6336 lines
253 KiB
Plaintext
6336 lines
253 KiB
Plaintext
1904
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PETER PAN
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by James M. Barrie
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CHAPTER I.
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PETER BREAKS THROUGH.
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All children, except one, grow up. They soon know that they will
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grow up, and the way Wendy knew was this. One day when she was two
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years old she was playing in a garden, and she plucked another
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flower and ran with it to her mother. I suppose she must have looked
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rather delightful, for Mrs. Darling put her hand to her heart and
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cried, "Oh, why can't you remain like this for ever!" This was all
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that passed between them on the subject, but henceforth Wendy knew
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that she must grow up. You always know after you are two. Two is the
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beginning of the end.
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Of course they lived at 14, and until Wendy came her mother was
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the chief one. She was a lovely lady, with a romantic mind and such
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a sweet mocking mouth. Her romantic mind was like the tiny boxes,
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one within the other, that come from the puzzling East, however many
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you discover there is always one more; and her sweet mocking mouth had
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one kiss on it that Wendy could never get, though there it was,
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perfectly conspicuous in the right-hand corner.
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The way Mr. Darling won her was this: the many gentlemen who had
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been boys when she was a girl discovered simultaneously that they
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loved her, and they all ran to her house to propose to her except
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Mr. Darling, who took a cab and nipped in first, and so he got her. He
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got all of her, except the innermost box and the kiss. He never knew
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about the box, and in time he gave up trying for the kiss. Wendy
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thought Napoleon could have got it, but I can picture him trying,
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and then going off in a passion, slamming the door.
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Mr. Darling used to boast to Wendy that her mother not only loved
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him but respected him. He was one of those deep ones who know about
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stocks and shares. Of course no one really knows, but he quite
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seemed to know, and he often said stocks were up and shares were
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down in a way that would have made any woman respect him.
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Mrs. Darling was married in white, and at first she kept the books
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perfectly, almost gleefully, as if it were a game, not so much as a
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Brussels sprout was missing; but by and by whole cauliflowers
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dropped out, and instead of them there were pictures of babies without
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faces. She drew them when she should have been totting up. They were
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Mrs. Darling's guesses.
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Wendy came first, then John, then Michael.
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For a week or two after Wendy came it was doubtful whether they
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would be able to keep her, as she was another mouth to feed. Mr.
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Darling was frightfully proud of her, but he was very honourable,
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and he sat on the edge of Mrs. Darling's bed, holding her hand and
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calculating expenses, while she looked at him imploringly. She
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wanted to risk it, come what might, but that was not his way; his
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way was with a pencil and a piece of paper, and if she confused him
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with suggestions he had to begin at the beginning again.
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"Now don't interrupt," he would beg of her.
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"I have one pound seventeen here, and two and six at the office; I
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can cut off my coffee at the office, say ten shillings, making two
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nine and six, with your eighteen and three makes three nine seven,
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with five naught naught in my cheque-book makes eight nine seven,- who
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is that moving?- eight nine seven, dot and carry seven- don't speak,
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my own- and the pound you lent to that man who came to the door-
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quiet, child- dot and carry child- there, you've done it!- did I say
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nine nine seven? yes, I said nine nine seven; the question is, can
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we try it for a year on nine nine seven?"
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"Of course we can, George," she cried. But she was prejudiced in
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Wendy's favour, and he was really the grander character of the two.
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"Remember mumps," he warned her almost threateningly, and off he
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went again. "Mumps one pound, that is what I have put down, but I
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daresay it will be more like thirty shillings- don't speak- measles
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one five, German measles half a guinea, makes two fifteen six- don't
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waggle your finger- whooping-cough, say fifteen shillings"- and so
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on it went, and it added up differently each time, but at last Wendy
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just got through, with mumps reduced to twelve six, and the two
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kinds of measles treated as one.
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There was the same excitement over John, and Michael had even a
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narrower squeak; but both were kept, and soon, you might have seen the
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three of them going in a row to Miss Fulsom's Kindergarten school,
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accompanied by their nurse.
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Mrs. Darling loved to have everything just so, and Mr. Darling had a
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passion for being exactly like his neighbours; so, of course, they had
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a nurse. As they were poor, owing to the amount of milk the children
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drank, this nurse was a prim Newfoundland dog, called Nana, who had
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belonged to no one in particular until the Darlings engaged her. She
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had always thought children important, however, and the Darlings had
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become acquainted with her in Kensington Gardens, where she spent most
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of her spare time peeping into perambulators, and was much hated by
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careless nursemaids, whom she followed to their homes and complained
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of to their mistresses. She proved to be quite a treasure of a
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nurse. How thorough she was at bath-time, and up at any moment of
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the night if one of her charges made the slightest cry. Of course
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her kennel was in the nursery. She had a genius for knowing when a
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cough is a thing to have no patience with and when it needs stocking
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round your throat. She believed to her last day in old-fashioned
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remedies like rhubarb leaf, and made sounds of contempt over all
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this new-fangled talk about germs, and so on. It was a lesson in
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propriety to see her escorting the children to school, walking
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sedately by their side when they were well behaved, and butting them
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back into line if they strayed. On John's footer days she never once
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forgot his sweater, and she usually carried an umbrella in her mouth
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in case of rain. There is a room in the basement of Miss Fulsom's
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school where the nurses wait. They sat on forms, while Nana lay on the
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floor, but that was the only difference. They affected to ignore her
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as of an inferior social status to themselves, and she despised
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their light talk. She resented visits to the nursery from Mrs.
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Darling's friends, but if they did come she first whipped off
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Michael's pinafore and put him into the one with blue braiding, and
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smoothed out Wendy and made a dash at John's hair.
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No nursery could possibly have been conducted more correctly, and
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Mr. Darling knew it, yet he sometimes wondered uneasily whether the
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neighbours talked.
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He had his position in the city to consider.
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Nana also troubled him in another way. He had sometimes a feeling
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that she did not admire him. "I know she admires you tremendously,
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George," Mrs. Darling would assure him, and then she would sign to the
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children to be specially nice to father. Lovely dances followed, in
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which the only other servant, Liza, was sometimes allowed to join.
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Such a midget she looked in her long skirt and maid's cap, though
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she had sworn, when engaged, that she would never see ten again. The
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gaiety of those romps! And gayest of all was Mrs. Darling, who would
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pirouette so wildly that all you could see of her was the kiss, and
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then if you had dashed at her you might have got it. There never was a
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simpler happier family until the coming of Peter Pan.
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Mrs. Darling first heard of Peter when she was tidying up her
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children's minds. It is the nightly custom of every good mother
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after her children are asleep to rummage in their minds and put things
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straight for next morning, repacking into their proper places the many
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articles that have wandered during the day. If you could keep awake
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(but of course you can't) you would see your own mother doing this,
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and you would find it very interesting to watch her. It is quite
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like tidying up drawers. You would see her on her knees, I expect,
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lingering humorously over some of your contents, wondering where on
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earth you had picked this thing up, making discoveries sweet and not
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so sweet, pressing this to her cheek as if it were as nice as a
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kitten, and hurriedly stowing that out of sight. When you wake in
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the morning, the naughtinesses and evil passions with which you went
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to bed have been folded up small and placed at the bottom of your
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mind, and on the top, beautifully aired, are spread out your
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prettier thoughts, ready for you to put on.
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I don't know whether you have ever seen a map of a person's mind.
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Doctors sometimes draw maps of other parts of you, and your own map
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can become intensely interesting, but catch them trying to draw a
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map of a child's mind, which is not only confused, but keeps going
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round all the time. There are zigzag lines on it, just like your
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temperature on a card, and these are probably roads in the island, for
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the Neverland is always more or less an island, with astonishing
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splashes of colour here and there, and coral reefs and
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rakish-looking craft in the offing, and savages and lonely lairs,
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and gnomes who are mostly tailors, and caves through which a river
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runs, and princes with six elder brothers, and a hut fast going to
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decay, and one very small old lady with a hooked nose. It would be
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an easy map if that were all, but there is also first day at school,
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religion, fathers, the round pond, needle-work, murders, hangings,
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verbs that take the dative, chocolate pudding day, getting into
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braces, say ninety-nine, threepence for pulling out your tooth
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yourself, and so on, and either are part of the island or they are
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another map showing through, it is all rather confusing, especially as
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nothing will stand still.
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Of course the Neverlands vary a good deal. John's for instance,
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had a lagoon with flamingoes flying over it at which John was
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shooting, while Michael, who was very small, had a flamingo with
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lagoons flying over it. John lived in a boat turned upside down on the
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sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn
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together. John had no friends, Michael had friends at night, Wendy had
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a pet wolf forsaken by its parents. But on the whole the Neverlands
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have a family resemblance, and if they stood still in a row you
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could say of them that they have each other's nose, and so forth. On
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these magic shores children at play are for ever beaching their
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coracles. We too have been there; we can still hear the sound of the
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surf, though we shall land no more.
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Of all delectable islands the Neverland is the suggest and most
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compact, not large and sprawly, you know, with tedious distances
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between one adventure and another, but nicely crammed. When you play
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at it by day with the chairs and tablecloth, it is not in the least
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alarming, but in the two minutes before you go to sleep it becomes
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very nearly real. That is why there are night-lights.
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Occasionally in her travels through her children's minds Mrs.
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Darling found things she could not understand, and of these quite
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the most perplexing was the word Peter. She knew of no Peter, and
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yet he was here and there in John and Michael's minds, while Wendy's
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began to be scrawled all over with him. The name stood out in bolder
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letters than any of the other words, and as Mrs. Darling gazed she
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felt that it had an oddly cocky appearance.
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"Yes, he is rather cocky," Wendy admitted with regret. Her mother
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had been questioning her.
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"But who is he, my pet?"
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"He is Peter Pan, you know, mother."
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At first Mrs. Darling did not know, but after thinking back into her
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childhood she just remembered a Peter Pan who was said to live with
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the fairies. There were odd stories about him, as that when children
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died he went part of the way with them, so that they should not be
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frightened. She had believed in him at the time, but now that she
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was married and full of sense she quite doubted whether there was
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any such person.
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"Besides," she said to Wendy, "he would be grown up by this time."
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"Oh no, he isn't grown up," Wendy assured her confidently, "and he
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is just my size." She meant that he was her size in both mind and
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body; she didn't know how she knew it, she just knew it.
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Mrs. Darling consulted Mr. Darling, but he smiled pooh-pooh. "Mark
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my words," he said, "it is some nonsense Nana has been putting into
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their heads; just the sort of idea a dog would have. Leave it alone,
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and it will blow over."
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But it would not blow over, and soon the troublesome boy gave Mrs.
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Darling quite a shock.
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Children have the strangest adventures without being troubled by
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them. For instance, they may remember to mention, a week after the
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event happened, that when they were in the wood they met their dead
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father and had a game with him. It was in this casual way that Wendy
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one morning made a disquieting revelation. Some leaves of a tree had
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been found on the nursery floor, which certainly were not there when
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the children went to bed, and Mrs. Darling was puzzling over them when
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Wendy said with a tolerant smile:
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"I do believe it is that Peter again!"
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"Whatever do you mean, Wendy?"
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"It's so naughty of him not to wipe," Wendy said, sighing. She was a
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tidy child.
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She explained in quite a matter-of-fact way that she thought Peter
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sometimes came to the nursery in the night and sat on the foot of
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her bed and played on his pipes to her. Unfortunately she never
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woke, so she didn't know how she knew, she just knew.
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"What nonsense you talk, precious! No one can get into the house
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without knocking."
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"I think he comes in by the window," she said.
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"My love, it is three floors up."
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"Weren't the leaves at the foot of the window, mother?"
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It was quite true; the leaves had been found very near the window.
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Mrs. Darling did not know what to think, for it all seemed so
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natural to Wendy that you could not dismiss it by saying she had
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been dreaming.
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"My child," the mother cried, "why did you not tell me of this
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before?"
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"I forgot," said Wendy lightly. She was in a hurry to get her
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breakfast.
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Oh, surely she must have been dreaming.
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But, on the other hand, there were the leaves. Mrs. Darling examined
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them carefully; they were skeleton leaves, but she was sure they did
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not come from any tree that grew in England. She crawled about the
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floor, peering at it with a candle for marks of a strange foot. She
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rattled the poker up the chimney and tapped the walls. She let down
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a tape from the window to the pavement, and it was a sheer drop of
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thirty feet, without so much as a spout to climb up by.
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Certainly Wendy had been dreaming.
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But Wendy had not been dreaming, as the very next night showed,
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the night on which the extraordinary adventures of these children
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may be said to have begun.
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On the night we speak of all the children were once more in bed.
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It happened to be Nana's evening off, and Mrs. Darling had bathed them
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and sung to them till one by one they had let go her hand and slid
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away into the land of sleep.
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All were looking so safe and cosy that she smiled at her fears now
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and sat down tranquilly by the fire to sew.
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It was something for Michael, who on his birthday was getting into
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shirts. The fire was warm, however, and the nursery dimly lit by three
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night-lights, and presently the sewing lay on Mrs. Darling's lap. Then
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her head nodded, oh, so gracefully. She was asleep. Look at the four
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of them, Wendy and Michael over there, John here, and Mrs. Darling
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by the fire. There should have been a fourth night-light.
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While she slept she had a dream. She dreamt that the Neverland had
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come too near and that a strange boy had broken through from it. He
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did not alarm her, for she thought she had seen him before in the
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faces of many women who have no children. Perhaps he is to be found in
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the faces of some mothers also. But in her dream he had rent the
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film that obscures the Neverland, and she saw Wendy and John and
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Michael peeping through the gap.
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The dream by itself would have been a trifle, but while she was
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dreaming the window of the nursery blew open, and a boy did drop on
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the floor. He was accompanied by a strange light, no bigger than
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your fist, which darted about the room like a living thing, and I
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think it must have been this light that wakened Mrs. Darling.
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She started up with a cry, and saw the boy, and somehow she knew
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at once that he was Peter Pan. If you or I or Wendy had been there
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we should have seen that he was very like Mrs. Darling's kiss. He
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was a lovely boy, clad in skeleton leaves and the juices that ooze out
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of trees, but the most entrancing thing about him was that he had
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all his first teeth. When he saw she was a grown-up, he gnashed the
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little pearls at her.
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CHAPTER II.
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THE SHADOW.
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Mrs. Darling screamed, and, as if in answer to a bell, the door
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opened, and Nana entered, returned from her evening out. She growled
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and sprang at the boy, who leapt lightly through the window. Again
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Mrs. Darling screamed, this time in distress for him, for she
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thought he was killed, and she ran down into the street to look for
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his little body, but it was not there; and she looked up, and in the
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black night she could see nothing but what she thought was a
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shooting star.
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She returned to the nursery, and found Nana with something in her
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mouth, which proved to be the boy's shadow. As he leapt at the
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window Nana had closed it quickly, too late to catch him, but his
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shadow had not had time to get out; slam went the window and snapped
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it off.
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You may be sure Mrs. Darling examined the shadow carefully, but it
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was quite the ordinary kind.
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Nana had no doubt of what was the best thing to do with this shadow.
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She hung it out at the window, meaning "He is sure to come back for
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it; let us put it where he can get it easily without disturbing the
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children."
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But unfortunately Mrs. Darling could not leave it hanging out at the
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window, it looked so like the washing and lowered the whole tone of
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the house. She thought of showing it to Mr. Darling, but he was
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totting up winter great-coats for John and Michael, with a wet towel
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round his head to keep his brain clear, and it seemed a shame to
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trouble him; besides, she knew exactly what he would say: "It all
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comes of having a dog for a nurse."
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She decided to roll the shadow up and put it away carefully in a
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drawer, until a fitting opportunity came for telling her husband. Ah
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me!
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The opportunity came a week later, on that never-to-be-forgotten
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Friday. Of course it was a Friday.
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"I ought to have been specially careful on a Friday," she used to
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say afterwards to her husband, while perhaps Nana was on the other
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side of her, holding her hand.
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"No, no," Mr. Darling always said, "I am responsible for it all.
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I, George Darling, did it. Mea culpa, mea culpa." He had had a
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classical education.
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They sat thus night after night recalling that fatal Friday, till
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every detail of it was stamped on their brains and came through on the
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other side like the faces on a bad coinage.
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"If only I had not accepted that invitation to dine at 27," Mrs.
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Darling said.
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"If only I had not poured my medicine into Nana's bowl," said Mr.
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Darling.
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"If only I had pretended to like the medicine," was what Nana's
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wet eyes said.
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"My liking for parties, George."
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"My fatal gift of humour, dearest."
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"My touchiness about trifles, dear master and mistress."
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Then one or more of them would break down altogether; Nana at the
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thought, "It's true, it's true, they ought not to have had a dog for a
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nurse." Many a time it was Mr. Darling who put the handkerchief to
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Nana's eyes.
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"That fiend!" Mr. Darling would cry, and Nana's bark was the echo of
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it, but Mrs. Darling never upbraided Peter; there was something in the
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right-hand corner of her mouth that wanted her not to call Peter
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names.
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They would sit there in the empty nursery, recalling fondly every
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smallest detail of that dreadful evening. It had begun so
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uneventfully, so precisely like a hundred other evenings, with Nana
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putting on the water for Michael's bath and carrying him to it on
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her back.
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"I won't go to bed," he had shouted, like one who still believed
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that he had the last word on the subject, "I won't, I won't. Nana,
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it isn't six o'clock yet. Oh dear, oh dear, I shan't love you any
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more, Nana. I tell you I won't be bathed, I won't, I won't!"
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Then Mrs. Darling had come in, wearing her white evening-gown. She
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had dressed early because Wendy so loved to see her in her
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evening-gown, with the necklace George had given her. She was
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wearing Wendy's bracelet on her arm; she had asked for the loan of it.
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Wendy so loved to lend her bracelet to her mother.
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She had found her two older children playing at being herself and
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father on the occasion of Wendy's birth, and John was saying:
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"I am happy to inform you, Mrs. Darling, that you are now a mother,"
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in just such a tone as Mr. Darling himself may have used on the real
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occasion.
|
|
|
|
Wendy had danced with joy, just as the real Mrs. Darling must have
|
|
done.
|
|
|
|
Then John was born, with the extra pomp that he conceived due to the
|
|
birth of a male, and Michael came from his bath to ask to be born
|
|
also, but John said brutally that they did not want any more.
|
|
|
|
Michael had nearly cried. "Nobody wants me," he said, and of
|
|
course the lady in evening-dress could not stand that.
|
|
|
|
"I do," she said, "I so want a third child."
|
|
|
|
"Boy or girl?" asked Michael, not too hopefully.
|
|
|
|
"Boy."
|
|
|
|
Then he had leapt into her arms. Such a little thing for Mr. and
|
|
Mrs. Darling and Nana to recall now, but not so little if that was
|
|
to be Michael's last night in the nursery.
|
|
|
|
They go on with their recollections.
|
|
|
|
"It was then that I rushed in like a tornado, wasn't it?" Mr.
|
|
Darling would say, scorning himself; and indeed he had been like a
|
|
tornado.
|
|
|
|
Perhaps there was some excuse for him. He, too, had been dressing
|
|
for the party, and all had gone well with him until he came to his
|
|
tie. It is an astounding thing to have to tell, but this man, though
|
|
he knew about stocks and shares, had no real mastery of his tie.
|
|
Sometimes the thing yielded to him without a contest, but there were
|
|
occasions when it would have been better for the house if he had
|
|
swallowed his pride and used a made-up tie.
|
|
|
|
This was such an occasion. He came rushing into the nursery with the
|
|
crumpled little brute of a tie in his hand.
|
|
|
|
"Why, what is the matter, father dear?"
|
|
|
|
"Matter!" he yelled; he really yelled. "This tie, it will not
|
|
tie." He became dangerously sarcastic. "Not round my neck! Round the
|
|
bed-post! Oh yes, twenty times have I made it up round the bed-post,
|
|
but round my neck, no! Oh dear no! begs to be excused!"
|
|
|
|
He thought Mrs. Darling was not sufficiently impressed, and he
|
|
went on sternly, "I warn you of this, mother, that unless this tie
|
|
is round my neck we don't go out to dinner to-night, and if I don't go
|
|
out to dinner tonight, I never go to the office again, and if I
|
|
don't go to the office again, you and I starve, and our children
|
|
will be flung into the streets."
|
|
|
|
Even then Mrs. Darling was placid. "Let me try, dear," she said, and
|
|
indeed that was what he had come to ask her to do, and with her nice
|
|
cool hands she tied his tie for him, while the children stood around
|
|
to see their fate decided. Some men would have resented her being able
|
|
to do it so easily, but Mr. Darling was far too fine a nature for
|
|
that; he thanked her carelessly, at once forgot his rage, and in
|
|
another moment was dancing round the room with Michael on his back.
|
|
|
|
"How wildly we romped!" says Mrs. Darling now, recalling it.
|
|
|
|
"Our last romp!" Mr. Darling groaned.
|
|
|
|
"O George, do you remember Michael suddenly said to me, 'How did you
|
|
get to know me, mother?'"
|
|
|
|
"I remember!"
|
|
|
|
"They were rather sweet, don't you think, George?"
|
|
|
|
"And they were ours, ours! and now they are gone?"
|
|
|
|
The romp had ended with the appearance of Nana, and most unluckily
|
|
Mr. Darling collided against her, covering his trousers with hairs.
|
|
They were not only new trousers, but they were the first he had ever
|
|
had with braid on them, and he had to bite his lip to prevent the
|
|
tears coming. Of course Mrs. Darling brushed him, but he began to talk
|
|
again about its being a mistake to have a dog for a nurse.
|
|
|
|
"George, Nana is a treasure."
|
|
|
|
"No doubt, but I have an uneasy feeling at times that she looks upon
|
|
the children as puppies."
|
|
|
|
"Oh no, dear one, I feel sure she knows they have souls."
|
|
|
|
"I wonder," Mr. Darling said thoughtfully, "I wonder." It was an
|
|
opportunity, his wife felt, for telling him about the boy. At first he
|
|
pooh-poohed the story, but he became thoughtful when she showed him
|
|
the shadow.
|
|
|
|
"It is nobody I know," he said, examining it carefully, "but he does
|
|
look a scoundrel."
|
|
|
|
"We were still discussing it, you remember," says Mr. Darling, "when
|
|
Nana came in with Michael's medicine. You will never carry the
|
|
bottle in your mouth again, Nana, and it is all my fault."
|
|
|
|
Strong man though he was, there is no doubt that he had behaved
|
|
rather foolishly over the medicine. If he had a weakness, it was for
|
|
thinking that all his life he had taken medicine boldly, and so now,
|
|
when Michael dodged the spoon in Nana's mouth, he had said
|
|
reprovingly, "Be a man, Michael."
|
|
|
|
"Won't; won't!" Michael cried naughtily. Mrs. Darling left the
|
|
room to get a chocolate for him, and Mr. Darling thought this showed
|
|
want of firmness.
|
|
|
|
"Mother, don't pamper him," he called after her. "Michael, when I
|
|
was your age I took medicine without a murmur. I said 'Thank you, kind
|
|
parents, for giving me bottles to make me well.'"
|
|
|
|
He really thought this was true, and Wendy, who was now in her
|
|
night-gown, believed it also, and she said, to encourage Michael,
|
|
"That medicine you sometimes take, father, is much nastier, isn't it?"
|
|
|
|
"Ever so much nastier," Mr. Darling said bravely, "and I would
|
|
take it now as an example to you, Michael, if I hadn't lost the
|
|
bottle."
|
|
|
|
He had not exactly lost it; he had climbed in the dead of night to
|
|
the top of the wardrobe and hidden it there. What he did not know
|
|
was that the faithful Liza had found it, and put it back on his
|
|
wash-stand.
|
|
|
|
"I know where it is, father," Wendy cried, always glad to be of
|
|
service. "I'll bring it," and she was off before he could stop her.
|
|
Immediately his spirits sank in the strangest way.
|
|
|
|
"John," he said, shuddering, "it's most beastly stuff. It's that
|
|
nasty, sticky, sweet kind."
|
|
|
|
"It will soon be over, father," John said cheerily, and then in
|
|
rushed Wendy with the medicine in a glass.
|
|
|
|
"I have been as quick as I could," she panted.
|
|
|
|
"You have been wonderfully quick," her father retorted, with a
|
|
vindictive politeness that was quite thrown away upon her. "Michael
|
|
first," he said doggedly.
|
|
|
|
"Father first," said Michael, who was of a suspicious nature.
|
|
|
|
"I shall be sick, you know," Mr. Darling said threateningly.
|
|
|
|
"Come on, father," said John.
|
|
|
|
"Hold your tongue, John," his father rapped out.
|
|
|
|
Wendy was quite puzzled. "I thought you took it quite easily,
|
|
father."
|
|
|
|
"That is not the point," he retorted. "The point is, that there is
|
|
more in my glass than in Michael's spoon." His proud heart was
|
|
nearly bursting. "And it isn't fair; I would say it though it were
|
|
with my last breath; it isn't fair."
|
|
|
|
"Father, I am waiting," said Michael coldly.
|
|
|
|
"It's all very well to say you are waiting; so am I waiting."
|
|
|
|
"Father's a cowardy custard."
|
|
|
|
"So are you a cowardy custard."
|
|
|
|
"I'm not frightened?"
|
|
|
|
"Neither am I frightened."
|
|
|
|
"Well, then, take it."
|
|
|
|
"Well, then, you take it."
|
|
|
|
Wendy had a splendid idea. "Why not both take it at the same time?"
|
|
|
|
"Certainly," said Mr. Darling. "Are you ready, Michael?"
|
|
|
|
Wendy gave the words, one, two, three, and Michael took his
|
|
medicine, but Mr. Darling slipped his behind his back.
|
|
|
|
There was a yell of rage from Michael, and "O father!" Wendy
|
|
exclaimed.
|
|
|
|
"What do you mean by 'O father?'" Mr. Darling demanded. "Stop that
|
|
row, Michael. I meant to take mine, but I- I missed it."
|
|
|
|
It was dreadful the way all the three were looking at him, just as
|
|
if they did not admire him. "Look here, all of you," he said
|
|
entreatingly, as soon as Nana had gone into the bathroom, "I have just
|
|
thought of a splendid joke. I shall pour my medicine into Nana's bowl,
|
|
and she will drink it, thinking it is milk!"
|
|
|
|
It was the colour of milk; but the children did not have their
|
|
father's sense of humour, and they looked at him reproachfully as he
|
|
poured the medicine into Nana's bowl. "What fun!" he said
|
|
doubtfully, and they did not dare expose him when Mrs. Darling and
|
|
Nana returned.
|
|
|
|
"Nana, good dog," he said, patting her, "I have put a little milk
|
|
into your bowl, Nana."
|
|
|
|
Nana wagged her tail, ran to the medicine, and began lapping it.
|
|
Then she gave Mr. Darling such a look, not an angry look: she showed
|
|
him the great red tear that makes us so sorry for noble dogs, and
|
|
crept into her kennel.
|
|
|
|
Mr. Darling was frightfully ashamed of himself, but he would not
|
|
give in. In a horrid silence Mrs. Darling smelt the bowl. "O
|
|
George," she said, "it's your medicine!"
|
|
|
|
"It, was only a joke," he roared, while she comforted her boys,
|
|
and Wendy hugged Nana. "Much good," he said bitterly, "my wearing
|
|
myself to the bone trying to be funny in this house."
|
|
|
|
And still Wendy hugged Nana. "That's right," he shouted. "Coddle
|
|
her! Nobody coddles me. Oh dear no! I am only the breadwinner, why
|
|
should I be coddled- why, why, why!"
|
|
|
|
"George," Mrs. Darling entreated him, "not so loud; the servants
|
|
will hear you." Somehow they had got into the way of calling Liza
|
|
the servants.
|
|
|
|
"Let them!" he answered recklessly. "Bring in the whole world. But I
|
|
refuse to allow that dog to lord it in my nursery for an hour longer."
|
|
|
|
The children wept, and Nana ran to him beseechingly, but he waved
|
|
her back. He felt he was a strong man again. "In vain, in vain," he
|
|
cried; "the: proper place for you is the yard, and there you go to
|
|
be tied up this instant."
|
|
|
|
"George, George," Mrs. Darling whispered, "remember what I told
|
|
you about that boy."
|
|
|
|
Alas, he would not listen. He was determined to show who was
|
|
master in that house, and when commands would not draw Nana from the
|
|
kennel, he lured her out of it with honeyed words, and seizing her
|
|
roughly, dragged her from the nursery. He was ashamed of himself,
|
|
and yet he did it. It was all owing to his too affectionate nature,
|
|
which craved for admiration. When he had tied her up in the back-yard,
|
|
the wretched father went and sat in the passage, with his knuckles
|
|
to his eyes.
|
|
|
|
In the meantime Mrs. Darling had put the children to bed in unwonted
|
|
silence and lit their night-lights. They could hear Nana barking,
|
|
and John whimpered, "It is because he is chaining her up in the yard,"
|
|
but Wendy was wiser.
|
|
|
|
"That is not Nana's unhappy bark," she said, little guessing what
|
|
was about to happen; "that is her bark when she smells danger."
|
|
|
|
Danger!
|
|
|
|
"Are you sure, Wendy?"
|
|
|
|
"Oh yes?."
|
|
|
|
Mrs. Darling quivered and went to the window. It was securely
|
|
fastened. She looked out, and the night was peppered with stars.
|
|
They were crowding round the house, as if curious to see what was to
|
|
take place there, but she did not notice this, nor that one or two
|
|
of the smaller ones winked at her. Yet a nameless fear clutched at her
|
|
heart and made her cry, "Oh, how I wish that I wasn't going to a party
|
|
to-night!"
|
|
|
|
Even Michael, already half asleep, knew that she was perturbed,
|
|
and he asked, "Can anything harm us, mother, after the night-lights
|
|
are lit?"
|
|
|
|
"Nothing, precious," she said; "they are the eyes a mother leaves
|
|
behind her to guard her children."
|
|
|
|
She went from bed to bed singing enchantments over them, and
|
|
little Michael flung his arms round her. "Mother," he cried, "I'm glad
|
|
of you." They were the last words she was to hear from him for a
|
|
long time.
|
|
|
|
No. 27 was only a few yards distant, but there had been a slight
|
|
fall of snow, and Father and Mother Darling picked their way over it
|
|
deftly not to soil their shoes. They were already the only persons
|
|
in the street, and all the stars were watching them. Stars are
|
|
beautiful, but they may not take an active part in anything, they must
|
|
just look on forever. It is a punishment put on them for something
|
|
they did so long ago that no star now knows what it was. So the
|
|
older ones have become glassy-eyed and seldom speak (winking is the
|
|
star language), but the little ones still wonder. They are not
|
|
really friendly to Peter, who has a mischievous way of stealing up
|
|
behind them and trying to blow them out; but they are so fond of fun
|
|
that they were on his side to-night, and anxious to get the
|
|
grown-ups out of the way. So as soon as the door of 27 closed on Mr.
|
|
and Mrs. Darling there was a commotion in the firmament, and the
|
|
smallest of all the stars in the Milky Way screamed out:
|
|
|
|
"Now, Peter!"
|
|
|
|
CHAPTER III.
|
|
|
|
COME AWAY, COME AWAY!
|
|
|
|
For a moment after Mr. and Mrs. Darling left the house the
|
|
night-lights by the beds of the three children continued to burn
|
|
clearly. They were awfully nice little night-lights, and one cannot
|
|
help wishing that they could have kept awake to see Peter; but Wendy's
|
|
light blinked and gave such a yawn that the other two yawned also, and
|
|
before they could close their mouths all the three went out.
|
|
|
|
There was another light in the room now, a thousand times brighter
|
|
than the night-lights, and in the time we have taken to say this, it
|
|
has been in all the drawers in the nursery, looking for Peter's
|
|
shadow, rummaged the wardrobe and turned every pocket inside out. It
|
|
was not really a light; it made this light by flashing about so
|
|
quickly, but when it came to rest for a second you saw it was a fairy,
|
|
no longer than your hand, but still growing. It was a girl called
|
|
Tinker Bell exquisitely gowned in a skeleton leaf, cut low and square,
|
|
through which her figure could be seen to the best advantage. She
|
|
was slightly inclined to embonpoint.
|
|
|
|
A moment after the fairy's entrance the window was blown open by the
|
|
breathing of the little stars, and Peter dropped in. He had carried
|
|
Tinker Bell part of the way, and his hand was still messy with the
|
|
fairy dust.
|
|
|
|
"Tinker Bell," he called softly, after making sure that the children
|
|
were asleep. "Tink, where are you?" She was in a jug for the moment,
|
|
and liking it extremely; she had never been in a jug before.
|
|
|
|
"Oh, do come out of that jug, and tell me, do you know where they
|
|
put my shadow?"
|
|
|
|
The loveliest tinkle as of golden bells answered him. It is the
|
|
fairy language. You ordinary children can never hear it, but if you
|
|
were to hear it you would know that you had heard it once before.
|
|
|
|
Tink said that the shadow was in the big box. She meant the chest of
|
|
drawers, and Peter jumped at the drawers, scattering their contents to
|
|
the floor with both hands, as kings toss ha'pence to the crowd. In a
|
|
moment he had recovered his shadow, and in his delight he forgot
|
|
that he had shut Tinker Bell up in the drawer.
|
|
|
|
If he thought at all, but I don't believe he ever thought, it was
|
|
that he and his shadow, when brought near each other, would join
|
|
like drops of water, and when they did not he was appalled. He tried
|
|
to stick it on with soap from the bathroom, but that also failed. A
|
|
shudder passed through Peter, and he sat on the floor and cried.
|
|
|
|
His sobs woke Wendy, and she sat up in bed. She was not alarmed to
|
|
see a stranger crying on the nursery floor; she was only pleasantly
|
|
interested.
|
|
|
|
"Boy," she said courteously, "why are you crying?"
|
|
|
|
Peter could be exceedingly polite also, having learned the grand
|
|
manner at fairy ceremonies, and he rose and bowed to her
|
|
beautifully. She was much pleased, and bowed beautifully to him from
|
|
the bed.
|
|
|
|
"What's your name?" he asked.
|
|
|
|
"Wendy Moira Angela Darling," she replied with some satisfaction.
|
|
"What's your name?"
