12113 lines
573 KiB
Plaintext
12113 lines
573 KiB
Plaintext
******The Project Gutenberg Etext of Anne of Green Gables******
|
|
******This file should be named anne11.txt or anne11.zip*******
|
|
|
|
|
|
Scanned by: Charles Keller
|
|
________________________________________
|
|
|
|
Corrected EDITIONS of our etexts get a new NUMBER, anne11.txt.
|
|
VERSIONS based on separate sources get new LETTER, anne10a.txt.
|
|
|
|
This choice was made by popular demand for a seasonal literature
|
|
release, and several other books are being considered, including
|
|
the rest of the Green Gables series in the Public Domain and the
|
|
works of Willa Cather.
|
|
|
|
Information about Project Gutenberg (one page)
|
|
|
|
We produce about one million dollars for each hour we work. One
|
|
hundred hours is a conservative estimate for how long it we take
|
|
to get any etext selected, entered, proofread, edited, copyright
|
|
searched and analyzed, the copyright letters written, etc. This
|
|
projected audience is one hundred million readers. If our value
|
|
per text is nominally estimated at one dollar, then we produce a
|
|
million dollars per hour; next year we will have to do four text
|
|
files per month, thus upping our productivity to two million/hr.
|
|
The Goal of Project Gutenberg is to Give Away One Trillion Etext
|
|
Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
|
|
This is ten thousand titles each to one hundred million readers.
|
|
|
|
We need your donations more than ever!
|
|
|
|
All donations should be made to "Project Gutenberg/IBC", and are
|
|
tax deductible to the extent allowable by law ("IBC" is Illinois
|
|
Benedictine College). (Subscriptions to our paper newsletter go
|
|
to IBC, too)
|
|
|
|
For these and other matters, please mail to:
|
|
|
|
David Turner, Project Gutenberg
|
|
Illinois Benedictine College
|
|
5700 College Road
|
|
Lisle, IL 60532-0900
|
|
|
|
Email requests to:
|
|
Internet: chipmonk@eagle.ibc.edu (David Turner)
|
|
Compuserve: chipmonk@eagle.ibc.edu (David Turner)
|
|
Attmail: internet!chipmonk@eagle.ibc.edu (David Turner)
|
|
MCImail: (David Turner)
|
|
ADDRESS TYPE: MCI / EMS: INTERNET / MBX:chipmonk@eagle.ibc.edu
|
|
|
|
We would prefer to send you this information by email
|
|
(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
|
|
|
|
******
|
|
If you have an FTP program (or emulator), please:
|
|
|
|
FTP directly to the Project Gutenberg archives:
|
|
ftp mrcnext.cso.uiuc.edu
|
|
login: anonymous
|
|
password: your@login
|
|
cd etext/etext91
|
|
or cd etext92 [for new books] [now also cd etext/etext92]
|
|
or cd etext/articles [get suggest gut for more information]
|
|
dir [to see files]
|
|
get or mget [to get files. . .set bin for zip files]
|
|
GET INDEX and AAINDEX
|
|
for a list of books
|
|
and
|
|
GET NEW GUT for general information
|
|
and
|
|
MGET GUT* for newsletters.
|
|
|
|
**Information prepared by the Project Gutenberg legal advisor**
|
|
(Three Pages)
|
|
|
|
****START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START****
|
|
|
|
Why is this "Small Print!" statement here? You know: lawyers.
|
|
They tell us you might sue us if there is something wrong with
|
|
your copy of this etext, even if you got it for free from
|
|
someone other than us, and even if what's wrong is not our
|
|
fault. So, among other things, this "Small Print!" statement
|
|
disclaims most of our liability to you. It also tells you how
|
|
you can distribute copies of this etext if you want to.
|
|
|
|
*BEFORE!* YOU USE OR READ THIS ETEXT
|
|
|
|
By using or reading any part of this PROJECT GUTENBERG-tm etext,
|
|
you indicate that you understand, agree to and accept this
|
|
"Small Print!" statement. If you do not, you can receive a
|
|
refund of the money (if any) you paid for this etext by sending
|
|
a request within 30 days of receiving it to the person you got
|
|
it from. If you received this etext on a physical medium (such
|
|
as a disk), you must return it with your request.
|
|
|
|
ABOUT PROJECT GUTENBERG-TM ETEXTS
|
|
|
|
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm
|
|
etexts, is a "public domain" work distributed by Professor
|
|
Michael S. Hart through the Project Gutenberg Association (the
|
|
"Project"). Among other things, this means that no one owns a
|
|
United States copyright on or for this work, so the Project (and
|
|
you!) can copy and distribute it in the United States without
|
|
permission and without paying copyright royalties. Special
|
|
rules, set forth below, apply if you wish to copy and distribute
|
|
this etext under the Project's "PROJECT GUTENBERG" trademark.
|
|
|
|
To create these etexts, the Project expends considerable efforts
|
|
to identify, transcribe and proofread public domain works.
|
|
Despite these efforts, the Project's etexts and any medium they
|
|
may be on may contain "Defects". Among other things, Defects
|
|
may take the form of incomplete, inaccurate or corrupt data,
|
|
transcription errors, a copyright or other intellectual property
|
|
infringement, a defective or damaged disk or other etext medium,
|
|
a computer virus, or computer codes that damage or cannot be
|
|
read by your equipment.
|
|
|
|
DISCLAIMER
|
|
|
|
But for the "Right of Replacement or Refund" described below,
|
|
[1] the Project (and any other party you may receive this etext
|
|
from as a PROJECT GUTENBERG-tm etext) disclaims all liability to
|
|
you for damages, costs and expenses, including legal fees, and
|
|
[2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILI-
|
|
TY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT
|
|
LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL
|
|
DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
|
|
DAMAGES.
|
|
|
|
If you discover a Defect in this etext within 90 days of
|
|
receiving it, you can receive a refund of the money (if any) you
|
|
paid for it by sending an explanatory note within that time to
|
|
the person you received it from. If you received it on a
|
|
physical medium, you must return it with your note, and such
|
|
person may choose to alternatively give you a replacement copy.
|
|
If you received it electronically, such person may choose to
|
|
alternatively give you a second opportunity to receive it elec-
|
|
tronically.
|
|
|
|
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
|
|
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
|
|
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
|
|
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
|
|
PARTICULAR PURPOSE.
|
|
|
|
Some states do not allow disclaimers of implied warranties or
|
|
the exclusion or limitation of consequential damages, so the
|
|
above disclaimers and exclusions may not apply to you, and you
|
|
may have other legal rights.
|
|
|
|
INDEMNITY
|
|
|
|
You will indemnify and hold the Project, its directors,
|
|
officers, members and agents harmless from all liability, cost
|
|
and expense, including legal fees, that arise from any
|
|
distribution of this etext for which you are responsible, and
|
|
from [1] any alteration, modification or addition to the etext
|
|
for which you are responsible, or [2] any Defect.
|
|
|
|
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
|
|
|
|
You may distribute copies of this etext electronically, or by
|
|
disk, book or any other medium if you either delete this "Small
|
|
Print!" and all other references to Project Gutenberg, or:
|
|
|
|
[1] Only give exact copies of it. Among other things, this re-
|
|
quires that you do not remove, alter or modify the etext or
|
|
this "small print!" statement. You may however, if you
|
|
wish, distribute this etext in machine readable binary,
|
|
compressed, mark-up, or proprietary form, including any
|
|
form resulting from conversion by word processing or hyper-
|
|
text software, but only so long as *EITHER*:
|
|
|
|
[*] The etext, when displayed, is clearly readable. We
|
|
consider an etext *not* clearly readable if it
|
|
contains characters other than those intended by the
|
|
author of the work, although tilde (~), asterisk (*)
|
|
and underline (_) characters may be used to convey
|
|
punctuation intended by the author, and additional
|
|
characters may be used to indicate hypertext links.
|
|
|
|
[*] The etext may be readily converted by the reader at no
|
|
expense into plain ASCII, EBCDIC or equivalent form
|
|
by the program that displays the etext (as is the
|
|
case, for instance, with most word processors).
|
|
|
|
[*] You provide, or agree to also provide on request at no
|
|
additional cost, fee or expense, a copy of the etext
|
|
in its original plain ASCII form (or in EBCDIC or
|
|
other equivalent proprietary form).
|
|
|
|
[2] Honor the etext refund and replacement provisions of this
|
|
"Small Print!" statement.
|
|
|
|
[3] Pay a trademark license fee of 20% (twenty percent) of the
|
|
net profits you derive from distributing this etext under
|
|
the trademark, determined in accordance with generally
|
|
accepted accounting practices. The license fee:
|
|
|
|
[*] Is required only if you derive such profits. In
|
|
distributing under our trademark, you incur no
|
|
obligation to charge money or earn profits for your
|
|
distribution.
|
|
|
|
[*] Shall be paid to "Project Gutenberg Association /
|
|
Illinois Benedictine College" (or to such other person
|
|
as the Project Gutenberg Association may direct)
|
|
within the 60 days following each date you prepare (or
|
|
were legally required to prepare) your year-end tax
|
|
return with respect to your income for that year.
|
|
|
|
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
|
|
|
|
The Project gratefully accepts contributions in money, time,
|
|
scanning machines, OCR software, public domain etexts, royalty
|
|
free copyright licenses, and every other sort of contribution
|
|
you can think of. Money should be paid to "Project Gutenberg
|
|
Association / Illinois Benedictine College".
|
|
|
|
WRITE TO US! We can be reached at:
|
|
|
|
Project Gutenberg Director of Communications (PGDIRCOM)
|
|
|
|
Internet: pgdircom@vmd.cso.uiuc.edu
|
|
Bitnet: pgdircom@uiucvmd
|
|
CompuServe: >internet:pgdircom@.vmd.cso.uiuc.edu
|
|
Attmail: internet!vmd.cso.uiuc.edu!pgdircom
|
|
|
|
Drafted by CHARLES B. KRAMER, Attorney
|
|
CompuServe: 72600,2026
|
|
Internet: 72600.2026@compuserve.com
|
|
Tel: (212) 254-5093
|
|
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.07.02.92*END*
|
|
|
|
|
|
|
|
|
|
ANNE OF GREEN GABLES
|
|
|
|
Lucy Maud Montgomery
|
|
|
|
|
|
|
|
Table of Contents
|
|
|
|
CHAPTER I Mrs. Rachel Lynde Is Surprised
|
|
CHAPTER II Matthew Cuthbert Is Surprised
|
|
CHAPTER III Marilla Cuthbert Is Surprised
|
|
CHAPTER IV Morning at Green Gables
|
|
CHAPTER V Anne's History
|
|
CHAPTER VI Marilla Makes Up Her Mind
|
|
CHAPTER VII Anne Says Her Prayers
|
|
CHAPTER VIII Anne's Bringing-Up Is Begun
|
|
CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified
|
|
CHAPTER X Anne's Apology
|
|
CHAPTER XI Anne's Impressions of Sunday School
|
|
CHAPTER XII A Solemn Vow and Promise
|
|
CHAPTER XIII The Delights of Anticipation
|
|
CHAPTER XIV Anne's Confession
|
|
CHAPTER XV A Tempest in the School Teapot
|
|
CHAPTER XVI Diana Is Invited to Tea with Tragic Results
|
|
CHAPTER XVII A New Interest in Life
|
|
CHAPTER XVIII Anne to the Rescue
|
|
CHAPTER XIX A Concert a Catastrophe and a Confession
|
|
CHAPTER XX A Good Imagination Gone Wrong
|
|
CHAPTER XXI A New Departure in Flavorings
|
|
CHAPTER XXII Anne is Invited Out to Tea
|
|
CHAPTER XXIII Anne Comes to Grief in an Affair of Honor
|
|
CHAPTER XXIV Miss Stacy and Her Pupils Get Up a Concert
|
|
CHAPTER XXV Matthew Insists on Puffed Sleeves
|
|
CHAPTER XXVI The Story Club Is Formed
|
|
CHAPTER XXVII Vanity and Vexation of Spirit
|
|
CHAPTER XXVIII An Unfortunate Lily Maid
|
|
CHAPTER XXIX An Epoch in Anne's Life
|
|
CHAPTER XXX The Queens Class Is Organized
|
|
CHAPTER XXXI Where the Brook and River Meet
|
|
CHAPTER XXXII The Pass List Is Out
|
|
CHAPTER XXXIII The Hotel Concert
|
|
CHAPTER XXXIV A Queen's Girl
|
|
CHAPTER XXXV The Winter at Queen's
|
|
CHAPTER XXXVI The Glory and the Dream
|
|
CHAPTER XXXVII The Reaper Whose Name Is Death
|
|
CHAPTER XXXVIII The Bend in the road
|
|
|
|
|
|
|
|
Anne of Green Gables
|
|
|
|
|
|
CHAPTER I
|
|
|
|
Mrs. Rachel Lynde is Surprised
|
|
|
|
|
|
Mrs. Rachel Lynde lived just where the Avonlea main
|
|
road dipped down into a little hollow, fringed with alders
|
|
and ladies' eardrops and traversed by a brook that had its
|
|
source away back in the woods of the old Cuthbert place;
|
|
it was reputed to be an intricate, headlong brook in its
|
|
earlier course through those woods, with dark secrets of
|
|
pool and cascade; but by the time it reached Lynde's
|
|
Hollow it was a quiet, well-conducted little stream, for not
|
|
even a brook could run past Mrs. Rachel Lynde's door
|
|
without due regard for decency and decorum; it probably
|
|
was conscious that Mrs. Rachel was sitting at her window,
|
|
keeping a sharp eye on everything that passed, from brooks
|
|
and children up, and that if she noticed anything odd or
|
|
out of place she would never rest until she had ferreted
|
|
out the whys and wherefores thereof.
|
|
|
|
There are plenty of people in Avonlea and out of it,
|
|
who can attend closely to their neighbor's business by dint
|
|
of neglecting their own; but Mrs. Rachel Lynde was one of
|
|
those capable creatures who can manage their own concerns
|
|
and those of other folks into the bargain. She was a
|
|
notable housewife; her work was always done and well done;
|
|
she "ran" the Sewing Circle, helped run the Sunday-school,
|
|
and was the strongest prop of the Church Aid Society and
|
|
Foreign Missions Auxiliary. Yet with all this Mrs. Rachel
|
|
found abundant time to sit for hours at her kitchen window,
|
|
knitting "cotton warp" quilts--she had knitted sixteen of
|
|
them, as Avonlea housekeepers were wont to tell in awed
|
|
voices--and keeping a sharp eye on the main road that
|
|
crossed the hollow and wound up the steep red hill beyond.
|
|
Since Avonlea occupied a little triangular peninsula jutting
|
|
out into the Gulf of St. Lawrence with water on two sides of
|
|
it, anybody who went out of it or into it had to pass over
|
|
that hill road and so run the unseen gauntlet of Mrs. Rachel's
|
|
all-seeing eye.
|
|
|
|
She was sitting there one afternoon in early June. The
|
|
sun was coming in at the window warm and bright; the orchard
|
|
on the slope below the house was in a bridal flush of pinky-
|
|
white bloom, hummed over by a myriad of bees. Thomas Lynde--
|
|
a meek little man whom Avonlea people called "Rachel
|
|
Lynde's husband"--was sowing his late turnip seed on the
|
|
hill field beyond the barn; and Matthew Cuthbert ought to
|
|
have been sowing his on the big red brook field away over by
|
|
Green Gables. Mrs. Rachel knew that he ought because she
|
|
had heard him tell Peter Morrison the evening before in
|
|
William J. Blair's store over at Carmody that he meant to
|
|
sow his turnip seed the next afternoon. Peter had asked him, of
|
|
course, for Matthew Cuthbert had never been known to
|
|
volunteer information about anything in his whole life.
|
|
|
|
And yet here was Matthew Cuthbert, at half-past three
|
|
on the afternoon of a busy day, placidly driving over the
|
|
hollow and up the hill; moreover, he wore a white collar and
|
|
his best suit of clothes, which was plain proof that he was
|
|
going out of Avonlea; and he had the buggy and the sorrel mare,
|
|
which betokened that he was going a considerable distance.
|
|
Now, where was Matthew Cuthbert going and why was he going there?
|
|
|
|
Had it been any other man in Avonlea, Mrs. Rachel,
|
|
deftly putting this and that together, might have given a
|
|
pretty good guess as to both questions. But Matthew so
|
|
rarely went from home that it must be something pressing and
|
|
unusual which was taking him; he was the shyest man alive
|
|
and hated to have to go among strangers or to any place
|
|
where he might have to talk. Matthew, dressed up with a
|
|
white collar and driving in a buggy, was something that
|
|
didn't happen often. Mrs. Rachel, ponder as she might,
|
|
could make nothing of it and her afternoon's enjoyment was spoiled.
|
|
|
|
"I'll just step over to Green Gables after tea and find
|
|
out from Marilla where he's gone and why," the worthy woman
|
|
finally concluded. "He doesn't generally go to town this
|
|
time of year and he NEVER visits; if he'd run out of turnip
|
|
seed he wouldn't dress up and take the buggy to go for more;
|
|
he wasn't driving fast enough to be going for a doctor. Yet
|
|
something must have happened since last night to start him
|
|
off. I'm clean puzzled, that's what, and I won't know a
|
|
minute's peace of mind or conscience until I know what has
|
|
taken Matthew Cuthbert out of Avonlea today."
|
|
|
|
Accordingly after tea Mrs. Rachel set out; she had not
|
|
far to go; the big, rambling, orchard-embowered house where
|
|
the Cuthberts lived was a scant quarter of a mile up the
|
|
road from Lynde's Hollow. To be sure, the long lane made it
|
|
a good deal further. Matthew Cuthbert's father, as shy and
|
|
silent as his son after him, had got as far away as he
|
|
possibly could from his fellow men without actually
|
|
retreating into the woods when he founded his homestead.
|
|
Green Gables was built at the furthest edge of his cleared
|
|
land and there it was to this day, barely visible from the
|
|
main road along which all the other Avonlea houses were so
|
|
sociably situated. Mrs. Rachel Lynde did not call living in
|
|
such a place LIVING at all.
|
|
|
|
"It's just STAYING, that's what," she said as she
|
|
stepped along the deep-rutted, grassy lane bordered with
|
|
wild rose bushes. "It's no wonder Matthew and Marilla are
|
|
both a little odd, living away back here by themselves.
|
|
Trees aren't much company, though dear knows if they were
|
|
there'd be enough of them. I'd ruther look at people.
|
|
To be sure, they seem contented enough; but then, I suppose,
|
|
they're used to it. A body can get used to anything, even to
|
|
being hanged, as the Irishman said."
|
|
|
|
With this Mrs. Rachel stepped out of the lane into the
|
|
backyard of Green Gables. Very green and neat and precise
|
|
was that yard, set about on one side with great patriarchal
|
|
willows and the other with prim Lombardies. Not a stray
|
|
stick nor stone was to be seen, for Mrs. Rachel would have
|
|
seen it if there had been. Privately she was of the opinion
|
|
that Marilla Cuthbert swept that yard over as often as she
|
|
swept her house. One could have eaten a meal off the ground
|
|
without overbrimming the proverbial peck of dirt.
|
|
|
|
Mrs. Rachel rapped smartly at the kitchen door and
|
|
stepped in when bidden to do so. The kitchen at Green
|
|
Gables was a cheerful apartment--or would have been cheerful
|
|
if it had not been so painfully clean as to give it
|
|
something of the appearance of an unused parlor. Its
|
|
windows looked east and west; through the west one, looking
|
|
out on the back yard, came a flood of mellow June sunlight;
|
|
but the east one, whence you got a glimpse of the bloom
|
|
white cherry-trees in the left orchard and nodding, slender
|
|
birches down in the hollow by the brook, was greened over by
|
|
a tangle of vines. Here sat Marilla Cuthbert, when she sat
|
|
at all, always slightly distrustful of sunshine, which
|
|
seemed to her too dancing and irresponsible a thing for a
|
|
world which was meant to be taken seriously; and here she sat
|
|
now, knitting, and the table behind her was laid for supper.
|
|
|
|
Mrs. Rachel, before she had fairly closed the door, had
|
|
taken a mental note of everything that was on that table.
|
|
There were three plates laid, so that Marilla must be
|
|
expecting some one home with Matthew to tea; but the dishes
|
|
were everyday dishes and there was only crab-apple preserves
|
|
and one kind of cake, so that the expected company could not
|
|
be any particular company. Yet what of Matthew's white collar
|
|
and the sorrel mare? Mrs. Rachel was getting fairly dizzy with
|
|
this unusual mystery about quiet, unmysterious Green Gables.
|
|
|
|
"Good evening, Rachel," Marilla said briskly. "This is
|
|
a real fine evening, isn't it" Won't you sit down? How are
|
|
all your folks?"
|
|
|
|
Something that for lack of any other name might be
|
|
called friendship existed and always had existed between
|
|
Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps
|
|
because of--their dissimilarity.
|
|
|
|
Marilla was a tall, thin woman, with angles and without
|
|
curves; her dark hair showed some gray streaks and was
|
|
always twisted up in a hard little knot behind with two wire
|
|
hairpins stuck aggressively through it. She looked like a
|
|
woman of narrow experience and rigid conscience, which she
|
|
was; but there was a saving something about her mouth which,
|
|
if it had been ever so slightly developed, might have been
|
|
considered indicative of a sense of humor.
|
|
|
|
"We're all pretty well," said Mrs. Rachel. "I was kind
|
|
of afraid YOU weren't, though, when I saw Matthew starting
|
|
off today. I thought maybe he was going to the doctor's."
|
|
|
|
Marilla's lips twitched understandingly. She had
|
|
expected Mrs. Rachel up; she had known that the sight of
|
|
Matthew jaunting off so unaccountably would be too much for
|
|
her neighbor's curiosity.
|
|
|
|
"Oh, no, I'm quite well although I had a bad headache
|
|
yesterday," she said. "Matthew went to Bright River. We're
|
|
getting a little boy from an orphan asylum in Nova Scotia
|
|
and he's coming on the train tonight."
|
|
|
|
If Marilla had said that Matthew had gone to Bright River to
|
|
meet a kangaroo from Australia Mrs. Rachel could not have been
|
|
more astonished. She was actually stricken dumb for five
|
|
seconds. It was unsupposable that Marilla was making fun
|
|
of her, but Mrs. Rachel was almost forced to suppose it.
|
|
|
|
"Are you in earnest, Marilla?" she demanded when voice
|
|
returned to her.
|
|
|
|
"Yes, of course," said Marilla, as if getting boys from
|
|
orphan asylums in Nova Scotia were part of the usual spring
|
|
work on any well-regulated Avonlea farm instead of being an
|
|
unheard of innovation.
|
|
|
|
Mrs. Rachel felt that she had received a severe mental jolt.
|
|
She thought in exclamation points. A boy! Marilla and
|
|
Matthew Cuthbert of all people adopting a boy! From an
|
|
orphan asylum! Well, the world was certainly turning upside
|
|
down! She would be surprised at nothing after this! Nothing!
|
|
|
|
"What on earth put such a notion into your head?" she demanded
|
|
disapprovingly.
|
|
|
|
This had been done without here advice being asked, and
|
|
must perforce be disapproved.
|
|
|
|
"Well, we've been thinking about it for some time--all
|
|
winter in fact," returned Marilla. "Mrs. Alexander Spencer
|
|
was up here one day before Christmas and she said she was
|
|
going to get a little girl from the asylum over in Hopeton
|
|
in the spring. Her cousin lives there and Mrs. Spencer has
|
|
visited here and knows all about it. So Matthew and I have
|
|
talked it over off and on ever since. We thought we'd get a
|
|
boy. Matthew is getting up in years, you know--he's sixty--
|
|
and he isn't so spry as he once was. His heart troubles him
|
|
a good deal. And you know how desperate hard it's got to be
|
|
to get hired help. There's never anybody to be had but
|
|
those stupid, half-grown little French boys; and as soon as
|
|
you do get one broke into your ways and taught something
|
|
he's up and off to the lobster canneries or the States. At
|
|
first Matthew suggested getting a Home boy. But I said `no'
|
|
flat to that. `They may be all right--I'm not saying
|
|
they're not--but no London street Arabs for me,' I said.
|
|
`Give me a native born at least. There'll be a risk, no
|
|
matter who we get. But I'll feel easier in my mind and
|
|
sleep sounder at nights if we get a born Canadian.' So in
|
|
the end we decided to ask Mrs. Spencer to pick us out one
|
|
when she went over to get her little girl. We heard last
|
|
week she was going, so we sent her word by Richard Spencer's
|
|
folks at Carmody to bring us a smart, likely boy of about
|
|
ten or eleven. We decided that would be the best age--old
|
|
enough to be of some use in doing chores right off and young
|
|
enough to be trained up proper. We mean to give him a good
|
|
home and schooling. We had a telegram from Mrs. Alexander
|
|
Spencer today--the mail-man brought it from the station--
|
|
saying they were coming on the five-thirty train tonight.
|
|
So Matthew went to Bright River to meet him. Mrs. Spencer
|
|
will drop him off there. Of course she goes on to White
|
|
Sands station herself"
|
|
|
|
Mrs. Rachel prided herself on always speaking her mind;
|
|
she proceeded to speak it now, having adjusted her mental
|
|
attitude to this amazing piece of news.
|
|
|
|
"Well, Marilla, I'll just tell you plain that I think
|
|
you're doing a mighty foolish thing--a risky thing, that's
|
|
what. You don't know what you're getting. You're bringing
|
|
a strange child into your house and home and you don't know
|
|
a single thing about him nor what his disposition is like
|
|
nor what sort of parents he had nor how he's likely to turn
|
|
out. Why, it was only last week I read in the paper how a
|
|
man and his wife up west of the Island took a boy out of an
|
|
orphan asylum and he set fire to the house at night--set it
|
|
ON PURPOSE, Marilla--and nearly burnt them to a crisp in
|
|
their beds. And I know another case where an adopted boy
|
|
used to suck the eggs--they couldn't break him of it. If
|
|
you had asked my advice in the matter--which you didn't do,
|
|
Marilla--I'd have said for mercy's sake not to think of such
|
|
a thing, that's what."
|
|
|
|
This Job's comforting seemed neither to offend nor to alarm
|
|
Marilla. She knitted steadily on.
|
|
|
|
"I don't deny there's something in what you say, Rachel.
|
|
I've had some qualms myself. But Matthew was terrible set
|
|
on it. I could see that, so I gave in. It's so seldom
|
|
Matthew sets his mind on anything that when he does I always
|
|
feel it's my duty to give in. And as for the risk, there's
|
|
risks in pretty near everything a body does in this world.
|
|
There's risks in people's having children of their own if it
|
|
comes to that--they don't always turn out well. And then
|
|
Nova Scotia is right close to the Island. It isn't as if we
|
|
were getting him from England or the States. He can't be
|
|
much different from ourselves."
|
|
|
|
"Well, I hope it will turn out all right," said Mrs.
|
|
Rachel in a tone that plainly indicated her painful doubts.
|
|
"Only don't say I didn't warn you if he burns Green Gables
|
|
down or puts strychnine in the well--I heard of a case over
|
|
in New Brunswick where an orphan asylum child did that and
|
|
the whole family died in fearful agonies. Only, it was a
|
|
girl in that instance."
|
|
|
|
"Well, we're not getting a girl," said Marilla, as if
|
|
poisoning wells were a purely feminine accomplishment and
|
|
not to be dreaded in the case of a boy. "I'd never dream of
|
|
taking a girl to bring up. I wonder at Mrs. Alexander
|
|
Spencer for doing it. But there, SHE wouldn't shrink from
|
|
adopting a whole orphan asylum if she took it into her head."
|
|
|
|
Mrs. Rachel would have liked to stay until Matthew came home
|
|
with his imported orphan. But reflecting that it would be a
|
|
good two hours at least before his arrival she concluded to
|
|
go up the road to Robert Bell's and tell the news. It would
|
|
certainly make a sensation second to none, and Mrs. Rachel
|
|
dearly loved to make a sensation. So she took herself away,
|
|
somewhat to Marilla's relief, for the latter felt her doubts
|
|
and fears reviving under the influence of Mrs. Rachel's pessimism.
|
|
|
|
"Well, of all things that ever were or will be!"
|
|
ejaculated Mrs. Rachel when she was safely out in the lane.
|
|
"It does really seem as if I must be dreaming. Well, I'm
|
|
sorry for that poor young one and no mistake. Matthew and
|
|
Marilla don't know anything about children and they'll
|
|
expect him to be wiser and steadier that his own
|
|
grandfather, if so be's he ever had a grandfather, which is
|
|
doubtful. It seems uncanny to think of a child at Green
|
|
Gables somehow; there's never been one there, for Matthew
|
|
and Marilla were grown up when the new house was built--if
|
|
they ever WERE children, which is hard to believe when one
|
|
looks at them. I wouldn't be in that orphan's shoes for
|
|
anything. My, but I pity him, that's what."
|
|
|
|
So said Mrs. Rachel to the wild rose bushes out of the
|
|
fulness of her heart; but if she could have seen the child
|
|
who was waiting patiently at the Bright River station at
|
|
that very moment her pity would have been still deeper and
|
|
more profound.
|
|
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
Matthew Cuthbert is surprised
|
|
|
|
|
|
Matthew Cuthbert and the sorrel mare jogged comfortably
|
|
over the eight miles to Bright River. It was a pretty road,
|
|
running along between snug farmsteads, with now and again a
|
|
bit of balsamy fir wood to drive through or a hollow where
|
|
wild plums hung out their filmy bloom. The air was sweet
|
|
with the breath of many apple orchards and the meadows
|
|
sloped away in the distance to horizon mists of pearl and
|
|
purple; while
|
|
|
|
"The little birds sang as if it were
|
|
The one day of summer in all the year."
|
|
|
|
Matthew enjoyed the drive after his own fashion, except
|
|
during the moments when he met women and had to nod to them--
|
|
for in Prince Edward island you are supposed to nod to all
|
|
and sundry you meet on the road whether you know them or not.
|
|
|
|
Matthew dreaded all women except Marilla and Mrs.
|
|
Rachel; he had an uncomfortable feeling that the mysterious
|
|
creatures were secretly laughing at him. He may have been
|
|
quite right in thinking so, for he was an odd-looking
|
|
personage, with an ungainly figure and long iron-gray hair
|
|
that touched his stooping shoulders, and a full, soft brown
|
|
beard which he had worn ever since he was twenty. In fact,
|
|
he had looked at twenty very much as he looked at sixty,
|
|
lacking a little of the grayness.
|
|
|
|
When he reached Bright River there was no sign of any
|
|
train; he thought he was too early, so he tied his horse in
|
|
the yard of the small Bright River hotel and went over to
|
|
the station house. The long platform was almost deserted;
|
|
the only living creature in sight being a girl who was
|
|
sitting on a pile of shingles at the extreme end. Matthew,
|
|
barely noting that it WAS a girl, sidled past her as quickly
|
|
as possible without looking at her. Had he looked he could
|
|
hardly have failed to notice the tense rigidity and
|
|
expectation of her attitude and expression. She was sitting
|
|
there waiting for something or somebody and, since sitting
|
|
and waiting was the only thing to do just then, she sat and
|
|
waited with all her might and main.
|
|
|
|
Matthew encountered the stationmaster locking up the
|
|
ticket office preparatory to going home for supper, and
|
|
asked him if the five-thirty train would soon be along.
|
|
|
|
"The five-thirty train has been in and gone half an
|
|
hour ago," answered that brisk official. "But there was a
|
|
passenger dropped off for you--a little girl. She's sitting
|
|
out there on the shingles. I asked her to go into the
|
|
ladies' waiting room, but she informed me gravely that she
|
|
preferred to stay outside. `There was more scope for
|
|
imagination,' she said. She's a case, I should say."
|
|
|
|
"I'm not expecting a girl," said Matthew blankly. "It's a boy
|
|
I've come for. He should be here. Mrs. Alexander Spencer was
|
|
to bring him over from Nova Scotia for me."
|
|
|
|
The stationmaster whistled.
|
|
|
|
"Guess there's some mistake," he said. "Mrs. Spencer
|
|
came off the train with that girl and gave her into my
|
|
charge. Said you and your sister were adopting her from an
|
|
orphan asylum and that you would be along for her presently.
|
|
That's all I know about it--and I haven't got any more
|
|
orphans concealed hereabouts."
|
|
|
|
"I don't understand," said Matthew helplessly, wishing that
|
|
Marilla was at hand to cope with the situation.
|
|
|
|
"Well, you'd better question the girl," said the station-
|
|
master carelessly. "I dare say she'll be able to explain--
|
|
she's got a tongue of her own, that's certain. Maybe they
|
|
were out of boys of the brand you wanted."
|
|
|
|
He walked jauntily away, being hungry, and the unfortunate
|
|
Matthew was left to do that which was harder for him than
|
|
bearding a lion in its den--walk up to a girl--a strange
|
|
girl--an orphan girl--and demand of her why she wasn't a boy.
|
|
Matthew groaned in spirit as he turned about and shuffled
|
|
gently down the platform towards her.
|
|
|
|
She had been watching him ever since he had passed her and
|
|
she had her eyes on him now. Matthew was not looking at her
|
|
and would not have seen what she was really like if he had
|
|
been, but an ordinary observer would have seen this:
|
|
A child of about eleven, garbed in a very short, very tight,
|
|
very ugly dress of yellowish-gray wincey. She wore a faded
|
|
brown sailor hat and beneath the hat, extending down her
|
|
back, were two braids of very thick, decidedly red hair.
|
|
Her face was small, white and thin, also much freckled; her
|
|
mouth was large and so were her eyes, which looked green in
|
|
some lights and moods and gray in others.
|
|
|
|
So far, the ordinary observer; an extraordinary observer
|
|
might have seen that the chin was very pointed and
|
|
pronounced; that the big eyes were full of spirit and
|
|
vivacity; that the mouth was sweet-lipped and expressive;
|
|
that the forehead was broad and full; in short, our
|
|
discerning extraordinary observer might have concluded that
|
|
no commonplace soul inhabited the body of this stray woman-
|
|
child of whom shy Matthew Cuthbert was so ludicrously afraid.
|
|
|
|
Matthew, however, was spared the ordeal of speaking first,
|
|
for as soon as she concluded that he was coming to her she
|
|
stood up, grasping with one thin brown hand the handle of a
|
|
shabby, old-fashioned carpet-bag; the other she held out to him.
|
|
|
|
"I suppose you are Mr. Matthew Cuthbert of Green Gables?"
|
|
she said in a peculiarly clear, sweet voice. "I'm very
|
|
glad to see you. I was beginning to be afraid you
|
|
weren't coming for me and I was imagining all the things
|
|
that might have happened to prevent you. I had made up my
|
|
mind that if you didn't come for me to-night I'd go down the
|
|
track to that big wild cherry-tree at the bend, and climb up
|
|
into it to stay all night. I wouldn't be a bit afraid, and
|
|
it would be lovely to sleep in a wild cherry-tree all white
|
|
with bloom in the moonshine, don't you think? You could
|
|
imagine you were dwelling in marble halls, couldn't you?
|
|
And I was quite sure you would come for me in the morning,
|
|
if you didn't to-night."
|
|
|
|
Matthew had taken the scrawny little hand awkwardly in his;
|
|
then and there he decided what to do. He could not tell
|
|
this child with the glowing eyes that there had been a
|
|
mistake; he would take her home and let Marilla do that.
|
|
She couldn't be left at Bright River anyhow, no matter what
|
|
mistake had been made, so all questions and explanations might
|
|
as well be deferred until he was safely back at Green Gables.
|
|
|
|
"I'm sorry I was late," he said shyly. "Come along.
|
|
The horse is over in the yard. Give me your bag."
|
|
|
|
"Oh, I can carry it," the child responded cheerfully. "It
|
|
isn't heavy. I've got all my worldly goods in it, but it
|
|
isn't heavy. And if it isn't carried in just a certain way
|
|
the handle pulls out--so I'd better keep it because I know
|
|
the exact knack of it. It's an extremely old carpet-bag.
|
|
Oh, I'm very glad you've come, even if it would have been
|
|
nice to sleep in a wild cherry-tree. We've got to drive a
|
|
long piece, haven't we? Mrs. Spencer said it was eight
|
|
miles. I'm glad because I love driving. Oh, it seems so
|
|
wonderful that I'm going to live with you and belong to you.
|
|
I've never belonged to anybody--not really. But the asylum
|
|
was the worst. I've only been in it four months, but that
|
|
was enough. I don't suppose you ever were an orphan in an
|
|
asylum, so you can't possibly understand what it is like.
|
|
It's worse than anything you could imagine. Mrs. Spencer
|
|
said it was wicked of me to talk like that, but I didn't
|
|
mean to be wicked. It's so easy to be wicked without
|
|
knowing it, isn't it? They were good, you know--the asylum
|
|
people. But there is so little scope for the imagination in
|
|
an asylum--only just in the other orphans. It was pretty
|
|
interesting to imagine things about them--to imagine that
|
|
perhaps the girl who sat next to you was really the daughter
|
|
of a belted earl, who had been stolen away from her parents
|
|
in her infancy by a cruel nurse who died before she could
|
|
confess. I used to lie awake at nights and imagine things
|
|
like that, because I didn't have time in the day. I guess
|
|
that's why I'm so thin--I AM dreadful thin, ain't I? There
|
|
isn't a pick on my bones. I do love to imagine I'm nice and
|
|
plump, with dimples in my elbows."
|
|
|
|
With this Matthew's companion stopped talking, partly
|
|
because she was out of breath and partly because they had
|
|
reached the buggy. Not another word did she say until they
|
|
had left the village and were driving down a steep little
|
|
hill, the road part of which had been cut so deeply into the
|
|
soft soil, that the banks, fringed with blooming wild
|
|
cherry-trees and slim white birches, were several feet
|
|
above their heads.
|
|
|
|
The child put out her hand and broke off a branch of
|
|
wild plum that brushed against the side of the buggy.
|
|
|
|
"Isn't that beautiful? What did that tree, leaning out from
|
|
the bank, all white and lacy, make you think of?" she asked.
|
|
|
|
"Well now, I dunno," said Matthew.
|
|
|
|
"Why, a bride, of course--a bride all in white with a
|
|
lovely misty veil. I've never seen one, but I can imagine
|
|
what she would look like. I don't ever expect to be a bride
|
|
myself. I'm so homely nobody will ever want to marry me--
|
|
unless it might be a foreign missionary. I suppose a
|
|
foreign missionary mightn't be very particular. But I do
|
|
hope that some day I shall have a white dress. That is my
|
|
highest ideal of earthly bliss. I just love pretty clothes.
|
|
And I've never had a pretty dress in my life that I can
|
|
remember--but of course it's all the more to look forward
|
|
to, isn't it? And then I can imagine that I'm dressed
|
|
gorgeously. This morning when I left the asylum I felt so
|
|
ashamed because I had to wear this horrid old wincey dress.
|
|
All the orphans had to wear them, you know. A merchant in
|
|
Hopeton last winter donated three hundred yards of wincey to
|
|
the asylum. Some people said it was because he couldn't
|
|
sell it, but I'd rather believe that it was out of the
|
|
kindness of his heart, wouldn't you? When we got on the
|
|
train I felt as if everybody must be looking at me and
|
|
pitying me. But I just went to work and imagined that I had
|
|
on the most beautiful pale blue silk dress--because when you
|
|
ARE imagining you might as well imagine something worth
|
|
while--and a big hat all flowers and nodding plumes, and a
|
|
gold watch, and kid gloves and boots. I felt cheered up
|
|
right away and I enjoyed my trip to the Island with all my
|
|
might. I wasn't a bit sick coming over in the boat.
|
|
Neither was Mrs. Spencer although she generally is. She
|
|
said she hadn't time to get sick, watching to see that I
|
|
didn't fall overboard. She said she never saw the beat of
|
|
me for prowling about. But if it kept her from being
|
|
seasick it's a mercy I did prowl, isn't it? And I wanted to
|
|
see everything that was to be seen on that boat, because I
|
|
didn't know whether I'd ever have another opportunity. Oh,
|
|
there are a lot more cherry-trees all in bloom! This Island
|
|
is the bloomiest place. I just love it already, and I'm so
|
|
glad I'm going to live here. I've always heard that Prince
|
|
Edward Island was the prettiest place in the world, and I
|
|
used to imagine I was living here, but I never really
|
|
expected I would. It's delightful when your imaginations
|
|
come true, isn't it? But those red roads are so funny.
|
|
When we got into the train at Charlottetown and the red
|
|
roads began to flash past I asked Mrs. Spencer what made
|
|
them red and she said she didn't know and for pity's sake
|
|
not to ask her any more questions. She said I must have
|
|
asked her a thousand already. I suppose I had, too, but how
|
|
you going to find out about things if you don't ask
|
|
questions? And what DOES make the roads red?"
|
|
|
|
"Well now, I dunno," said Matthew.
|
|
|
|
"Well, that is one of the things to find out sometime.
|
|
Isn't it splendid to think of all the things there are to
|
|
find out about? It just makes me feel glad to be alive--
|
|
it's such an interesting world. It wouldn't be half so
|
|
interesting if we know all about everything, would it?
|
|
There'd be no scope for imagination then, would there? But
|
|
am I talking too much? People are always telling me I do.
|
|
Would you rather I didn't talk? If you say so I'll stop. I
|
|
can STOP when I make up my mind to it, although it's difficult."
|
|
|
|
Matthew, much to his own surprise, was enjoying himself.
|
|
Like most quiet folks he liked talkative people when they
|
|
were willing to do the talking themselves and did not expect
|
|
him to keep up his end of it. But he had never expected to
|
|
enjoy the society of a little girl. Women were bad enough
|
|
in all conscience, but little girls were worse. He detested
|
|
the way they had of sidling past him timidly, with sidewise
|
|
glances, as if they expected him to gobble them up at a
|
|
mouthful if they ventured to say a word. That was the
|
|
Avonlea type of well-bred little girl. But this freckled
|
|
witch was very different, and although he found it rather
|
|
difficult for his slower intelligence to keep up with her
|
|
brisk mental processes he thought that he "kind of liked her
|
|
chatter." So he said as shyly as usual:
|
|
|
|
"Oh, you can talk as much as you like. I don't mind."
|
|
|
|
"Oh, I'm so glad. I know you and I are going to get along
|
|
together fine. It's such a relief to talk when one wants to
|
|
and not be told that children should be seen and not heard.
|
|
I've had that said to me a million times if I have once.
|
|
And people laugh at me because I use big words. But if you
|
|
have big ideas you have to use big words to express them,
|
|
haven't you?"
|
|
|
|
"Well now, that seems reasonable," said Matthew.
|
|
|
|
"Mrs. Spencer said that my tongue must be hung in the
|
|
middle. But it isn't--it's firmly fastened at one end.
|
|
Mrs. Spencer said your place was named Green Gables. I
|
|
asked her all about it. And she said there were trees all
|
|
around it. I was gladder than ever. I just love trees.
|
|
And there weren't any at all about the asylum, only a few
|
|
poor weeny-teeny things out in front with little whitewashed
|
|
cagey things about them. They just looked like orphans
|
|
themselves, those trees did. It used to make me want to cry
|
|
to look at them. I used to say to them, `Oh, you POOR
|
|
little things! If you were out in a great big woods with
|
|
other trees all around you and little mosses and Junebells
|
|
growing over your roots and a brook not far away and birds
|
|
singing in you branches, you could grow, couldn't you? But
|
|
you can't where you are. I know just exactly how you feel,
|
|
little trees.' I felt sorry to leave them behind this morning.
|
|
You do get so attached to things like that, don't you?
|
|
Is there a brook anywhere near Green Gables? I forgot to ask
|
|
Mrs. Spencer that."
|
|
|
|
"Well now, yes, there's one right below the house."
|
|
|
|
"Fancy. It's always been one of my dreams to live near a
|
|
brook. I never expected I would, though. Dreams don't
|
|
often come true, do they? Wouldn't it be nice if they did?
|
|
But just now I feel pretty nearly perfectly happy. I can't
|
|
feel exactly perfectly happy because--well, what color would
|
|
you call this?"
|
|
|
|
She twitched one of her long glossy braids over her thin
|
|
shoulder and held it up before Matthew's eyes. Matthew was
|
|
not used to deciding on the tints of ladies' tresses, but in
|
|
this case there couldn't be much doubt.
|
|
|
|
"It's red, ain't it?" he said.
|
|
|
|
The girl let the braid drop back with a sigh that seemed to
|
|
come from her very toes and to exhale forth all the sorrows
|
|
of the ages.
|
|
|
|
"Yes, it's red," she said resignedly. "Now you see why I
|
|
can't be perfectly happy. Nobody could who has red hair. I
|
|
don't mind the other things so much--the freckles and the
|
|
green eyes and my skinniness. I can imagine them away. I
|
|
can imagine that I have a beautiful rose-leaf complexion and
|
|
lovely starry violet eyes. But I CANNOT imagine that red
|
|
hair away. I do my best. I think to myself, `Now my hair
|
|
is a glorious black, black as the raven's wing.' But all
|
|
the time I KNOW it is just plain red and it breaks my heart.
|
|
It will be my lifelong sorrow. I read of a girl once in a
|
|
novel who had a lifelong sorrow but it wasn't red hair.
|
|
Her hair was pure gold rippling back from her alabaster brow.
|
|
What is an alabaster brow? I never could find out.
|
|
Can you tell me?"
|
|
|
|
"Well now, I'm afraid I can't," said Matthew, who was
|
|
getting a little dizzy. He felt as he had once felt in his
|
|
rash youth when another boy had enticed him on the merry-go-
|
|
round at a picnic.
|
|
|
|
"Well, whatever it was it must have been something nice
|
|
because she was divinely beautiful. Have you ever imagined
|
|
what it must feel like to be divinely beautiful?"
|
|
|
|
"Well now, no, I haven't," confessed Matthew ingenuously.
|
|
|
|
"I have, often. Which would you rather be if you had the
|
|
choice--divinely beautiful or dazzlingly clever or
|
|
angelically good?"
|
|
|
|
"Well now, I--I don't know exactly."
|
|
|
|
"Neither do I. I can never decide. But it doesn't make
|
|
much real difference for it isn't likely I'll ever be
|
|
either. It's certain I'll never be angelically good.
|
|
Mrs. Spencer says--oh, Mr. Cuthbert! Oh, Mr. Cuthbert!!
|
|
Oh, Mr. Cuthbert!!!"
|
|
|
|
That was not what Mrs. Spencer had said; neither had
|
|
the child tumbled out of the buggy nor had Matthew done
|
|
anything astonishing. They had simply rounded a curve in
|
|
the road and found themselves in the "Avenue."
|
|
|
|
The "Avenue," so called by the Newbridge people, was a
|
|
stretch of road four or five hundred yards long, completely
|
|
arched over with huge, wide-spreading apple-trees, planted
|
|
years ago by an eccentric old farmer. Overhead was one long
|
|
canopy of snowy fragrant bloom. Below the boughs the air
|
|
was full of a purple twilight and far ahead a glimpse of
|
|
painted sunset sky shone like a great rose window at the end
|
|
of a cathedral aisle.
|
|
|
|
Its beauty seemed to strike the child dumb. She leaned back
|
|
in the buggy, her thin hands clasped before her, her face
|
|
lifted rapturously to the white splendor above. Even when
|
|
they had passed out and were driving down the long slope to
|
|
Newbridge she never moved or spoke. Still with rapt face
|
|
she gazed afar into the sunset west, with eyes that saw
|
|
visions trooping splendidly across that glowing background.
|
|
Through Newbridge, a bustling little village where dogs
|
|
barked at them and small boys hooted and curious faces
|
|
peered from the windows, they drove, still in silence. When
|
|
three more miles had dropped away behind them the child had
|
|
not spoken. She could keep silence, it was evident, as
|
|
energetically as she could talk.
|
|
|
|
"I guess you're feeling pretty tired and hungry,"
|
|
Matthew ventured to say at last, accounting for her long
|
|
visitation of dumbness with the only reason he could think
|
|
of. "But we haven't very far to go now--only another mile."
|
|
|
|
She came out of her reverie with a deep sigh and looked at him with
|
|
the dreamy gaze of a soul that had been wondering afar, star-led.
|
|
|
|
"Oh, Mr. Cuthbert," she whispered, "that place we came
|
|
through--that white place--what was it?"
|
|
|
|
"Well now, you must mean the Avenue," said Matthew after a few
|
|
moments' profound reflection. "It is a kind of pretty place."
|
|
|
|
"Pretty? Oh, PRETTY doesn't seem the right word to use.
|
|
Nor beautiful, either. They don't go far enough. Oh, it
|
|
was wonderful--wonderful. It's the first thing I ever saw
|
|
that couldn't be improved upon by imagination. It just
|
|
satisfies me here"--she put one hand on her breast--"it made
|
|
a queer funny ache and yet it was a pleasant ache. Did you
|
|
ever have an ache like that, Mr. Cuthbert?"
|
|
|
|
"Well now, I just can't recollect that I ever had."
|
|
|
|
"I have it lots of time--whenever I see anything royally
|
|
beautiful. But they shouldn't call that lovely place the
|
|
Avenue. There is no meaning in a name like that. They
|
|
should call it--let me see--the White Way of Delight. Isn't
|
|
that a nice imaginative name? When I don't like the name of
|
|
a place or a person I always imagine a new one and always
|
|
think of them so. There was a girl at the asylum whose name
|
|
was Hepzibah Jenkins, but I always imagined her as Rosalia
|
|
DeVere. Other people may call that place the Avenue, but I
|
|
shall always call it the White Way of Delight. Have we
|
|
really only another mile to go before we get home? I'm glad
|
|
and I'm sorry. I'm sorry because this drive has been so
|
|
pleasant and I'm always sorry when pleasant things end.
|
|
Something still pleasanter may come after, but you can never
|
|
be sure. And it's so often the case that it isn't
|
|
pleasanter. That has been my experience anyhow. But I'm
|
|
glad to think of getting home. You see, I've never had a
|
|
real home since I can remember. It gives me that pleasant
|
|
ache again just to think of coming to a really truly home.
|
|
Oh, isn't that pretty!"
|
|
|
|
They had driven over the crest of a hill. Below them was a
|
|
pond, looking almost like a river so long and winding was
|
|
it. A bridge spanned it midway and from there to its lower
|
|
end, where an amber-hued belt of sand-hills shut it in from
|
|
the dark blue gulf beyond, the water was a glory of many
|
|
shifting hues--the most spiritual shadings of crocus and
|
|
rose and ethereal green, with other elusive tintings for
|
|
which no name has ever been found. Above the bridge the
|
|
pond ran up into fringing groves of fir and maple and lay
|
|
all darkly translucent in their wavering shadows. Here and
|
|
there a wild plum leaned out from the bank like a white-clad
|
|
girl tip-toeing to her own reflection. From the marsh at
|
|
the head of the pond came the clear, mournfully-sweet chorus
|
|
of the frogs. There was a little gray house peering around
|
|
a white apple orchard on a slope beyond and, although it was
|
|
not yet quite dark, a light was shining from one of its windows.
|
|
|
|
"That's Barry's pond," said Matthew.
|
|
|
|
"Oh, I don't like that name, either. I shall call it--let
|
|
me see--the Lake of Shining Waters. Yes, that is the right
|
|
name for it. I know because of the thrill. When I hit on a
|
|
name that suits exactly it gives me a thrill. Do things
|
|
ever give you a thrill?"
|
|
|
|
Matthew ruminated.
|
|
|
|
"Well now, yes. It always kind of gives me a thrill to see
|
|
them ugly white grubs that spade up in the cucumber beds.
|
|
I hate the look of them."
|
|
|
|
"Oh, I don't think that can be exactly the same kind of a
|
|
thrill. Do you think it can? There doesn't seem to be much
|
|
connection between grubs and lakes of shining waters, does
|
|
there? But why do other people call it Barry's pond?"
|
|
|
|
"I reckon because Mr. Barry lives up there in that house.
|
|
Orchard Slope's the name of his place. If it wasn't for
|
|
that big bush behind it you could see Green Gables from
|
|
here. But we have to go over the bridge and round by the
|
|
road, so it's near half a mile further."
|
|
|
|
"Has Mr. Barry any little girls? Well, not so very little
|
|
either--about my size."
|
|
|
|
"He's got one about eleven. Her name is Diana."
|
|
|
|
"Oh!" with a long indrawing of breath. "What a perfectly
|
|
lovely name!"
|
|
|
|
"Well now, I dunno. There's something dreadful heathenish
|
|
about it, seems to me. I'd ruther Jane or Mary or some
|
|
sensible name like that. But when Diana was born there was
|
|
a schoolmaster boarding there and they gave him the naming
|
|
of her and he called her Diana."
|
|
|
|
"I wish there had been a schoolmaster like that around when
|
|
I was born, then. Oh, here we are at the bridge. I'm going
|
|
to shut my eyes tight. I'm always afraid going over
|
|
bridges. I can't help imagining that perhaps just as we
|
|
get to the middle, they'll crumple up like a jack-knife and
|
|
nip us. So I shut my eyes. But I always have to open them
|
|
for all when I think we're getting near the middle.
|
|
Because, you see, if the bridge DID crumple up I'd want to
|
|
SEE it crumple. What a jolly rumble it makes! I always
|
|
like the rumble part of it. Isn't it splendid there are so
|
|
many things to like in this world? There we're over. Now
|
|
I'll look back. Good night, dear Lake of Shining Waters. I
|
|
always say good night to the things I love, just as I would
|
|
to people I think they like it. That water looks as if it
|
|
was smiling at me."
|
|
|
|
When they had driven up the further hill and around a
|
|
corner Matthew said:
|
|
|
|
"We're pretty near home now. That's Green Gables over--"
|
|
|
|
"Oh, don't tell me," she interrupted breathlessly, catching
|
|
at his partially raised arm and shutting her eyes that she
|
|
might not see his gesture. "Let me guess. I'm sure I'll
|
|
guess right."
|
|
|
|
She opened her eyes and looked about her. They were on the
|
|
crest of a hill. The sun had set some time since, but the
|
|
landscape was still clear in the mellow afterlight. To the
|
|
west a dark church spire rose up against a marigold sky.
|
|
Below was a little valley and beyond a long, gently-rising
|
|
slope with snug farmsteads scattered along it. From one to
|
|
another the child's eyes darted, eager and wistful. At last
|
|
they lingered on one away to the left, far back from the
|
|
road, dimly white with blossoming trees in the twilight of
|
|
the surrounding woods. Over it, in the stainless southwest
|
|
sky, a great crystal-white star was shining like a lamp of
|
|
guidance and promise.
|
|
|
|
"That's it, isn't it?" she said, pointing.
|
|
|
|
Matthew slapped the reins on the sorrel's back delightedly.
|
|
|
|
"Well now, you've guessed it! But I reckon Mrs. Spencer
|
|
described it so's you could tell."
|
|
|
|
"No, she didn't--really she didn't. All she said might just
|
|
as well have been about most of those other places. I
|
|
hadn't any real idea what it looked like. But just as soon
|
|
as I saw it I felt it was home. Oh, it seems as if I must
|
|
be in a dream. Do you know, my arm must be black and blue
|
|
from the elbow up, for I've pinched myself so many times
|
|
today. Every little while a horrible sickening feeling
|
|
would come over me and I'd be so afraid it was all a dream.
|
|
Then I'd pinch myself to see if it was real--until suddenly
|
|
I remembered that even supposing it was only a dream I'd
|
|
better go on dreaming as long as I could; so I stopped
|
|
pinching. But it IS real and we're nearly home."
|
|
|
|
With a sigh of rapture she relapsed into silence. Matthew
|
|
stirred uneasily. He felt glad that it would be Marilla and
|
|
not he who would have to tell this waif of the world that
|
|
the home she longed for was not to be hers after all. They
|
|
drove over Lynde's Hollow, where it was already quite dark,
|
|
but not so dark that Mrs. Rachel could not see them from her
|
|
window vantage, and up the hill and into the long lane of
|
|
Green Gables. By the time they arrived at the house Matthew
|
|
was shrinking from the approaching revelation with an energy
|
|
he did not understand. It was not of Marilla or himself he
|
|
was thinking of the trouble this mistake was probably going
|
|
to make for them, but of the child's disappointment. When
|
|
he thought of that rapt light being quenched in her eyes he
|
|
had an uncomfortable feeling that he was going to assist at
|
|
murdering something--much the same feeling that came over
|
|
him when he had to kill a lamb or calf or any other innocent
|
|
little creature.
|
|
|
|
The yard was quite dark as they turned into it and the
|
|
poplar leaves were rustling silkily all round it.
|
|
|
|
"Listen to the trees talking in their sleep," she whispered, as
|
|
he lifted her to the ground. "What nice dreams they must have!"
|
|
|
|
Then, holding tightly to the carpet-bag which contained "all
|
|
her worldly goods," she followed him into the house.
|
|
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
Marilla Cuthbert is Surprised
|
|
|
|
|
|
Marilla came briskly forward as Matthew opened the door.
|
|
But when her eyes fell of the odd little figure in the
|
|
stiff, ugly dress, with the long braids of red hair and the
|
|
eager, luminous eyes, she stopped short in amazement.
|
|
|
|
"Matthew Cuthbert, who's that?" she ejaculated. "Where is
|
|
the boy?"
|
|
|
|
"There wasn't any boy," said Matthew wretchedly. "There was
|
|
only HER."
|
|
|
|
He nodded at the child, remembering that he had never even
|
|
asked her name.
|
|
|
|
"No boy! But there MUST have been a boy," insisted Marilla.
|
|
"We sent word to Mrs. Spencer to bring a boy."
|
|
|
|
"Well, she didn't. She brought HER. I asked the station-
|
|
master. And I had to bring her home. She couldn't be left
|
|
there, no matter where the mistake had come in."
|
|
|
|
"Well, this is a pretty piece of business!" ejaculated Marilla.
|
|
|
|
During this dialogue the child had remained silent, her eyes
|
|
roving from one to the other, all the animation fading out
|
|
of her face. Suddenly she seemed to grasp the full meaning
|
|
of what had been said. Dropping her precious carpet-bag she
|
|
sprang forward a step and clasped her hands.
|
|
|
|
"You don't want me!" she cried. "You don't want me because
|
|
I'm not a boy! I might have expected it. Nobody ever did
|
|
want me. I might have known it was all too beautiful to last.
|
|
I might have known nobody really did want me. Oh, what shall
|
|
I do? I'm going to burst into tears!"
|
|
|
|
Burst into tears she did. Sitting down on a chair by the
|
|
table, flinging her arms out upon it, and burying her face
|
|
in them, she proceeded to cry stormily. Marilla and Matthew
|
|
looked at each other deprecatingly across the stove.
|
|
Neither of them knew what to say or do. Finally Marilla
|
|
stepped lamely into the breach.
|
|
|
|
"Well, well, there's no need to cry so about it."
|
|
|
|
"Yes, there IS need!" The child raised her head quickly,
|
|
revealing a tear-stained face and trembling lips. "YOU
|
|
would cry, too, if you were an orphan and had come to a
|
|
place you thought was going to be home and found that they
|
|
didn't want you because you weren't a boy. Oh, this is the
|
|
most TRAGICAL thing that ever happened to me!"
|
|
|
|
Something like a reluctant smile, rather rusty from long
|
|
disuse, mellowed Marilla's grim expression.
|
|
|
|
"Well, don't cry any more. We're not going to turn you out-
|
|
of-doors to-night. You'll have to stay here until we
|
|
investigate this affair. What's your name?"
|
|
|
|
The child hesitated for a moment.
|
|
|
|
"Will you please call me Cordelia?" she said eagerly.
|
|
|
|
"CALL you Cordelia? Is that your name?"
|
|
|
|
"No-o-o, it's not exactly my name, but I would love to be
|
|
called Cordelia. It's such a perfectly elegant name."
|
|
|
|
"I don't know what on earth you mean. If Cordelia isn't
|
|
your name, what is?"
|
|
|
|
"Anne Shirley," reluctantly faltered forth the owner of that
|
|
name, "but, oh, please do call me Cordelia. It can't matter
|
|
much to you what you call me if I'm only going to be here a
|
|
little while, can it? And Anne is such an unromantic name."
|
|
|
|
"Unromantic fiddlesticks!" said the unsympathetic Marilla.
|
|
"Anne is a real good plain sensible name. You've no need to
|
|
be ashamed of it."
|
|
|
|
"Oh, I'm not ashamed of it," explained Anne, "only I like
|
|
Cordelia better. I've always imagined that my name was
|
|
Cordelia--at least, I always have of late years. When I was
|
|
young I used to imagine it was Geraldine, but I like
|
|
Cordelia better now. But if you call me Anne please call me
|
|
Anne spelled with an E."
|
|
|
|
"What difference does it make how it's spelled?" asked Marilla
|
|
with another rusty smile as she picked up the teapot.
|
|
|
|
"Oh, it makes SUCH a difference. It LOOKS so much nicer.
|
|
When you hear a name pronounced can't you always see it in
|
|
your mind, just as if it was printed out? I can; and A-n-n
|
|
looks dreadful, but A-n-n-e looks so much more distinguished.
|
|
If you'll only call me Anne spelled with an E I shall try to
|
|
reconcile myself to not being called Cordelia."
|
|
|
|
"Very well, then, Anne spelled with an E, can you tell us how
|
|
this mistake came to be made? We sent word to Mrs. Spencer
|
|
to bring us a boy. Were there no boys at the asylum?"
|
|
|
|
"Oh, yes, there was an abundance of them. But Mrs. Spencer
|
|
said DISTINCTLY that you wanted a girl about eleven years
|
|
old. And the matron said she thought I would do. You don't
|
|
know how delighted I was. I couldn't sleep all last night
|
|
for joy. Oh," she added reproachfully, turning to Matthew,
|
|
"why didn't you tell me at the station that you didn't want
|
|
me and leave me there? If I hadn't seen the White Way of
|
|
Delight and the Lake of Shining Waters it wouldn't be so hard."
|
|
|
|
"What on earth does she mean?" demanded Marilla, staring
|
|
at Matthew.
|
|
|
|
"She--she's just referring to some conversation we had on
|
|
the road," said Matthew hastily. "I'm going out to put the
|
|
mare in, Marilla. Have tea ready when I come back."
|
|
|
|
"Did Mrs. Spencer bring anybody over besides you?"
|
|
continued Marilla when Matthew had gone out.
|
|
|
|
"She brought Lily Jones for herself. Lily is only five years
|
|
old and she is very beautiful and had nut-brown hair. If I was
|
|
very beautiful and had nut-brown hair would you keep me?"
|
|
|
|
"No. We want a boy to help Matthew on the farm. A girl
|
|
would be of no use to us. Take off your hat. I'll lay it
|
|
and your bag on the hall table."
|
|
|
|
Anne took off her hat meekly. Matthew came back presently
|
|
and they sat down to supper. But Anne could not eat. In
|
|
vain she nibbled at the bread and butter and pecked at the
|
|
crab-apple preserve out of the little scalloped glass dish
|
|
by her plate. She did not really make any headway at all.
|
|
|
|
"You're not eating anything," said Marilla sharply, eying
|
|
her as if it were a serious shortcoming. Anne sighed.
|
|
|
|
"I can't. I'm in the depths of despair. Can you eat when
|
|
you are in the depths of despair?"
|
|
|
|
"I've never been in the depths of despair, so I can't say,"
|
|
responded Marilla.
|
|
|
|
"Weren't you? Well, did you ever try to IMAGINE you were in
|
|
the depths of despair?"
|
|
|
|
"No, I didn't."
|
|
|
|
"Then I don't think you can understand what it's like. It's
|
|
very uncomfortable feeling indeed. When you try to eat a lump
|
|
comes right up in your throat and you can't swallow anything,
|
|
not even if it was a chocolate caramel. I had one chocolate
|
|
caramel once two years ago and it was simply delicious. I've
|
|
often dreamed since then that I had a lot of chocolate caramels,
|
|
but I always wake up just when I'm going to eat them. I do hope
|
|
you won't be offended because I can't eat. Everything is
|
|
extremely nice, but still I cannot eat."
|
|
|
|
"I guess she's tired," said Matthew, who hadn't spoken since
|
|
his return from the barn. "Best put her to bed, Marilla."
|
|
|
|
Marilla had been wondering where Anne should be put to bed.
|
|
She had prepared a couch in the kitchen chamber for the
|
|
desired and expected boy. But, although it was neat and
|
|
clean, it did not seem quite the thing to put a girl there
|
|
somehow. But the spare room was out of the question for
|
|
such a stray waif, so there remained only the east gable
|
|
room. Marilla lighted a candle and told Anne to follow her,
|
|
which Anne spiritlessly did, taking her hat and carpet-bag
|
|
from the hall table as she passed. The hall was fearsomely
|
|
clean; the little gable chamber in which she presently found
|
|
herself seemed still cleaner.
|
|
|
|
Marilla set the candle on a three-legged, three-cornered
|
|
table and turned down the bedclothes.
|
|
|
|
"I suppose you have a nightgown?" she questioned.
|
|
|
|
Anne nodded.
|
|
|
|
"Yes, I have two. The matron of the asylum made them for
|
|
me. They're fearfully skimpy. There is never enough to go
|
|
around in an asylum, so things are always skimpy--at least
|
|
in a poor asylum like ours. I hate skimpy night-dresses.
|
|
But one can dream just as well in them as in lovely trailing
|
|
ones, with frills around the neck, that's one consolation."
|
|
|
|
"Well, undress as quick as you can and go to bed. I'll come
|
|
back in a few minutes for the candle. I daren't trust you
|
|
to put it out yourself. You'd likely set the place on fire."
|
|
|
|
When Marilla had gone Anne looked around her wistfully.
|
|
The whitewashed walls were so painfully bare and staring
|
|
that she thought they must ache over their own bareness.
|
|
The floor was bare, too, except for a round braided mat in
|
|
the middle such as Anne had never seen before. In one corner
|
|
was the bed, a high, old-fashioned one, with four dark, low-
|
|
turned posts. In the other corner was the aforesaid three-
|
|
corner table adorned with a fat, red velvet pin-cushion hard
|
|
enough to turn the point of the most adventurous pin. Above
|
|
it hung a little six-by-eight mirror. Midway between table
|
|
and bed was the window, with an icy white muslin frill over
|
|
it, and opposite it was the wash-stand. The whole apartment
|
|
was of a rigidity not to be described in words, but which
|
|
sent a shiver to the very marrow of Anne's bones. With a
|
|
sob she hastily discarded her garments, put on the skimpy
|
|
nightgown and sprang into bed where she burrowed face
|
|
downward into the pillow and pulled the clothes over her
|
|
head. When Marilla came up for the light various skimpy
|
|
articles of raiment scattered most untidily over the floor
|
|
and a certain tempestuous appearance of the bed were the
|
|
only indications of any presence save her own.
|
|
|
|
She deliberately picked up Anne's clothes, placed them
|
|
neatly on a prim yellow chair, and then, taking up the
|
|
candle, went over to the bed.
|
|
|
|
"Good night," she said, a little awkwardly, but not unkindly.
|
|
|
|
Anne's white face and big eyes appeared over the bedclothes
|
|
with a startling suddenness.
|
|
|
|
"How can you call it a GOOD night when you know it must be
|
|
the very worst night I've ever had?" she said reproachfully.
|
|
|
|
Then she dived down into invisibility again.
|
|
|
|
Marilla went slowly down to the kitchen and proceeded to
|
|
wash the supper dishes. Matthew was smoking--a sure sign of
|
|
perturbation of mind. He seldom smoked, for Marilla set her
|
|
face against it as a filthy habit; but at certain times and
|
|
seasons he felt driven to it and them Marilla winked at the
|
|
practice, realizing that a mere man must have some vent for
|
|
his emotions.
|
|
|
|
"Well, this is a pretty kettle of fish," she said
|
|
wrathfully. "This is what comes of sending word instead of
|
|
going ourselves. Richard Spencer's folks have twisted that
|
|
message somehow. One of us will have to drive over and see
|
|
Mrs. Spencer tomorrow, that's certain. This girl will have
|
|
to be sent back to the asylum."
|
|
|
|
"Yes, I suppose so," said Matthew reluctantly.
|
|
|
|
"You SUPPOSE so! Don't you know it?"
|
|
|
|
"Well now, she's a real nice little thing, Marilla. It's kind of
|
|
a pity to send her back when she's so set on staying here."
|
|
|
|
"Matthew Cuthbert, you don't mean to say you think we ought
|
|
to keep her!"
|
|
|
|
Marilla's astonishment could not have been greater if Matthew had
|
|
expressed a predilection for standing on his head.
|
|
|
|
"Well, now, no, I suppose not--not exactly," stammered Matthew,
|
|
uncomfortably driven into a corner for his precise meaning.
|
|
"I suppose--we could hardly be expected to keep her."
|
|
|
|
"I should say not. What good would she be to us?"
|
|
|
|
"We might be some good to her," said Matthew suddenly and
|
|
unexpectedly.
|
|
|
|
"Matthew Cuthbert, I believe that child has bewitched you!
|
|
I can see as plain as plain that you want to keep her."
|
|
|
|
"Well now, she's a real interesting little thing," persisted
|
|
Matthew. "You should have heard her talk coming from the
|
|
station."
|
|
|
|
"Oh, she can talk fast enough. I saw that at once. It's
|
|
nothing in her favour, either. I don't like children who
|
|
have so much to say. I don't want an orphan girl and if I
|
|
did she isn't the style I'd pick out. There's something I
|
|
don't understand about her. No, she's got to be despatched
|
|
straight-way back to where she came from."
|
|
|
|
"I could hire a French boy to help me," said Matthew, "and
|
|
she'd be company for you."
|
|
|
|
"I'm not suffering for company," said Marilla shortly. "And
|
|
I'm not going to keep her."
|
|
|
|
"Well now, it's just as you say, of course, Marilla," said
|
|
Matthew rising and putting his pipe away. "I'm going to bed."
|
|
|
|
To bed went Matthew. And to bed, when she had put her
|
|
dishes away, went Marilla, frowning most resolutely. And
|
|
up-stairs, in the east gable, a lonely, heart-hungry,
|
|
friendless child cried herself to sleep.
|
|
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
Morning at Green Gables
|
|
|
|
|
|
It was broad daylight when Anne awoke and sat up in bed,
|
|
staring confusedly at the window through which a flood of
|
|
cheery sunshine was pouring and outside of which something
|
|
white and feathery waved across glimpses of blue sky.
|
|
|
|
For a moment she could not remember where she was. First
|
|
came a delightful thrill, as something very pleasant; then a
|
|
horrible remembrance. This was Green Gables and they didn't
|
|
want her because she wasn't a boy!
|
|
|
|
But it was morning and, yes, it was a cherry-tree in full
|
|
bloom outside of her window. With a bound she was out of
|
|
bed and across the floor. She pushed up the sash--it went
|
|
up stiffly and creakily, as if it hadn't been opened for a
|
|
long time, which was the case; and it stuck so tight that
|
|
nothing was needed to hold it up.
|
|
|
|
Anne dropped on her knees and gazed out into the June
|
|
morning, her eyes glistening with delight. Oh, wasn't it
|
|
beautiful? Wasn't it a lovely place? Suppose she wasn't
|
|
really going to stay here! She would imagine she was.
|
|
There was scope for imagination here.
|
|
|
|
A huge cherry-tree grew outside, so close that its boughs
|
|
tapped against the house, and it was so thick-set with
|
|
blossoms that hardly a leaf was to be seen. On both sides
|
|
of the house was a big orchard, one of apple-trees and one
|
|
of cherry-trees, also showered over with blossoms; and their
|
|
grass was all sprinkled with dandelions. In the garden below
|
|
were lilac-trees purple with flowers, and their dizzily
|
|
sweet fragrance drifted up to the window on the morning
|
|
wind.
|
|
|
|
Below the garden a green field lush with clover sloped down
|
|
to the hollow where the brook ran and where scores of white
|
|
birches grew, upspringing airily out of an undergrowth
|
|
suggestive of delightful possibilities in ferns and mosses
|
|
and woodsy things generally. Beyond it was a hill, green
|
|
and feathery with spruce and fir; there was a gap in it
|
|
where the gray gable end of the little house she had seen
|
|
from the other side of the Lake of Shining Waters was visible.
|
|
|
|
Off to the left were the big barns and beyond them, away
|
|
down over green, low-sloping fields, was a sparkling blue
|
|
glimpse of sea.
|
|
|
|
Anne's beauty-loving eyes lingered on it all, taking everything
|
|
greedily in. She had looked on so many unlovely places in her life,
|
|
poor child; but this was as lovely as anything she had ever dreamed.
|
|
|
|
She knelt there, lost to everything but the loveliness
|
|
around her, until she was startled by a hand on her
|
|
shoulder. Marilla had come in unheard by the small dreamer.
|
|
|
|
"It's time you were dressed," she said curtly.
|
|
|
|
Marilla really did not know how to talk to the child, and
|
|
her uncomfortable ignorance made her crisp and curt when she
|
|
did not mean to be.
|
|
|
|
Anne stood up and drew a long breath.
|
|
|
|
"Oh, isn't it wonderful?" she said, waving her hand
|
|
comprehensively at the good world outside.
|
|
|
|
"It's a big tree," said Marilla, "and it blooms great, but
|
|
the fruit don't amount to much never--small and wormy."
|
|
|
|
"Oh, I don't mean just the tree; of course it's lovely--yes,
|
|
it's RADIANTLY lovely--it blooms as if it meant it--but I
|
|
meant everything, the garden and the orchard and the brook
|
|
and the woods, the whole big dear world. Don't you feel as
|
|
if you just loved the world on a morning like this? And I
|
|
can hear the brook laughing all the way up here. Have you
|
|
ever noticed what cheerful things brooks are? They're
|
|
always laughing. Even in winter-time I've heard them under
|
|
the ice. I'm so glad there's a brook near Green Gables.
|
|
Perhaps you think it doesn't make any difference to me when
|
|
you're not going to keep me, but it does. I shall always
|
|
like to remember that there is a brook at Green Gables even
|
|
if I never see it again. If there wasn't a brook I'd be
|
|
HAUNTED by the uncomfortable feeling that there ought to be
|
|
one. I'm not in the depths of despair this morning. I
|
|
never can be in the morning. Isn't it a splendid thing that
|
|
there are mornings? But I feel very sad. I've just been
|
|
imagining that it was really me you wanted after all and
|
|
that I was to stay here for ever and ever. It was a great
|
|
comfort while it lasted. But the worst of imagining things
|
|
is that the time comes when you have to stop and that hurts."
|
|
|
|
"You'd better get dressed and come down-stairs and never
|
|
mind your imaginings," said Marilla as soon as she could get
|
|
a word in edgewise. "Breakfast is waiting. Wash your face
|
|
and comb your hair. Leave the window up and turn your bedclothes
|
|
back over the foot of the bed. Be as smart as you can."
|
|
|
|
Anne could evidently be smart so some purpose for she was
|
|
down-stairs in ten minutes' time, with her clothes neatly
|
|
on, her hair brushed and braided, her face washed, and a
|
|
comfortable consciousness pervading her soul that she had
|
|
fulfilled all Marilla's requirements. As a matter of fact,
|
|
however, she had forgotten to turn back the bedclothes.
|
|
|
|
"I'm pretty hungry this morning," she announced as she
|
|
slipped into the chair Marilla placed for her. "The world
|
|
doesn't seem such a howling wilderness as it did last night.
|
|
I'm so glad it's a sunshiny morning. But I like rainy
|
|
mornings real well, too. All sorts of mornings are
|
|
interesting, don't you think? You don't know what's going
|
|
to happen through the day, and there's so much scope for
|
|
imagination. But I'm glad it's not rainy today because
|
|
it's easier to be cheerful and bear up under affliction on a
|
|
sunshiny day. I feel that I have a good deal to bear up
|
|
under. It's all very well to read about sorrows and imagine
|
|
yourself living through them heroically, but it's not so
|
|
nice when you really come to have them, is it?"
