wasn't it? And he so sad,
|
||
so I leant over and kissed him.
|
||
He stood up with my two hands in his, and as he looked
|
||
down into my face, I am afraid I was blushing very much, he
|
||
said, "Little girl, I hold your hand, and you've kissed me,
|
||
and if these things don't make us friends nothing ever will.
|
||
Thank you for your sweet honesty to me, and goodbye."
|
||
He wrung my hand, and taking up his hat, went straight
|
||
out of the room without looking back, without a tear or a
|
||
quiver or a pause, and I am crying like a baby.
|
||
Oh, why must a man like that be made unhappy when there
|
||
are lots of girls about who would worship the very ground he
|
||
trod on? I know I would if I were free, only I don't want
|
||
to be free My dear, this quite upset me, and I feel I
|
||
cannot write of happiness just at once, after telling you of
|
||
it,and I don't wish to tell of the number Three until it can
|
||
be all happy. Ever your loving . . .
|
||
Lucy
|
||
|
||
P.S.--Oh, about number Three, I needn't tell you of
|
||
number Three, need I? Besides, it was all so confused. It
|
||
seemed only a moment from his coming into the room till both
|
||
his arms were round me, and he was kissing me. I am very,
|
||
very happy, and I don't know what I have done to deserve it.
|
||
I must only try in the future to show that I am not ungrate-
|
||
ful to God for all His goodness to me in sending to me such
|
||
a lover, such a husband, and such a friend.
|
||
Goodbye.
|
||
|
||
DR. SEWARD'S DIARY
|
||
(Kept in phonograph)
|
||
|
||
25 May.--Ebb tide in appetite today. Cannot eat, can-
|
||
not rest, so diary instead. since my rebuff of yesterday I
|
||
have a sort of empty feeling. Nothing in the world seems of
|
||
sufficient importance to be worth the doing. As I knew that
|
||
the only cure for this sort of thing was work,I went amongst
|
||
the patients. I picked out one who has afforded me a study
|
||
of much interest. He is so quaint that I am determined to
|
||
understand him as well as I can.Today I seemed to get nearer
|
||
than ever before to the heart of his mystery.
|
||
I questioned him more fully than I had ever done, with
|
||
a view to making myself master of the facts of his halluci-
|
||
nation. In my manner of doing it there was, I now see, some-
|
||
thing of cruelty. I seemed to wish to keep him to the point
|
||
of his madness, a thing which I avoid with the patients as I
|
||
would the mouth of hell.
|
||
(Mem., Under what circumstances would I not avoid the
|
||
pit of hell?) Omnia Romae venalia sunt. Hell has its price!
|
||
If there be anything behind this instinct it will be valu-
|
||
able to trace it afterwards accurately, so I had better
|
||
commence to do so, therefore . . .
|
||
R. M, Renfield, age 59. Sanguine temperament, great
|
||
physical strength, morbidly excitable, periods of gloom,end-
|
||
ing in some fixed idea which I cannot make out. I presume
|
||
that the sanguine temperament itself and the disturbing in-
|
||
fluence end in a mentally-accomplished finish, a possibly
|
||
dangerous man, probably dangerous if unselfish. In selfish
|
||
men caution is as secure an armour for their foes as for
|
||
themselves. What I think of on this point is, when self is
|
||
the fixed point the centripetal force is balanced with the
|
||
centrifugal. When duty, a cause, etc., is the fixed point,
|
||
the latter force is paramount, and only accident of a series
|
||
of accidents can balance it.
|
||
|
||
LETTER, QUINCEY P. MORRIS TO HON. ARTHUR HOLMOOD
|
||
|
||
25 May.
|
||
|
||
My dear Art,
|
||
We've told yarns by the campfire in the prairies, and
|
||
dressed one another's wounds after trying a landing at the
|
||
Marquesas, and drunk healths on the shore of Titicaca. There
|
||
are more yarns to be told,and other wounds to be healed, and
|
||
another health to be drunk. Won't you let this be at my
|
||
campfire tomorrow night? I have no hesitation in asking you,
|
||
as I know a certain lady is engaged to a certain dinner
|
||
party, and that you are free. There will only be one other,
|
||
our old pal at the Korea, Jack Seward. He's coming, too, and
|
||
we both want to mingle our weeps over the wine cup, and to
|
||
drink a health with all our hearts to the happiest man in
|
||
all the wide world, who has won the noblest heart that God
|
||
has made and best worth winning. We promise you a hearty
|
||
welcome, and a loving greeting, and a health as true as your
|
||
own right hand. We shall both swear to leave you at home if
|
||
you drink too deep to a certain pair of eyes. Come!
|
||
Yours, as ever and always,
|
||
Quincey P. Morris
|
||
|
||
TELEGRAM FROM ARTHUR HOLMWOOD TO QUINCEY P. MORRIS
|
||
|
||
26 May
|
||
|
||
Count me in every time. I bear messages which will
|
||
make both your ears tingle.
|
||
Art
|
||
|
||
|
||
CHAPTER 6
|
||
|
||
MINA MURRAY'S JOURNAL
|
||
|
||
24 July. Whitby.--Lucy met me at the station, looking
|
||
sweeter and lovlier than ever, and we drove up to the house
|
||
at the Crescent in which they have rooms. This is a lovely
|
||
place. The little river, the Esk, runs through a deep vall-
|
||
ey, which broadens out as it comes near the harbour. A great
|
||
viaduct runs across, with high piers, through which the view
|
||
seems somehow further away than it really is. The valley is
|
||
beautifully green, and it is so steep that when you are on
|
||
the high land on either side you look right across it, un-
|
||
less you are near enough to see down. The houses of the old
|
||
town--the side away from us, are all red-roofed, and seem
|
||
piled up one over the other anyhow, like the pictures we see
|
||
of Nuremberg. Right over the town is the ruin of Whitby Abb-
|
||
ey, which was sacked by the Danes, and which is the scene of
|
||
part of "Marmion," where the girl was built up in the wall.
|
||
It is a most noble ruin, of immense size, and full of beaut-
|
||
iful and romantic bits. There is a legend that a white lady
|
||
is seen in one of the windows. Between it and the town there
|
||
is another church, the parish one, round which is a big
|
||
graveyard, all full of tombstones. This is to my mind the
|
||
nicest spot in Whitby, for it lies right over the town, and
|
||
has a full view of the harbour and all up the bay to where
|
||
the headland called Kettleness stretches out into the sea.It
|
||
descends so steeply over the harbour that part of the bank
|
||
has fallen away, and some of the graves have been destroyed.
|
||
In one place part of the stonework of the graves stret-
|
||
ches out over the sandy pathway far below. There are walks,
|
||
with seats beside them, through the churchyard, and people
|
||
go and sit there all day long looking at the beautiful view
|
||
and enjoying the breeze.
|
||
I shall come and sit here often myself and work.Indeed,
|
||
I am writing now, with my book on my knee, and listening to
|
||
the talk of three old men who are sitting beside me. They
|
||
seem to do nothing all day but sit here and talk.
|
||
The harbour lies below me, with, on the far side, one
|
||
long granite wall stretching out into the sea, with a curve
|
||
outwards at the end of it,in the middle of which is a light-
|
||
house. A heavy seawall runs along outside of it. On the
|
||
near side, the seawall makes an elbow crooked inversely, and
|
||
its end too has a lighthouse. Between the two piers there
|
||
is a narrow opening into the harbour, which then suddenly
|
||
widens.
|
||
It is nice at high water, but when the tide is out it
|
||
shoals away to nothing,and there is merely the stream of the
|
||
Esk, running between banks of sand, with rocks here and
|
||
there. Outside the harbour on this side there rises for a-
|
||
bout half a mile a great reef, the sharp of which runs
|
||
straight out from behind the south lighthouse. At the end of
|
||
it is a buoy with a bell, which swings in bad weather, and
|
||
sends in a mournful sound on the wind.
|
||
They have a legend here that when a ship is lost bells
|
||
are heard out at sea. I must ask the old man about this. He
|
||
is coming this way . . .
|
||
He is a funny old man. He must be awfully old, for his
|
||
face is gnarled and twisted like the bark of a tree.He tells
|
||
me that he is nearly a hundred, and that he was a sailor in
|
||
the Greenland fishing fleet when Waterloo was fought. He is,
|
||
I am afraid, a very sceptical person, for when I asked him
|
||
about the bells at sea and the White Lady at the abbey he
|
||
said very brusquely,
|
||
"I wouldn't fash masel' about them, miss. Them things
|
||
be all wore out. Mind, I don't say that they never was, but
|
||
I do say that they wasn't in my time. They be all very well
|
||
for comers and trippers, an' the like, but not for a nice
|
||
young lady like you. Them feet-folks from York and Leeds
|
||
that be always eatin'cured herrin's and drinkin' tea an'
|
||
lookin' out to buy cheap jet would creed aught. I wonder
|
||
masel' who'd be bothered tellin' lies to them, even the
|
||
newspapers, which is full of fool-talk."
|
||
I thought he would be a good person to learn interest-
|
||
ing things from, so I asked him if he would mind telling me
|
||
something about the whale fishing in the old days. He was
|
||
just settling himself to begin when the clock struck six,
|
||
whereupon he laboured to get up, and said,
|
||
"I must gang ageeanwards home now, miss. My grand-
|
||
daughter doesn't like to be kept waitin' when the tea is
|
||
ready, for it takes me time to crammle aboon the grees, for
|
||
there be a many of `em, and miss, I lack belly-timber sairly
|
||
by the clock."
|
||
He hobbled away, and I could see him hurrying, as well
|
||
as he could, down the steps. The steps are a great feature
|
||
on the place. They lead from the town to the church, there
|
||
are hundreds of them, I do not know how many, and they wind
|
||
up in a delicate curve. The slope is so gentle that a horse
|
||
could easily walk up and down them.
|
||
I think they must originally have had something to do
|
||
with the abbey. I shall go home too. Lucy went out, visit-
|
||
ing with her mother, and as they were only duty calls, I did
|
||
not go.
|
||
|
||
1 August.--I came up here an hour ago with Lucy, and we
|
||
had a most interesting talk with my old friend and the two
|
||
others who always come and join him. He is evidently the Sir
|
||
Oracle of them,and I should think must have been in his time
|
||
a most dictatorial person.
|
||
He will not admit anything, and down faces everybody.If
|
||
he can't out-argue them he bullies them,and then takes their
|
||
silence for agreement with his views.
|
||
Lucy was looking sweetly pretty in her white lawn frock.
|
||
She has got a beautiful colour since she has been here.
|
||
I noticed that the old men did not lose any time in
|
||
coming and sitting near her when we sat down.She is so sweet
|
||
with old people, I think they all fell in love with her on
|
||
the spot. Even my old man succumbed and did not contradict
|
||
her, but gave me double share instead. I got him on the sub-
|
||
ject of the legends , and he went off at once into a sort of
|
||
sermon. I must try to remember it and put it down.
|
||
"It be all fool-talk, lock, stock, and barrel, that's
|
||
what it be and nowt else.These bans an' wafts an' boh-ghosts
|
||
an' bar-guests an' bogles an' all anent them is only fit to
|
||
set bairns an' dizzy women a'belderin'. They be nowt but
|
||
air-blebs. They, an' all grims an' signs an' warnin's, be
|
||
all invented by parsons an' illsome berk-bodies an' railway
|
||
touters to skeer an' scunner hafflin's, an' to get folks to
|
||
do somethin' that they don't other incline to. It makes me
|
||
ireful to think o' them. Why, it's them that, not content
|
||
with printin' lies on paper an' preachin' them ou t of
|
||
pulpits, does want to be cuttin' them on the tombstones.Look
|
||
here all around you in what airt ye will. All them steans,
|
||
holdin' up their heads as well as they can out of their
|
||
pride, is acant, simply tumblin' down with the weight o' the
|
||
lies wrote on them, `Here lies the body' or `Sacred to the
|
||
memory' wrote on all of them, an' yet in nigh half of them
|
||
there bean't no bodies at all, an' the memories of them
|
||
bean't cared a pinch of snuff about, much less sacred. Lies
|
||
all of them, nothin' but lies of one kind or another! My gog,
|
||
but it'll be a quare scowderment at the Day of Judgment when
|
||
they come tumblin' up in their death-sarks, all jouped toge-
|
||
ther an' trying' to drag their tombsteans with them to prove
|
||
how good they was, some of them trimmlin' an' dithering,with
|
||
their hands that dozzened an' slippery from lyin' in the sea
|
||
that they can't even keep their gurp o' them."
|
||
I could see from the old fellow's self-satisfied air
|
||
and the way in which he looked round for the approval of his
|
||
cronies that he was "showing off," so I put in a word to
|
||
keep him going.
|
||
"Oh, Mr. Swales, you can't be serious. Surely these
|
||
tombstones are not all wrong?"
|
||
"Yabblins! There may be a poorish few not wrong, savin'
|
||
where they make out the people too good, for there be folk
|
||
that do think a balm-bowl be like the sea, if only it be
|
||
their own. The whole thing be only lies. Now look you here.
|
||
You come here a stranger, an' you see this kirkgarth."
|
||
I nodded, for I thought it better to assent, though I
|
||
did not quite understand his dialect. I knew it had some-
|
||
thing to do with the church.
|
||
He went on, "And you consate that all these steans be
|
||
aboon folk that be haped here, snod an' snog?" I assented
|
||
again. "Then that be just where the lie comes in. Why,
|
||
there be scores of these laybeds that be toom as old Dun's
|
||
`baccabox on Friday night."
|
||
He nudged one of his companions, and they all laughed.
|
||
"And, my gog! How could they be otherwise? Look at that
|
||
one, the aftest abaft the bier-bank, read it!"
|
||
I went over and read, "Edward Spencelagh, master marin-
|
||
er,murdered by pirates off the coast of Andres, April, 1854,
|
||
age 30." When I came back Mr. Swales went on,
|
||
"Who brought him home, I wonder, to hap him here? Murd-
|
||
ered off the coast of Andres! An' you consated his body lay
|
||
under! Why, I could name ye a dozen whose bones lie in the
|
||
Greenland seas above," he pointed northwards, "or where the
|
||
currants may have drifted them. There be the steans around
|
||
ye. Ye can, with your young eyes, read the small print of
|
||
the lies from here. This Braithwaite Lowery, I knew his
|
||
father, lost in the Lively off Greenland in `20, or Andrew
|
||
Woodhouse, drowned in the same seas in 1777, or John Paxton,
|
||
drowned off Cape Farewell a year later,or old John Rawlings,
|
||
whose grandfather sailed with me, drowned in the Gulf of
|
||
Finland in `50. Do ye think that all these men will have to
|
||
make a rush to Whitby when the trumpet sounds? I have me
|
||
antherums aboot it! I tell ye that when they got here they'd
|
||
be jommlin' and jostlin' one another that way that it `ud be
|
||
like a fight up on the ice in the old days, when we'd be
|
||
at one another from daylight to dark, an' tryin' to tie up
|
||
our cuts by the aurora borealis." This was evidently local
|
||
pleasantry, for the old man cackled over it, and his cronies
|
||
joined in with gusto.
|
||
"But," I said, "surely you are not quite correct, for
|
||
you start on the assumption that all the poor people, or
|
||
their spirits, will have to take their tombstones with them
|
||
on the Day of Judgment. Do you think that will be really
|
||
necessary?"
|
||
"Well, what else be they tombstones for? Answer me
|
||
that, miss!"
|
||
"To please their relatives, I suppose."
|
||
"To please their relatives, you suppose!" This he said
|
||
with intense scorn. "How will it pleasure their relatives to
|
||
know that lies is wrote over them, and that everybody in the
|
||
place knows that they be lies?"
|
||
He pointed to a stone at our feet which had been laid
|
||
down as a slab, on which the seat was rested, close to the
|
||
edge of the cliff. "Read the lies on that thruff-stone," he
|
||
said.
|
||
The letters were upside down to me from where I sat,but
|
||
Lucy was more opposite to them, so she leant over and read,
|
||
"Sacred to the memory of George Canon, who died, in the hope
|
||
of a glorious resurrection, on July 29,1873,falling from the
|
||
rocks at Kettleness. This tomb was erected by his sorrowing
|
||
mother to her dearly beloved son.`He was the only son of his
|
||
mother, and she was a widow.' Really, Mr. Swales, I don't
|
||
see anything very funny in that!" She spoke her comment very
|
||
gravely and somewhat severely.
|
||
"Ye don't see aught funny! Ha-ha! But that's because ye
|
||
don't gawm the sorrowin'mother was a hell-cat that hated him
|
||
because he was acrewk'd, a regular lamiter he was, an' he
|
||
hated her so that he committed suicide in order that she
|
||
mightn't get an insurance she put on his life. He blew nigh
|
||
the top of his head off with an old musket that they had for
|
||
scarin' crows with. `twarn't for crows then, for it brought
|
||
the clegs and the dowps to him. That's the way he fell off
|
||
the rocks. And, as to hopes of a glorious resurrection, I've
|
||
often heard him say masel' that he hoped he'd go to hell,for
|
||
his mother was so pious that she'd be sure to go to heaven,
|
||
an' he didn't want to addle where she was. Now isn't that
|
||
stean at any rate,"he hammered it with his stick as he spoke,
|
||
"a pack of lies? And won't it make Gabriel keckle when
|
||
Geordie comes pantin' ut the grees with the tompstean balan-
|
||
ced on his hump, and asks to be took as evidence!"
|
||
I did not know what to say, but Lucy turned the conver-
|
||
sation as she said, rising up, "Oh, why did you tell us of
|
||
this? It is my favorite seat, and I cannot leave it, and now
|
||
I find I must go on sitting over the grave of a suicide."
|
||
"That won't harm ye, my pretty, an' it may make poor
|
||
Geordie gladsome to have so trim a lass sittin' on his lap.
|
||
That won't hurt ye. Why, I've sat here off an' on for nigh
|
||
twenty years past, an' it hasn't done me no harm. Don't ye
|
||
fash about them as lies under ye, or that doesn' lie there
|
||
either! It'll be time for ye to be getting scart when ye see
|
||
the tombsteans all run away with, and the place as bare as a
|
||
stubble-field. There's the clock, and'I must gang.My service
|
||
to ye, ladies!" And off he hobbled.
|
||
Lucy and I sat awhile, and it was all so beautiful be-
|
||
fore us that we took hands as we sat, and she told me all
|
||
over again about Arthur and their coming marriage. That made
|
||
me just a little heart-sick, for I haven't heard from Jona-
|
||
than for a whole month.
|
||
|
||
The same day. I came up here alone, for I am very sad.
|
||
There was no letter for me. I hope there cannot be anything
|
||
the matter with Jonathan. The clock has just struck nine. I
|
||
see the lights scattered all over the town,sometimes in rows
|
||
where the streets are, and sometimes singly. They run right
|
||
up the Esk and die away in the curve of the valley. To my
|
||
left the view is cut off by a black line of roof of the old
|
||
house next to the abbey. The sheep and lambs are bleating in
|
||
the fields away behind me, and there is a clatter of donkeys'
|
||
hoofs up the paved road below. The band on the pier is play-
|
||
ing a harsh waltz in good time, and further along the quay
|
||
there is a Salvation Army meeting in a back street. Neither
|
||
of the bands hears the other, but up here I hear and see
|
||
them both. I wonder where Jonathan is and if he is thinking
|
||
of me! I wish he were here.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
5 June.--The case of Renfield grows more interesting the
|
||
more I get to understand the man. He has certain qualities
|
||
very largely developed, selfishness, secrecy, and purpose.
|
||
I wish I could get at what is the object of the latter.
|
||
He seems to have some settled scheme of his own, but what it
|
||
is I do not know.His redeeming quality is a love of animals,
|
||
though, indeed, he has such curious turns in it that I some-
|
||
times imagine he is only abnormally cruel. His pets are of
|
||
odd sorts.
|
||
Just now his hobby is catching flies. He has at pre-
|
||
sent such a quantity that I have had myself to expostulate.
|
||
To my astonishment, he did not break out into a fury, as I
|
||
expected, but took the matter in simple seriousness. He
|
||
thought for a moment, and then said, "May I have three days?
|
||
I shall clear them away." Of course, I said that would do.
|
||
I must watch him.
|
||
|
||
18 June.--He has turned his mind now to spiders,and has
|
||
got several very big fellows in a box. He keeps feeding them
|
||
his flies, and the number of the latter is becoming sensibly
|
||
diminished, although he has used half his food in attracting
|
||
more flies from outside to his room.
|
||
|
||
1 July.--His spiders are now becoming as great a nui-
|
||
sance as his flies, and today I told him that he must get
|
||
rid of them.
|
||
He looked very sad at this, so I said that he must some
|
||
of them, at all events. He cheerfully acquiesced in this,
|
||
and I gave him the same time as before for reduction.
|
||
He disgusted me much while with him, for when a horrid
|
||
blowfly, bloated with some carrion food, buzzed into the
|
||
room, he caught it, held it exultantly for a few moments be-
|
||
tween his finger and thumb, and before I knew what he was
|
||
going to do, put it in his mouth and ate it.
|
||
I scolded him for it, but he argued quietly that it was
|
||
very good and very wholesome, that it was life, strong life,
|
||
and gave life to him. This gave me an idea, or the rudiment
|
||
of one. I must watch how he gets rid of his spiders.
|
||
He has evidently some deep problem in his mind, for he
|
||
keeps a little notebook in which he is always jotting down
|
||
something. whole pages of it are filled with masses of fig-
|
||
ures, generally single numbers added up in batches, and then
|
||
the totals added in batches again, as though he were focuss-
|
||
ing some account, as the auditors put it.
|
||
|
||
8 July.--There is a method in his madness,and the rudi-
|
||
mentary idea in my mind is growing. It will be a whole idea
|
||
soon, and then, oh, unconscious cerebration, you will have
|
||
to give the wall to your conscious brother.
|
||
I kept away from my friend for a few days, so that I
|
||
might notice if there were any change. Things remain as they
|
||
were except that he has parted with some of his pets and got
|
||
a new one.
|
||
He has managed to get a sparrow, and has already par-
|
||
tially tamed it. His means of taming is simple, for already
|
||
the spiders have diminshed. Those that do remain, however,
|
||
are well fed, for he still brings in the flies by tempting
|
||
them with his food.
|
||
19 July--We are progressing. My friend has now a whole
|
||
colony of sparrows, and his flies and spiders are almost ob-
|
||
literated. When I came in he ran to me and said he wanted
|
||
to ask me a great favour, a very, very great favour. And as
|
||
he spoke, he fawned on me like a dog.
|
||
I asked him what it was, and he said, with a sort of
|
||
rapture in his voice and bearing, "A kitten, a nice, little,
|
||
sleek playful kitten, that I can play with, and teach, and
|
||
feed, and feed, and feed!"
|
||
I was not unprepared for this request,for I had noticed
|
||
how his pets went on increasing in size and vivacity, but I
|
||
did not care that his pretty family of tame sparrows should
|
||
be wiped out in the same manner as the flies and spiders.
|
||
So I said I would see about it, and asked him if he would
|
||
not rather have a cat than a kitten.
|
||
His eagerness betrayed him as he answered, "Oh, yes, I
|
||
would like a cat! I only asked for a kitten lest you should
|
||
refuse me a cat. No one would refuse me a kitten, would
|
||
they?"
|
||
I shook my head, and said that at present I feared it
|
||
would not be possible, but that I would see about it. His
|
||
face fell, and I could see a warning of danger in it, for
|
||
there was a sudden fierce, sidelong look which meant killing.
|
||
The man is an undeveloped homicidal maniac. I shall test
|
||
him with his present craving and see how it will work out,
|
||
then I shall know more.
|
||
|
||
10 pm.--I have visited him again and found him sitting
|
||
in a corner brooding. When I came in he threw himself on
|
||
his knees before me and implored me to let him have a cat,
|
||
that his salvation depended upon it.
|
||
I was firm, however, and told him that he could not
|
||
have it, whereupon he went without a word, and sat down,
|
||
gnawing his fingers, in the corner where I had found him. I
|
||
shall see him in the morning early.
|
||
|
||
20 July.--Visited Renfield very early, before attendant
|
||
went his rounds. Found him up and humming a tune. He was
|
||
spreading out his sugar, which he had saved, in the window,
|
||
and was manifestly beginning his fly catching again, and be-
|
||
ginning it cheerfully and with a good grace.
|
||
I looked around for his birds,and not seeing them,asked
|
||
him where they were. He replied, without turning round, that
|
||
they had all flown away. There were a few feathers about the
|
||
room and on his pillow a drop of blood. I said nothing, but
|
||
went and told the keeper to report to me if there were any-
|
||
thing odd about him during the day.
|
||
|
||
11 am.--The attendant has just been to see me to say
|
||
that Renfield has been very sick and has disgorged a whole
|
||
lot of feathers. "My belief is, doctor," he said, "that he
|
||
has eaten his birds, and that he just took and ate them raw!"
|
||
|
||
11 pm.--I gave Renfield a strong opiate tonight, enough
|
||
to make even him sleep, and took away his pocketbook to look
|
||
at it. The thought that has been buzzing about my brain
|
||
lately is complete, and the theory proved.
|
||
My homicidal maniac is of a peculiar kind. I shall have
|
||
to invent a new classification for him, and call him a zoo-
|
||
phagous (life-eating) maniac. What he desires is to absorb
|
||
as many lives as he can, and he has laid himself out to ac-
|
||
hieve it in a cumulative way. He gave many flies to one
|
||
spider and many spiders to one bird, and then wanted a cat
|
||
to eat the many birds. What would have been his later steps?
|
||
It would almost be worth while to complete the exper-
|
||
iment. It might be done if there were only a sufficient
|
||
cause. Men sneered at vivisection, and yet look at its re-
|
||
sults today! Why not advance science in its most difficult
|
||
and vital aspect, the knowledge of the brain?
|
||
Had I even the secret of one such mind, did I hold the
|
||
key to the fancy of even one lunatic, I might advance my own
|
||
branch of science to a pitch compared with which Burdon-
|
||
Sanderson's physiology or Ferrier's brain knowledge would be
|
||
as nothing. If only there were a sufficient cause! I must
|
||
not think too much of this, or I may be tempted. A good
|
||
cause might turn the scale with me, for may not I too be of
|
||
an exceptional brain, congenitally?
|
||
How well the man reasoned. Lunatics always do within
|
||
their own scope. I wonder at how many lives he values a man,
|
||
or if at only one.He has closed the account most accurately,
|
||
and today begun a new record. How many of us begin a new
|
||
record with each day of our lives?
|
||
To me it seems only yesterday that my whole life ended
|
||
with my new hope, and that truly I began a new record. So it
|
||
shall be until the Great Recorder sums me up and closes my
|
||
ledger account with a balance to profit or loss.
|
||
Oh, Lucy,Lucy, I cannot be angry with you, nor can I be
|
||
angry with my friend whose happiness is yours, but I must
|
||
only wait on hopeless and work. Work! Work!
|
||
If I could have as strong a cause as my poor mad friend
|
||
there, a good, unselfish cause to make me work, that would
|
||
be indeed happiness.
|
||
|
||
MINA MURRAY'S JOURNAL
|
||
|
||
26 July.--I am anxious,and it soothes me to express my-
|
||
self here. It is like whispering to one's self and listening
|
||
at the same time. And there is also something about the
|
||
shorthand symbols that makes it different from writing. I am
|
||
unhappy about Lucy and about Jonathan. I had not heard from
|
||
Jonathan for some time, and was very concerned,but yesterday
|
||
dear Mr. Hawkins, who is always so kind, sent me a letter
|
||
from him. I had written asking him if he had heard, and he
|
||
said the enclosed had just been received. It is only a line
|
||
dated from Castle Dracula, and says that he is just starting
|
||
for home. That is not like Jonathan. I do not understand it,
|
||
and it makes me uneasy.
|
||
Then, too, Lucy , although she is so well, has lately
|
||
taken to her old habit of walking in her sleep. Her mother
|
||
has spoken to me about it, and we have decided that I am to
|
||
lock the door of our room every night.
|
||
Mrs. Westenra has got an idea that sleep-walkers always
|
||
go out on roofs of houses and along the edges of cliffs and
|
||
then get suddenly wakened and fall over with a despairing
|
||
cry that echoes all over the place.
|
||
Poor dear, she is naturally anxious about Lucy, and she
|
||
tells me that her husband, Lucy's father, had the same habit,
|
||
that he would get up in the night and dress himself and go
|
||
out, if he were not stopped.
|
||
Lucy is to be married in the autumn, and she is already
|
||
planning out her dresses and how her house is to be arranged.
|
||
I sympathise with her, for I do the same, only Jonathan and
|
||
I will start in life in a very simple way, and shall have to
|
||
try to make both ends meet.
|
||
Mr. Holmwood, he is the Hon. Arthur Holmwood, only son
|
||
of Lord Godalming,is coming up here very shortly, as soon as
|
||
he can leave town, for his father is not very well, and I
|
||
think dear Lucy is counting the moments till he comes.
|
||
She wants to take him up in the seat on the churchyard
|
||
cliff and show him the beauty of Whitby. I daresay it is the
|
||
waiting which disturbs her. She will be all right when he
|
||
arrives.
|
||
|
||
27 July.--No news from Jonathan. I am getting quite un-
|
||
easy about him, though why I should I do not know, but I do
|
||
wish that he would write, if it were only a single line.
|
||
Lucy walks more than ever, and each night I am awakened
|
||
by her moving about the room. Fortunately, the weather is so
|
||
hot that she cannot get cold. But still, the anxiety and the
|
||
perpetually being awakened is beginning to tell on me, and I
|
||
am getting nervous and wakeful myself. Thank God, Lucy's
|
||
health keeps up. Mr. Holmwood has been suddenly called to
|
||
Ring to see his father, who has been taken seriously ill.
|
||
Lucy frets at the postponement of seeing him, but it does
|
||
not touch her looks. She is a trifle stouter, and her cheeks
|
||
are a lovely rose-pink. She has lost the anemic look which
|
||
she had. I pray it will all last.
|
||
|
||
3 August.--Another week gone by, and no news from Jona-
|
||
than, not even to Mr. Hawkins, from whom I have heard. Oh,
|
||
I do hope he is not ill. He surely would have written. I
|
||
look at that last letter of his, but somehow it does not
|
||
satisfy me. It does not read like him, and yet it is his
|
||
writing. There is no mistake of that.
|
||
Lucy has not walked much in her sleep the last week,but
|
||
there is an odd concentration about her which I do not under-
|
||
stand, even in her sleep she seems to be watching me. She
|
||
tries the door, and finding it locked, goes about the room
|
||
searching for the key.
|
||
|
||
6 August.--Another three days, and no news. This sus-
|
||
pense is getting dreadful. If I only knew where to write to
|
||
or where to go to, I should feel easier. But no one has
|
||
heard a word of Jonathan since that last letter. I must
|
||
only pray to God for patience.
|
||
Lucy is more excitable than ever, but is otherwise well.
|
||
Last night was very threatening, and the fishermen say that
|
||
we are in for a storm. I must try to watch it and learn the
|
||
weather signs.
|
||
Today is a gray day,and the sun as I write is hidden in
|
||
thick clouds, high over Kettleness.Everything is gray except
|
||
the green grass, which seems like emerald amongst it, gray
|
||
earthy rock, gray clouds,tinged with the sunburst at the far
|
||
edge, hang over the gray sea, into which the sandpoints
|
||
stretch like gray figures. The sea is tumbling in over the
|
||
shallows and the sandy flats with a roar, muffled in the
|
||
sea-mists drifting inland. The horizon is lost in a gray
|
||
mist. All vastness, the clouds are piled up like giant
|
||
rocks, and there is a `brool' over the sea that sounds like
|
||
some passage of doom. Dark figures are on the beach here and
|
||
there, sometimes half shrouded in the mist, and seem `men
|
||
like trees walking'. The fishing boats are racing for home,
|
||
and rise and dip in the ground swell as they sweep into the
|
||
harbour, bending to the scuppers. Here comes old Mr. Swales.
|
||
He is making straight for me, and I can see, by the way he
|
||
lifts his hat, that he wants to talk.
|
||
|
||
I have been quite touched by the change in the poor old
|
||
man. When he sat down beside me, he said in a very gentle
|
||
way, "I want to say something to you, miss."
|
||
I could see he was not at ease, so I took his poor old
|
||
wrinkled hand in mine and asked him to speak fully.
|
||
So he said, leaving his hand in mine, "I'm afraid, my
|
||
deary, that I must have shocked you by all the wicked things
|
||
I've been sayin' about the dead, and such like, for weeks
|
||
past, but I didn't mean them, and I want ye to remember that
|
||
when I'm gone. We aud folks that be daffled, and with one
|
||
foot abaft the krok-hooal, don't altogether like to think of
|
||
it, and we don't want to feel scart of it, and that's why
|
||
I've took to makin' light of it, so that I'd cheer up my
|
||
own heart a bit. But, Lord love ye, miss, I ain't afraid of
|
||
dyin', not a bit, only I don't want to die if I can help it.
|
||
My time must be nigh at hand now,for I be aud, and a hundred
|
||
years is too much for any man to expect. And I'm so nigh it
|
||
that the Aud Man is already whettin' his scythe. Ye see, I
|
||
can't get out o' the habit of caffin' about it all at once.
|
||
The chafts will wag as they be used to. Some day soon the
|
||
Angel of Death will sound his trumpet for me. But don't ye
|
||
dooal an' greet, my deary!"--for he saw that I was crying--
|
||
"if he should come this very night I'd not refuse to answer
|
||
his call. For life be, after all, only a waitin' for some-
|
||
thin' else than what we're doin', and death be all that we
|
||
can rightly depend on. But I'm content, for it's comin' to
|
||
me, my deary, and comin' quick. It may be comin' while we be
|
||
lookin' and wonderin'. Maybe it's in that wind out over the
|
||
sea that's bringin' with it loss and wreck, and sore dis-
|
||
tress, and sad hearts. Look! Look!" he cried suddenly.
|
||
"There's something in that wind and in the hoast beyont that
|
||
sounds, and looks, and tastes, and smells like death. It's
|
||
in the air. I feel it comin'. Lord, make me answer cheerful,
|
||
when my call comes!" He held up his arms devoutly, and rai-
|
||
sed his hat. His mouth moved as though he were praying.
|
||
After a few minutes' silence, he got up,shook hands with me,
|
||
and blessed me, and said good-bye, and hobbled off. It all
|
||
touched me, and upset me very much.
|
||
I was glad when the coastguard came along, with his
|
||
spyglass under his arm. He stopped to talk with me, as he
|
||
always does, but all the time kept looking at a strange ship.
|
||
"I can't make her out," he said. "She's a Russian, by
|
||
the look of her. But she's knocking about in the queerest
|
||
way. She doesn't know her mind a bit. She seems to see the
|
||
storm coming,but can't decide whether to run up north in the
|
||
open, or to put in here. Look there again! She is steered
|
||
mighty strangely, for she doesn't mind the hand on the wheel,
|
||
changes about with every puff of wind. We'll hear more of
|
||
her before this time tomorrow."
|
||
|
||
|
||
CHAPTER 7
|
||
|
||
CUTTING FROM "THE DAILYGRAPH," 8 AUGUST
|
||
|
||
(PASTED IN MINA MURRAY'S JOURNAL)
|
||
|
||
From a correspondent.
|
||
|
||
Whitby.
|
||
|
||
One of the greatest and suddenest storms on record has
|
||
just been experienced here, with results both strange and
|
||
unique. The weather had been somewhat sultry, but not to
|
||
any degree uncommon in the month of August. Saturday even-
|
||
ing was as fine as was ever known, and the great body of
|
||
holiday-makers laid out yesterday for visits to Mulgrave
|
||
Woods, Robin Hood's Bay, Rig Mill, Runswick, Staithes, and
|
||
the various trips in the neighborhood of Whitby. The
|
||
steamers Emma and Scarborough made trips up and down the
|
||
coast, and there was an unusual amount of `tripping' both
|
||
to and from Whitby. The day was unusually fine till the
|
||
afternoon, when some of the gossips who frequent the East
|
||
Cliff churchyard, and from the commanding eminence watch
|
||
the wide sweep of sea visible to the north and east, called
|
||
attention to a sudden show of `mares tails' high in the sky
|
||
to the northwest. The wind was then blowing from the south-
|
||
west in the mild degree which in barometrical language is
|
||
ranked `No. 2, light breeze.'
|
||
The coastguard on duty at once made report, and one old
|
||
fisherman,who for more than half a century has kept watch on
|
||
weather signs from the East Cliff, foretold in an emphatic
|
||
manner the coming of a sudden storm. The approach of sunset
|
||
was so very beautiful, so grand in its masses of splendidly
|
||
coloured clouds, that there was quite an assemblage on the
|
||
walk along the cliff in the old churchyard to enjoy the
|
||
beauty.Before the sun dipped below the black mass of Kettle-
|
||
ness, standing boldly athwart the western sky, its downward
|
||
was was marked by myriad clouds of every sunset colour,
|
||
flame, purple, pink, green, violet, and all the tints of
|
||
gold, with here and there masses not large, but of seemingly
|
||
absolute blackness, in all sorts of shapes, as well outlined
|
||
as colossal silhouettes. The experience was not lost on the
|
||
painters, and doubtless some of the sketches of the `Prelude
|
||
to the Great Storm' will grace the R. A and R. I. walls in
|
||
May next.
|
||
More than one captain made up his mind then and there
|
||
that his `cobble' or his `mule', as they term the different
|
||
classes of boats, would remain in the harbour till the storm
|
||
had passed. The wind fell away entirely during the evening,
|
||
and at midnight there was a dead calm, a sultry heat, and
|
||
that prevailing intensity which, on the approach of thunder,
|
||
affects persons of a sensitive nature.
|
||
There were but few lights in sight at sea, for even
|
||
the coasting steamers,which usually hug the shore so closely,
|
||
kept well to seaward,and but few fishing boats were in sight.
|
||
The only sail noticeable was a foreign schooner with all
|
||
sails set, which was seemingly going westwards.The foolhard-
|
||
iness or ignorance of her officers was a prolific theme for
|
||
comment whilst she remained in sight, and efforts were made
|
||
to signal her to reduce sail in the face of her danger. Be-
|
||
fore the night shut down she was seen with sails idly flapp-
|
||
ing as she gently rolled on the undulating swell of the sea.
|
||
"As idle as a painted ship upon a painted ocean."
|
||
|
||
Shortly before ten o'clock the stillness of the air
|
||
grew quite oppressive,and the silence was so marked that the
|
||
bleating of a sheep inland or the barking of a dog in the
|
||
town was distinctly heard, and the band on the pier, with
|
||
its lively French air, was like a dischord in the great har-
|
||
mony of nature's silence. A little after midnight came a
|
||
strange sound from over the sea, and high overhead the air
|
||
began to carry a strange, faint, hollow booming.
|
||
Then without warning the tempest broke. With a rapidity
|
||
which, at the time, seemed incredible,and even afterwards is
|
||
impossible to realize, the whole aspect of nature at once
|
||
became convulsed. The waves rose in growing fury, each over-
|
||
topping its fellow, till in a very few minutes the lately
|
||
glassy sea was like a roaring and devouring monster. White-
|
||
crested waves beat madly on the level sands and rushed up
|
||
the shelving cliffs. Others broke over the piers, and with
|
||
their spume swept the lanthorns of the lighthouses which
|
||
rise from the end of either pier of Whitby Harbour.
|
||
The wind roared like thunder, and blew with such force
|
||
that it was with difficulty that even strong men kept their
|
||
feet, or clung with grim clasp to the iron stanchions. It
|
||
was found necessary to clear the entire pier from the mass
|
||
of onlookers, or else the fatalities of the night would have
|
||
increased manifold. To add to the difficulties and dangers
|
||
of the time, masses of sea-fog came drifting inland. White,
|
||
wet clouds, which swept by in ghostly fashion, so dank and
|
||
damp and cold that it needed but little effort of imagina-
|
||
tion to think that the spirits of those lost at sea were
|
||
touching their living brethren with the clammy hands of
|
||
death, and many a one shuddered at the wreaths of sea-mist
|
||
swept by.
|
||
At times the mist cleared, and the sea for some dis-
|
||
tance could be seen in the glare of the lightning, which
|
||
came thick and fast, followed by such peals of thunder that
|
||
the whole sky overhead seemed trembling under the shock of
|
||
the footsteps of the storm.
|
||
Some of the scenes thus revealed were of immeasurable
|
||
grandeur and of absorbing interest. The sea, running mount-
|
||
ains high, threw skywards with each wave mighty masses of
|
||
white foam, which the tempest seemed to snatch at and whirl
|
||
away into space. Here and there a fishing boat, with a rag
|
||
of sail, running madly for shelter before the blast, now and
|
||
again the white wings of a storm-tossed seabird. On the
|
||
summit of the East Cliff the new searchlight was ready for
|
||
experiment, but had not yet been tried. The officers in
|
||
charge of it got it into working order, and in the pauses of
|
||
onrushing mist swept with it the surface of the sea. Once or
|
||
twice its service was most effective, as when a fishing boat,
|
||
with gunwale under water, rushed into the harbour, able, by
|
||
the guidance of the sheltering light, to avoid the danger of
|
||
dashing against the piers. As each boat achieved the safety
|
||
of the port there was a shout of joy from the mass of people
|
||
on the shore,a shout which for a moment seemed to cleave the
|
||
gale and was then swept away in its rush.
|
||
Before long the searchlight discovered some distance
|
||
away a schooner with all sails set, apparently the same ves-
|
||
sel which had been noticed earlier in the evening. The wind
|
||
had by this time backed to the east, and there was a shudder
|
||
amongst the watchers on the cliff as they realized the terr-
|
||
ible danger in which she now was.
|
||
Between her and the port lay the great flat reef on
|
||
which so many good ships have from time to time suffered,
|
||
and, with the wind blowing from its present quarter,it would
|
||
be quite impossible that she should fetch the entrance of
|
||
the harbour.
|
||
It was now nearly the hour of high tide, but the waves
|
||
were so great that in their troughs the shallows of the
|
||
shore were almost visible, and the schooner, with all sails
|
||
set, was rushing with such speed that, in the words of one
|
||
old salt, "she must fetch up somewhere, if it was only in
|
||
hell". Then came another rush of sea-fog, greater than any
|
||
hitherto, a mass of dank mist, which seemed to close on all
|
||
things like a gray pall, and left available to men only the
|
||
organ of hearing, for the roar of the tempest, and the crash
|
||
of the thunder, and the booming of the mighty billows came
|
||
through the damp oblivion even louder than before. The rays
|
||
of the searchlight were kept fixed on the harbour mouth
|
||
across the East Pier, where the shock was expected, and men
|
||
waited breathless.
|
||
The wind suddenly shifted to the northeast, and the
|
||
remnant of the sea fog melted in the blast. And then,
|
||
mirabile dictu, between the piers, leaping from wave to wave
|
||
as it rushed at headlong speed, swept the strange schooner
|
||
before the blast, with all sail set, and gained the safety
|
||
of the harbour. The searchlight followed her, and a shudder
|
||
ran through all who saw her, for lashed to the helm was a
|
||
corpse, with drooping head, which swung horribly to and fro
|
||
at each motion of the ship. No other form could be seen on
|
||
the deck at all.
|
||
A great awe came on all as they realised that the ship,
|
||
as if by a miracle, had found the harbour, unsteered save by
|
||
the hand of a dead man! However, all took place more quickly
|
||
than it takes to write these words. The schooner paused not,
|
||
but rushing across the harbour, pitched herself on that
|
||
accumulation of sand and gravel washed by many tides and
|
||
many storms into the southeast corner of the pier jutting
|
||
under the East Cliff, known locally as Tate Hill Pier.
|
||
There was of course a considerable concussion as the
|
||
vessel drove up on the sand heap. Every spar, rope, and stay
|
||
was strained,and some of the `top-hammer' came crashing down.
|
||
But, strangest of all,the very instant the shore was touched,
|
||
an immense dog sprang up on deck from below,as if shot up by
|
||
the concussion, and running forward, jumped from the bow on
|
||
the sand.
|
||
Making straight for the steep cliff, where the church-
|
||
yard hangs over the laneway to the East Pier so steeply that
|
||
some of the flat tombstones, thruffsteans or through-stones,
|
||
as they call them in Whitby vernacular, actually project
|
||
over where the sustaining cliff has fallen away, it disa-
|
||
ppeared in the darkness, which seemed intensified just
|
||
beyond the focus of the searchlight.
|
||
It so happened that there was no one at the moment on
|
||
Tate Hill Pier, as all those whose houses are in close prox-
|
||
imity were either in bed or were out on the heights above.
|
||
Thus the coastguard on duty on the eastern side of the har-
|
||
bour, who at once ran down to the little pier, was the first
|
||
to climb aboard. The men working the searchlight, after
|
||
scouring the entrance of the harbour without seeing anything,
|
||
then turned the light on the derelict and kept it there. The
|
||
coastguard ran aft, and when he came beside the wheel, bent
|
||
over to examine it,and recoiled at once as though under some
|
||
sudden emotion. This seemed to pique general curiosity, and
|
||
quite a number of people began to run.
|
||
It is a good way round from the West Cliff by the Draw-
|
||
bridge to Tate Hill Pier, but your correspondent is a fairly
|
||
good runner, and came well ahead of the crowd. When I arri-
|
||
ved, however, I found already assembled on the pier a crowd,
|
||
whom the coastguard and police refused to allow to come on
|
||
board. By the courtesy of the chief boatman, I was, as your
|
||
correspondent, permitted to climb on deck, and was one of a
|
||
small group who saw the dead seaman whilst actually lashed
|
||
to the wheel.
|
||
It was no wonder that the coastguard was surprised, or
|
||
even awed, for not often can such a sight have been seen.
|
||
The man was simply fastened by his hands, tied one over the
|
||
other, to a spoke of the wheel. Between the inner hand and
|
||
the wood was a crucifix, the set of beads on which it was
|
||
fastened being around both wrists and wheel, and all kept
|
||
fast by the binding cords. The poor fellow may have been
|
||
seated at one time, but the flapping and buffeting of the
|
||
sails had worked through the rudder of the wheel and had
|
||
dragged him to and fro, so that the cords with which he
|
||
was tied had cut the flesh to the bone.
|
||
Accurate note was made of the state of things, and a
|
||
doctor, Surgeon J. M. Caffyn, of 33, East Elliot Place, who
|
||
came immediately after me, declared, after making examina-
|
||
tion, that the man must have been dead for quite two days.
|
||
In his pocket was a bottle, carefully corked, empty
|
||
save for a little roll of paper, which proved to be the
|
||
addendum to the log.
|
||
The coastguard said the man must have tied up his own
|
||
hands, fastening the knots with his teeth. The fact that a
|
||
coastguard was the first on board may save some complica-
|
||
tions later on, in the Admiralty Court, for coastguards
|
||
cannot claim the salvage which is the right of the first
|
||
civilian entering on a derelict. Already, however, the legal
|
||
tongues are wagging, and one young law student is loudly
|
||
asserting that the rights of the owner are already complete-
|
||
ly sacrificed, his property being held in contravention of
|
||
the statues of mortmain, since the tiller, as emblemship, if
|
||
not proof, of delegated possession, is held in a dead hand.
|
||
It is needless to say that the dead steersman has been
|
||
reverently removed from the place where he held his honour-
|
||
able watch and ward till death, a steadfastness as noble as
|
||
that of the young Casabianca, and placed in the mortuary to
|
||
await inquest.
|
||
Already the sudden storm is passing,and its fierceness
|
||
is abating. Crowds are scattering backward, and the sky is
|
||
beginning to redden over the Yorkshire wolds.
|
||
I shall send, in time for your next issue, further de-
|
||
tails of the derelict ship which found her way so miracu-
|
||
lously into harbour in the storm.
|
||
|
||
9 August.--The sequel to the strange arrival of the
|
||
derelict in the storm last night is almost more startling
|
||
than the thing itself. It turns out that the schooner is
|
||
Russian from Varna, and is called the Demeter. She is almost
|
||
entirely in ballast of silver sand, with only a small amount
|
||
of cargo, a number of great wooden boxes filled with mould.
|
||
This cargo was consigned to a Whitby solicitor,Mr. S.F.
|
||
Billington, of 7, The Crescent, who this morning went aboard
|
||
and took formal possession of the goods consigned to him.
|
||
The Russian consul, too, acting for the charter-party,
|
||
took formal possession of the ship, and paid all harbour
|
||
dues, etc.
|
||
Nothing is talked about here today except the strange
|
||
coincidence. The officials of the Board of Trade have been
|
||
most exacting in seeing that every compliance has been made
|
||
with existing regulations. As the matter is to be a `nine
|
||
days wonder', they are evidently determined that there shall
|
||
be no cause of other complaint.
|
||
A good deal of interest was abroad concerning the dog
|
||
which landed when the ship struck, and more than a few of
|
||
the members of the S.P.C.A., which is very strong in Whitby,
|
||
have tried to befriend the animal. To the general disa-
|
||
ppointment, however, it was not to be found. It seems to
|
||
have disappeared entirely from the town. It may be that it
|
||
was frightened and made its way on to the moors, where it is
|
||
still hiding in terror.
|
||
There are some who look with dread on such a possibil-
|
||
ity, lest later on it should in itself become a danger, for
|
||
it is evidently a fierce brute. Early this morning a large
|
||
dog, a half-bred mastiff belonging to a coal merchant close
|
||
to Tate Hill Pier, was found dead in the roadway opposite
|
||
its master's yard. It had been fighting, and manifestly had
|
||
had a savage opponent,for its throat was torn away, and its
|
||
belly was slit open as if with a savage claw.
|
||
|
||
Later.--By the kindness of the Board of Trade inspector,
|
||
I have been permitted to look over the log book of the Deme-
|
||
ter, which was in order up to within three days, but con-
|
||
tained nothing of special interest except as to facts of
|
||
missing men. The greatest interest, however, is with regard
|
||
to the paper found in the bottle,which was today produced at
|
||
the inquest. And a more strange narrative than the two bet-
|
||
ween them unfold it has not been my lot to come across.
|
||
As there is no motive for concealment,I am permitted to
|
||
use them, and accordingly send you a transcript, simply
|
||
omitting technical details of seamanship and supercargo. It
|
||
almost seems as though the captain had been seized with some
|
||
kind of mania before he had got well into blue water, and
|
||
that this had developed persistently throughout the voyage.
|
||
Of course my statement must be taken cum grano, since I am
|
||
writing from the dictation of a clerk of the Russian consul,
|
||
who kindly translated for me, time being short.
|
||
|
||
LOG OF THE "DEMETER"
|
||
Varna to Whitby
|
||
|
||
Written 18 July, things so strange happening, that I
|
||
shall keep accurate note henceforth till we land.
|
||
|
||
On 6 July we finished taking in cargo, silver sand and
|
||
boxes of earth. At noon set sail. East wind, fresh. Crew,
|
||
five hands . . . two mates, cook, and myself, (captain).
|
||
|
||
On 11 July at dawn entered Bosphorus. Boarded by
|
||
Turkish Customs officers. Backsheesh. All correct. Under
|
||
way at 4 p. m.
|
||
|
||
On 12 July through Dardanelles. More Customs officers
|
||
and flagboat of guarding squadron. Backsheesh again. Work
|
||
of officers thorough, but quick. Want us off soon. At dark
|
||
passed into Archipelago.
|
||
|
||
On 13 July passed Cape Matapan. Crew dissatisfied about
|
||
something. Seemed scared, but would not speak out.
|
||
|
||
On 14 July was somewhat anxious about crew. Men all
|
||
steady fellows, who sailed with me before. Mate could not
|
||
make out what was wrong. They only told him there was SOME-
|
||
THING, and crossed themselves. Mate lost temper with one of
|
||
them that day and struck him. Expected fierce quarrel, but
|
||
all was quiet.
|
||
|
||
On 16 July mate reported in the morning that one of the
|
||
crew, Petrofsky, was missing. Could not account for it.Took
|
||
larboard watch eight bells last night, was relieved by Amra-
|
||
moff, but did not go to bunk. Men more downcast than ever.
|
||
All said they expected something of the kind, but would not
|
||
say more than there was SOMETHING aboard. Mate getting very
|
||
impatient with them. Feared some trouble ahead.
|
||
|
||
On 17 July, yesterday, one of the men, Olgaren, came to
|
||
my cabin, and in an awestruck way confided to me that he
|
||
thought there was a strange man aboard the ship.He said that
|
||
in his watch he had been sheltering behind the deckhouse, as
|
||
there was a rain storm, when he saw a tall,thin man, who was
|
||
not like any of the crew, come up the companionway, and go
|
||
along the deck forward and disappear.He followed cautiously,
|
||
but when he got to bows found no one, and the hatchways were
|
||
all closed. He was in a panic of superstitious fear, and I
|
||
am afraid the panic may spread. To allay it, I shall today
|
||
search the entire ship carefully from stem to stern.
|
||
|
||
Later in the day I got together the whole crew,and told
|
||
them, as they evidently thought there was some one in the
|
||
ship, we would search from stem to stern. First mate angry,
|
||
said it was folly, and to yield to such foolish ideas would
|
||
demoralise the men, said he would engage to keep them out of
|
||
trouble with the handspike. I let him take the helm, while
|
||
the rest began a thorough search, all keeping abreast, with
|
||
lanterns. We left no corner unsearched. As there were only
|
||
the big wooden boxes, there were no odd corners where a man
|
||
could hide. Men much relieved when search over, and went
|
||
back to work cheerfully.First mate scowled,but said nothing.
|
||
|
||
22 July.--Rough weather last three days, and all hands
|
||
busy with sails, no time to be frightened. Men seem to have
|
||
forgotten their dread. Mate cheerful again, and all on good
|
||
terms. Praised men for work in bad weather. Passed Gibral-
|
||
tar and out through Straits. All well.
|
||
|
||
24 July.--There seems some doom over this ship. Already
|
||
a hand short, and entering the Bay of Biscay with wild wea-
|
||
ther ahead, and yet last night another man lost, disappeared.
|
||
Like the first, he came off his watch and was not seen again.
|
||
Men all in a panic of fear, sent a round robin, asking to
|
||
have double watch, as they fear to be alone. Mate angry.
|
||
Fear there will be some trouble,as either he or the men will
|
||
do some violence.
|
||
|
||
28 July.--Four days in hell,knocking about in a sort of
|
||
malestrom, and the wind a tempest. No sleep for any one. Men
|
||
all worn out. Hardly know how to set a watch, since no one
|
||
fit to go on. Second mate volunteered to steer and watch,
|
||
and let men snatch a few hours sleep. Wind abating, seas
|
||
still terrific, but feel them less, as ship is steadier.
|
||
|
||
29 July.--Another tragedy. Had single watch tonight, as
|
||
crew too tired to double. When morning watch came on deck
|
||
could find no one except steersman. Raised outcry, and all
|
||
came on deck. Thorough search, but no one found. Are now
|
||
without second mate, and crew in a panic. Mate and I agreed
|
||
to go armed henceforth and wait for any sign of cause.
|
||
|
||
30 July.--Last night. Rejoiced we are nearing England.
|
||
Weather fine, all sails set. Retired worn out, slept sound-
|
||
ly, awakened by mate telling me that both man of watch and
|
||
steersman missing. Only self and mate and two hands left to
|
||
work ship.
|
||
|
||
1 August.--Two days of fog, and not a sail sighted. Had
|
||
hoped when in the English Channel to be able to signal for
|
||
help or get in somewhere. Not having power to work sails,
|
||
have to run before wind. Dare not lower, as could not raise
|
||
them again. We seem to be drifting to some terrible doom.
|
||
Mate now more demoralised than either of men. His stronger
|
||
nature seems to have worked inwardly against himself. Men
|
||
are beyond fear, working stolidly and patiently, with minds
|
||
made up to worst. They are Russian, he Roumanian.
|
||
|
||
2 August, midnight.--Woke up from few minutes sleep by
|
||
hearing a cry, seemingly outside my port. Could see nothing
|
||
in fog. Rushed on deck, and ran against mate. Tells me he
|
||
heard cry and ran, but no sign of man on watch. One more
|
||
gone. Lord, help us! Mate says we must be past Straits of
|
||
Dover, as in a moment of fog lifting he saw North Foreland,
|
||
just as he heard the man cry out. If so we are now off in
|
||
the North Sea, and only God can guide us in the fog, which
|
||
seems to move with us, and God seems to have deserted us.
|
||
|
||
3 August.--At midnight I went to relieve the man at the
|
||
wheel and when I got to it found no one there. The wind was
|
||
steady, and as we ran before it there was no yawing. I dared
|
||
not leave it, so shouted for the mate. After a few seconds,
|
||
he rushed up on deck in his flannels. He looked wild-eyed
|
||
and haggard, and I greatly fear his reason has given way. He
|
||
came close to me and whispered hoarsely, with his mouth to
|
||
my ear, as though fearing the very air might hear. "It is
|
||
here. I know it now. On the watch last night I saw It,
|
||
like a man, tall and thin, and ghastly pale. It was in the
|
||
bows, and looking out. I crept behind It, and gave it my
|
||
knife, but the knife went through It, empty as the air." And
|
||
as he spoke he took the knife and drove it savagely into
|
||
space. Then he went on, "But It is here, and I'll find It.
|
||
It is in the hold, perhaps in one of those boxes. I'll un-
|
||
screw them one by one and see. You work the helm." And with
|
||
a warning look and his finger on his lip, he went below.
|
||
There was springing up a choppy wind, and I could not leave
|
||
the helm. I saw him come out on deck again with a tool chest
|
||
and lantern, and go down the forward hatchway. He is mad,
|
||
stark, raving mad, and it's no use my trying to stop him. He
|
||
can't hurt those big boxes, they are invoiced as clay, and
|
||
to pull them about is as harmless a thing as he can do. So
|
||
here I stay and mind the helm, and write these notes. I can
|
||
only trust in God and wait till the fog clears. Then, if I
|
||
can't steer to any harbour with the wind that is, I shall
|
||
cut down sails, and lie by, and signal for help . . .
|
||
It is nearly all over now. Just as I was beginning to
|
||
hope that the mate would come out calmer, for I heard him
|
||
knocking away at something in the hold, and work is good for
|
||
him, there came up the hatchway a sudden, startled scream,
|
||
which made my blood run cold, and up on the deck he came as
|
||
if shot from a gun, a raging madman, with his eyes rolling
|
||
and his face convulsed with fear. "Save me! Save me!" he
|
||
cried, and then looked round on the blanket of fog. His
|
||
horror turned to despair, and in a steady voice he said,"You
|
||
had better come too, captain, before it is too late. He is
|
||
there! I know the secret now. The sea will save me from
|
||
Him, and it is all that is left!" Before I could say a word,
|
||
or move forward to seize him, he sprang on the bulwark and
|
||
deliberately threw himself into the sea. I suppose I know
|
||
the secret too, now. It was this madman who had got rid of
|
||
the men one by one, and now he has followed them himself.
|
||
God help me! How am I to account for all these horrors when
|
||
I get to port? When I get to port! Will that ever be?
|
||
|
||
4 August.--Still fog, which the sunrise cannot pierce,I
|
||
know there is sunrise because I am a sailor, why else I know
|
||
not. I dared not go below, I dared not leave the helm, so
|
||
here all night I stayed, and in the dimness of the night I
|
||
saw it, Him! God, forgive me, but the mate was right to
|
||
jump overboard. It was better to die like a man. To die
|
||
like a sailor in blue water, no man can object. But I am
|
||
captain, and I must not leave my ship. But I shall baffle
|
||
this fiend or monster, for I shall tie my hands to the wheel
|
||
when my strength begins to fail, and along with them I shall
|
||
tie that which He, It, dare not touch. And then, come good
|
||
wind or foul, I shall save my soul, and my honour as a
|
||
captain. I am growing weaker, and the night is coming on. If
|
||
He can look me in the face again, I may not have time to
|
||
act . . .If we are wrecked, mayhap this bottle may be found,
|
||
and those who find it may understand. If not . . . well,
|
||
then all men shall know that I have been true to my trust.
|
||
God and the Blessed Virgin and the Saints help a poor ignor-
|
||
ant soul trying to do his duty . . .
|
||
|
||
Of course the verdict was an open one. There is no
|
||
evidence to adduce, and whether or not the man himself comm-
|
||
itted the murders there is now none to say. The folk here
|
||
hold almost universally that the captain is simply a hero,
|
||
and he is to be given a public funeral. Already it is arran-
|
||
ged that his body is to be taken with a train of boats up
|
||
the Esk for a piece and then brought back to Tate Hill Pier
|
||
and up the abbey steps, for he is to be buried in the church-
|
||
yard on the cliff. The owners of more than a hundred boats
|
||
have already given in their names as wishing to follow him
|
||
to the grave.
|
||
No trace has ever been found of the great dog, at which
|
||
there is much mourning, for, with public opinion in its pre-
|
||
sent state, he would, I believe, be adopted by the town. To-
|
||
morrow will see the funeral, and so will end this one more
|
||
`mystery of the sea'.
|
||
|
||
MINA MURRAY'S JOURNAL
|
||
|
||
8 August.--Lucy was very restless all night, and I too,
|
||
could not sleep. The storm was fearful, and as it boomed
|
||
loudly among the chimney pots, it made me shudder. When a
|
||
sharp puff came it seemed to be like a distant gun. Strange-
|
||
ly enough,Lucy did not wake, but she got up twice and dress-
|
||
ed herself. Fortunately, each time I awoke in time and
|
||
managed to undress her without waking her, and got her back
|
||
to bed. It is a very strange thing, this sleep-walking, for
|
||
as soon as her will is thwarted in any physical way, her in-
|
||
tention, if there be any, disappears, and she yields herself
|
||
almost exactly to the routine of her life.
|
||
Early in the morning we both got up and went down to
|
||
the harbour to see if anything had happened in the night.
|
||
There were very few people about, and though the sun was
|
||
bright, and the air clear and fresh, the big, grim-looking
|
||
waves, that seemed dark themselves because the foam that
|
||
topped them was like snow, forced themselves in through the
|
||
mouth of the harbour, like a bullying man going through a
|
||
crowd. Somehow I felt glad that Jonathan was not on the sea
|
||
last night, but on land. But, oh, is he on land or sea?
|
||
Where is he, and how? I am getting fearfully anxious about
|
||
him. If I only knew what to do, and could do anything!
|
||
|
||
10 August.--The funeral of the poor sea captain today
|
||
was most touching. Every boat in the harbour seemed to be
|
||
there, and the coffin was carried by captains all the way
|
||
from Tate Hill Pier up to the churchyard. Lucy came with
|
||
me, and we went early to our old seat, whilst the cortege
|
||
of boats went up the river to the Viaduct and came down
|
||
again. We had a lovely view, and saw the procession nearly
|
||
all the way. The poor fellow was laid to rest near our seat
|
||
so that we stood on it,when the time came and saw everything.
|
||
Poor Lucy seemed much upset. She was restless and
|
||
uneasy all the time,and I cannot but think that her dreaming
|
||
at night is telling on her. She is quite odd in one thing.
|
||
She will not admit to me that there is any cause for rest-
|
||
lessness, or if there be, she does not understand it herself.
|
||
There is an additional cause in that poor Mr. Swales
|
||
was found dead this morning on our seat, his neck being
|
||
broken. He had evidently, as the doctor said, fallen back
|
||
in the seat in some sort of fright, for there was a look of
|
||
fear and horror on his face that the men said made them
|
||
shudder. Poor dear old man!
|
||
Lucy is so sweet and sensitive that she feels influ-
|
||
ences more acutely than other people do. Just now she was
|
||
quite upset by a little thing which I did not much heed,
|
||
though I am myself very fond of animals.
|
||
One of the men who came up here often to look for the
|
||
boats was followed by his dog. The dog is always with him.
|
||
They are both quiet persons, and I never saw the man angry,
|
||
nor heard the dog bark. During the service the dog would not
|
||
come to its master, who was on the seat with us, but kept a
|
||
few yards off, barking and howling. Its master spoke to it
|
||
gently, and then harshly, and then angrily. But it would
|
||
neither come nor cease to make a noise. It was in a fury,
|
||
with its eyes savage, and all its hair bristling out like a
|
||
cat's tail when puss is on the war path.
|
||
Finally the man too got angry, and jumped down and
|
||
kicked the dog, and then took it by the scruff of the neck
|
||
and half dragged and half threw it on the tombstone on which
|
||
the seat is fixed. The moment it touched the stone the poor
|
||
thing began to tremble. It did not try to get away, but
|
||
crouched down, quivering and cowering, and was in such a
|
||
pitiable state of terror that I tried, though without effect,
|
||
to comfort it.
|
||
Lucy was full of pity, too, but she did not attempt to
|
||
touch the dog, but looked at it in an agonised sort of way.
|
||
I greatly fear that she is of too super sensitive a nature
|
||
to go through the world without trouble. She will be dream-
|
||
ing of this tonight, I am sure. The whole agglomeration of
|
||
things, the ship steered into port by a dead man, his atti-
|
||
tude, tied to the wheel with a crucifix and beads, the
|
||
touching funeral, the dog, now furious and now in terror,
|
||
will all afford material for her dreams.
|
||
I think it will be best for her to go to bed tired out
|
||
physically, so I shall take her for a long walk by the
|
||
cliffs to Robin Hood's Bay and back. She ought not to have
|
||
much inclination for sleep-walking then.
|
||
|
||
|
||
CHAPTER 8
|
||
|
||
MINA MURRAY'S JOURNAL
|
||
|
||
Same day, 11 o'clock p.m..--Oh, but I am tired! If it
|
||
were not that I had made my diary a duty I should not open
|
||
it tonight. We had a lovely walk. Lucy, after a while, was
|
||
in gay spirits, owing, I think, to some dear cows who came
|
||
nosing towards us in a field close to the lighthouse, and
|
||
frightened the wits out of us. I believe we forgot every-
|
||
thing, except of course, personal fear,and it seemed to wipe
|
||
the slate clean and give us a fresh start. We had a capital
|
||
`severe tea' at Robin Hood's Bay in a sweet little old-
|
||
fashioned inn, with a bow window right over the seaweed-
|
||
covered rocks of the strand. I believe we should have shock-
|
||
ed the `New Woman' with our appetites.Men are more tolerant,
|
||
bless them! Then we walked home with some, or rather many,
|
||
stoppages to rest, and with our hearts full of a constant
|
||
dread of wild bulls.
|
||
Lucy was really tired, and we intended to creep off to
|
||
bed as soon as we could. The young curate came in, however,
|
||
and Mrs. Westenra asked him to stay for supper. Lucy and I
|
||
had both a fight for it with the dusty miller. I know it was
|
||
a hard fight on my part, and I am quite heroic. I think that
|
||
some day the bishops must get together and see about breed-
|
||
ing up a new class of curates, who don't take supper, no
|
||
matter how hard they may be pressed to, and who will know
|
||
when girls are tired.
|
||
Lucy is asleep and breathing softly. She has more color
|
||
in her cheeks than usual, and looks, oh so sweet. If Mr.
|
||
Holmwood fell in love with her seeing her only in the draw-
|
||
ing room, I wonder what he would say if he saw her now. Some
|
||
of the `New Women' writers will some day start an idea that
|
||
men and women should be allowed to see each other asleep be-
|
||
fore proposing or accepting. But I suppose the `New Woman'
|
||
won't condescend in future to accept. She will do the pro-
|
||
posing herself. And a nice job she will make of it too!
|
||
There's some consolation in that. I am so happy tonight,
|
||
because dear Lucy seems better. I really believe she has
|
||
turned the corner, and that we are over her troubles with
|
||
dreaming. I should be quite happy if I only knew if Jona-
|
||
than . . . God bless and keep him.
|
||
|
||
11 August.--Diary again. No sleep now, so I may as well
|
||
write. I am too agitated to sleep. We have had such an ad-
|
||
venture, such an agonizing experience. I fell asleep as soon
|
||
as I had closed my diary . . .Suddenly I became broad awake,
|
||
and sat up, with a horrible sense of fear upon me, and of
|
||
some feeling of emptiness around me. The room was dark, so I
|
||
could not see Lucy's bed. I stole across and felt for her.
|
||
The bed was empty. I lit a match and found that she was not
|
||
in the room. The door was shut, but not locked, as I had
|
||
left it. I feared to wake her mother, who has been more than
|
||
usually ill lately,so threw on some clothes and got ready to
|
||
look for her. As I was leaving the room it struck me that
|
||
the clothes she wore might give me some clue to her dreaming
|
||
intention. Dressing-gown would mean house, dress outside.
|
||
Dressing-gown and dress were both in their places. "Thank
|
||
God," I said to myself, "she cannot be far, as she is only
|
||
in her nightdress."
|
||
I ran downstairs and looked in the sitting room. Not
|
||
there! Then I looked in all the other rooms of the house,
|
||
with an ever-growing fear chilling my heart. Finally, I
|
||
came to the hall door and found it open. It was not wide
|
||
open, but the catch of the lock had not caught. The people
|
||
of the house are careful to lock the door every night, so I
|
||
feared that Lucy must have gone out as she was. There was no
|
||
time to think of what might happen. A vague over-mastering
|
||
fear obscured all details.
|
||
I took a big, heavy shawl and ran out. The clock was
|
||
striking one as I was in the Crescent, and there was not a
|
||
soul in sight. I ran along the North Terrace, but could see
|
||
no sign of the white figure which I expected. At the edge of
|
||
the West Cliff above the pier I looked across the harbour to
|
||
the East Cliff, in the hope or fear, I don't know which, of
|
||
seeing Lucy in our favorite seat.
|
||
There was a bright full moon, with heavy black, driving
|
||
clouds, which threw the whole scene into a fleeting diorama
|
||
of light and shade as they sailed across. For a moment or
|
||
two I could see nothing, as the shadow of a cloud obscured
|
||
St. Mary's Church and all around it. Then as the cloud
|
||
passed I could see the ruins of the abbey coming into view,
|
||
and as the edge of a narrow band of light as sharp as a
|
||
sword-cut moved along, the church and churchyard became
|
||
gradually visible. Whatever my expectation was, it was not
|
||
disappointed, for there, on our favorite seat, the silver
|
||
light of the moon struck a half-reclining figure,snowy white.
|
||
The coming of the cloud was too quick for me to see much,for
|
||
shadow shut down on light almost immediately, but it seemed
|
||
to me as though something dark stood behind the seat where
|
||
the white figure shone, and bent over it. What it was, whe-
|
||
ther man or beast, I could not tell.
|
||
I did not wait to catch another glance, but flew down
|
||
the steep steps to the pier and along by the fish-market to
|
||
the bridge, which was the only way to reach the East Cliff.
|
||
The town seemed as dead, for not a soul did I see. I re-
|
||
joiced that it was so,for I wanted no witness of poor Lucy's
|
||
condition. The time and distance seemed endless, and my
|
||
knees trembled and my breath came laboured as I toiled up
|
||
the endless steps to the abbey. I must have gone fast, and
|
||
yet it seemed to me as if my feet were weighted with lead,
|
||
and as though every joint in my body were rusty.
|
||
When I got almost to the top I could see the seat and
|
||
the white figure, for I was now close enough to distinguish
|
||
it even through the spells of shadow. There was undoubtedly
|
||
something, long and black, bending over the half-reclining
|
||
white figure. I called in fright, "Lucy! Lucy!" and some-
|
||
thing raised a head, and from where I was I could see a
|
||
white face and red, gleaming eyes.
|
||
Lucy did not answer,and I ran on to the entrance of the
|
||
churchyard. As I entered, the church was between me and the
|
||
seat, and for a minute or so I lost sight of her. When I
|
||
came in view again the cloud had passed, and the moonlight
|
||
struck so brilliantly that I could see Lucy half reclining
|
||
with her head lying over the back of the seat. She was
|
||
quite alone, and there was not a sign of any living thing
|
||
about.
|
||
When I bent over her I could see that she was still
|
||
asleep. Her lips were parted, and she was breathing, not
|
||
softly as usual with her,but in long, heavy gasps, as though
|
||
striving to get her lungs full at every breath. As I came
|
||
close,she put up her hand in her sleep and pulled the collar
|
||
of her nightdress close around her, as though she felt the
|
||
cold. I flung the warm shawl over her, and drew the edges
|
||
tight around her neck, for I dreaded lest she should get
|
||
some deadly chill from the night air, unclad as she was. I
|
||
feared to wake her all at once, so,in order to have my hands
|
||
free to help her, I fastened the shawl at her throat with a
|
||
big safety pin. But I must have been clumsy in my anxiety
|
||
and pinched or pricked her with it, for by-and-by, when her
|
||
breathing became quieter, she put her hand to her throat
|
||
again and moaned. When I had her carefully wrapped up I put
|
||
my shoes on her feet, and then began very gently to wake her.
|
||
At first she did not respond, but gradually she became
|
||
more and more uneasy in her sleep, moaning and sighing occa-
|
||
sionally. At last, as time was passing fast, and for many
|
||
other reasons, I wished to get her home at once, I shook her
|
||
forcibly, till finally she opened her eyes and awoke. She
|
||
did not seem surprised to see me, as, of course, she did not
|
||
realize all at once where she was.
|
||
Lucy always wakes prettily,and even at such a time,when
|
||
her body must have been chilled with cold,and her mind some-
|
||
what appalled at waking unclad in a churchyard at night, she
|
||
did not lose her grace. She trembled a little, and clung to
|
||
me. When I told her to come at once with me home, she rose
|
||
without a word, with the obedience of a child. As we passed
|
||
along, the gravel hurt my feet, and Lucy noticed me wince.
|
||
She stopped and wanted to insist upon my taking my shoes,but
|
||
I would not. However, when we got to the pathway outside the
|
||
chruchyard,where there was a puddle of water, remaining from
|
||
the storm,I daubed my feet with mud, using each foot in turn
|
||
on the other, so that as we went home, no one, in case we
|
||
should meet any one, should notice my bare feet.
|
||
Fortune favoured us, and we got home without meeting a
|
||
soul. Once we saw a man, who seemed not quite sober, pass-
|
||
ing along a street in front of us. But we hid in a door till
|
||
he had disappeared up an opening such as there are here,
|
||
steep little closes, or `wynds', as they call them in Scot-
|
||
land. My heart beat so loud all the time sometimes I
|
||
thought I should faint.I was filled with anxiety about Lucy,
|
||
not only for her health, lest she should suffer from the ex-
|
||
posure, but for her reputation in case the story should get
|
||
wind. When we got in, and had washed our feet, and had said
|
||
a prayer of thankfulness together, I tucked her into bed.
|
||
Before falling asleep she asked, even implored, me not to
|
||
say a word to any one, even her mother, about her sleep-
|
||
walking adventure.
|
||
I hesitated at first,to promise, but on thinking of the
|
||
state of her mother's health, and how the knowledge of such
|
||
a thing would fret her, and think too, of how such a story
|
||
might become distorted, nay, infallibly would, in case it
|
||
should leak out, I thought it wiser to do so. I hope I did
|
||
right. I have locked the door, and the key is tied to my
|
||
wrist, so perhaps I shall not be again disturbed. Lucy is
|
||
sleeping soundly. The reflex of the dawn is high and far
|
||
over the sea . . .
|
||
|
||
Same day, noon.--All goes well. Lucy slept till I woke
|
||
her and seemed not to have even changed her side. The ad-
|
||
venture of the night does not seem to have harmed her, on
|
||
the contrary, it has benefited her, for she looks better
|
||
this morning than she has done for weeks. I was sorry to
|
||
notice that my clumsiness with the safety-pin hurt her.
|
||
Indeed, it might have been serious, for the skin of her
|
||
throat was pierced. I must have pinched up a piece of loose
|
||
skin and have transfixed it, for there are two little red
|
||
points like pin-pricks, and on the band of her nightdress
|
||
was a drop of blood. When I apologised and was concerned
|
||
about it, she laughed and petted me, and said she did not
|
||
even feel it. Fortunately it cannot leave a scar, as it is
|
||
so tiny.
|
||
|
||
Same day, night.--We passed a happy day. The air was
|
||
clear, and the sun bright, and there was a cool breeze. We
|
||
took our lunch to Mulgrave Woods, Mrs. Westenra driving by
|
||
the road and Lucy and I walking by the cliff-path and join-
|
||
ing her at the gate. I felt a little sad myself, for I
|
||
could not but feel how absolutely happy it would have been
|
||
had Jonathan been with me. But there! I must only be
|
||
patient. In the evening we strolled in the Casino Terrace,
|
||
and heard some good music by Spohr and Mackenzie, and went
|
||
to bed early. Lucy seems more restful than she has been for
|
||
some time, and fell asleep at once. I shall lock the door
|
||
and secure the key the same as before,though I do not expect
|
||
any trouble tonight.
|
||
|
||
12 August.--My expectations were wrong, for twice dur-
|
||
ing the night I was wakened by Lucy trying to get out. She
|
||
seemed, even in her sleep, to be a little impatient at find-
|
||
ing the door shut, and went back to bed under a sort of
|
||
protest. I woke with the dawn, and heard the birds chirp-
|
||
ing outside of the window. Lucy woke, too, and I was glad
|
||
to see, was even better than on the previous morning. All
|
||
her old gaiety of manner seemed to have come back, and she
|
||
came and snuggled in beside me and told me all about Arthur.
|
||
I told her how anxious I was about Jonathan, and then she
|
||
tried to comfort me. Well, she succeeded somewhat, for,
|
||
though sympathy can't alter facts, it can make them more
|
||
bearable.
|
||
|
||
13 August.--Another quiet day, and to bed with the key
|
||
on my wrist as before. Again I awoke in the night, and
|
||
found Lucy sitting up in bed, still asleep, pointing to the
|
||
window. I got up quietly, and pulling aside the blind,
|
||
looked out. It was brilliant moonlight, and the soft effect
|
||
of the light over the sea and sky, merged together in one
|
||
great silent mystery, was beautiful beyond words. Between me
|
||
and the moonlight flitted a great bat, coming and going in
|
||
great whirling circles. Once or twice it came quite close,
|
||
but was, I suppose,frightened at seeing me, and flitted away
|
||
across the harbour towards the abbey. When I came back from
|
||
the window Lucy had lain down again, and was sleeping peace-
|
||
fully. She did not stir again all night.
|
||
|
||
14 August.--On the East Cliff, reading and writing all
|
||
day. Lucy seems to have become as much in love with the spot
|
||
as I am, and it is hard to get her away from it when it is
|
||
time to come home for lunch or tea or dinner. This after-
|
||
noon she made a funny remark.We were coming home for dinner,
|
||
and had come to the top of the steps up from the West Pier
|
||
and stopped to look at the view, as we generally do. The
|
||
setting sun, low down in the sky, was just dropping behind
|
||
Kettleness. The red light was thrown over on the East Cliff
|
||
and the old abbey, and seemed to bathe everything in a
|
||
beautiful rosy glow. We were silent for a while, and
|
||
suddenly Lucy murmured as if to herself . . .
|
||
"His red eyes again! They are just the same." It was
|
||
such an odd expression, coming apropos of nothing, that it
|
||
quite startled me. I slewed round a little, so as to see
|
||
Lucy well without seeming to stare at her, and saw that she
|
||
was in a half dreamy state, with an odd look on her face
|
||
that I could not quite make out, so I said nothing, but
|
||
followed her eyes. She appeared to be looking over at our
|
||
own seat, whereon was a dark figure seated alone. I was
|
||
quite a little startled myself, for it seemed for an instant
|
||
as if the stranger had great eyes like burning flames, but
|
||
a second look dispelled the illusion. The red sunlight was
|
||
shining on the windows of St. Mary's Church behind our seat,
|
||
and as the sun dipped there was just sufficient change in
|
||
the refraction and reflection to make it appear as if the
|
||
light moved. I called Lucy's attention to the peculiar
|
||
effect, and she became herself with a start, but she looked
|
||
sad all the same. It may have been that she was thinking
|
||
of that terrible night up there. We never refer to it, so
|
||
I said nothing, and we went home to dinner. Lucy had a head-
|
||
ache and went early to bed. I saw her asleep, and went out
|
||
for a little stroll myself.
|
||
I walked along the cliffs to the westward, and was full
|
||
of sweet sadness,for I was thinking of Jonathan. When coming
|
||
home, it was then bright moonlight, so bright that, though
|
||
the front of our part of the Crescent was in shadow, every-
|
||
thing could be well seen, I threw a glance up at our window,
|
||
and saw Lucy's head leaning out. I opened my handkerchief
|
||
and waved it. She did not notice or make any movement what-
|
||
ever. Just then, the moonlight crept round an angle of the
|
||
building, and the light fell on the window. There distinctly
|
||
was Lucy with her head lying up against the side of the win-
|
||
dow sill and her eyes shut. She was fast asleep, and by her,
|
||
seated on the window sill, was something that looked like a
|
||
good-sized bird. I was afraid she might get a chill, so I
|
||
ran upstairs,but as I came into the room she was moving back
|
||
to her bed, fast asleep, and breathing heavily.She was hold-
|
||
ing her hand to her throat, as though to protect if from the
|
||
cold.
|
||
I did not wake her, but tucked her up warmly. I have
|
||
taken care that the door is locked and the window securely
|
||
fastened.
|
||
She looks so sweet as she sleeps, but she is paler than
|
||
is her wont, and there is a drawn, haggard look under her
|
||
eyes which I do not like. I fear she is fretting about some-
|
||
thing. I wish I could find out what it is.
|
||
|
||
15 August.--Rose later than usual. Lucy was languid and
|
||
tired, and slept on after we had been called. We had a happy
|
||
surprise at breakfast. Arthur's father is better, and wants
|
||
the marriage to come off soon. Lucy is full of quiet joy,
|
||
and her mother is glad and sorry at once.Later on in the day
|
||
she told me the cause. She is grieved to lose Lucy as her
|
||
very own, but she is rejoiced that she is soon to have some
|
||
one to protect her. Poor dear, sweet lady! She confided to
|
||
me that she has got her death warrant.She has not told Lucy,
|
||
and made me promise secrecy. Her doctor told her that within
|
||
a few months, at most, she must die, for her heart is weak-
|
||
ening. At any time, even now, a sudden shock would be almost
|
||
sure to kill her.Ah,we were wise to keep from her the affair
|
||
of the dreadful night of Lucy's sleep-walking.
|
||
|
||
17 August.--No diary for two whole days. I have not
|
||
had the heart to write. Some sort of shadowy pall seems to
|
||
be coming over our happiness. No news from Jonathan, and
|
||
Lucy seems to be growing weaker, whilst her mother's hours
|
||
are numbering to a close. I do not understand Lucy's fading
|
||
away as she is doing. She eats well and sleeps well, and
|
||
enjoys the fresh air, but all the time the roses in her
|
||
cheeks are fading, and she gets weaker and more languid day
|
||
by day. At night I hear her gasping as if for air.
|
||
I keep the key of our door always fastened to my wrist
|
||
at night, but she gets up and walks about the room, and sits
|
||
at the open window. Last night I found her leaning out when
|
||
I woke up, and when I tried to wake her I could not.
|
||
She was in a faint. When I managed to restore her, she
|
||
was weak as water, and cried silently between long, painful
|
||
struggles for breath. When I asked her how she came to be
|
||
at the window she shook her head and turned away.
|
||
I trust her feeling ill may not be from that unlucky
|
||
prick of the safety-pin. I looked at her throat just now as
|
||
she lay asleep, and the tiny wounds seem not to have healed.
|
||
They are still open, and, if anything, larger than before,
|
||
and the edges of them are faintly white.They are like little
|
||
white dots with red centres. Unless they heal within a day
|
||
or two, I shall insist on the doctor seeing about them.
|
||
|
||
LETTER, SAMUEL F. BILLINGTON & SON, SOLICITORS
|
||
WHITBY,TO MESSRS. CARTER, PATERSON & CO., LONDON.
|
||
|
||
17 August
|
||
|
||
"Dear Sirs, --
|
||
"Herewith please receive invoice of goods sent by Great
|
||
Northern Railway. Same are to be delivered at Carfax, near
|
||
Purfleet, immediately on receipt at goods station King's
|
||
Cross. The house is at present empty, but enclosed please
|
||
find keys, all of which are labelled.
|
||
"You will please deposit the boxes, fifty in number,
|
||
which form the consignment, in the partially ruined building
|
||
forming part of the house and marked `A' on rough diagrams
|
||
enclosed. Your agent will easily recognize the locality, as
|
||
it is the ancient chapel of the mansion. The goods leave by
|
||
the train at 9:30 tonight, and will be due at King's Cross
|
||
at 4:30 tomorrow afternoon. As our client wishes the deliv-
|
||
ery made as soon as possible, we shall be obliged by your
|
||
having teams ready at King's Cross at the time named and
|
||
forthwith conveying the goods to destination. In order to
|
||
obviate any delays possible through any routine requirements
|
||
as to payment in your departments,we enclose cheque herewith
|
||
for ten pounds, receipt of which please acknowledge. Should
|
||
the charge be less than this amount, you can return balance,
|
||
if greater, we shall at once send cheque for difference on
|
||
hearing from you. You are to leave the keys on coming away
|
||
in the main hall of the house, where the proprietor may get
|
||
them on his entering the house by means of his duplicate key.
|
||
"Pray do not take us as exceeding the bounds of busi-
|
||
ness courtesy in pressing you in all ways to use the utmost
|
||
expedition.
|
||
"We are, dear Sirs,
|
||
"Faithfully yours,
|
||
"SAMUEL F. BILLINGTON & SON"
|
||
|
||
LETTER, MESSRS. CARTER, PATERSON & CO., LONDON,
|
||
TO MESSRS. BILLINGTON & SON, WHITBY.
|
||
|
||
21 August.
|
||
|
||
"Dear Sirs,--
|
||
"We beg to acknowledge 10 pounds received and to return
|
||
cheque of 1 pound, 17s, 9d, amount of overplus, as shown in
|
||
receipted account herewith. Goods are delivered in exact
|
||
accordance with instructions, and keys left in parcel in
|
||
main hall, as directed.
|
||
"We are, dear Sirs,
|
||
"Yours respectfully,
|
||
"Pro CARTER, PATERSON & CO."
|
||
|
||
MINA MURRAY'S JOURNAL.
|
||
|
||
18 August.--I am happy today, and write sitting on the
|
||
seat in the churchyard. Lucy is ever so much better. Last
|
||
night she slept well all night, and did not disturb me once.
|
||
The roses seem coming back already to her cheeks,though
|
||
she is still sadly pale and wan-looking. If she were in any
|
||
way anemic I could understand it, but she is not. She is in
|
||
gay spirits and full of life and cheerfulness.All the morbid
|
||
reticence seems to have passed from her, and she has just
|
||
reminded me, as if I needed any reminding, of that night,and
|
||
that it was here, on this very seat, I found her asleep.
|
||
As she told me she tapped playfully with the heel of
|
||
her boot on the stone slab and said,
|
||
"My poor little feet didn't make much noise then! I
|
||
daresay poor old Mr. Swales would have told me that it was
|
||
because I didn't want to wake up Geordie."
|
||
As she was in such a communicative humour, I asked her
|
||
if she had dreamed at all that night.
|
||
Before she answered,that sweet, puckered look came into
|
||
her forehead, which Arthur,I call him Arthur from her habit,
|
||
says he loves, and indeed, I don't wonder that he does. Then
|
||
she went on in a half-dreaming kind of way, as if trying to
|
||
recall it to herself.
|
||
"I didn't quite dream, but it all seemed to be real. I
|
||
only wanted to be here in this spot. I don't know why, for I
|
||
was afraid of something, I don't know what. I remember,
|
||
though I suppose I was asleep, passing through the streets
|
||
and over the bridge. A fish leaped as I went by, and I lean-
|
||
ed over to look at it, and I heard a lot of dogs howling.The
|
||
whole town seemed as if it must be full of dogs all howling
|
||
at once, as I went up the steps. Then I had a vague memory
|
||
of something long and dark with red eyes, just as we saw in
|
||
the sunset, and something very sweet and very bitter all
|
||
around me at once. And then I seemed sinking into deep green
|
||
water, and there was a singing in my ears, as I have heard
|
||
there is to drowning men, and then everything seemed passing
|
||
away from me. My soul seemed to go out from my body and
|
||
float about the air. I seem to remember that once the West
|
||
Lighthouse was right under me, and then there was a sort of
|
||
agonizing feeling, as if I were in an earthquake, and I came
|
||
back and found you shaking my body. I saw you do it before
|
||
I felt you."