|
|
|
|
"Peter Pan."
|
|
|
|
She was already sure that he must be Peter, but it did seem a
|
|
comparatively short name.
|
|
|
|
"Is that all?"
|
|
|
|
"Yes," he said rather sharply. He felt for the first time that it
|
|
was a shortish name.
|
|
|
|
"I'm so sorry," said Wendy Moira Angela.
|
|
|
|
"It doesn't matter," Peter gulped.
|
|
|
|
She asked where he lived.
|
|
|
|
"Second to the right," said Peter, "and then straight on till
|
|
morning."
|
|
|
|
"What a funny address!"
|
|
|
|
Peter had a sinking. For the first time he felt that perhaps it
|
|
was a funny address.
|
|
|
|
"No, it isn't," he said.
|
|
|
|
"I mean," Wendy said nicely, remembering that she was hostess, "is
|
|
that what they put on the letters?"
|
|
|
|
He wished she had not mentioned letters.
|
|
|
|
"Don't get any letters," he said contemptuously.
|
|
|
|
"But your mother gets letters?"
|
|
|
|
"Don't have a mother," he said. Not only had he no mother, but he
|
|
had not the slightest desire to have one. He thought them very
|
|
over-rated persons. Wendy, however, felt at once that she was in the
|
|
presence of a tragedy.
|
|
|
|
"O Peter, no wonder you were crying," she said, and got out of bed
|
|
and ran to him.
|
|
|
|
"I wasn't crying about mothers," he said rather indignantly. "I
|
|
was crying because I can't get my shadow to stick on. Besides, I
|
|
wasn't crying."
|
|
|
|
"It has come off?"
|
|
|
|
"Yes."
|
|
|
|
Then Wendy saw the shadow on the floor, looking so draggled, and she
|
|
was frightfully sorry for Peter. "How awful!" she said, but she
|
|
could not help smiling when she saw that he had been trying to stick
|
|
it on with soap. How exactly like a boy!
|
|
|
|
Fortunately she knew at once what to do. "It must be sewn on," she
|
|
said, just a little patronisingly.
|
|
|
|
"What's sewn?" he asked.
|
|
|
|
"You're dreadfully ignorant."
|
|
|
|
"No, I'm not."
|
|
|
|
But she was exulting in his ignorance. "I shall sew it on for you,
|
|
my little man," she said, though he was as tall as herself, and she
|
|
got out her house-wife, and sewed the shadow on to Peter's foot.
|
|
|
|
"I daresay it will hurt a little," she warned him.
|
|
|
|
"Oh, I shan't cry," said Peter, who was already of opinion that he
|
|
had never cried in his life. And he clenched his teeth and did not
|
|
cry, and soon his shadow was behaving properly, though still a
|
|
little creased.
|
|
|
|
"Perhaps I should have ironed it," Wendy said thoughtfully, but
|
|
Peter, boylike, was indifferent to appearances, and he was now jumping
|
|
about in the wildest glee. Alas, he had already forgotten that he owed
|
|
his bliss to Wendy. He thought he had attached the shadow himself.
|
|
"How clever I am!" he crowed rapturously, "oh, the cleverness of me!"
|
|
|
|
It is humiliating to have to confess that this conceit of Peter
|
|
was one of his most fascinating qualities. To put it with brutal
|
|
frankness, there never was a cockier boy.
|
|
|
|
But for the moment Wendy was shocked. "You conceit," she
|
|
exclaimed, with frightful sarcasm; "of course I did nothing!"
|
|
|
|
"You did a little," Peter said carelessly, and continued to dance.
|
|
|
|
"A little!" she replied with hauteur. "If I am no use I can at least
|
|
withdraw," and she sprang in the most dignified way into bed and
|
|
covered her face with the blankets.
|
|
|
|
To induce her to look up he pretended to be going away, and when
|
|
this failed he sat on the end of the bed and tapped her gently with
|
|
his foot. "Wendy," he said, "don't withdraw. I can't help crowing,
|
|
Wendy, when I'm pleased with myself." Still she would not look up,
|
|
though she was listening eagerly. "Wendy," he continued, in a voice
|
|
that no woman has ever yet been able to resist, "Wendy, one girl is
|
|
more use than twenty boys."
|
|
|
|
Now Wendy was every inch a woman, though there were not very many
|
|
inches, and she peeped out of the bed-clothes.
|
|
|
|
"Do you really think so, Peter?"
|
|
|
|
"Yes, I do."
|
|
|
|
"I think it's perfectly sweet of you," she declared, "and I'll get
|
|
up again," and she sat with him on the side of the bed. She also
|
|
said she would give him a kiss if he liked, but Peter did not know
|
|
what she meant, and he held out his hand expectantly.
|
|
|
|
"Surely you know what a kiss is?" she asked, aghast.
|
|
|
|
"I shall know when you give it to me," he replied stiffly, and not
|
|
to hurt his feelings she gave him a thimble.
|
|
|
|
"Now," said he, "shall I give you a kiss?" and she replied with a
|
|
slight primness, "If you please." She made herself rather cheap by
|
|
inclining her face toward him, but he merely dropped an acorn button
|
|
into her hand, so she slowly returned her face to where it had been
|
|
before, and said nicely that she would wear his kiss on the chain
|
|
round her neck. It was lucky that she did put it on that chain, for it
|
|
was afterwards to save her life.
|
|
|
|
When people in our set are introduced, it is customary for them to
|
|
ask each other's age, and so Wendy, who always liked to do the correct
|
|
thing, asked Peter how old he was. It was not really a happy
|
|
question to ask him; it was like an examination paper that asks
|
|
grammar, when what you want to be asked is Kings of England.
|
|
|
|
"I don't know," he replied uneasily, "but I am quite young." He
|
|
really knew nothing about it, he had merely suspicions, but he said at
|
|
a venture, "Wendy, I ran away the day I was born."
|
|
|
|
Wendy was quite surprised, but interested; and she indicated in
|
|
the charming drawing-room manner, by a touch on her night-gown, that
|
|
he could sit nearer her.
|
|
|
|
"It was because I heard father and mother," he explained in a low
|
|
voice, "talking about what I was to be when I became a man." He was
|
|
extraordinarily agitated now. "I don't want ever to be a man," he said
|
|
with passion. "I want always to be a little boy and to have fun. So
|
|
I ran away to Kensington Gardens and lived a long long time among
|
|
the fairies."
|
|
|
|
She gave him a look of the most intense admiration, and he thought
|
|
it was because he had run away, but it was really because he knew
|
|
fairies. Wendy had lived such a home life that to know fairies
|
|
struck her as quite delightful. She poured out questions about them,
|
|
to his surprise, for they were rather a nuisance to him, getting in
|
|
his way and so on, and indeed he sometimes had to give them a
|
|
hiding. Still, he liked them on the whole, and he told her about the
|
|
beginning of fairies.
|
|
|
|
"You see, Wendy, when the first baby laughed for the first time, its
|
|
laugh broke into a thousand pieces, and they all went skipping
|
|
about, and that was the beginning of fairies."
|
|
|
|
Tedious talk this, but being a stay-at-home she liked it.
|
|
|
|
"And so," he went on good-naturedly, "there ought to be one fairy
|
|
for every boy and girl."
|
|
|
|
"Ought to be? Isn't there?"
|
|
|
|
"No. You see children know such a lot now, they soon don't believe
|
|
in fairies, and every time a child says, 'I don't believe in fairies,'
|
|
there is a fairy somewhere that falls down dead."
|
|
|
|
Really, he thought they had now talked enough about fairies, and
|
|
it struck him that Tinker Bell was keeping very quiet. "I can't
|
|
think where she has gone to," he said, rising, and he called Tink by
|
|
name. Wendy's heart went flutter with a sudden thrill.
|
|
|
|
"Peter," she cried, clutching him, "you don't mean to tell me that
|
|
there is a fairy in this room!"
|
|
|
|
"She was here just now," he said a little impatiently. "You don't
|
|
hear her, do you?" and they both listened.
|
|
|
|
"The only sound I hear," said Wendy, "is like a tinkle of bells."
|
|
|
|
"Well, that's Tink, that's the fairy language. I think I hear her
|
|
too."
|
|
|
|
The sound came from the chest of drawers, and Peter made a merry
|
|
face. No one could ever look quite so merry as Peter, and the
|
|
loveliest of gurgles was his laugh. He had his first laugh still.
|
|
|
|
"Wendy," he whispered gleefully, "I do believe I shut her up in
|
|
the drawer!"
|
|
|
|
He let poor Tink out of the drawer, and she flew about the nursery
|
|
screaming with fury. "You shouldn't say such things," Peter
|
|
retorted. "Of course I'm very sorry, but how could I know you were
|
|
in the drawer?"
|
|
|
|
Wendy was not listening to him. "O Peter," she cried, "if she
|
|
would only stand still and let me see her!"
|
|
|
|
"They hardly ever stand still," he said, but for one moment Wendy
|
|
saw the romantic figure come to rest on the cuckoo clock. "O the
|
|
lovely!" she cried, though Tink's face was still distorted with
|
|
passion.
|
|
|
|
"Tink," said Peter amiably, "this lady says she wishes you were
|
|
her fairy."
|
|
|
|
Tinker Bell answered insolently.
|
|
|
|
"What does she say, Peter?"
|
|
|
|
He had to translate. "She is not very polite. She says you are a
|
|
great ugly girl, and that she is my fairy."
|
|
|
|
He tried to argue with Tink. "You know you can't be my fairy,
|
|
Tink, because I am a gentleman and you are a lady."
|
|
|
|
To this Tink replied in these words, "You silly ass," and
|
|
disappeared into the bathroom. "She is quite a common fairy," Peter
|
|
explained apologetically, "she is called Tinker Bell because she mends
|
|
the pots and kettles."
|
|
|
|
They were together in the armchair by this time, and Wendy plied him
|
|
with more questions.
|
|
|
|
"If you don't live in Kensington Gardens now-"
|
|
|
|
"Sometimes I do still."
|
|
|
|
"But where do you live mostly now?"
|
|
|
|
"With the lost boys."
|
|
|
|
"Who are they?"
|
|
|
|
"They are the children who fall out of their perambulators when
|
|
the nurse is looking the other way. If they are not claimed in seven
|
|
days they are sent far away to the Neverland to defray expenses. I'm
|
|
captain."
|
|
|
|
"What fun it must be!"
|
|
|
|
"Yes," said cunning Peter, "but we are rather lonely. You see we
|
|
have no female companionship."
|
|
|
|
"Are none of the others girls?"
|
|
|
|
"Oh no; girls, you know, are much too clever to fall out of their
|
|
prams."
|
|
|
|
This flattered Wendy immensely. "I think," she said, "it is
|
|
perfectly lovely the way you talk about girls; John there just
|
|
despises us."
|
|
|
|
For reply Peter rose and kicked John out of bed, blankets and all;
|
|
one kick. This seemed to Wendy rather forward for a first meeting, and
|
|
she told him with spirit that he was not captain in her house.
|
|
However, John continued to sleep so placidly on the floor that she
|
|
allowed him to remain there. "And I know you meant to be kind," she
|
|
said, relenting, "so you may give me a kiss."
|
|
|
|
For the moment she had forgotten his ignorance about kisses. "I
|
|
thought you would want it back," he said a little bitterly, and
|
|
offered to return her thimble.
|
|
|
|
"Oh dear," said the nice Wendy, "I don't mean a kiss, I mean a
|
|
thimble."
|
|
|
|
"What's that?"
|
|
|
|
"It's like this." She kissed him.
|
|
|
|
"Funny!" said Peter gravely. "Now shall I give you a thimble?"
|
|
|
|
"If you wish to," said Wendy, keeping her head erect this time.
|
|
|
|
Peter thimbled her, and almost immediately she screeched. "What is
|
|
it, Wendy?"
|
|
|
|
"It was exactly as if some one were pulling my hair."
|
|
|
|
"That must have been Tink. I never knew her so naughty before."
|
|
|
|
And indeed Tink was darting about again, using offensive language.
|
|
|
|
"She says she will do that to you, Wendy, every time I give you a
|
|
thimble."
|
|
|
|
"But why?"
|
|
|
|
"Why, Tink?"
|
|
|
|
Again Tink replied, "You silly ass." Peter could not understand why,
|
|
but Wendy understood, and she was just slightly disappointed when he
|
|
admitted that he came to the nursery window not to see her but to
|
|
listen to stories.
|
|
|
|
"You see I don't know any stories. None of the lost boys know any
|
|
stories."
|
|
|
|
"How perfectly awful," Wendy said.
|
|
|
|
"Do you know," Peter asked, "why swallows build in the eaves of
|
|
houses? It is to listen to the stories. O Wendy, your mother was
|
|
telling you such a lovely story."
|
|
|
|
"Which story was it?"
|
|
|
|
"About the prince who couldn't find the lady who wore the glass
|
|
slipper."
|
|
|
|
"Peter," said Wendy excitedly, "that was Cinderella, and he found
|
|
her, and they lived happy ever after."
|
|
|
|
Peter was so glad that he rose from the floor, where they had been
|
|
sitting, and hurried to the window. "Where are you going?" she cried
|
|
with misgiving.
|
|
|
|
"To tell the other boys."
|
|
|
|
"Don't go Peter," she entreated, "I know such lots of stories."
|
|
|
|
Those were her precise words, so there can be no denying that it was
|
|
she who first tempted him.
|
|
|
|
He came back, and there was a greedy look in his eyes now which
|
|
ought to have alarmed her, but did not.
|
|
|
|
"Oh, the stories I could tell to the boys!" she cried, and then
|
|
Peter gripped her and began to draw her toward the window.
|
|
|
|
"Let me go!" she ordered him.
|
|
|
|
"Wendy, do come with me and tell the other boys."
|
|
|
|
Of course she was very pleased to be asked, but she said, "Oh
|
|
dear, I can't. Think of mummy! Besides, I can't fly."
|
|
|
|
"I'll teach you."
|
|
|
|
"Oh, how lovely to fly."
|
|
|
|
"I'll teach you how to jump on the wind's back, and then away we
|
|
go."
|
|
|
|
"Oo!" she exclaimed rapturously.
|
|
|
|
"Wendy, Wendy, when you are sleeping in your silly bed you might
|
|
be flying about with me saying funny things to the stars."
|
|
|
|
"Oo!"
|
|
|
|
"And, Wendy, there are mermaids."
|
|
|
|
"Mermaids! With tails?"
|
|
|
|
"Such long tails."
|
|
|
|
"Oh," cried Wendy, "to see a mermaid!"
|
|
|
|
He had become frightfully cunning. "Wendy," he said, "how we
|
|
should all respect you."
|
|
|
|
She was wriggling her body in distress. It was quite as if she
|
|
were trying to remain on the nursery floor.
|
|
|
|
But he had no pity for her.
|
|
|
|
"Wendy," he said, the sly one, "you could tuck us in at night."
|
|
|
|
"Oo!"
|
|
|
|
"None of us has ever been tucked in at night."
|
|
|
|
"Oo," and her arms went out to him.
|
|
|
|
"And you could darn our clothes, and make pockets for us. None of us
|
|
has any pockets."
|
|
|
|
How could she resist. "Of course it's awfully fascinating!" she
|
|
cried. "Peter, would you teach John and Michael to fly too?"
|
|
|
|
"If you like," he said indifferently, and she ran to John and
|
|
Michael and shook them. "Wake up," she cried, "Peter Pan has come
|
|
and he is to teach us to fly."
|
|
|
|
John rubbed his eyes. "Then I shall get up," he said. Of course he
|
|
was on the floor already. "Hallo," he said, "I am up!"
|
|
|
|
Michael was up by this time also, looking as sharp as a knife with
|
|
six blades and a saw, but Peter suddenly signed silence. Their faces
|
|
assumed the awful craftiness of children listening for sounds from the
|
|
grown-up world. All was as still as salt. Then everything was right.
|
|
No, stop! Everything was wrong. Nana, who had been barking
|
|
distressfully all the evening, was quiet now. It was her silence
|
|
they had heard!
|
|
|
|
"Out with the light! Hide! Quick!" cried John, taking command for
|
|
the only time throughout the whole adventure. And thus when Liza
|
|
entered, holding Nana, the nursery seemed quite its old self, very
|
|
dark, and you could have sworn you heard its three wicked inmates
|
|
breathing angelically as they slept. They were really doing it
|
|
artfully from behind the window curtains.
|
|
|
|
Liza was in a bad temper, for she was mixing the Christmas
|
|
puddings in the kitchen, and had been drawn away from them, with a
|
|
raisin still on her cheek, by Nana's absurd suspicions. She thought
|
|
the best way of getting a little quiet was to take Nana to the nursery
|
|
for a moment, but in custody of course.
|
|
|
|
"There, you suspicious brute," she said, not sorry that Nana was
|
|
in disgrace. "They are perfectly safe, aren't they? Every one of the
|
|
little angels sound asleep in bed. Listen to their gentle breathing."
|
|
|
|
Here Michael, encouraged by his success, breathed so loudly that
|
|
they were nearly detected. Nana knew that kind of breathing, and she
|
|
tried to drag herself out of Liza's clutches.
|
|
|
|
But Liza was dense. "No more of it, Nana," she said sternly, pulling
|
|
her out of the room. "I warn you if you bark again I shall go straight
|
|
for master and missus and bring them home from the party, and then,
|
|
oh, won't master whip you, just."
|
|
|
|
She tied the unhappy dog up again, but do you think Nana ceased to
|
|
bark? Bring master and missus home from the party? Why, that was
|
|
just what she wanted. Do you think she cared whether she was whipped
|
|
so long as her charges were safe? Unfortunately Liza returned to her
|
|
puddings, and Nana, seeing that no help would come from her,
|
|
strained and strained at the chain until at last she broke it. In
|
|
another moment she had burst into the dining-room of 27 and flung up
|
|
her paws to heaven, her most expressive way of making a communication.
|
|
Mr. and Mrs. Darling knew at once that something terrible was
|
|
happening in their nursery, and without a good-bye to their hostess
|
|
they rushed into the street.
|
|
|
|
But it was now ten minutes since three scoundrels had been breathing
|
|
behind the curtains, and Peter Pan can do a great deal in ten minutes.
|
|
|
|
We now return to the nursery.
|
|
|
|
"It's all right," John announced, emerging from his hiding-place. "I
|
|
say, Peter, can you really fly?"
|
|
|
|
Instead of troubling to answer him Peter flew round the room, taking
|
|
the mantelpiece on the way.
|
|
|
|
"How topping!" said John and Michael.
|
|
|
|
"How sweet!" cried Wendy.
|
|
|
|
"Yes, I'm sweet, oh, I am sweet!" said Peter, forgetting his manners
|
|
again.
|
|
|
|
It looked delightfully easy, and they tried it first from the
|
|
floor and then from the beds, but they always went down instead of up.
|
|
|
|
"I say, how do you do it?" asked John, rubbing his knee. He was
|
|
quite a practical boy.
|
|
|
|
"You just think lovely wonderful thoughts," Peter explained, "and
|
|
they lift you up in the air."
|
|
|
|
He showed them again.
|
|
|
|
"You're so nippy at it," John said, "couldn't you do it very
|
|
slowly once?"
|
|
|
|
Peter did it both slowly and quickly. "I've got it now, Wendy!"
|
|
cried John, but soon he found he had not. Not one of them could fly an
|
|
inch, though even Michael was in words of two syllables, and Peter did
|
|
not know A from Z.
|
|
|
|
Of course Peter had been trifling with them, for no one can fly
|
|
unless the fairy dust has been blown on him. Fortunately, as we have
|
|
mentioned, one of his hands was messy with it, and he blew some on
|
|
each of them, with the most superb results.
|
|
|
|
"Now just wriggle your shoulders this way," he said, "and let go."
|
|
|
|
They were all on their beds, and gallant Michael let go first. He
|
|
did not quite mean to let go, but he did it, and immediately he was
|
|
borne across the room.
|
|
|
|
"I flewed!" he screamed while still in mid-air. John let go and
|
|
met Wendy near the bathroom.
|
|
|
|
"Oh, lovely!"
|
|
|
|
"Oh, ripping!"
|
|
|
|
"Look at me!"
|
|
|
|
"Look at me!"
|
|
|
|
"Look at me!"
|
|
|
|
They were not nearly so elegant as Peter, they could not help
|
|
kicking a little, but their heads were bobbing against the ceiling,
|
|
and there is almost nothing so delicious as that. Peter gave Wendy a
|
|
hand at first, but had to desist, Tink was so indignant.
|
|
|
|
Up and down they went, and round and round. Heavenly was Wendy's
|
|
word.
|
|
|
|
"I say," cried John, "why shouldn't we all go out!"
|
|
|
|
Of course it was to this that Peter had been luring them.
|
|
|
|
Michael was ready: he wanted to see how long it took him to do a
|
|
billion miles. But Wendy hesitated.
|
|
|
|
"Mermaids!" said Peter again.
|
|
|
|
"Oo!"
|
|
|
|
"And there are pirates."
|
|
|
|
"Pirates," cried John, seizing his Sunday hat, "let us go at once!"
|
|
|
|
It was just at this moment that Mr. and Mrs. Darling hurried with
|
|
Nana out of 27. They ran into the middle of the street to look up at
|
|
the nursery window; and, yes, it was still shut, but the room was
|
|
ablaze with light, and most heart-gripping sight of all, they could
|
|
see in shadow on the curtain three little figures in night attire
|
|
circling round and round, not on the floor but in the air.
|
|
|
|
Not three figures, four!
|
|
|
|
In a tremble they opened the street door. Mr. Darling would have
|
|
rushed upstairs, but Mrs. Darling signed to him to go softly. She even
|
|
tried to make her heart go softly.
|
|
|
|
Will they reach the nursery in time? If so, how delightful for them,
|
|
and we shall all breathe a sigh of relief, but there will be no story.
|
|
On the other hand, if they are not in time, I solemnly promise that it
|
|
will all come right in the end.
|
|
|
|
They would have reached the nursery in time had it not been that the
|
|
little stars were watching them. Once again the stars blew the
|
|
window open, and that smallest star of all called out:
|
|
|
|
"Cave, Peter!"
|
|
|
|
Peter knew that there was not a moment to lose. "Come," he cried
|
|
imperiously, and soared out at once into the night, followed by John
|
|
and Michael and Wendy.
|
|
|
|
Mr. and Mrs. Darling and Nana rushed into the nursery too late.
|
|
The birds were flown.
|
|
|
|
CHAPTER IV.
|
|
|
|
THE FLIGHT.
|
|
|
|
"Second to the right, and straight on till morning!"
|
|
|
|
That, Peter had told Wendy, was the way to the Neverland; but even
|
|
birds, carrying maps and consulting them at windy corners, could not
|
|
have sighted it with these instructions. Peter, you see, just said
|
|
anything that came into his head.
|
|
|
|
At first his companions trusted him implicitly, and so great were
|
|
the delights of flying that they wasted time circling round church
|
|
spires or any other tall objects on the way that took their fancy.
|
|
|
|
John and Michael raced, Michael getting a start.
|
|
|
|
They recalled with contempt that not so long ago they had thought
|
|
themselves fine fellows for being able to fly round a room.
|
|
|
|
Not so long ago. But how long ago? They were flying over the sea
|
|
before this thought began to disturb Wendy seriously. John thought
|
|
it was their second sea and their third night.
|
|
|
|
Sometimes it was dark and sometimes light, and now they were very
|
|
cold and again too warm. Did they really feel hungry at times, or were
|
|
they merely pretending, because Peter had such a jolly new way of
|
|
feeding them? His way was to pursue birds who had food in their mouths
|
|
suitable for humans and snatch it from them; then the birds would
|
|
follow and snatch it back; and they would all go chasing each other
|
|
gaily for miles, parting at last with mutual expressions of good-will.
|
|
But Wendy noticed with gentle concern that Peter did not seem to
|
|
know that this was rather an odd way of getting your bread and butter,
|
|
nor even that there are other ways.
|
|
|
|
Certainly they did not pretend to be sleepy, they were sleepy; and
|
|
that was a danger, for the moment they popped off, down they fell. The
|
|
awful thing was that Peter thought this funny.
|
|
|
|
"There he goes again!" he would cry gleefully, as Michael suddenly
|
|
dropped like a stone.
|
|
|
|
"Save him, save him!" cried Wendy, looking with horror at the
|
|
cruel sea far below. Eventually Peter would dive through the air,
|
|
and catch Michael just before he could strike the sea, and it was
|
|
lovely the way he did it; but he always waited till the last moment,
|
|
and you felt it was his cleverness that interested him and not the
|
|
saving of human life. Also he was fond of variety, and the sport
|
|
that engrossed him one moment would suddenly cease to engage him, so
|
|
there was always the possibility that the next time you fell he
|
|
would let you go.
|
|
|
|
He could sleep in the air without falling, by merely lying on his
|
|
back and floating, but this was, partly at least, because he was so
|
|
light that if you got behind him and blew he went faster.
|
|
|
|
"Do be more polite to him," Wendy whispered to John, when they
|
|
were playing "Follow my Leader."
|
|
|
|
"Then tell him to stop showing off," said John.
|
|
|
|
When playing Follow my Leader, Peter would fly close to the water
|
|
and touch each shark's tail in passing, just as in the street you
|
|
may run your finger along an iron railing. They could not follow him
|
|
in this with much success, so perhaps it was rather like showing
|
|
off, especially as he kept looking behind to see how many tails they
|
|
missed.
|
|
|
|
"You must be nice to him," Wendy impressed on her brothers. "What
|
|
could we do if he were to leave us!"
|
|
|
|
"We could go back," Michael said.
|
|
|
|
"Well, then, we could go on," said John.
|
|
|
|
"That is the awful thing, John. We should have to go on, for we
|
|
don't know how to stop."
|
|
|
|
This was true, Peter had forgotten to show them how to stop.
|
|
|
|
John said that if the worst came to the worst, all they had to do
|
|
was to go straight on, for the world was round, and so in time they
|
|
must come back to their own window.
|
|
|
|
"And who is to get food for us, John?"
|
|
|
|
"I nipped a bit out of that eagle's mouth pretty neatly, Wendy."
|
|
|
|
"After the twentieth try," Wendy reminded him. "And even though we
|
|
became good at picking up food, see how we bump against clouds and
|
|
things if he is not near to give us a hand."
|
|
|
|
Indeed they were constantly bumping. They could now fly strongly,
|
|
though they still kicked far too much; but if they saw a cloud in
|
|
front of them, the more they tried to avoid it, the more certainly did
|
|
they bump into it. If Nana had been with them, she would have had a
|
|
bandage round Michael's forehead by this time.
|
|
|
|
Peter was not with them for the moment, and they felt rather
|
|
lonely up there by themselves. He could go so much faster than they
|
|
that he would suddenly shoot out of sight, to have some adventure in
|
|
which they had no share. He would come down laughing over something
|
|
fearfully funny he had been saying to a star, but he had already
|
|
forgotten what it was, or he would come up with mermaid scales still
|
|
sticking to him, and yet not be able to say for certain what had
|
|
been happening. It was really rather irritating to children who had
|
|
never seen a mermaid.
|
|
|
|
"And if he forgets them so quickly," Wendy argued, "how can we
|
|
expect that he will go on remembering us?"
|
|
|
|
Indeed, sometimes when he returned he did not remember them, at
|
|
least not well. Wendy was sure of it. She saw recognition come into
|
|
his eyes as he was about to pass them the time of day and go on;
|
|
once even she had to call him by name.
|
|
|
|
"I'm Wendy," she said agitatedly.
|
|
|
|
He was very sorry. "I say, Wendy," he whispered to her, "always if
|
|
you see me forgetting you, just keep on saying 'I'm Wendy,' and then
|
|
I'll remember."
|
|
|
|
Of course this was rather unsatisfactory. However, to make amends he
|
|
showed them how to lie out flat on a strong wind that was going
|
|
their way, and this was such a pleasant change that they tried it
|
|
several times and found they could sleep thus with security. Indeed
|
|
they would have slept longer, but Peter tired quickly of sleeping, and
|
|
soon he would cry in his captain voice, "We get off here." So with
|
|
occasional tiffs, but on the whole rollicking, they drew near the
|
|
Neverland; for after many moons they did reach it, and, what is
|
|
more, they had been going pretty straight all the time, not perhaps so
|
|
much owing to the guidance of Peter or Tink as because the island
|
|
was out looking for them. It is only thus that any one may sight those
|
|
magic shores.
|
|
|
|
"There it is," said Peter calmly.
|
|
|
|
"Where, where?"
|
|
|
|
"Where all the arrows are pointing."
|
|
|
|
Indeed a million golden arrows were pointing it out to the children,
|
|
all directed by their friend the sun, who wanted them to be sure of
|
|
their way before leaving them for the night.
|
|
|
|
Wendy and John and Michael stood on tip-toe in the air to get
|
|
their first sight of the island. Strange to say, they all recognised
|
|
it at once, and until fear fell upon them they hailed it, not as
|
|
something long dreamt of and seen at last, but as a familiar friend to
|
|
whom they were returning home for the holidays.
|
|
|
|
"John, there's the lagoon!"
|
|
|
|
"Wendy, look at the turtles burying their eggs in the sand."
|
|
|
|
"I say, John, I see your flamingo with the broken leg!"
|
|
|
|
"Look, Michael, there's your cave!"
|
|
|
|
"John, what's that in the brushwood?"
|
|
|
|
"It's a wolf with her whelps. Wendy, I do believe that's your little
|
|
whelp!"
|
|
|
|
"There's my boat, John, with her sides stove in!"
|
|
|
|
"No, it isn't! Why, we burned your boat."
|
|
|
|
"That's her, at any rate. I say, John, I see the smoke of the
|
|
redskin camp!"
|
|
|
|
"Where? Show me, and I'll tell you by the way the smoke curls
|
|
whether they are on the war-path."
|
|
|
|
"There, just across the Mysterious River."
|
|
|
|
"I see now. Yes, they are on the war-path right enough."
|
|
|
|
Peter was a little annoyed with them for knowing so much, but if
|
|
he wanted to lord it over them his triumph was at hand, for have I not
|
|
told you that anon fear fell upon them?
|
|
|
|
It came as the arrows went, leaving the island in gloom.
|
|
|
|
In the old days at home the Neverland had always begun to look a
|
|
little dark and threatening by bedtime. Then unexplored patches
|
|
arose in it and spread, black shadows moved about in them, the roar of
|
|
the beasts of prey was quite different now, and above all, you lost
|
|
the certainty that you would win. You were quite glad that the
|
|
night-lights were in. You even liked Nana to say that this was just
|
|
the mantelpiece over here, and that the Neverland was all
|
|
make-believe.
|
|
|
|
Of course the Neverland had been make-believe in those days, but
|
|
it was real now, and there were no night-lights, and it was getting
|
|
darker every moment, and where was Nana?
|
|
|
|
They had been flying apart, but they huddled close to Peter now. His
|
|
careless manner had gone at last, his eyes were sparkling, and a
|
|
tingle went through them every time they touched his body. They were
|
|
now over the fearsome island, flying so low that sometimes a tree
|
|
grazed their feet. Nothing horrid was visible in the air, yet their
|
|
progress had become slow and laboured, exactly as if they were pushing
|
|
their way through hostile forces. Sometimes they hung in the air until
|
|
Peter had beaten on it with his fists.
|
|
|
|
"They don't want us to land," he explained.
|
|
|
|
"Who are they?" Wendy whispered, shuddering.
|
|
|
|
But he could not or would not say. Tinker Bell had been asleep on
|
|
his shoulder, but now he wakened her and sent her on in front.
|
|
|
|
Sometimes he poised himself in the air, listening intently, with his
|
|
hand to his ear, and again he would stare down with eyes so bright
|
|
that they seemed to bore two holes to earth. Having done these things,
|
|
he went on again.
|
|
|
|
His courage was almost appalling. "Would you like an adventure now,"
|
|
he said casually to John, "or would you like to have your tea first?"
|
|
|
|
Wendy said "tea first" quickly, and Michael pressed her hand in
|
|
gratitude, but the braver John hesitated.
|
|
|
|
"What kind of adventure?" he asked cautiously.
|
|
|
|
"There's a pirate asleep in the pampas just beneath us," Peter
|
|
told him. "If you like, we'll go down and kill him."
|
|
|
|
"I don't see him," John said after a long pause.
|
|
|
|
"I do."
|
|
|
|
"Suppose," John said, a little huskily, "he were to wake up."
|
|
|
|
Peter spoke indignantly. "You don't think I would kill him while
|
|
he was sleeping! I would wake him first, and then kill him. That's the
|
|
way I always do."
|
|
|
|
"I say! Do you kill many?"
|
|
|
|
"Tons."
|
|
|
|
John said "how ripping," but decided to have tea first. He asked
|
|
if there were many pirates on the island just now, and Peter said he
|
|
had never known so many.
|
|
|
|
"Who is captain now?"
|
|
|
|
"Hook," answered Peter, and his face became very stern as he said
|
|
that hated word.
|
|
|
|
"Jas. Hook?"
|
|
|
|
"Ay."
|
|
|
|
Then indeed Michael began to cry, and even John could speak in gulps
|
|
only, for they knew Hook's reputation.
|
|
|
|
"He was Blackbeard's bo'sun," John whispered huskily. "He is the
|
|
worst of them all. He is the only man of whom Barbecue was afraid."
|
|
|
|
"That's him," said Peter.
|
|
|
|
"What is he like?- Is he big?"
|
|
|
|
"He is not so big as he was"
|
|
|
|
"How do you mean?"
|
|
|
|
"I cut off a bit of him."
|
|
|
|
"You!"
|
|
|
|
"Yes, me," said Peter sharply.
|
|
|
|
"I wasn't meaning to be disrespectful."
|
|
|
|
"Oh, all right."
|
|
|
|
"But, I say, what bit?"
|
|
|
|
"His right hand."
|
|
|
|
"Then he can't fight now?"
|
|
|
|
"Oh, can't he just!"
|
|
|
|
"Left-hander?"
|
|
|
|
"He has an iron hook instead of a right hand, and he claws with it."
|
|
|
|
"Claws!"
|
|
|
|
"I say, John," said Peter.
|
|
|
|
"Yes."
|
|
|
|
"Say, 'Ay, ay, sir.'"
