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A Tramp Abroad, by Mark Twain [pseudonym of Samuel Clemems]
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March, 1994 [Etext #119]
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**The Project Gutenberg Etext of A Tramp Abroad, by Mark Twain
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A TRAMP ABROAD
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By Mark Twain
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(Samuel L. Clemens)
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First published in 1880
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* * * * * *
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CHAPTER I
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[The Knighted Knave of Bergen]
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One day it occurred to me that it had been many years
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since the world had been afforded the spectacle of a man
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adventurous enough to undertake a journey through Europe
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on foot. After much thought, I decided that I was
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a person fitted to furnish to mankind this spectacle.
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So I determined to do it. This was in March, 1878.
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I looked about me for the right sort of person to
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accompany me in the capacity of agent, and finally
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hired a Mr. Harris for this service.
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It was also my purpose to study art while in Europe.
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Mr. Harris was in sympathy with me in this. He was as much
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of an enthusiast in art as I was, and not less anxious
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to learn to paint. I desired to learn the German language;
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so did Harris.
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Toward the middle of April we sailed in the HOLSATIA,
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Captain Brandt, and had a very peasant trip, indeed.
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After a brief rest at Hamburg, we made preparations for
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a long pedestrian trip southward in the soft spring weather,
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but at the last moment we changed the program,
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for private reasons, and took the express-train.
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We made a short halt at Frankfort-on-the-Main, and found
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it an interesting city. I would have liked to visit
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the birthplace of Gutenburg, but it could not be done,
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as no memorandum of the site of the house has been kept.
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So we spent an hour in the Goethe mansion instead.
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The city permits this house to belong to private parties,
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instead of gracing and dignifying herself with the honor
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of possessing and protecting it.
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Frankfort is one of the sixteen cities which have
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|
the distinction of being the place where the following
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|
incident occurred. Charlemagne, while chasing the Saxons
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(as HE said), or being chased by them (as THEY said),
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|
arrived at the bank of the river at dawn, in a fog.
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|
The enemy were either before him or behind him;
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|
but in any case he wanted to get across, very badly.
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He would have given anything for a guide, but none was to
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be had. Presently he saw a deer, followed by her young,
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approach the water. He watched her, judging that she
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would seek a ford, and he was right. She waded over,
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and the army followed. So a great Frankish victory or
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defeat was gained or avoided; and in order to commemorate
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|
the episode, Charlemagne commanded a city to be built there,
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which he named Frankfort--the ford of the Franks.
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None of the other cities where this event happened were
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named for it. This is good evidence that Frankfort was
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the first place it occurred at.
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Frankfort has another distinction--it is the birthplace
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of the German alphabet; or at least of the German word
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for alphabet --BUCHSTABEN. They say that the first movable
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types were made on birch sticks--BUCHSTABE--hence the name.
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I was taught a lesson in political economy in Frankfort.
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I had brought from home a box containing a thousand
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very cheap cigars. By way of experiment, I stepped
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into a little shop in a queer old back street, took four
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gaily decorated boxes of wax matches and three cigars,
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and laid down a silver piece worth 48 cents. The man gave
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me 43 cents change.
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In Frankfort everybody wears clean clothes, and I think we
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noticed that this strange thing was the case in Hamburg, too,
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and in the villages along the road. Even in the narrowest
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and poorest and most ancient quarters of Frankfort neat
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and clean clothes were the rule. The little children
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of both sexes were nearly always nice enough to take into
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a body's lap. And as for the uniforms of the soldiers,
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they were newness and brightness carried to perfection.
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One could never detect a smirch or a grain of dust
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upon them. The street-car conductors and drivers wore
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pretty uniforms which seemed to be just out of the bandbox,
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and their manners were as fine as their clothes.
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In one of the shops I had the luck to stumble upon a book
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which has charmed me nearly to death. It is entitled
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THE LEGENDS OF THE RHINE FROM BASLE TO ROTTERDAM,
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by F. J. Kiefer; translated by L. W. Garnham, B.A.
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All tourists MENTION the Rhine legends--in that sort of way
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which quietly pretends that the mentioner has been familiar
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with them all his life, and that the reader cannot possibly
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be ignorant of them--but no tourist ever TELLS them.
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So this little book fed me in a very hungry place; and I,
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in my turn, intend to feed my reader, with one or two
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little lunches from the same larder. I shall not mar
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Garnharn's translation by meddling with its English;
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for the most toothsome thing about it is its quaint
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fashion of building English sentences on the German plan--
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and punctuating them accordingly to no plan at all.
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In the chapter devoted to "Legends of Frankfort,"
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I find the following:
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"THE KNAVE OF BERGEN"
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"In Frankfort at the Romer was a great mask-ball, at
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the coronation festival, and in the illuminated saloon,
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the clanging music invited to dance, and splendidly
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|
appeared the rich toilets and charms of the ladies,
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and the festively costumed Princes and Knights.
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|
All seemed pleasure, joy, and roguish gaiety, only one of the
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numerous guests had a gloomy exterior; but exactly the black
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armor in which he walked about excited general attention,
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|
and his tall figure, as well as the noble propriety of
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his movements, attracted especially the regards of the ladies.
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|
Who the Knight was? Nobody could guess, for his Vizier
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was well closed, and nothing made him recognizable.
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|
Proud and yet modest he advanced to the Empress; bowed on
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|
one knee before her seat, and begged for the favor of a
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|
waltz with the Queen of the festival. And she allowed
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|
his request. With light and graceful steps he danced
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|
through the long saloon, with the sovereign who thought
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never to have found a more dexterous and excellent dancer.
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|
But also by the grace of his manner, and fine conversation
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|
he knew to win the Queen, and she graciously accorded him
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|
a second dance for which he begged, a third, and a fourth,
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|
as well as others were not refused him. How all regarded
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|
the happy dancer, how many envied him the high favor;
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|
how increased curiosity, who the masked knight could be.
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"Also the Emperor became more and more excited with curiosity,
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|
and with great suspense one awaited the hour, when according
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|
to mask-law, each masked guest must make himself known.
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|
This moment came, but although all other unmasked;
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|
the secret knight still refused to allow his features
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to be seen, till at last the Queen driven by curiosity,
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|
and vexed at the obstinate refusal; commanded him to open
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|
his Vizier. He opened it, and none of the high ladies
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|
and knights knew him. But from the crowded spectators,
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|
2 officials advanced, who recognized the black dancer,
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|
and horror and terror spread in the saloon, as they said who
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|
the supposed knight was. It was the executioner of Bergen.
|
|
But glowing with rage, the King commanded to seize the
|
|
criminal and lead him to death, who had ventured to dance,
|
|
with the queen; so disgraced the Empress, and insulted
|
|
the crown. The culpable threw himself at the Emperor,
|
|
and said--
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|
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|
"'Indeed I have heavily sinned against all noble guests
|
|
assembled here, but most heavily against you my sovereign
|
|
and my queen. The Queen is insulted by my haughtiness
|
|
equal to treason, but no punishment even blood, will not
|
|
be able to wash out the disgrace, which you have suffered
|
|
by me. Therefore oh King! allow me to propose a remedy,
|
|
to efface the shame, and to render it as if not done.
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|
Draw your sword and knight me, then I will throw down
|
|
my gauntlet, to everyone who dares to speak disrespectfully
|
|
of my king.'
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|
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|
"The Emperor was surprised at this bold proposal,
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|
however it appeared the wisest to him; 'You are a knave
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|
he replied after a moment's consideration, however your
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|
advice is good, and displays prudence, as your offense
|
|
shows adventurous courage. Well then, and gave him the
|
|
knight-stroke so I raise you to nobility, who begged for
|
|
grace for your offense now kneels before me, rise as knight;
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|
knavish you have acted, and Knave of Bergen shall you
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|
be called henceforth, and gladly the Black knight rose;
|
|
three cheers were given in honor of the Emperor,
|
|
and loud cries of joy testified the approbation with
|
|
which the Queen danced still once with the Knave of Bergen."
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CHAPTER II
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|
Heidelberg
|
|
[Landing a Monarch at Heidelberg]
|
|
|
|
We stopped at a hotel by the railway-station. Next morning,
|
|
as we sat in my room waiting for breakfast to come up,
|
|
we got a good deal interested in something which was
|
|
going on over the way, in front of another hotel.
|
|
First, the personage who is called the PORTIER (who is
|
|
not the PORTER, but is a sort of first-mate of a hotel)
|
|
[1. See Appendix A] appeared at the door in a spick-and-span
|
|
new blue cloth uniform, decorated with shining brass buttons,
|
|
and with bands of gold lace around his cap and wristbands;
|
|
and he wore white gloves, too. He shed an official glance
|
|
upon the situation, and then began to give orders.
|
|
Two women-servants came out with pails and brooms
|
|
and brushes, and gave the sidewalk a thorough scrubbing;
|
|
meanwhile two others scrubbed the four marble steps
|
|
which led up to the door; beyond these we could see some
|
|
men-servants taking up the carpet of the grand staircase.
|
|
This carpet was carried away and the last grain of dust
|
|
beaten and banged and swept our of it; then brought back
|
|
and put down again. The brass stair-rods received an
|
|
exhaustive polishing and were returned to their places.
|
|
Now a troop of servants brought pots and tubs
|
|
of blooming plants and formed them into a beautiful
|
|
jungle about the door and the base of the staircase.
|
|
Other servants adorned all the balconies of the various
|
|
stories with flowers and banners; others ascended
|
|
to the roof and hoisted a great flag on a staff there.
|
|
Now came some more chamber-maids and retouched the sidewalk,
|
|
and afterward wiped the marble steps with damp cloths
|
|
and finished by dusting them off with feather brushes.
|
|
Now a broad black carpet was brought out and laid down the
|
|
marble steps and out across the sidewalk to the curbstone.
|
|
The PORTIER cast his eye along it, and found it was not
|
|
absolutely straight; he commanded it to be straightened;
|
|
the servants made the effort--made several efforts,
|
|
in fact--but the PORTIER was not satisfied. He finally
|
|
had it taken up, and then he put it down himself and got
|
|
it right.
|
|
|
|
At this stage of the proceedings, a narrow bright
|
|
red carpet was unrolled and stretched from the top
|
|
of the marble steps to the curbstone, along the center
|
|
of the black carpet. This red path cost the PORTIER
|
|
more trouble than even the black one had done. But he
|
|
patiently fixed and refixed it until it was exactly right
|
|
and lay precisely in the middle of the black carpet.
|
|
In New York these performances would have gathered a mighty
|
|
crowd of curious and intensely interested spectators;
|
|
but here it only captured an audience of half a dozen
|
|
little boys who stood in a row across the pavement,
|
|
some with their school-knapsacks on their backs and their
|
|
hands in their pockets, others with arms full of bundles,
|
|
and all absorbed in the show. Occasionally one of them
|
|
skipped irreverently over the carpet and took up a position
|
|
on the other side. This always visibly annoyed the PORTIER.
|
|
|
|
Now came a waiting interval. The landlord, in plain clothes,
|
|
and bareheaded, placed himself on the bottom marble step,
|
|
abreast the PORTIER, who stood on the other end of the
|
|
same steps; six or eight waiters, gloved, bareheaded,
|
|
and wearing their whitest linen, their whitest cravats,
|
|
and their finest swallow-tails, grouped themselves
|
|
about these chiefs, but leaving the carpetway clear.
|
|
Nobody moved or spoke any more but only waited.
|
|
|
|
In a short time the shrill piping of a coming train was heard,
|
|
and immediately groups of people began to gather in the street.
|
|
Two or three open carriages arrived, and deposited some
|
|
maids of honor and some male officials at the hotel.
|
|
Presently another open carriage brought the Grand Duke
|
|
of Baden, a stately man in uniform, who wore the handsome
|
|
brass-mounted, steel-spiked helmet of the army on his head.
|
|
Last came the Empress of Germany and the Grand Duchess
|
|
of Baden in a closed carriage; these passed through the
|
|
low-bowing groups of servants and disappeared in the hotel,
|
|
exhibiting to us only the backs of their heads, and then
|
|
the show was over.
|
|
|
|
It appears to be as difficult to land a monarch as it
|
|
is to launch a ship.
|
|
|
|
But as to Heidelberg. The weather was growing pretty warm,
|
|
--very warm, in fact. So we left the valley and took
|
|
quarters at the Schloss Hotel, on the hill, above the Castle.
|
|
|
|
Heidelberg lies at the mouth of a narrow gorge--a gorge
|
|
the shape of a shepherd's crook; if one looks up it he
|
|
perceives that it is about straight, for a mile and a half,
|
|
then makes a sharp curve to the right and disappears.
|
|
This gorge--along whose bottom pours the swift Neckar--
|
|
is confined between (or cloven through) a couple of long,
|
|
steep ridges, a thousand feet high and densely wooded
|
|
clear to their summits, with the exception of one section
|
|
which has been shaved and put under cultivation.
|
|
These ridges are chopped off at the mouth of the gorge
|
|
and form two bold and conspicuous headlands, with Heidelberg
|
|
nestling between them; from their bases spreads away
|
|
the vast dim expanse of the Rhine valley, and into this
|
|
expanse the Neckar goes wandering in shining curves and is
|
|
presently lost to view.
|
|
|
|
Now if one turns and looks up the gorge once more, he will
|
|
see the Schloss Hotel on the right perched on a precipice
|
|
overlooking the Neckar--a precipice which is so sumptuously
|
|
cushioned and draped with foliage that no glimpse of the
|
|
rock appears. The building seems very airily situated.
|
|
It has the appearance of being on a shelf half-way up
|
|
the wooded mountainside; and as it is remote and isolated,
|
|
and very white, it makes a strong mark against the lofty
|
|
leafy rampart at its back.
|
|
|
|
This hotel had a feature which was a decided novelty,
|
|
and one which might be adopted with advantage by any house
|
|
which is perched in a commanding situation. This feature
|
|
may be described as a series of glass-enclosed parlors
|
|
CLINGING TO THE OUTSIDE OF THE HOUSE, one against each
|
|
and every bed-chamber and drawing-room. They are like long,
|
|
narrow, high-ceiled bird-cages hung against the building.
|
|
My room was a corner room, and had two of these things,
|
|
a north one and a west one.
|
|
|
|
From the north cage one looks up the Neckar gorge;
|
|
from the west one he looks down it. This last affords
|
|
the most extensive view, and it is one of the loveliest
|
|
that can be imagined, too. Out of a billowy upheaval of
|
|
vivid green foliage, a rifle-shot removed, rises the huge
|
|
ruin of Heidelberg Castle, [2. See Appendix B] with empty window
|
|
arches,
|
|
ivy-mailed battlements, moldering towers--the Lear of
|
|
inanimate nature--deserted, discrowned, beaten by the storms,
|
|
but royal still, and beautiful. It is a fine sight to see
|
|
the evening sunlight suddenly strike the leafy declivity
|
|
at the Castle's base and dash up it and drench it as with
|
|
a luminous spray, while the adjacent groves are in deep shadow.
|
|
|
|
Behind the Castle swells a great dome-shaped hill,
|
|
forest-clad, and beyond that a nobler and loftier one.
|
|
The Castle looks down upon the compact brown-roofed town;
|
|
and from the town two picturesque old bridges span
|
|
the river. Now the view broadens; through the gateway
|
|
of the sentinel headlands you gaze out over the wide
|
|
Rhine plain, which stretches away, softly and richly tinted,
|
|
grows gradually and dreamily indistinct, and finally melts
|
|
imperceptibly into the remote horizon.
|
|
|
|
I have never enjoyed a view which had such a serene
|
|
and satisfying charm about it as this one gives.
|
|
|
|
The first night we were there, we went to bed and to
|
|
sleep early; but I awoke at the end of two or three hours,
|
|
and lay a comfortable while listening to the soothing
|
|
patter of the rain against the balcony windows.
|
|
I took it to be rain, but it turned out to be only the
|
|
murmur of the restless Neckar, tumbling over her dikes
|
|
and dams far below, in the gorge. I got up and went
|
|
into the west balcony and saw a wonderful sight.
|
|
Away down on the level under the black mass of the Castle,
|
|
the town lay, stretched along the river, its intricate
|
|
cobweb of streets jeweled with twinkling lights;
|
|
there were rows of lights on the bridges; these flung
|
|
lances of light upon the water, in the black shadows
|
|
of the arches; and away at the extremity of all this
|
|
fairy spectacle blinked and glowed a massed multitude
|
|
of gas-jets which seemed to cover acres of ground;
|
|
it was as if all the diamonds in the world had been spread
|
|
out there. I did not know before, that a half-mile
|
|
of sextuple railway-tracks could be made such an adornment.
|
|
|
|
One thinks Heidelberg by day--with its surroundings--
|
|
is the last possibility of the beautiful; but when he
|
|
sees Heidelberg by night, a fallen Milky Way, with that
|
|
glittering railway constellation pinned to the border,
|
|
he requires time to consider upon the verdict.
|
|
|
|
One never tires of poking about in the dense woods that
|
|
clothe all these lofty Neckar hills to their beguiling
|
|
and impressive charm in any country; but German legends
|
|
and fairy tales have given these an added charm.
|
|
They have peopled all that region with gnomes, and dwarfs,
|
|
and all sorts of mysterious and uncanny creatures.
|
|
At the time I am writing of, I had been reading so much
|
|
of this literature that sometimes I was not sure but I
|
|
was beginning to believe in the gnomes and fairies
|
|
as realities.
|
|
|
|
One afternoon I got lost in the woods about a mile from
|
|
the hotel, and presently fell into a train of dreamy thought
|
|
about animals which talk, and kobolds, and enchanted folk,
|
|
and the rest of the pleasant legendary stuff; and so,
|
|
by stimulating my fancy, I finally got to imagining I
|
|
glimpsed small flitting shapes here and there down the
|
|
columned aisles of the forest. It was a place which was
|
|
peculiarly meet for the occasion. It was a pine wood,
|
|
with so thick and soft a carpet of brown needles that one's
|
|
footfall made no more sound than if he were treading
|
|
on wool; the tree-trunks were as round and straight
|
|
and smooth as pillars, and stood close together;
|
|
they were bare of branches to a point about twenty-five
|
|
feet above-ground, and from there upward so thick with
|
|
boughs that not a ray of sunlight could pierce through.
|
|
The world was bright with sunshine outside, but a deep
|
|
and mellow twilight reigned in there, and also a deep
|
|
silence so profound that I seemed to hear my own breathings.
|
|
|
|
When I had stood ten minutes, thinking and imagining,
|
|
and getting my spirit in tune with the place, and in the
|
|
right mood to enjoy the supernatural, a raven suddenly
|
|
uttered a horse croak over my head. It made me start;
|
|
and then I was angry because I started. I looked up,
|
|
and the creature was sitting on a limb right over me,
|
|
looking down at me. I felt something of the same sense
|
|
of humiliation and injury which one feels when he finds
|
|
that a human stranger has been clandestinely inspecting
|
|
him in his privacy and mentally commenting upon him.
|
|
I eyed the raven, and the raven eyed me. Nothing was said
|
|
during some seconds. Then the bird stepped a little way
|
|
along his limb to get a better point of observation,
|
|
lifted his wings, stuck his head far down below his
|
|
shoulders toward me and croaked again--a croak with a
|
|
distinctly insulting expression about it. If he had
|
|
spoken in English he could not have said any more plainly
|
|
that he did say in raven, "Well, what do YOU want here?"
|
|
I felt as foolish as if I had been caught in some mean act
|
|
by a responsible being, and reproved for it. However, I
|
|
made no reply; I would not bandy words with a raven.
|
|
The adversary waited a while, with his shoulders still lifted,
|
|
his head thrust down between them, and his keen bright eye
|
|
fixed on me; then he threw out two or three more insults,
|
|
which I could not understand, further than that I
|
|
knew a portion of them consisted of language not used
|
|
in church.
|
|
|
|
I still made no reply. Now the adversary raised his head
|
|
and called. There was an answering croak from a little
|
|
distance in the wood--evidently a croak of inquiry.
|
|
The adversary explained with enthusiasm, and the other raven
|
|
dropped everything and came. The two sat side by side
|
|
on the limb and discussed me as freely and offensively
|
|
as two great naturalists might discuss a new kind of bug.
|
|
The thing became more and more embarrassing. They called
|
|
in another friend. This was too much. I saw that they
|
|
had the advantage of me, and so I concluded to get out
|
|
of the scrape by walking out of it. They enjoyed my
|
|
defeat as much as any low white people could have done.
|
|
They craned their necks and laughed at me (for a raven
|
|
CAN laugh, just like a man), they squalled insulting remarks
|
|
after me as long as they could see me. They were nothing
|
|
but ravens--I knew that--what they thought of me could
|
|
be a matter of no consequence--and yet when even a raven
|
|
shouts after you, "What a hat!" "Oh, pull down your vest!"
|
|
and that sort of thing, it hurts you and humiliates you,
|
|
and there is no getting around it with fine reasoning and
|
|
pretty arguments.
|
|
|
|
Animals talk to each other, of course. There can be no
|
|
question about that; but I suppose there are very few
|
|
people who can understand them. I never knew but one man
|
|
who could. I knew he could, however, because he told
|
|
me so himself. He was a middle-aged, simple-hearted
|
|
miner who had lived in a lonely corner of California,
|
|
among the woods and mountains, a good many years,
|
|
and had studied the ways of his only neighbors, the beasts
|
|
and the birds, until he believed he could accurately
|
|
translate any remark which they made. This was Jim Baker.
|
|
According to Jim Baker, some animals have only a
|
|
limited education, and some use only simple words,
|
|
and scarcely ever a comparison or a flowery figure;
|
|
whereas, certain other animals have a large vocabulary,
|
|
a fine command of language and a ready and fluent delivery;
|
|
consequently these latter talk a great deal; they like it;
|
|
they are so conscious of their talent, and they enjoy
|
|
"showing off." Baker said, that after long and careful
|
|
observation, he had come to the conclusion that the bluejays
|
|
were the best talkers he had found among birds and beasts. Said
|
|
he:
|
|
|
|
"There's more TO a bluejay than any other creature.
|
|
He has got more moods, and more different kinds
|
|
of feelings than other creatures; and, mind you,
|
|
whatever a bluejay feels, he can put into language.
|
|
And no mere commonplace language, either, but rattling,
|
|
out-and-out book-talk--and bristling with metaphor,
|
|
too--just bristling! And as for command of language--why
|
|
YOU never see a bluejay get stuck for a word. No man
|
|
ever did. They just boil out of him! And another thing:
|
|
I've noticed a good deal, and there's no bird, or cow,
|
|
or anything that uses as good grammar as a bluejay.
|
|
You may say a cat uses good grammar. Well, a cat
|
|
does--but you let a cat get excited once; you let a cat
|
|
get to pulling fur with another cat on a shed, nights,
|
|
and you'll hear grammar that will give you the lockjaw.
|
|
Ignorant people think it's the NOISE which fighting
|
|
cats make that is so aggravating, but it ain't so;
|
|
it's the sickening grammar they use. Now I've never heard
|
|
a jay use bad grammar but very seldom; and when they do,
|
|
they are as ashamed as a human; they shut right down
|
|
and leave.
|
|
|
|
"You may call a jay a bird. Well, so he is, in a measure--
|
|
but he's got feathers on him, and don't belong to no church,
|
|
perhaps; but otherwise he is just as much human as you be.
|
|
And I'll tell you for why. A jay's gifts, and instincts,
|
|
and feelings, and interests, cover the whole ground.
|
|
A jay hasn't got any more principle than a Congressman.
|
|
A jay will lie, a jay will steal, a jay will deceive,
|
|
a jay will betray; and four times out of five, a jay
|
|
will go back on his solemnest promise. The sacredness
|
|
of an obligation is such a thing which you can't cram
|
|
into no bluejay's head. Now, on top of all this,
|
|
there's another thing; a jay can out-swear any gentleman
|
|
in the mines. You think a cat can swear. Well, a cat can;
|
|
but you give a bluejay a subject that calls for his
|
|
reserve-powers, and where is your cat? Don't talk to ME--I
|
|
know too much about this thing; in the one little particular
|
|
of scolding--just good, clean, out-and-out scolding--
|
|
a bluejay can lay over anything, human or divine.
|
|
Yes, sir, a jay is everything that a man is. A jay can cry,
|
|
a jay can laugh, a jay can feel shame, a jay can reason
|
|
and plan and discuss, a jay likes gossip and scandal,
|
|
a jay has got a sense of humor, a jay knows when he is
|
|
an ass just as well as you do--maybe better. If a jay
|
|
ain't human, he better take in his sign, that's all.
|
|
Now I'm going to tell you a perfectly true fact about
|
|
some bluejays.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
Baker's Bluejay Yarn
|
|
[What Stumped the Blue Jays]
|
|
|
|
"When I first begun to understand jay language correctly,
|
|
there was a little incident happened here. Seven years ago,
|
|
the last man in this region but me moved away. There stands
|
|
his house--been empty ever since; a log house, with a plank
|
|
roof--just one big room, and no more; no ceiling--nothing
|
|
between the rafters and the floor. Well, one Sunday
|
|
morning I was sitting out here in front of my cabin,
|
|
with my cat, taking the sun, and looking at the blue hills,
|
|
and listening to the leaves rustling so lonely in the trees,
|
|
and thinking of the home away yonder in the states,
|
|
that I hadn't heard from in thirteen years, when a bluejay
|
|
lit on that house, with an acorn in his mouth, and says,
|
|
'Hello, I reckon I've struck something.' When he spoke,
|
|
the acorn dropped out of his mouth and rolled down the roof,
|
|
of course, but he didn't care; his mind was all on the
|
|
thing he had struck. It was a knot-hole in the roof.
|
|
He cocked his head to one side, shut one eye and put the
|
|
other one to the hole, like a possum looking down a jug;
|
|
then he glanced up with his bright eyes, gave a wink
|
|
or two with his wings--which signifies gratification,
|
|
you understand--and says, 'It looks like a hole,
|
|
it's located like a hole--blamed if I don't believe it IS
|
|
a hole!'
|
|
|
|
"Then he cocked his head down and took another look;
|
|
he glances up perfectly joyful, this time; winks his wings
|
|
and his tail both, and says, 'Oh, no, this ain't no fat thing,
|
|
I reckon! If I ain't in luck! --Why it's a perfectly
|
|
elegant hole!' So he flew down and got that acorn,
|
|
and fetched it up and dropped it in, and was just tilting
|
|
his head back, with the heavenliest smile on his face,
|
|
when all of a sudden he was paralyzed into a listening
|
|
attitude and that smile faded gradually out of his
|
|
countenance like breath off'n a razor, and the queerest
|
|
look of surprise took its place. Then he says, 'Why, I
|
|
didn't hear it fall!' He cocked his eye at the hole again,
|
|
and took a long look; raised up and shook his head;
|
|
stepped around to the other side of the hole and took
|
|
another look from that side; shook his head again.
|
|
He studied a while, then he just went into the Details--
|
|
walked round and round the hole and spied into it from every
|
|
point of the compass. No use. Now he took a thinking
|
|
attitude on the comb of the roof and scratched the back
|
|
of his head with his right foot a minute, and finally says,
|
|
'Well, it's too many for ME, that's certain; must be
|
|
a mighty long hole; however, I ain't got no time to fool
|
|
around here, I got to "tend to business"; I reckon it's
|
|
all right--chance it, anyway.'
|
|
|
|
"So he flew off and fetched another acorn and dropped
|
|
it in, and tried to flirt his eye to the hole quick
|
|
enough to see what become of it, but he was too late.
|
|
He held his eye there as much as a minute; then he raised
|
|
up and sighed, and says, 'Confound it, I don't seem
|
|
to understand this thing, no way; however, I'll tackle
|
|
her again.' He fetched another acorn, and done his level
|
|
best to see what become of it, but he couldn't. He says,
|
|
'Well, I never struck no such a hole as this before;
|
|
I'm of the opinion it's a totally new kind of a hole.'
|
|
Then he begun to get mad. He held in for a spell,
|
|
walking up and down the comb of the roof and shaking
|
|
his head and muttering to himself; but his feelings got
|
|
the upper hand of him, presently, and he broke loose
|
|
and cussed himself black in the face. I never see a bird
|
|
take on so about a little thing. When he got through he
|
|
walks to the hole and looks in again for half a minute;
|
|
then he says, 'Well, you're a long hole, and a deep hole,
|
|
and a mighty singular hole altogether--but I've started
|
|
in to fill you, and I'm damned if I DON'T fill you, if it
|
|
takes a hundred years!'
|
|
|
|
"And with that, away he went. You never see a bird work
|
|
so since you was born. He laid into his work like a nigger,
|
|
and the way he hove acorns into that hole for about
|
|
two hours and a half was one of the most exciting and
|
|
astonishing spectacles I ever struck. He never stopped
|
|
to take a look anymore--he just hove 'em in and went
|
|
for more. Well, at last he could hardly flop his wings,
|
|
he was so tuckered out. He comes a-dropping down, once more,
|
|
sweating like an ice-pitcher, dropped his acorn in and says,
|
|
'NOW I guess I've got the bulge on you by this time!'
|
|
So he bent down for a look. If you'll believe me,
|
|
when his head come up again he was just pale with rage.
|
|
He says, 'I've shoveled acorns enough in there to keep
|
|
the family thirty years, and if I can see a sign of one
|
|
of 'em I wish I may land in a museum with a belly full
|
|
of sawdust in two minutes!'
|
|
|
|
"He just had strength enough to crawl up on to the
|
|
comb and lean his back agin the chimbly, and then he
|
|
collected his impressions and begun to free his mind.
|
|
I see in a second that what I had mistook for profanity
|
|
in the mines was only just the rudiments, as you may say.
|
|
|
|
"Another jay was going by, and heard him doing his devotions,
|
|
and stops to inquire what was up. The sufferer told him
|
|
the whole circumstance, and says, 'Now yonder's the hole,
|
|
and if you don't believe me, go and look for yourself.'
|
|
So this fellow went and looked, and comes back and says,
|
|
"How many did you say you put in there?' 'Not any less
|
|
than two tons,' says the sufferer. The other jay went
|
|
and looked again. He couldn't seem to make it out, so he
|
|
raised a yell, and three more jays come. They all examined
|
|
the hole, they all made the sufferer tell it over again,
|
|
then they all discussed it, and got off as many leather-headed
|
|
opinions about it as an average crowd of humans could
|
|
have done.
|
|
|
|
"They called in more jays; then more and more, till pretty
|
|
soon this whole region 'peared to have a blue flush about it.
|
|
There must have been five thousand of them; and such
|
|
another jawing and disputing and ripping and cussing,
|
|
you never heard. Every jay in the whole lot put his
|
|
eye to the hole and delivered a more chuckle-headed
|
|
opinion about the mystery than the jay that went there
|
|
before him. They examined the house all over, too.
|
|
The door was standing half open, and at last one old jay
|
|
happened to go and light on it and look in. Of course,
|
|
that knocked the mystery galley-west in a second.
|
|
There lay the acorns, scattered all over the floor..
|
|
He flopped his wings and raised a whoop. 'Come here!'
|
|
he says, 'Come here, everybody; hang'd if this fool hasn't
|
|
been trying to fill up a house with acorns!' They all came
|
|
a-swooping down like a blue cloud, and as each fellow
|
|
lit on the door and took a glance, the whole absurdity
|
|
of the contract that that first jay had tackled hit him
|
|
home and he fell over backward suffocating with laughter,
|
|
and the next jay took his place and done the same.
|
|
|
|
"Well, sir, they roosted around here on the housetop
|
|
and the trees for an hour, and guffawed over that thing
|
|
like human beings. It ain't any use to tell me a bluejay
|
|
hasn't got a sense of humor, because I know better.
|
|
And memory, too. They brought jays here from all over
|
|
the United States to look down that hole, every summer
|
|
for three years. Other birds, too. And they could all
|
|
see the point except an owl that come from Nova Scotia
|
|
to visit the Yo Semite, and he took this thing in on
|
|
his way back. He said he couldn't see anything funny
|
|
in it. But then he was a good deal disappointed about
|
|
Yo Semite, too." Humor, a jay knows when he is an ass just
|
|
as well as you do--maybe better. If a jay ain't human,
|
|
he better take in his sign, that's all. Now I'm going
|
|
to tell you a perfectly true fact about some bluejays."
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
Student Life
|
|
[The Laborious Beer King]
|
|
|
|
The summer semester was in full tide; consequently the
|
|
most frequent figure in and about Heidelberg was
|
|
the student. Most of the students were Germans,
|
|
of course, but the representatives of foreign lands
|
|
were very numerous. They hailed from every corner
|
|
of the globe--for instruction is cheap in Heidelberg,
|
|
and so is living, too. The Anglo-American Club,
|
|
composed of British and American students, had twenty-five
|
|
members, and there was still much material left to draw from.
|
|
|
|
Nine-tenths of the Heidelberg students wore no badge
|
|
or uniform; the other tenth wore caps of various colors,
|
|
and belonged to social organizations called "corps." There
|
|
were five corps, each with a color of its own; there were
|
|
white caps, blue caps, and red, yellow, and green ones.
|
|
The famous duel-fighting is confined to the "corps" boys.
|
|
The "KNEIP" seems to be a specialty of theirs, too.
|
|
Kneips are held, now and then, to celebrate great occasions,
|
|
like the election of a beer king, for instance.
|
|
The solemnity is simple; the five corps assemble at night,
|
|
and at a signal they all fall loading themselves with beer,
|
|
out of pint-mugs, as fast as possible, and each man keeps
|
|
his own count--usually by laying aside a lucifer match
|
|
for each mud he empties. The election is soon decided.
|
|
When the candidates can hold no more, a count is instituted
|
|
and the one who has drank the greatest number of pints is
|
|
proclaimed king. I was told that the last beer king elected
|
|
by the corps--or by his own capabilities--emptied his mug
|
|
seventy-five times. No stomach could hold all that quantity
|
|
at one time, of course--but there are ways of frequently
|
|
creating a vacuum, which those who have been much at sea
|
|
will understand.
|
|
|
|
One sees so many students abroad at all hours, that he
|
|
presently begins to wonder if they ever have any
|
|
working-hours. Some of them have, some of them haven't.
|
|
Each can choose for himself whether he will work or play;
|
|
for German university life is a very free life;
|
|
it seems to have no restraints. The student does not live
|
|
in the college buildings, but hires his own lodgings,
|
|
in any locality he prefers, and he takes his meals when
|
|
and where he pleases. He goes to bed when it suits him,
|
|
and does not get up at all unless he wants to.
|
|
He is not entered at the university for any particular
|
|
length of time; so he is likely to change about.
|
|
He passes no examinations upon entering college.
|
|
He merely pays a trifling fee of five or ten dollars,
|
|
receives a card entitling him to the privileges of
|
|
the university, and that is the end of it. He is now ready
|
|
for business--or play, as he shall prefer. If he elects
|
|
to work, he finds a large list of lectures to choose from.
|
|
He selects the subjects which he will study, and enters
|
|
his name for these studies; but he can skip attendance.
|
|
|
|
The result of this system is, that lecture-courses upon
|
|
specialties of an unusual nature are often delivered
|
|
to very slim audiences, while those upon more practical
|
|
and every-day matters of education are delivered to very
|
|
large ones. I heard of one case where, day after day,
|
|
the lecturer's audience consisted of three students--and always
|
|
the same three. But one day two of them remained away.
|
|
The lecturer began as usual --
|
|
|
|
"Gentlemen," --then, without a smile, he corrected himself,
|
|
saying --
|
|
|
|
"Sir," --and went on with his discourse.
|
|
|
|
It is said that the vast majority of the Heidelberg students
|
|
are hard workers, and make the most of their opportunities;
|
|
that they have no surplus means to spend in dissipation,
|
|
and no time to spare for frolicking. One lecture follows
|
|
right on the heels of another, with very little time
|
|
for the student to get out of one hall and into the next;
|
|
but the industrious ones manage it by going on a trot.
|
|
The professors assist them in the saving of their time
|
|
by being promptly in their little boxed-up pulpits when the
|
|
hours strike, and as promptly out again when the hour finishes.
|
|
I entered an empty lecture-room one day just before the
|
|
clock struck. The place had simple, unpainted pine desks
|
|
and benches for about two hundred persons.
|
|
|
|
About a minute before the clock struck, a hundred
|
|
and fifty students swarmed in, rushed to their seats,
|
|
immediately spread open their notebooks and dipped their
|
|
pens in ink. When the clock began to strike, a burly
|
|
professor entered, was received with a round of applause,
|
|
moved swiftly down the center aisle, said "Gentlemen,"
|
|
and began to talk as he climbed his pulpit steps; and by
|
|
the time he had arrived in his box and faced his audience,
|
|
his lecture was well under way and all the pens were going.
|
|
He had no notes, he talked with prodigious rapidity and
|
|
energy for an hour--then the students began to remind
|
|
him in certain well-understood ways that his time was up;
|
|
he seized his hat, still talking, proceeded swiftly down
|
|
his pulpit steps, got out the last word of his discourse
|
|
as he struck the floor; everybody rose respectfully,
|
|
and he swept rapidly down the aisle and disappeared.
|
|
An instant rush for some other lecture-room followed,
|
|
and in a minute I was alone with the empty benches
|
|
once more.
|
|
|
|
Yes, without doubt, idle students are not the rule.
|
|
Out of eight hundred in the town, I knew the faces of only
|
|
about fifty; but these I saw everywhere, and daily.
|
|
They walked about the streets and the wooded hills,
|
|
they drove in cabs, they boated on the river, they sipped
|
|
beer and coffee, afternoons, in the Schloss gardens.
|
|
A good many of them wore colored caps of the corps.
|
|
They were finely and fashionably dressed, their manners
|
|
were quite superb, and they led an easy, careless,
|
|
comfortable life. If a dozen of them sat together and a lady
|
|
or a gentleman passed whom one of them knew and saluted,
|
|
they all rose to their feet and took off their caps.
|
|
The members of a corps always received a fellow-member
|
|
in this way, too; but they paid no attention to members
|
|
of other corps; they did not seem to see them. This was not
|
|
a discourtesy; it was only a part of the elaborate and rigid
|
|
corps etiquette.
|
|
|
|
There seems to be no chilly distance existing between the
|
|
German students and the professor; but, on the contrary,
|
|
a companionable intercourse, the opposite of chilliness
|
|
and reserve. When the professor enters a beer-hall
|
|
in the evening where students are gathered together,
|
|
these rise up and take off their caps, and invite the old
|
|
gentleman to sit with them and partake. He accepts,
|
|
and the pleasant talk and the beer flow for an hour or two,
|
|
and by and by the professor, properly charged and comfortable,
|
|
gives a cordial good night, while the students stand
|
|
bowing and uncovered; and then he moves on his happy
|
|
way homeward with all his vast cargo of learning afloat
|
|
in his hold. Nobody finds fault or feels outraged;
|
|
no harm has been done.
|
|
|
|
It seemed to be a part of corps etiquette to keep a dog
|
|
or so, too. I mean a corps dog--the common property of
|
|
the organization, like the corps steward or head servant;
|
|
then there are other dogs, owned by individuals.
|
|
|
|
On a summer afternoon in the Castle gardens, I have
|
|
seen six students march solemnly into the grounds,
|
|
in single file, each carrying a bright Chinese parasol
|
|
and leading a prodigious dog by a string. It was a very
|
|
imposing spectacle. Sometimes there would be as many
|
|
dogs around the pavilion as students; and of all breeds
|
|
and of all degrees of beauty and ugliness. These dogs
|
|
had a rather dry time of it; for they were tied to the
|
|
benches and had no amusement for an hour or two at a time
|
|
except what they could get out of pawing at the gnats,
|
|
or trying to sleep and not succeeding. However, they got
|
|
a lump of sugar occasionally--they were fond of that.
|
|
|
|
It seemed right and proper that students should indulge in dogs;
|
|
but everybody else had them, too--old men and young ones,
|
|
old women and nice young ladies. If there is one spectacle
|
|
that is unpleasanter than another, it is that of an
|
|
elegantly dressed young lady towing a dog by a string.
|
|
It is said to be the sign and symbol of blighted love.
|
|
It seems to me that some other way of advertising it might
|
|
be devised, which would be just as conspicuous and yet
|
|
not so trying to the proprieties.
|
|
|
|
It would be a mistake to suppose that the easy-going
|
|
pleasure-seeking student carries an empty head.
|
|
Just the contrary. He has spent nine years in the gymnasium,
|
|
under a system which allowed him no freedom, but vigorously
|
|
compelled him to work like a slave. Consequently, he has
|
|
left the gymnasium with an education which is so extensive
|
|
and complete, that the most a university can do for it
|
|
is to perfect some of its profounder specialties.
|
|
It is said that when a pupil leaves the gymnasium, he not
|
|
only has a comprehensive education, but he KNOWS what he
|
|
knows--it is not befogged with uncertainty, it is burnt
|
|
into him so that it will stay. For instance, he does not
|
|
merely read and write Greek, but speaks it; the same with
|
|
the Latin. Foreign youth steer clear of the gymnasium;
|
|
its rules are too severe. They go to the university
|
|
to put a mansard roof on their whole general education;
|
|
but the German student already has his mansard roof, so he
|
|
goes there to add a steeple in the nature of some specialty,
|
|
such as a particular branch of law, or diseases of the eye,
|
|
or special study of the ancient Gothic tongues.
|
|
So this German attends only the lectures which belong
|
|
to the chosen branch, and drinks his beer and tows his dog
|
|
around and has a general good time the rest of the day.
|
|
He has been in rigid bondage so long that the large liberty
|
|
of the university life is just what he needs and likes
|
|
and thoroughly appreciates; and as it cannot last forever,
|
|
he makes the most of it while it does last, and so lays
|
|
up a good rest against the day that must see him put on
|
|
the chains once more and enter the slavery of official
|
|
or professional life.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
At the Students' Dueling-Ground
|
|
[Dueling by Wholesale]
|
|
|
|
One day in the interest of science my agent obtained
|
|
permission to bring me to the students' dueling-place. We
|
|
crossed the river and drove up the bank a few hundred yards,
|
|
then turned to the left, entered a narrow alley, followed it
|
|
a hundred yards and arrived at a two-story public house;
|
|
we were acquainted with its outside aspect, for it was
|
|
visible from the hotel. We went upstairs and passed into
|
|
a large whitewashed apartment which was perhaps fifty feet
|
|
long by thirty feet wide and twenty or twenty-five high.
|
|
It was a well-lighted place. There was no carpet.
|
|
Across one end and down both sides of the room extended a row
|
|
of tables, and at these tables some fifty or seventy-five
|
|
students [1. See Appendix C] were sitting.
|
|
|
|
Some of them were sipping wine, others were playing cards,
|
|
others chess, other groups were chatting together,
|
|
and many were smoking cigarettes while they waited for
|
|
the coming duels. Nearly all of them wore colored caps;
|
|
there were white caps, green caps, blue caps, red caps,
|
|
and bright-yellow ones; so, all the five corps were
|
|
present in strong force. In the windows at the vacant
|
|
end of the room stood six or eight, narrow-bladed swords
|
|
with large protecting guards for the hand, and outside
|
|
was a man at work sharpening others on a grindstone.
|
|
He understood his business; for when a sword left his hand
|
|
one could shave himself with it.
|
|
|
|
It was observable that the young gentlemen neither bowed
|
|
to nor spoke with students whose caps differed in color
|
|
from their own. This did not mean hostility, but only an
|
|
armed neutrality. It was considered that a person could
|
|
strike harder in the duel, and with a more earnest interest,
|
|
if he had never been in a condition of comradeship with
|
|
his antagonist; therefore, comradeship between the corps
|
|
was not permitted. At intervals the presidents of the five
|
|
corps have a cold official intercourse with each other,
|
|
but nothing further. For example, when the regular
|
|
dueling-day of one of the corps approaches, its president
|
|
calls for volunteers from among the membership to
|
|
offer battle; three or more respond--but there must not
|
|
be less than three; the president lays their names before
|
|
the other presidents, with the request that they furnish
|
|
antagonists for these challengers from among their corps.
|
|
This is promptly done. It chanced that the present
|
|
occasion was the battle-day of the Red Cap Corps.
|
|
They were the challengers, and certain caps of other colors
|
|
had volunteered to meet them. The students fight duels
|
|
in the room which I have described, TWO DAYS IN EVERY WEEK
|
|
DURING SEVEN AND A HALF OR EIGHT MONTHS IN EVERY YEAR.
|
|
This custom had continued in Germany two hundred and fifty years.
|
|
|
|
|
|
To return to my narrative. A student in a white cap
|
|
met us and introduced us to six or eight friends of his
|
|
who also wore white caps, and while we stood conversing,
|
|
two strange-looking figures were led in from another room.
|
|
They were students panoplied for the duel. They were bareheaded;
|
|
their eyes were protected by iron goggles which projected
|
|
an inch or more, the leather straps of which bound
|
|
their ears flat against their heads were wound around
|
|
and around with thick wrappings which a sword could not
|
|
cut through; from chin to ankle they were padded thoroughly
|
|
against injury; their arms were bandaged and rebandaged,
|
|
layer upon layer, until they looked like solid black logs.
|
|
These weird apparitions had been handsome youths,
|
|
clad in fashionable attire, fifteen minutes before,
|
|
but now they did not resemble any beings one ever sees
|
|
unless in nightmares. They strode along, with their arms
|
|
projecting straight out from their bodies; they did
|
|
not hold them out themselves, but fellow-students walked
|
|
beside them and gave the needed support.
|
|
|
|
There was a rush for the vacant end of the room, now,
|
|
and we followed and got good places. The combatants were
|
|
placed face to face, each with several members of his own
|
|
corps about him to assist; two seconds, well padded,
|
|
and with swords in their hands, took their stations;
|
|
a student belonging to neither of the opposing corps
|
|
placed himself in a good position to umpire the combat;
|
|
another student stood by with a watch and a memorandum-book
|
|
to keep record of the time and the number and nature of
|
|
the wounds; a gray-haired surgeon was present with his lint,
|
|
his bandages, and his instruments. After a moment's pause
|
|
the duelists saluted the umpire respectfully, then one
|
|
after another the several officials stepped forward,
|
|
gracefully removed their caps and saluted him also,
|
|
and returned to their places. Everything was ready now;
|
|
students stood crowded together in the foreground,
|
|
and others stood behind them on chairs and tables.
|
|
Every face was turned toward the center of attraction.
|
|
|
|
The combatants were watching each other with alert eyes;
|
|
a perfect stillness, a breathless interest reigned.
|
|
I felt that I was going to see some wary work. But not so.
|
|
The instant the word was given, the two apparitions
|
|
sprang forward and began to rain blows down upon each
|
|
other with such lightning rapidity that I could not quite
|
|
tell whether I saw the swords or only flashes they made
|
|
in the air; the rattling din of these blows as they struck
|
|
steel or paddings was something wonderfully stirring,
|
|
and they were struck with such terrific force that I could
|
|
not understand why the opposing sword was not beaten
|
|
down under the assault. Presently, in the midst of the
|
|
sword-flashes, I saw a handful of hair skip into the air
|
|
as if it had lain loose on the victim's head and a breath
|
|
of wind had puffed it suddenly away.
|
|
|
|
The seconds cried "Halt!" and knocked up the combatants'
|
|
swords with their own. The duelists sat down; a student
|
|
official stepped forward, examined the wounded head
|
|
and touched the place with a sponge once or twice;
|
|
the surgeon came and turned back the hair from the wound--
|
|
and revealed a crimson gash two or three inches long,
|
|
and proceeded to bind an oval piece of leather and a bunch
|
|
of lint over it; the tally-keeper stepped up and tallied
|
|
one for the opposition in his book.
|
|
|
|
Then the duelists took position again; a small stream of
|
|
blood was flowing down the side of the injured man's head,
|
|
and over his shoulder and down his body to the floor,
|
|
but he did not seem to mind this. The word was given,
|
|
and they plunged at each other as fiercely as before;
|
|
once more the blows rained and rattled and flashed;
|
|
every few moments the quick-eyed seconds would notice
|
|
that a sword was bent--then they called "Halt!" struck up
|
|
the contending weapons, and an assisting student straightened
|
|
the bent one.
|
|
|
|
The wonderful turmoil went on--presently a bright spark
|
|
sprung from a blade, and that blade broken in several pieces,
|
|
sent one of its fragments flying to the ceiling.
|
|
A new sword was provided and the fight proceeded.
|
|
The exercise was tremendous, of course, and in time
|
|
the fighters began to show great fatigue. They were
|
|
allowed to rest a moment, every little while; they got
|
|
other rests by wounding each other, for then they could
|
|
sit down while the doctor applied the lint and bandages.
|
|
The laws is that the battle must continue fifteen minutes
|
|
if the men can hold out; and as the pauses do not count,
|
|
this duel was protracted to twenty or thirty minutes,
|
|
I judged. At last it was decided that the men were too much
|
|
wearied to do battle longer. They were led away drenched
|
|
with crimson from head to foot. That was a good fight,
|
|
but it could not count, partly because it did not last
|
|
the lawful fifteen minutes (of actual fighting), and
|
|
partly because neither man was disabled by his wound.
|
|
It was a drawn battle, and corps law requires that drawn
|
|
battles shall be refought as soon as the adversaries are
|
|
well of their hurts.
|
|
|
|
During the conflict, I had talked a little, now and then,
|
|
with a young gentleman of the White Cap Corps, and he
|
|
had mentioned that he was to fight next--and had also
|
|
pointed out his challenger, a young gentleman who was
|
|
leaning against the opposite wall smoking a cigarette
|
|
and restfully observing the duel then in progress.
|
|
|
|
My acquaintanceship with a party to the coming contest
|
|
had the effect of giving me a kind of personal interest
|
|
in it; I naturally wished he might win, and it was
|
|
the reverse of pleasant to learn that he probably
|
|
would not, because, although he was a notable swordsman,
|
|
the challenger was held to be his superior.
|
|
|
|
The duel presently began and in the same furious way
|
|
which had marked the previous one. I stood close by,
|
|
but could not tell which blows told and which did not,
|
|
they fell and vanished so like flashes of light. They all
|
|
seemed to tell; the swords always bent over the opponents'
|
|
heads, from the forehead back over the crown, and seemed
|
|
to touch, all the way; but it was not so--a protecting
|
|
blade, invisible to me, was always interposed between.
|
|
At the end of ten seconds each man had struck twelve
|
|
or fifteen blows, and warded off twelve or fifteen,
|
|
and no harm done; then a sword became disabled, and a short
|
|
rest followed whilst a new one was brought. Early in the
|
|
next round the White Corps student got an ugly wound on
|
|
the side of his head and gave his opponent one like it.
|
|
In the third round the latter received another bad wound
|
|
in the head, and the former had his under-lip divided.
|
|
After that, the White Corps student gave many severe wounds,
|
|
but got none of the consequence in return. At the end
|
|
of five minutes from the beginning of the duel the surgeon
|
|
stopped it; the challenging party had suffered such
|
|
injuries that any addition to them might be dangerous.
|
|
These injuries were a fearful spectacle, but are better
|
|
left undescribed. So, against expectation, my acquaintance
|
|
was the victor.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
[A Sport that Sometimes Kills]
|
|
|
|
The third duel was brief and bloody. The surgeon stopped
|
|
it when he saw that one of the men had received such bad
|
|
wounds that he could not fight longer without endangering
|
|
his life.
|
|
|
|
The fourth duel was a tremendous encounter; but at the end
|
|
of five or six minutes the surgeon interfered once more:
|
|
another man so severely hurt as to render it unsafe to add
|
|
to his harms. I watched this engagement as I watched
|
|
the others--with rapt interest and strong excitement,
|
|
and with a shrink and a shudder for every blow that laid
|
|
open a cheek or a forehead; and a conscious paling of my
|
|
face when I occasionally saw a wound of a yet more shocking
|
|
nature inflicted. My eyes were upon the loser of this
|
|
duel when he got his last and vanquishing wound--it
|
|
was in his face and it carried away his--but no matter,
|
|
I must not enter into details. I had but a glance, and then
|
|
turned quickly, but I would not have been looking at all if I
|
|
had known what was coming. No, that is probably not true;
|
|
one thinks he would not look if he knew what was coming,
|
|
but the interest and the excitement are so powerful that
|
|
they would doubtless conquer all other feelings; and so,
|
|
under the fierce exhilaration of the clashing steel,
|
|
he would yield and look after all. Sometimes spectators
|
|
of these duels faint--and it does seem a very reasonable
|
|
thing to do, too.
|
|
|
|
Both parties to this fourth duel were badly hurt so much
|
|
that the surgeon was at work upon them nearly or quite an
|
|
hour--a fact which is suggestive. But this waiting interval
|
|
was not wasted in idleness by the assembled students.
|
|
It was past noon, therefore they ordered their landlord,
|
|
downstairs, to send up hot beefsteaks, chickens, and such things,
|
|
and these they ate, sitting comfortable at the several tables,
|
|
whilst they chatted, disputed and laughed. The door to
|
|
the surgeon's room stood open, meantime, but the cutting,
|
|
sewing, splicing, and bandaging going on in there in
|
|
plain view did not seem to disturb anyone's appetite.
|
|
I went in and saw the surgeon labor awhile, but could
|
|
not enjoy; it was much less trying to see the wounds
|
|
given and received than to see them mended; the stir
|
|
and turmoil, and the music of the steel, were wanting
|
|
here--one's nerves were wrung by this grisly spectacle,
|
|
whilst the duel's compensating pleasurable thrill was lacking.
|
|
|
|
Finally the doctor finished, and the men who were to fight
|
|
the closing battle of the day came forth. A good many
|
|
dinners were not completed, yet, but no matter, they could
|
|
be eaten cold, after the battle; therefore everybody
|
|
crowded forth to see. This was not a love duel, but a
|
|
"satisfaction" affair. These two students had quarreled,
|
|
and were here to settle it. They did not belong to any of
|
|
the corps, but they were furnished with weapons and armor,
|
|
and permitted to fight here by the five corps as a courtesy.
|
|
Evidently these two young men were unfamiliar with the
|
|
dueling ceremonies, though they were not unfamiliar with
|
|
the sword. When they were placed in position they thought
|
|
it was time to begin--and then did begin, too, and with
|
|
a most impetuous energy, without waiting for anybody
|
|
to give the word. This vastly amused the spectators,
|
|
and even broke down their studied and courtly gravity
|
|
and surprised them into laughter. Of course the seconds
|
|
struck up the swords and started the duel over again.
|
|
At the word, the deluge of blows began, but before long
|
|
the surgeon once more interfered--for the only reason
|
|
which ever permits him to interfere--and the day's
|
|
war was over. It was now two in the afternoon, and I
|
|
had been present since half past nine in the morning.
|
|
The field of battle was indeed a red one by this time;
|
|
but some sawdust soon righted that. There had been one
|
|
duel before I arrived. In it one of the men received
|
|
many injuries, while the other one escaped without
|
|
a scratch.
|
|
|
|
I had seen the heads and faces of ten youths gashed
|
|
in every direction by the keen two-edged blades, and yet
|
|
had not seen a victim wince, nor heard a moan, or detected
|
|
any fleeting expression which confessed the sharp pain
|
|
the hurts were inflicting. This was good fortitude,
|
|
indeed. Such endurance is to be expected in savages
|
|
and prize-fighters, for they are born and educated to it;
|
|
but to find it in such perfection in these gently bred
|
|
and kindly natured young fellows is matter for surprise.
|
|
It was not merely under the excitement of the sword-play
|
|
that this fortitude was shown; it was shown in the surgeon's
|
|
room where an uninspiring quiet reigned, and where there
|
|
was no audience. The doctor's manipulations brought
|
|
out neither grimaces nor moans. And in the fights
|
|
it was observable that these lads hacked and slashed
|
|
with the same tremendous spirit, after they were covered
|
|
with streaming wounds, which they had shown in the beginning.
|
|
|
|
The world in general looks upon the college duels as very
|
|
farcical affairs: true, but considering that the college
|
|
duel is fought by boys; that the swords are real swords;
|
|
and that the head and face are exposed, it seems to me
|
|
that it is a farce which had quite a grave side to it.
|
|
People laugh at it mainly because they think the student
|
|
is so covered up with armor that he cannot be hurt.
|
|
But it is not so; his eyes are ears are protected,
|
|
but the rest of his face and head are bare. He can not only
|
|
be badly wounded, but his life is in danger; and he would
|
|
sometimes lose it but for the interference of the surgeon.
|
|
It is not intended that his life shall be endangered.
|
|
Fatal accidents are possible, however. For instance,
|
|
the student's sword may break, and the end of it fly
|
|
up behind his antagonist's ear and cut an artery which
|
|
could not be reached if the sword remained whole.
|
|
This has happened, sometimes, and death has resulted
|
|
on the spot. Formerly the student's armpits were not
|
|
protected--and at that time the swords were pointed,
|
|
whereas they are blunt, now; so an artery in the armpit
|
|
was sometimes cut, and death followed. Then in the days
|
|
of sharp-pointed swords, a spectator was an occasional
|
|
victim--the end of a broken sword flew five or ten
|
|
feet and buried itself in his neck or his heart,
|
|
and death ensued instantly. The student duels in Germany
|
|
occasion two or three deaths every year, now, but this
|
|
arises only from the carelessness of the wounded men;
|
|
they eat or drink imprudently, or commit excesses in the
|
|
way of overexertion; inflammation sets in and gets such
|
|
a headway that it cannot be arrested. Indeed, there is
|
|
blood and pain and danger enough about the college duel
|
|
to entitle it to a considerable degree of respect.
|
|
|
|
All the customs, all the laws, all the details,
|
|
pertaining to the student duel are quaint and naive.
|
|
The grave, precise, and courtly ceremony with which the
|
|
thing is conducted, invests it with a sort of antique charm.
|
|
|
|
This dignity and these knightly graces suggest the tournament,
|
|
not the prize-fight. The laws are as curious as they
|
|
are strict. For instance, the duelist may step forward
|
|
from the line he is placed upon, if he chooses, but never
|
|
back of it. If he steps back of it, or even leans back,
|
|
it is considered that he did it to avoid a blow or contrive
|
|
an advantage; so he is dismissed from his corps in disgrace.
|
|
It would seem natural to step from under a descending
|
|
sword unconsciously, and against one's will and intent--yet
|
|
this unconsciousness is not allowed. Again: if under the
|
|
sudden anguish of a wound the receiver of it makes a grimace,
|
|
he falls some degrees in the estimation of his fellows;
|
|
his corps are ashamed of him: they call him "hare foot,"
|
|
which is the German equivalent for chicken-hearted.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
[How Bismark Fought]
|
|
|
|
In addition to the corps laws, there are some corps
|
|
usages which have the force of laws.
|
|
|
|
Perhaps the president of a corps notices that one of the
|
|
membership who is no longer an exempt--that is a freshman--
|
|
has remained a sophomore some little time without volunteering
|
|
to fight; some day, the president, instead of calling
|
|
for volunteers, will APPOINT this sophomore to measure
|
|
swords with a student of another corps; he is free
|
|
to decline--everybody says so--there is no compulsion.
|
|
This is all true--but I have not heard of any student
|
|
who DID decline; to decline and still remain in the corps
|
|
would make him unpleasantly conspicuous, and properly so,
|
|
since he knew, when he joined, that his main business,
|
|
as a member, would be to fight. No, there is no law
|
|
against declining--except the law of custom, which is
|
|
confessedly stronger than written law, everywhere.
|
|
|
|
The ten men whose duels I had witnessed did not go away
|
|
when their hurts were dressed, as I had supposed they would,
|
|
but came back, one after another, as soon as they were free
|
|
of the surgeon, and mingled with the assemblage in the
|
|
dueling-room. The white-cap student who won the second
|
|
fight witnessed the remaining three, and talked with us
|
|
during the intermissions. He could not talk very well,
|
|
because his opponent's sword had cut his under-lip in two,
|
|
and then the surgeon had sewed it together and overlaid it
|
|
with a profusion of white plaster patches; neither could
|
|
he eat easily, still he contrived to accomplish a slow
|
|
and troublesome luncheon while the last duel was preparing.
|
|
The man who was the worst hurt of all played chess
|
|
while waiting to see this engagement. A good part of
|
|
his face was covered with patches and bandages, and all
|
|
the rest of his head was covered and concealed by them.
|
|
It is said that the student likes to appear on the street
|
|
and in other public places in this kind of array,
|
|
and that this predilection often keeps him out when
|
|
exposure to rain or sun is a positive danger for him.
|
|
Newly bandaged students are a very common spectacle
|
|
in the public gardens of Heidelberg. It is also said
|
|
that the student is glad to get wounds in the face,
|
|
because the scars they leave will show so well there;
|
|
and it is also said that these face wounds are so prized
|
|
that youths have even been known to pull them apart
|
|
from time to time and put red wine in them to make
|
|
them heal badly and leave as ugly a scar as possible.
|
|
It does not look reasonable, but it is roundly asserted
|
|
and maintained, nevertheless; I am sure of one thing--scars
|
|
are plenty enough in Germany, among the young men;
|
|
and very grim ones they are, too. They crisscross the face
|
|
in angry red welts, and are permanent and ineffaceable.
|
|
Some of these scars are of a very strange and dreadful aspect;
|
|
and the effect is striking when several such accent
|
|
the milder ones, which form a city map on a man's face;
|
|
they suggest the "burned district" then. We had often
|
|
noticed that many of the students wore a colored silk
|
|
band or ribbon diagonally across their breasts.
|
|
It transpired that this signifies that the wearer has
|
|
fought three duels in which a decision was reached--duels
|
|
in which he either whipped or was whipped--for drawn
|
|
battles do not count. [1] After a student has received
|
|
his ribbon, he is "free"; he can cease from fighting,
|
|
without reproach--except some one insult him; his president
|
|
cannot appoint him to fight; he can volunteer if he
|
|
wants to, or remain quiescent if he prefers to do so.
|
|
Statistics show that he does NOT prefer to remain quiescent.
|
|
They show that the duel has a singular fascination about
|
|
it somewhere, for these free men, so far from resting upon
|
|
the privilege of the badge, are always volunteering.
|
|
A corps student told me it was of record that Prince
|
|
Bismarck fought thirty-two of these duels in a single summer
|
|
term when he was in college. So he fought twenty-nine
|
|
after his badge had given him the right to retire from
|
|
the field.
|
|
|
|
1. FROM MY DIARY.--Dined in a hotel a few miles up the Neckar,
|
|
in a room whose walls were hung all over with framed
|
|
portrait-groups of the Five Corps; some were recent,
|
|
but many antedated photography, and were pictured in
|
|
lithography--the dates ranged back to forty or fifty
|
|
years ago. Nearly every individual wore the ribbon across
|
|
his breast. In one portrait-group representing (as each
|
|
of these pictures did) an entire Corps, I took pains
|
|
to count the ribbons: there were twenty-seven members,
|
|
and twenty-one of them wore that significant badge.
|
|
|
|
The statistics may be found to possess interest in
|
|
several particulars. Two days in every week are devoted
|
|
to dueling. The rule is rigid that there must be three
|
|
duels on each of these days; there are generally more,
|
|
but there cannot be fewer. There were six the day
|
|
I was present; sometimes there are seven or eight.
|
|
It is insisted that eight duels a week--four for each
|
|
of the two days--is too low an average to draw a
|
|
calculation from, but I will reckon from that basis,
|
|
preferring an understatement to an overstatement of the case.
|
|
This requires about four hundred and eighty or five hundred
|
|
duelists a year--for in summer the college term is about
|
|
three and a half months, and in winter it is four months
|
|
and sometimes longer. Of the seven hundred and fifty
|
|
students in the university at the time I am writing of,
|
|
only eighty belonged to the five corps, and it is only
|
|
these corps that do the dueling; occasionally other
|
|
students borrow the arms and battleground of the five corps
|
|
in order to settle a quarrel, but this does not happen
|
|
every dueling-day. [2] Consequently eighty youths furnish
|
|
the material for some two hundred and fifty duels a year.
|
|
This average gives six fights a year to each of the eighty.
|
|
This large work could not be accomplished if the badge-holders
|
|
stood upon their privilege and ceased to volunteer.
|
|
|
|
2. They have to borrow the arms because they could not
|
|
get them elsewhere or otherwise. As I understand it,
|
|
the public authorities, all over Germany, allow the five
|
|
Corps to keep swords, but DO NOT ALLOW THEM TO USE THEM.
|
|
This is law is rigid; it is only the execution of it that
|
|
is lax.
|
|
|
|
Of course, where there is so much fighting, the students
|
|
make it a point to keep themselves in constant practice
|
|
with the foil. One often sees them, at the tables in the
|
|
Castle grounds, using their whips or canes to illustrate
|
|
some new sword trick which they have heard about;
|
|
and between the duels, on the day whose history I
|
|
have been writing, the swords were not always idle;
|
|
every now and then we heard a succession of the keen
|
|
hissing sounds which the sword makes when it is being
|
|
put through its paces in the air, and this informed us
|
|
that a student was practicing. Necessarily, this unceasing
|
|
attention to the art develops an expert occasionally.
|
|
He becomes famous in his own university, his renown spreads
|
|
to other universities. He is invited to Go"ttingen,
|
|
to fight with a Go"ttingen expert; if he is victorious,
|
|
he will be invited to other colleges, or those colleges will
|
|
send their experts to him. Americans and Englishmen often
|
|
join one or another of the five corps. A year or two ago,
|
|
the principal Heidelberg expert was a big Kentuckian;
|
|
he was invited to the various universities and left
|
|
a wake of victory behind him all about Germany;
|
|
but at last a little student in Strasburg defeated him.
|
|
There was formerly a student in Heidelberg who had picked
|
|
up somewhere and mastered a peculiar trick of cutting up
|
|
under instead of cleaving down from above. While the trick
|
|
lasted he won in sixteen successive duels in his university;
|
|
but by that time observers had discovered what his charm was,
|
|
and how to break it, therefore his championship ceased.
|
|
|
|
A rule which forbids social intercourse between members
|
|
of different corps is strict. In the dueling-house, in
|
|
the parks, on the street, and anywhere and everywhere that
|
|
the students go, caps of a color group themselves together.
|
|
If all the tables in a public garden were crowded
|
|
but one, and that one had two red-cap students at it
|
|
and ten vacant places, the yellow-caps, the blue-caps,
|
|
the white caps, and the green caps, seeking seats,
|
|
would go by that table and not seem to see it, nor seem
|
|
to be aware that there was such a table in the grounds.
|
|
The student by whose courtesy we had been enabled to visit
|
|
the dueling-place, wore the white cap--Prussian Corps.
|
|
He introduced us to many white caps, but to none of
|
|
another color. The corps etiquette extended even to us,
|
|
who were strangers, and required us to group with the white
|
|
corps only, and speak only with the white corps, while we
|
|
were their guests, and keep aloof from the caps of the
|
|
other colors. Once I wished to examine some of the swords,
|
|
but an American student said, "It would not be quite polite;
|
|
these now in the windows all have red hilts or blue;
|
|
they will bring in some with white hilts presently,
|
|
and those you can handle freely. "When a sword was broken
|
|
in the first duel, I wanted a piece of it; but its hilt
|
|
was the wrong color, so it was considered best and politest
|
|
to await a properer season. It was brought to me after
|
|
the room was cleared, and I will now make a "life-size"
|
|
sketch of it by tracing a line around it with my pen,
|
|
to show the width of the weapon. [Figure 1] The length of
|
|
these swords is about three feet, and they are quite heavy.
|
|
One's disposition to cheer, during the course of the
|
|
duels or at their close, was naturally strong, but corps
|
|
etiquette forbade any demonstrations of this sort.
|
|
However brilliant a contest or a victory might be,
|
|
no sign or sound betrayed that any one was moved.
|
|
A dignified gravity and repression were maintained at
|
|
all times.
|
|
|
|
When the dueling was finished and we were ready to go,
|
|
the gentlemen of the Prussian Corps to whom we had been
|
|
introduced took off their caps in the courteous German way,
|
|
and also shook hands; their brethren of the same order
|
|
took off their caps and bowed, but without shaking hands;
|
|
the gentlemen of the other corps treated us just as
|
|
they would have treated white caps--they fell apart,
|
|
apparently unconsciously, and left us an unobstructed pathway,
|
|
but did not seem to see us or know we were there.
|
|
If we had gone thither the following week as guests of
|
|
another corps, the white caps, without meaning any offense,
|
|
would have observed the etiquette of their order and ignored
|
|
our presence.
|
|
|
|
[How strangely are comedy and tragedy blended in this life!
|
|
I had not been home a full half-hour, after witnessing
|
|
those playful sham-duels, when circumstances made it
|
|
necessary for me to get ready immediately to assist
|
|
personally at a real one--a duel with no effeminate
|
|
limitation in the matter of results, but a battle
|
|
to the death. An account of it, in the next chapter,
|
|
will show the reader that duels between boys, for fun,
|
|
and duels between men in earnest, are very different affairs.]
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
The Great French Duel
|
|
[I Second Gambetta in a Terrific Duel]
|
|
|
|
Much as the modern French duel is ridiculed by certain
|
|
smart people, it is in reality one of the most dangerous
|
|
institutions of our day. Since it is always fought in the
|
|
open air, the combatants are nearly sure to catch cold.
|
|
M. Paul de Cassagnac, the most inveterate of the French
|
|
duelists, had suffered so often in this way that he is at
|
|
last a confirmed invalid; and the best physician in Paris
|
|
has expressed the opinion that if he goes on dueling for
|
|
fifteen or twenty years more--unless he forms the habit
|
|
of fighting in a comfortable room where damps and draughts
|
|
cannot intrude--he will eventually endanger his life.
|
|
This ought to moderate the talk of those people who are
|
|
so stubborn in maintaining that the French duel is the
|
|
most health-giving of recreations because of the open-air
|
|
exercise it affords. And it ought also to moderate that
|
|
foolish talk about French duelists and socialist-hated
|
|
monarchs being the only people who are immoral.
|
|
|
|
But it is time to get at my subject. As soon as I heard
|
|
of the late fiery outbreak between M. Gambetta and M. Fourtou
|
|
in the French Assembly, I knew that trouble must follow.
|
|
I knew it because a long personal friendship with
|
|
M. Gambetta revealed to me the desperate and implacable
|
|
nature of the man. Vast as are his physical proportions,
|
|
I knew that the thirst for revenge would penetrate
|
|
to the remotest frontiers of his person.
|
|
|
|
I did not wait for him to call on me, but went at once
|
|
to him. As I had expected, I found the brave fellow
|
|
steeped in a profound French calm. I say French calm,
|
|
because French calmness and English calmness have points
|
|
of difference. He was moving swiftly back and forth
|
|
among the debris of his furniture, now and then staving
|
|
chance fragments of it across the room with his foot;
|
|
grinding a constant grist of curses through his set teeth;
|
|
and halting every little while to deposit another handful
|
|
of his hair on the pile which he had been building of it on
|
|
the table.
|
|
|
|
He threw his arms around my neck, bent me over his stomach
|
|
to his breast, kissed me on both cheeks, hugged me four
|
|
or five times, and then placed me in his own arm-chair.
|
|
As soon as I had got well again, we began business at once.
|
|
|
|
I said I supposed he would wish me to act as his second,
|
|
and he said, "Of course." I said I must be allowed
|
|
to act under a French name, so that I might be shielded
|
|
from obloquy in my country, in case of fatal results.
|
|
He winced here, probably at the suggestion that dueling was
|
|
not regarded with respect in America. However, he agreed
|
|
to my requirement. This accounts for the fact that in all
|
|
the newspaper reports M. Gambetta's second was apparently
|
|
a Frenchman.
|
|
|
|
First, we drew up my principal's will. I insisted upon this,
|
|
and stuck to my point. I said I had never heard of a man
|
|
in his right mind going out to fight a duel without
|
|
first making his will. He said he had never heard
|
|
of a man in his right mind doing anything of the kind.
|
|
When he had finished the will, he wished to proceed
|
|
to a choice of his "last words." He wanted to know
|
|
how the following words, as a dying exclamation, struck me:
|
|
|
|
"I die for my God, for my country, for freedom of speech,
|
|
for progress, and the universal brotherhood of man!"
|
|
|
|
I objected that this would require too lingering a death;
|
|
it was a good speech for a consumptive, but not suited
|
|
to the exigencies of the field of honor. We wrangled
|
|
over a good many ante-mortem outburts, but I finally got
|
|
him to cut his obituary down to this, which he copied
|
|
into his memorandum-book, purposing to get it by heart:
|
|
|
|
"I DIE THAT FRANCE MIGHT LIVE."
|
|
|
|
I said that this remark seemed to lack relevancy; but he
|
|
said relevancy was a matter of no consequence in last words,
|
|
what you wanted was thrill.
|
|
|
|
The next thing in order was the choice of weapons.
|
|
My principal said he was not feeling well, and would leave
|
|
that and the other details of the proposed meeting to me.
|
|
Therefore I wrote the following note and carried it to
|
|
M. Fourtou's friend:
|
|
|
|
Sir: M. Gambetta accepts M. Fourtou's challenge,
|
|
and authorizes me to propose Plessis-Piquet as the place
|
|
of meeting; tomorrow morning at daybreak as the time;
|
|
and axes as the weapons.
|
|
|
|
I am, sir, with great respect,
|
|
|
|
Mark Twain.
|
|
|
|
M. Fourtou's friend read this note, and shuddered.
|
|
Then he turned to me, and said, with a suggestion of
|
|
severity in his tone:
|
|
|
|
"Have you considered, sir, what would be the inevitable
|
|
result of such a meeting as this?"
|
|
|
|
"Well, for instance, what WOULD it be?"
|
|
|
|
"Bloodshed!"
|
|
|
|
"That's about the size of it," I said. "Now, if it is
|
|
a fair question, what was your side proposing to shed?"
|
|
|
|
I had him there. He saw he had made a blunder, so he hastened
|
|
to explain it away. He said he had spoken jestingly.
|
|
Then he added that he and his principal would enjoy axes,
|
|
and indeed prefer them, but such weapons were barred
|
|
by the French code, and so I must change my proposal.
|
|
|
|
I walked the floor, turning the thing over in my mind,
|
|
and finally it occurred to me that Gatling-guns at fifteen
|
|
paces would be a likely way to get a verdict on the field
|
|
of honor. So I framed this idea into a proposition.
|
|
|
|
But it was not accepted. The code was in the way again.
|
|
I proposed rifles; then double-barreled shotguns;
|
|
then Colt's navy revolvers. These being all rejected,
|
|
I reflected awhile, and sarcastically suggested brickbats
|
|
at three-quarters of a mile. I always hate to fool away
|
|
a humorous thing on a person who has no perception of humor;
|
|
and it filled me with bitterness when this man went soberly
|
|
away to submit the last proposition to his principal.
|
|
|
|
He came back presently and said his principal was charmed
|
|
with the idea of brickbats at three-quarters of a mile,
|
|
but must decline on account of the danger to disinterested
|
|
parties passing between them. Then I said:
|
|
|
|
"Well, I am at the end of my string, now. Perhaps YOU
|
|
would be good enough to suggest a weapon? Perhaps you
|
|
have even had one in your mind all the time?"
|
|
|
|
His countenance brightened, and he said with alacrity:
|
|
|
|
"Oh, without doubt, monsieur!"
|
|
|
|
So he fell to hunting in his pockets--pocket after pocket,
|
|
and he had plenty of them--muttering all the while,
|
|
"Now, what could I have done with them?"
|
|
|
|
At last he was successful. He fished out of his vest pocket
|
|
a couple of little things which I carried to the light
|
|
and ascertained to be pistols. They were single-barreled
|
|
and silver-mounted, and very dainty and pretty.
|
|
I was not able to speak for emotion. I silently hung
|
|
one of them on my watch-chain, and returned the other.
|
|
My companion in crime now unrolled a postage-stamp
|
|
containing several cartridges, and gave me one of them.
|
|
I asked if he meant to signify by this that our men were
|
|
to be allowed but one shot apiece. He replied that the
|
|
French code permitted no more. I then begged him to go
|
|
and suggest a distance, for my mind was growing weak
|
|
and confused under the strain which had been put upon it.
|
|
He named sixty-five yards. I nearly lost my patience.
|
|
I said:
|
|
|
|
"Sixty-five yards, with these instruments? Squirt-guns
|
|
would be deadlier at fifty. Consider, my friend,
|
|
you and I are banded together to destroy life, not make
|
|
it eternal."
|
|
|
|
But with all my persuasions, all my arguments, I was only
|
|
able to get him to reduce the distance to thirty-five yards;
|
|
and even this concession he made with reluctance,
|
|
and said with a sigh, "I wash my hands of this slaughter;
|
|
on your head be it."
|
|
|
|
There was nothing for me but to go home to my old
|
|
lion-heart and tell my humiliating story. When I entered,
|
|
M. Gambetta was laying his last lock of hair upon the altar.
|
|
He sprang toward me, exclaiming:
|
|
|
|
"You have made the fatal arrangements--I see it in your eye!"
|
|
|
|
"I have."
|
|
|
|
His face paled a trifle, and he leaned upon the table
|
|
for support. He breathed thick and heavily for a moment
|
|
or two, so tumultuous were his feelings; then he hoarsely
|
|
whispered:
|
|
|
|
"The weapon, the weapon! Quick! what is the weapon?"
|
|
|
|
"This!" and I displayed that silver-mounted thing.
|
|
He cast but one glance at it, then swooned ponderously
|
|
to the floor.
|
|
|
|
When he came to, he said mournfully:
|
|
|
|
"The unnatural calm to which I have subjected myself
|
|
has told upon my nerves. But away with weakness!
|
|
I will confront my fate like a man and a Frenchman."
|
|
|
|
He rose to his feet, and assumed an attitude which
|
|
for sublimity has never been approached by man,
|
|
and has seldom been surpassed by statues. Then he said,
|
|
in his deep bass tones:
|
|
|
|
"Behold, I am calm, I am ready; reveal to me the distance."
|
|
|
|
"Thirty-five yards." ...
|
|
|
|
I could not lift him up, of course; but I rolled him over,
|
|
and poured water down his back. He presently came to,
|
|
and said:
|
|
|
|
"Thirty-five yards--without a rest? But why ask? Since
|
|
murder was that man's intention, why should he palter
|
|
with small details? But mark you one thing: in my fall
|
|
the world shall see how the chivalry of France meets death."
|
|
|
|
After a long silence he asked:
|
|
|
|
"Was nothing said about that man's family standing
|
|
up with him, as an offset to my bulk? But no matter;
|
|
I would not stoop to make such a suggestion; if he is
|
|
not noble enough to suggest it himself, he is welcome
|
|
to this advantage, which no honorable man would take."
|
|
|
|
He now sank into a sort of stupor of reflection,
|
|
which lasted some minutes; after which he broke silence with:
|
|
|
|
"The hour--what is the hour fixed for the collision?"
|
|
|
|
"Dawn, tomorrow."
|
|
|
|
He seemed greatly surprised, and immediately said:
|
|
|
|
"Insanity! I never heard of such a thing. Nobody is
|
|
abroad at such an hour."
|
|
|
|
"That is the reason I named it. Do you mean to say you
|
|
want an audience?"
|
|
|
|
"It is no time to bandy words. I am astonished that M. Fourtou
|
|
should ever have agreed to so strange an innovation.
|
|
Go at once and require a later hour."
|
|
|
|
I ran downstairs, threw open the front door, and almost
|
|
plunged into the arms of M. Fourtou's second. He said:
|
|
|
|
"I have the honor to say that my principal strenuously
|
|
objects to the hour chosen, and begs you will consent
|
|
to change it to half past nine."
|
|
|
|
"Any courtesy, sir, which it is in our power to extend
|
|
is at the service of your excellent principal. We agree
|
|
to the proposed change of time."
|
|
|
|
"I beg you to accept the thanks of my client." Then he
|
|
turned to a person behind him, and said, "You hear, M. Noir,
|
|
the hour is altered to half past nine. " Whereupon
|
|
M. Noir bowed, expressed his thanks, and went away.
|
|
My accomplice continued:
|
|
|
|
"If agreeable to you, your chief surgeons and ours shall
|
|
proceed to the field in the same carriage as is customary."
|
|
|
|
"It is entirely agreeable to me, and I am obliged
|
|
to you for mentioning the surgeons, for I am afraid
|
|
I should not have thought of them. How many shall
|
|
I want? I supposed two or three will be enough?"
|
|
|
|
"Two is the customary number for each party. I refer
|
|
to 'chief' surgeons; but considering the exalted positions
|
|
occupied by our clients, it will be well and decorous
|
|
that each of us appoint several consulting surgeons,
|
|
from among the highest in the profession. These will
|
|
come in their own private carriages. Have you engaged
|
|
a hearse?"
|
|
|
|
"Bless my stupidity, I never thought of it!" I will attend
|
|
to it right away. I must seem very ignorant to you;
|
|
but you must try to overlook that, because I have never
|
|
had any experience of such a swell duel as this before.
|
|
I have had a good deal to do with duels on the Pacific coast,
|
|
but I see now that they were crude affairs. A hearse--sho!
|
|
we used to leave the elected lying around loose, and let
|
|
anybody cord them up and cart them off that wanted to.
|
|
Have you anything further to suggest?"
|
|
|
|
"Nothing, except that the head undertakers shall ride together,
|
|
as is usual. The subordinates and mutes will go on foot,
|
|
as is also usual. I will see you at eight o'clock
|
|
in the morning, and we will then arrange the order
|
|
of the procession. I have the honor to bid you a good day."
|
|
|
|
I returned to my client, who said, "Very well;
|
|
at what hour is the engagement to begin?"
|
|
|
|
"Half past nine."
|
|
|
|
"Very good indeed.; Have you sent the fact to the newspapers?"
|
|
|
|
"SIR! If after our long and intimate friendship you can
|
|
for a moment deem me capable of so base a treachery--"
|
|
|
|
"Tut, tut! What words are these, my dear friend? Have I
|
|
wounded you? Ah, forgive me; I am overloading you with labor.
|
|
Therefore go on with the other details, and drop this
|
|
one from your list. The bloody-minded Fourtou will be
|
|
sure to attend to it. Or I myself--yes, to make certain,
|
|
I will drop a note to my journalistic friend, M. Noir--"
|
|
|
|
"Oh, come to think of it, you may save yourself the trouble;
|
|
that other second has informed M. Noir."
|
|
|
|
"H'm! I might have known it. It is just like that Fourtou,
|
|
who always wants to make a display."
|
|
|
|
At half past nine in the morning the procession approached
|
|
the field of Plessis-Piquet in the following order: first
|
|
came our carriage--nobody in it but M. Gambetta and myself;
|
|
then a carriage containing M. Fourtou and his second;
|
|
then a carriage containing two poet-orators who did
|
|
not believe in God, and these had MS. funeral orations
|
|
projecting from their breast pockets; then a carriage
|
|
containing the head surgeons and their cases of instruments;
|
|
then eight private carriages containing consulting surgeons;
|
|
then a hack containing a coroner; then the two hearses;
|
|
then a carriage containing the head undertakers;
|
|
then a train of assistants and mutes on foot; and after
|
|
these came plodding through the fog a long procession
|
|
of camp followers, police, and citizens generally.
|
|
It was a noble turnout, and would have made a fine display
|
|
if we had had thinner weather.
|
|
|
|
There was no conversation. I spoke several times to
|
|
my principal, but I judge he was not aware of it, for he
|
|
always referred to his note-book and muttered absently,
|
|
"I die that France might live."
|
|
|
|
"Arrived on the field, my fellow-second and I paced off
|
|
the thirty-five yards, and then drew lots for choice
|
|
of position. This latter was but an ornamental ceremony,
|
|
for all the choices were alike in such weather.
|
|
These preliminaries being ended, I went to my principal
|
|
and asked him if he was ready. He spread himself out
|
|
to his full width, and said in a stern voice, "Ready! Let
|
|
the batteries be charged."
|
|
|
|
The loading process was done in the presence of duly
|
|
constituted witnesses. We considered it best to perform
|
|
this delicate service with the assistance of a lantern,
|
|
on account of the state of the weather. We now placed
|
|
our men.
|
|
|
|
At this point the police noticed that the public had massed
|
|
themselves together on the right and left of the field;
|
|
they therefore begged a delay, while they should put
|
|
these poor people in a place of safety.
|
|
|
|
The request was granted.
|
|
|
|
The police having ordered the two multitudes to take
|
|
positions behind the duelists, we were once more ready.
|
|
The weather growing still more opaque, it was agreed between
|
|
myself and the other second that before giving the fatal
|
|
signal we should each deliver a loud whoop to enable
|
|
the combatants to ascertain each other's whereabouts.
|
|
|
|
I now returned to my principal, and was distressed
|
|
to observe that he had lost a good deal of his spirit.
|
|
I tried my best to hearten him. I said, "Indeed, sir,
|
|
things are not as bad as they seem. Considering the character
|
|
of the weapons, the limited number of shots allowed,
|
|
the generous distance, the impenetrable solidity of the fog,
|
|
and the added fact that one of the combatants is one-eyed
|
|
and the other cross-eyed and near-sighted, it seems to me
|
|
that this conflict need not necessarily be fatal. There are
|
|
chances that both of you may survive. Therefore, cheer up;
|
|
do not be downhearted."
|
|
|
|
This speech had so good an effect that my principal
|
|
immediately stretched forth his hand and said, "I am
|
|
myself again; give me the weapon."
|
|
|
|
I laid it, all lonely and forlorn, in the center of the vast
|
|
solitude of his palm. He gazed at it and shuddered.
|
|
And still mournfully contemplating it, he murmured in a
|
|
broken voice:
|
|
|
|
"Alas, it is not death I dread, but mutilation."
|
|
|
|
I heartened him once more, and with such success that he
|
|
presently said, "Let the tragedy begin. Stand at my back;
|
|
do not desert me in this solemn hour, my friend."
|
|
|
|
I gave him my promise. I now assisted him to point
|
|
his pistol toward the spot where I judged his adversary
|
|
to be standing, and cautioned him to listen well and
|
|
further guide himself by my fellow-second's whoop.
|
|
Then I propped myself against M. Gambetta's back,
|
|
and raised a rousing "Whoop-ee!" This was answered from
|
|
out the far distances of the fog, and I immediately shouted:
|
|
|
|
"One--two--three--FIRE!"
|
|
|
|
Two little sounds like SPIT! SPIT! broke upon my ear,
|
|
and in the same instant I was crushed to the earth under
|
|
a mountain of flesh. Bruised as I was, I was still able
|
|
to catch a faint accent from above, to this effect:
|
|
|
|
"I die for... for ... perdition take it,
|
|
what IS it I die for? ... oh, yes--FRANCE! I die
|
|
that France may live!"
|
|
|
|
The surgeons swarmed around with their probes in
|
|
their hands, and applied their microscopes to the whole
|
|
area of M. Gambetta's person, with the happy result of
|
|
finding nothing in the nature of a wound. Then a scene
|
|
ensued which was in every way gratifying and inspiriting.
|
|
|
|
The two gladiators fell upon each other's neck, with floods
|
|
of proud and happy tears; that other second embraced me;
|
|
the surgeons, the orators, the undertakers, the police,
|
|
everybody embraced, everybody congratulated, everybody cried,
|
|
and the whole atmosphere was filled with praise and with
|
|
joy unspeakable.
|
|
|
|
It seems to me then that I would rather be a hero
|
|
of a French duel than a crowned and sceptered monarch.
|
|
|
|
When the commotion had somewhat subsided, the body
|
|
of surgeons held a consultation, and after a good deal
|
|
of debate decided that with proper care and nursing there
|
|
was reason to believe that I would survive my injuries.
|
|
My internal hurts were deemed the most serious, since it
|
|
was apparent that a broken rib had penetrated my left lung,
|
|
and that many of my organs had been pressed out so far
|
|
to one side or the other of where they belonged, that it
|
|
was doubtful if they would ever learn to perform their
|
|
functions in such remote and unaccustomed localities.
|
|
They then set my left arm in two places, pulled my right
|
|
hip into its socket again, and re-elevated my nose.
|
|
I was an object of great interest, and even admiration;
|
|
and many sincere and warm-hearted persons had themselves
|
|
introduced to me, and said they were proud to know
|
|
the only man who had been hurt in a French duel in
|
|
forty years.
|
|
|
|
I was placed in an ambulance at the very head of the procession;
|
|
and thus with gratifying 'ECLAT I was marched into Paris,
|
|
the most conspicuous figure in that great spectacle,
|
|
and deposited at the hospital.
|
|
|
|
The cross of the Legion of Honor has been conferred
|
|
upon me. However, few escape that distinction.
|
|
|
|
Such is the true version of the most memorable private
|
|
conflict of the age.
|
|
|
|
I have no complaints to make against any one. I acted
|
|
for myself, and I can stand the consequences.
|
|
|
|
Without boasting, I think I may say I am not afraid
|
|
to stand before a modern French duelist, but as long
|
|
as I keep in my right mind I will never consent to stand
|
|
behind one again.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
[What the Beautiful Maiden Said]
|
|
|
|
One day we took the train and went down to Mannheim
|
|
to see "King Lear" played in German. It was a mistake.
|
|
We sat in our seats three whole hours and never understood
|
|
anything but the thunder and lightning; and even that
|
|
was reversed to suit German ideas, for the thunder came
|
|
first and the lightning followed after.
|
|
|
|
The behavior of the audience was perfect. There were
|
|
no rustlings, or whisperings, or other little disturbances;
|
|
each act was listened to in silence, and the applauding
|
|
was done after the curtain was down. The doors opened at
|
|
half past four, the play began promptly at half past five,
|
|
and within two minutes afterward all who were coming were
|
|
in their seats, and quiet reigned. A German gentleman
|
|
in the train had said that a Shakespearian play was an
|
|
appreciated treat in Germany and that we should find the
|
|
house filled. It was true; all the six tiers were filled,
|
|
and remained so to the end--which suggested that it is
|
|
not only balcony people who like Shakespeare in Germany,
|
|
but those of the pit and gallery, too.
|
|
|
|
Another time, we went to Mannheim and attended a shivaree--
|
|
otherwise an opera--the one called "Lohengrin." The
|
|
banging and slamming and booming and crashing were
|
|
something beyond belief. The racking and pitiless
|
|
pain of it remains stored up in my memory alongside
|
|
the memory of the time that I had my teeth fixed.
|
|
There were circumstances which made it necessary for me
|
|
to stay through the hour hours to the end, and I stayed;
|
|
but the recollection of that long, dragging, relentless season
|
|
of suffering is indestructible. To have to endure it
|
|
in silence, and sitting still, made it all the harder.
|
|
I was in a railed compartment with eight or ten strangers,
|
|
of the two sexes, and this compelled repression;
|
|
yet at times the pain was so exquisite that I could hardly
|
|
keep the tears back. At those times, as the howlings
|
|
and wailings and shrieking of the singers, and the ragings
|
|
and roarings and explosions of the vast orchestra rose
|
|
higher and higher, and wilder and wilder, and fiercer
|
|
and fiercer, I could have cried if I had been alone.
|
|
Those strangers would not have been surprised to see
|
|
a man do such a thing who was being gradually skinned,
|
|
but they would have marveled at it here, and made remarks
|
|
about it no doubt, whereas there was nothing in the
|
|
present case which was an advantage over being skinned.
|
|
There was a wait of half an hour at the end of the first act,
|
|
and I could not trust myself to do it, for I felt that I
|
|
should desert to stay out. There was another wait
|
|
of half an hour toward nine o'clock, but I had gone
|
|
through so much by that time that I had no spirit left,
|
|
and so had no desire but to be let alone.
|
|
|
|
I do not wish to suggest that the rest of the people there
|
|
were like me, for, indeed, they were not. Whether it
|
|
was that they naturally liked that noise, or whether it
|
|
was that they had learned to like it by getting used to it,
|
|
I did not at the time know; but they did like--this was
|
|
plain enough. While it was going on they sat and looked
|
|
as rapt and grateful as cats do when one strokes their backs;
|
|
and whenever the curtain fell they rose to their feet,
|
|
in one solid mighty multitude, and the air was snowed thick
|
|
with waving handkerchiefs, and hurricanes of applause
|
|
swept the place. This was not comprehensible to me.
|
|
Of course, there were many people there who were not
|
|
under compulsion to stay; yet the tiers were as full at
|
|
the close as they had been at the beginning. This showed
|
|
that the people liked it.
|
|
|
|
It was a curious sort of a play. In the manner
|
|
of costumes and scenery it was fine and showy enough;
|
|
but there was not much action. That is to say,
|
|
there was not much really done, it was only talked about;
|
|
and always violently. It was what one might call a
|
|
narrative play. Everybody had a narrative and a grievance,
|
|
and none were reasonable about it, but all in an offensive
|
|
and ungovernable state. There was little of that sort
|
|
of customary thing where the tenor and the soprano stand
|
|
down by the footlights, warbling, with blended voices,
|
|
and keep holding out their arms toward each other and drawing
|
|
them back and spreading both hands over first one breast
|
|
and then the other with a shake and a pressure--no,
|
|
it was every rioter for himself and no blending.
|
|
Each sang his indictive narrative in turn, accompanied by
|
|
the whole orchestra of sixty instruments, and when this had
|
|
continued for some time, and one was hoping they might come
|
|
to an understanding and modify the noise, a great chorus
|
|
composed entirely of maniacs would suddenly break forth,
|
|
and then during two minutes, and sometimes three, I lived
|
|
over again all that I suffered the time the orphan asylum burned
|
|
down.
|
|
|
|
We only had one brief little season of heaven and heaven's
|
|
sweet ecstasy and peace during all this long and diligent
|
|
and acrimonious reproduction of the other place.
|
|
This was while a gorgeous procession of people marched around
|
|
and around, in the third act, and sang the Wedding Chorus.
|
|
To my untutored ear that was music--almost divine music.
|
|
While my seared soul was steeped in the healing balm
|
|
of those gracious sounds, it seemed to me that I could
|
|
almost resuffer the torments which had gone before,
|
|
in order to be so healed again. There is where the deep
|
|
ingenuity of the operatic idea is betrayed. It deals so
|
|
largely in pain that its scattered delights are prodigiously
|
|
augmented by the contrasts. A pretty air in an opera is
|
|
prettier there than it could be anywhere else, I suppose,
|
|
just as an honest man in politics shines more than he
|
|
would elsewhere.
|
|
|
|
I have since found out that there is nothing the Germans
|
|
like so much as an opera. They like it, not in a mild
|
|
and moderate way, but with their whole hearts.
|
|
This is a legitimate result of habit and education.
|
|
Our nation will like the opera, too, by and by, no doubt.
|
|
One in fifty of those who attend our operas likes
|
|
it already, perhaps, but I think a good many of the other
|
|
forty-nine go in order to learn to like it, and the
|
|
rest in order to be able to talk knowingly about it.
|
|
The latter usually hum the airs while they are being sung,
|
|
so that their neighbors may perceive that they have been
|
|
to operas before. The funerals of these do not occur
|
|
often enough.
|
|
|
|
A gentle, old-maidish person and a sweet young girl
|
|
of seventeen sat right in front of us that night at the
|
|
Mannheim opera. These people talked, between the acts,
|
|
and I understood them, though I understood nothing
|
|
that was uttered on the distant stage. At first they
|
|
were guarded in their talk, but after they had heard
|
|
my agent and me conversing in English they dropped their
|
|
reserve and I picked up many of their little confidences;
|
|
no, I mean many of HER little confidences--meaning
|
|
the elder party--for the young girl only listened,
|
|
and gave assenting nods, but never said a word. How pretty
|
|
she was, and how sweet she was! I wished she would speak.
|
|
But evidently she was absorbed in her own thoughts,
|
|
her own young-girl dreams, and found a dearer pleasure
|
|
in silence. But she was not dreaming sleepy dreams--no,
|
|
she was awake, alive, alert, she could not sit still
|
|
a moment. She was an enchanting study. Her gown was
|
|
of a soft white silky stuff that clung to her round
|
|
young figure like a fish's skin, and it was rippled
|
|
over with the gracefulest little fringy films of lace;
|
|
she had deep, tender eyes, with long, curved lashes;
|
|
and she had peachy cheeks, and a dimpled chin, and such
|
|
a dear little rosebud of a mouth; and she was so dovelike,
|
|
so pure, and so gracious, so sweet and so bewitching.
|
|
For long hours I did mightily wish she would speak.
|
|
And at last she did; the red lips parted, and out leaps her
|
|
thought--and with such a guileless and pretty enthusiasm,
|
|
too: "Auntie, I just KNOW I've got five hundred fleas
|
|
on me!"
|
|
|
|
That was probably over the average. Yes, it must have been
|
|
very much over the average. The average at that time
|
|
in the Grand Duchy of Baden was forty-five to a young
|
|
person (when alone), according to the official estimate
|
|
of the home secretary for that year; the average for older
|
|
people was shifty and indeterminable, for whenever a
|
|
wholesome young girl came into the presence of her elders
|
|
she immediately lowered their average and raised her own.
|
|
She became a sort of contribution-box. This dear young
|
|
thing in the theater had been sitting there unconsciously
|
|
taking up a collection. Many a skinny old being in our
|
|
neighborhood was the happier and the restfuler for her coming.
|
|
|
|
In that large audience, that night, there were eight very
|
|
conspicuous people. These were ladies who had their hats
|
|
or bonnets on. What a blessed thing it would be if a lady
|
|
could make herself conspicuous in our theaters by wearing
|
|
her hat. It is not usual in Europe to allow ladies
|
|
and gentlemen to take bonnets, hats, overcoats, canes,
|
|
or umbrellas into the auditorium, but in Mannheim this
|
|
rule was not enforced because the audiences were largely
|
|
made up of people from a distance, and among these were
|
|
always a few timid ladies who were afraid that if they had
|
|
to go into an anteroom to get their things when the play
|
|
was over, they would miss their train. But the great mass
|
|
of those who came from a distance always ran the risk
|
|
and took the chances, preferring the loss of a train
|
|
to a breach of good manners and the discomfort of being
|
|
unpleasantly conspicuous during a stretch of three or four hours.
|
|
|
|
|
|
|
|
|
|
CHAPTER X
|
|
[How Wagner Operas Bang Along]
|
|
|
|
Three or four hours. That is a long time to sit in one place,
|
|
whether one be conspicuous or not, yet some of Wagner's
|
|
operas bang along for six whole hours on a stretch!
|
|
But the people sit there and enjoy it all, and wish it
|
|
would last longer. A German lady in Munich told me
|
|
that a person could not like Wagner's music at first,
|
|
but must go through the deliberate process of learning
|
|
to like it--then he would have his sure reward;
|
|
for when he had learned to like it he would hunger
|
|
for it and never be able to get enough of it. She said
|
|
that six hours of Wagner was by no means too much.
|
|
She said that this composer had made a complete revolution
|
|
in music and was burying the old masters one by one.
|
|
And she said that Wagner's operas differed from all others
|
|
in one notable respect, and that was that they were not
|
|
merely spotted with music here and there, but were ALL music,
|
|
from the first strain to the last. This surprised me.
|
|
I said I had attended one of his insurrections, and found
|
|
hardly ANY music in it except the Wedding Chorus.
|
|
She said "Lohengrin" was noisier than Wagner's other operas,
|
|
but that if I would keep on going to see it I would find
|
|
by and by that it was all music, and therefore would
|
|
then enjoy it. I COULD have said, "But would you advise
|
|
a person to deliberately practice having a toothache
|
|
in the pit of his stomach for a couple of years in order
|
|
that he might then come to enjoy it?" But I reserved
|
|
that remark.
|
|
|
|
This lady was full of the praises of the head-tenor
|
|
who had performed in a Wagner opera the night before,
|
|
and went on to enlarge upon his old and prodigious fame,
|
|
and how many honors had been lavished upon him by the
|
|
princely houses of Germany. Here was another surprise.
|
|
I had attended that very opera, in the person of my agent,
|
|
and had made close and accurate observations. So I
|
|
said:
|
|
|
|
"Why, madam, MY experience warrants me in stating
|
|
that that tenor's voice is not a voice at all,
|
|
but only a shriek--the shriek of a hyena."
|
|
|
|
"That is very true," she said; "he cannot sing now;
|
|
it is already many years that he has lost his voice,
|
|
but in other times he sang, yes, divinely! So whenever
|
|
he comes now, you shall see, yes, that the theater
|
|
will not hold the people. JAWOHL BEI GOTT! his voice
|
|
is WUNDERSCHO"N in that past time."
|
|
|
|
I said she was discovering to me a kindly trait in the
|
|
Germans which was worth emulating. I said that over
|
|
the water we were not quite so generous; that with us,
|
|
when a singer had lost his voice and a jumper had lost
|
|
his legs, these parties ceased to draw. I said I had been
|
|
to the opera in Hanover, once, and in Mannheim once,
|
|
and in Munich (through my authorized agent) once, and this
|
|
large experience had nearly persuaded me that the Germans
|
|
PREFERRED singers who couldn't sing. This was not such
|
|
a very extravagant speech, either, for that burly Mannheim
|
|
tenor's praises had been the talk of all Heidelberg for
|
|
a week before his performance took place--yet his voice
|
|
was like the distressing noise which a nail makes when you
|
|
screech it across a window-pane. I said so to Heidelberg
|
|
friends the next day, and they said, in the calmest and
|
|
simplest way, that that was very true, but that in earlier
|
|
times his voice HAD been wonderfully fine. And the tenor
|
|
in Hanover was just another example of this sort.
|
|
The English-speaking German gentleman who went with me
|
|
to the opera there was brimming with enthusiasm over that tenor.
|
|
He said:
|
|
|
|
"ACH GOTT! a great man! You shall see him. He is so celebrate
|
|
in all Germany--and he has a pension, yes, from the government.
|
|
He not obliged to sing now, only twice every year;
|
|
but if he not sing twice each year they take him his pension
|
|
away."
|
|
|
|
Very well, we went. When the renowned old tenor appeared,
|
|
I got a nudge and an excited whisper:
|
|
|
|
"Now you see him!"
|
|
|
|
But the "celebrate" was an astonishing disappointment to me.
|
|
If he had been behind a screen I should have supposed
|
|
they were performing a surgical operation on him.
|
|
I looked at my friend--to my great surprise he seemed
|
|
intoxicated with pleasure, his eyes were dancing
|
|
with eager delight. When the curtain at last fell,
|
|
he burst into the stormiest applause, and kept it up--as
|
|
did the whole house--until the afflictive tenor had
|
|
come three times before the curtain to make his bow.
|
|
While the glowing enthusiast was swabbing the perspiration
|
|
from his face, I said:
|
|
|
|
"I don't mean the least harm, but really, now, do you
|
|
think he can sing?"
|
|
|
|
"Him? NO! GOTT IM HIMMEL, ABER, how he has been able to
|
|
sing twenty-five years ago?" [Then pensively.] "ACH, no,
|
|
NOW he not sing any more, he only cry. When he think
|
|
he sing, now, he not sing at all, no, he only make
|
|
like a cat which is unwell."
|
|
|
|
Where and how did we get the idea that the Germans
|
|
are a stolid, phlegmatic race? In truth, they are
|
|
widely removed from that. They are warm-hearted,
|
|
emotional, impulsive, enthusiastic, their tears come
|
|
at the mildest touch, and it is not hard to move them
|
|
to laughter. They are the very children of impulse.
|
|
We are cold and self-contained, compared to the Germans.
|
|
They hug and kiss and cry and shout and dance and sing;
|
|
and where we use one loving, petting expressions they pour
|
|
out a score. Their language is full of endearing diminutives;
|
|
nothing that they love escapes the application of a petting
|
|
diminutive--neither the house, nor the dog, nor the horse,
|
|
nor the grandmother, nor any other creature, animate or
|
|
inanimate.
|
|
|
|
In the theaters at Hanover, Hamburg, and Mannheim,
|
|
they had a wise custom. The moment the curtain went up,
|
|
the light in the body of the house went down.
|
|
The audience sat in the cool gloom of a deep twilight,
|
|
which greatly enhanced the glowing splendors of the stage.
|
|
It saved gas, too, and people were not sweated to death.
|
|
|
|
When I saw "King Lear" played, nobody was allowed to see
|
|
a scene shifted; if there was nothing to be done but slide
|
|
a forest out of the way and expose a temple beyond, one did
|
|
not see that forest split itself in the middle and go
|
|
shrieking away, with the accompanying disenchanting spectacle
|
|
of the hands and heels of the impelling impulse--no,
|
|
the curtain was always dropped for an instant--one heard
|
|
not the least movement behind it--but when it went up,
|
|
the next instant, the forest was gone. Even when the
|
|
stage was being entirely reset, one heard no noise.
|
|
During the whole time that "King Lear" was playing
|
|
the curtain was never down two minutes at any one time.
|
|
The orchestra played until the curtain was ready to go up
|
|
for the first time, then they departed for the evening.
|
|
Where the stage waits never each two minutes there is no
|
|
occasion for music. I had never seen this two-minute
|
|
business between acts but once before, and that was when
|
|
the "Shaughraun" was played at Wallack's.
|
|
|
|
I was at a concert in Munich one night, the people
|
|
were streaming in, the clock-hand pointed to seven,
|
|
the music struck up, and instantly all movement in
|
|
the body of the house ceased--nobody was standing,
|
|
or walking up the aisles, or fumbling with a seat,
|
|
the stream of incomers had suddenly dried up at its source.
|
|
I listened undisturbed to a piece of music that was fifteen
|
|
minutes long--always expecting some tardy ticket-holders
|
|
to come crowding past my knees, and being continuously and
|
|
pleasantly disappointed--but when the last note was struck,
|
|
here came the stream again. You see, they had made
|
|
those late comers wait in the comfortable waiting-parlor
|
|
from the time the music had begin until it was ended.
|
|
|
|
It was the first time I had ever seen this sort of
|
|
criminals denied the privilege of destroying the comfort
|
|
of a house full of their betters. Some of these were
|
|
pretty fine birds, but no matter, they had to tarry
|
|
outside in the long parlor under the inspection of
|
|
a double rank of liveried footmen and waiting-maids
|
|
who supported the two walls with their backs and held
|
|
the wraps and traps of their masters and mistresses on their
|
|
arms.
|
|
|
|
We had no footmen to hold our things, and it was not
|
|
permissible to take them into the concert-room; but there
|
|
were some men and women to take charge of them for us.
|
|
They gave us checks for them and charged a fixed price,
|
|
payable in advance--five cents.
|
|
|
|
In Germany they always hear one thing at an opera
|
|
which has never yet been heard in America, perhaps--I
|
|
mean the closing strain of a fine solo or duet.
|
|
We always smash into it with an earthquake of applause.
|
|
The result is that we rob ourselves of the sweetest
|
|
part of the treat; we get the whiskey, but we don't get
|
|
the sugar in the bottom of the glass.
|
|
|
|
Our way of scattering applause along through an act seems
|
|
to me to be better than the Mannheim way of saving it
|
|
all up till the act is ended. I do not see how an actor
|
|
can forget himself and portray hot passion before a cold
|
|
still audience. I should think he would feel foolish.
|
|
It is a pain to me to this day, to remember how that old
|
|
German Lear raged and wept and howled around the stage,
|
|
with never a response from that hushed house, never a
|
|
single outburst till the act was ended. To me there was
|
|
something unspeakably uncomfortable in the solemn dead
|
|
silences that always followed this old person's tremendous
|
|
outpourings of his feelings. I could not help putting
|
|
myself in his place--I thought I knew how sick and flat
|
|
he felt during those silences, because I remembered a case
|
|
which came under my observation once, and which--but I
|
|
will tell the incident:
|
|
|
|
One evening on board a Mississippi steamboat, a boy of ten
|
|
years lay asleep in a berth--a long, slim-legged boy,
|
|
he was, encased in quite a short shirt; it was the first
|
|
time he had ever made a trip on a steamboat, and so he
|
|
was troubled, and scared, and had gone to bed with his
|
|
head filled with impending snaggings, and explosions,
|
|
and conflagrations, and sudden death. About ten o'clock
|
|
some twenty ladies were sitting around about the ladies'
|
|
saloon, quietly reading, sewing, embroidering, and so on,
|
|
and among them sat a sweet, benignant old dame with round
|
|
spectacles on her nose and her busy knitting-needles
|
|
in her hands. Now all of a sudden, into the midst of this
|
|
peaceful scene burst that slim-shanked boy in the brief shirt,
|
|
wild-eyed, erect-haired, and shouting, "Fire, fire!
|
|
JUMP AND RUN, THE BOAT'S AFIRE AND THERE AIN'T A MINUTE
|
|
TO LOSE!" All those ladies looked sweetly up and smiled,
|
|
nobody stirred, the old lady pulled her spectacles down,
|
|
looked over them, and said, gently:
|
|
|
|
"But you mustn't catch cold, child. Run and put on
|
|
your breastpin, and then come and tell us all about it."
|
|
|
|
It was a cruel chill to give to a poor little devil's
|
|
gushing vehemence. He was expecting to be a sort of
|
|
hero--the creator of a wild panic--and here everybody
|
|
sat and smiled a mocking smile, and an old woman made
|
|
fun of his bugbear. I turned and crept away--for I
|
|
was that boy--and never even cared to discover whether
|
|
I had dreamed the fire or actually seen it.
|
|
|
|
I am told that in a German concert or opera, they hardly
|
|
ever encore a song; that though they may be dying to hear
|
|
it again, their good breeding usually preserves them
|
|
against requiring the repetition.
|
|
|
|
Kings may encore; that is quite another matter;
|
|
it delights everybody to see that the King is pleased;
|
|
and as to the actor encored, his pride and gratification
|
|
are simply boundless. Still, there are circumstances
|
|
in which even a royal encore--
|
|
|
|
But it is better to illustrate. The King of Bavaria is
|
|
a poet, and has a poet's eccentricities--with the advantage
|
|
over all other poets of being able to gratify them,
|
|
no matter what form they may take. He is fond of opera,
|
|
but not fond of sitting in the presence of an audience;
|
|
therefore, it has sometimes occurred, in Munich,
|
|
that when an opera has been concluded and the players
|
|
were getting off their paint and finery, a command has
|
|
come to them to get their paint and finery on again.
|
|
Presently the King would arrive, solitary and alone,
|
|
and the players would being at the beginning and do the
|
|
entire opera over again with only that one individual
|
|
in the vast solemn theater for audience. Once he took
|
|
an odd freak into his head. High up and out of sight,
|
|
over the prodigious stage of the court theater is a maze
|
|
of interlacing water-pipes, so pierced that in case
|
|
of fire, innumerable little thread-like streams of
|
|
water can be caused to descend; and in case of need,
|
|
this discharge can be augmented to a pouring flood.
|
|
American managers might want to make a note of that.
|
|
The King was sole audience. The opera proceeded,
|
|
it was a piece with a storm in it; the mimic thunder
|
|
began to mutter, the mimic wind began to wail and sough,
|
|
and the mimic rain to patter. The King's interest rose
|
|
higher and higher; it developed into enthusiasm. He cried
|
|
out:
|
|
|
|
"It is very, very good, indeed! But I will have real
|
|
rain! Turn on the water!"
|
|
|
|
The manager pleaded for a reversal of the command; said it
|
|
would ruin the costly scenery and the splendid costumes,
|
|
but the King cried:
|
|
|
|
"No matter, no matter, I will have real rain! Turn
|
|
on the water!"
|
|
|
|
So the real rain was turned on and began to descend in
|
|
gossamer lances to the mimic flower-beds and gravel walks
|
|
of the stage. The richly dressed actresses and actors
|
|
tripped about singing bravely and pretending not to mind it.
|
|
The King was delighted--his enthusiasm grew higher.
|
|
He cried out:
|
|
|
|
"Bravo, bravo! More thunder! more lightning! turn
|
|
on more rain!"
|
|
|
|
The thunder boomed, the lightning glared, the storm-winds raged,
|
|
the deluge poured down. The mimic royalty on the stage,
|
|
with their soaked satins clinging to their bodies,
|
|
slopped about ankle-deep in water, warbling their sweetest
|
|
and best, the fiddlers under the eaves of the state sawed
|
|
away for dear life, with the cold overflow spouting down
|
|
the backs of their necks, and the dry and happy King sat
|
|
in his lofty box and wore his gloves to ribbons applauding.
|
|
|
|
"More yet!" cried the King; "more yet--let loose all
|
|
the thunder, turn on all the water! I will hang the man
|
|
that raises an umbrella!"
|
|
|
|
When this most tremendous and effective storm that had
|
|
ever been produced in any theater was at last over,
|
|
the King's approbation was measureless. He cried:
|
|
|
|
"Magnificent, magnificent! ENCORE! Do it again!"
|
|
|
|
But the manager succeeded in persuading him to recall
|
|
the encore, and said the company would feel sufficiently
|
|
rewarded and complimented in the mere fact that the
|
|
encore was desired by his Majesty, without fatiguing
|
|
him with a repetition to gratify their own vanity.
|
|
|
|
During the remainder of the act the lucky performers
|
|
were those whose parts required changes of dress;
|
|
the others were a soaked, bedraggled, and uncomfortable lot,
|
|
but in the last degree picturesque. The stage scenery
|
|
was ruined, trap-doors were so swollen that they wouldn't
|
|
work for a week afterward, the fine costumes were spoiled,
|
|
and no end of minor damages were done by that remarkable storm.
|
|
|
|
It was royal idea--that storm--and royally carried out.
|
|
But observe the moderation of the King; he did not
|
|
insist upon his encore. If he had been a gladsome,
|
|
unreflecting American opera-audience, he probably would
|
|
have had his storm repeated and repeated until he drowned
|
|
all those people.
