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The $30,000 Bequest, by Mark Twain
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June, 1994 [Etext #142]
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The Project Gutenberg Etext of The $30,000 Bequest, by Twain
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*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
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THE $30,000 BEQUEST
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and Other Stories
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by
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Mark Twain
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(Samuel L. Clemens)
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The $30,000 Bequest
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A Dog's Tale
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Was It Heaven? Or Hell?
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A Cure for the Blues
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The Enemy Conquered; or, Love Triumphant
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|
The Californian's Tale
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|
A Helpless Situation
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A Telephonic Conversation
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|
Edward Mills and George Benton: A Tale
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|
The Five Boons of Life
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|
The First Writing-machines
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|
Italian without a Master
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|
Italian with Grammar
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A Burlesque Biography
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|
How to Tell a Story
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|
General Washington's Negro Body-servant
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|
Wit Inspirations of the "Two-year-olds"
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An Entertaining Article
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A Letter to the Secretary of the Treasury
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Amended Obituaries
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A Momument to Adam
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A Humane Word from Satan
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|
Introduction to "The New Guide of the
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Conversation in Portuguese and English"
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Advice to Little Girls
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Post-mortem Poetry
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|
The Danger of Lying in Bed
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Portrait of King William III
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Does the Race of Man Love a Lord?
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Extracts from Adam's Diary
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Eve's Diary
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***
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THE $30,000 BEQUEST
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CHAPTER I
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Lakeside was a pleasant little town of five or six thousand inhabitants,
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and a rather pretty one, too, as towns go in the Far West.
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It had church accommodations for thirty-five thousand, which is
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|
the way of the Far West and the South, where everybody is religious,
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|
and where each of the Protestant sects is represented and has a plant
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|
of its own. Rank was unknown in Lakeside--unconfessed, anyway;
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everybody knew everybody and his dog, and a sociable friendliness
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was the prevailing atmosphere.
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Saladin Foster was book-keeper in the principal store, and the only
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high-salaried man of his profession in Lakeside. He was thirty-five
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years old, now; he had served that store for fourteen years;
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he had begun in his marriage-week at four hundred dollars a year,
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|
and had climbed steadily up, a hundred dollars a year, for four years;
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from that time forth his wage had remained eight hundred--a handsome
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|
figure indeed, and everybody conceded that he was worth it.
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His wife, Electra, was a capable helpmeet, although--like himself--
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|
a dreamer of dreams and a private dabbler in romance. The first thing
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|
she did, after her marriage--child as she was, aged only nineteen--
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|
was to buy an acre of ground on the edge of the town, and pay
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|
down the cash for it--twenty-five dollars, all her fortune.
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|
Saladin had less, by fifteen. She instituted a vegetable garden there,
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|
got it farmed on shares by the nearest neighbor, and made it pay
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|
her a hundred per cent. a year. Out of Saladin's first year's wage
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|
she put thirty dollars in the savings-bank, sixty out of his second,
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|
a hundred out of his third, a hundred and fifty out of his fourth.
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|
His wage went to eight hundred a year, then, and meantime two children
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|
had arrived and increased the expenses, but she banked two hundred
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|
a year from the salary, nevertheless, thenceforth. When she had been
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|
married seven years she built and furnished a pretty and comfortable
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|
two-thousand-dollar house in the midst of her garden-acre, paid
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half of the money down and moved her family in. Seven years later
|
|
she was out of debt and had several hundred dollars out earning
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|
its living.
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Earning it by the rise in landed estate; for she had long ago bought
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another acre or two and sold the most of it at a profit to pleasant
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people who were willing to build, and would be good neighbors and
|
|
furnish a general comradeship for herself and her growing family.
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|
She had an independent income from safe investments of about a hundred
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|
dollars a year; her children were growing in years and grace;
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|
and she was a pleased and happy woman. Happy in her husband, happy in
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|
her children, and the husband and the children were happy in her.
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|
It is at this point that this history begins.
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The youngest girl, Clytemnestra--called Clytie for short--
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|
was eleven; her sister, Gwendolen--called Gwen for short--
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|
was thirteen; nice girls, and comely. The names betray the latent
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romance-tinge in the parental blood, the parents' names indicate
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that the tinge was an inheritance. It was an affectionate family,
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hence all four of its members had pet names, Saladin's was a curious
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and unsexing one--Sally; and so was Electra's--Aleck. All day
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long Sally was a good and diligent book-keeper and salesman;
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all day long Aleck was a good and faithful mother and housewife,
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|
and thoughtful and calculating business woman; but in the cozy
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living-room at night they put the plodding world away, and lived in
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|
another and a fairer, reading romances to each other, dreaming dreams,
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|
comrading with kings and princes and stately lords and ladies in
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the flash and stir and splendor of noble palaces and grim and ancient castles.
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CHAPTER II
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Now came great news! Stunning news--joyous news, in fact. It came from
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a neighboring state, where the family's only surviving relative lived.
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It was Sally's relative--a sort of vague and indefinite uncle or
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|
second or third cousin by the name of Tilbury Foster, seventy and
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a bachelor, reputed well off and corresponding sour and crusty.
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Sally had tried to make up to him once, by letter, in a bygone time,
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and had not made that mistake again. Tilbury now wrote to Sally,
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saying he should shortly die, and should leave him thirty thousand
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dollars, cash; not for love, but because money had given him most
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of his troubles and exasperations, and he wished to place it where
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there was good hope that it would continue its malignant work.
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The bequest would be found in his will, and would be paid over.
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PROVIDED, that Sally should be able to prove to the executors that
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he had TAKEN NO NOTICE OF THE GIFT BY SPOKEN WORD OR BY LETTER,
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HAD MADE NO INQUIRIES CONCERNING THE MORIBUND'S PROGRESS TOWARD
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THE EVERLASTING TROPICS, AND HAD NOT ATTENDED THE FUNERAL.
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As soon as Aleck had partially recovered from the tremendous
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emotions created by the letter, she sent to the relative's habitat
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|
and subscribed for the local paper.
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Man and wife entered into a solemn compact, now, to never mention
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|
the great news to any one while the relative lived, lest some
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ignorant person carry the fact to the death-bed and distort it
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|
and make it appear that they were disobediently thankful for
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|
the bequest, and just the same as confessing it and publishing it,
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|
right in the face of the prohibition.
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For the rest of the day Sally made havoc and confusion with his books,
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|
and Aleck could not keep her mind on her affairs, not even take up
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a flower-pot or book or a stick of wood without forgetting what she
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|
had intended to do with it. For both were dreaming.
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"Thir-ty thousand dollars!"
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All day long the music of those inspiring words sang through
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those people's heads.
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From his marriage-day forth, Aleck's grip had been upon the purse,
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|
and Sally had seldom known what it was to be privileged to squander
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a dime on non-necessities.
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"Thir-ty thousand dollars!" the song went on and on. A vast sum,
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|
an unthinkable sum!
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All day long Aleck was absorbed in planning how to invest it,
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|
Sally in planning how to spend it.
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|
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There was no romance-reading that night. The children took
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|
themselves away early, for their parents were silent, distraught,
|
|
and strangely unentertaining. The good-night kisses might as well
|
|
have been impressed upon vacancy, for all the response they got;
|
|
the parents were not aware of the kisses, and the children had
|
|
been gone an hour before their absence was noticed. Two pencils
|
|
had been busy during that hour--note-making; in the way of plans.
|
|
It was Sally who broke the stillness at last. He said, with exultation:
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|
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"Ah, it'll be grand, Aleck! Out of the first thousand we'll have
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|
a horse and a buggy for summer, and a cutter and a skin lap-robe
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|
for winter."
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Aleck responded with decision and composure--
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|
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"Out of the CAPITAL? Nothing of the kind. Not if it was a million!"
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Sally was deeply disappointed; the glow went out of his face.
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|
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"Oh, Aleck!" he said, reproachfully. "We've always worked so hard
|
|
and been so scrimped: and now that we are rich, it does seem--"
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|
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He did not finish, for he saw her eye soften; his supplication
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|
had touched her. She said, with gentle persuasiveness:
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"We must not spend the capital, dear, it would not be wise.
|
|
Out of the income from it--"
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"That will answer, that will answer, Aleck! How dear and good you are!
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|
There will be a noble income and if we can spend that--"
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"Not ALL of it, dear, not all of it, but you can spend a part of it.
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|
That is, a reasonable part. But the whole of the capital--
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|
every penny of it--must be put right to work, and kept at it.
|
|
You see the reasonableness of that, don't you?"
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"Why, ye-s. Yes, of course. But we'll have to wait so long.
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|
Six months before the first interest falls due."
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"Yes--maybe longer."
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"Longer, Aleck? Why? Don't they pay half-yearly?"
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|
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"THAT kind of an investment--yes; but I sha'n't invest in that way."
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"What way, then?"
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"For big returns."
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"Big. That's good. Go on, Aleck. What is it?"
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"Coal. The new mines. Cannel. I mean to put in ten thousand.
|
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Ground floor. When we organize, we'll get three shares for one."
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"By George, but it sounds good, Aleck! Then the shares will be worth--
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|
how much? And when?"
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|
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"About a year. They'll pay ten per cent. half yearly, and be
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|
worth thirty thousand. I know all about it; the advertisement
|
|
is in the Cincinnati paper here."
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|
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"Land, thirty thousand for ten--in a year! Let's jam in the whole
|
|
capital and pull out ninety! I'll write and subscribe right now--
|
|
tomorrow it maybe too late."
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|
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He was flying to the writing-desk, but Aleck stopped him and put
|
|
him back in his chair. She said:
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"Don't lose your head so. WE mustn't subscribe till we've got
|
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the money; don't you know that?"
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|
|
Sally's excitement went down a degree or two, but he was not
|
|
wholly appeased.
|
|
|
|
"Why, Aleck, we'll HAVE it, you know--and so soon, too. He's probably
|
|
out of his troubles before this; it's a hundred to nothing he's
|
|
selecting his brimstone-shovel this very minute. Now, I think--"
|
|
|
|
Aleck shuddered, and said:
|
|
|
|
"How CAN you, Sally! Don't talk in that way, it is perfectly scandalous."
|
|
|
|
"Oh, well, make it a halo, if you like, _I_ don't care for his outfit,
|
|
I was only just talking. Can't you let a person talk?"
|
|
|
|
"But why should you WANT to talk in that dreadful way? How would
|
|
you like to have people talk so about YOU, and you not cold yet?"
|
|
|
|
"Not likely to be, for ONE while, I reckon, if my last act was
|
|
giving away money for the sake of doing somebody a harm with it.
|
|
But never mind about Tilbury, Aleck, let's talk about something worldly.
|
|
It does seem to me that that mine is the place for the whole thirty.
|
|
What's the objection?"
|
|
|
|
"All the eggs in one basket--that's the objection."
|
|
|
|
"All right, if you say so. What about the other twenty?
|
|
What do you mean to do with that?"
|
|
|
|
"There is no hurry; I am going to look around before I do anything
|
|
with it."
|
|
|
|
"All right, if your mind's made up," signed Sally. He was deep
|
|
in thought awhile, then he said:
|
|
|
|
"There'll be twenty thousand profit coming from the ten a year
|
|
from now. We can spend that, can we, Aleck?"
|
|
|
|
Aleck shook her head.
|
|
|
|
"No, dear," she said, "it won't sell high till we've had the first
|
|
semi-annual dividend. You can spend part of that."
|
|
|
|
"Shucks, only THAT--and a whole year to wait! Confound it, I--"
|
|
|
|
"Oh, do be patient! It might even be declared in three months--
|
|
it's quite within the possibilities."
|
|
|
|
"Oh, jolly! oh, thanks!" and Sally jumped up and kissed his wife
|
|
in gratitude. "It'll be three thousand--three whole thousand!
|
|
how much of it can we spend, Aleck? Make it liberal!--do, dear,
|
|
that's a good fellow."
|
|
|
|
Aleck was pleased; so pleased that she yielded to the pressure and
|
|
conceded a sum which her judgment told her was a foolish extravagance--
|
|
a thousand dollars. Sally kissed her half a dozen times and even
|
|
in that way could not express all his joy and thankfulness.
|
|
This new access of gratitude and affection carried Aleck quite
|
|
beyond the bounds of prudence, and before she could restrain
|
|
herself she had made her darling another grant--a couple
|
|
of thousand out of the fifty or sixty which she meant to clear
|
|
within a year of the twenty which still remained of the bequest.
|
|
The happy tears sprang to Sally's eyes, and he said:
|
|
|
|
"Oh, I want to hug you!" And he did it. Then he got his notes and sat
|
|
down and began to check off, for first purchase, the luxuries which he
|
|
should earliest wish to secure. "Horse--buggy--cutter--lap-robe--
|
|
patent-leathers--dog--plug-hat church-pew--stem-winder--new teeth--SAY, Aleck!"
|
|
|
|
"Well?"
|
|
|
|
"Ciphering away, aren't you? That's right. Have you got the twenty
|
|
thousand invested yet?"
|
|
|
|
"No, there's no hurry about that; I must look around first,
|
|
and think."
|
|
|
|
"But you are ciphering; what's it about?"
|
|
|
|
"Why, I have to find work for the thirty thousand that comes out
|
|
of the coal, haven't I?"
|
|
|
|
"Scott, what a head! I never thought of that. How are you
|
|
getting along? Where have you arrived?"
|
|
|
|
"Not very far--two years or three. I've turned it over twice;
|
|
once in oil and once in wheat."
|
|
|
|
"Why, Aleck, it's splendid! How does it aggregate?"
|
|
|
|
"I think--well, to be on the safe side, about a hundred and eighty
|
|
thousand clear, though it will probably be more."
|
|
|
|
"My! isn't it wonderful? By gracious! luck has come our way at last,
|
|
after all the hard sledding, Aleck!"
|
|
|
|
"Well?"
|
|
|
|
"I'm going to cash in a whole three hundred on the missionaries--
|
|
what real right have we care for expenses!"
|
|
|
|
"You couldn't do a nobler thing, dear; and it's just like your
|
|
generous nature, you unselfish boy."
|
|
|
|
The praise made Sally poignantly happy, but he was fair and just
|
|
enough to say it was rightfully due to Aleck rather than to himself,
|
|
since but for her he should never have had the money.
|
|
|
|
Then they went up to bed, and in their delirium of bliss they forgot
|
|
and left the candle burning in the parlor. They did not remember
|
|
until they were undressed; then Sally was for letting it burn;
|
|
he said they could afford it, if it was a thousand. But Aleck went
|
|
down and put it out.
|
|
|
|
A good job, too; for on her way back she hit on a scheme that would
|
|
turn the hundred and eighty thousand into half a million before it
|
|
had had time to get cold.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
The little newspaper which Aleck had subscribed for was a Thursday sheet;
|
|
it would make the trip of five hundred miles from Tilbury's village
|
|
and arrive on Saturday. Tilbury's letter had started on Friday,
|
|
more than a day too late for the benefactor to die and get into
|
|
that week's issue, but in plenty of time to make connection for the
|
|
next output. Thus the Fosters had to wait almost a complete week to
|
|
find out whether anything of a satisfactory nature had happened to him
|
|
or not. It was a long, long week, and the strain was a heavy one.
|
|
The pair could hardly have borne it if their minds had not had
|
|
the relief of wholesome diversion. We have seen that they had that.
|
|
The woman was piling up fortunes right along, the man was spending them--
|
|
spending all his wife would give him a chance at, at any rate.
|
|
|
|
At last the Saturday came, and the WEEKLY SAGAMORE arrived.
|
|
Mrs. Eversly Bennett was present. She was the Presbyterian
|
|
parson's wife, and was working the Fosters for a charity.
|
|
Talk now died a sudden death--on the Foster side. Mrs. Bennett
|
|
presently discovered that her hosts were not hearing a word she
|
|
was saying; so she got up, wondering and indignant, and went away.
|
|
The moment she was out of the house, Aleck eagerly tore the wrapper
|
|
from the paper, and her eyes and Sally's swept the columns for the
|
|
death-notices. Disappointment! Tilbury was not anywhere mentioned.
|
|
Aleck was a Christian from the cradle, and duty and the force of
|
|
habit required her to go through the motions. She pulled herself
|
|
together and said, with a pious two-per-cent. trade joyousness:
|
|
|
|
"Let us be humbly thankful that he has been spared; and--"
|
|
|
|
"Damn his treacherous hide, I wish--"
|
|
|
|
"Sally! For shame!"
|
|
|
|
"I don't care!" retorted the angry man. "It's the way YOU feel,
|
|
and if you weren't so immorally pious you'd be honest and say so."
|
|
|
|
Aleck said, with wounded dignity:
|
|
|
|
"I do not see how you can say such unkind and unjust things.
|
|
There is no such thing as immoral piety."
|
|
|
|
Sally felt a pang, but tried to conceal it under a shuffling attempt
|
|
to save his case by changing the form of it--as if changing the form
|
|
while retaining the juice could deceive the expert he was trying
|
|
to placate. He said:
|
|
|
|
"I didn't mean so bad as that, Aleck; I didn't really mean
|
|
immoral piety, I only meant--meant--well, conventional piety,
|
|
you know; er--shop piety; the--the--why, YOU know what I mean.
|
|
Aleck--the--well, where you put up that plated article and play
|
|
it for solid, you know, without intending anything improper,
|
|
but just out of trade habit, ancient policy, petrified custom,
|
|
loyalty to--to--hang it, I can't find the right words, but YOU
|
|
know what I mean, Aleck, and that there isn't any harm in it.
|
|
I'll try again. You see, it's this way. If a person--"
|
|
|
|
"You have said quite enough," said Aleck, coldly; "let the subject
|
|
be dropped."
|
|
|
|
"I'M willing," fervently responded Sally, wiping the sweat from
|
|
his forehead and looking the thankfulness he had no words for.
|
|
Then, musingly, he apologized to himself. "I certainly held threes--
|
|
I KNOW it--but I drew and didn't fill. That's where I'm so often
|
|
weak in the game. If I had stood pat--but I didn't. I never do.
|
|
I don't know enough."
|
|
|
|
Confessedly defeated, he was properly tame now and subdued.
|
|
Aleck forgave him with her eyes.
|
|
|
|
The grand interest, the supreme interest, came instantly to the
|
|
front again; nothing could keep it in the background many minutes
|
|
on a stretch. The couple took up the puzzle of the absence
|
|
of Tilbury's death-notice. They discussed it every which way,
|
|
more or less hopefully, but they had to finish where they began,
|
|
and concede that the only really sane explanation of the absence
|
|
of the notice must be--and without doubt was--that Tilbury was
|
|
not dead. There was something sad about it, something even a
|
|
little unfair, maybe, but there it was, and had to be put up with.
|
|
They were agreed as to that. To Sally it seemed a strangely
|
|
inscrutable dispensation; more inscrutable than usual, he thought;
|
|
one of the most unnecessary inscrutable he could call to mind,
|
|
in fact--and said so, with some feeling; but if he was hoping
|
|
to draw Aleck he failed; she reserved her opinion, if she had one;
|
|
she had not the habit of taking injudicious risks in any market,
|
|
worldly or other.
|
|
|
|
The pair must wait for next week's paper--Tilbury had evidently postponed.
|
|
That was their thought and their decision. So they put the subject
|
|
away and went about their affairs again with as good heart as they could.
|
|
|
|
|
|
Now, if they had but known it, they had been wronging Tilbury
|
|
all the time. Tilbury had kept faith, kept it to the letter;
|
|
he was dead, he had died to schedule. He was dead more than four
|
|
days now and used to it; entirely dead, perfectly dead, as dead
|
|
as any other new person in the cemetery; dead in abundant time to get
|
|
into that week's SAGAMORE, too, and only shut out by an accident;
|
|
an accident which could not happen to a metropolitan journal,
|
|
but which happens easily to a poor little village rag like the SAGAMORE.
|
|
On this occasion, just as the editorial page was being locked up,
|
|
a gratis quart of strawberry ice-water arrived from Hostetter's
|
|
Ladies and Gents Ice-Cream Parlors, and the stickful of rather
|
|
chilly regret over Tilbury's translation got crowded out to make
|
|
room for the editor's frantic gratitude.
|
|
|
|
On its way to the standing-galley Tilbury's notice got pied.
|
|
Otherwise it would have gone into some future edition, for WEEKLY
|
|
SAGAMORES do not waste "live" matter, and in their galleys "live"
|
|
matter is immortal, unless a pi accident intervenes. But a thing
|
|
that gets pied is dead, and for such there is no resurrection;
|
|
its chance of seeing print is gone, forever and ever. And so,
|
|
let Tilbury like it or not, let him rave in his grave to his fill,
|
|
no matter--no mention of his death would ever see the light in the
|
|
WEEKLY SAGAMORE.
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
Five weeks drifted tediously along. The SAGAMORE arrived regularly on
|
|
the Saturdays, but never once contained a mention of Tilbury Foster.
|
|
Sally's patience broke down at this point, and he said, resentfully:
|
|
|
|
"Damn his livers, he's immortal!"
|
|
|
|
Aleck give him a very severe rebuke, and added with icy solemnity:
|
|
|
|
"How would you feel if you were suddenly cut out just after such
|
|
an awful remark had escaped out of you?"
|
|
|
|
Without sufficient reflection Sally responded:
|
|
|
|
"I'd feel I was lucky I hadn't got caught with it IN me."
|
|
|
|
Pride had forced him to say something, and as he could not think
|
|
of any rational thing to say he flung that out. Then he stole a base--
|
|
as he called it--that is, slipped from the presence, to keep from
|
|
being brayed in his wife's discussion-mortar.
|
|
|
|
Six months came and went. The SAGAMORE was still silent about Tilbury.
|
|
Meantime, Sally had several times thrown out a feeler--that is,
|
|
a hint that he would like to know. Aleck had ignored the hints.
|
|
Sally now resolved to brace up and risk a frontal attack.
|
|
So he squarely proposed to disguise himself and go to Tilbury's
|
|
village and surreptitiously find out as to the prospects.
|
|
Aleck put her foot on the dangerous project with energy and decision.
|
|
She said:
|
|
|
|
"What can you be thinking of? You do keep my hands full!
|
|
You have to be watched all the time, like a little child, to keep
|
|
you from walking into the fire. You'll stay right where you are!"
|
|
|
|
"Why, Aleck, I could do it and not be found out--I'm certain of it."
|
|
|
|
"Sally Foster, don't you know you would have to inquire around?"
|
|
|
|
"Of course, but what of it? Nobody would suspect who I was."
|
|
|
|
"Oh, listen to the man! Some day you've got to prove to the executors
|
|
that you never inquired. What then?"
|
|
|
|
He had forgotten that detail. He didn't reply; there wasn't
|
|
anything to say. Aleck added:
|
|
|
|
"Now then, drop that notion out of your mind, and don't ever meddle
|
|
with it again. Tilbury set that trap for you. Don't you know it's
|
|
a trap? He is on the watch, and fully expecting you to blunder
|
|
into it. Well, he is going to be disappointed--at least while I
|
|
am on deck. Sally!"
|
|
|
|
"Well?"
|
|
|
|
"As long as you live, if it's a hundred years, don't you ever make
|
|
an inquiry. Promise!"
|
|
|
|
"All right," with a sigh and reluctantly.
|
|
|
|
Then Aleck softened and said:
|
|
|
|
"Don't be impatient. We are prospering; we can wait; there is
|
|
no hurry. Our small dead-certain income increases all the time;
|
|
and as to futures, I have not made a mistake yet--they are piling
|
|
up by the thousands and tens of thousands. There is not another
|
|
family in the state with such prospects as ours. Already we are
|
|
beginning to roll in eventual wealth. You know that, don't you?"
|
|
|
|
"Yes, Aleck, it's certainly so."
|
|
|
|
"Then be grateful for what God is doing for us and stop worrying.
|
|
You do not believe we could have achieved these prodigious results
|
|
without His special help and guidance, do you?"
|
|
|
|
Hesitatingly, "N-no, I suppose not." Then, with feeling
|
|
and admiration, "And yet, when it comes to judiciousness
|
|
in watering a stock or putting up a hand to skin Wall Street
|
|
I don't give in that YOU need any outside amateur help, if I do wish I--"
|
|
|
|
"Oh, DO shut up! I know you do not mean any harm or any irreverence,
|
|
poor boy, but you can't seem to open your mouth without letting out
|
|
things to make a person shudder. You keep me in constant dread.
|
|
For you and for all of us. Once I had no fear of the thunder,
|
|
but now when I hear it I--"
|
|
|
|
Her voice broke, and she began to cry, and could not finish.
|
|
The sight of this smote Sally to the heart and he took her in his
|
|
arms and petted her and comforted her and promised better conduct,
|
|
and upbraided himself and remorsefully pleaded for forgiveness.
|
|
And he was in earnest, and sorry for what he had done and ready for any
|
|
sacrifice that could make up for it.
|
|
|
|
And so, in privacy, he thought long and deeply over the matter,
|
|
resolving to do what should seem best. It was easy to PROMISE reform;
|
|
indeed he had already promised it. But would that do any real good,
|
|
any permanent good? No, it would be but temporary--he knew
|
|
his weakness, and confessed it to himself with sorrow--he could
|
|
not keep the promise. Something surer and better must be devised;
|
|
and he devised it. At cost of precious money which he had long
|
|
been saving up, shilling by shilling, he put a lightning-rod on
|
|
the house.
|
|
|
|
At a subsequent time he relapsed.
|
|
|
|
What miracles habit can do! and how quickly and how easily habits
|
|
are acquired--both trifling habits and habits which profoundly change us.
|
|
If by accident we wake at two in the morning a couple of nights
|
|
in succession, we have need to be uneasy, for another repetition can
|
|
turn the accident into a habit; and a month's dallying with whiskey--
|
|
but we all know these commonplace facts.
|
|
|
|
The castle-building habit, the day-dreaming habit--how it grows!
|
|
what a luxury it becomes; how we fly to its enchantments at every
|
|
idle moment, how we revel in them, steep our souls in them,
|
|
intoxicate ourselves with their beguiling fantasies--oh yes,
|
|
and how soon and how easily our dram life and our material life
|
|
become so intermingled and so fused together that we can't quite
|
|
tell which is which, any more.
|
|
|
|
By and by Aleck subscribed to a Chicago daily and for the WALL
|
|
STREET POINTER. With an eye single to finance she studied these
|
|
as diligently all the week as she studied her Bible Sundays.
|
|
Sally was lost in admiration, to note with what swift and sure strides
|
|
her genius and judgment developed and expanded in the forecasting and
|
|
handling of the securities of both the material and spiritual markets.
|
|
He was proud of her nerve and daring in exploiting worldly stocks,
|
|
and just as proud of her conservative caution in working her
|
|
spiritual deals. He noted that she never lost her head in either case;
|
|
that with a splendid courage she often went short on worldly futures,
|
|
but heedfully drew the line there--she was always long on the others.
|
|
Her policy was quite sane and simple, as she explained it to him:
|
|
what she put into earthly futures was for speculation, what she put
|
|
into spiritual futures was for investment; she was willing to go into
|
|
the one on a margin, and take chances, but in the case of the other,
|
|
"margin her no margins"--she wanted to cash in a hundred cents per
|
|
dollar's worth, and have the stock transferred on the books.
|
|
|
|
It took but a very few months to educate Aleck's imagination
|
|
and Sally's. Each day's training added something to the spread
|
|
and effectiveness of the two machines. As a consequence, Aleck made
|
|
imaginary money much faster than at first she had dreamed of making it,
|
|
and Sally's competency in spending the overflow of it kept pace with
|
|
the strain put upon it, right along. In the beginning, Aleck had
|
|
given the coal speculation a twelvemonth in which to materialize,
|
|
and had been loath to grant that this term might possibly be shortened
|
|
by nine months. But that was the feeble work, the nursery work,
|
|
of a financial fancy that had had no teaching, no experience,
|
|
no practice. These aids soon came, then that nine months vanished,
|
|
and the imaginary ten-thousand-dollar investment came marching
|
|
home with three hundred per cent. profit on its back!
|
|
|
|
It was a great day for the pair of Fosters. They were speechless
|
|
for joy. Also speechless for another reason: after much watching
|
|
of the market, Aleck had lately, with fear and trembling, made her
|
|
first flyer on a "margin," using the remaining twenty thousand of
|
|
the bequest in this risk. In her mind's eye she had seen it climb,
|
|
point by point--always with a chance that the market would break--
|
|
until at last her anxieties were too great for further endurance--
|
|
she being new to the margin business and unhardened, as yet--and she
|
|
gave her imaginary broker an imaginary order by imaginary telegraph
|
|
to sell. She said forty thousand dollars' profit was enough.
|
|
The sale was made on the very day that the coal venture had returned
|
|
with its rich freight. As I have said, the couple were speechless.
|
|
they sat dazed and blissful that night, trying to realize that they were
|
|
actually worth a hundred thousand dollars in clean, imaginary cash.
|
|
Yet so it was.
|
|
|
|
It was the last time that ever Aleck was afraid of a margin;
|
|
at least afraid enough to let it break her sleep and pale her cheek
|
|
to the extent that this first experience in that line had done.
|
|
|
|
Indeed it was a memorable night. Gradually the realization that they
|
|
were rich sank securely home into the souls of the pair, then they
|
|
began to place the money. If we could have looked out through
|
|
the eyes of these dreamers, we should have seen their tidy little
|
|
wooden house disappear, and two-story brick with a cast-iron fence
|
|
in front of it take its place; we should have seen a three-globed
|
|
gas-chandelier grow down from the parlor ceiling; we should have seen
|
|
the homely rag carpet turn to noble Brussels, a dollar and a half
|
|
a yard; we should have seen the plebeian fireplace vanish away and
|
|
a recherch'e, big base-burner with isinglass windows take position
|
|
and spread awe around. And we should have seen other things,
|
|
too; among them the buggy, the lap-robe, the stove-pipe hat, and so on.
|
|
|
|
From that time forth, although the daughters and the neighbors
|
|
saw only the same old wooden house there, it was a two-story
|
|
brick to Aleck and Sally and not a night went by that Aleck did
|
|
not worry about the imaginary gas-bills, and get for all comfort
|
|
Sally's reckless retort: "What of it? We can afford it."
|
|
|
|
Before the couple went to bed, that first night that they were rich,
|
|
they had decided that they must celebrate. They must give a party--
|
|
that was the idea. But how to explain it--to the daughters and
|
|
the neighbors? They could not expose the fact that they were rich.
|
|
Sally was willing, even anxious, to do it; but Aleck kept her head
|
|
and would not allow it. She said that although the money was as
|
|
good as in, it would be as well to wait until it was actually in.
|
|
On that policy she took her stand, and would not budge.
|
|
The great secret must be kept, she said--kept from the daughters and
|
|
everybody else.
|
|
|
|
The pair were puzzled. They must celebrate, they were determined
|
|
to celebrate, but since the secret must be kept, what could
|
|
they celebrate? No birthdays were due for three months.
|
|
Tilbury wasn't available, evidently he was going to live forever;
|
|
what the nation COULD they celebrate? That was Sally's way
|
|
of putting it; and he was getting impatient, too, and harassed.
|
|
But at last he hit it--just by sheer inspiration, as it seemed to him--
|
|
and all their troubles were gone in a moment; they would celebrate
|
|
the Discovery of America. A splendid idea!
|
|
|
|
Aleck was almost too proud of Sally for words--she said SHE never would
|
|
have thought of it. But Sally, although he was bursting with delight
|
|
in the compliment and with wonder at himself, tried not to let on,
|
|
and said it wasn't really anything, anybody could have done it.
|
|
Whereat Aleck, with a prideful toss of her happy head, said:
|
|
|
|
"Oh, certainly! Anybody could--oh, anybody! Hosannah Dilkins,
|
|
for instance! Or maybe Adelbert Peanut--oh, DEAR--yes! Well, I'd like
|
|
to see them try it, that's all. Dear-me-suz, if they could think
|
|
of the discovery of a forty-acre island it's more than _I_ believe
|
|
they could; and as for the whole continent, why, Sally Foster,
|
|
you know perfectly well it would strain the livers and lights
|
|
out of them and THEN they couldn't!"
|
|
|
|
The dear woman, she knew he had talent; and if affection made
|
|
her over-estimate the size of it a little, surely it was a sweet
|
|
and gentle crime, and forgivable for its source's sake.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
The celebration went off well. The friends were all present,
|
|
both the young and the old. Among the young were Flossie and
|
|
Gracie Peanut and their brother Adelbert, who was a rising young
|
|
journeyman tinner, also Hosannah Dilkins, Jr., journeyman plasterer,
|
|
just out of his apprenticeship. For many months Adelbert and Hosannah
|
|
had been showing interest in Gwendolen and Clytemnestra Foster,
|
|
and the parents of the girls had noticed this with private satisfaction.
|
|
But they suddenly realized now that that feeling had passed.
|
|
They recognized that the changed financial conditions had raised
|
|
up a social bar between their daughters and the young mechanics.
|
|
The daughters could now look higher--and must. Yes, must. They need
|
|
marry nothing below the grade of lawyer or merchant; poppa and momma
|
|
would take care of this; there must be no m'esalliances.
|
|
|
|
However, these thinkings and projects of their were private,
|
|
and did not show on the surface, and therefore threw no shadow
|
|
upon the celebration. What showed upon the surface was a serene
|
|
and lofty contentment and a dignity of carriage and gravity of
|
|
deportment which compelled the admiration and likewise the wonder
|
|
of the company. All noticed it and all commented upon it, but none
|
|
was able to divine the secret of it. It was a marvel and a mystery.
|
|
Three several persons remarked, without suspecting what clever
|
|
shots they were making:
|
|
|
|
"It's as if they'd come into property."
|
|
|
|
That was just it, indeed.
|
|
|
|
Most mothers would have taken hold of the matrimonial matter in
|
|
the old regulation way; they would have given the girls a talking to,
|
|
of a solemn sort and untactful--a lecture calculated to defeat its
|
|
own purpose, by producing tears and secret rebellion; and the said
|
|
mothers would have further damaged the business by requesting
|
|
the young mechanics to discontinue their attentions. But this
|
|
mother was different. She was practical. She said nothing to any
|
|
of the young people concerned, nor to any one else except Sally.
|
|
He listened to her and understood; understood and admired.
|
|
He said:
|
|
|
|
"I get the idea. Instead of finding fault with the samples on view,
|
|
thus hurting feelings and obstructing trade without occasion,
|
|
you merely offer a higher class of goods for the money, and leave
|
|
nature to take her course. It's wisdom, Aleck, solid wisdom,
|
|
and sound as a nut. Who's your fish? Have you nominated him yet?"
|
|
|
|
No, she hadn't. They must look the market over--which they did.
|
|
To start with, they considered and discussed Brandish, rising young
|
|
lawyer, and Fulton, rising young dentist. Sally must invite them
|
|
to dinner. But not right away; there was no hurry, Aleck said.
|
|
Keep an eye on the pair, and wait; nothing would be lost by going
|
|
slowly in so important a matter.
|
|
|
|
It turned out that this was wisdom, too; for inside of three
|
|
weeks Aleck made a wonderful strike which swelled her imaginary
|
|
hundred thousand to four hundred thousand of the same quality.
|
|
She and Sally were in the clouds that evening. For the first
|
|
time they introduced champagne at dinner. Not real champagne,
|
|
but plenty real enough for the amount of imagination expended on it.
|
|
It was Sally that did it, and Aleck weakly submitted. At bottom both
|
|
were troubled and ashamed, for he was a high-up Son of Temperance,
|
|
and at funerals wore an apron which no dog could look upon and retain
|
|
his reason and his opinion; and she was a W. C. T. U., with all that
|
|
that implies of boiler-iron virtue and unendurable holiness. But there
|
|
is was; the pride of riches was beginning its disintegrating work.
|
|
They had lived to prove, once more, a sad truth which had been proven
|
|
many times before in the world: that whereas principle is a great
|
|
and noble protection against showy and degrading vanities and vices,
|
|
poverty is worth six of it. More than four hundred thousand
|
|
dollars to the good. They took up the matrimonial matter again.
|
|
Neither the dentist nor the lawyer was mentioned; there was no occasion,
|
|
they were out of the running. Disqualified. They discussed the son
|
|
of the pork-packer and the son of the village banker. But finally,
|
|
as in the previous case, they concluded to wait and think, and go
|
|
cautiously and sure.
|
|
|
|
Luck came their way again. Aleck, ever watchful saw a great
|
|
and risky chance, and took a daring flyer. A time of trembling,
|
|
of doubt, of awful uneasiness followed, for non-success meant absolute
|
|
ruin and nothing short of it. Then came the result, and Aleck,
|
|
faint with joy, could hardly control her voice when she said:
|
|
|
|
"The suspense is over, Sally--and we are worth a cold million!"
|
|
|
|
Sally wept for gratitude, and said:
|
|
|
|
"Oh, Electra, jewel of women, darling of my heart, we are free
|
|
at last, we roll in wealth, we need never scrimp again. it's a
|
|
case for Veuve Cliquot!" and he got out a pint of spruce-beer
|
|
and made sacrifice, he saying "Damn the expense," and she rebuking
|
|
him gently with reproachful but humid and happy eyes.
|
|
|
|
They shelved the pork-packer's son and the banker's son, and sat
|
|
down to consider the Governor's son and the son of the Congressman.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
It were a weariness to follow in detail the leaps and bounds the Foster
|
|
fictitious finances took from this time forth. It was marvelous,
|
|
it was dizzying, it was dazzling. Everything Aleck touched turned
|
|
to fairy gold, and heaped itself glittering toward the firmament.
|
|
Millions upon millions poured in, and still the mighty stream flowed
|
|
thundering along, still its vast volume increased. Five millions--
|
|
ten millions--twenty--thirty--was there never to be an end?
|
|
|
|
Two years swept by in a splendid delirium, the intoxicated Fosters
|
|
scarcely noticing the flight of time. They were now worth three hundred
|
|
million dollars; they were in every board of directors of every
|
|
prodigious combine in the country; and still as time drifted along,
|
|
the millions went on piling up, five at a time, ten at a time,
|
|
as fast as they could tally them off, almost. The three hundred
|
|
double itself--then doubled again--and yet again--and yet once more.
|
|
|
|
Twenty-four hundred millions!
|
|
|
|
The business was getting a little confused. It was necessary
|
|
to take an account of stock, and straighten it out. The Fosters
|
|
knew it, they felt it, they realized that it was imperative;
|
|
but they also knew that to do it properly and perfectly the task
|
|
must be carried to a finish without a break when once it was begun.
|
|
A ten-hours' job; and where could THEY find ten leisure hours
|
|
in a bunch? Sally was selling pins and sugar and calico all day
|
|
and every day; Aleck was cooking and washing dishes and sweeping
|
|
and making beds all day and every day, with none to help,
|
|
for the daughters were being saved up for high society. The Fosters
|
|
knew there was one way to get the ten hours, and only one.
|
|
Both were ashamed to name it; each waited for the other to do it.
|
|
Finally Sally said:
|
|
|
|
"Somebody's got to give in. It's up to me. Consider that I've
|
|
named it--never mind pronouncing it out aloud."
|
|
|
|
Aleck colored, but was grateful. Without further remark, they fell.
|
|
Fell, and--broke the Sabbath. For that was their only free
|
|
ten-hour stretch. It was but another step in the downward path.
|
|
Others would follow. Vast wealth has temptations which fatally
|
|
and surely undermine the moral structure of persons not habituated
|
|
to its possession.
|
|
|
|
They pulled down the shades and broke the Sabbath. With hard
|
|
and patient labor they overhauled their holdings and listed them.
|
|
And a long-drawn procession of formidable names it was!
|
|
Starting with the Railway Systems, Steamer Lines, Standard Oil,
|
|
Ocean Cables, Diluted Telegraph, and all the rest, and winding
|
|
up with Klondike, De Beers, Tammany Graft, and Shady Privileges
|
|
in the Post-office Department.
|
|
|
|
Twenty-four hundred millions, and all safely planted in Good Things,
|
|
gilt-edged and interest-bearing. Income, $120,000,000 a year.
|
|
Aleck fetched a long purr of soft delight, and said:
|
|
|
|
"Is it enough?"
|
|
|
|
"It is, Aleck."
|
|
|
|
"What shall we do?"
|
|
|
|
"Stand pat."
|
|
|
|
"Retire from business?"
|
|
|
|
"That's it."
|
|
|
|
"I am agreed. The good work is finished; we will take a long rest
|
|
and enjoy the money."
|
|
|
|
"Good! Aleck!"
|
|
|
|
"Yes, dear?"
|
|
|
|
"How much of the income can we spend?"
|
|
|
|
"The whole of it."
|
|
|
|
It seemed to her husband that a ton of chains fell from his limbs.
|
|
He did not say a word; he was happy beyond the power of speech.
|
|
|
|
After that, they broke the Sabbaths right along as fast as they
|
|
turned up. It is the first wrong step that counts. Every Sunday
|
|
they put in the whole day, after morning service, on inventions--
|
|
inventions of ways to spend the money. They got to continuing this
|
|
delicious dissipation until past midnight; and at every s'eance Aleck
|
|
lavished millions upon great charities and religious enterprises,
|
|
and Sally lavished like sums upon matters to which (at first)
|
|
he gave definite names. Only at first. Later the names gradually
|
|
lost sharpness of outline, and eventually faded into "sundries,"
|
|
thus becoming entirely--but safely--undescriptive. For Sally
|
|
was crumbling. The placing of these millions added seriously
|
|
and most uncomfortably to the family expenses--in tallow candles.
|
|
For a while Aleck was worried. Then, after a little, she ceased
|
|
to worry, for the occasion of it was gone. She was pained,
|
|
she was grieved, she was ashamed; but she said nothing, and so became
|
|
an accessory. Sally was taking candles; he was robbing the store.
|
|
It is ever thus. Vast wealth, to the person unaccustomed to it,
|
|
is a bane; it eats into the flesh and bone of his morals.
|
|
When the Fosters were poor, they could have been trusted with
|
|
untold candles. But now they--but let us not dwell upon it.
|
|
From candles to apples is but a step: Sally got to taking apples;
|
|
then soap; then maple-sugar; then canned goods; then crockery.
|
|
How easy it is to go from bad to worse, when once we have started upon a
|
|
downward course!
|
|
|
|
Meantime, other effects had been milestoning the course of the Fosters'
|
|
splendid financial march. The fictitious brick dwelling had
|
|
given place to an imaginary granite one with a checker-board
|
|
mansard roof; in time this one disappeared and gave place to a
|
|
still grander home--and so on and so on. Mansion after mansion,
|
|
made of air, rose, higher, broader, finer, and each in its turn
|
|
vanished away; until now in these latter great days, our dreamers
|
|
were in fancy housed, in a distant region, in a sumptuous vast
|
|
palace which looked out from a leafy summit upon a noble prospect
|
|
of vale and river and receding hills steeped in tinted mists--
|
|
and all private, all the property of the dreamers; a palace swarming
|
|
with liveried servants, and populous with guests of fame and power,
|
|
hailing from all the world's capitals, foreign and domestic.
|
|
|
|
This palace was far, far away toward the rising sun, immeasurably remote,
|
|
astronomically remote, in Newport, Rhode Island, Holy Land
|
|
of High Society, ineffable Domain of the American Aristocracy.
|
|
As a rule they spent a part of every Sabbath--after morning service--
|
|
in this sumptuous home, the rest of it they spent in Europe,
|
|
or in dawdling around in their private yacht. Six days of sordid
|
|
and plodding fact life at home on the ragged edge of Lakeside
|
|
and straitened means, the seventh in Fairlyand--such had been
|
|
their program and their habit.
|
|
|
|
In their sternly restricted fact life they remained as of old--
|
|
plodding, diligent, careful, practical, economical. They stuck
|
|
loyally to the little Presbyterian Church, and labored faithfully
|
|
in its interests and stood by its high and tough doctrines with all
|
|
their mental and spiritual energies. But in their dream life they
|
|
obeyed the invitations of their fancies, whatever they might be,
|
|
and howsoever the fancies might change. Aleck's fancies were not
|
|
very capricious, and not frequent, but Sally's scattered a good deal.
|
|
Aleck, in her dream life, went over to the Episcopal camp, on account
|
|
of its large official titles; next she became High-church on account
|
|
of the candles and shows; and next she naturally changed to Rome,
|
|
where there were cardinals and more candles. But these excursions
|
|
were a nothing to Sally's. His dream life was a glowing and continuous
|
|
and persistent excitement, and he kept every part of it fresh and
|
|
sparkling by frequent changes, the religious part along with the rest.
|
|
He worked his religions hard, and changed them with his shirt.
|
|
|
|
The liberal spendings of the Fosters upon their fancies began
|
|
early in their prosperities, and grew in prodigality step by step
|
|
with their advancing fortunes. In time they became truly enormous.
|
|
Aleck built a university or two per Sunday; also a hospital or two;
|
|
also a Rowton hotel or so; also a batch of churches; now and then
|
|
a cathedral; and once, with untimely and ill-chosen playfulness,
|
|
Sally said, "It was a cold day when she didn't ship a cargo of
|
|
missionaries to persuade unreflecting Chinamen to trade off twenty-four
|
|
carat Confucianism for counterfeit Christianity."
|
|
|
|
This rude and unfeeling language hurt Aleck to the heart, and she
|
|
went from the presence crying. That spectacle went to his own heart,
|
|
and in his pain and shame he would have given worlds to have
|
|
those unkind words back. She had uttered no syllable of reproach--
|
|
and that cut him. Not one suggestion that he look at his own record--
|
|
and she could have made, oh, so many, and such blistering ones!
|
|
Her generous silence brought a swift revenge, for it turned his
|
|
thoughts upon himself, it summoned before him a spectral procession,
|
|
a moving vision of his life as he had been leading it these past
|
|
few years of limitless prosperity, and as he sat there reviewing
|
|
it his cheeks burned and his soul was steeped in humiliation.
|
|
Look at her life--how fair it was, and tending ever upward; and look
|
|
at his own--how frivolous, how charged with mean vanities, how selfish,
|
|
how empty, how ignoble! And its trend--never upward, but downward,
|
|
ever downward!
|
|
|
|
He instituted comparisons between her record and his own. He had found
|
|
fault with her--so he mused--HE! And what could he say for himself?
|
|
When she built her first church what was he doing? Gathering other
|
|
blas'e multimillionaires into a Poker Club; defiling his own palace
|
|
with it; losing hundreds of thousands to it at every sitting,
|
|
and sillily vain of the admiring notoriety it made for him.
|
|
When she was building her first university, what was he doing?
|
|
Polluting himself with a gay and dissipated secret life in the company
|
|
of other fast bloods, multimillionaires in money and paupers
|
|
in character. When she was building her first foundling asylum,
|
|
what was he doing? Alas! When she was projecting her noble Society
|
|
for the Purifying of the Sex, what was he doing? Ah, what, indeed!
|
|
When she and the W. C. T. U. and the Woman with the Hatchet,
|
|
moving with resistless march, were sweeping the fatal bottle from
|
|
the land, what was he doing? Getting drunk three times a day.
|
|
When she, builder of a hundred cathedrals, was being gratefully
|
|
welcomed and blest in papal Rome and decorated with the Golden
|
|
Rose which she had so honorably earned, what was he doing?
|
|
Breaking the bank at Monte Carlo.
|
|
|
|
He stopped. He could go no farther; he could not bear the rest.
|
|
He rose up, with a great resolution upon his lips: this secret
|
|
life should be revealing, and confessed; no longer would he live
|
|
it clandestinely, he would go and tell her All.
|
|
|
|
And that is what he did. He told her All; and wept upon
|
|
her bosom; wept, and moaned, and begged for her forgiveness.
|
|
It was a profound shock, and she staggered under the blow, but he
|
|
was her own, the core of her heart, the blessing of her eyes,
|
|
her all in all, she could deny him nothing, and she forgave him.
|
|
She felt that he could never again be quite to her what he had
|
|
been before; she knew that he could only repent, and not reform;
|
|
yet all morally defaced and decayed as he was, was he not her own,
|
|
her very own, the idol of her deathless worship? She said she
|
|
was his serf, his slave, and she opened her yearning heart and took
|
|
him in.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
One Sunday afternoon some time after this they were sailing the summer
|
|
seas in their dream yacht, and reclining in lazy luxury under
|
|
the awning of the after-deck. There was silence, for each was busy
|
|
with his own thoughts. These seasons of silence had insensibly
|
|
been growing more and more frequent of late; the old nearness and
|
|
cordiality were waning. Sally's terrible revelation had done its work;
|
|
Aleck had tried hard to drive the memory of it out of her mind,
|
|
but it would not go, and the shame and bitterness of it were
|
|
poisoning her gracious dream life. She could see now (on Sundays)
|
|
that her husband was becoming a bloated and repulsive Thing.
|
|
She could not close her eyes to this, and in these days she
|
|
no longer looked at him, Sundays, when she could help it.
|
|
|
|
But she--was she herself without blemish? Alas, she knew she was not.
|
|
She was keeping a secret from him, she was acting dishonorably
|
|
toward him, and many a pang it was costing her. SHE WAS BREAKING
|
|
THE COMPACT, AND CONCEALING IT FROM HIM. Under strong temptation
|
|
she had gone into business again; she had risked their whole
|
|
fortune in a purchase of all the railway systems and coal and steel
|
|
companies in the country on a margin, and she was now trembling,
|
|
every Sabbath hour, lest through some chance word of hers he find
|
|
it out. In her misery and remorse for this treachery she could
|
|
not keep her heart from going out to him in pity; she was filled
|
|
with compunctions to see him lying there, drunk and contented,
|
|
and ever suspecting. Never suspecting--trusting her with a perfect
|
|
and pathetic trust, and she holding over him by a thread a possible
|
|
calamity of so devastating a--
|
|
|
|
"SAY--Aleck?"
|
|
|
|
The interrupting words brought her suddenly to herself. She was
|
|
grateful to have that persecuting subject from her thoughts,
|
|
and she answered, with much of the old-time tenderness in her tone:
|
|
|
|
"Yes, dear."
|
|
|
|
"Do you know, Aleck, I think we are making a mistake--that is,
|
|
you are. I mean about the marriage business." He sat up, fat and
|
|
froggy and benevolent, like a bronze Buddha, and grew earnest.
|
|
"Consider--it's more than five years. You've continued the same
|
|
policy from the start: with every rise, always holding on for five
|
|
points higher. Always when I think we are going to have some weddings,
|
|
you see a bigger thing ahead, and I undergo another disappointment.
|
|
_I_ think you are too hard to please. Some day we'll get left.
|
|
First, we turned down the dentist and the lawyer. That was all right--
|
|
it was sound. Next, we turned down the banker's son and the
|
|
pork-butcher's heir--right again, and sound. Next, we turned
|
|
down the Congressman's son and the Governor's--right as a trivet,
|
|
I confess it. Next the Senator's son and the son of the Vice-President
|
|
of the United States--perfectly right, there's no permanency about
|
|
those little distinctions. Then you went for the aristocracy;
|
|
and I thought we had struck oil at last--yes. We would make
|
|
a plunge at the Four Hundred, and pull in some ancient lineage,
|
|
venerable, holy, ineffable, mellow with the antiquity of a hundred
|
|
and fifty years, disinfected of the ancestral odors of salt-cod
|
|
and pelts all of a century ago, and unsmirched by a day's work since,
|
|
and then! why, then the marriages, of course. But no, along comes
|
|
a pair a real aristocrats from Europe, and straightway you throw over
|
|
the half-breeds. It was awfully discouraging, Aleck! Since then,
|
|
what a procession! You turned down the baronets for a pair
|
|
of barons; you turned down the barons for a pair of viscounts;
|
|
the viscounts for a pair of earls; the earls for a pair of marquises;
|
|
the marquises for a brace of dukes. NOW, Aleck, cash in!--you've played
|
|
the limit. You've got a job lot of four dukes under the hammer;
|
|
of four nationalities; all sound in the wind and limb and pedigree,
|
|
all bankrupt and in debt up to the ears. They come high, but we
|
|
can afford it. Come, Aleck, don't delay any longer, don't keep up
|
|
the suspense: take the whole lay-out, and leave the girls to choose!"
|
|
|
|
Aleck had been smiling blandly and contentedly all through this
|
|
arraignment of her marriage policy, a pleasant light, as of triumph
|
|
with perhaps a nice surprise peeping out through it, rose in her eyes,
|
|
and she said, as calmly as she could:
|
|
|
|
"Sally, what would you say to--ROYALTY?"
|
|
|
|
Prodigious! Poor man, it knocked him silly, and he fell over
|
|
the garboard-strake and barked his shin on the cat-heads. He
|
|
was dizzy for a moment, then he gathered himself up and limped
|
|
over and sat down by his wife and beamed his old-time admiration
|
|
and affection upon her in floods, out of his bleary eyes.
|
|
|
|
"By George!" he said, fervently, "Aleck, you ARE great--the greatest
|
|
woman in the whole earth! I can't ever learn the whole size of you.
|
|
I can't ever learn the immeasurable deeps of you. Here I've been
|
|
considering myself qualified to criticize your game. _I!_ Why,
|
|
if I had stopped to think, I'd have known you had a lone hand up
|
|
your sleeve. Now, dear heart, I'm all red-hot impatience--tell me
|
|
about it!"
|
|
|
|
The flattered and happy woman put her lips to his ear and whispered
|
|
a princely name. It made him catch his breath, it lit his face
|
|
with exultation.
|
|
|
|
"Land!" he said, "it's a stunning catch! He's got a gambling-hall,
|
|
and a graveyard, and a bishop, and a cathedral--all his very own.
|
|
And all gilt-edged five-hundred-per-cent. stock, every detail of it;
|
|
the tidiest little property in Europe. and that graveyard--
|
|
it's the selectest in the world: none but suicides admitted;
|
|
YES, sir, and the free-list suspended, too, ALL the time.
|
|
There isn't much land in the principality, but there's enough:
|
|
eight hundred acres in the graveyard and forty-two outside.
|
|
It's a SOVEREIGNTY--that's the main thing; LAND'S nothing.
|
|
There's plenty land, Sahara's drugged with it."
|
|
|
|
Aleck glowed; she was profoundly happy. She said:
|
|
|
|
"Think of it, Sally--it is a family that has never married outside
|
|
the Royal and Imperial Houses of Europe: our grandchildren will
|
|
sit upon thrones!"
|
|
|
|
"True as you live, Aleck--and bear scepters, too; and handle
|
|
them as naturally and nonchantly as I handle a yardstick.
|
|
it's a grand catch, Aleck. He's corralled, is he? Can't get away?
|
|
You didn't take him on a margin?"
|
|
|
|
"No. Trust me for that. He's not a liability, he's an asset.
|
|
So is the other one."
|
|
|
|
"Who is it, Aleck?"
|
|
|
|
"His Royal Highness Sigismund-Siegfriend-Lauenfeld-Dinkelspiel-Schwartzenberg
|
|
Blutwurst, Hereditary Grant Duke of Katzenyammer."
|
|
|
|
"No! You can't mean it!"
|
|
|
|
"It's as true as I'm sitting here, I give you my word," she answered.
|
|
|
|
His cup was full, and he hugged her to his heart with rapture, saying:
|
|
|
|
"How wonderful it all seems, and how beautiful! It's one of
|
|
the oldest and noblest of the three hundred and sixty-four ancient
|
|
German principalities, and one of the few that was allowed to
|
|
retain its royal estate when Bismarck got done trimming them.
|
|
I know that farm, I've been there. It's got a rope-walk and a
|
|
candle-factory and an army. Standing army. Infantry and cavalry.
|
|
Three soldier and a horse. Aleck, it's been a long wait, and full
|
|
of heartbreak and hope deferred, but God knows I am happy now.
|
|
Happy, and grateful to you, my own, who have done it all.
|
|
When is it to be?"
|
|
|
|
"Next Sunday."
|
|
|
|
"Good. And we'll want to do these weddings up in the very regalest
|
|
style that's going. It's properly due to the royal quality of the
|
|
parties of the first part. Now as I understand it, there is only one
|
|
kind of marriage that is sacred to royalty, exclusive to royalty:
|
|
it's the morganatic."
|
|
|
|
"What do they call it that for, Sally?"
|
|
|
|
"I don't know; but anyway it's royal, and royal only."
|
|
|
|
"Then we will insist upon it. More--I will compel it.
|
|
It is morganatic marriage or none."
|
|
|
|
"That settles it!" said Sally, rubbing his hands with delight.
|
|
"And it will be the very first in America. Aleck, it will make
|
|
Newport sick."
|
|
|
|
Then they fell silent, and drifted away upon their dream wings
|
|
to the far regions of the earth to invite all the crowned heads
|
|
and their families and provide gratis transportation to them.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
During three days the couple walked upon air, with their heads in
|
|
the clouds. They were but vaguely conscious of their surroundings;
|
|
they saw all things dimly, as through a veil; they were steeped
|
|
in dreams, often they did not hear when they were spoken to;
|
|
they often did not understand when they heard; they answered confusedly
|
|
or at random; Sally sold molasses by weight, sugar by the yard,
|
|
and furnished soap when asked for candles, and Aleck put the cat
|
|
in the wash and fed milk to the soiled linen. Everybody was stunned
|
|
and amazed, and went about muttering, "What CAN be the matter
|
|
with the Fosters?"
|
|
|
|
Three days. Then came events! Things had taken a happy turn,
|
|
and for forty-eight hours Aleck's imaginary corner had been booming.
|
|
Up--up--still up! Cost point was passed. Still up--and up--
|
|
and up! Cost point was passed. STill up--and up--and up!
|
|
Five points above cost--then ten--fifteen--twenty! Twenty points
|
|
cold profit on the vast venture, now, and Aleck's imaginary brokers
|
|
were shouting frantically by imaginary long-distance, "Sell! sell!
|
|
for Heaven's sake SELL!"
|
|
|
|
She broke the splendid news to Sally, and he, too, said,
|
|
"Sell! sell--oh, don't make a blunder, now, you own the earth!--
|
|
sell, sell!" But she set her iron will and lashed it amidships,
|
|
and said she would hold on for five points more if she died for it.
|
|
|
|
It was a fatal resolve. The very next day came the historic crash,
|
|
the record crash, the devastating crash, when the bottom fell out
|
|
of Wall Street, and the whole body of gilt-edged stocks dropped
|
|
ninety-five points in five hours, and the multimillionaire was seen
|
|
begging his bread in the Bowery. Aleck sternly held her grip
|
|
and "put up" ass long as she could, but at last there came a call
|
|
which she was powerless to meet, and her imaginary brokers sold
|
|
her out. Then, and not till then, the man in her was vanished,
|
|
and the woman in her resumed sway. She put her arms about her
|
|
husband's neck and wept, saying:
|
|
|
|
"I am to blame, do not forgive me, I cannot bear it. We are paupers!
|
|
Paupers, and I am so miserable. The weddings will never come off;
|
|
all that is past; we could not even buy the dentist, now."
|
|
|
|
A bitter reproach was on Sally's tongue: "I BEGGED you to sell,
|
|
but you--" He did not say it; he had not the heart to add a hurt
|
|
to that broken and repentant spirit. A nobler thought came to him
|
|
and he said:
|
|
|
|
"Bear up, my Aleck, all is not lost! You really never invested
|
|
a penny of my uncle's bequest, but only its unmaterialized future;
|
|
what we have lost was only the incremented harvest from that future
|
|
by your incomparable financial judgment and sagacity. Cheer up,
|
|
banish these griefs; we still have the thirty thousand untouched;
|
|
and with the experience which you have acquired, think what you will
|
|
be able to do with it in a couple years! The marriages are not off,
|
|
they are only postponed."
|
|
|
|
These are blessed words. Aleck saw how true they were, and their
|
|
influence was electric; her tears ceased to flow, and her great spirit
|
|
rose to its full stature again. With flashing eye and grateful heart,
|
|
and with hand uplifted in pledge and prophecy, she said:
|
|
|
|
"Now and here I proclaim--"
|
|
|
|
But she was interrupted by a visitor. It was the editor and proprietor
|
|
of the SAGAMORE. He had happened into Lakeside to pay a duty-call upon
|
|
an obscure grandmother of his who was nearing the end of her pilgrimage,
|
|
and with the idea of combining business with grief he had looked up
|
|
the Fosters, who had been so absorbed in other things for the past
|
|
four years that they neglected to pay up their subscription.
|
|
Six dollars due. No visitor could have been more welcome. He would
|
|
know all about Uncle Tilbury and what his chances might be getting
|
|
to be, cemeterywards. They could, of course, ask no questions,
|
|
for that would squelch the bequest, but they could nibble around on
|
|
the edge of the subject and hope for results. The scheme did not work.
|
|
The obtuse editor did not know he was being nibbled at; but at last,
|
|
chance accomplished what art had failed in. In illustration of something
|
|
under discussion which required the help of metaphor, the editor said:
|
|
|
|
"Land, it's a tough as Tilbury Foster!--as WE say."
|
|
|
|
It was sudden, and it made the Fosters jump. The editor noticed,
|
|
and said, apologetically:
|
|
|
|
"No harm intended, I assure you. It's just a saying; just a joke,
|
|
you know--nothing of it. Relation of yours?"
|
|
|
|
Sally crowded his burning eagerness down, and answered with all
|
|
the indifference he could assume:
|
|
|
|
"I--well, not that I know of, but we've heard of him." The editor
|
|
was thankful, and resumed his composure. Sally added: "Is he--
|
|
is he--well?"
|
|
|
|
"Is he WELL? Why, bless you he's in Sheol these five years!"
|
|
|
|
The Fosters were trembling with grief, though it felt like joy.
|
|
Sally said, non-committally--and tentatively:
|
|
|
|
"Ah, well, such is life, and none can escape--not even the rich
|
|
are spared."
|
|
|
|
The editor laughed.
|
|
|
|
"If you are including Tilbury," said he, "it don't apply.
|
|
HE hadn't a cent; the town had to bury him."
|
|
|
|
The Fosters sat petrified for two minutes; petrified and cold.
|
|
Then, white-faced and weak-voiced, Sally asked:
|
|
|
|
"Is it true? Do you KNOW it to be true?"
|
|
|
|
"Well, I should say! I was one of the executors. He hadn't
|
|
anything to leave but a wheelbarrow, and he left that to me.
|
|
It hadn't any wheel, and wasn't any good. Still, it was something,
|
|
and so, to square up, I scribbled off a sort of a little obituarial
|
|
send-off for him, but it got crowded out."
|
|
|
|
The Fosters were not listening--their cup was full, it could
|
|
contain no more. They sat with bowed heads, dead to all things
|
|
but the ache at their hearts.
|
|
|
|
An hour later. Still they sat there, bowed, motionless, silent,
|
|
the visitor long ago gone, they unaware.
|
|
|
|
Then they stirred, and lifted their heads wearily, and gazed at each
|
|
other wistfully, dreamily, dazed; then presently began to twaddle
|
|
to each other in a wandering and childish way. At intervals they
|
|
lapsed into silences, leaving a sentence unfinished, seemingly either
|
|
unaware of it or losing their way. Sometimes, when they woke
|
|
out of these silences they had a dim and transient consciousness
|
|
that something had happened to their minds; then with a dumb
|
|
and yearning solicitude they would softly caress each other's
|
|
hands in mutual compassion and support, as if they would say:
|
|
"I am near you, I will not forsake you, we will bear it together;
|
|
somewhere there is release and forgetfulness, somewhere there
|
|
is a grave and peace; be patient, it will not be long."
|
|
|
|
They lived yet two years, in mental night, always brooding,
|
|
steeped in vague regrets and melancholy dreams, never speaking;
|
|
then release came to both on the same day.
|
|
|
|
Toward the end the darkness lifted from Sally's ruined mind
|
|
for a moment, and he said:
|
|
|
|
"Vast wealth, acquired by sudden and unwholesome means, is a snare.
|
|
It did us no good, transient were its feverish pleasures;
|
|
yet for its sake we threw away our sweet and simple and happy life--
|
|
let others take warning by us."
|
|
|
|
He lay silent awhile, with closed eyes; then as the chill of death
|
|
crept upward toward his heart, and consciousness was fading from
|
|
his brain, he muttered:
|
|
|
|
"Money had brought him misery, and he took his revenge upon us,
|
|
who had done him no harm. He had his desire: with base and cunning
|
|
calculation he left us but thirty thousand, knowing we would try
|
|
to increase it, and ruin our life and break our hearts. Without added
|
|
expense he could have left us far above desire of increase, far above
|
|
the temptation to speculate, and a kinder soul would have done it;
|
|
but in him was no generous spirit, no pity, no--"
|
|
|
|
***
|
|
|
|
|
|
|
|
A DOG'S TALE
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
|
|
My father was a St. Bernard, my mother was a collie, but I am
|
|
a Presbyterian. This is what my mother told me, I do not know
|
|
these nice distinctions myself. To me they are only fine large
|
|
words meaning nothing. My mother had a fondness for such;
|
|
she liked to say them, and see other dogs look surprised and envious,
|
|
as wondering how she got so much education. But, indeed, it was not
|
|
real education; it was only show: she got the words by listening
|
|
in the dining-room and drawing-room when there was company,
|
|
and by going with the children to Sunday-school and listening there;
|
|
and whenever she heard a large word she said it over to herself
|
|
many times, and so was able to keep it until there was a dogmatic
|
|
gathering in the neighborhood, then she would get it off,
|
|
and surprise and distress them all, from pocket-pup to mastiff,
|
|
which rewarded her for all her trouble. If there was a stranger
|
|
he was nearly sure to be suspicious, and when he got his breath
|
|
again he would ask her what it meant. And she always told him.
|
|
He was never expecting this but thought he would catch her;
|
|
so when she told him, he was the one that looked ashamed,
|
|
whereas he had thought it was going to be she. The others were
|
|
always waiting for this, and glad of it and proud of her, for they
|
|
knew what was going to happen, because they had had experience.
|
|
When she told the meaning of a big word they were all so taken up
|
|
with admiration that it never occurred to any dog to doubt if it
|
|
was the right one; and that was natural, because, for one thing,
|
|
she answered up so promptly that it seemed like a dictionary speaking,
|
|
and for another thing, where could they find out whether it was right
|
|
or not? for she was the only cultivated dog there was. By and by,
|
|
when I was older, she brought home the word Unintellectual, one time,
|
|
and worked it pretty hard all the week at different gatherings,
|
|
making much unhappiness and despondency; and it was at this time
|
|
that I noticed that during that week she was asked for the meaning
|
|
at eight different assemblages, and flashed out a fresh definition
|
|
every time, which showed me that she had more presence of mind
|
|
than culture, though I said nothing, of course. She had one word
|
|
which she always kept on hand, and ready, like a life-preserver,
|
|
a kind of emergency word to strap on when she was likely to get
|
|
washed overboard in a sudden way--that was the word Synonymous.
|
|
When she happened to fetch out a long word which had had its day
|
|
weeks before and its prepared meanings gone to her dump-pile,
|
|
if there was a stranger there of course it knocked him groggy for
|
|
a couple of minutes, then he would come to, and by that time she
|
|
would be away down wind on another tack, and not expecting anything;
|
|
so when he'd hail and ask her to cash in, I (the only dog on
|
|
the inside of her game) could see her canvas flicker a moment--
|
|
but only just a moment--then it would belly out taut and full,
|
|
and she would say, as calm as a summer's day, "It's synonymous
|
|
with supererogation," or some godless long reptile of a word
|
|
like that, and go placidly about and skim away on the next tack,
|
|
perfectly comfortable, you know, and leave that stranger looking
|
|
profane and embarrassed, and the initiated slatting the floor
|
|
with their tails in unison and their faces transfigured with a
|
|
holy joy.
|
|
|
|
And it was the same with phrases. She would drag home a whole phrase,
|
|
if it had a grand sound, and play it six nights and two matinees,
|
|
and explain it a new way every time--which she had to, for all she
|
|
cared for was the phrase; she wasn't interested in what it meant,
|
|
and knew those dogs hadn't wit enough to catch her, anyway.
|
|
Yes, she was a daisy! She got so she wasn't afraid of anything,
|
|
she had such confidence in the ignorance of those creatures.
|
|
She even brought anecdotes that she had heard the family and the
|
|
dinner-guests laugh and shout over; and as a rule she got the nub
|
|
of one chestnut hitched onto another chestnut, where, of course,
|
|
it didn't fit and hadn't any point; and when she delivered the nub
|
|
she fell over and rolled on the floor and laughed and barked
|
|
in the most insane way, while I could see that she was wondering
|
|
to herself why it didn't seem as funny as it did when she first
|
|
heard it. But no harm was done; the others rolled and barked too,
|
|
privately ashamed of themselves for not seeing the point, and never
|
|
suspecting that the fault was not with them and there wasn't any to see.
|
|
|
|
You can see by these things that she was of a rather vain and
|
|
frivolous character; still, she had virtues, and enough to make up,
|
|
I think. She had a kind heart and gentle ways, and never harbored
|
|
resentments for injuries done her, but put them easily out of her
|
|
mind and forgot them; and she taught her children her kindly way,
|
|
and from her we learned also to be brave and prompt in time of danger,
|
|
and not to run away, but face the peril that threatened friend
|
|
or stranger, and help him the best we could without stopping to think
|
|
what the cost might be to us. And she taught us not by words only,
|
|
but by example, and that is the best way and the surest and the
|
|
most lasting. Why, the brave things she did, the splendid things! she
|
|
was just a soldier; and so modest about it--well, you couldn't help
|
|
admiring her, and you couldn't help imitating her; not even a King
|
|
Charles spaniel could remain entirely despicable in her society.
|
|
So, as you see, there was more to her than her education.
