1180 lines
67 KiB
Plaintext
1180 lines
67 KiB
Plaintext
Message-ID: <184302Z09111993@anon.penet.fi>
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Newsgroups: alt.drugs
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From: an43543@anon.penet.fi (Graeme Carl)
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Date: Tue, 9 Nov 1993 18:34:01 UTC
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Subject: EXPERIENCE: Level Definition and Intro
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Greetings a.d'ers,
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The Following Series of Posts relates my attempts at
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describing some of the more notable of my experiences with
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psychoactives. In just over seven years I have "tripped" around 60
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times. During this period I have been paying careful attention to the
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effects of various dosages and have come to the conclusion that the
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dosage-response curve for both Psilocybin (mushrooms) and LSD is
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non-linear. This non-linearity is different from person to person but
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the essential shape of the graph is consistent. The following ascii
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diagram is an attempt to portrey this information:
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5 I ooooooooo
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I
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4 I ooooooo
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L I
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E 3 I ooooooo
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V I
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E 2 I ooooooo
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L I
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1 I ooooooo
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I
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Iooooo______________________________________
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0 2 3 5 13 20
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40
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D O S A G E (in Fresh Mushrooms)
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I have scaled the X-axis in mushrooms, since this is a known
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quantity, whereas attempting to scale it in terms of micro-grams of
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LSD would not be possible without accurately knowing the dosage
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contained in paper trips. (Yes I can hear many of you proclaiming that the
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dosage uncertainty of mushrooms is much higher..... but read on!)
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The essential shape of the graph is all I want to get across here,
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since the actual dosage varies from person to person sometimes by
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a factor of two.
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Unfortunately the variation of LSD content in trips is very wide, but for
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a while, there was quite a few consistently strong trips going around called
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"Clear-Lights" (This was about 5 years ago) I would guess that two of these
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would place most people near the realms of level 5. In terms of trips available
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at the moment, I would guess that 4 or 5 would be necessary. All this is purely
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subjective of course.
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The mushrooms in question are:
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****
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Psilocybe Subaeruginosa (Victoria Australia)
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CAP: Up to 5 cm in diameter,
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conical when young but later
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convex and umbonate, edge
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inturned when young, smooth, a
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pallid biscuit brown when dry
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but darker when wet.
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STEM: To 10 cm long, rather slender
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but often a little swollen
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at the base, somewhat mealy
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above, with a cobweb-like veil
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when young, which sometimes
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leaves a trace of a superior
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ring, but this is often
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lacking, whitish with grey stains
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and often blotched and
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greenish blue.
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GILLS: Adnate to adnexed, deep,
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close, pallid smoky brown
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becoming blackish.
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SPORES: Purplish brown in print,
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ellipsoidal, with a germ pore,
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10-15 x 5-9 um.
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SMELL AND TASTE: None.
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DISTRIBUTION: Solitary or in groups on soil
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in forests. ACT, NSW, SA,
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Tas., Vic.
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Gutzman and Watling (1978) suggested that this
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species consists of four very closely similar
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species, which differ in the characteristics of
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the cystidia on the gills. (See Gutzman G. and
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Watling, R. (1978) 'Studies in Australian
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Agarics and Boletes. I. Some species of
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Psilocybe', Notes from the Roy. Bot. Gard.
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Edinburgh 36, 199-210.)
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****
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On a personal note: They do have a faint but distinctive mushroom smell, and
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eating them raw really lets you know how bad they taste!
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In order to further standardise the dosage for testing, large numbers
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of mushrooms were picked (300-600) at a time. These were then
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dried at a constant temp, crushed and mixed to ensure they were
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homogenous. This was done to avoid the sometimes vast differences
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in potency that exist between single mushrooms.
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The following list is my attempt at explaining the various levels and
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how to recognise them. I felt that Shulgins "3 plusses" system was designed
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more for measuring the general level of effect, rather than specifically
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locating ones' consciousness on an accurate scale and hence I felt it
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necessary to define the following:
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Note that this is only an experimental "pigeon holing" of my own 60 or so
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trips from 1986 to the present (October 1993)
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Level 1:
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This level produces a mild 'stoning' effect, with some visual
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enhancement (ie. brighter colours etc) Some short term memory
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anomalies.
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Left/right brain communication changes causing music to
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sound 'wider'
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["El cheapo" paper trips or 2 or 3 mushrooms]
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Level 2:
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Bright colours, and visuals (ie. things start to move and breath)
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some 2 dimensional patterns become apparent upon shutting eyes.
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Confused or reminiscent thoughts. Change of short term
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memory leads to continual distractive thought patterns. Vast
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increase in creativity becomes apparent as the natural brain
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filter is bypassed. (*)
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[3 - 5 mushies]
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Level 3:
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Very obvious visuals, everything looking curved and/or warped patterns
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and kaleidoscopes seen on walls, faces etc. Some mild hallucinations
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such as rivers flowing in wood grained or 'mother of pearl' surfaces.
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Closed eye hallucinations become 3 dimensional. There is some confusing
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of the senses (ie. seeing sounds as colours etc.)
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Time distortions and `moments of eternity`.
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Movement at times becomes extremely difficult (too much effort required)
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[5 - 13 mushies]
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Level 4:
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Strong hallucinations, ie objects morphing into other objects.
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Destruction or multiple splitting of the ego.
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(Things start talking to you, or you find that you are feeling
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contradictory things simultaneously) Some loss of reality.
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Time becomes meaningless. Out of body experiences and esp type
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phenomena. Blending of the senses.
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[13 - 20 mushies]
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Level 5:
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Total loss of visual connection with reality. The senses cease to
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function in the normal way. Total loss of ego.
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Merging with space, other objects or the universe.
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The loss of reality becomes so severe that it defies explanation.
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The earlier levels are relatively easy to explain in terms of
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measureable changes in perception and thought patterns.
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This level is different in that the actual universe within which
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things are normally perceived, ceases to exist!
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Satori enlightenment (and other such labels) (**).
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[20 - 40 mushies]
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Notes to the above:
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* In order for the human entity to survive, it must learn from an early
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age how to shut out (or filter) the masses of information reaching the
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brain. This process of selective filtering allows us to become centred
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on a single thought. (Imagine being completely aware of all the signals
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coming into your body at the one moment, imagine being aware of every
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square inch of your skin and how it felt. Imagine being eternally
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aware of your tounge in your mouth, that itch on the end of your nose
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or the sound of the airconditioning hissing softly in the background.
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I believe that tripping brings back those awareness that have been shut
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out ever since we were three.
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Have you ever noticed children walking into a shopping mall? If you
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notice next time, they appear to be tripping, staring wide eyed at all
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the amazing colours, walking along looking up at the ceiling and
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and watching themselves in the mirrored surface. As childred age, they
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gradually learn to shut out the onslaught of information, they no
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longer seem to notice the world as their younger siblings do! By the
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time adulthood is reached, these sensations are even lost to memory.
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Perhaps this explains why so many first time trippers, seem to feel
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a strange sense of familiarity, a feeling that the trip reality is
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somehow more real than their straight reality.....
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** Satori enlightenment, instant Zen, Nirvana etc etc. You may find many
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of these Eastern terms used in conjunction with Ergo derivative drugs.
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In my (humble) opinion, true Zen enlightenment is reached only when
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the ego has been completely overcome, only when the 'ox' has been
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tracked, tamed and ridden back to town. This, unfortunately cannot be
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achieved in the altered reality of the tripping universe.
