2892 lines
133 KiB
Plaintext
2892 lines
133 KiB
Plaintext
**The Project Gutenberg Etext of Daisy Miller, by Henry James**
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Daisy Miller, by Henry James
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February, 1995 [Etext #208]
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**The Project Gutenberg Etext of Daisy Miller, by Henry James**
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The text is that of the first American appearance in book form, 1879.
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DAISY MILLER: A STUDY
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IN TWO PARTS
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PART I
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At the little town of Vevey, in Switzerland, there is a
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particularly comfortable hotel. There are, indeed, many hotels,
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for the entertainment of tourists is the business of the place,
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which, as many travelers will remember, is seated upon the edge
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of a remarkably blue lake--a lake that it behooves every tourist
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to visit. The shore of the lake presents an unbroken array
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of establishments of this order, of every category, from the
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"grand hotel" of the newest fashion, with a chalk-white front,
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a hundred balconies, and a dozen flags flying from its roof,
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to the little Swiss pension of an elder day, with its name
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inscribed in German-looking lettering upon a pink or yellow
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wall and an awkward summerhouse in the angle of the garden.
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One of the hotels at Vevey, however, is famous, even classical,
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being distinguished from many of its upstart neighbors
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by an air both of luxury and of maturity. In this region,
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in the month of June, American travelers are extremely numerous;
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it may be said, indeed, that Vevey assumes at this period
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some of the characteristics of an American watering place.
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There are sights and sounds which evoke a vision, an echo,
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of Newport and Saratoga. There is a flitting hither and thither
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of "stylish" young girls, a rustling of muslin flounces,
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a rattle of dance music in the morning hours, a sound of
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high-pitched voices at all times. You receive an impression
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of these things at the excellent inn of the "Trois Couronnes"
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and are transported in fancy to the Ocean House or to Congress Hall.
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But at the "Trois Couronnes," it must be added, there are other
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features that are much at variance with these suggestions:
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neat German waiters, who look like secretaries of legation;
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Russian princesses sitting in the garden; little Polish
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boys walking about held by the hand, with their governors;
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a view of the sunny crest of the Dent du Midi and the picturesque
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towers of the Castle of Chillon.
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I hardly know whether it was the analogies or the differences that were
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uppermost in the mind of a young American, who, two or three years ago,
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sat in the garden of the "Trois Couronnes," looking about him,
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rather idly, at some of the graceful objects I have mentioned.
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It was a beautiful summer morning, and in whatever fashion the young
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American looked at things, they must have seemed to him charming.
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He had come from Geneva the day before by the little steamer,
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to see his aunt, who was staying at the hotel--Geneva having been
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for a long time his place of residence. But his aunt had a headache--
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his aunt had almost always a headache--and now she was shut up in
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her room, smelling camphor, so that he was at liberty to wander about.
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He was some seven-and-twenty years of age; when his friends spoke
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of him, they usually said that he was at Geneva "studying."
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When his enemies spoke of him, they said--but, after all, he had
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no enemies; he was an extremely amiable fellow, and universally liked.
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What I should say is, simply, that when certain persons spoke
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of him they affirmed that the reason of his spending so much
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time at Geneva was that he was extremely devoted to a lady
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who lived there--a foreign lady--a person older than himself.
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Very few Americans--indeed, I think none--had ever seen this lady,
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about whom there were some singular stories. But Winterbourne
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had an old attachment for the little metropolis of Calvinism;
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he had been put to school there as a boy, and he had afterward
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gone to college there--circumstances which had led to his forming
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a great many youthful friendships. Many of these he had kept,
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and they were a source of great satisfaction to him.
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After knocking at his aunt's door and learning that she was indisposed,
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he had taken a walk about the town, and then he had come in to
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his breakfast. He had now finished his breakfast; but he was drinking
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a small cup of coffee, which had been served to him on a little table
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in the garden by one of the waiters who looked like an attache.
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At last he finished his coffee and lit a cigarette. Presently a
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small boy came walking along the path--an urchin of nine or ten.
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The child, who was diminutive for his years, had an aged expression
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of countenance, a pale complexion, and sharp little features.
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He was dressed in knickerbockers, with red stockings, which displayed
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his poor little spindle-shanks; he also wore a brilliant red cravat.
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He carried in his hand a long alpenstock, the sharp point of which
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he thrust into everything that he approached--the flowerbeds,
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the garden benches, the trains of the ladies' dresses. In front
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of Winterbourne he paused, looking at him with a pair of bright,
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penetrating little eyes.
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"Will you give me a lump of sugar?" he asked in a sharp, hard little voice--
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a voice immature and yet, somehow, not young.
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Winterbourne glanced at the small table near him, on which his coffee
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service rested, and saw that several morsels of sugar remained.
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"Yes, you may take one," he answered; "but I don't think sugar
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is good for little boys."
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This little boy stepped forward and carefully selected three of
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the coveted fragments, two of which he buried in the pocket of
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his knickerbockers, depositing the other as promptly in another place.
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He poked his alpenstock, lance-fashion, into Winterbourne's bench
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and tried to crack the lump of sugar with his teeth.
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"Oh, blazes; it's har-r-d!" he exclaimed, pronouncing the adjective
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in a peculiar manner.
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Winterbourne had immediately perceived that he might
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have the honor of claiming him as a fellow countryman.
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"Take care you don't hurt your teeth," he said, paternally.
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"I haven't got any teeth to hurt. They have all come out.
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I have only got seven teeth. My mother counted them last night,
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and one came out right afterward. She said she'd slap me
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if any more came out. I can't help it. It's this old Europe.
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It's the climate that makes them come out. In America they
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didn't come out. It's these hotels."
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Winterbourne was much amused. "If you eat three lumps of sugar,
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your mother will certainly slap you," he said.
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"She's got to give me some candy, then," rejoined his young interlocutor.
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"I can't get any candy here--any American candy. American candy's
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the best candy."
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"And are American little boys the best little boys?" asked Winterbourne.
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"I don't know. I'm an American boy," said the child.
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"I see you are one of the best!" laughed Winterbourne.
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"Are you an American man?" pursued this vivacious infant.
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And then, on Winterbourne's affirmative reply--"American men
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are the best," he declared.
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His companion thanked him for the compliment, and the child,
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who had now got astride of his alpenstock, stood looking
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about him, while he attacked a second lump of sugar.
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Winterbourne wondered if he himself had been like this in his infancy,
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for he had been brought to Europe at about this age.
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"Here comes my sister!" cried the child in a moment.
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"She's an American girl."
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Winterbourne looked along the path and saw a beautiful
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young lady advancing. "American girls are the best girls,"
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he said cheerfully to his young companion.
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"My sister ain't the best!" the child declared.
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"She's always blowing at me."
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"I imagine that is your fault, not hers," said Winterbourne.
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The young lady meanwhile had drawn near. She was dressed in white muslin,
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with a hundred frills and flounces, and knots of pale-colored ribbon.
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She was bareheaded, but she balanced in her hand a large parasol,
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with a deep border of embroidery; and she was strikingly, admirably pretty.
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"How pretty they are!" thought Winterbourne, straightening himself
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in his seat, as if he were prepared to rise.
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The young lady paused in front of his bench, near the parapet of the garden,
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which overlooked the lake. The little boy had now converted his alpenstock
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into a vaulting pole, by the aid of which he was springing about in the gravel
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and kicking it up not a little.
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"Randolph," said the young lady, "what ARE you doing?"
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"I'm going up the Alps," replied Randolph. "This is the way!"
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And he gave another little jump, scattering the pebbles
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about Winterbourne's ears.
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"That's the way they come down," said Winterbourne.
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"He's an American man!" cried Randolph, in his little hard voice.
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The young lady gave no heed to this announcement, but looked
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straight at her brother. "Well, I guess you had better be quiet,"
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she simply observed.
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It seemed to Winterbourne that he had been in a manner presented. He got
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up and stepped slowly toward the young girl, throwing away his cigarette.
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"This little boy and I have made acquaintance," he said, with great civility.
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In Geneva, as he had been perfectly aware, a young man was not at liberty
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to speak to a young unmarried lady except under certain rarely occurring
|
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conditions; but here at Vevey, what conditions could be better than these?--
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a pretty American girl coming and standing in front of you in a garden.
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This pretty American girl, however, on hearing Winterbourne's observation,
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simply glanced at him; she then turned her head and looked over the parapet,
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at the lake and the opposite mountains. He wondered whether he had gone
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too far, but he decided that he must advance farther, rather than retreat.
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While he was thinking of something else to say, the young lady turned
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to the little boy again.
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"I should like to know where you got that pole," she said.
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"I bought it," responded Randolph.
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"You don't mean to say you're going to take it to Italy?"
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"Yes, I am going to take it to Italy," the child declared.
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The young girl glanced over the front of her dress and smoothed out a knot
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or two of ribbon. Then she rested her eyes upon the prospect again.
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"Well, I guess you had better leave it somewhere," she said after a moment.
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|
|
"Are you going to Italy?" Winterbourne inquired in a tone
|
|
of great respect.
|
|
|
|
The young lady glanced at him again. "Yes, sir," she replied.
|
|
And she said nothing more.
|
|
|
|
"Are you--a-- going over the Simplon?" Winterbourne pursued,
|
|
a little embarrassed.
|
|
|
|
"I don't know," she said. "I suppose it's some mountain.
|
|
Randolph, what mountain are we going over?"
|
|
|
|
"Going where?" the child demanded.
|
|
|
|
"To Italy," Winterbourne explained.
|
|
|
|
"I don't know," said Randolph. "I don't want to go to Italy.
|
|
I want to go to America."
|
|
|
|
"Oh, Italy is a beautiful place!" rejoined the young man.
|
|
|
|
"Can you get candy there?" Randolph loudly inquired.
|
|
|
|
"I hope not," said his sister. "I guess you have had enough candy,
|
|
and mother thinks so too."
|
|
|
|
"I haven't had any for ever so long--for a hundred weeks!"
|
|
cried the boy, still jumping about.
|
|
|
|
The young lady inspected her flounces and smoothed her ribbons again;
|
|
and Winterbourne presently risked an observation upon the beauty
|
|
of the view. He was ceasing to be embarrassed, for he had begun
|
|
to perceive that she was not in the least embarrassed herself.
|
|
There had not been the slightest alteration in her charming complexion;
|
|
she was evidently neither offended nor flattered.
|
|
If she looked another way when he spoke to her, and seemed not
|
|
particularly to hear him, this was simply her habit, her manner.
|
|
Yet, as he talked a little more and pointed out some of the objects
|
|
of interest in the view, with which she appeared quite unacquainted,
|
|
she gradually gave him more of the benefit of her glance; and then
|
|
he saw that this glance was perfectly direct and unshrinking.
|
|
It was not, however, what would have been called an immodest glance,
|
|
for the young girl's eyes were singularly honest and fresh.
|
|
They were wonderfully pretty eyes; and, indeed, Winterbourne had not
|
|
seen for a long time anything prettier than his fair countrywoman's
|
|
various features--her complexion, her nose, her ears, her teeth.
|
|
He had a great relish for feminine beauty; he was addicted to
|
|
observing and analyzing it; and as regards this young lady's face
|
|
he made several observations. It was not at all insipid, but it
|
|
was not exactly expressive; and though it was eminently delicate,
|
|
Winterbourne mentally accused it--very forgivingly--of a want of finish.
|
|
He thought it very possible that Master Randolph's sister was a coquette;
|
|
he was sure she had a spirit of her own; but in her bright,
|
|
sweet, superficial little visage there was no mockery, no irony.
|
|
Before long it became obvious that she was much disposed
|
|
toward conversation. She told him that they were going to Rome
|
|
for the winter--she and her mother and Randolph. She asked him
|
|
if he was a "real American"; she shouldn't have taken him for one;
|
|
he seemed more like a German--this was said after a little hesitation--
|
|
especially when he spoke. Winterbourne, laughing, answered that
|
|
he had met Germans who spoke like Americans, but that he had not,
|
|
so far as he remembered, met an American who spoke like a German.
|
|
Then he asked her if she should not be more comfortable in sitting
|
|
upon the bench which he had just quitted. She answered that she
|
|
liked standing up and walking about; but she presently sat down.
|
|
She told him she was from New York State--"if you know where that is."
|
|
Winterbourne learned more about her by catching hold of her small,
|
|
slippery brother and making him stand a few minutes by his side.
|
|
|
|
"Tell me your name, my boy," he said.
|
|
|
|
"Randolph C. Miller," said the boy sharply. "And I'll tell you her name";
|
|
and he leveled his alpenstock at his sister.
|
|
|
|
"You had better wait till you are asked!" said this young lady calmly.
|
|
|
|
"I should like very much to know your name," said Winterbourne.
|
|
|
|
"Her name is Daisy Miller!" cried the child. "But that isn't her real name;
|
|
that isn't her name on her cards."
|
|
|
|
"It's a pity you haven't got one of my cards!" said Miss Miller.
|
|
|
|
"Her real name is Annie P. Miller," the boy went on.
|
|
|
|
"Ask him HIS name," said his sister, indicating Winterbourne.
|
|
|
|
But on this point Randolph seemed perfectly indifferent;
|
|
he continued to supply information with regard to his own family.
|
|
"My father's name is Ezra B. Miller," he announced.
|
|
"My father ain't in Europe; my father's in a better
|
|
place than Europe;."
|
|
|
|
Winterbourne imagined for a moment that this was the manner
|
|
in which the child had been taught to intimate that Mr. Miller
|
|
had been removed to the sphere of celestial reward.
|
|
But Randolph immediately added, "My father's in Schenectady.
|
|
He's got a big business. My father's rich, you bet!"
|
|
|
|
"Well!" ejaculated Miss Miller, lowering her parasol and looking
|
|
at the embroidered border. Winterbourne presently released
|
|
the child, who departed, dragging his alpenstock along the path.
|
|
"He doesn't like Europe," said the young girl. "He wants
|
|
to go back."
|
|
|
|
"To Schenectady, you mean?"
|
|
|
|
"Yes; he wants to go right home. He hasn't got any boys here.
|
|
There is one boy here, but he always goes round with a teacher;
|
|
they won't let him play."
|
|
|
|
"And your brother hasn't any teacher?" Winterbourne inquired.
|
|
|
|
"Mother thought of getting him one, to travel round with us.
|
|
There was a lady told her of a very good teacher;
|
|
an American lady--perhaps you know her--Mrs. Sanders.
|
|
I think she came from Boston. She told her of this teacher,
|
|
and we thought of getting him to travel round with us.
|
|
But Randolph said he didn't want a teacher traveling round with us.
|
|
He said he wouldn't have lessons when he was in the cars.
|
|
And we ARE in the cars about half the time. There was an English
|
|
lady we met in the cars--I think her name was Miss Featherstone;
|
|
perhaps you know her. She wanted to know why I didn't give
|
|
Randolph lessons--give him 'instruction,' she called it.
|
|
I guess he could give me more instruction than I could give him.
|
|
He's very smart."
|
|
|
|
"Yes," said Winterbourne; "he seems very smart."
|
|
|
|
"Mother's going to get a teacher for him as soon as we get to Italy.
|
|
Can you get good teachers in Italy?"
|
|
|
|
"Very good, I should think," said Winterbourne.
|
|
|
|
"Or else she's going to find some school. He ought to learn
|
|
some more. He's only nine. He's going to college."
|
|
And in this way Miss Miller continued to converse upon the affairs
|
|
of her family and upon other topics. She sat there with her
|
|
extremely pretty hands, ornamented with very brilliant rings,
|
|
folded in her lap, and with her pretty eyes now resting upon
|
|
those of Winterbourne, now wandering over the garden, the people
|
|
who passed by, and the beautiful view. She talked to Winterbourne
|
|
as if she had known him a long time. He found it very pleasant.
|
|
It was many years since he had heard a young girl talk so much.
|
|
It might have been said of this unknown young lady, who had come
|
|
and sat down beside him upon a bench, that she chattered.
|
|
She was very quiet; she sat in a charming, tranquil attitude;
|
|
but her lips and her eyes were constantly moving. She had a soft,
|
|
slender, agreeable voice, and her tone was decidedly sociable.