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
When I was well grown, at last, I was sold and taken away,
|
|
and I never saw her again. She was broken-hearted, and so was I,
|
|
and we cried; but she comforted me as well as she could, and said
|
|
we were sent into this world for a wise and good purpose, and must
|
|
do our duties without repining, take our life as we might find it,
|
|
live it for the best good of others, and never mind about the results;
|
|
they were not our affair. She said men who did like this would have
|
|
a noble and beautiful reward by and by in another world, and although
|
|
we animals would not go there, to do well and right without reward
|
|
would give to our brief lives a worthiness and dignity which in
|
|
itself would be a reward. She had gathered these things from time
|
|
to time when she had gone to the Sunday-school with the children,
|
|
and had laid them up in her memory more carefully than she had done
|
|
with those other words and phrases; and she had studied them deeply,
|
|
for her good and ours. One may see by this that she had a wise
|
|
and thoughtful head, for all there was so much lightness and vanity
|
|
in it.
|
|
|
|
So we said our farewells, and looked our last upon each other through
|
|
our tears; and the last thing she said--keeping it for the last
|
|
to make me remember it the better, I think--was, "In memory of me,
|
|
when there is a time of danger to another do not think of yourself,
|
|
think of your mother, and do as she would do."
|
|
|
|
Do you think I could forget that? No.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
It was such a charming home!--my new one; a fine great house,
|
|
with pictures, and delicate decorations, and rich furniture,
|
|
and no gloom anywhere, but all the wilderness of dainty colors lit
|
|
up with flooding sunshine; and the spacious grounds around it,
|
|
and the great garden--oh, greensward, and noble trees, and flowers,
|
|
no end! And I was the same as a member of the family; and they
|
|
loved me, and petted me, and did not give me a new name, but called me
|
|
by my old one that was dear to me because my mother had given it me--
|
|
Aileen Mavoureen. She got it out of a song; and the Grays knew
|
|
that song, and said it was a beautiful name.
|
|
|
|
Mrs. Gray was thirty, and so sweet and so lovely, you cannot
|
|
imagine it; and Sadie was ten, and just like her mother, just a
|
|
darling slender little copy of her, with auburn tails down her back,
|
|
and short frocks; and the baby was a year old, and plump and dimpled,
|
|
and fond of me, and never could get enough of hauling on my tail,
|
|
and hugging me, and laughing out its innocent happiness; and Mr. Gray
|
|
was thirty-eight, and tall and slender and handsome, a little bald
|
|
in front, alert, quick in his movements, business-like, prompt,
|
|
decided, unsentimental, and with that kind of trim-chiseled face
|
|
that just seems to glint and sparkle with frosty intellectuality!
|
|
He was a renowned scientist. I do not know what the word means,
|
|
but my mother would know how to use it and get effects. She would
|
|
know how to depress a rat-terrier with it and make a lap-dog
|
|
look sorry he came. But that is not the best one; the best one
|
|
was Laboratory. My mother could organize a Trust on that one that
|
|
would skin the tax-collars off the whole herd. The laboratory
|
|
was not a book, or a picture, or a place to wash your hands in,
|
|
as the college president's dog said--no, that is the lavatory;
|
|
the laboratory is quite different, and is filled with jars,
|
|
and bottles, and electrics, and wires, and strange machines;
|
|
and every week other scientists came there and sat in the place,
|
|
and used the machines, and discussed, and made what they called
|
|
experiments and discoveries; and often I came, too, and stood
|
|
around and listened, and tried to learn, for the sake of my mother,
|
|
and in loving memory of her, although it was a pain to me, as realizing
|
|
what she was losing out of her life and I gaining nothing at all;
|
|
for try as I might, I was never able to make anything out of it
|
|
at all.
|
|
|
|
Other times I lay on the floor in the mistress's work-room and slept,
|
|
she gently using me for a foot-stool, knowing it pleased me,
|
|
for it was a caress; other times I spent an hour in the nursery,
|
|
and got well tousled and made happy; other times I watched by the
|
|
crib there, when the baby was asleep and the nurse out for a few
|
|
minutes on the baby's affairs; other times I romped and raced
|
|
through the grounds and the garden with Sadie till we were tired out,
|
|
then slumbered on the grass in the shade of a tree while she read
|
|
her book; other times I went visiting among the neighbor dogs--
|
|
for there were some most pleasant ones not far away, and one very
|
|
handsome and courteous and graceful one, a curly-haired Irish
|
|
setter by the name of Robin Adair, who was a Presbyterian like me,
|
|
and belonged to the Scotch minister.
|
|
|
|
The servants in our house were all kind to me and were fond of me,
|
|
and so, as you see, mine was a pleasant life. There could not be
|
|
a happier dog that I was, nor a gratefuler one. I will say this
|
|
for myself, for it is only the truth: I tried in all ways to do
|
|
well and right, and honor my mother's memory and her teachings,
|
|
and earn the happiness that had come to me, as best I could.
|
|
|
|
By and by came my little puppy, and then my cup was full, my happiness
|
|
was perfect. It was the dearest little waddling thing, and so smooth
|
|
and soft and velvety, and had such cunning little awkward paws,
|
|
and such affectionate eyes, and such a sweet and innocent face;
|
|
and it made me so proud to see how the children and their mother
|
|
adored it, and fondled it, and exclaimed over every little wonderful
|
|
thing it did. It did seem to me that life was just too lovely to--
|
|
|
|
Then came the winter. One day I was standing a watch in the nursery.
|
|
That is to say, I was asleep on the bed. The baby was asleep in
|
|
the crib, which was alongside the bed, on the side next the fireplace.
|
|
It was the kind of crib that has a lofty tent over it made of gauzy
|
|
stuff that you can see through. The nurse was out, and we two
|
|
sleepers were alone. A spark from the wood-fire was shot out, and it
|
|
lit on the slope of the tent. I suppose a quiet interval followed,
|
|
then a scream from the baby awoke me, and there was that tent
|
|
flaming up toward the ceiling! Before I could think, I sprang
|
|
to the floor in my fright, and in a second was half-way to the door;
|
|
but in the next half-second my mother's farewell was sounding
|
|
in my ears, and I was back on the bed again., I reached my head
|
|
through the flames and dragged the baby out by the waist-band,
|
|
and tugged it along, and we fell to the floor together in a cloud
|
|
of smoke; I snatched a new hold, and dragged the screaming little
|
|
creature along and out at the door and around the bend of the hall,
|
|
and was still tugging away, all excited and happy and proud,
|
|
when the master's voice shouted:
|
|
|
|
"Begone you cursed beast!" and I jumped to save myself; but he
|
|
was furiously quick, and chased me up, striking furiously at me
|
|
with his cane, I dodging this way and that, in terror, and at last a
|
|
strong blow fell upon my left foreleg, which made me shriek and fall,
|
|
for the moment, helpless; the came went up for another blow,
|
|
but never descended, for the nurse's voice rang wildly out,
|
|
"The nursery's on fire!" and the master rushed away in that direction,
|
|
and my other bones were saved.
|
|
|
|
The pain was cruel, but, no matter, I must not lose any time;
|
|
he might come back at any moment; so I limped on three legs to
|
|
the other end of the hall, where there was a dark little stairway
|
|
leading up into a garret where old boxes and such things were kept,
|
|
as I had heard say, and where people seldom went. I managed
|
|
to climb up there, then I searched my way through the dark among
|
|
the piles of things, and hid in the secretest place I could find.
|
|
It was foolish to be afraid there, yet still I was; so afraid
|
|
that I held in and hardly even whimpered, though it would have been
|
|
such a comfort to whimper, because that eases the pain, you know.
|
|
But I could lick my leg, and that did some good.
|
|
|
|
For half an hour there was a commotion downstairs, and shoutings,
|
|
and rushing footsteps, and then there was quiet again. Quiet for
|
|
some minutes, and that was grateful to my spirit, for then my fears
|
|
began to go down; and fears are worse than pains--oh, much worse.
|
|
Then came a sound that froze me. They were calling me--calling me
|
|
by name--hunting for me!
|
|
|
|
It was muffled by distance, but that could not take the terror out of it,
|
|
and it was the most dreadful sound to me that I had ever heard.
|
|
It went all about, everywhere, down there: along the halls, through all
|
|
the rooms, in both stories, and in the basement and the cellar;
|
|
then outside, and farther and farther away--then back, and all
|
|
about the house again, and I thought it would never, never stop.
|
|
But at last it did, hours and hours after the vague twilight of
|
|
the garret had long ago been blotted out by black darkness.
|
|
|
|
Then in that blessed stillness my terrors fell little by little away,
|
|
and I was at peace and slept. It was a good rest I had, but I woke
|
|
before the twilight had come again. I was feeling fairly comfortable,
|
|
and I could think out a plan now. I made a very good one;
|
|
which was, to creep down, all the way down the back stairs,
|
|
and hide behind the cellar door, and slip out and escape when the
|
|
iceman came at dawn, while he was inside filling the refrigerator;
|
|
then I would hide all day, and start on my journey when night came;
|
|
my journey to--well, anywhere where they would not know me and betray
|
|
me to the master. I was feeling almost cheerful now; then suddenly
|
|
I thought: Why, what would life be without my puppy!
|
|
|
|
That was despair. There was no plan for me; I saw that;
|
|
I must say where I was; stay, and wait, and take what might come--
|
|
it was not my affair; that was what life is--my mother had said it.
|
|
Then--well, then the calling began again! All my sorrows came back.
|
|
I said to myself, the master will never forgive. I did not know
|
|
what I had done to make him so bitter and so unforgiving, yet I
|
|
judged it was something a dog could not understand, but which was
|
|
clear to a man and dreadful.
|
|
|
|
They called and called--days and nights, it seemed to me.
|
|
So long that the hunger and thirst near drove me mad, and I
|
|
recognized that I was getting very weak. When you are this way you
|
|
sleep a great deal, and I did. Once I woke in an awful fright--
|
|
it seemed to me that the calling was right there in the garret!
|
|
And so it was: it was Sadie's voice, and she was crying; my name
|
|
was falling from her lips all broken, poor thing, and I could not
|
|
believe my ears for the joy of it when I heard her say:
|
|
|
|
"Come back to us--oh, come back to us, and forgive--it is all so sad
|
|
without our--"
|
|
|
|
I broke in with SUCH a grateful little yelp, and the next moment
|
|
Sadie was plunging and stumbling through the darkness and the lumber
|
|
and shouting for the family to hear, "She's found, she's found!"
|
|
|
|
|
|
The days that followed--well, they were wonderful. The mother
|
|
and Sadie and the servants--why, they just seemed to worship me.
|
|
They couldn't seem to make me a bed that was fine enough;
|
|
and as for food, they couldn't be satisfied with anything but game
|
|
and delicacies that were out of season; and every day the friends
|
|
and neighbors flocked in to hear about my heroism--that was the name
|
|
they called it by, and it means agriculture. I remember my mother
|
|
pulling it on a kennel once, and explaining it in that way,
|
|
but didn't say what agriculture was, except that it was synonymous
|
|
with intramural incandescence; and a dozen times a day Mrs. Gray
|
|
and Sadie would tell the tale to new-comers, and say I risked my life
|
|
to say the baby's, and both of us had burns to prove it, and then
|
|
the company would pass me around and pet me and exclaim about me,
|
|
and you could see the pride in the eyes of Sadie and her mother;
|
|
and when the people wanted to know what made me limp, they looked
|
|
ashamed and changed the subject, and sometimes when people hunted
|
|
them this way and that way with questions about it, it looked to me
|
|
as if they were going to cry.
|
|
|
|
And this was not all the glory; no, the master's friends came,
|
|
a whole twenty of the most distinguished people, and had me in
|
|
the laboratory, and discussed me as if I was a kind of discovery;
|
|
and some of them said it was wonderful in a dumb beast,
|
|
the finest exhibition of instinct they could call to mind;
|
|
but the master said, with vehemence, "It's far above instinct;
|
|
it's REASON, and many a man, privileged to be saved and go with you
|
|
and me to a better world by right of its possession, has less of it
|
|
that this poor silly quadruped that's foreordained to perish";
|
|
and then he laughed, and said: "Why, look at me--I'm a sarcasm!
|
|
bless you, with all my grand intelligence, the only think I inferred
|
|
was that the dog had gone mad and was destroying the child,
|
|
whereas but for the beast's intelligence--it's REASON, I tell you!--
|
|
the child would have perished!"
|
|
|
|
They disputed and disputed, and _I_ was the very center of subject
|
|
of it all, and I wished my mother could know that this grand honor
|
|
had come to me; it would have made her proud.
|
|
|
|
Then they discussed optics, as they called it, and whether a certain
|
|
injury to the brain would produce blindness or not, but they could
|
|
not agree about it, and said they must test it by experiment by and by;
|
|
and next they discussed plants, and that interested me, because in
|
|
the summer Sadie and I had planted seeds--I helped her dig the holes,
|
|
you know--and after days and days a little shrub or a flower came
|
|
up there, and it was a wonder how that could happen; but it did,
|
|
and I wished I could talk--I would have told those people about it
|
|
and shown then how much I knew, and been all alive with the subject;
|
|
but I didn't care for the optics; it was dull, and when the came back
|
|
to it again it bored me, and I went to sleep.
|
|
|
|
Pretty soon it was spring, and sunny and pleasant and lovely,
|
|
and the sweet mother and the children patted me and the puppy
|
|
good-by, and went away on a journey and a visit to their kin,
|
|
and the master wasn't any company for us, but we played together
|
|
and had good times, and the servants were kind and friendly,
|
|
so we got along quite happily and counted the days and waited
|
|
for the family.
|
|
|
|
And one day those men came again, and said, now for the test,
|
|
and they took the puppy to the laboratory, and I limped
|
|
three-leggedly along, too, feeling proud, for any attention shown
|
|
to the puppy was a pleasure to me, of course. They discussed
|
|
and experimented, and then suddenly the puppy shrieked,
|
|
and they set him on the floor, and he went staggering around,
|
|
with his head all bloody, and the master clapped his hands and shouted:
|
|
|
|
"There, I've won--confess it! He's a blind as a bat!"
|
|
|
|
And they all said:
|
|
|
|
"It's so--you've proved your theory, and suffering humanity owes
|
|
you a great debt from henceforth," and they crowded around him,
|
|
and wrung his hand cordially and thankfully, and praised him.
|
|
|
|
But I hardly saw or heard these things, for I ran at once to my
|
|
little darling, and snuggled close to it where it lay, and licked
|
|
the blood, and it put its head against mine, whimpering softly,
|
|
and I knew in my heart it was a comfort to it in its pain and
|
|
trouble to feel its mother's touch, though it could not see me.
|
|
Then it dropped down, presently, and its little velvet nose rested
|
|
upon the floor, and it was still, and did not move any more.
|
|
|
|
Soon the master stopped discussing a moment, and rang in the footman,
|
|
and said, "Bury it in the far corner of the garden," and then went
|
|
on with the discussion, and I trotted after the footman, very happy
|
|
and grateful, for I knew the puppy was out of its pain now, because it
|
|
was asleep. We went far down the garden to the farthest end,
|
|
where the children and the nurse and the puppy and I used to play
|
|
in the summer in the shade of a great elm, and there the footman dug
|
|
a hole, and I saw he was going to plant the puppy, and I was glad,
|
|
because it would grow and come up a fine handsome dog, like Robin Adair,
|
|
and be a beautiful surprise for the family when they came home;
|
|
so I tried to help him dig, but my lame leg was no good, being stiff,
|
|
you know, and you have to have two, or it is no use. When the footman
|
|
had finished and covered little Robin up, he patted my head,
|
|
and there were tears in his eyes, and he said: "Poor little doggie,
|
|
you saved HIS child!"
|
|
|
|
I have watched two whole weeks, and he doesn't come up! This last week
|
|
a fright has been stealing upon me. I think there is something terrible
|
|
about this. I do not know what it is, but the fear makes me sick,
|
|
and I cannot eat, though the servants bring me the best of food;
|
|
and they pet me so, and even come in the night, and cry, and say,
|
|
"Poor doggie--do give it up and come home; DON't break our hearts!"
|
|
and all this terrifies me the more, and makes me sure something
|
|
has happened. And I am so weak; since yesterday I cannot stand on
|
|
my feet anymore. And within this hour the servants, looking toward
|
|
the sun where it was sinking out of sight and the night chill coming on,
|
|
said things I could not understand, but they carried something cold
|
|
to my heart.
|
|
|
|
"Those poor creatures! They do not suspect. They will come home
|
|
in the morning, and eagerly ask for the little doggie that did
|
|
the brave deed, and who of us will be strong enough to say the truth
|
|
to them: 'The humble little friend is gone where go the beasts
|
|
that perish.'"
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
|
|
WAS IT HEAVEN? OR HELL?
|
|
|
|
|
|
|
|
CHAPTER I
|
|
|
|
|
|
"You told a LIE?"
|
|
|
|
"You confess it--you actually confess it--you told a lie!"
|
|
|
|
|
|
|
|
CHAPTER II
|
|
|
|
|
|
The family consisted of four persons: Margaret Lester, widow,
|
|
aged thirty six; Helen Lester, her daughter, aged sixteen;
|
|
Mrs. Lester's maiden aunts, Hannah and Hester Gray, twins, aged
|
|
sixty-seven. Waking and sleeping, the three women spent their days
|
|
and night in adoring the young girl; in watching the movements
|
|
of her sweet spirit in the mirror of her face; in refreshing
|
|
their souls with the vision of her bloom and beauty; in listening
|
|
to the music of her voice; in gratefully recognizing how rich and
|
|
fair for them was the world with this presence in it; in shuddering
|
|
to think how desolate it would be with this light gone out of it.
|
|
|
|
By nature--and inside--the aged aunts were utterly dear and lovable
|
|
and good, but in the matter of morals and conduct their training had been
|
|
so uncompromisingly strict that it had made them exteriorly austere,
|
|
not to say stern. Their influence was effective in the house; so effective
|
|
that the mother and the daughter conformed to its moral and religious
|
|
requirements cheerfully, contentedly, happily, unquestionably. To do
|
|
this was become second nature to them. And so in this peaceful heaven
|
|
there were no clashings, no irritations, no fault-finding, no heart-burnings.
|
|
|
|
In it a lie had no place. In it a lie was unthinkable.
|
|
In it speech was restricted to absolute truth, iron-bound truth,
|
|
implacable and uncompromising truth, let the resulting consequences
|
|
be what they might. At last, one day, under stress of circumstances,
|
|
the darling of the house sullied her lips with a lie--and confessed it,
|
|
with tears and self-upbraidings. There are not any words that can paint
|
|
the consternation of the aunts. It was as if the sky had crumpled
|
|
up and collapsed and the earth had tumbled to ruin with a crash.
|
|
They sat side by side, white and stern, gazing speechless upon
|
|
the culprit, who was on her knees before them with her face
|
|
buried first in one lap and then the other, moaning and sobbing,
|
|
and appealing for sympathy and forgiveness and getting no response,
|
|
humbly kissing the hand of the one, then of the other, only to see
|
|
it withdrawn as suffering defilement by those soiled lips.
|
|
|
|
Twice, at intervals, Aunt Hester said, in frozen amazement:
|
|
|
|
"You told a LIE?"
|
|
|
|
Twice, at intervals, Aunt Hannah followed with the muttered
|
|
and amazed ejaculation:
|
|
|
|
"You confess it--you actually confess it--you told a lie!"
|
|
|
|
It was all they could say. The situation was new, unheard of,
|
|
incredible; they could not understand it, they did not know
|
|
how to take hold of it, it approximately paralyzed speech.
|
|
|
|
At length it was decided that the erring child must be taken to
|
|
her mother, who was ill, and who ought to know what had happened.
|
|
Helen begged, besought, implored that she might be spared this
|
|
further disgrace, and that her mother might be spared the grief
|
|
and pain of it; but this could not be: duty required this sacrifice,
|
|
duty takes precedence of all things, nothing can absolve one from
|
|
a duty, with a duty no compromise is possible.
|
|
|
|
Helen still begged, and said the sin was her own, her mother had
|
|
had no hand in it--why must she be made to suffer for it?
|
|
|
|
But the aunts were obdurate in their righteousness, and said the law
|
|
that visited the sins of the parent upon the child was by all right
|
|
and reason reversible; and therefore it was but just that the
|
|
innocent mother of a sinning child should suffer her rightful share
|
|
of the grief and pain and shame which were the allotted wages of the sin.
|
|
|
|
The three moved toward the sick-room.
|
|
|
|
|
|
At this time the doctor was approaching the house. He was still
|
|
a good distance away, however. He was a good doctor and a good man,
|
|
and he had a good heart, but one had to know him a year to get
|
|
over hating him, two years to learn to endure him, three to learn
|
|
to like him, and four and five to learn to live him. It was a slow
|
|
and trying education, but it paid. He was of great stature; he had
|
|
a leonine head, a leonine face, a rough voice, and an eye which was
|
|
sometimes a pirate's and sometimes a woman's, according to the mood.
|
|
He knew nothing about etiquette, and cared nothing about it; in speech,
|
|
manner, carriage, and conduct he was the reverse of conventional.
|
|
He was frank, to the limit; he had opinions on all subjects; they were
|
|
always on tap and ready for delivery, and he cared not a farthing
|
|
whether his listener liked them or didn't. Whom he loved he loved,
|
|
and manifested it; whom he didn't live he hated, and published
|
|
it from the housetops. In his young days he had been a sailor,
|
|
and the salt-airs of all the seas blew from him yet. He was a sturdy
|
|
and loyal Christian, and believed he was the best one in the land,
|
|
and the only one whose Christianity was perfectly sound, healthy,
|
|
full-charged with common sense, and had no decayed places in it.
|
|
People who had an ax to grind, or people who for any reason wanted
|
|
wanted to get on the soft side of him, called him The Christian--
|
|
a phrase whose delicate flattery was music to his ears, and whose
|
|
capital T was such an enchanting and vivid object to him that he
|
|
could SEE it when it fell out of a person's mouth even in the dark.
|
|
Many who were fond of him stood on their consciences with both feet
|
|
and brazenly called him by that large title habitually, because it
|
|
was a pleasure to them to do anything that would please him;
|
|
and with eager and cordial malice his extensive and diligently
|
|
cultivated crop of enemies gilded it, beflowered it, expanded it
|
|
to "The ONLY Christian." Of these two titles, the latter had
|
|
the wider currency; the enemy, being greatly in the majority,
|
|
attended to that. Whatever the doctor believed, he believed with
|
|
all his heart, and would fight for it whenever he got the chance;
|
|
and if the intervals between chances grew to be irksomely wide,
|
|
he would invent ways of shortening them himself. He was
|
|
severely conscientious, according to his rather independent lights,
|
|
and whatever he took to be a duty he performed, no matter whether
|
|
the judgment of the professional moralists agreed with his own
|
|
or not. At sea, in his young days, he had used profanity freely,
|
|
but as soon as he was converted he made a rule, which he rigidly stuck
|
|
to ever afterward, never to use it except on the rarest occasions,
|
|
and then only when duty commanded. He had been a hard drinker at sea,
|
|
but after his conversion he became a firm and outspoken teetotaler,
|
|
in order to be an example to the young, and from that time forth he
|
|
seldom drank; never, indeed, except when it seemed to him to be a duty--
|
|
a condition which sometimes occurred a couple of times a year, but never
|
|
as many as five times.
|
|
|
|
Necessarily, such a man is impressionable, impulsive, emotional.
|
|
This one was, and had no gift at hiding his feelings; or if he
|
|
had it he took no trouble to exercise it. He carried his soul's
|
|
prevailing weather in his face, and when he entered a room
|
|
the parasols or the umbrellas went up--figuratively speaking--
|
|
according to the indications. When the soft light was in his eye
|
|
it meant approval, and delivered a benediction; when he came with a
|
|
frown he lowered the temperature ten degrees. He was a well-beloved
|
|
man in the house of his friends, but sometimes a dreaded one.
|
|
|
|
He had a deep affection for the Lester household and its several
|
|
members returned this feeling with interest. They mourned over
|
|
his kind of Christianity, and he frankly scoffed at theirs;
|
|
but both parties went on loving each other just the same.
|
|
|
|
He was approaching the house--out of the distance; the aunts
|
|
and the culprit were moving toward the sick-chamber.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
|
|
The three last named stood by the bed; the aunts austere,
|
|
the transgressor softly sobbing. The mother turned her head
|
|
on the pillow; her tired eyes flamed up instantly with sympathy
|
|
and passionate mother-love when they fell upon her child,
|
|
and she opened the refuge and shelter of her arms.
|
|
|
|
"Wait!" said Aunt Hannah, and put out her hand and stayed the girl
|
|
from leaping into them.
|
|
|
|
"Helen," said the other aunt, impressively, "tell your mother all.
|
|
Purge your soul; leave nothing unconfessed."
|
|
|
|
Standing stricken and forlorn before her judges, the young girl
|
|
mourned her sorrowful tale through the end, then in a passion
|
|
of appeal cried out:
|
|
|
|
"Oh, mother, can't you forgive me? won't you forgive me?--I am
|
|
so desolate!"
|
|
|
|
"Forgive you, my darling? Oh, come to my arms!--there, lay your head
|
|
upon my breast, and be at peace. If you had told a thousand lies--"
|
|
|
|
There was a sound--a warning--the clearing of a throat. The aunts
|
|
glanced up, and withered in their clothes--there stood the doctor,
|
|
his face a thunder-cloud. Mother and child knew nothing of
|
|
his presence; they lay locked together, heart to heart, steeped in
|
|
immeasurable content, dead to all things else. The physician
|
|
stood many moments glaring and glooming upon the scene before him;
|
|
studying it, analyzing it, searching out its genesis; then he put
|
|
up his hand and beckoned to the aunts. They came trembling to him,
|
|
and stood humbly before him and waited. He bent down and whispered:
|
|
|
|
"Didn't I tell you this patient must be protected from all excitement?
|
|
What the hell have you been doing? Clear out of the place?"
|
|
|
|
They obeyed. Half an hour later he appeared in the parlor,
|
|
serene, cheery, clothed in sunshine, conducting Helen, with his
|
|
arm about her waist, petting her, and saying gentle and playful
|
|
things to her; and she also was her sunny and happy self again.
|
|
|
|
"Now, then;" he said, "good-by, dear. Go to your room, and keep
|
|
away from your mother, and behave yourself. But wait--put out
|
|
your tongue. There, that will do--you're as sound as a nut!"
|
|
He patted her cheek and added, "Run along now; I want to talk
|
|
to these aunts."
|
|
|
|
She went from the presence. His face clouded over again at once;
|
|
and as he sat down he said:
|
|
|
|
"You too have been doing a lot of damage--and maybe some good.
|
|
Some good, yes--such as it is. That woman's disease is typhoid!
|
|
You've brought it to a show-up, I think, with your insanities,
|
|
and that's a service--such as it is. I hadn't been able to determine
|
|
what it was before."
|
|
|
|
With one impulse the old ladies sprang to their feet, quaking with terror.
|
|
|
|
"Sit down! What are you proposing to do?"
|
|
|
|
"Do? We must fly to her. We--"
|
|
|
|
"You'll do nothing of the kind; you've done enough harm for one day.
|
|
Do you want to squander all your capital of crimes and follies on a
|
|
single deal? Sit down, I tell you. I have arranged for her to sleep;
|
|
she needs it; if you disturb her without my orders, I'll brain you--
|
|
if you've got the materials for it.
|
|
|
|
They sat down, distressed and indignant, but obedient, under compulsion.
|
|
He proceeded:
|
|
|
|
"Now, then, I want this case explained. THEY wanted to explain it
|
|
to me--as if there hadn't been emotion or excitement enough already.
|
|
You knew my orders; how did you dare to go in there and get up
|
|
that riot?"
|
|
|
|
Hester looked appealing at Hannah; Hannah returned a beseeching look
|
|
at Hester--neither wanted to dance to this unsympathetic orchestra.
|
|
The doctor came to their help. He said:
|
|
|
|
"Begin, Hester."
|
|
|
|
Fingering at the fringes of her shawl, and with lowered eyes,
|
|
Hester said, timidly:
|
|
|
|
"We should not have disobeyed for any ordinary cause, but this
|
|
was vital. This was a duty. With a duty one has no choice;
|
|
one must put all lighter considerations aside and perform it.
|
|
We were obliged to arraign her before her mother. She had told
|
|
a lie."
|
|
|
|
The doctor glowered upon the woman a moment, and seemed
|
|
to be trying to work up in his mind an understand of a wholly
|
|
incomprehensible proposition; then he stormed out:
|
|
|
|
"She told a lie! DID she? God bless my soul! I tell a million a day!
|
|
And so does every doctor. And so does everybody--including you--
|
|
for that matter. And THAT was the important thing that authorized
|
|
you to venture to disobey my orders and imperil that woman's life!
|
|
Look here, Hester Gray, this is pure lunacy; that girl COULDN'T tell
|
|
a lie that was intended to injure a person. The thing is impossible--
|
|
absolutely impossible. You know it yourselves--both of you;
|
|
you know it perfectly well."
|
|
|
|
Hannah came to her sister's rescue:
|
|
|
|
"Hester didn't mean that it was that kind of a lie, and it wasn't.
|
|
But it was a lie."
|
|
|
|
"Well, upon my word, I never heard such nonsense! Haven't you
|
|
got sense enough to discriminate between lies! Don't you know
|
|
the difference between a lie that helps and a lie that hurts?"
|
|
|
|
"ALL lies are sinful," said Hannah, setting her lips together
|
|
like a vise; "all lies are forbidden."
|
|
|
|
The Only Christian fidgeted impatiently in his chair. He went to attack
|
|
this proposition, but he did not quite know how or where to begin.
|
|
Finally he made a venture:
|
|
|
|
"Hester, wouldn't you tell a lie to shield a person from an undeserved
|
|
injury or shame?"
|
|
|
|
"No."
|
|
|
|
"Not even a friend?"
|
|
|
|
"No."
|
|
|
|
"Not even your dearest friend?"
|
|
|
|
"No. I would not."
|
|
|
|
The doctor struggled in silence awhile with this situation;
|
|
then he asked:
|
|
|
|
"Not even to save him from bitter pain and misery and grief?"
|
|
|
|
"No. Not even to save his life."
|
|
|
|
Another pause. Then:
|
|
|
|
"Nor his soul?"
|
|
|
|
There was a hush--a silence which endured a measurable interval--
|
|
then Hester answered, in a low voice, but with decision:
|
|
|
|
"Nor his soul?"
|
|
|
|
No one spoke for a while; then the doctor said:
|
|
|
|
"Is it with you the same, Hannah?"
|
|
|
|
"Yes," she answered.
|
|
|
|
"I ask you both--why?"
|
|
|
|
"Because to tell such a lie, or any lie, is a sin, and could cost
|
|
us the loss of our own souls--WOULD, indeed, if we died without
|
|
time to repent."
|
|
|
|
"Strange . . . strange . . . it is past belief." Then he
|
|
asked, roughly: "Is such a soul as that WORTH saving?"
|
|
He rose up, mumbling and grumbling, and started for the door,
|
|
stumping vigorously along. At the threshold he turned and rasped
|
|
out an admonition: "Reform! Drop this mean and sordid and selfish
|
|
devotion to the saving of your shabby little souls, and hunt up
|
|
something to do that's got some dignity to it! RISK your souls! risk
|
|
them in good causes; then if you lose them, why should you care? Reform!"
|
|
|
|
The good old gentlewomen sat paralyzed, pulverized, outraged, insulted,
|
|
and brooded in bitterness and indignation over these blasphemies.
|
|
They were hurt to the heart, poor old ladies, and said they could
|
|
never forgive these injuries.
|
|
|
|
"Reform!"
|
|
|
|
They kept repeating that word resentfully. "Reform--and learn
|
|
to tell lies!"
|
|
|
|
Time slipped along, and in due course a change came over their spirits.
|
|
They had completed the human being's first duty--which is to think
|
|
about himself until he has exhausted the subject, then he is in a
|
|
condition to take up minor interests and think of other people.
|
|
This changes the complexion of his spirits--generally wholesomely.
|
|
The minds of the two old ladies reverted to their beloved niece
|
|
and the fearful disease which had smitten her; instantly they forgot
|
|
the hurts their self-love had received, and a passionate desire
|
|
rose in their hearts to go to the help of the sufferer and comfort
|
|
her with their love, and minister to her, and labor for her the best
|
|
they could with their weak hands, and joyfully and affectionately
|
|
wear out their poor old bodies in her dear service if only they might
|
|
have the privilege.
|
|
|
|
"And we shall have it!" said Hester, with the tears running
|
|
down her face. "There are no nurses comparable to us, for there
|
|
are no others that will stand their watch by that bed till they
|
|
drop and die, and God knows we would do that."
|
|
|
|
"Amen," said Hannah, smiling approval and endorsement through the
|
|
mist of moisture that blurred her glasses. "The doctor knows us,
|
|
and knows we will not disobey again; and he will call no others.
|
|
He will not dare!"
|
|
|
|
"Dare?" said Hester, with temper, and dashing the water from her eyes;
|
|
"he will dare anything--that Christian devil! But it will do no
|
|
good for him to try it this time--but, laws! Hannah! after all's
|
|
said and done, he is gifted and wise and good, and he would not
|
|
think of such a thing. . . . It is surely time for one of us to go
|
|
to that room. What is keeping him? Why doesn't he come and say so?"
|
|
|
|
They caught the sound of his approaching step. He entered, sat down,
|
|
and began to talk.
|
|
|
|
"Margaret is a sick woman," he said. "She is still sleeping,
|
|
but she will wake presently; then one of you must go to her.
|
|
She will be worse before she is better. Pretty soon a night-and-day
|
|
watch must be set. How much of it can you two undertake?"
|
|
|
|
"All of it!" burst from both ladies at once.
|
|
|
|
The doctor's eyes flashed, and he said, with energy:
|
|
|
|
"You DO ring true, you brave old relics! And you SHALL do all of
|
|
the nursing you can, for there's none to match you in that divine
|
|
office in this town; but you can't do all of it, and it would
|
|
be a crime to let you." It was grand praise, golden praise,
|
|
coming from such a source, and it took nearly all the resentment
|
|
out of the aged twin's hearts. "Your Tilly and my old Nancy shall
|
|
do the rest--good nurses both, white souls with black skins,
|
|
watchful, loving, tender--just perfect nurses!--and competent liars
|
|
from the cradle. . . . Look you! keep a little watch on Helen;
|
|
she is sick, and is going to be sicker."
|
|
|
|
The ladies looked a little surprised, and not credulous; and Hester said:
|
|
|
|
"How is that? It isn't an hour since you said she was as sound
|
|
as a nut."
|
|
|
|
The doctor answered, tranquilly:
|
|
|
|
"It was a lie."
|
|
|
|
The ladies turned upon him indignantly, and Hannah said:
|
|
|
|
"How can you make an odious confession like that, in so indifferent
|
|
a tone, when you know how we feel about all forms of--"
|
|
|
|
"Hush! You are as ignorant as cats, both of you, and you don't know
|
|
what you are talking about. You are like all the rest of the moral moles;
|
|
you lie from morning till night, but because you don't do it with
|
|
your mouths, but only with your lying eyes, your lying inflections,
|
|
your deceptively misplaced emphasis, and your misleading gestures,
|
|
you turn up your complacent noses and parade before God and
|
|
the world as saintly and unsmirched Truth-Speakers, in whose
|
|
cold-storage souls a lie would freeze to death if it got there!
|
|
Why will you humbug yourselves with that foolish notion that no
|
|
lie is a lie except a spoken one? What is the difference between
|
|
lying with your eyes and lying with your mouth? There is none;
|
|
and if you would reflect a moment you would see that it is so.
|
|
There isn't a human being that doesn't tell a gross of lies every day
|
|
of his life; and you--why, between you, you tell thirty thousand;
|
|
yet you flare up here in a lurid hypocritical horror because I
|
|
tell that child a benevolent and sinless lie to protect her from
|
|
her imagination, which would get to work and warm up her blood to a
|
|
fever in an hour, if I were disloyal enough to my duty to let it.
|
|
Which I should probably do if I were interested in saving my soul
|
|
by such disreputable means.
|
|
|
|
"Come, let us reason together. Let us examine details. When you
|
|
two were in the sick-room raising that riot, what would you have
|
|
done if you had known I was coming?"
|
|
|
|
"Well, what?"
|
|
|
|
"You would have slipped out and carried Helen with you--wouldn't you?"
|
|
|
|
The ladies were silent.
|
|
|
|
"What would be your object and intention?"
|
|
|
|
"Well, what?"
|
|
|
|
"To keep me from finding out your guilt; to beguile me to infer that
|
|
Margaret's excitement proceeded from some cause not known to you.
|
|
In a word, to tell me a lie--a silent lie. Moreover, a possibly
|
|
harmful one."
|
|
|
|
The twins colored, but did not speak.
|
|
|
|
"You not only tell myriads of silent lies, but you tell lies
|
|
with your mouths--you two."
|
|
|
|
"THAT is not so!"
|
|
|
|
"It is so. But only harmless ones. You never dream of uttering
|
|
a harmful one. Do you know that that is a concession--and a confession?"
|
|
|
|
"How do you mean?"
|
|
|
|
"It is an unconscious concession that harmless lies are not criminal;
|
|
it is a confession that you constantly MAKE that discrimination.
|
|
For instance, you declined old Mrs. Foster's invitation last week
|
|
to meet those odious Higbies at supper--in a polite note in which you
|
|
expressed regret and said you were very sorry you could not go.
|
|
It was a lie. It was as unmitigated a lie as was ever uttered.
|
|
Deny it, Hester--with another lie."
|
|
|
|
Hester replied with a toss of her head.
|
|
|
|
"That will not do. Answer. Was it a lie, or wasn't it?"
|
|
|
|
The color stole into the cheeks of both women, and with a struggle
|
|
and an effort they got out their confession:
|
|
|
|
"It was a lie."
|
|
|
|
"Good--the reform is beginning; there is hope for you yet;
|
|
you will not tell a lie to save your dearest friend's soul, but you
|
|
will spew out one without a scruple to save yourself the discomfort
|
|
of telling an unpleasant truth."
|
|
|
|
He rose. Hester, speaking for both, said; coldly:
|
|
|
|
"We have lied; we perceive it; it will occur no more. To lie is
|
|
a sin. We shall never tell another one of any kind whatsoever,
|
|
even lies of courtesy or benevolence, to save any one a pang
|
|
or a sorrow decreed for him by God."
|
|
|
|
"Ah, how soon you will fall! In fact, you have fallen already;
|
|
for what you have just uttered is a lie. Good-by. Reform!
|
|
One of you go to the sick-room now."
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
|
|
Twelve days later.
|
|
|
|
Mother and child were lingering in the grip of the hideous disease.
|
|
Of hope for either there was little. The aged sisters looked white and worn,
|
|
but they would not give up their posts. Their hearts were breaking,
|
|
poor old things, but their grit was steadfast and indestructible.
|
|
All the twelve days the mother had pined for the child, and the child
|
|
for the mother, but both knew that the prayer of these longings
|
|
could not be granted. When the mother was told--on the first day--
|
|
that her disease was typhoid, she was frightened, and asked if there
|
|
was danger that Helen could have contracted it the day before,
|
|
when she was in the sick-chamber on that confession visit.
|
|
Hester told her the doctor had poo-pooed the idea. It troubled
|
|
Hester to say it, although it was true, for she had not believed
|
|
the doctor; but when she saw the mother's joy in the news, the pain
|
|
in her conscience lost something of its force--a result which made
|
|
her ashamed of the constructive deception which she had practiced,
|
|
though not ashamed enough to make her distinctly and definitely
|
|
wish she had refrained from it. From that moment the sick woman
|
|
understood that her daughter must remain away, and she said she would
|
|
reconcile herself to the separation the best she could, for she
|
|
would rather suffer death than have her child's health imperiled.
|
|
That afternoon Helen had to take to her bed, ill. She grew worse
|
|
during the night. In the morning her mother asked after her:
|
|
|
|
"Is she well?"
|
|
|
|
Hester turned cold; she opened her lips, but the words refused to come.
|
|
The mother lay languidly looking, musing, waiting; suddenly she
|
|
turned white and gasped out:
|
|
|
|
"Oh, my God! what is it? is she sick?"
|
|
|
|
Then the poor aunt's tortured heart rose in rebellion, and words came:
|
|
|
|
"No--be comforted; she is well."
|
|
|
|
The sick woman put all her happy heart in her gratitude:
|
|
|
|
"Thank God for those dear words! Kiss me. How I worship you
|
|
for saying them!"
|
|
|
|
Hester told this incident to Hannah, who received it with
|
|
a rebuking look, and said, coldly:
|
|
|
|
"Sister, it was a lie."
|
|
|
|
Hester's lips trembled piteously; she choked down a sob, and said:
|
|
|
|
"Oh, Hannah, it was a sin, but I could not help it. I could not
|
|
endure the fright and the misery that were in her face."
|
|
|
|
"No matter. It was a lie. God will hold you to account for it."
|
|
|
|
"Oh, I know it, I know it," cried Hester, wringing her hands,
|
|
"but even if it were now, I could not help it. I know I should do
|
|
it again."
|
|
|
|
"Then take my place with Helen in the morning. I will make
|
|
the report myself."
|
|
|
|
Hester clung to her sister, begging and imploring.
|
|
|
|
"Don't, Hannah, oh, don't--you will kill her."
|
|
|
|
"I will at least speak the truth."
|
|
|
|
In the morning she had a cruel report to bear to the mother,
|
|
and she braced herself for the trial. When she returned from
|
|
her mission, Hester was waiting, pale and trembling, in the hall.
|
|
She whispered:
|
|
|
|
"Oh, how did she take it--that poor, desolate mother?"
|
|
|
|
Hannah's eyes were swimming in tears. She said:
|
|
|
|
"God forgive me, I told her the child was well!"
|
|
|
|
Hester gathered her to her heart, with a grateful "God bless you, Hannah!"
|
|
and poured out her thankfulness in an inundation of worshiping praises.
|
|
|
|
After that, the two knew the limit of their strength, and accepted
|
|
their fate. They surrendered humbly, and abandoned themselves to the
|
|
hard requirements of the situation. Daily they told the morning lie,
|
|
and confessed their sin in prayer; not asking forgiveness, as not
|
|
being worthy of it, but only wishing to make record that they
|
|
realized their wickedness and were not desiring to hide it or excuse it.
|
|
|
|
Daily, as the fair young idol of the house sank lower and lower,
|
|
the sorrowful old aunts painted her glowing bloom and her fresh young
|
|
beauty to the wan mother, and winced under the stabs her ecstasies
|
|
of joy and gratitude gave them.
|
|
|
|
In the first days, while the child had strength to hold a pencil,
|
|
she wrote fond little love-notes to her mother, in which she concealed
|
|
her illness; and these the mother read and reread through happy
|
|
eyes wet with thankful tears, and kissed them over and over again,
|
|
and treasured them as precious things under her pillow.
|
|
|
|
Then came a day when the strength was gone from the hand,
|
|
and the mind wandered, and the tongue babbled pathetic incoherences.
|
|
this was a sore dilemma for the poor aunts. There were no love-notes
|
|
for the mother. They did not know what to do. Hester began a
|
|
carefully studied and plausible explanation, but lost the track of it
|
|
and grew confused; suspicion began to show in the mother's face,
|
|
then alarm. Hester saw it, recognized the imminence of the danger,
|
|
and descended to the emergency, pulling herself resolutely together
|
|
and plucking victor from the open jaws of defeat. In a placid
|
|
and convincing voice she said:
|
|
|
|
"I thought it might distress you to know it, but Helen spent the night
|
|
at the Sloanes'. There was a little party there, and, although she
|
|
did not want to go, and you so sick, we persuaded her, she being
|
|
young and needing the innocent pastimes of youth, and we believing
|
|
you would approve. Be sure she will write the moment she comes."
|
|
|
|
"How good you are, and how dear and thoughtful for us both!
|
|
Approve? Why, I thank you with all my heart. My poor little exile!
|
|
Tell her I want her to have every pleasure she can--I would not rob
|
|
her of one. Only let her keep her health, that is all I ask.
|
|
Don't let that suffer; I could not bear it. How thankful I am that she
|
|
escaped this infection--and what a narrow risk she ran, Aunt Hester!
|
|
Think of that lovely face all dulled and burned with fever.
|
|
I can't bear the thought of it. Keep her health. Keep her bloom!
|
|
I can see her now, the dainty creature--with the big, blue, earnest eyes;
|
|
and sweet, oh, so sweet and gentle and winning! Is she as beautiful
|
|
as ever, dear Aunt Hester?"
|
|
|
|
"Oh, more beautiful and bright and charming than ever she was before,
|
|
if such a thing can be"--and Hester turned away and fumbled with
|
|
the medicine-bottles, to hide her shame and grief.
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
|
|
After a little, both aunts were laboring upon a difficult and baffling
|
|
work in Helen's chamber. Patiently and earnestly, with their stiff
|
|
old fingers, they were trying to forge the required note. They made
|
|
failure after failure, but they improved little by little all the time.
|
|
The pity of it all, the pathetic humor of it, there was none to see;
|
|
they themselves were unconscious of it. Often their tears fell
|
|
upon the notes and spoiled them; sometimes a single misformed word
|
|
made a note risky which could have been ventured but for that;
|
|
but at last Hannah produced one whose script was a good enough
|
|
imitation of Helen's to pass any but a suspicious eye, and bountifully
|
|
enriched it with the petting phrases and loving nicknames that
|
|
had been familiar on the child's lips from her nursery days.
|
|
She carried it to the mother, who took it with avidity, and kissed it,
|
|
and fondled it, reading its precious words over and over again,
|
|
and dwelling with deep contentment upon its closing paragraph:
|
|
|
|
"Mousie darling, if I could only see you, and kiss your eyes,
|
|
and feel your arms about me! I am so glad my practicing does not
|
|
disturb you. Get well soon. Everybody is good to me, but I am
|
|
so lonesome without you, dear mamma."
|
|
|
|
"The poor child, I know just how she feels. She cannot be quite
|
|
happy without me; and I--oh, I live in the light of her eyes!
|
|
Tell her she must practice all she pleases; and, Aunt Hannah--
|
|
tell her I can't hear the piano this far, nor hear dear voice
|
|
when she sings: God knows I wish I could. No one knows how sweet
|
|
that voice is to me; and to think--some day it will be silent!
|
|
What are you crying for?
|
|
|
|
"Only because--because--it was just a memory. When I came away she
|
|
was singing, 'Loch Lomond.' The pathos of it! It always moves
|
|
me so when she sings that."
|
|
|
|
"And me, too. How heartbreakingly beautiful it is when some youthful
|
|
sorrow is brooding in her breast and she sings it for the mystic
|
|
healing it brings. . . . Aunt Hannah?"
|
|
|
|
"Dear Margaret?"
|
|
|
|
"I am very ill. Sometimes it comes over me that I shall never hear
|
|
that dear voice again."
|
|
|
|
"Oh, don't--don't, Margaret! I can't bear it!"
|
|
|
|
Margaret was moved and distressed, and said, gently:
|
|
|
|
"There--there--let me put my arms around you.
|
|
Don't cry. There--put your cheek to mine. Be comforted.
|
|
I wish to live. I will live if I can. Ah, what could
|
|
she do without me! . . . Does she often speak of me?--but I know she does."
|
|
|
|
"Oh, all the time--all the time!"
|
|
|
|
"My sweet child! She wrote the note the moment she came home?"
|
|
|
|
"Yes--the first moment. She would not wait to take off her things."
|
|
|
|
"I knew it. It is her dear, impulsive, affectionate way. I knew it
|
|
without asking, but I wanted to hear you say it. The petted wife
|
|
knows she is loved, but she makes her husband tell her so every day,
|
|
just for the joy of hearing it. . . . She used the pen this time.
|
|
That is better; the pencil-marks could rub out, and I should grieve
|
|
for that. Did you suggest that she use the pen?"
|
|
|
|
"Y--no--she--it was her own idea.
|
|
|
|
The mother looked her pleasure, and said:
|
|
|
|
"I was hoping you would say that. There was never such a dear
|
|
and thoughtful child! . . . Aunt Hannah?"
|
|
|
|
"Dear Margaret?"
|
|
|
|
"Go and tell her I think of her all the time, and worship her.
|
|
Why--you are crying again. Don't be so worried about me, dear;
|
|
I think there is nothing to fear, yet."
|
|
|
|
The grieving messenger carried her message, and piously delivered
|
|
it to unheeding ears. The girl babbled on unaware; looking up
|
|
at her with wondering and startled eyes flaming with fever,
|
|
eyes in which was no light of recognition:
|
|
|
|
"Are you--no, you are not my mother. I want her--oh, I want her!
|
|
She was here a minute ago--I did not see her go. Will she come? will
|
|
she come quickly? will she come now? . . . There are so many houses
|
|
. . . and they oppress me so . . . and everything whirls and turns
|
|
and whirls . . . oh, my head, my head!"--and so she wandered on
|
|
and on, in her pain, flitting from one torturing fancy to another,
|
|
and tossing her arms about in a weary and ceaseless persecution
|
|
of unrest.
|
|
|
|
Poor old Hannah wetted the parched lips and softly stroked
|
|
the hot brow, murmuring endearing and pitying words, and thanking
|
|
the Father of all that the mother was happy and did not know.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
|
|
Daily the child sank lower and steadily lower towards the grave,
|
|
and daily the sorrowing old watchers carried gilded tidings of her
|
|
radiant health and loveliness to the happy mother, whose pilgrimage
|
|
was also now nearing its end. And daily they forged loving and cheery
|
|
notes in the child's hand, and stood by with remorseful consciences
|
|
and bleeding hearts, and wept to see the grateful mother devour
|
|
them and adore them and treasure them away as things beyond price,
|
|
because of their sweet source, and sacred because her child's hand
|
|
had touched them.
|
|
|
|
At last came that kindly friend who brings healing and peace to all.
|
|
The lights were burning low. In the solemn hush which precedes
|
|
the dawn vague figures flitted soundless along the dim hall and
|
|
gathered silent and awed in Helen's chamber, and grouped themselves
|
|
about her bed, for a warning had gone forth, and they knew.
|
|
The dying girl lay with closed lids, and unconscious, the drapery upon
|
|
her breast faintly rising and falling as her wasting life ebbed away.
|
|
At intervals a sigh or a muffled sob broke upon the stillness.
|
|
The same haunting thought was in all minds there: the pity of
|
|
this death, the going out into the great darkness, and the mother
|
|
not here to help and hearten and bless.
|
|
|
|
Helen stirred; her hands began to grope wistfully about as if they
|
|
sought something--she had been blind some hours. The end was come;
|
|
all knew it. With a great sob Hester gathered her to her breast,
|
|
crying, "Oh, my child, my darling!" A rapturous light broke
|
|
in the dying girl's face, for it was mercifully vouchsafed her
|
|
to mistake those sheltering arms for another's; and she went to
|
|
her rest murmuring, "Oh, mamma, I am so happy--I longed for you--
|
|
now I can die."
|
|
|
|
|
|
Two hours later Hester made her report. The mother asked:
|
|
|
|
"How is it with the child?"
|
|
|
|
"She is well."
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
|
|
A sheaf of white crape and black was hung upon the door of the house,
|
|
and there it swayed and rustled in the wind and whispered its tidings.
|
|
At noon the preparation of the dead was finished, and in the coffin
|
|
lay the fair young form, beautiful, and in the sweet face a
|
|
great peace. Two mourners sat by it, grieving and worshipping--
|
|
Hannah and the black woman Tilly. Hester came, and she was trembling,
|
|
for a great trouble was upon her spirit. She said:
|
|
|
|
"She asks for a note."
|
|
|
|
Hannah's face blanched. She had not thought of this; it had seemed
|
|
that that pathetic service was ended. But she realized now that
|
|
that could not be. For a little while the two women stood looking
|
|
into each other's face, with vacant eyes; then Hannah said:
|
|
|
|
"There is no way out of it--she must have it; she will suspect, else."
|
|
|
|
"And she would find out."
|
|
|
|
"Yes. It would break her heart." She looked at the dead face,
|
|
and her eyes filled. "I will write it," she said.
|
|
|
|
Hester carried it. The closing line said:
|
|
|
|
"Darling Mousie, dear sweet mother, we shall soon be together again.
|
|
Is not that good news? And it is true; they all say it is true."
|
|
|
|
The mother mourned, saying:
|
|
|
|
"Poor child, how will she bear it when she knows? I shall never see
|
|
her again in life. It is hard, so hard. She does not suspect?
|
|
You guard her from that?"
|
|
|
|
"She thinks you will soon be well."
|
|
|
|
"How good you are, and careful, dear Aunt Hester! None goes near
|
|
herr who could carry the infection?"
|
|
|
|
"It would be a crime."
|
|
|
|
"But you SEE her?"
|
|
|
|
"With a distance between--yes."
|
|
|
|
"That is so good. Others one could not trust; but you two guardian
|
|
angels--steel is not so true as you. Others would be unfaithful;
|
|
and many would deceive, and lie."
|
|
|
|
Hester's eyes fell, and her poor old lips trembled.
|
|
|
|
"Let me kiss you for her, Aunt Hester; and when I am gone,
|
|
and the danger is past, place the kiss upon her dear lips some day,
|
|
and say her mother sent it, and all her mother's broken heart is
|
|
in it."
|
|
|
|
Within the hour, Hester, raining tears upon the dead face,
|
|
performed her pathetic mission.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
|
|
Another day dawned, and grew, and spread its sunshine in the earth.
|
|
Aunt Hannah brought comforting news to the failing mother, and a
|
|
happy note, which said again, "We have but a little time to wait,
|
|
darling mother, then se shall be together."
|
|
|
|
The deep note of a bell came moaning down the wind.
|
|
|
|
"Aunt Hannah, it is tolling. Some poor soul is at rest.
|
|
As I shall be soon. You will not let her forget me?"
|
|
|
|
"Oh, God knows she never will!"
|
|
|
|
"Do not you hear strange noises, Aunt Hannah? It sounds like
|
|
the shuffling of many feet."
|
|
|
|
"We hoped you would not hear it, dear. It is a little company
|
|
gathering, for--for Helen's sake, poor little prisoner. There will
|
|
be music--and she loves it so. We thought you would not mind."
|
|
|
|
"Mind? Oh no, no--oh, give her everything her dear heart can desire.
|
|
How good you two are to her, and how good to me! God bless you
|
|
both always!"
|
|
|
|
After a listening pause:
|
|
|
|
"How lovely! It is her organ. Is she playing it herself, do you think?"
|
|
Faint and rich and inspiring the chords floating to her ears on
|
|
the still air. "Yes, it is her touch, dear heart, I recognize it.
|
|
They are singing. Why--it is a hymn! and the sacredest of all,
|
|
the most touching, the most consoling. . . . It seems to open
|
|
the gates of paradise to me. . . . If I could die now. . . ."
|
|
|
|
Faint and far the words rose out of the stillness:
|
|
|
|
|
|
Nearer, my God, to Thee,
|
|
|
|
Nearer to Thee,
|
|
|
|
E'en though it be a cross
|
|
|
|
That raiseth me.
|
|
|
|
|
|
With the closing of the hymn another soul passed to its rest,
|
|
and they that had been one in life were not sundered in death.
|
|
The sisters, mourning and rejoicing, said:
|
|
|
|
"How blessed it was that she never knew!"
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
|
|
At midnight they sat together, grieving, and the angel of the Lord
|
|
appeared in the midst transfigured with a radiance not of earth;
|
|
and speaking, said:
|
|
|
|
"For liars a place is appointed. There they burn in the fires
|
|
of hell from everlasting unto everlasting. Repent!"
|
|
|
|
The bereaved fell upon their knees before him and clasped their
|
|
hands and bowed their gray heads, adoring. But their tongues
|
|
clove to the roof of their mouths, and they were dumb.
|
|
|
|
"Speak! that I may bear the message to the chancery of heaven
|
|
and bring again the decree from which there is no appeal."
|
|
|
|
Then they bowed their heads yet lower, and one said:
|
|
|
|
"Our sin is great, and we suffer shame; but only perfect and final
|
|
repentance can make us whole; and we are poor creatures who have learned
|
|
our human weakness, and we know that if we were in those hard straits
|
|
again our hearts would fail again, and we should sin as before.
|
|
The strong could prevail, and so be saved, but we are lost."
|
|
|
|
They lifted their heads in supplication. The angel was gone.
|
|
While they marveled and wept he came again; and bending low,
|
|
he whispered the decree.
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
|
|
Was it Heaven? Or Hell?