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
[I Paint a "Turner"]
|
|
|
|
The summer days passed pleasantly in Heidelberg.
|
|
We had a skilled trainer, and under his instructions we
|
|
were getting our legs in the right condition for the
|
|
contemplated pedestrian tours; we were well satisfied
|
|
with the progress which we had made in the German language,
|
|
[1. See Appendix D for information concerning this
|
|
fearful tongue.] and more than satisfied with what we had
|
|
accomplished in art. We had had the best instructors in
|
|
drawing and painting in Germany--Ha"mmerling, Vogel, Mu"ller,
|
|
Dietz, and Schumann. Ha"mmerling taught us landscape-painting.
|
|
Vogel taught us figure-drawing, Mu"ller taught us to do
|
|
still-life, and Dietz and Schumann gave us a finishing
|
|
course in two specialties--battle-pieces and shipwrecks.
|
|
Whatever I am in Art I owe to these men. I have something
|
|
of the manner of each and all of them; but they all said that I
|
|
had also a manner of my own, and that it was conspicuous.
|
|
They said there was a marked individuality about my
|
|
style--insomuch that if I ever painted the commonest
|
|
type of a dog, I should be sure to throw a something
|
|
into the aspect of that dog which would keep him from
|
|
being mistaken for the creation of any other artist.
|
|
Secretly I wanted to believe all these kind sayings,
|
|
but I could not; I was afraid that my masters'
|
|
partiality for me, and pride in me, biased their judgment.
|
|
So I resolved to make a test. Privately, and unknown
|
|
to any one, I painted my great picture, "Heidelberg Castle
|
|
Illuminated"--my first really important work in oils--and
|
|
had it hung up in the midst of a wilderness of oil-pictures
|
|
in the Art Exhibition, with no name attached to it. To my
|
|
great gratification it was instantly recognized as mine.
|
|
All the town flocked to see it, and people even came from
|
|
neighboring localities to visit it. It made more stir than
|
|
any other work in the Exhibition. But the most gratifying
|
|
thing of all was, that chance strangers, passing through,
|
|
who had not heard of my picture, were not only drawn to it,
|
|
as by a lodestone, the moment they entered the gallery,
|
|
but always took it for a "Turner."
|
|
|
|
Apparently nobody had ever done that. There were ruined
|
|
castles on the overhanging cliffs and crags all the way;
|
|
these were said to have their legends, like those on the Rhine,
|
|
and what was better still, they had never been in print.
|
|
There was nothing in the books about that lovely region;
|
|
it had been neglected by the tourist, it was virgin soil for
|
|
the literary pioneer.
|
|
|
|
Meantime the knapsacks, the rough walking-suits and the stout
|
|
walking-shoes which we had ordered, were finished and brought
|
|
to us. A Mr. X and a young Mr. Z had agreed to go with us.
|
|
We went around one evening and bade good-by to our friends,
|
|
and afterward had a little farewell banquet at the hotel.
|
|
We got to bed early, for we wanted to make an early start,
|
|
so as to take advantage of the cool of the morning.
|
|
|
|
We were out of bed at break of day, feeling fresh
|
|
and vigorous, and took a hearty breakfast, then plunged
|
|
down through the leafy arcades of the Castle grounds,
|
|
toward the town. What a glorious summer morning it was,
|
|
and how the flowers did pour out their fragrance,
|
|
and how the birds did sing! It was just the time for a
|
|
tramp through the woods and mountains.
|
|
|
|
We were all dressed alike: broad slouch hats, to keep the
|
|
sun off; gray knapsacks; blue army shirts; blue overalls;
|
|
leathern gaiters buttoned tight from knee down to ankle;
|
|
high-quarter coarse shoes snugly laced. Each man had
|
|
an opera-glass, a canteen, and a guide-book case slung
|
|
over his shoulder, and carried an alpenstock in one hand
|
|
and a sun-umbrella in the other. Around our hats were
|
|
wound many folds of soft white muslin, with the ends
|
|
hanging and flapping down our backs--an idea brought
|
|
from the Orient and used by tourists all over Europe.
|
|
Harris carried the little watch-like machine called
|
|
a "pedometer," whose office is to keep count of a man's
|
|
steps and tell how far he has walked. Everybody stopped
|
|
to admire our costumes and give us a hearty "Pleasant march
|
|
to you!"
|
|
|
|
When we got downtown I found that we could go by rail to
|
|
within five miles of Heilbronn. The train was just starting,
|
|
so we jumped aboard and went tearing away in splendid spirits.
|
|
It was agreed all around that we had done wisely,
|
|
because it would be just as enjoyable to walk DOWN the Neckar
|
|
as up it, and it could not be needful to walk both ways.
|
|
There were some nice German people in our compartment.
|
|
I got to talking some pretty private matters presently,
|
|
and Harris became nervous; so he nudged me and said:
|
|
|
|
"Speak in German--these Germans may understand English."
|
|
|
|
I did so, it was well I did; for it turned out that there
|
|
was not a German in that party who did not understand
|
|
English perfectly. It is curious how widespread our language
|
|
is in Germany. After a while some of those folks got out
|
|
and a German gentleman and his two young daughters got in.
|
|
I spoke in German of one of the latter several times,
|
|
but without result. Finally she said:
|
|
|
|
"ICH VERSTEHE NUR DEUTCH UND ENGLISHE,"--or words to
|
|
that effect. That is, "I don't understand any language
|
|
but German and English."
|
|
|
|
And sure enough, not only she but her father and sister
|
|
spoke English. So after that we had all the talk we wanted;
|
|
and we wanted a good deal, for they were agreeable people.
|
|
They were greatly interested in our customs; especially
|
|
the alpenstocks, for they had not seen any before.
|
|
They said that the Neckar road was perfectly level, so we
|
|
must be going to Switzerland or some other rugged country;
|
|
and asked us if we did not find the walking pretty fatiguing
|
|
in such warm weather. But we said no.
|
|
|
|
We reached Wimpfen--I think it was Wimpfen--in about
|
|
three hours, and got out, not the least tired; found a
|
|
good hotel and ordered beer and dinner--then took
|
|
a stroll through the venerable old village. It was very
|
|
picturesque and tumble-down, and dirty and interesting.
|
|
It had queer houses five hundred years old in it,
|
|
and a military tower 115 feet high, which had stood there
|
|
more than ten centuries. I made a little sketch of it.
|
|
I kept a copy, but gave the original to the Burgomaster.
|
|
I think the original was better than the copy, because it
|
|
had more windows in it and the grass stood up better and had
|
|
a brisker look. There was none around the tower, though;
|
|
I composed the grass myself, from studies I made in a field
|
|
by Heidelberg in Ha"mmerling's time. The man on top,
|
|
looking at the view, is apparently too large, but I found
|
|
he could not be made smaller, conveniently. I wanted
|
|
him there, and I wanted him visible, so I thought out a
|
|
way to manage it; I composed the picture from two points
|
|
of view; the spectator is to observe the man from bout
|
|
where that flag is, and he must observe the tower itself
|
|
from the ground. This harmonizes the seeming discrepancy.
|
|
[Figure 2]
|
|
|
|
Near an old cathedral, under a shed, were three crosses
|
|
of stone--moldy and damaged things, bearing life-size
|
|
stone figures. The two thieves were dressed in the fanciful
|
|
court costumes of the middle of the sixteenth century,
|
|
while the Saviour was nude, with the exception of a cloth
|
|
around the loins.
|
|
|
|
We had dinner under the green trees in a garden belonging
|
|
to the hotel and overlooking the Neckar; then, after a smoke,
|
|
we went to bed. We had a refreshing nap, then got up
|
|
about three in the afternoon and put on our panoply.
|
|
As we tramped gaily out at the gate of the town,
|
|
we overtook a peasant's cart, partly laden with odds and
|
|
ends of cabbages and similar vegetable rubbish, and drawn
|
|
by a small cow and a smaller donkey yoked together.
|
|
It was a pretty slow concern, but it got us into Heilbronn
|
|
before dark--five miles, or possibly it was seven.
|
|
|
|
We stopped at the very same inn which the famous old
|
|
robber-knight and rough fighter Go"tz von Berlichingen,
|
|
abode in after he got out of captivity in the Square Tower
|
|
of Heilbronn between three hundred and fifty and four hundred
|
|
years ago. Harris and I occupied the same room which he
|
|
had occupied and the same paper had not quite peeled off
|
|
the walls yet. The furniture was quaint old carved stuff,
|
|
full four hundred years old, and some of the smells
|
|
were over a thousand. There was a hook in the wall,
|
|
which the landlord said the terrific old Go"tz used to
|
|
hang his iron hand on when he took it off to go to bed.
|
|
This room was very large--it might be called immense--
|
|
and it was on the first floor; which means it was in
|
|
the second story, for in Europe the houses are so high
|
|
that they do not count the first story, else they
|
|
would get tired climbing before they got to the top.
|
|
The wallpaper was a fiery red, with huge gold figures in it,
|
|
well smirched by time, and it covered all the doors.
|
|
These doors fitted so snugly and continued the figures
|
|
of the paper so unbrokenly, that when they were closed
|
|
one had to go feeling and searching along the wall
|
|
to find them. There was a stove in the corner--one
|
|
of those tall, square, stately white porcelain things
|
|
that looks like a monument and keeps you thinking
|
|
of death when you ought to be enjoying your travels.
|
|
The windows looked out on a little alley, and over that
|
|
into a stable and some poultry and pig yards in the rear
|
|
of some tenement-houses. There were the customary two beds
|
|
in the room, one in one end, the other in the other,
|
|
about an old-fashioned brass-mounted, single-barreled
|
|
pistol-shot apart. They were fully as narrow as the usual
|
|
German bed, too, and had the German bed's ineradicable
|
|
habit of spilling the blankets on the floor every time
|
|
you forgot yourself and went to sleep.
|
|
|
|
A round table as large as King Arthur's stood in the
|
|
center of the room; while the waiters were getting
|
|
ready to serve our dinner on it we all went out to see
|
|
the renowned clock on the front of the municipal buildings.
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
[What the Wives Saved]
|
|
|
|
The RATHHAUS, or municipal building, is of the quaintest
|
|
and most picturesque Middle-Age architecture. It has a
|
|
massive portico and steps, before it, heavily balustraded,
|
|
and adorned with life-sized rusty iron knights in
|
|
complete armor. The clock-face on the front of the building
|
|
is very large and of curious pattern. Ordinarily, a gilded
|
|
angel strikes the hour on a big bell with a hammer;
|
|
as the striking ceases, a life-sized figure of Time raises
|
|
its hour-glass and turns it; two golden rams advance
|
|
and butt each other; a gilded cock lifts its wings;
|
|
but the main features are two great angels, who stand
|
|
on each side of the dial with long horns at their lips;
|
|
it was said that they blew melodious blasts on these
|
|
horns every hour--but they did not do it for us.
|
|
We were told, later, than they blew only at night,
|
|
when the town was still.
|
|
|
|
Within the RATHHAUS were a number of huge wild boars'
|
|
heads, preserved, and mounted on brackets along the wall;
|
|
they bore inscriptions telling who killed them and how many
|
|
hundred years ago it was done. One room in the building
|
|
was devoted to the preservation of ancient archives.
|
|
There they showed us no end of aged documents; some were
|
|
signed by Popes, some by Tilly and other great generals,
|
|
and one was a letter written and subscribed by Go"tz von
|
|
Berlichingen in Heilbronn in 1519 just after his release
|
|
from the Square Tower.
|
|
|
|
This fine old robber-knight was a devoutly and sincerely
|
|
religious man, hospitable, charitable to the poor,
|
|
fearless in fight, active, enterprising, and possessed
|
|
of a large and generous nature. He had in him a
|
|
quality of being able to overlook moderate injuries,
|
|
and being able to forgive and forget mortal ones as
|
|
soon as he had soundly trounced the authors of them.
|
|
He was prompt to take up any poor devil's quarrel and risk
|
|
his neck to right him. The common folk held him dear,
|
|
and his memory is still green in ballad and tradition.
|
|
He used to go on the highway and rob rich wayfarers;
|
|
and other times he would swoop down from his high castle
|
|
on the hills of the Neckar and capture passing cargoes
|
|
of merchandise. In his memoirs he piously thanks the
|
|
Giver of all Good for remembering him in his needs and
|
|
delivering sundry such cargoes into his hands at times
|
|
when only special providences could have relieved him.
|
|
He was a doughty warrior and found a deep joy in battle.
|
|
In an assault upon a stronghold in Bavaria when he was
|
|
only twenty-three years old, his right hand was shot away,
|
|
but he was so interested in the fight that he did not
|
|
observe it for a while. He said that the iron hand
|
|
which was made for him afterward, and which he wore for
|
|
more than half a century, was nearly as clever a member
|
|
as the fleshy one had been. I was glad to get a facsimile
|
|
of the letter written by this fine old German Robin Hood,
|
|
though I was not able to read it. He was a better artist
|
|
with his sword than with his pen.
|
|
|
|
We went down by the river and saw the Square Tower.
|
|
It was a very venerable structure, very strong,
|
|
and very ornamental. There was no opening near the ground.
|
|
They had to use a ladder to get into it, no doubt.
|
|
|
|
We visited the principal church, also--a curious
|
|
old structure, with a towerlike spire adorned with all
|
|
sorts of grotesque images. The inner walls of the church
|
|
were placarded with large mural tablets of copper,
|
|
bearing engraved inscriptions celebrating the merits
|
|
of old Heilbronn worthies of two or three centuries ago,
|
|
and also bearing rudely painted effigies of themselves
|
|
and their families tricked out in the queer costumes of
|
|
those days. The head of the family sat in the foreground,
|
|
and beyond him extended a sharply receding and diminishing
|
|
row of sons; facing him sat his wife, and beyond
|
|
her extended a low row of diminishing daughters.
|
|
The family was usually large, but the perspective bad.
|
|
|
|
Then we hired the hack and the horse which Go"tz von
|
|
Berlichingen used to use, and drove several miles into
|
|
the country to visit the place called WEIBERTREU--Wife's
|
|
Fidelity I suppose it means. It was a feudal castle
|
|
of the Middle Ages. When we reached its neighborhood we
|
|
found it was beautifully situated, but on top of a mound,
|
|
or hill, round and tolerably steep, and about two hundred
|
|
feet high. Therefore, as the sun was blazing hot,
|
|
we did not climb up there, but took the place on trust,
|
|
and observed it from a distance while the horse leaned up
|
|
against a fence and rested. The place has no interest
|
|
except that which is lent it by its legend, which is
|
|
a very pretty one--to this effect:
|
|
|
|
THE LEGEND
|
|
|
|
In the Middle Ages, a couple of young dukes, brothers,
|
|
took opposite sides in one of the wars, the one fighting
|
|
for the Emperor, the other against him. One of them
|
|
owned the castle and village on top of the mound which I
|
|
have been speaking of, and in his absence his brother
|
|
came with his knights and soldiers and began a siege.
|
|
It was a long and tedious business, for the people
|
|
made a stubborn and faithful defense. But at last
|
|
their supplies ran out and starvation began its work;
|
|
more fell by hunger than by the missiles of the enemy.
|
|
They by and by surrendered, and begged for charitable terms.
|
|
But the beleaguering prince was so incensed against them
|
|
for their long resistance that he said he would spare none
|
|
but the women and children--all men should be put to the
|
|
sword without exception, and all their goods destroyed.
|
|
Then the women came and fell on their knees and begged for
|
|
the lives of their husbands.
|
|
|
|
"No," said the prince, "not a man of them shall escape alive;
|
|
you yourselves shall go with your children into houseless
|
|
and friendless banishment; but that you may not starve
|
|
I grant you this one grace, that each woman may bear
|
|
with her from this place as much of her most valuable
|
|
property as she is able to carry."
|
|
|
|
Very well, presently the gates swung open and out filed
|
|
those women carrying their HUSBANDS on their shoulders.
|
|
The besiegers, furious at the trick, rushed forward
|
|
to slaughter the men, but the Duke stepped between and
|
|
said:
|
|
|
|
"No, put up your swords--a prince's word is inviolable."
|
|
|
|
When we got back to the hotel, King Arthur's Round Table
|
|
was ready for us in its white drapery, and the head waiter
|
|
and his first assistant, in swallow-tails and white cravats,
|
|
brought in the soup and the hot plates at once.
|
|
|
|
Mr. X had ordered the dinner, and when the wine came on,
|
|
he picked up a bottle, glanced at the label, and then turned
|
|
to the grave, the melancholy, the sepulchral head waiter
|
|
and said it was not the sort of wine he had asked for.
|
|
The head waiter picked up the bottle, cast his undertaker-eye
|
|
on it and said:
|
|
|
|
"It is true; I beg pardon." Then he turned on his
|
|
subordinate and calmly said, "Bring another label."
|
|
|
|
At the same time he slid the present label off with his hand
|
|
and laid it aside; it had been newly put on, its paste
|
|
was still wet. When the new label came, he put it on;
|
|
our French wine being now turned into German wine,
|
|
according to desire, the head waiter went blandly about his
|
|
other duties, as if the working of this sort of miracle
|
|
was a common and easy thing to him.
|
|
|
|
Mr. X said he had not known, before, that there were
|
|
people honest enough to do this miracle in public,
|
|
but he was aware that thousands upon thousands of labels
|
|
were imported into America from Europe every year,
|
|
to enable dealers to furnish to their customers in a quiet
|
|
and inexpensive way all the different kinds of foreign
|
|
wines they might require.
|
|
|
|
We took a turn around the town, after dinner, and found
|
|
it fully as interesting in the moonlight as it had been
|
|
in the daytime. The streets were narrow and roughly paved,
|
|
and there was not a sidewalk or a street-lamp anywhere.
|
|
The dwellings were centuries old, and vast enough for hotels.
|
|
They widened all the way up; the stories projected
|
|
further and further forward and aside as they ascended,
|
|
and the long rows of lighted windows, filled with little bits
|
|
of panes, curtained with figured white muslin and adorned
|
|
outside with boxes of flowers, made a pretty effect.
|
|
The moon was bright, and the light and shadow very strong;
|
|
and nothing could be more picturesque than those curving
|
|
streets, with their rows of huge high gables leaning
|
|
far over toward each other in a friendly gossiping way,
|
|
and the crowds below drifting through the alternating blots
|
|
of gloom and mellow bars of moonlight. Nearly everybody
|
|
was abroad, chatting, singing, romping, or massed in lazy
|
|
comfortable attitudes in the doorways.
|
|
|
|
In one place there was a public building which was
|
|
fenced about with a thick, rusty chain, which sagged
|
|
from post to post in a succession of low swings.
|
|
The pavement, here, was made of heavy blocks of stone.
|
|
In the glare of the moon a party of barefooted children
|
|
were swinging on those chains and having a noisy good time.
|
|
They were not the first ones who have done that;
|
|
even their great-great-grandfathers had not been the first
|
|
to do it when they were children. The strokes of the bare
|
|
feet had worn grooves inches deep in the stone flags;
|
|
it had taken many generations of swinging children to
|
|
accomplish that. Everywhere in the town were the mold
|
|
and decay that go with antiquity, and evidence of it;
|
|
but I do not know that anything else gave us so vivid
|
|
a sense of the old age of Heilbronn as those footworn
|
|
grooves in the paving-stones.
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
[My Long Crawl in the Dark]
|
|
|
|
When we got back to the hotel I wound and set the
|
|
pedometer and put it in my pocket, for I was to carry
|
|
it next day and keep record of the miles we made.
|
|
The work which we had given the instrument to do during
|
|
which had just closed had not fatigued it perceptibly.
|
|
|
|
We were in bed by ten, for we wanted to be up and away on
|
|
our tramp homeward with the dawn. I hung fire, but Harris
|
|
went to sleep at once. I hate a man who goes to sleep
|
|
at once; there is a sort of indefinable something about it
|
|
which is not exactly an insult, and yet is an insolence;
|
|
and one which is hard to bear, too. I lay there fretting
|
|
over this injury, and trying to go to sleep; but the harder
|
|
I tried, the wider awake I grew. I got to feeling very lonely
|
|
in the dark, ith no company but an undigested dinner.
|
|
My mind got a start by and by, and began to consider the
|
|
beginning of every subject which has ever been thought of;
|
|
but it never went further than the beginning; it was touch
|
|
and go; it fled from topic to topic with a frantic speed.
|
|
At the end of an hour my head was in a perfect whirl and I
|
|
was dead tired, fagged out.
|
|
|
|
The fatigue was so great that it presently began to make some
|
|
head against the nervous excitement; while imagining myself
|
|
wide awake, I would really doze into momentary unconsciousness,
|
|
and come suddenly out of it with a physical jerk which nearly
|
|
wrenched my joints apart--the delusion of the instant
|
|
being that I was tumbling backward over a precipice.
|
|
After I had fallen over eight or nine precipices and thus
|
|
found out that one half of my brain had been asleep eight
|
|
or nine times without the wide-awake, hard-working other
|
|
half suspecting it, the periodical unconsciousnesses
|
|
began to extend their spell gradually over more of my
|
|
brain-territory, and at last I sank into a drowse which
|
|
grew deeper and deeper and was doubtless just on the very
|
|
point of being a solid, blessed dreamless stupor, when--what was
|
|
that?
|
|
|
|
My dulled faculties dragged themselves partly back to life
|
|
and took a receptive attitude. Now out of an immense,
|
|
a limitless distance, came a something which grew and grew,
|
|
and approached, and presently was recognizable as a sound--
|
|
it had rather seemed to be a feeling, before. This sound
|
|
was a mile away, now--perhaps it was the murmur of a storm;
|
|
and now it was nearer--not a quarter of a mile away;
|
|
was it the muffled rasping and grinding of distant
|
|
machinery? No, it came still nearer; was it the measured
|
|
tramp of a marching troop? But it came nearer still,
|
|
and still nearer--and at last it was right in the room: it
|
|
was merely a mouse gnawing the woodwork. So I had held my
|
|
breath all that time for such a trifle.
|
|
|
|
Well, what was done could not be helped; I would go
|
|
to sleep at once and make up the lost time. That was
|
|
a thoughtless thought. Without intending it--hardly
|
|
knowing it--I fell to listening intently to that sound,
|
|
and even unconsciously counting the strokes of the mouse's
|
|
nutmeg-grater. Presently I was deriving exquisite suffering
|
|
from this employment, yet maybe I could have endured
|
|
it if the mouse had attended steadily to his work;
|
|
but he did not do that; he stopped every now and then,
|
|
and I suffered more while waiting and listening for
|
|
him to begin again than I did while he was gnawing.
|
|
Along at first I was mentally offering a reward
|
|
of five--six--seven--ten--dollars for that mouse;
|
|
but toward the last I was offering rewards which were
|
|
entirely beyond my means. I close-reefed my ears--
|
|
that is to say, I bent the flaps of them down and furled
|
|
them into five or six folds, and pressed them against
|
|
the hearing-orifice--but it did no good: the faculty
|
|
was so sharpened by nervous excitement that it was become
|
|
a microphone and could hear through the overlays without trouble.
|
|
|
|
|
|
My anger grew to a frenzy. I finally did what all persons
|
|
before me have done, clear back to Adam,--resolved to
|
|
throw something. I reached down and got my walking-shoes,
|
|
then sat up in bed and listened, in order to exactly locate
|
|
the noise. But I couldn't do it; it was as unlocatable
|
|
as a cricket's noise; and where one thinks that that is,
|
|
is always the very place where it isn't. So I presently
|
|
hurled a shoe at random, and with a vicious vigor.
|
|
It struck the wall over Harris's head and fell down on him;
|
|
I had not imagined I could throw so far. It woke Harris,
|
|
and I was glad of it until I found he was not angry;
|
|
then I was sorry. He soon went to sleep again,
|
|
which pleased me; but straightway the mouse began again,
|
|
which roused my temper once more. I did not want to wake
|
|
Harris a second time, but the gnawing continued until I
|
|
was compelled to throw the other shoe. This time I broke
|
|
a mirror--there were two in the room--I got the largest one,
|
|
of course. Harris woke again, but did not complain,
|
|
and I was sorrier than ever. I resolved that I would
|
|
suffer all possible torture before I would disturb him a
|
|
third time.
|
|
|
|
The mouse eventually retired, and by and by I was sinking
|
|
to sleep, when a clock began to strike; I counted till
|
|
it was done, and was about to drowse again when another
|
|
clock began; I counted; then the two great RATHHAUS clock
|
|
angels began to send forth soft, rich, melodious blasts
|
|
from their long trumpets. I had never heard anything
|
|
that was so lovely, or weird, or mysterious--but when they
|
|
got to blowing the quarter-hours, they seemed to me to be
|
|
overdoing the thing. Every time I dropped off for the moment,
|
|
a new noise woke me. Each time I woke I missed my coverlet,
|
|
and had to reach down to the floor and get it again.
|
|
|
|
At last all sleepiness forsook me. I recognized the fact
|
|
that I was hopelessly and permanently wide awake.
|
|
Wide awake, and feverish and thirsty. When I had lain
|
|
tossing there as long as I could endure it, it occurred
|
|
to me that it would be a good idea to dress and go out in
|
|
the great square and take a refreshing wash in the fountain,
|
|
and smoke and reflect there until the remnant of the night
|
|
was gone.
|
|
|
|
I believed I could dress in the dark without waking Harris.
|
|
I had banished my shoes after the mouse, but my slippers
|
|
would do for a summer night. So I rose softly, and gradually
|
|
got on everything--down to one sock. I couldn't seem
|
|
to get on the track of that sock, any way I could fix it.
|
|
But I had to have it; so I went down on my hands and knees,
|
|
with one slipper on and the other in my hand, and began to
|
|
paw gently around and rake the floor, but with no success.
|
|
I enlarged my circle, and went on pawing and raking.
|
|
With every pressure of my knee, how the floor creaked!
|
|
and every time I chanced to rake against any article,
|
|
it seemed to give out thirty-five or thirty-six times
|
|
more noise than it would have done in the daytime.
|
|
In those cases I always stopped and held my breath till I
|
|
was sure Harris had not awakened--then I crept along again.
|
|
I moved on and on, but I could not find the sock;
|
|
I could not seem to find anything but furniture.
|
|
I could not remember that there was much furniture
|
|
in the room when I went to bed, but the place was alive
|
|
with it now --especially chairs--chairs everywhere--
|
|
had a couple of families moved in, in the mean time? And
|
|
I never could seem to GLANCE on one of those chairs,
|
|
but always struck it full and square with my head.
|
|
My temper rose, by steady and sure degrees, and as I
|
|
pawed on and on, I fell to making vicious comments under
|
|
my breath.
|
|
|
|
Finally, with a venomous access of irritation, I said I
|
|
would leave without the sock; so I rose up and made straight
|
|
for the door--as I supposed--and suddenly confronted my
|
|
dim spectral image in the unbroken mirror. It startled
|
|
the breath out of me, for an instant; it also showed me
|
|
that I was lost, and had no sort of idea where I was.
|
|
When I realized this, I was so angry that I had to sit
|
|
down on the floor and take hold of something to keep
|
|
from lifting the roof off with an explosion of opinion.
|
|
If there had been only one mirror, it might possibly have
|
|
helped to locate me; but there were two, and two were as
|
|
bad as a thousand; besides, these were on opposite sides
|
|
of the room. I could see the dim blur of the windows,
|
|
but in my turned-around condition they were exactly
|
|
where they ought not to be, and so they only confused me
|
|
instead of helping me.
|
|
|
|
I started to get up, and knocked down an umbrella;
|
|
it made a noise like a pistol-shot when it struck
|
|
that hard, slick, carpetless floor; I grated my teeth
|
|
and held my breath--Harris did not stir. I set the
|
|
umbrella slowly and carefully on end against the wall,
|
|
but as soon as I took my hand away, its heel slipped
|
|
from under it, and down it came again with another bang.
|
|
I shrunk together and listened a moment in silent fury--
|
|
no harm done, everything quiet. With the most painstaking
|
|
care and nicety, I stood the umbrella up once more,
|
|
took my hand away, and down it came again.
|
|
|
|
I have been strictly reared, but if it had not been
|
|
so dark and solemn and awful there in that lonely,
|
|
vast room, I do believe I should have said something
|
|
then which could not be put into a Sunday-school book
|
|
without injuring the sale of it. If my reasoning powers
|
|
had not been already sapped dry by my harassments,
|
|
I would have known better than to try to set an umbrella
|
|
on end on one of those glassy German floors in the dark;
|
|
it can't be done in the daytime without four failures
|
|
to one success. I had one comfort, though--Harris was
|
|
yet still and silent--he had not stirred.
|
|
|
|
The umbrella could not locate me--there were four
|
|
standing around the room, and all alike. I thought I
|
|
would feel along the wall and find the door in that way.
|
|
I rose up and began this operation, but raked down
|
|
a picture. It was not a large one, but it made noise
|
|
enough for a panorama. Harris gave out no sound, but I
|
|
felt that if I experimented any further with the pictures
|
|
I should be sure to wake him. Better give up trying to
|
|
get out. Yes, I would find King Arthur's Round Table once
|
|
more--I had already found it several times--and use it
|
|
for a base of departure on an exploring tour for my bed;
|
|
if I could find my bed I could then find my water pitcher;
|
|
I would quench my raging thirst and turn in. So I started
|
|
on my hands and knees, because I could go faster that way,
|
|
and with more confidence, too, and not knock down things.
|
|
By and by I found the table--with my head--rubbed the
|
|
bruise a little, then rose up and started, with hands
|
|
abroad and fingers spread, to balance myself. I found
|
|
a chair; then a wall; then another chair; then a sofa;
|
|
then an alpenstock, then another sofa; this confounded me,
|
|
for I had thought there was only one sofa. I hunted
|
|
up the table again and took a fresh start; found some
|
|
more chairs.
|
|
|
|
It occurred to me, now, as it ought to have done before,
|
|
that as the table was round, it was therefore of no
|
|
value as a base to aim from; so I moved off once more,
|
|
and at random among the wilderness of chairs and sofas--
|
|
wandering off into unfamiliar regions, and presently knocked
|
|
a candlestick and knocked off a lamp, grabbed at the lamp
|
|
and knocked off a water pitcher with a rattling crash,
|
|
and thought to myself, "I've found you at last--I
|
|
judged I was close upon you." Harris shouted "murder,"
|
|
and "thieves," and finished with "I'm absolutely drowned."
|
|
|
|
The crash had roused the house. Mr. X pranced in,
|
|
in his long night-garment, with a candle, young Z after him
|
|
with another candle; a procession swept in at another door,
|
|
with candles and lanterns--landlord and two German guests
|
|
in their nightgowns and a chambermaid in hers.
|
|
|
|
I looked around; I was at Harris's bed, a Sabbath-day's
|
|
journey from my own. There was only one sofa; it was against
|
|
the wall; there was only one chair where a body could get
|
|
at it--I had been revolving around it like a planet,
|
|
and colliding with it like a comet half the night.
|
|
|
|
I explained how I had been employing myself, and why.
|
|
Then the landlord's party left, and the rest of us set
|
|
about our preparations for breakfast, for the dawn was
|
|
ready to break. I glanced furtively at my pedometer,
|
|
and found I had made 47 miles. But I did not care, for I
|
|
had come out for a pedestrian tour anyway.
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
[Rafting Down the Neckar]
|
|
|
|
When the landlord learned that I and my agents were artists,
|
|
our party rose perceptibly in his esteem; we rose still
|
|
higher when he learned that we were making a pedestrian
|
|
tour of Europe.
|
|
|
|
He told us all about the Heidelberg road, and which
|
|
were the best places to avoid and which the best ones
|
|
to tarry at; he charged me less than cost for the things
|
|
I broke in the night; he put up a fine luncheon for us
|
|
and added to it a quantity of great light-green plums,
|
|
the pleasantest fruit in Germany; he was so anxious to do us
|
|
honor that he would not allow us to walk out of Heilbronn,
|
|
but called up Go"tz von Berlichingen's horse and cab
|
|
and made us ride.
|
|
|
|
I made a sketch of the turnout. It is not a Work, it is only
|
|
what artists call a "study"--a thing to make a finished
|
|
picture from. This sketch has several blemishes in it;
|
|
for instance, the wagon is not traveling as fast as the
|
|
horse is. This is wrong. Again, the person trying to get
|
|
out of the way is too small; he is out of perspective,
|
|
as we say. The two upper lines are not the horse's back,
|
|
they are the reigns; there seems to be a wheel missing--
|
|
this would be corrected in a finished Work, of course.
|
|
This thing flying out behind is not a flag, it is a curtain.
|
|
That other thing up there is the sun, but I didn't get
|
|
enough distance on it. I do not remember, now, what that
|
|
thing is that is in front of the man who is running,
|
|
but I think it is a haystack or a woman. This study
|
|
was exhibited in the Paris Salon of 1879, but did not
|
|
take any medal; they do not give medals for studies.
|
|
[Figure 3]
|
|
|
|
We discharged the carriage at the bridge. The river was
|
|
full of logs--long, slender, barkless pine logs--and we
|
|
leaned on the rails of the bridge, and watched the men put
|
|
them together into rafts. These rafts were of a shape
|
|
and construction to suit the crookedness and extreme
|
|
narrowness of the Neckar. They were from fifty to one
|
|
hundred yards long, and they gradually tapered from a
|
|
nine-log breadth at their sterns, to a three-log breadth
|
|
at their bow-ends. The main part of the steering is done
|
|
at the bow, with a pole; the three-log breadth there
|
|
furnishes room for only the steersman, for these little logs
|
|
are not larger around than an average young lady's waist.
|
|
The connections of the several sections of the raft are
|
|
slack and pliant, so that the raft may be readily bent
|
|
into any sort of curve required by the shape of the river.
|
|
|
|
The Neckar is in many places so narrow that a person
|
|
can throw a dog across it, if he has one; when it is
|
|
also sharply curved in such places, the raftsman has
|
|
to do some pretty nice snug piloting to make the turns.
|
|
The river is not always allowed to spread over its whole
|
|
bed--which is as much as thirty, and sometimes forty yards
|
|
wide--but is split into three equal bodies of water,
|
|
by stone dikes which throw the main volume, depth, and current
|
|
into the central one. In low water these neat narrow-edged
|
|
dikes project four or five inches above the surface,
|
|
like the comb of a submerged roof, but in high water
|
|
they are overflowed. A hatful of rain makes high water
|
|
in the Neckar, and a basketful produces an overflow.
|
|
|
|
There are dikes abreast the Schloss Hotel, and the current
|
|
is violently swift at that point. I used to sit for hours
|
|
in my glass cage, watching the long, narrow rafts slip
|
|
along through the central channel, grazing the right-bank
|
|
dike and aiming carefully for the middle arch of the stone
|
|
bridge below; I watched them in this way, and lost all this
|
|
time hoping to see one of them hit the bridge-pier and wreck
|
|
itself sometime or other, but was always disappointed.
|
|
One was smashed there one morning, but I had just stepped
|
|
into my room a moment to light a pipe, so I lost it.
|
|
|
|
While I was looking down upon the rafts that morning
|
|
in Heilbronn, the daredevil spirit of adventure came
|
|
suddenly upon me, and I said to my comrades:
|
|
|
|
"_I_ am going to Heidelberg on a raft. Will you venture
|
|
with me?"
|
|
|
|
Their faces paled a little, but they assented with as
|
|
good a grace as they could. Harris wanted to cable his
|
|
mother--thought it his duty to do that, as he was all
|
|
she had in this world--so, while he attended to this,
|
|
I went down to the longest and finest raft and hailed
|
|
the captain with a hearty "Ahoy, shipmate!" which put us
|
|
upon pleasant terms at once, and we entered upon business.
|
|
I said we were on a pedestrian tour to Heidelberg,
|
|
and would like to take passage with him. I said this
|
|
partly through young Z, who spoke German very well,
|
|
and partly through Mr. X, who spoke it peculiarly. I can
|
|
UNDERSTAND German as well as the maniac that invented it,
|
|
but I TALK it best through an interpreter.
|
|
|
|
The captain hitched up his trousers, then shifted
|
|
his quid thoughtfully. Presently he said just what I
|
|
was expecting he would say--that he had no license
|
|
to carry passengers, and therefore was afraid the law
|
|
would be after him in case the matter got noised about
|
|
or any accident happened. So I CHARTERED the raft
|
|
and the crew and took all the responsibilities on myself.
|
|
|
|
With a rattling song the starboard watch bent to their
|
|
work and hove the cable short, then got the anchor home,
|
|
and our bark moved off with a stately stride, and soon
|
|
was bowling along at about two knots an hour.
|
|
|
|
Our party were grouped amidships. At first the talk was
|
|
a little gloomy, and ran mainly upon the shortness of life,
|
|
the uncertainty of it, the perils which beset it, and the
|
|
need and wisdom of being always prepared for the worst;
|
|
this shaded off into low-voiced references to the dangers
|
|
of the deep, and kindred matters; but as the gray east
|
|
began to redden and the mysterious solemnity and silence
|
|
of the dawn to give place to the joy-songs of the birds,
|
|
the talk took a cheerier tone, and our spirits began to
|
|
rise steadily.
|
|
|
|
Germany, in the summer, is the perfection of the beautiful,
|
|
but nobody has understood, and realized, and enjoyed
|
|
the utmost possibilities of this soft and peaceful
|
|
beauty unless he has voyaged down the Neckar on a raft.
|
|
The motion of a raft is the needful motion; it is gentle,
|
|
and gliding, and smooth, and noiseless; it calms down
|
|
all feverish activities, it soothes to sleep all nervous
|
|
hurry and impatience; under its restful influence all the
|
|
troubles and vexations and sorrows that harass the mind
|
|
vanish away, and existence becomes a dream, a charm,
|
|
a deep and tranquil ecstasy. How it contrasts with hot
|
|
and perspiring pedestrianism, and dusty and deafening
|
|
railroad rush, and tedious jolting behind tired horses
|
|
over blinding white roads!
|
|
|
|
We went slipping silently along, between the green and
|
|
fragrant banks, with a sense of pleasure and contentment
|
|
that grew, and grew, all the time. Sometimes the banks
|
|
were overhung with thick masses of willows that wholly
|
|
hid the ground behind; sometimes we had noble hills on
|
|
one hand, clothed densely with foliage to their tops,
|
|
and on the other hand open levels blazing with poppies,
|
|
or clothed in the rich blue of the corn-flower;
|
|
sometimes we drifted in the shadow of forests, and sometimes
|
|
along the margin of long stretches of velvety grass,
|
|
fresh and green and bright, a tireless charm to the eye.
|
|
And the birds!--they were everywhere; they swept back
|
|
and forth across the river constantly, and their jubilant
|
|
music was never stilled.
|
|
|
|
It was a deep and satisfying pleasure to see the sun
|
|
create the new morning, and gradually, patiently,
|
|
lovingly, clothe it on with splendor after splendor,
|
|
and glory after glory, till the miracle was complete.
|
|
How different is this marvel observed from a raft,
|
|
from what it is when one observes it through the dingy
|
|
windows of a railway-station in some wretched village
|
|
while he munches a petrified sandwich and waits for the train.
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
Down the River
|
|
[Charming Waterside Pictures]
|
|
|
|
Men and women and cattle were at work in the dewy fields
|
|
by this time. The people often stepped aboard the raft,
|
|
as we glided along the grassy shores, and gossiped with us
|
|
and with the crew for a hundred yards or so, then stepped
|
|
ashore again, refreshed by the ride.
|
|
|
|
Only the men did this; the women were too busy.
|
|
The women do all kinds of work on the continent. They dig,
|
|
they hoe, they reap, they sow, they bear monstrous burdens
|
|
on their backs, they shove similar ones long distances
|
|
on wheelbarrows, they drag the cart when there is no dog
|
|
or lean cow to drag it--and when there is, they assist
|
|
the dog or cow. Age is no matter--the older the woman
|
|
the stronger she is, apparently. On the farm a woman's
|
|
duties are not defined--she does a little of everything;
|
|
but in the towns it is different, there she only does
|
|
certain things, the men do the rest. For instance,
|
|
a hotel chambermaid has nothing to do but make beds and
|
|
fires in fifty or sixty rooms, bring towels and candles,
|
|
and fetch several tons of water up several flights of stairs,
|
|
a hundred pounds at a time, in prodigious metal pitchers.
|
|
She does not have to work more than eighteen or twenty hours
|
|
a day, and she can always get down on her knees and scrub
|
|
the floors of halls and closets when she is tired and needs
|
|
a rest.
|
|
|
|
As the morning advanced and the weather grew hot, we took
|
|
off our outside clothing and sat in a row along the edge
|
|
of the raft and enjoyed the scenery, with our sun-umbrellas
|
|
over our heads and our legs dangling in the water.
|
|
Every now and then we plunged in and had a swim.
|
|
Every projecting grassy cape had its joyous group
|
|
of naked children, the boys to themselves and the girls
|
|
to themselves, the latter usually in care of some motherly
|
|
dame who sat in the shade of a tree with her knitting.
|
|
The little boys swam out to us, sometimes, but the little
|
|
maids stood knee-deep in the water and stopped their splashing
|
|
and frolicking to inspect the raft with their innocent
|
|
eyes as it drifted by. Once we turned a corner suddenly
|
|
and surprised a slender girl of twelve years or upward,
|
|
just stepping into the water. She had not time to run,
|
|
but she did what answered just as well; she promptly
|
|
drew a lithe young willow bough athwart her white body
|
|
with one hand, and then contemplated us with a simple and
|
|
untroubled interest. Thus she stood while we glided by.
|
|
She was a pretty creature, and she and her willow bough
|
|
made a very pretty picture, and one which could not
|
|
offend the modesty of the most fastidious spectator.
|
|
Her white skin had a low bank of fresh green willows for
|
|
background and effective contrast--for she stood against
|
|
them--and above and out of them projected the eager faces
|
|
and white shoulders of two smaller girls.
|
|
|
|
Toward noon we heard the inspiring cry:
|
|
|
|
"Sail ho!"
|
|
|
|
"Where away?" shouted the captain.
|
|
|
|
"Three points off the weather bow!"
|
|
|
|
We ran forward to see the vessel. It proved to be
|
|
a steamboat--for they had begun to run a steamer up
|
|
the Neckar, for the first time in May. She was a tug,
|
|
and one of a very peculiar build and aspect. I had
|
|
often watched her from the hotel, and wondered how she
|
|
propelled herself, for apparently she had no propeller
|
|
or paddles. She came churning along, now, making a deal
|
|
of noise of one kind or another, and aggravating it every
|
|
now and then by blowing a hoarse whistle. She had nine
|
|
keel-boats hitched on behind and following after her
|
|
in a long, slender rank. We met her in a narrow place,
|
|
between dikes, and there was hardly room for us both in the
|
|
cramped passage. As she went grinding and groaning by,
|
|
we perceived the secret of her moving impulse. She did
|
|
not drive herself up the river with paddles or propeller,
|
|
she pulled herself by hauling on a great chain.
|
|
This chain is laid in the bed of the river and is only
|
|
fastened at the two ends. It is seventy miles long.
|
|
It comes in over the boat's bow, passes around a drum,
|
|
and is payed out astern. She pulls on that chain,
|
|
and so drags herself up the river or down it. She has
|
|
neither bow or stern, strictly speaking, for she has a
|
|
long-bladed rudder on each end and she never turns around.
|
|
She uses both rudders all the time, and they are powerful
|
|
enough to enable her to turn to the right or the left
|
|
and steer around curves, in spite of the strong resistance
|
|
of the chain. I would not have believed that that impossible
|
|
thing could be done; but I saw it done, and therefore I
|
|
know that there is one impossible thing which CAN be done.
|
|
What miracle will man attempt next?
|
|
|
|
We met many big keel-boats on their way up, using sails,
|
|
mule power, and profanity--a tedious and laborious business.
|
|
A wire rope led from the foretopmast to the file of mules
|
|
on the tow-path a hundred yards ahead, and by dint
|
|
of much banging and swearing and urging, the detachment
|
|
of drivers managed to get a speed of two or three miles
|
|
an hour out of the mules against the stiff current.
|
|
The Neckar has always been used as a canal, and thus
|
|
has given employment to a great many men and animals;
|
|
but now that this steamboat is able, with a small crew
|
|
and a bushel or so of coal, to take nine keel-boats farther
|
|
up the river in one hour than thirty men and thirty mules
|
|
can do it in two, it is believed that the old-fashioned
|
|
towing industry is on its death-bed. A second steamboat
|
|
began work in the Neckar three months after the first one
|
|
was put in service. [Figure 4]
|
|
|
|
At noon we stepped ashore and bought some bottled beer
|
|
and got some chickens cooked, while the raft waited;
|
|
then we immediately put to sea again, and had our
|
|
dinner while the beer was cold and the chickens hot.
|
|
There is no pleasanter place for such a meal than a raft
|
|
that is gliding down the winding Neckar past green meadows
|
|
and wooded hills, and slumbering villages, and craggy
|
|
heights graced with crumbling towers and battlements.
|
|
|
|
In one place we saw a nicely dressed German gentleman
|
|
without any spectacles. Before I could come to anchor
|
|
he had got underway. It was a great pity. I so wanted
|
|
to make a sketch of him. The captain comforted me
|
|
for my loss, however, by saying that the man was without
|
|
any doubt a fraud who had spectacles, but kept them
|
|
in his pocket in order to make himself conspicuous.
|
|
|
|
Below Hassmersheim we passed Hornberg, Go"tz von Berlichingen's
|
|
old castle. It stands on a bold elevation two hundred feet
|
|
above the surface of the river; it has high vine-clad walls
|
|
enclosing trees, and a peaked tower about seventy-five
|
|
feet high. The steep hillside, from the castle clear
|
|
down to the water's edge, is terraced, and clothed thick
|
|
with grape vines. This is like farming a mansard roof.
|
|
All the steeps along that part of the river which furnish
|
|
the proper exposure, are given up to the grape. That region
|
|
is a great producer of Rhine wines. The Germans are
|
|
exceedingly fond of Rhine wines; they are put up in tall,
|
|
slender bottles, and are considered a pleasant beverage.
|
|
One tells them from vinegar by the label.
|
|
|
|
The Hornberg hill is to be tunneled, and the new railway
|
|
will pass under the castle.
|
|
|
|
THE CAVE OF THE SPECTER
|
|
|
|
Two miles below Hornberg castle is a cave in a low cliff,
|
|
which the captain of the raft said had once been occupied
|
|
by a beautiful heiress of Hornberg--the Lady Gertrude--
|
|
in the old times. It was seven hundred years ago.
|
|
She had a number of rich and noble lovers and one poor
|
|
and obscure one, Sir Wendel Lobenfeld. With the native
|
|
chuckleheadedness of the heroine of romance, she preferred
|
|
the poor and obscure lover. With the native sound judgment
|
|
of the father of a heroine of romance, the von Berlichingen
|
|
of that day shut his daughter up in his donjon keep,
|
|
or his oubliette, or his culverin, or some such place,
|
|
and resolved that she should stay there until she selected
|
|
a husband from among her rich and noble lovers. The latter
|
|
visited her and persecuted her with their supplications,
|
|
but without effect, for her heart was true to her poor
|
|
despised Crusader, who was fighting in the Holy Land.
|
|
Finally, she resolved that she would endure the attentions
|
|
of the rich lovers no longer; so one stormy night she escaped
|
|
and went down the river and hid herself in the cave on
|
|
the other side. Her father ransacked the country for her,
|
|
but found not a trace of her. As the days went by,
|
|
and still no tidings of her came, his conscience began
|
|
to torture him, and he caused proclamation to be made
|
|
that if she were yet living and would return, he would
|
|
oppose her no longer, she might marry whom she would.
|
|
The months dragged on, all hope forsook the old man,
|
|
he ceased from his customary pursuits and pleasures,
|
|
he devoted himself to pious works, and longed for the
|
|
deliverance of death.
|
|
|
|
Now just at midnight, every night, the lost heiress stood
|
|
in the mouth of her cave, arrayed in white robes, and sand
|
|
a little love ballad which her Crusader had made for her.
|
|
She judged that if he came home alive the superstitious
|
|
peasants would tell him about the ghost that sang in the cave,
|
|
and that as soon as they described the ballad he would know
|
|
that none but he and she knew that song, therefore he would
|
|
suspect that she was alive, and would come and find her.
|
|
As time went on, the people of the region became sorely
|
|
distressed about the Specter of the Haunted Cave.
|
|
It was said that ill luck of one kind or another always
|
|
overtook any one who had the misfortune to hear that song.
|
|
Eventually, every calamity that happened thereabouts was
|
|
laid at the door of that music. Consequently, no boatmen
|
|
would consent to pass the cave at night; the peasants
|
|
shunned the place, even in the daytime.
|
|
|
|
But the faithful girl sang on, night after night,
|
|
month after month, and patiently waited; her reward
|
|
must come at last. Five years dragged by, and still,
|
|
every night at midnight, the plaintive tones floated out
|
|
over the silent land, while the distant boatmen and peasants
|
|
thrust their fingers into their ears and shuddered out a prayer.
|
|
|
|
And now came the Crusader home, bronzed and battle-scarred,
|
|
but bringing a great and splendid fame to lay at the feet
|
|
of his bride. The old lord of Hornberg received him as
|
|
his son, and wanted him to stay by him and be the comfort
|
|
and blessing of his age; but the tale of that young
|
|
girl's devotion to him and its pathetic consequences
|
|
made a changed man of the knight. He could not enjoy
|
|
his well-earned rest. He said his heart was broken,
|
|
he would give the remnant of his life to high deeds
|
|
in the cause of humanity, and so find a worthy death
|
|
and a blessed reunion with the brave true heart whose
|
|
love had more honored him than all his victories in war.
|
|
|
|
When the people heard this resolve of his, they came and told
|
|
him there was a pitiless dragon in human disguise in the
|
|
Haunted Cave, a dread creature which no knight had yet been
|
|
bold enough to face, and begged him to rid the land of its
|
|
desolating presence. He said he would do it. They told
|
|
him about the song, and when he asked what song it was,
|
|
they said the memory of it was gone, for nobody had been
|
|
hardy enough to listen to it for the past four years and more.
|
|
|
|
Toward midnight the Crusader came floating down the river
|
|
in a boat, with his trusty cross-bow in his hands.
|
|
He drifted silently through the dim reflections of the
|
|
crags and trees, with his intent eyes fixed upon the low
|
|
cliff which he was approaching. As he drew nearer,
|
|
he discerned the black mouth of the cave. Now--is that
|
|
a white figure? Yes. The plaintive song begins to well
|
|
forth and float away over meadow and river--the cross-bow
|
|
is slowly raised to position, a steady aim is taken,
|
|
the bolt flies straight to the mark--the figure sinks down,
|
|
still singing, the knight takes the wool out of his ears,
|
|
and recognizes the old ballad--too late! Ah, if he had
|
|
only not put the wool in his ears!
|
|
|
|
The Crusader went away to the wars again, and presently
|
|
fell in battle, fighting for the Cross. Tradition says
|
|
that during several centuries the spirit of the unfortunate
|
|
girl sang nightly from the cave at midnight, but the music
|
|
carried no curse with it; and although many listened
|
|
for the mysterious sounds, few were favored, since only
|
|
those could hear them who had never failed in a trust.
|
|
It is believed that the singing still continues, but it is
|
|
known that nobody has heard it during the present century.
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
An Ancient Legend of the Rhine
|
|
[The Lorelei]
|
|
|
|
The last legend reminds one of the "Lorelei"--a legend
|
|
of the Rhine. There is a song called "The Lorelei."
|
|
|
|
Germany is rich in folk-songs, and the words and airs of
|
|
several of them are peculiarly beautiful--but "The Lorelei"
|
|
is the people's favorite. I could not endure it at first,
|
|
but by and by it began to take hold of me, and now there
|
|
is no tune which I like so well.
|
|
|
|
It is not possible that it is much known in America, else I
|
|
should have heard it there. The fact that I never heard
|
|
it there, is evidence that there are others in my country
|
|
who have fared likewise; therefore, for the sake of these,
|
|
I mean to print the words and music in this chapter.
|
|
And I will refresh the reader's memory by printing the legend
|
|
of the Lorelei, too. I have it by me in the LEGENDS OF
|
|
THE RHINE, done into English by the wildly gifted Garnham,
|
|
Bachelor of Arts. I print the legend partly to refresh
|
|
my own memory, too, for I have never read it before.
|
|
|
|
THE LEGEND
|
|
|
|
Lore (two syllables) was a water nymph who used to sit
|
|
on a high rock called the Ley or Lei (pronounced like our
|
|
word LIE) in the Rhine, and lure boatmen to destruction
|
|
in a furious rapid which marred the channel at that spot.
|
|
She so bewitched them with her plaintive songs and her
|
|
wonderful beauty that they forgot everything else to gaze
|
|
up at her, and so they presently drifted among the broken
|
|
reefs and were lost.
|
|
|
|
In those old, old times, the Count Bruno lived in a great
|
|
castle near there with his son, the Count Hermann, a youth
|
|
of twenty. Hermann had heard a great deal about the
|
|
beautiful Lore, and had finally fallen very deeply in love
|
|
with her without having seen her. So he used to wander
|
|
to the neighborhood of the Lei, evenings, with his Zither
|
|
and "Express his Longing in low Singing," as Garnham says.
|
|
On one of these occasions, "suddenly there hovered around
|
|
the top of the rock a brightness of unequaled clearness
|
|
and color, which, in increasingly smaller circles thickened,
|
|
was the enchanting figure of the beautiful Lore.
|
|
|
|
"An unintentional cry of Joy escaped the Youth, he let
|
|
his Zither fall, and with extended arms he called out
|
|
the name of the enigmatical Being, who seemed to stoop
|
|
lovingly to him and beckon to him in a friendly manner;
|
|
indeed, if his ear did not deceive him, she called his
|
|
name with unutterable sweet Whispers, proper to love.
|
|
Beside himself with delight the youth lost his Senses
|
|
and sank senseless to the earth."
|
|
|
|
After that he was a changed person. He went dreaming about,
|
|
thinking only of his fairy and caring for naught else
|
|
in the world. "The old count saw with affliction this
|
|
changement in his son," whose cause he could not divine,
|
|
and tried to divert his mind into cheerful channels,
|
|
but to no purpose. Then the old count used authority.
|
|
He commanded the youth to betake himself to the camp.
|
|
Obedience was promised. Garnham says:
|
|
|
|
"It was on the evening before his departure, as he
|
|
wished still once to visit the Lei and offer to the
|
|
Nymph of the Rhine his Sighs, the tones of his Zither,
|
|
and his Songs. He went, in his boat, this time accompanied
|
|
by a faithful squire, down the stream. The moon shed
|
|
her silvery light over the whole country; the steep
|
|
bank mountains appeared in the most fantastical shapes,
|
|
and the high oaks on either side bowed their Branches
|
|
on Hermann's passing. As soon as he approached the Lei,
|
|
and was aware of the surf-waves, his attendant was seized
|
|
with an inexpressible Anxiety and he begged permission
|
|
to land; but the Knight swept the strings of his Guitar
|
|
and sang:
|
|
|
|
"Once I saw thee in dark night, In supernatural Beauty bright;
|
|
Of Light-rays, was the Figure wove, To share its light,
|
|
locked-hair strove.
|
|
|
|
"Thy Garment color wave-dove By thy hand the sign of love,
|
|
Thy eyes sweet enchantment, Raying to me, oh! enchantment.
|
|
|
|
"O, wert thou but my sweetheart, How willingly thy love
|
|
to part! With delight I should be bound To thy rocky
|
|
house in deep ground."
|
|
|
|
That Hermann should have gone to that place at all,
|
|
was not wise; that he should have gone with such a song
|
|
as that in his mouth was a most serious mistake. The Lorelei
|
|
did not "call his name in unutterable sweet Whispers"
|
|
this time. No, that song naturally worked an instant
|
|
and thorough "changement" in her; and not only that,
|
|
but it stirred the bowels of the whole afflicted region
|
|
around about there--for--
|
|
|
|
"Scarcely had these tones sounded, everywhere there
|
|
began tumult and sound, as if voices above and below
|
|
the water. On the Lei rose flames, the Fairy stood above,
|
|
at that time, and beckoned with her right hand clearly
|
|
and urgently to the infatuated Knight, while with a staff
|
|
in her left hand she called the waves to her service.
|
|
They began to mount heavenward; the boat was upset,
|
|
mocking every exertion; the waves rose to the gunwale,
|
|
and splitting on the hard stones, the Boat broke into Pieces.
|
|
The youth sank into the depths, but the squire was thrown on
|
|
shore by a powerful wave."
|
|
|
|
The bitterest things have been said about the Lorelei
|
|
during many centuries, but surely her conduct upon this
|
|
occasion entitles her to our respect. One feels drawn
|
|
tenderly toward her and is moved to forget her many crimes
|
|
and remember only the good deed that crowned and closed
|
|
her career.
|
|
|
|
"The Fairy was never more seen; but her enchanting tones have
|
|
often been heard. In the beautiful, refreshing, still nights
|
|
of spring, when the moon pours her silver light over the Country,
|
|
the listening shipper hears from the rushing of the waves,
|
|
the echoing Clang of a wonderfully charming voice,
|
|
which sings a song from the crystal castle, and with sorrow
|
|
and fear he thinks on the young Count Hermann, seduced by the
|
|
Nymph."
|
|
|
|
Here is the music, and the German words by Heinrich Heine.
|
|
This song has been a favorite in Germany for forty years,
|
|
and will remain a favorite always, maybe. [Figure 5]
|
|
|
|
I have a prejudice against people who print things
|
|
in a foreign language and add no translation.
|
|
When I am the reader, and the author considers me
|
|
able to do the translating myself, he pays me quite
|
|
a nice compliment--but if he would do the translating
|
|
for me I would try to get along without the compliment.
|
|
|
|
If I were at home, no doubt I could get a translation of
|
|
this poem, but I am abroad and can't; therefore I will make
|
|
a translation myself. It may not be a good one, for poetry
|
|
is out of my line, but it will serve my purpose--which is,
|
|
to give the unGerman young girl a jingle of words to hang
|
|
the tune on until she can get hold of a good version,
|
|
made by some one who is a poet and knows how to convey
|
|
a poetical thought from one language to another.
|
|
|
|
THE LORELEI
|
|
|
|
I cannot divine what it meaneth, This haunting nameless
|
|
pain: A tale of the bygone ages Keeps brooding through
|
|
my brain:
|
|
|
|
The faint air cools in the glooming, And peaceful flows
|
|
the Rhine, The thirsty summits are drinking The sunset's
|
|
flooding wine;
|
|
|
|
The loveliest maiden is sitting High-throned in yon blue air,
|
|
Her golden jewels are shining, She combs her golden hair;
|
|
|
|
She combs with a comb that is golden, And sings a weird
|
|
refrain That steeps in a deadly enchantment The list'ner's
|
|
ravished brain:
|
|
|
|
The doomed in his drifting shallop, Is tranced with
|
|
the sad sweet tone, He sees not the yawning breakers,
|
|
He sees but the maid alone:
|
|
|
|
The pitiless billows engulf him!--So perish sailor and bark;
|
|
And this, with her baleful singing, Is the Lorelei's
|
|
gruesome work.
|
|
|
|
I have a translation by Garnham, Bachelor of Arts,
|
|
in the LEGENDS OF THE RHINE, but it would not answer
|
|
the purpose I mentioned above, because the measure is too
|
|
nobly irregular; it don't fit the tune snugly enough;
|
|
in places it hangs over at the ends too far, and in other
|
|
places one runs out of words before he gets to the end
|
|
of a bar. Still, Garnham's translation has high merits,
|
|
and I am not dreaming of leaving it out of my book.
|
|
I believe this poet is wholly unknown in America and England;
|
|
I take peculiar pleasure in bringing him forward because I
|
|
consider that I discovered him:
|
|
|
|
THE LORELEI
|
|
|
|
Translated by L. W. Garnham, B.A.
|
|
|
|
I do not know what it signifies. That I am so sorrowful?
|
|
A fable of old Times so terrifies, Leaves my heart
|
|
so thoughtful.
|
|
|
|
The air is cool and it darkens, And calmly flows the Rhine;
|
|
The summit of the mountain hearkens In evening sunshine line.
|
|
|
|
The most beautiful Maiden entrances Above wonderfully there,
|
|
Her beautiful golden attire glances, She combs her
|
|
golden hair.
|
|
|
|
With golden comb so lustrous, And thereby a song sings,
|
|
It has a tone so wondrous, That powerful melody rings.
|
|
|
|
The shipper in the little ship It effects with woe sad might;
|
|
He does not see the rocky slip, He only regards dreaded height.
|
|
|
|
I believe the turbulent waves Swallow the last shipper
|
|
and boat; She with her singing craves All to visit her
|
|
magic moat.
|
|
|
|
No translation could be closer. He has got in all
|
|
the facts; and in their regular order, too. There is not
|
|
a statistic wanting. It is as succinct as an invoice.
|
|
That is what a translation ought to be; it should exactly
|
|
reflect the thought of the original. You can't SING "Above
|
|
wonderfully there," because it simply won't go to the tune,
|
|
without damaging the singer; but it is a most clingingly exact
|
|
translation of DORT OBEN WUNDERBAR--fits it like a blister.
|
|
Mr. Garnham's reproduction has other merits--a hundred
|
|
of them--but it is not necessary to point them out.
|
|
They will be detected.
|
|
|
|
No one with a specialty can hope to have a monopoly of it.
|
|
Even Garnham has a rival. Mr. X had a small pamphlet
|
|
with him which he had bought while on a visit to Munich.
|
|
It was entitled A CATALOGUE OF PICTURES IN THE OLD PINACOTEK,
|
|
and was written in a peculiar kind of English. Here are
|
|
a few extracts:
|
|
|
|
"It is not permitted to make use of the work
|
|
in question to a publication of the same contents
|
|
as well as to the pirated edition of it."
|
|
|
|
"An evening landscape. In the foreground near a pond
|
|
and a group of white beeches is leading a footpath
|
|
animated by travelers."
|
|
|
|
"A learned man in a cynical and torn dress holding an open
|
|
book in his hand."
|
|
|
|
"St. Bartholomew and the Executioner with the knife
|
|
to fulfil the martyr."
|
|
|
|
"Portrait of a young man. A long while this picture
|
|
was thought to be Bindi Altoviti's portrait; now somebody
|
|
will again have it to be the self-portrait of Raphael."
|
|
|
|
"Susan bathing, surprised by the two old man.
|
|
In the background the lapidation of the condemned."
|
|
|
|
("Lapidation" is good; it is much more elegant than
|
|
"stoning.")
|
|
|
|
"St. Rochus sitting in a landscape with an angel who looks
|
|
at his plague-sore, whilst the dog the bread in his mouth
|
|
attents him."
|
|
|
|
"Spring. The Goddess Flora, sitting. Behind her a fertile
|
|
valley perfused by a river."
|
|
|
|
"A beautiful bouquet animated by May-bugs, etc."
|
|
|
|
"A warrior in armor with a gypseous pipe in his hand leans
|
|
against a table and blows the smoke far away of himself."
|
|
|
|
"A Dutch landscape along a navigable river which perfuses
|
|
it till to the background."
|
|
|
|
"Some peasants singing in a cottage. A woman lets drink
|
|
a child out of a cup."
|
|
|
|
"St. John's head as a boy--painted in fresco on a brick."
|
|
(Meaning a tile.)
|
|
|
|
"A young man of the Riccio family, his hair cut off
|
|
right at the end, dressed in black with the same cap.
|
|
Attributed to Raphael, but the signation is false."
|
|
|
|
"The Virgin holding the Infant. It is very painted
|
|
in the manner of Sassoferrato."
|
|
|
|
"A Larder with greens and dead game animated by a cook-maid
|
|
and two kitchen-boys."
|
|
|
|
However, the English of this catalogue is at least
|
|
as happy as that which distinguishes an inscription
|
|
upon a certain picture in Rome--to wit:
|
|
|
|
"Revelations-View. St. John in Patterson's Island."
|
|
|
|
But meanwhile the raft is moving on.
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
[Why Germans Wear Spectacles]
|
|
|
|
A mile or two above Eberbach we saw a peculiar ruin projecting
|
|
above the foliage which clothed the peak of a high and
|
|
very steep hill. This ruin consisted of merely a couple
|
|
of crumbling masses of masonry which bore a rude resemblance
|
|
to human faces; they leaned forward and touched foreheads,
|
|
and had the look of being absorbed in conversation. This ruin
|
|
had nothing very imposing or picturesque about it, and there
|
|
was no great deal of it, yet it was called the "Spectacular
|
|
Ruin."
|
|
|
|
LEGEND OF THE "SPECTACULAR RUIN"
|
|
|
|
The captain of the raft, who was as full of history as he
|
|
could stick, said that in the Middle Ages a most prodigious
|
|
fire-breathing dragon used to live in that region,
|
|
and made more trouble than a tax-collector. He was as long
|
|
as a railway-train, and had the customary impenetrable
|
|
green scales all over him. His breath bred pestilence
|
|
and conflagration, and his appetite bred famine. He ate
|
|
men and cattle impartially, and was exceedingly unpopular.
|
|
The German emperor of that day made the usual offer:
|
|
he would grant to the destroyer of the dragon, any one
|
|
solitary thing he might ask for; for he had a surplusage
|
|
of daughters, and it was customary for dragon-killers
|
|
to take a daughter for pay.
|
|
|
|
So the most renowned knights came from the four corners
|
|
of the earth and retired down the dragon's throat one after
|
|
the other. A panic arose and spread. Heroes grew cautious.
|
|
The procession ceased. The dragon became more destructive
|
|
than ever. The people lost all hope of succor, and fled
|
|
to the mountains for refuge.
|
|
|
|
At last Sir Wissenschaft, a poor and obscure knight,
|
|
out of a far country, arrived to do battle with the monster.
|
|
A pitiable object he was, with his armor hanging in rags
|
|
about him, and his strange-shaped knapsack strapped
|
|
upon his back. Everybody turned up their noses at him,
|
|
and some openly jeered him. But he was calm. He simply
|
|
inquired if the emperor's offer was still in force.
|
|
The emperor said it was--but charitably advised him to go
|
|
and hunt hares and not endanger so precious a life as his
|
|
in an attempt which had brought death to so many of the
|
|
world's most illustrious heroes.
|
|
|
|
But this tramp only asked--"Were any of these heroes
|
|
men of science?" This raised a laugh, of course,
|
|
for science was despised in those days. But the tramp
|
|
was not in the least ruffled. He said he might be a
|
|
little in advance of his age, but no matter--science
|
|
would come to be honored, some time or other. He said
|
|
he would march against the dragon in the morning.
|
|
Out of compassion, then, a decent spear was offered him,
|
|
but he declined, and said, "spears were useless to men
|
|
of science." They allowed him to sup in the servants'
|
|
hall, and gave him a bed in the stables.
|
|
|
|
When he started forth in the morning, thousands were
|
|
gathered to see. The emperor said:
|
|
|
|
"Do not be rash, take a spear, and leave off your knapsack."
|
|
|
|
But the tramp said:
|
|
|
|
"It is not a knapsack," and moved straight on.
|
|
|
|
The dragon was waiting and ready. He was breathing forth
|
|
vast volumes of sulphurous smoke and lurid blasts of flame.
|
|
The ragged knight stole warily to a good position,
|
|
then he unslung his cylindrical knapsack--which was simply
|
|
the common fire-extinguisher known to modern times--
|
|
and the first chance he got he turned on his hose and shot
|
|
the dragon square in the center of his cavernous mouth.
|
|
Out went the fires in an instant, and the dragon curled up
|
|
and died.
|
|
|
|
This man had brought brains to his aid. He had reared
|
|
dragons from the egg, in his laboratory, he had watched
|
|
over them like a mother, and patiently studied them
|
|
and experimented upon them while they grew. Thus he had
|
|
found out that fire was the life principle of a dragon;
|
|
put out the dragon's fires and it could make steam
|
|
no longer, and must die. He could not put out a fire
|
|
with a spear, therefore he invented the extinguisher.
|
|
The dragon being dead, the emperor fell on the hero's neck
|
|
and said:
|
|
|
|
"Deliverer, name your request," at the same time beckoning
|
|
out behind with his heel for a detachment of his daughters
|
|
to form and advance. But the tramp gave them no observance.
|
|
He simply said:
|
|
|
|
"My request is, that upon me be conferred the monopoly
|
|
of the manufacture and sale of spectacles in Germany."
|
|
|
|
The emperor sprang aside and exclaimed:
|
|
|
|
"This transcends all the impudence I ever heard! A
|
|
modest demand, by my halidome! Why didn't you ask
|
|
for the imperial revenues at once, and be done with it?"
|
|
|
|
But the monarch had given his word, and he kept it.
|
|
To everybody's surprise, the unselfish monopolist immediately
|
|
reduced the price of spectacles to such a degree that a
|
|
great and crushing burden was removed from the nation.
|
|
The emperor, to commemorate this generous act, and to
|
|
testify his appreciation of it, issued a decree commanding
|
|
everybody to buy this benefactor's spectacles and wear them,
|
|
whether they needed them or not.
|
|
|
|
So originated the wide-spread custom of wearing
|
|
spectacles in Germany; and as a custom once established
|
|
in these old lands is imperishable, this one remains
|
|
universal in the empire to this day. Such is the legend
|
|
of the monopolist's once stately and sumptuous castle,
|
|
now called the "Spectacular Ruin."
|
|
|
|
On the right bank, two or three miles below the Spectacular
|
|
Ruin, we passed by a noble pile of castellated buildings
|
|
overlooking the water from the crest of a lofty elevation.
|
|
A stretch of two hundred yards of the high front wall
|
|
was heavily draped with ivy, and out of the mass of
|
|
buildings within rose three picturesque old towers.
|
|
The place was in fine order, and was inhabited by a
|
|
family of princely rank. This castle had its legend,
|
|
too, but I should not feel justified in repeating
|
|
it because I doubted the truth of some of its minor details.
|
|
|
|
Along in this region a multitude of Italian laborers
|
|
were blasting away the frontage of the hills to make
|
|
room for the new railway. They were fifty or a hundred
|
|
feet above the river. As we turned a sharp corner they
|
|
began to wave signals and shout warnings to us to look
|
|
out for the explosions. It was all very well to warn us,
|
|
but what could WE do? You can't back a raft upstream,
|
|
you can't hurry it downstream, you can't scatter out
|
|
to one side when you haven't any room to speak of,
|
|
you won't take to the perpendicular cliffs on the other
|
|
shore when they appear to be blasting there, too.
|
|
Your resources are limited, you see. There is simply
|
|
nothing for it but to watch and pray.
|
|
|
|
For some hours we had been making three and a half or four
|
|
miles an hour and we were still making that. We had been
|
|
dancing right along until those men began to shout;
|
|
then for the next ten minutes it seemed to me that I had
|
|
never seen a raft go so slowly. When the first blast went
|
|
off we raised our sun-umbrellas and waited for the result.
|
|
No harm done; none of the stones fell in the water.
|
|
Another blast followed, and another and another.
|
|
Some of the rubbish fell in the water just astern
|
|
of us.
|
|
|
|
We ran that whole battery of nine blasts in a row, and it
|
|
was certainly one of the most exciting and uncomfortable
|
|
weeks I ever spent, either aship or ashore. Of course
|
|
we frequently manned the poles and shoved earnestly
|
|
for a second or so, but every time one of those spurts
|
|
of dust and debris shot aloft every man dropped his pole
|
|
and looked up to get the bearings of his share of it.
|
|
It was very busy times along there for a while.
|
|
It appeared certain that we must perish, but even that was
|
|
not the bitterest thought; no, the abjectly unheroic nature
|
|
of the death--that was the sting--that and the bizarre
|
|
wording of the resulting obituary: "SHOT WITH A ROCK,
|
|
ON A RAFT." There would be no poetry written about it.
|
|
None COULD be written about it. Example:
|
|
|
|
NOT by war's shock, or war's shaft,--SHOT, with a rock,
|
|
on a raft.
|
|
|
|
No poet who valued his reputation would touch such a
|
|
theme as that. I should be distinguished as the only
|
|
"distinguished dead" who went down to the grave unsonneted,
|
|
in 1878.
|
|
|
|
But we escaped, and I have never regretted it.
|
|
The last blast was peculiarly strong one, and after
|
|
the small rubbish was done raining around us and we
|
|
were just going to shake hands over our deliverance,
|
|
a later and larger stone came down amongst our little
|
|
group of pedestrians and wrecked an umbrella. It did
|
|
no other harm, but we took to the water just the same.
|
|
|
|
It seems that the heavy work in the quarries and the
|
|
new railway gradings is done mainly by Italians.
|
|
That was a revelation. We have the notion in our country
|
|
that Italians never do heavy work at all, but confine
|
|
themselves to the lighter arts, like organ-grinding,
|
|
operatic singing, and assassination. We have blundered,
|
|
that is plain.
|
|
|
|
All along the river, near every village, we saw little
|
|
station-houses for the future railway. They were
|
|
finished and waiting for the rails and business.
|
|
They were as trim and snug and pretty as they could be.
|
|
They were always of brick or stone; they were of graceful
|
|
shape, they had vines and flowers about them already,
|
|
and around them the grass was bright and green,
|
|
and showed that it was carefully looked after. They were
|
|
a decoration to the beautiful landscape, not an offense.
|
|
Wherever one saw a pile of gravel or a pile of broken stone,
|
|
it was always heaped as trimly and exactly as a new grave
|
|
or a stack of cannon-balls; nothing about those stations
|
|
or along the railroad or the wagon-road was allowed
|
|
to look shabby or be unornamental. The keeping a country
|
|
in such beautiful order as Germany exhibits, has a wise
|
|
practical side to it, too, for it keeps thousands of people
|
|
in work and bread who would otherwise be idle and mischievous.
|
|
|
|
As the night shut down, the captain wanted to tie up,
|
|
but I thought maybe we might make Hirschhorn, so we went on.
|
|
Presently the sky became overcast, and the captain came
|
|
aft looking uneasy. He cast his eye aloft, then shook
|
|
his head, and said it was coming on to blow. My party
|
|
wanted to land at once--therefore I wanted to go on.
|
|
The captain said we ought to shorten sail anyway,
|
|
out of common prudence. Consequently, the larboard watch
|
|
was ordered to lay in his pole. It grew quite dark,
|
|
now, and the wind began to rise. It wailed through
|
|
the swaying branches of the trees, and swept our decks
|
|
in fitful gusts. Things were taking on an ugly look.
|
|
The captain shouted to the steersman on the forward
|
|
log:
|
|
|
|
"How's she landing?"
|
|
|
|
The answer came faint and hoarse from far forward:
|
|
|
|
"Nor'-east-and-by-nor'--east-by-east, half-east, sir."
|
|
|
|
"Let her go off a point!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"What water have you got?"
|
|
|
|
"Shoal, sir. Two foot large, on the stabboard,
|
|
two and a half scant on the labboard!"
|
|
|
|
"Let her go off another point!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Forward, men, all of you! Lively, now! Stand by to crowd
|
|
her round the weather corner!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
Then followed a wild running and trampling and hoarse shouting,
|
|
but the forms of the men were lost in the darkness and
|
|
the sounds were distorted and confused by the roaring
|
|
of the wind through the shingle-bundles. By this time
|
|
the sea was running inches high, and threatening every
|
|
moment to engulf the frail bark. Now came the mate,
|
|
hurrying aft, and said, close to the captain's ear,
|
|
in a low, agitated voice:
|
|
|
|
"Prepare for the worst, sir--we have sprung a leak!"
|
|
|
|
"Heavens! where?"
|
|
|
|
"Right aft the second row of logs."
|
|
|
|
"Nothing but a miracle can save us! Don't let the men know,
|
|
or there will be a panic and mutiny! Lay her in shore
|
|
and stand by to jump with the stern-line the moment
|
|
she touches. Gentlemen, I must look to you to second
|
|
my endeavors in this hour of peril. You have hats--go
|
|
forward and bail for your lives!"
|
|
|
|
Down swept another mighty blast of wind, clothed in
|
|
spray and thick darkness. At such a moment as this,
|
|
came from away forward that most appalling of all cries
|
|
that are ever heard at sea:
|
|
|
|
"MAN OVERBOARD!"
|
|
|
|
The captain shouted:
|
|
|
|
"Hard a-port! Never mind the man! Let him climb aboard
|
|
or wade ashore!"
|
|
|
|
Another cry came down the wind:
|
|
|
|
"Breakers ahead!"
|
|
|
|
"Where away?"
|
|
|
|
"Not a log's length off her port fore-foot!"
|
|
|
|
We had groped our slippery way forward, and were now
|
|
bailing with the frenzy of despair, when we heard
|
|
the mate's terrified cry, from far aft:
|
|
|
|
"Stop that dashed bailing, or we shall be aground!"
|
|
|
|
But this was immediately followed by the glad shout:
|
|
|
|
"Land aboard the starboard transom!"
|
|
|
|
"Saved!" cried the captain. "Jump ashore and take a turn
|
|
around a tree and pass the bight aboard!"
|
|
|
|
The next moment we were all on shore weeping and embracing
|
|
for joy, while the rain poured down in torrents.
|
|
The captain said he had been a mariner for forty years
|
|
on the Neckar, and in that time had seen storms to make
|
|
a man's cheek blanch and his pulses stop, but he had never,
|
|
never seen a storm that even approached this one.
|
|
How familiar that sounded! For I have been at sea a good
|
|
deal and have heard that remark from captains with a
|
|
frequency accordingly.
|
|
|
|
We framed in our minds the usual resolution of thanks
|
|
and admiration and gratitude, and took the first
|
|
opportunity to vote it, and put it in writing and
|
|
present it to the captain, with the customary speech.
|
|
We tramped through the darkness and the drenching summer
|
|
rain full three miles, and reached "The Naturalist Tavern"
|
|
in the village of Hirschhorn just an hour before midnight,
|
|
almost exhausted from hardship, fatigue, and terror.
|
|
I can never forget that night.
|
|
|
|
The landlord was rich, and therefore could afford to be
|
|
crusty and disobliging; he did not at all like being
|
|
turned out of his warm bed to open his house for us.
|
|
But no matter, his household got up and cooked a quick
|
|
supper for us, and we brewed a hot punch for ourselves,
|
|
to keep off consumption. After supper and punch we
|
|
had an hour's soothing smoke while we fought the naval
|
|
battle over again and voted the resolutions; then we
|
|
retired to exceedingly neat and pretty chambers upstairs
|
|
that had clean, comfortable beds in them with heirloom
|
|
pillowcases most elaborately and tastefully embroidered
|
|
by hand.
|
|
|
|
Such rooms and beds and embroidered linen are as frequent
|
|
in German village inns as they are rare in ours.
|
|
Our villages are superior to German villages in
|
|
more merits, excellences, conveniences, and privileges
|
|
than I can enumerate, but the hotels do not belong in the list.
|
|
|
|
"The Naturalist Tavern" was not a meaningless name; for all
|
|
the halls and all the rooms were lined with large glass
|
|
cases which were filled with all sorts of birds and animals,
|
|
glass-eyed, ably stuffed, and set up in the most natural
|
|
eloquent and dramatic attitudes. The moment we were abed,
|
|
the rain cleared away and the moon came out. I dozed off
|
|
to sleep while contemplating a great white stuffed owl
|
|
which was looking intently down on me from a high perch
|
|
with the air of a person who thought he had met me before,
|
|
but could not make out for certain.
|
|
|
|
But young Z did not get off so easily. He said that as he was
|
|
sinking deliciously to sleep, the moon lifted away the shadows
|
|
and developed a huge cat, on a bracket, dead and stuffed,
|
|
but crouching, with every muscle tense, for a spring,
|
|
and with its glittering glass eyes aimed straight at him.
|
|
It made Z uncomfortable. He tried closing his own eyes,
|
|
but that did not answer, for a natural instinct kept
|
|
making him open them again to see if the cat was still
|
|
getting ready to launch at him--which she always was.
|
|
He tried turning his back, but that was a failure;
|
|
he knew the sinister eyes were on him still. So at
|
|
last he had to get up, after an hour or two of worry
|
|
and experiment, and set the cat out in the hall. So he won,
|
|
that time.
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
[The Kindly Courtesy of Germans]
|
|
|
|
In the morning we took breakfast in the garden,
|
|
under the trees, in the delightful German summer fashion.
|
|
The air was filled with the fragrance of flowers
|
|
and wild animals; the living portion of the menagerie
|
|
of the "Naturalist Tavern" was all about us. There were
|
|
great cages populous with fluttering and chattering
|
|
foreign birds, and other great cages and greater wire pens,
|
|
populous with quadrupeds, both native and foreign.
|
|
There were some free creatures, too, and quite sociable
|
|
ones they were. White rabbits went loping about the place,
|
|
and occasionally came and sniffed at our shoes and shins;
|
|
a fawn, with a red ribbon on its neck, walked up and
|
|
examined us fearlessly; rare breeds of chickens and
|
|
doves begged for crumbs, and a poor old tailless raven
|
|
hopped about with a humble, shamefaced mein which said,
|
|
"Please do not notice my exposure--think how you would
|
|
feel in my circumstances, and be charitable." If he
|
|
was observed too much, he would retire behind something
|
|
and stay there until he judged the party's interest had
|
|
found another object. I never have seen another dumb
|
|
creature that was so morbidly sensitive. Bayard Taylor,
|
|
who could interpret the dim reasonings of animals,
|
|
and understood their moral natures better than most men,
|
|
would have found some way to make this poor old chap forget
|
|
his troubles for a while, but we have not his kindly art,
|
|
and so had to leave the raven to his griefs.
|
|
|
|
After breakfast we climbed the hill and visited the ancient
|
|
castle of Hirschhorn, and the ruined church near it.
|
|
There were some curious old bas-reliefs leaning against
|
|
the inner walls of the church--sculptured lords of
|
|
Hirschhorn in complete armor, and ladies of Hirschhorn
|
|
in the picturesque court costumes of the Middle Ages.
|
|
These things are suffering damage and passing to decay,
|
|
for the last Hirschhorn has been dead two hundred years,
|
|
and there is nobody now who cares to preserve the family relics.
|
|
In the chancel was a twisted stone column, and the captain
|
|
told us a legend about it, of course, for in the matter
|
|
of legends he could not seem to restrain himself; but I
|
|
do not repeat his tale because there was nothing plausible
|
|
about it except that the Hero wrenched this column into its
|
|
present screw-shape with his hands --just one single wrench.
|
|
All the rest of the legend was doubtful.
|
|
|
|
But Hirschhorn is best seen from a distance, down the river.
|
|
Then the clustered brown towers perched on the green hilltop,
|
|
and the old battlemented stone wall, stretching up and over
|
|
the grassy ridge and disappearing in the leafy sea beyond,
|
|
make a picture whose grace and beauty entirely satisfy
|
|
the eye.
|
|
|
|
We descended from the church by steep stone stairways
|
|
which curved this way and that down narrow alleys
|
|
between the packed and dirty tenements of the village.
|
|
It was a quarter well stocked with deformed, leering,
|
|
unkempt and uncombed idiots, who held out hands or caps
|
|
and begged piteously. The people of the quarter were not
|
|
all idiots, of course, but all that begged seemed to be,
|
|
and were said to be.
|
|
|
|
I was thinking of going by skiff to the next town,
|
|
Necharsteinach; so I ran to the riverside in advance of
|
|
the party and asked a man there if he had a boat to hire.
|
|
I suppose I must have spoken High German--Court German--I
|
|
intended it for that, anyway--so he did not understand me.
|
|
I turned and twisted my question around and about,
|
|
trying to strike that man's average, but failed.
|
|
He could not make out what I wanted. Now Mr. X arrived,
|
|
faced this same man, looked him in the eye, and emptied
|
|
this sentence on him, in the most glib and confident way:
|
|
"Can man boat get here?"
|
|
|
|
The mariner promptly understood and promptly answered.
|
|
I can comprehend why he was able to understand that
|
|
particular sentence, because by mere accident all the
|
|
words in it except "get" have the same sound and the same
|
|
meaning in German that they have in English; but how he
|
|
managed to understand Mr. X's next remark puzzled me.
|
|
I will insert it, presently. X turned away a moment,
|
|
and I asked the mariner if he could not find a board,
|
|
and so construct an additional seat. I spoke in the
|
|
purest German, but I might as well have spoken in the
|
|
purest Choctaw for all the good it did. The man tried
|
|
his best to understand me; he tried, and kept on trying,
|
|
harder and harder, until I saw it was really of no use,
|
|
and said:
|
|
|
|
"There, don't strain yourself--it is of no consequence."
|
|
|
|
Then X turned to him and crisply said:
|
|
|
|
"MACHEN SIE a flat board."
|
|
|
|
I wish my epitaph may tell the truth about me if the man
|
|
did not answer up at once, and say he would go and borrow
|
|
a board as soon as he had lit the pipe which he was filling.
|
|
|
|
We changed our mind about taking a boat, so we did not have
|
|
to go. I have given Mr. X's two remarks just as he made them.
|
|
Four of the five words in the first one were English,
|
|
and that they were also German was only accidental,
|
|
not intentional; three out of the five words in the second
|
|
remark were English, and English only, and the two German
|
|
ones did not mean anything in particular, in such a connection.
|
|
|
|
X always spoke English to Germans, but his plan was
|
|
to turn the sentence wrong end first and upside down,
|
|
according to German construction, and sprinkle in a German
|
|
word without any essential meaning to it, here and there,
|
|
by way of flavor. Yet he always made himself understood.
|
|
He could make those dialect-speaking raftsmen understand
|
|
him, sometimes, when even young Z had failed with them;
|
|
and young Z was a pretty good German scholar. For one thing,
|
|
X always spoke with such confidence--perhaps that helped.
|
|
And possibly the raftsmen's dialect was what is called
|
|
PLATT-DEUTSCH, and so they found his English more familiar
|
|
to their ears than another man's German. Quite indifferent
|
|
students of German can read Fritz Reuter's charming
|
|
platt-Deutch tales with some little facility because many
|
|
of the words are English. I suppose this is the tongue
|
|
which our Saxon ancestors carried to England with them.
|
|
By and by I will inquire of some other philologist.
|
|
|
|
However, in the mean time it had transpired that the men
|
|
employed to calk the raft had found that the leak was not
|
|
a leak at all, but only a crack between the logs--a crack
|
|
that belonged there, and was not dangerous, but had been
|
|
magnified into a leak by the disordered imagination of
|
|
the mate. Therefore we went aboard again with a good degree
|
|
of confidence, and presently got to sea without accident.
|
|
As we swam smoothly along between the enchanting shores,
|
|
we fell to swapping notes about manners and customs
|
|
in Germany and elsewhere.
|
|
|
|
As I write, now, many months later, I perceive that each of us,
|
|
by observing and noting and inquiring, diligently and day
|
|
by day, had managed to lay in a most varied and opulent
|
|
stock of misinformation. But this is not surprising;
|
|
it is very difficult to get accurate details in any country.
|
|
For example, I had the idea once, in Heidelberg,
|
|
to find out all about those five student-corps. I started
|
|
with the White Cap corps. I began to inquire of this
|
|
and that and the other citizen, and here is what I found
|
|
out:
|
|
|
|
1. It is called the Prussian Corps, because none
|
|
but Prussians are admitted to it.
|
|
|
|
2. It is called the Prussian Corps for no particular reason.
|
|
It has simply pleased each corps to name itself after
|
|
some German state.
|
|
|
|
3. It is not named the Prussian Corps at all, but only
|
|
the White Cap Corps.
|
|
|
|
4. Any student can belong to it who is a German by birth.
|
|
|
|
5. Any student can belong to it who is European by birth.
|
|
|
|
6. Any European-born student can belong to it, except he
|
|
be a Frenchman.
|
|
|
|
7. Any student can belong to it, no matter where he
|
|
was born.
|
|
|
|
8. No student can belong to it who is not of noble blood.
|
|
|
|
9. No student can belong to it who cannot show three full
|
|
generations of noble descent.
|
|
|
|
10. Nobility is not a necessary qualification.
|
|
|
|
11. No moneyless student can belong to it.
|
|
|
|
12. Money qualification is nonsense--such a thing has
|
|
never been thought of.
|
|
|
|
I got some of this information from students themselves--
|
|
students who did not belong to the corps.
|
|
|
|
I finally went to headquarters--to the White Caps--where I
|
|
would have gone in the first place if I had been acquainted.
|
|
But even at headquarters I found difficulties; I perceived
|
|
that there were things about the White Cap Corps which
|
|
one member knew and another one didn't. It was natural;
|
|
for very few members of any organization know ALL that can
|
|
be known about it. I doubt there is a man or a woman
|
|
in Heidelberg who would not answer promptly and confidently
|
|
three out of every five questions about the White Cap Corps
|
|
which a stranger might ask; yet it is a very safe bet
|
|
that two of the three answers would be incorrect every time.
|
|
|
|
There is one German custom which is universal--the bowing
|
|
courteously to strangers when sitting down at table or
|
|
rising up from it. This bow startles a stranger out of his
|
|
self-possession, the first time it occurs, and he is likely
|
|
to fall over a chair or something, in his embarrassment,
|
|
but it pleases him, nevertheless. One soon learns to expect
|
|
this bow and be on the lookout and ready to return it;
|
|
but to learn to lead off and make the initial bow
|
|
one's self is a difficult matter for a diffident man.
|
|
One thinks, "If I rise to go, and tender my box,
|
|
and these ladies and gentlemen take it into their heads
|
|
to ignore the custom of their nation, and not return it,
|
|
how shall I feel, in case I survive to feel anything."
|
|
Therefore he is afraid to venture. He sits out the dinner,
|
|
and makes the strangers rise first and originate the bowing.
|
|
A table d'ho^te dinner is a tedious affair for a man
|
|
who seldom touches anything after the three first courses;
|
|
therefore I used to do some pretty dreary waiting
|
|
because of my fears. It took me months to assure myself
|
|
that those fears were groundless, but I did assure myself
|
|
at last by experimenting diligently through my agent.
|
|
I made Harris get up and bow and leave; invariably his bow
|
|
was returned, then I got up and bowed myself and retired.
|
|
|
|
Thus my education proceeded easily and comfortably for me,
|
|
but not for Harris. Three courses of a table d'ho^te
|
|
dinner were enough for me, but Harris preferred thirteen.
|
|
|
|
Even after I had acquired full confidence, and no longer needed
|
|
the agent's help, I sometimes encountered difficulties.
|
|
Once at Baden-Baden I nearly lost a train because I could
|
|
not be sure that three young ladies opposite me at table
|
|
were Germans, since I had not heard them speak; they might
|
|
be American, they might be English, it was not safe to venture
|
|
a bow; but just as I had got that far with my thought,
|
|
one of them began a German remark, to my great relief
|
|
and gratitude; and before she got out her third word,
|
|
our bows had been delivered and graciously returned,
|
|
and we were off.
|
|
|
|
There is a friendly something about the German character
|
|
which is very winning. When Harris and I were making
|
|
a pedestrian tour through the Black Forest, we stopped at
|
|
a little country inn for dinner one day; two young ladies
|
|
and a young gentleman entered and sat down opposite us.
|
|
They were pedestrians, too. Our knapsacks were strapped
|
|
upon our backs, but they had a sturdy youth along to carry
|
|
theirs for them. All parties were hungry, so there was
|
|
no talking. By and by the usual bows were exchanged,
|
|
and we separated.
|
|
|
|
As we sat at a late breakfast in the hotel at Allerheiligen,
|
|
next morning, these young people and took places
|
|
near us without observing us; but presently they saw
|
|
us and at once bowed and smiled; not ceremoniously,
|
|
but with the gratified look of people who have found
|
|
acquaintances where they were expecting strangers.
|
|
Then they spoke of the weather and the roads. We also
|
|
spoke of the weather and the roads. Next, they said they
|
|
had had an enjoyable walk, notwithstanding the weather.
|
|
We said that that had been our case, too. Then they said
|
|
they had walked thirty English miles the day before,
|
|
and asked how many we had walked. I could not lie, so I
|
|
told Harris to do it. Harris told them we had made thirty
|
|
English miles, too. That was true; we had "made" them,
|
|
though we had had a little assistance here and there.
|
|
|
|
After breakfast they found us trying to blast some
|
|
information out of the dumb hotel clerk about routes,
|
|
and observing that we were not succeeding pretty well,
|
|
they went and got their maps and things, and pointed
|
|
out and explained our course so clearly that even a New
|
|
York detective could have followed it. And when we
|
|
started they spoke out a hearty good-by and wished us
|
|
a pleasant journey. Perhaps they were more generous
|
|
with us than they might have been with native wayfarers
|
|
because we were a forlorn lot and in a strange land;
|
|
I don't know; I only know it was lovely to be treated so.
|
|
|
|
Very well, I took an American young lady to one of the fine
|
|
balls in Baden-Baden, one night, and at the entrance-door
|
|
upstairs we were halted by an official--something about Miss
|
|
Jones's dress was not according to rule; I don't remember
|
|
what it was, now; something was wanting--her back hair,
|
|
or a shawl, or a fan, or a shovel, or something.
|
|
The official was ever so polite, and every so sorry,
|
|
but the rule was strict, and he could not let us in.
|
|
It was very embarrassing, for many eyes were on us.
|
|
But now a richly dressed girl stepped out of the ballroom,
|
|
inquired into the trouble, and said she could fix it in
|
|
a moment. She took Miss Jones to the robing-room, and soon
|
|
brought her back in regulation trim, and then we entered
|
|
the ballroom with this benefactress unchallenged.
|
|
|
|
Being safe, now, I began to puzzle through my sincere
|
|
but ungrammatical thanks, when there was a sudden mutual
|
|
recognition --the benefactress and I had met at Allerheiligen.
|
|
Two weeks had not altered her good face, and plainly
|
|
her heart was in the right place yet, but there was such
|
|
a difference between these clothes and the clothes I
|
|
had seen her in before, when she was walking thirty miles
|
|
a day in the Black Forest, that it was quite natural
|
|
that I had failed to recognize her sooner. I had on MY
|
|
other suit, too, but my German would betray me to a person
|
|
who had heard it once, anyway. She brought her brother
|
|
and sister, and they made our way smooth for that evening.
|
|
|
|
Well--months afterward, I was driving through the streets
|
|
of Munich in a cab with a German lady, one day, when she
|
|
said:
|
|
|
|
"There, that is Prince Ludwig and his wife, walking along there."
|
|
|
|
Everybody was bowing to them--cabmen, little children,
|
|
and everybody else--and they were returning all the bows
|
|
and overlooking nobody, when a young lady met them and made
|
|
a deep courtesy.
|
|
|
|
"That is probably one of the ladies of the court,"
|
|
said my German friend.
|
|
|
|
I said:
|
|
|
|
"She is an honor to it, then. I know her. I don't know
|
|
her name, but I know HER. I have known her at Allerheiligen
|
|
and Baden-Baden. She ought to be an Empress, but she
|
|
may be only a Duchess; it is the way things go in this way."
|
|
|
|
If one asks a German a civil question, he will be quite
|
|
sure to get a civil answer. If you stop a German in the
|
|
street and ask him to direct you to a certain place,
|
|
he shows no sign of feeling offended. If the place be
|
|
difficult to find, ten to one the man will drop his own
|
|
matters and go with you and show you.
|
|
|
|
In London, too, many a time, strangers have walked several
|
|
blocks with me to show me my way.
|
|
|
|
There is something very real about this sort of politeness.
|
|
Quite often, in Germany, shopkeepers who could not furnish
|
|
me the article I wanted have sent one of their employees
|
|
with me to show me a place where it could be had.
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
[The Deadly Jest of Dilsberg]
|
|
|
|
However, I wander from the raft. We made the port
|
|
of Necharsteinach in good season, and went to the hotel
|
|
and ordered a trout dinner, the same to be ready
|
|
against our return from a two-hour pedestrian excursion
|
|
to the village and castle of Dilsberg, a mile distant,
|
|
on the other side of the river. I do not mean that we
|
|
proposed to be two hours making two miles--no, we meant
|
|
to employ most of the time in inspecting Dilsberg.
|
|
|
|
For Dilsberg is a quaint place. It is most quaintly
|
|
and picturesquely situated, too. Imagine the beautiful
|
|
river before you; then a few rods of brilliant green sward
|
|
on its opposite shore; then a sudden hill--no preparatory
|
|
gently rising slopes, but a sort of instantaneous hill--
|
|
a hill two hundred and fifty or three hundred feet high,
|
|
as round as a bowl, with the same taper upward that an
|
|
inverted bowl has, and with about the same relation
|
|
of height to diameter that distinguishes a bowl of good
|
|
honest depth--a hill which is thickly clothed with
|
|
green bushes--a comely, shapely hill, rising abruptly
|
|
out of the dead level of the surrounding green plains,
|
|
visible from a great distance down the bends of the river,
|
|
and with just exactly room on the top of its head
|
|
for its steepled and turreted and roof-clustered cap
|
|
of architecture, which same is tightly jammed and compacted
|
|
within the perfectly round hoop of the ancient village wall.
|
|
|
|
There is no house outside the wall on the whole hill,
|
|
or any vestige of a former house; all the houses are
|
|
inside the wall, but there isn't room for another one.
|
|
It is really a finished town, and has been finished
|
|
a very long time. There is no space between the wall
|
|
and the first circle of buildings; no, the village wall
|
|
is itself the rear wall of the first circle of buildings,
|
|
a nd the roofs jut a little over the wall a nd thus
|
|
furnish it with eaves. The general level of the massed
|
|
roofs is gracefully broken and relieved by the dominating
|
|
towers of the ruined castle and the tall spires of a
|
|
couple of churches; so, from a distance Dilsberg has
|
|
rather more the look of a king's crown than a cap.
|
|
That lofty green eminence and its quaint coronet form
|
|
quite a striking picture, you may be sure, in the flush
|
|
of the evening sun.
|
|
|
|
We crossed over in a boat and began the ascent by a narrow,
|
|
steep path which plunged us at once into the leafy deeps
|
|
of the bushes. But they were not cool deeps by any means,
|
|
for the sun's rays were weltering hot and there was
|
|
little or no breeze to temper them. As we panted up
|
|
the sharp ascent, we met brown, bareheaded and barefooted
|
|
boys and girls, occasionally, and sometimes men;
|
|
they came upon us without warning, they gave us good day,
|
|
flashed out of sight in the bushes, and were gone as
|
|
suddenly and mysteriously as they had come. They were
|
|
bound for the other side of the river to work. This path
|
|
had been traveled by many generations of these people.
|
|
They have always gone down to the valley to earn their bread,
|
|
but they have always climbed their hill again to eat it,
|
|
and to sleep in their snug town.
|
|
|
|
It is said the the Dilsbergers do not emigrate much;
|
|
they find that living up there above the world, in their
|
|
peaceful nest, is pleasanter than living down in the
|
|
troublous world. The seven hundred inhabitants are all
|
|
blood-kin to each other, too; they have always been blood-kin
|
|
to each other for fifteen hundred years; they are simply
|
|
one large family, and they like the home folks better than
|
|
they like strangers, hence they persistently stay at home.
|
|
It has been said that for ages Dilsberg has been merely
|
|
a thriving and diligent idiot-factory. I saw no idiots there,
|
|
but the captain said, "Because of late years the government
|
|
has taken to lugging them off to asylums and otherwheres;
|
|
and government wants to cripple the factory, too, and is
|
|
trying to get these Dilsbergers to marry out of the family,
|
|
but they don't like to."
|
|
|
|
The captain probably imagined all this, as modern science
|
|
denies that the intermarrying of relatives deteriorates
|
|
the stock.
|
|
|
|
Arrived within the wall, we found the usual village
|
|
sights and life. We moved along a narrow, crooked lane
|
|
which had been paved in the Middle Ages. A strapping,
|
|
ruddy girl was beating flax or some such stuff in a little
|
|
bit of a good-box of a barn, and she swung her flail
|
|
with a will--if it was a flail; I was not farmer enough
|
|
to know what she was at; a frowsy, barelegged girl was
|
|
herding half a dozen geese with a stick--driving them
|
|
along the lane and keeping them out of the dwellings;
|
|
a cooper was at work in a shop which I know he did not make
|
|
so large a thing as a hogshead in, for there was not room.
|
|
In the front rooms of dwellings girls and women were
|
|
cooking or spinning, and ducks and chickens were waddling
|
|
in and out, over the threshold, picking up chance crumbs
|
|
and holding pleasant converse; a very old and wrinkled man
|
|
sat asleep before his door, with his chin upon his breast
|
|
and his extinguished pipe in his lap; soiled children
|
|
were playing in the dirt everywhere along the lane,
|
|
unmindful of the sun.
|
|
|
|
Except the sleeping old man, everybody was at work,
|
|
but the place was very still and peaceful, nevertheless;
|
|
so still that the distant cackle of the successful hen smote
|
|
upon the ear but little dulled by intervening sounds.
|
|
That commonest of village sights was lacking here--the
|
|
public pump, with its great stone tank or trough of
|
|
limpid water, and its group of gossiping pitcher-bearers;
|
|
for there is no well or fountain or spring on this tall hill;
|
|
cisterns of rain-water are used.
|
|
|
|
Our alpenstocks and muslin tails compelled attention,
|
|
and as we moved through the village we gathered a considerable
|
|
procession of little boys and girls, and so went in some
|
|
state to the castle. It proved to be an extensive pile of
|
|
crumbling walls, arches, and towers, massive, properly grouped
|
|
for picturesque effect, weedy, grass-grown, and satisfactory.
|
|
The children acted as guides; they walked us along the top
|
|
of the highest walls, then took us up into a high tower
|
|
and showed us a wide and beautiful landscape, made up
|
|
of wavy distances of woody hills, and a nearer prospect
|
|
of undulating expanses of green lowlands, on the one hand,
|
|
and castle-graced crags and ridges on the other,
|
|
with the shining curves of the Neckar flowing between.
|
|
But the principal show, the chief pride of the children,
|
|
was the ancient and empty well in the grass-grown court
|
|
of the castle. Its massive stone curb stands up three
|
|
or four feet above-ground, and is whole and uninjured.
|
|
The children said that in the Middle Ages this well was
|
|
four hundred feet deep, and furnished all the village
|
|
with an abundant supply of water, in war and peace.
|
|
They said that in the old day its bottom was below the level
|
|
of the Neckar, hence the water-supply was inexhaustible.
|
|
|
|
But there were some who believed it had never been a well
|
|
at all, and was never deeper than it is now--eighty feet;
|
|
that at that depth a subterranean passage branched from it
|
|
and descended gradually to a remote place in the valley,
|
|
where it opened into somebody's cellar or other hidden recess,
|
|
and that the secret of this locality is now lost.
|
|
Those who hold this belief say that herein lies the
|
|
explanation that Dilsberg, besieged by Tilly and many
|
|
a soldier before him, was never taken: after the longest
|
|
and closest sieges the besiegers were astonished to
|
|
perceive that the besieged were as fat and hearty as ever,
|
|
and were well furnished with munitions of war--therefore
|
|
it must be that the Dilsbergers had been bringing these
|
|
things in through the subterranean passage all the time.
|
|
|
|
The children said that there was in truth a subterranean
|
|
outlet down there, and they would prove it. So they set
|
|
a great truss of straw on fire and threw it down the well,
|
|
while we leaned on the curb and watched the glowing
|
|
mass descend. It struck bottom and gradually burned out.
|
|
No smoke came up. The children clapped their hands and
|
|
said:
|
|
|
|
"You see! Nothing makes so much smoke as burning straw--now
|
|
where did the smoke go to, if there is no subterranean outlet?"
|
|
|
|
So it seemed quite evident that the subterranean outlet
|
|
indeed existed. But the finest thing within the ruin's
|
|
limits was a noble linden, which the children said was
|
|
four hundred years old, and no doubt it was. It had
|
|
a mighty trunk and a mighty spread of limb and foliage.
|
|
The limbs near the ground were nearly the thickness
|
|
of a barrel.
|
|
|
|
That tree had witnessed the assaults of men in mail--
|
|
how remote such a time seems, and how ungraspable is the
|
|
fact that real men ever did fight in real armor!--and it
|
|
had seen the time when these broken arches and crumbling
|
|
battlements were a trim and strong and stately fortress,
|
|
fluttering its gay banners in the sun, and peopled with vigorous
|
|
humanity--how impossibly long ago that seems!--and here
|
|
it stands yet, and possibly may still be standing here,
|
|
sunning itself and dreaming its historical dreams,
|
|
when today shall have been joined to the days called "ancient."
|
|
|
|
Well, we sat down under the tree to smoke, and the captain
|
|
delivered himself of his legend:
|
|
|
|
THE LEGEND OF DILSBERG CASTLE
|
|
|
|
It was to this effect. In the old times there was once
|
|
a great company assembled at the castle, and festivity
|
|
ran high. Of course there was a haunted chamber
|
|
in the castle, and one day the talk fell upon that.
|
|
It was said that whoever slept in it would not wake again
|
|
for fifty years. Now when a young knight named Conrad
|
|
von Geisberg heard this, he said that if the castle were
|
|
his he would destroy that chamber, so that no foolish
|
|
person might have the chance to bring so dreadful
|
|
a misfortune upon himself and afflict such as loved
|
|
him with the memory of it. Straightway, the company
|
|
privately laid their heads together to contrive some
|
|
way to get this superstitious young man to sleep in that chamber.
|
|
|
|
|
|
And they succeeded--in this way. They persuaded
|
|
his betrothed, a lovely mischievous young creature,
|
|
niece of the lord of the castle, to help them in their plot.
|
|
She presently took him aside and had speech with him.
|
|
She used all her persuasions, but could not shake him;
|
|
he said his belief was firm, that if he should sleep
|
|
there he would wake no more for fifty years, and it made
|
|
him shudder to think of it. Catharina began to weep.
|
|
This was a better argument; Conrad could not out against it.
|
|
He yielded and said she should have her wish if she would only
|
|
smile and be happy again. She flung her arms about his neck,
|
|
and the kisses she gave him showed that her thankfulness
|
|
and her pleasure were very real. Then she flew to tell
|
|
the company her success, and the applause she received
|
|
made her glad and proud she had undertaken her mission,
|
|
since all alone she had accomplished what the multitude had
|
|
failed in.
|
|
|
|
At midnight, that night, after the usual feasting,
|
|
Conrad was taken to the haunted chamber and left there.
|
|
He fell asleep, by and by.
|
|
|
|
When he awoke again and looked about him, his heart
|
|
stood still with horror! The whole aspect of the chamber
|
|
was changed. The walls were moldy and hung with
|
|
ancient cobwebs; the curtains and beddings were rotten;
|
|
the furniture was rickety and ready to fall to pieces.
|
|
He sprang out of bed, but his quaking knees sunk under
|
|
him and he fell to the floor.
|
|
|
|
"This is the weakness of age," he said.
|
|
|
|
He rose and sought his clothing. It was clothing no longer.
|
|
The colors were gone, the garments gave way in many places
|
|
while he was putting them on. He fled, shuddering,
|
|
into the corridor, and along it to the great hall. Here he
|
|
was met by a middle-aged stranger of a kind countenance,
|
|
who stopped and gazed at him with surprise. Conrad said:
|
|
|
|
"Good sir, will you send hither the lord Ulrich?"
|
|
|
|
The stranger looked puzzled a moment, then said:
|
|
|
|
"The lord Ulrich?"
|
|
|
|
"Yes--if you will be so good."
|
|
|
|
The stranger called--"Wilhelm!" A young serving-man came,
|
|
and the stranger said to him:
|
|
|
|
"Is there a lord Ulrich among the guests?"
|
|
|
|
"I know none of the name, so please your honor."
|
|
|
|
Conrad said, hesitatingly:
|
|
|
|
"I did not mean a guest, but the lord of the castle, sir."
|
|
|
|
The stranger and the servant exchanged wondering glances.
|
|
Then the former said:
|
|
|
|
"I am the lord of the castle."
|
|
|
|
"Since when, sir?"
|
|
|
|
"Since the death of my father, the good lord Ulrich
|
|
more than forty years ago."
|
|
|
|
Conrad sank upon a bench and covered his face with his
|
|
hands while he rocked his body to and fro and moaned.
|
|
The stranger said in a low voice to the servant:
|
|
|
|
"I fear me this poor old creature is mad. Call some one."
|
|
|
|
In a moment several people came, and grouped themselves about,
|
|
talking in whispers. Conrad looked up and scanned
|
|
the faces about him wistfully.
|
|
|
|
Then he shook his head and said, in a grieved voice:
|
|
|
|
"No, there is none among ye that I know. I am old and alone
|
|
in the world. They are dead and gone these many years
|
|
that cared for me. But sure, some of these aged ones I see
|
|
about me can tell me some little word or two concerning them."
|
|
|
|
Several bent and tottering men and women came nearer
|
|
and answered his questions about each former friend
|
|
as he mentioned the names. This one they said had been
|
|
dead ten years, that one twenty, another thirty.
|
|
Each succeeding blow struck heavier and heavier.
|
|
At last the sufferer said:
|
|
|
|
"There is one more, but I have not the courage to--O
|
|
my lost Catharina!"
|
|
|
|
One of the old dames said:
|
|
|
|
"Ah, I knew her well, poor soul. A misfortune overtook
|
|
her lover, and she died of sorrow nearly fifty years ago.
|
|
She lieth under the linden tree without the court."
|
|
|
|
Conrad bowed his head and said:
|
|
|
|
"Ah, why did I ever wake! And so she died of grief for me,
|
|
poor child. So young, so sweet, so good! She never wittingly
|
|
did a hurtful thing in all the little summer of her life.
|
|
Her loving debt shall be repaid--for I will die of grief
|
|
for her."
|
|
|
|
His head drooped upon his breast. In the moment there
|
|
was a wild burst of joyous laughter, a pair of round
|
|
young arms were flung about Conrad's neck and a sweet
|
|
voice cried:
|
|
|
|
"There, Conrad mine, thy kind words kill me--the farce
|
|
shall go no further! Look up, and laugh with us--'twas
|
|
all a jest!"
|
|
|
|
And he did look up, and gazed, in a dazed wonderment--
|
|
for the disguises were stripped away, and the aged
|
|
men and women were bright and young and gay again.
|
|
Catharina's happy tongue ran on:
|
|
|
|
"'Twas a marvelous jest, and bravely carried out.
|
|
They gave you a heavy sleeping-draught before you went
|
|
to bed, and in the night they bore you to a ruined chamber
|
|
where all had fallen to decay, and placed these rags
|
|
of clothing by you. And when your sleep was spent and you
|
|
came forth, two strangers, well instructed in their parts,
|
|
were here to meet you; and all we, your friends,
|
|
in our disguises, were close at hand, to see and hear,
|
|
you may be sure. Ah, 'twas a gallant jest! Come, now,
|
|
and make thee ready for the pleasures of the day.
|
|
How real was thy misery for the moment, thou poor lad!
|
|
Look up and have thy laugh, now!"
|
|
|
|
He looked up, searched the merry faces about him
|
|
in a dreamy way, then sighed and said:
|
|
|
|
"I am aweary, good strangers, I pray you lead me to her grave."
|
|
|
|
All the smile vanished away, every cheek blanched,
|
|
Catharina sunk to the ground in a swoon.
|
|
|
|
All day the people went about the castle with troubled faces,
|
|
and communed together in undertones. A painful hush
|
|
pervaded the place which had lately been so full of
|
|
cheery life. Each in his turn tried to arouse Conrad
|
|
out of his hallucination and bring him to himself;
|
|
but all the answer any got was a meek, bewildered stare,
|
|
and then the words:
|
|
|
|
"Good stranger, I have no friends, all are at rest these
|
|
many years; ye speak me fair, ye mean me well, but I know
|
|
ye not; I am alone and forlorn in the world--prithee
|
|
lead me to her grave."
|
|
|
|
During two years Conrad spent his days, from the
|
|
early morning till the night, under the linden tree,
|
|
mourning over the imaginary grave of his Catharina.
|
|
Catharina was the only company of the harmless madman.
|
|
He was very friendly toward her because, as he said,
|
|
in some ways she reminded him of his Catharina whom he had
|
|
lost "fifty years ago." He often said:
|
|
|
|
"She was so gay, so happy-hearted--but you never smile;
|
|
and always when you think I am not looking, you cry."
|
|
|
|
When Conrad died, they buried him under the linden,
|
|
according to his directions, so that he might rest
|
|
"near his poor Catharina." Then Catharina sat under
|
|
the linden alone, every day and all day long, a great
|
|
many years, speaking to no one, and never smiling;
|
|
and at last her long repentance was rewarded with death,
|
|
and she was buried by Conrad's side.
|
|
|
|
Harris pleased the captain by saying it was good legend;
|
|
and pleased him further by adding:
|
|
|
|
"Now that I have seen this mighty tree, vigorous with
|
|
its four hundred years, I feel a desire to believe
|
|
the legend for ITS sake; so I will humor the desire,
|
|
and consider that the tree really watches over those poor
|
|
hearts and feels a sort of human tenderness for them."
|
|
|
|
We returned to Necharsteinach, plunged our hot heads
|
|
into the trough at the town pump, and then went to the
|
|
hotel and ate our trout dinner in leisurely comfort,
|
|
in the garden, with the beautiful Neckar flowing at our feet,
|
|
the quaint Dilsberg looming beyond, and the graceful
|
|
towers and battlements of a couple of medieval castles
|
|
(called the "Swallow's Nest" [1] and "The Brothers.")
|
|
assisting the rugged scenery of a bend of the river
|
|
down to our right. We got to sea in season to make the
|
|
eight-mile run to Heidelberg before the night shut down.
|
|
We sailed by the hotel in the mellow glow of sunset,
|
|
and came slashing down with the mad current into the narrow
|
|
passage between the dikes. I believed I could shoot the
|
|
bridge myself, and I went to the forward triplet of logs
|
|
and relieved the pilot of his pole and his responsibility.
|
|
|
|
1. The seeker after information is referred to Appendix
|
|
E for our captain's legend of the "Swallow's Nest"
|
|
and "The Brothers."
|
|
|
|
We went tearing along in a most exhilarating way, and I
|
|
performed the delicate duties of my office very well indeed
|
|
for a first attempt; but perceiving, presently, that I
|
|
really was going to shoot the bridge itself instead
|
|
of the archway under it, I judiciously stepped ashore.
|
|
The next moment I had my long-coveted desire: I saw
|
|
a raft wrecked. It hit the pier in the center and went
|
|
all to smash and scatteration like a box of matches
|
|
struck by lightning.
|
|
|
|
I was the only one of our party who saw this grand sight;
|
|
the others were attitudinizing, for the benefit of the long
|
|
rank of young ladies who were promenading on the bank,
|
|
and so they lost it. But I helped to fish them out of
|
|
the river, down below the bridge, and then described it
|
|
to them as well as I could.
|
|
|
|
They were not interested, though. They said they were
|
|
wet and felt ridiculous and did not care anything for
|
|
descriptions of scenery. The young ladies, and other people,
|
|
crowded around and showed a great deal of sympathy,
|
|
but that did not help matters; for my friends said they
|
|
did not want sympathy, they wanted a back alley and solitude.