|
|
She gave Winterbourne a history of her movements and intentions
|
|
and those of her mother and brother, in Europe, and enumerated,
|
|
in particular, the various hotels at which they had stopped.
|
|
"That English lady in the cars," she said--"Miss Featherstone--
|
|
asked me if we didn't all live in hotels in America.
|
|
I told her I had never been in so many hotels in my life as since I
|
|
came to Europe. I have never seen so many--it's nothing but hotels."
|
|
But Miss Miller did not make this remark with a querulous accent;
|
|
she appeared to be in the best humor with everything.
|
|
She declared that the hotels were very good, when once you
|
|
got used to their ways, and that Europe was perfectly sweet.
|
|
She was not disappointed--not a bit. Perhaps it was because
|
|
she had heard so much about it before. She had ever so many
|
|
intimate friends that had been there ever so many times.
|
|
And then she had had ever so many dresses and things from Paris.
|
|
Whenever she put on a Paris dress she felt as if she
|
|
were in Europe.
|
|
|
|
"It was a kind of a wishing cap," said Winterbourne.
|
|
|
|
"Yes," said Miss Miller without examining this analogy;
|
|
"it always made me wish I was here. But I needn't have
|
|
done that for dresses. I am sure they send all the pretty
|
|
ones to America; you see the most frightful things here.
|
|
The only thing I don't like," she proceeded, "is the society.
|
|
There isn't any society; or, if there is, I don't know
|
|
where it keeps itself. Do you? I suppose there is some
|
|
society somewhere, but I haven't seen anything of it.
|
|
I'm very fond of society, and I have always had a great deal of it.
|
|
I don't mean only in Schenectady, but in New York.
|
|
I used to go to New York every winter. In New York I had lots
|
|
of society. Last winter I had seventeen dinners given me;
|
|
and three of them were by gentlemen," added Daisy Miller.
|
|
"I have more friends in New York than in Schenectady--
|
|
more gentleman friends; and more young lady friends too,"
|
|
she resumed in a moment. She paused again for an instant;
|
|
she was looking at Winterbourne with all her prettiness in her
|
|
lively eyes and in her light, slightly monotonous smile.
|
|
"I have always had," she said, "a great deal of gentlemen's society."
|
|
|
|
Poor Winterbourne was amused, perplexed, and decidedly charmed.
|
|
He had never yet heard a young girl express herself in just
|
|
this fashion; never, at least, save in cases where to say such
|
|
things seemed a kind of demonstrative evidence of a certain
|
|
laxity of deportment. And yet was he to accuse Miss Daisy Miller
|
|
of actual or potential inconduite, as they said at Geneva?
|
|
He felt that he had lived at Geneva so long that he had lost
|
|
a good deal; he had become dishabituated to the American tone.
|
|
Never, indeed, since he had grown old enough to appreciate things,
|
|
had he encountered a young American girl of so pronounced a type as this.
|
|
Certainly she was very charming, but how deucedly sociable!
|
|
Was she simply a pretty girl from New York State? Were they all
|
|
like that, the pretty girls who had a good deal of gentlemen's society?
|
|
Or was she also a designing, an audacious, an unscrupulous young person?
|
|
Winterbourne had lost his instinct in this matter, and his reason
|
|
could not help him. Miss Daisy Miller looked extremely innocent.
|
|
Some people had told him that, after all, American girls
|
|
were exceedingly innocent; and others had told him that,
|
|
after all, they were not. He was inclined to think Miss Daisy
|
|
Miller was a flirt--a pretty American flirt. He had never,
|
|
as yet, had any relations with young ladies of this category.
|
|
He had known, here in Europe, two or three women--persons older
|
|
than Miss Daisy Miller, and provided, for respectability's sake,
|
|
with husbands--who were great coquettes--dangerous, terrible women,
|
|
with whom one's relations were liable to take a serious turn.
|
|
But this young girl was not a coquette in that sense; she was
|
|
very unsophisticated; she was only a pretty American flirt.
|
|
Winterbourne was almost grateful for having found the formula
|
|
that applied to Miss Daisy Miller. He leaned back in his seat;
|
|
he remarked to himself that she had the most charming nose
|
|
he had ever seen; he wondered what were the regular conditions
|
|
and limitations of one's intercourse with a pretty American flirt.
|
|
It presently became apparent that he was on the way to learn.
|
|
|
|
"Have you been to that old castle?" asked the young girl, pointing with her
|
|
parasol to the far-gleaming walls of the Chateau de Chillon.
|
|
|
|
"Yes, formerly, more than once," said Winterbourne.
|
|
"You too, I suppose, have seen it?"
|
|
|
|
"No; we haven't been there. I want to go there dreadfully.
|
|
Of course I mean to go there. I wouldn't go away from here
|
|
without having seen that old castle."
|
|
|
|
"It's a very pretty excursion," said Winterbourne, "and very easy to make.
|
|
You can drive, you know, or you can go by the little steamer."
|
|
|
|
"You can go in the cars," said Miss Miller.
|
|
|
|
"Yes; you can go in the cars," Winterbourne assented.
|
|
|
|
"Our courier says they take you right up to the castle," the young
|
|
girl continued. "We were going last week, but my mother gave out.
|
|
She suffers dreadfully from dyspepsia. She said she couldn't go.
|
|
Randolph wouldn't go either; he says he doesn't think much of old castles.
|
|
But I guess we'll go this week, if we can get Randolph."
|
|
|
|
"Your brother is not interested in ancient monuments?"
|
|
Winterbourne inquired, smiling.
|
|
|
|
"He says he don't care much about old castles. He's only nine.
|
|
He wants to stay at the hotel. Mother's afraid to leave him alone,
|
|
and the courier won't stay with him; so we haven't been to many places.
|
|
But it will be too bad if we don't go up there." And Miss Miller
|
|
pointed again at the Chateau de Chillon.
|
|
|
|
"I should think it might be arranged," said Winterbourne.
|
|
"Couldn't you get some one to stay for the afternoon with Randolph?"
|
|
|
|
Miss Miller looked at him a moment, and then, very placidly,
|
|
"I wish YOU would stay with him!" she said.
|
|
|
|
Winterbourne hesitated a moment. "I should much rather go
|
|
to Chillon with you."
|
|
|
|
"With me?" asked the young girl with the same placidity.
|
|
|
|
She didn't rise, blushing, as a young girl at Geneva would have done;
|
|
and yet Winterbourne, conscious that he had been very bold,
|
|
thought it possible she was offended. "With your mother,"
|
|
he answered very respectfully.
|
|
|
|
But it seemed that both his audacity and his respect were lost
|
|
upon Miss Daisy Miller. "I guess my mother won't go, after all,"
|
|
she said. "She don't like to ride round in the afternoon.
|
|
But did you really mean what you said just now--that you would
|
|
like to go up there?"
|
|
|
|
"Most earnestly," Winterbourne declared.
|
|
|
|
"Then we may arrange it. If mother will stay with Randolph,
|
|
I guess Eugenio will."
|
|
|
|
"Eugenio?" the young man inquired.
|
|
|
|
"Eugenio's our courier. He doesn't like to stay with Randolph;
|
|
he's the most fastidious man I ever saw. But he's a splendid courier.
|
|
I guess he'll stay at home with Randolph if mother does, and then
|
|
we can go to the castle."
|
|
|
|
Winterbourne reflected for an instant as lucidly as possible--
|
|
"we" could only mean Miss Daisy Miller and himself.
|
|
This program seemed almost too agreeable for credence;
|
|
he felt as if he ought to kiss the young lady's hand.
|
|
Possibly he would have done so and quite spoiled the project,
|
|
but at this moment another person, presumably Eugenio, appeared.
|
|
A tall, handsome man, with superb whiskers, wearing a velvet
|
|
morning coat and a brilliant watch chain, approached Miss Miller,
|
|
looking sharply at her companion. "Oh, Eugenio!" said Miss
|
|
Miller with the friendliest accent.
|
|
|
|
Eugenio had looked at Winterbourne from head to foot;
|
|
he now bowed gravely to the young lady. "I have the honor
|
|
to inform mademoiselle that luncheon is upon the table."
|
|
|
|
Miss Miller slowly rose. "See here, Eugenio!" she said;
|
|
"I'm going to that old castle, anyway."
|
|
|
|
"To the Chateau de Chillon, mademoiselle?" the courier inquired.
|
|
"Mademoiselle has made arrangements?" he added in a tone which struck
|
|
Winterbourne as very impertinent.
|
|
|
|
Eugenio's tone apparently threw, even to Miss Miller's own apprehension,
|
|
a slightly ironical light upon the young girl's situation.
|
|
She turned to Winterbourne, blushing a little--a very little.
|
|
"You won't back out?" she said.
|
|
|
|
"I shall not be happy till we go!" he protested.
|
|
|
|
"And you are staying in this hotel?" she went on.
|
|
"And you are really an American?"
|
|
|
|
The courier stood looking at Winterbourne offensively. The young man,
|
|
at least, thought his manner of looking an offense to Miss Miller;
|
|
it conveyed an imputation that she "picked up" acquaintances. "I shall
|
|
have the honor of presenting to you a person who will tell you all about me,"
|
|
he said, smiling and referring to his aunt.
|
|
|
|
"Oh, well, we'll go some day," said Miss Miller.
|
|
And she gave him a smile and turned away. She put up
|
|
her parasol and walked back to the inn beside Eugenio.
|
|
Winterbourne stood looking after her; and as she moved away,
|
|
drawing her muslin furbelows over the gravel, said to himself
|
|
that she had the tournure of a princess.
|
|
|
|
He had, however, engaged to do more than proved feasible, in promising
|
|
to present his aunt, Mrs. Costello, to Miss Daisy Miller.
|
|
As soon as the former lady had got better of her headache,
|
|
he waited upon her in her apartment; and, after the proper
|
|
inquiries in regard to her health, he asked her if she had
|
|
observed in the hotel an American family--a mamma, a daughter,
|
|
and a little boy.
|
|
|
|
"And a courier?" said Mrs. Costello. "Oh yes, I have observed them.
|
|
Seen them--heard them--and kept out of their way." Mrs. Costello was
|
|
a widow with a fortune; a person of much distinction, who frequently
|
|
intimated that, if she were not so dreadfully liable to sick headaches,
|
|
she would probably have left a deeper impress upon her time. She had a long,
|
|
pale face, a high nose, and a great deal of very striking white hair,
|
|
which she wore in large puffs and rouleaux over the top of her head.
|
|
She had two sons married in New York and another who was now in Europe.
|
|
This young man was amusing himself at Hamburg, and, though he was
|
|
on his travels, was rarely perceived to visit any particular city
|
|
at the moment selected by his mother for her own appearance there.
|
|
Her nephew, who had come up to Vevey expressly to see her, was therefore
|
|
more attentive than those who, as she said, were nearer to her.
|
|
He had imbibed at Geneva the idea that one must always be attentive
|
|
to one's aunt. Mrs. Costello had not seen him for many years,
|
|
and she was greatly pleased with him, manifesting her approbation
|
|
by initiating him into many of the secrets of that social sway which,
|
|
as she gave him to understand, she exerted in the American capital.
|
|
She admitted that she was very exclusive; but, if he were acquainted with
|
|
New York, he would see that one had to be. And her picture of the minutely
|
|
hierarchical constitution of the society of that city, which she presented
|
|
to him in many different lights, was, to Winterbourne's imagination,
|
|
almost oppressively striking.
|
|
|
|
He immediately perceived, from her tone, that Miss Daisy Miller's
|
|
place in the social scale was low. "I am afraid you don't approve
|
|
of them," he said.
|
|
|
|
"They are very common," Mrs. Costello declared. "They are the sort
|
|
of Americans that one does one's duty by not--not accepting."
|
|
|
|
"Ah, you don't accept them?" said the young man.
|
|
|
|
"I can't, my dear Frederick. I would if I could, but I can't."
|
|
|
|
"The young girl is very pretty," said Winterbourne in a moment.
|
|
|
|
"Of course she's pretty. But she is very common."
|
|
|
|
"I see what you mean, of course," said Winterbourne after another pause.
|
|
|
|
"She has that charming look that they all have," his aunt resumed.
|
|
"I can't think where they pick it up; and she dresses
|
|
in perfection--no, you don't know how well she dresses.
|
|
I can't think where they get their taste."
|
|
|
|
"But, my dear aunt, she is not, after all, a Comanche savage."
|
|
|
|
"She is a young lady," said Mrs. Costello, "who has an intimacy
|
|
with her mamma's courier."
|
|
|
|
"An intimacy with the courier?" the young man demanded.
|
|
|
|
"Oh, the mother is just as bad! They treat the courier
|
|
like a familiar friend--like a gentleman. I shouldn't wonder
|
|
if he dines with them. Very likely they have never seen a man
|
|
with such good manners, such fine clothes, so like a gentleman.
|
|
He probably corresponds to the young lady's idea of a count.
|
|
He sits with them in the garden in the evening.
|
|
I think he smokes."
|
|
|
|
Winterbourne listened with interest to these disclosures;
|
|
they helped him to make up his mind about Miss Daisy.
|
|
Evidently she was rather wild. "Well," he said, "I am not
|
|
a courier, and yet she was very charming to me."
|
|
|
|
"You had better have said at first," said Mrs. Costello with dignity,
|
|
"that you had made her acquaintance."
|
|
|
|
"We simply met in the garden, and we talked a bit."
|
|
|
|
"Tout bonnement! And pray what did you say?"
|
|
|
|
"I said I should take the liberty of introducing her to my admirable aunt."
|
|
|
|
"I am much obliged to you."
|
|
|
|
"It was to guarantee my respectability," said Winterbourne.
|
|
|
|
"And pray who is to guarantee hers?"
|
|
|
|
"Ah, you are cruel!" said the young man. "She's a very nice young girl."
|
|
|
|
"You don't say that as if you believed it," Mrs. Costello observed.
|
|
|
|
"She is completely uncultivated," Winterbourne went on.
|
|
"But she is wonderfully pretty, and, in short, she is very nice.
|
|
To prove that I believe it, I am going to take her to the
|
|
Chateau de Chillon."
|
|
|
|
"You two are going off there together? I should say it
|
|
proved just the contrary. How long had you known her,
|
|
may I ask, when this interesting project was formed?
|
|
You haven't been twenty-four hours in the house."
|
|
|
|
"I have known her half an hour!" said Winterbourne, smiling.
|
|
|
|
"Dear me!" cried Mrs. Costello. "What a dreadful girl!"
|
|
|
|
Her nephew was silent for some moments. "You really think, then,"
|
|
he began earnestly, and with a desire for trustworthy information--"you
|
|
really think that--" But he paused again.
|
|
|
|
"Think what, sir?" said his aunt.
|
|
|
|
"That she is the sort of young lady who expects a man, sooner or later,
|
|
to carry her off?"
|
|
|
|
"I haven't the least idea what such young ladies expect a man to do.
|
|
But I really think that you had better not meddle with little American
|
|
girls that are uncultivated, as you call them. You have lived too long
|
|
out of the country. You will be sure to make some great mistake.
|
|
You are too innocent."
|
|
|
|
"My dear aunt, I am not so innocent," said Winterbourne,
|
|
smiling and curling his mustache.
|
|
|
|
"You are guilty too, then!"
|
|
|
|
Winterbourne continued to curl his mustache meditatively.
|
|
"You won't let the poor girl know you then?" he asked at last.
|
|
|
|
"Is it literally true that she is going to the Chateau de Chillon with you?"
|
|
|
|
"I think that she fully intends it."
|
|
|
|
"Then, my dear Frederick," said Mrs. Costello, "I must decline the honor
|
|
of her acquaintance. I am an old woman, but I am not too old, thank Heaven,
|
|
to be shocked!"
|
|
|
|
"But don't they all do these things--the young girls in America?"
|
|
Winterbourne inquired.
|
|
|
|
Mrs. Costello stared a moment. "I should like to see my granddaughters
|
|
do them!" she declared grimly.
|
|
|
|
This seemed to throw some light upon the matter, for Winterbourne remembered
|
|
to have heard that his pretty cousins in New York were "tremendous flirts."
|
|
If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to
|
|
these young ladies, it was probable that anything might be expected of her.