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
A CURE FOR THE BLUES
|
|
|
|
|
|
|
|
By courtesy of Mr. Cable I came into possession of a singular book
|
|
eight or ten years ago. It is likely that mine is now the only copy
|
|
in existence. Its title-page, unabbreviated, reads as follows:
|
|
|
|
"The Enemy Conquered; or, Love Triumphant. By G. Ragsdale McClintock,
|
|
[1] author of 'An Address,' etc., delivered at Sunflower Hill,
|
|
South Carolina, and member of the Yale Law School. New Haven:
|
|
published by T. H. Pease, 83 Chapel Street, 1845."
|
|
|
|
No one can take up this book and lay it down again unread.
|
|
Whoever reads one line of it is caught, is chained; he has become
|
|
the contented slave of its fascinations; and he will read and read,
|
|
devour and devour, and will not let it go out of his hand till it
|
|
is finished to the last line, though the house be on fire over
|
|
his head. And after a first reading he will not throw it aside,
|
|
but will keep it by him, with his Shakespeare and his Homer,
|
|
and will take it up many and many a time, when the world is dark
|
|
and his spirits are low, and be straightway cheered and refreshed.
|
|
Yet this work has been allowed to lie wholly neglected, unmentioned,
|
|
and apparently unregretted, for nearly half a century.
|
|
|
|
The reader must not imagine that he is to find in it wisdom,
|
|
brilliancy, fertility of invention, ingenuity of construction,
|
|
excellence of form, purity of style, perfection of imagery,
|
|
truth to nature, clearness of statement, humanly possible situations,
|
|
humanly possible people, fluent narrative, connected sequence of events--
|
|
or philosophy, or logic, or sense. No; the rich, deep, beguiling charm
|
|
of the book lies in the total and miraculous ABSENCE from it
|
|
of all these qualities--a charm which is completed and perfected
|
|
by the evident fact that the author, whose naive innocence easily
|
|
and surely wins our regard, and almost our worship, does not know
|
|
that they are absent, does not even suspect that they are absent.
|
|
When read by the light of these helps to an understanding of
|
|
the situation, the book is delicious--profoundly and satisfyingly delicious.
|
|
|
|
I call it a book because the author calls it a book, I call it a work
|
|
because he calls it a work; but, in truth, it is merely a duodecimo
|
|
pamphlet of thirty-one pages. It was written for fame and money,
|
|
as the author very frankly--yes, and very hopefully, too, poor fellow--
|
|
says in his preface. The money never came--no penny of it ever came;
|
|
and how long, how pathetically long, the fame has been deferred--
|
|
forty-seven years! He was young then, it would have been so much to
|
|
him then; but will he care for it now?
|
|
|
|
As time is measured in America, McClintock's epoch is antiquity.
|
|
In his long-vanished day the Southern author had a passion for
|
|
"eloquence"; it was his pet, his darling. He would be eloquent,
|
|
or perish. And he recognized only one kind of eloquence--the lurid,
|
|
the tempestuous, the volcanic. He liked words--big words,
|
|
fine words, grand words, rumbling, thundering, reverberating words;
|
|
with sense attaching if it could be got in without marring the sound,
|
|
but not otherwise. He loved to stand up before a dazed world,
|
|
and pour forth flame and smoke and lava and pumice-stone into the skies,
|
|
and work his subterranean thunders, and shake himself with earthquakes,
|
|
and stench himself with sulphur fumes. If he consumed his own fields
|
|
and vineyards, that was a pity, yes; but he would have his eruption
|
|
at any cost. Mr. McClintock's eloquence--and he is always eloquent,
|
|
his crater is always spouting--is of the pattern common to his day,
|
|
but he departs from the custom of the time in one respect:
|
|
his brethren allowed sense to intrude when it did not mar the sound,
|
|
but he does not allow it to intrude at all. For example,
|
|
consider this figure, which he used in the village "Address"
|
|
referred to with such candid complacency in the title-page above
|
|
quoted--"like the topmost topaz of an ancient tower." Please read
|
|
it again; contemplate it; measure it; walk around it; climb up it;
|
|
try to get at an approximate realization of the size of it.
|
|
Is the fellow to that to be found in literature, ancient or modern,
|
|
foreign or domestic, living or dead, drunk or sober? One notices
|
|
how fine and grand it sounds. We know that if it was loftily uttered,
|
|
it got a noble burst of applause from the villagers; yet there isn't
|
|
a ray of sense in it, or meaning to it.
|
|
|
|
McClintock finished his education at Yale in 1843, and came to
|
|
Hartford on a visit that same year. I have talked with men who at
|
|
that time talked with him, and felt of him, and knew he was real.
|
|
One needs to remember that fact and to keep fast hold of it;
|
|
it is the only way to keep McClintock's book from undermining one's
|
|
faith in McClintock's actuality.
|
|
|
|
As to the book. The first four pages are devoted to an inflamed eulogy
|
|
of Woman--simply woman in general, or perhaps as an institution--
|
|
wherein, among other compliments to her details, he pays a unique
|
|
one to her voice. He says it "fills the breast with fond alarms,
|
|
echoed by every rill." It sounds well enough, but it is not true.
|
|
After the eulogy he takes up his real work and the novel begins.
|
|
It begins in the woods, near the village of Sunflower Hill.
|
|
|
|
|
|
Brightening clouds seemed to rise from the mist of the fair Chattahoochee,
|
|
to spread their beauty over the thick forest, to guide the hero whose
|
|
bosom beats with aspirations to conquer the enemy that would tarnish
|
|
his name, and to win back the admiration of his long-tried friend.
|
|
|
|
|
|
It seems a general remark, but it is not general; the hero mentioned
|
|
is the to-be hero of the book; and in this abrupt fashion,
|
|
and without name or description, he is shoveled into the tale.
|
|
"With aspirations to conquer the enemy that would tarnish his name"
|
|
is merely a phrase flung in for the sake of the sound--let it
|
|
not mislead the reader. No one is trying to tarnish this person;
|
|
no one has thought of it. The rest of the sentence is also merely
|
|
a phrase; the man has no friend as yet, and of course has had no
|
|
chance to try him, or win back his admiration, or disturb him in any
|
|
other way.
|
|
|
|
The hero climbs up over "Sawney's Mountain," and down the other side,
|
|
making for an old Indian "castle"--which becomes "the red man's hut"
|
|
in the next sentence; and when he gets there at last, he "surveys
|
|
with wonder and astonishment" the invisible structure, "which time
|
|
has buried in the dust, and thought to himself his happiness was
|
|
not yet complete." One doesn't know why it wasn't, nor how near it
|
|
came to being complete, nor what was still wanting to round it up
|
|
and make it so. Maybe it was the Indian; but the book does not say.
|
|
At this point we have an episode:
|
|
|
|
|
|
Beside the shore of the brook sat a young man, about eighteen or twenty,
|
|
who seemed to be reading some favorite book, and who had a remarkably
|
|
noble countenance--eyes which betrayed more than a common mind.
|
|
This of course made the youth a welcome guest, and gained him
|
|
friends in whatever condition of his life he might be placed.
|
|
The traveler observed that he was a well-built figure which showed
|
|
strength and grace in every movement. He accordingly addressed
|
|
him in quite a gentlemanly manner, and inquired of him the way
|
|
to the village. After he had received the desired information,
|
|
and was about taking his leave, the youth said, "Are you not
|
|
Major Elfonzo, the great musician [2]--the champion of a noble cause--
|
|
the modern Achilles, who gained so many victories in the Florida War?"
|
|
"I bear that name," said the Major, "and those titles,
|
|
trusting at the same time that the ministers of grace will carry
|
|
me triumphantly through all my laudable undertakings, and if,"
|
|
continued the Major, "you, sir, are the patronizer of noble deeds,
|
|
I should like to make you my confidant and learn your address."
|
|
The youth looked somewhat amazed, bowed low, mused for a moment,
|
|
and began: "My name is Roswell. I have been recently admitted
|
|
to the bar, and can only give a faint outline of my future success
|
|
in that honorable profession; but I trust, sir, like the Eagle, I shall
|
|
look down from the lofty rocks upon the dwellings of man, and shall
|
|
ever be ready to give you any assistance in my official capacity,
|
|
and whatever this muscular arm of mine can do, whenever it shall be
|
|
called from its buried GREATNESS." The Major grasped him by the hand,
|
|
and exclaimed: "O! thou exalted spirit of inspiration--thou flame
|
|
of burning prosperity, may the Heaven-directed blaze be the glare
|
|
of thy soul, and battle down every rampart that seems to impede
|
|
your progress!"
|
|
|
|
|
|
There is a strange sort of originality about McClintock;
|
|
he imitates other people's styles, but nobody can imitate his,
|
|
not even an idiot. Other people can be windy, but McClintock blows
|
|
a gale; other people can blubber sentiment, but McClintock spews it;
|
|
other people can mishandle metaphors, but only McClintock knows
|
|
how to make a business of it. McClintock is always McClintock,
|
|
he is always consistent, his style is always his own style. He does
|
|
not make the mistake of being relevant on one page and irrelevant
|
|
on another; he is irrelevant on all of them. He does not make
|
|
the mistake of being lucid in one place and obscure in another;
|
|
he is obscure all the time. He does not make the mistake of slipping
|
|
in a name here and there that is out of character with his work;
|
|
he always uses names that exactly and fantastically fit his lunatics.
|
|
In the matter of undeviating consistency he stands alone in authorship.
|
|
It is this that makes his style unique, and entitles it to a name
|
|
of its own--McClintockian. It is this that protects it from being
|
|
mistaken for anybody else's. Uncredited quotations from other writers
|
|
often leave a reader in doubt as to their authorship, but McClintock
|
|
is safe from that accident; an uncredited quotation from him would
|
|
always be recognizable. When a boy nineteen years old, who had
|
|
just been admitted to the bar, says, "I trust, sir, like the Eagle,
|
|
I shall look down from lofty rocks upon the dwellings of man,"
|
|
we know who is speaking through that boy; we should recognize
|
|
that note anywhere. There be myriads of instruments in this
|
|
world's literary orchestra, and a multitudinous confusion of sounds
|
|
that they make, wherein fiddles are drowned, and guitars smothered,
|
|
and one sort of drum mistaken for another sort; but whensoever
|
|
the brazen note of the McClintockian trombone breaks through that fog
|
|
of music, that note is recognizable, and about it there can be no blur
|
|
of doubt.
|
|
|
|
The novel now arrives at the point where the Major goes home to see
|
|
his father. When McClintock wrote this interview he probably
|
|
believed it was pathetic.
|
|
|
|
|
|
The road which led to the town presented many attractions Elfonzo
|
|
had bid farewell to the youth of deep feeling, and was now wending
|
|
his way to the dreaming spot of his fondness. The south winds
|
|
whistled through the woods, as the waters dashed against the banks,
|
|
as rapid fire in the pent furnace roars. This brought him to
|
|
remember while alone, that he quietly left behind the hospitality
|
|
of a father's house, and gladly entered the world, with higher hopes
|
|
than are often realized. But as he journeyed onward, he was mindful
|
|
of the advice of his father, who had often looked sadly on the ground,
|
|
when tears of cruelly deceived hope moistened his eyes. Elfonzo had
|
|
been somewhat a dutiful son; yet fond of the amusements of life--
|
|
had been in distant lands--had enjoyed the pleasure of the world,
|
|
and had frequently returned to the scenes of his boyhood,
|
|
almost destitute of many of the comforts of life. In this condition,
|
|
he would frequently say to his father, "Have I offended you,
|
|
that you look upon me as a stranger, and frown upon me with
|
|
stinging looks? Will you not favor me with the sound of your voice?
|
|
If I have trampled upon your veneration, or have spread a humid veil
|
|
of darkness around your expectations, send me back into the world,
|
|
where no heart beats for me--where the foot of man had never yet trod;
|
|
but give me at least one kind word--allow me to come into the presence
|
|
sometimes of thy winter-worn locks." "Forbid it, Heaven, that I
|
|
should be angry with thee," answered the father, "my son, and yet
|
|
I send thee back to the children of the world--to the cold charity
|
|
of the combat, and to a land of victory. I read another destiny
|
|
in thy countenance--I learn thy inclinations from the flame that has
|
|
already kindled in my soul a strange sensation. It will seek thee,
|
|
my dear ELFONZO, it will find thee--thou canst not escape that
|
|
lighted torch, which shall blot out from the remembrance of men
|
|
a long train of prophecies which they have foretold against thee.
|
|
I once thought not so. Once, I was blind; but now the path of life
|
|
is plain before me, and my sight is clear; yet, Elfonzo, return to thy
|
|
worldly occupation--take again in thy hand that chord of sweet sounds--
|
|
struggle with the civilized world and with your own heart;
|
|
fly swiftly to the enchanted ground--let the night-OWL send forth
|
|
its screams from the stubborn oak--let the sea sport upon the beach,
|
|
and the stars sing together; but learn of these, Elfonzo, thy doom,
|
|
and thy hiding-place. Our most innocent as well as our most lawful
|
|
DESIRES must often be denied us, that we may learn to sacrifice them
|
|
to a Higher will."
|
|
|
|
Remembering such admonitions with gratitude, Elfonzo was immediately
|
|
urged by the recollection of his father's family to keep moving.
|
|
|
|
|
|
McClintock has a fine gift in the matter of surprises; but as a
|
|
rule they are not pleasant ones, they jar upon the feelings.
|
|
His closing sentence in the last quotation is of that sort.
|
|
It brings one down out of the tinted clouds in too sudden and collapsed
|
|
a fashion. It incenses one against the author for a moment.
|
|
It makes the reader want to take him by this winter-worn locks,
|
|
and trample on his veneration, and deliver him over to the cold
|
|
charity of combat, and blot him out with his own lighted torch.
|
|
But the feeling does not last. The master takes again in his hand that
|
|
concord of sweet sounds of his, and one is reconciled, pacified.
|
|
|
|
|
|
His steps became quicker and quicker--he hastened through the PINY woods,
|
|
dark as the forest was, and with joy he very soon reached the little
|
|
village of repose, in whose bosom rested the boldest chivalry.
|
|
His close attention to every important object--his modest questions
|
|
about whatever was new to him--his reverence for wise old age,
|
|
and his ardent desire to learn many of the fine arts, soon brought
|
|
him into respectable notice.
|
|
|
|
One mild winter day, as he walked along the streets toward the Academy,
|
|
which stood upon a small eminence, surrounded by native growth--
|
|
some venerable in its appearance, others young and prosperous--
|
|
all seemed inviting, and seemed to be the very place for learning as
|
|
well as for genius to spend its research beneath its spreading shades.
|
|
He entered its classic walls in the usual mode of southern manners.
|
|
|
|
|
|
The artfulness of this man! None knows so well as he how to pique
|
|
the curiosity of the reader--and how to disappoint it. He raises
|
|
the hope, here, that he is going to tell all about how one enters
|
|
a classic wall in the usual mode of Southern manners; but does he?
|
|
No; he smiles in his sleeve, and turns aside to other matters.
|
|
|
|
|
|
The principal of the Institution begged him to be seated and listen
|
|
to the recitations that were going on. He accordingly obeyed
|
|
the request, and seemed to be much pleased. After the school
|
|
was dismissed, and the young hearts regained their freedom,
|
|
with the songs of the evening, laughing at the anticipated pleasures
|
|
of a happy home, while others tittered at the actions of the past day,
|
|
he addressed the teacher in a tone that indicated a resolution--
|
|
with an undaunted mind. He said he had determined to become
|
|
a student, if he could meet with his approbation. "Sir," said he,
|
|
"I have spent much time in the world. I have traveled among
|
|
the uncivilized inhabitants of America. I have met with friends,
|
|
and combated with foes; but none of these gratify my ambition,
|
|
or decide what is to be my destiny. I see the learned world
|
|
have an influence with the voice of the people themselves.
|
|
The despoilers of the remotest kingdoms of the earth refer their
|
|
differences to this class of persons. This the illiterate and
|
|
inexperienced little dream of; and now if you will receive me as I am,
|
|
with these deficiencies--with all my misguided opinions, I will give
|
|
you my honor, sir, that I will never disgrace the Institution,
|
|
or those who have placed you in this honorable station."
|
|
The instructor, who had met with many disappointments, knew how to
|
|
feel for a stranger who had been thus turned upon the charities
|
|
of an unfeeling community. He looked at him earnestly, and said:
|
|
"Be of good cheer--look forward, sir, to the high destination you
|
|
may attain. Remember, the more elevated the mark at which you aim,
|
|
the more sure, the more glorious, the more magnificent the prize."
|
|
From wonder to wonder, his encouragement led the impatient listener.
|
|
A strange nature bloomed before him--giant streams promised
|
|
him success--gardens of hidden treasures opened to his view.
|
|
All this, so vividly described, seemed to gain a new witchery from his
|
|
glowing fancy.
|
|
|
|
|
|
It seems to me that this situation is new in romance. I feel
|
|
sure it has not been attempted before. Military celebrities have
|
|
been disguised and set at lowly occupations for dramatic effect,
|
|
but I think McClintock is the first to send one of them to school.
|
|
Thus, in this book, you pass from wonder to wonder, through gardens
|
|
of hidden treasure, where giant streams bloom before you,
|
|
and behind you, and all around, and you feel as happy, and groggy,
|
|
and satisfied with your quart of mixed metaphor aboard as you would
|
|
if it had been mixed in a sample-room and delivered from a jug.
|
|
|
|
Now we come upon some more McClintockian surprise--a sweetheart
|
|
who is sprung upon us without any preparation, along with a name
|
|
for her which is even a little more of a surprise than she herself is.
|
|
|
|
|
|
In 1842 he entered the class, and made rapid progress in the English
|
|
and Latin departments. Indeed, he continued advancing with such
|
|
rapidity that he was like to become the first in his class,
|
|
and made such unexpected progress, and was so studious, that he had
|
|
almost forgotten the pictured saint of his affections. The fresh
|
|
wreaths of the pine and cypress had waited anxiously to drop once
|
|
more the dews of Heaven upon the heads of those who had so often
|
|
poured forth the tender emotions of their souls under its boughs.
|
|
He was aware of the pleasure that he had seen there. So one evening ,as
|
|
he was returning from his reading, he concluded he would pay a visit
|
|
to this enchanting spot. Little did he think of witnessing a shadow
|
|
of his former happiness, though no doubt he wished it might be so.
|
|
He continued sauntering by the roadside, meditating on the past.
|
|
The nearer he approached the spot, the more anxious he became.
|
|
At that moment a tall female figure flitted across his path, with a
|
|
bunch of roses in her hand; her countenance showed uncommon vivacity,
|
|
with a resolute spirit; her ivory teeth already appeared as she
|
|
smiled beautifully, promenading--while her ringlets of hair dangled
|
|
unconsciously around her snowy neck. Nothing was wanting to complete
|
|
her beauty. The tinge of the rose was in full bloom upon her cheek;
|
|
the charms of sensibility and tenderness were always her associates.
|
|
In Ambulinia's bosom dwelt a noble soul--one that never faded--
|
|
one that never was conquered.
|
|
|
|
|
|
Ambulinia! It can hardly be matched in fiction. The full name
|
|
is Ambulinia Valeer. Marriage will presently round it out and
|
|
perfect it. Then it will be Mrs. Ambulinia Valeer Elfonzo.
|
|
It takes the chromo.
|
|
|
|
|
|
Her heart yielded to no feeling but the love of Elfonzo, on whom
|
|
she gazed with intense delight, and to whom she felt herself
|
|
more closely bound, because he sought the hand of no other.
|
|
Elfonzo was roused from his apparent reverie. His books no longer
|
|
were his inseparable companions--his thoughts arrayed themselves
|
|
to encourage him to the field of victory. He endeavored to speak
|
|
to his supposed Ambulinia, but his speech appeared not in words.
|
|
No, his effort was a stream of fire, that kindled his soul into
|
|
a flame of admiration, and carried his senses away captive.
|
|
Ambulinia had disappeared, to make him more mindful of his duty.
|
|
As she walked speedily away through the piny woods, she calmly echoed:
|
|
"O! Elfonzo, thou wilt now look from thy sunbeams. Thou shalt
|
|
now walk in a new path--perhaps thy way leads through darkness;
|
|
but fear not, the stars foretell happiness."
|
|
|
|
|
|
To McClintock that jingling jumble of fine words meant something,
|
|
no doubt, or seemed to mean something; but it is useless for us to try
|
|
to divine what it was. Ambulinia comes--we don't know whence nor why;
|
|
she mysteriously intimates--we don't know what; and then she goes
|
|
echoing away--we don't know whither; and down comes the curtain.
|
|
McClintock's art is subtle; McClintock's art is deep.
|
|
|
|
|
|
Not many days afterward, as surrounded by fragrant flowers she sat
|
|
one evening at twilight, to enjoy the cool breeze that whispered
|
|
notes of melody along the distant groves, the little birds perched
|
|
on every side, as if to watch the movements of their new visitor.
|
|
The bells were tolling, when Elfonzo silently stole along by the wild
|
|
wood flowers, holding in his hand his favorite instrument of music--
|
|
his eye continually searching for Ambulinia, who hardly seemed
|
|
to perceive him, as she played carelessly with the songsters
|
|
that hopped from branch to branch. Nothing could be more striking
|
|
than the difference between the two. Nature seemed to have given
|
|
the more tender soul to Elfonzo, and the stronger and more courageous
|
|
to Ambulinia. A deep feeling spoke from the eyes of Elfonzo--
|
|
such a feeling as can only be expressed by those who are blessed
|
|
as admirers, and by those who are able to return the same with
|
|
sincerity of heart. He was a few years older than Ambulinia:
|
|
she had turned a little into her seventeenth. He had almost grown
|
|
up in the Cherokee country, with the same equal proportions as one
|
|
of the natives. But little intimacy had existed between them until
|
|
the year forty-one--because the youth felt that the character of such
|
|
a lovely girl was too exalted to inspire any other feeling than
|
|
that of quiet reverence. But as lovers will not always be insulted,
|
|
at all times and under all circumstances, by the frowns and cold
|
|
looks of crabbed old age, which should continually reflect dignity
|
|
upon those around, and treat the unfortunate as well as the fortunate
|
|
with a graceful mien, he continued to use diligence and perseverance.
|
|
All this lighted a spark in his heart that changed his whole character,
|
|
and like the unyielding Deity that follows the storm to check its
|
|
rage in the forest, he resolves for the first time to shake off
|
|
his embarrassment and return where he had before only worshiped.
|
|
|
|
|
|
At last we begin to get the Major's measure. We are able to put
|
|
this and that casual fact together, and build the man up before
|
|
our eyes, and look at him. And after we have got him built, we find
|
|
him worth the trouble. By the above comparison between his age
|
|
and Ambulinia's, we guess the war-worn veteran to be twenty-two;
|
|
and the other facts stand thus: he had grown up in the Cherokee
|
|
country with the same equal proportions as one of the natives--
|
|
how flowing and graceful the language, and yet how tantalizing
|
|
as to meaning!--he had been turned adrift by his father, to whom he
|
|
had been "somewhat of a dutiful son"; he wandered in distant lands;
|
|
came back frequently "to the scenes of his boyhood, almost destitute
|
|
of many of the comforts of life," in order to get into the presence
|
|
of his father's winter-worn locks, and spread a humid veil of
|
|
darkness around his expectations; but he was always promptly sent
|
|
back to the cold charity of the combat again; he learned to play
|
|
the fiddle, and made a name for himself in that line; he had dwelt
|
|
among the wild tribes; he had philosophized about the despoilers
|
|
of the kingdoms of the earth, and found out--the cunning creature--
|
|
that they refer their differences to the learned for settlement;
|
|
he had achieved a vast fame as a military chieftain, the Achilles
|
|
of the Florida campaigns, and then had got him a spelling-book
|
|
and started to school; he had fallen in love with Ambulinia Valeer
|
|
while she was teething, but had kept it to himself awhile, out of
|
|
the reverential awe which he felt for the child; but now at last,
|
|
like the unyielding Deity who follows the storm to check its rage in
|
|
the forest, he resolves to shake off his embarrassment, and to return
|
|
where before he had only worshiped. The Major, indeed, has made up
|
|
his mind to rise up and shake his faculties together, and to see
|
|
if HE can't do that thing himself. This is not clear. But no matter
|
|
about that: there stands the hero, compact and visible; and he is
|
|
no mean structure, considering that his creator had never structure,
|
|
considering that his creator had never created anything before,
|
|
and hadn't anything but rags and wind to build with this time.
|
|
It seems to me that no one can contemplate this odd creature, this quaint
|
|
and curious blatherskite, without admiring McClintock, or, at any rate,
|
|
loving him and feeling grateful to him; for McClintock made him,
|
|
he gave him to us; without McClintock we could not have had him,
|
|
and would now be poor.
|
|
|
|
But we must come to the feast again. Here is a courtship scene, down there
|
|
in the romantic glades among the raccoons, alligators, and things,
|
|
that has merit, peculiar literary merit. See how Achilles woos.
|
|
Dwell upon the second sentence (particularly the close of it)
|
|
and the beginning of the third. Never mind the new personage,
|
|
Leos, who is intruded upon us unheralded and unexplained. That is
|
|
McClintock's way; it is his habit; it is a part of his genius;
|
|
he cannot help it; he never interrupts the rush of his narrative
|
|
to make introductions.
|
|
|
|
|
|
It could not escape Ambulinia's penetrating eye that he sought
|
|
an interview with her, which she as anxiously avoided, and assumed
|
|
a more distant calmness than before, seemingly to destroy all hope.
|
|
After many efforts and struggles with his own person, with timid
|
|
steps the Major approached the damsel, with the same caution
|
|
as he would have done in a field of battle. "Lady Ambulinia,"
|
|
said he, trembling, "I have long desired a moment like this.
|
|
I dare not let it escape. I fear the consequences; yet I hope
|
|
your indulgence will at least hear my petition. Can you not
|
|
anticipate what I would say, and what I am about to express?
|
|
Will not you, like Minerva, who sprung from the brain of Jupiter,
|
|
release me from thy winding chains or cure me--" "Say no more,
|
|
Elfonzo," answered Ambulinia, with a serious look, raising her hand
|
|
as if she intended to swear eternal hatred against the whole world;
|
|
"another lady in my place would have perhaps answered your question
|
|
in bitter coldness. I know not the little arts of my sex.
|
|
I care but little for the vanity of those who would chide me,
|
|
and am unwilling as well as ashamed to be guilty of anything
|
|
that would lead you to think 'all is not gold that glitters';
|
|
so be no rash in your resolution. It is better to repent now,
|
|
than to do it in a more solemn hour. Yes, I know what you would say.
|
|
I know you have a costly gift for me--the noblest that man can make--
|
|
YOUR HEART! You should not offer it to one so unworthy.
|
|
Heaven, you know, has allowed my father's house to be made a house
|
|
of solitude, a home of silent obedience, which my parents say
|
|
is more to be admired than big names and high-sounding titles.
|
|
Notwithstanding all this, let me speak the emotions of an honest heart--
|
|
allow me to say in the fullness of my hopes that I anticipate
|
|
better days. The bird may stretch its wings toward the sun,
|
|
which it can never reach; and flowers of the field appear to
|
|
ascend in the same direction, because they cannot do otherwise;
|
|
but man confides his complaints to the saints in whom he believes;
|
|
for in their abodes of light they know no more sorrow. From your
|
|
confession and indicative looks, I must be that person; if so deceive
|
|
not yourself."
|
|
|
|
Elfonzo replied, "Pardon me, my dear madam, for my frankness.
|
|
I have loved you from my earliest days--everything grand and beautiful
|
|
hath borne the image of Ambulinia; while precipices on every hand
|
|
surrounded me, your GUARDIAN ANGEL stood and beckoned me away from
|
|
the deep abyss. In every trial, in every misfortune, I have met
|
|
with your helping hand; yet I never dreamed or dared to cherish
|
|
thy love, till a voice impaired with age encouraged the cause,
|
|
and declared they who acquired thy favor should win a victory.
|
|
I saw how Leos worshiped thee. I felt my own unworthiness.
|
|
I began to KNOW JEALOUSLY, a strong guest--indeed, in my bosom,--
|
|
yet I could see if I gained your admiration Leos was to be my rival.
|
|
I was aware that he had the influence of your parents, and the wealth
|
|
of a deceased relative, which is too often mistaken for permanent
|
|
and regular tranquillity; yet I have determined by your permission
|
|
to beg an interest in your prayers--to ask you to animate my drooping
|
|
spirits by your smiles and your winning looks; for if you but speak
|
|
I shall be conqueror, my enemies shall stagger like Olympus shakes.
|
|
And though earth and sea may tremble, and the charioteer of the sun
|
|
may forget his dashing steed, yet I am assured that it is only
|
|
to arm me with divine weapons which will enable me to complete my
|
|
long-tried intention."
|
|
|
|
"Return to yourself, Elfonzo," said Ambulinia, pleasantly: "a dream
|
|
of vision has disturbed your intellect; you are above the atmosphere,
|
|
dwelling in the celestial regions; nothing is there that urges
|
|
or hinders, nothing that brings discord into our present litigation.
|
|
I entreat you to condescend a little, and be a man, and forget it all.
|
|
When Homer describes the battle of the gods and noble men fighting
|
|
with giants and dragons, they represent under this image our struggles
|
|
with the delusions of our passions. You have exalted me, an unhappy girl,
|
|
to the skies; you have called me a saint, and portrayed in your
|
|
imagination an angel in human form. Let her remain such to you,
|
|
let her continue to be as you have supposed, and be assured that she
|
|
will consider a share in your esteem as her highest treasure.
|
|
Think not that I would allure you from the path in which your
|
|
conscience leads you; for you know I respect the conscience of others,
|
|
as I would die for my own. Elfonzo, if I am worthy of thy love,
|
|
let such conversation never again pass between us. Go, seek a nobler
|
|
theme! we will seek it in the stream of time, as the sun set in
|
|
the Tigris." As she spake these words she grasped the hand of Elfonzo,
|
|
saying at the same time--"Peace and prosperity attend you, my hero;
|
|
be up and doing!" Closing her remarks with this expression,
|
|
she walked slowly away, leaving Elfonzo astonished and amazed.
|
|
He ventured not to follow or detain her. Here he stood alone,
|
|
gazing at the stars; confounded as he was, here he stood.
|
|
|
|
|
|
Yes; there he stood. There seems to be no doubt about that.
|
|
Nearly half of this delirious story has now been delivered to the reader.
|
|
It seems a pity to reduce the other half to a cold synopsis.
|
|
Pity! it is more than a pity, it is a crime; for to synopsize McClintock
|
|
is to reduce a sky-flushing conflagration to dull embers, it is to
|
|
reduce barbaric splendor to ragged poverty. McClintock never wrote
|
|
a line that was not precious; he never wrote one that could be spared;
|
|
he never framed one from which a word could be removed without damage.
|
|
Every sentence that this master has produced may be likened to a
|
|
perfect set of teeth, white, uniform, beautiful. If you pull one,
|
|
the charm is gone.
|
|
|
|
Still, it is now necessary to begin to pull, and to keep it up;
|
|
for lack of space requires us to synopsize.
|
|
|
|
We left Elfonzo standing there amazed. At what, we do not know.
|
|
Not at the girl's speech. No; we ourselves should have been
|
|
amazed at it, of course, for none of us has ever heard anything
|
|
resembling it; but Elfonzo was used to speeches made up of noise
|
|
and vacancy, and could listen to them with undaunted mind like
|
|
the "topmost topaz of an ancient tower"; he was used to making
|
|
them himself; he--but let it go, it cannot be guessed out; we shall
|
|
never know what it was that astonished him. He stood there awhile;
|
|
then he said, "Alas! am I now Grief's disappointed son at last?"
|
|
He did not stop to examine his mind, and to try to find out what
|
|
he probably meant by that, because, for one reason, "a mixture
|
|
of ambition and greatness of soul moved upon his young heart,"
|
|
and started him for the village. He resumed his bench in school,
|
|
"and reasonably progressed in his education." His heart was heavy,
|
|
but he went into society, and sought surcease of sorrow in its
|
|
light distractions. He made himself popular with his violin,
|
|
"which seemed to have a thousand chords--more symphonious than the
|
|
Muses of Apollo, and more enchanting than the ghost of the Hills."
|
|
This is obscure, but let it go.
|
|
|
|
During this interval Leos did some unencouraged courting, but at last,
|
|
"choked by his undertaking," he desisted.
|
|
|
|
Presently "Elfonzo again wends his way to the stately walls and
|
|
new-built village." He goes to the house of his beloved; she opens
|
|
the door herself. To my surprise--for Ambulinia's heart had still
|
|
seemed free at the time of their last interview--love beamed from
|
|
the girl's eyes. One sees that Elfonzo was surprised, too; for when he
|
|
caught that light, "a halloo of smothered shouts ran through every vein."
|
|
A neat figure--a very neat figure, indeed! Then he kissed her.
|
|
"The scene was overwhelming." They went into the parlor. The girl
|
|
said it was safe, for her parents were abed, and would never know.
|
|
Then we have this fine picture--flung upon the canvas with hardly
|
|
an effort, as you will notice.
|
|
|
|
|
|
Advancing toward him, she gave a bright display of her rosy neck,
|
|
and from her head the ambrosial locks breathed divine fragrance;
|
|
her robe hung waving to his view, while she stood like a goddess
|
|
confessed before him.
|
|
|
|
|
|
There is nothing of interest in the couple's interview. Now at this
|
|
point the girl invites Elfonzo to a village show, where jealousy is
|
|
the motive of the play, for she wants to teach him a wholesome lesson,
|
|
if he is a jealous person. But this is a sham, and pretty shallow.
|
|
McClintock merely wants a pretext to drag in a plagiarism of his upon
|
|
a scene or two in "Othello."
|
|
|
|
The lovers went to the play. Elfonzo was one of the fiddlers.
|
|
He and Ambulinia must not been seen together, lest trouble follow with
|
|
the girl's malignant father; we are made to understand that clearly.
|
|
So the two sit together in the orchestra, in the midst of the musicians.
|
|
This does not seem to be good art. In the first place, the girl would
|
|
be in the way, for orchestras are always packed closely together,
|
|
and there is no room to spare for people's girls; in the next place,
|
|
one cannot conceal a girl in an orchestra without everybody taking
|
|
notice of it. There can be no doubt, it seems to me, that this is
|
|
bad art.
|
|
|
|
Leos is present. Of course, one of the first things that catches
|
|
his eye is the maddening spectacle of Ambulinia "leaning upon
|
|
Elfonzo's chair." This poor girl does not seem to understand even
|
|
the rudiments of concealment. But she is "in her seventeenth,"
|
|
as the author phrases it, and that is her justification.
|
|
|
|
Leos meditates, constructs a plan--with personal violence as a basis,
|
|
of course. It was their way down there. It is a good plain plan,
|
|
without any imagination in it. He will go out and stand at the
|
|
front door, and when these two come out he will "arrest Ambulinia
|
|
from the hands of the insolent Elfonzo," and thus make for himself
|
|
a "more prosperous field of immortality than ever was decreed
|
|
by Omnipotence, or ever pencil drew or artist imagined." But, dear me,
|
|
while he is waiting there the couple climb out at the back window
|
|
and scurry home! This is romantic enough, but there is a lack
|
|
of dignity in the situation.
|
|
|
|
At this point McClintock puts in the whole of his curious play--
|
|
which we skip.
|
|
|
|
Some correspondence follows now. The bitter father and the
|
|
distressed lovers write the letters. Elopements are attempted.
|
|
They are idiotically planned, and they fail. Then we have several
|
|
pages of romantic powwow and confusion dignifying nothing.
|
|
Another elopement is planned; it is to take place on Sunday,
|
|
when everybody is at church. But the "hero" cannot keep the secret;
|
|
he tells everybody. Another author would have found another
|
|
instrument when he decided to defeat this elopement; but that is
|
|
not McClintock's way. He uses the person that is nearest at hand.
|
|
|
|
The evasion failed, of course. Ambulinia, in her flight,
|
|
takes refuge in a neighbor's house. Her father drags her home.
|
|
The villagers gather, attracted by the racket.
|
|
|
|
|
|
Elfonzo was moved at this sight. The people followed on to see
|
|
what was going to become of Ambulinia, while he, with downcast looks,
|
|
kept at a distance, until he saw them enter the abode of the father,
|
|
thrusting her, that was the sigh of his soul, out of his presence
|
|
into a solitary apartment, when she exclaimed, "Elfonzo! Elfonzo! oh,
|
|
Elfonzo! where art thou, with all thy heroes? haste, oh! haste,
|
|
come thou to my relief. Ride on the wings of the wind! Turn thy
|
|
force loose like a tempest, and roll on thy army like a whirlwind,
|
|
over this mountain of trouble and confusion. Oh friends! if any
|
|
pity me, let your last efforts throng upon the green hills,
|
|
and come to the relief of Ambulinia, who is guilty of nothing
|
|
but innocent love." Elfonzo called out with a loud voice, "My God,
|
|
can I stand this! arouse up, I beseech you, and put an end to
|
|
this tyranny. Come, my brave boys," said he, "are you ready to go
|
|
forth to your duty?" They stood around him. "Who," said he,
|
|
"will call us to arms? Where are my thunderbolts of war? Speak ye,
|
|
the first who will meet the foe! Who will go forward with me
|
|
in this ocean of grievous temptation? If there is one who desires
|
|
to go, let him come and shake hands upon the altar of devotion,
|
|
and swear that he will be a hero; yes, a Hector in a cause like this,
|
|
which calls aloud for a speedy remedy." "Mine be the deed,"
|
|
said a young lawyer, "and mine alone; Venus alone shall quit her
|
|
station before I will forsake one jot or tittle of my promise to you;
|
|
what is death to me? what is all this warlike army, if it is not
|
|
to win a victory? I love the sleep of the lover and the mighty;
|
|
nor would I give it over till the blood of my enemies should wreak
|
|
with that of my own. But God forbid that our fame should soar
|
|
on the blood of the slumberer." Mr. Valeer stands at his door
|
|
with the frown of a demon upon his brow, with his dangerous weapon
|
|
[3] ready to strike the first man who should enter his door.
|
|
"Who will arise and go forward through blood and carnage to the rescue
|
|
of my Ambulinia?" said Elfonzo. "All," exclaimed the multitude;
|
|
and onward they went, with their implements of battle. Others, of a
|
|
more timid nature, stood among the distant hills to see the result of
|
|
the contest.
|
|
|
|
|
|
It will hardly be believed that after all this thunder and lightning
|
|
not a drop of rain fell; but such is the fact. Elfonzo and his
|
|
gang stood up and black-guarded Mr. Valeer with vigor all night,
|
|
getting their outlay back with interest; then in the early
|
|
morning the army and its general retired from the field,
|
|
leaving the victory with their solitary adversary and his crowbar.
|
|
This is the first time this has happened in romantic literature.
|
|
The invention is original. Everything in this book is original;
|
|
there is nothing hackneyed about it anywhere. Always, in other
|
|
romances, when you find the author leading up to a climax,
|
|
you know what is going to happen. But in this book it is different;
|
|
the thing which seems inevitable and unavoidable never happens;
|
|
it is circumvented by the art of the author every time.
|
|
|
|
Another elopement was attempted. It failed.
|
|
|
|
We have now arrived at the end. But it is not exciting. McClintock thinks
|
|
it is; but it isn't. One day Elfonzo sent Ambulinia another note--
|
|
a note proposing elopement No. 16. This time the plan is admirable;
|
|
admirable, sagacious, ingenious, imaginative, deep--oh, everything,
|
|
and perfectly easy. One wonders why it was never thought of before.
|
|
This is the scheme. Ambulinia is to leave the breakfast-table,
|
|
ostensibly to "attend to the placing of those flowers, which should
|
|
have been done a week ago"--artificial ones, of course; the others
|
|
wouldn't keep so long--and then, instead of fixing the flowers,
|
|
she is to walk out to the grove, and go off with Elfonzo.
|
|
The invention of this plan overstrained the author that is plain,
|
|
for he straightway shows failing powers. The details of the plan
|
|
are not many or elaborate. The author shall state them himself--
|
|
this good soul, whose intentions are always better than his English:
|
|
|
|
|
|
"You walk carelessly toward the academy grove, where you will find
|
|
me with a lightning steed, elegantly equipped to bear you off
|
|
where we shall be joined in wedlock with the first connubial rights."
|
|
|
|
|
|
Last scene of all, which the author, now much enfeebled,
|
|
tries to smarten up and make acceptable to his spectacular heart
|
|
by introducing some new properties--silver bow, golden harp,
|
|
olive branch--things that can all come good in an elopement,
|
|
no doubt, yet are not to be compared to an umbrella for real
|
|
handiness and reliability in an excursion of that kind.
|
|
|
|
|
|
And away she ran to the sacred grove, surrounded with glittering pearls,
|
|
that indicated her coming. Elfonzo hails her with his silver bow
|
|
and his golden harp. The meet--Ambulinia's countenance brightens--
|
|
Elfonzo leads up the winged steed. "Mount," said he, "ye true-hearted,
|
|
ye fearless soul--the day is ours." She sprang upon the back
|
|
of the young thunderbolt, a brilliant star sparkles upon her head,
|
|
with one hand she grasps the reins, and with the other she holds
|
|
an olive branch. "Lend thy aid, ye strong winds," they exclaimed,
|
|
"ye moon, ye sun, and all ye fair host of heaven, witness the
|
|
enemy conquered." "Hold," said Elfonzo, "thy dashing steed."
|
|
"Ride on," said Ambulinia, "the voice of thunder is behind us."
|
|
And onward they went, with such rapidity that they very soon arrived
|
|
at Rural Retreat, where they dismounted, and were united with all
|
|
the solemnities that usually attended such divine operations.
|
|
|
|
|
|
There is but one Homer, there is but one Shakespeare, there is but
|
|
one McClintock--and his immortal book is before you. Homer could
|
|
not have written this book, Shakespeare could not have written it,
|
|
I could not have done it myself. There is nothing just like it
|
|
in the literature of any country or of any epoch. It stands alone;
|
|
it is monumental. It adds G. Ragsdale McClintock's to the sum of
|
|
the republic's imperishable names.
|
|
|
|
- - -
|
|
|
|
1. The name here given is a substitute for the one actually
|
|
attached to the pamphlet.
|
|
|
|
2. Further on it will be seen that he is a country expert
|
|
on the fiddle, and has a three-township fame.
|
|
|
|
3. It is a crowbar.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
THE CURIOUS BOOK
|
|
|
|
|
|
Complete
|
|
|
|
|
|
|
|
[The foregoing review of the great work of G. Ragsdale McClintock is
|
|
liberally illuminated with sample extracts, but these cannot appease
|
|
the appetite. Only the complete book, unabridged, can do that.
|
|
Therefore it is here printed.--M.T.]
|
|
|
|
|
|
|
|
THE ENEMY CONQUERED; OR, LOVE TRIUMPHANT
|
|
|
|
|
|
|
|
Sweet girl, thy smiles are full of charms,
|
|
|
|
Thy voice is sweeter still,
|
|
|
|
It fills the breast with fond alarms,
|
|
|
|
Echoed by every rill.
|
|
|
|
|
|
I begin this little work with an eulogy upon woman, who has ever
|
|
been distinguished for her perseverance, her constancy, and her
|
|
devoted attention to those upon whom she has been pleased to place
|
|
her AFFECTIONS. Many have been the themes upon which writers and
|
|
public speakers have dwelt with intense and increasing interest.
|
|
Among these delightful themes stands that of woman, the balm
|
|
to all our sighs and disappointments, and the most pre-eminent
|
|
of all other topics. Here the poet and orator have stood and gazed
|
|
with wonder and with admiration; they have dwelt upon her innocence,
|
|
the ornament of all her virtues. First viewing her external charms,
|
|
such as set forth in her form and benevolent countenance, and then passing
|
|
to the deep hidden springs of loveliness and disinterested devotion.
|
|
In every clime, and in every age, she has been the pride of her NATION.
|
|
Her watchfulness is untiring; she who guarded the sepulcher was
|
|
the first to approach it, and the last to depart from its awful
|
|
yet sublime scene. Even here, in this highly favored land,
|
|
we look to her for the security of our institutions, and for our
|
|
future greatness as a nation. But, strange as it may appear,
|
|
woman's charms and virtues are but slightly appreciated by thousands.
|
|
Those who should raise the standard of female worth, and paint her
|
|
value with her virtues, in living colors, upon the banners that are
|
|
fanned by the zephyrs of heaven, and hand them down to posterity
|
|
as emblematical of a rich inheritance, do not properly estimate them.
|
|
|
|
Man is not sensible, at all times, of the nature and the emotions
|
|
which bear that name; he does not understand, he will not comprehend;
|
|
his intelligence has not expanded to that degree of glory which
|
|
drinks in the vast revolution of humanity, its end, its mighty
|
|
destination, and the causes which operated, and are still operating,
|
|
to produce a more elevated station, and the objects which energize
|
|
and enliven its consummation. This he is a stranger to;
|
|
he is not aware that woman is the recipient of celestial love,
|
|
and that man is dependent upon her to perfect his character;
|
|
that without her, philosophically and truly speaking, the brightest
|
|
of his intelligence is but the coldness of a winter moon,
|
|
whose beams can produce no fruit, whose solar light is not its own,
|
|
but borrowed from the great dispenser of effulgent beauty.
|
|
We have no disposition in the world to flatter the fair sex,
|
|
we would raise them above those dastardly principles which only
|
|
exist in little souls, contracted hearts, and a distracted brain.
|
|
Often does she unfold herself in all her fascinating loveliness,
|
|
presenting the most captivating charms; yet we find man frequently
|
|
treats such purity of purpose with indifference. Why does he do it?
|
|
Why does he baffle that which is inevitably the source of his
|
|
better days? Is he so much of a stranger to those excellent qualities
|
|
as not to appreciate woman, as not to have respect to her dignity?
|
|
Since her art and beauty first captivated man, she has been his
|
|
delight and his comfort; she has shared alike in his misfortunes
|
|
and in his prosperity.
|
|
|
|
Whenever the billows of adversity and the tumultuous waves of trouble
|
|
beat high, her smiles subdue their fury. Should the tear of sorrow
|
|
and the mournful sigh of grief interrupt the peace of his mind,
|
|
her voice removes them all, and she bends from her circle to encourage
|
|
him onward. When darkness would obscure his mind, and a thick cloud
|
|
of gloom would bewilder its operations, her intelligent eye darts
|
|
a ray of streaming light into his heart. Mighty and charming is that
|
|
disinterested devotion which she is ever ready to exercise toward man,
|
|
not waiting till the last moment of his danger, but seeks to relieve
|
|
him in his early afflictions. It gushes forth from the expansive
|
|
fullness of a tender and devoted heart, where the noblest, the purest,
|
|
and the most elevated and refined feelings are matured and developed
|
|
in those may kind offices which invariably make her character.
|
|
|
|
In the room of sorrow and sickness, this unequaled characteristic
|
|
may always been seen, in the performance of the most charitable acts;
|
|
nothing that she can do to promote the happiness of him who she
|
|
claims to be her protector will be omitted; all is invigorated by
|
|
the animating sunbeams which awaken the heart to songs of gaiety.
|
|
Leaving this point, to notice another prominent consideration,
|
|
which is generally one of great moment and of vital importance.
|
|
Invariably she is firm and steady in all her pursuits and aims.
|
|
There is required a combination of forces and extreme opposition to
|
|
drive her from her position; she takes her stand, not to be moved by
|
|
the sound of Apollo's lyre or the curved bow of pleasure.
|
|
|
|
Firm and true to what she undertakes, and that which she requires
|
|
by her own aggrandizement, and regards as being within the strict rules
|
|
of propriety, she will remain stable and unflinching to the last.
|
|
A more genuine principle is not to be found in the most determined,
|
|
resolute heart of man. For this she deserves to be held in
|
|
the highest commendation, for this she deserves the purest of all
|
|
other blessings, and for this she deserves the most laudable reward
|
|
of all others. It is a noble characteristic and is worthy of imitation
|
|
of any age. And when we look at it in one particular aspect,
|
|
it is still magnified, and grows brighter and brighter the more we
|
|
reflect upon its eternal duration. What will she not do, when her
|
|
word as well as her affections and LOVE are pledged to her lover?
|
|
Everything that is dear to her on earth, all the hospitalities
|
|
of kind and loving parents, all the sincerity and loveliness
|
|
of sisters, and the benevolent devotion of brothers, who have
|
|
surrounded her with every comfort; she will forsake them all,
|
|
quit the harmony and sweet sound of the lute and the harp,
|
|
and throw herself upon the affections of some devoted admirer,
|
|
in whom she fondly hopes to find more than she has left behind,
|
|
which is not often realized by many. Truth and virtue all combined!
|
|
How deserving our admiration and love! Ah cruel would it be in man,
|
|
after she has thus manifested such an unshaken confidence in him,
|
|
and said by her determination to abandon all the endearments
|
|
and blandishments of home, to act a villainous part, and prove
|
|
a traitor in the revolution of his mission, and then turn Hector
|
|
over the innocent victim whom he swore to protect, in the presence
|
|
of Heaven, recorded by the pen of an angel.
|
|
|
|
Striking as this train may unfold itself in her character,
|
|
and as pre-eminent as it may stand among the fair display of her
|
|
other qualities, yet there is another, which struggles into existence,
|
|
and adds an additional luster to what she already possesses.
|
|
I mean that disposition in woman which enables her, in sorrow,
|
|
in grief, and in distress, to bear all with enduring patience.
|
|
This she has done, and can and will do, amid the din of war and
|
|
clash of arms. Scenes and occurrences which, to every appearance,
|
|
are calculated to rend the heart with the profoundest emotions of trouble,
|
|
do not fetter that exalted principle imbued in her very nature.
|
|
It is true, her tender and feeling heart may often be moved (as she
|
|
is thus constituted), but she is not conquered, she has not given up
|
|
to the harlequin of disappointments, her energies have not become
|
|
clouded in the last movement of misfortune, but she is continually
|
|
invigorated by the archetype of her affections. She may bury her face
|
|
in her hands, and let the tear of anguish roll, she may promenade
|
|
the delightful walks of some garden, decorated with all the flowers
|
|
of nature, or she may steal out along some gently rippling stream,
|
|
and there, as the silver waters uninterruptedly move forward,
|
|
shed her silent tears; they mingle with the waves, and take a last
|
|
farewell of their agitated home, to seek a peaceful dwelling among
|
|
the rolling floods; yet there is a voice rushing from her breast,
|
|
that proclaims VICTORY along the whole line and battlement of
|
|
her affections. That voice is the voice of patience and resignation;
|
|
that voice is one that bears everything calmly and dispassionately,
|
|
amid the most distressing scenes; when the fates are arrayed against
|
|
her peace, and apparently plotting for her destruction, still she
|
|
is resigned.
|
|
|
|
Woman's affections are deep, consequently her troubles may be made
|
|
to sink deep. Although you may not be able to mark the traces of her
|
|
grief and the furrowings of her anguish upon her winning countenance,
|
|
yet be assured they are nevertheless preying upon her inward person,
|
|
sapping the very foundation of that heart which alone was made
|
|
for the weal and not the woe of man. The deep recesses of the soul
|
|
are fields for their operation. But they are not destined simply
|
|
to take the regions of the heart for their dominion, they are not
|
|
satisfied merely with interrupting her better feelings; but after
|
|
a while you may see the blooming cheek beginning to droop and fade,
|
|
her intelligent eye no longer sparkles with the starry light of heaven,
|
|
her vibrating pulse long since changed its regular motion, and her
|
|
palpitating bosom beats once more for the midday of her glory.
|
|
Anxiety and care ultimately throw her into the arms of the haggard
|
|
and grim monster death. But, oh, how patient, under every
|
|
pining influence! Let us view the matter in bolder colors;
|
|
see her when the dearest object of her affections recklessly seeks
|
|
every bacchanalian pleasure, contents himself with the last rubbish
|
|
of creation. With what solicitude she awaits his return! Sleep fails
|
|
to perform its office--she weeps while the nocturnal shades of the
|
|
night triumph in the stillness. Bending over some favorite book,
|
|
whilst the author throws before her mind the most beautiful imagery,
|
|
she startles at every sound. The midnight silence is broken
|
|
by the solemn announcement of the return of another morning.
|
|
He is still absent; she listens for that voice which has so often
|
|
been greeted by the melodies of her own; but, alas! stern silence
|
|
is all that she receives for her vigilance.
|
|
|
|
Mark her unwearied watchfulness, as the night passes away.
|
|
At last, brutalized by the accursed thing, he staggers along
|
|
with rage, and, shivering with cold, he makes his appearance.
|
|
Not a murmur is heard from her lips. On the contrary, she meets him
|
|
with a smile--she caresses him with tender arms, with all the gentleness
|
|
and softness of her sex. Here, then, is seen her disposition,
|
|
beautifully arrayed. Woman, thou art more to be admired than the spicy
|
|
gales of Arabia, and more sought for than the gold of Golconda.
|
|
We believe that Woman should associate freely with man, and we believe
|
|
that it is for the preservation of her rights. She should become
|
|
acquainted with the metaphysical designs of those who condescended
|
|
to sing the siren song of flattery. This, we think, should be
|
|
according to the unwritten law of decorum, which is stamped upon
|
|
every innocent heart. The precepts of prudery are often steeped
|
|
in the guilt of contamination, which blasts the expectations of
|
|
better moments. Truth, and beautiful dreams--loveliness, and delicacy
|
|
of character, with cherished affections of the ideal woman--
|
|
gentle hopes and aspirations, are enough to uphold her in the storms
|
|
of darkness, without the transferred colorings of a stained sufferer.
|
|
How often have we seen it in our public prints, that woman occupies
|
|
a false station in the world! and some have gone so far as to say it
|
|
was an unnatural one. So long has she been regarded a weak creature,
|
|
by the rabble and illiterate--they have looked upon her as an
|
|
insufficient actress on the great stage of human life--a mere puppet,
|
|
to fill up the drama of human existence--a thoughtless, inactive being--
|
|
that she has too often come to the same conclusion herself, and has
|
|
sometimes forgotten her high destination, in the meridian of her glory.
|
|
We have but little sympathy or patience for those who treat her as
|
|
a mere Rosy Melindi--who are always fishing for pretty complements--
|
|
who are satisfied by the gossamer of Romance, and who can be allured
|
|
by the verbosity of high-flown words, rich in language, but poor and
|
|
barren in sentiment. Beset, as she has been, by the intellectual vulgar,
|
|
the selfish, the designing, the cunning, the hidden, and the artful--
|
|
no wonder she has sometimes folded her wings in despair,
|
|
and forgotten her HEAVENLY mission in the delirium of imagination;
|
|
no wonder she searches out some wild desert, to find a peaceful home.
|
|
But this cannot always continue. A new era is moving gently onward,
|
|
old things are rapidly passing away; old superstitions, old prejudices,
|
|
and old notions are now bidding farewell to their old associates
|
|
and companions, and giving way to one whose wings are plumed
|
|
with the light of heaven and tinged by the dews of the morning.
|
|
There is a remnant of blessedness that clings to her in spite of all
|
|
evil influence, there is enough of the Divine Master left to accomplish
|
|
the noblest work ever achieved under the canopy of the vaulted skies;
|
|
and that time is fast approaching, when the picture of the true
|
|
woman will shine from its frame of glory, to captivate, to win back,
|
|
to restore, and to call into being once more, THE OBJECT OF HER MISSION.
|
|
|
|
|
|
Star of the brave! thy glory shed,
|
|
|
|
O'er all the earth, thy army led--
|
|
|
|
Bold meteor of immortal birth!
|
|
|
|
Why come from Heaven to dwell on Earth?
|
|
|
|
|
|
Mighty and glorious are the days of youth; happy the moments
|
|
of the LOVER, mingled with smiles and tears of his devoted,
|
|
and long to be remembered are the achievements which he gains with a
|
|
palpitating heart and a trembling hand. A bright and lovely dawn,
|
|
the harbinger of a fair and prosperous day, had arisen over the
|
|
beautiful little village of Cumming, which is surrounded by the most
|
|
romantic scenery in the Cherokee country. Brightening clouds
|
|
seemed to rise from the mist of the fair Chattahoochee, to spread
|
|
their beauty over the the thick forest, to guide the hero whose
|
|
bosom beats with aspirations to conquer the enemy that would tarnish
|
|
his name, and to win back the admiration of his long-tried friend.
|
|
He endeavored to make his way through Sawney's Mountain, where many meet
|
|
to catch the gales that are continually blowing for the refreshment
|
|
of the stranger and the traveler. Surrounded as he was by hills
|
|
on every side, naked rocks dared the efforts of his energies.
|
|
Soon the sky became overcast, the sun buried itself in the clouds,
|
|
and the fair day gave place to gloomy twilight, which lay heavily
|
|
on the Indian Plains. He remembered an old Indian Castle,
|
|
that once stood at the foot of the mountain. He thought if he could
|
|
make his way to this, he would rest contented for a short time.
|
|
The mountain air breathed fragrance--a rosy tinge rested on the glassy
|
|
waters that murmured at its base. His resolution soon brought him
|
|
to the remains of the red man's hut: he surveyed with wonder and
|
|
astonishment the decayed building, which time had buried in the dust,
|
|
and thought to himself, his happiness was not yet complete.
|
|
Beside the shore of the brook sat a young man, about eighteen or twenty,
|
|
who seemed to be reading some favorite book, and who had a remarkably
|
|
noble countenance--eyes which betrayed more than a common mind.
|
|
This of course made the youth a welcome guest, and gained him
|
|
friends in whatever condition of life he might be placed.
|
|
The traveler observed that he was a well-built figure, which showed
|
|
strength and grace in every movement. He accordingly addressed
|
|
him in quite a gentlemanly manner, and inquired of him the way
|
|
to the village. After he had received the desired information,
|
|
and was about taking his leave, the youth said, "Are you not
|
|
Major Elfonzo, the great musician--the champion of a noble cause--
|
|
the modern Achilles, who gained so many victories in the Florida War?"
|
|
"I bear that name," said the Major, "and those titles,
|
|
trusting at the same time that the ministers of grace will carry
|
|
me triumphantly through all my laudable undertakings, and if,"
|
|
continued the Major, "you, sir, are the patronizer of noble deeds,
|
|
I should like to make you my confidant and learn your address."
|
|
The youth looked somewhat amazed, bowed low, mused for a moment,
|
|
and began: "My name is Roswell. I have been recently admitted
|
|
to the bar, and can only give a faint outline of my future success
|
|
in that honorable profession; but I trust, sir, like the Eagle,
|
|
I shall look down from lofty rocks upon the dwellings of man, and shall
|
|
ever be ready to give you any assistance in my official capacity,
|
|
and whatever this muscular arm of mine can do, whenever it shall be
|
|
called from its buried GREATNESS." The Major grasped him by the hand,
|
|
and exclaimed: "O! thou exalted spirit of inspiration--thou flame
|
|
of burning prosperity, may the Heaven-directed blaze be the glare
|
|
of thy soul, and battle down every rampart that seems to impede
|
|
your progress!"
|
|
|
|
The road which led to the town presented many attractions.
|
|
Elfonzo had bid farewell to the youth of deep feeling, and was
|
|
not wending his way to the dreaming spot of his fondness.
|
|
The south winds whistled through the woods, as the waters dashed
|
|
against the banks, as rapid fire in the pent furnace roars.
|
|
This brought him to remember while alone, that he quietly left behind
|
|
the hospitality of a father's house, and gladly entered the world,
|
|
with higher hopes than are often realized. But as he journeyed onward,
|
|
he was mindful of the advice of his father, who had often looked
|
|
sadly on the ground when tears of cruelly deceived hope moistened
|
|
his eye. Elfonzo had been somewhat of a dutiful son; yet fond
|
|
of the amusements of life--had been in distant lands--had enjoyed
|
|
the pleasure of the world and had frequently returned to the scenes
|
|
of his boyhood, almost destitute of many of the comforts of life.
|
|
In this condition, he would frequently say to his father, "Have I
|
|
offended you, that you look upon me as a stranger, and frown upon
|
|
me with stinging looks? Will you not favor me with the sound of
|
|
your voice? If I have trampled upon your veneration, or have spread
|
|
a humid veil of darkness around your expectations, send me back
|
|
into the world where no heart beats for me--where the foot of man
|
|
has never yet trod; but give me at least one kind word--allow me
|
|
to come into the presence sometimes of thy winter-worn locks."
|
|
"Forbid it, Heaven, that I should be angry with thee," answered the father,
|
|
"my son, and yet I send thee back to the children of the world--
|
|
to the cold charity of the combat, and to a land of victory. I read
|
|
another destiny in thy countenance--I learn thy inclinations from
|
|
the flame that has already kindled in my soul a stranger sensation.
|
|
It will seek thee, my dear ELFONZO, it will find thee--thou canst
|
|
not escape that lighted torch, which shall blot out from the
|
|
remembrance of men a long train of prophecies which they have
|
|
foretold against thee. I once thought not so. Once, I was blind;
|
|
but now the path of life is plain before me, and my sight is clear;
|
|
yet Elfonzo, return to thy worldly occupation--take again in thy
|
|
hand that chord of sweet sounds--struggle with the civilized world,
|
|
and with your own heart; fly swiftly to the enchanted ground--
|
|
let the night-OWL send forth its screams from the stubborn oak--
|
|
let the sea sport upon the beach, and the stars sing together;
|
|
but learn of these, Elfonzo, thy doom, and thy hiding-place. Our most
|
|
innocent as well as our most lawful DESIRES must often be denied us,
|
|
that we may learn to sacrifice them to a Higher will."
|
|
|
|
Remembering such admonitions with gratitude, Elfonzo was immediately
|
|
urged by the recollection of his father's family to keep moving.
|
|
His steps became quicker and quicker--he hastened through the PINY woods,
|
|
dark as the forest was, and with joy he very soon reached the little
|
|
village or repose, in whose bosom rested the boldest chivalry.
|
|
His close attention to every important object--his modest questions
|
|
about whatever was new to him--his reverence for wise old age,
|
|
and his ardent desire to learn many of the fine arts, soon brought him
|
|
into respectable notice.
|
|
|
|
One mild winter day as he walked along the streets toward the Academy,
|
|
which stood upon a small eminence, surrounded by native growth--
|
|
some venerable in its appearance, others young and prosperous--
|
|
all seemed inviting, and seemed to be the very place for learning as
|
|
well as for genius to spend its research beneath its spreading shades.
|
|
He entered its classic walls in the usual mode of southern manners.
|
|
The principal of the Institution begged him to be seated and listen
|
|
to the recitations that were going on. He accordingly obeyed
|
|
the request, and seemed to be much pleased. After the school
|
|
was dismissed, and the young hearts regained their freedom,
|
|
with the songs of the evening, laughing at the anticipated pleasures
|
|
of a happy home, while others tittered at the actions of the past day,
|
|
he addressed the teacher in a tone that indicated a resolution--
|
|
with an undaunted mind. He said he had determined to become
|
|
a student, if he could meet with his approbation. "Sir," said he,
|
|
"I have spent much time in the world. I have traveled among
|
|
the uncivilized inhabitants of America. I have met with friends,
|
|
and combated with foes; but none of these gratify my ambition,
|
|
or decide what is to be my destiny. I see the learned would
|
|
have an influence with the voice of the people themselves.
|
|
The despoilers of the remotest kingdoms of the earth refer their
|
|
differences to this class of persons. This the illiterate and
|
|
inexperienced little dream of; and now if you will receive me as I am,
|
|
with these deficiencies--with all my misguided opinions, I will give
|
|
you my honor, sir, that I will never disgrace the Institution,
|
|
or those who have placed you in this honorable station."
|
|
The instructor, who had met with many disappointments, knew how to
|
|
feel for a stranger who had been thus turned upon the charities
|
|
of an unfeeling community. He looked at him earnestly, and said:
|
|
"Be of good cheer--look forward, sir, to the high destination you
|
|
may attain. Remember, the more elevated the mark at which you aim,
|
|
the more sure, the more glorious, the more magnificent the prize."
|
|
From wonder to wonder, his encouragement led the impatient listener.
|
|
A stranger nature bloomed before him--giant streams promised
|
|
him success--gardens of hidden treasures opened to his view.
|
|
All this, so vividly described, seemed to gain a new witchery from his
|
|
glowing fancy.
|
|
|
|
In 1842 he entered the class, and made rapid progress in the English
|
|
and Latin departments. Indeed, he continued advancing with such
|
|
rapidity that he was like to become the first in his class,
|
|
and made such unexpected progress, and was so studious, that he had
|
|
almost forgotten the pictured saint of his affections. The fresh
|
|
wreaths of the pine and cypress had waited anxiously to drop once
|
|
more the dews of Heavens upon the heads of those who had so often
|
|
poured forth the tender emotions of their souls under its boughs.
|
|
He was aware of the pleasure that he had seen there. So one evening,
|
|
as he was returning from his reading, he concluded he would pay a visit
|
|
to this enchanting spot. Little did he think of witnessing a shadow
|
|
of his former happiness, though no doubt he wished it might be so.
|
|
He continued sauntering by the roadside, meditating on the past.
|
|
The nearer he approached the spot, the more anxious he became.
|
|
At the moment a tall female figure flitted across his path, with a
|
|
bunch of roses in her hand; her countenance showed uncommon vivacity,
|
|
with a resolute spirit; her ivory teeth already appeared as she
|
|
smiled beautifully, promenading--while her ringlets of hair dangled
|
|
unconsciously around her snowy neck. Nothing was wanting to complete
|
|
her beauty. The tinge of the rose was in full bloom upon her cheek;
|
|
the charms of sensibility and tenderness were always her associates..
|
|
In Ambulinia's bosom dwelt a noble soul--one that never faded--
|
|
one that never was conquered. Her heart yielded to no feeling
|
|
but the love of Elfonzo, on whom she gazed with intense delight,
|
|
and to whom she felt herself more closely bound ,because he sought
|
|
the hand of no other. Elfonzo was roused from his apparent reverie.
|
|
His books no longer were his inseparable companions--his thoughts
|
|
arrayed themselves to encourage him in the field of victory.
|
|
He endeavored to speak to his supposed Ambulinia, but his speech
|
|
appeared not in words. No, his effort was a stream of fire,
|
|
that kindled his soul into a flame of admiration, and carried
|
|
his senses away captive. Ambulinia had disappeared, to make him
|
|
more mindful of his duty. As she walked speedily away through
|
|
the piny woods she calmly echoed: "O! Elfonzo, thou wilt
|
|
now look from thy sunbeams. Thou shalt now walk in a new path--
|
|
perhaps thy way leads through darkness; but fear not, the stars
|
|
foretell happiness."
|
|
|
|
Not many days afterward, as surrounded by fragrant flowers she sat
|
|
one evening at twilight, to enjoy the cool breeze that whispered
|
|
notes of melody along the distant groves, the little birds perched
|
|
on every side, as if to watch the movements of their new visitor.
|
|
The bells were tolling when Elfonzo silently stole along by the wild
|
|
wood flowers, holding in his hand his favorite instrument of music--
|
|
his eye continually searching for Ambulinia, who hardly seemed
|
|
to perceive him, as she played carelessly with the songsters
|
|
that hopped from branch to branch. Nothing could be more striking
|
|
than the difference between the two. Nature seemed to have given
|
|
the more tender soul to Elfonzo, and the stronger and more courageous
|
|
to Ambulinia. A deep feeling spoke from the eyes of Elfonzo--
|
|
such a feeling as can only be expressed by those who are blessed
|
|
as admirers, and by those who are able to return the same with
|
|
sincerity of heart. He was a few years older than Ambulinia:
|
|
she had turned a little into her seventeenth. He had almost grown
|
|
up in the Cherokee country, with the same equal proportions as one
|
|
of the natives. But little intimacy had existed between them until
|
|
the year forty-one--because the youth felt that the character of such
|
|
a lovely girl was too exalted to inspire any other feeling than
|
|
that of quiet reverence. But as lovers will not always be insulted,
|
|
at all times and under all circumstances, by the frowns and cold
|
|
looks of crabbed old age, which should continually reflect dignity
|
|
upon those around, and treat unfortunate as well as the fortunate
|
|
with a graceful mien, he continued to use diligence and perseverance.
|
|
All this lighted a spark in his heart that changed his whole character,
|
|
and like the unyielding Deity that follows the storm to check its
|
|
rage in the forest, he resolves for the first time to shake off his
|
|
embarrassment and return where he had before only worshiped.
|
|
|
|
It could not escape Ambulinia's penetrating eye that he sought
|
|
an interview with her, which she as anxiously avoided, and assumed
|
|
a more distant calmness than before, seemingly to destroy all hope.
|
|
After many efforts and struggles with his own person, with timid
|
|
steps the Major approached the damsel, with the same caution
|
|
as he would have done in a field of battle. "Lady Ambulinia,"
|
|
said he, trembling, "I have long desired a moment like this.
|
|
I dare not let it escape. I fear the consequences; yet I hope
|
|
your indulgence will at least hear my petition. Can you not
|
|
anticipate what I would say, and what I am about to express?
|
|
Will not you, like Minerva, who sprung from the brain of Jupiter,
|
|
release me from thy winding chains or cure me--" "Say no more,
|
|
Elfonzo," answered Ambulinia, with a serious look, raising her hand
|
|
as if she intended to swear eternal hatred against the whole world;
|
|
"another lady in my place would have perhaps answered your question
|
|
in bitter coldness. I know not the little arts of my sex.
|
|
I care but little for the vanity of those who would chide me,
|
|
and am unwilling as well as shamed to be guilty of anything
|
|
that would lead you to think 'all is not gold that glitters';
|
|
so be not rash in your resolution. It is better to repent now than
|
|
to do it in a more solemn hour. Yes, I know what you would say.
|
|
I know you have a costly gift for me--the noblest that man can make--
|
|
YOUR HEART! you should not offer it to one so unworthy.
|
|
Heaven, you know, has allowed my father's house to be made a house
|
|
of solitude, a home of silent obedience, which my parents say
|
|
is more to be admired than big names and high-sounding titles.
