2576 lines
121 KiB
Erlang
2576 lines
121 KiB
Erlang
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|| ||| |||| |||||| || |||| Your
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|| || || || ||| || ||
|
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|||||| |||||| || || |||||| |||||| GEnieLamp Computing
|
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|
||
|| |||||| || || |||||| RoundTable
|
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|| || || ||| ||| || ||
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|| |||||| |||||||| |||||| RESOURCE!
|
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|| || || || || || ||
|
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||||| || || || || ||
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|
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|
||
~ WELCOME TO GEnieLamp APPLE II! ~
|
||
""""""""""""""""""""""""""""""
|
||
~ SPECIAL NEEDS: Apple II in Children's Hospitals ~
|
||
~ THE TREASURE HUNT: One Great MOD Player, Twenty Great MODs ~
|
||
~ BOOK REVIEW: The Internet Business Guide ~
|
||
~ HOT NEWS, HOT FILES, HOT MESSAGES ~
|
||
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
GEnieLamp Apple II ~ A T/TalkNET OnLine Publication ~ Vol.3, Issue 33
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
Editor....................................................Douglas Cuff
|
||
Publisher.............................................John F. Peters
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
~ GEnieLamp IBM ~ GEnieLamp ST ~ GEnieLamp [PR] ~ GEnieLamp Windows ~
|
||
~ GEnieLamp A2Pro ~ GEnieLamp Macintosh ~ GEnieLamp TX2 ~
|
||
~ GEnieLamp A2 ~ LiveWire (ASCII) ~ GEnieLamp MacPRO ~
|
||
~ Solid Windows ~ Config.sys ~
|
||
~ Member Of The Digital Publishing Association ~
|
||
GE Mail: GENIELAMP Internet: genielamp@genie.geis.com FTP: sosi.com
|
||
////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
||
>>> WHAT'S HAPPENING IN THE APPLE II ROUNDTABLE? <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ December 1, 1994 ~
|
||
|
||
FROM MY DESKTOP ......... [FRM] HEY MISTER POSTMAN ...... [HEY]
|
||
Notes From The Editor. Is That A Letter For Me?
|
||
|
||
HUMOR ONLINE ............ [HUM] REFLECTIONS ............. [REF]
|
||
Ten Light Bulb Jokes. About Online Mentoring.
|
||
|
||
ASCII ART GALLERY ....... [ASA] BOOK REVIEW ............. [BKR]
|
||
Holiday Art. The Internet Business Guide.
|
||
|
||
HARDVIEW A2 ............. [HAR] THE TREASURE HUNT ....... [HUN]
|
||
News from RezTek. Yours For The Downloading.
|
||
|
||
SPECIAL NEEDS ........... [SPC] PAUG NEWSLETTER ........ [PNL]
|
||
Computers in Kid's Hospitals. December 1994 Report.
|
||
|
||
LOG OFF ................. [LOG]
|
||
GEnieLamp Information.
|
||
|
||
[IDX]"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
READING GEnieLamp GEnieLamp has incorporated a unique indexing system
|
||
""""""""""""""""" to help make reading the magazine easier. To
|
||
utilize this system, load GEnieLamp into any ASCII word processor or
|
||
text editor. In the index you will find the following example:
|
||
|
||
HUMOR ONLINE ............ [HUM]
|
||
[*]GEnie Fun & Games.
|
||
|
||
To read this article, set your find or search command to [HUM].
|
||
If you want to scan all of the articles, search for [EOA]. [EOF] will
|
||
take you to the last page, whereas [IDX] will bring you back to the
|
||
index.
|
||
|
||
MESSAGE INFO To make it easy for you to respond to messages
|
||
"""""""""""" re-printed here in GEnieLamp, you will find all the
|
||
information you need immediately following the message. For example:
|
||
|
||
(SMITH, CAT6, TOP1, MSG:58/M475)
|
||
_____________| _____|__ _|___ |____ |_____________
|
||
|Name of sender CATegory TOPic Msg.# Page number|
|
||
|
||
In this example, to respond to Smith's message, log on to page
|
||
475 enter the bulletin board and set CAT 6. Enter your REPly in TOPic
|
||
1.
|
||
|
||
A message number that is surrounded by brackets indicates that
|
||
this message is a "target" message and is referring to a "chain" of two
|
||
or more messages that are following the same topic. For example: {58}.
|
||
|
||
ABOUT GEnie GEnie's monthly fee is $8.95 for which gives you up to
|
||
""""""""""" four hours of non-prime time access to most GEnie
|
||
services, such as software downloads, bulletin boards, GE Mail, an
|
||
Internet mail gateway, and chat lines, are allowed without charge.
|
||
GEnie's non-prime time connect rate is $3.00. To sign up for GEnie
|
||
service, call (with modem) 1-800-638-8369 in the USA or 1-800-387-8330
|
||
in Canada. Upon connection type HHH. Wait for the U#= prompt. Type:
|
||
JOINGENIE and hit RETURN. When you get the prompt asking for the
|
||
signup/offer code, type: DSD524 and hit RETURN. The system will then
|
||
prompt you for your information. Need more information? Call GEnie's
|
||
customer service line (voice) at 1-800-638-9636.
|
||
|
||
SPECIAL OFFER FOR GEnieLamp READERS! If you sign onto GEnie using the
|
||
"""""""""""""""""""""""""""""""""""" method outlined above you will
|
||
receive an *additional* six (6) free hours of standard connect time
|
||
(for a total of 10) to be used in the first month. Want more? Your
|
||
first month charge of $8.95 will be waived! Now there are no excuses!
|
||
*** GET INTO THE LAMP! ***
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ /
|
||
/ "What does error code BA indicate?" /
|
||
/ /
|
||
/ "That you have sheep in your RamFAST." /
|
||
/ /
|
||
/ "Not sheep, RAM." /
|
||
/ /
|
||
////////////////// W.NELKEN1, PROCYON.INC & J.SCHONBLOM ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[FRM]//////////////////////////////
|
||
FROM MY DESKTOP /
|
||
/////////////////////////////////
|
||
Notes From The Editor
|
||
"""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
|
||
|
||
>>> THIS YEAR ENDS, 30 DAYS -- REDUCE SPEED NOW <<<
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
In Which We Continue the Cruise Control Metaphor of Last Month, and
|
||
Shift Smoothly into a Holiday Mood
|
||
|
||
|
||
Not so many months ago, I was hurrying home in my car, knowing that I
|
||
would disappoint my wife and myself if I were late. We both work long,
|
||
hard hours, my wife and I, and it's rare that we have time to do something
|
||
frivolous together, like watch television or go to a movie. We had made a
|
||
date for that night. Minutes were precious.
|
||
|
||
Naturally, that night of all nights, the monthly meeting of our
|
||
annual Apple II user group ran late. I kept edging toward the door, trying
|
||
to get away. Finally, I simply bolted.
|
||
|
||
I leapt into the driver's seat and started the engine. Not even
|
||
taking a moment to check my watch, I nudged the speedometer needle past the
|
||
posted limit and headed for home. Only when I reached a stop light did I
|
||
look at my watch. My heart sank. To be on time, I needed five more
|
||
minutes than I had.
|
||
|
||
The fables I had read in my childhood joined hands and danced in a
|
||
circle around my head. Never give up before you try. Have confidence in
|
||
yourself, and the impossible can be possible. Our fates are in ourselves.
|
||
When the light turned green, I trod on the accelerator...
|
||
|
||
...until I reached the speed limit. Then I turned on the cruise
|
||
control. Those childhood fables make great servants, but poor masters.
|
||
|
||
I wanted badly to be home on time. But it was no longer possible,
|
||
and I refused to kill myself trying. The more nervous I get about time
|
||
pressures, the worse my driving gets, and that's a vicious circle. Clearly
|
||
it was time to restrain my haste, using the cruise control to enforce that
|
||
restraint.
|
||
|
||
Don't I make myself sound mature? Don't I make myself sound wise?
|
||
Well, the truth is, at the age of 33, this was probably the first time I
|
||
had enough sense to see the bigger picture in a crisis situation. Arriving
|
||
home late is bad, but having an accident is worse. (Even if you don't kill
|
||
someone else, even if you don't kill yourself, even if no one is
|
||
hospitalized, even if no one even has to go to the emergency department for
|
||
a quick examination to be sure they're all right... do you have any idea
|
||
how much hassle is created by the aftermath of putting a dent in your own
|
||
car's fender?) I got home five minutes late. We had to scrap our plans
|
||
and make new ones on the spot, but my wife and I both survived with our
|
||
good moods intact.
|
||
|
||
It's sad how often we confuse the urgent and the important. If on
|
||
Monday morning, one client says he'll pay me $1000 for a project due in two
|
||
weeks and on Monday afternoon, another client says he'll pay me $25 for a
|
||
project due in one week, I'm liable to start work on the $25 job because
|
||
it's more urgent. If my wife has a midterm worth 30% on Friday, and has a
|
||
1% assignment given her that's due on Thursday, chances are she'll start
|
||
work on the assignment. We keep ourselves so busy that we don't even
|
||
realize there is a difference between important deadlines and urgent ones,
|
||
much less try to discern it.
|
||
|
||
The holiday season does a particularly good job of underlining the
|
||
difference between the important and the urgent. Several years ago, the
|
||
city in which I lived had a power blackout on Christmas day. I had
|
||
computer games and plenty of other impressive toys--nothing succeeds like
|
||
excess--none of which counted for anything with no electricity. All of a
|
||
sudden, the gift that meant most to me was a simple hand-knit sweater from
|
||
my girlfriend. Meanwhile, what about Christmas dinner? The turkey had
|
||
already been in the oven for an hour when the power died. A phone call
|
||
from an aunt just a few blocks away revealed that she had power. Could she
|
||
possibly make room in her oven for our turkey as well? Of course she
|
||
could, and did. (Don't ask me how.)
|
||
|
||
A lot of the things we intended to do that Christmas day--urgent but
|
||
not important--never got done. We were honorably relieved from many of the
|
||
self-imposed, false responsibilities and competition of the holiday season.
|
||
We were warm, we had a hot meal, we had friends and relatives willing to
|
||
help us out, and we were together. Gifts beyond price.
|
||
|
||
I still have the sweater that meant so much to me that Christmas.
|
||
It's too small for me now, but of course I can't get rid of it.
|
||
|
||
Because my wife is wearing it.