|
|
|
|
"Ay, ay, sir."
|
|
|
|
"There is one thing," Peter continued, "that every boy who serves
|
|
under me has to promise, and so must you."
|
|
|
|
John paled.
|
|
|
|
"It is this, if we meet Hook in open fight, you must leave him to
|
|
me."
|
|
|
|
"I promise," John said loyally.
|
|
|
|
For the moment they were feeling less eerie, because Tink was flying
|
|
with them, and in her light they could distinguish each other.
|
|
Unfortunately she could not fly so slowly as they, and so she had to
|
|
go round and round them in a circle in which they moved as in a
|
|
halo. Wendy quite liked it, until Peter pointed out the drawback.
|
|
|
|
"She tells me," he said, "that the pirates sighted us before the
|
|
darkness came, and got Long Tom out."
|
|
|
|
"The big gun?"
|
|
|
|
"Yes. And of course they must see her light, and if they guess we
|
|
are near it they are sure to let fly."
|
|
|
|
"Wendy!"
|
|
|
|
"John!"
|
|
|
|
"Michael!"
|
|
|
|
"Tell her to go away at once, Peter," the three cried
|
|
simultaneously, but he refused.
|
|
|
|
"She thinks we have lost the way," he replied stiffly, "and she is
|
|
rather frightened. You don't think I would send her away all by
|
|
herself when she is frightened!"
|
|
|
|
For a moment the circle of light was broken, and something gave
|
|
Peter a loving little pinch.
|
|
|
|
"Then tell her," Wendy begged, "to put out her light."
|
|
|
|
"She can't put it out. That is about the only thing fairies can't
|
|
do. It just goes out of itself when she falls asleep, same as the
|
|
stars."
|
|
|
|
"Then tell her to sleep at once," John almost ordered.
|
|
|
|
"She can't sleep except when she's sleepy. It's the only other thing
|
|
fairies can't do."
|
|
|
|
"Seems to me," growled John, "these are the only two things worth
|
|
doing."
|
|
|
|
Here he got a pinch, but not a loving one.
|
|
|
|
"If only one of us had a pocket," Peter said, "we could carry her in
|
|
it." However, they had set off in such a hurry that there was not a
|
|
pocket between the four of them.
|
|
|
|
He had a happy idea. John's hat!
|
|
|
|
Tink agreed to travel by hat if it was carried in the hand. John
|
|
carried it, though she had hoped to be carried by Peter. Presently
|
|
Wendy took the hat, because John said it struck against his knee as he
|
|
flew; and this, as we shall see, led to mischief, for Tinker Bell
|
|
hated to be under an obligation to Wendy.
|
|
|
|
In the black topper the light was completely hidden, and they flew
|
|
on in silence. It was the stillest silence they had ever known, broken
|
|
once by a distant lapping, which Peter explained was the wild beasts
|
|
drinking at the ford, and again by a rasping sound that might have
|
|
been the branches of trees rubbing together, but he said it was the
|
|
redskins sharpening their knives.
|
|
|
|
Even these noises ceased. To Michael the loneliness was dreadful.
|
|
"If only something would make a sound!" he cried.
|
|
|
|
As if in answer to his request, the air was rent by the most
|
|
tremendous crash he had ever heard. The pirates had fired Long Tom
|
|
at them.
|
|
|
|
The roar of it echoed through the mountains, and the echoes seemed
|
|
to cry savagely, "Where are they, where are they, where are they?"
|
|
|
|
Thus sharply did the terrified three learn the difference between an
|
|
island of make-believe and the same island come true.
|
|
|
|
When at last the heavens were steady again, John and Michael found
|
|
themselves alone in the darkness. John was treading the air
|
|
mechanically, and Michael without knowing how to float was floating.
|
|
|
|
"Are you shot?" John whispered tremulously.
|
|
|
|
"I haven't tried yet," Michael whispered back.
|
|
|
|
We know now that no one had been hit. Peter, however, had been
|
|
carried by the wind of the shot far out to sea, while Wendy was
|
|
blown upwards with no companion but Tinker Bell.
|
|
|
|
It would have been well for Wendy if at that moment she had
|
|
dropped the hat.
|
|
|
|
I don't know whether the idea came suddenly to Tink, or whether
|
|
she had planned it on the way, but she at once popped out of the hat
|
|
and began to lure Wendy to her destruction.
|
|
|
|
Tink was not all bad: or, rather, she was all bad just now, but,
|
|
on the other hand, sometimes she was all good. Fairies have to be
|
|
one thing or the other, because being so small they unfortunately have
|
|
room for one feeling only at a time. They are, however, allowed to
|
|
change, only it must be a complete change. At present she was full
|
|
of jealousy of Wendy. What she said in her lovely tinkle Wendy could
|
|
not of course understand, and I believe some of it was bad words,
|
|
but it sounded kind, and she flew back and forward, plainly meaning
|
|
"Follow me, and all will be well."
|
|
|
|
What else could poor Wendy do? She called to Peter and John and
|
|
Michael, and got only mocking echoes in reply. She did not yet know
|
|
that Tink hated her with the fierce hatred of a very woman. And so,
|
|
bewildered, and now staggering in her flight, she followed Tink to her
|
|
doom.
|
|
|
|
CHAPTER V.
|
|
|
|
THE ISLAND COME TRUE.
|
|
|
|
Feeling that Peter was on his way back, the Neverland had again woke
|
|
into life. We ought to use the pluperfect and say wakened, but woke is
|
|
better and was always used by Peter.
|
|
|
|
In his absence things are usually quiet on the island. The fairies
|
|
take an hour longer in the morning, the beasts attend to their
|
|
young, the redskins feed heavily for six days and nights, and when
|
|
pirates and lost boys meet they merely bite their thumbs at each
|
|
other. But with the coming of Peter, who hates lethargy, they are
|
|
all under way again: if you put your ear to the ground now, you
|
|
would hear the whole island seething with life.
|
|
|
|
On this evening the chief forces of the island were disposed as
|
|
follows. The lost boys were out looking for Peter, the pirates were
|
|
out looking for the lost boys, the redskins were out looking for the
|
|
pirates, and the beasts were out looking for the redskins. They were
|
|
going round and round the island, but they did not meet because all
|
|
were going at the same rate.
|
|
|
|
All wanted blood except the boys, who liked it as a rule, but
|
|
to-night were out to greet their captain. The boys on the island vary,
|
|
of course, in numbers, according as they get killed and so on; and
|
|
when they seem to be growing up, which is against the rules, Peter
|
|
thins them out; but at this time there were six of them, counting
|
|
the twins as two. Let us pretend to he here among the sugarcane and
|
|
watch them as they steal by in single file, each with his hand on
|
|
his dagger.
|
|
|
|
They are forbidden by Peter to look in the least like him, and
|
|
they wear the skins of bears slain by themselves, in which they are so
|
|
round and furry that when they fall they roll. They have therefore
|
|
become very sure-footed.
|
|
|
|
The first to pass is Tootles, not the least brave but the most
|
|
unfortunate of all that gallant band. He had been in fewer
|
|
adventures than any of them, because the big things constantly
|
|
happened just when he had stepped round the corner; all would be
|
|
quiet, he would take the opportunity of going off to gather a few
|
|
sticks for firewood, and then when he returned the others would be
|
|
sweeping up the blood. This ill-luck had given a gentle melancholy
|
|
to his countenance, but instead of souring his nature had sweetened
|
|
it, so that he was quite the humblest of the boys. Poor kind
|
|
Tootles, there is danger in the air for you to-night. Take care lest
|
|
an adventure is now offered you, which, if accepted, will plunge you
|
|
in deepest woe. Tootles, the fairy Tink who is bent on mischief this
|
|
night is looking for a tool, and she thinks you the most easily
|
|
tricked of the boys. 'Ware Tinker Bell.
|
|
|
|
Would that he could hear us, but we are not really on the island,
|
|
and he passes by, biting his knuckles.
|
|
|
|
Next comes Nibs, the gay and debonair, followed by Slightly, who
|
|
cuts whistles out of the trees and dances ecstatically to his own
|
|
tunes. Slightly is the most conceited of the boys. He thinks he
|
|
remembers the days before he was lost, with their manners and customs,
|
|
and this has given his nose an offensive tilt. Curly is fourth; he
|
|
is a pickle, and so often has he had to deliver up his person when
|
|
Peter said sternly, "Stand forth the one who did this thing," that now
|
|
at the command he stands forth automatically whether he has done it or
|
|
no. Last come the Twins, who cannot be described because we should
|
|
be sure to be describing the wrong one. Peter never quite knew what
|
|
twins were, and his band were not allowed to know anything he did
|
|
not know, so these two were always vague about themselves, and did
|
|
their best to give satisfaction by keeping close together in an
|
|
apologetic sort of way.
|
|
|
|
The boys vanish in the gloom, and after a pause, but not a long
|
|
pause, for things go briskly on the island, come the pirates on
|
|
their track. We hear them before they are seen, and it is always the
|
|
same dreadful song:
|
|
|
|
"Avast belay, yo ho, heave to,
|
|
|
|
A-pirating we go,
|
|
|
|
And if we're parted by a shot
|
|
|
|
We're sure to meet below!"
|
|
|
|
A more villainous-looking lot never hung in a row on Execution dock.
|
|
Here, a little in advance, ever and again with his head to the
|
|
ground listening, his great arms bare, pieces of eight in his ears
|
|
as ornaments, is the handsome Italian Cecco, who cut his name in
|
|
letters of blood on the back of the governor of the prison at Gao.
|
|
That gigantic black behind him has had many names since he dropped the
|
|
one with which dusky mothers still terrify their children on the banks
|
|
of the Guadjomo. Here is Bill Jukes, every inch of him tattooed, the
|
|
same Bill Jukes who got six dozen on the Walrus from Flint before he
|
|
would drop the bag of moidores; and Cookson, said to be Black Murphy's
|
|
brother (but this was never proved), and Gentleman Starkey, once an
|
|
usher in a public school and still dainty in his ways of killing;
|
|
and Skylights (Morgan's Skylights); and the Irish bo'sun Smee, an
|
|
oddly genial man who stabbed, so to speak, without offence, and was
|
|
the only Non-conformist in Hook's crew; and Noodler, whose hands
|
|
were fixed on backwards; and Robt. Mullins and Alf Mason and many
|
|
another ruffian long known and feared on the Spanish Main.
|
|
|
|
In the midst of them, the blackest and largest jewel in that dark
|
|
setting, reclined James Hook, or as he wrote himself, Jas. Hook, of
|
|
whom it is said he was the only man that the Sea-Cook feared. He lay
|
|
at his ease in a rough chariot drawn and propelled by his men, and
|
|
instead of a right hand he had the iron hook with which ever and
|
|
anon he encouraged them to increase their pace. As dogs this
|
|
terrible man treated and addressed them, and as dogs they obeyed
|
|
him. In person he was cadaverous and blackavized, and his hair was
|
|
dressed in long curls, which at a little distance looked like black
|
|
candles, and gave a singularly threatening expression to his
|
|
handsome countenance. His eyes were of the blue of the
|
|
forget-me-not, and of a profound melancholy, save when he was plunging
|
|
his hook into you, at which time two red spots appeared in them and
|
|
lit them up horribly. In manner, something of the grand seigneur still
|
|
clung to him, so that he even ripped you up with an air, and I have
|
|
been told that he was a raconteur of repute. He was never more
|
|
sinister than when he was most polite, which is probably the truest
|
|
test of breeding; and the elegance of his diction, even when he was
|
|
swearing, no less than the distinction of his demeanour, showed him
|
|
one of a different caste from his crew. A man of indomitable
|
|
courage, it was said of him that the only thing he shied at was the
|
|
sight of his own blood, which was thick and of an unusual colour. In
|
|
dress he somewhat aped the attire associated with the name of
|
|
Charles II, having heard it said in some earlier period of his
|
|
career that he bore a strange resemblance to the ill-fated Stuarts;
|
|
and in his mouth he had a holder of his own contrivance which
|
|
enabled him to smoke two cigars at once. But undoubtedly the
|
|
grimmest part of him was his iron claw.
|
|
|
|
Let us now kill a pirate, to show Hook's method. Skylights will
|
|
do. As they pass, Skylights lurches clumsily against him, ruffling his
|
|
lace collar; the hook shoots forth, there is a tearing sound and one
|
|
screech, then the body is kicked aside, and the pirates pass on. He
|
|
has not even taken the cigars from his mouth.
|
|
|
|
Such is the terrible man against whom Peter Pan is pitted. Which
|
|
will win?
|
|
|
|
On the trail of the pirates, stealing noiselessly down the war-path,
|
|
which is not visible to inexperienced eyes, come the redskins, every
|
|
one of them with his eyes peeled. They carry tomahawks and knives, and
|
|
their naked bodies gleam with paint and oil. Strung around them are
|
|
scalps, of boys as well as of pirates, for these are the Piccaninny
|
|
tribe, and not to be confused with the softer-hearted Delawares or the
|
|
Hurons. In the van, on all fours, is Great Big Little Panther, a brave
|
|
of so many scalps that in his present position they somewhat impede
|
|
his progress. Bringing up the rear, the place of greatest danger,
|
|
comes Tiger Lily, proudly erect, a princess in her own right. She is
|
|
the most beautiful of dusky Dianas and the belle of the
|
|
Piccaninnies, coquettish, cold and amorous by turns; there is not a
|
|
brave who would not have the wayward thing to wife, but she staves off
|
|
the altar with a hatchet. Observe how they pass over fallen twigs
|
|
without making the slightest noise. The only sound to be heard is
|
|
their somewhat heavy breathing. The fact is that they are all a little
|
|
fat just now after the heavy gorging, but in time they will work
|
|
this off. For the moment, however, it constitutes their chief danger.
|
|
|
|
The redskins disappear as they have come like shadows, and soon
|
|
their place is taken by the beasts, a great and motley procession:
|
|
lions, tigers, bears, and the innumerable smaller savage things that
|
|
flee from them, for every kind of beast, and, more particularly, all
|
|
the man-eaters, live cheek by jowl on the favoured island. Their
|
|
tongues are hanging out, they are hungry to-night.
|
|
|
|
When they have passed, comes the last figure of all, a gigantic
|
|
crocodile. We shall see for whom she is looking presently.
|
|
|
|
The crocodile passes, but soon the boys appear again, for the
|
|
procession must continue indefinitely until one of the parties stops
|
|
or changes its pace. Then quickly they will be on top of each other.
|
|
|
|
All are keeping a sharp look-out in front, but none suspects that
|
|
the danger may be creeping up from behind. This shows how real the
|
|
island was.
|
|
|
|
The first to fall out of the moving circle was the boys. They
|
|
flung themselves down on the sward, close to their underground home.
|
|
|
|
"I do wish Peter would come back," every one of them said nervously,
|
|
though in height and still more in breadth they were all larger than
|
|
their captain.
|
|
|
|
"I am the only one who is not afraid of the pirates," Slightly said,
|
|
in the tone that prevented his being a general favourite, but
|
|
perhaps some distant sound disturbed him, for he added hastily, "but I
|
|
wish he would come back, and tell us whether he has heard anything
|
|
more about Cinderella."
|
|
|
|
They talked of Cinderella, and Tootles was confident that his mother
|
|
must have been very like her.
|
|
|
|
It was only in Peter's absence that they could speak of mothers, the
|
|
subject being forbidden by him as silly.
|
|
|
|
"All I remember about my mother," Nibs told them, "is that she often
|
|
said to father, 'Oh, how I wish I had a cheque-book of my own!' I
|
|
don't know what a cheque-book is, but I should just love to give my
|
|
mother one."
|
|
|
|
While they talked they heard a distant sound. You or I, not being
|
|
wild things of the woods, would have heard nothing, but they heard it,
|
|
and it was the grim song:
|
|
|
|
"Yo ho, yo ho, the pirate life,
|
|
|
|
The flag o' skull and bones,
|
|
|
|
A merry hour, a hempen rope,
|
|
|
|
And hey for Davy Jones."
|
|
|
|
At once the lost boys- but where are they? They are no longer there.
|
|
Rabbits could not have disappeared more quickly.
|
|
|
|
I will tell you where they are. With the exception of Nibs, who
|
|
has darted away to reconnoitre, they are already in their home under
|
|
the ground, a very delightful residence of which we shall see a good
|
|
deal presently. But how have they reached it? for there is no entrance
|
|
to be seen, not so much as a large stone, which if rolled away would
|
|
disclose the mouth of a cave. Look closely, however, and you may
|
|
note that there are here seven large trees, each with a hole in its
|
|
hollow trunk as large as a boy These are the seven entrances to the
|
|
home under the ground, for which Hook has been searching in vain these
|
|
many moons. Will he find it to-night?
|
|
|
|
As the pirates advanced, the quick eye of Starkey sighted Nibs
|
|
disappearing through the wood, and at once his pistol flashed out. But
|
|
an iron claw gripped his shoulder.
|
|
|
|
"Captain, let go!" he cried, writhing.
|
|
|
|
Now for the first time we hear the voice of Hook. It was a black
|
|
voice. "Put back that pistol first," it said threateningly.
|
|
|
|
"It was one of those boys you hate. I could have shot him dead."
|
|
|
|
"Ay, and the sound would have brought Tiger Lily's redskins upon us.
|
|
Do you want to lose your scalp?"
|
|
|
|
"Shall I after him, captain," asked pathetic Smee, "and tickle him
|
|
with Johnny Corkscrew?" Smee had pleasant names for everything, and
|
|
his cutlass was Johnny Corkscrew, because he wriggled it in the wound.
|
|
One could mention many lovable traits in Smee. For instance, after
|
|
killing, it was his spectacles he wiped instead of his weapon.
|
|
|
|
"Johnny's a silent fellow," he reminded Hook.
|
|
|
|
"Not now, Smee," Hook said darkly. "He is only one, and I want to
|
|
mischief all the seven. Scatter and look for them."
|
|
|
|
The pirates disappeared among the trees, and in a moment their
|
|
captain and Smee were alone. Hook heaved a heavy sigh, and I know
|
|
not why it was, perhaps it was because of the soft beauty of the
|
|
evening, but there came over him a desire to confide to his faithful
|
|
bo'sun the story of his life. He spoke long and earnestly, but what it
|
|
was all about Smee, who was rather stupid, did not know in the least.
|
|
|
|
Anon he caught the word Peter.
|
|
|
|
"Most of all," Hook was saying passionately, "I want their
|
|
captain, Peter Pan. 'Twas he cut off my arm." He brandished the hook
|
|
threateningly. "I've waited long to shake his hand with this. Oh, I'll
|
|
tear him!"
|
|
|
|
"And yet," said Smee, "I have often heard you say that hook was
|
|
worth a score of hands, for combing the hair and other homely uses."
|
|
|
|
"Ay," the captain answered, "if I was a mother I would pray to
|
|
have my children born with this instead of that," and he cast a look
|
|
of pride upon his iron hand and one of scorn upon the other. Then
|
|
again he frowned.
|
|
|
|
"Peter flung my arm," he said, wincing, "to a crocodile that
|
|
happened to be passing by."
|
|
|
|
"I have often," said Smee, "noticed your strange dread of
|
|
crocodiles."
|
|
|
|
"Not of crocodiles," Hook corrected him, "but of that one
|
|
crocodile." He lowered his voice. "It liked my arm so much, Smee, that
|
|
it has followed me ever since, from sea to sea and from land to
|
|
land, licking its lips for the rest of me."
|
|
|
|
"In a way," said Smee, "it's a sort of compliment."
|
|
|
|
"I want no such compliments," Hook barked petulantly. "I want
|
|
Peter Pan, who first gave the brute its taste for me."
|
|
|
|
He sat down on a large mushroom, and now there was a quiver in his
|
|
voice. "Smee," he said huskily, "that crocodile would have had me
|
|
before this, but by a lucky chance it swallowed a clock which goes
|
|
tick tick inside it, and so before it can reach me I hear the tick and
|
|
bolt." He laughed, but in a hollow way.
|
|
|
|
"Some day," said Smee, "the clock will run down, and then he'll
|
|
get you."
|
|
|
|
Hook wetted his dry lips. "Ay," he said, "that's the fear that
|
|
haunts me."
|
|
|
|
Since sitting down he had felt curiously warm. "Smee," he said,
|
|
"this seat is hot." He jumped up. "Odds bobs, hammer and tongs, I'm
|
|
burning."
|
|
|
|
They examined the mushroom, which was of a size and solidity unknown
|
|
on the mainland; they tried to pull it up, and it came away at once in
|
|
their hands, for it had no root. Stranger still, smoke began at once
|
|
to ascend. The pirates looked at each other. "A chimney!" they both
|
|
exclaimed.
|
|
|
|
They had indeed discovered the chimney of the home under the ground.
|
|
It was the custom of the boys to stop it with a mushroom when
|
|
enemies were in the neighbourhood.
|
|
|
|
Not only smoke came out of it. There came also children's voices,
|
|
for so safe did the boys feel in their hiding-place that they were
|
|
gaily chattering. The pirates listened grimly, and then replaced the
|
|
mushroom. They looked around them and noted the holes in the seven
|
|
trees.
|
|
|
|
"Did you hear them say Peter Pan's from home?" Smee whispered,
|
|
fidgeting with Johnny Corkscrew.
|
|
|
|
Hook nodded. He stood for a long time lost in thought, and at last a
|
|
curdling smile lit up his swarthy face. Smee had been waiting for
|
|
it. "Unrip your plan, captain," he cried eagerly.
|
|
|
|
"To return to the ship," Hook replied slowly through his teeth, "and
|
|
cook a large rich cake of a jolly thickness with green sugar on it.
|
|
There can be but one room below, for there is but one chimney. The
|
|
silly moles had not the sense to see that they did not need a door
|
|
apiece. That shows they have no mother. We will leave the cake on
|
|
the shore of the Mermaids' Lagoon. These boys are always swimming
|
|
about there, playing with the mermaids. They will find the cake and
|
|
they will gobble it up, because, having no mother, they don't know how
|
|
dangerous 'tis to eat rich damp cake." He burst into laughter, not
|
|
hollow laughter now, but honest laughter. "Aha, they will die!"
|
|
|
|
Smee had listened with growing admiration.
|
|
|
|
"It's the wickedest, prettiest policy ever I heard of!" he cried,
|
|
and in their exultation they danced and sang:
|
|
|
|
"Avast, belay, when I appear,
|
|
|
|
By fear they're overtook,
|
|
|
|
Nought's left upon your bones when you
|
|
|
|
Have shaken claws with Cook."
|
|
|
|
They began the verse, but they never finished it, for another
|
|
sound broke in and stilled them. It was at first such a tiny sound
|
|
that a leaf might have fallen on it and smothered it, but as it came
|
|
nearer it was more distinct.
|
|
|
|
Tick tick tick tick!
|
|
|
|
Hook stood shuddering, one foot in the air.
|
|
|
|
"The crocodile!" he gasped, and bounded away, followed by his
|
|
bo'sun.
|
|
|
|
It was indeed the crocodile. It had passed the redskins, who were
|
|
now on the trail of the other pirates. It oozed on after Hook.
|
|
|
|
Once more the boys emerged into the open; but the dangers of the
|
|
night were not yet over, for presently Nibs rushed breathless into
|
|
their midst, pursued by a pack of wolves. The tongues of the
|
|
pursuers were hanging out; the baying of them was horrible.
|
|
|
|
"Save me, save me!" cried Nibs, falling on the ground.
|
|
|
|
"But what can we do, what can we do?"
|
|
|
|
It was a high compliment to Peter that at that dire moment their
|
|
thoughts turned to him.
|
|
|
|
"What would Peter do?" they cried simultaneously.
|
|
|
|
Almost in the same breath they cried, "Peter would look at them
|
|
through his legs."
|
|
|
|
And then, "Let us do what Peter would do."
|
|
|
|
It is quite the most successful way of defying wolves, and as one
|
|
boy they bent and looked through their legs. The next moment is the
|
|
long one, but victory came quickly, for as the boys advanced upon them
|
|
in this terrible attitude, the wolves dropped their tails and fled.
|
|
|
|
Now Nibs rose from the ground, and the others thought that his
|
|
staring eyes still saw the wolves. But it was not wolves he saw.
|
|
|
|
"I have seen a wonderfuller thing," he cried, as they gathered round
|
|
him eagerly. "A great white bird. It is flying this way."
|
|
|
|
"What kind of a bird, do you think?"
|
|
|
|
"I don't know," Nibs said, awestruck, "but it looks so weary, and as
|
|
it flies it moans, 'Poor Wendy.'"
|
|
|
|
"Poor Wendy?"
|
|
|
|
"I remember," said Slightly instantly, "there are birds called
|
|
Wendies."
|
|
|
|
"See, it comes!" cried Curly, pointing to Wendy in the heavens.
|
|
|
|
Wendy was now almost overhead, and they could hear her plaintive
|
|
cry. But more distinct came the shrill voice of Tinker Bell. The
|
|
jealous fairy had now cast off all disguise of friendship, and was
|
|
darting at her victim from every direction, pinching savagely each
|
|
time she touched.
|
|
|
|
"Hullo, Tink," cried the wondering boys.
|
|
|
|
Tink's reply rang out: "Peter wants you to shoot the Wendy."
|
|
|
|
It was not in their nature to question when Peter ordered. "Let us
|
|
do what Peter wishes," cried the simple boys. "Quick, bows and
|
|
arrows!"
|
|
|
|
All but Tootles popped down their trees. He had a bow and arrow with
|
|
him, and Tink noted it, and rubbed her little hands.
|
|
|
|
"Quick, Tootles, quick," she screamed. "Peter will be so pleased."
|
|
|
|
Tootles excitedly fitted the arrow to his bow. "Out of the way,
|
|
Tink," he shouted, and then he fired, and Wendy fluttered to the
|
|
ground with an arrow in her breast.
|
|
|
|
CHAPTER VI.
|
|
|
|
THE LITTLE HOUSE.
|
|
|
|
Foolish Tootles was standing like a conqueror over Wendy's body when
|
|
the other boys sprang, armed, from their trees.
|
|
|
|
"You are too late," he cried proudly, "I have shot the Wendy.
|
|
Peter will be so pleased with me."
|
|
|
|
Overhead Tinker Bell shouted "Silly ass!" and darted into hiding.
|
|
The others did not hear her.
|
|
|
|
They had crowded round Wendy, and as they looked a terrible
|
|
silence fell upon the wood. If Wendy's heart had been beating they
|
|
would all have heard it.
|
|
|
|
Slightly was the first to speak. "This is no bird," he said in a
|
|
scared voice. "I think it must be a lady."
|
|
|
|
"A lady?" said Tootles, and fell a-trembling.
|
|
|
|
"And we have killed her," Nibs said hoarsely.
|
|
|
|
They all whipped off their caps.
|
|
|
|
"Now I see," Curly said; "Peter was bringing her to us." He threw
|
|
himself sorrowfully on the ground.
|
|
|
|
"A lady to take care of us at last," said one of the twins, "and you
|
|
have killed her!"
|
|
|
|
They were sorry for him, but sorrier for themselves, and when he
|
|
took a step nearer them they turned from him.
|
|
|
|
Tootles' face was very white, but there was a dignity about him
|
|
now that had never been there before.
|
|
|
|
"I did it," he said, reflecting. "When ladies used to come to me
|
|
in dreams, I said, 'Pretty mother, pretty mother.' But when at last
|
|
she really came, I shot her."
|
|
|
|
He moved slowly away.
|
|
|
|
"Don't go," they called in pity.
|
|
|
|
"I must," he answered, shaking; "I am so afraid of Peter."
|
|
|
|
It was at this tragic moment that they heard a sound which made
|
|
the heart of every one of them rise to his mouth. They heard Peter
|
|
crow.
|
|
|
|
"Peter!" they cried, for it was always thus that he signalled his
|
|
return.
|
|
|
|
"Hide her," they whispered, and gathered hastily around Wendy. But
|
|
Tootles stood aloof.
|
|
|
|
Again came that ringing crow, and Peter dropped in front of them.
|
|
"Greeting, boys," he cried, and mechanically they saluted, and then
|
|
again was silence.
|
|
|
|
He frowned.
|
|
|
|
"I am back," he said hotly, "why do you not cheer?"
|
|
|
|
They opened their mouths, but the cheers would not come. He
|
|
overlooked it in his haste to tell the glorious tidings.
|
|
|
|
"Great news, boys," he cried, "I have brought at last a mother for
|
|
you all?"
|
|
|
|
Still no sound, except a little thud from Tootles as he dropped on
|
|
his knees.
|
|
|
|
"Have you not seen her?" asked Peter, becoming troubled. "She flew
|
|
this way."
|
|
|
|
"Ah me!" one voice said, and another said, "Oh, mournful day!"
|
|
|
|
Tootles, rose. "Peter," he said quietly, "I will show her to you,"
|
|
and when the others would still have hidden her he said, "Back, twins,
|
|
let Peter see."
|
|
|
|
So they all stood back, and let him see, and after he had looked for
|
|
a little time he did not know what to do next.
|
|
|
|
"She is dead," he said uncomfortably. "Perhaps she is frightened
|
|
at being dead."
|
|
|
|
He thought of hopping off in a comic sort of way till he was out
|
|
of sight of her, and then never going near the spot any more. They
|
|
would all have been glad to follow if he had done this.
|
|
|
|
But there was the arrow. He took it from her heart and faced his
|
|
band.
|
|
|
|
"Whose arrow?" he demanded sternly.
|
|
|
|
"Mine, Peter," said Tootles on his knees.
|
|
|
|
"Oh, dastard hand," Peter said, and he raised the arrow to use it as
|
|
a dagger.
|
|
|
|
Tootles did not flinch. He bared his breast. "Strike, Peter," he
|
|
said firmly, "strike true."
|
|
|
|
Twice did Peter raise the arrow, and twice did his hand fall. "I
|
|
cannot strike," he said with awe, "there is something stays my hand."
|
|
|
|
All looked at him in wonder, save Nibs, who fortunately looked at
|
|
Wendy.
|
|
|
|
"It is she," he cried, "the Wendy lady, see, her arm!"
|
|
|
|
Wonderful to relate, Wendy had raised her arm. Nibs bent over her
|
|
and listened reverently. "I think she said 'Poor Tootles,'" he
|
|
whispered.
|
|
|
|
"She lives," Peter said briefly.
|
|
|
|
Slightly cried instantly, "The Wendy lady lives."
|
|
|
|
Then Peter knelt beside her and found his button. You remember she
|
|
had put it on a chain that she wore round her neck.
|
|
|
|
"See," he said, "the arrow struck against this. It is the kiss I
|
|
gave her. It has saved her life."
|
|
|
|
"I remember kisses," Slightly interposed quickly, "let me see it.
|
|
Ay, that's a kiss."
|
|
|
|
Peter did not hear him. He was begging Wendy to get better
|
|
quickly, so that he could show her the mermaids. Of course she could
|
|
not answer yet, being still in a frightful faint; but from overhead
|
|
came a wailing note.
|
|
|
|
"Listen to Tink," said Curly, "she is crying because the Wendy
|
|
lives."
|
|
|
|
Then they had to tell Peter of Tink's crime, and almost never had
|
|
they seen him look so stern.
|
|
|
|
"Listen, Tinker Bell," he cried, "I am your friend no more. Begone
|
|
from me forever."
|
|
|
|
She flew on to his shoulder and pleaded, but he brushed her off. Not
|
|
until Wendy again raised her arm did he relent sufficiently to say,
|
|
"Well, not forever, but for a whole week."
|
|
|
|
Do you think Tinker Bell was grateful to Wendy for raising her
|
|
arm? Oh dear no, never wanted to pinch her so much. Fairies indeed are
|
|
strange, and Peter, who understood them best, often cuffed them.
|
|
|
|
But what to do with Wendy in her present delicate state of health?
|
|
|
|
"Let us carry her down into the house," Curly suggested.
|
|
|
|
"Ay," said Slightly, "that is what one does with ladies."
|
|
|
|
"No, no," Peter said, "you must not touch her. It would not be
|
|
sufficiently respectful."
|
|
|
|
"That," said Slightly, "is what I was thinking."
|
|
|
|
"But if she lies there," Tootles said, "she will die."
|
|
|
|
"Ay, she will die," Slightly admitted, "but there is no way out."
|
|
|
|
"Yes, there is," cried Peter. "Let us build a little house round
|
|
her."
|
|
|
|
They were all delighted. "Quick," he ordered them, "bring me each of
|
|
you the best of what we have. Gut our house. Be sharp."
|
|
|
|
In a moment they were as busy as tailors the night before a wedding.
|
|
They skurried this way and that, down for bedding, up for firewood,
|
|
and while they were at it, who should appear but John and Michael.
|
|
As they dragged along the ground they fell asleep standing, stopped,
|
|
woke up, moved another step and slept again.
|
|
|
|
"John, John," Michael would cry, "wake up! Where is Nana, John,
|
|
and mother?"
|
|
|
|
And then John would rub his eyes and mutter, "It is true, we did
|
|
fly."
|
|
|
|
You may be sure they were very relieved to find Peter.
|
|
|
|
"Hullo, Peter," they said.
|
|
|
|
"Hullo," replied Peter amicably, though he had quite forgotten them.
|
|
He was very busy at the moment measuring Wendy with his feet to see
|
|
how large a house she would need. Of course he meant to leave room for
|
|
chairs and a table. John and Michael watched him.
|
|
|
|
"Is Wendy asleep?" they asked.
|
|
|
|
"Yes."
|
|
|
|
"John," Michael proposed, "let us wake her and get her to make
|
|
supper for us," and as he said it some of the other boys rushed on
|
|
carrying branches for the building of the house. "Look at them!" he
|
|
cried.
|
|
|
|
"Curly," said Peter in his most captainy voice, "see that these boys
|
|
help in the building of the house."
|
|
|
|
"Ay, ay, sir."
|
|
|
|
"Build a house?" exclaimed John.
|
|
|
|
"For the Wendy," said Curly.
|
|
|
|
"For Wendy?" John said, aghast. "Why, she is only a girl!"
|
|
|
|
"That," explained Curly, "is why we are her servants."
|
|
|
|
"You? Wendy's servants!"
|
|
|
|
"Yes," said Peter, "and you also. Away with them."