|
|
Notwithstanding all this, let me speak the emotions of an honest heart;
|
|
allow me to say in the fullness of my hopes that I anticipate
|
|
better days. The bird may stretch its wings toward the sun,
|
|
which it can never reach; and flowers of the field appear to
|
|
ascend in the same direction, because they cannot do otherwise;
|
|
but man confides his complaints to the saints in whom he believes;
|
|
for in their abodes of light they know no more sorrow. From your
|
|
confession and indicative looks, I must be that person; if so,
|
|
deceive not yourself."
|
|
|
|
Elfonzo replied, "Pardon me, my dear madam, for my frankness.
|
|
I have loved you from my earliest days; everything grand and beautiful
|
|
hath borne the image of Ambulinia; while precipices on every hand
|
|
surrounded me, your GUARDIAN ANGEL stood and beckoned me away from
|
|
the deep abyss. In every trial, in every misfortune, I have met
|
|
with your helping hand; yet I never dreamed or dared to cherish
|
|
thy love till a voice impaired with age encouraged the cause,
|
|
and declared they who acquired thy favor should win a victory.
|
|
I saw how Leos worshipped thee. I felt my own unworthiness.
|
|
I began to KNOW JEALOUSY--a strong guest, indeed, in my bosom--
|
|
yet I could see if I gained your admiration Leos was to be my rival.
|
|
I was aware that he had the influence of your parents, and the wealth
|
|
of a deceased relative, which is too often mistaken for permanent
|
|
and regular tranquillity; yet I have determined by your permission
|
|
to beg an interest in your prayers--to ask you to animate my dropping
|
|
spirits by your smiles and your winning looks; for if you but speak
|
|
I shall be conqueror, my enemies shall stagger like Olympus shakes.
|
|
And though earth and sea may tremble, and the charioteer of the sun
|
|
may forget his dashing steed, yet I am assured that it is only
|
|
to arm me with divine weapons which will enable me to complete my
|
|
long-tried intention."
|
|
|
|
"Return to your self, Elfonzo," said Ambulinia, pleasantly; "a dream
|
|
of vision has disturbed your intellect; you are above the atmosphere,
|
|
dwelling in the celestial regions; nothing is there that urges
|
|
or hinders, nothing that brings discord into our present litigation.
|
|
I entreat you to condescend a little, and be a man, and forget it all.
|
|
When Homer describes the battle of the gods and noble men fighting
|
|
with giants and dragons, they represent under this image our struggles
|
|
with the delusions of our passions. You have exalted me, an unhappy girl,
|
|
to the skies; you have called me a saint, and portrayed in your
|
|
imagination an angel in human form. Let her remain such to you,
|
|
let her continue to be as you have supposed, and be assured that she
|
|
will consider a share in your esteem as her highest treasure.
|
|
Think not that I would allure you from the path in which your
|
|
conscience leads you; for you know I respect the conscience of others,
|
|
as I would die for my own. Elfonzo, if I am worthy of thy love,
|
|
let such conversation never again pass between us. Go, seek a nobler
|
|
theme! we will seek it in the stream of time as the sun set in
|
|
the Tigris." As she spake these words she grasped the hand of Elfonzo,
|
|
saying at the same time, "Peace and prosperity attend you, my hero:
|
|
be up and doing!' Closing her remarks with this expression,
|
|
she walked slowly away, leaving Elfonzo astonished and amazed.
|
|
He ventured not to follow or detain her. Here he stood alone,
|
|
gazing at the stars; confounded as he was, here he stood. The rippling
|
|
stream rolled on at his feet. Twilight had already begun to draw
|
|
her sable mantle over the earth, and now and then the fiery smoke
|
|
would ascend from the little town which lay spread out before him.
|
|
The citizens seemed to be full of life and good-humor; but poor Elfonzo
|
|
saw not a brilliant scene. No; his future life stood before him,
|
|
stripped of the hopes that once adorned all his sanguine desires.
|
|
"Alas!" said he, "am I now Grief's disappointed son at last."
|
|
Ambulinia's image rose before his fancy. A mixture of ambition
|
|
and greatness of soul moved upon his young heart, and encouraged
|
|
him to bear all his crosses with the patience of a Job,
|
|
notwithstanding he had to encounter with so many obstacles.
|
|
He still endeavored to prosecute his studies, and reasonable
|
|
progressed in his education. Still, he was not content; there was
|
|
something yet to be done before his happiness was complete.
|
|
He would visit his friends and acquaintances. They would invite him
|
|
to social parties, insisting that he should partake of the amusements
|
|
that were going on. This he enjoyed tolerably well. The ladies
|
|
and gentlemen were generally well pleased with the Major; as he
|
|
delighted all with his violin, which seemed to have a thousand chords--
|
|
more symphonious than the Muses of Apollo and more enchanting
|
|
than the ghost of the Hills. He passed some days in the country.
|
|
During that time Leos had made many calls upon Ambulinia, who was
|
|
generally received with a great deal of courtesy by the family.
|
|
They thought him to be a young man worthy of attention, though he
|
|
had but little in his soul to attract the attention or even win
|
|
the affections of her whose graceful manners had almost made
|
|
him a slave to every bewitching look that fell from her eyes.
|
|
Leos made several attempts to tell her of his fair prospects--
|
|
how much he loved her, and how much it would add to his bliss if he
|
|
could but think she would be willing to share these blessings
|
|
with him; but, choked by his undertaking, he made himself more like an
|
|
inactive drone than he did like one who bowed at beauty's shrine.
|
|
|
|
Elfonzo again wends his way to the stately walls and new-built village.
|
|
He now determines to see the end of the prophesy which had been
|
|
foretold to him. The clouds burst from his sight; he believes
|
|
if he can but see his Ambulinia, he can open to her view the bloody
|
|
altars that have been misrepresented to stigmatize his name.
|
|
He knows that her breast is transfixed with the sword of reason,
|
|
and ready at all times to detect the hidden villainy of her enemies.
|
|
He resolves to see her in her own home, with the consoling theme:
|
|
"'I can but perish if I go.' Let the consequences be what they may,"
|
|
said he, "if I die, it shall be contending and struggling for my
|
|
own rights."
|
|
|
|
Night had almost overtaken him when he arrived in town. Colonel Elder,
|
|
a noble-hearted, high-minded, and independent man, met him at
|
|
his door as usual, and seized him by the hand. "Well, Elfonzo,"
|
|
said the Colonel, "how does the world use you in your efforts?"
|
|
"I have no objection to the world," said Elfonzo, "but the people
|
|
are rather singular in some of their opinions." "Aye, well,"
|
|
said the Colonel, "you must remember that creation is made up of
|
|
many mysteries; just take things by the right handle; be always sure
|
|
you know which is the smooth side before you attempt your polish;
|
|
be reconciled to your fate, be it what it may; and never find fault
|
|
with your condition, unless your complaining will benefit it.
|
|
Perseverance is a principle that should be commendable in those who have
|
|
judgment to govern it. I should never had been so successful in my
|
|
hunting excursions had I waited till the deer, by some magic dream,
|
|
had been drawn to the muzzle of the gun before I made an attempt
|
|
to fire at the game that dared my boldness in the wild forest.
|
|
The great mystery in hunting seems to be--a good marksman, a resolute mind,
|
|
a fixed determination, and my world for it, you will never return
|
|
home without sounding your horn with the breath of a new victory.
|
|
And so with every other undertaking. Be confident that your ammunition
|
|
is of the right kind--always pull your trigger with a steady hand,
|
|
and so soon as you perceive a calm, touch her off, and the spoils
|
|
are yours."
|
|
|
|
This filled him with redoubled vigor, and he set out with a stronger
|
|
anxiety than ever to the home of Ambulinia. A few short steps soon
|
|
brought him to the door, half out of breath. He rapped gently.
|
|
Ambulinia, who sat in the parlor alone, suspecting Elfonzo was near,
|
|
ventured to the door, opened it, and beheld the hero, who stood
|
|
in an humble attitude, bowed gracefully, and as they caught each
|
|
other's looks the light of peace beamed from the eyes of Ambulinia.
|
|
Elfonzo caught the expression; a halloo of smothered shouts ran
|
|
through every vein, and for the first time he dared to impress a kiss
|
|
upon her cheek. The scene was overwhelming; had the temptation
|
|
been less animating, he would not have ventured to have acted
|
|
so contrary to the desired wish of his Ambulinia; but who could
|
|
have withstood the irrestistable temptation! What society condemns
|
|
the practice but a cold, heartless, uncivilized people that know
|
|
nothing of the warm attachments of refined society? Here the dead
|
|
was raised to his long-cherished hopes, and the lost was found.
|
|
Here all doubt and danger were buried in the vortex of oblivion;
|
|
sectional differences no longer disunited their opinions; like the freed
|
|
bird from the cage, sportive claps its rustling wings, wheels about
|
|
to heaven in a joyful strain, and raises its notes to the upper sky.
|
|
Ambulinia insisted upon Elfonzo to be seated, and give her a history
|
|
of his unnecessary absence; assuring him the family had retired,
|
|
consequently they would ever remain ignorant of his visit.
|
|
Advancing toward him, she gave a bright display of her rosy neck,
|
|
and from her head the ambrosial locks breathed divine fragrance;
|
|
her robe hung waving to his view, while she stood like a goddess
|
|
confessed before him.
|
|
|
|
"It does seem to me, my dear sir," said Ambulinia, "that you have
|
|
been gone an age. Oh, the restless hours I have spent since I last
|
|
saw you, in yon beautiful grove. There is where I trifled with your
|
|
feelings for the express purpose of trying your attachment for me.
|
|
I now find you are devoted; but ah! I trust you live not unguarded
|
|
by the powers of Heaven. Though oft did I refuse to join my hand
|
|
with thine, and as oft did I cruelly mock thy entreaties with
|
|
borrowed shapes: yes, I feared to answer thee by terms, in words
|
|
sincere and undissembled. O! could I pursue, and you have leisure
|
|
to hear the annals of my woes, the evening star would shut Heaven's
|
|
gates upon the impending day before my tale would be finished,
|
|
and this night would find me soliciting your forgiveness."
|
|
|
|
"Dismiss thy fears and thy doubts," replied Elfonzo.
|
|
|
|
"Look, O! look: that angelic look of thine--bathe not thy visage in tears;
|
|
banish those floods that are gathering; let my confession and my
|
|
presence being thee some relief." "Then, indeed, I will be cheerful,"
|
|
said Ambulinia, "and I think if we will go to the exhibition this evening,
|
|
we certainly will see something worthy of our attention. One of
|
|
the most tragical scenes is to be acted that has ever been witnessed,
|
|
and one that every jealous-hearted person should learn a lesson from.
|
|
It cannot fail to have a good effect, as it will be performed by
|
|
those who are young and vigorous, and learned as well as enticing.
|
|
You are aware, Major Elfonzo, who are to appear on the stage,
|
|
and what the characters are to represent." "I am acquainted with
|
|
the circumstances," replied Elfonzo, "and as I am to be one of the
|
|
musicians upon that interesting occasion, I should be much gratified
|
|
if you would favor me with your company during the hours of the exercises."
|
|
|
|
"What strange notions are in your mind?" inquired Ambulinia.
|
|
"Now I know you have something in view, and I desire you to tell
|
|
me why it is that you are so anxious that I should continue
|
|
with you while the exercises are going on; though if you think I
|
|
can add to your happiness and predilections, I have no particular
|
|
objection to acquiesce in your request. Oh, I think I foresee,
|
|
now, what you anticipate." "And will you have the goodness to tell
|
|
me what you think it will be?" inquired Elfonzo. "By all means,"
|
|
answered Ambulinia; "a rival, sir, you would fancy in your own mind;
|
|
but let me say for you, fear not! fear not! I will be one of the last
|
|
persons to disgrace my sex by thus encouraging every one who may
|
|
feel disposed to visit me, who may honor me with their graceful
|
|
bows and their choicest compliments. It is true that young men too
|
|
often mistake civil politeness for the finer emotions of the heart,
|
|
which is tantamount to courtship; but, ah! how often are they deceived,
|
|
when they come to test the weight of sunbeams with those on whose
|
|
strength hangs the future happiness of an untried life."
|
|
|
|
The people were now rushing to the Academy with impatient anxiety;
|
|
the band of music was closely followed by the students; then the parents
|
|
and guardians; nothing interrupted the glow of spirits which ran
|
|
through every bosom, tinged with the songs of a Virgil and the tide
|
|
of a Homer. Elfonzo and Ambulinia soon repaired to the scene,
|
|
and fortunately for them both the house was so crowded that they took
|
|
their seats together in the music department, which was not in view
|
|
of the auditory. This fortuitous circumstances added more the bliss
|
|
of the Major than a thousand such exhibitions would have done.
|
|
He forgot that he was man; music had lost its charms for him;
|
|
whenever he attempted to carry his part, the string of the instrument
|
|
would break, the bow became stubborn, and refused to obey the loud
|
|
calls of the audience. Here, he said, was the paradise of his home,
|
|
the long-sought-for opportunity; he felt as though he could
|
|
send a million supplications to the throne of Heaven for such
|
|
an exalted privilege. Poor Leos, who was somewhere in the crowd,
|
|
looking as attentively as if he was searching for a needle in a haystack;
|
|
here is stood, wondering to himself why Ambulinia was not there.
|
|
"Where can she be? Oh! if she was only here, how I could relish
|
|
the scene! Elfonzo is certainly not in town; but what if he is?
|
|
I have got the wealth, if I have not the dignity, and I am sure that
|
|
the squire and his lady have always been particular friends of mine,
|
|
and I think with this assurance I shall be able to get upon the blind
|
|
side of the rest of the family and make the heaven-born Ambulinia
|
|
the mistress of all I possess." Then, again, he would drop his head,
|
|
as if attempting to solve the most difficult problem in Euclid.
|
|
While he was thus conjecturing in his own mind, a very interesting
|
|
part of the exhibition was going on, which called the attention
|
|
of all present. The curtains of the stage waved continually
|
|
by the repelled forces that were given to them, which caused
|
|
Leos to behold Ambulinia leaning upon the chair of Elfonzo.
|
|
Her lofty beauty, seen by the glimmering of the chandelier,
|
|
filled his heart with rapture, he knew not how to contain himself;
|
|
to go where they were would expose him to ridicule; to continue
|
|
where he was, with such an object before him, without being allowed
|
|
an explanation in that trying hour, would be to the great injury
|
|
of his mental as well as of his physical powers; and, in the name
|
|
of high heaven, what must he do? Finally, he resolved to contain
|
|
himself as well as he conveniently could, until the scene was over,
|
|
and then he would plant himself at the door, to arrest Ambulinia from
|
|
the hands of the insolent Elfonzo, and thus make for himself a more
|
|
prosperous field of immortality than ever was decreed by Omnipotence,
|
|
or ever pencil drew or artist imagined. Accordingly he made
|
|
himself sentinel, immediately after the performance of the evening--
|
|
retained his position apparently in defiance of all the world; he waited,
|
|
he gazed at every lady, his whole frame trembled; here he stood,
|
|
until everything like human shape had disappeared from the institution,
|
|
and he had done nothing; he had failed to accomplish that which he
|
|
so eagerly sought for. Poor, unfortunate creature! he had not
|
|
the eyes of an Argus, or he might have seen his Juno and Elfonzo,
|
|
assisted by his friend Sigma, make their escape from the window,
|
|
and, with the rapidity of a race-horse, hurry through the blast of
|
|
the storm to the residence of her father, without being recognized.
|
|
He did not tarry long, but assured Ambulinia the endless chain
|
|
of their existence was more closely connected than ever, since he
|
|
had seen the virtuous, innocent, imploring, and the constant
|
|
Amelia murdered by the jealous-hearted Farcillo, the accursed of
|
|
the land.
|
|
|
|
The following is the tragical scene, which is only introduced
|
|
to show the subject-matter that enabled Elfonzo to come to such
|
|
a determinate resolution that nothing of the kind should ever
|
|
dispossess him of his true character, should he be so fortunate
|
|
as to succeed in his present undertaking.
|
|
|
|
Amelia was the wife of Farcillo, and a virtuous woman; Gracia,
|
|
a young lady, was her particular friend and confidant. Farcillo grew
|
|
jealous of Amelia, murders her, finds out that he was deceived,
|
|
AND STABS HIMSELF. Amelia appears alone, talking to herself.
|
|
|
|
A. Hail, ye solitary ruins of antiquity, ye sacred tombs and
|
|
silent walks! it is your aid I invoke; it is to you, my soul,
|
|
wrapt in deep mediating, pours forth its prayer. Here I wander upon
|
|
the stage of mortality, since the world hath turned against me.
|
|
Those whom I believed to be my friends, alas! are now my enemies,
|
|
planting thorns in all my paths, poisoning all my pleasures,
|
|
and turning the past to pain. What a lingering catalogue of sighs
|
|
and tears lies just before me, crowding my aching bosom with
|
|
the fleeting dream of humanity, which must shortly terminate.
|
|
And to what purpose will all this bustle of life, these agitations
|
|
and emotions of the heart have conduced, if it leave behind it
|
|
nothing of utility, if it leave no traces of improvement? Can it
|
|
be that I am deceived in my conclusions? No, I see that I have
|
|
nothing to hope for, but everything for fear, which tends to drive
|
|
me from the walks of time.
|
|
|
|
|
|
Oh! in this dead night, if loud winds arise,
|
|
|
|
To lash the surge and bluster in the skies,
|
|
|
|
May the west its furious rage display,
|
|
|
|
Toss me with storms in the watery way.
|
|
|
|
|
|
(Enter Gracia.)
|
|
|
|
|
|
G. Oh, Amelia, is it you, the object of grief, the daughter of opulence,
|
|
of wisdom and philosophy, that thus complaineth? It cannot be you
|
|
are the child of misfortune, speaking of the monuments of former ages,
|
|
which were allotted not for the reflection of the distressed,
|
|
but for the fearless and bold.
|
|
|
|
A. Not the child of poverty, Gracia, or the heir of glory and peace,
|
|
but of fate. Remember, I have wealth more than wit can number; I have
|
|
had power more than kings could emcompass; yet the world seems a desert;
|
|
all nature appears an afflictive spectacle of warring passions.
|
|
This blind fatality, that capriciously sports with the rules
|
|
and lives of mortals, tells me that the mountains will never again
|
|
send forth the water of their springs to my thirst. Oh, that I
|
|
might be freed and set at liberty from wretchedness! But I fear,
|
|
I fear this will never be.
|
|
|
|
G. Why, Amelia, this untimely grief? What has caused the sorrows
|
|
that bespeak better and happier days, to those lavish out such
|
|
heaps of misery? You are aware that your instructive lessons
|
|
embellish the mind with holy truths, by wedding its attention
|
|
to none but great and noble affections.
|
|
|
|
A. This, of course, is some consolation. I will ever love my own
|
|
species with feelings of a fond recollection, and while I am
|
|
studying to advance the universal philanthropy, and the spotless
|
|
name of my own sex, I will try to build my own upon the pleasing
|
|
belief that I have accelerated the advancement of one who whispers
|
|
of departed confidence.
|
|
|
|
|
|
And I, like some poor peasant fated to reside
|
|
|
|
Remote from friends, in a forest wide.
|
|
|
|
Oh, see what woman's woes and human wants require,
|
|
|
|
Since that great day hath spread the seed of sinful fire.
|
|
|
|
|
|
G. Look up, thou poor disconsolate; you speak of quitting
|
|
earthly enjoyments. Unfold thy bosom to a friend, who would
|
|
be willing to sacrifice every enjoyment for the restoration
|
|
of the dignity and gentleness of mind which used to grace
|
|
your walks, and which is so natural to yourself; not only that,
|
|
but your paths were strewed with flowers of every hue and of every order.
|
|
|
|
|
|
With verdant green the mountains glow,
|
|
|
|
For thee, for thee, the lilies grow;
|
|
|
|
Far stretched beneath the tented hills,
|
|
|
|
A fairer flower the valley fills.
|
|
|
|
|
|
A. Oh, would to Heaven I could give you a short narrative of my
|
|
former prospects for happiness, since you have acknowledged to be
|
|
an unchangeable confidant--the richest of all other blessings.
|
|
Oh, ye names forever glorious, ye celebrated scenes, ye renowned
|
|
spot of my hymeneal moments; how replete is your chart with
|
|
sublime reflections! How many profound vows, decorated with
|
|
immaculate deeds, are written upon the surface of that precious
|
|
spot of earth where I yielded up my life of celibacy, bade youth
|
|
with all its beauties a final adieu, took a last farewell of the
|
|
laurels that had accompanied me up the hill of my juvenile career.
|
|
It was then I began to descend toward the valley of disappointment
|
|
and sorrow; it was then I cast my little bark upon a mysterious ocean
|
|
of wedlock, with him who then smiled and caressed me, but, alas! now
|
|
frowns with bitterness, and has grown jealous and cold toward me,
|
|
because the ring he gave me is misplaced or lost. Oh, bear me,
|
|
ye flowers of memory, softly through the eventful history of
|
|
past times; and ye places that have witnessed the progression of man
|
|
in the circle of so many societies, and, of, aid my recollection,
|
|
while I endeavor to trace the vicissitudes of a life devoted
|
|
in endeavoring to comfort him that I claim as the object of my wishes.
|
|
|
|
|
|
Ah! ye mysterious men, of all the world, how few
|
|
|
|
Act just to Heaven and to your promise true!
|
|
|
|
But He who guides the stars with a watchful eye,
|
|
|
|
The deeds of men lay open without disguise;
|
|
|
|
Oh, this alone will avenge the wrongs I bear,
|
|
|
|
For all the oppressed are His peculiar care.
|
|
|
|
|
|
(F. makes a slight noise.)
|
|
|
|
|
|
A. Who is there--Farcillo?
|
|
|
|
G. Then I must gone. Heaven protect you. Oh, Amelia, farewell,
|
|
be of good cheer.
|
|
|
|
|
|
May you stand like Olympus' towers,
|
|
|
|
Against earth and all jealous powers!
|
|
|
|
May you, with loud shouts ascend on high
|
|
|
|
Swift as an eagle in the upper sky.
|
|
|
|
|
|
A. Why so cold and distant tonight, Farcillo? Come, let us each
|
|
other greet, and forget all the past, and give security for the future.
|
|
|
|
F. Security! talk to me about giving security for the future--
|
|
what an insulting requisition! Have you said your prayers tonight,
|
|
Madam Amelia?
|
|
|
|
A. Farcillo, we sometimes forget our duty, particularly when we
|
|
expect to be caressed by others.
|
|
|
|
F. If you bethink yourself of any crime, or of any fault, that is
|
|
yet concealed from the courts of Heaven and the thrones of grace,
|
|
I bid you ask and solicit forgiveness for it now.
|
|
|
|
A. Oh, be kind, Farcillo, don't treat me so. What do you mean
|
|
by all this?
|
|
|
|
F. Be kind, you say; you, madam, have forgot that kindness you owe
|
|
to me, and bestowed it upon another; you shall suffer for your
|
|
conduct when you make your peace with your God. I would not slay thy
|
|
unprotected spirit. I call to Heaven to be my guard and my watch--
|
|
I would not kill thy soul, in which all once seemed just, right,
|
|
and perfect; but I must be brief, woman.
|
|
|
|
A. What, talk you of killing? Oh, Farcillo, Farcillo, what is
|
|
the matter?
|
|
|
|
F. Aye, I do, without doubt; mark what I say, Amelia.
|
|
|
|
A. Then, O God, O Heaven, and Angels, be propitious, and have mercy
|
|
upon me.
|
|
|
|
F. Amen to that, madam, with all my heart, and with all my soul.
|
|
|
|
A. Farcillo, listen to me one moment; I hope you will not kill me.
|
|
|
|
F. Kill you, aye, that I will; attest it, ye fair host of light,
|
|
record it, ye dark imps of hell!
|
|
|
|
A. Oh, I fear you--you are fatal when darkness covers your brow;
|
|
yet I know not why I should fear, since I never wronged you in all
|
|
my life. I stand, sir, guiltless before you.
|
|
|
|
F. You pretend to say you are guiltless! Think of thy sins,
|
|
Amelia; think, oh, think, hidden woman.
|
|
|
|
A. Wherein have I not been true to you? That death is unkind,
|
|
cruel, and unnatural, that kills for living.
|
|
|
|
F. Peace, and be still while I unfold to thee.
|
|
|
|
A. I will, Farcillo, and while I am thus silent, tell me the cause
|
|
of such cruel coldness in an hour like this.
|
|
|
|
F. That RING, oh, that ring I so loved, and gave thee as the ring
|
|
of my heart; the allegiance you took to be faithful, when it
|
|
was presented; the kisses and smiles with which you honored it.
|
|
You became tired of the donor, despised it as a plague, and finally
|
|
gave it to Malos, the hidden, the vile traitor.
|
|
|
|
A. No, upon my word and honor, I never did; I appeal to the Most
|
|
High to bear me out in this matter. Send for Malos, and ask him.
|
|
|
|
F. Send for Malos, aye! Malos you wish to see; I thought so.
|
|
I knew you could not keep his name concealed. Amelia, sweet Amelia,
|
|
take heed, take heed of perjury; you are on the stage of death,
|
|
to suffer for YOUR SINS.
|
|
|
|
A. What, not to die I hope, my Farcillo, my ever beloved.
|
|
|
|
F. Yes, madam, to die a traitor's death. Shortly your spirit shall
|
|
take its exit; therefore confess freely thy sins, for to deny tends
|
|
only to make me groan under the bitter cup thou hast made for me.
|
|
Thou art to die with the name of traitor on thy brow!
|
|
|
|
A. Then, O Lord, have mercy upon me; give me courage, give me grace
|
|
and fortitude to stand this hour of trial.
|
|
|
|
F. Amen, I say, with all my heart.
|
|
|
|
A. And, oh, Farcillo, will you have mercy, too? I never
|
|
intentionally offended you in all my life, never LOVED Malos,
|
|
never gave him cause to think so, as the high court of Justice
|
|
will acquit me before its tribunal.
|
|
|
|
F. Oh, false, perjured woman, thou didst chill my blood, and makest
|
|
me a demon like thyself. I saw the ring.
|
|
|
|
A. He found it, then, or got it clandestinely; send for him,
|
|
and let him confess the truth; let his confession be sifted.
|
|
|
|
F. And you still with to see him! I tell you, madam, he hath
|
|
already confessed, and thou knowest the darkness of thy heart.
|
|
|
|
A. What, my deceived Farcillo, that I gave him the ring, in which
|
|
all my affections were concentrated? Oh, surely not.
|
|
|
|
F. Aye, he did. Ask thy conscience, and it will speak with a voice
|
|
of thunder to thy soul.
|
|
|
|
A. He will not say so, he dare not, he cannot.
|
|
|
|
F. No, he will not say so now, because his mouth, I trust, is hushed
|
|
in death, and his body stretched to the four winds of heaven,
|
|
to be torn to pieces by carnivorous birds.
|
|
|
|
A. What, he is dead, and gone to the world of spirits with that
|
|
declaration in his mouth? Oh, unhappy man! Oh, insupportable hour!
|
|
|
|
F. Yes, and had all his sighs and looks and tears been lives, my great
|
|
revenge could have slain them all, without the least condemnation.
|
|
|
|
A. Alas! he is ushered into eternity without testing the matter
|
|
for which I am abused and sentenced and condemned to die.
|
|
|
|
F. Cursed, infernal woman! Weepest thou for him to my face? He that
|
|
hath robbed me of my peace, my energy, the whole love of my life?
|
|
Could I call the fabled Hydra, I would have him live and perish,
|
|
survive and die, until the sun itself would grow dim with age.
|
|
I would make him have the thirst of a Tantalus, and roll the
|
|
wheel of an Ixion, until the stars of heaven should quit their
|
|
brilliant stations.
|
|
|
|
A. Oh, invincible God, save me! Oh, unsupportable moment! Oh, heavy hour!
|
|
Banish me,, Farcillo--send me where no eye can ever see me, where no
|
|
sound shall ever great my ear; but, oh, slay me not, Farcillo; vent thy
|
|
rage and thy spite upon this emaciated frame of mine, only spare my life.
|
|
|
|
F. Your petitions avail nothing, cruel Amelia.
|
|
|
|
A. Oh, Farcillo, perpetrate the dark deed tomorrow; let me live
|
|
till then, for my past kindness to you, and it may be some kind
|
|
angel will show to you that I am not only the object of innocence,
|
|
but one who never loved another but your noble self.
|
|
|
|
F. Amelia, the decree has gone forth, it is to be done, and that quickly;
|
|
thou art to die, madam.
|
|
|
|
A. But half an hour allow me, to see my father and my only child,
|
|
to tell her the treachery and vanity of this world.
|
|
|
|
F. There is no alternative, there is no pause: my daughter shall
|
|
not see its deceptive mother die; your father shall not know that his
|
|
daughter fell disgraced, despised by all but her enchanting Malos.
|
|
|
|
A. Oh, Farcillo, put up thy threatening dagger into its scabbard;
|
|
let it rest and be still, just while I say one prayer for thee and
|
|
for my child.
|
|
|
|
F. It is too late, thy doom is fixed, thou hast not confessed
|
|
to Heaven or to me, my child's protector--thou art to die.
|
|
Ye powers of earth and heaven, protect and defend me in this alone.
|
|
(STABS HER WHILE IMPLORING FOR MERCY.)
|
|
|
|
A. Oh, Farcillo, Farcillo, a guiltless death I die.
|
|
|
|
F. Die! die! die!
|
|
|
|
|
|
(Gracia enters running, falls on her knees weeping, and kisses Amelia.)
|
|
|
|
|
|
G. Oh, Farcillo, Farcillo! oh, Farcillo!
|
|
|
|
F. I am here, the genius of the age, and the avenger of my wrongs.
|
|
|
|
G. Oh, lady, speak once more; sweet Amelia, on, speak again.
|
|
Gone, gone--yes, forever gone! Farcillo, oh, cold-hearted Farcillo,
|
|
some evil fiend hath urged you to do this, Farcillo.
|
|
|
|
F. Say not so again, or you shall receive the same fate. I did
|
|
the glorious deed, madam--beware, then, how you talk.
|
|
|
|
G. I fear not your implements of war; I will let you know you have
|
|
not the power to do me harm. If you have a heart of triple brass,
|
|
it shall be reached and melted, and thy blood shall chill thy veins
|
|
and grow stiff in thy arteries. Here is the ring of the virtuous
|
|
and innocent murdered Amelia; I obtained it from Malos, who yet lives,
|
|
in hopes that he will survive the wound given him, and says he got
|
|
it clandestinely--declares Amelia to be the princess of truth and virtue,
|
|
invulnerable to anything like forgetting her first devotion to thee.
|
|
The world has heard of your conduct and your jealousy, and with
|
|
one universal voice declares her to be the best of all in piety;
|
|
that she is the star of this great universe, and a more virtuous
|
|
woman never lived since the wheels of time began. Oh, had you waited
|
|
till tomorrow, or until I had returned, some kind window would have
|
|
been opened to her relief. But, alas! she is gone--yes, forever gone,
|
|
to try the realities of an unknown world!
|
|
|
|
|
|
(Farcillo leaning over the body of Amelia.)
|
|
|
|
|
|
F. Malos not dead, and here is my ring! Oh, Amelia! falsely murdered!
|
|
Oh, bloody deed! Oh, wretch that I am! Oh, angels forgive me!
|
|
Oh, God, withhold thy vengeance! Oh, Amelia! if Heaven would make
|
|
a thousand worlds like this, set with diamonds, and all of one
|
|
perfect chrysolite, I would not have done this for them all, I would
|
|
not have frowned and cursed as I did. Oh, she was heavenly true,
|
|
nursed in the very lap of bright angels! Cursed slave that I am!
|
|
Jealousy, oh! thou infernal demon! Lost, lost to every sense of honor!
|
|
Oh! Amelia--heaven-born Amelia--dead, dead! Oh! oh! oh!--then let me die
|
|
with thee. Farewell! farewell! ye world that deceived me! (STABS HIMSELF.)
|
|
|
|
|
|
Soon after the excitement of this tragical scene was over,
|
|
and the enlisted feeling for Amelia had grown more buoyant with
|
|
Elfonzo and Ambulinia, he determined to visit his retired home,
|
|
and make the necessary improvements to enjoy a better day;
|
|
consequently he conveyed the following lines to Ambulinia:
|
|
|
|
|
|
Go tell the world that hope is glowing,
|
|
|
|
Go bid the rocks their silence break,
|
|
|
|
Go tell the stars that love is glowing,
|
|
|
|
Then bid the hero his lover take.
|
|
|
|
|
|
In the region where scarcely the foot of man hath ever trod,
|
|
where the woodman hath not found his way, lies a blooming grove,
|
|
seen only by the sun when he mounts his lofty throne, visited only
|
|
by the light of the stars, to whom are entrusted the guardianship
|
|
of earth, before the sun sinks to rest in his rosy bed. High cliffs
|
|
of rocks surround the romantic place, and in the small cavity of
|
|
the rocky wall grows the daffodil clear and pure; and as the wind
|
|
blows along the enchanting little mountain which surrounds the
|
|
lonely spot, it nourishes the flowers with the dew-drops of heaven.
|
|
Here is the seat of Elfonzo; darkness claims but little victory over
|
|
this dominion, and in vain does she spread out her gloomy wings.
|
|
Here the waters flow perpetually, and the trees lash their tops
|
|
together to bid the welcome visitor a happy muse. Elfonzo, during his
|
|
short stay in the country, had fully persuaded himself that it was
|
|
his duty to bring this solemn matter to an issue. A duty that he
|
|
individually owed, as a gentleman, to the parents of Ambulinia,
|
|
a duty in itself involving not only his own happiness and his own
|
|
standing in society, but one that called aloud the act of the parties
|
|
to make it perfect and complete. How he should communicate his
|
|
intentions to get a favorable reply, he was at a loss to know;
|
|
he knew not whether to address Esq. Valeer in prose or in poetry,
|
|
in a jocular or an argumentative manner, or whether he should use
|
|
moral suasion, legal injunction, or seizure and take by reprisal;
|
|
if it was to do the latter, he would have no difficulty in deciding
|
|
in his own mind, but his gentlemanly honor was at stake; so he
|
|
concluded to address the following letter to the father and mother
|
|
of Ambulinia, as his address in person he knew would only aggravate
|
|
the old gentleman, and perhaps his lady.
|
|
|
|
|
|
|
|
Cumming, Ga., January 22, 1844
|
|
|
|
Mr. and Mrs. Valeer--
|
|
|
|
|
|
Again I resume the pleasing task of addressing you, and once
|
|
more beg an immediate answer to my many salutations. From every
|
|
circumstance that has taken place, I feel in duty bound to comply
|
|
with my obligations; to forfeit my word would be more than I
|
|
dare do; to break my pledge, and my vows that have been witnessed,
|
|
sealed, and delivered in the presence of an unseen Deity,
|
|
would be disgraceful on my part, as well as ruinous to Ambulinia.
|
|
I wish no longer to be kept in suspense about this matter.
|
|
I wish to act gentlemanly in every particular. It is true,
|
|
the promises I have made are unknown to any but Ambulinia, and I
|
|
think it unnecessary to here enumerate them, as they who promise
|
|
the most generally perform the least. Can you for a moment doubt
|
|
my sincerity or my character? My only wish is, sir, that you
|
|
may calmly and dispassionately look at the situation of the case,
|
|
and if your better judgment should dictate otherwise, my obligations
|
|
may induce me to pluck the flower that you so diametrically opposed.
|
|
We have sword by the saints--by the gods of battle, and by that
|
|
faith whereby just men are made perfect--to be united. I hope,
|
|
my dear sir, you will find it convenient as well as agreeable
|
|
to give me a favorable answer, with the signature of Mrs. Valeer,
|
|
as well as yourself.
|
|
|
|
|
|
With very great esteem,
|
|
|
|
your humble servant,
|
|
|
|
J. I. Elfonzo.
|
|
|
|
|
|
|
|
The moon and stars had grown pale when Ambulinia had retired
|
|
to rest. A crowd of unpleasant thoughts passed through her bosom.
|
|
Solitude dwelt in her chamber--no sound from the neighboring
|
|
world penetrated its stillness; it appeared a temple of silence,
|
|
of repose, and of mystery. At that moment she heard a still voice
|
|
calling her father. In an instant, like the flash of lightning,
|
|
a thought ran through her mind that it must be the bearer
|
|
of Elfonzo's communication. "It is not a dream!" she said,
|
|
"no, I cannot read dreams. Oh! I would to Heaven I was near
|
|
that glowing eloquence--that poetical language--it charms the mind
|
|
in an inexpressible manner, and warms the coldest heart."
|
|
While consoling herself with this strain, her father rushed into
|
|
her room almost frantic with rage, exclaiming: "Oh, Ambulinia!
|
|
Ambulinia!! undutiful, ungrateful daughter! What does this mean?
|
|
Why does this letter bear such heart-rending intelligence?
|
|
Will you quit a father's house with this debased wretch, without a
|
|
place to lay his distracted head; going up and down the country,
|
|
with every novel object that many chance to wander through this region.
|
|
He is a pretty man to make love known to his superiors, and you,
|
|
Ambulinia, have done but little credit to yourself by honoring
|
|
his visits. Oh, wretchedness! can it be that my hopes of happiness
|
|
are forever blasted! Will you not listen to a father's entreaties,
|
|
and pay some regard to a mother's tears. I know, and I do pray that God
|
|
will give me fortitude to bear with this sea of troubles, and rescue
|
|
my daughter, my Ambulinia, as a brand from the eternal burning."
|
|
"Forgive me, father, oh! forgive thy child," replied Ambulinia.
|
|
"My heart is ready to break, when I see you in this grieved state
|
|
of agitation. Oh! think not so meanly of me, as that I mourn
|
|
for my own danger. Father, I am only woman. Mother, I am only
|
|
the templement of thy youthful years, but will suffer courageously
|
|
whatever punishment you think proper to inflict upon me, if you will
|
|
but allow me to comply with my most sacred promises--if you will but
|
|
give me my personal right and my personal liberty. Oh, father! if
|
|
your generosity will but give me these, I ask nothing more.
|
|
When Elfonzo offered me his heart, I gave him my hand, never to
|
|
forsake him, and now may the mighty God banish me before I leave him
|
|
in adversity. What a heart must I have to rejoice in prosperity
|
|
with him whose offers I have accepted, and then, when poverty comes,
|
|
haggard as it may be, for me to trifle with the oracles of Heaven,
|
|
and change with every fluctuation that may interrupt our happiness--
|
|
like the politician who runs the political gantlet for office one day,
|
|
and the next day, because the horizon is darkened a little, he is
|
|
seen running for his life, for fear he might perish in its ruins.
|
|
Where is the philosophy, where is the consistency, where is the charity,
|
|
in conduct like this? Be happy then, my beloved father, and forget me;
|
|
let the sorrow of parting break down the wall of separation and make
|
|
us equal in our feeling; let me now say how ardently I love you;
|
|
let me kiss that age-worn cheek, and should my tears bedew thy face,
|
|
I will wipe them away. Oh, I never can forget you; no, never, never!"
|
|
|
|
"Weep not," said the father, "Ambulinia. I will forbid Elfonzo
|
|
my house, and desire that you may keep retired a few days. I will
|
|
let him know that my friendship for my family is not linked together
|
|
by cankered chains; and if he ever enters upon my premises again,
|
|
I will send him to his long home." "Oh, father! let me entreat you
|
|
to be calm upon this occasion, and though Elfonzo may be the sport
|
|
of the clouds and winds, yet I feel assured that no fate will send
|
|
him to the silent tomb until the God of the Universe calls him
|
|
hence with a triumphant voice."
|
|
|
|
Here the father turned away, exclaiming: "I will answer his letter
|
|
in a very few words, and you, madam, will have the goodness to stay
|
|
at home with your mother; and remember, I am determined to protect
|
|
you from the consuming fire that looks so fair to your view."
|
|
|
|
|
|
|
|
Cumming, January 22, 1844.
|
|
|
|
|
|
Sir--In regard to your request, I am as I ever have been, utterly opposed
|
|
to your marrying into my family; and if you have any regard for yourself,
|
|
or any gentlemanly feeling, I hope you will mention it to me no more;
|
|
but seek some other one who is not so far superior to you in standing.
|
|
|
|
|
|
W. W. Valeer.
|
|
|
|
|
|
|
|
When Elfonzo read the above letter, he became so much depressed
|
|
in spirits that many of his friends thought it advisable to use
|
|
other means to bring about the happy union. "Strange," said he,
|
|
"that the contents of this diminutive letter should cause me to have
|
|
such depressed feelings; but there is a nobler theme than this. I know
|
|
not why my MILITARY TITLE is not as great as that of SQUIRE VALEER.
|
|
For my life I cannot see that my ancestors are inferior to those
|
|
who are so bitterly opposed to my marriage with Ambulinia. I know
|
|
I have seen huge mountains before me, yet, when I think that I know
|
|
gentlemen will insult me upon this delicate matter, should I become
|
|
angry at fools and babblers, who pride themselves in their impudence
|
|
and ignorance? No. My equals! I know not where to find them.
|
|
My inferiors! I think it beneath me; and my superiors! I think
|
|
it presumption; therefore, if this youthful heart is protected
|
|
by any of the divine rights, I never will betray my trust."
|
|
|
|
He was aware that Ambulinia had a confidence that was, indeed,
|
|
as firm and as resolute as she was beautiful and interesting.
|
|
He hastened to the cottage of Louisa, who received him in her usual
|
|
mode of pleasantness, and informed him that Ambulinia had just that
|
|
moment left. "Is it possible?" said Elfonzo. "Oh, murdered hours!
|
|
Why did she not remain and be the guardian of my secrets?
|
|
But hasten and tell me how she has stood this trying scene,
|
|
and what are her future determinations." "You know," said Louisa,
|
|
"Major Elfonzo, that you have Ambulinia's first love, which is
|
|
of no small consequence. She came here about twilight, and shed
|
|
many precious tears in consequence of her own fate with yours.
|
|
We walked silently in yon little valley you see, where we spent
|
|
a momentary repose. She seemed to be quite as determined as ever,
|
|
and before we left that beautiful spot she offered up a prayer
|
|
to Heaven for thee." "I will see her then," replied Elfonzo,
|
|
"though legions of enemies may oppose. She is mine by foreordination--
|
|
she is mine by prophesy--she is mine by her own free will, and I
|
|
will rescue her from the hands of her oppressors. Will you not,
|
|
Miss Louisa, assist me in my capture?"
|
|
|
|
"I will certainly, by the aid of Divine Providence," answered Louisa,
|
|
"endeavor to break those slavish chains that bind the richest of prizes;
|
|
though allow me, Major, to entreat you to use no harsh means on this
|
|
important occasion; take a decided stand, and write freely to Ambulinia
|
|
upon this subject, and I will see that no intervening cause hinders
|
|
its passage to her. God alone will save a mourning people. Now is
|
|
the day and now is the hour to obey a command of such valuable worth."
|
|
The Major felt himself grow stronger after this short interview
|
|
with Louisa. He felt as if he could whip his weight in wildcats--
|
|
he knew he was master of his own feelings, and could now write
|
|
a letter that would bring this litigation to AN ISSUE.
|
|
|
|
|
|
|
|
Cumming, January 24, 1844.
|
|
|
|
Dear Ambulinia--
|
|
|
|
|
|
We have now reached the most trying moment of our lives; we are
|
|
pledged not to forsake our trust; we have waited for a favorable hour
|
|
to come, thinking your friends would settle the matter agreeably
|
|
among themselves, and finally be reconciled to our marriage;
|
|
but as I have waited in vain, and looked in vain, I have determined
|
|
in my own mind to make a proposition to you, though you may think
|
|
it not in accord with your station, or compatible with your rank;
|
|
yet, "sub loc signo vinces." You know I cannot resume my visits,
|
|
in consequence of the utter hostility that your father has to me;
|
|
therefore the consummation of our union will have to be sought
|
|
for in a more sublime sphere, at the residence of a respectable
|
|
friend of this village. You cannot have an scruples upon this
|
|
mode of proceeding, if you will but remember it emanates from one
|
|
who loves you better than his own life--who is more than anxious
|
|
to bid you welcome to a new and happy home. Your warmest associates
|
|
say come; the talented, the learned, the wise, and the experienced
|
|
say come;--all these with their friends say, come. Viewing these,
|
|
with many other inducements, I flatter myself that you will come
|
|
to the embraces of your Elfonzo; for now is the time of your
|
|
acceptance of the day of your liberation. You cannot be ignorant,
|
|
Ambulinia, that thou art the desire of my heart; its thoughts
|
|
are too noble, and too pure, to conceal themselves from you.
|
|
I shall wait for your answer to this impatiently, expecting that you
|
|
will set the time to make your departure, and to be in readiness
|
|
at a moment's warning to share the joys of a more preferable life.
|
|
This will be handed to you by Louisa, who will take a pleasure in
|
|
communicating anything to you that may relieve your dejected spirits,
|
|
and will assure you that I now stand ready, willing, and waiting
|
|
to make good my vows.
|
|
|
|
I am, dear Ambulinia, your
|
|
|
|
truly, and forever,
|
|
|
|
J. I. Elfonzo.
|
|
|
|
|
|
|
|
Louisa made it convenient to visit Mr. Valeer's, though they
|
|
did not suspect her in the least the bearer of love epistles;
|
|
consequently, she was invited in the room to console Ambulinia,
|
|
where they were left alone. Ambulinia was seated by a small table--
|
|
her head resting on her hand--her brilliant eyes were bathed in tears.
|
|
Louisa handed her the letter of Elfonzo, when another spirit animated
|
|
her features--the spirit of renewed confidence that never fails
|
|
to strengthen the female character in an hour of grief and sorrow
|
|
like this, and as she pronounced the last accent of his name,
|
|
she exclaimed, "And does he love me yet! I never will forget
|
|
your generosity, Louisa. Oh, unhappy and yet blessed Louisa! may you
|
|
never feel what I have felt--may you never know the pangs of love.
|
|
Had I never loved, I never would have been unhappy; but I turn to Him
|
|
who can save, and if His wisdom does not will my expected union,
|
|
I know He will give me strength to bear my lot. Amuse yourself
|
|
with this little book, and take it as an apology for my silence,"
|
|
said Ambulinia, "while I attempt to answer this volume of consolation."
|
|
"Thank you," said Louisa, "you are excusable upon this occasion;
|
|
but I pray you, Ambulinia, to be expert upon this momentous subject,
|
|
that there may be nothing mistrustful upon my part." "I will,"
|
|
said Ambulinia, and immediately resumed her seat and addressed the
|
|
following to Elfonzo:
|
|
|
|
|
|
|
|
Cumming, Ga., January 28, 1844.
|
|
|
|
Devoted Elfonzo--
|
|
|
|
|
|
I hail your letter as a welcome messenger of faith, and can now
|
|
say truly and firmly that my feelings correspond with yours.
|
|
Nothing shall be wanting on my part to make my obedience your fidelity.
|
|
Courage and perseverance will accomplish success. Receive this
|
|
as my oath, that while I grasp your hand in my own imagination,
|
|
we stand united before a higher tribunal than any on earth.
|
|
All the powers of my life, soul, and body, I devote to thee.
|
|
Whatever dangers may threaten me, I fear not to encounter them.
|
|
Perhaps I have determined upon my own destruction, by leaving
|
|
the house of the best of parents; be it so; I flee to you; I share
|
|
your destiny, faithful to the end. The day that I have concluded
|
|
upon for this task is SABBATH next, when the family with the citizens
|
|
are generally at church. For Heaven's sake let not that day
|
|
pass unimproved: trust not till tomorrow, it is the cheat of life--
|
|
the future that never comes--the grave of many noble births--
|
|
the cavern of ruined enterprise: which like the lightning's
|
|
flash is born, and dies, and perishes, ere the voice of him
|
|
who sees can cry, BEHOLD! BEHOLD!! You may trust to what I say,
|
|
no power shall tempt me to betray confidence. Suffer me to add one
|
|
word more.
|
|
|
|
|
|
I will soothe thee, in all thy grief,
|
|
|
|
Beside the gloomy river;
|
|
|
|
And though thy love may yet be brief;
|
|
|
|
Mine is fixed forever.
|
|
|
|
|
|
Receive the deepest emotions of my heart for thy constant love,
|
|
and may the power of inspiration by thy guide, thy portion, and thy all.
|
|
In great haste,
|
|
|
|
Yours faithfully,
|
|
|
|
Ambulinia.
|
|
|
|
|
|
|
|
"I now take my leave of you, sweet girl," said Louisa, "sincerely
|
|
wishing you success on Sabbath next." When Ambulinia's letter was
|
|
handed to Elfonzo, he perused it without doubting its contents.
|
|
Louisa charged him to make but few confidants; but like most young
|
|
men who happened to win the heart of a beautiful girl, he was so
|
|
elated with the idea that he felt as a commanding general on parade,
|
|
who had confidence in all, consequently gave orders to all.
|
|
The appointed Sabbath, with a delicious breeze and cloudless sky,
|
|
made its appearance. The people gathered in crowds to the church--
|
|
the streets were filled with neighboring citizens, all marching
|
|
to the house of worship. It is entirely useless for me to attempt
|
|
to describe the feelings of Elfonzo and Ambulinia, who were silently
|
|
watching the movements of the multitude, apparently counting them as then
|
|
entered the house of God, looking for the last one to darken the door.
|
|
The impatience and anxiety with which they waited, and the bliss
|
|
they anticipated on the eventful day, is altogether indescribable.
|
|
Those that have been so fortunate as to embark in such a noble
|
|
enterprise know all its realities; and those who have not had this
|
|
inestimable privilege will have to taste its sweets before they can
|
|
tell to others its joys, its comforts, and its Heaven-born worth.
|
|
Immediately after Ambulinia had assisted the family off to church,
|
|
she took advantage of that opportunity to make good her promises.
|
|
She left a home of enjoyment to be wedded to one whose love had
|
|
been justifiable. A few short steps brought her to the presence
|
|
of Louisa, who urged her to make good use of her time, and not
|
|
to delay a moment, but to go with her to her brother's house,
|
|
where Elfonzo would forever make her happy. With lively speed,
|
|
and yet a graceful air, she entered the door and found herself
|
|
protected by the champion of her confidence. The necessary
|
|
arrangements were fast making to have the two lovers united--
|
|
everything was in readiness except the parson; and as they are
|
|
generally very sanctimonious on such occasions, the news got
|
|
to the parents of Ambulinia before the everlasting knot was tied,
|
|
and they both came running, with uplifted hands and injured feelings,
|
|
to arrest their daughter from an unguarded and hasty resolution.
|
|
Elfonzo desired to maintain his ground, but Ambulinia thought
|
|
it best for him to leave, to prepare for a greater contest.
|
|
He accordingly obeyed, as it would have been a vain endeavor for him
|
|
to have battled against a man who was armed with deadly weapons;
|
|
and besides, he could not resist the request of such a pure heart.
|
|
Ambulinia concealed herself in the upper story of the house, fearing
|
|
the rebuke of her father; the door was locked, and no chastisement
|
|
was now expected. Esquire Valeer, whose pride was already touched,
|
|
resolved to preserve the dignity of his family. He entered the house
|
|
almost exhausted, looking wildly for Ambulinia. "Amazed and astonished
|
|
indeed I am," said he, "at a people who call themselves civilized,
|
|
to allow such behavior as this. Ambulinia, Ambulinia!" he cried,
|
|
"come to the calls of your first, your best, and your only friend.
|
|
I appeal to you, sir," turning to the gentleman of the house,
|
|
"to know where Ambulinia has gone, or where is she?" "Do you mean
|
|
to insult me, sir, in my own house?" inquired the gentleman.
|
|
"I will burst," said Mr. V., "asunder every door in your dwelling,
|
|
in search of my daughter, if you do not speak quickly, and tell me
|
|
where she is. I care nothing about that outcast rubbish of creation,
|
|
that mean, low-lived Elfonzo, if I can but obtain Ambulinia.
|
|
Are you not going to open this door?" said he. "By the Eternal
|
|
that made Heaven and earth! I will go about the work instantly,
|
|
if this is not done!" The confused citizens gathered from all
|
|
parts of the village, to know the cause of this commotion.
|
|
Some rushed into the house; the door that was locked flew open,
|
|
and there stood Ambulinia, weeping. "Father, be still," said she,
|
|
"and I will follow thee home." But the agitated man seized her,
|
|
and bore her off through the gazing multitude. "Father!" she exclaimed,
|
|
"I humbly beg your pardon--I will be dutiful--I will obey thy commands.
|
|
Let the sixteen years I have lived in obedience to thee by my
|
|
future security." "I don't like to be always giving credit,
|
|
when the old score is not paid up, madam," said the father. The mother
|
|
followed almost in a state of derangement, crying and imploring
|
|
her to think beforehand, and ask advice from experienced persons,
|
|
and they would tell her it was a rash undertaking. "Oh!" said she,
|
|
"Ambulinia, my daughter, did you know what I have suffered--
|
|
did you know how many nights I have whiled away in agony,
|
|
in pain, and in fear, you would pity the sorrows of a heartbroken
|
|
mother."
|
|
|
|
"Well, mother," replied Ambulinia, "I know I have been disobedient;
|
|
I am aware that what I have done might have been done much better;
|
|
but oh! what shall I do with my honor? it is so dear to me;
|
|
I am pledged to Elfonzo. His high moral worth is certainly worth
|
|
some attention; moreover, my vows, I have no doubt, are recorded
|
|
in the book of life, and must I give these all up? must my fair
|
|
hopes be forever blasted? Forbid it, father; oh! forbid it, mother;
|
|
forbid it, Heaven." "I have seen so many beautiful skies overclouded,"
|
|
replied the mother, "so many blossoms nipped by the frost,
|
|
that I am afraid to trust you to the care of those fair days,
|
|
which may be interrupted by thundering and tempestuous nights.
|
|
You no doubt think as I did--life's devious ways were strewn with
|
|
sweet-scented flowers, but ah! how long they have lingered around me
|
|
and took their flight in the vivid hope that laughs at the drooping
|
|
victims it has murdered." Elfonzo was moved at this sight.
|
|
The people followed on to see what was going to become of Ambulinia,
|
|
while he, with downcast looks, kept at a distance, until he saw them
|
|
enter the abode of the father, thrusting her, that was the sigh
|
|
of his soul, out of his presence into a solitary apartment,
|
|
when she exclaimed, "Elfonzo! Elfonzo! oh, Elfonzo! where art thou,
|
|
with all thy heroes? haste, oh! haste, come thou to my relief.
|
|
Ride on the wings of the wind! Turn thy force loose like a tempest,
|
|
and roll on thy army like a whirlwind, over this mountain of trouble
|
|
and confusion. Oh, friends! if any pity me, let your last efforts
|
|
throng upon the green hills, and come to the relief of Ambulinia,
|
|
who is guilty of nothing but innocent love." Elfonzo called out with
|
|
a loud voice, "My God, can I stand this! arise up, I beseech you,
|
|
and put an end to this tyranny. Come, my brave boys," said he,
|
|
"are you ready to go forth to your duty?" They stood around him.
|
|
"Who," said he, "will call us to arms? Where are my thunderbolts of war?
|
|
Speak ye, the first who will meet the foe! Who will go forward with me
|
|
in this ocean of grievous temptation? If there is one who desires
|
|
to go, let him come and shake hands upon the altar of devotion,
|
|
and swear that he will be a hero; yes, a Hector in a cause like this,
|
|
which calls aloud for a speedy remedy." "Mine be the deed,"
|
|
said a young lawyer, "and mine alone; Venus alone shall quit her
|
|
station before I will forsake one jot or tittle of my promise to you;
|
|
what is death to me? what is all this warlike army, if it is not
|
|
to win a victory? I love the sleep of the lover and the mighty;
|
|
nor would I give it over till the blood of my enemies should wreak
|
|
with that of my own. But God forbid that our fame should soar
|
|
on the blood of the slumberer." Mr. Valeer stands at his door
|
|
with the frown of a demon upon his brow, with his dangerous
|
|
weapon ready to strike the first man who should enter his door.
|
|
"Who will arise and go forward through blood and carnage to the rescue
|
|
of my Ambulinia?" said Elfonzo. "All," exclaimed the multitude;
|
|
and onward they went, with their implements of battle. Others, of a
|
|
more timid nature, stood among the distant hills to see the result of
|
|
the contest.
|
|
|
|
Elfonzo took the lead of his band. Night arose in clouds;
|
|
darkness concealed the heavens; but the blazing hopes that stimulated
|
|
them gleamed in every bosom. All approached the anxious spot;
|
|
they rushed to the front of the house and, with one exclamation,
|
|
demanded Ambulinia. "Away, begone, and disturb my peace no more,"
|
|
said Mr. Valeer. "You are a set of base, insolent, and infernal rascals.
|
|
Go, the northern star points your path through the dim twilight of
|
|
the night; go, and vent your spite upon the lonely hills; pour forth
|
|
your love, you poor, weak-minded wretch, upon your idleness and upon
|
|
your guitar, and your fiddle; they are fit subjects for your admiration,
|
|
for let me assure you, though this sword and iron lever are cankered,
|
|
yet they frown in sleep, and let one of you dare to enter my
|
|
house this night and you shall have the contents and the weight
|
|
of these instruments." "Never yet did base dishonor blur my name,"
|
|
said Elfonzo; "mine is a cause of renown; here are my warriors;
|
|
fear and tremble, for this night, though hell itself should oppose,
|
|
I will endeavor to avenge her whom thou hast banished in solitude.
|
|
The voice of Ambulinia shall be heard from that dark dungeon."
|
|
At that moment Ambulinia appeared at the window above, and with a
|
|
tremulous voice said, "Live, Elfonzo! oh! live to raise my stone
|
|
of moss! why should such language enter your heart? why should thy
|
|
voice rend the air with such agitation? I bid thee live, once more
|
|
remembering these tears of mine are shed alone for thee, in this dark
|
|
and gloomy vault, and should I perish under this load of trouble,
|
|
join the song of thrilling accents with the raven above my grave,
|
|
and lay this tattered frame beside the banks of the Chattahoochee
|
|
or the stream of Sawney's brook; sweet will be the song of death to
|
|
your Ambulinia. My ghost shall visit you in the smiles of Paradise,
|
|
and tell your high fame to the minds of that region, which is far more
|
|
preferable than this lonely cell. My heart shall speak for thee till
|
|
the latest hour; I know faint and broken are the sounds of sorrow,
|
|
yet our souls, Elfonzo, shall hear the peaceful songs together.
|
|
One bright name shall be ours on high, if we are not permitted to be
|
|
united here; bear in mind that I still cherish my old sentiments,
|
|
and the poet will mingle the names of Elfonzo and Ambulinia
|
|
in the tide of other days." "Fly, Elfonzo, " said the voices
|
|
of his united band, "to the wounded heart of your beloved.
|
|
All enemies shall fall beneath thy sword. Fly through the clefts,
|
|
and the dim spark shall sleep in death." Elfonzo rushes forward
|
|
and strikes his shield against the door, which was barricaded,
|
|
to prevent any intercourse. His brave sons throng around him.
|
|
The people pour along the streets, both male and female, to prevent or
|
|
witness the melancholy scene.
|
|
|
|
"To arms, to arms!" cried Elfonzo; "here is a victory to be won,
|
|
a prize to be gained that is more to me that the whole world beside."
|
|
"It cannot be done tonight," said Mr. Valeer. "I bear the clang
|
|
of death; my strength and armor shall prevail. My Ambulinia shall
|
|
rest in this hall until the break of another day, and if we fall,
|
|
we fall together. If we die, we die clinging to our tattered rights,
|
|
and our blood alone shall tell the mournful tale of a murdered
|
|
daughter and a ruined father." Sure enough, he kept watch all night,
|
|
and was successful in defending his house and family. The bright
|
|
morning gleamed upon the hills, night vanished away, the Major
|
|
and his associates felt somewhat ashamed that they had not been as
|
|
fortunate as they expected to have been; however, they still leaned
|
|
upon their arms in dispersed groups; some were walking the streets,
|
|
others were talking in the Major's behalf. Many of the citizen
|
|
suspended business, as the town presented nothing but consternation.
|
|
A novelty that might end in the destruction of some worthy
|
|
and respectable citizens. Mr. Valeer ventured in the streets,
|
|
though not without being well armed. Some of his friends congratulated
|
|
him on the decided stand he had taken, and hoped he would settle
|
|
the matter amicably with Elfonzo, without any serious injury.
|
|
"Me," he replied, "what, me, condescend to fellowship with a coward,
|
|
and a low-lived, lazy, undermining villain? no, gentlemen, this cannot be;
|
|
I had rather be borne off, like the bubble upon the dark blue ocean,
|
|
with Ambulinia by my side, than to have him in the ascending
|
|
or descending line of relationship. Gentlemen," continued he,
|
|
"if Elfonzo is so much of a distinguished character, and is so
|
|
learned in the fine arts, why do you not patronize such men? why
|
|
not introduce him into your families, as a gentleman of taste
|
|
and of unequaled magnanimity? why are you so very anxious that he
|
|
should become a relative of mine? Oh, gentlemen, I fear you yet
|
|
are tainted with the curiosity of our first parents, who were
|
|
beguiled by the poisonous kiss of an old ugly serpent, and who,
|
|
for one APPLE, DAMNED all mankind. I wish to divest myself, as far
|
|
as possible, of that untutored custom. I have long since learned
|
|
that the perfection of wisdom, and the end of true philosophy,
|
|
is to proportion our wants to our possessions, our ambition to
|
|
our capacities; we will then be a happy and a virtuous people."
|
|
Ambulinia was sent off to prepare for a long and tedious journey.
|
|
Her new acquaintances had been instructed by her father how to treat her,
|
|
and in what manner, and to keep the anticipated visit entirely secret.
|
|
Elfonzo was watching the movements of everybody; some friends
|
|
had told him of the plot that was laid to carry off Ambulinia.
|
|
At night, he rallied some two or three of his forces, and went
|
|
silently along to the stately mansion; a faint and glimmering light
|
|
showed through the windows; lightly he steps to the door; there were
|
|
many voices rallying fresh in fancy's eye; he tapped the shutter;
|
|
it was opened instantly, and he beheld once more, seated beside
|
|
several ladies, the hope of all his toils; he rushed toward her,
|
|
she rose from her seat, rejoicing; he made one mighty grasp,
|
|
when Ambulinia exclaimed, "Huzza for Major Elfonzo! I will defend
|
|
myself and you, too, with this conquering instrument I hold in my hand;
|
|
huzza, I say, I now invoke time's broad wing to shed around us some
|
|
dewdrops of verdant spring."
|
|
|
|
But the hour had not come for this joyous reunion; her friends struggled
|
|
with Elfonzo for some time, and finally succeeded in arresting her from
|
|
his hands. He dared not injure them, because they were matrons whose
|
|
courage needed no spur; she was snatched from the arms of Elfonzo,
|
|
with so much eagerness, and yet with such expressive signification,
|
|
that he calmly withdrew from this lovely enterprise, with an ardent
|
|
hope that he should be lulled to repose by the zephyrs which whispered
|
|
peace to his soul. Several long days and night passed unmolested,
|
|
all seemed to have grounded their arms of rebellion, and no callidity
|
|
appeared to be going on with any of the parties. Other arrangements
|
|
were made by Ambulinia; she feigned herself to be entirely
|
|
the votary of a mother's care, and she, by her graceful smiles,
|
|
that manhood might claim his stern dominion in some other region,
|
|
where such boisterous love was not so prevalent. This gave
|
|
the parents a confidence that yielded some hours of sober joy;
|
|
they believed that Ambulinia would now cease to love Elfonzo, and that
|
|
her stolen affections would now expire with her misguided opinions.
|
|
They therefore declined the idea of sending her to a distant land.
|
|
But oh! they dreamed not of the rapture that dazzled the fancy
|
|
of Ambulinia, who would say, when alone, youth should not fly away on his
|
|
rosy pinions, and leave her to grapple in the conflict with unknown admirers.
|
|
|
|
|
|
No frowning age shall control
|
|
|
|
The constant current of my soul,
|
|
|
|
Nor a tear from pity's eye
|
|
|
|
Shall check my sympathetic sigh.
|
|
|
|
|
|
With this resolution fixed in her mind, one dark and dreary night,
|
|
when the winds whistled and the tempest roared, she received intelligence
|
|
that Elfonzo was then waiting, and every preparation was then ready,
|
|
at the residence of Dr. Tully, and for her to make a quick escape
|
|
while the family was reposing. Accordingly she gathered her books,
|
|
went the wardrobe supplied with a variety of ornamental dressing,
|
|
and ventured alone in the streets to make her way to Elfonzo,
|
|
who was near at hand, impatiently looking and watching her arrival.
|
|
"What forms," said she, "are those rising before me? What is
|
|
that dark spot on the clouds? I do wonder what frightful ghost
|
|
that is, gleaming on the red tempest? Oh, be merciful and tell me
|
|
what region you are from. Oh, tell me, ye strong spirits, or ye
|
|
dark and fleeting clouds, that I yet have a friend." "A friend,"
|
|
said a low, whispering voice. "I am thy unchanging, thy aged,
|
|
and thy disappointed mother. Why brandish in that hand of thine
|
|
a javelin of pointed steel? Why suffer that lip I have kissed
|
|
a thousand times to equivocate? My daughter, let these tears sink
|
|
deep into thy soul, and no longer persist in that which may be your
|
|
destruction and ruin. Come, my dear child, retract your steps,
|
|
and bear me company to your welcome home." Without one retorting word,
|
|
or frown from her brow, she yielded to the entreaties of her mother,
|
|
and with all the mildness of her former character she went along
|
|
with the silver lamp of age, to the home of candor and benevolence.
