10570 lines
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10570 lines
402 KiB
Plaintext
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July, 1993 [Etext #74] Originally a June release of Wiretap.
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Tom Sawyer, by Mark Twain, in honor of the Mississippi Floods!!
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The entire book as originally published by the Internet Wiretap
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follows this header. Only the headers have been changed, later
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Wiretap. . .we just managed to squeeze in the copyright work on
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******Congratulations to Internet Wiretap and Tom Dell!!!******
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**The Project Gutenberg Etext of Tom Sawyer, by Twain/Clemens**
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******This file should be named sawyr10.txt or sawyr10.zip*****
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*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
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The INTERNET WIRETAP First Electronic Edition of
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THE ADVENTURES OF TOM SAWYER
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BY
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MARK TWAIN
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(Samuel Langhorne Clemens)
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Electronic Edition by <dell@wiretap.spies.com>
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Released to the public June 1993
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P R E F A C E
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MOST of the adventures recorded in this book
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really occurred; one or two were experiences of
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my own, the rest those of boys who were schoolmates
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of mine. Huck Finn is drawn from life; Tom Sawyer
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also, but not from an individual -- he is a combina-
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tion of the characteristics of three boys whom I knew,
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and therefore belongs to the composite order of archi-
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tecture.
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|
The odd superstitions touched upon were all preva-
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|
lent among children and slaves in the West at the
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|
period of this story -- that is to say, thirty or
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forty years ago.
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Although my book is intended mainly for the en-
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tertainment of boys and girls, I hope it will not be
|
|
shunned by men and women on that account, for
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|
part of my plan has been to try to pleasantly remind
|
|
adults of what they once were themselves, and of
|
|
how they felt and thought and talked, and what queer
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|
enterprises they sometimes engaged in.
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THE AUTHOR.
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HARTFORD, 1876.
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T O M S A W Y E R
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CHAPTER I
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"TOM!"
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No answer.
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"TOM!"
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No answer.
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"What's gone with that boy, I wonder? You TOM!"
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No answer.
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The old lady pulled her spectacles down and looked
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over them about the room; then she put them up and
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looked out under them. She seldom or never looked
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THROUGH them for so small a thing as a boy; they were
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her state pair, the pride of her heart, and were built
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for "style," not service -- she could have seen through
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a pair of stove-lids just as well. She looked perplexed
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for a moment, and then said, not fiercely, but still
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loud enough for the furniture to hear:
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"Well, I lay if I get hold of you I'll --"
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She did not finish, for by this time she was bending
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down and punching under the bed with the broom,
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and so she needed breath to punctuate the punches
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with. She resurrected nothing but the cat.
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"I never did see the beat of that boy!"
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She went to the open door and stood in it and looked
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out among the tomato vines and "jimpson" weeds that
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constituted the garden. No Tom. So she lifted up
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her voice at an angle calculated for distance and
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shouted:
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"Y-o-u-u TOM!"
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There was a slight noise behind her and she turned
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just in time to seize a small boy by the slack of his
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roundabout and arrest his flight.
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"There! I might 'a' thought of that closet. What
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you been doing in there?"
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"Nothing."
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"Nothing! Look at your hands. And look at
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your mouth. What IS that truck?"
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"I don't know, aunt."
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"Well, I know. It's jam -- that's what it is. Forty
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times I've said if you didn't let that jam alone I'd skin
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you. Hand me that switch."
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The switch hovered in the air -- the peril was des-
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perate --
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"My! Look behind you, aunt!"
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The old lady whirled round, and snatched her skirts
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out of danger. The lad fled on the instant, scrambled
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up the high board-fence, and disappeared over it.
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His aunt Polly stood surprised a moment, and then
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broke into a gentle laugh.
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"Hang the boy, can't I never learn anything? Ain't
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he played me tricks enough like that for me to be look-
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ing out for him by this time? But old fools is the big-
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gest fools there is. Can't learn an old dog new tricks,
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as the saying is. But my goodness, he never plays
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them alike, two days, and how is a body to know what's
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coming? He 'pears to know just how long he can
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torment me before I get my dander up, and he knows
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if he can make out to put me off for a minute or make
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me laugh, it's all down again and I can't hit him a lick.
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I ain't doing my duty by that boy, and that's the Lord's
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|
truth, goodness knows. Spare the rod and spile the
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child, as the Good Book says. I'm a laying up sin and
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suffering for us both, I know. He's full of the Old
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Scratch, but laws-a-me! he's my own dead sister's boy,
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poor thing, and I ain't got the heart to lash him, some-
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how. Every time I let him off, my conscience does
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|
hurt me so, and every time I hit him my old heart most
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|
breaks. Well-a-well, man that is born of woman is of
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few days and full of trouble, as the Scripture says, and
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I reckon it's so. He'll play hookey this evening, * and
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[* Southwestern for "afternoon"]
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I'll just be obleeged to make him work, to-morrow, to
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punish him. It's mighty hard to make him work
|
|
Saturdays, when all the boys is having holiday, but he
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hates work more than he hates anything else, and I've
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GOT to do some of my duty by him, or I'll be the ruination
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of the child."
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Tom did play hookey, and he had a very good time.
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He got back home barely in season to help Jim, the
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small colored boy, saw next-day's wood and split the
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kindlings before supper -- at least he was there in
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time to tell his adventures to Jim while Jim did
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three-fourths of the work. Tom's younger brother
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(or rather half-brother) Sid was already through
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with his part of the work (picking up chips), for he
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was a quiet boy, and had no adventurous, trouble-
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some ways.
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While Tom was eating his supper, and stealing
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sugar as opportunity offered, Aunt Polly asked him
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|
questions that were full of guile, and very deep -- for
|
|
she wanted to trap him into damaging revealments.
|
|
Like many other simple-hearted souls, it was her pet
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|
vanity to believe she was endowed with a talent for
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dark and mysterious diplomacy, and she loved to con-
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template her most transparent devices as marvels of
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low cunning. Said she:
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"Tom, it was middling warm in school, warn't
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it?"
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"Yes'm."
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"Powerful warm, warn't it?"
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"Yes'm."
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"Didn't you want to go in a-swimming, Tom?"
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A bit of a scare shot through Tom -- a touch of
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|
uncomfortable suspicion. He searched Aunt Polly's
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|
face, but it told him nothing. So he said:
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"No'm -- well, not very much."
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The old lady reached out her hand and felt Tom's
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shirt, and said:
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"But you ain't too warm now, though." And
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|
it flattered her to reflect that she had discovered that
|
|
the shirt was dry without anybody knowing that that
|
|
was what she had in her mind. But in spite of her,
|
|
Tom knew where the wind lay, now. So he forestalled
|
|
what might be the next move:
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"Some of us pumped on our heads -- mine's damp
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|
yet. See?"
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Aunt Polly was vexed to think she had overlooked
|
|
that bit of circumstantial evidence, and missed a trick.
|
|
Then she had a new inspiration:
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"Tom, you didn't have to undo your shirt collar
|
|
where I sewed it, to pump on your head, did you?
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Unbutton your jacket!"
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|
The trouble vanished out of Tom's face. He opened
|
|
his jacket. His shirt collar was securely sewed.
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"Bother! Well, go 'long with you. I'd made sure
|
|
you'd played hookey and been a-swimming. But I
|
|
forgive ye, Tom. I reckon you're a kind of a singed
|
|
cat, as the saying is -- better'n you look. THIS time."
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She was half sorry her sagacity had miscarried, and
|
|
half glad that Tom had stumbled into obedient con-
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duct for once.
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But Sidney said:
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"Well, now, if I didn't think you sewed his collar
|
|
with white thread, but it's black."
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"Why, I did sew it with white! Tom!"
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|
But Tom did not wait for the rest. As he went out
|
|
at the door he said:
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"Siddy, I'll lick you for that."
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|
In a safe place Tom examined two large needles
|
|
which were thrust into the lapels of his jacket, and
|
|
had thread bound about them -- one needle carried
|
|
white thread and the other black. He said:
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"She'd never noticed if it hadn't been for Sid.
|
|
Confound it! sometimes she sews it with white, and
|
|
sometimes she sews it with black. I wish to gee-
|
|
miny she'd stick to one or t'other -- I can't keep the
|
|
run of 'em. But I bet you I'll lam Sid for that. I'll
|
|
learn him!"
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|
He was not the Model Boy of the village. He
|
|
knew the model boy very well though -- and loathed
|
|
him.
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|
|
Within two minutes, or even less, he had forgotten
|
|
all his troubles. Not because his troubles were one
|
|
whit less heavy and bitter to him than a man's are to a
|
|
man, but because a new and powerful interest bore
|
|
them down and drove them out of his mind for the time
|
|
-- just as men's misfortunes are forgotten in the excite-
|
|
ment of new enterprises. This new interest was a
|
|
valued novelty in whistling, which he had just acquired
|
|
from a negro, and he was suffering to practise it un-
|
|
disturbed. It consisted in a peculiar bird-like turn, a
|
|
sort of liquid warble, produced by touching the tongue
|
|
to the roof of the mouth at short intervals in the midst of
|
|
the music -- the reader probably remembers how to
|
|
do it, if he has ever been a boy. Diligence and attention
|
|
soon gave him the knack of it, and he strode down the
|
|
street with his mouth full of harmony and his soul full
|
|
of gratitude. He felt much as an astronomer feels who
|
|
has discovered a new planet -- no doubt, as far as strong,
|
|
deep, unalloyed pleasure is concerned, the advantage
|
|
was with the boy, not the astronomer.
|
|
|
|
The summer evenings were long. It was not dark,
|
|
yet. Presently Tom checked his whistle. A stranger
|
|
was before him -- a boy a shade larger than himself.
|
|
A new-comer of any age or either sex was an im-
|
|
pressive curiosity in the poor little shabby village of
|
|
St. Petersburg. This boy was well dressed, too --
|
|
well dressed on a week-day. This was simply as-
|
|
tounding. His cap was a dainty thing, his close-
|
|
buttoned blue cloth roundabout was new and natty,
|
|
and so were his pantaloons. He had shoes on --
|
|
and it was only Friday. He even wore a necktie, a
|
|
bright bit of ribbon. He had a citified air about him
|
|
that ate into Tom's vitals. The more Tom stared at
|
|
the splendid marvel, the higher he turned up his nose
|
|
at his finery and the shabbier and shabbier his own
|
|
outfit seemed to him to grow. Neither boy spoke. If
|
|
one moved, the other moved -- but only sidewise, in a
|
|
circle; they kept face to face and eye to eye all the time.
|
|
Finally Tom said:
|
|
|
|
"I can lick you!"
|
|
|
|
"I'd like to see you try it."
|
|
|
|
"Well, I can do it."
|
|
|
|
"No you can't, either."
|
|
|
|
"Yes I can."
|
|
|
|
"No you can't."
|
|
|
|
"I can."
|
|
|
|
"You can't."
|
|
|
|
"Can!"
|
|
|
|
"Can't!"
|
|
|
|
An uncomfortable pause. Then Tom said:
|
|
|
|
"What's your name?"
|
|
|
|
"'Tisn't any of your business, maybe."
|
|
|
|
"Well I 'low I'll MAKE it my business."
|
|
|
|
"Well why don't you?"
|
|
|
|
"If you say much, I will."
|
|
|
|
"Much -- much -- MUCH. There now."
|
|
|
|
"Oh, you think you're mighty smart, DON'T you?
|
|
I could lick you with one hand tied behind me, if I
|
|
wanted to."
|
|
|
|
"Well why don't you DO it? You SAY you can do it."
|
|
|
|
"Well I WILL, if you fool with me."
|
|
|
|
"Oh yes -- I've seen whole families in the same fix."
|
|
|
|
"Smarty! You think you're SOME, now, DON'T you?
|
|
Oh, what a hat!"
|
|
|
|
"You can lump that hat if you don't like it. I dare
|
|
you to knock it off -- and anybody that'll take a dare
|
|
will suck eggs."
|
|
|
|
"You're a liar!"
|
|
|
|
"You're another."
|
|
|
|
"You're a fighting liar and dasn't take it up."
|
|
|
|
"Aw -- take a walk!"
|
|
|
|
"Say -- if you give me much more of your sass I'll
|
|
take and bounce a rock off'n your head."
|
|
|
|
"Oh, of COURSE you will."
|
|
|
|
"Well I WILL."
|
|
|
|
"Well why don't you DO it then? What do you
|
|
keep SAYING you will for? Why don't you DO it? It's
|
|
because you're afraid."
|
|
|
|
"I AIN'T afraid."
|
|
|
|
"You are."
|
|
|
|
"I ain't."
|
|
|
|
"You are."
|
|
|
|
Another pause, and more eying and sidling around
|
|
each other. Presently they were shoulder to shoulder.
|
|
Tom said:
|
|
|
|
"Get away from here!"
|
|
|
|
"Go away yourself!"
|
|
|
|
"I won't."
|
|
|
|
"I won't either."
|
|
|
|
So they stood, each with a foot placed at an angle
|
|
as a brace, and both shoving with might and main,
|
|
and glowering at each other with hate. But neither
|
|
could get an advantage. After struggling till both
|
|
were hot and flushed, each relaxed his strain with
|
|
watchful caution, and Tom said:
|
|
|
|
"You're a coward and a pup. I'll tell my big
|
|
brother on you, and he can thrash you with his little
|
|
finger, and I'll make him do it, too."
|
|
|
|
"What do I care for your big brother? I've got
|
|
a brother that's bigger than he is -- and what's more,
|
|
he can throw him over that fence, too." [Both brothers
|
|
were imaginary.]
|
|
|
|
"That's a lie."
|
|
|
|
"YOUR saying so don't make it so."
|
|
|
|
Tom drew a line in the dust with his big toe, and
|
|
said:
|
|
|
|
"I dare you to step over that, and I'll lick you till
|
|
you can't stand up. Anybody that'll take a dare will
|
|
steal sheep."
|
|
|
|
The new boy stepped over promptly, and said:
|
|
|
|
"Now you said you'd do it, now let's see you do it."
|
|
|
|
"Don't you crowd me now; you better look out."
|
|
|
|
"Well, you SAID you'd do it -- why don't you do it?"
|
|
|
|
"By jingo! for two cents I WILL do it."
|
|
|
|
The new boy took two broad coppers out of his
|
|
pocket and held them out with derision. Tom struck
|
|
them to the ground. In an instant both boys were
|
|
rolling and tumbling in the dirt, gripped together like
|
|
cats; and for the space of a minute they tugged and tore
|
|
at each other's hair and clothes, punched and scratched
|
|
each other's nose, and covered themselves with dust
|
|
and glory. Presently the confusion took form, and
|
|
through the fog of battle Tom appeared, seated astride
|
|
the new boy, and pounding him with his fists.
|
|
"Holler 'nuff!" said he.
|
|
|
|
The boy only struggled to free himself. He was
|
|
crying -- mainly from rage.
|
|
|
|
"Holler 'nuff!" -- and the pounding went on.
|
|
|
|
At last the stranger got out a smothered "'Nuff!"
|
|
and Tom let him up and said:
|
|
|
|
"Now that'll learn you. Better look out who you're
|
|
fooling with next time."
|
|
|
|
The new boy went off brushing the dust from his
|
|
clothes, sobbing, snuffling, and occasionally looking
|
|
back and shaking his head and threatening what he
|
|
would do to Tom the "next time he caught him out."
|
|
To which Tom responded with jeers, and started off
|
|
in high feather, and as soon as his back was turned the
|
|
new boy snatched up a stone, threw it and hit him be-
|
|
tween the shoulders and then turned tail and ran like
|
|
an antelope. Tom chased the traitor home, and thus
|
|
found out where he lived. He then held a position at
|
|
the gate for some time, daring the enemy to come out-
|
|
side, but the enemy only made faces at him through
|
|
the window and declined. At last the enemy's mother
|
|
appeared, and called Tom a bad, vicious, vulgar child,
|
|
and ordered him away. So he went away; but he
|
|
said he "'lowed" to "lay" for that boy.
|
|
|
|
He got home pretty late that night, and when he
|
|
climbed cautiously in at the window, he uncovered
|
|
an ambuscade, in the person of his aunt; and when
|
|
she saw the state his clothes were in her resolution
|
|
to turn his Saturday holiday into captivity at hard
|
|
labor became adamantine in its firmness.
|
|
|
|
|
|
CHAPTER II
|
|
|
|
SATURDAY morning was come, and all
|
|
the summer world was bright and fresh,
|
|
and brimming with life. There was a
|
|
song in every heart; and if the heart was
|
|
young the music issued at the lips. There
|
|
was cheer in every face and a spring in
|
|
every step. The locust-trees were in bloom and the
|
|
fragrance of the blossoms filled the air. Cardiff
|
|
Hill, beyond the village and above it, was green with
|
|
vegetation and it lay just far enough away to seem
|
|
a Delectable Land, dreamy, reposeful, and inviting.
|
|
|
|
Tom appeared on the sidewalk with a bucket of
|
|
whitewash and a long-handled brush. He surveyed
|
|
the fence, and all gladness left him and a deep mel-
|
|
ancholy settled down upon his spirit. Thirty yards
|
|
of board fence nine feet high. Life to him seemed
|
|
hollow, and existence but a burden. Sighing, he
|
|
dipped his brush and passed it along the topmost plank;
|
|
repeated the operation; did it again; compared the in-
|
|
significant whitewashed streak with the far-reaching
|
|
continent of unwhitewashed fence, and sat down on a
|
|
tree-box discouraged. Jim came skipping out at the
|
|
gate with a tin pail, and singing Buffalo Gals. Bringing
|
|
water from the town pump had always been hateful
|
|
work in Tom's eyes, before, but now it did not strike
|
|
him so. He remembered that there was company
|
|
at the pump. White, mulatto, and negro boys and
|
|
girls were always there waiting their turns, resting,
|
|
trading playthings, quarrelling, fighting, skylarking.
|
|
And he remembered that although the pump was only
|
|
a hundred and fifty yards off, Jim never got back with
|
|
a bucket of water under an hour -- and even then some-
|
|
body generally had to go after him. Tom said:
|
|
|
|
"Say, Jim, I'll fetch the water if you'll whitewash
|
|
some."
|
|
|
|
Jim shook his head and said:
|
|
|
|
"Can't, Mars Tom. Ole missis, she tole me I
|
|
got to go an' git dis water an' not stop foolin' roun'
|
|
wid anybody. She say she spec' Mars Tom gwine
|
|
to ax me to whitewash, an' so she tole me go 'long
|
|
an' 'tend to my own business -- she 'lowed SHE'D 'tend
|
|
to de whitewashin'."
|
|
|
|
"Oh, never you mind what she said, Jim. That's
|
|
the way she always talks. Gimme the bucket -- I
|
|
won't be gone only a a minute. SHE won't ever know."
|
|
|
|
"Oh, I dasn't, Mars Tom. Ole missis she'd take
|
|
an' tar de head off'n me. 'Deed she would."
|
|
|
|
"SHE! She never licks anybody -- whacks 'em over
|
|
the head with her thimble -- and who cares for that,
|
|
I'd like to know. She talks awful, but talk don't
|
|
hurt -- anyways it don't if she don't cry. Jim, I'll give
|
|
you a marvel. I'll give you a white alley!"
|
|
|
|
Jim began to waver.
|
|
|
|
"White alley, Jim! And it's a bully taw."
|
|
|
|
"My! Dat's a mighty gay marvel, I tell you!
|
|
But Mars Tom I's powerful 'fraid ole missis --"
|
|
|
|
"And besides, if you will I'll show you my sore
|
|
toe."
|
|
|
|
Jim was only human -- this attraction was too much
|
|
for him. He put down his pail, took the white alley,
|
|
and bent over the toe with absorbing interest while the
|
|
bandage was being unwound. In another moment he
|
|
was flying down the street with his pail and a tingling
|
|
rear, Tom was whitewashing with vigor, and Aunt
|
|
Polly was retiring from the field with a slipper in her
|
|
hand and triumph in her eye.
|
|
|
|
But Tom's energy did not last. He began to think
|
|
of the fun he had planned for this day, and his sorrows
|
|
multiplied. Soon the free boys would come tripping
|
|
along on all sorts of delicious expeditions, and they
|
|
would make a world of fun of him for having to work
|
|
-- the very thought of it burnt him like fire. He got
|
|
out his worldly wealth and examined it -- bits of toys,
|
|
marbles, and trash; enough to buy an exchange of WORK,
|
|
maybe, but not half enough to buy so much as half an
|
|
hour of pure freedom. So he returned his straitened
|
|
means to his pocket, and gave up the idea of trying
|
|
to buy the boys. At this dark and hopeless moment
|
|
an inspiration burst upon him! Nothing less than a
|
|
great, magnificent inspiration.
|
|
|
|
He took up his brush and went tranquilly to work.
|
|
Ben Rogers hove in sight presently -- the very boy,
|
|
of all boys, whose ridicule he had been dreading.
|
|
Ben's gait was the hop-skip-and-jump -- proof enough
|
|
that his heart was light and his anticipations high. He
|
|
was eating an apple, and giving a long, melodious
|
|
whoop, at intervals, followed by a deep-toned ding-
|
|
dong-dong, ding-dong-dong, for he was personating a
|
|
steamboat. As he drew near, he slackened speed,
|
|
took the middle of the street, leaned far over to star-
|
|
board and rounded to ponderously and with laborious
|
|
pomp and circumstance -- for he was personating the
|
|
Big Missouri, and considered himself to be drawing
|
|
nine feet of water. He was boat and captain and
|
|
engine-bells combined, so he had to imagine himself
|
|
standing on his own hurricane-deck giving the orders
|
|
and executing them:
|
|
|
|
"Stop her, sir! Ting-a-ling-ling!" The headway ran
|
|
almost out, and he drew up slowly toward the sidewalk.
|
|
|
|
"Ship up to back! Ting-a-ling-ling!" His arms
|
|
straightened and stiffened down his sides.
|
|
|
|
"Set her back on the stabboard! Ting-a-ling-ling!
|
|
Chow! ch-chow-wow! Chow!" His right hand, mean-
|
|
time, describing stately circles -- for it was representing
|
|
a forty-foot wheel.
|
|
|
|
"Let her go back on the labboard! Ting-a-ling-
|
|
ling! Chow-ch-chow-chow!" The left hand began
|
|
to describe circles.
|
|
|
|
"Stop the stabboard! Ting-a-ling-ling! Stop the
|
|
labboard! Come ahead on the stabboard! Stop her!
|
|
Let your outside turn over slow! Ting-a-ling-ling!
|
|
Chow-ow-ow! Get out that head-line! LIVELY now!
|
|
Come -- out with your spring-line -- what're you about
|
|
there! Take a turn round that stump with the bight
|
|
of it! Stand by that stage, now -- let her go! Done
|
|
with the engines, sir! Ting-a-ling-ling! SH'T! S'H'T!
|
|
SH'T!" (trying the gauge-cocks).
|
|
|
|
Tom went on whitewashing -- paid no attention to
|
|
the steamboat. Ben stared a moment and then said:
|
|
"Hi-YI! YOU'RE up a stump, ain't you!"
|
|
|
|
No answer. Tom surveyed his last touch with the
|
|
eye of an artist, then he gave his brush another gentle
|
|
sweep and surveyed the result, as before. Ben ranged
|
|
up alongside of him. Tom's mouth watered for the
|
|
apple, but he stuck to his work. Ben said:
|
|
|
|
"Hello, old chap, you got to work, hey?"
|
|
|
|
Tom wheeled suddenly and said:
|
|
|
|
"Why, it's you, Ben! I warn't noticing."
|
|
|
|
"Say -- I'm going in a-swimming, I am. Don't
|
|
you wish you could? But of course you'd druther
|
|
WORK -- wouldn't you? Course you would!"
|
|
|
|
Tom contemplated the boy a bit, and said:
|
|
|
|
"What do you call work?"
|
|
|
|
"Why, ain't THAT work?"
|
|
|
|
Tom resumed his whitewashing, and answered care-
|
|
lessly:
|
|
|
|
"Well, maybe it is, and maybe it ain't. All I know,
|
|
is, it suits Tom Sawyer."
|
|
|
|
"Oh come, now, you don't mean to let on that you
|
|
LIKE it?"
|
|
|
|
The brush continued to move.
|
|
|
|
"Like it? Well, I don't see why I oughtn't to like it.
|
|
Does a boy get a chance to whitewash a fence every day?"
|
|
|
|
That put the thing in a new light. Ben stopped
|
|
nibbling his apple. Tom swept his brush daintily
|
|
back and forth -- stepped back to note the effect --
|
|
added a touch here and there -- criticised the effect
|
|
again -- Ben watching every move and getting more
|
|
and more interested, more and more absorbed. Pres-
|
|
ently he said:
|
|
|
|
"Say, Tom, let ME whitewash a little."
|
|
|
|
Tom considered, was about to consent; but he
|
|
altered his mind:
|
|
|
|
"No -- no -- I reckon it wouldn't hardly do, Ben.
|
|
You see, Aunt Polly's awful particular about this
|
|
fence -- right here on the street, you know -- but if it
|
|
was the back fence I wouldn't mind and SHE wouldn't.
|
|
Yes, she's awful particular about this fence; it's got to
|
|
be done very careful; I reckon there ain't one boy in a
|
|
thousand, maybe two thousand, that can do it the way
|
|
it's got to be done."
|
|
|
|
"No -- is that so? Oh come, now -- lemme just
|
|
try. Only just a little -- I'd let YOU, if you was me,
|
|
Tom."
|
|
|
|
"Ben, I'd like to, honest injun; but Aunt Polly
|
|
-- well, Jim wanted to do it, but she wouldn't let him;
|
|
Sid wanted to do it, and she wouldn't let Sid. Now
|
|
don't you see how I'm fixed? If you was to tackle this
|
|
fence and anything was to happen to it --"
|
|
|
|
"Oh, shucks, I'll be just as careful. Now lemme try.
|
|
Say -- I'll give you the core of my apple."
|
|
|
|
"Well, here -- No, Ben, now don't. I'm afeard --"
|
|
|
|
"I'll give you ALL of it!"
|
|
|
|
Tom gave up the brush with reluctance in his face,
|
|
but alacrity in his heart. And while the late steamer
|
|
Big Missouri worked and sweated in the sun, the
|
|
retired artist sat on a barrel in the shade close by,
|
|
dangled his legs, munched his apple, and planned the
|
|
slaughter of more innocents. There was no lack
|
|
of material; boys happened along every little while;
|
|
they came to jeer, but remained to whitewash. By
|
|
the time Ben was fagged out, Tom had traded the next
|
|
chance to Billy Fisher for a kite, in good repair; and
|
|
when he played out, Johnny Miller bought in for a
|
|
dead rat and a string to swing it with -- and so on, and
|
|
so on, hour after hour. And when the middle of the
|
|
afternoon came, from being a poor poverty-stricken
|
|
boy in the morning, Tom was literally rolling in wealth.
|
|
He had besides the things before mentioned, twelve
|
|
marbles, part of a jews-harp, a piece of blue bottle-glass
|
|
to look through, a spool cannon, a key that wouldn't
|
|
unlock anything, a fragment of chalk, a glass stopper
|
|
of a decanter, a tin soldier, a couple of tadpoles, six
|
|
fire-crackers, a kitten with only one eye, a brass door-
|
|
knob, a dog-collar -- but no dog -- the handle of a knife,
|
|
four pieces of orange-peel, and a dilapidated old window
|
|
sash.
|
|
|
|
He had had a nice, good, idle time all the while --
|
|
plenty of company -- and the fence had three coats of
|
|
whitewash on it! If he hadn't run out of whitewash he
|
|
would have bankrupted every boy in the village.
|
|
|
|
Tom said to himself that it was not such a hollow
|
|
world, after all. He had discovered a great law of
|
|
human action, without knowing it -- namely, that in
|
|
order to make a man or a boy covet a thing, it is only
|
|
necessary to make the thing difficult to attain. If
|
|
he had been a great and wise philosopher, like the
|
|
writer of this book, he would now have comprehended
|
|
that Work consists of whatever a body is OBLIGED to
|
|
do, and that Play consists of whatever a body is not
|
|
obliged to do. And this would help him to understand
|
|
why constructing artificial flowers or performing on a
|
|
tread-mill is work, while rolling ten-pins or climbing
|
|
Mont Blanc is only amusement. There are wealthy
|
|
gentlemen in England who drive four-horse passenger-
|
|
coaches twenty or thirty miles on a daily line, in the
|
|
summer, because the privilege costs them considerable
|
|
money; but if they were offered wages for the service,
|
|
that would turn it into work and then they would
|
|
resign.
|
|
|
|
The boy mused awhile over the substantial change
|
|
which had taken place in his worldly circumstances,
|
|
and then wended toward headquarters to report.
|
|
|
|
|
|
CHAPTER III
|
|
|
|
TOM presented himself before Aunt Polly,
|
|
who was sitting by an open window in a
|
|
pleasant rearward apartment, which was
|
|
bedroom, breakfast-room, dining-room,
|
|
and library, combined. The balmy sum-
|
|
mer air, the restful quiet, the odor of the
|
|
flowers, and the drowsing murmur of the bees had
|
|
had their effect, and she was nodding over her knit-
|
|
ting -- for she had no company but the cat, and it was
|
|
asleep in her lap. Her spectacles were propped up
|
|
on her gray head for safety. She had thought that of
|
|
course Tom had deserted long ago, and she wondered
|
|
at seeing him place himself in her power again in this
|
|
intrepid way. He said: "Mayn't I go and play now,
|
|
aunt?"
|
|
|
|
"What, a'ready? How much have you done?"
|
|
|
|
"It's all done, aunt."
|
|
|
|
"Tom, don't lie to me -- I can't bear it."
|
|
|
|
"I ain't, aunt; it IS all done."
|
|
|
|
Aunt Polly placed small trust in such evidence.
|
|
She went out to see for herself; and she would have
|
|
been content to find twenty per cent. of Tom's state-
|
|
ment true. When she found the entire fence white-
|
|
washed, and not only whitewashed but elaborately
|
|
coated and recoated, and even a streak added to the
|
|
ground, her astonishment was almost unspeakable.
|
|
She said:
|
|
|
|
"Well, I never! There's no getting round it, you
|
|
can work when you're a mind to, Tom." And then
|
|
she diluted the compliment by adding, "But it's power-
|
|
ful seldom you're a mind to, I'm bound to say. Well,
|
|
go 'long and play; but mind you get back some time in
|
|
a week, or I'll tan you."
|
|
|
|
She was so overcome by the splendor of his achieve-
|
|
ment that she took him into the closet and selected a
|
|
choice apple and delivered it to him, along with an
|
|
improving lecture upon the added value and flavor
|
|
a treat took to itself when it came without sin through
|
|
virtuous effort. And while she closed with a happy
|
|
Scriptural flourish, he "hooked" a doughnut.
|
|
|
|
Then he skipped out, and saw Sid just starting up
|
|
the outside stairway that led to the back rooms on
|
|
the second floor. Clods were handy and the air was
|
|
full of them in a twinkling. They raged around Sid
|
|
like a hail-storm; and before Aunt Polly could collect
|
|
her surprised faculties and sally to the rescue, six or
|
|
seven clods had taken personal effect, and Tom was
|
|
over the fence and gone. There was a gate, but as a
|
|
general thing he was too crowded for time to make use
|
|
of it. His soul was at peace, now that he had settled
|
|
with Sid for calling attention to his black thread and
|
|
getting him into trouble.
|
|
|
|
Tom skirted the block, and came round into a
|
|
muddy alley that led by the back of his aunt's cow-
|
|
stable. He presently got safely beyond the reach
|
|
of capture and punishment, and hastened toward the
|
|
public square of the village, where two "military"
|
|
companies of boys had met for conflict, according
|
|
to previous appointment. Tom was General of one
|
|
of these armies, Joe Harper (a bosom friend) General
|
|
of the other. These two great commanders did not
|
|
condescend to fight in person -- that being better suited
|
|
to the still smaller fry -- but sat together on an eminence
|
|
and conducted the field operations by orders delivered
|
|
through aides-de-camp. Tom's army won a great
|
|
victory, after a long and hard-fought battle. Then
|
|
the dead were counted, prisoners exchanged, the terms
|
|
of the next disagreement agreed upon, and the day
|
|
for the necessary battle appointed; after which the
|
|
armies fell into line and marched away, and Tom turned
|
|
homeward alone.
|
|
|
|
As he was passing by the house where Jeff Thatcher
|
|
lived, he saw a new girl in the garden -- a lovely little
|
|
blue-eyed creature with yellow hair plaited into two
|
|
long-tails, white summer frock and embroidered pan-
|
|
talettes. The fresh-crowned hero fell without firing
|
|
a shot. A certain Amy Lawrence vanished out of his
|
|
heart and left not even a memory of herself behind.
|
|
He had thought he loved her to distraction; he had
|
|
regarded his passion as adoration; and behold it was
|
|
only a poor little evanescent partiality. He had been
|
|
months winning her; she had confessed hardly a week
|
|
ago; he had been the happiest and the proudest boy in
|
|
the world only seven short days, and here in one instant
|
|
of time she had gone out of his heart like a casual
|
|
stranger whose visit is done.
|
|
|
|
He worshipped this new angel with furtive eye, till
|
|
he saw that she had discovered him; then he pre-
|
|
tended he did not know she was present, and began
|
|
to "show off" in all sorts of absurd boyish ways, in
|
|
order to win her admiration. He kept up this grotesque
|
|
foolishness for some time; but by-and-by, while he was
|
|
in the midst of some dangerous gymnastic performances,
|
|
he glanced aside and saw that the little girl was wending
|
|
her way toward the house. Tom came up to the
|
|
fence and leaned on it, grieving, and hoping she would
|
|
tarry yet awhile longer. She halted a moment on the
|
|
steps and then moved toward the door. Tom heaved
|
|
a great sigh as she put her foot on the threshold. But
|
|
his face lit up, right away, for she tossed a pansy over the
|
|
fence a moment before she disappeared.
|
|
|
|
The boy ran around and stopped within a foot or
|
|
two of the flower, and then shaded his eyes with his
|
|
hand and began to look down street as if he had dis-
|
|
covered something of interest going on in that direction.
|
|
Presently he picked up a straw and began trying to
|
|
balance it on his nose, with his head tilted far back;
|
|
and as he moved from side to side, in his efforts, he
|
|
edged nearer and nearer toward the pansy; finally his
|
|
bare foot rested upon it, his pliant toes closed upon it,
|
|
and he hopped away with the treasure and disappeared
|
|
round the corner. But only for a minute -- only while
|
|
he could button the flower inside his jacket, next his
|
|
heart -- or next his stomach, possibly, for he was not
|
|
much posted in anatomy, and not hypercritical, any-
|
|
way.
|
|
|
|
He returned, now, and hung about the fence till
|
|
nightfall, "showing off," as before; but the girl never
|
|
exhibited herself again, though Tom comforted him-
|
|
self a little with the hope that she had been near some
|
|
window, meantime, and been aware of his attentions.
|
|
Finally he strode home reluctantly, with his poor head
|
|
full of visions.
|
|
|
|
All through supper his spirits were so high that
|
|
his aunt wondered "what had got into the child." He
|
|
took a good scolding about clodding Sid, and did not
|
|
seem to mind it in the least. He tried to steal sugar
|
|
under his aunt's very nose, and got his knuckles rapped
|
|
for it. He said:
|
|
|
|
"Aunt, you don't whack Sid when he takes it."
|
|
|
|
"Well, Sid don't torment a body the way you do.
|
|
You'd be always into that sugar if I warn't watching
|
|
you."
|
|
|
|
Presently she stepped into the kitchen, and Sid,
|
|
happy in his immunity, reached for the sugar-bowl --
|
|
a sort of glorying over Tom which was wellnigh un-
|
|
bearable. But Sid's fingers slipped and the bowl
|
|
dropped and broke. Tom was in ecstasies. In such
|
|
ecstasies that he even controlled his tongue and was
|
|
silent. He said to himself that he would not speak
|
|
a word, even when his aunt came in, but would sit per-
|
|
fectly still till she asked who did the mischief; and then
|
|
he would tell, and there would be nothing so good in
|
|
the world as to see that pet model "catch it." He was
|
|
so brimful of exultation that he could hardly hold him-
|
|
self when the old lady came back and stood above the
|
|
wreck discharging lightnings of wrath from over her
|
|
spectacles. He said to himself, "Now it's coming!"
|
|
And the next instant he was sprawling on the floor!
|
|
The potent palm was uplifted to strike again when
|
|
Tom cried out:
|
|
|
|
"Hold on, now, what 'er you belting ME for? -- Sid
|
|
broke it!"
|
|
|
|
Aunt Polly paused, perplexed, and Tom looked
|
|
for healing pity. But when she got her tongue again,
|
|
she only said:
|
|
|
|
"Umf! Well, you didn't get a lick amiss, I reckon.
|
|
You been into some other audacious mischief when I
|
|
wasn't around, like enough."
|
|
|
|
Then her conscience reproached her, and she yearned
|
|
to say something kind and loving; but she judged
|
|
that this would be construed into a confession that she
|
|
had been in the wrong, and discipline forbade that.
|
|
So she kept silence, and went about her affairs with
|
|
a troubled heart. Tom sulked in a corner and exalted
|
|
his woes. He knew that in her heart his aunt was on
|
|
her knees to him, and he was morosely gratified by the
|
|
consciousness of it. He would hang out no signals, he
|
|
would take notice of none. He knew that a yearning
|
|
glance fell upon him, now and then, through a film of
|
|
tears, but he refused recognition of it. He pictured him-
|
|
self lying sick unto death and his aunt bending over him
|
|
beseeching one little forgiving word, but he would
|
|
turn his face to the wall, and die with that word unsaid.
|
|
Ah, how would she feel then? And he pictured himself
|
|
brought home from the river, dead, with his curls all
|
|
wet, and his sore heart at rest. How she would throw
|
|
herself upon him, and how her tears would fall like
|
|
rain, and her lips pray God to give her back her boy
|
|
and she would never, never abuse him any more!
|
|
But he would lie there cold and white and make no
|
|
sign -- a poor little sufferer, whose griefs were at an
|
|
end. He so worked upon his feelings with the pathos
|
|
of these dreams, that he had to keep swallowing, he
|
|
was so like to choke; and his eyes swam in a blur of
|
|
water, which overflowed when he winked, and ran
|
|
down and trickled from the end of his nose. And such
|
|
a luxury to him was this petting of his sorrows, that he
|
|
could not bear to have any worldly cheeriness or any
|
|
grating delight intrude upon it; it was too sacred
|
|
for such contact; and so, presently, when his cousin
|
|
Mary danced in, all alive with the joy of seeing home
|
|
again after an age-long visit of one week to the country,
|
|
he got up and moved in clouds and darkness out at
|
|
one door as she brought song and sunshine in at the
|
|
other.
|
|
|
|
He wandered far from the accustomed haunts of
|
|
boys, and sought desolate places that were in har-
|
|
mony with his spirit. A log raft in the river invited
|
|
him, and he seated himself on its outer edge and
|
|
contemplated the dreary vastness of the stream, wish-
|
|
ing, the while, that he could only be drowned, all at
|
|
once and unconsciously, without undergoing the un-
|
|
comfortable routine devised by nature. Then he
|
|
thought of his flower. He got it out, rumpled and
|
|
wilted, and it mightily increased his dismal felicity.
|
|
He wondered if she would pity him if she knew?
|
|
Would she cry, and wish that she had a right to put
|
|
her arms around his neck and comfort him? Or
|
|
would she turn coldly away like all the hollow world?
|
|
This picture brought such an agony of pleasurable suf-
|
|
fering that he worked it over and over again in his mind
|
|
and set it up in new and varied lights, till he wore it
|
|
threadbare. At last he rose up sighing and departed
|
|
in the darkness.
|
|
|
|
About half-past nine or ten o'clock he came along
|
|
the deserted street to where the Adored Unknown
|
|
lived; he paused a moment; no sound fell upon his
|
|
listening ear; a candle was casting a dull glow upon
|
|
the curtain of a second-story window. Was the
|
|
sacred presence there? He climbed the fence, threaded
|
|
his stealthy way through the plants, till he stood under
|
|
that window; he looked up at it long, and with emotion;
|
|
then he laid him down on the ground under it, dis-
|
|
posing himself upon his back, with his hands clasped
|
|
upon his breast and holding his poor wilted flower.
|
|
And thus he would die -- out in the cold world, with no
|
|
shelter over his homeless head, no friendly hand to
|
|
wipe the death-damps from his brow, no loving face to
|
|
bend pityingly over him when the great agony came.
|
|
And thus SHE would see him when she looked out upon
|
|
the glad morning, and oh! would she drop one little
|
|
tear upon his poor, lifeless form, would she heave
|
|
one little sigh to see a bright young life so rudely blight-
|
|
ed, so untimely cut down?
|
|
|
|
The window went up, a maid-servant's discordant
|
|
voice profaned the holy calm, and a deluge of water
|
|
drenched the prone martyr's remains!
|
|
|
|
The strangling hero sprang up with a relieving
|
|
snort. There was a whiz as of a missile in the air,
|
|
mingled with the murmur of a curse, a sound as of
|
|
shivering glass followed, and a small, vague form went
|
|
over the fence and shot away in the gloom.
|
|
|
|
Not long after, as Tom, all undressed for bed, was
|
|
surveying his drenched garments by the light of a
|
|
tallow dip, Sid woke up; but if he had any dim idea of
|
|
making any "references to allusions," he thought better
|
|
of it and held his peace, for there was danger in Tom's
|
|
eye.
|
|
|
|
Tom turned in without the added vexation of prayers,
|
|
and Sid made mental note of the omission.
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
THE sun rose upon a tranquil world, and
|
|
beamed down upon the peaceful village
|
|
like a benediction. Breakfast over, Aunt
|
|
Polly had family worship: it began with a
|
|
prayer built from the ground up of solid
|
|
courses of Scriptural quotations, welded
|
|
together with a thin mortar of originality; and from
|
|
the summit of this she delivered a grim chapter of the
|
|
Mosaic Law, as from Sinai.
|
|
|
|
Then Tom girded up his loins, so to speak, and
|
|
went to work to "get his verses." Sid had learned
|
|
his lesson days before. Tom bent all his energies to
|
|
the memorizing of five verses, and he chose part of
|
|
the Sermon on the Mount, because he could find no
|
|
verses that were shorter. At the end of half an hour
|
|
Tom had a vague general idea of his lesson, but no
|
|
more, for his mind was traversing the whole field of
|
|
human thought, and his hands were busy with dis-
|
|
tracting recreations. Mary took his book to hear
|
|
him recite, and he tried to find his way through the
|
|
fog:
|
|
|
|
"Blessed are the -- a -- a --"
|
|
|
|
"Poor" --
|
|
|
|
"Yes -- poor; blessed are the poor -- a -- a --"
|
|
|
|
"In spirit --"
|
|
|
|
"In spirit; blessed are the poor in spirit, for they --
|
|
they --"
|
|
|
|
"THEIRS --"
|
|
|
|
"For THEIRS. Blessed are the poor in spirit, for theirs
|
|
is the kingdom of heaven. Blessed are they that mourn,
|
|
for they -- they --"
|
|
|
|
"Sh --"
|
|
|
|
"For they -- a --"
|
|
|
|
"S, H, A --"
|
|
|
|
"For they S, H -- Oh, I don't know what it is!"
|
|
|
|
"SHALL!"
|
|
|
|
"Oh, SHALL! for they shall -- for they shall -- a -- a --
|
|
shall mourn -- a-- a -- blessed are they that shall -- they
|
|
that -- a -- they that shall mourn, for they shall -- a -- shall
|
|
WHAT? Why don't you tell me, Mary? -- what do you
|
|
want to be so mean for?"
|
|
|
|
"Oh, Tom, you poor thick-headed thing, I'm not
|
|
teasing you. I wouldn't do that. You must go and
|
|
learn it again. Don't you be discouraged, Tom, you'll
|
|
manage it -- and if you do, I'll give you something ever
|
|
so nice. There, now, that's a good boy."
|
|
|
|
"All right! What is it, Mary, tell me what it is."
|
|
|
|
"Never you mind, Tom. You know if I say it's
|
|
nice, it is nice."
|
|
|
|
"You bet you that's so, Mary. All right, I'll tackle
|
|
it again."
|
|
|
|
And he did "tackle it again" -- and under the double
|
|
pressure of curiosity and prospective gain he did it
|
|
with such spirit that he accomplished a shining success.
|
|
Mary gave him a brand-new "Barlow" knife worth
|
|
twelve and a half cents; and the convulsion of delight
|
|
that swept his system shook him to his foundations.
|
|
True, the knife would not cut anything, but it was a
|
|
"sure-enough" Barlow, and there was inconceivable
|
|
grandeur in that -- though where the Western boys ever
|
|
got the idea that such a weapon could possibly be
|
|
counterfeited to its injury is an imposing mystery and
|
|
will always remain so, perhaps. Tom contrived to
|
|
scarify the cupboard with it, and was arranging to begin
|
|
on the bureau, when he was called off to dress for
|
|
Sunday-school.
|
|
|
|
Mary gave him a tin basin of water and a piece of
|
|
soap, and he went outside the door and set the basin
|
|
on a little bench there; then he dipped the soap in
|
|
the water and laid it down; turned up his sleeves;
|
|
poured out the water on the ground, gently, and then
|
|
entered the kitchen and began to wipe his face diligently
|
|
on the towel behind the door. But Mary removed
|
|
the towel and said:
|
|
|
|
"Now ain't you ashamed, Tom. You mustn't be
|
|
so bad. Water won't hurt you."
|
|
|
|
Tom was a trifle disconcerted. The basin was
|
|
refilled, and this time he stood over it a little while,
|
|
gathering resolution; took in a big breath and began.
|
|
When he entered the kitchen presently, with both
|
|
eyes shut and groping for the towel with his hands,
|
|
an honorable testimony of suds and water was dripping
|
|
from his face. But when he emerged from the towel,
|
|
he was not yet satisfactory, for the clean territory
|
|
stopped short at his chin and his jaws, like a mask;
|
|
below and beyond this line there was a dark expanse
|
|
of unirrigated soil that spread downward in front and
|
|
backward around his neck. Mary took him in hand,
|
|
and when she was done with him he was a man and a
|
|
brother, without distinction of color, and his saturated
|
|
hair was neatly brushed, and its short curls wrought
|
|
into a dainty and symmetrical general effect. [He
|
|
privately smoothed out the curls, with labor and dif-
|
|
ficulty, and plastered his hair close down to his head;
|
|
for he held curls to be effeminate, and his own filled his
|
|
life with bitterness.] Then Mary got out a suit of
|
|
his clothing that had been used only on Sundays during
|
|
two years -- they were simply called his "other clothes"
|
|
-- and so by that we know the size of his wardrobe.
|
|
The girl "put him to rights" after he had dressed him-
|
|
self; she buttoned his neat roundabout up to his chin,
|
|
turned his vast shirt collar down over his shoulders,
|
|
brushed him off and crowned him with his speckled
|
|
straw hat. He now looked exceedingly improved and
|
|
uncomfortable. He was fully as uncomfortable as he
|
|
looked; for there was a restraint about whole clothes
|
|
and cleanliness that galled him. He hoped that Mary
|
|
would forget his shoes, but the hope was blighted; she
|
|
coated them thoroughly with tallow, as was the custom,
|
|
and brought them out. He lost his temper and said
|
|
he was always being made to do everything he didn't
|
|
want to do. But Mary said, persuasively:
|
|
|
|
"Please, Tom -- that's a good boy."
|
|
|
|
So he got into the shoes snarling. Mary was soon
|
|
ready, and the three children set out for Sunday-school
|
|
-- a place that Tom hated with his whole heart; but Sid
|
|
and Mary were fond of it.
|
|
|
|
Sabbath-school hours were from nine to half-past
|
|
ten; and then church service. Two of the children
|
|
always remained for the sermon voluntarily, and the
|
|
other always remained too -- for stronger reasons.
|
|
The church's high-backed, uncushioned pews would
|
|
seat about three hundred persons; the edifice was but
|
|
a small, plain affair, with a sort of pine board tree-box
|
|
on top of it for a steeple. At the door Tom dropped
|
|
back a step and accosted a Sunday-dressed comrade:
|
|
|
|
"Say, Billy, got a yaller ticket?"
|
|
|
|
"Yes."
|
|
|
|
"What'll you take for her?"
|
|
|
|
"What'll you give?"
|
|
|
|
"Piece of lickrish and a fish-hook."
|
|
|
|
"Less see 'em."
|
|
|
|
Tom exhibited. They were satisfactory, and the
|
|
property changed hands. Then Tom traded a couple
|
|
of white alleys for three red tickets, and some small
|
|
trifle or other for a couple of blue ones. He waylaid
|
|
other boys as they came, and went on buying tickets
|
|
of various colors ten or fifteen minutes longer. He
|
|
entered the church, now, with a swarm of clean and
|
|
noisy boys and girls, proceeded to his seat and started
|
|
a quarrel with the first boy that came handy. The
|
|
teacher, a grave, elderly man, interfered; then turned his
|
|
back a moment and Tom pulled a boy's hair in the next
|
|
bench, and was absorbed in his book when the boy
|
|
turned around; stuck a pin in another boy, presently,
|
|
in order to hear him say "Ouch!" and got a new
|
|
reprimand from his teacher. Tom's whole class were
|
|
of a pattern -- restless, noisy, and troublesome. When
|
|
they came to recite their lessons, not one of them knew
|
|
his verses perfectly, but had to be prompted all along.
|
|
However, they worried through, and each got his reward
|
|
-- in small blue tickets, each with a passage of Scripture
|
|
on it; each blue ticket was pay for two verses of the
|
|
recitation. Ten blue tickets equalled a red one, and
|
|
could be exchanged for it; ten red tickets equalled a
|
|
yellow one; for ten yellow tickets the superintendent
|
|
gave a very plainly bound Bible (worth forty cents in
|
|
those easy times) to the pupil. How many of my
|
|
readers would have the industry and application to
|
|
memorize two thousand verses, even for a Dore Bible?
|
|
And yet Mary had acquired two Bibles in this way -- it
|
|
was the patient work of two years -- and a boy of Ger-
|
|
man parentage had won four or five. He once recited
|
|
three thousand verses without stopping; but the strain
|
|
upon his mental faculties was too great, and he was
|
|
little better than an idiot from that day forth -- a
|
|
grievous misfortune for the school, for on great occa-
|
|
sions, before company, the superintendent (as Tom
|
|
expressed it) had always made this boy come out
|
|
and "spread himself." Only the older pupils managed
|
|
to keep their tickets and stick to their tedious work long
|
|
enough to get a Bible, and so the delivery of one of these
|
|
prizes was a rare and noteworthy circumstance; the
|
|
successful pupil was so great and conspicuous for that
|
|
day that on the spot every scholar's heart was fired with
|
|
a fresh ambition that often lasted a couple of weeks.
|
|
It is possible that Tom's mental stomach had never
|
|
really hungered for one of those prizes, but unques-
|
|
tionably his entire being had for many a day longed for
|
|
the glory and the eclat that came with it.
|
|
|
|
In due course the superintendent stood up in front
|
|
of the pulpit, with a closed hymn-book in his hand
|
|
and his forefinger inserted between its leaves, and
|
|
commanded attention. When a Sunday-school superin-
|
|
tendent makes his customary little speech, a hymn-book
|
|
in the hand is as necessary as is the inevitable sheet of
|
|
music in the hand of a singer who stands forward on
|
|
the platform and sings a solo at a concert -- though
|
|
why, is a mystery: for neither the hymn-book nor the
|
|
sheet of music is ever referred to by the sufferer. This
|
|
superintendent was a slim creature of thirty-five, with
|
|
a sandy goatee and short sandy hair; he wore a stiff
|
|
standing-collar whose upper edge almost reached his
|
|
ears and whose sharp points curved forward abreast the
|
|
corners of his mouth -- a fence that compelled a straight
|
|
lookout ahead, and a turning of the whole body when a
|
|
side view was required; his chin was propped on a
|
|
spreading cravat which was as broad and as long as a
|
|
bank-note, and had fringed ends; his boot toes were
|
|
turned sharply up, in the fashion of the day, like sleigh-
|
|
runners -- an effect patiently and laboriously produced
|
|
by the young men by sitting with their toes pressed
|
|
against a wall for hours together. Mr. Walters was
|
|
very earnest of mien, and very sincere and honest at
|
|
heart; and he held sacred things and places in such
|
|
reverence, and so separated them from worldly matters,
|
|
that unconsciously to himself his Sunday-school voice
|
|
had acquired a peculiar intonation which was wholly
|
|
absent on week-days. He began after this fashion:
|
|
|
|
"Now, children, I want you all to sit up just as
|
|
straight and pretty as you can and give me all your
|
|
attention for a minute or two. There -- that is it.
|
|
That is the way good little boys and girls should do.
|
|
I see one little girl who is looking out of the window
|
|
-- I am afraid she thinks I am out there somewhere --
|
|
perhaps up in one of the trees making a speech to the
|
|
little birds. [Applausive titter.] I want to tell you
|
|
how good it makes me feel to see so many bright, clean
|
|
little faces assembled in a place like this, learning to
|
|
do right and be good." And so forth and so on. It
|
|
is not necessary to set down the rest of the oration.
|
|
It was of a pattern which does not vary, and so it is
|
|
familiar to us all.
|
|
|
|
The latter third of the speech was marred by the
|
|
resumption of fights and other recreations among
|
|
certain of the bad boys, and by fidgetings and whis-
|
|
perings that extended far and wide, washing even to
|
|
the bases of isolated and incorruptible rocks like
|
|
Sid and Mary. But now every sound ceased suddenly,
|
|
with the subsidence of Mr. Walters' voice, and the con-
|
|
clusion of the speech was received with a burst of silent
|
|
gratitude.
|
|
|
|
A good part of the whispering had been occasioned
|
|
by an event which was more or less rare -- the entrance
|
|
of visitors: lawyer Thatcher, accompanied by a very
|
|
feeble and aged man; a fine, portly, middle-aged gentle-
|
|
man with iron-gray hair; and a dignified lady who was
|
|
doubtless the latter's wife. The lady was leading a
|
|
child. Tom had been restless and full of chafings and
|
|
repinings; conscience-smitten, too -- he could not meet
|
|
Amy Lawrence's eye, he could not brook her loving
|
|
gaze. But when he saw this small new-comer his soul
|
|
was all ablaze with bliss in a moment. The next
|
|
moment he was "showing off" with all his might --
|
|
cuffing boys, pulling hair, making faces -- in a word,
|
|
using every art that seemed likely to fascinate a girl and
|
|
win her applause. His exaltation had but one alloy
|
|
-- the memory of his humiliation in this angel's garden
|
|
-- and that record in sand was fast washing out, under
|
|
the waves of happiness that were sweeping over it now.