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The 'flashes' of Satori which may be experienced by the fortunate
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whilst tripping, are perceived as momentary periods of absolute peace
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and calm, periods where for a short time, the ego is so diffused,
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that the mind is no longer enslaved by many of the passions that
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normally arise.
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I dont believe that true enlightenment can be attained by the use of
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drugs, but I do believe that exposure to such experiences can be very
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valuable indeed, and may provide the encouragement for further study
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that otherwise may not have been attainable.
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I have spent the majority of my trips at levels 3 & 4 and have now
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achieved level 5 twice! The first instance was mostly spent in level
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4, but I had a few flashover experiences, where I jumped
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momentarily up to level 5 then down again. This state occurred with
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a dosage equivalent to 20 large fresh mushrooms (It was actually 40 dried
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mushrooms which has about the same potency)
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Two days ago I consumed the equivalent of 30 fresh mushrooms
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(60 dried or about 12 grams of dessicated mushroom) This dosage caused
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me to spend about 3 hours of real time (years and years of subjective
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time) inside level 5.
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In the following series of posts I will attempt to relate some of my
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experiences to you and classify them in terms of the Levels I have defined.
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I have attempted to be as objective as possible, hence the reason for the
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somewhat "clinical" style of the first two documents.
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Those of you wishing to "jump to the good bits" should read the post on
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LEVEL 5 or 'Journey out of the Universe'
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Please comment on the above theories. I will be interested to hear your
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opinions and criticisms.
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Anyway, I hope you enjoy this series.....
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Read on:
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Graeme.
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+=======================================================================+
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| The Past is but Memories,! Graeme Carl <an43543@anon.penet.fi> |
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| The Future but Dreams. ! Victoria Australia Earth (mostly) |
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-------------------------------------------------------------------------
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To find out more about the anon service, send mail to help@anon.penet.fi.
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Due to the double-blind, any mail replies to this message will be anonymized,
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and an anonymous id will be allocated automatically. You have been warned.
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Please report any problems, inappropriate use etc. to admin@anon.penet.fi.
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=============================================================================
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Message-ID: <192406Z09111993@anon.penet.fi>
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Newsgroups: alt.drugs
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From: an43543@anon.penet.fi (Graeme Carl)
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Date: Tue, 9 Nov 1993 19:22:28 UTC
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Subject: EXPERIENCE: Level 2-3
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The following story could be classified as existing near the boundary
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of level 2 and level 3 since the majority of the experience exists in
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level 2 but there are a few flashovers into level 3.
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The style of writing was reflective of my science course at the time.
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Please excuse me referring to myself as "The Subject" but it made for
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a good laugh. <-;
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"Mushies in the Evening"
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12/06/89 A Study of the effects of a Psilocybin induced state.
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10/06/89 Late Saturday Evening
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1:40am consumption
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2:10am still no obvious effects noticed, although some
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tightening of the skin about back of the head could be felt.
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2:25am At this stage the subject was quite positive of a change
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in his perception of reality, walking felt different, although there
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seemed to be only a minimum impairment of ability. There was some
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degree of change to the sense of balance. A very significant
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reduction in the concentration span was observed. The brain seemed
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to be constantly distracted by an influx of new sensations. Each time
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the mind was distracted by something, the subjective time spent
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observing the new event was small, since the mind would very
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quickly become absorbed in some new and completely different
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event.
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Walking around attained a new quality. It seemed that the way
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the balance information was used, was entirely new, although still
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able to function effectively. Some time was spent just walking
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around in a circle to experience the new feel to walking.
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Sitting in the living room, looking through the bar/servery to
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the kitchen, a wall hanging could be observed to be moving relative
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to the servery window. After placing a bottle on the edge of the pool
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table, The plain curtains on the wall billowed continuously out
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towards the table.
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The patterns on the curtains covering the main windows,
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appeared to move up and down in waves, relative to the curtains. The
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cushioned chairs appeared to breath slowly in and out. The rate and
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timing of this breathing was independent to that of the subjects.
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Viewing the faces of other people in the room, the subject
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observed red and green glowing lines crossing their faces
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horizontally but following the contours of the face. One of the other
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participants in the room was wearing glasses, the rims of which
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glowed intensely red as though they were red hot, and the subject felt
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he observed fire in the persons mouth.
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When the subject tried to drink, he found that his arm and the
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cup felt much lighter than they ought to be and he kept lifting the
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cup too high to place in his mouth. It was as if something kept
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pulling the cup up too high so that it reached the subjects nose
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instead of his mouth. This was intensely humorous, making the act
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even more difficult to perform whilst laughing.
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The subject noticed that his arms feeling very light and
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seeming to have a life of their own, when told to reach for
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something, they reached out at a great speed with no additional effort
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needed on the subjects part. This continually surprised the subject
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causing him to repeatedly pull his arm back.
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In one of the back rooms there was a pillow which had a
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pattern of black dots on a white background. When viewed it seemed
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as though all the dots were swimming about relative to each other on
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the pillow. When a hand was placed in front of the pillow in the field
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of vision, the pillow's pattern could be faintly seen on the back of the
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hand as if the spots on the pillow had leached through the hand.
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The wall paper in the bathroom was a complex pattern of many
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colours, to the subject it seems as though the overall colour changed
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from red to deep purple and through orange and green. The subject
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also saw the white part of the pattern as being a glowing red colour,
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similar to the shade viewed on the faces of other people.
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When viewing the pool table again the subject could see sparks
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emanating from the points of the ball pockets and arcing down to the
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floor. When one of the cues was picked up and held behind the
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head so that it was out of view, the surface of the cue felt as though it
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formed part of a hoop. Running the fingers along the cue produced
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the feeling of a curved surface of radius one meter.
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When one of the other participants picked up a cue, it appeared
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to the subject that the person had picked up only one end of the cue,
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the rest of the cue followed slowly, such that the cue moved from an
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'S' shaped stick slowly back to a straight line.
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During the session, there was a portable CD player playing
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music. The subject reported an extra quality of liveness to it and an
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increased spatial quality to it. Just purely listening to the music gave
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the subject far more enjoyment than usual, the sound seemingly
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flowing through him such that it could be felt. The subject also
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observed that the music could be seen emanating from the speakers
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as a sort of brownish flow of powder, although the subject seemed
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puzzled by the fact that the powder flowed out of the speakers as two
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parallel streams rather than in the direction that the speakers were
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facing. (The speakers were positioned such that they pointed along
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the sides of an equilateral triangle. One particular track which is
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about one and a half to two minutes in duration seemed as though it
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lasted about twenty minutes of subjective time.
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When venturing outside for the first time, the subject became
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fascinated by the stars and stood staring at the sky for some time, the
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subject noticed some extra stars which winked in and out of
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existence, although this was not what was so interesting. The
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transfixing part of the experience was the strange indescribable
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feeling associated with viewing the sky and the surrounding horizon.
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(The subject felt that he was unable to further define his experience
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at this point)
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When viewing the lights of a distant town, it appeared, to the
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subject, as if the lights were joined together by blue lines. The
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subject found great pleasure in exerting himself by briefly running as
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fast as he was able, he commented that his body did not seem to
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respond as it normally would, since there was no obvious quickening
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of the breath or perspiration after the exertion.
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Every object viewed seemed new and strange, each having new
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and unique properties, for example the texture of a stick absorbed the
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subjects full attention for a few seconds, briefly interrupting his plan
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to walk down some stairs.