|
|
|
|
"For pity's sake hold your tongue," said Marilla. "You talk
|
|
entirely too much for a little girl."
|
|
|
|
Thereupon Anne held her tongue so obediently and thoroughly
|
|
that her continued silence made Marilla rather nervous, as
|
|
if in the presence of something not exactly natural.
|
|
Matthew also held his tongue,--but this was natural,--so
|
|
that the meal was a very silent one.
|
|
|
|
As it progressed Anne became more and more abstracted,
|
|
eating mechanically, with her big eyes fixed unswervingly
|
|
and unseeingly on the sky outside the window. This made
|
|
Marilla more nervous than ever; she had an uncomfortable
|
|
feeling that while this odd child's body might be there at
|
|
the table her spirit was far away in some remote airy
|
|
cloudland, borne aloft on the wings of imagination. Who
|
|
would want such a child about the place?
|
|
|
|
Yet Matthew wished to keep her, of all unaccountable things!
|
|
Marilla felt that he wanted it just as much this morning as
|
|
he had the night before, and that he would go on wanting it.
|
|
That was Matthew's way--take a whim into his head and cling
|
|
to it with the most amazing silent persistency--a
|
|
persistency ten times more potent and effectual in its very
|
|
silence than if he had talked it out.
|
|
|
|
When the meal was ended Anne came out of her reverie and
|
|
offered to wash the dishes.
|
|
|
|
"Can you wash dishes right?" asked Marilla distrustfully.
|
|
|
|
"Pretty well. I'm better at looking after children, though.
|
|
I've had so much experience at that. It's such a pity you
|
|
haven't any here for me to look after."
|
|
|
|
"I don't feel as if I wanted any more children to look after
|
|
than I've got at present. YOU'RE problem enough in all
|
|
conscience. What's to be done with you I don't know.
|
|
Matthew is a most ridiculous man."
|
|
|
|
"I think he's lovely," said Anne reproachfully. "He is so
|
|
very sympathetic. He didn't mind how much I talked--he
|
|
seemed to like it. I felt that he was a kindred spirit as
|
|
soon as ever I saw him."
|
|
|
|
"You're both queer enough, if that's what you mean by
|
|
kindred spirits," said Marilla with a sniff. "Yes, you may
|
|
wash the dishes. Take plenty of hot water, and be sure you
|
|
dry them well. I've got enough to attend to this morning
|
|
for I'll have to drive over to White Sands in the afternoon
|
|
and see Mrs. Spencer. You'll come with me and we'll settle
|
|
what's to be done with you. After you've finished the
|
|
dishes go up-stairs and make your bed."
|
|
|
|
Anne washed the dishes deftly enough, as Marilla who kept a
|
|
sharp eye on the process, discerned. Later on she made her
|
|
bed less successfully, for she had never learned the art of
|
|
wrestling with a feather tick. But is was done somehow and
|
|
smoothed down; and then Marilla, to get rid of her, told her
|
|
she might go out-of-doors and amuse herself until dinner time.
|
|
|
|
Anne flew to the door, face alight, eyes glowing. On the
|
|
very threshold she stopped short, wheeled about, came back
|
|
and sat down by the table, light and glow as effectually
|
|
blotted out as if some one had clapped an extinguisher on her.
|
|
|
|
"What's the matter now?" demanded Marilla.
|
|
|
|
"I don't dare go out," said Anne, in the tone of a martyr
|
|
relinquishing all earthly joys. "If I can't stay here there
|
|
is no use in my loving Green Gables. And if I go out there
|
|
and get acquainted with all those trees and flowers and the
|
|
orchard and the brook I'll not be able to help loving it.
|
|
It's hard enough now, so I won't make it any harder. I want
|
|
to go out so much--everything seems to be calling to me,
|
|
`Anne, Anne, come out to us. Anne, Anne, we want a
|
|
playmate'--but it's better not. There is no use in loving
|
|
things if you have to be torn from them, is there? And it's
|
|
so hard to keep from loving things, isn't it? That was why
|
|
I was so glad when I thought I was going to live here. I
|
|
thought I'd have so many things to love and nothing to
|
|
hinder me. But that brief dream is over. I am resigned to
|
|
my fate now, so I don't think I'll go out for fear I'll get
|
|
unresigned again. What is the name of that geranium on the
|
|
window-sill, please?"
|
|
|
|
"That's the apple-scented geranium."
|
|
|
|
"Oh, I don't mean that sort of a name. I mean just a name
|
|
you gave it yourself. Didn't you give it a name? May I
|
|
give it one then? May I call it--let me see--Bonny would
|
|
do--may I call it Bonny while I'm here? Oh, do let me!"
|
|
|
|
"Goodness, I don't care. But where on earth is the sense of
|
|
naming a geranium?"
|
|
|
|
"Oh, I like things to have handles even if they are only
|
|
geraniums. It makes them seem more like people. How do you
|
|
know but that it hurts a geranium's feelings just to be
|
|
called a geranium and nothing else? You wouldn't like to be
|
|
called nothing but a woman all the time. Yes, I shall call
|
|
it Bonny. I named that cherry-tree outside my bedroom
|
|
window this morning. I called it Snow Queen because it was
|
|
so white. Of course, it won't always be in blossom, but one
|
|
can imagine that it is, can't one?"
|
|
|
|
"I never in all my life say or heard anything to equal her,"
|
|
muttered Marilla, beating a retreat down to the cellar after
|
|
potatoes. "She is kind of interesting as Matthew says. I
|
|
can feel already that I'm wondering what on earth she'll say
|
|
next. She'll be casting a spell over me, too. She's cast
|
|
it over Matthew. That look he gave me when he went out said
|
|
everything he said or hinted last night over again. I wish
|
|
he was like other men and would talk things out. A body
|
|
could answer back then and argue him into reason. But
|
|
what's to be done with a man who just LOOKS?"
|
|
|
|
Anne had relapsed into reverie, with her chin in her hands
|
|
and her eyes on the sky, when Marilla returned from her
|
|
cellar pilgrimage. There Marilla left her until the early
|
|
dinner was on the table.
|
|
|
|
"I suppose I can have the mare and buggy this afternoon,
|
|
Matthew?" said Marilla.
|
|
|
|
Matthew nodded and looked wistfully at Anne. Marilla
|
|
intercepted the look and said grimly:
|
|
|
|
"I'm going to drive over to White Sands and settle this
|
|
thing. I'll take Anne with me and Mrs. Spencer will
|
|
probably make arrangements to send her back to Nova Scotia
|
|
at once. I'll set your tea out for you and I'll be home in
|
|
time to milk the cows."
|
|
|
|
Still Matthew said nothing and Marilla had a sense of having
|
|
wasted words and breath. There is nothing more aggravating
|
|
than a man who won't talk back--unless it is a woman who won't.
|
|
|
|
Matthew hitched the sorrel into the buggy in due time and
|
|
Marilla and Anne set off. Matthew opened the yard gate for
|
|
them and as they drove slowly through, he said, to nobody in
|
|
particular as it seemed:
|
|
|
|
"Little Jerry Buote from the Creek was here this morning,
|
|
and I told him I guessed I'd hire him for the summer."
|
|
|
|
Marilla made no reply, but she hit the unlucky sorrel such a
|
|
vicious clip with the whip that the fat mare, unused to such
|
|
treatment, whizzed indignantly down the lane at an alarming
|
|
pace. Marilla looked back once as the buggy bounced along
|
|
and saw that aggravating Matthew leaning over the gate,
|
|
looking wistfully after them.
|
|
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
Anne's History
|
|
|
|
|
|
"Do you know," said Anne confidentially, "I've made up
|
|
my mind to enjoy this drive. It's been my experience that
|
|
you can nearly always enjoy things if you make up your mind
|
|
firmly that you will. Of course, you must make it up
|
|
FIRMLY. I am not going to think about going back to the
|
|
asylum while we're having our drive. I'm just going to
|
|
think about the drive. Oh, look, there's one little early
|
|
wild rose out! Isn't it lovely? Don't you think it must be
|
|
glad to be a rose? Wouldn't it be nice if roses could talk?
|
|
I'm sure they could tell us such lovely things. And isn't
|
|
pink the most bewitching color in the world? I love it, but
|
|
I can't wear it. Redheaded people can't wear pink, not
|
|
even in imagination. Did you ever know of anybody whose
|
|
hair was red when she was young, but got to be another
|
|
color when she grew up?"
|
|
|
|
"No, I don't know as I ever did," said Marilla mercilessly,
|
|
"and I shouldn't think it likely to happen in your case either."
|
|
|
|
Anne sighed.
|
|
|
|
"Well, that is another hope gone. `My life is a perfect
|
|
graveyard of buried hopes.' That's a sentence I read in a
|
|
book once, and I say it over to comfort myself whenever
|
|
I'm disappointed in anything."
|
|
|
|
"I don't see where the comforting comes in myself,"
|
|
said Marilla.
|
|
|
|
"Why, because it sounds so nice and romantic, just as if
|
|
I were a heroine in a book, you know. I am so fond of
|
|
romantic things, and a graveyard full of buried hopes is
|
|
about as romantic a thing as one can imagine isn't it? I'm
|
|
rather glad I have one. Are we going across the Lake of
|
|
Shining Waters today?"
|
|
|
|
"We're not going over Barry's pond, if that's what you
|
|
mean by your Lake of Shining Waters. We're going by the
|
|
shore road."
|
|
|
|
"Shore road sounds nice," said Anne dreamily. "Is it as
|
|
nice as it sounds? Just when you said `shore road' I saw it
|
|
in a picture in my mind, as quick as that! And White
|
|
Sands is a pretty name, too; but I don't like it as well as
|
|
Avonlea. Avonlea is a lovely name. It just sounds like
|
|
music. How far is it to White Sands?"
|
|
|
|
"It's five miles; and as you're evidently bent on talking
|
|
you might as well talk to some purpose by telling me what
|
|
you know about yourself."
|
|
|
|
"Oh, what I KNOW about myself isn't really worth telling,"
|
|
said Anne eagerly. "If you'll only let me tell you
|
|
what I IMAGINE about myself you'll think it ever so much
|
|
more interesting."
|
|
|
|
"No, I don't want any of your imaginings. Just you stick
|
|
to bald facts. Begin at the beginning. Where were you
|
|
born and how old are you?"
|
|
|
|
"I was eleven last March," said Anne, resigning herself
|
|
to bald facts with a little sigh. "And I was born in
|
|
Bolingbroke, Nova Scotia. My father's name was Walter
|
|
Shirley, and he was a teacher in the Bolingbroke High
|
|
School. My mother's name was Bertha Shirley. Aren't
|
|
Walter and Bertha lovely names? I'm so glad my parents
|
|
had nice names. It would be a real disgrace to have a
|
|
father named--well, say Jedediah, wouldn't it?"
|
|
|
|
"I guess it doesn't matter what a person's name is as
|
|
long as he behaves himself," said Marilla, feeling herself
|
|
called upon to inculcate a good and useful moral.
|
|
|
|
"Well, I don't know." Anne looked thoughtful. "I read
|
|
in a book once that a rose by any other name would smell
|
|
as sweet, but I've never been able to believe it. I don't
|
|
believe a rose WOULD be as nice if it was called a thistle
|
|
or a skunk cabbage. I suppose my father could have been a
|
|
good man even if he had been called Jedediah; but I'm
|
|
sure it would have been a cross. Well, my mother was a
|
|
teacher in the High school, too, but when she married
|
|
father she gave up teaching, of course. A husband was
|
|
enough responsibility. Mrs. Thomas said that they were a
|
|
pair of babies and as poor as church mice. They went to
|
|
live in a weeny-teeny little yellow house in Bolingbroke.
|
|
I've never seen that house, but I've imagined it thousands
|
|
of times. I think it must have had honeysuckle over the
|
|
parlor window and lilacs in the front yard and lilies of the
|
|
valley just inside the gate. Yes, and muslin curtains in
|
|
all the windows. Muslin curtains give a house such an air.
|
|
I was born in that house. Mrs. Thomas said I was the
|
|
homeliest baby she ever saw, I was so scrawny and tiny
|
|
and nothing but eyes, but that mother thought I was
|
|
perfectly beautiful. I should think a mother would be a
|
|
better judge than a poor woman who came in to scrub,
|
|
wouldn't you? I'm glad she was satisfied with me anyhow,
|
|
I would feel so sad if I thought I was a disappointment to
|
|
her--because she didn't live very long after that, you see.
|
|
She died of fever when I was just three months old. I do
|
|
wish she'd lived long enough for me to remember calling
|
|
her mother. I think it would be so sweet to say `mother,'
|
|
don't you? And father died four days afterwards from
|
|
fever too. That left me an orphan and folks were at their
|
|
wits' end, so Mrs. Thomas said, what to do with me. You
|
|
see, nobody wanted me even then. It seems to be my fate.
|
|
Father and mother had both come from places far away
|
|
and it was well known they hadn't any relatives living.
|
|
Finally Mrs. Thomas said she'd take me, though she was
|
|
poor and had a drunken husband. She brought me up by
|
|
hand. Do you know if there is anything in being brought
|
|
up by hand that ought to make people who are brought up
|
|
that way better than other people? Because whenever I
|
|
was naughty Mrs. Thomas would ask me how I could be
|
|
such a bad girl when she had brought me up by hand--
|
|
reproachful-like.
|
|
|
|
"Mr. and Mrs. Thomas moved away from Bolingbroke
|
|
to Marysville, and I lived with them until I was eight
|
|
years old. I helped look after the Thomas children--there
|
|
were four of them younger than me--and I can tell you
|
|
they took a lot of looking after. Then Mr. Thomas was
|
|
killed falling under a train and his mother offered to take
|
|
Mrs. Thomas and the children, but she didn't want me.
|
|
Mrs. Thomas was at HER wits' end, so she said, what to do
|
|
with me. Then Mrs. Hammond from up the river came
|
|
down and said she'd take me, seeing I was handy with
|
|
children, and I went up the river to live with her in a
|
|
little clearing among the stumps. It was a very lonesome
|
|
place. I'm sure I could never have lived there if I hadn't
|
|
had an imagination. Mr. Hammond worked a little sawmill
|
|
up there, and Mrs. Hammond had eight children. She had
|
|
twins three times. I like babies in moderation, but twins
|
|
three times in succession is TOO MUCH. I told Mrs.
|
|
Hammond so firmly, when the last pair came. I used to get
|
|
so dreadfully tired carrying them about.
|
|
|
|
"I lived up river with Mrs. Hammond over two years,
|
|
and then Mr. Hammond died and Mrs. Hammond broke up
|
|
housekeeping. She divided her children among her relatives
|
|
and went to the States. I had to go to the asylum at
|
|
Hopeton, because nobody would take me. They didn't
|
|
want me at the asylum, either; they said they were over-
|
|
crowded as it was. But they had to take me and I was
|
|
there four months until Mrs. Spencer came."
|
|
|
|
Anne finished up with another sigh, of relief this time.
|
|
Evidently she did not like talking about her experiences in
|
|
a world that had not wanted her.
|
|
|
|
"Did you ever go to school?" demanded Marilla, turning
|
|
the sorrel mare down the shore road.
|
|
|
|
"Not a great deal. I went a little the last year I stayed
|
|
with Mrs. Thomas. When I went up river we were so far
|
|
from a school that I couldn't walk it in winter and there
|
|
was a vacation in summer, so I could only go in the spring
|
|
and fall. But of course I went while I was at the asylum.
|
|
I can read pretty well and I know ever so many pieces of
|
|
poetry off by heart--`The Battle of Hohenlinden' and
|
|
`Edinburgh after Flodden,' and `Bingen of the Rhine,' and
|
|
lost of the `Lady of the Lake' and most of `The Seasons' by
|
|
James Thompson. Don't you just love poetry that gives
|
|
you a crinkly feeling up and down your back? There is a
|
|
piece in the Fifth Reader--`The Downfall of Poland'--that
|
|
is just full of thrills. Of course, I wasn't in the Fifth
|
|
Reader--I was only in the Fourth--but the big girls used
|
|
to lend me theirs to read."
|
|
|
|
"Were those women--Mrs. Thomas and Mrs. Hammond--good to
|
|
you?" asked Marilla, looking at Anne out of the corner
|
|
of her eye.
|
|
|
|
"O-o-o-h," faltered Anne. Her sensitive little face
|
|
suddenly flushed scarlet and embarrassment sat on her brow.
|
|
"Oh, they MEANT to be--I know they meant to be just as
|
|
good and kind as possible. And when people mean to be
|
|
good to you, you don't mind very much when they're not
|
|
quite--always. They had a good deal to worry them, you
|
|
know. It's very trying to have a drunken husband, you see;
|
|
and it must be very trying to have twins three times in
|
|
succession, don't you think? But I feel sure they meant
|
|
to be good to me."
|
|
|
|
Marilla asked no more questions. Anne gave herself up
|
|
to a silent rapture over the shore road and Marilla guided
|
|
the sorrel abstractedly while she pondered deeply. Pity
|
|
was suddenly stirring in her heart for the child. What a
|
|
starved, unloved life she had had--a life of drudgery and
|
|
poverty and neglect; for Marilla was shrewd enough to
|
|
read between the lines of Anne's history and divine the
|
|
truth. No wonder she had been so delighted at the prospect
|
|
of a real home. It was a pity she had to be sent back.
|
|
What if she, Marilla, should indulge Matthew's unaccountable
|
|
whim and let her stay? He was set on it; and the child
|
|
seemed a nice, teachable little thing.
|
|
|
|
"She's got too much to say," thought Marilla, "but she
|
|
might be trained out of that. And there's nothing rude or
|
|
slangy in what she does say. She's ladylike. It's likely
|
|
her people were nice folks."
|
|
|
|
The shore road was "woodsy and wild and lonesome."
|
|
On the right hand, scrub firs, their spirits quite unbroken
|
|
by long years of tussle with the gulf winds, grew thickly.
|
|
On the left were the steep red sandstone cliffs, so near the
|
|
track in places that a mare of less steadiness than the
|
|
sorrel might have tried the nerves of the people behind
|
|
her. Down at the base of the cliffs were heaps of surf-worn
|
|
rocks or little sandy coves inlaid with pebbles as with
|
|
ocean jewels; beyond lay the sea, shimmering and blue,
|
|
and over it soared the gulls, their pinions flashing silvery
|
|
in the sunlight.
|
|
|
|
"Isn't the sea wonderful?" said Anne, rousing from a
|
|
long, wide-eyed silence. "Once, when I lived in Marysville,
|
|
Mr. Thomas hired an express wagon and took us all to
|
|
spend the day at the shore ten miles away. I enjoyed
|
|
every moment of that day, even if I had to look after the
|
|
children all the time. I lived it over in happy dreams for
|
|
years. But this shore is nicer than the Marysville shore.
|
|
Aren't those gulls splendid? Would you like to be a gull?
|
|
I think I would--that is, if I couldn't be a human girl.
|
|
Don't you think it would be nice to wake up at sunrise and
|
|
swoop down over the water and away out over that lovely
|
|
blue all day; and then at night to fly back to one's nest?
|
|
Oh, I can just imagine myself doing it. What big house is
|
|
that just ahead, please?"
|
|
|
|
"That's the White Sands Hotel. Mr. Kirke runs it, but
|
|
the season hasn't begun yet. There are heaps of Americans
|
|
come there for the summer. They think this shore is just
|
|
about right."
|
|
|
|
"I was afraid it might be Mrs. Spencer's place," said
|
|
Anne mournfully. "I don't want to get there. Somehow, it
|
|
will seem like the end of everything."
|
|
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
Marilla Makes Up Her Mind
|
|
|
|
|
|
Get there they did, however, in due season. Mrs. Spencer
|
|
lived in a big yellow house at White Sands Cove, and she
|
|
came to the door with surprise and welcome mingled on
|
|
her benevolent face.
|
|
|
|
"Dear, dear," she exclaimed, "you're the last folks I was
|
|
looking for today, but I'm real glad to see you. You'll put
|
|
your horse in? And how are you, Anne?"
|
|
|
|
"I'm as well as can be expected, thank you," said Anne
|
|
smilelessly. A blight seemed to have descended on her.
|
|
|
|
"I suppose we'll stay a little while to rest the mare,"
|
|
said Marilla, "but I promised Matthew I'd be home early.
|
|
The fact is, Mrs. Spencer, there's been a queer mistake
|
|
somewhere, and I've come over to see where it is. We
|
|
send word, Matthew and I, for you to bring us a boy from
|
|
the asylum. We told your brother Robert to tell you we
|
|
wanted a boy ten or eleven years old."
|
|
|
|
"Marilla Cuthbert, you don't say so!" said Mrs. Spencer
|
|
in distress. "Why, Robert sent word down by his
|
|
daughter Nancy and she said you wanted a girl--didn't
|
|
she Flora Jane?" appealing to her daughter who had come
|
|
out to the steps.
|
|
|
|
"She certainly did, Miss Cuthbert," corroborated Flora
|
|
Jane earnestly.
|
|
|
|
I'm dreadful sorry," said Mrs. Spencer. "It's too bad;
|
|
but it certainly wasn't my fault, you see, Miss Cuthbert.
|
|
I did the best I could and I thought I was following your
|
|
instructions. Nancy is a terrible flighty thing. I've
|
|
often had to scold her well for her heedlessness."
|
|
|
|
"It was our own fault," said Marilla resignedly. "We
|
|
should have come to you ourselves and not left an important
|
|
message to be passed along by word of mouth in that
|
|
fashion. Anyhow, the mistake has been made and the only
|
|
thing to do is to set it right. Can we send the child
|
|
back to the asylum? I suppose they'll take her back,
|
|
won't they?"
|
|
|
|
"I suppose so," said Mrs. Spencer thoughtfully, "but I
|
|
don't think it will be necessary to send her back. Mrs.
|
|
Peter Blewett was up here yesterday, and she was saying
|
|
to me how much she wished she'd sent by me for a little
|
|
girl to help her. Mrs. Peter has a large family, you know,
|
|
and she finds it hard to get help. Anne will be the very
|
|
girl for you. I call it positively providential."
|
|
|
|
Marilla did not look as if she thought Providence had
|
|
much to do with the matter. Here was an unexpectedly
|
|
good chance to get this unwelcome orphan off her hands,
|
|
and she did not even feel grateful for it.
|
|
|
|
She knew Mrs. Peter Blewett only by sight as a small,
|
|
shrewish-faced woman without an ounce of superfluous
|
|
flesh on her bones. But she had heard of her. "A terrible
|
|
worker and driver," Mrs. Peter was said to be; and discharged
|
|
servant girls told fearsome tales of her temper and stinginess,
|
|
and her family of pert, quarrelsome children. Marilla felt a
|
|
qualm of conscience at the thought of handing Anne over to her
|
|
tender mercies.
|
|
|
|
"Well, I'll go in and we'll talk the matter over," she said.
|
|
|
|
"And if there isn't Mrs. Peter coming up the lane this
|
|
blessed minute!" exclaimed Mrs. Spencer, bustling her
|
|
guests through the hall into the parlor, where a deadly
|
|
chill struck on them as if the air had been strained so long
|
|
through dark green, closely drawn blinds that it had lost
|
|
every particle of warmth it had ever possessed. "That is
|
|
real lucky, for we can settle the matter right away. Take
|
|
the armchair, Miss Cuthbert. Anne, you sit here on the
|
|
ottoman and don't wiggle. Let me take your hats. Flora
|
|
Jane, go out and put the kettle on. Good afternoon, Mrs.
|
|
Blewett. We were just saying how fortunate it was you
|
|
happened along. Let me introduce you two ladies. Mrs.
|
|
Blewett, Miss Cuthbert. Please excuse me for just a moment.
|
|
I forgot to tell Flora Jane to take the buns out of the oven."
|
|
|
|
Mrs. Spencer whisked away, after pulling up the blinds.
|
|
Anne sitting mutely on the ottoman, with her hands
|
|
clasped tightly in her lap, stared at Mrs Blewett as one
|
|
fascinated. Was she to be given into the keeping of this
|
|
sharp-faced, sharp-eyed woman? She felt a lump coming up in
|
|
her throat and her eyes smarted painfully. She was beginning
|
|
to be afraid she couldn't keep the tears back when Mrs. Spencer
|
|
returned, flushed and beaming, quite capable of taking any and
|
|
every difficulty, physical, mental or spiritual, into
|
|
consideration and settling it out of hand.
|
|
|
|
"It seems there's been a mistake about this little girl,
|
|
Mrs. Blewett," she said. "I was under the impression that
|
|
Mr. and Miss Cuthbert wanted a little girl to adopt. I was
|
|
certainly told so. But it seems it was a boy they wanted.
|
|
So if you're still of the same mind you were yesterday, I
|
|
think she'll be just the thing for you."
|
|
|
|
Mrs. Blewett darted her eyes over Anne from head to foot.
|
|
|
|
"How old are you and what's your name?" she demanded.
|
|
|
|
"Anne Shirley," faltered the shrinking child, not daring
|
|
to make any stipulations regarding the spelling thereof,
|
|
"and I'm eleven years old."
|
|
|
|
"Humph! You don't look as if there was much to you.
|
|
But you're wiry. I don't know but the wiry ones are the
|
|
best after all. Well, if I take you you'll have to be a
|
|
good girl, you know--good and smart and respectful. I'll
|
|
expect you to earn your keep, and no mistake about that.
|
|
Yes, I suppose I might as well take her off your hands, Miss
|
|
Cuthbert. The baby's awful fractious, and I'm clean worn out
|
|
attending to him. If you like I can take her right home now."
|
|
|
|
Marilla looked at Anne and softened at sight of the
|
|
child's pale face with its look of mute misery--the misery
|
|
of a helpless little creature who finds itself once more
|
|
caught in the trap from which it had escaped. Marilla felt
|
|
an uncomfortable conviction that, if she denied the appeal
|
|
of that look, it would haunt her to her dying day. More-
|
|
over, she did not fancy Mrs. Blewett. To hand a sensitive,
|
|
"highstrung" child over to such a woman! No, she could
|
|
not take the responsibility of doing that!
|
|
|
|
"Well, I don't know," she said slowly. "I didn't say that
|
|
Matthew and I had absolutely decided that we wouldn't
|
|
keep her. In fact I may say that Matthew is disposed to
|
|
keep her. I just came over to find out how the mistake had
|
|
occurred. I think I'd better take her home again and talk
|
|
it over with Matthew. I feel that I oughtn't to decide on
|
|
anything without consulting him. If we make up our mind
|
|
not to keep her we'll bring or send her over to you
|
|
tomorrow night. If we don't you may know that she is
|
|
going to stay with us. Will that suit you, Mrs. Blewett?"
|
|
|
|
"I suppose it'll have to," said Mrs. Blewett ungraciously.
|
|
|
|
During Marilla's speech a sunrise had been dawning on
|
|
Anne's face. First the look of despair faded out; then came
|
|
a faint flush of hope; here eyes grew deep and bright as
|
|
morning stars. The child was quite transfigured; and, a
|
|
moment later, when Mrs. Spencer and Mrs. Blewett went
|
|
out in quest of a recipe the latter had come to borrow she
|
|
sprang up and flew across the room to Marilla.
|
|
|
|
"Oh, Miss Cuthbert, did you really say that perhaps you would
|
|
let me stay at Green Gables?" she said, in a breathless whisper,
|
|
as if speaking aloud might shatter the glorious possibility.
|
|
"Did you really say it? Or did I only imagine that you did?"
|
|
|
|
"I think you'd better learn to control that imagination of
|
|
yours, Anne, if you can't distinguish between what is real
|
|
and what isn't," said Marilla crossly. "Yes, you did hear
|
|
me say just that and no more. It isn't decided yet and
|
|
perhaps we will conclude to let Mrs. Blewett take you after
|
|
all. She certainly needs you much more than I do."
|
|
|
|
"I'd rather go back to the asylum than go to live with her," said
|
|
Anne passionately. "She looks exactly like a--like a gimlet."
|
|
|
|
Marilla smothered a smile under the conviction that Anne
|
|
must be reproved for such a speech.
|
|
|
|
"A little girl like you should be ashamed of talking so
|
|
about a lady and a stranger," she said severely. "Go back
|
|
and sit down quietly and hold your tongue and behave as a
|
|
good girl should."
|
|
|
|
"I'll try to do and be anything you want me, if you'll
|
|
only keep me," said Anne, returning meekly to her ottoman.
|
|
|
|
When they arrived back at Green Gables that evening
|
|
Matthew met them in the lane. Marilla from afar had noted
|
|
him prowling along it and guessed his motive. She was
|
|
prepared for the relief she read in his face when he saw
|
|
that she had at least brought back Anne back with her. But
|
|
she said nothing, to him, relative to the affair, until they
|
|
were both out in the yard behind the barn milking the
|
|
cows. Then she briefly told him Anne's history and the
|
|
result of the interview with Mrs. Spencer.
|
|
|
|
"I wouldn't give a dog I liked to that Blewett woman,"
|
|
said Matthew with unusual vim."
|
|
|
|
"I don't fancy her style myself," admitted Marilla, "but
|
|
it's that or keeping her ourselves, Matthew. And since
|
|
you seem to want her, I suppose I'm willing--or have to
|
|
be. I've been thinking over the idea until I've got kind of
|
|
used to it. It seems a sort of duty. I've never brought up
|
|
a child, especially a girl, and I dare say I'll make a
|
|
terrible mess of it. But I'll do my best. So far as I'm
|
|
concerned, Matthew, she may stay."
|
|
|
|
Matthew's shy face was a glow of delight.
|
|
|
|
"Well now, I reckoned you'd come to see it in that light,
|
|
Marilla," he said. "She's such an interesting little thing."
|
|
|
|
"It'd be more to the point if you could say she was a
|
|
useful little thing," retorted Marilla, "but I'll make it
|
|
my business to see she's trained to be that. And mind,
|
|
Matthew, you're not to go interfering with my methods.
|
|
Perhaps an old maid doesn't know much about bringing up
|
|
a child, but I guess she knows more than an old bachelor.
|
|
So you just leave me to manage her. When I fail it'll be
|
|
time enough to put your oar in."
|
|
|
|
"There, there, Marilla, you can have your own way," said
|
|
Matthew reassuringly. "Only be as good and kind to her
|
|
as you can without spoiling her. I kind of think she's
|
|
one of the sort you can do anything with if you only get
|
|
her to love you."
|
|
|
|
Marilla sniffed, to express her contempt for Matthew's
|
|
opinions concerning anything feminine, and walked off to
|
|
the dairy with the pails.
|
|
|
|
"I won't tell her tonight that she can stay," she reflected,
|
|
as she strained the milk into the creamers. "She'd be so
|
|
excited that she wouldn't sleep a wink. Marilla Cuthbert,
|
|
you're fairly in for it. Did you ever suppose you'd see
|
|
the day when you'd be adopting an orphan girl? It's
|
|
surprising enough; but not so surprising as that Matthew
|
|
should be at the bottom of it, him that always seemed
|
|
to have such a mortal dread of little girls. Anyhow,
|
|
we've decided on the experiment and goodness only knows
|
|
what will come of it."
|
|
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
Anne Says Her Prayers
|
|
|
|
|
|
When Marilla took Anne up to bed that night she said stiffly:
|
|
|
|
"Now, Anne, I noticed last night that you threw your
|
|
clothes all about the floor when you took them off. That
|
|
is a very untidy habit, and I can't allow it at all. As
|
|
soon as you take off any article of clothing fold it neatly
|
|
and place it on the chair. I haven't any use at all for
|
|
little girls who aren't neat."
|
|
|
|
"I was so harrowed up in my mind last night that I didn't
|
|
think about my clothes at all," said Anne. "I'll fold
|
|
them nicely tonight. They always made us do that at the
|
|
asylum. Half the time, though, I'd forget, I'd be in such a
|
|
hurry to get into bed nice and quiet and imagine things."
|
|
|
|
"You'll have to remember a little better if you stay here,"
|
|
admonished Marilla. "There, that looks something like.
|
|
Say your prayers now and get into bed."
|
|
|
|
"I never say any prayers," announced Anne.
|
|
|
|
Marilla looked horrified astonishment.
|
|
|
|
"Why, Anne, what do you mean? Were you never taught to
|
|
say your prayers? God always wants little girls to say
|
|
their prayers. Don't you know who God is, Anne?"
|
|
|
|
"`God is a spirit, infinite, eternal and unchangeable, in
|
|
His being, wisdom, power, holiness, justice, goodness,
|
|
and truth,'" responded Anne promptly and glibly.
|
|
|
|
Marilla looked rather relieved.
|
|
|
|
"So you do know something then, thank goodness! You're
|
|
not quite a heathen. Where did you learn that?"
|
|
|
|
"Oh, at the asylum Sunday-school. They made us learn
|
|
the whole catechism. I liked it pretty well. There's
|
|
something splendid about some of the words. `Infinite,
|
|
eternal and unchangeable.' Isn't that grand? It has such a
|
|
roll to it--just like a big organ playing. You couldn't
|
|
quite call it poetry, I suppose, but it sounds a lot like
|
|
it, doesn't it?"
|
|
|
|
"We're not talking about poetry, Anne--we are talking
|
|
about saying your prayers. Don't you know it's a terrible
|
|
wicked thing not to say your prayers every night? I'm
|
|
afraid you are a very bad little girl."
|
|
|
|
"You'd find it easier to be bad than good if you had red
|
|
hair," said Anne reproachfully. "People who haven't red
|
|
hair don't know what trouble is. Mrs. Thomas told me that
|
|
God made my hair red ON PURPOSE, and I've never cared about
|
|
Him since. And anyhow I'd always be too tired at night
|
|
to bother saying prayers. People who have to look after
|
|
twins can't be expected to say their prayers. Now, do
|
|
you honestly think they can?"
|
|
|
|
Marilla decided that Anne's religious training must be
|
|
begun at once. Plainly there was no time to be lost.
|
|
|
|
"You must say your prayers while you are under my roof, Anne."
|
|
|
|
"Why, of course, if you want me to," assented Anne cheerfully.
|
|
"I'd do anything to oblige you. But you'll have to tell me what
|
|
to say for this once. After I get into bed I'll imagine out a
|
|
real nice prayer to say always. I believe that it will be quite
|
|
interesting, now that I come to think of it."
|
|
|
|
"You must kneel down," said Marilla in embarrassment.
|
|
|
|
Anne knelt at Marilla's knee and looked up gravely.
|
|
|
|
"Why must people kneel down to pray?" If I really wanted
|
|
to pray I'll tell you what I'd do. I'd go out into a great
|
|
big field all alone or into the deep, deep, woods, and I'd
|
|
look up into the sky--up--up--up--into that lovely blue sky
|
|
that looks as if there was no end to its blueness. And then
|
|
I'd just FEEL a prayer. Well, I'm ready. What am I to say?"
|
|
|
|
Marilla felt more embarrassed than ever. She had intended
|
|
to teach Anne the childish classic, "Now I lay me down to
|
|
sleep." But she had, as I have told you, the glimmerings
|
|
of a sense of humor--which is simply another name for a
|
|
sense of fitness of things; and it suddenly occurred to her
|
|
that that simple little prayer, sacred to white-robed
|
|
childhood lisping at motherly knees, was entirely unsuited
|
|
to this freckled witch of a girl who knew and cared nothing
|
|
bout God's love, since she had never had it translated to
|
|
her through the medium of human love.
|
|
|
|
"You're old enough to pray for yourself, Anne," she said
|
|
finally. "Just thank God for your blessings and ask Him
|
|
humbly for the things you want."
|
|
|
|
"Well, I'll do my best," promised Anne, burying her face
|
|
in Marilla's lap. "Gracious heavenly Father--that's the
|
|
way the ministers say it in church, so I suppose it's all
|
|
right in private prayer, isn't it?" she interjected, lifting
|
|
her head for a moment.
|
|
|
|
"Gracious heavenly Father, I thank Thee for the White
|
|
Way of Delight and the Lake of Shining Waters and Bonny
|
|
and the Snow Queen. I'm really extremely grateful for
|
|
them. And that's all the blessings I can think of just
|
|
now to thank Thee for. As for the things I want,
|
|
they're so numerous that it would take a great deal of
|
|
time to name them all so I will only mention the two
|
|
most important. Please let me stay at Green Gables;
|
|
and please let me be good-looking when I grow up.
|
|
I remain,
|
|
"Yours respectfully,
|
|
Anne Shirley.
|
|
|
|
"There, did I do all right?" she asked eagerly, getting up.
|
|
"I could have made it much more flowery if I'd had a little
|
|
more time to think it over."
|
|
|
|
Poor Marilla was only preserved from complete collapse by
|
|
remembering that it was not irreverence, but simply
|
|
spiritual ignorance on the part of Anne that was responsible
|
|
for this extraordinary petition. She tucked the child up in
|
|
bed, mentally vowing that she should be taught a prayer the
|
|
very next day, and was leaving the room with the light when
|
|
Anne called her back.
|
|
|
|
"I've just thought of it now. I should have said, `Amen' in
|
|
place of `yours respectfully,' shouldn't I?--the way the
|
|
ministers do. I'd forgotten it, but I felt a prayer should
|
|
be finished off in some way, so I put in the other. Do
|
|
you suppose it will make any difference?"
|
|
|
|
"I--I don't suppose it will," said Marilla. "Go to sleep
|
|
now like a good child. Good night."
|
|
|
|
"I can only say good night tonight with a clear conscience,"
|
|
said Anne, cuddling luxuriously down among her pillows.
|
|
|
|
Marilla retreated to the kitchen, set the candle firmly
|
|
on the table, and glared at Matthew.
|
|
|
|
"Matthew Cuthbert, it's about time somebody adopted that
|
|
child and taught her something. She's next door to a
|
|
perfect heathen. Will you believe that she never said a
|
|
prayer in her life till tonight? I'll send her to the manse
|
|
tomorrow and borrow the Peep of the Day series, that's what
|
|
I'll do. And she shall go to Sunday-school just as soon as
|
|
I can get some suitable clothes made for her. I foresee
|
|
that I shall have my hands full. Well, well, we can't get
|
|
through this world without our share of trouble. I've had
|
|
a pretty easy life of it so far, but my time has come at
|
|
last and I suppose I'll just have to make the best of it."
|
|
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
Anne's Bringing-up Is Begun
|
|
|
|
|
|
For reasons best known to herself, Marilla did not tell
|
|
Anne that she was to stay at Green Gables until the next
|
|
afternoon. During the forenoon she kept the child busy
|
|
with various tasks and watched over her with a keen eye
|
|
while she did them. By noon she had concluded that Anne
|
|
was smart and obedient, willing to work and quick to learn;
|
|
her most serious shortcoming seemed to be a tendency to fall
|
|
into daydreams in the middle of a task and forget all about
|
|
it until such time as she was sharply recalled to earth by a
|
|
reprimand or a catastrophe.
|
|
|
|
When Anne had finished washing the dinner dishes she
|
|
suddenly confronted Marilla with the air and expression of
|
|
one desperately determined to learn the worst. Her thin
|
|
little body trembled from head to foot; her face flushed and
|
|
her eyes dilated until they were almost black; she clasped
|
|
her hands tightly and said in an imploring voice:
|
|
|
|
"Oh, please, Miss Cuthbert, won't you tell me if you are going to
|
|
send me away or not?" I've tried to be patient all the morning,
|
|
but I really feel that I cannot bear not knowing any longer.
|
|
It's a dreadful feeling. Please tell me."
|
|
|
|
"You haven't scalded the dishcloth in clean hot water as I
|
|
told you to do," said Marilla immovably. "Just go and do
|
|
it before you ask any more questions, Anne."
|
|
|
|
Anne went and attended to the dishcloth. Then she returned
|
|
to Marilla and fastened imploring eyes of the latter's face.
|
|
"Well," said Marilla, unable to find any excuse for deferring
|
|
her explanation longer, "I suppose I might as well tell you.
|
|
Matthew and I have decided to keep you--that is, if you will
|
|
try to be a good little girl and show yourself grateful.
|
|
Why, child, whatever is the matter?"
|
|
|
|
"I'm crying," said Anne in a tone of bewilderment. "I can't
|
|
think why. I'm glad as glad can be. Oh, GLAD doesn't seem
|
|
the right word at all. I was glad about the White Way and
|
|
the cherry blossoms--but this! Oh, it's something more than
|
|
glad. I'm so happy. I'll try to be so good. It will be
|
|
uphill work, I expect, for Mrs. Thomas often told me I was
|
|
desperately wicked. However, I'll do my very best. But can
|
|
you tell me why I'm crying?"
|
|
|
|
"I suppose it's because you're all excited and worked up,"
|
|
said Marilla disapprovingly. "Sit down on that chair and
|
|
try to calm yourself. I'm afraid you both cry and laugh
|
|
far too easily. Yes, you can stay here and we will try to
|
|
do right by you. You must go to school; but it's only a
|
|
fortnight till vacation so it isn't worth while for you to
|
|
start before it opens again in September."
|
|
|
|
"What am I to call you?" asked Anne. "Shall I always say
|
|
Miss Cuthbert? Can I call you Aunt Marilla?"
|
|
|
|
"No; you'll call me just plain Marilla. I'm not used to
|
|
being called Miss Cuthbert and it would make me nervous."
|
|
|
|
"It sounds awfully disrespectful to just say Marilla,"
|
|
protested Anne.
|
|
|
|
"I guess there'll be nothing disrespectful in it if you're
|
|
careful to speak respectfully. Everybody, young and old,
|
|
in Avonlea calls me Marilla except the minister. He says
|
|
Miss Cuthbert--when he thinks of it."
|
|
|
|
"I'd love to call you Aunt Marilla," said Anne wistfully.
|
|
"I've never had an aunt or any relation at all--not even a
|
|
grandmother. It would make me feel as if I really belonged
|
|
to you. Can't I call you Aunt Marilla?"
|
|
|
|
"No. I'm not your aunt and I don't believe in calling
|
|
people names that don't belong to them."
|
|
|
|
"But we could imagine you were my aunt."
|
|
|
|
"I couldn't," said Marilla grimly.
|
|
|
|
"Do you never imagine things different from what they
|
|
really are?" asked Anne wide-eyed.
|
|
|
|
"No."
|
|
|
|
"Oh!" Anne drew a long breath. "Oh, Miss--Marilla,
|
|
how much you miss!"
|
|
|
|
"I don't believe in imagining things different from what
|
|
they really are," retorted Marilla. "When the Lord puts us
|
|
in certain circumstances He doesn't mean for us to imagine
|
|
them away. And that reminds me. Go into the sitting
|
|
room, Anne--be sure your feet are clean and don't let any
|
|
flies in--and bring me out the illustrated card that's on
|
|
the mantelpiece. The Lord's Prayer is on it and you'll
|
|
devote your spare time this afternoon to learning it off by
|
|
heart. There's to be no more of such praying as I heard
|
|
last night."
|
|
|
|
"I suppose I was very awkward," said Anne apologetically,
|
|
"but then, you see, I'd never had any practice. You
|
|
couldn't really expect a person to pray very well the first
|
|
time she tried, could you? I thought out a splendid prayer
|
|
after I went to bed, just as I promised you I would. It was
|
|
nearly as long as a minister's and so poetical. But would
|
|
you believe it? I couldn't remember one word when I woke
|
|
up this morning. And I'm afraid I'll never be able to think
|
|
out another one as good. Somehow, things never are so good
|
|
when they're thought out a second time. Have you ever
|
|
noticed that?"
|
|
|
|
"Here is something for you to notice, Anne. When I tell
|
|
you to do a thing I want you to obey me at once and not
|
|
stand stock-still and discourse about it. Just you go and
|
|
do as I bid you."
|
|
|
|
Anne promptly departed for the sitting-room across the hall;
|
|
she failed to return; after waiting ten minutes Marilla laid
|
|
down her knitting and marched after her with a grim expression.
|
|
She found Anne standing motionless before a picture hanging on
|
|
the wall between the two windows, with her eyes astar with
|
|
dreams. The white and green light strained through apple trees
|
|
and clustering vines outside fell over the rapt little figure
|
|
with a half-unearthly radiance.
|
|
|
|
"Anne, whatever are you thinking of?" demanded Marilla sharply.
|
|
|
|
Anne came back to earth with a start.
|
|
|
|
"That," she said, pointing to the picture--a rather vivid
|
|
chromo entitled, "Christ Blessing Little Children"--"and I
|
|
was just imagining I was one of them--that I was the little
|
|
girl in the blue dress, standing off by herself in the
|
|
corner as if she didn't belong to anybody, like me. She
|
|
looks lonely and sad, don't you think? I guess she hadn't
|
|
any father or mother of her own. But she wanted to be
|
|
blessed, too, so she just crept shyly up on the outside of
|
|
the crowd, hoping nobody would notice her--except Him. I'm
|
|
sure I know just how she felt. Her heart must have beat and
|
|
her hands must have got cold, like mine did when I asked you
|
|
if I could stay. She was afraid He mightn't notice her.
|
|
But it's likely He did, don't you think? I've been trying
|
|
to imagine it all out--her edging a little nearer all the
|
|
time until she was quite close to Him; and then He would
|
|
look at her and put His hand on her hair and oh, such a
|
|
thrill of joy as would run over her! But I wish the artist
|
|
hadn't painted Him so sorrowful looking. All His pictures
|
|
are like that, if you've noticed. But I don't believe He
|
|
could really have looked so sad or the children would have
|
|
been afraid of Him."
|
|
|
|
"Anne," said Marilla, wondering why she had not broken
|
|
into this speech long before, "you shouldn't talk that
|
|
way. It's irreverent--positively irreverent."
|
|
|
|
Anne's eyes marveled.
|
|
|
|
"Why, I felt just as reverent as could be. I'm sure I
|
|
didn't mean to be irreverent."
|
|
|
|
"Well I don't suppose you did--but it doesn't sound right
|
|
to talk so familiarly about such things. And another
|
|
thing, Anne, when I send you after something you're to
|
|
bring it at once and not fall into mooning and imagining
|
|
before pictures. Remember that. Take that card and come
|
|
right to the kitchen. Now, sit down in the corner and
|
|
learn that prayer off by heart."
|
|
|
|
Anne set the card up against the jugful of apple blossoms
|
|
she had brought in to decorate the dinnertable--Marilla
|
|
had eyed that decoration askance, but had said nothing--
|
|
propped her chin on her hands, and fell to studying it
|
|
intently for several silent minutes.
|
|
|
|
"I like this," she announced at length. "It's beautiful.
|
|
I've heard it before--I heard the superintendent of the
|
|
asylum Sunday school say it over once. But I didn't like it
|
|
then. He had such a cracked voice and he prayed it so
|
|
mournfully. I really felt sure he thought praying was a
|
|
disagreeable duty. This isn't poetry, but it makes me feel
|
|
just the same way poetry does. `Our Father who art in heaven
|
|
hallowed be Thy name.' That is just like a line of music.
|
|
Oh, I'm so glad you thought of making me learn this, Miss--
|
|
Marilla."
|
|
|
|
"Well, learn it and hold your tongue," said Marilla shortly.
|
|
|
|
Anne tipped the vase of apple blossoms near enough to bestow
|
|
a soft kiss on a pink-cupped but, and then studied
|
|
diligently for some moments longer.
|
|
|
|
"Marilla," she demanded presently, "do you think that I
|
|
shall ever have a bosom friend in Avonlea?"
|
|
|
|
"A--a what kind of friend?"
|
|
|
|
"A bosom friend--an intimate friend, you know--a really
|
|
kindred spirit to whom I can confide my inmost soul. I've
|
|
dreamed of meeting her all my life. I never really supposed
|
|
I would, but so many of my loveliest dreams have come true
|
|
all at once that perhaps this one will, too. Do you think
|
|
it's possible?"
|
|
|
|
"Diana Barry lives over at Orchard Slope and she's about
|
|
your age. She's a very nice little girl, and perhaps she
|
|
will be a playmate for you when she comes home. She's
|
|
visiting her aunt over at Carmody just now. You'll have
|
|
to be careful how you behave yourself, though. Mrs. Barry
|
|
is a very particular woman. She won't let Diana play with
|
|
any little girl who isn't nice and good."
|
|
|
|
Anne looked at Marilla through the apple blossoms, her
|
|
eyes aglow with interest.
|
|
|
|
"What is Diana like? Her hair isn't red, is it? Oh, I hope
|
|
not. It's bad enough to have red hair myself, but I
|
|
positively couldn't endure it in a bosom friend."
|
|
|
|
"Diana is a very pretty little girl. She has black eyes
|
|
and hair and rosy cheeks. And she is good and smart, which
|
|
is better than being pretty."
|
|
|
|
Marilla was as fond of morals as the Duchess in Wonderland,
|
|
and was firmly convinced that one should be tacked on to
|
|
every remark made to a child who was being brought up.
|
|
|
|
But Anne waved the moral inconsequently aside and seized
|
|
only on the delightful possibilities before it.
|
|
|
|
"Oh, I'm so glad she's pretty. Next to being beautiful
|
|
oneself--and that's impossible in my case--it would be
|
|
best to have a beautiful bosom friend. When I lived with
|
|
Mrs. Thomas she had a bookcase in her sitting room with
|
|
glass doors. There weren't any books in it; Mrs. Thomas
|
|
kept her best china and her preserves there--when she
|
|
had any preserves to keep. One of the doors was broken.
|
|
Mr. Thomas smashed it one night when he was slightly
|
|
intoxicated. But the other was whole and I used to
|
|
pretend that my reflection in it was another little girl who
|
|
lived in it. I called her Katie Maurice, and we were very
|
|
intimate. I used to talk to her by the hour, especially on
|
|
Sunday, and tell her everything. Katie was the comfort
|
|
and consolation of my life. We used to pretend that the
|
|
bookcase was enchanted and that if I only knew the spell
|
|
I could open the door and step right into the room where
|
|
Katie Maurice lived, instead of into Mrs. Thomas' shelves
|
|
of preserves and china. And then Katie Maurice would have
|
|
taken me by the hand and led me out into a wonderful place,
|
|
all flowers and sunshine and fairies, and we would have
|
|
lived there happy for ever after. When I went to live with
|
|
Mrs. Hammond it just broke my heart to leave Katie Maurice.
|
|
She felt it dreadfully, too, I know she did, for she was
|
|
crying when she kissed me good-bye through the bookcase
|
|
door. There was no bookcase at Mrs. Hammond's. But just up
|
|
the river a little way from the house there was a long
|
|
green little valley, and the loveliest echo lived there.
|
|
It echoed back every word you said, even if you didn't talk
|
|
a bit loud. So I imagined that it was a little girl called
|
|
Violetta and we were great friends and I loved her almost as
|
|
well as I loved Katie Maurice--not quite, but almost, you
|
|
know. The night before I went to the asylum I said
|
|
good-bye to Violetta, and oh, her good-bye came back to me
|
|
in such sad, sad tones. I had become so attached to her
|
|
that I hadn't the heart to imagine a bosom friend at the
|
|
asylum, even if there had been any scope for imagination there."
|
|
|
|
"I think it's just as well there wasn't," said Marilla drily.
|
|
"I don't approve of such goings-on. You seem to half believe
|
|
your own imaginations. It will be well for you to have a real
|
|
live friend to put such nonsense out of your head. But don't
|
|
let Mrs. Barry hear you talking about your Katie Maurices and
|
|
your Violettas or she'll think you tell stories."
|
|
|
|
"Oh, I won't. I couldn't talk of them to everybody--their
|
|
memories are too sacred for that. But I thought I'd like to
|
|
have you know about them. Oh, look, here's a big bee just
|
|
tumbled out of an apple blossom. Just think what a lovely
|
|
place to live--in an apple blossom! Fancy going to sleep
|
|
in it when the wind was rocking it. If I wasn't a human
|
|
girl I think I'd like to be a bee and live among the flowers."
|
|
|
|
"Yesterday you wanted to be a sea gull," sniffed Marilla.
|
|
"I think you are very fickle minded. I told you to learn
|
|
that prayer and not talk. But it seems impossible for you
|
|
to stop talking if you've got anybody that will listen to
|
|
you. So go up to your room and learn it."
|
|
|
|
"Oh, I know it pretty nearly all now--all but just the
|
|
last line."
|
|
|
|
"Well, never mind, do as I tell you. Go to your room and
|
|
finish learning it well, and stay there until I call you
|
|
down to help me get tea."
|
|
|
|
"Can I take the apple blossoms with me for company?"
|
|
pleaded Anne.
|
|
|
|
"No; you don't want your room cluttered up with flowers.
|
|
You should have left them on the tree in the first place."
|
|
|
|
"I did feel a little that way, too," said Anne. "I kind of
|
|
felt I shouldn't shorten their lovely lives by picking
|
|
them--I wouldn't want to be picked if I were an apple blossom.
|
|
But the temptation was IRRESISTIBLE. What do you do when
|
|
you meet with an irresistible temptation?"
|
|
|
|
"Anne, did you hear me tell you to go to your room?"
|
|
|
|
Anne sighed, retreated to the east gable, and sat down in a
|
|
chair by the window.
|
|
|
|
"There--I know this prayer. I learned that last sentence
|
|
coming upstairs. Now I'm going to imagine things into this
|
|
room so that they'll always stay imagined. The floor is
|
|
covered with a white velvet carpet with pink roses all over
|
|
it and there are pink silk curtains at the windows. The walls
|
|
are hung with gold and silver brocade tapestry. The
|
|
furniture is mahogany. I never saw any mahogany, but it
|
|
does sound SO luxurious. This is a couch all heaped with
|
|
gorgeous silken cushions, pink and blue and crimson and
|
|
gold, and I am reclining gracefully on it. I can see my
|
|
reflection in that splendid big mirror hanging on the wall.
|
|
I am tall and regal, clad in a gown of trailing white lace,
|
|
with a pearl cross on my breast and pearls in my hair. My
|
|
hair is of midnight darkness and my skin is a clear ivory
|
|
pallor. My name is the Lady Cordelia Fitzgerald. No, it
|
|
isn't--I can't make THAT seem real."
|
|
|
|
She danced up to the little looking-glass and peered into
|
|
it. Her pointed freckled face and solemn gray eyes peered
|
|
back at her.
|
|
|
|
"You're only Anne of Green Gables," she said earnestly,
|
|
"and I see you, just as you are looking now, whenever I
|
|
try to imagine I'm the Lady Cordelia. But it's a million
|
|
times nicer to be Anne of Green Gables than Anne of
|
|
nowhere in particular, isn't it?"
|
|
|
|
She bent forward, kissed her reflection affectionately,
|
|
and betook herself to the open window
|
|
|
|
|
|
"Dear Snow Queen, good afternoon. And good afternoon
|
|
dear birches down in the hollow. And good afternoon,
|
|
dear gray house up on the hill. I wonder if Diana is to
|
|
be my bosom friend. I hope she will, and I shall love
|
|
her very much. But I must never quite forget Katie Maurice
|
|
and Violetta. They would feel so hurt if I did and I'd
|
|
hate to hurt anybody's feelings, even a little bookcase
|
|
girl's or a little echo girl's. I must be careful to
|
|
remember them and send them a kiss every day."
|
|
|
|
Anne blew a couple of airy kisses from her fingertips
|
|
past the cherry blossoms and then, with her chin in her
|
|
hands, drifted luxuriously out on a sea of daydreams.
|
|
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
Mrs. Rachel Lynde Is Properly Horrified
|
|
|
|
|
|
Anne had been a fortnight at Green Gables before Mrs.
|
|
Lynde arrived to inspect her. Mrs. Rachel, to do her
|
|
justice, was not to blame for this. A severe and unseason
|
|
-able attack of grippe had confined that good lady to her
|
|
house ever since the occasion of her last visit to Green
|
|
Gables. Mrs. Rachel was not often sick and had a well-
|
|
defined contempt for people who were; but grippe, she
|
|
asserted, was like no other illness on earth and could
|
|
only be interpreted as one of the special visitations of
|
|
Providence. As soon as her doctor allowed her to put her
|
|
foot out-of-doors she hurried up to Green Gables, bursting
|
|
with curiosity to see Matthew and Marilla's orphan,
|
|
concerning whom all sorts of stories and suppositions had
|
|
gone abroad in Avonlea.
|
|
|
|
Anne had made good use of every waking moment of that fortnight.
|
|
Already she was acquainted with every tree and shrub about the
|
|
place. She had discovered that a lane opened out below the apple
|
|
orchard and ran up through a belt of woodland; and she had
|
|
explored it to its furthest end in all its delicious vagaries of
|
|
brook and bridge, fir coppice and wild cherry arch, corners thick
|
|
with fern, and branching byways of maple and mountain ash.
|
|
|
|
She had made friends with the spring down in the hollow--
|
|
that wonderful deep, clear icy-cold spring; it was set
|
|
about with smooth red sandstones and rimmed in by great
|
|
palm-like clumps of water fern; and beyond it was a log
|
|
bridge over the brook.
|
|
|
|
That bridge led Anne's dancing feet up over a wooded
|
|
hill beyond, where perpetual twilight reigned under the
|
|
straight, thick-growing firs and spruces; the only flowers
|
|
there were myriads of delicate "June bells," those shyest
|
|
and sweetest of woodland blooms, and a few pale, aerial
|
|
starflowers, like the spirits of last year's blossoms.
|
|
Gossamers glimmered like threads of silver among the trees
|
|
and the fir boughs and tassels seemed to utter friendly speech.
|
|
|
|
All these raptured voyages of exploration were made in the
|
|
odd half hours which she was allowed for play, and Anne
|
|
talked Matthew and Marilla halfdeaf over her discoveries.
|
|
Not that Matthew complained, to be sure; he listened to
|
|
it all with a wordless smile of enjoyment on his face;
|
|
Marilla permitted the "chatter" until she found herself
|
|
becoming too interested in it, whereupon she always promptly
|
|
quenched Anne by a curt command to hold her tongue.
|
|
|
|
Anne was out in the orchard when Mrs. Rachel came,
|
|
wandering at her own sweet will through the lush, tremu-
|
|
lous grasses splashed with ruddy evening sunshine; so that
|
|
good lady had an excellent chance to talk her illness fully
|
|
over, describing every ache and pulse beat with such
|
|
evident enjoyment that Marilla thought even grippe must
|
|
bring its compensations. When details were exhausted
|
|
Mrs. Rachel introduced the real reason of her call.
|
|
|
|
"I've been hearing some surprising things about you and Matthew."
|
|
|
|
"I don't suppose you are any more surprised than I am myself,"
|
|
said Marilla. "I'm getting over my surprise now."
|
|
|
|
"It was too bad there was such a mistake," said Mrs.
|
|
Rachel sympathetically. "Couldn't you have sent her back?"
|
|
|
|
"I suppose we could, but we decided not to. Matthew
|
|
took a fancy to her. And I must say I like her myself--
|
|
although I admit she has her faults. The house seems a
|
|
different place already. She's a real bright little thing."
|
|
|
|
Marilla said more than she had intended to say when she began,
|
|
for she read disapproval in Mrs. Rachel's expression.
|
|
|
|
"It's a great responsibility you've taken on yourself,"
|
|
said that lady gloomily, "especially when you've never had
|
|
any experience with children. You don't know much about
|
|
her or her real disposition, I suppose, and there's no
|
|
guessing how a child like that will turn out. But I don't
|
|
want to discourage you I'm sure, Marilla."
|
|
|
|
"I'm not feeling discouraged," was Marilla's dry response.
|
|
"when I make up my mind to do a thing it stays made up.
|
|
I suppose you'd like to see Anne. I'll call her in."
|
|
|
|
Anne came running in presently, her face sparkling with
|
|
the delight of her orchard rovings; but, abashed at finding
|
|
the delight herself in the unexpected presence of a stranger,
|
|
she halted confusedly inside the door. She certainly was an
|
|
odd-looking little creature in the short tight wincey dress
|
|
she had worn from the asylum, below which her thin legs
|
|
seemed ungracefully long. Her freckles were more numerous
|
|
and obtrusive than ever; the wind had ruffled her hatless
|
|
hair into over-brilliant disorder; it had never looked
|
|
redder than at that moment.
|
|
|
|
"Well, they didn't pick you for your looks, that's sure
|
|
and certain," was Mrs. Rachel Lynde's emphatic comment.
|
|
Mrs. Rachel was one of those delightful and popular
|
|
people who pride themselves on speaking their mind without
|
|
fear or favor. "She's terrible skinny and homely, Marilla.
|
|
Come here, child, and let me have a look at you. Lawful
|
|
heart, did any one ever see such freckles? And hair as red
|
|
as carrots! Come here, child, I say."
|
|
|
|
Anne "came there," but not exactly as Mrs. Rachel
|
|
expected. With one bound she crossed the kitchen floor
|
|
and stood before Mrs. Rachel, her face scarlet with anger,
|
|
her lips quivering, and her whole slender form trembling
|
|
from head to foot.
|
|
|
|
"I hate you," she cried in a choked voice, stamping her
|
|
foot on the floor. "I hate you--I hate you--I hate you--"
|
|
a louder stamp with each assertion of hatred. "How dare
|
|
you call me skinny and ugly? How dare you say I'm freckled
|
|
and redheaded? You are a rude, impolite, unfeeling woman!"
|
|
|
|
"Anne!" exclaimed Marilla in consternation.
|
|
|
|
But Anne continued to face Mrs. Rachel undauntedly,
|
|
head up, eyes blazing, hands clenched, passionate
|
|
indignation exhaling from her like an atmosphere.
|
|
|
|
"How dare you say such things about me?" she repeated
|
|
vehemently. "How would you like to have such things said
|
|
about you? How would you like to be told that you are fat
|
|
and clumsy and probably hadn't a spark of imagination in
|
|
you? I don't care if I do hurt your feelings by saying so!
|
|
I hope I hurt them. You have hurt mine worse than they
|
|
were ever hurt before even by Mrs. Thomas' intoxicated
|
|
husband. And I'll NEVER forgive you for it, never, never!"
|
|
|
|
Stamp! Stamp!
|
|
|
|
"Did anybody ever see such a temper!" exclaimed the horrified
|
|
Mrs. Rachel.
|
|
|
|
"Anne go to your room and stay there until I come up,"
|
|
said Marilla, recovering her powers of speech with difficulty.
|
|
|
|
Anne, bursting into tears, rushed to the hall door,
|
|
slammed it until the tins on the porch wall outside rattled
|
|
in sympathy, and fled through the hall and up the stairs
|
|
like a whirlwind. A subdued slam above told that the door
|
|
of the east gable had been shut with equal vehemence.
|
|
|
|
"Well, I don't envy you your job bringing THAT up,
|
|
Marilla," said Mrs. Rachel with unspeakable solemnity.
|
|
|
|
Marilla opened her lips to say she knew not what of apology
|
|
or deprecation. What she did say was a surprise to herself
|
|
then and ever afterwards.
|
|
|
|
"You shouldn't have twitted her about her looks, Rachel."
|
|
|
|
"Marilla Cuthbert, you don't mean to say that you are
|
|
upholding her in such a terrible display of temper as we've
|
|
just seen?" demanded Mrs. Rachel indignantly.
|
|
|
|
"No," said Marilla slowly, "I'm not trying to excuse her. She's
|
|
been very naughty and I'll have to give her a talking to about
|
|
it. But we must make allowances for her. She's never been
|
|
taught what is right. And you WERE too hard on her, Rachel."
|
|
|
|
Marilla could not help tacking on that last sentence,
|
|
although she was again surprised at herself for doing it.
|
|
Mrs. Rachel got up with an air of offended dignity.
|
|
|
|
"Well, I see that I'll have to be very careful what I say
|
|
after this, Marilla, since the fine feelings of orphans,
|
|
brought from goodness knows where, have to be considered
|
|
before anything else. Oh, no, I'm not vexed--don't worry
|
|
yourself. I'm too sorry for you to leave any room for anger
|
|
in my mind. You'll have your own troubles with that child.
|
|
But if you'll take my advice--which I suppose you won't
|
|
do, although I've brought up ten children and buried
|
|
two--you'll do that `talking to' you mention with a fair-
|
|
sized birch switch. I should think THAT would be the most
|
|
effective language for that kind of a child. Her temper
|
|
matches her hair I guess. Well, good evening, Marilla.
|
|
I hope you'll come down to see me often as usual. But you
|
|
can't expect me to visit here again in a hurry, if I'm
|
|
liable to be flown at and insulted in such a fashion.
|
|
It's something new in MY experience."
|
|
|
|
Whereat Mrs. Rachel swept out and away--if a fat woman who
|
|
always waddled COULD be said to sweep away--and Marilla with
|
|
a very solemn face betook herself to the east gable.
|
|
|
|
On the way upstairs she pondered uneasily as to what
|
|
she ought to do. She felt no little dismay over the
|
|
scene that had just been enacted. How unfortunate that
|
|
Anne should have displayed such temper before Mrs. Rachel
|
|
Lynde, of all people! Then Marilla suddenly became aware
|
|
of an uncomfortable and rebuking consciousness that she
|
|
felt more humiliation over this than sorrow over the
|
|
discovery of such a serious defect in Anne's disposition.
|
|
And how was she to punish her? The amiable suggestion of
|
|
the birch switch--to the efficiency of which all of Mrs.
|
|
Rachel's own children could have borne smarting testimony--
|
|
did not appeal to Marilla. She did not believe she could
|
|
whip a child. No, some other method of punishment must
|
|
be found to bring Anne to a proper realization of the
|
|
enormity of her offense.
|
|
|
|
Marilla found Anne face downward on her bed, crying
|
|
bitterly, quite oblivious of muddy boots on a clean
|
|
counterpane.
|
|
|
|
"Anne," she said not ungently.
|
|
|
|
No answer.
|
|
|
|
"Anne," with greater severity, "get off that bed this
|
|
minute and listen to what I have to say to you."
|
|
|
|
Anne squirmed off the bed and sat rigidly on a chair
|
|
beside it, her face swollen and tear-stained and her eyes
|
|
fixed stubbornly on the floor.
|
|
|
|
"This is a nice way for you to behave. Anne! Aren't you
|
|
ashamed of yourself?"
|
|
|
|
"She hadn't any right to call me ugly and redheaded,"
|
|
retorted Anne, evasive and defiant.
|
|
|
|
"You hadn't any right to fly into such a fury and talk the
|
|
way you did to her, Anne. I was ashamed of you--
|
|
thoroughly ashamed of you. I wanted you to behave nicely
|
|
to Mrs. Lynde, and instead of that you have disgraced me.
|
|
I'm sure I don't know why you should lose your temper
|
|
like that just because Mrs. Lynde said you were redhaired
|
|
and homely. You say it yourself often enough."
|
|
|
|
"Oh, but there's such a difference between saying a
|
|
thing yourself and hearing other people say it," wailed
|
|
Anne. "You may know a thing is so, but you can't help
|
|
hoping other people don't quite think it is. I suppose you
|
|
think I have an awful temper, but I couldn't help it.
|
|
When she said those things something just rose right up in
|
|
me and choked me. I HAD to fly out at her."
|
|
|
|
"Well, you made a fine exhibition of yourself I must say.
|
|
Mrs. Lynde will have a nice story to tell about you
|
|
everywhere--and she'll tell it, too. It was a dreadful thing
|
|
for you to lose your temper like that, Anne."
|
|
|
|
"Just imagine how you would feel if somebody told you to your
|
|
face that you were skinny and ugly," pleaded Anne tearfully.
|
|
|
|
An old remembrance suddenly rose up before Marilla.
|
|
She had been a very small child when she had heard one
|
|
aunt say of her to another, "What a pity she is such a dark,
|
|
homely little thing." Marilla was every day of fifty before
|
|
the sting had gone out of that memory.
|
|
|
|
"I don't say that I think Mrs. Lynde was exactly right in
|
|
saying what she did to you, Anne," she admitted in a softer
|
|
tone. "Rachel is too outspoken. But that is no excuse for
|
|
such behavior on your part. She was a stranger and an
|
|
elderly person and my visitor--all three very good reasons
|
|
why you should have been respectful to her. You were
|
|
rude and saucy and"--Marilla had a saving inspiration of
|
|
punishment--"you must go to her and tell her you are
|
|
very sorry for your bad temper and ask her to forgive you."
|
|
|
|
"I can never do that," said Anne determinedly and darkly.
|
|
"You can punish me in any way you like, Marilla. You can
|
|
shut me up in a dark, damp dungeon inhabited by snakes
|
|
and toads and feed me only on bread and water and I shall
|
|
not complain. But I cannot ask Mrs. Lynde to forgive me."
|
|
|
|
"We're not in the habit of shutting people up in dark
|
|
damp dungeons," said Marilla drily, "especially as they're
|
|
rather scarce in Avonlea. But apologize to Mrs. Lynde
|
|
you must and shall and you'll stay here in your room until
|
|
you can tell me you're willing to do it."
|
|
|
|
"I shall have to stay here forever then," said Anne
|
|
mournfully, "because I can't tell Mrs. Lynde I'm sorry I
|
|
said those things to her. How can I? I'm NOT sorry. I'm
|
|
sorry I've vexed you; but I'm GLAD I told her just what I did.
|
|
It was a great satisfaction. I can't say I'm sorry when I'm
|
|
not, can I? I can't even IMAGINE I'm sorry."
|
|
|
|
"Perhaps your imagination will be in better working
|
|
order by the morning," said Marilla, rising to depart.
|
|
"You'll have the night to think over your conduct in and
|
|
come to a better frame of mind. You said you would try
|
|
to be a very good girl if we kept you at Green Gables, but
|
|
I must say it hasn't seemed very much like it this evening."
|
|
|
|
Leaving this Parthian shaft to rankle in Anne's stormy
|
|
bosom, Marilla descended to the kitchen, grievously
|
|
troubled in mind and vexed in soul. She was as angry with
|
|
herself as with Anne, because, whenever she recalled Mrs.
|
|
Rachel's dumbfounded countenance her lips twitched with
|
|
amusement and she felt a most reprehensible desire to laugh.
|
|
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
Anne's Apology
|
|
|
|
|
|
Marilla said nothing to Matthew about the affair that
|
|
evening; but when Anne proved still refractory the next
|
|
morning an explanation had to be made to account for her
|
|
absence from the breakfast table. Marilla told Matthew
|
|
the whole story, taking pains to impress him with a due
|
|
sense of the enormity of Anne's behavior.
|
|
|
|
"It's a good thing Rachel Lynde got a calling down; she's a
|
|
meddlesome old gossip," was Matthew's consolatory rejoinder.
|
|
|
|
"Matthew Cuthbert, I'm astonished at you. You know that
|
|
Anne's behavior was dreadful, and yet you take her part!
|
|
I suppose you'll be saying next thing that she oughtn't
|
|
to be punished at all!"
|
|
|
|
"Well now--no--not exactly," said Matthew uneasily. I
|
|
reckon she ought to be punished a little. But don't be
|
|
too hard on her, Marilla. Recollect she hasn't ever had
|
|
anyone to teach her right. You're--you're going to give
|
|
her something to eat, aren't you?"
|
|
|
|
"When did you ever hear of me starving people into good
|
|
behavior?" demanded Marilla indignantly. "She'll have
|
|
her meals regular, and I'll carry them up to her myself.
|
|
But she'll stay up there until she's willing to apologize
|
|
to Mrs. Lynde, and that's final, Matthew."
|
|
|
|
Breakfast, dinner, and supper were very silent meals--for
|
|
Anne still remained obdurate. After each meal Marilla
|
|
carried a well-filled tray to the east gable and brought it
|
|
down later on not noticeably depleted. Matthew eyed its last
|
|
descent with a troubled eye. Had Anne eaten anything at all?
|
|
|
|
When Marilla went out that evening to bring the cows
|
|
from the back pasture, Matthew, who had been hanging
|
|
about the barns and watching, slipped into the house with
|
|
the air of a burglar and crept upstairs. As a general thing
|
|
Matthew gravitated between the kitchen and the little
|
|
bedroom off the hall where he slept; once in a while he
|
|
ventured uncomfortably into the parlor or sitting room when
|
|
the minister came to tea. But he had never been upstairs
|
|
in his own house since the spring he helped Marilla paper
|
|
the spare bedroom, and that was four years ago.
|
|
|
|
He tiptoed along the hall and stood for several minutes
|
|
outside the door of the east gable before he summoned
|
|
courage to tap on it with his fingers and then open the
|
|
door to peep in.
|
|
|
|
Anne was sitting on the yellow chair by the window
|
|
gazing mournfully out into the garden. Very small and
|
|
unhappy she looked, and Matthew's heart smote him.
|
|
He softly closed the door and tiptoed over to her.
|
|
|
|
"Anne," he whispered, as if afraid of being overheard,
|
|
"how are you making it, Anne?"
|
|
|
|
Anne smiled wanly.
|
|
|
|
"Pretty well. I imagine a good deal, and that helps to
|
|
pass the time. Of course, it's rather lonesome. But then,
|
|
I may as well get used to that."
|
|
|
|
Anne smiled again, bravely facing the long years of
|
|
solitary imprisonment before her.
|
|
|
|
Matthew recollected that he must say what he had come
|
|
to say without loss of time, lest Marilla return prematurely.
|
|
"Well now, Anne, don't you think you'd better do it and
|
|
have it over with?" he whispered. "It'll have to be done
|
|
sooner or later, you know, for Marilla's a dreadful deter-
|
|
mined woman--dreadful determined, Anne. Do it right off,
|
|
I say, and have it over."
|
|
|
|
"Do you mean apologize to Mrs. Lynde?"
|
|
|
|
"Yes--apologize--that's the very word," said Matthew eagerly.
|
|
"Just smooth it over so to speak. That's what I was trying
|
|
to get at."
|
|
|
|
"I suppose I could do it to oblige you," said Anne
|
|
thoughtfully. "It would be true enough to say I am sorry,
|
|
because I AM sorry now. I wasn't a bit sorry last night.
|
|
I was mad clear through, and I stayed mad all night. I know
|
|
I did because I woke up three times and I was just furious
|
|
every time. But this morning it was over. I wasn't in a
|
|
temper anymore--and it left a dreadful sort of goneness,
|
|
too. I felt so ashamed of myself. But I just couldn't think
|
|
of going and telling Mrs. Lynde so. It would be so humili-
|
|
ating. I made up my mind I'd stay shut up here forever
|
|
rather than do that. But still--I'd do anything for you--if
|
|
you really want me to--"
|
|
|
|
"Well now, of course I do. It's terrible lonesome
|
|
downstairs without you. Just go and smooth things over--
|
|
that's a good girl."
|
|
|
|
"Very well," said Anne resignedly. "I'll tell Marilla as
|
|
soon as she comes in I've repented."
|
|
|
|
"That's right--that's right, Anne. But don't tell Marilla I
|
|
said anything about it. She might think I was putting my oar
|
|
in and I promised not to do that."
|
|
|
|
"Wild horses won't drag the secret from me," promised Anne
|
|
solemnly. "How would wild horses drag a secret from a
|
|
person anyhow?"
|
|
|
|
But Matthew was gone, scared at his own success. He fled
|
|
hastily to the remotest corner of the horse pasture lest
|
|
Marilla should suspect what he had been up to. Marilla herself,
|
|
upon her return to the house, was agreeably surprised to hear a
|
|
plaintive voice calling, "Marilla" over the banisters.
|
|
|
|
"Well?" she said, going into the hall.
|
|
|
|
"I'm sorry I lost my temper and said rude things, and
|
|
I'm willing to go and tell Mrs. Lynde so."
|
|
|
|
"Very well." Marilla's crispness gave no sign of her
|
|
relief. She had been wondering what under the canopy she
|
|
should do if Anne did not give in. "I'll take you down
|
|
after milking."