|
|
|
|
The visitors were given the highest seat of honor,
|
|
and as soon as Mr. Walters' speech was finished, he
|
|
introduced them to the school. The middle-aged
|
|
man turned out to be a prodigious personage -- no less
|
|
a one than the county judge -- altogether the most
|
|
august creation these children had ever looked upon --
|
|
and they wondered what kind of material he was made
|
|
of -- and they half wanted to hear him roar, and were
|
|
half afraid he might, too. He was from Constantinople,
|
|
twelve miles away -- so he had travelled, and seen the
|
|
world -- these very eyes had looked upon the county
|
|
court-house -- which was said to have a tin roof. The
|
|
awe which these reflections inspired was attested by the
|
|
impressive silence and the ranks of staring eyes. This
|
|
was the great Judge Thatcher, brother of their own
|
|
lawyer. Jeff Thatcher immediately went forward, to
|
|
be familiar with the great man and be envied by the
|
|
school. It would have been music to his soul to hear
|
|
the whisperings:
|
|
|
|
"Look at him, Jim! He's a going up there. Say --
|
|
look! he's a going to shake hands with him -- he IS
|
|
shaking hands with him! By jings, don't you wish you
|
|
was Jeff?"
|
|
|
|
Mr. Walters fell to "showing off," with all sorts of
|
|
official bustlings and activities, giving orders, de-
|
|
livering judgments, discharging directions here, there,
|
|
everywhere that he could find a target. The librarian
|
|
"showed off" -- running hither and thither with his arms
|
|
full of books and making a deal of the splutter and
|
|
fuss that insect authority delights in. The young lady
|
|
teachers "showed off" -- bending sweetly over pupils
|
|
that were lately being boxed, lifting pretty warning
|
|
fingers at bad little boys and patting good ones lovingly.
|
|
The young gentlemen teachers "showed off" with
|
|
small scoldings and other little displays of authority
|
|
and fine attention to discipline -- and most of the
|
|
teachers, of both sexes, found business up at the library,
|
|
by the pulpit; and it was business that frequently had
|
|
to be done over again two or three times (with much
|
|
seeming vexation). The little girls "showed off" in
|
|
various ways, and the little boys "showed off" with such
|
|
diligence that the air was thick with paper wads and
|
|
the murmur of scufflings. And above it all the great
|
|
man sat and beamed a majestic judicial smile upon all
|
|
the house, and warmed himself in the sun of his own
|
|
grandeur -- for he was "showing off," too.
|
|
|
|
There was only one thing wanting to make Mr.
|
|
Walters' ecstasy complete, and that was a chance to
|
|
deliver a Bible-prize and exhibit a prodigy. Several
|
|
pupils had a few yellow tickets, but none had enough
|
|
-- he had been around among the star pupils inquiring.
|
|
He would have given worlds, now, to have that German
|
|
lad back again with a sound mind.
|
|
|
|
And now at this moment, when hope was dead,
|
|
Tom Sawyer came forward with nine yellow tickets,
|
|
nine red tickets, and ten blue ones, and demanded a
|
|
Bible. This was a thunderbolt out of a clear sky.
|
|
Walters was not expecting an application from this
|
|
source for the next ten years. But there was no
|
|
getting around it -- here were the certified checks,
|
|
and they were good for their face. Tom was there-
|
|
fore elevated to a place with the Judge and the other
|
|
elect, and the great news was announced from head-
|
|
quarters. It was the most stunning surprise of the
|
|
decade, and so profound was the sensation that it
|
|
lifted the new hero up to the judicial one's altitude,
|
|
and the school had two marvels to gaze upon in place
|
|
of one. The boys were all eaten up with envy -- but
|
|
those that suffered the bitterest pangs were those who
|
|
perceived too late that they themselves had contributed
|
|
to this hated splendor by trading tickets to Tom for
|
|
the wealth he had amassed in selling whitewashing
|
|
privileges. These despised themselves, as being the
|
|
dupes of a wily fraud, a guileful snake in the grass.
|
|
|
|
The prize was delivered to Tom with as much
|
|
effusion as the superintendent could pump up under
|
|
the circumstances; but it lacked somewhat of the true
|
|
gush, for the poor fellow's instinct taught him that there
|
|
was a mystery here that could not well bear the light,
|
|
perhaps; it was simply preposterous that this boy had
|
|
warehoused two thousand sheaves of Scriptural wisdom
|
|
on his premises -- a dozen would strain his capacity,
|
|
without a doubt.
|
|
|
|
Amy Lawrence was proud and glad, and she tried to
|
|
make Tom see it in her face -- but he wouldn't look.
|
|
She wondered; then she was just a grain troubled; next
|
|
a dim suspicion came and went -- came again; she
|
|
watched; a furtive glance told her worlds -- and then
|
|
her heart broke, and she was jealous, and angry, and
|
|
the tears came and she hated everybody. Tom most of
|
|
all (she thought).
|
|
|
|
Tom was introduced to the Judge; but his tongue
|
|
was tied, his breath would hardly come, his heart
|
|
quaked -- partly because of the awful greatness of
|
|
the man, but mainly because he was her parent. He
|
|
would have liked to fall down and worship him, if it
|
|
were in the dark. The Judge put his hand on Tom's
|
|
head and called him a fine little man, and asked him
|
|
what his name was. The boy stammered, gasped, and
|
|
got it out:
|
|
|
|
"Tom."
|
|
|
|
"Oh, no, not Tom -- it is --"
|
|
|
|
"Thomas."
|
|
|
|
"Ah, that's it. I thought there was more to it,
|
|
maybe. That's very well. But you've another one
|
|
I daresay, and you'll tell it to me, won't you?"
|
|
|
|
"Tell the gentleman your other name, Thomas,"
|
|
said Walters, "and say sir. You mustn't forget
|
|
your manners."
|
|
|
|
"Thomas Sawyer -- sir."
|
|
|
|
"That's it! That's a good boy. Fine boy. Fine,
|
|
manly little fellow. Two thousand verses is a great
|
|
many -- very, very great many. And you never can be
|
|
sorry for the trouble you took to learn them; for knowl-
|
|
edge is worth more than anything there is in the world;
|
|
it's what makes great men and good men; you'll be a
|
|
great man and a good man yourself, some day, Thomas,
|
|
and then you'll look back and say, It's all owing to the
|
|
precious Sunday-school privileges of my boyhood -- it's
|
|
all owing to my dear teachers that taught me to learn
|
|
-- it's all owing to the good superintendent, who en-
|
|
couraged me, and watched over me, and gave me
|
|
a beautiful Bible -- a splendid elegant Bible -- to keep
|
|
and have it all for my own, always -- it's all owing to
|
|
right bringing up! That is what you will say, Thomas
|
|
-- and you wouldn't take any money for those two
|
|
thousand verses -- no indeed you wouldn't. And now
|
|
you wouldn't mind telling me and this lady some of
|
|
the things you've learned -- no, I know you wouldn't
|
|
-- for we are proud of little boys that learn. Now, no
|
|
doubt you know the names of all the twelve disciples.
|
|
Won't you tell us the names of the first two that were
|
|
appointed?"
|
|
|
|
Tom was tugging at a button-hole and looking
|
|
sheepish. He blushed, now, and his eyes fell. Mr.
|
|
Walters' heart sank within him. He said to himself,
|
|
it is not possible that the boy can answer the simplest
|
|
question -- why DID the Judge ask him? Yet he felt
|
|
obliged to speak up and say:
|
|
|
|
"Answer the gentleman, Thomas -- don't be afraid."
|
|
|
|
Tom still hung fire.
|
|
|
|
"Now I know you'll tell me," said the lady. "The
|
|
names of the first two disciples were --"
|
|
|
|
"DAVID AND GOLIAH!"
|
|
|
|
Let us draw the curtain of charity over the rest of
|
|
the scene.
|
|
|
|
|
|
CHAPTER V
|
|
|
|
ABOUT half-past ten the cracked bell of
|
|
the small church began to ring, and pres-
|
|
ently the people began to gather for the
|
|
morning sermon. The Sunday-school
|
|
children distributed themselves about the
|
|
house and occupied pews with their par-
|
|
ents, so as to be under supervision. Aunt Polly came,
|
|
and Tom and Sid and Mary sat with her -- Tom being
|
|
placed next the aisle, in order that he might be as
|
|
far away from the open window and the seductive
|
|
outside summer scenes as possible. The crowd filed
|
|
up the aisles: the aged and needy postmaster, who
|
|
had seen better days; the mayor and his wife -- for
|
|
they had a mayor there, among other unnecessaries;
|
|
the justice of the peace; the widow Douglass, fair,
|
|
smart, and forty, a generous, good-hearted soul and
|
|
well-to-do, her hill mansion the only palace in the
|
|
town, and the most hospitable and much the most
|
|
lavish in the matter of festivities that St. Petersburg
|
|
could boast; the bent and venerable Major and Mrs.
|
|
Ward; lawyer Riverson, the new notable from a dis-
|
|
tance; next the belle of the village, followed by a troop
|
|
of lawn-clad and ribbon-decked young heart-breakers;
|
|
then all the young clerks in town in a body -- for they
|
|
had stood in the vestibule sucking their cane-heads, a
|
|
circling wall of oiled and simpering admirers, till the
|
|
last girl had run their gantlet; and last of all came
|
|
the Model Boy, Willie Mufferson, taking as heedful
|
|
care of his mother as if she were cut glass. He always
|
|
brought his mother to church, and was the pride of all
|
|
the matrons. The boys all hated him, he was so good.
|
|
And besides, he had been "thrown up to them" so
|
|
much. His white handkerchief was hanging out of his
|
|
pocket behind, as usual on Sundays -- accidentally.
|
|
Tom had no handkerchief, and he looked upon boys
|
|
who had as snobs.
|
|
|
|
The congregation being fully assembled, now, the
|
|
bell rang once more, to warn laggards and stragglers,
|
|
and then a solemn hush fell upon the church which
|
|
was only broken by the tittering and whispering of
|
|
the choir in the gallery. The choir always tittered
|
|
and whispered all through service. There was once
|
|
a church choir that was not ill-bred, but I have for-
|
|
gotten where it was, now. It was a great many years
|
|
ago, and I can scarcely remember anything about it,
|
|
but I think it was in some foreign country.
|
|
|
|
The minister gave out the hymn, and read it through
|
|
with a relish, in a peculiar style which was much ad-
|
|
mired in that part of the country. His voice began
|
|
on a medium key and climbed steadily up till it reached
|
|
a certain point, where it bore with strong emphasis upon
|
|
the topmost word and then plunged down as if from a
|
|
spring-board:
|
|
|
|
Shall I be car-ri-ed toe the skies, on flow'ry BEDS
|
|
of ease,
|
|
|
|
Whilst others fight to win the prize, and sail thro' BLOOD-
|
|
y seas?
|
|
|
|
He was regarded as a wonderful reader. At church
|
|
"sociables" he was always called upon to read poetry;
|
|
and when he was through, the ladies would lift up their
|
|
hands and let them fall helplessly in their laps, and
|
|
"wall" their eyes, and shake their heads, as much as
|
|
to say, "Words cannot express it; it is too beautiful,
|
|
TOO beautiful for this mortal earth."
|
|
|
|
After the hymn had been sung, the Rev. Mr. Sprague
|
|
turned himself into a bulletin-board, and read off
|
|
"notices" of meetings and societies and things till it
|
|
seemed that the list would stretch out to the crack of
|
|
doom -- a queer custom which is still kept up in America,
|
|
even in cities, away here in this age of abundant news-
|
|
papers. Often, the less there is to justify a traditional
|
|
custom, the harder it is to get rid of it.
|
|
|
|
And now the minister prayed. A good, generous
|
|
prayer it was, and went into details: it pleaded for
|
|
the church, and the little children of the church; for
|
|
the other churches of the village; for the village itself;
|
|
for the county; for the State; for the State officers; for
|
|
the United States; for the churches of the United States;
|
|
for Congress; for the President; for the officers of the
|
|
Government; for poor sailors, tossed by stormy seas;
|
|
for the oppressed millions groaning under the heel of
|
|
European monarchies and Oriental despotisms; for such
|
|
as have the light and the good tidings, and yet have not
|
|
eyes to see nor ears to hear withal; for the heathen in the
|
|
far islands of the sea; and closed with a supplication that
|
|
the words he was about to speak might find grace and
|
|
favor, and be as seed sown in fertile ground, yielding
|
|
in time a grateful harvest of good. Amen.
|
|
|
|
There was a rustling of dresses, and the standing
|
|
congregation sat down. The boy whose history this
|
|
book relates did not enjoy the prayer, he only en-
|
|
dured it -- if he even did that much. He was restive
|
|
all through it; he kept tally of the details of the prayer,
|
|
unconsciously -- for he was not listening, but he knew
|
|
the ground of old, and the clergyman's regular route
|
|
over it -- and when a little trifle of new matter was in-
|
|
terlarded, his ear detected it and his whole nature re-
|
|
sented it; he considered additions unfair, and scoun-
|
|
drelly. In the midst of the prayer a fly had lit on the
|
|
back of the pew in front of him and tortured his spirit
|
|
by calmly rubbing its hands together, embracing its
|
|
head with its arms, and polishing it so vigorously that
|
|
it seemed to almost part company with the body, and
|
|
the slender thread of a neck was exposed to view;
|
|
scraping its wings with its hind legs and smoothing
|
|
them to its body as if they had been coat-tails; going
|
|
through its whole toilet as tranquilly as if it knew it was
|
|
perfectly safe. As indeed it was; for as sorely as Tom's
|
|
hands itched to grab for it they did not dare -- he believed
|
|
his soul would be instantly destroyed if he did such
|
|
a thing while the prayer was going on. But with
|
|
the closing sentence his hand began to curve and steal
|
|
forward; and the instant the "Amen" was out the fly
|
|
was a prisoner of war. His aunt detected the act and
|
|
made him let it go.
|
|
|
|
The minister gave out his text and droned along
|
|
monotonously through an argument that was so prosy
|
|
that many a head by and by began to nod -- and yet
|
|
it was an argument that dealt in limitless fire and
|
|
brimstone and thinned the predestined elect down to a
|
|
company so small as to be hardly worth the saving.
|
|
Tom counted the pages of the sermon; after church he
|
|
always knew how many pages there had been, but he
|
|
seldom knew anything else about the discourse. How-
|
|
ever, this time he was really interested for a little while.
|
|
The minister made a grand and moving picture of the
|
|
assembling together of the world's hosts at the millen-
|
|
nium when the lion and the lamb should lie down to-
|
|
gether and a little child should lead them. But the
|
|
pathos, the lesson, the moral of the great spectacle were
|
|
lost upon the boy; he only thought of the conspicuous-
|
|
ness of the principal character before the on-looking
|
|
nations; his face lit with the thought, and he said to
|
|
himself that he wished he could be that child, if it was
|
|
a tame lion.
|
|
|
|
Now he lapsed into suffering again, as the dry argu-
|
|
ment was resumed. Presently he bethought him of a
|
|
treasure he had and got it out. It was a large black
|
|
beetle with formidable jaws -- a "pinchbug," he called
|
|
it. It was in a percussion-cap box. The first thing
|
|
the beetle did was to take him by the finger. A natural
|
|
fillip followed, the beetle went floundering into the
|
|
aisle and lit on its back, and the hurt finger went into
|
|
the boy's mouth. The beetle lay there working its
|
|
helpless legs, unable to turn over. Tom eyed it, and
|
|
longed for it; but it was safe out of his reach. Other
|
|
people uninterested in the sermon found relief in the
|
|
beetle, and they eyed it too. Presently a vagrant poodle
|
|
dog came idling along, sad at heart, lazy with the
|
|
summer softness and the quiet, weary of captivity, sigh-
|
|
ing for change. He spied the beetle; the drooping tail
|
|
lifted and wagged. He surveyed the prize; walked
|
|
around it; smelt at it from a safe distance; walked around
|
|
it again; grew bolder, and took a closer smell; then
|
|
lifted his lip and made a gingerly snatch at it, just
|
|
missing it; made another, and another; began to enjoy
|
|
the diversion; subsided to his stomach with the beetle
|
|
between his paws, and continued his experiments; grew
|
|
weary at last, and then indifferent and absent-minded.
|
|
His head nodded, and little by little his chin descended
|
|
and touched the enemy, who seized it. There was a
|
|
sharp yelp, a flirt of the poodle's head, and the beetle
|
|
fell a couple of yards away, and lit on its back once
|
|
more. The neighboring spectators shook with a gentle
|
|
inward joy, several faces went behind fans and hand-
|
|
kerchiefs, and Tom was entirely happy. The dog
|
|
looked foolish, and probably felt so; but there was
|
|
resentment in his heart, too, and a craving for revenge.
|
|
So he went to the beetle and began a wary attack on it
|
|
again; jumping at it from every point of a circle, light-
|
|
ing with his fore-paws within an inch of the creature,
|
|
making even closer snatches at it with his teeth, and
|
|
jerking his head till his ears flapped again. But he
|
|
grew tired once more, after a while; tried to amuse him-
|
|
self with a fly but found no relief; followed an ant around,
|
|
with his nose close to the floor, and quickly wearied of
|
|
that; yawned, sighed, forgot the beetle entirely, and sat
|
|
down on it. Then there was a wild yelp of agony and
|
|
the poodle went sailing up the aisle; the yelps continued,
|
|
and so did the dog; he crossed the house in front of the
|
|
altar; he flew down the other aisle; he crossed before
|
|
the doors; he clamored up the home-stretch; his
|
|
anguish grew with his progress, till presently he was
|
|
but a woolly comet moving in its orbit with the gleam
|
|
and the speed of light. At last the frantic sufferer
|
|
sheered from its course, and sprang into its master's
|
|
lap; he flung it out of the window, and the voice of
|
|
distress quickly thinned away and died in the dis-
|
|
tance.
|
|
|
|
By this time the whole church was red-faced and
|
|
suffocating with suppressed laughter, and the sermon
|
|
had come to a dead standstill. The discourse was
|
|
resumed presently, but it went lame and halting, all
|
|
possibility of impressiveness being at an end; for even
|
|
the gravest sentiments were constantly being received
|
|
with a smothered burst of unholy mirth, under cover
|
|
of some remote pew-back, as if the poor parson had
|
|
said a rarely facetious thing. It was a genuine relief
|
|
to the whole congregation when the ordeal was over
|
|
and the benediction pronounced.
|
|
|
|
Tom Sawyer went home quite cheerful, thinking
|
|
to himself that there was some satisfaction about
|
|
divine service when there was a bit of variety in it.
|
|
He had but one marring thought; he was willing that
|
|
the dog should play with his pinchbug, but he did not
|
|
think it was upright in him to carry it off.
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
MONDAY morning found Tom Sawyer
|
|
miserable. Monday morning always
|
|
found him so -- because it began another
|
|
week's slow suffering in school. He gen-
|
|
erally began that day with wishing he had
|
|
had no intervening holiday, it made the go-
|
|
ing into captivity and fetters again so much more odious.
|
|
|
|
Tom lay thinking. Presently it occurred to him
|
|
that he wished he was sick; then he could stay home
|
|
from school. Here was a vague possibility. He can-
|
|
vassed his system. No ailment was found, and he
|
|
investigated again. This time he thought he could
|
|
detect colicky symptoms, and he began to encourage
|
|
them with considerable hope. But they soon grew
|
|
feeble, and presently died wholly away. He reflected
|
|
further. Suddenly he discovered something. One of
|
|
his upper front teeth was loose. This was lucky; he
|
|
was about to begin to groan, as a "starter," as he called
|
|
it, when it occurred to him that if he came into court
|
|
with that argument, his aunt would pull it out, and that
|
|
would hurt. So he thought he would hold the tooth in
|
|
reserve for the present, and seek further. Nothing of-
|
|
fered for some little time, and then he remembered
|
|
hearing the doctor tell about a certain thing that laid
|
|
up a patient for two or three weeks and threatened to
|
|
make him lose a finger. So the boy eagerly drew his
|
|
sore toe from under the sheet and held it up for in-
|
|
spection. But now he did not know the necessary
|
|
symptoms. However, it seemed well worth while to
|
|
chance it, so he fell to groaning with considerable
|
|
spirit.
|
|
|
|
But Sid slept on unconscious.
|
|
|
|
Tom groaned louder, and fancied that he began to
|
|
feel pain in the toe.
|
|
|
|
No result from Sid.
|
|
|
|
Tom was panting with his exertions by this time.
|
|
He took a rest and then swelled himself up and fetched
|
|
a succession of admirable groans.
|
|
|
|
Sid snored on.
|
|
|
|
Tom was aggravated. He said, "Sid, Sid!" and
|
|
shook him. This course worked well, and Tom began
|
|
to groan again. Sid yawned, stretched, then brought
|
|
himself up on his elbow with a snort, and began to stare
|
|
at Tom. Tom went on groaning. Sid said:
|
|
|
|
"Tom! Say, Tom!" [No response.] "Here, Tom!
|
|
TOM! What is the matter, Tom?" And he shook
|
|
him and looked in his face anxiously.
|
|
|
|
Tom moaned out:
|
|
|
|
"Oh, don't, Sid. Don't joggle me."
|
|
|
|
"Why, what's the matter, Tom? I must call
|
|
auntie."
|
|
|
|
"No -- never mind. It'll be over by and by, maybe.
|
|
Don't call anybody."
|
|
|
|
"But I must! DON'T groan so, Tom, it's awful.
|
|
How long you been this way?"
|
|
|
|
"Hours. Ouch! Oh, don't stir so, Sid, you'll kill
|
|
me."
|
|
|
|
"Tom, why didn't you wake me sooner ? Oh, Tom,
|
|
DON'T! It makes my flesh crawl to hear you. Tom,
|
|
what is the matter?"
|
|
|
|
"I forgive you everything, Sid. [Groan.] Every-
|
|
thing you've ever done to me. When I'm gone --"
|
|
|
|
"Oh, Tom, you ain't dying, are you? Don't, Tom
|
|
-- oh, don't. Maybe --"
|
|
|
|
"I forgive everybody, Sid. [Groan.] Tell 'em so,
|
|
Sid. And Sid, you give my window-sash and my cat
|
|
with one eye to that new girl that's come to town, and
|
|
tell her --"
|
|
|
|
But Sid had snatched his clothes and gone. Tom
|
|
was suffering in reality, now, so handsomely was his
|
|
imagination working, and so his groans had gathered
|
|
quite a genuine tone.
|
|
|
|
Sid flew down-stairs and said:
|
|
|
|
"Oh, Aunt Polly, come! Tom's dying!"
|
|
|
|
"Dying!"
|
|
|
|
"Yes'm. Don't wait -- come quick!"
|
|
|
|
"Rubbage! I don't believe it!"
|
|
|
|
But she fled up-stairs, nevertheless, with Sid and
|
|
Mary at her heels. And her face grew white, too,
|
|
and her lip trembled. When she reached the bed-
|
|
side she gasped out:
|
|
|
|
"You, Tom! Tom, what's the matter with you?"
|
|
|
|
"Oh, auntie, I'm --"
|
|
|
|
"What's the matter with you -- what is the matter
|
|
with you, child?"
|
|
|
|
"Oh, auntie, my sore toe's mortified!"
|
|
|
|
The old lady sank down into a chair and laughed
|
|
a little, then cried a little, then did both together.
|
|
This restored her and she said:
|
|
|
|
"Tom, what a turn you did give me. Now you
|
|
shut up that nonsense and climb out of this."
|
|
|
|
The groans ceased and the pain vanished from the
|
|
toe. The boy felt a little foolish, and he said:
|
|
|
|
"Aunt Polly, it SEEMED mortified, and it hurt so I
|
|
never minded my tooth at all."
|
|
|
|
"Your tooth, indeed! What's the matter with your
|
|
tooth?"
|
|
|
|
"One of them's loose, and it aches perfectly awful."
|
|
|
|
"There, there, now, don't begin that groaning again.
|
|
Open your mouth. Well -- your tooth IS loose, but
|
|
you're not going to die about that. Mary, get me a
|
|
silk thread, and a chunk of fire out of the kitchen."
|
|
|
|
Tom said:
|
|
|
|
"Oh, please, auntie, don't pull it out. It don't
|
|
hurt any more. I wish I may never stir if it does.
|
|
Please don't, auntie. I don't want to stay home
|
|
from school."
|
|
|
|
"Oh, you don't, don't you? So all this row was
|
|
because you thought you'd get to stay home from
|
|
school and go a-fishing? Tom, Tom, I love you
|
|
so, and you seem to try every way you can to break
|
|
my old heart with your outrageousness." By this
|
|
time the dental instruments were ready. The old
|
|
lady made one end of the silk thread fast to Tom's
|
|
tooth with a loop and tied the other to the bedpost.
|
|
Then she seized the chunk of fire and suddenly thrust
|
|
it almost into the boy's face. The tooth hung dangling
|
|
by the bedpost, now.
|
|
|
|
But all trials bring their compensations. As Tom
|
|
wended to school after breakfast, he was the envy of
|
|
every boy he met because the gap in his upper row
|
|
of teeth enabled him to expectorate in a new and
|
|
admirable way. He gathered quite a following of
|
|
lads interested in the exhibition; and one that had
|
|
cut his finger and had been a centre of fascination
|
|
and homage up to this time, now found himself sud-
|
|
denly without an adherent, and shorn of his glory.
|
|
His heart was heavy, and he said with a disdain which
|
|
he did not feel that it wasn't anything to spit like
|
|
Tom Sawyer; but another boy said, "Sour grapes!"
|
|
and he wandered away a dismantled hero.
|
|
|
|
Shortly Tom came upon the juvenile pariah of the
|
|
village, Huckleberry Finn, son of the town drunkard.
|
|
Huckleberry was cordially hated and dreaded by all
|
|
the mothers of the town, because he was idle and law-
|
|
less and vulgar and bad -- and because all their children
|
|
admired him so, and delighted in his forbidden society,
|
|
and wished they dared to be like him. Tom was like
|
|
the rest of the respectable boys, in that he envied
|
|
Huckleberry his gaudy outcast condition, and was un-
|
|
der strict orders not to play with him. So he played
|
|
with him every time he got a chance. Huckleberry
|
|
was always dressed in the cast-off clothes of full-grown
|
|
men, and they were in perennial bloom and fluttering
|
|
with rags. His hat was a vast ruin with a wide crescent
|
|
lopped out of its brim; his coat, when he wore one,
|
|
hung nearly to his heels and had the rearward buttons
|
|
far down the back; but one suspender supported his
|
|
trousers; the seat of the trousers bagged low and con-
|
|
tained nothing, the fringed legs dragged in the dirt
|
|
when not rolled up.
|
|
|
|
Huckleberry came and went, at his own free will.
|
|
He slept on doorsteps in fine weather and in empty
|
|
hogsheads in wet; he did not have to go to school or
|
|
to church, or call any being master or obey anybody;
|
|
he could go fishing or swimming when and where he
|
|
chose, and stay as long as it suited him; nobody forbade
|
|
him to fight; he could sit up as late as he pleased; he
|
|
was always the first boy that went barefoot in the spring
|
|
and the last to resume leather in the fall; he never had
|
|
to wash, nor put on clean clothes; he could swear
|
|
wonderfully. In a word, everything that goes to make
|
|
life precious that boy had. So thought every harassed,
|
|
hampered, respectable boy in St. Petersburg.
|
|
|
|
Tom hailed the romantic outcast:
|
|
|
|
"Hello, Huckleberry!"
|
|
|
|
"Hello yourself, and see how you like it."
|
|
|
|
"What's that you got?"
|
|
|
|
"Dead cat."
|
|
|
|
"Lemme see him, Huck. My, he's pretty stiff.
|
|
Where'd you get him ?"
|
|
|
|
"Bought him off'n a boy."
|
|
|
|
"What did you give?"
|
|
|
|
"I give a blue ticket and a bladder that I got at the
|
|
slaughter-house."
|
|
|
|
"Where'd you get the blue ticket?"
|
|
|
|
"Bought it off'n Ben Rogers two weeks ago for a
|
|
hoop-stick."
|
|
|
|
"Say -- what is dead cats good for, Huck?"
|
|
|
|
"Good for? Cure warts with."
|
|
|
|
"No! Is that so? I know something that's better."
|
|
|
|
"I bet you don't. What is it?"
|
|
|
|
"Why, spunk-water."
|
|
|
|
"Spunk-water! I wouldn't give a dern for spunk-
|
|
water."
|
|
|
|
"You wouldn't, wouldn't you? D'you ever try it?"
|
|
|
|
"No, I hain't. But Bob Tanner did."
|
|
|
|
"Who told you so!"
|
|
|
|
"Why, he told Jeff Thatcher, and Jeff told Johnny
|
|
Baker, and Johnny told Jim Hollis, and Jim told
|
|
Ben Rogers, and Ben told a nigger, and the nigger
|
|
told me. There now!"
|
|
|
|
"Well, what of it? They'll all lie. Leastways all
|
|
but the nigger. I don't know HIM. But I never see a
|
|
nigger that WOULDN'T lie. Shucks! Now you tell me
|
|
how Bob Tanner done it, Huck."
|
|
|
|
"Why, he took and dipped his hand in a rotten
|
|
stump where the rain-water was."
|
|
|
|
"In the daytime?"
|
|
|
|
"Certainly."
|
|
|
|
"With his face to the stump?"
|
|
|
|
"Yes. Least I reckon so."
|
|
|
|
"Did he say anything?"
|
|
|
|
"I don't reckon he did. I don't know."
|
|
|
|
"Aha! Talk about trying to cure warts with spunk-
|
|
water such a blame fool way as that! Why, that ain't
|
|
a-going to do any good. You got to go all by yourself,
|
|
to the middle of the woods, where you know there's
|
|
a spunk-water stump, and just as it's midnight you back
|
|
up against the stump and jam your hand in and say:
|
|
|
|
'Barley-corn, barley-corn, injun-meal shorts,
|
|
Spunk-water, spunk-water, swaller these warts,'
|
|
|
|
and then walk away quick, eleven steps, with your
|
|
eyes shut, and then turn around three times and walk
|
|
home without speaking to anybody. Because if you
|
|
speak the charm's busted."
|
|
|
|
"Well, that sounds like a good way; but that ain't
|
|
the way Bob Tanner done."
|
|
|
|
"No, sir, you can bet he didn't, becuz he's the
|
|
wartiest boy in this town; and he wouldn't have a
|
|
wart on him if he'd knowed how to work spunk-
|
|
water. I've took off thousands of warts off of my
|
|
hands that way, Huck. I play with frogs so much
|
|
that I've always got considerable many warts. Some-
|
|
times I take 'em off with a bean."
|
|
|
|
"Yes, bean's good. I've done that."
|
|
|
|
"Have you? What's your way?"
|
|
|
|
"You take and split the bean, and cut the wart so
|
|
as to get some blood, and then you put the blood on
|
|
one piece of the bean and take and dig a hole and
|
|
bury it 'bout midnight at the crossroads in the dark
|
|
of the moon, and then you burn up the rest of the bean.
|
|
You see that piece that's got the blood on it will keep
|
|
drawing and drawing, trying to fetch the other piece to
|
|
it, and so that helps the blood to draw the wart, and
|
|
pretty soon off she comes."
|
|
|
|
"Yes, that's it, Huck -- that's it; though when you're
|
|
burying it if you say 'Down bean; off wart; come no
|
|
more to bother me!' it's better. That's the way Joe
|
|
Harper does, and he's been nearly to Coonville and
|
|
most everywheres. But say -- how do you cure 'em
|
|
with dead cats?"
|
|
|
|
"Why, you take your cat and go and get in the grave-
|
|
yard 'long about midnight when somebody that was
|
|
wicked has been buried; and when it's midnight a devil
|
|
will come, or maybe two or three, but you can't see
|
|
'em, you can only hear something like the wind, or
|
|
maybe hear 'em talk; and when they're taking that feller
|
|
away, you heave your cat after 'em and say, 'Devil
|
|
follow corpse, cat follow devil, warts follow cat, I'm
|
|
done with ye!' That'll fetch ANY wart."
|
|
|
|
"Sounds right. D'you ever try it, Huck?"
|
|
|
|
"No, but old Mother Hopkins told me."
|
|
|
|
"Well, I reckon it's so, then. Becuz they say she's
|
|
a witch."
|
|
|
|
"Say! Why, Tom, I KNOW she is. She witched
|
|
pap. Pap says so his own self. He come along one
|
|
day, and he see she was a-witching him, so he took up
|
|
a rock, and if she hadn't dodged, he'd a got her. Well,
|
|
that very night he rolled off'n a shed wher' he was a
|
|
layin drunk, and broke his arm."
|
|
|
|
"Why, that's awful. How did he know she was
|
|
a-witching him?"
|
|
|
|
"Lord, pap can tell, easy. Pap says when they
|
|
keep looking at you right stiddy, they're a-witching
|
|
you. Specially if they mumble. Becuz when they
|
|
mumble they're saying the Lord's Prayer backards."
|
|
|
|
"Say, Hucky, when you going to try the cat?"
|
|
|
|
"To-night. I reckon they'll come after old Hoss
|
|
Williams to-night."
|
|
|
|
"But they buried him Saturday. Didn't they get
|
|
him Saturday night?"
|
|
|
|
"Why, how you talk! How could their charms
|
|
work till midnight? -- and THEN it's Sunday. Dev-
|
|
ils don't slosh around much of a Sunday, I don't
|
|
reckon."
|
|
|
|
"I never thought of that. That's so. Lemme go
|
|
with you?"
|
|
|
|
"Of course -- if you ain't afeard."
|
|
|
|
"Afeard! 'Tain't likely. Will you meow?"
|
|
|
|
"Yes -- and you meow back, if you get a chance.
|
|
Last time, you kep' me a-meowing around till old
|
|
Hays went to throwing rocks at me and says 'Dern
|
|
that cat!' and so I hove a brick through his window
|
|
-- but don't you tell."
|
|
|
|
"I won't. I couldn't meow that night, becuz auntie
|
|
was watching me, but I'll meow this time. Say --
|
|
what's that?"
|
|
|
|
"Nothing but a tick."
|
|
|
|
"Where'd you get him?"
|
|
|
|
"Out in the woods."
|
|
|
|
"What'll you take for him?"
|
|
|
|
"I don't know. I don't want to sell him."
|
|
|
|
"All right. It's a mighty small tick, anyway."
|
|
|
|
"Oh, anybody can run a tick down that don't belong
|
|
to them. I'm satisfied with it. It's a good enough
|
|
tick for me."
|
|
|
|
"Sho, there's ticks a plenty. I could have a thou-
|
|
sand of 'em if I wanted to."
|
|
|
|
"Well, why don't you? Becuz you know mighty
|
|
well you can't. This is a pretty early tick, I reckon.
|
|
It's the first one I've seen this year."
|
|
|
|
"Say, Huck -- I'll give you my tooth for him."
|
|
|
|
"Less see it."
|
|
|
|
Tom got out a bit of paper and carefully unrolled
|
|
it. Huckleberry viewed it wistfully. The tempta-
|
|
tion was very strong. At last he said:
|
|
|
|
"Is it genuwyne?"
|
|
|
|
Tom lifted his lip and showed the vacancy.
|
|
|
|
"Well, all right," said Huckleberry, "it's a trade."
|
|
|
|
Tom enclosed the tick in the percussion-cap box
|
|
that had lately been the pinchbug's prison, and the
|
|
boys separated, each feeling wealthier than before.
|
|
|
|
When Tom reached the little isolated frame school-
|
|
house, he strode in briskly, with the manner of one
|
|
who had come with all honest speed. He hung his
|
|
hat on a peg and flung himself into his seat with busi-
|
|
ness-like alacrity. The master, throned on high in his
|
|
great splint-bottom arm-chair, was dozing, lulled by the
|
|
drowsy hum of study. The interruption roused him.
|
|
|
|
"Thomas Sawyer!"
|
|
|
|
Tom knew that when his name was pronounced in
|
|
full, it meant trouble.
|
|
|
|
"Sir!"
|
|
|
|
"Come up here. Now, sir, why are you late again,
|
|
as usual?"
|
|
|
|
Tom was about to take refuge in a lie, when he
|
|
saw two long tails of yellow hair hanging down a back
|
|
that he recognized by the electric sympathy of love;
|
|
and by that form was THE ONLY VACANT PLACE on the
|
|
girls' side of the school-house. He instantly said:
|
|
|
|
"I STOPPED TO TALK WITH HUCKLEBERRY FINN!"
|
|
|
|
The master's pulse stood still, and he stared help-
|
|
lessly. The buzz of study ceased. The pupils won-
|
|
dered if this foolhardy boy had lost his mind. The
|
|
master said:
|
|
|
|
"You -- you did what?"
|
|
|
|
"Stopped to talk with Huckleberry Finn."
|
|
|
|
There was no mistaking the words.
|
|
|
|
"Thomas Sawyer, this is the most astounding con-
|
|
fession I have ever listened to. No mere ferule will
|
|
answer for this offence. Take off your jacket."
|
|
|
|
The master's arm performed until it was tired and
|
|
the stock of switches notably diminished. Then the
|
|
order followed:
|
|
|
|
"Now, sir, go and sit with the girls! And let this
|
|
be a warning to you."
|
|
|
|
The titter that rippled around the room appeared
|
|
to abash the boy, but in reality that result was caused
|
|
rather more by his worshipful awe of his unknown
|
|
idol and the dread pleasure that lay in his high good
|
|
fortune. He sat down upon the end of the pine bench
|
|
and the girl hitched herself away from him with a toss
|
|
of her head. Nudges and winks and whispers traversed
|
|
the room, but Tom sat still, with his arms upon the
|
|
long, low desk before him, and seemed to study his book.
|
|
|
|
By and by attention ceased from him, and the ac-
|
|
customed school murmur rose upon the dull air once
|
|
more. Presently the boy began to steal furtive glances
|
|
at the girl. She observed it, "made a mouth" at him
|
|
and gave him the back of her head for the space of a
|
|
minute. When she cautiously faced around again,
|
|
a peach lay before her. She thrust it away. Tom
|
|
gently put it back. She thrust it away again, but with
|
|
less animosity. Tom patiently returned it to its place.
|
|
Then she let it remain. Tom scrawled on his slate,
|
|
"Please take it -- I got more." The girl glanced at the
|
|
words, but made no sign. Now the boy began to draw
|
|
something on the slate, hiding his work with his left
|
|
hand. For a time the girl refused to notice; but her
|
|
human curiosity presently began to manifest itself by
|
|
hardly perceptible signs. The boy worked on, ap-
|
|
parently unconscious. The girl made a sort of non-
|
|
committal attempt to see, but the boy did not betray
|
|
that he was aware of it. At last she gave in and hesi-
|
|
tatingly whispered:
|
|
|
|
"Let me see it."
|
|
|
|
Tom partly uncovered a dismal caricature of a
|
|
house with two gable ends to it and a corkscrew of
|
|
smoke issuing from the chimney. Then the girl's
|
|
interest began to fasten itself upon the work and she
|
|
forgot everything else. When it was finished, she
|
|
gazed a moment, then whispered:
|
|
|
|
"It's nice -- make a man."
|
|
|
|
The artist erected a man in the front yard, that
|
|
resembled a derrick. He could have stepped over
|
|
the house; but the girl was not hypercritical; she was
|
|
satisfied with the monster, and whispered:
|
|
|
|
"It's a beautiful man -- now make me coming
|
|
along."
|
|
|
|
Tom drew an hour-glass with a full moon and straw
|
|
limbs to it and armed the spreading fingers with a
|
|
portentous fan. The girl said:
|
|
|
|
"It's ever so nice -- I wish I could draw."
|
|
|
|
"It's easy," whispered Tom, "I'll learn you."
|
|
|
|
"Oh, will you? When?"
|
|
|
|
"At noon. Do you go home to dinner?"
|
|
|
|
"I'll stay if you will."
|
|
|
|
"Good -- that's a whack. What's your name?"
|
|
|
|
"Becky Thatcher. What's yours? Oh, I know.
|
|
It's Thomas Sawyer."
|
|
|
|
"That's the name they lick me by. I'm Tom when
|
|
I'm good. You call me Tom, will you?"
|
|
|
|
"Yes."
|
|
|
|
Now Tom began to scrawl something on the slate,
|
|
hiding the words from the girl. But she was not
|
|
backward this time. She begged to see. Tom said:
|
|
|
|
"Oh, it ain't anything."
|
|
|
|
"Yes it is."
|
|
|
|
"No it ain't. You don't want to see."
|
|
|
|
"Yes I do, indeed I do. Please let me."
|
|
|
|
"You'll tell."
|
|
|
|
"No I won't -- deed and deed and double deed
|
|
won't."
|
|
|
|
"You won't tell anybody at all? Ever, as long as
|
|
you live?"
|
|
|
|
"No, I won't ever tell ANYbody. Now let me."
|
|
|
|
"Oh, YOU don't want to see!"
|
|
|
|
"Now that you treat me so, I WILL see." And she
|
|
put her small hand upon his and a little scuffle ensued,
|
|
Tom pretending to resist in earnest but letting his hand
|
|
slip by degrees till these words were revealed: "I LOVE
|
|
YOU."
|
|
|
|
"Oh, you bad thing!" And she hit his hand a
|
|
smart rap, but reddened and looked pleased, never-
|
|
theless.
|
|
|
|
Just at this juncture the boy felt a slow, fateful
|
|
grip closing on his ear, and a steady lifting impulse.
|
|
In that vise he was borne across the house and de-
|
|
posited in his own seat, under a peppering fire of
|
|
giggles from the whole school. Then the master
|
|
stood over him during a few awful moments, and
|
|
finally moved away to his throne without saying a
|
|
word. But although Tom's ear tingled, his heart
|
|
was jubilant.
|
|
|
|
As the school quieted down Tom made an honest
|
|
effort to study, but the turmoil within him was too
|
|
great. In turn he took his place in the reading class
|
|
and made a botch of it; then in the geography class
|
|
and turned lakes into mountains, mountains into rivers,
|
|
and rivers into continents, till chaos was come again;
|
|
then in the spelling class, and got "turned down," by
|
|
a succession of mere baby words, till he brought up at
|
|
the foot and yielded up the pewter medal which he had
|
|
worn with ostentation for months.
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
THE harder Tom tried to fasten his mind
|
|
on his book, the more his ideas wandered.
|
|
So at last, with a sigh and a yawn, he gave
|
|
it up. It seemed to him that the noon
|
|
recess would never come. The air was
|
|
utterly dead. There was not a breath
|
|
stirring. It was the sleepiest of sleepy days. The
|
|
drowsing murmur of the five and twenty studying
|
|
scholars soothed the soul like the spell that is in the
|
|
murmur of bees. Away off in the flaming sunshine,
|
|
Cardiff Hill lifted its soft green sides through a shim-
|
|
mering veil of heat, tinted with the purple of distance;
|
|
a few birds floated on lazy wing high in the air; no other
|
|
living thing was visible but some cows, and they were
|
|
asleep. Tom's heart ached to be free, or else to have
|
|
something of interest to do to pass the dreary time.
|
|
His hand wandered into his pocket and his face lit up
|
|
with a glow of gratitude that was prayer, though he did
|
|
not know it. Then furtively the percussion-cap box
|
|
came out. He released the tick and put him on the
|
|
long flat desk. The creature probably glowed with a
|
|
gratitude that amounted to prayer, too, at this moment,
|
|
but it was premature: for when he started thankfully
|
|
to travel off, Tom turned him aside with a pin and made
|
|
him take a new direction.
|
|
|
|
Tom's bosom friend sat next him, suffering just
|
|
as Tom had been, and now he was deeply and grate-
|
|
fully interested in this entertainment in an instant.
|
|
This bosom friend was Joe Harper. The two boys
|
|
were sworn friends all the week, and embattled enemies
|
|
on Saturdays. Joe took a pin out of his lapel and
|
|
began to assist in exercising the prisoner. The sport
|
|
grew in interest momently. Soon Tom said that they
|
|
were interfering with each other, and neither getting
|
|
the fullest benefit of the tick. So he put Joe's slate on
|
|
the desk and drew a line down the middle of it from top
|
|
to bottom.
|
|
|
|
"Now," said he, "as long as he is on your side you
|
|
can stir him up and I'll let him alone; but if you let him
|
|
get away and get on my side, you're to leave him alone
|
|
as long as I can keep him from crossing over."
|
|
|
|
"All right, go ahead; start him up."
|
|
|
|
The tick escaped from Tom, presently, and crossed
|
|
the equator. Joe harassed him awhile, and then he
|
|
got away and crossed back again. This change of
|
|
base occurred often. While one boy was worrying the
|
|
tick with absorbing interest, the other would look on
|
|
with interest as strong, the two heads bowed together
|
|
over the slate, and the two souls dead to all things else.
|
|
At last luck seemed to settle and abide with Joe. The
|
|
tick tried this, that, and the other course, and got as
|
|
excited and as anxious as the boys themselves, but time
|
|
and again just as he would have victory in his very
|
|
grasp, so to speak, and Tom's fingers would be twitching
|
|
to begin, Joe's pin would deftly head him off, and keep
|
|
possession. At last Tom could stand it no longer.
|
|
The temptation was too strong. So he reached out
|
|
and lent a hand with his pin. Joe was angry in a
|
|
moment. Said he:
|
|
|
|
"Tom, you let him alone."
|
|
|
|
"I only just want to stir him up a little, Joe."
|
|
|
|
"No, sir, it ain't fair; you just let him alone."
|
|
|
|
"Blame it, I ain't going to stir him much."
|
|
|
|
"Let him alone, I tell you."
|
|
|
|
"I won't!"
|
|
|
|
"You shall -- he's on my side of the line."
|
|
|
|
"Look here, Joe Harper, whose is that tick?"
|
|
|
|
"I don't care whose tick he is -- he's on my side of
|
|
the line, and you sha'n't touch him."
|
|
|
|
"Well, I'll just bet I will, though. He's my tick
|
|
and I'll do what I blame please with him, or die!"
|
|
|
|
A tremendous whack came down on Tom's shoul-
|
|
ders, and its duplicate on Joe's; and for the space
|
|
of two minutes the dust continued to fly from the
|
|
two jackets and the whole school to enjoy it. The
|
|
boys had been too absorbed to notice the hush that had
|
|
stolen upon the school awhile before when the master
|
|
came tiptoeing down the room and stood over them.
|
|
He had contemplated a good part of the performance
|
|
before he contributed his bit of variety to it.
|
|
|
|
When school broke up at noon, Tom flew to Becky
|
|
Thatcher, and whispered in her ear:
|
|
|
|
"Put on your bonnet and let on you're going home;
|
|
and when you get to the corner, give the rest of 'em
|
|
the slip, and turn down through the lane and come back.
|
|
I'll go the other way and come it over 'em the same
|
|
way."
|
|
|
|
So the one went off with one group of scholars, and
|
|
the other with another. In a little while the two met
|
|
at the bottom of the lane, and when they reached the
|
|
school they had it all to themselves. Then they sat
|
|
together, with a slate before them, and Tom gave Becky
|
|
the pencil and held her hand in his, guiding it, and so
|
|
created another surprising house. When the interest
|
|
in art began to wane, the two fell to talking. Tom
|
|
was swimming in bliss. He said:
|
|
|
|
"Do you love rats?"
|
|
|
|
"No! I hate them!"
|
|
|
|
"Well, I do, too -- LIVE ones. But I mean dead
|
|
ones, to swing round your head with a string."
|
|
|
|
"No, I don't care for rats much, anyway. What
|
|
I like is chewing-gum."
|
|
|
|
"Oh, I should say so! I wish I had some now."
|
|
|
|
"Do you? I've got some. I'll let you chew it
|
|
awhile, but you must give it back to me."
|
|
|
|
That was agreeable, so they chewed it turn about,
|
|
and dangled their legs against the bench in excess of
|
|
contentment.
|
|
|
|
"Was you ever at a circus?" said Tom.
|
|
|
|
"Yes, and my pa's going to take me again some
|
|
time, if I'm good."
|
|
|
|
"I been to the circus three or four times -- lots of
|
|
times. Church ain't shucks to a circus. There's
|
|
things going on at a circus all the time. I'm going
|
|
to be a clown in a circus when I grow up."
|
|
|
|
"Oh, are you! That will be nice. They're so
|
|
lovely, all spotted up."
|
|
|
|
"Yes, that's so. And they get slathers of money
|
|
-- most a dollar a day, Ben Rogers says. Say, Becky,
|
|
was you ever engaged?"
|
|
|
|
"What's that?"
|
|
|
|
"Why, engaged to be married."
|
|
|
|
"No."
|
|
|
|
"Would you like to?"
|
|
|
|
"I reckon so. I don't know. What is it like?"
|
|
|
|
"Like? Why it ain't like anything. You only
|
|
just tell a boy you won't ever have anybody but him,
|
|
ever ever ever, and then you kiss and that's all. Any-
|
|
body can do it."
|
|
|
|
"Kiss? What do you kiss for?"
|
|
|
|
"Why, that, you know, is to -- well, they always
|
|
do that."
|
|
|
|
"Everybody?"
|
|
|
|
"Why, yes, everybody that's in love with each
|
|
other. Do you remember what I wrote on the slate?"
|
|
|
|
"Ye -- yes."
|
|
|
|
"What was it?"
|
|
|
|
"I sha'n't tell you."
|
|
|
|
"Shall I tell YOU?"
|
|
|
|
"Ye -- yes -- but some other time."
|
|
|
|
"No, now."
|
|
|
|
"No, not now -- to-morrow."
|
|
|
|
"Oh, no, NOW. Please, Becky -- I'll whisper it,
|
|
I'll whisper it ever so easy."
|
|
|
|
Becky hesitating, Tom took silence for consent,
|
|
and passed his arm about her waist and whispered
|
|
the tale ever so softly, with his mouth close to her
|
|
ear. And then he added:
|
|
|
|
"Now you whisper it to me -- just the same."
|
|
|
|
She resisted, for a while, and then said:
|
|
|
|
"You turn your face away so you can't see, and
|
|
then I will. But you mustn't ever tell anybody --
|
|
WILL you, Tom? Now you won't, WILL you?"
|
|
|
|
"No, indeed, indeed I won't. Now, Becky."
|
|
|
|
He turned his face away. She bent timidly around
|
|
till her breath stirred his curls and whispered, "I --
|
|
love -- you!"
|
|
|
|
Then she sprang away and ran around and around
|
|
the desks and benches, with Tom after her, and took
|
|
refuge in a corner at last, with her little white apron to
|
|
her face. Tom clasped her about her neck and pleaded:
|
|
|
|
"Now, Becky, it's all done -- all over but the kiss.
|
|
Don't you be afraid of that -- it ain't anything at all.
|
|
Please, Becky." And he tugged at her apron and the
|
|
hands.
|
|
|
|
By and by she gave up, and let her hands drop;
|
|
her face, all glowing with the struggle, came up and
|
|
submitted. Tom kissed the red lips and said:
|
|
|
|
"Now it's all done, Becky. And always after this,
|
|
you know, you ain't ever to love anybody but me, and
|
|
you ain't ever to marry anybody but me, ever never
|
|
and forever. Will you?"
|
|
|
|
"No, I'll never love anybody but you, Tom, and
|
|
I'll never marry anybody but you -- and you ain't to
|
|
ever marry anybody but me, either."
|
|
|
|
"Certainly. Of course. That's PART of it. And
|
|
always coming to school or when we're going home,
|
|
you're to walk with me, when there ain't anybody
|
|
looking -- and you choose me and I choose you at
|
|
parties, because that's the way you do when you're
|
|
engaged."
|
|
|
|
"It's so nice. I never heard of it before."
|
|
|
|
"Oh, it's ever so gay! Why, me and Amy
|
|
Lawrence --"
|
|
|
|
The big eyes told Tom his blunder and he stopped,
|
|
confused.
|
|
|
|
"Oh, Tom! Then I ain't the first you've ever
|
|
been engaged to!"
|
|
|
|
The child began to cry. Tom said:
|
|
|
|
"Oh, don't cry, Becky, I don't care for her any
|
|
more."
|
|
|
|
"Yes, you do, Tom -- you know you do."
|
|
|
|
Tom tried to put his arm about her neck, but she
|
|
pushed him away and turned her face to the wall,
|
|
and went on crying. Tom tried again, with sooth-
|
|
ing words in his mouth, and was repulsed again.
|
|
Then his pride was up, and he strode away and went
|
|
outside. He stood about, restless and uneasy, for a
|
|
while, glancing at the door, every now and then,
|
|
hoping she would repent and come to find him. But
|
|
she did not. Then he began to feel badly and fear
|
|
that he was in the wrong. It was a hard struggle
|
|
with him to make new advances, now, but he nerved
|
|
himself to it and entered. She was still standing back
|
|
there in the corner, sobbing, with her face to the wall.
|
|
Tom's heart smote him. He went to her and stood a
|
|
moment, not knowing exactly how to proceed. Then
|
|
he said hesitatingly:
|
|
|
|
"Becky, I -- I don't care for anybody but you."
|
|
|
|
No reply -- but sobs.
|
|
|
|
"Becky" -- pleadingly. "Becky, won't you say some-
|
|
thing?"
|
|
|
|
More sobs.
|
|
|
|
Tom got out his chiefest jewel, a brass knob from
|
|
the top of an andiron, and passed it around her so
|
|
that she could see it, and said:
|
|
|
|
"Please, Becky, won't you take it?"
|
|
|
|
She struck it to the floor. Then Tom marched
|
|
out of the house and over the hills and far away, to
|
|
return to school no more that day. Presently Becky
|
|
began to suspect. She ran to the door; he was not
|
|
in sight; she flew around to the play-yard; he was
|
|
not there. Then she called:
|
|
|
|
"Tom! Come back, Tom!"
|
|
|
|
She listened intently, but there was no answer.
|
|
She had no companions but silence and loneliness.
|
|
So she sat down to cry again and upbraid herself;
|
|
and by this time the scholars began to gather again,
|
|
and she had to hide her griefs and still her broken
|
|
heart and take up the cross of a long, dreary, aching
|
|
afternoon, with none among the strangers about her
|
|
to exchange sorrows with.