|
|
Winterbourne was impatient to see her again, and he was vexed with himself
|
|
that, by instinct, he should not appreciate her justly.
|
|
|
|
Though he was impatient to see her, he hardly knew what he should
|
|
say to her about his aunt's refusal to become acquainted with her;
|
|
but he discovered, promptly enough, that with Miss Daisy Miller there
|
|
was no great need of walking on tiptoe. He found her that evening in
|
|
the garden, wandering about in the warm starlight like an indolent sylph,
|
|
and swinging to and fro the largest fan he had ever beheld.
|
|
It was ten o'clock. He had dined with his aunt, had been sitting with
|
|
her since dinner, and had just taken leave of her till the morrow.
|
|
Miss Daisy Miller seemed very glad to see him; she declared it
|
|
was the longest evening she had ever passed.
|
|
|
|
"Have you been all alone?" he asked.
|
|
|
|
"I have been walking round with mother. But mother gets tired
|
|
walking round," she answered.
|
|
|
|
"Has she gone to bed?"
|
|
|
|
"No; she doesn't like to go to bed," said the young girl.
|
|
"She doesn't sleep--not three hours. She says she
|
|
doesn't know how she lives. She's dreadfully nervous.
|
|
I guess she sleeps more than she thinks. She's gone somewhere
|
|
after Randolph; she wants to try to get him to go to bed.
|
|
He doesn't like to go to bed."
|
|
|
|
"Let us hope she will persuade him," observed Winterbourne.
|
|
|
|
"She will talk to him all she can; but he doesn't like her to talk
|
|
to him," said Miss Daisy, opening her fan. "She's going to try
|
|
to get Eugenio to talk to him. But he isn't afraid of Eugenio.
|
|
Eugenio's a splendid courier, but he can't make much impression
|
|
on Randolph! I don't believe he'll go to bed before eleven."
|
|
It appeared that Randolph's vigil was in fact triumphantly prolonged,
|
|
for Winterbourne strolled about with the young girl for some
|
|
time without meeting her mother. "I have been looking round
|
|
for that lady you want to introduce me to," his companion resumed.
|
|
"She's your aunt." Then, on Winterbourne's admitting the fact
|
|
and expressing some curiosity as to how she had learned it,
|
|
she said she had heard all about Mrs. Costello from the chambermaid.
|
|
She was very quiet and very comme il faut; she wore white puffs;
|
|
she spoke to no one, and she never dined at the table d'hote.
|
|
Every two days she had a headache. "I think that's a lovely
|
|
description, headache and all!" said Miss Daisy, chattering along
|
|
in her thin, gay voice. "I want to know her ever so much.
|
|
I know just what YOUR aunt would be; I know I should like her.
|
|
She would be very exclusive. I like a lady to be exclusive;
|
|
I'm dying to be exclusive myself. Well, we ARE exclusive,
|
|
mother and I. We don't speak to everyone--or they don't speak to us.
|
|
I suppose it's about the same thing. Anyway, I shall be ever
|
|
so glad to know your aunt."
|
|
|
|
Winterbourne was embarrassed. "She would be most happy," he said;
|
|
"but I am afraid those headaches will interfere."
|
|
|
|
The young girl looked at him through the dusk.
|
|
"But I suppose she doesn't have a headache every day,"
|
|
she said sympathetically.
|
|
|
|
Winterbourne was silent a moment. "She tells me she does,"
|
|
he answered at last, not knowing what to say.
|
|
|
|
Miss Daisy Miller stopped and stood looking at him. Her prettiness
|
|
was still visible in the darkness; she was opening and closing her
|
|
enormous fan. "She doesn't want to know me!" she said suddenly.
|
|
"Why don't you say so? You needn't be afraid. I'm not afraid!"
|
|
And she gave a little laugh.
|
|
|
|
Winterbourne fancied there was a tremor in her voice; he was touched, shocked,
|
|
mortified by it. "My dear young lady," he protested, "she knows no one.
|
|
It's her wretched health."
|
|
|
|
The young girl walked on a few steps, laughing still.
|
|
"You needn't be afraid," she repeated. "Why should she want
|
|
to know me?" Then she paused again; she was close to the parapet
|
|
of the garden, and in front of her was the starlit lake.
|
|
There was a vague sheen upon its surface, and in the distance
|
|
were dimly seen mountain forms. Daisy Miller looked out upon
|
|
the mysterious prospect and then she gave another little laugh.
|
|
"Gracious! she IS exclusive!" she said. Winterbourne wondered
|
|
whether she was seriously wounded, and for a moment almost
|
|
wished that her sense of injury might be such as to make it
|
|
becoming in him to attempt to reassure and comfort her.
|
|
He had a pleasant sense that she would be very approachable
|
|
for consolatory purposes. He felt then, for the instant,
|
|
quite ready to sacrifice his aunt, conversationally; to admit
|
|
that she was a proud, rude woman, and to declare that they needn't
|
|
mind her. But before he had time to commit himself to this
|
|
perilous mixture of gallantry and impiety, the young lady,
|
|
resuming her walk, gave an exclamation in quite another tone.
|
|
"Well, here's Mother! I guess she hasn't got Randolph to go to bed."
|
|
The figure of a lady appeared at a distance, very indistinct
|
|
in the darkness, and advancing with a slow and wavering movement.
|
|
Suddenly it seemed to pause.
|
|
|
|
"Are you sure it is your mother? Can you distinguish her in this
|
|
thick dusk?" Winterbourne asked.
|
|
|
|
"Well!" cried Miss Daisy Miller with a laugh; "I guess I know my own mother.
|
|
And when she has got on my shawl, too! She is always wearing my things."
|
|
|
|
The lady in question, ceasing to advance, hovered vaguely about the spot
|
|
at which she had checked her steps.
|
|
|
|
"I am afraid your mother doesn't see you," said Winterbourne.
|
|
"Or perhaps," he added, thinking, with Miss Miller, the joke
|
|
permissible--"perhaps she feels guilty about your shawl."
|
|
|
|
"Oh, it's a fearful old thing!" the young girl replied serenely.
|
|
"I told her she could wear it. She won't come here because she sees you."
|
|
|
|
"Ah, then," said Winterbourne, "I had better leave you."
|
|
|
|
"Oh, no; come on!" urged Miss Daisy Miller.
|
|
|
|
"I'm afraid your mother doesn't approve of my walking with you."
|
|
|
|
Miss Miller gave him a serious glance. "It isn't for me;
|
|
it's for you--that is, it's for HER. Well, I don't know who
|
|
it's for! But mother doesn't like any of my gentlemen friends.
|
|
She's right down timid. She always makes a fuss if I introduce
|
|
a gentleman. But I DO introduce them--almost always.
|
|
If I didn't introduce my gentlemen friends to Mother,"
|
|
the young girl added in her little soft, flat monotone,
|
|
"I shouldn't think I was natural."
|
|
|
|
"To introduce me," said Winterbourne, "you must know my name."
|
|
And he proceeded to pronounce it.
|
|
|
|
"Oh, dear, I can't say all that!" said his companion with a laugh.
|
|
But by this time they had come up to Mrs. Miller, who, as they
|
|
drew near, walked to the parapet of the garden and leaned upon it,
|
|
looking intently at the lake and turning her back to them.
|
|
"Mother!" said the young girl in a tone of decision.
|
|
Upon this the elder lady turned round. "Mr. Winterbourne," said Miss
|
|
Daisy Miller, introducing the young man very frankly and prettily.
|
|
"Common," she was, as Mrs. Costello had pronounced her;
|
|
yet it was a wonder to Winterbourne that, with her commonness,
|
|
she had a singularly delicate grace.
|
|
|
|
Her mother was a small, spare, light person, with a
|
|
wandering eye, a very exiguous nose, and a large forehead,
|
|
decorated with a certain amount of thin, much frizzled hair.
|
|
Like her daughter, Mrs. Miller was dressed with extreme elegance;
|
|
she had enormous diamonds in her ears. So far as Winterbourne
|
|
could observe, she gave him no greeting--she certainly was not
|
|
looking at him. Daisy was near her, pulling her shawl straight.
|
|
"What are you doing, poking round here?" this young lady inquired,
|
|
but by no means with that harshness of accent which her choice
|
|
of words may imply.
|
|
|
|
"I don't know," said her mother, turning toward the lake again.
|
|
|
|
"I shouldn't think you'd want that shawl!" Daisy exclaimed.
|
|
|
|
"Well I do!" her mother answered with a little laugh.
|
|
|
|
"Did you get Randolph to go to bed?" asked the young girl.
|
|
|
|
"No; I couldn't induce him," said Mrs. Miller very gently.
|
|
"He wants to talk to the waiter. He likes to talk to that waiter."
|
|
|
|
I was telling Mr. Winterbourne," the young girl went on;
|
|
and to the young man's ear her tone might have indicated
|
|
that she had been uttering his name all her life.
|
|
|
|
"Oh, yes!" said Winterbourne; "I have the pleasure of knowing your son."
|
|
|
|
Randolph's mamma was silent; she turned her attention to the lake.
|
|
But at last she spoke. "Well, I don't see how he lives!"
|
|
|
|
"Anyhow, it isn't so bad as it was at Dover," said Daisy Miller.
|
|
|
|
"And what occurred at Dover?" Winterbourne asked.
|
|
|
|
"He wouldn't go to bed at all. I guess he sat up all night
|
|
in the public parlor. He wasn't in bed at twelve o'clock:
|
|
I know that."
|
|
|
|
"It was half-past twelve," declared Mrs. Miller with mild emphasis.
|
|
|
|
"Does he sleep much during the day?" Winterbourne demanded.
|
|
|
|
"I guess he doesn't sleep much," Daisy rejoined.
|
|
|
|
"I wish he would!" said her mother. "It seems as if he couldn't."
|
|
|
|
"I think he's real tiresome," Daisy pursued.
|
|
|
|
Then, for some moments, there was silence. "Well, Daisy Miller,"
|
|
said the elder lady, presently, "I shouldn't think you'd want
|
|
to talk against your own brother!"
|
|
|
|
"Well, he IS tiresome, Mother," said Daisy, quite without
|
|
the asperity of a retort.
|
|
|
|
"He's only nine," urged Mrs. Miller.
|
|
|
|
"Well, he wouldn't go to that castle," said the young girl.
|
|
"I'm going there with Mr. Winterbourne."
|
|
|
|
To this announcement, very placidly made, Daisy's mamma offered
|
|
no response. Winterbourne took for granted that she deeply
|
|
disapproved of the projected excursion; but he said to himself
|
|
that she was a simple, easily managed person, and that a few
|
|
deferential protestations would take the edge from her displeasure.
|
|
"Yes," he began; "your daughter has kindly allowed me the honor
|
|
of being her guide."
|
|
|
|
Mrs. Miller's wandering eyes attached themselves, with a sort of
|
|
appealing air, to Daisy, who, however, strolled a few steps farther,
|
|
gently humming to herself. "I presume you will go in the cars,"
|
|
said her mother.
|
|
|
|
"Yes, or in the boat," said Winterbourne.
|
|
|
|
"Well, of course, I don't know," Mrs. Miller rejoined.
|
|
"I have never been to that castle."
|
|
|
|
"It is a pity you shouldn't go," said Winterbourne,
|
|
beginning to feel reassured as to her opposition.
|
|
And yet he was quite prepared to find that, as a matter of course,
|
|
she meant to accompany her daughter.
|
|
|
|
"We've been thinking ever so much about going," she pursued;
|
|
"but it seems as if we couldn't. Of course Daisy--she wants
|
|
to go round. But there's a lady here--I don't know her name--
|
|
she says she shouldn't think we'd want to go to see castles
|
|
HERE; she should think we'd want to wait till we got
|
|
to Italy. It seems as if there would be so many there,"
|
|
continued Mrs. Miller with an air of increasing confidence.
|
|
"Of course we only want to see the principal ones.
|
|
We visited several in England," she presently added.
|
|
|
|
"Ah yes! in England there are beautiful castles," said Winterbourne.
|
|
"But Chillon here, is very well worth seeing."
|
|
|
|
"Well, if Daisy feels up to it--" said Mrs. Miller, in a tone
|
|
impregnated with a sense of the magnitude of the enterprise.
|
|
"It seems as if there was nothing she wouldn't undertake."
|
|
|
|
"Oh, I think she'll enjoy it!" Winterbourne declared.
|
|
And he desired more and more to make it a certainty that he was
|
|
to have the privilege of a tete-a-tete with the young lady,
|
|
who was still strolling along in front of them, softly vocalizing.
|
|
"You are not disposed, madam," he inquired, "to undertake it yourself?"
|
|
|
|
Daisy's mother looked at him an instant askance, and then walked
|
|
forward in silence. Then--"I guess she had better go alone,"
|
|
she said simply. Winterbourne observed to himself that this
|
|
was a very different type of maternity from that of the vigilant
|
|
matrons who massed themselves in the forefront of social
|
|
intercourse in the dark old city at the other end of the lake.
|
|
But his meditations were interrupted by hearing his name very
|
|
distinctly pronounced by Mrs. Miller's unprotected daughter.
|
|
|
|
"Mr. Winterbourne!" murmured Daisy.
|
|
|
|
"Mademoiselle!" said the young man.
|
|
|
|
"Don't you want to take me out in a boat?"
|
|
|
|
"At present?" he asked.
|
|
|
|
"Of course!" said Daisy.
|
|
|
|
"Well, Annie Miller!" exclaimed her mother.
|
|
|
|
"I beg you, madam, to let her go," said Winterbourne ardently;
|
|
for he had never yet enjoyed the sensation of guiding
|
|
through the summer starlight a skiff freighted with a fresh
|
|
and beautiful young girl.
|
|
|
|
"I shouldn't think she'd want to," said her mother.
|
|
"I should think she'd rather go indoors."
|
|
|
|
"I'm sure Mr. Winterbourne wants to take me," Daisy declared.
|
|
"He's so awfully devoted!"
|
|
|
|
"I will row you over to Chillon in the starlight."
|
|
|
|
"I don't believe it!" said Daisy.
|
|
|
|
"Well!" ejaculated the elder lady again.
|
|
|
|
"You haven't spoken to me for half an hour," her daughter went on.
|
|
|
|
"I have been having some very pleasant conversation with
|
|
your mother," said Winterbourne.
|
|
|
|
"Well, I want you to take me out in a boat!" Daisy repeated. They had
|
|
all stopped, and she had turned round and was looking at Winterbourne.
|
|
Her face wore a charming smile, her pretty eyes were gleaming,
|
|
she was swinging her great fan about. No; it's impossible to be prettier
|
|
than that, thought Winterbourne.
|
|
|
|
"There are half a dozen boats moored at that landing place," he said,
|
|
pointing to certain steps which descended from the garden to the lake.
|
|
"If you will do me the honor to accept my arm, we will go and select
|
|
one of them."
|
|
|
|
Daisy stood there smiling; she threw back her head and gave a little,
|
|
light laugh. "I like a gentleman to be formal!" she declared.
|
|
|
|
"I assure you it's a formal offer."
|
|
|
|
"I was bound I would make you say something," Daisy went on.
|
|
|
|
"You see, it's not very difficult," said Winterbourne.
|
|
"But I am afraid you are chaffing me."
|
|
|
|
"I think not, sir," remarked Mrs. Miller very gently.
|
|
|
|
"Do, then, let me give you a row," he said to the young girl.
|
|
|
|
"It's quite lovely, the way you say that!" cried Daisy.
|
|
|
|
"It will be still more lovely to do it."
|
|
|
|
"Yes, it would be lovely!" said Daisy. But she made no movement
|
|
to accompany him; she only stood there laughing.
|
|
|
|
"I should think you had better find out what time it is,"
|
|
interposed her mother.
|
|
|
|
"It is eleven o'clock, madam," said a voice, with a foreign accent,
|
|
out of the neighboring darkness; and Winterbourne, turning, perceived
|
|
the florid personage who was in attendance upon the two ladies.
|
|
He had apparently just approached.
|
|
|
|
"Oh, Eugenio," said Daisy, "I am going out in a boat!"
|
|
|
|
Eugenio bowed. "At eleven o'clock, mademoiselle?"