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
[My Precious, Priceless Tear-Jug]
|
|
|
|
Next morning brought good news--our trunks had arrived
|
|
from Hamburg at last. Let this be a warning to the reader.
|
|
The Germans are very conscientious, and this trait makes
|
|
them very particular. Therefore if you tell a German you
|
|
want a thing done immediately, he takes you at your word;
|
|
he thinks you mean what you say; so he does that thing
|
|
immediately--according to his idea of immediately--
|
|
which is about a week; that is, it is a week if it refers
|
|
to the building of a garment, or it is an hour and a half
|
|
if it refers to the cooking of a trout. Very well; if you
|
|
tell a German to send your trunk to you by "slow freight,"
|
|
he takes you at your word; he sends it by "slow freight,"
|
|
and you cannot imagine how long you will go on enlarging
|
|
your admiration of the expressiveness of that phrase
|
|
in the German tongue, before you get that trunk.
|
|
The hair on my trunk was soft and thick and youthful,
|
|
when I got it ready for shipment in Hamburg; it was baldheaded
|
|
when it reached Heidelberg. However, it was still sound,
|
|
that was a comfort, it was not battered in the least;
|
|
the baggagemen seemed to be conscientiously careful,
|
|
in Germany, of the baggage entrusted to their hands.
|
|
There was nothing now in the way of our departure, therefore we
|
|
set about our preparations.
|
|
|
|
Naturally my chief solicitude was about my collection
|
|
of Ceramics. Of course I could not take it with me,
|
|
that would be inconvenient, and dangerous besides.
|
|
I took advice, but the best brick-a-brackers were divided
|
|
as to the wisest course to pursue; some said pack the
|
|
collection and warehouse it; others said try to get it
|
|
into the Grand Ducal Museum at Mannheim for safe keeping.
|
|
So I divided the collection, and followed the advice of
|
|
both parties. I set aside, for the Museum, those articles
|
|
which were the most frail and precious.
|
|
|
|
Among these was my Etruscan tear-jug. I have made a little
|
|
sketch of it here; [Figure 6] that thing creeping up
|
|
the side is not a bug, it is a hole. I bought this
|
|
tear-jug of a dealer in antiquities for four hundred
|
|
and fifty dollars. It is very rare. The man said the
|
|
Etruscans used to keep tears or something in these things,
|
|
and that it was very hard to get hold of a broken one, now.
|
|
I also set aside my Henri II. plate. See sketch
|
|
from my pencil; [Figure 7] it is in the main correct,
|
|
though I think I have foreshortened one end of it a little
|
|
too much, perhaps. This is very fine and rare; the shape
|
|
is exceedingly beautiful and unusual. It has wonderful
|
|
decorations on it, but I am not able to reproduce them.
|
|
It cost more than the tear-jug, as the dealer said
|
|
there was not another plate just like it in the world.
|
|
He said there was much false Henri II ware around,
|
|
but that the genuineness of this piece was unquestionable.
|
|
He showed me its pedigree, or its history, if you please;
|
|
it was a document which traced this plate's movements
|
|
all the way down from its birth--showed who bought it,
|
|
from whom, and what he paid for it--from the first buyer
|
|
down to me, whereby I saw that it had gone steadily up
|
|
from thirty-five cents to seven hundred dollars. He said
|
|
that the whole Ceramic world would be informed that it
|
|
was now in my possession and would make a note of it,
|
|
with the price paid. [Figure 8]
|
|
|
|
There were Masters in those days, but, alas--it is not so now.
|
|
Of course the main preciousness of this piece lies in its color;
|
|
it is that old sensuous, pervading, ramifying, interpolating,
|
|
transboreal blue which is the despair of modern art.
|
|
The little sketch which I have made of this gem cannot
|
|
and does not do it justice, since I have been obliged
|
|
to leave out the color. But I've got the expression, though.
|
|
|
|
However, I must not be frittering away the reader's time
|
|
with these details. I did not intend to go into any
|
|
detail at all, at first, but it is the failing of the
|
|
true ceramiker, or the true devotee in any department
|
|
of brick-a-brackery, that once he gets his tongue or his
|
|
pen started on his darling theme, he cannot well stop
|
|
until he drops from exhaustion. He has no more sense
|
|
of the flight of time than has any other lover when talking
|
|
of his sweetheart. The very "marks" on the bottom
|
|
of a piece of rare crockery are able to throw me into
|
|
a gibbering ecstasy; and I could forsake a drowning
|
|
relative to help dispute about whether the stopple
|
|
of a departed Buon Retiro scent-bottle was genuine or spurious.
|
|
|
|
Many people say that for a male person, bric-a-brac hunting
|
|
is about as robust a business as making doll-clothes,
|
|
or decorating Japanese pots with decalcomanie butterflies
|
|
would be, and these people fling mud at the elegant Englishman,
|
|
Byng, who wrote a book called THE BRIC-A-BRAC HUNTER,
|
|
and make fun of him for chasing around after what they choose
|
|
to call "his despicable trifles"; and for "gushing" over
|
|
these trifles; and for exhibiting his "deep infantile delight"
|
|
in what they call his "tuppenny collection of beggarly
|
|
trivialities"; and for beginning his book with a picture
|
|
of himself seated, in a "sappy, self-complacent attitude,
|
|
in the midst of his poor little ridiculous bric-a-brac junk
|
|
shop."
|
|
|
|
It is easy to say these things; it is easy to revile us,
|
|
easy to despise us; therefore, let these people rail on;
|
|
they cannot feel as Byng and I feel--it is their loss,
|
|
not ours. For my part I am content to be a brick-a-bracker
|
|
and a ceramiker--more, I am proud to be so named.
|
|
I am proud to know that I lose my reason as immediately
|
|
in the presence of a rare jug with an illustrious mark
|
|
on the bottom of it, as if I had just emptied that jug.
|
|
Very well; I packed and stored a part of my collection,
|
|
and the rest of it I placed in the care of the Grand Ducal
|
|
Museum i n Mannheim, by permission. My Old Blue China
|
|
Cat remains there yet. I presented it to that excellent
|
|
institution.
|
|
|
|
I had but one misfortune with my things. An egg which I
|
|
had kept back from breakfast that morning, was broken
|
|
in packing. It was a great pity. I had shown it to the
|
|
best connoisseurs in Heidelberg, and they all said it
|
|
was an antique. We spent a day or two in farewell visits,
|
|
and then left for Baden-Baden. We had a pleasant
|
|
trip to it, for the Rhine valley is always lovely.
|
|
The only trouble was that the trip was too short.
|
|
If I remember rightly it only occupied a couple of hours,
|
|
therefore I judge that the distance was very little,
|
|
if any, over fifty miles. We quitted the train at Oos,
|
|
and walked the entire remaining distance to Baden-Baden,
|
|
with the exception of a lift of less than an hour which we
|
|
got on a passing wagon, the weather being exhaustingly warm.
|
|
We came into town on foot.
|
|
|
|
One of the first persons we encountered, as we walked
|
|
up the street, was the Rev. Mr. ------, an old friend
|
|
from America--a lucky encounter, indeed, for his is
|
|
a most gentle, refined, and sensitive nature, and his
|
|
company and companionship are a genuine refreshment.
|
|
We knew he had been in Europe some time, but were not
|
|
at all expecting to run across him. Both parties burst
|
|
forth into loving enthusiasms, and Rev. Mr. ------said:
|
|
|
|
"I have got a brimful reservoir of talk to pour out
|
|
on you, and an empty one ready and thirsting to receive
|
|
what you have got; we will sit up till midnight
|
|
and have a good satisfying interchange, for I leave
|
|
here early in the morning." We agreed to that, of course.
|
|
|
|
I had been vaguely conscious, for a while, of a person
|
|
who was walking in the street abreast of us; I had glanced
|
|
furtively at him once or twice, and noticed that he
|
|
was a fine, large, vigorous young fellow, with an open,
|
|
independent countenance, faintly shaded with a pale
|
|
and even almost imperceptible crop of early down,
|
|
and that he was clothed from head to heel in cool and
|
|
enviable snow-white linen. I thought I had also noticed
|
|
that his head had a sort of listening tilt to it.
|
|
Now about this time the Rev. Mr. ------said:
|
|
|
|
"The sidewalk is hardly wide enough for three, so I will
|
|
walk behind; but keep the talk going, keep the talk going,
|
|
there's no time to lose, and you may be sure I will do
|
|
my share." He ranged himself behind us, and straightway that
|
|
stately snow-white young fellow closed up to the sidewalk
|
|
alongside him, fetched him a cordial slap on the shoulder
|
|
with his broad palm, and sung out with a hearty cheeriness:
|
|
|
|
"AMERICANS for two-and-a-half and the money up! HEY?"
|
|
|
|
The Reverend winced, but said mildly:
|
|
|
|
"Yes--we are Americans."
|
|
|
|
"Lord love you, you can just bet that's what _I_ am,
|
|
every time! Put it there!"
|
|
|
|
He held out his Sahara of his palm, and the Reverend laid
|
|
his diminutive hand in it, and got so cordial a shake
|
|
that we heard his glove burst under it.
|
|
|
|
"Say, didn't I put you up right?"
|
|
|
|
"Oh, yes."
|
|
|
|
"Sho! I spotted you for MY kind the minute I heard
|
|
your clack. You been over here long?"
|
|
|
|
"About four months. Have you been over long?"
|
|
|
|
"LONG? Well, I should say so! Going on two YEARS,
|
|
by geeminy! Say, are you homesick?"
|
|
|
|
"No, I can't say that I am. Are you?"
|
|
|
|
"Oh, HELL, yes!" This with immense enthusiasm.
|
|
|
|
The Reverend shrunk a little, in his clothes, and we
|
|
were aware, rather by instinct than otherwise, that he
|
|
was throwing out signals of distress to us; but we did
|
|
not interfere or try to succor him, for we were quite happy.
|
|
|
|
The young fellow hooked his arm into the Reverend's, now,
|
|
with the confiding and grateful air of a waif who has
|
|
been longing for a friend, and a sympathetic ear,
|
|
and a chance to lisp once more the sweet accents of the
|
|
mother-tongue--and then he limbered up the muscles
|
|
of his mouth and turned himself loose--and with such a
|
|
relish! Some of his words were not Sunday-school words,
|
|
so I am obliged to put blanks where they occur.
|
|
|
|
"Yes indeedy! If _I_ ain't an American there AIN'T
|
|
any Americans, that's all. And when I heard you fellows
|
|
gassing away in the good old American language, I'm ------
|
|
if it wasn't all I could do to keep from hugging you! My
|
|
tongue's all warped with trying to curl it around these
|
|
------forsaken wind-galled nine-jointed German words here;
|
|
now I TELL you it's awful good to lay it over a Christian
|
|
word once more and kind of let the old taste soak it.
|
|
I'm from western New York. My name is Cholley Adams.
|
|
I'm a student, you know. Been here going on two years.
|
|
I'm learning to be a horse-doctor! I LIKE that part of it,
|
|
you know, but ------these people, they won't learn a fellow
|
|
in his own language, they make him learn in German; so before
|
|
I could tackle the horse-doctoring I had to tackle this
|
|
miserable language.
|
|
|
|
"First off, I thought it would certainly give me
|
|
the botts, but I don't mind now. I've got it where the
|
|
hair's short, I think; and dontchuknow, they made me
|
|
learn Latin, too. Now between you and me, I wouldn't
|
|
give a ------for all the Latin that was ever jabbered;
|
|
and the first thing _I_ calculate to do when I get through,
|
|
is to just sit down and forget it. 'Twon't take me long,
|
|
and I don't mind the time, anyway. And I tell you what!
|
|
the difference between school-teaching over yonder and
|
|
school-teaching over here--sho! WE don't know anything
|
|
about it! Here you're got to peg and peg and peg and there
|
|
just ain't any let-up--and what you learn here, you've got
|
|
to KNOW, dontchuknow --or else you'll have one of these
|
|
------spavined, spectacles, ring-boned, knock-kneed old
|
|
professors in your hair. I've been here long ENOUGH,
|
|
and I'm getting blessed tired of it, mind I TELL you.
|
|
The old man wrote me that he was coming over in June,
|
|
and said he'd take me home in August, whether I was done
|
|
with my education or not, but durn him, he didn't come;
|
|
never said why; just sent me a hamper of Sunday-school
|
|
books, and told me to be good, and hold on a while.
|
|
I don't take to Sunday-school books, dontchuknow--I
|
|
don't hanker after them when I can get pie--but I
|
|
READ them, anyway, because whatever the old man tells
|
|
me to do, that's the thing that I'm a-going to DO,
|
|
or tear something, you know. I buckled in and read
|
|
all those books, because he wanted me to; but that kind
|
|
of thing don't excite ME, I like something HEARTY.
|
|
But I'm awful homesick. I'm homesick from ear-socket
|
|
to crupper, and from crupper to hock-joint; but it ain't
|
|
any use, I've got to stay here, till the old man drops
|
|
the rag and give the word--yes, SIR, right here in this
|
|
------country I've got to linger till the old man says
|
|
COME!--and you bet your bottom dollar, Johnny, it AIN'T
|
|
just as easy as it is for a cat to have twins!"
|
|
|
|
At the end of this profane and cordial explosion he
|
|
fetched a prodigious "WHOOSH!" to relieve his lungs
|
|
and make recognition of the heat, and then he straightway
|
|
dived into his narrative again for "Johnny's" benefit,
|
|
beginning, "Well, ------it ain't any use talking,
|
|
some of those old American words DO have a kind
|
|
of a bully swing to them; a man can EXPRESS himself
|
|
with 'em--a man can get at what he wants to SAY, dontchuknow."
|
|
|
|
When we reached our hotel and it seemed that he was
|
|
about to lose the Reverend, he showed so much sorrow,
|
|
and begged so hard and so earnestly that the Reverend's heart
|
|
was not hard enough to hold out against the pleadings--
|
|
so he went away with the parent-honoring student, like a
|
|
right Christian, and took supper with him in his lodgings,
|
|
and sat in the surf-beat of his slang and profanity
|
|
till near midnight, and then left him--left him pretty
|
|
well talked out, but grateful "clear down to his frogs,"
|
|
as he expressed it. The Reverend said it had transpired
|
|
during the interview that "Cholley" Adams's father
|
|
was an extensive dealer in horses in western New York;
|
|
this accounted for Cholley's choice of a profession.
|
|
The Reverend brought away a pretty high opinion of
|
|
Cholley as a manly young fellow, with stuff in him for
|
|
a useful citizen; he considered him rather a rough gem,
|
|
but a gem, nevertheless.
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
[Insolent Shopkeepers and Gabbling Americans]
|
|
|
|
Baden-Baden sits in the lap of the hills, and the natural
|
|
and artificial beauties of the surroundings are combined
|
|
effectively and charmingly. The level strip of ground
|
|
which stretches through and beyond the town is laid
|
|
out in handsome pleasure grounds, shaded by noble trees
|
|
and adorned at intervals with lofty and sparkling
|
|
fountain-jets. Thrice a day a fine band makes music
|
|
in the public promenade before the Conversation House,
|
|
and in the afternoon and evening that locality is populous
|
|
with fashionably dressed people of both sexes, who march
|
|
back and forth past the great music-stand and look very
|
|
much bored, though they make a show of feeling otherwise.
|
|
It seems like a rather aimless and stupid existence.
|
|
A good many of these people are there for a real
|
|
purpose, however; they are racked with rheumatism,
|
|
and they are there to stew it out in the hot baths.
|
|
These invalids looked melancholy enough, limping about on
|
|
their canes and crutches, and apparently brooding over
|
|
all sorts of cheerless things. People say that Germany,
|
|
with her damp stone houses, is the home of rheumatism.
|
|
If that is so, Providence must have foreseen that it
|
|
would be so, and therefore filled the land with the
|
|
healing baths. Perhaps no other country is so generously
|
|
supplied with medicinal springs as Germany. Some of
|
|
these baths are good for one ailment, some for another;
|
|
and again, peculiar ailments are conquered by combining
|
|
the individual virtues of several different baths.
|
|
For instance, for some forms of disease, the patient drinks
|
|
the native hot water of Baden-Baden, with a spoonful
|
|
of salt from the Carlsbad springs dissolved in it.
|
|
That is not a dose to be forgotten right away.
|
|
|
|
They don't SELL this hot water; no, you go into the
|
|
great Trinkhalle, and stand around, first on one foot
|
|
and then on the other, while two or three young girls
|
|
sit pottering at some sort of ladylike sewing-work
|
|
in your neighborhood and can't seem to see you --polite
|
|
as three-dollar clerks in government offices.
|
|
|
|
By and by one of these rises painfully, and
|
|
"stretches"--stretches
|
|
fists and body heavenward till she raises her heels from
|
|
the floor, at the same time refreshing herself with a yawn
|
|
of such comprehensiveness that the bulk of her face disappears
|
|
behind her upper lip and one is able to see how she is
|
|
constructed inside--then she slowly closes her cavern,
|
|
brings down her fists and her heels, comes languidly forward,
|
|
contemplates you contemptuously, draws you a glass of hot water
|
|
and sets it down where you can get it by reaching for it. You
|
|
take it and say:
|
|
|
|
"How much?"--and she returns you, with elaborate indifference,
|
|
a beggar's answer:
|
|
|
|
"NACH BELIEBE" (what you please.)
|
|
|
|
This thing of using the common beggar's trick and the common
|
|
beggar's shibboleth to put you on your liberality when you
|
|
were expecting a simple straightforward commercial transaction,
|
|
adds a little to your prospering sense of irritation.
|
|
You ignore her reply, and ask again:
|
|
|
|
"How much?"
|
|
|
|
--and she calmly, indifferently, repeats:
|
|
|
|
"NACH BELIEBE."
|
|
|
|
You are getting angry, but you are trying not to show it;
|
|
you resolve to keep on asking your question till she changes
|
|
her answer, or at least her annoyingly indifferent manner.
|
|
Therefore, if your case be like mine, you two fools
|
|
stand there, and without perceptible emotion of any kind,
|
|
or any emphasis on any syllable, you look blandly into each
|
|
other's eyes, and hold the following idiotic conversation:
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
"How much?"
|
|
|
|
"NACH BELIEBE."
|
|
|
|
I do not know what another person would have done,
|
|
but at this point I gave up; that cast-iron indifference,
|
|
that tranquil contemptuousness, conquered me, and I struck
|
|
my colors. Now I knew she was used to receiving about a
|
|
penny from manly people who care nothing about the opinions
|
|
of scullery-maids, and about tuppence from moral cowards;
|
|
but I laid a silver twenty-five cent piece within her
|
|
reach and tried to shrivel her up with this sarcastic
|
|
speech:
|
|
|
|
"If it isn't enough, will you stoop sufficiently from
|
|
your official dignity to say so?"
|
|
|
|
She did not shrivel. Without deigning to look at me at all,
|
|
she languidly lifted the coin and bit it!--to see if it
|
|
was good. Then she turned her back and placidly waddled
|
|
to her former roost again, tossing the money into an open
|
|
till as she went along. She was victor to the last,
|
|
you see.
|
|
|
|
I have enlarged upon the ways of this girl because they
|
|
are typical; her manners are the manners of a goodly
|
|
number of the Baden-Baden shopkeepers. The shopkeeper
|
|
there swindles you if he can, and insults you whether
|
|
he succeeds in swindling you or not. The keepers of
|
|
baths also take great and patient pains to insult you.
|
|
The frowsy woman who sat at the desk in the lobby
|
|
of the great Friederichsbad and sold bath tickets,
|
|
not only insulted me twice every day, with rigid fidelity
|
|
to her great trust, but she took trouble enough to cheat
|
|
me out of a shilling, one day, to have fairly entitled
|
|
her to ten. Baden-Baden's splendid gamblers are gone,
|
|
only her microscopic knaves remain.
|
|
|
|
An English gentleman who had been living there
|
|
several years, said:
|
|
|
|
"If you could disguise your nationality, you would not
|
|
find any insolence here. These shopkeepers detest the
|
|
English and despise the Americans; they are rude to both,
|
|
more especially to ladies of your nationality and mine.
|
|
If these go shopping without a gentleman or a man-servant,
|
|
they are tolerably sure to be subjected to petty insolences--
|
|
insolences of manner and tone, rather than word,
|
|
though words that are hard to bear are not always wanting.
|
|
I know of an instance where a shopkeeper tossed a coin back
|
|
to an American lady with the remark, snappishly uttered,
|
|
'We don't take French money here.' And I know of a case
|
|
where an English lady said to one of these shopkeepers,
|
|
'Don't you think you ask too much for this article?'
|
|
and he replied with the question, 'Do you think you are
|
|
obliged to buy it?' However, these people are not impolite
|
|
to Russians or Germans. And as to rank, they worship that,
|
|
for they have long been used to generals and nobles.
|
|
If you wish to see what abysses servility can descend,
|
|
present yourself before a Baden-Baden shopkeeper in the
|
|
character of a Russian prince."
|
|
|
|
It is an inane town, filled with sham, and petty fraud,
|
|
and snobbery, but the baths are good. I spoke with
|
|
many people, and they were all agreed in that. I had
|
|
the twinges of rheumatism unceasingly during three years,
|
|
but the last one departed after a fortnight's bathing there,
|
|
and I have never had one since. I fully believe I left my
|
|
rheumatism in Baden-Baden. Baden-Baden is welcome to it.
|
|
It was little, but it was all I had to give. I would
|
|
have preferred to leave something that was catching,
|
|
but it was not in my power.
|
|
|
|
There are several hot springs there, and during two
|
|
thousand years they have poured forth a never-diminishing
|
|
abundance of the healing water. This water is conducted
|
|
in pipe to the numerous bath-houses, and is reduced to
|
|
an endurable temperature by the addition of cold water.
|
|
The new Friederichsbad is a very large and beautiful building,
|
|
and in it one may have any sort of bath that has ever
|
|
been invented, and with all the additions of herbs and
|
|
drugs that his ailment may need or that the physician
|
|
of the establishment may consider a useful thing to put
|
|
into the water. You go there, enter the great door,
|
|
get a bow graduated to your style and clothes from the
|
|
gorgeous portier, and a bath ticket and an insult from
|
|
the frowsy woman for a quarter; she strikes a bell and a
|
|
serving-man conducts you down a long hall and shuts you
|
|
into a commodious room which has a washstand, a mirror,
|
|
a bootjack, and a sofa in it, and there you undress
|
|
at your leisure.
|
|
|
|
The room is divided by a great curtain; you draw this
|
|
curtain aside, and find a large white marble bathtub,
|
|
with its rim sunk to the level of the floor,
|
|
and with three white marble steps leading down to it.
|
|
This tub is full of water which is as clear as crystal,
|
|
and is tempered to 28 degrees Re'aumur (about 95 degrees
|
|
Fahrenheit). Sunk into the floor, by the tub, is a covered
|
|
copper box which contains some warm towels and a sheet.
|
|
You look fully as white as an angel when you are stretched
|
|
out in that limpid bath. You remain in it ten minutes,
|
|
the first time, and afterward increase the duration from
|
|
day to day, till you reach twenty-five or thirty minutes.
|
|
There you stop. The appointments of the place are
|
|
so luxurious, the benefit so marked, the price so moderate,
|
|
and the insults so sure, that you very soon find yourself
|
|
adoring the Friederichsbad and infesting it.
|
|
|
|
We had a plain, simple, unpretending, good hotel,
|
|
in Baden-Baden--the Ho^tel de France--and alongside my room
|
|
I had a giggling, cackling, chattering family who always
|
|
went to bed just two hours after me and always got up two
|
|
hours ahead of me. But this is common in German hotels;
|
|
the people generally go to bed long after eleven and get
|
|
up long before eight. The partitions convey sound
|
|
like a drum-head, and everybody knows it; but no matter,
|
|
a German family who are all kindness and consideration
|
|
in the daytime make apparently no effort to moderate
|
|
their noises for your benefit at night. They will sing,
|
|
laugh, and talk loudly, and bang furniture around in a most
|
|
pitiless way. If you knock on your wall appealingly,
|
|
they will quiet down and discuss the matter softly among
|
|
themselves for a moment--then, like the mice, they fall
|
|
to persecuting you again, and as vigorously as before.
|
|
They keep cruelly late and early hours, for such noisy folk.
|
|
|
|
Of course, when one begins to find fault with foreign
|
|
people's ways, he is very likely to get a reminder to look
|
|
nearer home, before he gets far with it. I open my note-book
|
|
to see if I can find some more information of a valuable
|
|
nature about Baden-Baden, and the first thing I fall upon is
|
|
this:
|
|
|
|
"BADEN-BADEN (no date). Lot of vociferous Americans
|
|
at breakfast this morning. Talking AT everybody,
|
|
while pretending to talk among themselves. On their
|
|
first travels, manifestly. Showing off. The usual
|
|
signs--airy, easy-going references to grand distances
|
|
and foreign places. 'Well GOOD-by, old fellow--
|
|
if I don't run across you in Italy, you hunt me up in
|
|
London before you sail.'"
|
|
|
|
The next item which I find in my note-book is this one:
|
|
|
|
"The fact that a band of 6,000 Indians are now murdering
|
|
our frontiersmen at their impudent leisure, and that we
|
|
are only able to send 1,200 soldiers against them,
|
|
is utilized here to discourage emigration to America.
|
|
The common people think the Indians are in New Jersey."
|
|
|
|
This is a new and peculiar argument against keeping our army
|
|
down to a ridiculous figure in the matter of numbers.
|
|
It is rather a striking one, too. I have not distorted
|
|
the truth in saying that the facts in the above item,
|
|
about the army and the Indians, are made use of to
|
|
discourage emigration to America. That the common
|
|
people should be rather foggy in their geography,
|
|
and foggy as to the location of the Indians, is a matter
|
|
for amusement, maybe, but not of surprise.
|
|
|
|
There is an interesting old cemetery in Baden-Baden, and
|
|
we spent several pleasant hours in wandering through it
|
|
and spelling out the inscriptions on the aged tombstones.
|
|
Apparently after a man has laid there a century or two,
|
|
and has had a good many people buried on top of him,
|
|
it is considered that his tombstone is not needed by him
|
|
any longer. I judge so from the fact that hundreds
|
|
of old gravestones have been removed from the graves
|
|
and placed against the inner walls of the cemetery.
|
|
What artists they had in the old times! They chiseled angels
|
|
and cherubs and devils and skeletons on the tombstones
|
|
in the most lavish and generous way--as to supply--but
|
|
curiously grotesque and outlandish as to form. It is not
|
|
always easy to tell which of the figures belong among
|
|
the blest and which of them among the opposite party.
|
|
But there was an inscription, in French, on one of those
|
|
old stones, which was quaint and pretty, and was plainly
|
|
not the work of any other than a poet. It was to this
|
|
effect:
|
|
|
|
Here Reposes in God, Caroline de Clery, a Religieuse
|
|
of St. Denis aged 83 years--and blind. The light
|
|
was restored to her in Baden the 5th of January, 1839
|
|
|
|
We made several excursions on foot to the neighboring villages,
|
|
over winding and beautiful roads and through enchanting
|
|
woodland scenery. The woods and roads were similar to those
|
|
at Heidelberg, but not so bewitching. I suppose that roads
|
|
and woods which are up to the Heidelberg mark are rare in the
|
|
world.
|
|
|
|
Once we wandered clear away to La Favorita Palace,
|
|
which is several miles from Baden-Baden. The grounds
|
|
about the palace were fine; the palace was a curiosity.
|
|
It was built by a Margravine in 1725, and remains as she
|
|
left it at her death. We wandered through a great many
|
|
of its rooms, and they all had striking peculiarities
|
|
of decoration. For instance, the walls of one room were
|
|
pretty completely covered with small pictures of the
|
|
Margravine in all conceivable varieties of fanciful costumes,
|
|
some of them male.
|
|
|
|
The walls of another room were covered with grotesquely
|
|
and elaborately figured hand-wrought tapestry.
|
|
The musty ancient beds remained in the chambers,
|
|
and their quilts and curtains and canopies were decorated
|
|
with curious handwork, and the walls and ceilings frescoed
|
|
with historical and mythological scenes in glaring colors.
|
|
There was enough crazy and rotten rubbish in the building
|
|
to make a true brick-a-bracker green with envy.
|
|
A painting in the dining-hall verged upon the indelicate--
|
|
but then the Margravine was herself a trifle indelicate.
|
|
|
|
It is in every way a wildly and picturesquely decorated house,
|
|
and brimful of interest as a reflection of the character
|
|
and tastes of that rude bygone time.
|
|
|
|
In the grounds, a few rods from the palace, stands the
|
|
Margravine's chapel, just as she left it--a coarse
|
|
wooden structure, wholly barren of ornament. It is said
|
|
that the Margravine would give herself up to debauchery
|
|
and exceedingly fast living for several months at a time,
|
|
and then retire to this miserable wooden den and spend
|
|
a few months in repenting and getting ready for another
|
|
good time. She was a devoted Catholic, and was perhaps
|
|
quite a model sort of a Christian as Christians went then,
|
|
in high life.
|
|
|
|
Tradition says she spent the last two years of her life in the
|
|
strange den I have been speaking of, after having indulged
|
|
herself in one final, triumphant, and satisfying spree.
|
|
She shut herself up there, without company, and without
|
|
even a servant, and so abjured and forsook the world.
|
|
In her little bit of a kitchen she did her own cooking;
|
|
she wore a hair shirt next the skin, and castigated herself
|
|
with whips--these aids to grace are exhibited there yet.
|
|
She prayed and told her beads, in another little room,
|
|
before a waxen Virgin niched in a little box against the wall;
|
|
she bedded herself like a slave.
|
|
|
|
In another small room is an unpainted wooden table,
|
|
and behind it sit half-life-size waxen figures of the
|
|
Holy Family, made by the very worst artist that ever
|
|
lived, perhaps, and clothed in gaudy, flimsy drapery.
|
|
[1] The margravine used to bring her meals to this table
|
|
and DINE WITH THE HOLY FAMILY. What an idea that was!
|
|
What a grisly spectacle it must have been! Imagine it:
|
|
Those rigid, shock-headed figures, with corpsy complexions
|
|
and fish glass eyes, occupying one side of the table
|
|
in the constrained attitudes and dead fixedness that
|
|
distinquish all men that are born of wax, and this wrinkled,
|
|
smoldering old fire-eater occupying the other side,
|
|
mumbling her prayers and munching her sausages in the ghostly
|
|
stillness and shadowy indistinctness of a winter twilight.
|
|
It makes one feel crawly even to think of it.
|
|
|
|
1. The Savior was represented as a lad of about fifteen
|
|
years of age. This figure had lost one eye.
|
|
|
|
In this sordid place, and clothed, bedded, and fed like
|
|
a pauper, this strange princess lived and worshiped during
|
|
two years, and in it she died. Two or three hundred
|
|
years ago, this would have made the poor den holy ground;
|
|
and the church would have set up a miracle-factory there
|
|
and made plenty of money out of it. The den could be moved
|
|
into some portions of France and made a good property even now.
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
[The Black Forest and Its Treasures]
|
|
|
|
From Baden-Baden we made the customary trip into the
|
|
Black Forest. We were on foot most of the time. One cannot
|
|
describe those noble woods, nor the feeling with which they
|
|
inspire him. A feature of the feeling, however, is a deep
|
|
sense of contentment; another feature of it is a buoyant,
|
|
boyish gladness; and a third and very conspicuous feature
|
|
of it is one's sense of the remoteness of the work-day
|
|
world and his entire emancipation from it and its affairs.
|
|
|
|
Those woods stretch unbroken over a vast region;
|
|
and everywhere they are such dense woods, and so still,
|
|
and so piney and fragrant. The stems of the trees are trim
|
|
and straight, and in many places all the ground is hidden
|
|
for miles under a thick cushion of moss of a vivid green color,
|
|
with not a decayed or ragged spot in its surface, and not
|
|
a fallen leaf or twig to mar its immaculate tidiness.
|
|
A rich cathedral gloom pervades the pillared aisles;
|
|
so the stray flecks of sunlight that strike a trunk
|
|
here and a bough yonder are strongly accented,
|
|
and when they strike the moss they fairly seem to burn.
|
|
But the weirdest effect, and the most enchanting is that
|
|
produced by the diffused light of the low afternoon sun;
|
|
no single ray is able to pierce its way in, then, but the
|
|
diffused light takes color from moss and foliage,
|
|
and pervades the place like a faint, greet-tinted mist,
|
|
the theatrical fire of fairyland. The suggestion of mystery
|
|
and the supernatural which haunts the forest at all times
|
|
is intensified by this unearthly glow.
|
|
|
|
We found the Black Forest farmhouses and villages
|
|
all that the Black Forest stories have pictured them.
|
|
The first genuine specimen which we came upon was
|
|
the mansion of a rich farmer and member of the Common
|
|
Council of the parish or district. He was an important
|
|
personage in the land and so was his wife also,
|
|
of course. His daughter was the "catch" of the region,
|
|
and she may be already entering into immortality as the
|
|
heroine of one of Auerbach's novels, for all I know.
|
|
We shall see, for if he puts her in I shall recognize her
|
|
by her Black Forest clothes, and her burned complexion,
|
|
her plump figure, her fat hands, her dull expression,
|
|
her gentle spirit, her generous feet, her bonnetless head,
|
|
and the plaited tails of hemp-colored hair hanging down
|
|
her back.
|
|
|
|
The house was big enough for a hotel; it was a hundred
|
|
feet long and fifty wide, and ten feet high, from ground
|
|
to eaves; but from the eaves to the comb of the mighty roof
|
|
was as much as forty feet, or maybe even more. This roof
|
|
was of ancient mud-colored straw thatch a foot thick,
|
|
and was covered all over, except in a few trifling spots,
|
|
with a thriving and luxurious growth of green vegetation,
|
|
mainly moss. The mossless spots were places where
|
|
repairs had been made by the insertion of bright new
|
|
masses of yellow straw. The eaves projected far down,
|
|
like sheltering, hospitable wings. Across the gable that
|
|
fronted the road, and about ten feet above the ground,
|
|
ran a narrow porch, with a wooden railing; a row of
|
|
small windows filled with very small panes looked upon
|
|
the porch. Above were two or three other little windows,
|
|
one clear up under the sharp apex of the roof.
|
|
Before the ground-floor door was a huge pile of manure.
|
|
The door of the second-story room on the side of the house
|
|
was open, and occupied by the rear elevation of a cow.
|
|
Was this probably the drawing-room? All of the front
|
|
half of the house from the ground up seemed to be
|
|
occupied by the people, the cows, and the chickens,
|
|
and all the rear half by draught-animals and hay.
|
|
But the chief feature, all around this house, was the big
|
|
heaps of manure.
|
|
|
|
We became very familiar with the fertilizer in the Forest.
|
|
We fell unconsciously into the habit of judging of a man's
|
|
station in life by this outward and eloquent sign.
|
|
Sometimes we said, "Here is a poor devil, this is manifest."
|
|
When we saw a stately accumulation, we said, "Here is
|
|
a banker." When we encountered a country-seat surrounded
|
|
by an Alpine pomp of manure, we said, "Doubtless a duke
|
|
lives here."
|
|
|
|
The importance of this feature has not been properly
|
|
magnified in the Black Forest stories. Manure is evidently
|
|
the Black-Forester's main treasure--his coin, his jewel,
|
|
his pride, his Old Master, his ceramics, his bric-a-brac,
|
|
his darling, his title to public consideration,
|
|
envy, veneration, and his first solicitude when he gets
|
|
ready to make his will. The true Black Forest novel,
|
|
if it is ever written, will be skeletoned somewhat in this way:
|
|
|
|
SKELETON FOR A BLACK FOREST NOVEL
|
|
|
|
Rich old farmer, named Huss. Has inherited great wealth
|
|
of manure, and by diligence has added to it. It is
|
|
double-starred in Baedeker. [1] The Black forest artist
|
|
paints it--his masterpiece. The king comes to see it.
|
|
Gretchen Huss, daughter and heiress. Paul Hoch,
|
|
young neighbor, suitor for Gretchen's hand--ostensibly;
|
|
he really wants the manure. Hoch has a good many cart-loads
|
|
of the Black Forest currency himself, and therefore is a
|
|
good catch; but he is sordid, mean, and without sentiment,
|
|
whereas Gretchen is all sentiment and poetry.
|
|
Hans Schmidt, young neighbor, full of sentiment,
|
|
full of poetry, loves Gretchen, Gretchen loves him.
|
|
But he has no manure. Old Huss forbids him in the house.
|
|
His heart breaks, he goes away to die in the woods,
|
|
far from the cruel world--for he says, bitterly, "What is man,
|
|
without manure?"
|
|
|
|
1. When Baedeker's guide-books mention a thing and put
|
|
two stars (**) after it, it means well worth visiting.
|
|
M.T.
|
|
|
|
[Interval of six months.]
|
|
|
|
Paul Hoch comes to old Huss and says, "I am at last
|
|
as rich as you required--come and view the pile."
|
|
Old Huss views it and says, "It is sufficient--take
|
|
her and be happy,"--meaning Gretchen.
|
|
|
|
[Interval of two weeks.]
|
|
|
|
Wedding party assembled in old Huss's drawing-room. Hoch
|
|
placid and content, Gretchen weeping over her hard fate.
|
|
Enter old Huss's head bookkeeper. Huss says fiercely,
|
|
"I gave you three weeks to find out why your books
|
|
don't balance, and to prove that you are not a defaulter;
|
|
the time is up--find me the missing property or you go
|
|
to prison as a thief." Bookkeeper: "I have found it."
|
|
"Where?" Bookkeeper (sternly--tragically): "In the bridegroom's
|
|
pile!--behold the thief--see him blench and tremble!"
|
|
[Sensation.] Paul Hoch: Lost, lost!"--falls over the cow
|
|
in a swoon and is handcuffed. Gretchen: "Saved!" Falls
|
|
over the calf in a swoon of joy, but is caught in the arms
|
|
of Hans Schmidt, who springs in at that moment. Old Huss:
|
|
"What, you here, varlet? Unhand the maid and quit the place."
|
|
Hans (still supporting the insensible girl): "Never! Cruel
|
|
old man, know that I come with claims which even you
|
|
cannot despise."
|
|
|
|
Huss: "What, YOU? name them."
|
|
|
|
Hans: "Listen then. The world has forsaken me, I forsook
|
|
the world, I wandered in the solitude of the forest,
|
|
longing for death but finding none. I fed upon roots,
|
|
and in my bitterness I dug for the bitterest,
|
|
loathing the sweeter kind. Digging, three days agone,
|
|
I struck a manure mine!--a Golconda, a limitless Bonanza,
|
|
of solid manure! I can buy you ALL, and have mountain
|
|
ranges of manure left! Ha-ha, NOW thou smilest a smile!"
|
|
[Immense sensation.] Exhibition of specimens from the mine.
|
|
Old Huss (enthusiastically): "Wake her up, shake her up,
|
|
noble young man, she is yours!" Wedding takes place on
|
|
the spot; bookkeeper restored to his office and emoluments;
|
|
Paul Hoch led off to jail. The Bonanza king of the Black
|
|
Forest lives to a good old age, blessed with the love of his
|
|
wife and of his twenty-seven children, and the still sweeter
|
|
envy of everybody around.
|
|
|
|
We took our noon meal of fried trout one day at the Plow Inn,
|
|
in a very pretty village (Ottenho"fen), and then went into
|
|
the public room to rest and smoke. There we found nine
|
|
or ten Black Forest grandees assembled around a table.
|
|
They were the Common Council of the parish. They had
|
|
gathered there at eight o'clock that morning to elect
|
|
a new member, and they had now been drinking beer four
|
|
hours at the new member's expense. They were men of fifty
|
|
or sixty years of age, with grave good-natures faces,
|
|
and were all dressed in the costume made familiar to us
|
|
by the Black Forest stories; broad, round-topped black felt
|
|
hats with the brims curled up all round; long red waistcoats
|
|
with large metal buttons, black alpaca coats with the
|
|
waists up between the shoulders. There were no speeches,
|
|
there was but little talk, there were no frivolities;
|
|
the Council filled themselves gradually, steadily, but surely,
|
|
with beer, and conducted themselves with sedate decorum,
|
|
as became men of position, men of influence, men of manure.
|
|
|
|
We had a hot afternoon tramp up the valley, along the grassy
|
|
bank of a rushing stream of clear water, past farmhouses,
|
|
water-mills, and no end of wayside crucifixes and saints
|
|
and Virgins. These crucifixes, etc., are set up in
|
|
memory of departed friends, by survivors, and are almost
|
|
as frequent as telegraph-poles are in other lands.
|
|
|
|
We followed the carriage-road, and had our usual luck;
|
|
we traveled under a beating sun, and always saw the shade
|
|
leave the shady places before we could get to them.
|
|
In all our wanderings we seldom managed to strike
|
|
a piece of road at its time for being shady. We had a
|
|
particularly hot time of it on that particular afternoon,
|
|
and with no comfort but what we could get out of the fact
|
|
that the peasants at work away up on the steep mountainsides
|
|
above our heads were even worse off than we were.
|
|
By and by it became impossible to endure the intolerable
|
|
glare and heat any longer; so we struck across the ravine
|
|
and entered the deep cool twilight of the forest, to hunt
|
|
for what the guide-book called the "old road."
|
|
|
|
We found an old road, and it proved eventually to be the
|
|
right one, though we followed it at the time with the conviction
|
|
that it was the wrong one. If it was the wrong one there
|
|
could be no use in hurrying; therefore we did not hurry,
|
|
but sat down frequently on the soft moss and enjoyed
|
|
the restful quiet and shade of the forest solitudes.
|
|
There had been distractions in the carriage-road--
|
|
school-children, peasants, wagons, troops of
|
|
pedestrianizing students from all over Germany--
|
|
but we had the old road to ourselves.
|
|
|
|
Now and then, while we rested, we watched the laborious
|
|
ant at his work. I found nothing new in him--certainly
|
|
nothing to change my opinion of him. It seems to me that
|
|
in the matter of intellect the ant must be a strangely
|
|
overrated bird. During many summers, now, I have watched him,
|
|
when I ought to have been in better business, and I have
|
|
not yet come across a living ant that seemed to have any
|
|
more sense than a dead one. I refer to the ordinary ant,
|
|
of course; I have had no experience of those wonderful
|
|
Swiss and African ones which vote, keep drilled armies,
|
|
hold slaves, and dispute about religion. Those particular
|
|
ants may be all that the naturalist paints them,
|
|
but I am persuaded that the average ant is a sham.
|
|
I admit his industry, of course; he is the hardest-working
|
|
creature in the world--when anybody is looking--but his
|
|
leather-headedness is the point I make against him.
|
|
He goes out foraging, he makes a capture, and then what
|
|
does he do? Go home? No--he goes anywhere but home.
|
|
He doesn't know where home is. His home may be only
|
|
three feet away--no matter, he can't find it. He makes
|
|
his capture, as I have said; it is generally something
|
|
which can be of no sort of use to himself or anybody else;
|
|
it is usually seven times bigger than it ought to be;
|
|
he hunts out the awkwardest place to take hold of it;
|
|
he lifts it bodily up in the air by main force, and starts;
|
|
not toward home, but in the opposite direction; not calmly
|
|
and wisely, but with a frantic haste which is wasteful
|
|
of his strength; he fetches up against a pebble, and instead
|
|
of going around it, he climbs over it backward dragging
|
|
his booty after him, tumbles down on the other side,
|
|
jumps up in a passion, kicks the dust off his clothes,
|
|
moistens his hands, grabs his property viciously, yanks it
|
|
this way, then that, shoves it ahead of him a moment,
|
|
turns tail and lugs it after him another moment, gets madder
|
|
and madder, then presently hoists it into the air and goes
|
|
tearing away in an entirely new direction; comes to a weed;
|
|
it never occurs to him to go around it; no, he must climb it;
|
|
and he does climb it, dragging his worthless property
|
|
to the top--which is as bright a thing to do as it would
|
|
be for me to carry a sack of flour from Heidelberg to Paris
|
|
by way of Strasburg steeple; when he gets up there he
|
|
finds that that is not the place; takes a cursory glance
|
|
at the scenery and either climbs down again or tumbles down,
|
|
and starts off once more--as usual, in a new direction.
|
|
At the end of half an hour, he fetches up within six inches
|
|
of the place he started from and lays his burden down;
|
|
meantime he as been over all the ground for two yards around,
|
|
and climbed all the weeds and pebbles he came across.
|
|
Now he wipes the sweat from his brow, strokes his limbs,
|
|
and then marches aimlessly off, in as violently a hurry
|
|
as ever. He does not remember to have ever seen it before;
|
|
he looks around to see which is not the way home, grabs his
|
|
bundle and starts; he goes through the same adventures he
|
|
had before; finally stops to rest, and a friend comes along.
|
|
Evidently the friend remarks that a last year's grasshopper
|
|
leg is a very noble acquisition, and inquires where he
|
|
got it. Evidently the proprietor does not remember
|
|
exactly where he did get it, but thinks he got it "around
|
|
here somewhere." Evidently the friend contracts to help
|
|
him freight it home. Then, with a judgment peculiarly
|
|
antic (pun not intended), then take hold of opposite ends
|
|
of that grasshopper leg a nd begin to tug with all their
|
|
might in opposite directions. Presently they take a rest
|
|
and confer together. They decide that something is wrong,
|
|
they can't make out what. Then they go at it again,
|
|
just as before. Same result. Mutual recriminations follow.
|
|
Evidently each accuses the other of being an obstructionist.
|
|
They lock themselves together and chew each other's jaws
|
|
for a while; then they roll and tumble on the ground till
|
|
one loses a horn or a leg and has to haul off for repairs.
|
|
They make up and go to work again in the same old insane way,
|
|
but the crippled ant is at a disadvantage; tug as he may,
|
|
the other one drags off the booty and him at the end of it.
|
|
Instead of giving up, he hangs on, and gets his shins
|
|
bruised against every obstruction that comes in the way.
|
|
By and by, when that grasshopper leg has been dragged
|
|
all over the same old ground once more, it is finally
|
|
dumped at about the spot where it originally lay,
|
|
the two perspiring ants inspect it thoughtfully and decide
|
|
that dried grasshopper legs are a poor sort of property
|
|
after all, and then each starts off in a different
|
|
direction to see if he can't find an old nail or something
|
|
else that is heavy enough to afford entertainment and at
|
|
the same time valueless enough to make an ant want to own it.
|
|
|
|
There in the Black Forest, on the mountainside,
|
|
I saw an ant go through with such a performance as this
|
|
with a dead spider of fully ten times his own weight.
|
|
The spider was not quite dead, but too far gone to resist.
|
|
He had a round body the size of a pea. The little ant--
|
|
observing that I was noticing--turned him on his back,
|
|
sunk his fangs into his throat, lifted him into the air and
|
|
started vigorously off with him, stumbling over little pebbles,
|
|
stepping on the spider's legs and tripping himself up,
|
|
dragging him backward, shoving him bodily ahead, dragging him
|
|
up stones six inches high instead of going around them,
|
|
climbing weeds twenty times his own height and jumping
|
|
from their summits--and finally leaving him in the middle
|
|
of the road to be confiscated by any other fool of an
|
|
ant that wanted him. I measured the ground which this
|
|
ass traversed, and arrived at the conclusion that what he
|
|
had accomplished inside of twenty minutes would constitute
|
|
some such job as this--relatively speaking--for a man;
|
|
to wit: to strap two eight-hundred-pound horses together,
|
|
carry them eighteen hundred feet, mainly over (not around)
|
|
boulders averaging six feet high, and in the course
|
|
of the journey climb up and jump from the top of one
|
|
precipice like Niagara, and three steeples, each a hundred
|
|
and twenty feet high; and then put the horses down,
|
|
in an exposed place, without anybody to watch them,
|
|
and go off to indulge in some other idiotic miracle for
|
|
vanity's sake.
|
|
|
|
Science has recently discovered that the ant does not
|
|
lay up anything for winter use. This will knock him
|
|
out of literature, to some extent. He does not work,
|
|
except when people are looking, and only then when the
|
|
observer has a green, naturalistic look, and seems to be
|
|
taking notes. This amounts to deception, and will injure
|
|
him for the Sunday-schools. He has not judgment enough
|
|
to know what is good to eat from what isn't. This amounts
|
|
to ignorance, and will impair the world's respect for him.
|
|
He cannot stroll around a stump and find his way home again.
|
|
This amounts to idiocy, and once the damaging fact
|
|
is established, thoughtful people will cease to look
|
|
up to him, the sentimental will cease to fondle him.
|
|
His vaunted industry is but a vanity and of no effect,
|
|
since he never gets home with anything he starts with.
|
|
This disposes of the last remnant of his reputation
|
|
and wholly destroys his main usefulness as a moral agent,
|
|
since it will make the sluggard hesitate to go to him
|
|
any more. It is strange, beyond comprehension, that so
|
|
manifest a humbug as the ant has been able to fool so
|
|
many nations and keep it up so many ages without being
|
|
found out.
|
|
|
|
The ant is strong, but we saw another strong thing,
|
|
where we had not suspected the presence of much muscular
|
|
power before. A toadstool--that vegetable which springs
|
|
to full growth in a single night--had torn loose and
|
|
lifted a matted mass of pine needles and dirt of twice
|
|
its own bulk into the air, and supported it there,
|
|
like a column supporting a shed. Ten thousand toadstools,
|
|
with the right purchase, could lift a man, I suppose.
|
|
But what good would it do?
|
|
|
|
All our afternoon's progress had been uphill. About five
|
|
or half past we reached the summit, and all of a sudden
|
|
the dense curtain of the forest parted and we looked
|
|
down into a deep and beautiful gorge and out over a
|
|
wide panorama of wooded mountains with their summits
|
|
shining in the sun and their glade-furrowed sides dimmed
|
|
with purple shade. The gorge under our feet--called
|
|
Allerheiligen--afforded room in the grassy level at its
|
|
head for a cozy and delightful human nest, shut away
|
|
from the world and its botherations, and consequently
|
|
the monks of the old times had not failed to spy it out;
|
|
and here were the brown and comely ruins of their church
|
|
and convent to prove that priests had as fine an instinct
|
|
seven hundred years ago in ferreting out the choicest
|
|
nooks and corners in a land as priests have today.
|
|
|
|
A big hotel crowds the ruins a little, now, and drives
|
|
a brisk trade with summer tourists. We descended
|
|
into the gorge and had a supper which would have been
|
|
very satisfactory if the trout had not been boiled.
|
|
The Germans are pretty sure to boil a trout or anything
|
|
else if left to their own devices. This is an argument
|
|
of some value in support of the theory that they were
|
|
the original colonists of the wild islands of the coast
|
|
of Scotland. A schooner laden with oranges was wrecked
|
|
upon one of those islands a few years ago, and the gentle
|
|
savages rendered the captain such willing assistance
|
|
that he gave them as many oranges as they wanted.
|
|
Next day he asked them how they liked them. They shook
|
|
their heads and said:
|
|
|
|
"Baked, they were tough; and even boiled, they warn't
|
|
things for a hungry man to hanker after."
|
|
|
|
We went down the glen after supper. It is beautiful--a
|
|
mixture of sylvan loveliness and craggy wildness.
|
|
A limpid torrent goes whistling down the glen, and toward
|
|
the foot of it winds through a narrow cleft between lofty
|
|
precipices and hurls itself over a succession of falls.
|
|
After one passes the last of these he has a backward
|
|
glimpse at the falls which is very pleasing--they rise
|
|
in a seven-stepped stairway of foamy and glittering cascades,
|
|
and make a picture which is as charming as it is unusual.
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
[Nicodemus Dodge and the Skeleton]
|
|
|
|
We were satisfied that we could walk to Oppenau in
|
|
one day, now that we were in practice; so we set out
|
|
the next morning after breakfast determined to do it.
|
|
It was all the way downhill, and we had the loveliest
|
|
summer weather for it. So we set the pedometer and then
|
|
stretched away on an easy, regular stride, down through
|
|
the cloven forest, drawing in the fragrant breath
|
|
of the morning in deep refreshing draughts, and wishing
|
|
we might never have anything to do forever but walk
|
|
to Oppenau and keep on doing it and then doing it over again.
|
|
|
|
Now, the true charm of pedestrianism does not lie
|
|
in the walking, or in the scenery, but in the talking.
|
|
The walking is good to time the movement of the tongue by,
|
|
and to keep the blood and the brain stirred up and active;
|
|
the scenery and the woodsy smells are good to bear in upon
|
|
a man an unconscious and unobtrusive charm and solace
|
|
to eye and soul and sense; but the supreme pleasure comes
|
|
from the talk. It is no matter whether one talks wisdom
|
|
or nonsense, the case is the same, the bulk of the enjoyment
|
|
lies in the wagging of the gladsome jaw and the flapping
|
|
of the sympathetic ear.
|
|
|
|
And what motley variety of subjects a couple of people will
|
|
casually rake over in the course of a day's tramp! There
|
|
being no constraint, a change of subject is always in order,
|
|
and so a body is not likely to keep pegging at a single
|
|
topic until it grows tiresome. We discussed everything
|
|
we knew, during the first fifteen or twenty minutes,
|
|
that morning, and then branched out into the glad, free,
|
|
boundless realm of the things we were not certain about.
|
|
|
|
Harris said that if the best writer in the world once got
|
|
the slovenly habit of doubling up his "haves" he could
|
|
never get rid of it while he lived. That is to say,
|
|
if a man gets the habit of saying "I should have liked
|
|
to have known more about it" instead of saying simply
|
|
and sensibly, "I should have liked to know more about it,"
|
|
that man's disease is incurable. Harris said that his sort
|
|
of lapse is to be found in every copy of every newspaper
|
|
that has ever been printed in English, and in almost all
|
|
of our books. He said he had observed it in Kirkham's
|
|
grammar and in Macaulay. Harris believed that milk-teeth
|
|
are commoner in men's mouths than those "doubled-up haves." [1]
|
|
|
|
1. I do not know that there have not been moments in the
|
|
course of the present session when I should have been
|
|
very glad to have accepted the proposal of my noble friend,
|
|
and to have exchanged parts in some of our evenings
|
|
of work.--[From a Speech of the English Chancellor
|
|
of the Exchequer, August, 1879.]
|
|
|
|
That changed the subject to dentistry. I said I believed
|
|
the average man dreaded tooth-pulling more than amputation,
|
|
and that he would yell quicker under the former operation
|
|
than he would under the latter. The philosopher Harris
|
|
said that the average man would not yell in either case
|
|
if he had an audience. Then he continued:
|
|
|
|
"When our brigade first went into camp on the Potomac,
|
|
we used to be brought up standing, occasionally, by an
|
|
ear-splitting howl of anguish. That meant that a soldier
|
|
was getting a tooth pulled in a tent. But the surgeons
|
|
soon changed that; they instituted open-air dentistry.
|
|
There never was a howl afterward--that is, from the man
|
|
who was having the tooth pulled. At the daily dental
|
|
hour there would always be about five hundred soldiers
|
|
gathered together in the neighborhood of that dental chair
|
|
waiting to see the performance--and help; and the moment
|
|
the surgeon took a grip on the candidate's tooth and began
|
|
to lift, every one of those five hundred rascals would
|
|
clap his hand to his jaw and begin to hop around on one
|
|
leg and howl with all the lungs he had! It was enough
|
|
to raise your hair to hear that variegated and enormous
|
|
unanimous caterwaul burst out! With so big and so derisive
|
|
an audience as that, a suffer wouldn't emit a sound though
|
|
you pulled his head off. The surgeons said that pretty
|
|
often a patient was compelled to laugh, in the midst
|
|
of his pangs, but that had never caught one crying out,
|
|
after the open-air exhibition was instituted."
|
|
|
|
Dental surgeons suggested doctors, doctors suggested death,
|
|
death suggested skeletons--and so, by a logical process
|
|
the conversation melted out of one of these subjects
|
|
and into the next, until the topic of skeletons raised up
|
|
Nicodemus Dodge out of the deep grave in my memory where he
|
|
had lain buried and forgotten for twenty-five years.
|
|
When I was a boy in a printing-office in Missouri,
|
|
a loose-jointed, long-legged, tow-headed, jeans-clad
|
|
countrified cub of about sixteen lounged in one day,
|
|
and without removing his hands from the depths
|
|
of his trousers pockets or taking off his faded ruin
|
|
of a slouch hat, whose broken rim hung limp and ragged
|
|
about his eyes and ears like a bug-eaten cabbage leaf,
|
|
stared indifferently around, then leaned his hip
|
|
against the editor's table, crossed his mighty brogans,
|
|
aimed at a distant fly from a crevice in his upper teeth,
|
|
laid him low, and said with composure:
|
|
|
|
"Whar's the boss?"
|
|
|
|
"I am the boss," said the editor, following this curious
|
|
bit of architecture wonderingly along up to its clock-face
|
|
with his eye.
|
|
|
|
"Don't want anybody fur to learn the business, 'tain't likely?"
|
|
|
|
"Well, I don't know. Would you like to learn it?"
|
|
|
|
"Pap's so po' he cain't run me no mo', so I want to git
|
|
a show somers if I kin, 'taint no diffunce what--I'm strong
|
|
and hearty, and I don't turn my back on no kind of work,
|
|
hard nur soft."
|
|
|
|
"Do you think you would like to learn the printing business?"
|
|
|
|
"Well, I don't re'ly k'yer a durn what I DO learn,
|
|
so's I git a chance fur to make my way. I'd jist as soon
|
|
learn print'n's anything."
|
|
|
|
"Can you read?"
|
|
|
|
"Yes--middlin'."
|
|
|
|
"Write?"
|
|
|
|
"Well, I've seed people could lay over me thar."
|
|
|
|
"Cipher?"
|
|
|
|
"Not good enough to keep store, I don't reckon,
|
|
but up as fur as twelve-times-twelve I ain't no slouch.
|
|
'Tother side of that is what gits me."
|
|
|
|
"Where is your home?"
|
|
|
|
"I'm f'm old Shelby."
|
|
|
|
"What's your father's religious denomination?"
|
|
|
|
"Him? Oh, he's a blacksmith."
|
|
|
|
"No, no--I don't mean his trade. What's his RELIGIOUS
|
|
DENOMINATION?"
|
|
|
|
"OH--I didn't understand you befo'. He's a Freemason."
|
|
|
|
"No, no, you don't get my meaning yet. What I mean is,
|
|
does he belong to any CHURCH?"
|
|
|
|
"NOW you're talkin'! Couldn't make out what you was a-tryin'
|
|
to git through yo' head no way. B'long to a CHURCH! Why,
|
|
boss, he's ben the pizenest kind of Free-will Babtis'
|
|
for forty year. They ain't no pizener ones 'n what HE is.
|
|
Mighty good man, pap is. Everybody says that. If they
|
|
said any diffrunt they wouldn't say it whar _I_ wuz--
|
|
not MUCH they wouldn't."
|
|
|
|
"What is your own religion?"
|
|
|
|
"Well, boss, you've kind o' got me, there--and yit
|
|
you hain't got me so mighty much, nuther. I think 't
|
|
if a feller he'ps another feller when he's in trouble,
|
|
and don't cuss, and don't do no mean things, nur noth'n'
|
|
he ain' no business to do, and don't spell the Saviour's
|
|
name with a little g, he ain't runnin' no resks--he's
|
|
about as saift as he b'longed to a church."
|
|
|
|
"But suppose he did spell it with a little g--what then?"
|
|
|
|
"Well, if he done it a-purpose, I reckon he wouldn't
|
|
stand no chance--he OUGHTN'T to have no chance, anyway,
|
|
I'm most rotten certain 'bout that."
|
|
|
|
"What is your name?"
|
|
|
|
"Nicodemus Dodge."
|
|
|
|
"I think maybe you'll do, Nicodemus. We'll give you
|
|
a trial, anyway."
|
|
|
|
"All right."
|
|
|
|
"When would you like to begin?"
|
|
|
|
"Now."
|
|
|
|
So, within ten minutes after we had first glimpsed this
|
|
nondescript he was one of us, and with his coat off
|
|
and hard at it.
|
|
|
|
Beyond that end of our establishment which was furthest
|
|
from the street, was a deserted garden, pathless,
|
|
and thickly grown with the bloomy and villainous "jimpson"
|
|
weed and its common friend the stately sunflower.
|
|
In the midst of this mournful spot was a decayed and aged
|
|
little "frame" house with but one room, one window, and no
|
|
ceiling--it had been a smoke-house a generation before.
|
|
Nicodemus was given this lonely and ghostly den as a bedchamber.
|
|
|
|
The village smarties recognized a treasure in Nicodemus,
|
|
right away--a butt to play jokes on. It was easy to see
|
|
that he was inconceivably green and confiding. George Jones
|
|
had the glory of perpetrating the first joke on him;
|
|
he gave him a cigar with a firecracker in it and winked
|
|
to the crowd to come; the thing exploded presently and swept
|
|
away the bulk of Nicodemus's eyebrows and eyelashes.
|
|
He simply said:
|
|
|
|
"I consider them kind of seeg'yars dangersome,"--and
|
|
seemed to suspect nothing. The next evening Nicodemus
|
|
waylaid George and poured a bucket of ice-water over him.
|
|
|
|
One day, while Nicodemus was in swimming, Tom McElroy
|
|
"tied" his clothes. Nicodemus made a bonfire of Tom's
|
|
by way of retaliation.
|
|
|
|
A third joke was played upon Nicodemus a day or two later--he
|
|
walked up the middle aisle of the village church, Sunday night,
|
|
with a staring handbill pinned between his shoulders.
|
|
The joker spent the remainder of the night, after church,
|
|
in the cellar of a deserted house, and Nicodemus sat on
|
|
the cellar door till toward breakfast-time to make sure
|
|
that the prisoner remembered that if any noise was made,
|
|
some rough treatment would be the consequence. The cellar
|
|
had two feet of stagnant water in it, and was bottomed
|
|
with six inches of soft mud.
|
|
|
|
But I wander from the point. It was the subject of
|
|
skeletons that brought this boy back to my recollection.
|
|
Before a very long time had elapsed, the village smarties
|
|
began to feel an uncomfortable consciousness of not having
|
|
made a very shining success out of their attempts on the
|
|
simpleton from "old Shelby." Experimenters grew scarce
|
|
and chary. Now the young doctor came to the rescue.
|
|
There was delight and applause when he proposed to scare
|
|
Nicodemus to death, and explained how he was going to do it.
|
|
He had a noble new skeleton--the skeleton of the late
|
|
and only local celebrity, Jimmy Finn, the village
|
|
drunkard--a grisly piece of property which he had bought
|
|
of Jimmy Finn himself, at auction, for fifty dollars,
|
|
under great competition, when Jimmy lay very sick in
|
|
the tan-yard a fortnight before his death. The fifty
|
|
dollars had gone promptly for whiskey and had considerably
|
|
hurried up the change of ownership in the skeleton.
|
|
The doctor would put Jimmy Finn's skeleton in Nicodemus's
|
|
bed!
|
|
|
|
This was done--about half past ten in the evening.
|
|
About Nicodemus's usual bedtime--midnight--the village
|
|
jokers came creeping stealthily through the jimpson
|
|
weeds and sunflowers toward the lonely frame den.
|
|
They reached the window and peeped in. There sat the
|
|
long-legged pauper, on his bed, in a very short shirt,
|
|
and nothing more; he was dangling his legs contentedly
|
|
back and forth, and wheezing the music of "Camptown Races"
|
|
out of a paper-overlaid comb which he was pressing
|
|
against his mouth; by him lay a new jewsharp, a new top,
|
|
and solid india-rubber ball, a handful of painted marbles,
|
|
five pounds of "store" candy, and a well-gnawed slab of
|
|
gingerbread as big and as thick as a volume of sheet-music.
|
|
He had sold the skeleton to a traveling quack for three
|
|
dollars and was enjoying the result!
|
|
|
|
Just as we had finished talking about skeletons and were
|
|
drifting into the subject of fossils, Harris and I heard
|
|
a shout, and glanced up the steep hillside. We saw men
|
|
and women standing away up there looking frightened,
|
|
and there was a bulky object tumbling and floundering
|
|
down the steep slope toward us. We got out of the way,
|
|
and when the object landed in the road it proved to be a boy.
|
|
He had tripped and fallen, and there was nothing for him
|
|
to do but trust to luck and take what might come.
|
|
|
|
When one starts to roll down a place like that, there is
|
|
no stopping till the bottom is reached. Think of people
|
|
FARMING on a slant which is so steep that the best you can
|
|
say of it--if you want to be fastidiously accurate--is,
|
|
that it is a little steeper than a ladder and not quite
|
|
so steep as a mansard roof. But that is what they do.
|
|
Some of the little farms on the hillside opposite Heidelberg
|
|
were stood up "edgeways." The boy was wonderfully jolted up,
|
|
and his head was bleeding, from cuts which it had got from
|
|
small stones on the way.
|
|
|
|
Harris and I gathered him up and set him on a stone,
|
|
and by that time the men and women had scampered down
|
|
and brought his cap.
|
|
|
|
Men, women, and children flocked out from neighboring
|
|
cottages and joined the crowd; the pale boy was petted,
|
|
and stared at, and commiserated, and water was
|
|
brought for him to drink and bathe his bruises in.
|
|
And such another clatter of tongues! All who had seen
|
|
the catastrophe were describing it at once, and each
|
|
trying to talk louder than his neighbor; and one youth
|
|
of a superior genius ran a little way up the hill,
|
|
called attention, tripped, fell, rolled down among us,
|
|
and thus triumphantly showed exactly how the thing had been done.
|
|
|
|
|
|
Harris and I were included in all the descriptions;
|
|
how we were coming along; how Hans Gross shouted;
|
|
how we looked up startled; how we saw Peter coming like
|
|
a cannon-shot; how judiciously we got out of the way,
|
|
and let him come; and with what presence of mind we
|
|
picked him up and brushed him off and set him on a rock
|
|
when the performance was over. We were as much heroes
|
|
as anybody else, except Peter, and were so recognized;
|
|
we were taken with Peter and the populace to Peter's
|
|
mother's cottage, and there we ate bread and cheese,
|
|
and drank milk and beer with everybody, and had a most
|
|
sociable good time; and when we left we had a handshake
|
|
all around, and were receiving and shouting back LEB'
|
|
WOHL's until a turn in the road separated us from our
|
|
cordial and kindly new friends forever.
|
|
|
|
We accomplished our undertaking. At half past eight
|
|
in the evening we stepped into Oppenau, just eleven
|
|
hours and a half out of Allerheiligen--one hundred
|
|
and forty-six miles. This is the distance by pedometer;
|
|
the guide-book and the Imperial Ordinance maps make
|
|
it only ten and a quarter--a surprising blunder,
|
|
for these two authorities are usually singularly accurate
|
|
in the matter of distances.
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
[I Protect the Empress of Germany]
|
|
|
|
That was a thoroughly satisfactory walk--and the only
|
|
one we were ever to have which was all the way downhill.
|
|
We took the train next morning and returned to Baden-Baden
|
|
through fearful fogs of dust. Every seat was crowded, too;
|
|
for it was Sunday, and consequently everybody was taking
|
|
a "pleasure" excursion. Hot! the sky was an oven--and
|
|
a sound one, too, with no cracks in it to let in any air.
|
|
An odd time for a pleasure excursion, certainly!
|
|
|
|
Sunday is the great day on the continent--the free day,
|
|
the happy day. One can break the Sabbath in a hundred
|
|
ways without committing any sin.
|
|
|
|
We do not work on Sunday, because the commandment forbids it;
|
|
the Germans do not work on Sunday, because the commandment
|
|
forbids it. We rest on Sunday, because the commandment
|
|
requires it; the Germans rest on Sunday because the
|
|
commandment requires it. But in the definition
|
|
of the word "rest" lies all the difference. With us,
|
|
its Sunday meaning is, stay in the house and keep still;
|
|
with the Germans its Sunday and week-day meanings seem
|
|
to be the same--rest the TIRED PART, and never mind the
|
|
other parts of the frame; rest the tired part, and use
|
|
the means best calculated to rest that particular part.
|
|
Thus: If one's duties have kept him in the house all the week,
|
|
it will rest him to be out on Sunday; if his duties
|
|
have required him to read weighty and serious matter all
|
|
the week, it will rest him to read light matter on Sunday;
|
|
if his occupation has busied him with death and funerals
|
|
all the week, it will rest him to go to the theater Sunday
|
|
night and put in two or three hours laughing at a comedy;
|
|
if he is tired with digging ditches or felling trees
|
|
all the week, it will rest him to lie quiet in the house
|
|
on Sunday; if the hand, the arm, the brain, the tongue,
|
|
or any other member, is fatigued with inanition,
|
|
it is not to be rested by added a day's inanition;
|
|
but if a member is fatigued with exertion, inanition is
|
|
the right rest for it. Such is the way in which the Germans
|
|
seem to define the word "rest"; that is to say, they rest
|
|
a member by recreating, recuperating, restore its forces.
|
|
But our definition is less broad. We all rest alike
|
|
on Sunday--by secluding ourselves and keeping still,
|
|
whether that is the surest way to rest the most of us
|
|
or not. The Germans make the actors, the preachers,
|
|
etc., work on Sunday. We encourage the preachers,
|
|
the editors, the printers, etc., to work on Sunday,
|
|
and imagine that none of the sin of it falls upon us;
|
|
but I do not know how we are going to get around the fact
|
|
that if it is wrong for the printer to work at his trade
|
|
on Sunday it must be equally wrong for the preacher to
|
|
work at his, since the commandment has made no exception
|
|
in his favor. We buy Monday morning's paper and read it,
|
|
and thus encourage Sunday printing. But I shall never do
|
|
it again.
|
|
|
|
The Germans remember the Sabbath-day to keep it holy,
|
|
by abstaining from work, as commanded; we keep it
|
|
holy by abstaining from work, as commanded, and by
|
|
also abstaining from play, which is not commanded.
|
|
Perhaps we constructively BREAK the command to rest,
|
|
because the resting we do is in most cases only a name,
|
|
and not a fact.
|
|
|
|
These reasonings have sufficed, in a measure, to mend
|
|
the rent in my conscience which I made by traveling to
|
|
Baden-Baden that Sunday. We arrived in time to furbish
|
|
up and get to the English church before services began.
|
|
We arrived in considerable style, too, for the landlord
|
|
had ordered the first carriage that could be found,
|
|
since there was no time to lose, and our coachman was
|
|
so splendidly liveried that we were probably mistaken
|
|
for a brace of stray dukes; why else were we honored
|
|
with a pew all to ourselves, away up among the very elect
|
|
at the left of the chancel? That was my first thought.
|
|
In the pew directly in front of us sat an elderly lady,
|
|
plainly and cheaply dressed; at her side sat a young
|
|
lady with a very sweet face, and she also was quite
|
|
simply dressed; but around us and about us were clothes
|
|
and jewels which it would do anybody's heart good to
|
|
worship in.
|
|
|
|
I thought it was pretty manifest that the elderly lady
|
|
was embarrassed at finding herself in such a conspicuous
|
|
place arrayed in such cheap apparel; I began to feel sorry
|
|
for her and troubled about her. She tried to seem very busy
|
|
with her prayer-book and her responses, and unconscious
|
|
that she was out of place, but I said to myself, "She is
|
|
not succeeding--there is a distressed tremulousness
|
|
in her voice which betrays increasing embarrassment."
|
|
Presently the Savior's name was mentioned, and in her flurry
|
|
she lost her head completely, and rose and courtesied,
|
|
instead of making a slight nod as everybody else did.
|
|
The sympathetic blood surged to my temples and I turned and gave
|
|
those fine birds what I intended to be a beseeching look,
|
|
but my feelings got the better of me and changed it into
|
|
a look which said, "If any of you pets of fortune laugh
|
|
at this poor soul, you will deserve to be flayed for it."
|
|
Things went from bad to worse, and I shortly found myself
|
|
mentally taking the unfriended lady under my protection.
|
|
My mind was wholly upon her. I forgot all about the sermon.
|
|
Her embarrassment took stronger and stronger hold upon her;
|
|
she got to snapping the lid of her smelling-bottle--it
|
|
made a loud, sharp sound, but in her trouble she snapped
|
|
and snapped away, unconscious of what she was doing.
|
|
The last extremity was reached when the collection-plate
|
|
began its rounds; the moderate people threw in pennies,
|
|
the nobles and the rich contributed silver, but she laid
|
|
a twenty-mark gold piece upon the book-rest before her
|
|
with a sounding slap! I said to myself, "She has parted
|
|
with all her little hoard to buy the consideration of these
|
|
unpitying people--it is a sorrowful spectacle." I did not
|
|
venture to look around this time; but as the service closed,
|
|
I said to myself, "Let them laugh, it is their opportunity;
|
|
but at the door of this church they shall see her step
|
|
into our fine carriage with us, and our gaudy coachman
|
|
shall drive her home."
|
|
|
|
Then she rose--and all the congregation stood while she
|
|
walked down the aisle. She was the Empress of Germany!
|
|
|
|
No--she had not been so much embarrassed as I had supposed.
|
|
My imagination had got started on the wrong scent, and that
|
|
is always hopeless; one is sure, then, to go straight
|
|
on misinterpreting everything, clear through to the end.
|
|
The young lady with her imperial Majesty was a maid of
|
|
honor--and I had been taking her for one of her boarders,
|
|
all the time.
|
|
|
|
This is the only time I have ever had an Empress under
|
|
my personal protection; and considering my inexperience,
|
|
I wonder I got through with it so well. I should have
|
|
been a little embarrassed myself if I had known earlier
|
|
what sort of a contract I had on my hands.
|
|
|
|
We found that the Empress had been in Baden-Baden
|
|
several days. It is said that she never attends
|
|
any but the English form of church service.
|
|
|
|
I lay abed and read and rested from my journey's fatigues
|
|
the remainder of that Sunday, but I sent my agent to represent
|
|
me at the afternoon service, for I never allow anything
|
|
to interfere with my habit of attending church twice every
|
|
Sunday.
|
|
|
|
There was a vast crowd in the public grounds that night
|
|
to hear the band play the "Fremersberg." This piece tells
|
|
one of the old legends of the region; how a great noble
|
|
of the Middle Ages got lost in the mountains, and wandered
|
|
about with his dogs in a violent storm, until at last
|
|
the faint tones of a monastery bell, calling the monks
|
|
to a midnight service, caught his ear, and he followed
|
|
the direction the sounds came from and was saved.
|
|
A beautiful air ran through the music, without ceasing,
|
|
sometimes loud and strong, sometimes so soft that it
|
|
could hardly be distinguished--but it was always there;
|
|
it swung grandly along through the shrill whistling
|
|
of the storm-wind, the rattling patter of the rain,
|
|
and the boom and crash of the thunder; it wound soft
|
|
and low through the lesser sounds, the distant ones,
|
|
such as the throbbing of the convent bell, the melodious
|
|
winding of the hunter's horn, the distressed bayings
|
|
of his dogs, and the solemn chanting of the monks;
|
|
it rose again, with a jubilant ring, and mingled itself
|
|
with the country songs and dances of the peasants assembled
|
|
in the convent hall to cheer up the rescued huntsman
|
|
while he ate his supper. The instruments imitated all
|
|
these sounds with a marvelous exactness. More than one
|
|
man started to raise his umbrella when the storm burst
|
|
forth and the sheets of mimic rain came driving by;
|
|
it was hardly possible to keep from putting your hand
|
|
to your hat when the fierce wind began to rage and shriek;
|
|
and it was NOT possible to refrain from starting when
|
|
those sudden and charmingly real thunder-crashes were
|
|
let loose.
|
|
|
|
I suppose the "Fremersberg" is a very low-grade music;
|
|
I know, indeed, that it MUST be low-grade music, because it
|
|
delighted me, warmed me, moved me, stirred me, uplifted me,
|
|
enraptured me, that I was full of cry all the time,
|
|
and mad with enthusiasm. My soul had never had such a
|
|
scouring out since I was born. The solemn and majestic
|
|
chanting of the monks was not done by instruments,
|
|
but by men's voices; and it rose and fell, and rose again
|
|
in that rich confusion of warring sounds, and pulsing bells,
|
|
and the stately swing of that ever-present enchanting air,
|
|
and it seemed to me that nothing but the very lowest
|
|
of low-grade music COULD be so divinely beautiful.
|
|
The great crowd which the "Fremersberg" had called out was
|
|
another evidence that it was low-grade music; for only
|
|
the few are educated up to a point where high-grade music
|
|
gives pleasure. I have never heard enough classic music
|
|
to be able to enjoy it. I dislike the opera because I want
|
|
to love it and can't.
|
|
|
|
I suppose there are two kinds of music--one kind which
|
|
one feels, just as an oyster might, and another sort
|
|
which requires a higher faculty, a faculty which must
|
|
be assisted and developed by teaching. Yet if base music
|
|
gives certain of us wings, why should we want any other?
|
|
But we do. We want it because the higher and better
|
|
like it. We want it without giving it the necessary
|
|
time and trouble; so we climb into that upper tier,
|
|
that dress-circle, by a lie; we PRETEND we like it.
|
|
I know several of that sort of people--and I propose
|
|
to be one of them myself when I get home with my fine
|
|
European education.
|
|
|
|
And then there is painting. What a red rag is to a bull,
|
|
Turner's "Slave Ship" was to me, before I studied art.
|
|
Mr. Ruskin is educated in art up to a point where that
|
|
picture throws him into as mad an ecstasy of pleasure
|
|
as it used to throw me into one of rage, last year,
|
|
when I was ignorant. His cultivation enables him--and me,
|
|
now--to see water in that glaring yellow mud, and natural
|
|
effects in those lurid explosions of mixed smoke and flame,
|
|
and crimson sunset glories; it reconciles him--and me,
|
|
now--to the floating of iron cable-chains and other
|
|
unfloatable things; it reconciles us to fishes swimming
|
|
around on top of the mud--I mean the water. The most of
|
|
the picture is a manifest impossibility--that is to say,
|
|
a lie; and only rigid cultivation can enable a man to find
|
|
truth in a lie. But it enabled Mr. Ruskin to do it,
|
|
and it has enabled me to do it, and I am thankful for it.
|
|
A Boston newspaper reporter went and took a look at the Slave
|
|
Ship floundering about in that fierce conflagration of reds
|
|
and yellows, and said it reminded him of a tortoise-shell
|
|
cat having a fit in a platter of tomatoes. In my then
|
|
uneducated state, that went home to my non-cultivation,
|
|
and I thought here is a man with an unobstructed eye.
|
|
Mr. Ruskin would have said: This person is an ass.
|
|
That is what I would say, now. [1]
|
|
|
|
1. Months after this was written, I happened into the National
|
|
Gallery in London, and soon became so fascinated with the
|
|
Turner pictures that I could hardly get away from the place.
|
|
I went there often, afterward, meaning to see the rest
|
|
of the gallery, but the Turner spell was too strong;
|
|
it could not be shaken off. However, the Turners
|
|
which attracted me most did not remind me of the Slave Ship.
|
|
|
|
However, our business in Baden-Baden this time,
|
|
was to join our courier. I had thought it best
|
|
to hire one, as we should be in Italy, by and by,
|
|
and we did not know the language. Neither did he.
|
|
We found him at the hotel, ready to take charge of us.
|
|
I asked him if he was "all fixed." He said he was.
|
|
That was very true. He had a trunk, two small satchels,
|
|
and an umbrella. I was to pay him fifty-five dollars
|
|
a month and railway fares. On the continent the railway
|
|
fare on a trunk is about the same it is on a man.
|
|
Couriers do not have to pay any board and lodging.
|
|
This seems a great saving to the tourist--at first.
|
|
It does not occur to the tourist that SOMEBODY pays that
|
|
man's board and lodging. It occurs to him by and by,
|
|
however, in one of his lucid moments.
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
[Hunted by the Little Chamois]
|
|
|
|
Next morning we left in the train for Switzerland,
|
|
and reached Lucerne about ten o'clock at night.
|
|
The first discovery I made was that the beauty of the lake
|
|
had not been exaggerated. Within a day or two I made
|
|
another discovery. This was, that the lauded chamois
|
|
is not a wild goat; that it is not a horned animal;
|
|
that it is not shy; that it does not avoid human society;
|
|
and that there is no peril in hunting it. The chamois is
|
|
a black or brown creature no bigger than a mustard seed;
|
|
you do not have to go after it, it comes after you;
|
|
it arrives in vast herds and skips and scampers all over
|
|
your body, inside your clothes; thus it is not shy,
|
|
but extremely sociable; it is not afraid of man, on the
|
|
contrary, it will attack him; its bite is not dangerous,
|
|
but neither is it pleasant; its activity has not been
|
|
overstated --if you try to put your finger on it,
|
|
it will skip a thousand times its own length at one jump,
|
|
and no eye is sharp enough to see where it lights.
|
|
A great deal of romantic nonsense has been written
|
|
about the Swiss chamois and the perils of hunting it,
|
|
whereas the truth is that even women and children
|
|
hunt it, and fearlessly; indeed, everybody hunts it;
|
|
the hunting is going on all the time, day and night,
|
|
in bed and out of it. It is poetic foolishness to hunt
|
|
it with a gun; very few people do that; there is not
|
|
one man in a million who can hit it with a gun.
|
|
It is much easier to catch it that it is to shoot it,
|
|
and only the experienced chamois-hunter can do either.
|
|
Another common piece of exaggeration is that about the
|
|
"scarcity" of the chamois. It is the reverse of scarce.
|
|
Droves of one hundred million chamois are not unusual
|
|
in the Swiss hotels. Indeed, they are so numerous
|
|
as to be a great pest. The romancers always dress up
|
|
the chamois-hunter in a fanciful and picturesque costume,
|
|
whereas the best way to hut this game is to do it without
|
|
any costume at all. The article of commerce called
|
|
chamois-skin is another fraud; nobody could skin a chamois,
|
|
it is too small. The creature is a humbug in every way,
|
|
and everything which has been written about it is
|
|
sentimental exaggeration. It was no pleasure to me to find
|
|
the chamois out, for he had been one of my pet illusions;
|
|
all my life it had been my dream to see him in his native
|
|
wilds some day, and engage in the adventurous sport
|
|
of chasing him from cliff to cliff. It is no pleasure
|
|
to me to expose him, now, and destroy the reader's delight
|
|
in him and respect for him, but still it must be done,
|
|
for when an honest writer discovers an imposition it
|
|
is his simple duty to strip it bare and hurl it down
|
|
from its place of honor, no matter who suffers by it;
|
|
any other course would render him unworthy of the public
|
|
confidence.
|
|
|
|
Lucerne is a charming place. It begins at the water's edge,
|
|
with a fringe of hotels, and scrambles up and spreads
|
|
itself over two or three sharp hills in a crowded,
|
|
disorderly, but picturesque way, offering to the eye
|
|
a heaped-up confusion of red roofs, quaint gables,
|
|
dormer windows, toothpick steeples, with here and there
|
|
a bit of ancient embattled wall bending itself over
|
|
the ridges, worm-fashion, and here and there an old square
|
|
tower of heavy masonry. And also here and there a town
|
|
clock with only one hand--a hand which stretches across
|
|
the dial and has no joint in it; such a clock helps out
|
|
the picture, but you cannot tell the time of day by it.
|
|
Between the curving line of hotels and the lake is a broad
|
|
avenue with lamps and a double rank of low shade trees.
|
|
The lake-front is walled with masonry like a pier,
|
|
and has a railing, to keep people from walking overboard.
|
|
All day long the vehicles dash along the avenue, and nurses,
|
|
children, and tourists sit in the shade of the trees,
|
|
or lean on the railing and watch the schools of fishes
|
|
darting about in the clear water, or gaze out over the lake
|
|
at the stately border of snow-hooded mountains peaks.
|
|
Little pleasure steamers, black with people, are coming
|
|
and going all the time; and everywhere one sees young
|
|
girls and young men paddling about in fanciful rowboats,
|
|
or skimming along by the help of sails when there is any wind.
|
|
The front rooms of the hotels have little railed balconies,
|
|
where one may take his private luncheon in calm,
|
|
cool comfort and look down upon this busy and pretty
|
|
scene and enjoy it without having to do any of the work
|
|
connected with it.
|
|
|
|
Most of the people, both male and female, are in walking
|
|
costume, and carry alpenstocks. Evidently, it is not
|
|
considered safe to go about in Switzerland, even in town,
|
|
without an alpenstock. If the tourist forgets and
|
|
comes down to breakfast without his alpenstock he goes
|
|
back and gets it, and stands it up in the corner.
|
|
When his touring in Switzerland is finished, he does not
|
|
throw that broomstick away, but lugs it home with him,
|
|
to the far corners of the earth, although this costs him
|
|
more trouble and bother than a baby or a courier could.
|
|
You see, the alpenstock is his trophy; his name
|
|
is burned upon it; and if he has climbed a hill,
|
|
or jumped a brook, or traversed a brickyard with it,
|
|
he has the names of those places burned upon it, too.
|
|
Thus it is his regimental flag, so to speak, and bears
|
|
the record of his achievements. It is worth three francs
|
|
when he buys it, but a bonanza could not purchase it
|
|
after his great deeds have been inscribed upon it.
|
|
There are artisans all about Switzerland whose trade it is
|
|
to burn these things upon the alpenstock of the tourist.
|
|
And observe, a man is respected in Switzerland according
|
|
to his alpenstock. I found I could get no attention there,
|
|
while I carried an unbranded one. However, branding is
|
|
not expected, so I soon remedied that. The effect
|
|
upon the next detachment of tourists was very marked.
|
|
I felt repaid for my trouble.
|
|
|
|
Half of the summer horde in Switzerland is made up of
|
|
English people; the other half is made up of many nationalities,
|
|
the Germans leading and the Americans coming next.
|
|
The Americans were not as numerous as I had expected
|
|
they would be.
|
|
|
|
The seven-thirty table d'ho^te at the great Schweitzerhof
|
|
furnished a mighty array and variety of nationalities,
|
|
but it offered a better opportunity to observe costumes
|
|
than people, for the multitude sat at immensely long tables,
|
|
and therefore the faces were mainly seen in perspective;
|
|
but the breakfasts were served at small round tables,
|
|
and then if one had the fortune to get a table in the
|
|
midst of the assemblage he could have as many faces
|
|
to study as he could desire. We used to try to guess out
|
|
the nationalities, and generally succeeded tolerably well.
|
|
Sometimes we tried to guess people's names; but that was
|
|
a failure; that is a thing which probably requires a good
|
|
deal of practice. We presently dropped it and gave our
|
|
efforts to less difficult particulars. One morning I
|
|
said:
|
|
|
|
"There is an American party."
|
|
|
|
Harris said:
|
|
|
|
"Yes--but name the state."
|
|
|
|
I named one state, Harris named another. We agreed upon
|
|
one thing, however--that the young girl with the party
|
|
was very beautiful, and very tastefully dressed.
|
|
But we disagreed as to her age. I said she was eighteen,
|
|
Harris said she was twenty. The dispute between us
|
|
waxed warm, and I finally said, with a pretense of being
|
|
in earnest:
|
|
|
|
"Well, there is one way to settle the matter--I will go
|
|
and ask her."
|
|
|
|
Harris said, sarcastically, "Certainly, that is the thing
|
|
to do. All you need to do is to use the common formula
|
|
over here: go and say, 'I'm an American!' Of course she
|
|
will be glad to see you."
|
|
|
|
Then he hinted that perhaps there was no great danger
|
|
of my venturing to speak to her.
|
|
|
|
I said, "I was only talking--I didn't intend to approach her,
|
|
but I see that you do not know what an intrepid person
|
|
I am. I am not afraid of any woman that walks.
|
|
I will go and speak to this young girl."
|
|
|
|
The thing I had in my mind was not difficult.
|
|
I meant to address her in the most respectful way and ask
|
|
her to pardon me if her strong resemblance to a former
|
|
acquaintance of mine was deceiving me; and when she should
|
|
reply that the name I mentioned was not the name she bore,
|
|
I meant to beg pardon again, most respectfully, and retire.
|
|
There would be no harm done. I walked to her table,
|
|
bowed to the gentleman, then turned to her and was about
|
|
to begin my little speech when she exclaimed:
|
|
|
|
"I KNEW I wasn't mistaken--I told John it was you!
|
|
John said it probably wasn't, but I knew I was right.
|
|
I said you would recognize me presently and come over;
|
|
and I'm glad you did, for I shouldn't have felt much flattered
|
|
if you had gone out of this room without recognizing me.
|
|
Sit down, sit down--how odd it is--you are the last person I
|
|
was ever expecting to see again."
|
|
|
|
This was a stupefying surprise. It took my wits
|
|
clear away, for an instant. However, we shook hands
|
|
cordially all around, and I sat down. But truly this
|
|
was the tightest place I ever was in. I seemed to vaguely
|
|
remember the girl's face, now, but I had no idea where I
|
|
had seen it before, or what named belonged with it.
|
|
I immediately tried to get up a diversion about Swiss scenery,
|
|
to keep her from launching into topics that might
|
|
betray that I did not know her, but it was of no use,
|
|
she went right along upon matters which interested her more:
|
|
|
|
"Oh dear, what a night that was, when the sea washed
|
|
the forward boats away--do you remember it?"
|
|
|
|
"Oh, DON'T I!" said I--but I didn't. I wished the sea
|
|
had washed the rudder and the smoke-stack and the captain
|
|
away--then I could have located this questioner.
|
|
|
|
"And don't you remember how frightened poor Mary was,
|
|
and how she cried?"
|
|
|
|
"Indeed I do!" said I. "Dear me, how it all comes back!"
|
|
|
|
I fervently wished it WOULD come back--but my memory was
|
|
a blank. The wise way would have been to frankly own up;
|
|
but I could not bring myself to do that, after the young
|
|
girl had praised me so for recognizing her; so I went on,
|
|
deeper and deeper into the mire, hoping for a chance clue
|
|
but never getting one. The Unrecognizable continued,
|
|
with vivacity:
|
|
|
|
"Do you know, George married Mary, after all?"
|
|
|
|
"Why, no! Did he?"
|
|
|
|
"Indeed he did. He said he did not believe she was half
|
|
as much to blame as her father was, and I thought he
|
|
was right. Didn't you?"
|
|
|
|
"Of course he was. It was a perfectly plain case.
|
|
I always said so."
|
|
|
|
"Why, no you didn't!--at least that summer."
|
|
|
|
"Oh, no, not that summer. No, you are perfectly right
|
|
about that. It was the following winter that I said it."
|
|
|
|
"Well, as it turned out, Mary was not in the least
|
|
to blame --it was all her father's fault--at least
|
|
his and old Darley's."
|
|
|
|
It was necessary to say something--so I said:
|
|
|
|
"I always regarded Darley as a troublesome old thing."
|
|
|
|
"So he was, but then they always had a great affection
|
|
for him, although he had so many eccentricities.
|
|
You remember that when the weather was the least cold,
|
|
he would try to come into the house."
|
|
|
|
I was rather afraid to proceed. Evidently Darley wa not
|
|
a man--he must be some other kind of animal--possibly
|
|
a dog, maybe an elephant. However, tails are common
|
|
to all animals, so I ventured to say:
|
|
|
|
"And what a tail he had!"
|
|
|
|
"ONE! He had a thousand!"
|
|
|
|
This was bewildering. I did not quite know what to say,
|
|
so I only said:
|
|
|
|
"Yes, he WAS rather well fixed in the matter of tails."
|
|
|
|
"For a negro, and a crazy one at that, I should say he was,"
|
|
said she.
|
|
|
|
It was getting pretty sultry for me. I said to myself,
|
|
"Is it possible she is going to stop there, and wait for
|
|
me to speak? If she does, the conversation is blocked.
|
|
A negro with a thousand tails is a topic which a person
|
|
cannot talk upon fluently and instructively without more
|
|
or less preparation. As to diving rashly into such a
|
|
vast subject--"
|
|
|
|
But here, to my gratitude, she interrupted my thoughts
|
|
by saying:
|
|
|
|
"Yes, when it came to tales of his crazy woes, there was
|
|
simply no end to them if anybody would listen. His own
|
|
quarters were comfortable enough, but when the weather
|
|
was cold, the family were sure to have his company--nothing
|
|
could keep him out of the house. But they always bore it
|
|
kindly because he had saved Tom's life, years before.
|
|
You remember Tom?
|
|
|
|
"Oh, perfectly. Fine fellow he was, too."
|
|
|
|
"Yes he was. And what a pretty little thing his child was!"
|
|
|
|
"You may well say that. I never saw a prettier child."
|
|
|
|
"I used to delight to pet it and dandle it and play
|
|
with it."
|
|
|
|
"So did I."
|
|
|
|
"You named it. What WAS that name? I can't call it
|
|
to mind."
|
|
|
|
It appeared to me that the ice was getting pretty
|
|
thin, here. I would have given something to know
|
|
what the child's was. However, I had the good luck
|
|
to think of a name that would fit either sex--so I brought it
|
|
out:
|
|
|
|
"I named it Frances."
|
|
|
|
"From a relative, I suppose? But you named the one that died,
|
|
too--one that I never saw. What did you call that one?"
|
|
|
|
I was out of neutral names, but as the child was dead
|
|
and she had never seen it, I thought I might risk a name
|
|
for it and trust to luck. Therefore I said:
|
|
|
|
"I called that one Thomas Henry."
|
|
|
|
She said, musingly:
|
|
|
|
"That is very singular ... very singular."
|
|
|
|
I sat still and let the cold sweat run down. I was
|
|
in a good deal of trouble, but I believed I could worry
|
|
through if she wouldn't ask me to name any more children.
|
|
I wondered where the lightning was going to strike next.
|
|
She was still ruminating over that last child's title,
|
|
but presently she said:
|
|
|
|
"I have always been sorry you were away at the time--I
|
|
would have had you name my child."
|
|
|
|
"YOUR child! Are you married?"
|
|
|
|
"I have been married thirteen years."
|
|
|
|
"Christened, you mean."
|
|
|
|
`"No, married. The youth by your side is my son."
|
|
|
|
"It seems incredible--even impossible. I do not mean
|
|
any harm by it, but would you mind telling me if you
|
|
are any over eighteen?--that is to say, will you tell
|
|
me how old you are?"
|
|
|
|
"I was just nineteen the day of the storm we were
|
|
talking about. That was my birthday."
|
|
|
|
That did not help matters, much, as I did not know
|
|
the date of the storm. I tried to think of some
|
|
non-committal thing to say, to keep up my end of the talk,
|
|
and render my poverty in the matter of reminiscences
|
|
as little noticeable as possible, but I seemed to be
|
|
about out of non-committal things. I was about to say,
|
|
"You haven't changed a bit since then"--but that was risky.
|
|
I thought of saying, "You have improved ever so much
|
|
since then"--but that wouldn't answer, of course.
|
|
I was about to try a shy at the weather, for a saving change,
|
|
when the girl slipped in ahead of me and said:
|
|
|
|
"How I have enjoyed this talk over those happy old times--
|
|
haven't you?"
|
|
|
|
"I never have spent such a half-hour in all my life before!"
|
|
said I, with emotion; and I could have added, with a
|
|
near approach to truth, "and I would rather be scalped
|
|
than spend another one like it." I was holily grateful
|
|
to be through with the ordeal, and was about to make
|
|
my good-bys and get out, when the girl said:
|
|
|
|
"But there is one thing that is ever so puzzling to me."
|
|
|
|
"Why, what is that?"
|
|
|
|
"That dead child's name. What did you say it was?"
|
|
|
|
Here was another balmy place to be in: I had forgotten the
|
|
child's name; I hadn't imagined it would be needed again.
|
|
However, I had to pretend to know, anyway, so I said:
|
|
|
|
"Joseph William."
|
|
|
|
The youth at my side corrected me, and said:
|
|
|
|
"No, Thomas Henry."
|
|
|
|
I thanked him--in words--and said, with trepidation:
|
|
|
|
"O yes--I was thinking of another child that I named--I
|
|
have named a great many, and I get them confused--this
|
|
one was named Henry Thompson--"
|
|
|
|
"Thomas Henry," calmly interposed the boy.
|
|
|
|
I thanked him again--strictly in words--and stammered
|
|
out:
|
|
|
|
"Thomas Henry--yes, Thomas Henry was the poor child's name.
|
|
I named him for Thomas--er--Thomas Carlyle, the great author,
|
|
you know--and Henry--er--er--Henry the Eight. The parents
|
|
were very grateful to have a child named Thomas Henry."
|
|
|
|
"That makes it more singular than ever," murmured my
|
|
beautiful friend.
|
|
|
|
"Does it? Why?"
|
|
|
|
"Because when the parents speak of that child now,
|
|
they always call it Susan Amelia."
|
|
|
|
That spiked my gun. I could not say anything. I was entirely
|
|
out of verbal obliquities; to go further would be to lie,
|
|
and that I would not do; so I simply sat still and suffered
|
|
--sat mutely and resignedly there, and sizzled--for I
|
|
was being slowly fried to death in my own blushes.
|
|
Presently the enemy laughed a happy laugh and said:
|
|
|
|
"I HAVE enjoyed this talk over old times, but you have not.
|
|
I saw very soon that you were only pretending to know me,
|
|
and so as I had wasted a compliment on you in the beginning,
|
|
I made up my mind to punish you. And I have succeeded
|
|
pretty well. I was glad to see that you knew George and Tom
|
|
and Darley, for I had never heard of them before and therefore
|
|
could not be sure that you had; and I was glad to learn
|
|
the names of those imaginary children, too. One can get
|
|
quite a fund of information out of you if one goes at
|
|
it cleverly. Mary and the storm, and the sweeping away
|
|
of the forward boats, were facts--all the rest was fiction.
|
|
Mary was my sister; her full name was Mary ------. NOW
|
|
do you remember me?"
|
|
|
|
"Yes," I said, "I do remember you now; and you are as
|
|
hard-headed as you were thirteen years ago in that ship,
|
|
else you wouldn't have punished me so. You haven't
|
|
change your nature nor your person, in any way at all;
|
|
you look as young as you did then, you are just as beautiful
|
|
as you were then, and you have transmitted a deal
|
|
of your comeliness to this fine boy. There--if that
|
|
speech moves you any, let's fly the flag of truce,
|
|
with the understanding that I am conquered and confess it."
|
|
|
|
All of which was agreed to and accomplished, on the spot.
|
|
When I went back to Harris, I said:
|
|
|
|
"Now you see what a person with talent and address can do."
|
|
|
|
"Excuse me, I see what a person of colossal ignorance and
|
|
simplicity can do. The idea of your going and intruding
|
|
on a party of strangers, that way, and talking for half
|
|
an hour; why I never heard of a man in his right mind
|
|
doing such a thing before. What did you say to them?"
|
|
|
|
I never said any harm. I merely asked the girl what her
|
|
name was."
|
|
|
|
"I don't doubt it. Upon my word I don't. I think you
|
|
were capable of it. It was stupid in me to let you go
|
|
over there and make such an exhibition of yourself.
|
|
But you know I couldn't really believe you would do such
|
|
an inexcusable thing. What will those people think
|
|
of us? But how did you say it?--I mean the manner of it.
|
|
I hope you were not abrupt."
|
|
|
|
"No, I was careful about that. I said, 'My friend and I
|
|
would like to know what your name is, if you don't mind.'"
|
|
|
|
"No, that was not abrupt. There is a polish about it that
|
|
does you infinite credit. And I am glad you put me in;
|
|
that was a delicate attention which I appreciate at its
|
|
full value. What did she do?"
|
|
|
|
"She didn't do anything in particular. She told me
|
|
her name."
|
|
|
|
"Simply told you her name. Do you mean to say she did
|
|
not show any surprise?"
|
|
|
|
"Well, now I come to think, she did show something;
|
|
maybe it was surprise; I hadn't thought of that--I took
|
|
it for gratification."
|
|
|
|
"Oh, undoubtedly you were right; it must have been gratification;
|
|
it could not be otherwise than gratifying to be assaulted
|
|
by a stranger with such a question as that. Then what did you
|
|
do?"
|
|
|
|
"I offered my hand and the party gave me a shake."
|
|
|
|
"I saw it! I did not believe my own eyes, at the time.
|
|
Did the gentleman say anything about cutting your throat?"
|
|
|
|
"No, they all seemed glad to see me, as far as I could judge."
|
|
|
|
"And do you know, I believe they were. I think they said
|
|
to themselves, 'Doubtless this curiosity has got away from
|
|
his keeper--let us amuse ourselves with him.' There is
|
|
no other way of accounting for their facile docility.
|
|
You sat down. Did they ASK you to sit down?"
|
|
|
|
"No, they did not ask me, but I suppose they did not think
|
|
of it."
|
|
|
|
"You have an unerring instinct. What else did you do?
|
|
What did you talk about?"
|
|
|
|
"Well, I asked the girl how old she was."
|
|
|
|
"UNdoubtedly. Your delicacy is beyond praise. Go on,
|
|
go on--don't mind my apparent misery--I always look
|
|
so when I am steeped in a profound and reverent joy.
|
|
Go on--she told you her age?"
|
|
|
|
"Yes, she told me her age, and all about her mother,
|
|
and her grandmother, and her other relations, and all
|
|
about herself."
|
|
|
|
"Did she volunteer these statistics?"