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
TOM dodged hither and thither through
|
|
lanes until he was well out of the track
|
|
of returning scholars, and then fell into a
|
|
moody jog. He crossed a small "branch"
|
|
two or three times, because of a prevailing
|
|
juvenile superstition that to cross water
|
|
baffled pursuit. Half an hour later he was disappear-
|
|
ing behind the Douglas mansion on the summit
|
|
of Cardiff Hill, and the school-house was hardly dis-
|
|
tinguishable away off in the valley behind him. He
|
|
entered a dense wood, picked his pathless way to the
|
|
centre of it, and sat down on a mossy spot under a
|
|
spreading oak. There was not even a zephyr stirring;
|
|
the dead noonday heat had even stilled the songs of
|
|
the birds; nature lay in a trance that was broken by no
|
|
sound but the occasional far-off hammering of a wood-
|
|
pecker, and this seemed to render the pervading silence
|
|
and sense of loneliness the more profound. The boy's
|
|
soul was steeped in melancholy; his feelings were in
|
|
happy accord with his surroundings. He sat long with
|
|
his elbows on his knees and his chin in his hands,
|
|
meditating. It seemed to him that life was but a
|
|
trouble, at best, and he more than half envied Jimmy
|
|
Hodges, so lately released; it must be very peaceful, he
|
|
thought, to lie and slumber and dream forever and
|
|
ever, with the wind whispering through the trees and
|
|
caressing the grass and the flowers over the grave,
|
|
and nothing to bother and grieve about, ever any
|
|
more. If he only had a clean Sunday-school record
|
|
he could be willing to go, and be done with it all.
|
|
Now as to this girl. What had he done? Nothing.
|
|
He had meant the best in the world, and been treated
|
|
like a dog -- like a very dog. She would be sorry some
|
|
day -- maybe when it was too late. Ah, if he could only
|
|
die TEMPORARILY!
|
|
|
|
But the elastic heart of youth cannot be compressed
|
|
into one constrained shape long at a time. Tom
|
|
presently began to drift insensibly back into the con-
|
|
cerns of this life again. What if he turned his back,
|
|
now, and disappeared mysteriously? What if he went
|
|
away -- ever so far away, into unknown countries beyond
|
|
the seas -- and never came back any more! How
|
|
would she feel then! The idea of being a clown
|
|
recurred to him now, only to fill him with disgust.
|
|
For frivolity and jokes and spotted tights were an
|
|
offense, when they intruded themselves upon a spirit
|
|
that was exalted into the vague august realm of the
|
|
romantic. No, he would be a soldier, and return after
|
|
long years, all war-worn and illustrious. No -- better
|
|
still, he would join the Indians, and hunt buffaloes
|
|
and go on the warpath in the mountain ranges and the
|
|
trackless great plains of the Far West, and away in
|
|
the future come back a great chief, bristling with
|
|
feathers, hideous with paint, and prance into Sunday-
|
|
school, some drowsy summer morning, with a blood-
|
|
curdling war-whoop, and sear the eyeballs of all his
|
|
companions with unappeasable envy. But no, there
|
|
was something gaudier even than this. He would be
|
|
a pirate! That was it! NOW his future lay plain
|
|
before him, and glowing with unimaginable splendor.
|
|
How his name would fill the world, and make people
|
|
shudder! How gloriously he would go plowing the
|
|
dancing seas, in his long, low, black-hulled racer, the
|
|
Spirit of the Storm, with his grisly flag flying at
|
|
the fore! And at the zenith of his fame, how he would
|
|
suddenly appear at the old village and stalk into church,
|
|
brown and weather-beaten, in his black velvet doublet
|
|
and trunks, his great jack-boots, his crimson sash, his
|
|
belt bristling with horse-pistols, his crime-rusted cut-
|
|
lass at his side, his slouch hat with waving plumes,
|
|
his black flag unfurled, with the skull and crossbones
|
|
on it, and hear with swelling ecstasy the whisperings,
|
|
"It's Tom Sawyer the Pirate! -- the Black Avenger of
|
|
the Spanish Main!"
|
|
|
|
Yes, it was settled; his career was determined.
|
|
He would run away from home and enter upon it.
|
|
He would start the very next morning. Therefore
|
|
he must now begin to get ready. He would collect
|
|
his resources together. He went to a rotten log near
|
|
at hand and began to dig under one end of it with his
|
|
Barlow knife. He soon struck wood that sounded
|
|
hollow. He put his hand there and uttered this in-
|
|
cantation impressively:
|
|
|
|
"What hasn't come here, come! What's here, stay
|
|
here!"
|
|
|
|
Then he scraped away the dirt, and exposed a pine
|
|
shingle. He took it up and disclosed a shapely little
|
|
treasure-house whose bottom and sides were of shingles.
|
|
In it lay a marble. Tom's astonishment was bound-
|
|
less! He scratched his head with a perplexed air,
|
|
and said:
|
|
|
|
"Well, that beats anything!"
|
|
|
|
Then he tossed the marble away pettishly, and
|
|
stood cogitating. The truth was, that a superstition
|
|
of his had failed, here, which he and all his comrades
|
|
had always looked upon as infallible. If you buried
|
|
a marble with certain necessary incantations, and
|
|
left it alone a fortnight, and then opened the place
|
|
with the incantation he had just used, you would find
|
|
that all the marbles you had ever lost had gathered
|
|
themselves together there, meantime, no matter how
|
|
widely they had been separated. But now, this thing
|
|
had actually and unquestionably failed. Tom's whole
|
|
structure of faith was shaken to its foundations. He
|
|
had many a time heard of this thing succeeding but
|
|
never of its failing before. It did not occur to him
|
|
that he had tried it several times before, himself, but
|
|
could never find the hiding-places afterward. He
|
|
puzzled over the matter some time, and finally decided
|
|
that some witch had interfered and broken the charm.
|
|
He thought he would satisfy himself on that point; so
|
|
he searched around till he found a small sandy spot
|
|
with a little funnel-shaped depression in it. He laid
|
|
himself down and put his mouth close to this de-
|
|
pression and called --
|
|
|
|
"Doodle-bug, doodle-bug, tell me what I want to
|
|
know! Doodle-bug, doodle-bug, tell me what I want
|
|
to know!"
|
|
|
|
The sand began to work, and presently a small
|
|
black bug appeared for a second and then darted
|
|
under again in a fright.
|
|
|
|
"He dasn't tell! So it WAS a witch that done it. I
|
|
just knowed it."
|
|
|
|
He well knew the futility of trying to contend against
|
|
witches, so he gave up discouraged. But it occurred
|
|
to him that he might as well have the marble he had
|
|
just thrown away, and therefore he went and made
|
|
a patient search for it. But he could not find it.
|
|
Now he went back to his treasure-house and carefully
|
|
placed himself just as he had been standing when he
|
|
tossed the marble away; then he took another marble
|
|
from his pocket and tossed it in the same way, saying:
|
|
|
|
"Brother, go find your brother!"
|
|
|
|
He watched where it stopped, and went there and
|
|
looked. But it must have fallen short or gone too
|
|
far; so he tried twice more. The last repetition was
|
|
successful. The two marbles lay within a foot of each
|
|
other.
|
|
|
|
Just here the blast of a toy tin trumpet came faintly
|
|
down the green aisles of the forest. Tom flung off his
|
|
jacket and trousers, turned a suspender into a belt,
|
|
raked away some brush behind the rotten log, dis-
|
|
closing a rude bow and arrow, a lath sword and a tin
|
|
trumpet, and in a moment had seized these things
|
|
and bounded away, barelegged, with fluttering shirt.
|
|
He presently halted under a great elm, blew an answer-
|
|
ing blast, and then began to tiptoe and look warily out,
|
|
this way and that. He said cautiously -- to an imag-
|
|
inary company:
|
|
|
|
"Hold, my merry men! Keep hid till I blow."
|
|
|
|
Now appeared Joe Harper, as airily clad and elab-
|
|
orately armed as Tom. Tom called:
|
|
|
|
"Hold! Who comes here into Sherwood Forest
|
|
without my pass?"
|
|
|
|
"Guy of Guisborne wants no man's pass. Who
|
|
art thou that -- that --"
|
|
|
|
"Dares to hold such language," said Tom, prompt-
|
|
ing -- for they talked "by the book," from memory.
|
|
|
|
"Who art thou that dares to hold such language?"
|
|
|
|
"I, indeed! I am Robin Hood, as thy caitiff carcase
|
|
soon shall know."
|
|
|
|
"Then art thou indeed that famous outlaw? Right
|
|
gladly will I dispute with thee the passes of the merry
|
|
wood. Have at thee!"
|
|
|
|
They took their lath swords, dumped their other
|
|
traps on the ground, struck a fencing attitude, foot
|
|
to foot, and began a grave, careful combat, "two
|
|
up and two down." Presently Tom said:
|
|
|
|
"Now, if you've got the hang, go it lively!"
|
|
|
|
So they "went it lively," panting and perspiring
|
|
with the work. By and by Tom shouted:
|
|
|
|
"Fall! fall! Why don't you fall?"
|
|
|
|
"I sha'n't! Why don't you fall yourself? You're
|
|
getting the worst of it."
|
|
|
|
"Why, that ain't anything. I can't fall; that ain't
|
|
the way it is in the book. The book says, 'Then with
|
|
one back-handed stroke he slew poor Guy of Guis-
|
|
borne.' You're to turn around and let me hit you in
|
|
the back."
|
|
|
|
There was no getting around the authorities, so Joe
|
|
turned, received the whack and fell.
|
|
|
|
"Now," said Joe, getting up, "you got to let me
|
|
kill YOU. That's fair."
|
|
|
|
"Why, I can't do that, it ain't in the book."
|
|
|
|
"Well, it's blamed mean -- that's all."
|
|
|
|
"Well, say, Joe, you can be Friar Tuck or Much
|
|
the miller's son, and lam me with a quarter-staff; or
|
|
I'll be the Sheriff of Nottingham and you be Robin
|
|
Hood a little while and kill me."
|
|
|
|
This was satisfactory, and so these adventures
|
|
were carried out. Then Tom became Robin Hood
|
|
again, and was allowed by the treacherous nun to
|
|
bleed his strength away through his neglected wound.
|
|
And at last Joe, representing a whole tribe of weeping
|
|
outlaws, dragged him sadly forth, gave his bow into
|
|
his feeble hands, and Tom said, "Where this arrow
|
|
falls, there bury poor Robin Hood under the green-
|
|
wood tree." Then he shot the arrow and fell back
|
|
and would have died, but he lit on a nettle and sprang
|
|
up too gaily for a corpse.
|
|
|
|
The boys dressed themselves, hid their accoutre-
|
|
ments, and went off grieving that there were no out-
|
|
laws any more, and wondering what modern civiliza-
|
|
tion could claim to have done to compensate for their
|
|
loss. They said they would rather be outlaws a year
|
|
in Sherwood Forest than President of the United
|
|
States forever.
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
AT half-past nine, that night, Tom and
|
|
Sid were sent to bed, as usual. They
|
|
said their prayers, and Sid was soon
|
|
asleep. Tom lay awake and waited, in
|
|
restless impatience. When it seemed to
|
|
him that it must be nearly daylight, he
|
|
heard the clock strike ten! This was despair. He
|
|
would have tossed and fidgeted, as his nerves demanded,
|
|
but he was afraid he might wake Sid. So he lay
|
|
still, and stared up into the dark. Everything was
|
|
dismally still. By and by, out of the stillness, little,
|
|
scarcely preceptible noises began to emphasize them-
|
|
selves. The ticking of the clock began to bring it-
|
|
self into notice. Old beams began to crack mysteri-
|
|
ously. The stairs creaked faintly. Evidently spirits
|
|
were abroad. A measured, muffled snore issued
|
|
from Aunt Polly's chamber. And now the tiresome
|
|
chirping of a cricket that no human ingenuity could
|
|
locate, began. Next the ghastly ticking of a death-
|
|
watch in the wall at the bed's head made Tom shudder
|
|
-- it meant that somebody's days were numbered.
|
|
Then the howl of a far-off dog rose on the night air,
|
|
and was answered by a fainter howl from a remoter
|
|
distance. Tom was in an agony. At last he was
|
|
satisfied that time had ceased and eternity begun; he
|
|
began to doze, in spite of himself; the clock chimed
|
|
eleven, but he did not hear it. And then there came,
|
|
mingling with his half-formed dreams, a most mel-
|
|
ancholy caterwauling. The raising of a neighboring
|
|
window disturbed him. A cry of "Scat! you devil!"
|
|
and the crash of an empty bottle against the back of
|
|
his aunt's woodshed brought him wide awake, and a
|
|
single minute later he was dressed and out of the win-
|
|
dow and creeping along the roof of the "ell" on all
|
|
fours. He "meow'd" with caution once or twice, as
|
|
he went; then jumped to the roof of the woodshed and
|
|
thence to the ground. Huckleberry Finn was there,
|
|
with his dead cat. The boys moved off and disap-
|
|
peared in the gloom. At the end of half an hour they
|
|
were wading through the tall grass of the graveyard.
|
|
|
|
It was a graveyard of the old-fashioned Western
|
|
kind. It was on a hill, about a mile and a half from
|
|
the village. It had a crazy board fence around it,
|
|
which leaned inward in places, and outward the rest
|
|
of the time, but stood upright nowhere. Grass and
|
|
weeds grew rank over the whole cemetery. All the
|
|
old graves were sunken in, there was not a tombstone
|
|
on the place; round-topped, worm-eaten boards stag-
|
|
gered over the graves, leaning for support and finding
|
|
none. "Sacred to the memory of" So-and-So had been
|
|
painted on them once, but it could no longer have been
|
|
read, on the most of them, now, even if there had
|
|
been light.
|
|
|
|
A faint wind moaned through the trees, and Tom
|
|
feared it might be the spirits of the dead, complain-
|
|
ing at being disturbed. The boys talked little, and
|
|
only under their breath, for the time and the place
|
|
and the pervading solemnity and silence oppressed
|
|
their spirits. They found the sharp new heap they
|
|
were seeking, and ensconced themselves within the
|
|
protection of three great elms that grew in a bunch
|
|
within a few feet of the grave.
|
|
|
|
Then they waited in silence for what seemed a long
|
|
time. The hooting of a distant owl was all the sound
|
|
that troubled the dead stillness. Tom's reflections
|
|
grew oppressive. He must force some talk. So he
|
|
said in a whisper:
|
|
|
|
"Hucky, do you believe the dead people like it for
|
|
us to be here?"
|
|
|
|
Huckleberry whispered:
|
|
|
|
"I wisht I knowed. It's awful solemn like, AIN'T it?"
|
|
|
|
"I bet it is."
|
|
|
|
There was a considerable pause, while the boys
|
|
canvassed this matter inwardly. Then Tom whis-
|
|
pered:
|
|
|
|
"Say, Hucky -- do you reckon Hoss Williams hears
|
|
us talking?"
|
|
|
|
"O' course he does. Least his sperrit does."
|
|
|
|
Tom, after a pause:
|
|
|
|
"I wish I'd said Mister Williams. But I never
|
|
meant any harm. Everybody calls him Hoss."
|
|
|
|
"A body can't be too partic'lar how they talk 'bout
|
|
these-yer dead people, Tom."
|
|
|
|
This was a damper, and conversation died again.
|
|
|
|
Presently Tom seized his comrade's arm and said:
|
|
|
|
"Sh!"
|
|
|
|
"What is it, Tom?" And the two clung together
|
|
with beating hearts.
|
|
|
|
"Sh! There 'tis again! Didn't you hear it?"
|
|
|
|
"I --"
|
|
|
|
"There! Now you hear it."
|
|
|
|
"Lord, Tom, they're coming! They're coming,
|
|
sure. What'll we do?"
|
|
|
|
"I dono. Think they'll see us?"
|
|
|
|
"Oh, Tom, they can see in the dark, same as cats.
|
|
I wisht I hadn't come."
|
|
|
|
"Oh, don't be afeard. I don't believe they'll bother
|
|
us. We ain't doing any harm. If we keep perfectly
|
|
still, maybe they won't notice us at all."
|
|
|
|
"I'll try to, Tom, but, Lord, I'm all of a shiver."
|
|
|
|
"Listen!"
|
|
|
|
The boys bent their heads together and scarcely
|
|
breathed. A muffled sound of voices floated up from
|
|
the far end of the graveyard.
|
|
|
|
"Look! See there!" whispered Tom. "What is it?"
|
|
|
|
"It's devil-fire. Oh, Tom, this is awful."
|
|
|
|
Some vague figures approached through the gloom,
|
|
swinging an old-fashioned tin lantern that freckled
|
|
the ground with innumerable little spangles of light.
|
|
Presently Huckleberry whispered with a shudder:
|
|
|
|
"It's the devils sure enough. Three of 'em! Lordy,
|
|
Tom, we're goners! Can you pray?"
|
|
|
|
"I'll try, but don't you be afeard. They ain't going
|
|
to hurt us. 'Now I lay me down to sleep, I --'"
|
|
|
|
"Sh!"
|
|
|
|
"What is it, Huck?"
|
|
|
|
"They're HUMANS! One of 'em is, anyway. One
|
|
of 'em's old Muff Potter's voice."
|
|
|
|
"No -- 'tain't so, is it?"
|
|
|
|
"I bet I know it. Don't you stir nor budge. He
|
|
ain't sharp enough to notice us. Drunk, the same as
|
|
usual, likely -- blamed old rip!"
|
|
|
|
"All right, I'll keep still. Now they're stuck.
|
|
Can't find it. Here they come again. Now they're
|
|
hot. Cold again. Hot again. Red hot! They're
|
|
p'inted right, this time. Say, Huck, I know another
|
|
o' them voices; it's Injun Joe."
|
|
|
|
"That's so -- that murderin' half-breed! I'd druther
|
|
they was devils a dern sight. What kin they be up
|
|
to?"
|
|
|
|
The whisper died wholly out, now, for the three
|
|
men had reached the grave and stood within a few
|
|
feet of the boys' hiding-place.
|
|
|
|
"Here it is," said the third voice; and the owner
|
|
of it held the lantern up and revealed the face of young
|
|
Doctor Robinson.
|
|
|
|
Potter and Injun Joe were carrying a handbarrow
|
|
with a rope and a couple of shovels on it. They cast
|
|
down their load and began to open the grave. The
|
|
doctor put the lantern at the head of the grave and came
|
|
and sat down with his back against one of the elm trees.
|
|
He was so close the boys could have touched him.
|
|
|
|
"Hurry, men!" he said, in a low voice; "the moon
|
|
might come out at any moment."
|
|
|
|
They growled a response and went on digging.
|
|
For some time there was no noise but the grating
|
|
sound of the spades discharging their freight of mould
|
|
and gravel. It was very monotonous. Finally a spade
|
|
struck upon the coffin with a dull woody accent, and
|
|
within another minute or two the men had hoisted it
|
|
out on the ground. They pried off the lid with their
|
|
shovels, got out the body and dumped it rudely on the
|
|
ground. The moon drifted from behind the clouds
|
|
and exposed the pallid face. The barrow was got ready
|
|
and the corpse placed on it, covered with a blanket,
|
|
and bound to its place with the rope. Potter took out
|
|
a large spring-knife and cut off the dangling end of the
|
|
rope and then said:
|
|
|
|
"Now the cussed thing's ready, Sawbones, and
|
|
you'll just out with another five, or here she stays."
|
|
|
|
"That's the talk!" said Injun Joe.
|
|
|
|
"Look here, what does this mean?" said the doctor.
|
|
"You required your pay in advance, and I've paid
|
|
you."
|
|
|
|
"Yes, and you done more than that," said Injun
|
|
Joe, approaching the doctor, who was now standing.
|
|
"Five years ago you drove me away from your father's
|
|
kitchen one night, when I come to ask for something
|
|
to eat, and you said I warn't there for any good; and
|
|
when I swore I'd get even with you if it took a hundred
|
|
years, your father had me jailed for a vagrant. Did
|
|
you think I'd forget? The Injun blood ain't in me for
|
|
nothing. And now I've GOT you, and you got to SETTLE,
|
|
you know!"
|
|
|
|
He was threatening the doctor, with his fist in his
|
|
face, by this time. The doctor struck out suddenly and
|
|
stretched the ruffian on the ground. Potter dropped
|
|
his knife, and exclaimed:
|
|
|
|
"Here, now, don't you hit my pard!" and the next
|
|
moment he had grappled with the doctor and the two
|
|
were struggling with might and main, trampling the
|
|
grass and tearing the ground with their heels. Injun
|
|
Joe sprang to his feet, his eyes flaming with passion,
|
|
snatched up Potter's knife, and went creeping, catlike
|
|
and stooping, round and round about the combatants,
|
|
seeking an opportunity. All at once the doctor flung
|
|
himself free, seized the heavy headboard of Williams'
|
|
grave and felled Potter to the earth with it -- and in the
|
|
same instant the half-breed saw his chance and drove
|
|
the knife to the hilt in the young man's breast. He
|
|
reeled and fell partly upon Potter, flooding him with his
|
|
blood, and in the same moment the clouds blotted out the
|
|
dreadful spectacle and the two frightened boys went
|
|
speeding away in the dark.
|
|
|
|
Presently, when the moon emerged again, Injun
|
|
Joe was standing over the two forms, contemplating
|
|
them. The doctor murmured inarticulately, gave a
|
|
long gasp or two and was still. The half-breed mut-
|
|
tered:
|
|
|
|
"THAT score is settled -- damn you."
|
|
|
|
Then he robbed the body. After which he put
|
|
the fatal knife in Potter's open right hand, and sat
|
|
down on the dismantled coffin. Three -- four -- five
|
|
minutes passed, and then Potter began to stir and
|
|
moan. His hand closed upon the knife; he raised
|
|
it, glanced at it, and let it fall, with a shudder. Then
|
|
he sat up, pushing the body from him, and gazed at it,
|
|
and then around him, confusedly. His eyes met Joe's.
|
|
|
|
"Lord, how is this, Joe?" he said.
|
|
|
|
"It's a dirty business," said Joe, without moving.
|
|
|
|
"What did you do it for?"
|
|
|
|
"I! I never done it!"
|
|
|
|
"Look here! That kind of talk won't wash."
|
|
|
|
Potter trembled and grew white.
|
|
|
|
"I thought I'd got sober. I'd no business to drink
|
|
to-night. But it's in my head yet -- worse'n when we
|
|
started here. I'm all in a muddle; can't recollect any-
|
|
thing of it, hardly. Tell me, Joe -- HONEST, now, old
|
|
feller -- did I do it? Joe, I never meant to -- 'pon my
|
|
soul and honor, I never meant to, Joe. Tell me how
|
|
it was, Joe. Oh, it's awful -- and him so young and
|
|
promising."
|
|
|
|
"Why, you two was scuffling, and he fetched you
|
|
one with the headboard and you fell flat; and then
|
|
up you come, all reeling and staggering like, and
|
|
snatched the knife and jammed it into him, just as
|
|
he fetched you another awful clip -- and here you've
|
|
laid, as dead as a wedge til now."
|
|
|
|
"Oh, I didn't know what I was a-doing. I wish
|
|
I may die this minute if I did. It was all on account
|
|
of the whiskey and the excitement, I reckon. I never
|
|
used a weepon in my life before, Joe. I've fought, but
|
|
never with weepons. They'll all say that. Joe, don't
|
|
tell! Say you won't tell, Joe -- that's a good feller. I
|
|
always liked you, Joe, and stood up for you, too. Don't
|
|
you remember? You WON'T tell, WILL you, Joe?" And
|
|
the poor creature dropped on his knees before the stolid
|
|
murderer, and clasped his appealing hands.
|
|
|
|
"No, you've always been fair and square with me,
|
|
Muff Potter, and I won't go back on you. There, now,
|
|
that's as fair as a man can say."
|
|
|
|
"Oh, Joe, you're an angel. I'll bless you for this
|
|
the longest day I live." And Potter began to cry.
|
|
|
|
"Come, now, that's enough of that. This ain't any
|
|
time for blubbering. You be off yonder way and I'll
|
|
go this. Move, now, and don't leave any tracks be-
|
|
hind you."
|
|
|
|
Potter started on a trot that quickly increased to a
|
|
run. The half-breed stood looking after him. He
|
|
muttered:
|
|
|
|
"If he's as much stunned with the lick and fud-
|
|
dled with the rum as he had the look of being, he
|
|
won't think of the knife till he's gone so far he'll be
|
|
afraid to come back after it to such a place by him-
|
|
self -- chicken-heart!"
|
|
|
|
Two or three minutes later the murdered man, the
|
|
blanketed corpse, the lidless coffin, and the open grave
|
|
were under no inspection but the moon's. The still-
|
|
ness was complete again, too.
|
|
|
|
|
|
CHAPTER X
|
|
|
|
THE two boys flew on and on, toward the
|
|
village, speechless with horror. They
|
|
glanced backward over their shoulders
|
|
from time to time, apprehensively, as
|
|
if they feared they might be followed.
|
|
Every stump that started up in their path
|
|
seemed a man and an enemy, and made them catch
|
|
their breath; and as they sped by some outlying cot-
|
|
tages that lay near the village, the barking of the
|
|
aroused watch-dogs seemed to give wings to their feet.
|
|
|
|
"If we can only get to the old tannery before we
|
|
break down!" whispered Tom, in short catches be-
|
|
tween breaths. "I can't stand it much longer."
|
|
|
|
Huckleberry's hard pantings were his only reply,
|
|
and the boys fixed their eyes on the goal of their hopes
|
|
and bent to their work to win it. They gained steadily
|
|
on it, and at last, breast to breast, they burst through
|
|
the open door and fell grateful and exhausted in the
|
|
sheltering shadows beyond. By and by their pulses
|
|
slowed down, and Tom whispered:
|
|
|
|
"Huckleberry, what do you reckon'll come of this?"
|
|
|
|
"If Doctor Robinson dies, I reckon hanging'll come
|
|
of it."
|
|
|
|
"Do you though?"
|
|
|
|
"Why, I KNOW it, Tom."
|
|
|
|
Tom thought a while, then he said:
|
|
|
|
"Who'll tell? We?"
|
|
|
|
"What are you talking about? S'pose something
|
|
happened and Injun Joe DIDN'T hang? Why, he'd
|
|
kill us some time or other, just as dead sure as we're
|
|
a laying here."
|
|
|
|
"That's just what I was thinking to myself, Huck."
|
|
|
|
"If anybody tells, let Muff Potter do it, if he's fool
|
|
enough. He's generally drunk enough."
|
|
|
|
Tom said nothing -- went on thinking. Presently
|
|
he whispered:
|
|
|
|
"Huck, Muff Potter don't know it. How can he
|
|
tell?"
|
|
|
|
"What's the reason he don't know it?"
|
|
|
|
"Because he'd just got that whack when Injun
|
|
Joe done it. D'you reckon he could see anything?
|
|
D'you reckon he knowed anything?"
|
|
|
|
"By hokey, that's so, Tom!"
|
|
|
|
"And besides, look-a-here -- maybe that whack done
|
|
for HIM!"
|
|
|
|
"No, 'taint likely, Tom. He had liquor in him;
|
|
I could see that; and besides, he always has. Well,
|
|
when pap's full, you might take and belt him over
|
|
the head with a church and you couldn't phase him.
|
|
He says so, his own self. So it's the same with Muff
|
|
Potter, of course. But if a man was dead sober,
|
|
I reckon maybe that whack might fetch him; I
|
|
dono."
|
|
|
|
After another reflective silence, Tom said:
|
|
|
|
"Hucky, you sure you can keep mum?"
|
|
|
|
"Tom, we GOT to keep mum. You know that.
|
|
That Injun devil wouldn't make any more of drownd-
|
|
ing us than a couple of cats, if we was to squeak 'bout
|
|
this and they didn't hang him. Now, look-a-here,
|
|
Tom, less take and swear to one another -- that's what
|
|
we got to do -- swear to keep mum."
|
|
|
|
"I'm agreed. It's the best thing. Would you
|
|
just hold hands and swear that we --"
|
|
|
|
"Oh no, that wouldn't do for this. That's good
|
|
enough for little rubbishy common things -- specially
|
|
with gals, cuz THEY go back on you anyway, and blab
|
|
if they get in a huff -- but there orter be writing 'bout
|
|
a big thing like this. And blood."
|
|
|
|
Tom's whole being applauded this idea. It was
|
|
deep, and dark, and awful; the hour, the circum-
|
|
stances, the surroundings, were in keeping with it.
|
|
He picked up a clean pine shingle that lay in the moon-
|
|
light, took a little fragment of "red keel" out of his
|
|
pocket, got the moon on his work, and painfully scrawl-
|
|
ed these lines, emphasizing each slow down-stroke by
|
|
clamping his tongue between his teeth, and letting up
|
|
the pressure on the up-strokes. [See next page.]
|
|
|
|
"Huck Finn and
|
|
Tom Sawyer swears
|
|
they will keep mum
|
|
about This and They
|
|
wish They may Drop
|
|
down dead in Their
|
|
Tracks if They ever
|
|
Tell and Rot.
|
|
|
|
Huckleberry was filled with admiration of Tom's
|
|
facility in writing, and the sublimity of his language.
|
|
He at once took a pin from his lapel and was going
|
|
to prick his flesh, but Tom said:
|
|
|
|
"Hold on! Don't do that. A pin's brass. It
|
|
might have verdigrease on it."
|
|
|
|
"What's verdigrease?"
|
|
|
|
"It's p'ison. That's what it is. You just swaller
|
|
some of it once -- you'll see."
|
|
|
|
So Tom unwound the thread from one of his needles,
|
|
and each boy pricked the ball of his thumb and squeezed
|
|
out a drop of blood. In time, after many squeezes,
|
|
Tom managed to sign his initials, using the ball of his
|
|
little finger for a pen. Then he showed Huckleberry
|
|
how to make an H and an F, and the oath was com-
|
|
plete. They buried the shingle close to the wall, with
|
|
some dismal ceremonies and incantations, and the
|
|
fetters that bound their tongues were considered to be
|
|
locked and the key thrown away.
|
|
|
|
A figure crept stealthily through a break in the
|
|
other end of the ruined building, now, but they did
|
|
not notice it.
|
|
|
|
"Tom," whispered Huckleberry, "does this keep
|
|
us from EVER telling -- ALWAYS?"
|
|
|
|
"Of course it does. It don't make any difference
|
|
WHAT happens, we got to keep mum. We'd drop
|
|
down dead -- don't YOU know that?"
|
|
|
|
"Yes, I reckon that's so."
|
|
|
|
They continued to whisper for some little time.
|
|
Presently a dog set up a long, lugubrious howl just
|
|
outside -- within ten feet of them. The boys clasped
|
|
each other suddenly, in an agony of fright.
|
|
|
|
"Which of us does he mean?" gasped Huckle-
|
|
berry.
|
|
|
|
"I dono -- peep through the crack. Quick!"
|
|
|
|
"No, YOU, Tom!"
|
|
|
|
"I can't -- I can't DO it, Huck!"
|
|
|
|
"Please, Tom. There 'tis again!"
|
|
|
|
"Oh, lordy, I'm thankful!" whispered Tom. "I
|
|
know his voice. It's Bull Harbison." *
|
|
|
|
[* If Mr. Harbison owned a slave named Bull, Tom
|
|
would have spoken of him as "Harbison's Bull," but
|
|
a son or a dog of that name was "Bull Harbison."]
|
|
|
|
"Oh, that's good -- I tell you, Tom, I was most
|
|
scared to death; I'd a bet anything it was a STRAY dog."
|
|
|
|
The dog howled again. The boys' hearts sank
|
|
once more.
|
|
|
|
"Oh, my! that ain't no Bull Harbison!" whispered
|
|
Huckleberry. "DO, Tom!"
|
|
|
|
Tom, quaking with fear, yielded, and put his eye
|
|
to the crack. His whisper was hardly audible when
|
|
he said:
|
|
|
|
"Oh, Huck, IT S A STRAY DOG!"
|
|
|
|
"Quick, Tom, quick! Who does he mean?"
|
|
|
|
"Huck, he must mean us both -- we're right to-
|
|
gether."
|
|
|
|
"Oh, Tom, I reckon we're goners. I reckon there
|
|
ain't no mistake 'bout where I'LL go to. I been so
|
|
wicked."
|
|
|
|
"Dad fetch it! This comes of playing hookey and
|
|
doing everything a feller's told NOT to do. I might a
|
|
been good, like Sid, if I'd a tried -- but no, I wouldn't,
|
|
of course. But if ever I get off this time, I lay I'll just
|
|
WALLER in Sunday-schools!" And Tom began to snuffle
|
|
a little.
|
|
|
|
"YOU bad!" and Huckleberry began to snuffle too.
|
|
"Consound it, Tom Sawyer, you're just old pie, 'long-
|
|
side o' what I am. Oh, LORDY, lordy, lordy, I wisht I
|
|
only had half your chance."
|
|
|
|
Tom choked off and whispered:
|
|
|
|
"Look, Hucky, look! He's got his BACK to us!"
|
|
|
|
Hucky looked, with joy in his heart.
|
|
|
|
"Well, he has, by jingoes! Did he before?"
|
|
|
|
"Yes, he did. But I, like a fool, never thought.
|
|
Oh, this is bully, you know. NOW who can he mean?"
|
|
|
|
The howling stopped. Tom pricked up his ears.
|
|
|
|
"Sh! What's that?" he whispered.
|
|
|
|
"Sounds like -- like hogs grunting. No -- it's some-
|
|
body snoring, Tom."
|
|
|
|
"That IS it! Where 'bouts is it, Huck?"
|
|
|
|
"I bleeve it's down at 'tother end. Sounds so,
|
|
anyway. Pap used to sleep there, sometimes, 'long
|
|
with the hogs, but laws bless you, he just lifts things
|
|
when HE snores. Besides, I reckon he ain't ever com-
|
|
ing back to this town any more."
|
|
|
|
The spirit of adventure rose in the boys' souls once
|
|
more.
|
|
|
|
"Hucky, do you das't to go if I lead?"
|
|
|
|
"I don't like to, much. Tom, s'pose it's Injun Joe!"
|
|
|
|
Tom quailed. But presently the temptation rose
|
|
up strong again and the boys agreed to try, with the
|
|
understanding that they would take to their heels if
|
|
the snoring stopped. So they went tiptoeing stealth-
|
|
ily down, the one behind the other. When they had
|
|
got to within five steps of the snorer, Tom stepped on
|
|
a stick, and it broke with a sharp snap. The man
|
|
moaned, writhed a little, and his face came into the
|
|
moonlight. It was Muff Potter. The boys' hearts
|
|
had stood still, and their hopes too, when the man
|
|
moved, but their fears passed away now. They tip-
|
|
toed out, through the broken weather-boarding, and
|
|
stopped at a little distance to exchange a parting word.
|
|
That long, lugubrious howl rose on the night air again!
|
|
They turned and saw the strange dog standing within
|
|
a few feet of where Potter was lying, and FACING Potter,
|
|
with his nose pointing heavenward.
|
|
|
|
"Oh, geeminy, it's HIM!" exclaimed both boys, in a
|
|
breath.
|
|
|
|
"Say, Tom -- they say a stray dog come howling
|
|
around Johnny Miller's house, 'bout midnight, as
|
|
much as two weeks ago; and a whippoorwill come
|
|
in and lit on the banisters and sung, the very same
|
|
evening; and there ain't anybody dead there yet."
|
|
|
|
"Well, I know that. And suppose there ain't.
|
|
Didn't Gracie Miller fall in the kitchen fire and burn
|
|
herself terrible the very next Saturday?"
|
|
|
|
"Yes, but she ain't DEAD. And what's more, she's
|
|
getting better, too."
|
|
|
|
"All right, you wait and see. She's a goner, just
|
|
as dead sure as Muff Potter's a goner. That's what
|
|
the niggers say, and they know all about these kind
|
|
of things, Huck."
|
|
|
|
Then they separated, cogitating. When Tom crept
|
|
in at his bedroom window the night was almost spent.
|
|
He undressed with excessive caution, and fell asleep
|
|
congratulating himself that nobody knew of his esca-
|
|
pade. He was not aware that the gently-snoring Sid
|
|
was awake, and had been so for an hour.
|
|
|
|
When Tom awoke, Sid was dressed and gone.
|
|
There was a late look in the light, a late sense in the
|
|
atmosphere. He was startled. Why had he not been
|
|
called -- persecuted till he was up, as usual? The
|
|
thought filled him with bodings. Within five minutes
|
|
he was dressed and down-stairs, feeling sore and
|
|
drowsy. The family were still at table, but they had
|
|
finished breakfast. There was no voice of rebuke;
|
|
but there were averted eyes; there was a silence and an
|
|
air of solemnity that struck a chill to the culprit's heart.
|
|
He sat down and tried to seem gay, but it was up-hill
|
|
work; it roused no smile, no response, and he lapsed
|
|
into silence and let his heart sink down to the depths.
|
|
|
|
After breakfast his aunt took him aside, and Tom
|
|
almost brightened in the hope that he was going to
|
|
be flogged; but it was not so. His aunt wept over
|
|
him and asked him how he could go and break her
|
|
old heart so; and finally told him to go on, and ruin
|
|
himself and bring her gray hairs with sorrow to the
|
|
grave, for it was no use for her to try any more. This
|
|
was worse than a thousand whippings, and Tom's
|
|
heart was sorer now than his body. He cried, he
|
|
pleaded for forgiveness, promised to reform over and
|
|
over again, and then received his dismissal, feeling that
|
|
he had won but an imperfect forgiveness and established
|
|
but a feeble confidence.
|
|
|
|
He left the presence too miserable to even feel re-
|
|
vengeful toward Sid; and so the latter's prompt retreat
|
|
through the back gate was unnecessary. He moped
|
|
to school gloomy and sad, and took his flogging, along
|
|
with Joe Harper, for playing hookey the day before,
|
|
with the air of one whose heart was busy with heavier
|
|
woes and wholly dead to trifles. Then he betook him-
|
|
self to his seat, rested his elbows on his desk and his
|
|
jaws in his hands, and stared at the wall with the stony
|
|
stare of suffering that has reached the limit and can
|
|
no further go. His elbow was pressing against some
|
|
hard substance. After a long time he slowly and
|
|
sadly changed his position, and took up this object
|
|
with a sigh. It was in a paper. He unrolled it. A
|
|
long, lingering, colossal sigh followed, and his heart
|
|
broke. It was his brass andiron knob!
|
|
|
|
This final feather broke the camel's back.
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
CLOSE upon the hour of noon the whole
|
|
village was suddenly electrified with the
|
|
ghastly news. No need of the as yet un-
|
|
dreamed-of telegraph; the tale flew from
|
|
man to man, from group to group, from
|
|
house to house, with little less than tele-
|
|
graphic speed. Of course the schoolmaster gave holi-
|
|
day for that afternoon; the town would have thought
|
|
strangely of him if he had not.
|
|
|
|
A gory knife had been found close to the murdered
|
|
man, and it had been recognized by somebody as be-
|
|
longing to Muff Potter -- so the story ran. And it was
|
|
said that a belated citizen had come upon Potter wash-
|
|
ing himself in the "branch" about one or two o'clock
|
|
in the morning, and that Potter had at once sneaked
|
|
off -- suspicious circumstances, especially the washing
|
|
which was not a habit with Potter. It was also said
|
|
that the town had been ransacked for this "murderer"
|
|
(the public are not slow in the matter of sifting evidence
|
|
and arriving at a verdict), but that he could not be
|
|
found. Horsemen had departed down all the roads
|
|
in every direction, and the Sheriff "was confident"
|
|
that he would be captured before night.
|
|
|
|
All the town was drifting toward the graveyard.
|
|
Tom's heartbreak vanished and he joined the pro-
|
|
cession, not because he would not a thousand times
|
|
rather go anywhere else, but because an awful, un-
|
|
accountable fascination drew him on. Arrived at the
|
|
dreadful place, he wormed his small body through
|
|
the crowd and saw the dismal spectacle. It seemed
|
|
to him an age since he was there before. Somebody
|
|
pinched his arm. He turned, and his eyes met Huckle-
|
|
berry's. Then both looked elsewhere at once, and
|
|
wondered if anybody had noticed anything in their
|
|
mutual glance. But everybody was talking, and intent
|
|
upon the grisly spectacle before them.
|
|
|
|
"Poor fellow!" "Poor young fellow!" "This ought
|
|
to be a lesson to grave robbers!" "Muff Potter'll hang
|
|
for this if they catch him!" This was the drift of re-
|
|
mark; and the minister said, "It was a judgment; His
|
|
hand is here."
|
|
|
|
Now Tom shivered from head to heel; for his eye
|
|
fell upon the stolid face of Injun Joe. At this moment
|
|
the crowd began to sway and struggle, and voices
|
|
shouted, "It's him! it's him! he's coming himself!"
|
|
|
|
"Who? Who?" from twenty voices.
|
|
|
|
"Muff Potter!"
|
|
|
|
"Hallo, he's stopped! -- Look out, he's turning!
|
|
Don't let him get away!"
|
|
|
|
People in the branches of the trees over Tom's head
|
|
said he wasn't trying to get away -- he only looked
|
|
doubtful and perplexed.
|
|
|
|
"Infernal impudence!" said a bystander; "wanted
|
|
to come and take a quiet look at his work, I reckon --
|
|
didn't expect any company."
|
|
|
|
The crowd fell apart, now, and the Sheriff came
|
|
through, ostentatiously leading Potter by the arm.
|
|
The poor fellow's face was haggard, and his eyes
|
|
showed the fear that was upon him. When he stood
|
|
before the murdered man, he shook as with a palsy,
|
|
and he put his face in his hands and burst into tears.
|
|
|
|
"I didn't do it, friends," he sobbed; "'pon my word
|
|
and honor I never done it."
|
|
|
|
"Who's accused you?" shouted a voice.
|
|
|
|
This shot seemed to carry home. Potter lifted his
|
|
face and looked around him with a pathetic hope-
|
|
lessness in his eyes. He saw Injun Joe, and exclaimed:
|
|
|
|
"Oh, Injun Joe, you promised me you'd never --"
|
|
|
|
"Is that your knife?" and it was thrust before him
|
|
by the Sheriff.
|
|
|
|
Potter would have fallen if they had not caught him
|
|
and eased him to the ground. Then he said:
|
|
|
|
"Something told me 't if I didn't come back and
|
|
get --" He shuddered; then waved his nerveless hand
|
|
with a vanquished gesture and said, "Tell 'em, Joe,
|
|
tell 'em -- it ain't any use any more."
|
|
|
|
Then Huckleberry and Tom stood dumb and star-
|
|
ing, and heard the stony-hearted liar reel off his se-
|
|
rene statement, they expecting every moment that the
|
|
clear sky would deliver God's lightnings upon his head,
|
|
and wondering to see how long the stroke was delayed.
|
|
And when he had finished and still stood alive and
|
|
whole, their wavering impulse to break their oath and
|
|
save the poor betrayed prisoner's life faded and vanished
|
|
away, for plainly this miscreant had sold himself to
|
|
Satan and it would be fatal to meddle with the property
|
|
of such a power as that.
|
|
|
|
"Why didn't you leave? What did you want to
|
|
come here for?" somebody said.
|
|
|
|
"I couldn't help it -- I couldn't help it," Potter
|
|
moaned. "I wanted to run away, but I couldn't seem
|
|
to come anywhere but here." And he fell to sobbing
|
|
again.
|
|
|
|
Injun Joe repeated his statement, just as calmly,
|
|
a few minutes afterward on the inquest, under oath;
|
|
and the boys, seeing that the lightnings were still
|
|
withheld, were confirmed in their belief that Joe had
|
|
sold himself to the devil. He was now become, to
|
|
them, the most balefully interesting object they had
|
|
ever looked upon, and they could not take their fas-
|
|
cinated eyes from his face.
|
|
|
|
They inwardly resolved to watch him nights, when
|
|
opportunity should offer, in the hope of getting a glimpse
|
|
of his dread master.
|
|
|
|
Injun Joe helped to raise the body of the murdered
|
|
man and put it in a wagon for removal; and it was
|
|
whispered through the shuddering crowd that the
|
|
wound bled a little! The boys thought that this happy
|
|
circumstance would turn suspicion in the right direction;
|
|
but they were disappointed, for more than one villager
|
|
remarked:
|
|
|
|
"It was within three feet of Muff Potter when it
|
|
done it."
|
|
|
|
Tom's fearful secret and gnawing conscience dis-
|
|
turbed his sleep for as much as a week after this; and
|
|
at breakfast one morning Sid said:
|
|
|
|
"Tom, you pitch around and talk in your sleep so
|
|
much that you keep me awake half the time."
|
|
|
|
Tom blanched and dropped his eyes.
|
|
|
|
"It's a bad sign," said Aunt Polly, gravely. "What
|
|
you got on your mind, Tom?"
|
|
|
|
"Nothing. Nothing 't I know of." But the boy's
|
|
hand shook so that he spilled his coffee.
|
|
|
|
"And you do talk such stuff," Sid said. "Last
|
|
night you said, 'It's blood, it's blood, that's what it is!'
|
|
You said that over and over. And you said, 'Don't
|
|
torment me so -- I'll tell!' Tell WHAT? What is it you'll
|
|
tell?"
|
|
|
|
Everything was swimming before Tom. There is
|
|
no telling what might have happened, now, but luckily
|
|
the concern passed out of Aunt Polly's face and she
|
|
came to Tom's relief without knowing it. She said:
|
|
|
|
"Sho! It's that dreadful murder. I dream about
|
|
it most every night myself. Sometimes I dream it's
|
|
me that done it."
|
|
|
|
Mary said she had been affected much the same
|
|
way. Sid seemed satisfied. Tom got out of the
|
|
presence as quick as he plausibly could, and after that
|
|
he complained of toothache for a week, and tied up
|
|
his jaws every night. He never knew that Sid lay
|
|
nightly watching, and frequently slipped the bandage
|
|
free and then leaned on his elbow listening a good while
|
|
at a time, and afterward slipped the bandage back to
|
|
its place again. Tom's distress of mind wore off
|
|
gradually and the toothache grew irksome and was
|
|
discarded. If Sid really managed to make anything
|
|
out of Tom's disjointed mutterings, he kept it to him-
|
|
self.
|
|
|
|
It seemed to Tom that his schoolmates never would
|
|
get done holding inquests on dead cats, and thus
|
|
keeping his trouble present to his mind. Sid noticed
|
|
that Tom never was coroner at one of these inquiries,
|
|
though it had been his habit to take the lead in all
|
|
new enterprises; he noticed, too, that Tom never acted
|
|
as a witness -- and that was strange; and Sid did not
|
|
overlook the fact that Tom even showed a marked
|
|
aversion to these inquests, and always avoided them
|
|
when he could. Sid marvelled, but said nothing. How-
|
|
ever, even inquests went out of vogue at last, and ceased
|
|
to torture Tom's conscience.
|
|
|
|
Every day or two, during this time of sorrow, Tom
|
|
watched his opportunity and went to the little grated
|
|
jail-window and smuggled such small comforts through
|
|
to the "murderer" as he could get hold of. The jail
|
|
was a trifling little brick den that stood in a marsh at
|
|
the edge of the village, and no guards were afforded for
|
|
it; indeed, it was seldom occupied. These offerings
|
|
greatly helped to ease Tom's conscience.
|
|
|
|
The villagers had a strong desire to tar-and-feather
|
|
Injun Joe and ride him on a rail, for body-snatching,
|
|
but so formidable was his character that nobody could
|
|
be found who was willing to take the lead in the matter,
|
|
so it was dropped. He had been careful to begin both
|
|
of his inquest-statements with the fight, without con-
|
|
fessing the grave-robbery that preceded it; therefore
|
|
it was deemed wisest not to try the case in the courts
|
|
at present.
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
ONE of the reasons why Tom's mind had
|
|
drifted away from its secret troubles was,
|
|
that it had found a new and weighty
|
|
matter to interest itself about. Becky
|
|
Thatcher had stopped coming to school.
|
|
Tom had struggled with his pride a few
|
|
days, and tried to "whistle her down the wind," but
|
|
failed. He began to find himself hanging around her
|
|
father's house, nights, and feeling very miserable. She
|
|
was ill. What if she should die! There was dis-
|
|
traction in the thought. He no longer took an interest
|
|
in war, nor even in piracy. The charm of life was
|
|
gone; there was nothing but dreariness left. He put
|
|
his hoop away, and his bat; there was no joy in them
|
|
any more. His aunt was concerned. She began to try
|
|
all manner of remedies on him. She was one of those
|
|
people who are infatuated with patent medicines and
|
|
all new-fangled methods of producing health or mending
|
|
it. She was an inveterate experimenter in these things.
|
|
When something fresh in this line came out she was in a
|
|
fever, right away, to try it; not on herself, for she was
|
|
never ailing, but on anybody else that came handy.
|
|
She was a subscriber for all the "Health" periodicals
|
|
and phrenological frauds; and the solemn ignorance
|
|
they were inflated with was breath to her nostrils.
|
|
All the "rot" they contained about ventilation, and
|
|
how to go to bed, and how to get up, and what to
|
|
eat, and what to drink, and how much exercise to
|
|
take, and what frame of mind to keep one's self in,
|
|
and what sort of clothing to wear, was all gospel to
|
|
her, and she never observed that her health-journals
|
|
of the current month customarily upset everything
|
|
they had recommended the month before. She was
|
|
as simple-hearted and honest as the day was long,
|
|
and so she was an easy victim. She gathered together
|
|
her quack periodicals and her quack medicines, and
|
|
thus armed with death, went about on her pale horse,
|
|
metaphorically speaking, with "hell following after."
|
|
But she never suspected that she was not an angel of
|
|
healing and the balm of Gilead in disguise, to the
|
|
suffering neighbors.
|
|
|
|
The water treatment was new, now, and Tom's low
|
|
condition was a windfall to her. She had him out at
|
|
daylight every morning, stood him up in the wood-
|
|
shed and drowned him with a deluge of cold water;
|
|
then she scrubbed him down with a towel like a
|
|
file, and so brought him to; then she rolled him
|
|
up in a wet sheet and put him away under blank-
|
|
ets till she sweated his soul clean and "the yel-
|
|
low stains of it came through his pores" -- as Tom
|
|
said.
|
|
|
|
Yet notwithstanding all this, the boy grew more
|
|
and more melancholy and pale and dejected. She
|
|
added hot baths, sitz baths, shower baths, and plunges.
|
|
The boy remained as dismal as a hearse. She began
|
|
to assist the water with a slim oatmeal diet and blister-
|
|
plasters. She calculated his capacity as she would a
|
|
jug's, and filled him up every day with quack cure-alls.
|
|
|
|
Tom had become indifferent to persecution by this
|
|
time. This phase filled the old lady's heart with
|
|
consternation. This indifference must be broken up
|
|
at any cost. Now she heard of Pain-killer for the
|
|
first time. She ordered a lot at once. She tasted it
|
|
and was filled with gratitude. It was simply fire in a
|
|
liquid form. She dropped the water treatment and
|
|
everything else, and pinned her faith to Pain-killer.
|
|
She gave Tom a teaspoonful and watched with the
|
|
deepest anxiety for the result. Her troubles were in-
|
|
stantly at rest, her soul at peace again; for the "in-
|
|
difference" was broken up. The boy could not have
|
|
shown a wilder, heartier interest, if she had built a fire
|
|
under him.
|
|
|
|
Tom felt that it was time to wake up; this sort of
|
|
life might be romantic enough, in his blighted con-
|
|
dition, but it was getting to have too little sentiment
|
|
and too much distracting variety about it. So he
|
|
thought over various plans for relief, and finally hit
|
|
pon that of professing to be fond of Pain-killer. He
|
|
asked for it so often that he became a nuisance, and
|
|
his aunt ended by telling him to help himself and quit
|
|
bothering her. If it had been Sid, she would have had
|
|
no misgivings to alloy her delight; but since it was Tom,
|
|
she watched the bottle clandestinely. She found that
|
|
the medicine did really diminish, but it did not occur
|
|
to her that the boy was mending the health of a crack
|
|
in the sitting-room floor with it.
|
|
|
|
One day Tom was in the act of dosing the crack
|
|
when his aunt's yellow cat came along, purring, ey-
|
|
ing the teaspoon avariciously, and begging for a taste.
|
|
Tom said:
|
|
|
|
"Don't ask for it unless you want it, Peter."
|
|
|
|
But Peter signified that he did want it.
|
|
|
|
"You better make sure."
|
|
|
|
Peter was sure.
|
|
|
|
"Now you've asked for it, and I'll give it to you,
|
|
because there ain't anything mean about me; but
|
|
if you find you don't like it, you mustn't blame any-
|
|
body but your own self."
|
|
|
|
Peter was agreeable. So Tom pried his mouth
|
|
open and poured down the Pain-killer. Peter sprang
|
|
a couple of yards in the air, and then delivered a
|
|
war-whoop and set off round and round the room,
|
|
banging against furniture, upsetting flower-pots, and
|
|
making general havoc. Next he rose on his hind
|
|
feet and pranced around, in a frenzy of enjoyment,
|
|
with his head over his shoulder and his voice pro-
|
|
claiming his unappeasable happiness. Then he went
|
|
tearing around the house again spreading chaos and
|
|
destruction in his path. Aunt Polly entered in time
|
|
to see him throw a few double summersets, deliver a
|
|
final mighty hurrah, and sail through the open window,
|
|
carrying the rest of the flower-pots with him. The
|
|
old lady stood petrified with astonishment, peering
|
|
over her glasses; Tom lay on the floor expiring with
|
|
laughter.
|
|
|
|
"Tom, what on earth ails that cat?"
|
|
|
|
"I don't know, aunt," gasped the boy.
|
|
|
|
"Why, I never see anything like it. What did make
|
|
him act so?"
|
|
|
|
"Deed I don't know, Aunt Polly; cats always act
|
|
so when they're having a good time."
|
|
|
|
"They do, do they?" There was something in the
|
|
tone that made Tom apprehensive.
|
|
|
|
"Yes'm. That is, I believe they do."
|
|
|
|
"You DO?"
|
|
|
|
"Yes'm."
|
|
|
|
The old lady was bending down, Tom watching,
|
|
with interest emphasized by anxiety. Too late he
|
|
divined her "drift." The handle of the telltale tea-
|
|
spoon was visible under the bed-valance. Aunt Polly
|
|
took it, held it up. Tom winced, and dropped his eyes.
|
|
Aunt Polly raised him by the usual handle -- his ear --
|
|
and cracked his head soundly with her thimble.
|
|
|
|
"Now, sir, what did you want to treat that poor
|
|
dumb beast so, for?"
|
|
|
|
"I done it out of pity for him -- because he hadn't
|
|
any aunt."
|
|
|
|
"Hadn't any aunt! -- you numskull. What has that
|
|
got to do with it?"
|
|
|
|
"Heaps. Because if he'd had one she'd a burnt
|
|
him out herself! She'd a roasted his bowels out of him
|
|
'thout any more feeling than if he was a human!"
|
|
|
|
Aunt Polly felt a sudden pang of remorse. This
|
|
was putting the thing in a new light; what was cruelty
|
|
to a cat MIGHT be cruelty to a boy, too. She began to
|
|
soften; she felt sorry. Her eyes watered a little, and
|
|
she put her hand on Tom's head and said gently:
|
|
|
|
"I was meaning for the best, Tom. And, Tom, it
|
|
DID do you good."
|
|
|
|
Tom looked up in her face with just a perceptible
|
|
twinkle peeping through his gravity.
|
|
|
|
"I know you was meaning for the best, aunty, and
|
|
so was I with Peter. It done HIM good, too. I never
|
|
see him get around so since --"
|
|
|
|
"Oh, go 'long with you, Tom, before you aggravate
|
|
me again. And you try and see if you can't be a good
|
|
boy, for once, and you needn't take any more medicine."
|
|
|
|
Tom reached school ahead of time. It was noticed
|
|
that this strange thing had been occurring every day
|
|
latterly. And now, as usual of late, he hung about
|
|
the gate of the schoolyard instead of playing with his
|
|
comrades. He was sick, he said, and he looked it.
|
|
He tried to seem to be looking everywhere but whither
|
|
he really was looking -- down the road. Presently
|
|
Jeff Thatcher hove in sight, and Tom's face lighted;
|
|
he gazed a moment, and then turned sorrowfully away.
|
|
When Jeff arrived, Tom accosted him; and "led up"
|
|
warily to opportunities for remark about Becky, but
|
|
the giddy lad never could see the bait. Tom watched
|
|
and watched, hoping whenever a frisking frock came in
|
|
sight, and hating the owner of it as soon as he saw she
|
|
was not the right one. At last frocks ceased to appear,
|
|
and he dropped hopelessly into the dumps; he entered
|
|
the empty schoolhouse and sat down to suffer. Then
|
|
one more frock passed in at the gate, and Tom's heart
|
|
gave a great bound. The next instant he was out,
|
|
and "going on" like an Indian; yelling, laughing,
|
|
chasing boys, jumping over the fence at risk of life and
|
|
limb, throwing handsprings, standing on his head --
|
|
doing all the heroic things he could conceive of, and
|
|
keeping a furtive eye out, all the while, to see if Becky
|
|
Thatcher was noticing. But she seemed to be un-
|
|
conscious of it all; she never looked. Could it be
|
|
possible that she was not aware that he was there?
|
|
He carried his exploits to her immediate vicinity; came
|
|
war-whooping around, snatched a boy's cap, hurled it
|
|
to the roof of the schoolhouse, broke through a group
|
|
of boys, tumbling them in every direction, and fell
|
|
sprawling, himself, under Becky's nose, almost upsetting
|
|
her -- and she turned, with her nose in the air, and he
|
|
heard her say: "Mf! some people think they're mighty
|
|
smart -- always showing off!"
|
|
|
|
Tom's cheeks burned. He gathered himself up and
|
|
sneaked off, crushed and crestfallen.