|
||
|
||
--Doug Cuff
|
||
|
||
GEnie Mail: EDITOR.A2 Internet: editor.a2@genie.geis.com
|
||
|
||
|
||
|
||
__________________________________________________________
|
||
| |
|
||
| REPRINTING GEnieLamp |
|
||
| |
|
||
| If you want to reprint any part of GEnieLamp, or |
|
||
| post it to a bulletin board, please see the very end |
|
||
| of this file for instructions and limitations. |
|
||
|__________________________________________________________|
|
||
|
||
|
||
|
||
ASCII ART BEGINS
|
||
|
||
_____ ______ _ _ ___ ___
|
||
/ ____| ____| (_) | | / _ \|__ \
|
||
| | __| |__ _ __ _ ___| | __ _ _ __ ___ _ __ | |_| | ) |
|
||
| | |_ | __| | '_ \| |/ _ \ | / _` | '_ ` _ \| '_ \ | _ | / /
|
||
| |__| | |____| | | | | __/ |___| (_| | | | | | | |_) | | | | |/ /_
|
||
\_____|______|_| |_|_|\___|______\__,_|_| |_| |_| .__/ |_| |_|____|
|
||
| |
|
||
|_|
|
||
|
||
ASCII ART ENDS
|
||
|
||
|
||
[EOA]
|
||
[HEY]//////////////////////////////
|
||
HEY MISTER POSTMAN /
|
||
/////////////////////////////////
|
||
Is That A Letter For Me?
|
||
""""""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
o A2 POT-POURRI
|
||
|
||
o HOT TOPICS
|
||
|
||
o WHAT'S NEW
|
||
|
||
o THROUGH THE GRAPEVINE
|
||
|
||
o MESSAGE SPOTLIGHT
|
||
|
||
|
||
|
||
>>> A2 POT-POURRI <<<
|
||
"""""""""""""""""""""
|
||
|
||
DIVERSI-FOUND! New Address for Ordering " DiversiTune ", " DiversiCopy ".
|
||
"""""""""""""" " DivesiCache " and " DiversiKey " and Song Disks:
|
||
|
||
William W. Basham, M.D.
|
||
10400 Connecticut Ave., #407
|
||
Kensington,MD
|
||
20895-3910
|
||
|
||
He still has Disks for the IIgs and Still Marketing them. You can
|
||
Request Order Forms form him. and they are Discounted from the Original
|
||
Price
|
||
(H.TRUMP, CAT2, TOP21, MSG:26/M645;1)
|
||
|
||
|
||
TWILIGHT II AND APPLEWORKS 4.3 Dan, Bev is correct in that AW 4.3 does
|
||
"""""""""""""""""""""""""""""" call _ClrHeartBeat on a IIgs at startup,
|
||
thereby disconnecting Twilight II and any other similar software. In fact,
|
||
the current issue of NAUG's Forum has a patch to defeat that patch if
|
||
you're someone who doesn't have problems with Twilight II. The disabling of
|
||
Ultra if AppleTalk is connected is separate, and has been around with 4.0
|
||
or 4.01.
|
||
(BRANDT, CAT17, TOP14, MSG:99/M645;1)
|
||
|
||
>>>>> From Apple IIGS Technical Note #55
|
||
"""""
|
||
"The Heartbeat Interrupt Task queue does NOT belong to the
|
||
application. Different portions of System Software can, and will, install
|
||
Heartbeat Tasks. If these tasks are removed, anything from a system crash
|
||
to media corruption may result. NOTHING but System Software should make
|
||
this call.
|
||
|
||
Eric Shepherd (Sheppy)
|
||
[Team PPCPro]
|
||
(POWERPC.PRO, CAT17, TOP14, MSG:109/M645;1)
|
||
|
||
|
||
PC TRANSPORTER SOURCE CODE FOUND It seems that I found some AE source
|
||
"""""""""""""""""""""""""""""""" code for the PCTransporter, but the file
|
||
is partly corrupted (how do I fix it, or would someone be willing to fix
|
||
it). Also, included is other AE source code for their other products. The
|
||
source code, it seems is to be fairly old, that is its not source code from
|
||
the latest software. If anyone is interested let me know so that I can dig
|
||
it up.... Now don't quote me on this since I'm not a programmer, but to me
|
||
it looks like source code. Would this be helpful to anyone?
|
||
|
||
Sam Latella [A2World]
|
||
"Apple ][ Forever, IBM Never!!!"
|
||
(S.LATELLA, CAT14, TOP2, MSG:56/M645;1)
|
||
|
||
|
||
MACINTOSH SOUNDS ON THE IIGS Well, Steve is right, but that ain't why
|
||
"""""""""""""""""""""""""""" some of those files won't convert or play,
|
||
Dave. MacSoundGrabber (MSG) has (IMHO) a _very_ annoying limitation--it
|
||
can only load & convert Mac sound resources that are 64K in size or
|
||
smaller. (Notice I did not say sound files--like the rSoundsample format
|
||
on the IIGS, a file can contain more than one sample.) As long as the
|
||
_samples_ you wanna convert are 64K or smaller, MSG will do a dandy job of
|
||
converting them into rSoundsample format on the IIGS. If the sounds you
|
||
want are bigger than 64K, other things will have to be done. If you're a
|
||
GS+ subscriber, the program FileDump (in GS+ V5.N1) is a great help in
|
||
converting sounds that MSG can't do. For more info, refer to my article
|
||
"Catch the .WAV" in GS+ V4.N6.
|
||
|
||
FWIW, I have converted several of the AudioClips packages into rSound
|
||
format for use with the IIGS. Two of these packages (Star Trek: The
|
||
Logical Collection and Terminator 2: Judgement Day) are sold directly thru
|
||
Sound Source Interactive and can be ordered from them directly at (800)
|
||
877-4778. If you have any of the following packages bought in Mac or
|
||
Windows format, _and can supply me with proof of purchase_, I can send you
|
||
the package already converted for use on an Apple IIGS. The packages I
|
||
have available are:
|
||
|
||
2001: A Space Odyssey
|
||
Star Trek Bonus AudioClips
|
||
Star Trek: The Next Generation "Encounter at Farpoint"
|
||
Star Trek: The Next Generation "The Best of Both Worlds"
|
||
Star Trek: The Next Generation Bonus AudioClips
|
||
|
||
If interested, please contact me via E-mail.
|
||
|
||
Bill Moore
|
||
Contributing Editor, GS+ Magazine
|
||
** Can you do the Picard Maneuver in a Grand Am? **
|
||
(BILL.MOORE, CAT6, TOP7, MSG:237/M645;1)
|
||
|
||
|
||
CAPSULE REVIEW Design Master isn't worth the shutter on the disk it's
|
||
"""""""""""""" shipped on.
|
||
|
||
Eric Shepherd (Sheppy)
|
||
[Team PPCPro]
|
||
(POWERPC.PRO, CAT33, TOP3, MSG:3/M645;1)
|
||
|
||
|
||
IIGS REPLACEMENT KEYBOARD MacWarehouse is selling an ADB Extended
|
||
""""""""""""""""""""""""" keyboard that is fully IIGS compatible for
|
||
$69.95. It's a standard 105 key layout, with large return and shift keys,
|
||
control/option/open-apple keys on both sides of the main grid; separate
|
||
arrow keypad; insert/del/home/end/page-up/page-down keys; 15 function keys,
|
||
a numeric keypad, and 3 indicator lights.
|
||
|
||
I just bought one of these and hoo boy, it's nice. :-)
|
||
|
||
Jawaid
|
||
(under disguise)
|
||
(SEQUENTIAL, CAT4, TOP2, MSG:272/M645;1)
|
||
|
||
|
||
ORIGINAL CASTLE WOLFENSTEIN TRULY LOST > Is Castle Wolfenstein acceptable
|
||
"""""""""""""""""""""""""""""""""""""" > material for the Lost Classics?
|
||
|
||
If I am remembering the program correctly, I spoke to the author
|
||
about 18 months ago about making Castle Wolfenstein a Lost Classic. At the
|
||
time, we could not come to a consensus on where to go with it. He may be
|
||
willing to decide something now. I will put him on my list of calls to make
|
||
and see where it leads.
|
||
|
||
In the meantime, the program is still copyrighted and can not be
|
||
legally copied or uploaded(released) here in A2. In case anyone is
|
||
interested, I do know that the source code is on a hard drive in a landfill
|
||
somewhere. Has been for some years. :(
|
||
|
||
|
||
-=Joat=-
|
||
(A2.TIM, CAT7, TOP13, MSG:35/M645;1)
|
||
|
||
|
||
JOB POSTING? Attention, background MOD-player authors!
|
||
""""""""""""
|
||
Softdisk Publishing is interested in acquiring background MOD-playing
|
||
capabilities for use in our software. We'll pay good money (and, as the MOD
|
||
standard seems to evolve quite regularly, it could turn into an ongoing
|
||
thing for you).
|
||
|
||
Interested? Let us know!
|
||
|
||
-Greg Templeman, GS Product Manager/Lead GS Programmer
|
||
Softdisk Publishing
|
||
(BARNABAS, CAT6, TOP18, MSG:107/M645;1)
|
||
|
||
|
||
IMAGEWRITER II ON AN IBM PC? I have a question for a friend who owns an
|
||
"""""""""""""""""""""""""""" Imagewriter II Printer. She wants to run it
|
||
on an IBM PC. She tells me that she has a driver for an Imagewriter II in
|
||
some sort of IBM word processing program. She teaches and uses IIe's and
|
||
an IBM. Her goal is to connect the Imagewriter II with a switch box to use
|
||
with both machines.
|
||
|
||
Does anyone have any experience with this type of set up? I have
|
||
hooked up many IBM or Parallel Printers, Including a Quietwriter to a IIe,
|
||
I have no experience with anyone hooking up an Imagewriter II to an IBM
|
||
rig.
|
||
(C.GERHARDT2, CAT4, TOP9, MSG:364/M645;1)
|
||
|
||
>>>>> I have no experience with connecting an Imagewriter II to a PC, but
|
||
""""" I do have a book in front of me now that explains how to do it. On
|
||
page 212 of _Macintosh Printer Secrets_ (1990) by Larry Pina, it claims
|
||
that despite some people saying this connection can't be made, "it _can_ be
|
||
done, very easily." On the next 4 pages, Pina describes how to build the
|
||
cable, how to set the Imagewriter II dip switches, and how to put in the
|
||
needed MS-DOS MODE command (no, the driver does not take care of that,
|
||
according to Pina). To tell you the truth, it doesn't sound easy to me, but
|
||
Pina's explanation should be understandable to anyone who is conversant
|
||
with terms like CONFIG.SYS, XT, and AT.
|
||
|
||
Pina's explanation is too long to reproduce here. If your friend
|
||
can't find the book in your public library (I think it is out of print),
|
||
email me your or her address and I'll send a copy of the relevant pages.
|
||
|
||
By the way, I bought Pina's book a few months ago on remainder because
|
||
it has lots of good Apple-II-relevant information on the printer I use, the
|
||
Imagewriter II.
|
||
|
||
Steve Eisenberg
|
||
Wynnewood, PA
|
||
(S.EISENBERG, CAT4, TOP9, MSG:365/M645;1)
|
||
|
||
>>>>> Here is a little something I picked up from Compuserve regarding
|
||
""""" the use of an Imagewriter printer on an PC compatible:
|
||
|
||
-/-/-
|
||
|
||
"Yes...ladies and gentleman at long last the pinouts for a "WORKING"
|
||
cable that will connect an IBM machine to an Apple Imagewriter 2 printer.