|
|
|
|
"No, not exactly that. I asked the questions and she
|
|
answered them."
|
|
|
|
"This is divine. Go on--it is not possible that you
|
|
forgot to inquire into her politics?"
|
|
|
|
"No, I thought of that. She is a democrat, her husband
|
|
is a republican, and both of them are Baptists."
|
|
|
|
"Her husband? Is that child married?"
|
|
|
|
"She is not a child. She is married, and that is her
|
|
husband who is there with her."
|
|
|
|
"Has she any children."
|
|
|
|
"Yes--seven and a half."
|
|
|
|
"That is impossible."
|
|
|
|
"No, she has them. She told me herself."
|
|
|
|
"Well, but seven and a HALF? How do you make out the half?
|
|
Where does the half come in?"
|
|
|
|
"There is a child which she had by another husband--
|
|
not this one but another one--so it is a stepchild,
|
|
and they do not count in full measure."
|
|
|
|
"Another husband? Has she another husband?"
|
|
|
|
"Yes, four. This one is number four."
|
|
|
|
"I don't believe a word of it. It is impossible,
|
|
upon its face. Is that boy there her brother?"
|
|
|
|
"No, that is her son. He is her youngest. He is not
|
|
as old as he looked; he is only eleven and a half."
|
|
|
|
"These things are all manifestly impossible. This is a
|
|
wretched business. It is a plain case: they simply took
|
|
your measure, and concluded to fill you up. They seem
|
|
to have succeeded. I am glad I am not in the mess;
|
|
they may at least be charitable enough to think there
|
|
ain't a pair of us. Are they going to stay here long?"
|
|
|
|
"No, they leave before noon."
|
|
|
|
"There is one man who is deeply grateful for that.
|
|
How did you find out? You asked, I suppose?"
|
|
|
|
"No, along at first I inquired into their plans, in a
|
|
general way, and they said they were going to be here
|
|
a week, and make trips round about; but toward the end
|
|
of the interview, when I said you and I would tour around
|
|
with them with pleasure, and offered to bring you over
|
|
and introduce you, they hesitated a little, and asked
|
|
if you were from the same establishment that I was.
|
|
I said you were, and then they said they had changed
|
|
their mind and considered it necessary to start at once
|
|
and visit a sick relative in Siberia."
|
|
|
|
"Ah, me, you struck the summit! You struck the loftiest
|
|
altitude of stupidity that human effort has ever reached.
|
|
You shall have a monument of jackasses' skulls as high
|
|
as the Strasburg spire if you die before I do.
|
|
They wanted to know I was from the same 'establishment'
|
|
that you hailed from, did they? What did they mean by
|
|
'establishment'?"
|
|
|
|
"I don't know; it never occurred to me to ask."
|
|
|
|
"Well _I_ know. they meant an asylum--an IDIOT asylum,
|
|
do you understand? So they DO think there's a pair of us,
|
|
after all. Now what do you think of yourself?"
|
|
|
|
"Well, I don't know. I didn't know I was doing any harm;
|
|
I didn't MEAN to do any harm. They were very nice people,
|
|
and they seemed to like me."
|
|
|
|
Harris made some rude remarks and left for his bedroom--
|
|
to break some furniture, he said. He was a singularly
|
|
irascible man; any little thing would disturb his temper.
|
|
|
|
I had been well scorched by the young woman, but no matter,
|
|
I took it out on Harris. One should always "get even"
|
|
in some way, else the sore place will go on hurting.
|
|
|
|
|
|
|
|
CHAPTER XXVI
|
|
[The Nest of the Cuckoo-clock]
|
|
|
|
The Hofkirche is celebrated for its organ concerts.
|
|
All summer long the tourists flock to that church about six
|
|
o'clock in the evening, and pay their franc, and listen
|
|
to the noise. They don't stay to hear all of it, but get up
|
|
and tramp out over the sounding stone floor, meeting late
|
|
comers who tramp in in a sounding and vigorous way.
|
|
This tramping back and forth is kept up nearly all the time,
|
|
and is accented by the continuous slamming of the door,
|
|
and the coughing and barking and sneezing of the crowd.
|
|
Meantime, the big organ is booming and crashing and
|
|
thundering away, doing its best to prove that it is
|
|
the biggest and best organ in Europe, and that a tight
|
|
little box of a church is the most favorable place
|
|
to average and appreciate its powers in. It is true,
|
|
there were some soft and merciful passages occasionally,
|
|
but the tramp-tramp of the tourists only allowed one to get
|
|
fitful glimpses of them, so to speak. Then right away
|
|
the organist would let go another avalanche.
|
|
|
|
The commerce of Lucerne consists mainly in gimcrackery of the
|
|
souvenir sort; the shops are packed with Alpine crystals,
|
|
photographs of scenery, and wooden and ivory carvings.
|
|
I will not conceal the fact that miniature figures of the
|
|
Lion of Lucerne are to be had in them. Millions of them.
|
|
But they are libels upon him, every one of them.
|
|
There is a subtle something about the majestic pathos
|
|
of the original which the copyist cannot get. Even the sun
|
|
fails to get it; both the photographer and the carver give
|
|
you a dying lion, and that is all. The shape is right,
|
|
the attitude is right, the proportions are right, but that
|
|
indescribable something which makes the Lion of Lucerne
|
|
the most mournful and moving piece of stone in the world,
|
|
is wanting.
|
|
|
|
The Lion lies in his lair in the perpendicular face of a low
|
|
cliff--for he is carved from the living rock of the cliff.
|
|
His size is colossal, his attitude is noble. How head
|
|
is bowed, the broken spear is sticking in his shoulder,
|
|
his protecting paw rests upon the lilies of France.
|
|
Vines hang down the cliff and wave in the wind, and a clear
|
|
stream trickles from above and empties into a pond at the base,
|
|
and in the smooth surface of the pond the lion is mirrored,
|
|
among the water-lilies.
|
|
|
|
Around about are green trees and grass. The place is
|
|
a sheltered, reposeful woodland nook, remote from noise
|
|
and stir and confusion--and all this is fitting, for lions
|
|
do die in such places, and not on granite pedestals
|
|
in public squares fenced with fancy iron railings.
|
|
The Lion of Lucerne would be impressive anywhere,
|
|
but nowhere so impressive as where he is.
|
|
|
|
Martyrdom is the luckiest fate that can befall some people.
|
|
Louis XVI did not die in his bed, consequently history is
|
|
very gentle with him; she is charitable toward his failings,
|
|
and she finds in him high virtues which are not usually
|
|
considered to be virtues when they are lodged in kings.
|
|
She makes him out to be a person with a meek and modest
|
|
spirit, the heart of a female saint, and a wrong head.
|
|
None of these qualities are kingly but the last.
|
|
Taken together they make a character which would have fared
|
|
harshly at the hands of history if its owner had had the ill
|
|
luck to miss martyrdom. With the best intentions to do
|
|
the right thing, he always managed to do the wrong one.
|
|
Moreover, nothing could get the female saint out of him.
|
|
He knew, well enough, that in national emergencies he must
|
|
not consider how he ought to act, as a man, but how he
|
|
ought to act as a king; so he honestly tried to sink
|
|
the man and be the king--but it was a failure, he only
|
|
succeeded in being the female saint. He was not instant
|
|
in season, but out of season. He could not be persuaded
|
|
to do a thing while it could do any good--he was iron,
|
|
he was adamant in his stubbornness then--but as soon as
|
|
the thing had reached a point where it would be positively
|
|
harmful to do it, do it he would, and nothing could
|
|
stop him. He did not do it because it would be harmful,
|
|
but because he hoped it was not yet too late to achieve
|
|
by it the good which it would have done if applied earlier.
|
|
His comprehension was always a train or two behindhand.
|
|
If a national toe required amputating, he could not see
|
|
that it needed anything more than poulticing; when others
|
|
saw that the mortification had reached the knee, he first
|
|
perceived that the toe needed cutting off--so he cut it off;
|
|
and he severed the leg at the knee when others saw that the
|
|
disease had reached the thigh. He was good, and honest,
|
|
and well meaning, in the matter of chasing national diseases,
|
|
but he never could overtake one. As a private man,
|
|
he would have been lovable; but viewed as a king, he was
|
|
strictly contemptible.
|
|
|
|
His was a most unroyal career, but the most pitiable
|
|
spectacle in it was his sentimental treachery to his
|
|
Swiss guard on that memorable 10th of August, when he
|
|
allowed those heroes to be massacred in his cause,
|
|
and forbade them to shed the "sacred French blood"
|
|
purporting to be flowing in the veins of the red-capped
|
|
mob of miscreants that was raging around the palace.
|
|
He meant to be kingly, but he was only the female saint
|
|
once more. Some of his biographers think that upon this
|
|
occasion the spirit of Saint Louis had descended upon him.
|
|
It must have found pretty cramped quarters. If Napoleon
|
|
the First had stood in the shoes of Louis XVI that day,
|
|
instead of being merely a casual and unknown looker-on,
|
|
there would be no Lion of Lucerne, now, but there would
|
|
be a well-stocked Communist graveyard in Paris which would
|
|
answer just as well to remember the 10th of August by.
|
|
|
|
Martyrdom made a saint of Mary Queen of Scots three
|
|
hundred years ago, and she has hardly lost all of her
|
|
saintship yet. Martyrdom made a saint of the trivial
|
|
and foolish Marie Antoinette, and her biographers still
|
|
keep her fragrant with the odor of sanctity to this day,
|
|
while unconsciously proving upon almost every page they write
|
|
that the only calamitous instinct which her husband lacked,
|
|
she supplied--the instinct to root out and get rid of
|
|
an honest, able, and loyal official, wherever she found him.
|
|
The hideous but beneficent French Revolution would have
|
|
been deferred, or would have fallen short of completeness,
|
|
or even might not have happened at all, if Marie
|
|
Antoinette had made the unwise mistake of not being born.
|
|
The world owes a great deal to the French Revolution,
|
|
and consequently to its two chief promoters, Louis the
|
|
Poor in Spirit and his queen.
|
|
|
|
We did not buy any wooden images of the Lion, nor any ivory
|
|
or ebony or marble or chalk or sugar or chocolate ones,
|
|
or even any photographic slanders of him. The truth is,
|
|
these copies were so common, so universal, in the shops
|
|
and everywhere, that they presently became as intolerable
|
|
to the wearied eye as the latest popular melody usually
|
|
becomes to the harassed ear. In Lucerne, too, the wood
|
|
carvings of other sorts, which had been so pleasant to look
|
|
upon when one saw them occasionally at home, soon began
|
|
to fatigue us. We grew very tired of seeing wooden quails
|
|
and chickens picking and struting around clock-faces,
|
|
and still more tired of seeing wooden images of the alleged
|
|
chamois skipping about wooden rocks, or lying upon them
|
|
in family groups, or peering alertly up from behind them.
|
|
The first day, I would have bought a hundred and fifty
|
|
of these clocks if I had the money--and I did buy three--
|
|
but on the third day the disease had run its course,
|
|
I had convalesced, and was in the market once more--trying
|
|
to sell. However, I had no luck; which was just as well,
|
|
for the things will be pretty enough, no doubt, when I get
|
|
them home.
|
|
|
|
For years my pet aversion had been the cuckoo clock;
|
|
now here I was, at last, right in the creature's home;
|
|
so wherever I went that distressing "HOO'hoo! HOO'hoo!
|
|
HOO'hoo!" was always in my ears. For a nervous man,
|
|
this was a fine state of things. Some sounds are hatefuler
|
|
than others, but no sound is quite so inane, and silly,
|
|
and aggravating as the "HOO'hoo" of a cuckoo clock, I think.
|
|
I bought one, and am carrying it home to a certain person;
|
|
for I have always said that if the opportunity ever happened,
|
|
I would do that man an ill turn. What I meant, was, that I
|
|
would break one of his legs, or something of that sort;
|
|
but in Lucerne I instantly saw that I could impair his mind.
|
|
That would be more lasting, and more satisfactory every way.
|
|
So I bought the cuckoo clock; and if I ever get home
|
|
with it, he is "my meat," as they say in the mines.
|
|
I thought of another candidate--a book-reviewer whom
|
|
I could name if I wanted to--but after thinking
|
|
it over, I didn't buy him a clock. I couldn't injure
|
|
his mind.
|
|
|
|
We visited the two long, covered wooden bridges which span
|
|
the green and brilliant Reuss just below where it goes
|
|
plunging and hurrahing out of the lake. These rambling,
|
|
sway-backed tunnels are very attractive things, with their
|
|
alcoved outlooks upon the lovely and inspiriting water.
|
|
They contain two or three hundred queer old pictures,
|
|
by old Swiss masters--old boss sign-painters, who flourished
|
|
before the decadence of art.
|
|
|
|
The lake is alive with fishes, plainly visible to the eye,
|
|
for the water is very clear. The parapets in front of the
|
|
hotels were usually fringed with fishers of all ages.
|
|
One day I thought I would stop and see a fish caught.
|
|
The result brought back to my mind, very forcibly,
|
|
a circumstance which I had not thought of before for
|
|
twelve years. This one:
|
|
|
|
THE MAN WHO PUT UP AT GADSBY'S
|
|
|
|
When my odd friend Riley and I were newspaper correspondents
|
|
in Washington, in the winter of '67, we were coming down
|
|
Pennsylvania Avenue one night, near midnight, in a driving
|
|
storm of snow, when the flash of a street-lamp fell upon a man
|
|
who was eagerly tearing along in the opposite direction.
|
|
This is lucky! You are Mr. Riley, ain't you?"
|
|
|
|
Riley was the most self-possessed and solemnly deliberate
|
|
person in the republic. He stopped, looked his man
|
|
over from head to foot, and finally said:
|
|
|
|
"I am Mr. Riley. Did you happen to be looking for me?"
|
|
|
|
"That's just what I was doing," said the man, joyously,
|
|
"and it's the biggest luck in the world that I've found you.
|
|
My name is Lykins. I'm one of the teachers of the high
|
|
school--San Francisco. As soon as I heard the San Francisco
|
|
postmastership was vacant, I made up my mind to get it--and here
|
|
I am."
|
|
|
|
"Yes," said Riley, slowly, "as you have remarked ...
|
|
Mr. Lykins ... here you are. And have you got it?"
|
|
|
|
"Well, not exactly GOT it, but the next thing to it.
|
|
I've brought a petition, signed by the Superintendent
|
|
of Public Instruction, and all the teachers, and by more
|
|
than two hundred other people. Now I want you, if you'll
|
|
be so good, to go around with me to the Pacific delegation,
|
|
for I want to rush this thing through and get along home."
|
|
|
|
"If the matter is so pressing, you will prefer that we
|
|
visit the delegation tonight," said Riley, in a voice
|
|
which had nothing mocking in it--to an unaccustomed ear.
|
|
|
|
"Oh, tonight, by all means! I haven't got any time to
|
|
fool around. I want their promise before I go to bed--
|
|
I ain't the talking kind, I'm the DOING kind!"
|
|
|
|
"Yes ... you've come to the right place for that.
|
|
When did you arrive?"
|
|
|
|
"Just an hour ago."
|
|
|
|
"When are you intending to leave?"
|
|
|
|
"For New York tomorrow evening--for San Francisco
|
|
next morning."
|
|
|
|
"Just so.... What are you going to do tomorrow?"
|
|
|
|
"DO! Why, I've got to go to the President with the petition
|
|
and the delegation, and get the appointment, haven't I?"
|
|
|
|
"Yes ... very true ... that is correct. And then what?"
|
|
|
|
"Executive session of the Senate at 2 P.M.--got to get
|
|
the appointment confirmed--I reckon you'll grant that?"
|
|
|
|
"Yes ... yes," said Riley, meditatively, "you are
|
|
right again. Then you take the train for New York in
|
|
the evening, and the steamer for San Francisco next morning?"
|
|
|
|
"That's it--that's the way I map it out!"
|
|
|
|
Riley considered a while, and then said:
|
|
|
|
"You couldn't stay ... a day ... well, say two
|
|
days longer?"
|
|
|
|
"Bless your soul, no! It's not my style. I ain't a man
|
|
to go fooling around--I'm a man that DOES things,
|
|
I tell you."
|
|
|
|
The storm was raging, the thick snow blowing in gusts.
|
|
Riley stood silent, apparently deep in a reverie,
|
|
during a minute or more, then he looked up and said:
|
|
|
|
"Have you ever heard about that man who put up at Gadsby's,
|
|
once? ... But I see you haven't."
|
|
|
|
He backed Mr. Lykins against an iron fence, buttonholed him,
|
|
fastened him with his eye, like the Ancient Mariner,
|
|
and proceeded to unfold his narrative as placidly
|
|
and peacefully as if we were all stretched comfortably
|
|
in a blossomy summer meadow instead of being persecuted
|
|
by a wintry midnight tempest:
|
|
|
|
"I will tell you about that man. It was in Jackson's time.
|
|
Gadsby's was the principal hotel, then. Well, this man
|
|
arrived from Tennessee about nine o'clock, one morning,
|
|
with a black coachman and a splendid four-horse carriage and
|
|
an elegant dog, which he was evidently fond of and proud of;
|
|
he drove up before Gadsby's, and the clerk and the landlord
|
|
and everybody rushed out to take charge of him, but he said,
|
|
'Never mind,' and jumped out and told the coachman
|
|
to wait--said he hadn't time to take anything to eat,
|
|
he only had a little claim against the government to collect,
|
|
would run across the way, to the Treasury, and fetch
|
|
the money, and then get right along back to Tennessee,
|
|
for he was in considerable of a hurry.
|
|
|
|
"Well, about eleven o'clock that night he came back
|
|
and ordered a bed and told them to put the horses
|
|
up--said he would collect the claim in the morning.
|
|
This was in January, you understand--January, 1834--
|
|
the 3d of January--Wednesday.
|
|
|
|
"Well, on the 5th of February, he sold the fine carriage,
|
|
and bought a cheap second-hand one--said it would answer
|
|
just as well to take the money home in, and he didn't care
|
|
for style.
|
|
|
|
"On the 11th of August he sold a pair of the fine horses--
|
|
said he'd often thought a pair was better than four,
|
|
to go over the rough mountain roads with where a body
|
|
had to be careful about his driving--and there wasn't
|
|
so much of his claim but he could lug the money home
|
|
with a pair easy enough.
|
|
|
|
"On the 13th of December he sold another horse--said
|
|
two warn't necessary to drag that old light vehicle
|
|
with--in fact, one could snatch it along faster than
|
|
was absolutely necessary, now that it was good solid
|
|
winter weather and the roads in splendid condition.
|
|
|
|
"On the 17th of February, 1835, he sold the old carriage
|
|
and bought a cheap second-hand buggy--said a buggy
|
|
was just the trick to skim along mushy, slushy early
|
|
spring roads with, and he had always wanted to try
|
|
a buggy on those mountain roads, anyway.
|
|
|
|
"On the 1st August he sold the buggy and bought the
|
|
remains of an old sulky--said he just wanted to see
|
|
those green Tennesseans stare and gawk when they saw
|
|
him come a-ripping along in a sulky--didn't believe
|
|
they'd ever heard of a sulky in their lives.
|
|
|
|
"Well, on the 29th of August he sold his colored
|
|
coachman--said he didn't need a coachman for a sulky--
|
|
wouldn't be room enough for two in it anyway--and,
|
|
besides, it wasn't every day that Providence sent a man
|
|
a fool who was willing to pay nine hundred dollars for
|
|
such a third-rate negro as that--been wanting to get
|
|
rid of the creature for years, but didn't like to THROW him away.
|
|
|
|
|
|
"Eighteen months later--that is to say, on the 15th
|
|
of February, 1837--he sold the sulky and bought
|
|
a saddle--said horseback-riding was what the doctor
|
|
had always recommended HIM to take, and dog'd if he
|
|
wanted to risk HIS neck going over those mountain roads
|
|
on wheels in the dead of winter, not if he knew himself.
|
|
|
|
"On the 9th of April he sold the saddle--said he wasn't
|
|
going to risk HIS life with any perishable saddle-girth
|
|
that ever was made, over a rainy, miry April road,
|
|
while he could ride bareback and know and feel he was
|
|
safe--always HAD despised to ride on a saddle, anyway.
|
|
|
|
"On the 24th of April he sold his horse--said 'I'm just
|
|
fifty-seven today, hale and hearty--it would be a PRETTY
|
|
howdy-do for me to be wasting such a trip as that and such
|
|
weather as this, on a horse, when there ain't anything
|
|
in the world so splendid as a tramp on foot through
|
|
the fresh spring woods and over the cheery mountains,
|
|
to a man that IS a man--and I can make my dog carry my
|
|
claim in a little bundle, anyway, when it's collected.
|
|
So tomorrow I'll be up bright and early, make my little
|
|
old collection, and mosey off to Tennessee, on my own
|
|
hind legs, with a rousing good-by to Gadsby's.'
|
|
|
|
"On the 22d of June he sold his dog--said 'Dern a dog,
|
|
anyway, where you're just starting off on a rattling bully
|
|
pleasure tramp through the summer woods and hills--perfect
|
|
nuisance--chases the squirrels, barks at everything,
|
|
goes a-capering and splattering around in the fords--
|
|
man can't get any chance to reflect and enjoy nature--
|
|
and I'd a blamed sight ruther carry the claim myself,
|
|
it's a mighty sight safer; a dog's mighty uncertain
|
|
in a financial way- -always noticed it--well, GOOD-by,
|
|
boys--last call--I'm off for Tennessee with a good
|
|
leg and a gay heart, early in the morning.'"
|
|
|
|
There was a pause and a silence--except the noise
|
|
of the wind and the pelting snow. Mr. Lykins said,
|
|
impatiently:
|
|
|
|
"Well?"
|
|
|
|
Riley said:
|
|
|
|
"Well,--that was thirty years ago."
|
|
|
|
"Very well, very well--what of it?"
|
|
|
|
"I'm great friends with that old patriarch. He comes
|
|
every evening to tell me good-by. I saw him an hour ago--
|
|
he's off for Tennessee early tomorrow morning--as usual;
|
|
said he calculated to get his claim through and be off
|
|
before night-owls like me have turned out of bed.
|
|
The tears were in his eyes, he was so glad he was going
|
|
to see his old Tennessee and his friends once more."
|
|
|
|
Another silent pause. The stranger broke it:
|
|
|
|
"Is that all?"
|
|
|
|
"That is all."
|
|
|
|
"Well, for the TIME of night, and the KIND of night,
|
|
it seems to me the story was full long enough. But what's
|
|
it all FOR?"
|
|
|
|
"Oh, nothing in particular."
|
|
|
|
"Well, where's the point of it?"
|
|
|
|
"Oh, there isn't any particular point to it. Only, if you
|
|
are not in TOO much of a hurry to rush off to San Francisco
|
|
with that post-office appointment, Mr. Lykins, I'd advise
|
|
you to 'PUT UP AT GADSBY'S' for a spell, and take it easy.
|
|
Good-by. GOD bless you!"
|
|
|
|
So saying, Riley blandly turned on his heel and left
|
|
the astonished school-teacher standing there, a musing
|
|
and motionless snow image shining in the broad glow
|
|
of the street-lamp.
|
|
|
|
He never got that post-office.
|
|
|
|
To go back to Lucerne and its fishers, I concluded,
|
|
after about nine hours' waiting, that the man who proposes
|
|
to tarry till he sees something hook one of those well-fed
|
|
and experienced fishes will find it wisdom to "put up
|
|
at Gadsby's" and take it easy. It is likely that a fish
|
|
has not been caught on that lake pier for forty years;
|
|
but no matter, the patient fisher watches his cork there
|
|
all the day long, just the same, and seems to enjoy it.
|
|
One may see the fisher-loafers just as thick and contented
|
|
and happy and patient all along the Seine at Paris,
|
|
but tradition says that the only thing ever caught there
|
|
in modern times is a thing they don't fish for at all--the
|
|
recent dog and the translated cat.
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
[I Spare an Awful Bore]
|
|
|
|
Close by the Lion of Lucerne is what they call the
|
|
"Glacier Garden"--and it is the only one in the world.
|
|
It is on high ground. Four or five years ago,
|
|
some workmen who were digging foundations for a house
|
|
came upon this interesting relic of a long-departed age.
|
|
Scientific men perceived in it a confirmation of their
|
|
theories concerning the glacial period; so through
|
|
their persuasions the little tract of ground was bought
|
|
and permanently protected against being built upon.
|
|
The soil was removed, and there lay the rasped and guttered
|
|
track which the ancient glacier had made as it moved
|
|
along upon its slow and tedious journey. This track
|
|
was perforated by huge pot-shaped holes in the bed-rock,
|
|
formed by the furious washing-around in them of boulders
|
|
by the turbulent torrent which flows beneath all glaciers.
|
|
These huge round boulders still remain in the holes;
|
|
they and the walls of the holes are worn smooth by
|
|
the long-continued chafing which they gave each other
|
|
in those old days. It took a mighty force to churn
|
|
these big lumps of stone around in that vigorous way.
|
|
The neighboring country had a very different shape,
|
|
at that time--the valleys have risen up and become hills,
|
|
since, and the hills have become valleys. The boulders
|
|
discovered in the pots had traveled a great distance,
|
|
for there is no rock like them nearer than the distant
|
|
Rhone Glacier.
|
|
|
|
For some days we were content to enjoy looking at the blue
|
|
lake Lucerne and at the piled-up masses of snow-mountains
|
|
that border it all around--an enticing spectacle,
|
|
this last, for there is a strange and fascinating beauty
|
|
and charm about a majestic snow-peak with the sun blazing
|
|
upon it or the moonlight softly enriching it--but finally
|
|
we concluded to try a bit of excursioning around on
|
|
a steamboat, and a dash on foot at the Rigi. Very well,
|
|
we had a delightful trip to Fluelen, on a breezy, sunny day.
|
|
Everybody sat on the upper deck, on benches, under an awning;
|
|
everybody talked, laughed, and exclaimed at the wonder scenery;
|
|
in truth, a trip on that lake is almost the perfection
|
|
of pleasuring. The mountains were a never-ceasing marvel.
|
|
Sometimes they rose straight up out of the lake,
|
|
and towered aloft and overshadowed our pygmy steamer
|
|
with their prodigious bulk in the most impressive way.
|
|
Not snow-clad mountains, these, yet they climbed high
|
|
enough toward the sky to meet the clouds and veil their
|
|
foreheads in them. They were not barren and repulsive,
|
|
but clothed in green, and restful and pleasant to the eye.
|
|
And they were so almost straight-up-and-down, sometimes,
|
|
that one could not imagine a man being able to keep
|
|
his footing upon such a surface, yet there are paths,
|
|
and the Swiss people go up and down them every day.
|
|
|
|
Sometimes one of these monster precipices had the slight
|
|
inclination of the huge ship-houses in dockyards--
|
|
then high aloft, toward the sky, it took a little
|
|
stronger inclination, like that of a mansard roof--and
|
|
perched on this dizzy mansard one's eye detected little
|
|
things like martin boxes, and presently perceived that
|
|
these were the dwellings of peasants--an airy place
|
|
for a home, truly. And suppose a peasant should walk
|
|
in his sleep, or his child should fall out of the front
|
|
yard?--the friends would have a tedious long journey down
|
|
out of those cloud-heights before they found the remains.
|
|
And yet those far-away homes looked ever so seductive,
|
|
they were so remote from the troubled world, they dozed
|
|
in such an atmosphere of peace and dreams--surely no one
|
|
who has learned to live up there would ever want
|
|
to live on a meaner level.
|
|
|
|
We swept through the prettiest little curving arms
|
|
of the lake, among these colossal green walls,
|
|
enjoying new delights, always, as the stately panorama
|
|
unfolded itself before us and rerolled and hid itself
|
|
behind us; and now and then we had the thrilling surprise
|
|
of bursting suddenly upon a tremendous white mass like the
|
|
distant and dominating Jungfrau, or some kindred giant,
|
|
looming head and shoulders above a tumbled waste of lesser Alps.
|
|
|
|
Once, while I was hungrily taking in one of these surprises,
|
|
and doing my best to get all I possibly could of it while it
|
|
should last, I was interrupted by a young and care-free voice:
|
|
|
|
"You're an American, I think--so'm I."
|
|
|
|
He was about eighteen, or possibly nineteen; slender and
|
|
of medium height; open, frank, happy face; a restless
|
|
but independent eye; a snub nose, which had the air
|
|
of drawing back with a decent reserve from the silky
|
|
new-born mustache below it until it should be introduced;
|
|
a loosely hung jaw, calculated to work easily in the sockets.
|
|
He wore a low-crowned, narrow-brimmed straw hat,
|
|
with a broad blue ribbon around it which had a white
|
|
anchor embroidered on it in front; nobby short-tailed
|
|
coat, pantaloons, vest, all trim and neat and up with
|
|
the fashion; red-striped stockings, very low-quarter
|
|
patent-leather shoes, tied with black ribbon; blue ribbon
|
|
around his neck, wide-open collar; tiny diamond studs;
|
|
wrinkleless kids; projecting cuffs, fastened with large
|
|
oxidized silver sleeve-buttons, bearing the device
|
|
of a dog's face--English pug. He carries a slim cane,
|
|
surmounted with an English pug's head with red glass eyes.
|
|
Under his arm he carried a German grammar--Otto's. His hair
|
|
was short, straight, and smooth, and presently when he turned
|
|
his head a moment, I saw that it was nicely parted behind.
|
|
He took a cigarette out of a dainty box, stuck it into
|
|
a meerschaum holder which he carried in a morocco case,
|
|
and reached for my cigar. While he was lighting, I said:
|
|
|
|
"Yes--I am an American."
|
|
|
|
"I knew it--I can always tell them. What ship did you
|
|
come over in?"
|
|
|
|
"HOLSATIA."
|
|
|
|
"We came in the BATAVIA--Cunard, you know. What kind
|
|
of passage did you have?"
|
|
|
|
"Tolerably rough."
|
|
|
|
"So did we. Captain said he'd hardly ever seen it rougher.
|
|
Where are you from?"
|
|
|
|
"New England."
|
|
|
|
"So'm I. I'm from New Bloomfield. Anybody with you?"
|
|
|
|
"Yes--a friend."
|
|
|
|
"Our whole family's along. It's awful slow, going around
|
|
alone--don't you think so?"
|
|
|
|
"Rather slow."
|
|
|
|
"Ever been over here before?"
|
|
|
|
"Yes."
|
|
|
|
"I haven't. My first trip. But we've been all around--Paris
|
|
and everywhere. I'm to enter Harvard next year.
|
|
Studying German all the time, now. Can't enter till I
|
|
know German. I know considerable French--I get along
|
|
pretty well in Paris, or anywhere where they speak French.
|
|
What hotel are you stopping at?"
|
|
|
|
"Schweitzerhof."
|
|
|
|
"No! is that so? I never see you in the reception-room.
|
|
I go to the reception-room a good deal of the time,
|
|
because there's so many Americans there. I make lots
|
|
of acquaintances. I know an American as soon as I see
|
|
him--and so I speak to him and make his acquaintance.
|
|
I like to be always making acquaintances--don't you?"
|
|
|
|
"Lord, yes!"
|
|
|
|
"You see it breaks up a trip like this, first rate.
|
|
I never got bored on a trip like this, if I can
|
|
make acquaintances and have somebody to talk to.
|
|
But I think a trip like this would be an awful bore,
|
|
if a body couldn't find anybody to get acquainted with
|
|
and talk to on a trip like this. I'm fond of talking,
|
|
ain't you?
|
|
|
|
"Passionately."
|
|
|
|
"Have you felt bored, on this trip?"
|
|
|
|
"Not all the time, part of it."
|
|
|
|
"That's it!--you see you ought to go around and get acquainted,
|
|
and talk. That's my way. That's the way I always do--I
|
|
just go 'round, 'round, 'round and talk, talk, talk--I
|
|
never get bored. You been up the Rigi yet?"
|
|
|
|
"No."
|
|
|
|
"Going?"
|
|
|
|
"I think so."
|
|
|
|
"What hotel you going to stop at?"
|
|
|
|
"I don't know. Is there more than one?"
|
|
|
|
"Three. You stop at the Schreiber--you'll find it full
|
|
of Americans. What ship did you say you came over in?"
|
|
|
|
"CITY OF ANTWERP."
|
|
|
|
"German, I guess. You going to Geneva?"
|
|
|
|
"Yes."
|
|
|
|
"What hotel you going to stop at?"
|
|
|
|
"Hotel de l''Ecu de G'en`eve."
|
|
|
|
"Don't you do it! No Americans there! You stop at one
|
|
of those big hotels over the bridge--they're packed
|
|
full of Americans."
|
|
|
|
"But I want to practice my Arabic."
|
|
|
|
"Good gracious, do you speak Arabic?"
|
|
|
|
"Yes--well enough to get along."
|
|
|
|
"Why, hang it, you won't get along in Geneva--THEY don't
|
|
speak Arabic, they speak French. What hotel are you
|
|
stopping at here?"
|
|
|
|
"Hotel Pension-Beaurivage."
|
|
|
|
"Sho, you ought to stop at the Schweitzerhof. Didn't you
|
|
know the Schweitzerhof was the best hotel in Switzerland?--
|
|
look at your Baedeker."
|
|
|
|
"Yes, I know--but I had an idea there warn't any
|
|
Americans there."
|
|
|
|
"No Americans! Why, bless your soul, it's just alive with
|
|
them! I'm in the great reception-room most all the time.
|
|
I make lots of acquaintances there. Not as many as I did
|
|
at first, because now only the new ones stop in there--
|
|
the others go right along through. Where are you from?"
|
|
|
|
"Arkansaw."
|
|
|
|
"Is that so? I'm from New England--New Bloomfield's my town
|
|
when I'm at home. I'm having a mighty good time today,
|
|
ain't you?"
|
|
|
|
"Divine."
|
|
|
|
"That's what I call it. I like this knocking around,
|
|
loose and easy, and making acquaintances and talking.
|
|
I know an American, soon as I see him; so I go and speak
|
|
to him and make his acquaintance. I ain't ever bored,
|
|
on a trip like this, if I can make new acquaintances and talk.
|
|
I'm awful fond of talking when I can get hold of the right
|
|
kind of a person, ain't you?"
|
|
|
|
"I prefer it to any other dissipation."
|
|
|
|
"That's my notion, too. Now some people like to take
|
|
a book and sit down and read, and read, and read, or moon
|
|
around yawping at the lake or these mountains and things,
|
|
but that ain't my way; no, sir, if they like it, let 'em do it,
|
|
I don't object; but as for me, talking's what _I_ like.
|
|
You been up the Rigi?"
|
|
|
|
"Yes."
|
|
|
|
"What hotel did you stop at?"
|
|
|
|
"Schreiber."
|
|
|
|
"That's the place!--I stopped there too. FULL of Americans,
|
|
WASN'T it? It always is--always is. That's what they say.
|
|
Everybody says that. What ship did you come over in?"
|
|
|
|
"VILLE DE PARIS."
|
|
|
|
"French, I reckon. What kind of a passage did ... excuse me
|
|
a minute, there's some Americans I haven't seen before."
|
|
|
|
And away he went. He went uninjured, too--I had the murderous
|
|
impulse to harpoon him in the back with my alpenstock,
|
|
but as I raised the weapon the disposition left me;
|
|
I found I hadn't the heart to kill him, he was such
|
|
a joyous, innocent, good-natured numbskull.
|
|
|
|
Half an hour later I was sitting on a bench inspecting,
|
|
with strong interest, a noble monolith which we were
|
|
skimming by--a monolith not shaped by man, but by Nature's
|
|
free great hand--a massy pyramidal rock eighty feet high,
|
|
devised by Nature ten million years ago against the day
|
|
when a man worthy of it should need it for his monument.
|
|
The time came at last, and now this grand remembrancer
|
|
bears Schiller's name in huge letters upon its face.
|
|
Curiously enough, this rock was not degraded or defiled
|
|
in any way. It is said that two years ago a stranger let
|
|
himself down from the top of it with ropes and pulleys,
|
|
and painted all over it, in blue letters bigger than those in
|
|
Schiller's name, these words:
|
|
|
|
"Try Sozodont;" "Buy Sun Stove Polish;" "Helmbold's Buchu;"
|
|
"Try Benzaline for the Blood."
|
|
|
|
He was captured and it turned out that he was an American.
|
|
Upon his trial the judge said to him:
|
|
|
|
"You are from a land where any insolent that wants to is
|
|
privileged to profane and insult Nature, and, through her,
|
|
Nature's God, if by so doing he can put a sordid penny
|
|
in his pocket. But here the case is different. Because you
|
|
are a foreigner and ignorant, I will make your sentence light;
|
|
if you were a native I would deal strenuously with you.
|
|
Hear and obey: --You will immediately remove every trace
|
|
of your offensive work from the Schiller monument; you pay
|
|
a fine of ten thousand francs; you will suffer two years'
|
|
imprisonment at hard labor; you will then be horsewhipped,
|
|
tarred and feathered, deprived of your ears, ridden on a
|
|
rail to the confines of the canton, and banished forever.
|
|
The severest penalties are omitted in your case--not as
|
|
a grace to you, but to that great republic which had the
|
|
misfortune to give you birth."
|
|
|
|
The steamer's benches were ranged back to back across
|
|
the deck. My back hair was mingling innocently with
|
|
the back hair of a couple of ladies. Presently they
|
|
were addressed by some one and I overheard this conversation:
|
|
|
|
"You are Americans, I think? So'm I."
|
|
|
|
"Yes--we are Americans."
|
|
|
|
"I knew it--I can always tell them. What ship did you
|
|
come over in?"
|
|
|
|
"CITY OF CHESTER."
|
|
|
|
"Oh, yes--Inman line. We came in the BATAVIA--Cunard
|
|
you know. What kind of a passage did you have?"
|
|
|
|
"Pretty fair."
|
|
|
|
"That was luck. We had it awful rough. Captain said
|
|
he'd hardly seen it rougher. Where are you from?"
|
|
|
|
"New Jersey."
|
|
|
|
"So'm I. No--I didn't mean that; I'm from New England.
|
|
New Bloomfield's my place. These your children?--belong
|
|
to both of you?"
|
|
|
|
"Only to one of us; they are mine; my friend is not married."
|
|
|
|
"Single, I reckon? So'm I. Are you two ladies traveling alone?"
|
|
|
|
"No--my husband is with us."
|
|
|
|
"Our whole family's along. It's awful slow, going around
|
|
alone--don't you think so?"
|
|
|
|
"I suppose it must be."
|
|
|
|
"Hi, there's Mount Pilatus coming in sight again.
|
|
Named after Pontius Pilate, you know, that shot the apple
|
|
off of William Tell's head. Guide-book tells all about it,
|
|
they say. I didn't read it--an American told me. I don't
|
|
read when I'm knocking around like this, having a good time.
|
|
Did you ever see the chapel where William Tell used
|
|
to preach?"
|
|
|
|
"I did not know he ever preached there."
|
|
|
|
"Oh, yes, he did. That American told me so. He don't
|
|
ever shut up his guide-book. He knows more about this lake
|
|
than the fishes in it. Besides, they CALL it 'Tell's
|
|
Chapel'--you know that yourself. You ever been over here
|
|
before?"
|
|
|
|
"Yes."
|
|
|
|
"I haven't. It's my first trip. But we've been all around
|
|
--Paris and everywhere. I'm to enter Harvard next year.
|
|
Studying German all the time now. Can't enter till I
|
|
know German. This book's Otto's grammar. It's a mighty
|
|
good book to get the ICH HABE GEHABT HABEN's out of.
|
|
But I don't really study when I'm knocking around this way.
|
|
If the notion takes me, I just run over my little
|
|
old ICH HAVE GEHABT, DU HAST GEHABT, ER HAT GEHABT,
|
|
WIR HABEN GEHABT, IHR HABEN GEHABT, SIE HABEN GEHABT
|
|
--kind of 'Now-I-lay-me-down-to-sleep' fashion, you know,
|
|
and after that, maybe I don't buckle to it for three days.
|
|
It's awful undermining to the intellect, German is;
|
|
you want to take it in small doses, or first you know
|
|
your brains all run together, and you feel them sloshing
|
|
around in your head same as so much drawn butter.
|
|
But French is different; FRENCH ain't anything. I ain't
|
|
any more afraid of French than a tramp's afraid of pie; I can
|
|
rattle off my little J'AI, TU AS, IL A, and the rest of it,
|
|
just as easy as a-b-c. I get along pretty well in Paris,
|
|
or anywhere where they speak French. What hotel are you
|
|
stopping at?"
|
|
|
|
"The Schweitzerhof."
|
|
|
|
"No! is that so? I never see you in the big reception-room.
|
|
I go in there a good deal of the time, because there's
|
|
so many Americans there. I make lots of acquaintances.
|
|
You been up the Rigi yet?"
|
|
|
|
"No."
|
|
|
|
"Going?"
|
|
|
|
"We think of it."
|
|
|
|
"What hotel you going to stop at?"
|
|
|
|
"I don't know."
|
|
|
|
"Well, then you stop at the Schreiber--it's full of Americans.
|
|
What ship did you come over in?"
|
|
|
|
"CITY OF CHESTER."
|
|
|
|
"Oh, yes, I remember I asked you that before. But I
|
|
always ask everybody what ship they came over in, and so
|
|
sometimes I forget and ask again. You going to Geneva?"
|
|
|
|
"Yes."
|
|
|
|
"What hotel you going to stop at?"
|
|
|
|
"We expect to stop in a pension."
|
|
|
|
"I don't hardly believe you'll like that; there's very few
|
|
Americans in the pensions. What hotel are you stopping
|
|
at here?"
|
|
|
|
"The Schweitzerhof."
|
|
|
|
"Oh, yes. I asked you that before, too. But I always
|
|
ask everybody what hotel they're stopping at, and so I've
|
|
got my head all mixed up with hotels. But it makes talk,
|
|
and I love to talk. It refreshes me up so--don't it
|
|
you--on a trip like this?"
|
|
|
|
"Yes--sometimes."
|
|
|
|
"Well, it does me, too. As long as I'm talking I never
|
|
feel bored--ain't that the way with you?"
|
|
|
|
"Yes--generally. But there are exception to the rule."
|
|
|
|
"Oh, of course. _I_ don't care to talk to everybody, MYSELF.
|
|
If a person starts in to jabber-jabber-jabber about scenery,
|
|
and history, and pictures, and all sorts of tiresome things,
|
|
I get the fan-tods mighty soon. I say 'Well, I must be going
|
|
now--hope I'll see you again'--and then I take a walk. Where you
|
|
from?"
|
|
|
|
"New Jersey."
|
|
|
|
"Why, bother it all, I asked you THAT before, too.
|
|
Have you seen the Lion of Lucerne?"
|
|
|
|
"Not yet."
|
|
|
|
"Nor I, either. But the man who told me about
|
|
Mount Pilatus says it's one of the things to see.
|
|
It's twenty-eight feet long. It don't seem reasonable,
|
|
but he said so, anyway. He saw it yesterday; said it
|
|
was dying, then, so I reckon it's dead by this time.
|
|
But that ain't any matter, of course they'll stuff it.
|
|
Did you say the children are yours--or HERS?"
|
|
|
|
"Mine."
|
|
|
|
"Oh, so you did. Are you going up the ... no, I asked
|
|
you that. What ship ... no, I asked you that, too.
|
|
What hotel are you ... no, you told me that.
|
|
Let me see ... um .... Oh, what kind of voy ... no,
|
|
we've been over that ground, too. Um ... um ... well,
|
|
I believe that is all. BONJOUR--I am very glad to have
|
|
made your acquaintance, ladies. GUTEN TAG."
|
|
|
|
|
|
|
|
CHAPTER XXVIII
|
|
[The Jodel and Its Native Wilds]
|
|
|
|
The Rigi-Kulm is an imposing Alpine mass, six thousand
|
|
feet high, which stands by itself, and commands a mighty
|
|
prospect of blue lakes, green valleys, and snowy mountains--
|
|
a compact and magnificent picture three hundred miles
|
|
in circumference. The ascent is made by rail, or horseback,
|
|
or on foot, as one may prefer. I and my agent panoplied
|
|
ourselves in walking-costume, one bright morning,
|
|
and started down the lake on the steamboat; we got ashore
|
|
at the village of Wa"ggis; three-quarters of an hour distant
|
|
from Lucerne. This village is at the foot of the mountain.
|
|
|
|
We were soon tramping leisurely up the leafy mule-path,
|
|
and then the talk began to flow, as usual. It was
|
|
twelve o'clock noon, and a breezy, cloudless day;
|
|
the ascent was gradual, and the glimpses, from under
|
|
the curtaining boughs, of blue water, and tiny sailboats,
|
|
and beetling cliffs, were as charming as glimpses of dreamland.
|
|
All the circumstances were perfect--and the anticipations,
|
|
too, for we should soon be enjoying, for the first time,
|
|
that wonderful spectacle, an Alpine sunrise--the object
|
|
of our journey. There was (apparently) no real need
|
|
for hurry, for the guide-book made the walking-distance
|
|
from Wa"ggis to the summit only three hours and a quarter.
|
|
I say "apparently," because the guide-book had already
|
|
fooled us once--about the distance from Allerheiligen
|
|
to Oppenau--and for aught I knew it might be getting ready
|
|
to fool us again. We were only certain as to the altitudes--
|
|
we calculated to find out for ourselves how many hours
|
|
it is from the bottom to the top. The summit is six
|
|
thousand feet above the sea, but only forty-five hundred
|
|
feet above the lake. When we had walked half an hour,
|
|
we were fairly into the swing and humor of the undertaking,
|
|
so we cleared for action; that is to say, we got a boy whom
|
|
we met to carry our alpenstocks and satchels and overcoats
|
|
and things for us; that left us free for business.
|
|
I suppose we must have stopped oftener to stretch out
|
|
on the grass in the shade and take a bit of a smoke
|
|
than this boy was used to, for presently he asked if it
|
|
had been our idea to hire him by the job, or by the year?
|
|
We told him he could move along if he was in a hurry.
|
|
He said he wasn't in such a very particular hurry,
|
|
but he wanted to get to the top while he was young.
|
|
We told him to clear out, then, and leave the things at
|
|
the uppermost hotel and say we should be along presently.
|
|
He said he would secure us a hotel if he could, but if they
|
|
were all full he would ask them to build another one
|
|
and hurry up and get the paint and plaster dry against
|
|
we arrived. Still gently chaffing us, he pushed ahead,
|
|
up the trail, and soon disappeared. By six o'clock we
|
|
were pretty high up in the air, and the view of lake
|
|
and mountains had greatly grown in breadth and interest.
|
|
We halted awhile at a little public house, where we
|
|
had bread and cheese and a quart or two of fresh milk,
|
|
out on the porch, with the big panorama all before us--and
|
|
then moved on again.
|
|
|
|
Ten minutes afterward we met a hot, red-faced man plunging
|
|
down the mountain, making mighty strides, swinging his
|
|
alpenstock ahead of him, and taking a grip on the ground
|
|
with its iron point to support these big strides.
|
|
He stopped, fanned himself with his hat, swabbed the
|
|
perspiration from his face and neck with a red handkerchief,
|
|
panted a moment or two, and asked how far to Wa"ggis.
|
|
I said three hours. He looked surprised, and said:
|
|
|
|
"Why, it seems as if I could toss a biscuit into the lake
|
|
from here, it's so close by. Is that an inn, there?"
|
|
|
|
I said it was.
|
|
|
|
"Well," said he, "I can't stand another three hours,
|
|
I've had enough today; I'll take a bed there."
|
|
|
|
I asked:
|
|
|
|
"Are we nearly to the top?"
|
|
|
|
"Nearly to the TOP?" Why, bless your soul, you haven't
|
|
really started, yet."
|
|
|
|
I said we would put up at the inn, too. So we turned
|
|
back and ordered a hot supper, and had quite a jolly
|
|
evening of it with this Englishman.
|
|
|
|
The German landlady gave us neat rooms and nice beds,
|
|
and when I and my agent turned in, it was with the resolution
|
|
to be up early and make the utmost of our first Alpine sunrise.
|
|
But of course we were dead tired, and slept like policemen;
|
|
so when we awoke in the morning and ran to the window it
|
|
was already too late, because it was half past eleven.
|
|
It was a sharp disappointment. However, we ordered
|
|
breakfast and told the landlady to call the Englishman,
|
|
but she said he was already up and off at daybreak--and
|
|
swearing like mad about something or other. We could not
|
|
find out what the matter was. He had asked the landlady
|
|
the altitude of her place above the level of the lake,
|
|
and she told him fourteen hundred and ninety-five feet.
|
|
That was all that was said; then he lost his temper.
|
|
He said that between ------fools and guide-books, a man
|
|
could acquire ignorance enough in twenty-four hours in a
|
|
country like this to last him a year. Harris believed
|
|
our boy had been loading him up with misinformation;
|
|
and this was probably the case, for his epithet described
|
|
that boy to a dot.
|
|
|
|
We got under way about the turn of noon, and pulled out
|
|
for the summit again, with a fresh and vigorous step.
|
|
When we had gone about two hundred yards, and stopped
|
|
to rest, I glanced to the left while I was lighting my pipe,
|
|
and in the distance detected a long worm of black smoke
|
|
crawling lazily up the steep mountain. Of course that was
|
|
the locomotive. We propped ourselves on our elbows at once,
|
|
to gaze, for we had never seen a mountain railway yet.
|
|
Presently we could make out the train. It seemed incredible
|
|
that that thing should creep straight up a sharp slant
|
|
like the roof of a house--but there it was, and it was doing
|
|
that very miracle.
|
|
|
|
In the course of a couple hours we reached a fine breezy
|
|
altitude where the little shepherd huts had big stones
|
|
all over their roofs to hold them down to the earth when
|
|
the great storms rage. The country was wild and rocky
|
|
about here, but there were plenty of trees, plenty of moss,
|
|
and grass.
|
|
|
|
Away off on the opposite shore of the lake we could
|
|
see some villages, and now for the first time we could
|
|
observe the real difference between their proportions
|
|
and those of the giant mountains at whose feet they slept.
|
|
When one is in one of those villages it seems spacious,
|
|
and its houses seem high and not out of proportion to the
|
|
mountain that overhands them--but from our altitude,
|
|
what a change! The mountains were bigger and grander
|
|
than ever, as they stood there thinking their solemn
|
|
thoughts with their heads in the drifting clouds,
|
|
but the villages at their feet--when the painstaking
|
|
eye could trace them up and find them--were so reduced,
|
|
almost invisible, and lay so flat against the ground,
|
|
that the exactest simile I can devise is to compare
|
|
them to ant-deposits of granulated dirt overshadowed
|
|
by the huge bulk of a cathedral. The steamboats skimming
|
|
along under the stupendous precipices were diminished
|
|
by distance to the daintiest little toys, the sailboats
|
|
and rowboats to shallops proper for fairies that keep
|
|
house in the cups of lilies and ride to court on the backs
|
|
of bumblebees.
|
|
|
|
Presently we came upon half a dozen sheep nibbling grass
|
|
in the spray of a stream of clear water that sprang
|
|
from a rock wall a hundred feet high, and all at once
|
|
our ears were startled with a melodious "Lul ...
|
|
l ... l l l llul-lul-LAhee-o-o-o!" pealing joyously
|
|
from a near but invisible source, and recognized that we
|
|
were hearing for the first time the famous Alpine JODEL
|
|
in its own native wilds. And we recognized, also,
|
|
that it was that sort of quaint commingling of baritone
|
|
and falsetto which at home we call "Tyrolese warbling."
|
|
|
|
The jodeling (pronounced yOdling--emphasis on the O)
|
|
continued, and was very pleasant and inspiriting to hear.
|
|
Now the jodeler appeared--a shepherd boy of sixteen--
|
|
and in our gladness and gratitude we gave him a franc
|
|
to jodel some more. So he jodeled and we listened.
|
|
We moved on, presently, and he generously jodeled us
|
|
out of sight. After about fifteen minutes we came across
|
|
another shepherd boy who was jodeling, and gave him half
|
|
a franc to keep it up. He also jodeled us out of sight.
|
|
After that, we found a jodeler every ten minutes;
|
|
we gave the first one eight cents, the second one
|
|
six cents, the third one four, the fourth one a penny,
|
|
contributed nothing to Nos. 5, 6, and 7, and during
|
|
the remainder of the day hired the rest of the jodelers,
|
|
at a franc apiece, not to jodel any more. There is somewhat
|
|
too much of the jodeling in the Alps.
|
|
|
|
About the middle of the afternoon we passed through
|
|
a prodigious natural gateway called the Felsenthor,
|
|
formed by two enormous upright rocks, with a third lying
|
|
across the top. There was a very attractive little
|
|
hotel close by, but our energies were not conquered yet,
|
|
so we went on.
|
|
|
|
Three hours afterward we came to the railway-track. It
|
|
was planted straight up the mountain with the slant
|
|
of a ladder that leans against a house, and it seemed
|
|
to us that man would need good nerves who proposed
|
|
to travel up it or down it either.
|
|
|
|
During the latter part of the afternoon we cooled our
|
|
roasting interiors with ice-cold water from clear streams,
|
|
the only really satisfying water we had tasted since we
|
|
left home, for at the hotels on the continent they
|
|
merely give you a tumbler of ice to soak your water in,
|
|
and that only modifies its hotness, doesn't make it cold.
|
|
Water can only be made cold enough for summer comfort by
|
|
being prepared in a refrigerator or a closed ice-pitcher.
|
|
Europeans say ice-water impairs digestion. How do they
|
|
know?--they never drink any.
|
|
|
|
At ten minutes past six we reached the Kaltbad station,
|
|
where there is a spacious hotel with great verandas which
|
|
command a majestic expanse of lake and mountain scenery.
|
|
We were pretty well fagged out, now, but as we did
|
|
not wish to miss the Alpine sunrise, we got through our
|
|
dinner as quickly as possible and hurried off to bed.
|
|
It was unspeakably comfortable to stretch our weary limbs
|
|
between the cool, damp sheets. And how we did sleep!--for
|
|
there is no opiate like Alpine pedestrianism.
|
|
|
|
In the morning we both awoke and leaped out of bed at the
|
|
same instant and ran and stripped aside the window-curtains;
|
|
but we suffered a bitter disappointment again: it
|
|
was already half past three in the afternoon.
|
|
|
|
We dressed sullenly and in ill spirits, each accusing
|
|
the other of oversleeping. Harris said if we had brought
|
|
the courier along, as we ought to have done, we should
|
|
not have missed these sunrises. I said he knew very well
|
|
that one of us would have to sit up and wake the courier;
|
|
and I added that we were having trouble enough to take
|
|
care of ourselves, on this climb, without having to take
|
|
care of a courier besides.
|
|
|
|
During breakfast our spirits came up a little, since we
|
|
found by this guide-book that in the hotels on the summit
|
|
the tourist is not left to trust to luck for his sunrise,
|
|
but is roused betimes by a man who goes through the halls
|
|
with a great Alpine horn, blowing blasts that would
|
|
raise the dead. And there was another consoling thing:
|
|
the guide-book said that up there on the summit the guests
|
|
did not wait to dress much, but seized a red bed blanket
|
|
and sailed out arrayed like an Indian. This was good;
|
|
this would be romantic; two hundred and fifty people
|
|
grouped on the windy summit, with their hair flying and
|
|
their red blankets flapping, in the solemn presence of the
|
|
coming sun, would be a striking and memorable spectacle.
|
|
So it was good luck, not ill luck, that we had missed
|
|
those other sunrises.
|
|
|
|
We were informed by the guide-book that we were now
|
|
3,228 feet above the level of the lake--therefore
|
|
full two-thirds of our journey had been accomplished.
|
|
We got away at a quarter past four, P.M.; a hundred yards
|
|
above the hotel the railway divided; one track went
|
|
straight up the steep hill, the other one turned square
|
|
off to the right, with a very slight grade. We took
|
|
the latter, and followed it more than a mile, turned a
|
|
rocky corner, and came in sight of a handsome new hotel.
|
|
If we had gone on, we should have arrived at the summit,
|
|
but Harris preferred to ask a lot of questions--as usual,
|
|
of a man who didn't know anything--and he told us to go
|
|
back and follow the other route. We did so. We could ill
|
|
afford this loss of time.
|
|
|
|
We climbed and climbed; and we kept on climbing; we reached about
|
|
forty summits, but there was always another one just ahead.
|
|
It came on to rain, and it rained in dead earnest.
|
|
We were soaked through and it was bitter cold. Next a
|
|
smoky fog of clouds covered the whole region densely,
|
|
and we took to the railway-ties to keep from getting lost.
|
|
Sometimes we slopped along in a narrow path on the left-hand
|
|
side of the track, but by and by when the fog blew as aside
|
|
a little and we saw that we were treading the rampart
|
|
of a precipice and that our left elbows were projecting
|
|
over a perfectly boundless and bottomless vacancy,
|
|
we gasped, and jumped for the ties again.
|
|
|
|
The night shut down, dark and drizzly and cold.
|
|
About eight in the evening the fog lifted and showed us
|
|
a well-worn path which led up a very steep rise to the left.
|
|
We took it, and as soon as we had got far enough from the
|
|
railway to render the finding it again an impossibility,
|
|
the fog shut down on us once more.
|
|
|
|
We were in a bleak, unsheltered place, now, and had
|
|
to trudge right along, in order to keep warm, though we
|
|
rather expected to go over a precipice, sooner or later.
|
|
About nine o'clock we made an important discovery--
|
|
that we were not in any path. We groped around a while
|
|
on our hands and knees, but we could not find it;
|
|
so we sat down in the mud and the wet scant grass to wait.
|
|
|
|
We were terrified into this by being suddenly confronted
|
|
with a vast body which showed itself vaguely for an instant
|
|
and in the next instant was smothered in the fog again.
|
|
It was really the hotel we were after, monstrously magnified
|
|
by the fog, but we took it for the face of a precipice,
|
|
and decided not to try to claw up it.
|
|
|
|
We sat there an hour, with chattering teeth and quivering bodies,
|
|
and quarreled over all sorts of trifles, but gave most
|
|
of our attention to abusing each other for the stupidity
|
|
of deserting the railway-track. We sat with our backs
|
|
to the precipice, because what little wind there was
|
|
came from that quarter. At some time or other the fog
|
|
thinned a little; we did not know when, for we were facing
|
|
the empty universe and the thinness could not show;
|
|
but at last Harris happened to look around, and there stood
|
|
a huge, dim, spectral hotel where the precipice had been.
|
|
One could faintly discern the windows and chimneys,
|
|
and a dull blur of lights. Our first emotion was deep,
|
|
unutterable gratitude, our next was a foolish rage,
|
|
born of the suspicion that possibly the hotel had been
|
|
visible three-quarters of an hour while we sat there
|
|
in those cold puddles quarreling.
|
|
|
|
Yes, it was the Rigi-Kulm hotel--the one that occupies
|
|
the extreme summit, and whose remote little sparkle
|
|
of lights we had often seen glinting high aloft among
|
|
the stars from our balcony away down yonder in Lucerne.
|
|
The crusty portier and the crusty clerks gave us the surly
|
|
reception which their kind deal out in prosperous times,
|
|
but by mollifying them with an extra display of obsequiousness
|
|
and servility we finally got them to show us to the room
|
|
which our boy had engaged for us.
|
|
|
|
We got into some dry clothing, and while our supper was
|
|
preparing we loafed forsakenly through a couple of vast
|
|
cavernous drawing-rooms, one of which had a stove in it.
|
|
This stove was in a corner, and densely walled around
|
|
with people. We could not get near the fire, so we moved
|
|
at large in the artic spaces, among a multitude of people
|
|
who sat silent, smileless, forlorn, and shivering--thinking
|
|
what fools they were to come, perhaps. There were some
|
|
Americans and some Germans, but one could see that the
|
|
great majority were English.
|
|
|
|
We lounged into an apartment where there was a great crowd,
|
|
to see what was going on. It was a memento-magazine.
|
|
The tourists were eagerly buying all sorts and styles of
|
|
paper-cutters, marked "Souvenir of the Rigi," with handles
|
|
made of the little curved horn of the ostensible chamois;
|
|
there were all manner of wooden goblets and such things,
|
|
similarly marked. I was going to buy a paper-cutter, but I
|
|
believed I could remember the cold comfort of the Rigi-Kulm
|
|
without it, so I smothered the impulse.
|
|
|
|
Supper warmed us, and we went immediately to bed--but first,
|
|
as Mr. Baedeker requests all tourists to call his attention
|
|
to any errors which they may find in his guide-books, I
|
|
dropped him a line to inform him he missed it by just
|
|
about three days. I had previously informed him of his
|
|
mistake about the distance from Allerheiligen to Oppenau,
|
|
and had also informed the Ordnance Depart of the German
|
|
government of the same error in the imperial maps.
|
|
I will add, here, that I never got any answer to those letters,
|
|
or any thanks from either of those sources; and, what is still
|
|
more discourteous, these corrections have not been made,
|
|
either in the maps or the guide-books. But I will write
|
|
again when I get time, for my letters may have miscarried.
|
|
|
|
We curled up in the clammy beds, and went to sleep without
|
|
rocking.
|
|
We were so sodden with fatigue that we never stirred nor
|
|
turned over till the blooming blasts of the Alpine horn
|
|
aroused us. It may well be imagined that we did not lose
|
|
any time. We snatched on a few odds and ends of clothing,
|
|
cocooned ourselves in the proper red blankets, and plunged
|
|
along the halls and out into the whistling wind bareheaded.
|
|
We saw a tall wooden scaffolding on the very peak
|
|
of the summit, a hundred yards away, and made for it.
|
|
We rushed up the stairs to the top of this scaffolding,
|
|
and stood there, above the vast outlying world, with hair
|
|
flying and ruddy blankets waving and cracking in the fierce
|
|
breeze.
|
|
|
|
"Fifteen minutes too late, at last!" said Harris,
|
|
in a vexed voice. "The sun is clear above the horizon."
|
|
|
|
"No matter," I said, "it is a most magnificent spectacle,
|
|
and we will see it do the rest of its rising anyway."
|
|
|
|
In a moment we were deeply absorbed in the marvel before us,
|
|
and dead to everything else. The great cloud-barred disk
|
|
of the sun stood just above a limitless expanse of tossing
|
|
white-caps--so to speak--a billowy chaos of massy mountain
|
|
domes and peaks draped in imperishable snow, and flooded
|
|
with an opaline glory of changing and dissolving splendors,
|
|
while through rifts in a black cloud-bank above the sun,
|
|
radiating lances of diamond dust shot to the zenith.
|
|
The cloven valleys of the lower world swam in a tinted
|
|
mist which veiled the ruggedness of their crags and ribs
|
|
and ragged forests, and turned all the forbidding region
|
|
into a soft and rich and sensuous paradise.
|
|
|
|
We could not speak. We could hardly breathe.
|
|
We could only gaze in drunken ecstasy and drink in it.
|
|
Presently Harris exclaimed:
|
|
|
|
"Why--nation, it's going DOWN!"
|
|
|
|
Perfectly true. We had missed the MORNING hornblow,
|
|
and slept all day. This was stupefying.
|
|
|
|
Harris said:
|
|
|
|
"Look here, the sun isn't the spectacle--it's US--stacked
|
|
up here on top of this gallows, in these idiotic blankets,
|
|
and two hundred and fifty well-dressed men and women down
|
|
here gawking up at us and not caring a straw whether the sun
|
|
rises or sets, as long as they've got such a ridiculous
|
|
spectacle as this to set down in their memorandum-books.
|
|
They seem to be laughing their ribs loose, and there's
|
|
one girl there at appears to be going all to pieces.
|
|
I never saw such a man as you before. I think you are
|
|
the very last possibility in the way of an ass."
|
|
|
|
"What have _I_ done?" I answered, with heat.
|
|
|
|
"What have you done?" You've got up at half past seven
|
|
o'clock in the evening to see the sun rise, that's what
|
|
you've done."
|
|
|
|
"And have you done any better, I'd like to know? I've
|
|
always used to get up with the lark, till I came under
|
|
the petrifying influence of your turgid intellect."
|
|
|
|
"YOU used to get up with the lark--Oh, no doubt--
|
|
you'll get up with the hangman one of these days.
|
|
But you ought to be ashamed to be jawing here like this,
|
|
in a red blanket, on a forty-foot scaffold on top
|
|
of the Alps. And no end of people down here to boot;
|
|
this isn't any place for an exhibition of temper."
|
|
|
|
And so the customary quarrel went on. When the sun
|
|
was fairly down, we slipped back to the hotel in the
|
|
charitable gloaming, and went to bed again. We had
|
|
encountered the horn-blower on the way, and he had tried
|
|
to collect compensation, not only for announcing the sunset,
|
|
which we did see, but for the sunrise, which we had
|
|
totally missed; but we said no, we only took our solar
|
|
rations on the "European plan"--pay for what you get.
|
|
He promised to make us hear his horn in the morning,
|
|
if we were alive.
|
|
|
|
|
|
|
|
CHAPTER XXIX
|
|
[Looking West for Sunrise]
|
|
|
|
He kept his word. We heard his horn and instantly got up.
|
|
It was dark and cold and wretched. As I fumbled around
|
|
for the matches, knocking things down with my quaking hands,
|
|
I wished the sun would rise in the middle of the day,
|
|
when it was warm and bright and cheerful, and one
|
|
wasn't sleepy. We proceeded to dress by the gloom of a
|
|
couple sickly candles, but we could hardly button anything,
|
|
our hands shook so. I thought of how many happy people
|
|
there were in Europe, Asia, and America, and everywhere,
|
|
who were sleeping peacefully in their beds, and did not
|
|
have to get up and see the Rigi sunrise--people who did
|
|
not appreciate their advantage, as like as not, but would
|
|
get up in the morning wanting more boons of Providence.
|
|
While thinking these thoughts I yawned, in a rather ample way,
|
|
and my upper teeth got hitched on a nail over the door,
|
|
and while I was mounting a chair to free myself, Harris drew
|
|
the window-curtain, and said:
|
|
|
|
"Oh, this is luck! We shan't have to go out at all--
|
|
yonder are the mountains, in full view."
|
|
|
|
That was glad news, indeed. It made us cheerful right away.
|
|
One could see the grand Alpine masses dimly outlined
|
|
against the black firmament, and one or two faint stars
|
|
blinking through rifts in the night. Fully clothed,
|
|
and wrapped in blankets, and huddled ourselves up,
|
|
by the window, with lighted pipes, and fell into chat,
|
|
while we waited in exceeding comfort to see how an Alpine
|
|
sunrise was going to look by candlelight. By and by
|
|
a delicate, spiritual sort of effulgence spread itself
|
|
by imperceptible degrees over the loftiest altitudes of
|
|
the snowy wastes--but there the effort seemed to stop.
|
|
I said, presently:
|
|
|
|
"There is a hitch about this sunrise somewhere.
|
|
It doesn't seem to go. What do you reckon is the matter
|
|
with it?"
|
|
|
|
"I don't know. It appears to hang fire somewhere.
|
|
I never saw a sunrise act like that before. Can it be
|
|
that the hotel is playing anything on us?"
|
|
|
|
"Of course not. The hotel merely has a property interest
|
|
in the sun, it has nothing to do with the management of it.
|
|
It is a precarious kind of property, too; a succession
|
|
of total eclipses would probably ruin this tavern.
|
|
Now what can be the matter with this sunrise?"
|
|
|
|
Harris jumped up and said:
|
|
|
|
"I've got it! I know what's the matter with it! We've
|
|
been looking at the place where the sun SET last night!"
|
|
|
|
"It is perfectly true! Why couldn't you have thought of
|
|
that sooner? Now we've lost another one! And all through
|
|
your blundering. It was exactly like you to light a pipe
|
|
and sit down to wait for the sun to rise in the west."
|
|
|
|
"It was exactly like me to find out the mistake, too.
|
|
You never would have found it out. I find out all the mistakes."
|
|
|
|
"You make them all, too, else your most valuable faculty
|
|
would be wasted on you. But don't stop to quarrel,
|
|
now--maybe we are not too late yet."
|
|
|
|
But we were. The sun was well up when we got to the
|
|
exhibition-ground.
|
|
|
|
On our way up we met the crowd returning--men and women
|
|
dressed in all sorts of queer costumes, and exhibiting
|
|
all degrees of cold and wretchedness in their gaits
|
|
and countenances. A dozen still remained on the ground
|
|
when we reached there, huddled together about the scaffold
|
|
with their backs to the bitter wind. They had their red
|
|
guide-books open at the diagram of the view, and were
|
|
painfully picking out the several mountains and trying
|
|
to impress their names and positions on their memories.
|
|
It was one of the saddest sights I ever saw.
|
|
|
|
Two sides of this place were guarded by railings,
|
|
to keep people from being blown over the precipices.
|
|
The view, looking sheer down into the broad valley,
|
|
eastward, from this great elevation--almost a perpendicular
|
|
mile--was very quaint and curious. Counties, towns,
|
|
hilly ribs and ridges, wide stretches of green meadow,
|
|
great forest tracts, winding streams, a dozen blue lakes,
|
|
a block of busy steamboats--we saw all this little
|
|
world in unique circumstantiality of detail--saw it
|
|
just as the birds see it--and all reduced to the smallest
|
|
of scales and as sharply worked out and finished as a
|
|
steel engraving. The numerous toy villages, with tiny
|
|
spires projecting out of them, were just as the children
|
|
might have left them when done with play the day before;
|
|
the forest tracts were diminished to cushions of moss;
|
|
one or two big lakes were dwarfed to ponds, the smaller
|
|
ones to puddles--though they did not look like puddles,
|
|
but like blue eardrops which had fallen and lodged
|
|
in slight depressions, conformable to their shapes,
|
|
among the moss-beds and the smooth levels of dainty
|
|
green farm-land; the microscopic steamboats glided along,
|
|
as in a city reservoir, taking a mighty time to cover
|
|
the distance between ports which seemed only a yard apart;
|
|
and the isthmus which separated two lakes looked as if
|
|
one might stretch out on it and lie with both elbows
|
|
in the water, yet we knew invisible wagons were toiling
|
|
across it and finding the distance a tedious one.
|
|
This beautiful miniature world had exactly the appearance
|
|
of those "relief maps" which reproduce nature precisely,
|
|
with the heights and depressions and other details graduated
|
|
to a reduced scale, and with the rocks, trees, lakes,
|
|
etc., colored after nature.
|
|
|
|
I believed we could walk down to Wa"ggis or Vitznau
|
|
in a day, but I knew we could go down by rail in about
|
|
an hour, so I chose the latter method. I wanted to see
|
|
what it was like, anyway. The train came along about
|
|
the middle of the afternoon, and an odd thing it was.
|
|
The locomotive-boiler stood on end, and it and the whole
|
|
locomotive-boiler stood on end, and it and the whole
|
|
locomotive were tiled sharply backward. There were
|
|
two passenger-cars, roofed, but wide open all around.
|
|
These cars were not tilted back, but the seats were;
|
|
this enables the passenger to sit level while going down a
|
|
steep incline.
|
|
|
|
There are three railway-tracks; the central one is cogged;
|
|
the "lantern wheel" of the engine grips its way along
|
|
these cogs, and pulls the train up the hill or retards its
|
|
motion on the down trip. About the same speed--three miles
|
|
an hour--is maintained both ways. Whether going up or down,
|
|
the locomotive is always at the lower end of the train.
|
|
It pushes in the one case, braces back in the other.
|
|
The passenger rides backward going up, and faces forward
|
|
going down.
|
|
|
|
We got front seats, and while the train moved along
|
|
about fifty yards on level ground, I was not the
|
|
least frightened; but now it started abruptly downstairs,
|
|
and I caught my breath. And I, like my neighbors,
|
|
unconsciously held back all I could, and threw my weight
|
|
to the rear, but, of course, that did no particular good.
|
|
I had slidden down the balusters when I was a boy,
|
|
and thought nothing of it, but to slide down the balusters
|
|
in a railway-train is a thing to make one's flesh creep.
|
|
Sometimes we had as much as ten yards of almost level
|
|
ground, and this gave us a few full breaths in comfort;
|
|
but straightway we would turn a corner and see a long steep
|
|
line of rails stretching down below us, and the comfort
|
|
was at an end. One expected to see the locomotive pause,
|
|
or slack up a little, and approach this plunge cautiously,
|
|
but it did nothing of the kind; it went calmly on, and went
|
|
it reached the jumping-off place it made a sudden bow,
|
|
and went gliding smoothly downstairs, untroubled by
|
|
the circumstances.
|
|
|
|
It was wildly exhilarating to slide along the edge of
|
|
the precipices, after this grisly fashion, and look straight
|
|
down upon that far-off valley which I was describing a while ago.
|
|
|
|
|
|
There was no level ground at the Kaltbad station;
|
|
the railbed was as steep as a roof; I was curious
|
|
to see how the stop was going to be managed.
|
|
But it was very simple; the train came sliding down,
|
|
and when it reached the right spot it just stopped--that
|
|
was all there was "to it"--stopped on the steep incline,
|
|
and when the exchange of passengers and baggage had
|
|
been made, it moved off and went sliding down again.
|
|
The train can be stopped anywhere, at a moment's notice.
|
|
|
|
There was one curious effect, which I need not take the
|
|
trouble to describe--because I can scissor a description
|
|
of it out of the railway company's advertising pamphlet,
|
|
and say my ink:
|
|
|
|
"On the whole tour, particularly at the Descent, we undergo
|
|
an optical illusion which often seems to be incredible.
|
|
All the shrubs, fir trees, stables, houses, etc., seem to be bent
|
|
in a slanting direction, as by an immense pressure of air.
|
|
They are all standing awry, so much awry that the chalets
|
|
and cottages of the peasants seem to be tumbling down.
|
|
It is the consequence of the steep inclination of the line.
|
|
Those who are seated in the carriage do not observe that they
|
|
are doing down a declivity of twenty to twenty-five degrees
|
|
(their seats being adapted to this course of proceeding
|
|
and being bent down at their backs). They mistake their
|
|
carriage and its horizontal lines for a proper measure
|
|
of the normal plain, and therefore all the objects outside
|
|
which really are in a horizontal position must show a
|
|
disproportion of twenty to twenty-five degrees declivity,
|
|
in regard to the mountain."
|
|
|
|
By the time one reaches Kaltbad, he has acquired confidence
|
|
in the railway, and he now ceases to try to ease the
|
|
locomotive by holding back. Thenceforth he smokes his
|
|
pipe in serenity, and gazes out upon the magnificent
|
|
picture below and about him with unfettered enjoyment.
|
|
There is nothing to interrupt the view or the breeze;
|
|
it is like inspecting the world on the wing. However--to be
|
|
exact--there is one place where the serenity lapses for a while;
|
|
this is while one is crossing the Schnurrtobel Bridge,
|
|
a frail structure which swings its gossamer frame down
|
|
through the dizzy air, over a gorge, like a vagrant
|
|
spider-strand.
|
|
|
|
One has no difficulty in remembering his sins while
|
|
the train is creeping down this bridge; and he repents
|
|
of them, too; though he sees, when he gets to Vitznau,
|
|
that he need not have done it, the bridge was perfectly safe.
|
|
|
|
So ends the eventual trip which we made to the Rigi-Kulm
|
|
to see an Alpine sunrise.
|
|
|
|
|
|
|
|
CHAPTER XXX
|
|
[Harris Climbs Mountains for Me]
|
|
|
|
An hour's sail brought us to Lucerne again. I judged
|
|
it best to go to bed and rest several days, for I knew
|
|
that the man who undertakes to make the tour of Europe
|
|
on foot must take care of himself.
|
|
|
|
Thinking over my plans, as mapped out, I perceived that
|
|
they did not take in the Furka Pass, the Rhone Glacier,
|
|
the Finsteraarhorn, the Wetterhorn, etc. I immediately
|
|
examined the guide-book to see if these were important,
|
|
and found they were; in fact, a pedestrian tour of Europe
|
|
could not be complete without them. Of course that decided
|
|
me at once to see them, for I never allow myself to do
|
|
things by halves, or in a slurring, slipshod way.
|
|
|
|
I called in my agent and instructed him to go without delay
|
|
and make a careful examination of these noted places,
|
|
on foot, and bring me back a written report of the result,
|
|
for insertion in my book. I instructed him to go to Hospenthal
|
|
as quickly as possible, and make his grand start from there;
|
|
to extend his foot expedition as far as the Giesbach fall,
|
|
and return to me from thence by diligence or mule.
|
|
I told him to take the courier with him.
|
|
|
|
He objected to the courier, and with some show of reason,
|
|
since he was about to venture upon new and untried ground;
|
|
but I thought he might as well learn how to take care of
|
|
the courier now as later, therefore I enforced my point.
|
|
I said that the trouble, delay, and inconvenience
|
|
of traveling with a courier were balanced by the deep
|
|
respect which a courier's presence commands, and I must
|
|
insist that as much style be thrown into my journeys
|
|
as possible.
|
|
|
|
So the two assumed complete mountaineering costumes
|
|
and departed. A week later they returned, pretty well
|
|
used up, and my agent handed me the following
|
|
|
|
Official Report
|
|
|
|
OF A VISIT TO THE FURKA REGION. BY H. HARRIS, AGENT
|
|
|
|
About seven o'clock in the morning, with perfectly
|
|
fine weather, we started from Hospenthal, and arrived at
|
|
the MAISON on the Furka in a little under QUATRE hours.
|
|
The want of variety in the scenery from Hospenthal made
|
|
the KAHKAHPONEEKA wearisome; but let none be discouraged;
|
|
no one can fail to be completely R'ECOMPENS'EE for
|
|
his fatigue, when he sees, for the first time, the monarch
|
|
of the Oberland, the tremendous Finsteraarhorn. A moment
|
|
before all was dullness, but a PAS further has placed us
|
|
on the summit of the Furka; and exactly in front of us,
|
|
at a HOPOW of only fifteen miles, this magnificent mountain
|
|
lifts its snow-wreathed precipices into the deep blue sky.
|
|
The inferior mountains on each side of the pass form
|
|
a sort of frame for the picture of their dread lord,
|
|
and close in the view so completely that no other prominent
|
|
feature in the Oberland is visible from this BONG-A-BONG;
|
|
nothing withdraws the attention from the solitary grandeur
|
|
of the Finsteraarhorn and the dependent spurs which form
|
|
the abutments of the central peak.
|
|
|
|
With the addition of some others, who were also bound
|
|
for the Grimsel, we formed a large XHVLOJ as we descended
|
|
the STEG which winds round the shoulder of a mountain
|
|
toward the Rhone Glacier. We soon left the path and took
|
|
to the ice; and after wandering amongst the crevices UN PEU,
|
|
to admire the wonders of these deep blue caverns, and hear
|
|
the rushing of waters through their subglacial channels,
|
|
we struck out a course toward L'AUTRE CO^T'E and crossed
|
|
the glacier successfully, a little above the cave from
|
|
which the infant Rhone takes its first bound from under
|
|
the grand precipice of ice. Half a mile below this
|
|
we began to climb the flowery side of the Meienwand.
|
|
One of our party started before the rest, but the HITZE
|
|
was so great, that we found IHM quite exhausted,
|
|
and lying at full length in the shade of a large GESTEIN.
|
|
We sat down with him for a time, for all felt the heat
|
|
exceedingly in the climb up this very steep BOLWOGGOLY,
|
|
and then we set out again together, and arrived at last
|
|
near the Dead Man's Lake, at the foot of the Sidelhorn.
|
|
This lonely spot, once used for an extempore burying-place,
|
|
after a sanguinary BATTUE between the French and Austrians,
|
|
is the perfection of desolation; there is nothing in sight
|
|
to mark the hand of man, except the line of weather-beaten
|
|
whitened posts, set up to indicate the direction of the pass
|
|
in the OWDAWAKK of winter. Near this point the footpath joins
|
|
the wider track, which connects the Grimsel with the head
|
|
of the Rhone SCHNAWP; this has been carefully constructed,
|
|
and leads with a tortuous course among and over LES PIERRES,
|
|
down to the bank of the gloomy little SWOSH-SWOSH, which
|
|
almost washes against the walls of the Grimsel Hospice.
|
|
We arrived a little before four o'clock at the end
|
|
of our day's journey, hot enough to justify the step,
|
|
taking by most of the PARTIE, of plunging into the crystal
|
|
water of the snow-fed lake.
|
|
|
|
The next afternoon we started for a walk up the Unteraar glacier,
|
|
with the intention of, at all events, getting as far
|
|
as the HU"TTE which is used as a sleeping-place by most
|
|
of those who cross the Strahleck Pass to Grindelwald.
|
|
We got over the tedious collection of stones and DE'BRIS
|
|
which covers the PIED of the GLETCHER, and had walked
|
|
nearly three hours from the Grimsel, when, just as
|
|
we were thinking of crossing over to the right,
|
|
to climb the cliffs at the foot of the hut, the clouds,
|
|
which had for some time assumed a threatening appearance,
|
|
suddenly dropped, and a huge mass of them, driving toward
|
|
us from the Finsteraarhorn, poured down a deluge of
|
|
HABOOLONG and hail. Fortunately, we were not far from
|
|
a very large glacier-table; it was a huge rock balanced
|
|
on a pedestal of ice high enough to admit of our all
|
|
creeping under it for GOWKARAK. A stream of PUCKITTYPUKK
|
|
had furrowed a course for itself in the ice at its base,
|
|
and we were obliged to stand with one FUSS on each side
|
|
of this, and endeavor to keep ourselves CHAUD by cutting
|
|
steps in the steep bank of the pedestal, so as to get
|
|
a higher place for standing on, as the WASSER rose rapidly
|
|
in its trench. A very cold BZZZZZZZZEEE accompanied
|
|
the storm, and made our position far from pleasant;
|
|
and presently came a flash of BLITZEN, apparently in the
|
|
middle of our little party, with an instantaneous clap
|
|
of YOKKY, sounding like a large gun fired close to our ears;
|
|
the effect was startling; but in a few seconds our attention
|
|
was fixed by the roaring echoes of the thunder against
|
|
the tremendous mountains which completely surrounded us.
|
|
This was followed by many more bursts, none of WELCHE,
|
|
however, was so dangerously near; and after waiting a long
|
|
DEMI-hour in our icy prison, we sallied out to talk through
|
|
a HABOOLONG which, though not so heavy as before, was quite
|
|
enough to give us a thorough soaking before our arrival at the
|
|
Hospice.
|
|
|
|
The Grimsel is CERTAINEMENT a wonderful place; situated at
|
|
the bottom of a sort of huge crater, the sides of which
|
|
are utterly savage GEBIRGE, composed of barren rocks
|
|
which cannot even support a single pine ARBRE, and afford
|
|
only scanty food for a herd of GMWKWLLOLP, it looks as
|
|
if it must be completely BEGRABEN in the winter snows.
|
|
Enormous avalanches fall against it every spring,
|
|
sometimes covering everything to the depth of thirty
|
|
or forty feet; and, in spite of walls four feet thick,
|
|
and furnished with outside shutters, the two men who stay here
|
|
when the VOYAGEURS are snugly quartered in their distant homes
|
|
can tell you that the snow sometimes shakes the house to its
|
|
foundations.
|
|
|
|
Next morning the HOGGLEBUMGULLUP still continued bad,
|
|
but we made up our minds to go on, and make the best of it.
|
|
Half an hour after we started, the REGEN thickened unpleasantly,
|
|
and we attempted to get shelter under a projecting rock,
|
|
but being far to NASS already to make standing at all
|
|
AGRE'ABLE, we pushed on for the Handeck, consoling ourselves
|
|
with the reflection that from the furious rushing
|
|
of the river Aar at our side, we should at all events
|
|
see the celebrated WASSERFALL in GRANDE PERFECTION.
|
|
Nor were we NAPPERSOCKET in our expectation; the water
|
|
was roaring down its leap of two hundred and fifty feet
|
|
in a most magnificent frenzy, while the trees which cling
|
|
to its rocky sides swayed to and fro in the violence of the
|
|
hurricane which it brought down with it; even the stream,
|
|
which falls into the main cascade at right angles,
|
|
and TOUTEFOIS forms a beautiful feature in the scene,
|
|
was now swollen into a raging torrent; and the violence
|
|
of this "meeting of the waters," about fifty feet below
|
|
the frail bridge where we stood, was fearfully grand.
|
|
While we were looking at it, GLU"CKLICHEWEISE a gleam
|
|
of sunshine came out, and instantly a beautiful rainbow
|
|
was formed by the spray, and hung in mid-air suspended over
|
|
the awful gorge.
|
|
|
|
On going into the CHALET above the fall, we were
|
|
informed that a BRU"CKE had broken down near Guttanen,
|
|
and that it would be impossible to proceed for some time;
|
|
accordingly we were kept in our drenched condition for
|
|
EIN STUNDE, when some VOYAGEURS arrived from Meiringen,
|
|
and told us that there had been a trifling accident,
|
|
ABER that we could now cross. On arriving at the spot,
|
|
I was much inclined to suspect that the whole story was a ruse
|
|
to make us SLOWWK and drink the more at the Handeck Inn,
|
|
for only a few planks had been carried away, and though
|
|
there might perhaps have been some difficulty with mules,
|
|
the gap was certainly not larger than a MMBGLX might cross
|
|
with a very slight leap. Near Guttanen the HABOOLONG
|
|
happily ceased, and we had time to walk ourselves tolerably
|
|
dry before arriving at Reichenback, WO we enjoyed a good DINE'
|
|
at the Hotel des Alps.
|
|
|
|
Next morning we walked to Rosenlaui, the BEAU ID'EAL
|
|
of Swiss scenery, where we spent the middle of the day
|
|
in an excursion to the glacier. This was more beautiful
|
|
than words can describe, for in the constant progress
|
|
of the ice it has changed the form of its extremity
|
|
and formed a vast cavern, as blue as the sky above,
|
|
and rippled like a frozen ocean. A few steps cut
|
|
in the WHOOPJAMBOREEHOO enabled us to walk completely
|
|
under this, and feast our eyes upon one of the loveliest
|
|
objects in creation. The glacier was all around divided
|
|
by numberless fissures of the same exquisite color,
|
|
and the finest wood-ERDBEEREN were growing in abundance
|
|
but a few yards from the ice. The inn stands in a CHARMANT
|
|
spot close to the C^OTE DE LA RIVIE`RE, which, lower down,
|
|
forms the Reichenbach fall, and embosomed in the richest
|
|
of pine woods, while the fine form of the Wellhorn
|
|
looking down upon it completes the enchanting BOPPLE.
|
|
In the afternoon we walked over the Great Scheideck
|
|
to Grindelwald, stopping to pay a visit to the Upper
|
|
glacier by the way; but we were again overtaken by bad
|
|
HOGGLEBUMGULLUP and arrived at the hotel in a SOLCHE
|
|
a state that the landlord's wardrobe was in great request.
|
|
|
|
The clouds by this time seemed to have done their worst,
|
|
for a lovely day succeeded, which we determined to devote
|
|
to an ascent of the Faulhorn. We left Grindelwald just as
|
|
a thunder-storm was dying away, and we hoped to find GUTEN
|
|
WETTER up above; but the rain, which had nearly ceased,
|
|
began again, and we were struck by the rapidly increasing
|
|
FROID as we ascended. Two-thirds of the way up were
|
|
completed when the rain was exchanged for GNILLIC,
|
|
with which the BODEN was thickly covered, and before we
|
|
arrived at the top the GNILLIC and mist became so thick
|
|
that we could not see one another at more than twenty
|
|
POOPOO distance, and it became difficult to pick our way over
|
|
the rough and thickly covered ground. Shivering with cold,
|
|
we turned into bed with a double allowance of clothes,
|
|
and slept comfortably while the wind howled AUTOUR DE
|
|
LA MAISON; when I awoke, the wall and the window looked
|
|
equally dark, but in another hour I found I could just
|
|
see the form of the latter; so I jumped out of bed,
|
|
and forced it open, though with great difficulty from
|
|
the frost and the quantities of GNILLIC heaped up against it.
|
|
|
|
A row of huge icicles hung down from the edge of the roof,
|
|
and anything more wintry than the whole ANBLICK could
|
|
not well be imagined; but the sudden appearance of the
|
|
great mountains in front was so startling that I felt no
|
|
inclination to move toward bed again. The snow which had
|
|
collected upon LA FENE^TRE had increased the FINSTERNISS
|
|
ODER DER DUNKELHEIT, so that when I looked out I was
|
|
surprised to find that the daylight was considerable,
|
|
and that the BALRAGOOMAH would evidently rise before long.
|
|
Only the brightest of LES E'TOILES were still shining;
|
|
the sky was cloudless overhead, though small curling
|
|
mists lay thousands of feet below us in the valleys,
|
|
wreathed around the feet of the mountains, and adding
|
|
to the splendor of their lofty summits. We were soon
|
|
dressed and out of the house, watching the gradual approach
|
|
of dawn, thoroughly absorbed in the first near view
|
|
of the Oberland giants, which broke upon us unexpectedly
|
|
after the intense obscurity of the evening before.
|
|
"KABAUGWAKKO SONGWASHEE KUM WETTERHORN SNAWPO!" cried some one,
|
|
as that grand summit gleamed with the first rose of dawn;
|
|
and in a few moments the double crest of the Schreckhorn
|
|
followed its example; peak after peak seemed warmed
|
|
with life, the Jungfrau blushed even more beautifully
|
|
than her neighbors, and soon, from the Wetterhorn in the
|
|
east to the Wildstrubel in the west, a long row of fires
|
|
glowed upon mighty altars, truly worthy of the gods.
|
|
The WLGW was very severe; our sleeping-place could
|
|
hardly be DISTINGUEE' from the snow around it, which had
|
|
fallen to a depth of a FLIRK during the past evening,
|
|
and we heartily enjoyed a rough scramble EN BAS to the
|
|
Giesbach falls, where we soon found a warm climate.
|
|
At noon the day before Grindelwald the thermometer could
|
|
not have stood at less than 100 degrees Fahr. in the sun;
|
|
and in the evening, judging from the icicles formed,
|
|
and the state of the windows, there must have been at least
|
|
twelve DINGBLATTER of frost, thus giving a change of 80
|
|
degrees during a few hours.
|
|
|
|
I said:
|
|
|
|
"You have done well, Harris; this report is concise,
|
|
compact, well expressed; the language is crisp,
|
|
the descriptions are vivid and not needlessly elaborated;
|
|
your report goes straight to the point, attends strictly
|
|
to business, and doesn't fool around. It is in many
|
|
ways an excellent document. But it has a fault--it
|
|
is too learned, it is much too learned. What is 'DINGBLATTER'?
|
|
|
|
"'DINGBLATTER' is a Fiji word meaning 'degrees.'"
|
|
|
|
"You knew the English of it, then?"
|
|
|
|
"Oh, yes."
|
|
|
|
"What is 'GNILLIC'?
|
|
|
|
"That is the Eskimo term for 'snow.'"
|
|
|
|
"So you knew the English for that, too?"
|
|
|
|
"Why, certainly."
|
|
|
|
"What does 'MMBGLX' stand for?"
|
|
|
|
"That is Zulu for 'pedestrian.'"
|
|
|
|
"'While the form of the Wellhorn looking down upon it
|
|
completes the enchanting BOPPLE.' What is 'BOPPLE'?"
|
|
|
|
"'Picture.' It's Choctaw."
|
|
|
|
"What is 'SCHNAWP'?"
|
|
|
|
"'Valley.' That is Choctaw, also."
|
|
|
|
"What is 'BOLWOGGOLY'?"
|
|
|
|
"That is Chinese for 'hill.'"
|
|
|
|
"'KAHKAHPONEEKA'?"
|
|
|
|
"'Ascent.' Choctaw."
|
|
|
|
"'But we were again overtaken by bad HOGGLEBUMGULLUP.'
|
|
What does 'HOGGLEBUMGULLUP' mean?"
|
|
|
|
"That is Chinese for 'weather.'"
|
|
|
|
"Is 'HOGGLEBUMGULLUP' better than the English word? Is
|
|
it any more descriptive?"
|
|
|
|
"No, it means just the same."
|
|
|
|
"And 'DINGBLATTER' and 'GNILLIC,' and 'BOPPLE,'
|
|
and 'SCHNAWP'--are they better than the English words?"
|
|
|
|
"No, they mean just what the English ones do."
|
|
|
|
"Then why do you use them? Why have you used all this
|
|
Chinese and Choctaw and Zulu rubbish?"
|
|
|
|
"Because I didn't know any French but two or three words,
|
|
and I didn't know any Latin or Greek at all."
|
|
|
|
"That is nothing. Why should you want to use foreign words,
|
|
anyhow?"
|
|
|
|
"They adorn my page. They all do it."
|
|
|
|
"Who is 'all'?"
|
|
|
|
"Everybody. Everybody that writes elegantly. Anybody has
|
|
a right to that wants to."
|
|
|
|
"I think you are mistaken." I then proceeded in the following
|
|
scathing manner. "When really learned men write books
|
|
for other learned men to read, they are justified in using
|
|
as many learned words as they please--their audience
|
|
will understand them; but a man who writes a book for the
|
|
general public to read is not justified in disfiguring
|
|
his pages with untranslated foreign expressions.
|
|
It is an insolence toward the majority of the purchasers,
|
|
for it is a very frank and impudent way of saying,
|
|
'Get the translations made yourself if you want them,
|
|
this book is not written for the ignorant classes.' There are
|
|
men who know a foreign language so well and have used it
|
|
so long in their daily life that they seem to discharge whole
|
|
volleys of it into their English writings unconsciously,
|
|
and so they omit to translate, as much as half the time.
|
|
That is a great cruelty to nine out of ten of the
|
|
man's readers. What is the excuse for this? The writer
|
|
would say he only uses the foreign language where the
|
|
delicacy of his point cannot be conveyed in English.
|
|
Very well, then he writes his best things for the tenth man,
|
|
and he ought to warn the nine other not to buy his book.
|
|
However, the excuse he offers is at least an excuse;
|
|
but there is another set of men who are like YOU;
|
|
they know a WORD here and there, of a foreign language,
|
|
or a few beggarly little three-word phrases, filched from
|
|
the back of the Dictionary, and these are continually
|
|
peppering into their literature, with a pretense of
|
|
knowing that language--what excuse can they offer? The
|
|
foreign words and phrases which they use have their exact
|
|
equivalents in a nobler language--English; yet they think
|
|
they 'adorn their page' when they say STRASSE for street,
|
|
and BAHNHOF for railway-station, and so on--flaunting
|
|
these fluttering rags of poverty in the reader's face
|
|
and imagining he will be ass enough to take them for the
|
|
sign of untold riches held in reserve. I will let your
|
|
'learning' remain in your report; you have as much right,
|
|
I suppose, to 'adorn your page' with Zulu and Chinese
|
|
and Choctaw rubbish as others of your sort have to adorn
|
|
theirs with insolent odds and ends smouched from half
|
|
a dozen learned tongues whose A-B ABS they don't even know."
|
|
|
|
When the musing spider steps upon the red-hot shovel,
|
|
he first exhibits a wild surprise, then he shrivels up.
|
|
Similar was the effect of these blistering words upon the
|
|
tranquil and unsuspecting Agent. I can be dreadfully rough
|
|
on a person when the mood takes me.
|
|
|
|
|
|
|
|
CHAPTER XXXI
|
|
[Alp-scaling by Carriage]
|
|
|
|
We now prepared for a considerable walk--from Lucerne
|
|
to Interlaken, over the Bru"nig Pass. But at the last moment
|
|
the weather was so good that I changed my mind and hired
|
|
a four-horse carriage. It was a huge vehicle, roomy, as easy
|
|
in its motion as a palanquin, and exceedingly comfortable.
|
|
|
|
We got away pretty early in the morning, after a hot breakfast,
|
|
and went bowling over a hard, smooth road, through the summer
|
|
loveliness of Switzerland, with near and distant lakes
|
|
and mountains before and about us for the entertainment
|
|
of the eye, and the music of multitudinous birds to charm
|
|
the ear. Sometimes there was only the width of the road
|
|
between the imposing precipices on the right and the clear
|
|
cool water on the left with its shoals of uncatchable
|
|
fish skimming about through the bars of sun and shadow;
|
|
and sometimes, in place of the precipices, the grassy land
|
|
stretched away, in an apparently endless upward slant,
|
|
and was dotted everywhere with snug little chalets,
|
|
the peculiarly captivating cottage of Switzerland.
|
|
|
|
The ordinary chalet turns a broad, honest gable end
|
|
to the road, and its ample roof hovers over the home
|
|
in a protecting, caressing way, projecting its sheltering
|
|
eaves far outward. The quaint windows are filled with
|
|
little panes, and garnished with white muslin curtains,
|
|
and brightened with boxes of blooming flowers.
|
|
Across the front of the house, and up the spreading eaves
|
|
and along the fanciful railings of the shallow porch,
|
|
are elaborate carvings--wreaths, fruits, arabesques,
|
|
verses from Scripture, names, dates, etc. The building
|
|
is wholly of wood, reddish brown in tint, a very
|
|
pleasing color. It generally has vines climbing over it.
|
|
Set such a house against the fresh green of the hillside,
|
|
and it looks ever so cozy and inviting and picturesque,
|
|
and is a decidedly graceful addition to the landscape.
|
|
|
|
One does not find out what a hold the chalet has taken
|
|
upon him, until he presently comes upon a new house--
|
|
a house which is aping the town fashions of Germany
|
|
and France, a prim, hideous, straight-up-and-down thing,
|
|
plastered all over on the outside to look like stone,
|
|
and altogether so stiff, and formal, and ugly, and forbidding,
|
|
and so out of tune with the gracious landscape, and so deaf
|
|
and dumb and dead to the poetry of its surroundings,
|
|
that it suggests an undertaker at a picnic, a corpse at
|
|
a wedding, a puritan in Paradise.
|
|
|
|
In the course of the morning we passed the spot where Pontius
|
|
Pilate is said to have thrown himself into the lake.
|
|
The legend goes that after the Crucifixion his conscience
|
|
troubled him, and he fled from Jerusalem and wandered
|
|
about the earth, weary of life and a prey to tortures of
|
|
the mind. Eventually, he hid himself away, on the heights
|
|
of Mount Pilatus, and dwelt alone among the clouds and
|
|
crags for years; but rest and peace were still denied him,
|
|
so he finally put an end to his misery by drowning himself.
|
|
|
|
Presently we passed the place where a man of better odor
|
|
was born. This was the children's friend, Santa Claus,
|
|
or St. Nicholas. There are some unaccountable reputations
|
|
in the world. This saint's is an instance. He has
|
|
ranked for ages as the peculiar friend of children,
|
|
yet it appears he was not much of a friend to his own.
|
|
He had ten of them, and when fifty years old he left them,
|
|
and sought out as dismal a refuge from the world as possible,
|
|
and became a hermit in order that he might reflect upon
|
|
pious themes without being disturbed by the joyous and other
|
|
noises from the nursery, doubtless.
|
|
|
|
Judging by Pilate and St. Nicholas, there exists no rule
|
|
for the construction of hermits; they seem made out of all
|
|
kinds of material. But Pilate attended to the matter of
|
|
expiating his sin while he was alive, whereas St. Nicholas
|
|
will probably have to go on climbing down sooty chimneys,
|
|
Christmas eve, forever, and conferring kindness on other
|
|
people's children, to make up for deserting his own.
|
|
His bones are kept in a church in a village (Sachseln)
|
|
which we visited, and are naturally held in great reverence.
|
|
His portrait is common in the farmhouses of the region,
|
|
but is believed by many to be but an indifferent likeness.
|
|
During his hermit life, according to legend, he partook
|
|
of the bread and wine of the communion once a month,
|
|
but all the rest of the month he fasted.
|
|
|
|
A constant marvel with us, as we sped along the bases
|
|
of the steep mountains on this journey, was, not that
|
|
avalanches occur, but that they are not occurring all
|
|
the time. One does not understand why rocks and landslides
|
|
do not plunge down these declivities daily. A landslip
|
|
occurred three quarters of a century ago, on the route
|
|
from Arth to Brunnen, which was a formidable thing.
|
|
A mass of conglomerate two miles long, a thousand feet broad,
|
|
and a hundred feet thick, broke away from a cliff three
|
|
thousand feet high and hurled itself into the valley below,
|
|
burying four villages and five hundred people, as in a grave.
|
|
|
|
We had such a beautiful day, and such endless pictures
|
|
of limpid lakes, and green hills and valleys,
|
|
and majestic mountains, and milky cataracts dancing
|
|
down the steeps and gleaming in the sun, that we could
|
|
not help feeling sweet toward all the world; so we tried
|
|
to drink all the milk, and eat all the grapes and apricots
|
|
and berries, and buy all the bouquets of wild flowers
|
|
which the little peasant boys and girls offered for sale;
|
|
but we had to retire from this contract, for it was too heavy.
|
|
|
|
At short distances--and they were entirely too short--all
|
|
along the road, were groups of neat and comely children,
|
|
with their wares nicely and temptingly set forth
|
|
in the grass under the shade trees, and as soon as we
|
|
approached they swarmed into the road, holding out their
|
|
baskets and milk bottles, and ran beside the carriage,
|
|
barefoot and bareheaded, and importuned us to buy.
|
|
They seldom desisted early, but continued to run and
|
|
insist--beside the wagon while they could, and behind
|
|
it until they lost breath. Then they turned and chased
|
|
a returning carriage back to their trading-post again.
|
|
After several hours of this, without any intermission,
|
|
it becomes almost annoying. I do not know what we
|
|
should have done without the returning carriages to draw
|
|
off the pursuit. However, there were plenty of these,
|
|
loaded with dusty tourists and piled high with luggage.
|
|
Indeed, from Lucerne to Interlaken we had the spectacle,
|
|
among other scenery, of an unbroken procession of
|
|
fruit-peddlers and tourists carriages.
|
|
|
|
Our talk was mostly anticipatory of what we should see
|
|
on the down-grade of the Bru"nig, by and by, after we
|
|
should pass the summit. All our friends in Lucerne had
|
|
said that to look down upon Meiringen, and the rushing
|
|
blue-gray river Aar, and the broad level green valley;
|
|
and across at the mighty Alpine precipices that rise
|
|
straight up to the clouds out of that valley; and up
|
|
at the microscopic chalets perched upon the dizzy eaves
|
|
of those precipices and winking dimly and fitfully
|
|
through the drifting veil of vapor; and still up and up,
|
|
at the superb Oltschiback and the other beautiful cascades
|
|
that leap from those rugged heights, robed in powdery spray,
|
|
ruffled with foam, and girdled with rainbows--to look upon
|
|
these things, they say, was to look upon the last possibility
|
|
of the sublime and the enchanting. Therefore, as I say,
|
|
we talked mainly of these coming wonders; if we were conscious
|
|
of any impatience, it was to get there in favorable season;
|
|
if we felt any anxiety, it was that the day might
|
|
remain perfect, and enable us to see those marvels at their best.
|
|
|
|
|
|
As we approached the Kaiserstuhl, a part of the harness gave way.
|
|
|
|
We were in distress for a moment, but only a moment.
|
|
It was the fore-and-aft gear that was broken--the thing
|
|
that leads aft from the forward part of the horse and is
|
|
made fast to the thing that pulls the wagon. In America
|
|
this would have been a heavy leathern strap; but, all over
|
|
the continent it is nothing but a piece of rope the size
|
|
of your little finger--clothes-line is what it is.
|
|
Cabs use it, private carriages, freight-carts and wagons,
|
|
all sorts of vehicles have it. In Munich I afterward saw
|
|
it used on a long wagon laden with fifty-four half-barrels
|
|
of beer; I had before noticed that the cabs in Heidelberg
|
|
used it--not new rope, but rope that had been in use
|
|
since Abraham's time --and I had felt nervous, sometimes,
|
|
behind it when the cab was tearing down a hill. But I
|
|
had long been accustomed to it now, and had even become
|
|
afraid of the leather strap which belonged in its place.
|
|
Our driver got a fresh piece of clothes-line out of his
|
|
locker and repaired the break in two minutes.
|
|
|
|
So much for one European fashion. Every country has its
|
|
own ways. It may interest the reader to know how they "put
|
|
horses to" on the continent. The man stands up the horses
|
|
on each side of the thing that projects from the front end
|
|
of the wagon, and then throws the tangled mess of gear
|
|
forward through a ring, and hauls it aft, and passes the
|
|
other thing through the other ring and hauls it aft on the
|
|
other side of the other horse, opposite to the first one,
|
|
after crossing them and bringing the loose end back,
|
|
and then buckles the other thing underneath the horse,
|
|
and takes another thing and wraps it around the thing I spoke
|
|
of before, and puts another thing over each horse's head,
|
|
with broad flappers to it to keep the dust out of his eyes,
|
|
and puts the iron thing in his mouth for him to grit his
|
|
teeth on, uphill, and brings the ends of these things aft
|
|
over his back, after buckling another one around under
|
|
his neck to hold his head up, and hitching another thing
|
|
on a thing that goes over his shoulders to keep his head
|
|
up when he is climbing a hill, and then takes the slack
|
|
of the thing which I mentioned a while ago, and fetches it
|
|
aft and makes it fast to the thing that pulls the wagon,
|
|
and hands the other things up to the driver to steer with.
|
|
I never have buckled up a horse myself, but I do not think
|
|
we do it that way.
|
|
|
|
We had four very handsome horses, and the driver was very proud
|
|
of his turnout. He would bowl along on a reasonable trot,
|
|
on the highway, but when he entered a village he did it on
|
|
a furious run, and accompanied it with a frenzy of ceaseless
|
|
whip-crackings that sounded like volleys of musketry.
|
|
He tore through the narrow streets and around the sharp
|
|
curves like a moving earthquake, showering his volleys
|
|
as he went, and before him swept a continuous tidal wave
|
|
of scampering children, ducks, cats, and mothers clasping
|
|
babies which they had snatched out of the way of the
|
|
coming destruction; and as this living wave washed aside,
|
|
along the walls, its elements, being safe, forgot their fears
|
|
and turned their admiring gaze upon that gallant driver
|
|
till he thundered around the next curve and was lost to sight.
|
|
|
|
He was a great man to those villagers, with his gaudy
|
|
clothes and his terrific ways. Whenever he stopped
|
|
to have his cattle watered and fed with loaves of bread,
|
|
the villagers stood around admiring him while he
|
|
swaggered about, the little boys gazed up at his face with
|
|
humble homage, and the landlord brought out foaming mugs
|
|
of beer and conversed proudly with him while he drank.
|
|
Then he mounted his lofty box, swung his explosive whip,
|
|
and away he went again, like a storm. I had not seen
|
|
anything like this before since I was a boy, and the
|
|
stage used to flourish the village with the dust flying
|
|
and the horn tooting.
|
|
|
|
When we reached the base of the Kaiserstuhl, we took
|
|
two more horses; we had to toil along with difficulty
|
|
for an hour and a half or two hours, for the ascent
|
|
was not very gradual, but when we passed the backbone
|
|
and approached the station, the driver surpassed all
|
|
his previous efforts in the way of rush and clatter.
|
|
He could not have six horses all the time, so he made
|
|
the most of his chance while he had it.
|
|
|
|
Up to this point we had been in the heart of the William
|
|
Tell region. The hero is not forgotten, by any means,
|
|
or held in doubtful veneration. His wooden image,
|
|
with his bow drawn, above the doors of taverns, was a
|
|
frequent feature of the scenery.
|
|
|
|
About noon we arrived at the foot of the Bru"nig Pass,
|
|
and made a two-hour stop at the village hotel, another of
|
|
those clean, pretty, and thoroughly well-kept inns which are
|
|
such an astonishment to people who are accustomed to hotels
|
|
of a dismally different pattern in remote country-towns.
|
|
There was a lake here, in the lap of the great mountains,
|
|
the green slopes that rose toward the lower crags
|
|
were graced with scattered Swiss cottages nestling
|
|
among miniature farms and gardens, and from out a leafy
|
|
ambuscade in the upper heights tumbled a brawling cataract.
|
|
|
|
Carriage after carriage, laden with tourists and trunks,
|
|
arrived, and the quiet hotel was soon populous.
|
|
We were early at the table d'ho^te and saw the people
|
|
all come in. There were twenty-five, perhaps. They were
|
|
of various nationalities, but we were the only Americans.
|
|
Next to me sat an English bride, and next to her sat her
|
|
new husband, whom she called "Neddy," though he was big
|
|
enough and stalwart enough to be entitled to his full name.
|
|
They had a pretty little lovers' quarrel over what wine
|
|
they should have. Neddy was for obeying the guide-book
|
|
and taking the wine of the country; but the bride said:
|
|
|
|
"What, that nahsty stuff!"
|
|
|
|
"It isn't nahsty, pet, it's quite good."
|
|
|
|
"It IS nahsty."
|
|
|
|
"No, it ISN'T nahsty."
|
|
|
|
"It's Oful nahsty, Neddy, and I shahn't drink it."
|
|
|
|
Then the question was, what she must have. She said he
|
|
knew very well that she never drank anything but champagne.
|
|
|
|
She added:
|
|
|
|
"You know very well papa always has champagne on his table,
|
|
and I've always been used to it."
|
|
|
|
Neddy made a playful pretense of being distressed about
|
|
the expense, and this amused her so much that she nearly
|
|
exhausted herself with laughter--and this pleased HIM
|
|
so much that he repeated his jest a couple of times,
|
|
and added new and killing varieties to it. When the bride
|
|
finally recovered, she gave Neddy a love-box on the arm
|
|
with her fan, and said with arch severity:
|
|
|
|
"Well, you would HAVE me--nothing else would do--
|
|
so you'll have to make the best of a bad bargain.
|
|
DO order the champagne, I'm Oful dry."
|
|
|
|
So with a mock groan which made her laugh again,
|
|
Neddy ordered the champagne.
|
|
|
|
The fact that this young woman had never moistened
|
|
the selvedge edge of her soul with a less plebeian
|
|
tipple than champagne, had a marked and subduing effect
|
|
on Harris. He believed she belonged to the royal family.