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
TOM'S mind was made up now. He was
|
|
gloomy and desperate. He was a for-
|
|
saken, friendless boy, he said; nobody
|
|
loved him; when they found out what they
|
|
had driven him to, perhaps they would
|
|
be sorry; he had tried to do right and get
|
|
along, but they would not let him; since nothing would
|
|
do them but to be rid of him, let it be so; and let them
|
|
blame HIM for the consequences -- why shouldn't they?
|
|
What right had the friendless to complain? Yes, they
|
|
had forced him to it at last: he would lead a life of crime.
|
|
There was no choice.
|
|
|
|
By this time he was far down Meadow Lane, and
|
|
the bell for school to "take up" tinkled faintly upon his
|
|
ear. He sobbed, now, to think he should never, never
|
|
hear that old familiar sound any more -- it was very
|
|
hard, but it was forced on him; since he was driven out
|
|
into the cold world, he must submit -- but he forgave
|
|
them. Then the sobs came thick and fast.
|
|
|
|
Just at this point he met his soul's sworn comrade,
|
|
Joe Harper -- hard-eyed, and with evidently a great
|
|
and dismal purpose in his heart. Plainly here were
|
|
"two souls with but a single thought." Tom, wiping
|
|
his eyes with his sleeve, began to blubber out something
|
|
about a resolution to escape from hard usage and lack
|
|
of sympathy at home by roaming abroad into the great
|
|
world never to return; and ended by hoping that Joe
|
|
would not forget him.
|
|
|
|
But it transpired that this was a request which Joe
|
|
had just been going to make of Tom, and had come
|
|
to hunt him up for that purpose. His mother had
|
|
whipped him for drinking some cream which he had
|
|
never tasted and knew nothing about; it was plain
|
|
that she was tired of him and wished him to go; if
|
|
she felt that way, there was nothing for him to do but
|
|
succumb; he hoped she would be happy, and never
|
|
regret having driven her poor boy out into the unfeeling
|
|
world to suffer and die.
|
|
|
|
As the two boys walked sorrowing along, they
|
|
made a new compact to stand by each other and be
|
|
brothers and never separate till death relieved them
|
|
of their troubles. Then they began to lay their plans.
|
|
Joe was for being a hermit, and living on crusts in a
|
|
remote cave, and dying, some time, of cold and want
|
|
and grief; but after listening to Tom, he conceded that
|
|
there were some conspicuous advantages about a life
|
|
of crime, and so he consented to be a pirate.
|
|
|
|
Three miles below St. Petersburg, at a point where
|
|
the Mississippi River was a trifle over a mile wide,
|
|
there was a long, narrow, wooded island, with a shallow
|
|
bar at the head of it, and this offered well as a ren-
|
|
dezvous. It was not inhabited; it lay far over toward
|
|
the further shore, abreast a dense and almost wholly
|
|
unpeopled forest. So Jackson's Island was chosen.
|
|
Who were to be the subjects of their piracies was a
|
|
matter that did not occur to them. Then they hunted
|
|
up Huckleberry Finn, and he joined them promptly,
|
|
for all careers were one to him; he was indifferent.
|
|
They presently separated to meet at a lonely spot on
|
|
the river-bank two miles above the village at the favorite
|
|
hour -- which was midnight. There was a small log
|
|
raft there which they meant to capture. Each would
|
|
bring hooks and lines, and such provision as he could
|
|
steal in the most dark and mysterious way -- as became
|
|
outlaws. And before the afternoon was done, they
|
|
had all managed to enjoy the sweet glory of spreading
|
|
the fact that pretty soon the town would "hear some-
|
|
thing." All who got this vague hint were cautioned to
|
|
"be mum and wait."
|
|
|
|
About midnight Tom arrived with a boiled ham
|
|
and a few trifles, and stopped in a dense undergrowth
|
|
on a small bluff overlooking the meeting-place. It
|
|
was starlight, and very still. The mighty river lay
|
|
like an ocean at rest. Tom listened a moment, but no
|
|
sound disturbed the quiet. Then he gave a low,
|
|
distinct whistle. It was answered from under the
|
|
bluff. Tom whistled twice more; these signals were
|
|
answered in the same way. Then a guarded voice
|
|
said:
|
|
|
|
"Who goes there?"
|
|
|
|
"Tom Sawyer, the Black Avenger of the Spanish
|
|
Main. Name your names."
|
|
|
|
"Huck Finn the Red-Handed, and Joe Harper the
|
|
Terror of the Seas." Tom had furnished these titles,
|
|
from his favorite literature.
|
|
|
|
"'Tis well. Give the countersign."
|
|
|
|
Two hoarse whispers delivered the same awful word
|
|
simultaneously to the brooding night:
|
|
|
|
"BLOOD!"
|
|
|
|
Then Tom tumbled his ham over the bluff and let
|
|
himself down after it, tearing both skin and clothes
|
|
to some extent in the effort. There was an easy, com-
|
|
fortable path along the shore under the bluff, but it
|
|
lacked the advantages of difficulty and danger so val-
|
|
ued by a pirate.
|
|
|
|
The Terror of the Seas had brought a side of bacon,
|
|
and had about worn himself out with getting it there.
|
|
Finn the Red-Handed had stolen a skillet and a quan-
|
|
tity of half-cured leaf tobacco, and had also brought a
|
|
few corn-cobs to make pipes with. But none of the
|
|
pirates smoked or "chewed" but himself. The Black
|
|
Avenger of the Spanish Main said it would never do to
|
|
start without some fire. That was a wise thought;
|
|
matches were hardly known there in that day. They
|
|
saw a fire smouldering upon a great raft a hundred
|
|
yards above, and they went stealthily thither and helped
|
|
themselves to a chunk. They made an imposing ad-
|
|
venture of it, saying, "Hist!" every now and then, and
|
|
suddenly halting with finger on lip; moving with hands
|
|
on imaginary dagger-hilts; and giving orders in dismal
|
|
whispers that if "the foe" stirred, to "let him have it
|
|
to the hilt," because "dead men tell no tales." They
|
|
knew well enough that the raftsmen were all down at
|
|
the village laying in stores or having a spree, but still
|
|
that was no excuse for their conducting this thing in an
|
|
unpiratical way.
|
|
|
|
They shoved off, presently, Tom in command, Huck
|
|
at the after oar and Joe at the forward. Tom stood
|
|
amidships, gloomy-browed, and with folded arms, and
|
|
gave his orders in a low, stern whisper:
|
|
|
|
"Luff, and bring her to the wind!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Steady, steady-y-y-y!"
|
|
|
|
"Steady it is, sir!"
|
|
|
|
"Let her go off a point!"
|
|
|
|
"Point it is, sir!"
|
|
|
|
As the boys steadily and monotonously drove the
|
|
raft toward mid-stream it was no doubt under-
|
|
stood that these orders were given only for "style,"
|
|
and were not intended to mean anything in par-
|
|
ticular.
|
|
|
|
"What sail's she carrying?"
|
|
|
|
"Courses, tops'ls, and flying-jib, sir."
|
|
|
|
"Send the r'yals up! Lay out aloft, there, half a
|
|
dozen of ye -- foretopmaststuns'l! Lively, now!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Shake out that maintogalans'l! Sheets and braces!
|
|
NOW my hearties!"
|
|
|
|
"Aye-aye, sir!"
|
|
|
|
"Hellum-a-lee -- hard a port! Stand by to meet
|
|
her when she comes! Port, port! NOW, men! With
|
|
a will! Stead-y-y-y!"
|
|
|
|
"Steady it is, sir!"
|
|
|
|
The raft drew beyond the middle of the river; the
|
|
boys pointed her head right, and then lay on their
|
|
oars. The river was not high, so there was not more
|
|
than a two or three mile current. Hardly a word was
|
|
said during the next three-quarters of an hour. Now
|
|
the raft was passing before the distant town. Two or
|
|
three glimmering lights showed where it lay, peacefully
|
|
sleeping, beyond the vague vast sweep of star-gemmed
|
|
water, unconscious of the tremendous event that was
|
|
happening. The Black Avenger stood still with folded
|
|
arms, "looking his last" upon the scene of his former
|
|
joys and his later sufferings, and wishing "she" could
|
|
see him now, abroad on the wild sea, facing peril and
|
|
death with dauntless heart, going to his doom with a
|
|
grim smile on his lips. It was but a small strain on his
|
|
imagination to remove Jackson's Island beyond eye-
|
|
shot of the village, and so he "looked his last" with a
|
|
broken and satisfied heart. The other pirates were
|
|
looking their last, too; and they all looked so long
|
|
that they came near letting the current drift them out
|
|
of the range of the island. But they discovered the
|
|
danger in time, and made shift to avert it. About two
|
|
o'clock in the morning the raft grounded on the bar
|
|
two hundred yards above the head of the island, and
|
|
they waded back and forth until they had landed their
|
|
freight. Part of the little raft's belongings consisted
|
|
of an old sail, and this they spread over a nook in the
|
|
bushes for a tent to shelter their provisions; but they
|
|
themselves would sleep in the open air in good weather,
|
|
as became outlaws.
|
|
|
|
They built a fire against the side of a great log twenty
|
|
or thirty steps within the sombre depths of the forest,
|
|
and then cooked some bacon in the frying-pan for sup-
|
|
per, and used up half of the corn "pone" stock they had
|
|
brought. It seemed glorious sport to be feasting in
|
|
that wild, free way in the virgin forest of an unex-
|
|
plored and uninhabited island, far from the haunts of
|
|
men, and they said they never would return to civiliza-
|
|
tion. The climbing fire lit up their faces and threw its
|
|
ruddy glare upon the pillared tree-trunks of their forest
|
|
temple, and upon the varnished foliage and festooning
|
|
vines.
|
|
|
|
When the last crisp slice of bacon was gone, and the
|
|
last allowance of corn pone devoured, the boys stretched
|
|
themselves out on the grass, filled with contentment.
|
|
They could have found a cooler place, but they would
|
|
not deny themselves such a romantic feature as the
|
|
roasting camp-fire.
|
|
|
|
"AIN'T it gay?" said Joe.
|
|
|
|
"It's NUTS!" said Tom. "What would the boys say
|
|
if they could see us?"
|
|
|
|
"Say? Well, they'd just die to be here -- hey,
|
|
Hucky!"
|
|
|
|
"I reckon so," said Huckleberry; "anyways, I'm
|
|
suited. I don't want nothing better'n this. I don't
|
|
ever get enough to eat, gen'ally -- and here they can't
|
|
come and pick at a feller and bullyrag him so."
|
|
|
|
"It's just the life for me," said Tom. "You don't
|
|
have to get up, mornings, and you don't have to go to
|
|
school, and wash, and all that blame foolishness. You
|
|
see a pirate don't have to do ANYTHING, Joe, when he's
|
|
ashore, but a hermit HE has to be praying considerable,
|
|
and then he don't have any fun, anyway, all by himself
|
|
that way."
|
|
|
|
"Oh yes, that's so," said Joe, "but I hadn't thought
|
|
much about it, you know. I'd a good deal rather be a
|
|
pirate, now that I've tried it."
|
|
|
|
"You see," said Tom, "people don't go much on
|
|
hermits, nowadays, like they used to in old times, but
|
|
a pirate's always respected. And a hermit's got to
|
|
sleep on the hardest place he can find, and put sackcloth
|
|
and ashes on his head, and stand out in the rain, and --"
|
|
|
|
"What does he put sackcloth and ashes on his head
|
|
for?" inquired Huck.
|
|
|
|
"I dono. But they've GOT to do it. Hermits always
|
|
do. You'd have to do that if you was a hermit."
|
|
|
|
"Dern'd if I would," said Huck.
|
|
|
|
"Well, what would you do?"
|
|
|
|
"I dono. But I wouldn't do that."
|
|
|
|
"Why, Huck, you'd HAVE to. How'd you get around
|
|
it?"
|
|
|
|
"Why, I just wouldn't stand it. I'd run away."
|
|
|
|
"Run away! Well, you WOULD be a nice old slouch
|
|
of a hermit. You'd be a disgrace."
|
|
|
|
The Red-Handed made no response, being better
|
|
employed. He had finished gouging out a cob, and
|
|
now he fitted a weed stem to it, loaded it with tobacco,
|
|
and was pressing a coal to the charge and blowing a
|
|
cloud of fragrant smoke -- he was in the full bloom of
|
|
luxurious contentment. The other pirates envied him
|
|
this majestic vice, and secretly resolved to acquire it
|
|
shortly. Presently Huck said:
|
|
|
|
"What does pirates have to do?"
|
|
|
|
Tom said:
|
|
|
|
"Oh, they have just a bully time -- take ships and
|
|
burn them, and get the money and bury it in awful
|
|
places in their island where there's ghosts and things to
|
|
watch it, and kill everybody in the ships -- make 'em
|
|
walk a plank."
|
|
|
|
"And they carry the women to the island," said Joe;
|
|
"they don't kill the women."
|
|
|
|
"No," assented Tom, "they don't kill the women --
|
|
they're too noble. And the women's always beautiful,
|
|
too.
|
|
|
|
"And don't they wear the bulliest clothes! Oh no!
|
|
All gold and silver and di'monds," said Joe, with
|
|
enthusiasm.
|
|
|
|
"Who?" said Huck.
|
|
|
|
"Why, the pirates."
|
|
|
|
Huck scanned his own clothing forlornly.
|
|
|
|
"I reckon I ain't dressed fitten for a pirate," said
|
|
he, with a regretful pathos in his voice; "but I ain't
|
|
got none but these."
|
|
|
|
But the other boys told him the fine clothes would
|
|
come fast enough, after they should have begun their
|
|
adventures. They made him understand that his poor
|
|
rags would do to begin with, though it was customary
|
|
for wealthy pirates to start with a proper wardrobe.
|
|
|
|
Gradually their talk died out and drowsiness began
|
|
to steal upon the eyelids of the little waifs. The pipe
|
|
dropped from the fingers of the Red-Handed, and he
|
|
slept the sleep of the conscience-free and the weary.
|
|
The Terror of the Seas and the Black Avenger of the
|
|
Spanish Main had more difficulty in getting to sleep.
|
|
They said their prayers inwardly, and lying down, since
|
|
there was nobody there with authority to make them
|
|
kneel and recite aloud; in truth, they had a mind not
|
|
to say them at all, but they were afraid to proceed to
|
|
such lengths as that, lest they might call down a sudden
|
|
and special thunderbolt from heaven. Then at once
|
|
they reached and hovered upon the imminent verge of
|
|
sleep -- but an intruder came, now, that would not
|
|
"down." It was conscience. They began to feel a
|
|
vague fear that they had been doing wrong to run
|
|
away; and next they thought of the stolen meat, and
|
|
then the real torture came. They tried to argue it
|
|
away by reminding conscience that they had purloined
|
|
sweetmeats and apples scores of times; but conscience
|
|
was not to be appeased by such thin plausibilities;
|
|
it seemed to them, in the end, that there was no getting
|
|
around the stubborn fact that taking sweetmeats was
|
|
only "hooking," while taking bacon and hams and
|
|
such valuables was plain simple stealing -- and there was
|
|
a command against that in the Bible. So they inwardly
|
|
resolved that so long as they remained in the business,
|
|
their piracies should not again be sullied with the crime
|
|
of stealing. Then conscience granted a truce, and
|
|
these curiously inconsistent pirates fell peacefully to
|
|
sleep.
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
WHEN Tom awoke in the morning, he
|
|
wondered where he was. He sat up and
|
|
rubbed his eyes and looked around. Then
|
|
he comprehended. It was the cool gray
|
|
dawn, and there was a delicious sense of
|
|
repose and peace in the deep pervading
|
|
calm and silence of the woods. Not a leaf stirred; not a
|
|
sound obtruded upon great Nature's meditation. Bead-
|
|
ed dewdrops stood upon the leaves and grasses. A
|
|
white layer of ashes covered the fire, and a thin blue
|
|
breath of smoke rose straight into the air. Joe and
|
|
Huck still slept.
|
|
|
|
Now, far away in the woods a bird called; another
|
|
answered; presently the hammering of a woodpecker
|
|
was heard. Gradually the cool dim gray of the morn-
|
|
ing whitened, and as gradually sounds multiplied and
|
|
life manifested itself. The marvel of Nature shaking
|
|
off sleep and going to work unfolded itself to the musing
|
|
boy. A little green worm came crawling over a dewy
|
|
leaf, lifting two-thirds of his body into the air from time
|
|
to time and "sniffing around," then proceeding again --
|
|
for he was measuring, Tom said; and when the worm
|
|
approached him, of its own accord, he sat as still as a
|
|
stone, with his hopes rising and falling, by turns, as the
|
|
creature still came toward him or seemed inclined to
|
|
go elsewhere; and when at last it considered a painful
|
|
moment with its curved body in the air and then came
|
|
decisively down upon Tom's leg and began a journey
|
|
over him, his whole heart was glad -- for that meant
|
|
that he was going to have a new suit of clothes -- without
|
|
the shadow of a doubt a gaudy piratical uniform. Now
|
|
a procession of ants appeared, from nowhere in par-
|
|
ticular, and went about their labors; one struggled man-
|
|
fully by with a dead spider five times as big as itself in
|
|
its arms, and lugged it straight up a tree-trunk. A
|
|
brown spotted lady-bug climbed the dizzy height of a
|
|
grass blade, and Tom bent down close to it and said,
|
|
"Lady-bug, lady-bug, fly away home, your house is on
|
|
fire, your children's alone," and she took wing and went
|
|
off to see about it -- which did not surprise the boy, for
|
|
he knew of old that this insect was credulous about
|
|
conflagrations, and he had practised upon its simplicity
|
|
more than once. A tumblebug came next, heaving
|
|
sturdily at its ball, and Tom touched the creature, to
|
|
see it shut its legs against its body and pretend to be
|
|
dead. The birds were fairly rioting by this time. A
|
|
catbird, the Northern mocker, lit in a tree over Tom's
|
|
head, and trilled out her imitations of her neighbors in
|
|
a rapture of enjoyment; then a shrill jay swept down,
|
|
a flash of blue flame, and stopped on a twig almost
|
|
within the boy's reach, cocked his head to one side and
|
|
eyed the strangers with a consuming curiosity; a gray
|
|
squirrel and a big fellow of the "fox" kind came
|
|
skurrying along, sitting up at intervals to inspect and
|
|
chatter at the boys, for the wild things had probably
|
|
never seen a human being before and scarcely knew
|
|
whether to be afraid or not. All Nature was wide
|
|
awake and stirring, now; long lances of sunlight pierced
|
|
down through the dense foliage far and near, and a
|
|
few butterflies came fluttering upon the scene.
|
|
|
|
Tom stirred up the other pirates and they all clattered
|
|
away with a shout, and in a minute or two were stripped
|
|
and chasing after and tumbling over each other in the
|
|
shallow limpid water of the white sandbar. They felt
|
|
no longing for the little village sleeping in the distance
|
|
beyond the majestic waste of water. A vagrant cur-
|
|
rent or a slight rise in the river had carried off their
|
|
raft, but this only gratified them, since its going was
|
|
something like burning the bridge between them and
|
|
civilization.
|
|
|
|
They came back to camp wonderfully refreshed,
|
|
glad-hearted, and ravenous; and they soon had the
|
|
camp-fire blazing up again. Huck found a spring of
|
|
clear cold water close by, and the boys made cups of
|
|
broad oak or hickory leaves, and felt that water, sweet-
|
|
ened with such a wildwood charm as that, would be a
|
|
good enough substitute for coffee. While Joe was
|
|
slicing bacon for breakfast, Tom and Huck asked him
|
|
to hold on a minute; they stepped to a promising nook
|
|
in the river-bank and threw in their lines; almost im-
|
|
mediately they had reward. Joe had not had time to
|
|
get impatient before they were back again with some
|
|
handsome bass, a couple of sun-perch and a small
|
|
catfish -- provisions enough for quite a family. They
|
|
fried the fish with the bacon, and were astonished; for no
|
|
fish had ever seemed so delicious before. They did not
|
|
know that the quicker a fresh-water fish is on the fire
|
|
after he is caught the better he is; and they reflected
|
|
little upon what a sauce open-air sleeping, open-air
|
|
exercise, bathing, and a large ingredient of hunger
|
|
make, too.
|
|
|
|
They lay around in the shade, after breakfast, while
|
|
Huck had a smoke, and then went off through the woods
|
|
on an exploring expedition. They tramped gayly along,
|
|
over decaying logs, through tangled underbrush, among
|
|
solemn monarchs of the forest, hung from their crowns
|
|
to the ground with a drooping regalia of grape-vines.
|
|
Now and then they came upon snug nooks carpeted
|
|
with grass and jeweled with flowers.
|
|
|
|
They found plenty of things to be delighted with, but
|
|
nothing to be astonished at. They discovered that the
|
|
island was about three miles long and a quarter of a
|
|
mile wide, and that the shore it lay closest to was only
|
|
separated from it by a narrow channel hardly two hun-
|
|
dred yards wide. They took a swim about every hour,
|
|
so it was close upon the middle of the afternoon when
|
|
they got back to camp. They were too hungry to stop
|
|
to fish, but they fared sumptuously upon cold ham, and
|
|
then threw themselves down in the shade to talk. But
|
|
the talk soon began to drag, and then died. The
|
|
stillness, the solemnity that brooded in the woods, and
|
|
the sense of loneliness, began to tell upon the spirits
|
|
of the boys. They fell to thinking. A sort of unde-
|
|
fined longing crept upon them. This took dim shape,
|
|
presently -- it was budding homesickness. Even Finn
|
|
the Red-Handed was dreaming of his doorsteps and
|
|
empty hogsheads. But they were all ashamed of their
|
|
weakness, and none was brave enough to speak his
|
|
thought.
|
|
|
|
For some time, now, the boys had been dully con-
|
|
scious of a peculiar sound in the distance, just as one
|
|
sometimes is of the ticking of a clock which he takes no
|
|
distinct note of. But now this mysterious sound be-
|
|
came more pronounced, and forced a recognition. The
|
|
boys started, glanced at each other, and then each as-
|
|
sumed a listening attitude. There was a long silence,
|
|
profound and unbroken; then a deep, sullen boom
|
|
came floating down out of the distance.
|
|
|
|
"What is it!" exclaimed Joe, under his breath.
|
|
|
|
"I wonder," said Tom in a whisper.
|
|
|
|
"'Tain't thunder," said Huckleberry, in an awed
|
|
tone, "becuz thunder --"
|
|
|
|
"Hark!" said Tom. "Listen -- don't talk."
|
|
|
|
They waited a time that seemed an age, and then the
|
|
same muffled boom troubled the solemn hush.
|
|
|
|
"Let's go and see."
|
|
|
|
They sprang to their feet and hurried to the shore
|
|
toward the town. They parted the bushes on the bank
|
|
and peered out over the water. The little steam ferry-
|
|
boat was about a mile below the village, drifting with the
|
|
current. Her broad deck seemed crowded with people.
|
|
There were a great many skiffs rowing about or floating
|
|
with the stream in the neighborhood of the ferryboat,
|
|
but the boys could not determine what the men in them
|
|
were doing. Presently a great jet of white smoke burst
|
|
from the ferryboat's side, and as it expanded and rose
|
|
in a lazy cloud, that same dull throb of sound was borne
|
|
to the listeners again.
|
|
|
|
"I know now!" exclaimed Tom; "somebody's
|
|
drownded!"
|
|
|
|
"That's it!" said Huck; "they done that last summer,
|
|
when Bill Turner got drownded; they shoot a cannon
|
|
over the water, and that makes him come up to the top.
|
|
Yes, and they take loaves of bread and put quicksilver
|
|
in 'em and set 'em afloat, and wherever there's anybody
|
|
that's drownded, they'll float right there and stop."
|
|
|
|
"Yes, I've heard about that," said Joe. "I wonder
|
|
what makes the bread do that."
|
|
|
|
"Oh, it ain't the bread, so much," said Tom; "I
|
|
reckon it's mostly what they SAY over it before they start
|
|
it out."
|
|
|
|
"But they don't say anything over it," said Huck.
|
|
"I've seen 'em and they don't."
|
|
|
|
"Well, that's funny," said Tom. "But maybe
|
|
they say it to themselves. Of COURSE they do. Any-
|
|
body might know that."
|
|
|
|
The other boys agreed that there was reason in what
|
|
Tom said, because an ignorant lump of bread, un-
|
|
instructed by an incantation, could not be expected to
|
|
act very intelligently when set upon an errand of such
|
|
gravity.
|
|
|
|
"By jings, I wish I was over there, now," said Joe.
|
|
|
|
"I do too" said Huck "I'd give heaps to know
|
|
who it is."
|
|
|
|
The boys still listened and watched. Presently a
|
|
revealing thought flashed through Tom's mind, and
|
|
he exclaimed:
|
|
|
|
"Boys, I know who's drownded -- it's us!"
|
|
|
|
They felt like heroes in an instant. Here was a
|
|
gorgeous triumph; they were missed; they were mourned;
|
|
hearts were breaking on their account; tears were being
|
|
shed; accusing memories of unkindness to these poor
|
|
lost lads were rising up, and unavailing regrets and re-
|
|
morse were being indulged; and best of all, the depart-
|
|
ed were the talk of the whole town, and the envy of
|
|
all the boys, as far as this dazzling notoriety was con-
|
|
cerned. This was fine. It was worth while to be a
|
|
pirate, after all.
|
|
|
|
As twilight drew on, the ferryboat went back to her
|
|
accustomed business and the skiffs disappeared. The
|
|
pirates returned to camp. They were jubilant with
|
|
vanity over their new grandeur and the illustrious
|
|
trouble they were making. They caught fish, cooked
|
|
supper and ate it, and then fell to guessing at what the
|
|
village was thinking and saying about them; and the
|
|
pictures they drew of the public distress on their ac-
|
|
count were gratifying to look upon -- from their point
|
|
of view. But when the shadows of night closed them
|
|
in, they gradually ceased to talk, and sat gazing into the
|
|
fire, with their minds evidently wandering elsewhere.
|
|
The excitement was gone, now, and Tom and Joe could
|
|
not keep back thoughts of certain persons at home who
|
|
were not enjoying this fine frolic as much as they were.
|
|
Misgivings came; they grew troubled and unhappy;
|
|
a sigh or two escaped, unawares. By and by Joe
|
|
timidly ventured upon a roundabout "feeler" as to
|
|
how the others might look upon a return to civilization
|
|
-- not right now, but --
|
|
|
|
Tom withered him with derision! Huck, being un-
|
|
committed as yet, joined in with Tom, and the waverer
|
|
quickly "explained," and was glad to get out of the
|
|
scrape with as little taint of chicken-hearted home-
|
|
sickness clinging to his garments as he could. Mutiny
|
|
was effectually laid to rest for the moment.
|
|
|
|
As the night deepened, Huck began to nod, and
|
|
presently to snore. Joe followed next. Tom lay
|
|
upon his elbow motionless, for some time, watching
|
|
the two intently. At last he got up cautiously, on
|
|
his knees, and went searching among the grass and
|
|
the flickering reflections flung by the camp-fire. He
|
|
picked up and inspected several large semi-cylinders
|
|
of the thin white bark of a sycamore, and finally chose
|
|
two which seemed to suit him. Then he knelt by the
|
|
fire and painfully wrote something upon each of these
|
|
with his "red keel"; one he rolled up and put in his
|
|
jacket pocket, and the other he put in Joe's hat and
|
|
removed it to a little distance from the owner. And
|
|
he also put into the hat certain schoolboy treasures of
|
|
almost inestimable value -- among them a lump of
|
|
chalk, an India-rubber ball, three fishhooks, and one of
|
|
that kind of marbles known as a "sure 'nough crystal."
|
|
Then he tiptoed his way cautiously among the trees
|
|
till he felt that he was out of hearing, and straightway
|
|
broke into a keen run in the direction of the sandbar.
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
A FEW minutes later Tom was in the shoal
|
|
water of the bar, wading toward the
|
|
Illinois shore. Before the depth reached
|
|
his middle he was half-way over; the cur-
|
|
rent would permit no more wading, now,
|
|
so he struck out confidently to swim the
|
|
remaining hundred yards. He swam quartering up-
|
|
stream, but still was swept downward rather faster
|
|
than he had expected. However, he reached the shore
|
|
finally, and drifted along till he found a low place and
|
|
drew himself out. He put his hand on his jacket pocket,
|
|
found his piece of bark safe, and then struck through
|
|
the woods, following the shore, with streaming garments.
|
|
Shortly before ten o'clock he came out into an open
|
|
place opposite the village, and saw the ferryboat lying
|
|
in the shadow of the trees and the high bank. Every-
|
|
thing was quiet under the blinking stars. He crept
|
|
down the bank, watching with all his eyes, slipped into
|
|
the water, swam three or four strokes and climbed into
|
|
the skiff that did "yawl" duty at the boat's stern. He
|
|
laid himself down under the thwarts and waited, panting.
|
|
|
|
Presently the cracked bell tapped and a voice gave
|
|
the order to "cast off." A minute or two later the
|
|
skiff's head was standing high up, against the boat's
|
|
swell, and the voyage was begun. Tom felt happy in
|
|
his success, for he knew it was the boat's last trip for
|
|
the night. At the end of a long twelve or fifteen minutes
|
|
the wheels stopped, and Tom slipped overboard and
|
|
swam ashore in the dusk, landing fifty yards down-
|
|
stream, out of danger of possible stragglers.
|
|
|
|
He flew along unfrequented alleys, and shortly found
|
|
himself at his aunt's back fence. He climbed over,
|
|
approached the "ell," and looked in at the sitting-room
|
|
window, for a light was burning there. There sat
|
|
Aunt Polly, Sid, Mary, and Joe Harper's mother,
|
|
grouped together, talking. They were by the bed, and
|
|
the bed was between them and the door. Tom went
|
|
to the door and began to softly lift the latch; then he
|
|
pressed gently and the door yielded a crack; he con-
|
|
tinued pushing cautiously, and quaking every time it
|
|
creaked, till he judged he might squeeze through on his
|
|
knees; so he put his head through and began, warily.
|
|
|
|
"What makes the candle blow so?" said Aunt
|
|
Polly. Tom hurried up. "Why, that door's open,
|
|
I believe. Why, of course it is. No end of strange
|
|
things now. Go 'long and shut it, Sid."
|
|
|
|
Tom disappeared under the bed just in time. He
|
|
lay and "breathed" himself for a time, and then crept
|
|
to where he could almost touch his aunt's foot.
|
|
|
|
"But as I was saying," said Aunt Polly, "he warn't
|
|
BAD, so to say -- only mischEEvous. Only just giddy,
|
|
and harum-scarum, you know. He warn't any more
|
|
responsible than a colt. HE never meant any harm,
|
|
and he was the best-hearted boy that ever was" -- and
|
|
she began to cry.
|
|
|
|
"It was just so with my Joe -- always full of his
|
|
devilment, and up to every kind of mischief, but he
|
|
was just as unselfish and kind as he could be -- and
|
|
laws bless me, to think I went and whipped him for
|
|
taking that cream, never once recollecting that I
|
|
throwed it out myself because it was sour, and I never
|
|
to see him again in this world, never, never, never, poor
|
|
abused boy!" And Mrs. Harper sobbed as if her
|
|
heart would break.
|
|
|
|
"I hope Tom's better off where he is," said Sid,
|
|
"but if he'd been better in some ways --"
|
|
|
|
"SID!" Tom felt the glare of the old lady's eye,
|
|
though he could not see it. "Not a word against my
|
|
Tom, now that he's gone! God'll take care of HIM --
|
|
never you trouble YOURself, sir! Oh, Mrs. Harper, I
|
|
don't know how to give him up! I don't know how to
|
|
give him up! He was such a comfort to me, although
|
|
he tormented my old heart out of me, 'most."
|
|
|
|
"The Lord giveth and the Lord hath taken away
|
|
-- Blessed be the name of the Lord! But it's so hard
|
|
-- Oh, it's so hard! Only last Saturday my Joe busted
|
|
a firecracker right under my nose and I knocked him
|
|
sprawling. Little did I know then, how soon -- Oh,
|
|
if it was to do over again I'd hug him and bless him
|
|
for it."
|
|
|
|
"Yes, yes, yes, I know just how you feel, Mrs.
|
|
Harper, I know just exactly how you feel. No longer
|
|
ago than yesterday noon, my Tom took and filled the
|
|
cat full of Pain-killer, and I did think the cretur would
|
|
tear the house down. And God forgive me, I cracked
|
|
Tom's head with my thimble, poor boy, poor dead boy.
|
|
But he's out of all his troubles now. And the last words
|
|
I ever heard him say was to reproach --"
|
|
|
|
But this memory was too much for the old lady,
|
|
and she broke entirely down. Tom was snuffling, now,
|
|
himself -- and more in pity of himself than anybody
|
|
else. He could hear Mary crying, and putting in a
|
|
kindly word for him from time to time. He began to
|
|
have a nobler opinion of himself than ever before.
|
|
Still, he was sufficiently touched by his aunt's grief to
|
|
long to rush out from under the bed and overwhelm
|
|
her with joy -- and the theatrical gorgeousness of the
|
|
thing appealed strongly to his nature, too, but he re-
|
|
sisted and lay still.
|
|
|
|
He went on listening, and gathered by odds and ends
|
|
that it was conjectured at first that the boys had got
|
|
drowned while taking a swim; then the small raft had
|
|
been missed; next, certain boys said the missing lads
|
|
had promised that the village should "hear some-
|
|
thing" soon; the wise-heads had "put this and that
|
|
together" and decided that the lads had gone off on
|
|
that raft and would turn up at the next town below,
|
|
presently; but toward noon the raft had been found,
|
|
lodged against the Missouri shore some five or six miles
|
|
below the village -- and then hope perished; they must
|
|
be drowned, else hunger would have driven them home
|
|
by nightfall if not sooner. It was believed that the
|
|
search for the bodies had been a fruitless effort merely
|
|
because the drowning must have occurred in mid-
|
|
channel, since the boys, being good swimmers, would
|
|
otherwise have escaped to shore. This was Wednesday
|
|
night. If the bodies continued missing until Sunday,
|
|
all hope would be given over, and the funerals would
|
|
be preached on that morning. Tom shuddered.
|
|
|
|
Mrs. Harper gave a sobbing good-night and turned
|
|
to go. Then with a mutual impulse the two bereaved
|
|
women flung themselves into each other's arms and had
|
|
a good, consoling cry, and then parted. Aunt Polly
|
|
was tender far beyond her wont, in her good-night to
|
|
Sid and Mary. Sid snuffled a bit and Mary went off
|
|
crying with all her heart.
|
|
|
|
Aunt Polly knelt down and prayed for Tom so touch-
|
|
ingly, so appealingly, and with such measureless love
|
|
in her words and her old trembling voice, that he was
|
|
weltering in tears again, long before she was through.
|
|
|
|
He had to keep still long after she went to bed, for
|
|
she kept making broken-hearted ejaculations from time
|
|
to time, tossing unrestfully, and turning over. But at
|
|
last she was still, only moaning a little in her sleep.
|
|
Now the boy stole out, rose gradually by the bedside,
|
|
shaded the candle-light with his hand, and stood re-
|
|
garding her. His heart was full of pity for her. He
|
|
took out his sycamore scroll and placed it by the candle.
|
|
But something occurred to him, and he lingered con-
|
|
sidering. His face lighted with a happy solution of his
|
|
thought; he put the bark hastily in his pocket. Then
|
|
he bent over and kissed the faded lips, and straightway
|
|
made his stealthy exit, latching the door behind him.
|
|
|
|
He threaded his way back to the ferry landing, found
|
|
nobody at large there, and walked boldly on board the
|
|
boat, for he knew she was tenantless except that there
|
|
was a watchman, who always turned in and slept like
|
|
a graven image. He untied the skiff at the stern,
|
|
slipped into it, and was soon rowing cautiously up-
|
|
stream. When he had pulled a mile above the village,
|
|
he started quartering across and bent himself stoutly to
|
|
his work. He hit the landing on the other side neatly,
|
|
for this was a familiar bit of work to him. He was
|
|
moved to capture the skiff, arguing that it might be
|
|
considered a ship and therefore legitimate prey for a
|
|
pirate, but he knew a thorough search would be made
|
|
for it and that might end in revelations. So he stepped
|
|
ashore and entered the woods.
|
|
|
|
He sat down and took a long rest, torturing him-
|
|
self meanwhile to keep awake, and then started warily
|
|
down the home-stretch. The night was far spent.
|
|
It was broad daylight before he found himself fairly
|
|
abreast the island bar. He rested again until the sun
|
|
was well up and gilding the great river with its splendor,
|
|
and then he plunged into the stream. A little later he
|
|
paused, dripping, upon the threshold of the camp,
|
|
and heard Joe say:
|
|
|
|
"No, Tom's true-blue, Huck, and he'll come back.
|
|
He won't desert. He knows that would be a disgrace
|
|
to a pirate, and Tom's too proud for that sort of thing.
|
|
He's up to something or other. Now I wonder what?"
|
|
|
|
"Well, the things is ours, anyway, ain't they?"
|
|
|
|
Pretty near, but not yet, Huck. The writing says
|
|
they are if he ain't back here to breakfast."
|
|
|
|
"Which he is!" exclaimed Tom, with fine dramatic
|
|
effect, stepping grandly into camp.
|
|
|
|
A sumptuous breakfast of bacon and fish was shortly
|
|
provided, and as the boys set to work upon it, Tom
|
|
recounted (and adorned) his adventures. They were
|
|
a vain and boastful company of heroes when the tale
|
|
was done. Then Tom hid himself away in a shady
|
|
nook to sleep till noon, and the other pirates got ready
|
|
to fish and explore.
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
AFTER dinner all the gang turned out to
|
|
hunt for turtle eggs on the bar. They
|
|
went about poking sticks into the sand,
|
|
and when they found a soft place they
|
|
went down on their knees and dug with
|
|
their hands. Sometimes they would take
|
|
fifty or sixty eggs out of one hole. They were perfectly
|
|
round white things a trifle smaller than an English
|
|
walnut. They had a famous fried-egg feast that night,
|
|
and another on Friday morning.
|
|
|
|
After breakfast they went whooping and prancing
|
|
out on the bar, and chased each other round and
|
|
round, shedding clothes as they went, until they were
|
|
naked, and then continued the frolic far away up the
|
|
shoal water of the bar, against the stiff current, which
|
|
latter tripped their legs from under them from time
|
|
to time and greatly increased the fun. And now and
|
|
then they stooped in a group and splashed water in
|
|
each other's faces with their palms, gradually approach-
|
|
ing each other, with averted faces to avoid the stran-
|
|
gling sprays, and finally gripping and struggling till the
|
|
best man ducked his neighbor, and then they all went
|
|
under in a tangle of white legs and arms and came up
|
|
blowing, sputtering, laughing, and gasping for breath
|
|
at one and the same time.
|
|
|
|
When they were well exhausted, they would run
|
|
out and sprawl on the dry, hot sand, and lie there and
|
|
cover themselves up with it, and by and by break for
|
|
the water again and go through the original perform-
|
|
ance once more. Finally it occurred to them that their
|
|
naked skin represented flesh-colored "tights" very
|
|
fairly; so they drew a ring in the sand and had a
|
|
circus -- with three clowns in it, for none would yield
|
|
this proudest post to his neighbor.
|
|
|
|
Next they got their marbles and played "knucks"
|
|
and "ring-taw" and "keeps" till that amusement
|
|
grew stale. Then Joe and Huck had another swim,
|
|
but Tom would not venture, because he found that
|
|
in kicking off his trousers he had kicked his string
|
|
of rattlesnake rattles off his ankle, and he wondered
|
|
how he had escaped cramp so long without the pro-
|
|
tection of this mysterious charm. He did not vent-
|
|
ure again until he had found it, and by that time
|
|
the other boys were tired and ready to rest. They
|
|
gradually wandered apart, dropped into the "dumps,"
|
|
and fell to gazing longingly across the wide river to
|
|
where the village lay drowsing in the sun. Tom found
|
|
himself writing "BECKY" in the sand with his big toe;
|
|
he scratched it out, and was angry with himself for his
|
|
weakness. But he wrote it again, nevertheless; he
|
|
could not help it. He erased it once more and then took
|
|
himself out of temptation by driving the other boys
|
|
together and joining them.
|
|
|
|
But Joe's spirits had gone down almost beyond
|
|
resurrection. He was so homesick that he could hardly
|
|
endure the misery of it. The tears lay very near the
|
|
surface. Huck was melancholy, too. Tom was down-
|
|
hearted, but tried hard not to show it. He had a secret
|
|
which he was not ready to tell, yet, but if this mutinous
|
|
depression was not broken up soon, he would have to
|
|
bring it out. He said, with a great show of cheerfulness:
|
|
|
|
"I bet there's been pirates on this island before,
|
|
boys. We'll explore it again. They've hid treasures
|
|
here somewhere. How'd you feel to light on a rotten
|
|
chest full of gold and silver -- hey?"
|
|
|
|
But it roused only faint enthusiasm, which faded
|
|
out, with no reply. Tom tried one or two other
|
|
seductions; but they failed, too. It was discouraging
|
|
work. Joe sat poking up the sand with a stick and
|
|
looking very gloomy. Finally he said:
|
|
|
|
"Oh, boys, let's give it up. I want to go home.
|
|
It's so lonesome."
|
|
|
|
"Oh no, Joe, you'll feel better by and by," said
|
|
Tom. "Just think of the fishing that's here."
|
|
|
|
"I don't care for fishing. I want to go home."
|
|
|
|
"But, Joe, there ain't such another swimming-place
|
|
anywhere."
|
|
|
|
"Swimming's no good. I don't seem to care for
|
|
it, somehow, when there ain't anybody to say I sha'n't
|
|
go in. I mean to go home."
|
|
|
|
"Oh, shucks! Baby! You want to see your mother,
|
|
I reckon."
|
|
|
|
"Yes, I DO want to see my mother -- and you would,
|
|
too, if you had one. I ain't any more baby than you
|
|
are." And Joe snuffled a little.
|
|
|
|
"Well, we'll let the cry-baby go home to his mother,
|
|
won't we, Huck? Poor thing -- does it want to see its
|
|
mother? And so it shall. You like it here, don't you,
|
|
Huck? We'll stay, won't we?"
|
|
|
|
Huck said, "Y-e-s" -- without any heart in it.
|
|
|
|
"I'll never speak to you again as long as I live,"
|
|
said Joe, rising. "There now!" And he moved
|
|
moodily away and began to dress himself.
|
|
|
|
"Who cares!" said Tom. "Nobody wants you to.
|
|
Go 'long home and get laughed at. Oh, you're a nice
|
|
pirate. Huck and me ain't cry-babies. We'll stay,
|
|
won't we, Huck? Let him go if he wants to. I reckon
|
|
we can get along without him, per'aps."
|
|
|
|
But Tom was uneasy, nevertheless, and was alarmed
|
|
to see Joe go sullenly on with his dressing. And then
|
|
it was discomforting to see Huck eying Joe's prepara-
|
|
tions so wistfully, and keeping up such an ominous
|
|
silence. Presently, without a parting word, Joe began
|
|
to wade off toward the Illinois shore. Tom's heart
|
|
began to sink. He glanced at Huck. Huck could
|
|
not bear the look, and dropped his eyes. Then he
|
|
said:
|
|
|
|
"I want to go, too, Tom. It was getting so lone-
|
|
some anyway, and now it'll be worse. Let's us go,
|
|
too, Tom."
|
|
|
|
"I won't! You can all go, if you want to. I mean
|
|
to stay."
|
|
|
|
"Tom, I better go."
|
|
|
|
"Well, go 'long -- who's hendering you."
|
|
|
|
Huck began to pick up his scattered clothes. He
|
|
said:
|
|
|
|
"Tom, I wisht you'd come, too. Now you think it
|
|
over. We'll wait for you when we get to shore."
|
|
|
|
"Well, you'll wait a blame long time, that's all."
|
|
|
|
Huck started sorrowfully away, and Tom stood
|
|
looking after him, with a strong desire tugging at his
|
|
heart to yield his pride and go along too. He hoped
|
|
the boys would stop, but they still waded slowly on.
|
|
It suddenly dawned on Tom that it was become very
|
|
lonely and still. He made one final struggle with his
|
|
pride, and then darted after his comrades, yelling:
|
|
|
|
"Wait! Wait! I want to tell you something!"
|
|
|
|
They presently stopped and turned around. When
|
|
he got to where they were, he began unfolding his
|
|
secret, and they listened moodily till at last they saw
|
|
the "point" he was driving at, and then they set
|
|
up a war-whoop of applause and said it was "splen-
|
|
did!" and said if he had told them at first, they wouldn't
|
|
have started away. He made a plausible excuse; but
|
|
his real reason had been the fear that not even the
|
|
secret would keep them with him any very great length
|
|
of time, and so he had meant to hold it in reserve as a
|
|
last seduction.
|
|
|
|
The lads came gayly back and went at their sports
|
|
again with a will, chattering all the time about Tom's
|
|
stupendous plan and admiring the genius of it. After
|
|
a dainty egg and fish dinner, Tom said he wanted to
|
|
learn to smoke, now. Joe caught at the idea and said
|
|
he would like to try, too. So Huck made pipes and
|
|
filled them. These novices had never smoked anything
|
|
before but cigars made of grape-vine, and they "bit"
|
|
the tongue, and were not considered manly anyway.
|
|
|
|
Now they stretched themselves out on their elbows
|
|
and began to puff, charily, and with slender confi-
|
|
dence. The smoke had an unpleasant taste, and
|
|
they gagged a little, but Tom said:
|
|
|
|
"Why, it's just as easy! If I'd a knowed this was
|
|
all, I'd a learnt long ago."
|
|
|
|
"So would I," said Joe. "It's just nothing."
|
|
|
|
"Why, many a time I've looked at people smoking,
|
|
and thought well I wish I could do that; but I never
|
|
thought I could," said Tom.
|
|
|
|
"That's just the way with me, hain't it, Huck?
|
|
You've heard me talk just that way -- haven't you,
|
|
Huck? I'll leave it to Huck if I haven't."
|
|
|
|
"Yes -- heaps of times," said Huck.
|
|
|
|
"Well, I have too," said Tom; "oh, hundreds of
|
|
times. Once down by the slaughter-house. Don't
|
|
you remember, Huck? Bob Tanner was there, and
|
|
Johnny Miller, and Jeff Thatcher, when I said it.
|
|
Don't you remember, Huck, 'bout me saying that?"
|
|
|
|
"Yes, that's so," said Huck. "That was the day
|
|
after I lost a white alley. No, 'twas the day before."
|
|
|
|
"There -- I told you so," said Tom. "Huck rec-
|
|
ollects it."
|
|
|
|
"I bleeve I could smoke this pipe all day," said Joe.
|
|
"I don't feel sick."
|
|
|
|
"Neither do I," said Tom. "I could smoke it all
|
|
day. But I bet you Jeff Thatcher couldn't."
|
|
|
|
"Jeff Thatcher! Why, he'd keel over just with two
|
|
draws. Just let him try it once. HE'D see!"
|
|
|
|
"I bet he would. And Johnny Miller -- I wish
|
|
could see Johnny Miller tackle it once."
|
|
|
|
"Oh, don't I!" said Joe. "Why, I bet you Johnny
|
|
Miller couldn't any more do this than nothing. Just
|
|
one little snifter would fetch HIM."
|
|
|
|
"'Deed it would, Joe. Say -- I wish the boys could
|
|
see us now."
|
|
|
|
"So do I."
|
|
|
|
"Say -- boys, don't say anything about it, and some
|
|
time when they're around, I'll come up to you and
|
|
say, 'Joe, got a pipe? I want a smoke.' And you'll
|
|
say, kind of careless like, as if it warn't anything, you'll
|
|
say, 'Yes, I got my OLD pipe, and another one, but my
|
|
tobacker ain't very good.' And I'll say, 'Oh, that's all
|
|
right, if it's STRONG enough.' And then you'll out with
|
|
the pipes, and we'll light up just as ca'm, and then just
|
|
see 'em look!"
|
|
|
|
"By jings, that'll be gay, Tom! I wish it was
|
|
NOW!"
|
|
|
|
"So do I! And when we tell 'em we learned when
|
|
we was off pirating, won't they wish they'd been
|
|
along?"
|
|
|
|
"Oh, I reckon not! I'll just BET they will!"
|
|
|
|
So the talk ran on. But presently it began to flag
|
|
a trifle, and grow disjointed. The silences widened;
|
|
the expectoration marvellously increased. Every pore
|
|
inside the boys' cheeks became a spouting fountain;
|
|
they could scarcely bail out the cellars under their
|
|
tongues fast enough to prevent an inundation; little
|
|
overflowings down their throats occurred in spite of all
|
|
they could do, and sudden retchings followed every
|
|
time. Both boys were looking very pale and miserable,
|
|
now. Joe's pipe dropped from his nerveless fingers.
|
|
Tom's followed. Both fountains were going furiously
|
|
and both pumps bailing with might and main. Joe
|
|
said feebly:
|
|
|
|
"I've lost my knife. I reckon I better go and find it."
|
|
|
|
Tom said, with quivering lips and halting utterance:
|
|
|
|
"I'll help you. You go over that way and I'll hunt
|
|
around by the spring. No, you needn't come, Huck --
|
|
we can find it."
|
|
|
|
So Huck sat down again, and waited an hour. Then
|
|
he found it lonesome, and went to find his comrades.
|
|
They were wide apart in the woods, both very pale, both
|
|
fast asleep. But something informed him that if they
|
|
had had any trouble they had got rid of it.
|
|
|
|
They were not talkative at supper that night. They
|
|
had a humble look, and when Huck prepared his pipe
|
|
after the meal and was going to prepare theirs, they
|
|
said no, they were not feeling very well -- something they
|
|
ate at dinner had disagreed with them.
|
|
|
|
About midnight Joe awoke, and called the boys.
|
|
There was a brooding oppressiveness in the air that
|
|
seemed to bode something. The boys huddled them-
|
|
selves together and sought the friendly companionship
|
|
of the fire, though the dull dead heat of the breathless
|
|
atmosphere was stifling. They sat still, intent and
|
|
waiting. The solemn hush continued. Beyond the
|
|
light of the fire everything was swallowed up in the
|
|
blackness of darkness. Presently there came a quiver-
|
|
ing glow that vaguely revealed the foliage for a moment
|
|
and then vanished. By and by another came, a little
|
|
stronger. Then another. Then a faint moan came
|
|
sighing through the branches of the forest and the boys
|
|
felt a fleeting breath upon their cheeks, and shuddered
|
|
with the fancy that the Spirit of the Night had gone by.
|
|
There was a pause. Now a weird flash turned night
|
|
into day and showed every little grass-blade, separate
|
|
and distinct, that grew about their feet. And it showed
|
|
three white, startled faces, too. A deep peal of thunder
|
|
went rolling and tumbling down the heavens and lost
|
|
itself in sullen rumblings in the distance. A sweep of
|
|
chilly air passed by, rustling all the leaves and snow-
|
|
ing the flaky ashes broadcast about the fire. Another
|
|
fierce glare lit up the forest and an instant crash followed
|
|
that seemed to rend the tree-tops right over the boys'
|
|
heads. They clung together in terror, in the thick
|
|
gloom that followed. A few big rain-drops fell patter-
|
|
ing upon the leaves.
|
|
|
|
"Quick! boys, go for the tent!" exclaimed Tom.
|
|
|
|
They sprang away, stumbling over roots and among
|
|
vines in the dark, no two plunging in the same direction.
|
|
A furious blast roared through the trees, making every-
|
|
thing sing as it went. One blinding flash after another
|
|
came, and peal on peal of deafening thunder. And now
|
|
a drenching rain poured down and the rising hurricane
|
|
drove it in sheets along the ground. The boys cried
|
|
out to each other, but the roaring wind and the boom-
|
|
ing thunder-blasts drowned their voices utterly. How-
|
|
ever, one by one they straggled in at last and took
|
|
shelter under the tent, cold, scared, and streaming
|
|
with water; but to have company in misery seemed
|
|
something to be grateful for. They could not talk, the
|
|
old sail flapped so furiously, even if the other noises
|
|
would have allowed them. The tempest rose higher
|
|
and higher, and presently the sail tore loose from its
|
|
fastenings and went winging away on the blast. The
|
|
boys seized each others' hands and fled, with many
|
|
tumblings and bruises, to the shelter of a great oak that
|
|
stood upon the river-bank. Now the battle was at its
|
|
highest. Under the ceaseless conflagration of lightning
|
|
that flamed in the skies, everything below stood out in
|
|
clean-cut and shadowless distinctness: the bending
|
|
trees, the billowy river, white with foam, the driving
|
|
spray of spume-flakes, the dim outlines of the high
|
|
bluffs on the other side, glimpsed through the drifting
|
|
cloud-rack and the slanting veil of rain. Every little
|
|
while some giant tree yielded the fight and fell crashing
|
|
through the younger growth; and the unflagging thunder-
|
|
peals came now in ear-splitting explosive bursts, keen
|
|
and sharp, and unspeakably appalling. The storm
|
|
culminated in one matchless effort that seemed likely
|
|
to tear the island to pieces, burn it up, drown it to the
|
|
tree-tops, blow it away, and deafen every creature in it,
|
|
all at one and the same moment. It was a wild night
|
|
for homeless young heads to be out in.
|
|
|
|
But at last the battle was done, and the forces re-
|
|
tired with weaker and weaker threatenings and grum-
|
|
blings, and peace resumed her sway. The boys went
|
|
back to camp, a good deal awed; but they found there
|
|
was still something to be thankful for, because the great
|
|
sycamore, the shelter of their beds, was a ruin, now,
|
|
blasted by the lightnings, and they were not under it
|
|
when the catastrophe happened.
|
|
|
|
Everything in camp was drenched, the camp-fire
|
|
as well; for they were but heedless lads, like their
|
|
generation, and had made no provision against rain.
|
|
Here was matter for dismay, for they were soaked
|
|
through and chilled. They were eloquent in their dis-
|
|
tress; but they presently discovered that the fire had
|
|
eaten so far up under the great log it had been built
|
|
against (where it curved upward and separated itself
|
|
from the ground), that a handbreadth or so of it had
|
|
escaped wetting; so they patiently wrought until, with
|
|
shreds and bark gathered from the under sides of shel-
|
|
tered logs, they coaxed the fire to burn again. Then
|
|
they piled on great dead boughs till they had a roar-
|
|
ing furnace, and were glad-hearted once more. They
|
|
dried their boiled ham and had a feast, and after that
|
|
they sat by the fire and expanded and glorified their
|
|
midnight adventure until morning, for there was not a
|
|
dry spot to sleep on, anywhere around.
|
|
|
|
As the sun began to steal in upon the boys, drowsiness
|
|
came over them, and they went out on the sandbar and
|
|
lay down to sleep. They got scorched out by and by,
|
|
and drearily set about getting breakfast. After the
|
|
meal they felt rusty, and stiff-jointed, and a little home-
|
|
sick once more. Tom saw the signs, and fell to cheer-
|
|
ing up the pirates as well as he could. But they cared
|
|
nothing for marbles, or circus, or swimming, or any-
|
|
thing. He reminded them of the imposing secret, and
|
|
raised a ray of cheer. While it lasted, he got them in-
|
|
terested in a new device. This was to knock off being
|
|
pirates, for a while, and be Indians for a change. They
|
|
were attracted by this idea; so it was not long before
|
|
they were stripped, and striped from head to heel with
|
|
black mud, like so many zebras -- all of them chiefs,
|
|
of course -- and then they went tearing through the
|
|
woods to attack an English settlement.
|
|
|
|
By and by they separated into three hostile tribes,
|
|
and darted upon each other from ambush with dread-
|
|
ful war-whoops, and killed and scalped each other by
|
|
thousands. It was a gory day. Consequently it was
|
|
an extremely satisfactory one.
|
|
|
|
They assembled in camp toward supper-time, hungry
|
|
and happy; but now a difficulty arose -- hostile Indians
|
|
could not break the bread of hospitality together with-
|
|
out first making peace, and this was a simple im-
|
|
possibility without smoking a pipe of peace. There
|
|
was no other process that ever they had heard of. Two
|
|
of the savages almost wished they had remained pirates.
|
|
However, there was no other way; so with such show of
|
|
cheerfulness as they could muster they called for the
|
|
pipe and took their whiff as it passed, in due form.
|
|
|
|
And behold, they were glad they had gone into
|
|
savagery, for they had gained something; they found
|
|
that they could now smoke a little without having to go
|
|
and hunt for a lost knife; they did not get sick enough
|
|
to be seriously uncomfortable. They were not likely
|
|
to fool away this high promise for lack of effort. No,
|
|
they practised cautiously, after supper, with right fair
|
|
success, and so they spent a jubilant evening. They
|
|
were prouder and happier in their new acquirement than
|
|
they would have been in the scalping and skinning of the
|
|
Six Nations. We will leave them to smoke and chat-
|
|
ter and brag, since we have no further use for them at
|
|
present.