|
||
Amaaazing!!!!
|
||
|
||
I have made and tested several of these cables all with no problems.
|
||
In no time you'll be printing from Wordperfect,Lotus,PrintShop and other
|
||
DOS programs.
|
||
|
||
I don't run windows so I have no clue if it will work from any
|
||
windows based programs.
|
||
|
||
For more interesting Apple// Goodies call:
|
||
|
||
The WAC BBS
|
||
(503) 363-0861
|
||
24hrs 14400bps
|
||
|
||
RS-232 Female Mini-Din-8 male
|
||
-----------------------------------------------------------
|
||
|
||
Pin 1 --------------------------------------- Ground shield
|
||
Pin 2 --------------------------------------- Pin 5
|
||
Pin 3 --------------------------------------- Pin 3
|
||
Pin 5 -----|\
|
||
Pin 6 -----|--------------------------------- Pin 1
|
||
Pin 8 -----|/
|
||
/|----- Pin 4
|
||
Pin 7 ---------------------------------|
|
||
\|----- Pin 8
|
||
|
||
Pin 20 -------------------------------------- Pin 2
|
||
|
||
The only thing you need to do now is attach your cable to the COM1
|
||
port of your MS-DOS machine and add these lines to your autoexec.bat
|
||
program.
|
||
|
||
mode lpt1:=com1
|
||
mode com1:96,n,8,1
|
||
|
||
If your using COM2:
|
||
|
||
mode lpt1:=com2
|
||
mode com2:96,n,8,1 "
|
||
|
||
-/-/-
|
||
|
||
Hope this helps... (I hope it formats OK, too. I 'Appletalked' this
|
||
directly off my Mac HD to CoPilot)
|
||
|
||
Tim K
|
||
(KELLERS, CAT4, TOP9, MSG:366/M645;1)
|
||
|
||
|
||
>>> HOT TOPICS <<<
|
||
""""""""""""""""""
|
||
|
||
APPLEWORKS 5 SHIP DATE SLIPS AGAIN It now appears that the printers will
|
||
"""""""""""""""""""""""""""""""""" have the AppleWorks 5 manuals ready to
|
||
go by the end of next week. I expect Quality will ship November 21. (The
|
||
software is ready to go as soon as the manuals are ready.)
|
||
(BRANDT, CAT17, TOP18, MSG:209/M645;1)
|
||
|
||
|
||
BIG RED COMPUTER CLUB AFTERMATH? As everyone knows by now, Big Red
|
||
"""""""""""""""""""""""""""""""" Computer Club will be closing their
|
||
doors by the end of the year.
|
||
|
||
The owner of Big Red, John Wrenholt, has been actively supporting the
|
||
Apple II computer for more than a dozen years, and he does not want BRCC
|
||
members to feel abandoned or to feel that BRCC's closure will leave Apple
|
||
II owners without any avenues for support.
|
||
|
||
For that reason, BRCC has included a 12 page sampler issue of
|
||
Shareware Solutions II inside their November, 1994 mailing. That mailing
|
||
has been sent out via bulk mail, so it may take anywhere from 1 to 3 weeks
|
||
to reach its destination.
|
||
|
||
The Shareware Solutions II sampler is an abridged version of the
|
||
Volume 2, Issue 1 edition.
|
||
|
||
If you are a BRCC member who is seeing Shareware Solutions II for the
|
||
very first time, feel free to post questions here about Shareware Solutions
|
||
II, or feel free to direct questions to the publisher in e-mail directed
|
||
towards JOE.KOHN
|
||
|
||
Joe Kohn
|
||
Publisher, Shareware Solutions II
|
||
(JOE.KOHN, CAT28, TOP4, MSG:233/M645;1)
|
||
|
||
>>>>> BUT, where will the residual inventory ultimately reside? Joe,
|
||
""""" since you seem to know more than the average about BRCC, can you
|
||
provide any guesstimates about this?
|
||
|
||
Dave (D.MATTIS@GEnie.geis.com) CONNECTING WITH SPRINTNET AT 14,400
|
||
(D.MATTIS, CAT28, TOP4, MSG:235/M645;1)
|
||
|
||
<<<<< BRCC's inventory falls into a couple of different categories
|
||
"""""
|
||
Some of the software currently being sold by BRCC is licensed from
|
||
other companies, such as The Nibble Software Collection. With software like
|
||
that, the copyright holder _may_ continue to offer it for sale.
|
||
|
||
Other products are owned outright by BRCC, such as Print Shop Lover's
|
||
Utility Set. I've tried to make overtures to BRCC concerning the outright
|
||
purchase of the rights for PLUS and Labels, Labels, Labels, but to no
|
||
avail.
|
||
|
||
Other products are merely distributed by BRCC, such as software from
|
||
Triad Ventures and Seven Hills. If someone else wanted to distribute those,
|
||
they'd need to contact the owners and make an offer.
|
||
|
||
In talking to John Wrenholt just the other day, he doesn't anticipate
|
||
having a whole lot of inventory left. After all, his "going out of business
|
||
sale" is just too good to pass up - BRCC is selling games like Pac Man for
|
||
$3.50. I think that BRCC expects to sell off just about all their inventory
|
||
with pricing like that. And, if they don't, I can't imagine that any other
|
||
software distributor would really be interested in "picking them up."
|
||
|
||
To sum it up, if there's something you'd like to purchase from BRCC,
|
||
you really ought to do it now. The software may not be available from
|
||
anyone else after 1/1/95.
|
||
(JOE.KOHN, CAT28, TOP4, MSG:242/M645;1)
|
||
|
||
<<<<< Concerning BRCC's library of freeware and shareware..
|
||
"""""
|
||
Since I was employed as BRCC's public domain/freeware/shareware
|
||
librarian from 1989-1992 and literally added hundreds of disks to the BRCC
|
||
library during that time, I do plan to make some (many?) of those disks
|
||
available via the SSII Library.
|
||
|
||
Out of respect for BRCC and for John Wrenholt, I will wait until
|
||
after BRCC closes their doors before making those disk collections
|
||
available via the SSII Library.
|
||
|
||
Joe
|
||
(JOE.KOHN, CAT28, TOP4, MSG:244/M645;1)
|
||
|
||
|
||
APPLEWORKS, ULTRAMACROS, AND APPLETALK > I need to be able to use
|
||
"""""""""""""""""""""""""""""""""""""" > AppleWorks, UltraMacros, and
|
||
> AppleTalk at the same time.
|
||
|
||
I do that every day. There's a one-byte patch that will allow UM to
|
||
be active while AppleTalk is active. With AW4.3 I have had no crashes
|
||
regardless of how it is launched. With earlier versions I had to launch AW
|
||
from ProSel-16 to keep from crashing.
|
||
|
||
I have an article in the current NAUG AppleWorks Forum that describes
|
||
the patch and how to apply it. If you don't have that, let me know and I'll
|
||
e-mail it.
|
||
(D.CRUTCHER, CAT17, TOP14, MSG:126/M645;1)
|
||
|
||
<<<<< > I don't know why Dan Crutcher can use macros with AppleTalk, but
|
||
""""" > I've never seen it succeed
|
||
|
||
I don't know either, since I don't do anything special (other than
|
||
apply the patch that Randy provided that allows UM to be active at the same
|
||
time as AppleTalk). I boot into ProSel-8, then, if I want to use GS/OS, I
|
||
launch GS/OS which is set to run ProSel-16. From there I can go straight to
|
||
AW4.3, with AppleTalk active, and use macros to my heart's content.
|
||
|
||
Just a few minutes ago, I went through that process, and even
|
||
launched Finder first and opened a Macintosh volume (via AppleTalk) in the
|
||
Finder and then launched AW4.3. I ran about five complex macros
|
||
(CheckWorks, a phone dialer, etc.) with no problems.
|
||
|
||
I do the same at work. Each of my machines is a ROM 01 GS.
|
||
|
||
I can't believe I'm the only one who can do this. If my being able to
|
||
do it is unusual, I would suspect that my route through ProSel may have
|
||
something to do with it.
|
||
|
||
For anyone who has a block editor, here's the patch to allow
|
||
UltraMacros to be active at the same time as AppleTalk:
|
||
|
||
PATCH APLWORKS.SYSTEM TO ALLOW MACROS WITH APPLETALK ACTIVE:
|
||
|
||
The current APLWORKS.SYSTEM disallows macros with AT active. Patch it
|
||
with a disk editor by changing offset +142B from EE to 2C. If +142B is_not_
|
||
EE in your version, search for EE 96 0A in that approximate area.
|
||
|
||
Try it. If it doesn't work, you can always reverse it by changing the
|
||
byte back to EE.
|
||
(D.CRUTCHER, CAT17, TOP14, MSG:137/M645;1)
|
||
|
||
>>>>> > I would suspect that my route through ProSel has something to do
|
||
""""" > with it
|
||
|
||
Bingo.
|
||
(BRANDT, CAT17, TOP14, MSG:141/M645;1)
|
||
|
||
|
||
>>> WHAT'S NEW <<<
|
||
""""""""""""""""""
|
||
|
||
IIGS FAX/MODEM SOFTWARE Vitesse, Inc. announces "FAXination," FAX/Modem
|
||
""""""""""""""""""""""" software for the Apple IIgs.
|
||
|
||
-> Allows printing to an external fax modem from any standard GS/OS-based
|
||
application!
|
||
-> FAXes graphics and text with ease!
|
||
-> Support for Pointless Truetype fonts!
|
||
-> Use the Deferred Send feature to send one or more documents to the same
|
||
fax station with a single call!
|
||
-> Use the Deferred Send feature to create a fax document when RAM is low,
|
||
and then send it later when more RAM is available!
|
||
-> Phone Book feature addresses faxes and fills in cover sheets
|
||
automatically!
|
||
-> Answers and receives FAX calls automatically, or only by manual command!
|
||
-> Maintains a log of FAXes sent or received!
|
||
-> Use Send or Receive Logs to view cover information, the actual document,
|
||
print the document, or change the address and forward it to another
|
||
person!
|
||
-> Automatically supports Class-1, Class-2, and Class-2.0 FAX/Modems!
|
||
-> No knowledge of modems needed! Automatically senses which port and which
|
||
modem is attached! Simply plug in the modem, install the software, and
|
||
reboot!
|
||
-> Optional Call Progress window allows you to see what is happening while
|
||
sending or receiving a FAX!
|
||
-> FAXination is a CDEV with an NDA interface, providing quick access to
|
||
FAXination controls.
|
||
-> PrintPicker NDA allows switching between the FAXination printer and your
|
||
printer with ease (GS/OS System 6.0, or higher only)!