|
|
|
|
Accordingly, after milking, behold Marilla and Anne
|
|
walking down the lane, the former erect and triumphant,
|
|
the latter drooping and dejected. But halfway down Anne's
|
|
dejection vanished as if by enchantment. She lifted her
|
|
head and stepped lightly along, her eyes fixed on the
|
|
sunset sky and an air of subdued exhilaration about her.
|
|
Marilla beheld the change disapprovingly. This was no
|
|
meek penitent such as it behooved her to take into the
|
|
presence of the offended Mrs. Lynde.
|
|
|
|
"What are you thinking of, Anne?" she asked sharply.
|
|
|
|
"I'm imagining out what I must say to Mrs. Lynde,"
|
|
answered Anne dreamily.
|
|
|
|
This was satisfactory--or should have been so. But Marilla
|
|
could not rid herself of the notion that something in her
|
|
scheme of punishment was going askew. Anne had no business
|
|
to look so rapt and radiant.
|
|
|
|
Rapt and radiant Anne continued until they were in the
|
|
very presence of Mrs. Lynde, who was sitting knitting by
|
|
her kitchen window. Then the radiance vanished. Mournful
|
|
penitence appeared on every feature. Before a word was
|
|
spoken Anne suddenly went down on her knees before the
|
|
astonished Mrs. Rachel and held out her hands beseechingly.
|
|
|
|
"Oh, Mrs. Lynde, I am so extremely sorry," she said
|
|
with a quiver in her voice. "I could never express all
|
|
my sorrow, no, not if I used up a whole dictionary. You
|
|
must just imagine it. I behaved terribly to you--and
|
|
I've disgraced the dear friends, Matthew and Marilla, who
|
|
have let me stay at Green Gables although I'm not a boy.
|
|
I'm a dreadfully wicked and ungrateful girl, and I deserve
|
|
to be punished and cast out by respectable people forever.
|
|
It was very wicked of me to fly into a temper because you
|
|
told me the truth. It WAS the truth; every word you said
|
|
was true. My hair is red and I'm freckled and skinny and
|
|
ugly. What I said to you was true, too, but I shouldn't
|
|
have said it. Oh, Mrs. Lynde, please, please, forgive me.
|
|
If you refuse it will be a lifelong sorrow on a poor little
|
|
orphan girl would you, even if she had a dreadful temper?
|
|
Oh, I am sure you wouldn't. Please say you forgive me,
|
|
Mrs. Lynde."
|
|
|
|
Anne clasped her hands together, bowed her head, and
|
|
waited for the word of judgment.
|
|
|
|
There was no mistaking her sincerity--it breathed in
|
|
every tone of her voice. Both Marilla and Mrs. Lynde
|
|
recognized its unmistakable ring. But the former under-
|
|
stood in dismay that Anne was actually enjoying her valley
|
|
of humiliation--was reveling in the thoroughness of her
|
|
abasement. Where was the wholesome punishment upon
|
|
which she, Marilla, had plumed herself? Anne had turned
|
|
it into a species of positive pleasure.
|
|
|
|
Good Mrs. Lynde, not being overburdened with perception,
|
|
did not see this. She only perceived that Anne had
|
|
made a very thorough apology and all resentment vanished
|
|
from her kindly, if somewhat officious, heart.
|
|
|
|
"There, there, get up, child," she said heartily. "Of course
|
|
I forgive you. I guess I was a little too hard on you,
|
|
anyway. But I'm such an outspoken person. You just mustn't
|
|
mind me, that's what. It can't be denied your hair is
|
|
terrible red; but I knew a girl once--went to school with
|
|
her, in fact--whose hair was every mite as red as yours
|
|
when she was young, but when she grew up it darkened
|
|
to a real handsome auburn. I wouldn't be a mite surprised
|
|
if yours did, too--not a mite."
|
|
|
|
"Oh, Mrs. Lynde!" Anne drew a long breath as she rose
|
|
to her feet. "You have given me a hope. I shall always feel
|
|
that you are a benefactor. Oh, I could endure anything if I
|
|
only thought my hair would be a handsome auburn when I
|
|
grew up. It would be so much easier to be good if one's
|
|
hair was a handsome auburn, don't you think? And now
|
|
may I go out into your garden and sit on that bench under
|
|
the apple-trees while you and Marilla are talking? There is
|
|
so much more scope for imagination out there."
|
|
|
|
"Laws, yes, run along, child. And you can pick a bouquet
|
|
of them white June lilies over in the corner if you like."
|
|
|
|
As the door closed behind Anne Mrs. Lynde got briskly
|
|
up to light a lamp.
|
|
|
|
"She's a real odd little thing. Take this chair, Marilla;
|
|
it's easier than the one you've got; I just keep that for the
|
|
hired boy to sit on. Yes, she certainly is an odd child,
|
|
but there is something kind of taking about her after all.
|
|
I don't feel so surprised at you and Matthew keeping her as
|
|
I did--nor so sorry for you, either. She may turn out all
|
|
right. Of course, she has a queer way of expressing herself--
|
|
a little too--well, too kind of forcible, you know; but
|
|
she'll likely get over that now that she's come to live among
|
|
civilized folks. And then, her temper's pretty quick, I
|
|
guess; but there's one comfort, a child that has a quick
|
|
temper, just blaze up and cool down, ain't never likely to
|
|
be sly or deceitful. Preserve me from a sly child, that's
|
|
what. On the whole, Marilla, I kind of like her."
|
|
|
|
When Marilla went home Anne came out of the fragrant twilight
|
|
of the orchard with a sheaf of white narcissi in her hands.
|
|
|
|
"I apologized pretty well, didn't I?" she said proudly as
|
|
they went down the lane. "I thought since I had to do it
|
|
I might as well do it thoroughly."
|
|
|
|
"You did it thoroughly, all right enough," was Marilla's
|
|
comment. Marilla was dismayed at finding herself inclined
|
|
to laugh over the recollection. She had also an uneasy
|
|
feeling that she ought to scold Anne for apologizing so well;
|
|
but then, that was ridiculous! She compromised with her
|
|
conscience by saying severely:
|
|
|
|
"I hope you won't have occasion to make many more such
|
|
apologies. I hope you'll try to control your temper now, Anne."
|
|
|
|
"That wouldn't be so hard if people wouldn't twit me about
|
|
my looks," said Anne with a sigh. "I don't get cross about
|
|
other things; but I'm SO tired of being twitted about my hair
|
|
and it just makes me boil right over. Do you suppose
|
|
my hair will really be a handsome auburn when I grow up?"
|
|
|
|
"You shouldn't think so much about your looks, Anne. I'm
|
|
afraid you are a very vain little girl."
|
|
|
|
"How can I be vain when I know I'm homely?" protested
|
|
Anne. "I love pretty things; and I hate to look in
|
|
the glass and see something that isn't pretty. It makes me
|
|
feel so sorrowful--just as I feel when I look at any ugly
|
|
thing. I pity it because it isn't beautiful."
|
|
|
|
"Handsome is as handsome does," quoted Marilla.
|
|
"I've had that said to me before, but I have my doubts
|
|
about it," remarked skeptical Anne, sniffing at her narcissi.
|
|
"Oh, aren't these flowers sweet! It was lovely of Mrs.
|
|
Lynde to give them to me. I have no hard feelings against
|
|
Mrs. Lynde now. It gives you a lovely, comfortable feeling
|
|
to apologize and be forgiven, doesn't it? Aren't the stars
|
|
bright tonight? If you could live in a star, which one would
|
|
you pick? I'd like that lovely clear big one away over there
|
|
above that dark hill."
|
|
|
|
"Anne, do hold your tongue." said Marilla, thoroughly
|
|
worn out trying to follow the gyrations of Anne's thoughts.
|
|
|
|
Anne said no more until they turned into their own lane.
|
|
A little gypsy wind came down it to meet them, laden
|
|
with the spicy perfume of young dew-wet ferns. Far up
|
|
in the shadows a cheerful light gleamed out through the
|
|
trees from the kitchen at Green Gables. Anne suddenly
|
|
came close to Marilla and slipped her hand into the older
|
|
woman's hard palm.
|
|
|
|
"It's lovely to be going home and know it's home," she said.
|
|
"I love Green Gables already, and I never loved any place before.
|
|
No place ever seemed like home. Oh, Marilla, I'm so happy.
|
|
I could pray right now and not find it a bit hard."
|
|
|
|
Something warm and pleasant welled up in Marilla's heart
|
|
at touch of that thin little hand in her own--a throb
|
|
of the maternity she had missed, perhaps. Its very
|
|
unaccustomedness and sweetness disturbed her. She
|
|
hastened to restore her sensations to their normal
|
|
calm by inculcating a moral.
|
|
|
|
"If you'll be a good girl you'll always be happy, Anne.
|
|
And you should never find it hard to say your prayers."
|
|
|
|
"Saying one's prayers isn't exactly the same thing as praying,"
|
|
said Anne meditatively. "But I'm going to imagine that I'm
|
|
the wind that is blowing up there in those tree tops. When I
|
|
get tired of the trees I'll imagine I'm gently waving down here
|
|
in the ferns--and then I'll fly over to Mrs. Lynde's garden and
|
|
set the flowers dancing--and then I'll go with one great swoop
|
|
over the clover field--and then I'll blow over the Lake of
|
|
Shining Waters and ripple it all up into little sparkling waves.
|
|
Oh, there's so much scope for imagination in a wind! So I'll not
|
|
talk any more just now, Marilla."
|
|
|
|
"Thanks be to goodness for that," breathed Marilla in
|
|
devout relief.
|
|
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
Anne's Impressions of Sunday-School
|
|
|
|
|
|
"Well, how do you like them?" said Marilla.
|
|
|
|
Anne was standing in the gable room, looking solemnly
|
|
at three new dresses spread out on the bed. One was of
|
|
snuffy colored gingham which Marilla had been tempted to
|
|
buy from a peddler the preceding summer because it looked
|
|
so serviceable; one was of black-and-white checkered
|
|
sateen which she had picked up at a bargain counter in the
|
|
winter; and one was a stiff print of an ugly blue shade
|
|
which she had purchased that week at a Carmody store.
|
|
|
|
She had made them up herself, and they were all made
|
|
alike--plain skirts fulled tightly to plain waists, with
|
|
sleeves as plain as waist and skirt and tight as sleeves
|
|
could be.
|
|
|
|
"I'll imagine that I like them," said Anne soberly.
|
|
|
|
"I don't want you to imagine it," said Marilla, offended.
|
|
"Oh, I can see you don't like the dresses! What is the
|
|
matter with them? Aren't they neat and clean and new?"
|
|
|
|
"Yes."
|
|
|
|
"Then why don't you like them?"
|
|
|
|
"They're--they're not--pretty," said Anne reluctantly.
|
|
|
|
"Pretty!" Marilla sniffed. "I didn't trouble my head about
|
|
getting pretty dresses for you. I don't believe in pampering
|
|
vanity, Anne, I'll tell you that right off. Those dresses
|
|
are good, sensible, serviceable dresses, without any frills
|
|
or furbelows about them, and they're all you'll get this
|
|
summer. The brown gingham and the blue print will do
|
|
you for school when you begin to go. The sateen is for
|
|
church and Sunday school. I'll expect you to keep them
|
|
neat and clean and not to tear them. I should think you'd
|
|
be grateful to get most anything after those skimpy wincey
|
|
things you've been wearing."
|
|
|
|
"Oh, I AM grateful," protested Anne. "But I'd be ever
|
|
so much gratefuller if--if you'd made just one of them
|
|
with puffed sleeves. Puffed sleeves are so fashionable now.
|
|
It would give me such a thrill, Marilla, just to wear a dress
|
|
with puffed sleeves."
|
|
|
|
"Well, you'll have to do without your thrill. I hadn't any
|
|
material to waste on puffed sleeves. I think they are
|
|
ridiculous-looking things anyhow. I prefer the plain,
|
|
sensible ones."
|
|
|
|
"But I'd rather look ridiculous when everybody else does than
|
|
plain and sensible all by myself," persisted Anne mournfully.
|
|
|
|
"Trust you for that! Well, hang those dresses carefully
|
|
up in your closet, and then sit down and learn the Sunday
|
|
school lesson. I got a quarterly from Mr. Bell for you and
|
|
you'll go to Sunday school tomorrow," said Marilla, disap-
|
|
pearing downstairs in high dudgeon.
|
|
|
|
Anne clasped her hands and looked at the dresses.
|
|
|
|
"I did hope there would be a white one with puffed
|
|
sleeves," she whispered disconsolately. "I prayed for one,
|
|
but I didn't much expect it on that account. I didn't
|
|
suppose God would have time to bother about a little
|
|
orphan girl's dress. I knew I'd just have to depend on
|
|
Marilla for it. Well, fortunately I can imagine that one
|
|
of them is of snow-white muslin with lovely lace frills and
|
|
three-puffed sleeves."
|
|
|
|
The next morning warnings of a sick headache prevented
|
|
Marilla from going to Sunday-school with Anne.
|
|
|
|
"You'll have to go down and call for Mrs. Lynde, Anne."
|
|
she said. "She'll see that you get into the right class.
|
|
Now, mind you behave yourself properly. Stay to preaching
|
|
afterwards and ask Mrs. Lynde to show you our pew. Here's
|
|
a cent for collection. Don't stare at people and don't fidget.
|
|
I shall expect you to tell me the text when you come home."
|
|
|
|
Anne started off irreproachable, arrayed in the stiff black-
|
|
and-white sateen, which, while decent as regards length
|
|
and certainly not open to the charge of skimpiness, contrived
|
|
to emphasize every corner and angle of her thin figure.
|
|
Her hat was a little, flat, glossy, new sailor, the
|
|
extreme plainness of which had likewise much disappointed
|
|
Anne, who had permitted herself secret visions of ribbon
|
|
and flowers. The latter, however, were supplied before
|
|
Anne reached the main road, for being confronted halfway
|
|
down the lane with a golden frenzy of wind-stirred buttercups
|
|
and a glory of wild roses, Anne promptly and liberally
|
|
garlanded her hat with a heavy wreath of them. Whatever
|
|
other people might have thought of the result it satisfied
|
|
Anne, and she tripped gaily down the road, holding her ruddy
|
|
head with its decoration of pink and yellow very proudly.
|
|
|
|
When she had reached Mrs. Lynde's house she found that
|
|
lady gone. Nothing daunted, Anne proceeded onward to the
|
|
church alone. In the porch she found a crowd of little
|
|
girls, all more or less gaily attired in whites and blues
|
|
and pinks, and all staring with curious eyes at this stranger
|
|
in their midst, with her extraordinary head adornment. Avonlea
|
|
little girls had already heard queer stories about Anne.
|
|
Mrs. Lynde said she had an awful temper; Jerry Buote, the
|
|
hired boy at Green Gables, said she talked all the time
|
|
to herself or to the trees and flowers like a crazy girl.
|
|
They looked at her and whispered to each other behind their
|
|
quarterlies. Nobody made any friendly advances, then or later on
|
|
when the opening exercises were over and Anne found herself in
|
|
Miss Rogerson's class.
|
|
|
|
Miss Rogerson was a middle-aged lady who had taught a
|
|
Sunday-school class for twenty years. Her method of teaching
|
|
was to ask the printed questions from the quarterly and
|
|
look sternly over its edge at the particular little girl
|
|
she thought ought to answer the question. She looked very
|
|
often at Anne, and Anne, thanks to Marilla's drilling,
|
|
answered promptly; but it may be questioned if she understood
|
|
very much about either question or answer.
|
|
|
|
She did not think she liked Miss Rogerson, and she felt
|
|
very miserable; every other little girl in the class had
|
|
puffed sleeves. Anne felt that life was really not worth
|
|
living without puffed sleeves.
|
|
|
|
"Well, how did you like Sunday school?" Marilla wanted
|
|
to know when Anne came home. Her wreath having faded,
|
|
Anne had discarded it in the lane, so Marilla was spared
|
|
the knowledge of that for a time.
|
|
|
|
"I didn't like it a bit. It was horrid."
|
|
|
|
"Anne Shirley!" said Marilla rebukingly.
|
|
|
|
Anne sat down on the rocker with a long sigh, kissed one of
|
|
Bonny's leaves, and waved her hand to a blossoming fuchsia.
|
|
|
|
"They might have been lonesome while I was away," she
|
|
explained. "And now about the Sunday school. I behaved
|
|
well, just as you told me. Mrs. Lynde was gone, but I
|
|
went right on myself. I went into the church, with a
|
|
lot of other little girls, and I sat in the corner of a pew
|
|
by the window while the opening exercises went on. Mr. Bell
|
|
made an awfully long prayer. I would have been dreadfully
|
|
tired before he got through if I hadn't been sitting by
|
|
that window. But it looked right out on the Lake of
|
|
Shining Waters, so I just gazed at that and imagined all
|
|
sorts of splendid things."
|
|
|
|
"You shouldn't have done anything of the sort. You should
|
|
have listened to Mr. Bell."
|
|
|
|
"But he wasn't talking to me," protested Anne. "He was
|
|
talking to God and he didn't seem to be very much inter-
|
|
ested in it, either. I think he thought God was too far off
|
|
though. There was long row of white birches hanging over
|
|
the lake and the sunshine fell down through them, 'way, 'way
|
|
down, deep into the water. Oh, Marilla, it was like a
|
|
beautiful dream! It gave me a thrill and I just said,
|
|
`Thank you for it, God,' two or three times."
|
|
|
|
"Not out loud, I hope," said Marilla anxiously.
|
|
|
|
"Oh, no, just under my breath. Well, Mr. Bell did get through
|
|
at last and they told me to go into the classroom with Miss
|
|
Rogerson's class. There were nine other girls in it.
|
|
They all had puffed sleeves. I tried to imagine mine
|
|
were puffed, too, but I couldn't. Why couldn't I? It was
|
|
as easy as could be to imagine they were puffed when I was
|
|
alone in the east gable, but it was awfully hard there
|
|
among the others who had really truly puffs."
|
|
|
|
"You shouldn't have been thinking about your sleeves in
|
|
Sunday school. You should have been attending to the lesson.
|
|
I hope you knew it."
|
|
|
|
"Oh, yes; and I answered a lot of questions. Miss Rogerson
|
|
asked ever so many. I don't think it was fair for her
|
|
to do all the asking. There were lots I wanted to ask her,
|
|
but I didn't like to because I didn't think she was a kindred
|
|
spirit. Then all the other little girls recited a paraphrase.
|
|
She asked me if I knew any. I told her I didn't, but I could
|
|
recite, `The Dog at His Master's Grave' if she liked.
|
|
That's in the Third Royal Reader. It isn't a really truly
|
|
religious piece of poetry, but it's so sad and melancholy
|
|
that it might as well be. She said it wouldn't do and she
|
|
told me to learn the nineteenth paraphrase for next Sunday.
|
|
I read it over in church afterwards and it's splendid. There
|
|
are two lines in particular that just thrill me.
|
|
|
|
"`Quick as the slaughtered squadrons fell
|
|
In Midian's evil day.'
|
|
|
|
I don't know what `squadrons' means nor `Midian,' either,
|
|
but it sounds SO tragical. I can hardly wait until next
|
|
Sunday to recite it. I'll practice it all the week. After
|
|
Sunday school I asked Miss Rogerson--because Mrs. Lynde was
|
|
too far away--to show me your pew. I sat just as still as
|
|
I could and the text was Revelations, third chapter, second
|
|
and third verses. It was a very long text. If I was a
|
|
minister I'd pick the short, snappy ones. The sermon was
|
|
awfully long, too. I suppose the minister had to match it
|
|
to the text. I didn't think he was a bit interesting. The
|
|
trouble with him seems to be that he hasn't enough imagination.
|
|
I didn't listen to him very much. I just let my thoughts
|
|
run and I thought of the most surprising things."
|
|
|
|
Marilla felt helplessly that all this should be sternly
|
|
reproved, but she was hampered by the undeniable fact
|
|
that some of the things Anne had said, especially about the
|
|
minister's sermons and Mr. Bell's prayers, were what she
|
|
herself had really thought deep down in her heart for
|
|
years, but had never given expression to. It almost seemed
|
|
to her that those secret, unuttered, critical thoughts
|
|
had suddenly taken visible and accusing shape and form in
|
|
the person of this outspoken morsel of neglected humanity.
|
|
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
A Solemn Vow and Promise
|
|
|
|
|
|
It was not until the next Friday that Marilla heard the
|
|
story of the flower-wreathed hat. She came home from
|
|
Mrs. Lynde's and called Anne to account.
|
|
|
|
"Anne, Mrs. Rachel says you went to church last Sunday
|
|
with your hat rigged out ridiculous with roses and
|
|
buttercups. What on earth put you up to such a caper?
|
|
A pretty-looking object you must have been!"
|
|
|
|
"Oh. I know pink and yellow aren't becoming to me," began Anne.
|
|
|
|
"Becoming fiddlesticks! It was putting flowers on your
|
|
hat at all, no matter what color they were, that was
|
|
ridiculous. You are the most aggravating child!"
|
|
|
|
"I don't see why it's any more ridiculous to wear flowers
|
|
on your hat than on your dress," protested Anne. "Lots of
|
|
little girls there had bouquets pinned on their dresses.
|
|
What's the difference?"
|
|
|
|
Marilla was not to be drawn from the safe concrete into
|
|
dubious paths of the abstract.
|
|
|
|
"Don't answer me back like that, Anne. It was very silly
|
|
of you to do such a thing. Never let me catch you at such a
|
|
trick again. Mrs. Rachel says she thought she would sink
|
|
through the floor when she come in all rigged out like
|
|
that. She couldn't get near enough to tell you to take
|
|
them off till it was too late. She says people talked about
|
|
it something dreadful. Of course they would think I had no
|
|
better sense than to let you go decked out like that."
|
|
|
|
"Oh, I'm so sorry," said Anne, tears welling into her eyes.
|
|
"I never thought you'd mind. The roses and buttercups
|
|
were so sweet and pretty I thought they'd look lovely
|
|
on my hat. Lots of the little girls had artificial flowers
|
|
on their hats. I'm afraid I'm going to be a dreadful trial
|
|
to you. Maybe you'd better send me back to the asylum.
|
|
That would be terrible; I don't think I could endure it;
|
|
most likely I would go into consumption; I'm so thin as it is,
|
|
you see. But that would be better than being a trial to you."
|
|
|
|
"Nonsense," said Marilla, vexed at herself for having
|
|
made the child cry. "I don't want to send you back to the
|
|
asylum, I'm sure. All I want is that you should behave like
|
|
other little girls and not make yourself ridiculous. Don't
|
|
cry any more. I've got some news for you. Diana Barry came
|
|
home this afternoon. I'm going up to see if I can borrow a
|
|
skirt pattern from Mrs. Barry, and if you like you can
|
|
come with me and get acquainted with Diana."
|
|
|
|
Anne rose to her feet, with clasped hands, the tears still
|
|
glistening on her cheeks; the dish towel she had been
|
|
hemming slipped unheeded to the floor.
|
|
|
|
"Oh, Marilla, I'm frightened--now that it has come I'm
|
|
actually frightened. What if she shouldn't like me! It
|
|
would be the most tragical disappointment of my life."
|
|
|
|
"Now, don't get into a fluster. And I do wish you wouldn't
|
|
use such long words. It sounds so funny in a little girl.
|
|
I guess Diana'll like you well enough. It's her mother
|
|
you've got to reckon with. If she doesn't like you it won't
|
|
matter how much Diana does. If she has heard about your
|
|
outburst to Mrs. Lynde and going to church with buttercups
|
|
round your hat I don't know what she'll think of you. You
|
|
must be polite and well behaved, and don't make any of your
|
|
startling speeches. For pity's sake, if the child isn't
|
|
actually trembling!"
|
|
|
|
Anne WAS trembling. Her face was pale and tense.
|
|
|
|
"Oh, Marilla, you'd be excited, too, if you were going to
|
|
meet a little girl you hoped to be your bosom friend and
|
|
whose mother mightn't like you," she said as she hastened
|
|
to get her hat.
|
|
|
|
They went over to Orchard Slope by the short cut across
|
|
the brook and up the firry hill grove. Mrs. Barry came
|
|
to the kitchen door in answer to Marilla's knock. She
|
|
was a tall black-eyed, black-haired woman, with a very
|
|
resolute mouth. She had the reputation of being very
|
|
strict with her children.
|
|
|
|
"How do you do, Marilla?" she said cordially. "Come in.
|
|
And this is the little girl you have adopted, I suppose?"
|
|
|
|
"Yes, this is Anne Shirley," said Marilla.
|
|
|
|
"Spelled with an E," gasped Anne, who, tremulous and
|
|
excited as she was, was determined there should be no
|
|
misunderstanding on that important point.
|
|
|
|
Mrs. Barry, not hearing or not comprehending, merely
|
|
shook hands and said kindly:
|
|
|
|
"How are you?"
|
|
|
|
"I am well in body although considerable rumpled up in
|
|
spirit, thank you ma'am," said Anne gravely. Then aside
|
|
to Marilla in an audible whisper, "There wasn't anything
|
|
startling in that, was there, Marilla?"
|
|
|
|
Diana was sitting on the sofa, reading a book which she
|
|
dropped when the callers entered. She was a very pretty
|
|
little girl, with her mother's black eyes and hair, and
|
|
rosy cheeks, and the merry expression which was her
|
|
inheritance from her father.
|
|
|
|
"This is my little girl Diana," said Mrs. Barry. "Diana,
|
|
you might take Anne out into the garden and show her
|
|
your flowers. It will be better for you than straining your
|
|
eyes over that book. She reads entirely too much--" this
|
|
to Marilla as the little girls went out--"and I can't prevent
|
|
her, for her father aids and abets her. She's always poring
|
|
over a book. I'm glad she has the prospect of a playmate--
|
|
perhaps it will take her more out-of-doors."
|
|
|
|
Outside in the garden, which was full of mellow sunset
|
|
light streaming through the dark old firs to the west of it,
|
|
stood Anne and Diana, gazing bashfully at each other over
|
|
a clump of gorgeous tiger lilies.
|
|
|
|
The Barry garden was a bowery wilderness of flowers
|
|
which would have delighted Anne's heart at any time less
|
|
fraught with destiny. It was encircled by huge old willows
|
|
and tall firs, beneath which flourished flowers that loved
|
|
the shade. Prim, right-angled paths neatly bordered with
|
|
clamshells, intersected it like moist red ribbons and in the
|
|
beds between old-fashioned flowers ran riot. There were
|
|
rosy bleeding-hearts and great splendid crimson peonies;
|
|
white, fragrant narcissi and thorny, sweet Scotch roses;
|
|
pink and blue and white columbines and lilac-tinted Bouncing
|
|
Bets; clumps of southernwood and ribbon grass and mint;
|
|
purple Adam-and-Eve, daffodils, and masses of sweet clover
|
|
white with its delicate, fragrant, feathery sprays;
|
|
scarlet lightning that shot its fiery lances over prim white
|
|
musk-flowers; a garden it was where sunshine lingered and
|
|
bees hummed, and winds, beguiled into loitering, purred
|
|
and rustled.
|
|
|
|
"Oh, Diana," said Anne at last, clasping her hands and
|
|
speaking almost in a whisper, "oh, do you think you can
|
|
like me a little--enough to be my bosom friend?"
|
|
|
|
Diana laughed. Diana always laughed before she spoke.
|
|
|
|
"Why, I guess so," she said frankly. "I'm awfully glad you've
|
|
come to live at Green Gables. It will be jolly to have somebody
|
|
to play with. There isn't any other girl who lives near enough
|
|
to play with, and I've no sisters big enough."
|
|
|
|
"Will you swear to be my friend forever and ever?" demanded
|
|
Anne eagerly.
|
|
|
|
Diana looked shocked.
|
|
|
|
"Why it's dreadfully wicked to swear," she said rebukingly.
|
|
|
|
"Oh no, not my kind of swearing. There are two kinds, you know."
|
|
|
|
"I never heard of but one kind," said Diana doubtfully.
|
|
|
|
"There really is another. Oh, it isn't wicked at all. It
|
|
just means vowing and promising solemnly."
|
|
|
|
"Well, I don't mind doing that," agreed Diana, relieved.
|
|
"How do you do it?"
|
|
|
|
"We must join hands--so," said Anne gravely. "It ought
|
|
to be over running water. We'll just imagine this path is
|
|
running water. I'll repeat the oath first. I solemnly swear
|
|
to be faithful to my bosom friend, Diana Barry, as long as the
|
|
sun and moon shall endure. Now you say it and put my name in."
|
|
|
|
Diana repeated the "oath" with a laugh fore and aft. Then
|
|
she said:
|
|
|
|
"You're a queer girl, Anne. I heard before that you were
|
|
queer. But I believe I'm going to like you real well."
|
|
|
|
When Marilla and Anne went home Diana went with them as
|
|
for as the log bridge. The two little girls walked with
|
|
their arms about each other. At the brook they parted with
|
|
many promises to spend the next afternoon together.
|
|
|
|
"Well, did you find Diana a kindred spirit?" asked Marilla
|
|
as they went up through the garden of Green Gables.
|
|
|
|
"Oh yes," sighed Anne, blissfully unconscious of any
|
|
sarcasm on Marilla's part. "Oh Marilla, I'm the happiest
|
|
girl on Prince Edward Island this very moment. I assure
|
|
you I'll say my prayers with a right good-will tonight.
|
|
Diana and I are going to build a playhouse in Mr. William
|
|
Bell's birch grove tomorrow. Can I have those broken
|
|
pieces of china that are out in the woodshed? Diana's
|
|
birthday is in February and mine is in March. Don't you
|
|
think that is a very strange coincidence? Diana is
|
|
going to lend me a book to read. She says it's perfectly
|
|
splendid and tremendously exciting. She's going to show me
|
|
a place back in the woods where rice lilies grow. Don't
|
|
you think Diana has got very soulful eyes? I wish I had
|
|
soulful eyes. Diana is going to teach me to sing a song
|
|
called `Nelly in the Hazel Dell.' She's going to give me
|
|
a picture to put up in my room; it's a perfectly beautiful
|
|
picture, she says--a lovely lady in a pale blue silk dress.
|
|
A sewing-machine agent gave it to her. I wish I had something
|
|
to give Diana. I'm an inch taller than Diana, but she is ever
|
|
so much fatter; she says she'd like to be thin because it's so
|
|
much more graceful, but I'm afraid she only said it to soothe my
|
|
feelings. We're going to the shore some day to gather shells.
|
|
We have agreed to call the spring down by the log bridge the
|
|
Dryad's Bubble. Isn't that a perfectly elegant name? I read a
|
|
story once about a spring called that. A dryad is sort of a
|
|
grown-up fairy, I think."
|
|
|
|
"Well, all I hope is you won't talk Diana to death," said
|
|
Marilla. "But remember this in all your planning, Anne.
|
|
You're not going to play all the time nor most of it. You'll
|
|
have your work to do and it'll have to be done first."
|
|
|
|
Anne's cup of happiness was full, and Matthew caused it
|
|
to overflow. He had just got home from a trip to the store
|
|
at Carmody, and he sheepishly produced a small parcel
|
|
from his pocket and handed it to Anne, with a deprecatory
|
|
look at Marilla.
|
|
|
|
"I heard you say you liked chocolate sweeties, so I got
|
|
you some," he said.
|
|
|
|
"Humph," sniffed Marilla. "It'll ruin her teeth and stomach.
|
|
There, there, child, don't look so dismal. You can eat
|
|
those, since Matthew has gone and got them. He'd better
|
|
have brought you peppermints. They're wholesomer. Don't
|
|
sicken yourself eating all them at once now."
|
|
|
|
"Oh, no, indeed, I won't," said Anne eagerly. "I'll just
|
|
eat one tonight, Marilla. And I can give Diana half of
|
|
them, can't I? The other half will taste twice as sweet to
|
|
me if I give some to her. It's delightful to think I have
|
|
something to give her."
|
|
|
|
"I will say it for the child," said Marilla when Anne had
|
|
gone to her gable, "she isn't stingy. I'm glad, for of all
|
|
faults I detest stinginess in a child. Dear me, it's only
|
|
three weeks since she came, and it seems as if she'd been
|
|
here always. I can't imagine the place without her. Now,
|
|
don't be looking I told-you-so, Matthew. That's bad enough
|
|
in a woman, but it isn't to be endured in a man. I'm
|
|
perfectly willing to own up that I'm glad I consented to keep
|
|
the child and that I'm getting fond of her, but don't you
|
|
rub it in, Matthew Cuthbert."
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
The Delights of Anticipation
|
|
|
|
|
|
"It's time Anne was in to do her sewing," said Marilla, glancing
|
|
at the clock and then out into the yellow August afternoon where
|
|
everything drowsed in the heat. "She stayed playing with Diana
|
|
more than half an hour more'n I gave her leave to; and now she's
|
|
perched out there on the woodpile talking to Matthew, nineteen to
|
|
the dozen, when she knows perfectly well she ought to be at her
|
|
work. And of course he's listening to her like a perfect ninny.
|
|
I never saw such an infatuated man. The more she talks and the
|
|
odder the things she says, the more he's delighted evidently.
|
|
Anne Shirley, you come right in here this minute, do you hear me!"
|
|
|
|
A series of staccato taps on the west window brought Anne flying
|
|
in from the yard, eyes shining, cheeks faintly flushed with pink,
|
|
unbraided hair streaming behind her in a torrent of brightness.
|
|
|
|
"Oh, Marilla," she exclaimed breathlessly, "there's going to be a
|
|
Sunday-school picnic next week--in Mr. Harmon Andrews's field,
|
|
right near the lake of Shining Waters. And Mrs. Superintendent
|
|
Bell and Mrs. Rachel Lynde are going to make ice cream--think of
|
|
it, Marilla--ICE CREAM! And, oh, Marilla, can I go to it?"
|
|
|
|
"Just look at the clock, if you please, Anne. What time did I
|
|
tell you to come in?"
|
|
|
|
"Two o'clock--but isn't it splendid about the picnic, Marilla?
|
|
Please can I go? Oh, I've never been to a picnic--I've dreamed of
|
|
picnics, but I've never--"
|
|
|
|
"Yes, I told you to come at two o'clock. And it's a quarter to
|
|
three. I'd like to know why you didn't obey me, Anne."
|
|
|
|
"Why, I meant to, Marilla, as much as could be. But you have no
|
|
idea how fascinating Idlewild is. And then, of course, I had to
|
|
tell Matthew about the picnic. Matthew is such a sympathetic
|
|
listener. Please can I go?"
|
|
|
|
"You'll have to learn to resist the fascination of Idlewhatever-
|
|
you-call-it. When I tell you to come in at a certain time I
|
|
mean that time and not half an hour later. And you needn't
|
|
stop to discourse with sympathetic listeners on your way, either.
|
|
As for the picnic, of course you can go. You're a Sunday-school
|
|
scholar, and it's not likely I'd refuse to let you go when all
|
|
the other little girls are going."
|
|
|
|
"But--but," faltered Anne, "Diana says that everybody must take a
|
|
basket of things to eat. I can't cook, as you know, Marilla,
|
|
and--and--I don't mind going to a picnic without puffed sleeves
|
|
so much, but I'd feel terribly humiliated if I had to go without
|
|
a basket. It's been preying on my mind ever since Diana told me."
|
|
|
|
"Well, it needn't prey any longer. I'll bake you a basket."
|
|
|
|
"Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm
|
|
so much obliged to you."
|
|
|
|
Getting through with her "ohs" Anne cast herself into Marilla's
|
|
arms and rapturously kissed her sallow cheek. It was the first
|
|
time in her whole life that childish lips had voluntarily touched
|
|
Marilla's face. Again that sudden sensation of startling
|
|
sweetness thrilled her. She was secretly vastly pleased at
|
|
Anne's impulsive caress, which was probably the reason why she
|
|
said brusquely:
|
|
|
|
"There, there, never mind your kissing nonsense. I'd sooner see
|
|
you doing strictly as you're told. As for cooking, I mean to
|
|
begin giving you lessons in that some of these days. But you're
|
|
so featherbrained, Anne, I've been waiting to see if you'd sober
|
|
down a little and learn to be steady before I begin. You've got
|
|
to keep your wits about you in cooking and not stop in the middle
|
|
of things to let your thoughts rove all over creation. Now, get
|
|
out your patchwork and have your square done before teatime."
|
|
|
|
"I do NOT like patchwork," said Anne dolefully, hunting out her
|
|
workbasket and sitting down before a little heap of red and white
|
|
diamonds with a sigh. "I think some kinds of sewing would be
|
|
nice; but there's no scope for imagination in patchwork. It's
|
|
just one little seam after another and you never seem to be
|
|
getting anywhere. But of course I'd rather be Anne of Green
|
|
Gables sewing patchwork than Anne of any other place with nothing
|
|
to do but play. I wish time went as quick sewing patches as it
|
|
does when I'm playing with Diana, though. Oh, we do have such
|
|
elegant times, Marilla. I have to furnish most of the
|
|
imagination, but I'm well able to do that. Diana is simply
|
|
perfect in every other way. You know that little piece of land
|
|
across the brook that runs up between our farm and Mr. Barry's.
|
|
It belongs to Mr. William Bell, and right in the corner there is
|
|
a little ring of white birch trees--the most romantic spot,
|
|
Marilla. Diana and I have our playhouse there. We call it
|
|
Idlewild. Isn't that a poetical name? I assure you it took me
|
|
some time to think it out. I stayed awake nearly a whole night
|
|
before I invented it. Then, just as I was dropping off to sleep,
|
|
it came like an inspiration. Diana was ENRAPTURED when she heard
|
|
it. We have got our house fixed up elegantly. You must come and
|
|
see it, Marilla--won't you? We have great big stones, all
|
|
covered with moss, for seats, and boards from tree to tree for
|
|
shelves. And we have all our dishes on them. Of course, they're
|
|
all broken but it's the easiest thing in the world to imagine
|
|
that they are whole. There's a piece of a plate with a spray of
|
|
red and yellow ivy on it that is especially beautiful. We keep
|
|
it in the parlor and we have the fairy glass there, too. The
|
|
fairy glass is as lovely as a dream. Diana found it out in the
|
|
woods behind their chicken house. It's all full of
|
|
rainbows--just little young rainbows that haven't grown big
|
|
yet--and Diana's mother told her it was broken off a hanging lamp
|
|
they once had. But it's nice to imagine the fairies lost it one
|
|
night when they had a ball, so we call it the fairy glass.
|
|
Matthew is going to make us a table. Oh, we have named that
|
|
little round pool over in Mr. Barry's field Willowmere. I got
|
|
that name out of the book Diana lent me. That was a thrilling
|
|
book, Marilla. The heroine had five lovers. I'd be satisfied
|
|
with one, wouldn't you? She was very handsome and she went
|
|
through great tribulations. She could faint as easy as anything.
|
|
I'd love to be able to faint, wouldn't you, Marilla? It's so
|
|
romantic. But I'm really very healthy for all I'm so thin.
|
|
I believe I'm getting fatter, though. Don't you think I am?
|
|
I look at my elbows every morning when I get up to see if any
|
|
dimples are coming. Diana is having a new dress made with elbow
|
|
sleeves. She is going to wear it to the picnic. Oh, I do hope
|
|
it will be fine next Wednesday. I don't feel that I could endure
|
|
the disappointment if anything happened to prevent me from
|
|
getting to the picnic. I suppose I'd live through it, but I'm
|
|
certain it would be a lifelong sorrow. It wouldn't matter if I
|
|
got to a hundred picnics in after years; they wouldn't make up
|
|
for missing this one. They're going to have boats on the Lake of
|
|
Shining Waters--and ice cream, as I told you. I have never
|
|
tasted ice cream. Diana tried to explain what it was like, but I
|
|
guess ice cream is one of those things that are beyond imagination."
|
|
|
|
"Anne, you have talked even on for ten minutes by the clock,"
|
|
said Marilla. "Now, just for curiosity's sake, see if you can
|
|
hold your tongue for the same length of time."
|
|
|
|
Anne held her tongue as desired. But for the rest of the week
|
|
she talked picnic and thought picnic and dreamed picnic. On
|
|
Saturday it rained and she worked herself up into such a frantic
|
|
state lest it should keep on raining until and over Wednesday
|
|
that Marilla made her sew an extra patchwork square by way of
|
|
steadying her nerves.
|
|
|
|
On Sunday Anne confided to Marilla on the way home from church
|
|
that she grew actually cold all over with excitement when the
|
|
minister announced the picnic from the pulpit.
|
|
|
|
"Such a thrill as went up and down my back, Marilla! I don't
|
|
think I'd ever really believed until then that there was honestly
|
|
going to be a picnic. I couldn't help fearing I'd only imagined it.
|
|
But when a minister says a thing in the pulpit you just have to
|
|
believe it."
|
|
|
|
"You set your heart too much on things, Anne," said Marilla, with
|
|
a sigh. "I'm afraid there'll be a great many disappointments in
|
|
store for you through life."
|
|
|
|
"Oh, Marilla, looking forward to things is half the pleasure of
|
|
them," exclaimed Anne. "You mayn't get the things themselves;
|
|
but nothing can prevent you from having the fun of looking
|
|
forward to them. Mrs. Lynde says, `Blessed are they who expect
|
|
nothing for they shall not be disappointed.' But I think it would
|
|
be worse to expect nothing than to be disappointed."
|
|
|
|
Marilla wore her amethyst brooch to church that day as usual.
|
|
Marilla always wore her amethyst brooch to church. She would
|
|
have thought it rather sacrilegious to leave it off--as bad as
|
|
forgetting her Bible or her collection dime. That amethyst
|
|
brooch was Marilla's most treasured possession. A seafaring
|
|
uncle had given it to her mother who in turn had bequeathed it to
|
|
Marilla. It was an old-fashioned oval, containing a braid of her
|
|
mother's hair, surrounded by a border of very fine amethysts.
|
|
Marilla knew too little about precious stones to realize how fine
|
|
the amethysts actually were; but she thought them very beautiful
|
|
and was always pleasantly conscious of their violet shimmer at
|
|
her throat, above her good brown satin dress, even although she
|
|
could not see it.
|
|
|
|
Anne had been smitten with delighted admiration when she first
|
|
saw that brooch.
|
|
|
|
"Oh, Marilla, it's a perfectly elegant brooch. I don't know how
|
|
you can pay attention to the sermon or the prayers when you have
|
|
it on. I couldn't, I know. I think amethysts are just sweet.
|
|
They are what I used to think diamonds were like. Long ago,
|
|
before I had ever seen a diamond, I read about them and I tried
|
|
to imagine what they would be like. I thought they would be
|
|
lovely glimmering purple stones. When I saw a real diamond in a
|
|
lady's ring one day I was so disappointed I cried. Of course, it
|
|
was very lovely but it wasn't my idea of a diamond. Will you let
|
|
me hold the brooch for one minute, Marilla? Do you think
|
|
amethysts can be the souls of good violets?"
|
|
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
Anne's Confession
|
|
|
|
|
|
ON the Monday evening before the picnic Marilla came down from
|
|
her room with a troubled face.
|
|
|
|
"Anne," she said to that small personage, who was shelling peas
|
|
by the spotless table and singing, "Nelly of the Hazel Dell" with
|
|
a vigor and expression that did credit to Diana's teaching, "did
|
|
you see anything of my amethyst brooch? I thought I stuck it in
|
|
my pincushion when I came home from church yesterday evening, but
|
|
I can't find it anywhere."
|
|
|
|
"I--I saw it this afternoon when you were away at the Aid
|
|
Society," said Anne, a little slowly. "I was passing your door
|
|
when I saw it on the cushion, so I went in to look at it."
|
|
|
|
"Did you touch it?" said Marilla sternly.
|
|
|
|
"Y-e-e-s," admitted Anne, "I took it up and I pinned it on my
|
|
breast just to see how it would look."
|
|
|
|
"You had no business to do anything of the sort. It's very wrong
|
|
in a little girl to meddle. You shouldn't have gone into my room
|
|
in the first place and you shouldn't have touched a brooch that
|
|
didn't belong to you in the second. Where did you put it?"
|
|
|
|
"Oh, I put it back on the bureau. I hadn't it on a minute.
|
|
Truly, I didn't mean to meddle, Marilla. I didn't think about
|
|
its being wrong to go in and try on the brooch; but I see now
|
|
that it was and I'll never do it again. That's one good thing
|
|
about me. I never do the same naughty thing twice."
|
|
|
|
"You didn't put it back," said Marilla. "That brooch isn't
|
|
anywhere on the bureau. You've taken it out or something, Anne."
|
|
|
|
"I did put it back," said Anne quickly--pertly, Marilla thought.
|
|
"I don't just remember whether I stuck it on the pincushion or laid
|
|
it in the china tray. But I'm perfectly certain I put it back."
|
|
|
|
"I'll go and have another look," said Marilla, determining to be
|
|
just. "If you put that brooch back it's there still. If it
|
|
isn't I'll know you didn't, that's all!"
|
|
|
|
Marilla went to her room and made a thorough search, not only
|
|
over the bureau but in every other place she thought the brooch
|
|
might possibly be. It was not to be found and she returned to
|
|
the kitchen.
|
|
|
|
"Anne, the brooch is gone. By your own admission you were the
|
|
last person to handle it. Now, what have you done with it?
|
|
Tell me the truth at once. Did you take it out and lose it?"
|
|
|
|
"No, I didn't," said Anne solemnly, meeting Marilla's angry gaze
|
|
squarely. "I never took the brooch out of your room and that is
|
|
the truth, if I was to be led to the block for it--although I'm
|
|
not very certain what a block is. So there, Marilla."
|
|
|
|
Anne's "so there" was only intended to emphasize her assertion,
|
|
but Marilla took it as a display of defiance.
|
|
|
|
"I believe you are telling me a falsehood, Anne," she said
|
|
sharply. "I know you are. There now, don't say anything more
|
|
unless you are prepared to tell the whole truth. Go to your room
|
|
and stay there until you are ready to confess."
|
|
|
|
"Will I take the peas with me?" said Anne meekly.
|
|
|
|
"No, I'll finish shelling them myself. Do as I bid you."
|
|
|
|
When Anne had gone Marilla went about her evening tasks in a very
|
|
disturbed state of mind. She was worried about her valuable
|
|
brooch. What if Anne had lost it? And how wicked of the child
|
|
to deny having taken it, when anybody could see she must have!
|
|
With such an innocent face, too!
|
|
|
|
"I don't know what I wouldn't sooner have had happen," thought
|
|
Marilla, as she nervously shelled the peas. "Of course, I don't
|
|
suppose she meant to steal it or anything like that. She's just
|
|
taken it to play with or help along that imagination of hers.
|
|
She must have taken it, that's clear, for there hasn't been a
|
|
soul in that room since she was in it, by her own story, until I
|
|
went up tonight. And the brooch is gone, there's nothing surer.
|
|
I suppose she has lost it and is afraid to own up for fear she'll
|
|
be punished. It's a dreadful thing to think she tells falsehoods.
|
|
It's a far worse thing than her fit of temper. It's a fearful
|
|
responsibility to have a child in your house you can't trust.
|
|
Slyness and untruthfulness--that's what she has displayed.
|
|
I declare I feel worse about that than about the brooch. If
|
|
she'd only have told the truth about it I wouldn't mind so much."
|
|
|
|
Marilla went to her room at intervals all through the evening and
|
|
searched for the brooch, without finding it. A bedtime visit to
|
|
the east gable produced no result. Anne persisted in denying
|
|
that she knew anything about the brooch but Marilla was only the
|
|
more firmly convinced that she did.
|
|
|
|
She told Matthew the story the next morning. Matthew was
|
|
confounded and puzzled; he could not so quickly lose faith in
|
|
Anne but he had to admit that circumstances were against her.
|
|
|
|
"You're sure it hasn't fell down behind the bureau?" was the only
|
|
suggestion he could offer.
|
|
|
|
"I've moved the bureau and I've taken out the drawers and I've
|
|
looked in every crack and cranny" was Marilla's positive answer.
|
|
"The brooch is gone and that child has taken it and lied about it.
|
|
That's the plain, ugly truth, Matthew Cuthbert, and we might as
|
|
well look it in the face."
|
|
|
|
"Well now, what are you going to do about it?" Matthew asked
|
|
forlornly, feeling secretly thankful that Marilla and not he had
|
|
to deal with the situation. He felt no desire to put his oar in
|
|
this time.
|
|
|
|
"She'll stay in her room until she confesses," said Marilla
|
|
grimly, remembering the success of this method in the former
|
|
case. "Then we'll see. Perhaps we'll be able to find the brooch
|
|
if she'll only tell where she took it; but in any case she'll
|
|
have to be severely punished, Matthew."
|
|
|
|
"Well now, you'll have to punish her," said Matthew, reaching for
|
|
his hat. "I've nothing to do with it, remember. You warned me
|
|
off yourself."
|
|
|
|
Marilla felt deserted by everyone. She could not even go to Mrs.
|
|
Lynde for advice. She went up to the east gable with a very
|
|
serious face and left it with a face more serious still. Anne
|
|
steadfastly refused to confess. She persisted in asserting that
|
|
she had not taken the brooch. The child had evidently been
|
|
crying and Marilla felt a pang of pity which she sternly
|
|
repressed. By night she was, as she expressed it, "beat out."
|
|
|
|
"You'll stay in this room until you confess, Anne. You can make
|
|
up your mind to that," she said firmly.
|
|
|
|
"But the picnic is tomorrow, Marilla," cried Anne. "You won't
|
|
keep me from going to that, will you? You'll just let me out for
|
|
the afternoon, won't you? Then I'll stay here as long as you
|
|
like AFTERWARDS cheerfully. But I MUST go to the picnic."
|
|
|
|
"You'll not go to picnics nor anywhere else until you've
|
|
confessed, Anne."
|
|
|
|
"Oh, Marilla," gasped Anne.
|
|
|
|
But Marilla had gone out and shut the door.
|
|
|
|
Wednesday morning dawned as bright and fair as if expressly made
|
|
to order for the picnic. Birds sang around Green Gables; the
|
|
Madonna lilies in the garden sent out whiffs of perfume that
|
|
entered in on viewless winds at every door and window, and
|
|
wandered through halls and rooms like spirits of benediction.
|
|
The birches in the hollow waved joyful hands as if watching for
|
|
Anne's usual morning greeting from the east gable. But Anne was
|
|
not at her window. When Marilla took her breakfast up to her she
|
|
found the child sitting primly on her bed, pale and resolute,
|
|
with tight-shut lips and gleaming eyes.
|
|
|
|
"Marilla, I'm ready to confess."
|
|
|
|
"Ah!" Marilla laid down her tray. Once again her method had
|
|
succeeded; but her success was very bitter to her. "Let me hear
|
|
what you have to say then, Anne."
|
|
|
|
"I took the amethyst brooch," said Anne, as if repeating a lesson
|
|
she had learned. "I took it just as you said. I didn't mean to
|
|
take it when I went in. But it did look so beautiful, Marilla,
|
|
when I pinned it on my breast that I was overcome by an
|
|
irresistible temptation. I imagined how perfectly thrilling it
|
|
would be to take it to Idlewild and play I was the Lady Cordelia
|
|
Fitzgerald. It would be so much easier to imagine I was the Lady
|
|
Cordelia if I had a real amethyst brooch on. Diana and I make
|
|
necklaces of roseberries but what are roseberries compared to
|
|
amethysts? So I took the brooch. I thought I could put it back
|
|
before you came home. I went all the way around by the road to
|
|
lengthen out the time. When I was going over the bridge across
|
|
the Lake of Shining Waters I took the brooch off to have another
|
|
look at it. Oh, how it did shine in the sunlight! And then, when
|
|
I was leaning over the bridge, it just slipped through my
|
|
fingers--so--and went down--down--down, all purplysparkling, and
|
|
sank forevermore beneath the Lake of Shining Waters. And that's
|
|
the best I can do at confessing, Marilla."
|
|
|
|
Marilla felt hot anger surge up into her heart again. This child
|
|
had taken and lost her treasured amethyst brooch and now sat
|
|
there calmly reciting the details thereof without the least
|
|
apparent compunction or repentance.
|
|
|
|
"Anne, this is terrible," she said, trying to speak calmly.
|
|
"You are the very wickedest girl I ever heard of"
|
|
|
|
"Yes, I suppose I am," agreed Anne tranquilly. "And I know I'll
|
|
have to be punished. It'll be your duty to punish me, Marilla.
|
|
Won't you please get it over right off because I'd like to go to
|
|
the picnic with nothing on my mind."
|
|
|
|
"Picnic, indeed! You'll go to no picnic today, Anne Shirley.
|
|
That shall be your punishment. And it isn't half severe enough
|
|
either for what you've done!"
|
|
|
|
"Not go to the picnic!" Anne sprang to her feet and clutched
|
|
Marilla's hand. "But you PROMISED me I might! Oh, Marilla, I
|
|
must go to the picnic. That was why I confessed. Punish me any
|
|
way you like but that. Oh, Marilla, please, please, let me go to
|
|
the picnic. Think of the ice cream! For anything you know I may
|
|
never have a chance to taste ice cream again."
|
|
|
|
Marilla disengaged Anne's clinging hands stonily.
|
|
|
|
"You needn't plead, Anne. You are not going to the picnic and
|
|
that's final. No, not a word."
|
|
|
|
Anne realized that Marilla was not to be moved. She clasped her
|
|
hands together, gave a piercing shriek, and then flung herself
|
|
face downward on the bed, crying and writhing in an utter
|
|
abandonment of disappointment and despair.
|
|
|
|
"For the land's sake!" gasped Marilla, hastening from the room.
|
|
"I believe the child is crazy. No child in her senses would
|
|
behave as she does. If she isn't she's utterly bad. Oh dear,
|
|
I'm afraid Rachel was right from the first. But I've put my hand
|
|
to the plow and I won't look back."
|
|
|
|
That was a dismal morning. Marilla worked fiercely and scrubbed
|
|
the porch floor and the dairy shelves when she could find nothing
|
|
else to do. Neither the shelves nor the porch needed it--but
|
|
Marilla did. Then she went out and raked the yard.
|
|
|
|
When dinner was ready she went to the stairs and called Anne. A
|
|
tear-stained face appeared, looking tragically over the banisters.
|
|
|
|
"Come down to your dinner, Anne."
|
|
|
|
"I don't want any dinner, Marilla," said Anne, sobbingly. "I
|
|
couldn't eat anything. My heart is broken. You'll feel remorse
|
|
of conscience someday, I expect, for breaking it, Marilla, but I
|
|
forgive you. Remember when the time comes that I forgive you.
|
|
But please don't ask me to eat anything, especially boiled pork
|
|
and greens. Boiled pork and greens are so unromantic when one is
|
|
in affliction."
|
|
|
|
Exasperated, Marilla returned to the kitchen and poured out her
|
|
tale of woe to Matthew, who, between his sense of justice and his
|
|
unlawful sympathy with Anne, was a miserable man.
|
|
|
|
"Well now, she shouldn't have taken the brooch, Marilla, or told
|
|
stories about it," he admitted, mournfuly surveying his plateful
|
|
of unromantic pork and greens as if he, like Anne, thought it a
|
|
food unsuited to crises of feeling, "but she's such a little
|
|
thing--such an interesting little thing. Don't you think it's pretty
|
|
rough not to let her go to the picnic when she's so set on it?"
|
|
|
|
"Matthew Cuthbert, I'm amazed at you. I think I've let her off
|
|
entirely too easy. And she doesn't appear to realize how wicked
|
|
she's been at all--that's what worries me most. If she'd really
|
|
felt sorry it wouldn't be so bad. And you don't seem to realize
|
|
it, neither; you're making excuses for her all the time to
|
|
yourself--I can see that."
|
|
|
|
"Well now, she's such a little thing," feebly reiterated Matthew.
|
|
"And there should be allowances made, Marilla. You know she's
|
|
never had any bringing up."
|
|
|
|
"Well, she's having it now" retorted Marilla.
|
|
|
|
The retort silenced Matthew if it did not convince him. That
|
|
dinner was a very dismal meal. The only cheerful thing about it
|
|
was Jerry Buote, the hired boy, and Marilla resented his
|
|
cheerfulness as a personal insult.
|
|
|
|
When her dishes were washed and her bread sponge set and her hens
|
|
fed Marilla remembered that she had noticed a small rent in her
|
|
best black lace shawl when she had taken it off on Monday
|
|
afternoon on returning from the Ladies' Aid.
|
|
|
|
She would go and mend it. The shawl was in a box in her trunk.
|
|
As Marilla lifted it out, the sunlight, falling through the vines
|
|
that clustered thickly about the window, struck upon something
|
|
caught in the shawl--something that glittered and sparkled in facets
|
|
of violet light. Marilla snatched at it with a gasp. It was the
|
|
amethyst brooch, hanging to a thread of the lace by its catch!
|
|
|
|
"Dear life and heart," said Marilla blankly, "what does this
|
|
mean? Here's my brooch safe and sound that I thought was at the
|
|
bottom of Barry's pond. Whatever did that girl mean by saying
|
|
she took it and lost it? I declare I believe Green Gables is
|
|
bewitched. I remember now that when I took off my shawl Monday
|
|
afternoon I laid it on the bureau for a minute. I suppose the
|
|
brooch got caught in it somehow. Well!"
|
|
|
|
Marilla betook herself to the east gable, brooch in hand. Anne
|
|
had cried herself out and was sitting dejectedly by the window.
|
|
|
|
"Anne Shirley," said Marilla solemnly, "I've just found my brooch
|
|
hanging to my black lace shawl. Now I want to know what that
|
|
rigmarole you told me this morning meant."
|
|
|
|
"Why, you said you'd keep me here until I confessed," returned
|
|
Anne wearily, "and so I decided to confess because I was bound to
|
|
get to the picnic. I thought out a confession last night after I
|
|
went to bed and made it as interesting as I could. And I said it
|
|
over and over so that I wouldn't forget it. But you wouldn't let
|
|
me go to the picnic after all, so all my trouble was wasted."
|
|
|
|
Marilla had to laugh in spite of herself. But her conscience
|
|
pricked her.
|
|
|
|
"Anne, you do beat all! But I was wrong--I see that now.
|
|
I shouldn't have doubted your word when I'd never known you to
|
|
tell a story. Of course, it wasn't right for you to confess to a
|
|
thing you hadn't done--it was very wrong to do so. But I drove you
|
|
to it. So if you'll forgive me, Anne, I'll forgive you and we'll
|
|
start square again. And now get yourself ready for the picnic."
|
|
|
|
Anne flew up like a rocket.
|
|
|
|
"Oh, Marilla, isn't it too late?"
|
|
|
|
"No, it's only two o'clock. They won't be more than well
|
|
gathered yet and it'll be an hour before they have tea. Wash
|
|
your face and comb your hair and put on your gingham. I'll fill
|
|
a basket for you. There's plenty of stuff baked in the house.
|
|
And I'll get Jerry to hitch up the sorrel and drive you down to
|
|
the picnic ground."
|
|
|
|
"Oh, Marilla," exclaimed Anne, flying to the washstand. "Five
|
|
minutes ago I was so miserable I was wishing I'd never been born
|
|
and now I wouldn't change places with an angel!"
|
|
|
|
That night a thoroughly happy, completely tired-out Anne returned
|
|
to Green Gables in a state of beatification impossible to describe.
|
|
|
|
"Oh, Marilla, I've had a perfectly scrumptious time. Scrumptious
|
|
is a new word I learned today. I heard Mary Alice Bell use it.
|
|
Isn't it very expressive? Everything was lovely. We had a
|
|
splendid tea and then Mr. Harmon Andrews took us all for a row
|
|
on the Lake of Shining Waters--six of us at a time. And Jane
|
|
Andrews nearly fell overboard. She was leaning out to pick water
|
|
lilies and if Mr. Andrews hadn't caught her by her sash just
|
|
in the nick of time she'd fallen in and prob'ly been drowned.
|
|
I wish it had been me. It would have been such a romantic
|
|
experience to have been nearly drowned. It would be such a
|
|
thrilling tale to tell. And we had the ice cream. Words fail me
|
|
to describe that ice cream. Marilla, I assure you it was sublime."
|
|
|
|
That evening Marilla told the whole story to Matthew over her
|
|
stocking basket.
|
|
|
|
"I'm willing to own up that I made a mistake," she concluded
|
|
candidly, "but I've learned a lesson. I have to laugh when I
|
|
think of Anne's `confession,' although I suppose I shouldn't for
|
|
it really was a falsehood. But it doesn't seem as bad as the
|
|
other would have been, somehow, and anyhow I'm responsible for
|
|
it. That child is hard to understand in some respects. But I
|
|
believe she'll turn out all right yet. And there's one thing
|
|
certain, no house will ever be dull that she's in."
|
|
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
A Tempest in the School Teapot
|
|
|
|
|
|
"What a splendid day!" said Anne, drawing a long breath. "Isn't
|
|
it good just to be alive on a day like this? I pity the people
|
|
who aren't born yet for missing it. They may have good days, of
|
|
course, but they can never have this one. And it's splendider
|
|
still to have such a lovely way to go to school by, isn't it?"
|
|
|
|
"It's a lot nicer than going round by the road; that is so dusty
|
|
and hot," said Diana practically, peeping into her dinner basket
|
|
and mentally calculating if the three juicy, toothsome, raspberry
|
|
tarts reposing there were divided among ten girls how many bites
|
|
each girl would have.
|
|
|
|
The little girls of Avonlea school always pooled their lunches,
|
|
and to eat three raspberry tarts all alone or even to share them
|
|
only with one's best chum would have forever and ever branded as
|
|
"awful mean" the girl who did it. And yet, when the tarts were
|
|
divided among ten girls you just got enough to tantalize you.
|
|
|
|
The way Anne and Diana went to school WAS a pretty one. Anne
|
|
thought those walks to and from school with Diana couldn't be
|
|
improved upon even by imagination. Going around by the main road
|
|
would have been so unromantic; but to go by Lover's Lane and
|
|
Willowmere and Violet Vale and the Birch Path was romantic, if
|
|
ever anything was.
|
|
|
|
Lover's Lane opened out below the orchard at Green Gables and
|
|
stretched far up into the woods to the end of the Cuthbert farm.
|
|
It was the way by which the cows were taken to the back pasture
|
|
and the wood hauled home in winter. Anne had named it Lover's
|
|
Lane before she had been a month at Green Gables.
|
|
|
|
"Not that lovers ever really walk there," she explained to Marilla,
|
|
"but Diana and I are reading a perfectly magnificent book and there's
|
|
a Lover's Lane in it. So we want to have one, too. And it's a very
|
|
pretty name, don't you think? So romantic! We can't imagine the
|
|
lovers into it, you know. I like that lane because you can think
|
|
out loud there without people calling you crazy."
|
|
|
|
Anne, starting out alone in the morning, went down Lover's Lane
|
|
as far as the brook. Here Diana met her, and the two little
|
|
girls went on up the lane under the leafy arch of maples--"maples
|
|
are such sociable trees," said Anne; "they're always rustling and
|
|
whispering to you"--until they came to a rustic bridge. Then
|
|
they left the lane and walked through Mr. Barry's back field and
|
|
past Willowmere. Beyond Willowmere came Violet Vale--a little
|
|
green dimple in the shadow of Mr. Andrew Bell's big woods. "Of
|
|
course there are no violets there now," Anne told Marilla, "but
|
|
Diana says there are millions of them in spring. Oh, Marilla,
|
|
can't you just imagine you see them? It actually takes away my
|
|
breath. I named it Violet Vale. Diana says she never saw the
|
|
beat of me for hitting on fancy names for places. It's nice to
|
|
be clever at something, isn't it? But Diana named the Birch
|
|
Path. She wanted to, so I let her; but I'm sure I could have
|
|
found something more poetical than plain Birch Path. Anybody can
|
|
think of a name like that. But the Birch Path is one of the
|
|
prettiest places in the world, Marilla."
|
|
|
|
It was. Other people besides Anne thought so when they stumbled
|
|
on it. It was a little narrow, twisting path, winding down over
|
|
a long hill straight through Mr. Bell's woods, where the light
|
|
came down sifted through so many emerald screens that it was as
|
|
flawless as the heart of a diamond. It was fringed in all its
|
|
length with slim young birches, white stemmed and lissom boughed;
|
|
ferns and starflowers and wild lilies-of-the-valley and scarlet
|
|
tufts of pigeonberries grew thickly along it; and always there
|
|
was a delightful spiciness in the air and music of bird calls and
|
|
the murmur and laugh of wood winds in the trees overhead. Now
|
|
and then you might see a rabbit skipping across the road if you
|
|
were quiet--which, with Anne and Diana, happened about once in a
|
|
blue moon. Down in the valley the path came out to the main road
|
|
and then it was just up the spruce hill to the school.
|
|
|
|
The Avonlea school was a whitewashed building, low in the eaves
|
|
and wide in the windows, furnished inside with comfortable
|
|
substantial old-fashioned desks that opened and shut, and were
|
|
carved all over their lids with the initials and hieroglyphics of
|
|
three generations of school children. The schoolhouse was set
|
|
back from the road and behind it was a dusky fir wood and a brook
|
|
where all the children put their bottles of milk in the morning
|
|
to keep cool and sweet until dinner hour.
|
|
|
|
Marilla had seen Anne start off to school on the first day of
|
|
September with many secret misgivings. Anne was such an odd girl.
|
|
How would she get on with the other children? And how on earth
|
|
would she ever manage to hold her tongue during school hours?
|
|
|
|
Things went better than Marilla feared, however. Anne came home
|
|
that evening in high spirits.
|
|
|
|
"I think I'm going to like school here," she announced. "I don't
|
|
think much of the master, through. He's all the time curling his
|
|
mustache and making eyes at Prissy Andrews. Prissy is grown up,
|
|
you know. She's sixteen and she's studying for the entrance
|
|
examination into Queen's Academy at Charlottetown next year.
|
|
Tillie Boulter says the master is DEAD GONE on her. She's got a
|
|
beautiful complexion and curly brown hair and she does it up so
|
|
elegantly. She sits in the long seat at the back and he sits
|
|
there, too, most of the time--to explain her lessons, he says.
|
|
But Ruby Gillis says she saw him writing something on her slate
|
|
and when Prissy read it she blushed as red as a beet and giggled;
|
|
and Ruby Gillis says she doesn't believe it had anything to do
|
|
with the lesson."
|
|
|
|
"Anne Shirley, don't let me hear you talking about your teacher
|
|
in that way again," said Marilla sharply. "You don't go to school
|
|
to criticize the master. I guess he can teach YOU something,
|
|
and it's your business to learn. And I want you to understand
|
|
right off that you are not to come home telling tales about him.
|
|
That is something I won't encourage. I hope you were a good girl."
|
|
|
|
"Indeed I was," said Anne comfortably. "It wasn't so hard as you
|
|
might imagine, either. I sit with Diana. Our seat is right by
|
|
the window and we can look down to the Lake of Shining Waters.
|
|
There are a lot of nice girls in school and we had scrumptious
|
|
fun playing at dinnertime. It's so nice to have a lot of little
|
|
girls to play with. But of course I like Diana best and always
|
|
will. I ADORE Diana. I'm dreadfully far behind the others.
|
|
They're all in the fifth book and I'm only in the fourth. I feel
|
|
that it's kind of a disgrace. But there's not one of them has
|
|
such an imagination as I have and I soon found that out. We had
|
|
reading and geography and Canadian history and dictation today.
|
|
Mr. Phillips said my spelling was disgraceful and he held up my
|
|
slate so that everybody could see it, all marked over. I felt so
|
|
mortified, Marilla; he might have been politer to a stranger, I
|
|
think. Ruby Gillis gave me an apple and Sophia Sloane lent me a
|
|
lovely pink card with `May I see you home?' on it. I'm to give
|
|
it back to her tomorrow. And Tillie Boulter let me wear her bead
|
|
ring all the afternoon. Can I have some of those pearl beads off
|
|
the old pincushion in the garret to make myself a ring? And oh,
|
|
Marilla, Jane Andrews told me that Minnie MacPherson told her
|
|
that she heard Prissy Andrews tell Sara Gillis that I had a very
|
|
pretty nose. Marilla, that is the first compliment I have ever
|
|
had in my life and you can't imagine what a strange feeling it
|
|
gave me. Marilla, have I really a pretty nose? I know you'll
|
|
tell me the truth."
|
|
|
|
"Your nose is well enough," said Marilla shortly. Secretly she
|
|
thought Anne's nose was a remarkable pretty one; but she had no
|
|
intention of telling her so.
|
|
|
|
That was three weeks ago and all had gone smoothly so far. And now,
|
|
this crisp September morning, Anne and Diana were tripping blithely
|
|
down the Birch Path, two of the happiest little girls in Avonlea.
|
|
|
|
"I guess Gilbert Blythe will be in school today," said Diana.
|
|
"He's been visiting his cousins over in New Brunswick all summer
|
|
and he only came home Saturday night. He's AW'FLY handsome, Anne.
|
|
And he teases the girls something terrible. He just torments our
|
|
lives out."
|
|
|
|
Diana's voice indicated that she rather liked having her life
|
|
tormented out than not.
|
|
|
|
"Gilbert Blythe?" said Anne. "Isn't his name that's written up on
|
|
the porch wall with Julia Bell's and a big `Take Notice' over them?"
|
|
|
|
"Yes," said Diana, tossing her head, "but I'm sure he doesn't
|
|
like Julia Bell so very much. I've heard him say he studied the
|
|
multiplication table by her freckles."
|
|
|
|
"Oh, don't speak about freckles to me," implored Anne. "It isn't
|
|
delicate when I've got so many. But I do think that writing
|
|
take-notices up on the wall about the boys and girls is the
|
|
silliest ever. I should just like to see anybody dare to write
|
|
my name up with a boy's. Not, of course," she hastened to add,
|
|
"that anybody would."
|
|
|
|
Anne sighed. She didn't want her name written up. But it was a
|
|
little humiliating to know that there was no danger of it.
|
|
|
|
"Nonsense," said Diana, whose black eyes and glossy tresses had
|
|
played such havoc with the hearts of Avonlea schoolboys that her
|
|
name figured on the porch walls in half a dozen take-notices.
|
|
"It's only meant as a joke. And don't you be too sure your name
|
|
won't ever be written up. Charlie Sloane is DEAD GONE on you.
|
|
He told his mother--his MOTHER, mind you--that you were the
|
|
smartest girl in school. That's better than being good looking."
|
|
|
|
"No, it isn't," said Anne, feminine to the core. "I'd rather be
|
|
pretty than clever. And I hate Charlie Sloane, I can't bear a boy
|
|
with goggle eyes. If anyone wrote my name up with his I'd never GET
|
|
over it, Diana Barry. But it IS nice to keep head of your class."
|
|
|
|
"You'll have Gilbert in your class after this," said Diana, "and
|
|
he's used to being head of his class, I can tell you. He's only
|
|
in the fourth book although he's nearly fourteen. Four years ago
|
|
his father was sick and had to go out to Alberta for his health
|
|
and Gilbert went with him. They were there three years and Gil
|
|
didn't go to school hardly any until they came back. You won't
|
|
find it so easy to keep head after this, Anne."
|
|
|
|
"I'm glad," said Anne quickly. "I couldn't really feel proud of
|
|
keeping head of little boys and girls of just nine or ten. I got
|
|
up yesterday spelling `ebullition.' Josie Pye was head and, mind
|
|
you, she peeped in her book. Mr. Phillips didn't see her--he
|
|
was looking at Prissy Andrews--but I did. I just swept her a
|
|
look of freezing scorn and she got as red as a beet and spelled
|
|
it wrong after all."
|
|
|
|
"Those Pye girls are cheats all round," said Diana indignantly,
|
|
as they climbed the fence of the main road. "Gertie Pye actually
|
|
went and put her milk bottle in my place in the brook yesterday.
|
|
Did you ever? I don't speak to her now."
|
|
|
|
When Mr. Phillips was in the back of the room hearing Prissy
|
|
Andrews's Latin, Diana whispered to Anne,
|
|
|
|
"That's Gilbert Blythe sitting right across the aisle from you,
|
|
Anne. Just look at him and see if you don't think he's handsome."
|
|
|
|
Anne looked accordingly. She had a good chance to do so, for the
|
|
said Gilbert Blythe was absorbed in stealthily pinning the long
|
|
yellow braid of Ruby Gillis, who sat in front of him, to the back
|
|
of her seat. He was a tall boy, with curly brown hair, roguish
|
|
hazel eyes, and a mouth twisted into a teasing smile. Presently
|
|
Ruby Gillis started up to take a sum to the master; she fell back
|
|
into her seat with a little shriek, believing that her hair was
|
|
pulled out by the roots. Everybody looked at her and Mr.
|
|
Phillips glared so sternly that Ruby began to cry. Gilbert had
|
|
whisked the pin out of sight and was studying his history with
|
|
the soberest face in the world; but when the commotion subsided
|
|
he looked at Anne and winked with inexpressible drollery.
|
|
|
|
"I think your Gilbert Blythe IS handsome," confided Anne to Diana,
|
|
"but I think he's very bold. It isn't good manners to wink at a
|
|
strange girl."
|
|
|
|
But it was not until the afternoon that things really began to happen.
|
|
|
|
Mr. Phillips was back in the corner explaining a problem in
|
|
algebra to Prissy Andrews and the rest of the scholars were doing
|
|
pretty much as they pleased eating green apples, whispering,
|
|
drawing pictures on their slates, and driving crickets harnessed
|
|
to strings, up and down aisle. Gilbert Blythe was trying to make
|
|
Anne Shirley look at him and failing utterly, because Anne was at
|
|
that moment totally oblivious not only to the very existence of
|
|
Gilbert Blythe, but of every other scholar in Avonlea school itself.
|
|
With her chin propped on her hands and her eyes fixed on the blue
|
|
glimpse of the Lake of Shining Waters that the west window afforded,
|
|
she was far away in a gorgeous dreamland hearing and seeing nothing
|
|
save her own wonderful visions.
|
|
|
|
Gilbert Blythe wasn't used to putting himself out to make a girl
|
|
look at him and meeting with failure. She SHOULD look at him, that
|
|
red-haired Shirley girl with the little pointed chin and the big
|
|
eyes that weren't like the eyes of any other girl in Avonlea school.
|
|
|
|
Gilbert reached across the aisle, picked up the end of Anne's
|
|
long red braid, held it out at arm's length and said in a
|
|
piercing whisper:
|
|
|
|
"Carrots! Carrots!"
|
|
|
|
Then Anne looked at him with a vengeance!
|
|
|
|
She did more than look. She sprang to her feet, her bright
|
|
fancies fallen into cureless ruin. She flashed one indignant
|
|
glance at Gilbert from eyes whose angry sparkle was swiftly
|
|
quenched in equally angry tears.
|
|
|
|
"You mean, hateful boy!" she exclaimed passionately. "How dare you!"
|
|
|
|
And then--thwack! Anne had brought her slate down on Gilbert's
|
|
head and cracked it--slate not head--clear across.
|
|
|
|
Avonlea school always enjoyed a scene. This was an especially
|
|
enjoyable one. Everybody said "Oh" in horrified delight. Diana
|
|
gasped. Ruby Gillis, who was inclined to be hysterical, began to
|
|
cry. Tommy Sloane let his team of crickets escape him altogether
|
|
while he stared open-mouthed at the tableau.
|
|
|
|
Mr. Phillips stalked down the aisle and laid his hand heavily on
|
|
Anne's shoulder.
|
|
|
|
"Anne Shirley, what does this mean?" he said angrily. Anne
|
|
returned no answer. It was asking too much of flesh and blood to
|
|
expect her to tell before the whole school that she had been
|
|
called "carrots." Gilbert it was who spoke up stoutly.
|
|
|
|
"It was my fault Mr. Phillips. I teased her."
|
|
|
|
Mr. Phillips paid no heed to Gilbert.