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
BUT there was no hilarity in the little town
|
|
that same tranquil Saturday afternoon.
|
|
The Harpers, and Aunt Polly's family,
|
|
were being put into mourning, with great
|
|
grief and many tears. An unusual quiet
|
|
possessed the village, although it was or-
|
|
dinarily quiet enough, in all conscience. The villagers
|
|
conducted their concerns with an absent air, and
|
|
talked little; but they sighed often. The Saturday
|
|
holiday seemed a burden to the children. They had
|
|
no heart in their sports, and gradually gave them up.
|
|
|
|
In the afternoon Becky Thatcher found herself
|
|
moping about the deserted schoolhouse yard, and
|
|
feeling very melancholy. But she found nothing there
|
|
to comfort her. She soliloquized:
|
|
|
|
"Oh, if I only had a brass andiron-knob again! But
|
|
I haven't got anything now to remember him by."
|
|
And she choked back a little sob.
|
|
|
|
Presently she stopped, and said to herself:
|
|
|
|
"It was right here. Oh, if it was to do over again,
|
|
I wouldn't say that -- I wouldn't say it for the whole
|
|
world. But he's gone now; I'll never, never, never see
|
|
him any more."
|
|
|
|
This thought broke her down, and she wandered
|
|
away, with tears rolling down her cheeks. Then quite
|
|
a group of boys and girls -- playmates of Tom's and Joe's
|
|
-- came by, and stood looking over the paling fence
|
|
and talking in reverent tones of how Tom did so-and-so
|
|
the last time they saw him, and how Joe said this and
|
|
that small trifle (pregnant with awful prophecy, as they
|
|
could easily see now!) -- and each speaker pointed out
|
|
the exact spot where the lost lads stood at the time, and
|
|
then added something like "and I was a-standing just
|
|
so -- just as I am now, and as if you was him -- I was as
|
|
close as that -- and he smiled, just this way -- and then
|
|
something seemed to go all over me, like -- awful, you
|
|
know -- and I never thought what it meant, of course,
|
|
but I can see now!"
|
|
|
|
Then there was a dispute about who saw the dead
|
|
boys last in life, and many claimed that dismal dis-
|
|
tinction, and offered evidences, more or less tampered
|
|
with by the witness; and when it was ultimately decided
|
|
who DID see the departed last, and exchanged the last
|
|
words with them, the lucky parties took upon them-
|
|
selves a sort of sacred importance, and were gaped at
|
|
and envied by all the rest. One poor chap, who had no
|
|
other grandeur to offer, said with tolerably manifest
|
|
pride in the remembrance:
|
|
|
|
"Well, Tom Sawyer he licked me once."
|
|
|
|
But that bid for glory was a failure. Most of the
|
|
boys could say that, and so that cheapened the dis-
|
|
tinction too much. The group loitered away, still re-
|
|
calling memories of the lost heroes, in awed voices.
|
|
|
|
When the Sunday-school hour was finished, the next
|
|
morning, the bell began to toll, instead of ringing in
|
|
the usual way. It was a very still Sabbath, and the
|
|
mournful sound seemed in keeping with the musing
|
|
hush that lay upon nature. The villagers began to
|
|
gather, loitering a moment in the vestibule to converse
|
|
in whispers about the sad event. But there was no
|
|
whispering in the house; only the funereal rustling of
|
|
dresses as the women gathered to their seats disturbed
|
|
the silence there. None could remember when the
|
|
little church had been so full before. There was finally
|
|
a waiting pause, an expectant dumbness, and then Aunt
|
|
Polly entered, followed by Sid and Mary, and they by
|
|
the Harper family, all in deep black, and the whole
|
|
congregation, the old minister as well, rose reverently
|
|
and stood until the mourners were seated in the front
|
|
pew. There was another communing silence, broken
|
|
at intervals by muffled sobs, and then the minister
|
|
spread his hands abroad and prayed. A moving hymn
|
|
was sung, and the text followed: "I am the Resurrection
|
|
and the Life."
|
|
|
|
As the service proceeded, the clergyman drew such
|
|
pictures of the graces, the winning ways, and the rare
|
|
promise of the lost lads that every soul there, thinking
|
|
he recognized these pictures, felt a pang in remembering
|
|
that he had persistently blinded himself to them always
|
|
before, and had as persistently seen only faults and
|
|
flaws in the poor boys. The minister related many a
|
|
touching incident in the lives of the departed, too, which
|
|
illustrated their sweet, generous natures, and the people
|
|
could easily see, now, how noble and beautiful those
|
|
episodes were, and remembered with grief that at the
|
|
time they occurred they had seemed rank rascalities,
|
|
well deserving of the cowhide. The congregation be-
|
|
came more and more moved, as the pathetic tale went
|
|
on, till at last the whole company broke down and joined
|
|
the weeping mourners in a chorus of anguished sobs,
|
|
the preacher himself giving way to his feelings, and
|
|
crying in the pulpit.
|
|
|
|
There was a rustle in the gallery, which nobody
|
|
noticed; a moment later the church door creaked; the
|
|
minister raised his streaming eyes above his hand-
|
|
kerchief, and stood transfixed! First one and then
|
|
another pair of eyes followed the minister's, and then
|
|
almost with one impulse the congregation rose and
|
|
stared while the three dead boys came marching up
|
|
the aisle, Tom in the lead, Joe next, and Huck, a ruin
|
|
of drooping rags, sneaking sheepishly in the rear!
|
|
They had been hid in the unused gallery listening to
|
|
their own funeral sermon!
|
|
|
|
Aunt Polly, Mary, and the Harpers threw themselves
|
|
upon their restored ones, smothered them with kisses
|
|
and poured out thanksgivings, while poor Huck stood
|
|
abashed and uncomfortable, not knowing exactly what
|
|
to do or where to hide from so many unwelcoming eyes.
|
|
He wavered, and started to slink away, but Tom seized
|
|
him and said:
|
|
|
|
"Aunt Polly, it ain't fair. Somebody's got to be glad
|
|
to see Huck."
|
|
|
|
"And so they shall. I'm glad to see him, poor
|
|
motherless thing!" And the loving attentions Aunt
|
|
Polly lavished upon him were the one thing capable of
|
|
making him more uncomfortable than he was before.
|
|
|
|
Suddenly the minister shouted at the top of his voice:
|
|
"Praise God from whom all blessings flow -- SING! --
|
|
and put your hearts in it!"
|
|
|
|
And they did. Old Hundred swelled up with a
|
|
triumphant burst, and while it shook the rafters Tom
|
|
Sawyer the Pirate looked around upon the envying
|
|
juveniles about him and confessed in his heart that this
|
|
was the proudest moment of his life.
|
|
|
|
As the "sold" congregation trooped out they said
|
|
they would almost be willing to be made ridiculous
|
|
again to hear Old Hundred sung like that once more.
|
|
|
|
Tom got more cuffs and kisses that day -- according
|
|
to Aunt Polly's varying moods -- than he had earned
|
|
before in a year; and he hardly knew which expressed
|
|
the most gratefulness to God and affection for himself.
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
THAT was Tom's great secret -- the scheme
|
|
to return home with his brother pirates
|
|
and attend their own funerals. They had
|
|
paddled over to the Missouri shore on
|
|
a log, at dusk on Saturday, landing five
|
|
or six miles below the village; they had
|
|
slept in the woods at the edge of the town till nearly day-
|
|
light, and had then crept through back lanes and alleys
|
|
and finished their sleep in the gallery of the church
|
|
among a chaos of invalided benches.
|
|
|
|
At breakfast, Monday morning, Aunt Polly and
|
|
Mary were very loving to Tom, and very attentive to
|
|
his wants. There was an unusual amount of talk. In
|
|
the course of it Aunt Polly said:
|
|
|
|
"Well, I don't say it wasn't a fine joke, Tom, to keep
|
|
everybody suffering 'most a week so you boys had a
|
|
good time, but it is a pity you could be so hard-hearted
|
|
as to let me suffer so. If you could come over on a log
|
|
to go to your funeral, you could have come over and
|
|
give me a hint some way that you warn't dead, but only
|
|
run off."
|
|
|
|
"Yes, you could have done that, Tom," said Mary;
|
|
"and I believe you would if you had thought of it."
|
|
|
|
"Would you, Tom?" said Aunt Polly, her face light-
|
|
ing wistfully. "Say, now, would you, if you'd thought
|
|
of it?"
|
|
|
|
"I -- well, I don't know. 'Twould 'a' spoiled every-
|
|
thing."
|
|
|
|
"Tom, I hoped you loved me that much," said Aunt
|
|
Polly, with a grieved tone that discomforted the boy.
|
|
"It would have been something if you'd cared enough
|
|
to THINK of it, even if you didn't DO it."
|
|
|
|
"Now, auntie, that ain't any harm," pleaded Mary;
|
|
"it's only Tom's giddy way -- he is always in such a rush
|
|
that he never thinks of anything."
|
|
|
|
"More's the pity. Sid would have thought. And
|
|
Sid would have come and DONE it, too. Tom, you'll
|
|
look back, some day, when it's too late, and wish you'd
|
|
cared a little more for me when it would have cost you
|
|
so little."
|
|
|
|
"Now, auntie, you know I do care for you," said
|
|
Tom.
|
|
|
|
"I'd know it better if you acted more like it."
|
|
|
|
"I wish now I'd thought," said Tom, with a re-
|
|
pentant tone; "but I dreamt about you, anyway.
|
|
That's something, ain't it?"
|
|
|
|
"It ain't much -- a cat does that much -- but it's bet-
|
|
ter than nothing. What did you dream?"
|
|
|
|
"Why, Wednesday night I dreamt that you was
|
|
sitting over there by the bed, and Sid was sitting by
|
|
the woodbox, and Mary next to him."
|
|
|
|
"Well, so we did. So we always do. I'm glad
|
|
your dreams could take even that much trouble about
|
|
us."
|
|
|
|
"And I dreamt that Joe Harper's mother was here."
|
|
|
|
"Why, she was here! Did you dream any more?"
|
|
|
|
"Oh, lots. But it's so dim, now."
|
|
|
|
"Well, try to recollect -- can't you?"
|
|
|
|
"Somehow it seems to me that the wind -- the wind
|
|
blowed the -- the --"
|
|
|
|
"Try harder, Tom! The wind did blow something.
|
|
Come!"
|
|
|
|
Tom pressed his fingers on his forehead an anxious
|
|
minute, and then said:
|
|
|
|
"I've got it now! I've got it now! It blowed the
|
|
candle!"
|
|
|
|
"Mercy on us! Go on, Tom -- go on!"
|
|
|
|
"And it seems to me that you said, 'Why, I believe
|
|
that that door --'"
|
|
|
|
"Go ON, Tom!"
|
|
|
|
"Just let me study a moment -- just a moment. Oh,
|
|
yes -- you said you believed the door was open."
|
|
|
|
"As I'm sitting here, I did! Didn't I, Mary! Go on!"
|
|
|
|
"And then -- and then -- well I won't be certain, but
|
|
it seems like as if you made Sid go and -- and --"
|
|
|
|
"Well? Well? What did I make him do, Tom?
|
|
What did I make him do?"
|
|
|
|
"You made him -- you -- Oh, you made him shut it."
|
|
|
|
"Well, for the land's sake! I never heard the beat
|
|
of that in all my days! Don't tell ME there ain't
|
|
anything in dreams, any more. Sereny Harper shall
|
|
know of this before I'm an hour older. I'd like to see
|
|
her get around THIS with her rubbage 'bout superstition.
|
|
Go on, Tom!"
|
|
|
|
"Oh, it's all getting just as bright as day, now.
|
|
Next you said I warn't BAD, only mischeevous and
|
|
harum-scarum, and not any more responsible than --
|
|
than -- I think it was a colt, or something."
|
|
|
|
"And so it was! Well, goodness gracious! Go on,
|
|
Tom!"
|
|
|
|
"And then you began to cry."
|
|
|
|
"So I did. So I did. Not the first time, neither.
|
|
And then --"
|
|
|
|
"Then Mrs. Harper she began to cry, and said Joe
|
|
was just the same, and she wished she hadn't whipped
|
|
him for taking cream when she'd throwed it out her
|
|
own self --"
|
|
|
|
"Tom! The sperrit was upon you! You was a
|
|
prophesying -- that's what you was doing! Land alive,
|
|
go on, Tom!"
|
|
|
|
"Then Sid he said -- he said --"
|
|
|
|
"I don't think I said anything," said Sid.
|
|
|
|
"Yes you did, Sid," said Mary.
|
|
|
|
"Shut your heads and let Tom go on! What did
|
|
he say, Tom?"
|
|
|
|
"He said -- I THINK he said he hoped I was better
|
|
off where I was gone to, but if I'd been better some-
|
|
times --"
|
|
|
|
"THERE, d'you hear that! It was his very words!"
|
|
|
|
"And you shut him up sharp."
|
|
|
|
"I lay I did! There must 'a' been an angel there.
|
|
There WAS an angel there, somewheres!"
|
|
|
|
"And Mrs. Harper told about Joe scaring her with
|
|
a firecracker, and you told about Peter and the Pain-
|
|
killer --"
|
|
|
|
"Just as true as I live!"
|
|
|
|
"And then there was a whole lot of talk 'bout drag-
|
|
ging the river for us, and 'bout having the funeral
|
|
Sunday, and then you and old Miss Harper hugged
|
|
and cried, and she went."
|
|
|
|
"It happened just so! It happened just so, as sure
|
|
as I'm a-sitting in these very tracks. Tom, you couldn't
|
|
told it more like if you'd 'a' seen it! And then what?
|
|
Go on, Tom!"
|
|
|
|
"Then I thought you prayed for me -- and I could
|
|
see you and hear every word you said. And you went
|
|
to bed, and I was so sorry that I took and wrote on a
|
|
piece of sycamore bark, 'We ain't dead -- we are only
|
|
off being pirates,' and put it on the table by the candle;
|
|
and then you looked so good, laying there asleep, that
|
|
I thought I went and leaned over and kissed you on
|
|
the lips."
|
|
|
|
"Did you, Tom, DID you! I just forgive you every-
|
|
thing for that!" And she seized the boy in a crushing
|
|
embrace that made him feel like the guiltiest of villains.
|
|
|
|
"It was very kind, even though it was only a --
|
|
dream," Sid soliloquized just audibly.
|
|
|
|
"Shut up, Sid! A body does just the same in a
|
|
dream as he'd do if he was awake. Here's a big
|
|
Milum apple I've been saving for you, Tom, if you
|
|
was ever found again -- now go 'long to school. I'm
|
|
thankful to the good God and Father of us all I've got
|
|
you back, that's long-suffering and merciful to them
|
|
that believe on Him and keep His word, though good-
|
|
ness knows I'm unworthy of it, but if only the worthy
|
|
ones got His blessings and had His hand to help them
|
|
over the rough places, there's few enough would smile
|
|
here or ever enter into His rest when the long night
|
|
comes. Go 'long Sid, Mary, Tom -- take yourselves
|
|
off -- you've hendered me long enough."
|
|
|
|
The children left for school, and the old lady to call
|
|
on Mrs. Harper and vanquish her realism with Tom's
|
|
marvellous dream. Sid had better judgment than to
|
|
utter the thought that was in his mind as he left the
|
|
house. It was this: "Pretty thin -- as long a dream as
|
|
that, without any mistakes in it!"
|
|
|
|
What a hero Tom was become, now! He did not
|
|
go skipping and prancing, but moved with a dignified
|
|
swagger as became a pirate who felt that the public
|
|
eye was on him. And indeed it was; he tried not to
|
|
seem to see the looks or hear the remarks as he passed
|
|
along, but they were food and drink to him. Smaller
|
|
boys than himself flocked at his heels, as proud to be
|
|
seen with him, and tolerated by him, as if he had been
|
|
the drummer at the head of a procession or the elephant
|
|
leading a menagerie into town. Boys of his own size
|
|
pretended not to know he had been away at all; but
|
|
they were consuming with envy, nevertheless. They
|
|
would have given anything to have that swarthy sun-
|
|
tanned skin of his, and his glittering notoriety; and
|
|
Tom would not have parted with either for a circus.
|
|
|
|
At school the children made so much of him and of
|
|
Joe, and delivered such eloquent admiration from their
|
|
eyes, that the two heroes were not long in becoming in-
|
|
sufferably "stuck-up." They began to tell their ad-
|
|
ventures to hungry listeners -- but they only began; it
|
|
was not a thing likely to have an end, with imaginations
|
|
like theirs to furnish material. And finally, when they
|
|
got out their pipes and went serenely puffing around,
|
|
the very summit of glory was reached.
|
|
|
|
Tom decided that he could be independent of Becky
|
|
Thatcher now. Glory was sufficient. He would live
|
|
for glory. Now that he was distinguished, maybe she
|
|
would be wanting to "make up." Well, let her -- she
|
|
should see that he could be as indifferent as some other
|
|
people. Presently she arrived. Tom pretended not to
|
|
see her. He moved away and joined a group of boys
|
|
and girls and began to talk. Soon he observed that she
|
|
was tripping gayly back and forth with flushed face and
|
|
dancing eyes, pretending to be busy chasing school-
|
|
mates, and screaming with laughter when she made a
|
|
capture; but he noticed that she always made her capt-
|
|
ures in his vicinity, and that she seemed to cast a con-
|
|
scious eye in his direction at such times, too. It grati-
|
|
fied all the vicious vanity that was in him; and so,
|
|
instead of winning him, it only "set him up" the more
|
|
and made him the more diligent to avoid betraying that
|
|
he knew she was about. Presently she gave over sky-
|
|
larking, and moved irresolutely about, sighing once or
|
|
twice and glancing furtively and wistfully toward Tom.
|
|
Then she observed that now Tom was talking more
|
|
particularly to Amy Lawrence than to any one else.
|
|
She felt a sharp pang and grew disturbed and uneasy
|
|
at once. She tried to go away, but her feet were
|
|
treacherous, and carried her to the group instead. She
|
|
said to a girl almost at Tom's elbow -- with sham
|
|
vivacity:
|
|
|
|
"Why, Mary Austin! you bad girl, why didn't you
|
|
come to Sunday-school?"
|
|
|
|
"I did come -- didn't you see me?"
|
|
|
|
"Why, no! Did you? Where did you sit?"
|
|
|
|
"I was in Miss Peters' class, where I always go.
|
|
I saw YOU."
|
|
|
|
"Did you? Why, it's funny I didn't see you. I
|
|
wanted to tell you about the picnic."
|
|
|
|
"Oh, that's jolly. Who's going to give it?"
|
|
|
|
"My ma's going to let me have one."
|
|
|
|
"Oh, goody; I hope she'll let ME come."
|
|
|
|
"Well, she will. The picnic's for me. She'll let any-
|
|
body come that I want, and I want you."
|
|
|
|
"That's ever so nice. When is it going to be?"
|
|
|
|
"By and by. Maybe about vacation."
|
|
|
|
"Oh, won't it be fun! You going to have all the
|
|
girls and boys?"
|
|
|
|
"Yes, every one that's friends to me -- or wants to
|
|
be"; and she glanced ever so furtively at Tom, but he
|
|
talked right along to Amy Lawrence about the terrible
|
|
storm on the island, and how the lightning tore the great
|
|
sycamore tree "all to flinders" while he was "standing
|
|
within three feet of it."
|
|
|
|
"Oh, may I come?" said Grace Miller.
|
|
|
|
"Yes."
|
|
|
|
"And me?" said Sally Rogers.
|
|
|
|
"Yes."
|
|
|
|
"And me, too?" said Susy Harper. "And Joe?"
|
|
|
|
"Yes."
|
|
|
|
And so on, with clapping of joyful hands till all the
|
|
group had begged for invitations but Tom and Amy.
|
|
Then Tom turned coolly away, still talking, and took
|
|
Amy with him. Becky's lips trembled and the tears
|
|
came to her eyes; she hid these signs with a forced gayety
|
|
and went on chattering, but the life had gone out of the
|
|
picnic, now, and out of everything else; she got away as
|
|
soon as she could and hid herself and had what her sex
|
|
call "a good cry." Then she sat moody, with wounded
|
|
pride, till the bell rang. She roused up, now, with a
|
|
vindictive cast in her eye, and gave her plaited tails a
|
|
shake and said she knew what SHE'D do.
|
|
|
|
At recess Tom continued his flirtation with Amy
|
|
with jubilant self-satisfaction. And he kept drifting
|
|
about to find Becky and lacerate her with the per-
|
|
formance. At last he spied her, but there was a
|
|
sudden falling of his mercury. She was sitting cosily
|
|
on a little bench behind the schoolhouse looking at a
|
|
picture-book with Alfred Temple -- and so absorbed
|
|
were they, and their heads so close together over
|
|
the book, that they did not seem to be conscious of
|
|
anything in the world besides. Jealousy ran red-hot
|
|
through Tom's veins. He began to hate himself for
|
|
throwing away the chance Becky had offered for a
|
|
reconciliation. He called himself a fool, and all the
|
|
hard names he could think of. He wanted to cry with
|
|
vexation. Amy chatted happily along, as they walked,
|
|
for her heart was singing, but Tom's tongue had lost
|
|
its function. He did not hear what Amy was saying, and
|
|
whenever she paused expectantly he could only stammer
|
|
an awkward assent, which was as often misplaced as
|
|
otherwise. He kept drifting to the rear of the school-
|
|
house, again and again, to sear his eyeballs with the
|
|
hateful spectacle there. He could not help it. And
|
|
it maddened him to see, as he thought he saw, that
|
|
Becky Thatcher never once suspected that he was even
|
|
in the land of the living. But she did see, nevertheless;
|
|
and she knew she was winning her fight, too, and was
|
|
glad to see him suffer as she had suffered.
|
|
|
|
Amy's happy prattle became intolerable. Tom hint-
|
|
ed at things he had to attend to; things that must
|
|
be done; and time was fleeting. But in vain -- the
|
|
girl chirped on. Tom thought, "Oh, hang her, ain't
|
|
I ever going to get rid of her?" At last he must be
|
|
attending to those things -- and she said artlessly that
|
|
she would be "around" when school let out. And he
|
|
hastened away, hating her for it.
|
|
|
|
"Any other boy!" Tom thought, grating his teeth.
|
|
"Any boy in the whole town but that Saint Louis
|
|
smarty that thinks he dresses so fine and is aristocracy!
|
|
Oh, all right, I licked you the first day you ever saw this
|
|
town, mister, and I'll lick you again! You just wait
|
|
till I catch you out! I'll just take and --"
|
|
|
|
And he went through the motions of thrashing an
|
|
imaginary boy -- pummelling the air, and kicking and
|
|
gouging. "Oh, you do, do you? You holler 'nough,
|
|
do you? Now, then, let that learn you!" And so the
|
|
imaginary flogging was finished to his satisfaction.
|
|
|
|
Tom fled home at noon. His conscience could
|
|
not endure any more of Amy's grateful happiness, and
|
|
his jealousy could bear no more of the other distress.
|
|
Becky resumed her picture inspections with Alfred,
|
|
but as the minutes dragged along and no Tom came to
|
|
suffer, her triumph began to cloud and she lost inter-
|
|
est; gravity and absent-mindedness followed, and then
|
|
melancholy; two or three times she pricked up her ear
|
|
at a footstep, but it was a false hope; no Tom came.
|
|
At last she grew entirely miserable and wished she
|
|
hadn't carried it so far. When poor Alfred, seeing
|
|
that he was losing her, he did not know how, kept ex-
|
|
claiming: "Oh, here's a jolly one! look at this!" she lost
|
|
patience at last, and said, "Oh, don't bother me! I
|
|
don't care for them!" and burst into tears, and got up
|
|
and walked away.
|
|
|
|
Alfred dropped alongside and was going to try to
|
|
comfort her, but she said:
|
|
|
|
"Go away and leave me alone, can't you! I hate
|
|
you!"
|
|
|
|
So the boy halted, wondering what he could have
|
|
done -- for she had said she would look at pictures all
|
|
through the nooning -- and she walked on, crying.
|
|
Then Alfred went musing into the deserted school-
|
|
house. He was humiliated and angry. He easily
|
|
guessed his way to the truth -- the girl had simply made
|
|
a convenience of him to vent her spite upon Tom
|
|
Sawyer. He was far from hating Tom the less when
|
|
this thought occurred to him. He wished there was
|
|
some way to get that boy into trouble without much
|
|
risk to himself. Tom's spelling-book fell under his
|
|
eye. Here was his opportunity. He gratefully opened
|
|
to the lesson for the afternoon and poured ink upon the
|
|
page.
|
|
|
|
Becky, glancing in at a window behind him at the
|
|
moment, saw the act, and moved on, without discover-
|
|
ing herself. She started homeward, now, intending to
|
|
find Tom and tell him; Tom would be thankful and
|
|
their troubles would be healed. Before she was half
|
|
way home, however, she had changed her mind. The
|
|
thought of Tom's treatment of her when she was talking
|
|
about her picnic came scorching back and filled her
|
|
with shame. She resolved to let him get whipped on
|
|
the damaged spelling-book's account, and to hate him
|
|
forever, into the bargain.
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
TOM arrived at home in a dreary mood,
|
|
and the first thing his aunt said to him
|
|
showed him that he had brought his
|
|
sorrows to an unpromising market:
|
|
|
|
"Tom, I've a notion to skin you alive!"
|
|
|
|
"Auntie, what have I done?"
|
|
|
|
"Well, you've done enough. Here I go over to Se-
|
|
reny Harper, like an old softy, expecting I'm going to
|
|
make her believe all that rubbage about that dream,
|
|
when lo and behold you she'd found out from Joe that
|
|
you was over here and heard all the talk we had that
|
|
night. Tom, I don't know what is to become of a boy
|
|
that will act like that. It makes me feel so bad to think
|
|
you could let me go to Sereny Harper and make such a
|
|
fool of myself and never say a word."
|
|
|
|
This was a new aspect of the thing. His smartness
|
|
of the morning had seemed to Tom a good joke be-
|
|
fore, and very ingenious. It merely looked mean and
|
|
shabby now. He hung his head and could not think
|
|
of anything to say for a moment. Then he said:
|
|
|
|
"Auntie, I wish I hadn't done it -- but I didn't think."
|
|
|
|
"Oh, child, you never think. You never think of
|
|
anything but your own selfishness. You could think
|
|
to come all the way over here from Jackson's Island in
|
|
the night to laugh at our troubles, and you could think
|
|
to fool me with a lie about a dream; but you couldn't
|
|
ever think to pity us and save us from sorrow."
|
|
|
|
"Auntie, I know now it was mean, but I didn't
|
|
mean to be mean. I didn't, honest. And besides, I
|
|
didn't come over here to laugh at you that night."
|
|
|
|
"What did you come for, then?"
|
|
|
|
"It was to tell you not to be uneasy about us, be-
|
|
cause we hadn't got drownded."
|
|
|
|
"Tom, Tom, I would be the thankfullest soul in this
|
|
world if I could believe you ever had as good a thought
|
|
as that, but you know you never did -- and I know it,
|
|
Tom."
|
|
|
|
"Indeed and 'deed I did, auntie -- I wish I may never
|
|
stir if I didn't."
|
|
|
|
"Oh, Tom, don't lie -- don't do it. It only makes
|
|
things a hundred times worse."
|
|
|
|
"It ain't a lie, auntie; it's the truth. I wanted to
|
|
keep you from grieving -- that was all that made me
|
|
come."
|
|
|
|
"I'd give the whole world to believe that -- it would
|
|
cover up a power of sins, Tom. I'd 'most be glad you'd
|
|
run off and acted so bad. But it ain't reasonable; be-
|
|
cause, why didn't you tell me, child?"
|
|
|
|
"Why, you see, when you got to talking about the
|
|
funeral, I just got all full of the idea of our coming and
|
|
hiding in the church, and I couldn't somehow bear to
|
|
spoil it. So I just put the bark back in my pocket and
|
|
kept mum."
|
|
|
|
"What bark?"
|
|
|
|
"The bark I had wrote on to tell you we'd gone
|
|
pirating. I wish, now, you'd waked up when I kissed
|
|
you -- I do, honest."
|
|
|
|
The hard lines in his aunt's face relaxed and a sud-
|
|
den tenderness dawned in her eyes.
|
|
|
|
"DID you kiss me, Tom?"
|
|
|
|
"Why, yes, I did."
|
|
|
|
"Are you sure you did, Tom?"
|
|
|
|
"Why, yes, I did, auntie -- certain sure."
|
|
|
|
"What did you kiss me for, Tom?"
|
|
|
|
"Because I loved you so, and you laid there moaning
|
|
and I was so sorry."
|
|
|
|
The words sounded like truth. The old lady could
|
|
not hide a tremor in her voice when she said:
|
|
|
|
"Kiss me again, Tom! -- and be off with you to
|
|
school, now, and don't bother me any more."
|
|
|
|
The moment he was gone, she ran to a closet and
|
|
got out the ruin of a jacket which Tom had gone
|
|
pirating in. Then she stopped, with it in her hand,
|
|
and said to herself:
|
|
|
|
"No, I don't dare. Poor boy, I reckon he's lied
|
|
about it -- but it's a blessed, blessed lie, there's such a
|
|
comfort come from it. I hope the Lord -- I KNOW the
|
|
Lord will forgive him, because it was such good-
|
|
heartedness in him to tell it. But I don't want to find
|
|
out it's a lie. I won't look."
|
|
|
|
She put the jacket away, and stood by musing a
|
|
minute. Twice she put out her hand to take the
|
|
garment again, and twice she refrained. Once more
|
|
she ventured, and this time she fortified herself with
|
|
the thought: "It's a good lie -- it's a good lie -- I won't
|
|
let it grieve me." So she sought the jacket pocket. A
|
|
moment later she was reading Tom's piece of bark
|
|
through flowing tears and saying: "I could forgive the
|
|
boy, now, if he'd committed a million sins!"
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
THERE was something about Aunt Polly's
|
|
manner, when she kissed Tom, that swept
|
|
away his low spirits and made him light-
|
|
hearted and happy again. He started to
|
|
school and had the luck of coming upon
|
|
Becky Thatcher at the head of Meadow
|
|
Lane. His mood always determined his manner.
|
|
Without a moment's hesitation he ran to her and said:
|
|
|
|
"I acted mighty mean to-day, Becky, and I'm so
|
|
sorry. I won't ever, ever do that way again, as long
|
|
as ever I live -- please make up, won't you?"
|
|
|
|
The girl stopped and looked him scornfully in the
|
|
face:
|
|
|
|
"I'll thank you to keep yourself TO yourself, Mr.
|
|
Thomas Sawyer. I'll never speak to you again."
|
|
|
|
She tossed her head and passed on. Tom was so
|
|
stunned that he had not even presence of mind enough
|
|
to say "Who cares, Miss Smarty?" until the right time
|
|
to say it had gone by. So he said nothing. But he
|
|
was in a fine rage, nevertheless. He moped into the
|
|
schoolyard wishing she were a boy, and imagining
|
|
how he would trounce her if she were. He presently
|
|
encountered her and delivered a stinging remark as he
|
|
passed. She hurled one in return, and the angry
|
|
breach was complete. It seemed to Becky, in her hot
|
|
resentment, that she could hardly wait for school to
|
|
"take in," she was so impatient to see Tom flogged for
|
|
the injured spelling-book. If she had had any linger-
|
|
ing notion of exposing Alfred Temple, Tom's offensive
|
|
fling had driven it entirely away.
|
|
|
|
Poor girl, she did not know how fast she was near-
|
|
ing trouble herself. The master, Mr. Dobbins, had
|
|
reached middle age with an unsatisfied ambition. The
|
|
darling of his desires was, to be a doctor, but poverty
|
|
had decreed that he should be nothing higher than a
|
|
village schoolmaster. Every day he took a mysterious
|
|
book out of his desk and absorbed himself in it at times
|
|
when no classes were reciting. He kept that book un-
|
|
der lock and key. There was not an urchin in school
|
|
but was perishing to have a glimpse of it, but the chance
|
|
never came. Every boy and girl had a theory about
|
|
the nature of that book; but no two theories were alike,
|
|
and there was no way of getting at the facts in the case.
|
|
Now, as Becky was passing by the desk, which stood
|
|
near the door, she noticed that the key was in the lock!
|
|
It was a precious moment. She glanced around;
|
|
found herself alone, and the next instant she had the
|
|
book in her hands. The title-page -- Professor Some-
|
|
body's ANATOMY -- carried no information to her mind;
|
|
so she began to turn the leaves. She came at once upon
|
|
a handsomely engraved and colored frontispiece -- a hu-
|
|
man figure, stark naked. At that moment a shadow
|
|
fell on the page and Tom Sawyer stepped in at the
|
|
door and caught a glimpse of the picture. Becky
|
|
snatched at the book to close it, and had the hard luck
|
|
to tear the pictured page half down the middle. She
|
|
thrust the volume into the desk, turned the key, and
|
|
burst out crying with shame and vexation.
|
|
|
|
"Tom Sawyer, you are just as mean as you can
|
|
be, to sneak up on a person and look at what they're
|
|
looking at."
|
|
|
|
"How could I know you was looking at anything?"
|
|
|
|
"You ought to be ashamed of yourself, Tom Sawyer;
|
|
you know you're going to tell on me, and oh, what shall
|
|
I do, what shall I do! I'll be whipped, and I never was
|
|
whipped in school."
|
|
|
|
Then she stamped her little foot and said:
|
|
|
|
"BE so mean if you want to! I know something
|
|
that's going to happen. You just wait and you'll see!
|
|
Hateful, hateful, hateful!" -- and she flung out of the
|
|
house with a new explosion of crying.
|
|
|
|
Tom stood still, rather flustered by this onslaught.
|
|
Presently he said to himself:
|
|
|
|
"What a curious kind of a fool a girl is! Never
|
|
been licked in school! Shucks! What's a licking!
|
|
That's just like a girl -- they're so thin-skinned and
|
|
chicken-hearted. Well, of course I ain't going to tell
|
|
old Dobbins on this little fool, because there's other
|
|
ways of getting even on her, that ain't so mean; but
|
|
what of it? Old Dobbins will ask who it was tore his
|
|
book. Nobody'll answer. Then he'll do just the way
|
|
he always does -- ask first one and then t'other, and
|
|
when he comes to the right girl he'll know it, without
|
|
any telling. Girls' faces always tell on them. They
|
|
ain't got any backbone. She'll get licked. Well, it's
|
|
a kind of a tight place for Becky Thatcher, because there
|
|
ain't any way out of it." Tom conned the thing a
|
|
moment longer, and then added: "All right, though;
|
|
she'd like to see me in just such a fix -- let her sweat it
|
|
out!"
|
|
|
|
Tom joined the mob of skylarking scholars outside.
|
|
In a few moments the master arrived and school "took
|
|
in." Tom did not feel a strong interest in his studies.
|
|
Every time he stole a glance at the girls' side of the
|
|
room Becky's face troubled him. Considering all
|
|
things, he did not want to pity her, and yet it was all
|
|
he could do to help it. He could get up no exultation
|
|
that was really worthy the name. Presently the spell-
|
|
ing-book discovery was made, and Tom's mind was en-
|
|
tirely full of his own matters for a while after that.
|
|
Becky roused up from her lethargy of distress and
|
|
showed good interest in the proceedings. She did not
|
|
expect that Tom could get out of his trouble by denying
|
|
that he spilt the ink on the book himself; and she was
|
|
right. The denial only seemed to make the thing worse
|
|
for Tom. Becky supposed she would be glad of that,
|
|
and she tried to believe she was glad of it, but she found
|
|
she was not certain. When the worst came to the
|
|
worst, she had an impulse to get up and tell on Alfred
|
|
Temple, but she made an effort and forced herself to
|
|
keep still -- because, said she to herself, "he'll tell about
|
|
me tearing the picture sure. I wouldn't say a word,
|
|
not to save his life!"
|
|
|
|
Tom took his whipping and went back to his seat
|
|
not at all broken-hearted, for he thought it was possible
|
|
that he had unknowingly upset the ink on the spelling-
|
|
book himself, in some skylarking bout -- he had denied
|
|
it for form's sake and because it was custom, and had
|
|
stuck to the denial from principle.
|
|
|
|
A whole hour drifted by, the master sat nodding in
|
|
his throne, the air was drowsy with the hum of study.
|
|
By and by, Mr. Dobbins straightened himself up, yawn-
|
|
ed, then unlocked his desk, and reached for his book,
|
|
but seemed undecided whether to take it out or leave it.
|
|
Most of the pupils glanced up languidly, but there were
|
|
two among them that watched his movements with in-
|
|
tent eyes. Mr. Dobbins fingered his book absently for
|
|
a while, then took it out and settled himself in his chair
|
|
to read! Tom shot a glance at Becky. He had seen a
|
|
hunted and helpless rabbit look as she did, with a gun
|
|
levelled at its head. Instantly he forgot his quarrel
|
|
with her. Quick -- something must be done! done in a
|
|
flash, too! But the very imminence of the emergency
|
|
paralyzed his invention. Good! -- he had an inspira-
|
|
tion! He would run and snatch the book, spring
|
|
through the door and fly. But his resolution shook
|
|
for one little instant, and the chance was lost -- the
|
|
master opened the volume. If Tom only had the
|
|
wasted opportunity back again! Too late. There was
|
|
no help for Becky now, he said. The next moment the
|
|
master faced the school. Every eye sank under his gaze.
|
|
There was that in it which smote even the innocent
|
|
with fear. There was silence while one might count ten
|
|
-- the master was gathering his wrath. Then he spoke:
|
|
"Who tore this book?"
|
|
|
|
There was not a sound. One could have heard a
|
|
pin drop. The stillness continued; the master searched
|
|
face after face for signs of guilt.
|
|
|
|
"Benjamin Rogers, did you tear this book?"
|
|
|
|
A denial. Another pause.
|
|
|
|
"Joseph Harper, did you?"
|
|
|
|
Another denial. Tom's uneasiness grew more and
|
|
more intense under the slow torture of these proceedings.
|
|
The master scanned the ranks of boys -- considered a
|
|
while, then turned to the girls:
|
|
|
|
"Amy Lawrence?"
|
|
|
|
A shake of the head.
|
|
|
|
"Gracie Miller?"
|
|
|
|
The same sign.
|
|
|
|
"Susan Harper, did you do this?"
|
|
|
|
Another negative. The next girl was Becky Thatcher.
|
|
Tom was trembling from head to foot with excitement
|
|
and a sense of the hopelessness of the situation.
|
|
|
|
"Rebecca Thatcher" [Tom glanced at her face -- it
|
|
was white with terror] -- "did you tear -- no, look me
|
|
in the face" [her hands rose in appeal] -- "did you tear
|
|
this book?"
|
|
|
|
A thought shot like lightning through Tom's brain.
|
|
He sprang to his feet and shouted -- "I done it!"
|
|
|
|
The school stared in perplexity at this incredible
|
|
folly. Tom stood a moment, to gather his dismem-
|
|
bered faculties; and when he stepped forward to go
|
|
to his punishment the surprise, the gratitude, the
|
|
adoration that shone upon him out of poor Becky's
|
|
eyes seemed pay enough for a hundred floggings.
|
|
Inspired by the splendor of his own act, he took without
|
|
an outcry the most merciless flaying that even Mr.
|
|
Dobbins had ever administered; and also received with
|
|
indifference the added cruelty of a command to remain
|
|
two hours after school should be dismissed -- for he
|
|
knew who would wait for him outside till his captivity
|
|
was done, and not count the tedious time as loss, either.
|
|
|
|
Tom went to bed that night planning vengeance
|
|
against Alfred Temple; for with shame and repentance
|
|
Becky had told him all, not forgetting her own treachery;
|
|
but even the longing for vengeance had to give way,
|
|
soon, to pleasanter musings, and he fell asleep at last
|
|
with Becky's latest words lingering dreamily in his ear --
|
|
|
|
"Tom, how COULD you be so noble!"
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
VACATION was approaching. The school-
|
|
master, always severe, grew severer and
|
|
more exacting than ever, for he wanted
|
|
the school to make a good showing on
|
|
"Examination" day. His rod and his
|
|
ferule were seldom idle now -- at least
|
|
among the smaller pupils. Only the biggest boys, and
|
|
young ladies of eighteen and twenty, escaped lashing.
|
|
Mr. Dobbins' lashings were very vigorous ones, too; for
|
|
although he carried, under his wig, a perfectly bald
|
|
and shiny head, he had only reached middle age, and
|
|
there was no sign of feebleness in his muscle. As
|
|
the great day approached, all the tyranny that was
|
|
in him came to the surface; he seemed to take a vin-
|
|
dictive pleasure in punishing the least shortcomings.
|
|
The consequence was, that the smaller boys spent their
|
|
days in terror and suffering and their nights in plotting
|
|
revenge. They threw away no opportunity to do the
|
|
master a mischief. But he kept ahead all the time.
|
|
The retribution that followed every vengeful success
|
|
was so sweeping and majestic that the boys always
|
|
retired from the field badly worsted. At last they con-
|
|
spired together and hit upon a plan that promised a
|
|
dazzling victory. They swore in the sign-painter's boy,
|
|
told him the scheme, and asked his help. He had his
|
|
own reasons for being delighted, for the master boarded
|
|
in his father's family and had given the boy ample
|
|
cause to hate him. The master's wife would go on a visit
|
|
to the country in a few days, and there would be nothing
|
|
to interfere with the plan; the master always pre-
|
|
pared himself for great occasions by getting pretty well
|
|
fuddled, and the sign-painter's boy said that when the
|
|
dominie had reached the proper condition on Examina-
|
|
tion Evening he would "manage the thing" while he
|
|
napped in his chair; then he would have him awakened
|
|
at the right time and hurried away to school.
|
|
|
|
In the fulness of time the interesting occasion ar-
|
|
rived. At eight in the evening the schoolhouse was
|
|
brilliantly lighted, and adorned with wreaths and fes-
|
|
toons of foliage and flowers. The master sat throned
|
|
in his great chair upon a raised platform, with his
|
|
blackboard behind him. He was looking tolerably
|
|
mellow. Three rows of benches on each side and six
|
|
rows in front of him were occupied by the dignitaries of
|
|
the town and by the parents of the pupils. To his left,
|
|
back of the rows of citizens, was a spacious temporary
|
|
platform upon which were seated the scholars who were
|
|
to take part in the exercises of the evening; rows of
|
|
small boys, washed and dressed to an intolerable state
|
|
of discomfort; rows of gawky big boys; snowbanks of
|
|
girls and young ladies clad in lawn and muslin and
|
|
conspicuously conscious of their bare arms, their grand-
|
|
mothers' ancient trinkets, their bits of pink and blue
|
|
ribbon and the flowers in their hair. All the rest of
|
|
the house was filled with non-participating scholars.
|
|
|
|
The exercises began. A very little boy stood up and
|
|
sheepishly recited, "You'd scarce expect one of my
|
|
age to speak in public on the stage," etc. -- accompany-
|
|
ing himself with the painfully exact and spasmodic
|
|
gestures which a machine might have used -- supposing
|
|
the machine to be a trifle out of order. But he got
|
|
through safely, though cruelly scared, and got a fine
|
|
round of applause when he made his manufactured
|
|
bow and retired.
|
|
|
|
A little shamefaced girl lisped, "Mary had a little
|
|
lamb," etc., performed a compassion-inspiring curtsy,
|
|
got her meed of applause, and sat down flushed and
|
|
happy.
|
|
|
|
Tom Sawyer stepped forward with conceited con-
|
|
fidence and soared into the unquenchable and inde-
|
|
structible "Give me liberty or give me death" speech,
|
|
with fine fury and frantic gesticulation, and broke down
|
|
in the middle of it. A ghastly stage-fright seized him,
|
|
his legs quaked under him and he was like to choke.
|
|
True, he had the manifest sympathy of the house but
|
|
he had the house's silence, too, which was even worse
|
|
than its sympathy. The master frowned, and this com-
|
|
pleted the disaster. Tom struggled awhile and then
|
|
retired, utterly defeated. There was a weak attempt
|
|
at applause, but it died early.
|
|
|
|
"The Boy Stood on the Burning Deck" followed;
|
|
also "The Assyrian Came Down," and other declama-
|
|
tory gems. Then there were reading exercises, and a
|
|
spelling fight. The meagre Latin class recited with
|
|
honor. The prime feature of the evening was in order,
|
|
now -- original "compositions" by the young ladies.
|
|
Each in her turn stepped forward to the edge of the
|
|
platform, cleared her throat, held up her manuscript
|
|
(tied with dainty ribbon), and proceeded to read, with
|
|
labored attention to "expression" and punctuation.
|
|
The themes were the same that had been illuminated
|
|
upon similar occasions by their mothers before them,
|
|
their grandmothers, and doubtless all their ancestors in
|
|
the female line clear back to the Crusades. "Friend-
|
|
ship" was one; "Memories of Other Days"; "Religion
|
|
in History"; "Dream Land"; "The Advantages of
|
|
Culture"; "Forms of Political Government Compared
|
|
and Contrasted"; "Melancholy"; "Filial Love";
|
|
"Heart Longings," etc., etc.
|
|
|
|
A prevalent feature in these compositions was a
|
|
nursed and petted melancholy; another was a wasteful
|
|
and opulent gush of "fine language"; another was a
|
|
tendency to lug in by the ears particularly prized words
|
|
and phrases until they were worn entirely out; and
|
|
a peculiarity that conspicuously marked and marred
|
|
them was the inveterate and intolerable sermon that
|
|
wagged its crippled tail at the end of each and every
|
|
one of them. No matter what the subject might be, a
|
|
brain-racking effort was made to squirm it into some
|
|
aspect or other that the moral and religious mind could
|
|
contemplate with edification. The glaring insincerity
|
|
of these sermons was not sufficient to compass the
|
|
banishment of the fashion from the schools, and it is
|
|
not sufficient to-day; it never will be sufficient while
|
|
the world stands, perhaps. There is no school in all
|
|
our land where the young ladies do not feel obliged to
|
|
close their compositions with a sermon; and you will
|
|
find that the sermon of the most frivolous and the least
|
|
religious girl in the school is always the longest and the
|
|
most relentlessly pious. But enough of this. Homely
|
|
truth is unpalatable.
|
|
|
|
Let us return to the "Examination." The first
|
|
composition that was read was one entitled "Is this,
|
|
then, Life?" Perhaps the reader can endure an ex-
|
|
tract from it:
|
|
|
|
"In the common walks of life, with what delightful
|
|
emotions does the youthful mind look forward to some
|
|
anticipated scene of festivity! Imagination is busy
|
|
sketching rose-tinted pictures of joy. In fancy, the
|
|
voluptuous votary of fashion sees herself amid the
|
|
festive throng, 'the observed of all observers.' Her
|
|
graceful form, arrayed in snowy robes, is whirling
|
|
through the mazes of the joyous dance; her eye is
|
|
brightest, her step is lightest in the gay assembly.
|
|
|
|
"In such delicious fancies time quickly glides by,
|
|
and the welcome hour arrives for her entrance into
|
|
the Elysian world, of which she has had such bright
|
|
dreams. How fairy-like does everything appear to
|
|
her enchanted vision! Each new scene is more charming
|
|
than the last. But after a while she finds that
|
|
beneath this goodly exterior, all is vanity, the
|
|
flattery which once charmed her soul, now grates
|
|
harshly upon her ear; the ball-room has lost its
|
|
charms; and with wasted health and imbittered heart,
|
|
she turns away with the conviction that earthly
|
|
pleasures cannot satisfy the longings of the soul!"
|
|
|
|
And so forth and so on. There was a buzz of grati-
|
|
fication from time to time during the reading, accom-
|
|
panied by whispered ejaculations of "How sweet!"
|
|
"How eloquent!" "So true!" etc., and after the thing
|
|
had closed with a peculiarly afflicting sermon the
|
|
applause was enthusiastic.
|
|
|
|
Then arose a slim, melancholy girl, whose face had
|
|
the "interesting" paleness that comes of pills and indi-
|
|
gestion, and read a "poem." Two stanzas of it will do:
|
|
|
|
"A MISSOURI MAIDEN'S FAREWELL TO ALABAMA
|
|
|
|
"Alabama, good-bye! I love thee well!
|
|
But yet for a while do I leave thee now!
|
|
Sad, yes, sad thoughts of thee my heart doth swell,
|
|
And burning recollections throng my brow!
|
|
For I have wandered through thy flowery woods;
|
|
Have roamed and read near Tallapoosa's stream;
|
|
Have listened to Tallassee's warring floods,
|
|
And wooed on Coosa's side Aurora's beam.
|
|
|
|
"Yet shame I not to bear an o'er-full heart,
|
|
Nor blush to turn behind my tearful eyes;
|
|
'Tis from no stranger land I now must part,
|
|
'Tis to no strangers left I yield these sighs.
|
|
Welcome and home were mine within this State,
|
|
Whose vales I leave -- whose spires fade fast from me
|
|
And cold must be mine eyes, and heart, and tete,
|
|
When, dear Alabama! they turn cold on thee!"
|
|
|
|
There were very few there who knew what "tete"
|
|
meant, but the poem was very satisfactory, nevertheless.
|
|
|
|
Next appeared a dark-complexioned, black-eyed,
|
|
black-haired young lady, who paused an impressive
|
|
moment, assumed a tragic expression, and began to
|
|
read in a measured, solemn tone:
|
|
|
|
"A VISION
|
|
|
|
"Dark and tempestuous was night. Around the
|
|
throne on high not a single star quivered; but
|
|
the deep intonations of the heavy thunder
|
|
constantly vibrated upon the ear; whilst the
|
|
terrific lightning revelled in angry mood
|
|
through the cloudy chambers of heaven, seeming
|
|
to scorn the power exerted over its terror by
|
|
the illustrious Franklin! Even the boisterous
|
|
winds unanimously came forth from their mystic
|
|
homes, and blustered about as if to enhance by
|
|
their aid the wildness of the scene.
|
|
|
|
"At such a time,so dark,so dreary, for human
|
|
sympathy my very spirit sighed; but instead thereof,
|
|
|
|
"'My dearest friend, my counsellor, my comforter
|
|
and guide -- My joy in grief, my second bliss
|
|
in joy,' came to my side. She moved like one of
|
|
those bright beings pictured in the sunny walks
|
|
of fancy's Eden by the romantic and young, a
|
|
queen of beauty unadorned save by her own
|
|
transcendent loveliness. So soft was her step, it
|
|
failed to make even a sound, and but for the
|
|
magical thrill imparted by her genial touch, as
|
|
other unobtrusive beauties, she would have glided
|
|
away un-perceived -- unsought. A strange sadness
|
|
rested upon her features, like icy tears upon
|
|
the robe of December, as she pointed to the
|
|
contending elements without, and bade me contemplate
|
|
the two beings presented."
|
|
|
|
This nightmare occupied some ten pages of manu-
|
|
script and wound up with a sermon so destructive of
|
|
all hope to non-Presbyterians that it took the first prize.
|
|
This composition was considered to be the very finest
|
|
effort of the evening. The mayor of the village, in
|
|
delivering the prize to the author of it, made a warm
|
|
speech in which he said that it was by far the most
|
|
"eloquent" thing he had ever listened to, and that
|
|
Daniel Webster himself might well be proud of it.
|
|
|
|
It may be remarked, in passing, that the number
|
|
of compositions in which the word "beauteous" was
|
|
over-fondled, and human experience referred to as
|
|
"life's page," was up to the usual average.
|
|
|
|
Now the master, mellow almost to the verge of
|
|
geniality, put his chair aside, turned his back to the
|
|
audience, and began to draw a map of America on
|
|
the blackboard, to exercise the geography class upon.
|
|
But he made a sad business of it with his unsteady hand,
|
|
and a smothered titter rippled over the house. He
|
|
knew what the matter was, and set himself to right it.
|
|
He sponged out lines and remade them; but he only
|
|
distorted them more than ever, and the tittering was
|
|
more pronounced. He threw his entire attention upon
|
|
his work, now, as if determined not to be put down by
|
|
the mirth. He felt that all eyes were fastened upon
|
|
him; he imagined he was succeeding, and yet the titter-
|
|
ing continued; it even manifestly increased. And well
|
|
it might. There was a garret above, pierced with a
|
|
scuttle over his head; and down through this scuttle
|
|
came a cat, suspended around the haunches by a
|
|
string; she had a rag tied about her head and jaws
|
|
to keep her from mewing; as she slowly descended she
|
|
curved upward and clawed at the string, she swung
|
|
downward and clawed at the intangible air. The
|
|
tittering rose higher and higher -- the cat was within
|
|
six inches of the absorbed teacher's head -- down, down,
|
|
a little lower, and she grabbed his wig with her desperate
|
|
claws, clung to it, and was snatched up into the garret
|
|
in an instant with her trophy still in her possession!
|
|
And how the light did blaze abroad from the master's
|
|
bald pate -- for the sign-painter's boy had GILDED it!
|
|
|
|
That broke up the meeting. The boys were avenged.
|
|
Vacation had come.
|
|
|
|
NOTE:-- The pretended "compositions" quoted in
|
|
this chapter are taken without alteration from a
|
|
volume entitled "Prose and Poetry, by a Western
|
|
Lady" -- but they are exactly and precisely after
|
|
the schoolgirl pattern, and hence are much
|
|
happier than any mere imitations could be.