|
||
Then she began to laugh. It seemed a little uncanny to
|
||
me, and I listened to her breathlessly. I did not quite like
|
||
it,and thought it better not to keep her mind on the subject,
|
||
so we drifted on to another subject, and Lucy was like her
|
||
old self again. When we got home the fresh breeze had braced
|
||
her up, and her pale cheeks were really more rosy.Her mother
|
||
rejoiced when she saw her, and we all spent a very happy
|
||
evening together.
|
||
|
||
19 August.--Joy, joy, joy! Although not all joy. At
|
||
last, news of Jonathan. The dear fellow has been ill, that
|
||
is why he did not write. I am not afraid to think it or to
|
||
say it, now that I know. Mr. Hawkins sent me on the letter,
|
||
and wrote himself, oh so kindly. I am to leave in the morn-
|
||
ing and go over to Jonathan, and to help to nurse him if
|
||
necessary, and to bring him home. Mr. Hawkins says it would
|
||
not be a bad thing if we were to be married out there. I
|
||
have cried over the good Sister's letter till I can feel it
|
||
wet against my bosom, where it lies. It is of Jonathan, and
|
||
must be near my heart, for he is in my heart. My journey is
|
||
all mapped out, and my luggage ready. I am only taking one
|
||
change of dress. Lucy will bring my trunk to London and keep
|
||
it till I send for it, for it may be that . . . I must write
|
||
no more. I must keep it to say to Jonathan, my husband. The
|
||
letter that he has seen and touched must comfort me till we
|
||
meet.
|
||
|
||
LETTER, SISTER AGATHA, HOSPITAL OF ST. JOSEPH AND STE. MARY
|
||
BUDA-PESTH, TO MISS WILLHELMINA MURRAY
|
||
|
||
12 August,
|
||
|
||
"Dear Madam.
|
||
"I write by desire of Mr. Jonathan Harker, who is him-
|
||
self not strong enough to write, though progressing well,
|
||
thanks to God and St. Joseph and Ste. Mary. He has been
|
||
under our care for nearly six weeks, suffering from a vio-
|
||
lent brain fever. He wishes me to convey his love, and to
|
||
say that by this post I write for him to Mr. Peter Hawkins,
|
||
Exeter, to say, with his dutiful respects, that he is sorry
|
||
for his delay, and that all of his work is completed.He will
|
||
require some few weeks' rest in our sanatorium in the hills,
|
||
but will then return. He wishes me to say that he has not
|
||
sufficient money with him, and that he would like to pay for
|
||
his staying here,so that others who need shall not be want-
|
||
ing for belp.
|
||
Believe me,
|
||
Yours, with sympathy
|
||
and all blessings.
|
||
Sister Agatha"
|
||
|
||
"P.S.--My patient being asleep, I open this to let you
|
||
know something more. He has told me all about you, and that
|
||
you are shortly to be his wife. All blessings to you both!
|
||
He has had some fearful shock,so says our doctor, and in his
|
||
delirium his ravings have been dreadful,of wolves and poison
|
||
and blood, of ghosts and demons, and I fear to say of what.
|
||
Be careful of him always that there may be nothing to excite
|
||
him of this kind for a long time to come. The traces of such
|
||
an illness as his do not lightly die away. We should have
|
||
written long ago, but we knew nothing of his friends, and
|
||
there was nothing on him, nothing that anyone could under-
|
||
stand. He came in the train from Klausenburg, and the guard
|
||
was told by the station master there that he rushed into the
|
||
station shouting for a ticket for home. Seeing from his
|
||
violent demeanor that he was English, they gave him a ticket
|
||
for the furthest station on the way thither that the train
|
||
reached.
|
||
"Be assured that he is well cared for. He has won all
|
||
hearts by his sweetness and gentleness. He is truly getting
|
||
on well, and I have no doubt will in a few weeks be all him-
|
||
self. But be careful of him for safety's sake. There are,I
|
||
pray God and St.Joseph and Ste.Mary, many, many, happy years
|
||
for you both."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
19 Agust.--Strange and sudden change in Renfield last
|
||
night. About eight o'clock he began to get excited and sniff
|
||
about as a dog does when setting. The attendant was struck
|
||
by his manner, and knowing my interest in him, encouraged
|
||
him to talk. He is usually respectful to the attendant and
|
||
at times servile, but tonight, the man tells me, he was
|
||
quite haughty. Would not condescend to talk with him at all.
|
||
All he would say was, "I don't want to talk to you. You
|
||
don't count now. The master is at hand."
|
||
The attendant thinks it is some sudden form of relig-
|
||
ious mania which has seized him. If so, we must look out for
|
||
squalls, for a strong man with homicidal and religious mania
|
||
at once might be dangerous.The combination is a dreadful one.
|
||
At Nine o'clock I visited him myself.His attitude to me
|
||
was the same as that to the attendant. In his sublime self-
|
||
feeling the difference between myself and the attendant
|
||
seemed to him as nothing. It looks like religious mania, and
|
||
he will soon think that he himself is God.
|
||
These infinitesimal distinctions between man and man
|
||
are too paltry for an Omnipotent Being.How these madmen give
|
||
themselves away! The real God taketh heed lest a sparrow
|
||
fall. But the God created from human vanity sees no differ-
|
||
ence between an eagle and a sparrow. Oh, if men only knew!
|
||
For half an hour or more Renfield kept getting excited
|
||
in greater and greater degree.I did not pretend to be watch-
|
||
ing him, but I kept strict observation all the same. All at
|
||
once that shifty look came into his eyes which we always see
|
||
when a madman has seized an idea, and with it the shifty
|
||
movement of the head and back which asylum attendants come
|
||
to know so well. He became quite quiet, and went and sat on
|
||
the edge of his bed resignedly, and looked into space with
|
||
lack-luster eyes.
|
||
I thought I would find out if his apathy were real or
|
||
only assumed, and tried to lead him to talk of his pets, a
|
||
theme which had never failed to excite his attention.
|
||
At first he made no reply, but at length said testily,
|
||
"Bother them all! I don't care a pin about them."
|
||
"What" I said. "You don't mean to tell me you don't
|
||
care about spiders?" (Spiders at present are his hobby and
|
||
the notebook is filling up with columns of small figures.)
|
||
To this he answered enigmatically, "The Bride maidens
|
||
rejoice the eyes that wait the coming of the bride. But
|
||
when the bride draweth nigh, then the maidens shine not to
|
||
the eyes that are filled."
|
||
He would not explain himself, but remained obstinately
|
||
seated on his bed all the time I remained with him.
|
||
I am weary tonight and low in spirits. I cannot but
|
||
think of Lucy, and how different things might have been. If
|
||
I don't sleep at once, chloral, the modern Morpheus! I must
|
||
be careful not to let it grow into a habit. No, I shall take
|
||
none tonight! I have thought of Lucy, and I shall not dis-
|
||
honour her by mixing the two. If need by, tonight shall be
|
||
sleepless.
|
||
|
||
Later.--Glad I made the resolution, gladder that I kept
|
||
to it. I had lain tossing about, and had heard the clock
|
||
strike only twice, when the night watchman came to me, sent
|
||
up from the ward, to say that Renfield had escaped. I threw
|
||
on my clothes and ran down at once. My patient is too dan-
|
||
gerous a person to be roaming about. Those ideas of his
|
||
might work out dangerously with strangers.
|
||
The attendant was waiting for me. He said he had seen
|
||
him not ten minutes before, seemingly asleep in his bed,when
|
||
he had looked through the observation trap in the door. His
|
||
attention was called by the sound of the window being wrench-
|
||
ed out. He ran back and saw his feet disappear through the
|
||
window, and had at once sent up for me. He was only in his
|
||
night gear, and cannot be far off.
|
||
The attendant thought it would be more useful to watch
|
||
where he should go than to follow him,as he might lose sight
|
||
of him whilst getting out of the building by the door. He is
|
||
a bulky man, and couldn't get through the window.
|
||
I am thin, so, with his aid, I got out, but feet fore-
|
||
most, and as we were only a few feet above ground landed
|
||
unhurt.
|
||
The attendant told me the patient had gone to the left,
|
||
and had taken a straight line, so I ran as quickly as I
|
||
could. As I got through the belt of trees I saw a white
|
||
figure scale the high wall which separates our grounds from
|
||
those of the deserted house.
|
||
I ran back at once, told the watchman to get three or
|
||
four men immediately and follow me into the grounds of Car-
|
||
fax, in case our friend might be dangerous. I got a ladder
|
||
myself, and crossing the wall,dropped down on the other side.
|
||
I could see Renfield's figure just disappearing behind the
|
||
angle of the house, so I ran after him. On the far side of
|
||
the house I found him pressed close against the old iron-
|
||
bound oak door of the chapel.
|
||
He was talking, apparently to some one,but I was afraid
|
||
to go near enough to hear what he was saying, les t I might
|
||
frighten him, and he should run off.
|
||
Chasing an errant swarm of bees is nothing to following
|
||
a naked lunatic, when the fit of escaping is upon him! After
|
||
a few minutes, however,I could see that he did not take note
|
||
of anything around him, and so ventured to draw nearer to
|
||
him, the more so as my men had now crossed the wall and were
|
||
closing him in. I heard him say . . .
|
||
"I am here to do your bidding, Master. I am your slave,
|
||
and you will reward me, for I shall be faithful. I have
|
||
worshipped you long and afar off. Now that you are near, I
|
||
await your commands, and you will not pass me by, will you,
|
||
dear Master, in your distribution of good things?"
|
||
He is a selfish old beggar anyhow. He thinks of the
|
||
loaves and fishes even when he believes his is in a real
|
||
Presence. His manias make a startling combination. When we
|
||
closed in on him he fought like a tiger. He is immensely
|
||
strong, for he was more like a wild beast than a man.
|
||
I never saw a lunatic in such a paroxysm of rage before,
|
||
and I hope I shall not again. It is a mercy that we have
|
||
found out his strength and his danger in good time. With
|
||
strength and determination like his, he might have done wild
|
||
work before he was caged.
|
||
He is safe now, at any rate. Jack Sheppard himself
|
||
couldn't get free from the strait waistcoat that keeps him
|
||
restrained, and he's chained to the wall in the padded room.
|
||
His cries are at times awful, but the silences that
|
||
follow are more deadly still, for he means murder in every
|
||
turn and movement.
|
||
Just now he spoke coherent words for the first time. "I
|
||
shall be patient, Master. It is coming, coming, coming!"
|
||
So I took the hint, and came too. I was too excited to
|
||
sleep, but this diary has quieted me, and I feel I shall get
|
||
some sleep tonight.
|
||
|
||
|
||
CHAPTER 9
|
||
|
||
LETTER, MINA HARKER TO LUCY WESTENRA
|
||
|
||
Buda-Pesth, 24 August.
|
||
|
||
"My dearest Lucy,
|
||
"I know you will be anxious to hear all that has happ-
|
||
ened since we parted at the railway station at Whitby.
|
||
"Well, my dear, I got to Hull all right, and caught
|
||
the boat to Hamburg, and then the train on here. I feel
|
||
that I can hardly recall anything of the journey, except
|
||
that I knew I was coming to Jonathan, and that as I should
|
||
have to do some nursing, I had better get all the sleep I
|
||
could. I found my dear one, oh, so thin and pale and weak-
|
||
looking. All the resolution has gone out of his dear eyes,
|
||
and that quiet dignity which I told you was in his face has
|
||
vanished. He is only a wreck of himself, and he does not
|
||
remember anything that has happened to him for a long time
|
||
past. At least, he wants me to believe so, and I shall
|
||
never ask.
|
||
"He has had some terrible shock, and I fear it might
|
||
tax his poor brain if he were to try to recall it. Sister
|
||
Agatha, who is a good creature and a born nurse, tells me
|
||
that he wanted her to tell me what they were, but she would
|
||
only cross herself, and say she would never tell. That the
|
||
ravings of the sick were the secrets of God, and that if a
|
||
nurse through her vocation should hear them, she should re-
|
||
spect her trust..
|
||
"She is a sweet, good soul, and the next day, when she
|
||
saw I was troubled, she opened up the subject my poor dear
|
||
raved about, added, `I can tell you this much, my dear.
|
||
That it was not about anything which he has done wrong him-
|
||
self, and you, as his wife to be, have no cause to be con-
|
||
cerned. He has not forgotten you or what he owes to you.
|
||
His fear was of great and terrible things, which no mortal
|
||
can treat of.'
|
||
"I do believe the dear soul thought I might be jealous
|
||
lest my poor dear should have fallen in love with any other
|
||
girl. The idea of my being jealous about Jonathan! And yet,
|
||
my dear, let me whisper, I felt a thrill of joy through me
|
||
when I knew that no other woman was a cause for trouble. I
|
||
am now sitting by his bedside,where I can see his face while
|
||
he sleeps. He is waking!
|
||
"When he woke he asked me for his coat, as he wanted to
|
||
get something from the pocket. I asked Sister Agatha, and
|
||
she brought all his things. I saw amongst them was his note-
|
||
book, and was was going to ask him to let me look at it, for
|
||
I knew that I might find some clue to his trouble,but I sup-
|
||
pose he must have seen my wish in my eyes, for he sent me
|
||
over to the window, saying he wanted to be quite alone for a
|
||
moment.
|
||
"Then he called me back,and he said to me very solemnly,
|
||
`Wilhelmina', I knew then that he was in deadly earnest, for
|
||
he has never called me by that name since he asked me to
|
||
marry him, `You know, dear, my ideas of the trust between
|
||
husband and wife. There should be no secret, no concealment.
|
||
I have had a great shock, and when I try to think of what it
|
||
is I feel my head spin round, and I do not know if it was
|
||
real of the dreaming of a madman.You know I had brain fever,
|
||
and that is to be mad. The secret is here, and I do not want
|
||
to know it. I want to take up my life here, with our marri-
|
||
age.' For, my dear, we had decided to be married as soon as
|
||
the formalities are complete. `Are you willing, Wilhelmina,
|
||
to share my ignorance? Here is the book. Take it and keep
|
||
it,read it if you will,but never let me know unless, indeed,
|
||
some solemn duty should come upon me to go back to the
|
||
bitter hours, asleep or awake, sane or mad, recorded here.'
|
||
He fell back exhausted, and I put the book under his pillow,
|
||
and kissed him. have asked Sister Agatha to beg the Super-
|
||
ior to let our wedding be this afternoon, and am waiting her
|
||
reply . . ."
|
||
|
||
"She has come and told me that the Chaplain of the En-
|
||
glish mission church has been sent for. We are to be married
|
||
in an hour, or as soon after as Jonathan awakes."
|
||
|
||
"Lucy, the time has come and gone. I feel very solemn,
|
||
but very, very happy. Jonathan woke a little after the hour,
|
||
and all was ready, and he sat up in bed, propped up with
|
||
pillows. He answered his `I will' firmly and strong. I
|
||
could hardly speak. My heart was so full that even those
|
||
words seemed to choke me.
|
||
"The dear sisters were so kind. Please, God, I shall
|
||
never, never forget them, nor the grave and sweet respon-
|
||
sibilities I have taken upon me. I must tell you of my
|
||
wedding present. When the chaplain and the sisters had left
|
||
me alone with my husband--oh, Lucy, it is the first time I
|
||
have written the words `my husband'--left me alone with my
|
||
husband, I took the book from under his pillow, and wrapped
|
||
it up in white paper, and tied it with a little bit of pale
|
||
blue ribbon which was round my neck, and sealed it over the
|
||
knot with sealing wax, and for my seal I used my wedding
|
||
ring. Then I kissed it and showed it to my husband, and told
|
||
him that I would keep it so, and then it would be an outward
|
||
and visible sign for us all our lives that we trusted each
|
||
other, that I would never open it unless it were for his own
|
||
dear sake or for the sake of some stern duty. Then he took
|
||
my hand in his, and oh, Lucy, it was the first time he took
|
||
his wifes' hand, and said that it was the dearest thing in
|
||
all the wide world,and that he would go through all the past
|
||
again to win it, if need be.The poor dear meant to have said
|
||
a part of the past, but he cannot think of time yet, and I
|
||
shall not wonder if at first he mixes up not only the month,
|
||
but the year.
|
||
"Well, my dear, could I say? I could only tell him that
|
||
I was the happiest woman in all the wide world, and that I
|
||
had nothing to give him except myself, my life,and my trust,
|
||
and that with these went my love and duty for all the days
|
||
of my life. And, my dear, when he kissed me, and drew me to
|
||
him with his poor weak hands, it was like a solemn pledge
|
||
between us.
|
||
|
||
"Lucy dear, do you know why I tell you all this? It is
|
||
not only because it is all sweet to me, but because you have
|
||
been, and are, very dear to me. It was my privilege to be
|
||
your friend and guide when you came from the schoolroom to
|
||
prepare for the world of life. I want you to see now, and
|
||
with the eyes of a very happy wife, whither duty has led me,
|
||
so that in your own married life you too may be all happy,
|
||
as I am. My dear, please Almighty God, your life may be all
|
||
it promises, a long day of sunshine, with no harsh wind, no
|
||
forgetting duty, no distrust. I must not wish you no pain,
|
||
for that can never be, but I do hope you will be always as
|
||
happy as I am now. Goodbye, my dear. I shall post this at
|
||
once, and perhaps, write you very soon again. I must stop,
|
||
for Jonathan is waking. I must attend my husband!
|
||
"Your ever-loving
|
||
"Mina Harker."
|
||
|
||
LETTER, LUCY WESTENRA TO MINA HARKER.
|
||
|
||
Whitby, 30 August.
|
||
|
||
"My dearest Mina,
|
||
"Oceans of love and millions of kisses, and may you
|
||
soon be in your own home with your husband. I wish you were
|
||
coming home soon enough to stay with us here. The strong air
|
||
would soon restore Jonathan. It has quite restored me. I
|
||
have an appetite like a cormorant, am full of life,and sleep
|
||
well. You will be glad to know that I have quite given up
|
||
walking in my sleep. I think I have not stirred out of my
|
||
bed for a week, that is when I once got into it at night.
|
||
Arthur says I am getting fat. By the way, I forgot to tell
|
||
you that Arthur is here. We have such walks and drives, and
|
||
rides, and rowing, and tennis, and fishing together, and I
|
||
love him more than ever. He tells me that he loves me more,
|
||
but I doubt that, for at first he told me that he couldn't
|
||
love me more than he did then. But this is nonsense. There
|
||
he is, calling to me. So no more just at present from your
|
||
loving,
|
||
"Lucy.
|
||
|
||
"P.S.--Mother sends her love. She seems better, poor
|
||
dear.
|
||
"P.P.S.--We are to be married on 28 September."
|
||
|
||
DR. SEWARDS DIARY
|
||
|
||
20 August.--The case of Renfield grows even more in-
|
||
teresting. He has now so far quieted that there are spells
|
||
of cessation from his passion. For the first week after his
|
||
attack he was perpetually violent. Then one night, just as
|
||
the moon rose, he grew quiet, and kept murmuring to himself.
|
||
"Now I can wait. Now I can wait."
|
||
The attendant came to tell me, so I ran down at once to
|
||
have a look at him. He was still in the strait waistcoat
|
||
and in the padded room, but the suffused look had gone from
|
||
his face, and his eyes had something of their old pleading.
|
||
I might almost say, cringing, softness. I was satisfied
|
||
with his present condition, and directed him to be relieved.
|
||
The attendants hesitated, but finally carried out my wishes
|
||
without protest.
|
||
It was a strange thing that the patient had humour
|
||
enough to see their distrust, for, coming close to me, he
|
||
said in a whisper, all the while looking furtively at them,
|
||
"They think I could hurt you! Fancy me hurting you! The
|
||
fools!"
|
||
It was soothing, somehow, to the feelings to find my-
|
||
self disassociated even in the mind of this poor madman from
|
||
the others, but all the same I do not follow his thought. Am
|
||
I to take it that I have anything in common with him,so that
|
||
we are, as it were, to stand together.Or has he to gain from
|
||
me some good so stupendous that my well being is needful to
|
||
Him? I must find out later on. Tonight he will not speak.
|
||
Even the offer of a kitten or even a full-grown cat will not
|
||
tempt him.
|
||
He will only say, "I don't take any stock in cats. I
|
||
have more to think of now, and I can wait. I can wait."
|
||
After a while I left him. The attendant tells me that
|
||
he was quiet until just before dawn, and that then he began
|
||
to get uneasy, and at length violent, until at last he fell
|
||
into a paroxysm which exhausted him so that he swooned into
|
||
a sort of coma.
|
||
|
||
. . . Three nights has the same thing happened, violent
|
||
all day then quiet from moonrise to sunrise. I wish I could
|
||
get some clue to the cause. It would almost seem as if there
|
||
was some influence which came and went. Happy thought! We
|
||
shall tonight play sane wits against mad ones. He escaped
|
||
before without our help. Tonight he shall escape with it.
|
||
We shall give him a chance, and have the men ready to follow
|
||
in case they are required.
|
||
|
||
23 August.--"The expected always happens." How well
|
||
Disraeli knew life. Our bird when he found the cage open
|
||
would not fly,so all our subtle arrangements were for nought.
|
||
At any rate, we have proved one thing, that the spells of
|
||
quietness last a reasonable time. We shall in future be able
|
||
to ease his bonds for a few hours each day. I have given
|
||
orders to the night attendant merely to shut him in the pad-
|
||
ded room, when once he is quiet, until the hour before sun-
|
||
rise. The poor soul's body will enjoy the relief even if his
|
||
mind cannot appreciate it. Hark! The unexpected again! I
|
||
am called. The patient has once more escaped.
|
||
|
||
Later.--Another night adventure.Renfield artfully wait-
|
||
ed until the attendant was entering the room to inspect.
|
||
Then he dashed out past him and flew down the passage. I
|
||
sent word for the attendants to follow. Again he went into
|
||
the grounds of the deserted house, and we found him in the
|
||
same place, pressed against the old chapel door. When he saw
|
||
me he became furious, and had not the attendants seized him
|
||
in time, he would have tried to kill me. As we sere holding
|
||
him a strange thing happened. He suddenly redoubled his eff-
|
||
orts, and then as suddenly grew calm.I looked round instinc-
|
||
tively, but could see nothing. Then I caught the patient's
|
||
eye and followed it, but could trace nothing as it looked
|
||
into the moonlight sky, except a big bat, which was flapping
|
||
its silent and ghostly way to the west. Bats usually wheel
|
||
about, but this one seemed to go straight on, as if it knew
|
||
where it was bound for or had some intention of its own.
|
||
The patient grew calmer every instant, and presently
|
||
said, "You needn't tie me. I shall go quietly!" Without
|
||
trouble, we came back to the house. I feel there is some-
|
||
thing ominous in his calm, and shall not forget this night.
|
||
|
||
LUCY WESTENRA'S DIARY
|
||
|
||
Hillingham, 24 August.--I must imitate Mina, and keep
|
||
writing things down. Then we can have long talks when we do
|
||
meet. I wonder when it will be. I wish she were with me
|
||
again, for I feel so unhappy. Last night I seemed to be
|
||
dreaming again just as I was at Whitby. Perhaps it is the
|
||
change of air, or getting home again. It is all dark and
|
||
horrid to me, for I can remember nothing. But I am full of
|
||
vague fear, and I feel so weak and worn out. When Arthur
|
||
came to lunch he looked quite grieved when he saw me, and I
|
||
hadn't the spirit to try to be cheerful. I wonder if I could
|
||
sleep in mother's room tonight.I shall make an excuse to try.
|
||
|
||
25 August.--Another bad night. Mother did not seem to
|
||
take to my proposal. She seems not too well herself, and
|
||
doubtless she fears to worry me. I tried to keep awake, and
|
||
succeeded for a while, but when the clock struck twelve it
|
||
waked me from a doze, so I must have been falling asleep.
|
||
There was a sort of scratching or flapping at the window,
|
||
but I did not mind it, and as I remember no more, I suppose
|
||
I must have fallen asleep. More bad dreams. I wish I could
|
||
remember them. This morning I am horribly weak. My face is
|
||
ghastly pale, and my throat pains me. It must be something
|
||
wrong with my lungs, for I don't seem to be getting air
|
||
enough. I shall try to cheer up when Arthur comes, or else
|
||
I know he will be miserable to see me so.
|
||
|
||
LETTER, ARTHUR TO DR. SEWARD
|
||
|
||
"Albemarle Hotel, 31 August
|
||
"My dear Jack,
|
||
"I want you to do me a favour. Lucy is ill, that is she
|
||
has no special disease, but she looks awful, and is getting
|
||
worse every day. I have asked her if there is any cause, I
|
||
not dare to ask her mother, for to disturb the poor lady's
|
||
mind about her daughter in her present state of health would
|
||
be fatal. Mrs. Westenra has confided to me that her doom is
|
||
spoken, disease of the heart, though poor Lucy does not know
|
||
it yet. I am sure that there is something preying on my dear
|
||
girl's mind. I am almost distracted when I think of her. To
|
||
look at her gives me a pang. I told her I should ask you to
|
||
see her, and though she demurred at first, I know why, old
|
||
fellow, she finally consented. It will be a painful task for
|
||
you, I know, old friend, but it is for her sake, and I must
|
||
not hesitate to ask, or you to act. You are to come to lunch
|
||
at Hillingham tomorrow, two o'clock, so as not to arouse any
|
||
suspicion in Mrs. Westenra,and after lunch Lucy will take an
|
||
opportunity of being alone with you. I am filled with
|
||
anxiety, and want to consult with you alone as soon as I can
|
||
after you have seen her. Do not fail!
|
||
"Arthur."
|
||
TELEGRAM, ARTHUR HOLMWOOD TO SEWARD
|
||
|
||
1 September
|
||
|
||
"Am summoned to see my father, who is worse.Am writing.
|
||
Write me fully by tonight's post to Ring. Wire me if neces-
|
||
sary."
|
||
|
||
LETTER FROM DR. SEWARD TO ARTHUR HOLMWOOD
|
||
|
||
2 September
|
||
|
||
"My dear old fellow,
|
||
"With regard to Miss Westenra's health I hasten to let
|
||
you know at once that in my opinion there is not any funct-
|
||
al disturbance or any malady that I know of. At the same
|
||
time, I am not by any means satisfied with her appearance.
|
||
She is woefully different from what she was when I saw her
|
||
last. Of course you must bear in mind that I did not have
|
||
full opportunity of examination such as I should wish. Our
|
||
very friendship makes a little difficulty which not even
|
||
medical science or custom can bridge over. I had better tell
|
||
you exactly what happened,leaving you to draw, in a measure,
|
||
your own conclusions. I shall then say what I have done and
|
||
propose doing.
|
||
"I found Miss Westenra in seemingly gay spirits. Her
|
||
mother was present, and in a few seconds I made up my mind
|
||
that she was trying all she knew to mislead her mother and
|
||
prevent her from being anxious. I have no doubt she guesses,
|
||
if she does not know, what need of caution there is.
|
||
"We lunched alone, and as we all exerted ourselves to
|
||
be cheerful, we got, as some kind of reward for our labours,
|
||
some real cheerfulness amongst us. Then Mrs. Westenra went
|
||
to lie down, and Lucy was left with me. We went into her
|
||
boudoir, and till we got there her gaiety remained, for the
|
||
servants were coming and going.
|
||
"As soon as the door was closed, however, the mask fell
|
||
from her face, and she sank down into a chair with a great
|
||
sigh, and hid her eyes with her hand. When I saw that her
|
||
high spirits had failed, I at once took advantage of her re-
|
||
action to make a diagnosis.
|
||
"She said to me very sweetly, `I cannot tell you how I
|
||
loathe talking about myself.' I reminded her that a doctor's
|
||
confidence was sacred, but that you were grievously anxious
|
||
about her. She caught on to my meaning at once, and settled
|
||
that matter in a word. `Tell Arthur everything you choose. I
|
||
do not care for myself, but for him!' So I am quite free.
|
||
"I could easily see that she was somewhat bloodless,but
|
||
I could not see the usual anemic signs, and by the chance ,I
|
||
was able to test the actual quality of her blood, for in
|
||
opening a window which was stiff a cord gave way,and she cut
|
||
her hand slightly with broken glass. It was a slight matter
|
||
in itself, but it gave me an evident chance, and I secured
|
||
a few drops of the blood and have analysed them.
|
||
"The qualitative analysis give a quite normal condition,
|
||
and shows, I should infer, in itself a vigorous state of
|
||
health. In other physical matters I was quite satisfied that
|
||
there is no need for anxiety, but as there must be a cause
|
||
somewhere, I have come to the conclusion that it must be
|
||
something mental.
|
||
"She complains of difficulty breathing satisfactorily
|
||
at times, and of heavy, lethargic sleep, with dreams that
|
||
frighten her, but regarding which she can remember nothing.
|
||
She says that as a child, she used to walk in her sleep, and
|
||
that when in Whitby the habit came back, and that once she
|
||
walked out in the night and went to East Cliff, where Miss
|
||
Murray found her. But she assures me that of late the habit
|
||
has not returned.
|
||
"I am in doubt, and so have done the best thing I know
|
||
of. I have written to my old friend and master, Professor
|
||
Van Helsing, of Amsterdam, who knows as much about obscure
|
||
diseases as any one in the world. I have asked him to come
|
||
over, and as you told me that all things were to be at your
|
||
charge, I have mentioned to him who you are and your rela-
|
||
tions to Miss Westenra. This, my dear fellow, is in obed-
|
||
ience to your wishes, for I am only too proud and happy to
|
||
do anything I can for her.
|
||
"Van Helsing would, I know, do anything for me for a
|
||
personal reason, so no matter on what ground he comes, we
|
||
must accept his wishes. He is a seemingly arbitrary man,
|
||
this is because he knows what he is talking about better
|
||
than any one else. He is a philosopher and a metaphysician,
|
||
and one of the most advanced scientists of his day, and he
|
||
has, I believe, an absolutely open mind. This, with an iron
|
||
nerve,a temper of the ice-brook, and indomitable resolution,
|
||
self-command, and toleration exalted from virtues to bless-
|
||
ings, and the kindliest and truest heart that beats, these
|
||
form his equipment for the noble work that he is doing for
|
||
mankind, work both in theory and practice, for his views are
|
||
as wide as his all-embracing sympathy.I tell you these facts
|
||
that you may know why I have such confidence in him. I have
|
||
asked him to come at once.I shall see Miss Westenra tomorrow
|
||
again. She is to meet me at the Stores, so that I may not
|
||
alarm her mother by too early a repetition of my call.
|
||
"Yours always."
|
||
John Seward
|
||
|
||
LETTER, ABRAHAM VAN HELSING, MD, DPh, D. LiT, ETC, ETC,
|
||
TO DR. SEWARD
|
||
|
||
2 September.
|
||
|
||
"My good Friend,
|
||
"When I received your letter I am already coming to you.
|
||
By good fortune I can leave just at once, without wrong to
|
||
any of those who have trusted me. Were fortune other, then
|
||
it were bad for those who have trusted, for I come to my
|
||
friend when he call me to aid those he holds dear. Tell your
|
||
friend that when that time you suck from my wound so swiftly
|
||
the poison of the gangrene from that knife that our other
|
||
friend, too nervous, let slip, you did more for him when he
|
||
wants my aids and you call for them than all his great for-
|
||
tune could do. But it is pleasure added to do for him, your
|
||
friend, it is to you that I come. Have near at hand, and
|
||
please it so arrange that we may see the young lady not too
|
||
late on tomorrow, for it is likely that I may have to return
|
||
here that night. But if need be I shall come again in three
|
||
days, and stay longer if it must. Till then goodbye, my
|
||
friend John.
|
||
"Van Helsing."
|
||
|
||
LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD
|
||
|
||
3 September
|
||
|
||
"My dear Art,
|
||
"Van Helsing has come and gone. He came on with me to
|
||
Hillingham, and found that, by Lucy's discretion, her mother
|
||
was lunching out, so that we were alone with her.
|
||
"Van Helsing made a very careful examination of the
|
||
patient. He is to report to me, and I shall advise you, for
|
||
of course I was not present all the time. He is, I fear,
|
||
much concerned, but says he must think. When I told him of
|
||
our friendship and how you trust to me in the matter,he said,
|
||
`You must tell him all you think. Tell him him what I think,
|
||
if you can guess it, if you will. Nay, I am not jesting.
|
||
This is no jest, but life and death, perhaps more.' I asked
|
||
what he meant by that, for he was very serious. This was
|
||
when we had come back to town,and he was having a cup of tea
|
||
before starting on his return to Amsterdam.He would not give
|
||
me any further clue. You must not be angry with me, Art, be-
|
||
cause his very reticence means that all his brains are work-
|
||
ing for her good. He will speak plainly enough when the time
|
||
comes, be sure.So I told him I would simply write an account
|
||
of our visit, just as if I were doing a descriptive special
|
||
article for THE DAILY TELEGRAPH.He seemed not to notice, but
|
||
remarked that the smuts of London were not quite so bad as
|
||
they used to be when he was a student here. I am to get his
|
||
report tomorrow if he can possibly make it. In any case I
|
||
am to have a letter.
|
||
"Well, as to the visit, Lucy was more cheerful than on
|
||
the day I first saw her, and certainly looked better. She
|
||
had lost something of the ghastly look that so upset you,and
|
||
her breathing was normal.She was very sweet to the Professor
|
||
(as she always is),and tried to make him feel at ease,though
|
||
I could see the poor girl was making a hard struggle for it.
|
||
"I believe Van Helsing saw it, too, for I saw the quick
|
||
look under his bushy brows that I knew of old. Then he began
|
||
to chat of all things except ourselves and diseases and with
|
||
such an infinite geniality that I could see poor Lucy's pre-
|
||
tense of animation merge into reality. Then, without any
|
||
seeming change, he brought the conversation gently round to
|
||
his visit, and sauvely said,
|
||
"`My dear young miss, I have the so great pleasure be-
|
||
cause you are so much beloved. That is much, my dear, even
|
||
were there that which I do not see. They told me you were
|
||
down in the spirit, and that you were of a ghastly pale. To
|
||
them I say "Pouf!" ' And he snapped his fingers at me and
|
||
went on. `But you and I shall show them how wrong they are.
|
||
How can he', and he pointed at me with the same look and
|
||
gesture as that with which he pointed me out in his class,
|
||
on, or rather after, a particular occasion which he never
|
||
fails to remind me of, `know anything of a young ladies? He
|
||
has his madmen to play with,and to bring them back to happi-
|
||
ness, and to those that love them. It is much to do, and,
|
||
oh, but there are rewards in that we can bestow such happi-
|
||
ness.But the young ladies! He has no wife nor daughter, and
|
||
the young do not tell themselves to the young, but to the
|
||
old, like me, who have known so many sorrows and the causes
|
||
of them.So, my dear, we will send him away to smoke the cig-
|
||
arette in the garden, whiles you and I have little talk all
|
||
to ourselves.' I took the hint, and strolled about, and pre-
|
||
sently the professor came to the window and called me in. He
|
||
looked grave, but said, ` I have made careful examination,
|
||
but there is no functional cause.With you I agree that there
|
||
has been much blood lost, it has been but is not. But the
|
||
conditions of her are in no way anemic. I have asked her to
|
||
send me her maid, that I may ask just one or two questions,
|
||
that so I may not chance to miss nothing. I know well what
|
||
she will say. And yet there is cause. There is always cause
|
||
for everything. I must go back home and think. You must
|
||
send me the telegram every day,and if there be cause I shall
|
||
come again. The disease, for not to be well is a disease,
|
||
interest me, and the sweet, young dear, she interest me too.
|
||
She charm me, and for her, if not for you or disease, I
|
||
come.'
|
||
"As I tell you, he would not say a word more, even when
|
||
we were alone. And so now, Art, you know all I know. I
|
||
shall keep stern watch.I trust your poor father is rallying.
|
||
It must be a terrible thing to you,my dear old fellow, to be
|
||
placed in such a position between two people who are both so
|
||
dear to you. I know your idea of duty to your father, and
|
||
you are right to stick to it. But if need be, I shall send
|
||
you word to come at once to Lucy, so do not be over-anxious
|
||
unless you hear from me."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
4 September.--Zoophagous patient still keeps up our
|
||
interest in him. He had only one outburst and that was yes-
|
||
terday at an unusual time. Just before the stroke of noon
|
||
he began to grow restless. The attendant knew the symptoms,
|
||
and at once summoned aid. Fortunately the men came at a run,
|
||
and were just in time,for at the stroke of noon he became so
|
||
violent that it took all their strength to hold him.In about
|
||
five minutes, however,he began to get more quiet,and finally
|
||
sank into a sort of melancholy,in which state he has remain-
|
||
ed up to now. The attendant tells me that his screams whilst
|
||
in the paroxysm were really appalling. I found my hands full
|
||
when I got in, attending to some of the other patients who
|
||
were frightened by him. Indeed, I can quite understand the
|
||
effect, for the sounds disturbed even me, though I was some
|
||
distance away.It is now after the dinner hour of the asylum,
|
||
and as yet my patient sits in a corner brooding,with a dull,
|
||
sullen, woe-begone look in his face, which seems rather to
|
||
indicate than to show something directly. I cannot quite
|
||
understand it.
|
||
|
||
Later.--Another change in my patient. At five o'clock
|
||
I looked in on him, and found him seemingly as happy and
|
||
contented as he used to be. He was catching flies and eating
|
||
them,and was keeping note of his capture by making nailmarks
|
||
on the edge of the door between the ridges of padding. When
|
||
he saw me, he came over and apologized for his bad conduct,
|
||
and asked me in a very humble, cringing way to be led back
|
||
to his own room, and to have his notebook again.I thought it
|
||
well to humour him,so he is back in his room with the window
|
||
open. He has the sugar of his tea spread out on the window
|
||
sill, and is reaping quite a harvest of flies. He is not now
|
||
eating them, but putting them into a box, as of old, and is
|
||
already examining the corners of his room to find a spider.I
|
||
tried to get him to talk about the past few days, for any
|
||
clue to his thoughts would be of immense help to me, but he
|
||
would not rise. For a moment or two he looked very sad, and
|
||
said in a sort of far away voice, as though saying it rather
|
||
to himself than to me.
|
||
"All over! All over! He has deserted me. No hope for
|
||
me now unless I do it myself!" Then suddenly turning to me
|
||
in a resolute way, he said,"Doctor,won't you be very good to
|
||
me and let me have a little more sugar? I think it would be
|
||
very good for me."
|
||
"And the flies?" I said.
|
||
"Yes! The flies like it, too, and I like the flies,
|
||
therefore I like it."And there are people who know so little
|
||
as to think that madmen do not argue.I procured him a double
|
||
supply, and left him as happy a man as,I suppose, any in the
|
||
world. I wish I could fathom his mind.
|
||
|
||
Midnight.--Another change in him.I had been to see Miss
|
||
Westenra, whom I found much better, and had just returned,
|
||
and was standing at our own gate looking at the sunset, when
|
||
once more I heard him yelling.As his room is on this side of
|
||
the house, I could hear it better than in the morning. It
|
||
was a shock to me to turn from the wonderful smoky beauty of
|
||
a sunset over London, with its lurid lights and inky shadows
|
||
and all the marvellous tints that come on foul clouds even
|
||
as on foul water,and to realize all the grim sternness of my
|
||
own cold stone building, with its wealth of breathing misery,
|
||
and my own desolate heart to endure it all. I reached him
|
||
just as the sun was going down, and from his window saw the
|
||
red disc sink. As it sank he became less and less frenzied,
|
||
and just as it dipped he slid from the hands that held him,
|
||
an inert mass, on the floor. It is wonderful, however, what
|
||
intellectual recuperative power lunatics have, for within a
|
||
few minutes he stood up quite calmly and looked around him.
|
||
I signalled to the attendants not to hold him, for I was
|
||
anxious to see what he would do. He went straight over to
|
||
the window and brushed out the crumbs of sugar. Then he
|
||
took his fly box, and emptied it outside, and threw away the
|
||
box. Then he shut the window, and crossing over, sat down on
|
||
his bed.All this surprised me, so I asked him,"Are you going
|
||
to keep flies any more?"
|
||
"No," said he. "I am sick of all that rubbish!" He
|
||
certainly is a wonderfully interesting study. I wish I could
|
||
get some glimpse of his mind or of the cause of his sudden
|
||
passion. Stop. There may be a clue after all, if we can find
|
||
why today his paroxysms came on at high noon and at sunset.
|
||
Can it be that there is a malign influence of the sun at
|
||
periods which affects certain natures, as at times the moon
|
||
does others? We shall see.
|
||
|
||
TELEGRAM. SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
||
|
||
"4 September.--Patient still better today."
|
||
|
||
TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
||
|
||
"5 September.--Patient greatly improved. Good appetite,
|
||
sleeps naturally, good spirits, color coming back."
|
||
|
||
TELEGRAM, SEWARD, LONDON, TO VAN HELSING, AMSTERDAM
|
||
|
||
"6 September.--Terrible change for the worse. Come at
|
||
once. Do not lose an hour. I hold over telegram to Holm-
|
||
wood till have seen you."
|
||
|
||
|
||
CHAPTER 10
|
||
|
||
LETTER, DR. SEWARD TO HON. ARTHUR HOLMWOOD
|
||
|
||
6 September
|
||
|
||
"My dear Art,
|
||
"My news today is not so good. Lucy this morning had
|
||
gone back a bit. There is, however, one good thing which has
|
||
arisen from it. Mrs. Westenra was naturally anxious concern-
|
||
ing Lucy, and has consulted me professionally about her. I
|
||
took advantage of the opportunity, and told her that my old
|
||
master, Van Helsing, the great specialist,was coming to stay
|
||
with me, and that I would put her in his charge conjointly
|
||
with myself. So now we can come and go without alarming her
|
||
unduly, for a shock to her would mean sudden death,and this,
|
||
in Lucy's weak condition, might be disastrous to her. We are
|
||
hedged in with difficulties, all of us, my poor fellow, but,
|
||
please God, we shall come through them all right.If any need
|
||
I shall write, so that, if you do not hear from me, take it
|
||
for granted that I am simply waiting for news, In haste,
|
||
"Yours ever,"
|
||
John Seward
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
7 September.--The first thing Van Helsing said to me
|
||
when we met at Liverpool Street was, "Have you said anything
|
||
to our young friend, to lover of her?"
|
||
"No," I said. "I waited till I had seen you, as I said
|
||
in my telegram. I wrote him a letter simply telling him that
|
||
you were coming,as Miss Westenra was not so well, and that I
|
||
should let him know if need be."
|
||
"Right, my friend," he said. "Quite right! Better he
|
||
not know as yet. Perhaps he will never know. I pray so, but
|
||
if it be needed, then he shall know all. And, my good friend
|
||
John, let me caution you. You deal with the madmen. All men
|
||
are mad in some way or the other, and inasmuch as you deal
|
||
discreetly with your madmen, so deal with God's madmen too,
|
||
the rest of the world. You tell not your madmen what you do
|
||
nor why you do it. You tell them not what you think. So
|
||
you shall keep knowledge in its place, where it may rest,
|
||
where it may gather its kind around it and breed. You and I
|
||
shall keep as yet what we know here, and here." He touched
|
||
me on the heart and on the forehead, and then touched him-
|
||
self the same way. "I have for myself thoughts at the pre-
|
||
sent. Later I shall unfold to you."
|
||
"Why not now?" I asked. "It may do some good. We may
|
||
arrive at some decision."He looked at me and said,"My friend
|
||
John, when the corn is grown, even before it has ripened,
|
||
while the milk of its mother earth is in him, and the sun-
|
||
shine has not yet begun to paint him with his gold, the hus-
|
||
bandman he pull the ear and rub him between his rough hands,
|
||
and blow away the green chaff, and say to you, 'Look! He's
|
||
good corn, he will make a good crop when the time comes.' "
|
||
I did not see the application and told him so. For
|
||
reply he reached over and took my ear in his hand and pulled
|
||
it playfully, as he used long ago to do at lectures,and said,
|
||
"The good husbandman tell you so then because he knows, but
|
||
not till then. But you do not find the good husbandman dig
|
||
up his planted corn to see if he grow. That is for the
|
||
children who play at husbandry, and not for those who take
|
||
it as of the work of their life. See you now, friend John?
|
||
I have sown my corn, and Nature has her work to do in making
|
||
it sprout, if he sprout at all, there's some promise, and I
|
||
wait till the ear begins to swell." He broke off, for he
|
||
evidently saw that I understood. Then he went on gravely,
|
||
"You were always a careful student, and your case book was
|
||
ever more full than the rest. And I trust that good habit
|
||
have not fail. Remember, my friend, that knowledge is
|
||
stronger than memory, and we should not trust the weaker.
|
||
Even if you have not kept the good practice, let me tell you
|
||
that this case of our dear miss is one that may be, mind, I
|
||
say may be, of such interest to us and others that all the
|
||
rest may not make him kick the beam, as your people say.
|
||
Take then good note of it. Nothing is too small. I counsel
|
||
you, put down in record even your doubts and surmises. Here-
|
||
after it may be of interest to you to see how true you guess.
|
||
We learn from failure, not from success!"
|
||
When I described Lucy's symptoms, the same as before,
|
||
but infinitely more marked, he looked very grave, but said
|
||
nothing. He took with him a bag in which were many instru-
|
||
ments and drugs, "the ghastly paraphernalia of our bene-
|
||
ficial trade," as he once called, in one of his lectures,
|
||
the equipment of a professor of the healing craft.
|
||
When we were shown in, Mrs. Westenra met us. She was
|
||
alarmed, but not nearly so much as I expected to find her.
|
||
Nature in one of her beneficient moods has ordained that
|
||
even death has some antidote to its own terrors. Here, in
|
||
a case where any shock may prove fatal,matters are so order-
|
||
ed that, from some cause or other, the things not personal,
|
||
even the terrible change in her daughter to whom she is so
|
||
attached, do not seem to reach her. It is something like
|
||
the way dame Nature gathers round a foreign body an enve-
|
||
lope of some insensitive tissue which can protect from evil
|
||
that which it would otherwise harm by contact. If this be
|
||
an ordered selfishness, then we should pause before we con-
|
||
demn any one for the vice of egoism,for there may be deeper
|
||
root for its causes than we have knowledge of.
|
||
I used my knowledge of this phase of spiritual patho-
|
||
logy, and set down a rule that she should not be present
|
||
with Lucy, or think of her illness more than was absolutely
|
||
required. She assented readily, so readily that I saw again
|
||
the hand of Nature fighting for life.Van Helsing and I were
|
||
shown up to Lucy's room. If I was shocked when I saw her
|
||
yesterday, I was horrified when I saw her today.
|
||
She was ghastly, chalkily pale. The red seemed to have
|
||
gone even from her lips and gums, and the bones of her face
|
||
stood out prominently. Her breathing was painful to see or
|
||
hear. Van Helsing's face grew set as marble, and his eye-
|
||
brows converged till they almost touched over his nose.Lucy
|
||
lay motionless, and did not seem to have strength to speak,
|
||
so for a while we were all silent. Then Van Helsing beckon-
|
||
ed to me, and we went gently out of the room. The instant
|
||
we had closed the door he stepped quickly along the passage
|
||
to the next door, which was open. Then he pulled me quickly
|
||
in with him and closed the door. "My god!" he said. "This
|
||
is dreadful. There is not time to be lost. She will die
|
||
for sheer want of blood to keep the heart's action as it
|
||
should be. There must be a transfusion of blood at once. Is
|
||
it you or me?"
|
||
"I am younger and stronger, Professor. It must be me."
|
||
"Then get ready at once. I will bring up my bag. I am
|
||
prepared."
|
||
I went downstairs with him, and as we were going there
|
||
was a knock at the hall door. When we reached the hall, the
|
||
maid had just opened the door, and Arthur was stepping
|
||
quickly in. He rushed up to me, saying in an eager whisper,
|
||
"Jack, I was so anxious. I read between the lines of
|
||
your letter, and have been in an agony. The dad was better,
|
||
so I ran down here to see for myself. Is not that gentleman
|
||
Dr.Van Helsing? I am so thankful to you, sir, for coming."
|
||
When first the Professor's eye had lit upon him,he had
|
||
been angry at his interruption at such a time, but now, as
|
||
he took in his stalwart proportions and recognized the
|
||
strong young manhood which seemed to emanate from him, his
|
||
eyes gleamed. Without a pause he said to him as he held out
|
||
his hand,
|
||
"Sir, you have come in time. You are the lover of our
|
||
dear miss. She is bad, very, very bad. Nay, my child, do
|
||
not go like that."For he suddenly grew pale and sat down in
|
||
a chair almost fainting. "You are to help her. You can do
|
||
more than any that live,and your courage is your best help."
|
||
"What can I do?" asked Arthur hoarsely. "Tell me, and
|
||
I shall do it. My life is hers' and I would give the last
|
||
drop of blood in my body for her."
|
||
The Professor has a strongly humorous side,and I could
|
||
from old knowledge detect a trace of its origin in his
|
||
answer.
|
||
"My young sir, I do not ask so much as that, not the
|
||
last!"
|
||
"What shall I do?" There was fire in his eyes, and his
|
||
open nostrils quivered with intent. Van Helsing slapped him
|
||
on the shoulder.
|
||
"Come!" he said. "You are a man, and it is a man we
|
||
want. You are better than me, better than my friend John."
|
||
Arthur looked bewildered, and the Professor went on by ex-
|
||
plaining in a kindly way.
|
||
"Young miss is bad, very bad. She wants blood, and
|
||
blood she must have or die. My friend John and I have con-
|
||
sulted,and we are about to perform what we call transfusion
|
||
of blood, to transfer from full veins of one to the empty
|
||
veins which pine for him. John was to give his blood, as he
|
||
is the more young and strong than me."--Here Arthur took my
|
||
hand and wrung it hard in silence.--"But now you are here,
|
||
you are more good than us, old or young, who toil much in
|
||
the world of thought. Our nerves are not so calm and our
|
||
blood so bright than yours!"
|
||
Arthur turned to him and said, "If you only knew how
|
||
gladly I would die for her you would understand . . ." He
|
||
stopped with a sort of choke in his voice.
|
||
"Good boy!" said Van Helsing. "In the not-so-far-off
|
||
you will be happy that you have done all for her you love.
|
||
Come now and be silent. You shall kiss her once before it
|
||
is done, but then you must go, and you must leave at my
|
||
sign. Say no word to Madame. You know how it is with her.
|
||
There must be no shock, any knowledge of this would be one.
|
||
Come!"
|
||
We all went up to Lucy's room. Arthur by direction re-
|
||
mained outside. Lucy turned her head and looked at us, but
|
||
said nothing. She was not asleep, but she was simply too
|
||
weak to make the effort.Her eyes spoke to us, that was all.
|
||
Van Helsing took some things from his bag and laid
|
||
them on a little table out of sight. Then he mixed a nar-
|
||
cotic, and coming over to the bed, said cheerily, "Now,
|
||
little miss, here is your medicine. Drink it off, like a
|
||
good child. See, I lift you so that to swallow is easy.
|
||
Yes." She had made the effort with success.
|
||
It astonished me how long the drug took to act. This,
|
||
in fact, marked the extent of her weakness. The time seemed
|
||
endless until sleep began to flicker in her eyelids. At
|
||
last, however, the narcotic began to manifest its potency,
|
||
and she fell into a deep sleep. When the Professor was sat-
|
||
isfied, he called Arthur into the room, and bade him strip
|
||
off his coat. Then he added, "You may take that one little
|
||
kiss whiles I bring over the table. Friend John, help to
|
||
me!" So neither of us looked whilst he bent over her.
|
||
Van Helsing, turning to me, said, "He is so young and
|
||
strong, and of blood so pure that we need not defibrinate
|
||
it."
|
||
Then with swiftness, but with absolute method, Van Hel-
|
||
sing performed the operation. As the transfusion went on,
|
||
something like life seemed to come back to poor Lucy's
|
||
cheeks, and through Arthur's growing pallor the joy of his
|
||
face seemed absolutely to shine. After a bit I began to
|
||
grow anxious, for the loss of blood was telling on Arthur,
|
||
strong man as he was. It gave me an idea of what a terrible
|
||
strain Lucy's system must have undergone that what weakened
|
||
Arthur only partially restored her.
|
||
But the Professor's face was set,and he stood watch in
|
||
hand, and with his eyes fixed now on the patient and now on
|
||
Arthur. I could hear my own heart beat. Presently, he said
|
||
in a soft voice, "Do not stir an instant. It is enough. You
|
||
attend him. I will look to her."
|
||
When all was over,I could see how much Arthur was weak-
|
||
ened. I dressed the wound and took his arm to bring him
|
||
away, when Van Helsing spoke without turning round, the man
|
||
seems to have eyes in the back of his head,"The brave lover,
|
||
I think, deserve another kiss, which he shall have present-
|
||
ly." And as he had now finished his operation, he adjusted
|
||
the pillow to the patient's head. As he did so the narrow
|
||
black velvet band which she seems always to wear round her
|
||
throat, buckled with an old diamond buckle which her lover
|
||
had given her, was dragged a little up, and showed a red
|
||
mark on her throat.
|
||
Arthur did not notice it, but I could hear the deep
|
||
hiss of indrawn breath which is one of Van Helsing's ways
|
||
of betraying emotion. He said nothing at the moment, but
|
||
turned to me, saying, "Now take down our brave young lover,
|
||
give him of the port wine, and let him lie down a while. He
|
||
must then go home and rest,sleep much and eat much, that he
|
||
may be recruited of what he has so given to his love. He
|
||
must not stay here. Hold a moment! I may take it, sir, that
|
||
you are anxious of result. Then bring it with you, that in
|
||
all ways the operation is successful. You have saved her
|
||
life this time, and you can go home and rest easy in mind
|
||
that all that can be is. I shall tell her all when she is
|
||
well. She shall love you none the less for what you have
|
||
done. Goodbye."
|
||
When Arthur had gone I went back to the room. Lucy
|
||
was sleeping gently, but her breathing was stronger. I
|
||
could see the counterpane move as her breast heaved. By
|
||
the bedside sat Van Helsing, looking at her intently. The
|
||
velvet band again covered the red mark. I asked the Pro-
|
||
fessor in a whisper, "What do you make of that mark on her
|
||
throat?"
|
||
"What do you make of it?"
|
||
"I have not examined it yet," I answered, and then and
|
||
there proceeded to loose the band. Just over the external
|
||
jugular vein there were two punctures, not large, but not
|
||
wholesome looking. There was no sign of disease, but the
|
||
edges were white and worn looking,as if by some trituration.
|
||
It at once occurred to me that that this wound, or whatever
|
||
it was, might be the means of that manifest loss of blood.
|
||
But I abandoned the idea as soon as it formed, for such a
|
||
thing could not be. The whole bed would have been drenched
|
||
to a scarlet with the blood which the girl must have lost
|
||
to leave such a pallor as she had before the transfusion.
|
||
"Well?" said Van Helsing.
|
||
"Well," said I. "I can make nothing of it."
|
||
The Professor stood up. "I must go back to Amsterdam
|
||
tonight," he said "There are books and things there which
|
||
I want. You must remain here all night, and you must not
|
||
let your sight pass from her."
|
||
"Shall I have a nurse?" I asked.
|
||
"We are the best nurses, you and I. You keep watch all
|
||
night. See that she is well fed, and that nothing disturbs
|
||
her.You must not sleep all the night.Later on we can sleep,
|
||
you and I. I shall be back as soon as possible. And then
|
||
we may begin."
|
||
"May begin?" I said. "What on earth do you mean?"
|
||
"We shall see!" he answered, as he hurried out.He came
|
||
back a moment later and put his head inside the door and
|
||
said with a warning finger held up, "Remember, she is your
|
||
charge. If you leave her, and harm befall, you shall not
|
||
sleep easy hereafter!"
|
||
|
||
DR. SEWARD'S DIARY--CONTINUED
|
||
|
||
8 September.--I sat up all night with Lucy. The opiate
|
||
worked itself off towards dusk, and she waked naturally.She
|
||
looked a different being from what she had been before the
|
||
operation.Her spirits even were good, and she was full of a
|
||
happy vivacity, but I could see evidences of the absolute
|
||
prostration which she had undergone. When I told Mrs.West-
|
||
enra that Dr. Van Helsing had directed that I should sit up
|
||
with her, she almost pooh-poohed the idea, pointing out her
|
||
daughter's renewed strength and excellent spirits. I was
|
||
firm, however, and made preparations for my long vigil.When
|
||
her maid had prepared her for the night I came in,having in
|
||
the meantime had supper, and took a seat by the bedside.
|
||
She did not in any way make objection,but looked at me
|
||
gratefully whenever I caught her eye.After a long spell she
|
||
seemed sinking off to sleep, but with an effort seemed to
|
||
pull herself together and shook it off.It was apparent that
|
||
she did not want to sleep, so I tackled the subject at once.
|
||
"You do not want to sleep?"
|
||
"No. I am afraid."
|
||
"Afraid to go to sleep! Why so? It is the boon we all
|
||
crave for."
|
||
"Ah,not if you were like me, if sleep was to you a pre-
|
||
sage of horror!"
|
||
"A presage of horror! What on earth do you mean?"
|
||
"I don't know. Oh, I don't know. And that is what is
|
||
so terrible. All this weakness comes to me in sleep, until
|
||
I dread the very thought."
|
||
"But, my dear girl, you may sleep tonight. I am here
|
||
watching you, and I can promise that nothing will happen."
|
||
"Ah, I can trust you!" she said.
|
||
I seized the opportunity, and said, "I promise that if
|
||
I see any evidence of bad dreams I will wake you at once."
|
||
"You will? Oh, will you really? How good you are to me.
|
||
Then I will sleep!" And almost at the word she gave a deep
|
||
sigh of relief, and sank back, asleep.
|
||
All night long I watched by her.She never stirred, but
|
||
slept on and on in a deep, tranquil, life-giving, health-
|
||
giving sleep. Her lips were slightly parted, and her breast
|
||
rose and fell with the regularity of a pendulum. There was
|
||
a smile on her face, and it was evident that no bad dreams
|
||
had come to disturb her peace of mind.
|
||
In the early morning her maid came, and I left her in
|
||
her care and took myself back home, for I was anxious about
|
||
many things. I sent a short wire to Van Helsing and to
|
||
Arthur, telling them of the excellent result of the opera-
|
||
tion. My own work, with its manifold arrears, took me all
|
||
day to clear off. It was dark when I was able to inquire
|
||
about my zoophagous patient. The report was good. He had
|
||
been quite quiet for the past day and night. A telegram
|
||
came from Van Helsing at Amsterdam whilst I was at dinner,
|
||
suggesting that I should be at Hillingham tonight, as it
|
||
might be well to be at hand, and stating that he was leav-
|
||
ing by the night mail and would join me early in the morn-
|
||
ing.
|
||
|
||
9 September.--I was pretty tired and worn out when I
|
||
got to Hillingham. For two nights I had hardly had a wink
|
||
of sleep, and my brain was beginning to feel that numbness
|
||
which marks cerebral exhaustion. Lucy was up and in cheer-
|
||
ful spirits. When she shook hands with me she looked sharp-
|
||
ly in my face and said,
|
||
"No sitting up tonight for you. You are worn out. I
|
||
am quite well again.Indeed, I am, and if there is to be any
|
||
sitting up, it is I who will sit up with you."
|
||
I would not argue the point,but went and had my supper.
|
||
Lucy came with me, and, enlivened by her charming presence,
|
||
I made an excellent meal,and had a couple of glasses of the
|
||
more than excellent port. Then Lucy took me upstairs, and
|
||
showed me a room next her own,where a cozy fire was burning.
|
||
"Now," she said. "You must stay here. I shall leave
|
||
this door open and my door too. You can lie on the sofa for
|
||
I know that nothing would induce any of you doctors to go
|
||
to bed whilst there is a patient above the horizon. If I
|
||
want anything I shall call out, and you can come to me at
|
||
once."
|
||
I could not but acquiesce, for I was dog tired, and
|
||
could not have sat up had I tried. So, on her renewing her
|
||
promise to call me if she should want anything,I lay on the
|
||
sofa, and forgot all about everything.
|
||
|
||
LUCY WESTENRA'S DIARY
|
||
|
||
9 September.--I feel so happy tonight. I have been so
|
||
miserably weak, that to be able to think and move about is
|
||
like feeling sunshine after a long spell of east wind out
|
||
of a steel sky. Somehow Arthur feels very, very close to me.
|
||
I seem to feel his presence warm about me. I suppose it is
|
||
that sickness and weakness are selfish things and turn our
|
||
inner eyes and sympathy on ourselves, whilst health and
|
||
strength give love rein, and in thought and feeling he can
|
||
wander where he wills. I know where my thoughts are. If
|
||
only Arthur knew! My dear, my dear, your ears must tingle
|
||
as you sleep, as mine do waking. Oh, the blissful rest of
|
||
last night! How I slept, with that dear, good Dr. Seward
|
||
watching me. And tonight I shall not fear to sleep, since
|
||
he is close at hand and within call. Thank everybody for
|
||
being so good to me. Thank God! Goodnight Arthur.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
10 September.--I was conscious of the Professor's hand
|
||
on my head, and started awake all in a second. That is one
|
||
of the things that we learn in an asylum, at any rate.
|
||
"And how is our patient?"
|
||
"Well, when I left her, or rather when she left me," I
|
||
answered.
|
||
"Come, let us see," he said. And together we went into
|
||
the room.
|
||
The blind was down, and I went over to raise it gently,
|
||
whilst Van Helsing stepped, with his soft, cat-like tread,
|
||
over to the bed.
|
||
As I raised the blind, and the morning sunlight flood-
|
||
ed the room,I heard the Professor's low hiss of inspiration,
|
||
and knowing its rarity, a deadly fear shot through my heart.
|
||
As I passed over he moved back, and his exclamation of
|
||
horror, "Gott in Himmel!" needed no enforcement from his
|
||
agonized face. He raised his hand and pointed to the bed,
|
||
and his iron face was drawn and ashen white.I felt my knees
|
||
begin to tremble.
|
||
There on the bed, seemingly in a swoon, lay poor Lucy,
|
||
more horribly white and wan-looking than ever. Even the
|
||
lips were white, and the gums seemed to have shrunken back
|
||
from the teeth,as we sometimes see in a corpse after a pro-
|
||
longed illness.
|
||
Van Helsing raised his foot to stamp in anger, but the
|
||
instinct of his life and all the long years of habit stood
|
||
to him, and he put it down again softly.
|
||
"Quick!" he said. "Bring the brandy."
|
||
I flew to the dining room, and returned with the de-
|
||
canter. He wetted the poor white lips with it, and together
|
||
we rubbed palm and wrist and heart. He felt her heart, and
|
||
after a few moments of agonizing suspense said,
|
||
"It is not too late. It beats, though but feebly. All
|
||
our work is undone. We must begin again. There is no young
|
||
Arthur here now. I have to call on you yourself this time,
|
||
friend John." As he spoke, he was dipping into his bag, and
|
||
producing the instruments of transfusion.I had taken off my
|
||
coat and rolled up my shirt sleeve.There was no possibility
|
||
of an opiate just at present, and no need of one. and so,
|
||
without a moment's delay, we began the operation.
|
||
After a time, it did not seem a short time either, for
|
||
the draining away of one's blood, no matter how willingly
|
||
it be given, is a terrible feeling, Van Helsing held up a
|
||
warning finger. "Do not stir," he said. "But I fear that
|
||
with growing strength she may wake, and that would make
|
||
danger, oh, so much danger. But I shall precaution take. I
|
||
shall give hypodermic injection of morphia." He proceeded
|
||
then, swiftly and deftly, to carry out his intent.
|
||
The effect on Lucy was not bad, for the faint seemed
|
||
to merge subtly into the narcotic sleep. It was with a
|
||
feeling of personal pride that I could see a faint tinge of
|
||
color steal back into the pallid cheeks and lips. No man
|
||
knows, till he experiences it, what it is to feel his own
|
||
lifeblood drawn away into the veins of the woman he loves.
|
||
The Professor watched me critically. "That will do,"
|
||
he said. "Already?" I remonstrated. "You took a great
|
||
deal more from Art." To which he smiled a sad sort of smile
|
||
as he replied,
|
||
"He is her lover, her fiance. You have work, much work
|
||
to do for her and for others, and the present will suffice.
|
||
When we stopped the operation, he attended to Lucy,
|
||
whilst I applied digital pressure to my own incision.I laid
|
||
down, while I waited his leisure to attend to me,for I felt
|
||
faint and a little sick.By and by he bound up my wound, and
|
||
sent me downstairs to get a glass of wine for myself. As I
|
||
was leaving the room, he came after me, and half whispered.
|
||
"Mind, nothing must be said of this.If our young lover
|
||
should turn up unexpected, as before, no word to him. It
|
||
would at once frighten him and enjealous him, too. There
|
||
must be none. So!"
|
||
When I came back he looked at me carefully, and then
|
||
said, "You are not much the worse. Go into the room, and
|
||
lie on your sofa, and rest awhile, then have much breakfast
|
||
and come here to me."
|
||
I followed out his orders, for I knew how right and
|
||
wise they were. I had done my part, and now my next duty
|
||
was to keep up my strength. I felt very weak, and in the
|
||
weakness lost something of the amazement at what had occur-
|
||
red. I fell asleep on the sofa, however, wondering over
|
||
and over again how Lucy had made such a retrograde movement,
|
||
and how she could have been drained of so much blood with
|
||
no sign any where to show for it. I think I must have con-
|
||
tinued my wonder in my dreams, for, sleeping and waking my
|
||
thoughts always came back to the little punctures in her
|
||
throat and the ragged, exhausted appearance of their edges,
|
||
tiny though they were.
|
||
Lucy slept well into the day,and when she woke she was
|
||
fairly well and strong, though not nearly so much so as the
|
||
day before. When Van Helsing had seen her, he went out for
|
||
a walk, leaving me in charge, with strict injunctions that
|
||
I was not to leave her for a moment. I could hear his voice
|
||
in the hall, asking the way to the nearest telegraph office.
|
||
Lucy chatted with me freely, and seemed quite uncon-
|
||
scious that anything had happened. I tried to keep her
|
||
amused and interested. When her mother came up to see her,
|
||
she did not seem to notice any change whatever, but said to
|
||
me gratefully,
|
||
"We owe you so much, Dr.Seward, for all you have done,
|
||
but you really must now take care not to overwork yourself.
|
||
You are looking pale yourself. You want a wife to nurse
|
||
and look after you a bit, that you do!" As she spoke, Lucy
|
||
turned crimson,though it was only momentarily, for her poor
|
||
wasted veins could not stand for long an unwonted drain to
|
||
the head. The reaction came in excessive pallor as she
|
||
turned imploring eyes on me. I smiled and nodded, and laid
|
||
my finger on my lips. With a sigh, she sank back amid her
|
||
pillows.
|
||
Van Helsing returned in a couple of hours, and present-
|
||
ly said to me. "Now you go home, and eat much and drink
|
||
enough. Make yourself strong. I stay here tonight, and I
|
||
shall sit up with little miss myself. You and I must watch
|
||
the case, and we must have none other to know. I have grave
|
||
reasons. No, do not ask the. Think what you will. Do not
|
||
fear to think even the most not-improbable. Goodnight."
|
||
In the hall two of the maids came to me, and asked if
|
||
they or either of them might not sit up with Miss Lucy.They
|
||
implored me to let them, and when I said it was Dr. Van
|
||
Helsing's wish that either he or I should sit up,they asked
|
||
me quite piteously to intercede with the`foreign gentleman'.
|
||
I was much touched by their kindness. Perhaps it is because
|
||
I am weak at present, and perhaps because it was on Lucy's
|
||
account, that their devotion was manifested. For over and
|
||
over again have I seen similar instances of woman's kind-
|
||
ness. I got back here in time for a late dinner, went my
|
||
rounds,all well, and set this down whilst waiting for sleep.
|
||
It is coming.
|
||
|
||
11 September.--This afternoon I went over to Hilling-
|
||
ham. Found Van Helsing in excellent spirits, and Lucy much
|
||
better. Shortly after I had arrived, a big parcel from
|
||
abroad came for the Professor. He opened it with much im-
|
||
pressment,assumed, of course, and showed a great bundle of
|
||
white flowers.
|
||
"These are for you, Miss Lucy," he said.
|
||
"For me? Oh, Dr. Van Helsing!"
|
||
"Yes, my dear, but not for you to play with. These are
|
||
medicines." Here Lucy made a wry face. "Nay, but they are
|
||
not to take in a decoction or in nauseous form, so you need
|
||
not snub that so charming nose, or I shall point out to my
|
||
friend Arthur what woes he may have to endure in seeing so
|
||
much beauty that he so loves so much distort.Aha, my pretty
|
||
miss, that bring the so nice nose all straight again. This
|
||
is medicinal, but you do not know how. I put him in your
|
||
window, I make pretty wreath, and hang him round your neck,
|
||
so you sleep well. Oh, yes! They, like the lotus flower,
|
||
make your trouble forgotten. It smell so like the waters of
|
||
Lethe,and of that fountain of youth that the Conquistadores
|
||
sought for in the Floridas, and find him all too late."
|
||
Whilst he was speaking, Lucy had been examining the
|
||
flowers and smelling them. Now she threw them down saying,
|
||
with half laughter, and half disgust,
|
||
"Oh, Professor, I believe you are only putting up a
|
||
joke on me. Why, these flowers are only common garlic."
|
||
To my surprise, Van Helsing rose up and said with all
|
||
his sternness, his iron jaw set and his bushy eyebrows
|
||
meeting,
|
||
"No trifling with me! I never jest! There is grim
|
||
purpose in what I do, and I warn you that you do not thwart
|
||
me. Take care, for the sake of others if not for your own."
|
||
Then seeing poor Lucy scared, as she might well be, he went
|
||
on more gently, "Oh, little miss, my dear, do not fear me.
|
||
I only do for your good, but there is much virtue to you
|
||
in those so common flowers. See, I place them myself in
|
||
your room. I make myself the wreath that you are to wear.
|
||
But hush! No telling to others that make so inquisitive
|
||
questions. We must obey, and silence is a part of obed-
|
||
ience, and obedience is to bring you strong and well into
|
||
loving arms that wait for you. Now sit still a while. Come
|
||
with me, friend John, and you shall help me deck the room
|
||
with my garlic, which is all the war from Haarlem, where my
|
||
friend Vanderpool raise herb in his glass houses all the
|
||
year. I had to telegraph yesterday, or they would not have
|
||
been here."
|
||
We went into the room, taking the flowers with us. The
|
||
Professor's actions were certainly odd and not to be found
|
||
in any pharmacopeia that I ever heard of. First he fasten-
|
||
ed up the windows and latched them securely. Next, taking
|
||
a handful of the flowers,he rubbed them all over the sashes,
|
||
as though to ensure that every whiff of air that might get
|
||
in would be laden with the garlic smell. Then with the wisp
|
||
he rubbed all over the jamb of the door, above, below, and
|
||
at each side, and round the fireplace in the same way. It
|
||
all seemed grotesque to me, and presently I said, "Well,
|
||
Professor, I know you always have a reason for what you do,
|
||
but this certainly puzzles me. It is well we have no scep-
|
||
tic here, or he would say that you were working some spell
|
||
to keep out an evil spirit."
|
||
"Perhaps I am!" He answered quietly as he began to
|
||
make the wreath which Lucy was to wear round her neck.
|
||
We then waited whilst Lucy made her toilet for the
|
||
night, and when she was in bed he came and himself fixed
|
||
the wreath of garlic round her neck. The last words he said
|
||
to her were,
|
||
"Take care you do not disturb it, and even if the room
|
||
feel close, do not tonight open the window or the door."
|
||
"I promise," said Lucy. "And thank you both a thousand
|
||
times for all your kindness to me! Oh, what have I done to
|
||
be blessed with such friends?"
|
||
As we left the house in my fly, which was waiting, Van
|
||
Helsing said,"Tonight I can sleep in peace,and sleep I want,
|
||
two nights of travel, much reading in the day between, and
|
||
much anxiety on the day to follow, and a night to sit up,
|
||
without to wink. Tomorrow in the morning early you call for
|
||
me, and we come together to see our pretty miss, so much
|
||
more strong for my `spell' which I have work. Ho, ho!"
|
||
He seemed so confident that I, remembering my own con-
|
||
fidence two nights before and with the baneful result, felt
|
||
awe and vague terror. It must have been my weakness that
|
||
made me hesitate to tell it to my friend, but I felt it all
|
||
the more, like unshed tears.
|
||
|
||
|
||
CHAPTER 11
|
||
|
||
LUCY WESTENRA'S DIARY
|
||
|
||
12 September.--How good they all are to me. I quite
|
||
love that dear Dr. Van Helsing. I wonder why he was so
|
||
anxious about these flowers. He positively frightened me,
|
||
he was so fierce. And yet he must have been right, for I
|
||
feel comfort from them already. Somehow, I do not dread
|
||
being alone tonight, and I can go to sleep without fear. I
|
||
shall not mind any flapping outside the window. Oh, the
|
||
terrible struggle that I have had against sleep so often of
|
||
late, the pain of sleeplessness, or the pain of the fear of
|
||
sleep, and with such unknown horrors as it has for me! How
|
||
blessed are some people, whose lives have no fears,no dreads,
|
||
to whom sleep is a blessing that comes nightly, and brings
|
||
nothing but sweet dreams.Well, here I am tonight, hoping for
|
||
sleep, and lying like Ophelia in the play,with`virgin crants
|
||
and maiden strewments.' I never liked garlic before, but to-
|
||
night it is delightful! There is peace in its smell. I feel
|
||
sleep coming already. Goodnight, everybody.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
13 September.--Called at the Berkeley and found Van
|
||
Helsing, as usual, up to time. The carriage ordered from
|
||
the hotel was waiting. The Professor took his bag, which he
|
||
always brings with him now.
|
||
Let all be put down exactly. Van Helsing and I arrived
|
||
at Hillingham at eight o'clock. It was a lovely morning. The
|
||
bright sunshine and all the fresh feeling of early autumn
|
||
seemed like the completion of nature's annual work. The
|
||
leaves were turning to all kinds of beautiful colors,but had
|
||
not yet begun to drop from the trees. When we entered we met
|
||
Mrs. Westenra coming out of the morning room. She is always
|
||
an early riser. She greeted us warmly and said,
|
||
"You will be glad to know that Lucy is better. The
|
||
dear child is still asleep. I looked into her room and saw
|
||
her, but did not go in, lest I should disturb her." The
|
||
Professor smiled, and looked quite jubilant. He rubbed his
|
||
hands together, and said, "Aha! I thought I had diagnosed
|
||
the case. My treatment is working."
|
||
To which she replied, "You must not take all the credit
|
||
to yourself, doctor. Lucy's state this morning is due in
|
||
part to me."
|
||
"How do you mean, ma'am?" asked the Professor.
|
||
"Well, I was anxious about the dear child in the night,
|
||
and went into her room. She was sleeping soundly, so soundly
|
||
that even my coming did not wake her. But the room was aw-
|
||
fully stuffy. There were a lot of those horrible, strong-
|
||
smelling flowers about everywhere, and she had actually a
|
||
bunch of them round her neck. I feared that the heavy odor
|
||
would be too much for the dear child in her weak state, so
|
||
I took them all away and opened a bit of the window to let
|
||
in a little fresh air. You will be pleased with her, I am
|
||
sure."
|
||
She moved off into her boudoir,where she usually break-
|
||
fasted early. As she had spoken, I watched the Professor's
|
||
face, and saw it turn ashen gray. He had been able to retain
|
||
his self-command whilst the poor lady was present, for he
|
||
knew her state and how mischievous a shock would be. He
|
||
actually smiled on her as he held open the door for her to
|
||
pass into her room. But the instant she had disappeared he
|
||
pulled me, suddenly and forcibly, into the dining room and
|
||
closed the door.
|
||
Then, for the first time in my life, I saw Van Helsing
|
||
break down. He raised his hands over his head in a sort of
|
||
mute despair, and then beat his palms together in a helpless
|
||
way. Finally he sat down on a chair, and putting his hands
|
||
before his face,began to sob, with loud, dry sobs that seem-
|
||
ed to come from the very racking of his heart.
|
||
Then he raised his arms again, as though appealing to
|
||
the whole universe. "God! God! God!" he said. "What have
|
||
we done, what has this poor thing done, that we are so sore
|
||
beset? Is there fate amongst us still, send down from the
|
||
pagan world of old, that such things must be, and in such
|
||
way? This poor mother, all unknowing, and all for the best
|
||
as she think, does such thing as lose her daughter body and
|
||
soul, and we must not tell her, we must not even warn her,
|
||
or she die, then both die. Oh, how we are beset! How are
|
||
all the powers of the devils against us!"
|
||
Suddenly he jumped to his feet. "Come," he said."come,
|
||
we must see and act. Devils or no devils, or all the devils
|
||
at once, it matters not. We must fight him all the same." He
|
||
went to the hall door for his bag,and together we went up to
|
||
Lucy's room.
|
||
Once again I drew up the blind, whilst Van Helsing went
|
||
towards the bed. This time he did not start as he looked on
|
||
the poor face with the same awful, waxen pallor as before.He
|
||
wore a look of stern sadness and infinite pity.
|
||
"As I expected," he murmured, with that hissing inspir-
|
||
ation of his which meant so much. Without a word he went and
|
||
locked the door, and then began to set out on the little
|
||
table the instruments for yet another operation of transfu-
|
||
sion of blood. I had long ago recognized the necessity, and
|
||
begun to take off my coat, but he stopped me with a warning
|
||
hand. "No!" he said. "Today you must operate. I shall pro-
|
||
vide. You are weakened already." As he spoke he took off
|
||
his coat and rolled up his shirtsleeve.
|
||
Again the operation. Again the narcotic. Again some
|
||
return of color to the ashy cheeks, and the regular breath-
|
||
ing of healthy sleep. This time I watched whilst Van Helsing
|
||
recruited himself and rested.
|
||
Presently he took an opportunity of telling Mrs. West-
|
||
enra that she must not remove anything from Lucy's room
|
||
without consulting him. That the flowers were of medicinal
|
||
value, and that the breathing of their odor was a part of
|
||
the system of cure. Then he took over the care of the case
|
||
himself, saying that he would watch this night and the next,
|
||
and would send me word when to come.
|
||
After another hour Lucy waked from her sleep, fresh
|
||
and bright and seemingly not much the worse for her ter-
|
||
rible ordeal.
|
||
What does it all mean? I am beginning to wonder if my
|
||
long habit of life amongst the insane is beginning to tell
|
||
upon my own brain.
|
||
|
||
LUCY WESTENRA'S DIARY
|
||
|
||
17 September.--Four days and nights of peace. I am
|
||
getting so strong again that I hardly know myself. It is as
|
||
if I had passed through some long nightmare, and had just
|
||
awakened to see the beautiful sunshine and feel the fresh
|
||
air of the morning around me. I have a dim half remem-
|
||
brance of long, anxious times of waiting and fearing, dark-
|
||
ness in which there was not even the pain of hope to make
|
||
present distress more poignant. And then long spells of
|
||
oblivion, and the rising back to life as a diver coming up
|
||
through a great press of water. Since, however, Dr. Van
|
||
Helsing has been with me, all this bad dreaming seems to
|
||
have passed away. The noises that used to frighten me out
|
||
of my wits, the flapping against the windows, the distant
|
||
voices which seemed so close to me, the harsh sounds that
|
||
came from I know not where and commanded me to do I know
|
||
not what, have all ceased. I go to bed now without any fear
|
||
of sleep. I do not even try to keep awake. I have grown
|
||
quite fond of the garlic, and a boxful arrives for me every
|
||
day from Haarlem. Tonight Dr. Van Helsing is going away, as
|
||
he has to be for a day in Amsterdam. But I need not be
|
||
watched. I am well enough to be left alone.
|
||
Thank God for Mother's sake, and dear Arthur's, and for
|
||
all our friends who have been so kind! I shall not even feel
|
||
the change, for last night Dr.Van Helsing slept in his chair
|
||
a lot of the time. I found him asleep twice when I awoke.
|
||
But I did not fear to go to sleep again, although the boughs
|
||
or bats or something flapped almost angrily against the
|
||
window panes.
|
||
|
||
THE PALL MALL GAZETTE 18 September.
|
||
|
||
THE ESCAPED WOLF
|
||
PERILOUS ADVENTURE OF OUR INTERVIEWER
|
||
INTERVIEW WITH THE KEEPER IN THE ZOOLOGICAL GARDENS
|
||
|
||
After many inquiries and almost as many refusals, and
|
||
perpetually using the words `PALL MALL GAZETTE ' as a sort
|
||
of talisman, I managed to find the keeper of the section of
|
||
the Zoological Gardens in which the wold department is in-
|
||
cluded. Thomas Bilder lives in one of the cottages in the
|
||
enclosure behind the elephant house, and was just sitting
|
||
down to his tea when I found him. Thomas and his wife are
|
||
hospitable folk, elderly, and without children, and if the
|
||
specimen I enjoyed of their hospitality be of the average
|
||
kind, their lives must be pretty comfortable. The keeper
|
||
would not enter on what he called business until the supper
|
||
was over, and we were all satisfied. Then when the table was
|
||
cleared, and he had lit his pipe, he said,
|
||
"Now, Sir, you can go on and arsk me what you want.
|
||
You'll excoose me refoosin' to talk of perfeshunal subjucts
|
||
afore meals. I gives the wolves and the jackals and the
|
||
hyenas in all our section their tea afore I begins to arsk
|
||
them questions."
|
||
"How do you mean, ask them questions?" I queried, wish-
|
||
ful to get him into a talkative humor.
|
||
" `Ittin' of them over the `ead with a pole is one way.
|
||
Scratchin' of their ears in another, when gents as is flush
|
||
wants a bit of a show-orf to their gals. I don't so much
|
||
mind the fust, the `ittin of the pole part afore I chucks in
|
||
their dinner, but I waits till they've `ad their sherry and
|
||
kawffee,so to speak,afore I tries on with the ear scratchin'.
|
||
Mind you," he added philosophically, "there's a deal of the
|
||
same nature in us as in them theer animiles. Here's you
|
||
a-comin' and arskin' of me questions about my business, and
|
||
I that grump-like that only for your bloomin' `arf-quid I'd
|
||
`a' seen you blowed fust `fore I'd answer. Not even when
|
||
you arsked me sarcastic like if I'd like you to arsk the
|
||
Superintendent if you might arsk me questions. Without
|
||
offence did I tell yer to go to `ell?"
|
||
"You did."
|
||
"An' when you said you'd report me for usin' obscene
|
||
language that was `ittin' me over the `ead. But the `arf-
|
||
quid made that all right. I weren't a-goin' to fight, so I
|
||
waited for the food, and did with my `owl as the wolves and
|
||
lions and tigers does. But, lor' love yer `art, now that the
|
||
old `ooman has stuck a chunk of her tea-cake in me, an'
|
||
rinsed me out with her bloomin' old teapot,and I've lit hup,
|
||
you may scratch my ears for all you're worth, and won't even
|
||
get a growl out of me. Drive along with your questions. I
|
||
know what yer a-comin' at, that `ere escaped wolf."
|
||
"Exactly. I want you to give me your view of it. Just
|
||
tell me how it happened, and when I know the facts I'll get
|
||
you to say what you consider was the cause of it, and how
|
||
you think the whole affair will end."
|
||
"All right, guv'nor. This `ere is about the `ole story.
|
||
That`ere wolf what we called Bersicker was one of three gray
|
||
ones that came from Norway to Jamrach's, which we bought off
|
||
him four years ago. He was a nice well-behaved wolf, that
|
||
never gave no trouble to talk of. I'm more surprised at `im
|
||
for wantin' to get out nor any other animile in the place.
|
||
But, there, you can't trust wolves no more nor women."
|
||
"Don't you mind him, Sir!" broke in Mrs. Tom, with a
|
||
cheery laugh. " `E's got mindin' the animiles so long that
|
||
blest if he ain't like a old wolf `isself! But there ain't
|
||
no `arm in `im."
|
||
"Well, Sir, it was about two hours after feedin' yes-
|
||
terday when I first hear my disturbance. I was makin' up a
|
||
litter in the monkey house for a young puma which is ill.
|
||
But when I heard the yelpin' and `owlin' I kem away straight.
|
||
There was Bersicker a-tearin' like a mad thing at the bars
|
||
as if he wanted to get out. There wasn't much people about
|
||
that day, and close at hand was only one man, a tall, thin
|
||
chap, with a `ook nose and a pointed beard, with a few
|
||
white hairs runnin' through it. He had a `ard, cold look
|
||
and red eyes, and I took a sort of mislike to him, for it
|
||
seemed as if it was `im as they was hirritated at. He `ad
|
||
white kid gloves on `is `ands, and he pointed out the ani-
|
||
miles to me and says, `Keeper, these wolves seem upset at
|
||
something.'
|
||
"`Maybe it's you,' says I, for I did not like the airs
|
||
as he give `isself. He didn't get angry, as I `oped he
|
||
would, but he smiled a kind of insolent smile, with a mouth
|
||
full of white, sharp teeth. `Oh no, they wouldn't like me,'
|
||
`e says.
|
||
" `Ow yes, they would,' says I, a-imitatin'of him.`They
|
||
always like a bone or two to clean their teeth on about tea
|
||
time, which you `as a bagful.'
|
||
"Well, it was a odd thing, but when the animiles see us
|
||
a-talkin' they lay down,and when I went over to Bersicker he
|
||
let me stroke his ears same as ever.That there man kem over,
|
||
and blessed but if he didn't put in his hand and stroke the
|
||
old wolf's ears too!
|
||
" `Tyke care,' says I. `Bersicker is quick.'
|
||
" `Never mind,' he says. I'm used to `em!'
|
||
" `Are you in the business yourself?"I says, tyking off
|
||
my `at, for a man what trades in wolves, anceterer,is a good
|
||
friend to keepers.
|
||
" `Nom' says he, `not exactly in the business, but I
|
||
`ave made pets of several.' and with that he lifts his `at
|
||
as perlite as a lord, and walks away. Old Bersicker kep'
|
||
a-lookin' arter `im till `e was out of sight, and then went
|
||
and lay down in a corner and wouldn't come hout the `ole
|
||
hevening. Well, larst night, so soon as the moon was hup,
|
||
the wolves here all began a-`owling. There warn't nothing
|
||
for them to `owl at. There warn't no one near, except some
|
||
one that was evidently a-callin' a dog somewheres out back
|
||
of the gardings in the Park road. Once or twice I went out
|
||
to see that all was right, and it was, and then the `owling
|
||
stopped. Just before twelve o'clock I just took a look
|
||
round afore turnin' in, an', bust me, but when I kem oppo-
|
||
site to old Bersicker's cage I see the rails broken and
|
||
twisted about and the cage empty. And that's all I know
|
||
for certing."
|
||
"Did any one else see anything?"
|
||
"One of our gard`ners was a-comin' `ome about that time
|
||
from a `armony, when he sees a big gray dog comin' out
|
||
through the garding `edges.At least, so he says, but I don't
|
||
give much for it myself, for if he did `e never said a word
|
||
about it to his missis when `e got `ome, and it was only af-
|
||
ter the escape of the wolf was made known,and we had been up
|
||
all night a-huntin' of the Park for Bersicker,that he remem-
|
||
bered seein' anything. My own belief was that the `armony
|
||
`ad got into his `ead."
|
||
"Now, Mr. Bilder, can you account in any way for the
|
||
escape of the wolf?"
|
||
"Well, Sir,"he said, with a suspicious sort of modesty,
|
||
"I think I can, but I don't know as `ow you'd be satisfied
|
||
with the theory."
|
||
"Certainly I shall. If a man like you, who knows the
|
||
animals from experience, can't hazard a good guess at any
|
||
rate, who is even to try?"
|
||
"well then, Sir, I accounts for it this way. It seems
|
||
to me that `ere wolf escaped--simply because he wanted to
|
||
get out."
|
||
From the hearty way that both Thomas and his wife laugh-
|
||
ed at the joke I could see that it had done service before,
|
||
and that the whole explanation was simply an elaborate sell.
|
||
I couldn't cope in badinage with the worthy Thomas, but I
|
||
thought I knew a surer way to his heart, so I said,"Now, Mr.