|
|
|
|
"I am sorry to see a pupil of mine displaying such a temper and
|
|
such a vindictive spirit," he said in a solemn tone, as if the
|
|
mere fact of being a pupil of his ought to root out all evil
|
|
passions from the hearts of small imperfect mortals. "Anne, go
|
|
and stand on the platform in front of the blackboard for the rest
|
|
of the afternoon."
|
|
|
|
Anne would have infinitely preferred a whipping to this
|
|
punishment under which her sensitive spirit quivered as from a
|
|
whiplash. With a white, set face she obeyed. Mr. Phillips took
|
|
a chalk crayon and wrote on the blackboard above her head.
|
|
|
|
"Ann Shirley has a very bad temper. Ann Shirley must learn to
|
|
control her temper," and then read it out loud so that even the
|
|
primer class, who couldn't read writing, should understand it.
|
|
|
|
Anne stood there the rest of the afternoon with that legend above
|
|
her. She did not cry or hang her head. Anger was still too hot
|
|
in her heart for that and it sustained her amid all her agony of
|
|
humiliation. With resentful eyes and passion-red cheeks she
|
|
confronted alike Diana's sympathetic gaze and Charlie Sloane's
|
|
indignant nods and Josie Pye's malicious smiles. As for Gilbert
|
|
Blythe, she would not even look at him. She would NEVER look at
|
|
him again! She would never speak to him!!
|
|
|
|
When school was dismissed Anne marched out with her red head held
|
|
high. Gilbert Blythe tried to intercept her at the porch door.
|
|
|
|
"I'm awfully sorry I made fun of your hair, Anne," he whispered
|
|
contritely. "Honest I am. Don't be mad for keeps, now"
|
|
|
|
Anne swept by disdainfully, without look or sign of hearing. "Oh
|
|
how could you, Anne?" breathed Diana as they went down the road
|
|
half reproachfully, half admiringly. Diana felt that SHE could
|
|
never have resisted Gilbert's plea.
|
|
|
|
"I shall never forgive Gilbert Blythe," said Anne firmly.
|
|
"And Mr. Phillips spelled my name without an e, too.
|
|
The iron has entered into my soul, Diana."
|
|
|
|
Diana hadn't the least idea what Anne meant but she understood it
|
|
was something terrible.
|
|
|
|
"You mustn't mind Gilbert making fun of your hair," she said
|
|
soothingly. "Why, he makes fun of all the girls. He laughs at
|
|
mine because it's so black. He's called me a crow a dozen times;
|
|
and I never heard him apologize for anything before, either."
|
|
|
|
"There's a great deal of difference between being called a crow
|
|
and being called carrots," said Anne with dignity. "Gilbert
|
|
Blythe has hurt my feelings EXCRUCIATINGLY, Diana."
|
|
|
|
It is possible the matter might have blown over without more
|
|
excruciation if nothing else had happened. But when things begin
|
|
to happen they are apt to keep on.
|
|
|
|
Avonlea scholars often spent noon hour picking gum in Mr. Bell's
|
|
spruce grove over the hill and across his big pasture field.
|
|
From there they could keep an eye on Eben Wright's house, where
|
|
the master boarded. When they saw Mr. Phillips emerging therefrom
|
|
they ran for the schoolhouse; but the distance being about three
|
|
times longer than Mr. Wright's lane they were very apt to arrive
|
|
there, breathless and gasping, some three minutes too late.
|
|
|
|
On the following day Mr. Phillips was seized with one of his
|
|
spasmodic fits of reform and announced before going home to
|
|
dinner, that he should expect to find all the scholars in their
|
|
seats when he returned. Anyone who came in late would be punished.
|
|
|
|
All the boys and some of the girls went to Mr. Bell's spruce
|
|
grove as usual, fully intending to stay only long enough to "pick
|
|
a chew." But spruce groves are seductive and yellow nuts of gum
|
|
beguiling; they picked and loitered and strayed; and as usual the
|
|
first thing that recalled them to a sense of the flight of time
|
|
was Jimmy Glover shouting from the top of a patriarchal old
|
|
spruce "Master's coming."
|
|
|
|
The girls who were on the ground, started first and managed to
|
|
reach the schoolhouse in time but without a second to spare. The
|
|
boys, who had to wriggle hastily down from the trees, were later;
|
|
and Anne, who had not been picking gum at all but was wandering
|
|
happily in the far end of the grove, waist deep among the
|
|
bracken, singing softly to herself, with a wreath of rice lilies
|
|
on her hair as if she were some wild divinity of the shadowy
|
|
places, was latest of all. Anne could run like a deer, however;
|
|
run she did with the impish result that she overtook the boys at
|
|
the door and was swept into the schoolhouse among them just as
|
|
Mr. Phillips was in the act of hanging up his hat.
|
|
|
|
Mr. Phillips's brief reforming energy was over; he didn't want
|
|
the bother of punishing a dozen pupils; but it was necessary to
|
|
do something to save his word, so he looked about for a scapegoat
|
|
and found it in Anne, who had dropped into her seat, gasping for
|
|
breath, with a forgotten lily wreath hanging askew over one ear
|
|
and giving her a particularly rakish and disheveled appearance.
|
|
|
|
"Anne Shirley, since you seem to be so fond of the boys' company
|
|
we shall indulge your taste for it this afternoon," he said
|
|
sarcastically. "Take those flowers out of your hair and sit with
|
|
Gilbert Blythe."
|
|
|
|
The other boys snickered. Diana, turning pale with pity, plucked
|
|
the wreath from Anne's hair and squeezed her hand. Anne stared
|
|
at the master as if turned to stone.
|
|
|
|
"Did you hear what I said, Anne?" queried Mr. Phillips sternly.
|
|
|
|
"Yes, sir," said Anne slowly "but I didn't suppose you really meant it."
|
|
|
|
"I assure you I did"--still with the sarcastic inflection which all
|
|
the children, and Anne especially, hated. It flicked on the raw.
|
|
"Obey me at once."
|
|
|
|
For a moment Anne looked as if she meant to disobey. Then,
|
|
realizing that there was no help for it, she rose haughtily,
|
|
stepped across the aisle, sat down beside Gilbert Blythe, and
|
|
buried her face in her arms on the desk. Ruby Gillis, who got a
|
|
glimpse of it as it went down, told the others going home from
|
|
school that she'd "acksually never seen anything like it--it was
|
|
so white, with awful little red spots in it."
|
|
|
|
To Anne, this was as the end of all things. It was bad enough to
|
|
be singled out for punishment from among a dozen equally guilty
|
|
ones; it was worse still to be sent to sit with a boy, but that
|
|
that boy should be Gilbert Blythe was heaping insult on injury to
|
|
a degree utterly unbearable. Anne felt that she could not bear
|
|
it and it would be of no use to try. Her whole being seethed
|
|
with shame and anger and humiliation.
|
|
|
|
At first the other scholars looked and whispered and giggled and
|
|
nudged. But as Anne never lifted her head and as Gilbert worked
|
|
fractions as if his whole soul was absorbed in them and them only,
|
|
they soon returned to their own tasks and Anne was forgotten.
|
|
When Mr. Phillips called the history class out Anne should have
|
|
gone, but Anne did not move, and Mr. Phillips, who had been
|
|
writing some verses "To Priscilla" before he called the class,
|
|
was thinking about an obstinate rhyme still and never missed her.
|
|
Once, when nobody was looking, Gilbert took from his desk a little
|
|
pink candy heart with a gold motto on it, "You are sweet," and
|
|
slipped it under the curve of Anne's arm. Whereupon Anne arose,
|
|
took the pink heart gingerly between the tips of her fingers,
|
|
dropped it on the floor, ground it to powder beneath her heel,
|
|
and resumed her position without deigning to bestow a glance on Gilbert.
|
|
|
|
When school went out Anne marched to her desk, ostentatiously took
|
|
out everything therein, books and writing tablet, pen and ink,
|
|
testament and arithmetic, and piled them neatly on her cracked slate.
|
|
|
|
"What are you taking all those things home for, Anne?" Diana
|
|
wanted to know, as soon as they were out on the road. She had
|
|
not dared to ask the question before.
|
|
|
|
"I am not coming back to school any more," said Anne.
|
|
Diana gasped and stared at Anne to see if she meant it.
|
|
|
|
"Will Marilla let you stay home?" she asked.
|
|
|
|
"She'll have to," said Anne. "I'll NEVER go to school to
|
|
that man again."
|
|
|
|
"Oh, Anne!" Diana looked as if she were ready to cry. "I do
|
|
think you're mean. What shall I do? Mr. Phillips will make me
|
|
sit with that horrid Gertie Pye--I know he will because she is
|
|
sitting alone. Do come back, Anne."
|
|
|
|
"I'd do almost anything in the world for you, Diana," said Anne sadly.
|
|
"I'd let myself be torn limb from limb if it would do you any good.
|
|
But I can't do this, so please don't ask it. You harrow up my very soul."
|
|
|
|
"Just think of all the fun you will miss," mourned Diana. "We
|
|
are going to build the loveliest new house down by the brook; and
|
|
we'll be playing ball next week and you've never played ball, Anne.
|
|
It's tremendously exciting. And we're going to learn a new song--
|
|
Jane Andrews is practicing it up now; and Alice Andrews is going
|
|
to bring a new Pansy book next week and we're all going to read
|
|
it out loud, chapter about, down by the brook. And you know you
|
|
are so fond of reading out loud, Anne."
|
|
|
|
Nothing moved Anne in the least. Her mind was made up. She
|
|
would not go to school to Mr. Phillips again; she told Marilla
|
|
so when she got home.
|
|
|
|
"Nonsense," said Marilla.
|
|
|
|
"It isn't nonsense at all," said Anne, gazing at Marilla with solemn,
|
|
reproachful eyes. "Don't you understand, Marilla? I've been insulted."
|
|
|
|
"Insulted fiddlesticks! You'll go to school tomorrow as usual."
|
|
|
|
"Oh, no." Anne shook her head gently. "I'm not going back,
|
|
Marilla. "I'll learn my lessons at home and I'll be as good as I
|
|
can be and hold my tongue all the time if it's possible at all.
|
|
But I will not go back to school, I assure you."
|
|
|
|
Marilla saw something remarkably like unyielding stubbornness
|
|
looking out of Anne's small face. She understood that she would
|
|
have trouble in overcoming it; but she re-solved wisely to say
|
|
nothing more just then. "I'll run down and see Rachel about it
|
|
this evening," she thought. "There's no use reasoning with Anne
|
|
now. She's too worked up and I've an idea she can be awful stubborn
|
|
if she takes the notion. Far as I can make out from her story,
|
|
Mr. Phillips has been carrying matters with a rather high hand.
|
|
But it would never do to say so to her. I'll just talk it
|
|
over with Rachel. She's sent ten children to school and she
|
|
ought to know something about it. She'll have heard the whole
|
|
story, too, by this time."
|
|
|
|
Marilla found Mrs. Lynde knitting quilts as industriously and
|
|
cheerfully as usual.
|
|
|
|
"I suppose you know what I've come about," she said, a little
|
|
shamefacedly.
|
|
|
|
Mrs. Rachel nodded.
|
|
|
|
"About Anne's fuss in school, I reckon," she said. "Tillie
|
|
Boulter was in on her way home from school and told me about it."
|
|
"I don't know what to do with her," said Marilla. "She declares
|
|
she won't go back to school. I never saw a child so worked up.
|
|
I've been expecting trouble ever since she started to school.
|
|
I knew things were going too smooth to last. She's so high strung.
|
|
What would you advise, Rachel?"
|
|
|
|
"Well, since you've asked my advice, Marilla," said Mrs. Lynde
|
|
amiably--Mrs. Lynde dearly loved to be asked for advice--"I'd
|
|
just humor her a little at first, that's what I'd do. It's my
|
|
belief that Mr. Phillips was in the wrong. Of course, it
|
|
doesn't do to say so to the children, you know. And of course he
|
|
did right to punish her yesterday for giving way to temper. But
|
|
today it was different. The others who were late should have
|
|
been punished as well as Anne, that's what. And I don't believe
|
|
in making the girls sit with the boys for punishment. It isn't
|
|
modest. Tillie Boulter was real indignant. She took Anne's part
|
|
right through and said all the scholars did too. Anne seems real
|
|
popular among them, somehow. I never thought she'd take with
|
|
them so well."
|
|
|
|
"Then you really think I'd better let her stay home," said
|
|
Marilla in amazement.
|
|
|
|
"Yes. That is I wouldn't say school to her again until she
|
|
said it herself. Depend upon it, Marilla, she'll cool off in
|
|
a week or so and be ready enough to go back of her own accord,
|
|
that's what, while, if you were to make her go back right off,
|
|
dear knows what freak or tantrum she'd take next and make more
|
|
trouble than ever. The less fuss made the better, in my opinion.
|
|
She won't miss much by not going to school, as far as THAT goes.
|
|
Mr. Phillips isn't any good at all as a teacher. The order he keeps
|
|
is scandalous, that's what, and he neglects the young fry and
|
|
puts all his time on those big scholars he's getting ready for
|
|
Queen's. He'd never have got the school for another year if his
|
|
uncle hadn't been a trustee--THE trustee, for he just leads the
|
|
other two around by the nose, that's what. I declare, I don't
|
|
know what education in this Island is coming to."
|
|
|
|
Mrs. Rachel shook her head, as much as to say if she were only
|
|
at the head of the educational system of the Province things
|
|
would be much better managed.
|
|
|
|
Marilla took Mrs. Rachel's advice and not another word was said
|
|
to Anne about going back to school. She learned her lessons at
|
|
home, did her chores, and played with Diana in the chilly purple
|
|
autumn twilights; but when she met Gilbert Blythe on the road or
|
|
encountered him in Sunday school she passed him by with an icy
|
|
contempt that was no whit thawed by his evident desire to appease
|
|
her. Even Diana's efforts as a peacemaker were of no avail.
|
|
Anne had evidently made up her mind to hate Gilbert Blythe to
|
|
the end of life.
|
|
|
|
As much as she hated Gilbert, however, did she love Diana, with
|
|
all the love of her passionate little heart, equally intense in
|
|
its likes and dislikes. One evening Marilla, coming in from the
|
|
orchard with a basket of apples, found Anne sitting along by the
|
|
east window in the twilight, crying bitterly.
|
|
|
|
"Whatever's the matter now, Anne?" she asked.
|
|
|
|
"It's about Diana," sobbed Anne luxuriously. "I love Diana so,
|
|
Marilla. I cannot ever live without her. But I know very well
|
|
when we grow up that Diana will get married and go away and leave
|
|
me. And oh, what shall I do? I hate her husband--I just hate
|
|
him furiously. I've been imagining it all out--the wedding and
|
|
everything--Diana dressed in snowy garments, with a veil, and
|
|
looking as beautiful and regal as a queen; and me the bridesmaid,
|
|
with a lovely dress too, and puffed sleeves, but with a breaking
|
|
heart hid beneath my smiling face. And then bidding Diana
|
|
goodbye-e-e--" Here Anne broke down entirely and wept with
|
|
increasing bitterness.
|
|
|
|
Marilla turned quickly away to hide her twitching face; but it
|
|
was no use; she collapsed on the nearest chair and burst into
|
|
such a hearty and unusual peal of laughter that Matthew, crossing
|
|
the yard outside, halted in amazement. When had he heard Marilla
|
|
laugh like that before?
|
|
|
|
"Well, Anne Shirley," said Marilla as soon as she could speak,
|
|
"if you must borrow trouble, for pity's sake borrow it handier
|
|
home. I should think you had an imagination, sure enough."
|
|
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
Diana Is Invited to Tea with Tragic Results
|
|
|
|
|
|
OCTOBER was a beautiful month at Green Gables, when the birches
|
|
in the hollow turned as golden as sunshine and the maples behind
|
|
the orchard were royal crimson and the wild cherry trees along
|
|
the lane put on the loveliest shades of dark red and bronzy
|
|
green, while the fields sunned themselves in aftermaths.
|
|
|
|
Anne reveled in the world of color about her.
|
|
|
|
"Oh, Marilla," she exclaimed one Saturday morning, coming dancing
|
|
in with her arms full of gorgeous boughs" 'I'm so glad I live in
|
|
a world where there are Octobers. It would be terrible if we
|
|
just skipped from September to November, wouldn't it? Look at
|
|
these maple branches. Don't they give you a thrill--several
|
|
thrills? I'm going to decorate my room with them."
|
|
|
|
"Messy things," said Marilla, whose aesthetic sense was not
|
|
noticeably developed. "You clutter up your room entirely too
|
|
much with out-of-doors stuff, Anne. Bedrooms were made to sleep
|
|
in."
|
|
|
|
"Oh, and dream in too, Marilla. And you know one can dream so
|
|
much better in a room where there are pretty things. I'm going
|
|
to put these boughs in the old blue jug and set them on my
|
|
table."
|
|
|
|
"Mind you don't drop leaves all over the stairs then. I'm going
|
|
on a meeting of the Aid Society at Carmody this afternoon, Anne,
|
|
and I won't likely be home before dark. You'll have to get
|
|
Matthew and Jerry their supper, so mind you don't forget to put
|
|
the tea to draw until you sit down at the table as you did last
|
|
time."
|
|
|
|
"It was dreadful of me to forget," said Anne apologetically, "but
|
|
that was the afternoon I was trying to think of a name for Violet
|
|
Vale and it crowded other things out. Matthew was so good. He
|
|
never scolded a bit. He put the tea down himself and said we
|
|
could wait awhile as well as not. And I told him a lovely fairy
|
|
story while we were waiting, so he didn't find the time long at
|
|
all. It was a beautiful fairy story, Marilla. I forgot the end
|
|
of it, so I made up an end for it myself and Matthew said he
|
|
couldn't tell where the join came in."
|
|
|
|
"Matthew would think it all right, Anne, if you took a notion to
|
|
get up and have dinner in the middle of the night. But you keep
|
|
your wits about you this time. And--I don't really know if I'm
|
|
doing right--it may make you more addlepated than ever--but you
|
|
can ask Diana to come over and spend the afternoon with you and
|
|
have tea here."
|
|
|
|
"Oh, Marilla!" Anne clasped her hands. "How perfectly lovely!
|
|
You ARE able to imagine things after all or else you'd never have
|
|
understood how I've longed for that very thing. It will seem so
|
|
nice and grown-uppish. No fear of my forgetting to put the tea
|
|
to draw when I have company. Oh, Marilla, can I use the rosebud
|
|
spray tea set?"
|
|
|
|
"No, indeed! The rosebud tea set! Well, what next? You know I
|
|
never use that except for the minister or the Aids. You'll put
|
|
down the old brown tea set. But you can open the little yellow
|
|
crock of cherry preserves. It's time it was being used anyhow--I
|
|
believe it's beginning to work. And you can cut some fruit cake
|
|
and have some of the cookies and snaps."
|
|
|
|
"I can just imagine myself sitting down at the head of the table
|
|
and pouring out the tea," said Anne, shutting her eyes
|
|
ecstatically. "And asking Diana if she takes sugar! I know she
|
|
doesn't but of course I'll ask her just as if I didn't know. And
|
|
then pressing her to take another piece of fruit cake and another
|
|
helping of preserves. Oh, Marilla, it's a wonderful sensation
|
|
just to think of it. Can I take her into the spare room to lay
|
|
off her hat when she comes? And then into the parlor to sit?"
|
|
|
|
"No. The sitting room will do for you and your company. But
|
|
there's a bottle half full of raspberry cordial that was left
|
|
over from the church social the other night. It's on the second
|
|
shelf of the sitting-room closet and you and Diana can have it if
|
|
you like, and a cooky to eat with it along in the afternoon, for
|
|
I daresay Matthew'll be late coming in to tea since he's hauling
|
|
potatoes to the vessel."
|
|
|
|
Anne flew down to the hollow, past the Dryad's Bubble and up the
|
|
spruce path to Orchard Slope, to ask Diana to tea. As a result
|
|
just after Marilla had driven off to Carmody, Diana came over,
|
|
dressed in HER second-best dress and looking exactly as it is
|
|
proper to look when asked out to tea. At other times she was
|
|
wont to run into the kitchen without knocking; but now she
|
|
knocked primly at the front door. And when Anne, dressed in her
|
|
second best, as primly opened it, both little girls shook hands
|
|
as gravely as if they had never met before. This unnatural
|
|
solemnity lasted until after Diana had been taken to the east
|
|
gable to lay off her hat and then had sat for ten minutes in the
|
|
sitting room, toes in position.
|
|
|
|
"How is your mother?" inquired Anne politely, just as if she had
|
|
not seen Mrs. Barry picking apples that morning in excellent
|
|
health and spirits.
|
|
|
|
"She is very well, thank you. I suppose Mr. Cuthbert is hauling
|
|
potatoes to the LILY SANDS this afternoon, is he?" said Diana,
|
|
who had ridden down to Mr. Harmon Andrews's that morning in
|
|
Matthew's cart.
|
|
|
|
"Yes. Our potato crop is very good this year. I hope your
|
|
father's crop is good too."
|
|
|
|
"It is fairly good, thank you. Have you picked many of your
|
|
apples yet?"
|
|
|
|
"Oh, ever so many," said Anne forgetting to be dignified and
|
|
jumping up quickly. "Let's go out to the orchard and get some of
|
|
the Red Sweetings, Diana. Marilla says we can have all that are
|
|
left on the tree. Marilla is a very generous woman. She said we
|
|
could have fruit cake and cherry preserves for tea. But it isn't
|
|
good manners to tell your company what you are going to give them
|
|
to eat, so I won't tell you what she said we could have to drink.
|
|
Only it begins with an R and a C and it's bright red color. I
|
|
love bright red drinks, don't you? They taste twice as good as
|
|
any other color."
|
|
|
|
The orchard, with its great sweeping boughs that bent to the
|
|
ground with fruit, proved so delightful that the little girls
|
|
spent most of the afternoon in it, sitting in a grassy corner
|
|
where the frost had spared the green and the mellow autumn
|
|
sunshine lingered warmly, eating apples and talking as hard as
|
|
they could. Diana had much to tell Anne of what went on in
|
|
school. She had to sit with Gertie Pye and she hated it; Gertie
|
|
squeaked her pencil all the time and it just made
|
|
her--Diana's--blood run cold; Ruby Gillis had charmed all her
|
|
warts away, true's you live, with a magic pebble that old Mary
|
|
Joe from the Creek gave her. You had to rub the warts with the
|
|
pebble and then throw it away over your left shoulder at the time
|
|
of the new moon and the warts would all go. Charlie Sloane's
|
|
name was written up with Em White's on the porch wall and Em
|
|
White was AWFUL MAD about it; Sam Boulter had "sassed" Mr.
|
|
Phillips in class and Mr. Phillips whipped him and Sam's father
|
|
came down to the school and dared Mr. Phillips to lay a hand on
|
|
one of his children again; and Mattie Andrews had a new red hood
|
|
and a blue crossover with tassels on it and the airs she put on
|
|
about it were perfectly sickening; and Lizzie Wright didn't speak
|
|
to Mamie Wilson because Mamie Wilson's grown-up sister had cut
|
|
out Lizzie Wright's grown-up sister with her beau; and everybody
|
|
missed Anne so and wished she's come to school again; and Gilbert
|
|
Blythe--
|
|
|
|
But Anne didn't want to hear about Gilbert Blythe. She jumped up
|
|
hurriedly and said suppose they go in and have some raspberry
|
|
cordial.
|
|
|
|
Anne looked on the second shelf of the room pantry but there was
|
|
no bottle of raspberry cordial there . Search revealed it away
|
|
back on the top shelf. Anne put it on a tray and set it on the
|
|
table with a tumbler.
|
|
|
|
"Now, please help yourself, Diana," she said politely. "I don't
|
|
believe I'll have any just now. I don't feel as if I wanted any
|
|
after all those apples."
|
|
|
|
Diana poured herself out a tumblerful, looked at its bright-red
|
|
hue admiringly, and then sipped it daintily.
|
|
|
|
"That's awfully nice raspberry cordial, Anne," she said. "I
|
|
didn't know raspberry cordial was so nice."
|
|
|
|
"I'm real glad you like it. Take as much as you want. I'm going
|
|
to run out and stir the fire up. There are so many
|
|
responsibilities on a person's mind when they're keeping house,
|
|
isn't there?"
|
|
|
|
When Anne came back from the kitchen Diana was drinking her
|
|
second glassful of cordial; and, being entreated thereto by Anne,
|
|
she offered no particular objection to the drinking of a third.
|
|
The tumblerfuls were generous ones and the raspberry cordial was
|
|
certainly very nice.
|
|
|
|
"The nicest I ever drank," said Diana. "It's ever so much nicer
|
|
than Mrs. Lynde's, although she brags of hers so much. It
|
|
doesn't taste a bit like hers."
|
|
|
|
"I should think Marilla's raspberry cordial would prob'ly be much
|
|
nicer than Mrs. Lynde's," said Anne loyally. "Marilla is a
|
|
famous cook. She is trying to teach me to cook but I assure you,
|
|
Diana, it is uphill work. There's so little scope for
|
|
imagination in cookery. You just have to go by rules. The last
|
|
time I made a cake I forgot to put the flour in. I was thinking
|
|
the loveliest story about you and me, Diana. I thought you were
|
|
desperately ill with smallpox and everybody deserted you, but I
|
|
went boldly to your bedside and nursed you back to life; and then
|
|
I took the smallpox and died and I was buried under those poplar
|
|
trees in the graveyard and you planted a rosebush by my grave and
|
|
watered it with your tears; and you never, never forgot the
|
|
friend of your youth who sacrificed her life for you. Oh, it was
|
|
such a pathetic tale, Diana. The tears just rained down over my
|
|
cheeks while I mixed the cake. But I forgot the flour and the
|
|
cake was a dismal failure. Flour is so essential to cakes, you
|
|
know. Marilla was very cross and I don't wonder. I'm a great
|
|
trial to her. She was terribly mortified about the pudding sauce
|
|
last week. We had a plum pudding for dinner on Tuesday and there
|
|
was half the pudding and a pitcherful of sauce left over.
|
|
Marilla said there was enough for another dinner and told me to
|
|
set it on the pantry shelf and cover it. I meant to cover it
|
|
just as much as could be, Diana, but when I carried it in I was
|
|
imagining I was a nun--of course I'm a Protestant but I imagined
|
|
I was a Catholic--taking the veil to bury a broken heart in
|
|
cloistered seclusion; and I forgot all about covering the pudding
|
|
sauce. I thought of it next morning and ran to the pantry.
|
|
Diana, fancy if you can my extreme horror at finding a mouse
|
|
drowned in that pudding sauce! I lifted the mouse out with a
|
|
spoon and threw it out in the yard and then I washed the spoon in
|
|
three waters. Marilla was out milking and I fully intended to
|
|
ask her when she came in if I'd give the sauce to the pigs; but
|
|
when she did come in I was imagining that I was a frost fairy
|
|
going through the woods turning the trees red and yellow,
|
|
whichever they wanted to be, so I never thought about the
|
|
pudding sauce again and Marilla sent me out to pick apples.
|
|
Well, Mr. and Mrs. Chester Ross from Spencervale came here that
|
|
morning. You know they are very stylish people, especially Mrs.
|
|
Chester Ross. When Marilla called me in dinner was all ready and
|
|
everybody was at the table. I tried to be as polite and
|
|
dignified as I could be, for I wanted Mrs. Chester Ross to think
|
|
I was a ladylike little girl even if I wasn't pretty. Everything
|
|
went right until I saw Marilla coming with the plum pudding in
|
|
one hand and the pitcher of pudding sauce WARMED UP, in the other.
|
|
Diana, that was a terrible moment. I remembered everything and I
|
|
just stood up in my place and shrieked out `Marilla, you mustn't
|
|
use that pudding sauce. There was a mouse drowned in it. I
|
|
forgot to tell you before.' Oh, Diana, I shall never forget that
|
|
awful moment if I live to be a hundred. Mrs. Chester Ross just
|
|
LOOKED at me and I thought I would sink through the floor with
|
|
mortification. She is such a perfect housekeeper and fancy what
|
|
she must have thought of us. Marilla turned red as fire but she
|
|
never said a word--then. She just carried that sauce and
|
|
pudding out and brought in some strawberry preserves. She even
|
|
offered me some, but I couldn't swallow a mouthful. It was like
|
|
heaping coals of fire on my head. After Mrs. Chester Ross went
|
|
away, Marilla gave me a dreadful scolding. Why, Diana, what is
|
|
the matter?"
|
|
|
|
Diana had stood up very unsteadily; then she sat down again,
|
|
putting her hands to her head.
|
|
|
|
"I'm--I'm awful sick," she said, a little thickly. "I--I--must go
|
|
right home."
|
|
|
|
"Oh, you mustn't dream of going home without your tea," cried
|
|
Anne in distress. "I'll get it right off--I'll go and put the
|
|
tea down this very minute."
|
|
|
|
"I must go home," repeated Diana, stupidly but determinedly.
|
|
|
|
"Let me get you a lunch anyhow," implored Anne. "Let me give you
|
|
a bit of fruit cake and some of the cherry preserves. Lie down
|
|
on the sofa for a little while and you'll be better. Where do
|
|
you feel bad?"
|
|
|
|
"I must go home," said Diana, and that was all she would say. In
|
|
vain Anne pleaded.
|
|
|
|
"I never heard of company going home without tea," she mourned.
|
|
"Oh, Diana, do you suppose that it's possible you're really
|
|
taking the smallpox? If you are I'll go and nurse you, you can
|
|
depend on that. I'll never forsake you. But I do wish you'd
|
|
stay till after tea. Where do you feel bad?"
|
|
|
|
"I'm awful dizzy," said Diana.
|
|
|
|
And indeed, she walked very dizzily. Anne, with tears of
|
|
disappointment in her eyes, got Diana's hat and went with her as
|
|
far as the Barry yard fence. Then she wept all the way back to
|
|
Green Gables, where she sorrowfully put the remainder of the
|
|
raspberry cordial back into the pantry and got tea ready for
|
|
Matthew and Jerry, with all the zest gone out of the performance.
|
|
|
|
The next day was Sunday and as the rain poured down in torrents
|
|
from dawn till dusk Anne did not stir abroad from Green Gables.
|
|
Monday afternoon Marilla sent her down to Mrs. Lynde's on an
|
|
errand. In a very short space of time Anne came flying back up
|
|
the lane with tears rolling down her cheeks. Into the kitchen
|
|
she dashed and flung herself face downward on the sofa in an
|
|
agony.
|
|
|
|
"Whatever has gone wrong now, Anne?" queried Marilla in doubt and
|
|
dismay. "I do hope you haven't gone and been saucy to Mrs. Lynde
|
|
again."
|
|
|
|
No answer from Anne save more tears and stormier sobs!
|
|
|
|
"Anne Shirley, when I ask you a question I want to be answered.
|
|
Sit right up this very minute and tell me what you are crying
|
|
about."
|
|
|
|
Anne sat up, tragedy personified.
|
|
|
|
"Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in
|
|
an awful state," she wailed. "She says that I set Diana DRUNK
|
|
Saturday and sent her home in a disgraceful condition. And she
|
|
says I must be a thoroughly bad, wicked little girl and she's
|
|
never, never going to let Diana play with me again. Oh, Marilla,
|
|
I'm just overcome with woe."
|
|
|
|
Marilla stared in blank amazement.
|
|
|
|
"Set Diana drunk!" she said when she found her voice. "Anne are
|
|
you or Mrs. Barry crazy? What on earth did you give her?"
|
|
|
|
"Not a thing but raspberry cordial," sobbed Anne. "I never
|
|
thought raspberry cordial would set people drunk, Marilla--not
|
|
even if they drank three big tumblerfuls as Diana did. Oh, it
|
|
sounds so--so--like Mrs. Thomas's husband! But I didn't mean to
|
|
set her drunk."
|
|
|
|
"Drunk fiddlesticks!" said Marilla, marching to the sitting room
|
|
pantry. There on the shelf was a bottle which she at once
|
|
recognized as one containing some of her three-year-old homemade
|
|
currant wine for which she was celebrated in Avonlea, although
|
|
certain of the stricter sort, Mrs. Barry among them, disapproved
|
|
strongly of it. And at the same time Marilla recollected that
|
|
she had put the bottle of raspberry cordial down in the cellar
|
|
instead of in the pantry as she had told Anne.
|
|
|
|
She went back to the kitchen with the wine bottle in her hand.
|
|
Her face was twitching in spite of herself.
|
|
|
|
"Anne, you certainly have a genius for getting into trouble. You
|
|
went and gave Diana currant wine instead of raspberry cordial.
|
|
Didn't you know the difference yourself?"
|
|
|
|
"I never tasted it," said Anne. "I thought it was the cordial.
|
|
I meant to be so--so--hospitable. Diana got awfully sick and had
|
|
to go home. Mrs. Barry told Mrs. Lynde she was simply dead
|
|
drunk. She just laughed silly-like when her mother asked her
|
|
what was the matter and went to sleep and slept for hours. Her
|
|
mother smelled her breath and knew she was drunk. She had a
|
|
fearful headache all day yesterday. Mrs. Barry is so indignant.
|
|
She will never believe but what I did it on purpose."
|
|
|
|
"I should think she would better punish Diana for being so greedy
|
|
as to drink three glassfuls of anything," said Marilla shortly.
|
|
"Why, three of those big glasses would have made her sick even if
|
|
it had only been cordial. Well, this story will be a nice handle
|
|
for those folks who are so down on me for making currant wine,
|
|
although I haven't made any for three years ever since I found
|
|
out that the minister didn't approve. I just kept that bottle
|
|
for sickness. There, there, child, don't cry. I can't see as
|
|
you were to blame although I'm sorry it happened so."
|
|
|
|
"I must cry," said Anne. "My heart is broken. The stars in their
|
|
courses fight against me, Marilla. Diana and I are parted forever.
|
|
Oh, Marilla, I little dreamed of this when first we swore our vows
|
|
of friendship."
|
|
|
|
"Don't be foolish, Anne. Mrs. Barry will think better of it
|
|
when she finds you're not to blame. I suppose she thinks you've
|
|
done it for a silly joke or something of that sort. You'd best
|
|
go up this evening and tell her how it was."
|
|
|
|
"My courage fails me at the thought of facing Diana's injured
|
|
mother," sighed Anne. "I wish you'd go, Marilla. You're so much
|
|
more dignified than I am. Likely she'd listen to you quicker
|
|
than to me."
|
|
|
|
"Well, I will," said Marilla, reflecting that it would probably
|
|
be the wiser course. "Don't cry any more, Anne. It will be all
|
|
right."
|
|
|
|
Marilla had changed her mind about it being all right by the time
|
|
she got back from Orchard Slope. Anne was watching for her
|
|
coming and flew to the porch door to meet her.
|
|
|
|
"Oh, Marilla, I know by your face that it's been no use," she
|
|
said sorrowfully. "Mrs. Barry won't forgive me?"
|
|
|
|
"Mrs. Barry indeed!" snapped Marilla. "Of all the unreasonable
|
|
women I ever saw she's the worst. I told her it was all a
|
|
mistake and you weren't to blame, but she just simply didn't
|
|
believe me. And she rubbed it well in about my currant wine and
|
|
how I'd always said it couldn't have the least effect on anybody.
|
|
I just told her plainly that currant wine wasn't meant to be
|
|
drunk three tumblerfuls at a time and that if a child I had to do
|
|
with was so greedy I'd sober her up with a right good spanking."
|
|
|
|
Marilla whisked into the kitchen, grievously disturbed, leaving a
|
|
very much distracted little soul in the porch behind her.
|
|
Presently Anne stepped out bareheaded into the chill autumn dusk;
|
|
very determinedly and steadily she took her way down through the
|
|
sere clover field over the log bridge and up through the spruce
|
|
grove, lighted by a pale little moon hanging low over the western
|
|
woods. Mrs. Barry, coming to the door in answer to a timid
|
|
knock, found a white-lipped eager-eyed suppliant on the doorstep.
|
|
|
|
Her face hardened. Mrs. Barry was a woman of strong prejudices
|
|
and dislikes, and her anger was of the cold, sullen sort which is
|
|
always hardest to overcome. To do her justice, she really
|
|
believed Anne had made Diana drunk out of sheer malice prepense,???
|
|
and she was honestly anxious to preserve her little daughter from
|
|
the contamination of further intimacy with such a child.
|
|
|
|
"What do you want?" she said stiffly.
|
|
|
|
Anne clasped her hands.
|
|
|
|
"Oh, Mrs. Barry, please forgive me. I did not mean
|
|
to--to--intoxicate Diana. How could I? Just imagine if you were
|
|
a poor little orphan girl that kind people had adopted and you
|
|
had just one bosom friend in all the world. Do you think you
|
|
would intoxicate her on purpose? I thought it was only raspberry
|
|
cordial. I was firmly convinced it was raspberry cordial. Oh,
|
|
please don't say that you won't let Diana play with me any more.
|
|
If you do you will cover my life with a dark cloud of woe."
|
|
|
|
This speech which would have softened good Mrs. Lynde's heart in
|
|
a twinkling, had no effect on Mrs. Barry except to irritate her
|
|
still more. She was suspicious of Anne's big words and dramatic
|
|
gestures and imagined that the child was making fun of her. So
|
|
she said, coldly and cruelly:
|
|
|
|
"I don't think you are a fit little girl for Diana to associate
|
|
with. You'd better go home and behave yourself."
|
|
|
|
Anne's lips quivered.
|
|
|
|
"Won't you let me see Diana just once to say farewell?" she
|
|
implored.
|
|
|
|
"Diana has gone over to Carmody with her father," said Mrs.
|
|
Barry, going in and shutting the door.
|
|
|
|
Anne went back to Green Gables calm with despair.
|
|
|
|
"My last hope is gone," she told Marilla. "I went up and saw
|
|
Mrs. Barry myself and she treated me very insultingly. Marilla,
|
|
I do NOT think she is a well-bred woman. There is nothing more
|
|
to do except to pray and I haven't much hope that that'll do much
|
|
good because, Marilla, I do not believe that God Himself can do
|
|
very much with such an obstinate person as Mrs. Barry."
|
|
|
|
"Anne, you shouldn't say such things" rebuked Marilla, striving
|
|
to overcome that unholy tendency to laughter which she was
|
|
dismayed to find growing upon her. And indeed, when she told the
|
|
whole story to Matthew that night, she did laugh heartily over
|
|
Anne's tribulations.
|
|
|
|
But when she slipped into the east gable before going to bed and
|
|
found that Anne had cried herself to sleep an unaccustomed
|
|
softness crept into her face.
|
|
|
|
"Poor little soul," she murmured, lifting a loose curl of hair
|
|
from the child's tear-stained face. Then she bent down and
|
|
kissed the flushed cheek on the pillow.
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
A New Interest in Life
|
|
|
|
THE next afternoon Anne, bending over her patchwork at the
|
|
kitchen window, happened to glance out and beheld Diana down by
|
|
the Dryad's Bubble beckoning mysteriously. In a trice Anne was
|
|
out of the house and flying down to the hollow, astonishment and
|
|
hope struggling in her expressive eyes. But the hope faded when
|
|
she saw Diana's dejected countenance.
|
|
|
|
"Your mother hasn't relented?" she gasped.
|
|
|
|
Diana shook her head mournfully.
|
|
|
|
"No; and oh, Anne, she says I'm never to play with you again.
|
|
I've cried and cried and I told her it wasn't your fault, but it
|
|
wasn't any use. I had ever such a time coaxing her to let me
|
|
come down and say good-bye to you. She said I was only to stay
|
|
ten minutes and she's timing me by the clock."
|
|
|
|
"Ten minutes isn't very long to say an eternal farewell in," said
|
|
Anne tearfully. "Oh, Diana, will you promise faithfully never to
|
|
forget me, the friend of your youth, no matter what dearer
|
|
friends may caress thee?"
|
|
|
|
"Indeed I will," sobbed Diana, "and I'll never have another bosom
|
|
friend--I don't want to have. I couldn't love anybody as I love
|
|
you."
|
|
|
|
"Oh, Diana," cried Anne, clasping her hands, "do you LOVE me?"
|
|
|
|
"Why, of course I do. Didn't you know that?"
|
|
|
|
"No." Anne drew a long breath. "I thought you LIKED me of course
|
|
but I never hoped you LOVED me. Why, Diana, I didn't think
|
|
anybody could love me. Nobody ever has loved me since I can
|
|
remember. Oh, this is wonderful! It's a ray of light which will
|
|
forever shine on the darkness of a path severed from thee, Diana.
|
|
Oh, just say it once again."
|
|
|
|
"I love you devotedly, Anne," said Diana stanchly, "and I always
|
|
will, you may be sure of that."
|
|
|
|
"And I will always love thee, Diana," said Anne, solemnly
|
|
extending her hand. "In the years to come thy memory will shine
|
|
like a star over my lonely life, as that last story we read
|
|
together says. Diana, wilt thou give me a lock of thy jet-black
|
|
tresses in parting to treasure forevermore?"
|
|
|
|
"Have you got anything to cut it with?" queried Diana, wiping
|
|
away the tears which Anne's affecting accents had caused to flow
|
|
afresh, and returning to practicalities.
|
|
|
|
"Yes. I've got my patchwork scissors in my apron pocket
|
|
fortunately," said Anne. She solemnly clipped one of Diana's
|
|
curls. "Fare thee well, my beloved friend. Henceforth we must
|
|
be as strangers though living side by side. But my heart will
|
|
ever be faithful to thee."
|
|
|
|
Anne stood and watched Diana out of sight, mournfully waving her
|
|
hand to the latter whenever she turned to look back. Then she
|
|
returned to the house, not a little consoled for the time being
|
|
by this romantic parting.
|
|
|
|
"It is all over," she informed Marilla. "I shall never have
|
|
another friend. I'm really worse off than ever before, for I
|
|
haven't Katie Maurice and Violetta now. And even if I had it
|
|
wouldn't be the same. Somehow, little dream girls are not
|
|
satisfying after a real friend. Diana and I had such an
|
|
affecting farewell down by the spring. It will be sacred in my
|
|
memory forever. I used the most pathetic language I could think
|
|
of and said `thou' and `thee.' `Thou' and `thee' seem so much
|
|
more romantic than `you.' Diana gave me a lock of her hair and
|
|
I'm going to sew it up in a little bag and wear it around my neck
|
|
all my life. Please see that it is buried with me, for I don't
|
|
believe I'll live very long. Perhaps when she sees me lying cold
|
|
and dead before her Mrs. Barry may feel remorse for what she has
|
|
done and will let Diana come to my funeral."
|
|
|
|
"I don't think there is much fear of your dying of grief as long
|
|
as you can talk, Anne," said Marilla unsympathetically.
|
|
|
|
The following Monday Anne surprised Marilla by coming down from
|
|
her room with her basket of books on her arm and hip??? lips primmed
|
|
up into a line of determination.
|
|
|
|
"I'm going back to school," she announced. "That is all there is
|
|
left in life for me, now that my friend has been ruthlessly torn
|
|
from me. In school I can look at her and muse over days
|
|
departed."
|
|
|
|
"You'd better muse over your lessons and sums," said Marilla,
|
|
concealing her delight at this development of the situation. "If
|
|
you're going back to school I hope we'll hear no more of breaking
|
|
slates over people's heads and such carryings on. Behave
|
|
yourself and do just what your teacher tells you."
|
|
|
|
"I'll try to be a model pupil," agreed Anne dolefully. "There
|
|
won't be much fun in it, I expect. Mr. Phillips said Minnie
|
|
Andrews was a model pupil and there isn't a spark of imagination
|
|
or life in her. She is just dull and poky and never seems to
|
|
have a good time. But I feel so depressed that perhaps it will
|
|
come easy to me now. I'm going round by the road. I couldn't
|
|
bear to go by the Birch Path all alone. I should weep bitter
|
|
tears if I did."
|
|
|
|
Anne was welcomed back to school with open arms. Her imagination
|
|
had been sorely missed in games, her voice in the singing and her
|
|
dramatic ability in the perusal aloud of books at dinner hour.
|
|
Ruby Gillis smuggled three blue plums over to her during
|
|
testament reading; Ella May MacPherson gave her an enormous
|
|
yellow pansy cut from the covers of a floral catalogue--a species
|
|
of desk decoration much prized in Avonlea school. Sophia Sloane
|
|
offered to teach her a perfectly elegant new pattern of knit
|
|
lace, so nice for trimming aprons. Katie Boulter gave her a
|
|
perfume bottle to keep slate water in, and Julia Bell copied
|
|
carefully on a piece of pale pink paper scalloped on the edges
|
|
the following effusion:
|
|
|
|
|
|
When twilight drops her curtain down
|
|
And pins it with a star
|
|
Remember that you have a friend
|
|
Though she may wander far.
|
|
|
|
|
|
"It's so nice to be appreciated," sighed Anne rapturously to
|
|
Marilla that night.
|
|
|
|
The girls were not the only scholars who "appreciated" her. When
|
|
Anne went to her seat after dinner hour--she had been told by Mr.
|
|
Phillips to sit with the model Minnie Andrews--she found on her
|
|
desk a big luscious "strawberry apple." Anne caught it up all
|
|
ready to take a bite when she remembered that the only place in
|
|
Avonlea where strawberry apples grew was in the old Blythe
|
|
orchard on the other side of the Lake of Shining Waters. Anne
|
|
dropped the apple as if it were a red-hot coal and ostentatiously
|
|
wiped her fingers on her handkerchief. The apple lay untouched
|
|
on her desk until the next morning, when little Timothy Andrews,
|
|
who swept the school and kindled the fire, annexed it as one of
|
|
his perquisites. Charlie Sloane's slate pencil, gorgeously
|
|
bedizened with striped red and yellow paper, costing two cents
|
|
where ordinary pencils cost only one, which he sent up to her
|
|
after dinner hour, met with a more favorable reception. Anne was
|
|
graciously pleased to accept it and rewarded the donor with a
|
|
smile which exalted that infatuated youth straightway into the
|
|
seventh heaven of delight and caused him to make such fearful
|
|
errors in his dictation that Mr. Phillips kept him in after
|
|
school to rewrite it.
|
|
|
|
But as,
|
|
|
|
|
|
The Caesar's pageant shorn of Brutus' bust
|
|
Did but of Rome's best son remind her more.
|
|
|
|
|
|
so the marked absence of any tribute or recognition from Diana
|
|
Barry who was sitting with Gertie Pye embittered Anne's little
|
|
triumph.
|
|
|
|
"Diana might just have smiled at me once, I think," she mourned
|
|
to Marilla that night. But the next morning a note most
|
|
fearfully and wonderfully twisted and folded, and a small parcel
|
|
were passed across to Anne.
|
|
|
|
Dear Anne (ran the former)
|
|
|
|
|
|
Mother says I'm not to play with you or talk to you even in
|
|
school. It isn't my fault and don't be cross at me, because I
|
|
love you as much as ever. I miss you awfully to tell all my
|
|
secrets to and I don't like Gertie Pye one bit. I made you one
|
|
of the new bookmarkers out of red tissue paper. They are awfully
|
|
fashionable now and only three girls in school know how to make
|
|
them. When you look at it remember
|
|
Your true friend
|
|
Diana Barry.
|
|
|
|
|
|
Anne read the note, kissed the bookmark, and dispatched a prompt
|
|
reply back to the other side of the school.
|
|
|
|
|
|
My own darling Diana:--
|
|
|
|
|
|
Of course I am not cross at you because you have to obey your
|
|
mother. Our spirits can commune. I shall keep your lovely
|
|
present forever. Minnie Andrews is a very nice little
|
|
girl--although she has no imagination--but after having been
|
|
Diana's busum friend I cannot be Minnie's. Please excuse
|
|
mistakes because my spelling isn't very good yet, although much
|
|
improoved.
|
|
Yours until death us do part
|
|
Anne or Cordelia Shirley.
|
|
|
|
|
|
P.S. I shall sleep with your letter under my pillow tonight.
|
|
A. OR C.S.
|
|
|
|
|
|
Marilla pessimistically expected more trouble since Anne had
|
|
again begun to go to school. But none developed. Perhaps Anne
|
|
caught something of the "model" spirit from Minnie Andrews; at
|
|
least she got on very well with Mr. Phillips thenceforth. She
|
|
flung herself into her studies heart and soul, determined not to
|
|
be outdone in any class by Gilbert Blythe. The rivalry between
|
|
them was soon apparent; it was entirely good natured on Gilbert's
|
|
side; but it is much to be feared that the same thing cannot be
|
|
said of Anne, who had certainly an unpraiseworthy tenacity for
|
|
holding grudges. She was as intense in her hatreds as in her
|
|
loves. She would not stoop to admit that she meant to rival
|
|
Gilbert in schoolwork, because that would have been to
|
|
acknowledge his existence which Anne persistently ignored; but
|
|
the rivalry was there and honors fluctuated between them. Now
|
|
Gilbert was head of the spelling class; now Anne, with a toss of
|
|
her long red braids, spelled him down. One morning Gilbert had
|
|
all his sums done correctly and had his name written on the
|
|
blackboard on the roll of honor; the next morning Anne, having
|
|
wrestled wildly with decimals the entire evening before, would be
|
|
first. One awful day they were ties and their names were written
|
|
up together. It was almost as bad as a take-notice and Anne's
|
|
mortification was as evident as Gilbert's satisfaction. When the
|
|
written examinations at the end of each month were held the
|
|
suspense was terrible. The first month Gilbert came out three
|
|
marks ahead. The second Anne beat him by five. But her triumph
|
|
was marred by the fact that Gilbert congratulated her heartily
|
|
before the whole school. It would have been ever so much sweeter
|
|
to her if he had felt the sting of his defeat.
|
|
|
|
Mr. Phillips might not be a very good teacher; but a pupil so
|
|
inflexibly determined on learning as Anne was could hardly escape
|
|
making progress under any kind of teacher. By the end of the
|
|
term Anne and Gilbert were both promoted into the fifth class and
|
|
allowed to begin studying the elements of "the branches"--by
|
|
which Latin, geometry, French, and algebra were meant. In
|
|
geometry Anne met her Waterloo.
|
|
|
|
"It's perfectly awful stuff, Marilla," she groaned. "I'm sure
|
|
I'll never be able to make head or tail of it. There is no scope
|
|
for imagination in it at all. Mr. Phillips says I'm the worst
|
|
dunce he ever saw at it. And Gil--I mean some of the others are
|
|
so smart at it. It is extremely mortifying, Marilla.
|
|
|
|
Even Diana gets along better than I do. But I don't mind being
|
|
beaten by Diana. Even although we meet as strangers now I still
|
|
love her with an INEXTINGUISHABLE love. It makes me very sad at
|
|
times to think about her. But really, Marilla, one can't stay
|
|
sad very long in such an interesting world, can one?"
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
Anne to the Rescue
|
|
|
|
ALL things great are wound up with all things little. At first
|
|
glance it might not seem that the decision of a certain Canadian
|
|
Premier to include Prince Edward Island in a political tour could
|
|
have much or anything to do with the fortunes of little Anne
|
|
Shirley at Green Gables. But it had.
|
|
|
|
It was a January the Premier came, to address his loyal
|
|
supporters and such of his nonsupporters as chose to be present
|
|
at the monster mass meeting held in Charlottetown. Most of the
|
|
Avonlea people were on Premier's side of politics; hence on the
|
|
night of the meeting nearly all the men and a goodly proportion
|
|
of the women had gone to town thirty miles away. Mrs. Rachel
|
|
Lynde had gone too. Mrs. Rachel Lynde was a red-hot politician
|
|
and couldn't have believed that the political rally could be
|
|
carried through without her, although she was on the opposite
|
|
side of politics. So she went to town and took her
|
|
husband--Thomas would be useful in looking after the horse--and
|
|
Marilla Cuthbert with her. Marilla had a sneaking interest in
|
|
politics herself, and as she thought it might be her only chance
|
|
to see a real live Premier, she promptly took it, leaving Anne
|
|
and Matthew to keep house until her return the following day.
|
|
|
|
Hence, while Marilla and Mrs. Rachel were enjoying themselves
|
|
hugely at the mass meeting, Anne and Matthew had the cheerful
|
|
kitchen at Green Gables all to themselves. A bright fire was
|
|
glowing in the old-fashioned Waterloo stove and blue-white frost
|
|
crystals were shining on the windowpanes. Matthew nodded over a
|
|
FARMERS' ADVOCATE on the sofa and Anne at the table studied her
|
|
lessons with grim determination, despite sundry wistful glances
|
|
at the clock shelf, where lay a new book that Jane Andrews had
|
|
lent her that day. Jane had assured her that it was warranted to
|
|
produce any number of thrills, or words to that effect, and
|
|
Anne's fingers tingled to reach out for it. But that would mean
|
|
Gilbert Blythe's triumph on the morrow. Anne turned her back on
|
|
the clock shelf and tried to imagine it wasn't there.
|
|
|
|
"Matthew, did you ever study geometry when you went to school?"
|
|
|
|
"Well now, no, I didn't," said Matthew, coming out of his doze
|
|
with a start.
|
|
|
|
"I wish you had," sighed Anne, "because then you'd be able to
|
|
sympathize with me. You can't sympathize properly if you've
|
|
never studied it. It is casting a cloud over my whole life. I'm
|
|
such a dunce at it, Matthew."
|
|
|
|
"Well now, I dunno," said Matthew soothingly. "I guess you're
|
|
all right at anything. Mr. Phillips told me last week in
|
|
Blair's store at Carmody that you was the smartest scholar in
|
|
school and was making rapid progress. `Rapid progress' was his
|
|
very words. There's them as runs down Teddy Phillips and says he
|
|
ain't much of a teacher, but I guess he's all right."
|
|
|
|
Matthew would have thought anyone who praised Anne was "all
|
|
right."
|
|
|
|
"I'm sure I'd get on better with geometry if only he wouldn't
|
|
change the letters," complained Anne. "I learn the proposition
|
|
off by heart and then he draws it on the blackboard and puts
|
|
different letters from what are in the book and I get all mixed
|
|
up. I don't think a teacher should take such a mean advantage,
|
|
do you? We're studying agriculture now and I've found out at
|
|
last what makes the roads red. It's a great comfort. I wonder
|
|
how Marilla and Mrs. Lynde are enjoying themselves. Mrs. Lynde
|
|
says Canada is going to the dogs the way things are being run at
|
|
Ottawa and that it's an awful warning to the electors. She says
|
|
if women were allowed to vote we would soon see a blessed change.
|
|
What way do you vote, Matthew?"
|
|
|
|
"Conservative," said Matthew promptly. To vote Conservative was
|
|
part of Matthew's religion.
|
|
|
|
"Then I'm Conservative too," said Anne decidedly. "I'm glad
|
|
because Gil--because some of the boys in school are Grits. I
|
|
guess Mr. Phillips is a Grit too because Prissy Andrews's father
|
|
is one, and Ruby Gillis says that when a man is courting he
|
|
always has to agree with the girl's mother in religion and her
|
|
father in politics. Is that true, Matthew?"
|
|
|
|
"Well now, I dunno," said Matthew.
|
|
|
|
"Did you ever go courting, Matthew?"
|
|
|
|
"Well now, no, I dunno's I ever did," said Matthew, who had
|
|
certainly never thought of such a thing in his whole existence.
|
|
|
|
Anne reflected with her chin in her hands.
|
|
|
|
"It must be rather interesting, don't you think, Matthew? Ruby
|
|
Gillis says when she grows up she's going to have ever so many
|
|
beaus on the string and have them all crazy about her; but I
|
|
think that would be too exciting. I'd rather have just one in
|
|
his right mind. But Ruby Gillis knows a great deal about such
|
|
matters because she has so many big sisters, and Mrs. Lynde says
|
|
the Gillis girls have gone off like hot cakes. Mr. Phillips
|
|
goes up to see Prissy Andrews nearly every evening. He says it
|
|
is to help her with her lessons but Miranda Sloane is studying
|
|
for Queen's too, and I should think she needed help a lot more
|
|
than Prissy because she's ever so much stupider, but he never
|
|
goes to help her in the evenings at all. There are a great many
|
|
things in this world that I can't understand very well, Matthew."
|
|
|
|
"Well now, I dunno as I comprehend them all myself," acknowledged Matthew.
|
|
|
|
"Well, I suppose I must finish up my lessons. I won't allow
|
|
myself to open that new book Jane lent me until I'm through. But
|
|
it's a terrible temptation, Matthew. Even when I turn my back on
|
|
it I can see it there just as plain. Jane said she cried herself
|
|
sick over it. I love a book that makes me cry. But I think I'll
|
|
carry that book into the sitting room and lock it in the jam
|
|
closet and give you the key. And you must NOT give it to me,
|
|
Matthew, until my lessons are done, not even if I implore you on
|
|
my bended knees. It's all very well to say resist temptation,
|
|
but it's ever so much easier to resist it if you can't get the
|
|
key. And then shall I run down the cellar and get some russets,
|
|
Matthew? Wouldn't you like some russets?"
|
|
|
|
"Well now, I dunno but what I would," said Matthew, who never ate
|
|
russets but knew Anne's weakness for them.
|
|
|
|
Just as Anne emerged triumphantly from the cellar with her
|
|
plateful of russets came the sound of flying footsteps on the icy
|
|
board walk outside and the next moment the kitchen door was flung
|
|
open and in rushed Diana Barry, white faced and breathless, with
|
|
a shawl wrapped hastily around her head. Anne promptly let go of
|
|
her candle and plate in her surprise, and plate, candle, and
|
|
apples crashed together down the cellar ladder and were found at
|
|
the bottom embedded in melted grease, the next day, by Marilla,
|
|
who gathered them up and thanked mercy the house hadn't been set
|
|
on fire.
|
|
|
|
"Whatever is the matter, Diana?" cried Anne. "Has your mother
|
|
relented at last?"
|
|
|
|
"Oh, Anne, do come quick," implored Diana nervously. "Minnie May
|
|
is awful sick--she's got croup. Young Mary Joe says--and Father
|
|
and Mother are away to town and there's nobody to go for the
|
|
doctor. Minnie May is awful bad and Young Mary Joe doesn't know
|
|
what to do--and oh, Anne, I'm so scared!"
|
|
|
|
Matthew, without a word, reached out for cap and coat, slipped
|
|
past Diana and away into the darkness of the yard.
|
|
|
|
"He's gone to harness the sorrel mare to go to Carmody for the
|
|
doctor," said Anne, who was hurrying on hood and jacket. "I know
|
|
it as well as if he'd said so. Matthew and I are such kindred
|
|
spirits I can read his thoughts without words at all."
|
|
|
|
"I don't believe he'll find the doctor at Carmody," sobbed Diana.
|
|
"I know that Dr. Blair went to town and I guess Dr. Spencer
|
|
would go too. Young Mary Joe never saw anybody with croup and
|
|
Mrs. Lynde is away. Oh, Anne!"
|
|
|
|
"Don't cry, Di," said Anne cheerily. "I know exactly what to do
|
|
for croup. You forget that Mrs. Hammond had twins three times.
|
|
When you look after three pairs of twins you naturally get a lot
|
|
of experience. They all had croup regularly. Just wait till I
|
|
get the ipecac bottle--you mayn't have any at your house. Come
|
|
on now."
|
|
|
|
The two little girls hastened out hand in hand and hurried
|
|
through Lover's Lane and across the crusted field beyond, for the
|
|
snow was too deep to go by the shorter wood way. Anne, although
|
|
sincerely sorry for Minnie May, was far from being insensible to
|
|
the romance of the situation and to the sweetness of once more
|
|
sharing that romance with a kindred spirit.
|
|
|
|
The night was clear and frosty, all ebony of shadow and silver of
|
|
snowy slope; big stars were shining over the silent fields; here
|
|
and there the dark pointed firs stood up with snow powdering
|
|
their branches and the wind whistling through them. Anne thought
|
|
it was truly delightful to go skimming through all this mystery
|
|
and loveliness with your bosom friend who had been so long
|
|
estranged.
|
|
|
|
Minnie May, aged three, was really very sick. She lay on the
|
|
kitchen sofa feverish and restless, while her hoarse breathing
|
|
could be heard all over the house. Young Mary Joe, a buxom,
|
|
broad-faced French girl from the creek, whom Mrs. Barry had
|
|
engaged to stay with the children during her absence, was
|
|
helpless and bewildered, quite incapable of thinking what to do,
|
|
or doing it if she thought of it.
|
|
|
|
Anne went to work with skill and promptness.
|
|
|
|
"Minnie May has croup all right; she's pretty bad, but I've seen
|
|
them worse. First we must have lots of hot water. I declare,
|
|
Diana, there isn't more than a cupful in the kettle! There, I've
|
|
filled it up, and, Mary Joe, you may put some wood in the stove.
|
|
I don't want to hurt your feelings but it seems to me you might
|
|
have thought of this before if you'd any imagination. Now, I'll
|
|
undress Minnie May and put her to bed and you try to find some
|
|
soft flannel cloths, Diana. I'm going to give her a dose of
|
|
ipecac first of all."
|
|
|
|
Minnie May did not take kindly to the ipecac but Anne had not
|
|
brought up three pairs of twins for nothing. Down that ipecac
|
|
went, not only once, but many times during the long, anxious
|
|
night when the two little girls worked patiently over the
|
|
suffering Minnie May, and Young Mary Joe, honestly anxious to do
|
|
all she could, kept up a roaring fire and heated more water than
|
|
would have been needed for a hospital of croupy babies.
|
|
|
|
It was three o'clock when Matthew came with a doctor, for he had
|
|
been obliged to go all the way to Spencervale for one. But the
|
|
pressing need for assistance was past. Minnie May was much
|
|
better and was sleeping soundly.
|
|
|
|
"I was awfully near giving up in despair," explained Anne. "She
|
|
got worse and worse until she was sicker than ever the Hammond
|
|
twins were, even the last pair. I actually thought she was going
|
|
to choke to death. I gave her every drop of ipecac in that
|
|
bottle and when the last dose went down I said to myself--not to
|
|
Diana or Young Mary Joe, because I didn't want to worry them any
|
|
more than they were worried, but I had to say it to myself just
|
|
to relieve my feelings--`This is the last lingering hope and I
|
|
fear, tis a vain one.' But in about three minutes she coughed up
|
|
the phlegm and began to get better right away. You must just
|
|
imagine my relief, doctor, because I can't express it in words.
|
|
You know there are some things that cannot be expressed in words."
|
|
|
|
"Yes, I know," nodded the doctor. He looked at Anne as if he
|
|
were thinking some things about her that couldn't be expressed in
|
|
words. Later on, however, he expressed them to Mr. and Mrs. Barry.
|
|
|
|
"That little redheaded girl they have over at Cuthbert's is as
|
|
smart as they make 'em. I tell you she saved that baby's life,
|
|
for it would have been too late by the time I got there. She
|
|
seems to have a skill and presence of mind perfectly wonderful in
|
|
a child of her age. I never saw anything like the eyes of her
|
|
when she was explaining the case to me."
|
|
|
|
Anne had gone home in the wonderful, white-frosted winter
|
|
morning, heavy eyed from loss of sleep, but still talking
|
|
unweariedly to Matthew as they crossed the long white field and
|
|
walked under the glittering fairy arch of the Lover's Lane
|
|
maples.
|
|
|
|
"Oh, Matthew, isn't it a wonderful morning? The world looks like
|
|
something God had just imagined for His own pleasure, doesn't it?
|
|
Those trees look as if I could blow them away with a
|
|
breath--pouf! I'm so glad I live in a world where there are white
|
|
frosts, aren't you? And I'm so glad Mrs. Hammond had three pairs
|
|
of twins after all. If she hadn't I mightn't have known what to
|
|
do for Minnie May. I'm real sorry I was ever cross with Mrs.
|
|
Hammond for having twins. But, oh, Matthew, I'm so sleepy. I
|
|
can't go to school. I just know I couldn't keep my eyes open and
|
|
I'd be so stupid. But l hate to stay home, for Gil--some of the
|
|
others will get head of the class, and it's so hard to get up
|
|
again--although of course the harder it is the more satisfaction
|
|
you have when you do get up, haven't you?"
|
|
|
|
"Well now, I guess you'll manage all right," said Matthew,
|
|
looking at Anne's white little face and the dark shadows under
|
|
her eyes. "You just go right to bed and have a good sleep. I'll
|
|
do all the chores."
|
|
|
|
Anne accordingly went to bed and slept so long and soundly that
|
|
it was well on in the white and rosy winter afternoon when she
|
|
awoke and descended to the kitchen where Marilla, who had arrived
|
|
home in the meantime, was sitting knitting.
|
|
|
|
"Oh, did you see the Premier?" exclaimed Anne at once. "What did
|
|
he look like Marilla?"
|
|
|
|
"Well, he never got to be Premier on account of his looks," said
|
|
Marilla. "Such a nose as that man had! But he can speak. I was
|
|
proud of being a Conservative. Rachel Lynde, of course, being a
|
|
Liberal, had no use for him. Your dinner is in the oven, Anne,
|
|
and you can get yourself some blue plum preserve out of the
|
|
pantry. I guess you're hungry. Matthew has been telling me
|
|
about last night. I must say it was fortunate you knew what to
|
|
do. I wouldn't have had any idea myself, for I never saw a case
|
|
of croup. There now, never mind talking till you've had your
|
|
dinner. I can tell by the look of you that you're just full
|
|
up with speeches, but they'll keep."
|
|
|
|
Marilla had something to tell Anne, but she did not tell it just
|
|
then for she knew if she did Anne's consequent excitement would
|
|
lift her clear out of the region of such material matters as
|
|
appetite or dinner. Not until Anne had finished her saucer of
|
|
blue plums did Marilla say:
|
|
|
|
"Mrs. Barry was here this afternoon, Anne. She wanted to see
|
|
you, but I wouldn't wake you up. She says you saved Minnie May's
|
|
life, and she is very sorry she acted as she did in that affair
|
|
of the currant wine. She says she knows now you didn't mean to
|
|
set Diana drunk, and she hopes you'll forgive her and be good
|
|
friends with Diana again. You're to go over this evening if you
|
|
like for Diana can't stir outside the door on account of a bad
|
|
cold she caught last night. Now, Anne Shirley, for pity's sake
|
|
don't fly up into the air."
|
|
|
|
The warning seemed not unnecessary, so uplifted and aerial was
|
|
Anne's expression and attitude as she sprang to her feet, her
|
|
face irradiated with the flame of her spirit.
|
|
|
|
"Oh, Marilla, can I go right now--without washing my dishes?
|
|
I'll wash them when I come back, but I cannot tie myself down to
|
|
anything so unromantic as dishwashing at this thrilling moment."
|
|
|
|
"Yes, yes, run along," said Marilla indulgently. "Anne
|
|
Shirley--are you crazy? Come back this instant and put something
|
|
on you. I might as well call to the wind. She's gone without a
|
|
cap or wrap. Look at her tearing through the orchard with her
|
|
hair streaming. It'll be a mercy if she doesn't catch her death
|
|
of cold."
|
|
|
|
Anne came dancing home in the purple winter twilight across the
|
|
snowy places. Afar in the southwest was the great shimmering,
|
|
pearl-like sparkle of an evening star in a sky that was pale
|
|
golden and ethereal rose over gleaming white spaces and dark
|
|
glens of spruce. The tinkles of sleigh bells among the snowy
|
|
hills came like elfin chimes through the frosty air, but their
|
|
music was not sweeter than the song in Anne's heart and on her
|
|
lips.
|
|
|
|
"You see before you a perfectly happy person, Marilla," she
|
|
announced. "I'm perfectly happy--yes, in spite of my red hair.
|
|
Just at present I have a soul above red hair. Mrs. Barry kissed
|
|
me and cried and said she was so sorry and she could never repay
|
|
me. I felt fearfully embarrassed, Marilla, but I just said as
|
|
politely as I could, `I have no hard feelings for you, Mrs.
|
|
Barry. I assure you once for all that I did not mean to
|
|
intoxicate Diana and henceforth I shall cover the past with the
|
|
mantle of oblivion.' That was a pretty dignified way of speaking
|
|
wasn't it, Marilla?
|
|
|
|
I felt that I was heaping coals of fire on Mrs. Barry's head.
|
|
And Diana and I had a lovely afternoon. Diana showed me a new
|
|
fancy crochet stitch her aunt over at Carmody taught her. Not a
|
|
soul in Avonlea knows it but us, and we pledged a solemn vow
|
|
never to reveal it to anyone else. Diana gave me a beautiful
|
|
card with a wreath of roses on it and a verse of poetry:
|
|
|
|
|
|
"If you love me as I love you
|
|
Nothing but death can part us two.
|
|
|
|
|
|
And that is true, Marilla. We're going to ask Mr. Phillips to
|
|
let us sit together in school again, and Gertie Pye can go with
|
|
Minnie Andrews. We had an elegant tea. Mrs. Barry had the very
|
|
best china set out, Marilla, just as if I was real company. I
|
|
can't tell you what a thrill it gave me. Nobody ever used their
|
|
very best china on my account before. And we had fruit cake and
|
|
pound cake and doughnuts and two kinds of preserves, Marilla.
|
|
And Mrs. Barry asked me if I took tea and said `Pa, why don't
|
|
you pass the biscuits to Anne?' It must be lovely to be grown up,
|
|
Marilla, when just being treated as if you were is so nice."
|
|
|
|
"I don't know about that," said Marilla, with a brief sigh.
|
|
|
|
"Well, anyway, when I am grown up," said Anne decidedly, "I'm
|
|
always going to talk to little girls as if they were too, and
|
|
I'll never laugh when they use big words. I know from sorrowful
|
|
experience how that hurts one's feelings. After tea Diana and I
|
|
made taffy. The taffy wasn't very good, I suppose because
|
|
neither Diana nor I had ever made any before. Diana left me to
|
|
stir it while she buttered the plates and I forgot and let it
|
|
burn; and then when we set it out on the platform to cool the cat
|
|
walked over one plate and that had to be thrown away. But the
|
|
making of it was splendid fun. Then when I came home Mrs. Barry
|
|
asked me to come over as often as I could and Diana stood at the
|
|
window and threw kisses to me all the way down to Lover's Lane.
|
|
I assure you, Marilla, that I feel like praying tonight and I'm
|
|
going to think out a special brand-new prayer in honor of the
|
|
occasion."