|
|
Her father received her cold and formal politeness--"Where has
|
|
Ambulinia been, this blustering evening, Mrs. Valeer?" inquired he.
|
|
"Oh, she and I have been taking a solitary walk," said the mother;
|
|
"all things, I presume, are now working for the best."
|
|
|
|
Elfonzo heard this news shortly after it happened. "What," said he,
|
|
"has heaven and earth turned against me? I have been disappointed
|
|
times without number. Shall I despair?--must I give it over?
|
|
Heaven's decrees will not fade; I will write again--I will try again;
|
|
and if it traverses a gory field, I pray forgiveness at the altar
|
|
of justice."
|
|
|
|
|
|
|
|
Desolate Hill, Cumming, Geo., 1844.
|
|
|
|
Unconquered and Beloved Ambulinia--
|
|
|
|
I have only time to say to you, not to despair; thy fame shall
|
|
not perish; my visions are brightening before me. The whirlwind's
|
|
rage is past, and we now shall subdue our enemies without doubt.
|
|
On Monday morning, when your friends are at breakfast, they will
|
|
not suspect your departure, or even mistrust me being in town,
|
|
as it has been reported advantageously that I have left for the west.
|
|
You walk carelessly toward the academy grove, where you will find
|
|
me with a lightning steed, elegantly equipped to bear you off where
|
|
we shall be joined in wedlock with the first connubial rights.
|
|
Fail not to do this--think not of the tedious relations of our wrongs--
|
|
be invincible. You alone occupy all my ambition, and I alone will
|
|
make you my happy spouse, with the same unimpeached veracity.
|
|
I remain, forever, your devoted friend and admirer, J. L. Elfonzo.
|
|
|
|
|
|
|
|
The appointed day ushered in undisturbed by any clouds; nothing disturbed
|
|
Ambulinia's soft beauty. With serenity and loveliness she obeys
|
|
the request of Elfonzo. The moment the family seated themselves
|
|
at the table--"Excuse my absence for a short time," said she,
|
|
"while I attend to the placing of those flowers, which should have
|
|
been done a week ago." And away she ran to the sacred grove,
|
|
surrounded with glittering pearls, that indicated her coming.
|
|
Elfonzo hails her with his silver bow and his golden harp. They meet--
|
|
Ambulinia's countenance brightens--Elfonzo leads up his winged steed.
|
|
"Mount," said he, "ye true-hearted, ye fearless soul--the day
|
|
is ours." She sprang upon the back of the young thunder bolt,
|
|
a brilliant star sparkles upon her head, with one hand she
|
|
grasps the reins, and with the other she holds an olive branch.
|
|
"Lend thy aid, ye strong winds," they exclaimed, "ye moon, ye sun,
|
|
and all ye fair host of heaven, witness the enemy conquered."
|
|
"Hold," said Elfonzo, "thy dashing steed." "Ride on," said Ambulinia,
|
|
"the voice of thunder is behind us." And onward they went,
|
|
with such rapidity that they very soon arrived at Rural Retreat,
|
|
where they dismounted, and were united with all the solemnities
|
|
that usually attend such divine operations. They passed the day
|
|
in thanksgiving and great rejoicing, and on that evening they
|
|
visited their uncle, where many of their friends and acquaintances
|
|
had gathered to congratulate them in the field of untainted bliss.
|
|
The kind old gentleman met them in the yard: "Well," said he, "I wish
|
|
I may die, Elfonzo, if you and Ambulinia haven't tied a knot with your
|
|
tongue that you can't untie with your teeth. But come in, come in,
|
|
never mind, all is right--the world still moves on, and no one has
|
|
fallen in this great battle."
|
|
|
|
Happy now is there lot! Unmoved by misfortune, they live among
|
|
the fair beauties of the South. Heaven spreads their peace and fame
|
|
upon the arch of the rainbow, and smiles propitiously at their triumph,
|
|
THROUGH THE TEARS OF THE STORM.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
THE CALIFORNIAN'S TALE
|
|
|
|
|
|
|
|
Thirty-five years ago I was out prospecting on the Stanislaus,
|
|
tramping all day long with pick and pan and horn, and washing a hatful
|
|
of dirt here and there, always expecting to make a rich strike,
|
|
and never doing it. It was a lovely reason, woodsy, balmy,
|
|
delicious, and had once been populous, long years before, but now
|
|
the people had vanished and the charming paradise was a solitude.
|
|
They went away when the surface diggings gave out. In one place,
|
|
where a busy little city with banks and newspapers and fire companies
|
|
and a mayor and aldermen had been, was nothing but a wide expanse
|
|
of emerald turf, with not even the faintest sign that human life
|
|
had ever been present there. This was down toward Tuttletown.
|
|
In the country neighborhood thereabouts, along the dusty roads,
|
|
one found at intervals the prettiest little cottage homes, snug and cozy,
|
|
and so cobwebbed with vines snowed thick with roses that the doors
|
|
and windows were wholly hidden from sight--sign that these were
|
|
deserted homes, forsaken years ago by defeated and disappointed
|
|
families who could neither sell them nor give them away. Now and then,
|
|
half an hour apart, one came across solitary log cabins of the earliest
|
|
mining days, built by the first gold-miners, the predecessors of the
|
|
cottage-builders. In some few cases these cabins were still occupied;
|
|
and when this was so, you could depend upon it that the occupant
|
|
was the very pioneer who had built the cabin; and you could depend
|
|
on another thing, too--that he was there because he had once had
|
|
his opportunity to go home to the States rich, and had not done it;
|
|
had rather lost his wealth, and had then in his humiliation resolved
|
|
to sever all communication with his home relatives and friends,
|
|
and be to them thenceforth as one dead. Round about California
|
|
in that day were scattered a host of these living dead men--
|
|
pride-smitten poor fellows, grizzled and old at forty, whose secret
|
|
thoughts were made all of regrets and longings--regrets for their
|
|
wasted lives, and longings to be out of the struggle and done with it all.
|
|
|
|
It was a lonesome land! Not a sound in all those peaceful expanses
|
|
of grass and woods but the drowsy hum of insects; no glimpse
|
|
of man or beast; nothing to keep up your spirits and make you glad
|
|
to be alive. And so, at last, in the early part of the afternoon,
|
|
when I caught sight of a human creature, I felt a most grateful uplift.
|
|
This person was a man about forty-five years old, and he was
|
|
standing at the gate of one of those cozy little rose-clad cottages
|
|
of the sort already referred to. However, this one hadn't
|
|
a deserted look; it had the look of being lived in and petted
|
|
and cared for and looked after; and so had its front yard,
|
|
which was a garden of flowers, abundant, gay, and flourishing.
|
|
I was invited in, of course, and required to make myself at home--
|
|
it was the custom of the country..
|
|
|
|
It was delightful to be in such a place, after long weeks of daily
|
|
and nightly familiarity with miners' cabins--with all which this
|
|
implies of dirt floor, never-made beds, tin plates and cups,
|
|
bacon and beans and black coffee, and nothing of ornament but war
|
|
pictures from the Eastern illustrated papers tacked to the log walls.
|
|
That was all hard, cheerless, materialistic desolation, but here was a
|
|
nest which had aspects to rest the tired eye and refresh that something
|
|
in one's nature which, after long fasting, recognizes, when confronted
|
|
by the belongings of art, howsoever cheap and modest they may be,
|
|
that it has unconsciously been famishing and now has found nourishment.
|
|
I could not have believed that a rag carpet could feast me so,
|
|
and so content me; or that there could be such solace to the soul
|
|
in wall-paper and framed lithographs, and bright-colored tidies
|
|
and lamp-mats, and Windsor chairs, and varnished what-nots, with
|
|
sea-shells and books and china vases on them, and the score of little
|
|
unclassifiable tricks and touches that a woman's hand distributes
|
|
about a home, which one sees without knowing he sees them, yet would
|
|
miss in a moment if they were taken away. The delight that was
|
|
in my heart showed in my face, and the man saw it and was pleased;
|
|
saw it so plainly that he answered it as if it had been spoken.
|
|
|
|
"All her work," he said, caressingly; "she did it all herself--
|
|
every bit," and he took the room in with a glance which was full
|
|
of affectionate worship. One of those soft Japanese fabrics
|
|
with which women drape with careful negligence the upper part of a
|
|
picture-frame was out of adjustment. He noticed it, and rearranged
|
|
it with cautious pains, stepping back several times to gauge
|
|
the effect before he got it to suit him. Then he gave it a light
|
|
finishing pat or two with his hand, and said: "She always does that.
|
|
You can't tell just what it lacks, but it does lack something
|
|
until you've done that--you can see it yourself after it's done,
|
|
but that is all you know; you can't find out the law of it.
|
|
It's like the finishing pats a mother gives the child's hair
|
|
after she's got it combed and brushed, I reckon. I've seen her
|
|
fix all these things so much that I can do them all just her way,
|
|
though I don't know the law of any of them. But she knows the law.
|
|
She knows the why and the how both; but I don't know the why;
|
|
I only know the how."
|
|
|
|
He took me into a bedroom so that I might wash my hands; such a bedroom
|
|
as I had not seen for years: white counterpane, white pillows,
|
|
carpeted floor, papered walls, pictures, dressing-table, with mirror
|
|
and pin-cushion and dainty toilet things; and in the corner a wash-stand,
|
|
with real china-ware bowl and pitcher, and with soap in a china dish,
|
|
and on a rack more than a dozen towels--towels too clean and white
|
|
for one out of practice to use without some vague sense of profanation.
|
|
So my face spoke again, and he answered with gratified words:
|
|
|
|
"All her work; she did it all herself--every bit. Nothing here
|
|
that hasn't felt the touch of her hand. Now you would think--
|
|
But I mustn't talk so much."
|
|
|
|
By this time I was wiping my hands and glancing from detail to detail
|
|
of the room's belongings, as one is apt to do when he is in a new place,
|
|
where everything he sees is a comfort to his eye and his spirit;
|
|
and I became conscious, in one of those unaccountable ways,
|
|
you know, that there was something there somewhere that the man
|
|
wanted me to discover for myself. I knew it perfectly, and I knew
|
|
he was trying to help me by furtive indications with his eye, so I
|
|
tried hard to get on the right track, being eager to gratify him.
|
|
I failed several times, as I could see out of the corner of my eye
|
|
without being told; but at last I knew I must be looking straight
|
|
at the thing--knew it from the pleasure issuing in invisible waves
|
|
from him. He broke into a happy laugh, and rubbed his hands together,
|
|
and cried out:
|
|
|
|
"That's it! You've found it. I knew you would. It's her picture."
|
|
|
|
I went to the little black-walnut bracket on the farther wall,
|
|
and did find there what I had not yet noticed--a daguerreotype-case.
|
|
It contained the sweetest girlish face, and the most beautiful,
|
|
as it seemed to me, that I had ever seen. The man drank the admiration
|
|
from my face, and was fully satisfied.
|
|
|
|
"Nineteen her last birthday," he said, as he put the picture back;
|
|
"and that was the day we were married. When you see her--ah, just wait
|
|
till you see her!"
|
|
|
|
"Where is she? When will she be in?"
|
|
|
|
"Oh, she's away now. She's gone to see her people. They live
|
|
forty or fifty miles from here. She's been gone two weeks today."
|
|
|
|
"When do you expect her back?"
|
|
|
|
"This is Wednesday. She'll be back Saturday, in the evening--
|
|
about nine o'clock, likely."
|
|
|
|
I felt a sharp sense of disappointment.
|
|
|
|
"I'm sorry, because I'll be gone then," I said, regretfully.
|
|
|
|
"Gone? No--why should you go? Don't go. She'll be disappointed."
|
|
|
|
She would be disappointed--that beautiful creature! If she had said
|
|
the words herself they could hardly have blessed me more. I was
|
|
feeling a deep, strong longing to see her--a longing so supplicating,
|
|
so insistent, that it made me afraid. I said to myself: "I will
|
|
go straight away from this place, for my peace of mind's sake."
|
|
|
|
"You see, she likes to have people come and stop with us--
|
|
people who know things, and can talk--people like you. She delights
|
|
in it; for she knows--oh, she knows nearly everything herself,
|
|
and can talk, oh, like a bird--and the books she reads, why, you would
|
|
be astonished. Don't go; it's only a little while, you know,
|
|
and she'll be so disappointed."
|
|
|
|
I heard the words, but hardly noticed them, I was so deep in my
|
|
thinkings and strugglings. He left me, but I didn't know.
|
|
Presently he was back, with the picture case in his hand, and he
|
|
held it open before me and said:
|
|
|
|
"There, now, tell her to her face you could have stayed to see her,
|
|
and you wouldn't."
|
|
|
|
That second glimpse broke down my good resolution. I would stay
|
|
and take the risk. That night we smoked the tranquil pipe,
|
|
and talked till late about various things, but mainly about her;
|
|
and certainly I had had no such pleasant and restful time for many
|
|
a day. The Thursday followed and slipped comfortably away.
|
|
Toward twilight a big miner from three miles away came--one of
|
|
the grizzled, stranded pioneers--and gave us warm salutation,
|
|
clothed in grave and sober speech. Then he said:
|
|
|
|
"I only just dropped over to ask about the little madam, and when
|
|
is she coming home. Any news from her?"
|
|
|
|
"Oh, yes, a letter. Would you like to hear it, Tom?"
|
|
|
|
"Well, I should think I would, if you don't mind, Henry!"
|
|
|
|
Henry got the letter out of his wallet, and said he would skip
|
|
some of the private phrases, if we were willing; then he went
|
|
on and read the bulk of it--a loving, sedate, and altogether
|
|
charming and gracious piece of handiwork, with a postscript full
|
|
of affectionate regards and messages to Tom, and Joe, and Charley,
|
|
and other close friends and neighbors.
|
|
|
|
As the reader finished, he glanced at Tom, and cried out:
|
|
|
|
"Oho, you're at it again! Take your hands away, and let me see
|
|
your eyes. You always do that when I read a letter from her.
|
|
I will write and tell her."
|
|
|
|
"Oh no, you mustn't, Henry. I'm getting old, you know, and any
|
|
little disappointment makes me want to cry. I thought she'd
|
|
be here herself, and now you've got only a letter."
|
|
|
|
"Well, now, what put that in your head? I thought everybody knew
|
|
she wasn't coming till Saturday."
|
|
|
|
"Saturday! Why, come to think, I did know it. I wonder
|
|
what's the matter with me lately? Certainly I knew it.
|
|
Ain't we all getting ready for her? Well, I must be going now.
|
|
But I'll be on hand when she comes, old man!"
|
|
|
|
Late Friday afternoon another gray veteran tramped over from his
|
|
cabin a mile or so away, and said the boys wanted to have a little
|
|
gaiety and a good time Saturday night, if Henry thought she wouldn't
|
|
be too tired after her journey to be kept up.
|
|
|
|
"Tired? She tired! Oh, hear the man! Joe, YOU know she'd sit up
|
|
six weeks to please any one of you!"
|
|
|
|
When Joe heard that there was a letter, he asked to have it read,
|
|
and the loving messages in it for him broke the old fellow all up;
|
|
but he said he was such an old wreck that THAT would happen to him
|
|
if she only just mentioned his name. "Lord, we miss her so!"
|
|
he said.
|
|
|
|
Saturday afternoon I found I was taking out my watch pretty often.
|
|
Henry noticed it, and said, with a startled look:
|
|
|
|
"You don't think she ought to be here soon, do you?"
|
|
|
|
I felt caught, and a little embarrassed; but I laughed, and said
|
|
it was a habit of mine when I was in a state of expenctancy.
|
|
But he didn't seem quite satisfied; and from that time on he began
|
|
to show uneasiness. Four times he walked me up the road to a point
|
|
whence we could see a long distance; and there he would stand,
|
|
shading his eyes with his hand, and looking. Several times he said:
|
|
|
|
"I'm getting worried, I'm getting right down worried. I know
|
|
she's not due till about nine o'clock, and yet something seems
|
|
to be trying to warn me that something's happened. You don't
|
|
think anything has happened, do you?"
|
|
|
|
I began to get pretty thoroughly ashamed of him for his childishness;
|
|
and at last, when he repeated that imploring question still another time,
|
|
I lost my patience for the moment, and spoke pretty brutally to him.
|
|
It seemed to shrivel him up and cow him; and he looked so wounded
|
|
and so humble after that, that I detested myself for having done
|
|
the cruel and unnecessary thing. And so I was glad when Charley,
|
|
another veteran, arrived toward the edge of the evening, and nestled
|
|
up to Henry to hear the letter read, and talked over the preparations
|
|
for the welcome. Charley fetched out one hearty speech after another,
|
|
and did his best to drive away his friend's bodings and apprehensions.
|
|
|
|
"Anything HAPPENED to her? Henry, that's pure nonsense. There isn't
|
|
anything going to happen to her; just make your mind easy as to that.
|
|
What did the letter say? Said she was well, didn't it? And said
|
|
she'd be here by nine o'clock, didn't it? Did you ever know her
|
|
to fail of her word? Why, you know you never did. Well, then,
|
|
don't you fret; she'll BE here, and that's absolutely certain,
|
|
and as sure as you are born. Come, now, let's get to decorating--
|
|
not much time left."
|
|
|
|
Pretty soon Tom and Joe arrived, and then all hands set about adoring
|
|
the house with flowers. Toward nine the three miners said that
|
|
as they had brought their instruments they might as well tune up,
|
|
for the boys and girls would soon be arriving now, and hungry for
|
|
a good, old-fashioned break-down. A fiddle, a banjo, and a clarinet--
|
|
these were the instruments. The trio took their places side by side,
|
|
and began to play some rattling dance-music, and beat time with
|
|
their big boots.
|
|
|
|
It was getting very close to nine. Henry was standing in the door
|
|
with his eyes directed up the road, his body swaying to the torture
|
|
of his mental distress. He had been made to drink his wife's
|
|
health and safety several times, and now Tom shouted:
|
|
|
|
"All hands stand by! One more drink, and she's here!"
|
|
|
|
Joe brought the glasses on a waiter, and served the party.
|
|
I reached for one of the two remaining glasses, but Joe growled
|
|
under his breath:
|
|
|
|
"Drop that! Take the other."
|
|
|
|
Which I did. Henry was served last. He had hardly swallowed his
|
|
drink when the clock began to strike. He listened till it finished,
|
|
his face growing pale and paler; then he said:
|
|
|
|
"Boys, I'm sick with fear. Help me--I want to lie down!"
|
|
|
|
They helped him to the sofa. He began to nestle and drowse,
|
|
but presently spoke like one talking in his sleep, and said:
|
|
"Did I hear horses' feet? Have they come?"
|
|
|
|
One of the veterans answered, close to his ear: "It was Jimmy
|
|
Parish come to say the party got delayed, but they're right up
|
|
the road a piece, and coming along. Her horse is lame, but she'll
|
|
be here in half an hour."
|
|
|
|
"Oh, I'm SO thankful nothing has happened!"
|
|
|
|
He was asleep almost before the words were out of his mouth.
|
|
In a moment those handy men had his clothes off, and had tucked
|
|
him into his bed in the chamber where I had washed my hands.
|
|
They closed the door and came back. Then they seemed preparing to leave;
|
|
but I said: "Please don't go, gentlemen. She won't know me; I am
|
|
a stranger."
|
|
|
|
They glanced at each other. Then Joe said:
|
|
|
|
"She? Poor thing, she's been dead nineteen years!"
|
|
|
|
"Dead?"
|
|
|
|
"That or worse. She went to see her folks half a year after she
|
|
was married, and on her way back, on a Saturday evening, the Indians
|
|
captured her within five miles of this place, and she's never been
|
|
heard of since."
|
|
|
|
"And he lost his mind in consequence?"
|
|
|
|
"Never has been sane an hour since. But he only gets bad when
|
|
that time of year comes round. Then we begin to drop in here,
|
|
three days before she's due, to encourage him up, and ask if he's heard
|
|
from her, and Saturday we all come and fix up the house with flowers,
|
|
and get everything ready for a dance. We've done it every year
|
|
for nineteen years. The first Saturday there was twenty-seven
|
|
of us, without counting the girls; there's only three of us now,
|
|
and the girls are gone. We drug him to sleep, or he would go wild;
|
|
then he's all right for another year--thinks she's with him till
|
|
the last three or four days come round; then he begins to look for her,
|
|
and gets out his poor old letter, and we come and ask him to read
|
|
it to us. Lord, she was a darling!"
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
|
|
A HELPLESS SITUATION
|
|
|
|
|
|
|
|
Once or twice a year I get a letter of a certain pattern,
|
|
a pattern that never materially changes, in form and substance,
|
|
yet I cannot get used to that letter--it always astonishes me.
|
|
It affects me as the locomotive always affects me: I saw to myself,
|
|
"I have seen you a thousand times, you always look the same way,
|
|
yet you are always a wonder, and you are always impossible; to contrive
|
|
you is clearly beyond human genius--you can't exist, you don't exist,
|
|
yet here you are!"
|
|
|
|
I have a letter of that kind by me, a very old one. I yearn to print it,
|
|
and where is the harm? The writer of it is dead years ago, no doubt,
|
|
and if I conceal her name and address--her this-world address--
|
|
I am sure her shade will not mind. And with it I wish to print
|
|
the answer which I wrote at the time but probably did not send.
|
|
If it went--which is not likely--it went in the form of a copy,
|
|
for I find the original still here, pigeonholed with the said letter.
|
|
To that kind of letters we all write answers which we do not send,
|
|
fearing to hurt where we have no desire to hurt; I have done it many
|
|
a time, and this is doubtless a case of the sort.
|
|
|
|
|
|
THE LETTER
|
|
|
|
|
|
X------, California, JUNE 3, 1879.
|
|
|
|
Mr. S. L. Clemens, HARTFORD, CONN.:
|
|
|
|
|
|
Dear Sir,--You will doubtless be surprised to know who has
|
|
presumed to write and ask a favor of you. let your memory go back
|
|
to your days in the Humboldt mines--'62-'63. You will remember,
|
|
you and Clagett and Oliver and the old blacksmith Tillou lived
|
|
in a lean-to which was half-way up the gulch, and there were six log
|
|
cabins in the camp--strung pretty well separated up the gulch from
|
|
its mouth at the desert to where the last claim was, at the divide.
|
|
The lean-to you lived in was the one with a canvas roof that the cow
|
|
fell down through one night, as told about by you in ROUGHING IT--
|
|
my uncle Simmons remembers it very well. He lived in the principal cabin,
|
|
half-way up the divide, along with Dixon and Parker and Smith.
|
|
It had two rooms, one for kitchen and the other for bunks,
|
|
and was the only one that had. You and your party were there on
|
|
the great night, the time they had dried-apple-pie, Uncle Simmons
|
|
often speaks of it. It seems curious that dried-apple-pie should
|
|
have seemed such a great thing, but it was, and it shows how far
|
|
Humboldt was out of the world and difficult to get to, and how slim
|
|
the regular bill of fare was. Sixteen years ago--it is a long time.
|
|
I was a little girl then, only fourteen. I never saw you, I lived
|
|
in Washoe. But Uncle Simmons ran across you every now and then,
|
|
all during those weeks that you and party were there working
|
|
your claim which was like the rest. The camp played out long
|
|
and long ago, there wasn't silver enough in it to make a button.
|
|
You never saw my husband, but he was there after you left, AND LIVED
|
|
IN THAT VERY LEAN-TO, a bachelor then but married to me now.
|
|
He often wishes there had been a photographer there in those days,
|
|
he would have taken the lean-to. He got hurt in the old Hal Clayton
|
|
claim that was abandoned like the others, putting in a blast
|
|
and not climbing out quick enough, though he scrambled the best
|
|
he could. It landed him clear down on the train and hit a Piute.
|
|
For weeks they thought he would not get over it but he did,
|
|
and is all right, now. Has been ever since. This is a long
|
|
introduction but it is the only way I can make myself known.
|
|
The favor I ask I feel assured your generous heart will grant:
|
|
Give me some advice about a book I have written. I do not claim
|
|
anything for it only it is mostly true and as interesting as most
|
|
of the books of the times. I am unknown in the literary world
|
|
and you know what that means unless one has some one of influence
|
|
(like yourself) to help you by speaking a good word for you.
|
|
I would like to place the book on royalty basis plan with any one you
|
|
would suggest.
|
|
|
|
This is a secret from my husband and family. I intend
|
|
it as a surprise in case I get it published.
|
|
|
|
Feeling you will take an interest in this and if possible write
|
|
me a letter to some publisher, or, better still, if you could see
|
|
them for me and then let me hear.
|
|
|
|
I appeal to you to grant me this favor. With deepest gratitude I
|
|
think you for your attention.
|
|
|
|
|
|
One knows, without inquiring, that the twin of that embarrassing
|
|
letter is forever and ever flying in this and that and the other
|
|
direction across the continent in the mails, daily, nightly, hourly,
|
|
unceasingly, unrestingly. It goes to every well-known merchant,
|
|
and railway official, and manufacturer, and capitalist, and Mayor,
|
|
and Congressman, and Governor, and editor, and publisher, and author,
|
|
and broker, and banker--in a word, to every person who is supposed
|
|
to have "influence." It always follows the one pattern: "You do
|
|
not know me, BUT YOU ONCE KNEW A RELATIVE OF MINE," etc., etc.
|
|
We should all like to help the applicants, we should all be glad
|
|
to do it, we should all like to return the sort of answer that
|
|
is desired, but--Well, there is not a thing we can do that would
|
|
be a help, for not in any instance does that latter ever come from
|
|
anyone who CAN be helped. The struggler whom you COULD help does
|
|
his own helping; it would not occur to him to apply to you, stranger.
|
|
He has talent and knows it, and he goes into his fight eagerly and
|
|
with energy and determination--all alone, preferring to be alone.
|
|
That pathetic letter which comes to you from the incapable,
|
|
the unhelpable--how do you who are familiar with it answer it?
|
|
What do you find to say? You do not want to inflict a wound;
|
|
you hunt ways to avoid that. What do you find? How do you get out
|
|
of your hard place with a contend conscience? Do you try to explain?
|
|
The old reply of mine to such a letter shows that I tried that once.
|
|
Was I satisfied with the result? Possibly; and possibly not;
|
|
probably not; almost certainly not. I have long ago forgotten all
|
|
about it. But, anyway, I append my effort:
|
|
|
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THE REPLY
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I know Mr. H., and I will go to him, dear madam, if upon reflection
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you find you still desire it. There will be a conversation.
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I know the form it will take. It will be like this:
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MR. H. How do her books strike you?
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MR. CLEMENS. I am not acquainted with them.
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H. Who has been her publisher?
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C. I don't know.
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H. She HAS one, I suppose?
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C. I--I think not.
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H. Ah. You think this is her first book?
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C. Yes--I suppose so. I think so.
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H. What is it about? What is the character of it?
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C. I believe I do not know.
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H. Have you seen it?
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C. Well--no, I haven't.
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H. Ah-h. How long have you known her?
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C. I don't know her.
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H. Don't know her?
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C. No.
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H. Ah-h. How did you come to be interested in her book, then?
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C. Well, she--she wrote and asked me to find a publisher for her,
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and mentioned you.
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H. Why should she apply to you instead of me?
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C. She wished me to use my influence.
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H. Dear me, what has INFLUENCE to do with such a matter?
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C. Well, I think she thought you would be more likely to examine
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her book if you were influenced.
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H. Why, what we are here FOR is to examine books--anybody's book
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that comes along. It's our BUSINESS. Why should we turn away
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a book unexamined because it's a stranger's? It would be foolish.
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No publisher does it. On what ground did she request your influence,
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since you do not know her? She must have thought you knew her
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literature and could speak for it. Is that it?
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C. No; she knew I didn't.
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H. Well, what then? She had a reason of SOME sort for believing you
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competent to recommend her literature, and also under obligations
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to do it?
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C. Yes, I--I knew her uncle.
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H. Knew her UNCLE?
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C. Yes.
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H. Upon my word! So, you knew her uncle; her uncle knows her literature;
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he endorses it to you; the chain is complete, nothing further needed;
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you are satisfied, and therefore--
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C. NO, that isn't all, there are other ties. I know the cabin
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her uncle lived in, in the mines; I knew his partners, too; also I
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came near knowing her husband before she married him, and I DID
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know the abandoned shaft where a premature blast went off and he
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went flying through the air and clear down to the trail and hit
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an Indian in the back with almost fatal consequences.
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H. To HIM, or to the Indian?
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C. She didn't say which it was.
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H. (WITH A SIGH). It certainly beats the band! You don't know HER,
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you don't know her literature, you don't know who got hurt when
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the blast went off, you don't know a single thing for us to build
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an estimate of her book upon, so far as I--
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C. I knew her uncle. You are forgetting her uncle.
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H. Oh, what use is HE? Did you know him long? How long was it?
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C. Well, I don't know that I really knew him, but I must have
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met him, anyway. I think it was that way; you can't tell about
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these things, you know, except when they are recent.
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H. Recent? When was all this?
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C. Sixteen years ago.
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H. What a basis to judge a book upon! As first you said you knew him,
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and not you don't know whether you did or not.
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C. Oh yes, I know him; anyway, I think I thought I did; I'm perfectly
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certain of it.
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H. What makes you think you thought you knew him?
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C. Why, she says I did, herself.
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H. SHE says so!
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C. Yes, she does, and I DID know him, too, though I don't remember
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it now.
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H. Come--how can you know it when you don't remember it.
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C. _I_ don't know. That is, I don't know the process, but I DO know
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lots of things that I don't remember, and remember lots of things
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that I don't know. It's so with every educated person.
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H. (AFTER A PAUSE). Is your time valuable?
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C. No--well, not very.
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H. Mine is.
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So I came away then, because he was looking tired. Overwork, I reckon;
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I never do that; I have seen the evil effects of it. My mother
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was always afraid I work overwork myself, but I never did.
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Dear madam, you see how it would happen if I went there. He would
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ask me those questions, and I would try to answer them to suit him,
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and he would hunt me here and there and yonder and get me embarrassed
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more and more all the time, and at last he would look tired on
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account of overwork, and there it would end and nothing done.
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I wish I could be useful to you, but, you see, they do not
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care for uncles or any of those things; it doesn't move them,
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it doesn't have the least effect, they don't care for anything
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but the literature itself, and they as good as despise influence.
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But they do care for books, and are eager to get them and examine them,
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no matter whence they come, nor from whose pen. If you will send
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yours to a publisher--any publisher--he will certainly examine it,
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I can assure you of that.
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***
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A TELEPHONIC CONVERSATION
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Consider that a conversation by telephone--when you are simply siting
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by and not taking any part in that conversation--is one of the solemnest
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curiosities of modern life. Yesterday I was writing a deep article
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on a sublime philosophical subject while such a conversation was
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going on in the room. I notice that one can always write best when
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somebody is talking through a telephone close by. Well, the thing
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began in this way. A member of our household came in and asked me
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to have our house put into communication with Mr. Bagley's downtown.
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I have observed, in many cities, that the sex always shrink from
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calling up the central office themselves. I don't know why,
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but they do. So I touched the bell, and this talk ensued:
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CENTRAL OFFICE. (GRUFFY.) Hello!
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I. Is it the Central Office?
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C. O. Of course it is. What do you want?
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I. Will you switch me on to the Bagleys, please?
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C. O. All right. Just keep your ear to the telephone.
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Then I heard K-LOOK, K-LOOK, K'LOOK--KLOOK-KLOOK-KLOOK-LOOK-LOOK! then
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a horrible "gritting" of teeth, and finally a piping female voice:
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Y-e-s? (RISING INFLECTION.) Did you wish to speak to me?
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Without answering, I handed the telephone to the applicant, and sat down.
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Then followed that queerest of all the queer things in this world--
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a conversation with only one end of it. You hear questions asked;
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you don't hear the answer. You hear invitations given; you hear
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no thanks in return. You have listening pauses of dead silence,
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followed by apparently irrelevant and unjustifiable exclamations
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of glad surprise or sorrow or dismay. You can't make head or tail
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of the talk, because you never hear anything that the person
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at the other end of the wire says. Well, I heard the following
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remarkable series of observations, all from the one tongue,
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and all shouted--for you can't ever persuade the sex to speak gently
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into a telephone:
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Yes? Why, how did THAT happen?
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Pause.
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What did you say?
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Pause.
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Oh no, I don't think it was.
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Pause.
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NO! Oh no, I didn't mean THAT. I meant, put it in while it
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is still boiling--or just before it COMES to a boil.
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Pause.
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WHAT?
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Pause.
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I turned it over with a backstitch on the selvage edge.
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Pause.
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Yes, I like that way, too; but I think it's better to baste it
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on with Valenciennes or bombazine, or something of that sort.
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It gives it such an air--and attracts so much noise.
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Pause.
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It's forty-ninth Deuteronomy, sixty-forth to ninety-seventh inclusive.
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I think we ought all to read it often.
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Pause.
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Perhaps so; I generally use a hair pin.
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Pause.
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What did you say? (ASIDE.) Children, do be quiet!
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Pause
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OH! B FLAT! Dear me, I thought you said it was the cat!
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Pause.
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Since WHEN?
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Pause.
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Why, _I_ never heard of it.
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Pause.
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You astound me! It seems utterly impossible!
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Pause.
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WHO did?
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Pause.
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Good-ness gracious!
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Pause.
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Well, what IS this world coming to? Was it right in CHURCH?
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Pause.
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And was her MOTHER there?
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Pause.
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Why, Mrs. Bagley, I should have died of humiliation! What did
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they DO?
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Long pause.
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I can't be perfectly sure, because I haven't the notes by me;
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but I think it goes something like this: te-rolly-loll-loll, loll
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lolly-loll-loll, O tolly-loll-loll-LEE-LY-LI-I-do! And then REPEAT,
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you know.
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Pause.
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Yes, I think it IS very sweet--and very solemn and impressive,
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if you get the andantino and the pianissimo right.
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Pause.
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Oh, gum-drops, gum-drops! But I never allow them to eat striped candy.
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And of course they CAN'T, till they get their teeth, anyway.
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Pause.
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WHAT?
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Pause.
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Oh, not in the least--go right on. He's here writing--it doesn't
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bother HIM.
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Pause.
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Very well, I'll come if I can. (ASIDE.) Dear me, how it does tire
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a person's arm to hold this thing up so long! I wish she'd--
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Pause.
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Oh no, not at all; I LIKE to talk--but I'm afraid I'm keeping you
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from your affairs.
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Pause.
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Visitors?
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Pause.
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No, we never use butter on them.
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Pause.
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Yes, that is a very good way; but all the cook-books say they
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are very unhealthy when they are out of season. And HE doesn't
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like them, anyway--especially canned.
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Pause.
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Oh, I think that is too high for them; we have never paid over fifty
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cents a bunch.
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Pause.
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MUST you go? Well, GOOD-by.
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Pause.
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Yes, I think so. GOOD-by.
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Pause.
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Four o'clock, then--I'll be ready. GOOD-by.
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Pause.
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Thank you ever so much. GOOD-by.
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Pause.
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Oh, not at all!--just as fresh--WHICH? Oh, I'm glad to hear you
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say that. GOOD-by.
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(Hangs up the telephone and says, "Oh, it DOES tire a person's
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arm so!")
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A man delivers a single brutal "Good-by," and that is the end of it.
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Not so with the gentle sex--I say it in their praise; they cannot
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abide abruptness.
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***
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EDWARD MILLS AND GEORGE BENTON: A TALE
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These two were distantly related to each other--seventh cousins,
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or something of that sort. While still babies they became orphans,
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and were adopted by the Brants, a childless couple, who quickly
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grew very fond of them. The Brants were always saying: "Be pure,
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honest, sober, industrious, and considerate of others, and success
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in life is assured." The children heard this repeated some thousands
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of times before they understood it; they could repeat it themselves
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long before they could say the Lord's Prayer; it was painted over
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the nursery door, and was about the first thing they learned to read.
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It was destined to be the unswerving rule of Edward Mills's life.
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Sometimes the Brants changed the wording a little, and said:
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"Be pure, honest, sober, industrious, considerate, and you will never
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lack friends."
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Baby Mills was a comfort to everybody about him. When he wanted
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candy and could not have it, he listened to reason, and contented
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|
himself without it. When Baby Benton wanted candy, he cried for it
|
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until he got it. Baby Mills took care of his toys; Baby Benton
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|
always destroyed his in a very brief time, and then made himself
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|
to insistently disagreeable that, in order to have peace in the house,
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|
little Edward was persuaded to yield up his play-things to him.
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When the children were a little older, Georgie became a heavy expense
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|
in one respect: he took no care of his clothes; consequently, he
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shone frequently in new ones, with was not the case with Eddie.
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|
The boys grew apace. Eddie was an increasing comfort, Georgie an
|
|
increasing solicitude. It was always sufficient to say, in answer
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|
to Eddie's petitions, "I would rather you would not do it"--
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|
meaning swimming, skating, picnicking, berrying, circusing,
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|
and all sorts of things which boys delight in. But NO answer
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|
was sufficient for Georgie; he had to be humored in his desires,
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|
or he would carry them with a high hand. Naturally, no boy got
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|
more swimming skating, berrying, and so forth than he; no body
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|
ever had a better time. The good Brants did not allow the boys
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to play out after nine in summer evenings; they were sent to bed
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|
at that hour; Eddie honorably remained, but Georgie usually slipped
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|
out of the window toward ten, and enjoyed himself until midnight.
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|
It seemed impossible to break Georgie of this bad habit,
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|
but the Brants managed it at last by hiring him, with apples
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and marbles, to stay in. The good Brants gave all their time
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|
and attention to vain endeavors to regulate Georgie; they said,
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|
with grateful tears in their eyes, that Eddie needed no efforts
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|
of theirs, he was so good, so considerate, and in all ways so perfect.
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By and by the boys were big enough to work, so they were apprenticed
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to a trade: Edward went voluntarily; George was coaxed and bribed.
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Edward worked hard and faithfully, and ceased to be an expense to the
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good Brants; they praised him, so did his master; but George ran away,
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|
and it cost Mr. Brant both money and trouble to hunt him up and get
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him back. By and by he ran away again--more money and more trouble.
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He ran away a third time--and stole a few things to carry with him.
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|
Trouble and expense for Mr. Brant once more; and, besides, it was
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|
with the greatest difficulty that he succeeded in persuading
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the master to let the youth go unprosecuted for the theft.
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Edward worked steadily along, and in time became a full partner
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|
in his master's business. George did not improve; he kept the loving
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|
hearts of his aged benefactors full of trouble, and their hands full
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|
of inventive activities to protect him from ruin. Edward, as a boy,
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|
had interested himself in Sunday-schools, debating societies,
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|
penny missionary affairs, anti-tobacco organizations, anti-profanity
|
|
associations, and all such things; as a man, he was a quiet but
|
|
steady and reliable helper in the church, the temperance societies,
|
|
and in all movements looking to the aiding and uplifting of men.
|
|
This excited no remark, attracted no attention--for it was his "natural bent."
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|
Finally, the old people died. The will testified their loving
|
|
pride in Edward, and left their little property to George--
|
|
because he "needed it"; whereas, "owing to a bountiful Providence,"
|
|
such was not the case with Edward. The property was left to
|
|
George conditionally: he must buy out Edward's partner with it;
|
|
else it must go to a benevolent organization called the Prisoner's
|
|
Friend Society. The old people left a letter, in which they begged
|
|
their dear son Edward to take their place and watch over George,
|
|
and help and shield him as they had done.
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|
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|
Edward dutifully acquiesced, and George became his partner in
|
|
the business. He was not a valuable partner: he had been meddling
|
|
with drink before; he soon developed into a constant tippler now,
|
|
and his flesh and eyes showed the fact unpleasantly. Edward had
|
|
been courting a sweet and kindly spirited girl for some time.
|
|
They loved each other dearly, and--But about this period George began
|
|
to haunt her tearfully and imploringly, and at last she went crying
|
|
to Edward, and said her high and holy duty was plain before her--
|
|
she must not let her own selfish desires interfere with it:
|
|
she must marry "poor George" and "reform him." It would break
|
|
her heart, she knew it would, and so on; but duty was duty.
|
|
So she married George, and Edward's heart came very near breaking,
|
|
as well as her own. However, Edward recovered, and married another girl--
|
|
a very excellent one she was, too.
|
|
|
|
Children came to both families. Mary did her honest best to reform
|
|
her husband, but the contract was too large. George went on drinking,
|
|
and by and by he fell to misusing her and the little ones sadly.
|
|
A great many good people strove with George--they were always at it,
|
|
in fact--but he calmly took such efforts as his due and their duty,
|
|
and did not mend his ways. He added a vice, presently--that of
|
|
secret gambling. He got deeply in debt; he borrowed money
|
|
on the firm's credit, as quietly as he could, and carried this
|
|
system so far and so successfully that one morning the sheriff
|
|
took possession of the establishment, and the two cousins found
|
|
themselves penniless.
|
|
|
|
Times were hard, now, and they grew worse. Edward moved his family
|
|
into a garret, and walked the streets day and night, seeking work.
|
|
He begged for it, but in was really not to be had. He was astonished
|
|
to see how soon his face became unwelcome; he was astonished
|
|
and hurt to see how quickly the ancient interest which people had
|
|
had in him faded out and disappeared. Still, he MUST get work;
|
|
so he swallowed his chagrin, and toiled on in search of it.
|
|
At last he got a job of carrying bricks up a ladder in a hod,
|
|
and was a grateful man in consequence; but after that NOBODY knew
|
|
him or cared anything about him. He was not able to keep up
|
|
his dues in the various moral organizations to which he belonged,
|
|
and had to endure the sharp pain of seeing himself brought under
|
|
the disgrace of suspension.
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|
|
|
But the faster Edward died out of public knowledge and interest,
|
|
the faster George rose in them. He was found lying, ragged and drunk,
|
|
in the gutter one morning. A member of the Ladies' Temperance Refuge
|
|
fished him out, took him in hand, got up a subscription for him,
|
|
kept him sober a whole week, then got a situation for him.
|
|
An account of it was published.
|
|
|
|
General attention was thus drawn to the poor fellow, and a great
|
|
many people came forward and helped him toward reform with their
|
|
countenance and encouragement. He did not drink a drop for two months,
|
|
and meantime was the pet of the good. Then he fell--in the gutter;
|
|
and there was general sorrow and lamentation. But the noble
|
|
sisterhood rescued him again. They cleaned him up, they fed him,
|
|
they listened to the mournful music of his repentances, they got
|
|
him his situation again. An account of this, also, was published,
|
|
and the town was drowned in happy tears over the re-restoration
|
|
of the poor beast and struggling victim of the fatal bowl.
|
|
A grand temperance revival was got up, and after some rousing
|
|
speeches had been made the chairman said, impressively: "We are
|
|
not about to call for signers; and I think there is a spectacle
|
|
in store for you which not many in this house will be able to view
|
|
with dry eyes." There was an eloquent pause, and then George Benton,
|
|
escorted by a red-sashed detachment of the Ladies of the Refuge,
|
|
stepped forward upon the platform and signed the pledge. The air
|
|
was rent with applause, and everybody cried for joy. Everybody wrung
|
|
the hand of the new convert when the meeting was over; his salary
|
|
was enlarged next day; he was the talk of the town, and its hero.
|
|
An account of it was published.
|
|
|
|
George Benton fell, regularly, every three months, but was faithfully
|
|
rescued and wrought with, every time, and good situations were
|
|
found for him. Finally, he was taken around the country lecturing,
|
|
as a reformed drunkard, and he had great houses and did an immense
|
|
amount of good.
|
|
|
|
He was so popular at home, and so trusted--during his sober intervals--
|
|
that he was enabled to use the name of a principal citizen, and get a large
|
|
sum of money at the bank. A mighty pressure was brought to bear to save
|
|
him from the consequences of his forgery, and it was partially successful--
|
|
he was "sent up" for only two years. When, at the end of a year,
|
|
the tireless efforts of the benevolent were crowned with success,
|
|
and he emerged from the penitentiary with a pardon in his pocket,
|
|
the Prisoner's Friend Society met him at the door with a situation
|
|
and a comfortable salary, and all the other benevolent people came
|
|
forward and gave him advice, encouragement and help. Edward Mills
|
|
had once applied to the Prisoner's Friend Society for a situation,
|
|
when in dire need, but the question, "Have you been a prisoner?"
|
|
made brief work of his case.
|
|
|
|
While all these things were going on, Edward Mills had been
|
|
quietly making head against adversity. He was still poor, but was
|
|
in receipt of a steady and sufficient salary, as the respected
|
|
and trusted cashier of a bank. George Benton never came near him,
|
|
and was never heard to inquire about him. George got to indulging
|
|
in long absences from the town; there were ill reports about him,
|
|
but nothing definite.
|
|
|
|
One winter's night some masked burglars forced their way into the bank,
|
|
and found Edward Mills there alone. They commanded him to reveal
|
|
the "combination," so that they could get into the safe. He refused.
|
|
They threatened his life. He said his employers trusted him,
|
|
and he could not be traitor to that trust. He could die, if he must,
|
|
but while he lived he would be faithful; he would not yield up
|
|
the "combination." The burglars killed him.
|
|
|
|
The detectives hunted down the criminals; the chief one proved
|
|
to be George Benton. A wide sympathy was felt for the widow and
|
|
orphans of the dead man, and all the newspapers in the land begged
|
|
that all the banks in the land would testify their appreciation
|
|
of the fidelity and heroism of the murdered cashier by coming
|
|
forward with a generous contribution of money in aid of his family,
|
|
now bereft of support. The result was a mass of solid cash amounting
|
|
to upward of five hundred dollars--an average of nearly three-eights
|
|
of a cent for each bank in the Union. The cashier's own bank
|
|
testified its gratitude by endeavoring to show (but humiliatingly
|
|
failed in it) that the peerless servant's accounts were not square,
|
|
and that he himself had knocked his brains out with a bludgeon
|
|
to escape detection and punishment.
|
|
|
|
George Benton was arraigned for trial. Then everybody seemed to
|
|
forget the widow and orphans in their solicitude for poor George.
|
|
Everything that money and influence could do was done to save him,
|
|
but it all failed; he was sentenced to death. Straightway the
|
|
Governor was besieged with petitions for commutation or pardon;
|
|
they were brought by tearful young girls; by sorrowful old maids;
|
|
by deputations of pathetic widows; by shoals of impressive orphans.
|
|
But no, the Governor--for once--would not yield.
|
|
|
|
Now George Benton experienced religion. The glad news flew all around.
|
|
From that time forth his cell was always full of girls and women and
|
|
fresh flowers; all the day long there was prayer, and hymn-singing,
|
|
and thanksgiving, and homilies, and tears, with never an interruption,
|
|
except an occasional five-minute intermission for refreshments.
|
|
|
|
This sort of thing continued up to the very gallows, and George
|
|
Benton went proudly home, in the black cap, before a wailing
|
|
audience of the sweetest and best that the region could produce.
|
|
His grave had fresh flowers on it every day, for a while,
|
|
and the head-stone bore these words, under a hand pointing aloft:
|
|
"He has fought the good fight."
|
|
|
|
The brave cashier's head-stone has this inscription: "Be pure,
|
|
honest, sober, industrious, considerate, and you will never--"
|
|
|
|
Nobody knows who gave the order to leave it that way, but it was
|
|
so given.
|
|
|
|
The cashier's family are in stringent circumstances, now, it is said;
|
|
but no matter; a lot of appreciative people, who were not willing
|
|
that an act so brave and true as his should go unrewarded,
|
|
have collected forty-two thousand dollars--and built a Memorial
|
|
Church with it.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
THE FIVE BOONS OF LIFE
|
|
|
|
|
|
|
|
Chapter I
|
|
|
|
|
|
In the morning of life came a good fairy with her basket, and said:
|
|
|
|
"Here are gifts. Take one, leave the others. And be wary,
|
|
chose wisely; oh, choose wisely! for only one of them is valuable."
|
|
|
|
The gifts were five: Fame, Love, Riches, Pleasure, Death.
|
|
The youth said, eagerly:
|
|
|
|
"There is no need to consider"; and he chose Pleasure.
|
|
|
|
He went out into the world and sought out the pleasures that youth
|
|
delights in. But each in its turn was short-lived and disappointing,
|
|
vain and empty; and each, departing, mocked him. In the end he said:
|
|
"These years I have wasted. If I could but choose again, I would
|
|
choose wisely.
|
|
|
|
|
|
|
|
Chapter II
|
|
|
|
|
|
The fairy appeared, and said:
|
|
|
|
"Four of the gifts remain. Choose once more; and oh, remember--
|
|
time is flying, and only one of them is precious."
|
|
|
|
The man considered long, then chose Love; and did not mark the tears
|
|
that rose in the fairy's eyes.
|
|
|
|
After many, many years the man sat by a coffin, in an empty home.
|
|
And he communed with himself, saying: "One by one they have gone
|
|
away and left me; and now she lies here, the dearest and the last.
|
|
Desolation after desolation has swept over me; for each hour
|
|
of happiness the treacherous trader, Love, as sold me I have paid
|
|
a thousand hours of grief. Out of my heart of hearts I curse him."
|
|
|
|
|
|
|
|
Chapter III
|
|
|
|
|
|
"Choose again." It was the fairy speaking.
|
|
|
|
"The years have taught you wisdom--surely it must be so.
|
|
Three gifts remain. Only one of them has any worth--remember it,
|
|
and choose warily."
|
|
|
|
The man reflected long, then chose Fame; and the fairy, sighing,
|
|
went her way.
|
|
|
|
Years went by and she came again, and stood behind the man where he
|
|
sat solitary in the fading day, thinking. And she knew his thought:
|
|
|
|
"My name filled the world, and its praises were on every tongue,
|
|
and it seemed well with me for a little while. How little a while
|
|
it was! Then came envy; then detraction; then calumny; then hate;
|
|
then persecution. Then derision, which is the beginning of the end.
|
|
And last of all came pity, which is the funeral of fame. Oh,
|
|
the bitterness and misery of renown! target for mud in its prime,
|
|
for contempt and compassion in its decay."
|
|
|
|
|
|
|
|
Chapter IV
|
|
|
|
|
|
"Chose yet again." It was the fairy's voice.
|
|
|
|
"Two gifts remain. And do not despair. In the beginning there
|
|
was but one that was precious, and it is still here."
|
|
|
|
"Wealth--which is power! How blind I was!" said the man.
|
|
"Now, at last, life will be worth the living. I will spend,
|
|
squander, dazzle. These mockers and despisers will crawl in the dirt
|
|
before me, and I will feed my hungry heart with their envy.
|
|
I will have all luxuries, all joys, all enchantments of the spirit,
|
|
all contentments of the body that man holds dear. I will buy,
|
|
buy, buy! deference, respect, esteem, worship--every pinchbeck
|
|
grace of life the market of a trivial world can furnish forth.
|
|
I have lost much time, and chosen badly heretofore, but let that pass;
|
|
I was ignorant then, and could but take for best what seemed so."
|
|
|
|
Three short years went by, and a day came when the man sat shivering
|
|
in a mean garret; and he was gaunt and wan and hollow-eyed,
|
|
and clothed in rags; and he was gnawing a dry crust and mumbling:
|
|
|
|
"Curse all the world's gifts, for mockeries and gilded lies!
|
|
And miscalled, every one. They are not gifts, but merely lendings.
|
|
Pleasure, Love, Fame, Riches: they are but temporary disguises for
|
|
lasting realities--Pain, Grief, Shame, Poverty. The fairy said true;
|
|
in all her store there was but one gift which was precious,
|
|
only one that was not valueless. How poor and cheap and mean I
|
|
know those others now to be, compared with that inestimable one,
|
|
that dear and sweet and kindly one, that steeps in dreamless and
|
|
enduring sleep the pains that persecute the body, and the shames
|
|
and griefs that eat the mind and heart. Bring it! I am weary,
|
|
I would rest."
|
|
|
|
|
|
|
|
Chapter V
|
|
|
|
|
|
The fairy came, bringing again four of the gifts, but Death was wanting.
|
|
She said:
|
|
|
|
"I gave it to a mother's pet, a little child. It was ignorant,
|
|
but trusted me, asking me to choose for it. You did not ask me
|
|
to choose."
|
|
|
|
"Oh, miserable me! What is left for me?"
|
|
|
|
"What not even you have deserved: the wanton insult of Old Age."
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
THE FIRST WRITING-MACHINES
|
|
|
|
|
|
From My Unpublished Autobiography
|
|
|
|
|
|
|
|
Some days ago a correspondent sent in an old typewritten sheet,
|
|
faded by age, containing the following letter over the signature
|
|
of Mark Twain:
|
|
|
|
|
|
"Hartford, March 10, 1875.
|
|
|
|
|
|
"Please do not use my name in any way. Please do not even divulge
|
|
that fact that I own a machine. I have entirely stopped using
|
|
the typewriter, for the reason that I never could write a letter
|
|
with it to anybody without receiving a request by return mail that I
|
|
would not only describe the machine, but state what progress I had
|
|
made in the use of it, etc., etc. I don't like to write letters,
|
|
and so I don't want people to know I own this curiosity-breeding
|
|
little joker."
|
|
|
|
|
|
A note was sent to Mr. Clemens asking him if the letter was genuine
|
|
and whether he really had a typewriter as long ago as that.
|
|
Mr. Clemens replied that his best answer is the following chapter
|
|
from his unpublished autobiography:
|
|
|
|
|
|
|
|
1904. VILLA QUARTO, FLORENCE, JANUARY.
|
|
|
|
|
|
Dictating autobiography to a typewriter is a new experience for me,
|
|
but it goes very well, and is going to save time and "language"--
|
|
the kind of language that soothes vexation.
|
|
|
|
I have dictated to a typewriter before--but not autobiography.
|
|
Between that experience and the present one there lies a mighty gap--
|
|
more than thirty years! It is sort of lifetime. In that wide interval
|
|
much has happened--to the type-machine as well as to the rest of us.
|
|
At the beginning of that interval a type-machine was a curiosity.
|
|
The person who owned one was a curiosity, too. But now it is the
|
|
other way about: the person who DOESN'T own one is a curiosity.
|
|
I saw a type-machine for the first time in--what year? I suppose it
|
|
was 1873--because Nasby was with me at the time, and it was in Boston.
|
|
We must have been lecturing, or we could not have been in Boston,
|
|
I take it. I quitted the platform that season.
|
|
|
|
But never mind about that, it is no matter. Nasby and I saw
|
|
the machine through a window, and went in to look at it.
|
|
The salesman explained it to us, showed us samples of its work,
|
|
and said it could do fifty-seven words a minute--a statement
|
|
which we frankly confessed that we did not believe. So he put
|
|
his type-girl to work, and we timed her by the watch. She actually
|
|
did the fifty-seven in sixty seconds. We were partly convinced,
|
|
but said it probably couldn't happen again. But it did.
|
|
We timed the girl over and over again--with the same result always:
|
|
she won out. She did her work on narrow slips of paper, and we
|
|
pocketed them as fast as she turned them out, to show as curiosities.
|
|
The price of the machine was one hundred and twenty-five dollars.
|
|
I bought one, and we went away very much excited.
|
|
|
|
At the hotel we got out our slips and were a little disappointed
|
|
to find that they contained the same words. The girl had economized
|
|
time and labor by using a formula which she knew by heart.
|
|
However, we argued--safely enough--that the FIRST type-girl must
|
|
naturally take rank with the first billiard-player: neither of them
|
|
could be expected to get out of the game any more than a third or a
|
|
half of what was in it. If the machine survived--IF it survived--
|
|
experts would come to the front, by and by, who would double the girl's
|
|
output without a doubt. They would do one hundred words a minute--
|
|
my talking speed on the platform. That score has long ago been beaten.
|
|
|
|
At home I played with the toy, repeated and repeating and repeated "The
|
|
Boy stood on the Burning Deck," until I could turn that boy's adventure
|
|
out at the rate of twelve words a minute; then I resumed the pen,
|
|
for business, and only worked the machine to astonish inquiring visitors.
|
|
They carried off many reams of the boy and his burning deck.
|
|
|
|
By and by I hired a young woman, and did my first dictating (letters,
|
|
merely), and my last until now. The machine did not do both capitals
|
|
and lower case (as now), but only capitals. Gothic capitals they were,
|
|
and sufficiently ugly. I remember the first letter I dictated.
|
|
it was to Edward Bok, who was a boy then. I was not acquainted
|
|
with him at that time. His present enterprising spirit is not new--
|
|
he had it in that early day. He was accumulating autographs, and was
|
|
not content with mere signatures, he wanted a whole autograph LETTER.
|
|
I furnished it--in type-written capitals, SIGNATURE AND ALL.
|
|
It was long; it was a sermon; it contained advice; also reproaches.
|
|
I said writing was my TRADE, my bread-and-butter; I said it was
|
|
not fair to ask a man to give away samples of his trade; would he
|
|
ask the blacksmith for a horseshoe? would he ask the doctor for
|
|
a corpse?
|
|
|
|
Now I come to an important matter--as I regard it. In the year
|
|
'74 the young woman copied a considerable part of a book of mine
|
|
ON THE MACHINE. In a previous chapter of this Autobiography I
|
|
have claimed that I was the first person in the world that ever had
|
|
a telephone in the house for practical purposes; I will now claim--
|
|
until dispossess--that I was the first person in the world to APPLY
|
|
THE TYPE-MACHINE TO LITERATURE. That book must have been THE
|
|
ADVENTURES OF TOM SAWYER. I wrote the first half of it in '72,
|
|
the rest of it in '74. My machinist type-copied a book for me
|
|
in '74, so I concluded it was that one.
|
|
|
|
That early machine was full of caprices, full of defects--devilish ones.
|
|
It had as many immoralities as the machine of today has virtues.
|
|
After a year or two I found that it was degrading my character,
|
|
so I thought I would give it to Howells. He was reluctant, for he
|
|
was suspicious of novelties and unfriendly toward them, and he remains
|
|
so to this day. But I persuaded him. He had great confidence in me,
|
|
and I got him to believe things about the machine that I did not
|
|
believe myself. He took it home to Boston, and my morals began
|
|
to improve, but his have never recovered.
|
|
|
|
He kept it six months, and then returned it to me. I gave it away
|
|
twice after that, but it wouldn't stay; it came back. Then I
|
|
gave it to our coachman, Patrick McAleer, who was very grateful,
|
|
because he did not know the animal, and thought I was trying to
|
|
make him wiser and better. As soon as he got wiser and better he
|
|
traded it to a heretic for a side-saddle which he could not use,
|
|
and there my knowledge of its history ends.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
ITALIAN WITHOUT A MASTER
|
|
|
|
|
|
|
|
It is almost a fortnight now that I am domiciled in a medieval
|
|
villa in the country, a mile or two from Florence. I cannot speak
|
|
the language; I am too old not to learn how, also too busy when I
|
|
am busy, and too indolent when I am not; wherefore some will
|
|
imagine that I am having a dull time of it. But it is not so.
|
|
The "help" are all natives; they talk Italian to me, I answer
|
|
in English; I do not understand them, they do not understand me,
|
|
consequently no harm is done, and everybody is satisfied. In order
|
|
to be just and fair, I throw in an Italian word when I have one,
|
|
and this has a good influence. I get the word out of the morning paper.
|
|
I have to use it while it is fresh, for I find that Italian words
|
|
do not keep in this climate. They fade toward night, and next
|
|
morning they are gone. But it is no matter; I get a new one out
|
|
of the paper before breakfast, and thrill the domestics with it
|
|
while it lasts. I have no dictionary, and I do not want one;
|
|
I can select words by the sound, or by orthographic aspect.
|
|
Many of them have French or German or English look, and these are
|
|
the ones I enslave for the day's service. That is, as a rule.
|
|
Not always. If I find a learnable phrase that has an imposing look
|
|
and warbles musically along I do not care to know the meaning of it;
|
|
I pay it out to the first applicant, knowing that if I pronounce it
|
|
carefully HE will understand it, and that's enough.
|
|
|
|
Yesterday's word was AVANTI. It sounds Shakespearian, and probably
|
|
means Avaunt and quit my sight. Today I have a whole phrase:
|
|
SONO DISPIACENTISSIMO. I do not know what it means, but it seems
|
|
to fit in everywhere and give satisfaction. Although as a rule
|
|
my words and phrases are good for one day and train only, I have
|
|
several that stay by me all the time, for some unknown reason,
|
|
and these come very handy when I get into a long conversation and need
|
|
things to fire up with in monotonous stretches. One of the best ones
|
|
is DOV' `E IL GATTO. It nearly always produces a pleasant surprise,
|
|
therefore I save it up for places where I want to express applause
|
|
or admiration. The fourth word has a French sound, and I think
|
|
the phrase means "that takes the cake."
|
|
|
|
During my first week in the deep and dreamy stillness of this woodsy
|
|
and flowery place I was without news of the outside world, and was
|
|
well content without it. It has been four weeks since I had seen
|
|
a newspaper, and this lack seemed to give life a new charm and grace,
|
|
and to saturate it with a feeling verging upon actual delight.
|
|
Then came a change that was to be expected: the appetite for news
|
|
began to rise again, after this invigorating rest. I had to feed it,
|
|
but I was not willing to let it make me its helpless slave again;
|
|
I determined to put it on a diet, and a strict and limited one.
|
|
So I examined an Italian paper, with the idea of feeding it on that,
|
|
and on that exclusively. On that exclusively, and without help of
|
|
a dictionary. In this way I should surely be well protected against
|
|
overloading and indigestion.
|
|
|
|
A glance at the telegraphic page filled me with encouragement.
|
|
There were no scare-heads. That was good--supremely good. But there
|
|
were headings--one-liners and two-liners--and that was good too;
|
|
for without these, one must do as one does with a German paper--pay our
|
|
precious time in finding out what an article is about, only to discover,
|
|
in many cases, that there is nothing in it of interest to you.
|
|
The headline is a valuable thing.
|
|
|
|
Necessarily we are all fond of murders, scandals, swindles,
|
|
robberies, explosions, collisions, and all such things, when we
|
|
knew the people, and when they are neighbors and friends, but when
|
|
they are strangers we do not get any great pleasure out of them,
|
|
as a rule. Now the trouble with an American paper is that it has
|
|
no discrimination; it rakes the whole earth for blood and garbage,
|
|
and the result is that you are daily overfed and suffer a surfeit.
|
|
By habit you stow this muck every day, but you come by and by to
|
|
take no vital interest in it--indeed, you almost get tired of it.
|
|
As a rule, forty-nine-fiftieths of it concerns strangers only--
|
|
people away off yonder, a thousand miles, two thousand miles,
|
|
ten thousand miles from where you are. Why, when you come to think
|
|
of it, who cares what becomes of those people? I would not give
|
|
the assassination of one personal friend for a whole massacre
|
|
of those others. And, to my mind, one relative or neighbor mixed
|
|
up in a scandal is more interesting than a whole Sodom and Gomorrah
|
|
of outlanders gone rotten. Give me the home product every time.
|
|
|
|
Very well. I saw at a glance that the Florentine paper would
|
|
suit me: five out of six of its scandals and tragedies were local;
|
|
they were adventures of one's very neighbors, one might almost say
|
|
one's friends. In the matter of world news there was not too much,
|
|
but just about enough. I subscribed. I have had no occasion
|
|
to regret it. Every morning I get all the news I need for the day;
|
|
sometimes from the headlines, sometimes from the text. I have never
|
|
had to call for a dictionary yet. I read the paper with ease.
|
|
Often I do not quite understand, often some of the details escape me,
|
|
but no matter, I get the idea. I will cut out a passage or two,
|
|
then you see how limpid the language is:
|
|
|
|
|
|
Il ritorno dei Beati d'Italia
|
|
|
|
Elargizione del Re all' Ospedale italiano
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The first line means that the Italian sovereigns are coming back--
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they have been to England. The second line seems to mean that they
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enlarged the King at the Italian hospital. With a banquet, I suppose.
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An English banquet has that effect. Further:
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Il ritorno dei Sovrani
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a Roma
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ROMA, 24, ore 22,50.--I Sovrani e le Principessine Reali si attendono
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a Roma domani alle ore 15,51.
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Return of the sovereigns to Rome, you see. Date of the telegram,
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Rome, November 24, ten minutes before twenty-three o'clock. The
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telegram seems to say, "The Sovereigns and the Royal Children expect
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themselves at Rome tomorrow at fifty-one minutes after fifteen o'clock."
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I do not know about Italian time, but I judge it begins at midnight
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and runs through the twenty-four hours without breaking bulk.
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In the following ad, the theaters open at half-past twenty.
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If these are not matinees, 20.30 must mean 8.30 P.M., by my reckoning.
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Spettacolli del di 25
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TEATRO DELLA PERGOLA--(Ore 20,30)--Opera. BOH`EME. TEATRO ALFIERI.--
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Compagnia drammatica Drago--(Ore 20,30)--LA LEGGE. ALHAMBRA--(Ore 20,30)--
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Spettacolo variato. SALA EDISON--Grandiosoo spettacolo Cinematografico:
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QUO VADIS?--Inaugurazione della Chiesa Russa--In coda al Direttissimo--
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Vedute di Firenze con gran movimeno--America: Transporto tronchi giganteschi--
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I ladri in casa del Diavolo--Scene comiche. CINEMATOGRAFO--Via
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Brunelleschi n. 4.--Programma straordinario, DON CHISCIOTTE--Prezzi populari.