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The subject attempted to do some writing and found that the act
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of writing was very different, almost as if someone else was moving
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the pen. The writing was fast and untidy. Some of the things written
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were:
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"I am writing this to prove I can whilst the table moves beneath
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the letters."
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"I don't know why I wrote this"
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At the suggestion of another participant he wrote:
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"I don't want to write <expletive>, so I wont! <EXPLETIVE>!"
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Some patterns were drawn, with an explanatory message added next
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to one which read:
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"The underlying pattern of the universe. If you look closely
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enough at anything, you will eventually see this pattern."
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The pattern consisted of three rows of circles, each row offset such
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that each of the circles of the next row touched two circles in the
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previous row. The subject saw this pattern in everything, it was most
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clearly visible with the eyes open and with a dim light present in the
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room.
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On the servery table where the writing had taken place, there
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was also a serving tray with a mother of pearl base. To the subject,
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the surface of this base appeared to flow like a slow liquid.
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Whenever the subject closed his eyes, he was presented with a
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dazzling array of colours and patterns. Most of the patterns were of a
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repetitive nature, resembling mandalas. The predominant colours
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were red and green and the predominant patterns were formed from
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circles and octagons. Some of the patterns consisted purely of lines,
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in some of the patterns, the lines consisted of square chains (all chain
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links had curved corners) Some of the patterns were three
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dimensional, consisting of the same basic pattern, but forming peaks
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and valleys. All of these patterns had the components continually
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moving relative to each other and the two colours swapping slowly
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between adjacent components.
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When listening to the music with the eyes closed, the patterns
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and shapes moved in time with the music, and new sounds in the
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music brought forth new shapes and objects in the images
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experienced.
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When going outside for the second time the 'underlying pattern
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of the universe' could be clearly seen as green lines on the surface of
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some small red pieces of metal. The subject decided to walk into the
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darkest part of the yard in order to test his sense of fear. This attempt
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was defeated by a sudden distraction. A piece of rope was tied
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between a tree and the fence at eye level, the subject then proceeded
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to experience the sensations associated with placing the rope
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between his teeth and tasting it and supporting his weight with it. He
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was convinced at one stage that there was a piece of dew on the rope
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which "stayed together" when placed in his mouth, such that he was
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able to move it around with his tongue. This entire experience was of
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such an intensely sensual nature, that the subjects awareness was
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confined totally to an act of raw sensation.
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4:30 Approximate end of significant effects.
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sleep was attempted and eventually achieved after watching closed
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eye images for around half an hour.
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11/06/89 Sunday Morning
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10:30am Awakened, to find all effects gone, except for a slight
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image of the recurrent pattern on the retina. The subject reported
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that an attempt at a recurrence of the effects using self-hypnosis was
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met with only a very limited success, a slight increase of the visual
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perception of the pattern was achieved with relative ease, although
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further effects could not be achieved at that point in time.
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13/06/89 Tuesday Evening
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11:00pm Whilst in a lightly hypnotised state and listening to a
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track from the CD which had been playing on the 10th a strong
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'flashback' occurred. The subject experienced the same feeling of
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strangeness, and was able to observe the furniture in his room
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breathing. The curtains were his main object of study, since they
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appeared to be moving in waves, as though there were a wind
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blowing them, the curtains seemed to be moving a total of ten to
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fifteen centimetres from their natural position with a period of
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around four seconds. The total effect of the movements experienced,
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seemed greater in intensity to those noticed on the 10th, although
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during the 'flashback' there was almost no detectable light patterns.
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Standing up and moving around produced the same, although
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somewhat less intense, feeling of strangeness. There was also a
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marked decrease in the concentration span and memory, with the
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subject forgetting why he had decided to get up and walk to the other
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side of the table.
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The effect latest around five to ten minutes.
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14/06/89 Wednesday evening
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11:30pm The flashback sensation re-occurred with the subject
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able to mentally force some of the visual experiences. The subject
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noted that the main difference between the drug induced images and
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the normal 'dream like' images is that the drug induced images seem
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to originate in the eye rather than in the mind and that the patterns
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were more line and circle oriented and glowed with a light of their
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own, in contrast to visions and images produced previously using
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meditation techniques, which appeared as though illuminated by an
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external source.
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The Long Term Effects Observed:
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The learned response: It was observed that the brain learned to
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attain some degree of these effects at any time and that these effects
|
|
could be accessed via methods normally taken to access functions
|
|
beyond conscious control. This fact appears to explain the
|
|
occurrence of uncontrollable "flashbacks" in the average person.
|
|
With further research into attaining these flashbacks, it was
|
|
found that a certain degree of effortless duration to the effects could
|
|
be achieved. When manipulating the mind in a particular manner, it
|
|
was found that all the usual symptoms appeared, but that the sudden
|
|
ceasing of these symptoms was not attainable. This may be
|
|
explained by the possibility of the brain learning to produce
|
|
chemicals mimicking the effects of the drug, or by the brain
|
|
chemistry altering in a manner which would normally take the drug
|
|
to induce. This effect was strongly observed when the subject was
|
|
once again placed in the presence of other participants consuming
|
|
hallucinogens. The subject found that for a minimal effort, he could
|
|
achieve the same effect as previously attained with the drug, but
|
|
without consuming anything. This second incidence was reported by
|
|
the subject as being more intense than the original consumption.
|
|
Interestingly during this second incidence the subject noted several
|
|
new phenomenon which he later observed under the influence of
|
|
pure LSD. These being mood shifts associated with changing music.
|
|
Also the visual effects were not as noticeable, with the 'underlying
|
|
pattern of the universe' being almost totally absent. This was offset
|
|
by a series of intense colour and spatial distortions exactly the same
|
|
as those covered in the partner to this document (LEVEL 3).
|
|
In all three episodes the subject noted that during the
|
|
experience, he felt very relaxed, and in fact under LSD his pulse
|
|
gave a reading of 60 with normal blood pressure.
|
|
|
|
|
|
Graeme.
|
|
|
|
+=======================================================================+
|
|
| The Past is but Memories,! Graeme Carl <an43543@anon.penet.fi> |
|
|
| The Future but Dreams. ! Victoria Australia Earth (mostly) |
|
|
-------------------------------------------------------------------------
|
|
To find out more about the anon service, send mail to help@anon.penet.fi.
|
|
Due to the double-blind, any mail replies to this message will be anonymized,
|
|
and an anonymous id will be allocated automatically. You have been warned.
|
|
Please report any problems, inappropriate use etc. to admin@anon.penet.fi.
|
|
|
|
=============================================================================
|
|
|
|
Message-ID: <200533Z09111993@anon.penet.fi>
|
|
Newsgroups: alt.drugs
|
|
From: an43543@anon.penet.fi (Graeme Carl)
|
|
Date: Tue, 9 Nov 1993 20:02:09 UTC
|
|
Subject: EXPERIENCE: Level 3-4
|
|
|
|
The following account could be classified as a Level 3 trip with a
|
|
few flashovers into level 4:
|
|
|
|
"LSD in the Afternoon"
|
|
|
|
A study of the effects of the intake of one "Window Pane".
|
|
22/07/89 13:30:00 Intake.
|
|
The Subject was one of eight people, all taking LSD at the
|
|
same time. The dosage took the form of a small red slice of gelatine
|
|
called a "window pane". This was dissolved on the tongue. The
|
|
subject noticed a slight but unrecognisable taste.