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
A Concert a Catastrophe and a Confession
|
|
|
|
"MARILLA, can I go over to see Diana just for a minute?" asked
|
|
Anne, running breathlessly down from the east gable one February
|
|
evening.
|
|
|
|
"I don't see what you want to be traipsing about after dark for,"
|
|
said Marilla shortly. "You and Diana walked home from school
|
|
together and then stood down there in the snow for half an hour
|
|
more, your tongues going the whole blessed time, clickety-clack.
|
|
So I don't think you're very badly off to see her again."
|
|
|
|
"But she wants to see me," pleaded Anne. "She has something very
|
|
important to tell me."
|
|
|
|
"How do you know she has?"
|
|
|
|
"Because she just signaled to me from her window. We have
|
|
arranged a way to signal with our candles and cardboard. We set
|
|
the candle on the window sill and make flashes by passing the
|
|
cardboard back and forth. So many flashes mean a certain thing.
|
|
It was my idea, Marilla."
|
|
|
|
"I'll warrant you it was," said Marilla emphatically. "And the
|
|
next thing you'll be setting fire to the curtains with your
|
|
signaling nonsense."
|
|
|
|
"Oh, we're very careful, Marilla. And it's so interesting. Two
|
|
flashes mean, `Are you there?' Three mean `yes' and four `no.'
|
|
Five mean, `Come over as soon as possible, because I have
|
|
something important to reveal.' Diana has just signaled five
|
|
flashes, and I'm really suffering to know what it is."
|
|
|
|
"Well, you needn't suffer any longer," said Marilla
|
|
sarcastically. "You can go, but you're to be back here in just
|
|
ten minutes, remember that."
|
|
|
|
Anne did remember it and was back in the stipulated time,
|
|
although probably no mortal will ever know just what it cost her
|
|
to confine the discussion of Diana's important communication
|
|
within the limits of ten minutes. But at least she had made good
|
|
use of them.
|
|
|
|
"Oh, Marilla, what do you think? You know tomorrow is Diana's
|
|
birthday. Well, her mother told her she could ask me to go home
|
|
with her from school and stay all night with her. And her
|
|
cousins are coming over from Newbridge in a big pung sleigh to
|
|
go to the Debating Club concert at the hall tomorrow night. And
|
|
they are going to take Diana and me to the concert--if you'll let
|
|
me go, that is. You will, won't you, Marilla? Oh, I feel so
|
|
excited."
|
|
|
|
"You can calm down then, because you're not going. You're better
|
|
at home in your own bed, and as for that club concert, it's all
|
|
nonsense, and little girls should not be allowed to go out to
|
|
such places at all."
|
|
|
|
"I'm sure the Debating Club is a most respectable affair,"
|
|
pleaded Anne.
|
|
|
|
"I'm not saying it isn't. But you're not going to begin gadding
|
|
about to concerts and staying out all hours of the night. Pretty
|
|
doings for children. I'm surprised at Mrs. Barry's letting
|
|
Diana go."
|
|
|
|
"But it's such a very special occasion," mourned Anne, on the
|
|
verge of tears. "Diana has only one birthday in a year. It
|
|
isn't as if birthdays were common things, Marilla. Prissy
|
|
Andrews is going to recite `Curfew Must Not Ring Tonight.' That
|
|
is such a good moral piece, Marilla, I'm sure it would do me lots
|
|
of good to hear it. And the choir are going to sing four lovely
|
|
pathetic songs that are pretty near as good as hymns. And oh,
|
|
Marilla, the minister is going to take part; yes, indeed,
|
|
he is; he's going to give an address. That will be just about
|
|
the same thing as a sermon. Please, mayn't I go, Marilla?"
|
|
|
|
"You heard what I said, Anne, didn't you? Take off your boots
|
|
now and go to bed. It's past eight."
|
|
|
|
"There's just one more thing, Marilla," said Anne, with the air
|
|
of producing the last shot in her locker. "Mrs. Barry told
|
|
Diana that we might sleep in the spare-room bed. Think of the
|
|
honor of your little Anne being put in the spare-room bed."
|
|
|
|
"It's an honor you'll have to get along without. Go to bed,
|
|
Anne, and don't let me hear another word out of you."
|
|
|
|
When Anne, with tears rolling over her cheeks, had gone
|
|
sorrowfully upstairs, Matthew, who had been apparently sound
|
|
asleep on the lounge during the whole dialogue, opened his eyes
|
|
and said decidedly:
|
|
|
|
"Well now, Marilla, I think you ought to let Anne go."
|
|
|
|
"I don't then," retorted Marilla. "Who's bringing this child up,
|
|
Matthew, you or me?"
|
|
|
|
"Well now, you," admitted Matthew.
|
|
|
|
"Don't interfere then."
|
|
|
|
"Well now, I ain't interfering. It ain't interfering to have
|
|
your own opinion. And my opinion is that you ought to let Anne
|
|
go."
|
|
|
|
"You'd think I ought to let Anne go to the moon if she took the
|
|
notion, I've no doubt" was Marilla's amiable rejoinder. "I might
|
|
have let her spend the night with Diana, if that was all. But I
|
|
don't approve of this concert plan. She'd go there and catch
|
|
cold like as not, and have her head filled up with nonsense and
|
|
excitement. It would unsettle her for a week. I understand that
|
|
child's disposition and what's good for it better than you,
|
|
Matthew."
|
|
|
|
"I think you ought to let Anne go," repeated Matthew firmly.
|
|
Argument was not his strong point, but holding fast to his
|
|
opinion certainly was. Marilla gave a gasp of helplessness and
|
|
took refuge in silence. The next morning, when Anne was washing
|
|
the breakfast dishes in the pantry, Matthew paused on his way out
|
|
to the barn to say to Marilla again:
|
|
|
|
"I think you ought to let Anne go, Marilla."
|
|
|
|
For a moment Marilla looked things not lawful to be uttered.
|
|
Then she yielded to the inevitable and said tartly:
|
|
|
|
"Very well, she can go, since nothing else'll please you."
|
|
|
|
Anne flew out of the pantry, dripping dishcloth in hand.
|
|
|
|
"Oh, Marilla, Marilla, say those blessed words again."
|
|
|
|
"I guess once is enough to say them. This is Matthew's doings
|
|
and I wash my hands of it. If you catch pneumonia sleeping in a
|
|
strange bed or coming out of that hot hall in the middle of the
|
|
night, don't blame me, blame Matthew. Anne Shirley, you're
|
|
dripping greasy water all over the floor. I never saw such a
|
|
careless child."
|
|
|
|
"Oh, I know I'm a great trial to you, Marilla," said Anne
|
|
repentantly. "I make so many mistakes. But then just think of
|
|
all the mistakes I don't make, although I might. I'll get some
|
|
sand and scrub up the spots before I go to school. Oh, Marilla,
|
|
my heart was just set on going to that concert. I never was to a
|
|
concert in my life, and when the other girls talk about them in
|
|
school I feel so out of it. You didn't know just how I felt
|
|
about it, but you see Matthew did. Matthew understands me, and
|
|
it's so nice to be understood, Marilla."
|
|
|
|
Anne was too excited to do herself justice as to lessons that
|
|
morning in school. Gilbert Blythe spelled her down in class and
|
|
left her clear out of sight in mental arithmetic. Anne's
|
|
consequent humiliation was less than it might have been, however,
|
|
in view of the concert and the spare-room bed. She and Diana
|
|
talked so constantly about it all day that with a stricter
|
|
teacher than Mr. Phillips dire disgrace must inevitably have
|
|
been their portion.
|
|
|
|
Anne felt that she could not have borne it if she had not been
|
|
going to the concert, for nothing else was discussed that day in
|
|
school. The Avonlea Debating Club, which met fortnightly all
|
|
winter, had had several smaller free entertainments; but this was
|
|
to be a big affair, admission ten cents, in aid of the library.
|
|
The Avonlea young people had been practicing for weeks, and all
|
|
the scholars were especially interested in it by reason of older
|
|
brothers and sisters who were going to take part. Everybody in
|
|
school over nine years of age expected to go, except Carrie
|
|
Sloane, whose father shared Marilla's opinions about small girls
|
|
going out to night concerts. Carrie Sloane cried into her
|
|
grammar all the afternoon and felt that life was not worth
|
|
living.
|
|
|
|
For Anne the real excitement began with the dismissal of school
|
|
and increased therefrom in crescendo until it reached to a crash
|
|
of positive ecstasy in the concert itself. They had a "perfectly
|
|
elegant tea;" and then came the delicious occupation of dressing
|
|
in Diana's little room upstairs. Diana did Anne's front hair in
|
|
the new pompadour style and Anne tied Diana's bows with the
|
|
especial knack she possessed; and they experimented with at least
|
|
half a dozen different ways of arranging their back hair. At
|
|
last they were ready, cheeks scarlet and eyes glowing with
|
|
excitement.
|
|
|
|
True, Anne could not help a little pang when she contrasted her
|
|
plain black tam and shapeless, tight-sleeved, homemade gray-cloth
|
|
coat with Diana's jaunty fur cap and smart little jacket. But
|
|
she remembered in time that she had an imagination and could use
|
|
it.
|
|
|
|
Then Diana's cousins, the Murrays from Newbridge, came; they all
|
|
crowded into the big pung sleigh, among straw and furry robes.
|
|
Anne reveled in the drive to the hall, slipping along over the
|
|
satin-smooth roads with the snow crisping under the runners.
|
|
There was a magnificent sunset, and the snowy hills and deep-blue
|
|
water of the St. Lawrence Gulf seemed to rim??? in the splendor
|
|
like a huge bowl of pearl and sapphire brimmed with wine and
|
|
fire. Tinkles of sleigh bells and distant laughter, that seemed
|
|
like the mirth of wood elves, came from every quarter.
|
|
|
|
"Oh, Diana," breathed Anne, squeezing Diana's mittened hand under
|
|
the fur robe, "isn't it all like a beautiful dream? Do I really
|
|
look the same as usual? I feel so different that it seems to me
|
|
it must show in my looks."
|
|
|
|
"You look awfully nice," said Diana, who having just received a
|
|
compliment from one of her cousins, felt that she ought to pass
|
|
it on. "You've got the loveliest color."
|
|
|
|
The program that night was a series of "thrills" for at least one
|
|
listener in the audience, and, as Anne assured Diana, every
|
|
succeeding thrill was thrillier than the last. When Prissy
|
|
Andrews, attired in a new pink-silk waist with a string of pearls
|
|
about her smooth white throat and real carnations in her
|
|
hair--rumor whispered that the master had sent all the way to
|
|
town for them for her--"climbed the slimy ladder, dark without
|
|
one ray of light," Anne shivered in luxurious sympathy; when the
|
|
choir sang "Far Above the Gentle Daisies" Anne gazed at the
|
|
ceiling as if it were frescoed with angels; when Sam Sloane
|
|
proceeded to explain and illustrate "How Sockery Set a Hen" Anne
|
|
laughed until people sitting near her laughed too, more out of
|
|
sympathy with her than with amusement at a selection that was
|
|
rather threadbare even in Avonlea; and when Mr. Phillips gave
|
|
Mark Antony's oration over the dead body of Caesar in the most
|
|
heartstirring tones--looking at Prissy Andrews at the end of
|
|
every sentence--Anne felt that she could rise and mutiny on the
|
|
spot if but one Roman citizen led the way.
|
|
|
|
Only one number on the program failed to interest her. When
|
|
Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda
|
|
Murray's library book and read it until he had finished, when she
|
|
sat rigidly stiff and motionless while Diana clapped her hands
|
|
until they tingled.
|
|
|
|
It was eleven when they got home, sated with dissipation, but
|
|
with the exceeding sweet pleasure of talking it all over still to
|
|
come. Everybody seemed asleep and the house was dark and silent.
|
|
Anne and Diana tiptoed into the parlor, a long narrow room out of
|
|
which the spare room opened. It was pleasantly warm and dimly
|
|
lighted by the embers of a fire in the grate.
|
|
|
|
"Let's undress here," said Diana. "It's so nice and warm."
|
|
|
|
"Hasn't it been a delightful time?" sighed Anne rapturously. "It
|
|
must be splendid to get up and recite there. Do you suppose we
|
|
will ever be asked to do it, Diana?"
|
|
|
|
"Yes, of course, someday. They're always wanting the big
|
|
scholars to recite. Gilbert Blythe does often and he's only two
|
|
years older than us. Oh, Anne, how could you pretend not to
|
|
listen to him? When he came to the line,
|
|
|
|
|
|
"THERE'S ANOTHER, not A SISTER,
|
|
|
|
|
|
he looked right down at you."
|
|
|
|
"Diana," said Anne with dignity, "you are my bosom friend, but I
|
|
cannot allow even you to speak to me of that person. Are you ready
|
|
for bed? Let's run a race and see who'll get to the bed first."
|
|
|
|
The suggestion appealed to Diana. The two little white-clad figures
|
|
flew down the long room, through the spare-room door, and bounded on
|
|
the bed at the same moment. And then--something--moved beneath them,
|
|
there was a gasp and a cry--and somebody said in muffled accents:
|
|
|
|
"Merciful goodness!"
|
|
|
|
Anne and Diana were never able to tell just how they got off that
|
|
bed and out of the room. They only knew that after one frantic
|
|
rush they found themselves tiptoeing shiveringly upstairs.
|
|
|
|
"Oh, who was it--WHAT was it?" whispered Anne, her teeth
|
|
chattering with cold and fright.
|
|
|
|
"It was Aunt Josephine," said Diana, gasping with laughter. "Oh,
|
|
Anne, it was Aunt Josephine, however she came to be there. Oh,
|
|
and I know she will be furious. It's dreadful--it's really
|
|
dreadful--but did you ever know anything so funny, Anne?"
|
|
|
|
"Who is your Aunt Josephine?"
|
|
|
|
"She's father's aunt and she lives in Charlottetown. She's
|
|
awfully old--seventy anyhow--and I don't believe she was EVER a
|
|
little girl. We were expecting her out for a visit, but not so
|
|
soon. She's awfully prim and proper and she'll scold dreadfully
|
|
about this, I know. Well, we'll have to sleep with Minnie
|
|
May--and you can't think how she kicks."
|
|
|
|
Miss Josephine Barry did not appear at the early breakfast the
|
|
next morning. Mrs. Barry smiled kindly at the two little girls.
|
|
|
|
"Did you have a good time last night? I tried to stay awake
|
|
until you came home, for I wanted to tell you Aunt Josephine had
|
|
come and that you would have to go upstairs after all, but I was
|
|
so tired I fell asleep. I hope you didn't disturb your aunt,
|
|
Diana."
|
|
|
|
Diana preserved a discreet silence, but she and Anne exchanged
|
|
furtive smiles of guilty amusement across the table. Anne
|
|
hurried home after breakfast and so remained in blissful
|
|
ignorance of the disturbance which presently resulted in the
|
|
Barry household until the late afternoon, when she went down to
|
|
Mrs. Lynde's on an errand for Marilla.
|
|
|
|
"So you and Diana nearly frightened poor old Miss Barry to death
|
|
last night?" said Mrs. Lynde severely, but with a twinkle in her
|
|
eye. "Mrs. Barry was here a few minutes ago on her way to
|
|
Carmody. She's feeling real worried over it. Old Miss Barry was
|
|
in a terrible temper when she got up this morning--and Josephine
|
|
Barry's temper is no joke, I can tell you that. She wouldn't
|
|
speak to Diana at all."
|
|
|
|
"It wasn't Diana's fault," said Anne contritely. "It was mine.
|
|
I suggested racing to see who would get into bed first."
|
|
|
|
"I knew it!" said Mrs. Lynde, with the exultation of a correct
|
|
guesser. "I knew that idea came out of your head. Well, it's
|
|
made a nice lot of trouble, that's what. Old Miss Barry came out
|
|
to stay for a month, but she declares she won't stay another day
|
|
and is going right back to town tomorrow, Sunday and all as it
|
|
is. She'd have gone today if they could have taken her. She had
|
|
promised to pay for a quarter's music lessons for Diana, but now
|
|
she is determined to do nothing at all for such a tomboy. Oh, I
|
|
guess they had a lively time of it there this morning. The
|
|
Barrys must feel cut up. Old Miss Barry is rich and they'd like
|
|
to keep on the good side of her. Of course, Mrs. Barry didn't
|
|
say just that to me, but I'm a pretty good judge of human nature,
|
|
that's what."
|
|
|
|
"I'm such an unlucky girl," mourned Anne. "I'm always getting
|
|
into scrapes myself and getting my best friends--people I'd shed
|
|
my heart's blood for--into them too. Can you tell me why it is
|
|
so, Mrs. Lynde?"
|
|
|
|
"It's because you're too heedless and impulsive, child, that's
|
|
what. You never stop to think--whatever comes into your head to
|
|
say or do you say or do it without a moment's reflection."
|
|
|
|
"Oh, but that's the best of it," protested Anne. "Something just
|
|
flashes into your mind, so exciting, and you must out with it.
|
|
If you stop to think it over you spoil it all. Haven't you never
|
|
felt that yourself, Mrs. Lynde?"
|
|
|
|
No, Mrs. Lynde had not. She shook her head sagely.
|
|
|
|
"You must learn to think a little, Anne, that's what. The
|
|
proverb you need to go by is `Look before you leap'--especially
|
|
into spare-room beds."
|
|
|
|
Mrs. Lynde laughed comfortably over her mild joke, but Anne
|
|
remained pensive. She saw nothing to laugh at in the situation,
|
|
which to her eyes appeared very serious. When she left Mrs.
|
|
Lynde's she took her way across the crusted fields to Orchard
|
|
Slope. Diana met her at the kitchen door.
|
|
|
|
"Your Aunt Josephine was very cross about it, wasn't she?"
|
|
whispered Anne.
|
|
|
|
"Yes," answered Diana, stifling a giggle with an apprehensive
|
|
glance over her shoulder at the closed sitting-room door. "She
|
|
was fairly dancing with rage, Anne. Oh, how she scolded. She
|
|
said I was the worst-behaved girl she ever saw and that my
|
|
parents ought to be ashamed of the way they had brought me up.
|
|
She says she won't stay and I'm sure I don't care. But Father
|
|
and Mother do."
|
|
|
|
"Why didn't you tell them it was my fault?" demanded Anne.
|
|
|
|
"It's likely I'd do such a thing, isn't it?" said Diana with just
|
|
scorn. "I'm no telltale, Anne Shirley, and anyhow I was just as
|
|
much to blame as you."
|
|
|
|
"Well, I'm going in to tell her myself," said Anne resolutely.
|
|
|
|
Diana stared.
|
|
|
|
"Anne Shirley, you'd never! why--she'll eat you alive!"
|
|
|
|
"Don't frighten me any more than I am frightened," implored Anne.
|
|
"I'd rather walk up to a cannon's mouth. But I've got to do it,
|
|
Diana. It was my fault and I've got to confess. I've had
|
|
practice in confessing, fortunately."
|
|
|
|
"Well, she's in the room," said Diana. "You can go in if you
|
|
want to. I wouldn't dare. And I don't believe you'll do a bit
|
|
of good."
|
|
|
|
With this encouragement Anne bearded the lion in its den--that is
|
|
to say, walked resolutely up to the sitting-room door and knocked
|
|
faintly. A sharp "Come in" followed.
|
|
|
|
Miss Josephine Barry, thin, prim, and rigid, was knitting
|
|
fiercely by the fire, her wrath quite unappeased and her eyes
|
|
snapping through her gold-rimmed glasses. She wheeled around in
|
|
her chair, expecting to see Diana, and beheld a white-faced girl
|
|
whose great eyes were brimmed up with a mixture of desperate
|
|
courage and shrinking terror.
|
|
|
|
"Who are you?" demanded Miss Josephine Barry, without ceremony.
|
|
|
|
"I'm Anne of Green Gables," said the small visitor tremulously,
|
|
clasping her hands with her characteristic gesture, "and I've
|
|
come to confess, if you please."
|
|
|
|
"Confess what?"
|
|
|
|
"That it was all my fault about jumping into bed on you last
|
|
night. I suggested it. Diana would never have thought of such a
|
|
thing, I am sure. Diana is a very ladylike girl, Miss Barry. So
|
|
you must see how unjust it is to blame her."
|
|
|
|
"Oh, I must, hey? I rather think Diana did her share of the
|
|
jumping at least. Such carryings on in a respectable house!"
|
|
|
|
"But we were only in fun," persisted Anne. "I think you ought to
|
|
forgive us, Miss Barry, now that we've apologized. And anyhow,
|
|
please forgive Diana and let her have her music lessons. Diana's
|
|
heart is set on her music lessons, Miss Barry, and I know too
|
|
well what it is to set your heart on a thing and not get it. If
|
|
you must be cross with anyone, be cross with me. I've been so
|
|
used in my early days to having people cross at me that I can
|
|
endure it much better than Diana can."
|
|
|
|
Much of the snap had gone out of the old lady's eyes by this time
|
|
and was replaced by a twinkle of amused interest. But she still
|
|
said severely:
|
|
|
|
"I don't think it is any excuse for you that you were only in
|
|
fun. Little girls never indulged in that kind of fun when I was
|
|
young. You don't know what it is to be awakened out of a sound
|
|
sleep, after a long and arduous journey, by two great girls
|
|
coming bounce down on you."
|
|
|
|
"I don't KNOW, but I can IMAGINE," said Anne eagerly. "I'm sure
|
|
it must have been very disturbing. But then, there is our side
|
|
of it too. Have you any imagination, Miss Barry? If you have,
|
|
just put yourself in our place. We didn't know there was anybody
|
|
in that bed and you nearly scared us to death. It was simply
|
|
awful the way we felt. And then we couldn't sleep in the spare
|
|
room after being promised. I suppose you are used to sleeping in
|
|
spare rooms. But just imagine what you would feel like if you
|
|
were a little orphan girl who had never had such an honor."
|
|
|
|
All the snap had gone by this time. Miss Barry actually
|
|
laughed--a sound which caused Diana, waiting in speechless
|
|
anxiety in the kitchen outside, to give a great gasp of relief.
|
|
|
|
"I'm afraid my imagination is a little rusty--it's so long since
|
|
I used it," she said. "I dare say your claim to sympathy is just
|
|
as strong as mine. It all depends on the way we look at it. Sit
|
|
down here and tell me about yourself."
|
|
|
|
"I am very sorry I can't," said Anne firmly. "I would like to,
|
|
because you seem like an interesting lady, and you might even be
|
|
a kindred spirit although you don't look very much like it. But
|
|
it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla
|
|
Cuthbert is a very kind lady who has taken me to bring up
|
|
properly. She is doing her best, but it is very discouraging
|
|
work. You must not blame her because I jumped on the bed. But
|
|
before I go I do wish you would tell me if you will forgive Diana
|
|
and stay just as long as you meant to in Avonlea."
|
|
|
|
"I think perhaps I will if you will come over and talk to me
|
|
occasionally," said Miss Barry.
|
|
|
|
That evening Miss Barry gave Diana a silver bangle bracelet and
|
|
told the senior members of the household that she had unpacked
|
|
her valise.
|
|
|
|
"I've made up my mind to stay simply for the sake of getting
|
|
better acquainted with that Anne-girl," she said frankly. "She
|
|
amuses me, and at my time of life an amusing person is a rarity."
|
|
|
|
Marilla's only comment when she heard the story was, "I told you
|
|
so." This was for Matthew's benefit.
|
|
|
|
Miss Barry stayed her month out and over. She was a more
|
|
agreeable guest than usual, for Anne kept her in good humor.
|
|
They became firm friends.
|
|
|
|
When Miss Barry went away she said:
|
|
|
|
"Remember, you Anne-girl, when you come to town you're to visit
|
|
me and I'll put you in my very sparest spare-room bed to sleep."
|
|
|
|
"Miss Barry was a kindred spirit, after all," Anne confided to
|
|
Marilla. "You wouldn't think so to look at her, but she is. You
|
|
don't find it right out at first, as in Matthew's case, but after
|
|
a while you come to see it. Kindred spirits are not so scarce as
|
|
I used to think. It's splendid to find out there are so many of
|
|
them in the world."
|
|
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
A Good Imagination Gone Wrong
|
|
|
|
|
|
Spring had come once more to Green Gables--the beautiful
|
|
capricious, reluctant Canadian spring, lingering along through
|
|
April and May in a succession of sweet, fresh, chilly days, with
|
|
pink sunsets and miracles of resurrection and growth. The maples
|
|
in Lover's Lane were red budded and little curly ferns pushed up
|
|
around the Dryad's Bubble. Away up in the barrens, behind Mr.
|
|
Silas Sloane's place, the Mayflowers blossomed out, pink and
|
|
white stars of sweetness under their brown leaves. All the
|
|
school girls and boys had one golden afternoon gathering them,
|
|
coming home in the clear, echoing twilight with arms and baskets
|
|
full of flowery spoil.
|
|
|
|
"I'm so sorry for people who live in lands where there are no
|
|
Mayflowers," said Anne. "Diana says perhaps they have something
|
|
better, but there couldn't be anything better than Mayflowers,
|
|
could there, Marilla? And Diana says if they don't know what
|
|
they are like they don't miss them. But I think that is the
|
|
saddest thing of all. I think it would be TRAGIC, Marilla, not
|
|
to know what Mayflowers are like and NOT to miss them. Do you
|
|
know what I think Mayflowers are, Marilla? I think they must be
|
|
the souls of the flowers that died last summer and this is their
|
|
heaven. But we had a splendid time today, Marilla. We had our
|
|
lunch down in a big mossy hollow by an old well--such a ROMANTIC
|
|
spot. Charlie Sloane dared Arty Gillis to jump over it, and Arty
|
|
did because he wouldn't take a dare. Nobody would in school. It
|
|
is very FASHIONABLE to dare. Mr. Phillips gave all the
|
|
Mayflowers he found to Prissy Andrews and I heard him to say
|
|
`sweets to the sweet.' He got that out of a book, I know; but it
|
|
shows he has some imagination. I was offered some Mayflowers
|
|
too, but I rejected them with scorn. I can't tell you the
|
|
person's name because I have vowed never to let it cross my lips.
|
|
We made wreaths of the Mayflowers and put them on our hats; and
|
|
when the time came to go home we marched in procession down the
|
|
road, two by two, with our bouquets and wreaths, singing `My Home
|
|
on the Hill.' Oh, it was so thrilling, Marilla. All Mr. Silas
|
|
Sloane's folks rushed out to see us and everybody we met on the
|
|
road stopped and stared after us. We made a real sensation."
|
|
|
|
"Not much wonder! Such silly doings!" was Marilla's response.
|
|
|
|
After the Mayflowers came the violets, and Violet Vale was empurpled
|
|
with them. Anne walked through it on her way to school with reverent
|
|
steps and worshiping eyes, as if she trod on holy ground.
|
|
|
|
"Somehow," she told Diana, "when I'm going through here I don't
|
|
really care whether Gil--whether anybody gets ahead of me in
|
|
class or not. But when I'm up in school it's all different and I
|
|
care as much as ever. There's such a lot of different Annes in me.
|
|
I sometimes think that is why I'm such a troublesome person.
|
|
If I was just the one Anne it would be ever so much more
|
|
comfortable, but then it wouldn't be half so interesting."
|
|
|
|
One June evening, when the orchards were pink blossomed again,
|
|
when the frogs were singing silverly sweet in the marshes about
|
|
the head of the Lake of Shining Waters, and the air was full of
|
|
the savor of clover fields and balsamic fir woods, Anne was
|
|
sitting by her gable window. She had been studying her lessons,
|
|
but it had grown too dark to see the book, so she had fallen into
|
|
wide-eyed reverie, looking out past the boughs of the Snow Queen,
|
|
once more bestarred with its tufts of blossom.
|
|
|
|
In all essential respects the little gable chamber was unchanged.
|
|
The walls were as white, the pincushion as hard, the chairs as
|
|
stiffly and yellowly upright as ever. Yet the whole character of
|
|
the room was altered. It was full of a new vital, pulsing
|
|
personality that seemed to pervade it and to be quite independent
|
|
of schoolgirl books and dresses and ribbons, and even of the
|
|
cracked blue jug full of apple blossoms on the table. It was as
|
|
if all the dreams, sleeping and waking, of its vivid occupant had
|
|
taken a visible although unmaterial form and had tapestried the
|
|
bare room with splendid filmy tissues of rainbow and moonshine.
|
|
Presently Marilla came briskly in with some of Anne's freshly
|
|
ironed school aprons. She hung them over a chair and sat down
|
|
with a short sigh. She had had one of her headaches that
|
|
afternoon, and although the pain had gone she felt weak and
|
|
"tuckered out," as she expressed it. Anne looked at her with
|
|
eyes limpid with sympathy.
|
|
|
|
"I do truly wish I could have had the headache in your place,
|
|
Marilla. I would have endured it joyfully for your sake."
|
|
|
|
"I guess you did your part in attending to the work and letting
|
|
me rest," said Marilla. "You seem to have got on fairly well and
|
|
made fewer mistakes than usual. Of course it wasn't exactly
|
|
necessary to starch Matthew's handkerchiefs! And most people when
|
|
they put a pie in the oven to warm up for dinner take it out and
|
|
eat it when it gets hot instead of leaving it to be burned to a
|
|
crisp. But that doesn't seem to be your way evidently."
|
|
|
|
Headaches always left Marilla somewhat sarcastic.
|
|
|
|
"Oh, I'm so sorry," said Anne penitently. "I never thought about
|
|
that pie from the moment I put it in the oven till now, although
|
|
I felt INSTINCTIVELY that there was something missing on the
|
|
dinner table. I was firmly resolved, when you left me in charge
|
|
this morning, not to imagine anything, but keep my thoughts on
|
|
facts. I did pretty well until I put the pie in, and then an
|
|
irresistible temptation came to me to imagine I was an enchanted
|
|
princess shut up in a lonely tower with a handsome knight riding
|
|
to my rescue on a coal-black steed. So that is how I came to
|
|
forget the pie. I didn't know I starched the handkerchiefs. All
|
|
the time I was ironing I was trying to think of a name for a new
|
|
island Diana and I have discovered up the brook. It's the most
|
|
ravishing spot, Marilla. There are two maple trees on it and the
|
|
brook flows right around it. At last it struck me that it would
|
|
be splendid to call it Victoria Island because we found it on the
|
|
Queen's birthday. Both Diana and I are very loyal. But I'm
|
|
sorry about that pie and the handkerchiefs. I wanted to be extra
|
|
good today because it's an anniversary. Do you remember what
|
|
happened this day last year, Marilla?"
|
|
|
|
"No, I can't think of anything special."
|
|
|
|
"Oh, Marilla, it was the day I came to Green Gables. I shall
|
|
never forget it. It was the turning point in my life. Of course
|
|
it wouldn't seem so important to you. I've been here for a year
|
|
and I've been so happy. Of course, I've had my troubles, but one
|
|
can live down troubles. Are you sorry you kept me, Marilla?"
|
|
|
|
"No, I can't say I'm sorry," said Marilla, who sometimes wondered
|
|
how she could have lived before Anne came to Green Gables, "no,
|
|
not exactly sorry. If you've finished your lessons, Anne, I want you
|
|
to run over and ask Mrs. Barry if she'll lend me Diana's apron pattern."
|
|
|
|
"Oh--it's--it's too dark," cried Anne.
|
|
|
|
"Too dark? Why, it's only twilight. And goodness knows you've
|
|
gone over often enough after dark."
|
|
|
|
"I'll go over early in the morning," said Anne eagerly. "I'll
|
|
get up at sunrise and go over, Marilla."
|
|
|
|
"What has got into your head now, Anne Shirley? I want that pattern
|
|
to cut out your new apron this evening. Go at once and be smart too."
|
|
|
|
"I'll have to go around by the road, then," said Anne, taking up
|
|
her hat reluctantly.
|
|
|
|
"Go by the road and waste half an hour! I'd like to catch you!"
|
|
|
|
"I can't go through the Haunted Wood, Marilla," cried Anne desperately.
|
|
|
|
Marilla stared.
|
|
|
|
"The Haunted Wood! Are you crazy? What under the canopy is the
|
|
Haunted Wood?"
|
|
|
|
"The spruce wood over the brook," said Anne in a whisper.
|
|
|
|
"Fiddlesticks! There is no such thing as a haunted wood anywhere.
|
|
Who has been telling you such stuff?"
|
|
|
|
"Nobody," confessed Anne. "Diana and I just imagined the wood
|
|
was haunted. All the places around here are so--so--COMMONPLACE.
|
|
We just got this up for our own amusement. We began it in April.
|
|
A haunted wood is so very romantic, Marilla. We chose the spruce
|
|
grove because it's so gloomy. Oh, we have imagined the most
|
|
harrowing things. There's a white lady walks along the brook
|
|
just about this time of the night and wrings her hands and utters
|
|
wailing cries. She appears when there is to be a death in the
|
|
family. And the ghost of a little murdered child haunts the
|
|
corner up by Idlewild; it creeps up behind you and lays its cold
|
|
fingers on your hand--so. Oh, Marilla, it gives me a shudder to
|
|
think of it. And there's a headless man stalks up and down the
|
|
path and skeletons glower at you between the boughs. Oh,
|
|
Marilla, I wouldn't go through the Haunted Wood after dark now
|
|
for anything. I'd be sure that white things would reach out from
|
|
behind the trees and grab me."
|
|
|
|
"Did ever anyone hear the like!" ejaculated Marilla, who had
|
|
listened in dumb amazement. "Anne Shirley, do you mean to tell
|
|
me you believe all that wicked nonsense of your own imagination?"
|
|
|
|
"Not believe EXACTLY," faltered Anne. "At least, I don't
|
|
believe it in daylight. But after dark, Marilla, it's
|
|
different. That is when ghosts walk."
|
|
|
|
"There are no such things as ghosts, Anne."
|
|
|
|
"Oh, but there are, Marilla," cried Anne eagerly. "I know people
|
|
who have seen them. And they are respectable people. Charlie
|
|
Sloane says that his grandmother saw his grandfather driving home
|
|
the cows one night after he'd been buried for a year. You know
|
|
Charlie Sloane's grandmother wouldn't tell a story for anything.
|
|
She's a very religious woman. And Mrs. Thomas's father was
|
|
pursued home one night by a lamb of fire with its head cut off
|
|
hanging by a strip of skin. He said he knew it was the spirit of
|
|
his brother and that it was a warning he would die within nine
|
|
days. He didn't, but he died two years after, so you see it was
|
|
really true. And Ruby Gillis says--"
|
|
|
|
"Anne Shirley," interrupted Marilla firmly, "I never want to hear
|
|
you talking in this fashion again. I've had my doubts about that
|
|
imagination of yours right along, and if this is going to be the
|
|
outcome of it, I won't countenance any such doings. You'll go
|
|
right over to Barry's, and you'll go through that spruce grove,
|
|
just for a lesson and a warning to you. And never let me hear a
|
|
word out of your head about haunted woods again."
|
|
|
|
Anne might plead and cry as she liked--and did, for her terror was
|
|
very real. Her imagination had run away with her and she held the
|
|
spruce grove in mortal dread after nightfall. But Marilla was
|
|
inexorable. She marched the shrinking ghostseer down to the spring
|
|
and ordered her to proceed straightaway over the bridge and into
|
|
the dusky retreats of wailing ladies and headless specters beyond.
|
|
|
|
"Oh, Marilla, how can you be so cruel?" sobbed Anne. "What would
|
|
you feel like if a white thing did snatch me up and carry me off?"
|
|
|
|
"I'll risk it," said Marilla unfeelingly. "You know I always
|
|
mean what I say. I'll cure you of imagining ghosts into places.
|
|
March, now."
|
|
|
|
Anne marched. That is, she stumbled over the bridge and went
|
|
shuddering up the horrible dim path beyond. Anne never forgot
|
|
that walk. Bitterly did she repent the license she had given to
|
|
her imagination. The goblins of her fancy lurked in every shadow
|
|
about her, reaching out their cold, fleshless hands to grasp the
|
|
terrified small girl who had called them into being. A white
|
|
strip of birch bark blowing up from the hollow over the brown
|
|
floor of the grove made her heart stand still. The long-drawn
|
|
wail of two old boughs rubbing against each other brought out the
|
|
perspiration in beads on her forehead. The swoop of bats in the
|
|
darkness over her was as the wings of unearthly creatures. When
|
|
she reached Mr. William Bell's field she fled across it as if
|
|
pursued by an army of white things, and arrived at the Barry
|
|
kitchen door so out of breath that she could hardly gasp out her
|
|
request for the apron pattern. Diana was away so that she had no
|
|
excuse to linger. The dreadful return journey had to be faced.
|
|
Anne went back over it with shut eyes, preferring to take the
|
|
risk of dashing her brains out among the boughs to that of seeing
|
|
a white thing. When she finally stumbled over the log bridge she
|
|
drew one long shivering breath of relief.
|
|
|
|
"Well, so nothing caught you?" said Marilla unsympathetically.
|
|
|
|
"Oh, Mar--Marilla," chattered Anne, "I'll b-b-be contt-tented
|
|
with c-c-commonplace places after this."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
A New Departure in Flavorings
|
|
|
|
|
|
"Dear me, there is nothing but meetings and partings in this
|
|
world, as Mrs. Lynde says," remarked Anne plaintively, putting
|
|
her slate and books down on the kitchen table on the last day of
|
|
June and wiping her red eyes with a very damp handkerchief.
|
|
"Wasn't it fortunate, Marilla, that I took an extra handkerchief
|
|
to school today? I had a presentiment that it would be needed."
|
|
|
|
"I never thought you were so fond of Mr. Phillips that you'd
|
|
require two handkerchiefs to dry your tears just because he was
|
|
going away," said Marilla.
|
|
|
|
"I don't think I was crying because I was really so very fond of
|
|
him," reflected Anne. "I just cried because all the others did.
|
|
It was Ruby Gillis started it. Ruby Gillis has always declared
|
|
she hated Mr. Phillips, but just as soon as he got up to make
|
|
his farewell speech she burst into tears. Then all the girls
|
|
began to cry, one after the other. I tried to hold out, Marilla.
|
|
I tried to remember the time Mr. Phillips made me sit with
|
|
Gil--with a, boy; and the time he spelled my name without an e
|
|
on the blackboard; and how he said I was the worst dunce he ever
|
|
saw at geometry and laughed at my spelling; and all the times he
|
|
had been so horrid and sarcastic; but somehow I couldn't,
|
|
Marilla, and I just had to cry too. Jane Andrews has been
|
|
talking for a month about how glad she'd be when Mr. Phillips
|
|
went away and she declared she'd never shed a tear. Well, she
|
|
was worse than any of us and had to borrow a handkerchief from
|
|
her brother--of course the boys didn't cry--because she hadn't
|
|
brought one of her own, not expecting to need it. Oh, Marilla,
|
|
it was heartrending. Mr. Phillips made such a beautiful
|
|
farewell speech beginning, `The time has come for us to part.'
|
|
It was very affecting. And he had tears in his eyes too, Marilla.
|
|
Oh, I felt dreadfully sorry and remorseful for all the times I'd
|
|
talked in school and drawn pictures of him on my slate and made
|
|
fun of him and Prissy. I can tell you I wished I'd been a model
|
|
pupil like Minnie Andrews. She hadn't anything on her conscience.
|
|
The girls cried all the way home from school. Carrie Sloane kept
|
|
saying every few minutes, `The time has come for us to part,'
|
|
and that would start us off again whenever we were in any danger
|
|
of cheering up. I do feel dreadfully sad, Marilla. But one can't
|
|
feel quite in the depths of despair with two months' vacation
|
|
before them, can they, Marilla? And besides, we met the new
|
|
minister and his wife coming from the station. For all I was
|
|
feeling so bad about Mr. Phillips going away I couldn't help
|
|
taking a little interest in a new minister, could I? His wife
|
|
is very pretty. Not exactly regally lovely, of course--it
|
|
wouldn't do, I suppose, for a minister to have a regally lovely
|
|
wife, because it might set a bad example. Mrs. Lynde says the
|
|
minister's wife over at Newbridge sets a very bad example because
|
|
she dresses so fashionably. Our new minister's wife was dressed in
|
|
blue muslin with lovely puffed sleeves and a hat trimmed with roses.
|
|
Jane Andrews said she thought puffed sleeves were too worldly for a
|
|
minister's wife, but I didn't make any such uncharitable remark,
|
|
Marilla, because I know what it is to long for puffed sleeves.
|
|
Besides, she's only been a minister's wife for a little while,
|
|
so one should make allowances, shouldn't they? They are going
|
|
to board with Mrs. Lynde until the manse is ready."
|
|
|
|
If Marilla, in going down to Mrs. Lynde's that evening, was
|
|
actuated by any motive save her avowed one of returning the
|
|
quilting frames she had borrowed the preceding winter, it was an
|
|
amiable weakness shared by most of the Avonlea people. Many a
|
|
thing Mrs. Lynde had lent, sometimes never expecting to see it
|
|
again, came home that night in charge of the borrowers thereof.
|
|
A new minister, and moreover a minister with a wife, was a lawful
|
|
object of curiosity in a quiet little country settlement where
|
|
sensations were few and far between.
|
|
|
|
Old Mr. Bentley, the minister whom Anne had found lacking in
|
|
imagination, had been pastor of Avonlea for eighteen years. He
|
|
was a widower when he came, and a widower he remained, despite
|
|
the fact that gossip regularly married him to this, that, or the
|
|
other one, every year of his sojourn. In the preceding February
|
|
he had resigned his charge and departed amid the regrets of his
|
|
people, most of whom had the affection born of long intercourse for
|
|
their good old minister in spite of his shortcomings as an orator.
|
|
Since then the Avonlea church had enjoyed a variety of religious
|
|
dissipation in listening to the many and various candidates and
|
|
"supplies" who came Sunday after Sunday to preach on trial.
|
|
These stood or fell by the judgment of the fathers and mothers
|
|
in Israel; but a certain small, red-haired girl who sat meekly
|
|
in the corner of the old Cuthbert pew also had her opinions about
|
|
them and discussed the same in full with Matthew, Marilla always
|
|
declining from principle to criticize ministers in any shape or form.
|
|
|
|
"I don't think Mr. Smith would have done, Matthew" was Anne's
|
|
final summing up. "Mrs. Lynde says his delivery was so poor,
|
|
but I think his worst fault was just like Mr. Bentley's--he had
|
|
no imagination. And Mr. Terry had too much; he let it run away
|
|
with him just as I did mine in the matter of the Haunted Wood.
|
|
Besides, Mrs. Lynde says his theology wasn't sound. Mr. Gresham
|
|
was a very good man and a very religious man, but he told too
|
|
many funny stories and made the people laugh in church; he was
|
|
undignified, and you must have some dignity about a minister,
|
|
mustn't you, Matthew? I thought Mr. Marshall was decidedly
|
|
attractive; but Mrs. Lynde says he isn't married, or even
|
|
engaged, because she made special inquiries about him, and she
|
|
says it would never do to have a young unmarried minister in
|
|
Avonlea, because he might marry in the congregation and that
|
|
would make trouble. Mrs. Lynde is a very farseeing woman, isn't
|
|
she, Matthew? I'm very glad they've called Mr. Allan. I liked
|
|
him because his sermon was interesting and he prayed as if he
|
|
meant it and not just as if he did it because he was in the habit
|
|
of it. Mrs. Lynde says he isn't perfect, but she says she
|
|
supposes we couldn't expect a perfect minister for seven hundred
|
|
and fifty dollars a year, and anyhow his theology is sound
|
|
because she questioned him thoroughly on all the points of
|
|
doctrine. And she knows his wife's people and they are most
|
|
respectable and the women are all good housekeepers. Mrs. Lynde
|
|
says that sound doctrine in the man and good housekeeping in the
|
|
woman make an ideal combination for a minister's family."
|
|
|
|
The new minister and his wife were a young, pleasant-faced
|
|
couple, still on their honeymoon, and full of all good and
|
|
beautiful enthusiasms for their chosen lifework. Avonlea
|
|
opened its heart to them from the start. Old and young liked
|
|
the frank, cheerful young man with his high ideals, and the bright,
|
|
gentle little lady who assumed the mistress-ship of the manse.
|
|
With Mrs. Allan Anne fell promptly and wholeheartedly in love.
|
|
She had discovered another kindred spirit.
|
|
|
|
"Mrs. Allan is perfectly lovely," she announced one Sunday afternoon.
|
|
"She's taken our class and she's a splendid teacher. She said right
|
|
away she didn't think it was fair for the teacher to ask all the
|
|
questions, and you know, Marilla, that is exactly what I've
|
|
always thought. She said we could ask her any question we liked
|
|
and I asked ever so many. I'm good at asking questions, Marilla."
|
|
|
|
"I believe you" was Marilla's emphatic comment.
|
|
|
|
"Nobody else asked any except Ruby Gillis, and she asked if there
|
|
was to be a Sunday-school picnic this summer. I didn't think
|
|
that was a very proper question to ask because it hadn't any
|
|
connection with the lesson--the lesson was about Daniel in the
|
|
lions' den--but Mrs. Allan just smiled and said she thought there
|
|
would be. Mrs. Allan has a lovely smile; she has such EXQUISITE
|
|
dimples in her cheeks. I wish I had dimples in my cheeks, Marilla.
|
|
I'm not half so skinny as I was when I came here, but I have no
|
|
dimples yet. If I had perhaps I could influence people for good.
|
|
Mrs. Allan said we ought always to try to influence other people
|
|
for good. She talked so nice about everything. I never knew before
|
|
that religion was such a cheerful thing. I always thought it was
|
|
kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a
|
|
Christian if I could be one like her. I wouldn't want to be one
|
|
like Mr. Superintendent Bell."
|
|
|
|
"It's very naughty of you to speak so about Mr. Bell," said
|
|
Marilla severely. "Mr. Bell is a real good man."
|
|
|
|
"Oh, of course he's good," agreed Anne, "but he doesn't seem to
|
|
get any comfort out of it. If I could be good I'd dance and sing
|
|
all day because I was glad of it. I suppose Mrs. Allan is too
|
|
old to dance and sing and of course it wouldn't be dignified in a
|
|
minister's wife. But I can just feel she's glad she's a Christian
|
|
and that she'd be one even if she could get to heaven without it."
|
|
|
|
"I suppose we must have Mr. and Mrs. Allan up to tea someday
|
|
soon," said Marilla reflectively. "They've been most everywhere
|
|
but here. Let me see. Next Wednesday would be a good time to
|
|
have them. But don't say a word to Matthew about it, for if he
|
|
knew they were coming he'd find some excuse to be away that day.
|
|
He'd got so used to Mr. Bentley he didn't mind him, but he's
|
|
going to find it hard to get acquainted with a new minister, and
|
|
a new minister's wife will frighten him to death."
|
|
|
|
"I'll be as secret as the dead," assured Anne. "But oh, Marilla,
|
|
will you let me make a cake for the occasion? I'd love to do
|
|
something for Mrs. Allan, and you know I can make a pretty good
|
|
cake by this time."
|
|
|
|
"You can make a layer cake," promised Marilla.
|
|
|
|
Monday and Tuesday great preparations went on at Green Gables.
|
|
Having the minister and his wife to tea was a serious and
|
|
important undertaking, and Marilla was determined not to be
|
|
eclipsed by any of the Avonlea housekeepers. Anne was wild with
|
|
excitement and delight. She talked it all over with Diana
|
|
Tuesday night in the twilight, as they sat on the big red stones
|
|
by the Dryad's Bubble and made rainbows in the water with little
|
|
twigs dipped in fir balsam.
|
|
|
|
"Everything is ready, Diana, except my cake which I'm to make in
|
|
the morning, and the baking-powder biscuits which Marilla will
|
|
make just before teatime. I assure you, Diana, that Marilla and
|
|
I have had a busy two days of it. It's such a responsibility
|
|
having a minister's family to tea. I never went through such an
|
|
experience before. You should just see our pantry. It's a sight
|
|
to behold. We're going to have jellied chicken and cold tongue.
|
|
We're to have two kinds of jelly, red and yellow, and whipped
|
|
cream and lemon pie, and cherry pie, and three kinds of cookies,
|
|
and fruit cake, and Marilla's famous yellow plum preserves that
|
|
she keeps especially for ministers, and pound cake and layer
|
|
cake, and biscuits as aforesaid; and new bread and old both, in
|
|
case the minister is dyspeptic and can't eat new. Mrs. Lynde
|
|
says ministers are dyspeptic, but I don't think Mr. Allan has been
|
|
a minister long enough for it to have had a bad effect on him.
|
|
I just grow cold when I think of my layer cake. Oh, Diana, what
|
|
if it shouldn't be good! I dreamed last night that I was chased
|
|
all around by a fearful goblin with a big layer cake for a head."
|
|
|
|
"It'll be good, all right," assured Diana, who was a very comfortable
|
|
sort of friend. "I'm sure that piece of the one you made that we had
|
|
for lunch in Idlewild two weeks ago was perfectly elegant."
|
|
|
|
"Yes; but cakes have such a terrible habit of turning out bad just when
|
|
you especially want them to be good," sighed Anne, setting a particularly
|
|
well-balsamed twig afloat. "However, I suppose I shall just have to
|
|
trust to Providence and be careful to put in the flour. Oh, look, Diana,
|
|
what a lovely rainbow! Do you suppose the dryad will come out after we
|
|
go away and take it for a scarf?"
|
|
|
|
"You know there is no such thing as a dryad," said Diana.
|
|
Diana's mother had found out about the Haunted Wood and had been
|
|
decidedly angry over it. As a result Diana had abstained from
|
|
any further imitative flights of imagination and did not think it
|
|
prudent to cultivate a spirit of belief even in harmless dryads.
|
|
|
|
"But it's so easy to imagine there is," said Anne. "Every night
|
|
before I go to bed, I look out of my window and wonder if the
|
|
dryad is really sitting here, combing her locks with the spring
|
|
for a mirror. Sometimes I look for her footprints in the dew in
|
|
the morning. Oh, Diana, don't give up your faith in the dryad!"
|
|
|
|
Wednesday morning came. Anne got up at sunrise because she was
|
|
too excited to sleep. She had caught a severe cold in the head
|
|
by reason of her dabbling in the spring on the preceding evening;
|
|
but nothing short of absolute pneumonia could have quenched her
|
|
interest in culinary matters that morning. After breakfast she
|
|
proceeded to make her cake. When she finally shut the oven door
|
|
upon it she drew a long breath.
|
|
|
|
"I'm sure I haven't forgotten anything this time, Marilla. But
|
|
do you think it will rise? Just suppose perhaps the baking powder
|
|
isn't good? I used it out of the new can. And Mrs. Lynde says
|
|
you can never be sure of getting good baking powder nowadays when
|
|
everything is so adulterated. Mrs. Lynde says the Government ought
|
|
to take the matter up, but she says we'll never see the day when a
|
|
Tory Government will do it. Marilla, what if that cake doesn't rise?"
|
|
|
|
"We'll have plenty without it" was Marilla's unimpassioned way of
|
|
looking at the subject.
|
|
|
|
The cake did rise, however, and came out of the oven as light and
|
|
feathery as golden foam. Anne, flushed with delight, clapped it
|
|
together with layers of ruby jelly and, in imagination, saw Mrs.
|
|
Allan eating it and possibly asking for another piece!
|
|
|
|
"You'll be using the best tea set, of course, Marilla," she said.
|
|
"Can I fix the table with ferns and wild roses?"
|
|
|
|
"I think that's all nonsense," sniffed Marilla. "In my opinion
|
|
it's the eatables that matter and not flummery decorations."
|
|
|
|
"Mrs. Barry had HER table decorated," said Anne, who was not
|
|
entirely guiltless of the wisdom of the serpent, "and the
|
|
minister paid her an elegant compliment. He said it was a feast
|
|
for the eye as well as the palate."
|
|
|
|
"Well, do as you like," said Marilla, who was quite determined
|
|
not to be surpassed by Mrs. Barry or anybody else. "Only mind
|
|
you leave enough room for the dishes and the food."
|
|
|
|
Anne laid herself out to decorate in a manner and after a fashion
|
|
that should leave Mrs. Barry's nowhere. Having abundance of roses
|
|
and ferns and a very artistic taste of her own, she made that tea
|
|
table such a thing of beauty that when the minister and his wife
|
|
sat down to it they exclaimed in chorus over it loveliness.
|
|
|
|
"It's Anne's doings," said Marilla, grimly just; and Anne felt
|
|
that Mrs. Allan's approving smile was almost too much happiness
|
|
for this world.
|
|
|
|
Matthew was there, having been inveigled into the party only
|
|
goodness and Anne knew how. He had been in such a state of
|
|
shyness and nervousness that Marilla had given him up in despair,
|
|
but Anne took him in hand so successfully that he now sat at the
|
|
table in his best clothes and white collar and talked to the
|
|
minister not uninterestingly. He never said a word to Mrs. Allan,
|
|
but that perhaps was not to be expected.
|
|
|
|
All went merry as a marriage bell until Anne's layer cake was
|
|
passed. Mrs. Allan, having already been helped to a bewildering
|
|
variety, declined it. But Marilla, seeing the disappointment on
|
|
Anne's face, said smilingly:
|
|
|
|
"Oh, you must take a piece of this, Mrs. Allan. Anne made it on
|
|
purpose for you."
|
|
|
|
"In that case I must sample it," laughed Mrs. Allan, helping
|
|
herself to a plump triangle, as did also the minister and
|
|
Marilla.
|
|
|
|
Mrs. Allan took a mouthful of hers and a most peculiar expression
|
|
crossed her face; not a word did she say, however, but steadily
|
|
ate away at it. Marilla saw the expression and hastened to
|
|
taste the cake.
|
|
|
|
"Anne Shirley!" she exclaimed, "what on earth did you put into
|
|
that cake?"
|
|
|
|
"Nothing but what the recipe said, Marilla," cried Anne with a
|
|
look of anguish. "Oh, isn't it all right?"
|
|
|
|
"All right! It's simply horrible. Mr. Allan, don't try to eat
|
|
it. Anne, taste it yourself. What flavoring did you use?"
|
|
|
|
"Vanilla," said Anne, her face scarlet with mortification after
|
|
tasting the cake. "Only vanilla. Oh, Marilla, it must have been
|
|
the baking powder. I had my suspicions of that bak--"
|
|
|
|
"Baking powder fiddlesticks! Go and bring me the bottle of
|
|
vanilla you used."
|
|
|
|
Anne fled to the pantry and returned with a small bottle
|
|
partially filled with a brown liquid and labeled yellowly,
|
|
"Best Vanilla."
|
|
|
|
Marilla took it, uncorked it, smelled it.
|
|
|
|
"Mercy on us, Anne, you've flavored that cake with ANODYNE
|
|
LINIMENT. I broke the liniment bottle last week and poured what
|
|
was left into an old empty vanilla bottle. I suppose it's partly
|
|
my fault--I should have warned you--but for pity's sake why
|
|
couldn't you have smelled it?"
|
|
|
|
Anne dissolved into tears under this double disgrace.
|
|
|
|
"I couldn't--I had such a cold!" and with this she fairly fled to
|
|
the gable chamber, where she cast herself on the bed and wept as
|
|
one who refuses to be comforted.
|
|
|
|
Presently a light step sounded on the stairs and somebody entered the room.
|
|
|
|
"Oh, Marilla," sobbed Anne, without looking up, "I'm disgraced forever.
|
|
I shall never be able to live this down. It will get out--things
|
|
always do get out in Avonlea. Diana will ask me how my cake turned out
|
|
and I shall have to tell her the truth. I shall always be pointed at
|
|
as the girl who flavored a cake with anodyne liniment. Gil--the boys
|
|
in school will never get over laughing at it. Oh, Marilla, if you have
|
|
a spark of Christian pity don't tell me that I must go down and wash the
|
|
dishes after this. I'll wash them when the minister and his wife are gone,
|
|
but I cannot ever look Mrs. Allan in the face again. Perhaps she'll think
|
|
I tried to poison her. Mrs. Lynde says she knows an orphan girl who tried
|
|
to poison her benefactor. But the liniment isn't poisonous. It's meant
|
|
to be taken internally--although not in cakes. Won't you tell Mrs. Allan
|
|
so, Marilla?"
|
|
|
|
"Suppose you jump up and tell her so yourself," said a merry voice.
|
|
|
|
Anne flew up, to find Mrs. Allan standing by her bed, surveying her
|
|
with laughing eyes.
|
|
|
|
"My dear little girl, you musn't cry like this," she said,
|
|
genuinely disturbed by Anne's tragic face. "Why, it's all just a
|
|
funny mistake that anybody might make."
|
|
|
|
"Oh, no, it takes me to make such a mistake," said Anne forlornly.
|
|
"And I wanted to have that cake so nice for you, Mrs. Allan."
|
|
|
|
"Yes, I know, dear. And I assure you I appreciate your kindness
|
|
and thoughtfulness just as much as if it had turned out all right.
|
|
Now, you mustn't cry any more, but come down with me and show me your
|
|
flower garden. Miss Cuthbert tells me you have a little plot all
|
|
your own. I want to see it, for I'm very much interested in flowers."
|
|
|
|
Anne permitted herself to be led down and comforted, reflecting
|
|
that it was really providential that Mrs. Allan was a kindred
|
|
spirit. Nothing more was said about the liniment cake, and when
|
|
the guests went away Anne found that she had enjoyed the evening
|
|
more than could have been expected, considering that terrible
|
|
incident. Nevertheless, she sighed deeply.
|
|
|
|
"Marilla, isn't it nice to think that tomorrow is a new day with
|
|
no mistakes in it yet?"
|
|
|
|
"I'll warrant you'll make plenty in it," said Marilla. "I never
|
|
saw your beat for making mistakes, Anne."
|
|
|
|
"Yes, and well I know it," admitted Anne mournfully. "But
|
|
have you ever noticed one encouraging thing about me, Marilla?
|
|
I never make the same mistake twice."
|
|
|
|
"I don't know as that's much benefit when you're always making new ones."
|
|
|
|
"Oh, don't you see, Marilla? There must be a limit to the mistakes
|
|
one person can make, and when I get to the end of them, then I'll be
|
|
through with them. That's a very comforting thought."
|
|
|
|
"Well, you'd better go and give that cake to the pigs," said Marilla.
|
|
"It isn't fit for any human to eat, not even Jerry Boute."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
Anne is Invited Out to Tea
|
|
|
|
|
|
"And what are your eyes popping out of your head about. Now?"
|
|
asked Marilla, when Anne had just come in from a run to the
|
|
post office. "Have you discovered another kindred spirit?"
|
|
Excitement hung around Anne like a garment, shone in her eyes,
|
|
kindled in every feature. She had come dancing up the lane, like
|
|
a wind-blown sprite, through the mellow sunshine and lazy shadows
|
|
of the August evening.
|
|
|
|
"No, Marilla, but oh, what do you think? I am invited to tea at
|
|
the manse tomorrow afternoon! Mrs. Allan left the letter for me
|
|
at the post office. Just look at it, Marilla. `Miss Anne Shirley,
|
|
Green Gables.' That is the first time I was ever called `Miss.'
|
|
Such a thrill as it gave me! I shall cherish it forever among
|
|
my choicest treasures."
|
|
|
|
"Mrs. Allan told me she meant to have all the members of her
|
|
Sunday-school class to tea in turn," said Marilla, regarding the
|
|
wonderful event very coolly. "You needn't get in such a fever
|
|
over it. Do learn to take things calmly, child."
|
|
|
|
For Anne to take things calmly would have been to change her
|
|
nature. All "spirit and fire and dew," as she was, the pleasures
|
|
and pains of life came to her with trebled intensity. Marilla
|
|
felt this and was vaguely troubled over it, realizing that the
|
|
ups and downs of existence would probably bear hardly on this
|
|
impulsive soul and not sufficiently understanding that the
|
|
equally great capacity for delight might more than compensate.
|
|
Therefore Marilla conceived it to be her duty to drill Anne into
|
|
a tranquil uniformity of disposition as impossible and alien to
|
|
her as to a dancing sunbeam in one of the brook shallows. She
|
|
did not make much headway, as she sorrowfully admitted to herself.
|
|
The downfall of some dear hope or plan plunged Anne into "deeps
|
|
of affliction." The fulfillment thereof exalted her to dizzy realms
|
|
of delight. Marilla had almost begun to despair of ever fashioning
|
|
this waif of the world into her model little girl of demure manners
|
|
and prim deportment. Neither would she have believed that she really
|
|
liked Anne much better as she was.
|
|
|
|
Anne went to bed that night speechless with misery because
|
|
Matthew had said the wind was round northeast and he feared it
|
|
would be a rainy day tomorrow. The rustle of the poplar leaves
|
|
about the house worried her, it sounded so like pattering
|
|
raindrops, and the full, faraway roar of the gulf, to which she
|
|
listened delightedly at other times, loving its strange,
|
|
sonorous, haunting rhythm, now seemed like a prophecy of storm
|
|
and disaster to a small maiden who particularly wanted a fine
|
|
day. Anne thought that the morning would never come.
|
|
|
|
But all things have an end, even nights before the day on which you are
|
|
invited to take tea at the manse. The morning, in spite of Matthew's
|
|
predictions, was fine and Anne's spirits soared to their highest.
|
|
"Oh, Marilla, there is something in me today that makes me just
|
|
love everybody I see," she exclaimed as she washed the breakfast
|
|
dishes. "You don't know how good I feel! Wouldn't it be nice if
|
|
it could last? I believe I could be a model child if I were just
|
|
invited out to tea every day. But oh, Marilla, it's a solemn
|
|
occasion too. I feel so anxious. What if I shouldn't behave
|
|
properly? You know I never had tea at a manse before, and I'm
|
|
not sure that I know all the rules of etiquette, although I've
|
|
been studying the rules given in the Etiquette Department of the
|
|
Family Herald ever since I came here. I'm so afraid I'll do
|
|
something silly or forget to do something I should do. Would it
|
|
be good manners to take a second helping of anything if you
|
|
wanted to VERY much?"
|
|
|
|
"The trouble with you, Anne, is that you're thinking too much
|
|
about yourself. You should just think of Mrs. Allan and what
|
|
would be nicest and most agreeable to her," said Marilla, hitting
|
|
for once in her life on a very sound and pithy piece of advice.
|
|
Anne instantly realized this.
|
|
|
|
"You are right, Marilla. I'll try not to think about myself at all."
|
|
|
|
Anne evidently got through her visit without any serious breach
|
|
of "etiquette," for she came home through the twilight, under a
|
|
great, high-sprung sky gloried over with trails of saffron and
|
|
rosy cloud, in a beatified state of mind and told Marilla all
|
|
about it happily, sitting on the big red-sandstone slab at the
|
|
kitchen door with her tired curly head in Marilla's gingham lap.
|
|
|
|
A cool wind was blowing down over the long harvest fields from
|
|
the rims of firry western hills and whistling through the
|
|
poplars. One clear star hung over the orchard and the fireflies
|
|
were flitting over in Lover's Lane, in and out among the ferns
|
|
and rustling boughs. Anne watched them as she talked and somehow
|
|
felt that wind and stars and fireflies were all tangled up
|
|
together into something unutterably sweet and enchanting.
|
|
|
|
"Oh, Marilla, I've had a most FASCINATING time. I feel that I
|
|
have not lived in vain and I shall always feel like that even if
|
|
I should never be invited to tea at a manse again. When I got
|
|
there Mrs. Allan met me at the door. She was dressed in the
|
|
sweetest dress of pale-pink organdy, with dozens of frills and
|
|
elbow sleeves, and she looked just like a seraph. I really think
|
|
I'd like to be a minister's wife when I grow up, Marilla. A
|
|
minister mightn't mind my red hair because he wouldn't be
|
|
thinking of such worldly things. But then of course one would
|
|
have to be naturally good and I'll never be that, so I suppose
|
|
there's no use in thinking about it. Some people are naturally
|
|
good, you know, and others are not. I'm one of the others. Mrs.
|
|
Lynde says I'm full of original sin. No matter how hard I try to
|
|
be good I can never make such a success of it as those who are
|
|
naturally good. It's a good deal like geometry, I expect. But
|
|
don't you think the trying so hard ought to count for something?
|
|
Mrs. Allan is one of the naturally good people. I love her
|
|
passionately. You know there are some people, like Matthew and
|
|
Mrs. Allan that you can love right off without any trouble. And
|
|
there are others, like Mrs. Lynde, that you have to try very
|
|
hard to love. You know you OUGHT to love them because they know
|
|
so much and are such active workers in the church, but you have
|
|
to keep reminding yourself of it all the time or else you forget.
|
|
There was another little girl at the manse to tea, from the White
|
|
Sands Sunday school. Her name was Laurette Bradley, and she was
|
|
a very nice little girl. Not exactly a kindred spirit, you know,
|
|
but still very nice. We had an elegant tea, and I think I kept
|
|
all the rules of etiquette pretty well. After tea Mrs. Allan
|
|
played and sang and she got Lauretta and me to sing too. Mrs.
|
|
Allan says I have a good voice and she says I must sing in the
|
|
Sunday-school choir after this. You can't think how I was
|
|
thrilled at the mere thought. I've longed so to sing in the
|
|
Sunday-school choir, as Diana does, but I feared it was an honor
|
|
I could never aspire to. Lauretta had to go home early because
|
|
there is a big concert in the White Sands Hotel tonight and her
|
|
sister is to recite at it. Lauretta says that the Americans at
|
|
the hotel give a concert every fortnight in aid of the
|
|
Charlottetown hospital, and they ask lots of the White Sands
|
|
people to recite. Lauretta said she expected to be asked
|
|
herself someday. I just gazed at her in awe. After she had
|
|
gone Mrs. Allan and I had a heart-to-heart talk. I told her
|
|
everything--about Mrs. Thomas and the twins and Katie Maurice
|
|
and Violetta and coming to Green Gables and my troubles over
|
|
geometry. And would you believe it, Marilla? Mrs. Allan told me
|
|
she was a dunce at geometry too. You don't know how that
|
|
encouraged me. Mrs. Lynde came to the manse just before I left,
|
|
and what do you think, Marilla? The trustees have hired a new
|
|
teacher and it's a lady. Her name is Miss Muriel Stacy. Isn't
|
|
that a romantic name? Mrs. Lynde says they've never had a female
|
|
teacher in Avonlea before and she thinks it is a dangerous
|
|
innovation. But I think it will be splendid to have a lady
|
|
teacher, and I really don't see how I'm going to live through the
|
|
two weeks before school begins. I'm so impatient to see her."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
Anne Comes to Grief in an Affair of Honor
|
|
|
|
|
|
Anne had to live through more than two weeks, as it happened.
|
|
Almost a month having elapsed since the liniment cake episode,
|
|
it was high time for her to get into fresh trouble of some sort,
|
|
little mistakes, such as absentmindedly emptying a pan of skim
|
|
milk into a basket of yarn balls in the pantry instead of into
|
|
the pigs' bucket, and walking clean over the edge of the log
|
|
bridge into the brook while wrapped in imaginative reverie, not
|
|
really being worth counting.
|
|
|
|
A week after the tea at the manse Diana Barry gave a party.
|
|
|
|
"Small and select," Anne assured Marilla. "Just the girls in our class."
|
|
|
|
They had a very good time and nothing untoward happened until after tea,
|
|
when they found themselves in the Barry garden, a little tired of all
|
|
their games and ripe for any enticing form of mischief which might
|
|
present itself. This presently took the form of "daring."
|
|
|
|
Daring was the fashionable amusement among the Avonlea small fry
|
|
just then. It had begun among the boys, but soon spread to the girls,
|
|
and all the silly things that were done in Avonlea that summer because
|
|
the doers thereof were "dared" to do them would fill a book by themselves.
|
|
|
|
First of all Carrie Sloane dared Ruby Gillis to climb to a
|
|
certain point in the huge old willow tree before the front door;
|
|
which Ruby Gillis, albeit in mortal dread of the fat green
|
|
caterpillars with which said tree was infested and with the fear
|
|
of her mother before her eyes if she should tear her new muslin
|
|
dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane.
|
|
Then Josie Pye dared Jane Andrews to hop on her left leg around
|
|
the garden without stopping once or putting her right foot to the
|
|
ground; which Jane Andrews gamely tried to do, but gave out at
|
|
the third corner and had to confess herself defeated.
|
|
|
|
Josie's triumph being rather more pronounced than good taste
|
|
permitted, Anne Shirley dared her to walk along the top of the
|
|
board fence which bounded the garden to the east. Now, to "walk"
|
|
board fences requires more skill and steadiness of head and heel
|
|
than one might suppose who has never tried it. But Josie Pye, if
|
|
deficient in some qualities that make for popularity, had at
|
|
least a natural and inborn gift, duly cultivated, for walking
|
|
board fences. Josie walked the Barry fence with an airy
|
|
unconcern which seemed to imply that a little thing like that
|
|
wasn't worth a "dare." Reluctant admiration greeted her exploit,
|
|
for most of the other girls could appreciate it, having suffered
|
|
many things themselves in their efforts to walk fences. Josie
|
|
descended from her perch, flushed with victory, and darted a
|
|
defiant glance at Anne.
|
|
|
|
Anne tossed her red braids.
|
|
|
|
"I don't think it's such a very wonderful thing to walk a little,
|
|
low, board fence," she said. "I knew a girl in Marysville who
|
|
could walk the ridgepole of a roof."
|
|
|
|
"I don't believe it," said Josie flatly. "I don't believe
|
|
anybody could walk a ridgepole. YOU couldn't, anyhow."
|
|
|
|
"Couldn't I?" cried Anne rashly.
|
|
|
|
"Then I dare you to do it," said Josie defiantly. "I dare you to
|
|
climb up there and walk the ridgepole of Mr. Barry's kitchen roof."
|
|
|
|
Anne turned pale, but there was clearly only one thing to be done.
|
|
She walked toward the house, where a ladder was leaning against the
|
|
kitchen roof. All the fifth-class girls said, "Oh!" partly in
|
|
excitement, partly in dismay.
|
|
|
|
"Don't you do it, Anne," entreated Diana. "You'll fall off
|
|
and be killed. Never mind Josie Pye. It isn't fair to dare
|
|
anybody to do anything so dangerous."
|
|
|
|
"I must do it. My honor is at stake," said Anne solemnly.
|
|
"I shall walk that ridgepole, Diana, or perish in the attempt.
|
|
If I am killed you are to have my pearl bead ring."
|
|
|
|
Anne climbed the ladder amid breathless silence, gained the
|
|
ridgepole, balanced herself uprightly on that precarious footing,
|
|
and started to walk along it, dizzily conscious that she was
|
|
uncomfortably high up in the world and that walking ridgepoles
|
|
was not a thing in which your imagination helped you out much.
|
|
Nevertheless, she managed to take several steps before the
|
|
catastrophe came. Then she swayed, lost her balance, stumbled,
|
|
staggered, and fell, sliding down over the sun-baked roof and
|
|
crashing off it through the tangle of Virginia creeper beneath--
|
|
all before the dismayed circle below could give a simultaneous,
|
|
terrified shriek.
|
|
|
|
If Anne had tumbled off the roof on the side up which she had
|
|
ascended Diana would probably have fallen heir to the pearl bead
|
|
ring then and there. Fortunately she fell on the other side,
|
|
where the roof extended down over the porch so nearly to the
|
|
ground that a fall therefrom was a much less serious thing.
|
|
Nevertheless, when Diana and the other girls had rushed frantically
|
|
around the house--except Ruby Gillis, who remained as if rooted to
|
|
the ground and went into hysterics--they found Anne lying all white
|
|
and limp among the wreck and ruin of the Virginia creeper.
|
|
|
|
"Anne, are you killed?" shrieked Diana, throwing herself on her
|
|
knees beside her friend. "Oh, Anne, dear Anne, speak just one
|
|
word to me and tell me if you're killed."
|
|
|
|
To the immense relief of all the girls, and especially of Josie Pye,
|
|
who, in spite of lack of imagination, had been seized with horrible
|
|
visions of a future branded as the girl who was the cause of Anne Shirley's
|
|
early and tragic death, Anne sat dizzily up and answered uncertainly:
|
|
|
|
"No, Diana, I am not killed, but I think I am rendered unconscious."
|
|
|
|
"Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne
|
|
could answer Mrs. Barry appeared on the scene. At sight of her
|
|
Anne tried to scramble to her feet, but sank back again with a
|
|
sharp little cry of pain.
|
|
|
|
"What's the matter? Where have you hurt yourself?" demanded Mrs. Barry.
|
|
|
|
"My ankle," gasped Anne. "Oh, Diana, please find your father and
|
|
ask him to take me home. I know I can never walk there. And I'm
|
|
sure I couldn't hop so far on one foot when Jane couldn't even hop
|
|
around the garden."
|
|
|
|
Marilla was out in the orchard picking a panful of summer apples
|
|
when she saw Mr. Barry coming over the log bridge and up the
|
|
slope, with Mrs. Barry beside him and a whole procession of
|
|
little girls trailing after him. In his arms he carried Anne,
|
|
whose head lay limply against his shoulder.
|
|
|
|
At that moment Marilla had a revelation. In the sudden stab of
|
|
fear that pierced her very heart she realized what Anne had come
|
|
to mean to her. She would have admitted that she liked Anne--nay,
|
|
that she was very fond of Anne. But now she knew as she hurried
|
|
wildly down the slope that Anne was dearer to her than anything
|
|
else on earth.
|
|
|
|
"Mr. Barry, what has happened to her?" she gasped, more white and shaken
|
|
than the self-contained, sensible Marilla had been for many years.
|
|
|
|
Anne herself answered, lifting her head.
|
|
|
|
"Don't be very frightened, Marilla. I was walking the ridgepole and
|
|
I fell off. I expect I have sprained my ankle. But, Marilla, I might
|
|
have broken my neck. Let us look on the bright side of things."
|
|
|
|
"I might have known you'd go and do something of the sort when I
|
|
let you go to that party," said Marilla, sharp and shrewish in
|
|
her very relief. "Bring her in here, Mr. Barry, and lay her on
|
|
the sofa. Mercy me, the child has gone and fainted!"
|
|
|
|
It was quite true. Overcome by the pain of her injury, Anne had
|
|
one more of her wishes granted to her. She had fainted dead away.
|
|
|
|
Matthew, hastily summoned from the harvest field, was straightway
|
|
dispatched for the doctor, who in due time came, to discover that
|
|
the injury was more serious than they had supposed. Anne's ankle
|
|
was broken.
|
|
|
|
That night, when Marilla went up to the east gable, where a white-faced
|
|
girl was lying, a plaintive voice greeted her from the bed.
|
|
|
|
"Aren't you very sorry for me, Marilla?"
|
|
|
|
"It was your own fault," said Marilla, twitching down the blind
|
|
and lighting a lamp.
|
|
|
|
"And that is just why you should be sorry for me," said Anne,
|
|
"because the thought that it is all my own fault is what makes it
|
|
so hard. If I could blame it on anybody I would feel so much
|
|
better. But what would you have done, Marilla, if you had been
|
|
dared to walk a ridgepole?"
|
|
|
|
"I'd have stayed on good firm ground and let them dare away.
|
|
Such absurdity!" said Marilla.
|
|
|
|
Anne sighed.
|
|
|
|
"But you have such strength of mind, Marilla. I haven't. I just
|
|
felt that I couldn't bear Josie Pye's scorn. She would have
|
|
crowed over me all my life. And I think I have been punished so
|
|
much that you needn't be very cross with me, Marilla. It's not a
|
|
bit nice to faint, after all. And the doctor hurt me dreadfully
|
|
when he was setting my ankle. I won't be able to go around for
|
|
six or seven weeks and I'll miss the new lady teacher. She won't
|
|
be new any more by the time I'm able to go to school. And Gil--
|
|
everybody will get ahead of me in class. Oh, I am an afflicted
|
|
mortal. But I'll try to bear it all bravely if only you won't
|
|
be cross with me, Marilla."
|
|
|
|
"There, there, I'm not cross," said Marilla. "You're an unlucky
|
|
child, there's no doubt about that; but as you say, you'll have
|
|
the suffering of it. Here now, try and eat some supper."
|
|
|
|
"Isn't it fortunate I've got such an imagination?" said Anne.
|
|
"It will help me through splendidly, I expect. What do people
|
|
who haven't any imagination do when they break their bones, do
|
|
you suppose, Marilla?"
|
|
|
|
Anne had good reason to bless her imagination many a time and oft
|
|
during the tedious seven weeks that followed. But she was not
|
|
solely dependent on it. She had many visitors and not a day
|
|
passed without one or more of the schoolgirls dropping in to
|
|
bring her flowers and books and tell her all the happenings in
|
|
the juvenile world of Avonlea.
|
|
|
|
"Everybody has been so good and kind, Marilla," sighed Anne
|
|
happily, on the day when she could first limp across the floor.
|
|
"It isn't very pleasant to be laid up; but there is a bright side
|
|
to it, Marilla. You find out how many friends you have. Why,
|
|
even Superintendent Bell came to see me, and he's really a very
|
|
fine man. Not a kindred spirit, of course; but still I like him
|
|
and I'm awfully sorry I ever criticized his prayers. I believe
|
|
now he really does mean them, only he has got into the habit of
|
|
saying them as if he didn't. He could get over that if he'd take
|
|
a little trouble. I gave him a good broad hint. I told him how
|
|
hard I tried to make my own little private prayers interesting.
|
|
He told me all about the time he broke his ankle when he was a
|
|
boy. It does seem so strange to think of Superintendent Bell
|
|
ever being a boy. Even my imagination has its limits, for I
|
|
can't imagine THAT. When I try to imagine him as a boy I see him
|
|
with gray whiskers and spectacles, just as he looks in Sunday
|
|
school, only small. Now, it's so easy to imagine Mrs. Allan as
|
|
a little girl. Mrs. Allan has been to see me fourteen times.
|
|
Isn't that something to be proud of, Marilla? When a minister's
|
|
wife has so many claims on her time! She is such a cheerful
|
|
person to have visit you, too. She never tells you it's your own
|
|
fault and she hopes you'll be a better girl on account of it.
|
|
Mrs. Lynde always told me that when she came to see me; and she
|
|
said it in a kind of way that made me feel she might hope I'd be
|
|
a better girl but didn't really believe I would. Even Josie Pye
|
|
came to see me. I received her as politely as I could, because I
|
|
think she was sorry she dared me to walk a ridgepole. If I had
|
|
been killed she would had to carry a dark burden of remorse all
|
|
her life. Diana has been a faithful friend. She's been over
|
|
every day to cheer my lonely pillow. But oh, I shall be so glad
|
|
when I can go to school for I've heard such exciting things about
|
|
the new teacher. The girls all think she is perfectly sweet.
|
|
Diana says she has the loveliest fair curly hair and such
|
|
fascinating eyes. She dresses beautifully, and her sleeve puffs
|
|
are bigger than anybody else's in Avonlea. Every other Friday
|
|
afternoon she has recitations and everybody has to say a piece or
|
|
take part in a dialogue. Oh, it's just glorious to think of it.
|
|
Josie Pye says she hates it but that is just because Josie has so
|
|
little imagination. Diana and Ruby Gillis and Jane Andrews are
|
|
preparing a dialogue, called `A Morning Visit,' for next Friday.
|
|
And the Friday afternoons they don't have recitations Miss Stacy
|
|
takes them all to the woods for a `field' day and they study
|
|
ferns and flowers and birds. And they have physical culture
|
|
exercises every morning and evening. Mrs. Lynde says she never
|
|
heard of such goings on and it all comes of having a lady
|
|
teacher. But I think it must be splendid and I believe I shall
|
|
find that Miss Stacy is a kindred spirit."
|
|
|
|
"There's one thing plain to be seen, Anne," said Marilla, "and
|
|
that is that your fall off the Barry roof hasn't injured your
|
|
tongue at all."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
Miss Stacy and Her Pupils Get Up a Concert
|
|
|
|
|
|
It was October again when Anne was ready to go back to school--a
|
|
glorious October, all red and gold, with mellow mornings when the
|
|
valleys were filled with delicate mists as if the spirit of
|
|
autumn had poured them in for the sun to drain--amethyst, pearl,
|
|
silver, rose, and smoke-blue. The dews were so heavy that the
|
|
fields glistened like cloth of silver and there were such heaps
|
|
of rustling leaves in the hollows of many-stemmed woods to run
|
|
crisply through. The Birch Path was a canopy of yellow and the
|
|
ferns were sear and brown all along it. There was a tang in the
|
|
very air that inspired the hearts of small maidens tripping,
|
|
unlike snails, swiftly and willingly to school; and it WAS jolly
|
|
to be back again at the little brown desk beside Diana, with Ruby
|
|
Gillis nodding across the aisle and Carrie Sloane sending up
|
|
notes and Julia Bell passing a "chew" of gum down from the back
|
|
seat. Anne drew a long breath of happiness as she sharpened her
|
|
pencil and arranged her picture cards in her desk. Life was
|
|
certainly very interesting.
|
|
|
|
In the new teacher she found another true and helpful friend.
|
|
Miss Stacy was a bright, sympathetic young woman with the happy
|
|
gift of winning and holding the affections of her pupils and
|
|
bringing out the best that was in them mentally and morally.
|
|
Anne expanded like a flower under this wholesome influence and
|
|
carried home to the admiring Matthew and the critical Marilla
|
|
glowing accounts of schoolwork and aims.