|
||
-> Special desktop application allows even users with less tham 2MB RAM to
|
||
send Deferred FAXes!
|
||
|
||
FAXination requires GS/OS v5.0.4, or higher, 1-1/2MB RAM, and a hard
|
||
disk drive. System 6.0, or later, and 2MB RAM is highly recommended!
|
||
FAXination -ONLY- supports external FAX/Modems. FAXination is scheduled to
|
||
ship the first week of December 1994. Vitesse is taking advanced orders
|
||
NOW!
|
||
|
||
FAXination . . . . . . . . . . . . . . . . .$49.95
|
||
FAXination with 14,400 external FAX/Modem. .$149.95
|
||
Tracer Sanction and Mind Shadow (combo). . .$29.95
|
||
Ultima I . . . . . . . . . . . . . . . . . .$29.95
|
||
Quickie 3.2 Hand Scanner . . . . . . . . . .$89.95
|
||
Quickie 3.2 Hand Scanner/Inwords OCR . . . .$99.95
|
||
Quickie-C (Adaptor). . . . . . . . . . . . .$99.95
|
||
Quickie/Quickie-C (combo). . . . . . . . . .$189.95
|
||
Quickie 3.2 (update from 3.1). . . . . . . .$24.95
|
||
|
||
Prices listed are effective prior to December 15, 1994.
|
||
|
||
$$$ Order direct from Vitesse, Inc. and save! $$$
|
||
|
||
To order, contact Vitesse, Inc. sales at 1-800-777-7344.
|
||
|
||
Vitesse, Inc.
|
||
P.O. Box 929
|
||
La Puente, CA 91747-0929
|
||
|
||
This is a limited time offer. Prices are subject to change without
|
||
notice.
|
||
(VITESSE, CAT40, TOP2, MSG:1/M645;1)
|
||
|
||
<<<<< The FAX/Modem in the FAXination w/ FAX/Modem Combo is manufactured
|
||
""""" by Aspen and uses the Rockwell chipset to provide v.42 bis and
|
||
Class 2 modem support.
|
||
|
||
Lowell Erbe
|
||
Vitesse, Inc., Technical Support
|
||
(VITESSE, CAT40, TOP2, MSG:23/M645;1)
|
||
|
||
>>>>> The v.14, v.17 and v.29 specifications are communications protocols
|
||
""""" used to encode data for transmission on the telephone line. Since
|
||
these numbers indicate hardware features, the modem handles all that. In
|
||
short, all fax modems will work with Faxination, unless somebody can find a
|
||
_real_ oddball out there that just won't respond to the standard Class 1 or
|
||
2 modem commands.
|
||
|
||
Faxination will handle Group III encoding (a software function) and
|
||
will work with all of the modem brands mentioned so far in this topic.
|
||
Please note that the "print to fax" feature will only work in GS/OS desktop
|
||
applications which do their printing through the Print Manager. It will NOT
|
||
work with AW4, the Orca shell and other 8-bit or text-based applications.
|
||
|
||
Da Programmer
|
||
(S.MCQUEEN1, CAT40, TOP2, MSG:34/M645;1)
|
||
|
||
>>>>> Yes, Faxination will transmit graphics files from any desktop
|
||
""""" graphics or page layout application, such as Quickie or AWGS.
|
||
ANYTHING which can be printed using the Print Manager can be faxed via
|
||
Faxination. Since facsimile only provides black and white support, the
|
||
pictures transmitted will be rendered as half-tone dithered grey-scale
|
||
images.
|
||
|
||
The effect will be similar to printing a picture on a black-and-white
|
||
printer.
|
||
|
||
Da Programmer
|
||
(S.MCQUEEN1, CAT40, TOP2, MSG:43/M645;1)
|
||
|
||
<<<<< The best estimation that I have right now is that FAxination will
|
||
""""" begin shipping on December 5, 1994. It might end up a couple (and I
|
||
really mean only 2 or 3 days) later than that.
|
||
|
||
Lowell Erbe
|
||
Vitesse, Inc., Technical Support
|
||
(VITESSE, CAT40, TOP2, MSG:75/M645;1)
|
||
|
||
|
||
SALE--HALF OFF SEVEN HILLS SOFTWARE We're having a "Super Holiday
|
||
""""""""""""""""""""""""""""""""""" Special" through 12/22/94 where you
|
||
can get our products at 50% off:
|
||
|
||
PRODUCT REGULAR 50%OFF
|
||
Drive Cleaner GS $ 34.95 $17.48
|
||
Express $ 49.95 $24.98
|
||
Font Factory GS $ 39.95 $19.98
|
||
GraphicWriter III $149.95 $74.98
|
||
Independence $ 39.95 $19.98
|
||
Kangaroo $ 49.95 $24.98
|
||
ShoeBox $ 59.95 $29.98
|
||
Spectrum $129.95 $64.98
|
||
Super Menu Pack $ 29.95 $14.98
|
||
SuperConvert $ 39.95 $19.98
|
||
The Manager $ 69.95 $34.98
|
||
TransProg III $ 39.95 $19.98
|
||
|
||
The shipping cost is $3.50 anywhere in the U.S.. Shipping elsewhere
|
||
is actual 1st class shipping, a minimum of $3.50.
|
||
|
||
This is _NOT_ a "close-out" sale! These prices are the standard
|
||
discounts we give to mail order houses; we're just passing the savings on
|
||
direct to our customers for this holiday sale!
|
||
|
||
If you want a brief description of each of those products, just send
|
||
e-mail to SEVENHILLS and ask! :)
|
||
|
||
Thanks,
|
||
--Dave
|
||
(SEVENHILLS, CAT43, TOP2, MSG:105/M645;1)
|
||
|
||
|
||
>>> THROUGH THE GRAPEVINE <<<
|
||
"""""""""""""""""""""""""""""
|
||
|
||
WOLFENSTEIN 3-D FOR IIGS? On the FutureNet there is a rumor that Wolf3D
|
||
""""""""""""""""""""""""" is about to be released for the IIgs, the rumor
|
||
say that it's Vitesse that will distribute it? what else do we know.....:)
|
||
|
||
Jonte
|
||
(JONTE.R, CAT6, TOP3, MSG:52/M645;1)
|
||
|
||
>>>>> Well, the Wolfenstein 3D that is in the Mac library looks like it
|
||
""""" was done for Interplay by BurgerBill. In fact, one of the "cheat"
|
||
code words included in the game happens to be "APPLEIIGS" (this is a
|
||
command that you type while the game is running, to activate a cheat).
|
||
|
||
Have to say, however, that having seen Wolf 3D on a PC, and Wolf on
|
||
the Mac, that the original version on the PC is better. The sound effects
|
||
on the Mac are not bad, however, but the graphics are just not as good.
|
||
|
||
Steve Weyhrich <IX0YE>--<
|
||
(S.WEYHRICH, CAT6, TOP3, MSG:59/M645;1)
|
||
|
||
>>>>> For what it's worth, I received a flyer from Vitesse today
|
||
""""" advertising a number of things, one of which is Wolfenstein 3-D.
|
||
complete with 90 levels. They had it priced at $39.95, and recommended an
|
||
accelerator. So I guess Wolfenstein 3-D has indeed made it to the IIGS.
|
||
Cool. :)
|
||
(KMCCANN, CAT6, TOP3, MSG:70/M645;1)
|
||
|
||
>>>>> Yes. $39.95 through December 31, then $49.95
|
||
"""""
|
||
(K.LUCKE, CAT40, TOP7, MSG:232/M645;1)
|
||
|
||
|
||
|
||
ANIMASIA 3-D ANIMATION > I haven't gotten my issue of GS+ yet, but I
|
||
"""""""""""""""""""""" > assume that this means that you're ready to
|
||
> release Animasia3D. Great! (If I'm assuming right) :)
|
||
|
||
You're assuming right, but not right now :) December 10th is THE
|
||
date.
|
||
|
||
Michael
|
||
(ANIMASIA, CAT33, TOP2, MSG:349/M645;1)
|
||
|
||
|
||
SOUNDMEISTER STATUS I never in _any_ dream, not just my wildes't ones,
|
||
""""""""""""""""""" ever imagined it would take this long to get this
|
||
card 'done'.
|
||
|
||
Yes, the connector problem has been solved, cables are being built
|
||
and cards are shipping, some people who ordered very recently got cards
|
||
because they ordered other things as well, and we don't like to ship
|
||
partial orders unless we really need to. For the most part, back orders are
|
||
being filled on a date taken basis, those that had checks/money orders
|
||
(payment attached) have been processed first due to time limits on some
|
||
checks/money orders and then those that have payment info on the order
|
||
sheet allready, (credit card info or school PO present).
|
||
|
||
Overall, I'm very pleased with the outcome, I strongly recommend
|
||
using a good pair of non-amplified bookshelf speakers or other type cabinet
|
||
speakers and letting the onboard amp do the work. The output is much nicer.
|
||
If your going to hook the card into an audio system, it has a true line
|
||
level out signal.
|
||
|
||
Due to noise present in some GS systems, particulary ROM 01 boards,
|
||
it gets amplified by the speakers if you use powered speakers.
|
||
|
||
The SoundMeister comes with Digital Session 1.0, which is a 'release'
|
||
version of the last version that Econ shipped with the card, no new
|
||
features have been added, all known (reported) bugs have been fixed, with
|
||
one exception: Neither Econ or I was able to recreate a bug reported by a
|
||
user when editing large files on the disk instead of using available RAM
|
||
only. We belive it was related to that users particular system setup with
|
||
reference to installed inits, etc..
|
||
|
||
The price of the card is $69.00 and $84.95 with a small set of
|
||
speakers. Allthough the speakers we supply are the powered type, I
|
||
recommend connecting them to the amplified output and using them that way.
|
||
They have been tested that way, and work 100%. In addition, there are
|
||
volume controls located on the speakers and they are functional in this
|
||
configuration.
|
||
|
||
An additional note: SoniqTracker v.63 has a built in volume control
|
||
from the player. It supports the SoundMeister card. You can digitize with
|
||
software other than Digital Session, such as AudioZap or the SuperSonic
|
||
digitizer application program as well. SoundShop (shipped w/HyperStudio)
|
||
should work as well, allthough I have not tried it. The SoundMeister will
|
||
work in conjunction with the HyperStudio slotless digitizer card.
|
||
|
||
Tony
|
||
(T.DIAZ, CAT46, TOP7, MSG:135/M645;1)
|
||
|
||
|
||
TIMEWORKS SOFTWARE LOST I had to call NEBS today and while I had him on
|
||
""""""""""""""""""""""" the phone I asked about the Apple II software
|
||
they used to sell. Idea being to see if they would release it as
|
||
copyrighted freeware. Pretty good simple accounting software that supports
|
||
their forms. Seems that that division of the company was sold and took the
|
||
software with them. No idea where they are now. So. it may not have been
|
||
exactly a classic, but it is for sure lost.