|
|
After approximately six minutes the subject claimed to be able
|
|
to observe some small effect, although none of the other participants
|
|
noticed anything for around twenty to about thirty-five minutes.
|
|
The initial effects took the form of slight apparent movements
|
|
in stationary or fixed objects such as curtains flowing and benches
|
|
and walls breathing.
|
|
The subject then proceeded to ring a friend and get him to
|
|
come over at around three O'Clock to drive some of the participants
|
|
around in his car.
|
|
The intervening time was spent observing and communicating
|
|
with the other participants.
|
|
At three O'Clock the friend arrived and the subject went with
|
|
him on a twenty minute drive. During the journey, the subject
|
|
noticed a severe perceptual distortion of time, space, velocity and
|
|
acceleration. To the subject it appeared as though the car decelerated
|
|
impossibly slow at traffic lights. The speed of the vehicle did not
|
|
seem to be as fast as it actually was and the subject felt that cars
|
|
turning into the street were coming close to crashing into him. This
|
|
feeling did not involve any portion of fear. In fact the exact opposite
|
|
was true. The subject felt that a crash would be a most interesting
|
|
experience, although he did not wish it upon himself.
|
|
Once the car stopped at the lights the subject began to feel a
|
|
little uneasy, and kept telling the traffic lights to hurry up and
|
|
change. The subject was quite talkative and spoke readily to his
|
|
friend about how great the 'trip' was and how amazing everything
|
|
was. After some time the subject became uneasy about being on his
|
|
own with someone who was not tripping, and repeatedly asked the
|
|
driver if they were nearly back yet. The subject lost all ability to
|
|
determine his whereabouts. He recognised landmarks but could not
|
|
place where they were in his mind and would not have been able to
|
|
navigate his way. Once back at the house the subject was greatly
|
|
relieved and suddenly felt that he wanted his friend to leave. He
|
|
worried for a bit about how to tell him that he wanted him to go and
|
|
would have used a simple statement like "Can you go now!" but
|
|
found that he could transfer his wishes easier just by saying goodbye
|
|
and waiting for his friend to leave before returning into the house.
|
|
This worked and the friend drove off, without any hard feelings.
|
|
Throughout the experience, the subject noted that colours were
|
|
far more vivid than usual, the difference between colour brightness
|
|
being greatly expanded. Also noted was the apparent increase in the
|
|
difference between colours. Reds becoming more different to
|
|
yellows than they usually were and so on.
|
|
Once again entering the house, the subject mingled with the
|
|
other participants.
|
|
To the outside observer, the participants seemed to be
|
|
constantly distracted and amazed by things which normally would be
|
|
boring and uninteresting, seemingly finding something in these
|
|
objects hidden from the perception of the onlooker. It is interesting
|
|
to note that the 'extra' details and qualities perceived by the
|
|
participants were constant from one person to another, ie. they all
|
|
saw precisely the same extra details and occurrences simultaneously,
|
|
even those consuming the drug at a different starting time to the
|
|
others.
|
|
At this stage the subject moved into the bathroom, noting on
|
|
the way that the wall in the hallway was distinctly curved, bulging in
|
|
the middle out into the hall. Once in the bathroom the subject gazed
|
|
at his own reflection in the mirror, noting to himself how ordinary it
|
|
seemed, whilst still watching, he then gazed into his own eyes and
|
|
felt a curious sinking feeling. The subject had previously been
|
|
warned about looking into ones own eyes in the mirror by one of the
|
|
other participants, so was hesitant to pursue this activity further. At
|
|
this stage the subject was just on the verge of leaving the mirror
|
|
when he noticed a curious change in the appearance of his skin. It
|
|
seemed to go a greyish colour and to assume a mottled appearance.
|
|
Shaking his head and blinking to get a clearer view, the subject then
|
|
proceeded to observe himself age with incredible rapidity. The
|
|
reflection grew old before his eyes, the hair became long, wispy and
|
|
grey, the beard turned a whitish grey colour and increased in length
|
|
to around three feet long. The skin on the face became incredibly
|
|
aged and full of very deep wrinkles. The eyes lost their brightness
|
|
and became sunken sallow pits, the pupils shrinking from their
|
|
previously dilated condition, to small beady pinpoints. Looking
|
|
away from the mirror for a couple of seconds and then back again
|
|
restored the normal appearance.
|
|
Moving into the kitchen, the subject looked at the clock on the
|
|
wall, it appeared to have every aspect twisted and distorted, for
|
|
example, the time seemed ludicrous and the subject had to ask every
|
|
one to see if the clock told the correct time or if it had stopped or not,
|
|
secondly the second hand seemed to take around three minutes to
|
|
traverse one second as marked on the face of the clock, and thirdly
|
|
the clock itself seemed to protrude about half a foot from the wall.
|
|
(compared to an inch or so as it should have) Afterwards the subject
|
|
claimed that time had no meaning. It not only stopped but ceased to
|
|
exist, things still happened but inside no frame of time reference. It
|
|
was quite possible to think about some object for what seemed like
|
|
an eternity whilst watching it suspended in mid air as it dropped to
|
|
the floor. It became possible to observe a stop start motion of an
|
|
object under the influence of gravity.
|
|
At this stage the subject was given a piece of candle to walk
|
|
around with, many of the other participants felt that they needed
|
|
some object to carry around with them during the experience and
|
|
they naturally assumed that the subject would as well. The candle
|
|
seemed very odd and had an almost fluid plasticity about it. At one
|
|
stage the candle seemed to blob down such that the ends came
|
|
almost together and the middle bulged out and sat upon the hand as
|
|
if the candle were actually a rubber balloon filled with water. The
|
|
surface of the candle felt positively slick and it felt quite strange to
|
|
manipulate the candle in the hand. It was almost as if the hand
|
|
belonged to someone else or that some one else was moving it for
|
|
the subject by remote control.
|
|
The subject was then offered a piece of sausage which had been
|
|
cooked and he was surprised that there was actually some possibility
|
|
that a question of eating the sausage could arise.
|
|
The sausage felt very strange in the mouth, there was a distinct
|
|
distance to the whole affair, as though the mouth and sensations
|
|
actually belonged to someone else. One of the other participants,
|
|
watching on felt sure that the subject had been inadvertently eating
|
|
the candle rather than the sausage and told him so. This rather
|
|
disturbed the subject since he was not completely sure that he had
|
|
not been. At this point an independent non participant was brought in
|
|
to adjudicate the situation, and it was decided that the subject had
|
|
not been eating the candle after all and it was in fact just the
|
|
imagination of the other participant.
|
|
One of the other sensations noticed by the subject was the fact
|
|
that the mouth and face felt very odd. The part of the cheeks where
|
|
they meet the cheek bone seemed continuously numb and the teeth
|
|
felt distant and as if they belonged to someone else. The subject also
|
|
reported that he felt that his mouth was physically lower down and
|
|
distant from his eyes.
|
|
The subject felt that things seemed to be more real than normal,
|
|
since he could see more detail and further into any object viewed.
|
|
Most of the participants had moved into the kitchen and were
|
|
engaged in tasting and smelling things. The subject noted that smells
|
|
did not seem distorted but only much more acute. Drinking water
|
|
was quite an experience and the subject spent some time indulging in
|
|
the sensual experience of swallowing, feeling the way the water
|
|
caressed his throat. The water itself tasted strange, as if it had many
|
|
other undiscernible tastes mixed in with it. The most striking thing
|
|
about it was the way it flowed in the mouth and down the throat and
|
|
the way the water felt as it was run over the hands. The subject then
|
|
tried drinking some straight cordial, this, he claimed, tasted like a
|
|
fine wine.