|
|
|
|
"I am going with Mr. Winterbourne--this very minute."
|
|
|
|
"Do tell her she can't," said Mrs. Miller to the courier.
|
|
|
|
"I think you had better not go out in a boat, mademoiselle," Eugenio declared.
|
|
|
|
Winterbourne wished to Heaven this pretty girl were not so familiar
|
|
with her courier; but he said nothing.
|
|
|
|
"I suppose you don't think it's proper!" Daisy exclaimed.
|
|
"Eugenio doesn't think anything's proper."
|
|
|
|
"I am at your service," said Winterbourne.
|
|
|
|
"Does mademoiselle propose to go alone?" asked Eugenio of Mrs. Miller.
|
|
|
|
"Oh, no; with this gentleman!" answered Daisy's mamma.
|
|
|
|
The courier looked for a moment at Winterbourne--the latter
|
|
thought he was smiling--and then, solemnly, with a bow,
|
|
"As mademoiselle pleases!" he said.
|
|
|
|
"Oh, I hoped you would make a fuss!" said Daisy.
|
|
"I don't care to go now."
|
|
|
|
"I myself shall make a fuss if you don't go," said Winterbourne.
|
|
|
|
"That's all I want--a little fuss!" And the young girl began
|
|
to laugh again.
|
|
|
|
"Mr. Randolph has gone to bed!" the courier announced frigidly.
|
|
|
|
"Oh, Daisy; now we can go!" said Mrs. Miller.
|
|
|
|
Daisy turned away from Winterbourne, looking at him,
|
|
smiling and fanning herself. "Good night," she said;
|
|
"I hope you are disappointed, or disgusted, or something!"
|
|
|
|
He looked at her, taking the hand she offered him.
|
|
"I am puzzled," he answered.
|
|
|
|
"Well, I hope it won't keep you awake!" she said very smartly;
|
|
and, under the escort of the privileged Eugenio, the two ladies
|
|
passed toward the house.
|
|
|
|
Winterbourne stood looking after them; he was indeed puzzled.
|
|
He lingered beside the lake for a quarter of an hour, turning over
|
|
the mystery of the young girl's sudden familiarities and caprices.
|
|
But the only very definite conclusion he came to was that he should
|
|
enjoy deucedly "going off" with her somewhere.
|
|
|
|
Two days afterward he went off with her to the Castle of Chillon.
|
|
He waited for her in the large hall of the hotel, where the couriers,
|
|
the servants, the foreign tourists, were lounging about and staring.
|
|
It was not the place he should have chosen, but she had appointed it.
|
|
She came tripping downstairs, buttoning her long gloves,
|
|
squeezing her folded parasol against her pretty figure,
|
|
dressed in the perfection of a soberly elegant traveling costume.
|
|
Winterbourne was a man of imagination and, as our ancestors
|
|
used to say, sensibility; as he looked at her dress and,
|
|
on the great staircase, her little rapid, confiding step,
|
|
he felt as if there were something romantic going forward.
|
|
He could have believed he was going to elope with her.
|
|
He passed out with her among all the idle people that were
|
|
assembled there; they were all looking at her very hard;
|
|
she had begun to chatter as soon as she joined him.
|
|
Winterbourne's preference had been that they should be
|
|
conveyed to Chillon in a carriage; but she expressed a lively
|
|
wish to go in the little steamer; she declared that she had
|
|
a passion for steamboats. There was always such a lovely
|
|
breeze upon the water, and you saw such lots of people.
|
|
The sail was not long, but Winterbourne's companion found time
|
|
to say a great many things. To the young man himself their
|
|
little excursion was so much of an escapade--an adventure--
|
|
that, even allowing for her habitual sense of freedom,
|
|
he had some expectation of seeing her regard it in the same way.
|
|
But it must be confessed that, in this particular,
|
|
he was disappointed. Daisy Miller was extremely animated,
|
|
she was in charming spirits; but she was apparently not at
|
|
all excited; she was not fluttered; she avoided neither his eyes
|
|
nor those of anyone else; she blushed neither when she looked
|
|
at him nor when she felt that people were looking at her.
|
|
People continued to look at her a great deal, and Winterbourne took
|
|
much satisfaction in his pretty companion's distinguished air.
|
|
He had been a little afraid that she would talk loud, laugh overmuch,
|
|
and even, perhaps, desire to move about the boat a good deal.
|
|
But he quite forgot his fears; he sat smiling, with his
|
|
eyes upon her face, while, without moving from her place,
|
|
she delivered herself of a great number of original reflections.
|
|
It was the most charming garrulity he had ever heard.
|
|
he had assented to the idea that she was "common"; but was she so,
|
|
after all, or was he simply getting used to her commonness?
|
|
Her conversation was chiefly of what metaphysicians term the
|
|
objective cast, but every now and then it took a subjective turn.
|
|
|
|
"What on EARTH are you so grave about?" she suddenly demanded,
|
|
fixing her agreeable eyes upon Winterbourne's.
|
|
|
|
"Am I grave?" he asked. "I had an idea I was grinning from ear to ear."
|
|
|
|
"You look as if you were taking me to a funeral. If that's a grin,
|
|
your ears are very near together."
|
|
|
|
"Should you like me to dance a hornpipe on the deck?"
|
|
|
|
"Pray do, and I'll carry round your hat. It will pay the expenses
|
|
of our journey."
|
|
|
|
"I never was better pleased in my life," murmured Winterbourne.
|
|
|
|
She looked at him a moment and then burst into a little laugh.
|
|
"I like to make you say those things! You're a queer mixture!"
|
|
|
|
In the castle, after they had landed, the subjective element
|
|
decidedly prevailed. Daisy tripped about the vaulted chambers,
|
|
rustled her skirts in the corkscrew staircases, flirted back with
|
|
a pretty little cry and a shudder from the edge of the oubliettes,
|
|
and turned a singularly well-shaped ear to everything that
|
|
Winterbourne told her about the place. But he saw that she
|
|
cared very little for feudal antiquities and that the dusky
|
|
traditions of Chillon made but a slight impression upon her.
|
|
They had the good fortune to have been able to walk about without
|
|
other companionship than that of the custodian; and Winterbourne
|
|
arranged with this functionary that they should not be hurried--
|
|
that they should linger and pause wherever they chose. The custodian
|
|
interpreted the bargain generously--Winterbourne, on his side,
|
|
had been generous--and ended by leaving them quite to themselves.
|
|
Miss Miller's observations were not remarkable for logical consistency;
|
|
for anything she wanted to say she was sure to find a pretext.
|
|
She found a great many pretexts in the rugged embrasures of Chillon
|
|
for asking Winterbourne sudden questions about himself--his family,
|
|
his previous history, his tastes, his habits, his intentions--and for
|
|
supplying information upon corresponding points in her own personality.
|
|
Of her own tastes, habits, and intentions Miss Miller was prepared
|
|
to give the most definite, and indeed the most favorable account.
|
|
|
|
"Well, I hope you know enough!" she said to her companion,
|
|
after he had told her the history of the unhappy Bonivard.
|
|
"I never saw a man that knew so much!" The history of Bonivard
|
|
had evidently, as they say, gone into one ear and out of the other.
|
|
But Daisy went on to say that she wished Winterbourne would travel
|
|
with them and "go round" with them; they might know something,
|
|
in that case. "Don't you want to come and teach Randolph?" she asked.
|
|
Winterbourne said that nothing could possibly please him so much,
|
|
but that he unfortunately other occupations. "Other occupations?
|
|
I don't believe it!" said Miss Daisy. "What do you mean?
|
|
You are not in business." The young man admitted that he was not
|
|
in business; but he had engagements which, even within a day or two,
|
|
would force him to go back to Geneva. "Oh, bother!" she said;
|
|
"I don't believe it!" and she began to talk about something else.
|
|
But a few moments later, when he was pointing out to her the pretty
|
|
design of an antique fireplace, she broke out irrelevantly,
|
|
"You don't mean to say you are going back to Geneva?"
|
|
|
|
"It is a melancholy fact that I shall have to return to Geneva tomorrow."
|
|
|
|
"Well, Mr. Winterbourne," said Daisy, "I think you're horrid!"
|
|
|
|
"Oh, don't say such dreadful things!" said Winterbourne--"just
|
|
at the last!"
|
|
|
|
"The last!" cried the young girl; "I call it the first. I have half
|
|
a mind to leave you here and go straight back to the hotel alone."
|
|
And for the next ten minutes she did nothing but call him horrid.
|
|
Poor Winterbourne was fairly bewildered; no young lady had as yet done
|
|
him the honor to be so agitated by the announcement of his movements.
|
|
His companion, after this, ceased to pay any attention to the
|
|
curiosities of Chillon or the beauties of the lake; she opened fire
|
|
upon the mysterious charmer in Geneva whom she appeared to have
|
|
instantly taken it for granted that he was hurrying back to see.
|
|
How did Miss Daisy Miller know that there was a charmer in Geneva?
|
|
Winterbourne, who denied the existence of such a person,
|
|
was quite unable to discover, and he was divided between amazement
|
|
at the rapidity of her induction and amusement at the frankness
|
|
of her persiflage. She seemed to him, in all this,
|
|
an extraordinary mixture of innocence and crudity. "Does she never
|
|
allow you more than three days at a time?" asked Daisy ironically.
|
|
"Doesn't she give you a vacation in summer? There's no one so hard
|
|
worked but they can get leave to go off somewhere at this season.
|
|
I suppose, if you stay another day, she'll come after you in the boat.
|
|
Do wait over till Friday, and I will go down to the landing to see
|
|
her arrive!" Winterbourne began to think he had been wrong to feel
|
|
disappointed in the temper in which the young lady had embarked.
|
|
If he had missed the personal accent, the personal accent was
|
|
now making its appearance. It sounded very distinctly, at last,
|
|
in her telling him she would stop "teasing" him if he would promise
|
|
her solemnly to come down to Rome in the winter.
|
|
|
|
"That's not a difficult promise to make," said Winterbourne.
|
|
"My aunt has taken an apartment in Rome for the winter and has
|
|
already asked me to come and see her."
|
|
|
|
"I don't want you to come for your aunt," said Daisy; "I want you
|
|
to come for me." And this was the only allusion that the young
|
|
man was ever to hear her make to his invidious kinswoman.
|
|
He declared that, at any rate, he would certainly come.
|
|
After this Daisy stopped teasing. Winterbourne took a carriage,
|
|
and they drove back to Vevey in the dusk; the young girl
|
|
was very quiet.
|
|
|
|
In the evening Winterbourne mentioned to Mrs. Costello that he had spent
|
|
the afternoon at Chillon with Miss Daisy Miller.
|
|
|
|
"The Americans--of the courier?" asked this lady.
|
|
|
|
"Ah, happily," said Winterbourne, "the courier stayed at home."
|
|
|
|
"She went with you all alone?"
|
|
|
|
"All alone."
|
|
|
|
Mrs. Costello sniffed a little at her smelling bottle.
|
|
"And that," she exclaimed, "is the young person whom you wanted
|
|
me to know!"
|
|
|
|
|
|
|
|
|
|
|
|
PART II
|
|
|
|
|
|
Winterbourne, who had returned to Geneva the day after his
|
|
excursion to Chillon, went to Rome toward the end of January.
|
|
His aunt had been established there for several weeks,
|
|
and he had received a couple of letters from her.
|
|
"Those people you were so devoted to last summer at Vevey
|
|
have turned up here, courier and all," she wrote.
|
|
"They seem to have made several acquaintances, but the courier
|
|
continues to be the most intime. The young lady, however,
|
|
is also very intimate with some third-rate Italians,
|
|
with whom she rackets about in a way that makes much talk.
|
|
Bring me that pretty novel of Cherbuliez's--Paule Mere--
|
|
and don't come later than the 23rd."
|
|
|
|
In the natural course of events, Winterbourne, on arriving in Rome,
|
|
would presently have ascertained Mrs. Miller's address at the American
|
|
banker's and have gone to pay his compliments to Miss Daisy.
|
|
"After what happened at Vevey, I think I may certainly call upon them,"
|
|
he said to Mrs. Costello.
|
|
|
|
"If, after what happens--at Vevey and everywhere--you desire to keep up
|
|
the acquaintance, you are very welcome. Of course a man may know everyone.
|
|
Men are welcome to the privilege!"
|
|
|
|
"Pray what is it that happens--here, for instance?" Winterbourne demanded.
|
|
|
|
"The girl goes about alone with her foreigners. As to what
|
|
happens further, you must apply elsewhere for information.
|
|
She has picked up half a dozen of the regular Roman
|
|
fortune hunters, and she takes them about to people's houses.
|
|
When she comes to a party she brings with her a gentleman
|
|
with a good deal of manner and a wonderful mustache."
|
|
|
|
"And where is the mother?"
|
|
|
|
"I haven't the least idea. They are very dreadful people."
|
|
|
|
Winterbourne meditated a moment. "They are very ignorant--
|
|
very innocent only. Depend upon it they are not bad."
|
|
|
|
"They are hopelessly vulgar," said Mrs. Costello. "Whether or no being
|
|
hopelessly vulgar is being 'bad' is a question for the metaphysicians.
|
|
They are bad enough to dislike, at any rate; and for this short life
|
|
that is quite enough."
|
|
|
|
The news that Daisy Miller was surrounded by half a dozen wonderful
|
|
mustaches checked Winterbourne's impulse to go straightway to see her.
|
|
He had, perhaps, not definitely flattered himself that he had made
|
|
an ineffaceable impression upon her heart, but he was annoyed at hearing
|
|
of a state of affairs so little in harmony with an image that had lately
|
|
flitted in and out of his own meditations; the image of a very pretty
|
|
girl looking out of an old Roman window and asking herself urgently
|
|
when Mr. Winterbourne would arrive. If, however, he determined to wait
|
|
a little before reminding Miss Miller of his claims to her consideration,
|
|
he went very soon to call upon two or three other friends.
|
|
One of these friends was an American lady who had spent several
|
|
winters at Geneva, where she had placed her children at school.
|
|
She was a very accomplished woman, and she lived in the Via Gregoriana.
|
|
Winterbourne found her in a little crimson drawing room on a third floor;
|
|
the room was filled with southern sunshine. He had not been there ten minutes
|
|
when the servant came in, announcing "Madame Mila!" This announcement
|
|
was presently followed by the entrance of little Randolph Miller,
|
|
who stopped in the middle of the room and stood staring at Winterbourne.
|
|
An instant later his pretty sister crossed the threshold; and then,
|
|
after a considerable interval, Mrs. Miller slowly advanced.
|
|
|
|
"I know you!" said Randolph.
|
|
|
|
"I'm sure you know a great many things," exclaimed Winterbourne,
|
|
taking him by the hand. "How is your education coming on?"
|
|
|
|
Daisy was exchanging greetings very prettily with her hostess,
|
|
but when she heard Winterbourne's voice she quickly turned her head.
|
|
"Well, I declare!" she said.
|
|
|
|
"I told you I should come, you know," Winterbourne rejoined, smiling.
|
|
|
|
"Well, I didn't believe it," said Miss Daisy.
|
|
|
|
"I am much obliged to you," laughed the young man.
|
|
|
|
"You might have come to see me!" said Daisy.
|
|
|
|
"I arrived only yesterday."
|
|
|
|
"I don't believe tte that!" the young girl declared.
|
|
|
|
Winterbourne turned with a protesting smile to her mother, but this
|
|
lady evaded his glance, and, seating herself, fixed her eyes upon
|
|
her son. "We've got a bigger place than this," said Randolph.
|
|
"It's all gold on the walls."
|
|
|
|
Mrs. Miller turned uneasily in her chair. "I told you if I were to bring you,
|
|
you would say something!" she murmured.
|
|
|
|
"I told YOU!" Randolph exclaimed. "I tell YOU, sir!"
|
|
he added jocosely, giving Winterbourne a thump on the knee.
|
|
"It IS bigger, too!"
|
|
|
|
Daisy had entered upon a lively conversation with her hostess;
|
|
Winterbourne judged it becoming to address a few words to her mother.
|
|
"I hope you have been well since we parted at Vevey," he said.
|
|
|
|
Mrs. Miller now certainly looked at him--at his chin.