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The whole of that is intelligible to me--and sane and rational, too--
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except the remark about the Inauguration of a Russian Chinese.
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That one oversizes my hand. Give me five cards.
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This is a four-page paper; and as it is set in long primer leaded
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and has a page of advertisements, there is no room for the crimes,
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disasters, and general sweepings of the outside world--thanks be!
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Today I find only a single importation of the off-color sort:
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Una Principessa
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che fugge con un cocchiere
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PARIGI, 24.--Il MATIN ha da Berlino che la principessa Schovenbare-Waldenbure
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scomparve il 9 novembre. Sarebbe partita col suo cocchiere.
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La Principassa ha 27 anni.
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Twenty-seven years old, and scomparve--scampered--on the 9th November.
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You see by the added detail that she departed with her coachman.
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I hope Sarebbe has not made a mistake, but I am afraid the chances
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are that she has. SONO DISPIACENTISSIMO.
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There are several fires: also a couple of accidents. This is
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one of them:
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Grave disgrazia sul Ponte Vecchio
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Stammattina, circe le 7,30, mentre Giuseppe Sciatti, di anni 55,
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di Casellina e Torri, passava dal Ponte Vecchio, stando seduto sopra
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un barroccio carico di verdura, perse l' equilibrio e cadde al suolo,
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rimanendo con la gamba destra sotto una ruota del veicolo.
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Lo Sciatti fu subito raccolto da alcuni cittadini, che, per mezzo
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della pubblica vettura n. 365, lo transporto a San Giovanni di Dio.
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Ivi il medico di guardia gli riscontro la frattura della gamba
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destra e alcune lievi escoriazioni giudicandolo guaribile in 50
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giorni salvo complicazioni.
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What it seems to say is this: "Serious Disgrace on the Old
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Old Bridge. This morning about 7.30, Mr. Joseph Sciatti, aged 55,
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of Casellina and Torri, while standing up in a sitting posture
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on top of a carico barrow of vedure (foliage? hay? vegetables?),
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lost his equilibrium and fell on himself, arriving with his left
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leg under one of the wheels of the vehicle.
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"Said Sciatti was suddenly harvested (gathered in?) by several citizens,
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who by means of public cab No. 365 transported to St. John of God."
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Paragraph No. 3 is a little obscure, but I think it says that
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the medico set the broken left leg--right enough, since there
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was nothing the matter with the other one--and that several
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are encouraged to hope that fifty days well fetch him around
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in quite giudicandolo-guaribile way, if no complications intervene.
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I am sure I hope so myself.
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There is a great and peculiar charm about reading news-scraps in a
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language which you are not acquainted with--the charm that always goes
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with the mysterious and the uncertain. You can never be absolutely
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sure of the meaning of anything you read in such circumstances;
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you are chasing an alert and gamy riddle all the time, and the
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baffling turns and dodges of the prey make the life of the hunt.
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A dictionary would spoil it. Sometimes a single word of doubtful
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purport will cast a veil of dreamy and golden uncertainty over a
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whole paragraph of cold and practical certainties, and leave steeped
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in a haunting and adorable mystery an incident which had been vulgar
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and commonplace but for that benefaction. Would you be wise to draw
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a dictionary on that gracious word? would you be properly grateful?
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After a couple of days' rest I now come back to my subject and seek
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a case in point. I find it without trouble, in the morning paper;
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a cablegram from Chicago and Indiana by way of Paris. All the words
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save one are guessable by a person ignorant of Italian:
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Revolverate in teatro
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PARIGI, 27.--La PATRIE ha da Chicago:
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Il guardiano del teatro dell'opera di Walace (Indiana), avendo voluto
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espellare uno spettatore che continuava a fumare malgrado il diviety,
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questo spalleggiato dai suoi amici tir`o diversi colpi di rivoltella.
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Il guardiano ripose. Nacque una scarica generale. Grande panico
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tra gli spettatori. Nessun ferito.
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TRANSLATION.--"Revolveration in Theater. PARIS, 27TH. LA PATRIE
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has from Chicago: The cop of the theater of the opera of Wallace,
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Indiana, had willed to expel a spectator which continued to smoke
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in spite of the prohibition, who, spalleggiato by his friends,
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tir'o (Fr. TIR'E, Anglice PULLED) manifold revolver-shots;
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great panic among the spectators. Nobody hurt."
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It is bettable that that harmless cataclysm in the theater of the opera
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of Wallace, Indiana, excited not a person in Europe but me, and so
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came near to not being worth cabling to Florence by way of France.
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But it does excite me. It excites me because I cannot make out,
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for sure, what it was that moved the spectator to resist the officer.
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I was gliding along smoothly and without obstruction or accident,
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until I came to that word "spalleggiato," then the bottom fell out.
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You notice what a rich gloom, what a somber and pervading mystery,
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that word sheds all over the whole Wallachian tragedy. That is the charm
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of the thing, that is the delight of it. This is where you begin,
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this is where you revel. You can guess and guess, and have all
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the fun you like; you need not be afraid there will be an end to it;
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none is possible, for no amount of guessing will ever furnish you
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a meaning for that word that you can be sure is the right one.
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All the other words give you hints, by their form, their sound,
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or their spelling--this one doesn't, this one throws out no hints,
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this one keeps its secret. If there is even the slightest slight
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shadow of a hint anywhere, it lies in the very meagerly suggestive
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fact that "spalleggiato" carries our word "egg" in its stomach.
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Well, make the most out of it, and then where are you at?
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You conjecture that the spectator which was smoking in spite
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of the prohibition and become reprohibited by the guardians,
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was "egged on" by his friends, and that was owing to that evil
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influence that he initiated the revolveration in theater that has
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galloped under the sea and come crashing through the European
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press without exciting anybody but me. But are you sure,
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are you dead sure, that that was the way of it? No. Then the
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uncertainty remains, the mystery abides, and with it the charm.
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Guess again.
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If I had a phrase-book of a really satisfactory sort I would
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study it, and not give all my free time to undictionarial readings,
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but there is no such work on the market. The existing phrase-books
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are inadequate. They are well enough as far as they go, but when
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you fall down and skin your leg they don't tell you what to say.
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***
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ITALIAN WITH GRAMMAR
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I found that a person of large intelligence could read this beautiful
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language with considerable facility without a dictionary, but I presently
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found that to such a parson a grammar could be of use at times.
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It is because, if he does not know the WERE'S and the WAS'S and the MAYBE'S
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and the HAS-BEENS'S apart, confusions and uncertainties can arise.
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He can get the idea that a thing is going to happen next week
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when the truth is that it has already happened week before last.
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Even more previously, sometimes. Examination and inquiry showed
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me that the adjectives and such things were frank and fair-minded
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and straightforward, and did not shuffle; it was the Verb that mixed
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the hands, it was the Verb that lacked stability, it was the Verb
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that had no permanent opinion about anything, it was the Verb that was
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always dodging the issue and putting out the light and making all the trouble.
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Further examination, further inquiry, further reflection,
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confirmed this judgment, and established beyond peradventure the fact
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that the Verb was the storm-center. This discovery made plain
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the right and wise course to pursue in order to acquire certainty
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and exactness in understanding the statements which the newspaper
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was daily endeavoring to convey to me: I must catch a Verb and
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tame it. I must find out its ways, I must spot its eccentricities,
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I must penetrate its disguises, I must intelligently foresee
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and forecast at least the commoner of the dodges it was likely
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to try upon a stranger in given circumstances, I must get in on
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its main shifts and head them off, I must learn its game and play the limit.
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I had noticed, in other foreign languages, that verbs are bred
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in families, and that the members of each family have certain features
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or resemblances that are common to that family and distinguish it
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from the other families--the other kin, the cousins and what not.
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I had noticed that this family-mark is not usually the nose or the hair,
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so to speak, but the tail--the Termination--and that these tails
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are quite definitely differentiated; insomuch that an expert can
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tell a Pluperfect from a Subjunctive by its tail as easily and as
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certainly as a cowboy can tell a cow from a horse by the like process,
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the result of observation and culture. I should explain that I
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am speaking of legitimate verbs, those verbs which in the slang
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of the grammar are called Regular. There are other--I am not meaning
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to conceal this; others called Irregulars, born out of wedlock,
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of unknown and uninteresting parentage, and naturally destitute
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of family resemblances, as regards to all features, tails included.
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But of these pathetic outcasts I have nothing to say. I do not
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approve of them, I do not encourage them; I am prudishly delicate
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and sensitive, and I do not allow them to be used in my presence.
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But, as I have said, I decided to catch one of the others and break
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it into harness. One is enough. Once familiar with its assortment
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of tails, you are immune; after that, no regular verb can conceal
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its specialty from you and make you think it is working the past
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or the future or the conditional or the unconditional when it is
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engaged in some other line of business--its tail will give it away.
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I found out all these things by myself, without a teacher.
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I selected the verb AMARE, TO LOVE. Not for any personal reason,
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for I am indifferent about verbs; I care no more for one verb than
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for another, and have little or no respect for any of them; but in
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foreign languages you always begin with that one. Why, I don't know.
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It is merely habit, I suppose; the first teacher chose it,
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Adam was satisfied, and there hasn't been a successor since with
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originality enough to start a fresh one. For they ARE a pretty
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limited lot, you will admit that? Originality is not in their line;
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they can't think up anything new, anything to freshen up the old
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moss-grown dullness of the language lesson and put life and "go"
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into it, and charm and grace and picturesqueness.
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I knew I must look after those details myself; therefore I thought
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them out and wrote them down, and set for the FACCHINO and explained
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them to him, and said he must arrange a proper plant, and get together
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a good stock company among the CONTADINI, and design the costumes,
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and distribute the parts; and drill the troupe, and be ready in three
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days to begin on this Verb in a shipshape and workman-like manner.
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I told him to put each grand division of it under a foreman,
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and each subdivision under a subordinate of the rank of sergeant
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or corporal or something like that, and to have a different uniform
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for each squad, so that I could tell a Pluperfect from a Compound
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Future without looking at the book; the whole battery to be under
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his own special and particular command, with the rank of Brigadier,
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and I to pay the freight.
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I then inquired into the character and possibilities of the selected verb,
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and was much disturbed to find that it was over my size, it being
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chambered for fifty-seven rounds--fifty-seven ways of saying I LOVE
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without reloading; and yet none of them likely to convince a girl
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that was laying for a title, or a title that was laying for rocks.
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It seemed to me that with my inexperience it would be foolish to go
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into action with this mitrailleuse, so I ordered it to the rear
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and told the facchino to provide something a little more primitive
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to start with, something less elaborate, some gentle old-fashioned
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flint-lock, smooth-bore, double-barreled thing, calculated to cripple
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at two hundred yards and kill at forty--an arrangement suitable for a
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beginner who could be satisfied with moderate results on the offstart
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and did not wish to take the whole territory in the first campaign.
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But in vain. He was not able to mend the matter, all the verbs being
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of the same build, all Gatlings, all of the same caliber and delivery,
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fifty-seven to the volley, and fatal at a mile and a half.
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But he said the auxiliary verb AVERE, TO HAVE, was a tidy thing,
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and easy to handle in a seaway, and less likely to miss stays in
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going about than some of the others; so, upon his recommendation I
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chose that one, and told him to take it along and scrape its bottom
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and break out its spinnaker and get it ready for business.
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I will explain that a facchino is a general-utility domestic.
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Mine was a horse-doctor in his better days, and a very good one.
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At the end of three days the facchino-doctor-brigadier was ready.
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I was also ready, with a stenographer. We were in a room called
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the Rope-Walk. This is a formidably long room, as is indicated
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by its facetious name, and is a good place for reviews. At 9:30
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the F.-D.-B. took his place near me and gave the word of command;
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the drums began to rumble and thunder, the head of the forces appeared
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|
at an upper door, and the "march-past" was on. Down they filed,
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|
a blaze of variegated color, each squad gaudy in a uniform of its own
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|
and bearing a banner inscribed with its verbal rank and quality:
|
|
first the Present Tense in Mediterranean blue and old gold,
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|
then the Past Definite in scarlet and black, then the Imperfect in
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|
green and yellow, then the Indicative Future in the stars and stripes,
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|
then the Old Red Sandstone Subjunctive in purple and silver--
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and so on and so on, fifty-seven privates and twenty commissioned
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and non-commissioned officers; certainly one of the most fiery and
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dazzling and eloquent sights I have ever beheld. I could not keep back
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the tears. Presently:
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"Halt!" commanded the Brigadier.
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"Front--face!"
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"Right dress!"
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"Stand at ease!"
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"One--two--three. In unison--RECITE!"
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It was fine. In one noble volume of sound of all the fifty-seven
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Haves in the Italian language burst forth in an exalting
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|
and splendid confusion. Then came commands:
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"About--face! Eyes--front! Helm alee--hard aport! Forward--march!"
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|
and the drums let go again.
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When the last Termination had disappeared, the commander said
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|
the instruction drill would now begin, and asked for suggestions.
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|
I said:
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"They say I HAVE, THOU HAST, HE HAS, and so on, but they don't say WHAT.
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It will be better, and more definite, if they have something
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|
to have; just an object, you know, a something--anything will do;
|
|
anything that will give the listener a sort of personal as well
|
|
as grammatical interest in their joys and complaints, you see."
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He said:
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"It is a good point. Would a dog do?"
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I said I did not know, but we could try a dog and see. So he sent
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|
out an aide-de-camp to give the order to add the dog.
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The six privates of the Present Tense now filed in, in charge
|
|
of Sergeant AVERE (TO HAVE), and displaying their banner.
|
|
They formed in line of battle, and recited, one at a time, thus:
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"IO HO UN CANE, I have a dog."
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"TU HAI UN CANE, thou hast a dog."
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"EGLI HA UN CANE, he has a dog."
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"NOI ABBIAMO UN CANE, we have a dog."
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"VOI AVETE UN CANE, you have a dog."
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"EGLINO HANNO UN CANE, they have a dog."
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|
No comment followed. They returned to camp, and I reflected a while.
|
|
The commander said:
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|
|
"I fear you are disappointed."
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|
|
"Yes," I said; "they are too monotonous, too singsong, to dead-and-alive;
|
|
they have no expression, no elocution. It isn't natural; it could
|
|
never happen in real life. A person who had just acquired a dog
|
|
is either blame' glad or blame' sorry. He is not on the fence.
|
|
I never saw a case. What the nation do you suppose is the matter
|
|
with these people?"
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|
|
He thought maybe the trouble was with the dog. He said:
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|
|
"These are CONTADINI, you know, and they have a prejudice against dogs--
|
|
that is, against marimane. Marimana dogs stand guard over people's
|
|
vines and olives, you know, and are very savage, and thereby a grief
|
|
and an inconvenience to persons who want other people's things
|
|
at night. In my judgment they have taken this dog for a marimana,
|
|
and have soured on him."
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|
|
I saw that the dog was a mistake, and not functionable:
|
|
we must try something else; something, if possible, that could
|
|
evoke sentiment, interest, feeling.
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|
|
"What is cat, in Italian?" I asked.
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"Gatto."
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"Is it a gentleman cat, or a lady?"
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"Gentleman cat."
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|
|
"How are these people as regards that animal?"
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|
"We-ll, they--they--"
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|
"You hesitate: that is enough. How are they about chickens?"
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|
He tilted his eyes toward heaven in mute ecstasy. I understood.
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|
|
"What is chicken, in Italian?" I asked.
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|
|
"Pollo, PODERE." (Podere is Italian for master. It is a title
|
|
of courtesy, and conveys reverence and admiration.) "Pollo is one
|
|
chicken by itself; when there are enough present to constitute
|
|
a plural, it is POLLI."
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|
"Very well, polli will do. Which squad is detailed for duty next?"
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"The Past Definite."
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|
|
"Send out and order it to the front--with chickens. And let them
|
|
understand that we don't want any more of this cold indifference."
|
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|
|
He gave the order to an aide, adding, with a haunting tenderness
|
|
in his tone and a watering mouth in his aspect:
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|
"Convey to them the conception that these are unprotected chickens."
|
|
He turned to me, saluting with his hand to his temple, and explained,
|
|
"It will inflame their interest in the poultry, sire."
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|
|
A few minutes elapsed. Then the squad marched in and formed up,
|
|
their faces glowing with enthusiasm, and the file-leader shouted:
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|
"EBBI POLLI, I had chickens!"
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|
"Good!" I said. "Go on, the next."
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|
"AVEST POLLI, thou hadst chickens!"
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|
|
"Fine! Next!"
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|
"EBBE POLLI, he had chickens!"
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|
"Moltimoltissimo! Go on, the next!"
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|
"AVEMMO POLLI, we had chickens!"
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|
"Basta-basta aspettatto avanti--last man--CHARGE!"
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|
|
"EBBERO POLLI, they had chickens!"
|
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|
|
Then they formed in echelon, by columns of fours, refused the left,
|
|
and retired in great style on the double-quick. I was enchanted,
|
|
and said:
|
|
|
|
"Now, doctor, that is something LIKE! Chickens are the ticket,
|
|
there is no doubt about it. What is the next squad?"
|
|
|
|
"The Imperfect."
|
|
|
|
"How does it go?"
|
|
|
|
"IO AVENA, I had, TU AVEVI, thou hadst, EGLI AVENA, he had,
|
|
NOI AV--"
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|
|
|
Wait--we've just HAD the hads. what are you giving me?"
|
|
|
|
"But this is another breed."
|
|
|
|
"What do we want of another breed? Isn't one breed enough?
|
|
HAD is HAD, and your tricking it out in a fresh way of spelling
|
|
isn't going to make it any hadder than it was before; now you know
|
|
that yourself."
|
|
|
|
"But there is a distinction--they are not just the same Hads."
|
|
|
|
"How do you make it out?"
|
|
|
|
"Well, you use that first Had when you are referring to something
|
|
that happened at a named and sharp and perfectly definite moment;
|
|
you use the other when the thing happened at a vaguely defined time
|
|
and in a more prolonged and indefinitely continuous way."
|
|
|
|
'Why, doctor, it is pure nonsense; you know it yourself. Look here:
|
|
If I have had a had, or have wanted to have had a had, or was in a position
|
|
right then and there to have had a had that hadn't had any chance
|
|
to go out hadding on account of this foolish discrimination which lets
|
|
one Had go hadding in any kind of indefinite grammatical weather but
|
|
restricts the other one to definite and datable meteoric convulsions,
|
|
and keeps it pining around and watching the barometer all the time,
|
|
and liable to get sick through confinement and lack of exercise,
|
|
and all that sort of thing, why--why, the inhumanity of it is enough,
|
|
let alone the wanton superfluity and uselessness of any such a loafing
|
|
consumptive hospital-bird of a Had taking up room and cumbering
|
|
the place for nothing. These finical refinements revolt me;
|
|
it is not right, it is not honorable; it is constructive nepotism
|
|
to keep in office a Had that is so delicate it can't come out when
|
|
the wind's in the nor'west--I won't have this dude on the payroll.
|
|
Cancel his exequator; and look here--"
|
|
|
|
"But you miss the point. It is like this. You see--"
|
|
|
|
"Never mind explaining, I don't care anything about it. Six Hads
|
|
is enough for me; anybody that needs twelve, let him subscribe;
|
|
I don't want any stock in a Had Trust. Knock out the Prolonged
|
|
and Indefinitely Continuous; four-fifths of it is water, anyway."
|
|
|
|
"But I beg you, podere! It is often quite indispensable in cases where--"
|
|
|
|
"Pipe the next squad to the assault!"
|
|
|
|
But it was not to be; for at that moment the dull boom of the noon gun
|
|
floated up out of far-off Florence, followed by the usual softened
|
|
jangle of church-bells, Florentine and suburban, that bursts out in
|
|
murmurous response; by labor-union law the COLAZIONE [1] must stop;
|
|
stop promptly, stop instantly, stop definitely, like the chosen
|
|
and best of the breed of Hads.
|
|
|
|
- - -
|
|
|
|
1. Colazione is Italian for a collection, a meeting, a seance,
|
|
a sitting.--M.T.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
A BURLESQUE BIOGRAPHY
|
|
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|
|
Two or three persons having at different times intimated that if I
|
|
would write an autobiography they would read it when they got leisure,
|
|
I yield at last to this frenzied public demand and herewith tender
|
|
my history.
|
|
|
|
Ours is a noble house, and stretches a long way back into antiquity.
|
|
The earliest ancestor the Twains have any record of was a friend of
|
|
the family by the name of Higgins. This was in the eleventh century,
|
|
when our people were living in Aberdeen, county of Cork, England.
|
|
Why it is that our long line has ever since borne the maternal
|
|
name (except when one of them now and then took a playful
|
|
refuge in an alias to avert foolishness), instead of Higgins,
|
|
is a mystery which none of us has ever felt much desire to stir.
|
|
It is a kind of vague, pretty romance, and we leave it alone.
|
|
All the old families do that way.
|
|
|
|
Arthour Twain was a man of considerable note--a solicitor on
|
|
the highway in William Rufus's time. At about the age of thirty
|
|
he went to one of those fine old English places of resort
|
|
called Newgate, to see about something, and never returned again.
|
|
While there he died suddenly.
|
|
|
|
Augustus Twain seems to have made something of a stir about the year 1160.
|
|
He was as full of fun as he could be, and used to take his old saber
|
|
and sharpen it up, and get in a convenient place on a dark night,
|
|
and stick it through people as they went by, to see them jump.
|
|
He was a born humorist. But he got to going too far with it;
|
|
and the first time he was found stripping one of these parties,
|
|
the authorities removed one end of him, and put it up on a nice high
|
|
place on Temple Bar, where it could contemplate the people and have
|
|
a good time. He never liked any situation so much or stuck to it
|
|
so long.
|
|
|
|
Then for the next two hundred years the family tree shows
|
|
a succession of soldiers--noble, high-spirited fellows,
|
|
who always went into battle singing, right behind the army,
|
|
and always went out a-whooping, right ahead of it.
|
|
|
|
This is a scathing rebuke to old dead Froissart's poor witticism
|
|
that our family tree never had but one limb to it, and that that
|
|
one stuck out at right angles, and bore fruit winter and summer.
|
|
|
|
Early in the fifteenth century we have Beau Twain, called "the Scholar."
|
|
He wrote a beautiful, beautiful hand. And he could imitate anybody's
|
|
hand so closely that it was enough to make a person laugh his head
|
|
off to see it. He had infinite sport with his talent. But by and
|
|
by he took a contract to break stone for a road, and the roughness
|
|
of the work spoiled his hand. Still, he enjoyed life all the time
|
|
he was in the stone business, which, with inconsiderable intervals,
|
|
was some forty-two years. In fact, he died in harness. During all
|
|
those long years he gave such satisfaction that he never was through
|
|
with one contract a week till the government gave him another. He was
|
|
a perfect pet. And he was always a favorite with his fellow-artists,
|
|
and was a conspicuous member of their benevolent secret society,
|
|
called the Chain Gang. He always wore his hair short, had a
|
|
preference for striped clothes, and died lamented by the government.
|
|
He was a sore loss to his country. For he was so regular.
|
|
|
|
Some years later we have the illustrious John Morgan Twain.
|
|
He came over to this country with Columbus in 1492 as a passenger.
|
|
He appears to have been of a crusty, uncomfortable disposition.
|
|
He complained of the food all the way over, and was always threatening
|
|
to go ashore unless there was a change. He wanted fresh shad.
|
|
Hardly a day passed over his head that he did not go idling about
|
|
the ship with his nose in the air, sneering about the commander,
|
|
and saying he did not believe Columbus knew where he was going
|
|
to or had ever been there before. The memorable cry of "Land ho!"
|
|
thrilled every heart in the ship but his. He gazed awhile through a
|
|
piece of smoked glass at the penciled line lying on the distant water,
|
|
and then said: "Land be hanged--it's a raft!"
|
|
|
|
When this questionable passenger came on board the ship, be brought
|
|
nothing with him but an old newspaper containing a handkerchief
|
|
marked "B. G.," one cotton sock marked "L. W. C.," one woolen one
|
|
marked "D. F.," and a night-shirt marked "O. M. R." And yet during
|
|
the voyage he worried more about his "trunk," and gave himself more
|
|
airs about it, than all the rest of the passengers put together.
|
|
If the ship was "down by the head," and would not steer, he would
|
|
go and move his "trunk" further aft, and then watch the effect.
|
|
If the ship was "by the stern," he would suggest to Columbus to detail
|
|
some men to "shift that baggage." In storms he had to be gagged,
|
|
because his wailings about his "trunk" made it impossible for
|
|
the men to hear the orders. The man does not appear to have been
|
|
openly charged with any gravely unbecoming thing, but it is noted
|
|
in the ship's log as a "curious circumstance" that albeit he brought
|
|
his baggage on board the ship in a newspaper, he took it ashore in
|
|
four trunks, a queensware crate, and a couple of champagne baskets.
|
|
But when he came back insinuating, in an insolent, swaggering way,
|
|
that some of this things were missing, and was going to search
|
|
the other passengers' baggage, it was too much, and they threw
|
|
him overboard. They watched long and wonderingly for him to
|
|
come up, but not even a bubble rose on the quietly ebbing tide.
|
|
But while every one was most absorbed in gazing over the side,
|
|
and the interest was momentarily increasing, it was observed with
|
|
consternation that the vessel was adrift and the anchor-cable hanging
|
|
limp from the bow. Then in the ship's dimmed and ancient log we
|
|
find this quaint note:
|
|
|
|
"In time it was discouvered yt ye troblesome passenger hadde gone
|
|
downe and got ye anchor, and toke ye same and solde it to ye dam
|
|
sauvages from ye interior, saying yt he hadde founde it, ye sonne
|
|
of a ghun!"
|
|
|
|
Yet this ancestor had good and noble instincts, and it is with
|
|
pride that we call to mind the fact that he was the first white
|
|
person who ever interested himself in the work of elevating
|
|
and civilizing our Indians. He built a commodious jail and put
|
|
up a gallows, and to his dying day he claimed with satisfaction
|
|
that he had had a more restraining and elevating influence on
|
|
the Indians than any other reformer that ever labored among them.
|
|
At this point the chronicle becomes less frank and chatty,
|
|
and closes abruptly by saying that the old voyager went to see
|
|
his gallows perform on the first white man ever hanged in America,
|
|
and while there received injuries which terminated in his death.
|
|
|
|
The great-grandson of the "Reformer" flourished in sixteen hundred
|
|
and something, and was known in our annals as "the old Admiral,"
|
|
though in history he had other titles. He was long in command of
|
|
fleets of swift vessels, well armed and manned, and did great service
|
|
in hurrying up merchantmen. Vessels which he followed and kept
|
|
his eagle eye on, always made good fair time across the ocean.
|
|
But if a ship still loitered in spite of all he could do,
|
|
his indignation would grow till he could contain himself no longer--
|
|
and then he would take that ship home where he lived and keep it
|
|
there carefully, expecting the owners to come for it, but they never did.
|
|
And he would try to get the idleness and sloth out of the sailors
|
|
of that ship by compelling them to take invigorating exercise and
|
|
a bath. He called it "walking a plank." All the pupils liked it.
|
|
At any rate, they never found any fault with it after trying it.
|
|
When the owners were late coming for their ships, the Admiral always
|
|
burned them, so that the insurance money should not be lost.
|
|
At last this fine old tar was cut down in the fullness of his years
|
|
and honors. And to her dying day, his poor heart-broken widow believed
|
|
that if he had been cut down fifteen minutes sooner he might have
|
|
been resuscitated.
|
|
|
|
Charles Henry Twain lived during the latter part of the seventeenth
|
|
century, and was a zealous and distinguished missionary.
|
|
He converted sixteen thousand South Sea islanders, and taught them
|
|
that a dog-tooth necklace and a pair of spectacles was not enough
|
|
clothing to come to divine service in. His poor flock loved
|
|
him very, very dearly; and when his funeral was over, they got up
|
|
in a body (and came out of the restaurant) with tears in their eyes,
|
|
and saying, one to another, that he was a good tender missionary,
|
|
and they wished they had some more of him.
|
|
|
|
Pah-go-to-wah-wah-pukketekeewis (Mighty-Hunter-with-a-Hog-Eye-Twain)
|
|
adorned the middle of the eighteenth century, and aided General
|
|
Braddock with all his heart to resist the oppressor Washington.
|
|
It was this ancestor who fired seventeen times at our Washington
|
|
from behind a tree. So far the beautiful romantic narrative
|
|
in the moral story-books is correct; but when that narrative goes
|
|
on to say that at the seventeenth round the awe-stricken savage
|
|
said solemnly that that man was being reserved by the Great Spirit
|
|
for some mighty mission, and he dared not lift his sacrilegious rifle
|
|
against him again, the narrative seriously impairs the integrity
|
|
of history. What he did say was:
|
|
|
|
"It ain't no (hic) no use. 'At man's so drunk he can't stan'
|
|
still long enough for a man to hit him. I (hic) I can't 'ford
|
|
to fool away any more am'nition on him."
|
|
|
|
That was why he stopped at the seventeenth round, and it was a good,
|
|
plain, matter-of-fact reason, too, and one that easily commends itself
|
|
to us by the eloquent, persuasive flavor of probability there is about it.
|
|
|
|
I also enjoyed the story-book narrative, but I felt a marring misgiving
|
|
that every Indian at Braddock's Defeat who fired at a soldier
|
|
a couple of times (two easily grows to seventeen in a century),
|
|
and missed him, jumped to the conclusion that the Great Spirit
|
|
was reserving that soldier for some grand mission; and so I somehow
|
|
feared that the only reason why Washington's case is remembered
|
|
and the others forgotten is, that in his the prophecy came true,
|
|
and in that of the others it didn't. There are not books enough
|
|
on earth to contain the record of the prophecies Indians and other
|
|
unauthorized parties have made; but one may carry in his overcoat
|
|
pockets the record of all the prophecies that have been fulfilled.
|
|
|
|
I will remark here, in passing, that certain ancestors of mine are
|
|
so thoroughly well-known in history by their aliases, that I have
|
|
not felt it to be worth while to dwell upon them, or even mention
|
|
them in the order of their birth. Among these may be mentioned
|
|
Richard Brinsley Twain, alias Guy Fawkes; John Wentworth Twain,
|
|
alias Sixteen-String Jack; William Hogarth Twain, alias Jack Sheppard;
|
|
Ananias Twain, alias Baron Munchausen; John George Twain,
|
|
alias Captain Kydd; and then there are George Francis Twain,
|
|
Tom Pepper, Nebuchadnezzar, and Baalam's Ass--they all belong
|
|
to our family, but to a branch of it somewhat distinctly removed
|
|
from the honorable direct line--in fact, a collateral branch,
|
|
whose members chiefly differ from the ancient stock in that, in order
|
|
to acquire the notoriety we have always yearned and hungered for,
|
|
they have got into a low way of going to jail instead of getting hanged.
|
|
|
|
It is not well, when writing an autobiography, to follow your ancestry
|
|
down too close to your own time--it is safest to speak only vaguely
|
|
of your great-grandfather, and then skip from there to yourself,
|
|
which I now do.
|
|
|
|
I was born without teeth--and there Richard III. had the advantage
|
|
of me; but I was born without a humpback, likewise, and there I
|
|
had the advantage of him. My parents were neither very poor nor
|
|
conspicuously honest.
|
|
|
|
But now a thought occurs to me. My own history would really seem
|
|
so tame contrasted with that of my ancestors, that it is simply wisdom
|
|
to leave it unwritten until I am hanged. If some other biographies I
|
|
have read had stopped with the ancestry until a like event occurred,
|
|
it would have been a felicitous thing for the reading public.
|
|
How does it strike you?
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
HOW TO TELL A STORY
|
|
|
|
The Humorous Story an American Development.--Its Difference
|
|
|
|
from Comic and Witty Stories
|
|
|
|
|
|
|
|
I do not claim that I can tell a story as it ought to be told.
|
|
I only claim to know how a story ought to be told, for I have been
|
|
almost daily in the company of the most expert story-tellers for
|
|
many years.
|
|
|
|
There are several kinds of stories, but only one difficult kind--
|
|
the humorous. I will talk mainly about that one. The humorous story
|
|
is American, the comic story is English, the witty story is French.
|
|
The humorous story depends for its effect upon the MANNER of the telling;
|
|
the comic story and the witty story upon the MATTER.
|
|
|
|
The humorous story may be spun out to great length, and may wander
|
|
around as much as it pleases, and arrive nowhere in particular;
|
|
but the comic and witty stories must be brief and end with a point.
|
|
The humorous story bubbles gently along, the others burst.
|
|
|
|
The humorous story is strictly a work of art--high and delicate art--
|
|
and only an artist can tell it; but no art is necessary in telling
|
|
the comic and the witty story; anybody can do it. The art of telling
|
|
a humorous story--understand, I mean by word of mouth, not print--
|
|
was created in America, and has remained at home.
|
|
|
|
The humorous story is told gravely; the teller does his best
|
|
to conceal the fact that he even dimly suspects that there is
|
|
anything funny about it; but the teller of the comic story tells you
|
|
beforehand that it is one of the funniest things he has ever heard,
|
|
then tells it with eager delight, and is the first person to laugh
|
|
when he gets through. And sometimes, if he has had good success,
|
|
he is so glad and happy that he will repeat the "nub" of it
|
|
and glance around from face to face, collecting applause,
|
|
and then repeat it again. It is a pathetic thing to see.
|
|
|
|
Very often, of course, the rambling and disjointed humorous story
|
|
finishes with a nub, point, snapper, or whatever you like to call it.
|
|
Then the listener must be alert, for in many cases the teller will
|
|
divert attention from that nub by dropping it in a carefully casual
|
|
and indifferent way, with the pretense that he does not know it
|
|
is a nub.
|
|
|
|
Artemus Ward used that trick a good deal; then when the belated audience
|
|
presently caught the joke he would look up with innocent surprise,
|
|
as if wondering what they had found to laugh at. Dan Setchell
|
|
used it before him, Nye and Riley and others use it today.
|
|
|
|
But the teller of the comic story does not slur the nub;
|
|
he shouts it at you--every time. And when he prints it,
|
|
in England, France, Germany, and Italy, he italicizes it,
|
|
puts some whopping exclamation-points after it, and sometimes
|
|
explains it in a parenthesis. All of which is very depressing,
|
|
and makes one want to renounce joking and lead a better life.
|
|
|
|
Let me set down an instance of the comic method, using an anecdote
|
|
which has been popular all over the world for twelve or fifteen
|
|
hundred years. The teller tells it in this way:
|
|
|
|
|
|
THE WOUNDED SOLDIER
|
|
|
|
|
|
In the course of a certain battle a soldier whose leg had been shot off
|
|
appealed to another soldier who was hurrying by to carry him to the rear,
|
|
informing him at the same time of the loss which he had sustained;
|
|
whereupon the generous son of Mars, shouldering the unfortunate,
|
|
proceeded to carry out his desire. The bullets and cannon-balls
|
|
were flying in all directions, and presently one of the latter
|
|
took the wounded man's head off--without, however, his deliverer
|
|
being aware of it. In no long time he was hailed by an officer,
|
|
who said:
|
|
|
|
"Where are you going with that carcass?"
|
|
|
|
"To the rear, sir--he's lost his leg!"
|
|
|
|
"His leg, forsooth?" responded the astonished officer; "you mean
|
|
his head, you booby."
|
|
|
|
Whereupon the soldier dispossessed himself of his burden, and stood
|
|
looking down upon it in great perplexity. At length he said:
|
|
|
|
"It is true, sir, just as you have said." Then after a pause he added,
|
|
"BUT HE TOLD ME IT WAS HIS LEG!!!!!"
|
|
|
|
|
|
Here the narrator bursts into explosion after
|
|
explosion of thunderous horse-laughter, repeating that
|
|
nub from time to time through his gasping and shriekings and suffocatings.
|
|
|
|
It takes only a minute and a half to tell that in its comic-story form;
|
|
and isn't worth the telling, after all. Put into the humorous-story
|
|
form it takes ten minutes, and is about the funniest thing I have
|
|
ever listened to--as James Whitcomb Riley tells it.
|
|
|
|
He tells it in the character of a dull-witted old farmer who has
|
|
just heard it for the first time, thinks it is unspeakably funny,
|
|
and is trying to repeat it to a neighbor. But he can't remember it;
|
|
so he gets all mixed up and wanders helplessly round and round,
|
|
putting in tedious details that don't belong in the tale and only
|
|
retard it; taking them out conscientiously and putting in others
|
|
that are just as useless; making minor mistakes now and then
|
|
and stopping to correct them and explain how he came to make them;
|
|
remembering things which he forgot to put in in their proper place
|
|
and going back to put them in there; stopping his narrative a good
|
|
while in order to try to recall the name of the soldier that was hurt,
|
|
and finally remembering that the soldier's name was not mentioned,
|
|
and remarking placidly that the name is of no real importance, anyway--
|
|
better, of course, if one knew it, but not essential, after all--
|
|
and so on, and so on, and so on.
|
|
|
|
The teller is innocent and happy and pleased with himself,
|
|
and has to stop every little while to hold himself in and keep
|
|
from laughing outright; and does hold in, but his body quakes
|
|
in a jelly-like way with interior chuckles; and at the end of
|
|
the ten minutes the audience have laughed until they are exhausted,
|
|
and the tears are running down their faces.
|
|
|
|
The simplicity and innocence and sincerity and unconsciousness
|
|
of the old farmer are perfectly simulated, and the result
|
|
is a performance which is thoroughly charming and delicious.
|
|
This is art--and fine and beautiful, and only a master can compass it;
|
|
but a machine could tell the other story.
|
|
|
|
To string incongruities and absurdities together in a wandering
|
|
and sometimes purposeless way, and seem innocently unaware that they
|
|
are absurdities, is the basis of the American art, if my position
|
|
is correct. Another feature is the slurring of the point. A third
|
|
is the dropping of a studied remark apparently without knowing it,
|
|
as if one where thinking aloud. The fourth and last is the pause.
|
|
|
|
Artemus Ward dealt in numbers three and four a good deal. He would
|
|
begin to tell with great animation something which he seemed to
|
|
think was wonderful; then lose confidence, and after an apparently
|
|
absent-minded pause add an incongruous remark in a soliloquizing way;
|
|
and that was the remark intended to explode the mine--and it did.
|
|
|
|
For instance, he would say eagerly, excitedly, "I once knew a man
|
|
in New Zealand who hadn't a tooth in his head"--here his animation
|
|
would die out; a silent, reflective pause would follow, then he
|
|
would say dreamily, and as if to himself, "and yet that man could
|
|
beat a drum better than any man I ever saw."
|
|
|
|
The pause is an exceedingly important feature in any kind of story,
|
|
and a frequently recurring feature, too. It is a dainty thing,
|
|
and delicate, and also uncertain and treacherous; for it must be
|
|
exactly the right length--no more and no less--or it fails of its
|
|
purpose and makes trouble. If the pause is too short the impressive
|
|
point is passed, and the audience have had time to divine that a
|
|
surprise is intended--and then you can't surprise them, of course.
|
|
|
|
On the platform I used to tell a negro ghost story that had a pause
|
|
in front of the snapper on the end, and that pause was the most important
|
|
thing in the whole story. If I got it the right length precisely,
|
|
I could spring the finishing ejaculation with effect enough to make
|
|
some impressible girl deliver a startled little yelp and jump out
|
|
of her seat--and that was what I was after. This story was called
|
|
"The Golden Arm," and was told in this fashion. You can practice
|
|
with it yourself--and mind you look out for the pause and get it right.
|
|
|
|
|
|
THE GOLDEN ARM
|
|
|
|
|
|
Once 'pon a time dey wuz a momsus mean man, en he live 'way out in de
|
|
prairie all 'lone by hisself, 'cep'n he had a wife. En bimeby she died,
|
|
en he tuck en toted her way out dah in de prairie en buried her.
|
|
Well, she had a golden arm--all solid gold, fum de shoulder down.
|
|
He wuz pow'ful mean--pow'ful; en dat night he couldn't sleep,
|
|
caze he want dat golden arm so bad.
|
|
|
|
When it come midnight he couldn't stan' it no mo'; so he git up,
|
|
he did, en tuck his lantern en shoved out thoo de storm en dug her
|
|
up en got de golden arm; en he bent his head down 'gin de 'win, en
|
|
plowed en plowed en plowed thoo de snow. Den all on a sudden he
|
|
stop (make a considerable pause here, and look startled, and take
|
|
a listening attitude) en say: "My LAN', what's dat?"
|
|
|
|
En he listen--en listen--en de win' say (set your teeth together
|
|
and imitate the wailing and wheezing singsong of the wind),
|
|
"Bzzz-z-zzz"--en den, way back yonder whah de grave is, he hear
|
|
a VOICE!--he hear a voice all mix' up in de win'--can't hardly
|
|
tell 'em 'part--"Bzzz--zzz--W-h-o--g-o-t--m-y--g-o-l-d-e-n ARM?"
|
|
(You must begin to shiver violently now.)
|
|
|
|
En he begin to shiver en shake, en say, "Oh, my! OH, my lan'!"
|
|
en de win' blow de lantern out, en de snow en sleet blow in his face
|
|
en mos' choke him, en he start a-plowin' knee-deep toward home mos'
|
|
dead, he so sk'yerd--en pooty soon he hear de voice agin, en (pause) it
|
|
'us comin AFTER him! "Bzzz--zzz--zzz W-h-o--g-o-t--m-y--g-o-l-d-e-n--ARM?"
|
|
|
|
When he git to de pasture he hear it agin--closter now,
|
|
en A-COMIN'!--a-comin' back dah in de dark en de storm--(repeat
|
|
the wind and the voice). When he git to de house he rush upstairs
|
|
en jump in de bed en kiver up, head and years, en lay da shiverin'
|
|
en shakin'--en den way out dah he hear it AGIN!--en a-COMIN'!
|
|
En bimeby he hear (pause--awed, listening attitude)--pat--pat--
|
|
pat HIT'S A-COMIN' UPSTAIRS! Den he hear de latch, en he KNOW it's in de room!
|
|
|
|
Den pooty soon he know it's a-STANNIN' BY DE BED! (Pause.) Den--
|
|
he know it's a-BENDIN' DOWN OVER HIM--en he cain't skasely git
|
|
his breath! Den--den--he seem to feel someth'n' C-O-L-D, right down
|
|
'most agin his head! (Pause.)
|
|
|
|
Den de voice say, RIGHT AT HIS YEAR--"W-h-o--g-o-t--m-y g-o-l-d-e-n ARM?"
|
|
(You must wail it out very plaintively and accusingly; then you stare
|
|
steadily and impressively into the face of the farthest-gone auditor--
|
|
a girl, preferably--and let that awe-inspiring pause begin to build
|
|
itself in the deep hush. When it has reached exactly the right length,
|
|
jump suddenly at that girl and yell, "YOU'VE got it!"
|
|
|
|
If you've got the PAUSE right, she'll fetch a dear little yelp and
|
|
spring right out of her shoes. But you MUST get the pause right;
|
|
and you will find it the most troublesome and aggravating and
|
|
uncertain thing you ever undertook.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
GENERAL WASHINGTON'S NEGRO BODY-SERVANT
|
|
|
|
|
|
A Biographical Sketch
|
|
|
|
|
|
|
|
The stirring part of this celebrated colored man's life properly began
|
|
with his death--that is to say, the notable features of his biography
|
|
began with the first time he died. He had been little heard of up
|
|
to that time, but since then we have never ceased to hear of him;
|
|
we have never ceased to hear of him at stated, unfailing intervals.
|
|
His was a most remarkable career, and I have thought that its history
|
|
would make a valuable addition to our biographical literature.
|
|
Therefore, I have carefully collated the materials for such a work,
|
|
from authentic sources, and here present them to the public. I have
|
|
rigidly excluded from these pages everything of a doubtful character,
|
|
with the object in view of introducing my work into the schools
|
|
for the instruction of the youth of my country.
|
|
|
|
The name of the famous body-servant of General Washington was George.
|
|
After serving his illustrious master faithfully for half a century,
|
|
and enjoying throughout his long term his high regard and confidence,
|
|
it became his sorrowful duty at last to lay that beloved master
|
|
to rest in his peaceful grave by the Potomac. Ten years afterward--
|
|
in 1809--full of years and honors, he died himself, mourned by all
|
|
who knew him. The Boston GAZETTE of that date thus refers to
|
|
the event:
|
|
|
|
|
|
George, the favorite body-servant of the lamented Washington,
|
|
died in Richmond, Va., last Tuesday, at the ripe age of 95 years.
|
|
His intellect was unimpaired, and his memory tenacious, up to
|
|
within a few minutes of his decease. He was present at the second
|
|
installation of Washington as President, and also at his funeral,
|
|
and distinctly remembered all the prominent incidents connected with
|
|
those noted events.
|
|
|
|
|
|
From this period we hear no more of the favorite body-servant of
|
|
General Washington until May, 1825, at which time he died again.
|
|
A Philadelphia paper thus speaks of the sad occurrence:
|
|
|
|
|
|
At Macon, Ga., last week, a colored man named George, who was the
|
|
favorite body-servant of General Washington, died at the advanced
|
|
age of 95 years. Up to within a few hours of his dissolution he
|
|
was in full possession of all his faculties, and could distinctly
|
|
recollect the second installation of Washington, his death
|
|
and burial, the surrender of Cornwallis, the battle of Trenton,
|
|
the griefs and hardships of Valley Forge, etc. Deceased was
|
|
followed to the grave by the entire population of Macon.
|
|
|
|
|
|
On the Fourth of July, 1830, and also of 1834 and 1836, the subject
|
|
of this sketch was exhibited in great state upon the rostrum
|
|
of the orator of the day, and in November of 1840 he died again.
|
|
The St. Louis REPUBLICAN of the 25th of that month spoke as follows:
|
|
|
|
|
|
"ANOTHER RELIC OF THE REVOLUTION GONE.
|
|
|
|
|
|
"George, once the favorite body-servant of General Washington,
|
|
died yesterday at the house of Mr. John Leavenworth in this city,
|
|
at the venerable age of 95 years. He was in the full possession
|
|
of his faculties up to the hour of his death, and distinctly
|
|
recollected the first and second installations and death of
|
|
President Washington, the surrender of Cornwallis, the battles
|
|
of Trenton and Monmouth, the sufferings of the patriot army at
|
|
Valley Forge, the proclamation of the Declaration of Independence,
|
|
the speech of Patrick Henry in the Virginia House of Delegates,
|
|
and many other old-time reminiscences of stirring interest.
|
|
Few white men die lamented as was this aged negro. The funeral
|
|
was very largely attended."
|
|
|
|
|
|
During the next ten or eleven years the subject of this sketch
|
|
appeared at intervals at Fourth-of-July celebrations in various
|
|
parts of the country, and was exhibited upon the rostrum with
|
|
flattering success. But in the fall of 1855 he died again.
|
|
The California papers thus speak of the event:
|
|
|
|
|
|
ANOTHER OLD HERO GONE
|
|
|
|
|
|
Died, at Dutch Flat, on the 7th of March, George (once the confidential
|
|
body-servant of General Washington), at the great age of 95 years.
|
|
His memory, which did not fail him till the last, was a wonderful
|
|
storehouse of interesting reminiscences. He could distinctly recollect
|
|
the first and second installations and death of President Washington,
|
|
the surrender of Cornwallis, the battles of Trenton and Monmouth,
|
|
and Bunker Hill, the proclamation of the Declaration of Independence,
|
|
and Braddock's defeat. George was greatly respected in Dutch Flat,
|
|
and it is estimated that there were 10,000 people present at
|
|
his funeral.
|
|
|
|
|
|
The last time the subject of this sketch died was in June, 1864; and until
|
|
we learn the contrary, it is just to presume that he died permanently
|
|
this time. The Michigan papers thus refer to the sorrowful event:
|
|
|
|
|
|
ANOTHER CHERISHED REMNANT OF THE REVOLUTION GONE
|
|
|
|
|
|
George, a colored man, and once the favorite body-servant of George
|
|
Washington, died in Detroit last week, at the patriarchal age of 95 years.
|
|
To the moment of his death his intellect was unclouded, and he could
|
|
distinctly remember the first and second installations and death
|
|
of Washington, the surrender of Cornwallis, the battles of Trenton
|
|
and Monmouth, and Bunker Hill, the proclamation of the Declaration
|
|
of Independence, Braddock's defeat, the throwing over of the tea
|
|
in Boston harbor, and the landing of the Pilgrims. He died greatly
|
|
respected, and was followed to the grave by a vast concourse of people.
|
|
|
|
|
|
The faithful old servant is gone! We shall never see him more until
|
|
he turns up again. He has closed his long and splendid career
|
|
of dissolution, for the present, and sleeps peacefully, as only they sleep
|
|
who have earned their rest. He was in all respects a remarkable man.
|
|
He held his age better than any celebrity that has figured in history;
|
|
and the longer he lived the stronger and longer his memory grew.
|
|
If he lives to die again, he will distinctly recollect the discovery
|
|
of America.
|
|
|
|
The above r'esum'e of his biography I believe to be substantially
|
|
correct, although it is possible that he may have died once or twice
|
|
in obscure places where the event failed of newspaper notoriety.
|
|
One fault I find in all the notices of his death I have quoted,
|
|
and this ought to be correct. In them he uniformly and impartially
|
|
died at the age of 95. This could not have been. He might have
|
|
done that once, or maybe twice, but he could not have continued
|
|
it indefinitely. Allowing that when he first died, he died at
|
|
the age of 95, he was 151 years old when he died last, in 1864.
|
|
But his age did not keep pace with his recollections. When he died
|
|
the last time, he distinctly remembered the landing of the Pilgrims,
|
|
which took place in 1620. He must have been about twenty years
|
|
old when he witnessed that event, wherefore it is safe to assert
|
|
that the body-servant of General Washington was in the neighborhood
|
|
of two hundred and sixty or seventy years old when he departed this
|
|
life finally.
|
|
|
|
Having waited a proper length of time, to see if the subject of his
|
|
sketch had gone from us reliably and irrevocably, I now publish his
|
|
biography with confidence, and respectfully offer it to a mourning nation.
|
|
|
|
P.S.--I see by the papers that this imfamous old fraud has just died again,
|
|
in Arkansas. This makes six times that he is known to have died,
|
|
and always in a new place. The death of Washington's body-servant has
|
|
ceased to be a novelty; it's charm is gone; the people are tired of it;
|
|
let it cease. This well-meaning but misguided negro has not put
|
|
six different communities to the expense of burying him in state,
|
|
and has swindled tens of thousands of people into following him to
|
|
the grave under the delusion that a select and peculiar distinction
|
|
was being conferred upon them. Let him stay buried for good now;
|
|
and let that newspaper suffer the severest censure that shall ever,
|
|
in all the future time, publish to the world that General Washington's
|
|
favorite colored body-servant has died again.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
WIT INSPIRATIONS OF THE "TWO-YEAR-OLDS"
|
|
|
|
|
|
|
|
All infants appear to have an impertinent and disagreeable fashion
|
|
nowadays of saying "smart" things on most occasions that offer,
|
|
and especially on occasions when they ought not to be saying anything
|
|
at all. Judging by the average published specimens of smart sayings,
|
|
the rising generation of children are little better than idiots.
|
|
And the parents must surely be but little better than the children,
|
|
for in most cases they are the publishers of the sunbursts of infantile
|
|
imbecility which dazzle us from the pages of our periodicals.
|
|
I may seem to speak with some heat, not to say a suspicion of
|
|
personal spite; and I do admit that it nettles me to hear about so
|
|
many gifted infants in these days, and remember that I seldom said
|
|
anything smart when I was a child. I tried it once or twice, but it
|
|
was not popular. The family were not expecting brilliant remarks
|
|
from me, and so they snubbed me sometimes and spanked me the rest.
|
|
But it makes my flesh creep and my blood run cold to think what might
|
|
have happened to me if I had dared to utter some of the smart things
|
|
of this generation's "four-year-olds" where my father could hear me.
|
|
To have simply skinned me alive and considered his duty at an end
|
|
would have seemed to him criminal leniency toward one so sinning.
|
|
He was a stern, unsmiling man, and hated all forms of precocity.
|
|
If I had said some of the things I have referred to, and said them in
|
|
his hearing, he would have destroyed me. He would, indeed. He would,
|
|
provided the opportunity remained with him. But it would not,
|
|
for I would have had judgment enough to take some strychnine first
|
|
and say my smart thing afterward. The fair record of my life has
|
|
been tarnished by just one pun. My father overheard that, and he
|
|
hunted me over four or five townships seeking to take my life.
|
|
If I had been full-grown, of course he would have been right;
|
|
but, child as I was, I could not know how wicked a thing I
|
|
had done.
|
|
|
|
I made one of those remarks ordinarily called "smart things"
|
|
before that, but it was not a pun. Still, it came near causing a
|
|
serious rupture between my father and myself. My father and mother,
|
|
my uncle Ephraim and his wife, and one or two others were present,
|
|
and the conversation turned on a name for me. I was lying there
|
|
trying some India-rubber rings of various patterns, and endeavoring
|
|
to make a selection, for I was tired of trying to cut my teeth on
|
|
people's fingers, and wanted to get hold of something that would
|
|
enable me to hurry the thing through and get something else.
|
|
Did you ever notice what a nuisance it was cutting your teeth on
|
|
your nurse's finger, or how back-breaking and tiresome it was trying
|
|
to cut them on your big toe? And did you never get out of patience
|
|
and wish your teeth were in Jerico long before you got them half cut?
|
|
To me it seems as if these things happened yesterday. And they did,
|
|
to some children. But I digress. I was lying there trying the
|
|
India-rubber rings. I remember looking at the clock and noticing
|
|
that in an hour and twenty-five minutes I would be two weeks old,
|
|
and thinking how little I had done to merit the blessings that were
|
|
so unsparingly lavished upon me. My father said:
|
|
|
|
"Abraham is a good name. My grandfather was named Abraham."
|
|
|
|
My mother said:
|
|
|
|
"Abraham is a good name. Very well. Let us have Abraham for one
|
|
of his names."
|
|
|
|
I said:
|
|
|
|
"Abraham suits the subscriber."
|
|
|
|
My father frowned, my mother looked pleased; my aunt said:
|
|
|
|
"What a little darling it is!"
|
|
|
|
My father said:
|
|
|
|
"Isaac is a good name, and Jacob is a good name."
|
|
|
|
My mother assented, and said:
|
|
|
|
"No names are better. Let us add Isaac and Jacob to his names."
|
|
|
|
I said:
|
|
|
|
"All right. Isaac and Jacob are good enough for yours truly.
|
|
Pass me that rattle, if you please. I can't chew India-rubber rings
|
|
all day."
|
|
|
|
Not a soul made a memorandum of these sayings of mine, for publication.
|
|
I saw that, and did it myself, else they would have been utterly lost.
|
|
So far from meeting with a generous encouragement like other children
|
|
when developing intellectually, I was now furiously scowled upon
|
|
by my father; my mother looked grieved and anxious, and even my aunt
|
|
had about her an expression of seeming to think that maybe I had
|
|
gone too far. I took a vicious bite out of an India-rubber ring,
|
|
and covertly broke the rattle over the kitten's head, but said nothing.
|
|
Presently my father said:
|
|
|
|
"Samuel is a very excellent name."
|
|
|
|
I saw that trouble was coming. Nothing could prevent it. I laid
|
|
down my rattle; over the side of the cradle I dropped my uncle's
|
|
silver watch, the clothes-brush, the toy dog, my tin soldier,
|
|
the nutmeg-grater, and other matters which I was accustomed to examine,
|
|
and meditate upon and make pleasant noises with, and bang and batter
|
|
and break when I needed wholesome entertainment. Then I put on my
|
|
little frock and my little bonnet, and took my pygmy shoes in one
|
|
hand and my licorice in the other, and climbed out on the floor.
|
|
I said to myself, Now, if the worse comes to worst, I am ready.
|
|
Then I said aloud, in a firm voice:
|
|
|
|
"Father, I cannot, cannot wear the name of Samuel."
|
|
|
|
"My son!"
|
|
|
|
"Father, I mean it. I cannot."
|
|
|
|
"Why?"
|
|
|
|
"Father, I have an invincible antipathy to that name."
|
|
|
|
"My son, this is unreasonable. Many great and good men have been
|
|
named Samuel."
|
|
|
|
"Sir, I have yet to hear of the first instance."
|
|
|
|
"What! There was Samuel the prophet. Was not he great and good?"
|
|
|
|
"Not so very."
|
|
|
|
"My son! With His own voice the Lord called him."
|
|
|
|
"Yes, sir, and had to call him a couple times before he could come!"
|
|
|
|
And then I sallied forth, and that stern old man sallied forth after me.
|
|
He overtook me at noon the following day, and when the interview was
|
|
over I had acquired the name of Samuel, and a thrashing, and other
|
|
useful information; and by means of this compromise my father's
|
|
wrath was appeased and a misunderstanding bridged over which might
|
|
have become a permanent rupture if I had chosen to be unreasonable.
|
|
But just judging by this episode, what would my father have done
|
|
to me if I had ever uttered in his hearing one of the flat,
|
|
sickly things these "two-years-olds" say in print nowadays?
|
|
In my opinion there would have been a case of infanticide in our family.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
AN ENTERTAINING ARTICLE
|
|
|
|
|
|
|
|
I take the following paragraph from an article in the Boston ADVERTISER:
|
|
|
|
|
|
AN ENGLISH CRITIC ON MARK TWAIN
|
|
|
|
|
|
Perhaps the most successful flights of humor of Mark Twain have been
|
|
descriptions of the persons who did not appreciate his humor at all.
|
|
We have become familiar with the Californians who were thrilled with
|
|
terror by his burlesque of a newspaper reporter's way of telling a story,
|
|
and we have heard of the Pennsylvania clergyman who sadly returned
|
|
his INNOCENTS ABROAD to the book-agent with the remark that "the
|
|
man who could shed tears over the tomb of Adam must be an idiot."
|
|
But Mark Twain may now add a much more glorious instance to his string
|
|
of trophies. The SATURDAY REVIEW, in its number of October 8th,
|
|
reviews his book of travels, which has been republished in England,
|
|
and reviews it seriously. We can imagine the delight of the humorist
|
|
in reading this tribute to his power; and indeed it is so amusing
|
|
in itself that he can hardly do better than reproduce the article
|
|
in full in his next monthly Memoranda.
|
|
|
|
|
|
(Publishing the above paragraph thus, gives me a sort of authority
|
|
for reproducing the SATURDAY REVIEW'S article in full in these pages.
|
|
I dearly wanted to do it, for I cannot write anything half so
|
|
delicious myself. If I had a cast-iron dog that could read this
|
|
English criticism and preserve his austerity, I would drive him
|
|
off the door-step.)
|
|
|
|
|
|
(From the London "Saturday Review.")
|
|
|
|
|
|
REVIEWS OF NEW BOOKS
|
|
|
|
|
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THE INNOCENTS ABROAD. A Book of Travels. By Mark Twain.
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London: Hotten, publisher. 1870.
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Lord Macaulay died too soon. We never felt this so deeply as when we
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finished the last chapter of the above-named extravagant work.
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Macaulay died too soon--for none but he could mete out complete
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and comprehensive justice to the insolence, the impertinence,
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the presumption, the mendacity, and, above all, the majestic ignorance
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of this author.
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To say that the INNOCENTS ABROAD is a curious book, would be to
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use the faintest language--would be to speak of the Matterhorn
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as a neat elevation or of Niagara as being "nice" or "pretty."
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"Curious" is too tame a word wherewith to describe the imposing insanity
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of this work. There is no word that is large enough or long enough.
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Let us, therefore, photograph a passing glimpse of book and author,
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and trust the rest to the reader. Let the cultivated English student
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of human nature picture to himself this Mark Twain as a person capable
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of doing the following-described things--and not only doing them,
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but with incredible innocence PRINTING THEM calmly and tranquilly
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in a book. For instance:
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He states that he entered a hair-dresser's in Paris to get shaved,
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and the first "rake" the barber gave him with his razor it LOOSENED
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HIS "HIDE" and LIFTED HIM OUT OF THE CHAIR.
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This is unquestionably exaggerated. In Florence he was so annoyed
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by beggars that he pretends to have seized and eaten one in a
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frantic spirit of revenge. There is, of course, no truth in this.
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He gives at full length a theatrical program seventeen or eighteen
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hundred years old, which he professes to have found in the ruins
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of the Coliseum, among the dirt and mold and rubbish. It is a
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sufficient comment upon this statement to remark that even a cast-iron
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program would not have lasted so long under such circumstances.
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In Greece he plainly betrays both fright and flight upon one occasion,
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but with frozen effrontery puts the latter in this falsely tamed form:
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"We SIDLED toward the Piraeus." "Sidled," indeed! He does not hesitate
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to intimate that at Ephesus, when his mule strayed from the proper course,
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he got down, took him under his arm, carried him to the road again,
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pointed him right, remounted, and went to sleep contentedly till
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it was time to restore the beast to the path once more. He states
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that a growing youth among his ship's passengers was in the constant
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habit of appeasing his hunger with soap and oakum between meals.
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In Palestine he tells of ants that came eleven miles to spend
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the summer in the desert and brought their provisions with them;
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yet he shows by his description of the country that the feat was
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an impossibility. He mentions, as if it were the most commonplace
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of matters, that he cut a Moslem in two in broad daylight in Jerusalem,
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with Godfrey de Bouillon's sword, and would have shed more blood IF
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HE HAD HAD A GRAVEYARD OF HIS OWN. These statements are unworthy
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a moment's attention. Mr. Twain or any other foreigner who did
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such a thing in Jerusalem would be mobbed, and would infallibly
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lose his life. But why go on? Why repeat more of his audacious
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and exasperating falsehoods? Let us close fittingly with this one:
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he affirms that "in the mosque of St. Sophia at Constantinople
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I got my feet so stuck up with a complication of gums, slime,
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and general impurity, that I wore out more than two thousand
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pair of bootjacks getting my boots off that night, and even then
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some Christian hide peeled off with them." It is monstrous.
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Such statements are simply lies--there is no other name for them.
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Will the reader longer marvel at the brutal ignorance that pervades
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the American nation when we tell him that we are informed upon perfectly
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good authority that this extravagant compilation of falsehoods,
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this exhaustless mine of stupendous lies, this INNOCENTS ABROAD,
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has actually been adopted by the schools and colleges of several
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of the states as a text-book!
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But if his falsehoods are distressing, his innocence and his ignorance
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are enough to make one burn the book and despise the author. In one
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place he was so appalled at the sudden spectacle of a murdered man,
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unveiled by the moonlight, that he jumped out of the window,
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going through sash and all, and then remarks with the most childlike
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simplicity that he "was not scared, but was considerably agitated."
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It puts us out of patience to note that the simpleton is densely
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unconscious that Lucrezia Borgia ever existed off the stage.
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He is vulgarly ignorant of all foreign languages, but is frank enough
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to criticize, the Italians' use of their own tongue. He says they
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spell the name of their great painter "Vinci, but pronounce it Vinchy"--
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and then adds with a na:ivet'e possible only to helpless ignorance,
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"foreigners always spell better than they pronounce." In another
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place he commits the bald absurdity of putting the phrase "tare
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an ouns" into an Italian's mouth. In Rome he unhesitatingly
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believes the legend that St. Philip Neri's heart was so inflamed
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with divine love that it burst his ribs--believes it wholly
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because an author with a learned list of university degrees strung
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after his name endorses it--"otherwise," says this gentle idiot,
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"I should have felt a curiosity to know what Philip had for dinner."
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Our author makes a long, fatiguing journey to the Grotto del Cane
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on purpose to test its poisoning powers on a dog--got elaborately
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ready for the experiment, and then discovered that he had no dog.
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A wiser person would have kept such a thing discreetly to himself,
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but with this harmless creature everything comes out. He hurts
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his foot in a rut two thousand years old in exhumed Pompeii,
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and presently, when staring at one of the cinder-like corpses unearthed
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in the next square, conceives the idea that maybe it is the remains
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of the ancient Street Commissioner, and straightway his horror softens
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down to a sort of chirpy contentment with the condition of things.
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In Damascus he visits the well of Ananias, three thousand years old,
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and is as surprised and delighted as a child to find that the water
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is "as pure and fresh as if the well had been dug yesterday."
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In the Holy Land he gags desperately at the hard Arabic and Hebrew
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Biblical names, and finally concludes to call them Baldwinsville,
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Williamsburgh, and so on, "for convenience of spelling."
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We have thus spoken freely of this man's stupefying simplicity
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and innocence, but we cannot deal similarly with his colossal ignorance.
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We do not know where to begin. And if we knew where to begin,
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we certainly would not know where to leave off. We will give
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one specimen, and one only. He did not know, until he got to Rome,
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that Michael Angelo was dead! And then, instead of crawling away
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and hiding his shameful ignorance somewhere, he proceeds to express
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a pious, grateful sort of satisfaction that he is gone and out
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of his troubles!
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No, the reader may seek out the author's exhibition of his
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uncultivation for himself. The book is absolutely dangerous,
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considering the magnitude and variety of its misstatements,
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and the convincing confidence with which they are made.
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And yet it is a text-book in the schools of America.
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The poor blunderer mouses among the sublime creations of
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the Old Masters, trying to acquire the elegant proficiency in
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art-knowledge, which he has a groping sort of comprehension is a
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proper thing for a traveled man to be able to display. But what is
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the manner of his study? And what is the progress he achieves?