|
|
During the experience there was a complete change in the way
|
|
sounds were heard. The ear seemed to hear sounds impossibly
|
|
compressed, with the loud sounds and the soft sounds being heard
|
|
with equal volume simultaneously. At one stage the subject was
|
|
listening to the music from the CD player inside a separate closed
|
|
room and noting how perfectly the treble was coming through the
|
|
wall, as if the wall was totally transparent to the sound. Also there
|
|
was a distinct loss in the ability to distinguish sound directionality,
|
|
this was most likely partially due to the compression of the sound
|
|
volumes. The compression itself was not absolute, there was still
|
|
loud and soft sounds, and the subject noted that his hearing gradually
|
|
seemed to adjust to the new mode of perception such that sound
|
|
directionality slowly became apparent again, though this did not
|
|
reach its former level.
|
|
The loss of the meaning of time meant that the subject had no
|
|
reference plane in which to place the results of his decisions. Before
|
|
initialising the change of state, the subject had decided to attempt
|
|
two things whilst in the state, these being to attempt at some stage to
|
|
mentally reverse the effects of the drug and try to force his
|
|
perception back to normal, and the other being to attempt to enter a
|
|
state of meditation. This decision was all very well when
|
|
experiencing the understanding and knowledge of the concept of
|
|
time. The loss of time meant that the subject understood that he had
|
|
wanted to attempt these two things but he had no way of deciding
|
|
when he should do them. This caused him some worry and he
|
|
contemplated at one stage the idea of deciding an exact time in
|
|
which he would attempt them, but then thought the better of this idea
|
|
since he realised that he would be forever coming out and checking
|
|
the clock on the wall to see if the time had arrived yet. The attempt
|
|
eventually occurred when the opportunity for seclusion arose, the
|
|
subject proceeded to an empty room and lay on the bed and was
|
|
immediately presented with an amazingly vivid array of
|
|
kaleidoscopic colours and shapes he quickly sunk into a deeper state
|
|
although found that self hypnosis was almost impossible to achieve.
|
|
The subject continued to sink into a deeper state and found that this
|
|
meditation had the effect of narrowing the consciousness and
|
|
allowing a more concentrated train of thought to arise. At this stage
|
|
the subject noted that his mind had split into a considerable number
|
|
of parts (possibly around twenty pieces) all of these parts being
|
|
almost identical. Whenever the body did something it was only some
|
|
of these parts which did the initiation of the action, whilst all of the
|
|
other parts looked on and observed, occasionally placing comments
|
|
into the field of thought. The subject found that he could not reverse
|
|
the effects of the drug although he could synchronise his mind to a
|
|
stage where he could easily hold a train of normal thought. This
|
|
effect was held by the subject for approximately fifteen minutes until
|
|
discussion with one of the other participants caused a lapse in
|
|
concentration leading to a return of unsynchronised parallel thought.
|
|
Returning to the lounge room the subject proceeded to play
|
|
some music which normally would have been heard to have a fast
|
|
tempo, this music seemed incredibly slow to the subject, the distance
|
|
between the beats seeming to take around four times as long as
|
|
usual, and when the vocals came in the voice was distinctly slowed
|
|
and slurred. The subject also felt that the pitch was lower than usual
|
|
and he proceeded to sing along at the slow speed with one of the
|
|
other participants in a mocking manner. The track being played
|
|
quickly reverted back to what was being played before by general
|
|
consensus.
|
|
One of the things occupying the subjects mind was the problem
|
|
of whether or not he should be feeling hungry or not. The subject
|
|
reasoned that he should try to eat food at around the times he
|
|
normally would, but he felt no desire of food intake whatsoever.
|
|
Another basic function which was distorted was the ability to know
|
|
when urination was required. The subject felt that he might need to
|
|
urinate, but he was not sure. He eventually went to the toilet to find
|
|
out and he discovered when he got there that he did need to go after
|
|
all. The subject noted that thinking about the act made it impossible,
|
|
in order to perform the act he had to think of something else and
|
|
allow his subconscious to perform the actions as if it were an act
|
|
normally excluded from conscious control.
|
|
The subject distantly heard someone talking about going to the
|
|
local shop to buy some food and drink. Pricking up his ears, he
|
|
instantly rushed out to give his order. After he and the three others
|
|
had finished deciding what they wanted, they suddenly discovered
|
|
that there was no-one to go to the shop except themselves. The four
|
|
of them then proceeded to walk to the shop, since driving was
|
|
completely out of the question in their given states. It seemed to take
|
|
forever to get to the shops, with many pauses along the way to
|
|
observe items of interest along the side of the road in peoples front
|
|
gardens.
|
|
Upon reaching the shops, the subject looked into one of the
|
|
windows and observed that one of the shop owner's eyes had come
|
|
loose from his head and was following his progress past the shop by
|
|
sliding along the side of the proprietors head. This was viewed by
|
|
the subject as intensely amusing, since the shop owner has badly
|
|
turned eyes under normal circumstances
|
|
Entering the fish and chip shop was an experience in itself
|
|
everything in the shop moved and shimmered and the subject found
|
|
he had to restrain himself from staring at things and try to look as
|
|
normal as possible. There was around five other people in the shop,
|
|
and the participants had to keep putting off the shop owner with
|
|
"we're still thinking" each time he asked for their order. It was very
|
|
hard to decide what items should be purchased and what quantities to
|
|
get. After the order was made the participants were presented with a
|
|
numbered ticket, and they found that they had to continually keep
|
|
checking the ticket to make sure that their number was not being
|
|
called. Two of the participants could not keep themselves from
|
|
laughing and eventually had to leave the shop. To the subject it
|
|
seemed that the shop owner felt that they were laughing at him
|
|
because of his turned eye, although he seemed to be used to people
|
|
laughing at him and accepted it with an air of persecuted defeat.
|
|
Back at the House:
|
|
One of the other participants was keen on attempting to swap
|
|
bodies with the subject. The two sat opposed with joined hands and
|
|
proceeded to stare into each others eyes. The subject noted that the
|
|
others face became more and more defined, eventually assuming
|
|
incredible detail. Also observed was the fact that the other persons
|
|
head kept changing shape and the skin kept altering in hue. The
|
|
other person was a nineteen year old girl with very light blue eyes
|
|
and hair medium in length. The subject noted that he did not feel the
|
|
sinking sensation as strongly as he had when looking into his own
|
|
eyes or into one of the other male participants eyes. After a short
|
|
time the subject seemed to loose feeling and control over his
|
|
shoulders and it seemed that when he tried to move them that the
|
|
other persons shoulders moved. This did not surprise the subject at
|
|
the time and he continued to stare into the eyes of the other person.
|
|
At this stage there was a sudden shift in the colour of the
|
|
surrounding room and the subject found himself staring into a third
|
|
eye which had appeared in the exact centre of the girls forehead.
|
|
This new eye was of a distinctly darker colour and did not possess
|
|
the usual attributes associated with eyes, such as lashes and lids. The
|
|
new eye seemed different from the rest of reality in that it was not
|
|
clearly defined and seemed more deeply sunken in the head. Staring
|
|
into this eye produced the sinking feeling ten time easier than staring
|
|
into the normal eyes, and the subject forced himself to look away.