|
||
|
||
No Joy.... VACC Dave
|
||
(VACC.DAVE, CAT7, TOP6, MSG:173/M645;1)
|
||
|
||
|
||
YOUR MONEY MATTERS UPDATE LIST I decided if I was going to wait to get
|
||
"""""""""""""""""""""""""""""" all the changes I wanted into the beta
|
||
test version before releasing it, it might never get done. So I have put
|
||
together an almost complete beta version for testing. If you are a
|
||
registered user send me email with your address and I will send you out a
|
||
copy. The following is a list of things included and in progress with this
|
||
version.
|
||
|
||
Steve
|
||
|
||
YMM Beta Change List
|
||
|
||
Known Bugs Fields on the Continuous Checks without Voucher need to be
|
||
'''''''''' moved.
|
||
|
||
There are no 'Window Options' at this point (and may not be).
|
||
|
||
Selecting Records Thermometer for Transaction Report and possible
|
||
other windows/reports is not showing up? Makes it appear that the program
|
||
is locked up.
|
||
|
||
Account window form layouts and maybe other form (verses normal list
|
||
format) have shifted down and shading is overlaying some of the lines.
|
||
|
||
Change font and cancel change font selects a bogus tiny/tiny font.
|
||
|
||
Other Planned changes for this release Change the accumulation in the
|
||
'''''''''''''''''''''''''''''''''''''' reports, so that an increase in a
|
||
liability type base account will show up as a descrease and via-versa. The
|
||
down side of this change is if you are reporting by base account, subtotals
|
||
for liability type base accounts will show a subtotal for charges as
|
||
decreases and for credits as increases (which is what they do to your
|
||
networth but not to the base account). Plus it is not what Credit and
|
||
Charge say they do in the Transaction Type window.
|
||
|
||
Add ability to set beginning and ending month for Account Report.
|
||
|
||
Add Annual Total to the Account Monthly report (it currently prints
|
||
only Jan to Dec).
|
||
|
||
Change Report Margins.
|
||
|
||
Add logic to support Epson printers better with text output.
|
||
|
||
Changes Allow you to double click on a datafile name and have it
|
||
''''''' automatically start up YMM.
|
||
|
||
Recognize and act on repeat mouse hold down actions.
|
||
|
||
Allow you to change the font for reports and windows
|
||
|
||
Changed the Acct List to include Beginning Balance
|
||
|
||
Fix Bug with New File and Start with No Accounts
|
||
|
||
Fix Bug with OA-Valid and extended file
|
||
|
||
Fix Bug with non-Calander Fiscal Year
|
||
|
||
Made sure that ValidFileTotals corrects problems with non-January
|
||
Fiscal starting month.
|
||
|
||
Automatically update data file to next version and automatically
|
||
invoke the Validate logic the first time the file is opened and updated to
|
||
this version.
|
||
|
||
Changed the keys for doing YMM Valid from Option-OpenApple-C to
|
||
OpenApple-Shift-Control-C. Same goes for 'O' (toggle output), 'G' toggle
|
||
super hires graphics, 'T' toggle trace, and ' ' (toggle pause).
|
||
|
||
Ask whether a transaction is to be added at the end of a split or to
|
||
start a new transaction.
|
||
|
||
Changed the account monthly window so you can change the Cleared
|
||
Balance but not the Actual Balance
|
||
|
||
No longer Able to Select All if Split Unbalanced
|
||
|
||
Add Menu Dialog to Allow input of Dollar Sign or other monetary
|
||
symbol.
|
||
|
||
Also, change the size of report headers to be based upon the size of
|
||
the large fontid size.
|
||
|
||
Changed program to allow you to toggle split transactions on and off
|
||
in the reports, just like the transaction window.
|
||
|
||
Note: If you want to print a list of transaction by distribution
|
||
account and you want split transactions to be included you can sort and
|
||
subtotal on distribution account and then select distribution account not
|
||
equal Split. This will cause all of the split transaction to sort and be
|
||
displayed along with the other non split transactions by distribution
|
||
account.
|
||
|
||
Fixed automatic input of remaining split amount. Before if you
|
||
blanked out an existing amount it often times didn't split the amount
|
||
correctly.
|
||
|
||
Fixed quit insert with unbalanced split amount. Before, it was
|
||
possible for the program to miscalculate the split amount and if so you
|
||
could quit inserting a split transaction with an unbalanced split amount.
|
||
|
||
Now, I allow them to paste calculator results when entering a split
|
||
transaction.
|
||
|
||
Changed ValidFileTotals so that it is executed when a new version of
|
||
the YMM datafile is created and the changes are automatically saved.
|
||
|
||
Changed ValidFileTotals so that it displays messages as it is
|
||
checking the file.
|
||
|
||
Fixed problem with quitting insert with just one record causing the
|
||
record to not get deleted.
|
||
|
||
Fixed problem with a deleted account (number 3) getting used even
|
||
after it was deleted as the default base account.
|
||
|
||
Fixed Invest text report, seems to be printing the account name twice?
|
||
|
||
Fixed bug which could cause two different memo and/or payee fields to
|
||
overlay each other. Was due to SaveAs compressing out and deleteing a
|
||
memo/payee that was still in use.
|
||
|
||
Save As will lose investment information unless that file has been
|
||
accesed by opening an investment window. Fixed SaveAs lossing Investment
|
||
information
|
||
|
||
Fixed so that you can change account type for the third account.
|
||
|
||
Changed the logic for checking the number of split transactions to
|
||
hopefully stop the occasional but not reproductable loop when adding the
|
||
first transaction.
|
||
(S.PETERSON2, CAT8, TOP11, MSG:230/M645;1)
|
||
|
||
SOUNDMEISTER _PRO_ At this point, it's still up in the air, but there are
|
||
"""""""""""""""""" two parts to it that alarm me: 1) The cost of the
|
||
blank PCB itself, to get it down to a livable level, I would have to make
|
||
250 + boards. The additional parts, it uses all the parts that the original
|
||
card uses plus 8 additional IC's, which alone cost $30 more. We would have
|
||
to buy in lots of 300 to get that additional price down to $20 or so.
|
||
|
||
I have not to date, built a SMP board. I have the remains of the last
|
||
working prototype. In this form, it requires a standard SM board to be
|
||
present and connected to it. (Which in itself, is NOT a bad idea, IMHO) but
|
||
not everything functions the way it should that way, and it would still
|
||
require almost 2/3rds of what the original one does, so there is no sense
|
||
in building them as an addon. I have the 'finished' board schematic/flow
|
||
chart/theory of operation. So, at this point, technicaly this is an un-
|
||
finished product, it exhists in 'test proving/theory' form hardware only
|
||
and paper only. As a company, we can not invest any more time into it,
|
||
however, on my own time, it's something I'm going to to try to get
|
||
finished. The schematic needs to verified and entered into a capture
|
||
program so that a netlist can be made and a PCB layed out. That is no
|
||
simple task, infact, it takes many many many hours, and other such time
|
||
spent staring at a monitor. I really shouldn't even be saying too much,
|
||
but...
|
||
|
||
It is my goal to get one built, to determine feasability, at best and
|
||
see how well it really can work. I have NO software for it other than what
|
||
DigitalSession supports, (no direct to disk digitizing) so I can not
|
||
promise anything in that dept. What I can say for the most part of it now
|
||
is, _IF_ any type of SMP board ever sees the light of 'market', it will be
|
||
a limited production, more than likly, in a kit form where you would be on
|
||
your own as to getting some of the IC's. One reason for this is 'freedom of
|
||
choice' (Sorry, 7-11), as I see the current design, it appears to be vrey
|
||
flexible in what size buffered FiFo you can use, as well as the A/D
|
||
converter chips. It requires two of each, one for left/right channels.
|
||
|
||
I must also state at this time, the SMP was not part of the deal with
|
||
the standard SM board. My dealings with the SMP have nothing what so ever
|
||
to do with AEC and I can not spend company time dealing with it as such.
|
||
Like I said, I have every bit of an intention of somehow trying to make
|
||
something happen, and only then, when something is 100% ready to go, can I
|
||
deal with it as AEC. As it currently stands, I have been spending some time
|
||
going over the materials I have, I am very excited about what I have seen,
|
||
yes, it's too bad ECON didn't bring it to market, but I too, have realized,
|
||
it's still too far from being done to even think about it. There is atleast
|
||
a month of fulltime days worth of work to be done. Something I don't have,
|
||
and can't even begin to see time being available during the day to do, with
|
||
all that goes on during a normal day (abnormal for most others) here. We
|
||
are still working on some other Apple II products, and I'm still building
|
||
SoundMeister cards every day, as I have been for the past month.
|
||
|
||
...and I've also got this BBS program to work on. at home. :) Not
|
||
that I am complaining... the Apple II is fun! ...and I want a SMP board to
|
||
add to my collection of other stuff that 'doesn't exhist' in my collection
|
||
that could be called _the_ Smithsonian of Apple II, and /// !
|
||
|
||
BTW: Anyone want to give a shot at an AAtari 2600 emulator for the
|
||
GS?? Just think of all the classic gaming fun that could be had!!!
|
||
(T.DIAZ, CAT46, TOP7, MSG:148/M645;1)
|
||
|
||
|
||
TOOLBOX REFERENCES TO BE REPRINTED? I'll check with Apple. I'm trying to
|
||
""""""""""""""""""""""""""""""""""" get permission to reprint TBR at the
|
||
moment, too.
|
||
|
||
Mike Westerfield
|
||
(BYTEWORKS, CAT45, TOP3, MSG:359/M645;1)
|
||
|
||
|
||
>>> MESSAGE SPOTLIGHT <<<
|
||
"""""""""""""""""""""""""
|
||
|
||
Category 2, Topic 5
|
||
Message 379 Fri Nov 25, 1994
|
||
M.HACKETT [Michael] at 04:23 EST
|
||
|
||
Mark and Ron echo my feelings pretty closely. I am not pleased with
|
||
Apple's practices or their support (up here in Canada, anyway) these days
|
||
and I had decided that I would not buy any more Apple products new; only
|
||
used, if at all. So when I started to feel the desire for a portable
|
||
machine, I got stuck in a bit of an ethical delimma. I would not buy an
|
||
Intel-based system, and there is no portable Apple II solution. I started
|
||
looking for used PowerBooks, but eventually ended up getting a new PB Duo
|
||
from a shop in Toronto, because it was a closeout and the price was better
|
||
than any of the used prices I had seen.
|
||
|
||
My philosophy now is that I hope to get into programming on the Mac
|
||
and work with a friend of mine who likes PCs, and hopefully broaden my
|
||
market for my future software products, thereby allowing me to continue to
|
||
develop for the machine I prefer, even though it is not the most profitable
|
||
thing to do. In effect, I'll be _using_ the Mac and Windows users to
|
||
finance my Apple II projects! :-)
|
||
|
||
[*][*][*]
|
||
|
||
|
||
While on GEnie, do you spend most of your time downloading files?
|
||
If so, you may be missing out some excellent information in the Bulletin
|
||
Board area. The messages listed above only scratch the surface of
|
||
what's available and waiting for you in the bulletin board area.
|
||
|
||
If you are serious about your Apple II, the GEnieLamp staff strongly
|
||
urge you to give the bulletin board area a try. There are literally
|
||
thousands of messages posted from people like you from all over the
|
||
world.