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To what extent does he familiarize himself with the great pictures
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of Italy, and what degree of appreciation does he arrive at? Read:
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"When we see a monk going about with a lion and looking up into heaven,
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we know that that is St. Mark. When we see a monk with a book and a pen,
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looking tranquilly up to heaven, trying to think of a word, we know
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that that is St. Matthew. When we see a monk sitting on a rock,
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looking tranquilly up to heaven, with a human skull beside him,
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and without other baggage, we know that that is St. Jerome.
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Because we know that he always went flying light in the matter
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of baggage. When we see other monks looking tranquilly up to heaven,
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but having no trade-mark, we always ask who those parties are.
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We do this because we humbly wish to learn."
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He then enumerates the thousands and thousand of copies of these
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several pictures which he has seen, and adds with accustomed
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simplicity that he feels encouraged to believe that when he has seen
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"Some More" of each, and had a larger experience, he will eventually
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"begin to take an absorbing interest in them"--the vulgar boor.
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That we have shown this to be a remarkable book, we think no
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one will deny. That is a pernicious book to place in the hands
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of the confiding and uniformed, we think we have also shown.
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That the book is a deliberate and wicked creation of a diseased mind,
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is apparent upon every page. Having placed our judgment thus
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upon record, let us close with what charity we can, by remarking
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that even in this volume there is some good to be found; for whenever
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the author talks of his own country and lets Europe alone,
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he never fails to make himself interesting, and not only interesting
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but instructive. No one can read without benefit his occasional
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chapters and paragraphs, about life in the gold and silver mines
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of California and Nevada; about the Indians of the plains and deserts
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of the West, and their cannibalism; about the raising of vegetables
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in kegs of gunpowder by the aid of two or three teaspoons of guano;
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about the moving of small arms from place to place at night in
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wheelbarrows to avoid taxes; and about a sort of cows and mules in
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the Humboldt mines, that climb down chimneys and disturb the people
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at night. These matters are not only new, but are well worth knowing.
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It is a pity the author did not put in more of the same kind.
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His book is well written and is exceedingly entertaining,
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and so it just barely escaped being quite valuable also.
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(One month later)
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Latterly I have received several letters, and see a number of
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newspaper paragraphs, all upon a certain subject, and all of about
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the same tenor. I here give honest specimens. One is from a New
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York paper, one is from a letter from an old friend, and one is
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from a letter from a New York publisher who is a stranger to me.
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I humbly endeavor to make these bits toothsome with the remark that
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the article they are praising (which appeared in the December GALAXY,
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and PRETENDED to be a criticism from the London SATURDAY REVIEW
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on my INNOCENTS ABROAD) WAS WRITTEN BY MYSELF, EVERY LINE OF IT:
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The HERALD says the richest thing out is the "serious critique"
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in the London SATURDAY REVIEW, on Mark Twain's INNOCENTS ABROAD.
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We thought before we read it that it must be "serious," as everybody
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said so, and were even ready to shed a few tears; but since perusing it,
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we are bound to confess that next to Mark Twain's "Jumping Frog"
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it's the finest bit of humor and sarcasm that we've come across in many
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a day.
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(I do not get a compliment like that every day.)
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I used to think that your writings were pretty good, but after reading
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the criticism in THE GALAXY from the LONDON REVIEW, have discovered
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what an ass I must have been. If suggestions are in order, mine is,
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that you put that article in your next edition of the INNOCENTS,
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as an extra chapter, if you are not afraid to put your own humor
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in competition with it. It is as rich a thing as I ever read.
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(Which is strong commendation from a book publisher.)
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The London Reviewer, my friend, is not the stupid, "serious" creature
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he pretends to be, _I_ think; but, on the contrary, has a keep
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appreciation and enjoyment of your book. As I read his article in
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THE GALAXY, I could imagine him giving vent to many a hearty laugh.
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But he is writing for Catholics and Established Church people,
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and high-toned, antiquated, conservative gentility, whom it is
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a delight to him to help you shock, while he pretends to shake his
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head with owlish density. He is a magnificent humorist himself.
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(Now that is graceful and handsome. I take off my hat to my life-long
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friend and comrade, and with my feet together and my fingers spread
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over my heart, I say, in the language of Alabama, "You do me proud.")
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I stand guilty of the authorship of the article, but I did not mean
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any harm. I saw by an item in the Boston ADVERTISER that a solemn,
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serious critique on the English edition of my book had appeared
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in the London SATURDAY REVIEW, and the idea of SUCH a literary
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breakfast by a stolid, ponderous British ogre of the quill was too
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much for a naturally weak virtue, and I went home and burlesqued it--
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reveled in it, I may say. I never saw a copy of the real SATURDAY
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REVIEW criticism until after my burlesque was written and mailed
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to the printer. But when I did get hold of a copy, I found it
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to be vulgar, awkwardly written, ill-natured, and entirely serious
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and in earnest. The gentleman who wrote the newspaper paragraph
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above quoted had not been misled as to its character.
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If any man doubts my word now, I will kill him. No, I will not
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kill him; I will win his money. I will bet him twenty to one,
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and let any New York publisher hold the stakes, that the statements I
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have above made as to the authorship of the article in question are
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entirely true. Perhaps I may get wealthy at this, for I am willing
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to take all the bets that offer; and if a man wants larger odds,
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I will give him all he requires. But he ought to find out whether
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I am betting on what is termed "a sure thing" or not before he
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ventures his money, and he can do that by going to a public
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library and examining the London SATURDAY REVIEW of October 8th,
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which contains the real critique.
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Bless me, some people thought that _I_ was the "sold" person!
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P.S.--I cannot resist the temptation to toss in this most savory
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thing of all--this easy, graceful, philosophical disquisition,
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with his happy, chirping confidence. It is from the Cincinnati ENQUIRER:
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Nothing is more uncertain than the value of a fine cigar.
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Nine smokers out of ten would prefer an ordinary domestic article,
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three for a quarter, to fifty-cent Partaga, if kept in ignorance
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of the cost of the latter. The flavor of the Partaga is too delicate
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for palates that have been accustomed to Connecticut seed leaf.
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So it is with humor. The finer it is in quality, the more danger
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of its not being recognized at all. Even Mark Twain has been taken
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in by an English review of his INNOCENTS ABROAD. Mark Twain is by
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no means a coarse humorist, but the Englishman's humor is so much
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finer than his, that he mistakes it for solid earnest, and "lafts
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most consumedly."
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A man who cannot learn stands in his own light. Hereafter, when I
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write an article which I know to be good, but which I may have reason
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to fear will not, in some quarters, be considered to amount to much,
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coming from an American, I will aver that an Englishman wrote it
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and that it is copied from a London journal. And then I will occupy
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a back seat and enjoy the cordial applause.
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(Still later)
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Mark Twain at last sees that the SATURDAY REVIEW'S criticism of his
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INNOCENTS ABROAD was not serious, and he is intensely mortified at the
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thought of having been so badly sold. He takes the only course left him,
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and in the last GALAXY claims that HE wrote the criticism himself,
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and published it in THE GALAXY to sell the public. This is ingenious,
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but unfortunately it is not true. If any of our readers will take
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the trouble to call at this office we sill show them the original
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article in the SATURDAY REVIEW of October 8th, which, on comparison,
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will be found to be identical with the one published in THE GALAXY.
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The best thing for Mark to do will be to admit that he was sold,
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and say no more about it.
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The above is from the Cincinnati ENQUIRER, and is a falsehood.
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Come to the proof. If the ENQUIRER people, through any agent,
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will produce at THE GALAXY office a London SATURDAY REVIEW
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of October 8th, containing an "article which, on comparison,
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will be found to be identical with the one published in THE GALAXY,
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I will pay to that agent five hundred dollars cash. Moreover, if at
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any specified time I fail to produce at the same place a copy
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of the London SATURDAY REVIEW of October 8th, containing a lengthy
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criticism upon the INNOCENTS ABROAD, entirely different, in every
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paragraph and sentence, from the one I published in THE GALAXY,
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I will pay to the ENQUIRER agent another five hundred dollars cash.
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I offer Sheldon & Co., publishers, 500 Broadway, New York,
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as my "backers." Any one in New York, authorized by the ENQUIRER,
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will receive prompt attention. It is an easy and profitable way
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for the ENQUIRER people to prove that they have not uttered a pitiful,
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deliberate falsehood in the above paragraphs. Will they swallow
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that falsehood ignominiously, or will they send an agent to THE
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GALAXY office. I think the Cincinnati ENQUIRER must be edited
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by children.
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***
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A LETTER TO THE SECRETARY OF THE TREASURY
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Riverdale-on-the-Hudson, OCTOBER 15, 1902.
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THE HON. THE SECRETARY OF THE TREASURY, WASHINGTON, D. C.:
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Sir,--Prices for the customary kinds of winter fuel having reached
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an altitude which puts them out of the reach of literary persons in
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straitened circumstances, I desire to place with you the following order:
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Forty-five tons best old dry government bonds, suitable for furnace,
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gold 7 per cents., 1864, preferred.
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Twelve tons early greenbacks, range size, suitable for cooking.
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Eight barrels seasoned 25 and 50 cent postal currency, vintage of 1866,
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eligible for kindlings.
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Please deliver with all convenient despatch at my house in Riverdale
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at lowest rates for spot cash, and send bill to
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Your obliged servant,
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Mark Twain, Who will be very grateful, and will vote right.
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***
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AMENDED OBITUARIES
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TO THE EDITOR:
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Sir,--I am approaching seventy; it is in sight; it is only three
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years away. Necessarily, I must go soon. It is but matter-of-course
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wisdom, then, that I should begin to set my worldly house in
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order now, so that it may be done calmly and with thoroughness,
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in place of waiting until the last day, when, as we have often seen,
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the attempt to set both houses in order at the same time has been
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marred by the necessity for haste and by the confusion and waste
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of time arising from the inability of the notary and the ecclesiastic
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to work together harmoniously, taking turn about and giving each
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other friendly assistance--not perhaps in fielding, which could
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hardly be expected, but at least in the minor offices of keeping
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game and umpiring; by consequence of which conflict of interests
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and absence of harmonious action a draw has frequently resulted
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where this ill-fortune could not have happened if the houses had been
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set in order one at a time and hurry avoided by beginning in season,
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and giving to each the amount of time fairly and justly proper to it.
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In setting my earthly house in order I find it of moment that I
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should attend in person to one or two matters which men in my
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position have long had the habit of leaving wholly to others,
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with consequences often most regrettable. I wish to speak of only
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one of these matters at this time: Obituaries. Of necessity,
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an Obituary is a thing which cannot be so judiciously edited by any hand
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as by that of the subject of it. In such a work it is not the Facts
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that are of chief importance, but the light which the obituarist
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shall throw upon them, the meaning which he shall dress them in,
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the conclusions which he shall draw from them, and the judgments
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which he shall deliver upon them. The Verdicts, you understand:
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that is the danger-line.
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In considering this matter, in view of my approaching change,
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it has seemed to me wise to take such measures as may be feasible,
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to acquire, by courtesy of the press, access to my standing obituaries,
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with the privilege--if this is not asking too much--of editing,
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not their Facts, but their Verdicts. This, not for the present profit,
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further than as concerns my family, but as a favorable influence
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usable on the Other Side, where there are some who are not friendly
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to me.
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With this explanation of my motives, I will now ask you of your
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courtesy to make an appeal for me to the public press. It is my
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desire that such journals and periodicals as have obituaries of me
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lying in their pigeonholes, with a view to sudden use some day,
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will not wait longer, but will publish them now, and kindly send
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me a marked copy. My address is simply New York City--I have no
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other that is permanent and not transient.
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I will correct them--not the Facts, but the Verdicts--striking out
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such clauses as could have a deleterious influence on the Other Side,
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and replacing them with clauses of a more judicious character.
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I should, of course, expect to pay double rates for both the omissions
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and the substitutions; and I should also expect to pay quadruple
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rates for all obituaries which proved to be rightly and wisely worded
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in the originals, thus requiring no emendations at all.
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It is my desire to leave these Amended Obituaries neatly bound
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behind me as a perennial consolation and entertainment to my family,
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and as an heirloom which shall have a mournful but definite
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commercial value for my remote posterity.
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I beg, sir, that you will insert this Advertisement (1t-eow, agate,
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inside), and send the bill to
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Yours very respectfully.
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Mark Twain.
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P.S.--For the best Obituary--one suitable for me to read in public,
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and calculated to inspire regret--I desire to offer a Prize,
|
|
consisting of a Portrait of me done entirely by myself in pen and ink
|
|
without previous instructions. The ink warranted to be the kind
|
|
used by the very best artists.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
A MONUMENT TO ADAM
|
|
|
|
|
|
|
|
Some one has revealed to the TRIBUNE that I once suggested
|
|
to Rev. Thomas K. Beecher, of Elmira, New York, that we get up
|
|
a monument to Adam, and that Mr. Beecher favored the project.
|
|
There is more to it than that. The matter started as a joke,
|
|
but it came somewhat near to materializing.
|
|
|
|
It is long ago--thirty years. Mr. Darwin's DESCENT OF MAN has been
|
|
in print five or six years, and the storm of indignation raised
|
|
by it was still raging in pulpits and periodicals. In tracing
|
|
the genesis of the human race back to its sources, Mr. Darwin had
|
|
left Adam out altogether. We had monkeys, and "missing links,"
|
|
and plenty of other kinds of ancestors, but no Adam. Jesting with
|
|
Mr. Beecher and other friends in Elmira, I said there seemed to be
|
|
a likelihood that the world would discard Adam and accept the monkey,
|
|
and that in the course of time Adam's very name would be forgotten
|
|
in the earth; therefore this calamity ought to be averted;
|
|
a monument would accomplish this, and Elmira ought not to waste
|
|
this honorable opportunity to do Adam a favor and herself a credit.
|
|
|
|
Then the unexpected happened. Two bankers came forward and took
|
|
hold of the matter--not for fun, not for sentiment, but because they
|
|
saw in the monument certain commercial advantages for the town.
|
|
The project had seemed gently humorous before--it was more than
|
|
that now, with this stern business gravity injected into it.
|
|
The bankers discussed the monument with me. We met several times.
|
|
They proposed an indestructible memorial, to cost twenty-five
|
|
thousand dollars. The insane oddity of a monument set up in a village
|
|
to preserve a name that would outlast the hills and the rocks without
|
|
any such help, would advertise Elmira to the ends of the earth--
|
|
and draw custom. It would be the only monument on the planet to Adam,
|
|
and in the matter of interest and impressiveness could never have a
|
|
rival until somebody should set up a monument to the Milky Way.
|
|
|
|
People would come from every corner of the globe and stop off
|
|
to look at it, no tour of the world would be complete that left out
|
|
Adam's monument. Elmira would be a Mecca; there would be pilgrim
|
|
ships at pilgrim rates, pilgrim specials on the continent's railways;
|
|
libraries would be written about the monument, every tourist would
|
|
kodak it, models of it would be for sale everywhere in the earth,
|
|
its form would become as familiar as the figure of Napoleon.
|
|
|
|
One of the bankers subscribed five thousand dollars, and I think
|
|
the other one subscribed half as much, but I do not remember with
|
|
certainty now whether that was the figure or not. We got designs made--
|
|
some of them came from Paris.
|
|
|
|
In the beginning--as a detail of the project when it was yet a joke--
|
|
I had framed a humble and beseeching and perfervid petition to
|
|
Congress begging the government to built the monument, as a testimony
|
|
of the Great Republic's gratitude to the Father of the Human Race
|
|
and as a token of her loyalty to him in this dark day of humiliation
|
|
when his older children were doubting and deserting him. It seemed
|
|
to me that this petition ought to be presented, now--it would be
|
|
widely and feelingly abused and ridiculed and cursed, and would
|
|
advertise our scheme and make our ground-floor stock go off briskly.
|
|
So I sent it to General Joseph R. Hawley, who was then in the House,
|
|
and he said he would present it. But he did not do it. I think
|
|
he explained that when he came to read it he was afraid of it:
|
|
it was too serious, to gushy, too sentimental--the House might take it
|
|
for earnest.
|
|
|
|
We ought to have carried out our monument scheme; we could
|
|
have managed it without any great difficulty, and Elmira would
|
|
now be the most celebrated town in the universe.
|
|
|
|
Very recently I began to build a book in which one of the minor
|
|
characters touches incidentally upon a project for a monument to Adam,
|
|
and now the TRIBUNE has come upon a trace of the forgotten jest of
|
|
thirty years ago. Apparently mental telegraphy is still in business.
|
|
It is odd; but the freaks of mental telegraphy are usually odd.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
A HUMANE WORD FROM SATAN
|
|
|
|
|
|
|
|
[The following letter, signed by Satan and purporting to come from him,
|
|
we have reason to believe was not written by him, but by Mark Twain.--
|
|
Editor.]
|
|
|
|
TO THE EDITOR OF HARPER'S WEEKLY:
|
|
|
|
|
|
Dear Sir and Kinsman,--Let us have done with this frivolous talk.
|
|
The American Board accepts contributions from me every year:
|
|
then why shouldn't it from Mr. Rockefeller? In all the ages,
|
|
three-fourths of the support of the great charities has been
|
|
conscience-money, as my books will show: then what becomes of
|
|
the sting when that term is applied to Mr. Rockefeller's gift?
|
|
The American Board's trade is financed mainly from the graveyards.
|
|
Bequests, you understand. Conscience-money. Confession of an old
|
|
crime and deliberate perpetration of a new one; for deceased's
|
|
contribution is a robbery of his heirs. Shall the Board decline
|
|
bequests because they stand for one of these offenses every time and
|
|
generally for both?
|
|
|
|
Allow me to continue. The charge must persistently and resentfully
|
|
and remorselessly dwelt upon is that Mr. Rockefeller's contribution is
|
|
incurably tainted by perjury--perjury proved against him in the courts.
|
|
IT MAKES US SMILE--down in my place! Because there isn't a rich
|
|
man in your vast city who doesn't perjure himself every year before
|
|
the tax board. They are all caked with perjury, many layers thick.
|
|
Iron-clad, so to speak. If there is one that isn't, I desire
|
|
to acquire him for my museum, and will pay Dinosaur rates.
|
|
Will you say it isn't infraction of the law, but only annual evasion
|
|
of it? Comfort yourselves with that nice distinction if you like--
|
|
FOR THE PRESENT. But by and by, when you arrive, I will show you
|
|
something interesting: a whole hell-full of evaders! Sometimes a
|
|
frank law-breaker turns up elsewhere, but I get those others every time.
|
|
|
|
To return to my muttons. I wish you to remember that my rich
|
|
perjurers are contributing to the American Board with frequency:
|
|
it is money filched from the sworn-off personal tax; therefore it
|
|
is the wages of sin; therefore it is my money; therefore it is _I_
|
|
that contribute it; and, finally, it is therefore as I have said:
|
|
since the Board daily accepts contributions from me, why should
|
|
it decline them from Mr. Rockefeller, who is as good as I am,
|
|
let the courts say what they may?
|
|
|
|
|
|
Satan.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
|
|
INTRODUCTION TO "THE NEW GUIDE OF THE CONVERSATION IN
|
|
|
|
PORTUGUESE AND ENGLISH"
|
|
|
|
|
|
by Pedro Carolino
|
|
|
|
|
|
|
|
In this world of uncertainties, there is, at any rate, one thing
|
|
which may be pretty confidently set down as a certainty: and that is,
|
|
that this celebrated little phrase-book will never die while the
|
|
English language lasts. Its delicious unconscious ridiculousness,
|
|
and its enchanting na:ivet'e, as are supreme and unapproachable,
|
|
in their way, as are Shakespeare's sublimities. Whatsoever is
|
|
perfect in its kind, in literature, is imperishable: nobody can
|
|
imitate it successfully, nobody can hope to produce its fellow;
|
|
it is perfect, it must and will stand alone: its immortality
|
|
is secure.
|
|
|
|
It is one of the smallest books in the world, but few big books have
|
|
received such wide attention, and been so much pondered by the grave
|
|
and learned, and so much discussed and written about by the thoughtful,
|
|
the thoughtless, the wise, and the foolish. Long notices of it
|
|
have appeared, from time to time, in the great English reviews,
|
|
and in erudite and authoritative philological periodicals; and it
|
|
has been laughed at, danced upon, and tossed in a blanket by nearly
|
|
every newspaper and magazine in the English-speaking world.
|
|
Every scribbler, almost, has had his little fling at it, at one time
|
|
or another; I had mine fifteen years ago. The book gets out of print,
|
|
every now and then, and one ceases to hear of it for a season;
|
|
but presently the nations and near and far colonies of our tongue
|
|
and lineage call for it once more, and once more it issues from some
|
|
London or Continental or American press, and runs a new course around
|
|
the globe, wafted on its way by the wind of a world's laughter.
|
|
|
|
Many persons have believed that this book's miraculous stupidities
|
|
were studied and disingenuous; but no one can read the volume
|
|
carefully through and keep that opinion. It was written in
|
|
serious good faith and deep earnestness, by an honest and upright
|
|
idiot who believed he knew something of the English language,
|
|
and could impart his knowledge to others. The amplest proof
|
|
of this crops out somewhere or other upon each and every page.
|
|
There are sentences in the book which could have been manufactured
|
|
by a man in his right mind, and with an intelligent and deliberate
|
|
purposes to seem innocently ignorant; but there are other sentences,
|
|
and paragraphs, which no mere pretended ignorance could ever achieve--
|
|
nor yet even the most genuine and comprehensive ignorance,
|
|
when unbacked by inspiration.
|
|
|
|
It is not a fraud who speaks in the following paragraph of the
|
|
author's Preface, but a good man, an honest man, a man whose conscience
|
|
is at rest, a man who believes he has done a high and worthy work
|
|
for his nation and his generation, and is well pleased with his performance:
|
|
|
|
|
|
We expect then, who the little book (for the care what we wrote him,
|
|
and for her typographical correction) that may be worth the
|
|
acceptation of the studious persons, and especially of the Youth,
|
|
at which we dedicate him particularly.
|
|
|
|
|
|
One cannot open this book anywhere and not find richness.
|
|
To prove that this is true, I will open it at random and copy
|
|
the page I happen to stumble upon. Here is the result:
|
|
|
|
|
|
|
|
DIALOGUE 16
|
|
|
|
|
|
For To See the Town
|
|
|
|
|
|
|
|
Anothony, go to accompany they gentilsmen, do they see the town.
|
|
|
|
We won't to see all that is it remarquable here.
|
|
|
|
Come with me, if you please. I shall not folget nothing what can
|
|
to merit your attention. Here we are near to cathedral; will you
|
|
come in there?
|
|
|
|
We will first to see him in oudside, after we shall go in there
|
|
for to look the interior.
|
|
|
|
Admire this master piece gothic architecture's.
|
|
|
|
The chasing of all they figures is astonishing' indeed.
|
|
|
|
The cupola and the nave are not less curious to see.
|
|
|
|
What is this palace how I see yonder?
|
|
|
|
It is the town hall.
|
|
|
|
And this tower here at this side?
|
|
|
|
It is the Observatory.
|
|
|
|
The bridge is very fine, it have ten arches, and is constructed
|
|
of free stone.
|
|
|
|
The streets are very layed out by line and too paved.
|
|
|
|
What is the circuit of this town?
|
|
|
|
Two leagues.
|
|
|
|
There is it also hospitals here?
|
|
|
|
It not fail them.
|
|
|
|
What are then the edifices the worthest to have seen?
|
|
|
|
It is the arsnehal, the spectacle's hall, the Cusiomhouse,
|
|
and the Purse.
|
|
|
|
We are going too see the others monuments such that the public
|
|
pawnbroker's office, the plants garden's, the money office's,
|
|
the library.
|
|
|
|
That it shall be for another day; we are tired.
|
|
|
|
|
|
|
|
DIALOGUE 17
|
|
|
|
|
|
To Inform One'self of a Person
|
|
|
|
|
|
|
|
How is that gentilman who you did speak by and by?
|
|
|
|
Is a German.
|
|
|
|
I did think him Englishman.
|
|
|
|
He is of the Saxony side.
|
|
|
|
He speak the french very well.
|
|
|
|
Tough he is German, he speak so much well italyan, french, spanish
|
|
and english, that among the Italyans, they believe him Italyan,
|
|
he speak the frenche as the Frenches himselves. The Spanishesmen
|
|
believe him Spanishing, and the Englishes, Englishman. It is
|
|
difficult to enjoy well so much several languages.
|
|
|
|
|
|
The last remark contains a general truth; but it ceases to be a truth
|
|
when one contracts it and apples it to an individual--provided that
|
|
that individual is the author of this book, Sehnor Pedro Carolino.
|
|
I am sure I should not find it difficult "to enjoy well so much
|
|
several languages"--or even a thousand of them--if he did
|
|
the translating for me from the originals into his ostensible English.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
ADVICE TO LITTLE GIRLS
|
|
|
|
|
|
|
|
Good little girls ought not to make mouths at their teachers for
|
|
every trifling offense. This retaliation should only be resorted
|
|
to under peculiarly aggravated circumstances.
|
|
|
|
If you have nothing but a rag-doll stuffed with sawdust, while one
|
|
of your more fortunate little playmates has a costly China one,
|
|
you should treat her with a show of kindness nevertheless.
|
|
And you ought not to attempt to make a forcible swap with her unless
|
|
your conscience would justify you in it, and you know you are able
|
|
to do it.
|
|
|
|
You ought never to take your little brother's "chewing-gum" away
|
|
from him by main force; it is better to rope him in with the promise
|
|
of the first two dollars and a half you find floating down the river
|
|
on a grindstone. In the artless simplicity natural to this time
|
|
of life, he will regard it as a perfectly fair transaction.
|
|
In all ages of the world this eminently plausible fiction has lured
|
|
the obtuse infant to financial ruin and disaster.
|
|
|
|
If at any time you find it necessary to correct your brother,
|
|
do not correct him with mud--never, on any account, throw mud at him,
|
|
because it will spoil his clothes. It is better to scald him a little,
|
|
for then you obtain desirable results. You secure his immediate
|
|
attention to the lessons you are inculcating, and at the same time
|
|
your hot water will have a tendency to move impurities from his person,
|
|
and possibly the skin, in spots.
|
|
|
|
If your mother tells you to do a thing, it is wrong to reply that you
|
|
won't. It is better and more becoming to intimate that you will
|
|
do as she bids you, and then afterward act quietly in the matter
|
|
according to the dictates of your best judgment.
|
|
|
|
You should ever bear in mind that it is to your kind parents that you
|
|
are indebted for your food, and for the privilege of staying home
|
|
from school when you let on that you are sick. Therefore you ought
|
|
to respect their little prejudices, and humor their little whims,
|
|
and put up with their little foibles until they get to crowding you
|
|
too much.
|
|
|
|
Good little girls always show marked deference for the aged.
|
|
You ought never to "sass" old people unless they "sass" you first.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
POST-MORTEM POETRY [1]
|
|
|
|
|
|
|
|
In Philadelphia they have a custom which it would be pleasant
|
|
to see adopted throughout the land. It is that of appending to
|
|
published death-notices a little verse or two of comforting poetry.
|
|
Any one who is in the habit of reading the daily Philadelphia
|
|
LEDGER must frequently be touched by these plaintive tributes
|
|
to extinguished worth. In Philadelphia, the departure of a child
|
|
is a circumstance which is not more surely followed by a burial
|
|
than by the accustomed solacing poesy in the PUBLIC LEDGER.
|
|
In that city death loses half its terror because the knowledge
|
|
of its presence comes thus disguised in the sweet drapery of verse.
|
|
For instance, in a late LEDGER I find the following (I change
|
|
the surname):
|
|
|
|
|
|
DIED
|
|
|
|
|
|
Hawks.--On the 17th inst., Clara, the daughter of Ephraim
|
|
and Laura Hawks, aged 21 months and 2 days.
|
|
|
|
|
|
That merry shout no more I hear,
|
|
|
|
No laughing child I see,
|
|
|
|
No little arms are around my neck,
|
|
|
|
No feet upon my knee;
|
|
|
|
|
|
No kisses drop upon my cheek,
|
|
|
|
These lips are sealed to me.
|
|
|
|
Dear Lord, how could I give Clara up
|
|
|
|
To any but to Thee?
|
|
|
|
|
|
A child thus mourned could not die wholly discontented.
|
|
From the LEDGER of the same date I make the following extract,
|
|
merely changing the surname, as before:
|
|
|
|
|
|
Becket.--On Sunday morning, 19th inst., John P., infant son
|
|
of George and Julia Becket, aged 1 year, 6 months, and 15 days.
|
|
|
|
|
|
That merry shout no more I hear,
|
|
|
|
No laughing child I see,
|
|
|
|
No little arms are round my neck,
|
|
|
|
No feet upon my knee;
|
|
|
|
|
|
No kisses drop upon my cheek;
|
|
|
|
These lips are sealed to me.
|
|
|
|
Dear Lord, how could I give Johnnie up
|
|
|
|
To any but to Thee?
|
|
|
|
|
|
The similarity of the emotions as produced in the mourners in these
|
|
two instances is remarkably evidenced by the singular similarity
|
|
of thought which they experienced, and the surprising coincidence
|
|
of language used by them to give it expression.
|
|
|
|
In the same journal, of the same date, I find the following
|
|
(surname suppressed, as before):
|
|
|
|
|
|
Wagner.--On the 10th inst., Ferguson G., the son of William
|
|
L. and Martha Theresa Wagner, aged 4 weeks and 1 day.
|
|
|
|
|
|
That merry shout no more I hear,
|
|
|
|
No laughing child I see,
|
|
|
|
No little arms are round my neck,
|
|
|
|
No feet upon my knee;
|
|
|
|
|
|
No kisses drop upon my cheek,
|
|
|
|
These lips are sealed to me.
|
|
|
|
Dear Lord, how could I give Ferguson up
|
|
|
|
To any but to Thee?
|
|
|
|
|
|
It is strange what power the reiteration of an essentially poetical
|
|
thought has upon one's feelings. When we take up the LEDGER
|
|
and read the poetry about little Clara, we feel an unaccountable
|
|
depression of the spirits. When we drift further down the column
|
|
and read the poetry about little Johnnie, the depression and spirits
|
|
acquires and added emphasis, and we experience tangible suffering.
|
|
When we saunter along down the column further still and read
|
|
the poetry about little Ferguson, the word torture but vaguely
|
|
suggests the anguish that rends us.
|
|
|
|
In the LEDGER (same copy referred to above) I find the following
|
|
(I alter surname, as usual):
|
|
|
|
|
|
Welch.--On the 5th inst., Mary C. Welch, wife of William B. Welch,
|
|
and daughter of Catharine and George W. Markland, in the 29th year
|
|
of her age.
|
|
|
|
|
|
A mother dear, a mother kind,
|
|
|
|
Has gone and left us all behind.
|
|
|
|
Cease to weep, for tears are vain,
|
|
|
|
Mother dear is out of pain.
|
|
|
|
|
|
Farewell, husband, children dear,
|
|
|
|
Serve thy God with filial fear,
|
|
|
|
And meet me in the land above,
|
|
|
|
Where all is peace, and joy, and love.
|
|
|
|
|
|
What could be sweeter than that? No collection of salient facts
|
|
(without reduction to tabular form) could be more succinctly stated
|
|
than is done in the first stanza by the surviving relatives,
|
|
and no more concise and comprehensive program of farewells,
|
|
post-mortuary general orders, etc., could be framed in any
|
|
form than is done in verse by deceased in the last stanza.
|
|
These things insensibly make us wiser and tenderer, and better.
|
|
Another extract:
|
|
|
|
|
|
Ball.--On the morning of the 15th inst., Mary E., daughter of John
|
|
and Sarah F. Ball.
|
|
|
|
|
|
'Tis sweet to rest in lively hope
|
|
|
|
That when my change shall come
|
|
|
|
Angels will hover round my bed,
|
|
|
|
To waft my spirit home.
|
|
|
|
|
|
The following is apparently the customary form for heads of families:
|
|
|
|
|
|
Burns.--On the 20th inst., Michael Burns, aged 40 years.
|
|
|
|
|
|
Dearest father, thou hast left us,
|
|
|
|
Hear thy loss we deeply feel;
|
|
|
|
But 'tis God that has bereft us,
|
|
|
|
He can all our sorrows heal.
|
|
|
|
|
|
Funeral at 2 o'clock sharp.
|
|
|
|
|
|
There is something very simple and pleasant about the following,
|
|
which, in Philadelphia, seems to be the usual form for consumptives
|
|
of long standing. (It deplores four distinct cases in the single
|
|
copy of the LEDGER which lies on the Memoranda editorial table):
|
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|
|
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Bromley.--On the 29th inst., of consumption, Philip Bromley,
|
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in the 50th year of his age.
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Affliction sore long time he bore,
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Physicians were in vain--
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Till God at last did hear him mourn,
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And eased him of his pain.
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That friend whom death from us has torn,
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We did not think so soon to part;
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An anxious care now sinks the thorn
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Still deeper in our bleeding heart.
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This beautiful creation loses nothing by repetition. On the contrary,
|
|
the oftener one sees it in the LEDGER, the more grand and awe-inspiring
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|
it seems.
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With one more extract I will close:
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Doble.--On the 4th inst., Samuel Pervil Worthington Doble,
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aged 4 days.
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Our little Sammy's gone,
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His tiny spirit's fled;
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Our little boy we loved so dear
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Lies sleeping with the dead.
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A tear within a father's eye,
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A mother's aching heart,
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Can only tell the agony
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How hard it is to part.
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Could anything be more plaintive than that, without requiring further
|
|
concessions of grammar? Could anything be likely to do more toward
|
|
reconciling deceased to circumstances, and making him willing to go?
|
|
Perhaps not. The power of song can hardly be estimated. There is
|
|
an element about some poetry which is able to make even physical
|
|
suffering and death cheerful things to contemplate and consummations
|
|
to be desired. This element is present in the mortuary poetry
|
|
of Philadelphia degree of development.
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|
The custom I have been treating of is one that should be adopted
|
|
in all the cities of the land.
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It is said that once a man of small consequence died, and the
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|
Rev. T. K. Beecher was asked to preach the funeral sermon--
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|
a man who abhors the lauding of people, either dead or alive,
|
|
except in dignified and simple language, and then only for merits
|
|
which they actually possessed or possess, not merits which they
|
|
merely ought to have possessed. The friends of the deceased got up
|
|
a stately funeral. They must have had misgivings that the corpse
|
|
might not be praised strongly enough, for they prepared some
|
|
manuscript headings and notes in which nothing was left unsaid
|
|
on that subject that a fervid imagination and an unabridged
|
|
dictionary could compile, and these they handed to the minister
|
|
as he entered the pulpit. They were merely intended as suggestions,
|
|
and so the friends were filled with consternation when the minister
|
|
stood in the pulpit and proceeded to read off the curious odds
|
|
and ends in ghastly detail and in a loud voice! And their
|
|
consternation solidified to petrification when he paused at the end,
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|
contemplated the multitude reflectively, and then said, impressively:
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|
"The man would be a fool who tried to add anything to that.
|
|
Let us pray!"
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|
|
And with the same strict adhesion to truth it can be said that
|
|
the man would be a fool who tried to add anything to the following
|
|
transcendent obituary poem. There is something so innocent,
|
|
so guileless, so complacent, so unearthly serene and self-satisfied
|
|
about this peerless "hog-wash," that the man must be made of stone
|
|
who can read it without a dulcet ecstasy creeping along his backbone
|
|
and quivering in his marrow. There is no need to say that this
|
|
poem is genuine and in earnest, for its proofs are written all
|
|
over its face. An ingenious scribbler might imitate it after
|
|
a fashion, but Shakespeare himself could not counterfeit it.
|
|
It is noticeable that the country editor who published it did
|
|
not know that it was a treasure and the most perfect thing of its
|
|
kind that the storehouses and museums of literature could show.
|
|
He did not dare to say no to the dread poet--for such a poet
|
|
must have been something of an apparition--but he just shoveled
|
|
it into his paper anywhere that came handy, and felt ashamed,
|
|
and put that disgusted "Published by Request" over it, and hoped
|
|
that his subscribers would overlook it or not feel an impulse to read it:
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(Published by Request
|
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LINES
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Composed on the death of Samuel and Catharine Belknap's children
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by M. A. Glaze
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Friends and neighbors all draw near,
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And listen to what I have to say;
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|
And never leave your children dear
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|
When they are small, and go away.
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|
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|
|
But always think of that sad fate,
|
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|
|
That happened in year of '63;
|
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|
|
Four children with a house did burn,
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|
|
Think of their awful agony.
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|
Their mother she had gone away,
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|
And left them there alone to stay;
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|
|
The house took fire and down did burn;
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|
|
Before their mother did return.
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|
|
Their piteous cry the neighbors heard,
|
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|
|
And then the cry of fire was given;
|
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|
|
But, ah! before they could them reach,
|
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|
|
Their little spirits had flown to heaven.
|
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|
|
Their father he to war had gone,
|
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|
|
And on the battle-field was slain;
|
|
|
|
But little did he think when he went away,
|
|
|
|
But what on earth they would meet again.
|
|
|
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|
|
The neighbors often told his wife
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|
|
Not to leave his children there,
|
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|
|
Unless she got some one to stay,
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|
|
And of the little ones take care.
|
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|
|
|
|
The oldest he was years not six,
|
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|
|
And the youngest only eleven months old,
|
|
|
|
But often she had left them there alone,
|
|
|
|
As, by the neighbors, I have been told.
|
|
|
|
|
|
How can she bear to see the place.
|
|
|
|
Where she so oft has left them there,
|
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|
|
Without a single one to look to them,
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|
|
Or of the little ones to take good care.
|
|
|
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|
|
Oh, can she look upon the spot,
|
|
|
|
Whereunder their little burnt bones lay,
|
|
|
|
But what she thinks she hears them say,
|
|
|
|
''Twas God had pity, and took us on high.'
|
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|
|
|
|
And there may she kneel down and pray,
|
|
|
|
And ask God her to forgive;
|
|
|
|
And she may lead a different life
|
|
|
|
While she on earth remains to live.
|
|
|
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|
|
Her husband and her children too,
|
|
|
|
God has took from pain and woe.
|
|
|
|
May she reform and mend her ways,
|
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|
|
That she may also to them go.
|
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|
|
And when it is God's holy will,
|
|
|
|
O, may she be prepared
|
|
|
|
To meet her God and friends in peace,
|
|
|
|
And leave this world of care.
|
|
|
|
- - -
|
|
|
|
|
|
1. Written in 1870.
|
|
|
|
|
|
***
|
|
|
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|
|
THE DANGER OF LYING IN BED
|
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|
|
|
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|
|
The man in the ticket-office said:
|
|
|
|
"Have an accident insurance ticket, also?"
|
|
|
|
"No," I said, after studying the matter over a little. "No, I
|
|
believe not; I am going to be traveling by rail all day today.
|
|
However, tomorrow I don't travel. Give me one for tomorrow."
|
|
|
|
The man looked puzzled. He said:
|
|
|
|
"But it is for accident insurance, and if you are going to travel
|
|
by rail--"
|
|
|
|
"If I am going to travel by rail I sha'n't need it. Lying at home
|
|
in bed is the thing _I_ am afraid of."
|
|
|
|
I had been looking into this matter. Last year I traveled twenty
|
|
thousand miles, almost entirely by rail; the year before, I traveled
|
|
over twenty-five thousand miles, half by sea and half by rail;
|
|
and the year before that I traveled in the neighborhood of ten
|
|
thousand miles, exclusively by rail. I suppose if I put in all
|
|
the little odd journeys here and there, I may say I have traveled
|
|
sixty thousand miles during the three years I have mentioned.
|
|
AND NEVER AN ACCIDENT.
|
|
|
|
For a good while I said to myself every morning: "Now I
|
|
have escaped thus far, and so the chances are just that much
|
|
increased that I shall catch it this time. I will be shrewd,
|
|
and buy an accident ticket." And to a dead moral certainty I
|
|
drew a blank, and went to bed that night without a joint started
|
|
or a bone splintered. I got tired of that sort of daily bother,
|
|
and fell to buying accident tickets that were good for a month.
|
|
I said to myself, "A man CAN'T buy thirty blanks in one bundle."
|
|
|
|
But I was mistaken. There was never a prize in the the lot.
|
|
I could read of railway accidents every day--the newspaper
|
|
atmosphere was foggy with them; but somehow they never came my way.
|
|
I found I had spent a good deal of money in the accident business,
|
|
and had nothing to show for it. My suspicions were aroused, and I
|
|
began to hunt around for somebody that had won in this lottery.
|
|
I found plenty of people who had invested, but not an individual
|
|
that had ever had an accident or made a cent. I stopped buying
|
|
accident tickets and went to ciphering. The result was astounding.
|
|
THE PERIL LAY NOT IN TRAVELING, BUT IN STAYING AT HOME.
|
|
|
|
I hunted up statistics, and was amazed to find that after all
|
|
the glaring newspaper headlines concerning railroad disasters,
|
|
less than THREE HUNDRED people had really lost their lives by those
|
|
disasters in the preceding twelve months. The Erie road was set
|
|
down as the most murderous in the list. It had killed forty-six--
|
|
or twenty-six, I do not exactly remember which, but I know the number
|
|
was double that of any other road. But the fact straightway
|
|
suggested itself that the Erie was an immensely long road, and did
|
|
more business than any other line in the country; so the double
|
|
number of killed ceased to be matter for surprise.
|
|
|
|
By further figuring, it appeared that between New York and Rochester
|
|
the Erie ran eight passenger-trains each way every day--16 altogether;
|
|
and carried a daily average of 6,000 persons. That is about a million
|
|
in six months--the population of New York City. Well, the Erie kills
|
|
from 13 to 23 persons of ITS million in six months; and in the same
|
|
time 13,000 of New York's million die in their beds! My flesh crept,
|
|
my hair stood on end. "This is appalling!" I said. "The danger
|
|
isn't in traveling by rail, but in trusting to those deadly beds.
|
|
I will never sleep in a bed again."
|
|
|
|
I had figured on considerably less than one-half the length of
|
|
the Erie road. It was plain that the entire road must transport
|
|
at least eleven or twelve thousand people every day. There are
|
|
many short roads running out of Boston that do fully half as much;
|
|
a great many such roads. There are many roads scattered about
|
|
the Union that do a prodigious passenger business. Therefore it
|
|
was fair to presume that an average of 2,500 passengers a day for
|
|
each road in the country would be almost correct. There are 846
|
|
railway lines in our country, and 846 times 2,500 are 2,115,000. So
|
|
the railways of America move more than two millions of people every day;
|
|
six hundred and fifty millions of people a year, without counting
|
|
the Sundays. They do that, too--there is no question about it;
|
|
though where they get the raw material is clear beyond the jurisdiction
|
|
of my arithmetic; for I have hunted the census through and through,
|
|
and I find that there are not that many people in the United States,
|
|
by a matter of six hundred and ten millions at the very least.
|
|
They must use some of the same people over again, likely.
|
|
|
|
San Francisco is one-eighth as populous as New York; there are 60
|
|
deaths a week in the former and 500 a week in the latter--if they
|
|
have luck. That is 3,120 deaths a year in San Francisco, and eight
|
|
times as many in New York--say about 25,000 or 26,000. The health
|
|
of the two places is the same. So we will let it stand as a fair
|
|
presumption that this will hold good all over the country, and that
|
|
consequently 25,000 out of every million of people we have must die
|
|
every year. That amounts to one-fortieth of our total population.
|
|
One million of us, then, die annually. Out of this million ten
|
|
or twelve thousand are stabbed, shot, drowned, hanged, poisoned,
|
|
or meet a similarly violent death in some other popular way,
|
|
such as perishing by kerosene-lamp and hoop-skirt conflagrations,
|
|
getting buried in coal-mines, falling off house-tops, breaking
|
|
through church, or lecture-room floors, taking patent medicines,
|
|
or committing suicide in other forms. The Erie railroad kills 23 to 46;
|
|
the other 845 railroads kill an average of one-third of a man each;
|
|
and the rest of that million, amounting in the aggregate to that
|
|
appalling figure of 987,631 corpses, die naturally in their beds!
|
|
|
|
You will excuse me from taking any more chances on those beds.
|
|
The railroads are good enough for me.
|
|
|
|
And my advice to all people is, Don't stay at home any more than
|
|
you can help; but when you have GOT to stay at home a while,
|
|
buy a package of those insurance tickets and sit up nights.
|
|
You cannot be too cautious.
|
|
|
|
[One can see now why I answered that ticket-agent in the manner
|
|
recorded at the top of this sketch.]
|
|
|
|
The moral of this composition is, that thoughtless people grumble
|
|
more than is fair about railroad management in the United States.
|
|
When we consider that every day and night of the year full fourteen
|
|
thousand railway-trains of various kinds, freighted with life
|
|
and armed with death, go thundering over the land, the marvel is,
|
|
NOT that they kill three hundred human beings in a twelvemonth,
|
|
but that they do not kill three hundred times three hundred!
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
PORTRAIT OF KING WILLIAM III
|
|
|
|
|
|
|
|
I never can look at those periodical portraits in THE GALAXY magazine
|
|
without feeling a wild, tempestuous ambition to be an artist.
|
|
I have seen thousands and thousands of pictures in my time--
|
|
acres of them here and leagues of them in the galleries of Europe--
|
|
but never any that moved me as these portraits do.
|
|
|
|
There is a portrait of Monsignore Capel in the November number,
|
|
now COULD anything be sweeter than that? And there was Bismarck's,
|
|
in the October number; who can look at that without being purer
|
|
and stronger and nobler for it? And Thurlow and Weed's picture
|
|
in the September number; I would not have died without seeing that,
|
|
no, not for anything this world can give. But looks back still
|
|
further and recall my own likeness as printed in the August number;
|
|
if I had been in my grave a thousand years when that appeared,
|
|
I would have got up and visited the artist.
|
|
|
|
I sleep with all these portraits under my pillow every night, so that I
|
|
can go on studying them as soon as the day dawns in the morning.
|
|
I know them all as thoroughly as if I had made them myself; I know
|
|
every line and mark about them. Sometimes when company are present
|
|
I shuffle the portraits all up together, and then pick them out
|
|
one by one and call their names, without referring to the printing
|
|
on the bottom. I seldom make a mistake--never, when I am calm.
|
|
|
|
I have had the portraits framed for a long time, waiting till
|
|
my aunt gets everything ready for hanging them up in the parlor.
|
|
But first one thing and then another interferes, and so the thing
|
|
is delayed. Once she said they would have more of the peculiar kind
|
|
of light they needed in the attic. The old simpleton! it is as dark
|
|
as a tomb up there. But she does not know anything about art,
|
|
and so she has no reverence for it. When I showed her my "Map of
|
|
the Fortifications of Paris," she said it was rubbish.
|
|
|
|
Well, from nursing those portraits so long, I have come at last
|
|
to have a perfect infatuation for art. I have a teacher now,
|
|
and my enthusiasm continually and tumultuously grows, as I learn
|
|
to use with more and more facility the pencil, brush, and graver.
|
|
I am studying under De Mellville, the house and portrait painter.
|
|
[His name was Smith when he lived in the West.] He does any kind
|
|
of artist work a body wants, having a genius that is universal,
|
|
like Michael Angelo. Resembles that great artist, in fact.
|
|
The back of his head is like this, and he wears his hat-brim tilted
|
|
down on his nose to expose it.
|
|
|
|
I have been studying under De Mellville several months now.
|
|
The first month I painted fences, and gave general satisfaction.
|
|
The next month I white-washed a barn. The third, I was doing
|
|
tin roofs; the forth, common signs; the fifth, statuary to stand
|
|
before cigar shops. This present month is only the sixth, and I am
|
|
already in portraits!
|
|
|
|
The humble offering which accompanies these remarks [see figure]--
|
|
the portrait of his Majesty William III., King of Prussia--
|
|
is my fifth attempt in portraits, and my greatest success.
|
|
It has received unbounded praise from all classes of the community,
|
|
but that which gratifies me most is the frequent and cordial verdict
|
|
that it resembles the GALAXY portraits. Those were my first love,
|
|
my earliest admiration, the original source and incentive of my
|
|
art-ambition. Whatever I am in Art today, I owe to these portraits.
|
|
I ask no credit for myself--I deserve none. And I never take any, either.
|
|
Many a stranger has come to my exhibition (for I have had my portrait
|
|
of King William on exhibition at one dollar a ticket), and would
|
|
have gone away blessing ME, if I had let him, but I never did.
|
|
I always stated where I got the idea.
|
|
|
|
King William wears large bushy side-whiskers, and some critics have
|
|
thought that this portrait would be more complete if they were added.
|
|
But it was not possible. There was not room for side-whiskers and
|
|
epaulets both, and so I let the whiskers go, and put in the epaulets,
|
|
for the sake of style. That thing on his hat is an eagle.
|
|
The Prussian eagle--it is a national emblem. When I saw hat I
|
|
mean helmet; but it seems impossible to make a picture of a helmet
|
|
that a body can have confidence in.
|
|
|
|
I wish kind friends everywhere would aid me in my endeavor to attract
|
|
a little attention to the GALAXY portraits. I feel persuaded it can
|
|
be accomplished, if the course to be pursued be chosen with judgment.
|
|
I write for that magazine all the time, and so do many abler men,
|
|
and if I can get these portraits into universal favor, it is all I ask;
|
|
the reading-matter will take care of itself.
|
|
|
|
|
|
COMMENDATIONS OF THE PORTRAIT
|
|
|
|
|
|
There is nothing like it in the Vatican. Pius IX.
|
|
|
|
|
|
It has none of that vagueness, that dreamy spirituality about it,
|
|
which many of the first critics of Arkansas have objected to in
|
|
the Murillo school of Art. Ruskin.
|
|
|
|
|
|
The expression is very interesting. J.W. Titian.
|
|
|
|
|
|
(Keeps a macaroni store in Venice, at the old family stand.)
|
|
|
|
|
|
It is the neatest thing in still life I have seen for years.
|
|
|
|
Rosa Bonheur.
|
|
|
|
|
|
The smile may be almost called unique. Bismarck.
|
|
|
|
|
|
I never saw such character portrayed in a picture face before.
|
|
De Mellville.
|
|
|
|
|
|
There is a benignant simplicity about the execution of this
|
|
work which warms the heart toward it as much, full as much,
|
|
as it fascinates the eye. Landseer.
|
|
|
|
|
|
One cannot see it without longing to contemplate the artist.
|
|
|
|
Frederick William.
|
|
|
|
|
|
Send me the entire edition--together with the plate and the
|
|
original portrait--and name your own price. And--would you
|
|
like to come over and stay awhile with Napoleon at Wilhelmsh:ohe?
|
|
It shall not cost you a cent. William III.
|
|
|
|
|
|
***
|
|
|
|
|
|
|
|
DOES THE RACE OF MAN LOVE A LORD?
|
|
|
|
|
|
|
|
Often a quite assified remark becomes sanctified by use and
|
|
petrified by custom; it is then a permanency, its term of activity
|
|
a geologic period.
|
|
|
|
|
|
|
|
The day after the arrival of Prince Henry I met an English friend,
|
|
and he rubbed his hands and broke out with a remark that was charged
|
|
to the brim with joy--joy that was evidently a pleasant salve
|
|
to an old sore place:
|
|
|
|
"Many a time I've had to listen without retort to an old saying
|
|
that is irritatingly true, and until now seemed to offer no chance
|
|
for a return jibe: 'An Englishman does dearly love a lord';
|
|
but after this I shall talk back, and say, 'How about the Americans?'"
|
|
|
|
It is a curious thing, the currency that an idiotic saying can get.
|
|
The man that first says it thinks he has made a discovery.
|
|
The man he says it to, thinks the same. It departs on its travels,
|
|
is received everywhere with admiring acceptance, and not only as
|
|
a piece of rare and acute observation, but as being exhaustively
|
|
true and profoundly wise; and so it presently takes its place
|
|
in the world's list of recognized and established wisdoms,
|
|
and after that no one thinks of examining it to see whether it is
|
|
really entitled to its high honors or not. I call to mind instances
|
|
of this in two well-established proverbs, whose dullness is not
|
|
surpassed by the one about the Englishman and his love for a lord:
|
|
one of them records the American's Adoration of the Almighty Dollar,
|
|
the other the American millionaire-girl's ambition to trade cash for
|
|
a title, with a husband thrown in.
|
|
|
|
It isn't merely the American that adores the Almighty Dollar,
|
|
it is the human race. The human race has always adored the hatful
|
|
of shells, or the bale of calico, or the half-bushel of brass rings,
|
|
or the handful of steel fish-hooks, or the houseful of black wives,
|
|
or the zareba full of cattle, or the two-score camels and asses,
|
|
or the factory, or the farm, or the block of buildings,
|
|
or the railroad bonds, or the bank stock, or the hoarded cash, or--
|
|
anything that stands for wealth and consideration and independence,
|
|
and can secure to the possessor that most precious of all things,
|
|
another man's envy. It was a dull person that invented the idea
|
|
that the American's devotion to the dollar is more strenuous than
|
|
another's.
|
|
|
|
Rich American girls do buy titles, but they did not invent that idea;
|
|
it had been worn threadbare several hundred centuries before America
|
|
was discovered. European girls still exploit it as briskly as ever;
|
|
and, when a title is not to be had for the money in hand, they buy
|
|
the husband without it. They must put up the "dot," or there is
|
|
no trade. The commercialization of brides is substantially universal,
|
|
except in America. It exists with us, to some little extent,
|
|
but in no degree approaching a custom.
|
|
|
|
"The Englishman dearly loves a lord."
|
|
|
|
What is the soul and source of this love? I think the thing could
|
|
be more correctly worded:
|
|
|
|
"The human race dearly envies a lord."
|
|
|
|
That is to say, it envies the lord's place. Why? On two accounts,
|
|
I think: its Power and its Conspicuousness.
|
|
|
|
Where Conspicuousness carries with it a Power which, by the light
|
|
of our own observation and experience, we are able to measure
|
|
and comprehend, I think our envy of the possessor is as deep and as
|
|
passionate as is that of any other nation. No one can care less
|
|
for a lord than the backwoodsman, who has had no personal contact
|
|
with lords and has seldom heard them spoken of; but I will not
|
|
allow that any Englishman has a profounder envy of a lord than has
|
|
the average American who has lived long years in a European capital
|
|
and fully learned how immense is the position the lord occupies.
|
|
|
|
Of any ten thousand Americans who eagerly gather, at vast inconvenience,
|
|
to get a glimpse of Prince Henry, all but a couple of hundred will be
|
|
there out of an immense curiosity; they are burning up with desire
|
|
to see a personage who is so much talked about. They envy him;
|
|
but it is Conspicuousness they envy mainly, not the Power that is
|
|
lodged in his royal quality and position, for they have but a vague
|
|
and spectral knowledge and appreciation of that; though their
|
|
environment and associations they have been accustomed to regard
|
|
such things lightly, and as not being very real; consequently,
|
|
they are not able to value them enough to consumingly envy them.
|
|
|
|
But, whenever an American (or other human being) is in the presence,
|
|
for the first time, of a combination of great Power and Conspicuousness
|
|
which he thoroughly understands and appreciates, his eager
|
|
curiosity and pleasure will be well-sodden with that other passion--
|
|
envy whether he suspects it or not. At any time, on any day,
|
|
in any part of America, you can confer a happiness upon any passing
|
|
stranger by calling his attention to any other passing stranger
|
|
and saying:
|
|
|
|
"Do you see that gentleman going along there? It is Mr. Rockefeller."
|
|
|
|
Watch his eye. It is a combination of power and conspicuousness
|
|
which the man understands.
|
|
|
|
When we understand rank, we always like to rub against it.
|
|
When a man is conspicuous, we always want to see him. Also, if he
|
|
will pay us an attention we will manage to remember it. Also, we
|
|
will mention it now and then, casually; sometimes to a friend,
|
|
or if a friend is not handy, we will make out with a stranger.
|
|
|
|
Well, then, what is rank, and what is conspicuousness? At once we
|
|
think of kings and aristocracies, and of world-wide celebrities
|
|
in soldierships, the arts, letters, etc., and we stop there.
|
|
But that is a mistake. Rank holds its court and receives its homage
|
|
on every round of the ladder, from the emperor down to the rat-catcher;
|
|
and distinction, also, exists on every round of the ladder,
|
|
and commands its due of deference and envy.
|
|
|
|
To worship rank and distinction is the dear and valued privilege
|
|
of all the human race, and it is freely and joyfully exercised
|
|
in democracies as well as in monarchies--and even, to some extent,
|
|
among those creatures whom we impertinently call the Lower Animals.
|
|
For even they have some poor little vanities and foibles, though in
|
|
this matter they are paupers as compared to us.
|
|
|
|
A Chinese Emperor has the worship of his four hundred millions
|
|
of subjects, but the rest of the world is indifferent to him.
|
|
A Christian Emperor has the worship of his subjects and of a large
|
|
part of the Christian world outside of his domains; but he is
|
|
a matter of indifference to all China. A king, class A, has an
|
|
extensive worship; a king, class B, has a less extensive worship;
|
|
class C, class D, class E get a steadily diminishing share of worship;
|
|
class L (Sultan of Zanzibar), class P (Sultan of Sulu), and class W
|
|
(half-king of Samoa), get no worship at all outside their own little
|
|
patch of sovereignty.
|
|
|
|
Take the distinguished people along down. Each has his group
|
|
of homage-payers. In the navy, there are many groups; they start
|
|
with the Secretary and the Admiral, and go down to the quartermaster--
|
|
and below; for there will be groups among the sailors, and each of
|
|
these groups will have a tar who is distinguished for his battles,
|
|
or his strength, or his daring, or his profanity, and is admired
|
|
and envied by his group. The same with the army; the same
|
|
with the literary and journalistic craft; the publishing craft;
|
|
the cod-fishery craft; Standard Oil; U. S. Steel; the class A hotel--
|
|
and the rest of the alphabet in that line; the class A prize-fighter--
|
|
and the rest of the alphabet in his line--clear down to the lowest
|
|
and obscurest six-boy gang of little gamins, with its one boy
|
|
that can thrash the rest, and to whom he is king of Samoa,
|
|
bottom of the royal race, but looked up to with a most ardent
|
|
admiration and envy.
|
|
|
|
There is something pathetic, and funny, and pretty, about this
|
|
human race's fondness for contact with power and distinction,
|
|
and for the reflected glory it gets out of it. The king, class A,
|
|
is happy in the state banquet and the military show which the
|
|
emperor provides for him, and he goes home and gathers the queen
|
|
and the princelings around him in the privacy of the spare room,
|
|
and tells them all about it, and says:
|
|
|
|
"His Imperial Majesty put his hand upon my shoulder in the most
|
|
friendly way--just as friendly and familiar, oh, you can't imagine it!--
|
|
and everybody SEEING him do it; charming, perfectly charming!"
|
|
|
|
The king, class G, is happy in the cold collation and the police
|
|
parade provided for him by the king, class B, and goes home
|
|
and tells the family all about it, and says:
|
|
|
|
"And His Majesty took me into his own private cabinet for a smoke
|
|
and a chat, and there we sat just as sociable, and talking away
|
|
and laughing and chatting, just the same as if we had been born
|
|
in the same bunk; and all the servants in the anteroom could see
|
|
us doing it! Oh, it was too lovely for anything!"
|
|
|
|
The king, class Q, is happy in the modest entertainment furnished him
|
|
by the king, class M, and goes home and tells the household about it,
|
|
and is as grateful and joyful over it as were his predecessors
|
|
in the gaudier attentions that had fallen to their larger lot.
|
|
|
|
Emperors, kings, artisans, peasants, big people, little people--at the
|
|
bottom we are all alike and all the same; all just alike on the inside,
|
|
and when our clothes are off, nobody can tell which of us is which.
|
|
We are unanimous in the pride we take in good and genuine compliments
|
|
paid us, and distinctions conferred upon us, in attentions shown.
|
|
There is not one of us, from the emperor down,, but is made like that.
|
|
Do I mean attentions shown us by the guest? No, I mean simply
|
|
flattering attentions, let them come whence they may. We despise
|
|
no source that can pay us a pleasing attention--there is no source
|
|
that is humble enough for that. You have heard a dear little girl
|
|
say to a frowzy and disreputable dog: "He came right to me and let
|
|
me pat him on the head, and he wouldn't let the others touch him!"
|
|
and you have seen her eyes dance with pride in that high distinction.
|
|
You have often seen that. If the child were a princess, would that
|
|
random dog be able to confer the like glory upon her with his
|
|
pretty compliment? Yes; and even in her mature life and seated
|
|
upon a throne, she would still remember it, still recall it,
|
|
still speak of it with frank satisfaction. That charming and
|
|
lovable German princess and poet, Carmen Sylva, Queen of Roumania,
|
|
remembers yet that the flowers of the woods and fields "talked to her"
|
|
when she was a girl, and she sets it down in her latest book;
|
|
and that the squirrels conferred upon her and her father the valued
|
|
compliment of not being afraid of them; and "once one of them,
|
|
holding a nut between its sharp little teeth, ran right up against
|
|
my father"--it has the very note of "He came right to me and let
|
|
me pat him on the head"--"and when it saw itself reflected in his
|
|
boot it was very much surprised, and stopped for a long time to
|
|
contemplate itself in the polished leather"--then it went its way.
|
|
And the birds! she still remembers with pride that "they came
|
|
boldly into my room," when she had neglected her "duty" and put
|
|
no food on the window-sill for them; she knew all the wild birds,
|
|
and forgets the royal crown on her head to remember with pride
|
|
that they knew her; also that the wasp and the bee were personal
|
|
friends of hers, and never forgot that gracious relationship
|
|
to her injury: "never have I been stung by a wasp or a bee."
|
|
And here is that proud note again that sings in that little child's
|
|
elation in being singled out, among all the company of children,
|
|
for the random dog's honor-conferring attentions. "Even in the very
|
|
worst summer for wasps, when, in lunching out of doors, our table
|
|
was covered with them and every one else was stung, they never
|
|
hurt me."
|
|
|
|
When a queen whose qualities of mind and heart and character are
|
|
able to add distinction to so distinguished a place as a throne,
|
|
remembers with grateful exultation, after thirty years, honors and
|
|
distinctions conferred upon her by the humble, wild creatures of
|
|
the forest, we are helped to realize that complimentary attentions,
|
|
homage, distinctions, are of no caste, but are above all cast--
|
|
that they are a nobility-conferring power apart.
|
|
|
|
We all like these things. When the gate-guard at the railway-station
|
|
passes me through unchallenged and examines other people's tickets,
|
|
I feel as the king, class A, felt when the emperor put the imperial
|
|
hand on his shoulder, "everybody seeing him do it"; and as the child
|
|
felt when the random dog allowed her to pat his head and ostracized
|
|
the others; and as the princess felt when the wasps spared her
|
|
and stung the rest; and I felt just so, four years ago in Vienna
|
|
(and remember it yet), when the helmeted police shut me off,
|
|
with fifty others, from a street which the Emperor was to pass through,
|
|
and the captain of the squad turned and saw the situation and said
|
|
indignantly to that guard:
|
|
|
|
"Can't you see it is the Herr Mark Twain? Let him through!"
|
|
|
|
It was four years ago; but it will be four hundred before I forget
|
|
the wind of self-complacency that rose in me, and strained my
|
|
buttons when I marked the deference for me evoked in the faces of my
|
|
fellow-rabble, and noted, mingled with it, a puzzled and resentful
|
|
expression which said, as plainly as speech could have worded it:
|
|
"And who in the nation is the Herr Mark Twain UM GOTTESWILLEN?"
|
|
|
|
How many times in your life have you heard this boastful remark:
|
|
|
|
"I stood as close to him as I am to you; I could have put out my
|
|
hand and touched him."
|
|
|
|
We have all heard it many and many a time. It was a proud
|
|
distinction to be able to say those words. It brought envy to
|
|
the speaker, a kind of glory; and he basked in it and was happy
|
|
through all his veins. And who was it he stood so close to?
|
|
The answer would cover all the grades. Sometimes it was a king;
|
|
sometimes it was a renowned highwayman; sometimes it was an unknown
|
|
man killed in an extraordinary way and made suddenly famous by it;
|
|
always it was a person who was for the moment the subject of public
|
|
interest of a village.
|
|
|
|
"I was there, and I saw it myself." That is a common and
|
|
envy-compelling remark. It can refer to a battle; to a handing;
|
|
to a coronation; to the killing of Jumbo by the railway-train;
|
|
to the arrival of Jenny Lind at the Battery; to the meeting of
|
|
the President and Prince Henry; to the chase of a murderous maniac;
|
|
to the disaster in the tunnel; to the explosion in the subway;
|
|
to a remarkable dog-fight; to a village church struck by lightning.
|
|
It will be said, more or less causally, by everybody in America who has
|
|
seen Prince Henry do anything, or try to. The man who was absent
|
|
and didn't see him to anything, will scoff. It is his privilege;
|
|
and he can make capital out of it, too; he will seem, even to himself,
|
|
to be different from other Americans, and better. As his opinion
|
|
of his superior Americanism grows, and swells, and concentrates
|
|
and coagulates, he will go further and try to belittle the distinction
|
|
of those that saw the Prince do things, and will spoil their pleasure
|
|
in it if he can. My life has been embittered by that kind of persons.
|
|
If you are able to tell of a special distinction that has fallen
|
|
to your lot, it gravels them; they cannot bear it; and they try
|
|
to make believe that the thing you took for a special distinction
|
|
was nothing of the kind and was meant in quite another way.
|
|
Once I was received in private audience by an emperor. Last week
|
|
I was telling a jealous person about it, and I could see him wince
|
|
under it, see him bite, see him suffer. I revealed the whole episode
|
|
to him with considerable elaboration and nice attention to detail.
|
|
When I was through, he asked me what had impressed me most.
|
|
I said:
|
|
|
|
"His Majesty's delicacy. They told me to be sure and back
|
|
out from the presence, and find the door-knob as best I could;
|
|
it was not allowable to face around. Now the Emperor knew it would
|
|
be a difficult ordeal for me, because of lack of practice; and so,
|
|
when it was time to part, he turned, with exceeding delicacy,
|
|
and pretended to fumble with things on his desk, so I could get
|
|
out in my own way, without his seeing me."
|
|
|
|
It went home! It was vitriol! I saw the envy and disgruntlement rise
|
|
in the man's face; he couldn't keep it down. I saw him try to fix
|
|
up something in his mind to take the bloom off that distinction.
|
|
I enjoyed that, for I judged that he had his work cut out for him.
|
|
He struggled along inwardly for quite a while; then he said,
|
|
with a manner of a person who has to say something and hasn't anything
|
|
relevant to say:
|
|
|
|
"You said he had a handful of special-brand cigars on the table?"
|
|
|
|
"Yes; _I_ never said anything to match them."
|
|
|
|
I had him again. He had to fumble around in his mind as much
|
|
as another minute before he could play; then he said in as mean
|
|
a way as I ever heard a person say anything:
|
|
|
|
"He could have been counting the cigars, you know."
|
|
|
|
I cannot endure a man like that. It is nothing to him how unkind
|
|
he is, so long as he takes the bloom off. It is all he cares for.
|
|
|
|
"An Englishman (or other human being) does dearly love a lord,"
|
|
(or other conspicuous person.) It includes us all. We love to be
|
|
noticed by the conspicuous person; we love to be associated with such,
|
|
or with a conspicuous event, even in a seventh-rate fashion,
|
|
even in the forty-seventh, if we cannot do better. This accounts
|
|
for some of our curious tastes in mementos. It accounts for the large
|
|
private trade in the Prince of Wales's hair, which chambermaids
|
|
were able to drive in that article of commerce when the Prince made
|
|
the tour of the world in the long ago--hair which probably did
|
|
not always come from his brush, since enough of it was marketed
|
|
to refurnish a bald comet; it accounts for the fact that the rope
|
|
which lynches a negro in the presence of ten thousand Christian
|
|
spectators is salable five minutes later at two dollars and inch;
|
|
it accounts for the mournful fact that a royal personage does not
|
|
venture to wear buttons on his coat in public.
|
|
|
|
We do love a lord--and by that term I mean any person whose situation
|
|
is higher than our own. The lord of the group, for instance:
|
|
a group of peers, a group of millionaires, a group of hoodlums,
|
|
a group of sailors, a group of newsboys, a group of saloon politicians,
|
|
a group of college girls. No royal person has ever been the object
|
|
of a more delirious loyalty and slavish adoration than is paid
|
|
by the vast Tammany herd to its squalid idol in Wantage. There is
|
|
not a bifurcated animal in that menagerie that would not be proud
|
|
to appear in a newspaper picture in his company. At the same time,
|
|
there are some in that organization who would scoff at the people
|
|
who have been daily pictured in company with Prince Henry, and would
|
|
say vigorously that THEY would not consent to be photographed
|
|
with him--a statement which would not be true in any instance.
|
|
There are hundreds of people in America who would frankly say to you
|
|
that they would not be proud to be photographed in a group with
|
|
the Prince, if invited; and some of these unthinking people would
|
|
believe it when they said it; yet in no instance would it be true.
|
|
We have a large population, but we have not a large enough one,
|
|
by several millions, to furnish that man. He has not yet been begotten,
|
|
and in fact he is not begettable.
|
|
|
|
You may take any of the printed groups, and there isn't a person
|
|
in the dim background who isn't visibly trying to be vivid; if it
|
|
is a crowd of ten thousand--ten thousand proud, untamed democrats,
|
|
horny-handed sons of toil and of politics, and fliers of the eagle--
|
|
there isn't one who is trying to keep out of range, there isn't one
|
|
who isn't plainly meditating a purchase of the paper in the morning,
|
|
with the intention of hunting himself out in the picture and of framing
|
|
and keeping it if he shall find so much of his person in it as his
|
|
starboard ear.
|
|
|
|
We all love to get some of the drippings of Conspicuousness, and we
|
|
will put up with a single, humble drip, if we can't get any more.
|
|
We may pretend otherwise, in conversation; but we can't pretend
|
|
it to ourselves privately--and we don't. We do confess in public
|
|
that we are the noblest work of God, being moved to it by long habit,
|
|
and teaching, and superstition; but deep down in the secret places
|
|
of our souls we recognize that, if we ARE the noblest work, the less
|
|
said about it the better.
|
|
|
|
We of the North poke fun at the South for its fondness of titles--
|
|
a fondness for titles pure and simple, regardless of whether they
|
|
are genuine or pinchbeck. We forget that whatever a Southerner
|
|
likes the rest of the human race likes, and that there is no law of
|
|
predilection lodged in one people that is absent from another people.
|
|
There is no variety in the human race. We are all children,
|
|
all children of the one Adam, and we love toys. We can soon acquire
|
|
that Southern disease if some one will give it a start. It already
|
|
has a start, in fact. I have been personally acquainted with over
|
|
eighty-four thousand persons who, at one time or another in their lives,
|
|
have served for a year or two on the staffs of our multitudinous
|
|
governors, and through that fatality have been generals temporarily,
|
|
and colonels temporarily, and judge-advocates temporarily; but I
|
|
have known only nine among them who could be hired to let the title
|
|
go when it ceased to be legitimate. I know thousands and thousands
|
|
of governors who ceased to be governors away back in the last century;
|
|
but I am acquainted with only three who would answer your letter
|
|
if you failed to call them "Governor" in it. I know acres and acres
|
|
of men who have done time in a legislature in prehistoric days,
|
|
but among them is not half an acre whose resentment you would not
|
|
raise if you addressed them as "Mr." instead of "Hon." The first thing
|
|
a legislature does is to convene in an impressive legislative attitude,
|
|
and get itself photographed. Each member frames his copy and takes
|
|
it to the woods and hangs it up in the most aggressively conspicuous
|
|
place in his house; and if you visit the house and fail to inquire
|
|
what that accumulation is, the conversation will be brought around
|
|
to it by that aforetime legislator, and he will show you a figure
|
|
in it which in the course of years he has almost obliterated
|
|
with the smut of his finger-marks, and say with a solemn joy, "It's me!"
|
|
|
|
Have you ever seen a country Congressman enter the hotel breakfast-room
|
|
in Washington with his letters?--and sit at his table and let on
|
|
to read them?--and wrinkle his brows and frown statesman-like?--
|
|
keeping a furtive watch-out over his glasses all the while to see
|
|
if he is being observed and admired?--those same old letters
|
|
which he fetches in every morning? Have you seen it? Have you
|
|
seen him show off? It is THE sight of the national capital.
|
|
Except one; a pathetic one. That is the ex-Congressman: the poor
|
|
fellow whose life has been ruined by a two-year taste of glory
|
|
and of fictitious consequence; who has been superseded, and ought
|
|
to take his heartbreak home and hide it, but cannot tear himself
|
|
away from the scene of his lost little grandeur; and so he lingers,
|
|
and still lingers, year after year, unconsidered, sometimes snubbed,
|
|
ashamed of his fallen estate, and valiantly trying to look otherwise;
|
|
dreary and depressed, but counterfeiting breeziness and gaiety,
|
|
hailing with chummy familiarity, which is not always welcomed,
|
|
the more-fortunes who are still in place and were once his mates.
|
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Have you seen him? He clings piteously to the one little shred that
|
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is left of his departed distinction--the "privilege of the floor";
|
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and works it hard and gets what he can out of it. That is the saddest
|
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figure I know of.