|
|
But I had my doubts.
|
|
|
|
We heard two or three different languages spoken by
|
|
people at the table and guessed out the nationalities
|
|
of most of the guests to our satisfaction, but we
|
|
failed with an elderly gentleman and his wife and a
|
|
young girl who sat opposite us, and with a gentleman
|
|
of about thirty-five who sat three seats beyond Harris.
|
|
We did not hear any of these speak. But finally the
|
|
last-named gentleman left while we were not noticing,
|
|
but we looked up as he reached the far end of the table.
|
|
He stopped there a moment, and made his toilet with a
|
|
pocket comb. So he was a German; or else he had lived
|
|
in German hotels long enough to catch the fashion.
|
|
When the elderly couple and the young girl rose to leave,
|
|
they bowed respectfully to us. So they were Germans, too.
|
|
This national custom is worth six of the other one,
|
|
for export.
|
|
|
|
After dinner we talked with several Englishmen, and they
|
|
inflamed our desire to a hotter degree than ever,
|
|
to see the sights of Meiringen from the heights of
|
|
the Bru"nig Pass. They said the view was marvelous,
|
|
and that one who had seen it once could never forget it.
|
|
They also spoke of the romantic nature of the road over
|
|
the pass, and how in one place it had been cut through
|
|
a flank of the solid rock, in such a way that the mountain
|
|
overhung the tourist as he passed by; and they furthermore
|
|
said that the sharp turns in the road and the abruptness
|
|
of the descent would afford us a thrilling experience,
|
|
for we should go down in a flying gallop and seem to be
|
|
spinning around the rings of a whirlwind, like a drop
|
|
of whiskey descending the spirals of a corkscrew.
|
|
I got all the information out of these gentlemen that we
|
|
could need; and then, to make everything complete, I asked
|
|
them if a body could get hold of a little fruit and milk
|
|
here and there, in case of necessity. They threw up their
|
|
hands in speechless intimation that the road was simply paved
|
|
with refreshment-peddlers. We were impatient to get away,
|
|
now, and the rest of our two-hour stop rather dragged.
|
|
But finally the set time arrived and we began the ascent.
|
|
Indeed it was a wonderful road. It was smooth, and compact,
|
|
and clean, and the side next the precipices was guarded
|
|
all along by dressed stone posts about three feet high,
|
|
placed at short distances apart. The road could not have
|
|
been better built if Napoleon the First had built it.
|
|
He seems to have been the introducer of the sort of roads
|
|
which Europe now uses. All literature which describes
|
|
life as it existed in England, France, and Germany up
|
|
to the close of the last century, is filled with pictures
|
|
of coaches and carriages wallowing through these three
|
|
countries in mud and slush half-wheel deep; but after
|
|
Napoleon had floundered through a conquered kingdom he
|
|
generally arranged things so that the rest of the world
|
|
could follow dry-shod.
|
|
|
|
We went on climbing, higher and higher, and curving hither
|
|
and thither, in the shade of noble woods, and with a rich
|
|
variety and profusion of wild flowers all about us;
|
|
and glimpses of rounded grassy backbones below us occupied
|
|
by trim chalets and nibbling sheep, and other glimpses
|
|
of far lower altitudes, where distance diminished the
|
|
chalets to toys and obliterated the sheep altogether;
|
|
and every now and then some ermined monarch of the Alps
|
|
swung magnificently into view for a moment, then drifted
|
|
past an intervening spur and disappeared again.
|
|
|
|
It was an intoxicating trip altogether; the exceeding
|
|
sense of satisfaction that follows a good dinner added
|
|
largely to the enjoyment; the having something especial
|
|
to look forward to and muse about, like the approaching
|
|
grandeurs of Meiringen, sharpened the zest. Smoking was
|
|
never so good before, solid comfort was never solider;
|
|
we lay back against the thick cushions silent, meditative,
|
|
steeped in felicity.
|
|
|
|
I rubbed my eyes, opened them, and started. I had been
|
|
dreaming I was at sea, and it was a thrilling surprise to wake
|
|
up and find land all around me. It took me a couple seconds
|
|
to "come to," as you may say; then I took in the situation.
|
|
The horses were drinking at a trough in the edge of a town,
|
|
the driver was taking beer, Harris was snoring at my side,
|
|
the courier, with folded arms and bowed head, was sleeping
|
|
on the box, two dozen barefooted and bareheaded children
|
|
were gathered about the carriage, with their hands
|
|
crossed behind, gazing up with serious and innocent
|
|
admiration at the dozing tourists baking there in the sun.
|
|
Several small girls held night-capped babies nearly
|
|
as big as themselves in their arms, and even these fat
|
|
babies seemed to take a sort of sluggish interest in us.
|
|
|
|
We had slept an hour and a half and missed all the scenery!
|
|
I did not need anybody to tell me that. If I had been
|
|
a girl, I could have cursed for vexation. As it was,
|
|
I woke up the agent and gave him a piece of my mind.
|
|
Instead of being humiliated, he only upbraided me for being
|
|
so wanting in vigilance. He said he had expected to improve
|
|
his mind by coming to Europe, but a man might travel to the
|
|
ends of the earth with me and never see anything, for I
|
|
was manifestly endowed with the very genius of ill luck.
|
|
He even tried to get up some emotion about that poor courier,
|
|
who never got a chance to see anything, on account of
|
|
my heedlessness. But when I thought I had borne about
|
|
enough of this kind of talk, I threatened to make Harris
|
|
tramp back to the summit and make a report on that scenery,
|
|
and this suggestion spiked his battery.
|
|
|
|
We drove sullenly through Brienz, dead to the seductions
|
|
of its bewildering array of Swiss carvings and the
|
|
clamorous HOO-hooing of its cuckoo clocks, and had not
|
|
entirely recovered our spirits when we rattled across
|
|
a bridge over the rushing blue river and entered the
|
|
pretty town of Interlaken. It was just about sunset,
|
|
and we had made the trip from Lucerne in ten hours.
|
|
|
|
|
|
|
|
CHAPTER XXXII
|
|
[The Jungfrau, the Bride, and the Piano]
|
|
|
|
We located ourselves at the Jungfrau Hotel, one of those
|
|
huge establishments which the needs of modern travel
|
|
have created in every attractive spot on the continent.
|
|
There was a great gathering at dinner, and, as usual,
|
|
one heard all sorts of languages.
|
|
|
|
The table d'ho^te was served by waitresses dressed
|
|
in the quaint and comely costume of the Swiss peasants.
|
|
This consists of a simple gros de laine, trimmed with ashes
|
|
of roses, with overskirt of scare bleu ventre saint gris,
|
|
cut bias on the off-side, with facings of petit polonaise
|
|
and narrow insertions of pa^te de foie gras backstitched
|
|
to the mise en sce`ne in the form of a jeu d'esprit. It gives
|
|
to the wearer a singularly piquant and alluring aspect.
|
|
|
|
One of these waitresses, a woman of forty,
|
|
had side-whiskers reaching half-way down her jaws.
|
|
They were two fingers broad, dark in color, pretty thick,
|
|
and the hairs were an inch long. One sees many women on
|
|
the continent with quite conspicuous mustaches, but this
|
|
was the only woman I saw who had reached the dignity of whiskers.
|
|
|
|
|
|
After dinner the guests of both sexes distributed themselves
|
|
about the front porches and the ornamental grounds belonging
|
|
to the hotel, to enjoy the cool air; but, as the twilight
|
|
deepened toward darkness, they gathered themselves together
|
|
in that saddest and solemnest and most constrained of
|
|
all places, the great blank drawing-room which is the chief
|
|
feature of all continental summer hotels. There they
|
|
grouped themselves about, in couples and threes, and mumbled
|
|
in bated voices, and looked timid and homeless and forlorn.
|
|
|
|
There was a small piano in this room, a clattery, wheezy,
|
|
asthmatic thing, certainly the very worst miscarriage
|
|
in the way of a piano that the world has seen. In turn,
|
|
five or six dejected and homesick ladies approached
|
|
it doubtingly, gave it a single inquiring thump, and retired
|
|
with the lockjaw. But the boss of that instrument was
|
|
to come, nevertheless; and from my own country--from Arkansaw.
|
|
|
|
She was a brand-new bride, innocent, girlish, happy in herself
|
|
and her grave and worshiping stripling of a husband; she was
|
|
about eighteen, just out of school, free from affections,
|
|
unconscious of that passionless multitude around her;
|
|
and the very first time she smote that old wreck one
|
|
recognized that it had met its destiny. Her stripling
|
|
brought an armful of aged sheet-music from their room--
|
|
for this bride went "heeled," as you might say--and bent
|
|
himself lovingly over and got ready to turn the pages.
|
|
|
|
The bride fetched a swoop with her fingers from one end
|
|
of the keyboard to the other, just to get her bearings,
|
|
as it were, and you could see the congregation set their teeth
|
|
with the agony of it. Then, without any more preliminaries,
|
|
she turned on all the horrors of the "Battle of Prague,"
|
|
that venerable shivaree, and waded chin-deep in the blood
|
|
of the slain. She made a fair and honorable average
|
|
of two false notes in every five, but her soul was in arms
|
|
and she never stopped to correct. The audience stood it
|
|
with pretty fair grit for a while, but when the cannonade
|
|
waxed hotter and fiercer, and the discord average
|
|
rose to four in five, the procession began to move.
|
|
A few stragglers held their ground ten minutes longer,
|
|
but when the girl began to wring the true inwardness out
|
|
of the "cries of the wounded," they struck their colors
|
|
and retired in a kind of panic.
|
|
|
|
There never was a completer victory; I was the only
|
|
non-combatant left on the field. I would not have
|
|
deserted my countrywoman anyhow, but indeed I had no
|
|
desires in that direction. None of us like mediocrity,
|
|
but we all reverence perfection. This girl's music
|
|
was perfection in its way; it was the worst music that
|
|
had ever been achieved on our planet by a mere human being.
|
|
|
|
I moved up close, and never lost a strain. When she
|
|
got through, I asked her to play it again. She did it
|
|
with a pleased alacrity and a heightened enthusiasm.
|
|
She made it ALL discords, this time. She got an amount
|
|
of anguish into the cries of the wounded that shed a new
|
|
light on human suffering. She was on the war-path all
|
|
the evening. All the time, crowds of people gathered on
|
|
the porches and pressed their noses against the windows
|
|
to look and marvel, but the bravest never ventured in.
|
|
The bride went off satisfied and happy with her young fellow,
|
|
when her appetite was finally gorged, and the tourists
|
|
swarmed in again.
|
|
|
|
What a change has come over Switzerland, and in fact
|
|
all Europe, during this century! Seventy or eighty years
|
|
ago Napoleon was the only man in Europe who could really
|
|
be called a traveler; he was the only man who had devoted
|
|
his attention to it and taken a powerful interest in it;
|
|
he was the only man who had traveled extensively;
|
|
but now everybody goes everywhere; and Switzerland,
|
|
and many other regions which were unvisited and unknown
|
|
remotenesses a hundred years ago, are in our days
|
|
a buzzing hive of restless strangers every summer.
|
|
But I digress.
|
|
|
|
In the morning, when we looked out of our windows,
|
|
we saw a wonderful sight. Across the valley,
|
|
and apparently quite neighborly and close at hand,
|
|
the giant form of the Jungfrau rose cold and white into
|
|
the clear sky, beyond a gateway in the nearer highlands.
|
|
It reminded me, somehow, of one of those colossal billows
|
|
which swells suddenly up beside one's ship, at sea,
|
|
sometimes, with its crest and shoulders snowy white, and the
|
|
rest of its noble proportions streaked downward with creamy foam.
|
|
|
|
|
|
I took out my sketch-book and made a little picture
|
|
of the Jungfrau, merely to get the shape. [Figure 9]
|
|
|
|
I do not regard this as one of my finished works, in fact I
|
|
do not rank it among my Works at all; it is only a study;
|
|
it is hardly more than what one might call a sketch.
|
|
Other artists have done me the grace to admire it; but I
|
|
am severe in my judgments of my own pictures, and this
|
|
one does not move me.
|
|
|
|
It was hard to believe that that lofty wooded rampart on
|
|
the left which so overtops the Jungfrau was not actually
|
|
the higher of the two, but it was not, of course.
|
|
It is only two or three thousand feet high, and of course
|
|
has no snow upon it in summer, whereas the Jungfrau is not
|
|
much shorter of fourteen thousand feet high and therefore
|
|
that lowest verge of snow on her side, which seems nearly
|
|
down to the valley level, is really about seven thousand feet
|
|
higher up in the air than the summit of that wooded rampart.
|
|
It is the distance that makes the deception. The wooded
|
|
height is but four or five miles removed from us,
|
|
but the Jungfrau is four or five times that distance away.
|
|
|
|
Walking down the street of shops, in the fore-noon, I
|
|
was attracted by a large picture, carved, frame and all,
|
|
from a single block of chocolate-colored wood.
|
|
There are people who know everything. Some of these had
|
|
told us that continental shopkeepers always raise their
|
|
prices on English and Americans. Many people had told
|
|
us it was expensive to buy things through a courier,
|
|
whereas I had supposed it was just the reverse.
|
|
When I saw this picture, I conjectured that it was worth
|
|
more than the friend I proposed to buy it for would
|
|
like to pay, but still it was worth while to inquire;
|
|
so I told the courier to step in and ask the price, as if he
|
|
wanted it for himself; I told him not to speak in English,
|
|
and above all not to reveal the fact that he was a courier.
|
|
Then I moved on a few yards, and waited.
|
|
|
|
The courier came presently and reported the price.
|
|
I said to myself, "It is a hundred francs too much,"
|
|
and so dismissed the matter from my mind. But in
|
|
the afternoon I was passing that place with Harris,
|
|
and the picture attracted me again. We stepped in,
|
|
to see how much higher broken German would raise the price.
|
|
The shopwoman named a figure just a hundred francs lower
|
|
than the courier had named. This was a pleasant surprise.
|
|
I said I would take it. After I had given directions as to
|
|
where it was to be shipped, the shipped, the shopwoman said,
|
|
appealingly:
|
|
|
|
"If your please, do not let your courier know you bought it."
|
|
|
|
This was an unexpected remark. I said:
|
|
|
|
"What makes you think I have a courier?"
|
|
|
|
"Ah, that is very simple; he told me himself."
|
|
|
|
"He was very thoughtful. But tell me--why did you charge
|
|
him more than you are charging me?"
|
|
|
|
"That is very simple, also: I do not have to pay you
|
|
a percentage."
|
|
|
|
"Oh, I begin to see. You would have had to pay the courier
|
|
a percentage."
|
|
|
|
"Undoubtedly. The courier always has his percentage.
|
|
In this case it would have been a hundred francs."
|
|
|
|
"Then the tradesman does not pay a part of it--
|
|
the purchaser pays all of it?"
|
|
|
|
"There are occasions when the tradesman and the courier
|
|
agree upon a price which is twice or thrice the value of
|
|
the article, then the two divide, and both get a percentage."
|
|
|
|
"I see. But it seems to me that the purchaser does
|
|
all the paying, even then."
|
|
|
|
"Oh, to be sure! It goes without saying."
|
|
|
|
"But I have bought this picture myself; therefore why
|
|
shouldn't the courier know it?"
|
|
|
|
The woman exclaimed, in distress:
|
|
|
|
"Ah, indeed it would take all my little profit! He would
|
|
come and demand his hundred francs, and I should have
|
|
to pay."
|
|
|
|
"He has not done the buying. You could refuse."
|
|
|
|
"I could not dare to refuse. He would never bring
|
|
travelers here again. More than that, he would denounce me
|
|
to the other couriers, they would divert custom from me,
|
|
and my business would be injured."
|
|
|
|
I went away in a thoughtful frame of mind. I began to see why
|
|
a courier could afford to work for fifty-five dollars a month
|
|
and his fares. A month or two later I was able to understand
|
|
why a courier did not have to pay any board and lodging,
|
|
and why my hotel bills were always larger when I had him
|
|
with me than when I left him behind, somewhere, for a few days.
|
|
|
|
Another thing was also explained, now, apparently.
|
|
In one town I had taken the courier to the bank to do
|
|
the translating when I drew some money. I had sat
|
|
in the reading-room till the transaction was finished.
|
|
Then a clerk had brought the money to me in person,
|
|
and had been exceedingly polite, even going so far as to
|
|
precede me to the door and holding it open for me and bow
|
|
me out as if I had been a distinguished personage.
|
|
It was a new experience. Exchange had been in my favor
|
|
ever since I had been in Europe, but just that one time.
|
|
I got simply the face of my draft, and no extra francs,
|
|
whereas I had expected to get quite a number of them.
|
|
This was the first time I had ever used the courier at
|
|
the bank. I had suspected something then, and as long
|
|
as he remained with me afterward I managed bank matters
|
|
by myself.
|
|
|
|
Still, if I felt that I could afford the tax, I would
|
|
never travel without a courier, for a good courier is
|
|
a convenience whose value cannot be estimated in dollars
|
|
and cents. Without him, travel is a bitter harassment,
|
|
a purgatory of little exasperating annoyances, a ceaseless
|
|
and pitiless punishment--I mean to an irascible man
|
|
who has no business capacity and is confused by details.
|
|
|
|
Without a courier, travel hasn't a ray of pleasure
|
|
in it, anywhere; but with him it is a continuous and
|
|
unruffled delight. He is always at hand, never has to be
|
|
sent for; if your bell is not answered promptly--and it
|
|
seldom is--you have only to open the door and speak,
|
|
the courier will hear, and he will have the order attended
|
|
to or raise an insurrection. You tell him what day
|
|
you will start, and whither you are going--leave all
|
|
the rest to him. You need not inquire about trains,
|
|
or fares, or car changes, or hotels, or anything else.
|
|
At the proper time he will put you in a cab or an omnibus,
|
|
and drive you to the train or the boat; he has packed your
|
|
luggage and transferred it, he has paid all the bills.
|
|
Other people have preceded you half an hour to scramble
|
|
for impossible places and lose their tempers, but you can
|
|
take your time; the courier has secured your seats for you,
|
|
and you can occupy them at your leisure.
|
|
|
|
At the station, the crowd mash one another to pulp in the
|
|
effort to get the weigher's attention to their trunks;
|
|
they dispute hotly with these tyrants, who are cool
|
|
and indifferent; they get their baggage billets, at last,
|
|
and then have another squeeze and another rage over the
|
|
disheartening business of trying to get them recorded and
|
|
paid for, and still another over the equally disheartening
|
|
business of trying to get near enough to the ticket
|
|
office to buy a ticket; and now, with their tempers gone
|
|
to the dogs, they must stand penned up and packed together,
|
|
laden with wraps and satchels and shawl-straps, with the
|
|
weary wife and babies, in the waiting-room, till the doors
|
|
are thrown open--and then all hands make a grand final
|
|
rush to the train, find it full, and have to stand on
|
|
the platform and fret until some more cars are put on.
|
|
They are in a condition to kill somebody by this time.
|
|
Meantime, you have been sitting in your car, smoking,
|
|
and observing all this misery in the extremest comfort.
|
|
|
|
On the journey the guard is polite and watchful--won't
|
|
allow anybody to get into your compartment--tells them
|
|
you are just recovering from the small-pox and do not
|
|
like to be disturbed. For the courier has made everything
|
|
right with the guard. At way-stations the courier comes
|
|
to your compartment to see if you want a glass of water,
|
|
or a newspaper, or anything; at eating-stations he sends
|
|
luncheon out to you, while the other people scramble
|
|
and worry in the dining-rooms. If anything breaks about
|
|
the car you are in, and a station-master proposes to pack
|
|
you and your agent into a compartment with strangers,
|
|
the courier reveals to him confidentially that you are
|
|
a French duke born deaf and dumb, and the official comes
|
|
and makes affable signs that he has ordered a choice car
|
|
to be added to the train for you.
|
|
|
|
At custom-houses the multitude file tediously through,
|
|
hot and irritated, and look on while the officers
|
|
burrow into the trunks and make a mess of everything;
|
|
but you hand your keys to the courier and sit still.
|
|
Perhaps you arrive at your destination in a rain-storm
|
|
at ten at night--you generally do. The multitude
|
|
spend half an hour verifying their baggage and getting
|
|
it transferred to the omnibuses; but the courier puts
|
|
you into a vehicle without a moment's loss of time,
|
|
and when you reach your hotel you find your rooms have been
|
|
secured two or three days in advance, everything is ready,
|
|
you can go at once to bed. Some of those other people will
|
|
have to drift around to two or three hotels, in the rain,
|
|
before they find accommodations.
|
|
|
|
I have not set down half of the virtues that are
|
|
vested in a good courier, but I think I have set down
|
|
a sufficiency of them to show that an irritable man
|
|
who can afford one and does not employ him is not a
|
|
wise economist. My courier was the worst one in Europe,
|
|
yet he was a good deal better than none at all.
|
|
It could not pay him to be a better one than he was,
|
|
because I could not afford to buy things through him.
|
|
He was a good enough courier for the small amount he
|
|
got out of his service. Yes, to travel with a courier
|
|
is bliss, to travel without one is the reverse.
|
|
|
|
I have had dealings with some very bad couriers; but I have also
|
|
had dealings with one who might fairly be called perfection.
|
|
He was a young Polander, named Joseph N. Verey. He spoke
|
|
eight languages, and seemed to be equally at home in all
|
|
of them; he was shrewd, prompt, posted, and punctual;
|
|
he was fertile in resources, and singularly gifted in
|
|
the matter of overcoming difficulties; he not only knew
|
|
how to do everything in his line, but he knew the best ways
|
|
and the quickest; he was handy with children and invalids;
|
|
all his employer needed to do was to take life easy
|
|
and leave everything to the courier. His address is,
|
|
care of Messrs. Gay & Son, Strand, London; he was formerly
|
|
a conductor of Gay's tourist parties. Excellent couriers
|
|
are somewhat rare; if the reader is about to travel,
|
|
he will find it to his advantage to make a note of this one.
|
|
|
|
|
|
|
|
CHAPTER XXXIII
|
|
[We Climb Far--by Buggy]
|
|
|
|
The beautiful Giesbach Fall is near Interlaken, on the
|
|
other side of the lake of Brienz, and is illuminated
|
|
every night with those gorgeous theatrical fires whose
|
|
name I cannot call just at this moment. This was said
|
|
to be a spectacle which the tourist ought by no means
|
|
to miss. I was strongly tempted, but I could not go
|
|
there with propriety, because one goes in a boat.
|
|
The task which I had set myself was to walk over Europe
|
|
on foot, not skim over it in a boat. I had made a tacit
|
|
contract with myself; it was my duty to abide by it.
|
|
I was willing to make boat trips for pleasure, but I could
|
|
not conscientiously make them in the way of business.
|
|
|
|
It cost me something of a pang to lose that fine sight,
|
|
but I lived down the desire, a nd gained in my self-respect
|
|
through the triumph. I had a finer and a grander sight,
|
|
however, where I was. This was the mighty dome of the Jungfrau
|
|
softly outlined against the sky and faintly silvered by
|
|
the starlight. There was something subduing in the influence
|
|
of that silent and solemn and awful presence; one seemed
|
|
to meet the immutable, the indestructible, the eternal,
|
|
face to face, and to feel the trivial and fleeting nature
|
|
of his own existence the more sharply by the contrast.
|
|
One had the sense of being under the brooding contemplation
|
|
of a spirit, not an inert mass of rocks and ice--a spirit
|
|
which had looked down, through the slow drift of the ages,
|
|
upon a million vanished races of men, and judged them;
|
|
and would judge a million more--and still be there,
|
|
watching, unchanged and unchangeable, after all life
|
|
should be gone and the earth have become a vacant desolation.
|
|
|
|
While I was feeling these things, I was groping,
|
|
without knowing it, toward an understanding of what the
|
|
spell is which people find in the Alps, and in no other
|
|
mountains--that strange, deep, nameless influence, which,
|
|
once felt, cannot be forgotten--once felt, leaves always
|
|
behind it a restless longing to feel it again--a longing
|
|
which is like homesickness; a grieving, haunting yearning
|
|
which will plead, implore, and persecute till it has its will.
|
|
I met dozens of people, imaginative and unimaginative,
|
|
cultivated and uncultivated, who had come from far countries
|
|
and roamed through the Swiss Alps year after year--they
|
|
could not explain why. They had come first, they said,
|
|
out of idle curiosity, because everybody talked about it;
|
|
they had come since because they could not help it, and they
|
|
should keep on coming, while they lived, for the same reason;
|
|
they had tried to break their chains and stay away,
|
|
but it was futile; now, they had no desire to break them.
|
|
Others came nearer formulating what they felt; they said they
|
|
could find perfect rest and peace nowhere else when they
|
|
were troubled: all frets and worries and chafings sank to
|
|
sleep in the presence of the benignant serenity of the Alps;
|
|
the Great Spirit of the Mountain breathed his own peace
|
|
upon their hurt minds and sore hearts, and healed them;
|
|
they could not think base thoughts or do mean and sordid
|
|
things here, before the visible throne of God.
|
|
|
|
Down the road a piece was a Kursaal--whatever that may be--
|
|
and we joined the human tide to see what sort of enjoyment
|
|
it might afford. It was the usual open-air concert,
|
|
in an ornamental garden, with wines, beer, milk, whey,
|
|
grapes, etc.--the whey and the grapes being necessaries
|
|
of life to certain invalids whom physicians cannot repair,
|
|
and who only continue to exist by the grace of whey
|
|
or grapes. One of these departed spirits told me,
|
|
in a sad and lifeless way, that there is no way for him
|
|
to live but by whey, and dearly, dearly loved whey,
|
|
he didn't know whey he did, but he did. After making
|
|
this pun he died--that is the whey it served him.
|
|
|
|
Some other remains, preserved from decomposition
|
|
by the grape system, told me that the grapes were of
|
|
a peculiar breed, highly medicinal in their nature,
|
|
and that they were counted out and administered by the
|
|
grape-doctors as methodically as if they were pills.
|
|
The new patient, if very feeble, began with one grape
|
|
before breakfast, took three during breakfast, a couple
|
|
between meals, five at luncheon, three in the afternoon,
|
|
seven at dinner, four for supper, and part of a grape
|
|
just before going to bed, by way of a general regulator.
|
|
The quantity was gradually and regularly increased,
|
|
according to the needs and capacities of the patient,
|
|
until by and by you would find him disposing of his one
|
|
grape per second all the day long, and his regular barrel
|
|
per day.
|
|
|
|
He said that men cured in this way, and enabled to discard
|
|
the grape system, never afterward got over the habit
|
|
of talking as if they were dictating to a slow amanuensis,
|
|
because they always made a pause between each two words
|
|
while they sucked the substance out of an imaginary grape.
|
|
He said these were tedious people to talk with.
|
|
He said that men who had been cured by the other process
|
|
were easily distinguished from the rest of mankind
|
|
because they always tilted their heads back, between every
|
|
two words, and swallowed a swig of imaginary whey.
|
|
He said it was an impressive thing to observe two men,
|
|
who had been cured by the two processes, engaged in
|
|
conversation--said their pauses and accompanying movements
|
|
were so continuous and regular that a stranger would think
|
|
himself in the presence of a couple of automatic machines.
|
|
One finds out a great many wonderful things, by traveling,
|
|
if he stumbles upon the right person.
|
|
|
|
I did not remain long at the Kursaal; the music was
|
|
good enough, but it seemed rather tame after the cyclone
|
|
of that Arkansaw expert. Besides, my adventurous spirit
|
|
had conceived a formidable enterprise--nothing less
|
|
than a trip from Interlaken, by the Gemmi and Visp,
|
|
clear to Zermatt, on foot! So it was necessary to plan
|
|
the details, and get ready for an early start. The courier
|
|
(this was not the one I have just been speaking of)
|
|
thought that the portier of the hotel would be able
|
|
to tell us how to find our way. And so it turned out.
|
|
He showed us the whole thing, on a relief-map, and we could
|
|
see our route, with all its elevations and depressions,
|
|
its villages and its rivers, as clearly as if we were sailing
|
|
over it in a balloon. A relief-map is a great thing.
|
|
The portier also wrote down each day's journey and the
|
|
nightly hotel on a piece of paper, and made our course
|
|
so plain that we should never be able to get lost without
|
|
high-priced outside help.
|
|
|
|
I put the courier in the care of a gentleman who was
|
|
going to Lausanne, and then we went to bed, after laying
|
|
out the walking-costumes and putting them into condition
|
|
for instant occupation in the morning.
|
|
|
|
However, when we came down to breakfast at 8 A.M., it
|
|
looked so much like rain that I hired a two-horse top-buggy
|
|
for the first third of the journey. For two or three hours
|
|
we jogged along the level road which skirts the beautiful
|
|
lake of Thun, with a dim and dreamlike picture of watery
|
|
expanses and spectral Alpine forms always before us,
|
|
veiled in a mellowing mist. Then a steady downpour
|
|
set in, and hid everything but the nearest objects.
|
|
We kept the rain out of our faces with umbrellas, and away
|
|
from our bodies with the leather apron of the buggy;
|
|
but the driver sat unsheltered and placidly soaked the weather
|
|
in and seemed to like it. We had the road to ourselves,
|
|
and I never had a pleasanter excursion.
|
|
|
|
The weather began to clear while we were driving up
|
|
a valley called the Kienthal, and presently a vast black
|
|
cloud-bank in front of us dissolved away and uncurtained
|
|
the grand proportions and the soaring loftiness of the
|
|
Blumis Alp. It was a sort of breath-taking surprise;
|
|
for we had not supposed there was anything behind
|
|
that low-hung blanket of sable cloud but level valley.
|
|
What we had been mistaking for fleeting glimpses of sky
|
|
away aloft there, were really patches of the Blumis's
|
|
snowy crest caught through shredded rents in the drifting
|
|
pall of vapor.
|
|
|
|
We dined in the inn at Frutigen, and our driver ought
|
|
to have dined there, too, but he would not have had
|
|
time to dine and get drunk both, so he gave his mind
|
|
to making a masterpiece of the latter, and succeeded.
|
|
A German gentleman and his two young-lady daughters had
|
|
been taking their nooning at the inn, and when they left,
|
|
just ahead of us, it was plain that their driver was
|
|
as drunk as ours, and as happy and good-natured, too,
|
|
which was saying a good deal. These rascals overflowed
|
|
with attentions and information for their guests, and with
|
|
brotherly love for each other. They tied their reins,
|
|
and took off their coats and hats, so that they might
|
|
be able to give unencumbered attention to conversation
|
|
and to the gestures necessary for its illustration.
|
|
|
|
The road was smooth; it led up and over and down a continual
|
|
succession of hills; but it was narrow, the horses were
|
|
used to it, and could not well get out of it anyhow;
|
|
so why shouldn't the drivers entertain themselves and us?
|
|
The noses of our horses projected sociably into the rear
|
|
of the forward carriage, and as we toiled up the long
|
|
hills our driver stood up and talked to his friend,
|
|
and his friend stood up and talked back to him, with his
|
|
rear to the scenery. When the top was reached and we
|
|
went flying down the other side, there was no change in
|
|
the program. I carry in my memory yet the picture of that
|
|
forward driver, on his knees on his high seat, resting his
|
|
elbows on its back, and beaming down on his passengers,
|
|
with happy eye, and flying hair, and jolly red face,
|
|
and offering his card to the old German gentleman while he
|
|
praised his hack and horses, and both teams were whizzing
|
|
down a long hill with nobody in a position to tell whether
|
|
we were bound to destruction or an undeserved safety.
|
|
|
|
Toward sunset we entered a beautiful green valley dotted
|
|
with chalets, a cozy little domain hidden away from the busy
|
|
world in a cloistered nook among giant precipices topped
|
|
with snowy peaks that seemed to float like islands above
|
|
the curling surf of the sea of vapor that severed them from
|
|
the lower world. Down from vague and vaporous heights,
|
|
little ruffled zigzag milky currents came crawling,
|
|
and found their way to the verge of one of those tremendous
|
|
overhanging walls, whence they plunged, a shaft of silver,
|
|
shivered to atoms in mid-descent and turned to an air puff
|
|
of luminous dust. Here and there, in grooved depressions
|
|
among the snowy desolations of the upper altitudes,
|
|
one glimpsed the extremity of a glacier, with its sea-green
|
|
and honeycombed battlements of ice.
|
|
|
|
Up the valley, under a dizzy precipice, nestled the
|
|
village of Kandersteg, our halting-place for the night.
|
|
We were soon there, and housed in the hotel. But the waning
|
|
day had such an inviting influence that we did not remain
|
|
housed many moments, but struck out and followed a roaring
|
|
torrent of ice-water up to its far source in a sort of
|
|
little grass-carpeted parlor, walled in all around by vast
|
|
precipices and overlooked by clustering summits of ice.
|
|
This was the snuggest little croquet-ground imaginable;
|
|
it was perfectly level, and not more than a mile long
|
|
by half a mile wide. The walls around it were so gigantic,
|
|
and everything about it was on so mighty a scale that it
|
|
was belittled, by contrast, to what I have likened it
|
|
to--a cozy and carpeted parlor. It was so high above
|
|
the Kandersteg valley that there was nothing between it
|
|
and the snowy-peaks. I had never been in such intimate
|
|
relations with the high altitudes before; the snow-peaks
|
|
had always been remote and unapproachable grandeurs,
|
|
hitherto, but now we were hob-a-nob--if one may use
|
|
such a seemingly irreverent expression about creations
|
|
so august as these.
|
|
|
|
We could see the streams which fed the torrent we
|
|
had followed issuing from under the greenish ramparts
|
|
of glaciers; but two or three of these, instead of flowing
|
|
over the precipices, sank down into the rock and sprang
|
|
in big jets out of holes in the mid-face of the walls.
|
|
|
|
The green nook which I have been describing is called
|
|
the Gasternthal. The glacier streams gather and flow through
|
|
it in a broad and rushing brook to a narrow cleft between
|
|
lofty precipices; here the rushing brook becomes a mad torrent
|
|
and goes booming and thundering down toward Kandersteg,
|
|
lashing and thrashing its way over and among monster boulders,
|
|
and hurling chance roots and logs about like straws.
|
|
There was no lack of cascades along this route.
|
|
The path by the side of the torrent was so narrow
|
|
that one had to look sharp, when he heard a cow-bell,
|
|
and hunt for a place that was wide enough to accommodate
|
|
a cow and a Christian side by side, and such places were
|
|
not always to be had at an instant's notice. The cows
|
|
wear church-bells, and that is a good idea in the cows,
|
|
for where that torrent is, you couldn't hear an ordinary
|
|
cow-bell any further than you could hear the ticking of a watch.
|
|
|
|
I needed exercise, so I employed my agent in setting
|
|
stranded logs and dead trees adrift, and I sat on a
|
|
boulder and watched them go whirling and leaping head
|
|
over heels down the boiling torrent. It was a wonderfully
|
|
exhilarating spectacle. When I had had enough exercise,
|
|
I made the agent take some, by running a race with one
|
|
of those logs. I made a trifle by betting on the log.
|
|
|
|
After dinner we had a walk up and down the Kandersteg valley,
|
|
in the soft gloaming, with the spectacle of the dying lights
|
|
of day playing about the crests and pinnacles of the still
|
|
and solemn upper realm for contrast, and text for talk.
|
|
There were no sounds but the dulled complaining of the
|
|
torrent and the occasional tinkling of a distant bell.
|
|
The spirit of the place was a sense of deep, pervading peace;
|
|
one might dream his life tranquilly away there, and not miss
|
|
it or mind it when it was gone.
|
|
|
|
The summer departed with the sun, and winter came with
|
|
the stars. It grew to be a bitter night in that little hotel,
|
|
backed up against a precipice that had no visible top to it,
|
|
but we kept warm, and woke in time in the morning to find
|
|
that everybody else had left for Gemmi three hours before--
|
|
so our little plan of helping that German family (principally
|
|
the old man) over the pass, was a blocked generosity.
|
|
|
|
|
|
|
|
CHAPTER XXXIV
|
|
[The World's Highest Pig Farm]
|
|
|
|
We hired the only guide left, to lead us on our way.
|
|
He was over seventy, but he could have given me nine-tenths
|
|
of his strength and still had all his age entitled him to.
|
|
He shouldered our satchels, overcoats, and alpenstocks,
|
|
and we set out up the steep path. It was hot work.
|
|
The old man soon begged us to hand over our coats
|
|
and waistcoats to him to carry, too, and we did it;
|
|
one could not refuse so little a thing to a poor old man
|
|
like that; he should have had them if he had been a hundred
|
|
and fifty.
|
|
|
|
When we began that ascent, we could see a microscopic
|
|
chalet perched away up against heaven on what seemed
|
|
to be the highest mountain near us. It was on our right,
|
|
across the narrow head of the valley. But when we got
|
|
up abreast it on its own level, mountains were towering
|
|
high above on every hand, and we saw that its altitude
|
|
was just about that of the little Gasternthal which we had
|
|
visited the evening before. Still it seemed a long way up
|
|
in the air, in that waste and lonely wilderness of rocks.
|
|
It had an unfenced grass-plot in front of it which seemed
|
|
about as big as a billiard-table, and this grass-plot
|
|
slanted so sharply downward, and was so brief, and ended
|
|
so exceedingly soon at the verge of the absolute precipice,
|
|
that it was a shuddery thing to think of a person's venturing
|
|
to trust his foot on an incline so situated at all.
|
|
Suppose a man stepped on an orange peel in that yard;
|
|
there would be nothing for him to seize; nothing could
|
|
keep him from rolling; five revolutions would bring him
|
|
to the edge, and over he would go. What a frightful distance
|
|
he would fall!--for there are very few birds that fly
|
|
as high as his starting-point. He would strike and bounce,
|
|
two or three times, on his way down, but this would be
|
|
no advantage to him. I would as soon taking an airing
|
|
on the slant of a rainbow as in such a front yard.
|
|
I would rather, in fact, for the distance down would be about
|
|
the same, and it is pleasanter to slide than to bounce.
|
|
I could not see how the peasants got up to that chalet--
|
|
the region seemed too steep for anything but a balloon.
|
|
|
|
As we strolled on, climbing up higher and higher, we were
|
|
continually bringing neighboring peaks into view and lofty
|
|
prominence which had been hidden behind lower peaks before;
|
|
so by and by, while standing before a group of these giants,
|
|
we looked around for the chalet again; there it was,
|
|
away down below us, apparently on an inconspicuous ridge
|
|
in the valley! It was as far below us, now, as it had been
|
|
above us when we were beginning the ascent.
|
|
|
|
After a while the path led us along a railed precipice,
|
|
and we looked over--far beneath us was the snug parlor again,
|
|
the little Gasternthal, with its water jets spouting
|
|
from the face of its rock walls. We could have dropped
|
|
a stone into it. We had been finding the top of the world
|
|
all along--and always finding a still higher top stealing
|
|
into view in a disappointing way just ahead; when we looked
|
|
down into the Gasternthal we felt pretty sure that we
|
|
had reached the genuine top at last, but it was not so;
|
|
there were much higher altitudes to be scaled yet.
|
|
We were still in the pleasant shade of forest trees,
|
|
we were still in a region which was cushioned with beautiful
|
|
mosses and aglow with the many-tinted luster of innumerable
|
|
wild flowers.
|
|
|
|
We found, indeed, more interest in the wild flowers
|
|
than in anything else. We gathered a specimen or two
|
|
of every kind which we were unacquainted with; so we
|
|
had sumptuous bouquets. But one of the chief interests
|
|
lay in chasing the seasons of the year up the mountain,
|
|
and determining them by the presence of flowers and
|
|
berries which we were acquainted with. For instance,
|
|
it was the end of August at the level of the sea;
|
|
in the Kandersteg valley at the base of the pass,
|
|
we found flowers which would not be due at the sea-level
|
|
for two or three weeks; higher up, we entered October,
|
|
and gathered fringed gentians. I made no notes, and have
|
|
forgotten the details, but the construction of the floral
|
|
calendar was very entertaining while it lasted.
|
|
|
|
In the high regions we found rich store of the splendid
|
|
red flower called the Alpine rose, but we did not find
|
|
any examples of the ugly Swiss favorite called Edelweiss.
|
|
Its name seems to indicate that it is a noble flower
|
|
and that it is white. It may be noble enough,
|
|
but it is not attractive, and it is not white.
|
|
The fuzzy blossom is the color of bad cigar ashes,
|
|
and appears to be made of a cheap quality of gray plush.
|
|
It has a noble and distant way of confining itself to the
|
|
high altitudes, but that is probably on account of its looks;
|
|
it apparently has no monopoly of those upper altitudes,
|
|
however, for they are sometimes intruded upon by some
|
|
of the loveliest of the valley families of wild flowers.
|
|
Everybody in the Alps wears a sprig of Edelweiss in his hat.
|
|
It is the native's pet, and also the tourist's.
|
|
|
|
All the morning, as we loafed along, having a good time,
|
|
other pedestrians went staving by us with vigorous strides,
|
|
and with the intent and determined look of men who were
|
|
walking for a wager. These wore loose knee-breeches, long
|
|
yarn stockings, and hobnailed high-laced walking-shoes.
|
|
They were gentlemen who would go home to England or Germany
|
|
and tell how many miles they had beaten the guide-book
|
|
every day. But I doubted if they ever had much real fun,
|
|
outside of the mere magnificent exhilaration of the
|
|
tramp through the green valleys and the breezy heights;
|
|
for they were almost always alone, and even the finest
|
|
scenery loses incalculably when there is no one to enjoy
|
|
it with.
|
|
|
|
All the morning an endless double procession of mule-mounted
|
|
tourists filed past us along the narrow path--the one
|
|
procession going, the other coming. We had taken
|
|
a good deal of trouble to teach ourselves the kindly
|
|
German custom of saluting all strangers with doffed hat,
|
|
and we resolutely clung to it, that morning, although it
|
|
kept us bareheaded most of the time a nd was not always
|
|
responded to. Still we found an interest in the thing,
|
|
because we naturally liked to know who were English
|
|
and Americans among the passers-by. All continental
|
|
natives responded of course; so did some of the English
|
|
and Americans, but, as a general thing, these two races
|
|
gave no sign. Whenever a man or a woman showed us
|
|
cold neglect, we spoke up confidently in our own tongue
|
|
and asked for such information as we happened to need,
|
|
and we always got a reply in the same language.
|
|
The English and American folk are not less kindly than
|
|
other races, they are only more reserved, and that comes
|
|
of habit and education. In one dreary, rocky waste,
|
|
away above the line of vegetation, we met a procession
|
|
of twenty-five mounted young men, all from America.
|
|
We got answering bows enough from these, of course,
|
|
for they were of an age to learn to do in Rome as Rome does,
|
|
without much effort.
|
|
|
|
At one extremity of this patch of desolation, overhung by bare
|
|
and forbidding crags which husbanded drifts of everlasting
|
|
snow in their shaded cavities, was a small stretch
|
|
of thin and discouraged grass, and a man and a family
|
|
of pigs were actually living here in some shanties.
|
|
Consequently this place could be really reckoned as
|
|
"property"; it had a money value, and was doubtless taxed.
|
|
I think it must have marked the limit of real estate
|
|
in this world. It would be hard to set a money value
|
|
upon any piece of earth that lies between that spot
|
|
and the empty realm of space. That man may claim the
|
|
distinction of owning the end of the world, for if there
|
|
is any definite end to the world he has certainly found it.
|
|
|
|
From here forward we moved through a storm-swept
|
|
and smileless desolation. All about us rose gigantic
|
|
masses, crags, and ramparts of bare and dreary rock,
|
|
with not a vestige or semblance of plant or tree or
|
|
flower anywhere, or glimpse of any creature that had life.
|
|
The frost and the tempests of unnumbered ages had battered
|
|
and hacked at these cliffs, with a deathless energy,
|
|
destroying them piecemeal; so all the region about
|
|
their bases was a tumbled chaos of great fragments
|
|
which had been split off and hurled to the ground.
|
|
Soiled and aged banks of snow lay close about our path.
|
|
The ghastly desolation of the place was as tremendously
|
|
complete as if Dor'e had furnished the working-plans
|
|
for it. But every now and then, through the stern
|
|
gateways around us we caught a view of some neighboring
|
|
majestic dome, sheathed with glittering ice, and displaying
|
|
its white purity at an elevation compared to which
|
|
ours was groveling and plebeian, and this spectacle
|
|
always chained one's interest and admiration at once,
|
|
and made him forget there was anything ugly in the world.
|
|
|
|
I have just said that there was nothing but death
|
|
and desolation in these hideous places, but I forgot.
|
|
In the most forlorn and arid and dismal one of all,
|
|
where the racked and splintered debris was thickest,
|
|
where the ancient patches of snow lay against the very path,
|
|
where the winds blew bitterest and the general aspect was
|
|
mournfulest and dreariest, and furthest from any suggestion
|
|
of cheer or hope, I found a solitary wee forget-me-not
|
|
flourishing away, not a droop about it anywhere,
|
|
but holding its bright blue star up with the prettiest
|
|
and gallantest air in the world, the only happy spirit,
|
|
the only smiling thing, in all that grisly desert.
|
|
She seemed to say, "Cheer up!--as long as we are here,
|
|
let us make the best of it." I judged she had earned
|
|
a right to a more hospitable place; so I plucked her up
|
|
and sent her to America to a friend who would respect
|
|
her for the fight she had made, all by her small self,
|
|
to make a whole vast despondent Alpine desolation stop
|
|
breaking its heart over the unalterable, and hold up its
|
|
head and look at the bright side of things for once.
|
|
|
|
We stopped for a nooning at a strongly built little inn
|
|
called the Schwarenbach. It sits in a lonely spot among
|
|
the peaks, where it is swept by the trailing fringes
|
|
of the cloud-rack, and is rained on, and snowed on,
|
|
and pelted and persecuted by the storms, nearly every day
|
|
of its life. It was the only habitation in the whole
|
|
Gemmi Pass.
|
|
|
|
Close at hand, now, was a chance for a blood-curdling
|
|
Alpine adventure. Close at hand was the snowy mass
|
|
of the Great Altels cooling its topknot in the sky
|
|
and daring us to an ascent. I was fired with the idea,
|
|
and immediately made up my mind to procure the necessary
|
|
guides, ropes, etc., and undertake it. I instructed
|
|
Harris to go to the landlord of the inn and set him
|
|
about our preparations. Meantime, I went diligently
|
|
to work to read up and find out what this much-talked-of
|
|
mountain-climbing was like, and how one should go about
|
|
it--for in these matters I was ignorant. I opened
|
|
Mr. Hinchliff's SUMMER MONTHS AMONG THE ALPS (published
|
|
1857), and selected his account of his ascent of Monte Rosa.
|
|
|
|
It began:
|
|
|
|
"It is very difficult to free the mind from excitement
|
|
on the evening before a grand expedition--"
|
|
|
|
I saw that I was too calm; so I walked the room a while
|
|
and worked myself into a high excitement; but the book's
|
|
next remark --that the adventurer must get up at two
|
|
in the morning--came as near as anything to flatting it
|
|
all out again. However, I reinforced it, and read on,
|
|
about how Mr. Hinchliff dressed by candle-light and was "soon
|
|
down among the guides, who were bustling about in the passage,
|
|
packing provisions, and making every preparation for the start";
|
|
and how he glanced out into the cold clear night and saw that--
|
|
|
|
"The whole sky was blazing with stars, larger and brighter
|
|
than they appear through the dense atmosphere breathed
|
|
by inhabitants of the lower parts of the earth.
|
|
They seemed actually suspended from the dark vault
|
|
of heaven, and their gentle light shed a fairylike gleam
|
|
over the snow-fields around the foot of the Matterhorn,
|
|
which raised its stupendous pinnacle on high, penetrating to
|
|
the heart of the Great Bear, and crowning itself with a
|
|
diadem of his magnificent stars. Not a sound disturbed
|
|
the deep tranquillity of the night, except the distant
|
|
roar of streams which rush from the high plateau of the
|
|
St. Theodule glacier, and fall headlong over precipitous
|
|
rocks till they lose themselves in the mazes of
|
|
the Gorner glacier."
|
|
|
|
He took his hot toast and coffee, and then about
|
|
half past three his caravan of ten men filed away
|
|
from the Riffel Hotel, and began the steep climb.
|
|
At half past five he happened to turn around, and "beheld
|
|
the glorious spectacle of the Matterhorn, just touched
|
|
by the rosy-fingered morning, and looking like a huge
|
|
pyramid of fire rising out of the barren ocean of ice
|
|
and rock around it." Then the Breithorn and the Dent
|
|
Blanche caught the radiant glow; but "the intervening
|
|
mass of Monte Rosa made it necessary for us to climb many
|
|
long hours before we could hope to see the sun himself,
|
|
yet the whole air soon grew warmer after the splendid
|
|
birth of the day."
|
|
|
|
He gazed at the lofty crown of Monte Rosa and the wastes
|
|
of snow that guarded its steep approaches, and the chief
|
|
guide delivered the opinion that no man could conquer
|
|
their awful heights and put his foot upon that summit.
|
|
But the adventurers moved steadily on, nevertheless.
|
|
|
|
They toiled up, and up, and still up; they passed
|
|
the Grand Plateau; then toiled up a steep shoulder
|
|
of the mountain, clinging like flies to its rugged face;
|
|
and now they were confronted by a tremendous wall from
|
|
which great blocks of ice and snow were evidently in the
|
|
habit of falling. They turned aside to skirt this wall,
|
|
and gradually ascended until their way was barred by a "maze
|
|
of gigantic snow crevices,"--so they turned aside again,
|
|
and "began a long climb of sufficient steepness to make
|
|
a zigzag course necessary."
|
|
|
|
Fatigue compelled them to halt frequently, for a moment
|
|
or two. At one of these halts somebody called out,
|
|
"Look at Mont Blanc!" and "we were at once made aware
|
|
of the very great height we had attained by actually seeing
|
|
the monarch of the Alps and his attendant satellites
|
|
right over the top of the Breithorn, itself at least
|
|
14,000 feet high!"
|
|
|
|
These people moved in single file, and were all tied
|
|
to a strong rope, at regular distances apart, so that if
|
|
one of them slipped on those giddy heights, the others
|
|
could brace themselves on their alpenstocks and save him
|
|
from darting into the valley, thousands of feet below.
|
|
By and by they came to an ice-coated ridge which was tilted
|
|
up at a sharp angle, and had a precipice on one side of it.
|
|
They had to climb this, so the guide in the lead cut
|
|
steps in the ice with his hatchet, and as fast as he
|
|
took his toes out of one of these slight holes, the toes
|
|
of the man behind him occupied it.
|
|
|
|
"Slowly and steadily we kept on our way over this dangerous
|
|
part of the ascent, and I dare say it was fortunate for
|
|
some of us that attention was distracted from the head
|
|
by the paramount necessity of looking after the feet;
|
|
FOR, WHILE ON THE LEFT THE INCLINE OF ICE WAS SO STEEP
|
|
THAT IT WOULD BE IMPOSSIBLE FOR ANY MAN TO SAVE HIMSELF
|
|
IN CASE OF A SLIP, UNLESS THE OTHERS COULD HOLD HIM UP,
|
|
ON THE RIGHT WE MIGHT DROP A PEBBLE FROM THE HAND OVER
|
|
PRECIPICES OF UNKNOWN EXTENT DOWN UPON THE TREMENDOUS
|
|
GLACIER BELOW.
|
|
|
|
"Great caution, therefore, was absolutely necessary,
|
|
and in this exposed situation we were attacked by all
|
|
the fury of that grand enemy of aspirants to Monte
|
|
Rosa--a severe and bitterly cold wind from the north.
|
|
The fine powdery snow was driven past us in the clouds,
|
|
penetrating the interstices of our clothes, and the pieces
|
|
of ice which flew from the blows of Peter's ax were
|
|
whisked into the air, and then dashed over the precipice.
|
|
We had quite enough to do to prevent ourselves from being
|
|
served in the same ruthless fashion, and now and then,
|
|
in the more violent gusts of wind, were glad to stick our
|
|
alpenstocks into the ice and hold on hard."
|
|
|
|
Having surmounted this perilous steep, they sat down and
|
|
took a brief rest with their backs against a sheltering
|
|
rock and their heels dangling over a bottomless abyss;
|
|
then they climbed to the base of another ridge--a more
|
|
difficult and dangerous one still:
|
|
|
|
"The whole of the ridge was exceedingly narrow, and the
|
|
fall on each side desperately steep, but the ice in some
|
|
of these intervals between the masses of rock assumed
|
|
the form of a mere sharp edge, almost like a knife;
|
|
these places, though not more than three or four short
|
|
paces in length, looked uncommonly awkward; but, like the
|
|
sword leading true believers to the gates of Paradise,
|
|
they must needs be passed before we could attain to
|
|
the summit of our ambition. These were in one or two
|
|
places so narrow, that in stepping over them with toes
|
|
well turned out for greater security, ONE END OF THE
|
|
FOOT PROJECTED OVER THE AWFUL PRECIPICE ON THE RIGHT,
|
|
WHILE THE OTHER WAS ON THE BEGINNING OF THE ICE SLOPE ON
|
|
THE LEFT, WHICH WAS SCARCELY LESS STEEP THAN THE ROCKS.
|
|
On these occasions Peter would take my hand, and each
|
|
of us stretching as far as we could, he was thus enabled
|
|
to get a firm footing two paces or rather more from me,
|
|
whence a spring would probably bring him to the rock
|
|
on the other side; then, turning around, he called
|
|
to me to come, and, taking a couple of steps carefully,
|
|
I was met at the third by his outstretched hand ready
|
|
to clasp mine, and in a moment stood by his side.
|
|
The others followed in much the same fashion. Once my
|
|
right foot slipped on the side toward the precipice,
|
|
but I threw out my left arm in a moment so that it caught
|
|
the icy edge under my armpit as I fell, and supported
|
|
me considerably; at the same instant I cast my eyes
|
|
down the side on which I had slipped, and contrived
|
|
to plant my right foot on a piece of rock as large as a
|
|
cricket-ball, which chanced to protrude through the ice,
|
|
on the very edge of the precipice. Being thus anchored
|
|
fore and aft, as it were, I believe I could easily have
|
|
recovered myself, even if I had been alone, though it must
|
|
be confessed the situation would have been an awful one;
|
|
as it was, however, a jerk from Peter settled the matter
|
|
very soon, and I was on my legs all right in an instant.
|
|
The rope is an immense help in places of this kind."
|
|
|
|
Now they arrived at the base of a great knob or dome
|
|
veneered with ice and powdered with snow--the utmost,
|
|
summit, the last bit of solidity between them and the hollow
|
|
vault of heaven. They set to work with their hatchets,
|
|
and were soon creeping, insectlike, up its surface, with their
|
|
heels projecting over the thinnest kind of nothingness,
|
|
thickened up a little with a few wandering shreds and
|
|
films of cloud moving in a lazy procession far below.
|
|
Presently, one man's toe-hold broke and he fell! There he
|
|
dangled in mid-air at the end of the rope, like a spider,
|
|
till his friends above hauled him into place again.
|
|
|
|
A little bit later, the party stood upon the wee pedestal
|
|
of the very summit, in a driving wind, and looked out
|
|
upon the vast green expanses of Italy and a shoreless
|
|
ocean of billowy Alps.
|
|
|
|
When I had read thus far, Harris broke into the room
|
|
in a noble excitement and said the ropes and the guides
|
|
were secured, and asked if I was ready. I said I
|
|
believed I wouldn't ascend the Altels this time.
|
|
I said Alp-climbing was a different thing from what I had
|
|
supposed it was, and so I judged we had better study its
|
|
points a little more before we went definitely into it.
|
|
But I told him to retain the guides and order them to
|
|
follow us to Zermatt, because I meant to use them there.
|
|
I said I could feel the spirit of adventure beginning
|
|
to stir in me, and was sure that the fell fascination
|
|
of Alp-climbing would soon be upon me. I said he could
|
|
make up his mind to it that we would do a deed before we
|
|
were a week older which would make the hair of the timid
|
|
curl with fright.
|
|
|
|
This made Harris happy, and filled him with ambitious
|
|
anticipations. He went at once to tell the guides to
|
|
follow us to Zermatt and bring all their paraphernalia
|
|
with them.
|
|
|
|
|
|
|
|
CHAPTER XXXV
|
|
[Swindling the Coroner]
|
|
|
|
A great and priceless thing is a new interest! How
|
|
it takes possession of a man! how it clings to him,
|
|
how it rides him! I strode onward from the Schwarenback
|
|
hostelry a changed man, a reorganized personality.
|
|
I walked into a new world, I saw with new eyes.
|
|
I had been looking aloft at the giant show-peaks only as
|
|
things to be worshiped for their grandeur and magnitude,
|
|
and their unspeakable grace of form; I looked up at
|
|
them now, as also things to be conquered and climbed.
|
|
My sense of their grandeur and their noble beauty
|
|
was neither lost nor impaired; I had gained a new
|
|
interest in the mountains without losing the old ones.
|
|
I followed the steep lines up, inch by inch, with my eye,
|
|
and noted the possibility or impossibility of following
|
|
them with my feet. When I saw a shining helmet of ice
|
|
projecting above the clouds, I tried to imagine I saw
|
|
files of black specks toiling up it roped together with a
|
|
gossamer thread.
|
|
|
|
We skirted the lonely little lake called the Daubensee,
|
|
and presently passed close by a glacier on the right--
|
|
a thing like a great river frozen solid in its flow
|
|
and broken square off like a wall at its mouth.
|
|
I had never been so near a glacier before.
|
|
|
|
Here we came upon a new board shanty, and found some men
|
|
engaged in building a stone house; so the Schwarenback was
|
|
soon to have a rival. We bought a bottle or so of beer here;
|
|
at any rate they called it beer, but I knew by the price
|
|
that it was dissolved jewelry, and I perceived by the
|
|
taste that dissolved jewelry is not good stuff to drink.
|
|
|
|
We were surrounded by a hideous desolation. We stepped
|
|
forward to a sort of jumping-off place, and were confronted
|
|
by a startling contrast: we seemed to look down into fairyland.
|
|
Two or three thousand feet below us was a bright green level,
|
|
with a pretty town in its midst, and a silvery stream
|
|
winding among the meadows; the charming spot was walled
|
|
in on all sides by gigantic precipices clothed with pines;
|
|
and over the pines, out of the softened distances,
|
|
rose the snowy domes and peaks of the Monte Rosa region.
|
|
How exquisitely green and beautiful that little valley
|
|
down there was! The distance was not great enough to
|
|
obliterate details, it only made them little, and mellow,
|
|
and dainty, like landscapes and towns seen through the
|
|
wrong end of a spy-glass.
|
|
|
|
Right under us a narrow ledge rose up out of the valley,
|
|
with a green, slanting, bench-shaped top, and grouped
|
|
about upon this green-baize bench were a lot of black
|
|
and white sheep which looked merely like oversized worms.
|
|
The bench seemed lifted well up into our neighborhood,
|
|
but that was a deception--it was a long way down to it.
|
|
|
|
We began our descent, now, by the most remarkable road I
|
|
have ever seen. It wound it corkscrew curves down the face
|
|
of the colossal precipice--a narrow way, with always
|
|
the solid rock wall at one elbow, and perpendicular
|
|
nothingness at the other. We met an everlasting procession
|
|
of guides, porters, mules, litters, and tourists climbing
|
|
up this steep and muddy path, and there was no room
|
|
to spare when you had to pass a tolerably fat mule.
|
|
I always took the inside, when I heard or saw the
|
|
mule coming, and flattened myself against the wall.
|
|
I preferred the inside, of course, but I should have had
|
|
to take it anyhow, because the mule prefers the outside.
|
|
A mule's preference--on a precipice--is a thing to
|
|
be respected. Well, his choice is always the outside.
|
|
His life is mostly devoted to carrying bulky panniers
|
|
and packages which rest against his body--therefore he
|
|
is habituated to taking the outside edge of mountain paths,
|
|
to keep his bundles from rubbing against rocks or banks
|
|
on the other. When he goes into the passenger business he
|
|
absurdly clings to his old habit, and keeps one leg of his
|
|
passenger always dangling over the great deeps of the lower
|
|
world while that passenger's heart is in the highlands,
|
|
so to speak. More than once I saw a mule's hind foot
|
|
cave over the outer edge and send earth and rubbish into
|
|
the bottom abyss; and I noticed that upon these occasions
|
|
the rider, whether male or female, looked tolerably unwell.
|
|
|
|
There was one place where an eighteen-inch breadth of
|
|
light masonry had been added to the verge of the path,
|
|
and as there was a very sharp turn here, a panel of fencing
|
|
had been set up there at some time, as a protection.
|
|
This panel was old and gray and feeble, and the light
|
|
masonry had been loosened by recent rains. A young
|
|
American girl came along on a mule, and in making the turn
|
|
the mule's hind foot caved all the loose masonry and one
|
|
of the fence-posts overboard; the mule gave a violent lurch
|
|
inboard to save himself, and succeeded in the effort,
|
|
but that girl turned as white as the snows of Mont Blanc
|
|
for a moment.
|
|
|
|
The path was simply a groove cut into the face of
|
|
the precipice; there was a four-foot breadth of solid rock
|
|
under the traveler, and four-foot breadth of solid rock
|
|
just above his head, like the roof of a narrow porch;
|
|
he could look out from this gallery and see a sheer
|
|
summitless and bottomless wall of rock before him,
|
|
across a gorge or crack a biscuit's toss in width--
|
|
but he could not see the bottom of his own precipice
|
|
unless he lay down and projected his nose over the edge.
|
|
I did not do this, because I did not wish to soil my clothes.
|
|
|
|
Every few hundred yards, at particularly bad places,
|
|
one came across a panel or so of plank fencing; but they
|
|
were always old and weak, and they generally leaned
|
|
out over the chasm and did not make any rash promises
|
|
to hold up people who might need support. There was one
|
|
of these panels which had only its upper board left;
|
|
a pedestrianizing English youth came tearing down the path,
|
|
was seized with an impulse to look over the precipice,
|
|
and without an instant's thought he threw his weight
|
|
upon that crazy board. It bent outward a foot! I never
|
|
made a gasp before that came so near suffocating me.
|
|
The English youth's face simply showed a lively surprise,
|
|
but nothing more. He went swinging along valleyward again,
|
|
as if he did not know he had just swindled a coroner by the
|
|
closest kind of a shave.
|
|
|
|
The Alpine litter is sometimes like a cushioned box
|
|
made fast between the middles of two long poles,
|
|
and sometimes it is a chair with a back to it and a support
|
|
for the feet. It is carried by relays of strong porters.
|
|
The motion is easier than that of any other conveyance.
|
|
We met a few men and a great many ladies in litters;
|
|
it seemed to me that most of the ladies looked pale
|
|
and nauseated; their general aspect gave me the idea
|
|
that they were patiently enduring a horrible suffering.
|
|
As a rule, they looked at their laps, and left the scenery
|
|
to take care of itself.
|
|
|
|
But the most frightened creature I saw, was a led horse
|
|
that overtook us. Poor fellow, he had been born and reared
|
|
in the grassy levels of the Kandersteg valley and had
|
|
never seen anything like this hideous place before.
|
|
Every few steps he would stop short, glance wildly out from
|
|
the dizzy height, and then spread his red nostrils wide
|
|
and pant as violently as if he had been running a race;
|
|
and all the while he quaked from head to heel as with
|
|
a palsy. He was a handsome fellow, and he made a fine
|
|
statuesque picture of terror, but it was pitiful to see
|
|
him suffer so.
|
|
|
|
This dreadful path has had its tragedy. Baedeker, with his
|
|
customary overterseness, begins and ends the tale thus:
|
|
|
|
"The descent on horseback should be avoided.
|
|
In 1861 a Comtesse d'Herlincourt fell from her saddle
|
|
over the precipice and was killed on the spot."
|
|
|
|
We looked over the precipice there, and saw the monument
|
|
which commemorates the event. It stands in the bottom
|
|
of the gorge, in a place which has been hollowed out of
|
|
the rock to protect it from the torrent and the storms.
|
|
Our old guide never spoke but when spoken to, and then
|
|
limited himself to a syllable or two, but when we asked
|
|
him about this tragedy he showed a strong interest
|
|
in the matter. He said the Countess was very pretty,
|
|
and very young--hardly out of her girlhood, in fact.
|
|
She was newly married, and was on her bridal tour.
|
|
The young husband was riding a little in advance; one guide
|
|
was leading the husband's horse, another was leading the
|
|
bride's.
|
|
|
|
The old man continued:
|
|
|
|
"The guide that was leading the husband's horse happened
|
|
to glance back, and there was that poor young thing sitting
|
|
up staring out over the precipice; and her face began
|
|
to bend downward a little, and she put up her two hands
|
|
slowly and met it--so,--and put them flat against her
|
|
eyes--so--and then she sank out of the saddle, with a
|
|
sharp shriek, and one caught only the flash of a dress,
|
|
and it was all over."
|
|
|
|
Then after a pause:
|
|
|
|
"Ah, yes, that guide saw these things--yes, he saw them all.
|
|
He saw them all, just as I have told you."
|
|
|
|
After another pause:
|
|
|
|
"Ah, yes, he saw them all. My God, that was ME.
|
|
I was that guide!"
|
|
|
|
This had been the one event of the old man's life; so one
|
|
may be sure he had forgotten no detail connected with it.
|
|
We listened to all he had to say about what was done and what
|
|
happened and what was said after the sorrowful occurrence,
|
|
and a painful story it was.
|
|
|
|
When we had wound down toward the valley until we were about
|
|
on the last spiral of the corkscrew, Harris's hat blew
|
|
over the last remaining bit of precipice--a small cliff
|
|
a hundred or hundred and fifty feet high--and sailed down
|
|
toward a steep slant composed of rough chips and fragments
|
|
which the weather had flaked away from the precipices.
|
|
We went leisurely down there, expecting to find it without
|
|
any trouble, but we had made a mistake, as to that.
|
|
We hunted during a couple of hours--not because the old
|
|
straw hat was valuable, but out of curiosity to find out
|
|
how such a thing could manage to conceal itself in open
|
|
ground where there was nothing left for it to hide behind.
|
|
When one is reading in bed, and lays his paper-knife down,
|
|
he cannot find it again if it is smaller than a saber;
|
|
that hat was as stubborn as any paper-knife could have been,
|
|
and we finally had to give it up; but we found a fragment
|
|
that had once belonged to an opera-glass, and by digging
|
|
around and turning over the rocks we gradually collected
|
|
all the lenses and the cylinders and the various odds
|
|
and ends that go to making up a complete opera-glass.
|
|
We afterward had the thing reconstructed, and the owner
|
|
can have his adventurous lost-property by submitting
|
|
proofs and paying costs of rehabilitation. We had hopes
|
|
of finding the owner there, distributed around amongst
|
|
the rocks, for it would have made an elegant paragraph;
|
|
but we were disappointed. Still, we were far from
|
|
being disheartened, for there was a considerable area
|
|
which we had not thoroughly searched; we were satisfied he
|
|
was there, somewhere, so we resolved to wait over a day at
|
|
Leuk and come back and get him.
|
|
|
|
Then we sat down to polish off the perspiration and
|
|
arrange about what we would do with him when we got him.
|
|
Harris was for contributing him to the British Museum;
|
|
but I was for mailing him to his widow. That is the difference
|
|
between Harris and me: Harris is all for display, I am
|
|
all for the simple right, even though I lose money by it.
|
|
Harris argued in favor of his proposition against mine,
|
|
I argued in favor of mine and against his. The discussion
|
|
warmed into a dispute; the dispute warmed into a quarrel.
|
|
I finally said, very decidedly:
|
|
|
|
"My mind is made up. He goes to the widow."
|
|
|
|
Harris answered sharply:
|
|
|
|
"And MY mind is made up. He goes to the Museum."
|
|
|
|
I said, calmly:
|
|
|
|
"The museum may whistle when it gets him."
|
|
|
|
Harris retorted:
|
|
|
|
"The widow may save herself the trouble of whistling,
|
|
for I will see that she never gets him."
|
|
|
|
After some angry bandying of epithets, I said:
|
|
|
|
"It seems to me that you are taking on a good many airs
|
|
about these remains. I don't quite see what YOU'VE got
|
|
to say about them?"
|
|
|
|
"I? I've got ALL to say about them. They'd never have
|
|
been thought of if I hadn't found their opera-glass. The
|
|
corpse belongs to me, and I'll do as I please with him."
|
|
|
|
I was leader of the Expedition, and all discoveries
|
|
achieved by it naturally belonged to me. I was entitled
|
|
to these remains, and could have enforced my right;
|
|
but rather than have bad blood about the matter,
|
|
I said we would toss up for them. I threw heads and won,
|
|
but it was a barren victory, for although we spent all
|
|
the next day searching, we never found a bone. I cannot
|
|
imagine what could ever have become of that fellow.
|
|
|
|
The town in the valley is called Leuk or Leukerbad.
|
|
We pointed our course toward it, down a verdant slope
|
|
which was adorned with fringed gentians and other flowers,
|
|
and presently entered the narrow alleys of the outskirts
|
|
and waded toward the middle of the town through liquid
|
|
"fertilizer." They ought to either pave that village or
|
|
organize a ferry.
|
|
|
|
Harris's body was simply a chamois-pasture; his person
|
|
was populous with the little hungry pests; his skin,
|
|
when he stripped, was splotched like a scarlet-fever patient's;
|
|
so, when we were about to enter one of the Leukerbad inns,
|
|
and he noticed its sign, "Chamois Hotel," he refused
|
|
to stop there. He said the chamois was plentiful enough,
|
|
without hunting up hotels where they made a specialty of it.
|
|
I was indifferent, for the chamois is a creature that will
|
|
neither bite me nor abide with me; but to calm Harris,
|
|
we went to the Ho^tel des Alpes.
|
|
|
|
At the table d'ho^te, we had this, for an incident.
|
|
A very grave man--in fact his gravity amounted to solemnity,
|
|
and almost to austerity--sat opposite us and he was
|
|
"tight," but doing his best to appear sober. He took up
|
|
a CORKED bottle of wine, tilted it over his glass awhile,
|
|
then set it out of the way, with a contented look, and went
|
|
on with his dinner.
|
|
|
|
Presently he put his glass to his mouth, and of course
|
|
found it empty. He looked puzzled, and glanced furtively
|
|
and suspiciously out of the corner of his eye at a
|
|
benignant and unconscious old lady who sat at his right.
|
|
Shook his head, as much as to say, "No, she couldn't have
|
|
done it." He tilted the corked bottle over his glass again,
|
|
meantime searching around with his watery eye to see
|
|
if anybody was watching him. He ate a few mouthfuls,
|
|
raised his glass to his lips, and of course it was
|
|
still empty. He bent an injured and accusing side-glance
|
|
upon that unconscious old lady, which was a study to see.
|
|
She went on eating and gave no sign. He took up his glass
|
|
and his bottle, with a wise private nod of his head,
|
|
and set them gravely on the left-hand side of his plate--
|
|
poured himself another imaginary drink--went to work
|
|
with his knife and fork once more--presently lifted
|
|
his glass with good confidence, and found it empty,
|
|
as usual.
|
|
|
|
This was almost a petrifying surprise. He straightened
|
|
himself up in his chair and deliberately and sorrowfully
|
|
inspected the busy old ladies at his elbows, first one and
|
|
then the other. At last he softly pushed his plate away,
|
|
set his glass directly in front of him, held on to it
|
|
with his left hand, and proceeded to pour with his right.
|
|
This time he observed that nothing came. He turned the
|
|
bottle clear upside down; still nothing issued from it;
|
|
a plaintive look came into his face, and he said, as if
|
|
to himself,
|
|
|
|
" 'IC! THEY'VE GOT IT ALL!" Then he set the bottle down,
|
|
resignedly, and took the rest of his dinner dry.
|
|
|
|
It was at that table d'ho^te, too, that I had under inspection
|
|
the largest lady I have ever seen in private life.
|
|
She was over seven feet high, and magnificently proportioned.
|
|
What had first called my attention to her, was my stepping
|
|
on an outlying flange of her foot, and hearing, from up
|
|
toward the ceiling, a deep "Pardon, m'sieu, but you encroach!"
|
|
|
|
That was when we were coming through the hall, and the place
|
|
was dim, and I could see her only vaguely. The thing
|
|
which called my attention to her the second time was,
|
|
that at a table beyond ours were two very pretty girls,
|
|
and this great lady came in and sat down between them
|
|
and me and blotted out my view. She had a handsome face,
|
|
and she was very finely formed--perfected formed,
|
|
I should say. But she made everybody around her look trivial
|
|
and commonplace. Ladies near her looked like children,
|
|
and the men about her looked mean. They looked like failures;
|
|
and they looked as if they felt so, too. She sat with
|
|
her back to us. I never saw such a back in my life.
|
|
I would have so liked to see the moon rise over it.
|
|
The whole congregation waited, under one pretext or another,
|
|
till she finished her dinner and went out; they wanted to see
|
|
her at full altitude, and they found it worth tarrying for.
|
|
She filled one's idea of what an empress ought to be,
|
|
when she rose up in her unapproachable grandeur and moved
|
|
superbly out of that place.
|
|
|
|
We were not at Leuk in time to see her at her heaviest weight.
|
|
She had suffered from corpulence and had come there to get
|
|
rid of her extra flesh in the baths. Five weeks of soaking--
|
|
five uninterrupted hours of it every day--had accomplished
|
|
her purpose and reduced her to the right proportions.
|
|
|
|
Those baths remove fat, and also skin-diseases. The
|
|
patients remain in the great tanks for hours at a time.
|
|
A dozen gentlemen and ladies occupy a tank together,
|
|
and amuse themselves with rompings and various games.
|
|
They have floating desks and tables, and they read or lunch
|
|
or play chess in water that is breast-deep. The tourist
|
|
can step in and view this novel spectacle if he chooses.
|
|
There's a poor-box, and he will have to contribute.
|
|
There are several of these big bathing-houses, and you can
|
|
always tell when you are near one of them by the romping
|
|
noises and shouts of laughter that proceed from it.
|
|
The water is running water, and changes all the time,
|
|
else a patient with a ringworm might take the bath with only
|
|
a partial success, since, while he was ridding himself of
|
|
the ringworm, he might catch the itch.
|
|
|
|
The next morning we wandered back up the green valley,
|
|
leisurely, with the curving walls of those bare and
|
|
stupendous precipices rising into the clouds before us.
|
|
I had never seen a clean, bare precipice stretching up
|
|
five thousand feet above me before, and I never shall
|
|
expect to see another one. They exist, perhaps, but not
|
|
in places where one can easily get close to them.
|
|
This pile of stone is peculiar. From its base to the
|
|
soaring tops of its mighty towers, all its lines and
|
|
all its details vaguely suggest human architecture.
|
|
There are rudimentary bow-windows, cornices, chimneys,
|
|
demarcations of stories, etc. One could sit and stare up
|
|
there and study the features and exquisite graces of this
|
|
grand structure, bit by bit, and day after day, and never
|
|
weary his interest. The termination, toward the town,
|
|
observed in profile, is the perfection of shape.
|
|
It comes down out of the clouds in a succession of rounded,
|
|
colossal, terracelike projections--a stairway for the gods;
|
|
at its head spring several lofty storm-scarred towers,
|
|
one after another, with faint films of vapor curling
|
|
always about them like spectral banners. If there were
|
|
a king whose realms included the whole world, here would
|
|
be the place meet and proper for such a monarch. He would
|
|
only need to hollow it out and put in the electric light.
|
|
He could give audience to a nation at a time under its roof.
|
|
|
|
Our search for those remains having failed, we inspected with
|
|
a glass the dim and distant track of an old-time avalanche
|
|
that once swept down from some pine-grown summits behind
|
|
the town and swept away the houses and buried the people;
|
|
then we struck down the road that leads toward the Rhone,
|
|
to see the famous Ladders. These perilous things are
|
|
built against the perpendicular face of a cliff two or
|
|
three hundred feet high. The peasants, of both sexes,
|
|
were climbing up and down them, with heavy loads on
|
|
their backs. I ordered Harris to make the ascent, so I
|
|
could put the thrill and horror of it in my book, and he
|
|
accomplished the feat successfully, though a subagent,
|
|
for three francs, which I paid. It makes me shudder yet
|
|
when I think of what I felt when I was clinging there
|
|
between heaven and earth in the person of that proxy.
|
|
At times the world swam around me, and I could hardly keep
|
|
from letting go, so dizzying was the appalling danger.
|
|
Many a person would have given up and descended, but I stuck
|
|
to my task, and would not yield until I had accomplished it.
|
|
I felt a just pride in my exploit, but I would not
|
|
have repeated it for the wealth of the world. I shall
|
|
break my neck yet with some such foolhardy performance,
|
|
for warnings never seem to have any lasting effect on me.
|
|
When the people of the hotel found that I had been
|
|
climbing those crazy Ladders, it made me an object of
|
|
considerable attention.
|
|
|
|
Next morning, early, we drove to the Rhone valley and took
|
|
the train for Visp. There we shouldered our knapsacks
|
|
and things, and set out on foot, in a tremendous rain,
|
|
up the winding gorge, toward Zermatt. Hour after hour we
|
|
slopped along, by the roaring torrent, and under noble
|
|
Lesser Alps which were clothed in rich velvety green
|
|
all the way up and had little atomy Swiss homes perched
|
|
upon grassy benches along their mist-dimmed heights.
|
|
|
|
The rain continued to pour and the torrent to boom, and we
|
|
continued to enjoy both. At the one spot where this torrent
|
|
tossed its white mane highest, and thundered loudest,
|
|
and lashed the big boulders fiercest, the canton had done
|
|
itself the honor to build the flimsiest wooden bridge
|
|
that exists in the world. While we were walking over it,
|
|
along with a party of horsemen, I noticed that even
|
|
the larger raindrops made it shake. I called Harris's
|
|
attention to it, and he noticed it, too. It seemed
|
|
to me that if I owned an elephant that was a keepsake,
|
|
and I thought a good deal of him, I would think twice
|
|
before I would ride him over that bridge.
|
|
|
|
We climbed up to the village of St. Nicholas, about half
|
|
past four in the afternoon, waded ankle-deep through
|
|
the fertilizer-juice, and stopped at a new and nice hotel
|
|
close by the little church. We stripped and went to bed,
|
|
and sent our clothes down to be baked. And the horde
|
|
of soaked tourists did the same. That chaos of clothing
|
|
got mixed in the kitchen, and there were consequences.
|
|
I did not get back the same drawers I sent down, when our
|
|
things came up at six-fifteen; I got a pair on a new plan.
|
|
They were merely a pair of white ruffle-cuffed absurdities,
|
|
hitched together at the top with a narrow band, and they did
|
|
not come quite down to my knees. They were pretty enough,
|
|
but they made me feel like two people, and disconnected
|
|
at that. The man must have been an idiot that got himself
|
|
up like that, to rough it in the Swiss mountains.
|
|
The shirt they brought me was shorter than the drawers,
|
|
and hadn't any sleeves to it--at least it hadn't anything
|
|
more than what Mr. Darwin would call "rudimentary" sleeves;
|
|
these had "edging" around them, but the bosom was
|
|
ridiculously plain. The knit silk undershirt they brought
|
|
me was on a new plan, and was really a sensible thing;
|
|
it opened behind, and had pockets in it to put your
|
|
shoulder-blades in; but they did not seem to fit mine,
|
|
and so I found it a sort of uncomfortable garment.
|
|
They gave my bobtail coat to somebody else, and sent me
|
|
an ulster suitable for a giraffe. I had to tie my collar on,
|
|
because there was no button behind on that foolish little shirt
|
|
which I described a while ago.
|
|
|
|
When I was dressed for dinner at six-thirty, I was too loose
|
|
in some places and too tight in others, and altogether I
|
|
felt slovenly and ill-conditioned. However, the people
|
|
at the table d'ho^te were no better off than I was;
|
|
they had everybody's clothes but their own on. A long
|
|
stranger recognized his ulster as soon as he saw the tail
|
|
of it following me in, but nobody claimed my shirt or
|
|
my drawers, though I described them as well as I was able.
|
|
I gave them to the chambermaid that night when I went
|
|
to bed, and she probably found the owner, for my own
|
|
things were on a chair outside my door in the morning.
|
|
|
|
There was a lovable English clergyman who did
|
|
not get to the table d'ho^te at all. His breeches
|
|
had turned up missing, and without any equivalent.
|
|
He said he was not more particular than other people,
|
|
but he had noticed that a clergyman at dinner without
|
|
any breeches was almost sure to excite remark.
|
|
|
|
|
|
|
|
CHAPTER XXXVI
|
|
[The Fiendish Fun of Alp-climbing]
|
|
|
|
We did not oversleep at St. Nicholas. The church-bell
|
|
began to ring at four-thirty in the morning, and from
|
|
the length of time it continued to ring I judged that it
|
|
takes the Swiss sinner a good while to get the invitation
|
|
through his head. Most church-bells in the world
|
|
are of poor quality, and have a harsh and rasping
|
|
sound which upsets the temper and produces much sin,
|
|
but the St. Nicholas bell is a good deal the worst one
|
|
that has been contrived yet, and is peculiarly maddening
|
|
in its operation. Still, it may have its right and its
|
|
excuse to exist, for the community is poor and not every
|
|
citizen can afford a clock, perhaps; but there cannot be
|
|
any excuse for our church-bells at home, for their is no
|
|
family in America without a clock, and consequently there
|
|
is no fair pretext for the usual Sunday medley of dreadful
|
|
sounds that issues from our steeples. There is much more
|
|
profanity in America on Sunday than is all in the other six
|
|
days of the week put together, and it is of a more bitter
|
|
and malignant character than the week-day profanity, too.
|
|
It is produced by the cracked-pot clangor of the cheap
|
|
church-bells.
|
|
|
|
We build our churches almost without regard to cost;
|
|
we rear an edifice which is an adornment to the town, and we
|
|
gild it, and fresco it, and mortgage it, and do everything
|
|
we can think of to perfect it, and then spoil it all by
|
|
putting a bell on it which afflicts everybody who hears it,
|
|
giving some the headache, others St. Vitus's dance,
|
|
and the rest the blind staggers.
|
|
|
|
An American village at ten o'clock on a summer Sunday is
|
|
the quietest and peacefulest and holiest thing in nature;
|
|
but it is a pretty different thing half an hour later.
|
|
Mr. Poe's poem of the "Bells" stands incomplete to this day;
|
|
but it is well enough that it is so, for the public reciter
|
|
or "reader" who goes around trying to imitate the sounds
|
|
of the various sorts of bells with his voice would find
|
|
himself "up a stump" when he got to the church-bell--
|
|
as Joseph Addison would say. The church is always trying
|
|
to get other people to reform; it might not be a bad idea
|
|
to reform itself a little, by way of example. It is still
|
|
clinging to one or two things which were useful once,
|
|
but which are not useful now, neither are they ornamental.
|
|
One is the bell-ringing to remind a clock-caked town
|
|
that it is church-time, and another is the reading from
|
|
the pulpit of a tedious list of "notices" which everybody
|
|
who is interested has already read in the newspaper.
|
|
The clergyman even reads the hymn through--a relic
|
|
of an ancient time when hymn-books are scarce and costly;
|
|
but everybody has a hymn-book, now, and so the public reading
|
|
is no longer necessary. It is not merely unnecessary,
|
|
it is generally painful; for the average clergyman could
|
|
not fire into his congregation with a shotgun and hit a worse
|
|
reader than himself, unless the weapon scattered shamefully.
|
|
I am not meaning to be flippant and irreverent, I am only
|
|
meaning to be truthful. The average clergyman, in all
|
|
countries and of all denominations, is a very bad reader.
|
|
One would think he would at least learn how to read
|
|
the Lord's Prayer, by and by, but it is not so. He races
|
|
through it as if he thought the quicker he got it in,
|
|
the sooner it would be answered. A person who does not
|
|
appreciate the exceeding value of pauses, and does not know
|
|
how to measure their duration judiciously, cannot render
|
|
the grand simplicity and dignity of a composition like
|
|
that effectively.
|
|
|
|
We took a tolerably early breakfast, and tramped off
|
|
toward Zermatt through the reeking lanes of the village,
|
|
glad to get away from that bell. By and by we had a fine
|
|
spectacle on our right. It was the wall-like butt end of a
|
|
huge glacier, which looked down on us from an Alpine height
|
|
which was well up in the blue sky. It was an astonishing
|
|
amount of ice to be compacted together in one mass.
|
|
We ciphered upon it and decided that it was not less than
|
|
several hundred feet from the base of the wall of solid
|
|
ice to the top of it--Harris believed it was really
|
|
twice that. We judged that if St. Paul's, St. Peter's,
|
|
the Great Pyramid, the Strasburg Cathedral and the Capitol
|
|
in Washington were clustered against that wall, a man
|
|
sitting on its upper edge could not hang his hat on the top
|
|
of any one of them without reaching down three or four
|
|
hundred feet--a thing which, of course, no man could do.
|
|
|
|
To me, that mighty glacier was very beautiful. I did
|
|
not imagine that anybody could find fault with it; but I
|
|
was mistaken. Harris had been snarling for several days.
|
|
He was a rabid Protestant, and he was always saying:
|
|
|
|
"In the Protestant cantons you never see such poverty
|
|
and dirt and squalor as you do in this Catholic one;
|
|
you never see the lanes and alleys flowing with foulness;
|
|
you never see such wretched little sties of houses;
|
|
you never see an inverted tin turnip on top of a church
|
|
for a dome; and as for a church-bell, why, you never hear
|
|
a church-bell at all."
|
|
|
|
All this morning he had been finding fault, straight along.
|
|
First it was with the mud. He said, "It ain't muddy in a
|
|
Protestant canton when it rains." Then it was with the dogs:
|
|
"They don't have those lop-eared dogs in a Protestant canton."
|
|
Then it was with the roads: "They don't leave the roads
|
|
to make themselves in a Protestant canton, the people make
|
|
them--and they make a road that IS a road, too." Next it
|
|
was the goats: "You never see a goat shedding tears
|
|
in a Protestant canton--a goat, there, is one of the
|
|
cheerfulest objects in nature." Next it was the chamois:
|
|
"You never see a Protestant chamois act like one of these--
|
|
they take a bite or two and go; but these fellows camp
|
|
with you and stay." Then it was the guide-boards: "In
|
|
a Protestant canton you couldn't get lost if you wanted to,
|
|
but you never see a guide-board in a Catholic canton."
|
|
Next, "You never see any flower-boxes in the windows,
|
|
here--never anything but now and then a cat--a torpid one;
|
|
but you take a Protestant canton: windows perfectly lovely
|
|
with flowers--and as for cats, there's just acres of them.
|
|
These folks in this canton leave a road to make itself,
|
|
and then fine you three francs if you 'trot' over it--
|
|
as if a horse could trot over such a sarcasm of a road."
|
|
Next about the goiter: "THEY talk about goiter!--I haven't
|
|
seen a goiter in this whole canton that I couldn't put
|
|
in a hat."
|
|
|
|
He had growled at everything, but I judged it would puzzle
|
|
him to find anything the matter with this majestic glacier.
|
|
I intimated as much; but he was ready, and said with surly
|
|
discontent: "You ought to see them in the Protestant cantons."
|
|
|
|
This irritated me. But I concealed the feeling, and asked:
|
|
|
|
"What is the matter with this one?"
|
|
|
|
"Matter? Why, it ain't in any kind of condition.
|
|
They never take any care of a glacier here. The moraine
|
|
has been spilling gravel around it, and got it all dirty."
|
|
|
|
"Why, man, THEY can't help that."
|
|
|
|
"THEY? You're right. That is, they WON'T. They could
|
|
if they wanted to. You never see a speck of dirt
|
|
on a Protestant glacier. Look at the Rhone glacier.
|
|
It is fifteen miles long, and seven hundred feet think.
|
|
If this was a Protestant glacier you wouldn't see it looking
|
|
like this, I can tell you."
|
|
|
|
"That is nonsense. What would they do with it?"
|
|
|
|
"They would whitewash it. They always do."
|
|
|
|
I did not believe a word of this, but rather than have
|
|
trouble I let it go; for it is a waste of breath to argue
|
|
with a bigot. I even doubted if the Rhone glacier WAS
|
|
in a Protestant canton; but I did not know, so I could
|
|
not make anything by contradicting a man who would
|
|
probably put me down at once with manufactured evidence.
|
|
|
|
About nine miles from St. Nicholas we crossed a bridge
|
|
over the raging torrent of the Visp, and came to a log
|
|
strip of flimsy fencing which was pretending to secure
|
|
people from tumbling over a perpendicular wall forty feet
|
|
high and into the river. Three children were approaching;
|
|
one of them, a little girl, about eight years old,
|
|
was running; when pretty close to us she stumbled and fell,
|
|
and her feet shot under the rail of the fence and for a
|
|
moment projected over the stream. It gave us a sharp shock,
|
|
for we thought she was gone, sure, for the ground slanted
|
|
steeply, and to save herself seemed a sheer impossibility;
|
|
but she managed to scramble up, and ran by us laughing.
|
|
|
|
We went forward and examined the place and saw the long
|
|
tracks which her feet had made in the dirt when they
|
|
darted over the verge. If she had finished her trip she
|
|
would have struck some big rocks in the edge of the water,
|
|
and then the torrent would have snatched her downstream
|
|
among the half-covered boulders and she would have been
|
|
pounded to pulp in two minutes. We had come exceedingly
|
|
near witnessing her death.
|
|
|
|
And now Harris's contrary nature and inborn selfishness
|
|
were striking manifested. He has no spirit of self-denial.
|
|
He began straight off, and continued for an hour,
|
|
to express his gratitude that the child was not destroyed.
|
|
I never saw such a man. That was the kind of person he was;
|
|
just so HE was gratified, he never cared anything about
|
|
anybody else. I had noticed that trait in him, over and
|
|
over again. Often, of course, it was mere heedlessness,
|
|
mere want of reflection. Doubtless this may have been
|
|
the case in most instances, but it was not the less hard
|
|
to bar on that account--and after all, its bottom,
|
|
its groundwork, was selfishness. There is no avoiding
|
|
that conclusion. In the instance under consideration,
|
|
I did think the indecency of running on in that way might
|
|
occur to him; but no, the child was saved and he was glad,
|
|
that was sufficient--he cared not a straw for MY feelings,
|
|
or my loss of such a literary plum, snatched from my
|
|
very mouth at the instant it was ready to drop into it.
|
|
His selfishness was sufficient to place his own gratification
|
|
in being spared suffering clear before all concern for me,
|
|
his friend. Apparently, he did not once reflect upon the
|
|
valuable details which would have fallen like a windfall
|
|
to me: fishing the child out--witnessing the surprise of
|
|
the family and the stir the thing would have made among the
|
|
peasants--then a Swiss funeral--then the roadside monument,
|
|
to be paid for by us and have our names mentioned in it.
|
|
And we should have gone into Baedeker and been immortal.
|
|
I was silent. I was too much hurt to complain. If he could
|
|
act so, and be so heedless and so frivolous at such a time,
|
|
and actually seem to glory in it, after all I had done for him,
|
|
I would have cut my hand off before I would let him see
|
|
that I was wounded.
|
|
|
|
We were approaching Zermatt; consequently, we were
|
|
approaching the renowned Matterhorn. A month before,
|
|
this mountain had been only a name to us, but latterly
|
|
we had been moving through a steadily thickening double
|
|
row of pictures of it, done in oil, water, chromo, wood,
|
|
steel, copper, crayon, and photography, and so it had at
|
|
length become a shape to us--and a very distinct, decided,
|
|
and familiar one, too. We were expecting to recognize
|
|
that mountain whenever or wherever we should run across it.
|
|
We were not deceived. The monarch was far away when we
|
|
first saw him, but there was no such thing as mistaking him.
|
|
He has the rare peculiarity of standing by himself;
|
|
he is peculiarly steep, too, and is also most oddly shaped.
|
|
He towers into the sky like a colossal wedge, with the
|
|
upper third of its blade bent a little to the left.
|
|
The broad base of this monster wedge is planted upon
|
|
a grand glacier-paved Alpine platform whose elevation
|
|
is ten thousand feet above sea-level; as the wedge itself
|
|
is some five thousand feet high, it follows that its
|
|
apex is about fifteen thousand feet above sea-level.
|
|
So the whole bulk of this stately piece of rock, this
|
|
sky-cleaving monolith, is above the line of eternal snow.
|
|
Yet while all its giant neighbors have the look of being
|
|
built of solid snow, from their waists up, the Matterhorn
|
|
stands black and naked and forbidding, the year round,
|
|
or merely powdered or streaked with white in places,
|
|
for its sides are so steep that the snow cannot stay there.
|
|
Its strange form, its august isolation, and its majestic
|
|
unkinship with its own kind, make it--so to speak--the Napoleon
|
|
of the mountain world. "Grand, gloomy, and peculiar,"
|
|
is a phrase which fits it as aptly as it fitted the great
|
|
captain.
|
|
|
|
Think of a monument a mile high, standing on a pedestal
|
|
two miles high! This is what the Matterhorn is--a monument.
|
|
Its office, henceforth, for all time, will be to keep
|
|
watch and ward over the secret resting-place of the young
|
|
Lord Douglas, who, in 1865, was precipitated from the
|
|
summit over a precipice four thousand feet high, and never
|
|
seen again. No man ever had such a monument as this before;
|
|
the most imposing of the world's other monuments are
|
|
but atoms compared to it; and they will perish, and their
|
|
places will pass from memory, but this will remain. [1]
|
|
|
|
1. The accident which cost Lord Douglas his life (see
|
|
Chapter xii) also cost the lives of three other men.
|
|
These three fell four-fifths of a mile, and their bodies
|
|
were afterward found, lying side by side, upon a glacier,
|
|
whence they were borne to Zermatt and buried in the
|
|
churchyard.
|
|
The remains of Lord Douglas have never been found.
|
|
The secret of his sepulture, like that of Moses, must remain
|
|
a mystery always.
|
|
|
|
A walk from St. Nicholas to Zermatt is a wonderful experience.
|
|
Nature is built on a stupendous plan in that region.
|
|
One marches continually between walls that are piled
|
|
into the skies, with their upper heights broken into
|
|
a confusion of sublime shapes that gleam white and cold
|
|
against the background of blue; and here and there one
|
|
sees a big glacier displaying its grandeurs on the top
|
|
of a precipice, or a graceful cascade leaping and flashing
|
|
down the green declivities. There is nothing tame,
|
|
or cheap, or trivial--it is all magnificent. That short
|
|
valley is a picture-gallery of a notable kind, for it
|
|
contains no mediocrities; from end to end the Creator
|
|
has hung it with His masterpieces.
|
|
|
|
We made Zermatt at three in the afternoon, nine hours out
|
|
from St. Nicholas. Distance, by guide-book, twelve miles;
|
|
by pedometer seventy-two. We were in the heart and home
|
|
of the mountain-climbers, now, as all visible things
|
|
testified. The snow-peaks did not hold themselves aloof,
|
|
in aristocratic reserve; they nestled close around,
|
|
in a friendly, sociable way; guides, with the ropes and
|
|
axes and other implements of their fearful calling slung
|
|
about their persons, roosted in a long line upon a stone
|
|
wall in front of the hotel, and waited for customers;
|
|
sun-burnt climbers, in mountaineering costume, and followed
|
|
by their guides and porters, arrived from time to time,
|
|
from breakneck expeditions among the peaks and glaciers
|
|
of the High Alps; male and female tourists, on mules,
|
|
filed by, in a continuous procession, hotelward-bound from
|
|
wild adventures which would grow in grandeur very time
|
|
they were described at the English or American fireside,
|
|
and at last outgrow the possible itself.
|
|
|
|
We were not dreaming; this was not a make-believe home
|
|
of the Alp-climber, created by our heated imaginations;
|
|
no, for here was Mr. Girdlestone himself, the famous
|
|
Englishman who hunts his way to the most formidable Alpine
|
|
summits without a guide. I was not equal to imagining
|
|
a Girdlestone; it was all I could do to even realize him,
|
|
while looking straight at him at short range. I would rather
|
|
face whole Hyde Parks of artillery than the ghastly forms
|
|
of death which he has faced among the peaks and precipices
|
|
of the mountains. There is probably no pleasure equal
|
|
to the pleasure of climbing a dangerous Alp; but it is
|
|
a pleasure which is confined strictly to people who can
|
|
find pleasure in it. I have not jumped to this conclusion;
|
|
I have traveled to it per gravel-train, so to speak.
|
|
I have thought the thing all out, and am quite sure I
|
|
am right. A born climber's appetite for climbing is hard
|
|
to satisfy; when it comes upon him he is like a starving
|
|
man with a feast before him; he may have other business
|
|
on hand, but it must wait. Mr. Girdlestone had had
|
|
his usual summer holiday in the Alps, and had spent it
|
|
in his usual way, hunting for unique chances to break
|
|
his neck; his vacation was over, and his luggage packed
|
|
for England, but all of a sudden a hunger had come upon
|
|
him to climb the tremendous Weisshorn once more, for he
|
|
had heard of a new and utterly impossible route up it.
|
|
His baggage was unpacked at once, and now he and a friend,
|
|
laden with knapsacks, ice-axes, coils of rope, and canteens
|
|
of milk, were just setting out. They would spend
|
|
the night high up among the snows, somewhere, and get
|
|
up at two in the morning and finish the enterprise.
|
|
I had a strong desire to go with them, but forced it down--
|
|
a feat which Mr. Girdlestone, with all his fortitude,
|
|
could not do.
|
|
|
|
Even ladies catch the climbing mania, and are unable to
|
|
throw it off. A famous climber, of that sex, had attempted
|
|
the Weisshorn a few days before our arrival, and she
|
|
and her guides had lost their way in a snow-storm high up
|
|
among the peaks and glaciers and been forced to wander
|
|
around a good while before they could find a way down.
|
|
When this lady reached the bottom, she had been on her
|
|
feet twenty-three hours!
|
|
|
|
Our guides, hired on the Gemmi, were already at Zermatt
|
|
when we reached there. So there was nothing to interfere
|
|
with our getting up an adventure whenever we should
|
|
choose the time and the object. I resolved to devote
|
|
my first evening in Zermatt to studying up the subject
|
|
of Alpine climbing, by way of preparation.
|
|
|
|
I read several books, and here are some of the things
|
|
I found out. One's shoes must be strong and heavy,
|
|
and have pointed hobnails in them. The alpenstock
|
|
must be of the best wood, for if it should break,
|
|
loss of life might be the result. One should carry an ax,
|
|
to cut steps in the ice with, on the great heights.
|
|
There must be a ladder, for there are steep bits of rock
|
|
which can be surmounted with this instrument--or this
|
|
utensil--but could not be surmounted without it;
|
|
such an obstruction has compelled the tourist to waste
|
|
hours hunting another route, when a ladder would have
|
|
saved him all trouble. One must have from one hundred
|
|
and fifty to five hundred feet of strong rope, to be used
|
|
in lowering the party down steep declivities which are
|
|
too steep and smooth to be traversed in any other way.
|
|
One must have a steel hook, on another rope--a very
|
|
useful thing; for when one is ascending and comes to a low
|
|
bluff which is yet too high for the ladder, he swings
|
|
this rope aloft like a lasso, the hook catches at the top
|
|
of the bluff, and then the tourist climbs the rope,
|
|
hand over hand--being always particular to try and forget
|
|
that if the hook gives way he will never stop falling
|
|
till he arrives in some part of Switzerland where they
|
|
are not expecting him. Another important thing--there
|
|
must be a rope to tie the whole party together with,
|
|
so that if one falls from a mountain or down a bottomless
|
|
chasm in a glacier, the others may brace back on the rope
|
|
and save him. One must have a silk veil, to protect
|
|
his face from snow, sleet, hail and gale, and colored
|
|
goggles to protect his eyes from that dangerous enemy,
|
|
snow-blindness. Finally, there must be some porters,
|
|
to carry provisions, wine and scientific instruments,
|
|
and also blanket bags for the party to sleep in.
|
|
|
|
I closed my readings with a fearful adventure which
|
|
Mr. Whymper once had on the Matterhorn when he was prowling
|
|
around alone, five thousand feet above the town of Breil.
|
|
He was edging his way gingerly around the corner of a
|
|
precipice where the upper edge of a sharp declivity
|
|
of ice-glazed snow joined it. This declivity swept
|
|
down a couple of hundred feet, into a gully which curved
|
|
around and ended at a precipice eight hundred feet high,
|
|
overlooking a glacier. His foot slipped, and he fell.
|
|
|
|
He says:
|
|
|
|
"My knapsack brought my head down first, and I pitched into
|
|
some rocks about a dozen feet below; they caught something,
|
|
and tumbled me off the edge, head over heels, into the gully;
|
|
the baton was dashed from my hands, and I whirled downward
|
|
in a series of bounds, each longer than the last; now over ice,
|
|
now into rocks, striking my head four or five times,
|
|
each time with increased force. The last bound sent me
|
|
spinning through the air in a leap of fifty or sixty feet,
|
|
from one side of the gully to the other, and I struck
|
|
the rocks, luckily, with the whole of my left side.
|
|
They caught my clothes for a moment, and I fell back on
|
|
to the snow with motion arrested. My head fortunately
|
|
came the right side up, and a few frantic catches brought
|
|
me to a halt, in the neck of the gully and on the verge
|
|
of the precipice. Baton, hat, and veil skimmed by
|
|
and disappeared, and the crash of the rocks--which I had
|
|
started--as they fell on to the glacier, told how narrow
|
|
had been the escape from utter destruction. As it was,
|
|
I fell nearly two hundred feet in seven or eight bounds.
|
|
Ten feet more would have taken me in one gigantic leaps
|
|
of eight hundred feet on to the glacier below.
|
|
|
|
"The situation was sufficiently serious. The rocks could
|
|
not be let go for a moment, and the blood was spurting
|
|
out of more than twenty cuts. The most serious ones were
|
|
in the head, and I vainly tried to close them with one hand,
|
|
while holding on with the other. It was useless;
|
|
the blood gushed out in blinding jets at each pulsation.
|
|
At last, in a moment of inspiration, I kicked out a big
|
|
lump of snow and struck it as plaster on my head.
|
|
The idea was a happy one, and the flow of blood diminished.
|
|
Then, scrambling up, I got, not a moment too soon, to a
|
|
place of safety, and fainted away. The sun was setting
|
|
when consciousness returned, and it was pitch-dark before
|
|
the Great Staircase was descended; but by a combination
|
|
of luck and care, the whole four thousand seven hundred
|
|
feet of descent to Breil was accomplished without a slip,
|
|
or once missing the way."
|
|
|
|
His wounds kept him abed some days. Then he got up
|
|
and climbed that mountain again. That is the way with
|
|
a true Alp-climber; the more fun he has, the more he wants.
|
|
|
|
|
|
|
|
CHAPTER XXXVII
|
|
[Our Imposing Column Starts Upward]
|
|
|
|
After I had finished my readings, I was no longer myself;
|
|
I was tranced, uplifted, intoxicated, by the almost
|
|
incredible perils and adventures I had been following
|
|
my authors through, and the triumphs I had been sharing
|
|
with them. I sat silent some time, then turned to Harris
|
|
and said:
|
|
|
|
"My mind is made up."
|
|
|
|
Something in my tone struck him: and when he glanced
|
|
at my eye and read what was written there, his face
|
|
paled perceptibly. He hesitated a moment, then said:
|
|
|
|
"Speak."
|
|
|
|
I answered, with perfect calmness:
|
|
|
|
"I will ascend the Riffelberg."
|
|
|
|
If I had shot my poor friend he could not have fallen from
|
|
his chair more suddenly. If I had been his father he could
|
|
not have pleaded harder to get me to give up my purpose.
|
|
But I turned a deaf ear to all he said. When he perceived
|
|
at last that nothing could alter my determination,
|
|
he ceased to urge, and for a while the deep silence was
|
|
broken only by his sobs. I sat in marble resolution,
|
|
with my eyes fixed upon vacancy, for in spirit I was already
|
|
wrestling with the perils of the mountains, and my friend
|
|
sat gazing at me in adoring admiration through his tears.
|
|
At last he threw himself upon me in a loving embrace and
|
|
exclaimed in broken tones:
|
|
|
|
"Your Harris will never desert you. We will die together."
|
|
|
|
I cheered the noble fellow with praises, and soon his
|
|
fears were forgotten and he was eager for the adventure.
|
|
He wanted to summon the guides at once and leave at
|
|
two in the morning, as he supposed the custom was;
|
|
but I explained that nobody was looking at that hour;
|
|
and that the start in the dark was not usually made from
|
|
the village but from the first night's resting-place
|
|
on the mountain side. I said we would leave the village
|
|
at 3 or 4 P.M. on the morrow; meantime he could notify
|
|
the guides, and also let the public know of the attempt
|
|
which we proposed to make.
|
|
|
|
I went to bed, but not to sleep. No man can sleep when he
|
|
is about to undertake one of these Alpine exploits.
|
|
I tossed feverishly all night long, and was glad enough
|
|
when I heard the clock strike half past eleven and knew it
|
|
was time to get up for dinner. I rose, jaded and rusty,
|
|
and went to the noon meal, where I found myself the center
|
|
of interest and curiosity; for the news was already abroad.
|
|
It is not easy to eat calmly when you are a lion; but it is
|
|
very pleasant, nevertheless.
|
|
|
|
As usual, at Zermatt, when a great ascent is about to
|
|
be undertaken, everybody, native and foreign, laid aside
|
|
his own projects and took up a good position to observe
|
|
the start. The expedition consisted of 198 persons,
|
|
including the mules; or 205, including the cows.
|
|
As follows:
|
|
|
|
CHIEFS OF SERVICE SUBORDINATES
|
|
|
|
Myself 1 Veterinary Surgeon Mr. Harris 1 Butler 17
|
|
Guides 12 Waiters 4 Surgeons 1 Footman 1 Geologist 1
|
|
Barber 1 Botanist 1 Head Cook 3 Chaplains 9 Assistants
|
|
15 Barkeepers 1 Confectionery Artist 1 Latinist
|
|
|
|
TRANSPORTATION, ETC.
|
|
|
|
27 Porters 3 Coarse Washers and Ironers 44 Mules 1 Fine
|
|
ditto 44 Muleteers 7 Cows 2 Milkers
|
|
|
|
Total, 154 men, 51 animals. Grand Total, 205.
|
|
|
|
RATIONS, ETC. APPARATUS
|
|
|
|
16 Cases Hams 25 Spring Mattresses 2 Barrels Flour 2
|
|
Hair ditto 22 Barrels Whiskey Bedding for same 1 Barrel
|
|
Sugar 2 Mosquito-nets 1 Keg Lemons 29 Tents 2,000 Cigars
|
|
Scientific Instruments 1 Barrel Pies 97 Ice-axes 1 Ton
|
|
of Pemmican 5 Cases Dynamite 143 Pair Crutches 7 Cans
|
|
Nitroglycerin 2 Barrels Arnica 22 40-foot Ladders 1 Bale
|
|
of Lint 2 Miles of Rope 27 Kegs Paregoric 154 Umbrellas
|
|
|
|
It was full four o'clock in the afternoon before my cavalcade
|
|
was entirely ready. At that hour it began to move.
|
|
In point of numbers and spectacular effect, it was the most
|
|
imposing expedition that had ever marched from Zermatt.
|
|
|
|
I commanded the chief guide to arrange the men and animals
|
|
in single file, twelve feet apart, and lash them all
|
|
together on a strong rope. He objected that the first
|
|
two miles was a dead level, with plenty of room, and that
|
|
the rope was never used except in very dangerous places.
|
|
But I would not listen to that. My reading had taught
|
|
me that many serious accidents had happened in the Alps
|
|
simply from not having the people tied up soon enough;
|
|
I was not going to add one to the list. The guide then
|
|
obeyed my order.
|
|
|
|
When the procession stood at ease, roped together,
|
|
and ready to move, I never saw a finer sight. It was 3,122
|
|
feet long--over half a mile; every man and me was on foot,
|
|
and had on his green veil and his blue goggles, and his
|
|
white rag around his hat, and his coil of rope over one
|
|
shoulder and under the other, and his ice-ax in his belt,
|
|
and carried his alpenstock in his left hand, his umbrella
|
|
(closed) in his right, and his crutches slung at his back.
|
|
The burdens of the pack-mules and the horns of the cows
|
|
were decked with the Edelweiss and the Alpine rose.
|
|
|
|
I and my agent were the only persons mounted. We were
|
|
in the post of danger in the extreme rear, and tied
|
|
securely to five guides apiece. Our armor-bearers carried
|
|
our ice-axes, alpenstocks, and other implements for us.
|
|
We were mounted upon very small donkeys, as a measure
|
|
of safety; in time of peril we could straighten our legs
|
|
and stand up, and let the donkey walk from under.
|
|
Still, I cannot recommend this sort of animal--at least
|
|
for excursions of mere pleasure--because his ears interrupt
|
|
the view. I and my agent possessed the regulation
|
|
mountaineering costumes, but concluded to leave them behind.
|
|
Out of respect for the great numbers of tourists of both
|
|
sexes who would be assembled in front of the hotels
|
|
to see us pass, and also out of respect for the many
|
|
tourists whom we expected to encounter on our expedition,
|
|
we decided to make the ascent in evening dress.
|
|
|
|
We watered the caravan at the cold stream which rushes
|
|
down a trough near the end of the village, and soon
|
|
afterward left the haunts of civilization behind us.
|
|
About half past five o'clock we arrived at a bridge which
|
|
spans the Visp, and after throwing over a detachment to see
|
|
if it was safe, the caravan crossed without accident.
|
|
The way now led, by a gentle ascent, carpeted with
|
|
fresh green grass, to the church at Winkelmatten.
|
|
Without stopping to examine this edifice, I executed
|
|
a flank movement to the right and crossed the bridge
|
|
over the Findelenbach, after first testing its strength.