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
TOM joined the new order of Cadets of
|
|
Temperance, being attracted by the showy
|
|
character of their "regalia." He promised
|
|
to abstain from smoking, chewing, and
|
|
profanity as long as he remained a mem-
|
|
ber. Now he found out a new thing --
|
|
namely, that to promise not to do a thing is the surest
|
|
way in the world to make a body want to go and do that
|
|
very thing. Tom soon found himself tormented with a
|
|
desire to drink and swear; the desire grew to be so
|
|
intense that nothing but the hope of a chance to dis-
|
|
play himself in his red sash kept him from withdrawing
|
|
from the order. Fourth of July was coming; but he
|
|
soon gave that up -- gave it up before he had worn his
|
|
shackles over forty-eight hours -- and fixed his hopes
|
|
upon old Judge Frazer, justice of the peace, who was
|
|
apparently on his deathbed and would have a big
|
|
public funeral, since he was so high an official. Dur-
|
|
ing three days Tom was deeply concerned about the
|
|
Judge's condition and hungry for news of it. Some-
|
|
times his hopes ran high -- so high that he would venture
|
|
to get out his regalia and practise before the looking-
|
|
glass. But the Judge had a most discouraging way
|
|
of fluctuating. At last he was pronounced upon the
|
|
mend -- and then convalescent. Tom was disgusted;
|
|
and felt a sense of injury, too. He handed in his res-
|
|
ignation at once -- and that night the Judge suffered a
|
|
relapse and died. Tom resolved that he would never
|
|
trust a man like that again.
|
|
|
|
The funeral was a fine thing. The Cadets paraded
|
|
in a style calculated to kill the late member with envy.
|
|
Tom was a free boy again, however -- there was some-
|
|
thing in that. He could drink and swear, now -- but
|
|
found to his surprise that he did not want to. The
|
|
simple fact that he could, took the desire away, and
|
|
the charm of it.
|
|
|
|
Tom presently wondered to find that his coveted
|
|
vacation was beginning to hang a little heavily on his
|
|
hands.
|
|
|
|
He attempted a diary -- but nothing happened dur-
|
|
ing three days, and so he abandoned it.
|
|
|
|
The first of all the negro minstrel shows came to
|
|
town, and made a sensation. Tom and Joe Harper
|
|
got up a band of performers and were happy for two
|
|
days.
|
|
|
|
Even the Glorious Fourth was in some sense a failure,
|
|
for it rained hard, there was no procession in con-
|
|
sequence, and the greatest man in the world (as Tom
|
|
supposed), Mr. Benton, an actual United States Senator,
|
|
proved an overwhelming disappointment -- for he was
|
|
not twenty-five feet high, nor even anywhere in the
|
|
neighborhood of it.
|
|
|
|
A circus came. The boys played circus for three
|
|
days afterward in tents made of rag carpeting -- ad-
|
|
mission, three pins for boys, two for girls -- and then
|
|
circusing was abandoned.
|
|
|
|
A phrenologist and a mesmerizer came -- and went
|
|
again and left the village duller and drearier than
|
|
ever.
|
|
|
|
There were some boys-and-girls' parties, but they
|
|
were so few and so delightful that they only made the
|
|
aching voids between ache the harder.
|
|
|
|
Becky Thatcher was gone to her Constantinople
|
|
home to stay with her parents during vacation -- so
|
|
there was no bright side to life anywhere.
|
|
|
|
The dreadful secret of the murder was a chronic
|
|
misery. It was a very cancer for permanency and
|
|
pain.
|
|
|
|
Then came the measles.
|
|
|
|
During two long weeks Tom lay a prisoner, dead
|
|
to the world and its happenings. He was very ill, he
|
|
was interested in nothing. When he got upon his feet
|
|
at last and moved feebly down-town, a melancholy
|
|
change had come over everything and every creature.
|
|
There had been a "revival," and everybody had "got
|
|
religion," not only the adults, but even the boys and
|
|
girls. Tom went about, hoping against hope for the
|
|
sight of one blessed sinful face, but disappointment
|
|
crossed him everywhere. He found Joe Harper study-
|
|
ing a Testament, and turned sadly away from the de-
|
|
pressing spectacle. He sought Ben Rogers, and found
|
|
him visiting the poor with a basket of tracts. He hunted
|
|
up Jim Hollis, who called his attention to the precious
|
|
blessing of his late measles as a warning. Every boy
|
|
he encountered added another ton to his depression;
|
|
and when, in desperation, he flew for refuge at last to
|
|
the bosom of Huckleberry Finn and was received with
|
|
a Scriptural quotation, his heart broke and he crept
|
|
home and to bed realizing that he alone of all the town
|
|
was lost, forever and forever.
|
|
|
|
And that night there came on a terrific storm, with
|
|
driving rain, awful claps of thunder and blinding sheets
|
|
of lightning. He covered his head with the bedclothes
|
|
and waited in a horror of suspense for his doom; for he
|
|
had not the shadow of a doubt that all this hubbub was
|
|
about him. He believed he had taxed the forbearance
|
|
of the powers above to the extremity of endurance and
|
|
that this was the result. It might have seemed to him
|
|
a waste of pomp and ammunition to kill a bug with a
|
|
battery of artillery, but there seemed nothing incon-
|
|
gruous about the getting up such an expensive thunder-
|
|
storm as this to knock the turf from under an insect like
|
|
himself.
|
|
|
|
By and by the tempest spent itself and died without
|
|
accomplishing its object. The boy's first impulse was
|
|
to be grateful, and reform. His second was to wait
|
|
-- for there might not be any more storms.
|
|
|
|
The next day the doctors were back; Tom had re-
|
|
lapsed. The three weeks he spent on his back this time
|
|
seemed an entire age. When he got abroad at last he
|
|
was hardly grateful that he had been spared, remem-
|
|
bering how lonely was his estate, how companionless
|
|
and forlorn he was. He drifted listlessly down the
|
|
street and found Jim Hollis acting as judge in a juvenile
|
|
court that was trying a cat for murder, in the presence
|
|
of her victim, a bird. He found Joe Harper and Huck
|
|
Finn up an alley eating a stolen melon. Poor lads!
|
|
they -- like Tom -- had suffered a relapse.
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
AT last the sleepy atmosphere was stirred --
|
|
and vigorously: the murder trial came on
|
|
in the court. It became the absorbing
|
|
topic of village talk immediately. Tom
|
|
could not get away from it. Every ref-
|
|
erence to the murder sent a shudder to
|
|
his heart, for his troubled conscience and fears almost
|
|
persuaded him that these remarks were put forth in his
|
|
hearing as "feelers"; he did not see how he could be
|
|
suspected of knowing anything about the murder, but
|
|
still he could not be comfortable in the midst of this
|
|
gossip. It kept him in a cold shiver all the time. He
|
|
took Huck to a lonely place to have a talk with him.
|
|
It would be some relief to unseal his tongue for a little
|
|
while; to divide his burden of distress with another suf-
|
|
ferer. Moreover, he wanted to assure himself that
|
|
Huck had remained discreet.
|
|
|
|
"Huck, have you ever told anybody about -- that?"
|
|
|
|
"'Bout what?"
|
|
|
|
"You know what."
|
|
|
|
"Oh -- 'course I haven't."
|
|
|
|
"Never a word?"
|
|
|
|
"Never a solitary word, so help me. What makes
|
|
you ask?"
|
|
|
|
"Well, I was afeard."
|
|
|
|
"Why, Tom Sawyer, we wouldn't be alive two days
|
|
if that got found out. YOU know that."
|
|
|
|
Tom felt more comfortable. After a pause:
|
|
|
|
"Huck, they couldn't anybody get you to tell, could
|
|
they?"
|
|
|
|
"Get me to tell? Why, if I wanted that half-breed
|
|
devil to drownd me they could get me to tell. They
|
|
ain't no different way."
|
|
|
|
"Well, that's all right, then. I reckon we're safe
|
|
as long as we keep mum. But let's swear again, any-
|
|
way. It's more surer."
|
|
|
|
"I'm agreed."
|
|
|
|
So they swore again with dread solemnities.
|
|
|
|
"What is the talk around, Huck? I've heard a
|
|
power of it."
|
|
|
|
"Talk? Well, it's just Muff Potter, Muff Potter,
|
|
Muff Potter all the time. It keeps me in a sweat, con-
|
|
stant, so's I want to hide som'ers."
|
|
|
|
"That's just the same way they go on round me.
|
|
I reckon he's a goner. Don't you feel sorry for him,
|
|
sometimes?"
|
|
|
|
"Most always -- most always. He ain't no account;
|
|
but then he hain't ever done anything to hurt anybody.
|
|
Just fishes a little, to get money to get drunk on -- and
|
|
loafs around considerable; but lord, we all do that --
|
|
leastways most of us -- preachers and such like. But
|
|
he's kind of good -- he give me half a fish, once, when
|
|
there warn't enough for two; and lots of times he's kind
|
|
of stood by me when I was out of luck."
|
|
|
|
"Well, he's mended kites for me, Huck, and knitted
|
|
hooks on to my line. I wish we could get him out of
|
|
there."
|
|
|
|
"My! we couldn't get him out, Tom. And besides,
|
|
'twouldn't do any good; they'd ketch him again."
|
|
|
|
"Yes -- so they would. But I hate to hear 'em abuse
|
|
him so like the dickens when he never done -- that."
|
|
|
|
"I do too, Tom. Lord, I hear 'em say he's the
|
|
bloodiest looking villain in this country, and they won-
|
|
der he wasn't ever hung before."
|
|
|
|
"Yes, they talk like that, all the time. I've heard
|
|
'em say that if he was to get free they'd lynch him."
|
|
|
|
"And they'd do it, too."
|
|
|
|
The boys had a long talk, but it brought them little
|
|
comfort. As the twilight drew on, they found them-
|
|
selves hanging about the neighborhood of the little
|
|
isolated jail, perhaps with an undefined hope that
|
|
something would happen that might clear away their
|
|
difficulties. But nothing happened; there seemed to
|
|
be no angels or fairies interested in this luckless
|
|
captive.
|
|
|
|
The boys did as they had often done before -- went
|
|
to the cell grating and gave Potter some tobacco and
|
|
matches. He was on the ground floor and there were
|
|
no guards.
|
|
|
|
His gratitude for their gifts had always smote their
|
|
consciences before -- it cut deeper than ever, this time.
|
|
They felt cowardly and treacherous to the last degree
|
|
when Potter said:
|
|
|
|
"You've been mighty good to me, boys -- better'n any-
|
|
body else in this town. And I don't forget it, I don't.
|
|
Often I says to myself, says I, 'I used to mend all the
|
|
boys' kites and things, and show 'em where the good
|
|
fishin' places was, and befriend 'em what I could, and
|
|
now they've all forgot old Muff when he's in trouble;
|
|
but Tom don't, and Huck don't -- THEY don't forget him,
|
|
says I, 'and I don't forget them.' Well, boys, I done
|
|
an awful thing -- drunk and crazy at the time -- that's
|
|
the only way I account for it -- and now I got to swing
|
|
for it, and it's right. Right, and BEST, too, I reckon --
|
|
hope so, anyway. Well, we won't talk about that. I
|
|
don't want to make YOU feel bad; you've befriended me.
|
|
But what I want to say, is, don't YOU ever get drunk --
|
|
then you won't ever get here. Stand a litter furder west
|
|
-- so -- that's it; it's a prime comfort to see faces that's
|
|
friendly when a body's in such a muck of trouble, and
|
|
there don't none come here but yourn. Good friendly
|
|
faces -- good friendly faces. Git up on one another's
|
|
backs and let me touch 'em. That's it. Shake hands
|
|
-- yourn'll come through the bars, but mine's too big.
|
|
Little hands, and weak -- but they've helped Muff
|
|
Potter a power, and they'd help him more if they
|
|
could."
|
|
|
|
Tom went home miserable, and his dreams that
|
|
night were full of horrors. The next day and the day
|
|
after, he hung about the court-room, drawn by an al-
|
|
most irresistible impulse to go in, but forcing himself
|
|
to stay out. Huck was having the same experience.
|
|
They studiously avoided each other. Each wandered
|
|
away, from time to time, but the same dismal fascina-
|
|
tion always brought them back presently. Tom kept
|
|
his ears open when idlers sauntered out of the court-
|
|
room, but invariably heard distressing news -- the toils
|
|
were closing more and more relentlessly around poor
|
|
Potter. At the end of the second day the village talk
|
|
was to the effect that Injun Joe's evidence stood firm
|
|
and unshaken, and that there was not the slightest ques-
|
|
tion as to what the jury's verdict would be.
|
|
|
|
Tom was out late, that night, and came to bed through
|
|
the window. He was in a tremendous state of excite-
|
|
ment. It was hours before he got to sleep. All the
|
|
village flocked to the court-house the next morning, for
|
|
this was to be the great day. Both sexes were about
|
|
equally represented in the packed audience. After a
|
|
long wait the jury filed in and took their places; shortly
|
|
afterward, Potter, pale and haggard, timid and hopeless,
|
|
was brought in, with chains upon him, and seated where
|
|
all the curious eyes could stare at him; no less con-
|
|
spicuous was Injun Joe, stolid as ever. There was an-
|
|
other pause, and then the judge arrived and the sheriff
|
|
proclaimed the opening of the court. The usual whis-
|
|
perings among the lawyers and gathering together of
|
|
papers followed. These details and accompanying
|
|
delays worked up an atmosphere of preparation that
|
|
was as impressive as it was fascinating.
|
|
|
|
Now a witness was called who testified that he found
|
|
Muff Potter washing in the brook, at an early hour of
|
|
the morning that the murder was discovered, and that
|
|
he immediately sneaked away. After some further ques-
|
|
tioning, counsel for the prosecution said:
|
|
|
|
"Take the witness."
|
|
|
|
The prisoner raised his eyes for a moment, but
|
|
dropped them again when his own counsel said:
|
|
|
|
"I have no questions to ask him."
|
|
|
|
The next witness proved the finding of the knife
|
|
near the corpse. Counsel for the prosecution said:
|
|
|
|
"Take the witness."
|
|
|
|
"I have no questions to ask him," Potter's lawyer
|
|
replied.
|
|
|
|
A third witness swore he had often seen the knife in
|
|
Potter's possession.
|
|
|
|
"Take the witness."
|
|
|
|
Counsel for Potter declined to question him. The
|
|
faces of the audience began to betray annoyance.
|
|
Did this attorney mean to throw away his client's life
|
|
without an effort?
|
|
|
|
Several witnesses deposed concerning Potter's guilty
|
|
behavior when brought to the scene of the murder.
|
|
They were allowed to leave the stand without being
|
|
cross-questioned.
|
|
|
|
Every detail of the damaging circumstances that
|
|
occurred in the graveyard upon that morning which
|
|
all present remembered so well was brought out by
|
|
credible witnesses, but none of them were cross-
|
|
examined by Potter's lawyer. The perplexity and
|
|
dissatisfaction of the house expressed itself in mur-
|
|
murs and provoked a reproof from the bench. Counsel
|
|
for the prosecution now said:
|
|
|
|
"By the oaths of citizens whose simple word is
|
|
above suspicion, we have fastened this awful crime,
|
|
beyond all possibility of question, upon the unhappy
|
|
prisoner at the bar. We rest our case here."
|
|
|
|
A groan escaped from poor Potter, and he put his
|
|
face in his hands and rocked his body softly to and
|
|
fro, while a painful silence reigned in the court-room.
|
|
Many men were moved, and many women's com-
|
|
passion testified itself in tears. Counsel for the de-
|
|
fence rose and said:
|
|
|
|
"Your honor, in our remarks at the opening of this
|
|
trial, we foreshadowed our purpose to prove that our
|
|
client did this fearful deed while under the influence
|
|
of a blind and irresponsible delirium produced by drink.
|
|
We have changed our mind. We shall not offer that
|
|
plea." [Then to the clerk:] "Call Thomas Sawyer!"
|
|
|
|
A puzzled amazement awoke in every face in the
|
|
house, not even excepting Potter's. Every eye fast-
|
|
ened itself with wondering interest upon Tom as he
|
|
rose and took his place upon the stand. The boy
|
|
looked wild enough, for he was badly scared. The
|
|
oath was administered.
|
|
|
|
"Thomas Sawyer, where were you on the seventeenth
|
|
of June, about the hour of midnight?"
|
|
|
|
Tom glanced at Injun Joe's iron face and his tongue
|
|
failed him. The audience listened breathless, but the
|
|
words refused to come. After a few moments, however,
|
|
the boy got a little of his strength back, and managed
|
|
to put enough of it into his voice to make part of the
|
|
house hear:
|
|
|
|
"In the graveyard!"
|
|
|
|
"A little bit louder, please. Don't be afraid. You
|
|
were --"
|
|
|
|
"In the graveyard."
|
|
|
|
A contemptuous smile flitted across Injun Joe's face.
|
|
|
|
"Were you anywhere near Horse Williams' grave?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Speak up -- just a trifle louder. How near were
|
|
you?"
|
|
|
|
"Near as I am to you."
|
|
|
|
"Were you hidden, or not?"
|
|
|
|
"I was hid."
|
|
|
|
"Where?"
|
|
|
|
"Behind the elms that's on the edge of the grave."
|
|
|
|
Injun Joe gave a barely perceptible start.
|
|
|
|
"Any one with you?"
|
|
|
|
"Yes, sir. I went there with --"
|
|
|
|
"Wait -- wait a moment. Never mind mentioning
|
|
your companion's name. We will produce him at the
|
|
proper time. Did you carry anything there with you."
|
|
|
|
Tom hesitated and looked confused.
|
|
|
|
"Speak out, my boy -- don't be diffident. The truth
|
|
is always respectable. What did you take there?"
|
|
|
|
"Only a -- a -- dead cat."
|
|
|
|
There was a ripple of mirth, which the court checked.
|
|
|
|
"We will produce the skeleton of that cat. Now,
|
|
my boy, tell us everything that occurred -- tell it in
|
|
your own way -- don't skip anything, and don't be
|
|
afraid."
|
|
|
|
Tom began -- hesitatingly at first, but as he warmed
|
|
to his subject his words flowed more and more easily;
|
|
in a little while every sound ceased but his own voice;
|
|
every eye fixed itself upon him; with parted lips and
|
|
bated breath the audience hung upon his words, taking
|
|
no note of time, rapt in the ghastly fascinations of the
|
|
tale. The strain upon pent emotion reached its climax
|
|
when the boy said:
|
|
|
|
"-- and as the doctor fetched the board around and
|
|
Muff Potter fell, Injun Joe jumped with the knife
|
|
and --"
|
|
|
|
Crash! Quick as lightning the half-breed sprang
|
|
for a window, tore his way through all opposers, and
|
|
was gone!
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
TOM was a glittering hero once more -- the
|
|
pet of the old, the envy of the young.
|
|
His name even went into immortal print,
|
|
for the village paper magnified him.
|
|
There were some that believed he would
|
|
be President, yet, if he escaped hanging.
|
|
|
|
As usual, the fickle, unreasoning world took Muff
|
|
Potter to its bosom and fondled him as lavishly as it
|
|
had abused him before. But that sort of conduct is
|
|
to the world's credit; therefore it is not well to find
|
|
fault with it.
|
|
|
|
Tom's days were days of splendor and exultation
|
|
to him, but his nights were seasons of horror. Injun
|
|
Joe infested all his dreams, and always with doom
|
|
in his eye. Hardly any temptation could persuade
|
|
the boy to stir abroad after nightfall. Poor Huck
|
|
was in the same state of wretchedness and terror, for
|
|
Tom had told the whole story to the lawyer the night
|
|
before the great day of the trial, and Huck was sore
|
|
afraid that his share in the business might leak out,
|
|
yet, notwithstanding Injun Joe's flight had saved
|
|
him the suffering of testifying in court. The poor
|
|
fellow had got the attorney to promise secrecy, but
|
|
what of that? Since Tom's harassed conscience had
|
|
managed to drive him to the lawyer's house by night
|
|
and wring a dread tale from lips that had been sealed
|
|
with the dismalest and most formidable of oaths,
|
|
Huck's confidence in the human race was well-nigh
|
|
obliterated.
|
|
|
|
Daily Muff Potter's gratitude made Tom glad he
|
|
had spoken; but nightly he wished he had sealed up
|
|
his tongue.
|
|
|
|
Half the time Tom was afraid Injun Joe would
|
|
never be captured; the other half he was afraid he
|
|
would be. He felt sure he never could draw a safe
|
|
breath again until that man was dead and he had
|
|
seen the corpse.
|
|
|
|
Rewards had been offered, the country had been
|
|
scoured, but no Injun Joe was found. One of those
|
|
omniscient and awe-inspiring marvels, a detective,
|
|
came up from St. Louis, moused around, shook his
|
|
head, looked wise, and made that sort of astounding
|
|
success which members of that craft usually achieve.
|
|
That is to say, he "found a clew." But you can't
|
|
hang a "clew" for murder, and so after that detec-
|
|
tive had got through and gone home, Tom felt just
|
|
as insecure as he was before.
|
|
|
|
The slow days drifted on, and each left behind it
|
|
a slightly lightened weight of apprehension.
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
THERE comes a time in every rightly-
|
|
constructed boy's life when he has a
|
|
raging desire to go somewhere and dig
|
|
for hidden treasure. This desire sud-
|
|
denly came upon Tom one day. He sal-
|
|
lied out to find Joe Harper, but failed
|
|
of success. Next he sought Ben Rogers; he had gone
|
|
fishing. Presently he stumbled upon Huck Finn the
|
|
Red-Handed. Huck would answer. Tom took him to
|
|
a private place and opened the matter to him confi-
|
|
dentially. Huck was willing. Huck was always willing
|
|
to take a hand in any enterprise that offered enter-
|
|
tainment and required no capital, for he had a troub-
|
|
lesome superabundance of that sort of time which is
|
|
not money. "Where'll we dig?" said Huck.
|
|
|
|
"Oh, most anywhere."
|
|
|
|
"Why, is it hid all around?"
|
|
|
|
"No, indeed it ain't. It's hid in mighty particular
|
|
places, Huck -- sometimes on islands, sometimes in rot-
|
|
ten chests under the end of a limb of an old dead tree,
|
|
just where the shadow falls at midnight; but mostly
|
|
under the floor in ha'nted houses."
|
|
|
|
"Who hides it?"
|
|
|
|
"Why, robbers, of course -- who'd you reckon? Sun-
|
|
day-school sup'rintendents?"
|
|
|
|
"I don't know. If 'twas mine I wouldn't hide it;
|
|
I'd spend it and have a good time."
|
|
|
|
"So would I. But robbers don't do that way. They
|
|
always hide it and leave it there."
|
|
|
|
"Don't they come after it any more?"
|
|
|
|
"No, they think they will, but they generally forget
|
|
the marks, or else they die. Anyway, it lays there a
|
|
long time and gets rusty; and by and by somebody
|
|
finds an old yellow paper that tells how to find the
|
|
marks -- a paper that's got to be ciphered over about a
|
|
week because it's mostly signs and hy'roglyphics."
|
|
|
|
"HyroQwhich?"
|
|
|
|
"Hy'roglyphics -- pictures and things, you know, that
|
|
don't seem to mean anything."
|
|
|
|
"Have you got one of them papers, Tom?"
|
|
|
|
"No."
|
|
|
|
"Well then, how you going to find the marks?"
|
|
|
|
"I don't want any marks. They always bury it
|
|
under a ha'nted house or on an island, or under a
|
|
dead tree that's got one limb sticking out. Well,
|
|
we've tried Jackson's Island a little, and we can try
|
|
it again some time; and there's the old ha'nted house
|
|
up the Still-House branch, and there's lots of dead-
|
|
limb trees -- dead loads of 'em."
|
|
|
|
"Is it under all of them?"
|
|
|
|
"How you talk! No!"
|
|
|
|
"Then how you going to know which one to go for?"
|
|
|
|
"Go for all of 'em!"
|
|
|
|
"Why, Tom, it'll take all summer."
|
|
|
|
"Well, what of that? Suppose you find a brass
|
|
pot with a hundred dollars in it, all rusty and gray, or
|
|
rotten chest full of di'monds. How's that?"
|
|
|
|
Huck's eyes glowed.
|
|
|
|
"That's bully. Plenty bully enough for me. Just
|
|
you gimme the hundred dollars and I don't want no
|
|
di'monds."
|
|
|
|
"All right. But I bet you I ain't going to throw
|
|
off on di'monds. Some of 'em's worth twenty dol-
|
|
lars apiece -- there ain't any, hardly, but's worth six
|
|
bits or a dollar."
|
|
|
|
"No! Is that so?"
|
|
|
|
"Cert'nly -- anybody'll tell you so. Hain't you ever
|
|
seen one, Huck?"
|
|
|
|
"Not as I remember."
|
|
|
|
"Oh, kings have slathers of them."
|
|
|
|
"Well, I don' know no kings, Tom."
|
|
|
|
"I reckon you don't. But if you was to go to
|
|
Europe you'd see a raft of 'em hopping around."
|
|
|
|
"Do they hop?"
|
|
|
|
"Hop? -- your granny! No!"
|
|
|
|
"Well, what did you say they did, for?"
|
|
|
|
"Shucks, I only meant you'd SEE 'em -- not hopping,
|
|
of course -- what do they want to hop for? -- but I mean
|
|
you'd just see 'em -- scattered around, you know, in a
|
|
kind of a general way. Like that old humpbacked
|
|
Richard."
|
|
|
|
"Richard? What's his other name?"
|
|
|
|
"He didn't have any other name. Kings don't
|
|
have any but a given name."
|
|
|
|
"No?"
|
|
|
|
"But they don't."
|
|
|
|
"Well, if they like it, Tom, all right; but I don't want
|
|
to be a king and have only just a given name, like a
|
|
nigger. But say -- where you going to dig first?"
|
|
|
|
"Well, I don't know. S'pose we tackle that old
|
|
dead-limb tree on the hill t'other side of Still-House
|
|
branch?"
|
|
|
|
"I'm agreed."
|
|
|
|
So they got a crippled pick and a shovel, and set
|
|
out on their three-mile tramp. They arrived hot and
|
|
panting, and threw themselves down in the shade of a
|
|
neighboring elm to rest and have a smoke.
|
|
|
|
"I like this," said Tom.
|
|
|
|
"So do I."
|
|
|
|
"Say, Huck, if we find a treasure here, what you
|
|
going to do with your share?"
|
|
|
|
"Well, I'll have pie and a glass of soda every day,
|
|
and I'll go to every circus that comes along. I bet I'll
|
|
have a gay time."
|
|
|
|
"Well, ain't you going to save any of it?"
|
|
|
|
"Save it? What for?"
|
|
|
|
"Why, so as to have something to live on, by and
|
|
by."
|
|
|
|
"Oh, that ain't any use. Pap would come back to
|
|
thish-yer town some day and get his claws on it if I
|
|
didn't hurry up, and I tell you he'd clean it out pretty
|
|
quick. What you going to do with yourn, Tom?"
|
|
|
|
"I'm going to buy a new drum, and a sure-'nough
|
|
sword, and a red necktie and a bull pup, and get mar-
|
|
ried."
|
|
|
|
"Married!"
|
|
|
|
"That's it."
|
|
|
|
"Tom, you -- why, you ain't in your right mind."
|
|
|
|
"Wait -- you'll see."
|
|
|
|
"Well, that's the foolishest thing you could do.
|
|
Look at pap and my mother. Fight! Why, they used
|
|
to fight all the time. I remember, mighty well."
|
|
|
|
"That ain't anything. The girl I'm going to marry
|
|
won't fight."
|
|
|
|
"Tom, I reckon they're all alike. They'll all comb
|
|
a body. Now you better think 'bout this awhile. I
|
|
tell you you better. What's the name of the gal?"
|
|
|
|
"It ain't a gal at all -- it's a girl."
|
|
|
|
"It's all the same, I reckon; some says gal, some
|
|
says girl -- both's right, like enough. Anyway, what's
|
|
her name, Tom?"
|
|
|
|
"I'll tell you some time -- not now."
|
|
|
|
"All right -- that'll do. Only if you get married I'll
|
|
be more lonesomer than ever."
|
|
|
|
"No you won't. You'll come and live with me.
|
|
Now stir out of this and we'll go to digging."
|
|
|
|
They worked and sweated for half an hour. No
|
|
result. They toiled another half-hour. Still no result.
|
|
Huck said:
|
|
|
|
"Do they always bury it as deep as this?"
|
|
|
|
"Sometimes -- not always. Not generally. I reckon
|
|
we haven't got the right place."
|
|
|
|
So they chose a new spot and began again. The
|
|
labor dragged a little, but still they made progress.
|
|
They pegged away in silence for some time. Finally
|
|
Huck leaned on his shovel, swabbed the beaded drops
|
|
from his brow with his sleeve, and said:
|
|
|
|
"Where you going to dig next, after we get this
|
|
one?"
|
|
|
|
"I reckon maybe we'll tackle the old tree that's
|
|
over yonder on Cardiff Hill back of the widow's."
|
|
|
|
"I reckon that'll be a good one. But won't the
|
|
widow take it away from us, Tom? It's on her land."
|
|
|
|
"SHE take it away! Maybe she'd like to try it once.
|
|
Whoever finds one of these hid treasures, it belongs
|
|
to him. It don't make any difference whose land
|
|
it's on."
|
|
|
|
That was satisfactory. The work went on. By
|
|
and by Huck said:
|
|
|
|
"Blame it, we must be in the wrong place again.
|
|
What do you think?"
|
|
|
|
"It is mighty curious, Huck. I don't understand it.
|
|
Sometimes witches interfere. I reckon maybe that's
|
|
what's the trouble now."
|
|
|
|
"Shucks! Witches ain't got no power in the day-
|
|
time."
|
|
|
|
"Well, that's so. I didn't think of that. Oh, I
|
|
know what the matter is! What a blamed lot of fools
|
|
we are! You got to find out where the shadow of the
|
|
limb falls at midnight, and that's where you dig!"
|
|
|
|
"Then consound it, we've fooled away all this work
|
|
for nothing. Now hang it all, we got to come back
|
|
in the night. It's an awful long way. Can you get
|
|
out?"
|
|
|
|
"I bet I will. We've got to do it to-night, too, be-
|
|
cause if somebody sees these holes they'll know in a
|
|
minute what's here and they'll go for it."
|
|
|
|
"Well, I'll come around and maow to-night."
|
|
|
|
"All right. Let's hide the tools in the bushes."
|
|
|
|
The boys were there that night, about the appoint-
|
|
ed time. They sat in the shadow waiting. It was a
|
|
lonely place, and an hour made solemn by old traditions.
|
|
Spirits whispered in the rustling leaves, ghosts lurked
|
|
in the murky nooks, the deep baying of a hound floated
|
|
up out of the distance, an owl answered with his
|
|
sepulchral note. The boys were subdued by these
|
|
solemnities, and talked little. By and by they judged
|
|
that twelve had come; they marked where the shadow
|
|
fell, and began to dig. Their hopes commenced to rise.
|
|
Their interest grew stronger, and their industry kept
|
|
pace with it. The hole deepened and still deepened,
|
|
but every time their hearts jumped to hear the pick
|
|
strike upon something, they only suffered a new disap-
|
|
pointment. It was only a stone or a chunk. At last
|
|
Tom said:
|
|
|
|
"It ain't any use, Huck, we're wrong again."
|
|
|
|
"Well, but we CAN'T be wrong. We spotted the
|
|
shadder to a dot."
|
|
|
|
"I know it, but then there's another thing."
|
|
|
|
"What's that?".
|
|
|
|
"Why, we only guessed at the time. Like enough
|
|
it was too late or too early."
|
|
|
|
Huck dropped his shovel.
|
|
|
|
"That's it," said he. "That's the very trouble.
|
|
We got to give this one up. We can't ever tell the
|
|
right time, and besides this kind of thing's too awful,
|
|
here this time of night with witches and ghosts a-flut-
|
|
tering around so. I feel as if something's behind
|
|
me all the time; and I'm afeard to turn around,
|
|
becuz maybe there's others in front a-waiting for a
|
|
chance. I been creeping all over, ever since I got
|
|
here."
|
|
|
|
"Well, I've been pretty much so, too, Huck. They
|
|
most always put in a dead man when they bury a
|
|
treasure under a tree, to look out for it."
|
|
|
|
"Lordy!"
|
|
|
|
"Yes, they do. I've always heard that."
|
|
|
|
"Tom, I don't like to fool around much where
|
|
there's dead people. A body's bound to get into
|
|
trouble with 'em, sure."
|
|
|
|
"I don't like to stir 'em up, either. S'pose this one
|
|
here was to stick his skull out and say something!"
|
|
|
|
"Don't Tom! It's awful."
|
|
|
|
"Well, it just is. Huck, I don't feel comfortable
|
|
a bit."
|
|
|
|
"Say, Tom, let's give this place up, and try some-
|
|
wheres else."
|
|
|
|
"All right, I reckon we better."
|
|
|
|
"What'll it be?"
|
|
|
|
Tom considered awhile; and then said:
|
|
|
|
"The ha'nted house. That's it!"
|
|
|
|
"Blame it, I don't like ha'nted houses, Tom. Why,
|
|
they're a dern sight worse'n dead people. Dead people
|
|
might talk, maybe, but they don't come sliding around
|
|
in a shroud, when you ain't noticing, and peep over
|
|
your shoulder all of a sudden and grit their teeth, the
|
|
way a ghost does. I couldn't stand such a thing as that,
|
|
Tom -- nobody could."
|
|
|
|
"Yes, but, Huck, ghosts don't travel around only
|
|
at night. They won't hender us from digging there in
|
|
the daytime."
|
|
|
|
"Well, that's so. But you know mighty well people
|
|
don't go about that ha'nted house in the day nor the
|
|
night."
|
|
|
|
"Well, that's mostly because they don't like to go
|
|
where a man's been murdered, anyway -- but nothing's
|
|
ever been seen around that house except in the night --
|
|
just some blue lights slipping by the windows -- no
|
|
regular ghosts."
|
|
|
|
"Well, where you see one of them blue lights flicker-
|
|
ing around, Tom, you can bet there's a ghost mighty
|
|
close behind it. It stands to reason. Becuz you know
|
|
that they don't anybody but ghosts use 'em."
|
|
|
|
"Yes, that's so. But anyway they don't come
|
|
around in the daytime, so what's the use of our being
|
|
afeard?"
|
|
|
|
"Well, all right. We'll tackle the ha'nted house
|
|
if you say so -- but I reckon it's taking chances."
|
|
|
|
They had started down the hill by this time. There
|
|
in the middle of the moonlit valley below them stood
|
|
the "ha'nted" house, utterly isolated, its fences gone
|
|
long ago, rank weeds smothering the very doorsteps,
|
|
the chimney crumbled to ruin, the window-sashes
|
|
vacant, a corner of the roof caved in. The boys gazed
|
|
awhile, half expecting to see a blue light flit past a
|
|
window; then talking in a low tone, as befitted the time
|
|
and the circumstances, they struck far off to the right,
|
|
to give the haunted house a wide berth, and took their
|
|
way homeward through the woods that adorned the
|
|
rearward side of Cardiff Hill.
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
ABOUT noon the next day the boys ar-
|
|
rived at the dead tree; they had come
|
|
for their tools. Tom was impatient
|
|
to go to the haunted house; Huck
|
|
was measurably so, also -- but suddenly
|
|
said:
|
|
|
|
"Lookyhere, Tom, do you know what day it is?"
|
|
|
|
Tom mentally ran over the days of the week, and
|
|
then quickly lifted his eyes with a startled look in
|
|
them --
|
|
|
|
"My! I never once thought of it, Huck!"
|
|
|
|
"Well, I didn't neither, but all at once it popped
|
|
onto me that it was Friday."
|
|
|
|
"Blame it, a body can't be too careful, Huck. We
|
|
might 'a' got into an awful scrape, tackling such a thing
|
|
on a Friday."
|
|
|
|
"MIGHT! Better say we WOULD! There's some lucky
|
|
days, maybe, but Friday ain't."
|
|
|
|
"Any fool knows that. I don't reckon YOU was the
|
|
first that found it out, Huck."
|
|
|
|
"Well, I never said I was, did I? And Friday ain't
|
|
all, neither. I had a rotten bad dream last night --
|
|
dreampt about rats."
|
|
|
|
"No! Sure sign of trouble. Did they fight?"
|
|
|
|
"No."
|
|
|
|
"Well, that's good, Huck. When they don't fight
|
|
it's only a sign that there's trouble around, you know.
|
|
All we got to do is to look mighty sharp and keep out of
|
|
it. We'll drop this thing for to-day, and play. Do
|
|
you know Robin Hood, Huck?"
|
|
|
|
"No. Who's Robin Hood?"
|
|
|
|
"Why, he was one of the greatest men that was
|
|
ever in England -- and the best. He was a rob-
|
|
ber."
|
|
|
|
"Cracky, I wisht I was. Who did he rob?"
|
|
|
|
"Only sheriffs and bishops and rich people and kings,
|
|
and such like. But he never bothered the poor. He
|
|
loved 'em. He always divided up with 'em perfectly
|
|
square."
|
|
|
|
"Well, he must 'a' been a brick."
|
|
|
|
"I bet you he was, Huck. Oh, he was the noblest
|
|
man that ever was. They ain't any such men now, I
|
|
can tell you. He could lick any man in England, with
|
|
one hand tied behind him; and he could take his yew
|
|
bow and plug a ten-cent piece every time, a mile and a
|
|
half."
|
|
|
|
"What's a YEW bow?"
|
|
|
|
"I don't know. It's some kind of a bow, of course.
|
|
And if he hit that dime only on the edge he would set
|
|
down and cry -- and curse. But we'll play Robin Hood
|
|
-- it's nobby fun. I'll learn you."
|
|
|
|
"I'm agreed."
|
|
|
|
So they played Robin Hood all the afternoon, now
|
|
and then casting a yearning eye down upon the haunted
|
|
house and passing a remark about the morrow's pros-
|
|
pects and possibilities there. As the sun began to sink
|
|
into the west they took their way homeward athwart the
|
|
long shadows of the trees and soon were buried from
|
|
sight in the forests of Cardiff Hill.
|
|
|
|
On Saturday, shortly after noon, the boys were
|
|
at the dead tree again. They had a smoke and a
|
|
chat in the shade, and then dug a little in their last
|
|
hole, not with great hope, but merely because Tom
|
|
said there were so many cases where people had given
|
|
up a treasure after getting down within six inches of it,
|
|
and then somebody else had come along and turned
|
|
it up with a single thrust of a shovel. The thing failed
|
|
this time, however, so the boys shouldered their tools
|
|
and went away feeling that they had not trifled with
|
|
fortune, but had fulfilled all the requirements that be-
|
|
long to the business of treasure-hunting.
|
|
|
|
When they reached the haunted house there was
|
|
something so weird and grisly about the dead silence
|
|
that reigned there under the baking sun, and some-
|
|
thing so depressing about the loneliness and desola-
|
|
tion of the place, that they were afraid, for a mo-
|
|
ment, to venture in. Then they crept to the door and
|
|
took a trembling peep. They saw a weed-grown,
|
|
floorless room, unplastered, an ancient fireplace, va-
|
|
cant windows, a ruinous staircase; and here, there,
|
|
and everywhere hung ragged and abandoned cobwebs.
|
|
They presently entered, softly, with quickened pulses,
|
|
talking in whispers, ears alert to catch the slightest
|
|
sound, and muscles tense and ready for instant retreat.
|
|
|
|
In a little while familiarity modified their fears and
|
|
they gave the place a critical and interested exam-
|
|
ination, rather admiring their own boldness, and won-
|
|
dering at it, too. Next they wanted to look up-stairs.
|
|
This was something like cutting off retreat, but they got
|
|
to daring each other, and of course there could be but
|
|
one result -- they threw their tools into a corner and made
|
|
the ascent. Up there were the same signs of decay.
|
|
In one corner they found a closet that promised mystery,
|
|
but the promise was a fraud -- there was nothing in it.
|
|
Their courage was up now and well in hand. They
|
|
were about to go down and begin work when --
|
|
|
|
"Sh!" said Tom.
|
|
|
|
"What is it?" whispered Huck, blanching with fright.
|
|
|
|
"Sh! ... There! ... Hear it?"
|
|
|
|
"Yes! ... Oh, my! Let's run!"
|
|
|
|
"Keep still! Don't you budge! They're coming
|
|
right toward the door."
|
|
|
|
The boys stretched themselves upon the floor with
|
|
their eyes to knot-holes in the planking, and lay wait-
|
|
ing, in a misery of fear.
|
|
|
|
"They've stopped.... No -- coming.... Here they
|
|
are. Don't whisper another word, Huck. My good-
|
|
ness, I wish I was out of this!"
|
|
|
|
Two men entered. Each boy said to himself:
|
|
"There's the old deaf and dumb Spaniard that's been
|
|
about town once or twice lately -- never saw t'other
|
|
man before."
|
|
|
|
"T'other" was a ragged, unkempt creature, with
|
|
nothing very pleasant in his face. The Spaniard was
|
|
wrapped in a serape; he had bushy white whiskers; long
|
|
white hair flowed from under his sombrero, and he
|
|
wore green goggles. When they came in, "t'other" was
|
|
talking in a low voice; they sat down on the ground,
|
|
facing the door, with their backs to the wall, and the
|
|
speaker continued his remarks. His manner became
|
|
less guarded and his words more distinct as he proceeded:
|
|
|
|
"No," said he, "I've thought it all over, and I don't
|
|
like it. It's dangerous."
|
|
|
|
"Dangerous!" grunted the "deaf and dumb" Span-
|
|
iard -- to the vast surprise of the boys. "Milksop!"
|
|
|
|
This voice made the boys gasp and quake. It was
|
|
Injun Joe's! There was silence for some time. Then
|
|
Joe said:
|
|
|
|
"What's any more dangerous than that job up yon-
|
|
der -- but nothing's come of it."
|
|
|
|
"That's different. Away up the river so, and not
|
|
another house about. 'Twon't ever be known that we
|
|
tried, anyway, long as we didn't succeed."
|
|
|
|
"Well, what's more dangerous than coming here in
|
|
the daytime! -- anybody would suspicion us that saw us."
|
|
|
|
"I know that. But there warn't any other place as
|
|
handy after that fool of a job. I want to quit this
|
|
shanty. I wanted to yesterday, only it warn't any use
|
|
trying to stir out of here, with those infernal boys play-
|
|
ing over there on the hill right in full view."
|
|
|
|
"Those infernal boys" quaked again under the in-
|
|
spiration of this remark, and thought how lucky it was
|
|
that they had remembered it was Friday and concluded
|
|
to wait a day. They wished in their hearts they had
|
|
waited a year.
|
|
|
|
The two men got out some food and made a luncheon.
|
|
After a long and thoughtful silence, Injun Joe said:
|
|
|
|
"Look here, lad -- you go back up the river where
|
|
you belong. Wait there till you hear from me. I'll
|
|
take the chances on dropping into this town just once
|
|
more, for a look. We'll do that 'dangerous' job after
|
|
I've spied around a little and think things look well for
|
|
it. Then for Texas! We'll leg it together!"
|
|
|
|
This was satisfactory. Both men presently fell to
|
|
yawning, and Injun Joe said:
|
|
|
|
"I'm dead for sleep! It's your turn to watch."
|
|
|
|
He curled down in the weeds and soon began to
|
|
snore. His comrade stirred him once or twice and he
|
|
became quiet. Presently the watcher began to nod;
|
|
his head drooped lower and lower, both men began to
|
|
snore now.
|
|
|
|
The boys drew a long, grateful breath. Tom whis-
|
|
pered:
|
|
|
|
"Now's our chance -- come!"
|
|
|
|
Huck said:
|
|
|
|
"I can't -- I'd die if they was to wake."
|
|
|
|
Tom urged -- Huck held back. At last Tom rose
|
|
slowly and softly, and started alone. But the first
|
|
step he made wrung such a hideous creak from the
|
|
crazy floor that he sank down almost dead with fright.
|
|
He never made a second attempt. The boys lay there
|
|
counting the dragging moments till it seemed to them
|
|
that time must be done and eternity growing gray; and
|
|
then they were grateful to note that at last the sun was
|
|
setting.
|
|
|
|
Now one snore ceased. Injun Joe sat up, stared
|
|
around -- smiled grimly upon his comrade, whose head
|
|
was drooping upon his knees -- stirred him up with his
|
|
foot and said:
|
|
|
|
"Here! YOU'RE a watchman, ain't you! All right,
|
|
though -- nothing's happened."
|
|
|
|
"My! have I been asleep?"
|
|
|
|
"Oh, partly, partly. Nearly time for us to be mov-
|
|
ing, pard. What'll we do with what little swag we've
|
|
got left?"
|
|
|
|
"I don't know -- leave it here as we've always done,
|
|
I reckon. No use to take it away till we start
|
|
south. Six hundred and fifty in silver's something to
|
|
carry."
|
|
|
|
"Well -- all right -- it won't matter to come here once
|
|
more."
|
|
|
|
"No -- but I'd say come in the night as we used to do
|
|
-- it's better."
|
|
|
|
"Yes: but look here; it may be a good while before
|
|
I get the right chance at that job; accidents might hap-
|
|
pen; 'tain't in such a very good place; we'll just regularly
|
|
bury it -- and bury it deep."
|
|
|
|
"Good idea," said the comrade, who walked across
|
|
the room, knelt down, raised one of the rearward hearth-
|
|
stones and took out a bag that jingled pleasantly. He
|
|
subtracted from it twenty or thirty dollars for himself
|
|
and as much for Injun Joe, and passed the bag to the
|
|
latter, who was on his knees in the corner, now, digging
|
|
with his bowie-knife.
|
|
|
|
The boys forgot all their fears, all their miseries
|
|
in an instant. With gloating eyes they watched every
|
|
movement. Luck! -- the splendor of it was beyond all
|
|
imagination! Six hundred dollars was money enough
|
|
to make half a dozen boys rich! Here was treasure-
|
|
hunting under the happiest auspices -- there would not
|
|
be any bothersome uncertainty as to where to dig.
|
|
They nudged each other every moment -- eloquent
|
|
nudges and easily understood, for they simply meant --
|
|
"Oh, but ain't you glad NOW we're here!"
|
|
|
|
Joe's knife struck upon something.
|
|
|
|
"Hello!" said he.
|
|
|
|
"What is it?" said his comrade.
|
|
|
|
"Half-rotten plank -- no, it's a box, I believe. Here --
|
|
bear a hand and we'll see what it's here for. Never
|
|
mind, I've broke a hole."
|
|
|
|
He reached his hand in and drew it out --
|
|
|
|
"Man, it's money!"
|
|
|
|
The two men examined the handful of coins. They
|
|
were gold. The boys above were as excited as them-
|
|
selves, and as delighted.
|
|
|
|
Joe's comrade said:
|
|
|
|
"We'll make quick work of this. There's an old
|
|
rusty pick over amongst the weeds in the corner the
|
|
other side of the fireplace -- I saw it a minute ago."
|
|
|
|
He ran and brought the boys' pick and shovel. Injun
|
|
Joe took the pick, looked it over critically, shook his
|
|
head, muttered something to himself, and then began
|
|
to use it. The box was soon unearthed. It was not
|
|
very large; it was iron bound and had been very strong
|
|
before the slow years had injured it. The men con-
|
|
templated the treasure awhile in blissful silence.
|
|
|
|
"Pard, there's thousands of dollars here," said Injun
|
|
Joe.
|
|
|
|
"'Twas always said that Murrel's gang used to be
|
|
around here one summer," the stranger observed.
|
|
|
|
"I know it," said Injun Joe; "and this looks like it,
|
|
I should say."
|
|
|
|
"Now you won't need to do that job."
|
|
|
|
The half-breed frowned. Said he:
|
|
|
|
"You don't know me. Least you don't know all
|
|
about that thing. 'Tain't robbery altogether -- it's
|
|
REVENGE!" and a wicked light flamed in his eyes. "I'll
|
|
need your help in it. When it's finished -- then Texas.
|
|
Go home to your Nance and your kids, and stand by
|
|
till you hear from me."
|
|
|
|
"Well -- if you say so; what'll we do with this -- bury
|
|
it again?"
|
|
|
|
"Yes. [Ravishing delight overhead.] NO! by the
|
|
great Sachem, no! [Profound distress overhead.] I'd
|
|
nearly forgot. That pick had fresh earth on it! [The
|
|
boys were sick with terror in a moment.] What busi-
|
|
ness has a pick and a shovel here? What business with
|
|
fresh earth on them? Who brought them here -- and
|
|
where are they gone? Have you heard anybody? --
|
|
seen anybody? What! bury it again and leave them to
|
|
come and see the ground disturbed? Not exactly -- not
|
|
exactly. We'll take it to my den."
|
|
|
|
"Why, of course! Might have thought of that be-
|
|
fore. You mean Number One?"
|
|
|
|
"No -- Number Two -- under the cross. The other
|
|
place is bad -- too common."
|
|
|
|
"All right. It's nearly dark enough to start."
|
|
|
|
Injun Joe got up and went about from window to
|
|
window cautiously peeping out. Presently he said:
|
|
|
|
"Who could have brought those tools here? Do
|
|
you reckon they can be up-stairs?"
|
|
|
|
The boys' breath forsook them. Injun Joe put his
|
|
hand on his knife, halted a moment, undecided, and
|
|
then turned toward the stairway. The boys thought
|
|
of the closet, but their strength was gone. The steps
|
|
came creaking up the stairs -- the intolerable distress
|
|
of the situation woke the stricken resolution of the lads
|
|
-- they were about to spring for the closet, when there
|
|
was a crash of rotten timbers and Injun Joe landed on
|
|
the ground amid the debris of the ruined stairway. He
|
|
gathered himself up cursing, and his comrade said:
|
|
|
|
"Now what's the use of all that? If it's anybody,
|
|
and they're up there, let them STAY there -- who cares?
|
|
If they want to jump down, now, and get into trouble,
|
|
who objects? It will be dark in fifteen minutes -- and
|
|
then let them follow us if they want to. I'm willing.
|
|
In my opinion, whoever hove those things in here caught
|
|
a sight of us and took us for ghosts or devils or some-
|
|
thing. I'll bet they're running yet."
|
|
|
|
Joe grumbled awhile; then he agreed with his friend
|
|
that what daylight was left ought to be economized in
|
|
getting things ready for leaving. Shortly afterward
|
|
they slipped out of the house in the deepening twilight,
|
|
and moved toward the river with their precious box.
|
|
|
|
Tom and Huck rose up, weak but vastly relieved,
|
|
and stared after them through the chinks between the
|
|
logs of the house. Follow? Not they. They were
|
|
content to reach ground again without broken necks,
|
|
and take the townward track over the hill. They did
|
|
not talk much. They were too much absorbed in hating
|
|
themselves -- hating the ill luck that made them take
|
|
the spade and the pick there. But for that, Injun Joe
|
|
never would have suspected. He would have hidden
|
|
the silver with the gold to wait there till his "revenge"
|
|
was satisfied, and then he would have had the mis-
|
|
fortune to find that money turn up missing. Bitter,
|
|
bitter luck that the tools were ever brought there!
|
|
|
|
They resolved to keep a lookout for that Spaniard
|
|
when he should come to town spying out for chances
|
|
to do his revengeful job, and follow him to "Number
|
|
Two," wherever that might be. Then a ghastly thought
|
|
occurred to Tom.
|
|
|
|
"Revenge? What if he means US, Huck!"
|
|
|
|
"Oh, don't!" said Huck, nearly fainting.
|
|
|
|
They talked it all over, and as they entered town they
|
|
agreed to believe that he might possibly mean somebody
|
|
else -- at least that he might at least mean nobody but
|
|
Tom, since only Tom had testified.
|
|
|
|
Very, very small comfort it was to Tom to be alone
|
|
in danger! Company would be a palpable improve-
|
|
ment, he thought.