|
|
|
|
"I love Miss Stacy with my whole heart, Marilla. She is so
|
|
ladylike and she has such a sweet voice. When she pronounces
|
|
my name I feel INSTINCTIVELY that she's spelling it with an E.
|
|
We had recitations this afternoon. I just wish you could have
|
|
been there to hear me recite `Mary, Queen of Scots.' I just put
|
|
my whole soul into it. Ruby Gillis told me coming home that the
|
|
way I said the line, `Now for my father's arm,' she said, `my
|
|
woman's heart farewell,' just made her blood run cold."
|
|
|
|
"Well now, you might recite it for me some of these days, out in
|
|
the barn," suggested Matthew.
|
|
|
|
"Of course I will," said Anne meditatively, "but I won't be able
|
|
to do it so well, I know. It won't be so exciting as it is when
|
|
you have a whole schoolful before you hanging breathlessly on
|
|
your words. I know I won't be able to make your blood run cold."
|
|
|
|
"Mrs. Lynde says it made HER blood run cold to see the boys
|
|
climbing to the very tops of those big trees on Bell's hill after
|
|
crows' nests last Friday," said Marilla. "I wonder at Miss Stacy
|
|
for encouraging it."
|
|
|
|
"But we wanted a crow's nest for nature study," explained Anne.
|
|
"That was on our field afternoon. Field afternoons are splendid,
|
|
Marilla. And Miss Stacy explains everything so beautifully. We
|
|
have to write compositions on our field afternoons and I write
|
|
the best ones."
|
|
|
|
"It's very vain of you to say so then. You'd better let your
|
|
teacher say it."
|
|
|
|
"But she DID say it, Marilla. And indeed I'm not vain about it.
|
|
How can I be, when I'm such a dunce at geometry? Although I'm
|
|
really beginning to see through it a little, too. Miss Stacy
|
|
makes it so clear. Still, I'll never be good at it and I
|
|
assure you it is a humbling reflection. But I love writing
|
|
compositions. Mostly Miss Stacy lets us choose our own subjects;
|
|
but next week we are to write a composition on some remarkable
|
|
person. It's hard to choose among so many remarkable people who
|
|
have lived. Mustn't it be splendid to be remarkable and have
|
|
compositions written about you after you're dead? Oh, I would
|
|
dearly love to be remarkable. I think when I grow up I'll be a
|
|
trained nurse and go with the Red Crosses to the field of battle
|
|
as a messenger of mercy. That is, if I don't go out as a foreign
|
|
missionary. That would be very romantic, but one would have to
|
|
be very good to be a missionary, and that would be a stumbling
|
|
block. We have physical culture exercises every day, too. They
|
|
make you graceful and promote digestion."
|
|
|
|
"Promote fiddlesticks!" said Marilla, who honestly thought it was
|
|
all nonsense.
|
|
|
|
But all the field afternoons and recitation Fridays and physical
|
|
culture contortions paled before a project which Miss Stacy
|
|
brought forward in November. This was that the scholars of
|
|
Avonlea school should get up a concert and hold it in the hall on
|
|
Christmas Night, for the laudable purpose of helping to pay for a
|
|
schoolhouse flag. The pupils one and all taking graciously to
|
|
this plan, the preparations for a program were begun at once.
|
|
And of all the excited performers-elect none was so excited as
|
|
Anne Shirley, who threw herself into the undertaking heart and
|
|
soul, hampered as she was by Marilla's disapproval. Marilla
|
|
thought it all rank foolishness.
|
|
|
|
"It's just filling your heads up with nonsense and taking time
|
|
that ought to be put on your lessons," she grumbled. "I don't
|
|
approve of children's getting up concerts and racing about to
|
|
practices. It makes them vain and forward and fond of gadding."
|
|
|
|
"But think of the worthy object," pleaded Anne. "A flag will
|
|
cultivate a spirit of patriotism, Marilla."
|
|
|
|
"Fudge! There's precious little patriotism in the thoughts of any
|
|
of you. All you want is a good time."
|
|
|
|
"Well, when you can combine patriotism and fun, isn't it all
|
|
right? Of course it's real nice to be getting up a concert.
|
|
We're going to have six choruses and Diana is to sing a solo.
|
|
I'm in two dialogues--`The Society for the Suppression of Gossip'
|
|
and `The Fairy Queen.' The boys are going to have a dialogue
|
|
too. And I'm to have two recitations, Marilla. I just tremble
|
|
when I think of it, but it's a nice thrilly kind of tremble. And
|
|
we're to have a tableau at the last--`Faith, Hope and Charity.'
|
|
Diana and Ruby and I are to be in it, all draped in white with
|
|
flowing hair. I'm to be Hope, with my hands clasped--so--and my
|
|
eyes uplifted. I'm going to practice my recitations in the
|
|
garret. Don't be alarmed if you hear me groaning. I have to
|
|
groan heartrendingly in one of them, and it's really hard to get
|
|
up a good artistic groan, Marilla. Josie Pye is sulky because
|
|
she didn't get the part she wanted in the dialogue. She wanted
|
|
to be the fairy queen. That would have been ridiculous, for who
|
|
ever heard of a fairy queen as fat as Josie? Fairy queens must
|
|
be slender. Jane Andrews is to be the queen and I am to be one
|
|
of her maids of honor. Josie says she thinks a red-haired fairy
|
|
is just as ridiculous as a fat one, but I do not let myself mind
|
|
what Josie says. I'm to have a wreath of white roses on my hair
|
|
and Ruby Gillis is going to lend me her slippers because I
|
|
haven't any of my own. It's necessary for fairies to have
|
|
slippers, you know. You couldn't imagine a fairy wearing boots,
|
|
could you? Especially with copper toes? We are going to
|
|
decorate the hall with creeping spruce and fir mottoes with pink
|
|
tissue-paper roses in them. And we are all to march in two by
|
|
two after the audience is seated, while Emma White plays a march
|
|
on the organ. Oh, Marilla, I know you are not so enthusiastic
|
|
about it as I am, but don't you hope your little Anne will
|
|
distinguish herself?"
|
|
|
|
"All I hope is that you'll behave yourself. I'll be heartily
|
|
glad when all this fuss is over and you'll be able to settle
|
|
down. You are simply good for nothing just now with your head
|
|
stuffed full of dialogues and groans and tableaus. As for your
|
|
tongue, it's a marvel it's not clean worn out."
|
|
|
|
Anne sighed and betook herself to the back yard, over which a
|
|
young new moon was shining through the leafless poplar boughs
|
|
from an apple-green western sky, and where Matthew was splitting
|
|
wood. Anne perched herself on a block and talked the concert
|
|
over with him, sure of an appreciative and sympathetic listener
|
|
in this instance at least.
|
|
|
|
"Well now, I reckon it's going to be a pretty good concert. And
|
|
I expect you'll do your part fine," he said, smiling down into
|
|
her eager, vivacious little face. Anne smiled back at him.
|
|
Those two were the best of friends and Matthew thanked his stars
|
|
many a time and oft that he had nothing to do with bringing her
|
|
up. That was Marilla's exclusive duty; if it had been his he
|
|
would have been worried over frequent conflicts between
|
|
inclination and said duty. As it was, he was free to, "spoil
|
|
Anne"--Marilla's phrasing--as much as he liked. But it was not
|
|
such a bad arrangement after all; a little "appreciation"
|
|
sometimes does quite as much good as all the conscientious
|
|
"bringing up" in the world.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
Matthew Insists on Puffed Sleeves
|
|
|
|
|
|
Matthew was having a bad ten minutes of it. He had come into the
|
|
kitchen, in the twilight of a cold, gray December evening, and
|
|
had sat down in the woodbox corner to take off his heavy boots,
|
|
unconscious of the fact that Anne and a bevy of her schoolmates
|
|
were having a practice of "The Fairy Queen" in the sitting room.
|
|
Presently they came trooping through the hall and out into the
|
|
kitchen, laughing and chattering gaily. They did not see
|
|
Matthew, who shrank bashfully back into the shadows beyond the
|
|
woodbox with a boot in one hand and a bootjack in the other, and
|
|
he watched them shyly for the aforesaid ten minutes as they put on
|
|
caps and jackets and talked about the dialogue and the concert.
|
|
Anne stood among them, bright eyed and animated as they;
|
|
but Matthew suddenly became conscious that there was something
|
|
about her different from her mates. And what worried Matthew
|
|
was that the difference impressed him as being something that
|
|
should not exist. Anne had a brighter face, and bigger,
|
|
starrier eyes, and more delicate features than the other; even
|
|
shy, unobservant Matthew had learned to take note of these
|
|
things; but the difference that disturbed him did not consist in
|
|
any of these respects. Then in what did it consist?
|
|
|
|
Matthew was haunted by this question long after the girls had gone,
|
|
arm in arm, down the long, hard-frozen lane and Anne had betaken
|
|
herself to her books. He could not refer it to Marilla, who,
|
|
he felt, would be quite sure to sniff scornfully and remark that
|
|
the only difference she saw between Anne and the other girls was
|
|
that they sometimes kept their tongues quiet while Anne never did.
|
|
This, Matthew felt, would be no great help.
|
|
|
|
He had recourse to his pipe that evening to help him study it
|
|
out, much to Marilla's disgust. After two hours of smoking and
|
|
hard reflection Matthew arrived at a solution of his problem.
|
|
Anne was not dressed like the other girls!
|
|
|
|
The more Matthew thought about the matter the more he was
|
|
convinced that Anne never had been dressed like the other
|
|
girls--never since she had come to Green Gables. Marilla kept
|
|
her clothed in plain, dark dresses, all made after the same
|
|
unvarying pattern. If Matthew knew there was such a thing as
|
|
fashion in dress it was as much as he did; but he was quite sure
|
|
that Anne's sleeves did not look at all like the sleeves the
|
|
other girls wore. He recalled the cluster of little girls he had
|
|
seen around her that evening--all gay in waists of red and blue
|
|
and pink and white--and he wondered why Marilla always kept her
|
|
so plainly and soberly gowned.
|
|
|
|
Of course, it must be all right. Marilla knew best and Marilla was
|
|
bringing her up. Probably some wise, inscrutable motive was to be
|
|
served thereby. But surely it would do no harm to let the child
|
|
have one pretty dress--something like Diana Barry always wore.
|
|
Matthew decided that he would give her one; that surely could
|
|
not be objected to as an unwarranted putting in of his oar.
|
|
Christmas was only a fortnight off. A nice new dress would be
|
|
the very thing for a present. Matthew, with a sigh of
|
|
satisfaction, put away his pipe and went to bed, while Marilla
|
|
opened all the doors and aired the house.
|
|
|
|
The very next evening Matthew betook himself to Carmody to buy
|
|
the dress, determined to get the worst over and have done with it.
|
|
It would be, he felt assured, no trifling ordeal. There were some
|
|
things Matthew could buy and prove himself no mean bargainer;
|
|
but he knew he would be at the mercy of shopkeepers when it came
|
|
to buying a girl's dress.
|
|
|
|
After much cogitation Matthew resolved to go to Samuel Lawson's
|
|
store instead of William Blair's. To be sure, the Cuthberts
|
|
always had gone to William Blair's; it was almost as much a
|
|
matter of conscience with them as to attend the Presbyterian
|
|
church and vote Conservative. But William Blair's two daughters
|
|
frequently waited on customers there and Matthew held them in
|
|
absolute dread. He could contrive to deal with them when he knew
|
|
exactly what he wanted and could point it out; but in such a
|
|
matter as this, requiring explanation and consultation, Matthew
|
|
felt that he must be sure of a man behind the counter. So he
|
|
would go to Lawson's, where Samuel or his son would wait on him.
|
|
|
|
Alas! Matthew did not know that Samuel, in the recent expansion
|
|
of his business, had set up a lady clerk also; she was a niece of
|
|
his wife's and a very dashing young person indeed, with a huge,
|
|
drooping pompadour, big, rolling brown eyes, and a most extensive
|
|
and bewildering smile. She was dressed with exceeding smartness
|
|
and wore several bangle bracelets that glittered and rattled and
|
|
tinkled with every movement of her hands. Matthew was covered
|
|
with confusion at finding her there at all; and those bangles
|
|
completely wrecked his wits at one fell swoop.
|
|
|
|
"What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla
|
|
Harris inquired, briskly and ingratiatingly, tapping the counter
|
|
with both hands.
|
|
|
|
"Have you any--any--any--well now, say any garden rakes?"
|
|
stammered Matthew.
|
|
|
|
Miss Harris looked somewhat surprised, as well she might, to hear
|
|
a man inquiring for garden rakes in the middle of December.
|
|
|
|
"I believe we have one or two left over," she said, "but they're
|
|
upstairs in the lumber room. I'll go and see." During her
|
|
absence Matthew collected his scattered senses for another effort.
|
|
|
|
When Miss Harris returned with the rake and cheerfully inquired:
|
|
"Anything else tonight, Mr. Cuthbert?" Matthew took his courage
|
|
in both hands and replied: "Well now, since you suggest it, I
|
|
might as well--take--that is--look at--buy some--some hayseed."
|
|
|
|
Miss Harris had heard Matthew Cuthbert called odd.
|
|
She now concluded that he was entirely crazy.
|
|
|
|
"We only keep hayseed in the spring," she explained loftily.
|
|
"We've none on hand just now."
|
|
|
|
"Oh, certainly--certainly--just as you say," stammered unhappy
|
|
Matthew, seizing the rake and making for the door. At the
|
|
threshold he recollected that he had not paid for it and he
|
|
turned miserably back. While Miss Harris was counting out his
|
|
change he rallied his powers for a final desperate attempt.
|
|
|
|
"Well now--if it isn't too much trouble--I might as well--that
|
|
is--I'd like to look at--at--some sugar."
|
|
|
|
"White or brown?" queried Miss Harris patiently.
|
|
|
|
"Oh--well now--brown," said Matthew feebly.
|
|
|
|
"There's a barrel of it over there," said Miss Harris, shaking
|
|
her bangles at it. "It's the only kind we have."
|
|
|
|
"I'll--I'll take twenty pounds of it," said Matthew, with beads
|
|
of perspiration standing on his forehead.
|
|
|
|
Matthew had driven halfway home before he was his own man again.
|
|
It had been a gruesome experience, but it served him right, he
|
|
thought, for committing the heresy of going to a strange store.
|
|
When he reached home he hid the rake in the tool house, but the
|
|
sugar he carried in to Marilla.
|
|
|
|
"Brown sugar!" exclaimed Marilla. "Whatever possessed you to get
|
|
so much? You know I never use it except for the hired man's
|
|
porridge or black fruit cake. Jerry's gone and I've made my cake
|
|
long ago. It's not good sugar, either--it's coarse and
|
|
dark--William Blair doesn't usually keep sugar like that."
|
|
|
|
"I--I thought it might come in handy sometime," said Matthew,
|
|
making good his escape.
|
|
|
|
When Matthew came to think the matter over he decided that a
|
|
woman was required to cope with the situation. Marilla was out
|
|
of the question. Matthew felt sure she would throw cold water on
|
|
his project at once. Remained only Mrs. Lynde; for of no other
|
|
woman in Avonlea would Matthew have dared to ask advice. To Mrs.
|
|
Lynde he went accordingly, and that good lady promptly took the
|
|
matter out of the harassed man's hands.
|
|
|
|
"Pick out a dress for you to give Anne? To be sure I will. I'm
|
|
going to Carmody tomorrow and I'll attend to it. Have you
|
|
something particular in mind? No? Well, I'll just go by my own
|
|
judgment then. I believe a nice rich brown would just suit Anne,
|
|
and William Blair has some new gloria in that's real pretty.
|
|
Perhaps you'd like me to make it up for her, too, seeing that if
|
|
Marilla was to make it Anne would probably get wind of it before
|
|
the time and spoil the surprise? Well, I'll do it. No, it isn't
|
|
a mite of trouble. I like sewing. I'll make it to fit my niece,
|
|
Jenny Gillis, for she and Anne are as like as two peas as far as
|
|
figure goes."
|
|
|
|
"Well now, I'm much obliged," said Matthew, "and--and--I
|
|
dunno--but I'd like--I think they make the sleeves different
|
|
nowadays to what they used to be. If it wouldn't be asking too
|
|
much I--I'd like them made in the new way."
|
|
|
|
"Puffs? Of course. You needn't worry a speck more about it,
|
|
Matthew. I'll make it up in the very latest fashion," said Mrs.
|
|
Lynde. To herself she added when Matthew had gone:
|
|
|
|
"It'll be a real satisfaction to see that poor child wearing
|
|
something decent for once. The way Marilla dresses her is
|
|
positively ridiculous, that's what, and I've ached to tell her
|
|
so plainly a dozen times. I've held my tongue though, for I can
|
|
see Marilla doesn't want advice and she thinks she knows more
|
|
about bringing children up than I do for all she's an old maid.
|
|
But that's always the way. Folks that has brought up children
|
|
know that there's no hard and fast method in the world that'll suit
|
|
every child. But them as never have think it's all as plain and
|
|
easy as Rule of Three--just set your three terms down so fashion,
|
|
and the sum'll work out correct. But flesh and blood don't come
|
|
under the head of arithmetic and that's where Marilla Cuthbert
|
|
makes her mistake. I suppose she's trying to cultivate a spirit
|
|
of humility in Anne by dressing her as she does; but it's more
|
|
likely to cultivate envy and discontent. I'm sure the child must
|
|
feel the difference between her clothes and the other girls'.
|
|
But to think of Matthew taking notice of it! That man is waking
|
|
up after being asleep for over sixty years."
|
|
|
|
Marilla knew all the following fortnight that Matthew had
|
|
something on his mind, but what it was she could not guess,
|
|
until Christmas Eve, when Mrs. Lynde brought up the new dress.
|
|
Marilla behaved pretty well on the whole, although it is very
|
|
likely she distrusted Mrs. Lynde's diplomatic explanation that
|
|
she had made the dress because Matthew was afraid Anne would find
|
|
out about it too soon if Marilla made it.
|
|
|
|
"So this is what Matthew has been looking so mysterious over and
|
|
grinning about to himself for two weeks, is it?" she said a little
|
|
stiffly but tolerantly. "I knew he was up to some foolishness.
|
|
Well, I must say I don't think Anne needed any more dresses.
|
|
I made her three good, warm, serviceable ones this fall, and
|
|
anything more is sheer extravagance. There's enough material
|
|
in those sleeves alone to make a waist, I declare there is.
|
|
You'll just pamper Anne's vanity, Matthew, and she's as vain
|
|
as a peacock now. Well, I hope she'll be satisfied at last, for
|
|
I know she's been hankering after those silly sleeves ever since
|
|
they came in, although she never said a word after the first.
|
|
The puffs have been getting bigger and more ridiculous right
|
|
along; they're as big as balloons now. Next year anybody who
|
|
wears them will have to go through a door sideways."
|
|
|
|
Christmas morning broke on a beautiful white world. It had been
|
|
a very mild December and people had looked forward to a green
|
|
Christmas; but just enough snow fell softly in the night to
|
|
transfigure Avonlea. Anne peeped out from her frosted gable
|
|
window with delighted eyes. The firs in the Haunted Wood were
|
|
all feathery and wonderful; the birches and wild cherry trees
|
|
were outlined in pearl; the plowed fields were stretches of snowy
|
|
dimples; and there was a crisp tang in the air that was glorious.
|
|
Anne ran downstairs singing until her voice reechoed through Green Gables.
|
|
|
|
"Merry Christmas, Marilla! Merry Christmas, Matthew!
|
|
Isn't it a lovely Christmas? I'm so glad it's white.
|
|
Any other kind of Christmas doesn't seem real, does it?
|
|
I don't like green Christmases. They're not green--
|
|
they're just nasty faded browns and grays. What makes
|
|
people call them green? Why--why--Matthew, is that for me?
|
|
Oh, Matthew!"
|
|
|
|
Matthew had sheepishly unfolded the dress from its paper
|
|
swathings and held it out with a deprecatory glance at Marilla,
|
|
who feigned to be contemptuously filling the teapot, but
|
|
nevertheless watched the scene out of the corner of her eye with
|
|
a rather interested air.
|
|
|
|
Anne took the dress and looked at it in reverent silence. Oh,
|
|
how pretty it was--a lovely soft brown gloria with all the gloss
|
|
of silk; a skirt with dainty frills and shirrings; a waist
|
|
elaborately pintucked in the most fashionable way, with a little
|
|
ruffle of filmy lace at the neck. But the sleeves--they were the
|
|
crowning glory! Long elbow cuffs, and above them two beautiful
|
|
puffs divided by rows of shirring and bows of brown-silk ribbon.
|
|
|
|
"That's a Christmas present for you, Anne," said Matthew shyly.
|
|
"Why--why--Anne, don't you like it? Well now--well now."
|
|
|
|
For Anne's eyes had suddenly filled with tears.
|
|
|
|
"Like it! Oh, Matthew!" Anne laid the dress over a chair and
|
|
clasped her hands. "Matthew, it's perfectly exquisite. Oh, I
|
|
can never thank you enough. Look at those sleeves! Oh, it seems
|
|
to me this must be a happy dream."
|
|
|
|
"Well, well, let us have breakfast," interrupted Marilla. "I
|
|
must say, Anne, I don't think you needed the dress; but since
|
|
Matthew has got it for you, see that you take good care of it.
|
|
There's a hair ribbon Mrs. Lynde left for you. It's brown, to
|
|
match the dress. Come now, sit in."
|
|
|
|
"I don't see how I'm going to eat breakfast," said Anne rapturously.
|
|
"Breakfast seems so commonplace at such an exciting moment. I'd
|
|
rather feast my eyes on that dress. I'm so glad that puffed sleeves
|
|
are still fashionable. It did seem to me that I'd never get over it
|
|
if they went out before I had a dress with them. I'd never have felt
|
|
quite satisfied, you see. It was lovely of Mrs. Lynde to give me
|
|
the ribbon too. I feel that I ought to be a very good girl indeed.
|
|
It's at times like this I'm sorry I'm not a model little girl;
|
|
and I always resolve that I will be in future. But somehow it's
|
|
hard to carry out your resolutions when irresistible temptations come.
|
|
Still, I really will make an extra effort after this."
|
|
|
|
When the commonplace breakfast was over Diana appeared, crossing
|
|
the white log bridge in the hollow, a gay little figure in her
|
|
crimson ulster. Anne flew down the slope to meet her.
|
|
|
|
"Merry Christmas, Diana! And oh, it's a wonderful Christmas. I've
|
|
something splendid to show you. Matthew has given me the loveliest
|
|
dress, with SUCH sleeves. I couldn't even imagine any nicer."
|
|
|
|
"I've got something more for you," said Diana breathlessly.
|
|
"Here-- this box. Aunt Josephine sent us out a big box with ever
|
|
so many things in it--and this is for you. I'd have brought it over
|
|
last night, but it didn't come until after dark, and I never feel
|
|
very comfortable coming through the Haunted Wood in the dark now."
|
|
|
|
Anne opened the box and peeped in. First a card with "For the
|
|
Anne-girl and Merry Christmas," written on it; and then, a pair
|
|
of the daintiest little kid slippers, with beaded toes and satin
|
|
bows and glistening buckles.
|
|
|
|
"Oh," said Anne, "Diana, this is too much. I must be dreaming."
|
|
|
|
"I call it providential," said Diana. "You won't have to borrow
|
|
Ruby's slippers now, and that's a blessing, for they're two sizes
|
|
too big for you, and it would be awful to hear a fairy shuffling.
|
|
Josie Pye would be delighted. Mind you, Rob Wright went home
|
|
with Gertie Pye from the practice night before last. Did you
|
|
ever hear anything equal to that?"
|
|
|
|
All the Avonlea scholars were in a fever of excitement that day,
|
|
for the hall had to be decorated and a last grand rehearsal held.
|
|
|
|
The concert came off in the evening and was a pronounced success.
|
|
The little hall was crowded; all the performers did excellently well,
|
|
but Anne was the bright particular star of the occasion, as even envy,
|
|
in the shape of Josie Pye, dared not deny.
|
|
|
|
"Oh, hasn't it been a brilliant evening?" sighed Anne, when it was all
|
|
over and she and Diana were walking home together under a dark, starry sky.
|
|
|
|
"Everything went off very well," said Diana practically. "I guess
|
|
we must have made as much as ten dollars. Mind you, Mr. Allan
|
|
is going to send an account of it to the Charlottetown papers."
|
|
|
|
"Oh, Diana, will we really see our names in print? It makes me
|
|
thrill to think of it. Your solo was perfectly elegant, Diana.
|
|
I felt prouder than you did when it was encored. I just said to
|
|
myself, `It is my dear bosom friend who is so honored.'"
|
|
|
|
"Well, your recitations just brought down the house, Anne.
|
|
That sad one was simply splendid."
|
|
|
|
"Oh, I was so nervous, Diana. When Mr. Allan called out my name
|
|
I really cannot tell how I ever got up on that platform. I felt
|
|
as if a million eyes were looking at me and through me, and for
|
|
one dreadful moment I was sure I couldn't begin at all. Then I
|
|
thought of my lovely puffed sleeves and took courage. I knew
|
|
that I must live up to those sleeves, Diana. So I started in,
|
|
and my voice seemed to be coming from ever so far away. I just
|
|
felt like a parrot. It's providential that I practiced those
|
|
recitations so often up in the garret, or I'd never have been
|
|
able to get through. Did I groan all right?"
|
|
|
|
"Yes, indeed, you groaned lovely," assured Diana.
|
|
|
|
"I saw old Mrs. Sloane wiping away tears when I sat down.
|
|
It was splendid to think I had touched somebody's heart.
|
|
It's so romantic to take part in a concert, isn't it?
|
|
Oh, it's been a very memorable occasion indeed."
|
|
|
|
"Wasn't the boys' dialogue fine?" said Diana. "Gilbert Blythe
|
|
was just splendid. Anne, I do think it's awful mean the way you
|
|
treat Gil. Wait till I tell you. When you ran off the platform
|
|
after the fairy dialogue one of your roses fell out of your hair.
|
|
I saw Gil pick it up and put it in his breast pocket. There now.
|
|
You're so romantic that I'm sure you ought to be pleased at that."
|
|
|
|
"It's nothing to me what that person does," said Anne loftily.
|
|
"I simply never waste a thought on him, Diana."
|
|
|
|
That night Marilla and Matthew, who had been out to a concert for
|
|
the first time in twenty years, sat for a while by the kitchen
|
|
fire after Anne had gone to bed.
|
|
|
|
"Well now, I guess our Anne did as well as any of them," said
|
|
Matthew proudly.
|
|
|
|
"Yes, she did," admitted Marilla. "She's a bright child,
|
|
Matthew. And she looked real nice too. I've been kind of
|
|
opposed to this concert scheme, but I suppose there's no real
|
|
harm in it after all. Anyhow, I was proud of Anne tonight,
|
|
although I'm not going to tell her so."
|
|
|
|
"Well now, I was proud of her and I did tell her so 'fore she
|
|
went upstairs," said Matthew. "We must see what we can do for
|
|
her some of these days, Marilla. I guess she'll need something
|
|
more than Avonlea school by and by."
|
|
|
|
"There's time enough to think of that," said Marilla. "She's
|
|
only thirteen in March. Though tonight it struck me she was
|
|
growing quite a big girl. Mrs. Lynde made that dress a mite too
|
|
long, and it makes Anne look so tall. She's quick to learn and I
|
|
guess the best thing we can do for her will be to send her to
|
|
Queen's after a spell. But nothing need be said about that for a
|
|
year or two yet."
|
|
|
|
"Well now, it'll do no harm to be thinking it over off and on,"
|
|
said Matthew. "Things like that are all the better for lots of
|
|
thinking over."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
The Story Club Is Formed
|
|
|
|
|
|
Junior Avonlea found it hard to settle down to humdrum existence
|
|
again. To Anne in particular things seemed fearfully flat,
|
|
stale, and unprofitable after the goblet of excitement she had
|
|
been sipping for weeks. Could she go back to the former quiet
|
|
pleasures of those faraway days before the concert? At first, as
|
|
she told Diana, she did not really think she could.
|
|
|
|
"I'm positively certain, Diana, that life can never be quite the
|
|
same again as it was in those olden days," she said mournfully,
|
|
as if referring to a period of at least fifty years back.
|
|
"Perhaps after a while I'll get used to it, but I'm afraid
|
|
concerts spoil people for everyday life. I suppose that is why
|
|
Marilla disapproves of them. Marilla is such a sensible woman.
|
|
It must be a great deal better to be sensible; but still, I don't
|
|
believe I'd really want to be a sensible person, because they are
|
|
so unromantic. Mrs. Lynde says there is no danger of my ever
|
|
being one, but you can never tell. I feel just now that I may
|
|
grow up to be sensible yet. But perhaps that is only because I'm
|
|
tired. I simply couldn't sleep last night for ever so long. I
|
|
just lay awake and imagined the concert over and over again.
|
|
That's one splendid thing about such affairs--it's so lovely to
|
|
look back to them."
|
|
|
|
Eventually, however, Avonlea school slipped back into its old
|
|
groove and took up its old interests. To be sure, the concert
|
|
left traces. Ruby Gillis and Emma White, who had quarreled over
|
|
a point of precedence in their platform seats, no longer sat at
|
|
the same desk, and a promising friendship of three years was
|
|
broken up. Josie Pye and Julia Bell did not "speak" for three
|
|
months, because Josie Pye had told Bessie Wright that Julia Bell's
|
|
bow when she got up to recite made her think of a chicken jerking
|
|
its head, and Bessie told Julia. None of the Sloanes would have
|
|
any dealings with the Bells, because the Bells had declared that
|
|
the Sloanes had too much to do in the program, and the Sloanes
|
|
had retorted that the Bells were not capable of doing the little
|
|
they had to do properly. Finally, Charlie Sloane fought Moody
|
|
Spurgeon MacPherson, because Moody Spurgeon had said that Anne
|
|
Shirley put on airs about her recitations, and Moody Spurgeon
|
|
was "licked"; consequently Moody Spurgeon's sister, Ella May,
|
|
would not "speak" to Anne Shirley all the rest of the winter.
|
|
With the exception of these trifling frictions, work in Miss
|
|
Stacy's little kingdom went on with regularity and smoothness.
|
|
|
|
The winter weeks slipped by. It was an unusually mild winter,
|
|
with so little snow that Anne and Diana could go to school nearly
|
|
every day by way of the Birch Path. On Anne's birthday they were
|
|
tripping lightly down it, keeping eyes and ears alert amid all
|
|
their chatter, for Miss Stacy had told them that they must soon
|
|
write a composition on "A Winter's Walk in the Woods," and it
|
|
behooved them to be observant.
|
|
|
|
"Just think, Diana, I'm thirteen years old today," remarked Anne
|
|
in an awed voice. "I can scarcely realize that I'm in my teens.
|
|
When I woke this morning it seemed to me that everything must be
|
|
different. You've been thirteen for a month, so I suppose it
|
|
doesn't seem such a novelty to you as it does to me. It makes
|
|
life seem so much more interesting. In two more years I'll be
|
|
really grown up. It's a great comfort to think that I'll be able
|
|
to use big words then without being laughed at."
|
|
|
|
"Ruby Gillis says she means to have a beau as soon as she's fifteen,"
|
|
said Diana.
|
|
|
|
"Ruby Gillis thinks of nothing but beaus," said Anne disdainfully.
|
|
"She's actually delighted when anyone writes her name up in a
|
|
take-notice for all she pretends to be so mad. But I'm afraid that
|
|
is an uncharitable speech. Mrs. Allan says we should never make
|
|
uncharitable speeches; but they do slip out so often before you
|
|
think, don't they? I simply can't talk about Josie Pye without
|
|
making an uncharitable speech, so I never mention her at all.
|
|
You may have noticed that. I'm trying to be as much like
|
|
Mrs. Allan as I possibly can, for I think she's perfect.
|
|
Mr. Allan thinks so too. Mrs. Lynde says he just worships
|
|
the ground she treads on and she doesn't really think it
|
|
right for a minister to set his affections so much on a mortal
|
|
being. But then, Diana, even ministers are human and have their
|
|
besetting sins just like everybody else. I had such an
|
|
interesting talk with Mrs. Allan about besetting sins last
|
|
Sunday afternoon. There are just a few things it's proper to
|
|
talk about on Sundays and that is one of them. My besetting sin
|
|
is imagining too much and forgetting my duties. I'm striving
|
|
very hard to overcome it and now that I'm really thirteen perhaps
|
|
I'll get on better."
|
|
|
|
"In four more years we'll be able to put our hair up," said Diana.
|
|
"Alice Bell is only sixteen and she is wearing hers up, but I think
|
|
that's ridiculous. I shall wait until I'm seventeen."
|
|
|
|
"If I had Alice Bell's crooked nose," said Anne decidedly,
|
|
"I wouldn't--but there! I won't say what I was going to because
|
|
it was extremely uncharitable. Besides, I was comparing it with
|
|
my own nose and that's vanity. I'm afraid I think too much about
|
|
my nose ever since I heard that compliment about it long ago.
|
|
It really is a great comfort to me. Oh, Diana, look, there's a
|
|
rabbit. That's something to remember for our woods composition.
|
|
I really think the woods are just as lovely in winter as in
|
|
summer. They're so white and still, as if they were asleep
|
|
and dreaming pretty dreams."
|
|
|
|
"I won't mind writing that composition when its time comes,"
|
|
sighed Diana. "I can manage to write about the woods, but the
|
|
one we're to hand in Monday is terrible. The idea of Miss Stacy
|
|
telling us to write a story out of our own heads!"
|
|
|
|
"Why, it's as easy as wink," said Anne.
|
|
|
|
"It's easy for you because you have an imagination," retorted
|
|
Diana, "but what would you do if you had been born without one?
|
|
I suppose you have your composition all done?"
|
|
|
|
Anne nodded, trying hard not to look virtuously complacent and
|
|
failing miserably.
|
|
|
|
"I wrote it last Monday evening. It's called `The Jealous Rival;
|
|
or In Death Not Divided.' I read it to Marilla and she said it was
|
|
stuff and nonsense. Then I read it to Matthew and he said it was fine.
|
|
That is the kind of critic I like. It's a sad, sweet story. I just
|
|
cried like a child while I was writing it. It's about two beautiful
|
|
maidens called Cordelia Montmorency and Geraldine Seymour who lived
|
|
in the same village and were devotedly attached to each other.
|
|
Cordelia was a regal brunette with a coronet of midnight hair and
|
|
duskly flashing eyes. Geraldine was a queenly blonde with hair like
|
|
spun gold and velvety purple eyes."
|
|
|
|
"I never saw anybody with purple eyes," said Diana dubiously.
|
|
|
|
"Neither did I. I just imagined them. I wanted something out of the
|
|
common. Geraldine had an alabaster brow too. I've found out what an
|
|
alabaster brow is. That is one of the advantages of being thirteen.
|
|
You know so much more than you did when you were only twelve."
|
|
|
|
"Well, what became of Cordelia and Geraldine?" asked Diana,
|
|
who was beginning to feel rather interested in their fate.
|
|
|
|
"They grew in beauty side by side until they were sixteen. Then
|
|
Bertram DeVere came to their native village and fell in love with
|
|
the fair Geraldine. He saved her life when her horse ran away
|
|
with her in a carriage, and she fainted in his arms and he
|
|
carried her home three miles; because, you understand, the
|
|
carriage was all smashed up. I found it rather hard to imagine
|
|
the proposal because I had no experience to go by. I asked Ruby
|
|
Gillis if she knew anything about how men proposed because I
|
|
thought she'd likely be an authority on the subject, having so
|
|
many sisters married. Ruby told me she was hid in the hall
|
|
pantry when Malcolm Andres proposed to her sister Susan. She
|
|
said Malcolm told Susan that his dad had given him the farm in
|
|
his own name and then said, `What do you say, darling pet, if we
|
|
get hitched this fall?' And Susan said, `Yes--no--I don't
|
|
know--let me see'--and there they were, engaged as quick as that.
|
|
But I didn't think that sort of a proposal was a very romantic one,
|
|
so in the end I had to imagine it out as well as I could. I made
|
|
it very flowery and poetical and Bertram went on his knees,
|
|
although Ruby Gillis says it isn't done nowadays. Geraldine
|
|
accepted him in a speech a page long. I can tell you I took a
|
|
lot of trouble with that speech. I rewrote it five times and I
|
|
look upon it as my masterpiece. Bertram gave her a diamond ring
|
|
and a ruby necklace and told her they would go to Europe for a
|
|
wedding tour, for he was immensely wealthy. But then, alas,
|
|
shadows began to darken over their path. Cordelia was secretly
|
|
in love with Bertram herself and when Geraldine told her about
|
|
the engagement she was simply furious, especially when she saw
|
|
the necklace and the diamond ring. All her affection for
|
|
Geraldine turned to bitter hate and she vowed that she should
|
|
never marry Bertram. But she pretended to be Geraldine's friend
|
|
the same as ever. One evening they were standing on the bridge
|
|
over a rushing turbulent stream and Cordelia, thinking they were
|
|
alone, pushed Geraldine over the brink with a wild, mocking, `Ha,
|
|
ha, ha.' But Bertram saw it all and he at once plunged into the
|
|
current, exclaiming, `I will save thee, my peerless Geraldine.'
|
|
But alas, he had forgotten he couldn't swim, and they were both
|
|
drowned, clasped in each other's arms. Their bodies were washed
|
|
ashore soon afterwards. They were buried in the one grave and
|
|
their funeral was most imposing, Diana. It's so much more romantic
|
|
to end a story up with a funeral than a wedding. As for Cordelia,
|
|
she went insane with remorse and was shut up in a lunatic asylum.
|
|
I thought that was a poetical retribution for her crime."
|
|
|
|
"How perfectly lovely!" sighed Diana, who belonged to Matthew's
|
|
school of critics. "I don't see how you can make up such
|
|
thrilling things out of your own head, Anne. I wish my
|
|
imagination was as good as yours."
|
|
|
|
"It would be if you'd only cultivate it," said Anne cheeringly.
|
|
"I've just thought of a plan, Diana. Let you and me have a story
|
|
club all our own and write stories for practice. I'll help you
|
|
along until you can do them by yourself. You ought to cultivate
|
|
your imagination, you know. Miss Stacy says so. Only we must
|
|
take the right way. I told her about the Haunted Wood, but she
|
|
said we went the wrong way about it in that."
|
|
|
|
This was how the story club came into existence. It was limited
|
|
to Diana and Anne at first, but soon it was extended to include
|
|
Jane Andrews and Ruby Gillis and one or two others who felt that
|
|
their imaginations needed cultivating. No boys were allowed in
|
|
it--although Ruby Gillis opined that their admission would make
|
|
it more exciting--and each member had to produce one story a week.
|
|
|
|
"It's extremely interesting," Anne told Marilla. "Each girl has
|
|
to read her story out loud and then we talk it over. We are going
|
|
to keep them all sacredly and have them to read to our descendants.
|
|
We each write under a nom-de-plume. Mine is Rosamond Montmorency.
|
|
All the girls do pretty well. Ruby Gillis is rather sentimental.
|
|
She puts too much lovemaking into her stories and you know too much
|
|
is worse than too little. Jane never puts any because she says
|
|
it makes her feel so silly when she had to read it out loud.
|
|
Jane's stories are extremely sensible. Then Diana puts too many
|
|
murders into hers. She says most of the time she doesn't know what
|
|
to do with the people so she kills them off to get rid of them.
|
|
I mostly always have to tell them what to write about, but that
|
|
isn't hard for I've millions of ideas."
|
|
|
|
"I think this story-writing business is the foolishest yet,"
|
|
scoffed Marilla. "You'll get a pack of nonsense into your
|
|
heads and waste time that should be put on your lessons.
|
|
Reading stories is bad enough but writing them is worse."
|
|
|
|
"But we're so careful to put a moral into them all, Marilla,"
|
|
explained Anne. "I insist upon that. All the good people are
|
|
rewarded and all the bad ones are suitably punished. I'm sure
|
|
that must have a wholesome effect. The moral is the great thing.
|
|
Mr. Allan says so. I read one of my stories to him and Mrs. Allan
|
|
and they both agreed that the moral was excellent. Only they laughed
|
|
in the wrong places. I like it better when people cry. Jane and Ruby
|
|
almost always cry when I come to the pathetic parts. Diana wrote her
|
|
Aunt Josephine about our club and her Aunt Josephine wrote back that
|
|
we were to send her some of our stories. So we copied out four of
|
|
our very best and sent them. Miss Josephine Barry wrote back that
|
|
she had never read anything so amusing in her life. That kind of
|
|
puzzled us because the stories were all very pathetic and almost
|
|
everybody died. But I'm glad Miss Barry liked them. It shows our
|
|
club is doing some good in the world. Mrs. Allan says that ought
|
|
to be our object in everything. I do really try to make it my
|
|
object but I forget so often when I'm having fun. I hope I shall
|
|
be a little like Mrs. Allan when I grow up. Do you think there is
|
|
any prospect of it, Marilla?"
|
|
|
|
"I shouldn't say there was a great deal" was Marilla's
|
|
encouraging answer. "I'm sure Mrs. Allan was never such a
|
|
silly, forgetful little girl as you are."
|
|
|
|
"No; but she wasn't always so good as she is now either," said
|
|
Anne seriously. "She told me so herself--that is, she said she
|
|
was a dreadful mischief when she was a girl and was always
|
|
getting into scrapes. I felt so encouraged when I heard that.
|
|
Is it very wicked of me, Marilla, to feel encouraged when I hear
|
|
that other people have been bad and mischievous? Mrs. Lynde says
|
|
it is. Mrs. Lynde says she always feels shocked when she hears
|
|
of anyone ever having been naughty, no matter how small they were.
|
|
Mrs. Lynde says she once heard a minister confess that when he was
|
|
a boy he stole a strawberry tart out of his aunt's pantry and she
|
|
never had any respect for that minister again. Now, I wouldn't
|
|
have felt that way. I'd have thought that it was real noble of him
|
|
to confess it, and I'd have thought what an encouraging thing it
|
|
would be for small boys nowadays who do naughty things and are
|
|
sorry for them to know that perhaps they may grow up to be ministers
|
|
in spite of it. That's how I'd feel, Marilla."
|
|
|
|
"The way I feel at present, Anne," said Marilla, "is that it's
|
|
high time you had those dishes washed. You've taken half an hour
|
|
longer than you should with all your chattering. Learn to work
|
|
first and talk afterwards."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
Vanity and Vexation of Spirit
|
|
|
|
|
|
Marilla, walking home one late April evening from an Aid meeting,
|
|
realized that the winter was over and gone with the thrill of
|
|
delight that spring never fails to bring to the oldest and
|
|
saddest as well as to the youngest and merriest. Marilla was not
|
|
given to subjective analysis of her thoughts and feelings. She
|
|
probably imagined that she was thinking about the Aids and their
|
|
missionary box and the new carpet for the vestry room, but under
|
|
these reflections was a harmonious consciousness of red fields
|
|
smoking into pale-purply mists in the declining sun, of long,
|
|
sharp-pointed fir shadows falling over the meadow beyond the
|
|
brook, of still, crimson-budded maples around a mirrorlike wood
|
|
pool, of a wakening in the world and a stir of hidden pulses
|
|
under the gray sod. The spring was abroad in the land and
|
|
Marilla's sober, middle-aged step was lighter and swifter because
|
|
of its deep, primal gladness.
|
|
|
|
Her eyes dwelt affectionately on Green Gables, peering through
|
|
its network of trees and reflecting the sunlight back from its
|
|
windows in several little coruscations of glory. Marilla, as she
|
|
picked her steps along the damp lane, thought that it was really
|
|
a satisfaction to know that she was going home to a briskly
|
|
snapping wood fire and a table nicely spread for tea, instead of
|
|
to the cold comfort of old Aid meeting evenings before Anne had
|
|
come to Green Gables.
|
|
|
|
Consequently, when Marilla entered her kitchen and found the fire
|
|
black out, with no sign of Anne anywhere, she felt justly
|
|
disappointed and irritated. She had told Anne to be sure and
|
|
have tea ready at five o'clock, but now she must hurry to take
|
|
off her second-best dress and prepare the meal herself against
|
|
Matthew's return from plowing.
|
|
|
|
"I'll settle Miss Anne when she comes home," said Marilla grimly,
|
|
as she shaved up kindlings with a carving knife and with more vim
|
|
than was strictly necessary. Matthew had come in and was waiting
|
|
patiently for his tea in his corner. "She's gadding off somewhere
|
|
with Diana, writing stories or practicing dialogues or some such
|
|
tomfoolery, and never thinking once about the time or her duties.
|
|
She's just got to be pulled up short and sudden on this sort of thing.
|
|
I don't care if Mrs. Allan does say she's the brightest and sweetest
|
|
child she ever knew. She may be bright and sweet enough, but her head
|
|
is full of nonsense and there's never any knowing what shape it'll
|
|
break out in next. Just as soon as she grows out of one freak
|
|
she takes up with another. But there! Here I am saying the very
|
|
thing I was so riled with Rachel Lynde for saying at the Aid today.
|
|
I was real glad when Mrs. Allan spoke up for Anne, for if she hadn't
|
|
I know I'd have said something too sharp to Rachel before everybody.
|
|
Anne's got plenty of faults, goodness knows, and far be it from
|
|
me to deny it. But I'm bringing her up and not Rachel Lynde, who'd
|
|
pick faults in the Angel Gabriel himself if he lived in Avonlea.
|
|
Just the same, Anne has no business to leave the house like this when
|
|
I told her she was to stay home this afternoon and look after things.
|
|
I must say, with all her faults, I never found her disobedient or
|
|
untrustworthy before and I'm real sorry to find her so now."
|
|
|
|
"Well now, I dunno," said Matthew, who, being patient and wise
|
|
and, above all, hungry, had deemed it best to let Marilla talk
|
|
her wrath out unhindered, having learned by experience that she
|
|
got through with whatever work was on hand much quicker if not
|
|
delayed by untimely argument. "Perhaps you're judging her too
|
|
hasty, Marilla. Don't call her untrustworthy until you're sure
|
|
she has disobeyed you. Mebbe it can all be explained--Anne's a
|
|
great hand at explaining."
|
|
|
|
"She's not here when I told her to stay," retorted Marilla. "I
|
|
reckon she'll find it hard to explain THAT to my satisfaction.
|
|
Of course I knew you'd take her part, Matthew. But I'm bringing
|
|
her up, not you."
|
|
|
|
It was dark when supper was ready, and still no sign of Anne,
|
|
coming hurriedly over the log bridge or up Lover's Lane,
|
|
breathless and repentant with a sense of neglected duties.
|
|
Marilla washed and put away the dishes grimly. Then, wanting a
|
|
candle to light her way down the cellar, she went up to the
|
|
east gable for the one that generally stood on Anne's table.
|
|
Lighting it, she turned around to see Anne herself lying on the bed,
|
|
face downward among the pillows.
|
|
|
|
"Mercy on us," said astonished Marilla, "have you been asleep, Anne?"
|
|
|
|
"No," was the muffled reply.
|
|
|
|
"Are you sick then?" demanded Marilla anxiously, going over to the bed.
|
|
|
|
Anne cowered deeper into her pillows as if desirous of hiding herself
|
|
forever from mortal eyes.
|
|
|
|
"No. But please, Marilla, go away and don't look at me. I'm in
|
|
the depths of despair and I don't care who gets head in class or
|
|
writes the best composition or sings in the Sunday-school choir
|
|
any more. Little things like that are of no importance now
|
|
because I don't suppose I'll ever be able to go anywhere again.
|
|
My career is closed. Please, Marilla, go away and don't look at me."
|
|
|
|
"Did anyone ever hear the like?" the mystified Marilla wanted to know.
|
|
"Anne Shirley, whatever is the matter with you? What have you done?
|
|
Get right up this minute and tell me. This minute, I say. There now,
|
|
what is it?"
|
|
|
|
Anne had slid to the floor in despairing obedience.
|
|
|
|
"Look at my hair, Marilla," she whispered.
|
|
|
|
Accordingly, Marilla lifted her candle and looked scrutinizingly
|
|
at Anne's hair, flowing in heavy masses down her back. It certainly
|
|
had a very strange appearance.
|
|
|
|
"Anne Shirley, what have you done to your hair? Why, it's GREEN!"
|
|
|
|
Green it might be called, if it were any earthly color--a queer,
|
|
dull, bronzy green, with streaks here and there of the original
|
|
red to heighten the ghastly effect. Never in all her life had
|
|
Marilla seen anything so grotesque as Anne's hair at that moment.
|
|
|
|
"Yes, it's green," moaned Anne. "I thought nothing could be as
|
|
bad as red hair. But now I know it's ten times worse to have
|
|
green hair. Oh, Marilla, you little know how utterly wretched I am."
|
|
|
|
"I little know how you got into this fix, but I mean to find
|
|
out," said Marilla. "Come right down to the kitchen--it's too
|
|
cold up here--and tell me just what you've done. I've been
|
|
expecting something queer for some time. You haven't got into
|
|
any scrape for over two months, and I was sure another one was
|
|
due. Now, then, what did you do to your hair?"
|
|
|
|
"I dyed it."
|
|
|
|
"Dyed it! Dyed your hair! Anne Shirley, didn't you know it was a
|
|
wicked thing to do?"
|
|
|
|
"Yes, I knew it was a little wicked," admitted Anne. "But I
|
|
thought it was worth while to be a little wicked to get rid of
|
|
red hair. I counted the cost, Marilla. Besides, I meant to be
|
|
extra good in other ways to make up for it."
|
|
|
|
"Well," said Marilla sarcastically, "if I'd decided it was worth
|
|
while to dye my hair I'd have dyed it a decent color at least. I
|
|
wouldn't have dyed it green."
|
|
|
|
"But I didn't mean to dye it green, Marilla," protested Anne
|
|
dejectedly. "If I was wicked I meant to be wicked to some
|
|
purpose. He said it would turn my hair a beautiful raven
|
|
black--he positively assured me that it would. How could I doubt
|
|
his word, Marilla? I know what it feels like to have your word
|
|
doubted. And Mrs. Allan says we should never suspect anyone of
|
|
not telling us the truth unless we have proof that they're not.
|
|
I have proof now--green hair is proof enough for anybody. But I
|
|
hadn't then and I believed every word he said IMPLICITLY."
|
|
|
|
"Who said? Who are you talking about?"
|
|
|
|
"The peddler that was here this afternoon. I bought the dye from him."
|
|
|
|
"Anne Shirley, how often have I told you never to let one of those
|
|
Italians in the house! I don't believe in encouraging them to come
|
|
around at all."
|
|
|
|
"Oh, I didn't let him in the house. I remembered what you told
|
|
me, and I went out, carefully shut the door, and looked at his
|
|
things on the step. Besides, he wasn't an Italian--he was a
|
|
German Jew. He had a big box full of very interesting things and
|
|
he told me he was working hard to make enough money to bring his
|
|
wife and children out from Germany. He spoke so feelingly about
|
|
them that it touched my heart. I wanted to buy something from
|
|
him to help him in such a worthy object. Then all at once I saw
|
|
the bottle of hair dye. The peddler said it was warranted to dye
|
|
any hair a beautiful raven black and wouldn't wash off. In a
|
|
trice I saw myself with beautiful raven-black hair and the
|
|
temptation was irresistible. But the price of the bottle was
|
|
seventy-five cents and I had only fifty cents left out of my
|
|
chicken money. I think the peddler had a very kind heart, for he
|
|
said that, seeing it was me, he'd sell it for fifty cents and
|
|
that was just giving it away. So I bought it, and as soon as he
|
|
had gone I came up here and applied it with an old hairbrush as
|
|
the directions said. I used up the whole bottle, and oh,
|
|
Marilla, when I saw the dreadful color it turned my hair I
|
|
repented of being wicked, I can tell you. And I've been
|
|
repenting ever since."
|
|
|
|
"Well, I hope you'll repent to good purpose," said Marilla
|
|
severely, "and that you've got your eyes opened to where your
|
|
vanity has led you, Anne. Goodness knows what's to be done. I
|
|
suppose the first thing is to give your hair a good washing and
|
|
see if that will do any good."
|
|
|
|
Accordingly, Anne washed her hair, scrubbing it vigorously with
|
|
soap and water, but for all the difference it made she might as
|
|
well have been scouring its original red. The peddler had
|
|
certainly spoken the truth when he declared that the dye wouldn't
|
|
wash off, however his veracity might be impeached in other
|
|
respects.
|
|
|
|
"Oh, Marilla, what shall I do?" questioned Anne in tears.
|
|
"I can never live this down. People have pretty well forgotten
|
|
my other mistakes--the liniment cake and setting Diana drunk and
|
|
flying into a temper with Mrs. Lynde. But they'll never forget this.
|
|
They will think I am not respectable. Oh, Marilla, `what a tangled
|
|
web we weave when first we practice to deceive.' That is poetry,
|
|
but it is true. And oh, how Josie Pye will laugh! Marilla, I CANNOT
|
|
face Josie Pye. I am the unhappiest girl in Prince Edward Island."
|
|
|
|
Anne's unhappiness continued for a week. During that time she
|
|
went nowhere and shampooed her hair every day. Diana alone of
|
|
outsiders knew the fatal secret, but she promised solemnly never
|
|
to tell, and it may be stated here and now that she kept her
|
|
word. At the end of the week Marilla said decidedly:
|
|
|
|
"It's no use, Anne. That is fast dye if ever there was any.
|
|
Your hair must be cut off; there is no other way. You can't go
|
|
out with it looking like that."
|
|
|
|
Anne's lips quivered, but she realized the bitter truth of
|
|
Marilla's remarks. With a dismal sigh she went for the scissors.
|
|
|
|
"Please cut it off at once, Marilla, and have it over. Oh, I
|
|
feel that my heart is broken. This is such an unromantic
|
|
affliction. The girls in books lose their hair in fevers or sell
|
|
it to get money for some good deed, and I'm sure I wouldn't mind
|
|
losing my hair in some such fashion half so much. But there is
|
|
nothing comforting in having your hair cut off because you've
|
|
dyed it a dreadful color, is there? I'm going to weep all the
|
|
time you're cutting it off, if it won't interfere. It seems such
|
|
a tragic thing."
|
|
|
|
Anne wept then, but later on, when she went upstairs and looked
|
|
in the glass, she was calm with despair. Marilla had done her work
|
|
thoroughly and it had been necessary to shingle the hair as closely
|
|
as possible. The result was not becoming, to state the case as mildly
|
|
as may be. Anne promptly turned her glass to the wall.
|
|
|
|
"I'll never, never look at myself again until my hair grows," she
|
|
exclaimed passionately.
|
|
|
|
Then she suddenly righted the glass.
|
|
|
|
"Yes, I will, too. I'd do penance for being wicked that way.
|
|
I'll look at myself every time I come to my room and see how ugly
|
|
I am. And I won't try to imagine it away, either. I never
|
|
thought I was vain about my hair, of all things, but now I know I
|
|
was, in spite of its being red, because it was so long and thick
|
|
and curly. I expect something will happen to my nose next."
|
|
|
|
Anne's clipped head made a sensation in school on the following
|
|
Monday, but to her relief nobody guessed the real reason for it,
|
|
not even Josie Pye, who, however, did not fail to inform Anne
|
|
that she looked like a perfect scarecrow.
|
|
|
|
"I didn't say anything when Josie said that to me," Anne confided
|
|
that evening to Marilla, who was lying on the sofa after one of
|
|
her headaches, "because I thought it was part of my punishment
|
|
and I ought to bear it patiently. It's hard to be told you look
|
|
like a scarecrow and I wanted to say something back. But I didn't.
|
|
I just swept her one scornful look and then I forgave her.
|
|
It makes you feel very virtuous when you forgive people,
|
|
doesn't it? I mean to devote all my energies to being good after
|
|
this and I shall never try to be beautiful again. Of course it's
|
|
better to be good. I know it is, but it's sometimes so hard to
|
|
believe a thing even when you know it. I do really want to be
|
|
good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow
|
|
up to be a credit to you. Diana says when my hair begins to grow
|
|
to tie a black velvet ribbon around my head with a bow at one
|
|
side. She says she thinks it will be very becoming. I will call
|
|
it a snood--that sounds so romantic. But am I talking too much,
|
|
Marilla? Does it hurt your head?"
|
|
|
|
"My head is better now. It was terrible bad this afternoon,
|
|
though. These headaches of mine are getting worse and worse.
|
|
I'll have to see a doctor about them. As for your chatter, I
|
|
don't know that I mind it--I've got so used to it."
|
|
|
|
Which was Marilla's way of saying that she liked to hear it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
An Unfortunate Lily Maid
|
|
|
|
|
|
OF course you must be Elaine, Anne," said Diana. "I could never
|
|
have the courage to float down there."
|
|
|
|
"Nor I," said Ruby Gillis, with a shiver. "I don't mind floating
|
|
down when there's two or three of us in the flat and we can sit up.
|
|
It's fun then. But to lie down and pretend I was dead--I just couldn't.
|
|
I'd die really of fright."
|
|
|
|
"Of course it would be romantic," conceded Jane Andrews, "but I
|
|
know I couldn't keep still. I'd be popping up every minute or so
|
|
to see where I was and if I wasn't drifting too far out. And you
|
|
know, Anne, that would spoil the effect."
|
|
|
|
"But it's so ridiculous to have a redheaded Elaine," mourned
|
|
Anne. "I'm not afraid to float down and I'd love to be Elaine.
|
|
But it's ridiculous just the same. Ruby ought to be Elaine
|
|
because she is so fair and has such lovely long golden hair--
|
|
Elaine had `all her bright hair streaming down,' you know.
|
|
And Elaine was the lily maid. Now, a red-haired person cannot
|
|
be a lily maid."
|
|
|
|
"Your complexion is just as fair as Ruby's," said Diana
|
|
earnestly, "and your hair is ever so much darker than it used to
|
|
be before you cut it."
|
|
|
|
"Oh, do you really think so?" exclaimed Anne, flushing
|
|
sensitively with delight. "I've sometimes thought it was
|
|
myself--but I never dared to ask anyone for fear she would tell
|
|
me it wasn't. Do you think it could be called auburn now, Diana?"
|
|
|
|
"Yes, and I think it is real pretty," said Diana, looking
|
|
admiringly at the short, silky curls that clustered over
|
|
Anne's head and were held in place by a very jaunty black
|
|
velvet ribbon and bow.
|
|
|
|
They were standing on the bank of the pond, below Orchard Slope,
|
|
where a little headland fringed with birches ran out from the
|
|
bank; at its tip was a small wooden platform built out into the
|
|
water for the convenience of fishermen and duck hunters. Ruby
|
|
and Jane were spending the midsummer afternoon with Diana, and
|
|
Anne had come over to play with them.
|
|
|
|
Anne and Diana had spent most of their playtime that summer on
|
|
and about the pond. Idlewild was a thing of the past, Mr. Bell
|
|
having ruthlessly cut down the little circle of trees in his back
|
|
pasture in the spring. Anne had sat among the stumps and wept,
|
|
not without an eye to the romance of it; but she was speedily
|
|
consoled, for, after all, as she and Diana said, big girls of
|
|
thirteen, going on fourteen, were too old for such childish
|
|
amusements as playhouses, and there were more fascinating sports
|
|
to be found about the pond. It was splendid to fish for trout
|
|
over the bridge and the two girls learned to row themselves about
|
|
in the little flat-bottomed dory Mr. Barry kept for duck shooting.
|
|
|
|
It was Anne's idea that they dramatize Elaine. They had studied
|
|
Tennyson's poem in school the preceding winter, the Superintendent
|
|
of Education having prescribed it in the English course for the
|
|
Prince Edward Island schools. They had analyzed and parsed it
|
|
and torn it to pieces in general until it was a wonder there
|
|
was any meaning at all left in it for them, but at least the
|
|
fair lily maid and Lancelot and Guinevere and King Arthur had
|
|
become very real people to them, and Anne was devoured by
|
|
secret regret that she had not been born in Camelot. Those
|
|
days, she said, were so much more romantic than the present.
|
|
|
|
Anne's plan was hailed with enthusiasm. The girls had discovered
|
|
that if the flat were pushed off from the landing place it would
|
|
drift down with the current under the bridge and finally strand
|
|
itself on another headland lower down which ran out at a curve in
|
|
the pond. They had often gone down like this and nothing could
|
|
be more convenient for playing Elaine.
|
|
|
|
"Well, I'll be Elaine," said Anne, yielding reluctantly, for,
|
|
although she would have been delighted to play the principal
|
|
character, yet her artistic sense demanded fitness for it and
|
|
this, she felt, her limitations made impossible. "Ruby, you must
|
|
be King Arthur and Jane will be Guinevere and Diana must be Lancelot.
|
|
But first you must be the brothers and the father. We can't have
|
|
the old dumb servitor because there isn't room for two in the flat
|
|
when one is lying down. We must pall the barge all its length
|
|
in blackest samite. That old black shawl of your mother's will
|
|
be just the thing, Diana."
|
|
|
|
The black shawl having been procured, Anne spread it over the
|
|
flat and then lay down on the bottom, with closed eyes and hands
|
|
folded over her breast.
|
|
|
|
"Oh, she does look really dead," whispered Ruby Gillis nervously,
|
|
watching the still, white little face under the flickering
|
|
shadows of the birches. "It makes me feel frightened, girls.
|
|
Do you suppose it's really right to act like this? Mrs. Lynde
|
|
says that all play-acting is abominably wicked."
|
|
|
|
"Ruby, you shouldn't talk about Mrs. Lynde," said Anne severely.
|
|
"It spoils the effect because this is hundreds of years before
|
|
Mrs. Lynde was born. Jane, you arrange this. It's silly for
|
|
Elaine to be talking when she's dead."
|
|
|
|
Jane rose to the occasion. Cloth of gold for coverlet there was
|
|
none, but an old piano scarf of yellow Japanese crepe was an
|
|
excellent substitute. A white lily was not obtainable just then,
|
|
but the effect of a tall blue iris placed in one of Anne's folded
|
|
hands was all that could be desired.
|
|
|
|
"Now, she's all ready," said Jane. "We must kiss her quiet brows
|
|
and, Diana, you say, `Sister, farewell forever,' and Ruby, you say,
|
|
`Farewell, sweet sister,' both of you as sorrowfully as you possibly can.
|
|
Anne, for goodness sake smile a little. You know Elaine `lay as though
|
|
she smiled.' That's better. Now push the flat off."
|
|
|
|
The flat was accordingly pushed off, scraping roughly over an old
|
|
embedded stake in the process. Diana and Jane and Ruby only waited
|
|
long enough to see it caught in the current and headed for the bridge
|
|
before scampering up through the woods, across the road, and down to
|
|
the lower headland where, as Lancelot and Guinevere and the King,
|
|
they were to be in readiness to receive the lily maid.
|
|
|
|
For a few minutes Anne, drifting slowly down, enjoyed the romance
|
|
of her situation to the full. Then something happened not at all
|
|
romantic. The flat began to leak. In a very few moments it was
|
|
necessary for Elaine to scramble to her feet, pick up her cloth
|
|
of gold coverlet and pall of blackest samite and gaze blankly at
|
|
a big crack in the bottom of her barge through which the water
|
|
was literally pouring. That sharp stake at the landing had torn
|
|
off the strip of batting nailed on the flat. Anne did not know
|
|
this, but it did not take her long to realize that she was in a
|
|
dangerous plight. At this rate the flat would fill and sink long
|
|
before it could drift to the lower headland. Where were the
|
|
oars? Left behind at the landing!
|
|
|
|
Anne gave one gasping little scream which nobody ever heard; she
|
|
was white to the lips, but she did not lose her self-possession.
|
|
There was one chance--just one.
|
|
|
|
"I was horribly frightened," she told Mrs. Allan the next day,
|
|
"and it seemed like years while the flat was drifting down to the
|
|
bridge and the water rising in it every moment. I prayed, Mrs.
|
|
Allan, most earnestly, but I didn't shut my eyes to pray, for I
|
|
knew the only way God could save me was to let the flat float
|
|
close enough to one of the bridge piles for me to climb up on it.
|
|
You know the piles are just old tree trunks and there are lots of
|
|
knots and old branch stubs on them. It was proper to pray, but
|
|
I had to do my part by watching out and right well I knew it. I
|
|
just said, `Dear God, please take the flat close to a pile and
|
|
I'll do the rest,' over and over again. Under such circumstances
|
|
you don't think much about making a flowery prayer. But mine was
|
|
answered, for the flat bumped right into a pile for a minute and
|
|
I flung the scarf and the shawl over my shoulder and scrambled up
|
|
on a big providential stub. And there I was, Mrs. Allan,
|
|
clinging to that slippery old pile with no way of getting up or
|
|
down. It was a very unromantic position, but I didn't think
|
|
about that at the time. You don't think much about romance when
|
|
you have just escaped from a watery grave. I said a grateful
|
|
prayer at once and then I gave all my attention to holding on
|
|
tight, for I knew I should probably have to depend on human aid
|
|
to get back to dry land."
|
|
|
|
The flat drifted under the bridge and then promptly sank in
|
|
midstream. Ruby, Jane, and Diana, already awaiting it on the
|
|
lower headland, saw it disappear before their very eyes and had
|
|
not a doubt but that Anne had gone down with it. For a moment
|
|
they stood still, white as sheets, frozen with horror at the
|
|
tragedy; then, shrieking at the tops of their voices, they
|
|
started on a frantic run up through the woods, never pausing as
|
|
they crossed the main road to glance the way of the bridge.
|
|
Anne, clinging desperately to her precarious foothold, saw their
|
|
flying forms and heard their shrieks. Help would soon come, but
|
|
meanwhile her position was a very uncomfortable one.
|
|
|
|
The minutes passed by, each seeming an hour to the unfortunate
|
|
lily maid. Why didn't somebody come? Where had the girls gone?
|
|
Suppose they had fainted, one and all! Suppose nobody ever came!
|
|
Suppose she grew so tired and cramped that she could hold on no
|
|
longer! Anne looked at the wicked green depths below her,
|
|
wavering with long, oily shadows, and shivered. Her imagination
|
|
began to suggest all manner of gruesome possibilities to her.
|
|
|
|
Then, just as she thought she really could not endure the ache in
|
|
her arms and wrists another moment, Gilbert Blythe came rowing
|
|
under the bridge in Harmon Andrews's dory!
|
|
|
|
Gilbert glanced up and, much to his amazement, beheld a little
|
|
white scornful face looking down upon him with big, frightened
|
|
but also scornful gray eyes.
|
|
|
|
"Anne Shirley! How on earth did you get there?" he exclaimed.
|
|
|
|
Without waiting for an answer he pulled close to the pile and
|
|
extended his hand. There was no help for it; Anne, clinging to
|
|
Gilbert Blythe's hand, scrambled down into the dory, where she
|
|
sat, drabbled and furious, in the stern with her arms full of
|
|
dripping shawl and wet crepe. It was certainly extremely
|
|
difficult to be dignified under the circumstances!
|
|
|
|
"What has happened, Anne?" asked Gilbert, taking up his oars.
|
|
"We were playing Elaine" explained Anne frigidly, without even
|
|
looking at her rescuer, "and I had to drift down to Camelot in
|
|
the barge--I mean the flat. The flat began to leak and I climbed
|
|
out on the pile. The girls went for help. Will you be kind
|
|
enough to row me to the landing?"
|
|
|
|
Gilbert obligingly rowed to the landing and Anne, disdaining
|
|
assistance, sprang nimbly on shore.
|
|
|
|
"I'm very much obliged to you," she said haughtily as she turned away.
|
|
But Gilbert had also sprung from the boat and now laid a detaining
|
|
hand on her arm.
|
|
|
|
"Anne," he said hurriedly, "look here. Can't we be good friends?
|
|
I'm awfully sorry I made fun of your hair that time. I didn't
|
|
mean to vex you and I only meant it for a joke. Besides, it's so
|
|
long ago. I think your hair is awfully pretty now--honest I do.
|
|
Let's be friends."
|
|
|
|
For a moment Anne hesitated. She had an odd, newly awakened
|
|
consciousness under all her outraged dignity that the half-shy,
|
|
half-eager expression in Gilbert's hazel eyes was something that
|
|
was very good to see. Her heart gave a quick, queer little beat.
|
|
But the bitterness of her old grievance promptly stiffened up her
|
|
wavering determination. That scene of two years before flashed
|
|
back into her recollection as vividly as if it had taken place
|
|
yesterday. Gilbert had called her "carrots" and had brought
|
|
about her disgrace before the whole school. Her resentment,
|
|
which to other and older people might be as laughable as its
|
|
cause, was in no whit allayed and softened by time seemingly.
|
|
She hated Gilbert Blythe! She would never forgive him!
|
|
|
|
"No," she said coldly, "I shall never be friends with you,
|
|
Gilbert Blythe; and I don't want to be!"
|
|
|
|
"All right!" Gilbert sprang into his skiff with an angry color in
|
|
his cheeks. "I'll never ask you to be friends again, Anne Shirley.
|
|
And I don't care either!"
|
|
|
|
He pulled away with swift defiant strokes, and Anne went up the
|
|
steep, ferny little path under the maples. She held her head
|
|
very high, but she was conscious of an odd feeling of regret.
|
|
She almost wished she had answered Gilbert differently. Of
|
|
course, he had insulted her terribly, but still--! Altogether,
|
|
Anne rather thought it would be a relief to sit down and have a
|
|
good cry. She was really quite unstrung, for the reaction from
|
|
her fright and cramped clinging was making itself felt.
|
|
|
|
Halfway up the path she met Jane and Diana rushing back to the pond
|
|
in a state narrowly removed from positive frenzy. They had found
|
|
nobody at Orchard Slope, both Mr. and Mrs. Barry being away.
|
|
Here Ruby Gillis had succumbed to hysterics, and was left to
|
|
recover from them as best she might, while Jane and Diana flew
|
|
through the Haunted Wood and across the brook to Green Gables.
|
|
There they had found nobody either, for Marilla had gone to
|
|
Carmody and Matthew was making hay in the back field.
|
|
|
|
"Oh, Anne," gasped Diana, fairly falling on the former's neck and
|
|
weeping with relief and delight, "oh, Anne--we thought--you
|
|
were--drowned--and we felt like murderers--because we had
|
|
made--you be--Elaine. And Ruby is in hysterics--oh, Anne, how
|
|
did you escape?"
|
|
|
|
"I climbed up on one of the piles," explained Anne wearily, "and
|
|
Gilbert Blythe came along in Mr. Andrews's dory and brought me to land."
|
|
|
|
"Oh, Anne, how splendid of him! Why, it's so romantic!" said Jane,
|
|
finding breath enough for utterance at last. "Of course you'll speak
|
|
to him after this."
|
|
|
|
"Of course I won't," flashed Anne, with a momentary return of her
|
|
old spirit. "And I don't want ever to hear the word `romantic' again,
|
|
Jane Andrews. I'm awfully sorry you were so frightened, girls. It is
|
|
all my fault. I feel sure I was born under an unlucky star. Everything
|
|
I do gets me or my dearest friends into a scrape. We've gone and lost
|
|
your father's flat, Diana, and I have a presentiment that we'll not
|
|
be allowed to row on the pond any more."
|
|
|
|
Anne's presentiment proved more trustworthy than presentiments are
|
|
apt to do. Great was the consternation in the Barry and Cuthbert
|
|
households when the events of the afternoon became known.
|
|
|
|
"Will you ever have any sense, Anne?" groaned Marilla.
|
|
|
|
"Oh, yes, I think I will, Marilla," returned Anne optimistically.
|
|
A good cry, indulged in the grateful solitude of the east gable,
|
|
had soothed her nerves and restored her to her wonted cheerfulness.
|
|
"I think my prospects of becoming sensible are brighter now than ever"
|
|
|
|
"I don't see how," said Marilla.
|
|
|
|
"Well," explained Anne, "I've learned a new and valuable lesson today.
|
|
Ever since I came to Green Gables I've been making mistakes, and each
|
|
mistake has helped to cure me of some great shortcoming. The affair
|
|
of the amethyst brooch cured me of meddling with things that didn't
|
|
belong to me. The Haunted Wood mistake cured me of letting my
|
|
imagination run away with me. The liniment cake mistake cured
|
|
me of carelessness in cooking. Dyeing my hair cured me of vanity.
|
|
I never think about my hair and nose now--at least, very seldom.
|
|
And today's mistake is going to cure me of being too romantic.
|
|
I have come to the conclusion that it is no use trying to be
|
|
romantic in Avonlea. It was probably easy enough in towered
|
|
Camelot hundreds of years ago, but romance is not appreciated now.
|
|
I feel quite sure that you will soon see a great improvement in me
|
|
in this respect, Marilla."
|
|
|
|
"I'm sure I hope so," said Marilla skeptically.
|
|
|
|
But Matthew, who had been sitting mutely in his corner, laid a
|
|
hand on Anne's shoulder when Marilla had gone out.
|
|
|
|
"Don't give up all your romance, Anne," he whispered shyly,
|
|
"a little of it is a good thing--not too much, of course--but
|
|
keep a little of it, Anne, keep a little of it."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXIX
|
|
|
|
An Epoch in Anne's Life
|
|
|
|
|
|
Anne was bringing the cows home from the back pasture by way of
|
|
Lover's Lane. It was a September evening and all the gaps and
|
|
clearings in the woods were brimmed up with ruby sunset light.
|
|
Here and there the lane was splashed with it, but for the most
|
|
part it was already quite shadowy beneath the maples, and the
|
|
spaces under the firs were filled with a clear violet dusk like
|
|
airy wine. The winds were out in their tops, and there is no
|
|
sweeter music on earth than that which the wind makes in the fir
|
|
trees at evening.
|
|
|
|
The cows swung placidly down the lane, and Anne followed them
|
|
dreamily, repeating aloud the battle canto from MARMION--which
|
|
had also been part of their English course the preceding winter
|
|
and which Miss Stacy had made them learn off by heart--and
|
|
exulting in its rushing lines and the clash of spears in its
|
|
imagery. When she came to the lines
|
|
|
|
|
|
The stubborn spearsmen still made good
|
|
Their dark impenetrable wood,
|
|
|
|
|
|
she stopped in ecstasy to shut her eyes that she might the better
|
|
fancy herself one of that heroic ring. When she opened them
|
|
again it was to behold Diana coming through the gate that led
|
|
into the Barry field and looking so important that Anne instantly
|
|
divined there was news to be told. But betray too eager
|
|
curiosity she would not.
|
|
|
|
"Isn't this evening just like a purple dream, Diana? It makes me
|
|
so glad to be alive. In the mornings I always think the mornings
|
|
are best; but when evening comes I think it's lovelier still."
|
|
|
|
"It's a very fine evening," said Diana, "but oh, I have such
|
|
news, Anne. Guess. You can have three guesses."
|
|
|
|
"Charlotte Gillis is going to be married in the church after all
|
|
and Mrs. Allan wants us to decorate it," cried Anne.
|
|
|
|
"No. Charlotte's beau won't agree to that, because nobody ever
|
|
has been married in the church yet, and he thinks it would seem
|
|
too much like a funeral. It's too mean, because it would be such fun.
|
|
Guess again."
|
|
|
|
"Jane's mother is going to let her have a birthday party?"
|
|
|
|
Diana shook her head, her black eyes dancing with merriment.
|
|
|
|
"I can't think what it can be," said Anne in despair, "unless
|
|
it's that Moody Spurgeon MacPherson saw you home from prayer
|
|
meeting last night. Did he?"
|
|
|
|
"I should think not," exclaimed Diana indignantly. "I wouldn't
|
|
be likely to boast of it if he did, the horrid creature! I knew
|
|
you couldn't guess it. Mother had a letter from Aunt Josephine
|
|
today, and Aunt Josephine wants you and me to go to town next
|
|
Tuesday and stop with her for the Exhibition. There!"