|
||
Bilder, we'll consider that first half-sovereign worked off,
|
||
and this brother of his is waiting to be claimed when you've
|
||
told me what you think will happen."
|
||
"Right y`are, Sir," he said briskly. "Ye`ll excoose me,
|
||
I know, for a-chaffin' of ye, but the old woman her winked
|
||
at me, which was as much as telling me to go on."
|
||
"Well, I never!" said the old lady.
|
||
"My opinion is this. That `ere wolf is a`idin' of,
|
||
somewheres. The gard`ner wot didn't remember said he was
|
||
a-gallopin' northward faster than a horse could go, but I
|
||
don't believe him, for, yer see, Sir, wolves don't gallop
|
||
no more nor dogs does, they not bein' built that way. Wolves
|
||
is fine things in a storybook, and I dessay when they gets
|
||
in packs and does be chivyin' somethin' that's more afeared
|
||
than they is they can make a devil of a noise and chop it
|
||
up, whatever it is. But, Lor' bless you, in real life a wolf
|
||
is only a low creature, not half so clever or bold as a good
|
||
dog, and not half a quarter so much fight in `im. This one
|
||
ain't been used to fightin' or even to providin' for hisself,
|
||
and more like he's somewhere round the Park a'hidin' an'
|
||
a'shiverin' of, and if he thinks at all, wonderin' where he
|
||
is to get his breakfast from. Or maybe he's got down some
|
||
area and is in a coal cellar. My eye, won't some cook get
|
||
a rum start when she sees his green eyes a-shinin' at her
|
||
out of the dark! If he can't get food he's bound to look
|
||
for it, and mayhap he may chance to light on a butcher's
|
||
shop in time. If he doesn't, and some nursemaid goes out
|
||
walkin' or orf with a soldier, leavin' of the hinfant in the
|
||
perambulator--well, then I shouldn't be surprised if the
|
||
census is one babby the less. That's all."
|
||
I was handing him the half-sovereign, when something
|
||
came bobbing up against the window, and Mr. Bilder's face
|
||
doubled its natural length with surprise.
|
||
"God bless me!" he said. "If there ain't old Bersicker
|
||
come back by `isself!"
|
||
He went to the door and opened it, a most unnecessary
|
||
proceeding it seemed to me. I have always thought that a
|
||
wild animal never looks so well as when some obstacle of
|
||
pronounced durability is between us. A personal experience
|
||
has intensified rather than diminished that idea.
|
||
After all, however, there is nothing like custom, for
|
||
neither Bilder nor his wife thought any more of the wolf
|
||
than I should of a dog. The animal itself was a peaceful
|
||
and well-behaved as that father of all picture-wolves, Red
|
||
Riding Hood's quondam friend, whilst moving her confidence
|
||
in masquerade.
|
||
The whole scene was a unutterable mixture of comedy and
|
||
pathos. The wicked wolf that for a half a day had paralyzed
|
||
London and set all the children in town shivering in their
|
||
shoes, was there in a sort of penitent mood,and was received
|
||
and petted like a sort of vulpine prodigal son. Old Bilder
|
||
examined him all over with most tender solicitude, and when
|
||
he had finished with his penitent said,
|
||
"There, I knew the poor old chap would get into some
|
||
kind of trouble. Didn't I say it all along? Here's his
|
||
head all cut and full of broken glass. `E's been a-gettin'
|
||
over some bloomin' wall or other. It's a shyme that people
|
||
are allowed to top their walls with broken bottles. This
|
||
`ere's what comes of it. Come along, Bersicker."
|
||
He took the wolf and locked him up in a cage, with a
|
||
piece of meat that satisfied, in quantity at any rate, the
|
||
elementary conditions of the fatted calf, and went off to
|
||
report.
|
||
I came off too,to report the only exclusive information
|
||
that is given today regarding the strange escapade at the
|
||
Zoo.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
17 September.--I was engaged after dinner in my study
|
||
posting up my books, which, through press of other work and
|
||
the many visits to Lucy, had fallen sadly into arrear. Sud-
|
||
denly the door was burst open,and in rushed my patient, with
|
||
his face distorted with passion. I was thunderstruck, for
|
||
such a thing as a patient getting of his own accord into the
|
||
Superintendent's study is almost unknown.
|
||
Without an instant's notice he made straight at me. He
|
||
had a dinner knife in his hand,and as I saw he was dangerous,
|
||
I tried to keep the table between us. He was too quick and
|
||
too strong for me,however, for before I could get my balance
|
||
he had struck at me and cut my left wrist rather severely.
|
||
Before he could strike again, however,I got in my right
|
||
hand and he was sprawling on his back on the floor. My wrist
|
||
bled freely, and quite a little pool trickled on to the car-
|
||
pet. I saw that my friend was not intent on further effort,
|
||
and occupied myself binding up my wrist, keeping a wary eye
|
||
on the prostrate figure all the time. When the attendants
|
||
rushed in, and we turned our attention to him, his employ-
|
||
ment positively sickened me. He was lying on his belly on
|
||
the floor licking up, like a dog, the blood which had fallen
|
||
from my wounded wrist. He was easily secured, and to my
|
||
surprise, went with the attendants quite placidly, simply
|
||
repeating over and over again, "The blood is the life! The
|
||
blood is the life!"
|
||
I cannot afford to lose blood just at present. I have
|
||
lost too much of late for my physical good,and then the pro-
|
||
longed strain of Lucy's illness and its horrible phases is
|
||
telling on me. I am over excited and weary, and I need rest,
|
||
rest, rest. Happily Van Helsing has not summoned me, so I
|
||
need not forego my sleep. Tonight I could not well do with-
|
||
out it.
|
||
|
||
TELEGRAM, VAN HELSING, ANTWERP, TO SEWARD, CARFAX
|
||
|
||
(Sent to Carfax, Sussex, as no county given, delivered late
|
||
by twenty-two hours.)
|
||
17 September.--Do not fail to be at Hilllingham tonight.
|
||
If not watching all the time, frequently visit and see that
|
||
flowers are as placed, very important, do not fail. Shall be
|
||
with you as soon as possible after arrival.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
18 September.--Just off train to London. The arrival of
|
||
Van Helsing's telegram filled me with dismay. A whole night
|
||
lost, and I know by bitter experience what may happen in a
|
||
night. Of course it is possible that all may be well, but
|
||
what may have happened? Surely there is some horrible doom
|
||
hanging over us that every possible accident should thwart
|
||
us in all we try to do. I shall take this cylinder with me,
|
||
and then I can complete my entry on Lucy's phonograph.
|
||
MEMORANDUM LEFT BY LUCY WESTENRA
|
||
|
||
17 September, Night.--I write this and leave it to be
|
||
seen, so that no one may by any chance get into trouble
|
||
through me. This is an exact record of what took place to-
|
||
night. I feel I am dying of weakness, and have barely
|
||
strength to write, but it must be done if I die in the doing.
|
||
I went to bed as usual, taking care that the flowers
|
||
were placed as Dr. Van Helsing directed, and soon fell
|
||
asleep.
|
||
I was waked by the flapping at the window, which had
|
||
begun after that sleep-walking on the cliff at Whitby when
|
||
Mina saved me, and which now I know so well. I was not
|
||
afraid, but I did wish that Dr. Seward was in the next room,
|
||
as Dr. Van Helsing said he would be, so that I might have
|
||
called him. I tried to sleep, but I could not. Then there
|
||
came to me the old fear of sleep, and I determined to keep
|
||
awake. Perversely sleep would try to come then when I did
|
||
not want it. So, as I feared to be alone, I opened my door
|
||
and called out. "Is there anybody there?" There was no
|
||
answer. I was afraid to wake mother, and so closed my door
|
||
again. Then outside in the shrubbery I heard a sort of howl
|
||
like a dog's, but more fierce and deeper. I went to the win-
|
||
dow and looked out, but could see nothing, except a big bat,
|
||
which had evidently been buffeting its wings against the
|
||
window. So I went back to bed again, but determined not to
|
||
go to sleep. Presently the door opened,and mother looked in.
|
||
Seeing by my moving that I was not asleep, she came in and
|
||
sat by me. She said to me even more sweetly and softly than
|
||
her wont,
|
||
"I was uneasy about you, darling, and came in to see
|
||
that you were all right."
|
||
I feared she might catch cold sitting there, and asked
|
||
her to come in and sleep with me, so she came into bed, and
|
||
lay down beside me. She did not take off her dressing gown,
|
||
for she said she would only stay a while and then go back
|
||
to her own bed. As she lay there in my arms, and I in hers
|
||
the flapping and buffeting came to the window again. She
|
||
was startled and a little frightened, and cried out, "What
|
||
is that?"
|
||
I tried to pacify her, and at last succeeded, and she
|
||
lay quiet. But I could hear her poor dear heart still beat-
|
||
ing terribly. After a while there was the howl again out in
|
||
the shrubbery, and shortly after there was a crash at the
|
||
window, and a lot of broken glass was hurled on the floor.
|
||
The window blind blew back with the wind that rushed in, and
|
||
in the aperture of the broken panes there was the head of a
|
||
great, gaunt gray wolf.
|
||
Mother cried out in a fright, and struggled up into a
|
||
sitting posture, and clutched wildly at anything that would
|
||
help her. Amongst other things, she clutched the wreath of
|
||
flowers that Dr. Van Helsing insisted on my wearing round
|
||
my neck, and tore it away from me. For a second or two she
|
||
sat up, pointing at the wolf, and there was a strange and
|
||
horrible gurgling in her throat. Then she fell over, as if
|
||
struck with lightning, and her head hit my forehead and made
|
||
me dizzy for a moment or two.
|
||
The room and all round seemed to spin round. I kept my
|
||
eyes fixed on the window, but the wolf drew his head back,
|
||
and a whole myriad of little specks seems to come blowing
|
||
in through the broken window, and wheeling and circling
|
||
round like the pillar of dust that travellers describe when
|
||
there is a simoon in the desert. I tried to stir, but there
|
||
was some spell upon me, and dear Mother's poor body, which
|
||
seemed to grow cold already, for her dear heart had ceased
|
||
to beat, weighed me down, and I remembered no more for a
|
||
while.
|
||
The time did not seem long, but very, very awful, till
|
||
I recovered consciousness again. Somewhere near, a passing
|
||
bell was tolling. The dogs all round the neighborhood were
|
||
howling, and in our shrubbery, seemingly just outside, a
|
||
nightingale was singing. I was dazed and stupid with pain
|
||
and terror and weakness, but the sound of the nightingale
|
||
seemed like the voice of my dead mother come back to comfort
|
||
me. The sounds seemed to have awakened the maids, too, for
|
||
I could hear their bare feet pattering outside my door. I
|
||
called to them, and they came in, and when they saw what had
|
||
happened, and what it was that lay over me on the bed, they
|
||
screamed out. The wind rushed in through the broken window,
|
||
and the door slammed to. They lifted off the body of my
|
||
dear mother, and laid her, covered up with a sheet, on the
|
||
bed after I had got up. They were all so frightened and
|
||
nervous that I directed them to go to the dining room and
|
||
each have a glass of wine. The door flew open for an instant
|
||
and closed again. The maids shrieked, and then went in a
|
||
body to the dining room, and I laid what flowers I had on
|
||
my dear mother's breast. When they were there I remembered
|
||
what Dr. Van Helsing had told me, but I didn't like to re-
|
||
move them, and besides, I would have some of the servants
|
||
to sit up with me now. I was surprised that the maids did
|
||
not come back. I called them, but got no answer, so I went
|
||
to the dining room to look for them.
|
||
My heart sank when I saw what had happened. They all
|
||
four lay helpless on the floor, breathing heavily. The de-
|
||
canter of sherry was on the table half full, but there was
|
||
a queer, acrid smell about. I was suspicious, and examined
|
||
the decanter. It smelt of laudanum, and looking on the
|
||
sideboard,I found that the bottle which Mother's doctor uses
|
||
for her--oh! did use--was empty. What am I to do? What am I
|
||
to do? I am back in the room with Mother.I cannot leave her,
|
||
and I am alone, save for the sleeping servants, whom some
|
||
one has drugged. Alone with the dead! I dare not go out, for
|
||
I can hear the low howl of the wolf through the broken
|
||
window.
|
||
The air seems full of specks, floating and circling in
|
||
the draught from the window, and the lights burn blue and
|
||
dim. What am I to do? God shield me from harm this night!
|
||
I shall hide this paper in my breast, where they shall find
|
||
it when they come to lay me out. My dear mother gone! It
|
||
is time that I go too. Goodbye, dear Arthur, if I should
|
||
not survive this night. God keep you, dear, and God help me!
|
||
|
||
|
||
CHAPTER 12
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
18 September.--I drove at once to Hillingham and ar-
|
||
rived early. Keeping my cab at the gate, I went up the
|
||
avenue alone. I knocked gently and rang as quietly as pos-
|
||
sible, for I feared to disturb Lucy or her mother, and hoped
|
||
to only bring a servant to the door. After a while, finding
|
||
no response, I knocked and rang again, still no answer. I
|
||
cursed the laziness of the servants that they should lie
|
||
abed at such an hour,for it was now ten o'clock, and so rang
|
||
and knocked again, but more impatiently, but still without
|
||
response. Hitherto I had blamed only the servants, but now
|
||
a terrible fear began to assail me. Was this desolation but
|
||
another link in the chain of doom which seemed drawing tight
|
||
round us? Was it indeed a house of death to which I had come,
|
||
too late? I know that minutes, even seconds of delay, might
|
||
mean hours of danger to Lucy, if she had had again one of
|
||
those frightful relapses, and I went round the house to try
|
||
if I could find by chance an entry anywhere.
|
||
I could find no means of ingress. Every window and door
|
||
was fastened and locked, and I returned baffled to the porch.
|
||
As I did so, I heard the rapid pit-pat of a swiftly driven
|
||
horse's feet. They stopped at the gate, and a few seconds
|
||
later I met Van Helsing running up the avenue. When he saw
|
||
me, he gasped out, "Then it was you, and just arrived. How
|
||
is she? Are we too late? Did you not get my telegram?"
|
||
I answered as quickly and coherently as I could that I
|
||
had only got his telegram early in the morning, and had not
|
||
a minute in coming here, and that I could not make any one
|
||
in the house hear me. He paused and raised his hat as he
|
||
said solemnly, "Then I fear we are too late. God's will be
|
||
done!"
|
||
With his usual recuperative energy, he went on, "Come.
|
||
If there be no way open to get in, we must make one. Time
|
||
is all in all to us now."
|
||
We went round to the back of the house, where there was
|
||
a kitchen window. The Professor took a small surgical saw
|
||
from his case, and handing it to me,pointed to the iron bars
|
||
which guarded the window. I attacked them at once and had
|
||
very soon cut through three of them. Then with a long, thin
|
||
knife we pushed back the fastening of the sashes and opened
|
||
the window. I helped the Professor in, and followed him.
|
||
There was no one in the kitchen or in the servants' rooms,
|
||
which were close at hand. We tried all the rooms as we went
|
||
along, and in the dining room, dimly lit by rays of light
|
||
through the shutters, found four servant women lying on the
|
||
floor. There was no need to think them dead, for their ster-
|
||
torous breathing and the acrid smell of laudanum in the room
|
||
left no doubt as to their condition.
|
||
Van Helsing and I looked at each other, and as we moved
|
||
away he said, "We can attend to them later."Then we ascended
|
||
to Lucy's room. For an instant or two we paused at the door
|
||
to listen, but there was no sound that we could hear. With
|
||
white faces and trembling hands, we opened the door gently,
|
||
and entered the room.
|
||
How shall I describe what we saw? On the bed lay two
|
||
women, Lucy and her mother. The latter lay farthest in, and
|
||
she was covered with a white sheet, the edge of which had
|
||
been blown back by the drought through the broken window,
|
||
showing the drawn, white, face, with a look of terror fixed
|
||
upon it. By her side lay Lucy, with face white and still
|
||
more drawn. The flowers which had been round her neck we
|
||
found upon her mother's bosom, and her throat was bare,show-
|
||
ing the two little wounds which we had noticed before, but
|
||
looking horribly white and mangled. Without a word the Pro-
|
||
fessor bent over the bed, his head almost touching poor
|
||
Lucy's breast. Then he gave a quick turn of his head, as of
|
||
one who listens, and leaping to his feet, he cried out to me,
|
||
"It is not yet too late! Quick! Quick! Bring the brandy!"
|
||
I flew downstairs and returned with it, taking care to
|
||
smell and taste it, lest it, too, were drugged like the de-
|
||
canter of sherry which I found on the table. The maids were
|
||
still breathing, but more restlessly, and I fancied that the
|
||
narcotic was wearing off. I did not stay to make sure, but
|
||
returned to Van Helsing. He rubbed the brandy, as on another
|
||
occasion, on her lips and gums and on her wrists and the
|
||
palms of her hands. He said to me, "I can do this, all that
|
||
can be at the present. You go wake those maids. Flick them
|
||
in the face with a wet towel, and flick them hard. Make them
|
||
get heat and fire and a warm bath. This poor soul is nearly
|
||
as cold as that beside her. She will need be heated before
|
||
we can do anything more."
|
||
I went at once, and found little difficulty in waking
|
||
three of the women. The fourth was only a young girl, and
|
||
the drug had evidently affected her more strongly so I lift-
|
||
ed her on the sofa and let her sleep.
|
||
The others were dazed at first, but as remembrance came
|
||
back to them they cried and sobbed in a hysterical manner. I
|
||
was stern with them, however, and would not let them talk. I
|
||
told them that one life was bad enough to lose, and if they
|
||
delayed they would sacrifice Miss Lucy. So, sobbing and cry-
|
||
ing they went about their way, half clad as they were, and
|
||
prepared fire and water. Fortunately, the kitchen and boiler
|
||
fires were still alive, and there was no lack of hot water.
|
||
We got a bath and carried Lucy out as she was and placed
|
||
her in it. Whilst we were busy chafing her limbs there was a
|
||
knock at the hall door. One of the maids ran off, hurried
|
||
on some more clothes, and opened it. Then she returned and
|
||
whispered to us that there was a gentleman who had come with
|
||
a message from Mr. Holmwood. I bade her simply tell him
|
||
that he must wait, for we could see no one now. She went
|
||
away with the message, and, engrossed with our work, I clean
|
||
forgot all about him.
|
||
I never saw in all my experience the Professor work in
|
||
such deadly earnest. I knew, as he knew, that it was a
|
||
stand-up fight with death, and in a pause told him so. He
|
||
answered me in a way that I did not understand, but with the
|
||
sternest look that his face could wear.
|
||
"If that were all, I would stop here where we are now,
|
||
and let her fade away into peace, for I see no light in life
|
||
over her horizon." He went on with his work with, if poss-
|
||
ible, renewed and more frenzied vigour.
|
||
Presently we both began to be conscious that the heat
|
||
was beginning to be of some effect. Lucy's heart beat a
|
||
trifle more audibly to the stethoscope, and her lungs had a
|
||
perceptible movement. Van Helsing's face almost beamed, and
|
||
as we lifted her from the bath and rolled her in a hot sheet
|
||
to dry her he said to me, "The first gain is ours! Check to
|
||
the King!"
|
||
We took Lucy into another room, which had by now been
|
||
prepared, and laid her in bed and forced a few drops of
|
||
brandy down her throat. I noticed that Van Helsing tied a
|
||
soft silk handkerchief round her throat. She was still
|
||
unconscious, and was quite as bad as, if not worse than, we
|
||
had ever seen her.
|
||
Van Helsing called in one of the women, and told her to
|
||
stay with her and not to take her eyes off her till we re-
|
||
turned, and then beckoned me out of the room.
|
||
"We must consult as to what is to be done," he said as
|
||
we descended the stairs. In the hall he opened the dining
|
||
room door, and we passed in, he closing the door carefully
|
||
behind him. The shutters had been opened, but the blinds
|
||
were already down, with that obedience to the etiquette of
|
||
death which the British woman of the lower classes always
|
||
rigidly observes. The room was, therefore, dimly dark. It
|
||
was, however, light enough for our purposes. Van Helsing's
|
||
sternness was somewhat relieved by a look of perplexity. He
|
||
was evidently torturing his mind about something,so I waited
|
||
for an instant, and he spoke.
|
||
"What are we to do now? Where are we to turn for help?
|
||
We must have another transfusion of blood, and that soon, or
|
||
that poor girl's life won't be worth an hour's purchase. You
|
||
are exhausted already. I am exhausted too. I fear to trust
|
||
those women, even if they would have courage to submit. What
|
||
are we to do for some one who will open his veins for her?"
|
||
"What's the matter with me, anyhow?"
|
||
The voice came from the sofa across the room, and its
|
||
tones brought relief and joy to my heart,for they were those
|
||
of Quincey Morris.
|
||
Van Helsing started angrily at the first sound, but his
|
||
face softened and a glad look came into his eyes as I cried
|
||
out, "Quincey Morris!" and rushed towards him with out-
|
||
stretched hands.
|
||
"What brought you her?" I cried as our hands met.
|
||
"I guess Art is the cause."
|
||
He handed me a telegram.-- `Have not heard from Seward
|
||
for three days, and am terribly anxious.Cannot leave. Father
|
||
still in same condition. Send me word how Lucy is. Do not
|
||
delay.--Holmwood.'
|
||
"I think I came just in the nick of time. You know you
|
||
have only to tell me what to do."
|
||
Van Helsing strode forward, and took his hand, looking
|
||
him straight in the eyes as he said, "A brave man's blood is
|
||
the best thing on this earth when a woman is in trouble.
|
||
You're a man and no mistake. Well, the devil may work
|
||
against us for all he's worth, but God sends us men when we
|
||
want them."
|
||
Once again we went through that ghastly operation. I
|
||
have not the heart to go through with the details. Lucy had
|
||
got a terrible shock and it told on her more than before,for
|
||
though plenty of blood went into her veins, her body did not
|
||
respond to the treatment as well as on the other occasions.
|
||
Her struggle back into life was something frightful to see
|
||
and hear. However, the action of both heart and lungs im-
|
||
proved, and Van Helsing made a sub-cutaneous injection of
|
||
morphia, as before, and with good effect. Her faint became
|
||
a profound slumber. The Professor watched whilst I went
|
||
downstairs with Quincey Morris, and sent one of the maids
|
||
to pay off one of the cabmen who were waiting.
|
||
I left Quincey lying down after having a glass of wine,
|
||
and told the cook to get ready a good breakfast. Then a
|
||
thought struck me, and I went back to the room where Lucy
|
||
now was. When I came softly in, I found Van Helsing with a
|
||
sheet or two of note paper in his hand. He had evidently
|
||
read it, and was thinking it over as he sat with his hand to
|
||
his brow. There was a look of grim satisfaction in his face,
|
||
as of one who has had a doubt solved. He handed me the paper
|
||
saying only, "It dropped from Lucy's breast when we carried
|
||
her to the bath."
|
||
When I had read it, I stook looking at the Professor,
|
||
and after a pause asked him, "In God's name, what does it
|
||
all mean? Was she, or is she, mad, or what sort of horri-
|
||
ble danger is it?" I was so bewildered that I did not know
|
||
what to say more. Van Helsing put out his hand and took
|
||
the paper, saying,
|
||
"Do not trouble about it now. Forget if for the pre-
|
||
sent. You shall know and understand it all in good time, but
|
||
it will be later. And now what is it that you came to me to
|
||
say?" This brought me back to fact, and I was all myself
|
||
again.
|
||
"I came to speak about the certificate of death.If we do
|
||
not act properly and wisely, there may be an inquest, and
|
||
that paper would have to be produced. I am in hopes that we
|
||
need have no inquest, for if we had it would surely kill poor
|
||
Lucy, if nothing else did. I know, and you know, and the
|
||
other doctor who attended her knows, that Mrs. Westenra had
|
||
disease of the heart, and we can certify that she died of it.
|
||
Let us fill up the certificate at once, and I shall take it
|
||
myself to the registrar and go on to the undertaker."
|
||
"Good, oh my friend John! Well thought of! Truly Miss
|
||
Lucy, if she be sad in the foes that beset her, is at least
|
||
happy in the friends thatlove her. One, two, three, all open
|
||
their veins for her, besides one old man. Ah, yes, I know,
|
||
friend John. I am not blind! I love you all the more for it!
|
||
Now go."
|
||
In the hall I met Quincey Morris, with a telegram for
|
||
Arthur telling him that Mrs. Westenra was dead, that Lucy
|
||
also had been ill, but was now going on better, and that Van
|
||
Helsing and I were with her. I told him where I was going,
|
||
and he hurried me out, but as I was going said,
|
||
"When you come back, Jack, may I have two words with you
|
||
all to ourselves?" I nodded in reply and went out.I found no
|
||
difficulty about the registration,and arranged with the local
|
||
undertaker to come up in the evening to measure for the
|
||
coffin and to make arrangements.
|
||
When I got back Quincey was waiting for me. I told him
|
||
I would see him as soon as I knew about Lucy, and went up to
|
||
her room. She was still sleeping, and the Professor seemingly
|
||
had not moved from his seat at her side. From his putting his
|
||
finger to his lips, I gathered that he expected her to wake
|
||
before long and was afraid of fore-stalling nature. So I went
|
||
down to Quincey and took him into the breakfast room, where
|
||
the blinds were not drawn down, and which was a little more
|
||
cheerful, or rather less cheerless, than the other rooms.
|
||
When we were alone, he said to me, "Jack Seward, I don't
|
||
want to shove myself in anywhere where I've no right to be,
|
||
but this is no ordinary case. You know I loved that girl and
|
||
wanted to marry her, but although that's all past and gone, I
|
||
can't help feeling anxious about her all the same. What is
|
||
it that's wrong with her? The Dutchman, and a fine old fellow
|
||
is is, I can see that, said that time you two came into the
|
||
room, that you must have another transfusion of blood, and
|
||
that both you and he were exhausted. Now I know well that you
|
||
medical men speak in camera, and that a man must not expect
|
||
to know what they consult about in private. But this is no
|
||
common matter, and whatever it is, I have done my part.Is not
|
||
that so?"
|
||
"That's so," I said, and he went on.
|
||
"I take it that both you and Van Helsing had done al-
|
||
ready what I did today. Is not that so?"
|
||
"That's so."
|
||
"And I guess Art was in it too. When I saw him four
|
||
days ago down at his own place he looked queer. I have not
|
||
seen anything pulled down so quick since I was on the Pampas
|
||
and had a mare that I was fond of go to grass all in a night.
|
||
One of those big bats that they call vampires had got at her
|
||
in the night,and what with his gorge and the vein left open,
|
||
there wasn't enough blood in her to let her stand up, and I
|
||
had to put a bullet through her as she lay. Jack, if you
|
||
may tell me without betraying confidence, Arthur was the
|
||
first, is not that so?"
|
||
As he spoke the poor fellow looked terribly anxious. He
|
||
was in a torture of suspense regarding the woman he loved,
|
||
and his utter ignorance of the terrible mystery which seem-
|
||
ed to surround her intensified his pain. His very heart
|
||
was bleeding, and it took all the manhood of him, and there
|
||
was a royal lot of it, too, to keep him from breaking down.
|
||
I paused before answering, for I felt that I must not betray
|
||
anything which the Professor wished kept secret, but already
|
||
he knew so much, and guessed so much, that there could be no
|
||
reason for not answering, so I answered in the same phrase.
|
||
"That's so."
|
||
"And how long has this been going on?"
|
||
"About ten days."
|
||
"Ten days! Then I guess, Jack Seward, that that poor
|
||
pretty creature that we all love has had put into her veins
|
||
within that time the blood of four strong men. Man alive,
|
||
her whole body wouldn't hold it." Then coming close to me,
|
||
he spoke in a fierce half-whisper. "What took it out?"
|
||
I shook my head. "That," I said, "is the crux. Van
|
||
Helsing is simply frantic about it, and I am at my wits' end.
|
||
I can't even hazard a guess. There has been a series of
|
||
little circumstances which have thrown out all our calcula-
|
||
tions as to Lucy being properly watched. But these shall
|
||
not occur again. Here we stay until all be well, or ill."
|
||
Quincey held out his hand. "Count me in," he said. "You
|
||
and the Dutchman will tell me what to do, and I'll do it."
|
||
When she woke late in the afternoon, Lucy's first move-
|
||
ment was to feel in her breast, and to my surprise, produced
|
||
the paper which Van Helsing had given me to read. The care-
|
||
ful Professor had replaced it where it had come from, lest
|
||
on waking she should be alarmed. Her eyes then lit on Van
|
||
Helsing and on me too, and gladdened. Then she looked round
|
||
the room, and seeing where she was, shuddered. She gave a
|
||
loud cry, and put her poor thin hands before her pale face.
|
||
We both understood what was meant, that she had real-
|
||
ized to the full her mother's death. So we tried what we
|
||
could to comfort her. Doubtless sympathy eased her somewhat,
|
||
but she was very low in thought and spirit,and wept silently
|
||
and weakly for a long time. We told her that either or both
|
||
of us would now remain with her all the time,and that seemed
|
||
to comfort her. Towards dusk she fell into a doze. Here a
|
||
very odd thing occurred. Whilst still asleep she took the
|
||
paper from her breast and tore it in two.Van Helsing stepped
|
||
over and took the pieces from her. All the same, however,
|
||
she went on with the action of tearing, as though the mater-
|
||
ial were still in her hands. Finally she lifted her hands
|
||
and opened them as though scattering the fragments. Van
|
||
Helsing seemed surprised, and his brows gathered as if in
|
||
thought, but he said nothing.
|
||
|
||
19 September.--All last night she slept fitfully, being
|
||
always afraid to sleep, and something weaker when she woke
|
||
from it. The Professor and I took in turns to watch, and we
|
||
never left her for a moment unattended. Quincey Morris said
|
||
nothing about his intention, but I knew that all night long
|
||
he patrolled round and round the house.
|
||
When the day came, its searching light showed the rav-
|
||
ages in poor Lucy's strength. She was hardly able to turn
|
||
her head, and the little nourishment which she could take
|
||
seemed to do her no good. At times she slept, and both Van
|
||
Helsing and I noticed the difference in her, between sleep-
|
||
ing and waking. Whilst asleep she looked stronger, although
|
||
more haggard, and her breathing was softer. Her open mouth
|
||
showed the pale gums drawn back from the teeth, which looked
|
||
positively longer and sharper than usual. When she woke the
|
||
softness of her eyes evidently changed the expression, for
|
||
she looked her own self, although a dying one. In the after-
|
||
noon she asked for Arthur, and we telegraphed for him.Quinc-
|
||
ey went off to meet him at the station.
|
||
When he arrived it was nearly six o'clock, and the sun
|
||
was setting full and warm, and the red light streamed in
|
||
through the window and gave more color to the pale cheeks.
|
||
When he saw her, Arthur was simply choking with emotion, and
|
||
none of us could speak.In the hours that had passed,the fits
|
||
of sleep, or the comatose condition that passed for it, had
|
||
grown more frequent,so that the pauses when conversation was
|
||
possible were shortened. Arthur's presence, however, seemed
|
||
to act as a stimulant.She rallied a little, and spoke to him
|
||
more brightly than she had done since we arrived. He too
|
||
pulled himself together, and spoke as cheerily as he could,
|
||
so that the best was made of everything.
|
||
It is now nearly one o'clock, and he and Van Helsing
|
||
are sitting with her. I am to relieve them in a quarter
|
||
of an hour,and I am entering this on Lucy's phonograph.Until
|
||
six o'clock they are to try to rest. I fear that tomorrow
|
||
will end our watching, for the shock has been too great. The
|
||
poor child cannot rally. God help us all.
|
||
|
||
LETTER MINA HARKER TO LUCY WESTENRA
|
||
(Unopened by her)
|
||
|
||
17 September
|
||
|
||
My dearest Lucy,
|
||
"It seems an age since I heard from you,or indeed since
|
||
I wrote. You will pardon me, I know, for all my faults when
|
||
you have read all my budget of news. Well, I got my hus-
|
||
band back all right. When we arrived at Exeter there was a
|
||
carriage waiting for us, and in it, though he had an attack
|
||
of gout, Mr. Hawkins. He took us to his house, where there
|
||
were rooms for us all nice and comfortable, and we dined
|
||
together. After dinner Mr. Hawkins said,
|
||
" `My dears, I want to drink your health and prosper-
|
||
ity, and may every blessing attend you both. I know you
|
||
both from children, and have, with love and pride, seen you
|
||
grow up. Now I want you to make your home here with me. I
|
||
have left to me neither chick nor child.All are gone, and in
|
||
my will I have left you everything.' I cried, Lucy dear, as
|
||
Jonathan and the old man clasped hands. Our evening was a
|
||
very, very happy one.
|
||
"So here we are, installed in this beautiful old house,
|
||
and from both my bedroom and the drawing room I can see the
|
||
great elms of the cathedral close, with their great black
|
||
stems standing out against the old yellow stone of the cath-
|
||
edral, and I can hear the rooks overhead cawing and cawing
|
||
and chattering and chattering and gossiping all day, after
|
||
the manner of rooks--and humans. I am busy, I need not tell
|
||
you, arranging things and housekeeping. Jonathan and Mr.
|
||
Hawkins are busy all day,for now that Jonathan is a partner,
|
||
Mr. Hawkins wants to tell him all about the clients.
|
||
"How is your dear mother getting on? I wish I could
|
||
run up to town for a day or two to see you, dear, but I,dare
|
||
not go yet, with so much on my shoulders, and Jonathan wants
|
||
looking after still.He is beginning to put some flesh on his
|
||
bones again,but he was terribly weakened by the long illness.
|
||
Even now he sometimes starts out of his sleep in a sudden
|
||
way and awakes all trembling until I can coax him back to
|
||
his usual placidity.However, thank God, these occasions grow
|
||
less frequent as the days go on, and they will in time pass
|
||
away altogether, I trust. And now I have told you my news,
|
||
let me ask yours. When are you to be married, and where, and
|
||
who is to perform the ceremony,and what are you to wear, and
|
||
is it to be a public or private wedding? Tell me all about
|
||
it, dear, tell me all about everything, for there is nothing
|
||
which interests you which will not be dear to me. Jonathan
|
||
asks me to send his `respectful duty', but I do not think
|
||
that is good enough from the junior partner of the important
|
||
firm Hawkins & Harker. And so, as you love me, and he loves
|
||
me,and I love you with all the moods and tenses of the verb,
|
||
I send you simply his `love' instead. Goodbye, my dearest
|
||
Lucy, and blessings on you."
|
||
Yours,
|
||
Mina Harker
|
||
|
||
REPORT FROM PATRICK HENNESSEY, MD, MRCSLK, QCPI, ETC, ETC,
|
||
TO JOHN SEWARD, MD
|
||
20 September
|
||
|
||
My dear Sir:
|
||
"In accordance with your wishes, I enclose report of
|
||
the conditions of everything left in my charge. With regard
|
||
to patient, Renfield, there is more to say. He has had an-
|
||
other outbreak, which might have had a dreadful ending, but
|
||
which, as it fortunately happened, was unattended with any
|
||
unhappy results.This afternoon a carrier's cart with two men
|
||
made a call at the empty house whose grounds abut on ours,
|
||
the house to which, you will remember, the patient twice ran
|
||
away. The men stopped at our gate to ask the porter their
|
||
way, as they were strangers.
|
||
"I was myself looking out of the study window, having a
|
||
smoke after dinner, and saw one of them come up to the house.
|
||
As he passed the window of Renfield's room, the patient be-
|
||
gan to rate him from within, and called him all the foul
|
||
names he could lay his tongue to. The man, who seemed a de-
|
||
cent fellow enough,contented himself by telling him to `shut
|
||
up for a foul-mouthed beggar',whereon our man accused him of
|
||
robbing him and wanting to murder him and said that he would
|
||
hinder him if he were to swing for it. I opened the window
|
||
and signed to the man not to notice, so he contented himself
|
||
after looking the place over and making up his mind as to
|
||
what kind of place he had got to by saying, `Lor' bless yer,
|
||
sir, I wouldn't mind what was said to me in a bloomin' mad-
|
||
house. I pity ye and the guv'nor for havin' to live in the
|
||
house with a wild beast like that.'
|
||
"Then he asked his way civilly enough, and I told him
|
||
where the gate of the empty house was. He went away follow-
|
||
ed by threats and curses and revilings from our man. I went
|
||
down to see if I could make out any cause for his anger,
|
||
since he is usually such a well-behaved man, and except his
|
||
violent fits nothing of the kind had ever occurred. I found
|
||
him, to my astonishment, quite composed and most genial in
|
||
his manner. I tried to get him to talk of the incident, but
|
||
he blandly asked me questions as to what I meant, and led me
|
||
to believe that he was completely oblivious of the affair.
|
||
It was, I am sorry to say, however, only another instance of
|
||
his cunning, for within half an hour I heard of him again.
|
||
This time he had broken out through the window of his room,
|
||
and was running down the avenue. I called to the attendants
|
||
to follow me, and ran after him, for I feared he was intent
|
||
on some mischief. My fear was justified when I saw the same
|
||
cart which had passed before coming down the road,having on
|
||
it some great wooden boxes. The men were wiping their fore-
|
||
heads, and were flushed in the face, as if with violent ex-
|
||
ercise. Before I could get up to him, the patient rushed at
|
||
them, and pulling one of them off the cart, began to knock
|
||
his head against the ground. If I had not seized him just
|
||
at the moment, I believe he would have killed the man there
|
||
and then. The other fellow jumped down and struck him over
|
||
the head with the butt end of his heavy whip. It was a
|
||
horrible blow, but he did not seem to mind it, but seized
|
||
him also, and struggled with the three of us, pulling us to
|
||
and fro as if we were kittens. You know I am no lightweight,
|
||
and the others were both burly men. At first he was silent
|
||
in his fighting, but as we began to master him, and the at-
|
||
tendants were putting a strait waistcoat on him,he began to
|
||
shout, `I'll frustrate them! They shan't rob me!They shan't
|
||
murder me by inches! I'll fight for my Lord and Master!'and
|
||
all sorts of similar incoherent ravings. It was with very
|
||
considerable difficulty that they got him back to the house
|
||
and put him in the padded room. One of the attendants,
|
||
Hardy, had a finger broken.However, I set it all right, and
|
||
he is going on well.
|
||
"The two carriers were at first loud in their threats
|
||
of actions for damages, and promised to rain all the pen-
|
||
alties of the law on us. Their threats were, however,
|
||
mingled with some sort of indirect apology for the defeat
|
||
of the two of them by a feeble madman. They said that if
|
||
it had not been for the way their strength had been spent
|
||
in carrying and raising the heavy boxes to the cart they
|
||
would have made short work of him. They gave as another
|
||
reason for their defeat the extraordinary state of drouth
|
||
to which they had been reduced by the dusty nature of
|
||
their occupation and the reprehensible distance from the
|
||
scene of their labors of any place of public entertainment.
|
||
I quite understood their drift, and after a stiff glass of
|
||
strong grog, or rather more of the same, and with each a
|
||
sovereign in hand, they made light of the attack, and swore
|
||
that they would encounter a worse madman any day for the
|
||
pleasure of meeting so `bloomin' good a bloke' as your
|
||
correspondent. I took their names and addresses, in case
|
||
they might be needed. They are as follows: Jack Smollet,
|
||
of Dudding's Rents, King George's Road, Great Walworth, and
|
||
Thomas Snelling, Peter Farley's Row, Guide Court, Bethnal
|
||
Green. They are both in the employment of Harris & Sons,
|
||
Moving and Shipment Company, Orange Master's Yard, Soho.
|
||
"I shall report to you any matter of interest occurr-
|
||
ing here, and shall wire you at once if there is anything of
|
||
importance.
|
||
"Believe me, dear Sir,
|
||
"Yours faithfully,
|
||
"Patrick Hennessey."
|
||
|
||
|
||
LETTER, MINA HARKER TO LUCY WESTENRA
|
||
(Unopened by her)
|
||
|
||
18 September
|
||
|
||
"My dearest Lucy,
|
||
"Such a sad blow has befallen us. Mr. Hawkins has died
|
||
very suddenly. Some may not think it so sad for us, but we
|
||
had both come to so love him that it really seems as though
|
||
we had lost a father. I never knew either father or mother,
|
||
so that the dear old man's death is a real blow to me. Jon-
|
||
athan is greatly distressed. It is not only that he feels
|
||
sorrow, deep sorrow,for the dear,good man who has befriended
|
||
him all his life,and now at the end has treated him like his
|
||
own son and left him a fortune which to people of our modest
|
||
bringing up is wealth beyond the dream of avarice, but Jona-
|
||
than feels it on another account. He says the amount of re-
|
||
sponsibility which it puts upon him makes him nervous. He
|
||
begins to doubt himself.I try to cheer him up, and my belief
|
||
in him helps him to have a belief in himself. But it is here
|
||
that the grave shock that he experienced tells upon him the
|
||
most. Oh, it is too hard that a sweet, simple, noble, strong
|
||
nature such as his, a nature which enabled him by our dear,
|
||
good friend's aid to rise from clerk to master in a few
|
||
years, should be so injured that the very essence of its
|
||
strength is gone. Forgive me, dear, if I worry you with my
|
||
troubles in the midst of your own happiness, but Lucy dear,
|
||
I must tell someone,for the strain of keeping up a brave and
|
||
cheerful appearance to Jonathan tries me, and I have no one
|
||
here that I can confide in. I dread coming up to London, as
|
||
we must do that day after tomorrow, for poor Mr.Hawkins left
|
||
in his will that he was to be buried in the grave with his
|
||
father. As there are no relations at all, Jonathan will have
|
||
to be chief mourner. I shall try to run over to see you,
|
||
dearest,if only for a few minutes. Forgive me for troubling
|
||
you. With all blessings,
|
||
"Your loving
|
||
Mina Harker"
|
||
DR. SEWARD' DIARY
|
||
|
||
20 September.--Only resolution and habit can let me
|
||
make an entry tonight. I am too miserable, too low spirited,
|
||
too sick of the world and all in it, including life itself,
|
||
that I would not care if I heard this moment the flapping of
|
||
the wings of the angel of death. And he has been flapping
|
||
those grim wings to some purpose of late, Lucy's mother and
|
||
Arthur's father, and now . . .Let me get on with my work.
|
||
I duly relieved Van Helsing in his watch over Lucy. We
|
||
wanted Arthur to go to rest also, but he refused at first.
|
||
It was only when I told him that we should want him to help
|
||
us during the day, and that we must not all break down for
|
||
want of rest, lest Lucy should suffer, that he agreed to go.
|
||
Van Helsing was very kind to him. "Come, my child," he
|
||
said. "Come with me. You are sick and weak, and have had
|
||
much sorrow and much mental pain,as well as that tax on your
|
||
strength that we know of. You must not be alone, for to be
|
||
alone is to be full of fears and alarms. Come to the drawing
|
||
room, where there is a big fire, and there are two sofas.You
|
||
shall lie on one, and I on the other, and our sympathy will
|
||
be comfort to each other, even though we do not speak, and
|
||
even if we sleep."
|
||
Arthur went off with him, casting back a longing look
|
||
on Lucy's face, which lay in her pillow, almost whiter than
|
||
the lawn. She lay quite still, and I looked around the room
|
||
to see that all was as it should be. I could see that the
|
||
Professor had carried out in this room, as in the other, his
|
||
purpose of using the garlic. The whole of the window sashes
|
||
reeked with it, and round Lucy's neck, over the silk hand-
|
||
kerchief which Van Helsing made her keep on, was a rough
|
||
chaplet of the same odorous flowers.
|
||
Lucy was breathing somewhat stertorously, and her face
|
||
was at its worst, for the open mouth showed the pale gums.
|
||
Her teeth, in the dim, uncertain light, seemed longer and
|
||
sharper than they had been in the morning. In particular,
|
||
by some trick of the light, the canine teeth looked longer
|
||
and sharper than the rest.
|
||
I sat down beside her, and presently she moved uneas-
|
||
ily. At the same moment there came a sort of dull flapping
|
||
or buffeting at the window. I went over to it softly, and
|
||
peeped out by the corner of the blind. There was a full
|
||
moonlight,and I could see that the noise was made by a great
|
||
bat, which wheeled around, doubtless attracted by the light,
|
||
although so dim, and every now and again struck the window
|
||
with its wings. When I came back to my seat, I found that
|
||
Lucy had moved slightly,and had torn away the garlic flowers
|
||
from her throat. I replaced them as well as I could, and sat
|
||
watching her.
|
||
Presently she woke, and I gave her food, as Van Helsing
|
||
had prescribed. She took but a little, and that languidly.
|
||
There did not seem to be with her now the unconscious strug-
|
||
gle for life and strength that had hitherto so marked her
|
||
illness. It struck me as curious that the moment she became
|
||
conscious she pressed the garlic flowers close to her. It
|
||
was certainly odd that whenever she got into that lethargic
|
||
state, with the stertorous breathing, she put the flowers
|
||
from her, but that when she waked she clutched them close,
|
||
There was no possibility of making amy mistake about this,
|
||
for in the long hours that followed, she had many spells
|
||
of sleeping and waking and repeated both actions many times.
|
||
At six o'clock Van Helsing came to relieve me. Arthur
|
||
had then fallen into a doze, and he mercifully let him sleep
|
||
on. When he saw Lucy's face I could hear the sissing indraw
|
||
of breath, and he said to me in a sharp whisper."Draw up the
|
||
blind. I want light!" Then he bent down, and, with his face
|
||
almost touching Lucy's, examined her carefully. He removed
|
||
the flowers and lifted the silk handkerchief from her throat.
|
||
As he did so he started back and I could hear his ejacula-
|
||
tion, "Mein Gott!" as it was smothered in his throat. I
|
||
bent over and looked, too, and as I noticed some queer chill
|
||
came over me. The wounds on the throat had absolutely dis-
|
||
appeared.
|
||
For fully five minutes Van Helsing stood looking at her,
|
||
with his face at its sternest. Then he turned to me and said
|
||
calmly, "She is dying. It will not be long now. It will be
|
||
much difference, mark me, whether she dies conscious or in
|
||
her sleep. Wake that poor boy, and let him come and see the
|
||
last. He trusts us, and we have promised him."
|
||
I went to the dining room and waked him. He was dazed
|
||
for a moment, but when he saw the sunlight streaming in
|
||
through the edges of the shutters he thought he was late,and
|
||
expressed his fear. I assured him that Lucy was still asleep,
|
||
but told him as gently as i could that both Van Helsing and
|
||
I feared that the end was near. He covered his face with his
|
||
hands, and slid down on his knees by the sofa, where he re-
|
||
mained, perhaps a minute, with his head buried, praying,
|
||
whilst his shoulders shook with grief. I took him by the
|
||
hand and raised him up. "Come," I said, "my dear old fellow,
|
||
summon all your fortitude. It will be best and easiest for
|
||
her."
|
||
When we came into Lucy's room I could see that Van Hel-
|
||
sing had, with his usual forethought, been putting matters
|
||
straight and making everything look as pleasing as possible.
|
||
He had even brushed Lucy's hair, so that it lay on the
|
||
pillow in its usual sunny ripples. When we came into the
|
||
room she opened her eyes, and seeing him, whispered softly,
|
||
"Arthur! Oh, my love, I am so glad you have come!"
|
||
He was stooping to kiss her, when Van Helsing motioned
|
||
him back. "No," he whispered, "not yet! Hold her hand, it
|
||
will comfort her more."
|
||
So Arthur took her hand and knelt beside her, and she
|
||
looked her best,with all the soft lines matching the angelic
|
||
beauty of her eyes. Then gradually her eyes closed, and she
|
||
sank to sleep. For a little bit her breast heaved softly,
|
||
and her breath came and went like a tired child's.
|
||
And then insensibly there came the strange change which
|
||
I had noticed in the night. Her breathing grew stertorous,
|
||
the mouth opened, and the pale gums, drawn back, made the
|
||
teeth look longer and sharper than ever. In a sort of sleep-
|
||
waking, vague, unconscious way she opened her eyes, which
|
||
were now dull and hard at once,and said in a soft,voluptuous
|
||
voice, such as I had never heard from her lips, "Arthur! Oh,
|
||
my love, I am so glad you have come! Kiss me!"
|
||
Arthur bent eagerly over to kiss her, but at that in-
|
||
stant Van Helsing, who, like me, had been startled by her
|
||
voice, swooped upon him, and catching him by the neck with
|
||
both hands, dragged him back with a fury of strength which
|
||
I never thought he could have possessed, and actually hurl-
|
||
ed him almost across the room.
|
||
"Not on your life!" he said, "not for your living soul
|
||
and hers!" And he stood between them like a lion at bay.
|
||
Arthur was so taken aback that he did not for a moment
|
||
know what to do or say, and before any impulse of violence
|
||
could seize him he realized the place and the occasion, and
|
||
stood silent, waiting.
|
||
I kept my eyes fixed on Lucy, as did Van Helsing, and
|
||
we saw a spasm as of rage flit like a shadow over her face.
|
||
The sharp teeth clamped together. Then her eyes closed, and
|
||
she breathed heavily.
|
||
Very shortly after she opened her eyes in all their
|
||
softness, and putting out her poor, pale, thin hand, took
|
||
Van Helsing's great brown one, drawing it close to her, she
|
||
kissed it. "My true friend," she said, in a faint voice,but
|
||
with untellable pathos, "My true friend, and his! Oh, guard
|
||
him, and give me peace!"
|
||
"I swear it!" he said solemnly, kneeling beside her
|
||
and holding up his hand, as one who registers an oath. Then
|
||
he turned to Arthur, and said to him, "Come, my child, take
|
||
her hand in yours, and kiss her on the forehead, and only
|
||
once."
|
||
Their eyes met instead of their lips, and so they part-
|
||
ed. Lucy's eyes closed, and Van Helsing, who had been watch-
|
||
ing closely, took Arthur's arm, and drew him away.
|
||
And then Lucy's breathing became stertorous again, and
|
||
all at once it ceased.
|
||
"It is all over," said Van Helsing. "She is dead!"
|
||
I took Arthur by the arm, and led him away to the draw-
|
||
ing room, where he sat down, and covered his face with his
|
||
hands, sobbing in a way that nearly broke me down to see.
|
||
I went back to the room, and found Van Helsing looking
|
||
at poor Lucy, and his face was sterner than eve. Some change
|
||
had come over her body. Death had given back part of her
|
||
beauty, for her brow and cheeks had recovered some of their
|
||
flowing lines. Even the lips had lost their deadly pallor.
|
||
It was as if the blood, no longer needed for the working of
|
||
the heart, had gone to make the harshness of death as little
|
||
rude as might be.
|
||
|
||
"We thought her dying whilst she slept,
|
||
And sleeping when she died."
|
||
|
||
I stood beside Van Helsing, and said, "Ah well, poor
|
||
girl, there is peace for her at last. It is the end!"
|
||
He turned to me, and said with grave solemnity,"Not so,
|
||
alas! Not so. It is only the beginning!"
|
||
When I asked him what he meant, he only shook his head
|
||
and answered, "We can do nothing as yet. Wait and see."
|
||
|
||
|
||
CHAPTER 13
|
||
|
||
DR. SEWARD'S DIARY--cont.
|
||
|
||
The funeral was arranged for the next succeeding day,
|
||
so that Lucy and her mother might be buried together. I
|
||
attended to all the ghastly formalities, and the urbane
|
||
undertaker proved that his staff was afflicted, or blessed,
|
||
with something of his own obsequious suavity. Even the
|
||
woman who performed the last offices for the dead remarked
|
||
to me, in a confidential, brother-professional way, when
|
||
she had come out from the death chamber,
|
||
"She makes a very beautiful corpse, sir. It's quite
|
||
a privilege to attend on her. It's not too much to say that
|
||
she will do credit to our establishment!"
|
||
I noticed that Van Helsing never kept far away. This
|
||
was possible from the disordered state of things in the
|
||
household. There were no relatives at hand, and as Arthur
|
||
had to be back the next day to attend at his father's fun-
|
||
eral, we were unable to notify any one who should have been
|
||
bidden. Under the circumstances, Van Helsing and I took it
|
||
upon ourselves to examine papers, etc. He insisted upon
|
||
looking over Lucy's papers himself. I asked him why, for I
|
||
feared that he, being a foreigner, might not be quite aware
|
||
of English legal requirements,and so might in ignorance make
|
||
some unnecessary trouble.
|
||
He answered me, "I know, I know. You forget that I am a
|
||
lawyer as well as a doctor. But this is not altogether for
|
||
the law. You knew that, when you avoided the coroner. I
|
||
have more than him to avoid. There may be papers more, such
|
||
as this."
|
||
As he spoke he took from his pocket book the memorandum
|
||
which had been in Lucy's breast, and which she had torn in
|
||
her sleep.
|
||
"When you find anything of the solicitor who is for the
|
||
late Mrs.Westenra, seal all her papers,and write him tonight.
|
||
For me, I watch here in the room and in Miss Lucy's old room
|
||
all night, and I myself search for what may be. It is not
|
||
well that her very thoughts go into the hands of strangers."
|
||
I went on with my part of the work, and in another half
|
||
hour had found the name and address of Mrs. Westenra's sol-
|
||
icitor and had written to him. All the poor lady's papers
|
||
were in order. Explicit directions regarding the place of
|
||
burial were given. I had hardly sealed the letter, when, to
|
||
my surprise, Van Helsing walked into the room, saying,
|
||
"Can I help you friend John? I am free, and if I may,
|
||
my service is to you."
|
||
"Have you got what you looked for?" I asked.
|
||
To which he replied, "I did not look for any specific
|
||
thing. I only hoped to find, and find I have, all that there
|
||
was, only some letters and a few memoranda, and a diary new
|
||
begun. But I have them here, and we shall for the present
|
||
say nothing of them. I shall see that poor lad tomorrow
|
||
evening, and, with his sanction, I shall use some."
|
||
When we had finished the work in hand, he said to me,
|
||
"And now, friend John, I think we may to bed. We want sleep,
|
||
both you and I, and rest to recuperate. Tomorrow we shall
|
||
have much to do, but for the tonight there is no need of us.
|
||
Alas!"
|
||
Before turning in we went to look at poor Lucy. The
|
||
undertaker had certainly done his work well, for the room
|
||
was turned into a small chapelle ardente. There was a wild-
|
||
erness of beautiful white flowers, and death was made as
|
||
little repulsive as might be. The end of the winding sheet
|
||
was laid over the face. When the Professor bent over and
|
||
turned it gently back, we both started at the beauty before
|
||
us. The tall wax candles showing a sufficient light to note
|
||
it well. All Lucy's loveliness had come back to her in death,
|
||
and the hours that had passed, instead of leaving traces of
|
||
`decay's effacing fingers', had but restored the beauty of
|
||
life, till positively I could not believe my eyes that I was
|
||
looking at a corpse.
|
||
The Professor looked sternly grave. He had not loved
|
||
her as I had, and there was no need for tears in his eyes.
|
||
He said to me, "Remain till I return," and left the room. He
|
||
came back with a handful of wild garlic from the box waiting
|
||
in the hall, but which had not been opened, and placed the
|
||
flowers amongst the others on and around the bed. Then he
|
||
took from his neck, inside his collar, a little gold cruci-
|
||
fix, and placed it over the mouth. He restored the sheet to
|
||
its place, and we came away.
|
||
I was undressing in my own room, when, with a premoni-
|
||
tory tap at the door, he entered, and at once began to speak.
|
||
"Tomorrow I want you to bring me, before night, a set
|
||
of post-mortem knives."
|
||
"Must we make an autopsy?" I asked.
|
||
"Yes and no. I want to operate, but not what you think.
|
||
Let me tell you now, but not a word to another. I want to
|
||
cut off her head and take out her heart. Ah! You a surgeon,
|
||
and so shocked! You, whom I have seen with no tremble of
|
||
hand or heart, do operations of life and death that make the
|
||
rest shudder. Oh, but I must not forget, my dear friend
|
||
John, that you loved her, and I have not forgotten it for is
|
||
I that shall operate, and you must not help. I would like to
|
||
do it tonight, but for Arthur I must not. He will be free
|
||
after his father's funeral tomorrow, and he will want to see
|
||
her, to see it. Then, when she is coffined ready for the
|
||
next day, you and I shall come when all sleep. We shall
|
||
unscrew the coffin lid, and shall do our operation, and then
|
||
replace all, so that none know, save we alone."
|
||
"But why do it at all? The girl is dead. Why mutilate
|
||
her poor body without need? And if there is no necessity for
|
||
a post-mortem and nothing to gain by it, no good to her, to
|
||
us, to science, to human knowledge, why do it? Without such
|
||
it is monstrous."
|
||
For answer he put his hand on my shoulder, and said,
|
||
with infinite tenderness, "Friend John, I pity your poor
|
||
bleeding heart, and I love you the more because it does so
|
||
bleed. If I could, I would take on myself the burden that
|
||
you do bear. But there are things that you know not, but
|
||
that you shall know, and bless me for knowing, though they
|
||
are not pleasant things. John, my child, you have been my
|
||
friend now many years, and yet did you ever know me to do
|
||
any without good cause? I may err, I am but man, but I be-
|
||
lieve in all I do. Was it not for these causes that you
|
||
send for me when the great trouble came? Yes! Were you not
|
||
amazed, nay horrified, when I would not let Arthur kiss his
|
||
love, though she was dying, and snatched him away by all my
|
||
strength? Yes! And yet you saw how she thanked me,with her
|
||
so beautiful dying eyes, her voice, too, so weak, and she
|
||
kiss my rough old hand and bless me? Yes! And did you not
|
||
hear me swear promise to her, that so she closed her eyes
|
||
grateful? Yes!
|
||
"Well, I have good reason now for all I want to do. You
|
||
have for many years trust me.You have believe me weeks past,
|
||
when there be things so strange that you might have well
|
||
doubt. Believe me yet a little, friend John. If you trust me
|
||
not, then I must tell what I think, and that is not perhaps
|
||
well. And if I work, as work I shall, no matter trust or no
|
||
trust,without my friend trust in me, I work with heavy heart
|
||
and feel, oh so lonely when I want all help and courage that
|
||
may be!" He paused a moment and went on solemnly, "Friend
|
||
John, there are strange and terrible days before us. Let us
|
||
not be two, but one, that so we work to a good end. Will you
|
||
not have faith in me?"
|
||
I took his hand, and promised him. I held my door open
|
||
as he went away,and watched him go to his room and close the
|
||
door. As I stood without moving, I saw one of the maids pass
|
||
silently along the passage, she had her back to me, so did
|
||
not see me, and go into the room where Lucy lay. The sight
|
||
touched me. Devotion is so rare, and we are so grateful to
|
||
those who show it unasked to those we love. Here was a poor
|
||
girl putting aside the terrors which she naturally had of
|
||
death to go watch alone by the bier of the mistress whom she
|
||
loved, so that the poor clay might not be lonely till laid
|
||
to eternal rest.
|
||
I must have slept long and soundly, for it was broad
|
||
daylight when Van Helsing waked me by coming into my room.
|
||
He came over to my bedside and said, "You need not trouble
|
||
about the knives. We shall not do it."
|
||
"Why not?" I asked. For his solemnity of the night
|
||
before had greatly impressed me.
|
||
"Because," he said sternly, "it is too late, or too
|
||
early. See!" Here he held up the little golden crucifix.
|
||
"This was stolen in the night."
|
||
"How stolen,"I asked in wonder,"since you have it now?"
|
||
"Because I get it back from the worthless wretch who
|
||
stole it, from the woman who robbed the dead and the living.
|
||
Her punishment will surely come, but not through me. She
|
||
knew not altogether what she did, and thus unknowing, she
|
||
only stole. Now we must wait." He went away on the word,
|
||
leaving me with a new mystery to think of, a new puzzle to
|
||
grapple with.
|
||
The forenoon was a dreary time, but at noon the solici-
|
||
tor came, Mr.Marquand, of Wholeman, Sons, Marquand & Lidder-
|
||
dale. He was very genial and very appreciative of what we
|
||
had done, and took off our hands all cares as to details.
|
||
During lunch he told us that Mrs. Westenra had for some time
|
||
expected sudden death from her heart,and had put her affairs
|
||
in absolute order. He informed us that, with the exception
|
||
of a certain entailed property of Lucy's father which now,
|
||
in default of direct issue, went back to a distant branch of
|
||
the family, the whole estate, real and personal, was left
|
||
absolutely to Arthur Holmwood. When he had told us so much
|
||
he went on,
|
||
"Frankly we did our best to prevent such a testamentary
|
||
disposition,and pointed out certain contingencies that might
|
||
leave her daughter either penniless or not so free as she
|
||
should be to act regarding a matrimonial alliance. Indeed,
|
||
we pressed the matter so far that we almost came into colli-
|
||
sion, for she asked us if we were or were not prepared to
|
||
carry out her wishes. Of course, we had then no alternative
|
||
but to accept. We were right in principle, and ninety-nine
|
||
times out of a hundred we should have proved,by the logic of
|
||
events, the accuracy of our judgment.
|
||
"Frankly, however, I must admit that in this case any
|
||
other form of disposition would have rendered impossible the
|
||
carrying out of her wishes. For by her predeceasing her
|
||
daughter the latter would have come into possession of the
|
||
property, and, even had she only survived her mother by five
|
||
minutes, her property would, in case there were no will, and
|
||
a will was a practical impossibility in such a case, have
|
||
been treated at her decease as under intestacy. In which
|
||
case Lord Godalming, though so dear a friend, would have had
|
||
no claim in the world. And the inheritors, being remote,
|
||
would not be likely to abandon their just rights, for senti-
|
||
mental reasons regarding an entire stranger. I assure you,
|
||
my dear sirs,I am rejoiced at the result,perfectly rejoiced."
|
||
He was a good fellow, but his rejoicing at the one
|
||
little part, in which he was officially interested, of so
|
||
great a tragedy, was an object-lesson in the limitations of
|
||
sympathetic understanding.
|
||
He did not remain long, but said he would look in later
|
||
in the day and see Lord Godalming. His coming, however, had
|
||
been a certain comfort to us, since it assured us that we
|
||
should not have to dread hostile criticism as to any of our
|
||
acts.Arthur was expected at five o'clock, so a little before
|
||
that time we visited the death chamber. It was so in very
|
||
truth, for now both mother and daughter lay in it.The under-
|
||
taker, true to his craft, had made the best display he could
|
||
of his goods, and there was a mortuary air about the place
|
||
that lowered our spirits at once.
|
||
Van Helsing ordered the former arrangement to be adher-
|
||
ed to, explaining that, as Lord Godalming was coming very
|
||
soon, it would be less harrowing to his feelings to see all
|
||
that was left of his fiancee quite alone.
|
||
The undertaker seemed shocked at his own stupidity and
|
||
exerted himself to restore things to the condition in which
|
||
we left them the night before, so that when Arthur came such
|
||
shocks to his feelings as we could avoid were saved.
|
||
Poor fellow! He looked desperately sad and broken. Even
|
||
his stalwart manhood seemed to have shrunk somewhat under
|
||
the strain of his much-tried emotions. He had, I knew, been
|
||
very genuinely and devotedly attached to his father, and to
|
||
lose him, and at such a time, was a bitter blow to him. With
|
||
me he was warm as ever, and to Van Helsing he was sweetly
|
||
courteous. But I could not help seeing that there was some
|
||
constraint with him. The professor noticed it too, and
|
||
motioned me to bring him upstairs. I did so, and left him
|
||
at the door of the room, as I felt he would like to be
|
||
quite alone with her, but he took my arm and led me in, say-
|
||
ing huskily,
|
||
"You loved her too, old fellow. She told me all about
|
||
it, and there was no friend had a closer place in her heart
|
||
than you. I don't know how to thank you for all you have
|
||
done for her. I can't think yet . . ."
|
||
Here he suddenly broke down, and threw his arms round
|
||
my shoulders and laid his head on my breast, crying, "Oh,
|
||
Jack! Jack! What shall I do? The whole of life seems gone
|
||
from me all at once, and there is nothing in the wide world
|
||
for me to live for."
|
||
I comforted him as well as I could. In such cases men
|
||
do not need much expression. A grip of the hand, the tight-
|
||
ening of an arm over the shoulder, a sob in unison, are ex-
|
||
pressions of sympathy dear to a man's heart. I stood still
|
||
and silent till his sobs died away,and then I said softly to
|
||
him, "Come and look at her."
|
||
Together we moved over to the bed,and I lifted the lawn
|
||
from her face. God! How beautiful she was. Every hour seem-
|
||
ed to be enhancing her loveliness. It frightened and amazed
|
||
me somewhat. And as for Arthur, he fell to trembling, and
|
||
finally was shaken with doubt as with an ague.At last, after
|
||
a long pause, he said to me in a faint whisper,"Jack, is she
|
||
really dead?"
|
||
I assured him sadly that it was so, and went on to sug-
|
||
gest, for I felt that such a horrible doubt should not have
|
||
life for a moment longer than I could help, that it often
|
||
happened that after death faces become softened and even
|
||
resolved into their youthful beauty,that this was especially
|
||
so when death had been preceded by any acute or prolonged
|
||
suffering. I seemed to quite do away with any doubt, and af-
|
||
ter kneeling beside the couch for a while and looking at her
|
||
lovingly and long, he turned aside.I told him that that must
|
||
be goodbye, as the coffin had to be prepared,so he went back
|
||
and took her dead hand in his and kissed it, and bent over
|
||
and kissed her forehead. He came away, fondly looking back
|
||
over his shoulder at her as he came.
|
||
I left him in the drawing room, and told Van Helsing
|
||
that he had said goodbye, so the latter went to the kitchen
|
||
to tell the undertaker's men to proceed with the prepera-
|
||
tions and to screw up the coffin. When he came out of the
|
||
room again I told him of Arthur's question, and he replied,
|
||
"I am not surprised.Just now I doubted for a moment myself!"
|
||
We all dined together, and I could see that poor Art
|
||
was trying to make the best of things. Van Helsing had been
|
||
silent all dinner time, but when we had lit our cigars he
|
||
said, "Lord . . ., but Arthur interrupted him.
|
||
"No, no, not that, for God's sake! Not yet at any rate.
|
||
Forgive me, sir. I did not mean to speak offensively. It is
|
||
only because my loss is so recent."
|
||
The Professor answered very sweetly, "I only used that
|
||
name because I was in doubt. I must not call you `Mr.' and
|
||
I have grown to love you, yes, my dear boy, to love you, as
|
||
Arthur."
|
||
Arthur held out his hand, and took the old man's warmly.
|
||
"Call me what you will," he said. "I hope I may always have
|
||
the title of a friend. And let me say that I am at a loss
|
||
for words to thank you for your goodness to my poor dear."
|
||
He paused a moment, and went on, "I know that she understood
|
||
your goodness even better than I do. And if I was rude or in
|
||
any way wanting at that time you acted so, you remember,"--
|
||
the Professor nodded--"You must forgive me."
|
||
He answered with a grave kindness, "I know it was hard
|
||
for you to quite trust me then, for to trust such violence
|
||
needs to understand, and I take it that you do not, that you
|
||
cannot, trust me now, for you do not yet understand. And
|
||
there may be more times when I shall want you to trust when
|
||
you cannot, and may not, and must not yet understand.But the
|
||
time will come when your trust shall be whole and complete
|
||
in me, and when you shall understand as though the sunlight
|
||
himself shone through. Then you shall bless me from first to
|
||
last for your own sake, and for the sake of others, and for
|
||
her dear sake to whom I swore to protect."
|
||
"And indeed, indeed, sir," said Arthur warmly. "I shall
|
||
in all ways trust you. I know and believe you have a very
|
||
noble heart, and you are Jack's friend, and you were hers.
|
||
You shall do what you like."
|
||
The Professor cleared his throat a couple of times, as
|
||
though about to speak, and finally said, "May I ask you
|
||
something now?"
|
||
"Certainly."
|
||
"You know that Mrs. Westenra left you all her property?"
|
||
"No, poor dear. I never thought of it."
|
||
"And as it is all yours, you have a right to deal with
|
||
it as you will. I want you to give me permission to read all
|
||
Miss Lucy's papers and letters. Believe me, it is no idle
|
||
curiosity. I have a motive of which, be sure, she would have
|
||
approved. I have them all here. I took them before we knew
|
||
that all was yours, so that no strange hand might touch them,
|
||
no strange eye look through words into her soul. I shall
|
||
keep them, if I may. Even you may not see them yet, but I
|
||
shall keep them safe. No word shall be lost, and in the
|
||
good time I shall give them back to you. It is a hard thing
|
||
that I ask, but you will do it, will you not, for Lucy's
|
||
sake?"
|
||
Arthur spoke out heartily, like his old self, "Dr. Van
|
||
Helsing, you may do what you will. I feel that in saying
|
||
this I am doing what my dear one would have approved. I
|
||
shall not trouble you with questions till the time comes."
|
||
The old Professor stood up as he said solemnly,"And you
|
||
are right. There will be pain for us all, but it will not be
|
||
all pain, nor will this pain be the last.We and you too, you
|
||
most of all, dear boy, will have to pass through the bitter
|
||
water before we reach the sweet. But we must be brave of
|
||
heart and unselfish, and do our duty, and all will be well!"
|
||
I slept on a sofa in Arthur's room that night. Van Hel-
|
||
sing did not go to bed at all. He went to and fro, as if
|
||
patroling the house, and was never out of sight of the room
|
||
where Lucy lay in her coffin, strewn with the wild garlic
|
||
flowers, which sent through the odor of lily and rose, a
|
||
heavy, overpowering smell into the night.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
22 September.--In the train to Exeter. Jonathan sleep-
|
||
ing. It seems only yesterday that the last entry was made,
|
||
and yet how much between then, in Whitby and all the world
|
||
before me, Jonathan away and no news of him, and now, marr-
|
||
ied to Jonathan, Jonathan a solicitor, a partner, rich, mas-
|
||
ter of his business, Mr. Hawkins dead and buried, and Jona-
|
||
than with another attack that may harm him. Some day he may
|
||
ask me about it. Down it all goes. I am rusty in my short-
|
||
hand, see what unexpected prosperity does for us, so it may
|
||
be as well to freshen it up again with an exercise anyhow.
|
||
The service was very simple and very solemn. There were
|
||
only ourselves and the servants there,one or two old friends
|
||
of his from Exeter, his London agent, and a gentleman repre-
|
||
senting Sir John Paxton, the President of the Incorporated
|
||
Law Society. Jonathan and I stood hand in hand, and we felt
|
||
that our best and dearest friend was gone from us.
|
||
We came back to town quietly, taking a bus to Hyde Park
|
||
Corner. Jonathan thought it would interest me to go into
|
||
the Row for a while, so we sat down. But there were very
|
||
few people there, and it was sad-looking and desolate to see
|
||
so many empty chairs. It made us think of the empty chair at
|
||
home. So we got up and walked down Piccadilly. Jonathan was
|
||
holding me by the arm, the way he used to in the old days
|
||
before I went to school. I felt it very improper, for you
|
||
can't go on for some years teaching etiquette and decorum to
|
||
other girls without the pedantry of it biting into yourself
|
||
a bit. But it was Jonathan, and he was my husband, and we
|
||
didn't know anybody who saw us, and we didn't care if they
|
||
did, so on we walked. I was looking at a very beautiful girl,
|
||
in a big cart-wheel hat, sitting in a victoria outside Guil-
|
||
iano's, when I felt Jonathan clutch my arm so tight that he
|
||
hurt me, and he said under his breath, "My God!"
|
||
I am always anxious about Jonathan, for I fear that
|
||
some nervous fit may upset him again. So I turned to him
|
||
quickly, and asked him what it was that disturbed him.
|
||
He was very pale, and his eyes seemed bulging out as,
|
||
half in terror and half in amazement, he gazed at a tall,
|
||
thin man, with a beaky nose and black moustache and pointed
|
||
beard, who was also observing the pretty girl.He was looking
|
||
at her so hard that he did not see either of us,and so I had
|
||
a good view of him. His face was not a good face. It was
|
||
hard, and cruel,and sensual,and big white teeth, that looked
|
||
all the whiter because his lips were so red, were pointed
|
||
like an animal's. Jonathan kept staring at him, till I was
|
||
afraid he would notice. I feared he might take it ill, he
|
||
looked so fierce and nasty. I asked Jonathan why he was dis-
|
||
turbed, and he answered, evidently thinking that I knew as
|
||
much about it as he did, "Do you see who it is?"
|
||
"No, dear," I said. "I don't know him, who is it?"
|
||
His answer seemed to shock and thrill me, for it was said as
|
||
if he did not know that it was me, Mina, to whom he was
|
||
speaking. "It is the man himself!"
|
||
The poor dear was evidently terrified at something,very
|
||
greatly terrified. I do believe that if he had not had me
|
||
to lean on and to support him he would have sunk down. He
|
||
kept staring. A man came out of the shop with a small parcel,
|
||
and gave it to the lady, who then drove off. Th e dark man
|
||
kept his eyes fixed on her, and when the carriage moved up
|
||
Piccadilly he followed in the same direction, and hailed a
|
||
hansom. Jonathan kept looking after him, and said, as if to
|
||
himself,
|
||
"I believe it is the Count, but he has grown young. My
|
||
God, if this be so! Oh, my God! My God! If only I knew! If
|
||
only I knew!" He was distressing himself so much that I fear-
|
||
ed to keep his mind on the subject by asking him any ques-
|
||
tions, so I remained silent. I drew away quietly, and he,
|
||
holding my arm, came easily. We walked a little further, and
|
||
then went in and sat for a while in the Green Park. It was
|
||
a hot day for autumn, and there was a comfortable seat in a
|
||
shady place. After a few minutes' staring at nothing, Jona-
|
||
than's eyes closed, and he went quickly into a sleep, with
|
||
his head on my shoulder. I thought it was the best thing for
|
||
him, so did not disturb him. In about twenty minutes he woke
|
||
up, and said to me quite cheerfully,
|
||
"Why, Mina, have I been asleep! Oh, do forgive me for
|
||
being so rude. Come, and we'll have a cup of tea somewhere."
|
||
He had evidently forgotten all about the dark stranger,
|
||
as in his illness he had forgotten all that this episode
|
||
had reminded him of. I don't like this lapsing into forget-
|
||
fulness. It may make or continue some injury to the brain.
|
||
I must not ask him, for fear I shall do more harm than good,
|
||
but I must somehow learn the facts of his journey abroad.The
|
||
time is come, I fear, when I must open the parcel, and know
|
||
what is written. Oh, Jonathan, you will, I know, forgive me
|
||
if I do wrong, but it is for your own dear sake.
|
||
|
||
Later.--A sad home-coming in every way, the house empty
|
||
of the dear soul who was so good to us. Jonathan still pale
|
||
and dizzy under a slight relapse of his malady, and now a
|
||
telegram from Van Helsing, whoever he may be. "You will be
|
||
grieved to hear that Mrs. Westenra died five days ago, and
|
||
that Lucy died the day before yesterday. They were both
|
||
buried today."
|
||
Oh, what a wealth of sorrow in a few words! Poor Mrs.
|
||
Westenra! Poor Lucy! Gone, gone, never to return to us!
|
||
And poor, poor Arthur, to have lost such a sweetness out of
|
||
his life! God help us all to bear our troubles.
|
||
|
||
DR. SEWARD'S DIARY-CONT.
|
||
|
||
22 September.--It is all over. Arthur has gone back to
|
||
Ring, and has taken Quincey Morris with him. What a fine
|
||
fellow is Quincey! I believe in my heart of hearts that he
|
||
suffered as much about Lucy's death as any of us,but he bore
|
||
himself through it like a moral Viking. If America can go on
|
||
breeding men like that, she will be a power in the world in-
|
||
deed. Van Helsing is lying down, having a rest preparatory
|
||
to his journey. He goes to Amsterdam tonight, but says he
|
||
returns tomorrow night, that he only wants to make some
|
||
arrangements which can only be made personally. He is to
|
||
stop with me then, if he can. He says he has work to do in
|
||
London which may take him some time. Poor old fellow! I fear
|
||
that the strain of the past week has broken down even his
|
||
iron strength.All the time of the burial he was, I could see,
|
||
putting some terrible restraint on himself. When it was all
|
||
over, we were standing beside Arthur, who, poor fellow, was
|
||
speaking of his part in the operation where his blood had
|
||
been transfused to his Lucy's veins. I could see Van Hel-
|
||
sing's face grow white and purple by turns. Arthur was
|
||
saying that he felt since then as if they two had been
|
||
really married,and that she was his wife in the sight of God.
|
||
None of us said a word of the other operations, and none of
|
||
us ever shall. Arthur and Quincey went away together to the
|
||
station, and Van Helsing and I came on here. The moment we
|
||
were alone in the carriage he gave way to a regular fit of
|
||
hysterics. He has denied to me since that it was hysterics,
|
||
and insisted that it was only his sense of humor asserting
|
||
itself under very terrible conditions. He laughed till he
|
||
cried, and I had to draw down the blinds lest any one should
|
||
see us and misjudge.And then he cried, till he laughed again,
|
||
and laughed and cried together, just as a woman does.I tried
|
||
to be stern with him, as one is to a woman under the circum-
|
||
stances, but it had no effect.Men and women are so different
|
||
in manifestations of nervous strength or weakness! Then when
|
||
his face grew grave and stern again I asked him why his
|
||
mirth, and why at such a time. His reply was in a way char-
|
||
acteristic of him, for it was logical and forceful and mys-
|
||
terious. He said,
|
||
"Ah, you don't comprehend, friend John. Do not think
|
||
that I am not sad, though I laugh. See, I have cried even
|
||
when the laugh did choke me. But no more think that I am all
|
||
sorry when I cry, for the laugh he come just the same. Keep
|
||
it always with you that laughter who knock at your door and
|
||
say, `May I come in?' is not true laughter. No! He is a king,
|
||
and he come when and how he like.He ask no person, he choose
|
||
no time of suitability. He say, `I am here.' Behold, in ex-
|
||
ample I grieve my heart out for that so sweet young girl. I
|
||
give my blood for her,though I am old and worn. I give my
|
||
time, my skill, my sleep. I let my other sufferers want that
|
||
she may have all. And yet I can laugh at her very grave,
|
||
laugh when the clay from the spade of the sexton drop upon
|
||
her coffin and say `Thud, thud!' to my heart, till it send
|
||
back the blood from my cheek. My heart bleed for that poor
|
||
boy, that dear boy, so of the age of mine own boy had I been
|
||
so blessed that he live, and with his hair and eyes the same.
|
||
"There, you know now why I love him so. And yet when
|
||
he say things that touch my husband-heart to the quick, and
|
||
make my father-heart yearn to him as to no other man, not
|
||
even you, friend John, for we are more level in experiences
|
||
than father and son, yet even at such a moment King Laugh he
|
||
come to me and shout and bellow in my ear,`Here I am! Here I
|
||
am!' till the blood come dance back and bring some of the
|
||
sunshine that he carry with him to my cheek.Oh, friend John,
|
||
it is a strange world, a sad world,a world full of miseries,
|
||
and woes, and troubles.And yet when King Laugh come, he make
|
||
them all dance to the tune he play. Bleeding hearts, and dry
|
||
bones of the churchyard, and tears that burn as they fall,
|
||
all dance together to the music that he make with that smile-
|
||
less mouth of him. And believe me, friend John, that he is
|
||
good to come, and kind. Ah, we men and women are like ropes
|
||
drawn tight with strain that pull us different ways. Then
|
||
tears come, and like the rain on the ropes, they brace us up,
|
||
until perhaps the strain become too great, and we break. But
|
||
King Laugh he come like the sunshine, and he ease off the
|
||
strain again, and we bear to go on with our labor, what it
|
||
may be."
|
||
I did not like to wound him by pretending not to see
|
||
his idea, but as I did not yet understand the cause of his
|
||
laughter, I asked him. As he answered me his face grew
|
||
stern, and he said in quite a different tone,
|
||
"Oh,it was the grim irony of it all,this so lovely lady
|
||
garlanded with flowers,that looked so fair as life, till one
|
||
by one we wondered if she were truly dead, she laid in that
|
||
so fine marble house in that lonely churchyard,where rest so
|
||
many of her kin, laid there with the mother who loved her,
|
||
and whom she loved, and that sacred bell going "Toll! Toll!
|
||
Toll!' so sad and slow, and those holy men, with the white
|
||
garments of the angel, pretending to read books, and yet all
|
||
the time their eyes never on the page,and all of us with the
|
||
bowed head. And all for what? She is dead, so! Is it not?"
|
||
"Well, for the life of me, Professor," I said, "I can't
|
||
see anything to laugh at in all that. Why, your expression
|
||
makes it a harder puzzle than before. But even if the burial
|
||
service was comic, what about poor Art and his trouble? Why
|
||
his heart was simply breaking."
|
||
"Just so. Said he not that the transfusion of his blood
|
||
to her veins had made her truly his bride?"
|
||
"Yes, and it was a sweet and comforting idea for him."
|
||
"Quite so. But there was a difficulty, friend John. If
|
||
so that, then what about the others? Ho, ho! Then this so
|
||
sweet maid is a polyandrist,and me,with my poor wife dead to
|
||
me, but alive by Church's law,though no wits, all gone, even
|
||
I, who am faithful husband to this now-no-wife,am bigamist."
|
||
"I don't see where the joke comes in there either!" I
|
||
said, and I did not feel particularly pleased with him for
|
||
saying such things. He laid his hand on my arm, and said,
|
||
"Friend John, forgive me if I pain. I showed not my
|
||
feeling to others when it would wound, but only to you, my
|
||
old friend, whom I can trust. If you could have looked in-
|
||
to my heart then when I want to laugh,if you could have done
|
||
so when the laugh arrived, if you could do so now, when King
|
||
Laugh have pack up his crown, and all that is to him, for he
|
||
go far, far away from me, and for a long, long time, maybe
|
||
you would perhaps pity me the most of all."
|
||
I was touched by the tenderness of his tone, and asked
|
||
why.
|
||
"Because I know!"
|
||
And now we are all scattered, and for many a long day
|
||
loneliness will sit over our roofs with brooding wings. Lucy
|
||
lies in the tomb of her kin,a lordly death house in a lonely
|
||
churchyard, away from teeming London, where the air is fresh,
|
||
and the sun rises over Hampstead Hill,and where wild flowers
|
||
grow of their own accord.
|
||
So I can finish this diary, and God only knows if I
|
||
shall ever begin another. If I do, or if I even open this
|
||
again, it will be to deal with different people and differ-
|
||
ent themes,for here at the end, where the romance of my life
|
||
is told, ere I go back to take up the thread of my life-work,
|
||
I say sadly and without hope, "FINIS".
|
||
|
||
THE WESTMINSTER GAZETTE, 25 SEPTEMBER
|
||
A HAMPSTEAD MYSTERY
|
||
|
||
The neighborhood of Hampstead is just at present exer-
|
||
cised with a series of events which seem to run on lines
|
||
parallel to those of what was known to the writers of head-
|
||
lines and "The Kensington Horror," or "The Stabbing Woman,"
|
||
or "The Woman in Black." During the past two or three days
|
||
several cases have occurred of young children straying from
|
||
home or neglecting to return from their playing on the Heath.
|
||
In all these cases the children were too young to give any
|
||
properly intelligible account of themselves, but the consen-
|
||
sus of their excuses is that they had been with a "bloofer
|
||
lady." It has always been late in the evening when they have
|
||
been missed, and on two occasions the children have not been
|
||
found until early in the following morning. It is generally
|
||
supposed in the neighborhood that, as the first child missed
|
||
gave as his reason for being away that a "bloofer lady" had
|
||
asked him to come for a walk,the others had picked up the
|
||
phrase and used it as occasion served. This is the more nat-
|
||
ural as the favorite game of the little ones at present is
|
||
luring each other away by wiles. A correspondent writes us
|
||
that to see some of the tiny tots pretending to be the"bloo-
|
||
fer lady" is supremely funny.Some of our caricaturists might,
|
||
he says,take a lesson in the irony of grotesque by comparing
|
||
the reality and the picture. It is only in accordance with
|
||
general principles of human nature that the "bloofer lady"
|
||
should be the popular role at these al fresco performances.
|
||
Our correspondent naively says that even Ellen Terry could
|
||
not be so winningly attractive as some of these grubby-faced
|
||
little children pretend, and even imagine themselves, to be.
|
||
There is, however, possibly a serious side to the ques-
|
||
tion, for some of the children, indeed all who have been
|
||
missed at night, have been slightly torn or wounded in the
|
||
throat. The wounds seem such as might be made by a rat or a
|
||
small dog, and although of not much importance individually,
|
||
would tend to show that whatever animal inflicts them has a
|
||
system or method of its own. The police of the division
|
||
have been instructed to keep a sharp lookout for straying
|
||
children, especially when very young, in and around Hamp-
|
||
stead Heath, and for any stray dog which may be about.
|
||
|
||
THE WESTMINSTER GAZETTE, 25 SEPTEMBER
|
||
EXTRA SPECIAL
|
||
|
||
THE HAMPSTEAD HORROR
|
||
|
||
ANOTHER CHILD INJURED
|
||
|
||
THE "BLOOFER LADY"
|
||
|
||
We have just received intelligence that another child,
|
||
missed last night, was only discovered late in the morning
|
||
under a furze bush at the Shooter's Hill side of Hampstead
|
||
Heath, which is perhaps,less frequented than the other parts.
|
||
It has the same tiny wound in the throat as has been noticed
|
||
in other cases. It was terribly weak, and looked quite ema-
|
||
ciated.It too, when partially restored, had the common story
|
||
to tell of being lured away by the "bloofer lady".
|
||
|
||
|
||
CHAPTER 14
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
23 September.--Jonathan is better after a bad night. I
|
||
am so glad that he has plenty of work to do, for that keeps
|
||
his mind off the terrible things, and oh, I am rejoiced that
|
||
he is not now weighed down with the responsibility of his
|
||
new position. I knew he would be true to himself, and now
|
||
how proud I am to see my Jonathan rising to the height of
|
||
his advancement and keeping pace in all ways with the duties
|
||
that come upon him. He will be away all day till late, for
|
||
he said he could not lunch at home. My household work is
|
||
done, so I shall take his foreign journal, and lock myself
|
||
up in my room and read it.
|
||
|
||
24 September.--I hadn't the heart to write last night,
|
||
that terrible record of Jonathan's upset me so. Poor dear!
|
||
How he must have suffered, whether it be true or only imag-
|
||
ination. I wonder if there is any truth in it at all. Did
|
||
he get his brain fever, and then write all those terrible
|
||
things, or had he some cause for it all? I suppose I shall
|
||
never know, for I dare not open the subject to him. And yet
|
||
that man we saw yesterday! He seemed quite certain of him,
|
||
poor fellow! I suppose it was the funeral upset him and sent
|
||
his mind back on some train of thought.
|
||
He believes it all himself. I remember how on our wedd-
|
||
ing day he said "Unless some solemn duty come upon me to go
|
||
back to the bitter hours, asleep or awake, mad or sane . . ."
|
||
There seems to be through it all some thread of continuity.
|
||
That fearful Count was coming to London. If it should be,
|
||
and he came to London, with its teeming millions . . . There
|
||
may be a solemn duty, and if it come we must not shrink from
|
||
it. I shall be prepared. I shall get my typewriter this very
|
||
hour and begin transcribing.Then we shall be ready for other
|
||
eyes if required. And if it be wanted, then, perhaps, if I
|
||
am ready, poor Jonathan may not be upset,for I can speak for
|
||
him and never let him be troubled or worried with it at all.
|
||
If ever Jonathan quite gets over the nervousness he may want
|
||
to tell me of it all, and I can ask him questions and find
|
||
out things, and see how I may comfort him.
|
||
|
||
LETTER, VAN HELSING TO MRS. HARKER
|
||
|
||
24 September
|
||
(Confidence)
|
||
|
||
"Dear Madam,
|
||
"I pray you to pardon my writing, in that I am so far
|
||
friend as that I sent to you sad news of Miss Lucy Westenra's
|
||
death. By the kindness of Lord Godalming, I am empowered to
|
||
read her letters and papers, for I am deeply concerned about
|
||
certain matters vitally important. In them I find some
|
||
letters from you, which show how great friends you were and
|
||
how you love her. Oh, Madam Mina, by that love, I implore
|
||
you, help me. It is for others' good that I ask, to redress
|
||
great wrong, and to lift much and terrible troubles, that
|
||
may be more great than you can know. May it be that I see
|
||
you? You can trust me. I am friend of Dr. John Seward and
|
||
of Lord Godalming (that was Arthur of Miss Lucy). I must
|
||
keep it private for the present from all. I should come to
|
||
Exeter to see you at once if you tell me I am privilege to
|
||
come, and where and when. I implore your pardon, Madam. I
|
||
have read your letters to poor Lucy, and know how good you
|
||
are and how your husband suffer. So I pray you, if it may
|
||
be, enlighten him not, least it may harm. Again your pardon,
|
||
and forgive me.