|
|
Into his field of vision came several other of the participants, each
|
|
having a dark spot in the centre of their foreheads. The subject was
|
|
surprised and thought that he must have been going cross-eyed in
|
|
order to be able to perceive this other eye. He then proceeded to test
|
|
this theory by forcing himself to see another eye on the girls head.
|
|
This induced eye was in the centre of the forehead and looked totally
|
|
different to the darker eye. Also bits of the bridge of the nose
|
|
distorted its appearance. The subject then noted that by going cross
|
|
eyes he had forced himself to see two of the darker eyes as well.
|
|
Breaking the hand contact with the girl the subject noted that the
|
|
darker eye flashed out of perception.
|
|
At this stage it was early morning the following day and many
|
|
of the participants were beginning to 'come down'. The subject
|
|
seemed able to observe this in the other participants. He felt that
|
|
there was some unique sense which allowed him to see glowing lines
|
|
connecting all of the participants who were still included amongst
|
|
those in the state. The subject sat opposite a VCR and TV which
|
|
were currently displaying a computer generated kaleidoscopic image.
|
|
Above the television was a large colour picture of a forest into
|
|
which, the subject felt, a part of him went wandering. Shortly after,
|
|
the tape reached the end and the images abruptly cut off. The subject
|
|
felt that this left a piece of him cut off inside the picture.
|
|
Once of the other participants had brought a number of small
|
|
tin bells of different sizes and tones. When these were rung, the
|
|
subject noted that different coloured lights could be seen to emanate
|
|
from the bells.
|
|
The last participant to consume the drug, decided that he had
|
|
come down and was about to drive home. Interestingly enough this
|
|
precise situation came up last time and resulted in the individual
|
|
tripping while driving home and relating later that it had felt like he
|
|
was in a large spaceship flying over long white lines. The subject
|
|
and two other individuals had decided to go to the local Seven
|
|
Eleven store, all three feeling as though they were on the way down.
|
|
Reaching the car it was decided that they could be dropped off at
|
|
Seven Eleven. The car journey was absolutely fascinating. Riding in
|
|
the car gave the participants the feeling that they were riding in a
|
|
large, immensely strong and sturdy machine of incredible weight.
|
|
The journey seemed abnormally smooth.
|
|
Reaching the shop the driver had decided that he was still
|
|
tripping. (As expected) The shop was amazingly vibrant and vivid.
|
|
At this stage the subject found that situations were far more
|
|
manageable and he could safely sit inside his own perception of
|
|
reality without anyone being the wiser.
|
|
The two men running the shop appeared incredibly grey and
|
|
dreary and seemed to be less real than the shop itself. After
|
|
purchasing several items, the participants proceeded to hop back into
|
|
the car. At this stage the driver was not so keen on going home and
|
|
instead decided to go for a drive along the freeway. The further he
|
|
drove the more intense his trip became but he assured all present that
|
|
he was quite capable of driving and that driving was easy. The car
|
|
reached speeds of up to 140 Km/h at which point the driver switched
|
|
off the headlights and drove for a short distance with them off. The
|
|
subject was busy observing the amazing colours and spatial quality
|
|
of the sky and the lights in the distance and felt slightly concerned
|
|
about the driver only somewhere in the back of his mind.
|
|
The subject noted that when the car left the freeway that the
|
|
lane into which the car moved seemed to be about a quarter the
|
|
width of the cars body. Also noted was a curious effect of blue
|
|
lightning playing about the reflectors implanted in the road.
|
|
Upon returning to the house, the subject proceeded to lie
|
|
between the two speakers in the lounge room and listen to some
|
|
synthesised music. (Shadowfax) This had the effect of bringing the
|
|
subject to full intensity where the complexity and clarity of the
|
|
images observed with the eyes closed reached a maximum. At this
|
|
stage the subject felt that a part of his conscious left his body once
|
|
again, this time not entering a picture but rather to wander through
|
|
the house observing the appearance of each of the rooms. The
|
|
subject noted that his point of observation hovered somewhere near
|
|
to the ceiling such that he looked down onto everything. In this state
|
|
the colour intensification was at its maximum, whole rooms
|
|
appearing to be an intense purple. Later on the subject had
|
|
commented to another participant that he had been visiting purple
|
|
rooms. The subject also noted that he heard the voices of the other
|
|
participants strongly within the music, even though the others were
|
|
in a closed room on the other side of the house.
|
|
At the eighteenth hour into the trip, the subject decided that he
|
|
should sleep, although he felt that he could happily continue
|
|
'tripping' for another two hours at the least.
|
|
|
|
|
|
Graeme Carl.
|
|
|
|
+=======================================================================+
|
|
| The Past is but Memories,! Graeme Carl <an43543@anon.penet.fi> |
|
|
| The Future but Dreams. ! Victoria Australia Earth (mostly) |
|
|
-------------------------------------------------------------------------
|
|
To find out more about the anon service, send mail to help@anon.penet.fi.
|
|
Due to the double-blind, any mail replies to this message will be anonymized,
|
|
and an anonymous id will be allocated automatically. You have been warned.
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Please report any problems, inappropriate use etc. to admin@anon.penet.fi.
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=============================================================================
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Message-ID: <200304Z09111993@anon.penet.fi>
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Newsgroups: alt.drugs
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From: an43543@anon.penet.fi (Graeme Carl)
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Date: Tue, 9 Nov 1993 19:54:54 UTC
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Subject: EXPERIENCE: Level 4-5 (Read This!!)
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Well, this is it, the last in this series of Posts. I hope you have
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all enjoyed reading these. (I certainly have enjoyed writing them (
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and experiencing them, for that matter))
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The following trip was experienced by myself two days ago and can
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be classified as a Level 5 trip. I have decided to switch to "First
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Person Singular" in order to portrey some of my feelings and
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sensations. I don't believe that it is possible for me to remain
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objective about an experience which goes so far beyond the
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explainable. Any impressions portrayed by this document can only
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be dim shadows of the incredible alter-reality of the experience.
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"Journey out of the Universe"
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Myself and five acquaintances decided it was time for another
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trip. All of us decided that we would exceed our usual amount and
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dare to move into the realms of the unknown. I had three times my
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usual dosage of dried mushrooms, the others increasing their doses
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by a factor of a half.
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The house was new to me and I purposefully decided not to
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explore it until things were really moving. It was an old
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weatherboard house and was mostly dark and cold. The living room
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was small but it had a crackling fire burning in the fire place which
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cast flickering shadows on the peeling paint walls. There was several
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candles burning on the mantle piece above the fire place and the six
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of use ceremoniously downed our dried mushies at "T minus 0
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minutes" (around 8:00 pm)
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I had brought my video player over and a "Trippatronics" tape
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which I had created by editing bits from hundreds of MTV video
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clips together along with exerts from various computer graphics
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documentaries. Sid put one of his CD's into the CD player in the
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adjoining room. It was something by "The Art Of Noise". I found
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myself seated in a large beanbag facing the fire, with the TV on my
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right at 90 degrees to my field of vision. I wasn't too interested in
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being able to see the screen since I had watched it countless times
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before whilst tripping.
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Someone looked at a clock and announced that it was 8:10 pm,
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I quickly calculated that things would be settling back to normal at
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around 1:00am in the morning.
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We all sat around, not saying much. The couple that owned the
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house were not that well known to me so I was a little concerned
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about tripping with them, but not too much.