|
|
|
|
The astounded brothers were dragged away to hack and hew and
|
|
carry. "Chairs and a fender first," Peter ordered. "Then we shall
|
|
build the house round them."
|
|
|
|
"Ay," said Slightly, "that is how a house is built; it all comes
|
|
back to me."
|
|
|
|
Peter thought of everything. "Slightly," he cried, "fetch a doctor."
|
|
|
|
"Ay, ay," said Slightly at once, and disappeared, scratching his
|
|
head. But he knew Peter must be obeyed, and he returned in a moment,
|
|
wearing John's hat and looking solemn.
|
|
|
|
"Please, sir," said Peter, going to him, "are you a doctor?"
|
|
|
|
The difference between him and the other boys at such a time was
|
|
that they knew it was make-believe, while to him make-believe and true
|
|
were exactly the same thing. This sometimes troubled them, as when
|
|
they had to make-believe that they had had their dinners.
|
|
|
|
If they broke down in their make-believe he rapped them on the
|
|
knuckles.
|
|
|
|
"Yes, my little man," anxiously replied Slightly, who had chapped
|
|
knuckles.
|
|
|
|
"Please, sir," Peter explained, "a lady lies very ill."
|
|
|
|
She was lying at their feet, but Slightly had the sense not to see
|
|
her.
|
|
|
|
"Tut, tut, tut," he said, "where does she lie?"
|
|
|
|
"In yonder glade."
|
|
|
|
"I will put a glass thing in her mouth," said Slightly, and he
|
|
made-believe to do it, while Peter waited. It was an anxious moment
|
|
when the glass thing was withdrawn.
|
|
|
|
"How is she?" inquired Peter.
|
|
|
|
"Tut, tut, tut," said Slightly, "this has cured her."
|
|
|
|
"I am glad!" Peter cried.
|
|
|
|
"I will call again in the evening," Slightly said; "give her beef
|
|
tea out of a cup with a spout to it"; but after he had returned the
|
|
hat to John he blew big breaths, which was his habit on escaping
|
|
from a difficulty.
|
|
|
|
In the meantime the wood had been alive with the sound of axes;
|
|
almost everything needed for a cosy dwelling already lay at Wendy's
|
|
feet.
|
|
|
|
"If only we knew," said one, "the kind of house she likes best."
|
|
|
|
"Peter," shouted another, "she is moving in her sleep."
|
|
|
|
"Her mouth opens," cried a third, looking respectfully into it. "Oh,
|
|
lovely!"
|
|
|
|
"Perhaps she is going to sing in her sleep," said Peter. "Wendy,
|
|
sing the kind of house you would like to have."
|
|
|
|
Immediately, without opening her eyes, Wendy began to sing:
|
|
|
|
"I wish I had a pretty house,
|
|
|
|
The littlest ever seen,
|
|
|
|
With funny little red walls
|
|
|
|
And roof of mossy green."
|
|
|
|
They gurgled with joy at this, for by the greatest good luck the
|
|
branches they had brought were sticky with red sap, and all the ground
|
|
was carpeted with moss. As they rattled up the little house they broke
|
|
into song themselves:
|
|
|
|
"We've built the little walls and roof
|
|
|
|
And made a lovely door,
|
|
|
|
So tell us, mother Wendy,
|
|
|
|
What are you wanting more?"
|
|
|
|
To this she answered rather greedily:
|
|
|
|
"Oh, really next I think I'll have
|
|
|
|
Gay windows all about,
|
|
|
|
With roses peeping in, you know,
|
|
|
|
And babies peeping out"
|
|
|
|
With a blow of their fists they made windows, and large yellow
|
|
leaves were the blinds. But roses-?
|
|
|
|
"Roses!" cried Peter sternly.
|
|
|
|
Quickly they made-believe to grow the loveliest roses up the walls.
|
|
|
|
Babies?
|
|
|
|
To prevent Peter ordering babies they hurried into song again:
|
|
|
|
"We've made the roses peeping out,
|
|
|
|
The babes are at the door,
|
|
|
|
We cannot make ourselves, you know,
|
|
|
|
'Cos we've been made before."
|
|
|
|
Peter, seeing this to be a good idea, at once pretended that it
|
|
was his own. The house was quite beautiful, and no doubt Wendy was
|
|
very cosy within, though, of course, they could no longer see her.
|
|
Peter strode up and down, ordering finishing touches. Nothing
|
|
escaped his eagle eye. Just when it seemed absolutely finished,
|
|
|
|
"There's no knocker on the door," he said.
|
|
|
|
They were very ashamed, but Tootles gave the sole of his shoe, and
|
|
it made an excellent knocker.
|
|
|
|
Absolutely finished now, they thought.
|
|
|
|
Not a bit of it. "There's no chimney," Peter said; "we must have a
|
|
chimney."
|
|
|
|
"It certainly does need a chimney," said John importantly. This gave
|
|
Peter an idea. He snatched the hat off John's head, knocked out the
|
|
bottom, and put the hat on the roof. The little house was so pleased
|
|
to have such a capital chimney that, as if to say thank you, smoke
|
|
immediately began to come out of the hat.
|
|
|
|
Now really and truly it was finished. Nothing remained to do but
|
|
to knock.
|
|
|
|
"All look your best," Peter warned them; "first impressions are
|
|
awfully important."
|
|
|
|
He was glad no one asked him what first impressions are; they were
|
|
all too busy looking their best.
|
|
|
|
He knocked politely, and now the wood was as still as the
|
|
children, not a sound to be heard except from Tinker Bell, who was
|
|
watching from a branch and openly sneering.
|
|
|
|
What the boys were wondering was, would anyone answer the knock?
|
|
If a lady, what would she be like?
|
|
|
|
The door opened and a lady came out. It was Wendy. They all
|
|
whipped off their hats.
|
|
|
|
She looked properly surprised, and this was just how they had
|
|
hoped she would look.
|
|
|
|
"Where am I?" she said.
|
|
|
|
Of course Slightly was the first to get his word in. "Wendy lady,"
|
|
he said rapidly, "for you we built this house."
|
|
|
|
"Oh, say you're pleased," cried Nibs.
|
|
|
|
"Lovely, darling house," Wendy said, and they were the very words
|
|
they had hoped she would say.
|
|
|
|
"And we are your children," cried the twins.
|
|
|
|
Then all went on their knees, and holding out their arms cried, "O
|
|
Wendy lady, be our mother."
|
|
|
|
"Ought I?" Wendy said, all shining. "Of course it's frightfully
|
|
fascinating, but you see I am only a little girl. I have no real
|
|
experience."
|
|
|
|
"That doesn't matter," said Peter, as if he were the only person
|
|
present who knew all about it, though he was really the one who knew
|
|
least. "What we need is just a nice motherly person."
|
|
|
|
"Oh dear!" Wendy said, "you see I feel that is exactly what I am."
|
|
|
|
"It is, it is," they all cried; "we saw it at once."
|
|
|
|
"Very well," she said, "I will do my best. Come inside at once,
|
|
you naughty children; I am sure your feet are damp. And before I put
|
|
you to bed I have just time to finish the story of Cinderella."
|
|
|
|
In they went; I don't know how there was room for them, but you
|
|
can squeeze very tight in the Neverland. And that was the first of the
|
|
many joyous evenings they had with Wendy. By and by she tucked them up
|
|
in the great bed in the home under the trees, but she herself slept
|
|
that night in the little house, and Peter kept watch outside with
|
|
drawn sword, for the pirates could be heard carousing far away and the
|
|
wolves were on the prowl. The little house looked so cosy and safe
|
|
in the darkness, with a bright light showing through its blinds, and
|
|
the chimney smoking beautifully, and Peter standing on guard. After
|
|
a time he fell asleep, and some unsteady fairies had to climb over him
|
|
on their way home from an orgy. Any of the other boys obstructing
|
|
the fairy path at night they would have mischiefed, but they just
|
|
tweaked Peter's nose and passed on.
|
|
|
|
CHAPTER VII.
|
|
|
|
THE HOME UNDER THE GROUND.
|
|
|
|
One of the first things Peter did next day was to measure Wendy
|
|
and John and Michael for hollow trees. Hook, you remember, had sneered
|
|
at the boys for thinking they needed a tree apiece, but this was
|
|
ignorance, for unless your tree fitted you it was difficult to go up
|
|
and down, and no two of the boys were quite the same size. Once you
|
|
fitted, you drew in your breath at the top, and down you went at
|
|
exactly the right speed, while to ascend you drew in and let out
|
|
alternately, and so wriggled up. Of course, when you have mastered the
|
|
action you are able to do these things without thinking of them, and
|
|
then nothing can be more graceful.
|
|
|
|
But you simply must fit, and Peter measures you for your tree as
|
|
carefully as for a suit of clothes: the only difference being that the
|
|
clothes are made to fit you, while you have to be made to fit the
|
|
tree. Usually it is done quite easily, as by your wearing too many
|
|
garments or too few, but if you are bumpy in awkward places or the
|
|
only available tree is an odd shape, Peter does some things to you,
|
|
and after that you fit. Once you fit, great care must be taken to go
|
|
on fitting, and this, as Wendy was to discover to her delight, keeps a
|
|
whole family in perfect condition.
|
|
|
|
Wendy and Michael fitted their trees at the first try, but John
|
|
had to be altered a little.
|
|
|
|
After a few days' practice they could go up and down as gaily as
|
|
buckets in a well. And how ardently they grew to love their home under
|
|
the ground; especially Wendy! It consisted of one large room, as all
|
|
houses should do, with a floor in which you could dig if you wanted to
|
|
go fishing, and in this floor grew stout mushrooms of a charming
|
|
colour, which were used as stools. A Never tree tried hard to grow
|
|
in the centre of the room, but every morning they sawed the trunk
|
|
through, level with the floor. By tea-time it was always about two
|
|
feet high, and then they put a door on top of it, the whole thus
|
|
becoming a table; as soon as they cleared away, they sawed off the
|
|
trunk again, and thus there was more room to play. There was an
|
|
enormous fireplace which was in almost any part of the room where
|
|
you cared to light it, and across this Wendy stretched strings, made
|
|
of fibre, from which she suspended her washing. The bed was tilted
|
|
against the wall by day, and let down at 6:30, when it filled nearly
|
|
half the room; and all the boys slept in it, except Michael, lying
|
|
like sardines in a tin. There was a strict rule against turning
|
|
round until one gave the signal, when all turned at once. Michael
|
|
should have used it also, but Wendy would have a baby, and he was
|
|
the littlest, and you know what women are, and the short and the
|
|
long of it is that he was hung up in a basket.
|
|
|
|
It was rough and simple, and not unlike what baby bears would have
|
|
made of an underground house in the same circumstances. But there
|
|
was one recess in the wall, no larger than a bird-cage, which was
|
|
the private apartment of Tinker Bell. It could be shut off from the
|
|
rest of the home by a tiny curtain, which Tink, who was most
|
|
fastidious, always kept drawn when dressing or undressing. No woman,
|
|
however large, could have had a more exquisite boudoir and bed-chamber
|
|
combined. The couch, as she always called it, was a genuine Queen Mab,
|
|
with club legs; and she varied the bedspreads according to what
|
|
fruit-blossom was in season. Her mirror was a Puss-in-boots, of
|
|
which there are now only three, unchipped, known to the fairy dealers;
|
|
the wash-stand was Pie-crust and reversible, the chest of drawers an
|
|
authentic Charming the Sixth, and the carpet and rugs of the best (the
|
|
early) period of Margery and Robin. There was a chandelier from
|
|
Tiddlywinks for the look of the thing, but of course she lit the
|
|
residence herself Tink was very contemptuous of the rest of the house,
|
|
as indeed was perhaps inevitable, and her chamber, though beautiful,
|
|
looked rather conceited, having the appearance of a nose permanently
|
|
turned up.
|
|
|
|
I suppose it was all especially entrancing to Wendy, because those
|
|
rampagious boys of hers gave her so much to do. Really there were
|
|
whole weeks when, except perhaps with a stocking in the evening, she
|
|
was never above ground. The cooking, I can tell you, kept her nose
|
|
to the pot, and even if there was nothing in it, even though there was
|
|
no pot, she had to keep watching that it came aboil just the same. You
|
|
never exactly knew whether there would be a real meal or just a
|
|
make-believe, it all depended upon Peter's whim: he could eat,
|
|
really eat, if it was part of a game, but he could not stodge just
|
|
to feel stodgy, which is what most children like better than
|
|
anything else; the next best thing being to talk about it.
|
|
Make-believe was so real to him that during a meal of it you could see
|
|
him getting rounder. Of course it was trying, but you simply had to
|
|
follow his lead, and if you could prove to him that you were getting
|
|
loose for your tree he let you stodge.
|
|
|
|
Wendy's favourite time for sewing and darning was after they had all
|
|
gone to bed. Then, as she expressed it, she had a breathing time for
|
|
herself; and she occupied it in making new things for them, and
|
|
putting double pieces on the knees, for they were all most frightfully
|
|
hard on their knees.
|
|
|
|
When she sat down to a basketful of their stockings, every heel with
|
|
a hole in it, she would fling up her arms and exclaim, "Oh dear, I
|
|
am sure I sometimes think spinsters are to be envied!" Her face beamed
|
|
when she exclaimed this.
|
|
|
|
You remember about her pet wolf Well, it very soon discovered that
|
|
she had come to the island and found her out, and they just ran into
|
|
each other's arms. After that it followed her about everywhere.
|
|
|
|
As time wore on did she think much about the beloved parents she had
|
|
left behind her? This is a difficult question, because it is quite
|
|
impossible to say how time does wear on in the Neverland, where it
|
|
is calculated by moons and suns, and there are ever so many more of
|
|
them than on the mainland. But I am afraid that Wendy did not really
|
|
worry about her father and mother, she was absolutely confident that
|
|
they would always keep the window open for her to fly back by, and
|
|
this gave her complete ease of mind. What did disturb her at times was
|
|
that John remembered his parents vaguely only, as people he had once
|
|
known, while Michael was quite willing to believe that she was
|
|
really his mother. These things scared her a little, and nobly anxious
|
|
to do her duty, she tried to fix the old life in their minds by
|
|
setting them examination papers on it, as like as possible to the ones
|
|
she used to do at school. The other boys thought this awfully
|
|
interesting, and insisted on joining, and they made slates for
|
|
themselves, and sat round the table, writing and thinking hard about
|
|
the questions she had written on another slate and passed round.
|
|
They were the most ordinary questions- "What was the colour of
|
|
Mother's eyes? Which was taller, Father or Mother? Was Mother blonde
|
|
or brunette? Answer all three questions if possible." "(A) Write an
|
|
essay of not less than 40 words on How I spent my last Holidays, or
|
|
The Carakters of Father and Mother compared. Only one of these to be
|
|
attempted." Or "(1) Describe Mother's laugh; (2) Describe Father's
|
|
laugh; (3) Describe Mother's Party Dress; (4) Describe the Kennel
|
|
and its Inmate."
|
|
|
|
They were just everyday questions like these, and when you could not
|
|
answer them you were told to make a cross; and it was really
|
|
dreadful what a number of crosses even John made. Of course the only
|
|
boy who replied to every question was Slightly, and no one could
|
|
have been more hopeful of coming out first, but his answers were
|
|
perfectly ridiculous, and he really came out last: a melancholy thing.
|
|
|
|
Peter did not compete. For one thing he despised all mothers
|
|
except Wendy, and for another he was the only boy on the island who
|
|
could neither write nor spell; not the smallest word. He was above all
|
|
that sort of thing.
|
|
|
|
By the way, the questions were all written in the past tense. What
|
|
was the colour of Mother's eyes, and so on. Wendy, you see, had been
|
|
forgetting too.
|
|
|
|
Adventures, of course, as we shall see, were of daily occurrence;
|
|
but about this time Peter invented, with Wendy's help, a new game that
|
|
fascinated him enormously, until he suddenly had no more interest in
|
|
it, which, as you have been told, was what always happened with his
|
|
games. It consisted in pretending not to have adventures, in doing the
|
|
sort of thing John and Michael had been doing all their lives, sitting
|
|
on stools flinging balls in the air, pushing each other, going out for
|
|
walks and coming back without having killed so much as a grizzly. To
|
|
see Peter doing nothing on a stool was a great sight; he could not
|
|
help looking solemn at such times, to sit still seemed to him such a
|
|
comic thing to do. He boasted that he had gone a walk for the good
|
|
of his health. For several suns these were the most novel of all
|
|
adventures to him; and John and Michael had to pretend to be delighted
|
|
also; otherwise he would have treated them severely.
|
|
|
|
He often went out alone, and when he came back you were never
|
|
absolutely certain whether he had had an adventure or not. He might
|
|
have forgotten it so completely that he said nothing about it; and
|
|
then when you went out you found the body; and, on the other hand,
|
|
he might say a great deal about it, and yet you could not find the
|
|
body. Sometimes he came home with his head bandaged, and then Wendy
|
|
cooed over him and bathed it in lukewarm water, while he told a
|
|
dazzling tale. But she was never quite sure, you know. There were,
|
|
however, many adventures which she knew to be true because she was
|
|
in them herself, and there were still more that were at least partly
|
|
true, for the other boys were in them and said they were wholly
|
|
true. To describe them all would require a book as large as an
|
|
English-Latin, Latin-English Dictionary, and the most we can do is
|
|
to give one as a specimen of an average hour on the island. The
|
|
difficulty is which one to choose. Should we take the brush with the
|
|
redskins at Slightly Gulch? It was a sanguinary affair, and especially
|
|
interesting as showing one of Peter's peculiarities, which was that in
|
|
the middle of a fight he would suddenly change sides. At the Gulch,
|
|
when victory was still in the balance, sometimes leaning this way
|
|
and sometimes that, he called out, "I'm redskin to-day; what are
|
|
you, Tootles?" And Tootles answered, "Redskin; what are you, Nibs?"
|
|
and Nibs said, "Redskin; what are you, Twin?" and so on; and they were
|
|
all redskin; and of course this would have ended the fight had not the
|
|
real redskins, fascinated by Peter's methods, agreed to be lost boys
|
|
for that once, and so at it they all went again, more fiercely than
|
|
ever.
|
|
|
|
The extraordinary upshot of this adventure was- but we have not
|
|
decided yet that this is the adventure we are to narrate. Perhaps a
|
|
better one would be the night attack by the redskins on the house
|
|
under the ground, when several of them stuck in the hollow trees and
|
|
had to be pulled out like corks. Or we might tell how Peter saved
|
|
Tiger Lily's life in the Mermaids' Lagoon, and so made her his ally.
|
|
|
|
Or we could tell of that cake the pirates cooked so that the boys
|
|
might eat it and perish; and how they placed it in one cunning spot
|
|
after another; but always Wendy snatched it from the hands of her
|
|
children, so that in time it lost its succulence, and became as hard
|
|
as stone, and was used as a missile, and Hook fell over it in the
|
|
dark.
|
|
|
|
Or suppose we tell of the birds that were Peter's friends,
|
|
particularly of the Never bird that built in a tree overhanging the
|
|
lagoon, and how the nest fell into the water, and still the bird sat
|
|
on her eggs, and Peter gave orders that she was not to be disturbed.
|
|
That is a pretty story, and the end shows how grateful a bird can
|
|
be; but if we tell it we must also tell the whole adventure of the
|
|
lagoon, which would of course be telling two adventures rather than
|
|
just one. A shorter adventure, and quite as exciting, was Tinker
|
|
Bell's attempt, with the help of some street fairies, to have the
|
|
sleeping Wendy conveyed on a great floating leaf to the mainland.
|
|
Fortunately the leaf gave way and Wendy woke, thinking it was
|
|
bath-time, and swam back. Or again, we might choose Peter's defiance
|
|
of the lions, when he drew a circle round him on the ground with an
|
|
arrow and dared them to cross it; and though he waited for hours, with
|
|
the other boys and Wendy looking on breathlessly from trees, not one
|
|
of them would accept his challenge.
|
|
|
|
Which of these adventures shall we choose? The best way will be to
|
|
toss for it.
|
|
|
|
I have tossed, and the lagoon has won. This almost makes one wish
|
|
that the gulch or the cake or Tink's leaf had won. Of course I could
|
|
do it again, and make it best out of three; however, perhaps fairest
|
|
to stick to the lagoon.
|
|
|
|
CHAPTER VIII.
|
|
|
|
THE MERMAID'S LAGOON.
|
|
|
|
If you shut your eyes and are a lucky one, you may see at times a
|
|
shapeless pool of lovely pale colours suspended in the darkness;
|
|
then if you squeeze your eyes tighter, the pool begins to take
|
|
shape, and the colours become so vivid that with another squeeze
|
|
they must go on fire. But just before they go on fire you see the
|
|
lagoon. This is the nearest you ever get to it on the mainland, just
|
|
one heavenly moment; if there could be two moments you might see the
|
|
surf and hear the mermaids singing.
|
|
|
|
The children often spent long summer days on this lagoon, swimming
|
|
or floating most of the time, playing the mermaid games in the
|
|
water, and so forth. You must not think from this that the mermaids
|
|
were on friendly terms with them: on the contrary, it was among
|
|
Wendy's lasting regrets that all the time she was on the island she
|
|
never had a civil word from one of them. When she stole softly to
|
|
the edge of the lagoon she might see them by the score, especially
|
|
on Marooners' Rock, where they loved to bask, combing out their hair
|
|
in a lazy way that quite irritated her; or she might even swim, on
|
|
tiptoe as it were, to within a yard of them, but then they saw her and
|
|
dived, probably splashing her with their tails, not by accident, but
|
|
intentionally.
|
|
|
|
They treated all the boys in the same way, except of course Peter,
|
|
who chatted with them on Marooners' Rock by the hour and sat on
|
|
their tails when they got cheeky. He gave Wendy one of their combs.
|
|
|
|
The most haunting time at which to see them is at the turn of the
|
|
moon, when they utter strange wailing cries; but the lagoon is
|
|
dangerous for mortals then, and until the evening of which we have now
|
|
to tell, Wendy had never seen the lagoon by moonlight, less from fear,
|
|
for of course Peter would have accompanied her, than because she had
|
|
strict rules about every one being in bed by seven. She was often at
|
|
the lagoon, however, on sunny days after rain, when the mermaids
|
|
come up in extraordinary numbers to play with their bubbles. The
|
|
bubbles of many colours made in rainbow water they treat as balls,
|
|
hitting them gaily from one to another with their tails, and trying to
|
|
keep them in the rainbow till they burst. The goals are at each end of
|
|
the rainbow, and the keepers only are allowed to use their hands.
|
|
Sometimes a dozen of these games will be going on in the lagoon at a
|
|
time, and it is quite a pretty sight.
|
|
|
|
But the moment the children tried to join in they had to play by
|
|
themselves, for the mermaids immediately disappeared. Nevertheless
|
|
we have proof that they secretly watched the interlopers, and were not
|
|
above taking an idea from them; for John introduced a new way of
|
|
hitting the bubble, with the head instead of the hand, and the
|
|
mermaids adopted it. This is the one mark that John has left on the
|
|
Neverland.
|
|
|
|
It must also have been rather pretty to see the children resting
|
|
on a rock for half an hour after their mid-day meal. Wendy insisted on
|
|
their doing this, and it had to be a real rest even though the meal
|
|
was make-believe. So they lay there in the sun, and their bodies
|
|
glistened in it, while she sat beside them and looked important.
|
|
|
|
It was one such day, and they were all on Marooners' Rock. The
|
|
rock was not much larger than their great bed, but of course they
|
|
all knew how not to take up much room, and they were dozing or at
|
|
least lying with their eyes shut, and pinching occasionally when
|
|
they thought Wendy was not looking. She was very busy stitching.
|
|
|
|
While she stitched a change came to the lagoon. Little shivers ran
|
|
over it, and the sun went away and shadows stole across the water,
|
|
turning it cold. Wendy could no longer see to thread her needle, and
|
|
when she looked up, the lagoon that had always hitherto been such a
|
|
laughing place seemed formidable and unfriendly.
|
|
|
|
It was not, she knew, that night had come, but something as dark
|
|
as night had come. No, worse than that. It had not come, but it had
|
|
sent that shiver through the sea to say that it was coming. What was
|
|
it?
|
|
|
|
There crowded upon her all the stories she had been told of
|
|
Marooners' Rock, so called because evil captains put sailors on it and
|
|
leave them there to drown. They drown when the tide rises, for then it
|
|
is submerged.
|
|
|
|
Of course she should have roused the children at once; not merely
|
|
because of the unknown that was stalking toward them, but because it
|
|
was no longer good for them to sleep on a rock grown chilly. But she
|
|
was a young mother and she did not know this; she thought you simply
|
|
must stick to your rule about half an hour after the mid-day meal. So,
|
|
though fear was upon her, and she longed to hear male voices, she
|
|
would not waken them. Even when she heard the sound of muffled oars,
|
|
though her heart was in her mouth, she did not waken them. She stood
|
|
over them to let them have their sleep out. Was it not brave of Wendy?
|
|
|
|
It was well for those boys then that there was one among them who
|
|
could sniff danger even in his sleep. Peter sprang erect, as wide
|
|
awake at once as a dog, and with one warning cry he roused the others.
|
|
|
|
He stood motionless, one hand to his ear. "Pirates!" he cried. The
|
|
others came closer to him. A strange smile was playing about his face,
|
|
and Wendy saw it and shuddered. While that smile was on his face no
|
|
one dared address him; all they could do was to stand ready to obey.
|
|
The order came sharp and incisive.
|
|
|
|
"Dive!"
|
|
|
|
There was a gleam of legs, and instantly the lagoon seemed deserted.
|
|
Marooners' Rock stood alone in the forbidding waters, as if it were
|
|
itself marooned.
|
|
|
|
The boat drew nearer. It was the pirate dinghy, with three figures
|
|
in her, Smee and Starkey, and the third a captive, no other than Tiger
|
|
Lily. Her hands and ankles were tied, and she knew what was to be
|
|
her fate. She was to be left on the rock to perish, an end to one of
|
|
her race more terrible than death by fire or torture, for is it not
|
|
written in the book of the tribe that there is no path through water
|
|
to the happy hunting-ground? Yet her face was impassive; she was the
|
|
daughter of a chief, she must die as a chief's daughter, it is enough.
|
|
|
|
They had caught her boarding the pirate ship with a knife in her
|
|
mouth. No watch was kept on the ship, it being Hook's boast that the
|
|
wind of his name guarded the ship for a mile around. Now her fate
|
|
would help to guard it also. One more wall would go the round in
|
|
that wind by night.
|
|
|
|
In the gloom that they brought with them the two pirates did not see
|
|
the rock till they crashed into it.
|
|
|
|
"Luff, you lubber," cried an Irish voice that was Smee's; "here's
|
|
the rock. Now, then, what we have to do is to hoist the redskin on
|
|
to it and leave her there to drown."
|
|
|
|
It was the work of one brutal moment to land the beautiful girl on
|
|
the rock; she was too proud to offer a vain resistance.
|
|
|
|
Quite near the rock, but out of sight, two heads were bobbing up and
|
|
down, Peter's and Wendy's. Wendy was crying, for it was the first
|
|
tragedy she had seen. Peter had seen many tragedies, but he had
|
|
forgotten them all. He was less sorry than Wendy for Tiger Lily: it
|
|
was two against one that angered him, and he meant to save her. An
|
|
easy way would have been to wait until the pirates had gone, but he
|
|
was never one to choose the easy way.
|
|
|
|
There was almost nothing he could not do, and he now imitated the
|
|
voice of Hook.
|
|
|
|
"Ahoy there, you lubbers!" he called. It was a marvellous imitation.
|
|
|
|
"The captain!" said the pirates, staring at each other in surprise.
|
|
|
|
"He must be swimming out to us," Starkey said, when they had
|
|
looked for him in vain.
|
|
|
|
"We are putting the redskin on the rock," Smee called out.
|
|
|
|
"Set her free," came the astonishing answer.
|
|
|
|
"Free!"
|
|
|
|
"Yes, cut her bonds and let her go."
|
|
|
|
"But, captain-"
|
|
|
|
"At once, d'ye hear," cried Peter, "or I'll plunge my hook in you."
|
|
|
|
"This is queer!" Smee gasped.
|
|
|
|
"Better do what the captain orders," said Starkey nervously.
|
|
|
|
"Ay, ay," Smee said, and he cut Tiger Lily's cords. At once like
|
|
an eel she slid between Starkey's legs into the water.
|
|
|
|
Of course Wendy was very elated over Peter's cleverness; but she
|
|
knew that he would be elated also and very likely crow and thus betray
|
|
himself, so at once her hand went out to cover his mouth. But it was
|
|
stayed even in the act, for "Boat ahoy!" rang over the lagoon in
|
|
Hook's voice, but this time it was not Peter who had spoken.
|
|
|
|
Peter may have been about to crow, but his face puckered in a
|
|
whistle of surprise instead.
|
|
|
|
"Boat ahoy!" again came the voice.
|
|
|
|
Now Wendy understood. The real Hook was also in the water.
|
|
|
|
He was swimming to the boat, and as his men showed a light to
|
|
guide him he had soon reached them. In the light of the lantern
|
|
Wendy saw his hook grip the boat's side; she saw his evil swarthy face
|
|
as he rose dripping from the water, and, quaking, she would have liked
|
|
to swim away, but Peter would not budge. He was tingling with life and
|
|
also top-heavy with conceit. "Am I not a wonder, oh, I am a wonder!"
|
|
he whispered to her, and though she thought so also, she was really
|
|
glad for the sake of his reputation that no one heard him except
|
|
herself.
|
|
|
|
He signed to her to listen.
|
|
|
|
The two pirates were very curious to know what had brought their
|
|
captain to them, but he sat with his head on his hook in a position of
|
|
profound melancholy.
|
|
|
|
"Captain, is all well?" they asked timidly, but he answered with a
|
|
hollow moan.
|
|
|
|
"He sighs," said Smee.
|
|
|
|
"He sighs again," said Starkey.
|
|
|
|
"And yet a third time he sighs," said Smee.
|
|
|
|
"What's up, captain?"
|
|
|
|
Then at last he spoke passionately.
|
|
|
|
"The game's up," he cried, "those boys have found a mother."
|
|
|
|
Affrighted though she was, Wendy swelled with pride.
|
|
|
|
"O evil day!" cried Starkey.
|
|
|
|
"What's a mother?" asked the ignorant Smee.
|
|
|
|
Wendy was so shocked that she exclaimed, "He doesn't know!" and
|
|
always after this she felt that if you could have a pet pirate Smee
|
|
would be her one.
|
|
|
|
Peter pulled her beneath the water, for Hook had started up, crying,
|
|
"What was that?"
|
|
|
|
"I heard nothing," said Starkey, raising the lantern over the
|
|
waters, and as the pirates looked they saw a strange sight. It was the
|
|
nest I have told you of, floating on the lagoon, and the Never bird
|
|
was sitting on it.
|
|
|
|
"See," said Hook in answer to Smee's question, "that is a mother.
|
|
What a lesson! The nest must have fallen into the water, but would the
|
|
mother desert her eggs? No."
|
|
|
|
There was a break in his voice, as if for a moment he recalled
|
|
innocent days when- but he brushed away this weakness with his hook.
|
|
|
|
Smee, much impressed, gazed at the bird as the nest was borne
|
|
past, but the more suspicious Starkey said, "If she is a mother,
|
|
perhaps she is hanging about here to help Peter."
|
|
|
|
Hook winced. "Ay," he said, "that is the fear that haunts me."
|
|
|
|
He was roused from this dejection by Smee's eager voice.
|
|
|
|
"Captain," said Smee, "could we not kidnap these boys' mother and
|
|
make her our mother?"
|
|
|
|
"It is a princely scheme," cried Hook, and at once it took practical
|
|
shape in his great brain. "We will seize the children and carry them
|
|
to the boat: the boys we will make walk the plank, and Wendy shall
|
|
be our mother."
|
|
|
|
Again Wendy forgot herself.
|
|
|
|
"Never!" she cried, and bobbed.
|
|
|
|
"What was that?"
|
|
|
|
But they could see nothing. They thought it must have been but a
|
|
leaf in the wind. "Do you agree, my bullies?" asked Hook.
|
|
|
|
"There is my hand on it," they both said.
|
|
|
|
"And there is my hook. Swear."
|
|
|
|
They all swore. By this time they were on the rock, and suddenly
|
|
Hook remembered Tiger Lily.
|
|
|
|
"Where is the redskin?" he demanded abruptly.
|
|
|
|
He had a playful humour at moments, and they thought this was one of
|
|
the moments.
|
|
|
|
"That is all right, captain," Smee answered complacently; "we let
|
|
her go."
|
|
|
|
"Let her go!" cried Hook.
|
|
|
|
"'Twas your own orders," the bo'sun faltered.
|
|
|
|
"You called over the water to us to let her go," said Starkey.
|
|
|
|
"Brimstone and gall," thundered Hook, "what cozening is here!" His
|
|
face had gone black with rage, but he saw that they believed their
|
|
words, and he was startled. "Lads," he said, shaking a little, "I gave
|
|
no such order."
|
|
|
|
"It is passing queer," Smee said, and they all fidgeted
|
|
uncomfortably. Hook raised his voice, but there was a quiver in it.
|
|
|
|
"Spirit that haunts this dark lagoon to-night," he cried, "dost hear
|
|
me?"
|
|
|
|
Of course Peter should have kept quiet, but of course he did not. He
|
|
immediately answered in Hook's voice:
|
|
|
|
"Odds, bobs, hammer and tongs, I hear you."
|
|
|
|
In that supreme moment Hook did not blanch, even at the gills, but
|
|
Smee and Starkey clung to each other in terror.
|
|
|
|
"Who are you, stranger, speak?" Hook demanded.
|
|
|
|
"I am James Hook," replied the voice, "captain of the Jolly Roger"
|
|
|
|
"You are not; you are not," Hook cried hoarsely.
|
|
|
|
"Brimstone and gall," the voice retorted, "say that again, and
|
|
I'll cast anchor in you."
|
|
|
|
Hook tried a more ingratiating manner. "If you are Hook," he said
|
|
almost humbly, "come tell me, who am I?"
|
|
|
|
"A codfish," replied the voice, "only a codfish."