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
THE adventure of the day mightily tor-
|
|
mented Tom's dreams that night. Four
|
|
times he had his hands on that rich
|
|
treasure and four times it wasted to
|
|
nothingness in his fingers as sleep for-
|
|
sook him and wakefulness brought back
|
|
the hard reality of his misfortune. As he lay in the
|
|
early morning recalling the incidents of his great ad-
|
|
venture, he noticed that they seemed curiously subdued
|
|
and far away -- somewhat as if they had happened in
|
|
another world, or in a time long gone by. Then it oc-
|
|
curred to him that the great adventure itself must be
|
|
a dream! There was one very strong argument in favor
|
|
of this idea -- namely, that the quantity of coin he had
|
|
seen was too vast to be real. He had never seen as
|
|
much as fifty dollars in one mass before, and he was
|
|
like all boys of his age and station in life, in that he
|
|
imagined that all references to "hundreds" and "thou-
|
|
sands" were mere fanciful forms of speech, and that
|
|
no such sums really existed in the world. He never had
|
|
supposed for a moment that so large a sum as a hun-
|
|
dred dollars was to be found in actual money in any
|
|
one's possession. If his notions of hidden treasure had
|
|
been analyzed, they would have been found to consist of
|
|
a handful of real dimes and a bushel of vague, splen-
|
|
did, ungraspable dollars.
|
|
|
|
But the incidents of his adventure grew sensibly
|
|
sharper and clearer under the attrition of thinking them
|
|
over, and so he presently found himself leaning to the
|
|
impression that the thing might not have been a dream,
|
|
after all. This uncertainty must be swept away. He
|
|
would snatch a hurried breakfast and go and find Huck.
|
|
Huck was sitting on the gunwale of a flatboat, list-
|
|
lessly dangling his feet in the water and looking very
|
|
melancholy. Tom concluded to let Huck lead up to
|
|
the subject. If he did not do it, then the adventure
|
|
would be proved to have been only a dream.
|
|
|
|
"Hello, Huck!"
|
|
|
|
"Hello, yourself."
|
|
|
|
Silence, for a minute.
|
|
|
|
"Tom, if we'd 'a' left the blame tools at the dead
|
|
tree, we'd 'a' got the money. Oh, ain't it awful!"
|
|
|
|
"'Tain't a dream, then, 'tain't a dream! Somehow
|
|
I most wish it was. Dog'd if I don't, Huck."
|
|
|
|
"What ain't a dream?"
|
|
|
|
"Oh, that thing yesterday. I been half thinking
|
|
it was."
|
|
|
|
"Dream! If them stairs hadn't broke down you'd
|
|
'a' seen how much dream it was! I've had dreams
|
|
enough all night -- with that patch-eyed Spanish devil
|
|
going for me all through 'em -- rot him!"
|
|
|
|
"No, not rot him. FIND him! Track the money!"
|
|
|
|
"Tom, we'll never find him. A feller don't have
|
|
only one chance for such a pile -- and that one's lost.
|
|
I'd feel mighty shaky if I was to see him, anyway."
|
|
|
|
"Well, so'd I; but I'd like to see him, anyway --
|
|
and track him out -- to his Number Two."
|
|
|
|
"Number Two -- yes, that's it. I been thinking
|
|
'bout that. But I can't make nothing out of it. What
|
|
do you reckon it is?"
|
|
|
|
"I dono. It's too deep. Say, Huck -- maybe it's
|
|
the number of a house!"
|
|
|
|
"Goody! ... No, Tom, that ain't it. If it is, it ain't
|
|
in this one-horse town. They ain't no numbers here."
|
|
|
|
"Well, that's so. Lemme think a minute. Here --
|
|
it's the number of a room -- in a tavern, you know!"
|
|
|
|
"Oh, that's the trick! They ain't only two taverns.
|
|
We can find out quick."
|
|
|
|
"You stay here, Huck, till I come."
|
|
|
|
Tom was off at once. He did not care to have
|
|
Huck's company in public places. He was gone half
|
|
an hour. He found that in the best tavern, No. 2
|
|
had long been occupied by a young lawyer, and was
|
|
still so occupied. In the less ostentatious house, No. 2
|
|
was a mystery. The tavern-keeper's young son said
|
|
it was kept locked all the time, and he never saw any-
|
|
body go into it or come out of it except at night; he
|
|
did not know any particular reason for this state of
|
|
things; had had some little curiosity, but it was rather
|
|
feeble; had made the most of the mystery by enter-
|
|
taining himself with the idea that that room was
|
|
"ha'nted"; had noticed that there was a light in there
|
|
the night before.
|
|
|
|
"That's what I've found out, Huck. I reckon
|
|
that's the very No. 2 we're after."
|
|
|
|
"I reckon it is, Tom. Now what you going to do?"
|
|
|
|
"Lemme think."
|
|
|
|
Tom thought a long time. Then he said:
|
|
|
|
"I'll tell you. The back door of that No. 2 is
|
|
the door that comes out into that little close alley
|
|
between the tavern and the old rattle trap of a brick
|
|
store. Now you get hold of all the door-keys you
|
|
can find, and I'll nip all of auntie's, and the first dark
|
|
night we'll go there and try 'em. And mind you,
|
|
keep a lookout for Injun Joe, because he said he was
|
|
going to drop into town and spy around once more
|
|
for a chance to get his revenge. If you see him, you
|
|
just follow him; and if he don't go to that No. 2,
|
|
that ain't the place."
|
|
|
|
"Lordy, I don't want to foller him by myself!"
|
|
|
|
"Why, it'll be night, sure. He mightn't ever see
|
|
you -- and if he did, maybe he'd never think anything."
|
|
|
|
"Well, if it's pretty dark I reckon I'll track him.
|
|
I dono -- I dono. I'll try."
|
|
|
|
"You bet I'll follow him, if it's dark, Huck. Why,
|
|
he might 'a' found out he couldn't get his revenge,
|
|
and be going right after that money."
|
|
|
|
"It's so, Tom, it's so. I'll foller him; I will, by
|
|
jingoes!"
|
|
|
|
"Now you're TALKING! Don't you ever weaken,
|
|
Huck, and I won't."
|
|
|
|
|
|
CHAPTER XXVIII
|
|
|
|
THAT night Tom and Huck were ready
|
|
for their adventure. They hung about
|
|
the neighborhood of the tavern until
|
|
after nine, one watching the alley at a
|
|
distance and the other the tavern door.
|
|
Nobody entered the alley or left it; no-
|
|
body resembling the Spaniard entered or left the tavern
|
|
door. The night promised to be a fair one; so Tom
|
|
went home with the understanding that if a consider-
|
|
able degree of darkness came on, Huck was to come
|
|
and "maow," whereupon he would slip out and try
|
|
the keys. But the night remained clear, and Huck
|
|
closed his watch and retired to bed in an empty sugar
|
|
hogshead about twelve.
|
|
|
|
Tuesday the boys had the same ill luck. Also
|
|
Wednesday. But Thursday night promised better.
|
|
Tom slipped out in good season with his aunt's old
|
|
tin lantern, and a large towel to blindfold it with.
|
|
He hid the lantern in Huck's sugar hogshead and the
|
|
watch began. An hour before midnight the tavern
|
|
closed up and its lights (the only ones thereabouts)
|
|
were put out. No Spaniard had been seen. Nobody
|
|
had entered or left the alley. Everything was auspi-
|
|
cious. The blackness of darkness reigned, the perfect
|
|
stillness was interrupted only by occasional mutterings
|
|
of distant thunder.
|
|
|
|
Tom got his lantern, lit it in the hogshead, wrapped
|
|
it closely in the towel, and the two adventurers crept
|
|
in the gloom toward the tavern. Huck stood sentry
|
|
and Tom felt his way into the alley. Then there was
|
|
a season of waiting anxiety that weighed upon Huck's
|
|
spirits like a mountain. He began to wish he could
|
|
see a flash from the lantern -- it would frighten him, but
|
|
it would at least tell him that Tom was alive yet. It
|
|
seemed hours since Tom had disappeared. Surely
|
|
he must have fainted; maybe he was dead; maybe
|
|
his heart had burst under terror and excitement. In
|
|
his uneasiness Huck found himself drawing closer
|
|
and closer to the alley; fearing all sorts of dreadful
|
|
things, and momentarily expecting some catastrophe
|
|
to happen that would take away his breath. There
|
|
was not much to take away, for he seemed only able
|
|
to inhale it by thimblefuls, and his heart would soon
|
|
wear itself out, the way it was beating. Suddenly
|
|
there was a flash of light and Tom came tearing by
|
|
him:
|
|
.
|
|
"Run!" said he; "run, for your life!"
|
|
|
|
He needn't have repeated it; once was enough;
|
|
Huck was making thirty or forty miles an hour before
|
|
the repetition was uttered. The boys never stopped
|
|
till they reached the shed of a deserted slaughter-
|
|
house at the lower end of the village. Just as they got
|
|
within its shelter the storm burst and the rain poured
|
|
down. As soon as Tom got his breath he said:
|
|
|
|
"Huck, it was awful! I tried two of the keys, just
|
|
as soft as I could; but they seemed to make such a
|
|
power of racket that I couldn't hardly get my breath
|
|
I was so scared. They wouldn't turn in the lock,
|
|
either. Well, without noticing what I was doing, I
|
|
took hold of the knob, and open comes the door! It
|
|
warn't locked! I hopped in, and shook off the towel,
|
|
and, GREAT CAESAR'S GHOST!"
|
|
|
|
"What! -- what'd you see, Tom?"
|
|
|
|
"Huck, I most stepped onto Injun Joe's hand!"
|
|
|
|
"No!"
|
|
|
|
"Yes! He was lying there, sound asleep on the
|
|
floor, with his old patch on his eye and his arms spread
|
|
out."
|
|
|
|
"Lordy, what did you do? Did he wake up?"
|
|
|
|
"No, never budged. Drunk, I reckon. I just
|
|
grabbed that towel and started!"
|
|
|
|
"I'd never 'a' thought of the towel, I bet!"
|
|
|
|
"Well, I would. My aunt would make me mighty
|
|
sick if I lost it."
|
|
|
|
"Say, Tom, did you see that box?"
|
|
|
|
"Huck, I didn't wait to look around. I didn't see
|
|
the box, I didn't see the cross. I didn't see anything
|
|
but a bottle and a tin cup on the floor by Injun Joe;
|
|
yes, I saw two barrels and lots more bottles in the
|
|
room. Don't you see, now, what's the matter with
|
|
that ha'nted room?"
|
|
|
|
"How?"
|
|
|
|
"Why, it's ha'nted with whiskey! Maybe ALL the
|
|
Temperance Taverns have got a ha'nted room, hey,
|
|
Huck?"
|
|
|
|
"Well, I reckon maybe that's so. Who'd 'a' thought
|
|
such a thing? But say, Tom, now's a mighty good
|
|
time to get that box, if Injun Joe's drunk."
|
|
|
|
"It is, that! You try it!"
|
|
|
|
Huck shuddered.
|
|
|
|
"Well, no -- I reckon not."
|
|
|
|
"And I reckon not, Huck. Only one bottle along-
|
|
side of Injun Joe ain't enough. If there'd been three,
|
|
he'd be drunk enough and I'd do it."
|
|
|
|
There was a long pause for reflection, and then
|
|
Tom said:
|
|
|
|
"Lookyhere, Huck, less not try that thing any
|
|
more till we know Injun Joe's not in there. It's too
|
|
scary. Now, if we watch every night, we'll be dead
|
|
sure to see him go out, some time or other, and then
|
|
we'll snatch that box quicker'n lightning."
|
|
|
|
"Well, I'm agreed. I'll watch the whole night long,
|
|
and I'll do it every night, too, if you'll do the other part
|
|
of the job."
|
|
|
|
"All right, I will. All you got to do is to trot up
|
|
Hooper Street a block and maow -- and if I'm asleep,
|
|
you throw some gravel at the window and that'll
|
|
fetch me."
|
|
|
|
"Agreed, and good as wheat!"
|
|
|
|
"Now, Huck, the storm's over, and I'll go home.
|
|
It'll begin to be daylight in a couple of hours. You go
|
|
back and watch that long, will you?"
|
|
|
|
"I said I would, Tom, and I will. I'll ha'nt that
|
|
tavern every night for a year! I'll sleep all day and
|
|
I'll stand watch all night."
|
|
|
|
"That's all right. Now, where you going to sleep?"
|
|
|
|
"In Ben Rogers' hayloft. He lets me, and so does
|
|
his pap's nigger man, Uncle Jake. I tote water for
|
|
Uncle Jake whenever he wants me to, and any time I
|
|
ask him he gives me a little something to eat if he
|
|
can spare it. That's a mighty good nigger, Tom. He
|
|
likes me, becuz I don't ever act as if I was above him.
|
|
Sometime I've set right down and eat WITH him. But
|
|
you needn't tell that. A body's got to do things when
|
|
he's awful hungry he wouldn't want to do as a steady
|
|
thing."
|
|
|
|
"Well, if I don't want you in the daytime, I'll let
|
|
you sleep. I won't come bothering around. Any
|
|
time you see something's up, in the night, just skip
|
|
right around and maow."
|
|
|
|
|
|
CHAPTER XXIX
|
|
|
|
THE first thing Tom heard on Friday
|
|
morning was a glad piece of news --
|
|
Judge Thatcher's family had come back
|
|
to town the night before. Both Injun
|
|
Joe and the treasure sunk into second-
|
|
ary importance for a moment, and Becky
|
|
took the chief place in the boy's interest. He saw her
|
|
and they had an exhausting good time playing "hi-
|
|
spy" and "gully-keeper" with a crowd of their school-
|
|
mates. The day was completed and crowned in a pe-
|
|
culiarly satisfactory way: Becky teased her mother to
|
|
appoint the next day for the long-promised and long-
|
|
delayed picnic, and she consented. The child's delight
|
|
was boundless; and Tom's not more moderate. The
|
|
invitations were sent out before sunset, and straightway
|
|
the young folks of the village were thrown into a fever
|
|
of preparation and pleasurable anticipation. Tom's
|
|
excitement enabled him to keep awake until a pretty
|
|
late hour, and he had good hopes of hearing Huck's
|
|
"maow," and of having his treasure to astonish Becky
|
|
and the picnickers with, next day; but he was dis-
|
|
appointed. No signal came that night.
|
|
|
|
Morning came, eventually, and by ten or eleven
|
|
o'clock a giddy and rollicking company were gathered
|
|
at Judge Thatcher's, and everything was ready for a
|
|
start. It was not the custom for elderly people to
|
|
mar the picnics with their presence. The children
|
|
were considered safe enough under the wings of a
|
|
few young ladies of eighteen and a few young gentlemen
|
|
of twenty-three or thereabouts. The old steam ferry-
|
|
boat was chartered for the occasion; presently the
|
|
gay throng filed up the main street laden with provision-
|
|
baskets. Sid was sick and had to miss the fun; Mary
|
|
remained at home to entertain him. The last thing
|
|
Mrs. Thatcher said to Becky, was:
|
|
|
|
"You'll not get back till late. Perhaps you'd better
|
|
stay all night with some of the girls that live near the
|
|
ferry-landing, child."
|
|
|
|
"Then I'll stay with Susy Harper, mamma."
|
|
|
|
"Very well. And mind and behave yourself and
|
|
don't be any trouble."
|
|
|
|
Presently, as they tripped along, Tom said to Becky:
|
|
|
|
"Say -- I'll tell you what we'll do. 'Stead of going
|
|
to Joe Harper's we'll climb right up the hill and stop
|
|
at the Widow Douglas'. She'll have ice-cream! She
|
|
has it most every day -- dead loads of it. And she'll be
|
|
awful glad to have us."
|
|
|
|
"Oh, that will be fun!"
|
|
|
|
Then Becky reflected a moment and said:
|
|
|
|
"But what will mamma say?"
|
|
|
|
"How'll she ever know?"
|
|
|
|
The girl turned the idea over in her mind, and said
|
|
reluctantly:
|
|
|
|
"I reckon it's wrong -- but --"
|
|
|
|
"But shucks! Your mother won't know, and so
|
|
what's the harm? All she wants is that you'll be safe;
|
|
and I bet you she'd 'a' said go there if she'd 'a' thought
|
|
of it. I know she would!"
|
|
|
|
The Widow Douglas' splendid hospitality was a
|
|
tempting bait. It and Tom's persuasions presently
|
|
carried the day. So it was decided to say nothing
|
|
anybody about the night's programme. Presently
|
|
it occurred to Tom that maybe Huck might come
|
|
this very night and give the signal. The thought took
|
|
a deal of the spirit out of his anticipations. Still he
|
|
could not bear to give up the fun at Widow Douglas'.
|
|
And why should he give it up, he reasoned -- the signal
|
|
did not come the night before, so why should it be any
|
|
more likely to come to-night? The sure fun of the
|
|
evening outweighed the uncertain treasure; and, boy-
|
|
like, he determined to yield to the stronger inclination
|
|
and not allow himself to think of the box of money
|
|
another time that day.
|
|
|
|
Three miles below town the ferryboat stopped at
|
|
the mouth of a woody hollow and tied up. The
|
|
crowd swarmed ashore and soon the forest distances
|
|
and craggy heights echoed far and near with shoutings
|
|
and laughter. All the different ways of getting hot
|
|
and tired were gone through with, and by-and-by the
|
|
rovers straggled back to camp fortified with responsible
|
|
appetites, and then the destruction of the good things
|
|
began. After the feast there was a refreshing season
|
|
of rest and chat in the shade of spreading oaks. By-
|
|
and-by somebody shouted:
|
|
|
|
"Who's ready for the cave?"
|
|
|
|
Everybody was. Bundles of candles were procured,
|
|
and straightway there was a general scamper up the
|
|
hill. The mouth of the cave was up the hillside -- an
|
|
opening shaped like a letter A. Its massive oaken
|
|
door stood unbarred. Within was a small chamber,
|
|
chilly as an ice-house, and walled by Nature with
|
|
solid limestone that was dewy with a cold sweat. It
|
|
was romantic and mysterious to stand here in the
|
|
deep gloom and look out upon the green valley shining
|
|
in the sun. But the impressiveness of the situation
|
|
quickly wore off, and the romping began again. The
|
|
moment a candle was lighted there was a general rush
|
|
upon the owner of it; a struggle and a gallant defence
|
|
followed, but the candle was soon knocked down or
|
|
blown out, and then there was a glad clamor of laughter
|
|
and a new chase. But all things have an end. By-and-
|
|
by the procession went filing down the steep descent
|
|
of the main avenue, the flickering rank of lights dimly
|
|
revealing the lofty walls of rock almost to their point
|
|
of junction sixty feet overhead. This main avenue
|
|
was not more than eight or ten feet wide. Every few
|
|
steps other lofty and still narrower crevices branched
|
|
from it on either hand -- for McDougal's cave was but
|
|
a vast labyrinth of crooked aisles that ran into each
|
|
other and out again and led nowhere. It was said that
|
|
one might wander days and nights together through
|
|
its intricate tangle of rifts and chasms, and never find
|
|
the end of the cave; and that he might go down, and
|
|
down, and still down, into the earth, and it was just
|
|
the same -- labyrinth under labyrinth, and no end to
|
|
any of them. No man "knew" the cave. That was
|
|
an impossible thing. Most of the young men knew a
|
|
portion of it, and it was not customary to venture much
|
|
beyond this known portion. Tom Sawyer knew as
|
|
much of the cave as any one.
|
|
|
|
The procession moved along the main avenue
|
|
some three-quarters of a mile, and then groups and
|
|
couples began to slip aside into branch avenues, fly
|
|
along the dismal corridors, and take each other by
|
|
surprise at points where the corridors joined again.
|
|
Parties were able to elude each other for the space of
|
|
half an hour without going beyond the "known"
|
|
ground.
|
|
|
|
By-and-by, one group after another came straggling
|
|
back to the mouth of the cave, panting, hilarious,
|
|
smeared from head to foot with tallow drippings,
|
|
daubed with clay, and entirely delighted with the
|
|
success of the day. Then they were astonished to
|
|
find that they had been taking no note of time and
|
|
that night was about at hand. The clanging bell had
|
|
been calling for half an hour. However, this sort of
|
|
close to the day's adventures was romantic and there-
|
|
fore satisfactory. When the ferryboat with her wild
|
|
freight pushed into the stream, nobody cared sixpence
|
|
for the wasted time but the captain of the craft.
|
|
|
|
Huck was already upon his watch when the ferry-
|
|
boat's lights went glinting past the wharf. He heard
|
|
no noise on board, for the young people were as sub-
|
|
dued and still as people usually are who are nearly
|
|
tired to death. He wondered what boat it was, and
|
|
why she did not stop at the wharf -- and then he dropped
|
|
her out of his mind and put his attention upon his
|
|
business. The night was growing cloudy and dark.
|
|
Ten o'clock came, and the noise of vehicles ceased,
|
|
scattered lights began to wink out, all straggling foot-
|
|
passengers disappeared, the village betook itself to
|
|
its slumbers and left the small watcher alone with the
|
|
silence and the ghosts. Eleven o'clock came, and the
|
|
tavern lights were put out; darkness everywhere, now.
|
|
Huck waited what seemed a weary long time, but noth-
|
|
ing happened. His faith was weakening. Was there
|
|
any use? Was there really any use? Why not give
|
|
it up and turn in?
|
|
|
|
A noise fell upon his ear. He was all attention in
|
|
an instant. The alley door closed softly. He sprang
|
|
to the corner of the brick store. The next moment
|
|
two men brushed by him, and one seemed to have
|
|
something under his arm. It must be that box! So
|
|
they were going to remove the treasure. Why call
|
|
Tom now? It would be absurd -- the men would get
|
|
away with the box and never be found again. No, he
|
|
would stick to their wake and follow them; he would
|
|
trust to the darkness for security from discovery. So
|
|
communing with himself, Huck stepped out and glided
|
|
along behind the men, cat-like, with bare feet, allowing
|
|
them to keep just far enough ahead not to be invisible.
|
|
|
|
They moved up the river street three blocks, then
|
|
turned to the left up a cross-street. They went straight
|
|
ahead, then, until they came to the path that led up
|
|
Cardiff Hill; this they took. They passed by the old
|
|
Welshman's house, half-way up the hill, without hesi-
|
|
tating, and still climbed upward. Good, thought Huck,
|
|
they will bury it in the old quarry. But they never
|
|
stopped at the quarry. They passed on, up the sum-
|
|
mit. They plunged into the narrow path between the
|
|
tall sumach bushes, and were at once hidden in the
|
|
gloom. Huck closed up and shortened his distance,
|
|
now, for they would never be able to see him. He
|
|
trotted along awhile; then slackened his pace, fearing
|
|
he was gaining too fast; moved on a piece, then stopped
|
|
altogether; listened; no sound; none, save that he
|
|
seemed to hear the beating of his own heart. The
|
|
hooting of an owl came over the hill -- ominous sound!
|
|
But no footsteps. Heavens, was everything lost! He
|
|
was about to spring with winged feet, when a man
|
|
cleared his throat not four feet from him! Huck's
|
|
heart shot into his throat, but he swallowed it again;
|
|
and then he stood there shaking as if a dozen agues
|
|
had taken charge of him at once, and so weak that he
|
|
thought he must surely fall to the ground. He knew
|
|
where he was. He knew he was within five steps of
|
|
the stile leading into Widow Douglas' grounds. Very
|
|
well, he thought, let them bury it there; it won't be
|
|
hard to find.
|
|
|
|
Now there was a voice -- a very low voice -- Injun
|
|
Joe's:
|
|
|
|
"Damn her, maybe she's got company -- there's
|
|
lights, late as it is."
|
|
|
|
"I can't see any."
|
|
|
|
This was that stranger's voice -- the stranger of the
|
|
haunted house. A deadly chill went to Huck's heart --
|
|
this, then, was the "revenge" job! His thought was,
|
|
to fly. Then he remembered that the Widow Douglas
|
|
had been kind to him more than once, and maybe these
|
|
men were going to murder her. He wished he dared
|
|
venture to warn her; but he knew he didn't dare -- they
|
|
might come and catch him. He thought all this and
|
|
more in the moment that elapsed between the stranger's
|
|
remark and Injun Joe's next -- which was --
|
|
|
|
"Because the bush is in your way. Now -- this way
|
|
-- now you see, don't you?"
|
|
|
|
"Yes. Well, there IS company there, I reckon.
|
|
Better give it up."
|
|
|
|
"Give it up, and I just leaving this country forever!
|
|
Give it up and maybe never have another chance. I
|
|
tell you again, as I've told you before, I don't care
|
|
for her swag -- you may have it. But her husband
|
|
was rough on me -- many times he was rough on me
|
|
-- and mainly he was the justice of the peace that
|
|
jugged me for a vagrant. And that ain't all. It
|
|
ain't a millionth part of it! He had me HORSEWHIPPED!
|
|
-- horsewhipped in front of the jail, like a nigger! --
|
|
with all the town looking on! HORSEWHIPPED! -- do
|
|
you understand? He took advantage of me and died.
|
|
But I'll take it out of HER."
|
|
|
|
"Oh, don't kill her! Don't do that!"
|
|
|
|
"Kill? Who said anything about killing? I would
|
|
kill HIM if he was here; but not her. When you want
|
|
to get revenge on a woman you don't kill her -- bosh!
|
|
you go for her looks. You slit her nostrils -- you notch
|
|
her ears like a sow!"
|
|
|
|
"By God, that's --"
|
|
|
|
"Keep your opinion to yourself! It will be safest
|
|
for you. I'll tie her to the bed. If she bleeds to
|
|
death, is that my fault? I'll not cry, if she does. My
|
|
friend, you'll help me in this thing -- for MY sake --
|
|
that's why you're here -- I mightn't be able alone. If
|
|
you flinch, I'll kill you. Do you understand that?
|
|
And if I have to kill you, I'll kill her -- and then I
|
|
reckon nobody'll ever know much about who done
|
|
this business."
|
|
|
|
"Well, if it's got to be done, let's get at it. The
|
|
quicker the better -- I'm all in a shiver."
|
|
|
|
"Do it NOW? And company there? Look here --
|
|
I'll get suspicious of you, first thing you know. No
|
|
-- we'll wait till the lights are out -- there's no hurry."
|
|
|
|
Huck felt that a silence was going to ensue -- a
|
|
thing still more awful than any amount of murderous
|
|
talk; so he held his breath and stepped gingerly back;
|
|
planted his foot carefully and firmly, after balancing,
|
|
one-legged, in a precarious way and almost toppling
|
|
over, first on one side and then on the other. He
|
|
took another step back, with the same elaboration
|
|
and the same risks; then another and another, and
|
|
-- a twig snapped under his foot! His breath stopped
|
|
and he listened. There was no sound -- the stillness
|
|
was perfect. His gratitude was measureless. Now he
|
|
turned in his tracks, between the walls of sumach
|
|
bushes -- turned himself as carefully as if he were a
|
|
ship -- and then stepped quickly but cautiously along.
|
|
When he emerged at the quarry he felt secure, and so he
|
|
picked up his nimble heels and flew. Down, down he
|
|
sped, till he reached the Welshman's. He banged at
|
|
the door, and presently the heads of the old man and
|
|
his two stalwart sons were thrust from windows.
|
|
|
|
"What's the row there? Who's banging? What
|
|
do you want?"
|
|
|
|
"Let me in -- quick! I'll tell everything."
|
|
|
|
"Why, who are you?"
|
|
|
|
"Huckleberry Finn -- quick, let me in!"
|
|
|
|
"Huckleberry Finn, indeed! It ain't a name to
|
|
open many doors, I judge! But let him in, lads, and
|
|
let's see what's the trouble."
|
|
|
|
"Please don't ever tell I told you," were Huck's
|
|
first words when he got in. "Please don't -- I'd be
|
|
killed, sure -- but the widow's been good friends to
|
|
me sometimes, and I want to tell -- I WILL tell if you'll
|
|
promise you won't ever say it was me."
|
|
|
|
"By George, he HAS got something to tell, or he
|
|
wouldn't act so!" exclaimed the old man; "out with
|
|
it and nobody here'll ever tell, lad."
|
|
|
|
Three minutes later the old man and his sons, well
|
|
armed, were up the hill, and just entering the sumach
|
|
path on tiptoe, their weapons in their hands. Huck
|
|
accompanied them no further. He hid behind a great
|
|
bowlder and fell to listening. There was a lagging,
|
|
anxious silence, and then all of a sudden there was
|
|
an explosion of firearms and a cry.
|
|
|
|
Huck waited for no particulars. He sprang away
|
|
and sped down the hill as fast as his legs could carry
|
|
him.
|
|
|
|
|
|
CHAPTER XXX
|
|
|
|
AS the earliest suspicion of dawn appeared
|
|
on Sunday morning, Huck came groping
|
|
up the hill and rapped gently at the old
|
|
Welshman's door. The inmates were
|
|
asleep, but it was a sleep that was set on
|
|
a hair-trigger, on account of the exciting
|
|
episode of the night. A call came from a window:
|
|
|
|
"Who's there!"
|
|
|
|
Huck's scared voice answered in a low tone:
|
|
|
|
"Please let me in! It's only Huck Finn!"
|
|
|
|
"It's a name that can open this door night or day,
|
|
lad! -- and welcome!"
|
|
|
|
These were strange words to the vagabond boy's
|
|
ears, and the pleasantest he had ever heard. He
|
|
could not recollect that the closing word had ever been
|
|
applied in his case before. The door was quickly
|
|
unlocked, and he entered. Huck was given a seat
|
|
and the old man and his brace of tall sons speedily
|
|
dressed themselves.
|
|
|
|
"Now, my boy, I hope you're good and hungry,
|
|
because breakfast will be ready as soon as the sun's
|
|
up, and we'll have a piping hot one, too -- make your-
|
|
self easy about that! I and the boys hoped you'd
|
|
turn up and stop here last night."
|
|
|
|
"I was awful scared," said Huck, "and I run. I
|
|
took out when the pistols went off, and I didn't stop
|
|
for three mile. I've come now becuz I wanted to know
|
|
about it, you know; and I come before daylight becuz
|
|
I didn't want to run across them devils, even if they
|
|
was dead."
|
|
|
|
"Well, poor chap, you do look as if you'd had a
|
|
hard night of it -- but there's a bed here for you when
|
|
you've had your breakfast. No, they ain't dead, lad
|
|
-- we are sorry enough for that. You see we knew
|
|
right where to put our hands on them, by your de-
|
|
scription; so we crept along on tiptoe till we got
|
|
within fifteen feet of them -- dark as a cellar that sumach
|
|
path was -- and just then I found I was going to sneeze.
|
|
It was the meanest kind of luck! I tried to keep it
|
|
back, but no use -- 'twas bound to come, and it did
|
|
come! I was in the lead with my pistol raised, and
|
|
when the sneeze started those scoundrels a-rustling to
|
|
get out of the path, I sung out, 'Fire boys!' and blazed
|
|
away at the place where the rustling was. So did the
|
|
boys. But they were off in a jiffy, those villains, and
|
|
we after them, down through the woods. I judge we
|
|
never touched them. They fired a shot apiece as they
|
|
started, but their bullets whizzed by and didn't do us
|
|
any harm. As soon as we lost the sound of their feet
|
|
we quit chasing, and went down and stirred up the
|
|
constables. They got a posse together, and went off
|
|
to guard the river bank, and as soon as it is light the
|
|
sheriff and a gang are going to beat up the woods. My
|
|
boys will be with them presently. I wish we had
|
|
some sort of description of those rascals -- 'twould help
|
|
a good deal. But you couldn't see what they were
|
|
like, in the dark, lad, I suppose?"
|
|
|
|
"Oh yes; I saw them down-town and follered
|
|
them."
|
|
|
|
"Splendid! Describe them -- describe them, my
|
|
boy!"
|
|
|
|
"One's the old deaf and dumb Spaniard that's ben
|
|
around here once or twice, and t'other's a mean-looking,
|
|
ragged --"
|
|
|
|
"That's enough, lad, we know the men! Hap-
|
|
pened on them in the woods back of the widow's one
|
|
day, and they slunk away. Off with you, boys, and
|
|
tell the sheriff -- get your breakfast to-morrow morning!"
|
|
|
|
The Welshman's sons departed at once. As they
|
|
were leaving the room Huck sprang up and exclaimed:
|
|
|
|
"Oh, please don't tell ANYbody it was me that
|
|
blowed on them! Oh, please!"
|
|
|
|
"All right if you say it, Huck, but you ought to
|
|
have the credit of what you did."
|
|
|
|
"Oh no, no! Please don't tell!"
|
|
|
|
When the young men were gone, the old Welshman
|
|
said:
|
|
|
|
"They won't tell -- and I won't. But why don't
|
|
you want it known?"
|
|
|
|
Huck would not explain, further than to say that
|
|
he already knew too much about one of those men
|
|
and would not have the man know that he knew any-
|
|
thing against him for the whole world -- he would be
|
|
killed for knowing it, sure.
|
|
|
|
The old man promised secrecy once more, and
|
|
said:
|
|
|
|
"How did you come to follow these fellows, lad?
|
|
Were they looking suspicious?"
|
|
|
|
Huck was silent while he framed a duly cautious
|
|
reply. Then he said:
|
|
|
|
"Well, you see, I'm a kind of a hard lot, -- least
|
|
everybody says so, and I don't see nothing agin it --
|
|
and sometimes I can't sleep much, on account of think-
|
|
ing about it and sort of trying to strike out a new
|
|
way of doing. That was the way of it last night. I
|
|
couldn't sleep, and so I come along up-street 'bout
|
|
midnight, a-turning it all over, and when I got to that
|
|
old shackly brick store by the Temperance Tavern,
|
|
I backed up agin the wall to have another think. Well,
|
|
just then along comes these two chaps slipping along
|
|
close by me, with something under their arm, and I
|
|
reckoned they'd stole it. One was a-smoking, and
|
|
t'other one wanted a light; so they stopped right before
|
|
me and the cigars lit up their faces and I see that the
|
|
big one was the deaf and dumb Spaniard, by his white
|
|
whiskers and the patch on his eye, and t'other one
|
|
was a rusty, ragged-looking devil."
|
|
|
|
"Could you see the rags by the light of the cigars?"
|
|
|
|
This staggered Huck for a moment. Then he
|
|
said:
|
|
|
|
"Well, I don't know -- but somehow it seems as if
|
|
I did."
|
|
|
|
"Then they went on, and you --"
|
|
|
|
"Follered 'em -- yes. That was it. I wanted to see
|
|
what was up -- they sneaked along so. I dogged 'em
|
|
to the widder's stile, and stood in the dark and heard
|
|
the ragged one beg for the widder, and the Spaniard
|
|
swear he'd spile her looks just as I told you and your
|
|
two --"
|
|
|
|
"What! The DEAF AND DUMB man said all that!"
|
|
|
|
Huck had made another terrible mistake! He was
|
|
trying his best to keep the old man from getting the
|
|
faintest hint of who the Spaniard might be, and yet
|
|
his tongue seemed determined to get him into trouble
|
|
in spite of all he could do. He made several efforts
|
|
to creep out of his scrape, but the old man's eye was
|
|
upon him and he made blunder after blunder. Pres-
|
|
ently the Welshman said:
|
|
|
|
"My boy, don't be afraid of me. I wouldn't hurt
|
|
a hair of your head for all the world. No -- I'd pro-
|
|
tect you -- I'd protect you. This Spaniard is not deaf
|
|
and dumb; you've let that slip without intending it;
|
|
you can't cover that up now. You know something
|
|
about that Spaniard that you want to keep dark.
|
|
Now trust me -- tell me what it is, and trust me -- I
|
|
won't betray you."
|
|
|
|
Huck looked into the old man's honest eyes a moment,
|
|
then bent over and whispered in his ear:
|
|
|
|
"'Tain't a Spaniard -- it's Injun Joe!"
|
|
|
|
The Welshman almost jumped out of his chair. In
|
|
a moment he said:
|
|
|
|
"It's all plain enough, now. When you talked
|
|
about notching ears and slitting noses I judged that
|
|
that was your own embellishment, because white
|
|
men don't take that sort of revenge. But an Injun!
|
|
That's a different matter altogether."
|
|
|
|
During breakfast the talk went on, and in the course
|
|
of it the old man said that the last thing which he and
|
|
his sons had done, before going to bed, was to get a
|
|
lantern and examine the stile and its vicinity for marks
|
|
of blood. They found none, but captured a bulky
|
|
bundle of --
|
|
|
|
"Of WHAT?"
|
|
|
|
If the words had been lightning they could not
|
|
have leaped with a more stunning suddenness from
|
|
Huck's blanched lips. His eyes were staring wide,
|
|
now, and his breath suspended -- waiting for the answer.
|
|
The Welshman started -- stared in return -- three seconds
|
|
-- five seconds -- ten -- then replied:
|
|
|
|
"Of burglar's tools. Why, what's the MATTER with
|
|
you?"
|
|
|
|
Huck sank back, panting gently, but deeply, un-
|
|
utterably grateful. The Welshman eyed him gravely,
|
|
curiously -- and presently said:
|
|
|
|
"Yes, burglar's tools. That appears to relieve
|
|
you a good deal. But what did give you that turn?
|
|
What were YOU expecting we'd found?"
|
|
|
|
Huck was in a close place -- the inquiring eye was
|
|
upon him -- he would have given anything for material
|
|
for a plausible answer -- nothing suggested itself -- the
|
|
inquiring eye was boring deeper and deeper -- a sense-
|
|
less reply offered -- there was no time to weigh it, so
|
|
at a venture he uttered it -- feebly:
|
|
|
|
"Sunday-school books, maybe."
|
|
|
|
Poor Huck was too distressed to smile, but the old
|
|
man laughed loud and joyously, shook up the details
|
|
of his anatomy from head to foot, and ended by saying
|
|
that such a laugh was money in a-man's pocket, be-
|
|
cause it cut down the doctor's bill like everything.
|
|
Then he added:
|
|
|
|
"Poor old chap, you're white and jaded -- you ain't
|
|
well a bit -- no wonder you're a little flighty and off
|
|
your balance. But you'll come out of it. Rest and
|
|
sleep will fetch you out all right, I hope."
|
|
|
|
Huck was irritated to think he had been such a
|
|
goose and betrayed such a suspicious excitement, for
|
|
he had dropped the idea that the parcel brought from
|
|
the tavern was the treasure, as soon as he had heard
|
|
the talk at the widow's stile. He had only thought
|
|
it was not the treasure, however -- he had not known
|
|
that it wasn't -- and so the suggestion of a captured
|
|
bundle was too much for his self-possession. But on
|
|
the whole he felt glad the little episode had happened,
|
|
for now he knew beyond all question that that bundle
|
|
was not THE bundle, and so his mind was at rest and
|
|
exceedingly comfortable. In fact, everything seemed
|
|
to be drifting just in the right direction, now; the
|
|
treasure must be still in No. 2, the men would be
|
|
captured and jailed that day, and he and Tom could
|
|
seize the gold that night without any trouble or any
|
|
fear of interruption.
|
|
|
|
Just as breakfast was completed there was a knock
|
|
at the door. Huck jumped for a hiding-place, for
|
|
he had no mind to be connected even remotely with
|
|
the late event. The Welshman admitted several
|
|
ladies and gentlemen, among them the Widow Douglas,
|
|
and noticed that groups of citizens were climbing up
|
|
the hill -- to stare at the stile. So the news had spread.
|
|
The Welshman had to tell the story of the night
|
|
to the visitors. The widow's gratitude for her preser-
|
|
vation was outspoken.
|
|
|
|
"Don't say a word about it, madam. There's
|
|
another that you're more beholden to than you are
|
|
to me and my boys, maybe, but he don't allow me
|
|
to tell his name. We wouldn't have been there but
|
|
for him."
|
|
|
|
Of course this excited a curiosity so vast that it
|
|
almost belittled the main matter -- but the Welshman
|
|
allowed it to eat into the vitals of his visitors, and
|
|
through them be transmitted to the whole town, for
|
|
he refused to part with his secret. When all else had
|
|
been learned, the widow said:
|
|
|
|
"I went to sleep reading in bed and slept straight
|
|
through all that noise. Why didn't you come and
|
|
wake me?"
|
|
|
|
"We judged it warn't worth while. Those fellows
|
|
warn't likely to come again -- they hadn't any tools
|
|
left to work with, and what was the use of waking
|
|
you up and scaring you to death? My three negro
|
|
men stood guard at your house all the rest of the night.
|
|
They've just come back."
|
|
|
|
More visitors came, and the story had to be told
|
|
and retold for a couple of hours more.
|
|
|
|
There was no Sabbath-school during day-school
|
|
vacation, but everybody was early at church. The
|
|
stirring event was well canvassed. News came that
|
|
not a sign of the two villains had been yet discovered.
|
|
When the sermon was finished, Judge Thatcher's
|
|
wife dropped alongside of Mrs. Harper as she moved
|
|
down the aisle with the crowd and said:
|
|
|
|
"Is my Becky going to sleep all day? I just ex-
|
|
pected she would be tired to death."
|
|
|
|
"Your Becky?"
|
|
|
|
"Yes," with a startled look -- "didn't she stay with
|
|
you last night?"
|
|
|
|
"Why, no."
|
|
|
|
Mrs. Thatcher turned pale, and sank into a pew,
|
|
just as Aunt Polly, talking briskly with a friend, passed
|
|
by. Aunt Polly said:
|
|
|
|
"Good-morning, Mrs. Thatcher. Good-morning,
|
|
Mrs. Harper. I've got a boy that's turned up missing.
|
|
I reckon my Tom stayed at your house last night --
|
|
one of you. And now he's afraid to come to church.
|
|
I've got to settle with him."
|
|
|
|
Mrs. Thatcher shook her head feebly and turned
|
|
paler than ever.
|
|
|
|
"He didn't stay with us," said Mrs. Harper, be-
|
|
ginning to look uneasy. A marked anxiety came into
|
|
Aunt Polly's face.
|
|
|
|
"Joe Harper, have you seen my Tom this morning?"
|
|
|
|
"No'm."
|
|
|
|
"When did you see him last?"
|
|
|
|
Joe tried to remember, but was not sure he could
|
|
say. The people had stopped moving out of church.
|
|
Whispers passed along, and a boding uneasiness took
|
|
possession of every countenance. Children were anx-
|
|
iously questioned, and young teachers. They all said
|
|
they had not noticed whether Tom and Becky were on
|
|
board the ferryboat on the homeward trip; it was dark;
|
|
no one thought of inquiring if any one was missing.
|
|
One young man finally blurted out his fear that they
|
|
were still in the cave! Mrs. Thatcher swooned away.
|
|
Aunt Polly fell to crying and wringing her hands.
|
|
|
|
The alarm swept from lip to lip, from group to
|
|
group, from street to street, and within five minutes
|
|
the bells were wildly clanging and the whole town was
|
|
up! The Cardiff Hill episode sank into instant in-
|
|
significance, the burglars were forgotten, horses were
|
|
saddled, skiffs were manned, the ferryboat ordered out,
|
|
and before the horror was half an hour old, two hundred
|
|
men were pouring down highroad and river toward the
|
|
cave.
|
|
|
|
All the long afternoon the village seemed empty
|
|
and dead. Many women visited Aunt Polly and Mrs.
|
|
Thatcher and tried to comfort them. They cried
|
|
with them, too, and that was still better than words.
|
|
All the tedious night the town waited for news; but
|
|
when the morning dawned at last, all the word that
|
|
came was, "Send more candles -- and send food." Mrs.
|
|
Thatcher was almost crazed; and Aunt Polly, also.
|
|
Judge Thatcher sent messages of hope and encourage-
|
|
ment from the cave, but they conveyed no real cheer.
|
|
|
|
The old Welshman came home toward daylight,
|
|
spattered with candle-grease, smeared with clay, and
|
|
almost worn out. He found Huck still in the bed
|
|
that had been provided for him, and delirious with
|
|
fever. The physicians were all at the cave, so the
|
|
Widow Douglas came and took charge of the patient.
|
|
She said she would do her best by him, because, whether
|
|
he was good, bad, or indifferent, he was the Lord's,
|
|
and nothing that was the Lord's was a thing to be
|
|
neglected. The Welshman said Huck had good spots
|
|
in him, and the widow said:
|
|
|
|
"You can depend on it. That's the Lord's mark.
|
|
He don't leave it off. He never does. Puts it some-
|
|
where on every creature that comes from his hands."
|
|
|
|
Early in the forenoon parties of jaded men began
|
|
to straggle into the village, but the strongest of the
|
|
citizens continued searching. All the news that could
|
|
be gained was that remotenesses of the cavern were
|
|
being ransacked that had never been visited before;
|
|
that every corner and crevice was going to be thoroughly
|
|
searched; that wherever one wandered through the
|
|
maze of passages, lights were to be seen flitting hither
|
|
and thither in the distance, and shoutings and pistol-
|
|
shots sent their hollow reverberations to the ear down
|
|
the sombre aisles. In one place, far from the section
|
|
usually traversed by tourists, the names "BECKY &
|
|
TOM" had been found traced upon the rocky wall
|
|
with candle-smoke, and near at hand a grease-soiled
|
|
bit of ribbon. Mrs. Thatcher recognized the ribbon
|
|
and cried over it. She said it was the last relic she
|
|
should ever have of her child; and that no other
|
|
memorial of her could ever be so precious, because
|
|
this one parted latest from the living body before the
|
|
awful death came. Some said that now and then, in
|
|
the cave, a far-away speck of light would glimmer, and
|
|
then a glorious shout would burst forth and a score of
|
|
men go trooping down the echoing aisle -- and then a
|
|
sickening disappointment always followed; the children
|
|
were not there; it was only a searcher's light.
|
|
|
|
Three dreadful days and nights dragged their tedious
|
|
hours along, and the village sank into a hopeless
|
|
stupor. No one had heart for anything. The acci-
|
|
dental discovery, just made, that the proprietor of the
|
|
Temperance Tavern kept liquor on his premises,
|
|
scarcely fluttered the public pulse, tremendous as the
|
|
fact was. In a lucid interval, Huck feebly led up to
|
|
the subject of taverns, and finally asked -- dimly
|
|
dreading the worst -- if anything had been discovered
|
|
at the Temperance Tavern since he had been ill.
|
|
|
|
"Yes," said the widow.
|
|
|
|
Huck started up in bed, wild-eyed:
|
|
|
|
"What? What was it?"
|
|
|
|
"Liquor! -- and the place has been shut up. Lie
|
|
down, child -- what a turn you did give me!"
|
|
|
|
"Only tell me just one thing -- only just one -- please!
|
|
Was it Tom Sawyer that found it?"
|
|
|
|
The widow burst into tears. "Hush, hush, child,
|
|
hush! I've told you before, you must NOT talk. You
|
|
are very, very sick!"
|
|
|
|
Then nothing but liquor had been found; there
|
|
would have been a great powwow if it had been the
|
|
gold. So the treasure was gone forever -- gone forever!
|
|
But what could she be crying about? Curious that
|
|
she should cry.
|
|
|
|
These thoughts worked their dim way through Huck's
|
|
mind, and under the weariness they gave him he fell
|
|
asleep. The widow said to herself:
|
|
|
|
"There -- he's asleep, poor wreck. Tom Sawyer
|
|
find it! Pity but somebody could find Tom Sawyer!
|
|
Ah, there ain't many left, now, that's got hope enough,
|
|
or strength enough, either, to go on searching."
|
|
|
|
|
|
CHAPTER XXXI
|
|
|
|
NOW to return to Tom and Becky's share
|
|
in the picnic. They tripped along the
|
|
murky aisles with the rest of the com-
|
|
pany, visiting the familiar wonders of the
|
|
cave -- wonders dubbed with rather over-
|
|
descriptive names, such as "The Draw-
|
|
ing-Room," "The Cathedral," "Aladdin's Palace," and
|
|
so on. Presently the hide-and-seek frolicking began,
|
|
and Tom and Becky engaged in it with zeal until the
|
|
exertion began to grow a trifle wearisome; then they
|
|
wandered down a sinuous avenue holding their candles
|
|
aloft and reading the tangled web-work of names,
|
|
dates, post-office addresses, and mottoes with which
|
|
the rocky walls had been frescoed (in candle-smoke).
|
|
Still drifting along and talking, they scarcely noticed
|
|
that they were now in a part of the cave whose walls
|
|
were not frescoed. They smoked their own names
|
|
under an overhanging shelf and moved on. Presently
|
|
they came to a place where a little stream of water,
|
|
trickling over a ledge and carrying a limestone sediment
|
|
with it, had, in the slow-dragging ages, formed a laced
|
|
and ruffled Niagara in gleaming and imperishable stone.
|
|
Tom squeezed his small body behind it in order to
|
|
illuminate it for Becky's gratification. He found that
|
|
it curtained a sort of steep natural stairway which was
|
|
enclosed between narrow walls, and at once the ambi-
|
|
tion to be a discoverer seized him. Becky responded
|
|
to his call, and they made a smoke-mark for future
|
|
guidance, and started upon their quest. They wound
|
|
this way and that, far down into the secret depths of
|
|
the cave, made another mark, and branched off in
|
|
search of novelties to tell the upper world about. In
|
|
one place they found a spacious cavern, from whose
|
|
ceiling depended a multitude of shining stalactites of
|
|
the length and circumference of a man's leg; they
|
|
walked all about it, wondering and admiring, and
|
|
presently left it by one of the numerous passages that
|
|
opened into it. This shortly brought them to a be-
|
|
witching spring, whose basin was incrusted with a
|
|
frostwork of glittering crystals; it was in the midst of
|
|
a cavern whose walls were supported by many fan-
|
|
tastic pillars which had been formed by the joining
|
|
of great stalactites and stalagmites together, the result
|
|
of the ceaseless water-drip of centuries. Under the
|
|
roof vast knots of bats had packed themselves together,
|
|
thousands in a bunch; the lights disturbed the creat-
|
|
ures and they came flocking down by hundreds,
|
|
squeaking and darting furiously at the candles. Tom
|
|
knew their ways and the danger of this sort of conduct.
|
|
He seized Becky's hand and hurried her into the first
|
|
corridor that offered; and none too soon, for a bat
|
|
struck Becky's light out with its wing while she was
|
|
passing out of the cavern. The bats chased the children
|
|
a good distance; but the fugitives plunged into every
|
|
new passage that offered, and at last got rid of the
|
|
perilous things. Tom found a subterranean lake,
|
|
shortly, which stretched its dim length away until its
|
|
shape was lost in the shadows. He wanted to explore
|
|
its borders, but concluded that it would be best to sit
|
|
down and rest awhile, first. Now, for the first time,
|
|
the deep stillness of the place laid a clammy hand
|
|
upon the spirits of the children. Becky said:
|
|
|
|
"Why, I didn't notice, but it seems ever so long since
|
|
I heard any of the others."
|
|
|
|
"Come to think, Becky, we are away down below
|
|
them -- and I don't know how far away north, or south,
|
|
or east, or whichever it is. We couldn't hear them
|
|
here."
|
|
|
|
Becky grew apprehensive.
|
|
|
|
"I wonder how long we've been down here, Tom?
|
|
We better start back."
|
|
|
|
"Yes, I reckon we better. P'raps we better."
|
|
|
|
"Can you find the way, Tom? It's all a mixed-up
|
|
crookedness to me."
|
|
|
|
"I reckon I could find it -- but then the bats. If
|
|
they put our candles out it will be an awful fix. Let's
|
|
try some other way, so as not to go through there."
|
|
|
|
"Well. But I hope we won't get lost. It would
|
|
be so awful!" and the girl shuddered at the thought
|
|
of the dreadful possibilities.
|
|
|
|
They started through a corridor, and traversed it
|
|
in silence a long way, glancing at each new opening,
|
|
to see if there was anything familiar about the look of
|
|
it; but they were all strange. Every time Tom made
|
|
an examination, Becky would watch his face for an
|
|
encouraging sign, and he would say cheerily:
|
|
|
|
"Oh, it's all right. This ain't the one, but we'll
|
|
come to it right away!"
|
|
|
|
But he felt less and less hopeful with each failure,
|
|
and presently began to turn off into diverging avenues
|
|
at sheer random, in desperate hope of finding the one
|
|
that was wanted. He still said it was "all right,"
|
|
but there was such a leaden dread at his heart that the
|
|
words had lost their ring and sounded just as if he had
|
|
said, "All is lost!" Becky clung to his side in an
|
|
anguish of fear, and tried hard to keep back the tears,
|
|
but they would come. At last she said:
|
|
|
|
"Oh, Tom, never mind the bats, let's go back that
|
|
way! We seem to get worse and worse off all the time."
|
|
|
|
"Listen!" said he.
|
|
|
|
Profound silence; silence so deep that even their
|
|
breathings were conspicuous in the hush. Tom shout-
|
|
ed. The call went echoing down the empty aisles and
|
|
died out in the distance in a faint sound that resembled
|
|
a ripple of mocking laughter.
|
|
|
|
"Oh, don't do it again, Tom, it is too horrid," said
|
|
Becky.
|
|
|
|
"It is horrid, but I better, Becky; they might hear
|
|
us, you know," and he shouted again.
|
|
|
|
The "might" was even a chillier horror than the
|
|
ghostly laughter, it so confessed a perishing hope.
|
|
The children stood still and listened; but there was
|
|
no result. Tom turned upon the back track at once,
|
|
and hurried his steps. It was but a little while be-
|
|
fore a certain indecision in his manner revealed an-
|
|
other fearful fact to Becky -- he could not find his way
|
|
back!
|
|
|
|
"Oh, Tom, you didn't make any marks!"
|
|
|
|
"Becky, I was such a fool! Such a fool! I never
|
|
thought we might want to come back! No -- I can't
|
|
find the way. It's all mixed up."
|
|
|
|
"Tom, Tom, we're lost! we're lost! We never can
|
|
get out of this awful place! Oh, why DID we ever leave
|
|
the others!"
|
|
|
|
She sank to the ground and burst into such a frenzy
|
|
of crying that Tom was appalled with the idea that
|
|
she might die, or lose her reason. He sat down by
|
|
her and put his arms around her; she buried her face
|
|
in his bosom, she clung to him, she poured out her
|
|
terrors, her unavailing regrets, and the far echoes turned
|
|
them all to jeering laughter. Tom begged her to pluck
|
|
up hope again, and she said she could not. He fell
|
|
to blaming and abusing himself for getting her into
|
|
this miserable situation; this had a better effect. She
|
|
said she would try to hope again, she would get up and
|
|
follow wherever he might lead if only he would not
|
|
talk like that any more. For he was no more to blame
|
|
than she, she said.
|
|
|
|
So they moved on again -- aimlessly -- simply at
|
|
random -- all they could do was to move, keep moving.
|
|
For a little while, hope made a show of reviving -- not
|
|
with any reason to back it, but only because it is its
|
|
nature to revive when the spring has not been taken
|
|
out of it by age and familiarity with failure.
|
|
|
|
By-and-by Tom took Becky's candle and blew it
|
|
out. This economy meant so much! Words were
|
|
not needed. Becky understood, and her hope died
|
|
again. She knew that Tom had a whole candle and
|
|
three or four pieces in his pockets -- yet he must econ-
|
|
omize.