|
||
"VAN HELSING"
|
||
|
||
TELEGRAM, MRS. HARKER TO VAN HELSING
|
||
|
||
25 September.--Come today by quarter past ten train if
|
||
you can catch it. Can see you any time you call.
|
||
"WILHELMINA HARKER"
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
25 September.--I cannot help feeling terribly excited
|
||
as the time draws near for the visit of Dr. Van Helsing, for
|
||
somehow I expect that it will throw some light upon Jona-
|
||
than's sad experience, and as he attended poor dear Lucy in
|
||
her last illness, he can tell me all about her. That is the
|
||
reason of his coming. It is concerning Lucy and her sleep-
|
||
walking, and not about Jonathan. Then I shall never know
|
||
the real truth now! How silly I am. That awful journal gets
|
||
hold of my imagination and tinges everything with something
|
||
of its own color. Of course it is about Lucy. That habit
|
||
came back to the poor dear,and that awful night on the cliff
|
||
must have made her ill. I had almost forgotten in my own
|
||
affairs how ill she was afterwards. She must have told him
|
||
of her sleep-walking adventure on the cliff, and that I knew
|
||
all about it, and now he wants me to tell him what I know,so
|
||
that he may understand. I hope I did right in not saying
|
||
anything of it to Mrs. Westenra. I should never forgive my-
|
||
self if any act of mine, were it even a negative one,brought
|
||
harm on poor dear Lucy. I hope too,Dr. Van Helsing will not
|
||
blame me. I have had so much trouble and anxiety of late
|
||
that I feel I cannot bear more just at present.
|
||
I suppose a cry does us all good at times, clears the
|
||
air as other rain does. Perhaps it was reading the journal
|
||
yesterday that upset me, and then Jonathan went away this
|
||
morning to stay away from me a whole day and night,the first
|
||
time we have been parted since our marriage. I do hope the
|
||
dear fellow will take care of himself, and that nothing will
|
||
occur to upset him. It is two o'clock, and the doctor will
|
||
be here soon now. I shall say nothing of Jonathan's journal
|
||
unless he asks me. I am so glad I have typewritten out my
|
||
own journal, so that, in case he asks about Lucy, I can hand
|
||
it to him. It will save much questioning.
|
||
Later.--He has come and gone. Oh, what a strange meet-
|
||
ing, and how it all makes my head whirl round. I feel like
|
||
one in a dream.Can it be all possible, or even a part of it?
|
||
If I had not read Jonathan's journal first, I should never
|
||
have accepted even a possibility. Poor, poor, dear Jonathan!
|
||
How he must have suffered. Please the good God, all this may
|
||
not upset him again. I shall try to save him from it. But
|
||
it may be even a consolation and a help to him, terrible
|
||
though it be and awful in its consequences, to know for cer-
|
||
tain that his eyes and ears and brain did not deceive him,
|
||
and that it is all true.It may be that it is the doubt which
|
||
haunts him, that when the doubt is removed, no matter which,
|
||
waking or dreaming, may prove the truth, he will be more
|
||
satisfied and better able to bear the shock. Dr. Van Helsing
|
||
must be a good man as well as a clever one if he is Arthur's
|
||
friend and Dr. Seward's, and if they brought him all the way
|
||
from Holland to look after Lucy. I feel from having seen him
|
||
that he is good and kind and of a noble nature. When he
|
||
comes tomorrow I shall ask him about Jonathan. And then,
|
||
please God, all this sorrow and anxiety may lead to a good
|
||
end. I used to think I would like to practice interviewing.
|
||
Jonathan's friend on "The Exeter News" told him that memory
|
||
is everything in such work, that you must be able to put
|
||
down exactly almost every word spoken, even if you had to
|
||
refine some of it afterwards. Here was a rare interview. I
|
||
shall try to record it verbatim.
|
||
It was half-past two o'clock when the knock came. I
|
||
took my courage a deux mains and waited. In a few minutes
|
||
Mary opened the door, and announced "Dr. Van Helsing".
|
||
I rose and bowed, and he came towards me, a man of med-
|
||
ium weight, strongly built, with his shoulders set back over
|
||
a broad, deep chest and a neck well balanced on the trunk as
|
||
the head is on the neck. The poise of the head strikes me at
|
||
once as indicative of thought and power. The head is noble,
|
||
well-sized, broad, and large behind the ears.The face, clean-
|
||
shaven, shows a hard, square chin, a large resolute, mobile
|
||
mouth, a good-sized nose, rather straight, but with quick,
|
||
sensitive nostrils, that seem to broaden as the big bushy
|
||
brows come down and the mouth tightens.The forehead is broad
|
||
and fine, rising at first almost straight and then sloping
|
||
back above two bumps or ridges wide apart, such a forehead
|
||
that the reddish hair cannot possibly tumble over it, but
|
||
falls naturally back and to the sides. Big, dark blue eyes
|
||
are set widely apart, and are quick and tender or stern with
|
||
the man's moods. He said to me,
|
||
"Mrs. Harker, is it not?" I bowed assent.
|
||
"That was Miss Mina Murray?" Again I assented.
|
||
"It is Mina Murray that I came to see that was friend
|
||
of that poor dear child Lucy Westenra. Madam Mina, it is on
|
||
account of the dead that I come."
|
||
"Sir," I said, "you could have no better claim on me
|
||
than that you were a friend and helper of Lucy Westenra."And
|
||
I held out my hand. He took it and said tenderly,
|
||
"Oh, Madam Mina, I know that the friend of that poor
|
||
little girl must be good, but I had yet to learn . . ." He
|
||
finished his speech with a courtly bow. I asked him what it
|
||
was that he wanted to see me about, so he at once began.
|
||
"I have read your letters to Miss Lucy. Forgive me, but
|
||
I had to begin to inquire somewhere, and there was none to
|
||
ask. I know that you were with her at Whitby. She sometimes
|
||
kept a diary, you need not look surprised, Madam Mina. It
|
||
was begun after you had left, and was an imitation of you,
|
||
and in that diary she traces by inference certain things to
|
||
a sleep-walking in which she puts down that you saved her.In
|
||
great perplexity then I come to you, and ask you out of your
|
||
so much kindness to tell me all of it that you can remember."
|
||
"I can tell you, I think, Dr. Van Helsing, all about
|
||
it."
|
||
"Ah, then you have good memory for facts, for details?
|
||
It is not always so with young ladies."
|
||
"No, doctor, but I wrote it all down at the time. I can
|
||
show it to you if you like."
|
||
"Oh, Madam Mina, I well be grateful.You will do me much
|
||
favor."
|
||
I could not resist the temptation of mystifying him a
|
||
bit, I suppose it is some taste of the original apple that
|
||
remains still in our mouths, so I handed him the shorthand
|
||
diary. He took it with a grateful bow, and said, "May I read
|
||
it?"
|
||
"If you wish," I answered as demurely as I could. He
|
||
opened it, and for an instant his face fell. Then he stood
|
||
up and bowed.
|
||
"Oh, you so clever woman!" he said. "I knew long that
|
||
Mr. Jonathan was a man of much thankfulness, but see, his
|
||
wife have all the good things.And will you not so much honor
|
||
me and so help me as to read it for me? Alas! I know not
|
||
the shorthand."
|
||
By this time my little joke was over, and I was almost
|
||
ashamed. So I took the typewritten copy from my work basket
|
||
and handed it to him.
|
||
"Forgive me," I said. "I could not help it, but I had
|
||
been thinking that it was of dear Lucy that you wished to
|
||
ask, and so that you might not have time to wait, not on my
|
||
account, but because I know your time must be precious, I
|
||
have written it out on the typewriter for you."
|
||
He took it and his eyes glistened. "You are so good,"
|
||
he said. "And may I read it now? I may want to ask you some
|
||
things when I have read."
|
||
"By all means," I said. "read it over whilst I order
|
||
lunch, and then you can ask me questions whilst we eat."
|
||
He bowed and settled himself in a chair with his back
|
||
to the light, and became so absorbed in the papers, whilst I
|
||
went to see after lunch chiefly in order that he might not
|
||
be disturbed. When I came back, I found him walking hurried-
|
||
ly up and down the room, his face all ablaze with excitement.
|
||
He rushed up to me and took me by both hands.
|
||
"Oh, Madam Mina," he said, "how can I say what I owe to
|
||
you? This paper is as sunshine. It opens the gate to me. I
|
||
am dazed, I am dazzled, with so much light, and yet clouds
|
||
roll in behind the light every time. But that you do not,
|
||
cannot comprehend. Oh, but I am grateful to you, you so
|
||
clever woman. Madame," he said this very solemnly, "if ever
|
||
Abraham Van Helsing can do anything for you or yours,I trust
|
||
you will let me know. It will be pleasure and delight if I
|
||
may serve you as a friend, as a friend, but all I have ever
|
||
learned, all I can ever do, shall be for you and those you
|
||
love. There are darknesses in life, and there are lights.
|
||
You are one of the lights. You will have a happy life and a
|
||
good life, and your husband will be blessed in you."
|
||
"But, doctor, you praise me too much, and you do not
|
||
know me."
|
||
"Not know you, I, who am old, and who have studied all
|
||
my life men and women, I who have made my specialty the
|
||
brain and all that belongs to him and all that follow from
|
||
him! And I have read your diary that you have so goodly
|
||
written for me, and which breathes out truth in every line.
|
||
I, who have read your so sweet letter to poor Lucy of your
|
||
marriage and your trust, not know you! Oh, Madam Mina, good
|
||
women tell all their lives, and by day and by hour and by
|
||
minute, such things that angels can read. And we men who
|
||
wish to know have in us something of angels' eyes. Your
|
||
husband is noble nature, and you are noble too, for you
|
||
trust, and trust cannot be where there is mean nature. And
|
||
your husband, tell me of him. Is he quite well? Is all
|
||
that fever gone, and is he strong and hearty?"
|
||
I saw here an opening to ask him about Jonathan, so I
|
||
said,"He was almost recovered, but he has been greatly upset
|
||
by Mr. Hawkins death."
|
||
He interrupted, "Oh, yes. I know. I know. I have read
|
||
your last two letters."
|
||
I went on, "I suppose this upset him, for when we were
|
||
in town on Thursday last he had a sort of shock."
|
||
"A shock, and after brain fever so soon! That is not
|
||
good. What kind of shock was it?"
|
||
"He thought he saw some one who recalled something
|
||
terrible, something which led to his brain fever." And here
|
||
the whole thing seemed to overwhelm me in a rush. The pity
|
||
for Jonathan, the horror which he experienced, the whole
|
||
fearful mystery of his diary, and the fear that has been
|
||
brooding over me ever since, all came in a tumult. I suppose
|
||
I was hysterical, for I threw myself on my knees and held up
|
||
my hands to him, and implored him to make my husband well
|
||
again. He took my hands and raised me up, and made me sit
|
||
on the sofa, and sat by me. He held my hand in his, and said
|
||
to me with, oh, such infinite sweetness,
|
||
"My life is a barren and lonely one,and so full of work
|
||
that I have not had much time for friendships, but since I
|
||
have been summoned to here by my friend John Seward I have
|
||
known so many good people and seen such nobility that I feel
|
||
more than ever, and it has grown with my advancing years,
|
||
the loneliness of my life. Believe me, then, that I come
|
||
here full of respect for you, and you have given me hope,
|
||
hope, not in what I am seeking of, but that there are good
|
||
women still left to make life happy, good women, whose lives
|
||
and whose truths may make good lesson for the children that
|
||
are to be. I am glad, glad, that I may here be of some use
|
||
to you. For if your husband suffer, he suffer within the
|
||
range of my study and experience. I promise you that I will
|
||
gladly do all for him that I can,all to make his life strong
|
||
and manly, and your life a happy one. Now you must eat. You
|
||
are over-wrought and perhaps over-anxious. Husband Jonathan
|
||
would not like to see you so pale,and what he like not where
|
||
he love, is not to his good. Therefore for his sake you must
|
||
eat and smile. You have told me about Lucy, and so now we
|
||
shall not speak of it, lest it distress. I shall stay in Ex-
|
||
eter tonight, for I want to think much over what you have
|
||
told me, and when I have thought I will ask you questions,if
|
||
I may. And then too, you will tell me of husband Jonathan's
|
||
trouble so far as you can, but not yet. You must eat now,
|
||
afterwards you shall tell me all."
|
||
After lunch, when we went back to the drawing room, he
|
||
said to me, "And now tell me all about him."
|
||
When it came to speaking to this great learned man, I
|
||
began to fear that he would think me a weak fool, and Jona-
|
||
than a madman, that journal is all so strange, and I hesi-
|
||
tated to go on. But he was so sweet and kind, and he had
|
||
promised to help, and I trusted him, so I said,
|
||
"Dr. Van Helsing, what I have to tell you is so queer
|
||
that you must not laugh at me or at my husband. I have been
|
||
since yesterday in a sort of fever of doubt. You must be
|
||
kind to me, and not think me foolish that I have even half
|
||
believed some very strange things."
|
||
He reassured me by his manner as well as his words when
|
||
he said, "Oh, my dear, if you only know how strange is the
|
||
matter regarding which I am here, it is you who would laugh.
|
||
I have learned not to think little of any one's belief, no
|
||
matter how strange it may be. I have tried to keep an open
|
||
mind, and it is not the ordinary things of life that could
|
||
close it, but the strange things, the extraordinary things,
|
||
the things that make one doubt if they be mad or sane."
|
||
"Thank you, thank you a thousand times! You have taken
|
||
a weight off my mind. If you will let me, I shall give you
|
||
a paper to read. It is long, but I have typewritten it out.
|
||
It will tell you my trouble and Jonathan's.It is the copy of
|
||
his journal when abroad, and all that happened. I dare not
|
||
say anything of it. You will read for yourself and judge.
|
||
And then when I see you, perhaps, you will be very kind and
|
||
tell me what you think."
|
||
"I promise," he said as I gave him the papers. "I shall
|
||
in the morning, as soon as I can, come to see you and your
|
||
husband, if I may."
|
||
"Jonathan will be here at half-past eleven,and you must
|
||
come to lunch with us and see him then. You could catch the
|
||
quick 3:34 train, which will leave you at Paddington before
|
||
eight." He was surprised at my knowledge of the trains off-
|
||
hand,but he does not know that I have made up all the trains
|
||
to and from Exeter,so that I may help Jonathan in case he is
|
||
in a hurry.
|
||
So he took the papers with him and went away, and I sit
|
||
here thinking, thinking I don't know what.
|
||
|
||
LETTER (by hand), VAN HELSING TO MRS. HARKER
|
||
|
||
25 September, 6 o'clock
|
||
|
||
"Dear Madam Mina,
|
||
"I have read your husband's so wonderful diary. You may
|
||
sleep without doubt. Strange and terrible as it is, it is
|
||
true! I will pledge my life on it.It may be worse for others,
|
||
but for him and you there is no dread. He is a noble fellow,
|
||
and let me tell you from experience of men, that one who
|
||
would do as he did in going down that wall and to that room,
|
||
aye, and going a second time, is not one to be injured in
|
||
permanence by a shock.His brain and his heart are all right,
|
||
this I swear, before I have even seen him, so be at rest. I
|
||
shall have much to ask him of other things.I am blessed that
|
||
today I come to see you,for I have learn all at once so much
|
||
that again I am dazzled, dazzled more than ever, and I must
|
||
think.
|
||
"Yours the most faithful,
|
||
"Abraham Van Helsing."
|
||
|
||
LETTER, MRS. HARKER TO VAN HELSING
|
||
|
||
25 September, 6:30 p.m.
|
||
|
||
"My dear Dr. Van Helsing,
|
||
"A thousand thanks for your kind letter,which has taken
|
||
a great weight off my mind. And yet, if it be true, what
|
||
terrible things there are in the world, and what an awful
|
||
thing if that man, that monster, be really in London! I fear
|
||
to think. I have this moment, whilst writing, had a wire
|
||
from Jonathan,saying that he leaves by the 6:25 tonight from
|
||
Launceston and will be here at 10:18,so that I shall have no
|
||
fear tonight. Will you, therefore, instead of lunching with
|
||
us, please come to breakfast at eight o'clock,if this be not
|
||
too early for you? You can get away, if you are in a hurry,
|
||
by the 10:30 train, which will bring you to Paddington by
|
||
2:35. Do not answer this, as I shall take it that, if I do
|
||
not hear, you will come to breakfast.
|
||
"Believe me,
|
||
"Your faithful and grateful friend,
|
||
"Mina Harker."
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
26 September.--I thought never to write in this diary
|
||
again, but the time has come. When I got home last night
|
||
Mina had supper ready, and when we had supped she told me of
|
||
Van Helsing's visit, and of her having given him the two
|
||
diaries copied out, and of how anxious she has been about me.
|
||
She showed me in the doctor's letter that all I wrote down
|
||
was true. It seems to have made a new man of me. It was the
|
||
doubt as to the reality of the whole thing that knocked me
|
||
over. I felt impotent, and in the dark, and distrustful. But,
|
||
now that I know, I am not afraid, even of the Count. He has
|
||
succeeded after all, then, in his design in getting to Lond-
|
||
on, and it was he I saw. He has got younger, and how? Van
|
||
Helsing is the man to unmask him and hunt him out, if he is
|
||
anything like what Mina says. We sat late, and talked it
|
||
over. Mina is dressing, and I shall call at the hotel in a
|
||
few minutes and bring him over.
|
||
|
||
He was, I think, surprised to see me. When I came into
|
||
the room whee he was, and introduced myself, he took me by
|
||
the shoulder, and turned my face round to the light, and
|
||
said, after a sharp scrutiny,
|
||
"But Madam Mina told me you were ill, that you had had
|
||
a shock."
|
||
It was so funny to hear my wife called `Madam Mina' by
|
||
this kindly, strong-faced old man. I smiled, and said, "I
|
||
was ill, I have had a shock, but you have cured me already."
|
||
"And how?"
|
||
"By your letter to Mina last night. I was in doubt, and
|
||
then everything took a hue of unreality, and I did not know
|
||
what to trust, even the evidence of my own senses. Not know-
|
||
ing what to trust, I did not know what to do,and so had only
|
||
to keep on working in what had hitherto been the groove of
|
||
my life. The groove ceased to avail me, and I mistrusted
|
||
myself.Doctor, you don't know what it is to doubt everything,
|
||
even yourself. No, you don't, you couldn't with eyebrows
|
||
like yours."
|
||
He seemed pleased, and laughed as he said, "So! You are
|
||
a physiognomist. I learn more here with each hour. I am with
|
||
so much pleasure coming to you to breakfast, and, oh, sir,
|
||
you will pardon praise from an old man, but you are blessed
|
||
in your wife."
|
||
I would listen to him go on praising Mina for a day, so
|
||
I simply nodded and stood silent.
|
||
"She is one of God's women,fashioned by His own hand to
|
||
show us men and other women that there is a heaven where we
|
||
can enter, and that its light can be here on earth. So true,
|
||
so sweet, so noble, so little an egoist, and that, let me
|
||
tell you, is much in this age, so sceptical and selfish. And
|
||
you, sir. . . I have read all the letters to poor Miss Lucy,
|
||
and some of them speak of you, so I know you since some days
|
||
from the knowing of others, but I have seen your true self
|
||
since last night. You will give me your hand, will you not?
|
||
And let us be friends for all our lives."
|
||
We shook hands, and he was so earnest and so kind that
|
||
it made me quite choky.
|
||
"and now," he said, "may I ask you for some more help?
|
||
I have a great task to do, and at the beginning it is to
|
||
know. You can help me here. Can you tell me what went be-
|
||
fore your going to Transylvania? Later on I may ask more
|
||
help, and of a different kind, but at first this will do."
|
||
"Look here, Sir," I said, "does what you have to do
|
||
concern the Count?"
|
||
"It does," he said solemnly."
|
||
"Then I am with you heart and soul. As you go by the
|
||
10:30 train, you will not have time to read them, but I
|
||
shall get the bundle of papers. You can take them with you
|
||
and read them in the train."
|
||
After breakfast I saw him to the station. When we were
|
||
parting he said, "Perhaps you will come to town if I send
|
||
for you, and take Madam Mina too."
|
||
"We shall both come when you will," I said.
|
||
I had got him the morning papers and the London papers
|
||
of the previous night, and while we were talking at the
|
||
carriage window, waiting for the train to start, he was turn-
|
||
ing them over. His eyes suddenly seemed to catch something
|
||
in one of them, "The Westminster Gazette", I knew it by the
|
||
color, and he grew quite white. He read something intently,
|
||
groaning to himself, "Mein Gott! Mein Gott! So soon! So
|
||
soon!" I do not think he remembered me at the moment. Just
|
||
then the whistle blew, and the train moved off.This recalled
|
||
him to himself, and he leaned out of the window and waved
|
||
his hand, calling out, "Love to Madam Mina. I shall write so
|
||
soon as ever I can."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
26 September.--Truly there is no such thing as finality.
|
||
Not a week since I said "Finis," and yet here I am starting
|
||
fresh again, or rather going on with the record. Until this
|
||
afternoon I had no cause to think of what is done. Renfield
|
||
had become, to all intents, as sane as he ever was. He was
|
||
already well ahead with his fly business, and he had just
|
||
started in the spider line also, so he had not been of any
|
||
trouble to me. I had a letter from Arthur, written on Sun-
|
||
day, and from it I gather that he is bearing up wonderfully
|
||
well. Quincey Morris is with him, and that is much of a
|
||
help, for he himself is a bubbling well of good spirits.
|
||
Quincey wrote me a line too, and from him I hear that Arthur
|
||
is beginning to recover something of his old buoyancy, so as
|
||
to them all my mind is at rest. As for myself, I was sett-
|
||
ling down to my work with the enthusiasm which I used to
|
||
have for it, so that I might fairly have said that the wound
|
||
which poor Lucy left on me was becoming cicatrised.
|
||
Everything is, however, now reopened, and what is to be
|
||
the end God only knows. I have an idea that Van Helsing
|
||
thinks he knows, too, but he will only let out enough at a
|
||
time to whet curiosity. He went to Exeter yesterday, and
|
||
stayed there all night. Today he came back, and almost
|
||
bounded into the room at about half-past five o'clock, and
|
||
thrust last night's "Westminster Gazette" into my hand.
|
||
"What do you think of that?" he asked as he stood back
|
||
and folded his arms.
|
||
I looked over the paper, for I really did not know what
|
||
he meant, but he took it from me and pointed out a paragraph
|
||
about children being decoyed away at Hampstead. It did not
|
||
convey much to me, until I reached a passage where it des-
|
||
cribed small puncture wounds on their throats.An idea struck
|
||
me, and I looked up.
|
||
"Well?" he said.
|
||
"It is like poor Lucy's."
|
||
"And what do you make of it?"
|
||
"Simply that there is some cause in common. Whatever
|
||
it was that injured her has injured them." I did not quite
|
||
understand his answer.
|
||
"That is true indirectly, but not directly."
|
||
"How do you mean, Professor?" I asked. I was a little
|
||
inclined to take his seriousness lightly, for, after all,
|
||
four days of rest and freedom from burning, harrowing, anx-
|
||
iety does help to restore one's spirits, but when I saw his
|
||
face, it sobered me. Never, even in the midst of our des-
|
||
pair about poor Lucy, had he looked more stern.
|
||
"Tell me!" I said. "I can hazard no opinion. I do not
|
||
know what to think, and I have no data on which to found a
|
||
conjecture."
|
||
"Do you mean to tell me, friend John, that you have no
|
||
suspicion as to what poor Lucy died of, not after all the
|
||
hints given, not only by events, but by me?"
|
||
"Of nervous prostration following a great loss or waste
|
||
of blood."
|
||
"And how was the blood lost or wasted?" I shook my head.
|
||
He stepped over and sat down beside me, and went on,"You
|
||
are a clever man, friend John. You reason well, and your wit
|
||
is bold, but you are too prejudiced. You do not let your eyes
|
||
see nor your ears hear, and that which is outside your daily
|
||
life is not of account to you. Do you not think that there
|
||
are things which you cannot understand,and yet which are,that
|
||
some people see things that others cannot? But there are
|
||
things old and new which must not be contemplated by men's
|
||
eyes, because they know, or think they know,some things which
|
||
other men have told them. Ah, it is the fault of our science
|
||
that it wants to explain all, and if it explain not, then it
|
||
says there is nothing to explain. But yet we see around us
|
||
every day the growth of new beliefs, which think themselves
|
||
new, and which are yet but the old, which pretend to be young,
|
||
like the fine ladies at the opera. I suppose now you do not
|
||
believe in corporeal transference. No? Nor in materialization.
|
||
No? Nor in astral bodies. No? Nor in the reading of thought.
|
||
No? Nor in hypnotism . . ."
|
||
"Yes," I said. "Charcot has proved that pretty well."
|
||
He smiled as he went on, "Then you are satisfied as to
|
||
it. Yes? And of course then you understand how it act, and
|
||
can follow the mind of the great Charcot, alas that he is no
|
||
more, into the very soul of the patient that he influence.No?
|
||
Then, friend John,am I to take it that you simply accept fact,
|
||
and are satisfied to let from premise to conclusion be a
|
||
blank? No? Then tell me, for I am a student of the brain,
|
||
how you accept hypnotism and reject the thought reading. Let
|
||
me tell you, my friend, that there are things done today in
|
||
electrical science which would have been deemed unholy by the
|
||
very man who discovered electricity, who would themselves not
|
||
so long before been burned as wizards. There are always mys-
|
||
teries in life. Why was it that Methuselah lived nine hundred
|
||
years, and `Old Parr'one hundred and sixty-nine, and yet that
|
||
poor Lucy, with four men's blood in her poor veins, could not
|
||
live even one day? For, had she live one more day, we could
|
||
save her. Do you know all the mystery of life and death? Do
|
||
you know the altogether of comparative anatomy and can say
|
||
wherefore the qualities of brutes are in some men, and not
|
||
in others? Can you tell me why, when other spiders die small
|
||
and soon, that one great spider lived for centuries in the
|
||
tower of the old Spanish church and grew and grew, till, on
|
||
descending, he could drink the oil of all the church lamps?
|
||
Can you tell me why in the Pampas, ay and elsewhere,there are
|
||
bats that come out at night and open the veins of cattle and
|
||
horses and suck dry their veins, how in some islands of the
|
||
Western seas there are bats which hang on the trees all day,
|
||
and those who have seen describe as like giant nuts or pods,
|
||
and that when the sailors sleep on the deck, because that it
|
||
is hot, flit down on them and then, and then in the morning
|
||
are found dead men, white as even Miss Lucy was?"
|
||
"Good God, Professor!" I said, starting up. "Do you
|
||
mean to tell me that Lucy was bitten by such a bat, and that
|
||
such a thing is here in London in the nineteenth century?"
|
||
He waved his hand for silence, and went on,"Can you tell
|
||
me why the tortoise lives more long than generations of men,
|
||
why the elephant goes on and on till he have sees dynasties,
|
||
and why the parrot never die only of bite of cat of dog or
|
||
other complaint? Can you tell me why men believe in all ages
|
||
and places that there are men and women who cannot die? We
|
||
all know, because science has vouched for the fact,that there
|
||
have been toads shut up in rocks for thousands of years, shut
|
||
in one so small hole that only hold him since the youth of
|
||
the world. Can you tell me how the Indian fakir can make him-
|
||
self to die and have been buried, and his grave sealed and
|
||
corn sowed on it, and the corn reaped and be cut and sown and
|
||
reaped and cut again, and then men come and take away the un-
|
||
broken seal and that there lie the Indian fakir, not dead,
|
||
but that rise up and walk amongst them as before?"
|
||
Here I interrupted him. I was getting bewildered. He
|
||
so crowded on my mind his list of nature's eccentricities and
|
||
possible impossibilities that my imagination was getting
|
||
fired. I had a dim idea that he was teaching me some lesson,
|
||
as long ago he used to do in his study at Amsterdam. But he
|
||
used them to tell me the thing, so that I could have the ob-
|
||
ject of thought in mind all the time. But now I was without
|
||
his help, yet I wanted to follow him, so I said,
|
||
"Professor, let me be your pet student again. Tell me
|
||
the thesis, so that I may apply your knowledge as you go on.
|
||
At present I am going in my mind from point to point as a
|
||
madman, and not a sane one, follows an idea. I feel like a
|
||
novice lumbering through a bog in a midst, jumping from one
|
||
tussock to another in the mere blind effort to move on with-
|
||
out knowing where I am going."
|
||
"That is a good image," he said. "Well, I shall tell
|
||
you. My thesis is this, I want you to believe."
|
||
"To believe what?"
|
||
"To believe in things that you cannot.Let me illustrate.
|
||
I heard once of an American who so defined faith, `that fac-
|
||
ulty which enables us to believe things which we know to be
|
||
untrue.' For one, I follow that man. He meant that we shall
|
||
have an open mind,and not let a little bit of truth check the
|
||
rush of the big truth,like a small rock does a railway truck.
|
||
We get the small truth first. Good! We keep him, and we
|
||
value him, but all the same we must not let him think himself
|
||
all the truth in the universe."
|
||
"Then you want me not to let some previous conviction
|
||
inure the receptivity of my mind with regard to some strange
|
||
matter. Do I read your lesson aright?"
|
||
"Ah, you are my favorite pupil still. It is worth to
|
||
teach you. Now that you are willing to understand, you have
|
||
taken the first step to understand. You think then that
|
||
those so small holes in the children's throats were made by
|
||
the same that made the holes in Miss Lucy?"
|
||
"I suppose so."
|
||
He stood up and said solemnly, "Then you are wrong. Oh,
|
||
would it were so! But alas! No. It is worse, far, far worse."
|
||
"In God's name,Professor Van Helsing, what do you mean?"
|
||
I cried.
|
||
He threw himself with a despairing gesture into a chair,
|
||
and placed his elbows on the table, covering his face with
|
||
his hands as he spoke.
|
||
"They were made by Miss Lucy!"
|
||
|
||
|
||
CHAPTER 15
|
||
|
||
DR. SEWARD'S DIARY-cont.
|
||
|
||
For a while sheer anger mastered me. It was as if he
|
||
had during her life struck Lucy on the face. I smote the
|
||
table hard and rose up as I said to him, "Dr. Van Helsing,
|
||
are you mad?"
|
||
He raised his head and looked at me, and somehow the
|
||
tenderness of his face calmed me at once. "Would I were!" he
|
||
said. "Madness were easy to bear compared with truth like
|
||
this. Oh, my friend, whey, think you, did I go so far round,
|
||
why take so long to tell so simple a thing? Was it because I
|
||
hate you and have hated you all my life? Was it because I
|
||
wished to give you pain? Was it that I wanted, no so late,
|
||
revenge for that time when you saved my life, and from a
|
||
fearful death? Ah no!"
|
||
"Forgive me," said I.
|
||
He went on, "My friend, it was because I wished to be
|
||
gentle in the breaking to you, for I know you have loved
|
||
that so sweet lady. But even yet I do not expect you to
|
||
believe. It is so hard to accept at once any abstract truth,
|
||
that we may doubt such to be possible when we have always
|
||
believed the `no' of it. It is more hard still to accept so
|
||
sad a concrete truth, and of such a one as Miss Lucy.Tonight
|
||
I go to prove it. Dare you come with me?"
|
||
This staggered me. A man does not like to prove such a
|
||
truth, Byron excepted from the catagory, jealousy.
|
||
|
||
"And prove the very truth he most abhorred."
|
||
|
||
He saw my hesitation, and spoke, "The logic is simple,
|
||
no madman's logic this time, jumping from tussock to tussock
|
||
in a misty bog. If it not be true, then proof will be relief.
|
||
At worst it will not harm. If it be true! Ah, there is the
|
||
dread. Yet every dread should help my cause, for in it is
|
||
some need of belief. Come, I tell you what I propose. First,
|
||
that we go off now and see that child in the hospital. Dr.
|
||
Vincent, of the North Hospital, where the papers say the
|
||
child is, is a friend of mine, and I think of yours since
|
||
you were in class at Amsterdam. He will let two scientists
|
||
see his case, if he will not let two friends. We shall tell
|
||
him nothing, but only that we wish to learn. And then . . ."
|
||
"And then?"
|
||
He took a key from his pocket and held it up. "And then
|
||
we spend the night, you and I, in the churchyard where Lucy
|
||
lies. This is the key that lock the tomb. I had it from the
|
||
coffin man to give to Arthur."
|
||
My heart sank within me, for I felt that there was some
|
||
fearful ordeal before us. I could do nothing, however, so I
|
||
plucked up what heart I could and said that we had better
|
||
hasten, as the afternoon was passing.
|
||
We found the child awake. It had had a sleep and taken
|
||
some food, and altogether was going on well. Dr, Vincent
|
||
took the bandage from its throat, and showed us the punct-
|
||
ures. There was no mistaking the similarity to those which
|
||
had been on Lucy's throat. They were smaller, and the edges
|
||
looked fresher, that was all. We asked Vincent to what he
|
||
attributed them, and he replied that it must have been a
|
||
bite of some animal, perhaps a rat, but for his own part, he
|
||
was inclined to think it was one of the bats which are so
|
||
numerous on the northern heights of London. "Out of so many
|
||
harmless ones," he said, "there may be some wild specimen
|
||
from the South of a more malignant species. Some sailor may
|
||
have brought one home, and it managed to escape,or even from
|
||
the Zoological Gardens a young one may have got loose,or one
|
||
be bred there from a vampire. These things do occur, you,
|
||
know. Only ten days ago a wolf got out, and was, I believe,
|
||
traced up in this direction. For a week after, the children
|
||
were playing nothing but Red Riding Hood on the Heath and in
|
||
every alley in the place until this `bloofer lady' scare
|
||
came along, since then it has been quite a gala time with
|
||
them. Even this poor little mite, when he woke up today,
|
||
asked the nurse if he might go away. When she asked him why
|
||
he wanted to go, he said he wanted to play with the `bloofer
|
||
lady'."
|
||
"I hope," said Van Helsing, "that when you are sending
|
||
the child home you will caution its parents to keep strict
|
||
watch over it. These fancies to stray are most dangerous,
|
||
and if the child were to remain out another night, it would
|
||
probably be fatal. But in any case I suppose you will not
|
||
let it away for some days?"
|
||
"Certainly not, not for a week at least, longer if the
|
||
wound is not healed."
|
||
Our visit to the hospital took more time than we had
|
||
reckoned on, and the sun had dipped before we came out. When
|
||
Van Helsing saw how dark it was, he said,
|
||
"There is not hurry. It is more late than I thought.
|
||
Come, let us seek somewhere that we may eat, and then we
|
||
shall go on our way."
|
||
We dined at `Jack Straw's Castle' along with a little
|
||
crowd of bicyclists and others who were genially noisy.About
|
||
ten o'clock we started from the inn. It was then very dark,
|
||
and the scattered lamps made the darkness greater when we
|
||
were once outside their individual radius. The Professor had
|
||
evidently noted the road we were to go, for he went on un-
|
||
hesitatingly, but, as for me, I was in quite a mixup as to
|
||
locality. As we went further, we met fewer and fewer people,
|
||
till at last we were somewhat surprised when we met even the
|
||
patrol of horse police going their usual suburban round. At
|
||
last we reached the wall of the churchyard, which we climbed
|
||
over. With some little difficulty, for it was very dark, and
|
||
the whole place seemed so strange to us, we found the West-
|
||
enra tomb. The Professor took the key, opened the creaky
|
||
door, and standing back, politely, but quite unconsciously,
|
||
motioned me to precede him. There was a delicious irony in
|
||
the offer, in the courtliness of giving preference on such a
|
||
ghastly occasion. My companion followed me quickly, and
|
||
cautiously drew the door to, after carefully ascertaining
|
||
that the lock was a falling, and not a spring one. In the
|
||
latter case we should have been in a bad plight. Then he
|
||
fumbled in his bag, and taking out a matchbox and a piece of
|
||
candle, proceeded to make a light. The tomb in the daytime,
|
||
and when wreathed with fresh flowers, had looked grim and
|
||
gruesome enough, but now, some days afterwards, when the
|
||
flowers hung lank and dead, their whites turning to rust and
|
||
their greens to browns, when the spider and the beetle had
|
||
resumed their accustomed dominance, when the time-discolored
|
||
stone, and dust-encrusted mortar, and rusty, dank iron, and
|
||
tarnished brass, and clouded silver-plating gave back the
|
||
feeble glimmer of a candle, the effect was more miserable
|
||
and sordid than could have been imagined. It conveyed irr-
|
||
esistibly the idea that life, animal life, was not the only
|
||
thing which could pass away.
|
||
Van Helsing went about his work systematically. Hold-
|
||
ing his candle so that he could read the coffin plates, and
|
||
so holding it that the sperm dropped in white patches which
|
||
congealed as they touched the metal, he made assurance of
|
||
Lucy's coffin. Another search in his bag, and he took out a
|
||
turnscrew.
|
||
"What are you going to do?" I asked.
|
||
"To open the coffin. You shall yet be convinced."
|
||
Straightway he began taking out the screws, and finally
|
||
lifted off the lid, showing the casing of lead beneath. The
|
||
sight was almost too much for me. It seemed to be as much an
|
||
affront to the dead as it would have been to have stripped
|
||
off her clothing in her sleep whilst living. I actually took
|
||
hold of his hand to stop him.
|
||
He only said, "You shall see,"and again fumbling in his
|
||
bag took out a tiny fret saw. Striking the turnscrew through
|
||
the lead with a swift downward stab, which made me wince, he
|
||
made a small hole, which was, however, big enough to admit
|
||
the point of the saw. I had expected a rush of gas from the
|
||
week-old corpse. We doctors, who have had to study our dan-
|
||
gers, have to become accustomed to such things, and I drew
|
||
back towards the door. But the Professor never stopped for
|
||
a moment. He sawed down a couple of feet along one side of
|
||
the lead coffin, and then across, and down the other side.
|
||
Taking the edge of the loose flange, he bent it back towards
|
||
the foot of the coffin, and holding up the candle into the
|
||
aperture, motioned to me to look.
|
||
I drew near and looked. The coffin was empty. It was
|
||
certainly a surprise to me, and gave me a considerable shock,
|
||
but Van Helsing was unmoved. He was now more sure than ever
|
||
of his ground, and so emboldened to proceed in his task."Are
|
||
you satisfied now, friend John?" he asked.
|
||
I felt all the dogged argumentativeness of my nature
|
||
awake within me as I answered him, "I am satisfied that
|
||
Lucy's body is not in that coffin, but that only proves one
|
||
thing."
|
||
"And what is that, friend John?"
|
||
"That it is not there."
|
||
"That is good logic," he said, "so far as it goes. But
|
||
how do you, how can you, account for it not being there?"
|
||
"Perhaps a body-snatcher," I suggested. "Some of the
|
||
undertaker's people may have stolen it." I felt that I was
|
||
speaking folly, and yet it was the only real cause which I
|
||
could suggest.
|
||
The Professor sighed. "Ah well!" he said," we must have
|
||
more proof. Come with me."
|
||
He put on the coffin lid again, gathered up all his
|
||
things and placed them in the bag, blew out the light, and
|
||
placed the candle also in the bag. We opened the door, and
|
||
went out. Behind us he closed the door and locked it. He
|
||
handed me the key, saying, "Will you keep it? You had better
|
||
be assured."
|
||
I laughed, it was not a very cheerful laugh, I am bound
|
||
to say, as I motioned him to keep it. "A key is nothing," I
|
||
said, "thee are many duplicates, and anyhow it is not diffi-
|
||
cult to pick a lock of this kind."
|
||
He said nothing, but put the key in his pocket. Then
|
||
he told me to watch at one side of the churchyard whilst he
|
||
would watch at the other.
|
||
I took up my place behind a yew tree, and I saw his
|
||
dark figure move until the intervening headstones and trees
|
||
hid it from my sight.
|
||
It was a lonely vigil. Just after I had taken my place I
|
||
heard a distant clock strike twelve,and in time came one and
|
||
two.I was chilled and unnerved, and angry with the Professor
|
||
for taking me on such an errand and with myself for coming.
|
||
I was too cold and too sleepy to be keenly observant,and not
|
||
sleepy enough to betray my trust, so altogether I had a
|
||
dreary, miserable time.
|
||
Suddenly, as I turned round, I thought I saw something
|
||
like a white streak,moving between two dark yew trees at the
|
||
side of the churchyard farthest from the tomb. At the same
|
||
time a dark mass moved from the Professor's side of the
|
||
ground, and hurriedly went towards it. Then I too moved, but
|
||
I had to go round headstones and railed-off tombs, and I
|
||
stumbled over graves.The sky was overcast, and somewhere far
|
||
off an early cock crew. A little ways off, beyond a line of
|
||
scattered juniper trees, which marked the pathway to the
|
||
church, a white dim figure flitted in the direction of the
|
||
tomb. The tomb itself was hidden by trees, and I could not
|
||
see where the figure had disappeared. I heard the rustle of
|
||
actual movement where I had first seen the white figure, and
|
||
coming over, found the Professor holding in his arms a tiny
|
||
child. When he saw me he held it out to me, and said, "Are
|
||
you satisfied now?"
|
||
"No," I said, in a way that I felt was aggressive.
|
||
"Do you not see the child?"
|
||
"Yes, it is a child, but who brought it here? And is it
|
||
wounded?"
|
||
"We shall see,"said the Professor, and with one impulse
|
||
we took our way out of the churchyard, he carrying the sleep-
|
||
ing child.
|
||
When we had got some little distance away, we went into
|
||
a clump of trees, and struck a match, and looked at the
|
||
child's throat. It was without a scratch or scar of any kind.
|
||
"Was I right?" I asked triumphantly.
|
||
"We were just in time," said the Professor thankfully.
|
||
We had now to decide what we were to do with the child,
|
||
and so consulted about it. If we were to take it to a police
|
||
station we should have to give some account of our movements
|
||
during the night. At least, we should have had to make some
|
||
statement as to how we had come to find the child.So finally
|
||
we decided that we would take it to the Heath, and when we
|
||
heard a policeman coming, would leave it where he could not
|
||
fail to find it. We would then seek our way home as quickly
|
||
as we could. All fell out well. At the edge of Hampstead
|
||
Heath we heard a policeman's heavy tramp, and laying the
|
||
child on the pathway, we waited and watched until he saw it
|
||
as he flashed his lantern to and fro. We heard his exclam-
|
||
ation of astonishment, and then we went away silently. By
|
||
good chance we got a cab near the `Spainiards,' and drove to
|
||
town.
|
||
I cannot sleep, so I make this entry. But I must try to
|
||
get a few hours' sleep, as Van Helsing is to call for me at
|
||
noon. He insists that I go with him on another expedition.
|
||
|
||
27 September.--It was two o'clock before we found a
|
||
suitable opportunity for our attempt. The funeral held at
|
||
noon was all completed, and the last stragglers of the mour-
|
||
ners had taken themselves lazily away, when, looking care-
|
||
fully from behind a clump of alder trees, we saw the sexton
|
||
lock the gate after him. We knew that we were safe till
|
||
morning did we desire it, but the Professor told me that we
|
||
should not want more than an hour at most. Again I felt that
|
||
horrid sense of the reality of things,in which any effort of
|
||
imagination seemed out of place, and I realized distinctly
|
||
the perils of the law which we were incurring in our unhal-
|
||
lowed work. Besides, I felt it was all so useless. Outrag-
|
||
eous as it was to open a leaden coffin, to see if a woman
|
||
dead nearly a week were really dead,it now seemed the height
|
||
of folly to open the tomb again, when we knew, from the evi-
|
||
dence of our own eyesight, that the coffin was empty. I
|
||
shrugged my shoulders, however, and rested silent, for Van
|
||
Helsing had a way of going on his own road, no matter who
|
||
remonstrated. He took the key, opened the vault, and again
|
||
courteously motioned me to precede. The place was not so
|
||
gruesome as last night, but oh, how unutterably mean looking
|
||
when the sunshine streamed in. Van Helsing walked over to
|
||
Lucy's coffin, and I followed. He bent over and again forced
|
||
back the leaden flange, and a shock of surprise and dismay
|
||
shot through me.
|
||
There lay Lucy, seemingly just as we had seen her the
|
||
night before her funeral. She was, if possible, more radi-
|
||
antly beautiful than ever, and I could not believe that she
|
||
was dead. The lips were red, nay redder than before, and
|
||
on the cheeks was a delicate bloom.
|
||
"Is this a juggle?" I said to him.
|
||
"Are you convinced now?" said the Professor,in response,
|
||
and as he spoke he put over his hand, and in a way that made
|
||
me shudder, pulled back the dead lips and showed the white
|
||
teeth. "See," he went on,"they are even sharper than before.
|
||
With this and this," and he touched one of the canine teeth
|
||
and that below it, "the little children can be bitten. Are
|
||
you of belief now, friend John?"
|
||
Once more argumentative hostility woke within me. I
|
||
could not accept such an overwhelming idea as he suggested.
|
||
So, with an attempt to argue of which I was even at the mom-
|
||
ent ashamed, I said, "She may have been placed here since
|
||
last night."
|
||
"Indeed? That is so, and by whom?"
|
||
"I do not know. Someone has done it."
|
||
"And yet she has been dead one week. Most peoples in
|
||
that time would not look so."
|
||
I had no answer for this, so was silent. Van Helsing
|
||
did not seem to notice my silence. At any rate, he showed
|
||
neither chagrin nor triumph. He was looking intently at the
|
||
face of the dead woman, raising the eyelids and looking at
|
||
the eyes, and once more opening the lips and examining the
|
||
teeth. Then he turned to me and said,
|
||
"Here, there is one thing which is different from all
|
||
recorded. Here is some dual life that is not as the common.
|
||
She was bitten by the vampire when she was in a trance,
|
||
sleep-walking, oh, you start. You do not know that, friend
|
||
John, but you shall know it later, and in trance could he
|
||
best come to take more blood. In trance she dies, and in
|
||
trance she is Un-Dead, too. So it is that she differ from
|
||
all other. Usually when the Un-Dead sleep at home," as he
|
||
spoke he made a comprehensive sweep of his arm to designate
|
||
what to a vampire was `home', "their face show what they are,
|
||
but this so sweet that was when she not Un-Dead she go back
|
||
to the nothings of the common dead. There is no malign there,
|
||
see, and so it make hard that I must kill her in her sleep."
|
||
This turned my blood cold, and it began to dawn upon me
|
||
that I was accepting Van Helsing's theories. But if she were
|
||
really dead, what was there of terror in the idea of killing
|
||
her?
|
||
He looked up at me, and evidently saw the change in my
|
||
face, for he said almost joyously, "Ah, you believe now?"
|
||
I answered, "Do not press me too hard all at once. I am
|
||
willing to accept. How will you do this bloody work?"
|
||
"I shall cut off her head and fill her mouth with gar-
|
||
lic, and I shall drive a stake through her body."
|
||
It made me shudder to think of so mutilating the body
|
||
of the woman whom I had loved. And yet the feeling was not
|
||
so strong as I had expected. I was, in fact, beginning to
|
||
shudder at the presence of this being, this Un-Dead, as Van
|
||
Helsing called it, and to loathe it. Is it possible that
|
||
love is all subjective, or all objective?
|
||
I waited a considerable time for Van Helsing to begin,
|
||
but he stood as if wrapped in thought. Presently he closed
|
||
the catch of his bag with a snap, and said,
|
||
"I have been thinking, and have made up my mind as to
|
||
what is best. If I did simply follow my inclining I would
|
||
do now, at this moment, what is to be done. But there are
|
||
other things to follow, and things that are thousand times
|
||
more difficult in that them we do not know. This is simple.
|
||
She have yet no life taken, though that is of time, and to
|
||
act now would be to take danger from her forever. But then
|
||
we may have to want Arthur, and how shall we tell him of
|
||
this? If you, who saw the wounds on Lucy's throat, and saw
|
||
the wounds so similar on the child's at the hospital, if you,
|
||
who saw the coffin empty last night and full today with a
|
||
woman who have not change only to be more rose and more beau-
|
||
tiful in a whole week, after she die,if you know of this and
|
||
know of the white figure last night that brought the child
|
||
to the churchyard, and yet of your own senses you did not
|
||
believe, how then, can I expect Arthur, who know none of
|
||
those things, to believe?
|
||
"He doubted me when I took him from her kiss when she
|
||
was dying. I know he has forgiven me because in some mis-
|
||
taken idea I have done things that prevent him say goodbye
|
||
as he ought, and he may think that in some more mistaken
|
||
idea this woman was buried alive, and that in most mistake
|
||
of all we have killed her. He will then argue back that it
|
||
is we, mistaken ones, that have killed her by our ideas, and
|
||
so he will be much unhappy always. Yet he never can be sure,
|
||
and that is the worst of all. And he will sometimes think
|
||
that she he loved was buried alive, and that will paint his
|
||
dreams with horrors of what she must have suffered,and again,
|
||
he will think that we may be right, and that his so beloved
|
||
was, after all, an Un-Dead. No! I told him once, and since
|
||
then I learn much. Now, since I know it is all true, a hun-
|
||
dred thousand times more do I know that he must pass through
|
||
the bitter waters to reach the sweet. He, poor fellow, must
|
||
have one hour that will make the very face of heaven grow
|
||
black to him,then we can act for good all round and send him
|
||
peace. My mind is made up. Let us go. You return home for
|
||
tonight to your asylum, and see that all be well. As for me,
|
||
I shall spend the night here in this churchyard in my own
|
||
way. Tomorrow night you will come to me to the Berkeley
|
||
Hotel at ten of the clock. I shall send for Arthur to come
|
||
too,and also that so fine young man of America that gave his
|
||
blood. Later we shall all have work to do. I come with you
|
||
so far as Piccadilly and there dine, for I must be back here
|
||
before the sun set."
|
||
So we locked the tomb and came away, and got over the
|
||
wall of the churchyard, which was not much of a task, and
|
||
drove back to Piccadilly.
|
||
|
||
NOTE LEFT BY VAN HELSING IN HIS PORTMANTEAU, BERKELEY HOTEL
|
||
DIRECTED TO JOHN SEWARD, M. D.
|
||
(Not Delivered)
|
||
|
||
27 September
|
||
|
||
"Friend John,
|
||
"I write this in case anything should happen.I go alone
|
||
to watch in that churchyard. It pleases me that the Un-Dead,
|
||
Miss Lucy, shall not leave tonight, that so on the morrow
|
||
night she may be more eager. Therefore I shall fix some
|
||
things she like not, garlic and a crucifix, and so seal up
|
||
the door of the tomb. She is young as Un-Dead, and will heed.
|
||
Moreover, these are only to prevent her coming out. They may
|
||
not prevail on her wanting to get in, for then the Un-Dead
|
||
is desperate, and must find the line of least resistance,
|
||
whatsoever it may be. I shall be at hand all the night from
|
||
sunset till after sunrise,and if there be aught that may be
|
||
learned I shall learn it. For Miss Lucy or from her, I have
|
||
no fear,but that other to whom is there that she is Un-Dead,
|
||
he have not the power to seek her tomb and find shelter. He
|
||
is cunning, as I know from Mr. Jonathan and from the way
|
||
that all along he have fooled us when he played with us for
|
||
Miss Lucy's life, and we lost, and in many ways the Un-Dead
|
||
are strong. He have always the strength in his hand of
|
||
twenty men, even we four who gave our strength to Miss Lucy
|
||
it also is all to him. Besides, he can summon his wolf and
|
||
I know not what. So if it be that he came thither on this
|
||
night he shall find me. But none other shall, until it be
|
||
too late. But it may be that he will not attempt the place.
|
||
There is no reason why he should. His hunting ground is
|
||
more full of game than the churchyard where the Un-Dead wo-
|
||
man sleeps, and the one old man watch.
|
||
"Therefore I write this in case . . . Take the papers
|
||
that are with this, the diaries of Harker and the rest, and
|
||
read them, and then find this great Un-Dead, and cut off
|
||
his head and burn his heart or drive a stake through it, so
|
||
that the world may rest from him.
|
||
"If it be so, farewell.
|
||
"VAN HELSING."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
28 September.--It is wonderful what a good night's
|
||
sleep will do for one. Yesterday I was almost willing to
|
||
accept Van Helsing's monstrous ideas, but now they seem to
|
||
start out lurid before me as outrages on common sense.I have
|
||
no doubt that he believes it all. I wonder if his mind can
|
||
have become in any way unhinged. Surely there must be some
|
||
rational explanation of all these mysterious things. Is it
|
||
possible that the Professor can have done it himself? He is
|
||
so abnormally clever that if he went off his head he would
|
||
carry out his intent with regard to some fixed idea in a won-
|
||
derful way. I am loathe to think it, and indeed it would be
|
||
almost as great a marvel as the other to find that Van Hel-
|
||
sing was mad, but anyhow I shall watch him carefully. I may
|
||
get some light on the mystery.
|
||
|
||
29 September.--Last night, at a little before ten
|
||
o'clock, Arthur and Quincey came into Van Helsing's room. He
|
||
told us all what he wanted us to do, but especially address-
|
||
ing himself to Arthur, as if all our wills were centered in
|
||
his. He began by saying that he hoped we would all come with
|
||
him too, "for," he said, "there is a grave duty to be done
|
||
there. You were doubtless surprised at my letter?" This
|
||
query was directly addressed to Lord Godalming.
|
||
"I was. It rather upset me for a bit. There has been so
|
||
much trouble around my house of late that I could do without
|
||
any more. I have been curious, too, as to what you mean.
|
||
"Quincey and I talked it over, but the more we talked,
|
||
the more puzzled we got, till now I can say for myself that
|
||
I'm about up a tree as to any meaning about anything."
|
||
"Me too," said Quincey Morris laconically.
|
||
"Oh," said the Professor, "then you are nearer the be-
|
||
ginning, both of you, than friend John here, who has to go
|
||
a long way back before he can even get so far as to begin."
|
||
It was evident that he recognized my return to my old
|
||
doubting frame of mind without my saying a word. Then, turn-
|
||
ing to the other two, he said with intense gravity,
|
||
"I want your permission to do what I think good this
|
||
night. It is, I know, much to ask, and when you know what
|
||
it is I propose to do you will know, and only then how much.
|
||
Therefore may I ask that you promise me in the dark, so that
|
||
afterwards, though you may be angry with me for a time, I
|
||
must not disguise from myself the possibility that such may
|
||
be, you shall not blame yourselves for anything."
|
||
"That's frank anyhow," broke in Quincey. "I'll answer
|
||
for the Professor. I don't quite see his drift, but I swear
|
||
he's honest, and that's good enough for me."
|
||
"I thank you, Sir," said Van Helsing proudly. "I have
|
||
done myself the honor of counting you one trusting friend,
|
||
and such endorsement is dear to me." He held out a hand,
|
||
which Quincey took.
|
||
Then Arthur spoke out, "Dr. Van Helsing, I don't quite
|
||
like to `buy a pig in a poke', as they say in Scotland, and
|
||
if it be anything in which my honour as a gentleman or my
|
||
faith as a Christian is concerned, I cannot make such a pro-
|
||
mise. If you can assure me that what you intend does not
|
||
violate either of these two, then I give my consent at once,
|
||
though for the life of me, I cannot understand what you are
|
||
driving at."
|
||
"I accept your limitation," said Van Helsing, "and all
|
||
I ask of you is that if you feel it necessary to condemn
|
||
any act of mine, you will first consider it well and be
|
||
satisfied that it does not violate your reservations."
|
||
"Agreed!" said Arthur. "That is only fair. And now
|
||
that the pourparlers are over, may I ask what it is we are
|
||
to do?"
|
||
"I want you to come with me, and to come in secret, to
|
||
the churchyard at Kingstead."
|
||
Arthur's face fell as he said in an amazed sort of way,
|
||
"Where poor Lucy is buried?"
|
||
The Professor bowed.
|
||
Arthur went on, "And when there?"
|
||
"To enter the tomb!"
|
||
Arthur stood up. "Professor, are you in earnest, or is
|
||
it some monstrous joke? Pardon me, I see that you are in
|
||
earnest." He sat down again, but I could see that he sat
|
||
firmly and proudly, as one who is on his dignity. There was
|
||
silence until he asked again, "And when in the tomb?"
|
||
"To open the coffin."
|
||
"This is too much!" he said, angrily rising again. "I
|
||
am willing to be patient in all things that are reasonable,
|
||
but in this,this desecration of the grave, of one who . . ."
|
||
He fairly choked with indignation.
|
||
The Professor looked pityingly at him."If I could spare
|
||
you one pang, my poor friend," he said, "God knows I would.
|
||
But this night our feet must tread in thorny paths,or later,
|
||
and for ever, the feet you love must walk in paths of
|
||
flame!"
|
||
Arthur looked up with set white face and said, "Take
|
||
care, sir, take care!"
|
||
"Would it not be well to hear what I have to say?" said
|
||
Van Helsing. "And then you will at least know the limit of
|
||
my purpose. Shall I go on?"
|
||
"That's fair enough," broke in Morris.
|
||
After a pause Van Helsing went on, evidently with an
|
||
effort, "Miss Lucy is dead, is it not so? Yes! Then there
|
||
can be no wrong to her. But if she be not dead. . ."
|
||
Arthur jumped to his feet, "Good God!" he cried. "What
|
||
do you mean? Has there been any mistake, has she been buried
|
||
alive?"He groaned in anguish that not even hope could soften.
|
||
"I did not say she was alive, my child. I did not think
|
||
it. I go no further than to say that she might be Un-Dead."
|
||
"Un-Dead! Not alive! What do you mean? Is this all a
|
||
nightmare, or what is it?"
|
||
"There are mysteries which men can only guess at, which
|
||
age by age they may solve only in part. Believe me, we are
|
||
now on the verge of one. But I have not done. May I cut off
|
||
the head of dead Miss Lucy?"
|
||
"Heavens and earth, no!" cried Arthur in a storm of
|
||
passion. "Not for the wide world will I consent to any
|
||
mutilation of her dead body. Dr. Van Helsing, you try me
|
||
too far. What have I done to you that you should torture
|
||
me so? What did that poor, sweet girl do that you should
|
||
want to cast such dishonor on her grave? Are you mad, that
|
||
you speak of such things, or am I mad to listen to them?
|
||
Don't dare think more of such a desecration. I shall not
|
||
give my consent to anything you do. I have a duty to do in
|
||
protecting her grave from outrage,and by God, I shall do it!"
|
||
Van Helsing rose up from where he had all the time been
|
||
seated, and said, gravely and sternly, "My Lord Godalming, I
|
||
too, have a duty to do, a duty to others, a duty to you, a
|
||
duty to the dead, and by God, I shall do it! All I ask you
|
||
now is that you come with me, that you look and listen, and
|
||
if when later I make the same request you do not be more
|
||
eager for its fulfillment even than I am, then,I shall do my
|
||
duty, whatever it may seem to me. And then, to follow your
|
||
Lordship's wishes I shall hold myself at your disposal to
|
||
render an account to you,when and where you will." His voice
|
||
broke a little, and he went on with a voice full of pity.
|
||
"But I beseech you, do not go forth in anger with me.In
|
||
a long life of acts which were often not pleasant to do, and
|
||
which sometimes did wring my heart,I have never had so heavy
|
||
a task as now. Believe me that if the time comes for you to
|
||
change your mind towards me,one look from you will wipe away
|
||
all this so sad hour, for I would do what a man can to save
|
||
you from sorrow. Just think. For why should I give myself
|
||
so much labor and so much of sorrow? I have come here from
|
||
my own land to do what I can of good, at the first to please
|
||
my friend John,and then to help a sweet young lady, whom too,
|
||
I come to love. For her, I am ashamed to say so much, but I
|
||
say it in kindness, I gave what you gave, the blood of my
|
||
veins. I gave it, I who was not, like you, her lover, but
|
||
only her physician and her friend. I gave her my nights and
|
||
days, before death, after death, and if my death can do her
|
||
good even now, when she is the dead Un-Dead, she shall have
|
||
it freely." He said this with a very grave, sweet pride, and
|
||
Arthur was much affected by it.
|
||
He took the old man's hand and said in a broken voice,
|
||
"Oh, it is hard to think of it, and I cannot understand, but
|
||
at least I shall go with you and wait."
|
||
|
||
|
||
CHAPTER 16
|
||
|
||
DR SEWARD'S DIARY-cont.
|
||
|
||
It was just a quarter before twelve o'clock when we got
|
||
into the churchyard over the low wall. The night was dark
|
||
with occasional gleams of moonlight between the dents of the
|
||
heavy clouds that scudded across the sky. We all kept some-
|
||
how close together, with Van Helsing slightly in front as he
|
||
led the way.When we had come close to the tomb I looked well
|
||
at Arthur, for I feared the proximity to a place laden with
|
||
so sorrowful a memory would upset him, but he bore himself
|
||
well. I took it that the very mystery of the proceeding was
|
||
in some way a counteractant to his grief. The Professor un-
|
||
locked the door, and seeing a natural hesitation amongst us
|
||
for various reasons, solved the difficulty by entering first
|
||
himself. The rest of us followed, and he closed the door. He
|
||
then lit a dark lantern and pointed to a coffin.Arthur step-
|
||
ped forward hesitatingly. Van Helsing said to me, "You were
|
||
with me here yesterday. Was the body of Miss Lucy in that
|
||
coffin?"
|
||
"It was."
|
||
The Professor turned to the rest saying, "You hear, and
|
||
yet there is no one who does not believe with me.'
|
||
He took his screwdriver and again took off the lid of
|
||
the coffin. Arthur looked on, very pale but silent. When
|
||
the lid was removed he stepped forward. He evidently did not
|
||
know that there was a leaden coffin, or at any rate, had not
|
||
thought of it. When he saw the rent in the lead, the blood
|
||
rushed to his face for an instant, but as quickly fell away
|
||
again, so that he remained of a ghastly whiteness. He was
|
||
still silent. Van Helsing forced back the leaden flange, and
|
||
we all looked in and recoiled.
|
||
The coffin was empty!
|
||
For several minutes no one spoke a word. The silence
|
||
was broken by Quincey Morris, "Professor, I answered for you.
|
||
Your word is all I want. I wouldn't ask such a thing ordin-
|
||
arily, I wouldn't so dishonor you as to imply a doubt, but
|
||
this is a mystery that goes beyond any honor or dishonor. Is
|
||
this your doing?"
|
||
"I swear to you by all that I hold sacred that I have
|
||
not removed or touched her. What happened was this. Two
|
||
nights ago my friend Seward and I came here, with good pur-
|
||
pose, believe me.I opened that coffin, which was then sealed
|
||
up, and we found it as now, empty. We then waited, and saw
|
||
something white come through the trees. The next day we came
|
||
here in daytime and she lay there. Did she not, friend John?
|
||
"Yes."
|
||
"That night we were just in time. One more so small
|
||
child was missing, and we find it,thank God,unharmed amongst
|
||
the graves.Yesterday I came here before sundown, for at sun-
|
||
down the Un-Dead can move. I waited here all night till the
|
||
sun rose, but I saw nothing. It was most probable that it
|
||
was because I had laid over the clamps of those doors garlic,
|
||
which the Un-Dead cannot bear, and other things which they
|
||
shun. Last night there was no exodus, so tonight before the
|
||
sundown I took away my garlic and other things. And so it is
|
||
we find this coffin empty. But bear with me. So far there is
|
||
much that is strange. Wait you with me outside, unseen and
|
||
unheard, and things much stranger are yet to be.So," here he
|
||
shut the dark slide of his lantern,"now to the outside." He
|
||
opened the door,and we filed out, he coming last and locking
|
||
the door behind him.
|
||
Oh! But it seemed fresh and pure in the night air after
|
||
the terror of that vault. How sweet it was to see the clouds
|
||
race by, and the passing gleams of the moonlight between the
|
||
scudding clouds crossing and passing, like the gladness and
|
||
sorrow of a man's life.How sweet it was to breathe the fresh
|
||
air, that had no taint of death and decay. How humanizing to
|
||
see the red lighting of the sky beyond the hill, and to hear
|
||
far away the muffled roar that marks the life of a great
|
||
city. Each in his own way was solemn and overcome. Arthur
|
||
was silent, and was, I could see, striving to grasp the pur-
|
||
pose and the inner meaning of the mystery. I was myself tol-
|
||
erably patient, and half inclined again to throw aside doubt
|
||
and to accept Van Helsing's conclusions. Quincey Morris was
|
||
phlegmatic in the way of a man who accepts all things, and
|
||
accepts them in the spirit of cool bravery, with hazard of
|
||
all he has at stake. Not being able to smoke, he cut himself
|
||
a good-sized plug of tobacco and began to chew. As to Van
|
||
Helsing, he was employed in a definite way. First he took
|
||
from his bag a mass of what looked like thin, wafer-like
|
||
biscuit, which was carefully rolled up in a white napkin.
|
||
Next he took out a double handful of some whitish stuff,like
|
||
dough or putty. He crumbled the wafer up fine and worked it
|
||
into the mass between his hands. This he then took, and roll-
|
||
ing it into thin strips, began to lay them into the crevices
|
||
between the door and its setting in the tomb. I was some-
|
||
what puzzled at this, and being close, asked him what it was
|
||
that he was doing. Arthur and Quincey drew near also,as they
|
||
too were curious.
|
||
He answered, "I am closing the tomb so that the Un-Dead
|
||
may not enter."
|
||
"And is that stuff you have there going to do it?"
|
||
"It Is."
|
||
"What is that which you are using?" This time the ques-
|
||
tion was by Arthur. Van Helsing reverently lifted his hat
|
||
as he answered.
|
||
"The Host. I brought it from Amsterdam. I have an In-
|
||
dulgence."
|
||
It was an answer that appalled the most sceptical of
|
||
us, and we felt individually that in the presence of such
|
||
earnest purpose as the Professor's, a purpose which could
|
||
thus use the to him most sacred of things, it was impossible
|
||
to distrust.In respectful silence we took the places assign-
|
||
ed to us close round the tomb, but hidden from the sight of
|
||
any one approaching. I pitied the others, especially Arthur.
|
||
I had myself been apprenticed by my former visits to this
|
||
watching horror, and yet I, who had up to an hour ago repud-
|
||
iated the proofs, felt my heart sink within me. Never did
|
||
tombs look so ghastly white. Never did cypress, or yew, or
|
||
juniper so seem the embodiment of funeral gloom. Never did
|
||
tree or grass wave or rustle so ominously. Never did bough
|
||
creak so mysteriously, and never did the far-away howling of
|
||
dogs send such a woeful presage through the night.
|
||
There was a long spell of silence, big, aching, void,
|
||
and then from the Professor a keen "S-s-s-s!" He pointed,
|
||
and far down the avenue of yews we saw a white figure ad-
|
||
vance, a dim white figure, which held something dark at its
|
||
breast. The figure stopped, and at the moment a ray of moon-
|
||
light fell upon the masses of driving clouds, and showed in
|
||
startling prominence a dark-haired woman, dressed in the
|
||
cerements of the grave. We could not see the face, for it
|
||
was bent down over what we saw to be a fair-haired child.
|
||
There was a pause and a sharp little cry, such as a child
|
||
gives in sleep, or a dog as it lies before the fire and
|
||
dreams. We were starting forward, but the Professor's warn-
|
||
ing hand, seen by us as he stood behind a yew tree, kept us
|
||
back. And then as we looked the white figure moved forwards
|
||
again. It was now near enough for us to see clearly, and the
|
||
moonlight still held. My own heart grew cold as ice, and I
|
||
could hear the gasp of Arthur, as we recognized the features
|
||
of Lucy Westenra. Lucy Westenra, but yet how changed. The
|
||
sweetness was turned to adamantine, heartless cruelty, and
|
||
the purity to voluptuous wantonness.
|
||
Van Helsing stepped out,and obedient to his gesture, we
|
||
all advanced too. The four of us ranged in a line before the
|
||
door of the tomb. Van Helsing raised his lantern and drew
|
||
the slide. By the concentrated light that fell on Lucy's
|
||
face we could see that the lips were crimson with fresh
|
||
blood, and that the stream had trickled over her chin and
|
||
stained the purity of her lawn death robe.
|
||
We shuddered with horror. I could see by the tremulous
|
||
light that even Van Helsing's iron nerve had failed. Arthur
|
||
was next to me, and if I had not seized his arm and held him
|
||
up, he would have fallen.
|
||
When Lucy, I call the thing that was before us Lucy be-
|
||
cause it bore her shape, saw us she drew back with an angry
|
||
snarl,such as a cat gives when taken unawares, then her eyes
|
||
ranged over us. Lucy's eyes in form and color, but Lucy's
|
||
eyes unclean and full of hell fire, instead of the pure,
|
||
gentle orbs we knew. At that moment the remnant of my love
|
||
passed into hate and loathing. Had she then to be killed, I
|
||
could have done it with savage delight. As she looked, her
|
||
eyes blazed with unholy light, and the face became wreathed
|
||
with a voluptuous smile. Oh, God, how it made me shudder to
|
||
see it! With a careless motion, she flung to the ground,
|
||
callous as a devil,the child that up to now she had clutched
|
||
strenuously to her breast, growling over it as a dog growls
|
||
over a bone. The child gave a sharp cry, and lay there moan-
|
||
ing. There was a cold-bloodedness in the act which wrung a
|
||
groan from Arthur.When she advanced to him with outstretched
|
||
arms and a wanton smile he fell back and hid his face in his
|
||
hands.
|
||
She still advanced, however, and with a languorous, vol-
|
||
uptuous grace, said, "Come to me, Arthur. Leave these others
|
||
and come to me. My arms are hungry for you. Come, and we can
|
||
rest together. Come, my husband, come!"
|
||
There was something diabolically sweet in her tones,
|
||
something of the tinkling of glass when struck, which rang
|
||
through the brains even of us who heard the words addressed
|
||
to another.
|
||
As for Arthur,he seemed under a spell, moving his hands
|
||
from his face, he opened wide his arms. She was leaping for
|
||
them, when Van Helsing sprang forward and held between them
|
||
his little golden crucifix. She recoiled from it, and, with
|
||
a suddenly distorted face, full of rage, dashed past him as
|
||
if to enter the tomb.
|
||
When within a foot or two of the door,however,she stop-
|
||
ped, as if arrested by some irresistible force. Then she
|
||
turned, and her face was shown in the clear burst of moon-
|
||
light and by the lamp, which had now no quiver from Van Hel-
|
||
sing's nerves.Never did I see such baffled malice on a face,
|
||
and never, I trust, shall such ever be seen again by mortal
|
||
eyes. The beautiful color became livid, the eyes seemed to
|
||
throw out sparks of hell fire, the brows were wrinkled as
|
||
though the folds of flesh were the coils of Medusa's snakes,
|
||
and the lovely, blood-stained mouth grew to an open square,
|
||
as in the passion masks of the Greeks and Japanese. If ever
|
||
a face meant death, if looks could kill, we saw it at that
|
||
moment.
|
||
And so for full half a minute, which seemed an eternity,
|
||
se remained between the lifted crucifix and the sacred clos-
|
||
ing of her means of entry.
|
||
Van Helsing broke the silence by asking Arthur, "Answer
|
||
me, oh my friend! Am I to proceed in my work?"
|
||
"Do as you will, friend. Do as you will. There can be
|
||
no horror like this ever any more." And he groaned in spirit.
|
||
Quincey and I simultaneously moved towards him,and took
|
||
his arms. We could hear the click of the closing lantern as
|
||
Van Helsing held it down. Coming close to the tomb, he began
|
||
to remove from the chinks some of the sacred emblem which he
|
||
had placed there. We all looked on with horrified amazement
|
||
as we saw, when he stood back, the woman, with a corporeal
|
||
body as real at that moment as our own, pass through the
|
||
interstice where scarce a knife blade could have gone.We all
|
||
felt a glad sense of relief when we saw the Professor calmly
|
||
restoring the strings of putty to the edges of the door.
|
||
When this was done, he lifted the child and said, "Come
|
||
now, my friends. We can do no more till tomorrow. There is
|
||
a funeral at noon, so here we shall all come before long
|
||
after that. The friends of the dead will all be gone by two,
|
||
and when the sexton locks the gate we shall remain. Then
|
||
there is more to do, but not like this of tonight. As for
|
||
this little one, he is not much harmed, and by tomorrow
|
||
night he shall be well. We shall leave him where the police
|
||
will find him, as on the other night, and then to home."
|
||
Coming close to Arthur, he said, "My friend Arthur, you
|
||
have had a sore trial, but after, when you look back, you
|
||
will see how it was necessary. You are now in the bitter
|
||
waters, my child. By this time tomorrow you will, please
|
||
God, have passed them, and have drunk of the sweet waters.
|
||
So do not mourn over-much. Till then I shall not ask you to
|
||
forgive me."
|
||
Arthur and Quincey came home with me, and we tried to
|
||
cheer each other on the way. We had left behind the child
|
||
in safety, and were tired. So we all slept with more or less
|
||
reality of sleep.
|
||
|
||
29 September, night.--A little before twelve o'clock we
|
||
three, Arthur, Quincey Morris, and myself, called for the
|
||
Professor. It was odd to notice that by common consent we
|
||
had all put on black clothes. Of course, Arthur wore black,
|
||
for he was in deep mourning, but the rest of us wore it by
|
||
instinct. We got to the graveyard by half-past one, and
|
||
strolled about, keeping out of official observation, so that
|
||
when the gravediggers had completed their task and the sex-
|
||
ton under the belief that every one had gone, had locked the
|
||
gate, we had the place all to ourselves.Van Helsing, instead
|
||
of his little black bag,had with him a long leather one,some-
|
||
thing like a cricketing bag.It was manifestly of fair weight.
|
||
When we were alone and had heard the last of the foot-
|
||
steps die out up the road, we silently, and as if by ordered
|
||
intention, followed the Professor to the tomb. He unlocked
|
||
the door, and we entered, closing it behind us. Then he took
|
||
from his bag the lantern, which he lit, and also two wax
|
||
candles, which, when lighted, he stuck by melting their own
|
||
ends, on other coffins, so that they might give light suff-
|
||
icient to work by. When he again lifted the lid off Lucy's
|
||
coffin we all looked, Arthur trembling like an aspen,and saw
|
||
that the corpse lay there in all its death beauty. But there
|
||
was no love in my own heart, nothing but loathing for the
|
||
foul Thing which had taken Lucy's shape without her soul. I
|
||
could see even Arthur's face grow hard as he looked.Present-
|
||
ly he said to Van Helsing, "Is this really Lucy's body, or
|
||
only a demon in her shape?"
|
||
"It is her body, and yet not it. But wait a while, and
|
||
you shall see her as she was, and is."
|
||
She seemed like a nightmare of Lucy as she lay there,
|
||
the pointed teeth, the blood stained, voluptuous mouth,
|
||
which made one shudder to see,the whole carnal and unspirit-
|
||
ed appearance, seeming like a devilish mockery of Lucy's
|
||
sweet purity. Van Helsing, with his usual methodicalness,
|
||
began taking the various contents from his bag and placing
|
||
them ready for use. First he took out a soldering iron and
|
||
some plumbing solder,and then small oil lamp, which gave out,
|
||
when lit in a corner of the tomb, gas which burned at a
|
||
fierce heat with a blue flame, then his operating knives,
|
||
which he placed to hand, and last a round wooden stake, some
|
||
two and a half or three inches thick and about three feet
|
||
long. One end of it was hardened by charring in the fire,
|
||
and was sharpened to a fine point. With this stake came a
|
||
heavy hammer, such as in households is used in the coal
|
||
cellar for breaking the lumps.To me, a doctor's preperations
|
||
for work of any kind are stimulating and bracing, but the
|
||
effect of these things on both Arthur and Quincey was to
|
||
cause them a sort of consternation. They both, however, kept
|
||
their courage, and remained silent and quiet.
|
||
When all was ready, Van Helsing said,"Before we do any-
|
||
thing, let me tell you this. It is out of the lore and ex-
|
||
perience of the ancients and of all those who have studied
|
||
the powers of the Un-Dead. When they become such,there comes
|
||
with the change the curse of immortality. They cannot die,
|
||
but must go on age after age adding new victims and multi-
|
||
plying the evils of the world. For all that die from the
|
||
preying of the Un-dead become themselves Un-dead,and prey on
|
||
their kind. And so the circle goes on ever widening, like as
|
||
the ripples from a stone thrown in the water. Friend Arthur,
|
||
if you had met that kiss which you know of before poor Lucy
|
||
die, or again,last night when you open your arms to her, you
|
||
would in time, when you had died, have become nosferatu, as
|
||
they call it in Eastern europe, and would for all time make
|
||
more of those Un-Deads that so have filled us with horror.
|
||
The career of this so unhappy dear lady is but just begun.
|
||
Those children whose blood she sucked are not as yet so much
|
||
the worse, but if she lives on, Un-Dead, more and more they
|
||
lose their blood and by her power over them they come to her,
|
||
and so she draw their blood with that so wicked mouth.But if
|
||
she die in truth, then all cease. The tiny wounds of the
|
||
throats disappear, and they go back to their play unknowing
|
||
ever of what has been. But of the most blessed of all, when
|
||
this now Un-Dead be made to rest as true dead, then the soul
|
||
of the poor lady whom we love shall again be free.Instead of
|
||
working wickedness by night and growing more debased in the
|
||
assimilating of it by day, she shall take her place with the
|
||
other Angels. So that, my friend, it will be a blessed hand
|
||
for her that shall strike the blow that sets her free. To
|
||
this I am willing, but is there none amongst us who has a
|
||
better right? Will it be no joy to think of hereafter in the
|
||
silence of the night when sleep is not, `It was my hand that
|
||
sent her to the stars. It was the hand of him that loved her
|
||
best,the hand that of all she would herself have chosen, had
|
||
it been to her to choose?' Tell me if there be such a one
|
||
amongst us?"
|
||
We all looked at Arthur. He saw too, what we all did,
|
||
the infinite kindness which suggested that his should be the
|
||
hand which would restore Lucy to us as a holy, and not an
|
||
unholy, memory. He stepped forward and said bravely, though
|
||
his hand trembled,and his face was as pale as snow, "My true
|
||
friend, from the bottom of my broken heart I thank you. Tell
|
||
me what I am to do, and I shall not falter!"
|
||
Van Helsing laid a hand on his shoulder,and said,"Brave
|
||
lad! A moment's courage, and it is done. This stake must be
|
||
driven through her. It well be a fearful ordeal, be not de-
|
||
ceived in that, but it will be only a short time, and you
|
||
will then rejoice more than your pain was great. From this
|
||
grim tomb you will emerge as though you tread on air. But
|
||
you must not falter when once you have begun.Only think that
|
||
we, your true friends, are round you, and that we pray for
|
||
you all the time."
|
||
"Go on,"said Arthur hoarsely."Tell me what I am to do."
|
||
"Take this stake in your left hand, ready to place to
|
||
the point over the heart, and the hammer in your right. Then
|
||
when we begin our prayer for the dead, I shall read him, I
|
||
have here the book, and the others shall follow, strike in
|
||
God's name, that so all may be well with the dead that we
|
||
love and that the Un-Dead pass away."
|
||
Arthur took the stake and the hammer, and when once his
|
||
mind was set on action his hands never trembled nor even
|
||
quivered. Van Helsing opened his missal and began to read,
|
||
and Quincey and I followed as well as we could.
|
||
Arthur placed the point over the heart, and as I looked
|
||
I could see its dint in the white flesh. Then he struck with
|
||
all his might.
|
||
The thing in the coffin writhed, and a hideous, blood-
|
||
curdling screech came from the opened red lips. The body
|
||
shook and quivered and twisted in wild contortions. The
|
||
sharp white champed together till the lips were cut, and the
|
||
mouth was smeared with a crimson foam. But Arthur never fal-
|
||
tered. He looked like a figure of Thor as his untrembling
|
||
arm rose and fell, driving deeper and deeper the mercy-
|
||
bearing stake, whilst the blood from the pierced heart well-
|
||
ed and spurted up around it. His face was set, and high
|
||
duty seemed to shine through it. The sight of it gave us
|
||
courage so that our voices seemed to ring through the little
|
||
vault.
|
||
And then the writhing and quivering of the body became
|
||
less, and the teeth seemed to champ, and the face to quiver.
|
||
Finally it lay still. The terrible task was over.
|
||
The hammer fell from Arthur's hand. He reeled and would
|
||
have fallen had we not caught him. The great drops of sweat
|
||
sprang from his forehead,and his breath came in broken gasps.
|
||
It had indeed been an awful strain on him, and had he not
|
||
been forced to his task by more than human considerations he
|
||
could never have gone through with it. For a few minutes we
|
||
were so taken up with him that we did not look towards the
|
||
coffin. When we did, however, a murmur of startled surprise
|
||
ran from one to the other of us. We gazed so eagerly that
|
||
Arthur rose, for he had been seated on the ground, and came
|
||
and looked too, and then a glad strange light broke over his
|
||
face and dispelled altogether the gloom of horror that lay
|
||
upon it.
|
||
There, in the coffin lay no longer the foul Thing that
|
||
we has so dreaded and grown to hate that the work of her de-
|
||
struction was yielded as a privilege to the one best entit-
|
||
led to it, but Lucy as we had seen her in life,with her face
|
||
of unequalled sweetness and purity. True that there were
|
||
there, as we had seen them in life, the traces of care and
|
||
pain and waste. But these were all dear to us, for they
|
||
marked her truth to what we knew. One and all we felt that
|
||
the holy calm that lay like sunshine over the wasted face
|
||
and form was only an earthly token and symbol of the calm
|
||
that was to reign for ever.
|
||
Van Helsing came and laid his hand on Arthur's shoulder,
|
||
and said to him, "And now, Arthur my friend, dear lad, am I
|
||
not forgiven?"
|
||
The reaction of the terrible strain came as he took the
|
||
old man's hand in his,and raising it to his lips, pressed it,
|
||
and said, "Forgiven! God bless you that you have given my
|
||
dear one her soul again, and me peace." He put his hands on
|
||
the Professor's shoulder, and laying his head on his breast,
|
||
cried for a while silently, whilst we stood unmoving.
|
||
When he raised his head Van Helsing said to him, "And
|
||
now, my child, you may kiss her. Kiss her dead lips if you
|
||
will, as she would have you to, if for her to choose. For
|
||
she is not a grinning devil now, not any more a foul Thing
|
||
for all eternity. No longer she is the devil's Un-Dead. She
|
||
is God's true dead, whose soul is with Him!"
|
||
Arthur bent and kissed her, and then we sent him and
|
||
Quincey out of the tomb. The Professor and I sawed the top
|
||
off the stake, leaving the point of it in the body. Then we
|
||
cut off the head and filled the mouth with garlic. We sold-
|
||
ered up the leaden coffin, screwed on the coffin lid, and
|
||
gathering up our belongings, came away. When the Professor
|
||
locked the door he gave the key to Arthur.
|
||
Outside the air was sweet, the sun shone, and the birds
|
||
sang, and it seemed as if all nature were tuned to a differ-
|
||
ent pitch.There was gladness and mirth and peace everywhere,
|
||
for we were at rest ourselves on one account, and we were
|
||
glad, though it was with a tempered joy.
|
||
Before we moved away Van Helsing said,"Now, my friends,
|
||
one step or our work is done, one the most harrowing to our-
|
||
selves. But there remains a greater task, to find out the
|
||
author of all this or sorrow and to stamp him out. I have
|
||
clues which we can follow, but it is a long task,and a diff-
|
||
icult one, and there is danger in it, and pain.Shall you not
|
||
all help me? We have learned to believe, all of us, is it
|
||
not so? And since so, do we not see our duty? Yes! And do
|
||
we not promise to go on to the bitter end?"
|
||
Each in turn,we took his hand, and the promise was made.
|
||
Then said the Professor as we moved off, "Two nights hence
|
||
you shall meet with me and dine together at seven of the
|
||
clock with friend John. I shall entreat two others, two that
|
||
you know not as yet, and I shall be ready to all our work
|
||
show and our plans unfold. Friend John, you come with me
|
||
home, for I have much to consult you about, and you can help
|
||
me. Tonight I leave for Amsterdam, but shall return tomorrow
|
||
night. And then begins our great quest. But first I shall
|
||
have much to say, so that you may know what to do and to
|
||
dread. Then our promise shall be made to each other anew.For
|
||
there is a terrible task before us, and once our feet are on
|
||
the ploughshare we must not draw back."
|
||
|
||
|
||
CHAPTER 17
|
||
|
||
DR. SEWARD'S DIARY-cont
|
||
|
||
When we arrived at the Berkely Hotel, Van Helsing found
|
||
a telegram waiting for him.
|
||
"Am coming up by train. Jonathan at Whitby. Important
|
||
news. Mina Harker."
|
||
|
||
The Professor was delighted. "Ah, that wonderful Madam
|
||
Mina," he said, "pearl among women! She arrive, but I can-
|
||
not stay. She must go to your house, friend John. You must
|
||
meet her at the station. Telegraph her en route so that she
|
||
may be prepared."
|
||
When the wire was dispatched he had a cup of tea. Over
|
||
it he told me of a diary kept by Jonathan Harker when abroad,
|
||
and gave me a typewritten copy of it,as also of Mrs.Harker's
|
||
diary at Whitby. "Take these," he said,"and study them well.
|
||
When I have returned you will be master of all the facts,
|
||
and we can then better enter on our inquisition. Keep them
|
||
safe, for there is in them much of treasure. You will need
|
||
all your faith, even you who have had such an experience as
|
||
that of today. What is here told," he laid his hand heavily
|
||
and gravely on the packet of papers as he spoke, "may be the
|
||
beginning of the end to you and me and many another, or it
|
||
may sound the knell of the Un-Dead who walk the earth. Read
|
||
all, I pray you, with the open mind, and if you can add in
|
||
any way to the story here told do so, for it is all import-
|
||
ant. You have kept a diary of all these so strange things,
|
||
is it not so? Yes! Then we shall go through all these to-
|
||
gether when we meet." He then made ready for his departure
|
||
and shortly drove off to Liverpool Street. I took my way to
|
||
Paddington, where I arrived about fifteen minutes before the
|
||
train came in.
|
||
The crowd melted away, after the bustling fashion com-
|
||
mon to arrival platforms,and I was beginning to feel uneasy,
|
||
lest I might miss my guest, when a sweet-faced, dainty look-
|
||
ing girl stepped up to me, and after a quick glance said,
|
||
"Dr. Seward, is it not?"
|
||
"And you are Mrs. Harker!" I answered at once, where-
|
||
upon she held out her hand.
|
||
"I knew you from the description of poor dear Lucy,
|
||
but. . ." She stopped suddenly, and a quick blush overspread
|
||
her face.
|
||
The blush that rose to my own cheeks somehow set us
|
||
both at ease,for it was a tacit answer to her own. I got her
|
||
luggage, which included a typewriter, and we took the Under-
|
||
ground to Fenchurch Street, after I had sent a wire to my
|
||
housekeeper to have a sitting room and a bedroom prepared at
|
||
once for Mrs. Harker.
|
||
In due time we arrived. She knew, of course, that the
|
||
place was a lunatic asylum, but I could see that she was un-
|
||
able to repress a shudder when we entered.
|
||
She told me that,if she might, she would come presently
|
||
to my study, as she had much to say. So here I am finishing
|
||
my entry in my phonograph diary whilst I await her. As yet
|
||
I have not had the chance of looking at the papers which Van
|
||
Helsing left with me, though they lie open before me. I must
|
||
get her interested in something, so that I may have an opp-
|
||
ortunity of reading them. She does not know how precious
|
||
time is, or what a task we have in hand. I must be careful
|
||
not to frighten her. Here she is!
|
||
|
||
MINA HARKER'S JOURNAL
|
||
29 September.--After I had tidied myself, I went down
|
||
to Dr. Seward's study. At the door I paused a moment, for I
|
||
thought I heard him talking with some one. As, however, he
|
||
had pressed me to be quick, I knocked at the door,and on his
|
||
calling out, "Come in," I entered.
|
||
To my intense surprise, there was no one with him. He
|
||
was quite alone, and on the table opposite him was what I
|
||
knew at once from the description to be a phonograph. I had
|
||
never seen one, and was much interested.
|
||
"I hope I did not keep you waiting," I said, "but I
|
||
stayed at the door as I heard you talking, and thought there
|
||
was someone with you."
|
||
"Oh," he replied with a smile, "I was only entering my
|
||
diary."
|
||
"Your diary?" I asked him in surprise.
|
||
"Yes," he answered. "I keep it in this." As he spoke
|
||
he laid his hand on the phonograph. I felt quite excited
|
||
over it, and blurted out, "Why, this beats even shorthand!
|
||
May I hear it say something?"
|
||
"Certainly," he replied with alacrity, and stood up to
|
||
put it in train for speaking. Then he paused, and a troubl-
|
||
ed look overspread his face.
|
||
"The fact is," he began awkwardly."I only keep my diary
|
||
in it, and as it is entirely, almost entirely,about my cases
|
||
it may be awkward, that is, I mean . . ." He stopped, and I
|
||
tried to help him out of his embarrassment.
|
||
"You helped to attend dear Lucy at the end. Let me hear
|
||
how she died, for all that I know of her, I shall be very
|
||
grateful. She was very, very dear to me."
|
||
To my surprise,he answered, with a horrorstruck look in
|
||
his face, "Tell you of her death? Not for the wide world!"
|
||
"Why not?" I asked, for some grave, terrible feeling
|
||
was coming over me.
|
||
Again he paused, and I could see that he was trying to
|
||
invent an excuse. At length, he stammered out, "You see, I
|
||
do not know how to pick out any particular part of the
|
||
diary."
|
||
Even while he was speaking an idea dawned upon him, and
|
||
he said with unconscious simplicity, in a different voice,
|
||
and with the naivete of a child, "that's quite true, upon my
|
||
honor. Honest Indian!"
|
||
I could not but smile, at which he grimaced."I gave my-
|
||
self away that time!" he said. "But do you know that, al-
|
||
though I have kept the diary for months past, it never once
|
||
struck me how I was going to find any particular part of it
|
||
in case I wanted to look it up?"
|
||
By this time my mind was made up that the diary of a
|
||
doctor who attended Lucy might have something to add to the
|
||
sum of our knowledge of that terrible Being, and I said
|
||
boldly, "Then, Dr. Seward, you had better let me copy it out
|
||
for you on my typewriter."
|
||
He grew to a positively deathly pallor as he said, "No!
|
||
No! No! For all the world. I wouldn't let you know that
|
||
terrible story.!"
|
||
Then it was terrible. My intuition was right! For a mo-
|
||
ment, I thought, and as my eyes ranged the room,unconscious-
|
||
ly looking for something or some opportunity to aid me, they
|
||
lit on a great batch of typewriting on the table. His eyes
|
||
caught the look in mine, and without his thinking, followed
|
||
their direction. As they saw the parcel he realized my mean-
|
||
ing.
|
||
"You do not know me," I said. "When you have read those
|
||
papers, my own diary and my husband's also, which I have
|
||
typed, you will know me better. I have not faltered in giv-
|
||
ing every thought of my own heart in this cause. But, of
|
||
course, you do not know me, yet, and I must not expect you
|
||
to trust me so far."
|
||
He is certainly a man of noble nature. Poor dear Lucy
|
||
was right about him. He stood up and opened a large drawer,
|
||
in which were arranged in order a number of hollow cylinders
|
||
of metal covered with dark wax, and said,
|
||
"You are quite right. I did not trust you because I did
|
||
not know you. But I know you now, and let me say that I
|
||
should have known you long ago. I know that Lucy told you of
|
||
me. She told me of you too. May I make the only atonement
|
||
in my power? Take the cylinders and hear them. The first
|
||
half-dozen of them are personal to me, and they will not
|
||
horrify you. Then you will know me better. Dinner will by
|
||
then be ready. In the meantime I shall read over some of
|
||
these documents, and shall be better able to understand cer-
|
||
tain things."
|
||
He carried the phonograph himself up to my sitting room
|
||
and adjusted it for me.Now I shall learn something pleasant,
|
||
I am sure. For it will tell me the other side of a true love
|
||
episode of which I know one side already.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
29 September.--I was so absorbed in that wonderful
|
||
diary of Jonathan Harker and that other of his wife that I
|
||
let the time run on without thinking. Mrs. Harker was not
|
||
down when the maid came to announce dinner, so I said, "She
|
||
is possibly tired. Let dinner wait an hour," and I went on
|
||
with my work. I had just finished Mrs. Harker's diary, when
|
||
she came in. She looked sweetly pretty, but very sad, and
|
||
her eyes were flushed with crying. This somehow moved me
|
||
much. Of late I have had cause for tears, God knows! But
|
||
the relief of them was denied me, and now the sight of those
|
||
sweet eyes, brightened by recent tears, went straight to my
|
||
heart. So I said as gently as I could, "I greatly fear I
|
||
have distressed you."
|
||
"Oh, no, not distressed me," she replied. "But I have
|
||
been more touched than I can say by your grief. That is a
|
||
wonderful machine, but it is cruelly true. It told me, in
|
||
its very tones, the anguish of your heart.It was like a soul
|
||
crying out to Almighty God. No one must hear them spoken
|
||
ever again! See, I have tried to be useful. I have copied
|
||
out the words on my typewriter, and none other need now hear
|
||
your heart beat, as I did."
|
||
"No one need ever know, shall ever know," I said in a
|
||
low voice. She laid her hand on mine and said very gravely,
|
||
"Ah, but they must!"
|
||
"Must! but why?" I asked.
|
||
"Because it is a part of the terrible story, a part of
|
||
poor Lucy's death and all that led to it. Because in the
|
||
struggle which we have before us to rid the earth of this
|
||
terrible monster we must have all the knowledge and all the
|
||
help which we can get. I think that the cylinders which you
|
||
gave me contained more than you intended me to know. But I
|
||
can see that there are in your record many lights to this
|
||
dark mystery. You will let me help, will you not? I know all
|
||
up to a certain point, and I see already, though your diary
|
||
only took me to 7 September, how poor Lucy was beset, and
|
||
how her terrible doom was being wrought out. Jonathan and I
|
||
have been working day and night since Professor Van Helsing
|
||
saw us. He is gone to Whitby to get more information, and
|
||
he will be here tomorrow to help us. We need have no secrets
|
||
amongst us. Working together and with absolute trust, we
|
||
can surely be stronger than if some of us were in the dark."
|
||
She looked at me so appealingly, and at the same time
|
||
manifested such courage and resolution in her bearing, that
|
||
I gave in at once to her wishes. "You shall," I said, "do as
|
||
you like in the matter. God forgive me if I do wrong! There
|
||
are terrible things yet to learn of. But if you have so far
|
||
traveled on the road to poor Lucy's death, you will not be
|
||
content, I know, to remain in the dark. Nay, the end, the
|
||
very end, may give you a gleam of peace. Come, there is
|
||
dinner. We must keep one another strong for what is before
|
||
us. We have a cruel and dreadful task. When you have eaten
|
||
you shall learn the rest, and I shall answer any questions
|
||
you ask, if there be anything which you do not understand,
|
||
though it was apparent to us who were present."