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUM]//////////////////////////////
|
||
HUMOR ONLINE /
|
||
/////////////////////////////////
|
||
Fun & Games On GEnie
|
||
""""""""""""""""""""
|
||
|
||
|
||
>>> OUR FAVORITE TEN LIGHT BULB JOKES <<<
|
||
"""""""""""""""""""""""""""""""""""""""""
|
||
|
||
Q: How many folk singers does it take to change a light bulb?
|
||
A: Two. One to change the bulb, and one to write a song about how
|
||
good the old bulb was.
|
||
|
||
Q: How many surrealists does it take to change a light bulb?
|
||
A: Two. One to hold the giraffe, and the other to fill the bathtub
|
||
with brightly colored power tools.
|
||
|
||
Q: How many lawyers does it take to change a light bulb?
|
||
A: How many can you afford?
|
||
|
||
Q: How many Christians does it take to change a light bulb?
|
||
A: Three, but they're really one.
|
||
|
||
Q: How many "Jewish mothers" does it take to change a light bulb?
|
||
A: None. ("That's all right...I'll just sit here in the dark...")
|
||
|
||
Q: How many brewers does it take to change a light bulb?
|
||
A: One-third less than for a regular bulb.
|
||
|
||
Q: How many accountants does it take to change a light bulb?
|
||
A: What kind of answer did you have in mind?
|
||
|
||
Q: How many mystery writers does it take to change a light bulb?
|
||
A: Two. One to screw it in almost all the way, and the other to
|
||
give it a surprising twist at the end.
|
||
|
||
Q: How many Zen masters does it take to change a light bulb?
|
||
A: A tree in a golden forest.
|
||
|
||
Q: How many junkies does it take to change a light bulb?
|
||
A: Who says it's dark?
|
||
|
||
|
||
|
||
[EOA]
|
||
[REF]//////////////////////////////
|
||
REFLECTIONS /
|
||
/////////////////////////////////
|
||
Thinking About Online Communications
|
||
""""""""""""""""""""""""""""""""""""
|
||
by Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
|
||
>>> SOME THOUGHTS ABOUT ONLINE MENTORING <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
Last month a high school student casually asked me a question dealing
|
||
with genetics. I'm no genetics expert, but I can pass myself off well to
|
||
someone who is just beginning to learn genetics. (If you mumble things
|
||
about DNA, RNA, and recessive genes you can pretty much answer any
|
||
introductory question in genetics.)
|
||
|
||
Having answered this person's question, I mentally patted myself on
|
||
the back. As I was leaving the room I yelled back to the student, "If you
|
||
have any other genetics questions, send them on to me via E-mail. If I
|
||
can't answer them myself, I'll forward them to my colleague Watson."
|
||
|
||
While this last remark was made flippantly, on the spur of the
|
||
moment, later I came to reflect upon what I said. It is indeed possible to
|
||
send E-mail to James Watson, one of the co-discoverers of DNA. Watson is
|
||
the current director of the Human Genome Project, working at the National
|
||
Institutes of Heath. (You can probably reach him at jwatson@nih.gov, or
|
||
somesuch, if your kid needs a little help before his next biology quiz.)
|
||
|
||
Imagine if Watson, in a moment of gleeful exuberance, decided to
|
||
invite high school students with interesting genetics questions to send him
|
||
e-mail.
|
||
|
||
Watson, himself, wouldn't have to answer all the questions. He'd get
|
||
some first-year lab assistant to churn out pleasant sounding answers to the
|
||
majority of incoming questions. But that same lab assistant could flag
|
||
down the most interesting sounding questions, which could then be forwarded
|
||
directly to Watson's mailbox.
|
||
|
||
The result? A humble high school biology student could have the
|
||
possibility of having his or her genetics question answered by the
|
||
co-discoverer of DNA.
|
||
|
||
Here's another scenario. How about if there were some junior high
|
||
school student who had a passionate interest in astrophysics? In this day
|
||
of electronic communication the possibility remains open that a junior high
|
||
school student could test his or her ideas against the best of them. If
|
||
his or her question were indeed probing, an E-mail response might arrive
|
||
from Sir Stephen Hawking.
|
||
|
||
Just as exhilarating as it is for youngsters to be able to easily ask
|
||
questions of professionals in a particular field, so to is the satisfaction
|
||
that results when professionals are able to provide answers to young
|
||
inquiring minds. The E-mail dialogue doesn't have to occur with a famous
|
||
scientist for the exchange to be meaningful.
|
||
|
||
Truth is, many professionals would welcome the opportunity to
|
||
converse online with youngsters interested in their field. If you're an
|
||
adult working long hours at your desk, it can be a welcome relief to spend
|
||
a minute or two answering the question posed by an 8th grader in
|
||
Woodbridge, Virginia--or the query from a high school student in Parker,
|
||
Colorado.
|
||
|
||
Every working adult in this country has the newfound capability of
|
||
being an online mentor. As a volunteer activity, the mentor can devote as
|
||
much or as little time as he or she pleases. Given the emotional rewards
|
||
of being able to interact with a growing mind, chances are that mentors
|
||
would allocate just a bit more time than they really should to online
|
||
mentoring activities.
|
||
|
||
The above examples all cited mentoring possibilities in the sciences,
|
||
but the possibilities for online mentoring in the arts are equally
|
||
tantalizing. Imagine the thrill of an aspiring violist in receiving e-mail
|
||
from one of the world's virtuoso violin players. Or an aspiring fine
|
||
artist receiving feedback on his or her art from someone known
|
||
internationally for their creative work. Or an aspiring writer receiving
|
||
writing pointers from someone who spent a few months on the New York Times
|
||
bestseller's list.
|
||
|
||
When two minds communicate, the result can be magic. After all, the
|
||
most fertile field for any mind to grow in is a field of other minds.
|
||
|
||
--Phil Shapiro
|
||
|
||
[*][*][*]
|
||
|
||
|
||
The author takes a keen interest in the social and psychological
|
||
dimensions of online communications. He can be reached on the
|
||
information superhighway at: p.shapiro1@genie.geis.com; and
|
||
pshapiro@aol.com.
|
||
|
||
|
||
|
||
[EOA]
|
||
[ASA]//////////////////////////////
|
||
ASCII ART GALLERY /
|
||
/////////////////////////////////
|
||
Holiday Art
|
||
"""""""""""
|
||
by Susie Oviatt
|
||
[SUSIE]
|
||
|
||
|
||
|
||
ASCII ART BEGINS
|
||
...,,,,..
|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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||
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|
||
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||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
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|
||
`%,;;;;;;;;;;;;;;;;;; `;;;;;;;;;;;;;;;;;;;'
|
||
`%;;;;;;;;;;;;;;;;;' `;;;;;;;;;;;;;;;'
|
||
`;;;;;;;;;;;;;;' '''''''''''
|
||
''''''''
|
||
|
||
|
||
,
|
||
.a,
|
||
.a@a,
|
||
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|
||
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|
||
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|
||
a@@@a a@@@a a@@@a a@@@a || a@@@a a@@@a a@@@a a@@@a
|
||
a@@a' a@@a' a@@a' a@@a' vmmv a@@a' a@@a' a@@a' a@@a'
|
||
`aa' `aa' `aa' `aa' vmmv `aa' `aa' `aa' `aa'
|
||
|| || || || vmmv || || || ||
|
||
vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv _vmmv_ vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv (____) vmmv vmmv vmmv vmmv
|
||
vmmv vmmv vmmv vmmv ;%%; vmmv vmmv vmmv vmmv
|
||
_vmmv_ _vmmv_ _vmmv_ _vmmv_ ;%%; _vmmv_ _vmmv_ _vmmv_ _vmmv_
|
||
(____) (____) (____) (____) ;%%; (____) (____) (____) (____)
|
||
;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%;
|
||
;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%; ;%%;
|
||
;%%;. ;%%;. ;%%;. ;%%;. ;%%; .;%%; .;%%; .;%%; ;%%;
|
||
`;%%;. `;%%;. `;%%;. `;%%; ;%%; ;%%;' .;%%;' .;%%;' ;%%;'
|
||
`;%%;. `;%%;. `;%%;. ;%%;. ;%%; .;%%; .;%%;' .;%%;' ,;%%;'
|
||
`;%%;. `;%%;.`;%%;.`;%%; ;%%; ;%%;'.;%%;'.;%%;' ,;%%;'
|
||
`;%%;,,;%%;;,;%%;,;%%;,;%%;,;%%;,;%%;,;;%%;,,;%%;'
|
||
`;%%;;;;%;;;;;%;;;;%;;%%;;%;;;;%;;;;;%;;;;;%%'
|
||
```;;%%%%%%;;;;;;;;;;;;;;;;;;%%%%%%;;'''
|
||
```;;%%%%;;;;;;;;;;;;%%%%;;'''
|
||
```;%%;;;;;;;;%%;'''
|
||
``;;;;;;''
|
||
;;;;;;
|
||
;;;;;;
|
||
.,;;;;;;,.
|
||
,;%;;;;;;;;;;;;;;%;,
|
||
.,;%%;;;;;;;;;;;;;;;%%%;,.
|
||
.,;;;%%%%;;;;;;;;;;;;;;;;;;;;%%%%;;;,.
|
||
|
||
,;;, ,;'
|
||
;; ;;
|
||
;;;;; .;;,; ';,;;,';,;;, ;, ;,
|
||
;; ;; ; ;; ;; ; ;; ; ;; ;;
|
||
,;;' `;, `;;';,' ;;'' ;;'' `;;;;
|
||
;; ;; ;;
|
||
,;' ,;' ,;'
|
||
|
||
,;;, ,;' ;,
|
||
;; ;; ;; .
|
||
;;;;; .;;,; ,;;,;;, ;; ;; ;;.;' .;;,;
|
||
;; ;; ; ;; ;; ;; ;; ;; ;;';. ; ;;
|
||
,;;' `;, `;;';,' ;; ;; `;;';,' ;; `;, `;;';,'
|
||
ASCII ART ENDS
|
||
|
||
[FOR VISUALLY IMPAIRED READERS: The above ASCII art consisted of two
|
||
pictures: a teddy bear, holding a candy cane and wearing a Santa Claus
|
||
hat; and a Menorah, followed by the words "Happy Hanuka."]