|
|
"Not very well, sir," she answered.
|
|
|
|
"She's got the dyspepsia," said Randolph. "I've got it too.
|
|
Father's got it. I've got it most!"
|
|
|
|
This announcement, instead of embarrassing Mrs. Miller,
|
|
seemed to relieve her. "I suffer from the liver," she said.
|
|
"I think it's this climate; it's less bracing than Schenectady,
|
|
especially in the winter season. I don't know whether you know
|
|
we reside at Schenectady. I was saying to Daisy that I certainly
|
|
hadn't found any one like Dr. Davis, and I didn't believe I should.
|
|
Oh, at Schenectady he stands first; they think everything of him.
|
|
He has so much to do, and yet there was nothing he wouldn't do for me.
|
|
He said he never saw anything like my dyspepsia, but he was
|
|
bound to cure it. I'm sure there was nothing he wouldn't try.
|
|
He was just going to try something new when we came off.
|
|
Mr. Miller wanted Daisy to see Europe for herself. But I wrote to
|
|
Mr. Miller that it seems as if I couldn't get on without Dr. Davis.
|
|
At Schenectady he stands at the very top; and there's a great deal
|
|
of sickness there, too. It affects my sleep."
|
|
|
|
Winterbourne had a good deal of pathological gossip with Dr. Davis's patient,
|
|
during which Daisy chattered unremittingly to her own companion.
|
|
The young man asked Mrs. Miller how she was pleased with Rome.
|
|
"Well, I must say I am disappointed," she answered. "We had heard so much
|
|
about it; I suppose we had heard too much. But we couldn't help that.
|
|
We had been led to expect something different."
|
|
|
|
"Ah, wait a little, and you will become very fond of it," said Winterbourne.
|
|
|
|
"I hate it worse and worse every day!" cried Randolph.
|
|
|
|
"You are like the infant Hannibal," said Winterbourne.
|
|
|
|
"No, I ain't!" Randolph declared at a venture.
|
|
|
|
"You are not much like an infant," said his mother. "But we have
|
|
seen places," she resumed, "that I should put a long way before Rome."
|
|
And in reply to Winterbourne's interrogation, "There's Zurich,"
|
|
she concluded, "I think Zurich is lovely; and we hadn't heard half
|
|
so much about it."
|
|
|
|
"The best place we've seen is the City of Richmond!" said Randolph.
|
|
|
|
"He means the ship," his mother explained. "We crossed in that ship.
|
|
Randolph had a good time on the City of Richmond."
|
|
|
|
"It's the best place I've seen," the child repeated.
|
|
"Only it was turned the wrong way."
|
|
|
|
"Well, we've got to turn the right way some time,"
|
|
said Mrs. Miller with a little laugh. Winterbourne expressed
|
|
the hope that her daughter at least found some gratification
|
|
in Rome, and she declared that Daisy was quite carried away.
|
|
"It's on account of the society--the society's splendid.
|
|
She goes round everywhere; she has made a great number
|
|
of acquaintances. Of course she goes round more than I do.
|
|
I must say they have been very sociable; they have taken
|
|
her right in. And then she knows a great many gentlemen.
|
|
Oh, she thinks there's nothing like Rome. Of course,
|
|
it's a great deal pleasanter for a young lady if she knows
|
|
plenty of gentlemen."
|
|
|
|
By this time Daisy had turned her attention again to Winterbourne.
|
|
"I've been telling Mrs. Walker how mean you were!" the young girl announced.
|
|
|
|
"And what is the evidence you have offered?" asked Winterbourne,
|
|
rather annoyed at Miss Miller's want of appreciation of the zeal of
|
|
an admirer who on his way down to Rome had stopped neither at Bologna
|
|
nor at Florence, simply because of a certain sentimental impatience.
|
|
He remembered that a cynical compatriot had once told him that
|
|
American women--the pretty ones, and this gave a largeness to the axiom--
|
|
were at once the most exacting in the world and the least endowed
|
|
with a sense of indebtedness.
|
|
|
|
"Why, you were awfully mean at Vevey," said Daisy.
|
|
"You wouldn't do anything. You wouldn't stay there when
|
|
I asked you."
|
|
|
|
"My dearest young lady," cried Winterbourne, with eloquence,
|
|
"have I come all the way to Rome to encounter your reproaches?"
|
|
|
|
"Just hear him say that!" said Daisy to her hostess, giving a twist to a bow
|
|
on this lady's dress. "Did you ever hear anything so quaint?"
|
|
|
|
"So quaint, my dear?" murmured Mrs. Walker in the tone of a
|
|
partisan of Winterbourne.
|
|
|
|
"Well, I don't know," said Daisy, fingering Mrs. Walker's ribbons.
|
|
"Mrs. Walker, I want to tell you something."
|
|
|
|
"Mother-r," interposed Randolph, with his rough ends to his words,
|
|
"I tell you you've got to go. Eugenio'll raise--something!"
|
|
|
|
"I'm not afraid of Eugenio," said Daisy with a toss of her head.
|
|
"Look here, Mrs. Walker," she went on, "you know I'm coming
|
|
to your party."
|
|
|
|
"I am delighted to hear it."
|
|
|
|
"I've got a lovely dress!"
|
|
|
|
"I am very sure of that."
|
|
|
|
"But I want to ask a favor--permission to bring a friend."
|
|
|
|
"I shall be happy to see any of your friends," said Mrs. Walker,
|
|
turning with a smile to Mrs. Miller.
|
|
|
|
"Oh, they are not my friends," answered Daisy's mamma,
|
|
smiling shyly in her own fashion. "I never spoke to them."
|
|
|
|
"It's an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor
|
|
in her clear little voice or a shadow on her brilliant little face.
|
|
|
|
Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne.
|
|
"I shall be glad to see Mr. Giovanelli," she then said.
|
|
|
|
"He's an Italian," Daisy pursued with the prettiest serenity.
|
|
"He's a great friend of mine; he's the handsomest man in the world--
|
|
except Mr. Winterbourne! He knows plenty of Italians, but he wants
|
|
to know some Americans. He thinks ever so much of Americans.
|
|
He's tremendously clever. He's perfectly lovely!"
|
|
|
|
It was settled that this brilliant personage should be brought to
|
|
Mrs. Walker's party, and then Mrs. Miller prepared to take her leave.
|
|
"I guess we'll go back to the hotel," she said.
|
|
|
|
"You may go back to the hotel, Mother, but I'm going to take
|
|
a walk," said Daisy.
|
|
|
|
"She's going to walk with Mr. Giovanelli," Randolph proclaimed.
|
|
|
|
"I am going to the Pincio," said Daisy, smiling.
|
|
|
|
"Alone, my dear--at this hour?" Mrs. Walker asked.
|
|
The afternoon was drawing to a close--it was the hour for
|
|
the throng of carriages and of contemplative pedestrians.
|
|
"I don't think it's safe, my dear," said Mrs. Walker.
|
|
|
|
"Neither do I," subjoined Mrs. Miller. "You'll get the fever,
|
|
as sure as you live. Remember what Dr. Davis told you!"
|
|
|
|
"Give her some medicine before she goes," said Randolph.
|
|
|
|
The company had risen to its feet; Daisy, still showing her pretty teeth,
|
|
bent over and kissed her hostess. "Mrs. Walker, you are too perfect,"
|
|
she said. "I'm not going alone; I am going to meet a friend."
|
|
|
|
"Your friend won't keep you from getting the fever,"
|
|
Mrs. Miller observed.
|
|
|
|
"Is it Mr. Giovanelli?" asked the hostess.
|
|
|
|
Winterbourne was watching the young girl; at this question his
|
|
attention quickened. She stood there, smiling and smoothing
|
|
her bonnet ribbons; she glanced at Winterbourne. Then, while she
|
|
glanced and smiled, she answered, without a shade of hesitation,
|
|
"Mr. Giovanelli--the beautiful Giovanelli."
|
|
|
|
"My dear young friend," said Mrs. Walker, taking her hand pleadingly,
|
|
"don't walk off to the Pincio at this hour to meet a beautiful Italian."
|
|
|
|
"Well, he speaks English," said Mrs. Miller.
|
|
|
|
"Gracious me!" Daisy exclaimed, "I don't to do anything improper.
|
|
There's an easy way to settle it." She continued to glance at Winterbourne.
|
|
"The Pincio is only a hundred yards distant; and if Mr. Winterbourne
|
|
were as polite as he pretends, he would offer to walk with me!"
|
|
|
|
Winterbourne's politeness hastened to affirm itself,
|
|
and the young girl gave him gracious leave to accompany her.
|
|
They passed downstairs before her mother, and at the door Winterbourne
|
|
perceived Mrs. Miller's carriage drawn up, with the ornamental
|
|
courier whose acquaintance he had made at Vevey seated within.
|
|
"Goodbye, Eugenio!" cried Daisy; "I'm going to take a walk."
|
|
The distance from the Via Gregoriana to the beautiful
|
|
garden at the other end of the Pincian Hill is, in fact,
|
|
rapidly traversed. As the day was splendid, however, and the
|
|
concourse of vehicles, walkers, and loungers numerous,
|
|
the young Americans found their progress much delayed.
|
|
This fact was highly agreeable to Winterbourne, in spite of his
|
|
consciousness of his singular situation. The slow-moving, idly
|
|
gazing Roman crowd bestowed much attention upon the extremely
|
|
pretty young foreign lady who was passing through it upon his arm;
|
|
and he wondered what on earth had been in Daisy's mind when she
|
|
proposed to expose herself, unattended, to its appreciation.
|
|
His own mission, to her sense, apparently, was to consign
|
|
her to the hands of Mr. Giovanelli; but Winterbourne, at once
|
|
annoyed and gratified, resolved that he would do no such thing.
|
|
|
|
"Why haven't you been to see me?" asked Daisy. "You can't
|
|
get out of that."
|
|
|
|
"I have had the honor of telling you that I have only just stepped
|
|
out of the train."
|
|
|
|
"You must have stayed in the train a good while after it stopped!"
|
|
cried the young girl with her little laugh. "I suppose you were asleep.
|
|
You have had time to go to see Mrs. Walker."
|
|
|
|
"I knew Mrs. Walker--" Winterbourne began to explain.
|
|
|
|
"I know where you knew her. You knew her at Geneva.
|
|
She told me so. Well, you knew me at Vevey. That's just as good.
|
|
So you ought to have come." She asked him no other question
|
|
than this; she began to prattle about her own affairs.
|
|
"We've got splendid rooms at the hotel; Eugenio says they're
|
|
the best rooms in Rome. We are going to stay all winter,
|
|
if we don't die of the fever; and I guess we'll stay then.
|
|
It's a great deal nicer than I thought; I thought it would
|
|
be fearfully quiet; I was sure it would be awfully poky.
|
|
I was sure we should be going round all the time with one of those
|
|
dreadful old men that explain about the pictures and things.
|
|
But we only had about a week of that, and now I'm enjoying myself.
|
|
I know ever so many people, and they are all so charming.
|
|
The society's extremely select. There are all kinds--English,
|
|
and Germans, and Italians. I think I like the English best.
|
|
I like their style of conversation. But there are some
|
|
lovely Americans. I never saw anything so hospitable.
|
|
There's something or other every day. There's not much dancing;
|
|
but I must say I never thought dancing was everything.
|
|
I was always fond of conversation. I guess I shall
|
|
have plenty at Mrs. Walker's, her rooms are so small."
|
|
When they had passed the gate of the Pincian Gardens,
|
|
Miss Miller began to wonder where Mr. Giovanelli might be.
|
|
"We had better go straight to that place in front," she said,
|
|
"where you look at the view."
|
|
|
|
"I certainly shall not help you to find him," Winterbourne declared.
|
|
|
|
"Then I shall find him without you," cried Miss Daisy.
|
|
|
|
"You certainly won't leave me!" cried Winterbourne.
|
|
|
|
She burst into her little laugh. "Are you afraid you'll get lost--
|
|
or run over? But there's Giovanelli, leaning against that tree.
|
|
He's staring at the women in the carriages: did you ever see
|
|
anything so cool?"
|
|
|
|
Winterbourne perceived at some distance a little man standing with
|
|
folded arms nursing his cane. He had a handsome face, an artfully
|
|
poised hat, a glass in one eye, and a nosegay in his buttonhole.
|
|
Winterbourne looked at him a moment and then said, "Do you mean
|
|
to speak to that man?"
|
|
|
|
"Do I mean to speak to him? Why, you don't suppose I mean
|
|
to communicate by signs?"
|
|
|
|
"Pray understand, then," said Winterbourne, "that I intend
|
|
to remain with you."
|
|
|
|
Daisy stopped and looked at him, without a sign of troubled
|
|
consciousness in her face, with nothing but the presence of her
|
|
charming eyes and her happy dimples. "Well, she's a cool one!"
|
|
thought the young man.
|
|
|
|
"I don't like the way you say that," said Daisy.
|
|
"It's too imperious."
|
|
|
|
"I beg your pardon if I say it wrong. The main point is to give
|
|
you an idea of my meaning."
|
|
|
|
The young girl looked at him more gravely, but with eyes that were
|
|
prettier than ever. "I have never allowed a gentleman to dictate to me,
|
|
or to interfere with anything I do."
|
|
|
|
"I think you have made a mistake," said Winterbourne.
|
|
"You should sometimes listen to a gentleman--the right one."
|
|
|
|
Daisy began to laugh again. "I do nothing but listen to gentlemen!"
|
|
she exclaimed. "Tell me if Mr. Giovanelli is the right one?"
|
|
|
|
The gentleman with the nosegay in his bosom had now perceived our two friends,
|
|
and was approaching the young girl with obsequious rapidity. He bowed to
|
|
Winterbourne as well as to the latter's companion; he had a brilliant smile,
|
|
an intelligent eye; Winterbourne thought him not a bad-looking fellow.
|
|
But he nevertheless said to Daisy, "No, he's not the right one."
|
|
|
|
Daisy evidently had a natural talent for performing introductions;
|
|
she mentioned the name of each of her companions to the other.
|
|
She strolled alone with one of them on each side of her; Mr. Giovanelli,
|
|
who spoke English very cleverly--Winterbourne afterward learned
|
|
that he had practiced the idiom upon a great many American heiresses--
|
|
addressed her a great deal of very polite nonsense; he was extremely
|
|
urbane, and the young American, who said nothing, reflected upon
|
|
that profundity of Italian cleverness which enables people to appear
|
|
more gracious in proportion as they are more acutely disappointed.
|
|
Giovanelli, of course, had counted upon something more intimate;
|
|
he had not bargained for a party of three. But he kept his
|
|
temper in a manner which suggested far-stretching intentions.
|
|
Winterbourne flattered himself that he had taken his measure.
|
|
"He is not a gentleman," said the young American;
|
|
"he is only a clever imitation of one. He is a music master,
|
|
or a penny-a-liner, or a third-rate artist. D__n his good looks!"
|
|
Mr. Giovanelli had certainly a very pretty face; but Winterbourne felt
|
|
a superior indignation at his own lovely fellow countrywoman's not
|
|
knowing the difference between a spurious gentleman and a real one.
|
|
Giovanelli chattered and jested and made himself wonderfully agreeable.
|
|
It was true that, if he was an imitation, the imitation was brilliant.
|
|
"Nevertheless," Winterbourne said to himself, "a nice girl ought to know!"
|
|
And then he came back to the question whether this was, in fact,
|
|
a nice girl. Would a nice girl, even allowing for her being a little
|
|
American flirt, make a rendezvous with a presumably low-lived foreigner?
|
|
The rendezvous in this case, indeed, had been in broad daylight and in
|
|
the most crowded corner of Rome, but was it not impossible to regard
|
|
the choice of these circumstances as a proof of extreme cynicism?
|
|
Singular though it may seem, Winterbourne was vexed that the young girl,
|
|
in joining her amoroso, should not appear more impatient
|
|
of his own company, and he was vexed because of his inclination.
|
|
It was impossible to regard her as a perfectly well-conducted
|
|
young lady; she was wanting in a certain indispensable delicacy.