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
29 September.--After dinner I came with Dr. Seward to
|
||
his study. He brought back the phonograph from my room, and
|
||
I took a chair, and arranged the phonograph so that I could
|
||
touch it without getting up, and showed me how to stop it in
|
||
case I should want to pause. Then he very thoughtfully took
|
||
a chair, with his back to me, so that I might be as free as
|
||
possible, and began to read. I put the forked metal to my
|
||
ears and listened.
|
||
When the terrible story of Lucy's death, and all that
|
||
followed, was done, I lay back in my chair powerless. Fort-
|
||
unately I am not of a fainting disposition. When Dr. Seward
|
||
saw me he jumped up with a horrified exclamation, and hurr-
|
||
iedly taking a case bottle from the cupboard, gave me some
|
||
brandy, which in a few minutes somewhat restored me. My
|
||
brain was all in a whirl, and only that there came through
|
||
all the multitude of horrors, the holy ray of light that my
|
||
dear Lucy was at last at peace, I do not think I could have
|
||
borne it without making a scene. It is all so wild and mys-
|
||
terious, and strange that if I had not known Jonathan's ex-
|
||
perience in Transylvania I could not have believed. As it
|
||
was, I didn't know what to believe, and so got out of my
|
||
difficulty by attending to something else. I took the cover
|
||
off my typewriter, and said to Dr. Seward,
|
||
"Let me write this all out now. We must be ready for
|
||
Dr. Van Helsing when he comes. I have sent a telegram to
|
||
Jonathan to come on here when he arrives in London from
|
||
Whitby. In this matter dates are everything, and I think
|
||
that if we get all of our material ready,and have every item
|
||
put in chronological order, we shall have done much.
|
||
"You tell me that Lord Godalming and Mr. Morris are
|
||
coming too. Let us be able to tell them when they come."
|
||
He accordingly set the phonograph at a slow pace, and I
|
||
began to typewrite from the beginning of the seventeenth cy-
|
||
linder. I used manifold, and so took three copies of the
|
||
diary, just as I had done with the rest. It was late when I
|
||
got through, but Dr. Seward went about his work of going his
|
||
round of the patients. When he had finished he came back and
|
||
sat near me, reading, so that I did not feel too lonely
|
||
whilst I worked. How good and thoughtful he is. The world
|
||
seems full of good men, even if there are monsters in it.
|
||
Before I left him I remembered what Jonathan put in his
|
||
diary of the Professor's perturbation at reading something
|
||
in an evening paper at the station at Exeter, so, seeing
|
||
that Dr. Seward keeps his newspapers, I borrowed the files
|
||
of `The Westminster Gazette' and `The Pall Mall Gazette' and
|
||
took them to my room. I remember how much the `Dailygraph'
|
||
and `The Whitby Gazette', of which I had made cuttings, had
|
||
helped us to understand the terrible events at Whitby when
|
||
Count Dracula landed, so I shall look through the evening
|
||
papers since then, and perhaps I shall get some new light. I
|
||
am not sleepy, and the work will help to keep me quiet.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
30 September.--Mr. Harker arrived at nine o'clock. He
|
||
got his wife's wire just before starting. He is uncommonly
|
||
clever, if one can judge from his face, and full of energy.
|
||
If this journal be true, and judging by one's own wonderful
|
||
experiences, it must be, he is also a man of great nerve.
|
||
That going down to the vault a second time was a remarkable
|
||
piece of daring. After reading his account of it I was pre-
|
||
pared to meet a good specimen of manhood, but hardly the
|
||
quiet, business-like gentleman who came here today.
|
||
|
||
LATER.--After lunch Harker and his wife went back to
|
||
their own room,and as I passed a while ago I heard the click
|
||
of the typewriter. They are hard at it. Mrs. Harker says
|
||
that knitting together in chronological order every scrap of
|
||
evidence they have. Harker has got the letters between the
|
||
consignee of the boxes at Whitby and the carriers in London
|
||
who took charge of them. He is now reading his wife's tran-
|
||
script of my diary. I wonder what they make out of it. Here
|
||
it is . . .
|
||
|
||
Strange that it never struck me that the very next
|
||
house might be the Count's hiding place! Goodness knows that
|
||
we had enough clues from the conduct of the patient Renfield!
|
||
The bundle of letters relating to the purchase of the house
|
||
were with the transcript. Oh, if we had only had them earl-
|
||
ier we might have saved poor Lucy! Stop! That way madness
|
||
lies! Harker has gone back, and is again collecting material.
|
||
He says that by dinner time they will be able to show a
|
||
whole connected narrative. He thinks that in the meantime I
|
||
should see Renfield, as hitherto he has been a sort of index
|
||
to the coming and going of the Count. I hardly see this yet,
|
||
but when I get at the dates I suppose I shall. What a good
|
||
thing that Mrs. Harker put my cylinders into type! We never
|
||
could have found the dates otherwise.
|
||
I found Renfield sitting placidly in his room with his
|
||
hands folded, smiling benignly. At the moment he seemed as
|
||
sane as any one I ever saw. I sat down and talked with him
|
||
on a lot of subjects, all of which he treated naturally. He
|
||
then, of his own accord, spoke of going home, a subject he
|
||
has never mentioned to my knowledge during his sojourn here.
|
||
In fact, he spoke quite confidently of getting his discharge
|
||
at once. I believe that, had I not had the chat with Harker
|
||
and read the letters and the dates of his outbursts,I should
|
||
have been prepared to sign for him after a brief time of ob-
|
||
servation. As it is, I am darkly suspicious. All those out-
|
||
breaks were in some way linked with the proximity of the
|
||
Count. What then does this absolute content mean? Can it be
|
||
that his instinct is satisfied as to the vampire's ultimate
|
||
triumph? Stay. He is himself zoophagous, and in his wild
|
||
ravings outside the chapel door of the deserted house he al-
|
||
ways spoke of `master'. This all seems confirmation of our
|
||
idea. However, after a while I came away. My friend is just
|
||
a little too sane at present to make it safe to probe him
|
||
too deep with questions. He might begin to think, and
|
||
then . . . So I came away. I mistrust these quiet moods of
|
||
of his, so I have given the attendant a hint to look closely
|
||
after him, and to have a strait waistcoat ready in case of
|
||
need.
|
||
|
||
JOHNATHAN HARKER'S JOURNAL
|
||
|
||
29 September, in train to London.--When I received Mr.
|
||
Billington's courteous message that he would give me any in-
|
||
formation in his power I thought it best to go down to Whit-
|
||
by and make, on the spot, such inquiries as I wanted. It was
|
||
now my object to trace that horrid cargo of the Count's to
|
||
its place in London. Later, we may be able to deal with it.
|
||
Billington junior, a nice lad, met me at the station, and
|
||
brought me to his father's house,where they had decided that
|
||
I must spend the night. They are hospitable, with true York-
|
||
shire hospitality, give a guest everything and leave him
|
||
to do as he likes. They all knew that I was busy, and that
|
||
my stay was short, and Mr.Billington had ready in his office
|
||
all the papers concerning the consignment of boxes. It gave
|
||
me almost a turn to see again one of the letters which I had
|
||
seen on the Count's table before I knew of his diabolical
|
||
plans. Everything had been carefully thought out, and done
|
||
systematically and with precision. He seemed to have been
|
||
prepared for every obstacle which might be placed by acci-
|
||
dent in the way of his intentions being carried out. To use
|
||
and Americanism, he had `taken no chances', and the absolute
|
||
accuracy with which his instructions were fulfilled was
|
||
simply the logical result of his care. I saw the invoice,and
|
||
took note of it.`Fifty cases of common earth, to be used for
|
||
experimental purposes'. Also the copy of the letter to Car-
|
||
ter Paterson, and their reply. Of both these I got copies.
|
||
This was all the information Mr.Billington could give me, so
|
||
I went down to the port and saw the coastguards, the Customs
|
||
Officers and the harbor master, who kindly put me in commun-
|
||
ication with the men who had actually received the boxes.
|
||
Their tally was exact with the list, and they had nothing to
|
||
add to the simple description `fifty cases of common earth',
|
||
except that the boxes were `main and mortal heavy', and that
|
||
shifting them was dry work. One of them added that it was
|
||
hard lines that there wasn't any gentleman `such like as
|
||
like yourself, squire', to show some sort of appreciation of
|
||
their efforts in a liquid form. Another put in a rider that
|
||
the thirst then generated was such that even the time which
|
||
had elapsed had not completely allayed it. Needless to add,
|
||
I took care before leaving to lift, forever and adequately,
|
||
this source of reproach.
|
||
30 September.--The station master was good enough to
|
||
give me a line to his old companion the station master at
|
||
King's Cross, so that when I arrived there in the morning I
|
||
was able to ask him about the arrival of the boxes. He, too
|
||
put me at once in communication with the proper officials,
|
||
and I saw that their tally was correct with the original in-
|
||
voice. The opportunities of acquiring an abnormal thirst had
|
||
been here limited. A noble use of them had, however, been
|
||
made, and again I was compelled to deal with the result in
|
||
ex post facto manner.
|
||
From thence I went to Carter Paterson's central office,
|
||
where I met with the utmost courtesy. They looked up the
|
||
transaction in their day book and letter book, and at once
|
||
telephoned to their King's Cross office for more details. By
|
||
good fortune, the men who did the teaming were waiting for
|
||
work, and the official at once sent them over, sending also
|
||
by one of them the way-bill and all the papers connected
|
||
with the delivery of the boxes at Carfax. Here again I found
|
||
the tally agreeing exactly. The carriers' men were able to
|
||
supplement the paucity of the written words with a few more
|
||
details. These were, I shortly found, connected almost sole-
|
||
ly with the dusty nature of the job, and the consequent
|
||
thirst engendered in the operators. On my affording an opp-
|
||
ortunity, through the medium of the currency of the realm,
|
||
of the allaying, at a later period, this beneficial evil,
|
||
one of the men remarked,
|
||
"That `ere `ouse, guv'nor, is the rummiest I ever was
|
||
in. Blyme! But it ain't been touched sence a hundred years.
|
||
There was dust that thick in the place that you might have
|
||
slep' on it without `urtin' of yer bones. An' the place was
|
||
that neglected that yer might `ave smelled ole Jerusalem in
|
||
it. But the old chapel, that took the cike, that did!Me and
|
||
my mate, we thort we wouldn't never git out quick enough.
|
||
Lor', I wouldn't take less nor a quid a moment to stay there
|
||
arter dark."
|
||
Having been in the house, I could well believe him, but
|
||
if he knew what I know, he would, I think have raised his
|
||
terms.
|
||
Of one thing I am now satisfied. That all those boxes
|
||
which arrived at Whitby from Varna in the Demeter were safe-
|
||
ly deposited in the old chapel at Carfax. There should be
|
||
fifty of them there, unless any have since been removed, as
|
||
from Dr. Seward's diary I fear.
|
||
|
||
Later.--Mina and I have worked all day, and we have put
|
||
all the papers into order.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
30 September.--I am so glad that I hardly know how to
|
||
contain myself. It is, I suppose, the reaction from the
|
||
haunting fear which I have had,that this terrible affair and
|
||
the reopening of his old wound might act detrimentally on
|
||
Jonathan. I saw him leave for Whitby with as brave a face as
|
||
could, but I was sick with apprehension. The effort has,
|
||
however, done him good. He was never so resolute, never so
|
||
strong, never so full of volcanic energy, as at present. It
|
||
is just as that dear, good Professor Van Helsing said, he is
|
||
true grit, and he improves under strain that would kill a
|
||
weaker nature. He came back full of life and hope and deter-
|
||
mination. We have got everything in order for tonight. I
|
||
feel myself quite wild with excitement. I suppose one ought
|
||
to pity anything so hunted as the Count. That is just it.
|
||
This thing is not human, not even a beast. To read Dr. Sew-
|
||
ard's account of poor Lucy's death, and what followed, is
|
||
enough to dry up the springs of pity in one's heart.
|
||
|
||
Later.--Lord Godalming and Mr. Morris arrived earlier
|
||
than we expected. Dr. Seward was out on business, and had
|
||
taken Jonathan with him, so I had to see them. It was to me
|
||
a painful meeting, for it brought back all poor dear Lucy's
|
||
hopes of only a few months ago. Of course they had heard
|
||
Lucy speak of me, and it seemed that Dr. Van Helsing, too,
|
||
had been quite `blowing my trumpet', as Mr. Morris expressed
|
||
it. Poor fellows, neither of them is aware that I know all
|
||
about the proposals they made to Lucy. They did not quite
|
||
know what to say or do, as they were ignorant of the amount
|
||
of my knowledge. So they had to keep on neutral subjects.
|
||
However, I thought the matter over, and came to the conclus-
|
||
ion that the best thing I could do would be to post them on
|
||
affairs right up to date. I knew from Dr. Seward's diary
|
||
that they had been at Lucy's death, her real death, and that
|
||
I need not fear to betray any secret before the time. So I
|
||
told them,as well as I could, that I had read all the papers
|
||
and diaries, and that my husband and I, having typewritten
|
||
them, had just finished putting them in order. I gave them
|
||
each a copy to read in the library. When Lord Godalming got
|
||
his and turned it over, it does make a pretty good pile, he
|
||
said, "Did you write all this, Mrs. Harker?"
|
||
I nodded, and he went on.
|
||
"I don't quite see the drift of it, but you people are
|
||
all so good and kind, and have been working so earnestly and
|
||
so energetically, that all I can do is to accept your ideas
|
||
blindfold and try to help you. I have had one lesson already
|
||
in accepting facts that should make a man humble to the last
|
||
hour of his life. Besides, I know you loved my Lucy . . ."
|
||
Here he turned away and covered his face with his hands.
|
||
I could hear the tears in his voice. Mr. Morris, with in-
|
||
stinctive delicacy, just laid a hand for a moment on his
|
||
shoulder, and then walked quietly out of the room. I suppose
|
||
there is something in a woman's nature that makes a man free
|
||
to break down before her and express his feelings on the
|
||
tender or emotional side without feeling it derogatory to
|
||
his manhood. For when Lord Godalming found himself alone
|
||
with me he sat down on the sofa and gave way utterly and op-
|
||
enly. I sat down beside him and took his hand. I hope he
|
||
didn't think it forward of me, and that if her ever thinks
|
||
of it afterwards he never will have such a thought. There I
|
||
wrong him. I know he never will. He is too true a gentle-
|
||
man.I said to him, for I could see that his heart was break-
|
||
ing, "I loved dear Lucy, and I know what she was to you, and
|
||
what you were to her. She and I were like sisters, and now
|
||
she is gone, will you not let me be like a sister to you in
|
||
your trouble? I know what sorrows you have had, though I
|
||
cannot measure the depth of them. If sympathy and pity can
|
||
help in your affliction, won't you let me be of some little
|
||
service, for Lucy's sake?"
|
||
In an instant the poor dear fellow was overwhelmed with
|
||
grief. It seemed to me that all that he had of late been
|
||
suffering in silence found a vent at once. He grew quite hy-
|
||
sterical,and raising his open hands, beat his palms together
|
||
in a perfect agony of grief. He stood up and then sat down
|
||
again, and the tears rained down his cheeks. I felt an in-
|
||
finite pity for him, and opened my arms unthinkingly. With
|
||
a sob he laid his head on my shoulder and cried like a wear-
|
||
ied child, whilst he shook with emotion.
|
||
We women have something of the mother in us that makes
|
||
us rise above smaller matters when the mother spirit is in-
|
||
voked. I felt this big sorrowing man's head resting on me,
|
||
as though it were that of a baby that some day may lie on my
|
||
bosom, and I stroked his hair as though he were my own child.
|
||
I never thought at the time how strange it all was.
|
||
After a little bit his sobs ceased, and he raised him-
|
||
self with an apology, though he made no disguise of his emo-
|
||
tion. He told me that for days and nights past, weary days
|
||
and sleepless nights, he had been unable to speak with any
|
||
one, as a man must speak in his time of sorrow. There was no
|
||
woman whose sympathy could be given to him, or with whom,
|
||
owing to the terrible circumstance with which his sorrow was
|
||
surrounded, he could speak freely.
|
||
"I know now how I suffered," he said, as he dried his
|
||
eyes, "but I do not know even yet, and none other can ever
|
||
know, how much your sweet sympathy has been to me today. I
|
||
shall know better in time, and believe me that, though I am
|
||
not ungrateful now, my gratitude will grow with my under-
|
||
standing. You will let me be like a brother, will you not,
|
||
for all our lives, for dear Lucy's sake?"
|
||
"For dear Lucy's sake," I said as we clasped hands."Ay,
|
||
and for your own sake," he added, "for if a man's esteem and
|
||
gratitude are ever worth the winning, you have won mine to-
|
||
day. If ever the future should bring to you a time when you
|
||
need a man's help,believe me, you will not call in vain. God
|
||
grant that no such time may ever come to you to break the
|
||
sunshine of your life, but if it should ever come, promise
|
||
me that you will let me know."
|
||
He was so earnest, and his sorrow was so fresh, that I
|
||
felt it would comfort him, so I said, "I promise."
|
||
As I came along the corridor I say Mr. Morris looking
|
||
out of a window. He turned as he heard my footsteps. "How
|
||
is Art?" he said. Then noticing my red eyes, he went on,"Ah,
|
||
I see you have been comforting him. Poor old fellow! He
|
||
needs it. No one but a woman can help a man when he is in
|
||
trouble of the heart, and he had no one to comfort him."
|
||
He bore his own trouble so bravely that my heart bled
|
||
for him. I saw the manuscript in his hand, and I knew that
|
||
when he read it he would realize how much I knew, so I said
|
||
to him,"I wish I could comfort all who suffer from the heart.
|
||
Will you let me be your friend, and will you come to me for
|
||
comfort if you need it? You will know later why I speak."
|
||
He saw that I was in earnest,and stooping, took my hand,
|
||
and raising it to his lips, kissed it. It seemed but poor
|
||
comfort to so brave and unselfish a soul, and impulsively I
|
||
bent over and kissed him. The tears rose in his eyes, and
|
||
there was a momentary choking in his throat. He said quite
|
||
calmly,"Little girl, you will never forget that true hearted
|
||
kindness, so long as ever you live!" Then he went into the
|
||
study to his friend.
|
||
"Little girl!" The very words he had used to Lucy, and,
|
||
oh, but he proved himself a friend.
|
||
|
||
|
||
CHAPTER 18
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
30 September.--I got home at five o'clock, and found
|
||
that Godalming and Morris had not only arrived, but had
|
||
already studied the transcript of the various diaries and
|
||
letters which Harker had not yet returned from his visit to
|
||
the carriers' men, of whom Dr. Hennessey had written to me.
|
||
Mrs.Harker gave us a cup of tea,and I can honestly say that,
|
||
for the first time since I have lived in it, this old house
|
||
seemed like home. When we had finished, Mrs. Harker said,
|
||
"Dr.Seward, may I ask a favor? I want to see your pat-
|
||
ient, Mr. Renfield. Do let me see him. What you have said
|
||
of him in your diary interests me so much!"
|
||
She looked so appealing and so pretty that I could not
|
||
refuse her, and there was no possible reason why I should,so
|
||
I took her with me.When I went into the room, I told the man
|
||
that a lady would like to see him, to which he simply answer-
|
||
ed, "Why?"
|
||
"She is going through the house, and wants to see every
|
||
one in it," I answered.
|
||
"Oh, very well," he said,"let her come in, by all means,
|
||
but just wait a minute till I tidy up the place."
|
||
His method of tidying was peculiar, he simply swallowed
|
||
all the flies and spiders in the boxes before I could stop
|
||
him. It was quite evident that he feared, or was jealous of,
|
||
some interference. When he had got through his disgusting
|
||
task, he said cheerfully, "Let the lady come in," and sat
|
||
down on the edge of his bed with his head down, but with his
|
||
eyelids raised so that he could see her as she entered. For
|
||
a moment I thought that he might have some homicidal intent.
|
||
I remembered how quiet he had been just before he attacked
|
||
me in my own study, and I took care to stand where I could
|
||
seize him at once if he attempted to make a spring at her.
|
||
She came into the room with an easy gracefulness which
|
||
would at once command the respect of any lunatic, for easi-
|
||
ness is one of the qualities mad people most respect. She
|
||
walked over to him,smiling pleasantly, and held out her hand.
|
||
"Good evening, Mr. Renfield," said she. "You see, I
|
||
know you, for Dr. Seward has told me of you." He made no
|
||
immediate reply, but eyed her all over intently with a set
|
||
frown on his face. This look gave way to one of wonder,which
|
||
merged in doubt, then to my intense astonishment he said,
|
||
"You're not the girl the doctor wanted to marry,are you? You
|
||
can't be, you know, for she's dead."
|
||
Mrs. Harker smiled sweetly as she replied, "Oh no! I
|
||
have a husband of my own,to whom I was married before I ever
|
||
saw Dr. Seward, or he me. I am Mrs. Harker."
|
||
"Then what are you doing here?"
|
||
"My husband and I are staying on a visit with Dr.Seward."
|
||
"Then don't stay."
|
||
"But why not?"
|
||
I thought that this style of conversation might not be
|
||
pleasant to Mrs. Harker, any more than it was to me, so I
|
||
joined in, "How did you know I wanted to marry anyone?"
|
||
His reply was simply contemptuous, given in a pause in
|
||
which he turned his eyes from Mrs. Harker to me, instantly
|
||
turning them back again, "What an asinine question!"
|
||
"I don't see that at all, Mr. Renfield,"said Mrs.Harker,
|
||
at once championing me.
|
||
He replied to her with as much courtesy and respect as
|
||
he had shown contempt to me, "You will, of course, under-
|
||
stand, Mrs. Harker, that when a man is so loved and honored
|
||
as our host is, everything regarding him is of interest in
|
||
our little community. Dr. Seward is loved not only by his
|
||
household and his friends, but even by his patients, who, be-
|
||
ing some of them hardly in mental equilibrium, are apt to
|
||
distort causes and effects. Since I myself have been an in-
|
||
mate of a lunatic asylum, I cannot but notice that the soph-
|
||
istic tendencies of some of its inmates lean towards the
|
||
errors of non causa and ignoratio elenche."
|
||
I positively opened my eyes at this new development.
|
||
Here was my own pet lunatic, the most pronounced of his type
|
||
that I had ever met with, talking elemental philosophy, and
|
||
with the manner of a polished gentleman. I wonder if it was
|
||
Mrs. Harker's presence which had touched some chord in his
|
||
memory. If this new phase was spontaneous, or in any way due
|
||
to her unconscious influence, she must have some rare gift
|
||
or power.
|
||
We continued to talk for some time, and seeing that he
|
||
was seemingly quite reasonable, she ventured, looking at me
|
||
questioningly as she began,to lead him to his favorite topic.
|
||
I was again astonished, for he addressed himself to the ques-
|
||
tion with the impartiality of the completest sanity. He even
|
||
took himself as an example when he mentioned certain things.
|
||
"Why,I myself am an instance of a man who had a strange
|
||
belief.Indeed,it was no wonder that my friends were alarmed,
|
||
and insisted on my being put under control. I used to fancy
|
||
that life was a positive and perpetual entity, and that by
|
||
consuming a multitude of live things, no matter how low in
|
||
the scale of creation, one might indefinitely prolong life.
|
||
At times I held the belief so strongly that I actually tried
|
||
to take human life. The doctor here will bear me out that
|
||
on one occasion I tried to kill him for the purpose of
|
||
strengthening my vital powers by the assimilation with my
|
||
own body of his life through the medium of his blood,relying
|
||
of course, upon the Scriptural phrase, `For the blood is the
|
||
life.' Though, indeed, the vendor of a certain nostrum has
|
||
vulgarized the truism to the very point of contempt. Isn't
|
||
that true, doctor?"
|
||
I nodded assent, for I was so amazed that I hardly knew
|
||
what to either think or say, it was hard to imagine that I
|
||
had seen him eat up his spiders and flies not five minutes
|
||
before. Looking at my watch, I saw that I should go to the
|
||
station to meet Van Helsing, so I told Mrs. Harker that it
|
||
was time to leave.
|
||
She came at once,after saying pleasantly to Mr.Renfield,
|
||
"Goodbye,and I hope I may see you often, under auspices plea-
|
||
santer to yourself."
|
||
To which, to my astonishment, he replied, "Goodbye, my
|
||
dear. I pray God I may never see your sweet face again. May
|
||
He bless and keep you!"
|
||
When I went to the station to meet Van Helsing I left
|
||
the boys behind me.Poor Art seemed more cheerful than he has
|
||
been since Lucy first took ill, and Quincey is more like his
|
||
own bright self than he has been for many a long day.
|
||
Van Helsing stepped from the carriage with the eager
|
||
nimbleness of a boy. He saw me at once, and rushed up to me,
|
||
saying, "Ah, friend John, how goes all? Well? So! I have
|
||
been busy,for I come here to stay if need be.All affairs are
|
||
settled with me,and I have much to tell. Madam Mina is with
|
||
you? Yes. And her so fine husband? And Arthur and my friend
|
||
Quincey, they are with you, too? Good!"
|
||
As I drove to the house I told him of what had passed,
|
||
and of how my own diary had come to be of some use through
|
||
Mrs. Harker's suggestion,at which the Professor interrupted
|
||
me.
|
||
"Ah, that wonderful Madam Mina! She has man's brain, a
|
||
brain that a man should have were he much gifted, and a wo-
|
||
man's heart.The good God fashioned her for a purpose,believe
|
||
me, when He made that so good combination.Friend John, up to
|
||
now fortune has made that woman of help to us, after tonight
|
||
she must not have to do with this so terrible affair. It is
|
||
not good that she run a risk so great. We men are determined,
|
||
nay, are we not pledged, to destroy this monster? But it is
|
||
no part for a woman.Even if she be not harmed, her heart may
|
||
fail her in so much and so many horrors and hereafter she
|
||
may suffer,both in waking,from her nerves, and in sleep,from
|
||
her dreams. And, besides, she is young woman and not so
|
||
long married, there may be other things to think of some
|
||
time,if not now.You tell me she has wrote all, then she must
|
||
consult with us, but tomorrow she say goodbye to this work,
|
||
and we go alone."
|
||
I agreed heartily with him, and then I told him what we
|
||
had found in his absence, that the house which Dracula had
|
||
bought was the very next one to my own. He was amazed, and a
|
||
great concern seemed to come on him.
|
||
"Oh that we had known it before!" he said, "for then we
|
||
might have reached him in time to save poor Lucy. However,
|
||
`the milk that is spilt cries not out afterwards,'as you say.
|
||
We shall not think of that, but go on our way to the end."
|
||
Then he fell into a silence that lasted till we entered my
|
||
own gateway. Before we went to prepare for dinner he said
|
||
to Mrs. Harker, "I am told, Madam Mina, by my friend John
|
||
that you and your husband have put up in exact order all
|
||
things that have been, up to this moment."
|
||
"Not up to this moment, Professor,"she said impulsively,
|
||
"but up to this morning."
|
||
"But why not up to now? We have seen hitherto how good
|
||
light all the little things have made. We have told our se-
|
||
crets, and yet no one who has told is the worse for it."
|
||
Mrs. Harker began to blush, and taking a paper from her
|
||
pockets, she said, "Dr. Van Helsing, will you read this,
|
||
and tell me if it must go in. It is my record of today. I
|
||
too have seen the need of putting down at present everything,
|
||
however trivial, but there is little in this except what is
|
||
personal. Must it go in?"
|
||
The Professor read it over gravely, and handed it back,
|
||
saying, "It need not go in if you do not wish it, but I pray
|
||
that it may. It can but make your husband love you the more,
|
||
and all us, your friends, more honor you, as well as more
|
||
esteem and love." She took it back with another blush and a
|
||
bright smile.
|
||
And so now, up to this very hour, all the records we
|
||
have are complete and in order. The Professor took away one
|
||
copy to study after dinner, and before our meeting, which is
|
||
fixed for nine o'clock. The rest of us have already read
|
||
everything, so when we meet in the study we shall all be in-
|
||
formed as to facts, and can arrange our plan of battle with
|
||
this terrible and mysterious enemy.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
30 September.--When we met in Dr. Seward's study two
|
||
hours after dinner, which had been at six o'clock, we un-
|
||
consciously formed a sort of board or committee. Professor
|
||
Van Helsing took the head of the table, to which Dr. Seward
|
||
motioned him as he came into the room. He made me sit next
|
||
to him on his right, and asked me to act as secretary. Jon-
|
||
athan sat next to me. Opposite us were Lord Godalming, Dr.
|
||
Seward, and Mr. Morris, Lord Godalming being next the Pro-
|
||
fessor, and Dr. Seward in the center.
|
||
The Professor said, "I may, I suppose, take it that we
|
||
are all acquainted with the facts that are in these papers."
|
||
We all expressed assent, and he went on, "Then it were, I
|
||
think, good that I tell you something of the kind of enemy
|
||
with which we have to deal. I shall then make known to you
|
||
something of the history of this man, which has been as-
|
||
certained for me. So we then can discuss how we shall act,
|
||
and can take our measure according.
|
||
"There are such beings as vampires, some of us have ev-
|
||
idence that they exist. Even had we not the proof of our
|
||
own unhappy experience, the teachings and the records of the
|
||
past give proof enough for sane peoples. I admit that at the
|
||
first I was sceptic. Were it not that through long years I
|
||
have trained myself to keep an open mind, I could not have
|
||
believed until such time as that fact thunder on my ear.`See!
|
||
See! I prove, I prove.' Alas! Had I known at first what now
|
||
I know, nay, had I even guess at him, one so precious life
|
||
had been spared to many of us who did love her. But that is
|
||
gone, and we must so work, that other poor souls perish not,
|
||
whilst we can save. The nosferatu do not die like the bee
|
||
when he sting once. He is only stronger, and being stronger,
|
||
have yet more power to work evil. This vampire which is
|
||
amongst us is of himself so strong in person as twenty men,
|
||
he is of cunning more than mortal, for his cunning be the
|
||
growth of ages, he have still the aids of necromancy, which
|
||
is, as his etymology imply, the divination by the dead, and
|
||
all the dead that he can come nigh to are for him at command,
|
||
he is brute, and more than brute,he is devil in callous, and
|
||
the heart of him is not, he can,within his range, direct the
|
||
elements, the storm, the fog,the thunder, he can command all
|
||
the meaner things, the rat, and the owl, and the bat, the
|
||
moth,and the fox, and the wolf, he can grow and become small,
|
||
and he can at times vanish and come unknown. How then are we
|
||
to begin our strike to destroy him? How shall we find his
|
||
where, and having found it, how can we destroy? My friends,
|
||
this is much, it is a terrible task that we undertake, and
|
||
there may be consequence to make the brave shudder. For if
|
||
we fail in this our fight he must surely win, and then where
|
||
end we? Life is nothings, I heed him not. But to fail here,
|
||
is not mere life or death. It is that we become as him, that
|
||
we henceforward become foul things of the night like him,
|
||
without heart or conscience, preying on the bodies and the
|
||
souls of those we love best. To us forever are the gates of
|
||
heaven shut, for who shall open them to us again? We go on
|
||
for all time abhorred by all, a blot on the face of God's
|
||
sunshine, an arrow in the side of Him who died for man. But
|
||
we are face to face with duty, and in such case must we
|
||
shrink? For me, I say no, but then I am old, and life, with
|
||
his sunshine, his fair places, his song of birds, his music
|
||
and his love, lie far behind. You others are young. Some
|
||
have seen sorrow, but there are fair days yet in store. What
|
||
say you?"
|
||
Whilst he was speaking, Jonathan had taken my hand. I
|
||
feared, oh so much, that the appalling nature of our danger
|
||
was overcoming him when I saw his hand stretch out, but it
|
||
was life to me to feel its touch, so strong, so self reliant,
|
||
so resolute.A brave man's hand can speak for itself, it does
|
||
not even need a woman's love to hear its music.
|
||
When the Professor had done speaking my husband looked
|
||
in my eyes, and I in his, there was no need for speaking
|
||
between us.
|
||
"I answer for Mina and myself," he said.
|
||
"Count me in, Professor," said Mr. Quincey Morris,
|
||
laconically as usual.
|
||
"I am with you," said Lord Godalming, "for Lucy's sake,
|
||
if for no other reason."
|
||
Dr. Seward simply nodded.
|
||
The Professor stood up and, after laying his golden cru-
|
||
cifix on the table, held out his hand on either side. I took
|
||
his right hand, and Lord Godalming his left, Jonathan held
|
||
my right with his left and stretched across to Mr.Morris. So
|
||
as we all took hands our solemn compact was made. I felt my
|
||
heart icy cold, but it did not even occur to me to draw back.
|
||
We resumed our places, and Dr. Van Helsing went on with a
|
||
sort of cheerfulness which showed that the serious work had
|
||
begun. It was to be taken as gravely, and in as businesslike
|
||
a way, as any other transaction of life.
|
||
"Well, you know what we have to contend against, but we
|
||
too, are not without strength. We have on our side power of
|
||
combination, a power denied to the vampire kind, we have
|
||
sources of science, we are free to act and think, and the
|
||
hours of the day and the night are ours equally. In fact, so
|
||
far as our powers extend, they are unfettered, and we are
|
||
free to use them.We have self devotion in a cause and an end
|
||
to achieve which is not a selfish one. These things are much.
|
||
"Now let us see how far the general powers arrayed ag-
|
||
ainst us are restrict, and how the individual cannot.In fine,
|
||
let us consider the limitations of the vampire in general,
|
||
and of this one in particular.
|
||
"All we have to go upon are traditions and supersti-
|
||
tions.These do not at the first appear much, when the matter
|
||
is one of life and death, nay of more than either life or
|
||
death.Yet must we be satisfied,in the first place because we
|
||
have to be, no other means is at our control, and secondly,
|
||
because, after all these things, tradition and superstition,
|
||
are everything. Does not the belief in vampires rest for
|
||
others, though not, alas! for us, on them! A year ago which
|
||
of us would have received such a possibility,in the midst of
|
||
our scientific, sceptical, matter-of-fact nineteenth century?
|
||
We even scouted a belief that we saw justified under our
|
||
very eyes. Take it, then, that the vampire, and the belief
|
||
in his limitations and his cure, rest for the moment on the
|
||
same base. For, let me tell you, he is known everywhere that
|
||
men have been. In old Greece, in old Rome, he flourish in
|
||
Germany all over, in France, in India,even in the Chermosese,
|
||
and in China, so far from us in all ways, there even is he,
|
||
and the peoples for him at this day. He have follow the wake
|
||
of the berserker Icelander, the devil-begotten Hun, the Slav,
|
||
the Saxon, the Magyar.
|
||
"So far, then, we have all we may act upon, and let me
|
||
tell you that very much of the beliefs are justified by what
|
||
we have seen in our own so unhappy experience. The vampire
|
||
live on, and cannot die by mere passing of the time, he can
|
||
flourish when that he can fatten on the blood of the living.
|
||
Even more, we have seen amongst us that he can even grow
|
||
younger, that his vital faculties grow strenuous,and seem as
|
||
though they refresh themselves when his special pabulum is
|
||
plenty.
|
||
"But he cannot flourish without this diet, he eat not
|
||
as others. Even friend Jonathan, who lived with him for
|
||
weeks, did never see him eat, never! He throws no shadow,
|
||
he make in the mirror no reflect, as again Jonathan observe.
|
||
He has the strength of many of his hand, witness again Jona-
|
||
than when he shut the door against the wolves, and when he
|
||
help him from the diligence too. He can transform himself to
|
||
wolf, as we gather from the ship arrival in Whitby, when he
|
||
tear open the dog, he can be as bat,as Madam Mina saw him on
|
||
the window at Whitby, and as friend John saw him fly from
|
||
this so near house, and as my friend Quincey saw him at the
|
||
window of Miss Lucy.
|
||
"He can come in mist which he create, that noble ship's
|
||
captain proved him of this, but, from what we know, the dis-
|
||
tance he can make this mist is limited, and it can only be
|
||
round himself.
|
||
"He come on moonlight rays as elemental dust, as again
|
||
Jonathan saw those sisters in the castle of Dracula. He be-
|
||
come so small, we ourselves saw Miss Lucy, ere she was at
|
||
peace, slip through a hairbreadth space at the tomb door. He
|
||
can, when once he find his way, come out from anything or
|
||
into anything, no matter how close it be bound or even fused
|
||
up with fire, solder you call it. He can see in the dark, no
|
||
small power this, in a world which is one half shut from the
|
||
light. Ah, but hear me through.
|
||
"He can do all these things, yet he is not free. Nay,
|
||
he is even more prisoner than the slave of the galley, than
|
||
the madman in his cell. He cannot go where he lists, he who
|
||
is not of nature has yet to obey some of nature's laws, why
|
||
we know not. He may not enter anywhere at the first, unless
|
||
there be some one of the household who bid him to come,
|
||
though afterwards he can come as he please.His power ceases,
|
||
as does that of all evil things, at the coming of the day.
|
||
"Only at certain times can he have limited freedom. If
|
||
he be not at the place whither he is bound, he can only
|
||
change himself at noon or at exact sunrise or sunset. These
|
||
things we are told, and in this record of ours we have proof
|
||
by inference. Thus, whereas he can do as he will within his
|
||
limit,when he have his earth-home,his coffin-home, his hell-
|
||
home, the place unhallowed, as we saw when he went to the
|
||
grave of the suicide at Whitby, still at other time he can
|
||
only change when the time come. It is said, too, that he can
|
||
only pass running water at the slack or the flood of the
|
||
tide. Then there are things which so afflict him that he has
|
||
no power, as the garlic that we know of, and as for things
|
||
sacred,as this symbol, my crucifix, that was amongst us even
|
||
now when we resolve, to them he is nothing, but in their
|
||
presence he take his place far off and silent with respect.
|
||
There are others,too, which I shall tell you of, lest in our
|
||
seeking we may need them.
|
||
"The branch of wild rose on his coffin keep him that he
|
||
move not from it, a sacred bullet fired into the coffin kill
|
||
him so that he be true dead, and as for the stake through
|
||
him, we know already of its peace, or the cut off head that
|
||
giveth rest. We have seen it with our eyes.
|
||
"Thus when we find the habitation of this man-that-was,
|
||
we can confine him to his coffin and destroy him, if we obey
|
||
what we know. But he is clever. I have asked my friend
|
||
Arminius, of Buda-Pesth University, to make his record, and
|
||
from all the means that are, he tell me of what he has been.
|
||
He must, indeed, have been that Voivode Dracula who won his
|
||
name against the Turk, over the great river on the very
|
||
frontier of Turkey-land. If it be so, then was he no common
|
||
man, for in that time, and for centuries after,he was spoken
|
||
of as the cleverest and the most cunning, as well as the
|
||
bravest of the sons of the `land beyond the forest.' That
|
||
mighty brain and that iron resolution went with him to his
|
||
grave, and are even now arrayed against us. The Draculas
|
||
were, says Arminius, a great and noble race, though now and
|
||
again were scions who were held by their coevals to have had
|
||
dealings with the Evil One. They learned his secrets in the
|
||
Scholomance, amongst the mountains over Lake Hermanstadt,
|
||
where the devil claims the tenth scholar as his due. In the
|
||
records are such words as `stregoica' witch, `ordog' and
|
||
`pokol' Satan and hell, and in one manuscript this very
|
||
Dracula is spoken of as `wampyr,'which we all understand too
|
||
well. There have been from the loins of this very one great
|
||
men and good women, and their graves make sacred the earth
|
||
where alone this foulness can dwell. For it is not the least
|
||
of its terrors that this evil thing is rooted deep in all
|
||
good, in soil barren of holy memories it cannot rest."
|
||
Whilst they were talking Mr.Morris was looking steadily
|
||
at the window, and he now got up quietly,and went out of the
|
||
room. There was a little pause, and then the Professor went
|
||
on.
|
||
"And now we must settle what we do. We have here much
|
||
data, and we must proceed to lay out our campaign. We know
|
||
from the inquiry of Jonathan that from the castle to Whitby
|
||
came fifty boxes of earth, all of which were delivered at
|
||
Carfax, we also know that at least some of these boxes have
|
||
been removed. It seems to me, that our first step should be
|
||
to ascertain whether all the rest remain in the house beyond
|
||
that wall where we look today, or whether any more have been
|
||
removed. If the latter, we must trace . . ."
|
||
Here we were interrupted in a very startling way. Out-
|
||
side the house came the sound of a pistol shot, the glass of
|
||
the window was shattered with a bullet, which ricochetting
|
||
from the top of the embrasure, struck the far wall of the
|
||
room. I am afraid I am at heart a coward, for I shrieked
|
||
out. The men all jumped to their feet, Lord Godalming flew
|
||
over to the window and threw up the sash. As he did so we
|
||
heard Mr. Morris' voice without, "Sorry! I fear I have
|
||
alarmed you. I shall come in and tell you about it."
|
||
A minute later he came in and said, "It was an idiotic
|
||
thing of me to do, and I ask your pardon, Mrs. Harker, most
|
||
sincerely, I fear I must have frightened you terribly. But
|
||
the fact is that whilst the Professor was talking there came
|
||
a big bat and sat on the window sill. I have got such a
|
||
horror of the damned brutes from recent events that I cannot
|
||
stand them, and I went out to have a shot, as I have been
|
||
doing of late of evenings, whenever I have seen one. You
|
||
used to laugh at me for it then, Art."
|
||
"Did you hit it?" asked Dr. Van Helsing.
|
||
"I don't know, I fancy not, for it flew away into the
|
||
wood." Without saying any more he took his seat, and the
|
||
Professor began to resume his statement.
|
||
"We must trace each of these boxes, and when we are
|
||
ready, we must either capture or kill this monster in his
|
||
lair, or we must, so to speak, sterilize the earth, so that
|
||
no more he can seek safety in it.Thus in the end we may find
|
||
him in his form of man between the hours of noon and sunset,
|
||
and so engage with him when he is at his most weak.
|
||
"And now for you,Madam Mina,this night is the end until
|
||
all be well. You are too precious to us to have such risk.
|
||
When we part tonight, you no more must question. We shall
|
||
tell you all in good time. We are men and are able to bear,
|
||
but you must be our star and our hope, and we shall act all
|
||
the more free that you are not in the danger,such as we are."
|
||
All the men, even Jonathan, seemed relieved, but it did
|
||
not seem to me good that they should brave danger and, per-
|
||
haps lessen their safety, strength being the best safety,
|
||
through care of me, but their minds were made up, and though
|
||
it was a bitter pill for me to swallow, I could say nothing,
|
||
save to accept their chivalrous care of me.
|
||
Mr. Morris resumed the discussion, "As there is no time
|
||
to lose, I vote we have a look at his house right now. Time
|
||
is everything with him,and swift action on our part may save
|
||
another victim."
|
||
I own that my heart began to fail me when the time for
|
||
action came so close, but I did not say anything, for I had
|
||
a greater fear that if I appeared as a drag or a hindrance
|
||
to their work,they might even leave me out of their counsels
|
||
altogether. They have now gone off to Carfax, with means to
|
||
get into the house.
|
||
Manlike, they had told me to go to bed and sleep, as if
|
||
a woman can sleep when those she loves are in danger!I shall
|
||
lie down, and pretend to sleep, lest Jonathan have added
|
||
anxiety about me when he returns.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
1 October, 4 a.m.--Just as we were about to leave the
|
||
house, an urgent message was brought to me from Renfield to
|
||
know if I would see him at once, as he had something of the
|
||
utmost importance to say to me. I told the messenger to say
|
||
that I would attend to his wishes in the morning, I was busy
|
||
just at the moment.
|
||
The attendant added, "He seems very importunate, sir.
|
||
I have never seen him so eager.I don't know but what, if you
|
||
don't see him soon, he will have one of his violent fits." I
|
||
knew the man would not have said this without some cause, so
|
||
I said, "All right, I'll go now," and I asked the others to
|
||
wait a few minutes for me, as I had to go and see my patient.
|
||
"Take me with you,friend John," said the Professor."His
|
||
case in your diary interest me much, and it had bearing,too,
|
||
now and again on our case. I should much like to see him,
|
||
and especial when his mind is disturbed."
|
||
"May I come also?" asked Lord Godalming.
|
||
"Me too?" said Quincey Morris. "May I come?" said
|
||
Harker. I nodded, and we all went down the passage together.
|
||
We found him in a state of considerable excitement, but
|
||
far more rational in his speech and manner than I had ever
|
||
seen him. There was an unusual understanding of himself,
|
||
which was unlike anything I had ever met with in a lunatic,
|
||
and he took it for granted that his reasons would prevail
|
||
with others entirely sane. We all five went into the room,
|
||
but none of the others at first said anything. His request
|
||
was that I would at once release him from the asylum and
|
||
send him home.This he backed up with arguments regarding his
|
||
complete recovery, and adduced his own existing sanity.
|
||
"I appeal to your friends,"he said,"they will, perhaps,
|
||
not mind sitting in judgement on my case. By the way, you
|
||
have not introduced me."
|
||
I was so much astonished, that the oddness of introduc-
|
||
ing a madman in an asylum did not strike me at the moment,
|
||
and besides,there was a certain dignity in the man's manner,
|
||
so much of the habit of equality, that I at once made the
|
||
introduction, "Lord Godalming, Professor Van Helsing, Mr.
|
||
Quincey Morris,of Texas, Mr. Jonathan Harker, Mr. Renfield."
|
||
He shook hands with each of them, saying in turn, "Lord
|
||
Godalming, I had the honor of seconding your father at the
|
||
Windham, I grieve to know, by your holding the title, that
|
||
he is no more. He was a man loved and honored by all who
|
||
knew him, and in his youth was, I have heard, the inventor
|
||
of a burnt rum punch, much patronized on Derby night. Mr.
|
||
Morris, you should be proud of your great state. Its recep-
|
||
tion into the Union was a precedent which may have far-
|
||
reaching effects hereafter, when the Pole and the Tropics
|
||
may hold alliance to the Stars and Stripes. The power of
|
||
Treaty may yet prove a vast engine of enlargement, when the
|
||
Monroe doctrine takes its true place as a political fable.
|
||
What shall any man say of his pleasure at meeting Van Hel-
|
||
sing? Sir, I make no apology for dropping all forms of
|
||
conventional prefix. When an individual has revolutionized
|
||
therapeutics by his discovery of the continuous evolution of
|
||
brain matter, conventional forms are unfitting, since they
|
||
would seem to limit him to one of a class. You, gentlemen,
|
||
who by nationality, by heredity, or by the possession of
|
||
natural gifts, are fitted to hold your respective places in
|
||
the moving world, I take to witness that I am as sane as at
|
||
least the majority of men who are in full possession of
|
||
their liberties. And I am sure that you, Dr. Seward, human-
|
||
itarian and medico-jurist as well as scientist, will deem it
|
||
a moral duty to deal with me as one to be considered as un-
|
||
der exceptional circumstances."He made this last appeal with
|
||
a courtly air of conviction which was not without its own
|
||
charm.
|
||
I think we were all staggered. For my own part, I was
|
||
under the conviction, despite my knowledge of the man's
|
||
character and history, that his reason had been restored,and
|
||
I felt under a strong impulse to tell him that I was satis-
|
||
fied as to his sanity, and would see about the necessary
|
||
formalities for his release in the morning. I thought it
|
||
better to wait, however, before making so grave a statement,
|
||
for of old I knew the sudden changes to which this parti-
|
||
cular patient was liable. So I contented myself with making
|
||
a general statement that he appeared to be improving very
|
||
rapidly, that I would have a longer chat with him in the
|
||
morning, and would then see what I could do in the direction
|
||
of meeting his wishes.
|
||
This did not at all satisfy him, for he said quickly,
|
||
"But I fear, Dr. Seward, that you hardly apprehend my wish.
|
||
I desire to go at once,here, now, this very hour, this very
|
||
moment, if I may. Time presses, and in our implied agree-
|
||
ment with the old scytheman it is of the essence of the con-
|
||
tract. I am sure it is only necessary to put before so
|
||
admirable a practitioner as Dr. Seward so simple, yet so
|
||
momentous a wish, to ensure its fulfilment."
|
||
He looked at me keenly, and seeing the negative in my
|
||
face, turned to the others, and scrutinized them closely.Not
|
||
meeting any sufficient response, he went on, "Is it possible
|
||
that I have erred in my supposition?"
|
||
"You have," I said frankly, but at the same time, as I
|
||
felt, brutally.
|
||
There was a considerable pause,and then he said slowly,
|
||
"Then I suppose I must only shift my ground of request. Let
|
||
me ask for this concession, boon, privilege, what you will.
|
||
I am content to implore in such a case, not on personal
|
||
grounds, but for the sake of others. I am not at liberty to
|
||
give you the whole of my reasons, but you may, I assure you,
|
||
take it from me that they are good ones,sound and unselfish,
|
||
and spring from the highest sense of duty.
|
||
"Could you look, sir, into my heart, you would approve
|
||
to the full the sentiments which animate me. Nay, more, you
|
||
would count me amongst the best and truest of your friends."
|
||
Again he looked at us all keenly. I had a growing con-
|
||
viction that this sudden change of his entire intellectual
|
||
method was but yet another phase of his madness, and so
|
||
determined to let him go on a little longer, knowing from
|
||
experience that he would, like all lunatics, give himself
|
||
away in the end. Van Helsing was gazing at him with a look
|
||
of utmost intensity, his bushy eyebrows almost meeting with
|
||
the fixed concentration of his look. He said to Renfield in
|
||
a tone which did not surprise me at the time, but only when
|
||
I thought of it afterwards, for it was as of one addressing
|
||
an equal, "Can you not tell frankly your real reason for
|
||
wishing to be free tonight? I will undertake that if you
|
||
will satisfy even me, a stranger, without prejudice, and
|
||
with the habit of keeping an open mind,Dr. Seward will give
|
||
you, at his own risk and on his own responsibility, the
|
||
privilege you seek."
|
||
He shook his head sadly, and with a look of poignant
|
||
regret on his face. The Professor went on, "Come, sir,
|
||
bethink yourself. You claim the privilege of reason in the
|
||
highest degree, since you seek to impress us with your com-
|
||
plete reasonableness. You do this, whose sanity we have
|
||
reason to doubt,since you are not yet released from medical
|
||
treatment for this very defect. If you will not help us in
|
||
our effort to choose the wisest course, how can we perform
|
||
the duty which you yourself put upon us? Be wise, and help
|
||
us, and if we can we shall aid you to achieve your wish."
|
||
He still shook his head as he said, "Dr. Van Helsing,
|
||
I have nothing to say. Your argument is complete, and if I
|
||
were free to speak I should not hesitate a moment, but I am
|
||
not my own master in the matter.I can only ask you to trust
|
||
me. If I am refused, the responsibility does not rest with
|
||
me."
|
||
I thought it was now time to end the scene, which was
|
||
becoming too comically grave, so I went towards the door,
|
||
simply saying, "Come, my friends, we have work to do.
|
||
Goodnight."
|
||
As, however, I got near the door, a new change came
|
||
over the patient. He moved towards me so quickly that for
|
||
the moment I feared that he was about to make another homi-
|
||
cidal attack. My fears, however, were groundless, for he
|
||
held up his two hands imploringly, and made his petition in
|
||
a moving manner. As he saw that the very excess of his
|
||
emotion was militating against him, by restoring us more
|
||
to our old relations, he became still more demonstrative. I
|
||
glanced at Van Helsing, and saw my conviction reflected in
|
||
his eyes, so I became a little more fixed in my manner, if
|
||
not more stern, and motioned to him that his efforts were
|
||
unavailing. I had previously seen something of the same con-
|
||
stantly growing excitement in him when he had to make some
|
||
request of which at the time he had thought much, such for
|
||
instance, as when he wanted a cat, and I was prepared to see
|
||
the collapse into the same sullen acquiescence on this
|
||
occasion.
|
||
My expectation was not realized, for when he found that
|
||
his appeal would not be successful,he got into quite a fran-
|
||
tic condition.He threw himself on his knees, and held up his
|
||
hands, wringing them in plaintive supplication, and poured
|
||
forth a torrent of entreaty, with the tears rolling down his
|
||
cheeks,and his whole face and form expressive of the deepest
|
||
emotion.
|
||
"Let me entreat you, Dr.Seward, oh, let me implore you,
|
||
to let me out of this house at once. Send me away how you
|
||
will and where you will, send keepers with me with whips and
|
||
chains, let them take me in a strait waistcoat, manacled and
|
||
leg-ironed,even to gaol, but let me go out of this.You don't
|
||
know what you do by keeping me here. I am speaking from the
|
||
depths of my heart, of my very soul. You don't know whom you
|
||
wrong, or how, and I may not tell. Woe is me! I may not tell.
|
||
By all you hold sacred, by all you hold dear, by your love
|
||
that is lost, by your hope that lives, for the sake of the
|
||
Almighty, take me out of this and save my soul from guilt!
|
||
Can't you hear me, man? Can't you understand? Will you never
|
||
learn? Don't you know that I am sane and earnest now, that I
|
||
am no lunatic in a mad fit, but a sane man fighting for his
|
||
soul? Oh, hear me! Hear me! Let me go, let me go, let me
|
||
go!"
|
||
I thought that the longer this went on the wilder he
|
||
would get, and so would bring on a fit, so I took him by the
|
||
hand and raised him up.
|
||
"Come," I said sternly, "no more of this, we have had
|
||
quite enough already. Get to your bed and try to behave more
|
||
discreetly."
|
||
He suddenly stopped and looked at me intently for sev-
|
||
eral moments. Then, without a word, he rose and moving over,
|
||
sat down on the side of the bed. The collapse had come, as
|
||
on former occasions, just as I had expected.
|
||
When I was leaving the room, last of our party, he said
|
||
to me in a quiet, well-bred voice, "You will, I trust, Dr.
|
||
Seward, do me the justice to bear in mind, later on, that I
|
||
did what I could to convince you tonight."
|
||
|
||
|
||
CHAPTER 19
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
1 October, 5 a.m.--I went with the party to the search
|
||
with an easy mind,for I think I never saw Mina so absolutely
|
||
strong and well. I am so glad that she consented to hold
|
||
back and let us men do the work. Somehow, it was a dread to
|
||
me that she was in this fearful business at all, but now
|
||
that her work is done, and that it is due to her energy and
|
||
brains and foresight that the whole story is put together in
|
||
such a way that every point tells, she may well feel that
|
||
her part is finished, and that she can henceforth leave the
|
||
rest to us. We were, I think, all a little upset by the
|
||
scene with Mr. Renfield. When we came away from his room we
|
||
were silent till we got back to the study.
|
||
Then Mr. Morris said to Dr. Seward, "Say, Jack, if that
|
||
man wasn't attempting a bluff,he is about the sanest lunatic
|
||
I ever saw. I'm not sure, but I believe that he had some
|
||
serious purpose, and if he had, it was pretty rough on him
|
||
not to get a chance."
|
||
Lord Godalming and I were silent, but Dr. Van Helsing
|
||
added, "Friend John, you know more lunatics than I do, and
|
||
I'm glad of it, for I fear that if it had been to me to de-
|
||
cide I would before that last hysterical outburst have given
|
||
him free. But we live and learn, and in our present task we
|
||
must take no chance, as my friend Quincey would say. All is
|
||
best as they are."
|
||
Dr. Seward seemed to answer them both in a dreamy kind
|
||
of way, "I don't know but that I agree with you. If that
|
||
man had been an ordinary lunatic I would have taken my
|
||
chance of trusting him, but he seems so mixed up with the
|
||
Count in an indexy kind of way that I am afraid of doing any-
|
||
thing wrong by helping his fads.I can't forget how he prayed
|
||
with almost equal fervor for a cat,and then tried to tear my
|
||
throat out with his teeth.Besides, he called the Count `lord
|
||
and master', and he may want to get out to help him in some
|
||
diabolical way.That horrid thing has the wolves and the rats
|
||
and his own kind to help him, so I suppose he isn't above
|
||
trying to use a respectable lunatic. He certainly did seem
|
||
earnest, though. I only hope we have done what is best.
|
||
These things, in conjunction with the wild work we have in
|
||
hand, help to unnerve a man."
|
||
The Professor stepped over, and laying his hand on his
|
||
shoulder, said in his grave, kindly way, "Friend John, have
|
||
no fear. We are trying to do our duty in a very sad and
|
||
terrible case, we can only do as we deem best. What else
|
||
have we to hope for, except the pity of the good God?"
|
||
Lord Godalming had slipped away for a few minutes, but
|
||
now he returned. He held up a little silver whistle, as he
|
||
remarked, "That old place may be full of rats, and if so,
|
||
I've got an antidote on call."
|
||
Having passed the wall, we took our way to the house,
|
||
taking care to keep in the shadows of the trees on the lawn
|
||
when the moonlight shone out. When we got to the porch the
|
||
Professor opened his bag and took out a lot of things, which
|
||
he laid on the step, sorting them into four little groups,
|
||
evidently one for each. Then he spoke.
|
||
"My friends,we are going into a terrible danger, and we
|
||
need arms of many kinds. Our enemy is not merely spiritual.
|
||
Remember that he has the strength of twenty men, and that,
|
||
though our necks or our windpipes are of the common kind,and
|
||
therefore breakable or crushable, his are not amenable to
|
||
mere strength. A stronger man, or a body of men more strong
|
||
in all than him, can at certain times hold him, but they can-
|
||
not hurt him as we can be hurt by him. We must, therefore,
|
||
guard ourselves from his touch. Keep this near your heart."
|
||
As he spoke he lifted a little silver crucifix and held it
|
||
out to me, I being nearest to him, "put these flowers round
|
||
your neck," here he handed to me a wreath of withered garlic
|
||
blossoms, "for other enemies more mundane, this revolver and
|
||
this knife,and for aid in all, these so small electric lamps,
|
||
which you can fasten to your breast, and for all, and above
|
||
all at the last, this, which we must not desecrate needless."
|
||
This was a portion of Sacred Wafer, which he put in an
|
||
envelope and handed to me. Each of the others was similarly
|
||
equipped.
|
||
"Now,"he said,"friend John, where are the skeleton keys?
|
||
If so that we can open the door, we need not break house by
|
||
the window, as before at Miss Lucy's."
|
||
Dr. Seward tried one or two skeleton keys, his mechani-
|
||
cal dexterity as a surgeon standing him in good stead. Pre-
|
||
sently he got one to suit, after a little play back and
|
||
forward the bolt yielded, and with a rusty clang, shot back.
|
||
We pressed on the door, the rusty hinges creaked, and it
|
||
slowly opened. It was startlingly like the image conveyed to
|
||
me in Dr. Seward's diary of the opening of Miss Westenra's
|
||
tomb, I fancy that the same idea seemed to strike the others,
|
||
for with one accord they shrank back. The Professor was the
|
||
first to move forward, and stepped into the open door.
|
||
"In manus tuas, Domine!"he said, crossing himself as he
|
||
passed over the threshold.We closed the door behind us, lest
|
||
when we should have lit our lamps we should possibly attract
|
||
attention from the road. The Professor carefully tried the
|
||
lock, lest we might not be able to open it from within
|
||
should we be in a hurry making our exit. Then we all lit our
|
||
lamps and proceeded on our search.
|
||
The light from the tiny lamps fell in all sorts of odd
|
||
forms, as the rays crossed each other, or the opacity of our
|
||
bodies threw great shadows. I could not for my life get away
|
||
from the feeling that there was someone else amongst us. I
|
||
suppose it was the recollection, so powerfully brought home
|
||
to me by the grim surroundings, of that terrible experience
|
||
in Transylvania. I think the feeling was common to us all,
|
||
for I noticed that the others kept looking over their
|
||
shoulders at every sound and every new shadow,just as I felt
|
||
myself doing.
|
||
The whole place was thick with dust.The floor was seem-
|
||
ingly inches deep, except where there were recent footsteps,
|
||
in which on holding down my lamp I could see marks of hob-
|
||
nails where the dust was cracked. The walls were fluffy and
|
||
heavy with dust, and in the corners were masses of spider's
|
||
webs,whereon the dust had gathered till they looked like old
|
||
tattered rags as the weight had torn them partly down. On a
|
||
table in the hall was a great bunch of keys, with a time-
|
||
yellowed label on each.They had been used several times, for
|
||
on the table were several similar rents in the blanket of
|
||
dust, similar to that exposed when the Professor lifted them.
|
||
He turned to me and said,"You know this place, Jonathan.
|
||
You have copied maps of it, and you know it at least more
|
||
than we do. Which is the way to the chapel?"
|
||
I had an idea of its direction, though on my former
|
||
visit I had not been able to get admission to it, so I led
|
||
the way,and after a few wrong turnings found myself opposite
|
||
a low, arched oaken door, ribbed with iron bands.
|
||
"This is the spot," said the Professor as he turned his
|
||
lamp on a small map of the house, copied from the file of my
|
||
original correspondence regarding the purchase. With a
|
||
little trouble we found the key on the bunch and opened the
|
||
door. We were prepared for some unpleasantness, for as we
|
||
were opening the door a faint, malodorous air seemed to ex-
|
||
hale through the gaps, but none of us ever expected such an
|
||
odor as we encountered. None of the others had met the
|
||
Count at all at close quarters, and when I had seen him he
|
||
was either in the fasting stage of his existence in his
|
||
rooms or, when he was bloated with fresh blood, in a ruined
|
||
building open to the air, but here the place was small and
|
||
close,and the long disuse had made the air stagnant and foul.
|
||
There was an earthy smell, as of some dry miasma, which came
|
||
through the fouler air. But as to the odor itself, how shall
|
||
I describe it? It was not alone that it was composed of all
|
||
the ills of mortality and with the pungent, acrid smell of
|
||
blood, but it seemed as though corruption had become itself
|
||
corrupt. Faugh! It sickens me to think of it. Every breath
|
||
exhaled by that monster seemed to have clung to the place
|
||
and intensified its loathsomeness.
|
||
Under ordinary circumstances such a stench would have
|
||
brought our enterprise to an end, but this was no ordinary
|
||
case, and the high and terrible purpose in which we were in-
|
||
volved gave us a strength which rose above merely physical
|
||
considerations. After the involuntary shrinking consequent
|
||
on the first nauseous whiff, we one and all set about our
|
||
work as though that loathsome place were a garden of roses.
|
||
We made an accurate examination of the place, the Pro-
|
||
fessor saying as we began, "The first thing is to see how
|
||
many of the boxes are left, we must then examine every hole
|
||
and corner and cranny and see if we cannot get some clue as
|
||
to what has become of the rest."
|
||
A glance was sufficient to show how many remained, for
|
||
the great earth chests were bulky,and there was no mistaking
|
||
them.
|
||
There were only twenty-nine left out of the fifty! Once
|
||
I got a fright, for, seeing Lord Godalming suddenly turn and
|
||
look out of the vaulted door into the dark passage beyond, I
|
||
looked too, and for an instant my heart stood still. Some-
|
||
where, looking out from the shadow, I seemed to see the high
|
||
lights of the Count's evil face, the ridge of the nose, the
|
||
red eyes, the red lips, the awful pallor. It was only for a
|
||
moment, for, as Lord Godalming said,"I thought I saw a face,
|
||
but it was only the shadows," and resumed his inquiry, I
|
||
turned my lamp in the direction,and stepped into the passage.
|
||
There was no sign of anyone,and as there were no corners, no
|
||
doors, no aperture of any kind, but only the solid walls of
|
||
the passage, there could be no hiding place even for him. I
|
||
took it that fear had helped imagination, and said nothing.
|
||
A few minutes later I saw Morris step suddenly back
|
||
from a corner, which he was examining. We all followed his
|
||
movements with our eyes,for undoubtedly some nervousness was
|
||
growing on us, and we saw a whole mass of phosphorescence,
|
||
which twinkled like stars. We all instinctively drew back.
|
||
The whole place was becoming alive with rats.
|
||
For a moment or two we stood appalled, all save Lord
|
||
Godalming, who was seemingly prepared for such an emergency.
|
||
Rushing over to the great iron-bound oaken door, which Dr.
|
||
Seward had described from the outside, and which I had seen
|
||
myself, he turned the key in the lock, drew the huge bolts,
|
||
and swung the door open. Then, taking his little silver
|
||
whistle from his pocket, he blew a low, shrill call. It was
|
||
answered from behind Dr. Seward's house by the yelping of
|
||
dogs, and after about a minute three terriers came dashing
|
||
round the corner of the house. Unconsciously we had all
|
||
moved towards the door, and as we moved I noticed that the
|
||
dust had been much disturbed. The boxes which had been taken
|
||
out had been brought this way. But even in the minute that
|
||
had elapsed the number of the rats had vastly increased.They
|
||
seemed to swarm over the place all at once, till the lamp-
|
||
light, shining on their moving dark bodies and glittering,
|
||
baleful eyes, made the place look like a bank of earth set
|
||
with fireflies. The dogs dashed on, but at the threshold
|
||
suddenly stopped and snarled,and then,simultaneously lifting
|
||
their noses, began to howl in most lugubrious fashion. The
|
||
rats were multiplying in thousands, and we moved out.
|
||
Lord Godalming lifted one of the dogs, and carrying him
|
||
in, placed him on the floor.The instant his feet touched the
|
||
ground he seemed to recover his courage, and rushed at his
|
||
natural enemies. They fled before him so fast that before he
|
||
had shaken the life out of a score, the other dogs, who had
|
||
by now been lifted in the same manner, had but small prey
|
||
ere the whole mass had vanished.
|
||
With their going it seemed as if some evil presence had
|
||
departed, for the dogs frisked about and barked merrily as
|
||
they made sudden darts at their prostrate foes, and turned
|
||
them over and over and tossed them in the air with vicious
|
||
shakes. We all seemed to find our spirits rise. Whether it
|
||
was the purifying of the deadly atmosphere by the opening of
|
||
the chapel door, or the relief which we experienced by
|
||
finding ourselves in the open I know not, but most certainly
|
||
the shadow of dread seemed to slip from us like a robe, and
|
||
the occasion of our coming lost something of its grim signi-
|
||
ficance, though we did not slacken a whit in our resolution.
|
||
We closed the outer door and barred and locked it,and bring-
|
||
ing the dogs with us, began our search of the house. We
|
||
found nothing throughout except dust in extraordinary pro-
|
||
portions, and all untouched save for my own footsteps when I
|
||
had made my first visit. Never once did the dogs exhibit
|
||
any symptom of uneasiness, and even when we returned to the
|
||
chapel they frisked about as though they had been rabbit
|
||
hunting in a summer wood.
|
||
The morning was quickening in the east when we emerged
|
||
from the front. Dr. Van Helsing had taken the key of the
|
||
hall door from the bunch, and locked the door in orthodox
|
||
fashion, putting the key into his pocket when he had done.
|
||
"So far," he said, "our night has been eminently suc-
|
||
cessful. No harm has come to us such as I feared might be
|
||
and yet we have ascertained how many boxes are missing. More
|
||
than all do I rejoice that this, our first, and perhaps our
|
||
most difficult and dangerous, step has been accomplished
|
||
without the bringing thereinto our most sweet Madam Mina or
|
||
troubling her waking or sleeping thoughts with sights and
|
||
sounds and smells of horror which she might never forget.One
|
||
lesson, too, we have learned, if it be allowable to argue a
|
||
particulari, that the brute beasts which are to the Count's
|
||
command are yet themselves not amenable to his spiritual
|
||
power, for look,these rats that would come to his call, just
|
||
as from his castle top he summon the wolves to your going
|
||
and to that poor mother's cry, though they come to him, they
|
||
run pell-mell from the so little dogs of my friend Arthur.We
|
||
have other matters before us, other dangers,other fears, and
|
||
that monster . . . He has not used his power over the brute
|
||
world for the only or the last time tonight. So be it that
|
||
he has gone elsewhere. Good! It has given us opportunity to
|
||
cry `check'in some ways in this chess game,which we play for
|
||
the stake of human souls. And now let us go home. The dawn
|
||
is close at hand, and we have reason to be content with our
|
||
first night's work. It may be ordained that we have many
|
||
nights and days to follow, if full of peril, but we must go
|
||
on, and from no danger shall we shrink."
|
||
The house was silent when we got back, save for some
|
||
poor creature who was screaming away in one of the distant
|
||
wards, and a low, moaning sound from Renfield's room. The
|
||
poor wretch was doubtless torturing himself,after the manner
|
||
of the insane, with needless thoughts of pain.
|
||
I came tiptoe into our own room, and found Mina asleep,
|
||
breathing so softly that I had to put my ear down to hear
|
||
it. She looks paler than usual. I hope the meeting tonight
|
||
has not upset her. I am truly thankful that she is to be
|
||
left out of our future work, and even of our deliberations.
|
||
It is too great a strain for a woman to bear.I did not think
|
||
so at first, but I know better now. Therefore I am glad that
|
||
it is settled. There may be things which would frighten her
|
||
to hear, and yet to conceal them from her might be worse
|
||
than to tell her if once she suspected that there was any
|
||
concealment. Henceforth our work is to be a sealed book to
|
||
her, till at least such time as we can tell her that all is
|
||
finished, and the earth free from a monster of the nether
|
||
world. I daresay it will be difficult to begin to keep sil-
|
||
ence after such confidence as ours, but I must be resolute,
|
||
and tomorrow I shall keep dark over tonight's doings, and
|
||
shall refuse to speak of anything that has happened. I rest
|
||
on the sofa, so as not to disturb her.
|
||
|
||
1 October, later.--I suppose it was natural that we
|
||
should have all overslept ourselves, for the day was a busy
|
||
one, and the night had no rest at all. Even Mina must have
|
||
felt its exhaustion,for though I slept till the sun was high,
|
||
I was awake before her, and had to call two or three times
|
||
before she awoke. Indeed, she was so sound asleep that for
|
||
a few seconds she did not recognize me, but looked at me
|
||
with a sort of blank terror, as one looks who has been waked
|
||
out of a bad dream. She complained a little of being tired,
|
||
and I let her rest till later in the day. We now know of
|
||
twenty-one boxes having been removed, and if it be that
|
||
several were taken in any of these removals we may be able
|
||
to trace them all. Such will, of course, immensely simplify
|
||
our labor, and the sooner the matter is attended to the
|
||
better. I shall look up Thomas Snelling today.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
1 October.--It was towards noon when I was awakened by
|
||
the Professor walking into my room. He was more jolly and
|
||
cheerful than usual, and it is quite evident that last
|
||
night's work has helped to take some of the brooding weight
|
||
off his mind.
|
||
After going over the adventure of the night he suddenly
|
||
said, "Your patient interests me much. May it be that with
|
||
you I visit him this morning? Or if that you are too occupy,
|
||
I can go alone if it may be. It is a new experience to me to
|
||
find a lunatic who talk philosophy, and reason so sound."
|
||
I had some work to do which pressed, so I told him that
|
||
if he would go alone I would be glad, as then I should not
|
||
have to keep him waiting, so I called an attendant and gave
|
||
him the necessary instructions. Before the Professor left
|
||
the room I cautioned him against getting any false impress-
|
||
ion from my patient.
|
||
"But," he answered, "I want him to talk of himself and
|
||
of his delusion as to consuming live things. He said to
|
||
Madam Mina, as I see in your diary of yesterday, that he had
|
||
once had such a belief. Why do you smile, friend John?"
|
||
"Excuse me," I said, "but the answer is here." I laid
|
||
my hand on the typewritten matter."When our sane and learned
|
||
lunatic made that very statement of how he used to consume
|
||
life, his mouth was actually nauseous with the flies and
|
||
spiders which he had eaten just before Mrs. Harker entered
|
||
the room."
|
||
Van Helsing smiled in turn. "Good!" he said. "Your
|
||
memory is true, friend John. I should have remembered. And
|
||
yet it is this very obliquity of thought and memory which
|
||
makes mental disease such a fascinating study. Perhaps I may
|
||
gain more knowledge out of the folly of this madman than I
|
||
shall from the teaching of the most wise. Who knows?"
|
||
I went on with my work,and before long was through that
|
||
in hand. It seemed that the time had been very short indeed,
|
||
but there was Van Helsing back in the study.
|
||
"Do I interrupt?" he asked politely as he stood at the
|
||
door.
|
||
"Not at all,"I answered. "Come in. My work is finished,
|
||
and I am free. I can go with you now, if you like."
|
||
"It is needless, I have seen him!"
|
||
"Well?"
|
||
"I fear that he does not appraise me at much.Our inter-
|
||
view was short. When I entered his room he was sitting on
|
||
a stool in the center,with his elbows on his knees, and his
|
||
face was the picture of sullen discontent. I spoke to him
|
||
as cheerfully as I could, and with such a measure of respect
|
||
as I could assume. He made no reply whatever. 'Don't you
|
||
know me?' I asked. His answer was not reassuring. "I know
|
||
you well enough, you are the old fool Van Helsing. I wish
|
||
you would take yourself and your idiotic brain theories
|
||
somewhere else. Damn all thick-headed Dutchmen!' Not a
|
||
word more would he say, but sat in his implacable sullenness
|
||
as indifferent to me as though I had not been in the room
|
||
at all. Thus departed for this time my chance of much learn-
|
||
ing from this so clever lunatic, so I shall go, if I may,
|
||
and cheer myself with a few happy words with that sweet
|
||
soul Madam Mina. Friend John, it does rejoice me unspeakable
|
||
that she is no more to be pained, no more to be worried
|
||
with our terrible things. Though we shall much miss her
|
||
help, it is better so."
|
||
"I agree with you with all my heart," I answered ear-
|
||
nestly, for I did not want him to weaken in this matter.
|
||
"Mrs. Harker is better out of it. Things are quite bad
|
||
enough for us, all men of the world, and who have been in
|
||
many tight places in our time, but it is no place for a
|
||
woman, and if she had remained in touch with the affair,
|
||
it would in time infallibly have wrecked her."
|
||
So Van Helsing has gone to confer with Mrs. Harker
|
||
and Harker, Quincey and Art are all out following up the
|
||
clues as to the earth boxes. I shall finish my round of
|
||
work and we shall meet tonight.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
1 October.--It is strange to me to be kept in the dark
|
||
as I am today, after Jonathan's full confidence for so many
|
||
years,to see him manifestly avoid certain matters, and those
|
||
the most vital of all. This morning I slept late after the
|
||
fatigues of yesterday, and though Jonathan was late too, he
|
||
was the earlier. He spoke to me before he went out, never
|
||
more sweetly or tenderly, but he never mentioned a word of
|
||
what had happened in the visit to the Count's house. And yet
|
||
he must have known how terribly anxious I was. Poor dear
|
||
fellow! I suppose it must have distressed him even more than
|
||
it did me. They all agreed that it was best that I should
|
||
not be drawn further into this awful work, and I acquiesced.
|
||
But to think that he keeps anything from me! And now I am
|
||
crying like a silly fool, when I know it comes from my hus-
|
||
band's great love and from the good, good wishes of those
|
||
other strong men.
|
||
That has done me good. Well, some day Jonathan will
|
||
tell me all. And lest it should ever be that he should
|
||
think for a moment that I kept anything from him, I still
|
||
keep my journal as usual. Then if he has feared of my trust
|
||
I shall show it to him, with every thought of my heart put
|
||
down for his dear eyes to read. I feel strangely sad and
|
||
low-spirited today. I suppose it is the reaction from the
|
||
terrible excitement.
|
||
Last night I went to bed when the men had gone, simply
|
||
because they told me to. I didn't feel sleepy, and I did
|
||
feel full of devouring anxiety. I kept thinking over every-
|
||
thing that has been ever since Jonathan came to see me in
|
||
London, and it all seems like a horrible tragedy, with fate
|
||
pressing on relentlessly to some destined end. Everything
|
||
that one does seems, no matter how right it me be, to bring
|
||
on the very thing which is most to be deplored. If I hadn't
|
||
gone to Whitby, perhaps poor dear Lucy would be with us now.
|
||
She hadn't taken to visiting the churchyard till I came, and
|
||
if she hadn't come there in the day time with me she
|
||
wouldn't have walked in her sleep. And if she hadn't gone
|
||
there at night and asleep, that monster couldn't have des-
|
||
troyed her as he did. Oh, why did I ever go to Whitby? There
|
||
now, crying again! I wonder what has come over me today. I
|
||
must hide it from Jonathan, for if he knew that I had been
|
||
crying twice in one morning . . . I, who never cried on my
|
||
own account,and whom he has never caused to shed a tear, the
|
||
dear fellow would fret his heart out.I shall put a bold face
|
||
on, and if I do feel weepy, he shall never see it. I suppose
|
||
it is just one of the lessons that we poor women have to
|
||
learn . . .
|
||
I can't quite remember how I fell asleep last night. I
|
||
remember hearing the sudden barking of the dogs and a lot of
|
||
queer sounds, like praying on a very tumultuous scale, from
|
||
Mr. Renfield's room, which is somewhere under this. And then
|
||
there was silence over everything, silence so profound that
|
||
it startled me,and I got up and looked out of the window.All
|
||
was dark and silent, the black shadows thrown by the moon-
|
||
light seeming full of a silent mystery of their own. Not a
|
||
thing seemed to be stirring, but all to be grim and fixed as
|
||
death or fate,so that a thin streak of white mist,that crept
|
||
with almost imperceptible slowness across the grass towards
|
||
the house, seemed to have a sentience and a vitality of its
|
||
own. I think that the digression of my thoughts must have
|
||
done me good, for when I got back to bed I found a lethargy
|
||
creeping over me. I lay a while, but could not quite sleep,
|
||
so I got out and looked out of the window again. The mist
|
||
was spreading, and was now close up to the house, so that I
|
||
could see it lying thick against the wall, as though it were
|
||
stealing up to the windows. The poor man was more loud than
|
||
ever, and though I could not distinguish a word he said, I
|
||
could in some way recognize in his tones some passionate en-
|
||
treaty on his part. Then there was the sound of a struggle,
|
||
and I knew that the attendants were dealing with him. I was
|
||
so frightened that I crept into bed, and pulled the clothes
|
||
over my head, putting my fingers in my ears. I was not then
|
||
a bit sleepy, at least so I thought, but I must have fallen
|
||
asleep, for except dreams, I do not remember anything until
|
||
the morning, when Jonathan woke me. I think that it took me
|
||
an effort and a little time to realize where I was, and that
|
||
it was Jonathan who was bending over me. My dream was very
|
||
peculiar, and was almost typical of the way that waking
|
||
thoughts become merged in, or continued in, dreams.
|
||
I thought that I was asleep,and waiting for Jonathan to
|
||
come back. I was very anxious about him, and I was powerless
|
||
to act, my feet, and my hands, and my brain were weighted,so
|
||
that nothing could proceed at the usual pace. And so I slept
|
||
uneasily and thought. Then it began to dawn upon me that the
|
||
air was heavy, and dank, and cold. I put back the clothes
|
||
from my face, and found, to my surprise, that all was dim
|
||
around. The gaslight which I had left lit for Jonathan, but
|
||
turned down, came only like a tiny red spark through the fog,
|
||
which had evidently grown thicker and poured into the room.
|
||
Then it occurred to me that I had shut the window before I
|
||
had come to bed. I would have got out to make certain on the
|
||
point, but some leaden lethargy seemed to chain my limbs and
|
||
even my will.I lay still and endured, that was all. I closed
|
||
my eyes, but could still see through my eyelids. (It is won-
|
||
derful what tricks our dreams play us, and how conveniently
|
||
we can imagine.) The mist grew thicker and thicker and I
|
||
could see now how it came in, for I could see it like smoke,
|
||
or with the white energy of boiling water, pouring in, not
|
||
through the window, but through the joinings of the door. It
|
||
got thicker and thicker, till it seemed as if it became con-
|
||
centrated into a sort of pillar of cloud in the room,through
|
||
the top of which I could see the light of the gas shining
|
||
like a red eye. Things began to whirl through my brain just
|
||
as the cloudy column was now whirling in the room, and
|
||
through it all came the scriptural words "a pillar of cloud
|
||
by day and of fire by night." Was it indeed such spiritual
|
||
guidance that was coming to me in my sleep? But the pillar
|
||
was composed of both the day and the night guiding, for the
|
||
fire was in the red eye, which at the thought gat a new fas-
|
||
cination for me, till, as I looked, the fire divided, and
|
||
seemed to shine on me through the fog like two red eyes,such
|
||
as Lucy told me of in her momentary mental wandering when,on
|
||
the cliff,the dying sunlight struck the windows of St.Mary's
|
||
Church. Suddenly the horror burst upon me that it was thus
|
||
that Jonathan had seen those awful women growing into real-
|
||
ity through the whirling mist in the moonlight, and in my
|
||
dream I must have fainted, for all became black darkness.The
|
||
last conscious effort which imagination made was to show me
|
||
a livid white face bending over me out of the mist.
|
||
I must be careful of such dreams, for they would unseat
|
||
one's reason if there were too much of them. I would get
|
||
Dr. Van Helsing or Dr. Seward to prescribe something for me
|
||
which would make me sleep, only that I fear to alarm them.
|
||
Such a dream at the present time would become woven into
|
||
their fears for me. Tonight I shall strive hard to sleep
|
||
naturally. If I do not, I shall tomorrow night get them to
|
||
give me a dose of chloral, that cannot hurt me for once, and
|
||
it will give me a good night's sleep. Last night tired me
|
||
more than if I had not slept at all.