|
|
Here I deployed to the right again, and presently entered
|
|
an inviting stretch of meadowland which was unoccupied save
|
|
by a couple of deserted huts toward the furthest extremity.
|
|
These meadows offered an excellent camping-place. We
|
|
pitched our tents, supped, established a proper grade,
|
|
recorded the events of the day, and then went to bed.
|
|
|
|
We rose at two in the morning and dressed by candle-light. It
|
|
was a dismal and chilly business. A few stars were shining,
|
|
but the general heavens were overcast, and the great shaft
|
|
of the Matterhorn was draped in a cable pall of clouds.
|
|
The chief guide advised a delay; he said he feared it
|
|
was going to rain. We waited until nine o'clock, and then
|
|
got away in tolerably clear weather.
|
|
|
|
Our course led up some terrific steeps, densely wooded with
|
|
larches and cedars, and traversed by paths which the rains
|
|
had guttered and which were obstructed by loose stones.
|
|
To add to the danger and inconvenience, we were constantly
|
|
meeting returning tourists on foot and horseback,
|
|
and as constantly being crowded and battered by ascending
|
|
tourists who were in a hurry and wanted to get by.
|
|
|
|
Our troubles thickened. About the middle of the afternoon
|
|
the seventeen guides called a halt and held a consultation.
|
|
After consulting an hour they said their first suspicion
|
|
remained intact--that is to say, they believed they
|
|
were lost. I asked if they did not KNOW it? No, they said,
|
|
they COULDN'T absolutely know whether they were lost or not,
|
|
because none of them had ever been in that part of the
|
|
country before. They had a strong instinct that they
|
|
were lost, but they had no proofs--except that they
|
|
did not know where they were. They had met no tourists
|
|
for some time, and they considered that a suspicious sign.
|
|
|
|
Plainly we were in an ugly fix. The guides were naturally
|
|
unwilling to go alone and seek a way out of the difficulty;
|
|
so we all went together. For better security we moved
|
|
slow and cautiously, for the forest was very dense.
|
|
We did not move up the mountain, but around it, hoping to
|
|
strike across the old trail. Toward nightfall, when we
|
|
were about tired out, we came up against a rock as big
|
|
as a cottage. This barrier took all the remaining spirit
|
|
out of the men, and a panic of fear and despair ensued.
|
|
They moaned and wept, and said they should never see
|
|
their homes and their dear ones again. Then they began
|
|
to upbraid me for bringing them upon this fatal expedition.
|
|
Some even muttered threats against me.
|
|
|
|
Clearly it was no time to show weakness. So I made
|
|
a speech in which I said that other Alp-climbers had been
|
|
in as perilous a position as this, and yet by courage
|
|
and perseverance had escaped. I promised to stand by them,
|
|
I promised to rescue them. I closed by saying we had plenty
|
|
of provisions to maintain us for quite a siege--and did they
|
|
suppose Zermatt would allow half a mile of men and mules
|
|
to mysteriously disappear during any considerable time,
|
|
right above their noses, and make no inquiries? No,
|
|
Zermatt would send out searching-expeditions and we should be
|
|
saved.
|
|
|
|
This speech had a great effect. The men pitched the tents
|
|
with some little show of cheerfulness, and we were snugly
|
|
under cover when the night shut down. I now reaped
|
|
the reward of my wisdom in providing one article which is
|
|
not mentioned in any book of Alpine adventure but this.
|
|
I refer to the paregoric. But for that beneficent drug,
|
|
would have not one of those men slept a moment during that
|
|
fearful night. But for that gentle persuader they must
|
|
have tossed, unsoothed, the night through; for the whiskey
|
|
was for me. Yes, they would have risen in the morning
|
|
unfitted for their heavy task. As it was, everybody slept
|
|
but my agent and me--only we and the barkeepers.
|
|
I would not permit myself to sleep at such a time.
|
|
I considered myself responsible for all those lives.
|
|
I meant to be on hand and ready, in case of avalanches
|
|
up there, but I did not know it then.
|
|
|
|
We watched the weather all through that awful night,
|
|
and kept an eye on the barometer, to be prepared for
|
|
the least change. There was not the slightest change
|
|
recorded by the instrument, during the whole time.
|
|
Words cannot describe the comfort that that friendly,
|
|
hopeful, steadfast thing was to me in that season
|
|
of trouble. It was a defective barometer, and had no hand
|
|
but the stationary brass pointer, but I did not know that
|
|
until afterward. If I should be in such a situation again,
|
|
I should not wish for any barometer but that one.
|
|
|
|
All hands rose at two in the morning and took breakfast,
|
|
and as soon as it was light we roped ourselves together
|
|
and went at that rock. For some time we tried the hook-rope
|
|
and other means of scaling it, but without success--that is,
|
|
without perfect success. The hook caught once, and Harris
|
|
started up it hand over hand, but the hold broke and if
|
|
there had not happened to be a chaplain sitting underneath
|
|
at the time, Harris would certainly have been crippled.
|
|
As it was, it was the chaplain. He took to his crutches,
|
|
and I ordered the hook-rope to be laid aside.
|
|
It was too dangerous an implement where so many people
|
|
are standing around.
|
|
|
|
We were puzzled for a while; then somebody thought of
|
|
the ladders. One of these was leaned against the rock,
|
|
and the men went up it tied together in couples.
|
|
Another ladder was sent up for use in descending.
|
|
At the end of half an hour everybody was over, and that rock
|
|
was conquered. We gave our first grand shout of triumph.
|
|
But the joy was short-lived, for somebody asked how we were
|
|
going to get the animals over.
|
|
|
|
This was a serious difficulty; in fact, it was an impossibility.
|
|
The courage of the men began to waver immediately; once more
|
|
we were threatened with a panic. But when the danger
|
|
was most imminent, we were saved in a mysterious way.
|
|
A mule which had attracted attention from the beginning
|
|
by its disposition to experiment, tried to eat a five-pound
|
|
can of nitroglycerin. This happened right alongside
|
|
the rock. The explosion threw us all to the ground,
|
|
and covered us with dirt and debris; it frightened
|
|
us extremely, too, for the crash it made was deafening,
|
|
and the violence of the shock made the ground tremble.
|
|
However, we were grateful, for the rock was gone.
|
|
Its place was occupied by a new cellar, about thirty
|
|
feet across, by fifteen feet deep. The explosion was
|
|
heard as far as Zermatt; and an hour and a half afterward,
|
|
many citizens of that town were knocked down and quite
|
|
seriously injured by descending portions of mule meat,
|
|
frozen solid. This shows, better than any estimate
|
|
in figures, how high the experimenter went.
|
|
|
|
We had nothing to do, now, but bridge the cellar and proceed
|
|
on our way. With a cheer the men went at their work.
|
|
I attended to the engineering, myself. I appointed a strong
|
|
detail to cut down trees with ice-axes and trim them for
|
|
piers to support the bridge. This was a slow business,
|
|
for ice-axes are not good to cut wood with. I caused
|
|
my piers to be firmly set up in ranks in the cellar,
|
|
and upon them I laid six of my forty-foot ladders,
|
|
side by side, and laid six more on top of them.
|
|
Upon this bridge I caused a bed of boughs to be spread,
|
|
and on top of the boughs a bed of earth six inches deep.
|
|
I stretched ropes upon either side to serve as railings,
|
|
and then my bridge was complete. A train of elephants
|
|
could have crossed it in safety and comfort. By nightfall
|
|
the caravan was on the other side and the ladders were
|
|
taken up.
|
|
|
|
Next morning we went on in good spirits for a while,
|
|
though our way was slow and difficult, by reason of the
|
|
steep and rocky nature of the ground and the thickness
|
|
of the forest; but at last a dull despondency crept into
|
|
the men's faces and it was apparent that not only they,
|
|
but even the guides, were now convinced that we were lost.
|
|
The fact that we still met no tourists was a circumstance
|
|
that was but too significant. Another thing seemed to
|
|
suggest that we were not only lost, but very badly lost;
|
|
for there must surely be searching-parties on the road
|
|
before this time, yet we had seen no sign of them.
|
|
|
|
Demoralization was spreading; something must be done,
|
|
and done quickly, too. Fortunately, I am not unfertile
|
|
in expedients. I contrived one now which commended itself
|
|
to all, for it promised well. I took three-quarters
|
|
of a mile of rope and fastened one end of it around
|
|
the waist of a guide, and told him to go find the road,
|
|
while the caravan waited. I instructed him to guide himself
|
|
back by the rope, in case of failure; in case of success,
|
|
he was to give the rope a series of violent jerks,
|
|
whereupon the Expedition would go to him at once.
|
|
He departed, and in two minutes had disappeared among
|
|
the trees. I payed out the rope myself, while everybody
|
|
watched the crawling thing with eager eyes. The rope
|
|
crept away quite slowly, at times, at other times with
|
|
some briskness. Twice or thrice we seemed to get the signal,
|
|
and a shout was just ready to break from the men's lips
|
|
when they perceived it was a false alarm. But at last,
|
|
when over half a mile of rope had slidden away, it stopped
|
|
gliding and stood absolutely still--one minute--two
|
|
minutes--three--while we held our breath and watched.
|
|
|
|
Was the guide resting? Was he scanning the country from
|
|
some high point? Was he inquiring of a chance mountaineer?
|
|
Stop,--had he fainted from excess of fatigue and anxiety?
|
|
|
|
This thought gave us a shock. I was in the very first act
|
|
of detailing an Expedition to succor him, when the cord
|
|
was assailed with a series of such frantic jerks that I
|
|
could hardly keep hold of it. The huzza that went up,
|
|
then, was good to hear. "Saved! saved!" was the word
|
|
that rang out, all down the long rank of the caravan.
|
|
|
|
We rose up and started at once. We found the route to be
|
|
good enough for a while, but it began to grow difficult,
|
|
by and by, and this feature steadily increased. When we
|
|
judged we had gone half a mile, we momently expected
|
|
to see the guide; but no, he was not visible anywhere;
|
|
neither was he waiting, for the rope was still moving,
|
|
consequently he was doing the same. This argued that he
|
|
had not found the road, yet, but was marching to it
|
|
with some peasant. There was nothing for us to do but
|
|
plod along--and this we did. At the end of three hours
|
|
we were still plodding. This was not only mysterious,
|
|
but exasperating. And very fatiguing, too; for we had
|
|
tried hard, along at first, to catch up with the guide,
|
|
but had only fagged ourselves, in vain; for although he
|
|
was traveling slowly he was yet able to go faster than the
|
|
hampered caravan over such ground.
|
|
|
|
At three in the afternoon we were nearly dead with
|
|
exhaustion--and still the rope was slowly gliding out.
|
|
The murmurs against the guide had been growing steadily,
|
|
and at last they were become loud and savage.
|
|
A mutiny ensued. The men refused to proceed. They declared
|
|
that we had been traveling over and over the same ground
|
|
all day, in a kind of circle. They demanded that our
|
|
end of the rope be made fast to a tree, so as to halt
|
|
the guide until we could overtake him and kill him.
|
|
This was not an unreasonable requirement, so I gave the order.
|
|
|
|
As soon as the rope was tied, the Expedition moved
|
|
forward with that alacrity which the thirst for
|
|
vengeance usually inspires. But after a tiresome march
|
|
of almost half a mile, we came to a hill covered thick
|
|
with a crumbly rubbish of stones, and so steep that no
|
|
man of us all was now in a condition to climb it.
|
|
Every attempt failed, and ended in crippling somebody.
|
|
Within twenty minutes I had five men on crutches.
|
|
Whenever a climber tried to assist himself by the rope,
|
|
it yielded and let him tumble backward. The frequency
|
|
of this result suggested an idea to me. I ordered
|
|
the caravan to 'bout face and form in marching order;
|
|
I then made the tow-rope fast to the rear mule, and gave
|
|
the command:
|
|
|
|
"Mark time--by the right flank--forward--march!"
|
|
|
|
The procession began to move, to the impressive strains
|
|
of a battle-chant, and I said to myself, "Now, if the rope
|
|
don't break I judge THIS will fetch that guide into the camp."
|
|
I watched the rope gliding down the hill, and presently
|
|
when I was all fixed for triumph I was confronted
|
|
by a bitter disappointment; there was no guide tied
|
|
to the rope, it was only a very indignant old black ram.
|
|
The fury of the baffled Expedition exceeded all bounds.
|
|
They even wanted to wreak their unreasoning vengeance on this
|
|
innocent dumb brute. But I stood between them and their prey,
|
|
menaced by a bristling wall of ice-axes and alpenstocks,
|
|
and proclaimed that there was but one road to this murder,
|
|
and it was directly over my corpse. Even as I spoke I
|
|
saw that my doom was sealed, except a miracle supervened
|
|
to divert these madmen from their fell purpose. I see
|
|
the sickening wall of weapons now; I see that advancing
|
|
host as I saw it then, I see the hate in those cruel eyes;
|
|
I remember how I drooped my head upon my breast,
|
|
I feel again the sudden earthquake shock in my rear,
|
|
administered by the very ram I was sacrificing myself to save;
|
|
I hear once more the typhoon of laughter that burst from
|
|
the assaulting column as I clove it from van to rear
|
|
like a Sepoy shot from a Rodman gun.
|
|
|
|
I was saved. Yes, I was saved, and by the merciful instinct
|
|
of ingratitude which nature had planted in the breast
|
|
of that treacherous beast. The grace which eloquence
|
|
had failed to work in those men's hearts, had been wrought
|
|
by a laugh. The ram was set free and my life was spared.
|
|
|
|
We lived to find out that that guide had deserted us as soon
|
|
as he had placed a half-mile between himself and us.
|
|
To avert suspicion, he had judged it best that the line
|
|
should continue to move; so he caught that ram, and at
|
|
the time that he was sitting on it making the rope fast
|
|
to it, we were imagining that he was lying in a swoon,
|
|
overcome by fatigue and distress. When he allowed the ram
|
|
to get up it fell to plunging around, trying to rid itself
|
|
of the rope, and this was the signal which we had risen
|
|
up with glad shouts to obey. We had followed this ram
|
|
round and round in a circle all day--a thing which was
|
|
proven by the discovery that we had watered the Expedition
|
|
seven times at one and same spring in seven hours.
|
|
As expert a woodman as I am, I had somehow failed to notice
|
|
this until my attention was called to it by a hog.
|
|
This hog was always wallowing there, and as he was the
|
|
only hog we saw, his frequent repetition, together with
|
|
his unvarying similarity to himself, finally caused me
|
|
to reflect that he must be the same hog, and this led
|
|
me to the deduction that this must be the same spring,
|
|
also--which indeed it was.
|
|
|
|
I made a note of this curious thing, as showing
|
|
in a striking manner the relative difference between
|
|
glacial action and the action of the hog. It is now
|
|
a well-established fact that glaciers move; I consider
|
|
that my observations go to show, with equal conclusiveness,
|
|
that a hog in a spring does not move. I shall be glad
|
|
to receive the opinions of other observers upon this point.
|
|
|
|
To return, for an explanatory moment, to that guide,
|
|
and then I shall be done with him. After leaving the ram
|
|
tied to the rope, he had wandered at large a while,
|
|
and then happened to run across a cow. Judging that
|
|
a cow would naturally know more than a guide, he took
|
|
her by the tail, and the result justified his judgment.
|
|
She nibbled her leisurely way downhill till it was near
|
|
milking-time, then she struck for home and towed him
|
|
into Zermatt.
|
|
|
|
|
|
|
|
CHAPTER XXXVIII
|
|
[I Conquer the Gorner Grat]
|
|
|
|
We went into camp on that wild spot to which that ram
|
|
had brought us. The men were greatly fatigued.
|
|
Their conviction that we were lost was forgotten in the cheer
|
|
of a good supper, and before the reaction had a chance
|
|
to set in, I loaded them up with paregoric and put them to bed.
|
|
|
|
Next morning I was considering in my mind our desperate
|
|
situation and trying to think of a remedy, when Harris
|
|
came to me with a Baedeker map which showed conclusively
|
|
that the mountain we were on was still in Switzerland--yes,
|
|
every part of it was in Switzerland. So we were not lost,
|
|
after all. This was an immense relief; it lifted the weight
|
|
of two such mountains from my breast. I immediately
|
|
had the news disseminated and the map was exhibited.
|
|
The effect was wonderful. As soon as the men saw with
|
|
their own eyes that they knew where they were, and that it
|
|
was only the summit that was lost and not themselves,
|
|
they cheered up instantly and said with one accord,
|
|
let the summit take care of itself.
|
|
|
|
Our distresses being at an end, I now determined to rest
|
|
the men in camp and give the scientific department of the
|
|
Expedition a chance. First, I made a barometric observation,
|
|
to get our altitude, but I could not perceive that there
|
|
was any result. I knew, by my scientific reading,
|
|
that either thermometers or barometers ought to be boiled,
|
|
to make them accurate; I did not know which it was,
|
|
so I boiled them both. There was still no result;
|
|
so I examined these instruments and discovered that they
|
|
possessed radical blemishes: the barometer had no hand
|
|
but the brass pointer and the ball of the thermometer was
|
|
stuffed with tin-foil. I might have boiled those things
|
|
to rags, and never found out anything.
|
|
|
|
I hunted up another barometer; it was new and perfect.
|
|
I boiled it half an hour in a pot of bean soup which
|
|
the cooks were making. The result was unexpected: the
|
|
instrument was not affecting at all, but there was such
|
|
a strong barometer taste to the soup that the head cook,
|
|
who was a most conscientious person, changed its name
|
|
in the bill of fare. The dish was so greatly liked by all,
|
|
that I ordered the cook to have barometer soup every day.
|
|
It was believed that the barometer might eventually
|
|
be injured, but I did not care for that. I had demonstrated
|
|
to my satisfaction that it could not tell how high
|
|
a mountain was, therefore I had no real use for it.
|
|
Changes in the weather I could take care of without it;
|
|
I did not wish to know when the weather was going to be good,
|
|
what I wanted to know was when it was going to be bad,
|
|
and this I could find out from Harris's corns. Harris had
|
|
had his corns tested and regulated at the government
|
|
observatory in Heidelberg, and one could depend upon them
|
|
with confidence. So I transferred the new barometer to
|
|
the cooking department, to be used for the official mess.
|
|
It was found that even a pretty fair article of soup could
|
|
be made from the defective barometer; so I allowed that one
|
|
to be transferred to the subordinate mess.
|
|
|
|
I next boiled the thermometer, and got a most excellent result;
|
|
the mercury went up to about 200 degrees Fahrenheit.
|
|
In the opinion of the other scientists of the Expedition,
|
|
this seemed to indicate that we had attained the extraordinary
|
|
altitude of two hundred thousand feet above sea-level.
|
|
Science places the line of eternal snow at about ten thousand
|
|
feet above sea-level. There was no snow where we were,
|
|
consequently it was proven that the eternal snow-line
|
|
ceases somewhere above the ten-thousand-foot level and
|
|
does not begin any more. This was an interesting fact,
|
|
and one which had not been observed by any observer before.
|
|
It was as valuable as interesting, too, since it would open
|
|
up the deserted summits of the highest Alps to population
|
|
and agriculture. It was a proud thing to be where we were,
|
|
yet it caused us a pang to reflect that but for that ram we
|
|
might just as well been two hundred thousand feet higher.
|
|
|
|
The success of my last experiment induced me to try an
|
|
experiment with my photographic apparatus. I got it out,
|
|
and boiled one of my cameras, but the thing was a failure;
|
|
it made the wood swell up and burst, and I could not see
|
|
that the lenses were any better than they were before.
|
|
|
|
I now concluded to boil a guide. It might improve him,
|
|
it could not impair his usefulness. But I was not
|
|
allowed to proceed. Guides have no feeling for science,
|
|
and this one would not consent to be made uncomfortable
|
|
in its interest.
|
|
|
|
In the midst of my scientific work, one of those
|
|
needless accidents happened which are always occurring
|
|
among the ignorant and thoughtless. A porter shot
|
|
at a chamois and missed it and crippled the Latinist.
|
|
This was not a serious matter to me, for a Latinist's
|
|
duties are as well performed on crutches as otherwise--
|
|
but the fact remained that if the Latinist had not
|
|
happened to be in the way a mule would have got
|
|
that load. That would have been quite another matter,
|
|
for when it comes down to a question of value there is
|
|
a palpable difference between a Latinist and a mule.
|
|
I could not depend on having a Latinist in the right
|
|
place every time; so, to make things safe, I ordered
|
|
that in the future the chamois must not be hunted within
|
|
limits of the camp with any other weapon than the forefinger.
|
|
|
|
My nerves had hardly grown quiet after this affair when
|
|
they got another shake-up--one which utterly unmanned
|
|
me for a moment: a rumor swept suddenly through the camp
|
|
that one of the barkeepers had fallen over a precipice!
|
|
|
|
However, it turned out that it was only a chaplain.
|
|
I had laid in an extra force of chaplains, purposely to
|
|
be prepared for emergencies like this, but by some
|
|
unaccountable oversight had come away rather short-handed
|
|
in the matter of barkeepers.
|
|
|
|
On the following morning we moved on, well refreshed and in
|
|
good spirits. I remember this day with peculiar pleasure,
|
|
because it saw our road restored to us. Yes, we found
|
|
our road again, and in quite an extraordinary way.
|
|
We had plodded along some two hours and a half, when we came
|
|
up against a solid mass of rock about twenty feet high.
|
|
I did not need to be instructed by a mule this time.
|
|
I was already beginning to know more than any mule in
|
|
the Expedition. I at once put in a blast of dynamite,
|
|
and lifted that rock out of the way. But to my surprise
|
|
and mortification, I found that there had been a chalet
|
|
on top of it.
|
|
|
|
I picked up such members of the family as fell in my vicinity,
|
|
and subordinates of my corps collected the rest.
|
|
None of these poor people were injured, happily, but they
|
|
were much annoyed. I explained to the head chaleteer
|
|
just how the thing happened, and that I was only searching
|
|
for the road, and would certainly have given him timely
|
|
notice if I had known he was up there. I said I had
|
|
meant no harm, and hoped I had not lowered myself in
|
|
his estimation by raising him a few rods in the air.
|
|
I said many other judicious things, and finally when I
|
|
offered to rebuild his chalet, and pay for the breakages,
|
|
and throw in the cellar, he was mollified and satisfied.
|
|
He hadn't any cellar at all, before; he would not have
|
|
as good a view, now, as formerly, but what he had lost
|
|
in view he had gained in cellar, by exact measurement.
|
|
He said there wasn't another hole like that in the mountains--
|
|
and he would have been right if the late mule had not tried
|
|
to eat up the nitroglycerin.
|
|
|
|
I put a hundred and sixteen men at work, and they rebuilt
|
|
the chalet from its own debris in fifteen minutes.
|
|
It was a good deal more picturesque than it was before,
|
|
too. The man said we were now on the Feil-Stutz, above
|
|
the Schwegmatt--information which I was glad to get,
|
|
since it gave us our position to a degree of particularity
|
|
which we had not been accustomed to for a day or so.
|
|
We also learned that we were standing at the foot
|
|
of the Riffelberg proper, and that the initial chapter
|
|
of our work was completed.
|
|
|
|
We had a fine view, from here, of the energetic Visp,
|
|
as it makes its first plunge into the world from under a huge
|
|
arch of solid ice, worn through the foot-wall of the great
|
|
Gorner Glacier; and we could also see the Furggenbach,
|
|
which is the outlet of the Furggen Glacier.
|
|
|
|
The mule-road to the summit of the Riffelberg passed right
|
|
in front of the chalet, a circumstance which we almost
|
|
immediately noticed, because a procession of tourists was
|
|
filing along it pretty much all the time. [1] The chaleteer's
|
|
business consisted in furnishing refreshments to tourists.
|
|
My blast had interrupted this trade for a few minutes,
|
|
by breaking all the bottles on the place; but I gave
|
|
the man a lot of whiskey to sell for Alpine champagne,
|
|
and a lot of vinegar which would answer for Rhine wine,
|
|
consequently trade was soon as brisk as ever.
|
|
|
|
1. "Pretty much" may not be elegant English, but it is
|
|
high time it was. There is no elegant word or phrase
|
|
which means just what it means.--M.T.
|
|
|
|
Leaving the Expedition outside to rest, I quartered myself
|
|
in the chalet, with Harris, proposing to correct my journals
|
|
and scientific observations before continuing the ascent.
|
|
I had hardly begun my work when a tall, slender, vigorous
|
|
American youth of about twenty-three, who was on his
|
|
way down the mountain, entered and came toward me with
|
|
that breeze self-complacency which is the adolescent's
|
|
idea of the well-bred ease of the man of the world.
|
|
His hair was short and parted accurately in the middle,
|
|
and he had all the look of an American person who would
|
|
be likely to begin his signature with an initial,
|
|
and spell his middle name out. He introduced himself,
|
|
smiling a smirky smile borrowed from the courtiers
|
|
of the stage, extended a fair-skinned talon, and while
|
|
he gripped my hand in it he bent his body forward
|
|
three times at the hips, as the stage courtier does,
|
|
and said in the airiest and most condescending
|
|
and patronizing way--I quite remember his exact language:
|
|
|
|
"Very glad to make your acquaintance, 'm sure; very glad indeed,
|
|
assure you. I've read all your little efforts and greatly
|
|
admired them, and when I heard you were here, I ..."
|
|
|
|
I indicated a chair, and he sat down. This grandee was
|
|
the grandson of an American of considerable note in his day,
|
|
and not wholly forgotten yet--a man who came so near
|
|
being a great man that he was quite generally accounted
|
|
one while he lived.
|
|
|
|
I slowly paced the floor, pondering scientific problems,
|
|
and heard this conversation:
|
|
|
|
GRANDSON. First visit to Europe?
|
|
|
|
HARRIS. Mine? Yes.
|
|
|
|
G.S. (With a soft reminiscent sigh suggestive of bygone
|
|
joys that may be tasted in their freshness but once.)
|
|
Ah, I know what it is to you. A first visit!--ah,
|
|
the romance of it! I wish I could feel it again.
|
|
|
|
H. Yes, I find it exceeds all my dreams. It is enchantment.
|
|
I go...
|
|
|
|
G.S. (With a dainty gesture of the hand signifying "Spare
|
|
me your callow enthusiasms, good friend.") Yes, _I_ know,
|
|
I know; you go to cathedrals, and exclaim; and you drag
|
|
through league-long picture-galleries and exclaim; and you
|
|
stand here, and there, and yonder, upon historic ground,
|
|
and continue to exclaim; and you are permeated with
|
|
your first crude conceptions of Art, and are proud
|
|
and happy. Ah, yes, proud and happy--that expresses it.
|
|
Yes-yes, enjoy it--it is right--it is an innocent revel.
|
|
|
|
H. And you? Don't you do these things now?
|
|
|
|
G.S. I! Oh, that is VERY good! My dear sir, when you
|
|
are as old a traveler as I am, you will not ask such
|
|
a question as that. _I_ visit the regulation gallery,
|
|
moon around the regulation cathedral, do the worn round
|
|
of the regulation sights, YET?--Excuse me!
|
|
|
|
H. Well, what DO you do, then?
|
|
|
|
G.S. Do? I flit--and flit--for I am ever on the wing--but I
|
|
avoid the herd. Today I am in Paris, tomorrow in Berlin,
|
|
anon in Rome; but you would look for me in vain in the
|
|
galleries of the Louvre or the common resorts of the
|
|
gazers in those other capitals. If you would find me,
|
|
you must look in the unvisited nooks and corners where
|
|
others never think of going. One day you will find me
|
|
making myself at home in some obscure peasant's cabin,
|
|
another day you will find me in some forgotten castle
|
|
worshiping some little gem or art which the careless eye
|
|
has overlooked and which the unexperienced would despise;
|
|
again you will find me as guest in the inner sanctuaries
|
|
of palaces while the herd is content to get a hurried
|
|
glimpse of the unused chambers by feeing a servant.
|
|
|
|
H. You are a GUEST in such places?
|
|
|
|
G.S. And a welcoming one.
|
|
|
|
H. It is surprising. How does it come?
|
|
|
|
G.S. My grandfather's name is a passport to all the courts
|
|
in Europe. I have only to utter that name and every
|
|
door is open to me. I flit from court to court at my
|
|
own free will and pleasure, and am always welcome.
|
|
I am as much at home in the palaces of Europe as you are
|
|
among your relatives. I know every titled person in Europe,
|
|
I think. I have my pockets full of invitations all the time.
|
|
I am under promise to go to Italy, where I am to be the
|
|
guest of a succession of the noblest houses in the land.
|
|
In Berlin my life is a continued round of gaiety in the
|
|
imperial palace. It is the same, wherever I go.
|
|
|
|
H. It must be very pleasant. But it must make Boston
|
|
seem a little slow when you are at home.
|
|
|
|
G.S. Yes, of course it does. But I don't go home much.
|
|
There's no life there--little to feed a man's higher nature.
|
|
Boston's very narrow, you know. She doesn't know it, and you
|
|
couldn't convince her of it--so I say nothing when I'm
|
|
there: where's the use? Yes, Boston is very narrow, but she
|
|
has such a good opinion of herself that she can't see it.
|
|
A man who has traveled as much as I have, and seen as much
|
|
of the world, sees it plain enough, but he can't cure it,
|
|
you know, so the best is to leave it and seek a sphere
|
|
which is more in harmony with his tastes and culture.
|
|
I run across there, one a year, perhaps, when I have
|
|
nothing important on hand, but I'm very soon back again.
|
|
I spend my time in Europe.
|
|
|
|
H. I see. You map out your plans and ...
|
|
|
|
G.S. No, excuse me. I don't map out any plans. I simply
|
|
follow the inclination of the day. I am limited by no ties,
|
|
no requirements, I am not bound in any way. I am too old
|
|
a traveler to hamper myself with deliberate purposes.
|
|
I am simply a traveler--an inveterate traveler--a man of
|
|
the world, in a word--I can call myself by no other name.
|
|
I do not say, "I am going here, or I am going there"--I
|
|
say nothing at all, I only act. For instance, next week
|
|
you may find me the guest of a grandee of Spain, or you
|
|
may find me off for Venice, or flitting toward Dresden.
|
|
I shall probably go to Egypt presently; friends will say
|
|
to friends, "He is at the Nile cataracts"--and at that
|
|
very moment they will be surprised to learn that I'm away
|
|
off yonder in India somewhere. I am a constant surprise
|
|
to people. They are always saying, "Yes, he was in Jerusalem
|
|
when we heard of him last, but goodness knows where he
|
|
is now."
|
|
|
|
Presently the Grandson rose to leave--discovered he
|
|
had an appointment with some Emperor, perhaps. He did
|
|
his graces over again: gripped me with one talon,
|
|
at arm's-length, pressed his hat against his stomach
|
|
with the other, bent his body in the middle three times,
|
|
murmuring:
|
|
|
|
"Pleasure, 'm sure; great pleasure, 'm sure. Wish you
|
|
much success."
|
|
|
|
Then he removed his gracious presence. It is a great
|
|
and solemn thing to have a grandfather.
|
|
|
|
I have not purposed to misrepresent this boy in any way,
|
|
for what little indignation he excited in me soon
|
|
passed and left nothing behind it but compassion.
|
|
One cannot keep up a grudge against a vacuum.
|
|
I have tried to repeat this lad's very words;
|
|
if I have failed anywhere I have at least not failed
|
|
to reproduce the marrow and meaning of what he said.
|
|
He and the innocent chatterbox whom I met on the Swiss
|
|
lake are the most unique and interesting specimens of
|
|
Young America I came across during my foreign tramping.
|
|
I have made honest portraits of them, not caricatures.
|
|
The Grandson of twenty-three referred to himself five
|
|
or six times as an "old traveler,"and as many as three
|
|
times (with a serene complacency which was maddening)
|
|
as a "man of the world." There was something very delicious
|
|
about his leaving Boston to her "narrowness," unreproved
|
|
and uninstructed.
|
|
|
|
I formed the caravan in marching order, presently,
|
|
and after riding down the line to see that it was
|
|
properly roped together, gave the command to proceed.
|
|
In a little while the road carried us to open, grassy land.
|
|
We were above the troublesome forest, now, and had an
|
|
uninterrupted view, straight before us, of our summit--
|
|
the summit of the Riffelberg.
|
|
|
|
We followed the mule-road, a zigzag course, now to the right,
|
|
now to the left, but always up, and always crowded and
|
|
incommoded by going and coming files of reckless tourists
|
|
who were never, in a single instance, tied together.
|
|
I was obliged to exert the utmost care and caution,
|
|
for in many places the road was not two yards wide,
|
|
and often the lower side of it sloped away in slanting
|
|
precipices eight and even nine feet deep. I had to
|
|
encourage the men constantly, to keep them from giving
|
|
way to their unmanly fears.
|
|
|
|
We might have made the summit before night, but for a
|
|
delay caused by the loss of an umbrella. I was allowing
|
|
the umbrella to remain lost, but the men murmured,
|
|
and with reason, for in this exposed region we stood
|
|
in peculiar need of protection against avalanches;
|
|
so I went into camp and detached a strong party to go
|
|
after the missing article.
|
|
|
|
The difficulties of the next morning were severe,
|
|
but our courage was high, for our goal was near.
|
|
At noon we conquered the last impediment--we stood
|
|
at last upon the summit, and without the loss of a
|
|
single man except the mule that ate the glycerin.
|
|
Our great achievement was achieved--the possibility of
|
|
the impossible was demonstrated, and Harris and I walked
|
|
proudly into the great dining-room of the Riffelberg
|
|
Hotel and stood our alpenstocks up in the corner.
|
|
|
|
Yes, I had made the grand ascent; but it was a mistake
|
|
to do it in evening dress. The plug hats were battered,
|
|
the swallow-tails were fluttering rags, mud added no grace,
|
|
the general effect was unpleasant and even disreputable.
|
|
|
|
There were about seventy-five tourists at the hotel--
|
|
mainly ladies and little children--and they gave us
|
|
an admiring welcome which paid us for all our privations
|
|
and sufferings. The ascent had been made, and the names
|
|
and dates now stand recorded on a stone monument there
|
|
to prove it to all future tourists.
|
|
|
|
I boiled a thermometer and took an altitude, with a most
|
|
curious result: THE SUMMIT WAS NOT AS HIGH AS THE POINT ON
|
|
THE MOUNTAINSIDE WHERE I HAD TAKEN THE FIRST ALTITUDE.
|
|
Suspecting that I had made an important discovery,
|
|
I prepared to verify it. There happened to be a still
|
|
higher summit (called the Gorner Grat), above the hotel,
|
|
and notwithstanding the fact that it overlooks a glacier
|
|
from a dizzy height, and that the ascent is difficult
|
|
and dangerous, I resolved to venture up there and boil
|
|
a thermometer. So I sent a strong party, with some
|
|
borrowed hoes, in charge of two chiefs of service, to dig
|
|
a stairway in the soil all the way up, and this I ascended,
|
|
roped to the guides. This breezy height was the summit
|
|
proper--so I accomplished even more than I had originally
|
|
purposed to do. This foolhardy exploit is recorded on
|
|
another stone monument.
|
|
|
|
I boiled my thermometer, and sure enough, this spot,
|
|
which purported to be two thousand feet higher than the
|
|
locality of the hotel, turned out to be nine thousand
|
|
feet LOWER. Thus the fact was clearly demonstrated that,
|
|
ABOVE A CERTAIN POINT, THE HIGHER A POINT SEEMS TO BE,
|
|
THE LOWER IT ACTUALLY IS. Our ascent itself was a
|
|
great achievement, but this contribution to science was
|
|
an inconceivably greater matter.
|
|
|
|
Cavilers object that water boils at a lower and lower
|
|
temperature the higher and higher you go, and hence the
|
|
apparent anomaly. I answer that I do not base my theory
|
|
upon what the boiling water does, but upon what a boiled
|
|
thermometer says. You can't go behind the thermometer.
|
|
|
|
I had a magnificent view of Monte Rosa, and apparently
|
|
all the rest of the Alpine world, from that high place.
|
|
All the circling horizon was piled high with a mighty
|
|
tumult of snowy crests. One might have imagined he
|
|
saw before him the tented camps of a beleaguering host
|
|
of Brobdingnagians.
|
|
|
|
But lonely, conspicuous, and superb, rose that wonderful
|
|
upright wedge, the Matterhorn. Its precipitous sides were
|
|
powdered over with snow, and the upper half hidden in thick
|
|
clouds which now and then dissolved to cobweb films and gave
|
|
brief glimpses of the imposing tower as through a veil.
|
|
[2] A little later the Matterhorn took to himself the
|
|
semblance of a volcano; he was stripped naked to his apex--
|
|
around this circled vast wreaths of white cloud which strung
|
|
slowly out and streamed away slantwise toward the sun,
|
|
a twenty-mile stretch of rolling and tumbling vapor,
|
|
and looking just as if it were pouring out of a crater.
|
|
Later again, one of the mountain's sides was clean and clear,
|
|
and another side densely clothed from base to summit in
|
|
thick smokelike cloud which feathered off and flew around
|
|
the shaft's sharp edge like the smoke around the corners of
|
|
a burning building. The Matterhorn is always experimenting,
|
|
and always gets up fine effects, too. In the sunset,
|
|
when all the lower world is palled in gloom, it points
|
|
toward heaven out of the pervading blackness like a finger
|
|
of fire. In the sunrise--well, they say it is very fine
|
|
in the sunrise.
|
|
|
|
2. NOTE.--I had the very unusual luck to catch one little
|
|
momentary glimpse of the Matterhorn wholly unencumbered
|
|
by clouds. I leveled my photographic apparatus at it
|
|
without the loss of an instant, and should have got
|
|
an elegant picture if my donkey had not interfered.
|
|
It was my purpose to draw this photograph all by myself
|
|
for my book, but was obliged to put the mountain part
|
|
of it into the hands of the professional artist because
|
|
I found I could not do landscape well.
|
|
|
|
Authorities agree that there is no such tremendous "layout"
|
|
of snowy Alpine magnitude, grandeur, and sublimity to be
|
|
seen from any other accessible point as the tourist may see
|
|
from the summit of the Riffelberg. Therefore, let the
|
|
tourist rope himself up and go there; for I have shown
|
|
that with nerve, caution, and judgment, the thing can be done.
|
|
|
|
I wish to add one remark, here--in parentheses, so to speak
|
|
--suggested by the word "snowy," which I have just used.
|
|
We have all seen hills and mountains and levels with snow
|
|
on them, and so we think we know all the aspects and
|
|
effects produced by snow. But indeed we do not until
|
|
we have seen the Alps. Possibly mass and distance add
|
|
something--at any rate, something IS added. Among other
|
|
noticeable things, there is a dazzling, intense whiteness
|
|
about the distant Alpine snow, when the sun is on it,
|
|
which one recognizes as peculiar, and not familiar to
|
|
the eye. The snow which one is accustomed to has a tint
|
|
to it--painters usually give it a bluish cast--but there
|
|
is no perceptible tint to the distant Alpine snow when it
|
|
is trying to look its whitest. As to the unimaginable
|
|
splendor of it when the sun is blazing down on it--well,
|
|
it simply IS unimaginable.
|
|
|
|
|
|
|
|
CHAPTER XXXIX
|
|
[We Travel by Glacier]
|
|
|
|
A guide-book is a queer thing. The reader has just seen
|
|
what a man who undertakes the great ascent from Zermatt
|
|
to the Riffelberg Hotel must experience. Yet Baedeker
|
|
makes these strange statements concerning this matter:
|
|
|
|
1. Distance--3 hours.
|
|
2. The road cannot be mistaken.
|
|
3. Guide unnecessary.
|
|
4. Distance from Riffelberg Hotel to the Gorner Grat,
|
|
one hour and a half.
|
|
5. Ascent simple and easy. Guide unnecessary.
|
|
6. Elevation of Zermatt above sea-level, 5,315 feet.
|
|
7. Elevation of Riffelberg Hotel above sea-level,
|
|
8,429 feet.
|
|
8. Elevation of the Gorner Grat above sea-level, 10,289 feet.
|
|
|
|
I have pretty effectually throttled these errors by sending
|
|
him the following demonstrated facts:
|
|
|
|
1. Distance from Zermatt to Riffelberg Hotel, 7 days.
|
|
2. The road CAN be mistaken. If I am the first that did it,
|
|
I want the credit of it, too.
|
|
3. Guides ARE necessary, for none but a native can read
|
|
those finger-boards.
|
|
4. The estimate of the elevation of the several localities
|
|
above sea-level is pretty correct--for Baedeker.
|
|
He only misses it about a hundred and eighty or ninety
|
|
thousand feet.
|
|
|
|
I found my arnica invaluable. My men were suffering
|
|
excruciatingly, from the friction of sitting down so much.
|
|
During two or three days, not one of them was able to do
|
|
more than lie down or walk about; yet so effective was
|
|
the arnica, that on the fourth all were able to sit up.
|
|
I consider that, more than to anything else, I owe the
|
|
success of our great undertaking to arnica and paregoric.
|
|
|
|
My men are being restored to health and strength,
|
|
my main perplexity, now, was how to get them down
|
|
the mountain again. I was not willing to expose the
|
|
brave fellows to the perils, fatigues, and hardships
|
|
of that fearful route again if it could be helped.
|
|
First I thought of balloons; but, of course, I had to
|
|
give that idea up, for balloons were not procurable.
|
|
I thought of several other expedients, but upon
|
|
consideration discarded them, for cause. But at last
|
|
I hit it. I was aware that the movement of glaciers
|
|
is an established fact, for I had read it in Baedeker;
|
|
so I resolved to take passage for Zermatt on the great
|
|
Gorner Glacier.
|
|
|
|
Very good. The next thing was, how to get down the
|
|
glacier comfortably--for the mule-road to it was long,
|
|
and winding, and wearisome. I set my mind at work,
|
|
and soon thought out a plan. One looks straight down
|
|
upon the vast frozen river called the Gorner Glacier,
|
|
from the Gorner Grat, a sheer precipice twelve hundred
|
|
feet high. We had one hundred and fifty-four umbrellas--
|
|
and what is an umbrella but a parachute?
|
|
|
|
I mentioned this noble idea to Harris, with enthusiasm,
|
|
and was about to order the Expedition to form on the
|
|
Gorner Grat, with their umbrellas, and prepare for
|
|
flight by platoons, each platoon in command of a guide,
|
|
when Harris stopped me and urged me not to be too hasty.
|
|
He asked me if this method of descending the Alps had
|
|
ever been tried before. I said no, I had not heard
|
|
of an instance. Then, in his opinion, it was a matter
|
|
of considerable gravity; in his opinion it would not be
|
|
well to send the whole command over the cliff at once;
|
|
a better way would be to send down a single individual,
|
|
first, and see how he fared.
|
|
|
|
I saw the wisdom in this idea instantly. I said as much,
|
|
and thanked my agent cordially, and told him to take
|
|
his umbrella and try the thing right away, and wave
|
|
his hat when he got down, if he struck in a soft place,
|
|
and then I would ship the rest right along.
|
|
|
|
Harris was greatly touched with this mark of confidence,
|
|
and said so, in a voice that had a perceptible tremble in it;
|
|
but at the same time he said he did not feel himself worthy
|
|
of so conspicuous a favor; that it might cause jealousy
|
|
in the command, for there were plenty who would not hesitate
|
|
to say he had used underhanded means to get the appointment,
|
|
whereas his conscience would bear him witness that he
|
|
had not sought it at all, nor even, in his secret heart,
|
|
desired it.
|
|
|
|
I said these words did him extreme credit, but that he must not
|
|
throw away the imperishable distinction of being the first man
|
|
to descend an Alp per parachute, simply to save the feelings
|
|
of some envious underlings. No, I said, he MUST accept
|
|
the appointment--it was no longer an invitation, it was a
|
|
command.
|
|
|
|
He thanked me with effusion, and said that putting
|
|
the thing in this form removed every objection.
|
|
He retired, and soon returned with his umbrella, his eye
|
|
flaming with gratitude and his cheeks pallid with joy.
|
|
Just then the head guide passed along. Harris's expression
|
|
changed to one of infinite tenderness, and he said:
|
|
|
|
"That man did me a cruel injury four days ago, and I
|
|
said in my heart he should live to perceive and confess
|
|
that the only noble revenge a man can take upon his enemy
|
|
is to return good for evil. I resign in his favor.
|
|
Appoint him."
|
|
|
|
I threw my arms around the generous fellow and said:
|
|
|
|
"Harris, you are the noblest soul that lives. You shall
|
|
not regret this sublime act, neither shall the world
|
|
fail to know of it. You shall have opportunity far
|
|
transcending this one, too, if I live--remember that."
|
|
|
|
I called the head guide to me and appointed him on
|
|
the spot. But the thing aroused no enthusiasm in him.
|
|
He did not take to the idea at all.
|
|
|
|
He said:
|
|
|
|
"Tie myself to an umbrella and jump over the Gorner
|
|
Grat! Excuse me, there are a great many pleasanter roads
|
|
to the devil than that."
|
|
|
|
Upon a discussion of the subject with him, it appeared that he
|
|
considered the project distinctly and decidedly dangerous.
|
|
I was not convinced, yet I was not willing to try the
|
|
experiment in any risky way--that is, in a way that might
|
|
cripple the strength and efficiency of the Expedition.
|
|
I was about at my wits' end when it occurred to me to try
|
|
it on the Latinist.
|
|
|
|
He was called in. But he declined, on the plea
|
|
of inexperience, diffidence in public, lack of curiosity,
|
|
and I didn't know what all. Another man declined
|
|
on account of a cold in the head; thought he ought
|
|
to avoid exposure. Another could not jump well--never
|
|
COULD jump well--did not believe he could jump so far
|
|
without long and patient practice. Another was afraid it
|
|
was going to rain, and his umbrella had a hole in it.
|
|
Everybody had an excuse. The result was what the reader
|
|
has by this time guessed: the most magnificent idea
|
|
that was ever conceived had to be abandoned, from sheer
|
|
lack of a person with enterprise enough to carry it out.
|
|
Yes, I actually had to give that thing up--while doubtless
|
|
I should live to see somebody use it and take all the credit from
|
|
me.
|
|
|
|
Well, I had to go overland--there was no other way.
|
|
I marched the Expedition down the steep and tedious mule-path
|
|
and took up as good a position as I could upon the middle
|
|
of the glacier--because Baedeker said the middle part
|
|
travels the fastest. As a measure of economy, however,
|
|
I put some of the heavier baggage on the shoreward parts,
|
|
to go as slow freight.
|
|
|
|
I waited and waited, but the glacier did not move.
|
|
Night was coming on, the darkness began to gather--still we
|
|
did not budge. It occurred to me then, that there might
|
|
be a time-table in Baedeker; it would be well to find out
|
|
the hours of starting. I called for the book--it could not
|
|
be found. Bradshaw would certainly contain a time-table;
|
|
but no Bradshaw could be found.
|
|
|
|
Very well, I must make the best of the situation. So I
|
|
pitched the tents, picketed the animals, milked the cows,
|
|
had supper, paregoricked the men, established the watch,
|
|
and went to bed--with orders to call me as soon as we came
|
|
in sight of Zermatt.
|
|
|
|
I awoke about half past ten next morning, and looked around.
|
|
We hadn't budged a peg! At first I could not understand it;
|
|
then it occurred to me that the old thing must be aground.
|
|
So I cut down some trees and rigged a spar on the starboard
|
|
and another on the port side, and fooled away upward of
|
|
three hours trying to spar her off. But it was no use.
|
|
She was half a mile wide and fifteen or twenty miles long,
|
|
and there was no telling just whereabouts she WAS aground.
|
|
The men began to show uneasiness, too, and presently they
|
|
came flying to me with ashy faces, saying she had sprung
|
|
a leak.
|
|
|
|
Nothing but my cool behavior at this critical time saved us
|
|
from another panic. I order them to show me the place.
|
|
They led me to a spot where a huge boulder lay in a deep
|
|
pool of clear and brilliant water. It did look like
|
|
a pretty bad leak, but I kept that to myself. I made
|
|
a pump and set the men to work to pump out the glacier.
|
|
We made a success of it. I perceived, then, that it was not
|
|
a leak at all. This boulder had descended from a precipice
|
|
and stopped on the ice in the middle of the glacier,
|
|
and the sun had warmed it up, every day, and consequently
|
|
it had melted its way deeper and deeper into the ice,
|
|
until at last it reposed, as we had found it, in a deep
|
|
pool of the clearest and coldest water.
|
|
|
|
Presently Baedeker was found again, and I hunted eagerly
|
|
for the time-table. There was none. The book simply said
|
|
the glacier was moving all the time. This was satisfactory,
|
|
so I shut up the book and chose a good position to view
|
|
the scenery as we passed along. I stood there some time
|
|
enjoying the trip, but at last it occurred to me that we did
|
|
not seem to be gaining any on the scenery. I said to myself,
|
|
"This confounded old thing's aground again, sure,"--and
|
|
opened Baedeker to see if I could run across any remedy
|
|
for these annoying interruptions. I soon found a sentence
|
|
which threw a dazzling light upon the matter. It said,
|
|
"The Gorner Glacier travels at an average rate of a little
|
|
less than an inch a day." I have seldom felt so outraged.
|
|
I have seldom had my confidence so wantonly betrayed.
|
|
I made a small calculation: One inch a day, say thirty
|
|
feet a year; estimated distance to Zermatt, three and
|
|
one-eighteenth miles. Time required to go by glacier,
|
|
A LITTLE OVER FIVE HUNDRED YEARS! I said to myself, "I can
|
|
WALK it quicker--and before I will patronize such a fraud
|
|
as this, I will do it."
|
|
|
|
When I revealed to Harris the fact that the passenger part
|
|
of this glacier--the central part--the lightning-express part,
|
|
so to speak--was not due in Zermatt till the summer
|
|
of 2378, and that the baggage, coming along the slow edge,
|
|
would not arrive until some generations later, he burst
|
|
out with:
|
|
|
|
"That is European management, all over! An inch a day--think
|
|
of that! Five hundred years to go a trifle over three miles!
|
|
But I am not a bit surprised. It's a Catholic glacier.
|
|
You can tell by the look of it. And the management."
|
|
|
|
I said, no, I believed nothing but the extreme end of it
|
|
was in a Catholic canton.
|
|
|
|
"Well, then, it's a government glacier," said Harris.
|
|
"It's all the same. Over here the government runs
|
|
everything--so everything's slow; slow, and ill-managed. But
|
|
with us, everything's done by private enterprise--and then
|
|
there ain't much lolling around, you can depend on it.
|
|
I wish Tom Scott could get his hands on this torpid old
|
|
slab once--you'd see it take a different gait from this."
|
|
|
|
I said I was sure he would increase the speed, if there
|
|
was trade enough to justify it.
|
|
|
|
"He'd MAKE trade," said Harris. "That's the difference
|
|
between governments and individuals. Governments don't care,
|
|
individuals do. Tom Scott would take all the trade;
|
|
in two years Gorner stock would go to two hundred,
|
|
and inside of two more you would see all the other glaciers
|
|
under the hammer for taxes." After a reflective pause,
|
|
Harris added, "A little less than an inch a day; a little
|
|
less than an INCH, mind you. Well, I'm losing my reverence
|
|
for glaciers."
|
|
|
|
I was feeling much the same way myself. I have traveled
|
|
by canal-boat, ox-wagon, raft, and by the Ephesus and
|
|
Smyrna railway; but when it comes down to good solid
|
|
honest slow motion, I bet my money on the glacier.
|
|
As a means of passenger transportation, I consider
|
|
the glacier a failure; but as a vehicle of slow freight,
|
|
I think she fills the bill. In the matter of putting
|
|
the fine shades on that line of business, I judge she
|
|
could teach the Germans something.
|
|
|
|
I ordered the men to break camp and prepare for the land
|
|
journey to Zermatt. At this moment a most interesting
|
|
find was made; a dark object, bedded in the glacial ice,
|
|
was cut out with the ice-axes, and it proved to be a piece
|
|
of the undressed skin of some animal--a hair trunk, perhaps;
|
|
but a close inspection disabled the hair-trunk theory,
|
|
and further discussion and examination exploded it
|
|
entirely--that is, in the opinion of all the scientists
|
|
except the one who had advanced it. This one clung
|
|
to his theory with affectionate fidelity characteristic
|
|
of originators of scientific theories, and afterward won
|
|
many of the first scientists of the age to his view,
|
|
by a very able pamphlet which he wrote, entitled, "Evidences
|
|
going to show that the hair trunk, in a wild state,
|
|
belonged to the early glacial period, and roamed the wastes
|
|
of chaos in the company with the cave-bear, primeval man,
|
|
and the other Oo"litics of the Old Silurian family."
|
|
|
|
Each of our scientists had a theory of his own, and put
|
|
forward an animal of his own as a candidate for the skin.
|
|
I sided with the geologist of the Expedition in the
|
|
belief that this patch of skin had once helped to cover
|
|
a Siberian elephant, in some old forgotten age--but we
|
|
divided there, the geologist believing that this discovery
|
|
proved that Siberia had formerly been located where
|
|
Switzerland is now, whereas I held the opinion that it
|
|
merely proved that the primeval Swiss was not the dull
|
|
savage he is represented to have been, but was a being
|
|
of high intellectual development, who liked to go to the
|
|
menagerie.
|
|
|
|
We arrived that evening, after many hardships and adventures,
|
|
in some fields close to the great ice-arch where the mad
|
|
Visp boils and surges out from under the foot of the
|
|
great Gorner Glacier, and here we camped, our perils over
|
|
and our magnificent undertaking successfully completed.
|
|
We marched into Zermatt the next day, and were received
|
|
with the most lavish honors and applause. A document,
|
|
signed and sealed by the authorities, was given to me
|
|
which established and endorsed the fact that I had made
|
|
the ascent of the Riffelberg. This I wear around my neck,
|
|
and it will be buried with me when I am no more.
|
|
|
|
|
|
|
|
CHAPTER XL
|
|
[Piteous Relics at Chamonix]
|
|
|
|
I am not so ignorant about glacial movement, now, as I
|
|
was when I took passage on the Gorner Glacier.
|
|
I have "read up" since. I am aware that these vast
|
|
bodies of ice do not travel at the same rate of speed;
|
|
while the Gorner Glacier makes less than an inch a day,
|
|
the Unter-Aar Glacier makes as much as eight; and still
|
|
other glaciers are said to go twelve, sixteen, and even
|
|
twenty inches a day. One writer says that the slowest
|
|
glacier travels twenty-give feet a year, and the fastest
|
|
four hundred.
|
|
|
|
What is a glacier? It is easy to say it looks like a
|
|
frozen river which occupies the bed of a winding gorge
|
|
or gully between mountains. But that gives no notion
|
|
of its vastness. For it is sometimes six hundred
|
|
feet thick, and we are not accustomed to rivers six hundred
|
|
feet deep; no, our rivers are six feet, twenty feet,
|
|
and sometimes fifty feet deep; we are not quite able
|
|
to grasp so large a fact as an ice-river six hundred feet deep.
|
|
|
|
The glacier's surface is not smooth and level, but has
|
|
deep swales and swelling elevations, and sometimes has
|
|
the look of a tossing sea whose turbulent billows were
|
|
frozen hard in the instant of their most violent motion;
|
|
the glacier's surface is not a flawless mass, but is a river
|
|
with cracks or crevices, some narrow, some gaping wide.
|
|
Many a man, the victim of a slip or a misstep, has plunged
|
|
down on of these and met his death. Men have been
|
|
fished out of them alive; but it was when they did not
|
|
go to a great depth; the cold of the great depths would
|
|
quickly stupefy a man, whether he was hurt or unhurt.
|
|
These cracks do not go straight down; one can seldom see
|
|
more than twenty to forty feet down them; consequently men
|
|
who have disappeared in them have been sought for,
|
|
in the hope that they had stopped within helping distance,
|
|
whereas their case, in most instances, had really been
|
|
hopeless from the beginning.
|
|
|
|
In 1864 a party of tourists was descending Mont Blanc,
|
|
and while picking their way over one of the mighty glaciers
|
|
of that lofty region, roped together, as was proper,
|
|
a young porter disengaged himself from the line and
|
|
started across an ice-bridge which spanned a crevice.
|
|
It broke under him with a crash, and he disappeared.
|
|
The others could not see how deep he had gone, so it might
|
|
be worthwhile to try and rescue him. A brave young guide
|
|
named Michel Payot volunteered.
|
|
|
|
Two ropes were made fast to his leather belt and he bore
|
|
the end of a third one in his hand to tie to the victim
|
|
in case he found him. He was lowered into the crevice,
|
|
he descended deeper and deeper between the clear blue
|
|
walls of solid ice, he approached a bend in the crack
|
|
and disappeared under it. Down, and still down, he went,
|
|
into this profound grave; when he had reached a depth
|
|
of eighty feet he passed under another bend in the crack,
|
|
and thence descended eighty feet lower, as between
|
|
perpendicular precipices. Arrived at this stage of one
|
|
hundred and sixty feet below the surface of the glacier,
|
|
he peered through the twilight dimness and perceived
|
|
that the chasm took another turn and stretched away at
|
|
a steep slant to unknown deeps, for its course was lost
|
|
in darkness. What a place that was to be in--especially
|
|
if that leather belt should break! The compression
|
|
of the belt threatened to suffocate the intrepid fellow;
|
|
he called to his friends to draw him up, but could not make
|
|
them hear. They still lowered him, deeper and deeper.
|
|
Then he jerked his third cord as vigorously as he could;
|
|
his friends understood, and dragged him out of those icy jaws
|
|
of death.
|
|
|
|
Then they attached a bottle to a cord and sent it down
|
|
two hundred feet, but it found no bottom. It came up
|
|
covered with congelations--evidence enough that even if
|
|
the poor porter reached the bottom with unbroken bones,
|
|
a swift death from cold was sure, anyway.
|
|
|
|
A glacier is a stupendous, ever-progressing, resistless plow.
|
|
It pushes ahead of its masses of boulders which are
|
|
packed together, and they stretch across the gorge,
|
|
right in front of it, like a long grave or a long,
|
|
sharp roof. This is called a moraine. It also shoves
|
|
out a moraine along each side of its course.
|
|
|
|
Imposing as the modern glaciers are, they are not so
|
|
huge as were some that once existed. For instance,
|
|
Mr. Whymper says:
|
|
|
|
"At some very remote period the Valley of Aosta was occupied
|
|
by a vast glacier, which flowed down its entire length from
|
|
Mont Blanc to the plain of Piedmont, remained stationary,
|
|
or nearly so, at its mouth for many centuries, and deposited
|
|
there enormous masses of debris. The length of this
|
|
glacier exceeded EIGHTY MILES, and it drained a basin
|
|
twenty-five to thirty-five miles across, bounded by the
|
|
highest mountains in the Alps. The great peaks rose
|
|
several thousand feet above the glaciers, and then, as now,
|
|
shattered by sun and frost, poured down their showers of
|
|
rocks and stones, in witness of which there are the immense
|
|
piles of angular fragments that constitute the moraines of Ivrea.
|
|
|
|
|
|
"The moraines around Ivrea are of extraordinary dimensions.
|
|
That which was on the left bank of the glacier is
|
|
about THIRTEEN MILES long, and in some places rises
|
|
to a height of TWO THOUSAND ONE HUNDRED AND THIRTY FEET
|
|
above the floor of the valley! The terminal moraines
|
|
(those which are pushed in front of the glaciers)
|
|
cover something like twenty square miles of country.
|
|
At the mouth of the Valley of Aosta, the thickness of
|
|
the glacier must have been at least TWO THOUSAND feet,
|
|
and its width, at that part, FIVE MILES AND A QUARTER."
|
|
|
|
It is not easy to get at a comprehension of a mass of ice
|
|
like that. If one could cleave off the butt end of such
|
|
a glacier--an oblong block two or three miles wide
|
|
by five and a quarter long and two thousand feet thick--
|
|
he could completely hide the city of New York under it,
|
|
and Trinity steeple would only stick up into it relatively
|
|
as far as a shingle-nail would stick up into the bottom
|
|
of a Saratoga trunk.
|
|
|
|
"The boulders from Mont Blanc, upon the plain below Ivrea,
|
|
assure us that the glacier which transported them existed
|
|
for a prodigious length of time. Their present distance from
|
|
the cliffs from which they were derived is about 420,000 feet,
|
|
and if we assume that they traveled at the rate of 400 feet
|
|
per annum, their journey must have occupied them no less
|
|
than 1,055 years! In all probability they did not travel so
|
|
fast."
|
|
|
|
Glaciers are sometimes hurried out of their characteristic
|
|
snail-pace. A marvelous spectacle is presented then.
|
|
Mr. Whymper refers to a case which occurred in Iceland
|
|
in 1721:
|
|
|
|
"It seems that in the neighborhood of the mountain Kotlugja,
|
|
large bodies of water formed underneath, or within
|
|
the glaciers (either on account of the interior heat of
|
|
the earth, or from other causes), and at length acquired
|
|
irresistible power, tore the glaciers from their mooring on
|
|
the land, and swept them over every obstacle into the sea.
|
|
Prodigious masses of ice were thus borne for a distance
|
|
of about ten miles over land in the space of a few hours;
|
|
and their bulk was so enormous that they covered the sea
|
|
for seven miles from the shore, and remained aground
|
|
in six hundred feet of water! The denudation of the land
|
|
was upon a grand scale. All superficial accumulations were
|
|
swept away, and the bedrock was exposed. It was described,
|
|
in graphic language, how all irregularities and depressions
|
|
were obliterated, and a smooth surface of several miles'
|
|
area laid bare, and that this area had the appearance
|
|
of having been PLANED BY A PLANE."
|
|
|
|
The account translated from the Icelandic says that the
|
|
mountainlike ruins of this majestic glacier so covered
|
|
the sea that as far as the eye could reach no open water
|
|
was discoverable, even from the highest peaks. A monster
|
|
wall or barrier of ice was built across a considerable
|
|
stretch of land, too, by this strange irruption:
|
|
|
|
"One can form some idea of the altitude of this barrier
|
|
of ice when it is mentioned that from Hofdabrekka farm,
|
|
which lies high up on a fjeld, one could not see
|
|
Hjorleifshofdi opposite, which is a fell six hundred and
|
|
forty feet in height; but in order to do so had to clamber
|
|
up a mountain slope east of Hofdabrekka twelve hundred feet
|
|
high."
|
|
|
|
These things will help the reader to understand why it is
|
|
that a man who keeps company with glaciers comes to feel
|
|
tolerably insignificant by and by. The Alps and the glaciers
|
|
together are able to take every bit of conceit out of a man
|
|
and reduce his self-importance to zero if he will only
|
|
remain within the influence of their sublime presence long
|
|
enough to give it a fair and reasonable chance to do its work.
|
|
|
|
The Alpine glaciers move--that is granted, now, by everybody.
|
|
But there was a time when people scoffed at the idea;
|
|
they said you might as well expect leagues of solid rock
|
|
to crawl along the ground as expect leagues of ice to do it.
|
|
But proof after proof as furnished, and the finally the
|
|
world had to believe.
|
|
|
|
The wise men not only said the glacier moved, but they
|
|
timed its movement. They ciphered out a glacier's gait,
|
|
and then said confidently that it would travel just
|
|
so far in so many years. There is record of a striking
|
|
and curious example of the accuracy which may be attained
|
|
in these reckonings.
|
|
|
|
In 1820 the ascent of Mont Blanc was attempted by a Russian
|
|
and two Englishmen, with seven guides. They had reached
|
|
a prodigious altitude, and were approaching the summit,
|
|
when an avalanche swept several of the party down a
|
|
sharp slope of two hundred feet and hurled five of them
|
|
(all guides) into one of the crevices of a glacier.
|
|
The life of one of the five was saved by a long barometer
|
|
which was strapped to his back--it bridged the crevice
|
|
and suspended him until help came. The alpenstock
|
|
or baton of another saved its owner in a similar way.
|
|
Three men were lost--Pierre Balmat, Pierre Carrier,
|
|
and Auguste Tairraz. They had been hurled down into the
|
|
fathomless great deeps of the crevice.
|
|
|
|
Dr. Forbes, the English geologist, had made frequent visits
|
|
to the Mont Blanc region, and had given much attention
|
|
to the disputed question of the movement of glaciers.
|
|
During one of these visits he completed his estimates
|
|
of the rate of movement of the glacier which had swallowed
|
|
up the three guides, and uttered the prediction that the
|
|
glacier would deliver up its dead at the foot of the
|
|
mountain thirty-five years from the time of the accident,
|
|
or possibly forty.
|
|
|
|
A dull, slow journey--a movement imperceptible to any eye--
|
|
but it was proceeding, nevertheless, and without cessation.
|
|
It was a journey which a rolling stone would make in a
|
|
few seconds--the lofty point of departure was visible
|
|
from the village below in the valley.
|
|
|
|
The prediction cut curiously close to the truth;
|
|
forty-one years after the catastrophe, the remains
|
|
were cast forth at the foot of the glacier.
|
|
|
|
I find an interesting account of the matter in the
|
|
HISTOIRE DU MONT BLANC, by Stephen d'Arve. I will
|
|
condense this account, as follows:
|
|
|
|
On the 12th of August, 1861, at the hour of the close of mass,
|
|
a guide arrived out of breath at the mairie of Chamonix,
|
|
and bearing on his shoulders a very lugubrious burden.
|
|
It was a sack filled with human remains which he had gathered
|
|
from the orifice of a crevice in the Glacier des Bossons.
|
|
He conjectured that these were remains of the victims
|
|
of the catastrophe of 1820, and a minute inquest,
|
|
immediately instituted by the local authorities,
|
|
soon demonstrated the correctness of his supposition.
|
|
The contents of the sack were spread upon a long table,
|
|
and officially inventoried, as follows:
|
|
|
|
Portions of three human skulls. Several tufts of black and
|
|
blonde hair. A human jaw, furnished with fine white teeth.
|
|
A forearm and hand, all the fingers of the latter intact.
|
|
The flesh was white and fresh, and both the arm and hand
|
|
preserved a degree of flexibility in the articulations.
|
|
|
|
The ring-finger had suffered a slight abrasion, and the
|
|
stain of the blood was still visible and unchanged after
|
|
forty-one years. A left foot, the flesh white and fresh.
|
|
|
|
Along with these fragments were portions of waistcoats, hats,
|
|
hobnailed shoes, and other clothing; a wing of a pigeon,
|
|
with black feathers; a fragment of an alpenstock;
|
|
a tin lantern; and lastly, a boiled leg of mutton,
|
|
the only flesh among all the remains that exhaled an
|
|
unpleasant odor. The guide said that the mutton had no
|
|
odor when he took it from the glacier; an hour's exposure
|
|
to the sun had already begun the work of decomposition upon it.
|
|
|
|
Persons were called for, to identify these poor pathetic relics,
|
|
and a touching scene ensured. Two men were still living
|
|
who had witnessed the grim catastrophe of nearly half
|
|
a century before--Marie Couttet (saved by his baton)
|
|
and Julien Davouassoux (saved by the barometer). These aged
|
|
men entered and approached the table. Davouassoux, more than
|
|
eighty years old, contemplated the mournful remains mutely
|
|
and with a vacant eye, for his intelligence and his memory
|
|
were torpid with age; but Couttet's faculties were still
|
|
perfect at seventy-two, and he exhibited strong emotion. He
|
|
said:
|
|
|
|
"Pierre Balmat was fair; he wore a straw hat. This bit of skull,
|
|
with the tuft of blond hair, was his; this is his hat.
|
|
Pierre Carrier was very dark; this skull was his, and this
|
|
felt hat. This is Balmat's hand, I remember it so well!"
|
|
and the old man bent down and kissed it reverently,
|
|
then closed his fingers upon it in an affectionate grasp,
|
|
crying out, "I could never have dared to believe that
|
|
before quitting this world it would be granted me to
|
|
press once more the hand of one of those brave comrades,
|
|
the hand of my good friend Balmat."
|
|
|
|
There is something weirdly pathetic about the picture
|
|
of that white-haired veteran greeting with his loving
|
|
handshake this friend who had been dead forty years.
|
|
When these hands had met last, they were alike in the
|
|
softness and freshness of youth; now, one was brown and
|
|
wrinkled and horny with age, while the other was still
|
|
as young and fair and blemishless as if those forty years
|
|
had come and gone in a single moment, leaving no mark
|
|
of their passage. Time had gone on, in the one case;
|
|
it had stood still in the other. A man who has not seen
|
|
a friend for a generation, keeps him in mind always as he
|
|
saw him last, and is somehow surprised, and is also shocked,
|
|
to see the aging change the years have wrought when he
|
|
sees him again. Marie Couttet's experience, in finding
|
|
his friend's hand unaltered from the image of it which he
|
|
had carried in his memory for forty years, is an experience
|
|
which stands alone in the history of man, perhaps.
|
|
|
|
Couttet identified other relics:
|
|
|
|
"This hat belonged to Auguste Tairraz. He carried
|
|
the cage of pigeons which we proposed to set free upon
|
|
the summit. Here is the wing of one of those pigeons.
|
|
And here is the fragment of my broken baton; it was by
|
|
grace of that baton that my life was saved. Who could
|
|
have told me that I should one day have the satisfaction
|
|
to look again upon this bit of wood that supported me above
|
|
the grave that swallowed up my unfortunate companions!"
|
|
|
|
No portions of the body of Tairraz, other than a piece
|
|
of the skull, had been found. A diligent search was made,
|
|
but without result. However, another search was
|
|
instituted a year later, and this had better success.
|
|
Many fragments of clothing which had belonged to the lost
|
|
guides were discovered; also, part of a lantern, and a
|
|
green veil with blood-stains on it. But the interesting
|
|
feature was this:
|
|
|
|
One of the searchers came suddenly upon a sleeved arm
|
|
projecting from a crevice in the ice-wall, with the hand
|
|
outstretched as if offering greeting! "The nails of this white
|
|
hand were still rosy, and the pose of the extended fingers
|
|
seemed to express an eloquent welcome to the long-lost light of
|
|
day."
|
|
|
|
The hand and arm were alone; there was no trunk.
|
|
After being removed from the ice the flesh-tints quickly
|
|
faded out and the rosy nails took on the alabaster
|
|
hue of death. This was the third RIGHT hand found;
|
|
therefore, all three of the lost men were accounted for,
|
|
beyond cavil or question.
|
|
|
|
Dr. Hamel was the Russian gentleman of the party which
|
|
made the ascent at the time of the famous disaster.
|
|
He left Chamonix as soon as he conveniently could after
|
|
the descent; and as he had shown a chilly indifference
|
|
about the calamity, and offered neither sympathy nor
|
|
assistance to the widows and orphans, he carried with
|
|
him the cordial execrations of the whole community.
|
|
Four months before the first remains were found,
|
|
a Chamonix guide named Balmat--a relative of one of
|
|
the lost men--was in London, and one day encountered
|
|
a hale old gentleman in the British Museum, who said:
|
|
|
|
"I overheard your name. Are you from Chamonix,
|
|
Monsieur Balmat?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Haven't they found the bodies of my three guides,
|
|
yet? I am Dr. Hamel."
|
|
|
|
"Alas, no, monsieur."
|
|
|
|
"Well, you'll find them, sooner or later."
|
|
|
|
"Yes, it is the opinion of Dr. Forbes and Mr. Tyndall,
|
|
that the glacier will sooner or later restore to us the
|
|
remains of the unfortunate victims."
|
|
|
|
"Without a doubt, without a doubt. And it will be a great
|
|
thing for Chamonix, in the matter of attracting tourists.
|
|
You can get up a museum with those remains that will draw!"
|
|
|
|
This savage idea has not improved the odor of Dr. Hamel's
|
|
name in Chamonix by any means. But after all, the man
|
|
was sound on human nature. His idea was conveyed
|
|
to the public officials of Chamonix, and they gravely
|
|
discussed it around the official council-table. They
|
|
were only prevented from carrying it into execution by
|
|
the determined opposition of the friends and descendants
|
|
of the lost guides, who insisted on giving the remains
|
|
Christian burial, and succeeded in their purpose.
|
|
|
|
A close watch had to be kept upon all the poor remnants
|
|
and fragments, to prevent embezzlement. A few accessory
|
|
odds and ends were sold. Rags and scraps of the coarse
|
|
clothing were parted with at the rate equal to about
|
|
twenty dollars a yard; a piece of a lantern and one or
|
|
two other trifles brought nearly their weight in gold;
|
|
and an Englishman offered a pound sterling for a single
|
|
breeches-button.
|
|
|
|
|
|
|
|
CHAPTER XLI
|
|
[The Fearful Disaster of 1865]
|
|
|
|
One of the most memorable of all the Alpine catastrophes
|
|
was that of July, 1865, on the Matterhorn--already
|
|
sighted referred to, a few pages back. The details
|
|
of it are scarcely known in America. To the vast
|
|
majority of readers they are not known at all.
|
|
Mr. Whymper's account is the only authentic one.
|
|
I will import the chief portion of it into this book,
|
|
partly because of its intrinsic interest, and partly
|
|
because it gives such a vivid idea of what the perilous
|
|
pastime of Alp-climbing is. This was Mr. Whymper's
|
|
NINTH attempt during a series of years, to vanquish
|
|
that steep and stubborn pillar or rock; it succeeded,
|
|
the other eight were failures. No man had ever accomplished
|
|
the ascent before, though the attempts had been numerous.
|
|
|
|
MR. WHYMPER'S NARRATIVE
|
|
|
|
We started from Zermatt on the 13th of July, at half
|
|
past five, on a brilliant and perfectly cloudless morning.
|
|
We were eight in number--Croz (guide), old Peter
|
|
Taugwalder (guide) and his two sons; Lord F. Douglas,
|
|
Mr. Hadow, Rev. Mr. Hudson, and I. To insure steady
|
|
motion, one tourist and one native walked together.
|
|
The youngest Taugwalder fell to my share. The wine-bags
|
|
also fell to my lot to carry, and throughout the day,
|
|
after each drink, I replenished them secretly with water,
|
|
so that at the next halt they were found fuller than
|
|
before! This was considered a good omen, and little short
|
|
of miraculous.
|
|
|
|
On the first day we did not intend to ascend to any
|
|
great height, and we mounted, accordingly, very leisurely.
|
|
Before twelve o'clock we had found a good position
|
|
for the tent, at a height of eleven thousand feet.
|
|
We passed the remaining hours of daylight--some basking
|
|
in the sunshine, some sketching, some collecting;
|
|
Hudson made tea, I coffee, and at length we retired,
|
|
each one to his blanket bag.
|
|
|
|
We assembled together before dawn on the 14th
|
|
and started directly it was light enough to move.
|
|
One of the young Taugwalders returned to Zermatt.
|
|
In a few minutes we turned the rib which had intercepted
|
|
the view of the eastern face from our tent platform.
|
|
The whole of this great slope was now revealed, rising for
|
|
three thousand feet like a huge natural staircase.
|
|
Some parts were more, and others were less easy, but we
|
|
were not once brought to a halt by any serious impediment,
|
|
for when an obstruction was met in front it could always
|
|
be turned to the right or to the left. For the greater part
|
|
of the way there was no occasion, indeed, for the rope,
|
|
and sometimes Hudson led, sometimes myself. At six-twenty we
|
|
had attained a height of twelve thousand eight hundred feet,
|
|
and halted for half an hour; we then continued the ascent
|
|
without a break until nine-fifty-five, when we stopped
|
|
for fifty minutes, at a height of fourteen thousand feet.
|
|
|
|
We had now arrived at the foot of that part which, seen from
|
|
the Riffelberg, seems perpendicular or overhanging.
|
|
We could no longer continue on the eastern side. For a little
|
|
distance we ascended by snow upon the ARE^TE--that is,
|
|
the ridge--then turned over to the right, or northern side.
|
|
The work became difficult, and required caution. In some places
|
|
there was little to hold; the general slope of the mountain
|
|
was LESS than forty degrees, and snow had accumulated in,
|
|
and had filled up, the interstices of the rock-face, leaving
|
|
only occasional fragments projecting here and there.
|
|
These were at times covered with a thin film of ice.
|
|
It was a place which any fair mountaineer might pass
|
|
in safety. We bore away nearly horizontally for about four
|
|
hundred feet, then ascended directly toward the summit
|
|
for about sixty feet, then doubled back to the ridge
|
|
which descends toward Zermatt. A long stride round
|
|
a rather awkward corner brought us to snow once more.
|
|
That last doubt vanished! The Matterhorn was ours! Nothing
|
|
but two hundred feet of easy snow remained to be surmounted.
|
|
|
|
The higher we rose, the more intense became the excitement.
|
|
The slope eased off, at length we could be detached,
|
|
and Croz and I, dashed away, ran a neck-and-neck race,
|
|
which ended in a dead heat. At 1:40 P.M., the world was at
|
|
our feet, and the Matterhorn was conquered!
|
|
|
|
The others arrived. Croz now took the tent-pole, and
|
|
planted it in the highest snow. "Yes," we said, "there is
|
|
the flag-staff, but where is the flag?" "Here it is,"
|
|
he answered, pulling off his blouse and fixing it to the stick.
|
|
It made a poor flag, and there was no wind to float it out,
|
|
yet it was seen all around. They saw it at Zermatt--at
|
|
the Riffel--in the Val Tournanche... .
|
|
|
|
We remained on the summit for one hour--
|
|
|
|
One crowded hour of glorious life.
|
|
|
|
It passed away too quickly, and we began to prepare
|
|
for the descent.
|
|
|
|
Hudson and I consulted as to the best and safest arrangement
|
|
of the party. We agreed that it was best for Croz
|
|
to go first, and Hadow second; Hudson, who was almost
|
|
equal to a guide in sureness of foot, wished to be third;
|
|
Lord Douglas was placed next, and old Peter, the strongest
|
|
of the remainder, after him. I suggested to Hudson
|
|
that we should attach a rope to the rocks on our arrival
|
|
at the difficult bit, and hold it as we descended,
|
|
as an additional protection. He approved the idea,
|
|
but it was not definitely decided that it should be done.
|
|
The party was being arranged in the above order while I
|
|
was sketching the summit, and they had finished,
|
|
and were waiting for me to be tied in line, when some one
|
|
remembered that our names had not been left in a bottle.
|
|
They requested me to write them down, and moved off
|
|
while it was being done.
|
|
|
|
A few minutes afterward I tied myself to young Peter,
|
|
ran down after the others, and caught them just as they
|
|
were commencing the descent of the difficult part.
|
|
Great care was being taken. Only one man was moving at a time;
|
|
when he was firmly planted the next advanced, and so on.
|
|
They had not, however, attached the additional rope
|
|
to rocks, and nothing was said about it. The suggestion
|
|
was not made for my own sake, and I am not sure that it
|
|
ever occurred to me again. For some little distance we
|
|
two followed the others, detached from them, and should
|
|
have continued so had not Lord Douglas asked me, about 3
|
|
P.M., to tie on to old Peter, as he feared, he said,
|
|
that Taugwalder would not be able to hold his ground if a
|
|
slip occurred.
|
|
|
|
A few minutes later, a sharp-eyed lad ran into the Monte
|
|
Rosa Hotel, at Zermatt, saying that he had seen an avalanche
|
|
fall from the summit of the Matterhorn onto the Matterhorn
|
|
glacier. The boy was reproved for telling idle stories;
|
|
he was right, nevertheless, and this was what he saw.
|
|
|
|
Michel Croz had laid aside his ax, and in order to give
|
|
Mr. Hadow greater security, was absolutely taking
|
|
hold of his legs, and putting his feet, one by one,
|
|
into their proper positions. As far as I know, no one
|
|
was actually descending. I cannot speak with certainty,
|
|
because the two leading men were partially hidden
|
|
from my sight by an intervening mass of rock, but it
|
|
is my belief, from the movements of their shoulders,
|
|
that Croz, having done as I said, was in the act
|
|
of turning round to go down a step or two himself;
|
|
at this moment Mr. Hadow slipped, fell against him,
|
|
and knocked him over. I heard one startled exclamation
|
|
from Croz, then saw him and Mr. Hadow flying downward;
|
|
in another moment Hudson was dragged from his steps,
|
|
and Lord Douglas immediately after him. All this was the
|
|
work of a moment. Immediately we heard Croz's exclamation,
|
|
old Peter and I planted ourselves as firmly as the rocks
|
|
would permit; the rope was taut between us, and the jerk
|
|
came on us both as on one man. We held; but the rope
|
|
broke midway between Taugwalder and Lord Francis Douglas.
|
|
For a few seconds we saw our unfortunate companions sliding
|
|
downward on their backs, and spreading out their hands,
|
|
endeavoring to save themselves. They passed from our
|
|
sight uninjured, disappeared one by one, and fell from the
|
|
precipice to precipice onto the Matterhorn glacier below,
|
|
a distance of nearly four thousand feet in height.
|
|
From the moment the rope broke it was impossible to help them.
|
|
So perished our comrades!
|
|
|
|
For more than two hours afterward I thought almost every
|
|
moment that the next would be my last; for the Taugwalders,
|
|
utterly unnerved, were not only incapable of giving assistance,
|
|
but were in such a state that a slip might have been
|
|
expected from them at any moment. After a time we were able
|
|
to do that which should have been done at first, and fixed
|
|
rope to firm rocks, in addition to being tied together.
|
|
These ropes were cut from time to time, and were left behind.
|
|
Even with their assurance the men were afraid to proceed,
|
|
and several times old Peter turned, with ashy face
|
|
and faltering limbs, and said, with terrible emphasis,
|
|
"I CANNOT!"
|
|
|
|
About 6 P.M., we arrived at the snow upon the ridge
|
|
descending toward Zermatt, and all peril was over.
|
|
We frequently looked, but in vain, for traces of our
|
|
unfortunate companions; we bent over the ridge and cried
|
|
to them, but no sound returned. Convinced at last that
|
|
they were neither within sight nor hearing, we ceased
|
|
from our useless efforts; and, too cast down for speech,
|
|
silently gathered up our things, and the little effects
|
|
of those who were lost, and then completed the descent.
|
|
|
|
----------
|
|
|
|
Such is Mr. Whymper's graphic and thrilling narrative.
|
|
Zermatt gossip darkly hints that the elder Taugwalder
|
|
cut the rope, when the accident occurred, in order
|
|
to preserve himself from being dragged into the abyss;
|
|
but Mr. Whymper says that the ends of the rope showed
|
|
no evidence of cutting, but only of breaking. He adds
|
|
that if Taugwalder had had the disposition to cut the rope,
|
|
he would not have had time to do it, the accident was so
|
|
sudden and unexpected.
|
|
|
|
Lord Douglas' body has never been found. It probably
|
|
lodged upon some inaccessible shelf in the face of the
|
|
mighty precipice. Lord Douglas was a youth of nineteen.
|
|
The three other victims fell nearly four thousand feet,
|
|
and their bodies lay together upon the glacier when found
|
|
by Mr. Whymper and the other searchers the next morning.
|
|
Their graves are beside the little church in Zermatt.
|
|
|
|
|
|
|
|
CHAPTER XLII
|
|
[Chillon has a Nice, Roomy Dungeon]
|
|
|
|
Switzerland is simply a large, humpy, solid rock,
|
|
with a thin skin of grass stretched over it. Consequently,
|
|
they do not dig graves, they blast them out with power
|
|
and fuse. They cannot afford to have large graveyards,
|
|
the grass skin is too circumscribed and too valuable.
|
|
It is all required for the support of the living.
|
|
|
|
The graveyard in Zermatt occupies only about one-eighth
|
|
of an acre. The graves are sunk in the living rock, and are
|
|
very permanent; but occupation of them is only temporary;
|
|
the occupant can only stay till his grave is needed
|
|
by a later subject, he is removed, then, for they do not
|
|
bury one body on top of another. As I understand it,
|
|
a family owns a grave, just as it owns a house. A man dies
|
|
and leaves his house to his son--and at the same time,
|
|
this dead father succeeds to his own father's grave.
|
|
He moves out of the house and into the grave, and his
|
|
predecessor moves out of the grave and into the cellar
|
|
of the chapel. I saw a black box lying in the churchyard,
|
|
with skull and cross-bones painted on it, and was told that
|
|
this was used in transferring remains to the cellar.
|
|
|
|
In that cellar the bones and skulls of several hundred of
|
|
former citizens were compactly corded up. They made a pile
|
|
eighteen feet long, seven feet high, and eight feet wide.
|
|
I was told that in some of the receptacles of this kind
|
|
in the Swiss villages, the skulls were all marked,
|
|
and if a man wished to find the skulls of his ancestors
|
|
for several generations back, he could do it by these marks,
|
|
preserved in the family records.
|
|
|
|
An English gentleman who had lived some years in this region,
|
|
said it was the cradle of compulsory education.
|
|
But he said that the English idea that compulsory
|
|
education would reduce bastardy and intemperance was an
|
|
error--it has not that effect. He said there was more
|
|
seduction in the Protestant than in the Catholic cantons,
|
|
because the confessional protected the girls. I wonder
|
|
why it doesn't protect married women in France and Spain?
|
|
|
|
This gentleman said that among the poorer peasants in the Valais,
|
|
it was common for the brothers in a family to cast lots
|
|
to determine which of them should have the coveted privilege
|
|
of marrying, and his brethren--doomed bachelors--heroically
|
|
banded themselves together to help support the new family.
|
|
|
|
We left Zermatt in a wagon--and in a rain-storm, too--
|
|
for St. Nicholas about ten o'clock one morning.
|
|
Again we passed between those grass-clad prodigious cliffs,
|
|
specked with wee dwellings peeping over at us from
|
|
velvety green walls ten and twelve hundred feet high.
|
|
It did not seem possible that the imaginary chamois
|
|
even could climb those precipices. Lovers on opposite
|
|
cliffs probably kiss through a spy-glass, and correspond
|
|
with a rifle.
|
|
|
|
In Switzerland the farmer's plow is a wide shovel,
|
|
which scrapes up and turns over the thin earthy skin of his
|
|
native rock--and there the man of the plow is a hero.
|
|
Now here, by our St. Nicholas road, was a grave, and it
|
|
had a tragic story. A plowman was skinning his farm
|
|
one morning--not the steepest part of it, but still
|
|
a steep part--that is, he was not skinning the front
|
|
of his farm, but the roof of it, near the eaves--when he
|
|
absent-mindedly let go of the plow-handles to moisten
|
|
his hands, in the usual way; he lost his balance and fell
|
|
out of his farm backward; poor fellow, he never touched
|
|
anything till he struck bottom, fifteen hundred feet below.
|
|
[1] We throw a halo of heroism around the life of the
|
|
soldier and the sailor, because of the deadly dangers they
|
|
are facing all the time. But we are not used to looking
|
|
upon farming as a heroic occupation. This is because we
|
|
have not lived in Switzerland.
|
|
|
|
1. This was on a Sunday.--M.T.
|
|
|
|
From St. Nicholas we struck out for Visp--or Vispach--on foot.
|
|
The rain-storms had been at work during several days,
|
|
and had done a deal of damage in Switzerland and Savoy.
|
|
We came to one place where a stream had changed its
|
|
course and plunged down a mountain in a new place,
|
|
sweeping everything before it. Two poor but precious farms
|
|
by the roadside were ruined. One was washed clear away,
|
|
and the bed-rock exposed; the other was buried out of sight
|
|
under a tumbled chaos of rocks, gravel, mud, and rubbish.
|
|
The resistless might of water was well exemplified.
|
|
Some saplings which had stood in the way were bent to the ground,
|
|
stripped clean of their bark, and buried under rocky debris.
|
|
The road had been swept away, too.
|
|
|
|
In another place, where the road was high up on the mountain's
|
|
face, and its outside edge protected by flimsy masonry,
|
|
we frequently came across spots where this masonry had
|
|
carved off and left dangerous gaps for mules to get over;
|
|
and with still more frequency we found the masonry
|
|
slightly crumbled, and marked by mule-hoofs, thus showing
|
|
that there had been danger of an accident to somebody.
|
|
When at last we came to a badly ruptured bit of masonry,
|
|
with hoof-prints evidencing a desperate struggle
|
|
to regain the lost foothold, I looked quite hopefully
|
|
over the dizzy precipice. But there was nobody down there.
|
|
|
|
They take exceedingly good care of their rivers in Switzerland
|
|
and other portions of Europe. They wall up both banks
|
|
with slanting solid stone masonry--so that from end
|
|
to end of these rivers the banks look like the wharves
|
|
at St. Louis and other towns on the Mississippi River.
|
|
|
|
It was during this walk from St. Nicholas, in the shadow
|
|
of the majestic Alps, that we came across some little
|
|
children amusing themselves in what seemed, at first,
|
|
a most odd and original way--but it wasn't; it was in
|
|
simply a natural and characteristic way. They were roped
|
|
together with a string, they had mimic alpenstocks and
|
|
ice-axes, and were climbing a meek and lowly manure-pile
|
|
with a most blood-curdling amount of care and caution.
|
|
The "guide" at the head of the line cut imaginary steps,
|
|
in a laborious and painstaking way, and not a monkey
|
|
budged till the step above was vacated. If we had waited
|
|
we should have witnessed an imaginary accident, no doubt;
|
|
and we should have heard the intrepid band hurrah when they
|
|
made the summit and looked around upon the "magnificent view,"
|
|
and seen them throw themselves down in exhausted attitudes
|
|
for a rest in that commanding situation.
|
|
|
|
In Nevada I used to see the children play at silver-mining.
|
|
Of course, the great thing was an accident in a mine,
|
|
and there were two "star" parts; that of the man
|
|
who fell down the mimic shaft, and that of the daring
|
|
hero who was lowered into the depths to bring him up.
|
|
I knew one small chap who always insisted on playing
|
|
BOTH of these parts--and he carried his point.
|
|
He would tumble into the shaft and die, and then come
|
|
to the surface and go back after his own remains.
|
|
|
|
It is the smartest boy that gets the hero part everywhere;
|
|
he is head guide in Switzerland, head miner in Nevada,
|
|
head bull-fighter in Spain, etc.; but I knew a preacher's son,
|
|
seven years old, who once selected a part for himself compared
|
|
to which those just mentioned are tame and unimpressive.
|
|
Jimmy's father stopped him from driving imaginary
|
|
horse-cars one Sunday--stopped him from playing captain
|
|
of an imaginary steamboat next Sunday--stopped him
|
|
from leading an imaginary army to battle the following
|
|
Sunday--and so on. Finally the little fellow said:
|
|
|
|
"I've tried everything, and they won't any of them do.
|
|
What CAN I play?"
|
|
|
|
"I hardly know, Jimmy; but you MUST play only things
|
|
that are suitable to the Sabbath-day."
|
|
|
|
Next Sunday the preacher stepped softly to a back-room
|
|
door to see if the children were rightly employed.
|
|
He peeped in. A chair occupied the middle of the room,
|
|
and on the back of it hung Jimmy's cap; one of his little
|
|
sisters took the cap down, nibbled at it, then passed it
|
|
to another small sister and said, "Eat of this fruit,
|
|
for it is good." The Reverend took in the situation--alas,
|
|
they were playing the Expulsion from Eden! Yet he found
|
|
one little crumb of comfort. He said to himself, "For once
|
|
Jimmy has yielded the chief role--I have been wronging him,
|
|
I did not believe there was so much modesty in him;
|
|
I should have expected him to be either Adam or Eve."
|
|
This crumb of comfort lasted but a very little while;
|
|
he glanced around and discovered Jimmy standing in an
|
|
imposing attitude in a corner, with a dark and deadly frown
|
|
on his face. What that meant was very plain--HE WAS
|
|
IMPERSONATING THE DEITY! Think of the guileless sublimity of
|
|
that idea.
|
|
|
|
We reached Vispach at 8 P.M., only about seven hours
|
|
out from St. Nicholas. So we must have made fully
|
|
a mile and a half an hour, and it was all downhill,
|
|
too, and very muddy at that. We stayed all night at
|
|
the Ho^tel de Soleil; I remember it because the landlady,
|
|
the portier, the waitress, and the chambermaid were not
|
|
separate persons, but were all contained in one neat and
|
|
chipper suit of spotless muslin, and she was the prettiest
|
|
young creature I saw in all that region. She was the
|
|
landlord's daughter. And I remember that the only native
|
|
match to her I saw in all Europe was the young daughter
|
|
of the landlord of a village inn in the Black Forest.
|
|
Why don't more people in Europe marry and keep hotel?
|
|
|
|
Next morning we left with a family of English friends
|
|
and went by train to Brevet, and thence by boat across
|
|
the lake to Ouchy (Lausanne).
|
|
|
|
Ouchy is memorable to me, not on account of its beautiful
|
|
situation and lovely surroundings--although these would
|
|
make it stick long in one's memory--but as the place
|
|
where _I_ caught the London TIMES dropping into humor.
|
|
It was NOT aware of it, though. It did not do it on purpose.
|
|
An English friend called my attention to this lapse,
|
|
and cut out the reprehensible paragraph for me. Think of
|
|
encountering a grin like this on the face of that grim
|
|
journal:
|
|
|
|
ERRATUM.--We are requested by Reuter's Telegram Company
|
|
to correct an erroneous announcement made in their Brisbane
|
|
telegram of the 2d inst., published in our impression of the 5th
|
|
inst., stating that "Lady Kennedy had given birth to twins,
|
|
the eldest being a son." The Company explain that the message
|
|
they received contained the words "Governor of Queensland,
|
|
TWINS FIRST SON." Being, however, subsequently informed
|
|
that Sir Arthur Kennedy was unmarried and that there
|
|
must be some mistake, a telegraphic repetition was at
|
|
once demanded. It has been received today (11th inst.)
|
|
and shows that the words really telegraphed by Reuter's
|
|
agent were "Governor Queensland TURNS FIRST SOD,"
|
|
alluding to the Maryborough-Gympic Railway in course
|
|
of construction. The words in italics were mutilated by
|
|
the telegraph in transmission from Australia, and reaching
|
|
the company in the form mentioned above gave rise to the mistake.
|
|
|
|
|
|
I had always had a deep and reverent compassion
|
|
for the sufferings of the "prisoner of Chillon,"
|
|
whose story Byron had told in such moving verse; so I took
|
|
the steamer and made pilgrimage to the dungeons of the
|
|
Castle of Chillon, to see the place where poor Bonnivard
|
|
endured his dreary captivity three hundred years ago.
|
|
I am glad I did that, for it took away some of the pain
|
|
I was feeling on the prisoner's account. His dungeon
|
|
was a nice, cool, roomy place, and I cannot see why he
|
|
should have been dissatisfied with it. If he had been
|
|
imprisoned in a St. Nicholas private dwelling, where the
|
|
fertilizer prevails, and the goat sleeps with the guest,
|
|
and the chickens roost on him and the cow comes in and
|
|
bothers him when he wants to muse, it would have been
|
|
another matter altogether; but he surely could not have
|
|
had a very cheerless time of it in that pretty dungeon.
|
|
It has romantic window-slits that let in generous bars
|
|
of light, and it has tall, noble columns, carved apparently
|
|
from the living rock; and what is more, they are written
|
|
all over with thousands of names; some of them--like
|
|
Byron's and Victor Hugo's--of the first celebrity.
|
|
Why didn't he amuse himself reading these names? Then
|
|
there are the couriers and tourists--swarms of them every
|
|
day--what was to hinder him from having a good time
|
|
with them? I think Bonnivard's sufferings have been overrated.
|
|
|
|
Next, we took the train and went to Martigny, on the way
|
|
to Mont Blanc. Next morning we started, about eight
|
|
o'clock, on foot. We had plenty of company, in the way
|
|
of wagon-loads and mule-loads of tourists--and dust.
|
|
This scattering procession of travelers was perhaps a
|
|
mile long. The road was uphill--interminable uphill--and
|
|
tolerably steep. The weather was blisteringly hot,
|
|
and the man or woman who had to sit on a creeping mule,
|
|
or in a crawling wagon, and broil in the beating sun,
|
|
was an object to be pitied. We could dodge among the bushes,
|
|
and have the relief of shade, but those people could not.
|
|
They paid for a conveyance, and to get their money's worth
|
|
they rode.
|
|
|
|
We went by the way of the Te^te Noir, and after we
|
|
reached high ground there was no lack of fine scenery.
|
|
In one place the road was tunneled through a shoulder
|
|
of the mountain; from there one looked down into a gorge
|
|
with a rushing torrent in it, and on every hand was a
|
|
charming view of rocky buttresses and wooded heights.
|
|
There was a liberal allowance of pretty waterfalls, too,
|
|
on the Te^te Noir route.
|
|
|
|
About half an hour before we reached the village of
|
|
Argentie`re a vast dome of snow with the sun blazing on it
|
|
drifted into view and framed itself in a strong V-shaped
|
|
gateway of the mountains, and we recognized Mont Blanc,
|
|
the "monarch of the Alps." With every step, after that,
|
|
this stately dome rose higher and higher into the blue sky,
|
|
and at last seemed to occupy the zenith.
|
|
|
|
Some of Mont Blanc's neighbors--bare, light-brown, steeplelike
|
|
rocks--were very peculiarly shaped. Some were whittled
|
|
to a sharp point, and slightly bent at the upper end,
|
|
like a lady's finger; one monster sugar-loaf resembled
|
|
a bishop's hat; it was too steep to hold snow on its sides,
|
|
but had some in the division.
|
|
|
|
While we were still on very high ground, and before
|
|
the descent toward Argentie`re began, we looked up
|
|
toward a neighboring mountain-top, and saw exquisite
|
|
prismatic colors playing about some white clouds which
|
|
were so delicate as to almost resemble gossamer webs.
|
|
The faint pinks and greens were peculiarly beautiful;
|
|
none of the colors were deep, they were the lightest shades.
|
|
They were bewitching commingled. We sat down to study and
|
|
enjoy this singular spectacle. The tints remained during
|
|
several minutes--fitting, changing, melting into each other;
|
|
paling almost away for a moment, then reflushing--a shifting,
|
|
restless, unstable succession of soft opaline gleams,
|
|
shimmering over that air film of white cloud, and turning
|
|
it into a fabric dainty enough to clothe an angel with.
|
|
|
|
By and by we perceived what those super-delicate colors,
|
|
and their continuous play and movement, reminded us of;
|
|
it is what one sees in a soap-bubble that is drifting along,
|
|
catching changes of tint from the objects it passes.
|
|
A soap-bubble is the most beautiful thing, and the
|
|
most exquisite, in nature; that lovely phantom fabric
|
|
in the sky was suggestive of a soap-bubble split open,
|
|
and spread out in the sun. I wonder how much it would take
|
|
to buy a soap-bubble, if there was only one in the world?
|
|
One could buy a hatful of Koh-i-Noors with the same money,
|
|
no doubt.
|
|
|
|
We made the tramp from Martigny to Argentie`re in eight hours.
|
|
We beat all the mules and wagons; we didn't usually do that.
|
|
We hired a sort of open baggage-wagon for the trip down
|
|
the valley to Chamonix, and then devoted an hour to dining.
|
|
This gave the driver time to get drunk. He had a friend
|
|
with him, and this friend also had had time to get drunk.
|
|
|
|
When we drove off, the driver said all the tourists had
|
|
arrived and gone by while we were at dinner; "but," said he,
|
|
impressively, "be not disturbed by that--remain tranquil--give
|
|
yourselves no uneasiness--their dust rises far before us--
|
|
rest you tranquil, leave all to me--I am the king of drivers.
|
|
Behold!"
|
|
|
|
Down came his whip, and away we clattered. I never had such
|
|
a shaking up in my life. The recent flooding rains had
|
|
washed the road clear away in places, but we never stopped,
|
|
we never slowed down for anything. We tore right along,
|
|
over rocks, rubbish, gullies, open fields--sometimes with
|
|
one or two wheels on the ground, but generally with none.
|
|
Every now and then that calm, good-natured madman would
|
|
bend a majestic look over his shoulder at us and say,
|
|
"Ah, you perceive? It is as I have said --I am the
|
|
king of drivers." Every time we just missed going
|
|
to destruction, he would say, with tranquil happiness,
|
|
"Enjoy it, gentlemen, it is very rare, it is very unusual--
|
|
it is given to few to ride with the king of drivers--
|
|
and observe, it is as I have said, _I_ am he."
|
|
|
|
He spoke in French, and punctuated with hiccoughs.
|
|
His friend was French, too, but spoke in German--using
|
|
the same system of punctuation, however. The friend
|
|
called himself the "Captain of Mont Blanc," and wanted us
|
|
to make the ascent with him. He said he had made more
|
|
ascents than any other man--forty seven--and his brother
|
|
had made thirty-seven. His brother was the best guide
|
|
in the world, except himself--but he, yes, observe him
|
|
well--he was the "Captain of Mont Blanc"--that title
|
|
belonged to none other.
|
|
|
|
The "king" was as good as his word--he overtook that long
|
|
procession of tourists and went by it like a hurricane.
|
|
The result was that we got choicer rooms at the hotel
|
|
in Chamonix than we should have done if his majesty
|
|
had been a slower artist--or rather, if he hadn't most
|
|
providentially got drunk before he left Argentie`re.
|
|
|
|
|
|
|
|
CHAPTER XLIII
|
|
[My Poor Sick Friend Disappointed]
|
|
|
|
Everybody was out-of-doors; everybody was in the
|
|
principal street of the village--not on the sidewalks,
|
|
but all over the street; everybody was lounging, loafing,
|
|
chatting, waiting, alert, expectant, interested--for it
|
|
was train-time. That is to say, it was diligence-time--
|
|
the half-dozen big diligences would soon be arriving
|
|
from Geneva, and the village was interested, in many ways,
|
|
in knowing how many people were coming and what sort of
|
|
folk they might be. It was altogether the livest-looking
|
|
street we had seen in any village on the continent.
|
|
|
|
The hotel was by the side of a booming torrent, whose music
|
|
was loud and strong; we could not see this torrent, for it
|
|
was dark, now, but one could locate it without a light.
|
|
There was a large enclosed yard in front of the hotel,
|
|
and this was filled with groups of villagers waiting to see
|
|
the diligences arrive, or to hire themselves to excursionists
|
|
for the morrow. A telescope stood in the yard, with its
|
|
huge barrel canted up toward the lustrous evening star.
|
|
The long porch of the hotel was populous with tourists,
|
|
who sat in shawls and wraps under the vast overshadowing
|
|
bulk of Mont Blanc, and gossiped or meditated.
|
|
|
|
Never did a mountain seem so close; its big sides seemed
|
|
at one's very elbow, and its majestic dome, and the lofty
|
|
cluster of slender minarets that were its neighbors,
|
|
seemed to be almost over one's head. It was night
|
|
in the streets, and the lamps were sparkling everywhere;
|
|
the broad bases and shoulders of the mountains were in
|
|
a deep gloom, but their summits swam in a strange rich
|
|
glow which was really daylight, and yet had a mellow
|
|
something about it which was very different from the hard
|
|
white glare of the kind of daylight I was used to.
|
|
Its radiance was strong and clear, but at the same time
|
|
it was singularly soft, and spiritual, and benignant.
|
|
No, it was not our harsh, aggressive, realistic daylight;
|
|
it seemed properer to an enchanted land--or to heaven.
|
|
|
|
I had seen moonlight and daylight together before, but I
|
|
had not seen daylight and black night elbow to elbow before.
|
|
At least I had not seen the daylight resting upon an object
|
|
sufficiently close at hand, before, to make the contrast
|
|
startling and at war with nature.
|
|
|
|
The daylight passed away. Presently the moon rose up
|
|
behind some of those sky-piercing fingers or pinnacles
|
|
of bare rock of which I have spoken--they were a little
|
|
to the left of the crest of Mont Blanc, and right over
|
|
our heads--but she couldn't manage to climb high
|
|
enough toward heaven to get entirely above them.
|
|
She would show the glittering arch of her upper third,
|
|
occasionally, and scrape it along behind the comblike row;
|
|
sometimes a pinnacle stood straight up, like a statuette
|
|
of ebony, against that glittering white shield, then seemed
|
|
to glide out of it by its own volition and power,
|
|
and become a dim specter, while the next pinnacle glided
|
|
into its place and blotted the spotless disk with the black
|
|
exclamation-point of its presence. The top of one pinnacle
|
|
took the shapely, clean-cut form of a rabbit's head,
|
|
in the inkiest silhouette, while it rested against the moon.
|
|
The unillumined peaks and minarets, hovering vague and
|
|
phantom-like above us while the others were painfully
|
|
white and strong with snow and moonlight, made a peculiar effect.
|
|
|
|
|
|
But when the moon, having passed the line of pinnacles,
|
|
was hidden behind the stupendous white swell of Mont Blanc,
|
|
the masterpiece of the evening was flung on the canvas.
|
|
A rich greenish radiance sprang into the sky from behind
|
|
the mountain, and in this same airy shreds and ribbons of vapor
|
|
floated about, and being flushed with that strange tint,
|
|
went waving to and fro like pale green flames. After a while,
|
|
radiating bars--vast broadening fan-shaped shadows--grew up
|
|
and stretched away to the zenith from behind the mountain.
|
|
It was a spectacle to take one's breath, for the wonder of it,
|
|
and the sublimity.
|
|
|
|
Indeed, those mighty bars of alternate light and shadow
|
|
streaming up from behind that dark and prodigious form
|
|
and occupying the half of the dull and opaque heavens,
|
|
was the most imposing and impressive marvel I had ever
|
|
looked upon. There is no simile for it, for nothing
|
|
is like it. If a child had asked me what it was,
|
|
I should have said, "Humble yourself, in this presence,
|
|
it is the glory flowing from the hidden head of the Creator."
|
|
One falls shorter of the truth than that, sometimes,
|
|
in trying to explain mysteries to the little people.
|
|
I could have found out the cause of this awe-compelling
|
|
miracle by inquiring, for it is not infrequent at Mont
|
|
Blanc,--but I did not wish to know. We have not the
|
|
reverent feeling for the rainbow that a savage has,
|
|
because we know how it is made. We have lost as much as we
|
|
gained by prying into the matter.
|
|
|
|
We took a walk down street, a block or two, and a
|
|
place where four streets met and the principal shops
|
|
were clustered, found the groups of men in the roadway
|
|
thicker than ever--for this was the Exchange of Chamonix.
|
|
These men were in the costumes of guides and porters,
|
|
and were there to be hired.
|
|
|
|
The office of that great personage, the Guide-in-Chief
|
|
of the Chamonix Guild of Guides, was near by. This guild
|
|
is a close corporation, and is governed by strict laws.
|
|
There are many excursion routes, some dangerous and
|
|
some not, some that can be made safely without a guide,
|
|
and some that cannot. The bureau determines these things.
|
|
Where it decides that a guide is necessary, you are
|
|
forbidden to go without one. Neither are you allowed to be
|
|
a victim of extortion: the law states what you are to pay.
|
|
The guides serve in rotation; you cannot select the man
|
|
who is to take your life into his hands, you must take
|
|
the worst in the lot, if it is his turn. A guide's fee
|
|
ranges all the way up from a half-dollar (for some trifling
|
|
excursion of a few rods) to twenty dollars, according to
|
|
the distance traversed and the nature of the ground.
|
|
A guide's fee for taking a person to the summit of Mont
|
|
Blanc and back, is twenty dollars--and he earns it.
|
|
The time employed is usually three days, and there is
|
|
enough early rising in it to make a man far more "healthy
|
|
and wealthy and wise" than any one man has any right to be.
|
|
The porter's fee for the same trip is ten dollars.
|
|
Several fools--no, I mean several tourists--usually go together,
|
|
and divide up the expense, and thus make it light;
|
|
for if only one f--tourist, I mean--went, he would have
|
|
to have several guides and porters, and that would make the
|
|
matter costly.
|
|
|
|
We went into the Chief's office. There were maps
|
|
of mountains on the walls; also one or two lithographs
|
|
of celebrated guides, and a portrait of the scientist
|
|
De Saussure.
|
|
|
|
In glass cases were some labeled fragments of boots
|
|
and batons, and other suggestive relics and remembrances
|
|
of casualties on Mount Blanc. In a book was a record of all
|
|
the ascents which have ever been made, beginning with Nos.
|
|
1 and 2--being those of Jacques Balmat and De Saussure,
|
|
in 1787, and ending with No. 685, which wasn't cold yet.
|
|
In fact No. 685 was standing by the official table waiting
|
|
to receive the precious official diploma which should prove
|
|
to his German household and to his descendants that he had once
|
|
been indiscreet enough to climb to the top of Mont Blanc.
|
|
He looked very happy when he got his document; in fact,
|
|
he spoke up and said he WAS happy.
|
|
|
|
I tried to buy a diploma for an invalid friend at home
|
|
who had never traveled, and whose desire all his life has
|
|
been to ascend Mont Blanc, but the Guide-in-Chief rather
|
|
insolently refused to sell me one. I was very much offended.
|
|
I said I did not propose to be discriminated against on
|
|
the account of my nationality; that he had just sold
|
|
a diploma to this German gentleman, and my money was
|
|
a good as his; I would see to it that he couldn't keep
|
|
his shop for Germans and deny his produce to Americans;
|
|
I would have his license taken away from him at the dropping
|
|
of a handkerchief; if France refused to break him, I would
|
|
make an international matter of it and bring on a war;
|
|
the soil should be drenched with blood; and not only that,
|
|
but I would set up an opposition show and sell diplomas
|
|
at half price.
|
|
|
|
For two cents I would have done these things, too;
|
|
but nobody offered me two cents. I tried to move that
|
|
German's feelings, but it could not be done; he would
|
|
not give me his diploma, neither would he sell it to me.
|
|
I TOLD him my friend was sick and could not come himself,
|
|
but he said he did not care a VERDAMMTES PFENNIG,
|
|
he wanted his diploma for himself--did I suppose he was
|
|
going to risk his neck for that thing and then give it
|
|
to a sick stranger? Indeed he wouldn't, so he wouldn't.
|
|
I resolved, then, that I would do all I could to injure
|
|
Mont Blanc.