|
||
|
||
|
||
|
||
[EOA]
|
||
[BKR]//////////////////////////////
|
||
BOOK REVIEW /
|
||
/////////////////////////////////
|
||
The Internet Business Guide: Riding the Information Superhighway to Profit
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
by Rosalind Resnick and Dave Taylor
|
||
|
||
review by Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
Publication Info
|
||
""""""""""""""""
|
||
|
||
SAMS Publishing
|
||
201 W. 103rd. St.
|
||
Indianapolis, IN 46290
|
||
1-800-428-5331
|
||
|
||
418 pages, softcover
|
||
Price: $25
|
||
|
||
ISBN: 0-672-30530-5
|
||
|
||
The Authors This book is a winner. It sets out to accomplish ambitious
|
||
""""""""""" goals and hits its target in chapter after chapter.
|
||
|
||
Co-authored by two veteran technology reporters, The Internet
|
||
Business Guide reads like a Michelin travel guidebook. It takes you by the
|
||
hand to enchanted lands and shows you that the local customs are not that
|
||
bewildering after all.
|
||
|
||
Who are the authors of the book? Rosalind Resnick is a former Miami
|
||
Herald business reporter, who has written for The New York Times, Forbes,
|
||
Nation's Business, and Internet World. She currently writes a syndicated
|
||
newspaper column, CyberBiz, addressing the very subject of this book:
|
||
doing business in cyberspace.
|
||
|
||
Providing a counterpoint to Resnick's "business suit" point of view
|
||
is counter-culture journalist Dave Taylor, who enjoys cooking gourmet
|
||
vegetarian food and has a child named "Karma." Taylor himself is no slouch
|
||
when it comes to writing, having published 500 articles and two other
|
||
computer books in the past few years.
|
||
|
||
The Contents of the Book What does this book exactly cover? Here is a
|
||
"""""""""""""""""""""""" listing of the chapter titles:
|
||
|
||
|
||
1. Putting the Internet to Work for You
|
||
2. Getting Connected: Your Ticket to Ride
|
||
3. Risks and Realities
|
||
4. Doing Business on the Internet
|
||
5. Marketing Do's and Don'ts
|
||
6. The Electronic Schmooze
|
||
7. Dialing for Data
|
||
8. Connecting the World with Internet E-mail
|
||
9. Customer Support
|
||
10. The Virtual Corporation
|
||
11. Internet Cybermalls
|
||
12. The Commercial Online Services
|
||
13. The Future of Internet Business
|
||
Appendix A: Internet On-Ramps
|
||
Appendix B: How to Start Your Own Usenet Newsgroup
|
||
Appendix C: The World According to the Internet
|
||
Appendix D: Working with the World Wide Web: Tips and Tools
|
||
Appendix E: The Full Scoop on Gopher
|
||
|
||
|
||
Restrained Hype When covering a subject such as business possibilities on
|
||
""""""""""""""" the Internet, there is a temptation for books to hype the
|
||
possibilities of everything and anything. While you'll find the occasional
|
||
hyped comment in this book, for the most part the authors exercise
|
||
commendable restraint. (And Resnick and Taylor keep exclamation marks to a
|
||
merciful minimum. Perhaps they had advance notice of the Congressional
|
||
bill proposing to place heavy taxes on the use of exclamation marks in
|
||
books about the Internet.)
|
||
|
||
After all, people do not read a business guide to the Internet to
|
||
help them make up their minds about whether business possibilities exist on
|
||
the Internet. They read such books to unearth practical information about
|
||
how such business possibilities can be developed and implemented.
|
||
|
||
The Blessings of Electronic Mail You hear so much hype about the
|
||
"""""""""""""""""""""""""""""""" multimedia possibilities for the
|
||
Internet that you might well forget how gosh-darn useful regular old E-mail
|
||
can be. E-mail is sure to remain one of the most useful of all business
|
||
tools. The authors of this guidebook reiterate this point when they say:
|
||
"Much of the traffic on the Internet is electronic mail. Indeed, it's been
|
||
estimated that well over 4000 messages are sent each second of the day on
|
||
the Internet. Being able to send messages in seconds to a user anywhere in
|
||
the world is probably the single most important reason so many companies
|
||
find the Internet so appealing." (p. xxv)
|
||
|
||
And bucking the trend to wax poetic about the capabilities of Mosaic,
|
||
Resnick and Taylor tell it like it is: "Graphical browsers such as Mosaic
|
||
can be difficult to install, and as Rosalind knows from her experience in
|
||
accessing Mosaic through a 486 PC and a 14,400 bps modem, the program can
|
||
be as slow as molasses when retrieving large amounts of graphics." (p. 115)
|
||
|
||
Bravo. Score one for candor and honesty. Mosaic has great potential
|
||
down the line, to be sure. But 1994 will not be the year it becomes widely
|
||
used.
|
||
|
||
E-mail Technical Support Computer manufacturers and software publishers
|
||
"""""""""""""""""""""""" have frequently been the first businesses to put
|
||
the Internet to use. In the chapter titled "Customer Support," the authors
|
||
cite the example of Sun Microsystems' overwhelmingly successful online
|
||
support project: "In August, 1993, Sun Microsystems, a Mountain View,
|
||
California, workstation manufacturer, launched a program called SunSolve to
|
||
answer its customers' technical questions through Internet e-mail.... In
|
||
the year since SunSolve was introduced, use of the toll-free telephone
|
||
support line has dropped by 90 percent, and the company has cut support
|
||
costs by $1,000,000 a year." (p. 234)
|
||
|
||
Don't you love it? The Internet has helped Sun slice toll-free phone
|
||
costs by 90 percent. That's a sizable savings by any measure. And the
|
||
saved money can go directly into providing improved online technical
|
||
support (or to otherwise provide better value/dollar to customers).
|
||
|
||
There's a small company in Cupertino that would do well to take note
|
||
of such facts. Apple Computer apparently receives an average of 11,000
|
||
phone toll-free phone calls per day to their 1-800-SOS-APPLE phone line.
|
||
Apple refuses to disclose how many persons it employs to answer these phone
|
||
calls, but you can make an educated estimate that at least 100 persons are
|
||
employed at Apple's Austin, Texas facility.
|
||
|
||
(Here are my rough calculations: 11,000 calls times 5 minutes per
|
||
call is 55,000 minutes. 55,000 minutes is the same as 916 hours. Divide
|
||
916 hours by an 8 hour work day and you get 115 technical support workers.)
|
||
|
||
If Apple were to set up a free Internet e-mail tech support service,
|
||
they might be able to slice their toll-free bills in a major way as well.
|
||
Apple is hoping that their new online service, eWorld, will serve this
|
||
function. But with fewer than 30,000 subscribers, eWorld might be more
|
||
accurately described as eGhosttown (or eEerie).
|
||
|
||
Marketing Do's and Don'ts When you breach the rules of business etiquette
|
||
""""""""""""""""""""""""" in the real world, you risk temporarily losing
|
||
a few customers. On the other hand, when you breach the rules of business
|
||
etiquette on the Internet, you risk alienating 20 million persons. In the
|
||
chapter titled "Marketing Do's and Don'ts," Resnick and Taylor explain how
|
||
to not put your foot in your mouth at 14,400 bps: "On the Internet, the
|
||
traditional rules of sales and marketing are turned upside down. Not only
|
||
does junk mail fall on deaf ears on the global network, but it often drives
|
||
away customers it was meant to attract. Slick ad copy with little or no
|
||
informational content just doesn't fly..." Actually, in this day and age
|
||
slick ad copy can alienate in hardcopy form as well as in electronic form.
|
||
The rules of business etiquette are changing for the better -- both online
|
||
and offline.
|
||
|
||
FAQs: The Answers to Most of Your Questions The concept of the
|
||
"""""""""""""""""""""""""""""""""""""""""""" frequently asked question
|
||
had its birth in the technical fields of the computer world. But the
|
||
concept has grabbed hold in areas far astray from hardware and software.
|
||
The whole idea behind FAQs is to anticipate commonly asked questions so as
|
||
to provide quick and useful responses. The nifty thing about FAQs is that
|
||
they save work for everyone, allowing a company's technical support staff
|
||
to concentrate their time on answering the most difficult, uncommon
|
||
questions.
|
||
|
||
The authors of this book suggest that one of the best ways of making
|
||
use of FAQ's in a business setting is to set up a "mail reflector" that
|
||
automatically sends out your company's FAQ text file to anyone who
|
||
requestions it via e-mail. The person inquiring about your company's
|
||
products or services can obtain detailed information about your company's
|
||
products or services for the slight effort of sending an empty e-mail
|
||
message. (How much effort is required to send an empty Internet e-mail
|
||
message? About five seconds of your time. If you're a slower typist,
|
||
maybe ten.)
|
||
|
||
From the consumer's point of view, mail reflectors are like instant
|
||
karma.
|
||
|
||
The book then goes on to describe the benefits for companies
|
||
specifically in the computer hardware or software business to set up a
|
||
company FTP site. Doing so provides an easy way to distribute upgrades for
|
||
application and system software. Larger companies also benefit from the
|
||
USENET newsgroups that are set up for people to share ideas about the
|
||
company's products.
|
||
|
||
Tread Softly and Carry a Fast Modem A recurring theme in this guidebook
|
||
""""""""""""""""""""""""""""""""""" is that businesses who seek to create
|
||
a presence on the Internet would be well advised to tread softly: "The
|
||
Internet is no different from any other community, and those companies that
|
||
'go native' by brushing up on the network's culture and mores will gain a
|
||
competitive advantage in the electronic marketplace. Taking time to learn
|
||
about the Internet now can pay big dividends in the future. If the current
|
||
growth rate is sustained, more than 50,000,000 people will be accessible
|
||
through the Internet by the turn of the century."
|
||
|
||
It's refreshing to see this enlightened point of view expressed so
|
||
well. Sensible businesses on the Internet would do well to heed this
|
||
advice.
|
||
|
||
Conclusion All in all, The Internet Business Guide delivers commendably
|
||
"""""""""" on its promise. Businesses interested in galloping onto the
|
||
Internet might do well to lay down their reins briefly to read this book.
|
||
A comprehensive guide of this sort ought to appeal to the general reading
|
||
population, as well.
|
||
|
||
--Phil Shapiro
|
||
|
||
[*][*][*]
|
||
|
||
|
||
The author works as a freelance writer and educational computing
|
||
consultant. He can be reached on GEnie at: p.shapiro1; on the
|
||
Internet at: pshapiro@aol.com
|
||
|
||
|
||
|
||
[EOA]
|
||
[HAR]//////////////////////////////
|
||
HARDVIEW A2 /
|
||
/////////////////////////////////
|
||
News from RezTek
|
||
""""""""""""""""
|
||
by RezTek
|
||
[REZTEK]
|
||
|
||
|
||
|
||
>>> THE TURBOREZ PROJECT STILL ALIVE! <<<
|
||
"""""""""""""""""""""""""""""""""""""""""
|
||
|
||
November 8, 1994
|
||
|
||
It would be an understatement to say it's been awhile since there's
|
||
been news from us about the status of the "fabled" TurboRez product. As
|
||
some of you may know, since the previewing of a prototype at the last two
|
||
Apple Expos, we elected to do an entirely new design based on the use of
|
||
custom gate array technology. Even though underestimating project
|
||
completion time seems to be a tradition with computer hardware/software
|
||
development, let's just say that even we've been amazed at the degree of
|
||
difficulty involved here. This project has had an appetite for resources
|
||
(like TIME) that has to be experienced to be appreciated.