|
||
|
||
2 October 10 p.m.--Last night I slept, but did not
|
||
dream. I must have slept soundly, for I was not waked by
|
||
Jonathan coming to bed, but the sleep has not refreshed me,
|
||
for today I feel terribly weak and spiritless. I spent all
|
||
yesterday trying to read, or lying down dozing.In the after-
|
||
noon, Mr. Renfield asked if he might see me.Poor man, he was
|
||
very gentle, and when I came away he kissed my hand and bade
|
||
God bless me. Some way it affected me much.I am crying when
|
||
I think of him. This is a new weakness, of which I must be
|
||
careful. Jonathan would be miserable if he knew I had been
|
||
crying. He and the others were out till dinner time,and they
|
||
all came in tired. I did what I could to brighten them up,
|
||
and I suppose that the effort did me good, for I forgot how
|
||
tired I was. After dinner they sent me to bed, and all went
|
||
off to smoke together, as they said, but I knew that they
|
||
wanted to tell each other of what had occurred to each
|
||
during the day. I could see from Jonathan's manner that he
|
||
had something important to communicate. I was not so sleepy
|
||
as I should have been, so before they went I asked Dr.Seward
|
||
to give me a little opiate of some kind, as I had not slept
|
||
well the night before. He very kindly made me up a sleeping
|
||
draught, which he gave to me, telling me that it would do me
|
||
no harm, as it was very mild . . . I have taken it, and am
|
||
waiting for sleep, which still keeps aloof.I hope I have not
|
||
done wrong, for as sleep begins to flirt with me, a new fear
|
||
comes, that I may have been foolish in thus depriving myself
|
||
of the power of waking. I might want it. Here comes sleep.
|
||
Goodnight.
|
||
|
||
|
||
CHAPTER 20
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
1 October, evening.--I found Thomas Snelling in his
|
||
house at Bethnal Green, but unhappily he was not in a condi-
|
||
tion to remember anything. The very prospect of beer which
|
||
my expected coming had opened to him had proved too much,and
|
||
he had begun too early on his expected debauch. I learned,
|
||
however, from his wife, who seemed a decent, poor soul, that
|
||
he was only the assistant of Smollet, who of the two mates
|
||
was the responsible person. So off I drove to Walworth, and
|
||
found Mr. Joseph Smollet at home and in his shirtsleeves,
|
||
taking a late tea out of a saucer. He is a decent, intell-
|
||
igent fellow, distinctly a good, reliable type of workman,
|
||
and with a headpiece of his own. He remembered all about the
|
||
incident of the boxes, and from a wonderful dog-eared note-
|
||
book,which he produced from some mysterious receptacle about
|
||
the seat of his trousers, and which had hieroglyphical
|
||
entries in thick, half-obliterated pencil, he gave me the
|
||
destinations of the boxes. There were, he said, six in the
|
||
cartload which he took from Carfax and left at 197 Chicksand
|
||
Street, Mile End New Town,and another six which he deposited
|
||
at Jamaica Lane, Bermondsey. If then the Count meant to
|
||
scatter these ghastly refuges of his over London, these
|
||
places were chosen as the first of delivery,so that later he
|
||
might distribute more fully. The systematic manner in which
|
||
this was done made me think that he could not mean to con-
|
||
fine himself to two sides of London. He was now fixed on the
|
||
far east on the northern shore, on the east of the southern
|
||
shore, and on the south.The north and west were surely never
|
||
meant to be left out of his diabolical scheme, let alone the
|
||
City itself and the very heart of fashionable London in the
|
||
south-west and west.I went back to Smollet, and asked him if
|
||
he could tell us if any other boxes had been taken from
|
||
Carfax.
|
||
He replied, "Well guv'nor, you've treated me very
|
||
'an'some", I had given him half a sovereign, "an I'll tell
|
||
yer all I know. I heard a man by the name of Bloxam say four
|
||
nights ago in the 'Are an' 'Ounds, in Pincher's Alley, as
|
||
'ow he an' his mate 'ad 'ad a rare dusty job in a old 'ouse
|
||
at Purfleet. There ain't a many such jobs as this 'ere, an'
|
||
I'm thinkin' that maybe Sam Bloxam could tell ye summut."
|
||
I asked if he could tell me where to find him. I told
|
||
him that if he could get me the address it would be worth
|
||
another half sovereign to him. So he gulped down the rest
|
||
of his tea and stood up, saying that he was going to begin
|
||
the search then and there.
|
||
At the door he stopped, and said, "Look 'ere, guv'nor,
|
||
there ain't no sense in me a keepin' you 'ere. I may find
|
||
Sam soon, or I mayn't, but anyhow he ain't like to be in a
|
||
way to tell ye much tonight.Sam is a rare one when he starts
|
||
on the booze. If you can give me a envelope with a stamp on
|
||
it, and put yer address on it, I'll find out where Sam is to
|
||
be found and post it ye tonight. But ye'd better be up arter
|
||
'im soon in the mornin', never mind the booze the night
|
||
afore."
|
||
This was all practical, so one of the children went off
|
||
with a penny to buy an envelope and a sheet of paper, and to
|
||
keep the change.When she came back, I addressed the envelope
|
||
and stamped it, and when Smollet had again faithfully pro-
|
||
mised to post the address when found, I took my way to home.
|
||
We're on the track anyhow. I am tired tonight, and I want to
|
||
sleep. Mina is fast asleep, and looks a little too pale. Her
|
||
eyes look as though she had been crying. Poor dear, I've no
|
||
doubt it frets her to be kept in the dark, and it may make
|
||
her doubly anxious about me and the others. But it is best
|
||
as it is.It is better to be disappointed and worried in such
|
||
a way now than to have her nerve broken. The doctors were
|
||
quite right to insist on her being kept out of this dreadful
|
||
business. I must be firm, for on me this particular burden
|
||
of silence must rest. I shall not ever enter on the subject
|
||
with her under any circumstances.Indeed,It may not be a hard
|
||
task, after all, for she herself has become reticent on the
|
||
subject, and has not spoken of the Count or his doings ever
|
||
since we told her of our decision.
|
||
|
||
2 October, evening--A long and trying and exciting day.
|
||
By the first post I got my directed envelope with a dirty
|
||
scrap of paper enclosed, on which was written with a carpen-
|
||
ter's pencil in a sprawling hand, "Sam Bloxam, Korkrans, 4
|
||
Poters Cort, Bartel Street, Walworth. Arsk for the depite."
|
||
I got the letter in bed, and rose without waking Mina.
|
||
She looked heavy and sleepy and pale, and far from well. I
|
||
determined not to wake her, but that when I should return
|
||
from this new search, I would arrange for her going back to
|
||
Exeter. I think she would be happier in our own home, with
|
||
her daily tasks to interest her, than in being here amongst
|
||
us and in ignorance. I only saw Dr. Seward for a moment,
|
||
and told him where I was off to, promising to come back and
|
||
tell the rest so soon as I should have found out anything. I
|
||
drove to Walworth and found, with some difficulty, Potter's
|
||
Court. Mr. Smollet's spelling misled me, as I asked for
|
||
Poter's Court instead of Potter's Court. However, when I
|
||
had found the court, I had no difficulty in discovering Cor-
|
||
coran's lodging house.
|
||
When I asked the man who came to the door for the
|
||
"depite," he shook his head, and said, "I dunno 'im. There
|
||
ain't no such a person 'ere. I never 'eard of 'im in all my
|
||
bloomin' days. Don't believe there ain't nobody of that kind
|
||
livin' 'ere or anywheres."
|
||
I took out Smollet's letter, and as I read it it seemed
|
||
to me that the lesson of the spelling of the name of the
|
||
court might guide me. "What are you?" I asked.
|
||
"I'm the depity," he answered.
|
||
I saw at once that I was on the right track. Phonetic
|
||
spelling had again misled me. A half crown tip put the
|
||
deputy's knowledge at my disposal, and I learned that Mr.
|
||
Bloxam, who had slept off the remains of his beer on the
|
||
previous night at Corcoran's,had left for his work at Poplar
|
||
at five o'clock that morning. He could not tell me where the
|
||
place of work was situated, but he had a vague idea that it
|
||
was some kind of a "new-fangled ware'us," and with this
|
||
slender clue I had to start for Poplar.It was twelve o'clock
|
||
before I got any satisfactory hint of such a building, and
|
||
this I got at a coffee shop, where some workmen were having
|
||
their dinner. One of them suggested that there was being
|
||
erected at Cross Angel Street a new "cold storage" building,
|
||
and as this suited the condition of a "new-fangled ware'us,"
|
||
I at once drove to it. An interview with a surly gatekeeper
|
||
and a surlier foreman, both of whom were appeased with the
|
||
coin of the realm, put me on the track of Bloxam. He was
|
||
sent for on my suggestion that I was willing to pay his days
|
||
wages to his foreman for the privilege of asking him a few
|
||
questions on a private matter. He was a smart enough fellow,
|
||
though rough of speech and bearing. When I had promised to
|
||
pay for his information and given him an earnest, he told me
|
||
that he had made two journeys between Carfax and a house in
|
||
Piccadilly, and had taken from this house to the latter nine
|
||
great boxes, "main heavy ones," with a horse and cart hired
|
||
by him for this purpose.
|
||
I asked him if he could tell me the number of the
|
||
house in Piccadilly, to which he replied, "Well, guv'nor, I
|
||
forgits the number, but it was only a few door from a big
|
||
white church, or somethink of the kind, not long built. It
|
||
was a dusty old 'ouse, too, though nothin' to the dustiness
|
||
of the 'ouse we tooked the bloomin' boxes from."
|
||
"How did you get in if both houses were empty?"
|
||
"There was the old party what engaged me a waitin' in
|
||
the 'ouse at Purfleet. He 'elped me to lift the boxes and
|
||
put them in the dray. Curse me, but he was the strongest
|
||
chap I ever struck, an' him a old feller, with a white mous-
|
||
tache, one that thin you would think he couldn't throw a
|
||
shadder."
|
||
How this phrase thrilled through me!
|
||
"Why, 'e took up 'is end o' the boxes like they was
|
||
pounds of tea, and me a puffin' an' a blowin' afore I could
|
||
upend mine anyhow, an' I'm no chicken, neither."
|
||
"How did you get into the house in Piccadilly?" I asked.
|
||
"He was there too. He must 'a started off and got there
|
||
afore me, for when I rung of the bell he kem an' opened the
|
||
door 'isself an' 'elped me carry the boxes into the 'all."
|
||
"The whole nine?" I asked.
|
||
"Yus, there was five in the first load an' four in the
|
||
second. It was main dry work, an' I don't so well remember
|
||
'ow I got 'ome."
|
||
I interrupted him, "Were the boxes left in the hall?"
|
||
"Yus, it was a big 'all, an' there was nothin' else in
|
||
it."
|
||
I made one more attempt to further matters. "You didn't
|
||
have any key?"
|
||
"Never used no key nor nothink. The old gent, he opened
|
||
the door 'isself an' shut it again when I druv off. I don't
|
||
remember the last time, but that was the beer."
|
||
"And you can't remember the number of the house?"
|
||
"No, sir. But ye needn't have no difficulty about that.
|
||
It's a 'igh 'un with a stone front with a bow on it, an'
|
||
'igh steps up to the door. I know them steps, 'avin' 'ad to
|
||
carry the boxes up with three loafers what come round to
|
||
earn a copper. The old gent give them shillin's, an' they
|
||
seein' they got so much, they wanted more. But 'e took one
|
||
of them by the shoulder and was like to throw 'im down the
|
||
steps, till the lot of them went away cussin'."
|
||
I thought that with this description I could find the
|
||
house, so having paid my friend for his information,I start-
|
||
ed off for Piccadilly.I had gained a new painful experience.
|
||
The Count could, it was evident, handle the earth boxes him-
|
||
self. If so, time was precious, for now that he had achieved
|
||
a certain amount of distribution, he could, by choosing his
|
||
own time, complete the task unobserved. At Piccadilly Circus
|
||
I discharged my cab, and walked westward. Beyond the Junior
|
||
Constitutional I came across the house described and was sat-
|
||
isfied that this was the next of the lairs arranged by
|
||
Dracula. The house looked as though it had been long unten-
|
||
anted. The windows were encrusted with dust, and the
|
||
shutters were up. All the framework was black with time, and
|
||
from the iron the paint had mostly scaled away. It was evi-
|
||
dent that up to lately there had been a large notice board
|
||
in front of the balcony. It had, however, been roughly torn
|
||
away, the uprights which had supported it still remaining.
|
||
Behind the rails of the balcony I saw there were some loose
|
||
boards, whose raw edges looked white. I would have given a
|
||
good deal to have been able to see the notice board intact,
|
||
as it would, perhaps, have given some clue to the ownership
|
||
of the house. I remembered my experience of the investiga-
|
||
tion and purchase of Carfax, and I could not but feel that I
|
||
could find the former owner there might be some means disco-
|
||
vered of gaining access to the house.
|
||
There was at present nothing to be learned from the
|
||
Piccadilly side, and nothing could be done, so I went around
|
||
to the back to see if anything could be gathered from this
|
||
quarter. The mews were active, the Piccadilly houses being
|
||
mostly in occupation. I asked one or two of the grooms and
|
||
helpers whom I saw around if they could tell me anything
|
||
about the empty house. One of them said that he heard it had
|
||
lately been taken, but he couldn't say from whom.He told me,
|
||
however,that up to very lately there had been a notice board
|
||
of "For Sale" up, and that perhaps Mitchell, Sons, & Candy
|
||
the house agents could tell me something, as he thought he
|
||
remembered seeing the name of that firm on the board. I did
|
||
not wish to seem too eager, or to let my informant know or
|
||
guess too much,so thanking him in the usual manner,I strol-
|
||
led away. It was now growing dusk, and the autumn night was
|
||
closing in, so I did not lose any time. Having learned the
|
||
address of Mitchell, Sons, & Candy from a directory at the
|
||
Berkeley, I was soon at their office in Sackville Street.
|
||
The gentleman who saw me was particularly suave in man-
|
||
ner, but uncommunicative in equal proportion. Having once
|
||
told me that the Piccadilly house, which throughout our in-
|
||
terview he called a "mansion," was sold, he considered my
|
||
business as concluded. When I asked who had purchased it, he
|
||
opened his eyes a thought wider, and paused a few seconds
|
||
before replying, "It is sold, sir."
|
||
"Pardon me," I said, with equal politeness, "but I have
|
||
a special reason for wishing to know who purchased it."
|
||
Again he paused longer, and raised his eyebrows still
|
||
more. "It is sold, sir," was again his laconic reply.
|
||
"Surely," I said, "you do not mind letting me know so
|
||
much."
|
||
"But I do mind," he answered. "The affairs of their
|
||
clients are absolutely safe in the hands of Mitchell, Sons,
|
||
& Candy."
|
||
This was manifestly a prig of the first water,and there
|
||
was no use arguing with him. I thought I had best meet him
|
||
on his own ground, so I said, "Your clients, sir, are happy
|
||
in having so resolute a guardian of their confidence. I am
|
||
myself a professional man."
|
||
Here I handed him my card. "In this instance I am not
|
||
prompted by curiosity, I act on the part of Lord Godalming,
|
||
who wishes to know something of the property which was, he
|
||
understood, lately for sale."
|
||
These words put a different complexion on affairs. He
|
||
said, "I would like to oblige you if I could, Mr. Harker,
|
||
and especially would I like to oblige his lordship. We once
|
||
carried out a small matter of renting some chambers for him
|
||
when he was the Honorable Arthur Holmwood. If you will let
|
||
me have his lordship's address I will consult the House on
|
||
the subject, and will, in any case, communicate with his
|
||
lordship by tonight's post. It will be a pleasure if we can
|
||
so far deviate from our rules as to give the required infor-
|
||
mation to his lordship."
|
||
I wanted to secure a friend, and not to make an enemy,
|
||
so I thanked him, gave the address at Dr. Seward's and came
|
||
away. It was now dark, and I was tired and hungry. I got
|
||
a cup of tea at the Aerated Bread Company and came down to
|
||
Purfleet by the next train.
|
||
I found all the others at home. Mina was looking tired
|
||
and pale, but she made a gallant effort to be bright and
|
||
cheerful. It wrung my heart to think that I had had to keep
|
||
anything from her and so caused her inquietude. Thank God,
|
||
this will be the last night of her looking on at our con-
|
||
ferences, and feeling the sting of our not showing our con-
|
||
fidence. It took all my courage to hold to the wise reso-
|
||
lution of keeping her out of our grim task. She seems some-
|
||
how more reconciled, or else the very subject seems to have
|
||
become repugnant to her, for when any accidental allusion is
|
||
made she actually shudders. I am glad we made our resolution
|
||
in time,as with such a feeling as this,our growing knowledge
|
||
would be torture to her.
|
||
I could not tell the others of the day's discovery till
|
||
we were alone, so after dinner, followed by a little music
|
||
to save appearances even amongst ourselves, I took Mina to
|
||
her room and left her to go to bed. The dear girl was more
|
||
affectionate with me than ever,and clung to me as though she
|
||
would detain me, but there was much to be talked of and I
|
||
came away. Thank God, the ceasing of telling things has made
|
||
no difference between us.
|
||
When I came down again I found the others all gathered
|
||
round the fire in the study. In the train I had written my
|
||
diary so far, and simply read it off to them as the best
|
||
means of letting them get abreast of my own information.
|
||
When I had finished Van Helsing said, "This has been a
|
||
great day's work, friend Jonathan. Doubtless we are on the
|
||
track of the missing boxes. If we find them all in that
|
||
house, then our work is near the end. But if there be some
|
||
missing, we must search until we find them. Then shall we
|
||
make our final coup, and hunt the wretch to his real death."
|
||
We all sat silent awhile and all at once Mr. Morris
|
||
spoke, "Say! How are we going to get into that house?"
|
||
"We got into the other,"answered Lord Godalming quickly.
|
||
"But, Art, this is different. We broke house at Carfax,
|
||
but we had night and a walled park to protect us. It will be
|
||
a mighty different thing to commit burglary in Piccadilly,
|
||
either by day or night. I confess I don't see how we are
|
||
going to get in unless that agency duck can find us a key of
|
||
some sort."
|
||
Lord Godalming's brows contracted, and he stood up and
|
||
walked about the room.By-and-by he stopped and said, turning
|
||
from one to another of us, "Quincey's head is level. This
|
||
burglary business is getting serious. We got off once all
|
||
right, but we have now a rare job on hand. Unless we can
|
||
find the Count's key basket."
|
||
As nothing could well be done before morning, and as it
|
||
would be at least advisable to wait till Lord Godalming
|
||
should hear from Mitchell's, we decided not to take any ac-
|
||
tive step before breakfast time. For a good while we sat
|
||
and smoked, discussing the matter in its various lights and
|
||
bearings. I took the opportunity of bringing this diary
|
||
right up to the moment. I am very sleepy and shall go to
|
||
bed . . .
|
||
Just a line. Mina sleeps soundly and her breathing is
|
||
regular. Her forehead is puckered up into little wrinkles,
|
||
as though she thinks even in her sleep. She is still too
|
||
pale, but does not look so haggard as she did this morning.
|
||
Tomorrow will, I hope, mend all this. She will be herself
|
||
at home in Exeter. Oh, but I am sleepy!
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
1 October.--I am puzzled afresh about Renfield. His
|
||
moods change so rapidly that I find it difficult to keep
|
||
touch of them, and as they always mean something more than
|
||
his own well-being, they form a more than interesting study.
|
||
This morning, when I went to see him after his repulse of
|
||
Van Helsing, his manner was that of a man commanding destiny.
|
||
He was, in fact, commanding destiny,subjectively. He did not
|
||
really care for any of the things of mere earth, he was in
|
||
the clouds and looked down on all the weaknesses and wants
|
||
of us poor mortals.
|
||
I thought I would improve the occasion and learn some-
|
||
thing, so I asked him, "What about the flies these times?"
|
||
He smiled on me in quite a superior sort of way, such
|
||
a smile as would have become the face of Malvolio, as he
|
||
answered me, "The fly, my dear sir, has one striking feature.
|
||
It's wings are typical of the aerial powers of the psychic
|
||
faculties. The ancients did well when they typified the soul
|
||
as a butterfly!"
|
||
I thought I would push his analogy to its utmost logi-
|
||
cally, so I said quickly, "Oh, it is a soul you are after
|
||
now, is it?"
|
||
His madness foiled his reason,and a puzzled look spread
|
||
over his face as, shaking his head with a decision which I
|
||
had but seldom seen in him.
|
||
He said, "Oh, no, oh no! I want no souls. Life is all
|
||
I want." Here he brightened up. "I am pretty indifferent
|
||
about it at present. Life is all right. I have all I want.
|
||
You must get a new patient, doctor, if you wish to study
|
||
zoophagy!"
|
||
This puzzled me a little, so I drew him on. "Then you
|
||
command life. You are a god, I suppose?"
|
||
He smiled with an ineffably benign superiority. "Oh no!
|
||
Far be it from me to arrogate to myself the attributes of
|
||
the Deity. I am not even concerned in His especially spirit-
|
||
ual doings. If I may state my intellectual position I am,
|
||
so far as concerns things purely terrestrial,somewhat in the
|
||
position which Enoch occupied spiritually!"
|
||
This was a poser to me.I could not at the moment recall
|
||
Enoch's appositeness, so I had to ask a simple question,
|
||
though I felt that by so doing I was lowering myself in the
|
||
eyes of the lunatic. "And why with Enoch?"
|
||
"Because he walked with God."
|
||
I could not see the analogy, but did not like to admit
|
||
it, so I harked back to what he had denied. "So you don't
|
||
care about life and you don't want souls. Why not?" I put
|
||
my question quickly and somewhat sternly, on purpose to dis-
|
||
concert him.
|
||
The effort succeeded, for an instant he unconsciously
|
||
relapsed into his old servile manner, bent low before me,
|
||
and actually fawned upon me as he replied. "I don't want
|
||
any souls, indeed, indeed! I don't. I couldn't use them if
|
||
I had them. They would be no manner of use to me. I couldn't
|
||
eat them or . . ."
|
||
He suddenly stopped and the old cunning look spread
|
||
over his face, like a wind sweep on the surface of the water.
|
||
"And doctor, as to life, what is it after all? When
|
||
you've got all you require, and you know that you will never
|
||
want, that is all. I have friends, good friends, like you,
|
||
Dr. Seward."This was said with a leer of inexpressible cunn-
|
||
ing. "I know that I shall never lack the means of life!"
|
||
I think that through the cloudiness of his insanity he
|
||
saw some antagonism in me, for he at once fell back on the
|
||
last refuge of such as he, a dogged silence. After a short
|
||
time I saw that for the present it was useless to speak to
|
||
him. He was sulky, and so I came away.
|
||
Later in the day he sent for me. Ordinarily I would
|
||
not have come without special reason, but just at present
|
||
I am so interested in him that I would gladly make an effort.
|
||
Besides, I am glad to have anything to help pass the time.
|
||
Harker is out, following up clues, and so are Lord Godalming
|
||
and Quincey. Van Helsing sits in my study poring over the
|
||
record prepared by the Harkers. He seems to think that by
|
||
accurate knowledge of all details he will light up on some
|
||
clue. He does not wish to be disturbed in the work, without
|
||
cause. I would have taken him with me to see the patient,
|
||
only I thought that after his last repulse he might not care
|
||
to go again. There was also another reason. Renfield might
|
||
not speak so freely before a third person as when he and I
|
||
were alone.
|
||
I found him sitting in the middle of the floor on his
|
||
stool, a pose which is generally indicative of some mental
|
||
energy on his part. When I came in, he said at once, as
|
||
though the question had been waiting on his lips. "What
|
||
about souls?"
|
||
It was evident then that my surmise had been correct.
|
||
Unconscious cerebration was doing its work, even with the
|
||
lunatic. I determined to have the matter out.
|
||
"What about them yourself?" I asked.
|
||
He did not reply for a moment but looked all around him,
|
||
and up and down, as though he expected to find some inspira-
|
||
tion for an answer.
|
||
"I don't want any souls!" He said in a feeble, apolo-
|
||
getic way. The matter seemed preying on his mind, and so I
|
||
determined to use it, to "be cruel only to be kind." So I
|
||
said, "You like life, and you want life?"
|
||
"Oh yes! But that is all right. You needn't worry about
|
||
that!"
|
||
"But," I asked,"how are we to get the life without get-
|
||
ting the soul also?"
|
||
This seemed to puzzle him, so I followed it up, "A nice
|
||
time you'll have some time when you're flying out here, with
|
||
the souls of thousands of flies and spiders and birds and
|
||
cats buzzing and twittering and moaning all around you.
|
||
You've got their lives, you know, and you must put up with
|
||
their souls!"
|
||
Something seemed to affect his imagination, for he put
|
||
his fingers to his ears and shut his eyes, screwing them up
|
||
tightly just as a small boy does when his face is being
|
||
soaped. There was something pathetic in it that touched me.
|
||
It also gave me a lesson, for it seemed that before me was a
|
||
child, only a child, though the features were worn, and the
|
||
stubble on the jaws was white. It was evident that he was
|
||
undergoing some process of mental disturbance, and knowing
|
||
how his past moods had interpreted things seemingly foreign
|
||
to himself, I thought I would enter into his mind as well as
|
||
I could and go with him
|
||
The first step was to restore confidence, so I asked
|
||
him, speaking pretty loud so that he would hear me through
|
||
his closed ears,"Would you like some sugar to get your flies
|
||
around again?"
|
||
He seemed to wake up all at once, and shook his head.
|
||
With a laugh he replied, "Not much! Flies are poor things,
|
||
after all!" After a pause he added, "But I don't want their
|
||
souls buzzing round me, all the same."
|
||
"Or spiders?" I went on.
|
||
"Blow spiders! What's the use of spiders? There isn't
|
||
anything in them to eat or . . ." He stopped suddenly as
|
||
though reminded of a forbidden topic.
|
||
"So, so!" I thought to myself, "this is the second time
|
||
he has suddenly stopped at the word `drink'. What does it
|
||
mean?"
|
||
Renfield seemed himself aware of having made a lapse,
|
||
for he hurried on, as though to distract my attention from
|
||
it, "I don't take any stock at all in such matters. `Rats
|
||
and mice and such small deer,' as Shakespeare has it,
|
||
`chicken feed of the larder' they might be called. I'm past
|
||
all that sort of nonsense. You might as well ask a man to
|
||
eat molecules with a pair of chopsticks, as to try to inter-
|
||
est me about the less carnivora, when I know of what is
|
||
before me."
|
||
"I see," I said."You want big things that you can make
|
||
your teeth meet in? How would you like to breakfast on an
|
||
elephant?"
|
||
"What ridiculous nonsense you are talking?" He was
|
||
getting too wide awake, so I thought I would press him hard.
|
||
"I wonder," I said reflectively, "what an elephant's
|
||
soul is like!"
|
||
The effect I desired was obtained, for he at once fell
|
||
from his high-horse and became a child again.
|
||
"I don't want an elephant's soul, or any soul at all!"
|
||
he said. For a few moments he sat despondently. Suddenly
|
||
he jumped to his feet, with his eyes blazing and all the
|
||
signs of intense cerebral excitement. "To hell with you and
|
||
your souls!" he shouted. "Why do you plague me about souls?
|
||
Haven't I got enough to worry, and pain, to distract me al-
|
||
ready, without thinking of souls?"
|
||
He looked so hostile that I thought he was in for anot-
|
||
her homicidal fit, so I blew my whistle.
|
||
The instant, however, that I did so he became calm, and
|
||
said apologetically, "Forgive me, Doctor. I forgot myself.
|
||
You do not need any help. I am so worried in my mind that I
|
||
am apt to be irritable. If you only knew the problem I have
|
||
to face, and that I am working out, you would pity, and tol-
|
||
erate, and pardon me. Pray do not put me in a strait waist-
|
||
coat. I want to think and I cannot think freely when my body
|
||
is confined. I am sure you will understand!"
|
||
He had evidently self-control, so when the attendants
|
||
came I told them not to mind, and they withdrew. Renfield
|
||
watched them go. When the door was closed he said with con-
|
||
siderable dignity and sweetness, "Dr. Seward, you have been
|
||
very considerate towards me. Believe me that I am very,very
|
||
grateful to you!"
|
||
I thought it well to leave him in this mood, and so I
|
||
came away. There is certainly something to ponder over in
|
||
this man's state. Several points seem to make what the
|
||
American interviewer calls "a story," if one could only get
|
||
them in proper order. Here they are:
|
||
Will not mention "drinking."
|
||
Fears the thought of being burdened with the "soul" of
|
||
anything.
|
||
Has no dread of wanting "life" in the future.
|
||
Despises the meaner forms of life altogether, though he
|
||
dreads being haunted by their souls.
|
||
Logically all these things point one way! He has assu-
|
||
rance of some kind that he will acquire some higher life.
|
||
He dreads the consequence, the burden of a soul.Then it
|
||
is a human life he looks to!
|
||
And the assurance . . . ?
|
||
Merciful God! The Count has been to him, and there is
|
||
some new scheme of terror afoot!
|
||
|
||
Later.--I went after my round to Van Helsing and told
|
||
him my suspicion. He grew very grave, and after thinking the
|
||
matter over for a while asked me to take him to Renfield. I
|
||
did so. As we came to the door we heard the lunatic within
|
||
singing gaily, as he used to do in the time which now seems
|
||
so long ago.
|
||
When we entered we saw with amazement that he had
|
||
spread out his sugar as of old. The flies, lethargic with
|
||
the autumn, were beginning to buzz into the room. We tried
|
||
to make him talk of the subject of our previous conversation,
|
||
but he would not attend. He went on with his singing, just
|
||
as though we had not been present. He had got a scrap of
|
||
paper and was folding it into a notebook. We had to come
|
||
away as ignorant as we went in.
|
||
His is a curious case indeed. We must watch him tonight.
|
||
|
||
LETTER, MITCHELL, SONS & CANDY TO LORD GODALMING.
|
||
|
||
"1 October.
|
||
"My Lord,
|
||
"We are at all times only too happy to meet your wishes.
|
||
We beg, with regard to the desire of your Lordship,expressed
|
||
by Mr. Harker on your behalf, to supply the following infor-
|
||
mation concerning the sale and purchase of No.347,Piccadilly.
|
||
The original vendors are the executors of the late Mr. Arch-
|
||
ibald Winter-Suffield. The purchaser is a foreign nobleman,
|
||
Count de Ville, who effected the purchase himself paying the
|
||
purchase money in notes `over the counter,' if your Lordship
|
||
will pardon us using so vulgar an expression. Beyond this we
|
||
know nothing whatever of him.
|
||
"We are, my Lord,
|
||
"Your Lordship's humble servants,
|
||
"MITCHELL, SONS & CANDY."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
2 October.--I placed a man in the corridor last night,
|
||
and told him to make an accurate note of any sound he might
|
||
hear from Renfield's room, and gave him instructions that
|
||
if there should be anything strange he was to call me. After
|
||
dinner, when we had all gathered round the fire in the study,
|
||
Mrs. Harker having gone to bed,we discussed the attempts and
|
||
discoveries of the day. Harker was the only one who had any
|
||
result, and we are in great hopes that his clue may be an
|
||
important one.
|
||
Before going to bed I went round to the patient's room
|
||
and looked in through the observation trap. He was sleeping
|
||
soundly, his heart rose and fell with regular respiration.
|
||
This morning the man on duty reported to me that a
|
||
little after midnight he was restless and kept saying his
|
||
prayers somewhat loudly. I asked him if that was all. He
|
||
replied that it was all he heard. There was something about
|
||
his manner, so suspicious that I asked him point blank if he
|
||
had been asleep. He denied sleep, but admitted to having
|
||
"dozed" for a while.It is too bad that men cannot be trusted
|
||
unless they are watched.
|
||
Today Harker is out following up his clue, and Art and
|
||
Quincey are looking after horses. Godalming thinks that it
|
||
will be well to have horses always in readiness, for when
|
||
we get the information which we seek there will be no time
|
||
to lose. We must sterilize all the imported earth between
|
||
sunrise and sunset. We shall thus catch the Count at his
|
||
weakest, and without a refuge to fly to. Van Helsing is off
|
||
to the British Museum looking up some authorities on ancient
|
||
medicine. The old physicians took account of things which
|
||
their followers do not accept,and the Professor is searching
|
||
for witch and demon cures which may be useful to us later.
|
||
I sometimes think we must be all mad and that we shall
|
||
wake to sanity in strait waistcoats.
|
||
|
||
Later.--We have met again.We seem at last to be on the track,
|
||
and our work of tomorrow may be the beginning of the end. I
|
||
wonder if Renfield's quiet has anything to do with this. His
|
||
moods have so followed the doings of the Count, that the
|
||
coming destruction of the monster may be carried to him some
|
||
subtle way. If we could only get some hint as to what passed
|
||
in his mind, between the time of my argument with him today
|
||
and his resumption of fly-catching, it might afford us a
|
||
valuable clue. He is now seemingly quiet for a spell . . .
|
||
Is he? That wild yell seemed to come from his room . . .
|
||
The attendant came bursting into my room and told me
|
||
that Renfield had somehow met with some accident. He had
|
||
heard him yell, and when he went to him found him lying on
|
||
his face on the floor, all covered with blood. I must go at
|
||
once . . .
|
||
|
||
|
||
CHAPTER 21
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
3 October.--Let me put down with exactness all that
|
||
happened, as well as I can remember, since last I made an
|
||
entry. Not a detail that I can recall must be forgotten. In
|
||
all calmness I must proceed.
|
||
When I came to Renfield's room I found him lying on the
|
||
floor on his left side in a glittering pool of blood. When I
|
||
went to move him, it became at once apparent that he had re-
|
||
ceived some terrible injuries.There seemed none of the unity
|
||
of purpose between the parts of the body which marks even
|
||
lethargic sanity. As the face was exposed I could see that
|
||
it was horribly bruised,as though it had been beaten against
|
||
the floor. Indeed it was from the face wounds that the pool
|
||
of blood originated.
|
||
The attendant who was kneeling beside the body said to
|
||
me as we turned him over, "I think, sir, his back is broken.
|
||
See, both his right arm and leg and the whole side of his
|
||
face are paralysed." How such a thing could have happened
|
||
puzzled the attendant beyond measure. He seemed quite bewil-
|
||
dered, and his brows were gathered in as he said, "I can't
|
||
understand the two things. He could mark his face like that
|
||
by beating his own head on the floor. I saw a young woman do
|
||
it once at the Eversfield Asylum before anyone could lay
|
||
hands on her. And I suppose he might have broken his neck by
|
||
falling out of bed, if he got in an awkward kink. But for
|
||
the life of me I can't imagine how the two things occurred.
|
||
If his back was broke, he couldn't beat his head, and if his
|
||
face was like that before the fall out of bed,there would be
|
||
marks of it."
|
||
I said to him, "Go to Dr. Van Helsing, and ask him to
|
||
kindly come here at once. I want him without an instant's
|
||
delay."
|
||
The man ran off, and within a few minutes the Professor,
|
||
in his dressing gown and slippers, appeared. When he saw
|
||
Renfield on the ground, he looked keenly at him a moment,and
|
||
then turned to me. I think he recognized my thought in my
|
||
eyes, for he said very quietly, manifestly for the ears of
|
||
the attendant, "Ah, a sad accident! He will need very care-
|
||
ful watching, and much attention. I shall stay with you my-
|
||
self, but I shall first dress myself. If you will remain I
|
||
shall in a few minutes join you."
|
||
The patient was now breathing stertorously and it was
|
||
easy to see that he had suffered some terrible injury.
|
||
Van Helsing returned with extraordinary celerity, bear-
|
||
ing with him a surgical case. He had evidently been thinking
|
||
and had his mind made up, for almost before he looked at the
|
||
patient, he whispered to me, "Send the attendant away. We
|
||
must be alone with him when he becomes conscious, after the
|
||
operation."
|
||
I said, "I think that will do now, Simmons. We have
|
||
done all that we can at present. You had better go your
|
||
round,and Dr. Van Helsing will operate. Let me know instant-
|
||
ly if there be anything unusual anywhere."
|
||
The man withdrew, and we went into a strict examination
|
||
of the patient. The wounds of the face were superficial.The
|
||
real injury was a depressed fracture of the skull, extending
|
||
right up through the motor area.
|
||
The Professor thought a moment and said,"We must reduce
|
||
the pressure and get back to normal conditions,as far as can
|
||
be. The rapidity of the suffusion shows the terrible nature
|
||
of his injury. The whole motor area seems affected. The
|
||
suffusion of the brain will increase quickly, so we must tre-
|
||
phine at once or it may be too late."
|
||
As he was speaking there was a soft tapping at the door.
|
||
I went over and opened it and found in the corridor without,
|
||
Arthur and Quincey in pajamas and slippers,the former spoke,
|
||
"I heard your man call up Dr. Van Helsing and tell him of an
|
||
accident. So I woke Quincey or rather called for him as he
|
||
was not asleep. Things are moving too quickly and too
|
||
strangely for sound sleep for any of us these times. I've
|
||
been thinking that tomorrow night will not see things as
|
||
they have been. We'll have to look back, and forward a
|
||
little more than we have done. May we come in?"
|
||
I nodded, and held the door open till they had entered,
|
||
then I closed it again. When Quincey saw the attitude and
|
||
state of the patient, and noted the horrible pool on the
|
||
floor, he said softly, "My God! What has happened to him?
|
||
Poor, poor devil!"
|
||
I told him briefly, and added that we expected he would
|
||
recover consciousness after the operation, for a short time,
|
||
at all events. He went at once and sat down on the edge of
|
||
the bed, with Godalming beside him. We all watched in
|
||
patience.
|
||
"We shall wait," said Van Helsing, "just long enough to
|
||
fix the best spot for trephining,so that we may most quickly
|
||
and perfectly remove the blood clot, for it is evident that
|
||
the haemorrhage is increasing."
|
||
The minutes during which we waited passed with fearful
|
||
slowness. I had a horrible sinking in my heart, and from
|
||
Van Helsing's face I gathered that he felt some fear or
|
||
apprehension as to what was to come. I dreaded the words
|
||
Renfield might speak. I was positively afraid to think. But
|
||
the conviction of what was coming was on me, as I have read
|
||
of men who have heard the death watch.The poor man's breath-
|
||
ing came in uncertain gasps.Each instant he seemed as though
|
||
he would open his eyes and speak, but then would follow a
|
||
prolonged stertorous breath,and he would relapse into a more
|
||
fixed insensibility. Inured as I was to sick beds and death,
|
||
this suspense grew and grew upon me. I could almost hear the
|
||
beating of my own heart, and the blood surging through my
|
||
temples sounded like blows from a hammer.The silence finally
|
||
became agonizing. I looked at my companions, one after ano-
|
||
ther, and saw from their flushed faces and damp brows that
|
||
they were enduring equal torture. There was a nervous sus-
|
||
pense over us all, as though overhead some dread bell would
|
||
peal out powerfully when we should least expect it.
|
||
At last there came a time when it was evident that the
|
||
patient was sinking fast. He might die at any moment. I
|
||
looked up at the Professor and caught his eyes fixed on mine.
|
||
His face was sternly set as he spoke, "There is no time to
|
||
lose. His words may be worth many lives. I have been think-
|
||
ing so, as I stood here. It may be there is a soul at stake!
|
||
We shall operate just above the ear."
|
||
Without another word he made the operation. For a few
|
||
moments the breathing continued to be stertorous. Then there
|
||
came a breath so prolonged that it seemed as though it would
|
||
tear open his chest. Suddenly his eyes opened, and became
|
||
fixed in a wild, helpless stare.This was continued for a few
|
||
moments, then it was softened into a glad surprise, and from
|
||
his lips came a sigh of relief.He moved convulsively, and as
|
||
he did so, said, "I'll be quiet, Doctor. Tell them to take
|
||
off the strait waistcoat. I have had a terrible dream, and
|
||
it has left me so weak that I cannot move. What's wrong with
|
||
my face? It feels all swollen, and it smarts dreadfully."
|
||
He tried to turn his head, but even with the effort his
|
||
eyes seemed to grow glassy again so I gently put it back.
|
||
Then Van Helsing said in a quiet grave tone, "Tell us your
|
||
dream, Mr. Renfield."
|
||
As he heard the voice his face brightened, through its
|
||
mutilation, and he said, "That is Dr. Van Helsing. How
|
||
good it is of you to be here. Give me some water, my lips
|
||
are dry, and I shall try to tell you. I dreamed" . . .
|
||
He stopped and seemed fainting. I called quietly to
|
||
Quincey, "The brandy, it is in my study, quick!" He flew
|
||
and returned with a glass, the decanter of brandy and a
|
||
carafe of water. We moistened the parched lips, and the
|
||
patient quickly revived.
|
||
It seemed, however, that his poor injured brain had
|
||
been working in the interval,for when he was quite conscious,
|
||
he looked at me piercingly with an agonized confusion which
|
||
I shall never forget, and said, "I must not deceive myself.
|
||
It was no dream, but all a grim reality." Then his eyes
|
||
roved round the room. As they caught sight of the two
|
||
figures sitting patiently on the edge of the bed he went on,
|
||
"If I were not sure already, I would know from them."
|
||
For an instant his eyes closed, not with pain or sleep
|
||
but voluntarily,as though he were bringing all his faculties
|
||
to bear. When he opened them he said, hurriedly, and with
|
||
more energy than he had yet displayed, "Quick, Doctor,quick,
|
||
I am dying! I feel that I have but a few minutes, and then I
|
||
must go back to death, or worse! Wet my lips with brandy
|
||
again. I have something that I must say before I die. Or
|
||
before my poor crushed brain dies anyhow. Thank you! It was
|
||
that night after you left me, when I implored you to let me
|
||
go away. I couldn't speak then, for I felt my tongue was
|
||
tied. But I was as sane then, except in that way, as I am
|
||
now. I was in an agony of despair for a long time after you
|
||
left me, it seemed hours. Then there came a sudden peace to
|
||
me. My brain seemed to become cool again, and I realized
|
||
where I was. I heard the dogs bark behind our house, but not
|
||
where He was!"
|
||
As he spoke, Van Helsing's eyes never blinked, but his
|
||
hand came out and met mine and gripped it hard. He did not,
|
||
however, betray himself. He nodded slightly and said, "Go
|
||
on," in a low voice.
|
||
Renfield proceeded. "He came up to the window in the
|
||
mist, as I had seen him often before, but he was solid then,
|
||
not a ghost, and his eyes were fierce like a man's when
|
||
angry. He was laughing with his red mouth, the sharp white
|
||
teeth glinted in the moonlight when he turned to look back
|
||
over the belt of trees, to where the dogs were barking. I
|
||
wouldn't ask him to come in at first,though I knew he wanted
|
||
to, just as he had wanted all along. Then he began promising
|
||
me things, not in words but by doing them."
|
||
He was interrupted by a word from the Professor, "How?"
|
||
"By making them happen. Just as he used to send in the
|
||
flies when the sun was shining. Great big fat ones with
|
||
steel and sapphire on their wings. And big moths, in the
|
||
night, with skull and cross-bones on their backs."
|
||
Van Helsing nodded to him as he whispered to me uncon-
|
||
sciously, "The Acherontia Atropos of the Sphinges, what you
|
||
call the `Death's-head Moth'?"
|
||
The patient went on without stopping, "Then he began
|
||
to whisper.`Rats, rats, rats! Hundreds, thousands, millions
|
||
of them, and every one a life.And dogs to eat them, and cats
|
||
too. All lives! All red blood, with years of life in it, and
|
||
not merely buzzing flies!' I laughed at him, for I wanted to
|
||
see what he could do. Then the dogs howled, away beyond the
|
||
dark trees in His house. He beckoned me to the window. I got
|
||
up and looked out,and He raised his hands,and seemed to call
|
||
out without using any words. A dark mass spread over the
|
||
grass, coming on like the shape of a flame of fire. And then
|
||
He moved the mist to the right and left,and I could see that
|
||
there were thousands of rats with their eyes blazing red,
|
||
like His only smaller. He held up his hand, and they all
|
||
stopped, and I thought he seemed to be saying, `All these
|
||
lives will I give you, ay,and many more and greater, through
|
||
countless ages, if you will fall down and worship me!' And
|
||
then a red cloud, like the color of blood, seemed to close
|
||
over my eyes, and before I knew what I was doing, I found
|
||
myself opening the sash and saying to Him, `Come in, Lord
|
||
and Master!' The rats were all gone, but He slid into the
|
||
room through the sash, though it was only open an inch wide,
|
||
just as the Moon herself has often come in through the tini-
|
||
est crack and has stood before me in all her size and
|
||
splendor."
|
||
His voice was weaker, so I moistened his lips with the
|
||
brandy again, and he continued, but it seemed as though his
|
||
memory had gone on working in the interval for his story was
|
||
further advanced. I was about to call him back to the point,
|
||
but Van Helsing whispered to me, "Let him go on. Do not
|
||
interrupt him. He cannot go back, and maybe could not pro-
|
||
ceed at all if once he lost the thread of his thought."
|
||
He proceeded, "All day I waited to hear from him, but
|
||
he did not send me anything, not even a blowfly,and when the
|
||
moon got up I was pretty angry with him.When he did slide in
|
||
through the window, though it was shut, and did not even
|
||
knock, I got mad with him. He sneered at me, and his white
|
||
face looked out of the mist with his red eyes gleaming, and
|
||
he went on as though he owned the whole place, and I was no
|
||
one. He didn't even smell the same as he went by me. I
|
||
couldn't hold him. I thought that, somehow, Mrs. Harker had
|
||
come into the room."
|
||
The two men sitting on the bed stood up and came over,
|
||
standing behind him so that he could not see them, but where
|
||
they could hear better. They were both silent, but the Pro-
|
||
fessor started and quivered. His face, however,grew grimmer
|
||
and sterner still. Renfield went on without noticing, "When
|
||
Mrs. Harker came in to see me this afternoon she wasn't the
|
||
same. It was like tea after the teapot has been watered."
|
||
Here we all moved, but no one said a word.
|
||
He went on, "I didn't know that she was here till she
|
||
spoke, and she didn't look the same. I don't care for the
|
||
pale people. I like them with lots of blood in them, and
|
||
hers all seemed to have run out. I didn't think of it at the
|
||
time, but when she went away I began to think,and it made me
|
||
mad to know that He had been taking the life out of her." I
|
||
could feel that the rest quivered, as I did. But we remained
|
||
otherwise still. "So when He came tonight I was ready for
|
||
Him. I saw the mist stealing in, and I grabbed it tight. I
|
||
had heard that madmen have unnatural strength. And as I knew
|
||
I was a madman, at times anyhow, I resolved to use my power.
|
||
Ay, and He felt it too,for He had to come out of the mist to
|
||
struggle with me. I held tight, and I thought I was going to
|
||
win,for I didn't mean Him to take any more of her life, till
|
||
I saw His eyes. They burned into me, and my strength became
|
||
like water. He slipped through it, and when I tried to cling
|
||
to Him, He raised me up and flung me down. There was a red
|
||
cloud before me,and a noise like thunder,and the mist seemed
|
||
to steal away under the door."
|
||
His voice was becoming fainter and his breath more ster-
|
||
torous. Van Helsing stood up instinctively.
|
||
"We know the worst now," he said. "He is here, and we
|
||
know his purpose. It may not be too late. Let us be armed,
|
||
the same as we were the other night, but lose no time, there
|
||
is not an instant to spare."
|
||
There was no need to put our fear, nay our conviction,
|
||
into words, we shared them in common. We all hurried and
|
||
took from our rooms the same things that we had when we
|
||
entered the Count's house. The Professor had his ready, and
|
||
as we met in the corridor he pointed to them significantly
|
||
as he said, "They never leave me, and they shall not till
|
||
this unhappy business is over. Be wise also, my friends. It
|
||
is no common enemy that we deal with Alas! Alas! That dear
|
||
Madam Mina should suffer!" He stopped,his voice was breaking,
|
||
and I do not know if rage or terror predominated in my own
|
||
heart.
|
||
Outside the Harkers' door we paused. Art and Quincey
|
||
held back, and the latter said, "Should we disturb her?"
|
||
"We must," said Van Helsing grimly. "If the door be
|
||
locked, I shall break it in."
|
||
"May it not frighten her terribly? It is unusual to
|
||
break into a lady's room!"
|
||
Van Helsing said solemnly, "You are always right. But
|
||
this is life and death. All chambers are alike to the doctor.
|
||
And even were they not they are all as one to me tonight.
|
||
Friend John, when I turn the handle, if the door does not
|
||
open, do you put your shoulder down and shove. And you too,
|
||
my friends. Now!"
|
||
He turned the handle as he spoke, but the door did not
|
||
yield. We threw ourselves against it. With a crash it burst
|
||
open, and we almost fell headlong into the room. The Pro-
|
||
fessor did actually fall,and I saw across him as he gathered
|
||
himself up from hands and knees. What I saw appalled me. I
|
||
felt my hair rise like bristles on the back of my neck, and
|
||
my heart seemed to stand still.
|
||
The moonlight was so bright that through the thick
|
||
yellow blind the room was light enough to see. On the bed
|
||
beside the window lay Jonathan Harker, his face flushed and
|
||
breathing heavily as though in a stupor. Kneeling on the
|
||
near edge of the bed facing outwards was the white-clad
|
||
figure of his wife. By her side stood a tall, thin man,clad
|
||
in black. His face was turned from us, but the instant we
|
||
saw we all recognized the Count, in every way, even to the
|
||
scar on his forehead. With his left hand he held both Mrs.
|
||
Harker's hands, keeping them away with her arms at full ten-
|
||
sion. His right hand gripped her by the back of the neck,
|
||
forcing her face down on his bosom. Her white night-dress
|
||
was smeared with blood, and a thin stream trickled down the
|
||
man's bare chest which was shown by his torn-open dress. The
|
||
attitude of the two had a terrible resemblance to a child
|
||
forcing a kitten's nose into a saucer of milk to compel it
|
||
to drink. As we burst into the room, the Count turned his
|
||
face, and the hellish look that I had heard described seemed
|
||
to leap into it. His eyes flamed red with devilish passion.
|
||
The great nostrils of the white aquiline nose opened wide
|
||
and quivered at the edge, and the white sharp teeth, behind
|
||
the full lips of the blood dripping mouth, clamped together
|
||
like those of a wild beast. With a wrench, which threw his
|
||
victim back upon the bed as though hurled from a height, he
|
||
turned and sprang at us. But by this time the Professor had
|
||
gained his feet, and was holding towards him the envelope
|
||
which contained the Sacred Wafer. The Count suddenly stopped,
|
||
just as poor Lucy had done outside the tomb, and cowered
|
||
back. Further and further back he cowered, as we, lifting
|
||
our crucifixes, advanced. The moonlight suddenly failed, as
|
||
a great black cloud sailed across the sky. And when the
|
||
gaslight sprang up under Quincey's match, we saw nothing but
|
||
a faint vapor. This, as we looked, trailed under the door,
|
||
which with the recoil from its bursting open, had swung back
|
||
to its old position. Van Helsing, Art, and I moved forward
|
||
to Mrs. Harker, who by this time had drawn her breath and
|
||
with it had given a scream so wild, so ear-piercing, so des-
|
||
pairing that it seems to me now that it will ring in my ears
|
||
till my dying day. For a few seconds she lay in her helpless
|
||
attitude and disarray. Her face was ghastly, with a pallor
|
||
which was accentuated by the blood which smeared her lips
|
||
and cheeks and chin. From her throat trickled a thin stream
|
||
of blood. Her eyes were mad with terror. Then she put before
|
||
her face her poor crushed hands, which bore on their white-
|
||
ness the red mark of the Count's terrible grip, and from
|
||
behind them came a low desolate wail which made the terrible
|
||
scream seem only the quick expression of an endless grief.
|
||
Van Helsing stepped forward and drew the coverlet gently
|
||
over her body, whilst Art, after looking at her face for an
|
||
instant despairingly, ran out of the room.
|
||
Van Helsing whispered to me, "Jonathan is in a stupor
|
||
such as we know the Vampire can produce. We can do nothing
|
||
with poor Madam Mina for a few moments till she recovers
|
||
herself. I must wake him!"
|
||
He dipped the end of a towel in cold water and with it
|
||
began to flick him on the face, his wife all the while hold-
|
||
ing her face between her hands and sobbing in a way that was
|
||
heart breaking to hear. I raised the blind, and looked out
|
||
of the window. There was much moonshine, and as I looked I
|
||
could see Quincey Morris run across the lawn and hide him-
|
||
self in the shadow of a great yew tree. It puzzled me to
|
||
think why he was doing this. But at the instant I heard Har-
|
||
ker's quick exclamation as he woke to partial consciousness,
|
||
and turned to the bed. On his face, as there might well be,
|
||
was a look of wild amazement. He seemed dazed for a few se-
|
||
conds, and then full consciousness seemed to burst upon him
|
||
all at once, and he started up.
|
||
His wife was aroused by the quick movement, and turned
|
||
to him with her arms stretched out,as though to embrace him.
|
||
Instantly, however, she drew them in again, and putting her
|
||
elbows together,held her hands before her face,and shuddered
|
||
till the bed beneath her shook.
|
||
"In God's name what does this mean?" Harker cried out.
|
||
"Dr. Seward, Dr. Van Helsing, what is it? What has happened?
|
||
What is wrong? Mina, dear what is it? What does that blood
|
||
mean? My God, my God! Has it come to this!" And, raising
|
||
himself to his knees,he beat his hands wildly together."Good
|
||
God help us! Help her! Oh, help her!"
|
||
With a quick movement he jumped from bed, and began to
|
||
pull on his clothes,all the man in him awake at the need for
|
||
instant exertion. "What has happened? Tell me all about it!"
|
||
he cried without pausing. "Dr. Van Helsing you love Mina, I
|
||
know. Oh, do something to save her. It cannot have gone too
|
||
far yet. Guard her while I look for him!"
|
||
His wife, through her terror and horror and distress,
|
||
saw some sure danger to him. Instantly forgetting her own
|
||
grief, she seized hold of him and cried out.
|
||
"No! No! Jonathan, you must not leave me. I have
|
||
suffered enough tonight, God knows, without the dread of his
|
||
harming you. You must stay with me. Stay with these friends
|
||
who will watch over you!" Her expression became frantic as
|
||
she spoke. And, he yielding to her, she pulled him down
|
||
sitting on the bedside, and clung to him fiercely.
|
||
Van Helsing and I tried to calm them both.The Professor
|
||
held up his golden crucifix, and said with wonderful calm-
|
||
ness, "Do not fear, my dear. We are here, and whilst this
|
||
is close to you no foul thing can approach. You are safe for
|
||
tonight, and we must be calm and take counsel together."
|
||
She shuddered and was silent, holding down her head on
|
||
her husband's breast. When she raised it, his white night-
|
||
robe was stained with blood where her lips had touched, and
|
||
where the thin open wound in the neck had sent forth drops.
|
||
The instant she saw it she drew back, with a low wail, and
|
||
whispered, amidst choking sobs.
|
||
"Unclean, unclean! I must touch him or kiss him no more.
|
||
Oh,that it should be that it is I who am now his worst enemy,
|
||
and whom he may have most cause to fear."
|
||
To this he spoke out resolutely, "Nonsense, Mina.It is
|
||
a shame to me to hear such a word. I would not hear it of
|
||
you. And I shall not hear it from you. May God judge me by
|
||
my deserts, and punish me with more bitter suffering than
|
||
even this hour, if by any act or will of mine anything ever
|
||
come between us!"
|
||
He put out his arms and folded her to his breast. And
|
||
for a while she lay there sobbing. He looked at us over her
|
||
bowed head,with eyes that blinked damply above his quivering
|
||
nostrils. His mouth was set as steel.
|
||
After a while her sobs became less frequent and more
|
||
faint, and then he said to me, speaking with a studied calm-
|
||
ness which I felt tried his nervous power to the utmost.
|
||
"And now, Dr. Seward, tell me all about it. Too well
|
||
I know the broad fact. Tell me all that has been."
|
||
I told him exactly what had happened and he listened
|
||
with seeming impassiveness, but his nostrils twitched and
|
||
his eyes blazed as I told how the ruthless hands of the
|
||
Count had held his wife in that terrible and horrid position,
|
||
with her mouth to the open wound in his breast.It interested
|
||
me, even at that moment,to see that whilst the face of white
|
||
set passion worked convulsively over the bowed head, the
|
||
hands tenderly and lovingly stroked the ruffled hair. Just
|
||
as I had finished, Quincey and Godalming knocked at the door.
|
||
They entered in obedience to our summons. Van Helsing looked
|
||
at me questioningly. I understood him to mean if we were to
|
||
take advantage of their coming to divert if possible the
|
||
thoughts of the unhappy husband and wife from each other and
|
||
from themselves. So on nodding acquiescence to him he asked
|
||
them what they had seen or done. To which Lord Godalming
|
||
answered.
|
||
"I could not see him anywhere in the passage, or in any
|
||
of our rooms. I looked in the study but, though he had been
|
||
there, he had gone. He had, however . . ." He stopped
|
||
suddenly, looking at the poor drooping figure on the bed.
|
||
Van Helsing said gravely, "Go on, friend Arthur. We
|
||
want here no more concealments. Our hope now is in knowing
|
||
all. Tell freely!"
|
||
So Art went on, "He had been there, and though it could
|
||
only have been for a few seconds, he made rare hay of the
|
||
place. All the manuscript had been burned, and the blue
|
||
flames were flickering amongst the white ashes. The cylin-
|
||
ders of your phonograph too were thrown on the fire, and the
|
||
wax had helped the flames."
|
||
Here I interrupted. "Thank God there is the other copy
|
||
in the safe!"
|
||
His face lit for a moment, but fell again as he went on.
|
||
"I ran downstairs then, but could see no sign of him. I
|
||
looked into Renfield's room, but there was no trace there
|
||
except . . ." Again he paused.
|
||
"Go on," said Harker hoarsely. So he bowed his head and
|
||
moistening his lips with his tongue, added, "except that the
|
||
poor fellow is dead."
|
||
Mrs. Harker raised her head, looking from one to the
|
||
other of us she said solemnly, "God's will be done!"
|
||
I could not but feel that Art was keeping back some-
|
||
thing. But, as I took it that it was with a purpose, I said
|
||
nothing.
|
||
Van Helsing turned to Morris and asked,"And you, friend
|
||
Quincey, have you any to tell?"
|
||
"A little," he answered. "It may be much eventually,
|
||
but at present I can't say. I thought it well to know if
|
||
possible where the Count would go when he left the house. I
|
||
did not see him, but I saw a bat rise from Renfield's window,
|
||
and flap westward. I expected to see him in some shape go
|
||
back to Carfax, but he evidently sought some other lair. He
|
||
will not be back tonight, for the sky is reddening in the
|
||
east, and the dawn is close. We must work tomorrow!"
|
||
He said the latter words through his shut teeth. For a
|
||
space of perhaps a couple of minutes there was silence,and I
|
||
could fancy that I could hear the sound of our hearts beat-
|
||
ing.
|
||
Then Van Helsing said, placing his hand tenderly on Mrs.
|
||
Harker's head, "And now, Madam Mina, poor dear, dear, Madam
|
||
Mina, tell us exactly what happened. God knows that I do not
|
||
want that you be pained, but it is need that we know all.For
|
||
now more than ever has all work to be done quick and sharp,
|
||
and in deadly earnest. The day is close to us that must end
|
||
all, if it may be so, and now is the chance that we may live
|
||
and learn."
|
||
The poor dear lady shivered, and I could see the ten-
|
||
sion of her nerves as she clasped her husband closer to her
|
||
and bent her head lower and lower still on his breast. Then
|
||
she raised her head proudly, and held out one hand to Van
|
||
Helsing who took it in his,and after stooping and kissing it
|
||
reverently, held it fast. The other hand was locked in that
|
||
of her husband, who held his other arm thrown round her pro-
|
||
tectingly. After a pause in which she was evidently ordering
|
||
her thoughts, she began.
|
||
"I took the sleeping draught which you had so kindly
|
||
given me, but for a long time it did not act. I seemed to
|
||
become more wakeful, and myriads of horrible fancies began
|
||
to crowd in upon my mind. All of them connected with death,
|
||
and vampires, with blood, and pain, and trouble." Her hus-
|
||
band involuntarily groaned as she turned to him and said
|
||
lovingly, "Do not fret, dear. You must be brave and strong,
|
||
and help me through the horrible task. If you only knew what
|
||
an effort it is to me to tell of this fearful thing at all,
|
||
you would understand how much I need your help. Well, I saw
|
||
I must try to help the medicine to its work with my will, if
|
||
it was to do me any good,so I resolutely set myself to sleep.
|
||
Sure enough sleep must soon have come to me, for I remember
|
||
no more. Jonathan coming in had not waked me, for he lay by
|
||
my side when next I remember. There was in the room the same
|
||
thin white mist that I had before noticed. But I forget now
|
||
if you know of this. You will find it in my diary which I
|
||
shall show you later. I felt the same vague terror which had
|
||
come to me before and the same sense of some presence. I
|
||
turned to wake Jonathan, but found that he slept so soundly
|
||
that it seemed as if it was he who had taken the sleeping
|
||
draught,and not I. I tried, but I could not wake him. This
|
||
caused me a great fear, and I looked around terrified. Then
|
||
indeed, my heart sank within me. Beside the bed, as if he
|
||
had stepped out of the mist, or rather as if the mist had
|
||
turned into his figure, for it had entirely disappeared,
|
||
stood a tall, thin man, all in black. I knew him at once
|
||
from the description of the others. The waxen face, the
|
||
high aquiline nose, on which the light fell in a thin white
|
||
line, the parted red lips, with the sharp white teeth show-
|
||
ing between, and the red eyes that I had seemed to see in
|
||
the sunset on the windows of St. Mary's Church at Witby. I
|
||
knew, too, the red scar on his forehead where Jonathan had
|
||
struck him. For an instant my heart stood still, and I would
|
||
have screamed out, only that I was paralyzed. In the pause
|
||
he spoke in a sort of keen, cutting whisper, pointing as he
|
||
spoke to Jonathan.
|
||
"`Silence! If you make a sound I shall take him and
|
||
dash his brains out before your very eyes.' I was appalled
|
||
and was too bewildered to do or say anything. With a mocking
|
||
smile, he placed one hand upon my shoulder and, holding me
|
||
tight, bared my throat with the other, saying as he did so,
|
||
`First, a little refreshment to reward my exertions. You may
|
||
as well be quiet. It is not the first time, or the second,
|
||
that your veins have appeased my thirst!' I was bewildered,
|
||
and strangely enough, I did not want to hinder him.I suppose
|
||
it is a part of the horrible curse that such is, when his
|
||
touch is on his victim. And oh, my God, my God, pity me! He
|
||
placed his reeking lips upon my throat!" Her husband groaned
|
||
again. She clasped his hand harder, and looked at him pity-
|
||
ingly, as if he were the injured one, and went on.
|
||
"I felt my strength fading away, and I was in a half
|
||
swoon. How long this horrible thing lasted I know not, but
|
||
it seemed that a long time must have passed before he took
|
||
his foul, awful, sneering mouth away. I saw it drip with the
|
||
fresh blood!"The remembrance seemed for a while to overpower
|
||
her, and she drooped and would have sunk down but for her
|
||
husband's sustaining arm. With a great effort she recovered
|
||
herself and went on.
|
||
"Then he spoke to me mockingly, `And so you, like the
|
||
others, would play your brains against mine. You would help
|
||
these men to hunt me and frustrate me in my design! You know
|
||
now, and they know in part already, and will know in full
|
||
before long, what it is to cross my path. They should have
|
||
kept their energies for use closer to home. Whilst they play-
|
||
ed wits against me, against me who commanded nations, and
|
||
intrigued for them, and fought for them, hundreds of years
|
||
before they were born, I was countermining them. And you,
|
||
their best beloved one, are now to me, flesh of my flesh,
|
||
blood of my blood, kin of my kin, my bountiful wine-press
|
||
for a while, and shall be later on my companion and my
|
||
helper. You shall be avenged in turn, for not one of them
|
||
but shall minister to your needs. But as yet you are to be
|
||
punished for what you have done. You have aided in thwarting
|
||
me. Now you shall come to my call.When my brain says "Come!"
|
||
to you, you shall cross land or sea to do my bidding. And to
|
||
that end this!'
|
||
With that he pulled open his shirt, and with his long
|
||
sharp nails opened a vein in his breast. When the blood
|
||
began to spurt out, he took my hands in one of his, holding
|
||
them tight, and with the other seized my neck and pressed my
|
||
mouth to the wound, so that I must either suffocate or
|
||
swallow some to the . . . Oh, my God! My God! What have I
|
||
done? What have I done to deserve such a fate, I who have
|
||
tried to walk in meekness and righteousness all my days. God
|
||
pity me! Look down on a poor soul in worse than mortal peril.
|
||
And in mercy pity those to whom she is dear!" Then she began
|
||
to rub her lips as though to cleanse them from pollution.
|
||
As she was telling her terrible story, the eastern sky
|
||
began to quicken, and everything became more and more clear.
|
||
Harker was still and quiet. But over his face, as the awful
|
||
narrative went on, came a grey look which deepened and deep-
|
||
ened in the morning light, till when the first red streak of
|
||
the coming dawn shot up, the flesh stood darkly out against
|
||
the whitening hair.
|
||
We have arranged that one of us is to stay within call
|
||
of the unhappy pair till we can meet together and arrange
|
||
about taking action.
|
||
Of this I am sure. The sun rises today on no more
|
||
miserable house in all the great round of its daily course.
|
||
|
||
|
||
CHAPTER 22
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
3 October.--As I must do something or go mad, I write
|
||
this diary. It is now six o'clock, and we are to meet in
|
||
the study in half an hour and take something to eat, for Dr.
|
||
Van Helsing and Dr. Seward are agreed that if we do not eat
|
||
we cannot work our best.Our best will be, God knows,required
|
||
today. I must keep writing at every chance, for I dare not
|
||
stop to think. All, big and little, must go down.Perhaps at
|
||
the end the little things may teach us most.The teaching,big
|
||
or little, could not have landed Mina or me anywhere worse
|
||
than we are today. However, we must trust and hope. Poor
|
||
Mina told me just now, with the tears running down her dear
|
||
cheeks, that it is in trouble and trial that our faith is
|
||
tested. That we must keep on trusting, and that God will aid
|
||
us up to the end. The end! Oh my God! What end? . . .
|
||
To work! To work!
|
||
When Dr. Van Helsing and Dr. Seward had come back from
|
||
seeing poor Renfield, we went gravely into what was to be
|
||
done. First, Dr. Seward told us that when he and Dr. Van
|
||
Helsing had gone down to the room below they had found Ren-
|
||
field lying on the floor, all in a heap. His face was
|
||
all bruised and crushed in, and the bones of the neck were
|
||
broken.
|
||
Dr. Seward asked the attendant who was on duty in the
|
||
passage if he had heard anything. He said that he had been
|
||
sitting down, he confessed to half dozing, when he heard
|
||
loud voices in the room, and then Renfield had called out
|
||
loudly several times, "God! God! God!" After that there
|
||
was a sound of falling, and when he entered the room he
|
||
found him lying on the floor, face down, just as the doctors
|
||
had seen him. Van Helsing asked if he had heard "voices" or
|
||
"a voice," and he said he could not say. That at first it
|
||
had seemed to him as if there were two, but as there was no
|
||
one in the room it could have been only one. He could swear
|
||
to it, if required, that the word "God" was spoken by the
|
||
patient.
|
||
Dr. Seward said to us, when we were alone, that he did
|
||
not wish to go into the matter. The question of an inquest
|
||
had to be considered, and it would never do to put forward
|
||
the truth, as no one would believe it. As it was, he thought
|
||
that on the attendant's evidence he could give a certificate
|
||
of death by misadventure in falling from bed. In case the
|
||
coroner should demand it, there would be a formal inquest,
|
||
necessarily to the same result.
|
||
When the question began to be discussed as to what
|
||
should be our next step, the very first thing we decided was
|
||
that Mina should be in full confidence. That nothing of any
|
||
sort, no matter how painful, should be kept from her. She
|
||
herself agreed as to its wisdom, and it was pitiful to see
|
||
her so brave and yet so sorrowful, and in such a depth of
|
||
despair.
|
||
"There must be no concealment," she said. "Alas! We
|
||
have had too much already. And besides there is nothing in
|
||
all the world that can give me more pain than I have already
|
||
endured, than I suffer now! Whatever may happen, it must be
|
||
of new hope or of new courage to me!"
|
||
Van Helsing was looking at her fixedly as she spoke,
|
||
and said, suddenly but quietly, "But dear Madam Mina, are
|
||
you not afraid. Not for yourself, but for others from your-
|
||
self, after what has happened?"
|
||
Her face grew set in its lines, but her eyes shone with
|
||
the devotion of a martyr as she answered, "Ah no! For my
|
||
mind is made up!"
|
||
"To what?" he asked gently, whilst we were all very
|
||
still, for each in our own way we had a sort of vague idea
|
||
of what she meant.
|
||
Her answer came with direct simplicity, as though she
|
||
was simply stating a fact, "Because if I find in myself,
|
||
and I shall watch keenly for it, a sign of harm to any that
|
||
I love, I shall die!"
|
||
"You would not kill yourself?" he asked, hoarsely.
|
||
"I would. If there were no friend who loved me, who
|
||
would save me such a pain, and so desperate an effort!" She
|
||
looked at him meaningly as she spoke.
|
||
He was sitting down, but now he rose and came close to
|
||
her and put his hand on her head as he said solemnly. "My
|
||
child, there is such an one if it were for your good. For
|
||
myself I could hold it in my account with God to find such
|
||
an euthanasia for you, even at this moment if it were best.
|
||
Nay, were it safe! But my child . . ."
|
||
For a moment he seemed choked, and a great sob rose in
|
||
his throat. He gulped it down and went on, "There are here
|
||
some who would stand between you and death. You must not
|
||
die. You must not die by any hand, but least of all your
|
||
own. Until the other, who has fouled your sweet life, is
|
||
true dead you must not die. For if he is still with the
|
||
quick Undead, your death would make you even as he is. No,
|
||
you must live! You must struggle and strive to live, though
|
||
death would seem a boon unspeakable. You must fight Death
|
||
himself, though he come to you in pain or in joy. By the
|
||
day, or the night, in safety or in peril! On your living
|
||
soul I charge you that you do not die. Nay, nor think of
|
||
death, till this great evil be past."
|
||
The poor dear grew white as death, and shook and shiv-
|
||
ered, as I have seen a quicksand shake and shiver at the
|
||
incoming of the tide. We were all silent. We could do
|
||
nothing. At length she grew more calm and turning to him
|
||
said sweetly, but oh so sorrowfully, as she held out her
|
||
hand, "I promise you, my dear friend, that if God will let
|
||
me live, I shall strive to do so. Till, if it may be in His
|
||
good time, this horror may have passed away from me."
|
||
She was so good and brave that we all felt that our
|
||
hearts were strengthened to work and endure for her, and we
|
||
began to discuss what we were to do. I told her that she
|
||
was to have all the papers in the safe, and all the papers
|
||
or diaries and phonographs we might hereafter use, and was
|
||
to keep the record as she had done before. She was pleased
|
||
with the prospect of anything to do, if "pleased" could be
|
||
used in connection with so grim an interest.
|
||
As usual Van Helsing had thought ahead of everyone else,
|
||
and was prepared with an exact ordering of our work.
|
||
"It is perhaps well," he said, "that at our meeting
|
||
after our visit to Carfax we decided not to do anything with
|
||
the earth boxes that lay there. Had we done so, the Count
|
||
must have guessed our purpose, and would doubtless have
|
||
taken measures in advance to frustrate such an effort with
|
||
regard to the others. But now he does not know our inten-
|
||
tions. Nay, more, in all probability, he does not know that
|
||
such a power exists to us as can sterilize his lairs, so
|
||
that he cannot use them as of old.
|
||
"We are now so much further advanced in our knowledge
|
||
as to their disposition that, when we have examined the
|
||
house in Piccadilly,we may track the very last of them.Today
|
||
then, is ours, and in it rests our hope. The sun that rose
|
||
on our sorrow this morning guards us in its course. Until it
|
||
sets tonight, that monster must retain whatever form he now
|
||
has. He is confined within the limitations of his earthly
|
||
envelope. He cannot melt into thin air nor disappear through
|
||
cracks or chinks or crannies. If he go through a doorway, he
|
||
must open the door like a mortal. And so we have this day to
|
||
hunt out all his lairs and sterilize them. So we shall, if
|
||
we have not yet catch him and destroy him, drive him to bay
|
||
in some place where the catching and the destroying shall be,
|
||
in time, sure."
|
||
Here I started up for I could not contain myself at the
|
||
thought that the minutes and seconds so preciously laden
|
||
with Mina's life and happiness were flying from us, since
|
||
whilst we talked action was impossible. But Van Helsing held
|
||
up his hand warningly.
|
||
"Nay, friend Jonathan," he said, "in this, the quickest
|
||
way home is the longest way, so your proverb say. We shall
|
||
all act and act with desperate quick, when the time has come.
|
||
But think, in all probable the key of the situation is in
|
||
that house in Piccadilly. The Count may have many houses
|
||
which he has bought. Of them he will have deeds of purchase,
|
||
keys and other things. He will have paper that he write on.
|
||
He will have his book of cheques. There are many belongings
|
||
that he must have somewhere. Why not in this place so cen-
|
||
tral, so quiet,where he come and go by the front or the back
|
||
at all hours, when in the very vast of the traffic there is
|
||
none to notice. We shall go there and search that house. And
|
||
when we learn what it holds, then we do what our friend Art-
|
||
hur call, in his phrases of hunt `stop the earths' and so we
|
||
run down our old fox, so? Is it not?"
|
||
"Then let us come at once," I cried, "we are wasting
|
||
the precious, precious time!"
|
||
The Professor did not move, but simply said, "And how
|
||
are we to get into that house in Piccadilly?"
|
||
"Any way!" I cried. "We shall break in if need be."
|
||
"And your police? Where will they be, and what will
|
||
they say?"
|
||
I was staggered, but I knew that if he wished to delay
|
||
he had a good reason for it. So I said, as quietly as I
|
||
could, "Don't wait more than need be. You know, I am sure,
|
||
what torture I am in."
|
||
"Ah, my child, that I do. And indeed there is no wish
|
||
of me to add to your anguish. But just think, what can we
|
||
do, until all the world be at movement. Then will come our
|
||
time. I have thought and thought, and it seems to me that
|
||
the simplest way is the best of all. Now we wish to get
|
||
into the house, but we have no key. Is it not so?"I nodded.
|
||
"Now suppose that you were, in truth, the owner of that
|
||
house, and could not still get in. And think there was to
|
||
you no conscience of the housebreaker, what would you do?"
|
||
"I should get a respectable locksmith, and set him to
|
||
work to pick the lock for me."
|
||
"And your police, they would interfere, would they not?"
|
||
"Oh no! Not if they knew the man was properly employed."
|
||
"Then," he looked at me as keenly as he spoke, "all
|
||
that is in doubt is the conscience of the employer, and the
|
||
belief of your policemen as to whether or not that employer
|
||
has a good conscience or a bad one. Your police must indeed
|
||
be zealous men and clever, oh so clever, in reading the
|
||
heart, that they trouble themselves in such matter. No, no,
|
||
my friend Jonathan, you go take the lock off a hundred empty
|
||
houses in this your London, or of any city in the world, and
|
||
if you do it as such things are rightly done,and at the time
|
||
such things are rightly done, no one will interfere. I have
|
||
read of a gentleman who owned a so fine house in London, and
|
||
when he went for months of summer to Switzerland and lock up
|
||
his house, some burglar come and broke window at back and
|
||
got in. Then he went and made open the shutters in front and
|
||
walk out and in through the door,before the very eyes of the
|
||
police. Then he have an auction in that house, and advertise
|
||
it, and put up big notice. And when the day come he sell off
|
||
by a great auctioneer all the goods of that other man who
|
||
own them. Then he go to a builder, and he sell him that
|
||
house, making an agreement that he pull it down and take all
|
||
away within a certain time. And your police and other
|
||
authority help him all they can. And when that owner come
|
||
back from his holiday in Switzerland he find only an empty
|
||
hole where his house had been. This was all done en regle,
|
||
and in our work we shall be en regle too. We shall not go so
|
||
early that the policemen who have then little to think of,
|
||
shall deem it strange. But we shall go after ten o'clock,
|
||
when there are many about,and such things would be done were
|
||
we indeed owners of the house."
|
||
I could not but see how right he was and the terrible
|
||
despair of Mina's face became relaxed in thought. There was
|
||
hope in such good counsel.
|
||
Van Helsing went on, "When once within that house we
|
||
may find more clues. At any rate some of us can remain
|
||
there whilst the rest find the other places where there be
|
||
more earth boxes, at Bermondsey and Mile End."
|
||
Lord Godalming stood up. "I can be of some use here,"
|
||
he said. "I shall wire to my people to have horses and
|
||
carriages where they will be most convenient."
|
||
"Look here, old fellow," said Morris, "it is a capital
|
||
idea to have all ready in case we want to go horse backing,
|
||
but don't you think that one of your snappy carriages with
|
||
its heraldic adornments in a byway of Walworth or Mile End
|
||
would attract too much attention for our purpose? It seems
|
||
to me that we ought to take cabs when we go south or east.
|
||
And even leave them somewhere near the neighborhood we are
|
||
going to."
|
||
"Friend Quincey is right!" said the Professor. "His
|
||
head is what you call in plane with the horizon. It is a
|
||
difficult thing that we go to do, and we do not want no
|
||
peoples to watch us if so it may."
|
||
Mina took a growing interest in everything and I was
|
||
rejoiced to see that the exigency of affairs was helping
|
||
her to forget for a time the terrible experience of the
|
||
night. She was very, very pale, almost ghastly, and so thin
|
||
that her lips were drawn away, showing her teeth in somewhat
|
||
of prominence. I did not mention this last, lest it should
|
||
give her needless pain, but it made my blood run cold in my
|
||
veins to think of what had occurred with poor Lucy when the
|
||
Count had sucked her blood. As yet there was no sign of the
|
||
teeth growing sharper, but the time as yet was short, and
|
||
there was time for fear.
|
||
When we came to the discussion of the sequence of our
|
||
efforts and of the disposition of our forces, there were new
|
||
sources of doubt. It was finally agreed that before starting
|
||
for Piccadilly we should destroy the Count's lair close at
|
||
hand. In case he should find it out too soon, we should thus
|
||
be still ahead of him in our work of destruction. And his
|
||
presence in his purely material shape, and at his weakest,
|
||
might give us some new clue.
|
||
A s to the disposal of forces, it was suggested by the
|
||
Professor that, after our visit to Carfax, we should all
|
||
enter the house in Piccadilly. That the two doctors and I
|
||
should remain there, whilst Lord Godalming and Quincey found
|
||
the lairs at Walworth and Mile End and destroyed them.It was
|
||
possible, if not likely, the Professor urged, that the Count
|
||
might appear in Piccadilly during the day, and that if so we
|
||
might be able to cope with him then and there. At any rate,
|
||
we might be able to follow him in force. To this plan I
|
||
strenuously objected, and so far as my going was concerned,
|
||
for I said that I intended to stay and protect Mina. I
|
||
thought that my mind was made up on the subject, but Mina
|
||
would not listen to my objection. She said that there might
|
||
be some law matter in which I could be useful. That amongst
|
||
the Count's papers might be some clue which I could under-
|
||
stand out of my experience in Transylvania. And that, as it
|
||
was, all the strength we could muster was required to cope
|
||
with the Count's extraordinary power. I had to give in, for
|
||
Mina's resolution was fixed. She said that it was the last
|
||
hope for her that we should all work together.
|
||
"As for me," she said, "I have no fear. Things have
|
||
been as bad as they can be. And whatever may happen must
|
||
have in it some element of hope or comfort. Go, my husband!
|
||
God can, if He wishes it, guard me as well alone as with any
|
||
one present."
|
||
So I started up crying out, "Then in God's name let us
|
||
come at once, for we are losing time. The Count may come to
|
||
Piccadilly earlier than we think."
|
||
"Not so!" said Van Helsing, holding up his hand.
|
||
"But why?" I asked.
|
||
"Do you forget," he said, with actually a smile, "that
|
||
last night he banqueted heavily, and will sleep late?"
|
||
Did I forget! Shall I ever . . . can I ever! Can any
|
||
of us ever forget that terrible scene! Mina struggled hard
|
||
to keep her brave countenance, but the pain overmastered her
|
||
and she put her hands before her face, and shuddered whilst
|
||
she moaned. Van Helsing had not intended to recall her
|
||
frightful experience. He had simply lost sight of her and
|
||
her part in the affair in his intellectual effort.
|
||
When it struck him what he said,he was horrified at his
|
||
thoughtlessness and tried to comfort her.
|
||
"Oh, Madam Mina," he said,"dear, dear, Madam Mina,alas!
|
||
That I of all who so reverence you should have said anything
|
||
so forgetful. These stupid old lips of mine and this stupid
|
||
old head do not deserve so, but you will forget it, will you
|
||
not?" He bent low beside her as he spoke.
|
||
She took his hand, and looking at him through her tears,
|
||
said hoarsely, "No, I shall not forget, for it is well that
|
||
I remember. And with it I have so much in memory of you that
|
||
is sweet, that I take it all together. Now, you must all be
|
||
going soon. Breakfast is ready, and we must all eat that we
|
||
may be strong."
|
||
Breakfast was a strange meal to us all. We tried to be
|
||
cheerful and encourage each other,and Mina was the brightest
|
||
and most cheerful of us. When it was over, Van Helsing stood
|
||
up and said, "Now, my dear friends, we go forth to our terr-
|
||
ible enterprise. Are we all armed, as we were on that night
|
||
when first we visited our enemy's lair.Armed against ghostly
|
||
as well as carnal attack?"
|
||
We all assured him.
|
||
"Then it is well. Now, Madam Mina, you are in any case
|
||
quite safe here until the sunset. And before then we shall
|
||
return . . . if . . . We shall return! But before we go let
|
||
me see you armed against personal attack.I have myself,since
|
||
you came down,prepared your chamber by the placing of things
|
||
of which we know, so that He may not enter. Now let me guard
|
||
yourself.On your forehead I touch this piece of Sacred Wafer
|
||
in the name of the Father, the Son, and . . .
|
||
There was a fearful scream which almost froze our
|
||
hearts to hear. As he had placed the Wafer on Mina's fore-
|
||
head, it had seared it . . . had burned into the flesh as
|
||
though it had been a piece of whitehot metal. My poor darl-
|
||
ing's brain had told her the significance of the fact as
|
||
quickly as her nerves received the pain of it,and the two so
|
||
overwhelmed her that her overwrought nature had its voice in
|
||
that dreadful scream.
|
||
But the words to her thought came quickly. The echo of
|
||
the scream had not ceased to ring on the air when there came
|
||
the reaction, and she sank on her knees on the floor in an
|
||
agony of abasement. Pulling her beautiful hair over her face,
|
||
as the leper of old his mantle, she wailed out.
|
||
"Unclean! Unclean! Even the Almighty shuns my polluted
|
||
flesh! I must bear this mark of shame upon my forehead until
|
||
the Judgement Day."
|
||
They all paused. I had thrown myself beside her in an
|
||
agony of helpless grief, and putting my arms around held her
|
||
tight. For a few minutes our sorrowful hearts beat together,
|
||
whilst the friends around us turned away their eyes that ran
|
||
tears silently. Then Van Helsing turned and said gravely.So
|
||
gravely that I could not help feeling that he was in some
|
||
way inspired, and was stating things outside himself.
|
||
"It may be that you may have to bear that mark till God
|
||
himself see fit, as He most surely shall, on the Judgement
|
||
Day, to redress all wrongs of the earth and of His children
|
||
that He has placed thereon. And oh, Madam Mina, my dear, my
|
||
dear, may we who love you be there to see,when that red scar,
|
||
the sign of God's knowledge of what has been,shall pass away,
|
||
and leave your forehead as pure as the heart we know. For so
|
||
surely as we live, that scar shall pass away when God sees
|
||
right to lift the burden that is hard upon us. Till then we
|
||
bear our Cross, as His Son did in obedience to His Will. It
|
||
may be that we are chosen instruments of His good pleasure,
|
||
and that we ascend to His bidding as that other through
|
||
stripes and shame. Through tears and blood. Through doubts
|
||
and fear, and all that makes the difference between God and
|
||
man."
|
||
There was hope in his words, and comfort. And they
|
||
made for resignation. Mina and I both felt so, and simul-
|
||
taneously we each took one of the old man's hands and bent
|
||
over and kissed it. Then without a word we all knelt down
|
||
together, and all holding hands, swore to be true to each
|
||
other. We men pledged ourselves to raise the veil of sorrow
|
||
from the head of her whom, each in his own way, we loved.And
|
||
we prayed for help and guidance in the terrible task which
|
||
lay before us. It was then time to start. So I said farewell
|
||
to Mina, a parting which neither of us shall forget to our
|
||
dying day, and we set out.
|
||
To one thing I have made up my mind. If we find out
|
||
that Mina must be a vampire in the end, then she shall not
|
||
go into that unknown and terrible land alone. I suppose it
|
||
is thus that in old times one vampire meant many. Just as
|
||
their hideous bodies could only rest in sacred earth, so the
|
||
holiest love was the recruiting sergeant for their ghastly
|
||
ranks.
|
||
We entered Carfax without trouble and found all things
|
||
the same as on the first occasion. It was hard to believe
|
||
that amongst so prosaic surroundings of neglect and dust and
|
||
decay there was any ground for such fear as already we knew.
|
||
Had not our minds been made up, and had there not been terr-
|
||
ible memories to spur us on, we could hardly have proceeded
|
||
with our task. We found no papers, or any sign of use in the
|
||
house. And in the old chapel the great boxes looked just as
|
||
we had seen them last.
|
||
Dr. Van Helsing said to us solemnly as we stood before
|
||
him, "And now, my friends, we have a duty here to do. We
|
||
must sterilize this earth, so sacred of holy memories, that
|
||
he has brought from a far distant land for such fell use. He
|
||
has chosen this earth because it has been holy. Thus we de-
|
||
feat him with his own weapon, for we make it more holy still.
|
||
It was sanctified to such use of man, now we sanctify it to
|
||
God."
|
||
As he spoke he took from his bag a screwdriver and a
|
||
wrench, and very soon the top of one of the cases was thrown
|
||
open.The earth smelled musty and close, but we did not some-
|
||
how seem to mind, for our attention was concentrated on the
|
||
Professor. Taking from his box a piece of the Scared Wafer
|
||
he laid it reverently on the earth, and then shutting down
|
||
the lid began to screw it home, we aiding him as he worked.
|
||
One by one we treated in the same way each of the great
|
||
boxes, and left them as we had found them to all appearance.
|
||
But in each was a portion of the Host. When we closed the
|
||
door behind us, the Professor said solemnly, "So much is
|
||
already done. It may be that with all the others we can be
|
||
so successful, then the sunset of this evening may shine of
|
||
Madam Mina's forehead all white as ivory and with no stain!"
|
||
As we passed across the lawn on our way to the station
|
||
to catch our train we could see the front of the asylum. I
|
||
looked eagerly, and in the window of my own room saw Mina.
|
||
I waved my hand to her, and nodded to tell that our work
|
||
there was successfully accomplished. She nodded in reply to
|
||
show that she understood. The last I saw, she was waving her
|
||
hand in farewell. It was with a heavy heart that we sought
|
||
the station and just caught the train, which was steaming in
|
||
as we reached the platform.I have written this in the train.
|
||
|
||
Piccadilly, 12:30 o'clock.--Just before we reached
|
||
Fenchurch Street Lord Godalming said to me, "Quincey and I
|
||
will find a locksmith. You had better not come with us in
|
||
case there should be any difficulty. For under the circum-
|
||
stances it wouldn't seem so bad for us to break into an
|
||
empty house. But you are a solicitor and the Incorporated
|
||
Law Society might tell you that you should have known
|
||
better."