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Ten minutes later at 8:20 I noticed something jump out from
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the TV screen and sail through the air towards Melony, she seemed
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not to notice. Ah Haaar. The trip begins. I usually notice the onset
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before everyone else so I wasn't too worried about seeing things this
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early.
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At this stage I decided that I needed to take a leak, so I got up
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to go in search of the toilet. The kitchen was to my right and from
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there I could glimpse the toilet door open through the adjoining
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laundry. I wandered through the laundry, feeling myself move into
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level 1. Once I was in the toilet I reached level 2. I closed my eyes
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for a second to check. First there was nothing, then a couple of
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seconds later the familiar two dimensional patterns appeared.
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Opening my eyes revealed that the toilet was already beginning to
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expand. The dimensions of the little room had suddenly doubled. I
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quickly relieved myself as I pondered the rapidity at which the trip
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was advancing.
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Back in the lounge I sat in the beanbag again.
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BANG! Things started getting really WEIRD!
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The fire became an animated city, Buildings and Cars could be
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clearly seen shimmering within the flames. Highways of tiny
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vehicles made their way along the grains of the logs. Several of
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participants began to "piss themselves laughing" at various things
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and I joined in, laughing so hard all else became invisible. I noticed
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that each time I laughed, the trip became more and more intense,
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although whilst laughing, I could perceive nothing. Sid and Mel
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were really getting into laughing. Mick and Carol, wandered out the
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back door of their house, conceivably to investigate the garden. Sid
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and Tim wandered to the lounge where the stereo was playing. Mel
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seemed still infected with hilarious laughing and giggling, she
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amused herself by watching some of the video. I was very quickly
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moving into deeper and deeper realms of strangeness. The beanbag
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vanished and became an incredibly comfortable wicker chair and I
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was just pondering how comfortable the headrest was when I realised
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that I had placed my hands behind my head and it was them
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supporting my head not the imaginary chair. At this stage I launched
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into uncontrollable shivering. "God it was cold" it seemed that the
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temperature had dropped by at least five degrees. I had to keep
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stopping myself from tensing my entire body against the cold. My
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jaw was chattering mercilessly and I wished that these amphetamine-
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like effects did not occur with psychoactive drugs. Eventually they
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faded and vanished.
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I was deep into Level 4 at this stage, time had ceased to have
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any meaning. I watched holes open up and close in the floorboards.
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The room kept expanding and shrinking and the fire became a
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swirling blue vortex into which images from the TV were being
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sucked. I closed my eyes. And the image remained, it actually got
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clearer, so I opened my eyes again. No difference! I closed my eyes
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and held my hands in front of my face. I could see them lift up in
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front of me, but they were strangely warped and I could see the fire
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through them.
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Carol came back into the room and curled up into a ball in front
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of the fire. A few of the others wandered in and out of the room
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making various comments and then igniting more of the infectious
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laughter. I was busy laughing uproariously and observing the
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universe splinter and shatter with each cycle of the laughter. It
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seemed as though the energy released from the laughing caused my
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vision to fracture and fragment.
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I noticed that Carol was in a strange mood, she seemed almost
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angry and upset about all the laughing, she remained motionless and
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dark beside the fire. Mel broke into another fit of helpless laugher
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which gradually sounded stranger and stranger. Carol took this
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moment to exclaim aggressively to her "ARE YOU ALL RIGHT!!!"
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"ARE YOU QUITE RIGHT THERE!!!" This seemed to quieten Mel
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down a bit, but she seemed to draw in upon herself like a frightened
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rabbit.
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The music was weird and unrecognisable. Sid had only
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intended on letting the first two tracks play before the CD was
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changed, but no one had remembered to change it. Suddenly things
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started changing.
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Mel seemed to be getting into trouble. Her eyes had widened in
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fright and horror and she was making exclamations like "Oh no!,
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NO!" and starting to shout with horror. Something was wrong.
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Simultaneously my own universe jumped and flickered into new
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heights of weirdness. Things were morphing uncontrollably now. It
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became very difficult to work out what I was actually looking at.
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I kept thinking "Damn! my eyes have stopped working".
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Mel became more and more disturbed. Something in me started to
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realise she was launching into a bad trip, and this something decided
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that the most obvious answer was to change the music. I stood up. Or
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I tried to. My legs leaped to the standing position, but they had
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become detached from the rest of my body which was still resting in
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the bean bag. I looked at my legs in surprise. I could clearly see the
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backs of my legs and the top of each of them ended in a stump. Slowly the
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rest of my body floated up and came to rest in its usual position. My
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legs did not seem to re-attach properly and as I walked out of the
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room, they seemed to be a couple of steps ahead of me. I found the
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door into the lounge room and moved into the darker room, I saw
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Tim seated by the stereo, at least I think it was Tim. The only way to
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describe what my eyes saw is to compare it to the scene in
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Lawnmower Man where one of the protagonists had broken up into
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tiny marble sized pieces which were buzzing around like flies and
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formed the approximate shape of the body. Tim's eyes were separate
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from his body and I could see air gaps around them and I could see
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the chair through him. The chair itself had broken up into pieces,
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some of which were protruding through Tim. The vision was too
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bizarre, so I looked away to increase my chances of coping.
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Mel had started screaming by this point, the screams got louder
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and more frequent, until it reached the stage where she was
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continually screaming her lungs out. It sounded like someone was
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"Axe Murdering" her. I listened for a moment to the screams and the sheer
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horror contained within them. The fear and horror became real and tangible.
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It solidified as a material object, some sort of mental snake which started
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slithering towards the centre of my being.
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I shuddered and purposely distracted my line of thinking into the practical.
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Part of me started to realise that the Police were going to be called.
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Another part of me remembered that I was going to change the music.
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Finally I reached the point in space where the CD player was supposed to be,
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but when I looked in the direction I thought it existed, my eyes had started
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refusing to work again. The masses of swirling colours and shapes and
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perspectives that I saw was definitely not a CD player.
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With great concentration I managed to get the CD player to coalesce
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into a Level 4 image and I bent down toward it in order to change the
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CD. Halfway to the CD player the universe ceased to exist.....
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There remains almost no way in which I can describe what
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happened at this point other than to say that I had reached Level 5.
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Everything changed and became unrecognisable. When I say
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Everything, I do not just mean objects and people and self, but The
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Universe Itself became undone. There was no-longer anything in the
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ordinary sense. It was like being in an amazingly comfortable chair,
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but not existing at the same time. Vision, Smell, Hearing and Taste
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all became meaningless. They did not just disappear, but they ceased
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to have ever existed. Time melted into nothingness. I did not
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perceive time, but looking back later I can say that the subjective
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experience must have lasted literally years. There was no point of
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reference, I could no longer distinguish anything even slightly
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recognisable, although something somewhere could contemplate a
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great many somethings. It was not me. It was not anything like
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thought or perception. It was not anything which could be described.
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It is extremely difficult to even remember much about it but to say
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that it was so different to anything that it defies explanation!
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Woah, suddenly I was back, and I was still in the act of
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bending down towards the strange mess of colours I thought must be
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the CD player. I wondered who I was and why I was there. I struggled with
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remembering, but I could not make sense of it. I had no idea about anything.