|
|
|
|
In the record-book was a list of all the fatal accidents
|
|
which happened on the mountain. It began with the one
|
|
in 1820 when the Russian Dr. Hamel's three guides were
|
|
lost in a crevice of the glacier, and it recorded the
|
|
delivery of the remains in the valley by the slow-moving
|
|
glacier forty-one years later. The latest catastrophe
|
|
bore the date 1877.
|
|
|
|
We stepped out and roved about the village awhile.
|
|
In front of the little church was a monument to the memory
|
|
of the bold guide Jacques Balmat, the first man who ever
|
|
stood upon the summit of Mont Blanc. He made that wild
|
|
trip solitary and alone. He accomplished the ascent
|
|
a number of times afterward. A stretch of nearly half
|
|
a century lay between his first ascent and his last one.
|
|
At the ripe old age of seventy-two he was climbing
|
|
around a corner of a lofty precipice of the Pic du
|
|
Midi--nobody with him--when he slipped and fell.
|
|
So he died in the harness.
|
|
|
|
He had grown very avaricious in his old age, and used to go
|
|
off stealthily to hunt for non-existent and impossible
|
|
gold among those perilous peaks and precipices.
|
|
He was on a quest of that kind when he lost his life.
|
|
There was a statue to him, and another to De Saussure,
|
|
in the hall of our hotel, and a metal plate on the door
|
|
of a room upstairs bore an inscription to the effect
|
|
that that room had been occupied by Albert Smith.
|
|
Balmat and De Saussure discovered Mont Blanc--so to
|
|
speak--but it was Smith who made it a paying property.
|
|
His articles in BLACKWOOD and his lectures on Mont Blanc
|
|
in London advertised it and made people as anxious to see it
|
|
as if it owed them money.
|
|
|
|
As we strolled along the road we looked up and saw a red
|
|
signal-light glowing in the darkness of the mountainside.
|
|
It seemed but a trifling way up--perhaps a hundred yards,
|
|
a climb of ten minutes. It was a lucky piece of sagacity
|
|
in us that we concluded to stop a man whom we met and get
|
|
a light for our pipes from him instead of continuing the climb
|
|
to that lantern to get a light, as had been our purpose.
|
|
The man said that that lantern was on the Grands Mulets,
|
|
some sixty-five hundred feet above the valley! I know
|
|
by our Riffelberg experience, that it would have taken us
|
|
a good part of a week to go up there. I would sooner not
|
|
smoke at all, than take all that trouble for a light.
|
|
|
|
Even in the daytime the foreshadowing effect of this
|
|
mountain's close proximity creates curious deceptions.
|
|
For instance, one sees with the naked eye a cabin up
|
|
there beside the glacier, and a little above and beyond
|
|
he sees the spot where that red light was located;
|
|
he thinks he could throw a stone from the one place to
|
|
the other. But he couldn't, for the difference between
|
|
the two altitudes is more than three thousand feet.
|
|
It looks impossible, from below, that this can be true,
|
|
but it is true, nevertheless.
|
|
|
|
While strolling around, we kept the run of the moon all
|
|
the time, and we still kept an eye on her after we got back
|
|
to the hotel portico. I had a theory that the gravitation
|
|
of refraction, being subsidiary to atmospheric compensation,
|
|
the refrangibility of the earth's surface would emphasize
|
|
this effect in regions where great mountain ranges occur,
|
|
and possibly so even-handed impact the odic and idyllic
|
|
forces together, the one upon the other, as to prevent
|
|
the moon from rising higher than 12,200 feet above
|
|
sea-level. This daring theory had been received with frantic
|
|
scorn by some of my fellow-scientists, and with an eager
|
|
silence by others. Among the former I may mention
|
|
Prof. H----y; and among the latter Prof. T----l. Such
|
|
is professional jealousy; a scientist will never show
|
|
any kindness for a theory which he did not start himself.
|
|
There is no feeling of brotherhood among these people.
|
|
Indeed, they always resent it when I call them brother.
|
|
To show how far their ungenerosity can carry them, I will
|
|
state that I offered to let Prof. H----y publish my great
|
|
theory as his own discovery; I even begged him to do it;
|
|
I even proposed to print it myself as his theory.
|
|
Instead of thanking me, he said that if I tried to
|
|
fasten that theory on him he would sue me for slander.
|
|
I was going to offer it to Mr. Darwin, whom I understood
|
|
to be a man without prejudices, but it occurred to me
|
|
that perhaps he would not be interested in it since it did
|
|
not concern heraldry.
|
|
|
|
But I am glad now, that I was forced to father my intrepid
|
|
theory myself, for, on the night of which I am writing,
|
|
it was triumphantly justified and established. Mont Blanc
|
|
is nearly sixteen thousand feet high; he hid the moon utterly;
|
|
near him is a peak which is 12,216 feet high; the moon slid
|
|
along behind the pinnacles, and when she approached that
|
|
one I watched her with intense interest, for my reputation
|
|
as a scientist must stand or fall by its decision.
|
|
I cannot describe the emotions which surged like tidal
|
|
waves through my breast when I saw the moon glide behind
|
|
that lofty needle and pass it by without exposing more
|
|
than two feet four inches of her upper rim above it;
|
|
I was secure, then. I knew she could rise no higher,
|
|
and I was right. She sailed behind all the peaks and
|
|
never succeeded in hoisting her disk above a single one
|
|
of them.
|
|
|
|
While the moon was behind one of those sharp fingers,
|
|
its shadow was flung athwart the vacant heavens--
|
|
a long, slanting, clean-cut, dark ray--with a streaming
|
|
and energetic suggestion of FORCE about it, such as the
|
|
ascending jet of water from a powerful fire-engine affords.
|
|
It was curious to see a good strong shadow of an earthly
|
|
object cast upon so intangible a field as the atmosphere.
|
|
|
|
We went to bed, at last, and went quickly to sleep, but I
|
|
woke up, after about three hours, with throbbing temples,
|
|
and a head which was physically sore, outside and in.
|
|
I was dazed, dreamy, wretched, seedy, unrefreshed.
|
|
I recognized the occasion of all this: it was that torrent.
|
|
In the mountain villages of Switzerland, and along the roads,
|
|
one has always the roar of the torrent in his ears.
|
|
He imagines it is music, and he thinks poetic things
|
|
about it; he lies in his comfortable bed and is lulled
|
|
to sleep by it. But by and by he begins to notice
|
|
that his head is very sore--he cannot account for it;
|
|
in solitudes where the profoundest silence reigns,
|
|
he notices a sullen, distant, continuous roar in his ears,
|
|
which is like what he would experience if he had sea-shells
|
|
pressed against them--he cannot account for it; he is
|
|
drowsy and absent-minded; there is no tenacity to his mind,
|
|
he cannot keep hold of a thought and follow it out;
|
|
i f he sits down to write, his vocabulary is empty,
|
|
no suitable words will come, he forgets what he started to do,
|
|
and remains there, pen in hand, head tilted up, eyes closed,
|
|
listening painfully to the muffled roar of a distant train
|
|
in his ears; in his soundest sleep the strain continues,
|
|
he goes on listening, always listening intently, anxiously,
|
|
and wakes at last, harassed, irritable, unrefreshed.
|
|
He cannot manage to account for these things.
|
|
Day after day he feels as if he had spent his nights
|
|
in a sleeping-car. It actually takes him weeks to find
|
|
out that it is those persecuting torrents that have been
|
|
making all the mischief. It is time for him to get out
|
|
of Switzerland, then, for as soon as he has discovered
|
|
the cause, the misery is magnified several fold. The roar
|
|
of the torrent is maddening, then, for his imagination
|
|
is assisting; the physical pain it inflicts is exquisite.
|
|
When he finds he is approaching one of those streams,
|
|
his dread is so lively that he is disposed to fly the track
|
|
and avoid the implacable foe.
|
|
|
|
Eight or nine months after the distress of the torrents
|
|
had departed from me, the roar and thunder of the
|
|
streets of Paris brought it all back again. I moved
|
|
to the sixth story of the hotel to hunt for peace.
|
|
About midnight the noises dulled away, and I was
|
|
sinking to sleep, when I heard a new and curious sound;
|
|
I listened: evidently some joyous lunatic was softly
|
|
dancing a "double shuffle" in the room over my head.
|
|
I had to wait for him to get through, of course. Five long,
|
|
long minutes he smoothly shuffled away--a pause followed,
|
|
then something fell with a thump on the floor.
|
|
I said to myself "There--he is pulling off his boots--
|
|
thank heavens he is done." Another slight pause--he went
|
|
to shuffling again! I said to myself, "Is he trying to see
|
|
what he can do with only one boot on?" Presently came
|
|
another pause and another thump on the floor. I said
|
|
"Good, he has pulled off his other boot--NOW he is done."
|
|
But he wasn't. The next moment he was shuffling again.
|
|
I said, "Confound him, he is at it in his slippers!"
|
|
After a little came that same old pause, and right after
|
|
it that thump on the floor once more. I said, "Hang him,
|
|
he had on TWO pair of boots!" For an hour that magician
|
|
went on shuffling and pulling off boots till he had shed
|
|
as many as twenty-five pair, and I was hovering on the verge
|
|
of lunacy. I got my gun and stole up there. The fellow
|
|
was in the midst of an acre of sprawling boots, and he had
|
|
a boot in his hand, shuffling it--no, I mean POLISHING it.
|
|
The mystery was explained. He hadn't been dancing.
|
|
He was the "Boots" of the hotel, and was attending
|
|
to business.
|
|
|
|
|
|
|
|
CHAPTER XLIV
|
|
[I Scale Mont Blanc--by Telescope]
|
|
|
|
After breakfast, that next morning in Chamonix, we went
|
|
out in the yard and watched the gangs of excursioning
|
|
tourists arriving and departing with their mules and guides
|
|
and porters; they we took a look through the telescope
|
|
at the snowy hump of Mont Blanc. It was brilliant
|
|
with sunshine, and the vast smooth bulge seemed hardly
|
|
five hundred yards away. With the naked eye we could
|
|
dimly make out the house at the Pierre Pointue, which is
|
|
located by the side of the great glacier, and is more
|
|
than three thousand feet above the level of the valley;
|
|
but with the telescope we could see all its details.
|
|
While I looked, a woman rode by the house on a mule, and I
|
|
saw her with sharp distinctness; I could have described
|
|
her dress. I saw her nod to the people of the house,
|
|
and rein up her mule, and put her hand up to shield
|
|
her eyes from the sun. I was not used to telescopes;
|
|
in fact, I had never looked through a good one before;
|
|
it seemed incredible to me that this woman could be
|
|
so far away. I was satisfied that I could see all
|
|
these details with my naked eye; but when I tried it,
|
|
that mule and those vivid people had wholly vanished,
|
|
and the house itself was become small and vague. I tried
|
|
the telescope again, and again everything was vivid.
|
|
The strong black shadows of the mule and the woman were
|
|
flung against the side of the house, and I saw the mule's
|
|
silhouette wave its ears.
|
|
|
|
The telescopulist--or the telescopulariat--I do not know
|
|
which is right--said a party were making a grand ascent,
|
|
and would come in sight on the remote upper heights,
|
|
presently; so we waited to observe this performance.
|
|
Presently I had a superb idea. I wanted to stand with
|
|
a party on the summit of Mont Blanc, merely to be able
|
|
to say I had done it, and I believed the telescope
|
|
could set me within seven feet of the uppermost man.
|
|
The telescoper assured me that it could. I then asked
|
|
him how much I owed him for as far as I had got? He said,
|
|
one franc. I asked him how much it would cost to make
|
|
the entire ascent? Three francs. I at once determined
|
|
to make the entire ascent. But first I inquired
|
|
if there was any danger? He said no--not by telescope;
|
|
said he had taken a great many parties to the summit,
|
|
and never lost a man. I asked what he would charge to let
|
|
my agent go with me, together with such guides and porters
|
|
as might be necessary. He said he would let Harris go
|
|
for two francs; and that unless we were unusually timid,
|
|
he should consider guides and porters unnecessary;
|
|
it was not customary to take them, when going by telescope,
|
|
for they were rather an encumbrance than a help.
|
|
He said that the party now on the mountain were approaching
|
|
the most difficult part, and if we hurried we should
|
|
overtake them within ten minutes, and could then join them
|
|
and have the benefit of their guides and porters without
|
|
their knowledge, and without expense to us.
|
|
|
|
I then said we would start immediately. I believe I
|
|
said it calmly, though I was conscious of a shudder
|
|
and of a paling cheek, in view of the nature of the
|
|
exploit I was so unreflectingly engaged in. But the old
|
|
daredevil spirit was upon me, and I said that as I
|
|
had committed myself I would not back down; I would
|
|
ascend Mont Blanc if it cost me my life. I told the man
|
|
to slant his machine in the proper direction and let us be off.
|
|
|
|
Harris was afraid and did not want to go, but I heartened
|
|
him up and said I would hold his hand all the way; so he
|
|
gave his consent, though he trembled a little at first.
|
|
I took a last pathetic look upon the pleasant summer scene
|
|
about me, then boldly put my eye to the glass and prepared
|
|
to mount among the grim glaciers and the everlasting snows.
|
|
|
|
We took our way carefully and cautiously across the great
|
|
Glacier des Bossons, over yawning and terrific crevices
|
|
and among imposing crags and buttresses of ice which were
|
|
fringed with icicles of gigantic proportions. The desert
|
|
of ice that stretched far and wide about us was wild and
|
|
desolate beyond description, and the perils which beset us
|
|
were so great that at times I was minded to turn back.
|
|
But I pulled my pluck together and pushed on.
|
|
|
|
We passed the glacier safely and began to mount
|
|
the steeps beyond, with great alacrity. When we
|
|
were seven minutes out from the starting-point, we
|
|
reached an altitude where the scene took a new aspect;
|
|
an apparently limitless continent of gleaming snow was
|
|
tilted heavenward before our faces. As my eye followed
|
|
that awful acclivity far away up into the remote skies,
|
|
it seemed to me that all I had ever seen before of sublimity
|
|
and magnitude was small and insignificant compared to this.
|
|
|
|
We rested a moment, and then began to mount with speed.
|
|
Within three minutes we caught sight of the party ahead of us,
|
|
and stopped to observe them. They were toiling up a long,
|
|
slanting ridge of snow--twelve persons, roped together some
|
|
fifteen feet apart, marching in single file, and strongly
|
|
marked against the clear blue sky. One was a woman.
|
|
We could see them lift their feet and put them down;
|
|
we saw them swing their alpenstocks forward in unison,
|
|
like so many pendulums, and then bear their weight
|
|
upon them; we saw the lady wave her handkerchief.
|
|
They dragged themselves upward in a worn and weary way,
|
|
for they had been climbing steadily from the Grand Mulets,
|
|
on the Glacier des Dossons, since three in the morning,
|
|
and it was eleven, now. We saw them sink down in the
|
|
snow and rest, and drink something from a bottle.
|
|
After a while they moved on, and as they approached the final
|
|
short dash of the home-stretch we closed up on them and
|
|
joined them.
|
|
|
|
Presently we all stood together on the summit! What a view
|
|
was spread out below! Away off under the northwestern horizon
|
|
rolled the silent billows of the Farnese Oberland, their snowy
|
|
crests glinting softly in the subdued lights of distance;
|
|
in the north rose the giant form of the Wobblehorn,
|
|
draped from peak to shoulder in sable thunder-clouds;
|
|
beyond him, to the right, stretched the grand processional
|
|
summits of the Cisalpine Cordillera, drowned in a
|
|
sensuous haze; to the east loomed the colossal masses
|
|
of the Yodelhorn, the Fuddelhorn, and the Dinnerhorn,
|
|
their cloudless summits flashing white and cold in the sun;
|
|
beyond them shimmered the faint far line of the Ghauts
|
|
of Jubbelpore and the Aigulles des Alleghenies; in the
|
|
south towered the smoking peak of Popocatapetl and the
|
|
unapproachable altitudes of the peerless Scrabblehorn;
|
|
in the west-south the stately range of the Himalayas
|
|
lay dreaming in a purple gloom; and thence all around
|
|
the curving horizon the eye roved over a troubled sea
|
|
of sun-kissed Alps, and noted, here and there, the noble
|
|
proportions and the soaring domes of the Bottlehorn,
|
|
and the Saddlehorn, and the Shovelhorn, and the Powderhorn,
|
|
all bathed in the glory of noon and mottled with softly
|
|
gliding blots, the shadows flung from drifting clouds.
|
|
|
|
Overcome by the scene, we all raised a triumphant,
|
|
tremendous shout, in unison. A startled man at my elbow
|
|
said:
|
|
|
|
"Confound you, what do you yell like that for, right here
|
|
in the street?"
|
|
|
|
That brought me down to Chamonix, like a flirt.
|
|
I gave that man some spiritual advice and disposed of him,
|
|
and then paid the telescope man his full fee, and said
|
|
that we were charmed with the trip and would remain down,
|
|
and not reascend and require him to fetch us down by telescope.
|
|
This pleased him very much, for of course we could have
|
|
stepped back to the summit and put him to the trouble
|
|
of bringing us home if we wanted to.
|
|
|
|
I judged we could get diplomas, now, anyhow; so we
|
|
went after them, but the Chief Guide put us off,
|
|
with one pretext or another, during all the time we stayed
|
|
in Chamonix, and we ended by never getting them at all.
|
|
So much for his prejudice against people's nationality.
|
|
However, we worried him enough to make him remember
|
|
us and our ascent for some time. He even said, once,
|
|
that he wished there was a lunatic asylum in Chamonix.
|
|
This shows that he really had fears that we were going
|
|
to drive him mad. It was what we intended to do,
|
|
but lack of time defeated it.
|
|
|
|
I cannot venture to advise the reader one way or the other,
|
|
as to ascending Mont Blanc. I say only this: if he is at
|
|
all timid, the enjoyments of the trip will hardly make up
|
|
for the hardships and sufferings he will have to endure.
|
|
But, if he has good nerve, youth, health, and a bold,
|
|
firm will, and could leave his family comfortably provided
|
|
for in case the worst happened, he would find the ascent
|
|
a wonderful experience, and the view from the top a vision
|
|
to dream about, and tell about, and recall with exultation
|
|
all the days of his life.
|
|
|
|
While I do not advise such a person to attempt the ascent,
|
|
I do not advise him against it. But if he elects to attempt it,
|
|
let him be warily careful of two things: chose a calm,
|
|
clear day; and do not pay the telescope man in advance.
|
|
There are dark stories of his getting advance payers on
|
|
the summit and then leaving them there to rot.
|
|
|
|
A frightful tragedy was once witnessed through the
|
|
Chamonix telescopes. Think of questions and answers
|
|
like these, on an inquest:
|
|
|
|
CORONER. You saw deceased lose his life?
|
|
|
|
WITNESS. I did.
|
|
|
|
C. Where was he, at the time?
|
|
|
|
W. Close to the summit of Mont Blanc.
|
|
|
|
C. Where were you?
|
|
|
|
W. In the main street of Chamonix.
|
|
|
|
C. What was the distance between you?
|
|
|
|
W. A LITTLE OVER FIVE MILES, as the bird flies.
|
|
|
|
This accident occurred in 1866, a year and a month after the
|
|
disaster on the Matterhorn. Three adventurous English gentlemen,
|
|
[1] of great experience in mountain-climbing, made up their
|
|
minds to ascend Mont Blanc without guides or porters.
|
|
All endeavors to dissuade them from their project failed.
|
|
Powerful telescopes are numerous in Chamonix. These huge
|
|
brass tubes, mounted on their scaffoldings and pointed
|
|
skyward from every choice vantage-ground, have the
|
|
formidable look of artillery, and give the town the general
|
|
aspect of getting ready to repel a charge of angels.
|
|
The reader may easily believe that the telescopes
|
|
had plenty of custom on that August morning in 1866,
|
|
for everybody knew of the dangerous undertaking which was
|
|
on foot, and all had fears that misfortune would result.
|
|
All the morning the tubes remained directed toward the
|
|
mountain heights, each with its anxious group around it;
|
|
but the white deserts were vacant.
|
|
|
|
1. Sir George Young and his brothers James and Albert.
|
|
|
|
At last, toward eleven o'clock, the people who were
|
|
looking through the telescopes cried out "There they
|
|
are!"--and sure enough, far up, on the loftiest terraces
|
|
of the Grand Plateau, the three pygmies appeared,
|
|
climbing with remarkable vigor and spirit. They disappeared
|
|
in the "Corridor," and were lost to sight during an hour.
|
|
Then they reappeared, and were presently seen standing together
|
|
upon the extreme summit of Mont Blanc. So, all was well.
|
|
They remained a few minutes on that highest point of land
|
|
in Europe, a target for all the telescopes, and were then
|
|
seen to begin descent. Suddenly all three vanished.
|
|
An instant after, they appeared again, TWO THOUSAND FEET
|
|
BELOW!
|
|
|
|
Evidently, they had tripped and been shot down an almost
|
|
perpendicular slope of ice to a point where it joined
|
|
the border of the upper glacier. Naturally, the distant
|
|
witness supposed they were now looking upon three corpses;
|
|
so they could hardly believe their eyes when they presently saw
|
|
two of the men rise to their feet and bend over the third.
|
|
During two hours and a half they watched the two busying
|
|
themselves over the extended form of their brother,
|
|
who seemed entirely inert. Chamonix's affairs stood still;
|
|
everybody was in the street, all interest was centered
|
|
upon what was going on upon that lofty and isolated stage
|
|
five miles away. Finally the two--one of them walking
|
|
with great difficulty--were seen to begin descent,
|
|
abandoning the third, who was no doubt lifeless.
|
|
Their movements were followed, step by step, until they
|
|
reached the "Corridor" and disappeared behind its ridge.
|
|
Before they had had time to traverse the "Corridor"
|
|
and reappear, twilight was come, and the power of the
|
|
telescope was at an end.
|
|
|
|
The survivors had a most perilous journey before
|
|
them in the gathering darkness, for they must get
|
|
down to the Grands Mulets before they would find
|
|
a safe stopping-place--a long and tedious descent,
|
|
and perilous enough even in good daylight. The oldest
|
|
guides expressed the opinion that they could not succeed;
|
|
that all the chances were that they would lose their lives.
|
|
|
|
Yet those brave men did succeed. They reached the Grands
|
|
Mulets in safety. Even the fearful shock which their nerves
|
|
had sustained was not sufficient to overcome their coolness
|
|
and courage. It would appear from the official account
|
|
that they were threading their way down through those
|
|
dangers from the closing in of twilight until two o'clock
|
|
in the morning, or later, because the rescuing party from
|
|
Chamonix reached the Grand Mulets about three in the morning
|
|
and moved thence toward the scene of the disaster under
|
|
the leadership of Sir George Young, "who had only just arrived."
|
|
|
|
After having been on his feet twenty-four hours,
|
|
in the exhausting work of mountain-climbing, Sir George
|
|
began the reascent at the head of the relief party
|
|
of six guides, to recover the corpse of his brother.
|
|
This was considered a new imprudence, as the number
|
|
was too few for the service required. Another relief
|
|
party presently arrived at the cabin on the Grands
|
|
Mulets and quartered themselves there to await events.
|
|
Ten hours after Sir George's departure toward the summit,
|
|
this new relief were still scanning the snowy altitudes
|
|
above them from their own high perch among the ice
|
|
deserts ten thousand feet above the level of the sea,
|
|
but the whole forenoon had passed without a glimpse of any
|
|
living thing appearing up there.
|
|
|
|
This was alarming. Half a dozen of their number set out,
|
|
then early in the afternoon, to seek and succor Sir George
|
|
and his guides. The persons remaining at the cabin saw
|
|
these disappear, and then ensued another distressing wait.
|
|
Four hours passed, without tidings. Then at five
|
|
o'clock another relief, consisting of three guides,
|
|
set forward from the cabin. They carried food and
|
|
cordials for the refreshment of their predecessors;
|
|
they took lanterns with them, too; night was coming on,
|
|
and to make matters worse, a fine, cold rain had begun
|
|
to fall.
|
|
|
|
At the same hour that these three began their dangerous ascent,
|
|
the official Guide-in-Chief of the Mont Blanc region
|
|
undertook the dangerous descent to Chamonix, all alone,
|
|
to get reinforcements. However, a couple of hours later,
|
|
at 7 P.M., the anxious solicitude came to an end,
|
|
and happily. A bugle note was heard, and a cluster
|
|
of black specks was distinguishable against the snows
|
|
of the upper heights. The watchers counted these specks
|
|
eagerly--fourteen--nobody was missing. An hour and a half
|
|
later they were all safe under the roof of the cabin.
|
|
They had brought the corpse with them. Sir George Young
|
|
tarried there but a few minutes, and then began the long
|
|
and troublesome descent from the cabin to Chamonix.
|
|
He probably reached there about two or three o'clock
|
|
in the morning, after having been afoot among the rocks
|
|
and glaciers during two days and two nights. His endurance
|
|
was equal to his daring.
|
|
|
|
The cause of the unaccountable delay of Sir George and
|
|
the relief parties among the heights where the disaster
|
|
had happened was a thick fog--or, partly that and partly
|
|
the slow and difficult work of conveying the dead body
|
|
down the perilous steeps.
|
|
|
|
The corpse, upon being viewed at the inquest, showed
|
|
no bruises, and it was some time before the surgeons
|
|
discovered that the neck was broken. One of the surviving
|
|
brothers had sustained some unimportant injuries,
|
|
but the other had suffered no hurt at all. How these men
|
|
could fall two thousand feet, almost perpendicularly,
|
|
and live afterward, is a most strange and unaccountable thing.
|
|
|
|
A great many women have made the ascent of Mont Blanc.
|
|
An English girl, Miss Stratton, conceived the daring idea,
|
|
two or three years ago, of attempting the ascent in the
|
|
middle of winter. She tried it--and she succeeded.
|
|
Moreover, she froze two of her fingers on the way up,
|
|
she fell in love with her guide on the summit,
|
|
and she married him when she got to the bottom again.
|
|
There is nothing in romance, in the way of a striking
|
|
"situation," which can beat this love scene in midheaven
|
|
on an isolated ice-crest with the thermometer at zero
|
|
and an Artic gale blowing.
|
|
|
|
The first woman who ascended Mont Blanc was a girl aged
|
|
twenty-two--Mlle. Maria Paradis--1809. Nobody was
|
|
with her but her sweetheart, and he was not a guide.
|
|
The sex then took a rest for about thirty years,
|
|
when a Mlle. d'Angeville made the ascent --1838. In
|
|
Chamonix I picked up a rude old lithograph of that day
|
|
which pictured her "in the act."
|
|
|
|
However, I value it less as a work of art than as a
|
|
fashion-plate. Miss d'Angeville put on a pair of men's
|
|
pantaloons to climb it, which was wise; but she cramped
|
|
their utility by adding her petticoat, which was idiotic.
|
|
|
|
One of the mournfulest calamities which men's disposition
|
|
to climb dangerous mountains has resulted in,
|
|
happened on Mont Blanc in September 1870. M. D'Arve
|
|
tells the story briefly in his HISTOIRE DU MONT BLANC.
|
|
In the next chapter I will copy its chief features.
|
|
|
|
|
|
|
|
CHAPTER XLV
|
|
A Catastrophe Which Cost Eleven Lives
|
|
[Perished at the Verge of Safety]
|
|
|
|
On the 5th of September, 1870, a caravan of eleven persons
|
|
departed from Chamonix to make the ascent of Mont Blanc.
|
|
Three of the party were tourists; Messrs. Randall and Bean,
|
|
Americans, and Mr. George Corkindale, a Scotch gentleman;
|
|
there were three guides and five porters. The cabin
|
|
on the Grands Mulets was reached that day; the ascent
|
|
was resumed early the next morning, September 6th.
|
|
The day was fine and clear, and the movements of the party
|
|
were observed through the telescopes of Chamonix; at two
|
|
o'clock in the afternoon they were seen to reach the summit.
|
|
A few minutes later they were seen making the first steps
|
|
of the descent; then a cloud closed around them and hid
|
|
them from view.
|
|
|
|
Eight hours passed, the cloud still remained, night came,
|
|
no one had returned to the Grands Mulets. Sylvain Couttet,
|
|
keeper of the cabin there, suspected a misfortune,
|
|
and sent down to the valley for help. A detachment of
|
|
guides went up, but by the time they had made the tedious
|
|
trip and reached the cabin, a raging storm had set in.
|
|
They had to wait; nothing could be attempted in such
|
|
a tempest.
|
|
|
|
The wild storm lasted MORE THAN A WEEK, without ceasing;
|
|
but on the 17th, Couttet, with several guides, left the
|
|
cabin and succeeded in making the ascent. In the snowy
|
|
wastes near the summit they came upon five bodies,
|
|
lying upon their sides in a reposeful attitude which
|
|
suggested that possibly they had fallen asleep there,
|
|
while exhausted with fatigue and hunger and benumbed with cold,
|
|
and never knew when death stole upon them. Couttet moved
|
|
a few steps further and discovered five more bodies.
|
|
The eleventh corpse--that of a porter--was not found,
|
|
although diligent search was made for it.
|
|
|
|
In the pocket of Mr. Bean, one of the Americans, was found
|
|
a note-book in which had been penciled some sentences
|
|
which admit us, in flesh and spirit, as it were, to the
|
|
presence of these men during their last hours of life,
|
|
and to the grisly horrors which their fading vision looked
|
|
upon and their failing consciousness took cognizance of:
|
|
|
|
TUESDAY, SEPT. 6. I have made the ascent of Mont Blanc,
|
|
with ten persons--eight guides, and Mr. Corkindale
|
|
and Mr. Randall. We reached the summit at half past 2.
|
|
Immediately after quitting it, we were enveloped in clouds
|
|
of snow. We passed the night in a grotto hollowed
|
|
in the snow, which afforded us but poor shelter, and I
|
|
was ill all night.
|
|
|
|
SEPT. 7--MORNING. The cold is excessive. The snow falls
|
|
heavily and without interruption. The guides take no rest.
|
|
|
|
EVENING. My Dear Hessie, we have been two days on
|
|
Mont Blanc, in the midst of a terrible hurricane of snow,
|
|
we have lost our way, and are in a hole scooped in the snow,
|
|
at an altitude of 15,000 feet. I have no longer any hope
|
|
of descending.
|
|
|
|
They had wandered around, and around, in the blinding
|
|
snow-storm, hopelessly lost, in a space only a hundred
|
|
yards square; and when cold and fatigue vanquished them
|
|
at last, they scooped their cave and lay down there
|
|
to die by inches, UNAWARE THAT FIVE STEPS MORE WOULD HAVE
|
|
BROUGHT THEM INTO THE TRUTH PATH. They were so near
|
|
to life and safety as that, and did not suspect it.
|
|
The thought of this gives the sharpest pang that the tragic
|
|
story conveys.
|
|
|
|
The author of the HISTOIRE DU MONT BLANC introduced
|
|
the closing sentences of Mr. Bean's pathetic record thus:
|
|
|
|
"Here the characters are large and unsteady; the hand
|
|
which traces them is become chilled and torpid;
|
|
but the spirit survives, and the faith and resignation
|
|
of the dying man are expressed with a sublime simplicity."
|
|
|
|
Perhaps this note-book will be found and sent to you.
|
|
We have nothing to eat, my feet are already frozen,
|
|
and I am exhausted; I have strength to write only a few
|
|
words more. I have left means for C's education; I know
|
|
you will employ them wisely. I die with faith in God,
|
|
and with loving thoughts of you. Farewell to all.
|
|
We shall meet again, in Heaven. ... I think of
|
|
you always.
|
|
|
|
It is the way of the Alps to deliver death to their victims
|
|
with a merciful swiftness, but here the rule failed.
|
|
These men suffered the bitterest death that has been
|
|
recorded in the history of those mountains, freighted as
|
|
that history is with grisly tragedies.
|
|
|
|
|
|
|
|
CHAPTER XLVI
|
|
[Meeting a Hog on a Precipice]
|
|
|
|
Mr. Harris and I took some guides and porters and ascended
|
|
to the Ho^tel des Pyramides, which is perched on the
|
|
high moraine which borders the Glacier des Bossons.
|
|
The road led sharply uphill, all the way, through grass
|
|
and flowers and woods, and was a pleasant walk,
|
|
barring the fatigue of the climb.
|
|
|
|
From the hotel we could view the huge glacier at very
|
|
close range. After a rest we followed down a path
|
|
which had been made in the steep inner frontage
|
|
of the moraine, and stepped upon the glacier itself.
|
|
One of the shows of the place was a tunnel-like cavern,
|
|
which had been hewn in the glacier. The proprietor
|
|
of this tunnel took candles and conducted us into it.
|
|
It was three or four feet wide and about six feet high.
|
|
Its walls of pure and solid ice emitted a soft and rich
|
|
blue light that produced a lovely effect, and suggested
|
|
enchanted caves, and that sort of thing. When we had
|
|
proceeded some yards and were entering darkness, we turned
|
|
about and had a dainty sunlit picture of distant woods
|
|
and heights framed in the strong arch of the tunnel and seen
|
|
through the tender blue radiance of the tunnel's atmosphere.
|
|
|
|
The cavern was nearly a hundred yards long, and when we
|
|
reached its inner limit the proprietor stepped into a branch
|
|
tunnel with his candles and left us buried in the bowels
|
|
of the glacier, and in pitch-darkness. We judged his
|
|
purpose was murder and robbery; so we got out our matches
|
|
and prepared to sell our lives as dearly as possible
|
|
by setting the glacier on fire if the worst came to the
|
|
worst--but we soon perceived that this man had changed
|
|
his mind; he began to sing, in a deep, melodious voice,
|
|
and woke some curious and pleasing echoes. By and by he
|
|
came back and pretended that that was what he had gone
|
|
behind there for. We believed as much of that as we wanted to.
|
|
|
|
Thus our lives had been once more in imminent peril,
|
|
but by the exercise of the swift sagacity and cool courage
|
|
which had saved us so often, we had added another escape
|
|
to the long list. The tourist should visit that ice-cavern,
|
|
by all means, for it is well worth the trouble; but I would
|
|
advise him to go only with a strong and well-armed force.
|
|
I do not consider artillery necessary, yet it would not be
|
|
unadvisable to take it along, if convenient. The journey,
|
|
going and coming, is about three miles and a half, three of
|
|
which are on level ground. We made it in less than a day,
|
|
but I would counsel the unpracticed--if not pressed
|
|
for time--to allow themselves two. Nothing is gained
|
|
in the Alps by over-exertion; nothing is gained by crowding
|
|
two days' work into one for the poor sake of being able
|
|
to boast of the exploit afterward. It will be found
|
|
much better, in the long run, to do the thing in two days,
|
|
and then subtract one of them from the narrative.
|
|
This saves fatigue, and does not injure the narrative.
|
|
All the more thoughtful among the Alpine tourists
|
|
do this.
|
|
|
|
We now called upon the Guide-in-Chief, and asked for a squadron
|
|
of guides and porters for the ascent of the Montanvert.
|
|
This idiot glared at us, and said:
|
|
|
|
"You don't need guides and porters to go to the Montanvert."
|
|
|
|
"What do we need, then?"
|
|
|
|
"Such as YOU?--an ambulance!"
|
|
|
|
I was so stung by this brutal remark that I took
|
|
my custom elsewhere.
|
|
|
|
Betimes, next morning, we had reached an altitude of five
|
|
thousand feet above the level of the sea. Here we camped
|
|
and breakfasted. There was a cabin there--the spot is
|
|
called the Caillet--and a spring of ice-cold water.
|
|
On the door of the cabin was a sign, in French, to the effect
|
|
that "One may here see a living chamois for fifty centimes."
|
|
We did not invest; what we wanted was to see a dead one.
|
|
|
|
A little after noon we ended the ascent and arrived at the
|
|
new hotel on the Montanvert, and had a view of six miles,
|
|
right up the great glacier, the famous Mer de Glace.
|
|
At this point it is like a sea whose deep swales and long,
|
|
rolling swells have been caught in mid-movement and
|
|
frozen solid; but further up it is broken up into wildly
|
|
tossing billows of ice.
|
|
|
|
We descended a ticklish path in the steep side of the moraine,
|
|
and invaded the glacier. There were tourists of both
|
|
sexes scattered far and wide over it, everywhere, and it
|
|
had the festive look of a skating-rink.
|
|
|
|
The Empress Josephine came this far, once. She ascended
|
|
the Montanvert in 1810--but not alone; a small army
|
|
of men preceded her to clear the path--and carpet it,
|
|
perhaps--and she followed, under the protection
|
|
of SIXTY-EIGHT guides.
|
|
|
|
Her successor visited Chamonix later, but in far different style.
|
|
|
|
It was seven weeks after the first fall of the Empire,
|
|
and poor Marie Louise, ex-Empress was a fugitive.
|
|
She came at night, and in a storm, with only two attendants,
|
|
and stood before a peasant's hut, tired, bedraggled,
|
|
soaked with rain, "the red print of her lost crown still
|
|
girdling her brow, " and implored admittance--and was
|
|
refused! A few days before, the adulations and applauses
|
|
of a nation were sounding in her ears, and now she was come to
|
|
this!
|
|
|
|
We crossed the Mer de Glace in safety, but we had misgivings.
|
|
The crevices in the ice yawned deep and blue and mysterious,
|
|
and it made one nervous to traverse them. The huge
|
|
round waves of ice were slippery and difficult to climb,
|
|
and the chances of tripping and sliding down them and
|
|
darting into a crevice were too many to be comfortable.
|
|
|
|
In the bottom of a deep swale between two of the biggest
|
|
of the ice-waves, we found a fraud who pretended
|
|
to be cutting steps to insure the safety of tourists.
|
|
He was "soldiering" when we came upon him, but he hopped
|
|
up and chipped out a couple of steps about big enough
|
|
for a cat, and charged us a franc or two for it.
|
|
Then he sat down again, to doze till the next party
|
|
should come along. He had collected blackmail from two
|
|
or three hundred people already, that day, but had not
|
|
chipped out ice enough to impair the glacier perceptibly.
|
|
I have heard of a good many soft sinecures, but it seems
|
|
to me that keeping toll-bridge on a glacier is the softest
|
|
one I have encountered yet.
|
|
|
|
That was a blazing hot day, and it brought a persistent
|
|
and persecuting thirst with it. What an unspeakable luxury
|
|
it was to slake that thirst with the pure and limpid
|
|
ice-water of the glacier! Down the sides of every great rib
|
|
of pure ice poured limpid rills in gutters carved by their
|
|
own attrition; better still, wherever a rock had lain,
|
|
there was now a bowl-shaped hole, with smooth white sides
|
|
and bottom of ice, and this bowl was brimming with water
|
|
of such absolute clearness that the careless observer would
|
|
not see it at all, but would think the bowl was empty.
|
|
These fountains had such an alluring look that I often
|
|
stretched myself out when I was not thirsty and dipped my
|
|
face in and drank till my teeth ached. Everywhere among
|
|
the Swiss mountains we had at hand the blessing--not
|
|
to be found in Europe EXCEPT in the mountains--of water
|
|
capable of quenching thirst. Everywhere in the Swiss
|
|
highlands brilliant little rills of exquisitely cold water
|
|
went dancing along by the roadsides, and my comrade and I
|
|
were always drinking and always delivering our deep gratitude.
|
|
|
|
But in Europe everywhere except in the mountains, the water
|
|
is flat and insipid beyond the power of words to describe.
|
|
It is served lukewarm; but no matter, ice could not help it;
|
|
it is incurably flat, incurably insipid. It is only good
|
|
to wash with; I wonder it doesn't occur to the average
|
|
inhabitant to try it for that. In Europe the people
|
|
say contemptuously, "Nobody drinks water here." Indeed,
|
|
they have a sound and sufficient reason. In many places
|
|
they even have what may be called prohibitory reasons.
|
|
In Paris and Munich, for instance, they say, "Don't drink
|
|
the water, it is simply poison."
|
|
|
|
Either America is healthier than Europe, notwithstanding her
|
|
"deadly" indulgence in ice-water, or she does not keep
|
|
the run of her death-rate as sharply as Europe does.
|
|
I think we do keep up the death statistics accurately;
|
|
and if we do, our cities are healthier than the cities
|
|
of Europe. Every month the German government tabulates
|
|
the death-rate of the world and publishes it. I scrap-booked
|
|
these reports during several months, and it was curious
|
|
to see how regular and persistently each city repeated
|
|
its same death-rate month after month. The tables might
|
|
as well have been stereotyped, they varied so little.
|
|
These tables were based upon weekly reports showing the
|
|
average of deaths in each 1,000 population for a year.
|
|
Munich was always present with her 33 deaths in each
|
|
1,000 of her population (yearly average), Chicago was
|
|
as constant with her 15 or 17, Dublin with her 48--and
|
|
so on.
|
|
|
|
Only a few American cities appear in these tables, but they
|
|
are scattered so widely over the country that they furnish
|
|
a good general average of CITY health in the United States;
|
|
and I think it will be granted that our towns and villages
|
|
are healthier than our cities.
|
|
|
|
Here is the average of the only American cities reported
|
|
in the German tables:
|
|
|
|
Chicago, deaths in 1,000 population annually,
|
|
16; Philadelphia, 18; St. Louis, 18; San Francisco,
|
|
19; New York (the Dublin of America), 23.
|
|
|
|
See how the figures jump up, as soon as one arrives
|
|
at the transatlantic list:
|
|
|
|
Paris, 27; Glasgow, 27; London, 28; Vienna, 28;
|
|
Augsburg, 28; Braunschweig, 28; K:onigsberg, 29;
|
|
Cologne, 29; Dresden, 29; Hamburg, 29; Berlin, 30;
|
|
Bombay, 30; Warsaw, 31; Breslau, 31; Odessa, 32;
|
|
Munich, 33; Strasburg, 33, Pesth, 35; Cassel, 35;
|
|
Lisbon, 36; Liverpool, 36; Prague, 37; Madras, 37;
|
|
Bucharest, 39; St. Petersburg, 40; Trieste, 40;
|
|
Alexandria (Egypt), 43; Dublin, 48; Calcutta, 55.
|
|
|
|
Edinburgh is as healthy as New York--23; but there
|
|
is no CITY in the entire list which is healthier,
|
|
except Frankfort-on-the-Main--20. But Frankfort is not
|
|
as healthy as Chicago, San Francisco, St. Louis, or Philadelphia.
|
|
|
|
|
|
Perhaps a strict average of the world might develop the fact
|
|
that where one in 1,000 of America's population dies,
|
|
two in 1,000 of the other populations of the earth succumb.
|
|
|
|
I do not like to make insinuations, but I do think
|
|
the above statistics darkly suggest that these people
|
|
over here drink this detestable water "on the sly."
|
|
|
|
We climbed the moraine on the opposite side of the glacier,
|
|
and then crept along its sharp ridge a hundred yards or so,
|
|
in pretty constant danger of a tumble to the glacier below.
|
|
The fall would have been only one hundred feet, but it
|
|
would have closed me out as effectually as one thousand,
|
|
therefore I respected the distance accordingly, and was
|
|
glad when the trip was done. A moraine is an ugly thing
|
|
to assault head-first. At a distance it looks like an endless
|
|
grave of fine sand, accurately shaped and nicely smoothed;
|
|
but close by, it is found to be made mainly of rough
|
|
boulders of all sizes, from that of a man's head to that of
|
|
a cottage.
|
|
|
|
By and by we came to the Mauvais Pas, or the Villainous Road,
|
|
to translate it feelingly. It was a breakneck path
|
|
around the face of a precipice forth or fifty feet high,
|
|
and nothing to hang on to but some iron railings.
|
|
I got along, slowly, safely, and uncomfortably, and finally
|
|
reached the middle. My hopes began to rise a little,
|
|
but they were quickly blighted; for there I met a hog--a
|
|
long-nosed, bristly fellow, that held up his snout
|
|
and worked his nostrils at me inquiringly. A hog on
|
|
a pleasure excursion in Switzerland--think of it! It is
|
|
striking and unusual; a body might write a poem about it.
|
|
He could not retreat, if he had been disposed to do it.
|
|
It would have been foolish to stand upon our dignity
|
|
in a place where there was hardly room to stand upon
|
|
our feet, so we did nothing of the sort. There were
|
|
twenty or thirty ladies and gentlemen behind us; we all
|
|
turned about and went back, and the hog followed behind.
|
|
The creature did not seem set up by what he had done;
|
|
he had probably done it before.
|
|
|
|
We reached the restaurant on the height called the Chapeau
|
|
at four in the afternoon. It was a memento-factory, and
|
|
the stock was large, cheap, and varied. I bought the usual
|
|
paper-cutter to remember the place by, and had Mont Blanc,
|
|
the Mauvais Pas, and the rest of the region branded on
|
|
my alpenstock; then we descended to the valley and walked
|
|
home without being tied together. This was not dangerous,
|
|
for the valley was five miles wide, and quite level.
|
|
|
|
We reached the hotel before nine o'clock. Next
|
|
morning we left for Geneva on top of the diligence,
|
|
under shelter of a gay awning. If I remember rightly,
|
|
there were more than twenty people up there.
|
|
It was so high that the ascent was made by ladder.
|
|
The huge vehicle was full everywhere, inside and out.
|
|
Five other diligences left at the same time, all full.
|
|
We had engaged our seats two days beforehand, to make sure,
|
|
and paid the regulation price, five dollars each; but the
|
|
rest of the company were wiser; they had trusted Baedeker,
|
|
and waited; consequently some of them got their seats
|
|
for one or two dollars. Baedeker knows all about hotels,
|
|
railway and diligence companies, and speaks his mind freely.
|
|
He is a trustworthy friend of the traveler.
|
|
|
|
We never saw Mont Blanc at his best until we were many
|
|
miles away; then he lifted his majestic proportions
|
|
high into the heavens, all white and cold and solemn,
|
|
and made the rest of the world seem little and plebeian,
|
|
and cheap and trivial.
|
|
|
|
As he passed out of sight at last, an old Englishman
|
|
settled himself in his seat and said:
|
|
|
|
"Well, I am satisfied, I have seen the principal features
|
|
of Swiss scenery--Mont Blanc and the goiter--now for home!"
|
|
|
|
|
|
|
|
CHAPTER XLVII
|
|
[Queer European Manners]
|
|
|
|
We spent a few pleasant restful days at Geneva,
|
|
that delightful city where accurate time-pieces are made
|
|
for all the rest of the world, but whose own clocks
|
|
never give the correct time of day by any accident.
|
|
|
|
Geneva is filled with pretty shops, and the shops are
|
|
filled with the most enticing gimacrackery, but if one
|
|
enters one of these places he is at once pounced upon,
|
|
and followed up, and so persecuted to buy this, that,
|
|
and the other thing, that he is very grateful to get
|
|
out again, and is not at all apt to repeat his experiment.
|
|
The shopkeepers of the smaller sort, in Geneva,
|
|
are as troublesome and persistent as are the salesmen
|
|
of that monster hive in Paris, the Grands Magasins du
|
|
Louvre--an establishment where ill-mannered pestering,
|
|
pursuing, and insistence have been reduced to a science.
|
|
|
|
In Geneva, prices in the smaller shops are very elastic--
|
|
that is another bad feature. I was looking in at a window
|
|
at a very pretty string of beads, suitable for a child.
|
|
I was only admiring them; I had no use for them; I hardly
|
|
ever wear beads. The shopwoman came out and offered
|
|
them to me for thirty-five francs. I said it was cheap,
|
|
but I did not need them.
|
|
|
|
"Ah, but monsieur, they are so beautiful!"
|
|
|
|
I confessed it, but said they were not suitable for one
|
|
of my age and simplicity of character. She darted in and
|
|
brought them out and tried to force them into my hands,
|
|
saying:
|
|
|
|
"Ah, but only see how lovely they are! Surely monsieur will
|
|
take them; monsieur shall have them for thirty francs.
|
|
There, I have said it--it is a loss, but one must live."
|
|
|
|
I dropped my hands, and tried to move her to respect
|
|
my unprotected situation. But no, she dangled the beads
|
|
in the sun before my face, exclaiming, "Ah, monsieur
|
|
CANNOT resist them!" She hung them on my coat button,
|
|
folded her hand resignedly, and said: "Gone,--and for
|
|
thirty francs, the lovely things--it is incredible!--but
|
|
the good God will sanctify the sacrifice to me."
|
|
|
|
I removed them gently, returned them, and walked away,
|
|
shaking my head and smiling a smile of silly embarrassment
|
|
while the passers-by halted to observe. The woman leaned
|
|
out of her door, shook the beads, and screamed after me:
|
|
|
|
"Monsieur shall have them for twenty-eight!"
|
|
|
|
I shook my head.
|
|
|
|
"Twenty-seven! It is a cruel loss, it is ruin--
|
|
but take them, only take them."
|
|
|
|
I still retreated, still wagging my head.
|
|
|
|
"MON DIEU, they shall even go for twenty-six! There,
|
|
I have said it. Come!"
|
|
|
|
I wagged another negative. A nurse and a little English girl
|
|
had been near me, and were following me, now. The shopwoman
|
|
ran to the nurse, thrust the beads into her hands, and said:
|
|
|
|
"Monsieur shall have them for twenty-five! Take them
|
|
to the hotel--he shall send me the money tomorrow--
|
|
next day--when he likes." Then to the child: "When thy
|
|
father sends me the money, come thou also, my angel,
|
|
and thou shall have something oh so pretty!"
|
|
|
|
I was thus providentially saved. The nurse refused
|
|
the beads squarely and firmly, and that ended the matter.
|
|
|
|
The "sights" of Geneva are not numerous. I made one
|
|
attempt to hunt up the houses once inhabited by those
|
|
two disagreeable people, Rousseau and Calvin, but I had
|
|
no success. Then I concluded to go home. I found it was
|
|
easier to propose to do that than to do it; for that town
|
|
is a bewildering place. I got lost in a tangle of narrow
|
|
and crooked streets, and stayed lost for an hour or two.
|
|
Finally I found a street which looked somewhat familiar,
|
|
and said to myself, "Now I am at home, I judge." But I
|
|
was wrong; this was "HELL street." Presently I found
|
|
another place which had a familiar look, and said to myself,
|
|
"Now I am at home, sure." It was another error. This was
|
|
"PURGATORY street." After a little I said, "NOW I've got the
|
|
right place, anyway ... no, this is 'PARADISE street';
|
|
I'm further from home than I was in the beginning."
|
|
Those were queer names--Calvin was the author of them,
|
|
likely. "Hell" and "Purgatory" fitted those two streets
|
|
like a glove, but the "Paradise" appeared to be sarcastic.
|
|
|
|
I came out on the lake-front, at last, and then I knew
|
|
where I was. I was walking along before the glittering
|
|
jewelry shops when I saw a curious performance.
|
|
A lady passed by, and a trim dandy lounged across the walk
|
|
in such an apparently carefully timed way as to bring
|
|
himself exactly in front of her when she got to him;
|
|
he made no offer to step out of the way; he did not apologize;
|
|
he did not even notice her. She had to stop still and let
|
|
him lounge by. I wondered if he had done that piece
|
|
of brutality purposely. He strolled to a chair and seated
|
|
himself at a small table; two or three other males were
|
|
sitting at similar tables sipping sweetened water.
|
|
I waited; presently a youth came by, and this fellow got
|
|
up and served him the same trick. Still, it did not seem
|
|
possible that any one could do such a thing deliberately.
|
|
To satisfy my curiosity I went around the block, and,
|
|
sure enough, as I approached, at a good round speed, he got
|
|
up and lounged lazily across my path, fouling my course
|
|
exactly at the right moment to receive all my weight.
|
|
This proved that his previous performances had not
|
|
been accidental, but intentional.
|
|
|
|
I saw that dandy's curious game played afterward, in Paris,
|
|
but not for amusement; not with a motive of any sort, indeed,
|
|
but simply from a selfish indifference to other people's
|
|
comfort and rights. One does not see it as frequently
|
|
in Paris as he might expect to, for there the law says,
|
|
in effect, "It is the business of the weak to get out of
|
|
the way of the strong." We fine a cabman if he runs over
|
|
a citizen; Paris fines the citizen for being run over.
|
|
At least so everybody says--but I saw something which
|
|
caused me to doubt; I saw a horseman run over an old woman
|
|
one day--the police arrested him and took him away.
|
|
That looked as if they meant to punish him.
|
|
|
|
It will not do for me to find merit in American manners--
|
|
for are they not the standing butt for the jests
|
|
of critical and polished Europe? Still, I must venture
|
|
to claim one little matter of superiority in our manners;
|
|
a lady may traverse our streets all day, going and coming
|
|
as she chooses, and she will never be molested by any man;
|
|
but if a lady, unattended, walks abroad in the streets
|
|
of London, even at noonday, she will be pretty likely
|
|
to be accosted and insulted--and not by drunken sailors,
|
|
but by men who carry the look and wear the dress of gentlemen.
|
|
It is maintained that these people are not gentlemen,
|
|
but are a lower sort, disguised as gentlemen. The case
|
|
of Colonel Valentine Baker obstructs that argument,
|
|
for a man cannot become an officer in the British army
|
|
except he hold the rank of gentleman. This person,
|
|
finding himself alone in a railway compartment with
|
|
an unprotected girl--but it is an atrocious story,
|
|
and doubtless the reader remembers it well enough.
|
|
London must have been more or less accustomed to Bakers,
|
|
and the ways of Bakers, else London would have been
|
|
offended and excited. Baker was "imprisoned"--in a parlor;
|
|
and he could not have been more visited, or more overwhelmed
|
|
with attentions, if he had committed six murders and then--
|
|
while the gallows was preparing--"got religion"--after
|
|
the manner of the holy Charles Peace, of saintly memory.
|
|
Arkansaw--it seems a little indelicate to be trumpeting forth
|
|
our own superiorities, and comparisons are always odious,
|
|
but still--Arkansaw would certainly have hanged Baker.
|
|
I do not say she would have tried him first, but she would have
|
|
hanged him, anyway.
|
|
|
|
Even the most degraded woman can walk our streets unmolested,
|
|
her sex and her weakness being her sufficient protection.
|
|
She will encounter less polish than she would in the
|
|
old world, but she will run across enough humanity to make
|
|
up for it.
|
|
|
|
The music of a donkey awoke us early in the morning,
|
|
and we rose up and made ready for a pretty formidable
|
|
walk--to Italy; but the road was so level that we took
|
|
the train.. We lost a good deal of time by this, but it
|
|
was no matter, we were not in a hurry. We were four
|
|
hours going to Chamb`ery. The Swiss trains go upward
|
|
of three miles an hour, in places, but they are quite safe.
|
|
|
|
That aged French town of Chamb`ery was as quaint and crooked
|
|
as Heilbronn. A drowsy reposeful quiet reigned in the back
|
|
streets which made strolling through them very pleasant,
|
|
barring the almost unbearable heat of the sun.
|
|
In one of these streets, which was eight feet wide,
|
|
gracefully curved, and built up with small antiquated houses,
|
|
I saw three fat hogs lying asleep, and a boy (also asleep)
|
|
taking care of them. From queer old-fashioned windows
|
|
along the curve projected boxes of bright flowers, and over
|
|
the edge of one of these boxes hung the head and shoulders
|
|
of a cat--asleep. The five sleeping creatures were the
|
|
only living things visible in that street. There was not
|
|
a sound; absolute stillness prevailed. It was Sunday;
|
|
one is not used to such dreamy Sundays on the continent.
|
|
In our part of the town it was different that night.
|
|
A regiment of brown and battered soldiers had arrived home
|
|
from Algiers, and I judged they got thirsty on the way.
|
|
They sang and drank till dawn, in the pleasant open air.
|
|
|
|
We left for Turin at ten the next morning by a railway which
|
|
was profusely decorated with tunnels. We forgot to take
|
|
a lantern along, consequently we missed all the scenery.
|
|
Our compartment was full. A ponderous tow-headed Swiss woman,
|
|
who put on many fine-lady airs, but was evidently more
|
|
used to washing linen than wearing it, sat in a corner
|
|
seat and put her legs across into the opposite one,
|
|
propping them intermediately with her up-ended valise.
|
|
In the seat thus pirated, sat two Americans, greatly incommoded
|
|
by that woman's majestic coffin-clad feet. One of them
|
|
begged, politely, to remove them. She opened her wide eyes
|
|
and gave him a stare, but answered nothing. By and by he
|
|
preferred his request again, with great respectfulness.
|
|
She said, in good English, and in a deeply offended tone,
|
|
that she had paid her passage and was not going to be
|
|
bullied out of her "rights" by ill-bred foreigners,
|
|
even if she was alone and unprotected.
|
|
|
|
"But I have rights, also, madam. My ticket entitles me
|
|
to a seat, but you are occupying half of it."
|
|
|
|
"I will not talk with you, sir. What right have you
|
|
to speak to me? I do not know you. One would know
|
|
you came from a land where there are no gentlemen.
|
|
No GENTLEMAN would treat a lady as you have treated me."
|
|
|
|
"I come from a region where a lady would hardly give me
|
|
the same provocation."
|
|
|
|
"You have insulted me, sir! You have intimated that I am
|
|
not a lady--and I hope I am NOT one, after the pattern
|
|
of your country."
|
|
|
|
"I beg that you will give yourself no alarm on that head,
|
|
madam; but at the same time I must insist--always
|
|
respectfully--that you let me have my seat."
|
|
|
|
Here the fragile laundress burst into tears and sobs.
|
|
|
|
"I never was so insulted before! Never, never! It
|
|
is shameful, it is brutal, it is base, to bully and abuse
|
|
an unprotected lady who has lost the use of her limbs
|
|
and cannot put her feet to the floor without agony!"
|
|
|
|
"Good heavens, madam, why didn't you say that at first! I
|
|
offer a thousand pardons. And I offer them most sincerely.
|
|
I did not know--I COULD not know--anything was the matter.
|
|
You are most welcome to the seat, and would have been
|
|
from the first if I had only known. I am truly sorry it
|
|
all happened, I do assure you."
|
|
|
|
But he couldn't get a word of forgiveness out of her.
|
|
She simply sobbed and sniffed in a subdued but wholly
|
|
unappeasable way for two long hours, meantime crowding
|
|
the man more than ever with her undertaker-furniture
|
|
and paying no sort of attention to his frequent and
|
|
humble little efforts to do something for her comfort.
|
|
Then the train halted at the Italian line and she hopped
|
|
up and marched out of the car with as firm a leg as any
|
|
washerwoman of all her tribe! And how sick I was, to see
|
|
how she had fooled me.
|
|
|
|
Turin is a very fine city. In the matter of roominess
|
|
it transcends anything that was ever dreamed of before,
|
|
I fancy. It sits in the midst of a vast dead-level, and one
|
|
is obliged to imagine that land may be had for the asking,
|
|
and no taxes to pay, so lavishly do they use it.
|
|
The streets are extravagantly wide, the paved squares
|
|
are prodigious, the houses are huge and handsome,
|
|
and compacted into uniform blocks that stretch away as
|
|
straight as an arrow, into the distance. The sidewalks
|
|
are about as wide as ordinary European STREETS, and are
|
|
covered over with a double arcade supported on great stone
|
|
piers or columns. One walks from one end to the other
|
|
of these spacious streets, under shelter all the time,
|
|
and all his course is lined with the prettiest of shops
|
|
and the most inviting dining-houses.
|
|
|
|
There is a wide and lengthy court, glittering with the
|
|
most wickedly enticing shops, which is roofed with glass,
|
|
high aloft overhead, and paved with soft-toned marbles
|
|
laid in graceful figures; and at night when the place
|
|
is brilliant with gas and populous with a sauntering
|
|
and chatting and laughing multitude of pleasure-seekers,
|
|
it is a spectacle worth seeing.
|
|
|
|
Everything is on a large scale; the public buildings,
|
|
for instance--and they are architecturally imposing,
|
|
too, as well as large. The big squares have big bronze
|
|
monuments in them. At the hotel they gave us rooms
|
|
that were alarming, for size, and parlor to match.
|
|
It was well the weather required no fire in the parlor,
|
|
for I think one might as well have tried to warm a park.
|
|
The place would have a warm look, though, in any weather,
|
|
for the window-curtains were of red silk damask,
|
|
and the walls were covered with the same fire-hued
|
|
goods--so, also, were the four sofas and the brigade
|
|
of chairs. The furniture, the ornaments, the chandeliers,
|
|
the carpets, were all new and bright and costly.
|
|
We did not need a parlor at all, but they said it belonged
|
|
to the two bedrooms and we might use it if we chose.
|
|
Since it was to cost nothing, we were not averse to using it,
|
|
of course.
|
|
|
|
Turin must surely read a good deal, for it has more
|
|
book-stores to the square rod than any other town I
|
|
know of. And it has its own share of military folk.
|
|
The Italian officers' uniforms are very much the most
|
|
beautiful I have ever seen; and, as a general thing,
|
|
the men in them were as handsome as the clothes. They were
|
|
not large men, but they had fine forms, fine features,
|
|
rich olive complexions, and lustrous black eyes.
|
|
|
|
For several weeks I had been culling all the information
|
|
I could about Italy, from tourists. The tourists were
|
|
all agreed upon one thing--one must expect to be cheated
|
|
at every turn by the Italians. I took an evening walk
|
|
in Turin, and presently came across a little Punch and Judy
|
|
show in one of the great squares. Twelve or fifteen
|
|
people constituted the audience. This miniature theater
|
|
was not much bigger than a man's coffin stood on end;
|
|
the upper part was open and displayed a tinseled
|
|
parlor--a good-sized handkerchief would have answered
|
|
for a drop-curtain; the footlights consisted of a couple
|
|
of candle-ends an inch long; various manikins the size
|
|
of dolls appeared on the stage and made long speeches at
|
|
each other, gesticulating a good deal, and they generally
|
|
had a fight before they got through. They were worked
|
|
by strings from above, and the illusion was not perfect,
|
|
for one saw not only the strings but the brawny hand
|
|
that manipulated them--and the actors and actresses all
|
|
talked in the same voice, too. The audience stood in front
|
|
of the theater, and seemed to enjoy the performance heartily.
|
|
|
|
When the play was done, a youth in his shirt-sleeves started
|
|
around with a small copper saucer to make a collection.
|
|
I did not know how much to put in, but thought I would
|
|
be guided by my predecessors. Unluckily, I only had two
|
|
of these, and they did not help me much because they
|
|
did not put in anything. I had no Italian money,
|
|
so I put in a small Swiss coin worth about ten cents.
|
|
The youth finished his collection trip and emptied
|
|
the result on the stage; he had some very animated talk
|
|
with the concealed manager, then he came working his
|
|
way through the little crowd--seeking me, I thought.
|
|
I had a mind to slip away, but concluded I wouldn't;
|
|
I would stand my ground, and confront the villainy,
|
|
whatever it was. The youth stood before me and held
|
|
up that Swiss coin, sure enough, and said something.
|
|
I did not understand him, but I judged he was requiring
|
|
Italian money of me. The crowd gathered close,
|
|
to listen. I was irritated, and said--in English,
|
|
of course:
|
|
|
|
"I know it's Swiss, but you'll take that or none.
|
|
I haven't any other."
|
|
|
|
He tried to put the coin in my hand, and spoke again.
|
|
I drew my hand away, and said:
|
|
|
|
"NO, sir. I know all about you people. You can't play
|
|
any of your fraudful tricks on me. If there is a discount
|
|
on that coin, I am sorry, but I am not going to make
|
|
it good. I noticed that some of the audience didn't pay
|
|
you anything at all. You let them go, without a word,
|
|
but you come after me because you think I'm a stranger
|
|
and will put up with an extortion rather than have a scene.
|
|
But you are mistaken this time--you'll take that Swiss
|
|
money or none."
|
|
|
|
The youth stood there with the coin in his fingers,
|
|
nonplused and bewildered; of course he had not understood
|
|
a word. An English-speaking Italian spoke up, now, and said:
|
|
|
|
"You are misunderstanding the boy. He does not mean any harm.
|
|
He did not suppose you gave him so much money purposely,
|
|
so he hurried back to return you the coin lest you
|
|
might get away before you discovered your mistake.
|
|
Take it, and give him a penny--that will make everything
|
|
smooth again."
|
|
|
|
I probably blushed, then, for there was occasion.
|
|
Through the interpreter I begged the boy's pardon,
|
|
but I nobly refused to take back the ten cents. I said
|
|
I was accustomed to squandering large sums in that way--
|
|
it was the kind of person I was. Then I retired to make
|
|
a note to the effect that in Italy persons connected
|
|
with the drama do not cheat.
|
|
|
|
The episode with the showman reminds me of a dark chapter
|
|
in my history. I once robbed an aged and blind beggar-woman
|
|
of four dollars--in a church. It happened this way.
|
|
When I was out with the Innocents Abroad, the ship
|
|
stopped in the Russian port of Odessa and I went ashore,
|
|
with others, to view the town. I got separated from the rest,
|
|
and wandered about alone, until late in the afternoon,
|
|
when I entered a Greek church to see what it was like.
|
|
When I was ready to leave, I observed two wrinkled old
|
|
women standing stiffly upright against the inner wall,
|
|
near the door, with their brown palms open to receive alms.
|
|
I contributed to the nearer one, and passed out.
|
|
I had gone fifty yards, perhaps, when it occurred to me
|
|
that I must remain ashore all night, as I had heard
|
|
that the ship's business would carry her away at four
|
|
o'clock and keep her away until morning. It was a little
|
|
after four now. I had come ashore with only two pieces
|
|
of money, both about the same size, but differing largely
|
|
in value--one was a French gold piece worth four dollars,
|
|
the other a Turkish coin worth two cents and a half.
|
|
With a sudden and horrified misgiving, I put my hand in
|
|
my pocket, now, and sure enough, I fetched out that Turkish
|
|
penny!
|
|
|
|
Here was a situation. A hotel would require pay in
|
|
advance --I must walk the street all night, and perhaps
|
|
be arrested as a suspicious character. There was but one
|
|
way out of the difficulty--I flew back to the church,
|
|
and softly entered. There stood the old woman yet,
|
|
and in the palm of the nearest one still lay my gold piece.
|
|
I was grateful. I crept close, feeling unspeakably mean;
|
|
I got my Turkish penny ready, and was extending a trembling
|
|
hand to make the nefarious exchange, when I heard a cough
|
|
behind me. I jumped back as if I had been accused,
|
|
and stood quaking while a worshiper entered and passed up
|
|
the aisle.
|
|
|
|
I was there a year trying to steal that money; that is,
|
|
it seemed a year, though, of course, it must have been
|
|
much less. The worshipers went and came; there were hardly
|
|
ever three in the church at once, but there was always one
|
|
or more. Every time I tried to commit my crime somebody
|
|
came in or somebody started out, and I was prevented;
|
|
but at last my opportunity came; for one moment there
|
|
was nobody in the church but the two beggar-women and me.
|
|
I whipped the gold piece out of the poor old pauper's palm
|
|
and dropped my Turkish penny in its place. Poor old thing,
|
|
she murmured her thanks--they smote me to the heart.
|
|
Then I sped away in a guilty hurry, and even when I was a mile
|
|
from the church I was still glancing back, every moment,
|
|
to see if I was being pursued.
|
|
|
|
That experience has been of priceless value and benefit
|
|
to me; for I resolved then, that as long as I lived I
|
|
would never again rob a blind beggar-woman in a church;
|
|
and I have always kept my word. The most permanent lessons
|
|
in morals are those which come, not of booky teaching,
|
|
but of experience.
|
|
|
|
|
|
|
|
CHAPTER XLVIII
|
|
[Beauty of Women--and of Old Masters]
|
|
|
|
In Milan we spent most of our time in the vast and
|
|
beautiful Arcade or Gallery, or whatever it is called.
|
|
Blocks of tall new buildings of the most sumptuous sort,
|
|
rich with decoration and graced with statues, the streets
|
|
between these blocks roofed over with glass at a great height,
|
|
the pavements all of smooth and variegated marble,
|
|
arranged in tasteful patterns--little tables all over these
|
|
marble streets, people sitting at them, eating, drinking,
|
|
or smoking--crowds of other people strolling by--such
|
|
is the Arcade. I should like to live in it all the time.
|
|
The windows of the sumptuous restaurants stand open,
|
|
and one breakfasts there and enjoys the passing show.
|
|
|
|
We wandered all over the town, enjoying whatever was going
|
|
on in the streets. We took one omnibus ride, and as I
|
|
did not speak Italian and could not ask the price, I held
|
|
out some copper coins to the conductor, and he took two.
|
|
Then he went and got his tariff card and showed me that he
|
|
had taken only the right sum. So I made a note--Italian
|
|
omnibus conductors do not cheat.
|
|
|
|
Near the Cathedral I saw another instance of probity.
|
|
An old man was peddling dolls and toy fans. Two small
|
|
American children and one gave the old man a franc
|
|
and three copper coins, and both started away; but they
|
|
were called back, and the franc and one of the coppers
|
|
were restored to them. Hence it is plain that in Italy,
|
|
parties connected with the drama and the omnibus and the toy
|
|
interests do not cheat.
|
|
|
|
The stocks of goods in the shops were not extensive, generally.
|
|
In the vestibule of what seemed to be a clothing store,
|
|
we saw eight or ten wooden dummies grouped together,
|
|
clothed in woolen business suits and each marked with its price.
|
|
One suit was marked forty-five francs--nine dollars.
|
|
Harris stepped in and said he wanted a suit like that.
|
|
Nothing easier: the old merchant dragged in the dummy,
|
|
brushed him off with a broom, stripped him, and shipped
|
|
the clothes to the hotel. He said he did not keep two
|
|
suits of the same kind in stock, but manufactured a second
|
|
when it was needed to reclothe the dummy.
|
|
|
|
In another quarter we found six Italians engaged
|
|
in a violent quarrel. They danced fiercely about,
|
|
gesticulating with their heads, their arms, their legs,
|
|
their whole bodies; they would rush forward occasionally
|
|
with a sudden access of passion and shake their fists
|
|
in each other's very faces. We lost half an hour there,
|
|
waiting to help cord up the dead, but they finally embraced
|
|
each other affectionately, and the trouble was over.
|
|
The episode was interesting, but we could not have afforded
|
|
all the time to it if we had known nothing was going
|
|
to come of it but a reconciliation. Note made--in Italy,
|
|
people who quarrel cheat the spectator.
|
|
|
|
We had another disappointment afterward. We approached
|
|
a deeply interested crowd, and in the midst of it
|
|
found a fellow wildly chattering and gesticulating
|
|
over a box on the ground which was covered with a piece
|
|
of old blanket. Every little while he would bend down
|
|
and take hold of the edge of the blanket with the extreme
|
|
tips of his fingertips, as if to show there was no
|
|
deception--chattering away all the while--but always,
|
|
just as I was expecting to see a wonder feat of legerdemain,
|
|
he would let go the blanket and rise to explain further.
|
|
However, at last he uncovered the box and got out a spoon
|
|
with a liquid in it, and held it fair and frankly around,
|
|
for people to see that it was all right and he was taking
|
|
no advantage--his chatter became more excited than ever.
|
|
I supposed he was going to set fire to the liquid and
|
|
swallow it, so I was greatly wrought up and interested.
|
|
I got a cent ready in one hand and a florin in the other,
|
|
intending to give him the former if he survived and the
|
|
latter if he killed himself--for his loss would be my gain
|
|
in a literary way, and I was willing to pay a fair price
|
|
for the item --but this impostor ended his intensely
|
|
moving performance by simply adding some powder to the
|
|
liquid and polishing the spoon! Then he held it aloft,
|
|
and he could not have shown a wilder exultation if he
|
|
had achieved an immortal miracle. The crowd applauded
|
|
in a gratified way, and it seemed to me that history
|
|
speaks the truth when it says these children of the south
|
|
are easily entertained.
|
|
|
|
We spent an impressive hour in the noble cathedral, where long
|
|
shafts of tinted light were cleaving through the solemn
|
|
dimness from the lofty windows and falling on a pillar here,
|
|
a picture there, and a kneeling worshiper yonder.
|
|
The organ was muttering, censers were swinging, candles were
|
|
glinting on the distant altar and robed priests were
|
|
filing silently past them; the scene was one to sweep all
|
|
frivolous thoughts away and steep the soul in a holy calm.
|
|
A trim young American lady paused a yard or two from me,
|
|
fixed her eyes on the mellow sparks flecking the far-off altar,
|
|
bent her head reverently a moment, then straightened up,
|
|
kicked her train into the air with her heel, caught it
|
|
deftly in her hand, and marched briskly out.
|
|
|
|
We visited the picture-galleries and the other regulation
|
|
"sights"
|
|
of Milan--not because I wanted to write about them again,
|
|
but to see if I had learned anything in twelve years.
|
|
I afterward visited the great galleries of Rome and
|
|
Florence for the same purpose. I found I had learned
|
|
one thing. When I wrote about the Old Masters before,
|
|
I said the copies were better than the originals.
|
|
That was a mistake of large dimensions. The Old Masters
|
|
were still unpleasing to me, but they were truly divine
|
|
contrasted with the copies. The copy is to the original
|
|
as the pallid, smart, inane new wax-work group is to
|
|
the vigorous, earnest, dignified group of living men
|
|
and women whom it professes to duplicate. There is a
|
|
mellow richness, a subdued color, in the old pictures,
|
|
which is to the eye what muffled and mellowed sound
|
|
is to the ear. That is the merit which is most loudly
|
|
praised in the old picture, and is the one which the copy
|
|
most conspicuously lacks, and which the copyist must
|
|
not hope to compass. It was generally conceded by the
|
|
artists with whom I talked, that that subdued splendor,
|
|
that mellow richness, is imparted to the picture by AGE.
|
|
Then why should we worship the Old Master for it,
|
|
who didn't impart it, instead of worshiping Old Time,
|
|
who did? Perhaps the picture was a clanging bell,
|
|
until Time muffled it and sweetened it.
|
|
|
|
In conversation with an artist in Venice, I asked: "What
|
|
is it that people see in the Old Masters? I have been in the
|
|
Doge's palace and I saw several acres of very bad drawing,
|
|
very bad perspective, and very incorrect proportions.
|
|
Paul Veronese's dogs to not resemble dogs; all the horses
|
|
look like bladders on legs; one man had a RIGHT leg on
|
|
the left side of his body; in the large picture where
|
|
the Emperor (Barbarossa?) is prostrate before the Pope,
|
|
there are three men in the foreground who are over
|
|
thirty feet high, if one may judge by the size of a
|
|
kneeling little boy in the center of the foreground;
|
|
and according to the same scale, the Pope is seven feet
|
|
high and the Doge is a shriveled dwarf of four feet."
|
|
|
|
The artist said:
|
|
|
|
"Yes, the Old Masters often drew badly; they did not
|
|
care much for truth and exactness in minor details;
|
|
but after all, in spite of bad drawing, bad perspective,
|
|
bad proportions, and a choice of subjects which no longer
|
|
appeal to people as strongly as they did three hundred
|
|
years ago, there is a SOMETHING about their pictures
|
|
which is divine--a something which is above and beyond
|
|
the art of any epoch since--a something which would be
|
|
the despair of artists but that they never hope or expect
|
|
to attain it, and therefore do not worry about it."
|
|
|
|
That is what he said--and he said what he believed;
|
|
and not only believed, but felt.
|
|
|
|
Reasoning--especially reasoning, without technical
|
|
knowledge--must be put aside, in cases of this kind.
|
|
It cannot assist the inquirer. It will lead him,
|
|
in the most logical progression, to what, in the eyes
|
|
of artists, would be a most illogical conclusion.
|
|
Thus: bad drawing, bad proportion, bad perspective,
|
|
indifference to truthful detail, color which gets its
|
|
merit from time, and not from the artist--these things
|
|
constitute the Old Master; conclusion, the Old Master
|
|
was a bad painter, the Old Master was not an Old Master
|
|
at all, but an Old Apprentice. Your friend the artist
|
|
will grant your premises, but deny your conclusion;
|
|
he will maintain that notwithstanding this formidable
|
|
list of confessed defects, there is still a something
|
|
that is divine and unapproachable about the Old Master,
|
|
and that there is no arguing the fact away by any system of
|
|
reasoning whatsoever.
|
|
|
|
I can believe that. There are women who have an
|
|
indefinable charm in their faces which makes them
|
|
beautiful to their intimates, but a cold stranger
|
|
who tried to reason the matter out and find this beauty
|
|
would fail. He would say to one of these women: This
|
|
chin is too short, this nose is too long, this forehead
|
|
is too high, this hair is too red, this complexion is
|
|
too pallid, the perspective of the entire composition
|
|
is incorrect; conclusion, the woman is not beautiful.
|
|
But her nearest friend might say, and say truly,
|
|
"Your premises are right, your logic is faultless,
|
|
but your conclusion is wrong, nevertheless; she is an Old
|
|
Master--she is beautiful, but only to such as know her;
|
|
it is a beauty which cannot be formulated, but it is there, just
|
|
the same."
|
|
|
|
I found more pleasure in contemplating the Old Masters
|
|
this time than I did when I was in Europe in former years,
|
|
but still it was a calm pleasure; there was nothing
|
|
overheated about it. When I was in Venice before,
|
|
I think I found no picture which stirred me much,
|
|
but this time there were two which enticed me to the Doge's
|
|
palace day after day, and kept me there hours at a time.
|
|
One of these was Tintoretto's three-acre picture in the
|
|
Great Council Chamber. When I saw it twelve years ago I
|
|
was not strongly attracted to it--the guide told me it
|
|
was an insurrection in heaven--but this was an error.
|
|
|
|
The movement of this great work is very fine. There are
|
|
ten thousand figures, and they are all doing something.
|
|
There is a wonderful "go" to the whole composition.
|
|
Some of the figures are driving headlong downward,
|
|
with clasped hands, others are swimming through the
|
|
cloud-shoals--some on their faces, some on their backs--great
|
|
processions of bishops, martyrs, and angels are pouring swiftly
|
|
centerward from various outlying directions--everywhere
|
|
is enthusiastic joy, there is rushing movement everywhere.
|
|
There are fifteen or twenty figures scattered here and there,
|
|
with books, but they cannot keep their attention on
|
|
their reading--they offer the books to others, but no
|
|
one wishes to read, now. The Lion of St. Mark is there
|
|
with his book; St. Mark is there with his pen uplifted;
|
|
he and the Lion are looking each other earnestly in the face,
|
|
disputing about the way to spell a word--the Lion
|
|
looks up in rapt admiration while St. Mark spells.
|
|
This is wonderfully interpreted by the artist.
|
|
It is the master-stroke of this imcomparable painting.
|
|
[Figure 10]
|
|
|
|
I visited the place daily, and never grew tired of
|
|
looking at that grand picture. As I have intimated,
|
|
the movement is almost unimaginable vigorous; the figures
|
|
are singing, hosannahing, and many are blowing trumpets.
|
|
So vividly is noise suggested, that spectators who become
|
|
absorbed in the picture almost always fall to shouting
|
|
comments in each other's ears, making ear-trumpets of their
|
|
curved hands, fearing they may not otherwise be heard.
|
|
One often sees a tourist, with the eloquent tears pouring
|
|
down his cheeks, funnel his hands at his wife's ear,
|
|
and hears him roar through them, "OH, TO BE THERE AND
|
|
AT REST!"
|
|
|
|
None but the supremely great in art can produce effects
|
|
like these with the silent brush.
|
|
|
|
Twelve years ago I could not have appreciated this picture.
|
|
One year ago I could not have appreciated it. My study
|
|
of Art in Heidelberg has been a noble education to me.
|
|
All that I am today in Art, I owe to that.
|
|
|
|
The other great work which fascinated me was Bassano's
|
|
immortal Hair Trunk. This is in the Chamber of the Council
|
|
of Ten. It is in one of the three forty-foot pictures
|
|
which decorate the walls of the room. The composition
|
|
of this picture is beyond praise. The Hair Trunk is not
|
|
hurled at the stranger's head--so to speak--as the chief
|
|
feature of an immortal work so often is; no, it is
|
|
carefully guarded from prominence, it is subordinated,
|
|
it is restrained, it is most deftly and cleverly held
|
|
in reserve, it is most cautiously and ingeniously led up to,
|
|
by the master, and consequently when the spectator reaches
|
|
it at last, he is taken unawares, he is unprepared,
|
|
and it bursts upon him with a stupefying surprise.
|
|
|
|
One is lost in wonder at all the thought and care which
|
|
this elaborate planning must have cost. A general glance
|
|
at the picture could never suggest that there was a hair
|
|
trunk in it; the Hair Trunk is not mentioned in the title
|
|
even--which is, "Pope Alexander III. and the Doge Ziani,
|
|
the Conqueror of the Emperor Frederick Barbarossa";
|
|
you see, the title is actually utilized to help
|
|
divert attention from the Trunk; thus, as I say,
|
|
nothing suggests the presence of the Trunk, by any hint,
|
|
yet everything studiedly leads up to it, step by step.
|
|
Let us examine into this, and observe the exquisitely
|
|
artful artlessness of the plan.
|
|
|
|
At the extreme left end of the picture are a couple of women,
|
|
one of them with a child looking over her shoulder at
|
|
a wounded man sitting with bandaged head on the ground.
|
|
These people seem needless, but no, they are there
|
|
for a purpose; one cannot look at them without seeing
|
|
the gorgeous procession of grandees, bishops, halberdiers,
|
|
and banner-bearers which is passing along behind them;
|
|
one cannot see the procession without feeling the curiosity
|
|
to follow it and learn whither it is going; it leads him
|
|
to the Pope, in the center of the picture, who is talking
|
|
with the bonnetless Doge--talking tranquilly, too,
|
|
although within twelve feet of them a man is beating a drum,
|
|
and not far from the drummer two persons are blowing horns,
|
|
and many horsemen are plunging and rioting about--indeed,
|
|
twenty-two feet of this great work is all a deep and
|
|
happy holiday serenity and Sunday-school procession,
|
|
and then we come suddenly upon eleven and one-half feet
|
|
of turmoil and racket and insubordination. This latter
|
|
state of things is not an accident, it has its purpose.
|
|
But for it, one would linger upon the Pope and the Doge,
|
|
thinking them to be the motive and supreme feature of
|
|
the picture; whereas one is drawn along, almost unconsciously,
|
|
to see what the trouble is about. Now at the very END
|
|
of this riot, within four feet of the end of the picture,
|
|
and full thirty-six feet from the beginning of it,
|
|
the Hair Trunk bursts with an electrifying suddenness
|
|
upon the spectator, in all its matchless perfection,
|
|
and the great master's triumph is sweeping and complete.
|
|
From that moment no other thing in those forty feet of canvas
|
|
has any charm; one sees the Hair Trunk, and the Hair Trunk
|
|
only--and to see it is to worship it. Bassano even placed
|
|
objects in the immediate vicinity of the Supreme Feature
|
|
whose pretended purpose was to divert attention from it yet
|
|
a little longer and thus delay and augment the surprise;
|
|
for instance, to the right of it he has placed a stooping
|
|
man with a cap so red that it is sure to hold the eye
|
|
for a moment--to the left of it, some six feet away,
|
|
he has placed a red-coated man on an inflated horse,
|
|
and that coat plucks your eye to that locality the next
|
|
moment--then, between the Trunk and the red horseman he
|
|
has intruded a man, naked to his waist, who is carrying
|
|
a fancy flour-sack on the middle of his back instead
|
|
of on his shoulder--this admirable feat interests you,
|
|
of course--keeps you at bay a little longer, like a sock
|
|
or a jacket thrown to the pursuing wolf--but at last,
|
|
in spite of all distractions and detentions, the eye
|
|
of even the most dull and heedless spectator is sure
|
|
to fall upon the World's Masterpiece, and in that
|
|
moment he totters to his chair or leans upon his guide
|
|
for support.
|
|
|
|
Descriptions of such a work as this must necessarily
|
|
be imperfect, yet they are of value. The top of the Trunk
|
|
is arched; the arch is a perfect half-circle, in the Roman
|
|
style of architecture, for in the then rapid decadence
|
|
of Greek art, the rising influence of Rome was already
|
|
beginning to be felt in the art of the Republic.
|
|
The Trunk is bound or bordered with leather all around
|
|
where the lid joins the main body. Many critics consider
|
|
this leather too cold in tone; but I consider this
|
|
its highest merit, since it was evidently made so to
|
|
emphasize by contrast the impassioned fervor of the hasp.
|
|
The highlights in this part of the work are cleverly managed,
|
|
the MOTIF is admirably subordinated to the ground tints,
|
|
and the technique is very fine. The brass nail-heads
|
|
are in the purest style of the early Renaissance.
|
|
The strokes, here, are very firm and bold--every nail-head
|
|
is a portrait. The handle on the end of the Trunk has
|
|
evidently been retouched--I think, with a piece of chalk--
|
|
but one can still see the inspiration of the Old Master
|
|
in the tranquil, almost too tranquil, hang of it. The hair
|
|
of this Trunk is REAL hair--so to speak--white in patched,
|
|
brown in patches. The details are finely worked out;
|
|
the repose proper to hair in a recumbent and inactive
|
|
attitude is charmingly expressed. There is a feeling
|
|
about this part of the work which lifts it to the highest
|
|
altitudes of art; the sense of sordid realism vanishes
|
|
away--one recognizes that there is SOUL here.
|
|
|
|
View this Trunk as you will, it is a gem, it is a marvel,
|
|
it is a miracle. Some of the effects are very daring,
|
|
approaching even to the boldest flights of the rococo,
|
|
the sirocco, and the Byzantine schools--yet the master's hand
|
|
never falters--it moves on, calm, majestic, confident--and,
|
|
with that art which conceals art, it finally casts over
|
|
the TOUT ENSEMBLE, by mysterious methods of its own,
|
|
a subtle something which refines, subdues, etherealizes the
|
|
arid components and endures them with the deep charm
|
|
and gracious witchery of poesy.
|
|
|
|
Among the art-treasures of Europe there are pictures
|
|
which approach the Hair Trunk--there are two which may
|
|
be said to equal it, possibly--but there is none that
|
|
surpasses it. So perfect is the Hair Trunk that it moves
|
|
even persons who ordinarily have no feeling for art.
|
|
When an Erie baggagemaster saw it two years ago, he could
|
|
hardly keep from checking it; and once when a customs
|
|
inspector was brought into its presence, he gazed upon
|
|
it in silent rapture for some moments, then slowly
|
|
and unconsciously placed one hand behind him with the
|
|
palm uppermost, and got out his chalk with the other.
|
|
These facts speak for themselves.
|
|
|
|
|
|
|
|
CHAPTER XLIX
|
|
[Hanged with a Golden Rope]
|
|
|
|
One lingers about the Cathedral a good deal, in Venice.
|
|
There is a strong fascination about it--partly because
|
|
it is so old, and partly because it is so ugly.
|
|
Too many of the world's famous buildings fail of one
|
|
chief virtue--harmony; they are made up of a methodless
|
|
mixture of the ugly and the beautiful; this is bad;
|
|
it is confusing, it is unrestful. One has a sense
|
|
of uneasiness, of distress, without knowing why. But one
|
|
is calm before St. Mark's, one is calm in the cellar;
|
|
for its details are masterfully ugly, no misplaced
|
|
and impertinent beauties are intruded anywhere; and the
|
|
consequent result is a grand harmonious whole, of soothing,
|
|
entrancing, tranquilizing, soul-satisfying ugliness.
|
|
One's admiration of a perfect thing always grows,
|
|
never declines; and this is the surest evidence to him
|
|
that it IS perfect. St. Mark's is perfect. To me it
|
|
soon grew to be so nobly, so augustly ugly, that it was
|
|
difficult to stay away from it, even for a little while.
|
|
Every time its squat domes disappeared from my view,
|
|
I had a despondent feeling; whenever they reappeared,
|
|
I felt an honest rapture--I have not known any happier hours
|
|
than those I daily spent in front of Florian's, looking
|
|
across the Great Square at it. Propped on its long row
|
|
of low thick-legged columns, its back knobbed with domes,
|
|
it seemed like a vast warty bug taking a meditative walk.
|
|
|
|
St. Mark's is not the oldest building in the world, of course,
|
|
but it seems the oldest, and looks the oldest--especially inside.
|
|
|
|
When the ancient mosaics in its walls become damaged,
|
|
they are repaired but not altered; the grotesque old
|
|
pattern is preserved. Antiquity has a charm of its own,
|
|
and to smarten it up would only damage it. One day I
|
|
was sitting on a red marble bench in the vestibule looking
|
|
up at an ancient piece of apprentice-work, in mosaic,
|
|
illustrative of the command to "multiply and replenish
|
|
the earth." The Cathedral itself had seemed very old;
|
|
but this picture was illustrating a period in history
|
|
which made the building seem young by comparison.
|
|
But I presently found an antique which was older than either
|
|
the battered Cathedral or the date assigned to the piece
|
|
of history; it was a spiral-shaped fossil as large as
|
|
the crown of a hat; it was embedded in the marble bench,
|
|
and had been sat upon by tourists until it was worn smooth.
|
|
Contrasted with the inconceivable antiquity of this
|
|
modest fossil, those other things were flippantly
|
|
modern--jejune--mere matters of day-before-yesterday.
|
|
The sense of the oldness of the Cathedral vanished away
|
|
under the influence of this truly venerable presence.
|
|
|
|
St. Mark's is monumental; it is an imperishable remembrancer
|
|
of the profound and simply piety of the Middle Ages.
|
|
Whoever could ravish a column from a pagan temple,
|
|
did it and contributed his swag to this Christian one.
|
|
So this fane is upheld by several hundred acquisitions
|
|
procured in that peculiar way. In our day it would be
|
|
immoral to go on the highway to get bricks for a church,
|
|
but it was no sin in the old times. St. Mark's was itself
|
|
the victim of a curious robbery once. The thing is set
|
|
down in the history of Venice, but it might be smuggled
|
|
into the Arabian Nights and not seem out of place
|
|
there:
|
|
|
|
Nearly four hundred and fifty years ago, a Candian
|
|
named Stammato, in the suite of a prince of the house
|
|
of Este, was allowed to view the riches of St. Mark's.
|
|
His sinful eye was dazzled and he hid himself behind
|
|
an altar, with an evil purpose in his heart, but a priest
|
|
discovered him and turned him out. Afterward he got
|
|
in again--by false keys, this time. He went there,
|
|
night after night, and worked hard and patiently, all alone,
|
|
overcoming difficulty after difficulty with his toil,
|
|
and at last succeeded in removing a great brick of the marble
|
|
paneling which walled the lower part of the treasury;
|
|
this block he fixed so that he could take it out and put
|
|
it in at will. After that, for weeks, he spent all
|
|
his midnights in his magnificent mine, inspecting it
|
|
in security, gloating over its marvels at his leisure,
|
|
and always slipping back to his obscure lodgings before dawn,
|
|
with a duke's ransom under his cloak. He did not need
|
|
to grab, haphazard, and run--there was no hurry.
|
|
He could make deliberate and well-considered selections;
|
|
he could consult his esthetic tastes. One comprehends
|
|
how undisturbed he was, and how safe from any danger
|
|
of interruption, when it is stated that he even carried off
|
|
a unicorn's horn--a mere curiosity--which would not pass
|
|
through the egress entire, but had to be sawn in two--
|
|
a bit of work which cost him hours of tedious labor.
|
|
He continued to store up his treasures at home until his
|
|
occupation lost the charm of novelty and became monotonous;
|
|
then he ceased from it, contented. Well he might be;
|
|
for his collection, raised to modern values, represented nearly
|
|
fifty million dollars!
|
|
|
|
He could have gone home much the richest citizen of his country,
|
|
and it might have been years before the plunder was missed;
|
|
but he was human--he could not enjoy his delight alone,
|
|
he must have somebody to talk about it with. So he
|
|
exacted a solemn oath from a Candian noble named Crioni,
|
|
then led him to his lodgings and nearly took his breath
|
|
away with a sight of his glittering hoard. He detected
|
|
a look in his friend's face which excited his suspicion,
|
|
and was about to slip a stiletto into him when Crioni
|
|
saved himself by explaining that that look was only
|
|
an expression of supreme and happy astonishment.
|
|
Stammato made Crioni a present of one of the state's
|
|
principal jewels--a huge carbuncle, which afterward
|
|
figured in the Ducal cap of state--and the pair parted.
|
|
Crioni went at once to the palace, denounced the criminal,
|
|
and handed over the carbuncle as evidence.
|
|
Stammato was arrested, tried, and condemned, with the
|
|
old-time Venetian promptness. He was hanged between
|
|
the two great columns in the Piazza--with a gilded rope,
|
|
out of compliment to his love of gold, perhaps. He got
|
|
no good of his booty at all--it was ALL recovered.
|
|
|
|
In Venice we had a luxury which very seldom fell to our lot
|
|
on the continent--a home dinner with a private family.
|
|
If one could always stop with private families,
|
|
when traveling, Europe would have a charm which it
|
|
now lacks. As it is, one must live in the hotels,
|
|
of course, and that is a sorrowful business.
|
|
A man accustomed to American food and American domestic
|
|
cookery would not starve to death suddenly in Europe;
|
|
but I think he would gradually waste away, and eventually die.
|
|
|
|
He would have to do without his accustomed morning meal.
|
|
That is too formidable a change altogether; he would
|
|
necessarily suffer from it. He could get the shadow,
|
|
the sham, the base counterfeit of that meal; but it would
|
|
do him no good, and money could not buy the reality.
|
|
|
|
To particularize: the average American's simplest and
|
|
commonest form of breakfast consists of coffee and beefsteak;
|
|
well, in Europe, coffee is an unknown beverage. You can
|
|
get what the European hotel-keeper thinks is coffee, but it
|
|
resembles the real thing as hypocrisy resembles holiness.
|
|
It is a feeble, characterless, uninspiring sort of stuff,
|
|
and almost as undrinkable as if it had been made in an
|
|
American hotel. The milk used for it is what the French
|
|
call "Christian" milk--milk which has been baptized.
|
|
|
|
After a few months' acquaintance with European "coffee,"
|
|
one's mind weakens, and his faith with it, and he begins
|
|
to wonder if the rich beverage of home, with its clotted
|
|
layer of yellow cream on top of it, is not a mere dream,
|
|
after all, and a thing which never existed.
|
|
|
|
Next comes the European bread--fair enough, good enough,
|
|
after a fashion, but cold; cold and tough, and unsympathetic;
|
|
and never any change, never any variety--always the same
|
|
tiresome thing.
|
|
|
|
Next, the butter--the sham and tasteless butter; no salt
|
|
in it, and made of goodness knows what.
|
|
|
|
Then there is the beefsteak. They have it in Europe, but they
|
|
don't know how to cook it. Neither will they cut it right.
|
|
It comes on the table in a small, round pewter platter.
|
|
It lies in the center of this platter, in a bordering
|
|
bed of grease-soaked potatoes; it is the size, shape,
|
|
and thickness of a man's hand with the thumb and fingers
|
|
cut off. It is a little overdone, is rather dry,
|
|
it tastes pretty insipidly, it rouses no enthusiasm.
|
|
|
|
Imagine a poor exile contemplating that inert thing;
|
|
and imagine an angel suddenly sweeping down out of a better
|
|
land and setting before him a mighty porterhouse steak an
|
|
inch and a half thick, hot and sputtering from the griddle;
|
|
dusted with a fragrant pepper; enriched with little
|
|
melting bits of butter of the most unimpeachable freshness
|
|
and genuineness; the precious juices of the meat trickling
|
|
out and joining the gravy, archipelagoed with mushrooms;
|
|
a township or two of tender, yellowish fat gracing
|
|
an outlying district of this ample county of beefsteak;
|
|
the long white bone which divides the sirloin from the
|
|
tenderloin still in its place; and imagine that the angel
|
|
also adds a great cup of American home-made coffee,
|
|
with a cream a-froth on top, some real butter, firm and
|
|
yellow and fresh, some smoking hot-biscuits, a plate
|
|
of hot buckwheat cakes, with transparent syrup--could
|
|
words describe the gratitude of this exile?
|
|
|
|
The European dinner is better than the European breakfast,
|
|
but it has its faults and inferiorities; it does not satisfy.
|
|
He comes to the table eager and hungry; he swallows his
|
|
soup--there is an undefinable lack about it somewhere;
|
|
thinks the fish is going to be the thing he wants--
|
|
eats it and isn't sure; thinks the next dish is perhaps
|
|
the one that will hit the hungry place--tries it,
|
|
and is conscious that there was a something wanting
|
|
about it, also. And thus he goes on, from dish to dish,
|
|
like a boy after a butterfly which just misses getting
|
|
caught every time it alights, but somehow doesn't get caught
|
|
after all; and at the end the exile and the boy have fared
|
|
about alike; the one is full, but grievously unsatisfied,
|
|
the other has had plenty of exercise, plenty of interest,
|
|
and a fine lot of hopes, but he hasn't got any butterfly.
|
|
There is here and there an American who will say he can remember
|
|
rising from a European table d'ho^te perfectly satisfied;
|
|
but we must not overlook the fact that there is also here
|
|
and there an American who will lie.
|
|
|
|
The number of dishes is sufficient; but then it is such
|
|
a monotonous variety of UNSTRIKING dishes. It is an inane
|
|
dead-level of "fair-to-middling." There is nothing to
|
|
ACCENT it. Perhaps if the roast of mutton or of beef--a big,
|
|
generous one--were brought on the table and carved in full
|
|
view of the client, that might give the right sense of
|
|
earnestness and reality to the thing; but they don't do that,
|
|
they pass the sliced meat around on a dish, and so you
|
|
are perfectly calm, it does not stir you in the least.
|
|
Now a vast roast turkey, stretched on the broad of his back,
|
|
with his heels in the air and the rich juices oozing
|
|
from his fat sides ... but I may as well stop there,
|
|
for they would not know how to cook him. They can't
|
|
even cook a chicken respectably; and as for carving it,
|
|
they do that with a hatchet.
|
|
|
|
This is about the customary table d'ho^te bill in summer:
|
|
|
|
Soup (characterless).
|
|
|
|
Fish--sole, salmon, or whiting--usually tolerably good.
|
|
|
|
Roast--mutton or beef--tasteless--and some last year's potatoes.
|
|
|
|
A pa^te, or some other made dish--usually good--"considering."
|
|
|
|
One vegetable--brought on in state, and all alone--usually
|
|
insipid lentils, or string-beans, or indifferent asparagus.
|
|
|
|
Roast chicken, as tasteless as paper.
|
|
|
|
Lettuce-salad--tolerably good.
|
|
|
|
Decayed strawberries or cherries.
|
|
|
|
Sometimes the apricots and figs are fresh, but this is
|
|
no advantage, as these fruits are of no account anyway.
|
|
|
|
The grapes are generally good, and sometimes there
|
|
is a tolerably good peach, by mistake.
|
|
|
|
The variations of the above bill are trifling. After a
|
|
fortnight one discovers that the variations are only apparent,
|
|
not real; in the third week you get what you had the first,
|
|
and in the fourth the week you get what you had the second.
|
|
Three or four months of this weary sameness will kill
|
|
the robustest appetite.
|
|
|
|
It has now been many months, at the present writing,
|
|
since I have had a nourishing meal, but I shall soon
|
|
have one--a modest, private affair, all to myself.
|
|
I have selected a few dishes, and made out a little bill
|
|
of fare, which will go home in the steamer that precedes me,
|
|
and be hot when I arrive--as follows:
|
|
|
|
Radishes. Baked apples, with Brook-trout, from
|
|
Sierra cream. Nevadas. Fried oysters; stewed oysters.
|
|
Lake-trout, from Tahoe. Frogs. Sheepshead and croakers
|
|
from American coffee, with real cream. New Orleans.
|
|
American butter. Black-bass from the Mississippi.
|
|
Fried chicken, Southern style. American roast beef.
|
|
Porterhouse steak. Roast turkey, Thanksgiving Saratoga
|
|
potatoes. style. Broiled chicken, American style.
|
|
Cranberry sauce. Celery. Hot biscuits, Southern style.
|
|
Roast wild turkey. Woodcock. Hot wheat-bread, Southern
|
|
Canvasback-duck, from style. Baltimore. Hot buckwheat cakes.
|
|
Prairie-hens, from Illinois. American toast. Clear maple
|
|
Missouri partridges, broiled. syrup. Possum. Coon.
|
|
Virginia bacon, broiled. Boston bacon and beans.
|
|
Blue points, on the half shell. Bacon and greens,
|
|
Southern style. Cherry-stone clams. Hominy. Boiled onions.
|
|
San Francisco mussels, steamed. Turnips. Oyster soup.
|
|
Clam soup. Pumpkin. Squash. Asparagus. Philadelphia
|
|
Terrapin soup. Butter-beans. Sweet-potatoes. Oysters
|
|
roasted in shell--Lettuce. Succotash. Northern style.
|
|
String-beans. Soft-shell crabs. Connecticut Mashed potatoes.
|
|
Catsup. shad. Boiled potatoes, in their skins.
|
|
Baltimore perch. New potatoes, minus the skins.
|
|
Early Rose potatoes, roasted in Hot egg-bread, Southern style.
|
|
the ashes, Southern style, Hot light-bread, Southern style.
|
|
served hot. Buttermilk. Iced sweet milk. Sliced tomatoes,
|
|
with sugar or Apple dumplings, with real vinegar.
|
|
Stewed tomatoes. cream. Green corn, cut from the ear and
|
|
Apple pie. Apple fritters. served with butter and pepper.
|
|
Apple puffs, Southern style. Green corn, on the ear.
|
|
Peach cobbler, Southern style. Hot corn-pone, with chitlings,
|
|
Peach pie. American mince pie. Southern style.
|
|
Pumpkin pie. Squash pie. Hot hoe-cake, Southern style.
|
|
All sorts of American pastry.
|
|
|
|
Fresh American fruits of all sorts, including strawberries,
|
|
which are not to be doled out as if they were jewelry,
|
|
but in a more liberal way.
|
|
|
|
Ice-water--not prepared in the ineffectual goblet,
|
|
but in the sincere and capable refrigerator.
|
|
|
|
Americans intending to spend a year or so in European hotels,
|
|
will do well to copy this bill and carry it along. They will
|
|
find it an excellent thing to get up an appetite with,
|
|
in the dispiriting presence of the squalid table d'ho^te.
|
|
|
|
Foreigners cannot enjoy our food, I suppose, any more than we
|
|
can enjoy theirs. It is not strange; for tastes are made,
|
|
not born. I might glorify my bill of fare until I was tired;
|
|
but after all, the Scotchman would shake his head and say,
|
|
"Where's your haggis?" and the Fijian would sigh and say,
|
|
"Where's your missionary?"
|
|
|
|
I have a neat talent in matters pertaining to nourishment.
|
|
This has met with professional recognition. I have often
|
|
furnished recipes for cook-books. Here are some designs
|
|
for pies and things, which I recently prepared for a
|
|
friend's projected cook-book, but as I forgot to furnish
|
|
diagrams and perspectives, they had to be left out,
|
|
of course.
|
|
|
|
RECIPE FOR AN ASH-CAKE
|
|
|
|
Take a lot of water and add to it a lot of coarse
|
|
Indian-meal and about a quarter of a lot of salt.
|
|
Mix well together, knead into the form of a "pone," and let
|
|
the pone stand awhile--not on its edge, but the other way.
|
|
Rake away a place among the embers, lay it there,
|
|
and cover it an inch deep with hot ashes. When it
|
|
is done, remove it; blow off all the ashes but one layer;
|
|
butter that one and eat.
|
|
|
|
N.B.--No household should ever be without this talisman.
|
|
It has been noticed that tramps never return for another
|
|
ash-cake.
|
|
|
|
----------
|
|
|
|
RECIPE FOR NEW ENGLISH PIE
|
|
|
|
To make this excellent breakfast dish, proceed as
|
|
follows: Take a sufficiency of water and a sufficiency
|
|
of flour, and construct a bullet-proof dough.
|
|
Work this into the form of a disk, with the edges turned
|
|
up some three-fourths of an inch. Toughen and kiln-dry
|
|
in a couple days in a mild but unvarying temperature.
|
|
Construct a cover for this redoubt in the same way and
|
|
of the same material. Fill with stewed dried apples;
|
|
aggravate with cloves, lemon-peel, and slabs of citron;
|
|
add two portions of New Orleans sugars, then solder
|
|
on the lid and set in a safe place till it petrifies.
|
|
Serve cold at breakfast and invite your enemy.
|
|
|
|
----------
|
|
|
|
RECIPE FOR GERMAN COFFEE
|
|
|
|
Take a barrel of water and bring it to a boil; rub a chicory
|
|
berry against a coffee berry, then convey the former
|
|
into the water. Continue the boiling and evaporation
|
|
until the intensity of the flavor and aroma of the coffee
|
|
and chicory has been diminished to a proper degree;
|
|
then set aside to cool. Now unharness the remains of a
|
|
once cow from the plow, insert them in a hydraulic press,
|
|
and when you shall have acquired a teaspoon of that
|
|
pale-blue juice which a German superstition regards
|
|
as milk, modify the malignity of its strength in a bucket
|
|
of tepid water and ring up the breakfast. Mix the
|
|
beverage in a cold cup, partake with moderation, and keep
|
|
a wet rag around your head to guard against over-excitement.
|
|
|
|
----------
|
|
|
|
TO CARVE FOWLS IN THE GERMAN FASHION
|
|
|
|
Use a club, and avoid the joints.
|
|
|
|
|
|
|
|
CHAPTER L
|
|
[Titian Bad and Titian Good]
|
|
|
|
I wonder why some things are? For instance, Art is allowed
|
|
as much indecent license today as in earlier times--
|
|
but the privileges of Literature in this respect have been
|
|
sharply curtailed within the past eighty or ninety years.
|
|
Fielding and Smollett could portray the beastliness
|
|
of their day in the beastliest language; we have plenty
|
|
of foul subjects to deal with in our day, but we are
|
|
not allowed to approach them very near, even with nice
|
|
and guarded forms of speech. But not so with Art.
|
|
The brush may still deal freely with any subject,
|
|
however revolting or indelicate. It makes a body ooze
|
|
sarcasm at every pore, to go about Rome and Florence and see
|
|
what this last generation has been doing with the statues.
|
|
These works, which had stood in innocent nakedness for ages,
|
|
are all fig-leaved now. Yes, every one of them.
|
|
Nobody noticed their nakedness before, perhaps; nobody can
|
|
help noticing it now, the fig-leaf makes it so conspicuous.
|
|
But the comical thing about it all, is, that the fig-leaf
|
|
is confined to cold and pallid marble, which would be still
|
|
cold and unsuggestive without this sham and ostentatious
|
|
symbol of modesty, whereas warm-blood paintings which do
|
|
really need it have in no case been furnished with it.
|
|
|
|
At the door of the Uffizzi, in Florence, one is confronted
|
|
by statues of a man and a woman, noseless, battered, black with
|
|
accumulated grime--they hardly suggest human beings--
|
|
yet these ridiculous creatures have been thoughtfully and
|
|
conscientiously fig-leaved by this fastidious generation.
|
|
You enter, and proceed to that most-visited little
|
|
gallery that exists in the world--the Tribune--and there,
|
|
against the wall, without obstructing rag or leaf,
|
|
you may look your fill upon the foulest, the vilest,
|
|
the obscenest picture the world possesses--Titian's Venus.
|
|
It isn't that she is naked and stretched out on a bed--no,
|
|
it is the attitude of one of her arms and hand. If I
|
|
ventured to describe that attitude, there would be a fine
|
|
howl--but there the Venus lies, for anybody to gloat
|
|
over that wants to--and there she has a right to lie,
|
|
for she is a work of art, and Art has its privileges.
|
|
I saw young girls stealing furtive glances at her; I saw
|
|
young men gaze long and absorbedly at her; I saw aged,
|
|
infirm men hang upon her charms with a pathetic interest.
|
|
How I should like to describe her--just to see what a holy
|
|
indignation I could stir up in the world--just to hear
|
|
the unreflecting average man deliver himself about my
|
|
grossness and coarseness, and all that. The world says
|
|
that no worded description of a moving spectacle is
|
|
a hundredth part as moving as the same spectacle seen
|
|
with one's own eyes--yet the world is willing to let its
|
|
son and its daughter and itself look at Titian's beast,
|
|
but won't stand a description of it in words.
|
|
Which shows that the world is not as consistent as it
|
|
might be.
|
|
|
|
There are pictures of nude women which suggest no impure
|
|
thought--I am well aware of that. I am not railing
|
|
at such. What I am trying to emphasize is the fact that
|
|
Titian's Venus is very far from being one of that sort.
|
|
Without any question it was painted for a bagnio and it
|
|
was probably refused because it was a trifle too strong.
|
|
In truth, it is too strong for any place but a public
|
|
Art Gallery. Titian has two Venuses in the Tribune;
|
|
persons who have seen them will easily remember which one I am
|
|
referring to.
|
|
|
|
In every gallery in Europe there are hideous pictures
|
|
of blood, carnage, oozing brains, putrefaction--pictures
|
|
portraying intolerable suffering--pictures alive
|
|
with every conceivable horror, wrought out in dreadful
|
|
detail--and similar pictures are being put on the canvas
|
|
every day and publicly exhibited--without a growl from
|
|
anybody--for they are innocent, they are inoffensive,
|
|
being works of art. But suppose a literary artist ventured
|
|
to go into a painstaking and elaborate description
|
|
of one of these grisly things--the critics would skin
|
|
him alive. Well, let it go, it cannot be helped;
|
|
Art retains her privileges, Literature has lost hers.
|
|
Somebody else may cipher out the whys and the wherefores
|
|
and the consistencies of it--I haven't got time.
|
|
|
|
Titian's Venus defiles and disgraces the Tribune, there is
|
|
no softening that fact, but his "Moses" glorifies it.
|
|
The simple truthfulness of its noble work wins the heart
|
|
and the applause of every visitor, be he learned or ignorant.
|
|
After wearying one's self with the acres of stuffy,
|
|
sappy, expressionless babies that populate the canvases
|
|
of the Old Masters of Italy, it is refreshing to stand
|
|
before this peerless child and feel that thrill which tells
|
|
you you are at last in the presence of the real thing.