|
||
I demurred as to my not sharing any danger even of
|
||
odium, but he went on, "Besides, it will attract less atten-
|
||
tion if there are not too many of us. My title will make it
|
||
all right with the locksmith,and with any policeman that may
|
||
come along.You had better go with Jack and the Professor and
|
||
stay in the Green Park. Somewhere in sight of the house, and
|
||
when you see the door opened and the smith has gone away, do
|
||
you all come across. We shall be on the lookout for you, and
|
||
shall let you in."
|
||
"The advice is good!" said Van Helsing, so we said no
|
||
more.Godalming and Morris hurried off in a cab, we following
|
||
in another. At the corner of Arlington Street our contingent
|
||
got out and strolled into the Green Park. My heart beat as I
|
||
saw the house on which so much of our hope was centered,loom-
|
||
ing up grim and silent in its deserted condition amongst its
|
||
more lively and spruce-looking neighbors. We sat down on a
|
||
bench within good view , and began to smoke cigars so as to
|
||
attract as little attention as possible. The minutes seemed
|
||
to pass with leaden feet as we waited for the coming of the
|
||
others.
|
||
At length we saw a four-wheeler drive up. Out of it,
|
||
in leisurely fashion, got Lord Godalming and Morris. And
|
||
down from the box descended a thick-set working man with his
|
||
rush-woven basket of tools. Morris paid the cabman, who
|
||
touched his hat and drove away. Together the two ascended
|
||
the steps,and Lord Godalming pointed out what he wanted done.
|
||
The workman took off his coat leisurely and hung it on one
|
||
of the spikes of the rail, saying something to a policeman
|
||
who just then sauntered along. The policeman nodded acqui-
|
||
escence,and the man kneeling down placed his bag beside him.
|
||
After searching through it, he took out a selection of tools
|
||
which he proceeded to lay beside him in orderly fashion.Then
|
||
he stood up, looked in the keyhole, blew into it,and turning
|
||
to his employers, made some remark. Lord Godalming smiled,
|
||
and the man lifted a good sized bunch of keys. Selecting
|
||
one of them, he began to probe the lock, as if feeling his
|
||
way with it. After fumbling about for a bit he tried a se-
|
||
cond, and then a third. All at once the door opened under a
|
||
slight push from him, and he and the two others entered the
|
||
hall. We sat still. My own cigar burnt furiously, but Van
|
||
Helsing's went cold altogether. We waited patiently as we
|
||
saw the workman come out and bring his bag. Then he held the
|
||
door partly open, steadying it with his knees, whilst he
|
||
fitted a key to the lock. This he finally handed to Lord
|
||
Godalming, who took out his purse and gave him something.The
|
||
man touched his hat, took his bag, put on his coat and de-
|
||
parted. Not a soul took the slightest notice of the whole
|
||
transaction.
|
||
When the man had fairly gone, we three crossed the
|
||
street and knocked at the door. It was immediately opened
|
||
by Quincey Morris, beside whom stood Lord Godalming lighting
|
||
a cigar.
|
||
"The place smells so vilely," said the latter as we
|
||
came in. It did indeed smell vilely. Like the old chapel at
|
||
Carfax. And with our previous experience it was plain to us
|
||
that the Count had been using the place pretty freely. We
|
||
moved to explore the house, all keeping together in case of
|
||
attack, for we knew we had a strong and wily enemy to deal
|
||
with, and as yet we did not know whether the Count might not
|
||
be in the house.
|
||
In the dining room, which lay at the back of the hall,
|
||
we found eight boxes of earth. Eight boxes only out of the
|
||
nine which we sought! Our work was not over, and would never
|
||
be until we should have found the missing box.
|
||
First we opened the shutters of the window which looked
|
||
out across a narrow stone flagged yard at the blank face of
|
||
a stable, pointed to look like the front of a miniature
|
||
house. There were no windows in it, so we were not afraid
|
||
of being overlooked. We did not lose any time in examining
|
||
the chests. With the tools which we had brought with us we
|
||
opened them, one by one, and treated them as we had treated
|
||
those others in the old chapel. It was evident to us that
|
||
the Count was not at present in the house, and we proceeded
|
||
to search for any of his effects.
|
||
After a cursory glance at the rest of the rooms, from
|
||
basement to attic, we came to the conclusion that the dining
|
||
room contained any effects which might belong to the Count.
|
||
And so we proceeded to minutely examine them. They lay in a
|
||
sort of orderly disorder on the great dining room table.
|
||
There were title deeds of the Piccadilly house in a
|
||
great bundle, deeds of the purchase of the houses at Mile
|
||
End and Bermondsey, notepaper, envelopes, and pens and ink.
|
||
All were covered up in thin wrapping paper to keep them from
|
||
the dust. There were also a clothes brush, a brush and comb,
|
||
and a jug and basin. The latter containing dirty water which
|
||
was reddened as if with blood. Last of all was a little heap
|
||
of keys of all sorts and sizes, probably those belonging to
|
||
the other houses.
|
||
When we had examined this last find, Lord Godalming and
|
||
Quincey Morris taking accurate notes of the various add-
|
||
resses of the houses in the East and the South, took with
|
||
them the keys in a great bunch, and set out to destroy the
|
||
boxes in these places.The rest of us are, with what patience
|
||
we can, waiting their return, or the coming of the Count.
|
||
|
||
|
||
CHAPTER 23
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
3 October.--The time seemed teribly long whilst we were
|
||
waiting for the coming of Godalming and Quincey Morris. The
|
||
Professor tried to keep our minds active by using them all
|
||
the time. I could see his beneficent purpose, by the side
|
||
glances which he threw from time to time at Harker. The
|
||
poor fellow is overwhelmed in a misery that is appalling to
|
||
see. Last night he was a frank, happy-looking man, with
|
||
strong, youthful face, full of energy, and with dark brown
|
||
hair. Today he is a drawn, haggard old man, whose white
|
||
hair matches well with the hollow burning eyes and grief-
|
||
written lines of his face. His energy is still intact. In
|
||
fact, he is like a living flame. This may yet be his sal-
|
||
vation, for if all go well, it will tide him over the des-
|
||
pairing period. He will then, in a kind of way, wake again
|
||
to the realities o f life. Poor fellow, I thought my own
|
||
trouble was bad enough, but his . . .!
|
||
The Professor knows this well enough, and is doing his
|
||
best to keep his mind active. What he has been saying was,
|
||
under the circumstances, of absorbing interest. So well as
|
||
I can remember, here it is:
|
||
"I have studied, over and over again since they came
|
||
into my hands, all the papers relating to this monster, and
|
||
the more I have studied, the greater seems the necessity to
|
||
utterly stamp him out. All through there are signs of his
|
||
advance. Not only of his power, but of his knowledge of it.
|
||
As I learned from the researches of my friend Arminius of
|
||
Buda-Pesth, he was in life a most wonderful man. Soldier,
|
||
statesman, and alchemist. Which latter was the highest
|
||
development of the science knowledge of his time. He had a
|
||
mighty brain, a learning beyond compare, and a heart that
|
||
knew no fear and no remorse. He dared even to attend the
|
||
Scholomance, and there was no branch of knowledge of his
|
||
time that he did not essay.
|
||
"Well, in him the brain powers survived the physical
|
||
death. Though it would seem that memory was not all complete.
|
||
In some faculties of mind he has been, and is, only a child.
|
||
But he is growing, and some things that were childish at the
|
||
first are now of man's stature. He is experimenting, and
|
||
doing it well. And if it had not been that we have crossed
|
||
his path he would be yet, he may be yet if we fail, the
|
||
father or furtherer of a new order of beings,whose road must
|
||
lead through Death, not Life."
|
||
Harker groaned and said, "And this is all arrayed
|
||
against my darling! But how is he experimenting? The know-
|
||
ledge may help us to defeat him!"
|
||
"He has all along, since his coming, been trying his
|
||
power, slowly but surely. That big child-brain of his is
|
||
working. Well for us, it is as yet, a child-brain. For had
|
||
he dared, at the first, to attempt certain things he would
|
||
long ago have been beyond our power. However, he means to
|
||
succeed, and a man who has centuries before him can afford
|
||
to wait and to go slow.Festina lente may well be his motto."
|
||
"I fail to understand," said Harker wearily. "Oh, do
|
||
be more plain to me! Perhaps grief and trouble are dulling
|
||
my brain."
|
||
The Professor laid his hand tenderly on his shoulder as
|
||
he spoke, "Ah, my child, I will be plain. Do you not see
|
||
how, of late, this monster has been creeping into knowledge
|
||
experimentally. How he has been making use of the zoophagous
|
||
patient to effect his entry into friend John's home.For your
|
||
Vampire,though in all afterwards he can come when and how he
|
||
will, must at the first make entry only when asked thereto
|
||
by an inmate. But these are not his most important experi-
|
||
ments. Do we not see how at the first all these so great
|
||
boxes were moved by others. He knew not then but that must
|
||
be so. But all the time that so great child-brain of his was
|
||
growing, and he began to consider whether he might not him-
|
||
self move the box. So he began to help. And then, when he
|
||
found that this be all right, he try to move them all alone.
|
||
And so he progress, and he scatter these graves of him. And
|
||
none but he know where they are hidden.
|
||
"He may have intend to bury them deep in the ground. So
|
||
that only he use them in the night, or at such time as he
|
||
can change his form, they do him equal well, and none may
|
||
know these are his hiding place! But, my child, do not des-
|
||
pair, this knowledge came to him just too late! Already all
|
||
of his lairs but one be sterilize as for him. And before the
|
||
sunset this shall be so. Then he have no place where he can
|
||
move and hide. I delayed this morning that so we might be
|
||
sure. Is there not more at stake for us than for him? Then
|
||
why not be more careful than him? By my clock it is one hour
|
||
and already, if all be well,friend Arthur and Quincey are on
|
||
their way to us. Today is our day, and we must go sure, if
|
||
slow, and lose no chance. See! There are five of us when
|
||
those absent ones return."
|
||
Whilst we were speaking we were startled by a knock at
|
||
the hall door, the double postman's knock of the telegraph
|
||
boy. We all moved out to the hall with one impulse, and Van
|
||
Helsing, holding up his hand to us to keep silence, stepped
|
||
to the door and opened it. The boy handed in a dispatch.
|
||
The Professor closed the door again,and after looking at the
|
||
direction, opened it and read aloud.
|
||
"Look out for D. He has just now, 12:45, come from
|
||
Carfax hurriedly and hastened towards the South. He seems to
|
||
be going the round and may want to see you: Mina."
|
||
There was a pause, broken by Jonathan Harker's voice,
|
||
"Now, God be thanked, we shall soon meet!"
|
||
Van Helsing turned to him quickly and said, "God will
|
||
act in His own way and time. Do not fear, and do not rejoice
|
||
as yet. For what we wish for at the moment may be our own
|
||
undoings."
|
||
"I care for nothing now," he answered hotly, "except to
|
||
wipe out this brute from the face of creation. I would sell
|
||
my soul to do it!"
|
||
"Oh, hush, hush, my child!" said Van Helsing. "God does
|
||
not purchase souls in this wise, and the Devil,though he may
|
||
purchase, does not keep faith. But God is merciful and just,
|
||
and knows your pain and your devotion to that dear Madam
|
||
Mina. Think you, how her pain would be doubled, did she but
|
||
hear your wild words. Do not fear any of us, we are all de-
|
||
voted to this cause, and today shall see the end. The time
|
||
is coming for action. Today this Vampire is limit to the
|
||
powers of man, and till sunset he may not change. It will
|
||
take him time to arrive here, see it is twenty minutes past
|
||
one, and there are yet some times before he can hither come,
|
||
be he never so quick. What we must hope for is that my Lord
|
||
Arthur and Quincey arrive first."
|
||
About half an hour after we had received Mrs. Harker's
|
||
telegram, there came a quiet, resolute knock at the hall
|
||
door. It was just an ordinary knock, such as is given hourly
|
||
by thousands of gentlemen, but it made the Professor's heart
|
||
and mine beat loudly. We looked at each other, and together
|
||
moved out into the hall. We each held ready to use our var-
|
||
ious armaments, the spiritual in the left hand, the mortal
|
||
in the right. Van Helsing pulled back the latch, and holding
|
||
the door half open, stood back, having both hands ready for
|
||
action. The gladness of our hearts must have shown upon our
|
||
faces when on the step,close to the door, we saw Lord Godal-
|
||
ming and Quincey Morris. They came quickly in and closed the
|
||
door behind them, the former saying, as they moved along the
|
||
hall.
|
||
"It is all right. We found both places. Six boxes in
|
||
each and we destroyed them all."
|
||
"Destroyed?" asked the Professor.
|
||
"For him!" We were silent for a minute,and then Quincey
|
||
said, "There's nothing to do but to wait here. If, however,
|
||
he doesn't turn up by five o'clock, we must start off. For
|
||
it won't do to leave Mrs. Harker alone after sunset."
|
||
"He will be here before long now,' said Van Helsing,
|
||
who had been consulting his pocketbook. "Nota bene, in
|
||
Madam's telegram he went south from Carfax. That means he
|
||
went to cross the river, and he could only do so at slack of
|
||
tide, which should be something before one o'clock. That he
|
||
went south has a meaning for us. He is as yet only suspi-
|
||
cious, and he went from Carfax first to the place where he
|
||
would suspect interference least. You must have been at Ber-
|
||
mondsey only a short time before him. That he is not here
|
||
already shows that he went to Mile End next. This took him
|
||
some time, for he would then have to be carried over the
|
||
river in some way. Believe me, my friends, we shall not have
|
||
long to wait now. We should have ready some plan of attack,
|
||
so that we may throw away no chance. Hush, there is no time
|
||
now. Have all your arms! Be ready!" He held up a warning
|
||
hand as he spoke,for we all could hear a key softly inserted
|
||
in the lock of the hall door.
|
||
I could not but admire, even at such a moment, the way
|
||
in which a dominant spirit asserted itself. In all our hunt-
|
||
ing parties and adventures in different parts of the world,
|
||
Quincey Morris had always been the one to arrange the plan
|
||
of action, and Arthur and I had been accustomed to obey him
|
||
implicitly. Now, the old habit seemed to be renewed instinc-
|
||
tively. With a swift glance around the room,he at once laid
|
||
out our plan of attack, and without speaking a word, with a
|
||
gesture, placed us each in position. Van Helsing, Harker,
|
||
and I were just behind the door, so that when it was opened
|
||
the Professor could guard it whilst we two stepped between
|
||
the incomer and the door. Godalming behind and Quincey in
|
||
front stood just out of sight ready to move in front of the
|
||
window. We waited in a suspense that made the seconds pass
|
||
with nightmare slowness. The slow, careful steps came along
|
||
the hall. The Count was evidently prepared for some surprise,
|
||
at least he feared it.
|
||
Suddenly with a single bound he leaped into the room.
|
||
Winning a way past us before any of us could raise a hand
|
||
to stay him. There was something so pantherlike in the
|
||
movement, something so unhuman, that it seemed to sober us
|
||
all from the shock of his coming. The first to act was Hark-
|
||
er, who with a quick movement,threw himself before the door
|
||
leading into the room in the front of the house. As the
|
||
Count saw us, a horrible sort of snarl passed over his face,
|
||
showing the eyeteeth long and pointed. But the evil smile
|
||
as quickly passed into a cold stare of lion-like disdain.
|
||
His expression again changed as, with a single impulse, we
|
||
all advanced upon him. It was a pity that we had not some
|
||
better organized plan of attack, for even at the moment I
|
||
wondered what we were to do. I did not myself know whether
|
||
our lethal weapons would avail us anything.
|
||
Harker evidently meant to try the matter, for he had
|
||
ready his great Kukri knife and made a fierce and sudden
|
||
cut at him. The blow was a powerful one. Only the diabol-
|
||
ical quickness of the Count's leap back saved him. A second
|
||
less and the trenchant blade had shorn through his coat,
|
||
making a wide gap whence a bundle of bank notes and a
|
||
stream of gold fell out. The expression of the Count's face
|
||
was so hellish,that for a moment I feared for Harker, though
|
||
I saw him throw the terrible knife aloft again for another
|
||
stroke. Instinctively I moved forward with a protective
|
||
impulse, holding the Crucifix and Wafer in my left hand. I
|
||
felt a mighty power fly along my arm, and it was without
|
||
surprise that I saw the monster cower back before a similar
|
||
movement made spontaneously by each one of us. It would be
|
||
impossible to describe the expression of hate and baffled
|
||
malignity, of anger and hellish rage, which came over the
|
||
Count's face. His waxen hue became greenish-yellow by the
|
||
contrast of his burning eyes, and the red scar on the fore-
|
||
head showed on the pallid skin like a palpitating wound. The
|
||
next instant, with a sinuous dive he swept under Harker's
|
||
arm, ere his blow could fall, and grasping a handful of the
|
||
money from the floor, dashed across the room, threw himself
|
||
at the window. Amid the crash and glitter of the falling
|
||
glass, he tumbled into the flagged area below. Through the
|
||
sound of the shivering glass I could hear the "ting" of the
|
||
gold, as some of the sovereigns fell on the flagging.
|
||
We ran over and saw him spring unhurt from the ground.
|
||
He, rushing up the steps, crossed the flagged yard, and
|
||
pushed open the stable door. There he turned and spoke to
|
||
us.
|
||
"You think to baffle me, you with your pale faces all
|
||
in a row, like sheep in a butcher's. You shall be sorry
|
||
yet, each one of you! You think you have left me without a
|
||
place to rest, but I have more. My revenge is just begun!
|
||
I spread it over centuries, and time is on my side. Your
|
||
girls that you all love are mine already. And through them
|
||
you and others shall yet be mine, my creatures, to do my
|
||
bidding and to be my jackals when I want to feed. Bah!"
|
||
With a contemptuous sneer, he passed quickly through
|
||
the door, and we heard the rusty bolt creak as he fastened
|
||
it behind him. A door beyond opened and shut. The first of
|
||
us to speak was the Professor. Realizing the difficulty of
|
||
following him through the stable, we moved toward the hall.
|
||
"We have learnt something . . . much! Notwithstanding
|
||
his brave words, he fears us. He fears time, he fears want!
|
||
For if not, why he hurry so? His very tone betray him, or
|
||
my ears deceive. Why take that money? You follow quick.
|
||
You are hunters of the wild beast, and understand it so.
|
||
For me, I make sure that nothing here may be of use to him,
|
||
if so that he returns."
|
||
As he spoke he put the money remaining in his pocket,
|
||
took the title deeds in the bundle as Harker had left them,
|
||
and swept the remaining things into the open fireplace,
|
||
where he set fire to them with a match.
|
||
Godalming and Morris had rushed out into the yard, and
|
||
Harker had lowered himself from the window to follow the
|
||
Count. He had, however, bolted the stable door, and by the
|
||
time they had forced it open there was no sign of him. Van
|
||
Helsing and I tried to make inquiry at the back of the house.
|
||
But the mews was deserted and no one had seen him depart.
|
||
It was now late in the afternoon,and sunset was not far
|
||
off. We had to recognize that our game was up. With heavy
|
||
hearts we agreed with the Professor when he said, "Let us go
|
||
back to Madam Mina. Poor, poor dear Madam Mina. All we can
|
||
do just now is done, and we can there, at least, protect her.
|
||
But we need not despair.There is but one more earth box, and
|
||
we must try to find it.When that is done all may yet be well."
|
||
I could see that he spoke as bravely as he could to com-
|
||
fort Harker. The poor fellow was quite broken down, now and
|
||
again he gave a low groan which he could not suppress.He was
|
||
thinking of his wife.
|
||
With sad hearts we came back to my house, where we
|
||
found Mrs. Harker waiting us, with an appearance of cheerful-
|
||
ness which did honor to her bravery and unselfishness. When
|
||
she saw our faces, her own became as pale as death. For a
|
||
second or two her eyes were closed as if she were in secret
|
||
prayer.
|
||
And then she said cheerfully, "I can never thank you
|
||
all enough. Oh, my poor darling!"
|
||
As she spoke, she took her husband's grey head in her
|
||
hands and kissed it.
|
||
"Lay your poor head here and rest it. All will yet be
|
||
well, dear! God will protect us if He so will it in His
|
||
good intent." The poor fellow groaned. There was no place
|
||
for words in his sublime misery.
|
||
We had a sort of perfunctory supper together, and I
|
||
think it cheered us all up somewhat. It was, perhaps, the
|
||
mere animal heat of food to hungry people, for none of us
|
||
had eaten anything since breakfast,or the sense of companion-
|
||
ship may have helped us, but anyhow we were all less
|
||
miserable, and saw the morrow as not altogether without hope.
|
||
True to our promise, we told Mrs. Harker everything
|
||
which had passed. And although she grew snowy white at times
|
||
when danger had seemed to threaten her husband, and red at
|
||
others when his devotion to her was manifested she listened
|
||
bravely and with calmness. When we came to the part where
|
||
Harker had rushed at the Count so recklessly, she clung to
|
||
her husband's arm, and held it tight as though her clinging
|
||
could protect him from any harm that might come. She said
|
||
nothing, however,till the narration was all done,and matters
|
||
had been brought up to the present time.
|
||
Then without letting go her husband's hand she stood up
|
||
amongst us and spoke. Oh, that I could give any idea of the
|
||
scene. Of that sweet, sweet, good, good woman in all the rad-
|
||
iant beauty of her youth and animation, with the red scar on
|
||
her forehead, of which she was conscious, and which we saw
|
||
with grinding of our teeth, remembering whence and how it
|
||
came. Her loving kindness against our grim hate. Her tender
|
||
faith against all our fears and doubting. And we, knowing
|
||
that so far as symbols went, she with all her goodness and
|
||
purity and faith, was outcast from God.
|
||
"Jonathan," she said, and the word sounded like music
|
||
on her lips it was so full of love and tenderness, "Jonathan
|
||
dear, and you all my true, true friends, I want you to bear
|
||
something in mind through all this dreadful time.I know that
|
||
you must fight. That you must destroy even as you destroyed
|
||
the false Lucy so that the true Lucy might live hereafter.
|
||
But it is not a work of hate. That poor soul who has wrought
|
||
all this misery is the saddest case of all. Just think what
|
||
will be his joy when he, too,is destroyed in his worser part
|
||
that his better part may have spiritual immortality.You must
|
||
be pitiful to him,too,though it may not hold your hands from
|
||
his destruction."
|
||
As she spoke I could see her husband's face darken and
|
||
draw together, as though the passion in him were shriveling
|
||
his being to its core. Instinctively the clasp on his wife's
|
||
hand grew closer, till his knuckles looked white. She did
|
||
not flinch from the pain which I knew she must have suffered,
|
||
but looked at him with eyes that were more appealing than
|
||
ever.
|
||
As she stopped speaking he leaped to his feet, almost
|
||
tearing his hand from hers as he spoke.
|
||
"May God give him into my hand just for long enough to
|
||
destroy that earthly life of him which we are aiming at. If
|
||
beyond it I could send his soul forever and ever to burning
|
||
hell I would do it!"
|
||
"Oh, hush! Oh, hush in the name of the good God. Don't
|
||
say such things, Jonathan, my husband, or you will crush me
|
||
with fear and horror. Just think, my dear . . . I have been
|
||
thinking all this long, long day of it . . . that . . .
|
||
perhaps . . .some day . . . I, too, may need such pity, and
|
||
that some other like you, and with equal cause for anger,may
|
||
deny it to me! Oh, my husband! My husband, indeed I would
|
||
have spared you such a thought had there been another way.
|
||
But I pray that God may not have treasured your wild words,
|
||
except as the heart-broken wail of a very loving and sorely
|
||
stricken man. Oh, God, let these poor white hairs go in ev-
|
||
idence of what he has suffered, who all his life has done no
|
||
wrong, and on whom so many sorrows have come."
|
||
We men were all in tears now. There was no resisting
|
||
them, and we wept openly. She wept, too, to see that her
|
||
sweeter counsels had prevailed. Her husband flung himself
|
||
on his knees beside her, and putting his arms round her, hid
|
||
his face in the folds of her dress. Van Helsing beckoned to
|
||
us and we stole out of the room, leaving the two loving
|
||
hearts alone with their God.
|
||
Before they retired the Professor fixed up the room
|
||
against any coming of the Vampire, and assured Mrs. Harker
|
||
that she might rest in peace. She tried to school herself
|
||
to the belief, and manifestly for her husband's sake, tried
|
||
to seem content. It was a brave struggle, and was, I think
|
||
and believe, not without its reward. Van Helsing had placed
|
||
at hand a bell which either of them was to sound in case of
|
||
any emergency. When they had retired, Quincey, Godalming,
|
||
and I arranged that we should sit up, dividing the night
|
||
between us, and watch over the safety of the poor stricken
|
||
lady. The first watch falls to Quincey, so the rest of us
|
||
shall be off to bed as soon as we can.
|
||
Godalming has already turned in, for his is the second
|
||
watch. Now that my work is done I, too, shall go to bed.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
3-4 October, close to midnight.--I thought yesterday
|
||
would never end. There was over me a yearning for sleep, in
|
||
some sort of blind belief that to wake would be to find
|
||
things changed, and that any change must now be for the
|
||
better. Before we parted, we discussed what our next step
|
||
was to be, but we could arrive at no result. All we knew
|
||
was that one earth box remained, and that the Count alone
|
||
knew where it was.If he chooses to lie hidden, he may baffle
|
||
us for years. And in the meantime, the thought is too horr-
|
||
ible, I dare not think of it even now. This I know, that if
|
||
ever there was a woman who was all perfection,that one is my
|
||
poor wronged darling. I loved her a thousand times more for
|
||
her sweet pity of last night,a pity that made my own hate of
|
||
the monster seem despicable. Surely God will not permit the
|
||
world to be the poorer by the loss of such a creature. This
|
||
is hope to me. We are all drifting reefwards now, and faith
|
||
is our only anchor.Thank God! Mina is sleeping, and sleeping
|
||
without dreams. I fear what her dreams might be like, with
|
||
such terrible memories to ground them in. She has not been
|
||
so calm, within my seeing, since the sunset. Then, for a
|
||
while, there came over her face a repose which was like
|
||
spring after the blasts of March. I thought at the time that
|
||
it was the softness of the red sunset on her face, but some-
|
||
how now I think it has a deeper meaning. I am not sleepy
|
||
myself, though I am weary . . . weary to death. However, I
|
||
must try to sleep. For there is tomorrow to think of, and
|
||
there is no rest for me until . . .
|
||
|
||
Later--I must have fallen asleep, for I was awakened by
|
||
Mina, who was sitting up in bed, with a startled look on her
|
||
face. I could see easily, for we did not leave the room in
|
||
darkness. She had placed a warning hand over my mouth, and
|
||
now she whispered in my ear, "Hush! There is someone in the
|
||
corridor!" I got up softly, and crossing the room, gently
|
||
opened the door.
|
||
Just outside, stretched on a mattress, lay Mr. Morris,
|
||
wide awake. He raised a warning hand for silence as he whis-
|
||
pered to me, "Hush! Go back to bed. It is all right. One
|
||
of us will be here all night. We don't mean to take any
|
||
chances!"
|
||
His look and gesture forbade discussion, so I came back
|
||
and told Mina. She sighed and positively a shadow of a smile
|
||
stole over her poor, pale face as she put her arms round me
|
||
and said softly, "Oh, thank God for good brave men!" With a
|
||
sigh she sank back again to sleep. I write this now as I am
|
||
not sleepy, though I must try again.
|
||
|
||
4 October, morning.--Once again during the night I was
|
||
wakened by Mina. This time we had all had a good sleep, for
|
||
the grey of the coming dawn was making the windows into
|
||
sharp oblongs,and the gas flame was like a speck rather than
|
||
a disc of light.
|
||
She said to me hurriedly, "Go, call the Professor. I
|
||
want to see him at once."
|
||
"Why?" I asked.
|
||
"I have an idea. I suppose it must have come in the
|
||
night, and matured without my knowing it. He must hypnotize
|
||
me before the dawn, and then I shall be able to speak. Go
|
||
quick, dearest, the time is getting close."
|
||
I went to the door. Dr. Seward was resting on the matt-
|
||
ress, and seeing me, he sprang to his feet.
|
||
"Is anything wrong?" he asked, in alarm.
|
||
"No," I replied. "But Mina wants to see Dr. Van Helsing
|
||
at once."
|
||
"I will go," he said, and hurried into the Professor's
|
||
room.
|
||
Two or three minutes later Van Helsing was in the room
|
||
in his dressing gown, and Mr. Morris and Lord Godalming were
|
||
with Dr. Seward at the door asking questions. When the Pro-
|
||
fessor saw Mina a smile, a positive smile ousted the anxiety
|
||
of his face.
|
||
He rubbed his hands as he said, "Oh, my dear Madam
|
||
Mina, this is indeed a change. See! Friend Jonathan, we
|
||
have got our dear Madam Mina, as of old, back to us today!"
|
||
Then turning to her, he said cheerfully, "And what am I to
|
||
do for you? For at this hour you do not want me for nothing."
|
||
"I want you to hypnotize me!" she said. "Do it before
|
||
the dawn, for I feel that then I can speak, and speak free-
|
||
ly. Be quick, for the time is short!" Without a word he
|
||
motioned her to sit up in bed.
|
||
Looking fixedly at her, he commenced to make passes in
|
||
front of her, from over the top of her head downward, with
|
||
each hand in turn. Mina gazed at him fixedly for a few min-
|
||
utes, during which my own heart beat like a trip hammer, for
|
||
I felt that some crisis was at hand. Gradually her eyes
|
||
closed, and she sat, stock still. Only by the gentle heaving
|
||
of her bosom could one know that she was alive.The Professor
|
||
made a few more passes and then stopped,and I could see that
|
||
his forehead was covered with great beads of perspiration.
|
||
Mina opened her eyes, but she did not seem the same woman.
|
||
There was a far-away look in her eyes, and her voice had a
|
||
sad dreaminess which was new to me. Raising his hand to im-
|
||
pose silence, the Professor motioned to me to bring the
|
||
others in.They came on tiptoe, closing the door behind them,
|
||
and stood at the foot of the bed, looking on. Mina appeared
|
||
not to see them. The stillness was broken by Van Helsing's
|
||
voice speaking in a low level tone which would not break the
|
||
current of her thoughts.
|
||
"Where are you?" The answer came in a neutral way.
|
||
"I do not know.Sleep has no place it can call its own."
|
||
For several minutes there was silence. Mina sat rigid, and
|
||
the Professor stood staring at her fixedly.
|
||
The rest of us hardly dared to breathe. The room was
|
||
growing lighter. Without taking his eyes from Mina's face,
|
||
Dr. Van Helsing motioned me to pull up the blind. I did so,
|
||
and the day seemed just upon us. A red streak shot up, and a
|
||
rosy light seemed to diffuse itself through the room. On the
|
||
instant the Professor spoke again.
|
||
"Where are you now?"
|
||
The answer came dreamily, but with intention. It were
|
||
as though she were interpreting something. I have heard her
|
||
use the same tone when reading her shorthand notes.
|
||
"I do not know. It is all strange to me!"
|
||
"What do you see?"
|
||
"I can see nothing. It is all dark."
|
||
"What do you hear?" I could detect the strain in the
|
||
Professor's patient voice.
|
||
"The lapping of water. It is gurgling by, and little
|
||
waves leap. I can hear them on the outside."
|
||
"Then you are on a ship?'"
|
||
We all looked at each other, trying to glean something
|
||
each from the other. We were afraid to think.
|
||
The answer came quick, "Oh, yes!"
|
||
"What else do you hear?"
|
||
"The sound of men stamping overhead as they run about.
|
||
There is the creaking of a chain, and the loud tinkle as the
|
||
check of the capstan falls into the ratchet."
|
||
"What are you doing?"
|
||
"I am still,oh so still. It is like death!" The voice
|
||
faded away into a deep breath as of one sleeping, and the
|
||
open eyes closed again.
|
||
By this time the sun had risen, and we were all in the
|
||
full light of day.Dr. Van Helsing placed his hands on Mina's
|
||
shoulders, and laid her head down softly on her pillow. She
|
||
lay like a sleeping child for a few moments, and then, with
|
||
a long sigh, awoke and stared in wonder to see us all around
|
||
her.
|
||
"Have I been talking in my sleep?" was all she said.She
|
||
seemed,however, to know the situation without telling,though
|
||
she was eager to know what she had told. The Professor re-
|
||
peated the conversation, and she said, "Then there is not a
|
||
moment to lose. It may not be yet too late!"
|
||
Mr. Morris and Lord Godalming started for the door but
|
||
the Professor's calm voice called them back.
|
||
"Stay, my friends. That ship, wherever it was, was
|
||
weighing anchor at the moment in your so great Port of Lon-
|
||
don. Which of them is it that you seek? God be thanked that
|
||
we have once again a clue, though whither it may lead us we
|
||
know not. We have been blind somewhat. Blind after the
|
||
manner of men, since we can look back we see what we might
|
||
have seen looking forward if we had been able to see what we
|
||
might have seen! Alas, but that sentence is a puddle, is it
|
||
not? We can know now what was in the Count's mind, when he
|
||
seize that money, though Jonathan's so fierce knife put him
|
||
in the danger that even he dread. He meant escape. Hear me,
|
||
ESCAPE! He saw that with but one earth box left, and a pack
|
||
of men following like dogs after a fox, this London was no
|
||
place for him. He have take his last earth box on board a
|
||
ship, and he leave the land. He think to escape, but no! We
|
||
follow him. Tally Ho! As friend Arthur would say when he
|
||
put on his red frock! Our old fox is wily. Oh! So wily,
|
||
and we must follow with wile. I, too, am wily and I think
|
||
his mind in a little while. In meantime we may rest and in
|
||
peace, for there are between us which he do not want to pass,
|
||
and which he could not if he would. Unless the ship were to
|
||
touch the land, and then only at full or slack tide.See, and
|
||
the sun is just rose, and all day to sunset is us. Let us
|
||
take bath, and dress, and have breakfast which we all need,
|
||
and which we can eat comfortably since he be not in the same
|
||
land with us."
|
||
Mina looked at him appealingly as she asked, "But why
|
||
need we seek him further, when he is gone away from us?"
|
||
He took her hand and patted it as he replied, "Ask me
|
||
nothing as yet. When we have breakfast, then I answer all
|
||
questions." He would say no more, and we separated to dress.
|
||
After breakfast Mina repeated her question. He looked
|
||
at her gravely for a minute and then said sorrowfully, "Be-
|
||
cause my dear, dear Madam Mina, now more than ever must we
|
||
find him even if we have to follow him to the jaws of Hell!"
|
||
She grew paler as she asked faintly, "Why?"
|
||
"Because," he answered solemnly, "he can live for cen-
|
||
turies, and you are but mortal woman. Time is now to be
|
||
dreaded, since once he put that mark upon your throat."
|
||
I was just in time to catch her as she fell forward in
|
||
a faint.
|
||
|
||
|
||
CHAPTER 24
|
||
|
||
DR. SEWARD'S PHONOGRAPH DIARY
|
||
SPOKEN BY VAN HELSING
|
||
|
||
This to Jonathan Harker.
|
||
You are to stay with your dear Madam Mina. We shall go
|
||
to make our search, if I can call it so,for it is not search
|
||
but knowing, and we seek confirmation only. But do you stay
|
||
and take care of her today. This is your best and most hol-
|
||
iest office. This day nothing can find him here.
|
||
Let me tell you that so you will know what we four know
|
||
already, for I have tell them. He, our enemy, have gone away.
|
||
He have gone back to his Castle in Transylvania.I know it so
|
||
well, as if a great hand of fire wrote it on the wall. He
|
||
have prepare for this in some way, and that last earth box
|
||
was ready to ship somewheres.For this he took the money. For
|
||
this he hurry at the last, lest we catch him before the sun
|
||
go down.It was his last hope, save that he might hide in the
|
||
tomb that he think poor Miss Lucy, being as he thought like
|
||
him, keep open to him. But there was not of time. When that
|
||
fail he make straight for his last resource, his last earth-
|
||
work I might say did I wish double entente. He is clever, oh
|
||
so clever! He know that his game here was finish. And so he
|
||
decide he go back home. He find ship going by the route he
|
||
came, and he go in it.
|
||
We go off now to find what ship, and whither bound.
|
||
When we have discover that, we come back and tell you all.
|
||
Then we will comfort you and poor Madam Mina with new hope.
|
||
For it will be hope when you think it over, that all is not
|
||
lost. This very creature that we pursue, he take hundreds
|
||
of years to get so far as London. And yet in one day, when
|
||
we know of the disposal of him we drive him out. He is
|
||
finite, though he is powerful to do much harm and suffers
|
||
not as we do. But we are strong, each in our purpose, and
|
||
we are all more strong together. Take heart afresh, dear
|
||
husband of Madam Mina. This battle is but begun and in the
|
||
end we shall win. So sure as that God sits on high to watch
|
||
over His children. Therefore be of much comfort till we
|
||
return.
|
||
VAN HELSING.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
4 October.--When I read to Mina, Van Helsing's message
|
||
in the phonograph, the poor girl brightened up considerably.
|
||
Already the certainty that the Count is out of the country
|
||
has given her comfort. And comfort is strength to her. For
|
||
my own part,now that his horrible danger is not face to face
|
||
with us, it seems almost impossible to believe in it.Even my
|
||
own terrible experiences in Castle Dracula seem like a long
|
||
forgotten dream. Here in the crisp autumn air in the bright
|
||
sunlight.
|
||
Alas! How can I disbelieve! In the midst of my thought
|
||
my eye fell on the red scar on my poor darling's white fore-
|
||
head. Whilst that lasts, there can be no disbelief. Mina
|
||
and I fear to be idle, so we have been over all the diaries
|
||
again and again. Somehow, although the reality seem greater
|
||
each time, the pain and the fear seem less. There is some-
|
||
thing of a guiding purpose manifest throughout, which is
|
||
comforting. Mina says that perhaps we are the instruments
|
||
of ultimate good. It may be! I shall try to think as she
|
||
does. We have never spoken to each other yet of the future.
|
||
It is better to wait till we see the Professor and the
|
||
others after their investigations.
|
||
The day is running by more quickly than I ever thought
|
||
a day could run for me again. It is now three o'clock.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
5 October, 5 p.m.--Our meeting for report. Present:
|
||
Professor Van Helsing, Lord Godalming, Dr. Seward,Mr.Quincey
|
||
Morris, Jonathan Harker, Mina Harker.
|
||
Dr. Van Helsing described what steps were taken during
|
||
the day to discover on what boat and whither bound Count
|
||
Dracula made his escape.
|
||
"As I knew that he wanted to get back to Transylvania,
|
||
I felt sure that he must go by the Danube mouth, or by some-
|
||
where in the Black Sea, since by that way he come. It was a
|
||
dreary blank that was before us. Omme Ignotum pro magnifico.
|
||
And so with heavy hearts we start to find what ships leave
|
||
for the Black Sea last night. He was in sailing ship, since
|
||
Madam Mina tell of sails being set. These not so important
|
||
as to go in your list of the shipping in the Times,and so we
|
||
go, by suggestion of Lord Godalming, to your Lloyd's, where
|
||
are note of all ships that sail, however so small. There we
|
||
find that only one Black Sea bound ship go out with the tide.
|
||
She is the Czarina Catherine, and she sail from Doolittle's
|
||
Wharf for Varna, and thence to other ports and up the Danube.
|
||
`So!' said I, `this is the ship whereon is the Count.' So
|
||
off we go to Doolittle's Wharf,and there we find a man in an
|
||
office. From him we inquire o f the goings of the Czarina
|
||
Catherine. He swear much, and he red face and loud of voice,
|
||
but he good fellow all the same. And when Quincey give him
|
||
something from his pocket which crackle as he roll it up,and
|
||
put it in a so small bag which he have hid deep in his cloth-
|
||
ing, he still better fellow and humble servant to us.He come
|
||
with us, and ask many men who are rough and hot. These be
|
||
better fellows too when they have been no more thirsty. They
|
||
say much of blood and bloom,and of others which I comprehend
|
||
not, though I guess what they mean. But nevertheless they
|
||
tell us all things which we want to know.
|
||
"They make known to us among them, how last afternoon
|
||
at about five o'clock comes a man so hurry. A tall man, thin
|
||
and pale, with high nose and teeth so white, and eyes that
|
||
seem to be burning. That he be all in black, except that he
|
||
have a hat of straw which suit not him or the time. That he
|
||
scatter his money in making quick inquiry as to what ship
|
||
sails for the Black Sea and for where. Some took him to the
|
||
office and then to the ship, where he will not go aboard but
|
||
halt at shore end of gangplank,and ask that the captain come
|
||
to him. The captain come, when told that he will be pay well,
|
||
and though he swear much at the first he agree to term. Then
|
||
the thin man go and some one tell him where horse and cart
|
||
can be hired. He go there and soon he come again, himself
|
||
driving cart on which a great box. This he himself lift down,
|
||
though it take several to put it on truck for the ship. He
|
||
give much talk to captain as to how and where his box is to
|
||
be place. But the captain like it not and swear at him in
|
||
many tongues, and tell him that if he like he can come and
|
||
see where it shall be. But he say `no,' that he come not yet,
|
||
for that he have much to do. Whereupon the captain tell him
|
||
that he had better be quick, with blood, for that his ship
|
||
will leave the place, of blood, before the turn of the tide,
|
||
with blood. Then the thin man smile and say that of course
|
||
he must go when he think fit, but he will be surprise if he
|
||
go quite so soon. The captain swear again, polyglot, and
|
||
the thin man make him bow, and thank him, and say that he
|
||
will so far intrude on his kindness as to come aboard before
|
||
the sailing. Final the captain, more red than ever, and in
|
||
more tongues, tell him that he doesn't want no Frenchmen,
|
||
with bloom upon them and also with blood, in his ship, with
|
||
blood on her also. And so, after asking where he might pur-
|
||
chase ship forms, he departed.
|
||
"No one knew where he went `or bloomin' well cared' as
|
||
they said, for they had something else to think of,well with
|
||
blood again. For it soon became apparent to all that the
|
||
Czarina Catherine would not sail as was expected.A thin mist
|
||
began to creep up from the river, and it grew,and grew. Till
|
||
soon a dense fog enveloped the ship and all around her. The
|
||
captain swore polyglot, very polyglot, polyglot with bloom
|
||
and blood, but he could do nothing. The water rose and rose,
|
||
and he began to fear that he would lose the tide altogether.
|
||
He was in no friendly mood, when just at full tide, the thin
|
||
man came up the gangplank again and asked to see where his
|
||
box had been stowed. Then the captain replied that he wished
|
||
that he and his box, old and with much bloom and blood, were
|
||
in hell. But the thin man did not be offend, and went down
|
||
with the mate and saw where it was place, and came up and
|
||
stood awhile on deck in fog.He must have come off by himself,
|
||
for none notice him.Indeed they thought not of him, for soon
|
||
the fog begin to melt away, and all was clear again. My
|
||
friends of the thirst and the language that was of bloom and
|
||
blood laughed,as they told how the captain's swears exceeded
|
||
even his usual polyglot, and was more than ever full of pic-
|
||
turesque, when on questioning other mariners who were on
|
||
movement up and down the river that hour, he found that few
|
||
of them had seen any of fog at all,except where it lay round
|
||
the wharf. However, the ship went out on the ebb tide, and
|
||
was doubtless by morning far down the river mouth. She was
|
||
then, when they told us, well out to sea.
|
||
"And so, my dear Madam Mina, it is that we have to rest
|
||
for a time, for our enemy is on the sea, with the fog at his
|
||
command, on his way to the Danube mouth.To sail a ship takes
|
||
time, go she never so quick. And when we start to go on land
|
||
more quick, and we meet him there. Our best hope is to come
|
||
on him when in the box between sunrise and sunset. For then
|
||
he can make no struggle, and we may deal with him as we
|
||
should.There are days for us, in which we can make ready our
|
||
plan. We know all about where he go. For we have seen the
|
||
owner of the ship, who have shown us invoices and all papers
|
||
that can be. The box we seek is to be landed in Varna, and
|
||
to be given to an agent, one Ristics who will there present
|
||
his credentials. And so our merchant friend will have done
|
||
his part. When he ask if there be any wrong, for that so, he
|
||
can telegraph and have inquiry made at Varna, we say `no,'
|
||
for what is to be done is not for police or of the customs.
|
||
It must be done by us alone and in our own way."
|
||
When Dr. Van Helsing had done speaking, I asked him if
|
||
he were certain that the Count had remained on board the
|
||
ship. He replied, "We have the best proof of that,your own
|
||
evidence, when in the hypnotic trance this morning."
|
||
I asked him again if it were really necessary that they
|
||
should pursue the Count, for oh! I dread Jonathan leaving me,
|
||
and I know that he would surely go if the others went. He
|
||
answered in growing passion, at first quietly. As he went on,
|
||
however, he grew more angry and more forceful, till in the
|
||
end we could not but see wherein was at least some of that
|
||
personal dominance which made him so long a master amongst
|
||
men.
|
||
"Yes, it is necessary, necessary, necessary! For your
|
||
sake in the first, and then for the sake of humanity. This
|
||
monster has done much harm already, in the narrow scope
|
||
where he find himself, and in the short time when as yet he
|
||
was only as a body groping his so small measure in darkness
|
||
and not knowing. All this have I told these others. You,my
|
||
dear Madam Mina,will learn it in the phonograph of my friend
|
||
John, or in that of your husband. I have told them how the
|
||
measure of leaving his own barren land,barren of peoples,and
|
||
coming to a new land where life of man teems till they are
|
||
like the multitude of standing corn, was the work of cen-
|
||
turies. Were another of the Undead, like him, to try to do
|
||
what he has done, perhaps not all the centuries of the world
|
||
that have been, or that will be, could aid him.With this one,
|
||
all the forces of nature that are occult and deep and strong
|
||
must have worked together in some wonderous way. The very
|
||
place, where he have been alive, Undead for all these cen-
|
||
turies, is full of strangeness of the geologic and chemical
|
||
world. There are deep caverns and fissures that reach none
|
||
know whither. There have been volcanoes,some of whose open-
|
||
ings still send out waters of strange properties, and gases
|
||
that kill or make to vivify. Doubtless, there is something
|
||
magnetic or electric in some of these combinations of occult
|
||
forces which work for physical life in strange way, and in
|
||
himself were from the first some great qualities. In a hard
|
||
and warlike time he was celebrate that he have more iron
|
||
nerve, more subtle brain,more braver heart, than any man. In
|
||
him some vital principle have in strange way found their ut-
|
||
most. And as his body keep strong and grow and thrive, so
|
||
his brain grow too. All this without that diabolic aid which
|
||
is surely to him. For it have to yield to the powers that
|
||
come from, and are, symbolic of good. And now this is what
|
||
he is to us.He have infect you, oh forgive me, my dear, that
|
||
I must say such, but it is for good of you that I speak. He
|
||
infect you in such wise, that even if he do no more,you have
|
||
only to live, to live in your own old, sweet way, and so in
|
||
time, death,which is of man's common lot and with God's sanc-
|
||
tion, shall make you like to him. This must not be! We have
|
||
sworn together that it must not. Thus are we ministers of
|
||
God's own wish. That the world, and men for whom His Son die,
|
||
will not be given over to monsters, whose very existence
|
||
would defame Him. He have allowed us to redeem one soul al-
|
||
ready, and we go out as the old knights of the Cross to re-
|
||
deem more. Like them we shall travel towards the sunrise.
|
||
And like them, if we fall, we fall in good cause."
|
||
He paused and I said, "But will not the Count take his
|
||
rebuff wisely? Since he has been driven from England, will
|
||
he not avoid it, as a tiger does the village from which he
|
||
has been hunted?"
|
||
"Aha!" he said, "your simile of the tiger good, for me,
|
||
and I shall adopt him. Your maneater, as they of India call
|
||
the tiger who has once tasted blood of the human, care no
|
||
more for the other prey, but prowl unceasing till he get him.
|
||
This that we hunt from our village is a tiger, too, a manea-
|
||
ter, and he never cease to prowl. Nay, in himself he is not
|
||
one to retire and stay afar.In his life, his living life, he
|
||
go over the Turkey frontier and attack his enemy on his own
|
||
ground. He be beaten back, but did he stay? No! He come
|
||
again, and again, and again. Look at his persistence and en-
|
||
durance. With the child-brain that was to him he have long
|
||
since conceive the idea of coming to a great city. What does
|
||
he do? He find out the place of all the world most of pro-
|
||
mise for him. Then he deliberately set himself down to
|
||
prepare for the task. He find in patience just how is his
|
||
strength, and what are his powers. He study new tongues. He
|
||
learn new social life, new environment of old ways, the pol-
|
||
itics, the law, the finance, the science, the habit of a new
|
||
land and a new people who have come to be since he was. His
|
||
glimpse that he have had, whet his appetite only and enkeen
|
||
his desire. Nay, it help him to grow as to his brain. For it
|
||
all prove to him how right he was at the first in his sur-
|
||
mises. He have done this alone, all alone! From a ruin tomb
|
||
in a forgotten land.What more may he not do when the greater
|
||
world of thought is open to him. He that can smile at death,
|
||
as we know him. Who can flourish in the midst of diseases
|
||
that kill off whole peoples. Oh! If such an one was to come
|
||
from God, and not the Devil, what a force for good might he
|
||
not be in this old world of ours. But we are pledged to set
|
||
the world free. Our toil must be in silence, and our efforts
|
||
all in secret. For in this enlightened age, when men believe
|
||
not even what they see,the doubting of wise men would be his
|
||
greatest strength. It would be at once his sheath and his
|
||
armor, and his weapons to destroy us, his enemies, who are
|
||
willing to peril even our own souls for the safety of one we
|
||
love.For the good of mankind, and for the honor and glory of
|
||
God."
|
||
After a general discussion it was determined that for
|
||
tonight nothing be definitely settled. That we should all
|
||
sleep on the facts, and try to think out the proper conclu-
|
||
sions. Tomorrow, at breakfast, we are to meet again, and
|
||
after making our conclusions known to one another, we shall
|
||
decide on some definite cause of action . . .
|
||
I feel a wonderful peace and rest tonight. It is as if
|
||
some haunting presence were removed from me. Perhaps . . .
|
||
My surmise was not finished, could not be, for I caught
|
||
sight in the mirror of the red mark upon my forehead, and I
|
||
knew that I was still unclean.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
5 October.--We all arose early, and I think that sleep
|
||
did much for each and all of us. When we met at early break-
|
||
fast there was more general cheerfulness than any of us had
|
||
ever expected to experience again.
|
||
It is really wonderful how much resilience there is in
|
||
human nature. Let any obstructing cause, no matter what, be
|
||
removed in any way, even by death, and we fly back to first
|
||
principles of hope and enjoyment. More than once as we sat
|
||
around the table, my eyes opened in wonder whether the whole
|
||
of the past days had not been a dream. It was only when I
|
||
caught sight of the red blotch on Mrs.Harker's forehead that
|
||
I was brought back to reality. Even now, when I am gravely
|
||
revolving the matter,it is almost impossible to realize that
|
||
the cause of all our trouble is still existent. Even Mrs.
|
||
Harker seems to lose sight of her trouble for whole spells.
|
||
It is only now and again, when something recalls it to her
|
||
mind, that she thinks of her terrible scar. We are to meet
|
||
here in my study in half an hour and decide on our course of
|
||
action. I see only one immediate difficulty, I know it by
|
||
instinct rather than reason. We shall all have to speak
|
||
frankly. And yet I fear that in some mysterious way poor Mrs.
|
||
Harker's tongue is tied. I know that she forms conclusions
|
||
of her own, and from all that has been I can guess how brill-
|
||
iant and how true they must be. But she will not, or cannot,
|
||
give them utterance. I have mentioned this to Van Helsing,
|
||
and he and I are to talk it over when we are alone.I suppose
|
||
it is some of that horrid poison which has got into her
|
||
veins beginning to work. The Count had his own purposes when
|
||
he gave her what Van Helsing called "the Vampire's baptism
|
||
of blood." Well, there may be a poison that distills itself
|
||
out of good things.In an age when the existence of ptomaines
|
||
is a mystery we should not wonder at anything! One thing I
|
||
know,that if my instinct be true regarding poor Mrs.Harker's
|
||
silences, then there is a terrible difficulty, an unknown
|
||
danger, in the work before us. The same power that compels
|
||
her silence may compel her speech. I dare not think further,
|
||
for so I should in my thoughts dishonor a noble woman!
|
||
|
||
Later.--When the Professor came in, we talked over the
|
||
state of things. I could see that he had something on his
|
||
mind, which he wanted to say, but felt some hesitancy about
|
||
broaching the subject. After beating about the bush a little,
|
||
he said,"Friend John, there is something that you and I must
|
||
talk of alone, just at the first at any rate. Later, we may
|
||
have to take the others into our confidence."
|
||
Then he stopped, so I waited. He went on, "Madam Mina,
|
||
our poor, dear Madam Mina is changing."
|
||
A cold shiver ran through me to find my worst fears
|
||
thus endorsed. Van Helsing continued.
|
||
"With the sad experience of Miss Lucy, we must this
|
||
time be warned before things go too far. Our task is now in
|
||
reality more difficult than ever, and this new trouble makes
|
||
every hour of the direst importance. I can see the charac-
|
||
teristics of the vampire coming in her face. It is now but
|
||
very, very slight. But it is to be seen if we have eyes to
|
||
notice without prejudge. Her teeth are sharper,and at times
|
||
her eyes are more hard. But these are not all, there is to
|
||
her the silence now often, as so it was with Miss Lucy. She
|
||
did not speak, even when she wrote that which she wished to
|
||
be known later. Now my fear is this. If it be that she can,
|
||
by our hypnotic trance, tell what the Count see and hear, is
|
||
it not more true that he who have hypnotize her first, and
|
||
who have drink of her very blood and make her drink of his,
|
||
should if he will, compel her mind to disclose to him that
|
||
which she know?"
|
||
I nodded acquiescence. He went on, "Then, what we must
|
||
do is to prevent this. We must keep her ignorant of our in-
|
||
tent, and so she cannot tell what she know not. This is a
|
||
painful task! Oh, so painful that it heartbreak me to think
|
||
of it, but it must be. When today we meet, I must tell her
|
||
that for reason which we will not to speak she must not more
|
||
be of our council, but be simply guarded by us."
|
||
He wiped his forehead, which had broken out in profuse
|
||
perspiration at the thought of the pain which he might have
|
||
to inflict upon the poor soul already so tortured. I knew
|
||
that it would be some sort of comfort to him if I told him
|
||
that I also had come to the same conclusion. For at any
|
||
rate it would take away the pain of doubt. I told him, and
|
||
the effect was as I expected.
|
||
It is now close to the time of our general gathering.
|
||
Van Helsing has gone away to prepare for the meeting, and
|
||
his painful part of it. I really believe his purpose is to
|
||
be able to pray alone.
|
||
|
||
Later.--At the very outset of our meeting a great per-
|
||
sonal relief was experienced by both Van Helsing and myself.
|
||
Mrs. Harker had sent a message by her husband to say that
|
||
she would not join us at present, as she thought it better
|
||
that we should be free to discuss our movements without her
|
||
presence to embarrass us. The Professor and I looked at
|
||
each other for an instant, and somehow we both seemed
|
||
relieved. For my own part, I thought that if Mrs. Harker
|
||
realized the danger herself, it was much pain as well as
|
||
much danger averted. Under the circumstances we agreed, by
|
||
a questioning look and answer, with finger on lip, to pre-
|
||
serve silence in our suspicions, until we should have been
|
||
able to confer alone again. We went at once into our Plan
|
||
of Campaign.
|
||
Van Helsing roughly put the facts before us first,"The
|
||
Czarina Catherine left the Thames yesterday morning.It will
|
||
take her at the quickest speed she has ever made at least
|
||
three weeks to reach Varna. But we can travel overland to
|
||
the same place in three days. Now, if we allow for two days
|
||
less for the ship's voyage,owing to such weather influences
|
||
as we know that the Count can bring to bear,and if we allow
|
||
a whole day and night for any delays which may occur to us,
|
||
then we have a margin of nearly two weeks.
|
||
"Thus,in order to be quite safe, we must leave here on
|
||
17th at latest. Then we shall at any rate be in Varna a day
|
||
before the ship arrives, and able to make such preparations
|
||
as may be necessary. Of course we shall all go armed, armed
|
||
against evil things, spiritual as well as physical."
|
||
Here Quincey Morris added,"I understand that the Count
|
||
comes from a wolf country, and it may be that he shall get
|
||
there before us. I propose that we add Winchesters to our
|
||
armament. I have a kind of belief in a Winchester when
|
||
there is any trouble of that sort around. Do you remember,
|
||
Art, when we had the pack after us at Tobolsk?What wouldn't
|
||
we have given then for a repeater apiece!"
|
||
"Good!" said Van Helsing, "Winchesters it shall be.
|
||
Quincey's head is level at times, but most so when there is
|
||
to hunt,metaphor be more dishonor to science than wolves be
|
||
of danger to man. In the meantime we can do nothing here.
|
||
And as I think that Varna is not familiar to any of us, why
|
||
not go there more soon? It is as long to wait here as there.
|
||
Tonight and tomorrow we can get ready, and then if all be
|
||
well, we four can set out on our journey."
|
||
"We four?" said Harker interrogatively, looking from
|
||
one to another of us.
|
||
"Of course!" answered the Professor quickly. "You must
|
||
remain to take care of your so sweet wife!"
|
||
Harker was silent for awhile and then said in a hollow
|
||
voice, "Let us talk of that part of it in the morning. I
|
||
want to consult with Mina."
|
||
I thought that now was the time for Van Helsing to
|
||
warn him not to disclose our plan to her, but he took no
|
||
notice.I looked at him significantly and coughed.For answer
|
||
he put his finger to his lips and turned away.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
October, afternoon.--For some time after our meeting
|
||
this morning I could not think. The new phases of things
|
||
leave my mind in a state of wonder which allows no room for
|
||
active thought. Mina's determination not to take any part
|
||
in the discussion set me thinking. And as I could not argue
|
||
the matter with her, I could only guess. I am as far as
|
||
ever from a solution now. The way the others received it,
|
||
too puzzled me. The last time we talked of the subject we
|
||
agreed that there was to be no more concealment of anything
|
||
amongst us. Mina is sleeping now, calmly and sweetly like a
|
||
little child. Her lips are curved and her face beams with
|
||
happiness. Thank God, there are such moments still for her.
|
||
|
||
Later.--How strange it all is. I sat watching Mina's
|
||
happy sleep, and I came as near to being happy myself as I
|
||
suppose I shall ever be. As the evening drew on, and the
|
||
earth took its shadows from the sun sinking lower, the si-
|
||
lence of the room grew more and more solemn to me.
|
||
All at once Mina opened her eyes, and looking at me
|
||
tenderly said, "Jonathan, I want you to promise me something
|
||
on your word of honor. A promise made to me, but made holily
|
||
in God's hearing, and not to be broken though I should go
|
||
down on my knees and implore you with bitter tears. Quick,
|
||
you must make it to me at once."
|
||
"Mina," I said, "a promise like that, I cannot make at
|
||
once. I may have no right to make it."
|
||
"But, dear one," she said, with such spiritual inten-
|
||
sity that her eyes were like pole stars, "it is I who wish
|
||
it. And it is not for myself. You can ask Dr. Van Helsing
|
||
if I am not right. If he disagrees you may do as you will.
|
||
Nay, more if you all agree, later you are absolved from the
|
||
promise."
|
||
"I promise!"I said, and for a moment she looked suprem-
|
||
ely happy. Though to me all happiness for her was denied by
|
||
the red scar on her forehead.
|
||
She said, "Promise me that you will not tell me any-
|
||
thing of the plans formed for the campaign against the Count.
|
||
Not by word, or inference, or implication, not at any time
|
||
whilst this remains to me!" And she solemnly pointed to the
|
||
scar. I saw that she was in earnest, and said solemnly, "I
|
||
promise!" and as I said it I felt that from that instant a
|
||
door had been shut between us.
|
||
|
||
Later, midnight.--Mina has been bright and cheerful all
|
||
the evening. So much so that all the rest seemed to take
|
||
courage, as if infected somewhat with her gaiety. As a re-
|
||
sult even I myself felt as if the pall of gloom which weighs
|
||
us down were somewhat lifted. We all retired early. Mina
|
||
is now sleeping like a little child. It is wonderful thing
|
||
that her faculty of sleep remains to her in the midst of her
|
||
terrible trouble. Thank God for it, for then at least she
|
||
can forget her care. Perhaps her example may affect me as
|
||
her gaiety did tonight. I shall try it. Oh! For a dream-
|
||
less sleep.
|
||
6 October, morning.--Another surprise. Mina woke me
|
||
early, about the same time as yesterday, and asked me to
|
||
bring Dr. Van Helsing. I thought that it was another occas-
|
||
sion for hypnotism, and without question went for the Pro-
|
||
fessor. He had evidently expected some such call, for I
|
||
found him dressed in his room. His door was ajar, so that
|
||
he could hear the opening of the door of our room. He came
|
||
at once. As he passed into the room, he asked Mina if the
|
||
others might come, too.
|
||
"No," she said quite simply, "it will not be necessary.
|
||
You can tell them just as well. I must go with you on your
|
||
journey."
|
||
Dr. Van Helsing was as startled as I was. After a mom-
|
||
ent's pause he asked, "But why?"
|
||
"You must take me with you. I am safer with you, and
|
||
you shall be safer, too."
|
||
"But why, dear Madam Mina? You know that your safety
|
||
is our solemnest duty. We go into danger, to which you are,
|
||
or may be, more liable than any of us from . . . from cir-
|
||
cumstances . . . things that have been." He paused embar-
|
||
rassed.
|
||
As she replied, she raised her finger and pointed to
|
||
her forehead. "I know. That is why I must go. I can tell
|
||
you now, whilst the sun is coming up. I may not be able
|
||
again. I know that when the Count wills me I must go. I
|
||
know that if he tells me to come in secret, I must by wile.
|
||
By any device to hoodwink, even Jonathan." God saw the look
|
||
that she turned on me as she spoke, and if there be indeed a
|
||
Recording Angel that look is noted to her ever-lasting honor.
|
||
I could only clasp her hand. I could not speak. My emotion
|
||
was too great for even the relief of tears.
|
||
She went on. "You men are brave and strong. You are
|
||
strong in your numbers, for you can defy that which would
|
||
break down the human endurance of one who had to guard alone.
|
||
Besides, I may be of service, since you can hypnotize me and
|
||
so learn that which even I myself do not know."
|
||
Dr. Van Helsing said gravely, "Madam Mina, you are, as
|
||
always, most wise. You shall with us come. And together we
|
||
shall do that which we go forth to achieve."
|
||
When he had spoken, Mina's long spell of silence made
|
||
me look at her. She had fallen back on her pillow asleep.
|
||
She did not even wake when I had pulled up the blind and let
|
||
in the sunlight which flooded the room. Van Helsing motioned
|
||
to me to come with him quietly. We went to his room, and
|
||
within a minute Lord Godalming, Dr. Seward, and Mr. Morris
|
||
were with us also.
|
||
He told them what Mina had said, and went on. "In the
|
||
morning we shall leave for Varna. We have now to deal with
|
||
a new factor, Madam Mina. Oh, but her soul is true. It is
|
||
to her an agony to tell us so much as she has done. But it
|
||
is most right, and we are warned in time. There must be no
|
||
chance lost, and in Varna we must be ready to act the in-
|
||
stant when that ship arrives."
|
||
"What shall we do exactly?"asked Mr. Morris laconically.
|
||
The Professor paused before replying, "We shall at the
|
||
first board that ship. Then, when we have identified the
|
||
box, we shall place a branch of the wild rose on it. This
|
||
we shall fasten, for when it is there none can emerge, so
|
||
that at least says the superstition. And to superstition
|
||
must we trust at the first. It was man's faith in the early,
|
||
and it have its root in faith still. Then, when we get the
|
||
opportunity that we seek, when none are near to see,we shall
|
||
open the box, and . . . and all will be well."
|
||
"I shall not wait for any opportunity," said Morris.
|
||
"When I see the box I shall open it and destroy the monster,
|
||
though there were a thousand men looking on, and if I am to
|
||
be wiped out for it the next moment!" I grasped his hand in-
|
||
stinctively and found it as firm as a piece of steel.I think
|
||
he understood my look. I hope he did.
|
||
"Good boy," said Dr. Van Helsing. "Brave boy. Quincey
|
||
is all man. God bless him for it. My child, believe me none
|
||
of us shall lag behind or pause from any fear. I do but say
|
||
what we may do . . . what we must do. But, indeed,indeed we
|
||
cannot say what we may do.There are so many things which may
|
||
happen, and their ways and their ends are so various that
|
||
until the moment we may not say. We shall all be armed, in
|
||
all ways. And when the time for the end has come, our effort
|
||
shall not be lack. Now let us today put all our affairs in
|
||
order. Let all things which touch on others dear to us, and
|
||
who on us depend, be complete. For none of us can tell what,
|
||
or when, or how, the end may be. As for me, my own affairs
|
||
are regulate, and as I have nothing else to do, I shall go
|
||
make arrangements for the travel. I shall have all tickets
|
||
and so forth for our journey."
|
||
There was nothing further to be said, and we parted. I
|
||
shall now settle up all my affairs of earth,and be ready for
|
||
whatever may come.
|
||
|
||
Later.--It is done. My will is made, and all complete.
|
||
Mina if she survive is my sole heir. If it should not be
|
||
so, then the others who have been so good to us shall have
|
||
remainder.
|
||
It is now drawing towards the sunset. Mina's uneasi-
|
||
ness calls my attention to it. I am sure that there is
|
||
something on her mind which the time of exact sunset will
|
||
reveal. These occasions are becoming harrowing times for us
|
||
all. For each sunrise and sunset opens up some new danger,
|
||
some new pain, which however, may in God's will be means to
|
||
a good end. I write all these things in the diary since my
|
||
darling must not hear them now. But if it may be that she
|
||
can see them again, they shall be ready.She is calling to me.
|
||
|
||
|
||
CHAPTER 25
|
||
|
||
DR SEWARD'S DIARY
|
||
|
||
11 October, Evening.--Jonathan Harker has asked me to
|
||
note this, as he says he is hardly equal to the task, and he
|
||
wants an exact record kept.
|
||
I think that none of us were surprised when we were
|
||
asked to see Mrs. Harker a little before the time of sunset.
|
||
We have of late come to understand that sunrise and sunset
|
||
are to her times of peculiar freedom. When her old self can
|
||
be manifest without any controlling force subduing or re-
|
||
straining her, or inciting her to action. This mood or
|
||
condition begins some half hour or more before actual sun-
|
||
rise or sunset, and lasts till either the sun is high, or
|
||
whilst the clouds are still aglow with the rays streaming
|
||
above the horizon. At first there is a sort of negative
|
||
condition, as if some tie were loosened, and then the abso-
|
||
lute freedom quickly follows. When, however, the freedom
|
||
ceases the change back or relapse comes quickly, preceeded
|
||
only by a spell of warning silence.
|
||
Tonight, when we met, she was somewhat constrained, and
|
||
bore all the signs of an internal struggle. I put it down
|
||
myself to her making a violent effort at the earliest
|
||
instant she could do so.
|
||
A very few minutes, however, gave her complete control
|
||
of herself. Then, motioning her husband to sit beside her
|
||
on the sofa where she was half reclining, she made the rest
|
||
of us bring chairs up close.
|
||
Taking her husband's hand in hers, she began, "We are
|
||
all here together in freedom, for perhaps the last time! I
|
||
know that you will always be with me to the end." This was
|
||
to her husband whose hand had, as we could see, tightened
|
||
upon her. "In the morning we go out upon our task, and God
|
||
alone knows what may be in store for any of us. You are
|
||
going to be so good to me to take me with you. I know that
|
||
all that brave earnest men can do for a poor weak woman,
|
||
whose soul perhaps is lost, no, no, not yet, but is at any
|
||
rate at stake, you will do. But you must remember that I am
|
||
not as you are. There is a poison in my blood, in my soul,
|
||
which may destroy me, which must destroy me, unless some re-
|
||
lief comes to us. Oh, my friends, you know as well as I do,
|
||
that my soul is at stake. And though I know there is one way
|
||
out for me, you must not and I must not take it!" She looked
|
||
appealingly to us all in turn, beginning and ending with her
|
||
husband.
|
||
"What is that way?" asked Van Helsing in a hoarse voice.
|
||
"What is that way, which we must not, may not, take?"
|
||
"That I may die now, either by my own hand or that of
|
||
another, before the greater evil is entirely wrought.I know,
|
||
and you know, that were I once dead you could and would set
|
||
free my immortal spirit, even as you did my poor Lucy's.Were
|
||
death, or the fear of death,the only thing that stood in the
|
||
way I would not shrink to die here now, amidst the friends
|
||
who love me. But death is not all. I cannot believe that to
|
||
die in such a case,when there is hope before us and a bitter
|
||
task to be done, is God's will.Therefore, I on my part, give
|
||
up here the certainty of eternal rest, and go out into the
|
||
dark where may be the blackest things that the world or the
|
||
nether world holds!"
|
||
We were all silent, for we knew instinctively that this
|
||
was only a prelude. The faces of the others were set, and
|
||
Harker's grew ashen grey. Perhaps, he guessed better than
|
||
any of us what was coming.
|
||
She continued, "This is what I can give into the hotch-
|
||
pot." I could not but note the quaint legal phrase which
|
||
she used in such a place, and with all seriousness. "What
|
||
will each of you give? Your lives I know," she went on
|
||
quickly, "that is easy for brave men. Your lives are God's,
|
||
and you can give them back to Him, but what will you give to
|
||
me?" She looked again questionly, but this time avoided her
|
||
husband's face. Quincey seemed to understand,he nodded, and
|
||
her face lit up. "Then I shall tell you plainly what I want,
|
||
for there must be no doubtful matter in this connection be-
|
||
tween us now. You must promise me,one and all, even you, my
|
||
beloved husband,that should the time come, you will kill me."
|
||
"What is that time?" The voice was Quincey's, but it
|
||
was low and strained.
|
||
"When you shall be convinced that I am so changed that
|
||
it is better that I die that I may live. When I am thus
|
||
dead in the flesh, then you will, without a moment's delay,
|
||
drive a stake through me and cut off my head, or do what-
|
||
ever else may be wanting to give me rest!"
|
||
Quincey was the first to rise after the pause. He knelt
|
||
down before her and taking her hand in his said solemnly,
|
||
"I'm only a rough fellow, who hasn't, perhaps, lived as a
|
||
man should to win such a distinction, but I swear to you by
|
||
all that I hold sacred and dear that, should the time ever
|
||
come, I shall not flinch from the duty that you have set us.
|
||
And I promise you, too, that I shall make all certain, for
|
||
if I am only doubtful I shall take it that the time has come!"
|
||
"My true friend!" was all she could say amid her fast-
|
||
falling tears, as bending over, she kissed his hand.
|
||
"I swear the same, my dear Madam Mina!"said Van Helsing.
|
||
"And I!" said Lord Godalming, each of them in turn kneeling
|
||
to her to take the oath. I followed, myself.
|
||
Then her husband turned to her wan-eyed and with a
|
||
greenish pallor which subdued the snowy whiteness of his
|
||
hair, and asked, "And must I, too, make such a promise, oh,
|
||
my wife?"
|
||
"You too, my dearest,"she said, with infinite yearning
|
||
of pity in her voice and eyes. "You must not shrink. You
|
||
are nearest and dearest and all the world to me. Our souls
|
||
are knit into one, for all life and all time. Think, dear,
|
||
that there have been times when brave men have killed their
|
||
wives and their womenkind, to keep them from falling into
|
||
the hands of the enemy. Their hands did not falter any the
|
||
more because those that they loved implored them to slay
|
||
them. It is men's duty towards those whom they love, in
|
||
such times of sore trial! And oh, my dear, if it is to be
|
||
that I must meet death at any hand, let it be at the hand of
|
||
him that loves me best. Dr. Van Helsing, I have not forgot-
|
||
ten your mercy in poor Lucy's case to him who loved." She
|
||
stopped with a flying blush, and changed her phrase, "to him
|
||
who had best right to give her peace. If that time shall
|
||
come again, I look to you to make it a happy memory of my
|
||
husband's life that it was his loving hand which set me free
|
||
from the awful thrall upon me."
|
||
"Again I swear!" came the Professor's resonant voice.
|
||
Mrs. Harker smiled, positively smiled,as with a sigh of
|
||
relief she leaned back and said, "And now one word of warn-
|
||
ing, a warning which you must never forget. This time,if it
|
||
ever come, may come quickly and unexpectedly, and in such
|
||
case you must lose no time in using your opportunity.At such
|
||
a time I myself might be . . . nay! If the time ever come,
|
||
shall be, leagued with your enemy against you.
|
||
"One more request," she became very solemn as she said
|
||
this, "it is not vital and necessary like the other, but I
|
||
want you to do one thing for me, if you will."
|
||
We all acquiesced, but no one spoke. There was no need
|
||
to speak.
|
||
"I want you to read the Burial Service." She was inter-
|
||
rupted by a deep groan from her husband. Taking his hand in
|
||
hers, she held it over her heart, and continued. "You must
|
||
read it over me some day. Whatever may be the issue of all
|
||
this fearful state of things, it will be a sweet thought to
|
||
all or some of us. You, my dearest, will I hope read it, for
|
||
then it will be in your voice in my memory forever, come
|
||
what may!"
|
||
"But oh, my dear one," he pleaded, "death is afar off
|
||
from you."
|
||
"Nay," she said, holding up a warning hand. "I am
|
||
deeper in death at this moment than if the weight of an
|
||
earthly grave lay heavy upon me!"
|
||
"Oh, my wife, must I read it?"he said, before he began.
|
||
"It would comfort me, my husband!" was all she said,
|
||
and he began to read when she had got the book ready.
|
||
How can I,how could anyone, tell of that strange scene,
|
||
its solemnity,its gloom,its sadness, its horror, and withal,
|
||
its sweetness. Even a sceptic, who can see nothing but a
|
||
travesty of bitter truth in anything holy or emotional,would
|
||
have been melted to the heart had he seen that little group
|
||
of loving and devoted friends kneeling round that stricken
|
||
and sorrowing lady. Or heard the tender passion of her hus-
|
||
band's voice, as in tones so broken and emotional that often
|
||
he had to pause, he read the simple and beautiful service
|
||
from the Burial of the Dead. I cannot go on . . .
|
||
words . . . and v-voices . . . f-fail m-me!
|
||
She was right in her instinct. Strange as it was,
|
||
bizarre as it may hereafter seem even to us who felt its
|
||
potent influence at the time, it comforted us much. And the
|
||
silence, which showed Mrs. Harker's coming relapse from her
|
||
freedom of soul, did not seem so full of despair to any of
|
||
us as we had dreaded.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
15 October, Varna.--We left Charing Cross on the morn-
|
||
ing of the 12th, got to Paris the same night, and took the
|
||
places secured for us in the Orient Express. We traveled
|
||
night and day, arriving here at about five o'clock. Lord
|
||
Godalming went to the Consulate to see if any telegram had
|
||
arrived for him, whilst the rest of us came on to this hotel,
|
||
"the Odessus." The journey may have had incidents. I was,
|
||
however, too eager to get on, to care for them. Until the
|
||
Czarina Catherine comes into port there will be no interest
|
||
for me in anything in the wide world. Thank God! Mina is
|
||
well, and looks to be getting stronger. Her color is coming
|
||
back. She sleeps a great deal. Throughout the journey she
|
||
slept nearly all the time. Before sunrise and sunset, how-
|
||
ever, she is very wakeful and alert. And it has become a
|
||
habit for Van Helsing to hypnotize her at such times. At
|
||
first, some effort was needed,and he had to make many passes.
|
||
But now, she seems to yield at once, as if by habit, and
|
||
scarcely any action is needed. He seems to have power at
|
||
these particular moments to simply will, and her thoughts
|
||
obey him. He always asks her what she can see and hear.
|
||
She answers to the first, "Nothing, all is dark."
|
||
And to the second,"I can hear the waves lapping against
|
||
the ship, and the water rushing by.Canvas and cordage strain
|
||
and masts and yards creak. The wind is high . . . I can
|
||
hear it in the shrouds, and the bow throws back the foam."
|
||
It is evident that the Czarina Catherine is still at
|
||
sea, hastening on her way to Varna. Lord Godalming has just
|
||
returned. He had four telegrams, one each day since we start-
|
||
ed,and all to the same effect.That the Czarina Catherine had
|
||
not been reported to Lloyd's from anywhere. He had arranged
|
||
before leaving London that his agent should send him every
|
||
day a telegram saying if the ship had been reported. He was
|
||
to have a message even if she were not reported, so that he
|
||
might be sure that there was a watch being kept at the other
|
||
end of the wire.
|
||
We had dinner and went to bed early. Tomorrow we are
|
||
to see the Vice Consul, and to arrange, if we can, about get-
|
||
ting on board the ship as soon as she arrives. Van Helsing
|
||
says that our chance will be to get on the boat between sun-
|
||
rise and sunset. The Count, even if he takes the form of a
|
||
bat, cannot cross the running water of his own volition, and
|
||
so cannot leave the ship. As he dare not change to man's
|
||
form without suspicion, which he evidently wishes to avoid,
|
||
he must remain in the box. If, then, we can come on board
|
||
after sunrise, he is at our mercy, for we can open the box
|
||
and make sure of him, as we did of poor Lucy, before he
|
||
wakes. What mercy he shall get from us all will not count
|
||
for much. We think that we shall not have much trouble with
|
||
officials or the seamen. Thank God! This is the country
|
||
where bribery can do anything, and we are well supplied with
|
||
money. We have only to make sure that the ship cannot come
|
||
into port between sunset and sunrise without our being
|
||
warned, and we shall be safe.Judge Moneybag will settle this
|
||
case, I think!
|
||
|
||
16 October.--Mina's report still the same. Lapping
|
||
waves and rushing water, darkness and favoring winds. We are
|
||
evidently in good time, and when we hear of the Czarina Cat-
|
||
herine we shall be ready. As she must pass the Dardanelles
|
||
we are sure to have some report.
|
||
|
||
17 October.--Everything is pretty well fixed now, I
|
||
think, to welcome the Count on his return from his tour. Go-
|
||
dalming told the shippers that he fancied that the box sent
|
||
aboard might contain something stolen from a friend of his,
|
||
and got a half consent that he might open it at his own risk.
|
||
The owner gave him a paper telling the Captain to give him
|
||
every facility in doing whatever he chose on board the ship,
|
||
and also a similar authorization to his agent at Varna. We
|
||
have seen the agent, who was much impressed with Godalming's
|
||
kindly manner to him, and we are all satisfied that whatever
|
||
he can do to aid our wishes will be done.
|
||
We have already arranged what to do in case we get the
|
||
box open. If the Count is there, Van Helsing and Seward
|
||
will cut off his head at once and drive a stake through his
|
||
heart. Morris and Godalming and I shall prevent interfer-
|
||
ence, even if we have to use the arms which we shall have
|
||
ready. The Professor says that if we can so treat the
|
||
Count's body, it will soon after fall into dust. In such
|
||
case there would be no evidence against us, in case any
|
||
suspicion of murder were aroused. But even if it were not,
|
||
we should stand or fall by our act, and perhaps some day
|
||
this very script may be evidence to come between some of us
|
||
and a rope. For myself, I should take the chance only too
|
||
thankfully if it were to come. We mean to leave no stone
|
||
unturned to carry out our intent. We have arranged with
|
||
certain officials that the instant the Czarina Catherine is
|
||
seen, we are to be informed by a special messenger.
|
||
|
||
24 October.--A whole week of waiting. Daily telegrams
|
||
to Godalming, but only the same story. "Not yet reported."
|
||
Mina's morning and evening hypnotic answer is unvaried. Lap-
|
||
ping waves, rushing water, and creaking masts.
|
||
|
||
TELEGRAM, OCTOBER 24TH
|
||
RUFUS SMITH, LLOYD'S, LONDON, TO LORD GODALMING, CARE OF
|
||
H. B. M. VICE CONSUL, VARNA
|
||
|
||
"Czarina Catherine reported this morning from Dardanelles."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
25 October.--How I miss my phonograph! To write a
|
||
diary with a pen is irksome to me! But Van Helsing says I
|
||
must. We were all wild with excitement yesterday when Godal-
|
||
ming got his telegram from Lloyd's. I know now what men feel
|
||
in battle when the call to action is heard.Mrs.Harker, alone
|
||
of our party, did not show any signs of emotion.After all,it
|
||
is not strange that she did not,for we took special care not
|
||
to let her know anything about it, and we all tried not to
|
||
show any excitement when we were in her presence.In old days
|
||
she would, I am sure, have noticed, no matter how we might
|
||
have tried to conceal it. But in this way she is greatly
|
||
changed during the past three weeks. The lethargy grows upon
|
||
her, and though she seems strong and well, and is getting
|
||
back some of her color, Van Helsing and I are not satisfied.
|
||
We talk of her often. We have not, however, said a word to
|
||
the others. It would break poor Harker's heart, certainly
|
||
his nerve, if he knew that we had even a suspicion on the
|
||
subject. Van Helsing examines, he tells me, her teeth very
|
||
carefully, whilst she is in the hypnotic condition, for he
|
||
says that so long as they do not begin to sharpen there is
|
||
no active danger of a change in her. If this change should
|
||
come, it would be necessary to take steps! We both know what
|
||
those steps would have to be, though we do not mention our
|
||
thoughts to each other. We should neither of us shrink from
|
||
the task, awful though it be to contemplate. "Euthanasia" is
|
||
an excellent and a comforting word! I am grateful to whoever
|
||
invented it.
|
||
It is only about 24 hours' sail from the Dardanelles to
|
||
here, at the rate the Czarina Catherine has come from London.
|
||
She should therefore arrive some time in the morning, but as
|
||
she cannot possibly get in before noon, we are all about to
|
||
retire early. We shall get up at one o'clock, so as to be
|
||
ready.
|
||
|
||
25 October, Noon.--No news yet of the ship's arrival.
|
||
Mrs. Harker's hypnotic report this morning was the same as
|
||
usual, so it is possible that we may get news at any moment.
|
||
We men are all in a fever of excitement, except Harker, who
|
||
is calm. His hands are cold as ice, and an hour ago I found
|
||
him whetting the edge of the great Ghoorka knife which he
|
||
now always carries with him.It will be a bad lookout for the
|
||
Count if the edge of that "Kukri" ever touches his throat,
|
||
driven by that stern, ice-cold hand!
|
||
Van Helsing and I were a little alarmed about Mrs.
|
||
Harker today. About noon she got into a sort of lethargy
|
||
which we did not like. Although we kept silence to the
|
||
others, we were neither of us happy about it. She had been
|
||
restless all the morning, so that we were at first glad to
|
||
know that she was sleeping. When, however, her husband
|
||
mentioned casually that she was sleeping so soundly that he
|
||
could not wake her, we went to her room to see for ourselves.
|
||
She was breathing naturally and looked so well and peaceful
|
||
that we agreed that the sleep was better for her than any-
|
||
thing else. Poor girl, she has so much to forget that it is
|
||
no wonder that sleep, if it brings oblivion to her, does her
|
||
good.
|
||
|
||
Later.--Our opinion was justified, for when after a
|
||
refreshing sleep of some hours she woke up, she seemed
|
||
brighter and better than she had been for days. At sunset
|
||
she made the usual hypnotic report. Wherever he may be in
|
||
the Black Sea, the Count is hurrying to his destination. To
|
||
his doom, I trust!
|
||
|
||
|
||
26 October.--Another day and no tidings of the Czarina
|
||
Catherine. She ought to be here by now. That she is still
|
||
journeying somewhere is apparent, for Mrs. Harker's hypnotic
|
||
report at sunrise was still the same. It is possible that
|
||
the vessel may be lying by, at times, for fog. Some of the
|
||
steamers which came in last evening reported patches of fog
|
||
both to north and south of the port. We must continue our
|
||
watching, as the ship may now be signalled any moment.
|
||
|
||
27 October, Noon.--Most strange. No news yet of the
|
||
ship we wait for. Mrs. Harker reported last night and this
|
||
morning as usual. "Lapping waves and rushing water," though
|
||
she added that "the waves were very faint." The telegrams
|
||
from London have been the same, "no further report." Van
|
||
Helsing is terribly anxious, and told me just now that he
|
||
fears the Count is escaping us.
|
||
He added significantly, "I did not like that lethargy
|
||
of Madam Mina's. Souls and memories can do strange things
|
||
during trance." I was about to as k him more, but Harker
|
||
just then came in, and he held up a warning hand. We must
|
||
try tonight at sunset to make her speak more fully when in
|
||
her hypnotic state.
|
||
|
||
28 October.--Telegram. Rufus Smith, London, to Lord
|
||
Godalming, care H. B. M. Vice Consul, Varna
|
||
"Czarina Catherine reported entering Galatz at one
|
||
o'clock today."