|
|
|
|
"A codfish!" Hook echoed blankly, and it was then, but not till
|
|
then, that his proud spirit broke. He saw his men draw back from him.
|
|
|
|
"Have we been captained all this time by a codfish!" they
|
|
muttered. "It is lowering to our pride."
|
|
|
|
They were his dogs snapping at him, but, tragic figure though he had
|
|
become, he scarcely heeded them. Against such fearful evidence it
|
|
was not their belief in him that he needed, it was his own. He felt
|
|
his ego slipping from him. "Don't desert me, bully," he whispered
|
|
hoarsely to it.
|
|
|
|
In his dark nature there was a touch of the feminine, as in all
|
|
the greatest pirates, and it sometimes gave him intuitions. Suddenly
|
|
he tried the guessing game.
|
|
|
|
"Hook," he called, "have you another voice?"
|
|
|
|
Now Peter could never resist a game, and he answered blithely in his
|
|
own voice, "I have."
|
|
|
|
"And another name?"
|
|
|
|
"Ay, ay."
|
|
|
|
"Vegetable?" asked Hook.
|
|
|
|
"No."
|
|
|
|
"Mineral?"
|
|
|
|
"No."
|
|
|
|
"Animal?"
|
|
|
|
"Yes."
|
|
|
|
"Man?"
|
|
|
|
"No!" This answer rang out scornfully.
|
|
|
|
"Boy?"
|
|
|
|
"Yes."
|
|
|
|
"Ordinary boy?"
|
|
|
|
"No!"
|
|
|
|
"Wonderful boy?"
|
|
|
|
To Wendy's pain the answer that rang out this time was "Yes."
|
|
|
|
"Are you in England?"
|
|
|
|
"No."
|
|
|
|
"Are you here?"
|
|
|
|
"Yes."
|
|
|
|
Hook was completely puzzled. "You ask him some questions," he said
|
|
to the others, wiping his damp brow.
|
|
|
|
Smee reflected. "I can't think of a thing." he said regretfully.
|
|
|
|
"Can't guess, can't guess!" crowed Peter. "Do you give it up?"
|
|
|
|
Of course in his pride he was carrying the game too far, and the
|
|
miscreants saw their chance.
|
|
|
|
"Yes, yes," they answered eagerly.
|
|
|
|
"Well, then," he cried, "I am Peter Pan!"
|
|
|
|
Pan!
|
|
|
|
In a moment Hook was himself again, and Smee and Starkey were his
|
|
faithful henchmen.
|
|
|
|
"Now we have him," Hook shouted. "Into the water, Smee. Starkey,
|
|
mind the boat. Take him dead or alive!"
|
|
|
|
He leaped as he spoke, and simultaneously came the gay voice of
|
|
Peter.
|
|
|
|
"Are you ready, boys?"
|
|
|
|
"Ay, ay" from various parts of the lagoon.
|
|
|
|
"Then lam into the pirates."
|
|
|
|
The fight was short and sharp. First to draw blood was John, who
|
|
gallantly climbed into the boat and held Starkey. There was a fierce
|
|
struggle, in which the cutlass was torn from the pirate's grasp. He
|
|
wriggled overboard and John leapt after him. The dinghy drifted away.
|
|
|
|
Here and there a head bobbed up in the water, and there was a
|
|
flash of steel followed by a cry or a whoop. In the confusion some
|
|
struck at their own side. The corkscrew of Smee got Tootles in the
|
|
fourth rib, but he was himself pinked in turn by Curly. Farther from
|
|
the rock Starkey was pressing Slightly and the twins hard.
|
|
|
|
Where all this time was Peter? He was seeking bigger game.
|
|
|
|
The others were all brave boys, and they must not be blamed for
|
|
backing from the pirate captain. His iron claw made a circle of dead
|
|
water round him, from which they fled like affrighted fishes.
|
|
|
|
But there was one who did not fear him: there was one prepared to
|
|
enter that circle.
|
|
|
|
Strangely, it was not in the water that they met. Hook rose to the
|
|
rock to breathe, and at the same moment Peter scaled it on the
|
|
opposite side. The rock was slippery as a ball, and they had to
|
|
crawl rather than climb. Neither knew that the other was coming.
|
|
Each feeling for a grip met the other's arm: in surprise they raised
|
|
their heads; their faces were almost touching; so they met.
|
|
|
|
Some of the greatest heroes have confessed that just before they
|
|
fell to they had a sinking. Had it been so with Peter at that moment I
|
|
would admit it. After all, this was the only man that the Sea-Cook had
|
|
feared. But Peter had no sinking, he had one feeling only, gladness;
|
|
and he gnashed his pretty teeth with joy. Quick as thought he snatched
|
|
a knife from Hook's belt and was about to drive it home, when he saw
|
|
that he was higher up the rock than his foe. It would not have been
|
|
fighting fair. He gave the pirate a hand to help him up.
|
|
|
|
It was then that Hook bit him.
|
|
|
|
Not the pain of this but its unfairness was what dazed Peter. It
|
|
made him quite helpless. He could only stare, horrified. Every child
|
|
is affected thus the first time he is treated unfairly. All he
|
|
thinks he has a right to when he comes to you to be yours is fairness.
|
|
After you have been unfair to him he will love you again, but he
|
|
will never afterwards be quite the same boy. No one ever gets over the
|
|
first unfairness; no one except Peter. He often met it, but he
|
|
always forgot it. I suppose that was the real difference between him
|
|
and all the rest.
|
|
|
|
So when he met it now it was like the first time; and he could
|
|
just stare, helpless. Twice the iron hand clawed him.
|
|
|
|
A few minutes afterwards the other boys saw Hook in the water
|
|
striking wildly for the ship; no elation on his pestilent face now,
|
|
only white fear, for the crocodile was in dogged pursuit of him. On
|
|
ordinary occasions the boys would have swum alongside cheering; but
|
|
now they were uneasy, for they had lost both Peter and Wendy, and were
|
|
scouring the lagoon for them, calling them by name. They found the
|
|
dinghy and went home in it, shouting "Peter, Wendy" as they went,
|
|
but no answer came save mocking laughter from the mermaids. "They must
|
|
be swimming back or flying," the boys concluded. They were not very
|
|
anxious, they had such faith in Peter. They chuckled, boylike, because
|
|
they would be late for bed; and it was all mother Wendy's fault!
|
|
|
|
When their voices died away there came cold silence over the lagoon,
|
|
and then a feeble cry.
|
|
|
|
"Help, help!"
|
|
|
|
Two small figures were beating against the rock; the girl had
|
|
fainted and lay on the boy's arm. With a last effort Peter pulled
|
|
her up the rock and then lay down beside her. Even as he also
|
|
fainted he saw that the water was rising. He knew that they would soon
|
|
be drowned, but he could do no more.
|
|
|
|
As they lay side by side a mermaid caught Wendy by the feet, and
|
|
began pulling her softly into the water. Peter, feeling her slip
|
|
from him, woke with a start, and was just in time to draw her back.
|
|
But he had to tell her the truth.
|
|
|
|
"We are on the rock, Wendy," he said, "but it is growing smaller.
|
|
Soon the water will be over it."
|
|
|
|
She did not understand even now.
|
|
|
|
"We must go," she said, almost brightly.
|
|
|
|
"Yes," he answered faintly.
|
|
|
|
"Shall we swim or fly, Peter?"
|
|
|
|
He had to tell her.
|
|
|
|
"Do you think you could swim or fly as far as the island, Wendy,
|
|
without my help?"
|
|
|
|
She had to admit that she was too tired.
|
|
|
|
He moaned.
|
|
|
|
"What is it?" she asked, anxious about him at once.
|
|
|
|
"I can't help you, Wendy. Hook wounded me. I can neither fly nor
|
|
swim."
|
|
|
|
"Do you mean we shall both be drowned?"
|
|
|
|
"Look how the water is rising."
|
|
|
|
They put their hands over their eyes to shut out the sight. They
|
|
thought they would soon be no more. As they sat thus something brushed
|
|
against Peter as light as a kiss, and stayed there, as if saying
|
|
timidly, "Can I be of any use?"
|
|
|
|
It was the tail of a kite, which Michael had made some days
|
|
before. It had torn itself out of his hand and floated away.
|
|
|
|
"Michael's kite," Peter said without interest, but next moment he
|
|
had seized the tail, and was pulling the kite toward him.
|
|
|
|
"It lifted Michael off the ground," he cried; "why should it not
|
|
carry you?"
|
|
|
|
"Both of us!"
|
|
|
|
"It can't lift two; Michael and Curly tried."
|
|
|
|
"Let us draw lots," Wendy said bravely.
|
|
|
|
"And you a lady; never." Already he had tied the tail round her. She
|
|
clung to him; she refused to go without him; but with a "Good-bye,
|
|
Wendy," he pushed her from the rock; and in a few minutes she was
|
|
borne out of his sight. Peter was alone on the lagoon.
|
|
|
|
The rock was very small now; soon it would be submerged. Pale rays
|
|
of light tiptoed across the waters; and by and by there was to be
|
|
heard a sound at once the most musical and the most melancholy in
|
|
the world: the mermaids calling to the moon.
|
|
|
|
Peter was not quite like other boys; but he was afraid at last. A
|
|
tremor ran through him, like a shudder passing over the sea; but on
|
|
the sea one shudder follows another till there are hundreds of them,
|
|
and Peter felt just the one. Next moment he was standing erect on
|
|
the rock again, with that smile on his face and a drum beating
|
|
within him. It was saying, "To die will be an awfully big adventure."
|
|
|
|
CHAPTER IX.
|
|
|
|
THE NEVER BIRD.
|
|
|
|
The last sounds Peter heard before he was quite alone were the
|
|
mermaids retiring one by one to their bedchambers under the sea. He
|
|
was too far away to hear their doors shut; but every door in the coral
|
|
caves where they live rings a tiny bell when it opens or closes (as in
|
|
all the nicest houses on the mainland), and he heard the bells.
|
|
|
|
Steadily the waters rose till they were nibbling at his feet; and to
|
|
pass the time until they made their final gulp, he watched the only
|
|
thing moving on the lagoon. He thought it was a piece of floating
|
|
paper, perhaps part of the kite, and wondered idly how long it would
|
|
take to drift ashore.
|
|
|
|
Presently he noticed as an odd thing that it was undoubtedly out
|
|
upon the lagoon with some definite purpose, for it was fighting the
|
|
tide, and sometimes winning; and when it won, Peter, always
|
|
sympathetic to the weaker side, could not help clapping; it was such a
|
|
gallant piece of paper.
|
|
|
|
It was not really a piece of paper; it was the Never bird, making
|
|
desperate efforts to reach Peter on her nest. By working her wings, in
|
|
a way she had learned since the nest fell into the water, she was able
|
|
to some extent to guide her strange craft, but by the time Peter
|
|
recognised her she was very exhausted. She had come to save him, to
|
|
give him her nest, though there were eggs in it. I rather wonder at
|
|
the bird, for though he had been nice to her, he had also sometimes
|
|
tormented her. I can suppose only that, like Mrs. Darling and the rest
|
|
of them, she was melted because he had all his first teeth.
|
|
|
|
She called out to him what she had come for, and he called out to
|
|
her what was she doing there; but of course neither of them understood
|
|
the other's language. In fanciful stories people can talk to the birds
|
|
freely, and I wish for the moment I could pretend that this was such a
|
|
story, and say that Peter replied intelligently to the Never bird; but
|
|
truth is best, and I want to tell only what really happened. Well, not
|
|
only could they not understand each other, but they forgot their
|
|
manners.
|
|
|
|
"I- want- you- to- get- into- the- nest," the bird called,
|
|
speaking as slowly and distinctly as possible, "and- then- you- can-
|
|
drift- ashore, but I- am- too- tired- to- bring- it- any- nearer-
|
|
so- you must- try- to- swim- to- it."
|
|
|
|
"What are you quacking about?" Peter answered. "Why don't you let
|
|
the nest drift as usual?"
|
|
|
|
"I- want- you-" the bird said, and repeated it all over.
|
|
|
|
Then Peter tried slow and distinct.
|
|
|
|
"What- are- you- quacking- about?" and so on.
|
|
|
|
The Never bird became irritated; they have very short tempers.
|
|
|
|
"You dunderheaded little jay," she screamed, "why don't you do as
|
|
I tell you?"
|
|
|
|
Peter felt that she was calling him names, and at a venture he
|
|
retorted hotly:
|
|
|
|
"So are you!"
|
|
|
|
Then rather curiously they both snapped out the same remark.
|
|
|
|
"Shut up!"
|
|
|
|
"Shut up!"
|
|
|
|
Nevertheless the bird was determined to save him if she could, and
|
|
by one last mighty effort she propelled the nest against the rock.
|
|
Then up she flew; deserting her eggs, so as to make her meaning clear.
|
|
|
|
Then at last he understood, and clutched the nest and waved his
|
|
thanks to the bird as she fluttered overhead. It was not to receive
|
|
his thanks, however, that she hung there in the sky; it was not even
|
|
to watch him get into the nest; it was to see what he did with her
|
|
eggs.
|
|
|
|
There were two large white eggs, and Peter lifted them up and
|
|
reflected. The bird covered her face with her wings, so as not to
|
|
see the last of them; but she could not help peeping between the
|
|
feathers.
|
|
|
|
I forget whether I have told you that there was a stave on the rock,
|
|
driven into it by some buccaneers of long ago to mark the site of
|
|
buried treasure. The children had discovered the glittering hoard, and
|
|
when in mischievous mood used to fling showers of moidores,
|
|
diamonds, pearls and pieces of eight to the gulls, who pounced upon
|
|
them for food, and then flew away, raging at the scurvy trick that had
|
|
been played upon them. The stave was still there, and on it Starkey
|
|
had hung his hat, a deep tarpaulin, watertight, with a broad brim.
|
|
Peter put the eggs into this hat and set it on the lagoon. It
|
|
floated beautifully.
|
|
|
|
The Never bird saw at once what he was up to, and screamed her
|
|
admiration of him; and, alas, Peter crowed his agreement with her.
|
|
Then he got into the nest, reared the stave in it as a mast, and
|
|
hung up his shirt for a sail. At the same moment the bird fluttered
|
|
down upon the hat and once more sat snugly on her eggs. She drifted in
|
|
one direction, and he was borne off in another, both cheering.
|
|
|
|
Of course when Peter landed he beached his barque in a place where
|
|
the bird would easily find it; but the hat was such a great success
|
|
that she abandoned the nest. It drifted about till it went to
|
|
pieces, and often Starkey came to the shore of the lagoon, and with
|
|
many bitter feelings watched the bird sitting on his hat. As we
|
|
shall not see her again, it may be worth mentioning here that all
|
|
Never birds now build in that shape of nest, with a broad brim on
|
|
which the youngsters take an airing.
|
|
|
|
Great were the rejoicings when Peter reached the home under the
|
|
ground almost as soon as Wendy, who had been carried hither and
|
|
thither by the kite. Every boy had adventures to tell; but perhaps the
|
|
biggest adventure of all was that they were several hours late for
|
|
bed. This so inflated them that they did various dodgy things to get
|
|
staying up still longer, such as demanding bandages; but Wendy, though
|
|
glorying in having them all home again safe and sound, was scandalised
|
|
by the lateness of the hour, and cried, "To bed, to bed," in a voice
|
|
that had to be obeyed. Next day, however, she was awfully tender,
|
|
and gave out bandages to every one, and they played till bed-time at
|
|
limping about and carrying their arms in slings.
|
|
|
|
CHAPTER X.
|
|
|
|
THE HAPPY HOME.
|
|
|
|
One important result of the brush on the lagoon was that it made the
|
|
redskins their friends. Peter had saved Tiger Lily from a dreadful
|
|
fate, and now there was nothing she and her braves would not do for
|
|
him. All night they sat above, keeping watch over the home under the
|
|
ground and awaiting the big attack by the pirates which obviously
|
|
could not be much longer delayed. Even by day they hung about, smoking
|
|
the pipe of peace, and looking almost as if they wanted tit-bits to
|
|
eat.
|
|
|
|
They called Peter the Great White Father, prostrating themselves
|
|
before him; and he liked this tremendously, so that it was not
|
|
really good for him.
|
|
|
|
"The great white father," he would say to them in a very lordly
|
|
manner, as they grovelled at his feet, "is glad to see the
|
|
Piccaninny warriors protecting his wigwam from the pirates."
|
|
|
|
"Me Tiger Lily," that lovely creature would reply, "Peter Pan save
|
|
me, me his velly nice friend. Me no let pirates hurt him."
|
|
|
|
She was far too pretty to cringe in this way, but Peter thought it
|
|
his due, and he would answer condescendingly, "It is good. Peter Pan
|
|
has spoken."
|
|
|
|
Always when he said, "Peter Pan has spoken," it meant that they must
|
|
now shut up, and they accepted it humbly in that spirit; but they were
|
|
by no means so respectful to the other boys, whom they looked upon
|
|
as just ordinary braves. They said "How-do?" to them, and things
|
|
like that; and what annoyed the boys was that Peter seemed to think
|
|
this all right.
|
|
|
|
Secretly Wendy sympathised with them a little, but she was far to
|
|
loyal a housewife to listen to any complaints against father.
|
|
"Father knows best," she always said, whatever her private opinion
|
|
must be. Her private opinion was that the redskins should not call her
|
|
a squaw.
|
|
|
|
We have now reached the evening that was to be known among them as
|
|
the Night of Nights, because of its adventures and their upshot. The
|
|
day, as if quietly gathering its forces, had been almost uneventful,
|
|
and now the redskins in their blankets were at their posts above,
|
|
while, below, the children were having their evening meal; all
|
|
except Peter, who had gone out to get the time. The way you got the
|
|
time on the island was to find the crocodile, and then stay near him
|
|
till the clock struck.
|
|
|
|
This meal happened to be a make-believe tea, and they sat round
|
|
the board, guzzling in their greed; and really, what with their
|
|
chatter and recriminations, the noise, as Wendy said, was positively
|
|
deafening. To be sure, she did not mind noise, but she simply would
|
|
not have them grabbing things, and then excusing themselves by
|
|
saying that Tootles had pushed their elbow. There was a fixed rule
|
|
that they must never hit back at meals, but should refer the matter of
|
|
dispute to Wendy by raising the right arm politely and saying, "I
|
|
complain of so-and-so"; but what usually happened was that they forgot
|
|
to do this or did it too much.
|
|
|
|
"Silence," cried Wendy when for the twentieth time she had told them
|
|
that they were not all to speak at once. "Is your mug empty,
|
|
Slightly darling?"
|
|
|
|
"Not quite empty, mummy," Slightly said, after looking into an
|
|
imaginary mug.
|
|
|
|
"He hasn't even begun to drink his milk," Nibs interposed.
|
|
|
|
This was telling, and Slightly seized his chance.
|
|
|
|
"I complain of Nibs," he cried promptly.
|
|
|
|
John, however, had held up his hand first.
|
|
|
|
"Well, John?"
|
|
|
|
"May I sit in Peter's chair, as he is not here?"
|
|
|
|
"Sit in father's chair, John!" Wendy was scandalised. "Certainly
|
|
not."
|
|
|
|
"He is not really our father," John answered.
|
|
|
|
"He didn't even know how a father does till I showed him."
|
|
|
|
This was grumbling. "We complain of John," cried the twins.
|
|
|
|
Tootles held up his hand. He was. so much the humblest of them,
|
|
indeed he was the only humble one, that Wendy was specially gentle
|
|
with him.
|
|
|
|
"I don't suppose," Tootles said diffidently, "that I could be
|
|
father."
|
|
|
|
"No, Tootles."
|
|
|
|
Once Tootles began, which was not very often, he had a silly way
|
|
of going on.
|
|
|
|
"As I can't be father," he said heavily, "I don't suppose,
|
|
Michael, you would let me be baby?"
|
|
|
|
"No, I won't," Michael rapped out. He was already in his basket.
|
|
|
|
"As I can't be baby," Tootles said, getting heavier and heavier, "do
|
|
you think I could be a twin?"
|
|
|
|
"No, indeed," replied the twins; "it's awfully difficult to be a
|
|
twin."
|
|
|
|
"As I can't be anything important," said Tootles, "would any of
|
|
you like to see me do a trick?"
|
|
|
|
"No," they all replied.
|
|
|
|
Then at last he stopped. "I hadn't really any hope," he said.
|
|
|
|
The hateful telling broke out again.
|
|
|
|
"Slightly is coughing on the table."
|
|
|
|
"The twins began with cheese-cakes."
|
|
|
|
"Curly is taking both butter and honey."
|
|
|
|
"Nibs is speaking with his mouth full."
|
|
|
|
"I complain of the twins"
|
|
|
|
"I complain of Curly."
|
|
|
|
"I complain of Nibs"
|
|
|
|
"Oh dear, oh dear," cried Wendy, "I'm sure I sometimes think that
|
|
spinsters are to be envied."
|
|
|
|
She told them to clear away, and sat down to her work-basket, a
|
|
heavy load of stockings and every knee with a hole in it as usual.
|
|
|
|
"Wendy," remonstrated Michael, "I'm too big for a cradle."
|
|
|
|
"I must have somebody in a cradle," she said almost tartly, "and you
|
|
are the littlest. A cradle is such a nice homely thing to have about a
|
|
house."
|
|
|
|
While she sewed they played around her; such a group of happy
|
|
faces and dancing limbs lit up by that romantic fire. It had become
|
|
a very familiar scene this in the home under the ground, but we are
|
|
looking on it for the last time.
|
|
|
|
There was a step above, and Wendy, you may be sure, was the first to
|
|
recognise it.
|
|
|
|
"Children, I hear your father's step. He likes you to meet him at
|
|
the door."
|
|
|
|
Above, the redskins crouched before Peter.
|
|
|
|
"Watch well, braves. I have spoken."
|
|
|
|
And then, as so often before, the gay children dragged him from
|
|
his tree. As so often before, but never again.
|
|
|
|
He had brought nuts for the boys as well as the correct time for
|
|
Wendy.
|
|
|
|
"Peter, you just spoil them, you know," Wendy simpered.
|
|
|
|
"Ah, old lady," said Peter, hanging up his gun.
|
|
|
|
"It was me told him mothers are called old lady," Michael
|
|
whispered to Curly.
|
|
|
|
"I complain of Michael," said Curly instantly.
|
|
|
|
The first twin came to Peter. "Father, we want to dance."
|
|
|
|
"Dance away, my little man," said Peter, who was in high good
|
|
humour.
|
|
|
|
"But we want you to dance."
|
|
|
|
Peter was really the best dancer among them, but he pretended to
|
|
be scandalised.
|
|
|
|
"Me! My old bones would rattle!"
|
|
|
|
"And mummy too."
|
|
|
|
"What!" cried Wendy, "the mother of such an armful, dance!"
|
|
|
|
"But on a Saturday night," Slightly insinuated.
|
|
|
|
It was not really Saturday night, at least it may have been, for
|
|
they had long lost count of the days; but always if they wanted to
|
|
do anything special they said this was Saturday night, and then they
|
|
did it.
|
|
|
|
"Of course it is Saturday night, Peter," Wendy said, relenting.
|
|
|
|
"People of our figure, Wendy!"
|
|
|
|
"But it is only among our own progeny."
|
|
|
|
"True, true."
|
|
|
|
So they were told they could dance, but they must put on their
|
|
nighties first.
|
|
|
|
"Ah, old lady," Peter said aside to Wendy, warming himself by the
|
|
fire and looking down at her as she sat turning a heel, "there is
|
|
nothing more pleasant of an evening for you and me when the day's toil
|
|
is over than to rest by the fire with the little ones near by."
|
|
|
|
"It is sweet, Peter, isn't it?" Wendy said, frightfully gratified.
|
|
"Peter, I think Curly has your nose."
|
|
|
|
"Michael takes after you."
|
|
|
|
She went to him and put her hand on his shoulder.
|
|
|
|
"Dear Peter," she said, "with such a large family, of course, I have
|
|
now passed my best, but you don't want to change me, do you?"
|
|
|
|
"No, Wendy."
|
|
|
|
Certainly he did not want a change, but he looked at her
|
|
uncomfortably, blinking, you know, like one not sure whether he was
|
|
awake or asleep.
|
|
|
|
"Peter, what is it?"
|
|
|
|
"I was just thinking," he said, a little scared. "It is only
|
|
make-believe, isn't it, that I am their father?"
|
|
|
|
"Oh yes," Wendy said primly.
|
|
|
|
"You see," he continued apologetically, "it would make me seem so
|
|
old to be their real father."
|
|
|
|
"But they are ours, Peter, yours and mine."
|
|
|
|
"But not really, Wendy?" he asked anxiously.
|
|
|
|
"Not if you don't wish it," she replied; and she distinctly heard
|
|
his sigh of relief. "Peter," she asked, trying to speak firmly,
|
|
"what are your exact feelings to me?"
|
|
|
|
"Those of a devoted son, Wendy."
|
|
|
|
"I thought so," she said, and went and sat by herself at the extreme
|
|
end of the room.
|
|
|
|
"You are so queer," he said, frankly puzzled, "and Tiger Lily is
|
|
just the same. There is something she wants to be to me, but she
|
|
says it is not my mother."
|
|
|
|
"No, indeed, it is not," Wendy replied with frightful emphasis.
|
|
Now we know why she was prejudiced against the redskins.
|
|
|
|
"Then what is it?"
|
|
|
|
"It isn't for a lady to tell."
|
|
|
|
"Oh, very well," Peter said, a little nettled. "Perhaps Tinker
|
|
Bell will tell me."
|
|
|
|
"Oh yes, Tinker Bell will tell you," Wendy retorted scornfully. "She
|
|
is an abandoned little creature."
|
|
|
|
Here Tink, who was in her bedroom, eavesdropping, squeaked, out
|
|
something impudent.
|
|
|
|
"She says she glories in being abandoned," Peter interpreted.
|
|
|
|
He had a sudden idea. "Perhaps Tink wants to be my mother?"
|
|
|
|
"You silly ass!" cried Tinker Bell in a passion.
|
|
|
|
She had said it so often that Wendy needed no translation.
|
|
|
|
"I almost agree with her," Wendy snapped. Fancy Wendy snapping!
|
|
But she had been much tried, and she little knew what was to happen
|
|
before the night was out. If she had known she would not have snapped.
|
|
|
|
None of them knew. Perhaps it was best not to know. Their
|
|
ignorance gave them one more glad hour; and as it was to be their last
|
|
hour on the island, let us rejoice that there were sixty glad
|
|
minutes in it. They sang and danced in their night-gowns. Such a
|
|
deliciously creepy song it was, in which they pretended to be
|
|
frightened at their own shadows, little witting that so soon shadows
|
|
would close in upon them, from whom they would shrink in real fear. So
|
|
uproariously gay was the dance, and how they buffeted each other on
|
|
the bed and out of it It was a pillow fight rather than a dance, and
|
|
when it was finished, the pillows insisted on one bout more, like
|
|
partners who know that they may never meet again. The stories they
|
|
told, before it was time for Wendy's good-night story! Even Slightly
|
|
tried to tell a story that night, and the beginning was so fearfully
|
|
dull that it appalled not only the others but himself, and he said
|
|
happily:
|
|
|
|
"Yes, it is a dull beginning. I say, let us pretend that it is the
|
|
end."
|
|
|
|
And then at last they all got into bed for Wendy's story, the
|
|
story they loved best, the story Peter hated. Usually when she began
|
|
to tell this story, he left the room or put his hands over his ears;
|
|
and possibly if he had done either of those things this time they
|
|
might all still be on the island. But to-night he remained on his
|
|
stool; and we shall see what happened.
|
|
|
|
CHAPTER XI.
|
|
|
|
WENDY'S STORY.
|
|
|
|
"Listen then," said Wendy, settling down to her story, with
|
|
Michael at her feet and seven boys in the bed. "There was once a
|
|
gentleman-"
|
|
|
|
"I had rather he had been a lady," Curly said.
|
|
|
|
"I wish he had been a white rat," said Nibs.
|
|
|
|
"Quiet," their mother admonished them. "There was a lady also, and-"
|
|
|
|
"O mummy," cried the first twin, "you mean that there is a lady
|
|
also, don't you? She is not dead, is she?"
|
|
|
|
"Oh no."
|
|
|
|
"I am awfully glad she isn't dead," said Tootles. "Are you glad,
|
|
John?"
|
|
|
|
"Of course I am."
|
|
|
|
"Are you glad, Nibs?"
|
|
|
|
"Rather."
|
|
|
|
"Are you glad, Twins?"
|
|
|
|
"We are just glad."
|
|
|
|
"Oh dear," sighed Wendy.
|
|
|
|
"Little less noise there," Peter called out, determined that she
|
|
should have fair play, however beastly a story it might be in his
|
|
opinion.
|
|
|
|
"The gentleman's name," Wendy continued, "was Mr. Darling, and her
|
|
name was Mrs. Darling."
|
|
|
|
"I knew them," John said, to annoy the others.
|
|
|
|
"I think I knew them," said Michael rather doubtfully.
|
|
|
|
"They were married, you know," explained Wendy, "and what do you
|
|
think they had?"
|
|
|
|
"White rats!" cried Nibs, inspired.
|
|
|
|
"No."
|
|
|
|
"It's awfully puzzling," said Tootles, who knew the story by heart.
|
|
|
|
"Quiet, Tootles. They had three descendants."
|
|
|
|
"What is descendants?"
|
|
|
|
"Well, you are one, Twin."
|
|
|
|
"Do you hear that, John? I am a descendant."
|
|
|
|
"Descendants are only children," said John.
|
|
|
|
"Oh dear, oh dear," sighed Wendy. "Now these three children had a
|
|
faithful nurse called Nana; but Mr. Darling was angry with her and
|
|
chained her up in the yard, and so all the children flew away."
|
|
|
|
"It's an awfully good story," said Nibs.
|
|
|
|
"They flew away," Wendy continued, "to the Neverland, where the lost
|
|
children are."
|
|
|
|
"I just thought they did," Curly broke in excitedly. "I don't know
|
|
how it is, but I just thought they did!"
|
|
|
|
"O Wendy," cried Tootles, "was one of the lost children called
|
|
Tootles?"
|
|
|
|
"Yes, he was."
|
|
|
|
"I am in a story, Hurrah, I am in a story, Nibs."
|
|
|
|
"Hush. Now I want you to consider the feelings of the unhappy
|
|
parents with all their children flown away."
|
|
|
|
"Oo!" they all moaned, though they were not really considering the
|
|
feelings of the unhappy parents one jot.
|
|
|
|
"Think of the empty beds!"
|
|
|
|
"Oo!"
|
|
|
|
"It's awfully sad," the first twin said cheerfully.
|
|
|
|
"I don't see how it can have a happy ending," said the second
|
|
twin. "Do you, Nibs?"
|
|
|
|
"I'm frightfully anxious."
|
|
|
|
"If you knew how great is a mother's love," Wendy told them
|
|
triumphantly, "you would have no fear." She had now come to the part
|
|
that Peter hated.
|
|
|
|
"I do like a mother's love," said Tootles, hitting Nibs with a
|
|
pillow. "Do you like a mother's love, Nibs?"
|
|
|
|
"I do just," said Nibs, hitting back.
|
|
|
|
"You see," Wendy said complacently, "our heroine knew that the
|
|
mother would always leave the window open for her children to fly back
|
|
by; so they stayed away for years and had a lovely time."
|
|
|
|
"Did they ever go back?"
|
|
|
|
"Let us now," said Wendy, bracing herself up for her finest
|
|
effort, "take a peep into the future"; and they all gave themselves
|
|
the twist that makes peeps into the future easier. "Years have
|
|
rolled by, and who is this elegant lady of uncertain age alighting
|
|
at London Station?"
|
|
|
|
"O Wendy, who is she?" cried Nibs, every bit as excited as if he
|
|
didn't know.
|
|
|
|
"Can it be- yes- no- it is- the fair Wendy!"
|
|
|
|
"Oh!"
|
|
|
|
"And who are the two noble portly figures accompanying her, now
|
|
grown to man's estate? Can they be John and Michael? They are!"
|
|
|
|
"Oh!"
|
|
|
|
"See, dear brothers," says Wendy, pointing upwards, "there is the
|
|
window still standing open. Ah, now we are rewarded for our sublime
|
|
faith in a mother's love. So up they flew to their mummy and daddy,
|
|
and pen cannot describe the happy scene, over which we draw a veil."
|
|
|
|
That was the story, and they were as pleased with it as the fair
|
|
narrator herself. Everything just as it should be, you see. Off we
|
|
skip like the most heartless things in the world, which is what
|
|
children are, but so attractive; and we have an entirely selfish time,
|
|
and then when we have need of special attention we nobly return for
|
|
it, confident that we shall be rewarded instead of smacked.
|
|
|
|
So great indeed was their faith in a mother's love that they felt
|
|
they could afford to be callous for a bit longer.
|
|
|
|
But there was one there who knew better, and when Wendy finished
|
|
he uttered a hollow groan.
|
|
|
|
"What is it, Peter?" she cried, running to him, thinking he was ill.
|
|
She felt him solicitously, lower down than his chest. "Where is it,
|
|
Peter?"
|
|
|
|
"It isn't that kind of pain," Peter replied darkly.
|
|
|
|
"Then what kind is it?"
|
|
|
|
"Wendy, you are wrong about mothers."
|
|
|
|
They all gathered round him in affright, so alarming was his
|
|
agitation; and with a fine candour he told them what he had hitherto
|
|
concealed.
|
|
|
|
"Long ago," he said, "I thought like you that my mother would always
|
|
keep the window open for me, so I stayed away for moons, and moons and
|
|
moons, and then flew back; but the window was barred, for mother had
|
|
forgotten all about me, and there was another little boy sleeping in
|
|
my bed."
|
|
|
|
I am not sure that this was true, but Peter thought it was true; and
|
|
it scared them.
|
|
|
|
"Are you sure mothers are like that?"
|
|
|
|
"Yes."
|
|
|
|
So this was the truth about mothers. The toads!
|
|
|
|
Still it is best to be careful; and no one knows so quickly as a
|
|
child when he should give in. "Wendy, let us go home," cried John
|
|
and Michael together.
|
|
|
|
"Yes," she said, clutching them.