|
|
It would therefore simplify matters greatly to be able to treat
|
|
her as the object of one of those sentiments which are called by
|
|
romancers "lawless passions." That she should seem to wish to get rid
|
|
of him would help him to think more lightly of her, and to be able
|
|
to think more lightly of her would make her much less perplexing.
|
|
But Daisy, on this occasion, continued to present herself as an
|
|
inscrutable combination of audacity and innocence.
|
|
|
|
She had been walking some quarter of an hour, attended by her
|
|
two cavaliers, and responding in a tone of very childish gaiety,
|
|
as it seemed to Winterbourne, to the pretty speeches
|
|
of Mr. Giovanelli, when a carriage that had detached
|
|
itself from the revolving train drew up beside the path.
|
|
At the same moment Winterbourne perceived that his friend
|
|
Mrs. Walker--the lady whose house he had lately left--
|
|
was seated in the vehicle and was beckoning to him.
|
|
Leaving Miss Miller's side, he hastened to obey her summons.
|
|
Mrs. Walker was flushed; she wore an excited air.
|
|
"It is really too dreadful," she said. "That girl must not do
|
|
this sort of thing. She must not walk here with you two men.
|
|
Fifty people have noticed her."
|
|
|
|
Winterbourne raised his eyebrows. "I think it's a pity to make
|
|
too much fuss about it."
|
|
|
|
"It's a pity to let the girl ruin herself!"
|
|
|
|
"She is very innocent," said Winterbourne.
|
|
|
|
"She's very crazy!" cried Mrs. Walker. "Did you ever see
|
|
anything so imbecile as her mother? After you had all left
|
|
me just now, I could not sit still for thinking of it.
|
|
It seemed too pitiful, not even to attempt to save her.
|
|
I ordered the carriage and put on my bonnet, and came here
|
|
as quickly as possible. Thank Heaven I have found you!"
|
|
|
|
"What do you propose to do with us?" asked Winterbourne, smiling.
|
|
|
|
"To ask her to get in, to drive her about here for half an hour,
|
|
so that the world may see she is not running absolutely wild,
|
|
and then to take her safely home."
|
|
|
|
"I don't think it's a very happy thought," said Winterbourne;
|
|
"but you can try."
|
|
|
|
Mrs. Walker tried. The young man went in pursuit of Miss Miller,
|
|
who had simply nodded and smiled at his interlocutor in the carriage
|
|
and had gone her way with her companion. Daisy, on learning
|
|
that Mrs. Walker wished to speak to her, retraced her steps
|
|
with a perfect good grace and with Mr. Giovanelli at her side.
|
|
She declared that she was delighted to have a chance to present this
|
|
gentleman to Mrs. Walker. She immediately achieved the introduction,
|
|
and declared that she had never in her life seen anything so lovely
|
|
as Mrs. Walker's carriage rug.
|
|
|
|
"I am glad you admire it," said this lady, smiling sweetly.
|
|
"Will you get in and let me put it over you?"
|
|
|
|
"Oh, no, thank you," said Daisy. "I shall admire it much more as I see you
|
|
driving round with it."
|
|
|
|
"Do get in and drive with me!" said Mrs. Walker.
|
|
|
|
"That would be charming, but it's so enchanting just as I am!"
|
|
and Daisy gave a brilliant glance at the gentlemen on either
|
|
side of her.
|
|
|
|
"It may be enchanting, dear child, but it is not the custom here,"
|
|
urged Mrs. Walker, leaning forward in her victoria, with her
|
|
hands devoutly clasped.
|
|
|
|
"Well, it ought to be, then!" said Daisy. "If I didn't walk
|
|
I should expire."
|
|
|
|
"You should walk with your mother, dear," cried the lady
|
|
from Geneva, losing patience.
|
|
|
|
"With my mother dear!" exclaimed the young girl. Winterbourne saw that she
|
|
scented interference. "My mother never walked ten steps in her life.
|
|
And then, you know," she added with a laugh, "I am more than five years old."
|
|
|
|
"You are old enough to be more reasonable. You are old enough,
|
|
dear Miss Miller, to be talked about."
|
|
|
|
Daisy looked at Mrs. Walker, smiling intensely. "Talked about?
|
|
What do you mean?"
|
|
|
|
"Come into my carriage, and I will tell you."
|
|
|
|
Daisy turned her quickened glance again from one of the gentlemen beside her
|
|
to the other. Mr. Giovanelli was bowing to and fro, rubbing down his gloves
|
|
and laughing very agreeably; Winterbourne thought it a most unpleasant scene.
|
|
"I don't think I want to know what you mean," said Daisy presently.
|
|
"I don't think I should like it."
|
|
|
|
Winterbourne wished that Mrs. Walker would tuck in her carriage rug and drive
|
|
away, but this lady did not enjoy being defied, as she afterward told him.
|
|
"Should you prefer being thought a very reckless girl?" she demanded.
|
|
|
|
"Gracious!" exclaimed Daisy. She looked again at Mr. Giovanelli,
|
|
then she turned to Winterbourne. There was a little pink flush in
|
|
her cheek; she was tremendously pretty. "Does Mr. Winterbourne think,"
|
|
she asked slowly, smiling, throwing back her head, and glancing
|
|
at him from head to foot, "that, to save my reputation, I ought
|
|
to get into the carriage?"
|
|
|
|
Winterbourne colored; for an instant he hesitated greatly.
|
|
It seemed so strange to hear her speak that way of her "reputation."
|
|
But he himself, in fact, must speak in accordance with gallantry.
|
|
The finest gallantry, here, was simply to tell her the truth;
|
|
and the truth, for Winterbourne, as the few indications I
|
|
have been able to give have made him known to the reader,
|
|
was that Daisy Miller should take Mrs. Walker's advice.
|
|
He looked at her exquisite prettiness, and then he said,
|
|
very gently, "I think you should get into the carriage."
|
|
|
|
Daisy gave a violent laugh. "I never heard anything so stiff!
|
|
If this is improper, Mrs. Walker," she pursued, "then I am all improper,
|
|
and you must give me up. Goodbye; I hope you'll have a lovely ride!"
|
|
and, with Mr. Giovanelli, who made a triumphantly obsequious salute,
|
|
she turned away.
|
|
|
|
Mrs. Walker sat looking after her, and there were tears in
|
|
Mrs. Walker's eyes. "Get in here, sir," she said to Winterbourne,
|
|
indicating the place beside her. The young man answered that he felt
|
|
bound to accompany Miss Miller, whereupon Mrs. Walker declared that
|
|
if he refused her this favor she would never speak to him again.
|
|
She was evidently in earnest. Winterbourne overtook Daisy and
|
|
her companion, and, offering the young girl his hand, told her
|
|
that Mrs. Walker had made an imperious claim upon his society.
|
|
He expected that in answer she would say something rather free,
|
|
something to commit herself still further to that "recklessness"
|
|
from which Mrs. Walker had so charitably endeavored to dissuade her.
|
|
But she only shook his hand, hardly looking at him, while Mr. Giovanelli
|
|
bade him farewell with a too emphatic flourish of the hat.
|
|
|
|
Winterbourne was not in the best possible humor as he took his seat in
|
|
Mrs. Walker's victoria. "That was not clever of you," he said candidly,
|
|
while the vehicle mingled again with the throng of carriages.
|
|
|
|
"In such a case," his companion answered, "I don't wish to be clever;
|
|
I wish to be EARNEST!"
|
|
|
|
"Well, your earnestness has only offended her and put her off."
|
|
|
|
"It has happened very well," said Mrs. Walker. "If she is so perfectly
|
|
determined to compromise herself, the sooner one knows it the better;
|
|
one can act accordingly."
|
|
|
|
"I suspect she meant no harm," Winterbourne rejoined.
|
|
|
|
"So I thought a month ago. But she has been going too far."
|
|
|
|
"What has she been doing?"
|
|
|
|
"Everything that is not done here. Flirting with any man she could pick up;
|
|
sitting in corners with mysterious Italians; dancing all the evening
|
|
with the same partners; receiving visits at eleven o'clock at night.
|
|
Her mother goes away when visitors come."
|
|
|
|
"But her brother," said Winterbourne, laughing, "sits up till midnight."
|
|
|
|
"He must be edified by what he sees. I'm told that at their hotel
|
|
everyone is talking about her, and that a smile goes round among
|
|
all the servants when a gentleman comes and asks for Miss Miller."
|
|
|
|
"The servants be hanged!" said Winterbourne angrily.
|
|
"The poor girl's only fault," he presently added, "is that she
|
|
is very uncultivated."
|
|
|
|
"She is naturally indelicate," Mrs. Walker declared.
|
|
|
|
"Take that example this morning. How long had you known her at Vevey?"
|
|
|
|
"A couple of days."
|
|
|
|
"Fancy, then, her making it a personal matter that you should have
|
|
left the place!"
|
|
|
|
Winterbourne was silent for some moments; then he said, "I suspect,
|
|
Mrs. Walker, that you and I have lived too long at Geneva!"
|
|
And he added a request that she should inform him with what particular
|
|
design she had made him enter her carriage.
|
|
|
|
"I wished to beg you to cease your relations with Miss Miller--
|
|
not to flirt with her--to give her no further opportunity
|
|
to expose herself--to let her alone, in short."
|
|
|
|
"I'm afraid I can't do that," said Winterbourne.
|
|
"I like her extremely."
|
|
|
|
"All the more reason that you shouldn't help her to make a scandal."
|
|
|
|
"There shall be nothing scandalous in my attentions to her."
|
|
|
|
"There certainly will be in the way she takes them.
|
|
But I have said what I had on my conscience," Mrs. Walker pursued.
|
|
"If you wish to rejoin the young lady I will put you down.
|
|
Here, by the way, you have a chance."
|
|
|
|
The carriage was traversing that part of the Pincian
|
|
Garden that overhangs the wall of Rome and overlooks
|
|
the beautiful Villa Borghese. It is bordered by a
|
|
large parapet, near which there are several seats.
|
|
One of the seats at a distance was occupied by a gentleman
|
|
and a lady, toward whom Mrs. Walker gave a toss of her head.
|
|
At the same moment these persons rose and walked toward
|
|
the parapet. Winterbourne had asked the coachman to stop;
|
|
he now descended from the carriage. His companion looked
|
|
at him a moment in silence; then, while he raised his hat,
|
|
she drove majestically away. Winterbourne stood there;
|
|
he had turned his eyes toward Daisy and her cavalier.
|
|
They evidently saw no one; they were too deeply occupied
|
|
with each other. When they reached the low garden wall,
|
|
they stood a moment looking off at the great flat-topped
|
|
pine clusters of the Villa Borghese; then Giovanelli
|
|
seated himself, familiarly, upon the broad ledge of the wall.
|
|
The western sun in the opposite sky sent out a brilliant
|
|
shaft through a couple of cloud bars, whereupon Daisy's
|
|
companion took her parasol out of her hands and opened it.
|
|
She came a little nearer, and he held the parasol over her;
|
|
then, still holding it, he let it rest upon her shoulder,
|
|
so that both of their heads were hidden from Winterbourne.
|
|
This young man lingered a moment, then he began to walk.
|
|
But he walked--not toward the couple with the parasol;
|
|
toward the residence of his aunt, Mrs. Costello.
|
|
|
|
He flattered himself on the following day that there was no smiling
|
|
among the servants when he, at least, asked for Mrs. Miller at
|
|
her hotel. This lady and her daughter, however, were not at home;
|
|
and on the next day after, repeating his visit, Winterbourne again
|
|
had the misfortune not to find them. Mrs. Walker's party took place
|
|
on the evening of the third day, and, in spite of the frigidity of his
|
|
last interview with the hostess, Winterbourne was among the guests.
|
|
Mrs. Walker was one of those American ladies who, while residing abroad,
|
|
make a point, in their own phrase, of studying European society,
|
|
and she had on this occasion collected several specimens of her
|
|
diversely born fellow mortals to serve, as it were, as textbooks.
|
|
When Winterbourne arrived, Daisy Miller was not there, but in a few
|
|
moments he saw her mother come in alone, very shyly and ruefully.
|
|
Mrs. Miller's hair above her exposed-looking temples was more frizzled
|
|
than ever. As she approached Mrs. Walker, Winterbourne also drew near.
|
|
|
|
"You see, I've come all alone," said poor Mrs. Miller.
|
|
"I'm so frightened; I don't know what to do. It's the first time
|
|
I've ever been to a party alone, especially in this country.
|
|
I wanted to bring Randolph or Eugenio, or someone, but Daisy just
|
|
pushed me off by myself. I ain't used to going round alone."
|
|
|
|
"And does not your daughter intend to favor us with her society?"
|
|
demanded Mrs. Walker impressively.
|
|
|
|
"Well, Daisy's all dressed," said Mrs. Miller with that accent of
|
|
the dispassionate, if not of the philosophic, historian with which she
|
|
always recorded the current incidents of her daughter's career.
|
|
"She got dressed on purpose before dinner. But she's got a friend
|
|
of hers there; that gentleman--the Italian--that she wanted to bring.
|
|
They've got going at the piano; it seems as if they couldn't leave off.
|
|
Mr. Giovanelli sings splendidly. But I guess they'll come before very long,"
|
|
concluded Mrs. Miller hopefully.
|
|
|
|
"I'm sorry she should come in that way," said Mrs. Walker.
|
|
|
|
"Well, I told her that there was no use in her getting dressed before
|
|
dinner if she was going to wait three hours," responded Daisy's mamma.
|
|
"I didn't see the use of her putting on such a dress as that to sit
|
|
round with Mr. Giovanelli."
|
|
|
|
"This is most horrible!" said Mrs. Walker, turning away and
|
|
addressing herself to Winterbourne. "Elle s'affiche. It's
|
|
her revenge for my having ventured to remonstrate with her.
|
|
When she comes, I shall not speak to her."
|
|
|
|
Daisy came after eleven o'clock; but she was not,
|
|
on such an occasion, a young lady to wait to be spoken to.
|
|
She rustled forward in radiant loveliness, smiling and chattering,
|
|
carrying a large bouquet, and attended by Mr. Giovanelli.
|
|
Everyone stopped talking and turned and looked at her.
|
|
She came straight to Mrs. Walker. "I'm afraid you thought
|
|
I never was coming, so I sent mother off to tell you.
|
|
I wanted to make Mr. Giovanelli practice some things before he came;
|
|
you know he sings beautifully, and I want you to ask him to sing.
|
|
This is Mr. Giovanelli; you know I introduced him to you;
|
|
he's got the most lovely voice, and he knows the most charming
|
|
set of songs. I made him go over them this evening on purpose;
|
|
we had the greatest time at the hotel." Of all this Daisy delivered
|
|
herself with the sweetest, brightest audibleness, looking now
|
|
at her hostess and now round the room, while she gave a series
|
|
of little pats, round her shoulders, to the edges of her dress.
|
|
"Is there anyone I know?" she asked.
|
|
|
|
"I think every one knows you!" said Mrs. Walker pregnantly, and she
|
|
gave a very cursory greeting to Mr. Giovanelli. This gentleman bore
|
|
himself gallantly. He smiled and bowed and showed his white teeth;
|
|
he curled his mustaches and rolled his eyes and performed all
|
|
the proper functions of a handsome Italian at an evening party.
|
|
He sang very prettily half a dozen songs, though Mrs. Walker afterward
|
|
declared that she had been quite unable to find out who asked him.
|
|
It was apparently not Daisy who had given him his orders.
|
|
Daisy sat at a distance from the piano, and though she had publicly,
|
|
as it were, professed a high admiration for his singing, talked,
|
|
not inaudibly, while it was going on.
|
|
|
|
"It's a pity these rooms are so small; we can't dance," she said
|
|
to Winterbourne, as if she had seen him five minutes before.
|
|
|
|
"I am not sorry we can't dance," Winterbourne answered;
|
|
"I don't dance."
|
|
|
|
"Of course you don't dance; you're too stiff," said Miss Daisy.
|
|
"I hope you enjoyed your drive with Mrs. Walker!"
|
|
|
|
"No. I didn't enjoy it; I preferred walking with you."
|
|
|
|
"We paired off: that was much better," said Daisy.
|
|
"But did you ever hear anything so cool as Mrs. Walker's
|
|
wanting me to get into her carriage and drop poor
|
|
Mr. Giovanelli, and under the pretext that it was proper?