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
28 October.--When the telegram came announcing the
|
||
arrival in Galatz I do not think it was such a shock to any
|
||
of us as might have been expected. True, we did not know
|
||
whence, or how, or when, the bolt would come. But I think we
|
||
all expected that something strange would happen. The day of
|
||
arrival at Varna made us individually satisfied that things
|
||
would not be just as we had expected.We only waited to learn
|
||
where the change would occur. None the less, however, it was
|
||
a surprise. I suppose that nature works on such a hopeful
|
||
basis that we believe against ourselves that things will be
|
||
as they ought to be, not as we should know that they will be.
|
||
Transcendentalism is a beacon to the angels, even if it be a
|
||
will-o'-the-wisp to man. Van Helsing raised his hand over
|
||
his head for a moment, as though in remonstrance with the
|
||
Almighty. But he said not a word,and in a few seconds stood
|
||
up with his face sternly set.
|
||
Lord Godalming grew very pale, and sat breathing heav-
|
||
ily. I was myself half stunned and looked in wonder at one
|
||
after another. Quincey Morris tightened his belt with that
|
||
quick movement which I knew so well. In our old wandering
|
||
days it meant "action." Mrs. Harker grew ghastly white, so
|
||
that the scar on her forehead seemed to burn, but she folded
|
||
her hands meekly and looked up in prayer. Harker smiled,
|
||
actually smiled,the dark, bitter smile of one who is without
|
||
hope, but at the same time his action belied his words, for
|
||
his hands instinctively sought the hilt of the great Kukri
|
||
knife and rested there.
|
||
"When does the next train start for Galatz?" said Van
|
||
Helsing to us generally.
|
||
"At 6:30 tomorrow morning!" We all started, for the
|
||
answer came from Mrs. Harker.
|
||
"How on earth do you know?" said Art.
|
||
"You forget, or perhaps you do not know, though Jona-
|
||
than does and so does Dr. Van Helsing, that I am the train
|
||
fiend. At home in Exeter I always used to make up the time
|
||
tables, so as to be helpful to my husband. I found it so
|
||
useful sometimes, that I always make a study of the time
|
||
tables now. I knew that if anything were to take us to
|
||
Castle Dracula we should go by Galatz, or at any rate
|
||
through Bucharest, so I learned the times very carefully.
|
||
Unhappily there are not many to learn, as the only train
|
||
tomorrow leaves as I say."
|
||
"Wonderful woman!" murmured the Professor.
|
||
"Can't we get a special?" asked Lord Godalming.
|
||
Van Helsing shook his head, "I fear not. This land is
|
||
very different from yours or mine. Even if we did have a
|
||
special, it would probably not arrive as soon as our regular
|
||
train. Moreover, we have something to prepare.We must think.
|
||
Now let us organize. You, friend Arthur,go to the train and
|
||
get the tickets and arrange that all be ready for us to go
|
||
in the morning. Do you, friend Jonathan, go to the agent of
|
||
the ship and get from him letters to the agent in Galatz,
|
||
with authority to make a search of the ship just as it was
|
||
here. Quincey Morris, you see the Vice Consul, and get his
|
||
aid with his fellow in Galatz and all he can do to make our
|
||
way smooth, so that no times be lost when over the Danube.
|
||
John will stay with Madam Mina and me, and we shall consult.
|
||
For so if time be long you may be delayed. And it will not
|
||
matter when the sun set, since I am here with Madam to make
|
||
report."
|
||
"And I," said Mrs. Harker brightly, and more like her
|
||
old self than she had been for many a long day, "shall try
|
||
to be of use in all ways, and shall think and write for you
|
||
as I used to do. Something is shifting from me in some
|
||
strange way, and I feel freer than I have been of late!"
|
||
The three younger men looked happier at the moment as
|
||
they seemed to realize the significance of her words. But
|
||
Van Helsing and I, turning to each other, met each a grave
|
||
and troubled glance. We said nothing at the time, however.
|
||
When the three men had gone out to their tasks Van Hel-
|
||
sing asked Mrs.Harker to look up the copy of the diaries and
|
||
find him the part of Harker's journal at the Castle.She went
|
||
away to get it.
|
||
When the door was shut upon her he said to me, "We
|
||
mean the same! Speak out!"
|
||
"Here is some change. It is a hope that makes me sick,
|
||
for it may deceive us."
|
||
"Quite so. Do you know why I asked her to get the
|
||
manuscript?"
|
||
"No!" said I, "unless it was to get an opportunity of
|
||
seeing me alone."
|
||
"You are in part right, friend John, but only in part.
|
||
I want to tell you something. And oh, my friend, I am
|
||
taking a great, a terrible, risk. But I believe it is right.
|
||
In the moment when Madam Mina said those words that arrest
|
||
both our understanding, an inspiration came to me. In the
|
||
trance of three days ago the Count sent her his spirit to
|
||
read her mind. Or more like he took her to see him in his
|
||
earth box in the ship with water rushing, just as it go free
|
||
at rise and set of sun. He learn then that we are here, for
|
||
she have more to tell in her open life with eyes to see ears
|
||
to hear than he, shut as he is, in his coffin box. Now he
|
||
make his most effort to escape us.At present he want her not.
|
||
"He is sure with his so great knowledge that she will
|
||
come at his call. But he cut her off, take her, as he can
|
||
do, out of his own power, that so she come not to him. Ah!
|
||
There I have hope that our man brains that have been of man
|
||
so long and that have not lost the grace of God, will come
|
||
higher than his child-brain that lie in his tomb for centur-
|
||
ies, that grow not yet to our stature, and that do only work
|
||
selfish and therefore small. Here comes Madam Mina. Not a
|
||
word to her of her trance! She knows it not, and it would
|
||
overwhelm her and make despair just when we want all her
|
||
hope, all her courage, when most we want all her great brain
|
||
which is trained like man's brain, but is of sweet woman and
|
||
have a special power which the Count give her, and which he
|
||
may not take away altogether, though he think not so. Hush!
|
||
Let me speak, and you shall learn. Oh, John, my friend, we
|
||
are in awful straits. I fear, as I never feared before. We
|
||
can only trust the good God. Silence! Here she comes!"
|
||
I thought that the Professor was going to break down
|
||
and have hysterics, just as he had when Lucy died,but with a
|
||
great effort he controlled himself and was at perfect
|
||
nervous poise when Mrs. Harker tripped into the room, bright
|
||
and happy looking and, in the doing of work, seemingly for-
|
||
getful of her misery. As she came in, she handed a number of
|
||
sheets of typewriting to Van Helsing. He looked over them
|
||
gravely, his face brightening up as he read.
|
||
Then holding the pages between his finger and thumb he
|
||
said, "Friend John, to you with so much experience already,
|
||
and you too, dear Madam Mina, that are young, here is a
|
||
lesson. Do not fear ever to think. A half thought has been
|
||
buzzing often in my brain, but I fear to let him loose his
|
||
wings. Here now, with more knowledge, I go back to where
|
||
that half thought come from and I find that he be no half
|
||
thought at all.That be a whole thought, though so young that
|
||
he is not yet strong to use his little wings. Nay, like the
|
||
`Ugly Duck' of my friend Hans Andersen,he be no duck thought
|
||
at all, but a big swan thought that sail nobly on big wings,
|
||
when the time come for him to try them. See I read here what
|
||
Jonathan have written.
|
||
"That other of his race who, in a later age, again and
|
||
again, brought his forces over The Great River into Turkey
|
||
Land, who when he was beaten back, came again, and again,
|
||
and again, though he had to come alone from the bloody field
|
||
where his troops were being slaughtered, since he knew that
|
||
he alone could ultimately triumph.
|
||
"What does this tell us? Not much? No! The Count's
|
||
child thought see nothing, therefore he speak so free. Your
|
||
man thought see nothing. My man thought see nothing, till
|
||
just now. No! But there comes another word from some one
|
||
who speak without thought because she, too, know not what it
|
||
mean, what it might mean. Just as there are elements which
|
||
rest, yet when in nature's course they move on their way and
|
||
they touch, the pouf! And there comes a flash of light,
|
||
heaven wide, that blind and kill and destroy some. But that
|
||
show up all earth below for leagues and leagues. Is it not
|
||
so? Well, I shall explain. To begin, hav e you ever study
|
||
the philosophy of crime? `Yes' and `No.' You, John, yes,
|
||
for it is a study of insanity. You, no, Madam Mina, for
|
||
crime touch you not, not but once. Still, your mind works
|
||
true, and argues not a particulari ad universale. There is
|
||
this peculiarity in criminals. It is so constant, in all
|
||
countries and at all times, that even police, who know not
|
||
much from philosophy, come to know it empirically, that it
|
||
is. That is to be empiric. The criminal always work at one
|
||
crime, that is the true criminal who seems predestinate to
|
||
crime, and who will of none other.This criminal has not full
|
||
man brain. He is clever and cunning and resourceful, but he
|
||
be not of man stature as to brain. He be of child brain in
|
||
much. Now this criminal of ours is pre-destinate to crime
|
||
also. He, too, have child brain, and it is of the child to
|
||
do what he have done. The little bird, the little fish, the
|
||
little animal learn not by principle, but empirically. And
|
||
when he learn to do,then there is to him the ground to start
|
||
from to do more. `Dos pou sto,' said Archimedes. `Give me
|
||
a fulcrum, and I shall move the world!' To do once, is the
|
||
fulcrum whereby child brain become man brain. And until he
|
||
have the purpose to do more,he continue to do the same again
|
||
every time, just as he have done before! Oh, my dear, I see
|
||
that your eyes are opened, and that to you the lightning
|
||
flash show all the leagues,"for Mrs.Harker began to clap her
|
||
hands and her eyes sparkled.
|
||
He went on, "Now you shall speak. Tell us two dry men
|
||
of science what you see with those so bright eyes." He took
|
||
her hand and held it whilst he spoke. His finger and thumb
|
||
closed on her pulse, as I thought instinctively and uncon-
|
||
sciously, as she spoke.
|
||
"The Count is a criminal and of criminal type. Nordau
|
||
and Lombroso would so classify him, and qua criminal he is
|
||
of an imperfectly formed mind. Thus, in a difficulty he has
|
||
to seek resource in habit. His past is a clue, and the one
|
||
page of it that we know, and that from his own lips, tells
|
||
that once before, when in what Mr. Morris would call a`tight
|
||
place,' he went back to his own country from the land he had
|
||
tried to invade, and thence,without losing purpose, prepared
|
||
himself for a new effort. He came again better equipped for
|
||
his work, and won. So he came to London to invade a new land.
|
||
He was beaten,and when all hope of success was lost, and his
|
||
existence in danger, he fled back over the sea to his home.
|
||
Just as formerly he had fled back over the Danube from
|
||
Turkey Land."
|
||
"Good, good! Oh, you so clever lady!" said Van Helsing,
|
||
enthusiastically, as he stooped and kissed her hand.A moment
|
||
later he said to me, as calmly as though we had been having
|
||
a sick room consultation, "Seventy-two only,and in all this
|
||
excitement. I have hope."
|
||
Turning to her again, he said with keen expectation,
|
||
"But go on. Go on! There is more to tell if you will. Be
|
||
not afraid. John and I know. I do in any case, and shall
|
||
tell you if you are right. Speak, without fear!"
|
||
"I will try to. But you will forgive me if I seem too
|
||
egotistical."
|
||
"Nay! Fear not, you must be egotist, for it is of you
|
||
that we think."
|
||
"Then, as he is criminal he is selfish. And as his
|
||
intellect is small and his action is based on selfishness,he
|
||
confines himself to one purpose. That purpose is remorseless.
|
||
As he fled back over the Danube,leaving his forces to be cut
|
||
to pieces,so now he is intent on being safe, careless of all.
|
||
So his own selfishness frees my soul somewhat from the terr-
|
||
ible power which he acquired over me on that dreadful night.
|
||
I felt it! Oh, I felt it! Thank God, for His great mercy!
|
||
My soul is freer than it has been since that awful hour. And
|
||
all that haunts me is a fear lest in some trance or dream he
|
||
may have used my knowledge for his ends."
|
||
The Professor stood up, "He has so used your mind, and
|
||
by it he has left us here in Varna, whilst the ship that
|
||
carried him rushed through enveloping fog up to Galatz,
|
||
where, doubtless, he had made preparation for escaping from
|
||
us. But his child mind only saw so far. And it may be that
|
||
as ever is in God's Providence, the very thing that the evil
|
||
doer most reckoned on for his selfish good, turns out to be
|
||
his chiefest harm. The hunter is taken in his own snare, as
|
||
the great Psalmist says. For now that he think he is free
|
||
from every trace of us all, and that he has escaped us with
|
||
so many hours to him, then his selfish child brain will
|
||
whisper him to sleep. He think, too, that as he cut himself
|
||
off from knowing your mind, there can be no knowledge of him
|
||
to you. There is where he fail! That terrible baptism of
|
||
blood which he give you makes you free to go to him in
|
||
spirit, as you have as yet done in your times of freedom,
|
||
when the sun rise and set. At such times you go by my voli-
|
||
tion and not by his. And this power to good of you and
|
||
others, you have won from your suffering at his hands. This
|
||
is now all more precious that he know it not, and to guard
|
||
himself have even cut himself off from his knowledge of our
|
||
where. We, however, are not selfish, and we believe that God
|
||
is with us through all this blackness, and these many dark
|
||
hours. We shall follow him, and we shall not flinch.Even if
|
||
we peril ourselves that we become like him. Friend John,
|
||
this has been a great hour, and it have done much to advance
|
||
us on our way. You must be scribe and write him all down, so
|
||
that when the others return from their work you can give it
|
||
to them, then they shall know as we do."
|
||
And so I have written it whilst we wait their return,
|
||
and Mrs. Harker has written with the typewriter all since
|
||
she brought the MS to us.
|
||
|
||
|
||
CHAPTER 26
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
29 October.--This is written in the train from Varna to
|
||
Galatz. Last night we all assembled a little before the
|
||
time of sunset. Each of us had done his work as well as he
|
||
could, so far as thought, and endeavor, and opportunity go,
|
||
we are prepared for the whole of our journey, and for our
|
||
work when we get to Galatz. When the usual time came round
|
||
Mrs. Harker prepared herself for her hypnotic effort, and
|
||
after a longer and more serious effort on the part of Van
|
||
Helsing than has been usually necessary, she sank into the
|
||
trance. Usually she speaks on a hint, but this time the
|
||
Professor had to ask her questions, and to ask them pretty
|
||
resolutely, before we could learn anything. At last her
|
||
answer came.
|
||
"I can see nothing. We are still. There are no waves
|
||
lapping, but only a steady swirl of water softly running
|
||
against the hawser. I can hear men's voices calling, near
|
||
and far, and the roll and creak of oars in the rowlocks. A
|
||
gun is fired somewhere, the echo of it seems far away. There
|
||
is tramping of feet overhead, and ropes and chains are drag-
|
||
ged along. What is this? There is a gleam of light. I can
|
||
feel the air blowing upon me."
|
||
Here she stopped. She had risen, as if impulsively,
|
||
from where she lay on the sofa, and raised both her hands,
|
||
palms upwards, as if lifting a weight. Van Helsing and I
|
||
looked at each other with understanding. Quincey raised his
|
||
eyebrows slightly and looked at her intently,whilst Harker's
|
||
hand instinctively closed round the hilt of his Kukri. There
|
||
was a long pause. We all knew that the time when she could
|
||
speak was passing, but we felt that it was useless to say
|
||
anything.
|
||
Suddenly she sat up, and as she opened her eyes said
|
||
sweetly, "Would none of you like a cup of tea? You must all
|
||
be so tired!"
|
||
We could only make her happy, and so acqueisced. She
|
||
bustled off to get tea. When she had gone Van Helsing said,
|
||
"You see, my friends. He is close to land. He has left his
|
||
earth chest. But he has yet to get on shore. In the night
|
||
he may lie hidden somewhere, but if he be not carried on
|
||
shore, or if the ship do not touch it, he cannot achieve the
|
||
land. In such case he can, if it be in the night,change his
|
||
form and jump or fly on shore, then, unless he be carried he
|
||
cannot escape. And if he be carried, then the customs men
|
||
may discover what the box contain. Thus, in fine, if he
|
||
escape not on shore tonight, or before dawn, there will be
|
||
the whole day lost to him. We may then arrive in time. For
|
||
if he escape not at night we shall come on him in daytime,
|
||
boxed up and at our mercy. For he dare not be his true self,
|
||
awake and visible, lest he be discovered."
|
||
There was no more to be said, so we waited in patience
|
||
until the dawn, at which time we might learn more from Mrs.
|
||
Harker.
|
||
Early this morning we listened,with breathless anxiety,
|
||
for her response in her trance. The hypnotic stage was even
|
||
longer in coming than before, and when it came the time re-
|
||
maining until full sunrise was so short that we began to
|
||
despair. Van Helsing seemed to throw his whole soul into the
|
||
effort. At last, in obedience to his will she made reply.
|
||
"All is dark. I hear lapping water, level with me, and
|
||
some creaking as of wood on wood." She paused, and the red
|
||
sun shot up. We must wait till tonight.
|
||
And so it is that we are travelling towards Galatz in
|
||
an agony of expectation. We are due to arrive between two
|
||
and three in the morning. But already, at Bucharest, we
|
||
are three hours late, so we cannot possibly get in till well
|
||
after sunup. Thus we shall have two more hypnotic messages
|
||
from Mrs. Harker! Either or both may possibly throw more
|
||
light on what is happening.
|
||
|
||
Later.--Sunset has come and gone. Fortunately it came
|
||
at a time when there was no distraction. For had it occurred
|
||
whilst we were at a station, we might not have secured the
|
||
necessary calm and isolation. Mrs. Harker yielded to the
|
||
hypnotic influence even less readily than this morning. I
|
||
am in fear that her power of reading the Count's sensations
|
||
may die away, just when we want it most. It seems to me that
|
||
her imagination is beginning to work. Whilst she has been
|
||
in the trance hitherto she has confined herself to the simp-
|
||
lest of facts. If this goes on it may ultimately mislead us.
|
||
If I thought that the Count's power over her would die away
|
||
equally with her power of knowledge it would be a happy
|
||
thought. But I am afraid that it may not be so.
|
||
When she did speak, her words were enigmatical,"Some-
|
||
thing is going out. I can feel it pass me like a cold wind.
|
||
I can hear, far off, confused sounds, as of men talking in
|
||
strange tongues, fierce falling water, and the howling of
|
||
wolves." She stopped and a shudder ran through her, in-
|
||
creasing in intensity for a few seconds, till at the end,
|
||
she shook as though in a palsy. She said no more, even in
|
||
answer to the Professor's imperative questioning. When she
|
||
woke from the trance, she was cold, and exhausted, and lan-
|
||
guid, but her mind was all alert. She could not remember
|
||
anything, but asked what she had said. When she was told,
|
||
she pondered over it deeply for a long time and in silence.
|
||
|
||
30 October, 7 a.m.--We are near Galatz now, and I may
|
||
not have time to write later. Sunrise this morning was anx-
|
||
iously looked for by us all. Knowing of the increasing diff-
|
||
iculty of procuring the hypnotic trance, Van Helsing began
|
||
his passes earlier than usual. They produced no effect, how-
|
||
ever, until the regular time, when she yielded with a still
|
||
greater difficulty, only a minute before the sun rose. The
|
||
Professor lost no time in his questioning.
|
||
Her answer came with equal quickness, "All is dark. I
|
||
hear water swirling by, level with my ears, and the creaking
|
||
of wood on wood. Cattle low far off. There is another sound,
|
||
a queer one like . . ." She stopped and grew white, and
|
||
whiter still.
|
||
"Go on, go on! Speak, I command you!" said Van Helsing
|
||
in an agonized voice. At the same time there was despair in
|
||
his eyes, for the risen sun was reddening even Mrs. Harker's
|
||
pale face. She opened her eyes, and we all started as she
|
||
said, sweetly and seemingly with the utmost unconcern.
|
||
"Oh, Professor, why ask me to do what you know I can't?
|
||
I don't remember anything." Then, seeing the look of amaze-
|
||
ment on our faces, she said, turning from one to the other
|
||
with a troubled look, "What have I said? What have I done?
|
||
I know nothing, only that I was lying here, half asleep, and
|
||
heard you say `go on! speak, I command you!' It seemed so
|
||
funny to hear you order me about, as if I were a bad child!"
|
||
"Oh, Madam Mina," he said, sadly, "it is proof,if proof
|
||
be needed, of how I love and honor you, when a word for your
|
||
good, spoken more earnest than ever, can seem so strange be-
|
||
cause it is to order her whom I am proud to obey!"
|
||
The whistles are sounding. We are nearing Galatz.We are
|
||
on fire with anxiety and eagerness.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
30 October.--Mr. Morris took me to the hotel where our
|
||
rooms had been ordered by telegraph, he being the one who
|
||
could best be spared, since he does not speak any foreign
|
||
language. The forces were distributed much as they had been
|
||
at Varna, except that Lord Godalming went to the Vice Consul,
|
||
as his rank might serve as an immediate guarantee of some
|
||
sort to the official, we being in extreme hurry. Jonathan and
|
||
the two doctors went to the shipping agent to learn partic-
|
||
ulars of the arrival of the Czarina Catherine.
|
||
|
||
Later.--Lord Godalming has returned. The Consul is away,
|
||
and the Vice Consul sick. So the routine work has been
|
||
attended to by a clerk. He was very obliging, and offered to
|
||
do anything in his power.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
30 October.--At nine o'clock Dr. Van Helsing, Dr.Seward,
|
||
and I called on Messrs. Mackenzie & Steinkoff, the agents of
|
||
the London firm of Hapgood. They had received a wire from
|
||
London, in answer to Lord Godalming's telegraphed request,
|
||
asking them to show us any civility in their power.They were
|
||
more than kind and courteous, and took us at once on board
|
||
the Czarina Catherine, which lay at anchor out in the river
|
||
harbor. There we saw the Captain, Donelson by name, who told
|
||
us of his voyage. He said that in all his life he had never
|
||
had so favorable a run.
|
||
"Man!" he said, "but it made us afeard, for we expect
|
||
it that we should have to pay for it wi' some rare piece o'
|
||
ill luck, so as to keep up the average. It's no canny to run
|
||
frae London to the Black Sea wi' a wind ahint ye, as though
|
||
the Deil himself were blawin' on yer sail for his ain pur-
|
||
pose. An' a' the time we could no speer a thing.Gin we were
|
||
nigh a ship, or a port, or a headland, a fog fell on us and
|
||
travelled wi' us,till when after it had lifted and we looked
|
||
out, the deil a thing could we see. We ran by Gibraltar wi'
|
||
oot bein' able to signal. An' til we came to the Dardanelles
|
||
and had to wait to get our permit to pass, we never were
|
||
within hail o' aught. At first I inclined to slack off sail
|
||
and beat about till the fog was lifted. But whiles, I thocht
|
||
that if the Deil was minded to get us into the Black Sea
|
||
quick, he was like to do it whether we would or no.If we had
|
||
a quick voyage it would be no to our miscredit wi'the owners,
|
||
or no hurt to our traffic,an' the Old Mon who had served his
|
||
ain purpose wad be decently grateful to us for no hinderin'
|
||
him."
|
||
This mixture of simplicity and cunning, of superstition
|
||
and commercial reasoning, aroused Van Helsing,who said,"Mine
|
||
friend, that Devil is more clever than he is thought by some,
|
||
and he know when he meet his match!"
|
||
The skipper was not displeased with the compliment, and
|
||
went on, "When we got past the Bosphorus the men began to
|
||
grumble. Some o' them, the Roumanians, came and asked me to
|
||
heave overboard a big box which had been put on board by a
|
||
queer lookin' old man just before we had started frae London.
|
||
I had seen them speer at the fellow, and put out their twa
|
||
fingers when they saw him,to guard them against the evil eye.
|
||
Man! but the supersteetion of foreigners is pairfectly ri-
|
||
deeculous! I sent them aboot their business pretty quick,
|
||
but as just after a fog closed in on us I felt a wee bit as
|
||
they did anent something, though I wouldn't say it was again
|
||
the big box. Well, on we went, and as the fog didn't let up
|
||
for five days I joost let the wind carry us, for if the Deil
|
||
wanted to get somewheres, well, he would fetch it up a'reet.
|
||
An' if he didn't, well, we'd keep a sharp lookout anyhow.
|
||
Sure eneuch, we had a fair way and deep water all the time.
|
||
And two days ago, when the mornin' sun came through the fog,
|
||
we found ourselves just in the river opposite Galatz. The
|
||
Roumanians were wild, and wanted me right or wrong to take
|
||
out the box and fling it in the river. I had to argy wi'
|
||
them aboot it wi' a handspike. An' when the last o' them
|
||
rose off the deck wi' his head in his hand, I had convinced
|
||
them that, evil eye or no evil eye, the property and the
|
||
trust of my owners were better in my hands than in the river
|
||
Danube.They had, mind ye, taken the box on the deck ready to
|
||
fling in, and as it was marked Galatz via Varna,I thocht I'd
|
||
let it lie till we discharged in the port an' get rid o't
|
||
althegither. We didn't do much clearin' that day, an' had
|
||
to remain the nicht at anchor. But in the mornin', braw an'
|
||
airly, an hour before sunup, a man came aboard wi' an order,
|
||
written to him from England, to receive a box marked for one
|
||
Count Dracula. Sure eneuch the matter was one ready to his
|
||
hand. He had his papers a' reet, an' gla d I was to be rid
|
||
o' the dam' thing, for I was beginnin' masel' to feel uneasy
|
||
at it. If the Deil did have any luggage aboord the ship,I'm
|
||
thinkin' it was nane ither than that same!"
|
||
"What was the name of the man who took it?" asked Dr.
|
||
Van Helsing with restrained eagerness.
|
||
"I'll be tellin' ye quick!" he answered, and stepping
|
||
down to his cabin, produced a receipt signed "Immanuel
|
||
Hildesheim." Burgen-strasse 16 was the address. We found
|
||
out that this was all the Captain knew, so with thanks we
|
||
came away.
|
||
We found Hildesheim in his office, a Hebrew of rather
|
||
the Adelphi Theatre type, with a nose like a sheep, and a
|
||
fez. His arguments were pointed with specie, we doing the
|
||
punctuation, and with a little bargaining he told us what
|
||
he knew. This turned out to be simple but important. He
|
||
had received a letter from Mr. de Ville of London, telling
|
||
him to receive, if possible before sunrise so as to avoid
|
||
customs, a box which would arrive at Galatz in the Czarina
|
||
Catherine. This he was to give in charge to a certain
|
||
Petrof Skinsky, who dealt with the Slovaks who traded down
|
||
the river to the port. He had been paid for his work by an
|
||
English bank note, which had been duly cashed for gold at
|
||
the Danube International Bank. When Skinsky had come to him,
|
||
he had taken him to the ship and handed over the box, so as
|
||
to save parterage. That was all he knew.
|
||
We then sought for Skinsky, but were unable to find him.
|
||
One of his neighbors,who did not seem to bear him any affec-
|
||
tion, said that he had gone away two days before,no one knew
|
||
whither. This was corroborated by his landlord, who had re-
|
||
ceived by messenger the key of the house together with the
|
||
rent due, in English money. This had been between ten and
|
||
eleven o'clock last night. We were at a standstill again.
|
||
Whilst we were talking one came running and breathless-
|
||
ly gasped out that the body of Skinsky had been found inside
|
||
the wall of the churchyard of St. Peter, and that the throat
|
||
had been torn open as if by some wild animal. Those we had
|
||
been speaking with ran off to see the horror, the women cry-
|
||
ing out. "This is the work of a Slovak!" We hurried away
|
||
lest we should have been in some way drawn into the affair,
|
||
and so detained.
|
||
As we came home we could arrive at no definite conclu-
|
||
sion. We were all convinced that the box was on its way, by
|
||
water,to somewhere, but where that might be we would have to
|
||
discover.With heavy hearts we came home to the hotel to Mina.
|
||
When we met together, the first thing was to consult as
|
||
to taking Mina again into our confidence. Things are getting
|
||
desperate, and it is at least a chance, though a hazardous
|
||
one. As a preliminary step, I was released from my promise
|
||
to her.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
30 October, evening.--They were so tired and worn out
|
||
and dispirited that there was nothing to be done till they
|
||
had some rest, so I asked them all to lie down for half an
|
||
hour whilst I should enter everything up to the moment. I
|
||
feel so grateful to the man who invented the "Traveller's"
|
||
typewriter, and to Mr. Morris for getting this one for me.
|
||
I should have felt quite astray doing the work if I had to
|
||
write with a pen . . .
|
||
It is all done. Poor dear, dear Jonathan, what he must
|
||
have suffered, what he must be suffering now. He lies on the
|
||
sofa hardly seeming to breathe,and his whole body appears in
|
||
collapse. His brows are knit. His face is drawn with pain.
|
||
Poor fellow, maybe he is thinking,and I can see his face all
|
||
wrinkled up with the concentration of his thoughts. Oh! if I
|
||
could only help at all. I shall do what I can.
|
||
I have asked Dr. Van Helsing, and he has got me all the
|
||
papers that I have not yet seen. Whilst they are resting, I
|
||
shall go over all carefully,and perhaps I may arrive at some
|
||
conclusion. I shall try to follow the Professor's example,
|
||
and think without prejudice on the facts before me . . .
|
||
I do believe that under God's providence I have made a
|
||
discovery. I shall get the maps and look over them.
|
||
I am more than ever sure that I am right. My new con-
|
||
clusion is ready,so I shall get our party together and read
|
||
it. They can judge it. It is well to be accurate, and
|
||
every minute is precious.
|
||
|
||
MINA HARKER'S MEMORANDUM
|
||
(ENTERED IN HER JOURNAL)
|
||
|
||
Ground of inquiry.--Count Dracula's problem is to get
|
||
back to his own place.
|
||
(a) He must be brought back by some one. This is
|
||
evident. For had he power to move himself as he wished he
|
||
could go either as man, or wolf, or bat, or in some other
|
||
way. He evidently fears discovery or interference, in the
|
||
state of helplessness in which he must be, confined as he is
|
||
between dawn and sunset in his wooden box.
|
||
(b) How is he to be taken?--Here a process of exclu-
|
||
sions may help us. By road, by rail, by water?
|
||
1. By Road.--There are endless difficulties, especi-
|
||
ally in leaving the city.
|
||
(x) There are people. And people are curious, and
|
||
investigate. A hint, a surmise, a doubt as to what might be
|
||
in the box, would destroy him.
|
||
(y) There are, or there may be, customs and octroi
|
||
officers to pass.
|
||
(z) His pursuers might follow. This is his highest
|
||
fear. And in order to prevent his being betrayed he has
|
||
repelled, so far as he can, even his victim, me!
|
||
2. By Rail.--There is no one in charge of the box. It
|
||
would have to take its chance of being delayed, and delay
|
||
would be fatal, with enemies on the track. True, he might
|
||
escape at night. But what would he be, if left in a strange
|
||
place with no refuge that he could fly to? This is not what
|
||
he intends, and he does not mean to risk it.
|
||
3. By Water.--Here is the safest way, in one respect,
|
||
but with most danger in another. On the water he is power-
|
||
less except at night. Even then he can only summon fog and
|
||
storm and snow and his wolves. But were he wrecked, the
|
||
living water would engulf him, helpless, and he would indeed
|
||
be lost. He could have the vessel drive to land, but if it
|
||
were unfriendly land, wherein he was not free to move, his
|
||
position would still be desperate.
|
||
We know from the record that he was on the water, so
|
||
what we have to do is to ascertain what water.
|
||
The first thing is to realize exactly what he has done
|
||
as yet. We may, then, get a light on what his task is to be.
|
||
Firstly.--We must differentiate between what he did in
|
||
London as part of his general plan of action, when he was
|
||
pressed for moments and had to arrange as best he could.
|
||
Secondly we must see, as well as we can surmise it from
|
||
the facts we know of, what he has done here.
|
||
As to the first, he evidently intended to arrive at
|
||
Galatz, and sent invoice to Varna to deceive us lest we
|
||
should ascertain his means of exit from England. His immed-
|
||
iate and sole purpose then was to escape. The proof of this,
|
||
is the letter of instructions sent ot Immanuel Hildesheim to
|
||
clear and take away the box before sunrise.There is also the
|
||
instruction to Petrof Skinsky. These we must only guess at,
|
||
but there must have been some letter or message, since Skin-
|
||
sky came to Hildesheim.
|
||
That, so far, his plans were successful we know. The
|
||
Czarina Catherine made a phenomenally quick journey. So much
|
||
so that Captain Donelson's suspicions were aroused. But his
|
||
superstition united with his canniness played the Count's
|
||
game for him, and he ran with his favoring wind through fogs
|
||
and all till he brought up blindfold at Galatz. That the
|
||
Count's arrangements were well made, has been proved.Hilde-
|
||
sheim cleared the box, took it off, and gave it to Skinsky.
|
||
Skinsky took it, and here we lose the trail. We only know
|
||
that the box is somewhere on the water, moving along. The
|
||
customs and the octroi, if there be any, have been avoided.
|
||
Now we come to what the Count must have done after his
|
||
arrival, on land, at Galatz.
|
||
The box was given to Skinsky before sunrise. At sun-
|
||
rise the Count could appear in his own form. Here, we ask
|
||
why Skinsky was chosen at all to aid in the work? In my
|
||
husband's diary, Skinsky is mentioned as dealing with the
|
||
Slovaks who trade down the river to the port. And the man's
|
||
remark,that the murder was the work of a Slovak, showed the
|
||
general feeling against his class. The Count wanted iso-
|
||
lation.
|
||
My surmise is this, that in London the Count decided
|
||
to get back to his castle by water, as the most safe and
|
||
secret way. He was brought from the castle by Szgany, and
|
||
probably they delivered their cargo to Slovaks who took the
|
||
boxes to Varna, for there they were shipped to London. Thus
|
||
the Count had knowledge of the persons who could arrange
|
||
this service. When the box was on land, before sunrise or
|
||
after sunset, he came out from his box, met Skinsky and
|
||
instructed him what to do as to arranging the carriage of
|
||
the box up some river. When this was done, and he knew that
|
||
all was in train, he blotted out his traces, as he thought,
|
||
by murdering his agent.
|
||
I have examined the map and find that the river most
|
||
suitable for the Slovaks to have ascended is either the
|
||
Pruth or the Sereth. I read in the typescript that in my
|
||
trance I heard cows low and water swirling level with my
|
||
ears and the creaking of wood. The Count in his box, then,
|
||
was on a river in an open boat, propelled probably either
|
||
by oars or poles, for the banks are near and it is working
|
||
against stream. There would be no such if floating down
|
||
stream.
|
||
Of course it may not be either the Sereth or the Pruth,
|
||
but we may possibly investigate further. Now of these two,
|
||
the Pruth is the more easily navigated, but the Sereth is,
|
||
at Fundu, joined by the Bistritza which runs up round the
|
||
Borgo Pass. The loop it makes is manifestly as close to
|
||
Dracula's castle as can be got by water.
|
||
|
||
MINA HARKER'S JOURNAL--CONTINUED
|
||
|
||
When I had done reading, Jonathan took me in his arms
|
||
and kissed me. The others kept shaking me by both hands,
|
||
and Dr. Van Helsing said, "Our dear Madam Mina is once more
|
||
our teacher. Her eyes have been where we were blinded. Now
|
||
we are on the track once again, and this time we may succeed.
|
||
Our enemy is at his most helpless. And if we can come on him
|
||
by day, on the water, our task will be over. He has a start,
|
||
but he is powerless to hasten, as he may not leave this box
|
||
lest those who carry him may suspect. For them to suspect
|
||
would be to prompt them to throw him in the stream where he
|
||
perish. This he knows, and will not. Now men, to our Council
|
||
of War, for here and now, we must plan what each and all
|
||
shall do."
|
||
"I shall get a steam launch and follow him," said Lord
|
||
Godalming.
|
||
"And I, horses to follow on the bank lest by chance he
|
||
land," said Mr. Morris.
|
||
"Good!" said the Professor, "both good. But neither
|
||
must go alone. There must be force to overcome force if
|
||
need be. The Slovak is strong and rough, and he carries
|
||
rude arms." All the men smiled, for amongst them they
|
||
carried a small arsenal.
|
||
Said Mr. Morris, "I have brought some Winchesters.
|
||
They are pretty handy in a crowd, and there may be wolves.
|
||
The Count, if you remember, took some other precautions. He
|
||
made some requisitions on others that Mrs. Harker could not
|
||
quite hear or understand. We must be ready at all points."
|
||
Dr. Seward said, "I think I had better go with Quincey.
|
||
We have been accustomed to hunt together, and we two, well
|
||
armed, will be a match for whatever may come along. You must
|
||
not be alone, Art. It may be necessary to fight the Slovaks,
|
||
and a chance thrust, for I don't suppose these fellows carry
|
||
guns, would undo all our plans.There must be no chances,this
|
||
time. We shall not rest until the Count's head and body
|
||
have been separated, and we are sure that he cannot rein-
|
||
carnate."
|
||
He looked at Jonathan as he spoke, and Jonathan looked
|
||
at me. I could see that the poor dear was torn about in his
|
||
mind. Of course he wanted to be with me. But then the boat
|
||
service would, most likely, be the one which would destroy
|
||
the . . . the . . . Vampire. (Why did I hesitate to
|
||
write the word?)
|
||
He was silent awhile, and during his silence Dr. Van
|
||
Helsing spoke, "Friend Jonathan, this is to you for twice
|
||
reasons. First, because you are young and brave and can
|
||
fight, and all energies may be needed at the last. And again
|
||
that it is your right to destroy him.That, which has wrought
|
||
such woe to you and yours. Be not afraid for Madam Mina. She
|
||
will be my care, if I may. I am old. My legs are not so
|
||
quick to run as once. And I am not used to ride so long or
|
||
to pursue as need be, or to fight with lethal weapons. But
|
||
I can be of other service. I can fight in other way. And I
|
||
can die, if need be, as well as younger men. Now let me say
|
||
that what I would is this. While you, my Lord Godalming and
|
||
friend Jonathan go in your so swift little steamboat up the
|
||
river, and whilst John and Quincey guard the bank where per-
|
||
chance he might be landed, I will take Madam Mina right into
|
||
the heart of the enemy's country. Whilst the old fox is tied
|
||
in his box, floating on the running stream whence he cannot
|
||
escape to land, where he dares not raise the lid of his cof-
|
||
fin box lest his Slovak carriers should in fear leave him to
|
||
perish, we shall go in the track where Jonathan went, from
|
||
Bistritz over the Borgo, and find our way to the Castle of
|
||
Dracula. Here,Madam Mina's hypnotic power will surely help,
|
||
and we shall find our way, all dark and unknown otherwise,
|
||
after the first sunrise when we are near that fateful place.
|
||
There is much to be done, and other places to be made sanc-
|
||
tify, so that that nest of vipers be obliterated."
|
||
Here Jonathan interrupted him hotly, "Do you mean to
|
||
say, Professor Van Helsing, that you would bring Mina, in
|
||
her sad case and tainted as she is with that devil's illness,
|
||
right into the jaws of his deathtrap? Not for the world! Not
|
||
for Heaven or Hell!"
|
||
He became almost speechless for a minute, and then went
|
||
on, "Do you know what the place is? Have you seen that awful
|
||
den of hellish infamy, with the very moonlight alive with
|
||
grisly shapes,and ever speck of dust that whirls in the wind
|
||
a devouring monster in embryo? Have you felt the Vampire's
|
||
lips upon your throat?"
|
||
Here he turned to me, and as his eyes lit on my fore-
|
||
head he threw up his arms with a cry, "Oh, my God, what have
|
||
we done to have this terror upon us?" and he sank down on
|
||
the sofa in a collapse of misery.
|
||
The Professor's voice,as he spoke in clear, sweet tones,
|
||
which seemed to vibrate in the air, calmed us all.
|
||
"Oh, my friend, it is because I would save Madam Mina
|
||
from that awful place that I would go. God forbid that I
|
||
should take her into that place. There is work, wild work,
|
||
to be done before that place can be purify. Remember that
|
||
we are in terrible straits. If the Count escape us this
|
||
time, and he is strong and subtle and cunning, he may choose
|
||
to sleep him for a century, and then in time our dear one,"
|
||
he took my hand, "would come to him to keep him company, and
|
||
would be as those others that you, Jonathan, saw. You have
|
||
told us of their gloating lips. You heard their ribald laugh
|
||
as they clutched the moving bag that the Count threw to them.
|
||
You shudder, and well may it be. Forgive me that I make you
|
||
so much pain, but it is necessary. My friend, is it not a
|
||
dire need for that which I am giving, possibly my life? If
|
||
it, were that any one went into that place to stay, it is I
|
||
who would have to go to keep them company."
|
||
"Do as you will," said Jonathan, with a sob that shook
|
||
him all over, "we are in the hands of God!"
|
||
|
||
Later.--Oh, it did me good to see the way that these
|
||
brave men worked. How can women help loving men when they
|
||
are so earnest, and so true, and so brave! And, too, it
|
||
made me think of the wonderful power of money! What can it
|
||
not do when basely used. I felt so thankful that Lord Godal-
|
||
ming is rich, and both he and Mr. Morris,who also has plenty
|
||
of money, are willing to spend it so freely. For if they did
|
||
not,our little expedition could not start,either so promptly
|
||
or so well equipped, as it will within another hour. It is
|
||
not three hours since it was arranged what part each of us
|
||
was to do. And now Lord Godalming and Jonathan have a lovely
|
||
steam launch, with steam up ready to start at a moment's
|
||
notice. Dr. Seward and Mr. Morris have half a dozen good
|
||
horses, well appointed. We have all the maps and appliances
|
||
of various kinds that can be had. Professor Van Helsing and
|
||
I are to leave by the 11:40 train tonight for Veresti, where
|
||
we are to get a carriage to drive to the Borgo Pass. We are
|
||
bringing a good deal of ready money,as we are to buy a carr-
|
||
iage and horses. We shall drive ourselves, for we have no
|
||
one whom we can trust in the matter. The Professor knows
|
||
something of a great many languages, so we shall get on all
|
||
right. We have all got arms, even for me a large bore revol-
|
||
ver. Jonathan would not be happy unless I was armed like
|
||
the rest. Alas! I cannot carry one arm that the rest do,
|
||
the scar on my forehead forbids that. Dear Dr. Van Helsing
|
||
comforts me by telling me that I am fully armed as there may
|
||
be wolves. The weather is getting colder every hour, and
|
||
there are snow flurries which come and go as warnings.
|
||
|
||
Later.--It took all my courage to say goodby to my dar-
|
||
ling. We may never meet again. Courage, Mina! The Pro-
|
||
fessor is looking at you keenly. His look is a warning.
|
||
There must be no tears now, unless it may be that God will
|
||
let them fall in gladness.
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
30 October, night.--I am writing this in the light from
|
||
the furnace door of the steam launch. Lord Godalming is
|
||
firing up. He is an experienced hand at the work, as he has
|
||
had for years a launch of his own on the Thames, and another
|
||
on the Norfolk Broads. Regarding our plans, we finally de-
|
||
cided that Mina's guess was correct,and that if any waterway
|
||
was chosen for the Count's escape back to his Castle, the
|
||
Sereth and then the Bistritza at its junction, would be the
|
||
one. We took it, that somewhere about the 47th degree, north
|
||
latitude, would be the place chosen for crossing the country
|
||
between the river and the Carpathians. We have no fear in
|
||
running at good speed up the river at night. There is plenty
|
||
of water, and the banks are wide enough apart to make steam-
|
||
ing, even in the dark, easy enough. Lord Godalming tells me
|
||
to sleep for a while,as it is enough for the present for one
|
||
to be on watch. But I cannot sleep, how can I with the terr-
|
||
ible danger hanging over my darling, and her going out into
|
||
that awful place . . .
|
||
My only comfort is that we are in the hands of God.Only
|
||
for that faith it would be easier to die than to live,and so
|
||
be quit of all the trouble. Mr. Morris and Dr. Seward were
|
||
off on their long ride before we started.They are to keep up
|
||
the right bank, far enough off to get on higher lands where
|
||
they can see a good stretch of river and avoid the following
|
||
of its curves. They have, for the first stages, two men to
|
||
ride and lead their spare horses, four in all, so as not to
|
||
excite curiosity. When they dismiss the men, which shall be
|
||
shortly, they shall themselves look after the horses. It may
|
||
be necessary for us to join forces. If so they can mount our
|
||
whole party. One of the saddles has a moveable horn, and can
|
||
be easily adapted for Mina, if required.
|
||
It is a wild adventure we are on. Here, as we are
|
||
rushing along through the darkness, with the cold from the
|
||
river seeming to rise up and strike us, with all the myster-
|
||
ious voices of the night around us,it all comes home.We seem
|
||
to be drifting into unknown places and unknown ways. Into a
|
||
whole world of dark and dreadful things. Godalming is shut-
|
||
ting the furnace door . . .
|
||
|
||
31 October.--Still hurrying along.The day has come, and
|
||
Godalming is sleeping.I am on watch. The morning is bitterly
|
||
cold, the furnace heat is grateful, though we have heavy fur
|
||
coats. As yet we have passed only a few open boats, but none
|
||
of them had on board any box or package of anything like the
|
||
size of the one we seek. The men were scared every time we
|
||
turned our electric lamp on them,and fell on their knees and
|
||
prayed.
|
||
|
||
1 November, evening.--No news all day. We have found
|
||
nothing of the kind we seek. We have now passed into the
|
||
Bistritza, and if we are wrong in our surmise our chance is
|
||
gone. We have overhauled every boat, big and little. Early
|
||
this morning, one crew took us for a Government boat, and
|
||
treated us accordingly. We saw in this a way of smoothing
|
||
matters,so at Fundu,where the Bistritza runs into the Sereth,
|
||
we got a Roumanian flag which we now fly conspicuously. With
|
||
every boat which we have over-hauled since then this trick
|
||
has succeeded. We have had every deference shown to us, and
|
||
not once any objection to whatever we chose to ask or do.
|
||
Some of the Slovaks tell us that a big boat passed them, go-
|
||
ing at more than usual speed as she had a double crew on
|
||
board. This was before they came to Fundu, so they could not
|
||
tell us whether the boat turned into the Bistritza or contin-
|
||
ued on up the Sereth. At Fundu we could not hear of any such
|
||
boat, so she must have passed there in the night. I am feel-
|
||
ing very sleepy. The cold is perhaps beginning to tell upon
|
||
me, and nature must have rest some time. Godalming insists
|
||
that he shall keep the first watch. God bless him for all
|
||
his goodness to poor dear Mina and me.
|
||
|
||
2 November, morning.--It is broad daylight. That good
|
||
fellow would not wake me. He says it would have been a sin
|
||
to, for I slept peacefully and was forgetting my trouble. It
|
||
seems brutally selfish to me to have slept so long, and let
|
||
him watch all night, but he was quite right. I am a new man
|
||
this morning. And, as I sit here and watch him sleeping, I
|
||
can do all that is necessary both as to minding the engine,
|
||
steering, and keeping watch. I can feel that my strength
|
||
and energy are coming back to me. I wonder where Mina is
|
||
now, and Van Helsing. They should have got to Veresti about
|
||
noon on Wednesday. It would take them some time to get the
|
||
carriage and horses. So if they had started and travelled
|
||
hard, they would be about now at the Borgo Pass. God guide
|
||
and help them! I am afraid to think what may happen. If we
|
||
could only go faster. But we cannot. The engines are throb-
|
||
bing and doing their utmost. I wonder how Dr. Seward and Mr.
|
||
Morris are getting on. There seem to be endless streams run-
|
||
ning down the mountains into this river, but as none of them
|
||
are very large, at present, at all events, though they are
|
||
doubtless terrible in winter and when the snow melts, the
|
||
horsemen may not have met much obstruction. I hope that be-
|
||
fore we get to Strasba we may see them. For if by that time
|
||
we have not overtaken the Count, it may be necessary to take
|
||
counsel together what to do next.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
2 November.--Three days on the road. No news, and no
|
||
time to write it if there had been, for every moment is
|
||
precious. We have had only the rest needful for the horses.
|
||
But we are both bearing it wonderfully. Those adventurous
|
||
days of ours are turning up useful. We must push on. We
|
||
shall never feel happy till we get the launch in sight again.
|
||
|
||
3 Novenber.--We heard at Fundu that the launch had gone
|
||
up the Bistritza. I wish it wasn't so cold. There are signs
|
||
of snow coming. And if it falls heavy it will stop us. In
|
||
such case we must get a sledge and go on, Russian fashion.
|
||
4 Novenber.--Today we heard of the launch having been
|
||
detained by an accident when trying to force a way up the
|
||
rapids. The Slovak boats get up all right, by aid of a rope
|
||
and steering with knowledge. Some went up only a few hours
|
||
before.Godalming is an amateur fitter himself, and evidently
|
||
it was he who put the launch in trim again.
|
||
Finally, they got up the rapids all right, with local
|
||
help, and are off on the chase afresh. I fear that the boat
|
||
is not any better for the accident, the peasantry tell us
|
||
that after she got upon smooth water again,she kept stopping
|
||
every now and again so long as she was in sight.We must push
|
||
on harder than ever. Our help may be wanted soon.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
31 October.--Arrived at Veresti at noon. The Professor
|
||
tells me that this morning at dawn he could hardly hypnotize
|
||
me at all, and that all I could say was, "dark and quiet."
|
||
He is off now buying a carriage and horses. He says that he
|
||
will later on try to buy additional horses, so that we may
|
||
be able to change them on the way. We have something more
|
||
than 70 miles before us. The country is lovely, and most
|
||
interesting. If only we were under different conditions,
|
||
how delightful it would be to see it all. If Jonathan and I
|
||
were driving through it alone what a pleasure it would be.To
|
||
stop and see people, and learn something of their life, and
|
||
to fill our minds and memories with all the color and pictur-
|
||
esqueness of the whole wild,beautiful country and the quaint
|
||
people! But, alas!
|
||
|
||
Later.--Dr. Van Helsing has returned. He has got the
|
||
carriage and horses. We are to have some dinner, and to
|
||
start in an hour. The landlady is putting us up a huge
|
||
basket of provisions. It seems enough for a company of
|
||
soldiers. The Professor encourages her, and whispers to me
|
||
that it may be a week before we can get any food again. He
|
||
has been shopping too, and has sent home such a wonderful
|
||
lot of fur coats and wraps, and all sorts of warm things.
|
||
There will not be any chance of our being cold.
|
||
We shall soon be off. I am afraid to think what may
|
||
happen to us. We are truly in the hands of God. He alone
|
||
knows what may be, and I pray Him, with all the strength of
|
||
my sad and humble soul, that He will watch over my beloved
|
||
husband. That whatever may happen, Jonathan may know that
|
||
I loved him and honored him more than I can say, and that my
|
||
latest and truest thought will be always for him.
|
||
|
||
|
||
CHAPTER 27
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
1 November.--All day long we have travelled, and at a
|
||
good speed. The horses seem to know that they are being
|
||
kindly treated, for they go willingly their full stage at
|
||
best speed.We have now had so many changes and find the same
|
||
thing so constantly that we are encouraged to think that the
|
||
journey will be an easy one. Dr. Van Helsing is laconic, he
|
||
tells the farmers that he is hurrying to Bistritz, and pays
|
||
them well to make the exchange of horses. We get hot soup,
|
||
or coffee, or tea, and off we go. It is a lovely country.
|
||
Full of beauties of all imaginable kinds, and the people are
|
||
brave, and strong, and simple, and seem full of nice quali-
|
||
ties. They are very, very superstitious. In the first house
|
||
where we stopped, when the woman who served us saw the scar
|
||
on my forehead, she crossed herself and put out two fingers
|
||
towards me, to keep off the evil eye. I believe they went to
|
||
the trouble of putting an extra amount of garlic into our
|
||
food, and I can't abide garlic. Ever since then I have taken
|
||
care not to take off my hat or veil, and so have escaped
|
||
their suspicions. We are travelling fast, and as we have no
|
||
driver with us to carry tales, we go ahead of scandal. But
|
||
I daresay that fear of the evil eye will follow hard behind
|
||
us all the way. The Professor seems tireless. All day he
|
||
would not take any rest, though he made me sleep for a long
|
||
spell.At sunset time he hypnotized me,and he says I answered
|
||
as usual,"darkness, lapping water and creaking wood." So our
|
||
enemy is still on the river. I am afraid to think of Jona-
|
||
than, but somehow I have now no fear for him, or for myself.
|
||
I write this whilst we wait in a farmhouse for the horses to
|
||
be ready. Dr. Van Helsing is sleeping. Poor dear, he looks
|
||
very tired and old and grey, but his mouth is set as firmly
|
||
as a conqueror's. Even in his sleep he is intense with res-
|
||
olution. When we have well started I must make him rest
|
||
whilst I drive. I shall tell him that we have days before us,
|
||
and he must not break down when most of all his strength
|
||
will be needed . . . All is ready. We are off shortly.
|
||
|
||
2 November, morning.--I was successful, and we took
|
||
turns driving all night. Now the day is on us, bright though
|
||
cold. There is a strange heaviness in the air. I say heav-
|
||
iness for want of a better word. I mean that it oppresses us
|
||
both. It is very cold, and only our warm furs keep us com-
|
||
fortable. At dawn Van Helsing hypnotized me. He says I ans-
|
||
wered "darkness, creaking wood and roaring water," so the
|
||
river is changing as they ascend. I do hope that my darling
|
||
will not run any chance of danger, more than need be, but we
|
||
are in God's hands.
|
||
|
||
2 November, night.--All day long driving. The country
|
||
gets wilder as we go, and the great spurs of the Carpathians,
|
||
which at Veresti seemed so far from us and so low on the
|
||
horizon, now seem to gather round us and tower in front. We
|
||
both seem in good spirits. I think we make an effort each to
|
||
cheer the other, in the doing so we cheer ourselves. Dr. Van
|
||
Helsing says that by morning we shall reach the Borgo Pass.
|
||
The houses are very few here now,and the Professor says that
|
||
the last horse we got will have to go on with us, as we may
|
||
not be able to change. He got two in addition to the two we
|
||
changed, so that now we have a rude four-in-hand. The dear
|
||
horses are patient and good, and they give us no trouble. We
|
||
are not worried with other travellers, and so even I can
|
||
drive. We shall get to the Pass in daylight. We do not want
|
||
to arrive before. So we take it easy, and have each a long
|
||
rest in turn. Oh, what will tomorrow bring to us? We go to
|
||
seek the place where my poor darling suffered so much. God
|
||
grant that we may be guided aright,and that He will deign to
|
||
watch over my husband and those dear to us both, and who are
|
||
in such deadly peril.As for me, I am not worthy in His sight.
|
||
Alas! I am unclean to His eyes, and shall be until He may
|
||
deign to let me stand forth in His sight as one of those who
|
||
have not incurred His wrath.
|
||
|
||
MEMORANDUM BY ABRAHAM VAN HELSING
|
||
|
||
4 November.--This to my old and true friend John Seward,
|
||
M. D., of Purefleet, London, in case I may not see him. It
|
||
may explain. It is morning, and I write by a fire which all
|
||
the night I have kept alive, Madam Mina aiding me.It is cold,
|
||
cold. So cold that the grey heavy sky is full of snow, which
|
||
when it falls will settle for all winter as the ground is
|
||
hardening to receive it.It seems to have affected Madam Mina.
|
||
She has been so heavy of head all day that she was not like
|
||
herself.She sleeps, and sleeps, and sleeps! She who is usual
|
||
so alert, have done literally nothing all the day. She even
|
||
have lost her appetite. She make no entry into her little
|
||
diary, she who write so faithful at every pause. Something
|
||
whisper to me that all is not well. However, tonight she is
|
||
more vif.Her long sleep all day have refresh and restore her,
|
||
for now she is all sweet and bright as ever. At sunset I try
|
||
to hypnotize her, but alas! with no effect. The power has
|
||
grown less and less with each day, and tonight it fail me
|
||
altogether. Well, God's will be done, whatever it may be,
|
||
and whithersoever it may lead!
|
||
Now to the historical, for as Madam Mina write not in
|
||
her stenography, I must, in my cumbrous old fashion, that so
|
||
each day of us may not go unrecorded.
|
||
We got to the Borgo Pass just after sunrise yesterday
|
||
morning. When I saw the signs of the dawn I got ready for
|
||
the hypnotism. We stopped our carriage, and got down so
|
||
that there might be no disturbance. I made a couch with
|
||
furs, and Madam Mina, lying down, yield herself as usual,but
|
||
more slow and more short time than ever, to the hypnotic
|
||
sleep. As before, came the answer, "darkness and the swirl-
|
||
ing of water." Then she woke, bright and radiant and we go
|
||
on our way and soon reach the Pass. At this time and place,
|
||
she become all on fire with zeal. Some new guiding power be
|
||
in her manifested, for she point to a road and say, "This is
|
||
the way."
|
||
"How know you it?" I ask.
|
||
"Of course I know it,' she answer, and with a pause,
|
||
add, "Have not my Jonathan travelled it and wrote of his
|
||
travel?"
|
||
At first I think somewhat strange, but soon I see that
|
||
there be only one such byroad. It is used but little, and
|
||
very different from the coach road from the Bukovina to Bis-
|
||
tritz, which is more wide and hard, and more of use.
|
||
So we came down this road. When we meet other ways,
|
||
not always were we sure that they were roads at all, for
|
||
they be neglect and light snow have fallen, the horses know
|
||
and they only.I give rein to them, and they go on so patient.
|
||
By and by we find all the things which Jonathan have note in
|
||
that wonderful diary of him. Then we go on for long, long
|
||
hours and hours. At the first, I tell Madam Mina to sleep.
|
||
She try, and she succeed.She sleep all the time, till at the
|
||
last, I feel myself to suspicious grow, and attempt to wake
|
||
her. But she sleep on, and I may not wake her though I try.
|
||
I do not wish to try too hard lest I harm her. For I know
|
||
that she have suffer much, and sleep at times be all-in-all
|
||
to her. I think I drowse myself, for all of sudden I feel
|
||
guilt, as though I have done something. I find myself bolt
|
||
up, with the reins in my hand, and the good horses go along
|
||
jog, jog, just as ever.I look down and find Madam Mina still
|
||
asleep. It is now not far off sunset time, and over the snow
|
||
the light of the sun flow in big yellow flood, so that we
|
||
throw great long shadow on where the mountain rise so steep.
|
||
For we are going up, and up, and all is oh, so wild and
|
||
rocky, as though it were the end of the world.
|
||
Then I arouse Madam Mina. This time she wake with not
|
||
much trouble, and then I try to put her to hypnotic sleep.
|
||
But she sleep not, being as though I were not. Still I try
|
||
and try, till all at once I find her and myself in dark, so
|
||
I look round, and find that the sun have gone down. Madam
|
||
Mina laugh, and I turn and look at her. She is now quite
|
||
awake, and look so well as I never saw her since that night
|
||
at Carfax when we first enter the Count's house. I am amaze,
|
||
and not at ease then. But she is so bright and tender and
|
||
thoughtful for me that I forget all fear. I light a fire,
|
||
for we have brought supply of wood with us, and she prepare
|
||
food while I undo the horses and set them, tethered in shel-
|
||
ter, to feed. Then when I return to the fire she have my
|
||
supper ready. I go to help her, but she smile, and tell me
|
||
that she have eat already. That she was so hungry that she
|
||
would not wait. I like it not,and I have grave doubts. But
|
||
I fear to affright her, and so I am silent of it. She help
|
||
me and I eat alone, and then we wrap in fur and lie beside
|
||
the fire, and I tell her to sleep while I watch.But present-
|
||
ly I forget all of watching. And when I sudden remember that
|
||
I watch, I find her lying quiet, but awake, and looking at
|
||
me with so bright eyes. Once, twice more the same occur, and
|
||
I get much sleep till before morning. When I wake I try to
|
||
hypnotize her, but alas! Though she shut her eyes obedient,
|
||
she may not sleep. The sun rise up, and up, and up, and then
|
||
sleep come to her too late, but so heavy that she will not
|
||
wake. I have to lift her up, and place her sleeping in the
|
||
carriage when I have harnessed the horses and made all ready.
|
||
Madam still sleep,and she look in her sleep more healthy and
|
||
more redder than before. And I like it not. And I am afraid,
|
||
afraid, afraid! I am afraid of all things, even to think but
|
||
I must go on my way. The stake we play for is life and death,
|
||
or more than these, and we must not flinch.
|
||
|
||
5 November, morning.--Let me be accurate in everything,
|
||
for though you and I have seen some strange things together,
|
||
you may at the first think that I, Van Helsing, am mad. That
|
||
the many horrors and the so long strain on nerves has at the
|
||
last turn my brain.
|
||
All yesterday we travel, always getting closer to the
|
||
mountains, and moving into a more and more wild and desert
|
||
land. There are great, frowning precipices and much falling
|
||
water, and Nature seem to have held sometime her carnival.
|
||
Madam Mina still sleep and sleep. And though I did have hun-
|
||
ger and appeased it, I could not waken her, even for food. I
|
||
began to fear that the fatal spell of the place was upon her,
|
||
tainted as she is with that Vampire baptism. "Well," said I
|
||
to myself, "if it be that she sleep all the day, it shall
|
||
also be that I do not sleep at night." As we travel on the
|
||
rough road,for a road of an ancient and imperfect kind there
|
||
was, I held down my head and slept.
|
||
Again I waked with a sense of guilt and of time passed,
|
||
and found Madam Mina still sleeping, and the sun low down.
|
||
But all was indeed changed. The frowning mountains seemed
|
||
further away, and we were near the top of a steep rising
|
||
hill, on summit of which was such a castle as Jonathan tell
|
||
of in his diary. At once I exulted and feared. For now,for
|
||
good or ill, the end was near.
|
||
I woke Madam Mina, and again tried to hypnotize her,but
|
||
alas! unavailing till too late.Then, ere the great dark came
|
||
upon us, for even after down sun the heavens reflected the
|
||
gone sun on the snow, and all was for a time in a great twi-
|
||
light. I took out the horses and fed them in what shelter I
|
||
could. Then I make a fire, and near it I make Madam Mina,
|
||
now awake and more charming than ever, sit comfortable amid
|
||
her rugs. I got ready food, but she would not eat, simply
|
||
saying that she had not hunger. I did not press her,knowing
|
||
her unavailingness. But I myself eat, for I must needs now
|
||
be strong for all. Then, with the fear on me of what might
|
||
be, I drew a ring so big for her comfort, round where Madam
|
||
Mina sat. And over the ring I passed some of the wafer, and
|
||
I broke it fine so that all was well guarded. She sat still
|
||
all the time, so still as one dead. And she grew whiter and
|
||
even whiter till the snow was not more pale, and no word she
|
||
said. But when I drew near, she clung to me, and I could
|
||
know that the poor soul shook her from head to feet with a
|
||
tremor that was pain to feel.
|
||
I said to her presently, when she had grown more quiet,
|
||
"Will you not come over to the fire?" for I wished to make a
|
||
test of what she could. She rose obedient, but when she
|
||
have made a step she stopped, and stood as one stricken.
|
||
"Why not go on?" I asked.She shook her head, and coming
|
||
back, sat down in her place. Then, looking at me with open
|
||
eyes, as of one waked from sleep, she said simply,"I cannot!"
|
||
and remained silent. I rejoiced, for I knew that what she
|
||
could not, none of those that we dreaded could. Though there
|
||
might be danger to her body, yet her soul was safe!
|
||
Presently the horses began to scream, and tore at their
|
||
tethers till I came to them and quieted them. When they did
|
||
feel my hands on them,they whinnied low as in joy,and licked
|
||
at my hands and were quiet for a time.Many times through the
|
||
night did I come to them, till it arrive to the cold hour
|
||
when all nature is at lowest, and every time my coming was
|
||
with quiet of them. In the cold hour the fire began to die,
|
||
and I was about stepping forth to replenish it, for now the
|
||
snow came in flying sweeps and with it a chill mist. Even in
|
||
the dark there was a light of some kind, as there ever is
|
||
over snow, and it seemed as though the snow flurries and the
|
||
wreaths of mist took shape as of women with trailing gar-
|
||
ments. All was in dead, grim silence only that the horses
|
||
whinnied and cowered, as if in terror of the worst. I began
|
||
to fear, horrible fears. But then came to me the sense of
|
||
safety in that ring wherein I stood. I began too, to think
|
||
that my imaginings were of the night, and the gloom, and
|
||
the unrest that I have gone through, and all the terrible
|
||
anxiety. It was as though my memories of all Jonathan's
|
||
horrid experience were befooling me. For the snow flakes
|
||
and the mist began to wheel and circle round, till I could
|
||
get as though a shadowy glimpse of those women that would
|
||
have kissed him. And then the horses cowered lower and lower,
|
||
and moaned in terror as men do in pain. Even the madness of
|
||
fright was not to them, so that they could break away. I
|
||
feared for my dear Madam Mina when these weird figures drew
|
||
near and circled round. I looked at her, but she sat calm,
|
||
and smiled at me. When I would have stepped to the fire to
|
||
replenish it, she caught me and held me back, and whispered,
|
||
like a voice that one hears in a dream, so low it was.
|
||
"No! No! Do not go without. Here you are safe!"
|
||
I turned to her, and looking in her eyes said, "But
|
||
you? It is for you that I fear!"
|
||
Whereat she laughed, a laugh low and unreal, and said,
|
||
"Fear for me! Why fear for me? None safer in all the world
|
||
from them than I am,"and as I wondered at the meaning of her
|
||
words, a puff of wind made the flame leap up, and I see the
|
||
red scar on her forehead. Then, alas! I knew. Did I not, I
|
||
would soon have learned, for the wheeling figures of mist
|
||
and snow came closer, but keeping ever without the Holy
|
||
circle. Then they began to materialize till, if God have not
|
||
taken away my reason, for I saw it through my eyes. There
|
||
were before me in actual flesh the same three women that Jon-
|
||
athan saw in the room,when they would have kissed his throat.
|
||
I knew the swaying round forms, the bright hard eyes, the
|
||
white teeth, the ruddy color, the voluptuous lips. They
|
||
smiled ever at poor dear Madam Mina. And as their laugh came
|
||
through the silence of the night, they twined their arms and
|
||
pointed to her, and said in those so sweet tingling tones
|
||
that Jonathan said were of the intolerable sweetness of the
|
||
water glasses, "Come, sister. Come to us. Come!"
|
||
In fear I turned to my poor Madam Mina, and my heart
|
||
with gladness leapt like flame. For oh! the terror in her
|
||
sweet eyes, the repulsion, the horror, told a story to my
|
||
heart that was all of hope. God be thanked she was not, yet
|
||
of them. I seized some of the firewood which was by me, and
|
||
holding out some of the Wafer, advanced on them towards the
|
||
fire. They drew back before me,and laughed their low horrid
|
||
laugh. I fed the fire, and feared them not. For I knew that
|
||
we were safe within the ring, which she could not leave no
|
||
more than they could enter. The horses had ceased to moan,
|
||
and lay still on the ground. The snow fell on them softly,
|
||
and they grew whiter. I knew that there was for the poor
|
||
beasts no more of terror.
|
||
And so we remained till the red of the dawn began to
|
||
fall through the snow gloom. I was desolate and afraid, and
|
||
full of woe and terror. But when that beautiful sun began
|
||
to climb the horizon life was to me again. At the first
|
||
coming of the dawn the horrid figures melted in the whirling
|
||
mist and snow. The wreaths of transparent gloom moved away
|
||
towards the castle, and were lost.
|
||
Instinctively, with the dawn coming, I turned to Madam
|
||
Mina, intending to hypnotize her. But she lay in a deep and
|
||
sudden sleep, from which I could not wake her. I tried to
|
||
hypnotize through her sleep, but she made no response, none
|
||
at all, and the day broke. I fear yet to stir. I have made
|
||
my fire and have seen the horses, they are all dead. Today
|
||
I have much to do here,and I keep waiting till the sun is up
|
||
high. For there may be places where I must go, where that
|
||
sunlight, though snow and mist obscure it, will be to me a
|
||
safety.
|
||
I will strengthen me with breakfast, and then I will do
|
||
my terrible work.Madam Mina still sleeps, and God be thanked!
|
||
She is calm in her sleep . . .
|
||
|
||
JONATHAN HARKER'S JOURNAL
|
||
|
||
4 November, evening.--The accident to the launch has
|
||
been a terrible thing for us. Only for it we should have
|
||
overtaken the boat long ago, and by now my dear Mina would
|
||
have been free. I fear to think of her, off on the wolds
|
||
near that horrid place. We have got horses, and we follow
|
||
on the track. I note this whilst Godalming is getting ready.
|
||
We have our arms. The Szgany must look out if they mean to
|
||
fight. Oh, if only Morris and Seward were with us. We must
|
||
only hope! If I write no more Goodby Mina! God bless and
|
||
keep you.
|
||
|
||
DR. SEWARD'S DIARY
|
||
|
||
5 November.--With the dawn we saw the body of Szgany
|
||
before us dashing away from the river with their leiter
|
||
wagon. They surrounded it in a cluster, and hurried along
|
||
as though beset. The snow is falling lightly and there is
|
||
a strange excitement in the air. It may be our own feelings,
|
||
but the depression is strange. Far off I hear the howling of
|
||
wolves. The snow brings them down from the mountains, and
|
||
there are dangers to all of us,and from all sides.The horses
|
||
are nearly ready, and we are soon off. We ride to death of
|
||
some one. God alone knows who, or where, or what, or when,
|
||
or how it may be . . .
|
||
|
||
DR. VAN HELSING'S MEMORANDUM
|
||
|
||
5 November, afternoon.--I am at least sane. Thank God
|
||
for that mercy at all events, though the proving it has been
|
||
dreadful. When I left Madam Mina sleeping within the Holy
|
||
circle, I took my way to the castle. The blacksmith hammer
|
||
which I took in the carriage from Veresti was useful, though
|
||
the doors were all open I broke them off the rusty hinges,
|
||
lest some ill intent or ill chance should close them, so
|
||
that being entered I might not get out. Jonathan's bitter
|
||
experience served me here. By memory of his diary I found
|
||
my way to the old chapel, for I knew that here my work lay.
|
||
The air was oppressive. It seemed as if there was some
|
||
sulphurous fume, which at times made me dizzy. Either there
|
||
was a roaring in my ears or I heard afar off the howl of
|
||
wolves. Then I bethought me of my dear Madam Mina, and I was
|
||
in terrible plight. The dilemma had me between his horns.
|
||
Her, I had not dare to take into this place, but left
|
||
safe from the Vampire in that Holy circle. And yet even
|
||
there would be the wolf! I resolve me that my work lay here,
|
||
and that as to the wolves we must submit, if it were God's
|
||
will. At any rate it was only death and freedom beyond. So
|
||
did I choose for her. Had it but been for myself the choice
|
||
had been easy, the maw of the wolf were better to rest in
|
||
than the grave of the Vampire! So I make my choice to go on
|
||
with my work.
|
||
I knew that there were at least three graves to find,
|
||
graves that are inhabit. So I search, and search, and I
|
||
find one of them. She lay in her Vampire sleep, so full of
|
||
life and voluptuous beauty that I shudder as though I have
|
||
come to do murder. Ah, I doubt not that in the old time,
|
||
when such things were, many a man who set forth to do such a
|
||
task as mine, found at the last his heart fail him, and then
|
||
his nerve. So he delay, and delay, and delay, till the mere
|
||
beauty and the fascination of the wanton Undead have hypno-
|
||
tize him. And he remain on and on, till sunset come, and the
|
||
Vampire sleep be over. Then the beautiful eyes of the fair
|
||
woman open and look love,and the voluptuous mouth present to
|
||
a kiss, and the man is weak.And there remain one more victim
|
||
in the Vampire fold. One more to swell the grim and grisly
|
||
ranks of the Undead! . . .
|
||
There is some fascination, surely, when I am moved by
|
||
the mere presence of such an one, even lying as she lay in a
|
||
tomb fretted with age and heavy with the dust of centuries,
|
||
though there be that horrid odor such as the lairs of the
|
||
Count have had. Yes, I was moved. I, Van Helsing, with all
|
||
my purpose and with my motive for hate. I was moved to a
|
||
yearning for delay which seemed to paralyze my faculties and
|
||
to clog my very soul. It may have been that the need of nat-
|
||
ural sleep, and the strange oppression of the air were be-
|
||
ginning to overcome me. Certain it was that I was lapsing
|
||
into sleep, the open eyed sleep of one who yields to a sweet
|
||
fascination, when there came through the snow stilled air a
|
||
long, low wail, so full of woe and pity that it woke me like
|
||
the sound of a clarion. For it was the voice of my dear
|
||
Madam Mina that I heard.
|
||
Then I braced myself again to my horrid task, and
|
||
found by wrenching away tomb tops one other of the sisters,
|
||
the other dark one. I dared not pause to look on her as I
|
||
had on her sister, lest once more I should begin to be en-
|
||
thrall. But I go on searching until, presently, I find in a
|
||
high great tomb as if made to one much beloved that other
|
||
fair sister which,like Jonathan I had seen to gather herself
|
||
out of the atoms of the mist. She was so fair to look on, so
|
||
radiantly beautiful,so exquisitely voluptuous, that the very
|
||
instinct of man in me,which calls some of my sex to love and
|
||
to protect one of hers, made my head whirl with new emotion.
|
||
But God be thanked, that soul wail of my dear Madam Mina had
|
||
not died out of my ears. And, before the spell could be
|
||
wrought further upon me, I had nerved myself to my wild work.
|
||
By this tim e I had searched all the tombs in the chapel, so
|
||
far as I could tell. And as there had been only three of
|
||
these Undead phantoms around us in the night, I took it that
|
||
there were no more of active Undead existent. There was one
|
||
great tomb more lordly than all the rest. Huge it was, and
|
||
nobly proportioned. On it was but one word.
|
||
|
||
DRACULA
|
||
|
||
This then was the Undead home of the King Vampire, to
|
||
whom so many more were due. Its emptiness spoke eloquent to
|
||
make certain what I knew. Before I began to restore these
|
||
women to their dead selves through my awful work, I laid in
|
||
Dracula's tomb some of the Wafer, and so banished him from
|
||
it, Undead, for ever.
|
||
Then began my terrible task, and I dreaded it. Had it
|
||
been but one, it had been easy, comparative. But three! To
|
||
begin twice more after I had been through a deed of horror.
|
||
For it was terrible with the sweet Miss Lucy, what would it
|
||
not be with these strange ones who had survived through cen-
|
||
turies, and who had been strenghtened by the passing of the
|
||
years. Who would, if they could, have fought for their foul
|
||
lives . . .
|
||
Oh, my friend John, but it was butcher work. Had I not
|
||
been nerved by thoughts of other dead,and of the living over
|
||
whom hung such a pall of fear, I could not have gone on. I
|
||
tremble and tremble even yet, though till all was over, God
|
||
be thanked, my nerve did stand. Had I not seen the repose in
|
||
the first place,and the gladness that stole over it just ere
|
||
the final dissolution came, as realization that the soul had
|
||
been won, I could not have gone further with my butchery. I
|
||
could not have endured the horrid screeching as the stake
|
||
drove home,the plunging of writhing form, and lips of bloody
|
||
foam. I should have fled in terror and left my work undone.
|
||
But it is over! And the poor souls, I can pity them now and
|
||
weep, as I think of them placid each in her full sleep of
|
||
death for a short moment ere fading. For, friend John,hardly
|
||
had my knife severed the head of each, before the whole body
|
||
began to melt away and crumble into its native dust, as
|
||
though the death that should have come centuries agone had
|
||
at last assert himself and say at once and loud,"I am here!"
|
||
Before I left the castle I so fixed its entrances that
|
||
never more can the Count enter there Undead.
|
||
When I stepped into the circle where Madam Mina slept,
|
||
she woke from her sleep and, seeing me, cried out in pain
|
||
that I had endured too much.
|
||
"Come!" she said, "come away from this awful place! Let
|
||
us go to meet my husband who is, I know, coming towards us."
|
||
She was looking thin and pale and weak. But her eyes were
|
||
pure and glowed with fervor. I was glad to see her paleness
|
||
and her illness, for my mind was full of the fresh horror of
|
||
that ruddy vampire sleep.
|
||
And so with trust and hope, and yet full of fear, we go
|
||
eastward to meet our friends, and him, whom Madam Mina tell
|
||
me that she know are coming to meet us.
|
||
|
||
MINA HARKER'S JOURNAL
|
||
|
||
6 November.--It was late in the afternoon when the Pro-
|
||
fessor and I took our way towards the east whence I knew
|
||
Jonathan was coming. We did not go fast, though the way was
|
||
steeply downhill, for w e had to take heavy rugs and wraps
|
||
with us. We dared not face the possibility of being left
|
||
without warmth in the cold and the snow. We had to take some
|
||
of our provisions too, for we were in a perfect desolation,
|
||
and so far as we could see through the snowfall, there was
|
||
not even the sign of habitation. When we had gone about a
|
||
mile,I was tired with the heavy walking and sat down to rest.
|
||
Then we looked back and saw where the clear line of Drac-
|
||
ula's castle cut the sky. For we were so deep under the hill
|
||
whereon it was set that the angle of perspective of the Car-
|
||
pathian mountains was far below it. We saw it in all its
|
||
grandeur, perched a thousand feet on the summit of a sheer
|
||
precipice, and with seemingly a great gap between it and the
|
||
steep of the adjacent mountain on any side. There was some-
|
||
thing wild and uncanny about the place. We could hear the
|
||
distant howling of wolves. They were far off, but the sound,
|
||
even though coming muffled through the deadening snowfall,
|
||
was full of terror. I knew from the way Dr. Van Helsing was
|
||
searching about that he was trying to seek some strategic
|
||
point, where we would be less exposed in case of attack. The
|
||
rough roadway still led downwards. We could trace it through
|
||
the drifted snow.
|
||
In a little while the Professor signalled to me, so I
|
||
got up and joined him. He had found a wonderful spot,a sort
|
||
of natural hollow in a rock, with an entrance like a doorway
|
||
between two boulders. He took me by the hand and drew me in.
|
||
"See!" he said,"here you will be in shelter. And if the
|
||
wolves do come I can meet them one by one."
|
||
He brought in our furs, and made a snug nest for me,and
|
||
got out some provisions and forced them upon me. But I could
|
||
not eat, to even try to do so was repulsive to me, and much
|
||
as I would have liked to please him,I could not bring myself
|
||
to the attempt. He looked very sad, but did not reproach me.
|
||
Taking his field glasses from the case, he stood on the top
|
||
of the rock, and began to search the horizon.
|
||
Suddenly he called out, "Look! Madam Mina,look!Look!"
|
||
I sprang up and stood beside him on the rock. He handed
|
||
me his glasses and pointed. The snow was now falling more
|
||
heavily, and swirled about fiercely, for a high wind was be-
|
||
ginning to blow. However, there were times when there were
|
||
pauses between the snow flurries and I could see a long way
|
||
round. From the height where we were it was possible to see
|
||
a great distance. And far off, beyond the white waste of
|
||
snow, I could see the river lying like a black ribbon in
|
||
kinks and curls as it wound its way. Straight in front of us
|
||
and not far off, in fact so near that I wondered we had not
|
||
noticed before, came a group of mounted men hurrying along.
|
||
In the midst of them was a cart, a long leiter wagon which
|
||
swept from side to side,like a dog's tail wagging, with each
|
||
stern inequality of the road. Outlined against the snow as
|
||
they were, I could see from the men's clothes that they were
|
||
peasants or gypsies of some kind.
|
||
On the cart was a great square chest. My heart leaped
|
||
as I saw it, for I felt that the end was coming. The evening
|
||
was now drawing close, and well I knew that at sunset the
|
||
Thing, which was till then imprisoned there, would take new
|
||
freedom and could in any of many forms elude pursuit.In fear
|
||
I turned to the Professor. To my consternation, however, he
|
||
was not there. An instant later, I saw him below me. Round
|
||
the rock he had drawn a circle, such as we had found shelter
|
||
in last night.
|
||
When he had completed it he stood beside me again say-
|
||
ing, "At least you shall be safe here from him!" He took the
|
||
glasses from me, and at the next lull of the snow swept the
|
||
whole space below us. "See,"he said,"they come quickly. They
|
||
are flogging the horses, and galloping as hard as they can."
|
||
He paused and went on in a hollow voice, "They are rac-
|
||
ing for the sunset. We may be too late. God's will be done!"
|
||
Down came another blinding rush of driving snow, and the
|
||
whole landscape was blotted out. It soon passed, however,
|
||
and once more his glasses were fixed on the plain.
|
||
Then came a sudden cry, "Look! Look! Look! See, two
|
||
horsemen follow fast, coming up from the south. It must be
|
||
Quincey and John. Take the glass. Look before the snow blots
|
||
it all out!" I took it and looked. The two men might be Dr.
|
||
Seward and Mr. Morris. I knew at all events that neither of
|
||
them was Jonathan. At the same time I knew that Jonathan was
|
||
not far off. Looking around I saw on the north side of the
|
||
coming party two other men, riding at breakneck speed. One
|
||
of them I knew was Jonathan, and the other I took, of course,
|
||
to be Lord Godalming. They too, were pursuing the party with
|
||
the cart. When I told the Professor he shouted in glee like
|
||
a schoolboy, and after looking intently till a snow fall
|
||
made sight impossible,he laid his Winchester rifle ready for
|
||
use against the boulder at the opening of our shelter.
|
||
"They are all converging," he said."When the time comes
|
||
we shall have gypsies on all sides." I got out my revolver
|
||
ready to hand, for whilst we were speaking the howling of
|
||
wolves came louder and closer. When the snow storm abated a
|
||
moment we looked again. It was strange to see the snow fall-
|
||
ing in such heavy flakes close to us, and beyond, the sun
|
||
shining more and more brightly as it sank down towards the
|
||
far mountain tops. Sweeping the glass all around us I could
|
||
see here and there dots moving singly and in twos and threes
|
||
and larger numbers.The wolves were gathering for their prey.
|
||
Every instant seemed an age whilst we waited. The wind
|
||
came now in fierce bursts, and the snow was driven with fury
|
||
as it swept upon us in circling eddies. At times we could
|
||
not see an arm's length before us. But at others, as the
|
||
hollow sounding wind swept by us, it seemed to clear the air
|
||
space around us so that we could see afar off. We had of
|
||
late been so accustomed to watch for sunrise and sunset,that
|
||
we knew with fair accuracy when it would be.And we knew that
|
||
before long the sun would set. It was hard to believe that
|
||
by our watches it was less than an hour that we waited in
|
||
that rocky shelter before the various bodies began to con-
|
||
verge close upon us. The wind came now with fiercer and more
|
||
bitter sweeps, and more steadily from the north.It seemingly
|
||
had driven the snow clouds from us, for with only occasional
|
||
bursts, the snow fell. We could distinguish clearly the
|
||
individuals of each party, the pursued and the pursuers.
|
||
Strangely enough those pursued did not seem to realize, or
|
||
at least to care, that they were pursued. They seemed, how-
|
||
ever,to hasten with redoubled speed as the sun dropped lower
|
||
and lower on the mountain tops.
|
||
Closer and closer they drew. The Professor and I crouc-
|
||
hed down behind our rock, and held our weapons ready. I
|
||
could see that he was determined that they should not pass.
|
||
One and all were quite unaware of our presence.
|
||
All at once two voices shouted out to, "Halt!" One was
|
||
my Jonathan's, raised in a high key of passion. The other Mr.
|
||
Morris' strong resolute tone of quiet command. The gypsies
|
||
may not have known the language, but there was no mistaking
|
||
the tone, in whatever tongue the words were spoken. Instinc-
|
||
tively they reined in, and at the instant Lord Godalming and
|
||
Jonathan dashed up at one side and Dr. Seward and Mr. Morris
|
||
on the other. The leader of the gypsies, a splendid looking
|
||
fellow who sat his horse like a centaur,waved them back, and
|
||
in a fierce voice gave to his companions some word to pro-
|
||
ceed. They lashed the horses which sprang forward. But the
|
||
four men raised their Winchester rifles, and in an unmistak-
|
||
able way commanded them to stop. At the same moment Dr. Van
|
||
Helsing and I rose behind the rock and pointed our weapons
|
||
at them. Seeing that they were surrounded the men tightened
|
||
their reins and drew up. The leader turned to them and gave
|
||
a word at which every man of the gypsy party drew what wea-
|
||
pon he carried,knife or pistol,and held himself in readiness
|
||
to attack. Issue was joined in an instant.
|
||
The leader, with a quick movement of his rein,threw his
|
||
horse out in front, and pointed first to the sun, now close
|
||
down on the hill tops, and then to the castle,said something
|
||
which I did not understand. For answer, all four men of our
|
||
party threw themselves from their horses and dashed towards
|
||
the cart. I should have felt terrible fear at seeing Jona-
|
||
than in such danger, but that the ardor of battle must have
|
||
been upon me as well as the rest of them. I felt no fear,
|
||
but only a wild, surging desire to do something. Seeing the
|
||
quick movement of our parties,the leader of the gypsies gave
|
||
a command. His men instantly formed round the cart in a sort
|
||
of undisciplined endeavor, each one shouldering and pushing
|
||
the other in his eagerness to carry out the order.
|
||
In the midst of this I could see that Jonathan on one
|
||
side of the ring of men, and Quincey on the other, were
|
||
forcing a way to the cart. It was evident that they were
|
||
bent on finishing their task before the sun should set.Noth-
|
||
ing seemed to stop or even to hinder them.Neither the level-
|
||
led weapons nor the flashing knives of the gypsies in front,
|
||
nor the howling of the wolves behind, appeared to even
|
||
attract their attention. Jonathan's impetuosity, and the
|
||
manifest singleness of his purpose, seemed to overawe those
|
||
in front of him. Instinctively they cowered aside and let
|
||
him pass.In an instant he had jumped upon the cart, and with
|
||
a strength which seemed incredible,raised the great box, and
|
||
flung it over the wheel to the ground. In the meantime, Mr.
|
||
Morris had had to use force to pass through his side of the
|
||
ring of Szgany.All the time I had been breathlessly watching
|
||
Jonathan I had, with the tail of my eye, seen him pressing
|
||
desperately forward, and had seen the knives of the gypsies
|
||
flash as he won a way through them, and they cut at him. He
|
||
had parried with his great bowie knife, and at first I
|
||
thought that he too had come through in safety. But as he
|
||
sprang beside Jonathan, who had by now jumped from the cart,
|
||
I could see that with his left hand he was clutching at his
|
||
side, and that the blood was spurting through his fingers.He
|
||
did not delay notwithstanding this, for as Jonathan, with
|
||
desperate energy, attacked one end of the chest, attempting
|
||
to prize off the lid with his great Kukri knife, he attacked
|
||
the other frantically with his bowie. Under the efforts of
|
||
both men the lid began to yield. The nails drew with a
|
||
screeching sound, and the top of the box was thrown back.
|
||
By this time the gypsies, seeing themselves covered by
|
||
the Winchesters, and at the mercy of Lord Godalming and Dr.
|
||
Seward, had given in and made no further resistance. The sun
|
||
was almost down on the mountain tops, and the shadows of the
|
||
whole group fell upon the snow. I saw the Count lying within
|
||
the box upon the earth, some of which the rude falling from
|
||
the cart had scattered over him. He was deathly pale, just
|
||
like a waxen image,and the red eyes glared with the horrible
|
||
vindictive look which I knew so well.
|
||
As I looked, the eyes saw the sinking sun, and the look
|
||
of hate in them turned to triumph.
|
||
But, on the instant, came the sweep and flash of Jona-
|
||
than's great knife. I shrieked as I saw it shear through the
|
||
throat. Whilst at the same moment Mr. Morris's bowie knife
|
||
plunged into the heart.
|
||
It was like a miracle, but before our very eyes, and
|
||
almost in the drawing of a breath, the whole body crumbled
|
||
into dust and passed from our sight.
|
||
I shall be glad as long as I live that even in that
|
||
moment of final dissolution, there was in the face a look of
|
||
peace, such as I never could have imagined might have rested
|
||
there.
|
||
The Castle of Dracula now stood out against the red sky,
|
||
and every stone of its broken battlements was articulated
|
||
against the light of the setting sun.
|
||
The gypsies, taking us as in some way the cause of the
|
||
extraordinary disappearance of the dead man, turned, without
|
||
a word, and rode away as if for their lives. Those who were
|
||
unmounted jumped upon the leiter wagon and shouted to the
|
||
horsemen not to desert them. The wolves, which had withdrawn
|
||
to a safe distance, followed in their wake, leaving us alone.
|
||
Mr. Morris, who had sunk to the ground, leaned on his
|
||
elbow, holding his hand pressed to his side. The blood still
|
||
gushed through his fingers.I flew to him,for the Holy circle
|
||
did not now keep me back, so did the two doctors. Jonathan
|
||
knelt behind him and the wounded man laid back his head on
|
||
his shoulder. With a sigh he took, with a feeble effort, my
|
||
hand in that of his own which was unstained.
|
||
He must have seen the anguish of my heart in my face,
|
||
for he smiled at me and said, "I am only too happy to have
|
||
been of service! Oh, God!" he cried suddenly, struggling to
|
||
a sitting posture and pointing to me. "It was worth for this
|
||
to die! Look! Look!"
|
||
The sun was now right down upon the mountain top, and
|
||
the red gleams fell upon my face, so that it was bathed in
|
||
rosy light. With one impulse the men sank on their knees
|
||
and a deep and earnest "Amen" broke from all as their eyes
|
||
followed the pointing of his finger.
|
||
The dying man spoke, "Now God be thanked that all has
|
||
not been in vain! See! The snow is not more stainless than
|
||
her forehead! The curse has passed away!"
|
||
And, to our bitter grief, with a smile and in silence,
|
||
he died, a gallant gentleman.
|
||
|
||
NOTE
|
||
|
||
Seven years ago we all went through the flames. And
|
||
the happiness of some of us since then is, we think, well
|
||
worth the pain we endured. It is an added joy to Mina and
|
||
to me that our boy's birthday is the same day as that on
|
||
which Quincey Morris died. His mother holds, I know, the
|
||
secret belief that some of our brave friend's spirit has
|
||
passed into him. His bundle of names links all our little
|
||
band of men together. But we call him Quincey.
|
||
In the summer of this year we made a journey to Transyl-
|
||
vania, and went over the old ground which was, and is, to us
|
||
so full of vivid and terrible memories.It was almost imposs-
|
||
ible to believe that the things which we had seen with our
|
||
own eyes and heard with our own ears were living truths.
|
||
Every trace of all that had been was blotted out. The castle
|
||
stood as before, reared high above a waste of desolation.
|
||
When we got home we were talking of the old time, which
|
||
we could all look back on without despair, for Godalming and
|
||
Seward are both happily married. I took the papers from the
|
||
safe where they had been ever since our return so long ago.
|
||
We were struck with the fact, that in all the mass of mater-
|
||
ial of which the record is composed, there is hardly one
|
||
authentic document.Nothing but a mass of typewriting, except
|
||
the later notebooks of Mina and Seward and myself, and Van
|
||
Helsing's memorandum. We could hardly ask any one, even did
|
||
we wish to, to accept these as proofs of so wild a story.
|
||
Van Helsing summed it all up as he said, with our boy on his
|
||
knee.
|
||
"We want no proofs. We ask none to believe us! This boy
|
||
will some day know what a brave and gallant woman his mother
|
||
is. Already he knows her sweetness and loving care. Later
|
||
on he will understand how some men so loved her, that they
|
||
did dare much for her sake.
|
||
JONATHAN HARKER
|
||
|