|
|
|
|
"Not to-night?" asked the lost boys bewildered. They knew in what
|
|
they called their hearts that one can get on quite well without a
|
|
mother, and that it is only the mothers who think you can't.
|
|
|
|
"At once," Wendy replied resolutely, for the horrible thought had
|
|
come to her: "Perhaps mother is in half mourning by this time."
|
|
|
|
This dread made her forgetful of what must be Peter's feelings,
|
|
and she said to him rather sharply, "Peter, will you make the
|
|
necessary arrangements?"
|
|
|
|
"If you wish it," he replied, as coolly as if she had asked him to
|
|
pass the nuts.
|
|
|
|
Not so much as a sorry-to-lose-you between them! If she did not mind
|
|
the parting, he was going to show her, was Peter, that neither did he.
|
|
|
|
But of course he cared very much; and he was so full of wrath
|
|
against grown-ups, who, as usual, were spoiling everything, that as
|
|
soon as he got inside his tree he breathed intentionally quick short
|
|
breaths at the rate of about five to a second. He did this because
|
|
there is a saying in the Neverland that, every time you breathe, a
|
|
grown-up dies; and Peter was killing them off vindictively as fast
|
|
as possible.
|
|
|
|
Then having given the necessary instructions to the redskins he
|
|
returned to the home, where an unworthy scene had been enacted in
|
|
his absence. Panic-stricken at the thought of losing Wendy the lost
|
|
boys had advanced upon her threateningly.
|
|
|
|
"It will be worse than before she came," they cried.
|
|
|
|
"We shan't let her go."
|
|
|
|
"Let's keep her prisoner."
|
|
|
|
"Ay, chain her up."
|
|
|
|
In her extremity an instinct told her to which of them to turn.
|
|
|
|
"Tootles," she cried, "I appeal to you."
|
|
|
|
Was it not strange? she appealed to Tootles, quite the silliest one.
|
|
|
|
Grandly, however, did Tootles respond. For that one moment he
|
|
dropped his silliness and spoke with dignity.
|
|
|
|
"I am just Tootles," he said, "and nobody minds me. But the first
|
|
who does not behave to Wendy like an English gentleman I will blood
|
|
him severely."
|
|
|
|
He drew his hanger; and for that instant his sun was at noon. The
|
|
others held back uneasily. Then Peter returned, and they saw at once
|
|
that they would get no support from him. He would keep no girl in
|
|
the Neverland against her will.
|
|
|
|
"Wendy," he said, striding up and down, "I have asked the redskins
|
|
to guide you through the wood, as flying tires you so."
|
|
|
|
"Thank you, Peter."
|
|
|
|
"Then," he continued, in the short sharp voice of one accustomed
|
|
to be obeyed, "Tinker Bell will take you across the sea. Wake her,
|
|
Nibs."
|
|
|
|
Nibs had to knock twice before he got an answer, though Tink had
|
|
really been sitting up in bed listening for some time.
|
|
|
|
"Who are you? How dare you? Go away," she cried.
|
|
|
|
"You are to get up, Tink," Nibs called, "and take Wendy on a
|
|
journey."
|
|
|
|
Of course Tink had been delighted to hear that Wendy was going;
|
|
but she was jolly well determined not to be her courier, and she
|
|
said so in still more offensive language. Then she pretended to be
|
|
asleep again.
|
|
|
|
"She says she won't!" Nibs exclaimed, aghast at such
|
|
insubordination, whereupon Peter went sternly toward the young
|
|
lady's chamber.
|
|
|
|
"Tink," he rapped out, "if you don't get up and dress at once I will
|
|
open the curtains, and then we shall all see you in your negligee."
|
|
|
|
This made her leap to the floor. "Who said I wasn't getting up?" she
|
|
cried.
|
|
|
|
In the meantime the boys were gazing very forlornly at Wendy, now
|
|
equipped with John and Michael for the journey. By this time they were
|
|
dejected, not merely because they were about to lose her, but also
|
|
because they felt that she was going off to something nice to which
|
|
they had not been invited. Novelty was beckoning to them as usual.
|
|
|
|
Crediting them with a nobler feeling, Wendy melted.
|
|
|
|
"Dear ones," she said, "if you will all come with me I feel almost
|
|
sure I can get my father and mother to adopt you."
|
|
|
|
The invitation was meant specially for Peter, but each of the boys
|
|
was thinking exclusively of himself, and at once they jumped with joy.
|
|
|
|
"But won't they think us rather a handful?" Nibs asked in the middle
|
|
of his jump.
|
|
|
|
"Oh no," said Wendy, rapidly thinking it out, "it will only mean
|
|
having a few beds in the drawing-room; they can be hidden behind
|
|
screens on first Thursdays."
|
|
|
|
"Peter, can we go?" they all cried imploringly. They took it for
|
|
granted that if they went he would go also, but really they scarcely
|
|
cared. Thus children are ever ready, when novelty knocks, to desert
|
|
their dearest ones.
|
|
|
|
"All right," Peter replied with a bitter smile, and immediately they
|
|
rushed to get their things.
|
|
|
|
"And now, Peter," Wendy said, thinking she had put everything right,
|
|
"I am going to give you your medicine before you go." She loved to
|
|
give them medicine, and undoubtedly gave them too much. Of course it
|
|
was only water, but it was out of a bottle, and she always shook the
|
|
bottle and counted the drops, which gave it a certain medicinal
|
|
quality. On this occasion, however, she did not give Peter his
|
|
draught, for just as she had prepared it, she saw a look on his face
|
|
that made her heart sink.
|
|
|
|
"Get your things, Peter," she cried, shaking.
|
|
|
|
"No," he answered, pretending indifference, "I am not going with
|
|
you, Wendy."
|
|
|
|
"Yes, Peter."
|
|
|
|
"No."
|
|
|
|
To show that her departure would leave him unmoved, he skipped up
|
|
and down the room, playing gaily on his heartless pipes. She had to
|
|
run about after him, though it was rather undignified.
|
|
|
|
"To find your mother," she coaxed.
|
|
|
|
Now, if Peter had ever quite had a mother, he no longer missed
|
|
her. He could do very well without one. He had thought them out, and
|
|
remembered only their bad points.
|
|
|
|
"No, no," he told Wendy decisively; "perhaps she would say I was
|
|
old, and I just want always to be a little boy and to have fun."
|
|
|
|
"But, Peter-"
|
|
|
|
"No."
|
|
|
|
And so the others had to be told.
|
|
|
|
"Peter isn't coming."
|
|
|
|
Peter not coming! They gazed blankly at him, their sticks over their
|
|
backs, and on each stick a bundle. Their first thought was that if
|
|
Peter was not going he had probably changed his mind about letting
|
|
them go.
|
|
|
|
But he was far too proud for that. "If you find your mothers," he
|
|
said darkly, "I hope you will like them."
|
|
|
|
The awful cynicism of this made an uncomfortable impression, and
|
|
most of them began to look rather doubtful. After all, their faces
|
|
said, were they not noodles to want to go?
|
|
|
|
"Now then," cried Peter, "no fuss, no blubbering; good-bye,
|
|
Wendy"; and he held out his hand cheerily, quite as if they must
|
|
really go now, for he had something important to do.
|
|
|
|
She had to take his hand, as there was no indication that he would
|
|
prefer a thimble.
|
|
|
|
"You will remember about changing your flannels, Peter?" she said,
|
|
lingering over him. She was always so particular about their flannels.
|
|
|
|
"Yes."
|
|
|
|
"And you will take your medicine?"
|
|
|
|
"Yes."
|
|
|
|
That seemed to be everything, and an awkward pause followed.
|
|
Peter, however, was not the kind that breaks down before people.
|
|
"Are you ready, Tinker Bell?" he called out.
|
|
|
|
"Ay! ay!"
|
|
|
|
"Then lead the way."
|
|
|
|
Tink darted up the nearest tree; but no one followed her, for it was
|
|
at this moment that the pirates made their dreadful attack upon the
|
|
redskins. Above, where all had been so still, the air was rent with
|
|
shrieks and the clash of steel. Below, there was dead silence.
|
|
Mouths opened and remained open. Wendy fell on her knees, but her arms
|
|
were extended toward Peter. All arms were extended to him, as if
|
|
suddenly blown in his direction; they were beseeching him mutely not
|
|
to desert them. As for Peter, he seized his sword, the same he thought
|
|
he had slain Barbecue with, and the lust of battle was in his eye.
|
|
|
|
CHAPTER XII.
|
|
|
|
THE CHILDREN ARE CARRIED OFF.
|
|
|
|
The pirate attack had been a complete surprise: a sure proof that
|
|
the unscrupulous Hook had conducted it improperly, for to surprise
|
|
redskins fairly is beyond the wit of the white man.
|
|
|
|
By all the unwritten laws of savage warfare it is always the redskin
|
|
who attacks, and with the wiliness of his race he does it just
|
|
before the dawn, at which time he knows the courage of the whites to
|
|
be at its lowest ebb. The white men have in the meantime made a rude
|
|
stockade on the summit of yonder undulating ground, at the foot of
|
|
which a stream runs, for it is destruction to be too far from water.
|
|
There they await the onslaught, the inexperienced ones clutching their
|
|
revolvers and treading on twigs, but the old hands sleeping tranquilly
|
|
until just before the dawn. Through the long black night the savage
|
|
scouts wriggle, snake-like, among the grass without stirring a
|
|
blade. The brushwood closes behind them as silently as sand into which
|
|
a mole has dived. Not a sound is to be heard, save when they give vent
|
|
to a wonderful imitation of the lonely call of the coyote. The cry
|
|
is answered by other braves; and some of them do it even better than
|
|
the coyotes, who are not very good at it. So the chill hours wear
|
|
on, and the long suspense is horribly trying to the paleface who has
|
|
to live through it for the first time; but to the trained hand those
|
|
ghastly calls and still ghastlier silences are but an intimation of
|
|
how the night is marching.
|
|
|
|
That this was the usual procedure was so well-known to Hook that
|
|
in disregarding it he cannot be excused on the plea of ignorance.
|
|
|
|
The Piccaninnies, on their part, trusted implicitly to his honour,
|
|
and their whole action of the night stands out in marked contrast to
|
|
his. They left nothing undone that was consistent with the
|
|
reputation of their tribe. With that alertness of the senses which
|
|
is at once the marvel and despair of civilised peoples, they knew that
|
|
the pirates were on the island from the moment one of them trod on a
|
|
dry stick; and in an incredibly short space of time the coyote cries
|
|
began. Every foot of ground between the spot where Hook had landed his
|
|
forces and the home under the trees was stealthily examined by
|
|
braves wearing their moccasins with the heels in front. They found
|
|
only one hillock with a stream at its base, so that Hook had no
|
|
choice; here he must establish himself and wait for just before the
|
|
dawn. Everything being thus mapped out with almost diabolical cunning,
|
|
the main body of the redskins folded their blankets around them, and
|
|
in the phlegmatic manner that is to them the pearl of manhood squatted
|
|
above the children's home, awaiting the cold moment when they should
|
|
deal pale death.
|
|
|
|
Here dreaming, though wide-awake, of the exquisite tortures to which
|
|
they were to put him at break of day, those confiding savages were
|
|
found by the treacherous Hook. From the accounts afterwards supplied
|
|
by such of the scouts as escaped the carnage, he does not seem even to
|
|
have paused at the rising ground, though it is certain that in the
|
|
grey light he must have seen it: no thought of waiting to be
|
|
attacked appears from first to last to have visited his subtle mind;
|
|
he would not even hold off till the night was nearly spent; on he
|
|
pounded with no policy but to fall to. What could the bewildered
|
|
scouts do, masters as they were of every war-like artifice save this
|
|
one, but trot helplessly after him, exposing themselves fatally to
|
|
view, the while they gave pathetic utterance to the coyote cry.
|
|
|
|
Around the brave Tiger Lily were a dozen of her stoutest warriors,
|
|
and they suddenly saw the perfidious pirates bearing down upon them.
|
|
Fell from their eyes then the film through which they had looked at
|
|
victory. No more would they torture at the stake. For them the happy
|
|
hunting-grounds now. They knew it; but as their fathers' sons they
|
|
acquitted themselves. Even then they had time to gather in a phalanx
|
|
that would have been hard to break had they risen quickly, but this
|
|
they were forbidden to do by the traditions of their race. It is
|
|
written that the noble savage must never express surprise in the
|
|
presence of the white. Thus terrible as the sudden appearance of the
|
|
pirates must have been to them, they remained stationary for a moment,
|
|
not a muscle moving; as if the foe had come by invitation. Then,
|
|
indeed, the tradition gallantly upheld, they seized their weapons, and
|
|
the air was torn with the war-cry; but it was now too late.
|
|
|
|
It is no part of ours to describe what was a massacre rather than
|
|
a fight. Thus perished many of the flower of the Piccaninny tribe. Not
|
|
all unavenged did they die, for with Lean Wolf fell Alf Mason, to
|
|
disturb the Spanish Main no more, and among others who bit the dust
|
|
were Geo. Scourie, Chas. Turley, and the Alsatian Foggerty. Turley
|
|
fell to the tomahawk of the terrible Panther, who ultimately cut a way
|
|
through the pirates with Tiger Lily and a small remnant of the tribe.
|
|
|
|
To what extent Hook is to blame for his tactics on this occasion
|
|
is for the historian to decide. Had he waited on the rising ground
|
|
till the proper hour he and his men would probably have been
|
|
butchered; and in judging him it is only fair to take this into
|
|
account. What he should perhaps have done was to acquaint his
|
|
opponents that he proposed to follow a new method. On the other
|
|
hand, this, as destroying the element of surprise, would have made his
|
|
strategy of no avail, so that the whole question is beset with
|
|
difficulties. One cannot at least withhold a reluctant admiration
|
|
for the wit that had conceived so bold a scheme, and the fell genius
|
|
with which it was carried out.
|
|
|
|
What were his own feelings about himself at the triumphant moment?
|
|
Fain would his dogs have known, as breathing heavily and wiping
|
|
their cutlasses, they gathered at a discreet distance from his hook,
|
|
and squinted through their ferret eyes at this extraordinary man.
|
|
Elation must have been in his heart, but his face did not reflect
|
|
it: ever a dark and solitary enigma, he stood aloof from his followers
|
|
in spirit as in substance.
|
|
|
|
The night's work was not yet over, for it was not the redskins he
|
|
had come out to destroy; they were but the bees to be smoked, so
|
|
that he should get at the honey. It was Pan he wanted, Pan and Wendy
|
|
and their band, but chiefly Pan.
|
|
|
|
Peter was such a small boy that one tends to wonder at the man's
|
|
hatred of him. True he had flung Hook's arm to the crocodile, but even
|
|
this and the increased insecurity of life to which it led, owing to
|
|
the crocodile's pertinacity, hardly account for a vindictiveness so
|
|
relentless and malignant. The truth is that there was a something
|
|
about Peter which goaded the pirate captain to frenzy. It was not
|
|
his courage, it was not his engaging appearance, it was not-. There is
|
|
no beating about the bush, for we know quite well what it was, and
|
|
have got to tell. It was Peter's cockiness.
|
|
|
|
This had got on Hook's nerves; it made his iron claw twitch, and
|
|
at night it disturbed him like an insect. While Peter lived, the
|
|
tortured man felt that he was a lion in a cage into which a sparrow
|
|
had come.
|
|
|
|
The question now was how to get down the trees, or how to get his
|
|
dogs down? He ran his greedy eyes over them, searching for the
|
|
thinnest ones. They wriggled uncomfortably, for they knew he would not
|
|
scruple to ram them down with poles.
|
|
|
|
In the meantime, what of the boys? We have seen them at the first
|
|
clang of weapons, turned as it were into stone figures,
|
|
open-mouthed, all appealing with outstretched arms to Peter; and we
|
|
return to them as their mouths close, and their arms fall to their
|
|
sides. The pandemonium above has ceased almost as suddenly as it
|
|
arose, passed like a fierce gust of wind; but they know that in the
|
|
passing it has determined their fate.
|
|
|
|
Which side had won?
|
|
|
|
The pirates, listening avidly at the mouths of the trees, heard
|
|
the question put by every boy, and alas, they also heard Peter's
|
|
answer.
|
|
|
|
"If the redskins have won," he said, "they will beat the tom-tom; it
|
|
is always their sign of victory."
|
|
|
|
Now Smee had found the tom-tom, and was at that moment sitting on
|
|
it. "You will never hear the tom-tom again," he muttered, but
|
|
inaudibly of course, for strict silence had been enjoined. To his
|
|
amazement Hook signed to him to beat the tom-tom, and slowly there
|
|
came to Smee an understanding of the dreadful wickedness of the order.
|
|
Never, probably, had this simple man admired Hook so much.
|
|
|
|
Twice Smee beat upon the instrument, and then stopped to listen
|
|
gleefully.
|
|
|
|
"The tom-tom," the miscreants heard Peter cry; "an Indian victory!"
|
|
|
|
The doomed children answered with a cheer that was music to the
|
|
black hearts above, and almost immediately they repeated their
|
|
good-byes to Peter. This puzzled the pirates, but all their other
|
|
feelings were swallowed by a base delight that the enemy were about to
|
|
come up the trees. They smirked at each other and rubbed their
|
|
hands. Rapidly and silently Hook gave his orders: one man to each
|
|
tree, and the others to arrange themselves in a line two yards apart.
|
|
|
|
CHAPTER XIII.
|
|
|
|
DO YOU BELIEVE IN FAIRIES?
|
|
|
|
The more quickly this horror is disposed of the better. The first to
|
|
emerge from his tree was Curly. He rose out of it into the arms of
|
|
Cecco, who flung him to Smee, who flung him to Starkey, who flung
|
|
him to Bill Jukes, who flung him to Noodler, and so he was tossed from
|
|
one to another till he fell at the feet of the black pirate. All the
|
|
boys were plucked from their trees in this ruthless manner; and
|
|
several of them were in the air at a time, like bales of goods flung
|
|
from hand to hand.
|
|
|
|
A different treatment was accorded to Wendy, who came last. With
|
|
ironical politeness Hook raised his hat to her, and, offering her
|
|
his arm, escorted her to the spot where the others were being
|
|
gagged. He did it with such an air, he was so frightfully distingue,
|
|
that she was too fascinated to cry out. She was only a little girl.
|
|
|
|
Perhaps it is tell-tale to divulge that for a moment Hook
|
|
entranced her, and we tell on her only because her slip led to strange
|
|
results. Had she haughtily unhanded him (and we should have loved to
|
|
write it of her), she would have been hurled through the air like
|
|
the others, and then Hook would probably not have been present at
|
|
the tying of the children; and had he not been at the tying he would
|
|
not have discovered Slightly's secret, and without the secret he could
|
|
not presently have made his foul attempt on Peter's life.
|
|
|
|
They were tied to prevent their flying away, doubled up with their
|
|
knees close to their ears; and for this job the black pirate had cut a
|
|
rope into nine equal pieces. All went well with the trussing until
|
|
Slightly's turn came, when he was found to be like those irritating
|
|
parcels that use up all the string in going round and leave no tags
|
|
with which to tie a knot. The pirates kicked him in their rage, just
|
|
as you kick the parcel (though in fairness you should kick the
|
|
string); and strange to say it was Hook who told them to belay their
|
|
violence. His lip was curled with malicious triumph. While his dogs
|
|
were merely sweating because every time they tried to pack the unhappy
|
|
lad tight in one part he bulged out in another, Hook's master mind had
|
|
gone far beneath Slightly's surface, probing not for effects but for
|
|
causes; and his exultation showed that he had found them. Slightly,
|
|
white to the gills, knew that Hook had surprised his secret, which was
|
|
this, that no boy so blown out could use a tree wherein an average man
|
|
need stick. Poor Slightly, most wretched of all the children now,
|
|
for he was in a panic about Peter, bitterly regretted what he had
|
|
done. Madly addicted to the drinking of water when he was hot, he
|
|
had swelled in consequence to his present girth, and instead of
|
|
reducing himself to fit his tree he had, unknown to the others,
|
|
whittled his tree to make it fit him.
|
|
|
|
Sufficient of this Hook guessed to persuade him that Peter at last
|
|
lay at his mercy, but no word of the dark design that now formed in
|
|
the subterranean caverns of his mind crossed his lips; he merely
|
|
signed that the captives were to be conveyed to the ship, and that
|
|
he would be alone.
|
|
|
|
How to convey them? Hunched up in their ropes they might indeed be
|
|
rolled down hill like barrels, but most of the way lay through a
|
|
morass. Again Hook's genius surmounted difficulties. He indicated that
|
|
the little house must be used as a conveyance. The children were flung
|
|
into it, four stout pirates raised it on their shoulders, the others
|
|
fell in behind, and singing the hateful pirate chorus the strange
|
|
procession set off through the wood. I don't know whether any of the
|
|
children were crying; if so, the singing drowned the sound; but as the
|
|
little house disappeared in the forest, a brave though tiny jet of
|
|
smoke issued from its chimney as if defying Hook.
|
|
|
|
Hook saw it, and it did Peter a bad service. It dried up any trickle
|
|
of pity for him that may have remained in the pirate's infuriated
|
|
breast.
|
|
|
|
The first thing he did on finding himself alone in the fast
|
|
falling night was to tiptoe to Slightly's tree, and make sure that
|
|
it provided him with a passage. Then for long he remained brooding;
|
|
his hat of ill omen on the sward, so that a gentle breeze which had
|
|
arisen might play refreshingly through his hair. Dark as were his
|
|
thoughts his blue eyes were as soft as the periwinkle. Intently he
|
|
listened for any sound from the nether world, but all was as silent
|
|
below as above; the house under the ground seemed to be but one more
|
|
empty tenement in the void. Was that boy asleep, or did he stand
|
|
waiting at the foot of Slightly's tree, with his dagger in his hand?
|
|
|
|
There was no way of knowing, save by going down. Hook let his
|
|
cloak slip softly to the ground, and then biting his lips till a
|
|
lewd blood stood on them, he stepped into the tree. He was a brave
|
|
man, but for a moment he had to stop there and wipe his brow, which
|
|
was dripping like a candle. Then silently he let himself go into the
|
|
unknown.
|
|
|
|
He arrived unmolested at the foot of the shaft, and stood still
|
|
again, biting at his breath, which had almost left him. As his eyes
|
|
became accustomed to the dim light various objects in the home under
|
|
the trees took shape; but the only one on which his greedy gaze
|
|
rested, long sought for and found at last, was the great bed. On the
|
|
bed lay Peter fast asleep.
|
|
|
|
Unaware of the tragedy being enacted above, Peter had continued, for
|
|
a little time after the children left, to play gaily on his pipes:
|
|
no doubt rather a forlorn attempt to prove to himself that he did
|
|
not care. Then he decided not to take his medicine, so as to grieve
|
|
Wendy. Then he lay down on the bed outside the coverlet, to vex her
|
|
still more; for she had always tucked them inside it, because you
|
|
never know that you may not grow chilly at the turn of the night. Then
|
|
he nearly cried; but it struck him how indignant she would be if he
|
|
laughed instead; so he laughed a haughty laugh and fell asleep in
|
|
the middle of it.
|
|
|
|
Sometimes, though not often, he had dreams, and they were more
|
|
painful than the dreams of other boys. For hours he could not be
|
|
separated from these dreams, though he wailed piteously in them.
|
|
They had to do, I think, with the riddle of his existence. At such
|
|
times it had been Wendy's custom to take him out of bed and sit with
|
|
him on her lap, soothing him in dear ways of her own invention, and
|
|
when he grew calmer to put him back to bed before he quite woke up, so
|
|
that he should not know of the indignity to which she had subjected
|
|
him. But on this occasion he had fallen at once into a dreamless
|
|
sleep. One arm dropped over the edge of the bed, one leg was arched,
|
|
and the unfinished part of his laugh was stranded on his mouth,
|
|
which was open, showing the little pearls.
|
|
|
|
Thus defenceless Hook found him. He stood silent at the foot of
|
|
the tree looking across the chamber at his enemy. Did no feeling of
|
|
compassion stir his sombre breast? The man was not wholly evil; he
|
|
loved flowers (I have been told) and sweet music (he was himself no
|
|
mean performer on the harpsichord); and, let it be frankly admitted,
|
|
the idyllic nature of the scene shook him profoundly. Mastered by
|
|
his better self he would have returned reluctantly up the tree, but
|
|
for one thing.
|
|
|
|
What stayed him was Peter's impertinent appearance as he slept.
|
|
The open mouth, the drooping arm, the arched knee: they were such a
|
|
personification of cockiness as, taken together, will never again
|
|
one may hope be presented to eyes so sensitive to their offensiveness.
|
|
They steeled Hook's heart. If his rage had broken him into a hundred
|
|
pieces every one of them would have disregarded the incident, and
|
|
leapt at the sleeper.
|
|
|
|
Though a light from the one lamp shone dimly on the bed Hook stood
|
|
in darkness himself, and at the first stealthy step forward he
|
|
discovered an obstacle, the door of Slightly's tree. It did not
|
|
entirely fill the aperture, and he had been looking over it. Feeling
|
|
for the catch, he found to his fury that it was low down, beyond his
|
|
reach. To his disordered brain it seemed then that the irritating
|
|
quality in Peter's face and figure visibly increased, and he rattled
|
|
the door and flung himself against it. Was his enemy to escape him
|
|
after all?
|
|
|
|
But what was that? The red in his eye had caught sight of Peter's
|
|
medicine standing on a ledge within easy reach. He fathomed what it
|
|
was straightway, and immediately he knew that the sleeper was in his
|
|
power.
|
|
|
|
Lest he should be taken alive, Hook always carried about his
|
|
person a dreadful drug, blended by himself of all the death-dealing
|
|
rings that had come into his possession. These he had boiled down into
|
|
a yellow liquid quite unknown to science, which was probably the
|
|
most virulent poison in existence.
|
|
|
|
Five drops of this he now added to Peter's cup. His hand shook,
|
|
but it was in exultation rather than in shame. As he did it he avoided
|
|
glancing at the sleeper, but not lest pity should unnerve him;
|
|
merely to avoid spilling. Then one long gloating look he cast upon his
|
|
victim, and turning, wormed his way with difficulty up the tree. As he
|
|
emerged at the top he looked the very spirit of evil breaking from its
|
|
hole. Donning his hat at its most rakish angle, he wound his cloak
|
|
around him, holding one end in front as if to conceal his person
|
|
from the night, of which it was the blackest part, and muttering
|
|
strangely to himself stole away through the trees.
|
|
|
|
Peter slept on. The light guttered and went out, leaving the
|
|
tenement in darkness; but still he slept. It must have been not less
|
|
than ten o'clock by the crocodile, when he suddenly sat up in his bed,
|
|
wakened by he knew not what. It was a soft cautious tapping on the
|
|
door of his tree.
|
|
|
|
Soft and cautious, but in that stillness it was sinister. Peter felt
|
|
for his dagger till his hand gripped it. Then he spoke.
|
|
|
|
"Who is that?"
|
|
|
|
For long there was no answer: then again the knock.
|
|
|
|
"Who are you?"
|
|
|
|
No answer.
|
|
|
|
He was thrilled, and he loved being thrilled. In two strides he
|
|
reached his door. Unlike Slightly's door it filled the aperture, so
|
|
that he could not see beyond it, nor could the one knocking see him.
|
|
|
|
"I won't open unless you speak," Peter cried.
|
|
|
|
Then at last the visitor spoke, in a lovely bell-like voice.
|
|
|
|
"Let me in, Peter."
|
|
|
|
It was Tink, and quickly he unbarred to her. She flew in
|
|
excitedly, her face flushed and her dress stained with mud.
|
|
|
|
"What is it?"
|
|
|
|
"Oh, you could never guess!" she cried, and offered him three
|
|
guesses. "Out with it!" he shouted, and in one ungrammatical sentence,
|
|
as long as the ribbons conjurers pull from their mouths, she told of
|
|
the capture of Wendy and the boys.
|
|
|
|
Peter's heart bobbed up and down as he listened. Wendy bound, and on
|
|
the pirate ship; she who loved everything to be just so!
|
|
|
|
"I'll rescue her!" he cried, leaping at his weapons. As he leapt
|
|
he thought of something he could do to please her. He could take his
|
|
medicine.
|
|
|
|
His hand closed on the fatal draught.
|
|
|
|
"No!" shrieked Tinker Bell, who had heard Hook muttering about his
|
|
deed as he sped through the forest.
|
|
|
|
"Why not?"
|
|
|
|
"It is poisoned."
|
|
|
|
"Poisoned! Who could have poisoned it?"
|
|
|
|
"Hook."
|
|
|
|
"Don't be silly. How could Hook have got down here?"
|
|
|
|
Alas, Tinker Bell could not explain this, for even she did not
|
|
know the dark secret of Slightly's tree. Nevertheless Hook's words had
|
|
left no room for doubt. The cup was poisoned.
|
|
|
|
"Besides," said Peter, quite believing himself, "I never fell
|
|
asleep."
|
|
|
|
He raised the cup. No time for words now; time for deeds, and with
|
|
one of her lightning movements Tink got between his lips and the
|
|
draught, and drained it to the dregs.
|
|
|
|
"Why, Tink, how dare you drink my medicine?"
|
|
|
|
But she did not answer. Already she was reeling in the air.
|
|
|
|
"What is the matter with you?" cried Peter, suddenly afraid.
|
|
|
|
"It was poisoned, Peter," she told him softly; "and now I am going
|
|
to be dead."
|
|
|
|
"O Tink, did you drink it to save me?"
|
|
|
|
"Yes."
|
|
|
|
"But why, Tink?"
|
|
|
|
Her wings would scarcely carry her now, but in reply she alighted on
|
|
his shoulder and gave his nose a loving bite. She whispered in his ear
|
|
"you silly ass," and then, tottering to her chamber, lay down on the
|
|
bed.
|
|
|
|
His head almost filled the fourth wall of her little room as he
|
|
knelt near her in distress. Every moment her light was growing
|
|
fainter; and he knew that if it went out she would be no more. She
|
|
liked his tears so much that she put out her beautiful finger and
|
|
let them run over it.
|
|
|
|
Her voice was so low that at first he could not make out what she
|
|
said. Then he made it out. She was saying that she thought she could
|
|
get well again if children believed in fairies.
|
|
|
|
Peter flung out his arms. There were no children there, and it was
|
|
night time; but he addressed all who might be dreaming of the
|
|
Neverland, and who were therefore nearer to him than you think: boys
|
|
and girls in their nighties, and naked papooses in their baskets
|
|
hung from trees.
|
|
|
|
"Do you believe?" he cried.
|
|
|
|
Tink sat up in bed almost briskly to listen to her fate.
|
|
|
|
She fancied she heard answers in the affirmative, and then again she
|
|
wasn't sure.
|
|
|
|
"What do you think?" she asked Peter.
|
|
|
|
"If you believe," he shouted to them, "clap your hands; don't let
|
|
Tink die."
|
|
|
|
Many clapped.
|
|
|
|
Some didn't.
|
|
|
|
A few little beasts hissed.
|
|
|
|
The clapping stopped suddenly; as if countless mothers had rushed to
|
|
their nurseries to see what on earth was happening; but already Tink
|
|
was saved. First her voice grew strong, then she popped out of bed,
|
|
then she was flashing through the room more merry and impudent than
|
|
ever. She never thought of thanking those who believed, but she
|
|
would have liked to get at the ones who had hissed.
|
|
|
|
"And now to rescue Wendy!"
|
|
|
|
The moon was riding in a cloudy heaven when Peter rose from his
|
|
tree, begirt with weapons and wearing little else, to set out upon his
|
|
perilous quest. It was not such a night as he would have chosen. He
|
|
had hoped to fly, keeping not far from the ground so that nothing
|
|
unwonted should escape his eyes; but in that fitful light to have
|
|
flown low would have meant trailing his shadow through the trees, thus
|
|
disturbing the birds and acquainting a watchful foe that he was astir.
|
|
|
|
He regretted now that he had given the birds of the island such
|
|
strange names that they are very wild and difficult of approach.
|
|
|
|
There was no other course but to press forward in redskin fashion,
|
|
at which happily he was an adept. But in what direction, for he
|
|
could not be sure that the children had been taken to the ship? A
|
|
slight fall of snow had obliterated all footmarks; and a deathly
|
|
silence pervaded the island, as if for a space Nature stood still in
|
|
horror of the recent carnage. He had taught the children something
|
|
of the forest lore that he had himself learned from Tiger Lily and
|
|
Tinker Bell, and knew that in their dire hour they were not likely
|
|
to forget it. Slightly, if he had an opportunity, would blaze the
|
|
trees, for instance, Curly would drop seeds, and Wendy would leave her
|
|
handkerchief at some important place. But morning was needed to search
|
|
for such guidance, and he could not wait. The upper world had called
|
|
him, but would give no help.
|
|
|
|
The crocodile passed him, but not another living thing, not a sound,
|
|
not a movement; and yet he knew well that sudden death might be at the
|
|
next tree, or stalking him from behind.
|
|
|
|
He swore this terrible oath: "Hook or me this time."
|
|
|
|
Now he crawled forward like a snake; and again, erect, he darted
|
|
across a space on which the moonlight played, one finger on his lip
|
|
and his dagger at the ready. He was frightfully happy.
|
|
|
|
CHAPTER XIV.
|
|
|
|
THE PIRATE SHIP.
|
|
|
|
One green light squinting over Kidd's Creek, which is near the mouth
|
|
of the pirate river, marked where the brig, the Jolly Roger, lay,
|
|
low in the water; a rakish-looking craft foul to the hull, every
|
|
beam in her detestable like ground strewn with mangled feathers. She
|
|
was the cannibal of the seas, and scarce needed that watchful eye, for
|
|
she floated immune in the horror of her name.
|
|
|
|
She was wrapped in the blanket of night, through which no sound from
|
|
her could have reached the shore. There was little sound, and none
|
|
agreeable save the whir of the ship's sewing machine at which Smee
|
|
sat, ever industrious and obliging, the essence of the commonplace,
|
|
pathetic Smee. I know not why he was so infinitely pathetic, unless it
|
|
were because he was so pathetically unaware of it; but even strong men
|
|
had to turn hastily from looking at him, and more than once on
|
|
summer evenings he had touched the fount of Hook's tears and made it
|
|
flow. Of this, as of almost everything else, Smee was quite
|
|
unconscious.