|
|
|
|
"Oh, Diana," whispered Anne, finding it necessary to lean up against
|
|
a maple tree for support, "do you really mean it? But I'm afraid
|
|
Marilla won't let me go. She will say that she can't encourage
|
|
gadding about. That was what she said last week when Jane invited
|
|
me to go with them in their double-seated buggy to the American
|
|
concert at the White Sands Hotel. I wanted to go, but Marilla
|
|
said I'd be better at home learning my lessons and so would Jane.
|
|
I was bitterly disappointed, Diana. I felt so heartbroken that
|
|
I wouldn't say my prayers when I went to bed. But I repented of
|
|
that and got up in the middle of the night and said them."
|
|
|
|
"I'll tell you," said Diana, "we'll get Mother to ask Marilla.
|
|
She'll be more likely to let you go then; and if she does we'll
|
|
have the time of our lives, Anne. I've never been to an
|
|
Exhibition, and it's so aggravating to hear the other girls
|
|
talking about their trips. Jane and Ruby have been twice, and
|
|
they're going this year again."
|
|
|
|
"I'm not going to think about it at all until I know whether I
|
|
can go or not," said Anne resolutely. "If I did and then was
|
|
disappointed, it would be more than I could bear. But in case I
|
|
do go I'm very glad my new coat will be ready by that time.
|
|
Marilla didn't think I needed a new coat. She said my old one
|
|
would do very well for another winter and that I ought to be
|
|
satisfied with having a new dress. The dress is very pretty,
|
|
Diana--navy blue and made so fashionably. Marilla always makes
|
|
my dresses fashionably now, because she says she doesn't intend
|
|
to have Matthew going to Mrs. Lynde to make them. I'm so glad.
|
|
It is ever so much easier to be good if your clothes are
|
|
fashionable. At least, it is easier for me. I suppose it
|
|
doesn't make such a difference to naturally good people. But
|
|
Matthew said I must have a new coat, so Marilla bought a lovely
|
|
piece of blue broadcloth, and it's being made by a real
|
|
dressmaker over at Carmody. It's to be done Saturday night, and
|
|
I'm trying not to imagine myself walking up the church aisle on
|
|
Sunday in my new suit and cap, because I'm afraid it isn't right
|
|
to imagine such things. But it just slips into my mind in spite
|
|
of me. My cap is so pretty. Matthew bought it for me the day we
|
|
were over at Carmody. It is one of those little blue velvet ones
|
|
that are all the rage, with gold cord and tassels. Your new hat
|
|
is elegant, Diana, and so becoming. When I saw you come into
|
|
church last Sunday my heart swelled with pride to think you were
|
|
my dearest friend. Do you suppose it's wrong for us to think so
|
|
much about our clothes? Marilla says it is very sinful. But it
|
|
is such an interesting subject, isn't it?"
|
|
|
|
Marilla agreed to let Anne go to town, and it was arranged that
|
|
Mr. Barry should take the girls in on the following Tuesday. As
|
|
Charlottetown was thirty miles away and Mr. Barry wished to go
|
|
and return the same day, it was necessary to make a very early
|
|
start. But Anne counted it all joy, and was up before sunrise on
|
|
Tuesday morning. A glance from her window assured her that the
|
|
day would be fine, for the eastern sky behind the firs of the
|
|
Haunted Wood was all silvery and cloudless. Through the gap in
|
|
the trees a light was shining in the western gable of Orchard
|
|
Slope, a token that Diana was also up.
|
|
|
|
Anne was dressed by the time Matthew had the fire on and had the
|
|
breakfast ready when Marilla came down, but for her own part was
|
|
much too excited to eat. After breakfast the jaunty new cap and
|
|
jacket were donned, and Anne hastened over the brook and up
|
|
through the firs to Orchard Slope. Mr. Barry and Diana were
|
|
waiting for her, and they were soon on the road.
|
|
|
|
It was a long drive, but Anne and Diana enjoyed every minute of it.
|
|
It was delightful to rattle along over the moist roads in the early
|
|
red sunlight that was creeping across the shorn harvest fields.
|
|
The air was fresh and crisp, and little smoke-blue mists
|
|
curled through the valleys and floated off from the hills.
|
|
Sometimes the road went through woods where maples were beginning
|
|
to hang out scarlet banners; sometimes it crossed rivers on
|
|
bridges that made Anne's flesh cringe with the old,
|
|
half-delightful fear; sometimes it wound along a harbor shore and
|
|
passed by a little cluster of weather-gray fishing huts; again it
|
|
mounted to hills whence a far sweep of curving upland or
|
|
misty-blue sky could be seen; but wherever it went there was much
|
|
of interest to discuss. It was almost noon when they reached
|
|
town and found their way to "Beechwood." It was quite a fine old
|
|
mansion, set back from the street in a seclusion of green elms
|
|
and branching beeches. Miss Barry met them at the door with a
|
|
twinkle in her sharp black eyes.
|
|
|
|
"So you've come to see me at last, you Anne-girl," she said.
|
|
"Mercy, child, how you have grown! You're taller than I am, I
|
|
declare. And you're ever so much better looking than you used to
|
|
be, too. But I dare say you know that without being told."
|
|
|
|
"Indeed I didn't," said Anne radiantly. "I know I'm not so
|
|
freckled as I used to be, so I've much to be thankful for, but
|
|
I really hadn't dared to hope there was any other improvement.
|
|
I'm so glad you think there is, Miss Barry." Miss Barry's house
|
|
was furnished with "great magnificence," as Anne told Marilla
|
|
afterward. The two little country girls were rather abashed by
|
|
the splendor of the parlor where Miss Barry left them when she
|
|
went to see about dinner.
|
|
|
|
"Isn't it just like a palace?" whispered Diana. "I never was in
|
|
Aunt Josephine's house before, and I'd no idea it was so grand.
|
|
I just wish Julia Bell could see this--she puts on such airs
|
|
about her mother's parlor."
|
|
|
|
"Velvet carpet," sighed Anne luxuriously, "and silk curtains!
|
|
I've dreamed of such things, Diana. But do you know I don't
|
|
believe I feel very comfortable with them after all. There are
|
|
so many things in this room and all so splendid that there is no
|
|
scope for imagination. That is one consolation when you are
|
|
poor--there are so many more things you can imagine about."
|
|
|
|
Their sojourn in town was something that Anne and Diana dated
|
|
from for years. From first to last it was crowded with delights.
|
|
|
|
On Wednesday Miss Barry took them to the Exhibition grounds and
|
|
kept them there all day.
|
|
|
|
"It was splendid," Anne related to Marilla later on. "I never
|
|
imagined anything so interesting. I don't really know which
|
|
department was the most interesting. I think I liked the horses
|
|
and the flowers and the fancywork best. Josie Pye took first
|
|
prize for knitted lace. I was real glad she did. And I was glad
|
|
that I felt glad, for it shows I'm improving, don't you think,
|
|
Marilla, when I can rejoice in Josie's success? Mr. Harmon
|
|
Andrews took second prize for Gravenstein apples and Mr. Bell
|
|
took first prize for a pig. Diana said she thought it was
|
|
ridiculous for a Sunday-school superintendent to take a prize in
|
|
pigs, but I don't see why. Do you? She said she would always
|
|
think of it after this when he was praying so solemnly. Clara
|
|
Louise MacPherson took a prize for painting, and Mrs. Lynde got
|
|
first prize for homemade butter and cheese. So Avonlea was
|
|
pretty well represented, wasn't it? Mrs. Lynde was there that
|
|
day, and I never knew how much I really liked her until I saw her
|
|
familiar face among all those strangers. There were thousands of
|
|
people there, Marilla. It made me feel dreadfully insignificant.
|
|
And Miss Barry took us up to the grandstand to see the horse
|
|
races. Mrs. Lynde wouldn't go; she said horse racing was an
|
|
abomination and, she being a church member, thought it her
|
|
bounden duty to set a good example by staying away. But there
|
|
were so many there I don't believe Mrs. Lynde's absence would
|
|
ever be noticed. I don't think, though, that I ought to go very
|
|
often to horse races, because they ARE awfully fascinating.
|
|
Diana got so excited that she offered to bet me ten cents that
|
|
the red horse would win. I didn't believe he would, but I
|
|
refused to bet, because I wanted to tell Mrs. Allan all about
|
|
everything, and I felt sure it wouldn't do to tell her that.
|
|
It's always wrong to do anything you can't tell the minister's
|
|
wife. It's as good as an extra conscience to have a minister's
|
|
wife for your friend. And I was very glad I didn't bet, because
|
|
the red horse DID win, and I would have lost ten cents. So you
|
|
see that virtue was its own reward. We saw a man go up in a
|
|
balloon. I'd love to go up in a balloon, Marilla; it would be
|
|
simply thrilling; and we saw a man selling fortunes. You paid
|
|
him ten cents and a little bird picked out your fortune for you.
|
|
Miss Barry gave Diana and me ten cents each to have our fortunes
|
|
told. Mine was that I would marry a dark-complected man who was
|
|
very wealthy, and I would go across water to live. I looked
|
|
carefully at all the dark men I saw after that, but I didn't care
|
|
much for any of them, and anyhow I suppose it's too early to be
|
|
looking out for him yet. Oh, it was a never-to-be-forgotten day,
|
|
Marilla. I was so tired I couldn't sleep at night. Miss Barry
|
|
put us in the spare room, according to promise. It was an
|
|
elegant room, Marilla, but somehow sleeping in a spare room isn't
|
|
what I used to think it was. That's the worst of growing up, and
|
|
I'm beginning to realize it. The things you wanted so much when you
|
|
were a child don't seem half so wonderful to you when you get them."
|
|
|
|
Thursday the girls had a drive in the park, and in the evening
|
|
Miss Barry took them to a concert in the Academy of Music, where
|
|
a noted prima donna was to sing. To Anne the evening was a
|
|
glittering vision of delight.
|
|
|
|
"Oh, Marilla, it was beyond description. I was so excited I
|
|
couldn't even talk, so you may know what it was like. I just sat
|
|
in enraptured silence. Madame Selitsky was perfectly beautiful,
|
|
and wore white satin and diamonds. But when she began to sing I
|
|
never thought about anything else. Oh, I can't tell you how I
|
|
felt. But it seemed to me that it could never be hard to be good
|
|
any more. I felt like I do when I look up to the stars. Tears
|
|
came into my eyes, but, oh, they were such happy tears. I was so
|
|
sorry when it was all over, and I told Miss Barry I didn't see
|
|
how I was ever to return to common life again. She said she
|
|
thought if we went over to the restaurant across the street and
|
|
had an ice cream it might help me. That sounded so prosaic; but
|
|
to my surprise I found it true. The ice cream was delicious,
|
|
Marilla, and it was so lovely and dissipated to be sitting there
|
|
eating it at eleven o'clock at night. Diana said she believed
|
|
she was born for city life. Miss Barry asked me what my opinion
|
|
was, but I said I would have to think it over very seriously
|
|
before I could tell her what I really thought. So I thought it
|
|
over after I went to bed. That is the to think things out. And I
|
|
came to the conclusion, Marilla, that I wasn't born for city life
|
|
and that I was glad of it. It's nice to be eating ice cream at
|
|
brilliant restaurants at eleven o'clock at night once in a while;
|
|
but as a regular thing I'd rather be in the east gable at eleven,
|
|
sound asleep, but kind of knowing even in my sleep that the stars
|
|
were shining outside and that the wind was blowing in the firs
|
|
across the brook. I told Miss Barry so at breakfast the next
|
|
morning and she laughed. Miss Barry generally laughed at
|
|
anything I said, even when I said the most solemn things.
|
|
I don't think I liked it, Marilla, because I wasn't trying to be
|
|
funny. But she is a most hospitable lady and treated us royally."
|
|
|
|
Friday brought going-home time, and Mr. Barry drove in for the girls.
|
|
|
|
"Well, I hope you've enjoyed yourselves," said Miss Barry, as she
|
|
bade them good-bye.
|
|
|
|
"Indeed we have," said Diana.
|
|
|
|
"And you, Anne-girl?"
|
|
|
|
"I've enjoyed every minute of the time," said Anne, throwing her
|
|
arms impulsively about the old woman's neck and kissing her
|
|
wrinkled cheek. Diana would never have dared to do such a thing
|
|
and felt rather aghast at Anne's freedom. But Miss Barry was
|
|
pleased, and she stood on her veranda and watched the buggy out
|
|
of sight. Then she went back into her big house with a sigh. It
|
|
seemed very lonely, lacking those fresh young lives. Miss Barry
|
|
was a rather selfish old lady, if the truth must be told, and had
|
|
never cared much for anybody but herself. She valued people only
|
|
as they were of service to her or amused her. Anne had amused
|
|
her, and consequently stood high in the old lady's good graces.
|
|
But Miss Barry found herself thinking less about Anne's quaint
|
|
speeches than of her fresh enthusiasms, her transparent emotions,
|
|
her little winning ways, and the sweetness of her eyes and lips.
|
|
|
|
"I thought Marilla Cuthbert was an old fool when I heard she'd
|
|
adopted a girl out of an orphan asylum," she said to herself,
|
|
"but I guess she didn't make much of a mistake after all. If I'd
|
|
a child like Anne in the house all the time I'd be a better and
|
|
happier woman."
|
|
|
|
Anne and Diana found the drive home as pleasant as the
|
|
drive in--pleasanter, indeed, since there was the delightful
|
|
consciousness of home waiting at the end of it. It was sunset
|
|
when they passed through White Sands and turned into the shore road.
|
|
Beyond, the Avonlea hills came out darkly against the saffron sky.
|
|
Behind them the moon was rising out of the sea that grew all radiant
|
|
and transfigured in her light. Every little cove along the curving
|
|
road was a marvel of dancing ripples. The waves broke with a soft
|
|
swish on the rocks below them, and the tang of the sea was in the
|
|
strong, fresh air.
|
|
|
|
"Oh, but it's good to be alive and to be going home," breathed Anne.
|
|
|
|
When she crossed the log bridge over the brook the kitchen light of
|
|
Green Gables winked her a friendly welcome back, and through the
|
|
open door shone the hearth fire, sending out its warm red glow
|
|
athwart the chilly autumn night. Anne ran blithely up the hill
|
|
and into the kitchen, where a hot supper was waiting on the table.
|
|
|
|
"So you've got back?" said Marilla, folding up her knitting.
|
|
|
|
"Yes, and oh, it's so good to be back," said Anne joyously. "I
|
|
could kiss everything, even to the clock. Marilla, a broiled
|
|
chicken! You don't mean to say you cooked that for me!"
|
|
|
|
"Yes, I did," said Marilla. "I thought you'd be hungry after
|
|
such a drive and need something real appetizing. Hurry and take
|
|
off your things, and we'll have supper as soon as Matthew comes in.
|
|
I'm glad you've got back, I must say. It's been fearful lonesome
|
|
here without you, and I never put in four longer days."
|
|
|
|
After supper Anne sat before the fire between Matthew and
|
|
Marilla, and gave them a full account of her visit.
|
|
|
|
"I've had a splendid time," she concluded happily, "and I feel
|
|
that it marks an epoch in my life. But the best of it all was
|
|
the coming home."
|
|
|
|
|
|
|
|
CHAPTER XXX
|
|
|
|
The Queens Class Is Organized
|
|
|
|
|
|
Marilla laid her knitting on her lap and leaned back in her chair.
|
|
Her eyes were tired, and she thought vaguely that she must see
|
|
about having her glasses changed the next time she went to town,
|
|
for her eyes had grown tired very often of late.
|
|
|
|
It was nearly dark, for the full November twilight had fallen
|
|
around Green Gables, and the only light in the kitchen came from
|
|
the dancing red flames in the stove.
|
|
|
|
Anne was curled up Turk-fashion on the hearthrug, gazing into
|
|
that joyous glow where the sunshine of a hundred summers was
|
|
being distilled from the maple cordwood. She had been reading,
|
|
but her book had slipped to the floor, and now she was dreaming,
|
|
with a smile on her parted lips. Glittering castles in Spain
|
|
were shaping themselves out of the mists and rainbows of her
|
|
lively fancy; adventures wonderful and enthralling were happening
|
|
to her in cloudland--adventures that always turned out triumphantly
|
|
and never involved her in scrapes like those of actual life.
|
|
|
|
Marilla looked at her with a tenderness that would never have
|
|
been suffered to reveal itself in any clearer light than that
|
|
soft mingling of fireshine and shadow. The lesson of a love that
|
|
should display itself easily in spoken word and open look was one
|
|
Marilla could never learn. But she had learned to love this
|
|
slim, gray-eyed girl with an affection all the deeper and
|
|
stronger from its very undemonstrativeness. Her love made her
|
|
afraid of being unduly indulgent, indeed. She had an uneasy
|
|
feeling that it was rather sinful to set one's heart so intensely
|
|
on any human creature as she had set hers on Anne, and perhaps she
|
|
performed a sort of unconscious penance for this by being stricter
|
|
and more critical than if the girl had been less dear to her.
|
|
Certainly Anne herself had no idea how Marilla loved her.
|
|
She sometimes thought wistfully that Marilla was very hard
|
|
to please and distinctly lacking in sympathy and understanding.
|
|
But she always checked the thought reproachfully, remembering what
|
|
she owed to Marilla.
|
|
|
|
"Anne," said Marilla abruptly, "Miss Stacy was here this
|
|
afternoon when you were out with Diana."
|
|
|
|
Anne came back from her other world with a start and a sigh.
|
|
|
|
"Was she? Oh, I'm so sorry I wasn't in. Why didn't you call me,
|
|
Marilla? Diana and I were only over in the Haunted Wood. It's
|
|
lovely in the woods now. All the little wood things--the ferns
|
|
and the satin leaves and the crackerberries--have gone to sleep,
|
|
just as if somebody had tucked them away until spring under a
|
|
blanket of leaves. I think it was a little gray fairy with a
|
|
rainbow scarf that came tiptoeing along the last moonlight night
|
|
and did it. Diana wouldn't say much about that, though. Diana
|
|
has never forgotten the scolding her mother gave her about
|
|
imagining ghosts into the Haunted Wood. It had a very bad effect
|
|
on Diana's imagination. It blighted it. Mrs. Lynde says Myrtle
|
|
Bell is a blighted being. I asked Ruby Gillis why Myrtle was
|
|
blighted, and Ruby said she guessed it was because her young man
|
|
had gone back on her. Ruby Gillis thinks of nothing but young men,
|
|
and the older she gets the worse she is. Young men are all very
|
|
well in their place, but it doesn't do to drag them into
|
|
everything, does it? Diana and I are thinking seriously of
|
|
promising each other that we will never marry but be nice old
|
|
maids and live together forever. Diana hasn't quite made up her
|
|
mind though, because she thinks perhaps it would be nobler to
|
|
marry some wild, dashing, wicked young man and reform him. Diana
|
|
and I talk a great deal about serious subjects now, you know. We
|
|
feel that we are so much older than we used to be that it isn't
|
|
becoming to talk of childish matters. It's such a solemn thing
|
|
to be almost fourteen, Marilla. Miss Stacy took all us girls who
|
|
are in our teens down to the brook last Wednesday, and talked to
|
|
us about it. She said we couldn't be too careful what habits we
|
|
formed and what ideals we acquired in our teens, because by the
|
|
time we were twenty our characters would be developed and the
|
|
foundation laid for our whole future life. And she said if the
|
|
foundation was shaky we could never build anything really worth
|
|
while on it. Diana and I talked the matter over coming home from
|
|
school. We felt extremely solemn, Marilla. And we decided that
|
|
we would try to be very careful indeed and form respectable
|
|
habits and learn all we could and be as sensible as possible, so
|
|
that by the time we were twenty our characters would be properly
|
|
developed. It's perfectly appalling to think of being twenty,
|
|
Marilla. It sounds so fearfully old and grown up. But why was
|
|
Miss Stacy here this afternoon?"
|
|
|
|
"That is what I want to tell you, Anne, if you'll ever give me a
|
|
chance to get a word in edgewise. She was talking about you."
|
|
|
|
"About me?" Anne looked rather scared. Then she flushed and exclaimed:
|
|
|
|
"Oh, I know what she was saying. I meant to tell you, Marilla,
|
|
honestly I did, but I forgot. Miss Stacy caught me reading Ben
|
|
Hur in school yesterday afternoon when I should have been studying
|
|
my Canadian history. Jane Andrews lent it to me. I was reading
|
|
it at dinner hour, and I had just got to the chariot race when
|
|
school went in. I was simply wild to know how it turned out--
|
|
although I felt sure Ben Hur must win, because it wouldn't be
|
|
poetical justice if he didn't--so I spread the history open on
|
|
my desk lid and then tucked Ben Hur between the desk and my knee.
|
|
I just looked as if I were studying Canadian history, you know,
|
|
while all the while I was reveling in Ben Hur. I was so
|
|
interested in it that I never noticed Miss Stacy coming down the
|
|
aisle until all at once I just looked up and there she was
|
|
looking down at me, so reproachful-like. I can't tell you how
|
|
ashamed I felt, Marilla, especially when I heard Josie Pye
|
|
giggling. Miss Stacy took Ben Hur away, but she never said a
|
|
word then. She kept me in at recess and talked to me. She said
|
|
I had done very wrong in two respects. First, I was wasting the
|
|
time I ought to have put on my studies; and secondly, I was
|
|
deceiving my teacher in trying to make it appear I was reading a
|
|
history when it was a storybook instead. I had never realized
|
|
until that moment, Marilla, that what I was doing was deceitful.
|
|
I was shocked. I cried bitterly, and asked Miss Stacy to forgive
|
|
me and I'd never do such a thing again; and I offered to do
|
|
penance by never so much as looking at Ben Hur for a whole week,
|
|
not even to see how the chariot race turned out. But Miss Stacy
|
|
said she wouldn't require that, and she forgave me freely. So I
|
|
think it wasn't very kind of her to come up here to you about it
|
|
after all."
|
|
|
|
"Miss Stacy never mentioned such a thing to me, Anne, and its
|
|
only your guilty conscience that's the matter with you. You have
|
|
no business to be taking storybooks to school. You read too many
|
|
novels anyhow. When I was a girl I wasn't so much as allowed to
|
|
look at a novel."
|
|
|
|
"Oh, how can you call Ben Hur a novel when it's really such a
|
|
religious book?" protested Anne. "Of course it's a little too
|
|
exciting to be proper reading for Sunday, and I only read it on
|
|
weekdays. And I never read ANY book now unless either Miss Stacy
|
|
or Mrs. Allan thinks it is a proper book for a girl thirteen and
|
|
three-quarters to read. Miss Stacy made me promise that. She
|
|
found me reading a book one day called, The Lurid Mystery of the
|
|
Haunted Hall. It was one Ruby Gillis had lent me, and, oh,
|
|
Marilla, it was so fascinating and creepy. It just curdled the
|
|
blood in my veins. But Miss Stacy said it was a very silly,
|
|
unwholesome book, and she asked me not to read any more of it or
|
|
any like it. I didn't mind promising not to read any more like
|
|
it, but it was AGONIZING to give back that book without knowing
|
|
how it turned out. But my love for Miss Stacy stood the test and
|
|
I did. It's really wonderful, Marilla, what you can do when
|
|
you're truly anxious to please a certain person."
|
|
|
|
"Well, I guess I'll light the lamp and get to work," said
|
|
Marilla. "I see plainly that you don't want to hear what Miss
|
|
Stacy had to say. You're more interested in the sound of your
|
|
own tongue than in anything else."
|
|
|
|
"Oh, indeed, Marilla, I do want to hear it," cried Anne contritely.
|
|
"I won't say another word--not one. I know I talk too much, but I
|
|
am really trying to overcome it, and although I say far too much,
|
|
yet if you only knew how many things I want to say and don't,
|
|
you'd give me some credit for it. Please tell me, Marilla."
|
|
|
|
"Well, Miss Stacy wants to organize a class among her advanced
|
|
students who mean to study for the entrance examination into
|
|
Queen's. She intends to give them extra lessons for an hour
|
|
after school. And she came to ask Matthew and me if we would
|
|
like to have you join it. What do you think about it yourself,
|
|
Anne? Would you like to go to Queen's and pass for a teacher?"
|
|
|
|
"Oh, Marilla!" Anne straightened to her knees and clasped her
|
|
hands. "It's been the dream of my life--that is, for the last
|
|
six months, ever since Ruby and Jane began to talk of studying
|
|
for the Entrance. But I didn't say anything about it, because I
|
|
supposed it would be perfectly useless. I'd love to be a teacher.
|
|
But won't it be dreadfully expensive? Mr. Andrews says it cost
|
|
him one hundred and fifty dollars to put Prissy through, and
|
|
Prissy wasn't a dunce in geometry."
|
|
|
|
"I guess you needn't worry about that part of it. When Matthew
|
|
and I took you to bring up we resolved we would do the best we
|
|
could for you and give you a good education. I believe in a girl
|
|
being fitted to earn her own living whether she ever has to or not.
|
|
You'll always have a home at Green Gables as long as Matthew and
|
|
I are here, but nobody knows what is going to happen in this
|
|
uncertain world, and it's just as well to be prepared.
|
|
So you can join the Queen's class if you like, Anne."
|
|
|
|
"Oh, Marilla, thank you." Anne flung her arms about Marilla's
|
|
waist and looked up earnestly into her face. "I'm extremely
|
|
grateful to you and Matthew. And I'll study as hard as I can and
|
|
do my very best to be a credit to you. I warn you not to expect
|
|
much in geometry, but I think I can hold my own in anything else
|
|
if I work hard."
|
|
|
|
"I dare say you'll get along well enough. Miss Stacy says you
|
|
are bright and diligent." Not for worlds would Marilla have told
|
|
Anne just what Miss Stacy had said about her; that would have
|
|
been to pamper vanity. "You needn't rush to any extreme of
|
|
killing yourself over your books. There is no hurry. You won't
|
|
be ready to try the Entrance for a year and a half yet. But it's
|
|
well to begin in time and be thoroughly grounded, Miss Stacy says."
|
|
|
|
"I shall take more interest than ever in my studies now," said
|
|
Anne blissfully, "because I have a purpose in life. Mr. Allan
|
|
says everybody should have a purpose in life and pursue it
|
|
faithfully. Only he says we must first make sure that it is a
|
|
worthy purpose. I would call it a worthy purpose to want to be a
|
|
teacher like Miss Stacy, wouldn't you, Marilla? I think it's a
|
|
very noble profession."
|
|
|
|
The Queen's class was organized in due time. Gilbert Blythe,
|
|
Anne Shirley, Ruby Gillis, Jane Andrews, Josie Pye, Charlie
|
|
Sloane, and Moody Spurgeon MacPherson joined it. Diana Barry did
|
|
not, as her parents did not intend to send her to Queen's. This
|
|
seemed nothing short of a calamity to Anne. Never, since the
|
|
night on which Minnie May had had the croup, had she and Diana
|
|
been separated in anything. On the evening when the Queen's
|
|
class first remained in school for the extra lessons and Anne saw
|
|
Diana go slowly out with the others, to walk home alone through
|
|
the Birch Path and Violet Vale, it was all the former could do to
|
|
keep her seat and refrain from rushing impulsively after her chum.
|
|
A lump came into her throat, and she hastily retired behind the
|
|
pages of her uplifted Latin grammar to hide the tears in her eyes.
|
|
Not for worlds would Anne have had Gilbert Blythe or Josie Pye
|
|
see those tears.
|
|
|
|
"But, oh, Marilla, I really felt that I had tasted the bitterness
|
|
of death, as Mr. Allan said in his sermon last Sunday, when I
|
|
saw Diana go out alone," she said mournfully that night. "I
|
|
thought how splendid it would have been if Diana had only been
|
|
going to study for the Entrance, too. But we can't have things
|
|
perfect in this imperfect world, as Mrs. Lynde says. Mrs. Lynde
|
|
isn't exactly a comforting person sometimes, but there's no
|
|
doubt she says a great many very true things. And I think the
|
|
Queen's class is going to be extremely interesting. Jane and
|
|
Ruby are just going to study to be teachers. That is the height
|
|
of their ambition. Ruby says she will only teach for two years
|
|
after she gets through, and then she intends to be married. Jane
|
|
says she will devote her whole life to teaching, and never, never
|
|
marry, because you are paid a salary for teaching, but a husband
|
|
won't pay you anything, and growls if you ask for a share in the
|
|
egg and butter money. I expect Jane speaks from mournful
|
|
experience, for Mrs. Lynde says that her father is a perfect old
|
|
crank, and meaner than second skimmings. Josie Pye says she is
|
|
just going to college for education's sake, because she won't
|
|
have to earn her own living; she says of course it is different
|
|
with orphans who are living on charity--THEY have to hustle.
|
|
Moody Spurgeon is going to be a minister. Mrs. Lynde says he
|
|
couldn't be anything else with a name like that to live up to.
|
|
I hope it isn't wicked of me, Marilla, but really the thought of
|
|
Moody Spurgeon being a minister makes me laugh. He's such a
|
|
funny-looking boy with that big fat face, and his little blue
|
|
eyes, and his ears sticking out like flaps. But perhaps he will
|
|
be more intellectual looking when he grows up. Charlie Sloane
|
|
says he's going to go into politics and be a member of
|
|
Parliament, but Mrs. Lynde says he'll never succeed at that,
|
|
because the Sloanes are all honest people, and it's only rascals
|
|
that get on in politics nowadays."
|
|
|
|
"What is Gilbert Blythe going to be?" queried Marilla, seeing
|
|
that Anne was opening her Caesar.
|
|
|
|
"I don't happen to know what Gilbert Blythe's ambition in life is--
|
|
if he has any," said Anne scornfully.
|
|
|
|
There was open rivalry between Gilbert and Anne now. Previously
|
|
the rivalry had been rather onesided, but there was no longer any
|
|
doubt that Gilbert was as determined to be first in class as Anne was.
|
|
He was a foeman worthy of her steel. The other members of the class
|
|
tacitly acknowledged their superiority, and never dreamed of trying
|
|
to compete with them.
|
|
|
|
Since the day by the pond when she had refused to listen to his
|
|
plea for forgiveness, Gilbert, save for the aforesaid determined
|
|
rivalry, had evinced no recognition whatever of the existence of
|
|
Anne Shirley. He talked and jested with the other girls, exchanged
|
|
books and puzzles with them, discussed lessons and plans, sometimes
|
|
walked home with one or the other of them from prayer meeting or
|
|
Debating Club. But Anne Shirley he simply ignored, and Anne found
|
|
out that it is not pleasant to be ignored. It was in vain that
|
|
she told herself with a toss of her head that she did not care.
|
|
Deep down in her wayward, feminine little heart she knew that
|
|
she did care, and that if she had that chance of the Lake of
|
|
Shining Waters again she would answer very differently.
|
|
All at once, as it seemed, and to her secret dismay, she
|
|
found that the old resentment she had cherished against him
|
|
was gone--gone just when she most needed its sustaining power.
|
|
It was in vain that she recalled every incident and emotion of
|
|
that memorable occasion and tried to feel the old satisfying anger.
|
|
That day by the pond had witnessed its last spasmodic flicker.
|
|
Anne realized that she had forgiven and forgotten without knowing it.
|
|
But it was too late.
|
|
|
|
And at least neither Gilbert nor anybody else, not even Diana,
|
|
should ever suspect how sorry she was and how much she wished she
|
|
hadn't been so proud and horrid! She determined to "shroud her
|
|
feelings in deepest oblivion," and it may be stated here and now
|
|
that she did it, so successfully that Gilbert, who possibly was
|
|
not quite so indifferent as he seemed, could not console himself
|
|
with any belief that Anne felt his retaliatory scorn. The only
|
|
poor comfort he had was that she snubbed Charlie Sloane,
|
|
unmercifully, continually, and undeservedly.
|
|
|
|
Otherwise the winter passed away in a round of pleasant duties
|
|
and studies. For Anne the days slipped by like golden beads on
|
|
the necklace of the year. She was happy, eager, interested;
|
|
there were lessons to be learned and honor to be won; delightful
|
|
books to read; new pieces to be practiced for the Sunday-school
|
|
choir; pleasant Saturday afternoons at the manse with Mrs. Allan;
|
|
and then, almost before Anne realized it, spring had come again
|
|
to Green Gables and all the world was abloom once more.
|
|
|
|
Studies palled just a wee bit then; the Queen's class, left
|
|
behind in school while the others scattered to green lanes and
|
|
leafy wood cuts and meadow byways, looked wistfully out of the
|
|
windows and discovered that Latin verbs and French exercises had
|
|
somehow lost the tang and zest they had possessed in the crisp
|
|
winter months. Even Anne and Gilbert lagged and grew indifferent.
|
|
Teacher and taught were alike glad when the term was ended and the
|
|
glad vacation days stretched rosily before them.
|
|
|
|
"But you've done good work this past year," Miss Stacy told them
|
|
on the last evening, "and you deserve a good, jolly vacation.
|
|
Have the best time you can in the out-of-door world and lay in a
|
|
good stock of health and vitality and ambition to carry you
|
|
through next year. It will be the tug of war, you know--the last
|
|
year before the Entrance."
|
|
|
|
"Are you going to be back next year, Miss Stacy?" asked Josie Pye.
|
|
|
|
Josie Pye never scrupled to ask questions; in this instance the
|
|
rest of the class felt grateful to her; none of them would have
|
|
dared to ask it of Miss Stacy, but all wanted to, for there had
|
|
been alarming rumors running at large through the school for some
|
|
time that Miss Stacy was not coming back the next year--that she
|
|
had been offered a position in the grade school of her own home
|
|
district and meant to accept. The Queen's class listened in
|
|
breathless suspense for her answer.
|
|
|
|
"Yes, I think I will," said Miss Stacy. "I thought of taking
|
|
another school, but I have decided to come back to Avonlea. To
|
|
tell the truth, I've grown so interested in my pupils here that I
|
|
found I couldn't leave them. So I'll stay and see you through."
|
|
|
|
"Hurrah!" said Moody Spurgeon. Moody Spurgeon had never been so
|
|
carried away by his feelings before, and he blushed uncomfortably
|
|
every time he thought about it for a week.
|
|
|
|
"Oh, I'm so glad," said Anne, with shining eyes. "Dear Stacy, it would
|
|
be perfectly dreadful if you didn't come back. I don't believe I could
|
|
have the heart to go on with my studies at all if another teacher came here."
|
|
|
|
When Anne got home that night she stacked all her textbooks away
|
|
in an old trunk in the attic, locked it, and threw the key into
|
|
the blanket box.
|
|
|
|
"I'm not even going to look at a schoolbook in vacation," she
|
|
told Marilla. "I've studied as hard all the term as I possibly
|
|
could and I've pored over that geometry until I know every
|
|
proposition in the first book off by heart, even when the letters
|
|
ARE changed. I just feel tired of everything sensible and I'm
|
|
going to let my imagination run riot for the summer. Oh, you
|
|
needn't be alarmed, Marilla. I'll only let it run riot within
|
|
reasonable limits. But I want to have a real good jolly time
|
|
this summer, for maybe it's the last summer I'll be a little
|
|
girl. Mrs. Lynde says that if I keep stretching out next year
|
|
as I've done this I'll have to put on longer skirts. She says
|
|
I'm all running to legs and eyes. And when I put on longer skirts
|
|
I shall feel that I have to live up to them and be very dignified.
|
|
It won't even do to believe in fairies then, I'm afraid; so I'm
|
|
going to believe in them with all my whole heart this summer.
|
|
I think we're going to have a very gay vacation. Ruby Gillis
|
|
is going to have a birthday party soon and there's the Sunday
|
|
school picnic and the missionary concert next month.
|
|
And Mrs. Barry says that some evening he'll take Diana and me
|
|
over to the White Sands Hotel and have dinner there. They have
|
|
dinner there in the evening, you know. Jane Andrews was over
|
|
once last summer and she says it was a dazzling sight to see the
|
|
electric lights and the flowers and all the lady guests in such
|
|
beautiful dresses. Jane says it was her first glimpse into high
|
|
life and she'll never forget it to her dying day."
|
|
|
|
Mrs. Lynde came up the next afternoon to find out why Marilla had
|
|
not been at the Aid meeting on Thursday. When Marilla was not at
|
|
Aid meeting people knew there was something wrong at Green Gables.
|
|
|
|
"Matthew had a bad spell with his heart Thursday," Marilla
|
|
explained, "and I didn't feel like leaving him. Oh, yes, he's
|
|
all right again now, but he takes them spells oftener than he
|
|
used to and I'm anxious about him. The doctor says he must be
|
|
careful to avoid excitement. That's easy enough, for Matthew
|
|
doesn't go about looking for excitement by any means and never did,
|
|
but he's not to do any very heavy work either and you might as well
|
|
tell Matthew not to breathe as not to work. Come and lay off your
|
|
things, Rachel. You'll stay to tea?"
|
|
|
|
"Well, seeing you're so pressing, perhaps I might as well, stay"
|
|
said Mrs. Rachel, who had not the slightest intention of doing
|
|
anything else.
|
|
|
|
Mrs. Rachel and Marilla sat comfortably in the parlor while Anne
|
|
got the tea and made hot biscuits that were light and white
|
|
enough to defy even Mrs. Rachel's criticism.
|
|
|
|
"I must say Anne has turned out a real smart girl," admitted
|
|
Mrs. Rachel, as Marilla accompanied her to the end of the lane
|
|
at sunset. "She must be a great help to you."
|
|
|
|
"She is," said Marilla, "and she's real steady and reliable now.
|
|
I used to be afraid she'd never get over her featherbrained ways,
|
|
but she has and I wouldn't be afraid to trust her in anything now."
|
|
|
|
"I never would have thought she'd have turned out so well that
|
|
first day I was here three years ago," said Mrs. Rachel.
|
|
"Lawful heart, shall I ever forget that tantrum of hers!
|
|
When I went home that night I says to Thomas, says I, `Mark my words,
|
|
Thomas, Marilla Cuthbert'll live to rue the step she's took.' But
|
|
I was mistaken and I'm real glad of it. I ain't one of those
|
|
kind of people, Marilla, as can never be brought to own up that
|
|
they've made a mistake. No, that never was my way, thank goodness.
|
|
I did make a mistake in judging Anne, but it weren't no wonder,
|
|
for an odder, unexpecteder witch of a child there never was in
|
|
this world, that's what. There was no ciphering her out by
|
|
the rules that worked with other children. It's nothing
|
|
short of wonderful how she's improved these three years, but
|
|
especially in looks. She's a real pretty girl got to be, though I
|
|
can't say I'm overly partial to that pale, big-eyed style myself.
|
|
I like more snap and color, like Diana Barry has or Ruby Gillis.
|
|
Ruby Gillis's looks are real showy. But somehow--I don't know
|
|
how it is but when Anne and them are together, though she ain't
|
|
half as handsome, she makes them look kind of common and overdone--
|
|
something like them white June lilies she calls narcissus alongside
|
|
of the big, red peonies, that's what."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXI
|
|
|
|
Where the Brook and River Meet
|
|
|
|
|
|
Anne had her "good" summer and enjoyed it wholeheartedly. She
|
|
and Diana fairly lived outdoors, reveling in all the delights
|
|
that Lover's Lane and the Dryad's Bubble and Willowmere and
|
|
Victoria Island afforded. Marilla offered no objections to
|
|
Anne's gypsyings. The Spencervale doctor who had come the night
|
|
Minnie May had the croup met Anne at the house of a patient one
|
|
afternoon early in vacation, looked her over sharply, screwed up
|
|
his mouth, shook his head, and sent a message to Marilla Cuthbert
|
|
by another person. It was:
|
|
|
|
"Keep that redheaded girl of yours in the open air all summer and
|
|
don't let her read books until she gets more spring into her step."
|
|
|
|
This message frightened Marilla wholesomely. She read Anne's death
|
|
warrant by consumption in it unless it was scrupulously obeyed.
|
|
As a result, Anne had the golden summer of her life as far as
|
|
freedom and frolic went. She walked, rowed, berried, and dreamed
|
|
to her heart's content; and when September came she was bright-eyed
|
|
and alert, with a step that would have satisfied the Spencervale
|
|
doctor and a heart full of ambition and zest once more.
|
|
|
|
"I feel just like studying with might and main," she declared as
|
|
she brought her books down from the attic. "Oh, you good old
|
|
friends, I'm glad to see your honest faces once more--yes, even
|
|
you, geometry. I've had a perfectly beautiful summer, Marilla,
|
|
and now I'm rejoicing as a strong man to run a race, as Mr. Allan
|
|
said last Sunday. Doesn't Mr. Allan preach magnificent sermons?
|
|
Mrs. Lynde says he is improving every day and the first thing we
|
|
know some city church will gobble him up and then we'll be left
|
|
and have to turn to and break in another green preacher. But I
|
|
don't see the use of meeting trouble halfway, do you, Marilla? I
|
|
think it would be better just to enjoy Mr. Allan while we have him.
|
|
If I were a man I think I'd be a minister. They can have such
|
|
an influence for good, if their theology is sound; and it
|
|
must be thrilling to preach splendid sermons and stir your
|
|
hearers' hearts. Why can't women be ministers, Marilla? I asked
|
|
Mrs. Lynde that and she was shocked and said it would be a
|
|
scandalous thing. She said there might be female ministers in
|
|
the States and she believed there was, but thank goodness we hadn't
|
|
got to that stage in Canada yet and she hoped we never would.
|
|
But I don't see why. I think women would make splendid ministers.
|
|
When there is a social to be got up or a church tea or anything
|
|
else to raise money the women have to turn to and do the work.
|
|
I'm sure Mrs. Lynde can pray every bit as well as Superintendent
|
|
Bell and I've no doubt she could preach too with a little practice."
|
|
|
|
"Yes, I believe she could," said Marilla dryly. "She does plenty
|
|
of unofficial preaching as it is. Nobody has much of a chance to
|
|
go wrong in Avonlea with Rachel to oversee them."
|
|
|
|
"Marilla," said Anne in a burst of confidence, "I want to tell
|
|
you something and ask you what you think about it. It has
|
|
worried me terribly--on Sunday afternoons, that is, when I think
|
|
specially about such matters. I do really want to be good; and
|
|
when I'm with you or Mrs. Allan or Miss Stacy I want it more
|
|
than ever and I want to do just what would please you and what
|
|
you would approve of. But mostly when I'm with Mrs. Lynde I
|
|
feel desperately wicked and as if I wanted to go and do the very
|
|
thing she tells me I oughtn't to do. I feel irresistibly tempted
|
|
to do it. Now, what do you think is the reason I feel like that?
|
|
Do you think it's because I'm really bad and unregenerate?"
|
|
|
|
Marilla looked dubious for a moment. Then she laughed.
|
|
|
|
"If you are I guess I am too, Anne, for Rachel often has that
|
|
very effect on me. I sometimes think she'd have more of an
|
|
influence for good, as you say yourself, if she didn't keep
|
|
nagging people to do right. There should have been a special
|
|
commandment against nagging. But there, I shouldn't talk so.
|
|
Rachel is a good Christian woman and she means well. There isn't
|
|
a kinder soul in Avonlea and she never shirks her share of work."
|
|
|
|
"I'm very glad you feel the same," said Anne decidedly. "It's so
|
|
encouraging. I shan't worry so much over that after this. But I
|
|
dare say there'll be other things to worry me. They keep coming
|
|
up new all the time--things to perplex you, you know. You settle
|
|
one question and there's another right after. There are so many
|
|
things to be thought over and decided when you're beginning to
|
|
grow up. It keeps me busy all the time thinking them over and
|
|
deciding what is right. It's a serious thing to grow up, isn't
|
|
it, Marilla? But when I have such good friends as you and
|
|
Matthew and Mrs. Allan and Miss Stacy I ought to grow up
|
|
successfully, and I'm sure it will be my own fault if I don't.
|
|
I feel it's a great responsibility because I have only the one
|
|
chance. If I don't grow up right I can't go back and begin over
|
|
again. I've grown two inches this summer, Marilla. Mr. Gillis
|
|
measured me at Ruby's party. I'm so glad you made my new dresses
|
|
longer. That dark-green one is so pretty and it was sweet of you
|
|
to put on the flounce. Of course I know it wasn't really
|
|
necessary, but flounces are so stylish this fall and Josie Pye
|
|
has flounces on all her dresses. I know I'll be able to study
|
|
better because of mine. I shall have such a comfortable feeling
|
|
deep down in my mind about that flounce."
|
|
|
|
"It's worth something to have that," admitted Marilla.
|
|
|
|
Miss Stacy came back to Avonlea school and found all her pupils
|
|
eager for work once more. Especially did the Queen's class gird
|
|
up their loins for the fray, for at the end of the coming year,
|
|
dimly shadowing their pathway already, loomed up that fateful
|
|
thing known as "the Entrance," at the thought of which one and
|
|
all felt their hearts sink into their very shoes. Suppose they
|
|
did not pass! That thought was doomed to haunt Anne through the
|
|
waking hours of that winter, Sunday afternoons inclusive, to the
|
|
almost entire exclusion of moral and theological problems. When
|
|
Anne had bad dreams she found herself staring miserably at pass
|
|
lists of the Entrance exams, where Gilbert Blythe's name was
|
|
blazoned at the top and in which hers did not appear at all.
|
|
|
|
But it was a jolly, busy, happy swift-flying winter. Schoolwork
|
|
was as interesting, class rivalry as absorbing, as of yore. New
|
|
worlds of thought, feeling, and ambition, fresh, fascinating
|
|
fields of unexplored knowledge seemed to be opening out before
|
|
Anne's eager eyes.
|
|
|
|
|
|
"Hills peeped o'er hill and Alps on Alps arose."
|
|
|
|
|
|
Much of all this was due to Miss Stacy's tactful, careful,
|
|
broadminded guidance. She led her class to think and explore and
|
|
discover for themselves and encouraged straying from the old
|
|
beaten paths to a degree that quite shocked Mrs. Lynde and the
|
|
school trustees, who viewed all innovations on established
|
|
methods rather dubiously.
|
|
|
|
Apart from her studies Anne expanded socially, for Marilla,
|
|
mindful of the Spencervale doctor's dictum, no longer vetoed
|
|
occasional outings. The Debating Club flourished and gave
|
|
several concerts; there were one or two parties almost verging on
|
|
grown-up affairs; there were sleigh drives and skating frolics galore.
|
|
|
|
Betweentimes Anne grew, shooting up so rapidly that Marilla was
|
|
astonished one day, when they were standing side by side, to find
|
|
the girl was taller than herself.
|
|
|
|
"Why, Anne, how you've grown!" she said, almost unbelievingly. A
|
|
sigh followed on the words. Marilla felt a queer regret over
|
|
Anne's inches. The child she had learned to love had vanished
|
|
somehow and here was this tall, serious-eyed girl of fifteen,
|
|
with the thoughtful brows and the proudly poised little head, in
|
|
her place. Marilla loved the girl as much as she had loved the
|
|
child, but she was conscious of a queer sorrowful sense of loss.
|
|
And that night, when Anne had gone to prayer meeting with Diana,
|
|
Marilla sat alone in the wintry twilight and indulged in the
|
|
weakness of a cry. Matthew, coming in with a lantern, caught her
|
|
at it and gazed at her in such consternation that Marilla had to
|
|
laugh through her tears.
|
|
|
|
"I was thinking about Anne," she explained. "She's got to be
|
|
such a big girl--and she'll probably be away from us next winter.
|
|
I'll miss her terrible."
|
|
|
|
"She'll be able to come home often," comforted Matthew, to whom
|
|
Anne was as yet and always would be the little, eager girl he had
|
|
brought home from Bright River on that June evening four years before.
|
|
"The branch railroad will be built to Carmody by that time."
|
|
|
|
"It won't be the same thing as having her here all the time,"
|
|
sighed Marilla gloomily, determined to enjoy her luxury of grief
|
|
uncomforted. "But there--men can't understand these things!"
|
|
|
|
There were other changes in Anne no less real than the physical change.
|
|
For one thing, she became much quieter. Perhaps she thought all the
|
|
more and dreamed as much as ever, but she certainly talked less.
|
|
Marilla noticed and commented on this also.
|
|
|
|
"You don't chatter half as much as you used to, Anne, nor use
|
|
half as many big words. What has come over you?"
|
|
|
|
Anne colored and laughed a little, as she dropped her book and looked
|
|
dreamily out of the window, where big fat red buds were bursting out
|
|
on the creeper in response to the lure of the spring sunshine.
|
|
|
|
"I don't know--I don't want to talk as much," she said, denting her
|
|
chin thoughtfully with her forefinger. "It's nicer to think dear,
|
|
pretty thoughts and keep them in one's heart, like treasures.
|
|
I don't like to have them laughed at or wondered over.
|
|
And somehow I don't want to use big words any more.
|
|
It's almost a pity, isn't it, now that I'm really growing
|
|
big enough to say them if I did want to. It's fun to be
|
|
almost grown up in some ways, but it's not the kind of fun
|
|
I expected, Marilla. There's so much to learn and do and think
|
|
that there isn't time for big words. Besides, Miss Stacy says
|
|
the short ones are much stronger and better. She makes us write
|
|
all our essays as simply as possible. It was hard at first.
|
|
I was so used to crowding in all the fine big words I could
|
|
think of--and I thought of any number of them. But I've got
|
|
used to it now and I see it's so much better."
|
|
|
|
"What has become of your story club? I haven't heard you speak
|
|
of it for a long time."
|
|
|
|
"The story club isn't in existence any longer. We hadn't time
|
|
for it--and anyhow I think we had got tired of it. It was silly
|
|
to be writing about love and murder and elopements and mysteries.
|
|
Miss Stacy sometimes has us write a story for training in
|
|
composition, but she won't let us write anything but what might
|
|
happen in Avonlea in our own lives, and she criticizes it very
|
|
sharply and makes us criticize our own too. I never thought my
|
|
compositions had so many faults until I began to look for them
|
|
myself. I felt so ashamed I wanted to give up altogether, but
|
|
Miss Stacy said I could learn to write well if I only trained
|
|
myself to be my own severest critic. And so I am trying to."
|
|
|
|
"You've only two more months before the Entrance," said Marilla.
|
|
"Do you think you'll be able to get through?"
|
|
|
|
Anne shivered.
|
|
|
|
"I don't know. Sometimes I think I'll be all right--and then I
|
|
get horribly afraid. We've studied hard and Miss Stacy has
|
|
drilled us thoroughly, but we mayn't get through for all that.
|
|
We've each got a stumbling block. Mine is geometry of course,
|
|
and Jane's is Latin, and Ruby and Charlie's is algebra, and
|
|
Josie's is arithmetic. Moody Spurgeon says he feels it in his
|
|
bones that he is going to fail in English history. Miss Stacy is
|
|
going to give us examinations in June just as hard as we'll have at
|
|
the Entrance and mark us just as strictly, so we'll have some idea.
|
|
I wish it was all over, Marilla. It haunts me. Sometimes I wake up
|
|
in the night and wonder what I'll do if I don't pass."
|
|
|
|
"Why, go to school next year and try again," said Marilla unconcernedly.
|
|
|
|
"Oh, I don't believe I'd have the heart for it. It would be such
|
|
a disgrace to fail, especially if Gil--if the others passed. And
|
|
I get so nervous in an examination that I'm likely to make a mess
|
|
of it. I wish I had nerves like Jane Andrews. Nothing rattles her."
|
|
|
|
Anne sighed and, dragging her eyes from the witcheries of the
|
|
spring world, the beckoning day of breeze and blue, and the green
|
|
things upspringing in the garden, buried herself resolutely in
|
|
her book. There would be other springs, but if she did not
|
|
succeed in passing the Entrance, Anne felt convinced that she
|
|
would never recover sufficiently to enjoy them.
|
|
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXII
|
|
|
|
The Pass List Is Out
|
|
|
|
|
|
With the end of June came the close of the term and the close of
|
|
Miss Stacy's rule in Avonlea school. Anne and Diana walked home that
|
|
evening feeling very sober indeed. Red eyes and damp handkerchiefs
|
|
bore convincing testimony to the fact that Miss Stacy's farewell words
|
|
must have been quite as touching as Mr. Phillips's had been under
|
|
similar circumstances three years before. Diana looked back at the
|
|
schoolhouse from the foot of the spruce hill and sighed deeply.
|
|
|
|
"It does seem as if it was the end of everything, doesn't it?"
|
|
she said dismally.
|
|
|
|
"You oughtn't to feel half as badly as I do," said Anne, hunting
|
|
vainly for a dry spot on her handkerchief. "You'll be back again
|
|
next winter, but I suppose I've left the dear old school forever--
|
|
if I have good luck, that is."
|
|
|
|
"It won't be a bit the same. Miss Stacy won't be there, nor you
|
|
nor Jane nor Ruby probably. I shall have to sit all alone, for I
|
|
couldn't bear to have another deskmate after you. Oh, we have had
|
|
jolly times, haven't we, Anne? It's dreadful to think they're all over."
|
|
|
|
Two big tears rolled down by Diana's nose.
|
|
|
|
"If you would stop crying I could," said Anne imploringly. "Just
|
|
as soon as I put away my hanky I see you brimming up and that
|
|
starts me off again. As Mrs. Lynde says, `If you can't be cheerful,
|
|
be as cheerful as you can.' After all, I dare say I'll be back
|
|
next year. This is one of the times I KNOW I'm not going to pass.
|
|
They're getting alarmingly frequent."
|
|
|
|
"Why, you came out splendidly in the exams Miss Stacy gave."
|
|
|
|
"Yes, but those exams didn't make me nervous. When I think of
|
|
the real thing you can't imagine what a horrid cold fluttery
|
|
feeling comes round my heart. And then my number is thirteen and
|
|
Josie Pye says it's so unlucky. I am NOT superstitious and I know
|
|
it can make no difference. But still I wish it wasn't thirteen."
|
|
|
|
"I do wish I was going in with you," said Diana. "Wouldn't we
|
|
have a perfectly elegant time? But I suppose you'll have to cram
|
|
in the evenings."
|
|
|
|
"No; Miss Stacy has made us promise not to open a book at all.
|
|
She says it would only tire and confuse us and we are to go out
|
|
walking and not think about the exams at all and go to bed early.
|
|
It's good advice, but I expect it will be hard to follow; good
|
|
advice is apt to be, I think. Prissy Andrews told me that she
|
|
sat up half the night every night of her Entrance week and
|
|
crammed for dear life; and I had determined to sit up AT LEAST as
|
|
long as she did. It was so kind of your Aunt Josephine to ask me
|
|
to stay at Beechwood while I'm in town."
|
|
|
|
"You'll write to me while you're in, won't you?"
|
|
|
|
"I'll write Tuesday night and tell you how the first day goes,"
|
|
promised Anne.
|
|
|
|
"I'll be haunting the post office Wednesday," vowed Diana.
|
|
|
|
Anne went to town the following Monday and on Wednesday Diana
|
|
haunted the post office, as agreed, and got her letter.
|
|
|
|
|
|
"Dearest Diana" [wrote Anne],
|
|
|
|
"Here it is Tuesday night and I'm writing this in the library at
|
|
Beechwood. Last night I was horribly lonesome all alone in my
|
|
room and wished so much you were with me. I couldn't "cram"
|
|
because I'd promised Miss Stacy not to, but it was as hard to
|
|
keep from opening my history as it used to be to keep from
|
|
reading a story before my lessons were learned.
|
|
|
|
"This morning Miss Stacy came for me and we went to the Academy,
|
|
calling for Jane and Ruby and Josie on our way. Ruby asked me to
|
|
feel her hands and they were as cold as ice. Josie said I looked
|
|
as if I hadn't slept a wink and she didn't believe I was strong
|
|
enough to stand the grind of the teacher's course even if I did get
|
|
through. There are times and seasons even yet when I don't feel
|
|
that I've made any great headway in learning to like Josie Pye!
|
|
|
|
"When we reached the Academy there were scores of students there
|
|
from all over the Island. The first person we saw was Moody
|
|
Spurgeon sitting on the steps and muttering away to himself.
|
|
Jane asked him what on earth he was doing and he said he was
|
|
repeating the multiplication table over and over to steady his
|
|
nerves and for pity's sake not to interrupt him, because if he
|
|
stopped for a moment he got frightened and forgot everything he
|
|
ever knew, but the multiplication table kept all his facts firmly
|
|
in their proper place!
|
|
|
|
"When we were assigned to our rooms Miss Stacy had to leave us.
|
|
Jane and I sat together and Jane was so composed that I envied her.
|
|
No need of the multiplication table for good, steady,
|
|
sensible Jane! I wondered if I looked as I felt and
|
|
if they could hear my heart thumping clear across the room.
|
|
Then a man came in and began distributing the English
|
|
examination sheets. My hands grew cold then and my head
|
|
fairly whirled around as I picked it up. Just one awful
|
|
moment--Diana, I felt exactly as I did four years ago when
|
|
I asked Marilla if I might stay at Green Gables--and then
|
|
everything cleared up in my mind and my heart began beating
|
|
again--I forgot to say that it had stopped altogether!--for
|
|
I knew I could do something with THAT paper anyhow.
|
|
|
|
"At noon we went home for dinner and then back again for history
|
|
in the afternoon. The history was a pretty hard paper and I got
|
|
dreadfully mixed up in the dates. Still, I think I did fairly
|
|
well today. But oh, Diana, tomorrow the geometry exam comes off
|
|
and when I think of it it takes every bit of determination I
|
|
possess to keep from opening my Euclid. If I thought the
|
|
multiplication table would help me any I would recite it
|
|
from now till tomorrow morning.
|
|
|
|
"I went down to see the other girls this evening. On my way I met
|
|
Moody Spurgeon wandering distractedly around. He said he knew he
|
|
had failed in history and he was born to be a disappointment to
|
|
his parents and he was going home on the morning train; and it
|
|
would be easier to be a carpenter than a minister, anyhow. I
|
|
cheered him up and persuaded him to stay to the end because it
|
|
would be unfair to Miss Stacy if he didn't. Sometimes I have
|
|
wished I was born a boy, but when I see Moody Spurgeon I'm always
|
|
glad I'm a girl and not his sister.
|
|
|
|
"Ruby was in hysterics when I reached their boardinghouse; she had
|
|
just discovered a fearful mistake she had made in her English
|
|
paper. When she recovered we went uptown and had an ice cream.
|
|
How we wished you had been with us.
|
|
|
|
"Oh, Diana, if only the geometry examination were over!
|
|
But there, as Mrs. Lynde would say, the sun will go on
|
|
rising and setting whether I fail in geometry or not.
|
|
That is true but not especially comforting. I think I'd
|
|
rather it didn't go on if I failed!
|
|
|
|
Yours devotedly,
|
|
Anne"
|
|
|
|
|
|
The geometry examination and all the others were over in due time
|
|
and Anne arrived home on Friday evening, rather tired but with an
|
|
air of chastened triumph about her. Diana was over at Green Gables
|
|
when she arrived and they met as if they had been parted for years.
|
|
|
|
"You old darling, it's perfectly splendid to see you back again.
|
|
It seems like an age since you went to town and oh, Anne, how did
|
|
you get along?"
|
|
|
|
"Pretty well, I think, in everything but the geometry. I don't
|
|
know whether I passed in it or not and I have a creepy, crawly
|
|
presentiment that I didn't. Oh, how good it is to be back! Green
|
|
Gables is the dearest, loveliest spot in the world."
|
|
|
|
"How did the others do?"
|
|
|
|
"The girls say they know they didn't pass, but I think they did
|
|
pretty well. Josie says the geometry was so easy a child of ten
|
|
could do it! Moody Spurgeon still thinks he failed in history
|
|
and Charlie says he failed in algebra. But we don't really know
|
|
anything about it and won't until the pass list is out. That won't
|
|
be for a fortnight. Fancy living a fortnight in such suspense!
|
|
I wish I could go to sleep and never wake up until it is over."
|
|
|
|
Diana knew it would be useless to ask how Gilbert Blythe had fared,
|
|
so she merely said:
|
|
|
|
"Oh, you'll pass all right. Don't worry."
|
|
|
|
"I'd rather not pass at all than not come out pretty well up on
|
|
the list," flashed Anne, by which she meant--and Diana knew she
|
|
meant--that success would be incomplete and bitter if she did not
|
|
come out ahead of Gilbert Blythe.
|
|
|
|
With this end in view Anne had strained every nerve during the
|
|
examinations. So had Gilbert. They had met and passed each
|
|
other on the street a dozen times without any sign of recognition
|
|
and every time Anne had held her head a little higher and wished
|
|
a little more earnestly that she had made friends with Gilbert
|
|
when he asked her, and vowed a little more determinedly to
|
|
surpass him in the examination. She knew that all Avonlea junior
|
|
was wondering which would come out first; she even knew that
|
|
Jimmy Glover and Ned Wright had a bet on the question and that
|
|
Josie Pye had said there was no doubt in the world that Gilbert
|
|
would be first; and she felt that her humiliation would be
|
|
unbearable if she failed.
|
|
|
|
But she had another and nobler motive for wishing to do well.
|
|
She wanted to "pass high" for the sake of Matthew and Marilla--
|
|
especially Matthew. Matthew had declared to her his conviction
|
|
that she "would beat the whole Island." That, Anne felt,
|
|
was something it would be foolish to hope for even in the
|
|
wildest dreams. But she did hope fervently that she would be
|
|
among the first ten at least, so that she might see Matthew's
|
|
kindly brown eyes gleam with pride in her achievement. That, she
|
|
felt, would be a sweet reward indeed for all her hard work and
|
|
patient grubbing among unimaginative equations and conjugations.
|
|
|
|
At the end of the fortnight Anne took to "haunting" the post
|
|
office also, in the distracted company of Jane, Ruby, and Josie,
|
|
opening the Charlottetown dailies with shaking hands and cold,
|
|
sinkaway feelings as bad as any experienced during the Entrance
|
|
week. Charlie and Gilbert were not above doing this too, but
|
|
Moody Spurgeon stayed resolutely away.
|
|
|
|
"I haven't got the grit to go there and look at a paper in cold
|
|
blood," he told Anne. "I'm just going to wait until somebody
|
|
comes and tells me suddenly whether I've passed or not."
|
|
|
|
When three weeks had gone by without the pass list appearing Anne
|
|
began to feel that she really couldn't stand the strain much longer.
|
|
Her appetite failed and her interest in Avonlea doings languished.
|
|
Mrs. Lynde wanted to know what else you could expect with a Tory
|
|
superintendent of education at the head of affairs, and Matthew,
|
|
noting Anne's paleness and indifference and the lagging steps that
|
|
bore her home from the post office every afternoon, began seriously
|
|
to wonder if he hadn't better vote Grit at the next election.
|
|
|
|
But one evening the news came. Anne was sitting at her open window,
|
|
for the time forgetful of the woes of examinations and the cares
|
|
of the world, as she drank in the beauty of the summer dusk,
|
|
sweet-scented with flower breaths from the garden below and sibilant
|
|
and rustling from the stir of poplars. The eastern sky above the
|
|
firs was flushed faintly pink from the reflection of the west,
|
|
and Anne was wondering dreamily if the spirit of color looked
|
|
like that, when she saw Diana come flying down through the firs,
|
|
over the log bridge, and up the slope, with a fluttering newspaper
|
|
in her hand.
|
|
|
|
Anne sprang to her feet, knowing at once what that paper
|
|
contained. The pass list was out! Her head whirled and her heart
|
|
beat until it hurt her. She could not move a step. It seemed an
|
|
hour to her before Diana came rushing along the hall and burst
|
|
into the room without even knocking, so great was her excitement.
|
|
|
|
"Anne, you've passed," she cried, "passed the VERY FIRST--you and
|
|
Gilbert both--you're ties--but your name is first. Oh, I'm so proud!"
|
|
|
|
Diana flung the paper on the table and herself on Anne's bed,
|
|
utterly breathless and incapable of further speech. Anne lighted
|
|
the lamp, oversetting the match safe and using up half a dozen
|
|
matches before her shaking hands could accomplish the task.
|
|
Then she snatched up the paper. Yes, she had passed--there was
|
|
her name at the very top of a list of two hundred! That moment
|
|
was worth living for.
|
|
|
|
"You did just splendidly, Anne," puffed Diana, recovering
|
|
sufficiently to sit up and speak, for Anne, starry eyed and rapt,
|
|
had not uttered a word. "Father brought the paper home from
|
|
Bright River not ten minutes ago--it came out on the afternoon
|
|
train, you know, and won't be here till tomorrow by mail--and
|
|
when I saw the pass list I just rushed over like a wild thing.
|
|
You've all passed, every one of you, Moody Spurgeon and all,
|
|
although he's conditioned in history. Jane and Ruby did pretty
|
|
well--they're halfway up--and so did Charlie. Josie just scraped
|
|
through with three marks to spare, but you'll see she'll put on
|
|
as many airs as if she'd led. Won't Miss Stacy be delighted?
|
|
Oh, Anne, what does it feel like to see your name at the head of
|
|
a pass list like that? If it were me I know I'd go crazy with joy.
|
|
I am pretty near crazy as it is, but you're as calm and cool as a
|
|
spring evening."
|
|
|
|
"I'm just dazzled inside," said Anne. "I want to say a hundred
|
|
things, and I can't find words to say them in. I never dreamed
|
|
of this--yes, I did too, just once! I let myself think ONCE,
|
|
`What if I should come out first?' quakingly, you know, for it
|
|
seemed so vain and presumptuous to think I could lead the Island.
|
|
Excuse me a minute, Diana. I must run right out to the field to
|
|
tell Matthew. Then we'll go up the road and tell the good news
|
|
to the others."
|
|
|
|
They hurried to the hayfield below the barn where Matthew was
|
|
coiling hay, and, as luck would have it, Mrs. Lynde was talking
|
|
to Marilla at the lane fence.
|
|
|
|
"Oh, Matthew," exclaimed Anne, "I've passed and I'm first--or one
|
|
of the first! I'm not vain, but I'm thankful."
|
|
|
|
"Well now, I always said it," said Matthew, gazing at the pass
|
|
list delightedly. "I knew you could beat them all easy."
|
|
|
|
"You've done pretty well, I must say, Anne," said Marilla,
|
|
trying to hide her extreme pride in Anne from Mrs. Rachel's
|
|
critical eye. But that good soul said heartily:
|
|
|
|
"I just guess she has done well, and far be it from me to be
|
|
backward in saying it. You're a credit to your friends, Anne,
|
|
that's what, and we're all proud of you."
|
|
|
|
That night Anne, who had wound up the delightful evening with a
|
|
serious little talk with Mrs. Allan at the manse, knelt sweetly
|
|
by her open window in a great sheen of moonshine and murmured a
|
|
prayer of gratitude and aspiration that came straight from her
|
|
heart. There was in it thankfulness for the past and reverent
|
|
petition for the future; and when she slept on her white pillow
|
|
her dreams were as fair and bright and beautiful as maidenhood
|
|
might desire.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXIII
|
|
|
|
The Hotel Concert
|
|
|
|
|
|
Put on your white organdy, by all means, Anne," advised Diana decidedly.
|
|
|
|
They were together in the east gable chamber; outside it was
|
|
only twilight--a lovely yellowish-green twilight with a clear-blue
|
|
cloudless sky. A big round moon, slowly deepening from her
|
|
pallid luster into burnished silver, hung over the Haunted Wood;
|
|
the air was full of sweet summer sounds--sleepy birds twittering,
|
|
freakish breezes, faraway voices and laughter. But in Anne's room
|
|
the blind was drawn and the lamp lighted, for an important toilet
|
|
was being made.
|
|
|
|
The east gable was a very different place from what it had been
|
|
on that night four years before, when Anne had felt its bareness
|
|
penetrate to the marrow of her spirit with its inhospitable chill.
|
|
Changes had crept in, Marilla conniving at them resignedly, until
|
|
it was as sweet and dainty a nest as a young girl could desire.
|
|
|
|
The velvet carpet with the pink roses and the pink silk curtains
|
|
of Anne's early visions had certainly never materialized; but her
|
|
dreams had kept pace with her growth, and it is not probable she
|
|
lamented them. The floor was covered with a pretty matting, and
|
|
the curtains that softened the high window and fluttered in the
|
|
vagrant breezes were of pale-green art muslin. The walls, hung
|
|
not with gold and silver brocade tapestry, but with a dainty
|
|
apple-blossom paper, were adorned with a few good pictures given
|
|
Anne by Mrs. Allan. Miss Stacy's photograph occupied the place
|
|
of honor, and Anne made a sentimental point of keeping fresh
|
|
flowers on the bracket under it. Tonight a spike of white lilies
|
|
faintly perfumed the room like the dream of a fragrance. There
|
|
was no "mahogany furniture," but there was a white-painted
|
|
bookcase filled with books, a cushioned wicker rocker, a toilet
|
|
table befrilled with white muslin, a quaint, gilt-framed mirror
|
|
with chubby pink Cupids and purple grapes painted over its arched
|
|
top, that used to hang in the spare room, and a low white bed.
|
|
|
|
Anne was dressing for a concert at the White Sands Hotel.
|
|
The guests had got it up in aid of the Charlottetown hospital,
|
|
and had hunted out all the available amateur talent in the
|
|
surrounding districts to help it along. Bertha Sampson and
|
|
Pearl Clay of the White Sands Baptist choir had been asked to
|
|
sing a duet; Milton Clark of Newbridge was to give a violin solo;
|
|
Winnie Adella Blair of Carmody was to sing a Scotch ballad; and Laura
|
|
Spencer of Spencervale and Anne Shirley of Avonlea were to recite.
|
|
|
|
As Anne would have said at one time, it was "an epoch in her life,"
|
|
and she was deliciously athrill with the excitement of it.
|
|
Matthew was in the seventh heaven of gratified pride over the
|
|
honor conferred on his Anne and Marilla was not far behind,
|
|
although she would have died rather than admit it, and said she
|
|
didn't think it was very proper for a lot of young folks to be
|
|
gadding over to the hotel without any responsible person with them.
|
|
|
|
Anne and Diana were to drive over with Jane Andrews and her
|
|
brother Billy in their double-seated buggy; and several other
|
|
Avonlea girls and boys were going too. There was a party of
|
|
visitors expected out from town, and after the concert a supper
|
|
was to be given to the performers.
|
|
|
|
"Do you really think the organdy will be best?" queried Anne anxiously.
|
|
"I don't think it's as pretty as my blue-flowered muslin--and it certainly
|
|
isn't so fashionable."
|
|
|
|
"But it suits you ever so much better," said Diana. "It's so soft
|
|
and frilly and clinging. The muslin is stiff, and makes you look too
|
|
dressed up. But the organdy seems as if it grew on you."
|
|
|
|
Anne sighed and yielded. Diana was beginning to have a
|
|
reputation for notable taste in dressing, and her advice on such
|
|
subjects was much sought after. She was looking very pretty
|
|
herself on this particular night in a dress of the lovely
|
|
wild-rose pink, from which Anne was forever debarred; but she was
|
|
not to take any part in the concert, so her appearance was of
|
|
minor importance. All her pains were bestowed upon Anne, who,
|
|
she vowed, must, for the credit of Avonlea, be dressed and combed
|
|
and adorned to the Queen's taste.
|
|
|
|
"Pull out that frill a little more--so; here, let me tie your
|
|
sash; now for your slippers. I'm going to braid your hair in two
|
|
thick braids, and tie them halfway up with big white bows--no,
|
|
don't pull out a single curl over your forehead--just have the
|
|
soft part. There is no way you do your hair suits you so well,
|
|
Anne, and Mrs. Allan says you look like a Madonna when you part
|
|
it so. I shall fasten this little white house rose just behind
|
|
your ear. There was just one on my bush, and I saved it for you."
|
|
|
|
"Shall I put my pearl beads on?" asked Anne. "Matthew brought me a
|
|
string from town last week, and I know he'd like to see them on me."
|
|
|
|
Diana pursed up her lips, put her black head on one side
|
|
critically, and finally pronounced in favor of the beads, which
|
|
were thereupon tied around Anne's slim milk-white throat.
|
|
|
|
"There's something so stylish about you, Anne," said Diana,
|
|
with unenvious admiration. "You hold your head with such an air.
|
|
I suppose it's your figure. I am just a dumpling. I've always
|
|
been afraid of it, and now I know it is so. Well, I suppose I
|
|
shall just have to resign myself to it."
|
|
|
|
"But you have such dimples," said Anne, smiling affectionately
|
|
into the pretty, vivacious face so near her own. "Lovely dimples,
|
|
like little dents in cream. I have given up all hope of dimples.
|
|
My dimple-dream will never come true; but so many of my dreams
|
|
have that I mustn't complain. Am I all ready now?"
|
|
|
|
"All ready," assured Diana, as Marilla appeared in the doorway,
|
|
a gaunt figure with grayer hair than of yore and no fewer angles,
|
|
but with a much softer face. "Come right in and look at our
|
|
elocutionist, Marilla. Doesn't she look lovely?"
|
|
|
|
Marilla emitted a sound between a sniff and a grunt.
|
|
|
|
"She looks neat and proper. I like that way of fixing her hair.
|
|
But I expect she'll ruin that dress driving over there in the dust
|
|
and dew with it, and it looks most too thin for these damp nights.
|
|
Organdy's the most unserviceable stuff in the world anyhow, and I
|
|
told Matthew so when he got it. But there is no use in saying
|
|
anything to Matthew nowadays. Time was when he would take my advice,
|
|
but now he just buys things for Anne regardless, and the clerks at
|
|
Carmody know they can palm anything off on him. Just let them tell
|
|
him a thing is pretty and fashionable, and Matthew plunks his money
|
|
down for it. Mind you keep your skirt clear of the wheel, Anne, and
|
|
put your warm jacket on."
|
|
|
|
Then Marilla stalked downstairs, thinking proudly how sweet Anne
|
|
looked, with that
|
|
|
|
|
|
"One moonbeam from the forehead to the crown"
|
|
|
|
|
|
and regretting that she could not go to the concert herself to
|
|
hear her girl recite.
|
|
|
|
"I wonder if it IS too damp for my dress," said Anne anxiously.
|
|
|
|
"Not a bit of it," said Diana, pulling up the window blind.
|
|
"It's a perfect night, and there won't be any dew. Look at
|
|
the moonlight."
|
|
|
|
"I'm so glad my window looks east into the sunrising," said Anne,
|
|
going over to Diana. "It's so splendid to see the morning coming
|
|
up over those long hills and glowing through those sharp fir tops.
|
|
It's new every morning, and I feel as if I washed my very soul in
|
|
that bath of earliest sunshine. Oh, Diana, I love this little
|
|
room so dearly. I don't know how I'll get along without it when
|
|
I go to town next month."
|
|
|
|
"Don't speak of your going away tonight," begged Diana. "I don't
|
|
want to think of it, it makes me so miserable, and I do want to
|
|
have a good time this evening. What are you going to recite, Anne?
|
|
And are you nervous?"
|
|
|
|
"Not a bit. I've recited so often in public I don't mind at all
|
|
now. I've decided to give `The Maiden's Vow.' It's so pathetic.
|
|
Laura Spencer is going to give a comic recitation, but I'd rather
|
|
make people cry than laugh."
|
|
|
|
"What will you recite if they encore you?"
|
|
|
|
"They won't dream of encoring me," scoffed Anne, who was not
|
|
without her own secret hopes that they would, and already
|
|
visioned herself telling Matthew all about it at the next
|
|
morning's breakfast table. "There are Billy and Jane now--
|
|
I hear the wheels. Come on."
|
|
|
|
Billy Andrews insisted that Anne should ride on the front seat
|
|
with him, so she unwillingly climbed up. She would have much
|
|
preferred to sit back with the girls, where she could have
|
|
laughed and chattered to her heart's content. There was not much
|
|
of either laughter or chatter in Billy. He was a big, fat,
|
|
stolid youth of twenty, with a round, expressionless face, and a
|
|
painful lack of conversational gifts. But he admired Anne
|
|
immensely, and was puffed up with pride over the prospect of
|
|
driving to White Sands with that slim, upright figure beside him.