|
|
|
|
By-and-by, fatigue began to assert its claims; the
|
|
children tried to pay attention, for it was dreadful
|
|
to think of sitting down when time was grown to be so
|
|
precious, moving, in some direction, in any direction,
|
|
was at least progress and might bear fruit; but to sit
|
|
down was to invite death and shorten its pursuit.
|
|
|
|
At last Becky's frail limbs refused to carry her
|
|
farther. She sat down. Tom rested with her, and
|
|
they talked of home, and the friends there, and the
|
|
comfortable beds and, above all, the light! Becky
|
|
cried, and Tom tried to think of some way of comfort-
|
|
ing her, but all his encouragements were grown thread-
|
|
bare with use, and sounded like sarcasms. Fatigue
|
|
bore so heavily upon Becky that she drowsed off to
|
|
sleep. Tom was grateful. He sat looking into her
|
|
drawn face and saw it grow smooth and natural under
|
|
the influence of pleasant dreams; and by-and-by a
|
|
smile dawned and rested there. The peaceful face
|
|
reflected somewhat of peace and healing into his own
|
|
spirit, and his thoughts wandered away to bygone
|
|
times and dreamy memories. While he was deep in
|
|
his musings, Becky woke up with a breezy little laugh
|
|
-- but it was stricken dead upon her lips, and a groan
|
|
followed it.
|
|
|
|
"Oh, how COULD I sleep! I wish I never, never
|
|
had waked! No! No, I don't, Tom! Don't look
|
|
so! I won't say it again."
|
|
|
|
"I'm glad you've slept, Becky; you'll feel rested,
|
|
now, and we'll find the way out."
|
|
|
|
"We can try, Tom; but I've seen such a beautiful
|
|
country in my dream. I reckon we are going there."
|
|
|
|
"Maybe not, maybe not. Cheer up, Becky, and
|
|
let's go on trying."
|
|
|
|
They rose up and wandered along, hand in hand
|
|
and hopeless. They tried to estimate how long they
|
|
had been in the cave, but all they knew was that it
|
|
seemed days and weeks, and yet it was plain that this
|
|
could not be, for their candles were not gone yet. A
|
|
long time after this -- they could not tell how long --
|
|
Tom said they must go softly and listen for dripping
|
|
water -- they must find a spring. They found one
|
|
presently, and Tom said it was time to rest again.
|
|
Both were cruelly tired, yet Becky said she thought
|
|
she could go a little farther. She was surprised to
|
|
hear Tom dissent. She could not understand it.
|
|
They sat down, and Tom fastened his candle to the
|
|
wall in front of them with some clay. Thought was
|
|
soon busy; nothing was said for some time. Then
|
|
Becky broke the silence:
|
|
|
|
"Tom, I am so hungry!"
|
|
|
|
Tom took something out of his pocket.
|
|
|
|
"Do you remember this?" said he.
|
|
|
|
Becky almost smiled.
|
|
|
|
"It's our wedding-cake, Tom."
|
|
|
|
"Yes -- I wish it was as big as a barrel, for it's all
|
|
we've got."
|
|
|
|
"I saved it from the picnic for us to dream on,
|
|
Tom, the way grown-up people do with wedding-
|
|
cake -- but it'll be our --"
|
|
|
|
She dropped the sentence where it was. Tom
|
|
divided the cake and Becky ate with good appetite,
|
|
while Tom nibbled at his moiety. There was abun-
|
|
dance of cold water to finish the feast with. By-and-by
|
|
Becky suggested that they move on again. Tom was
|
|
silent a moment. Then he said:
|
|
|
|
"Becky, can you bear it if I tell you something?"
|
|
|
|
Becky's face paled, but she thought she could.
|
|
|
|
"Well, then, Becky, we must stay here, where there's
|
|
water to drink. That little piece is our last candle!"
|
|
|
|
Becky gave loose to tears and wailings. Tom did
|
|
what he could to comfort her, but with little effect.
|
|
At length Becky said:
|
|
|
|
"Tom!"
|
|
|
|
"Well, Becky?"
|
|
|
|
"They'll miss us and hunt for us!"
|
|
|
|
"Yes, they will! Certainly they will!"
|
|
|
|
"Maybe they're hunting for us now, Tom."
|
|
|
|
"Why, I reckon maybe they are. I hope they are."
|
|
|
|
"When would they miss us, Tom?"
|
|
|
|
"When they get back to the boat, I reckon."
|
|
|
|
"Tom, it might be dark then -- would they notice
|
|
we hadn't come?"
|
|
|
|
"I don't know. But anyway, your mother would
|
|
miss you as soon as they got home."
|
|
|
|
A frightened look in Becky's face brought Tom to
|
|
his senses and he saw that he had made a blunder.
|
|
Becky was not to have gone home that night! The
|
|
children became silent and thoughtful. In a moment
|
|
a new burst of grief from Becky showed Tom that
|
|
the thing in his mind had struck hers also -- that the
|
|
Sabbath morning might be half spent before Mrs.
|
|
Thatcher discovered that Becky was not at Mrs.
|
|
Harper's.
|
|
|
|
The children fastened their eyes upon their bit of
|
|
candle and watched it melt slowly and pitilessly away;
|
|
saw the half inch of wick stand alone at last; saw the
|
|
feeble flame rise and fall, climb the thin column of
|
|
smoke, linger at its top a moment, and then -- the
|
|
horror of utter darkness reigned!
|
|
|
|
How long afterward it was that Becky came to a
|
|
slow consciousness that she was crying in Tom's arms,
|
|
neither could tell. All that they knew was, that after
|
|
what seemed a mighty stretch of time, both awoke
|
|
out of a dead stupor of sleep and resumed their miseries
|
|
once more. Tom said it might be Sunday, now --
|
|
maybe Monday. He tried to get Becky to talk, but her
|
|
sorrows were too oppressive, all her hopes were gone.
|
|
Tom said that they must have been missed long ago,
|
|
and no doubt the search was going on. He would
|
|
shout and maybe some one would come. He tried
|
|
it; but in the darkness the distant echoes sounded so
|
|
hideously that he tried it no more.
|
|
|
|
The hours wasted away, and hunger came to tor-
|
|
ment the captives again. A portion of Tom's half of
|
|
the cake was left; they divided and ate it. But they
|
|
seemed hungrier than before. The poor morsel of
|
|
food only whetted desire.
|
|
|
|
By-and-by Tom said:
|
|
|
|
"SH! Did you hear that?"
|
|
|
|
Both held their breath and listened. There was a
|
|
sound like the faintest, far-off shout. Instantly Tom
|
|
answered it, and leading Becky by the hand, started
|
|
groping down the corridor in its direction. Presently
|
|
he listened again; again the sound was heard, and
|
|
apparently a little nearer.
|
|
|
|
"It's them!" said Tom; "they're coming! Come
|
|
along, Becky -- we're all right now!"
|
|
|
|
The joy of the prisoners was almost overwhelming.
|
|
Their speed was slow, however, because pitfalls were
|
|
somewhat common, and had to be guarded against.
|
|
They shortly came to one and had to stop. It might
|
|
be three feet deep, it might be a hundred -- there was no
|
|
passing it at any rate. Tom got down on his breast
|
|
and reached as far down as he could. No bottom.
|
|
They must stay there and wait until the searchers came.
|
|
They listened; evidently the distant shoutings were
|
|
growing more distant! a moment or two more and they
|
|
had gone altogether. The heart-sinking misery of
|
|
it! Tom whooped until he was hoarse, but it was of
|
|
no use. He talked hopefully to Becky; but an age
|
|
of anxious waiting passed and no sounds came again.
|
|
|
|
The children groped their way back to the spring.
|
|
The weary time dragged on; they slept again, and
|
|
awoke famished and woe-stricken. Tom believed it
|
|
must be Tuesday by this time.
|
|
|
|
Now an idea struck him. There were some side
|
|
passages near at hand. It would be better to explore
|
|
some of these than bear the weight of the heavy time in
|
|
idleness. He took a kite-line from his pocket, tied it
|
|
to a projection, and he and Becky started, Tom in the
|
|
lead, unwinding the line as he groped along. At the
|
|
end of twenty steps the corridor ended in a "jumping-
|
|
off place." Tom got down on his knees and felt below,
|
|
and then as far around the corner as he could reach
|
|
with his hands conveniently; he made an effort to
|
|
stretch yet a little farther to the right, and at that
|
|
moment, not twenty yards away, a human hand,
|
|
holding a candle, appeared from behind a rock! Tom
|
|
lifted up a glorious shout, and instantly that hand was
|
|
followed by the body it belonged to -- Injun Joe's!
|
|
Tom was paralyzed; he could not move. He was
|
|
vastly gratified the next moment, to see the "Spaniard"
|
|
take to his heels and get himself out of sight. Tom
|
|
wondered that Joe had not recognized his voice and
|
|
come over and killed him for testifying in court. But
|
|
the echoes must have disguised the voice. Without
|
|
doubt, that was it, he reasoned. Tom's fright weak-
|
|
ened every muscle in his body. He said to himself
|
|
that if he had strength enough to get back to the
|
|
spring he would stay there, and nothing should tempt
|
|
him to run the risk of meeting Injun Joe again. He
|
|
was careful to keep from Becky what it was he had
|
|
seen. He told her he had only shouted "for luck."
|
|
|
|
But hunger and wretchedness rise superior to fears
|
|
in the long run. Another tedious wait at the spring
|
|
and another long sleep brought changes. The chil-
|
|
dren awoke tortured with a raging hunger. Tom
|
|
believed that it must be Wednesday or Thursday or
|
|
even Friday or Saturday, now, and that the search
|
|
had been given over. He proposed to explore another
|
|
passage. He felt willing to risk Injun Joe and all
|
|
other terrors. But Becky was very weak. She had
|
|
sunk into a dreary apathy and would not be roused.
|
|
She said she would wait, now, where she was, and die
|
|
-- it would not be long. She told Tom to go with the
|
|
kite-line and explore if he chose; but she implored him
|
|
to come back every little while and speak to her; and
|
|
she made him promise that when the awful time came,
|
|
he would stay by her and hold her hand until all was
|
|
over.
|
|
|
|
Tom kissed her, with a choking sensation in his
|
|
throat, and made a show of being confident of finding
|
|
the searchers or an escape from the cave; then he
|
|
took the kite-line in his hand and went groping down
|
|
one of the passages on his hands and knees, distressed
|
|
with hunger and sick with bodings of coming doom.
|
|
|
|
|
|
CHAPTER XXXII
|
|
|
|
TUESDAY afternoon came, and waned to
|
|
the twilight. The village of St. Peters-
|
|
burg still mourned. The lost children
|
|
had not been found. Public prayers
|
|
had been offered up for them, and many
|
|
and many a private prayer that had the
|
|
petitioner's whole heart in it; but still no good news
|
|
came from the cave. The majority of the searchers
|
|
had given up the quest and gone back to their daily
|
|
avocations, saying that it was plain the children could
|
|
never be found. Mrs. Thatcher was very ill, and a
|
|
great part of the time delirious. People said it was
|
|
heartbreaking to hear her call her child, and raise her
|
|
head and listen a whole minute at a time, then lay it
|
|
wearily down again with a moan. Aunt Polly had
|
|
drooped into a settled melancholy, and her gray hair
|
|
had grown almost white. The village went to its rest
|
|
on Tuesday night, sad and forlorn.
|
|
|
|
Away in the middle of the night a wild peal burst
|
|
from the village bells, and in a moment the streets were
|
|
swarming with frantic half-clad people, who shouted,
|
|
"Turn out! turn out! they're found! they're found!"
|
|
Tin pans and horns were added to the din, the popula-
|
|
tion massed itself and moved toward the river, met
|
|
the children coming in an open carriage drawn by
|
|
shouting citizens, thronged around it, joined its home-
|
|
ward march, and swept magnificently up the main
|
|
street roaring huzzah after huzzah!
|
|
|
|
The village was illuminated; nobody went to bed
|
|
again; it was the greatest night the little town had
|
|
ever seen. During the first half-hour a procession of
|
|
villagers filed through Judge Thatcher's house, seized
|
|
the saved ones and kissed them, squeezed Mrs. Thatch-
|
|
er's hand, tried to speak but couldn't -- and drifted out
|
|
raining tears all over the place.
|
|
|
|
Aunt Polly's happiness was complete, and Mrs.
|
|
Thatcher's nearly so. It would be complete, how-
|
|
ever, as soon as the messenger dispatched with the
|
|
great news to the cave should get the word to her
|
|
husband. Tom lay upon a sofa with an eager audi-
|
|
tory about him and told the history of the wonderful
|
|
adventure, putting in many striking additions to adorn
|
|
it withal; and closed with a description of how he
|
|
left Becky and went on an exploring expedition; how
|
|
he followed two avenues as far as his kite-line would
|
|
reach; how he followed a third to the fullest stretch
|
|
of the kite-line, and was about to turn back when he
|
|
glimpsed a far-off speck that looked like daylight;
|
|
dropped the line and groped toward it, pushed his
|
|
head and shoulders through a small hole, and saw the
|
|
broad Mississippi rolling by! And if it had only hap-
|
|
pened to be night he would not have seen that speck
|
|
of daylight and would not have explored that passage
|
|
any more! He told how he went back for Becky and
|
|
broke the good news and she told him not to fret her
|
|
with such stuff, for she was tired, and knew she was
|
|
going to die, and wanted to. He described how he
|
|
labored with her and convinced her; and how she
|
|
almost died for joy when she had groped to where she
|
|
actually saw the blue speck of daylight; how he pushed
|
|
his way out at the hole and then helped her out; how
|
|
they sat there and cried for gladness; how some men
|
|
came along in a skiff and Tom hailed them and told
|
|
them their situation and their famished condition; how
|
|
the men didn't believe the wild tale at first, "because,"
|
|
said they, "you are five miles down the river below the
|
|
valley the cave is in" -- then took them aboard, rowed to
|
|
a house, gave them supper, made them rest till two or
|
|
three hours after dark and then brought them home.
|
|
|
|
Before day-dawn, Judge Thatcher and the handful
|
|
of searchers with him were tracked out, in the cave, by
|
|
the twine clews they had strung behind them, and
|
|
informed of the great news.
|
|
|
|
Three days and nights of toil and hunger in the
|
|
cave were not to be shaken off at once, as Tom and
|
|
Becky soon discovered. They were bedridden all of
|
|
Wednesday and Thursday, and seemed to grow more
|
|
and more tired and worn, all the time. Tom got
|
|
about, a little, on Thursday, was down-town Friday,
|
|
and nearly as whole as ever Saturday; but Becky
|
|
did not leave her room until Sunday, and then she
|
|
looked as if she had passed through a wasting illness.
|
|
|
|
Tom learned of Huck's sickness and went to see
|
|
him on Friday, but could not be admitted to the
|
|
bedroom; neither could he on Saturday or Sunday.
|
|
He was admitted daily after that, but was warned to
|
|
keep still about his adventure and introduce no ex-
|
|
citing topic. The Widow Douglas stayed by to see
|
|
that he obeyed. At home Tom learned of the Cardiff
|
|
Hill event; also that the "ragged man's" body had
|
|
eventually been found in the river near the ferry-
|
|
landing; he had been drowned while trying to escape,
|
|
perhaps.
|
|
|
|
About a fortnight after Tom's rescue from the
|
|
cave, he started off to visit Huck, who had grown
|
|
plenty strong enough, now, to hear exciting talk, and
|
|
Tom had some that would interest him, he thought.
|
|
Judge Thatcher's house was on Tom's way, and he
|
|
stopped to see Becky. The Judge and some friends
|
|
set Tom to talking, and some one asked him ironically
|
|
if he wouldn't like to go to the cave again. Tom said
|
|
he thought he wouldn't mind it. The Judge said:
|
|
|
|
"Well, there are others just like you, Tom, I've not
|
|
the least doubt. But we have taken care of that.
|
|
Nobody will get lost in that cave any more."
|
|
|
|
"Why?"
|
|
|
|
"Because I had its big door sheathed with boiler
|
|
iron two weeks ago, and triple-locked -- and I've got
|
|
the keys."
|
|
|
|
Tom turned as white as a sheet.
|
|
|
|
"What's the matter, boy! Here, run, somebody!
|
|
Fetch a glass of water!"
|
|
|
|
The water was brought and thrown into Tom's
|
|
face.
|
|
|
|
"Ah, now you're all right. What was the matter
|
|
with you, Tom?"
|
|
|
|
"Oh, Judge, Injun Joe's in the cave!"
|
|
|
|
|
|
CHAPTER XXXIII
|
|
|
|
WITHIN a few minutes the news had
|
|
spread, and a dozen skiff-loads of men
|
|
were on their way to McDougal's cave,
|
|
and the ferryboat, well filled with pas-
|
|
sengers, soon followed. Tom Sawyer was
|
|
in the skiff that bore Judge Thatcher.
|
|
|
|
When the cave door was unlocked, a sorrowful
|
|
sight presented itself in the dim twilight of the place.
|
|
Injun Joe lay stretched upon the ground, dead, with
|
|
his face close to the crack of the door, as if his longing
|
|
eyes had been fixed, to the latest moment, upon the
|
|
light and the cheer of the free world outside. Tom
|
|
was touched, for he knew by his own experience how
|
|
this wretch had suffered. His pity was moved, but
|
|
nevertheless he felt an abounding sense of relief and
|
|
security, now, which revealed to him in a degree which
|
|
he had not fully appreciated before how vast a weight
|
|
of dread had been lying upon him since the day he
|
|
lifted his voice against this bloody-minded outcast.
|
|
|
|
Injun Joe's bowie-knife lay close by, its blade
|
|
broken in two. The great foundation-beam of the
|
|
door had been chipped and hacked through, with
|
|
tedious labor; useless labor, too, it was, for the native
|
|
rock formed a sill outside it, and upon that stubborn
|
|
material the knife had wrought no effect; the only
|
|
damage done was to the knife itself. But if there had
|
|
been no stony obstruction there the labor would have
|
|
been useless still, for if the beam had been wholly cut
|
|
away Injun Joe could not have squeezed his body
|
|
under the door, and he knew it. So he had only hacked
|
|
that place in order to be doing something -- in order to
|
|
pass the weary time -- in order to employ his tortured
|
|
faculties. Ordinarily one could find half a dozen bits
|
|
of candle stuck around in the crevices of this vestibule,
|
|
left there by tourists; but there were none now. The
|
|
prisoner had searched them out and eaten them. He
|
|
had also contrived to catch a few bats, and these,
|
|
also, he had eaten, leaving only their claws. The
|
|
poor unfortunate had starved to death. In one place,
|
|
near at hand, a stalagmite had been slowly growing
|
|
up from the ground for ages, builded by the water-drip
|
|
from a stalactite overhead. The captive had broken
|
|
off the stalagmite, and upon the stump had placed a
|
|
stone, wherein he had scooped a shallow hollow to
|
|
catch the precious drop that fell once in every three
|
|
minutes with the dreary regularity of a clock-tick -- a
|
|
dessertspoonful once in four and twenty hours. That
|
|
drop was falling when the Pyramids were new; when
|
|
Troy fell; when the foundations of Rome were laid
|
|
when Christ was crucified; when the Conqueror
|
|
created the British empire; when Columbus sailed;
|
|
when the massacre at Lexington was "news." It is
|
|
falling now; it will still be falling when all these things
|
|
shall have sunk down the afternoon of history, and
|
|
the twilight of tradition, and been swallowed up in
|
|
the thick night of oblivion. Has everything a purpose
|
|
and a mission? Did this drop fall patiently during
|
|
five thousand years to be ready for this flitting human
|
|
insect's need? and has it another important object to
|
|
accomplish ten thousand years to come? No matter.
|
|
It is many and many a year since the hapless half-breed
|
|
scooped out the stone to catch the priceless drops, but
|
|
to this day the tourist stares longest at that pathetic
|
|
stone and that slow-dropping water when he comes
|
|
to see the wonders of McDougal's cave. Injun Joe's
|
|
cup stands first in the list of the cavern's marvels; even
|
|
"Aladdin's Palace" cannot rival it.
|
|
|
|
Injun Joe was buried near the mouth of the cave;
|
|
and people flocked there in boats and wagons from
|
|
the towns and from all the farms and hamlets for
|
|
seven miles around; they brought their children, and
|
|
all sorts of provisions, and confessed that they had
|
|
had almost as satisfactory a time at the funeral as they
|
|
could have had at the hanging.
|
|
|
|
This funeral stopped the further growth of one
|
|
thing -- the petition to the governor for Injun Joe's
|
|
pardon. The petition had been largely signed; many
|
|
tearful and eloquent meetings had been held, and a
|
|
committee of sappy women been appointed to go in
|
|
deep mourning and wail around the governor, and
|
|
implore him to be a merciful ass and trample his duty
|
|
under foot. Injun Joe was believed to have killed five
|
|
citizens of the village, but what of that? If he had been
|
|
Satan himself there would have been plenty of weak-
|
|
lings ready to scribble their names to a pardon-petition,
|
|
and drip a tear on it from their permanently impaired
|
|
and leaky water-works.
|
|
|
|
The morning after the funeral Tom took Huck to
|
|
a private place to have an important talk. Huck had
|
|
learned all about Tom's adventure from the Welsh-
|
|
man and the Widow Douglas, by this time, but
|
|
Tom said he reckoned there was one thing they
|
|
had not told him; that thing was what he wanted
|
|
to talk about now. Huck's face saddened. He
|
|
said:
|
|
|
|
"I know what it is. You got into No. 2 and never
|
|
found anything but whiskey. Nobody told me it was
|
|
you; but I just knowed it must 'a' ben you, soon as
|
|
I heard 'bout that whiskey business; and I knowed you
|
|
hadn't got the money becuz you'd 'a' got at me some
|
|
way or other and told me even if you was mum to
|
|
everybody else. Tom, something's always told me
|
|
we'd never get holt of that swag."
|
|
|
|
"Why, Huck, I never told on that tavern-keeper.
|
|
YOU know his tavern was all right the Saturday I went
|
|
to the picnic. Don't you remember you was to watch
|
|
there that night?"
|
|
|
|
"Oh yes! Why, it seems 'bout a year ago. It
|
|
was that very night that I follered Injun Joe to the
|
|
widder's."
|
|
|
|
"YOU followed him?"
|
|
|
|
"Yes -- but you keep mum. I reckon Injun Joe's
|
|
left friends behind him, and I don't want 'em souring
|
|
on me and doing me mean tricks. If it hadn't ben for
|
|
me he'd be down in Texas now, all right."
|
|
|
|
Then Huck told his entire adventure in confidence
|
|
to Tom, who had only heard of the Welshman's part
|
|
of it before.
|
|
|
|
"Well," said Huck, presently, coming back to the
|
|
main question, "whoever nipped the whiskey in No. 2,
|
|
nipped the money, too, I reckon -- anyways it's a goner
|
|
for us, Tom."
|
|
|
|
"Huck, that money wasn't ever in No. 2!"
|
|
|
|
"What!" Huck searched his comrade's face keenly.
|
|
"Tom, have you got on the track of that money again?"
|
|
|
|
"Huck, it's in the cave!"
|
|
|
|
Huck's eyes blazed.
|
|
|
|
"Say it again, Tom."
|
|
|
|
"The money's in the cave!"
|
|
|
|
"Tom -- honest injun, now -- is it fun, or earnest?"
|
|
|
|
"Earnest, Huck -- just as earnest as ever I was in
|
|
my life. Will you go in there with me and help get
|
|
it out?"
|
|
|
|
"I bet I will! I will if it's where we can blaze our
|
|
way to it and not get lost."
|
|
|
|
"Huck, we can do that without the least little bit
|
|
of trouble in the world."
|
|
|
|
"Good as wheat! What makes you think the
|
|
money's --"
|
|
|
|
"Huck, you just wait till we get in there. If we
|
|
don't find it I'll agree to give you my drum and every
|
|
thing I've got in the world. I will, by jings."
|
|
|
|
"All right -- it's a whiz. When do you say?"
|
|
|
|
"Right now, if you say it. Are you strong enough?"
|
|
|
|
"Is it far in the cave? I ben on my pins a little,
|
|
three or four days, now, but I can't walk more'n a
|
|
mile, Tom -- least I don't think I could."
|
|
|
|
"It's about five mile into there the way anybody
|
|
but me would go, Huck, but there's a mighty short
|
|
cut that they don't anybody but me know about.
|
|
Huck, I'll take you right to it in a skiff. I'll float
|
|
the skiff down there, and I'll pull it back again all by
|
|
myself. You needn't ever turn your hand over."
|
|
|
|
"Less start right off, Tom."
|
|
|
|
"All right. We want some bread and meat, and
|
|
our pipes, and a little bag or two, and two or three
|
|
kite-strings, and some of these new-fangled things
|
|
they call lucifer matches. I tell you, many's the
|
|
time I wished I had some when I was in there before."
|
|
|
|
A trifle after noon the boys borrowed a small skiff
|
|
from a citizen who was absent, and got under way
|
|
at once. When they were several miles below "Cave
|
|
Hollow," Tom said:
|
|
|
|
"Now you see this bluff here looks all alike all the
|
|
way down from the cave hollow -- no houses, no wood-
|
|
yards, bushes all alike. But do you see that white
|
|
place up yonder where there's been a landslide?
|
|
Well, that's one of my marks. We'll get ashore,
|
|
now."
|
|
|
|
They landed.
|
|
|
|
"Now, Huck, where we're a-standing you could
|
|
touch that hole I got out of with a fishing-pole. See
|
|
if you can find it."
|
|
|
|
Huck searched all the place about, and found
|
|
nothing. Tom proudly marched into a thick clump of
|
|
sumach bushes and said:
|
|
|
|
"Here you are! Look at it, Huck; it's the snuggest
|
|
hole in this country. You just keep mum about it.
|
|
All along I've been wanting to be a robber, but I knew
|
|
I'd got to have a thing like this, and where to run across
|
|
it was the bother. We've got it now, and we'll keep it
|
|
quiet, only we'll let Joe Harper and Ben Rogers in --
|
|
because of course there's got to be a Gang, or else
|
|
there wouldn't be any style about it. Tom Sawyer's
|
|
Gang -- it sounds splendid, don't it, Huck?"
|
|
|
|
"Well, it just does, Tom. And who'll we rob?"
|
|
|
|
"Oh, most anybody. Waylay people -- that's mostly
|
|
the way."
|
|
|
|
"And kill them?"
|
|
|
|
"No, not always. Hive them in the cave till they
|
|
raise a ransom."
|
|
|
|
"What's a ransom?"
|
|
|
|
"Money. You make them raise all they can, off'n
|
|
their friends; and after you've kept them a year, if
|
|
it ain't raised then you kill them. That's the general
|
|
way. Only you don't kill the women. You shut up
|
|
the women, but you don't kill them. They're always
|
|
beautiful and rich, and awfully scared. You take
|
|
their watches and things, but you always take your
|
|
hat off and talk polite. They ain't anybody as polite
|
|
as robbers -- you'll see that in any book. Well, the
|
|
women get to loving you, and after they've been in the
|
|
cave a week or two weeks they stop crying and after
|
|
that you couldn't get them to leave. If you drove
|
|
them out they'd turn right around and come back.
|
|
It's so in all the books."
|
|
|
|
"Why, it's real bully, Tom. I believe it's better'n
|
|
to be a pirate."
|
|
|
|
"Yes, it's better in some ways, because it's close to
|
|
home and circuses and all that."
|
|
|
|
By this time everything was ready and the boys
|
|
entered the hole, Tom in the lead. They toiled their
|
|
way to the farther end of the tunnel, then made their
|
|
spliced kite-strings fast and moved on. A few steps
|
|
brought them to the spring, and Tom felt a shudder
|
|
quiver all through him. He showed Huck the frag-
|
|
ment of candle-wick perched on a lump of clay against
|
|
the wall, and described how he and Becky had watched
|
|
the flame struggle and expire.
|
|
|
|
The boys began to quiet down to whispers, now,
|
|
for the stillness and gloom of the place oppressed their
|
|
spirits. They went on, and presently entered and
|
|
followed Tom's other corridor until they reached the
|
|
"jumping-off place." The candles revealed the fact
|
|
that it was not really a precipice, but only a steep
|
|
clay hill twenty or thirty feet high. Tom whis-
|
|
pered:
|
|
|
|
"Now I'll show you something, Huck."
|
|
|
|
He held his candle aloft and said:
|
|
|
|
"Look as far around the corner as you can. Do
|
|
you see that? There -- on the big rock over yonder
|
|
-- done with candle-smoke."
|
|
|
|
"Tom, it's a CROSS!"
|
|
|
|
"NOW where's your Number Two? 'UNDER THE
|
|
CROSS,' hey? Right yonder's where I saw Injun Joe
|
|
poke up his candle, Huck!"
|
|
|
|
Huck stared at the mystic sign awhile, and then said
|
|
with a shaky voice:
|
|
|
|
"Tom, less git out of here!"
|
|
|
|
"What! and leave the treasure?"
|
|
|
|
"Yes -- leave it. Injun Joe's ghost is round about
|
|
there, certain."
|
|
|
|
"No it ain't, Huck, no it ain't. It would ha'nt the
|
|
place where he died -- away out at the mouth of the
|
|
cave -- five mile from here."
|
|
|
|
"No, Tom, it wouldn't. It would hang round the
|
|
money. I know the ways of ghosts, and so do you."
|
|
|
|
Tom began to fear that Huck was right. Mis-
|
|
givings gathered in his mind. But presently an idea
|
|
occurred to him --
|
|
|
|
"Lookyhere, Huck, what fools we're making of
|
|
ourselves! Injun Joe's ghost ain't a going to come
|
|
around where there's a cross!"
|
|
|
|
The point was well taken. It had its effect.
|
|
|
|
"Tom, I didn't think of that. But that's so. It's
|
|
luck for us, that cross is. I reckon we'll climb down
|
|
there and have a hunt for that box."
|
|
|
|
Tom went first, cutting rude steps in the clay hill
|
|
as he descended. Huck followed. Four avenues
|
|
opened out of the small cavern which the great rock
|
|
stood in. The boys examined three of them with no
|
|
result. They found a small recess in the one nearest
|
|
the base of the rock, with a pallet of blankets spread
|
|
down in it; also an old suspender, some bacon rind,
|
|
and the well-gnawed bones of two or three fowls. But
|
|
there was no money-box. The lads searched and re-
|
|
searched this place, but in vain. Tom said:
|
|
|
|
"He said UNDER the cross. Well, this comes nearest
|
|
to being under the cross. It can't be under the rock
|
|
itself, because that sets solid on the ground."
|
|
|
|
They searched everywhere once more, and then
|
|
sat down discouraged. Huck could suggest nothing.
|
|
By-and-by Tom said:
|
|
|
|
"Lookyhere, Huck, there's footprints and some can-
|
|
dle-grease on the clay about one side of this rock,
|
|
but not on the other sides. Now, what's that for?
|
|
I bet you the money IS under the rock. I'm going to
|
|
dig in the clay."
|
|
|
|
"That ain't no bad notion, Tom!" said Huck with
|
|
animation.
|
|
|
|
Tom's "real Barlow" was out at once, and he had
|
|
not dug four inches before he struck wood.
|
|
|
|
"Hey, Huck! -- you hear that?"
|
|
|
|
Huck began to dig and scratch now. Some boards
|
|
were soon uncovered and removed. They had con-
|
|
cealed a natural chasm which led under the rock. Tom
|
|
got into this and held his candle as far under the rock
|
|
as he could, but said he could not see to the end of the
|
|
rift. He proposed to explore. He stooped and passed
|
|
under; the narrow way descended gradually. He
|
|
followed its winding course, first to the right, then to
|
|
the left, Huck at his heels. Tom turned a short curve,
|
|
by-and-by, and exclaimed:
|
|
|
|
"My goodness, Huck, lookyhere!"
|
|
|
|
It was the treasure-box, sure enough, occupying a
|
|
snug little cavern, along with an empty powder-keg,
|
|
a couple of guns in leather cases, two or three pairs of
|
|
old moccasins, a leather belt, and some other rubbish
|
|
well soaked with the water-drip.
|
|
|
|
"Got it at last!" said Huck, ploughing among the tar-
|
|
nished coins with his hand. "My, but we're rich, Tom!"
|
|
|
|
"Huck, I always reckoned we'd get it. It's just
|
|
too good to believe, but we HAVE got it, sure! Say --
|
|
let's not fool around here. Let's snake it out. Lemme
|
|
see if I can lift the box."
|
|
|
|
It weighed about fifty pounds. Tom could lift it,
|
|
after an awkward fashion, but could not carry it
|
|
conveniently.
|
|
|
|
"I thought so," he said; "THEY carried it like it
|
|
was heavy, that day at the ha'nted house. I noticed
|
|
that. I reckon I was right to think of fetching the
|
|
little bags along."
|
|
|
|
The money was soon in the bags and the boys took
|
|
it up to the cross rock.
|
|
|
|
"Now less fetch the guns and things," said Huck.
|
|
|
|
"No, Huck -- leave them there. They're just the
|
|
tricks to have when we go to robbing. We'll keep them
|
|
there all the time, and we'll hold our orgies there, too.
|
|
It's an awful snug place for orgies."
|
|
|
|
"What orgies?"
|
|
|
|
"I dono. But robbers always have orgies, and of
|
|
course we've got to have them, too. Come along,
|
|
Huck, we've been in here a long time. It's getting
|
|
late, I reckon. I'm hungry, too. We'll eat and smoke
|
|
when we get to the skiff."
|
|
|
|
They presently emerged into the clump of sumach
|
|
bushes, looked warily out, found the coast clear, and
|
|
were soon lunching and smoking in the skiff. As
|
|
the sun dipped toward the horizon they pushed out
|
|
and got under way. Tom skimmed up the shore
|
|
through the long twilight, chatting cheerily with Huck,
|
|
and landed shortly after dark.
|
|
|
|
"Now, Huck," said Tom, "we'll hide the money
|
|
in the loft of the widow's woodshed, and I'll come
|
|
up in the morning and we'll count it and divide, and
|
|
then we'll hunt up a place out in the woods for it
|
|
where it will be safe. Just you lay quiet here and
|
|
watch the stuff till I run and hook Benny Taylor's
|
|
little wagon; I won't be gone a minute."
|
|
|
|
He disappeared, and presently returned with the
|
|
wagon, put the two small sacks into it, threw some
|
|
old rags on top of them, and started off, dragging his
|
|
cargo behind him. When the boys reached the Welsh-
|
|
man's house, they stopped to rest. Just as they were
|
|
about to move on, the Welshman stepped out and said:
|
|
|
|
"Hallo, who's that?"
|
|
|
|
"Huck and Tom Sawyer."
|
|
|
|
"Good! Come along with me, boys, you are keep-
|
|
ing everybody waiting. Here -- hurry up, trot ahead --
|
|
I'll haul the wagon for you. Why, it's not as light as
|
|
it might be. Got bricks in it? -- or old metal?"
|
|
|
|
"Old metal," said Tom.
|
|
|
|
"I judged so; the boys in this town will take more
|
|
trouble and fool away more time hunting up six bits'
|
|
worth of old iron to sell to the foundry than they would
|
|
to make twice the money at regular work. But that's
|
|
human nature -- hurry along, hurry along!"
|
|
|
|
The boys wanted to know what the hurry was about.
|
|
|
|
"Never mind; you'll see, when we get to the Widow
|
|
Douglas'."
|
|
|
|
Huck said with some apprehension -- for he was
|
|
long used to being falsely accused:
|
|
|
|
"Mr. Jones, we haven't been doing nothing."
|
|
|
|
The Welshman laughed.
|
|
|
|
"Well, I don't know, Huck, my boy. I don't know
|
|
about that. Ain't you and the widow good friends?"
|
|
|
|
"Yes. Well, she's ben good friends to me, anyway."
|
|
|
|
"All right, then. What do you want to be afraid
|
|
for?"
|
|
|
|
This question was not entirely answered in Huck's
|
|
slow mind before he found himself pushed, along
|
|
with Tom, into Mrs. Douglas' drawing-room. Mr.
|
|
Jones left the wagon near the door and followed.
|
|
|
|
The place was grandly lighted, and everybody that
|
|
was of any consequence in the village was there. The
|
|
Thatchers were there, the Harpers, the Rogerses, Aunt
|
|
Polly, Sid, Mary, the minister, the editor, and a great
|
|
many more, and all dressed in their best. The widow
|
|
received the boys as heartily as any one could well
|
|
receive two such looking beings. They were covered
|
|
with clay and candle-grease. Aunt Polly blushed
|
|
crimson with humiliation, and frowned and shook her
|
|
head at Tom. Nobody suffered half as much as the
|
|
two boys did, however. Mr. Jones said:
|
|
|
|
"Tom wasn't at home, yet, so I gave him up; but
|
|
I stumbled on him and Huck right at my door, and so
|
|
I just brought them along in a hurry."
|
|
|
|
"And you did just right," said the widow. "Come
|
|
with me, boys."
|
|
|
|
She took them to a bedchamber and said:
|
|
|
|
"Now wash and dress yourselves. Here are two
|
|
new suits of clothes -- shirts, socks, everything complete.
|
|
They're Huck's -- no, no thanks, Huck -- Mr. Jones
|
|
bought one and I the other. But they'll fit both of
|
|
you. Get into them. We'll wait -- come down when
|
|
you are slicked up enough."
|
|
|
|
Then she left.
|
|
|
|
|
|
CHAPTER XXXIV
|
|
|
|
HUCK said: "Tom, we can slope, if we
|
|
can find a rope. The window ain't high
|
|
from the ground."
|
|
|
|
"Shucks! what do you want to slope
|
|
for?"
|
|
|
|
"Well, I ain't used to that kind of a
|
|
crowd. I can't stand it. I ain't going down there, Tom."
|
|
|
|
"Oh, bother! It ain't anything. I don't mind it
|
|
a bit. I'll take care of you."
|
|
|
|
Sid appeared.
|
|
|
|
"Tom," said he, "auntie has been waiting for you
|
|
all the afternoon. Mary got your Sunday clothes
|
|
ready, and everybody's been fretting about you. Say
|
|
-- ain't this grease and clay, on your clothes?"
|
|
|
|
"Now, Mr. Siddy, you jist 'tend to your own business.
|
|
What's all this blow-out about, anyway?"
|
|
|
|
"It's one of the widow's parties that she's always
|
|
having. This time it's for the Welshman and his
|
|
sons, on account of that scrape they helped her out
|
|
of the other night. And say -- I can tell you something,
|
|
if you want to know."
|
|
|
|
"Well, what?"
|
|
|
|
"Why, old Mr. Jones is going to try to spring some-
|
|
thing on the people here to-night, but I overheard him
|
|
tell auntie to-day about it, as a secret, but I reckon
|
|
it's not much of a secret now. Everybody knows --
|
|
the widow, too, for all she tries to let on she don't.
|
|
Mr. Jones was bound Huck should be here -- couldn't
|
|
get along with his grand secret without Huck, you
|
|
know!"
|
|
|
|
"Secret about what, Sid?"
|
|
|
|
"About Huck tracking the robbers to the widow's.
|
|
I reckon Mr. Jones was going to make a grand time
|
|
over his surprise, but I bet you it will drop pretty flat."
|
|
|
|
Sid chuckled in a very contented and satisfied way.
|
|
|
|
"Sid, was it you that told?"
|
|
|
|
"Oh, never mind who it was. SOMEBODY told -- that's
|
|
enough."
|
|
|
|
"Sid, there's only one person in this town mean
|
|
enough to do that, and that's you. If you had been in
|
|
Huck's place you'd 'a' sneaked down the hill and never
|
|
told anybody on the robbers. You can't do any but
|
|
mean things, and you can't bear to see anybody praised
|
|
for doing good ones. There -- no thanks, as the widow
|
|
says" -- and Tom cuffed Sid's ears and helped him to
|
|
the door with several kicks. "Now go and tell auntie
|
|
if you dare -- and to-morrow you'll catch it!"
|
|
|
|
Some minutes later the widow's guests were at the
|
|
supper-table, and a dozen children were propped up
|
|
at little side-tables in the same room, after the fashion
|
|
of that country and that day. At the proper time
|
|
Mr. Jones made his little speech, in which he thanked
|
|
the widow for the honor she was doing himself and his
|
|
sons, but said that there was another person whose
|
|
modesty --
|
|
|
|
And so forth and so on. He sprung his secret
|
|
about Huck's share in the adventure in the finest
|
|
dramatic manner he was master of, but the surprise it
|
|
occasioned was largely counterfeit and not as clamorous
|
|
and effusive as it might have been under happier
|
|
circumstances. However, the widow made a pretty
|
|
fair show of astonishment, and heaped so many com-
|
|
pliments and so much gratitude upon Huck that he
|
|
almost forgot the nearly intolerable discomfort of his
|
|
new clothes in the entirely intolerable discomfort of
|
|
being set up as a target for everybody's gaze and
|
|
everybody's laudations.
|
|
|
|
The widow said she meant to give Huck a home
|
|
under her roof and have him educated; and that
|
|
when she could spare the money she would start him
|
|
in business in a modest way. Tom's chance was
|
|
come. He said:
|
|
|
|
"Huck don't need it. Huck's rich."
|
|
|
|
Nothing but a heavy strain upon the good manners
|
|
of the company kept back the due and proper com-
|
|
plimentary laugh at this pleasant joke. But the silence
|
|
was a little awkward. Tom broke it:
|
|
|
|
"Huck's got money. Maybe you don't believe it,
|
|
but he's got lots of it. Oh, you needn't smile -- I reckon
|
|
I can show you. You just wait a minute."
|
|
|
|
Tom ran out of doors. The company looked at
|
|
each other with a perplexed interest -- and inquiringly
|
|
at Huck, who was tongue-tied.
|
|
|
|
"Sid, what ails Tom?" said Aunt Polly. "He -- well,
|
|
there ain't ever any making of that boy out. I never --"
|
|
|
|
Tom entered, struggling with the weight of his sacks,
|
|
and Aunt Polly did not finish her sentence. Tom
|
|
poured the mass of yellow coin upon the table and said:
|
|
|
|
"There -- what did I tell you? Half of it's Huck's
|
|
and half of it's mine!"
|
|
|
|
The spectacle took the general breath away. All
|
|
gazed, nobody spoke for a moment. Then there was a
|
|
unanimous call for an explanation. Tom said he could
|
|
furnish it, and he did. The tale was long, but brimful
|
|
of interest. There was scarcely an interruption from
|
|
any one to break the charm of its flow. When he had
|
|
finished, Mr. Jones said:
|
|
|
|
"I thought I had fixed up a little surprise for this
|
|
occasion, but it don't amount to anything now. This
|
|
one makes it sing mighty small, I'm willing to allow."
|
|
|
|
The money was counted. The sum amounted to
|
|
a little over twelve thousand dollars. It was more
|
|
than any one present had ever seen at one time before,
|
|
though several persons were there who were worth
|
|
considerably more than that in property.
|
|
|
|
|
|
CHAPTER XXXV
|
|
|
|
THE reader may rest satisfied that Tom's
|
|
and Huck's windfall made a mighty stir
|
|
in the poor little village of St. Petersburg.
|
|
So vast a sum, all in actual cash, seemed
|
|
next to incredible. It was talked about,
|
|
gloated over, glorified, until the reason of
|
|
many of the citizens tottered under the strain of the
|
|
unhealthy excitement. Every "haunted" house in St.
|
|
Petersburg and the neighboring villages was dissected,
|
|
plank by plank, and its foundations dug up and ran-
|
|
sacked for hidden treasure -- and not by boys, but men
|
|
-- pretty grave, unromantic men, too, some of them.
|
|
Wherever Tom and Huck appeared they were courted,
|
|
admired, stared at. The boys were not able to remem-
|
|
ber that their remarks had possessed weight before;
|
|
but now their sayings were treasured and repeated;
|
|
everything they did seemed somehow to be regarded as
|
|
remarkable; they had evidently lost the power of doing
|
|
and saying commonplace things; moreover, their past
|
|
history was raked up and discovered to bear marks of
|
|
conspicuous originality. The village paper published
|
|
biographical sketches of the boys.
|
|
|
|
The Widow Douglas put Huck's money out at six
|
|
per cent., and Judge Thatcher did the same with
|
|
Tom's at Aunt Polly's request. Each lad had an in-
|
|
come, now, that was simply prodigious -- a dollar for
|
|
every week-day in the year and half of the Sundays.
|
|
It was just what the minister got -- no, it was what he
|
|
was promised -- he generally couldn't collect it. A
|
|
dollar and a quarter a week would board, lodge, and
|
|
school a boy in those old simple days -- and clothe him
|
|
and wash him, too, for that matter.
|
|
|
|
Judge Thatcher had conceived a great opinion of
|
|
Tom. He said that no commonplace boy would ever
|
|
have got his daughter out of the cave. When Becky
|
|
told her father, in strict confidence, how Tom had
|
|
taken her whipping at school, the Judge was visibly
|
|
moved; and when she pleaded grace for the mighty
|
|
lie which Tom had told in order to shift that whipping
|
|
from her shoulders to his own, the Judge said with a
|
|
fine outburst that it was a noble, a generous, a mag-
|
|
nanimous lie -- a lie that was worthy to hold up its head
|
|
and march down through history breast to breast with
|
|
George Washington's lauded Truth about the hatchet!
|
|
Becky thought her father had never looked so tall and
|
|
so superb as when he walked the floor and stamped
|
|
his foot and said that. She went straight off and told
|
|
Tom about it.
|
|
|
|
Judge Thatcher hoped to see Tom a great lawyer or
|
|
a great soldier some day. He said he meant to look
|
|
to it that Tom should be admitted to the National
|
|
Military Academy and afterward trained in the best
|
|
law school in the country, in order that he might be
|
|
ready for either career or both.
|
|
|
|
Huck Finn's wealth and the fact that he was now
|
|
under the Widow Douglas' protection introduced him
|
|
into society -- no, dragged him into it, hurled him into
|
|
it -- and his sufferings were almost more than he could
|
|
bear. The widow's servants kept him clean and neat,
|
|
combed and brushed, and they bedded him nightly in
|
|
unsympathetic sheets that had not one little spot or
|
|
stain which he could press to his heart and know for
|
|
a friend. He had to eat with a knife and fork; he had
|
|
to use napkin, cup, and plate; he had to learn his book,
|
|
he had to go to church; he had to talk so properly that
|
|
speech was become insipid in his mouth; whitherso-
|
|
ever he turned, the bars and shackles of civilization
|
|
shut him in and bound him hand and foot.
|
|
|
|
He bravely bore his miseries three weeks, and then
|
|
one day turned up missing. For forty-eight hours the
|
|
widow hunted for him everywhere in great distress.
|
|
The public were profoundly concerned; they searched
|
|
high and low, they dragged the river for his body.
|
|
Early the third morning Tom Sawyer wisely went
|
|
poking among some old empty hogsheads down behind
|
|
the abandoned slaughter-house, and in one of them
|
|
he found the refugee. Huck had slept there; he had
|
|
just breakfasted upon some stolen odds and ends of
|
|
food, and was lying off, now, in comfort, with his pipe.
|
|
He was unkempt, uncombed, and clad in the same old
|
|
ruin of rags that had made him picturesque in the days
|
|
when he was free and happy. Tom routed him out,
|
|
told him the trouble he had been causing, and urged
|
|
him to go home. Huck's face lost its tranquil content,
|
|
and took a melancholy cast. He said:
|
|
|
|
"Don't talk about it, Tom. I've tried it, and it
|
|
don't work; it don't work, Tom. It ain't for me;
|
|
I ain't used to it. The widder's good to me, and
|
|
friendly; but I can't stand them ways. She makes
|
|
me get up just at the same time every morning; she
|
|
makes me wash, they comb me all to thunder; she
|
|
won't let me sleep in the woodshed; I got to wear
|
|
them blamed clothes that just smothers me, Tom;
|
|
they don't seem to any air git through 'em, somehow;
|
|
and they're so rotten nice that I can't set down, nor
|
|
lay down, nor roll around anywher's; I hain't slid on
|
|
a cellar-door for -- well, it 'pears to be years; I got
|
|
to go to church and sweat and sweat -- I hate them
|
|
ornery sermons! I can't ketch a fly in there, I can't
|
|
chaw. I got to wear shoes all Sunday. The widder
|
|
eats by a bell; she goes to bed by a bell; she gits up
|
|
by a bell -- everything's so awful reg'lar a body can't
|
|
stand it."
|
|
|
|
"Well, everybody does that way, Huck."
|
|
|
|
"Tom, it don't make no difference. I ain't every-
|
|
body, and I can't STAND it. It's awful to be tied up so.
|
|
And grub comes too easy -- I don't take no interest in
|
|
vittles, that way. I got to ask to go a-fishing; I got
|
|
to ask to go in a-swimming -- dern'd if I hain't got to
|
|
ask to do everything. Well, I'd got to talk so nice it
|
|
wasn't no comfort -- I'd got to go up in the attic and
|
|
rip out awhile, every day, to git a taste in my mouth,
|
|
or I'd a died, Tom. The widder wouldn't let me
|
|
smoke; she wouldn't let me yell, she wouldn't let me
|
|
gape, nor stretch, nor scratch, before folks --" [Then
|
|
with a spasm of special irritation and injury] -- "And
|
|
dad fetch it, she prayed all the time! I never see such
|
|
a woman! I HAD to shove, Tom -- I just had to. And
|
|
besides, that school's going to open, and I'd a had to
|
|
go to it -- well, I wouldn't stand THAT, Tom. Looky-
|
|
here, Tom, being rich ain't what it's cracked up to be.
|
|
It's just worry and worry, and sweat and sweat, and
|
|
a-wishing you was dead all the time. Now these
|
|
clothes suits me, and this bar'l suits me, and I ain't
|
|
ever going to shake 'em any more. Tom, I wouldn't
|
|
ever got into all this trouble if it hadn't 'a' ben for
|
|
that money; now you just take my sheer of it along
|
|
with your'n, and gimme a ten-center sometimes -- not
|
|
many times, becuz I don't give a dern for a thing
|
|
'thout it's tollable hard to git -- and you go and beg off
|
|
for me with the widder."
|
|
|
|
"Oh, Huck, you know I can't do that. 'Tain't
|
|
fair; and besides if you'll try this thing just a while
|
|
longer you'll come to like it."
|
|
|
|
"Like it! Yes -- the way I'd like a hot stove if I
|
|
was to set on it long enough. No, Tom, I won't be
|
|
rich, and I won't live in them cussed smothery houses.
|
|
I like the woods, and the river, and hogsheads, and
|
|
I'll stick to 'em, too. Blame it all! just as we'd got
|
|
guns, and a cave, and all just fixed to rob, here this
|
|
dern foolishness has got to come up and spile it all!"
|
|
|
|
Tom saw his opportunity --
|
|
|
|
"Lookyhere, Huck, being rich ain't going to keep
|
|
me back from turning robber."
|
|
|
|
"No! Oh, good-licks; are you in real dead-wood
|
|
earnest, Tom?"
|
|
|
|
"Just as dead earnest as I'm sitting here. But
|
|
Huck, we can't let you into the gang if you ain't re-
|
|
spectable, you know."
|
|
|
|
Huck's joy was quenched.
|
|
|
|
"Can't let me in, Tom? Didn't you let me go for
|
|
a pirate?"
|
|
|
|
"Yes, but that's different. A robber is more high-
|
|
toned than what a pirate is -- as a general thing. In
|
|
most countries they're awful high up in the nobility --
|
|
dukes and such."
|
|
|
|
"Now, Tom, hain't you always ben friendly to me?
|
|
You wouldn't shet me out, would you, Tom? You
|
|
wouldn't do that, now, WOULD you, Tom?"
|
|
|
|
"Huck, I wouldn't want to, and I DON'T want to --
|
|
but what would people say? Why, they'd say, 'Mph!
|
|
Tom Sawyer's Gang! pretty low characters in it!'
|
|
They'd mean you, Huck. You wouldn't like that, and
|
|
I wouldn't."
|
|
|
|
Huck was silent for some time, engaged in a mental
|
|
struggle. Finally he said:
|
|
|
|
"Well, I'll go back to the widder for a month and
|
|
tackle it and see if I can come to stand it, if you'll
|
|
let me b'long to the gang, Tom."
|
|
|
|
"All right, Huck, it's a whiz! Come along, old
|
|
chap, and I'll ask the widow to let up on you a little,
|
|
Huck."
|
|
|
|
"Will you, Tom -- now will you? That's good. If
|
|
she'll let up on some of the roughest things, I'll smoke
|
|
private and cuss private, and crowd through or bust.
|
|
When you going to start the gang and turn robbers?"
|
|
|
|
"Oh, right off. We'll get the boys together and
|
|
have the initiation to-night, maybe."
|
|
|
|
"Have the which?"
|
|
|
|
"Have the initiation."
|
|
|
|
"What's that?"
|
|
|
|
"It's to swear to stand by one another, and never
|
|
tell the gang's secrets, even if you're chopped all to
|
|
flinders, and kill anybody and all his family that hurts
|
|
one of the gang."
|
|
|
|
"That's gay -- that's mighty gay, Tom, I tell you."
|
|
|
|
"Well, I bet it is. And all that swearing's got to
|
|
be done at midnight, in the lonesomest, awfulest place
|
|
you can find -- a ha'nted house is the best, but they're
|
|
all ripped up now."
|
|
|
|
"Well, midnight's good, anyway, Tom."
|
|
|
|
"Yes, so it is. And you've got to swear on a coffin,
|
|
and sign it with blood."
|
|
|
|
"Now, that's something LIKE! Why, it's a million
|
|
times bullier than pirating. I'll stick to the widder
|
|
till I rot, Tom; and if I git to be a reg'lar ripper of a
|
|
robber, and everybody talking 'bout it, I reckon she'll
|
|
be proud she snaked me in out of the wet."
|
|
|
|
|
|
CONCLUSION
|
|
|
|
SO endeth this chronicle. It being strictly
|
|
a history of a BOY, it must stop here; the
|
|
story could not go much further without
|
|
becoming the history of a MAN. When
|
|
one writes a novel about grown people, he
|
|
knows exactly where to stop -- that is,
|
|
with a marriage; but when he writes of juveniles, he
|
|
must stop where he best can.
|
|
|
|
Most of the characters that perform in this book
|
|
still live, and are prosperous and happy. Some day
|
|
it may seem worth while to take up the story of the
|
|
younger ones again and see what sort of men and
|
|
women they turned out to be; therefore it will be
|
|
wisest not to reveal any of that part of their lives at
|
|
present.
|
|
|
|
***
|
|
|
|
End of the Wiretap/Project Gutenberg Etext of
|
|
Tom Sawyer, by Mark Twain [Samuel Langhorne Clemens
|
|
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