|
|
|
|
A few of the pirates leant over the bulwarks drinking in the
|
|
miasma of the night; others sprawled by barrels over games of dice and
|
|
cards; and the exhausted four who had carried the little house lay
|
|
prone on the deck, where even in their sleep they rolled skilfully
|
|
to this side or that out of Hook's reach, lest he should claw them
|
|
mechanically in passing.
|
|
|
|
Hook trod the deck in thought. O man unfathomable. It was his hour
|
|
of triumph. Peter had been removed forever from his path, and all
|
|
the other boys were on the brig, about to walk the plank. It was his
|
|
grimmest deed since the days when he had brought Barbecue to heel; and
|
|
knowing as we do how vain a tabernacle is man, could we be surprised
|
|
had he now paced the deck unsteadily, bellied out by the winds of
|
|
his success?
|
|
|
|
But there was no elation in his gait, which kept pace with the
|
|
action of his sombre mind. Hook was profoundly dejected.
|
|
|
|
He was often thus when communing with himself on board ship in the
|
|
quietude of the night. It was because he was so terribly alone. This
|
|
inscrutable man never felt more alone than when surrounded by his
|
|
dogs. They were socially so inferior to him.
|
|
|
|
Hook was not his true name. To reveal who he really was would even
|
|
at this date set the country in a blaze; but as those who read between
|
|
the lines must already have guessed, he had been at a famous public
|
|
school; and its traditions still clung to him like garments, with
|
|
which indeed they are largely concerned. Thus it was offensive to
|
|
him even now to board a ship in the same dress in which he grappled
|
|
her, and he still adhered in his walk to the school's distinguished
|
|
slouch. But above all he retained the passion for good form.
|
|
|
|
Good form! However much he may have degenerated, he still knew
|
|
that this is all that really matters.
|
|
|
|
From far within him he heard a creaking as of rusty portals, and
|
|
through them came a stern tap-tap-tap, like hammering in the night
|
|
when one cannot sleep. "Have you been good form to-day?" was their
|
|
eternal question.
|
|
|
|
"Fame, fame, that glittering bauble, it is mine!" he cried.
|
|
|
|
"Is it quite good form to be distinguished at anything?" the tap-tap
|
|
from his school replied.
|
|
|
|
"I am the only man whom Barbecue feared," he urged, "and Flint
|
|
himself feared Barbecue"
|
|
|
|
"Barbecue, Flint- what house?" came the cutting retort.
|
|
|
|
Most disquieting reflection of all, was it not bad form to think
|
|
about good form?
|
|
|
|
His vitals were tortured by this problem. It was a claw within him
|
|
sharper than the iron one; and as it tore him, the perspiration
|
|
dripped down his tallow countenance and streaked his doublet. Ofttimes
|
|
he drew his sleeve across his face, but there was no damming that
|
|
trickle.
|
|
|
|
Ah, envy not Hook.
|
|
|
|
There came to him a presentiment of his early dissolution. It was as
|
|
if Peter's terrible oath had boarded the ship. Hook felt a gloomy
|
|
desire to make his dying speech, lest presently there should be no
|
|
time for it.
|
|
|
|
"Better for Hook," he cried, "if he had had less ambition!" It was
|
|
in his darkest hours only that he referred to himself in the third
|
|
person.
|
|
|
|
"No little children love me!"
|
|
|
|
Strange that he should think of this, which had never troubled him
|
|
before; perhaps the sewing machine brought it to his mind. For long he
|
|
muttered to himself, staring at Smee, who was hemming placidly,
|
|
under the conviction that all children feared him.
|
|
|
|
Feared him! Feared Smee! There was not a child on board the brig
|
|
that night who did not already love him. He had said horrid things
|
|
to them and hit them with the palm of his hand, because he could not
|
|
hit with his fist, but they had only clung to him the more. Michael
|
|
had tried on his spectacles.
|
|
|
|
To tell poor Smee that they thought him lovable! Hook itched to do
|
|
it, but it seemed too brutal. Instead, he revolved this mystery in his
|
|
mind: why do they find Smee lovable? He pursued the problem like the
|
|
sleuth-hound that he was. If Smee was lovable, what was it that made
|
|
him so? A terrible answer suddenly presented itself- "Good form?"
|
|
|
|
Had the bo'sun good form without knowing it, which is the best
|
|
form of all?
|
|
|
|
He remembered that you have to prove you don't know you have it
|
|
before you are eligible for Pop.
|
|
|
|
With a cry of rage he raised his iron hand over Smee's head; but
|
|
he did not tear. What arrested him was this reflection:
|
|
|
|
"To claw a man because he is good form, what would that be?"
|
|
|
|
"Bad form!"
|
|
|
|
The unhappy Hook was as impotent as he was damp, and he fell forward
|
|
like a cut flower.
|
|
|
|
His dogs thinking him out of the way for a time, discipline
|
|
instantly relaxed; and they broke into a bacchanalian dance, which
|
|
brought him to his feet at once, all traces of human weakness gone, as
|
|
if a bucket of water had passed over him.
|
|
|
|
"Quiet, you scugs," he cried, "or I'll cast anchor in you"; and at
|
|
once the din was hushed. "Are all the children chained, so that they
|
|
cannot fly away?"
|
|
|
|
"Ay, ay."
|
|
|
|
"Then hoist them up."
|
|
|
|
The wretched prisoners were dragged from the hold, all except Wendy,
|
|
and ranged in line in front of him. For a time he seemed unconscious
|
|
of their presence. He lolled at his ease, humming, not
|
|
unmelodiously, snatches of a rude song, and fingering a pack of cards.
|
|
Ever and anon the light from his cigar gave a touch of colour to his
|
|
face.
|
|
|
|
"Now then, bullies," he said briskly, "six of you walk the plank
|
|
tonight, but I have room for two cabin boys. Which of you is it to
|
|
be?"
|
|
|
|
"Don't irritate him unnecessarily," had been Wendy's instructions in
|
|
the hold; so Tootles stepped forward politely. Tootles hated the
|
|
idea of signing under such a man, but an instinct told him that it
|
|
would be prudent to lay the responsibility on an absent person; and
|
|
though a somewhat silly boy, he knew that mothers alone are always
|
|
willing to be the buffer. All children know this about mothers, and
|
|
despise them for it, but make constant use of it.
|
|
|
|
So Tootles explained prudently, "You see, sir, I don't think my
|
|
mother would like me to be a pirate. Would your mother like you to
|
|
be a pirate, Slightly?"
|
|
|
|
He winked at Slightly, who said mournfully, "I don't think so," as
|
|
if he wished things had been otherwise. "Would your mother like you to
|
|
be a pirate, Twin?"
|
|
|
|
"I don't think so," said the first twin, as clever as the others.
|
|
"Nibs, would-"
|
|
|
|
"Stow this gab," roared Hook, and the spokesmen were dragged back.
|
|
"You, boy," he said, addressing John, "you look as if you had a little
|
|
pluck in you. Didst never want to be a pirate, my hearty?"
|
|
|
|
Now John had sometimes experienced this hankering at maths. prep.;
|
|
and he was struck by Hook's picking him out.
|
|
|
|
"I once thought of calling myself Red-handed Jack," he said
|
|
diffidently.
|
|
|
|
"And a good name too. We'll call you that here, bully, if you join."
|
|
|
|
"What do you think, Michael?" asked John.
|
|
|
|
"What would you call me if I join?" Michael demanded.
|
|
|
|
"Blackbeard Joe"
|
|
|
|
Michael was naturally impressed. "What do you think, John?" He
|
|
wanted John to decide, and John wanted him to decide.
|
|
|
|
"Shall we still be respectful subjects of the King?" John inquired.
|
|
|
|
Through Hook's teeth came the answer: "You would have to swear,
|
|
'Down with the King.'"
|
|
|
|
Perhaps John had not behaved very well so far, but he shone out now.
|
|
|
|
"Then I refuse!" he cried, banging the barrel in front of Hook.
|
|
|
|
"And I refuse," cried Michael.
|
|
|
|
"Rule Britannia!" squeaked Curly.
|
|
|
|
The infuriated pirates buffeted them in the mouth; and Hook roared
|
|
out, "That seals your doom. Bring up their mother. Get the plank
|
|
ready."
|
|
|
|
They were only boys, and they went white as they saw Jukes and Cecco
|
|
preparing the fatal plank. But they tried to look brave when Wendy was
|
|
brought up.
|
|
|
|
No words of mine can tell you how Wendy despised those pirates. To
|
|
the boys there was at least some glamour in the pirate calling; but
|
|
all that she saw was that the ship had not been tidied for years.
|
|
There was not a porthole on the grimy glass of which you might not
|
|
have written with your finger "Dirty pig"; and she had already written
|
|
it on several. But as the boys gathered round her she had no
|
|
thought, of course, save for them.
|
|
|
|
"So, my beauty," said Hook, as if he spoke in syrup, "you are to see
|
|
your children walk the plank."
|
|
|
|
Fine gentleman though he was, the intensity of his communings had
|
|
soiled his ruff, and suddenly he knew that she was gazing at it.
|
|
With a hasty gesture he tried to hide it, but he was too late.
|
|
|
|
"Are they to die?" asked Wendy, with a look of such frightful
|
|
contempt that he nearly fainted.
|
|
|
|
"They are," he snarled. "Silence all," he called gloatingly, "for
|
|
a mother's last words to her children."
|
|
|
|
At this moment Wendy was grand. "These are my last words, dear
|
|
boys," she said firmly. "I feel that I have a message to you from your
|
|
real mothers, and it is this: 'We hope our sons will die like
|
|
English gentlemen.'"
|
|
|
|
Even the pirates were awed, and Tootles cried out hysterically, "I
|
|
am going to do what my mother hopes. What are you to do, Nibs?"
|
|
|
|
"What my mother hopes. What are you to do, Twin?"
|
|
|
|
"What my mother hopes. John, what are-"
|
|
|
|
But Hook had found his voice again.
|
|
|
|
"Tie her up!" he shouted.
|
|
|
|
It was Smee who tied her to the mast. "See here, honey," he
|
|
whispered, "I'll save you if you promise to be my mother."
|
|
|
|
But not even for Smee would she make such a promise. "I would almost
|
|
rather have no children at all," she said disdainfully.
|
|
|
|
It is sad to know that not a boy was looking at her as Smee tied her
|
|
to the mast; the eyes of all were on the plank: that last little
|
|
walk they were about to take. They were no longer able to hope that
|
|
they would walk it manfully, for the capacity to think had gone from
|
|
them; they could stare and shiver only.
|
|
|
|
Hook smiled on them with his teeth closed, and took a step toward
|
|
Wendy. His intention was to turn her face so that she should see the
|
|
boys walking the plank one by one. But he never reached her, he
|
|
never heard the cry of anguish he hoped to wring from her. He heard
|
|
something else instead.
|
|
|
|
It was the terrible tick-tick of the crocodile.
|
|
|
|
They all heard it- pirates, boys, Wendy- and immediately every
|
|
head was blown in one direction; not to the water whence the sound
|
|
proceeded, but toward Hook. All knew that what was about to happen
|
|
concerned him alone, and that from being actors they were suddenly
|
|
become spectators.
|
|
|
|
Very frightful was it to see the change that came over him. It was
|
|
as if he had been clipped at every joint. He fell in a little heap.
|
|
|
|
The sound came steadily nearer; and in advance of it came this
|
|
ghastly thought, "the crocodile is about to board the ship"!
|
|
|
|
Even the iron claw hung inactive; as if knowing that it was no
|
|
intrinsic part of what the attacking force wanted. Left so fearfully
|
|
alone, any other man would have lain with his eyes shut where he fell:
|
|
but the gigantic brain of Hook was still working, and under its
|
|
guidance he crawled on his knees along the deck as far from the
|
|
sound as he could go. The pirates respectfully cleared a passage for
|
|
him, and it was only when he brought up against the bulwarks that he
|
|
spoke.
|
|
|
|
"Hide me!" he cried hoarsely.
|
|
|
|
They gathered round him, all eyes averted from the thing that was
|
|
coming aboard. They had no thought of fighting it. It was Fate.
|
|
|
|
Only when Hook was hidden from them did curiosity loosen the limbs
|
|
of the boys so that they could rush to the ship's side to see the
|
|
crocodile climbing it. Then they got the strangest surprise of this
|
|
Night of Nights; for it was no crocodile that was coming to their aid.
|
|
It was Peter.
|
|
|
|
He signed to them not to give vent to any cry of admiration that
|
|
might arouse suspicion. Then he went on ticking.
|
|
|
|
CHAPTER XV.
|
|
|
|
"HOOK OR ME THIS TIME".
|
|
|
|
Odd things happen to all of us on our way through life without our
|
|
noticing for a time that they have happened. Thus, to take an
|
|
instance, we suddenly discover that we have been deaf in one ear for
|
|
we don't know how long, but, say, half an hour. Now such an experience
|
|
had come that night to Peter. When last we saw him he was stealing
|
|
across the island with one finger to his lips and his dagger at the
|
|
ready. He had seen the crocodile pass by without noticing anything
|
|
peculiar about it, but by and by he remembered that it had not been
|
|
ticking. At first he thought this eerie, but soon he concluded rightly
|
|
that the clock had run down.
|
|
|
|
Without giving a thought to what might be the feelings of a
|
|
fellow-creature thus abruptly deprived of its closest companion, Peter
|
|
began to consider how he could turn the catastrophe to his own use;
|
|
and he decided to tick, so that wild beasts should believe he was
|
|
the crocodile and let him pass unmolested. He ticked superbly, but
|
|
with one unforeseen result. The crocodile was among those who heard
|
|
the sound, and it followed him, though whether with the purpose of
|
|
regaining what it had lost, or merely, as a friend under the belief
|
|
that it was again ticking itself, will never be certainly known,
|
|
for, like all slaves to a fixed idea, it was a stupid beast.
|
|
|
|
Peter reached the shore without mishap, and went straight on, his
|
|
legs encountering the water as if quite unaware that they had
|
|
entered a new element. Thus many animals pass from land to water,
|
|
but no other human of whom I know. As he swam he had but one
|
|
thought: "Hook or me this time." He had ticked so long that he now
|
|
went on ticking without knowing that he was doing it. Had he known
|
|
he would have stopped, for to board the brig by the help of the
|
|
tick, though an ingenious idea, had not occurred to him.
|
|
|
|
On the contrary, he thought he had scaled her side as noiseless as a
|
|
mouse; and he was amazed to see the pirates cowering from him, with
|
|
Hook in their midst as abject as if he had heard the crocodile.
|
|
|
|
The crocodile! No sooner did Peter remember it than he heard the
|
|
ticking. At first he thought the sound did come from the crocodile,
|
|
and he looked behind him swiftly. Then he realized that he was doing
|
|
it himself, and in a flash he understood the situation. "How clever of
|
|
me!" he thought at once, and signed to the boys not to burst into
|
|
applause.
|
|
|
|
It was at this moment that Ed Teynte the quartermaster emerged
|
|
from the forecastle and came along the deck. Now, reader, time what
|
|
happened by your watch. Peter struck true and deep. John clapped his
|
|
hands on the ill-fated pirate's mouth to stifle the dying groan. He
|
|
fell forward. Four boys caught him to prevent the thud. Peter gave the
|
|
signal, and the carrion was cast overboard. There was a splash, and
|
|
then silence. How long has it taken?
|
|
|
|
"One!" (Slightly had begun to count.)
|
|
|
|
None too soon, Peter, every inch of him on tip-toe, vanished into
|
|
the cabin; for more than one pirate was screwing up his courage to
|
|
look round. They could hear each other's distressed breathing now,
|
|
which showed them that the more terrible sound had passed.
|
|
|
|
"It's gone, captain," Smee said, wiping his spectacles. "All's still
|
|
again."
|
|
|
|
Slowly Hook let his head emerge from his ruff, and listened so
|
|
intently that he could have caught the echo of the tick. There was not
|
|
a sound, and he drew himself up firmly to his full height.
|
|
|
|
"Then here's to Johnny Plank!" he cried brazenly, hating the boys
|
|
more than ever because they had seen him unbend. He broke into the
|
|
villainous ditty:
|
|
|
|
"Yo ho, yo ho, the frisky plank,
|
|
|
|
You walks along it so,
|
|
|
|
Till it goes down and you goes down
|
|
|
|
To Davy Jones below!"
|
|
|
|
To terrorise the prisoners the more, though with a certain loss of
|
|
dignity, he danced along an imaginary plank, grimacing at them as he
|
|
sang; and when he finished he cried, "Do you want a touch of the cat
|
|
before you walk the plank?"
|
|
|
|
At that they fell on their knees. "No, no!" they cried so
|
|
piteously that every pirate smiled.
|
|
|
|
"Fetch the cat, Jukes," said Hook, "it's in the cabin."
|
|
|
|
The cabin! Peter was in the cabin! The children gazed at each other.
|
|
|
|
"Ay, ay," said Jukes blithely, and he strode into the cabin. They
|
|
followed him with their eyes; they scarce knew that Hook had resumed
|
|
his song, his dogs joining in with him:
|
|
|
|
"Yo ho, yo ho, the scratching cat,
|
|
|
|
Its tails are nine, you know,
|
|
|
|
And when they're writ upon your back-"
|
|
|
|
What was the last line will never be known, for of a sudden the song
|
|
was stayed by a dreadful screech from the cabin. It wailed through the
|
|
ship, and died away. Then was heard a crowing sound which was well
|
|
understood by the boys, but to the pirates was almost more eerie
|
|
than the screech.
|
|
|
|
"What was that?" cried Hook.
|
|
|
|
"Two," said Slightly solemnly.
|
|
|
|
The Italian Cecco hesitated for a moment and then swung into the
|
|
cabin. He tottered out, haggard.
|
|
|
|
"What's the matter with Bill Jukes, you dog?" hissed Hook,
|
|
towering over him.
|
|
|
|
"The matter wi' him is he's dead, stabbed," replied Cecco in a
|
|
hollow voice.
|
|
|
|
"Bill Jukes dead!" cried the startled pirates.
|
|
|
|
"The cabin's as black as a pit," Cecco said, almost gibbering,
|
|
"but there is something terrible in there: the thing you heard
|
|
crowing."
|
|
|
|
The exultation of the boys, the lowering looks of the pirates,
|
|
both were seen by Hook.
|
|
|
|
"Cecco," he said in his most steely voice, "go back and fetch me out
|
|
that doodle-doo"
|
|
|
|
Cecco, bravest of the brave, cowered before his captain, crying,
|
|
"No, no"; but Hook was purring to his claw.
|
|
|
|
"Did you say you would go, Cecco?" he said musingly.
|
|
|
|
Cecco went, first flinging up his arms despairingly. There was no
|
|
more singing, all listened now; and again came a death-screech and
|
|
again a crow.
|
|
|
|
No one spoke except Slightly. "Three," he said.
|
|
|
|
Hook rallied his dogs with a gesture. "S' death and odds fish," he
|
|
thundered, "who is to bring me that doodle-doo?"
|
|
|
|
"Wait till Cecco comes out," growled Starkey, and the others took up
|
|
the cry.
|
|
|
|
"I think I heard you volunteer, Starkey," said Hook, purring again.
|
|
|
|
"No, by thunder!" Starkey cried.
|
|
|
|
"My hook thinks you did," said Hook, crossing to him. "I wonder if
|
|
it would not be advisable, Starkey, to humour the hook?"
|
|
|
|
"I'll swing before I go in there," replied Starkey doggedly, and
|
|
again he had the support of the crew.
|
|
|
|
"Is it mutiny?" asked Hook more pleasantly than ever. "Starkey's
|
|
ringleader!"
|
|
|
|
"Captain, mercy!" Starkey whimpered, all of a tremble now.
|
|
|
|
"Shake hands, Starkey," said Hook, proffering his claw.
|
|
|
|
Starkey looked round for help, but all deserted him. As he backed
|
|
Hook advanced, and now the red spark was in his eye. With a despairing
|
|
scream the pirate leapt upon Long Tom and precipitated himself into
|
|
the sea.
|
|
|
|
"Four," said Slightly.
|
|
|
|
"And now," Hook asked courteously, "did any other gentleman say
|
|
mutiny?" Seizing a lantern and raising his claw with a menacing
|
|
gesture, "I'll bring out that doodle-doo myself," he said, and sped
|
|
into the cabin.
|
|
|
|
"Five." How Slightly longed to say it. He wetted his lips to be
|
|
ready, but Hook came staggering out, without his lantern.
|
|
|
|
"Something blew out the light," he said a little unsteadily.
|
|
|
|
"Something!" echoed Mullins.
|
|
|
|
"What of Cecco?" demanded Noodler.
|
|
|
|
"He's as dead as Jukes," said Hook shortly.
|
|
|
|
His reluctance to return to the cabin impressed them all
|
|
unfavourably, and the mutinous sounds again broke forth. All pirates
|
|
are superstitious, and Cookson cried, "They do say the surest sign a
|
|
ship's accurst is when there's one on board more than can be accounted
|
|
for."
|
|
|
|
"I've heard," muttered Mullins, "he always boards the pirate craft
|
|
at last. Had he a tail, captain?"
|
|
|
|
"They say," said another, looking viciously at Hook, "that when he
|
|
comes it's in the likeness of the wickedest man aboard"
|
|
|
|
"Had he a hook, captain?" asked Cookson insolently; and one after
|
|
another took up the cry, "The ship's doomed!" At this the children
|
|
could not resist raising a cheer. Hook had well-nigh forgotten his
|
|
prisoners, but as he swung round on them now his face lit up again.
|
|
|
|
"Lads," he cried to his crew, "here's a notion. Open the cabin
|
|
door and drive them in. Let them fight the doodle-doo for their lives.
|
|
If they kill him, we're so much the better; if he kills them, we're
|
|
none the worse."
|
|
|
|
For the last time his dogs admired Hook, and devotedly they did
|
|
his bidding. The boys, pretending to struggle, were pushed into the
|
|
cabin and the door was closed on them.
|
|
|
|
"Now, listen!" cried Hook, and all listened. But not one dared to
|
|
face the door. Yes, one, Wendy, who all this time had been bound to
|
|
the mast. It was for neither a scream nor a crow that she was
|
|
watching, it was for the reappearance of Peter.
|
|
|
|
She had not long to wait. In the cabin he had found the thing for
|
|
which he had gone in search: the key that would free the children of
|
|
their manacles, and now they all stole forth, armed with such
|
|
weapons as they could find. First signing to them to hide, Peter cut
|
|
Wendy's bonds, and then nothing could have been easier than for them
|
|
all to fly off together; but one thing barred the way, an oath,
|
|
"Hook or me this time." So when he had freed Wendy, he whispered to
|
|
her to conceal herself with the others, and himself took her place
|
|
by the mast, her cloak around him so that he should pass for her. Then
|
|
he took a great breath and crowed.
|
|
|
|
To the pirates it was a voice crying that all the boys lay slain
|
|
in the cabin; and they were panic-stricken. Hook tried to hearten
|
|
them, but like the dogs he had made them they showed him their
|
|
fangs, and he knew that if he took his eyes off them now they would
|
|
leap at him.
|
|
|
|
"Lads," he said, ready to cajole or strike as need be, but never
|
|
quailing for an instant, "I've thought it out. There's a Jonah
|
|
aboard."
|
|
|
|
"Ay," they snarled, "a man wi' a hook"
|
|
|
|
"No, lads, no, it's the girl. Never was luck on a pirate ship wi'
|
|
a woman on board. We'll right the ship when she's gone."
|
|
|
|
Some of them remembered that this had been a saying of Flint's.
|
|
"It's worth trying," they said doubtfully.
|
|
|
|
"Fling the girl overboard," cried Hook; and they made a rush at
|
|
the figure in the cloak.
|
|
|
|
"There's none can save you now, missy," Mullins hissed jeeringly.
|
|
|
|
"There's one," replied the figure.
|
|
|
|
"Who's that?"
|
|
|
|
"Peter Pan the avenger!" came the terrible answer; and as he spoke
|
|
Peter flung off his cloak. Then they all knew who 'twas that had
|
|
been undoing them in the cabin, and twice Hook essayed to speak and
|
|
twice he failed. In that frightful moment I think his fierce heart
|
|
broke.
|
|
|
|
At last he cried, "Cleave him to the brisket!" but without
|
|
conviction.
|
|
|
|
"Down, boys, and at them!" Peter's voice rang out; and in another
|
|
moment the clash of arms was resounding through the ship. Had the
|
|
pirates kept together it is certain that they would have won; but
|
|
the onset came when they were all unstrung, and they ran hither and
|
|
thither, striking wildly, each thinking himself the last survivor of
|
|
the crew. Man to man they were the stronger; but they fought on the
|
|
defensive only, which enabled the boys to hunt in pairs and choose
|
|
their quarry. Some of the miscreants leapt into the sea, others hid in
|
|
dark recesses, where they were found by Slightly, who did not fight,
|
|
but ran about with a lantern which he flashed in their faces, so
|
|
that they were half blinded and fell an easy prey to the reeking
|
|
swords of the other boys. There was little sound to be heard but the
|
|
clang of weapons, an occasional screech or splash, and Slightly
|
|
monotonously counting- five- six- seven- eight- nine- ten- eleven.
|
|
|
|
I think all were gone when a group of savage boys surrounded Hook,
|
|
who seemed to have a charmed life, as he kept them at bay in that
|
|
circle of fire. They had done for his dogs, but this man alone
|
|
seemed to be a match for them all. Again and again they closed upon
|
|
him, and again and again he hewed a clear space. He had lifted up
|
|
one boy with his hook, and was using him as a buckler, when another,
|
|
who had just passed his sword through Mullins, sprang into the fray.
|
|
|
|
"Put up your swords, boys," cried the newcomer, "this man is mine"
|
|
|
|
Thus suddenly Hook found himself face to face with Peter. The others
|
|
drew back and formed a ring round them.
|
|
|
|
For long the two enemies looked at one another, Hook shuddering
|
|
slightly, and Peter with the strange smile upon his face.
|
|
|
|
"So, Pan," said Hook at last, "this is all your doing."
|
|
|
|
"Ay, James Hook," came the stern answer, "it is all my doing."
|
|
|
|
"Proud and insolent youth," said Hook, "prepare to meet thy doom."
|
|
|
|
"Dark and sinister man," Peter answered, "have at thee."
|
|
|
|
Without more words they fell to, and for a space there was no
|
|
advantage to either blade. Peter was a superb swordsman, and parried
|
|
with dazzling rapidity; ever and anon he followed up a feint with a
|
|
lunge that got past his foe's defence, but his shorter reach stood him
|
|
in ill stead, and he could not drive the steel home. Hook, scarcely
|
|
his inferior in brilliancy, but not quite so nimble in wrist play,
|
|
forced him back by the weight of his onset, hoping suddenly to end all
|
|
with a favourite thrust, taught him long ago by Barbecue at Rio; but
|
|
to his astonishment he found this thrust turned aside again and again.
|
|
Then he sought to close and give the quietus with his iron hook, which
|
|
all this time had been pawing the air; but Peter doubled under it and,
|
|
lunging fiercely, pierced him in the ribs. At sight of his own
|
|
blood, whose peculiar colour, you remember, was offensive to him,
|
|
the sword fell from Hook's hand, and he was at Peter's mercy.
|
|
|
|
"Now!" cried all the boys, but with a magnificent gesture Peter
|
|
invited his opponent to pick up his sword. Hook did so instantly,
|
|
but with a tragic feeling that Peter was showing good form.
|
|
|
|
Hitherto he had thought it was some fiend fighting him, but darker
|
|
suspicions assailed him now.
|
|
|
|
"Pan, who and what art thou?" he cried huskily.
|
|
|
|
"I'm youth, I'm joy," Peter answered at a venture, "I'm a little
|
|
bird that has broken out of the egg."
|
|
|
|
This, of course, was nonsense; but it was proof to the unhappy
|
|
Hook that Peter did not know in the least who or what he was, which is
|
|
the very pinnacle of good form.
|
|
|
|
"To't again," he cried despairingly.
|
|
|
|
He fought now like a human flail, and every sweep of that terrible
|
|
sword would have severed in twain any man or boy who obstructed it;
|
|
but Peter fluttered round him as if the very wind it made blew him out
|
|
of the danger zone. And again and again he darted in and pricked.
|
|
|
|
Hook was fighting now without hope. That passionate breast no longer
|
|
asked for life; but for one boon it craved: to see Peter bad form
|
|
before it was cold forever.
|
|
|
|
Abandoning the fight he rushed into the powder magazine and fired
|
|
it.
|
|
|
|
"In two minutes," he cried, "the ship will be blown to pieces."
|
|
|
|
Now, now, he thought, true form will show.
|
|
|
|
But Peter issued from the powder magazine with the shell in his
|
|
hands, and calmly flung it overboard.
|
|
|
|
What sort of form was Hook himself showing? Misguided man though
|
|
he was, we may be glad, without sympathising with him, that in the end
|
|
he was true to the traditions of his race. The other boys were
|
|
flying around him now, flouting, scornful; and as he staggered about
|
|
the deck striking up at them impotently, his mind was no longer with
|
|
them; it was slouching in the playing fields of long ago, or being
|
|
sent up for good, or watching the wall-game from a famous wall. And
|
|
his shoes were right, and his waistcoat was right, and his tie was
|
|
right, and his socks were right.
|
|
|
|
James Hook, thou not wholly unheroic figure, farewell.
|
|
|
|
For we have come to his last moment.
|
|
|
|
Seeing Peter slowly advancing upon him through the air with dagger
|
|
poised, he sprang upon the bulwarks to cast himself into the sea.
|
|
|
|
He did not know that the crocodile was waiting for him; for we
|
|
purposely stopped the clock that this knowledge might be spared him: a
|
|
little mark of respect from us at the end.
|
|
|
|
He had one last triumph, which I think we need not grudge him. As he
|
|
stood on the bulwark looking over his shoulder at Peter gliding
|
|
through the air, he invited him with a gesture to use his foot. It
|
|
made Peter kick instead of stab.
|
|
|
|
At last Hook had got the boon for which he craved.
|
|
|
|
"Bad form," he cried jeeringly, and went content to the crocodile.
|
|
|
|
Thus perished James Hook.
|
|
|
|
"Seventeen," Slightly sang out; but he was not quite correct in
|
|
his figures. Fifteen paid the penalty for their crimes that night; but
|
|
two reached the shore: Starkey to be captured by the redskins, who
|
|
made him nurse for all their papooses, a melancholy come-down for a
|
|
pirate; and Smee, who henceforth wandered about the world in his
|
|
spectacles, making a precarious living by saying he was the only man
|
|
that Jas. Hook had feared.
|
|
|
|
Wendy, of course, had stood by taking no part in the fight, though
|
|
watching Peter with glistening eyes; but now that all was over she
|
|
became prominent again. She praised them equally, and shuddered
|
|
delightfully when Michael showed her the place where he had killed
|
|
one; and then she took them into Hook's cabin and pointed to his watch
|
|
which was hanging on a nail. It said "half-past one"!
|
|
|
|
The lateness of the hour was almost the biggest thing of all. She
|
|
got them to bed in the pirates' bunks pretty quickly, you may be sure;
|
|
all but Peter, who strutted up and down on deck, until at last he fell
|
|
asleep by the side of Long Tom. He had one of his dreams that night,
|
|
and cried in his sleep for a long time, and Wendy held him tight.
|
|
|
|
CHAPTER XVI.
|
|
|
|
THE RETURN HOME.
|
|
|
|
By three bells next morning they were all stirring their stumps. For
|
|
there was a big sea running, and Tootles, the bo'sun, was among
|
|
them, with a rope's end in his hand and chewing tobacco. They all
|
|
donned pirate clothes cut off at the knee, shaved smartly, and tumbled
|
|
up, with the true nautical roll and hitching their trousers.
|
|
|
|
It need not be said who was the captain. Nibs and John were first
|
|
and second mate. There was a woman aboard. The rest were tars before
|
|
the mast, and lived in the fo'c'sle. Peter had already lashed
|
|
himself to the wheel; but he piped all hands and delivered a short
|
|
address to them; said he hoped they would do their duty like gallant
|
|
hearties, but that he knew they were the scum of Rio and the Gold
|
|
Coast, and if they snapped at him he would tear them. His bluff
|
|
strident words struck the note sailors understand, and they cheered
|
|
him lustily. Then a few sharp orders were given, and they turned the
|
|
ship round, and nosed her for the mainland.
|
|
|
|
Captain Pan calculated, after consulting the ship's chart, that if
|
|
this weather lasted, they should strike the Azores about the 21st of
|
|
June, after which it would save time to fly.
|
|
|
|
Some of them wanted it to be an honest ship and others were in
|
|
favour of keeping it a pirate; but the captain treated them as dogs,
|
|
and they dared not express their wishes to him even in a round
|
|
robin. Instant obedience was the only safe thing. Slightly got a dozen
|
|
for looking perplexed when told to take soundings. The general feeling
|
|
was that Peter was honest just now to lull Wendy's suspicions, but
|
|
that there might be a change when the new suit was ready, which,
|
|
against her will, she was making for him out of some of Hook's
|
|
wickedest garments. It was afterwards whispered among them that on the
|
|
first night he wore this suit he sat long in the cabin with Hook's
|
|
cigar-holder in his mouth and one hand clenched, all but the
|
|
forefinger, which he bent and held threateningly aloft like a hook.
|
|
|
|
Instead of watching the ship, however, we must now return to that
|
|
desolate home from which three of our characters had taken heartless
|
|
flight so long ago. It seems a shame to have neglected No. 14 all this
|
|
time; and yet we may be sure that Mrs. Darling does not blame us. If
|
|
we had returned sooner to look with sorrowful sympathy at her, she
|
|
would probably have cried, "Don't be silly, what do I matter? Do go
|
|
back and keep an eye on the children" So long as mothers are like this
|
|
their children will take advantage of them; and they may lay to that.
|
|
|
|
Even now we venture into that familiar nursery only because its
|
|
lawful occupants are on their way home; we are merely hurrying on in
|
|
advance of them to see that their beds are properly aired and that Mr.