|
|
This is a human child, this is genuine. You have seen him
|
|
a thousand times--you have seen him just as he is here--
|
|
and you confess, without reserve, that Titian WAS a Master.
|
|
The doll-faces of other painted babes may mean one thing,
|
|
they may mean another, but with the "Moses" the case
|
|
is different. The most famous of all the art-critics
|
|
has said, "There is no room for doubt, here--plainly this
|
|
child is in trouble."
|
|
|
|
I consider that the "Moses" has no equal among the works
|
|
of the Old Masters, except it be the divine Hair Trunk
|
|
of Bassano. I feel sure that if all the other Old Masters
|
|
were lost and only these two preserved, the world would
|
|
be the gainer by it.
|
|
|
|
My sole purpose in going to Florence was to see this
|
|
immortal "Moses," and by good fortune I was just in time,
|
|
for they were already preparing to remove it to a more
|
|
private and better-protected place because a fashion
|
|
of robbing the great galleries was prevailing in Europe
|
|
at the time.
|
|
|
|
I got a capable artist to copy the picture; Pannemaker,
|
|
the engraver of Dor'e's books, engraved it for me,
|
|
and I have the pleasure of laying it before the reader
|
|
in this volume.
|
|
|
|
We took a turn to Rome and some other Italian cities--
|
|
then to Munich, and thence to Paris--partly for exercise,
|
|
but mainly because these things were in our projected program,
|
|
and it was only right that we should be faithful to it.
|
|
|
|
From Paris I branched out and walked through Holland and Belgium,
|
|
procuring an occasional lift by rail or canal when tired,
|
|
and I had a tolerably good time of it "by and large."
|
|
I worked Spain and other regions through agents to save
|
|
time and shoe-leather.
|
|
|
|
We crossed to England, and then made the homeward
|
|
passage in the Cunarder GALLIA, a very fine ship.
|
|
I was glad to get home--immeasurably glad; so glad,
|
|
in fact, that it did not seem possible that anything
|
|
could ever get me out of the country again. I had not
|
|
enjoyed a pleasure abroad which seemed to me to compare
|
|
with the pleasure I felt in seeing New York harbor again.
|
|
Europe has many advantages which we have not, but they
|
|
do not compensate for a good many still more valuable
|
|
ones which exist nowhere but in our own country.
|
|
Then we are such a homeless lot when we are over
|
|
there! So are Europeans themselves, for the matter.
|
|
They live in dark and chilly vast tombs--costly enough,
|
|
maybe, but without conveniences. To be condemned to live
|
|
as the average European family lives would make life
|
|
a pretty heavy burden to the average American family.
|
|
|
|
On the whole, I think that short visits to Europe are
|
|
better for us than long ones. The former preserve us from
|
|
becoming Europeanized; they keep our pride of country intact,
|
|
and at the same time they intensify our affection for our
|
|
country and our people; whereas long visits have the effect
|
|
of dulling those feelings--at least in the majority
|
|
of cases. I think that one who mixes much with Americans
|
|
long resident abroad must arrive at this conclusion.
|
|
|
|
|
|
|
|
APPENDIX ----------
|
|
|
|
Nothing gives such weight and dignity to a book
|
|
as an Appendix. HERODOTUS
|
|
|
|
|
|
|
|
APPENDIX A
|
|
The Portier
|
|
|
|
Omar Khay'am, the poet-prophet of Persia, writing more
|
|
than eight hundred years ago, has said:
|
|
|
|
"In the four parts of the earth are many that are able
|
|
to write learned books, many that are able to lead armies,
|
|
and many also that are able to govern kingdoms and empires;
|
|
but few there be that can keep a hotel."
|
|
|
|
A word about the European hotel PORTIER. He is a most
|
|
admirable invention, a most valuable convenience.
|
|
He always wears a conspicuous uniform; he can always
|
|
be found when he is wanted, for he sticks closely to
|
|
his post at the front door; he is as polite as a duke;
|
|
he speaks from four to ten languages; he is your surest
|
|
help and refuge in time of trouble or perplexity.
|
|
He is not the clerk, he is not the landlord; he ranks above
|
|
the clerk, and represents the landlord, who is seldom seen.
|
|
Instead of going to the clerk for information, as we do at home,
|
|
you go to the portier. It is the pride of our average
|
|
hotel clerk to know nothing whatever; it is the pride
|
|
of the portier to know everything. You ask the portier
|
|
at what hours the trains leave--he tells you instantly;
|
|
or you ask him who is the best physician in town; or what
|
|
is the hack tariff; or how many children the mayor has;
|
|
or what days the galleries are open, and whether a permit
|
|
is required, and where you are to get it, and what you
|
|
must pay for it; or when the theaters open and close,
|
|
what the plays are to be, and the price of seats;
|
|
or what is the newest thing in hats; or how the bills
|
|
of mortality average; or "who struck Billy Patterson."
|
|
It does not matter what you ask him: in nine cases
|
|
out of ten he knows, and in the tenth case he will find
|
|
out for you before you can turn around three times.
|
|
There is nothing he will not put his hand to. Suppose you
|
|
tell him you wish to go from Hamburg to Peking by the way
|
|
of Jericho, and are ignorant of routes and prices--
|
|
the next morning he will hand you a piece of paper with
|
|
the whole thing worked out on it to the last detail.
|
|
Before you have been long on European soil, you find
|
|
yourself still SAYING you are relying on Providence,
|
|
but when you come to look closer you will see that in reality
|
|
you are relying on the portier. He discovers what is
|
|
puzzling you, or what is troubling you, or what your need is,
|
|
before you can get the half of it out, and he promptly says,
|
|
"Leave that to me." Consequently, you easily drift into
|
|
the habit of leaving everything to him. There is a certain
|
|
embarrassment about applying to the average American
|
|
hotel clerk, a certain hesitancy, a sense of insecurity
|
|
against rebuff; but you feel no embarrassment in your
|
|
intercourse with the portier; he receives your propositions
|
|
with an enthusiasm which cheers, and plunges into their
|
|
accomplishment with an alacrity which almost inebriates.
|
|
The more requirements you can pile upon him, the better he
|
|
likes it. Of course the result is that you cease from doing
|
|
anything for yourself. He calls a hack when you want one;
|
|
puts you into it; tells the driver whither to take you;
|
|
receives you like a long-lost child when you return;
|
|
sends you about your business, does all the quarreling
|
|
with the hackman himself, and pays him his money out
|
|
of his own pocket. He sends for your theater tickets,
|
|
and pays for them; he sends for any possible article
|
|
you can require, be it a doctor, an elephant, or a
|
|
postage stamp; and when you leave, at last, you will
|
|
find a subordinate seated with the cab-driver who will
|
|
put you in your railway compartment, buy your tickets,
|
|
have your baggage weighed, bring you the printed tags,
|
|
and tell you everything is in your bill and paid for.
|
|
At home you get such elaborate, excellent, and willing
|
|
service as this only in the best hotels of our large cities;
|
|
but in Europe you get it in the mere back country-towns just
|
|
as well.
|
|
|
|
What is the secret of the portier's devotion? It is
|
|
very simple: he gets FEES, AND NO SALARY. His fee
|
|
is pretty closely regulated, too. If you stay a week,
|
|
you give him five marks--a dollar and a quarter, or about
|
|
eighteen cents a day. If you stay a month, you reduce
|
|
this average somewhat. If you stay two or three months
|
|
or longer, you cut it down half, or even more than half.
|
|
If you stay only one day, you give the portier a mark.
|
|
|
|
The head waiter's fee is a shade less than the portier's;
|
|
the Boots, who not only blacks your boots and brushes
|
|
your clothes, but is usually the porter and handles your
|
|
baggage, gets a somewhat smaller fee than the head waiter;
|
|
the chambermaid's fee ranks below that of the Boots.
|
|
You fee only these four, and no one else. A German
|
|
gentleman told me that when he remained a week in a hotel,
|
|
he gave the portier five marks, the head waiter four,
|
|
the Boots three, and the chambermaid two; and if he
|
|
stayed three months he divided ninety marks among them,
|
|
in about the above proportions. Ninety marks make
|
|
$22.50.
|
|
|
|
None of these fees are ever paid until you leave the hotel,
|
|
though it be a year--except one of these four servants
|
|
should go away in the mean time; in that case he will
|
|
be sure to come and bid you good-by and give you the
|
|
opportunity to pay him what is fairly coming to him.
|
|
It is considered very bad policy to fee a servant while you
|
|
are still to remain longer in the hotel, because if you
|
|
gave him too little he might neglect you afterward,
|
|
and if you gave him too much he might neglect somebody
|
|
else to attend to you. It is considered best to keep his
|
|
expectations "on a string" until your stay in concluded.
|
|
|
|
I do not know whether hotel servants in New York get any
|
|
wages or not, but I do know that in some of the hotels there
|
|
the feeing system in vogue is a heavy burden. The waiter
|
|
expects a quarter at breakfast--and gets it. You have
|
|
a different waiter at luncheon, and so he gets a quarter.
|
|
Your waiter at dinner is another stranger--consequently
|
|
he gets a quarter. The boy who carries your satchel
|
|
to your room and lights your gas fumbles around and hangs
|
|
around significantly, and you fee him to get rid of him.
|
|
Now you may ring for ice-water; and ten minutes later
|
|
for a lemonade; and ten minutes afterward, for a cigar;
|
|
and by and by for a newspaper--and what is the result? Why,
|
|
a new boy has appeared every time and fooled and fumbled
|
|
around until you have paid him something. Suppose you
|
|
boldly put your foot down, and say it is the hotel's
|
|
business to pay its servants? You will have to ring your
|
|
bell ten or fifteen times before you get a servant there;
|
|
and when he goes off to fill your order you will grow old
|
|
and infirm before you see him again. You may struggle nobly
|
|
for twenty-four hours, maybe, if you are an adamantine
|
|
sort of person, but in the mean time you will have been
|
|
so wretchedly served, and so insolently, that you will
|
|
haul down your colors, and go to impoverishing yourself
|
|
with fees.
|
|
|
|
It seems to me that it would be a happy idea to import
|
|
the European feeing system into America. I believe it
|
|
would result in getting even the bells of the Philadelphia
|
|
hotels answered, and cheerful service rendered.
|
|
|
|
The greatest American hotels keep a number of clerks
|
|
and a cashier, and pay them salaries which mount up
|
|
to a considerable total in the course of a year.
|
|
The great continental hotels keep a cashier on a trifling
|
|
salary, and a portier WHO PAYS THE HOTEL A SALARY.
|
|
By the latter system both the hotel and the public
|
|
save money and are better served than by our system.
|
|
One of our consuls told me that a portier of a great Berlin
|
|
hotel paid five thousand dollars a year for his position,
|
|
and yet cleared six thousand dollars for himself.
|
|
The position of portier in the chief hotels of Saratoga,
|
|
Long Branch, New York, and similar centers of resort,
|
|
would be one which the holder could afford to pay even more
|
|
than five thousand dollars for, perhaps.
|
|
|
|
When we borrowed the feeing fashion from Europe a dozen
|
|
years ago, the salary system ought to have been discontinued,
|
|
of course. We might make this correction now, I should think.
|
|
And we might add the portier, too. Since I first began
|
|
to study the portier, I have had opportunities to observe
|
|
him in the chief cities of Germany, Switzerland, and Italy;
|
|
and the more I have seen of him the more I have wished
|
|
that he might be adopted in America, and become there,
|
|
as he is in Europe, the stranger's guardian angel.
|
|
|
|
Yes, what was true eight hundred years ago, is just
|
|
as true today: "Few there be that can keep a hotel."
|
|
Perhaps it is because the landlords and their subordinates
|
|
have in too many cases taken up their trade without first
|
|
learning it. In Europe the trade of hotel-keeper is taught.
|
|
The apprentice begins at the bottom of the ladder
|
|
and masters the several grades one after the other.
|
|
Just as in our country printing-offices the apprentice
|
|
first learns how to sweep out and bring water;
|
|
then learns to "roll"; then to sort "pi"; then to set type;
|
|
and finally rounds and completes his education with
|
|
job-work and press-work; so the landlord-apprentice serves
|
|
as call-boy; then as under-waiter; then as a parlor waiter;
|
|
then as head waiter, in which position he often has
|
|
to make out all the bills; then as clerk or cashier;
|
|
then as portier. His trade is learned now, and by and
|
|
by he will assume the style and dignity of landlord,
|
|
and be found conducting a hotel of his own.
|
|
|
|
Now in Europe, the same as in America, when a man has
|
|
kept a hotel so thoroughly well during a number of years
|
|
as to give it a great reputation, he has his reward.
|
|
He can live prosperously on that reputation. He can let
|
|
his hotel run down to the last degree of shabbiness and
|
|
yet have it full of people all the time. For instance,
|
|
there is the Ho^tel de Ville, in Milan. It swarms with mice
|
|
and fleas, and if the rest of the world were destroyed
|
|
it could furnish dirt enough to start another one with.
|
|
The food would create an insurrection in a poorhouse;
|
|
and yet if you go outside to get your meals that hotel
|
|
makes up its loss by overcharging you on all sorts
|
|
of trifles--and without making any denials or excuses
|
|
about it, either. But the Ho^tel de Ville's old excellent
|
|
reputation still keeps its dreary rooms crowded with travelers
|
|
who would be elsewhere if they had only some wise friend
|
|
to warn them.
|
|
|
|
|
|
|
|
APPENDIX B
|
|
Heidelberg Castle
|
|
|
|
Heidelberg Castle must have been very beautiful before
|
|
the French battered and bruised and scorched it two hundred
|
|
years ago. The stone is brown, with a pinkish tint,
|
|
and does not seem to stain easily. The dainty and elaborate
|
|
ornamentation upon its two chief fronts is as delicately
|
|
carved as if it had been intended for the interior of a
|
|
drawing-room rather than for the outside of a house.
|
|
Many fruit and flower clusters, human heads and grim
|
|
projecting lions' heads are still as perfect in every detail
|
|
as if they were new. But the statues which are ranked
|
|
between the windows have suffered. These are life-size
|
|
statues of old-time emperors, electors, and similar
|
|
grandees, clad in mail and bearing ponderous swords.
|
|
Some have lost an arm, some a head, and one poor fellow
|
|
is chopped off at the middle. There is a saying that if
|
|
a stranger will pass over the drawbridge and walk across
|
|
the court to the castle front without saying anything,
|
|
he can made a wish and it will be fulfilled. But they
|
|
say that the truth of this thing has never had a chance
|
|
to be proved, for the reason that before any stranger can
|
|
walk from the drawbridge to the appointed place, the beauty
|
|
of the palace front will extort an exclamation of delight from
|
|
him.
|
|
|
|
A ruin must be rightly situated, to be effective.
|
|
This one could not have been better placed. It stands
|
|
upon a commanding elevation, it is buried in green words,
|
|
there is no level ground about it, but, on the contrary,
|
|
there are wooded terraces upon terraces, and one looks
|
|
down through shining leaves into profound chasms and
|
|
abysses where twilight reigns and the sun cannot intrude.
|
|
Nature knows how to garnish a ruin to get the best effect.
|
|
One of these old towers is split down the middle, and one
|
|
half has tumbled aside. It tumbled in such a way as to
|
|
establish itself in a picturesque attitude. Then all it
|
|
lacked was a fitting drapery, and Nature has furnished that;
|
|
she has robed the rugged mass in flowers and verdure,
|
|
and made it a charm to the eye. The standing half
|
|
exposes its arched and cavernous rooms to you, like open,
|
|
toothless mouths; there, too, the vines and flowers have
|
|
done their work of grace. The rear portion of the tower
|
|
has not been neglected, either, but is clothed with a
|
|
clinging garment of polished ivy which hides the wounds
|
|
and stains of time. Even the top is not left bare, but is
|
|
crowned with a flourishing group of trees and shrubs.
|
|
Misfortune has done for this old tower what it has done
|
|
for the human character sometimes--improved it.
|
|
|
|
A gentleman remarked, one day, that it might have been
|
|
fine to live in the castle in the day of its prime,
|
|
but that we had one advantage which its vanished
|
|
inhabitants lacked--the advantage of having a charming
|
|
ruin to visit and muse over. But that was a hasty idea.
|
|
Those people had the advantage of US. They had the fine
|
|
castle to live in, and they could cross the Rhine valley
|
|
and muse over the stately ruin of Trifels besides.
|
|
The Trifels people, in their day, five hundred years ago,
|
|
could go and muse over majestic ruins that have vanished,
|
|
now, to the last stone. There have always been ruins,
|
|
no doubt; and there have always been pensive people to sigh
|
|
over them, and asses to scratch upon them their names
|
|
and the important date of their visit. Within a hundred
|
|
years after Adam left Eden, the guide probably gave
|
|
the usual general flourish with his hand and said: "Place
|
|
where the animals were named, ladies and gentlemen;
|
|
place where the tree of the forbidden fruit stood;
|
|
exact spot where Adam and Eve first met; and here,
|
|
ladies and gentlemen, adorned and hallowed by the names
|
|
and addresses of three generations of tourists, we have
|
|
the crumbling remains of Cain's altar--fine old ruin!"
|
|
Then, no doubt, he taxed them a shekel apiece and let
|
|
them go.
|
|
|
|
An illumination of Heidelberg Castle is one of the
|
|
sights of Europe. The Castle's picturesque shape;
|
|
its commanding situation, midway up the steep and
|
|
wooded mountainside; its vast size--these features combine
|
|
to make an illumination a most effective spectacle.
|
|
It is necessarily an expensive show, and consequently
|
|
rather infrequent. Therefore whenever one of these exhibitions
|
|
is to take place, the news goes about in the papers and
|
|
Heidelberg is sure to be full of people on that night.
|
|
I and my agent had one of these opportunities, and improved it.
|
|
|
|
About half past seven on the appointed evening we
|
|
crossed the lower bridge, with some American students,
|
|
in a pouring rain, and started up the road which borders
|
|
the Neunheim side of the river. This roadway was densely
|
|
packed with carriages and foot-passengers; the former
|
|
of all ages, and the latter of all ages and both sexes.
|
|
This black and solid mass was struggling painfully onward,
|
|
through the slop, the darkness, and the deluge.
|
|
We waded along for three-quarters of a mile, and finally
|
|
took up a position in an unsheltered beer-garden directly
|
|
opposite the Castle. We could not SEE the Castle--or
|
|
anything else, for that matter--but we could dimly
|
|
discern the outlines of the mountain over the way,
|
|
through the pervading blackness, and knew whereabouts
|
|
the Castle was located. We stood on one of the hundred
|
|
benches in the garden, under our umbrellas; the other
|
|
ninety-nine were occupied by standing men and women,
|
|
and they also had umbrellas. All the region round about,
|
|
and up and down the river-road, was a dense wilderness of
|
|
humanity hidden under an unbroken pavement of carriage tops
|
|
and umbrellas. Thus we stood during two drenching hours.
|
|
No rain fell on my head, but the converging whalebone
|
|
points of a dozen neighboring umbrellas poured little
|
|
cooling steams of water down my neck, and sometimes into
|
|
my ears, and thus kept me from getting hot and impatient.
|
|
I had the rheumatism, too, and had heard that this was
|
|
good for it. Afterward, however, I was led to believe
|
|
that the water treatment is NOT good for rheumatism.
|
|
There were even little girls in that dreadful place.
|
|
A men held one in his arms, just in front of me, for as much
|
|
as an hour, with umbrella-drippings soaking into her clothing
|
|
all the time.
|
|
|
|
In the circumstances, two hours was a good while for us
|
|
to have to wait, but when the illumination did at last come,
|
|
we felt repaid. It came unexpectedly, of course--things
|
|
always do, that have been long looked and longed for.
|
|
With a perfectly breath-taking suddenness several mast
|
|
sheaves of varicolored rockets were vomited skyward out
|
|
of the black throats of the Castle towers, accompanied by
|
|
a thundering crash of sound, and instantly every detail of
|
|
the prodigious ruin stood revealed against the mountainside
|
|
and glowing with an almost intolerable splendor of fire
|
|
and color. For some little time the whole building was
|
|
a blinding crimson mass, the towers continued to spout
|
|
thick columns of rockets aloft, and overhead the sky
|
|
was radiant with arrowy bolts which clove their way to
|
|
the zenith, paused, curved gracefully downward, then burst
|
|
into brilliant fountain-sprays of richly colored sparks.
|
|
The red fires died slowly down, within the Castle,
|
|
and presently the shell grew nearly black outside;
|
|
the angry glare that shone out through the broken arches
|
|
and innumerable sashless windows, now, reproduced the
|
|
aspect which the Castle must have borne in the old time
|
|
when the French spoilers saw the monster bonfire which
|
|
they had made there fading and spoiling toward extinction.
|
|
|
|
While we still gazed and enjoyed, the ruin was suddenly
|
|
enveloped in rolling and rumbling volumes of vaporous
|
|
green fire; then in dazzling purple ones; then a mixture
|
|
of many colors followed, then drowned the great fabric
|
|
in its blended splendors. Meantime the nearest bridge
|
|
had been illuminated, and from several rafts anchored
|
|
in the river, meteor showers of rockets, Roman candles,
|
|
bombs, serpents, and Catharine wheels were being discharged
|
|
in wasteful profusion into the sky--a marvelous sight indeed
|
|
to a person as little used to such spectacles as I was.
|
|
For a while the whole region about us seemed as bright as day,
|
|
and yet the rain was falling in torrents all the time.
|
|
The evening's entertainment presently closed, and we
|
|
joined the innumerable caravan of half-drowned strangers,
|
|
and waded home again.
|
|
|
|
The Castle grounds are very ample and very beautiful;
|
|
and as they joined the Hotel grounds, with no fences
|
|
to climb, but only some nobly shaded stone stairways
|
|
to descend, we spent a part of nearly every day in
|
|
idling through their smooth walks and leafy groves.
|
|
There was an attractive spot among the trees where were
|
|
a great many wooden tables and benches; and there one could
|
|
sit in the shade and pretend to sip at his foamy beaker
|
|
of beer while he inspected the crowd. I say pretend,
|
|
because I only pretended to sip, without really sipping.
|
|
That is the polite way; but when you are ready to go,
|
|
you empty the beaker at a draught. There was a brass band,
|
|
and it furnished excellent music every afternoon.
|
|
Sometimes so many people came that every seat was occupied,
|
|
every table filled. And never a rough in the assemblace--all
|
|
nicely dressed fathers and mothers, young gentlemen
|
|
and ladies and children; and plenty of university
|
|
students and glittering officers; with here and there
|
|
a gray professor, or a peaceful old lady with her knitting;
|
|
and always a sprinkling of gawky foreigners.
|
|
Everybody had his glass of beer before him, or his cup
|
|
of coffee, or his bottle of wine, or his hot cutlet
|
|
and potatoes; young ladies chatted, or fanned themselves,
|
|
or wrought at their crocheting or embroidering;
|
|
the students fed sugar to their dogs, or discussed duels,
|
|
or illustrated new fencing tricks with their little canes;
|
|
and everywhere was comfort and enjoyment, and everywhere
|
|
peace and good-will to men. The trees were jubilant
|
|
with birds, and the paths with rollicking children.
|
|
One could have a seat in that place and plenty of music,
|
|
any afternoon, for about eight cents, or a family ticket
|
|
for the season for two dollars.
|
|
|
|
For a change, when you wanted one, you could stroll
|
|
to the Castle, and burrow among its dungeons, or climb
|
|
about its ruined towers, or visit its interior shows--the
|
|
great Heidelberg Tun, for instance. Everybody has heard
|
|
of the great Heidelberg Tun, and most people have seen it,
|
|
no doubt. It is a wine-cask as big as a cottage, and some
|
|
traditions say it holds eighteen thousand bottles, and other
|
|
traditions say it holds eighteen hundred million barrels.
|
|
I think it likely that one of these statements is
|
|
a mistake, and the other is a lie. However, the mere
|
|
matter of capacity is a thing of no sort of consequence,
|
|
since the cask is empty, and indeed has always been empty,
|
|
history says. An empty cask the size of a cathedral could
|
|
excite but little emotion in me. I do not see any wisdom
|
|
in building a monster cask to hoard up emptiness in,
|
|
when you can get a better quality, outside, any day,
|
|
free of expense. What could this cask have been
|
|
built for? The more one studies over that, the more
|
|
uncertain and unhappy he becomes. Some historians say
|
|
that thirty couples, some say thirty thousand couples,
|
|
can dance on the head of this cask at the same time.
|
|
Even this does not seem to me to account for the building
|
|
of it. It does not even throw light on it. A profound
|
|
and scholarly Englishman--a specialist--who had made
|
|
the great Heidelberg Tun his sole study for fifteen years,
|
|
told me he had at last satisfied himself that the ancients
|
|
built it to make German cream in. He said that the average
|
|
German cow yielded from one to two and half teaspoons of milk,
|
|
when she was not worked in the plow or the hay-wagon
|
|
more than eighteen or nineteen hours a day. This milk
|
|
was very sweet and good, and a beautiful transparent
|
|
bluish tint; but in order to get cream from it in the
|
|
most economical way, a peculiar process was necessary.
|
|
Now he believed that the habit of the ancients was to collect
|
|
several milkings in a teacup, pour it into the Great Tun,
|
|
fill up with water, and then skim off the cream from
|
|
time to time as the needs of the German Empire demanded.
|
|
|
|
This began to look reasonable. It certainly began
|
|
to account for the German cream which I had encountered
|
|
and marveled over in so many hotels and restaurants.
|
|
But a thought struck me--
|
|
|
|
"Why did not each ancient dairyman take his own teacup
|
|
of milk and his own cask of water, and mix them,
|
|
without making a government matter of it?'
|
|
|
|
"Where could he get a cask large enough to contain
|
|
the right proportion of water?"
|
|
|
|
Very true. It was plain that the Englishman had studied
|
|
the matter from all sides. Still I thought I might catch
|
|
him on one point; so I asked him why the modern empire
|
|
did not make the nation's cream in the Heidelberg Tun,
|
|
instead of leaving it to rot away unused. But he answered
|
|
as one prepared--
|
|
|
|
"A patient and diligent examination of the modern German cream
|
|
had satisfied me that they do not use the Great Tun now,
|
|
because they have got a BIGGER one hid away somewhere.
|
|
Either that is the case or they empty the spring milkings
|
|
into the mountain torrents and then skim the Rhine
|
|
all summer."
|
|
|
|
There is a museum of antiquities in the Castle, and among
|
|
its most treasured relics are ancient manuscripts connected
|
|
with German history. There are hundreds of these,
|
|
and their dates stretch back through many centuries.
|
|
One of them is a decree signed and sealed by the hand
|
|
of a successor of Charlemagne, in the year 896.
|
|
A signature made by a hand which vanished out of this life
|
|
near a thousand years ago, is a more impressive thing than
|
|
even a ruined castle. Luther's wedding-ring was shown me;
|
|
also a fork belonging to a time anterior to our era,
|
|
and an early bookjack. And there was a plaster cast
|
|
of the head of a man who was assassinated about sixty
|
|
years ago. The stab-wounds in the face were duplicated
|
|
with unpleasant fidelity. One or two real hairs
|
|
still remained sticking in the eyebrows of the cast.
|
|
That trifle seemed to almost change the counterfeit into
|
|
a corpse.
|
|
|
|
There are many aged portraits--some valuable, some worthless;
|
|
some of great interest, some of none at all. I bought a
|
|
couple--one a gorgeous duke of the olden time, and the other
|
|
a comely blue-eyed damsel, a princess, maybe. I bought
|
|
them to start a portrait-gallery of my ancestors with.
|
|
I paid a dollar and a half for the duke and a half
|
|
for the princess. One can lay in ancestors at even
|
|
cheaper rates than these, in Europe, if he will mouse
|
|
among old picture shops and look out for chances.
|
|
|
|
|
|
|
|
APPENDIX C
|
|
The College Prison
|
|
|
|
It seems that the student may break a good many of the public
|
|
laws without having to answer to the public authorities.
|
|
His case must come before the University for trial
|
|
and punishment. If a policeman catches him in an unlawful
|
|
act and proceeds to arrest him, the offender proclaims that
|
|
he is a student, and perhaps shows his matriculation card,
|
|
whereupon the officer asks for his address, then goes
|
|
his way, and reports the matter at headquarters. If the
|
|
offense is one over which the city has no jurisdiction,
|
|
the authorities report the case officially to the University,
|
|
and give themselves no further concern about it.
|
|
The University court send for the student, listen to
|
|
the evidence, and pronounce judgment. The punishment
|
|
usually inflicted is imprisonment in the University prison.
|
|
As I understand it, a student's case is often tried
|
|
without his being present at all. Then something
|
|
like this happens: A constable in the service of the
|
|
University visits the lodgings of the said student,
|
|
knocks, is invited to come in, does so, and says politely--
|
|
|
|
"If you please, I am here to conduct you to prison."
|
|
|
|
"Ah," says the student, "I was not expecting it.
|
|
What have I been doing?"
|
|
|
|
"Two weeks ago the public peace had the honor to be
|
|
disturbed by you."
|
|
|
|
"It is true; I had forgotten it. Very well: I have been
|
|
complained of, tried, and found guilty--is that it?"
|
|
|
|
"Exactly. You are sentenced to two days' solitary confinement
|
|
in the College prison, and I am sent to fetch you."
|
|
|
|
STUDENT. "O, I can't go today."
|
|
|
|
OFFICER. "If you please--why?"
|
|
|
|
STUDENT. "Because I've got an engagement."
|
|
|
|
OFFICER. "Tomorrow, then, perhaps?"
|
|
|
|
STUDENT. "No, I am going to the opera, tomorrow."
|
|
|
|
OFFICER. "Could you come Friday?"
|
|
|
|
STUDENT. (Reflectively.) "Let me see--Friday--Friday.
|
|
I don't seem to have anything on hand Friday."
|
|
|
|
OFFICER. "Then, if you please, I will expect you on Friday."
|
|
|
|
STUDENT. "All right, I'll come around Friday."
|
|
|
|
OFFICER. "Thank you. Good day, sir."
|
|
|
|
STUDENT. "Good day."
|
|
|
|
So on Friday the student goes to the prison of his
|
|
own accord, and is admitted.
|
|
|
|
It is questionable if the world's criminal history can
|
|
show a custom more odd than this. Nobody knows, now,
|
|
how it originated. There have always been many noblemen
|
|
among the students, and it is presumed that all students
|
|
are gentlemen; in the old times it was usual to mar
|
|
the convenience of such folk as little as possible;
|
|
perhaps this indulgent custom owes its origin to this.
|
|
|
|
One day I was listening to some conversation upon this
|
|
subject when an American student said that for some time he
|
|
had been under sentence for a slight breach of the peace
|
|
and had promised the constable that he would presently
|
|
find an unoccupied day and betake himself to prison.
|
|
I asked the young gentleman to do me the kindness to go
|
|
to jail as soon as he conveniently could, so that I might
|
|
try to get in there and visit him, and see what college
|
|
captivity was like. He said he would appoint the very
|
|
first day he could spare.
|
|
|
|
His confinement was to endure twenty-four hours. He shortly
|
|
chose his day, and sent me word. I started immediately.
|
|
When I reached the University Place, I saw two gentlemen
|
|
talking together, and, as they had portfolios under
|
|
their arms, I judged they were tutors or elderly students;
|
|
so I asked them in English to show me the college jail.
|
|
I had learned to take it for granted that anybody in Germany
|
|
who knows anything, knows English, so I had stopped
|
|
afflicting people with my German. These gentlemen seemed
|
|
a trifle amused--and a trifle confused, too--but one
|
|
of them said he would walk around the corner with me
|
|
and show me the place. He asked me why I wanted to get
|
|
in there, and I said to see a friend--and for curiosity.
|
|
He doubted if I would be admitted, but volunteered to put
|
|
in a word or two for me with the custodian.
|
|
|
|
He rang the bell, a door opened, and we stepped into a paved
|
|
way and then up into a small living-room, where we were
|
|
received by a hearty and good-natured German woman of fifty.
|
|
She threw up her hands with a surprised "ACH GOTT,
|
|
HERR PROFESSOR!" and exhibited a mighty deference for my
|
|
new acquaintance. By the sparkle in her eye I judged
|
|
she was a good deal amused, too. The "Herr Professor"
|
|
talked to her in German, and I understood enough of it
|
|
to know that he was bringing very plausible reasons to bear
|
|
for admitting me. They were successful. So the Herr
|
|
Professor received my earnest thanks and departed.
|
|
The old dame got her keys, took me up two or three flights
|
|
of stairs, unlocked a door, and we stood in the presence
|
|
of the criminal. Then she went into a jolly and eager
|
|
description of all that had occurred downstairs, and what
|
|
the Herr Professor had said, and so forth and so on.
|
|
Plainly, she regarded it as quite a superior joke that I had
|
|
waylaid a Professor and employed him in so odd a service.
|
|
But I wouldn't have done it if I had known he was a Professor;
|
|
therefore my conscience was not disturbed.
|
|
|
|
Now the dame left us to ourselves. The cell was not a roomy one;
|
|
still it was a little larger than an ordinary prison cell.
|
|
It had a window of good size, iron-grated; a small stove;
|
|
two wooden chairs; two oaken tables, very old and
|
|
most elaborately carved with names, mottoes, faces,
|
|
armorial bearings, etc.--the work of several generations
|
|
of imprisoned students; and a narrow wooden bedstead
|
|
with a villainous straw mattress, but no sheets, pillows,
|
|
blankets, or coverlets--for these the student must furnish
|
|
at his own cost if he wants them. There was no carpet, of
|
|
course.
|
|
|
|
The ceiling was completely covered with names, dates,
|
|
and monograms, done with candle-smoke. The walls were
|
|
thickly covered with pictures and portraits (in profile),
|
|
some done with ink, some with soot, some with a pencil,
|
|
and some with red, blue, and green chalks; and whenever
|
|
an inch or two of space had remained between the pictures,
|
|
the captives had written plaintive verses, or names
|
|
and dates. I do not think I was ever in a more elaborately
|
|
frescoed apartment.
|
|
|
|
Against the wall hung a placard containing the prison laws.
|
|
I made a note of one or two of these. For instance:
|
|
The prisoner must pay, for the "privilege" of entering,
|
|
a sum equivalent to 20 cents of our money; for the privilege
|
|
of leaving, when his term had expired, 20 cents; for every
|
|
day spent in the prison, 12 cents; for fire and light,
|
|
12 cents a day. The jailer furnishes coffee, mornings,
|
|
for a small sum; dinners and suppers may be ordered
|
|
from outside if the prisoner chooses--and he is allowed
|
|
to pay for them, too.
|
|
|
|
Here and there, on the walls, appeared the names
|
|
of American students, and in one place the American
|
|
arms and motto were displayed in colored chalks.
|
|
|
|
With the help of my friend I translated many of the inscriptions.
|
|
|
|
Some of them were cheerful, others the reverse.
|
|
I will give the reader a few specimens:
|
|
|
|
"In my tenth semester (my best one), I am cast here
|
|
through the complaints of others. Let those who follow
|
|
me take warning."
|
|
|
|
"III TAGE OHNE GRUND ANGEBLICH AUS NEUGIERDE." Which is to say,
|
|
he had a curiosity to know what prison life was like;
|
|
so he made a breach in some law and got three days for it.
|
|
It is more than likely that he never had the same
|
|
curiosity again.
|
|
|
|
(TRANSLATION.) "E. Glinicke, four days for being too eager
|
|
a spectator of a row."
|
|
|
|
"F. Graf Bismarck--27-29, II, '74." Which means that
|
|
Count Bismarck, son of the great statesman, was a prisoner
|
|
two days in 1874.
|
|
|
|
(TRANSLATION.) "R. Diergandt--for Love--4 days."
|
|
Many people in this world have caught it heavier than
|
|
for the same indiscretion.
|
|
|
|
This one is terse. I translate:
|
|
|
|
"Four weeks for MISINTERPRETED GALLANTRY." I wish
|
|
the sufferer had explained a little more fully.
|
|
A four-week term is a rather serious matter.
|
|
|
|
There were many uncomplimentary references, on the walls,
|
|
to a certain unpopular dignitary. One sufferer had got
|
|
three days for not saluting him. Another had "here two days
|
|
slept and three nights lain awake," on account of this
|
|
same "Dr. K." In one place was a picture of Dr. K. hanging
|
|
on a gallows.
|
|
|
|
Here and there, lonesome prisoners had eased the heavy time
|
|
by altering the records left by predecessors. Leaving the
|
|
name standing, and the date and length of the captivity,
|
|
they had erased the description of the misdemeanor,
|
|
and written in its place, in staring capitals, "FOR THEFT!"
|
|
or "FOR MURDER!" or some other gaudy crime. In one place,
|
|
all by itself, stood this blood-curdling word:
|
|
|
|
"Rache!" [1]
|
|
|
|
1. "Revenge!"
|
|
|
|
There was no name signed, and no date. It was an
|
|
inscription well calculated to pique curiosity.
|
|
One would greatly like to know the nature of the wrong
|
|
that had been done, and what sort of vengeance was wanted,
|
|
and whether the prisoner ever achieved it or not.
|
|
But there was no way of finding out these things.
|
|
|
|
Occasionally, a name was followed simply by the remark,
|
|
"II days, for disturbing the peace," and without comment
|
|
upon the justice or injustice of the sentence.
|
|
|
|
In one place was a hilarious picture of a student of the
|
|
green cap corps with a bottle of champagne in each hand;
|
|
and below was the legend: "These make an evil fate endurable."
|
|
|
|
There were two prison cells, and neither had space left on
|
|
walls or ceiling for another name or portrait or picture.
|
|
The inside surfaces of the two doors were completely
|
|
covered with CARTES DE VISITE of former prisoners,
|
|
ingeniously let into the wood and protected from dirt
|
|
and injury by glass.
|
|
|
|
I very much wanted one of the sorry old tables which
|
|
the prisoners had spent so many years in ornamenting
|
|
with their pocket-knives, but red tape was in the way.
|
|
The custodian could not sell one without an order from
|
|
a superior; and that superior would have to get it from
|
|
HIS superior; and this one would have to get it from
|
|
a higher one--and so on up and up until the faculty
|
|
should sit on the matter and deliver final judgment.
|
|
The system was right, and nobody could find fault with it;
|
|
but it did not seem justifiable to bother so many people,
|
|
so I proceeded no further. It might have cost me more than
|
|
I could afford, anyway; for one of those prison tables,
|
|
which was at the time in a private museum in Heidelberg,
|
|
was afterward sold at auction for two hundred and fifty dollars.
|
|
It was not worth more than a dollar, or possibly a dollar
|
|
and half, before the captive students began their work
|
|
on it. Persons who saw it at the auction said it was
|
|
so curiously and wonderfully carved that it was worth
|
|
the money that was paid for it.
|
|
|
|
Among them many who have tasted the college prison's
|
|
dreary hospitality was a lively young fellow from one
|
|
of the Southern states of America, whose first year's
|
|
experience of German university life was rather peculiar.
|
|
The day he arrived in Heidelberg he enrolled his name
|
|
on the college books, and was so elated with the fact
|
|
that his dearest hope had found fruition and he was
|
|
actually a student of the old and renowned university,
|
|
that he set to work that very night to celebrate the event
|
|
by a grand lark in company with some other students.
|
|
In the course of his lark he managed to make a wide
|
|
breach in one of the university's most stringent laws.
|
|
Sequel: before noon, next day, he was in the college
|
|
prison--booked for three months. The twelve long weeks
|
|
dragged slowly by, and the day of deliverance came at last.
|
|
A great crowd of sympathizing fellow-students received
|
|
him with a rousing demonstration as he came forth,
|
|
and of course there was another grand lark--in the course
|
|
of which he managed to make a wide breach of the CITY'S
|
|
most stringent laws. Sequel: before noon, next day,
|
|
he was safe in the city lockup--booked for three months.
|
|
This second tedious captivity drew to an end in the course
|
|
of time, and again a great crowd of sympathizing fellow
|
|
students gave him a rousing reception as he came forth;
|
|
but his delight in his freedom was so boundless that he
|
|
could not proceed soberly and calmly, but must go hopping
|
|
and skipping and jumping down the sleety street from sheer
|
|
excess of joy. Sequel: he slipped and broke his leg,
|
|
and actually lay in the hospital during the next three
|
|
months!
|
|
|
|
When he at last became a free man again, he said he believed
|
|
he would hunt up a brisker seat of learning; the Heidelberg
|
|
lectures might be good, but the opportunities of attending
|
|
them were too rare, the educational process too slow;
|
|
he said he had come to Europe with the idea that the
|
|
acquirement of an education was only a matter of time,
|
|
but if he had averaged the Heidelberg system correctly,
|
|
it was rather a matter of eternity.
|
|
|
|
|
|
|
|
APPENDIX D
|
|
The Awful German Language
|
|
|
|
A little learning makes the whole world kin.
|
|
--Proverbs xxxii, 7.
|
|
|
|
I went often to look at the collection of curiosities
|
|
in Heidelberg Castle, and one day I surprised the keeper
|
|
of it with my German. I spoke entirely in that language.
|
|
He was greatly interested; and after I had talked a while
|
|
he said my German was very rare, possibly a "unique";
|
|
and wanted to add it to his museum.
|
|
|
|
If he had known what it had cost me to acquire my art,
|
|
he would also have known that it would break any
|
|
collector to buy it. Harris and I had been hard at
|
|
work on our German during several weeks at that time,
|
|
and although we had made good progress, it had been
|
|
accomplished under great difficulty and annoyance,
|
|
for three of our teachers had died in the mean time.
|
|
A person who has not studied German can form no idea
|
|
of what a perplexing language it is.
|
|
|
|
Surely there is not another language that is so slipshod
|
|
and systemless, and so slippery and elusive to the grasp.
|
|
One is washed about in it, hither and thither, in the most
|
|
helpless way; and when at last he thinks he has captured
|
|
a rule which offers firm ground to take a rest on amid
|
|
the general rage and turmoil of the ten parts of speech,
|
|
he turns over the page and reads, "Let the pupil make
|
|
careful note of the following EXCEPTIONS." He runs his
|
|
eye down and finds that there are more exceptions to the
|
|
rule than instances of it. So overboard he goes again,
|
|
to hunt for another Ararat and find another quicksand.
|
|
Such has been, and continues to be, my experience.
|
|
Every time I think I have got one of these four confusing
|
|
"cases" where I am master of it, a seemingly insignificant
|
|
preposition intrudes itself into my sentence, clothed with
|
|
an awful and unsuspected power, and crumbles the ground
|
|
from under me. For instance, my book inquires after
|
|
a certain bird--(it is always inquiring after things
|
|
which are of no sort of no consequence to anybody): "Where
|
|
is the bird?" Now the answer to this question--according
|
|
to the book--is that the bird is waiting in the blacksmith
|
|
shop on account of the rain. Of course no bird would
|
|
do that, but then you must stick to the book. Very well,
|
|
I begin to cipher out the German for that answer. I begin
|
|
at the wrong end, necessarily, for that is the German idea.
|
|
I say to myself, "REGEN (rain) is masculine--or maybe it
|
|
is feminine--or possibly neuter--it is too much trouble
|
|
to look now. Therefore, it is either DER (the) Regen,
|
|
or DIE (the) Regen, or DAS (the) Regen, according to which
|
|
gender it may turn out to be when I look. In the interest
|
|
of science, I will cipher it out on the hypothesis that it
|
|
is masculine. Very well--then THE rain is DER Regen,
|
|
if it is simply in the quiescent state of being MENTIONED,
|
|
without enlargement or discussion--Nominative case;
|
|
but if this rain is lying around, in a kind of a general
|
|
way on the ground, it is then definitely located,
|
|
it is DOING SOMETHING--that is, RESTING (which is one
|
|
of the German grammar's ideas of doing something), and
|
|
this throws the rain into the Dative case, and makes it
|
|
DEM Regen. However, this rain is not resting, but is
|
|
doing something ACTIVELY,--it is falling--to interfere
|
|
with the bird, likely--and this indicates MOVEMENT,
|
|
which has the effect of sliding it into the Accusative case
|
|
and changing DEM Regen into DEN Regen." Having completed
|
|
the grammatical horoscope of this matter, I answer up
|
|
confidently and state in German that the bird is staying
|
|
in the blacksmith shop "wegen (on account of) DEN Regen."
|
|
Then the teacher lets me softly down with the remark
|
|
that whenever the word "wegen" drops into a sentence,
|
|
it ALWAYS throws that subject into the GENITIVE case,
|
|
regardless of consequences--and therefore this bird stayed in
|
|
the blacksmith shop "wegen DES Regens."
|
|
|
|
N.B.--I was informed, later, by a higher authority,
|
|
that there was an "exception" which permits one to say "wegen
|
|
DEN Regen" in certain peculiar and complex circumstances,
|
|
but that this exception is not extended to anything
|
|
BUT rain.
|
|
|
|
There are ten parts of speech, and they are all troublesome.
|
|
An average sentence, in a German newspaper, is a sublime
|
|
and impressive curiosity; it occupies a quarter of a column;
|
|
it contains all the ten parts of speech--not in regular order,
|
|
but mixed; it is built mainly of compound words constructed
|
|
by the writer on the spot, and not to be found in any
|
|
dictionary--six or seven words compacted into one,
|
|
without joint or seam--that is, without hyphens;
|
|
it treats of fourteen or fifteen different subjects,
|
|
each enclosed in a parenthesis of its own, with here and
|
|
there extra parentheses, making pens with pens: finally,
|
|
all the parentheses and reparentheses are massed together
|
|
between a couple of king-parentheses, one of which is placed
|
|
in the first line of the majestic sentence and the other
|
|
in the middle of the last line of it--AFTER WHICH COMES
|
|
THE VERB, and you find out for the first time what the man
|
|
has been talking about; and after the verb--merely by way
|
|
of ornament, as far as I can make out--the writer shovels
|
|
in "HABEN SIND GEWESEN GEHABT HAVEN GEWORDEN SEIN,"
|
|
or words to that effect, and the monument is finished.
|
|
I suppose that this closing hurrah is in the nature of the
|
|
flourish to a man's signature--not necessary, but pretty.
|
|
German books are easy enough to read when you hold them
|
|
before the looking-glass or stand on your head--so as
|
|
to reverse the construction--but I think that to learn
|
|
to read and understand a German newspaper is a thing
|
|
which must always remain an impossibility to a foreigner.
|
|
|
|
Yet even the German books are not entirely free from attacks
|
|
of the Parenthesis distemper--though they are usually so mild
|
|
as to cover only a few lines, and therefore when you at
|
|
last get down to the verb it carries some meaning to your
|
|
mind because you are able to remember a good deal of what
|
|
has gone before. Now here is a sentence from a popular
|
|
and excellent German novel--which a slight parenthesis
|
|
in it. I will make a perfectly literal translation,
|
|
and throw in the parenthesis-marks and some hyphens
|
|
for the assistance of the reader--though in the original
|
|
there are no parenthesis-marks or hyphens, and the reader
|
|
is left to flounder through to the remote verb the best way he
|
|
can:
|
|
|
|
"But when he, upon the street, the (in-satin-and-silk-covered-
|
|
now-very-unconstrained-after-the-newest-fashioned-dressed)
|
|
government counselor's wife MET," etc., etc. [1]
|
|
|
|
1. Wenn er aber auf der Strasse der in Sammt und Seide
|
|
gehu"llten jetz sehr ungenirt nach der neusten mode
|
|
gekleideten Regierungsrathin begegnet.
|
|
|
|
That is from THE OLD MAMSELLE'S SECRET, by Mrs. Marlitt.
|
|
And that sentence is constructed upon the most approved
|
|
German model. You observe how far that verb is from
|
|
the reader's base of operations; well, in a German
|
|
newspaper they put their verb away over on the next page;
|
|
and I have heard that sometimes after stringing along the
|
|
exciting preliminaries and parentheses for a column or two,
|
|
they get in a hurry and have to go to press without getting
|
|
to the verb at all. Of course, then, the reader is left
|
|
in a very exhausted and ignorant state.
|
|
|
|
We have the Parenthesis disease in our literature, too; and one
|
|
may see cases of it every day in our books and newspapers:
|
|
but with us it is the mark and sign of an unpracticed
|
|
writer or a cloudy intellect, whereas with the Germans
|
|
it is doubtless the mark and sign of a practiced pen
|
|
and of the presence of that sort of luminous intellectual
|
|
fog which stands for clearness among these people.
|
|
For surely it is NOT clearness--it necessarily can't
|
|
be clearness. Even a jury would have penetration enough
|
|
to discover that. A writer's ideas must be a good
|
|
deal confused, a good deal out of line and sequence,
|
|
when he starts out to say that a man met a counselor's
|
|
wife in the street, and then right in the midst of this
|
|
so simple undertaking halts these approaching people
|
|
and makes them stand still until he jots down an inventory
|
|
of the woman's dress. That is manifestly absurd.
|
|
It reminds a person of those dentists who secure your instant
|
|
and breathless interest in a tooth by taking a grip on it
|
|
with the forceps, and then stand there and drawl through
|
|
a tedious anecdote before they give the dreaded jerk.
|
|
Parentheses in literature and dentistry are in bad taste.
|
|
|
|
The Germans have another kind of parenthesis, which they
|
|
make by splitting a verb in two and putting half of it
|
|
at the beginning of an exciting chapter and the OTHER
|
|
HALF at the end of it. Can any one conceive of anything
|
|
more confusing than that? These things are called
|
|
"separable verbs." The German grammar is blistered
|
|
all over with separable verbs; and the wider the two
|
|
portions of one of them are spread apart, the better
|
|
the author of the crime is pleased with his performance.
|
|
A favorite one is REISTE AB--which means departed.
|
|
Here is an example which I culled from a novel and reduced
|
|
to English:
|
|
|
|
"The trunks being now ready, he DE- after kissing his
|
|
mother and sisters, and once more pressing to his bosom
|
|
his adored Gretchen, who, dressed in simple white muslin,
|
|
with a single tuberose in the ample folds of her rich
|
|
brown hair, had tottered feebly down the stairs, still pale
|
|
from the terror and excitement of the past evening,
|
|
but longing to lay her poor aching head yet once again
|
|
upon the breast of him whom she loved more dearly than
|
|
life itself, PARTED."
|
|
|
|
However, it is not well to dwell too much on the
|
|
separable verbs. One is sure to lose his temper early;
|
|
and if he sticks to the subject, and will not be warned,
|
|
it will at last either soften his brain or petrify it.
|
|
Personal pronouns and adjectives are a fruitful nuisance
|
|
in this language, and should have been left out.
|
|
For instance, the same sound, SIE, means YOU, and it means SHE,
|
|
and it means HER, and it means IT, and it means THEY,
|
|
and it means THEM. Think of the ragged poverty of a
|
|
language which has to make one word do the work of six--and
|
|
a poor little weak thing of only three letters at that.
|
|
But mainly, think of the exasperation of never knowing
|
|
which of these meanings the speaker is trying to convey.
|
|
This explains why, whenever a person says SIE to me,
|
|
I generally try to kill him, if a stranger.
|
|
|
|
Now observe the Adjective. Here was a case where simplicity
|
|
would have been an advantage; therefore, for no other reason,
|
|
the inventor of this language complicated it all he could.
|
|
When we wish to speak of our "good friend or friends,"
|
|
in our enlightened tongue, we stick to the one form and have
|
|
no trouble or hard feeling about it; but with the German
|
|
tongue it is different. When a German gets his hands
|
|
on an adjective, he declines it, and keeps on declining
|
|
it until the common sense is all declined out of it.
|
|
It is as bad as Latin. He says, for instance:
|
|
|
|
SINGULAR
|
|
|
|
Nominative--Mein gutER Freund, my good friend.
|
|
Genitives--MeinES GutEN FreundES, of my good friend.
|
|
Dative--MeinEM gutEN Freund, to my good friend.
|
|
Accusative--MeinEN gutEN Freund, my good friend.
|
|
|
|
PLURAL
|
|
|
|
N.--MeinE gutEN FreundE, my good friends. G.--MeinER gutEN
|
|
FreundE, of my good friends. D.--MeinEN gutEN FreundEN,
|
|
to my good friends. A.--MeinE gutEN FreundE, my good friends.
|
|
|
|
Now let the candidate for the asylum try to memorize
|
|
those variations, and see how soon he will be elected.
|
|
One might better go without friends in Germany than take
|
|
all this trouble about them. I have shown what a bother
|
|
it is to decline a good (male) friend; well this is
|
|
only a third of the work, for there is a variety of new
|
|
distortions of the adjective to be learned when the object
|
|
is feminine, and still another when the object is neuter.
|
|
Now there are more adjectives in this language than there
|
|
are black cats in Switzerland, and they must all be as
|
|
elaborately declined as the examples above suggested.
|
|
Difficult?--troublesome?--these words cannot describe it.
|
|
I heard a Californian student in Heidelberg say, in one of
|
|
his calmest moods, that he would rather decline two drinks
|
|
than one German adjective.
|
|
|
|
The inventor of the language seems to have taken pleasure
|
|
in complicating it in every way he could think of.
|
|
For instance, if one is casually referring to a house,
|
|
HAUS, or a horse, PFERD, or a dog, HUND, he spells these
|
|
words as I have indicated; but if he is referring to them
|
|
in the Dative case, he sticks on a foolish and unnecessary
|
|
E and spells them HAUSE, PFERDE, HUNDE. So, as an added
|
|
E often signifies the plural, as the S does with us,
|
|
the new student is likely to go on for a month making
|
|
twins out of a Dative dog before he discovers his mistake;
|
|
and on the other hand, many a new student who could ill
|
|
afford loss, has bought and paid for two dogs and only
|
|
got one of them, because he ignorantly bought that dog
|
|
in the Dative singular when he really supposed he was
|
|
talking plural--which left the law on the seller's side,
|
|
of course, by the strict rules of grammar, and therefore
|
|
a suit for recovery could not lie.
|
|
|
|
In German, all the Nouns begin with a capital letter.
|
|
Now that is a good idea; and a good idea, in this language,
|
|
is necessarily conspicuous from its lonesomeness. I consider
|
|
this capitalizing of nouns a good idea, because by reason
|
|
of it you are almost always able to tell a noun the minute
|
|
you see it. You fall into error occasionally, because you
|
|
mistake the name of a person for the name of a thing,
|
|
and waste a good deal of time trying to dig a meaning
|
|
out of it. German names almost always do mean something,
|
|
and this helps to deceive the student. I translated
|
|
a passage one day, which said that "the infuriated tigress
|
|
broke loose and utterly ate up the unfortunate fir forest"
|
|
(Tannenwald). When I was girding up my loins to doubt this,
|
|
I found out that Tannenwald in this instance was a
|
|
man's name.
|
|
|
|
Every noun has a gender, and there is no sense or system
|
|
in the distribution; so the gender of each must be
|
|
learned separately and by heart. There is no other way.
|
|
To do this one has to have a memory like a memorandum-book.
|
|
In German, a young lady has no sex, while a turnip has.
|
|
Think what overwrought reverence that shows for the turnip,
|
|
and what callous disrespect for the girl. See how it
|
|
looks in print--I translate this from a conversation
|
|
in one of the best of the German Sunday-school books:
|
|
|
|
"Gretchen. Wilhelm, where is the turnip?
|
|
|
|
"Wilhelm. She has gone to the kitchen.
|
|
|
|
"Gretchen. Where is the accomplished and beautiful English
|
|
maiden?
|
|
|
|
Wilhelm. It has gone to the opera."
|
|
|
|
To continue with the German genders: a tree is male, its buds
|
|
are female, its leaves are neuter; horses are sexless,
|
|
dogs are male, cats are female--tomcats included, of course;
|
|
a person's mouth, neck, bosom, elbows, fingers, nails, feet,
|
|
and body are of the male sex, and his head is male
|
|
or neuter according to the word selected to signify it,
|
|
and NOT according to the sex of the individual who wears
|
|
it--for in Germany all the women either male heads or
|
|
sexless ones; a person's nose, lips, shoulders, breast,
|
|
hands, and toes are of the female sex; and his hair,
|
|
ears, eyes, chin, legs, knees, heart, and conscience
|
|
haven't any sex at all. The inventor of the language
|
|
probably got what he knew about a conscience from hearsay.
|
|
|
|
Now, by the above dissection, the reader will see that in
|
|
Germany a man may THINK he is a man, but when he comes to look
|
|
into the matter closely, he is bound to have his doubts;
|
|
he finds that in sober truth he is a most ridiculous mixture;
|
|
and if he ends by trying to comfort himself with the
|
|
thought that he can at least depend on a third of this
|
|
mess as being manly and masculine, the humiliating second
|
|
thought will quickly remind him that in this respect
|
|
he is no better off than any woman or cow in the land.
|
|
|
|
In the German it is true that by some oversight of the inventor
|
|
of the language, a Woman is a female; but a Wife (Weib)
|
|
is not--which is unfortunate. A Wife, here, has no sex;
|
|
she is neuter; so, according to the grammar, a fish
|
|
is HE, his scales are SHE, but a fishwife is neither.
|
|
To describe a wife as sexless may be called under-description;
|
|
that is bad enough, but over-description is surely worse.
|
|
A German speaks of an Englishman as the ENGLA"NDER; to change
|
|
the sex, he adds INN, and that stands for Englishwoman--
|
|
ENGLA"NDERINN. That seems descriptive enough, but still
|
|
it is not exact enough for a German; so he precedes the
|
|
word with that article which indicates that the creature
|
|
to follow is feminine, and writes it down thus: "die
|
|
Engla"nderinn,"--which means "the she-Englishwoman."
|
|
I consider that that person is over-described.
|
|
|
|
Well, after the student has learned the sex of a great
|
|
number of nouns, he is still in a difficulty, because he
|
|
finds it impossible to persuade his tongue to refer
|
|
to things as "he" and "she," and "him" and "her," which
|
|
it has been always accustomed to refer to it as "it."
|
|
When he even frames a German sentence in his mind,
|
|
with the hims and hers in the right places, and then works
|
|
up his courage to the utterance-point, it is no use--
|
|
the moment he begins to speak his tongue files the track
|
|
and all those labored males and females come out as "its."
|
|
And even when he is reading German to himself, he always
|
|
calls those things "it," where as he ought to read in this way:
|
|
|
|
TALE OF THE FISHWIFE AND ITS SAD FATE [2]
|
|
|
|
2. I capitalize the nouns, in the German (and
|
|
ancient English) fashion.
|
|
|
|
It is a bleak Day. Hear the Rain, how he pours, and the Hail,
|
|
how he rattles; and see the Snow, how he drifts along,
|
|
and of the Mud, how deep he is! Ah the poor Fishwife,
|
|
it is stuck fast in the Mire; it has dropped its Basket
|
|
of Fishes; and its Hands have been cut by the Scales
|
|
as it seized some of the falling Creatures; and one Scale
|
|
has even got into its Eye. and it cannot get her out.
|
|
It opens its Mouth to cry for Help; but if any Sound comes
|
|
out of him, alas he is drowned by the raging of the Storm.
|
|
And now a Tomcat has got one of the Fishes and she
|
|
will surely escape with him. No, she bites off a Fin,
|
|
she holds her in her Mouth--will she swallow her? No,
|
|
the Fishwife's brave Mother-dog deserts his Puppies and
|
|
rescues the Fin--which he eats, himself, as his Reward.
|
|
O, horror, the Lightning has struck the Fish-basket;
|
|
he sets him on Fire; see the Flame, how she licks the
|
|
doomed Utensil with her red and angry Tongue; now she
|
|
attacks the helpless Fishwife's Foot--she burns him up,
|
|
all but the big Toe, and even SHE is partly consumed;
|
|
and still she spreads, still she waves her fiery Tongues;
|
|
she attacks the Fishwife's Leg and destroys IT; she attacks
|
|
its Hand and destroys HER also; she attacks the Fishwife's Leg
|
|
and destroys HER also; she attacks its Body and consumes HIM;
|
|
she wreathes herself about its Heart and IT is consumed;
|
|
next about its Breast, and in a Moment SHE is a Cinder;
|
|
now she reaches its Neck--He goes; now its Chin--
|
|
IT goes; now its Nose--SHE goes. In another Moment,
|
|
except Help come, the Fishwife will be no more.
|
|
Time presses--is there none to succor and save? Yes! Joy,
|
|
joy, with flying Feet the she-Englishwoman comes! But alas,
|
|
the generous she-Female is too late: where now is
|
|
the fated Fishwife? It has ceased from its Sufferings,
|
|
it has gone to a better Land; all that is left of it
|
|
for its loved Ones to lament over, is this poor smoldering
|
|
Ash-heap. Ah, woeful, woeful Ash-heap! Let us take him
|
|
up tenderly, reverently, upon the lowly Shovel, and bear
|
|
him to his long Rest, with the Prayer that when he rises
|
|
again it will be a Realm where he will have one good square
|
|
responsible Sex, and have it all to himself, instead of
|
|
having a mangy lot of assorted Sexes scattered all over him
|
|
in Spots.
|
|
|
|
-----------
|
|
|
|
There, now, the reader can see for himself that this pronoun
|
|
business is a very awkward thing for the unaccustomed tongue.
|
|
I suppose that in all languages the similarities of look
|
|
and sound between words which have no similarity in meaning
|
|
are a fruitful source of perplexity to the foreigner.
|
|
It is so in our tongue, and it is notably the case in
|
|
the German. Now there is that troublesome word VERMA"HLT:
|
|
to me it has so close a resemblance--either real or
|
|
fancied--to three or four other words, that I never know
|
|
whether it means despised, painted, suspected, or married;
|
|
until I look in the dictionary, and then I find it means
|
|
the latter. There are lots of such words and they are
|
|
a great torment. To increase the difficulty there are
|
|
words which SEEM to resemble each other, and yet do not;
|
|
but they make just as much trouble as if they did.
|
|
For instance, there is the word VERMIETHEN (to let,
|
|
to lease, to hire); and the word VERHEIRATHEN (another way
|
|
of saying to marry). I heard of an Englishman who knocked
|
|
at a man's door in Heidelberg and proposed, in the best
|
|
German he could command, to "verheirathen" that house.
|
|
Then there are some words which mean one thing when you
|
|
emphasize the first syllable, but mean something very
|
|
different if you throw the emphasis on the last syllable.
|
|
For instance, there is a word which means a runaway,
|
|
or the act of glancing through a book, according to the
|
|
placing of the emphasis; and another word which signifies
|
|
to ASSOCIATE with a man, or to AVOID him, according to
|
|
where you put the emphasis--and you can generally depend
|
|
on putting it in the wrong place and getting into trouble.
|
|
|
|
There are some exceedingly useful words in this language.
|
|
SCHLAG, for example; and ZUG. There are three-quarters
|
|
of a column of SCHLAGS in the dictonary, and a column
|
|
and a half of ZUGS. The word SCHLAG means Blow, Stroke,
|
|
Dash, Hit, Shock, Clap, Slap, Time, Bar, Coin, Stamp, Kind,
|
|
Sort, Manner, Way, Apoplexy, Wood-cutting, Enclosure,
|
|
Field, Forest-clearing. This is its simple and EXACT
|
|
meaning--that is to say, its restricted, its fettered meaning;
|
|
but there are ways by which you can set it free,
|
|
so that it can soar away, as on the wings of the morning,
|
|
and never be at rest. You can hang any word you please
|
|
to its tail, and make it mean anything you want to.
|
|
You can begin with SCHLAG-ADER, which means artery,
|
|
and you can hang on the whole dictionary, word by word,
|
|
clear through the alphabet to SCHLAG-WASSER, which means
|
|
bilge-water--and including SCHLAG-MUTTER, which means
|
|
mother-in-law.
|
|
|
|
Just the same with ZUG. Strictly speaking, ZUG means Pull,
|
|
Tug, Draught, Procession, March, Progress, Flight, Direction,
|
|
Expedition, Train, Caravan, Passage, Stroke, Touch, Line,
|
|
Flourish, Trait of Character, Feature, Lineament, Chess-move,
|
|
Organ-stop, Team, Whiff, Bias, Drawer, Propensity, Inhalation,
|
|
Disposition: but that thing which it does NOT mean--when
|
|
all its legitimate pennants have been hung on, has not been
|
|
discovered yet.
|
|
|
|
One cannot overestimate the usefulness of SCHLAG and ZUG.
|
|
Armed just with these two, and the word ALSO, what cannot
|
|
the foreigner on German soil accomplish? The German word
|
|
ALSO is the equivalent of the English phrase "You know,"
|
|
and does not mean anything at all--in TALK, though it
|
|
sometimes does in print. Every time a German opens his
|
|
mouth an ALSO falls out; and every time he shuts it he bites
|
|
one in two that was trying to GET out.
|
|
|
|
Now, the foreigner, equipped with these three noble words,
|
|
is master of the situation. Let him talk right along,
|
|
fearlessly; let him pour his indifferent German forth,
|
|
and when he lacks for a word, let him heave a SCHLAG into
|
|
the vacuum; all the chances are that it fits it like a plug,
|
|
but if it doesn't let him promptly heave a ZUG after it;
|
|
the two together can hardly fail to bung the hole; but if,
|
|
by a miracle, they SHOULD fail, let him simply say ALSO!
|
|
and this will give him a moment's chance to think of the
|
|
needful word. In Germany, when you load your conversational
|
|
gun it is always best to throw in a SCHLAG or two and a ZUG
|
|
or two, because it doesn't make any difference how much
|
|
the rest of the charge may scatter, you are bound to bag
|
|
something with THEM. Then you blandly say ALSO, and load
|
|
up again. Nothing gives such an air of grace and elegance
|
|
and unconstraint to a German or an English conversation
|
|
as to scatter it full of "Also's" or "You knows."
|
|
|
|
In my note-book I find this entry:
|
|
|
|
July 1.--In the hospital yesterday, a word of thirteen
|
|
syllables was successfully removed from a patient--a
|
|
North German from near Hamburg; but as most unfortunately
|
|
the surgeons had opened him in the wrong place, under the
|
|
impression that he contained a panorama, he died.
|
|
The sad event has cast a gloom over the whole community.
|
|
|
|
That paragraph furnishes a text for a few remarks about
|
|
one of the most curious and notable features of my
|
|
subject--the length of German words. Some German words
|
|
are so long that they have a perspective. Observe these
|
|
examples:
|
|
|
|
Freundschaftsbezeigungen.
|
|
|
|
Dilettantenaufdringlichkeiten.
|
|
|
|
Stadtverordnetenversammlungen.
|
|
|
|
These things are not words, they are alphabetical processions.
|
|
And they are not rare; one can open a German newspaper
|
|
at any time and see them marching majestically across
|
|
the page--and if he has any imagination he can see
|
|
the banners and hear the music, too. They impart
|
|
a martial thrill to the meekest subject. I take a
|
|
great interest in these curiosities. Whenever I come
|
|
across a good one, I stuff it and put it in my museum.
|
|
In this way I have made quite a valuable collection.
|
|
When I get duplicates, I exchange with other collectors,
|
|
and thus increase the variety of my stock. Here rare
|
|
some specimens which I lately bought at an auction sale
|
|
of the effects of a bankrupt bric-a-brac hunter:
|
|
|
|
Generalstaatsverordnetenversammlungen.
|
|
|
|
Alterthumswissenschaften.
|
|
|
|
Kinderbewahrungsanstalten.
|
|
|
|
Unabhaengigkeitserklaerungen.
|
|
|
|
Wiedererstellungbestrebungen.
|
|
|
|
Waffenstillstandsunterhandlungen.
|
|
|
|
Of course when one of these grand mountain ranges goes
|
|
stretching across the printed page, it adorns and ennobles
|
|
that literary landscape--but at the same time it is a great
|
|
distress to the new student, for it blocks up his way;
|
|
he cannot crawl under it, or climb over it, or tunnel
|
|
through it. So he resorts to the dictionary for help,
|
|
but there is no help there. The dictionary must draw
|
|
the line somewhere--so it leaves this sort of words out.
|
|
And it is right, because these long things are hardly
|
|
legitimate words, but are rather combinations of words,
|
|
and the inventor of them ought to have been killed.
|
|
They are compound words with the hyphens left out.
|
|
The various words used in building them are in the dictionary,
|
|
but in a very scattered condition; so you can hunt
|
|
the materials out, one by one, and get at the meaning
|
|
at last, but it is a tedious and harassing business.
|
|
I have tried this process upon some of the above examples.
|
|
"Freundshaftsbezeigungen" seems to be "Friendship
|
|
demonstrations,"
|
|
which is only a foolish and clumsy way of saying "demonstrations
|
|
of friendship." "Unabhaengigkeitserklaerungen" seems
|
|
to be "Independencedeclarations," which is no improvement
|
|
upon "Declarations of Independence," so far as I can see.
|
|
"Generalstaatsverordnetenversammlungen" seems to be
|
|
"General-statesrepresentativesmeetings," as nearly as I
|
|
can get at it--a mere rhythmical, gushy euphuism for
|
|
"meetings of the legislature," I judge. We used to have
|
|
a good deal of this sort of crime in our literature,
|
|
but it has gone out now. We used to speak of a things as a
|
|
"never-to-be-forgotten" circumstance, instead of cramping
|
|
it into the simple and sufficient word "memorable" and then
|
|
going calmly about our business as if nothing had happened.
|
|
In those days we were not content to embalm the thing
|
|
and bury it decently, we wanted to build a monument over it.
|
|
|
|
But in our newspapers the compounding-disease lingers
|
|
a little to the present day, but with the hyphens left out,
|
|
in the German fashion. This is the shape it takes:
|
|
instead of saying "Mr. Simmons, clerk of the county and
|
|
district courts, was in town yesterday," the new form put
|
|
it thus: "Clerk of the County and District Courts Simmons
|
|
was in town yesterday." This saves neither time nor ink,
|
|
and has an awkward sound besides. One often sees a remark
|
|
like this in our papers: "MRS. Assistant District Attorney
|
|
Johnson returned to her city residence yesterday for the season."
|
|
That is a case of really unjustifiable compounding;
|
|
because it not only saves no time or trouble, but confers
|
|
a title on Mrs. Johnson which she has no right to.
|
|
But these little instances are trifles indeed, contrasted
|
|
with the ponderous and dismal German system of piling
|
|
jumbled compounds together. I wish to submit the following
|
|
local item, from a Mannheim journal, by way of illustration:
|
|
|
|
"In the daybeforeyesterdayshortlyaftereleveno'clock Night,
|
|
the inthistownstandingtavern called 'The Wagoner' was downburnt.
|
|
When the fire to the onthedownburninghouseresting Stork's
|
|
Nest reached, flew the parent Storks away. But when
|
|
the bytheraging, firesurrounded Nest ITSELF caught Fire,
|
|
straightway plunged the quickreturning Mother-Stork into
|
|
the Flames and died, her Wings over her young ones outspread."
|
|
|
|
Even the cumbersome German construction is not able to
|
|
take the pathos out of that picture--indeed, it somehow
|
|
seems to strengthen it. This item is dated away back
|
|
yonder months ago. I could have used it sooner, but I
|
|
was waiting to hear from the Father-stork. I am still waiting.
|
|
|
|
"ALSO!" If I had not shown that the German is a
|
|
difficult language, I have at least intended to do so.
|
|
I have heard of an American student who was asked how he
|
|
was getting along with his German, and who answered
|
|
promptly: "I am not getting along at all. I have worked
|
|
at it hard for three level months, and all I have got
|
|
to show for it is one solitary German phrase--'ZWEI GLAS'"
|
|
(two glasses of beer). He paused for a moment, reflectively;
|
|
then added with feeling: "But I've got that SOLID!"
|
|
|
|
And if I have not also shown that German is a harassing
|
|
and infuriating study, my execution has been at fault,
|
|
and not my intent. I heard lately of a worn and sorely
|
|
tried American student who used to fly to a certain German
|
|
word for relief when he could bear up under his aggravations
|
|
no longer--the only word whose sound was sweet and
|
|
precious to his ear and healing to his lacerated spirit.
|
|
This was the word DAMIT. It was only the SOUND that
|
|
helped him, not the meaning; [3] and so, at last, when he
|
|
learned that the emphasis was not on the first syllable,
|
|
his only stay and support was gone, and he faded away
|
|
and died.
|
|
|
|
3. It merely means, in its general sense, "herewith."
|
|
|
|
I think that a description of any loud, stirring,
|
|
tumultuous episode must be tamer in German than in English.
|
|
Our descriptive words of this character have such
|
|
a deep, strong, resonant sound, while their German
|
|
equivalents do seem so thin and mild and energyless.
|
|
Boom, burst, crash, roar, storm, bellow, blow, thunder,
|
|
explosion; howl, cry, shout, yell, groan; battle, hell.
|
|
These are magnificent words; the have a force and magnitude
|
|
of sound befitting the things which they describe.
|
|
But their German equivalents would be ever so nice to sing
|
|
the children to sleep with, or else my awe-inspiring ears
|
|
were made for display and not for superior usefulness
|
|
in analyzing sounds. Would any man want to die in a
|
|
battle which was called by so tame a term as a SCHLACHT?
|
|
Or would not a comsumptive feel too much bundled up,
|
|
who was about to go out, in a shirt-collar and a seal-ring,
|
|
into a storm which the bird-song word GEWITTER was employed
|
|
to describe? And observe the strongest of the several
|
|
German equivalents for explosion--AUSBRUCH. Our word
|
|
Toothbrush is more powerful than that. It seems to me
|
|
that the Germans could do worse than import it into their
|
|
language to describe particularly tremendous explosions with.
|
|
The German word for hell--Ho"lle--sounds more like HELLY
|
|
than anything else; therefore, how necessary chipper,
|
|
frivolous, and unimpressive it is. If a man were told
|
|
in German to go there, could he really rise to thee
|
|
dignity of feeling insulted?
|
|
|
|
Having pointed out, in detail, the several vices of
|
|
this language, I now come to the brief and pleasant task
|
|
of pointing out its virtues. The capitalizing of the nouns
|
|
I have already mentioned. But far before this virtue stands
|
|
another--that of spelling a word according to the sound of it.
|
|
After one short lesson in the alphabet, the student can tell
|
|
how any German word is pronounced without having to ask;
|
|
whereas in our language if a student should inquire of us,
|
|
"What does B, O, W, spell?" we should be obliged to reply,
|
|
"Nobody can tell what it spells when you set if off by itself;
|
|
you can only tell by referring to the context and finding
|
|
out what it signifies--whether it is a thing to shoot
|
|
arrows with, or a nod of one's head, or the forward end of a
|
|
boat."
|
|
|
|
There are some German words which are singularly
|
|
and powerfully effective. For instance, those which
|
|
describe lowly, peaceful, and affectionate home life;
|
|
those which deal with love, in any and all forms,
|
|
from mere kindly feeling and honest good will toward
|
|
the passing stranger, clear up to courtship; those which
|
|
deal with outdoor Nature, in its softest and loveliest
|
|
aspects--with meadows and forests, and birds and flowers,
|
|
the fragrance and sunshine of summer, and the moonlight
|
|
of peaceful winter nights; in a word, those which deal with
|
|
any and all forms of rest, respose, and peace; those also
|
|
which deal with the creatures and marvels of fairyland;
|
|
and lastly and chiefly, in those words which express pathos,
|
|
is the language surpassingly rich and affective. There are
|
|
German songs which can make a stranger to the language cry.
|
|
That shows that the SOUND of the words is correct--it
|
|
interprets the meanings with truth and with exactness;
|
|
and so the ear is informed, and through the ear, the heart.
|
|
|
|
The Germans do not seem to be afraid to repeat a word
|
|
when it is the right one. they repeat it several times,
|
|
if they choose. That is wise. But in English, when we
|
|
have used a word a couple of times in a paragraph,
|
|
we imagine we are growing tautological, and so we are weak
|
|
enough to exchange it for some other word which only
|
|
approximates exactness, to escape what we wrongly fancy
|
|
is a greater blemish. Repetition may be bad, but surely
|
|
inexactness is worse.
|
|
|
|
-----------
|
|
|
|
There are people in the world who will take a great
|
|
deal of trouble to point out the faults in a religion
|
|
or a language, and then go blandly about their business
|
|
without suggesting any remedy. I am not that kind
|
|
of person. I have shown that the German language
|
|
needs reforming. Very well, I am ready to reform it.
|
|
At least I am ready to make the proper suggestions.
|
|
Such a course as this might be immodest in another; but I
|
|
have devoted upward of nine full weeks, first and last,
|
|
to a careful and critical study of this tongue, and thus
|
|
have acquired a confidence in my ability to reform it
|
|
which no mere superficial culture could have conferred
|
|
upon me.
|
|
|
|
In the first place, I would leave out the Dative case.
|
|
It confuses the plurals; and, besides, nobody ever knows
|
|
when he is in the Dative case, except he discover it
|
|
by accident--and then he does not know when or where it
|
|
was that he got into it, or how long he has been in it,
|
|
or how he is going to get out of it again. The Dative case
|
|
is but an ornamental folly--it is better to discard it.
|
|
|
|
In the next place, I would move the Verb further up
|
|
to the front. You may load up with ever so good a Verb,
|
|
but I notice that you never really bring down a subject
|
|
with it at the present German range--you only cripple it.
|
|
So I insist that this important part of speech should be
|
|
brought forward to a position where it may be easily seen
|
|
with the naked eye.
|
|
|
|
Thirdly, I would import some strong words from the English
|
|
tongue--to swear with, and also to use in describing
|
|
all sorts of vigorous things in a vigorous ways. [4]
|
|
|
|
4. "Verdammt," and its variations and enlargements,
|
|
are words which have plenty of meaning, but the SOUNDS
|
|
are so mild and ineffectual that German ladies can use
|
|
them without sin. German ladies who could not be induced
|
|
to commit a sin by any persuasion or compulsion, promptly rip
|
|
out one of these harmless little words when they tear their
|
|
dresses or don't like the soup. It sounds about as wicked
|
|
as our "My gracious." German ladies are constantly saying,
|
|
"Ach! Gott!" "Mein Gott!" "Gott in Himmel!" "Herr Gott"
|
|
"Der Herr Jesus!" etc. They think our ladies have the
|
|
same custom, perhaps; for I once heard a gentle and lovely
|
|
old German lady say to a sweet young American girl:
|
|
"The two languages are so alike--how pleasant that is;
|
|
we say 'Ach! Gott!' you say 'Goddamn.'"
|
|
|
|
Fourthly, I would reorganizes the sexes, and distribute
|
|
them accordingly to the will of the creator. This as
|
|
a tribute of respect, if nothing else.
|
|
|
|
Fifthly, I would do away with those great long
|
|
compounded words; or require the speaker to deliver
|
|
them in sections, with intermissions for refreshments.
|
|
To wholly do away with them would be best, for ideas are
|
|
more easily received and digested when they come one at
|
|
a time than when they come in bulk. Intellectual food
|
|
is like any other; it is pleasanter and more beneficial
|
|
to take it with a spoon than with a shovel.
|
|
|
|
Sixthly, I would require a speaker to stop when he is done,
|
|
and not hang a string of those useless "haven sind gewesen
|
|
gehabt haben geworden seins" to the end of his oration.
|
|
This sort of gewgaws undignify a speech, instead of adding
|
|
a grace. They are, therefore, an offense, and should
|
|
be discarded.
|
|
|
|
Seventhly, I would discard the Parenthesis. Also the
|
|
reparenthesis,
|
|
the re-reparenthesis, and the re-re-re-re-re-reparentheses,
|
|
and likewise the final wide-reaching all-enclosing
|
|
king-parenthesis. I would require every individual,
|
|
be he high or low, to unfold a plain straightforward tale,
|
|
or else coil it and sit on it and hold his peace.
|
|
Infractions of this law should be punishable with death.
|
|
|
|
And eighthly, and last, I would retain ZUG and SCHLAG,
|
|
with their pendants, and discard the rest of the vocabulary.
|
|
This would simplify the language.
|
|
|
|
I have now named what I regard as the most necessary
|
|
and important changes. These are perhaps all I could
|
|
be expected to name for nothing; but there are other
|
|
suggestions which I can and will make in case my proposed
|
|
application shall result in my being formally employed
|
|
by the government in the work of reforming the language.
|
|
|
|
My philological studies have satisfied me that a gifted person
|
|
ought to learn English (barring spelling and pronouncing)
|
|
in thirty hours, French in thirty days, and German
|
|
in thirty years. It seems manifest, then, that the
|
|
latter tongue ought to be trimmed down and repaired.
|
|
If it is to remain as it is, it ought to be gently
|
|
and reverently set aside among the dead languages,
|
|
for only the dead have time to learn it.
|
|
|
|
A FOURTH OF JULY ORATION IN THE GERMAN TONGUE, DELIVERED AT
|
|
A BANQUET OF THE ANGLO-AMERICAN CLUB OF STUDENTS BY THE
|
|
AUTHOR OF THIS BOOK
|
|
|
|
Gentlemen: Since I arrived, a month ago, in this
|
|
old wonderland, this vast garden of Germany, my English
|
|
tongue has so often proved a useless piece of baggage
|
|
to me, and so troublesome to carry around, in a country
|
|
where they haven't the checking system for luggage, that I
|
|
finally set to work, and learned the German language.
|
|
Also! Es freut mich dass dies so ist, denn es muss,
|
|
in ein haupts:achlich degree, h:oflich sein, dass man
|
|
auf ein occasion like this, sein Rede in die Sprache des
|
|
Landes worin he boards, aussprechen soll. Daf:ur habe ich,
|
|
aus reinische Verlegenheit--no, Vergangenheit--no, I
|
|
mean Hoflichkeit--aus reinishe Hoflichkeit habe ich
|
|
resolved to tackle this business in the German language,
|
|
um Gottes willen! Also! Sie mu"ssen so freundlich sein,
|
|
und verzeih mich die interlarding von ein oder zwei
|
|
Englischer Worte, hie und da, denn ich finde dass die
|
|
deutsche is not a very copious language, and so when
|
|
you've really got anything to say, you've got to draw
|
|
on a language that can stand the strain.
|
|
|
|
Wenn haber man kann nicht meinem Rede Verstehen, so werde
|
|
ich ihm sp:ater dasselbe :ubersetz, wenn er solche Dienst
|
|
verlangen wollen haben werden sollen sein h:atte. (I don't
|
|
know what wollen haben werden sollen sein ha"tte means,
|
|
but I notice they always put it at the end of a German
|
|
sentence--merely for general literary gorgeousness,
|
|
I suppose.)
|
|
|
|
This is a great and justly honored day--a day which is
|
|
worthy of the veneration in which it is held by the true
|
|
patriots of all climes and nationalities--a day which
|
|
offers a fruitful theme for thought and speech; und meinem
|
|
Freunde--no, meinEN FreundEN--meinES FreundES--well,
|
|
take your choice, they're all the same price; I don't
|
|
know which one is right--also! ich habe gehabt haben
|
|
worden gewesen sein, as Goethe says in his Paradise
|
|
Lost--ich--ich--that is to say--ich--but let us change cars.
|
|
|
|
Also! Die Anblich so viele Grossbrittanischer und Amerikanischer
|
|
hier zusammengetroffen in Bruderliche concord, ist zwar
|
|
a welcome and inspiriting spectacle. And what has moved you
|
|
to it? Can the terse German tongue rise to the expression of
|
|
this impulse? Is it Freundschaftsbezeigungenstadtverordneten-
|
|
versammlungenfamilieneigenth:umlichkeiten? Nein,
|
|
o nein! This is a crisp and noble word, but it fails
|
|
to pierce the marrow of the impulse which has gathered
|
|
this friendly meeting and produced diese Anblick--eine
|
|
Anblich welche ist gut zu sehen--gut fu"r die Augen
|
|
in a foreign land and a far country--eine Anblick solche
|
|
als in die gew:ohnliche Heidelberger phrase nennt man ein
|
|
"scho"nes Aussicht!" Ja, freilich natu"rlich wahrscheinlich
|
|
ebensowohl! Also! Die Aussicht auf dem K:onigsstuhl
|
|
mehr gr:osser ist, aber geistlische sprechend nicht so
|
|
scho"n, lob' Gott! Because sie sind hier zusammengetroffen,
|
|
in Bruderlichem concord, ein grossen Tag zu feirn,
|
|
whose high benefits were not for one land and one locality,
|
|
but have conferred a measure of good upon all lands
|
|
that know liberty today, and love it. Hundert Jahre
|
|
voru"ber, waren die Engla"nder und die Amerikaner Feinde;
|
|
aber heut sind sie herzlichen Freunde, Gott sei Dank!
|
|
May this good-fellowship endure; may these banners here
|
|
blended in amity so remain; may they never any more wave
|
|
over opposing hosts, or be stained with blood which
|
|
was kindred, is kindred, and always will be kindred,
|
|
until a line drawn upon a map shall be able to say:
|
|
"THIS bars the ancestral blood from flowing in the veins
|
|
of the descendant!"
|
|
|
|
|
|
|
|
APPENDIX E
|
|
Legend of the Castles
|
|
|
|
Called the "Swallow's Nest" and "The Brothers,"
|
|
as Condensed from the Captain's Tale
|
|
|
|
In the neighborhood of three hundred years ago the Swallow's
|
|
Nest and the larger castle between it and Neckarsteinach
|
|
were owned and occupied by two old knights who were
|
|
twin brothers, and bachelors. They had no relatives.
|
|
They were very rich. They had fought through the wars
|
|
and retired to private life--covered with honorable scars.
|
|
They were honest, honorable men in their dealings,
|
|
but the people had given them a couple of nicknames which
|
|
were very suggestive--Herr Givenaught and Herr Heartless.
|
|
The old knights were so proud of these names that if
|
|
a burgher called them by their right ones they would
|
|
correct them.
|
|
|
|
The most renowned scholar in Europe, at the time, was the
|
|
Herr Doctor Franz Reikmann, who lived in Heidelberg.
|
|
All Germany was proud of the venerable scholar, who lived
|
|
in the simplest way, for great scholars are always poor.
|
|
He was poor, as to money, but very rich in his sweet
|
|
young daughter Hildegarde and his library. He had been
|
|
all his life collecting his library, book and book,
|
|
and he lived it as a miser loves his hoarded gold.
|
|
He said the two strings of his heart were rooted,
|
|
the one in his daughter, the other in his books; and that
|
|
if either were severed he must die. Now in an evil hour,
|
|
hoping to win a marriage portion for his child, this simple
|
|
old man had entrusted his small savings to a sharper to be
|
|
ventured in a glittering speculation. But that was not
|
|
the worst of it: he signed a paper--without reading it.
|
|
That is the way with poets and scholars; they always sign
|
|
without reading. This cunning paper made him responsible
|
|
for heaps of things. The rest was that one night he
|
|
found himself in debt to the sharper eight thousand
|
|
pieces of gold!--an amount so prodigious that it simply
|
|
stupefied him to think of it. It was a night of woe in
|
|
that house.
|
|
|
|
"I must part with my library--I have nothing else.
|
|
So perishes one heartstring," said the old man.
|
|
|
|
"What will it bring, father?" asked the girl.
|
|
|
|
"Nothing! It is worth seven hundred pieces of gold;
|
|
but by auction it will go for little or nothing."
|
|
|
|
"Then you will have parted with the half of your heart
|
|
and the joy of your life to no purpose, since so mighty
|
|
of burden of debt will remain behind."
|
|
|
|
"There is no help for it, my child. Our darlings must
|
|
pass under the hammer. We must pay what we can."
|
|
|
|
"My father, I have a feeling that the dear Virgin will
|
|
come to our help. Let us not lose heart."
|
|
|
|
"She cannot devise a miracle that will turn NOTHING into
|
|
eight thousand gold pieces, and lesser help will bring
|
|
us little peace."
|
|
|
|
"She can do even greater things, my father. She will
|
|
save us, I know she will."
|
|
|
|
Toward morning, while the old man sat exhausted and asleep
|
|
in his chair where he had been sitting before his books
|
|
as one who watches by his beloved dead and prints the
|
|
features on his memory for a solace in the aftertime
|
|
of empty desolation, his daughter sprang into the room
|
|
and gently woke him, saying--
|
|
|
|
"My presentiment was true! She will save us.
|
|
Three times has she appeared to me in my dreams, and said,
|
|
'Go to the Herr Givenaught, go to the Herr Heartless,
|
|
ask them to come and bid.' There, did I not tell you she
|
|
would save us, the thrice blessed Virgin!"
|
|
|
|
Sad as the old man was, he was obliged to laugh.
|
|
|
|
"Thou mightest as well appeal to the rocks their
|
|
castles stand upon as to the harder ones that lie
|
|
in those men's breasts, my child. THEY bid on books
|
|
writ in the learned tongues!--they can scarce read their own."
|
|
|
|
But Hildegarde's faith was in no wise shaken.
|
|
Bright and early she was on her way up the Neckar road,
|
|
as joyous as a bird.
|
|
|
|
Meantime Herr Givenaught and Herr Heartless were having
|
|
an early breakfast in the former's castle--the Sparrow's
|
|
Nest--and flavoring it with a quarrel; for although
|
|
these twins bore a love for each other which almost
|
|
amounted to worship, there was one subject upon which they
|
|
could not touch without calling each other hard names--
|
|
and yet it was the subject which they oftenest touched upon.
|
|
|
|
"I tell you," said Givenaught, "you will beggar yourself
|
|
yet with your insane squanderings of money upon
|
|
what you choose to consider poor and worthy objects.
|
|
All these years I have implored you to stop this foolish
|
|
custom and husband your means, but all in vain.
|
|
You are always lying to me about these secret benevolences,
|
|
but you never have managed to deceive me yet. Every time
|
|
a poor devil has been set upon his feet I have detected
|
|
your hand in it--incorrigible ass!"
|
|
|
|
"Every time you didn't set him on his feet yourself,
|
|
you mean. Where I give one unfortunate a little private lift,
|
|
you do the same for a dozen. The idea of YOUR swelling
|
|
around the country and petting yourself with the nickname
|
|
of Givenaught--intolerable humbug! Before I would be
|
|
such a fraud as that, I would cut my right hand off.
|
|
Your life is a continual lie. But go on, I have tried MY
|
|
best to save you from beggaring yourself by your riotous
|
|
charities--now for the thousandth time I wash my hands
|
|
of the consequences. A maundering old fool! that's
|
|
what you are."
|
|
|
|
"And you a blethering old idiot!" roared Givenaught,
|
|
springing up.
|
|
|
|
"I won't stay in the presence of a man who has no more
|
|
delicacy than to call me such names. Mannerless swine!"
|
|
|
|
So saying, Herr Heartless sprang up in a passion.
|
|
But some lucky accident intervened, as usual, to change
|
|
the subject, and the daily quarrel ended in the customary
|
|
daily living reconciliation. The gray-headed old
|
|
eccentrics parted, and Herr Heartless walked off to his
|
|
own castle.
|
|
|
|
Half an hour later, Hildegarde was standing in the presence
|
|
of Herr Givenaught. He heard her story, and said--
|
|
|
|
"I am sorry for you, my child, but I am very poor,
|
|
I care nothing for bookish rubbish, I shall not be there."
|
|
|
|
He said the hard words kindly, but they nearly broke poor
|
|
Hildegarde's heart, nevertheless. When she was gone
|
|
the old heartbreaker muttered, rubbing his hands--
|
|
|
|
"It was a good stroke. I have saved my brother's pocket
|
|
this time, in spite of him. Nothing else would have
|
|
prevented his rushing off to rescue the old scholar,
|
|
the pride of Germany, from his trouble. The poor child
|
|
won't venture near HIM after the rebuff she has received
|
|
from his brother the Givenaught."
|
|
|
|
But he was mistaken. The Virgin had commanded,
|
|
and Hildegarde would obey. She went to Herr Heartless
|
|
and told her story. But he said coldly--
|
|
|
|
"I am very poor, my child, and books are nothing to me.
|
|
I wish you well, but I shall not come."
|
|
|
|
When Hildegarde was gone, he chuckled and said--
|
|
|
|
"How my fool of a soft-headed soft-hearted brother would
|
|
rage if he knew how cunningly I have saved his pocket.
|
|
How he would have flown to the old man's rescue! But the
|
|
girl won't venture near him now."
|
|
|
|
When Hildegarde reached home, her father asked her how she
|
|
had prospered. She said--
|
|
|
|
"The Virgin has promised, and she will keep her word;
|
|
but not in the way I thought. She knows her own ways,
|
|
and they are best."
|
|
|
|
The old man patted her on the head, and smiled a doubting
|
|
smile, but he honored her for her brave faith, nevertheless.
|
|
|
|
II
|
|
|
|
Next day the people assembled in the great hall
|
|
of the Ritter tavern, to witness the auction--for
|
|
the proprietor had said the treasure of Germany's most
|
|
honored son should be bartered away in no meaner place.
|
|
Hildegarde and her father sat close to the books,
|
|
silent and sorrowful, and holding each other's hands.
|
|
There was a great crowd of people present. The bidding began--
|
|
|
|
"How much for this precious library, just as it stands,
|
|
all complete?" called the auctioneer.
|
|
|
|
"Fifty pieces of gold!"
|
|
|
|
"A hundred!"
|
|
|
|
"Two hundred."
|
|
|
|
"Three!"
|
|
|
|
"Four!"
|
|
|
|
"Five hundred!"
|
|
|
|
"Five twenty-five."
|
|
|
|
A brief pause.
|
|
|
|
"Five forty!"
|
|
|
|
A longer pause, while the auctioneer redoubled his persuasions.
|
|
|
|
"Five-forty-five!"
|
|
|
|
A heavy drag--the auctioneer persuaded, pleaded,
|
|
implored--it was useless, everybody remained silent--
|
|
|
|
"Well, then--going, going--one--two--"
|
|
|
|
"Five hundred and fifty!"
|
|
|
|
This in a shrill voice, from a bent old man, all hung
|
|
with rags, and with a green patch over his left eye.
|
|
Everybody in his vicinity turned and gazed at him.
|
|
It was Givenaught in disguise. He was using a disguised
|
|
voice, too.
|
|
|
|
"Good!" cried the auctioneer. "Going, going--one--two--"
|
|
|
|
"Five hundred and sixty!"
|
|
|
|
This, in a deep, harsh voice, from the midst of the
|
|
crowd at the other end of the room. The people near
|
|
by turned, and saw an old man, in a strange costume,
|
|
supporting himself on crutches. He wore a long white beard,
|
|
and blue spectacles. It was Herr Heartless, in disguise,
|
|
and using a disguised voice.
|
|
|
|
"Good again! Going, going--one--"
|
|
|
|
"Six hundred!"
|
|
|
|
Sensation. The crowd raised a cheer, and some one
|
|
cried out, "Go it, Green-patch!" This tickled the audience
|
|
and a score of voices shouted, "Go it, Green-patch!"
|
|
|
|
"Going--going--going--third and last call--one--two--"
|
|
|
|
"Seven hundred!"
|
|
|
|
"Huzzah!--well done, Crutches!" cried a voice. The crowd
|
|
took it up, and shouted altogether, "Well done, Crutches!"
|
|
|
|
"Splendid, gentlemen! you are doing magnificently.
|
|
Going, going--"
|
|
|
|
"A thousand!"
|
|
|
|
"Three cheers for Green-patch! Up and at him, Crutches!"
|
|
|
|
"Going--going--"
|
|
|
|
"Two thousand!"
|
|
|
|
And while the people cheered and shouted, "Crutches" muttered,
|
|
"Who can this devil be that is fighting so to get these
|
|
useless books?--But no matter, he sha'n't have them.
|
|
The pride of Germany shall have his books if it beggars
|
|
me to buy them for him."
|
|
|
|
"Going, going, going--"
|
|
|
|
"Three thousand!"
|
|
|
|
"Come, everybody--give a rouser for Green-patch!"
|
|
|
|
And while they did it, "Green-patch" muttered, "This cripple
|
|
is plainly a lunatic; but the old scholar shall have
|
|
his books, nevertheless, though my pocket sweat for it."
|
|
|
|
"Going--going--"
|
|
|
|
"Four thousand!"
|
|
|
|
"Huzza!"
|
|
|
|
"Five thousand!"
|
|
|
|
"Huzza!"
|
|
|
|
"Six thousand!"
|
|
|
|
"Huzza!"
|
|
|
|
"Seven thousand!"
|
|
|
|
"Huzza!"
|
|
|
|
"EIGHT thousand!"
|
|
|
|
"We are saved, father! I told you the Holy Virgin
|
|
would keep her word!" "Blessed be her sacred name!"
|
|
said the old scholar, with emotion. The crowd roared,
|
|
"Huzza, huzza, huzza--at him again, Green-patch!"
|
|
|
|
"Going--going--"
|
|
|
|
"TEN thousand!" As Givenaught shouted this, his excitement
|
|
was so great that he forgot himself and used his
|
|
natural voice. He brother recognized it, and muttered,
|
|
under cover of the storm of cheers--
|
|
|
|
"Aha, you are there, are you, besotted old fool? Take
|
|
the books, I know what you'll do with them!"
|
|
|
|
So saying, he slipped out of the place and the auction was
|
|
at an end. Givenaught shouldered his way to Hildegarde,
|
|
whispered a word in her ear, and then he also vanished.
|
|
The old scholar and his daughter embraced, and the former said,
|
|
"Truly the Holy Mother has done more than she promised,
|
|
child, for she has give you a splendid marriage portion--
|
|
think of it, two thousand pieces of gold!"
|
|
|
|
"And more still," cried Hildegarde, "for she has give
|
|
you back your books; the stranger whispered me that he
|
|
would none of them--'the honored son of Germany must
|
|
keep them,' so he said. I would I might have asked
|
|
his name and kissed his hand and begged his blessing;
|
|
but he was Our Lady's angel, and it is not meet that we
|
|
of earth should venture speech with them that dwell above."
|
|
|
|
|
|
|
|
APPENDIX F
|
|
German Journals
|
|
|
|
The daily journals of Hamburg, Frankfort, Baden, Munich,
|
|
and Augsburg are all constructed on the same general plan.
|
|
I speak of these because I am more familiar with them
|
|
than with any other German papers. They contain no
|
|
"editorials" whatever; no "personals"--and this is rather
|
|
a merit than a demerit, perhaps; no funny-paragraph column;
|
|
no police-court reports; no reports of proceedings
|
|
of higher courts; no information about prize-fights
|
|
or other dog-fights, horse-races, walking-machines,
|
|
yachting-contents, rifle-matches, or other sporting
|
|
matters of any sort; no reports of banquet speeches;
|
|
no department of curious odds and ends of floating fact
|
|
and gossip; no "rumors" about anything or anybody;
|
|
no prognostications or prophecies about anything or anybody;
|
|
no lists of patents granted or sought, or any reference
|
|
to such things; no abuse of public officials, big or little,
|
|
or complaints against them, or praises of them; no religious
|
|
columns Saturdays, no rehash of cold sermons Mondays;
|
|
no "weather indications"; no "local item" unveiling of
|
|
what is happening in town--nothing of a local nature,
|
|
indeed, is mentioned, beyond the movements of some prince,
|
|
or the proposed meeting of some deliberative body.
|
|
|
|
After so formidable a list of what one can't find
|
|
in a German daily, the question may well be asked,
|
|
What CAN be found in it? It is easily answered: A child's
|
|
handful of telegrams, mainly about European national and
|
|
international political movements; letter-correspondence about
|
|
the same things; market reports. There you have it.
|
|
That is what a German daily is made of. A German
|
|
daily is the slowest and saddest and dreariest of the
|
|
inventions of man. Our own dailies infuriate the reader,
|
|
pretty often; the German daily only stupefies him.
|
|
Once a week the German daily of the highest class lightens
|
|
up its heavy columns--that is, it thinks it lightens
|
|
them up--with a profound, an abysmal, book criticism;
|
|
a criticism which carries you down, down, down into
|
|
the scientific bowels of the subject--for the German
|
|
critic is nothing if not scientific--and when you come
|
|
up at last and scent the fresh air and see the bonny
|
|
daylight once more, you resolve without a dissenting voice
|
|
that a book criticism is a mistaken way to lighten up
|
|
a German daily. Sometimes, in place of the criticism,
|
|
the first-class daily gives you what it thinks is a gay
|
|
and chipper essay--about ancient Grecian funeral customs,
|
|
or the ancient Egyptian method of tarring a mummy,
|
|
or the reasons for believing that some of the peoples
|
|
who existed before the flood did not approve of cats.
|
|
These are not unpleasant subjects; they are not
|
|
uninteresting subjects; they are even exciting subjects--
|
|
until one of these massive scientists gets hold of them.
|
|
He soon convinces you that even these matters can
|
|
be handled in such a way as to make a person low-spirited.
|
|
|
|
As I have said, the average German daily is made up
|
|
solely of correspondences--a trifle of it by telegraph,
|
|
the rest of it by mail. Every paragraph has the side-head,
|
|
"London," "Vienna," or some other town, and a date.
|
|
And always, before the name of the town, is placed a letter
|
|
or a sign, to indicate who the correspondent is, so that
|
|
the authorities can find him when they want to hang him.
|
|
Stars, crosses, triangles, squares, half-moons, suns--
|
|
such are some of the signs used by correspondents.
|
|
|
|
Some of the dailies move too fast, others too slowly.
|
|
For instance, my Heidelberg daily was always twenty-four
|
|
hours old when it arrived at the hotel; but one of my
|
|
Munich evening papers used to come a full twenty-four hours
|
|
before it was due.
|
|
|
|
Some of the less important dailies give one a tablespoonful
|
|
of a continued story every day; it is strung across
|
|
the bottom of the page, in the French fashion.
|
|
By subscribing for the paper for five years I judge that
|
|
a man might succeed in getting pretty much all of the story.
|
|
|
|
If you ask a citizen of Munich which is the best Munich
|
|
daily journal, he will always tell you that there is
|
|
only one good Munich daily, and that it is published
|
|
in Augsburg, forty or fifty miles away. It is like saying
|
|
that the best daily paper in New York is published out
|
|
in New Jersey somewhere. Yes, the Augsburg ALLGEMEINE
|
|
ZEITUNG is "the best Munich paper," and it is the one I
|
|
had in my mind when I was describing a "first-class
|
|
German daily" above. The entire paper, opened out, is not
|
|
quite as large as a single page of the New York HERALD.
|
|
It is printed on both sides, of course; but in such large
|
|
type that its entire contents could be put, in HERALD type,
|
|
upon a single page of the HERALD--and there would still
|
|
be room enough on the page for the ZEITUNG's "supplement"
|
|
and some portion of the ZEITUNG's next day's contents.
|
|
|
|
Such is the first-class daily. The dailies actually printed
|
|
in Munich are all called second-class by the public.
|
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If you ask which is the best of these second-class
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papers they say there is no difference; one is as good
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as another. I have preserved a copy of one of them;
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it is called the MU"NCHENER TAGES-ANZEIGER, and bears
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date January 25, 1879. Comparisons are odious,
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but they need not be malicious; and without any malice
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I wish to compare this journals of other countries.
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I know of no other way to enable the reader to "size"
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the thing.
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A column of an average daily paper in America contains
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from 1,800 to 2,500 words; the reading-matter in a
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single issue consists of from 25,000 to 50,000 words.
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The reading-matter in my copy of the Munich journal
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consists of a total of 1,654 words --for I counted them.
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That would be nearly a column of one of our dailies.
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A single issue of the bulkiest daily newspaper in the
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world--the London TIMES--often contains 100,000 words
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of reading-matter. Considering that the DAILY ANZEIGER
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issues the usual twenty-six numbers per month, the reading
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matter in a single number of the London TIMES would keep it
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|
in "copy" two months and a half.
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The ANZEIGER is an eight-page paper; its page is one
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inch wider and one inch longer than a foolscap page;
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|
that is to say, the dimensions of its page are somewhere
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|
between those of a schoolboy's slate and a lady's
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|
pocket handkerchief. One-fourth of the first page is
|
|
taken up with the heading of the journal; this gives it
|
|
a rather top-heavy appearance; the rest of the first page
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|
is reading-matter; all of the second page is reading-matter;
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the other six pages are devoted to advertisements.
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The reading-matter is compressed into two hundred
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|
and five small-pica lines, and is lighted up with eight
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|
pica headlines. The bill of fare is as follows: First,
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under a pica headline, to enforce attention and respect,
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|
is a four-line sermon urging mankind to remember that,
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although they are pilgrims here below, they are yet heirs
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of heaven; and that "When they depart from earth they soar
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to heaven." Perhaps a four-line sermon in a Saturday paper
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is the sufficient German equivalent of the eight or ten
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columns of sermons which the New-Yorkers get in their
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Monday morning papers. The latest news (two days old)
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follows the four-line sermon, under the pica headline
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"Telegrams"--these are "telegraphed" with a pair of
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scissors out of the AUGSBURGER ZEITUNG of the day before.
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These telegrams consist of fourteen and two-thirds lines
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from Berlin, fifteen lines from Vienna, and two and five-eights
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|
lines from Calcutta. Thirty-three small-pica lines news
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|
in a daily journal in a King's Capital of one hundred and
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|
seventy thousand inhabitants is surely not an overdose.
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Next we have the pica heading, "News of the Day,"
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under which the following facts are set forth: Prince
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Leopold is going on a visit to Vienna, six lines;
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Prince Arnulph is coming back from Russia, two lines;
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the Landtag will meet at ten o'clock in the morning and
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consider an election law, three lines and one word over;
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a city government item, five and one-half lines;
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prices of tickets to the proposed grand Charity Ball,
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twenty-three lines--for this one item occupies almost
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one-fourth of the entire first page; there is to be
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a wonderful Wagner concert in Frankfurt-on-the-Main,
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with an orchestra of one hundred and eight instruments,
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seven and one-half lines. That concludes the first page.
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Eighty-five lines, altogether, on that page,
|
|
including three headlines. About fifty of those lines,
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as one perceives, deal with local matters; so the reporters
|
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are not overworked.
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Exactly one-half of the second page is occupied with
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an opera criticism, fifty-three lines (three of them
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being headlines), and "Death Notices," ten lines.
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The other half of the second page is made up of two
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|
paragraphs under the head of "Miscellaneous News."
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|
One of these paragraphs tells about a quarrel between the Czar
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|
of Russia and his eldest son, twenty-one and a half lines;
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|
and the other tells about the atrocious destruction of a
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peasant child by its parents, forty lines, or one-fifth
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of the total of the reading-matter contained in the paper.
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Consider what a fifth part of the reading-matter of an American
|
|
daily paper issued in a city of one hundred and seventy
|
|
thousand inhabitants amounts to! Think what a mass it is.
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Would any one suppose I could so snugly tuck away such a
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|
mass in a chapter of this book that it would be difficult
|
|
to find it again in the reader lost his place? Surely not.
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I will translate that child-murder word for word,
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to give the reader a realizing sense of what a fifth
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|
part of the reading-matter of a Munich daily actually
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|
is when it comes under measurement of the eye:
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"From Oberkreuzberg, January 21st, the DONAU ZEITUNG
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receives a long account of a crime, which we shortened
|
|
as follows: In Rametuach, a village near Eppenschlag,
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|
lived a young married couple with two children, one of which,
|
|
a boy aged five, was born three years before the marriage.
|
|
For this reason, and also because a relative at Iggensbach
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|
had bequeathed M400 ($100) to the boy, the heartless
|
|
father considered him in the way; so the unnatural
|
|
parents determined to sacrifice him in the cruelest
|
|
possible manner. They proceeded to starve him slowly
|
|
to death, meantime frightfully maltreating him--as the
|
|
village people now make known, when it is too late.
|
|
The boy was shut in a hole, and when people passed
|
|
by he cried, and implored them to give him bread.
|
|
His long-continued tortures and deprivations destroyed
|
|
him at last, on the third of January. The sudden (sic)
|
|
death of the child created suspicion, the more so as the
|
|
body was immediately clothed and laid upon the bier.
|
|
Therefore the coroner gave notice, and an inquest was held
|
|
on the 6th. What a pitiful spectacle was disclosed then!
|
|
The body was a complete skeleton. The stomach and intestines
|
|
were utterly empty; they contained nothing whatsoever.
|
|
The flesh on the corpse was not as thick as the back of
|
|
a knife, and incisions in it brought not one drop of blood.
|
|
There was not a piece of sound skin the size of a dollar
|
|
on the whole body; wounds, scars, bruises, discolored
|
|
extravasated blood, everywhere--even on the soles of
|
|
the feet there were wounds. The cruel parents asserted
|
|
that the boy had been so bad that they had been obliged
|
|
to use severe punishments, and that he finally fell over
|
|
a bench and broke his neck. However, they were arrested
|
|
two weeks after the inquest and put in the prison at Deggendorf."
|
|
|
|
Yes, they were arrested "two weeks after the inquest."
|
|
What a home sound that has. That kind of police briskness
|
|
rather more reminds me of my native land than German
|
|
journalism does.
|
|
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|
I think a German daily journal doesn't do any good to
|
|
speak of, but at the same time it doesn't do any harm.
|
|
That is a very large merit, and should not be lightly
|
|
weighted nor lightly thought of.
|
|
|
|
The German humorous papers are beautifully printed upon
|
|
fine paper, and the illustrations are finely drawn,
|
|
finely engraved, and are not vapidly funny, but deliciously so.
|
|
So also, generally speaking, are the two or three terse
|
|
sentences which accompany the pictures. I remember one
|
|
of these pictures: A most dilapidated tramp is ruefully
|
|
contemplating some coins which lie in his open palm.
|
|
He says: "Well, begging is getting played out. Only about
|
|
five marks ($1.25) for the whole day; many an official
|
|
makes more!" And I call to mind a picture of a commercial
|
|
traveler who is about to unroll his samples:
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|
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|
MERCHANT (pettishly).--NO, don't. I don't want to buy anything!
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|
DRUMMER.--If you please, I was only going to show you--
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MERCHANT.--But I don't wish to see them!
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|
|
DRUMMER (after a pause, pleadingly).--But do you you mind
|
|
letting ME look at them! I haven't seen them for three weeks!
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End of the Project Gutenberg Etext of Twain's A Tramp Abroad
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