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I knew I was tripping but that was about it. Whose house was I in? Who am I
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tripping with. Did I drive here or did someone else. What was happening. I
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really had no idea. This somehow disturbed me. But not too much. I recognised
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a Tim-like entity swimming around in my vision and exclaimed to it,
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"What's Happening?" and I meant it from the depths of my soul.
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Tim didn't seem to know either. The CD player pattern made itself
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obvious again and I realised that I was changing the music. My hand was still
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reaching for the CD player. Another thought occurred to me.
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"What do I do when I get there?" I could barely see the damn thing,
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how am I going to operate it? At this point I turned to Tim for help.
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"I need to change the Music", "Why?", Tim was enjoying it thoroughly and
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had not yet noticed the trauma in the next room. I explained the situation
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to the weird looking floating creature somehow, and between the two of us
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It only took about "6" hours to manage to change it. The CD player
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was new to both of us. It seemed to have way too many light and
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numbers. The buttons had something marked on them, but we were
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beyond being able to read. We resorted to randomly pushing buttons
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until the required result was achieved.
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The new CD was some classical guitar (Vivaldi) But after a few
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minutes it became apparent that this was not going to help. Mel
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continued screaming at the top of her lungs.
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At this stage, her boyfriend Sid had found her and was trying to
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comfort her. I was convinced that another change to the music might
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help. I ended up changing the CD again, several eternities later, to
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"White Winds" by Andreas Vollenweider, this seemed to have the
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desired effect after a while. Mel seemed to be responding to Sid's
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efforts at bringing her back to stable grounds. She related afterwards
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that she had completely lost track of reality to such a degree that
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she was afraid that she was going mad. All the normal anchors of reality
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had vanished one by one until there was nothing recognisable left. She became
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horrified that she was going to remain there forever. Sid told me later that
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he was watching her face, and slowly the expression on it would change and
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start to become distant, if he didn't immediately say something to her that
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she could grip with her mind, then she would withdraw and start screaming.
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Once she had reached this point, no amount of talking or touching could get
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through to her.
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My trip was still getting stronger, part of me was still worried
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that the neighbours were going to call the police, and another part of
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me was completely unconcerned and was in fact enjoying itself
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immensely. By this stage my body had disappeared, I no longer had
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any sensation of comfort/discomfort my eyesight was beginning to
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malfunction again. I could no-longer see anything of meaning. One
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moment I would be looking at something, then it would dissolve into
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a mass of swirling colours. The rooms of the house were beginning
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to move around and merge with each other. I decided that I needed a
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glass of water, so some part of me got up and went to the kitchen,
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leaving the other part sitting up against an electric oil heater. Moving
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through the halls of the house was completely weird. Parts of the
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walls, arches and ceiling protruded down into the hallway and passed
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through my body as I walked along. At one stage I walked through a
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wall and felt it open up and then coalesce behind me. Once in the
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kitchen part of me filled a glass, then I split into two again, one
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staying in the kitchen, the other walking back to the first body. I was
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now in three places at once. One in the kitchen, one in the hall,
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holding the glass, and the other sitting with Tim in the lounge. From
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this point onwards I again moved into Level 5 for some 3 hours of
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real time (I think!)
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Tim said something to me and I raised my eyebrow, it detached
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and floated off behind my head, I went to look at it out of the corner
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of my eye, but the eye came away from my head and floated off
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towards the eyebrow. Weird. I flicked my tongue around inside my
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mouth, and my head seemed to detach itself above my jaw, my
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tongue flopped helplessly about on top of the throat and lower jaw
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like a fish out of water. My upper head continued floating upwards
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and slowly bobbed around so that I could look down my own throat.
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My body looked like the lower half of a decapitated buddha sitting in lotus
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position up against the heater.
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After a while I stood up next to the heater and drifted in and out
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of the universe. For most of the time I had no Idea that I was
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standing. Mel was still breaking out into fits of screaming
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occasionally and at times I was so completely out of reality that I had
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to ask Tim, "What's happening?" I had no idea who or where I was,
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only that something was happening, the details of which I was
|
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unsure! He seemed to be in a similar state and responded with a
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shrug which separated his body into about twenty more pieces.
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Level 5 became the dominant state, with momentary flashes of
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Level 4, where suddenly the Universe would flicker back into view
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for a moment and I would realise that I was standing up or sitting
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down or more importantly, that I existed.
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Slowly the flashes of Level 4 became longer and longer. Tim
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said to me that He thought things were getting more normal. I replied
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that I didn't think they were (I didn't want them to) Eventually I had
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to concede, but I told him that we wouldn't be back to normal until at
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least 1:00am, he then replied that it was in fact 1:10am. Whoah!!!
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Things gradually became more and more normal as I sank into
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the familiar morphy land of Level 4, then I dramatically dropped to
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Level 3. The drop was so sudden, that I exclaimed, "What happened?
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Something has changed!"
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The final stages of the trip were long and slow. Mel had found
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reality again, although she and Sid looked completely drained. To
|
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my trippy eyes they looked as if they had aged ninety years, their
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faces were long and drawn and Sid's face looked like something out
|
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of the trenches in Pink Floyd's "The Wall"
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Once we were down far enough, we drove home. The car
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journey, as usual, was interesting and I was glad it was the middle of
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the night and I didn't have to cope with any traffic.
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CONCLUSION:
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I have noticed, that the various types of trips coincide with the
|
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levels I have described to a reasonably high degree. The jumps
|
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between these levels are usually distinct and obvious and when I
|
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have consumed a dose which is close to the boundaries of one of the
|
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Level transition states, the resultant trip is not a gradual merging of
|
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the two states, but more like a ping-pong jumping between the two
|
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states. The "Flashover" point is quite obvious with a striking change
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in the observed reality.
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Most of the trips I have experienced have been clearly at one
|
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particular level and in one instance I consumed an amount of weak
|
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dried mushroom (just the stems) , the result of which was no
|
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noticeable effect. After a couple of hours had elapsed with no effect,
|
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I consumed a further amount (approximately 1/10th of the original
|
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dose) at which point I was propelled into Level 1. (ie I had consumed
|
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enough to cross the Level 0 - Level 1 boundary)
|
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To me this is proof of the existence of a threshold effect. It also
|
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coincides with a number of recipients of "weak" paper trips reporting
|
|
that they did nothing, whist others having the same dose reported
|
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getting Level 1 or 2 phenomena. It would seem that for the former
|
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recipients that their jump to level one dose is somewhat higher than
|
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for the latter.
|
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On other occasions I have noticed that (for me) the difference
|
|
between 1.6 and 2.0 grams of freshly dried mushrooms produces no
|
|
discernible difference, but that 2.1 launches me into a Level 2 trip. In
|
|
the first instance, the extra 0.4 grams was effectively wasted.
|
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|
I hope this information is of interest. I have tried to remain as detached
|
|
as possible, and have consulted many FOAF's for their opinions on my "Level"
|
|
theories, most agree, but of course this type of evaluation can only be
|
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subjective.
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Graeme Carl.
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+=======================================================================+
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| The Past is but Memories,! Graeme Carl <an43543@anon.penet.fi> |
|
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| The Future but Dreams. ! Victoria Australia Earth (mostly) |
|
|
-------------------------------------------------------------------------
|
|
To find out more about the anon service, send mail to help@anon.penet.fi.
|
|
Due to the double-blind, any mail replies to this message will be anonymized,
|
|
and an anonymous id will be allocated automatically. You have been warned.
|
|
Please report any problems, inappropriate use etc. to admin@anon.penet.fi.
|
|
|
|
|