|
|
and Mrs. Darling do not go out for the evening. We are no more than
|
|
servants. Why on earth should their beds be properly aired, seeing
|
|
that they left them in such a thankless hurry? Would it not serve them
|
|
jolly well right if they came back and found that their parents were
|
|
spending the week-end in the country? It would be the moral lesson
|
|
they have been in need of ever since we met them; but if we
|
|
contrived things in this way Mrs. Darling would never forgive us.
|
|
|
|
One thing I should like to do immensely, and that is to tell her, in
|
|
the way authors have, that the children are coming back, that indeed
|
|
they will be here on Thursday week. This would spoil so completely the
|
|
surprise to which Wendy and John and Michael are looking forward. They
|
|
have been planning it out on the ship: mother's rapture, father's
|
|
shout of joy, Nana's leap through the air to embrace them first,
|
|
when what they ought to be preparing for is a good hiding. How
|
|
delicious to spoil it all by breaking the news in advance; so that
|
|
when they enter enter grandly Mrs. Darling may not even offer Wendy
|
|
her mouth, and Mr. Darling may exclaim pettishly, "Dash it all, here
|
|
are those boys again." However, we should get no thanks even for this.
|
|
We are beginning to know Mrs. Darling by this time, and may be sure
|
|
that she would upbraid us for depriving the children of their little
|
|
pleasure.
|
|
|
|
"But, my dear madam, it is ten days till Thursday week; so that by
|
|
telling you what's what, we can save you ten days of unhappiness."
|
|
|
|
"Yes, but at what a cost By depriving the children of ten minutes of
|
|
delight."
|
|
|
|
"Oh, if you look at it in that way!"
|
|
|
|
"What other way is there in which to look at it?"
|
|
|
|
You see, the woman had no proper spirit. I had meant to say
|
|
extraordinarily nice things about her; but I despise her, and not
|
|
one of them will I say now. She does not really need to be told to
|
|
have things ready, for they are ready. All the beds are aired, and she
|
|
never leaves the house, and observe, the window is open. For all the
|
|
use we are to her, we might go back to the ship. However, as we are
|
|
here we may as well stay and look on. That is all we are,
|
|
lookers-on. Nobody really wants us. So let us watch and say jaggy
|
|
things, in the hope that some of them will hurt.
|
|
|
|
The only change to be seen in the night-nursery is that between nine
|
|
and six the kennel is no longer there. When the children flew away,
|
|
Mr. Darling felt in his bones that all the blame was his for having
|
|
chained Nana up, and that from first to last she had been wiser than
|
|
he. Of course, as we have seen, he was quite a simple man; indeed he
|
|
might have passed for a boy again if he had been able to take his
|
|
baldness off; but he had also a noble sense of justice and a lion
|
|
courage to do what seemed right to him; and having thought the
|
|
matter out with anxious care after the flight of the children, he went
|
|
down on all fours and crawled into the kennel. To all Mrs. Darling's
|
|
dear invitations to him to come out he replied sadly but firmly:
|
|
|
|
"No, my own one, this is the place for me."
|
|
|
|
In the bitterness of his remorse he swore that he would never
|
|
leave the kennel until his children came back. Of course this was a
|
|
pity; but whatever Mr. Darling did he had to do in excess, otherwise
|
|
he soon gave up doing it. And there never was a more humble man than
|
|
the once proud George Darling, as he sat in the kennel of an evening
|
|
talking with his wife of their children and all their pretty ways.
|
|
|
|
Very touching was his deference to Nana. He would not let her come
|
|
into the kennel, but on all other matters he followed her wishes
|
|
implicitly.
|
|
|
|
Every morning the kennel was carried with Mr. Darling in it to a
|
|
cab, which conveyed him to his office, and he returned home in the
|
|
same way at six. Something of the strength of character of the man
|
|
will be seen if we remember how sensitive he was to the opinion of
|
|
neighbours: this man whose every movement now attracted surprised
|
|
attention. Inwardly he must have suffered torture; but he preserved
|
|
a calm exterior even when the young criticised his little home, and he
|
|
always lifted his hat courteously to any lady who looked inside.
|
|
|
|
It may have been quixotic, but it was magnificent. Soon the inward
|
|
meaning of it leaked out, and the great heart of the public was
|
|
touched. Crowds followed the cab, cheering it lustily; charming
|
|
girls scaled it to get his autograph; interviews appeared in the
|
|
better class of papers, and society invited him to dinner and added,
|
|
"Do come in the kennel."
|
|
|
|
On that eventful Thursday week Mrs. Darling was in the night-nursery
|
|
awaiting George's return home: a very sad-eyed woman. Now that we look
|
|
at her closely and remember the gaiety of her in the old days, all
|
|
gone now just because she has lost her babes, I find I won't be able
|
|
to say nasty things about her after all. If she was too fond of her
|
|
rubbishy children she couldn't help it. Look at her in her chair,
|
|
where she has fallen asleep. The corner of her mouth, where one
|
|
looks first, is almost withered up. Her hand moves restlessly on her
|
|
breast as if she had a pain there. Some like Peter best and some
|
|
like Wendy best, but I like her best. Suppose, to make her happy, we
|
|
whisper to her in her sleep that the brats are coming back. They are
|
|
really within two miles of the window now, and flying strong, but
|
|
all we need whisper is that they are on the way. Let's.
|
|
|
|
It is a pity we did it, for she has started up, calling their names;
|
|
and there is no one in the room but Nana.
|
|
|
|
"O Nana, I dreamt my dear ones had come back"
|
|
|
|
Nana had filmy eyes, but all she could do was to put her paw
|
|
gently on her mistress's lap, and they were sitting together thus when
|
|
the kennel was brought back. As Mr. Darling puts his head out at it to
|
|
kiss his wife, we see that his face is more worn than of yore, but has
|
|
a softer expression.
|
|
|
|
He gave his hat to Liza, who took it scornfully; for she had no
|
|
imagination, and was quite incapable of understanding the motives of
|
|
such a man. Outside, the crowd who had accompanied the cab home were
|
|
still cheering, and he was naturally not unmoved.
|
|
|
|
"Listen to them," he said; "it is very gratifying."
|
|
|
|
"Lot of little boys," sneered Liza.
|
|
|
|
"There were several adults to-day," he assured her with a faint
|
|
flush; but when she tossed her head he had not a word of reproof for
|
|
her. Social success had not spoilt him; it had made him sweeter. For
|
|
some time he sat with his head out of the kennel, talking with Mrs.
|
|
Darling of this success, and pressing her hand reassuringly when she
|
|
said she hoped his head would not be turned by it.
|
|
|
|
"But if I had been a weak man," he said. "Good heavens, if I had
|
|
been a weak man!"
|
|
|
|
"And, George," she said timidly, "you are as full of remorse as
|
|
ever, aren't you?"
|
|
|
|
"Full of remorse as ever, dearest! See my punishment: living in a
|
|
kennel."
|
|
|
|
"But it is punishment, isn't it, George? You are sure you are not
|
|
enjoying it?"
|
|
|
|
"My love!"
|
|
|
|
You may be sure she begged his pardon; and then, feeling drowsy,
|
|
he curled round in the kennel.
|
|
|
|
"Won't you play me to sleep," he asked, "on the nursery piano?"
|
|
and as she was crossing to the day-nursery he added thoughtlessly,
|
|
"and shut that window. I feel a draught."
|
|
|
|
"O George, never ask me to do that. The window must always be left
|
|
open for them, always, always."
|
|
|
|
Now it was his turn to beg her pardon; and she went into the
|
|
day-nursery and played, and soon he was asleep; and while he slept,
|
|
Wendy and John and Michael flew into the room.
|
|
|
|
Oh no. We have written it so, because that was the charming
|
|
arrangement planned by them before we left the ship; but something
|
|
must have happened since then, for it is not they who have flown in,
|
|
it is Peter and Tinker Bell.
|
|
|
|
Peter's first words tell all.
|
|
|
|
"Quick, Tink," he whispered, "close the window; bar it! That's
|
|
right. Now you and I must get away by the door; and when Wendy comes
|
|
she will think her mother has barred her out, and she will have to
|
|
go back with me."
|
|
|
|
Now I understand what had hitherto puzzled me, why when Peter had
|
|
exterminated the pirates he did not return to the island and leave
|
|
Tink to escort the children to the mainland. This trick had been in
|
|
his head all the time.
|
|
|
|
Instead of feeling that he was behaving badly he danced with glee;
|
|
then he peeped into the day-nursery to see who was playing. He
|
|
whispered to Tink, "It's Wendy's mother! She is a pretty lady, but not
|
|
so pretty as my mother. Her mouth is full of thimbles, but not so full
|
|
as my mother's was."
|
|
|
|
Of course he knew nothing whatever about his mother; but he
|
|
sometimes bragged about her.
|
|
|
|
He did not know the tune, which was "Home, Sweet Home," but he
|
|
knew it was saying, "Come back, Wendy, Wendy, Wendy"; and he cried
|
|
exultantly. "You will never see Wendy again, lady, for the window is
|
|
barred!"
|
|
|
|
He peeped in again to see why the music had stopped, and now he
|
|
saw that Mrs. Darling had laid her head on the box, and that two tears
|
|
were sitting on her eyes.
|
|
|
|
"She wants me to unbar the window," thought Peter, "but I won't, not
|
|
I!"
|
|
|
|
He peeped again, and the tears were still there, or another two
|
|
had taken their place.
|
|
|
|
"She's awfully fond of Wendy," he said to himself. He was angry with
|
|
her now for not seeing why she could not have Wendy.
|
|
|
|
The reason was so simple: "I'm fond of her too. We can't both have
|
|
her, lady."
|
|
|
|
But the lady would not make the best of it, and he was unhappy. He
|
|
ceased to look at her, but even then she would not let go of him. He
|
|
skipped about and made funny faces, but when he stopped it was just as
|
|
if she were inside him, knocking.
|
|
|
|
"Oh, all right," he said at last, and gulped. Then he unbarred the
|
|
window. "Come on, Tink," he cried, with a frightful sneer at the
|
|
laws of nature: "we don't want any silly mothers"; and he flew away.
|
|
|
|
Thus Wendy and John and Michael found the window open for them after
|
|
all, which of course was more than they deserved. They alighted on the
|
|
floor, quite unashamed of themselves, and the youngest one had already
|
|
forgotten his home.
|
|
|
|
"John," he said looking around him doubtfully, "I think I have
|
|
been here before."
|
|
|
|
"Of course you have, you silly. There is your old bed."
|
|
|
|
"So it is," Michael said, but not with much conviction.
|
|
|
|
"I say," cried John, "the kennel!" and he dashed across to look into
|
|
it.
|
|
|
|
"Perhaps Nana is inside it," Wendy said.
|
|
|
|
But John whistled. "Hullo," he said, "there's a man inside it."
|
|
|
|
"It's father!" exclaimed Wendy.
|
|
|
|
"Let me see father." Michael begged eagerly, and he took a good
|
|
look. "He is not so big as the pirate I killed," he said with such
|
|
frank disappointment that I am glad Mr. Darling was asleep; it would
|
|
have been sad if those had been the first words he heard his little
|
|
Michael say.
|
|
|
|
Wendy and John had been taken aback somewhat at finding their father
|
|
in the kennel.
|
|
|
|
"Surely," said John, like one who had lost faith in his memory,
|
|
"he used not to sleep in the kennel?"
|
|
|
|
"John," Wendy said falteringly, "perhaps we don't remember the old
|
|
life as well as we thought we did."
|
|
|
|
A chill fell upon them; and serve them right.
|
|
|
|
"It is very careless of mother," said the young scoundrel John, "not
|
|
to be here when we come back."
|
|
|
|
It was then that Mrs. Darling began playing again.
|
|
|
|
"It's mother!" cried Wendy, peeping.
|
|
|
|
"So it is!" said John.
|
|
|
|
"Then are you not really our mother, Wendy?" asked Michael, who
|
|
was surely sleepy.
|
|
|
|
"Oh dear!" exclaimed Wendy, with her first real twinge of remorse,
|
|
"it was quite time we came back."
|
|
|
|
"Let us creep in," John suggested, "and put our hands over her
|
|
eyes."
|
|
|
|
But Wendy, who saw that they must break the joyous news more gently,
|
|
had a better plan.
|
|
|
|
"Let us all slip into our beds, and be there when she comes in, just
|
|
as if we had never been away."
|
|
|
|
And so when Mrs. Darling went back to the night-nursery to see if
|
|
her husband was asleep, all the beds were occupied. The children
|
|
waited for her cry of joy, but it did not come. She saw them, but
|
|
she did not believe they were there. You see, she saw them in their
|
|
beds so often in her dreams that she thought this was just the dream
|
|
hanging around her still.
|
|
|
|
She sat down in the chair by the fire, where in the old days she had
|
|
nursed them.
|
|
|
|
They could not understand this, and a cold fear fell upon all the
|
|
three of them.
|
|
|
|
"Mother!" Wendy cried.
|
|
|
|
"That's Wendy," she said, but still she was sure it was a dream.
|
|
|
|
"Mother!"
|
|
|
|
"That's John," she said.
|
|
|
|
"Mother!" cried Michael. He knew her now.
|
|
|
|
"That's Michael," she said, and she stretched out her arms for the
|
|
three little selfish children they would never envelop again. Yes,
|
|
they did, they went round Wendy and John and Michael, who had
|
|
slipped out of bed and run to her.
|
|
|
|
"George, George!" she cried when she could speak; and Mr. Darling
|
|
woke to share her bliss, and Nana came rushing in. There could not
|
|
have been a lovelier sight; but there was none to see it except a
|
|
little boy who was staring in at the window. He had ecstasies
|
|
innumerable that other children can never know; but he was looking
|
|
through the window at the one joy from which he must be forever
|
|
barred.
|
|
|
|
CHAPTER XVII.
|
|
|
|
WHEN WENDY GREW UP.
|
|
|
|
I hope you want to know what became of the other boys. They were
|
|
waiting below to give Wendy time to explain about them, and when
|
|
they had counted five hundred they went up. They went up by the stair,
|
|
because they thought this would make a better impression. They stood
|
|
in a row in front of Mrs. Darling, with their hats off, and wishing
|
|
they were not wearing their pirate clothes. They said nothing, but
|
|
their eyes asked her to have them. They ought to have looked at Mr.
|
|
Darling also, but they forgot about him.
|
|
|
|
Of course Mrs. Darling said at once that she would have them; but
|
|
Mr. Darling was curiously depressed, and they saw that he considered
|
|
six a rather large number.
|
|
|
|
"I must say," he said to Wendy, "that you don't do things by
|
|
halves," a grudging remark which the twins thought was pointed at
|
|
them.
|
|
|
|
The first twin was the proud one, and he asked, flushing, "Do you
|
|
think we should be too much of a handful, sir? Because if so we can go
|
|
away."
|
|
|
|
"Father!" Wendy cried, shocked; but still the cloud was on him. He
|
|
knew he was behaving unworthily, but he could not help it.
|
|
|
|
"We could lie doubled up," said Nibs.
|
|
|
|
"I always cut their hair myself," said Wendy.
|
|
|
|
"George!" Mrs. Darling exclaimed, pained to see her dear one showing
|
|
himself in such an unfavourable light.
|
|
|
|
Then he burst into tears, and the truth came out. He was as glad
|
|
to have them as she was, he said, but he thought they should have
|
|
asked his consent as well as hers, instead of treating him as a cypher
|
|
in his own house.
|
|
|
|
"I don't think he is a cypher," Tootles cried instantly. "Do you
|
|
think he is a cypher, Curly?"
|
|
|
|
"No I don't. Do you think he is a cypher, Slightly?"
|
|
|
|
"Rather not. Twin, what do you think?"
|
|
|
|
It turned out that not one of them thought him a cypher; and he
|
|
was absurdly gratified, and said he would find space for them all in
|
|
the drawing-room if they fitted in.
|
|
|
|
"We'll fit in, sir," they assured him.
|
|
|
|
"Then follow the leader," he cried gaily. "Mind you, I am not sure
|
|
that we have a drawing-room, but we pretend we have, and it's all
|
|
the same. Hoop la!"
|
|
|
|
He went off dancing through the house, and they all cried "Hoop la!"
|
|
and danced after him, searching for the drawing-room; and I forget
|
|
whether they found it, but at any rate they found corners, and they
|
|
all fitted in.
|
|
|
|
As for Peter, he saw Wendy once again before he flew away. He did
|
|
not exactly come to the window, but he brushed against it in
|
|
passing, so that she could open it if she liked and call to him.
|
|
That was what she did.
|
|
|
|
"Hullo, Wendy, good-bye," he said.
|
|
|
|
"Oh dear, are you going away?"
|
|
|
|
"Yes."
|
|
|
|
"You don't feel, Peter," she said falteringly, "that you would
|
|
like to say anything to my parents about a very sweet subject?"
|
|
|
|
"No."
|
|
|
|
"About me, Peter?"
|
|
|
|
"No."
|
|
|
|
Mrs. Darling came to the window, for at present she was keeping a
|
|
sharp eye on Wendy. She told Peter that she had adopted all the
|
|
other boys, and would like to adopt him also.
|
|
|
|
"Would you send me to school?" he inquired craftily.
|
|
|
|
"Yes."
|
|
|
|
"And then to an office?"
|
|
|
|
"I suppose so."
|
|
|
|
"Soon I should be a man?"
|
|
|
|
"Very soon."
|
|
|
|
"I don't want to go to school and learn solemn things," he told
|
|
her passionately. "I don't want to be a man. O Wendy's, mother, if I
|
|
was to wake up and feel there was a beard!"
|
|
|
|
"Peter," said Wendy the comforter, "I should love you in a beard;"
|
|
and Mrs. Darling stretched out her arms to him, but he repulsed her.
|
|
|
|
"Keep back, lady, no one is going to catch me and make me a man."
|
|
|
|
"But where are you going to live?"
|
|
|
|
"With Tink in the house we built for Wendy. The fairies are to put
|
|
it high up among the tree tops where they sleep at nights."
|
|
|
|
"How lovely," cried Wendy so longingly that Mrs. Darling tightened
|
|
her grip.
|
|
|
|
"I thought all the fairies were dead," Mrs. Darling said.
|
|
|
|
"There are always a lot of young ones," explained Wendy, who was now
|
|
quite an authority, "because you see when a new baby laughs for the
|
|
first time a new fairy is born, and as there are always new babies
|
|
there are always new fairies. They live in nests on the tops of trees;
|
|
and the mauve ones are boys and the white ones are girls, and the blue
|
|
ones are just little sillies who are not sure what they are."
|
|
|
|
"I shall have such fun," said Peter, with one eye on Wendy.
|
|
|
|
"It will be rather lonely in the evening," she said, "sitting by the
|
|
fire."
|
|
|
|
"I shall have Tink."
|
|
|
|
"Tink can't go a twentieth part of the way round," she reminded
|
|
him a little tartly.
|
|
|
|
"Sneaky tell-tale!" Tink called out from somewhere round the corner.
|
|
|
|
"It doesn't matter," Peter said.
|
|
|
|
"O Peter, you know it matters."
|
|
|
|
"Well, then, come with me to the little house."
|
|
|
|
"May I, mummy?"
|
|
|
|
"Certainly not. I have got you home again, and I mean to keep you."
|
|
|
|
"But he does so need a mother."
|
|
|
|
"So do you, my love."
|
|
|
|
"Oh, all right," Peter said, as if he had asked her from
|
|
politeness merely; but Mrs. Darling saw his mouth twitch, and she made
|
|
this handsome offer: to let Wendy go to him for a week every year
|
|
and do his spring cleaning. Wendy would have preferred a more
|
|
permanent arrangement, and it seemed to her that spring would be
|
|
long in coming, but this promise sent Peter away quite gay again. He
|
|
had no sense of time, and was so full of adventures that all I have
|
|
told you about him is only a half-penny worth of them. I suppose it
|
|
was because Wendy knew this that her last words to him were these
|
|
rather plaintive ones:
|
|
|
|
"You won't forget me, Peter, will you, before spring-cleaning time
|
|
comes?"
|
|
|
|
Of course Peter promised, and then he flew away. He took Mrs.
|
|
Darling's kiss with him. The kiss that had been for no one else
|
|
Peter took quite easily. Funny. But she seemed satisfied.
|
|
|
|
Of course all the boys went to school; and most of them got into
|
|
Class III, but Slightly was put first into Class IV and then into
|
|
Class V. Class I is the top class. Before they had attended school a
|
|
week they saw what goats they had been not to remain on the island;
|
|
but it was too late now, and soon they settled down to being as
|
|
ordinary as you or me or Jenkins minor. It is sad to have to say
|
|
that the power to fly gradually left them. At first Nana tied their
|
|
feet to the bed-posts so that they should not fly away in the night;
|
|
and one of their diversions by day was to pretend to fall off buses;
|
|
but by and by they ceased to tug at their bonds in bed, and found that
|
|
they hurt themselves when they let go of the bus. In time they could
|
|
not even fly after their hats. Want of practice, they called it; but
|
|
what it really meant was that they no longer believed.
|
|
|
|
Michael believed longer than the other boys, though they jeered at
|
|
him; so he was with Wendy when Peter came for her at the end of the
|
|
first year. She flew away with Peter in the frock she had woven from
|
|
leaves and berries in the Neverland, and her one fear was that he
|
|
might notice how short it had become, but he never noticed, he had
|
|
so much to say about himself.
|
|
|
|
She had looked forward to thrilling talks with him about old
|
|
times, but new adventures had crowded the old ones from his mind.
|
|
|
|
"Who is Captain Hook?" he asked with interest when she spoke of
|
|
the arch enemy.
|
|
|
|
"Don't you remember," she asked, amazed, "how you killed him and
|
|
saved all our lives?"
|
|
|
|
"I forget them after I kill them," he replied carelessly.
|
|
|
|
When she expressed a doubtful hope that Tinker Bell would be glad to
|
|
see her he said, "Who is Tinker Bell?"
|
|
|
|
"O Peter!" she said, shocked; but even when she explained he could
|
|
not remember.
|
|
|
|
"There are such a lot of them," he said. "I expect she is no more."
|
|
|
|
I expect he was right, for fairies don't live long, but they are
|
|
so little that a short time seems a good while to them.
|
|
|
|
Wendy was pained too to find that the past year was but as yesterday
|
|
to Peter; it had seemed such a long year of waiting to her. But he was
|
|
exactly as fascinating as ever, and they had a lovely spring
|
|
cleaning in the little house on the tree tops.
|
|
|
|
Next year he did not come for her. She waited in a new frock because
|
|
the old one simply would not meet, but he never came.
|
|
|
|
"Perhaps he is ill," Michael said.
|
|
|
|
"You know he is never ill."
|
|
|
|
Michael came close to her and whispered, with a shiver, "Perhaps
|
|
there is no such person, Wendy!" and then Wendy would have cried if
|
|
Michael had not been crying.
|
|
|
|
Peter came next spring cleaning; and the strange thing was that he
|
|
never knew he had missed a year.
|
|
|
|
That was the last time the girl Wendy ever saw him. For a little
|
|
longer she tried for his sake not to have growing pains; and she
|
|
felt she was untrue to him when she got a prize for general knowledge.
|
|
But the years came and went without bringing the careless boy; and
|
|
when they met again Wendy was a married woman, and Peter was no more
|
|
to her than a little dust in the box in which she had kept her toys.
|
|
Wendy was grown up. You need not be sorry for her. She was one of
|
|
the kind that likes to grow up. In the end she grew up of her own free
|
|
will a day quicker than other girls.
|
|
|
|
All the boys were grown up and done for by this time; so it is
|
|
scarcely worth while saying anything more about them. You may see
|
|
the twins and Nibs and Curly any day going to an office, each carrying
|
|
a little bag and an umbrella. Michael is an engine-driver. Slightly
|
|
married a lady of title, and so he became a lord. You see that judge
|
|
in a wig coming out at the iron door? That used to be Tootles. The
|
|
bearded man who doesn't know any story to tell his children was once
|
|
John.
|
|
|
|
Wendy was married in white with a pink sash. It is strange to
|
|
think that Peter did not alight in the church and forbid the banns.
|
|
|
|
Years rolled on again, and Wendy had a daughter. This ought not to
|
|
be written in ink but in a golden splash.
|
|
|
|
She was called Jane, and always had an odd inquiring look, as if
|
|
from the moment she arrived on the mainland she wanted to ask
|
|
questions. When she was old enough to ask them they were mostly
|
|
about Peter Pan. She loved to hear of Peter, and Wendy told her all
|
|
she could remember in the very nursery from which the famous flight
|
|
had taken place. It was Jane's nursery now, for her father had
|
|
bought it at the three percents from Wendy's father, who was no longer
|
|
fond of stairs. Mrs. Darling was now dead and forgotten.
|
|
|
|
There were only two beds in the nursery now, Jane's and her nurse's;
|
|
and there was no kennel, for Nana also had passed away. She died of
|
|
old age, and at the end she had been rather difficult to get on
|
|
with, being very firmly convinced that no one knew how to look after
|
|
children except herself.
|
|
|
|
Once a week Jane's nurse had her evening off, and then it was
|
|
Wendy's part to put Jane to bed. That was the time for stories. It was
|
|
Jane's invention to raise the sheet over her mother's head and her
|
|
own, thus making a tent, and in the awful darkness to whisper:-
|
|
|
|
"What do we see now?"
|
|
|
|
"I don't think I see anything to-night," says Wendy, with a
|
|
feeling that if Nana were here she would object to further
|
|
conversation.
|
|
|
|
"Yes, you do," says Jane, "you see when you were a little girl."
|
|
|
|
"That is a long time ago, sweetheart," says Wendy. "Ah me, how
|
|
time flies!"
|
|
|
|
"Does it fly," asks the artful child, "the way you flew when you
|
|
were a little girl?"
|
|
|
|
"The way I flew! Do you know, Jane, I sometimes wonder whether I
|
|
ever did really fly."
|
|
|
|
"Yes, you did."
|
|
|
|
"The dear old days when I could fly!"
|
|
|
|
"Why can't you fly now, mother?"
|
|
|
|
"Because I am grown up, dearest. When people grow up they forget the
|
|
way."
|
|
|
|
"Why do they forget the way?"
|
|
|
|
"Because they are no longer gay and innocent and heartless. It is
|
|
only the gay and innocent and heartless who can fly."
|
|
|
|
"What is gay and innocent and heartless? I do wish I was gay and
|
|
innocent and heartless."
|
|
|
|
Or perhaps Wendy admits she does see something. "I do believe,"
|
|
she says, "that it is this nursery!"
|
|
|
|
"I do believe it is!" says Jane. "Go on."
|
|
|
|
They are now embarked on the great adventure of the night when Peter
|
|
flew in looking for his shadow.
|
|
|
|
"The foolish fellow," says Wendy, "tried to stick it on with soap,
|
|
and when he could not he cried, and that woke me, and I sewed it on
|
|
for him."
|
|
|
|
"You have missed a bit," interrupts Jane, who now knows the story
|
|
better than her mother. "When you saw him sitting on the floor
|
|
crying what did you say?"
|
|
|
|
"I sat up in bed and I said, 'Boy, why are you crying?'"
|
|
|
|
"Yes, that was it," says Jane, with a big breath.
|
|
|
|
"And then he flew us all away to the Neverland and the fairies and
|
|
the pirates and the redskins and the mermaids' lagoon, and the home
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under the ground, and the little house."
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|
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"Yes! which did you like best of all?"
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|
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"I think I liked the home under the ground best of all."
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|
|
|
"Yes, so do I. What was the last thing Peter ever said to you?"
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|
|
|
"The last thing he ever said to me was, 'Just always be waiting
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for me, and then some night you will hear me crowing.'"
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|
|
|
"Yes!"
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"But, alas, he forgot all about me." Wendy said it with a smile. She
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|
was as grown up as that.
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|
|
|
"What did his crow sound like?" Jane asked one evening.
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"It was like this," Wendy said, trying to imitate Peter's crow.
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"No, it wasn't," Jane said gravely, "it was like this"; and she
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did it ever so much better than her mother.
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|
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|
Wendy was a little startled. "My darling, how can you know?"
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|
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"I often hear it when I am sleeping," Jane said.
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"Ah yes, many girls hear it when they are sleeping, but I was the
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only one who heard it awake."
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|
"Lucky you!" said Jane.
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|
|
|
And then one night came the tragedy. It was the spring of the
|
|
year, and the story had been told for the night, and Jane was now
|
|
asleep in her bed. Wendy was sitting on the floor, very close to the
|
|
fire so as to see to darn, for there was no other light in the
|
|
nursery; and while she sat darning she heard a crow. Then the window
|
|
blew open as of old, and Peter dropped on the floor.
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|
|
|
He was exactly the same as ever, and Wendy saw at once that he still
|
|
had all his first teeth.
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|
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|
He was a little boy, and she was grown up. She huddled by the fire
|
|
not daring to move, helpless and guilty, a big woman.
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|
|
|
"Hullo, Wendy," he said, not noticing any difference, for he was
|
|
thinking chiefly of himself; and in the dim light her white dress
|
|
might have been the nightgown in which he had seen her first.
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|
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|
"Hullo, Peter," she replied faintly, squeezing herself as small as
|
|
possible. Something inside her was crying "Woman, woman, let go of
|
|
me."
|
|
|
|
"Hullo, where is John?" he asked, suddenly missing the third bed.
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|
|
|
"John is not here now," she gasped.
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|
|
|
"Is Michael asleep?" he asked, with a careless glance at Jane.
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|
|
|
"Yes," she answered; and now she felt that she was untrue to Jane as
|
|
well as to Peter.
|
|
|
|
"That is not Michael," she said quickly, lest a judgment should fall
|
|
on her.
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|
|
|
Peter looked. "Hullo, is it a new one?"
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|
|
|
"Yes"
|
|
|
|
"Boy or girl?"
|
|
|
|
"Girl."
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|
|
|
Now surely he would understand; but not a bit of it.
|
|
|
|
"Peter," she said, faltering, "are you expecting me to fly away with
|
|
you?"
|
|
|
|
"Of course; that is why I have come" He added a little sternly,
|
|
"Have you forgotten that this is spring-cleaning time?"
|
|
|
|
She knew it was useless to say that he had let many
|
|
spring-cleaning times pass.
|
|
|
|
"I can't come," she said apologetically, "I have forgotten how to
|
|
fly."
|
|
|
|
"I'll soon teach you again."
|
|
|
|
"O, Peter, don't waste the fairy dust on me."
|
|
|
|
She had risen, and now at last a fear assailed him. "What is it?" he
|
|
cried, shrinking.
|
|
|
|
"I will turn up the light," she said, "and then you can see for
|
|
yourself."
|
|
|
|
For almost the only time in his life that I know of, Peter was
|
|
afraid. "Don't turn up the light," he cried.
|
|
|
|
She let her hands play in the hair of the tragic boy. She was not
|
|
a little girl heart-broken about him; she was a grown woman smiling at
|
|
it all, but they were wet smiles.
|
|
|
|
Then she turned up the light, and Peter saw. He gave a cry of
|
|
pain; and when the tall beautiful creature stooped to lift him in
|
|
her arms he drew back sharply.
|
|
|
|
"What is it?" he cried again.
|
|
|
|
She had to tell him.
|
|
|
|
"I am old, Peter. I am ever so much more than twenty. I grew up long
|
|
ago."
|
|
|
|
"You promised not to!"
|
|
|
|
"I couldn't help it. I am a married woman, Peter."
|
|
|
|
"No, you're not"
|
|
|
|
"Yes, and the little girl in the bed is my baby."
|
|
|
|
"No, she's not."
|
|
|
|
But he supposed she was; and he took a step towards the sleeping
|
|
child with his fist upraised. Of course he did not strike her. He
|
|
sat down on the floor and sobbed, and Wendy did not know how to
|
|
comfort him, though she could have done it so easily once. She was
|
|
only a woman now, and she ran out of the room to try to think.
|
|
|
|
Peter continued to cry, and soon his sobs woke Jane. She sat up in
|
|
bed, and was interested at once.
|
|
|
|
"Boy," she said, "why are you crying?"
|
|
|
|
Peter rose and bowed to her, and she bowed to him from the bed.
|
|
|
|
"Hullo," he said.
|
|
|
|
"Hullo," said Jane.
|
|
|
|
"My name is Peter Pan," he told her.
|
|
|
|
"Yes, I know."
|
|
|
|
"I came back for my mother," he explained, "to take her to the
|
|
Neverland."
|
|
|
|
"Yes, I know," Jane said, "I been waiting for you."
|
|
|
|
When Wendy returned diffidently she found Peter sitting on the
|
|
bedpost crowing gloriously, while Jane in her nighty was flying
|
|
round the room in solemn ecstasy.
|
|
|
|
"She is my mother," Peter explained; and Jane descended and stood by
|
|
his side, with the look on her face that he liked to see on ladies
|
|
when they gazed at him.
|
|
|
|
"He does so need a mother," Jane said.
|
|
|
|
"Yes, I know," Wendy admitted, rather forlornly; "no one knows it so
|
|
well as I."
|
|
|
|
"Good-bye," said Peter to Wendy; and he rose in the air, and the
|
|
shameless Jane rose with him; it was already her easiest way of moving
|
|
about.
|
|
|
|
Wendy rushed to the window.
|
|
|
|
"No, no!" she cried.
|
|
|
|
"It is just for spring-cleaning time," Jane said; "he wants me
|
|
always to do his spring cleaning."
|
|
|
|
"If only I could go with you!" Wendy sighed.
|
|
|
|
"You see you can't fly," said Jane.
|
|
|
|
Of course in the end Wendy let them fly away together. Our last
|
|
glimpse of her shows her at the window, watching them receding into
|
|
the sky until they were as small as stars.
|
|
|
|
As you look at Wendy you may see her hair becoming white, and her
|
|
figure little again, for all this happened long ago. Jane is now a
|
|
common grown-up, with a daughter called Margaret; and every
|
|
spring-cleaning time, except when he forgets, Peter comes for Margaret
|
|
and takes her to the Neverland, where she tells him stories about
|
|
himself, to which he listens eagerly. When Margaret grows up she
|
|
will have a daughter, who is to be Peter's mother in turn; and so it
|
|
will go on, so long as children are gay and innocent and heartless.
|
|
|
|
THE END
|
|
.
|