|
|
People have different ideas! It would have been most unkind;
|
|
he had been talking about that walk for ten days."
|
|
|
|
"He should not have talked about it at all," said Winterbourne;
|
|
"he would never have proposed to a young lady of this country
|
|
to walk about the streets with him."
|
|
|
|
"About the streets?" cried Daisy with her pretty stare.
|
|
"Where, then, would he have proposed to her to walk?
|
|
The Pincio is not the streets, either; and I, thank goodness,
|
|
am not a young lady of this country. The young ladies of this
|
|
country have a dreadfully poky time of it, so far as I can learn;
|
|
I don't see why I should change my habits for THEM."
|
|
|
|
"I am afraid your habits are those of a flirt," said Winterbourne gravely.
|
|
|
|
"Of course they are," she cried, giving him her little smiling stare again.
|
|
"I'm a fearful, frightful flirt! Did you ever hear of a nice girl that
|
|
was not? But I suppose you will tell me now that I am not a nice girl."
|
|
|
|
"You're a very nice girl; but I wish you would flirt with me,
|
|
and me only," said Winterbourne.
|
|
|
|
"Ah! thank you--thank you very much; you are the last man I should
|
|
think of flirting with. As I have had the pleasure of informing you,
|
|
you are too stiff."
|
|
|
|
"You say that too often," said Winterbourne.
|
|
|
|
Daisy gave a delighted laugh. "If I could have the sweet hope of making
|
|
you angry, I should say it again."
|
|
|
|
"Don't do that; when I am angry I'm stiffer than ever.
|
|
But if you won't flirt with me, do cease, at least, to flirt
|
|
with your friend at the piano; they don't understand that sort
|
|
of thing here."
|
|
|
|
"I thought they understood nothing else!" exclaimed Daisy.
|
|
|
|
"Not in young unmarried women."
|
|
|
|
"It seems to me much more proper in young unmarried women than in old
|
|
married ones," Daisy declared.
|
|
|
|
"Well," said Winterbourne, "when you deal with natives you must go
|
|
by the custom of the place. Flirting is a purely American custom;
|
|
it doesn't exist here. So when you show yourself in public with
|
|
Mr. Giovanelli, and without your mother--"
|
|
|
|
"Gracious! poor Mother!" interposed Daisy.
|
|
|
|
"Though you may be flirting, Mr. Giovanelli is not;
|
|
he means something else."
|
|
|
|
"He isn't preaching, at any rate," said Daisy with vivacity.
|
|
"And if you want very much to know, we are neither of us flirting;
|
|
we are too good friends for that: we are very intimate friends."
|
|
|
|
"Ah!" rejoined Winterbourne, "if you are in love with each other,
|
|
it is another affair."
|
|
|
|
She had allowed him up to this point to talk so frankly that
|
|
he had no expectation of shocking her by this ejaculation;
|
|
but she immediately got up, blushing visibly, and leaving
|
|
him to exclaim mentally that little American flirts were
|
|
the queerest creatures in the world. "Mr. Giovanelli,
|
|
at least," she said, giving her interlocutor a single glance,
|
|
"never says such very disagreeable things to me."
|
|
|
|
Winterbourne was bewildered; he stood, staring. Mr. Giovanelli
|
|
had finished singing. He left the piano and came over to Daisy.
|
|
"Won't you come into the other room and have some tea?" he asked,
|
|
bending before her with his ornamental smile.
|
|
|
|
Daisy turned to Winterbourne, beginning to smile again. He was still
|
|
more perplexed, for this inconsequent smile made nothing clear,
|
|
though it seemed to prove, indeed, that she had a sweetness and
|
|
softness that reverted instinctively to the pardon of offenses.
|
|
"It has never occurred to Mr. Winterbourne to offer me any tea,"
|
|
she said with her little tormenting manner.
|
|
|
|
"I have offered you advice," Winterbourne rejoined.
|
|
|
|
"I prefer weak tea!" cried Daisy, and she went off with the
|
|
brilliant Giovanelli. She sat with him in the adjoining room,
|
|
in the embrasure of the window, for the rest of the evening.
|
|
There was an interesting performance at the piano, but neither
|
|
of these young people gave heed to it. When Daisy came to take
|
|
leave of Mrs. Walker, this lady conscientiously repaired
|
|
the weakness of which she had been guilty at the moment of
|
|
the young girl's arrival. She turned her back straight upon
|
|
Miss Miller and left her to depart with what grace she might.
|
|
Winterbourne was standing near the door; he saw it all.
|
|
Daisy turned very pale and looked at her mother, but Mrs. Miller
|
|
was humbly unconscious of any violation of the usual social forms.
|
|
She appeared, indeed, to have felt an incongruous impulse
|
|
to draw attention to her own striking observance of them.
|
|
"Good night, Mrs. Walker," she said; "we've had a beautiful evening.
|
|
You see, if I let Daisy come to parties without me,
|
|
I don't want her to go away without me." Daisy turned away,
|
|
looking with a pale, grave face at the circle near the door;
|
|
Winterbourne saw that, for the first moment, she was
|
|
too much shocked and puzzled even for indignation.
|
|
He on his side was greatly touched.
|
|
|
|
"That was very cruel," he said to Mrs. Walker.
|
|
|
|
"She never enters my drawing room again!" replied his hostess.
|
|
|
|
Since Winterbourne was not to meet her in Mrs. Walker's drawing room,
|
|
he went as often as possible to Mrs. Miller's hotel. The ladies
|
|
were rarely at home, but when he found them, the devoted Giovanelli
|
|
was always present. Very often the brilliant little Roman was in the
|
|
drawing room with Daisy alone, Mrs. Miller being apparently constantly
|
|
of the opinion that discretion is the better part of surveillance.
|
|
Winterbourne noted, at first with surprise, that Daisy on these
|
|
occasions was never embarrassed or annoyed by his own entrance;
|
|
but he very presently began to feel that she had no more surprises for him;
|
|
the unexpected in her behavior was the only thing to expect. She showed
|
|
no displeasure at her tete-a-tete with Giovanelli being interrupted;
|
|
she could chatter as freshly and freely with two gentlemen as with one;
|
|
there was always, in her conversation, the same odd mixture of audacity
|
|
and puerility. Winterbourne remarked to himself that if she was
|
|
seriously interested in Giovanelli, it was very singular that she should
|
|
not take more trouble to preserve the sanctity of their interviews;
|
|
and he liked her the more for her innocent-looking indifference
|
|
and her apparently inexhaustible good humor. He could hardly have
|
|
said why, but she seemed to him a girl who would never be jealous.
|
|
At the risk of exciting a somewhat derisive smile on the reader's part,
|
|
I may affirm that with regard to the women who had hitherto interested him,
|
|
it very often seemed to Winterbourne among the possibilities that, given
|
|
certain contingencies, he should be afraid--literally afraid--of these ladies;
|
|
he had a pleasant sense that he should never be afraid of Daisy Miller.
|
|
It must be added that this sentiment was not altogether flattering to Daisy;
|
|
it was part of his conviction, or rather of his apprehension, that she
|
|
would prove a very light young person.
|
|
|
|
But she was evidently very much interested in Giovanelli.
|
|
She looked at him whenever he spoke; she was perpetually telling him
|
|
to do this and to do that; she was constantly "chaffing" and abusing him.
|
|
She appeared completely to have forgotten that Winterbourne had said anything
|
|
to displease her at Mrs. Walker's little party. One Sunday afternoon,
|
|
having gone to St. Peter's with his aunt, Winterbourne perceived Daisy
|
|
strolling about the great church in company with the inevitable Giovanelli.
|
|
Presently he pointed out the young girl and her cavalier to Mrs. Costello.
|
|
This lady looked at them a moment through her eyeglass, and then she said:
|
|
|
|
"That's what makes you so pensive in these days, eh?"
|
|
|
|
"I had not the least idea I was pensive," said the young man.
|
|
|
|
"You are very much preoccupied; you are thinking of something."
|
|
|
|
"And what is it," he asked, "that you accuse me of thinking of?"
|
|
|
|
"Of that young lady's--Miss Baker's, Miss Chandler's--what's her name?--
|
|
Miss Miller's intrigue with that little barber's block."
|
|
|
|
"Do you call it an intrigue," Winterbourne asked--"an affair that goes
|
|
on with such peculiar publicity?"
|
|
|
|
"That's their folly," said Mrs. Costello; "it's not their merit."
|
|
|
|
"No," rejoined Winterbourne, with something of that pensiveness
|
|
to which his aunt had alluded. "I don't believe that there
|
|
is anything to be called an intrigue."
|
|
|
|
"I have heard a dozen people speak of it; they say she is quite carried
|
|
away by him."
|
|
|
|
"They are certainly very intimate," said Winterbourne.
|
|
|
|
Mrs. Costello inspected the young couple again with her optical instrument.
|
|
"He is very handsome. One easily sees how it is. She thinks
|
|
him the most elegant man in the world, the finest gentleman.
|
|
She has never seen anything like him; he is better, even, than the courier.
|
|
It was the courier probably who introduced him; and if he succeeds in marrying
|
|
the young lady, the courier will come in for a magnificent commission."
|
|
|
|
"I don't believe she thinks of marrying him," said Winterbourne,
|
|
"and I don't believe he hopes to marry her."
|
|
|
|
"You may be very sure she thinks of nothing. She goes on from
|
|
day to day, from hour to hour, as they did in the Golden Age.
|
|
I can imagine nothing more vulgar. And at the same time,"
|
|
added Mrs. Costello, "depend upon it that she may tell you
|
|
any moment that she is 'engaged.'"
|
|
|
|
"I think that is more than Giovanelli expects," said Winterbourne.
|
|
|
|
"Who is Giovanelli?"
|
|
|
|
"The little Italian. I have asked questions about him and
|
|
learned something. He is apparently a perfectly respectable
|
|
little man. I believe he is, in a small way, a cavaliere
|
|
avvocato. But he doesn't move in what are called the first circles.
|
|
I think it is really not absolutely impossible that the courier
|
|
introduced him. He is evidently immensely charmed with Miss Miller.
|
|
If she thinks him the finest gentleman in the world, he, on his side,
|
|
has never found himself in personal contact with such splendor,
|
|
such opulence, such expensiveness as this young lady's. And
|
|
then she must seem to him wonderfully pretty and interesting.
|
|
I rather doubt that he dreams of marrying her.
|
|
That must appear to him too impossible a piece of luck.
|
|
He has nothing but his handsome face to offer, and there is
|
|
a substantial Mr. Miller in that mysterious land of dollars.
|
|
Giovanelli knows that he hasn't a title to offer.
|
|
If he were only a count or a marchese! He must wonder
|
|
at his luck, at the way they have taken him up."
|
|
|
|
"He accounts for it by his handsome face and thinks Miss
|
|
Miller a young lady qui se passe ses fantaisies!"
|
|
said Mrs. Costello.
|
|
|
|
"It is very true," Winterbourne pursued, "that Daisy and her mamma
|
|
have not yet risen to that stage of--what shall I call it?--of culture
|
|
at which the idea of catching a count or a marchese begins.
|
|
I believe that they are intellectually incapable of that conception."
|
|
|
|
"Ah! but the avvocato can't believe it," said Mrs. Costello.
|
|
|
|
Of the observation excited by Daisy's "intrigue," Winterbourne
|
|
gathered that day at St. Peter's sufficient evidence. A dozen
|
|
of the American colonists in Rome came to talk with Mrs. Costello,
|
|
who sat on a little portable stool at the base of one of the
|
|
great pilasters. The vesper service was going forward in splendid
|
|
chants and organ tones in the adjacent choir, and meanwhile,
|
|
between Mrs. Costello and her friends, there was a great deal
|
|
said about poor little Miss Miller's going really "too far."
|
|
Winterbourne was not pleased with what he heard, but when,
|
|
coming out upon the great steps of the church, he saw Daisy,
|
|
who had emerged before him, get into an open cab with her
|
|
accomplice and roll away through the cynical streets of Rome,
|
|
he could not deny to himself that she was going very far indeed.
|
|
He felt very sorry for her--not exactly that he believed that
|
|
she had completely lost her head, but because it was painful
|
|
to hear so much that was pretty, and undefended, and natural
|
|
assigned to a vulgar place among the categories of disorder.
|
|
He made an attempt after this to give a hint to Mrs. Miller.
|
|
He met one day in the Corso a friend, a tourist like himself,
|
|
who had just come out of the Doria Palace, where he had been
|
|
walking through the beautiful gallery. His friend talked
|
|
for a moment about the superb portrait of Innocent X by
|
|
Velasquez which hangs in one of the cabinets of the palace,
|
|
and then said, "And in the same cabinet, by the way, I had
|
|
the pleasure of contemplating a picture of a different kind--
|
|
that pretty American girl whom you pointed out to me last week."
|
|
In answer to Winterbourne's inquiries, his friend narrated
|
|
that the pretty American girl--prettier than ever--was seated
|
|
with a companion in the secluded nook in which the great papal
|
|
portrait was enshrined.
|
|
|
|
"Who was her companion?" asked Winterbourne.
|
|
|
|
"A little Italian with a bouquet in his buttonhole.
|
|
The girl is delightfully pretty, but I thought I understood from you
|
|
the other day that she was a young lady du meilleur monde."
|
|
|
|
"So she is!" answered Winterbourne; and having assured himself that his
|
|
informant had seen Daisy and her companion but five minutes before,
|
|
he jumped into a cab and went to call on Mrs. Miller. She was at home;
|
|
but she apologized to him for receiving him in Daisy's absence.
|
|
|
|
"She's gone out somewhere with Mr. Giovanelli," said Mrs. Miller.
|
|
"She's always going round with Mr. Giovanelli."
|
|
|
|
"I have noticed that they are very intimate," Winterbourne observed.
|
|
|
|
"Oh, it seems as if they couldn't live without each other!" said Mrs. Miller.
|
|
"Well, he's a real gentleman, anyhow. I keep telling Daisy she's engaged!"
|
|
|
|
"And what does Daisy say?"
|
|
|
|
"Oh, she says she isn't engaged. But she might as well be!"
|
|
this impartial parent resumed; "she goes on as if she was.
|
|
But I've made Mr. Giovanelli promise to tell me, if SHE doesn't.
|
|
I should want to write to Mr. Miller about it--shouldn't you?"
|
|
|
|
Winterbourne replied that he certainly should; and the state of mind
|
|
of Daisy's mamma struck him as so unprecedented in the annals of parental
|
|
vigilance that he gave up as utterly irrelevant the attempt to place
|
|
her upon her guard.
|
|
|
|
After this Daisy was never at home, and Winterbourne ceased to meet her
|
|
at the houses of their common acquaintances, because, as he perceived,
|
|
these shrewd people had quite made up their minds that she was going too far.
|
|
They ceased to invite her; and they intimated that they desired to
|
|
express to observant Europeans the great truth that, though Miss Daisy
|
|
Miller was a young American lady, her behavior was not representative--
|
|
was regarded by her compatriots as abnormal. Winterbourne wondered
|
|
how she felt about all the cold shoulders that were turned toward her,
|
|
and sometimes it annoyed him to suspect that she did not feel at all.
|
|
He said to himself that she was too light and childish, too uncultivated
|
|
and unreasoning, too provincial, to have reflected upon her ostracism,
|
|
or even to have perceived it. Then at other moments he believed that she
|
|
carried about in her elegant and irresponsible little organism a defiant,
|
|
passionate, perfectly observant consciousness of the impression she produced.
|
|
He asked himself whether Daisy's defiance came from the consciousness
|
|
of innocence, or from her being, essentially, a young person of the
|
|
reckless class. It must be admitted that holding one's self to a belief
|
|
in Daisy's "innocence" came to seem to Winterbourne more and more a matter
|
|
of fine-spun gallantry. As I have already had occasion to relate, he was
|
|
angry at finding himself reduced to chopping logic about this young lady;
|
|
he was vexed at his want of instinctive certitude as to how far her
|
|
eccentricities were generic, national, and how far they were personal.
|
|
From either view of them he had somehow missed her, and now it was too late.
|
|
She was "carried away" by Mr. Giovanelli.