|
|
|
|
Anne, by dint of talking over her shoulder to the girls and
|
|
occasionally passing a sop of civility to Billy--who grinned and
|
|
chuckled and never could think of any reply until it was too
|
|
late--contrived to enjoy the drive in spite of all. It was a
|
|
night for enjoyment. The road was full of buggies, all bound for
|
|
the hotel, and laughter, silver clear, echoed and reechoed along it.
|
|
When they reached the hotel it was a blaze of light from top
|
|
to bottom. They were met by the ladies of the concert committee,
|
|
one of whom took Anne off to the performers' dressing room which
|
|
was filled with the members of a Charlottetown Symphony Club,
|
|
among whom Anne felt suddenly shy and frightened and countrified.
|
|
Her dress, which, in the east gable, had seemed so dainty and
|
|
pretty, now seemed simple and plain--too simple and plain, she
|
|
thought, among all the silks and laces that glistened and rustled
|
|
around her. What were her pearl beads compared to the diamonds
|
|
of the big, handsome lady near her? And how poor her one wee white
|
|
rose must look beside all the hothouse flowers the others wore!
|
|
Anne laid her hat and jacket away, and shrank miserably into a corner.
|
|
She wished herself back in the white room at Green Gables.
|
|
|
|
It was still worse on the platform of the big concert hall of the
|
|
hotel, where she presently found herself. The electric lights
|
|
dazzled her eyes, the perfume and hum bewildered her. She wished
|
|
she were sitting down in the audience with Diana and Jane, who
|
|
seemed to be having a splendid time away at the back. She was
|
|
wedged in between a stout lady in pink silk and a tall,
|
|
scornful-looking girl in a white-lace dress. The stout lady
|
|
occasionally turned her head squarely around and surveyed Anne
|
|
through her eyeglasses until Anne, acutely sensitive of being so
|
|
scrutinized, felt that she must scream aloud; and the white-lace
|
|
girl kept talking audibly to her next neighbor about the "country
|
|
bumpkins" and "rustic belles" in the audience, languidly anticipating
|
|
"such fun" from the displays of local talent on the program.
|
|
Anne believed that she would hate that white-lace girl to the end of life.
|
|
|
|
Unfortunately for Anne, a professional elocutionist was staying
|
|
at the hotel and had consented to recite. She was a lithe,
|
|
dark-eyed woman in a wonderful gown of shimmering gray stuff
|
|
like woven moonbeams, with gems on her neck and in her dark hair.
|
|
She had a marvelously flexible voice and wonderful power of
|
|
expression; the audience went wild over her selection. Anne,
|
|
forgetting all about herself and her troubles for the time,
|
|
listened with rapt and shining eyes; but when the recitation
|
|
ended she suddenly put her hands over her face. She could never
|
|
get up and recite after that--never. Had she ever thought she
|
|
could recite? Oh, if she were only back at Green Gables!
|
|
|
|
At this unpropitious moment her name was called. Somehow
|
|
Anne--who did not notice the rather guilty little start of
|
|
surprise the white-lace girl gave, and would not have understood
|
|
the subtle compliment implied therein if she had--got on her
|
|
feet, and moved dizzily out to the front. She was so pale that
|
|
Diana and Jane, down in the audience, clasped each other's hands
|
|
in nervous sympathy.
|
|
|
|
Anne was the victim of an overwhelming attack of stage fright.
|
|
Often as she had recited in public, she had never before faced
|
|
such an audience as this, and the sight of it paralyzed her
|
|
energies completely. Everything was so strange, so brilliant,
|
|
so bewildering--the rows of ladies in evening dress, the critical
|
|
faces, the whole atmosphere of wealth and culture about her.
|
|
Very different this from the plain benches at the Debating Club,
|
|
filled with the homely, sympathetic faces of friends and neighbors.
|
|
These people, she thought, would be merciless critics. Perhaps,
|
|
like the white-lace girl, they anticipated amusement from her "rustic"
|
|
efforts. She felt hopelessly, helplessly ashamed and miserable.
|
|
Her knees trembled, her heart fluttered, a horrible faintness
|
|
came over her; not a word could she utter, and the next moment
|
|
she would have fled from the platform despite the humiliation which,
|
|
she felt, must ever after be her portion if she did so.
|
|
|
|
But suddenly, as her dilated, frightened eyes gazed out over the
|
|
audience, she saw Gilbert Blythe away at the back of the room,
|
|
bending forward with a smile on his face--a smile which seemed to
|
|
Anne at once triumphant and taunting. In reality it was nothing
|
|
of the kind. Gilbert was merely smiling with appreciation of the
|
|
whole affair in general and of the effect produced by Anne's
|
|
slender white form and spiritual face against a background of
|
|
palms in particular. Josie Pye, whom he had driven over, sat
|
|
beside him, and her face certainly was both triumphant and
|
|
taunting. But Anne did not see Josie, and would not have cared
|
|
if she had. She drew a long breath and flung her head up
|
|
proudly, courage and determination tingling over her like an
|
|
electric shock. She WOULD NOT fail before Gilbert Blythe--he
|
|
should never be able to laugh at her, never, never! Her fright
|
|
and nervousness vanished; and she began her recitation, her clear,
|
|
sweet voice reaching to the farthest corner of the room without a
|
|
tremor or a break. Self-possession was fully restored to her,
|
|
and in the reaction from that horrible moment of powerlessness
|
|
she recited as she had never done before. When she finished
|
|
there were bursts of honest applause. Anne, stepping back to
|
|
her seat, blushing with shyness and delight, found her hand
|
|
vigorously clasped and shaken by the stout lady in pink silk.
|
|
|
|
"My dear, you did splendidly," she puffed. "I've been crying
|
|
like a baby, actually I have. There, they're encoring you--
|
|
they're bound to have you back!"
|
|
|
|
"Oh, I can't go," said Anne confusedly. "But yet--I must, or
|
|
Matthew will be disappointed. He said they would encore me."
|
|
|
|
"Then don't disappoint Matthew," said the pink lady, laughing.
|
|
|
|
Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint,
|
|
funny little selection that captivated her audience still further.
|
|
The rest of the evening was quite a little triumph for her.
|
|
|
|
When the concert was over, the stout, pink lady--who was the wife
|
|
of an American millionaire--took her under her wing, and
|
|
introduced her to everybody; and everybody was very nice to her.
|
|
The professional elocutionist, Mrs. Evans, came and chatted with
|
|
her, telling her that she had a charming voice and "interpreted"
|
|
her selections beautifully. Even the white-lace girl paid her a
|
|
languid little compliment. They had supper in the big,
|
|
beautifully decorated dining room; Diana and Jane were invited to
|
|
partake of this, also, since they had come with Anne, but Billy
|
|
was nowhere to be found, having decamped in mortal fear of some
|
|
such invitation. He was in waiting for them, with the team,
|
|
however, when it was all over, and the three girls came merrily
|
|
out into the calm, white moonshine radiance. Anne breathed deeply,
|
|
and looked into the clear sky beyond the dark boughs of the firs.
|
|
|
|
Oh, it was good to be out again in the purity and silence of the night!
|
|
How great and still and wonderful everything was, with the murmur of
|
|
the sea sounding through it and the darkling cliffs beyond like grim
|
|
giants guarding enchanted coasts.
|
|
|
|
"Hasn't it been a perfectly splendid time?" sighed Jane, as they
|
|
drove away. "I just wish I was a rich American and could spend
|
|
my summer at a hotel and wear jewels and low-necked dresses and
|
|
have ice cream and chicken salad every blessed day. I'm sure it
|
|
would be ever so much more fun than teaching school. Anne, your
|
|
recitation was simply great, although I thought at first you were
|
|
never going to begin. I think it was better than Mrs. Evans's."
|
|
|
|
"Oh, no, don't say things like that, Jane," said Anne quickly,
|
|
"because it sounds silly. It couldn't be better than Mrs. Evans's,
|
|
you know, for she is a professional, and I'm only a schoolgirl,
|
|
with a little knack of reciting. I'm quite satisfied if the
|
|
people just liked mine pretty well."
|
|
|
|
"I've a compliment for you, Anne," said Diana. "At least I think
|
|
it must be a compliment because of the tone he said it in. Part
|
|
of it was anyhow. There was an American sitting behind Jane and
|
|
me--such a romantic-looking man, with coal-black hair and eyes.
|
|
Josie Pye says he is a distinguished artist, and that her mother's
|
|
cousin in Boston is married to a man that used to go to school
|
|
with him. Well, we heard him say--didn't we, Jane?--`Who is that
|
|
girl on the platform with the splendid Titian hair? She has a
|
|
face I should like to paint.' There now, Anne. But what does
|
|
Titian hair mean?"
|
|
|
|
"Being interpreted it means plain red, I guess," laughed Anne.
|
|
"Titian was a very famous artist who liked to paint red-haired women."
|
|
|
|
"DID you see all the diamonds those ladies wore?" sighed Jane.
|
|
"They were simply dazzling. Wouldn't you just love to be rich, girls?"
|
|
|
|
"We ARE rich," said Anne staunchly. "Why, we have sixteen years to
|
|
our credit, and we're happy as queens, and we've all got imaginations,
|
|
more or less. Look at that sea, girls--all silver and shadow and
|
|
vision of things not seen. We couldn't enjoy its loveliness
|
|
any more if we had millions of dollars and ropes of diamonds.
|
|
You wouldn't change into any of those women if you could.
|
|
Would you want to be that white-lace girl and wear a sour
|
|
look all your life, as if you'd been born turning up your nose at
|
|
the world? Or the pink lady, kind and nice as she is, so stout
|
|
and short that you'd really no figure at all? Or even Mrs. Evans,
|
|
with that sad, sad look in her eyes? She must have been dreadfully
|
|
unhappy sometime to have such a look. You KNOW you wouldn't,
|
|
Jane Andrews!"
|
|
|
|
"I DON'T know--exactly," said Jane unconvinced. "I think
|
|
diamonds would comfort a person for a good deal."
|
|
|
|
"Well, I don't want to be anyone but myself, even if I
|
|
go uncomforted by diamonds all my life," declared Anne.
|
|
"I'm quite content to be Anne of Green Gables, with my
|
|
string of pearl beads. I know Matthew gave me as much
|
|
love with them as ever went with Madame the Pink Lady's jewels."
|
|
|
|
|
|
|
|
CHAPTER XXXIV
|
|
|
|
A Queen's Girl
|
|
|
|
|
|
The next three weeks were busy ones at Green Gables, for
|
|
Anne was getting ready to go to Queen's, and there was
|
|
much sewing to be done, and many things to be talked
|
|
over and arranged. Anne's outfit was ample and pretty, for
|
|
Matthew saw to that, and Marilla for once made no objections
|
|
whatever to anything he purchased or suggested. More--
|
|
one evening she went up to the east gable with her arms full
|
|
of a delicate pale green material.
|
|
|
|
"Anne, here's something for a nice light dress for you.
|
|
I don't suppose you really need it; you've plenty of
|
|
pretty waists; but I thought maybe you'd like something
|
|
real dressy to wear if you were asked out anywhere of an
|
|
evening in town, to a party or anything like that. I hear
|
|
that Jane and Ruby and Josie have got `evening dresses,' as
|
|
they call them, and I don't mean you shall be behind them.
|
|
I got Mrs. Allan to help me pick it in town last week,
|
|
and we'll get Emily Gillis to make it for you. Emily
|
|
has got taste, and her fits aren't to be equaled."
|
|
|
|
"Oh, Marilla, it's just lovely," said Anne. "Thank you so
|
|
much. I don't believe you ought to be so kind to me--it's
|
|
making it harder every day for me to go away."
|
|
|
|
The green dress was made up with as many tucks and frills
|
|
and shirrings as Emily's taste permitted. Anne put it
|
|
on one evening for Matthew's and Marilla's benefit,
|
|
and recited "The Maiden's Vow" for them in the kitchen.
|
|
As Marilla watched the bright, animated face and graceful
|
|
motions her thoughts went back to the evening Anne had
|
|
arrived at Green Gables, and memory recalled a vivid
|
|
picture of the odd, frightened child in her preposterous
|
|
yellowish-brown wincey dress, the heartbreak looking out
|
|
of her tearful eyes. Something in the memory brought
|
|
tears to Marilla's own eyes.
|
|
|
|
"I declare, my recitation has made you cry, Marilla,"
|
|
said Anne gaily stooping over Marilla's chair to drop a
|
|
butterfly kiss on that lady's cheek. "Now, I call that a
|
|
positive triumph."
|
|
|
|
"No, I wasn't crying over your piece," said Marilla, who
|
|
would have scorned to be betrayed into such weakness by
|
|
any poetry stuff. "I just couldn't help thinking of the
|
|
little girl you used to be, Anne. And I was wishing you could
|
|
have stayed a little girl, even with all your queer ways.
|
|
You've grown up now and you're going away; and you look
|
|
so tall and stylish and so--so--different altogether
|
|
in that dress--as if you didn't belong in Avonlea at all--
|
|
and I just got lonesome thinking it all over."
|
|
|
|
"Marilla!" Anne sat down on Marilla's gingham lap, took
|
|
Marilla's lined face between her hands, and looked gravely
|
|
and tenderly into Marilla's eyes. "I'm not a bit changed--
|
|
not really. I'm only just pruned down and branched out.
|
|
The real ME--back here--is just the same. It won't make a
|
|
bit of difference where I go or how much I change outwardly;
|
|
at heart I shall always be your little Anne, who will love
|
|
you and Matthew and dear Green Gables more and better every
|
|
day of her life."
|
|
|
|
Anne laid her fresh young cheek against Marilla's faded
|
|
one, and reached out a hand to pat Matthew's shoulder.
|
|
Marilla would have given much just then to have possessed
|
|
Anne's power of putting her feelings into words; but nature
|
|
and habit had willed it otherwise, and she could only put her
|
|
arms close about her girl and hold her tenderly to her heart,
|
|
wishing that she need never let her go.
|
|
|
|
Matthew, with a suspicious moisture in his eyes, got up
|
|
and went out-of-doors. Under the stars of the blue summer
|
|
night he walked agitatedly across the yard to the gate
|
|
under the poplars.
|
|
|
|
"Well now, I guess she ain't been much spoiled," he
|
|
muttered, proudly. "I guess my putting in my oar occasional
|
|
never did much harm after all. She's smart and pretty,
|
|
and loving, too, which is better than all the rest.
|
|
She's been a blessing to us, and there never was a
|
|
luckier mistake than what Mrs. Spencer made--if it WAS luck.
|
|
I don't believe it was any such thing. It was Providence,
|
|
because the Almighty saw we needed her, I reckon."
|
|
|
|
The day finally came when Anne must go to town. She
|
|
and Matthew drove in one fine September morning, after a
|
|
tearful parting with Diana and an untearful practical one--
|
|
on Marilla's side at least--with Marilla. But when Anne
|
|
had gone Diana dried her tears and went to a beach
|
|
picnic at White Sands with some of her Carmody cousins,
|
|
where she contrived to enjoy herself tolerably well; while
|
|
Marilla plunged fiercely into unnecessary work and kept at
|
|
it all day long with the bitterest kind of heartache--the
|
|
ache that burns and gnaws and cannot wash itself away in
|
|
ready tears. But that night, when Marilla went to bed,
|
|
acutely and miserably conscious that the little gable room
|
|
at the end of the hall was untenanted by any vivid young
|
|
life and unstirred by any soft breathing, she buried her
|
|
face in her pillow, and wept for her girl in a passion of
|
|
sobs that appalled her when she grew calm enough to reflect
|
|
how very wicked it must be to take on so about a sinful
|
|
fellow creature.
|
|
|
|
Anne and the rest of the Avonlea scholars reached town
|
|
just in time to hurry off to the Academy. That first day
|
|
passed pleasantly enough in a whirl of excitement, meeting
|
|
all the new students, learning to know the professors by
|
|
sight and being assorted and organized into classes.
|
|
Anne intended taking up the Second Year work being advised
|
|
to do so by Miss Stacy; Gilbert Blythe elected to do the same.
|
|
This meant getting a First Class teacher's license in
|
|
one year instead of two, if they were successful; but it also
|
|
meant much more and harder work. Jane, Ruby, Josie,
|
|
Charlie, and Moody Spurgeon, not being troubled with
|
|
the stirrings of ambition, were content to take up the
|
|
Second Class work. Anne was conscious of a pang of
|
|
loneliness when she found herself in a room with fifty
|
|
other students, not one of whom she knew, except the
|
|
tall, brown-haired boy across the room; and knowing him
|
|
in the fashion she did, did not help her much, as she
|
|
reflected pessimistically. Yet she was undeniably glad that
|
|
they were in the same class; the old rivalry could still be
|
|
carried on, and Anne would hardly have known what to do
|
|
if it had been lacking.
|
|
|
|
"I wouldn't feel comfortable without it," she thought.
|
|
"Gilbert looks awfully determined. I suppose he's making
|
|
up his mind, here and now, to win the medal. What a
|
|
splendid chin he has! I never noticed it before. I do wish
|
|
Jane and Ruby had gone in for First Class, too. I suppose I
|
|
won't feel so much like a cat in a strange garret when I get
|
|
acquainted, though. I wonder which of the girls here are
|
|
going to be my friends. It's really an interesting speculation.
|
|
Of course I promised Diana that no Queen's girl, no matter
|
|
how much I liked her, should ever be as dear to me as she is;
|
|
but I've lots of second-best affections to bestow. I like
|
|
the look of that girl with the brown eyes and the crimson
|
|
waist. She looks vivid and red-rosy; there's that pale, fair
|
|
one gazing out of the window. She has lovely hair, and looks
|
|
as if she knew a thing or two about dreams. I'd like to know
|
|
them both--know them well--well enough to walk with my arm
|
|
about their waists, and call them nicknames. But just now I
|
|
don't know them and they don't know me, and probably don't
|
|
want to know me particularly. Oh, it's lonesome!"
|
|
|
|
It was lonesomer still when Anne found herself alone in
|
|
her hall bedroom that night at twilight. She was not to
|
|
board with the other girls, who all had relatives in town to
|
|
take pity on them. Miss Josephine Barry would have liked
|
|
to board her, but Beechwood was so far from the Academy
|
|
that it was out of the question; so miss Barry hunted up a
|
|
boarding-house, assuring Matthew and Marilla that it was
|
|
the very place for Anne.
|
|
|
|
"The lady who keeps it is a reduced gentlewoman,"
|
|
explained Miss Barry. "Her husband was a British officer,
|
|
and she is very careful what sort of boarders she takes.
|
|
Anne will not meet with any objectionable persons under
|
|
her roof. The table is good, and the house is near the
|
|
Academy, in a quiet neighborhood."
|
|
|
|
All this might be quite true, and indeed, proved to be so,
|
|
but it did not materially help Anne in the first agony
|
|
of homesickness that seized upon her. She looked dismally
|
|
about her narrow little room, with its dull-papered,
|
|
pictureless walls, its small iron bedstead and empty book-
|
|
case; and a horrible choke came into her throat as she
|
|
thought of her own white room at Green Gables, where
|
|
she would have the pleasant consciousness of a great green
|
|
still outdoors, of sweet peas growing in the garden, and
|
|
moonlight falling on the orchard, of the brook below the
|
|
slope and the spruce boughs tossing in the night wind
|
|
beyond it, of a vast starry sky, and the light from Diana's
|
|
window shining out through the gap in the trees. Here
|
|
there was nothing of this; Anne knew that outside of her
|
|
window was a hard street, with a network of telephone
|
|
wires shutting out the sky, the tramp of alien feet, and a
|
|
thousand lights gleaming on stranger faces. She knew that
|
|
she was going to cry, and fought against it.
|
|
|
|
"I WON'T cry. It's silly--and weak--there's the third
|
|
tear splashing down by my nose. There are more coming!
|
|
I must think of something funny to stop them. But there's
|
|
nothing funny except what is connected with Avonlea, and
|
|
that only makes things worse--four--five--I'm going home
|
|
next Friday, but that seems a hundred years away. Oh,
|
|
Matthew is nearly home by now--and Marilla is at the
|
|
gate, looking down the lane for him--six--seven--eight--
|
|
oh, there's no use in counting them! They're coming in a
|
|
flood presently. I can't cheer up--I don't WANT to cheer
|
|
up. It's nicer to be miserable!"
|
|
|
|
The flood of tears would have come, no doubt, had not
|
|
Josie Pye appeared at that moment. In the joy of seeing
|
|
a familiar face Anne forgot that there had never been much
|
|
love lost between her and Josie. As a part of Avonlea life
|
|
even a Pye was welcome.
|
|
|
|
"I'm so glad you came up." Anne said sincerely.
|
|
|
|
"You've been crying," remarked Josie, with aggravating pity.
|
|
"I suppose you're homesick--some people have so little
|
|
self-control in that respect. I've no intention of being
|
|
homesick, I can tell you. Town's too jolly after that poky
|
|
old Avonlea. I wonder how I ever existed there so long.
|
|
You shouldn't cry, Anne; it isn't becoming, for your
|
|
nose and eyes get red, and then you see ALL red. I'd a
|
|
perfectly scrumptious time in the Academy today. Our French
|
|
professor is simply a duck. His moustache would give you
|
|
kerwollowps of the heart. Have you anything eatable around,
|
|
Anne? I'm literally starving. Ah, I guessed likely Marilla'd
|
|
load you up with cake. That's why I called round. Otherwise
|
|
I'd have gone to the park to hear the band play with Frank
|
|
Stockley. He boards same place as I do, and he's a sport.
|
|
He noticed you in class today, and asked me who the red-headed
|
|
girl was. I told him you were an orphan that the Cuthberts
|
|
had adopted, and nobody knew very much about what you'd been
|
|
before that."
|
|
|
|
Anne was wondering if, after all, solitude and tears were
|
|
not more satisfactory than Josie Pye's companionship when
|
|
Jane and Ruby appeared, each with an inch of Queen's
|
|
color ribbon--purple and scarlet--pinned proudly to her
|
|
coat. As Josie was not "speaking" to Jane just then she had
|
|
to subside into comparative harmlessness.
|
|
|
|
"Well," said Jane with a sigh, "I feel as if I'd lived many
|
|
moons since the morning. I ought to be home studying my
|
|
Virgil--that horrid old professor gave us twenty lines to
|
|
start in on tomorrow. But I simply couldn't settle down to
|
|
study tonight. Anne, methinks I see the traces of tears. If
|
|
you've been crying DO own up. It will restore my self-respect,
|
|
for I was shedding tears freely before Ruby came along. I
|
|
don't mind being a goose so much if somebody else is goosey,
|
|
too. Cake? You'll give me a teeny piece, won't you? Thank
|
|
you. It has the real Avonlea flavor."
|
|
|
|
Ruby, perceiving the Queen's calendar lying on the table,
|
|
wanted to know if Anne meant to try for the gold medal.
|
|
|
|
Anne blushed and admitted she was thinking of it.
|
|
|
|
"Oh, that reminds me," said Josie, "Queen's is to get one
|
|
of the Avery scholarships after all. The word came today.
|
|
Frank Stockley told me--his uncle is one of the board of
|
|
governors, you know. It will be announced in the
|
|
Academy tomorrow."
|
|
|
|
An Avery scholarship! Anne felt her heart beat more
|
|
quickly, and the horizons of her ambition shifted and
|
|
broadened as if by magic. Before Josie had told the news
|
|
Anne's highest pinnacle of aspiration had been a teacher's
|
|
provincial license, First Class, at the end of the year, and
|
|
perhaps the medal! But now in one moment Anne saw herself
|
|
winning the Avery scholarship, taking an Arts course at
|
|
Redmond College, and graduating in a gown and mortar board,
|
|
before the echo of Josie's words had died away. For the
|
|
Avery scholarship was in English, and Anne felt that here
|
|
her foot was on native heath.???
|
|
|
|
A wealthy manufacturer of New Brunswick had died and left
|
|
part of his fortune to endow a large number of scholarships
|
|
to be distributed among the various high schools and academies
|
|
of the Maritime Provinces, according to their respective
|
|
standings. There had been much doubt whether one would be
|
|
allotted to Queen's, but the matter was settled at last, and
|
|
at the end of the year the graduate who made the highest mark
|
|
in English and English Literature would win the scholarship--
|
|
two hundred and fifty dollars a year for four years at Redmond
|
|
College. No wonder that Anne went to bed that night with
|
|
tingling cheeks!
|
|
|
|
"I'll win that scholarship if hard work can do it," she
|
|
resolved. "Wouldn't Matthew be proud if I got to be a B.A.?
|
|
Oh, it's delightful to have ambitions. I'm so glad I have
|
|
such a lot. And there never seems to be any end to them--
|
|
that's the best of it. Just as soon as you attain to one
|
|
ambition you see another one glittering higher up still.
|
|
It does make life so interesting."
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXV
|
|
|
|
The Winter at Queen's
|
|
|
|
|
|
Anne's homesickness wore off, greatly helped in the wearing
|
|
by her weekend visits home. As long as the open weather lasted
|
|
the Avonlea students went out to Carmody on the new branch
|
|
railway every Friday night. Diana and several other Avonlea
|
|
young folks were generally on hand to meet them and they all
|
|
walked over to Avonlea in a merry party. Anne thought those
|
|
Friday evening gypsyings over the autumnal hills in the crisp
|
|
golden air, with the homelights of Avonlea twinkling beyond,
|
|
were the best and dearest hours in the whole week.
|
|
|
|
Gilbert Blythe nearly always walked with Ruby Gillis and carried
|
|
her satchel for her. Ruby was a very handsome young lady,
|
|
now thinking herself quite as grown up as she really was;
|
|
she wore her skirts as long as her mother would let her and
|
|
did her hair up in town, though she had to take it down
|
|
when she went home. She had large, bright-blue eyes, a
|
|
brilliant complexion, and a plump showy figure. She laughed
|
|
a great deal, was cheerful and good-tempered, and enjoyed the
|
|
pleasant things of life frankly.
|
|
|
|
"But I shouldn't think she was the sort of girl Gilbert would like,"
|
|
whispered Jane to Anne. Anne did not think so either, but she would
|
|
not have said so for the Avery scholarship. She could not help
|
|
thinking, too, that it would be very pleasant to have such a friend
|
|
as Gilbert to jest and chatter with and exchange ideas about books
|
|
and studies and ambitions. Gilbert had ambitions, she knew, and
|
|
Ruby Gillis did not seem the sort of person with whom such could
|
|
be profitably discussed.
|
|
|
|
There was no silly sentiment in Anne's ideas concerning Gilbert.
|
|
Boys were to her, when she thought about them at all, merely
|
|
possible good comrades. If she and Gilbert had been friends
|
|
she would not have cared how many other friends he had
|
|
nor with whom he walked. She had a genius for friendship;
|
|
girl friends she had in plenty; but she had a vague consciousness
|
|
that masculine friendship might also be a good thing to round
|
|
out one's conceptions of companionship and furnish broader
|
|
standpoints of judgment and comparison. Not that Anne could
|
|
have put her feelings on the matter into just such clear definition.
|
|
But she thought that if Gilbert had ever walked home with her
|
|
from the train, over the crisp fields and along the ferny byways,
|
|
they might have had many and merry and interesting conversations
|
|
about the new world that was opening around them and their hopes
|
|
and ambitions therein. Gilbert was a clever young fellow, with
|
|
his own thoughts about things and a determination to get the best
|
|
out of life and put the best into it. Ruby Gillis told Jane Andrews
|
|
that she didn't understand half the things Gilbert Blythe said;
|
|
he talked just like Anne Shirley did when she had a thoughtful fit
|
|
on and for her part she didn't think it any fun to be bothering about
|
|
books and that sort of thing when you didn't have to. Frank Stockley
|
|
had lots more dash and go, but then he wasn't half as good-looking as
|
|
Gilbert and she really couldn't decide which she liked best!
|
|
|
|
In the Academy Anne gradually drew a little circle of friends about her,
|
|
thoughtful, imaginative, ambitious students like herself. With the
|
|
"rose-red" girl, Stella Maynard, and the "dream girl," Priscilla Grant,
|
|
she soon became intimate, finding the latter pale spiritual-looking
|
|
maiden to be full to the brim of mischief and pranks and fun,
|
|
while the vivid, black-eyed Stella had a heartful of wistful
|
|
dreams and fancies, as aerial and rainbow-like as Anne's own.
|
|
|
|
After the Christmas holidays the Avonlea students gave
|
|
up going home on Fridays and settled down to hard work.
|
|
By this time all the Queen's scholars had gravitated into
|
|
their own places in the ranks and the various classes had
|
|
assumed distinct and settled shadings of individuality.
|
|
Certain facts had become generally accepted. It was admitted
|
|
that the medal contestants had practically narrowed down to
|
|
three--Gilbert Blythe, Anne Shirley, and Lewis Wilson; the
|
|
Avery scholarship was more doubtful, any one of a certain six
|
|
being a possible winner. The bronze medal for mathematics
|
|
was considered as good as won by a fat, funny little up-country
|
|
boy with a bumpy forehead and a patched coat.
|
|
|
|
Ruby Gillis was the handsomest girl of the year at the Academy;
|
|
in the Second Year classes Stella Maynard carried off the palm
|
|
for beauty, with small but critical minority in favor of Anne Shirley.
|
|
Ethel Marr was admitted by all competent judges to have the most
|
|
stylish modes of hair-dressing, and Jane Andrews--plain, plodding,
|
|
conscientious Jane--carried off the honors in the domestic science course.
|
|
Even Josie Pye attained a certain preeminence as the sharpest-
|
|
tongued young lady in attendance at Queen's. So it may be
|
|
fairly stated that Miss Stacy's old pupil's held their own in
|
|
the wider arena of the academical course.
|
|
|
|
Anne worked hard and steadily. Her rivalry with Gilbert
|
|
was as intense as it had ever been in Avonlea school,
|
|
although it was not known in the class at large, but somehow
|
|
the bitterness had gone out of it. Anne no longer wished
|
|
to win for the sake of defeating Gilbert; rather, for the
|
|
proud consciousness of a well-won victory over a worthy foeman.
|
|
It would be worth while to win, but she no longer thought life
|
|
would be insupportable if she did not.
|
|
|
|
In spite of lessons the students found opportunities for
|
|
pleasant times. Anne spent many of her spare hours at
|
|
Beechwood and generally ate her Sunday dinners there and
|
|
went to church with Miss Barry. The latter was, as she
|
|
admitted, growing old, but her black eyes were not dim nor
|
|
the vigor of her tongue in the least abated. But she never
|
|
sharpened the latter on Anne, who continued to be a prime
|
|
favorite with the critical old lady.
|
|
|
|
"That Anne-girl improves all the time," she said. "I get
|
|
tired of other girls--there is such a provoking and eternal
|
|
sameness about them. Anne has as many shades as a rainbow
|
|
and every shade is the prettiest while it lasts. I don't
|
|
know that she is as amusing as she was when she was a child,
|
|
but she makes me love her and I like people who make me love them.
|
|
It saves me so much trouble in making myself love them."
|
|
|
|
Then, almost before anybody realized it, spring had come;
|
|
out in Avonlea the Mayflowers were peeping pinkly out
|
|
on the sere barrens where snow-wreaths lingered; and
|
|
the "mist of green" was on the woods and in the valleys.
|
|
But in Charlottetown harassed Queen's students thought
|
|
and talked only of examinations.
|
|
|
|
"It doesn't seem possible that the term is nearly over,"
|
|
said Anne. "Why, last fall it seemed so long to look
|
|
forward to--a whole winter of studies and classes. And here
|
|
we are, with the exams looming up next week. Girls,
|
|
sometimes I feel as if those exams meant everything, but
|
|
when I look at the big buds swelling on those chestnut trees
|
|
and the misty blue air at the end of the streets they don't
|
|
seem half so important."
|
|
|
|
Jane and Ruby and Josie, who had dropped in, did not
|
|
take this view of it. To them the coming examinations
|
|
were constantly very important indeed--far more important
|
|
than chestnut buds or Maytime hazes. It was all very well
|
|
for Anne, who was sure of passing at least, to have her
|
|
moments of belittling them, but when your whole future
|
|
depended on them--as the girls truly thought theirs did--
|
|
you could not regard them philosophically.
|
|
|
|
"I've lost seven pounds in the last two weeks," sighed
|
|
Jane. "It's no use to say don't worry. I WILL worry.
|
|
Worrying helps you some--it seems as if you were doing
|
|
something when you're worrying. It would be dreadful if I
|
|
failed to get my license after going to Queen's all winter
|
|
and spending so much money."
|
|
|
|
"_I_ don't care," said Josie Pye. "If I don't pass this year
|
|
I'm coming back next. My father can afford to send me.
|
|
Anne, Frank Stockley says that Professor Tremaine said
|
|
Gilbert Blythe was sure to get the medal and that Emily Clay
|
|
would likely win the Avery scholarship."
|
|
|
|
"That may make me feel badly tomorrow, Josie," laughed
|
|
Anne, "but just now I honestly feel that as long as I know
|
|
the violets are coming out all purple down in the hollow
|
|
below Green Gables and that little ferns are poking their
|
|
heads up in Lovers' Lane, it's not a great deal of difference
|
|
whether I win the Avery or not. I've done my best and I
|
|
begin to understand what is meant by the `joy of the strife.'
|
|
Next to trying and winning, the best thing is trying and failing.
|
|
Girls, don't talk about exams! Look at that arch of pale green
|
|
sky over those houses and picture to yourself what it must look
|
|
like over the purply-dark beech-woods back of Avonlea."
|
|
|
|
"What are you going to wear for commencement, Jane?"
|
|
asked Ruby practically.
|
|
|
|
Jane and Josie both answered at once and the chatter
|
|
drifted into a side eddy of fashions. But Anne, with her
|
|
elbows on the window sill, her soft cheek laid against her
|
|
clasped hands, and her eyes filled with visions, looked out
|
|
unheedingly across city roof and spire to that glorious dome
|
|
of sunset sky and wove her dreams of a possible future from
|
|
the golden tissue of youth's own optimism. All the Beyond
|
|
was hers with its possibilities lurking rosily in the
|
|
oncoming years--each year a rose of promise to be woven into
|
|
an immortal chaplet.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVI
|
|
|
|
The Glory and the Dream
|
|
|
|
|
|
On the morning when the final results of all the examina-
|
|
tions were to be posted on the bulletin board at Queen's,
|
|
Anne and Jane walked down the street together. Jane was
|
|
smiling and happy; examinations were over and she was
|
|
comfortably sure she had made a pass at least; further
|
|
considerations troubled Jane not at all; she had no soaring
|
|
ambitions and consequently was not affected with the
|
|
unrest attendant thereon. For we pay a price for everything
|
|
we get or take in this world; and although ambitions are
|
|
well worth having, they are not to be cheaply won, but
|
|
exact their dues of work and self-denial, anxiety and
|
|
discouragement. Anne was pale and quiet; in ten more minutes
|
|
she would know who had won the medal and who the Avery.
|
|
Beyond those ten minutes there did not seem, just then,
|
|
to be anything worth being called Time.
|
|
|
|
"Of course you'll win one of them anyhow," said Jane,
|
|
who couldn't understand how the faculty could be so
|
|
unfair as to order it otherwise.
|
|
|
|
"I have not hope of the Avery," said Anne. "Everybody
|
|
says Emily Clay will win it. And I'm not going to march
|
|
up to that bulletin board and look at it before everybody.
|
|
I haven't the moral courage. I'm going straight to the girls'
|
|
dressing room. You must read the announcements and then
|
|
come and tell me, Jane. And I implore you in the name
|
|
of our old friendship to do it as quickly as possible.
|
|
If I have failed just say so, without trying to break it
|
|
gently; and whatever you do DON'T sympathize with me.
|
|
Promise me this, Jane."
|
|
|
|
Jane promised solemnly; but, as it happened, there was no
|
|
necessity for such a promise. When they went up the entrance
|
|
steps of Queen's they found the hall full of boys who were
|
|
carrying Gilbert Blythe around on their shoulders and yelling
|
|
at the tops of their voices, "Hurrah for Blythe, Medalist!"
|
|
|
|
For a moment Anne felt one sickening pang of defeat and
|
|
disappointment. So she had failed and Gilbert had won!
|
|
Well, Matthew would be sorry--he had been so sure she
|
|
would win.
|
|
|
|
And then!
|
|
|
|
Somebody called out:
|
|
|
|
"Three cheers for Miss Shirley, winner of the Avery!"
|
|
|
|
"Oh, Anne," gasped Jane, as they fled to the girls' dressing room
|
|
amid hearty cheers. "Oh, Anne I'm so proud! Isn't it splendid?"
|
|
|
|
And then the girls were around them and Anne was the
|
|
center of a laughing, congratulating group. Her shoulders
|
|
were thumped and her hands shaken vigorously. She was
|
|
pushed and pulled and hugged and among it all she managed
|
|
to whisper to Jane:
|
|
|
|
"Oh, won't Matthew and Marilla be pleased! I must write the
|
|
news home right away."
|
|
|
|
Commencement was the next important happening. The exercises
|
|
were held in the big assembly hall of the Academy. Addresses
|
|
were given, essays read, songs sung, the public award of diplomas,
|
|
prizes and medals made.
|
|
|
|
Matthew and Marilla were there, with eyes and ears for only
|
|
one student on the platform--a tall girl in pale green,
|
|
with faintly flushed cheeks and starry eyes, who read the
|
|
best essay and was pointed out and whispered about as the
|
|
Avery winner.
|
|
|
|
"Reckon you're glad we kept her, Marilla?" whispered Matthew,
|
|
speaking for the first time since he had entered the hall,
|
|
when Anne had finished her essay.
|
|
|
|
"It's not the first time I've been glad," retorted Marilla.
|
|
"You do like to rub things in, Matthew Cuthbert."
|
|
|
|
Miss Barry, who was sitting behind them, leaned forward
|
|
and poked Marilla in the back with her parasol.
|
|
|
|
"Aren't you proud of that Anne-girl? I am," she said.
|
|
|
|
Anne went home to Avonlea with Matthew and Marilla
|
|
that evening. She had not been home since April and she
|
|
felt that she could not wait another day. The apple blossoms
|
|
were out and the world was fresh and young. Diana was at
|
|
Green Gables to meet her. In her own white room, where
|
|
Marilla had set a flowering house rose on the window sill,
|
|
Anne looked about her and drew a long breath of happiness.
|
|
|
|
"Oh, Diana, it's so good to be back again. It's so good to
|
|
see those pointed firs coming out against the pink sky--
|
|
and that white orchard and the old Snow Queen. Isn't the
|
|
breath of the mint delicious? And that tea rose--why, it's
|
|
a song and a hope and a prayer all in one. And it's GOOD to
|
|
see you again, Diana!"
|
|
|
|
"I thought you like that Stella Maynard better than me,"
|
|
said Diana reproachfully. "Josie Pye told me you did.
|
|
Josie said you were INFATUATED with her."
|
|
|
|
Anne laughed and pelted Diana with the faded "June lilies"
|
|
of her bouquet.
|
|
|
|
"Stella Maynard is the dearest girl in the world except
|
|
one and you are that one, Diana," she said. "I love you
|
|
more than ever--and I've so many things to tell you. But
|
|
just now I feel as if it were joy enough to sit here and
|
|
look at you. I'm tired, I think--tired of being studious
|
|
and ambitious. I mean to spend at least two hours tomorrow
|
|
lying out in the orchard grass, thinking of absolutely nothing."
|
|
|
|
"You've done splendidly, Anne. I suppose you won't be teaching
|
|
now that you've won the Avery?"
|
|
|
|
"No. I'm going to Redmond in September. Doesn't it
|
|
seem wonderful? I'll have a brand new stock of ambition
|
|
laid in by that time after three glorious, golden months of
|
|
vacation. Jane and Ruby are going to teach. Isn't it splendid
|
|
to think we all got through even to Moody Spurgeon and Josie Pye?"
|
|
|
|
"The Newbridge trustees have offered Jane their school already,"
|
|
said Diana. "Gilbert Blythe is going to teach, too. He has to.
|
|
His father can't afford to send him to college next year, after all,
|
|
so he means to earn his own way through. I expect he'll get the
|
|
school here if Miss Ames decides to leave."
|
|
|
|
Anne felt a queer little sensation of dismayed surprise.
|
|
She had not known this; she had expected that Gilbert
|
|
would be going to Redmond also. What would she do without
|
|
their inspiring rivalry? Would not work, even at a
|
|
coeducational college with a real degree in prospect, be
|
|
rather flat without her friend the enemy?
|
|
|
|
The next morning at breakfast it suddenly struck Anne
|
|
that Matthew was not looking well. Surely he was much
|
|
grayer than he had been a year before.
|
|
|
|
"Marilla," she said hesitatingly when he had gone out,
|
|
"is Matthew quite well?"
|
|
|
|
"No, he isn't," said Marilla in a troubled tone. "He's
|
|
had some real bad spells with his heart this spring and he
|
|
won't spare himself a mite. I've been real worried about
|
|
him, but he's some better this while back and we've got a
|
|
good hired man, so I'm hoping he'll kind of rest and pick up.
|
|
Maybe he will now you're home. You always cheer him up."
|
|
|
|
Anne leaned across the table and took Marilla's face in
|
|
her hands.
|
|
|
|
"You are not looking as well yourself as I'd like to see
|
|
you, Marilla. You look tired. I'm afraid you've been
|
|
working too hard. You must take a rest, now that I'm home.
|
|
I'm just going to take this one day off to visit all the dear
|
|
old spots and hunt up my old dreams, and then it will be
|
|
your turn to be lazy while I do the work."
|
|
|
|
Marilla smiled affectionately at her girl.
|
|
|
|
"It's not the work--it's my head. I've got a pain so often
|
|
now--behind my eyes. Doctor Spencer's been fussing with
|
|
glasses, but they don't do me any good. There is a distin-
|
|
guished oculist coming to the Island the last of June and
|
|
the doctor says I must see him. I guess I'll have to.
|
|
I can't read or sew with any comfort now. Well, Anne, you've
|
|
done real well at Queen's I must say. To take First Class
|
|
License in one year and win the Avery scholarship--well,
|
|
well, Mrs. Lynde says pride goes before a fall and she
|
|
doesn't believe in the higher education of women at all;
|
|
she says it unfits them for woman's true sphere. I don't
|
|
believe a word of it. speaking of Rachel reminds me--did
|
|
you hear anything about the Abbey Bank lately, Anne?"
|
|
|
|
"I heard it was shaky," answered Anne. "Why?"
|
|
|
|
"That is what Rachel said. She was up here one day last
|
|
week and said there was some talk about it. Matthew felt
|
|
real worried. All we have saved is in that bank--every
|
|
penny. I wanted Matthew to put it in the Savings Bank in
|
|
the first place, but old Mr. Abbey was a great friend of
|
|
father's and he'd always banked with him. Matthew said any
|
|
bank with him at the head of it was good enough for anybody."
|
|
|
|
"I think he has only been its nominal head for many
|
|
years," said Anne. "He is a very old man; his nephews
|
|
are really at the head of the institution."
|
|
|
|
"Well, when Rachel told us that, I wanted Matthew to draw
|
|
our money right out and he said he'd think of it. But
|
|
Mr. Russell told him yesterday that the bank was all right."
|
|
|
|
Anne had her good day in the companionship of the outdoor world.
|
|
She never forgot that day; it was so bright and golden and fair,
|
|
so free from shadow and so lavish of blossom. Anne spent some
|
|
of its rich hours in the orchard; she went to the Dryad's Bubble
|
|
and Willowmere and Violet Vale; she called at the manse and had
|
|
a satisfying talk with Mrs. Allan; and finally in the evening
|
|
she went with Matthew for the cows, through Lovers' Lane to the
|
|
back pasture. The woods were all gloried through with sunset
|
|
and the warm splendor of it streamed down through the hill gaps
|
|
in the west. Matthew walked slowly with bent head; Anne, tall
|
|
and erect, suited her springing step to his.
|
|
|
|
"You've been working too hard today, Matthew," she said
|
|
reproachfully. "Why won't you take things easier?"
|
|
|
|
"Well now, I can't seem to," said Matthew, as he opened
|
|
the yard gate to let the cows through. "It's only that I'm
|
|
getting old, Anne, and keep forgetting it. Well, well, I've
|
|
always worked pretty hard and I'd rather drop in harness."
|
|
|
|
"If I had been the boy you sent for," said Anne wistfully,
|
|
"I'd be able to help you so much now and spare you in a
|
|
hundred ways. I could find it in my heart to wish I had
|
|
been, just for that."
|
|
|
|
"Well now, I'd rather have you than a dozen boys, Anne,"
|
|
said Matthew patting her hand. "Just mind you that--
|
|
rather than a dozen boys. Well now, I guess it wasn't
|
|
a boy that took the Avery scholarship, was it? It was
|
|
a girl--my girl--my girl that I'm proud of."
|
|
|
|
He smiled his shy smile at her as he went into the yard.
|
|
Anne took the memory of it with her when she went to her
|
|
room that night and sat for a long while at her open window,
|
|
thinking of the past and dreaming of the future.
|
|
Outside the Snow Queen was mistily white in the moonshine;
|
|
the frogs were singing in the marsh beyond Orchard Slope.
|
|
Anne always remembered the silvery, peaceful beauty and
|
|
fragrant calm of that night. It was the last night before
|
|
sorrow touched her life; and no life is ever quite the same
|
|
again when once that cold, sanctifying touch has been laid upon it.
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVII
|
|
|
|
The Reaper Whose Name Is Death
|
|
|
|
|
|
"Matthew--Matthew--what is the matter? Matthew, are you sick?"
|
|
|
|
It was Marilla who spoke, alarm in every jerky word. Anne
|
|
came through the hall, her hands full of white narcissus,--it
|
|
was long before Anne could love the sight or odor of white
|
|
narcissus again,--in time to hear her and to see Matthew
|
|
standing in the porch doorway, a folded paper in his hand,
|
|
and his face strangely drawn and gray. Anne dropped her flowers
|
|
and sprang across the kitchen to him at the same moment as
|
|
Marilla. They were both too late; before they could reach him
|
|
Matthew had fallen across the threshold.
|
|
|
|
"He's fainted," gasped Marilla. "Anne, run for Martin--
|
|
quick, quick! He's at the barn."
|
|
|
|
Martin, the hired man, who had just driven home from
|
|
the post office, started at once for the doctor, calling at
|
|
Orchard Slope on his way to send Mr. and Mrs. Barry over.
|
|
Mrs. Lynde, who was there on an errand, came too. They
|
|
found Anne and Marilla distractedly trying to restore
|
|
Matthew to consciousness.
|
|
|
|
Mrs. Lynde pushed them gently aside, tried his pulse,
|
|
and then laid her ear over his heart. She looked at their
|
|
anxious faces sorrowfully and the tears came into her eyes.
|
|
|
|
"Oh, Marilla," she said gravely. "I don't think--we can do
|
|
anything for him."
|
|
|
|
"Mrs. Lynde, you don't think--you can't think Matthew is-- is--"
|
|
Anne could not say the dreadful word; she turned sick and pallid.
|
|
|
|
"Child, yes, I'm afraid of it. Look at his face. When you've
|
|
seen that look as often as I have you'll know what it means."
|
|
|
|
Anne looked at the still face and there beheld the seal of
|
|
the Great Presence.
|
|
|
|
When the doctor came he said that death had been instantaneous
|
|
and probably painless, caused in all likelihood by some sudden shock.
|
|
The secret of the shock was discovered to be in the paper Matthew
|
|
had held and which Martin had brought from the office that morning.
|
|
It contained an account of the failure of the Abbey Bank.
|
|
|
|
The news spread quickly through Avonlea, and all day
|
|
friends and neighbors thronged Green Gables and came
|
|
and went on errands of kindness for the dead and living.
|
|
For the first time shy, quiet Matthew Cuthbert was a
|
|
person of central importance; the white majesty of death
|
|
had fallen on him and set him apart as one crowned.
|
|
|
|
When the calm night came softly down over Green Gables
|
|
the old house was hushed and tranquil. In the parlor lay
|
|
Matthew Cuthbert in his coffin, his long gray hair framing
|
|
his placid face on which there was a little kindly smile
|
|
as if he but slept, dreaming pleasant dreams. There were
|
|
flowers about him--sweet old-fashioned flowers which his mother
|
|
had planted in the homestead garden in her bridal days and
|
|
for which Matthew had always had a secret, wordless love.
|
|
Anne had gathered them and brought them to him, her anguished,
|
|
tearless eyes burning in her white face. It was the last thing
|
|
she could do for him.
|
|
|
|
The Barrys and Mrs. Lynde stayed with them that night.
|
|
Diana, going to the east gable, where Anne was standing
|
|
at her window, said gently:
|
|
|
|
"Anne dear, would you like to have me sleep with you tonight?"
|
|
|
|
"Thank you, Diana." Anne looked earnestly into her friend's face.
|
|
"I think you won't misunderstand me when I say I want to be alone.
|
|
I'm not afraid. I haven't been alone one minute since it happened--
|
|
and I want to be. I want to be quite silent and quiet and try to
|
|
realize it. I can't realize it. Half the time it seems to me that
|
|
Matthew can't be dead; and the other half it seems as if he must
|
|
have been dead for a long time and I've had this horrible
|
|
dull ache ever since."
|
|
|
|
Diana did not quite understand. Marilla's impassioned grief,
|
|
breaking all the bounds of natural reserve and lifelong habit
|
|
in its stormy rush, she could comprehend better than Anne's
|
|
tearless agony. But she went away kindly, leaving Anne alone
|
|
to keep her first vigil with sorrow.
|
|
|
|
Anne hoped that the tears would come in solitude. It seemed
|
|
to her a terrible thing that she could not shed a tear for
|
|
Matthew, whom she had loved so much and who had been
|
|
so kind to her, Matthew who had walked with her last
|
|
evening at sunset and was now lying in the dim room
|
|
below with that awful peace on his brow. But no tears
|
|
came at first, even when she knelt by her window in the
|
|
darkness and prayed, looking up to the stars beyond the
|
|
hills--no tears, only the same horrible dull ache of
|
|
misery that kept on aching until she fell asleep,
|
|
worn out with the day's pain and excitement.
|
|
|
|
In the night she awakened, with the stillness and the
|
|
darkness about her, and the recollection of the day came
|
|
over her like a wave of sorrow. She could see Matthew's
|
|
face smiling at her as he had smiled when they parted at
|
|
the gate that last evening--she could hear his voice saying,
|
|
"My girl--my girl that I'm proud of." Then the tears came
|
|
and Anne wept her heart out. Marilla heard her and crept
|
|
in to comfort her.
|
|
|
|
"There--there--don't cry so, dearie. It can't bring him back.
|
|
It--it--isn't right to cry so. I knew that today, but I
|
|
couldn't help it then. He'd always been such a good,
|
|
kind brother to me--but God knows best."
|
|
|
|
"Oh, just let me cry, Marilla," sobbed Anne. "The tears
|
|
don't hurt me like that ache did. Stay here for a little
|
|
while with me and keep your arm round me--so. I couldn't
|
|
have Diana stay, she's good and kind and sweet--but it's
|
|
not her sorrow--she's outside of it and she couldn't come
|
|
close enough to my heart to help me. It's our sorrow--
|
|
yours and mine. Oh, Marilla, what will we do without him?"
|
|
|
|
"We've got each other, Anne. I don't know what I'd do
|
|
if you weren't here--if you'd never come. Oh, Anne, I
|
|
know I've been kind of strict and harsh with you maybe--
|
|
but you mustn't think I didn't love you as well as Matthew
|
|
did, for all that. I want to tell you now when I can. It's
|
|
never been easy for me to say things out of my heart, but
|
|
at times like this it's easier. I love you as dear as if
|
|
you were my own flesh and blood and you've been my joy and
|
|
comfort ever since you came to Green Gables."
|
|
|
|
Two days afterwards they carried Matthew Cuthbert
|
|
over his homestead threshold and away from the fields he
|
|
had tilled and the orchards he had loved and the trees he
|
|
had planted; and then Avonlea settled back to its usual
|
|
placidity and even at Green Gables affairs slipped into
|
|
their old groove and work was done and duties fulfilled
|
|
with regularity as before, although always with the aching
|
|
sense of "loss in all familiar things." Anne, new to grief,
|
|
thought it almost sad that it could be so--that they COULD
|
|
go on in the old way without Matthew. She felt something
|
|
like shame and remorse when she discovered that the
|
|
sunrises behind the firs and the pale pink buds opening in
|
|
the garden gave her the old inrush of gladness when she
|
|
saw them--that Diana's visits were pleasant to her and
|
|
that Diana's merry words and ways moved her to laughter
|
|
and smiles--that, in brief, the beautiful world of blossom
|
|
and love and friendship had lost none of its power to
|
|
please her fancy and thrill her heart, that life still
|
|
called to her with many insistent voices.
|
|
|
|
"It seems like disloyalty to Matthew, somehow, to find
|
|
pleasure in these things now that he has gone," she said
|
|
wistfully to Mrs. Allan one evening when they were together
|
|
in the manse garden. "I miss him so much--all the time--
|
|
and yet, Mrs. Allan, the world and life seem very beautiful
|
|
and interesting to me for all. Today Diana said something
|
|
funny and I found myself laughing. I thought when it
|
|
happened I could never laugh again. And it somehow seems
|
|
as if I oughtn't to."
|
|
|
|
"When Matthew was here he liked to hear you laugh
|
|
and he liked to know that you found pleasure in the
|
|
pleasant things around you," said Mrs. Allan gently.
|
|
"He is just away now; and he likes to know it just the same.
|
|
I am sure we should not shut our hearts against the healing
|
|
influences that nature offers us. But I can understand
|
|
your feeling. I think we all experience the same thing.
|
|
We resent the thought that anything can please us when someone
|
|
we love is no longer here to share the pleasure with us,
|
|
and we almost feel as if we were unfaithful to our sorrow
|
|
when we find our interest in life returning to us."
|
|
|
|
"I was down to the graveyard to plant a rosebush on
|
|
Matthew's grave this afternoon," said Anne dreamily.
|
|
"I took a slip of the little white Scotch rosebush his
|
|
mother brought out from Scotland long ago; Matthew always
|
|
liked those roses the best--they were so small and sweet on
|
|
their thorny stems. It made me feel glad that I could plant
|
|
it by his grave--as if I were doing something that must please
|
|
him in taking it there to be near him. I hope he has roses
|
|
like them in heaven. Perhaps the souls of all those little
|
|
white roses that he has loved so many summers were all there
|
|
to meet him. I must go home now. Marilla is all alone and
|
|
she gets lonely at twilight."
|
|
|
|
"She will be lonelier still, I fear, when you go away again
|
|
to college," said Mrs. Allan.
|
|
|
|
Anne did not reply; she said good night and went slowly
|
|
back to green Gables. Marilla was sitting on the front
|
|
door-steps and Anne sat down beside her. The door was
|
|
open behind them, held back by a big pink conch shell
|
|
with hints of sea sunsets in its smooth inner convolutions.
|
|
|
|
Anne gathered some sprays of pale-yellow honeysuckle and put
|
|
them in her hair. She liked the delicious hint of fragrance,
|
|
as some aerial benediction, above her every time she moved.
|
|
|
|
"Doctor Spencer was here while you were away," Marilla said.
|
|
"He says that the specialist will be in town tomorrow
|
|
and he insists that I must go in and have my eyes examined.
|
|
I suppose I'd better go and have it over. I'll be more
|
|
than thankful if the man can give me the right kind of
|
|
glasses to suit my eyes. You won't mind staying here alone
|
|
while I'm away, will you? Martin will have to drive me in
|
|
and there's ironing and baking to do."
|
|
|
|
"I shall be all right. Diana will come over for company
|
|
for me. I shall attend to the ironing and baking beautifully--
|
|
you needn't fear that I'll starch the handkerchiefs or flavor
|
|
the cake with liniment."
|
|
|
|
Marilla laughed.
|
|
|
|
"What a girl you were for making mistakes in them days, Anne.
|
|
You were always getting into scrapes. I did use to think you
|
|
were possessed. Do you mind the time you dyed your hair?"
|
|
|
|
"Yes, indeed. I shall never forget it," smiled Anne,
|
|
touching the heavy braid of hair that was wound about her
|
|
shapely head. "I laugh a little now sometimes when I
|
|
think what a worry my hair used to be to me--but I don't
|
|
laugh MUCH, because it was a very real trouble then.
|
|
I did suffer terribly over my hair and my freckles.
|
|
My freckles are really gone; and people are nice enough
|
|
to tell me my hair is auburn now--all but Josie Pye.
|
|
She informed me yesterday that she really thought it
|
|
was redder than ever, or at least my black dress made
|
|
it look redder, and she asked me if people who had red
|
|
hair ever got used to having it. Marilla, I've almost
|
|
decided to give up trying to like Josie Pye. I've made
|
|
what I would once have called a heroic effort to like her,
|
|
but Josie Pye won't BE liked."
|
|
|
|
"Josie is a Pye," said Marilla sharply, "so she can't help
|
|
being disagreeable. I suppose people of that kind serve
|
|
some useful purpose in society, but I must say I don't
|
|
know what it is any more than I know the use of thistles.
|
|
Is Josie going to teach?"
|
|
|
|
"No, she is going back to Queen's next year. So are
|
|
Moody Spurgeon and Charlie Sloane. Jane and Ruby are
|
|
going to teach and they have both got schools--Jane at
|
|
Newbridge and Ruby at some place up west."
|
|
|
|
"Gilbert Blythe is going to teach too, isn't he?"
|
|
|
|
"Yes"--briefly.
|
|
|
|
"What a nice-looking fellow he is," said Marilla absently.
|
|
"I saw him in church last Sunday and he seemed so tall and manly.
|
|
He looks a lot like his father did at the same age. John Blythe
|
|
was a nice boy. We used to be real good friends, he and I.
|
|
People called him my beau."
|
|
|
|
Anne looked up with swift interest.
|
|
|
|
"Oh, Marilla--and what happened?--why didn't you--"
|
|
|
|
"We had a quarrel. I wouldn't forgive him when he asked me to.
|
|
I meant to, after awhile--but I was sulky and angry and I wanted
|
|
to punish him first. He never came back--the Blythes were all
|
|
mighty independent. But I always felt--rather sorry. I've always
|
|
kind of wished I'd forgiven him when I had the chance."
|
|
|
|
"So you've had a bit of romance in your life, too," said Anne softly.
|
|
|
|
"Yes, I suppose you might call it that. You wouldn't think so
|
|
to look at me, would you? But you never can tell about people
|
|
from their outsides. Everybody has forgot about me and John.
|
|
I'd forgotten myself. But it all came back to me when I saw
|
|
Gilbert last Sunday."
|
|
|
|
|
|
|
|
|
|
|
|
CHAPTER XXXVIII
|
|
|
|
The Bend in the road
|
|
|
|
|
|
Marilla went to town the next day and returned in the
|
|
evening. Anne had gone over to Orchard Slope with Diana
|
|
and came back to find Marilla in the kitchen, sitting
|
|
by the table with her head leaning on her hand. Something
|
|
in her dejected attitude struck a chill to Anne's heart.
|
|
She had never seen Marilla sit limply inert like that.
|
|
|
|
"Are you very tired, Marilla?"
|
|
|
|
"Yes--no--I don't know," said Marilla wearily, looking
|
|
up. "I suppose I am tired but I haven't thought about it.
|
|
It's not that."
|
|
|
|
"Did you see the oculist? What did he say?" asked Anne
|
|
anxiously.
|
|
|
|
"Yes, I saw him. He examined my eyes. He says that if
|
|
I give up all reading and sewing entirely and any kind of
|
|
work that strains the eyes, and if I'm careful not to cry,
|
|
and if I wear the glasses he's given me he thinks my eyes
|
|
may not get any worse and my headaches will be cured. But
|
|
if I don't he says I'll certainly be stone-blind in six
|
|
months. Blind! Anne, just think of it!"
|
|
|
|
For a minute Anne, after her first quick exclamation of
|
|
dismay, was silent. It seemed to her that she could NOT
|
|
speak. Then she said bravely, but with a catch in her voice:
|
|
|
|
"Marilla, DON'T think of it. You know he has given you hope.
|
|
If you are careful you won't lose your sight altogether;
|
|
and if his glasses cure your headaches it will be a great thing."
|
|
|
|
"I don't call it much hope," said Marilla bitterly. "What
|
|
am I to live for if I can't read or sew or do anything like
|
|
that? I might as well be blind--or dead. And as for crying,
|
|
I can't help that when I get lonesome. But there, it's no
|
|
good talking about it. If you'll get me a cup of tea I'll be
|
|
thankful. I'm about done out. Don't say anything about this
|
|
to any one for a spell yet, anyway. I can't bear that folks
|
|
should come here to question and sympathize and talk about it."
|
|
|
|
When Marilla had eaten her lunch Anne persuaded her to go
|
|
to bed. Then Anne went herself to the east gable and sat
|
|
down by her window in the darkness alone with her tears
|
|
and her heaviness of heart. How sadly things had changed
|
|
since she had sat there the night after coming home! Then
|
|
she had been full of hope and joy and the future had looked
|
|
rosy with promise. Anne felt as if she had lived years
|
|
since then, but before she went to bed there was a smile on
|
|
her lips and peace in her heart. She had looked her duty
|
|
courageously in the face and found it a friend--as duty ever
|
|
is when we meet it frankly.
|
|
|
|
One afternoon a few days later Marilla came slowly in
|
|
from the front yard where she had been talking to a caller--
|
|
a man whom Anne knew by sight as Sadler from Carmody.
|
|
Anne wondered what he could have been saying to bring that
|
|
look to Marilla's face.
|
|
|
|
"What did Mr. Sadler want, Marilla?"
|
|
|
|
Marilla sat down by the window and looked at Anne.
|
|
There were tears in her eyes in defiance of the oculist's
|
|
prohibition and her voice broke as she said:
|
|
|
|
"He heard that I was going to sell Green Gables and
|
|
he wants to buy it."
|
|
|
|
"Buy it! Buy Green Gables?" Anne wondered if she had heard aright.
|
|
"Oh, Marilla, you don't mean to sell Green Gables!"
|
|
|
|
"Anne, I don't know what else is to be done. I've thought
|
|
it all over. If my eyes were strong I could stay here
|
|
and make out to look after things and manage, with a good
|
|
hired man. But as it is I can't. I may lose my sight
|
|
altogether; and anyway I'll not be fit to run things.
|
|
Oh, I never thought I'd live to see the day when I'd have
|
|
to sell my home. But things would only go behind worse and
|
|
worse all the time, till nobody would want to buy it.
|
|
Every cent of our money went in that bank; and there's
|
|
some notes Matthew gave last fall to pay. Mrs. Lynde
|
|
advises me to sell the farm and board somewhere--with
|
|
her I suppose. It won't bring much--it's small and the
|
|
buildings are old. But it'll be enough for me to live on
|
|
I reckon. I'm thankful you're provided for with that
|
|
scholarship, Anne. I'm sorry you won't have a home to
|
|
come to in your vacations, that's all, but I suppose you'll
|
|
manage somehow."
|
|
|
|
Marilla broke down and wept bitterly.
|
|
|
|
"You mustn't sell Green Gables," said Anne resolutely.
|
|
|
|
"Oh, Anne, I wish I didn't have to. But you can see for yourself.
|
|
I can't stay here alone. I'd go crazy with trouble and loneliness.
|
|
And my sight would go--I know it would."
|
|
|
|
"You won't have to stay here alone, Marilla. I'll be with you.
|
|
I'm not going to Redmond."
|
|
|
|
"Not going to Redmond!" Marilla lifted her worn face
|
|
from her hands and looked at Anne. "Why, what do you mean?"
|
|
|
|
"Just what I say. I'm not going to take the scholarship.
|
|
I decided so the night after you came home from town. You
|
|
surely don't think I could leave you alone in your trouble,
|
|
Marilla, after all you've done for me. I've been thinking
|
|
and planning. Let me tell you my plans. Mr. Barry wants
|
|
to rent the farm for next year. So you won't have any
|
|
bother over that. And I'm going to teach. I've applied
|
|
for the school here--but I don't expect to get it for I
|
|
understand the trustees have promised it to Gilbert Blythe.
|
|
But I can have the Carmody school--Mr. Blair told me so last
|
|
night at the store. Of course that won't be quite as nice
|
|
or convenient as if I had the Avonlea school. But I can board
|
|
home and drive myself over to Carmody and back, in the
|
|
warm weather at least. And even in winter I can come home
|
|
Fridays. We'll keep a horse for that. Oh, I have it all
|
|
planned out, Marilla. And I'll read to you and keep you
|
|
cheered up. You sha'n't be dull or lonesome. And we'll be
|
|
real cozy and happy here together, you and I."
|
|
|
|
Marilla had listened like a woman in a dream.
|
|
|
|
"Oh, Anne, I could get on real well if you were here, I know.
|
|
But I can't let you sacrifice yourself so for me. It would be terrible."
|
|
|
|
"Nonsense!" Anne laughed merrily. "There is no sacrifice.
|
|
Nothing could be worse than giving up Green Gables--nothing
|
|
could hurt me more. We must keep the dear old place.
|
|
My mind is quite made up, Marilla. I'm NOT going
|
|
to Redmond; and I AM going to stay here and teach.
|
|
Don't you worry about me a bit."
|
|
|
|
"But your ambitions--and--"
|
|
|
|
"I'm just as ambitious as ever. Only, I've changed the
|
|
object of my ambitions. I'm going to be a good teacher--
|
|
and I'm going to save your eyesight. Besides, I mean to study
|
|
at home here and take a little college course all by myself.
|
|
Oh, I've dozens of plans, Marilla. I've been thinking them
|
|
out for a week. I shall give life here my best, and I believe
|
|
it will give its best to me in return. When I left Queen's
|
|
my future seemed to stretch out before me like a straight road.
|
|
I thought I could see along it for many a milestone. Now there
|
|
is a bend in it. I don't know what lies around the bend,
|
|
but I'm going to believe that the best does. It has a
|
|
fascination of its own, that bend, Marilla. I wonder how
|
|
the road beyond it goes--what there is of green glory and soft,
|
|
checkered light and shadows--what new landscapes--what new
|
|
beauties--what curves and hills and valleys further on."
|
|
|
|
"I don't feel as if I ought to let you give it up," said Marilla,
|
|
referring to the scholarship.
|
|
|
|
"But you can't prevent me. I'm sixteen and a half, `obstinate
|
|
as a mule,' as Mrs. Lynde once told me," laughed Anne.
|
|
"Oh, Marilla, don't you go pitying me. I don't like
|
|
to be pitied, and there is no need for it. I'm heart glad
|
|
over the very thought of staying at dear Green Gables.
|
|
Nobody could love it as you and I do--so we must keep it."
|
|
|
|
"You blessed girl!" said Marilla, yielding. "I feel as if
|
|
you'd given me new life. I guess I ought to stick out and
|
|
make you go to college--but I know I can't, so I ain't
|
|
going to try. I'll make it up to you though, Anne."
|
|
|
|
When it became noised abroad in Avonlea that Anne
|
|
Shirley had given up the idea of going to college and
|
|
intended to stay home and teach there was a good deal of
|
|
discussion over it. Most of the good folks, not knowing
|
|
about Marilla's eyes, thought she was foolish. Mrs. Allan
|
|
did not. She told Anne so in approving words that brought
|
|
tears of pleasure to the girl's eyes. Neither did good
|
|
Mrs. Lynde. She came up one evening and found Anne and Marilla
|
|
sitting at the front door in the warm, scented summer dusk.
|
|
They liked to sit there when the twilight came down and the
|
|
white moths flew about in the garden and the odor of mint
|
|
filled the dewy air.
|
|
|
|
Mrs. Rachel deposited her substantial person upon the
|
|
stone bench by the door, behind which grew a row of tall
|
|
pink and yellow hollyhocks, with a long breath of mingled
|
|
weariness and relief.
|
|
|
|
"I declare I'm getting glad to sit down. I've been on my feet
|
|
all day, and two hundred pounds is a good bit for two feet to
|
|
carry round. It's a great blessing not to be fat, Marilla.
|
|
I hope you appreciate it. Well, Anne, I hear you've given up
|
|
your notion of going to college. I was real glad to hear it.
|
|
You've got as much education now as a woman can be comfortable
|
|
with. I don't believe in girls going to college with the men and
|
|
cramming their heads full of Latin and Greek and all that nonsense."
|
|
|
|
"But I'm going to study Latin and Greek just the same,
|
|
Mrs. Lynde," said Anne laughing. "I'm going to take my
|
|
Arts course right here at Green Gables, and study everything
|
|
that I would at college."
|
|
|
|
Mrs. Lynde lifted her hands in holy horror.
|
|
|
|
"Anne Shirley, you'll kill yourself."
|
|
|
|
"Not a bit of it. I shall thrive on it. Oh, I'm not going
|
|
to overdo things. As `Josiah Allen's wife,' says, I shall
|
|
be `mejum'. But I'll have lots of spare time in the long
|
|
winter evenings, and I've no vocation for fancy work.
|
|
I'm going to teach over at Carmody, you know."
|
|
|
|
"I don't know it. I guess you're going to teach right here
|
|
in Avonlea. The trustees have decided to give you the school."
|
|
|
|
"Mrs. Lynde!" cried Anne, springing to her feet in her surprise.
|
|
"Why, I thought they had promised it to Gilbert Blythe!"
|
|
|
|
"So they did. But as soon as Gilbert heard that you had
|
|
applied for it he went to them--they had a business meeting
|
|
at the school last night, you know--and told them that he
|
|
withdrew his application, and suggested that they accept yours.
|
|
He said he was going to teach at White Sands. Of course he
|
|
knew how much you wanted to stay with Marilla, and I must say
|
|
I think it was real kind and thoughtful in him, that's what.
|
|
Real self-sacrificing, too, for he'll have his board to pay
|
|
at White Sands, and everybody knows he's got to earn his own
|
|
way through college. So the trustees decided to take you.
|
|
I was tickled to death when Thomas came home and told me."
|
|
|
|
"I don't feel that I ought to take it," murmured Anne.
|
|
"I mean--I don't think I ought to let Gilbert make such
|
|
a sacrifice for--for me."
|
|
|
|
"I guess you can't prevent him now. He's signed papers with
|
|
the White Sands trustees. So it wouldn't do him any good now
|
|
if you were to refuse. Of course you'll take the school.
|
|
You'll get along all right, now that there are no Pyes going.
|
|
Josie was the last of them, and a good thing she was, that's what.
|
|
There's been some Pye or other going to Avonlea school for the
|
|
last twenty years, and I guess their mission in life was to
|
|
keep school teachers reminded that earth isn't their home.
|
|
Bless my heart! What does all that winking and blinking
|
|
at the Barry gable mean?"
|
|
|
|
"Diana is signaling for me to go over," laughed Anne.
|
|
"You know we keep up the old custom. Excuse me while I
|
|
run over and see what she wants."
|
|
|
|
Anne ran down the clover slope like a deer, and disappeared
|
|
in the firry shadows of the Haunted Wood. Mrs. Lynde looked
|
|
after her indulgently.
|
|
|
|
"There's a good deal of the child about her yet in some ways."
|
|
|
|
"There's a good deal more of the woman about her in others,"
|
|
retorted Marilla, with a momentary return of her old crispness.
|
|
|
|
But crispness was no longer Marilla's distinguishing
|
|
characteristic. As Mrs. Lynde told her Thomas that night.
|
|
|
|
"Marilla Cuthbert has got MELLOW. That's what."
|
|
|
|
Anne went to the little Avonlea graveyard the next
|
|
evening to put fresh flowers on Matthew's grave and water
|
|
the Scotch rosebush. She lingered there until dusk, liking
|
|
the peace and calm of the little place, with its poplars
|
|
whose rustle was like low, friendly speech, and its
|
|
whispering grasses growing at will among the graves.
|
|
When she finally left it and walked down the long hill that
|
|
sloped to the Lake of Shining Waters it was past sunset and
|
|
all Avonlea lay before her in a dreamlike afterlight--
|
|
"a haunt of ancient peace." There was a freshness in the air
|
|
as of a wind that had blown over honey-sweet fields of clover.
|
|
Home lights twinkled out here and there among the homestead
|
|
trees. Beyond lay the sea, misty and purple, with its
|
|
haunting, unceasing murmur. The west was a glory of soft
|
|
mingled hues, and the pond reflected them all in still
|
|
softer shadings. The beauty of it all thrilled Anne's heart,
|
|
and she gratefully opened the gates of her soul to it.
|
|
|
|
"Dear old world," she murmured, "you are very lovely,
|
|
and I am glad to be alive in you."
|
|
|
|
Halfway down the hill a tall lad came whistling out of a
|
|
gate before the Blythe homestead. It was Gilbert, and the
|
|
whistle died on his lips as he recognized Anne. He lifted
|
|
his cap courteously, but he would have passed on in
|
|
silence, if Anne had not stopped and held out her hand.
|
|
|
|
"Gilbert," she said, with scarlet cheeks, "I want to
|
|
thank you for giving up the school for me. It was very
|
|
good of you--and I want you to know that I appreciate it."
|
|
|
|
Gilbert took the offered hand eagerly.
|
|
|
|
"It wasn't particularly good of me at all, Anne. I was
|
|
pleased to be able to do you some small service. Are we
|
|
going to be friends after this? Have you really forgiven
|
|
me my old fault?"
|
|
|
|
Anne laughed and tried unsuccessfully to withdraw her hand.
|
|
|
|
"I forgave you that day by the pond landing, although
|
|
I didn't know it. What a stubborn little goose I was.
|
|
I've been--I may as well make a complete confession--I've
|
|
been sorry ever since."
|
|
|
|
"We are going to be the best of friends," said Gilbert,
|
|
jubilantly. "We were born to be good friends, Anne.
|
|
You've thwarted destiny enough. I know we can help each
|
|
other in many ways. You are going to keep up your studies,
|
|
aren't you? So am I. Come, I'm going to walk home with you."
|
|
|
|
Marilla looked curiously at Anne when the latter entered
|
|
the kitchen.
|
|
|
|
"Who was that came up the lane with you, Anne?"
|
|
|
|
"Gilbert Blythe," answered Anne, vexed to find herself
|
|
blushing. "I met him on Barry's hill."
|
|
|
|
"I didn't think you and Gilbert Blythe were such good
|
|
friends that you'd stand for half an hour at the gate
|
|
talking to him," said Marilla with a dry smile.
|
|
|
|
"We haven't been--we've been good enemies. But we
|
|
have decided that it will be much more sensible to be
|
|
good friends in the future. Were we really there half an
|
|
hour? It seemed just a few minutes. But, you see, we have
|
|
five years' lost conversations to catch up with, Marilla."
|
|
|
|
Anne sat long at her window that night companioned by
|
|
a glad content. The wind purred softly in the cherry
|
|
boughs, and the mint breaths came up to her. The stars
|
|
twinkled over the pointed firs in the hollow and Diana's
|
|
light gleamed through the old gap.
|
|
|
|
Anne's horizons had closed in since the night she had
|
|
sat there after coming home from Queen's; but if the path
|
|
set before her feet was to be narrow she knew that flowers
|
|
of quiet happiness would bloom along it. The joy of
|
|
sincere work and worthy aspiration and congenial friendship
|
|
were to be hers; nothing could rob her of her birthright
|
|
of fancy or her ideal world of dreams. And there was always
|
|
the bend in the road!
|
|
|
|
"`God's in his heaven, all's right with the world,'"
|
|
whispered Anne softly.
|
|
|
|
***
|
|
|
|
End of the Project Gutenberg Edition of Anne of Green Gables
|
|
by Lucy Maud Montgomery
|
|
|