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Yes, we do so love our little distinctions! And then we loftily
|
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scoff at a Prince for enjoying his larger ones; forgetting that if we
|
|
only had his chance--ah! "Senator" is not a legitimate title.
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|
A Senator has no more right to be addressed by it than have you
|
|
or I; but, in the several state capitals and in Washington,
|
|
there are five thousand Senators who take very kindly to
|
|
that fiction, and who purr gratefully when you call them by it--
|
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which you may do quite unrebuked. Then those same Senators smile
|
|
at the self-constructed majors and generals and judges of the South!
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|
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Indeed, we do love our distinctions, get them how we may.
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And we work them for all they are worth. In prayer we call
|
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ourselves "worms of the dust," but it is only on a sort of tacit
|
|
understanding that the remark shall not be taken at par. WE--
|
|
worms of the dust! Oh, no, we are not that. Except in fact;
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and we do not deal much in fact when we are contemplating ourselves.
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As a race, we do certainly love a lord--let him be Croker, or a duke,
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or a prize-fighter, or whatever other personage shall chance to be
|
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the head of our group. Many years ago, I saw a greasy youth in overalls
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standing by the HERALD office, with an expectant look in his face.
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Soon a large man passed out, and gave him a pat on the shoulder.
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That was what the boy was waiting for--the large man's notice.
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The pat made him proud and happy, and the exultation inside
|
|
of him shone out through his eyes; and his mates were there
|
|
to see the pat and envy it and wish they could have that glory.
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The boy belonged down cellar in the press-room, the large man
|
|
was king of the upper floors, foreman of the composing-room. The
|
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light in the boy's face was worship, the foreman was his lord,
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head of his group. The pat was an accolade. It was as precious
|
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to the boy as it would have been if he had been an aristocrat's son
|
|
and the accolade had been delivered by his sovereign with a sword.
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The quintessence of the honor was all there; there was no difference
|
|
in values; in truth there was no difference present except an
|
|
artificial one--clothes.
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|
|
|
All the human race loves a lord--that is, loves to look upon
|
|
or be noticed by the possessor of Power or Conspicuousness;
|
|
and sometimes animals, born to better things and higher ideals,
|
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descend to man's level in this matter. In the Jardin des Plantes
|
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I have see a cat that was so vain of being the personal friend
|
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of an elephant that I was ashamed of her.
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|
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***
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EXTRACTS FROM ADAM'S DIARY
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MONDAY.--This new creature with the long hair is a good deal
|
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in the way. It is always hanging around and following me about.
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I don't like this; I am not used to company. I wish it would stay
|
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with the other animals. . . . Cloudy today, wind in the east;
|
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think we shall have rain. . . . WE? Where did I get that word--
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the new creature uses it.
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TUESDAY.--Been examining the great waterfall. It is the finest thing
|
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on the estate, I think. The new creature calls it Niagara Falls--
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why, I am sure I do not know. Says it LOOKS like Niagara Falls.
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That is not a reason, it is mere waywardness and imbecility.
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I get no chance to name anything myself. The new creature names
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everything that comes along, before I can get in a protest.
|
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And always that same pretext is offered--it LOOKS like the thing.
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There is a dodo, for instance. Says the moment one looks at it
|
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one sees at a glance that it "looks like a dodo." It will have to
|
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keep that name, no doubt. It wearies me to fret about it, and it
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does no good, anyway. Dodo! It looks no more like a dodo than
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I do.
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WEDNESDAY.--Built me a shelter against the rain, but could not
|
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have it to myself in peace. The new creature intruded. When I
|
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tried to put it out it shed water out of the holes it looks with,
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and wiped it away with the back of its paws, and made a noise
|
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such as some of the other animals make when they are in distress.
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I wish it would not talk; it is always talking. That sounds like a
|
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cheap fling at the poor creature, a slur; but I do not mean it so.
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I have never heard the human voice before, and any new and strange
|
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sound intruding itself here upon the solemn hush of these dreaming
|
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solitudes offends my ear and seems a false note. And this new sound
|
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is so close to me; it is right at my shoulder, right at my ear,
|
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first on one side and then on the other, and I am used only to sounds
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that are more or less distant from me.
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FRIDAY. The naming goes recklessly on, in spite of anything I can do.
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I had a very good name for the estate, and it was musical and pretty--
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GARDEN OF EDEN. Privately, I continue to call it that, but not any
|
|
longer publicly. The new creature says it is all woods and rocks
|
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and scenery, and therefore has no resemblance to a garden. Says it
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LOOKS like a park, and does not look like anything BUT a park.
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Consequently, without consulting me, it has been new-named NIAGARA
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FALLS PARK. This is sufficiently high-handed, it seems to me.
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And already there is a sign up:
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KEEP OFF
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THE GRASS
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My life is not as happy as it was.
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SATURDAY.--The new creature eats too much fruit. We are going
|
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to run short, most likely. "We" again--that is ITS word; mine, too,
|
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now, from hearing it so much. Good deal of fog this morning.
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I do not go out in the fog myself. This new creature does.
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It goes out in all weathers, and stumps right in with its muddy feet.
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And talks. It used to be so pleasant and quiet here.
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SUNDAY.--Pulled through. This day is getting to be more and more trying.
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It was selected and set apart last November as a day of rest.
|
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I had already six of them per week before. This morning found
|
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the new creature trying to clod apples out of that forbidden tree.
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MONDAY.--The new creature says its name is Eve. That is all right,
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I have no objections. Says it is to call it by, when I want it
|
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to come. I said it was superfluous, then. The word evidently
|
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raised me in its respect; and indeed it is a large, good word
|
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and will bear repetition. It says it is not an It, it is a She.
|
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This is probably doubtful; yet it is all one to me; what she is were
|
|
nothing to me if she would but go by herself and not talk.
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TUESDAY.--She has littered the whole estate with execrable names
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and offensive signs:
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This way to the Whirlpool
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This way to Goat Island
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Cave of the Winds this way
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She says this park would make a tidy summer resort if there was
|
|
any custom for it. Summer resort--another invention of hers--
|
|
just words, without any meaning. What is a summer resort?
|
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But it is best not to ask her, she has such a rage for explaining.
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FRIDAY.--She has taken to beseeching me to stop going over the Falls.
|
|
What harm does it do? Says it makes her shudder. I wonder why;
|
|
I have always done it--always liked the plunge, and coolness.
|
|
I supposed it was what the Falls were for. They have no other
|
|
use that I can see, and they must have been made for something.
|
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She says they were only made for scenery--like the rhinoceros and
|
|
the mastodon.
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I went over the Falls in a barrel--not satisfactory to her.
|
|
Went over in a tub--still not satisfactory. Swam the Whirlpool and
|
|
the Rapids in a fig-leaf suit. It got much damaged. Hence, tedious
|
|
complaints about my extravagance. I am too much hampered here.
|
|
What I need is a change of scene.
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SATURDAY.--I escaped last Tuesday night, and traveled two days,
|
|
and built me another shelter in a secluded place, and obliterated my
|
|
tracks as well as I could, but she hunted me out by means of a beast
|
|
which she has tamed and calls a wolf, and came making that pitiful
|
|
noise again, and shedding that water out of the places she looks with.
|
|
I was obliged to return with her, but will presently emigrate again
|
|
when occasion offers. She engages herself in many foolish things;
|
|
among others; to study out why the animals called lions and tigers
|
|
live on grass and flowers, when, as she says, the sort of teeth they
|
|
wear would indicate that they were intended to eat each other.
|
|
This is foolish, because to do that would be to kill each other,
|
|
and that would introduce what, as I understand, is called "death";
|
|
and death, as I have been told, has not yet entered the Park.
|
|
Which is a pity, on some accounts.
|
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|
|
SUNDAY.--Pulled through.
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|
|
MONDAY.--I believe I see what the week is for: it is to give time
|
|
to rest up from the weariness of Sunday. It seems a good idea.
|
|
. . . She has been climbing that tree again. Clodded her out of it.
|
|
She said nobody was looking. Seems to consider that a sufficient
|
|
justification for chancing any dangerous thing. Told her that.
|
|
The word justification moved her admiration--and envy, too, I thought.
|
|
It is a good word.
|
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|
|
TUESDAY.--She told me she was made out of a rib taken from my body.
|
|
This is at least doubtful, if not more than that. I have not
|
|
missed any rib. . . . She is in much trouble about the buzzard;
|
|
says grass does not agree with it; is afraid she can't raise it;
|
|
thinks it was intended to live on decayed flesh. The buzzard must
|
|
get along the best it can with what is provided. We cannot overturn
|
|
the whole scheme to accommodate the buzzard.
|
|
|
|
SATURDAY.--She fell in the pond yesterday when she was looking at
|
|
herself in it, which she is always doing. She nearly strangled,
|
|
and said it was most uncomfortable. This made her sorry for the creatures
|
|
which live in there, which she calls fish, for she continues to fasten
|
|
names on to things that don't need them and don't come when they are
|
|
called by them, which is a matter of no consequence to her, she is
|
|
such a numbskull, anyway; so she got a lot of them out and brought
|
|
them in last night and put them in my bed to keep warm, but I have
|
|
noticed them now and then all day and I don't see that they are any
|
|
happier there then they were before, only quieter. When night comes
|
|
I shall throw them outdoors. I will not sleep with them again, for I
|
|
find them clammy and unpleasant to lie among when a person hasn't anything on.
|
|
|
|
SUNDAY.--Pulled through.
|
|
|
|
TUESDAY.--She has taken up with a snake now. The other animals are glad,
|
|
for she was always experimenting with them and bothering them;
|
|
and I am glad because the snake talks, and this enables me to get
|
|
a rest.
|
|
|
|
FRIDAY.--She says the snake advises her to try the fruit of the tree,
|
|
and says the result will be a great and fine and noble education.
|
|
I told her there would be another result, too--it would introduce
|
|
death into the world. That was a mistake--it had been better
|
|
to keep the remark to myself; it only gave her an idea--she could
|
|
save the sick buzzard, and furnish fresh meat to the despondent
|
|
lions and tigers. I advised her to keep away from the tree.
|
|
She said she wouldn't. I foresee trouble. Will emigrate.
|
|
|
|
WEDNESDAY.--I have had a variegated time. I escaped last night,
|
|
and rode a horse all night as fast as he could go, hoping to get
|
|
clear of the Park and hide in some other country before the trouble
|
|
should begin; but it was not to be. About an hour after sun-up,
|
|
as I was riding through a flowery plain where thousands of
|
|
animals were grazing, slumbering, or playing with each other,
|
|
according to their wont, all of a sudden they broke into a tempest
|
|
of frightful noises, and in one moment the plain was a frantic commotion
|
|
and every beast was destroying its neighbor. I knew what it meant--
|
|
Eve had eaten that fruit, and death was come into the world.
|
|
. . . The tigers ate my house, paying no attention when I ordered
|
|
them to desist, and they would have eaten me if I had stayed--
|
|
which I didn't, but went away in much haste. . . . I found this place,
|
|
outside the Park, and was fairly comfortable for a few days, but she
|
|
has found me out. Found me out, and has named the place Tonawanda--
|
|
says it LOOKS like that. In fact I was not sorry she came, for there
|
|
are but meager pickings here, and she brought some of those apples.
|
|
I was obliged to eat them, I was so hungry. It was against
|
|
my principles, but I find that principles have no real force except
|
|
when one is well fed. . . . She came curtained in boughs and bunches
|
|
of leaves, and when I asked her what she meant by such nonsense,
|
|
and snatched them away and threw them down, she tittered and blushed.
|
|
I had never seen a person titter and blush before, and to me it seemed
|
|
unbecoming and idiotic. She said I would soon know how it was myself.
|
|
This was correct. Hungry as I was, I laid down the apple half-eaten--
|
|
certainly the best one I ever saw, considering the lateness of
|
|
the season--and arrayed myself in the discarded boughs and branches,
|
|
and then spoke to her with some severity and ordered her to go
|
|
and get some more and not make a spectacle or herself. She did it,
|
|
and after this we crept down to where the wild-beast battle had been,
|
|
and collected some skins, and I made her patch together a couple
|
|
of suits proper for public occasions. They are uncomfortable,
|
|
it is true, but stylish, and that is the main point about clothes.
|
|
. . . I find she is a good deal of a companion. I see I should be
|
|
lonesome and depressed without her, now that I have lost my property.
|
|
Another thing, she says it is ordered that we work for our living hereafter.
|
|
She will be useful. I will superintend.
|
|
|
|
TEN DAYS LATER.--She accuses ME of being the cause of our disaster!
|
|
She says, with apparent sincerity and truth, that the Serpent assured
|
|
her that the forbidden fruit was not apples, it was chestnuts.
|
|
I said I was innocent, then, for I had not eaten any chestnuts.
|
|
She said the Serpent informed her that "chestnut" was a figurative
|
|
term meaning an aged and moldy joke. I turned pale at that,
|
|
for I have made many jokes to pass the weary time, and some of them
|
|
could have been of that sort, though I had honestly supposed
|
|
that they were new when I made them. She asked me if I had made
|
|
one just at the time of the catastrophe. I was obliged to admit
|
|
that I had made one to myself, though not aloud. It was this.
|
|
I was thinking about the Falls, and I said to myself, "How wonderful
|
|
it is to see that vast body of water tumble down there!"
|
|
Then in an instant a bright thought flashed into my head, and I let
|
|
it fly, saying, "It would be a deal more wonderful to see it tumble
|
|
UP there!"--and I was just about to kill myself with laughing at
|
|
it when all nature broke loose in war and death and I had to flee
|
|
for my life. "There," she said, with triumph, "that is just it;
|
|
the Serpent mentioned that very jest, and called it the First Chestnut,
|
|
and said it was coeval with the creation." Alas, I am indeed
|
|
to blame. Would that I were not witty; oh, that I had never had
|
|
that radiant thought!
|
|
|
|
NEXT YEAR.--We have named it Cain. She caught it while I was up country
|
|
trapping on the North Shore of the Erie; caught it in the timber a
|
|
couple of miles from our dug-out--or it might have been four, she isn't
|
|
certain which. It resembles us in some ways, and may be a relation.
|
|
That is what she thinks, but this is an error, in my judgment.
|
|
The difference in size warrants the conclusion that it is a different
|
|
and new kind of animal--a fish, perhaps, though when I put it in the
|
|
water to see, it sank, and she plunged in and snatched it out before
|
|
there was opportunity for the experiment to determine the matter.
|
|
I still think it is a fish, but she is indifferent about what it is,
|
|
and will not let me have it to try. I do not understand this.
|
|
The coming of the creature seems to have changed her whole nature
|
|
and made her unreasonable about experiments. She thinks more
|
|
of it than she does of any of the other animals, but is not able
|
|
to explain why. Her mind is disordered--everything shows it.
|
|
Sometimes she carries the fish in her arms half the night when it
|
|
complains and wants to get to the water. At such times the water
|
|
comes out of the places in her face that she looks out of, and she
|
|
pats the fish on the back and makes soft sounds with her mouth
|
|
to soothe it, and betrays sorrow and solicitude in a hundred ways.
|
|
I have never seen her do like this with any other fish, and it
|
|
troubles me greatly. She used to carry the young tigers around so,
|
|
and play with them, before we lost our property, but it was only play;
|
|
she never took on about them like this when their dinner disagreed
|
|
with them.
|
|
|
|
SUNDAY.--She doesn't work, Sundays, but lies around all tired out,
|
|
and likes to have the fish wallow over her; and she makes fool
|
|
noises to amuse it, and pretends to chew its paws, and that makes
|
|
it laugh. I have not seen a fish before that could laugh.
|
|
This makes me doubt. . . . I have come to like Sunday myself.
|
|
Superintending all the week tires a body so. There ought to be
|
|
more Sundays. In the old days they were tough, but now they
|
|
come handy.
|
|
|
|
WEDNESDAY.--It isn't a fish. I cannot quite make out what it is.
|
|
It makes curious devilish noises when not satisfied, and says "goo-goo"
|
|
when it is. It is not one of us, for it doesn't walk; it is not
|
|
a bird, for it doesn't fly; it is not a frog, for it doesn't hop;
|
|
it is not a snake, for it doesn't crawl; I feel sure it is not a fish,
|
|
though I cannot get a chance to find out whether it can swim or not.
|
|
It merely lies around, and mostly on its back, with its feet up.
|
|
I have not seen any other animal do that before. I said I believed it
|
|
was an enigma; but she only admired the word without understanding it.
|
|
In my judgment it is either an enigma or some king of a bug.
|
|
If it dies, I will take it apart and see what its arrangements are.
|
|
I never had a thing perplex me so.
|
|
|
|
THREE MONTHS LATER.--The perplexity augments instead of diminishing.
|
|
I sleep but little. It has ceased from lying around, and goes about on
|
|
its four legs now. Yet it differs from the other four legged animals,
|
|
in that its front legs are unusually short, consequently this
|
|
causes the main part of its person to stick up uncomfortably high
|
|
in the air, and this is not attractive. It is built much as we are,
|
|
but its method of traveling shows that it is not of our breed.
|
|
The short front legs and long hind ones indicate that it is a of
|
|
the kangaroo family, but it is a marked variation of that species,
|
|
since the true kangaroo hops, whereas this one never does.
|
|
Still it is a curious and interesting variety, and has not been
|
|
catalogued before. As I discovered it, I have felt justified
|
|
in securing the credit of the discovery by attaching my name to it,
|
|
and hence have called it KANGAROORUM ADAMIENSIS. . . . It must have
|
|
been a young one when it came, for it has grown exceedingly since.
|
|
It must be five times as big, now, as it was then, and when
|
|
discontented it is able to make from twenty-two to thirty-eight times
|
|
the noise it made at first. Coercion does not modify this, but has
|
|
the contrary effect. For this reason I discontinued the system.
|
|
She reconciles it by persuasion, and by giving it things which she
|
|
had previously told me she wouldn't give it. As already observed,
|
|
I was not at home when it first came, and she told me she found it
|
|
in the woods. It seems odd that it should be the only one, yet it
|
|
must be so, for I have worn myself out these many weeks trying to find
|
|
another one to add to my collection, and for this to play with;
|
|
for surely then it would be quieter and we could tame it more easily.
|
|
But I find none, nor any vestige of any; and strangest of all,
|
|
no tracks. It has to live on the ground, it cannot help itself;
|
|
therefore, how does it get about without leaving a track?
|
|
I have set a dozen traps, but they do no good. I catch all small
|
|
animals except that one; animals that merely go into the trap out
|
|
of curiosity, I think, to see what the milk is there for. They never
|
|
drink it.
|
|
|
|
THREE MONTHS LATER.--The Kangaroo still continues to grow, which is
|
|
very strange and perplexing. I never knew one to be so long getting
|
|
its growth. It has fur on its head now; not like kangaroo fur,
|
|
but exactly like our hair except that it is much finer and softer,
|
|
and instead of being black is red. I am like to lose my mind over
|
|
the capricious and harassing developments of this unclassifiable
|
|
zoological freak. If I could catch another one--but that is hopeless;
|
|
it is a new variety, and the only sample; this is plain. But I
|
|
caught a true kangaroo and brought it in, thinking that this one,
|
|
being lonesome, would rather have that for company than have no kin
|
|
at all, or any animal it could feel a nearness to or get sympathy
|
|
from in its forlorn condition here among strangers who do not
|
|
know its ways or habits, or what to do to make it feel that it
|
|
is among friends; but it was a mistake--it went into such fits at
|
|
the sight of the kangaroo that I was convinced it had never seen
|
|
one before. I pity the poor noisy little animal, but there is
|
|
nothing I can do to make it happy. If I could tame it--but that is
|
|
out of the question; the more I try the worse I seem to make it.
|
|
It grieves me to the heart to see it in its little storms of sorrow
|
|
and passion. I wanted to let it go, but she wouldn't hear of it.
|
|
That seemed cruel and not like her; and yet she may be right.
|
|
It might be lonelier than ever; for since I cannot find another one,
|
|
how could IT?
|
|
|
|
FIVE MONTHS LATER.--It is not a kangaroo. No, for it supports
|
|
itself by holding to her finger, and thus goes a few steps on its
|
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hind legs, and then falls down. It is probably some kind of a bear;
|
|
and yet it has no tail--as yet--and no fur, except upon its head.
|
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It still keeps on growing--that is a curious circumstance,
|
|
for bears get their growth earlier than this. Bears are dangerous--
|
|
since our catastrophe--and I shall not be satisfied to have this
|
|
one prowling about the place much longer without a muzzle on.
|
|
I have offered to get her a kangaroo if she would let this one go,
|
|
but it did no good--she is determined to run us into all sorts
|
|
of foolish risks, I think. She was not like this before she lost
|
|
her mind.
|
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|
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A FORTNIGHT LATER.--I examined its mouth. There is no danger yet:
|
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it has only one tooth. It has no tail yet. It makes more noise
|
|
now than it ever did before--and mainly at night. I have moved out.
|
|
But I shall go over, mornings, to breakfast, and see if it has
|
|
more teeth. If it gets a mouthful of teeth it will be time for it
|
|
to go, tail or no tail, for a bear does not need a tail in order to
|
|
be dangerous.
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|
FOUR MONTHS LATER.--I have been off hunting and fishing a month,
|
|
up in the region that she calls Buffalo; I don't know why, unless it
|
|
is because there are not any buffaloes there. Meantime the bear
|
|
has learned to paddle around all by itself on its hind legs,
|
|
and says "poppa" and "momma." It is certainly a new species.
|
|
This resemblance to words may be purely accidental, of course,
|
|
and may have no purpose or meaning; but even in that case it is
|
|
still extraordinary, and is a thing which no other bear can do.
|
|
This imitation of speech, taken together with general absence of fur
|
|
and entire absence of tail, sufficiently indicates that this is a new
|
|
kind of bear. The further study of it will be exceedingly interesting.
|
|
Meantime I will go off on a far expedition among the forests of
|
|
the north and make an exhaustive search. There must certainly be
|
|
another one somewhere, and this one will be less dangerous when it
|
|
has company of its own species. I will go straightway; but I will
|
|
muzzle this one first.
|
|
|
|
THREE MONTHS LATER.--It has been a weary, weary hunt, yet I have had
|
|
no success. In the mean time, without stirring from the home estate,
|
|
she has caught another one! I never saw such luck. I might have
|
|
hunted these woods a hundred years, I never would have run across
|
|
that thing.
|
|
|
|
NEXT DAY.--I have been comparing the new one with the old one,
|
|
and it is perfectly plain that they are of the same breed.
|
|
I was going to stuff one of them for my collection, but she
|
|
is prejudiced against it for some reason or other; so I have
|
|
relinquished the idea, though I think it is a mistake. It would
|
|
be an irreparable loss to science if they should get away.
|
|
The old one is tamer than it was and can laugh and talk like a parrot,
|
|
having learned this, no doubt, from being with the parrot so much,
|
|
and having the imitative faculty in a high developed degree.
|
|
I shall be astonished if it turns out to be a new kind of parrot;
|
|
and yet I ought not to be astonished, for it has already been
|
|
everything else it could think of since those first days when it
|
|
was a fish. The new one is as ugly as the old one was at first;
|
|
has the same sulphur-and-raw-meat complexion and the same singular
|
|
head without any fur on it. She calls it Abel.
|
|
|
|
TEN YEARS LATER.--They are BOYS; we found it out long ago.
|
|
It was their coming in that small immature shape that puzzled us;
|
|
we were not used to it. There are some girls now. Abel is a good boy,
|
|
but if Cain had stayed a bear it would have improved him. After all
|
|
these years, I see that I was mistaken about Eve in the beginning;
|
|
it is better to live outside the Garden with her than inside it
|
|
without her. At first I thought she talked too much; but now I should
|
|
be sorry to have that voice fall silent and pass out of my life.
|
|
Blessed be the chestnut that brought us near together and taught me
|
|
to know the goodness of her heart and the sweetness of her spirit!
|
|
|
|
|
|
***
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|
EVE'S DIARY
|
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Translated from the Original
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SATURDAY.--I am almost a whole day old, now. I arrived yesterday.
|
|
That is as it seems to me. And it must be so, for if there was
|
|
a day-before-yesterday I was not there when it happened, or I
|
|
should remember it. It could be, of course, that it did happen,
|
|
and that I was not noticing. Very well; I will be very watchful now,
|
|
and if any day-before-yesterdays happen I will make a note of it.
|
|
It will be best to start right and not let the record get confused,
|
|
for some instinct tells me that these details are going to be
|
|
important to the historian some day. For I feel like an experiment,
|
|
I feel exactly like an experiment; it would be impossible for a person
|
|
to feel more like an experiment than I do, and so I am coming to feel
|
|
convinced that that is what I AM--an experiment; just an experiment,
|
|
and nothing more.
|
|
|
|
Then if I am an experiment, am I the whole of it? No, I think not;
|
|
I think the rest of it is part of it. I am the main part of it,
|
|
but I think the rest of it has its share in the matter. Is my
|
|
position assured, or do I have to watch it and take care of it?
|
|
The latter, perhaps. Some instinct tells me that eternal vigilance
|
|
is the price of supremacy. [That is a good phrase, I think, for one
|
|
so young.]
|
|
|
|
Everything looks better today than it did yesterday. In the rush of
|
|
finishing up yesterday, the mountains were left in a ragged condition,
|
|
and some of the plains were so cluttered with rubbish and remnants
|
|
that the aspects were quite distressing. Noble and beautiful works
|
|
of art should not be subjected to haste; and this majestic new world
|
|
is indeed a most noble and beautiful work. And certainly marvelously
|
|
near to being perfect, notwithstanding the shortness of the time.
|
|
There are too many stars in some places and not enough in others,
|
|
but that can be remedied presently, no doubt. The moon got
|
|
loose last night, and slid down and fell out of the scheme--
|
|
a very great loss; it breaks my heart to think of it. There isn't
|
|
another thing among the ornaments and decorations that is comparable
|
|
to it for beauty and finish. It should have been fastened better.
|
|
If we can only get it back again--
|
|
|
|
But of course there is no telling where it went to. And besides,
|
|
whoever gets it will hide it; I know it because I would do it myself.
|
|
I believe I can be honest in all other matters, but I already
|
|
begin to realize that the core and center of my nature is love
|
|
of the beautiful, a passion for the beautiful, and that it would
|
|
not be safe to trust me with a moon that belonged to another person
|
|
and that person didn't know I had it. I could give up a moon that I
|
|
found in the daytime, because I should be afraid some one was looking;
|
|
but if I found it in the dark, I am sure I should find some kind
|
|
of an excuse for not saying anything about it. For I do love moons,
|
|
they are so pretty and so romantic. I wish we had five or six;
|
|
I would never go to bed; I should never get tired lying on the moss-bank
|
|
and looking up at them.
|
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Stars are good, too. I wish I could get some to put in my hair.
|
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But I suppose I never can. You would be surprised to find how far
|
|
off they are, for they do not look it. When they first showed,
|
|
last night, I tried to knock some down with a pole, but it didn't reach,
|
|
which astonished me; then I tried clods till I was all tired out,
|
|
but I never got one. It was because I am left-handed and cannot
|
|
throw good. Even when I aimed at the one I wasn't after I
|
|
couldn't hit the other one, though I did make some close shots,
|
|
for I saw the black blot of the clod sail right into the midst of
|
|
the golden clusters forty or fifty times, just barely missing them,
|
|
and if I could have held out a little longer maybe I could have
|
|
got one.
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|
|
So I cried a little, which was natural, I suppose, for one of my age,
|
|
and after I was rested I got a basket and started for a place on
|
|
the extreme rim of the circle, where the stars were close to the ground
|
|
and I could get them with my hands, which would be better, anyway,
|
|
because I could gather them tenderly then, and not break them.
|
|
But it was farther than I thought, and at last I had go give it up;
|
|
I was so tired I couldn't drag my feet another step; and besides,
|
|
they were sore and hurt me very much.
|
|
|
|
I couldn't get back home; it was too far and turning cold;
|
|
but I found some tigers and nestled in among them and was most
|
|
adorably comfortable, and their breath was sweet and pleasant,
|
|
because they live on strawberries. I had never seen a tiger before,
|
|
but I knew them in a minute by the stripes. If I could have one
|
|
of those skins, it would make a lovely gown.
|
|
|
|
Today I am getting better ideas about distances. I was so eager
|
|
to get hold of every pretty thing that I giddily grabbed for it,
|
|
sometimes when it was too far off, and sometimes when it was but
|
|
six inches away but seemed a foot--alas, with thorns between!
|
|
I learned a lesson; also I made an axiom, all out of my own head--
|
|
my very first one; THE SCRATCHED EXPERIMENT SHUNS THE THORN.
|
|
I think it is a very good one for one so young.
|
|
|
|
I followed the other Experiment around, yesterday afternoon,
|
|
at a distance, to see what it might be for, if I could. But I was
|
|
not able to make out. I think it is a man. I had never seen a man,
|
|
but it looked like one, and I feel sure that that is what it is.
|
|
I realize that I feel more curiosity about it than about any
|
|
of the other reptiles. If it is a reptile, and I suppose it is;
|
|
for it has frowzy hair and blue eyes, and looks like a reptile.
|
|
It has no hips; it tapers like a carrot; when it stands, it spreads
|
|
itself apart like a derrick; so I think it is a reptile, though it may
|
|
be architecture.
|
|
|
|
I was afraid of it at first, and started to run every time it
|
|
turned around, for I thought it was going to chase me; but by
|
|
and by I found it was only trying to get away, so after that I
|
|
was not timid any more, but tracked it along, several hours,
|
|
about twenty yards behind, which made it nervous and unhappy.
|
|
At last it was a good deal worried, and climbed a tree. I waited
|
|
a good while, then gave it up and went home.
|
|
|
|
Today the same thing over. I've got it up the tree again.
|
|
|
|
SUNDAY.--It is up there yet. Resting, apparently. But that is
|
|
a subterfuge: Sunday isn't the day of rest; Saturday is appointed
|
|
for that. It looks to me like a creature that is more interested
|
|
in resting than it anything else. It would tire me to rest so much.
|
|
It tires me just to sit around and watch the tree. I do wonder
|
|
what it is for; I never see it do anything.
|
|
|
|
They returned the moon last night, and I was SO happy! I think
|
|
it is very honest of them. It slid down and fell off again,
|
|
but I was not distressed; there is no need to worry when one has
|
|
that kind of neighbors; they will fetch it back. I wish I could
|
|
do something to show my appreciation. I would like to send them
|
|
some stars, for we have more than we can use. I mean I, not we,
|
|
for I can see that the reptile cares nothing for such things.
|
|
|
|
It has low tastes, and is not kind. When I went there yesterday
|
|
evening in the gloaming it had crept down and was trying to catch
|
|
the little speckled fishes that play in the pool, and I had
|
|
to clod it to make it go up the tree again and let them alone.
|
|
I wonder if THAT is what it is for? Hasn't it any heart?
|
|
Hasn't it any compassion for those little creature? Can it be
|
|
that it was designed and manufactured for such ungentle work?
|
|
It has the look of it. One of the clods took it back of the ear,
|
|
and it used language. It gave me a thrill, for it was the first time I
|
|
had ever heard speech, except my own. I did not understand the words,
|
|
but they seemed expressive.
|
|
|
|
When I found it could talk I felt a new interest in it, for I love to talk;
|
|
I talk, all day, and in my sleep, too, and I am very interesting,
|
|
but if I had another to talk to I could be twice as interesting,
|
|
and would never stop, if desired.
|
|
|
|
If this reptile is a man, it isn't an IT, is it? That wouldn't
|
|
be grammatical, would it? I think it would be HE. I think so.
|
|
In that case one would parse it thus: nominative, HE; dative, HIM;
|
|
possessive, HIS'N. Well, I will consider it a man and call it he
|
|
until it turns out to be something else. This will be handier
|
|
than having so many uncertainties.
|
|
|
|
NEXT WEEK SUNDAY.--All the week I tagged around after him and tried
|
|
to get acquainted. I had to do the talking, because he was shy,
|
|
but I didn't mind it. He seemed pleased to have me around, and I
|
|
used the sociable "we" a good deal, because it seemed to flatter him
|
|
to be included.
|
|
|
|
WEDNESDAY.--We are getting along very well indeed, now, and getting
|
|
better and better acquainted. He does not try to avoid me any more,
|
|
which is a good sign, and shows that he likes to have me with him.
|
|
That pleases me, and I study to be useful to him in every way I can,
|
|
so as to increase his regard. During the last day or two I
|
|
have taken all the work of naming things off his hands, and this
|
|
has been a great relief to him, for he has no gift in that line,
|
|
and is evidently very grateful. He can't think of a rational name
|
|
to save him, but I do not let him see that I am aware of his defect.
|
|
Whenever a new creature comes along I name it before he has time
|
|
to expose himself by an awkward silence. In this way I have
|
|
saved him many embarrassments. I have no defect like this.
|
|
The minute I set eyes on an animal I know what it is. I don't
|
|
have to reflect a moment; the right name comes out instantly,
|
|
just as if it were an inspiration, as no doubt it is, for I am
|
|
sure it wasn't in me half a minute before. I seem to know just
|
|
by the shape of the creature and the way it acts what animal
|
|
it is.
|
|
|
|
When the dodo came along he thought it was a wildcat--I saw it
|
|
in his eye. But I saved him. And I was careful not to do it
|
|
in a way that could hurt his pride. I just spoke up in a quite
|
|
natural way of pleasing surprise, and not as if I was dreaming
|
|
of conveying information, and said, "Well, I do declare, if there
|
|
isn't the dodo!" I explained--without seeming to be explaining--
|
|
how I know it for a dodo, and although I thought maybe he was
|
|
a little piqued that I knew the creature when he didn't, it was
|
|
quite evident that he admired me. That was very agreeable, and I
|
|
thought of it more than once with gratification before I slept.
|
|
How little a thing can make us happy when we feel that we have
|
|
earned it!
|
|
|
|
THURSDAY.--my first sorrow. Yesterday he avoided me and seemed
|
|
to wish I would not talk to him. I could not believe it,
|
|
and thought there was some mistake, for I loved to be with him,
|
|
and loved to hear him talk, and so how could it be that he could
|
|
feel unkind toward me when I had not done anything? But at last it
|
|
seemed true, so I went away and sat lonely in the place where I first
|
|
saw him the morning that we were made and I did not know what he
|
|
was and was indifferent about him; but now it was a mournful place,
|
|
and every little think spoke of him, and my heart was very sore.
|
|
I did not know why very clearly, for it was a new feeling; I had
|
|
not experienced it before, and it was all a mystery, and I could
|
|
not make it out.
|
|
|
|
But when night came I could not bear the lonesomeness, and went
|
|
to the new shelter which he has built, to ask him what I had done
|
|
that was wrong and how I could mend it and get back his kindness again;
|
|
but he put me out in the rain, and it was my first sorrow.
|
|
|
|
SUNDAY.--It is pleasant again, now, and I am happy; but those were
|
|
heavy days; I do not think of them when I can help it.
|
|
|
|
I tried to get him some of those apples, but I cannot learn to
|
|
throw straight. I failed, but I think the good intention pleased him.
|
|
They are forbidden, and he says I shall come to harm; but so I
|
|
come to harm through pleasing him, why shall I care for that harm?
|
|
|
|
MONDAY.--This morning I told him my name, hoping it would interest him.
|
|
But he did not care for it. It is strange. If he should tell me
|
|
his name, I would care. I think it would be pleasanter in my ears
|
|
than any other sound.
|
|
|
|
He talks very little. Perhaps it is because he is not bright,
|
|
and is sensitive about it and wishes to conceal it. It is
|
|
such a pity that he should feel so, for brightness is nothing;
|
|
it is in the heart that the values lie. I wish I could make him
|
|
understand that a loving good heart is riches, and riches enough,
|
|
and that without it intellect is poverty.
|
|
|
|
Although he talks so little, he has quite a considerable
|
|
vocabulary. This morning he used a surprisingly good word.
|
|
He evidently recognized, himself, that it was a good one, for he
|
|
worked in in twice afterward, casually. It was good casual art,
|
|
still it showed that he possesses a certain quality of perception.
|
|
Without a doubt that seed can be made to grow, if cultivated.
|
|
|
|
Where did he get that word? I do not think I have ever used it.
|
|
|
|
No, he took no interest in my name. I tried to hide my disappointment,
|
|
but I suppose I did not succeed. I went away and sat on the moss-bank
|
|
with my feet in the water. It is where I go when I hunger
|
|
for companionship, some one to look at, some one to talk to.
|
|
It is not enough--that lovely white body painted there in the pool--
|
|
but it is something, and something is better than utter loneliness.
|
|
It talks when I talk; it is sad when I am sad; it comforts me with
|
|
its sympathy; it says, "Do not be downhearted, you poor friendless girl;
|
|
I will be your friend." It IS a good friend to me, and my only one;
|
|
it is my sister.
|
|
|
|
That first time that she forsook me! ah, I shall never forget that--
|
|
never, never. My heart was lead in my body! I said, "She was all
|
|
I had, and now she is gone!" In my despair I said, "Break, my heart;
|
|
I cannot bear my life any more!" and hid my face in my hands,
|
|
and there was no solace for me. And when I took them away,
|
|
after a little, there she was again, white and shining and beautiful,
|
|
and I sprang into her arms!
|
|
|
|
That was perfect happiness; I had known happiness before, but it was
|
|
not like this, which was ecstasy. I never doubted her afterward.
|
|
Sometimes she stayed away--maybe an hour, maybe almost the whole day,
|
|
but I waited and did not doubt; I said, "She is busy, or she
|
|
is gone on a journey, but she will come." And it was so:
|
|
she always did. At night she would not come if it was dark, for she
|
|
was a timid little thing; but if there was a moon she would come.
|
|
I am not afraid of the dark, but she is younger than I am; she was
|
|
born after I was. Many and many are the visits I have paid her;
|
|
she is my comfort and my refuge when my life is hard--and it is
|
|
mainly that.
|
|
|
|
TUESDAY.--All the morning I was at work improving the estate;
|
|
and I purposely kept away from him in the hope that he would get
|
|
lonely and come. But he did not.
|
|
|
|
At noon I stopped for the day and took my recreation by flitting all
|
|
about with the bees and the butterflies and reveling in the flowers,
|
|
those beautiful creatures that catch the smile of God out of the sky
|
|
and preserve it! I gathered them, and made them into wreaths
|
|
and garlands and clothed myself in them while I ate my luncheon--
|
|
apples, of course; then I sat in the shade and wished and waited.
|
|
But he did not come.
|
|
|
|
But no matter. Nothing would have come of it, for he does not
|
|
care for flowers. He called them rubbish, and cannot tell one
|
|
from another, and thinks it is superior to feel like that. He does
|
|
not care for me, he does not care for flowers, he does not care
|
|
for the painted sky at eventide--is there anything he does care for,
|
|
except building shacks to coop himself up in from the good clean rain,
|
|
and thumping the melons, and sampling the grapes, and fingering
|
|
the fruit on the trees, to see how those properties are coming along?
|
|
|
|
I laid a dry stick on the ground and tried to bore a hole in it
|
|
with another one, in order to carry out a scheme that I had,
|
|
and soon I got an awful fright. A thin, transparent bluish film
|
|
rose out of the hole, and I dropped everything and ran! I thought
|
|
it was a spirit, and I WAS so frightened! But I looked back, and it
|
|
was not coming; so I leaned against a rock and rested and panted,
|
|
and let my limps go on trembling until they got steady again;
|
|
then I crept warily back, alert, watching, and ready to fly if there
|
|
was occasion; and when I was come near, I parted the branches
|
|
of a rose-bush and peeped through--wishing the man was about,
|
|
I was looking so cunning and pretty--but the sprite was gone.
|
|
I went there, and there was a pinch of delicate pink dust in the hole.
|
|
I put my finger in, to feel it, and said OUCH! and took it
|
|
out again. It was a cruel pain. I put my finger in my mouth;
|
|
and by standing first on one foot and then the other, and grunting,
|
|
I presently eased my misery; then I was full of interest, and began
|
|
to examine.
|
|
|
|
I was curious to know what the pink dust was. Suddenly the name of it
|
|
occurred to me, though I had never heard of it before. It was FIRE!
|
|
I was as certain of it as a person could be of anything in the world.
|
|
So without hesitation I named it that--fire.
|
|
|
|
I had created something that didn't exist before; I had added
|
|
a new thing to the world's uncountable properties; I realized this,
|
|
and was proud of my achievement, and was going to run and find him
|
|
and tell him about it, thinking to raise myself in his esteem--
|
|
but I reflected, and did not do it. No--he would not care for it.
|
|
He would ask what it was good for, and what could I answer? for if it
|
|
was not GOOD for something, but only beautiful, merely beautiful--
|
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|
|
So I sighed, and did not go. For it wasn't good for anything;
|
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it could not build a shack, it could not improve melons, it could
|
|
not hurry a fruit crop; it was useless, it was a foolishness
|
|
and a vanity; he would despise it and say cutting words.
|
|
But to me it was not despicable; I said, "Oh, you fire, I love you,
|
|
you dainty pink creature, for you are BEAUTIFUL--and that is enough!"
|
|
and was going to gather it to my breast. But refrained.
|
|
Then I made another maxim out of my head, though it was so nearly
|
|
like the first one that I was afraid it was only a plagiarism:
|
|
"THE BURNT EXPERIMENT SHUNS THE FIRE."
|
|
|
|
I wrought again; and when I had made a good deal of fire-dust I emptied
|
|
it into a handful of dry brown grass, intending to carry it home
|
|
and keep it always and play with it; but the wind struck it and it
|
|
sprayed up and spat out at me fiercely, and I dropped it and ran.
|
|
When I looked back the blue spirit was towering up and stretching
|
|
and rolling away like a cloud, and instantly I thought of the name
|
|
of it--SMOKE!--though, upon my word, I had never heard of smoke before.
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|
|
Soon brilliant yellow and red flares shot up through the smoke,
|
|
and I named them in an instant--FLAMES--and I was right, too,
|
|
though these were the very first flames that had ever been
|
|
in the world. They climbed the trees, then flashed splendidly
|
|
in and out of the vast and increasing volume of tumbling smoke,
|
|
and I had to clap my hands and laugh and dance in my rapture,
|
|
it was so new and strange and so wonderful and so beautiful!
|
|
|
|
He came running, and stopped and gazed, and said not a word for
|
|
many minutes. Then he asked what it was. Ah, it was too bad that he
|
|
should ask such a direct question. I had to answer it, of course,
|
|
and I did. I said it was fire. If it annoyed him that I should know
|
|
and he must ask; that was not my fault; I had no desire to annoy him.
|
|
After a pause he asked:
|
|
|
|
"How did it come?"
|
|
|
|
Another direct question, and it also had to have a direct answer.
|
|
|
|
"I made it."
|
|
|
|
The fire was traveling farther and farther off. He went to the edge
|
|
of the burned place and stood looking down, and said:
|
|
|
|
"What are these?"
|
|
|
|
"Fire-coals."
|
|
|
|
He picked up one to examine it, but changed his mind and put it
|
|
down again. Then he went away. NOTHING interests him.
|
|
|
|
But I was interested. There were ashes, gray and soft and delicate
|
|
and pretty--I knew what they were at once. And the embers;
|
|
I knew the embers, too. I found my apples, and raked them out,
|
|
and was glad; for I am very young and my appetite is active.
|
|
But I was disappointed; they were all burst open and spoiled.
|
|
Spoiled apparently; but it was not so; they were better than raw ones.
|
|
Fire is beautiful; some day it will be useful, I think.
|
|
|
|
FRIDAY.--I saw him again, for a moment, last Monday at nightfall,
|
|
but only for a moment. I was hoping he would praise me for trying
|
|
to improve the estate, for I had meant well and had worked hard.
|
|
But he was not pleased, and turned away and left me. He was also
|
|
displeased on another account: I tried once more to persuade him
|
|
to stop going over the Falls. That was because the fire had revealed
|
|
to me a new passion--quite new, and distinctly different from love,
|
|
grief, and those others which I had already discovered--FEAR. And it
|
|
is horrible!--I wish I had never discovered it; it gives me dark moments,
|
|
it spoils my happiness, it makes me shiver and tremble and shudder.
|
|
But I could not persuade him, for he has not discovered fear yet,
|
|
and so he could not understand me.
|
|
|
|
|
|
Extract from Adam's Diary
|
|
|
|
|
|
Perhaps I ought to remember that she is very young, a mere girl and
|
|
make allowances. She is all interest, eagerness, vivacity, the world
|
|
is to her a charm, a wonder, a mystery, a joy; she can't speak for
|
|
delight when she finds a new flower, she must pet it and caress it
|
|
and smell it and talk to it, and pour out endearing names upon it.
|
|
And she is color-mad: brown rocks, yellow sand, gray moss, green foliage,
|
|
blue sky; the pearl of the dawn, the purple shadows on the mountains,
|
|
the golden islands floating in crimson seas at sunset, the pallid moon
|
|
sailing through the shredded cloud-rack, the star-jewels glittering
|
|
in the wastes of space--none of them is of any practical value,
|
|
so far as I can see, but because they have color and majesty,
|
|
that is enough for her, and she loses her mind over them.
|
|
If she could quiet down and keep still a couple minutes at a time,
|
|
it would be a reposeful spectacle. In that case I think I could
|
|
enjoy looking at her; indeed I am sure I could, for I am coming
|
|
to realize that she is a quite remarkably comely creature--
|
|
lithe, slender, trim, rounded, shapely, nimble, graceful; and once
|
|
when she was standing marble-white and sun-drenched on a boulder,
|
|
with her young head tilted back and her hand shading her eyes,
|
|
watching the flight of a bird in the sky, I recognized that she
|
|
was beautiful.
|
|
|
|
MONDAY NOON.--If there is anything on the planet that she is not
|
|
interested in it is not in my list. There are animals that I am
|
|
indifferent to, but it is not so with her. She has no discrimination,
|
|
she takes to all of them, she thinks they are all treasures,
|
|
every new one is welcome.
|
|
|
|
When the mighty brontosaurus came striding into camp, she regarded
|
|
it as an acquisition, I considered it a calamity; that is a good
|
|
sample of the lack of harmony that prevails in our views of things.
|
|
She wanted to domesticate it, I wanted to make it a present of
|
|
the homestead and move out. She believed it could be tamed by kind
|
|
treatment and would be a good pet; I said a pet twenty-one feet
|
|
high and eight-four feet long would be no proper thing to have
|
|
about the place, because, even with the best intentions and without
|
|
meaning any harm, it could sit down on the house and mash it,
|
|
for any one could see by the look of its eye that it was absent-minded.
|
|
|
|
Still, her heart was set upon having that monster, and she
|
|
couldn't give it up. She thought we could start a dairy with it,
|
|
and wanted me to help milk it; but I wouldn't; it was too risky.
|
|
The sex wasn't right, and we hadn't any ladder anyway. Then she
|
|
wanted to ride it, and look at the scenery. Thirty or forty feet
|
|
of its tail was lying on the ground, like a fallen tree, and she
|
|
thought she could climb it, but she was mistaken; when she got
|
|
to the steep place it was too slick and down she came, and would
|
|
have hurt herself but for me.
|
|
|
|
Was she satisfied now? No. Nothing ever satisfies her but demonstration;
|
|
untested theories are not in her line, and she won't have them.
|
|
It is the right spirit, I concede it; it attracts me; I feel the
|
|
influence of it; if I were with her more I think I should take it
|
|
up myself. Well, she had one theory remaining about this colossus:
|
|
she thought that if we could tame it and make him friendly we could
|
|
stand in the river and use him for a bridge. It turned out that he
|
|
was already plenty tame enough--at least as far as she was concerned--
|
|
so she tried her theory, but it failed: every time she got him
|
|
properly placed in the river and went ashore to cross over him,
|
|
he came out and followed her around like a pet mountain.
|
|
Like the other animals. They all do that.
|
|
|
|
|
|
FRIDAY.--Tuesday--Wednesday--Thursday--and today: all without
|
|
seeing him. It is a long time to be alone; still, it is better
|
|
to be alone than unwelcome.
|
|
|
|
I HAD to have company--I was made for it, I think--so I made
|
|
friends with the animals. They are just charming, and they have
|
|
the kindest disposition and the politest ways; they never look sour,
|
|
they never let you feel that you are intruding, they smile at you
|
|
and wag their tail, if they've got one, and they are always ready
|
|
for a romp or an excursion or anything you want to propose.
|
|
I think they are perfect gentlemen. All these days we have had such
|
|
good times, and it hasn't been lonesome for me, ever. Lonesome! No,
|
|
I should say not. Why, there's always a swarm of them around--
|
|
sometimes as much as four or five acres--you can't count them;
|
|
and when you stand on a rock in the midst and look out over
|
|
the furry expanse it is so mottled and splashed and gay with color
|
|
and frisking sheen and sun-flash, and so rippled with stripes,
|
|
that you might think it was a lake, only you know it isn't;
|
|
and there's storms of sociable birds, and hurricanes of whirring wings;
|
|
and when the sun strikes all that feathery commotion, you have
|
|
a blazing up of all the colors you can think of, enough to put your eyes out.
|
|
|
|
We have made long excursions, and I have see a great deal of the world;
|
|
almost all of it, I think; and so I am the first traveler,
|
|
and the only one. When we are on the march, it is an imposing sight--
|
|
there's nothing like it anywhere. For comfort I ride a tiger
|
|
or a leopard, because it is soft and has a round back that fits me,
|
|
and because they are such pretty animals; but for long distance
|
|
or for scenery I ride the elephant. He hoists me up with his trunk,
|
|
but I can get off myself; when we are ready to camp, he sits and I
|
|
slide down the back way.
|
|
|
|
The birds and animals are all friendly to each other, and there
|
|
are no disputes about anything. They all talk, and they all talk
|
|
to me, but it must be a foreign language, for I cannot make out
|
|
a word they say; yet they often understand me when I talk back,
|
|
particularly the dog and the elephant. It makes me ashamed.
|
|
It shows that they are brighter than I am, for I want to be the
|
|
principal Experiment myself--and I intend to be, too.
|
|
|
|
I have learned a number of things, and am educated, now, but I
|
|
wasn't at first. I was ignorant at first. At first it used to vex
|
|
me because, with all my watching, I was never smart enough to be
|
|
around when the water was running uphill; but now I do not mind it.
|
|
I have experimented and experimented until now I know it never
|
|
does run uphill, except in the dark. I know it does in the dark,
|
|
because the pool never goes dry, which it would, of course,
|
|
if the water didn't come back in the night. It is best to prove
|
|
things by actual experiment; then you KNOW; whereas if you depend
|
|
on guessing and supposing and conjecturing, you never get educated.
|
|
|
|
Some things you CAN'T find out; but you will never know you can't
|
|
by guessing and supposing: no, you have to be patient and go
|
|
on experimenting until you find out that you can't find out.
|
|
And it is delightful to have it that way, it makes the world
|
|
so interesting. If there wasn't anything to find out, it would
|
|
be dull. Even trying to find out and not finding out is just as
|
|
interesting as trying to find out and finding out, and I don't know
|
|
but more so. The secret of the water was a treasure until I GOT it;
|
|
then the excitement all went away, and I recognized a sense of loss.
|
|
|
|
By experiment I know that wood swims, and dry leaves, and feathers,
|
|
and plenty of other things; therefore by all that cumulative evidence
|
|
you know that a rock will swim; but you have to put up with simply
|
|
knowing it, for there isn't any way to prove it--up to now.
|
|
But I shall find a way--then THAT excitement will go. Such things
|
|
make me sad; because by and by when I have found out everything
|
|
there won't be any more excitements, and I do love excitements so!
|
|
The other night I couldn't sleep for thinking about it.
|
|
|
|
At first I couldn't make out what I was made for, but now I think it
|
|
was to search out the secrets of this wonderful world and be happy
|
|
and thank the Giver of it all for devising it. I think there are many
|
|
things to learn yet--I hope so; and by economizing and not hurrying
|
|
too fast I think they will last weeks and weeks. I hope so. When you
|
|
cast up a feather it sails away on the air and goes out of sight;
|
|
then you throw up a clod and it doesn't. It comes down, every time.
|
|
I have tried it and tried it, and it is always so. I wonder why
|
|
it is? Of course it DOESN'T come down, but why should it SEEM to?
|
|
I suppose it is an optical illusion. I mean, one of them is.
|
|
I don't know which one. It may be the feather, it may be the clod;
|
|
I can't prove which it is, I can only demonstrate that one or the other
|
|
is a fake, and let a person take his choice.
|
|
|
|
By watching, I know that the stars are not going to last.
|
|
I have seen some of the best ones melt and run down the sky.
|
|
Since one can melt, they can all melt; since they can all melt,
|
|
they can all melt the same night. That sorrow will come--I know it.
|
|
I mean to sit up every night and look at them as long as I can
|
|
keep awake; and I will impress those sparkling fields on my memory,
|
|
so that by and by when they are taken away I can by my fancy restore
|
|
those lovely myriads to the black sky and make them sparkle again,
|
|
and double them by the blur of my tears.
|
|
|
|
|
|
After the Fall
|
|
|
|
|
|
When I look back, the Garden is a dream to me. It was beautiful,
|
|
surpassingly beautiful, enchantingly beautiful; and now it is lost,
|
|
and I shall not see it any more.
|
|
|
|
The Garden is lost, but I have found HIM, and am content.
|
|
He loves me as well as he can; I love him with all the strength
|
|
of my passionate nature, and this, I think, is proper to my youth
|
|
and sex. If I ask myself why I love him, I find I do not know,
|
|
and do not really much care to know; so I suppose that this kind
|
|
of love is not a product of reasoning and statistics, like one's
|
|
love for other reptiles and animals. I think that this must be so.
|
|
I love certain birds because of their song; but I do not love Adam
|
|
on account of his singing--no, it is not that; the more he sings
|
|
the more I do not get reconciled to it. Yet I ask him to sing,
|
|
because I wish to learn to like everything he is interested in.
|
|
I am sure I can learn, because at first I could not stand it,
|
|
but now I can. It sours the milk, but it doesn't matter; I can get
|
|
used to that kind of milk.
|
|
|
|
It is not on account of his brightness that I love him--no, it is
|
|
not that. He is not to blame for his brightness, such as it is,
|
|
for he did not make it himself; he is as God make him, and that
|
|
is sufficient. There was a wise purpose in it, THAT I know.
|
|
In time it will develop, though I think it will not be sudden;
|
|
and besides, there is no hurry; he is well enough just as he is.
|
|
|
|
It is not on account of his gracious and considerate ways and
|
|
his delicacy that I love him. No, he has lacks in this regard,
|
|
but he is well enough just so, and is improving.
|
|
|
|
It is not on account of his industry that I love him--no, it is
|
|
not that. I think he has it in him, and I do not know why he
|
|
conceals it from me. It is my only pain. Otherwise he is frank
|
|
and open with me, now. I am sure he keeps nothing from me but this.
|
|
It grieves me that he should have a secret from me, and sometimes it
|
|
spoils my sleep, thinking of it, but I will put it out of my mind;
|
|
it shall not trouble my happiness, which is otherwise full
|
|
to overflowing.
|
|
|
|
It is not on account of his education that I love him--no, it is
|
|
not that. He is self-educated, and does really know a multitude
|
|
of things, but they are not so.
|
|
|
|
It is not on account of his chivalry that I love him--no, it is not that.
|
|
He told on me, but I do not blame him; it is a peculiarity of sex,
|
|
I think, and he did not make his sex. Of course I would not have
|
|
told on him, I would have perished first; but that is a peculiarity
|
|
of sex, too, and I do not take credit for it, for I did not make
|
|
my sex.
|
|
|
|
Then why is it that I love him? MERELY BECAUSE HE IS MASCULINE,
|
|
I think.
|
|
|
|
At bottom he is good, and I love him for that, but I could love
|
|
him without it. If he should beat me and abuse me, I should go
|
|
on loving him. I know it. It is a matter of sex, I think.
|
|
|
|
He is strong and handsome, and I love him for that, and I admire him
|
|
and am proud of him, but I could love him without those qualities.
|
|
He he were plain, I should love him; if he were a wreck, I should
|
|
love him; and I would work for him, and slave over him, and pray
|
|
for him, and watch by his bedside until I died.
|
|
|
|
Yes, I think I love him merely because he is MINE and is MASCULINE.
|
|
There is no other reason, I suppose. And so I think it is as I first said:
|
|
that this kind of love is not a product of reasonings and statistics.
|
|
It just COMES--none knows whence--and cannot explain itself.
|
|
And doesn't need to.
|
|
|
|
It is what I think. But I am only a girl, the first that has
|
|
examined this matter, and it may turn out that in my ignorance
|
|
and inexperience I have not got it right.
|
|
|
|
|
|
Forty Years Later
|
|
|
|
|
|
It is my prayer, it is my longing, that we may pass from this
|
|
life together--a longing which shall never perish from the earth,
|
|
but shall have place in the heart of every wife that loves,
|
|
until the end of time; and it shall be called by my name.
|
|
|
|
But if one of us must go first, it is my prayer that it shall be I;
|
|
for he is strong, I am weak, I am not so necessary to him as he is
|
|
to me--life without him would not be life; now could I endure it?
|
|
This prayer is also immortal, and will not cease from being offered up
|
|
while my race continues. I am the first wife; and in the last wife I
|
|
shall be repeated.
|
|
|
|
|
|
At Eve's Grave
|
|
|
|
|
|
ADAM: Wheresoever she was, THERE was Eden.
|
|
|
|
|
|
***
|
|
|
|
The End of Project Gutenberg etext of "The $30,000 Bequest"
|
|
|