|
|
|
|
A few days after his brief interview with her mother, he encountered
|
|
her in that beautiful abode of flowering desolation known as the
|
|
Palace of the Caesars. The early Roman spring had filled the air
|
|
with bloom and perfume, and the rugged surface of the Palatine
|
|
was muffled with tender verdure. Daisy was strolling along
|
|
the top of one of those great mounds of ruin that are embanked
|
|
with mossy marble and paved with monumental inscriptions.
|
|
It seemed to him that Rome had never been so lovely as just then.
|
|
He stood, looking off at the enchanting harmony of line and color
|
|
that remotely encircles the city, inhaling the softly humid odors,
|
|
and feeling the freshness of the year and the antiquity
|
|
of the place reaffirm themselves in mysterious interfusion.
|
|
It seemed to him also that Daisy had never looked so pretty,
|
|
but this had been an observation of his whenever he met her.
|
|
Giovanelli was at her side, and Giovanelli, too, wore an aspect
|
|
of even unwonted brilliancy.
|
|
|
|
"Well," said Daisy, "I should think you would be lonesome!"
|
|
|
|
"Lonesome?" asked Winterbourne.
|
|
|
|
"You are always going round by yourself. Can't you get anyone
|
|
to walk with you?"
|
|
|
|
"I am not so fortunate," said Winterbourne, "as your companion."
|
|
|
|
Giovanelli, from the first, had treated Winterbourne with
|
|
distinguished politeness. He listened with a deferential air
|
|
to his remarks; he laughed punctiliously at his pleasantries;
|
|
he seemed disposed to testify to his belief that Winterbourne
|
|
was a superior young man. He carried himself in no degree
|
|
like a jealous wooer; he had obviously a great deal of tact;
|
|
he had no objection to your expecting a little humility of him.
|
|
It even seemed to Winterbourne at times that Giovanelli would
|
|
find a certain mental relief in being able to have a private
|
|
understanding with him--to say to him, as an intelligent man,
|
|
that, bless you, HE knew how extraordinary was this
|
|
young lady, and didn't flatter himself with delusive--
|
|
or at least TOO delusive--hopes of matrimony and dollars.
|
|
On this occasion he strolled away from his companion to pluck
|
|
a sprig of almond blossom, which he carefully arranged
|
|
in his buttonhole.
|
|
|
|
"I know why you say that," said Daisy, watching Giovanelli.
|
|
"Because you think I go round too much with HIM."
|
|
And she nodded at her attendant.
|
|
|
|
"Every one thinks so--if you care to know," said Winterbourne.
|
|
|
|
"Of course I care to know!" Daisy exclaimed seriously.
|
|
"But I don't believe it. They are only pretending to be shocked.
|
|
They don't really care a straw what I do. Besides, I don't
|
|
go round so much."
|
|
|
|
"I think you will find they do care. They will show it disagreeably."
|
|
|
|
Daisy looked at him a moment. "How disagreeably?"
|
|
|
|
"Haven't you noticed anything?" Winterbourne asked.
|
|
|
|
"I have noticed you. But I noticed you were as stiff as an umbrella
|
|
the first time I saw you."
|
|
|
|
"You will find I am not so stiff as several others,"
|
|
said Winterbourne, smiling.
|
|
|
|
"How shall I find it?"
|
|
|
|
"By going to see the others."
|
|
|
|
"What will they do to me?"
|
|
|
|
"They will give you the cold shoulder. Do you know what that means?"
|
|
|
|
Daisy was looking at him intently; she began to color.
|
|
"Do you mean as Mrs. Walker did the other night?"
|
|
|
|
"Exactly!" said Winterbourne.
|
|
|
|
She looked away at Giovanelli, who was decorating himself
|
|
with his almond blossom. Then looking back at Winterbourne,
|
|
"I shouldn't think you would let people be so unkind!" she said.
|
|
|
|
"How can I help it?" he asked.
|
|
|
|
"I should think you would say something."
|
|
|
|
"I do say something"; and he paused a moment. "I say that your mother
|
|
tells me that she believes you are engaged."
|
|
|
|
"Well, she does," said Daisy very simply.
|
|
|
|
Winterbourne began to laugh. "And does Randolph believe it?" he asked.
|
|
|
|
"I guess Randolph doesn't believe anything," said Daisy.
|
|
Randolph's skepticism excited Winterbourne to further hilarity,
|
|
and he observed that Giovanelli was coming back to them.
|
|
Daisy, observing it too, addressed herself again to her countryman.
|
|
"Since you have mentioned it," she said, "I AM engaged."
|
|
* * * Winterbourne looked at her; he had stopped laughing.
|
|
"You don't believe!" she added.
|
|
|
|
He was silent a moment; and then, "Yes, I believe it," he said.
|
|
|
|
"Oh, no, you don't!" she answered. "Well, then--I am not!"
|
|
|
|
The young girl and her cicerone were on their way to the gate
|
|
of the enclosure, so that Winterbourne, who had but lately entered,
|
|
presently took leave of them. A week afterward he went to dine
|
|
at a beautiful villa on the Caelian Hill, and, on arriving,
|
|
dismissed his hired vehicle. The evening was charming, and he
|
|
promised himself the satisfaction of walking home beneath the Arch
|
|
of Constantine and past the vaguely lighted monuments of the Forum.
|
|
There was a waning moon in the sky, and her radiance was not brilliant,
|
|
but she was veiled in a thin cloud curtain which seemed to diffuse
|
|
and equalize it. When, on his return from the villa (it was eleven
|
|
o'clock), Winterbourne approached the dusky circle of the Colosseum,
|
|
it recurred to him, as a lover of the picturesque, that the interior,
|
|
in the pale moonshine, would be well worth a glance. He turned aside
|
|
and walked to one of the empty arches, near which, as he observed,
|
|
an open carriage--one of the little Roman streetcabs--was stationed.
|
|
Then he passed in, among the cavernous shadows of the great structure,
|
|
and emerged upon the clear and silent arena. The place had never
|
|
seemed to him more impressive. One-half of the gigantic circus
|
|
was in deep shade, the other was sleeping in the luminous dusk.
|
|
As he stood there he began to murmur Byron's famous lines,
|
|
out of "Manfred," but before he had finished his quotation
|
|
he remembered that if nocturnal meditations in the Colosseum are
|
|
recommended by the poets, they are deprecated by the doctors.
|
|
The historic atmosphere was there, certainly; but the historic atmosphere,
|
|
scientifically considered, was no better than a villainous miasma.
|
|
Winterbourne walked to the middle of the arena, to take a more
|
|
general glance, intending thereafter to make a hasty retreat.
|
|
The great cross in the center was covered with shadow;
|
|
it was only as he drew near it that he made it out distinctly.
|
|
Then he saw that two persons were stationed upon the low steps which
|
|
formed its base. One of these was a woman, seated; her companion
|
|
was standing in front of her.
|
|
|
|
Presently the sound of the woman's voice came to him distinctly
|
|
in the warm night air. "Well, he looks at us as one of the old
|
|
lions or tigers may have looked at the Christian martyrs!"
|
|
These were the words he heard, in the familiar accent of
|
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Miss Daisy Miller.
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"Let us hope he is not very hungry," responded the ingenious Giovanelli.
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"He will have to take me first; you will serve for dessert!"
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Winterbourne stopped, with a sort of horror, and, it must be added,
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with a sort of relief. It was as if a sudden illumination had been
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flashed upon the ambiguity of Daisy's behavior, and the riddle had
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become easy to read. She was a young lady whom a gentleman need
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no longer be at pains to respect. He stood there, looking at her--
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looking at her companion and not reflecting that though he saw
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them vaguely, he himself must have been more brightly visible.
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He felt angry with himself that he had bothered so much about
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the right way of regarding Miss Daisy Miller. Then, as he was going
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to advance again, he checked himself, not from the fear that he was doing
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her injustice, but from a sense of the danger of appearing unbecomingly
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exhilarated by this sudden revulsion from cautious criticism.
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He turned away toward the entrance of the place, but, as he did so,
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he heard Daisy speak again.
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"Why, it was Mr. Winterbourne! He saw me, and he cuts me!"
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What a clever little reprobate she was, and how smartly she played
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at injured innocence! But he wouldn't cut her. Winterbourne came
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forward again and went toward the great cross. Daisy had got up;
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Giovanelli lifted his hat. Winterbourne had now begun to think
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simply of the craziness, from a sanitary point of view, of a delicate
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young girl lounging away the evening in this nest of malaria.
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What if she WERE a clever little reprobate? that was no reason
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for her dying of the perniciosa. "How long have you been here?"
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he asked almost brutally.
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Daisy, lovely in the flattering moonlight, looked at him a moment.
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Then--"All the evening," she answered, gently. * * * "I never saw
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anything so pretty."
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"I am afraid," said Winterbourne, "that you will not think
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Roman fever very pretty. This is the way people catch it.
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I wonder," he added, turning to Giovanelli, "that you,
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a native Roman, should countenance such a terrible indiscretion."
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"Ah," said the handsome native, "for myself I am not afraid."
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"Neither am I--for you! I am speaking for this young lady."
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Giovanelli lifted his well-shaped eyebrows and showed his brilliant teeth.
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But he took Winterbourne's rebuke with docility. "I told the signorina it
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was a grave indiscretion, but when was the signorina ever prudent?"
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"I never was sick, and I don't mean to be!" the signorina declared.
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"I don't look like much, but I'm healthy! I was bound to see the Colosseum
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by moonlight; I shouldn't have wanted to go home without that;
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and we have had the most beautiful time, haven't we, Mr. Giovanelli?
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If there has been any danger, Eugenio can give me some pills.
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He has got some splendid pills."
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"I should advise you," said Winterbourne, "to drive home as fast
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as possible and take one!"
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"What you say is very wise," Giovanelli rejoined.
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"I will go and make sure the carriage is at hand."
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And he went forward rapidly.
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Daisy followed with Winterbourne. He kept looking at her;
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she seemed not in the least embarrassed. Winterbourne said nothing;
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Daisy chattered about the beauty of the place. "Well, I
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HAVE seen the Colosseum by moonlight!" she exclaimed.
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"That's one good thing." Then, noticing Winterbourne's silence,
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she asked him why he didn't speak. He made no answer;
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he only began to laugh. They passed under one of the
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dark archways; Giovanelli was in front with the carriage.
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Here Daisy stopped a moment, looking at the young American.
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"DID you believe I was engaged, the other day?" she asked.
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"It doesn't matter what I believed the other day,"
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said Winterbourne, still laughing.
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"Well, what do you believe now?"
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"I believe that it makes very little difference whether you
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are engaged or not!"
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He felt the young girl's pretty eyes fixed upon him through
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the thick gloom of the archway; she was apparently going to answer.
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But Giovanelli hurried her forward. "Quick! quick!" he said;
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"if we get in by midnight we are quite safe."
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Daisy took her seat in the carriage, and the fortunate Italian
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placed himself beside her. "Don't forget Eugenio's pills!"
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said Winterbourne as he lifted his hat.
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"I don't care," said Daisy in a little strange tone, "whether I have Roman
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fever or not!" Upon this the cab driver cracked his whip, and they rolled
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away over the desultory patches of the antique pavement.
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Winterbourne, to do him justice, as it were, mentioned to no one
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that he had encountered Miss Miller, at midnight, in the Colosseum
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with a gentleman; but nevertheless, a couple of days later, the fact
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of her having been there under these circumstances was known to every
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member of the little American circle, and commented accordingly.
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Winterbourne reflected that they had of course known it
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at the hotel, and that, after Daisy's return, there had been
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an exchange of remarks between the porter and the cab driver.
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But the young man was conscious, at the same moment, that it had
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ceased to be a matter of serious regret to him that the little
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American flirt should be "talked about" by low-minded menials.
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These people, a day or two later, had serious information to give:
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the little American flirt was alarmingly ill. Winterbourne, when the
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rumor came to him, immediately went to the hotel for more news.
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He found that two or three charitable friends had preceded him,
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and that they were being entertained in Mrs. Miller's salon by Randolph.
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"It's going round at night," said Randolph--"that's
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what made her sick. She's always going round at night.
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I shouldn't think she'd want to, it's so plaguy dark.
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You can't see anything here at night, except when there's a moon.
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In America there's always a moon!" Mrs. Miller was invisible;
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she was now, at least, giving her aughter the advantage of
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her society. It was evident that Daisy was dangerously ill.
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Winterbourne went often to ask for news of her, and once he saw Mrs. Miller,
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who, though deeply alarmed, was, rather to his surprise, perfectly composed,
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and, as it appeared, a most efficient and judicious nurse. She talked
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a good deal about Dr. Davis, but Winterbourne paid her the compliment
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of saying to himself that she was not, after all, such a monstrous goose.
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"Daisy spoke of you the other day," she said to him. "Half the time
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she doesn't know what she's saying, but that time I think she did.
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She gave me a message she told me to tell you. She told me to tell you
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that she never was engaged to that handsome Italian. I am sure I am
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very glad; Mr. Giovanelli hasn't been near us since she was taken ill.
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I thought he was so much of a gentleman; but I don't call that very polite!
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A lady told me that he was afraid I was angry with him for taking Daisy
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round at night. Well, so I am, but I suppose he knows I'm a lady.
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I would scorn to scold him. Anyway, she says she's not engaged.
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I don't know why she wanted you to know, but she said to me three times,
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'Mind you tell Mr. Winterbourne.' And then she told me to ask
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if you remembered the time you went to that castle in Switzerland.
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But I said I wouldn't give any such messages as that. Only, if she
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is not engaged, I'm sure I'm glad to know it."
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But, as Winterbourne had said, it mattered very little.
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A week after this, the poor girl died; it had been a terrible
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case of the fever. Daisy's grave was in the little
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Protestant cemetery, in an angle of the wall of imperial Rome,
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beneath the cypresses and the thick spring flowers.
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Winterbourne stood there beside it, with a number of other mourners,
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a number larger than the scandal excited by the young lady's
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career would have led you to expect. Near him stood Giovanelli,
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who came nearer still before Winterbourne turned away.
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Giovanelli was very pale: on this occasion he had no flower
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in his buttonhole; he seemed to wish to say something.
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At last he said, "She was the most beautiful young lady I
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ever saw, and the most amiable"; and then he added in a moment,
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"and she was the most innocent."
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Winterbourne looked at him and presently repeated his words,
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"And the most innocent?"
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"The most innocent!"
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Winterbourne felt sore and angry. "Why the devil," he asked,
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"did you take her to that fatal place?"
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Mr. Giovanelli's urbanity was apparently imperturbable.
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He looked on the ground a moment, and then he said, "For myself
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I had no fear; and she wanted to go."
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"That was no reason!" Winterbourne declared.
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The subtle Roman again dropped his eyes. "If she had lived,
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I should have got nothing. She would never have married me,
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I am sure."
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"She would never have married you?"
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"For a moment I hoped so. But no. I am sure."
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Winterbourne listened to him: he stood staring at the raw protuberance
|
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among the April daisies. When he turned away again, Mr. Giovanelli,
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with his light, slow step, had retired.
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Winterbourne almost immediately left Rome; but the following
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summer he again met his aunt, Mrs. Costello at Vevey.
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Mrs. Costello was fond of Vevey. In the interval Winterbourne
|
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had often thought of Daisy Miller and her mystifying manners.
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One day he spoke of her to his aunt--said it was on his conscience
|
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that he had done her injustice.
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"I am sure I don't know," said Mrs. Costello. "How did your
|
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injustice affect her?"
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"She sent me a message before her death which I didn't
|
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understand at the time; but I have understood it since.
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She would have appreciated one's esteem."
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"Is that a modest way," asked Mrs. Costello, "of saying that she would
|
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have reciprocated one's affection?"
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Winterbourne offered no answer to this question; but he presently said,
|
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"You were right in that remark that you made last summer. I was booked
|
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to make a mistake. I have lived too long in foreign parts."
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Nevertheless, he went back to live at Geneva, whence there continue
|
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to come the most contradictory accounts of his motives of sojourn:
|
|
a report that he is "studying" hard--an intimation that he is much
|
|
interested in a very clever foreign lady.
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End of The Project Gutenberg Etext of Daisy Miller, by Henry James
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