|
||
|
||
The current status is that, after more than a year of design and
|
||
simulation of the virtual chips, we've got actual hardware up and running.
|
||
This happened just in the last 5-6 weeks and the debugging process is
|
||
proceeding steadily. So far, the video is looking good and the circuits
|
||
seem stable.
|
||
|
||
Our apologies for not being online with some news sooner. With the
|
||
pre-announcement situations we've created in the past, it seemed prudent to
|
||
wait until there was new hardware actually in operation before making any
|
||
public statement. Normally though, given the incomplete state of the
|
||
project at this point, we probably would have waited awhile longer. The
|
||
announcement of the Second Sight card (by Sequential Systems) has altered
|
||
the marketplace however, hence some earlier information from us.
|
||
|
||
On this note, we'll briefly discuss the two products. Operation in a
|
||
GS with the stock RGB monitor reveals similarities such as 256-color
|
||
pixels, in both 320 and 640 resolution and 400-line interlaced modes. The
|
||
TurboRez card has a Display List CoProcessor and a high-speed blitter,
|
||
while Second Sight has a microprocessor that does blitter emulation. Now,
|
||
what about the particular strengths of the two cards?
|
||
|
||
Comparing The Two The Second Sight card's strongest suite is when it's
|
||
""""""""""""""""" coupled to an external SVGA monitor. Here it offers
|
||
some pretty high resolution, up to 1076 by 768 pixels. Of course, to
|
||
effectively take advantage of this, you'll really need a 17 or 19 inch
|
||
monitor to avoid eyestrain (price a monitor this size next time you're at a
|
||
computer store). Second Sight does not offer overscanning.
|
||
|
||
The TurboRez card will accept an adaptor that allows attaching a VGA
|
||
monitor and sending out a 640 by 480 image, so it appears we come in second
|
||
in the resolution department. TurboRez is capable of doing overscan,
|
||
however (vertical and horizontal, together or separately).
|
||
|
||
Pictures That Move Where TurboRez does shine is in the area of multimedia
|
||
"""""""""""""""""" animation. It's nice to be able to show pictures on
|
||
the GS that have enhanced color and resolution, but what about bringing
|
||
them to life? In other words, making them move and flow. Well, the
|
||
TurboRez card enhances animation on the GS with a host of features. First,
|
||
of course, the high-speed Blitter for drawing shapes and objects to the
|
||
display very quickly. Add to that its Multi-Plane Overlay capability and
|
||
Line Drawing (w/Scaling). Let's talk about those last two.
|
||
|
||
Multi-Plane Overlay Technology The Multi-Plane hardware on the TurboRez
|
||
"""""""""""""""""""""""""""""" card is similar in concept to the
|
||
multi-plane techniques used by commercial film animators. Basically, it
|
||
means having the various elements of the picture, both moving and still, on
|
||
separate "layers". In TurboRez, this means that moving shapes can be
|
||
placed in separate image layers (or planes) and pass over or under each
|
||
other (or in front of or behind foreground/background objects) without
|
||
"interfering" with the other picture elements. In a single-plane video
|
||
card (like Second Sight), an animated scene consisting of stacked shapes
|
||
and objects is very slow and messy to update fast enough to present a
|
||
smoothly flowing image. To alter a shape in the "middle", means not only
|
||
erasing and redrawing that particular shape, but also anything that appears
|
||
above or below it onscreen. To change that one shape requires massive
|
||
amounts of erasing and redrawing even though the neighboring shapes and
|
||
objects are not due to change yet. All of this activity translates to SLOW
|
||
screen updating.
|
||
|
||
TurboRez, with hardware Multi-Plane technology, doesn't suffer from
|
||
these limitations. With separate image planes, the update process is
|
||
confined to just those shapes and objects that need it at the time. This
|
||
means no wasted time redrawing things that don't need it! The result:
|
||
Efficient and FAST animation on your GS (even without a Zip accelerator).
|
||
|
||
Texture Mapping via Line Drawing w/Scaling The other major animation
|
||
"""""""""""""""""""""""""""""""""""""""""" enhancer is the Line Drawing
|
||
w/Scaling hardware. Here we take a common operation like plotting a line
|
||
of pixels and couple it with Scaling logic. Scaling allows magnifying or
|
||
shrinking a bitmapped shape or object as it's being drawn. The scaling
|
||
operation can be done by the plotting software but that approach is never
|
||
as fast doing it thru hardware. By using Scaling along with Line Drawing,
|
||
it's easy to not only alter the drawn size of a source shape but to rotate
|
||
it as well. Similarly, a drawing technique known as Texture Mapping is
|
||
enhanced using the TurboRez hardware.
|
||
|
||
Texture Mapping lets us manipulate a source texture map, which is a
|
||
rectangular, bitmapped image of something, say a picture of woodgrain or
|
||
red brick siding or whatever. The effect is that it's being stretched
|
||
across the face of some 3D object that's in the onscreen image. The
|
||
woodgrain might be applied to the floor of the scene and the bricks to a
|
||
fireplace. Where before there might have been a collection of 3D objects
|
||
with solid-color shaded faces, we would now have objects with realistic
|
||
textures "pasted" onto them.
|
||
|
||
To get a good idea of how effective this technique is, find somebody
|
||
with a 486 PC (50 or 66 mhz) that has the popular program "Doom" and have
|
||
them run it for you. Now, we at RezTek aren't advocating that all games
|
||
should imitate the shoot-em up premise of Doom, but our purpose here is to
|
||
examine the implementation of a realtime, 3D texture mapped universe in
|
||
which the user can move about freely and interact with. The effect is
|
||
quite impressive and realistic. Now imagine something similar running on
|
||
your GS, running at fullscreen size and animating smoothly. How's that
|
||
going to happen? Only with a TurboRez GS card, using its hardware enhanced
|
||
Line Drawing w/Scaling.
|
||
|
||
While we're talking about features, we'll also mention that
|
||
page-flipping is no problem and there's also support for the GS's NTSC
|
||
video port and planned GenLocking support (for instance; the Apple VOC
|
||
card).
|
||
|
||
What, Where, When OK, by now the questions are when and how much. Well,
|
||
""""""""""""""""" we've still got quite a bit of work to do to get this
|
||
ready for production, so don't worry about ordering a TurboRez card just
|
||
yet. There will be more news posted at the first of the new year (here, on
|
||
Genie for sure, and possibly in one or more publications). At that time we
|
||
should have a better handle on release time and pricing, etc.
|
||
|
||
Please understand that we're a dedicated but small company (i.e.
|
||
understaffed and overworked) and that we'll be needing to apply all of our
|
||
energy to completing the TurboRez product. Therefore, for the near future,
|
||
answering the phone will probably have to take a backseat to the production
|
||
effort. If we're slow in replying to E-mail and stuff, just take comfort
|
||
in the thought that it was time diverted to a good cause. Also, thanks in
|
||
advance to folks volunteering for beta test duty but we're doing just fine
|
||
in that regard presently.
|
||
|
||
Thanks for your interest in this product. And stay tuned for more
|
||
news about TurboRez GS, the video card that'll bring powerful and dynamic
|
||
animation to your IIGS! (..and the company bringing it to you, RezTek, of
|
||
course.)
|
||
|
||
Current contact info
|
||
""""""""""""""""""""
|
||
|
||
RezTek
|
||
2301 Cotton Ct
|
||
Santa Rosa, Ca 95401
|
||
707-573-9257
|
||
|
||
Genie: REZTEK
|
||
Internet: RezTek@Genie.Geis.Com
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUN]//////////////////////////////
|
||
THE TREASURE HUNT /
|
||
/////////////////////////////////
|
||
Yours For the Downloading
|
||
"""""""""""""""""""""""""
|
||
by Charlie Hartley
|
||
[C.HARTLEY3]
|
||
|
||
Welcome back to the Treasure Hunt! This month we will take a look at
|
||
Sonobox, a nifty New Desk Accessory (NDA) MOD player created by Tony
|
||
Morales, and several nice MODules for it. Let's get started. :)
|
||
|
||
[*][*][*]
|
||
|
||
|
||
SONOBOX.BXY File #23533 22272 bytes GS NDA Amiga MOD player
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Sonobox 1.0
|
||
Copyright 1994 by Tony Morales, All Rights Reserved
|
||
Freeware
|
||
|
||
Sonobox is an Apple IIgs New Desk Accessory that allows the playing
|
||
of Amiga Music MODules (MODs) from within any desktop application. Sonobox
|
||
features adjustable tempo and volume controls, a play list which can
|
||
contain songs from any number of on-line disk volumes, and the ability to
|
||
play songs in the background while you work. Sonobox primarily recognizes
|
||
songs that comply with the Amiga Protracker MOD standard, though support is
|
||
also provided for Noisetracker/Soundtracker MODs and for 4-track
|
||
Startrekker MODs.
|
||
|
||
Sonobox requires an Apple IIgs running GS/OS 6.0 or later. A hard
|
||
drive and at least 2MB of memory are highly recommended, though are not
|
||
necessary to use the program. To install Sonobox, copy the file "Sonobox"
|
||
from this archive into the Desk.Accs folder inside your System folder and
|
||
restart your computer.
|
||
|
||
To use Sonobox, select it from the Apple menu. When you first
|
||
install Sonobox, its play list will be empty. You may add songs to the
|
||
play list. Doing this makes it easy to play songs regardless of where they
|
||
are stored. Sonobox keeps track of your play list between uses of the
|
||
program by storing a small file in your Desk.Accs folder named
|
||
"Sonobox.Data". Each time you open Sonobox, it tries to load this file.
|
||
|
||
To add a song to the play list, click the "Add" button. You will
|
||
then be presented with a dialog box, asking you to select a song. If the
|
||
"Play Only" checkbox in this dialog is checked when you open a song, rather
|
||
than adding the selected song to the play list, Sonobox will attempt to
|
||
load and play that song.
|
||
|
||
If you do not want a particular song to remain in the play list, you
|
||
may remove it by highlighting it and clicking the "Delete" button.
|
||
|
||
To play a song, double-click on an entry in the play list.
|
||
Alternatively, you may highlight the song and click the "Play" button.
|
||
Note that if you want to play a song from disk without adding it to the
|
||
play list, click the Add button and check the Play Only checkbox. See the
|
||
section on adding songs for more information. To stop the currently
|
||
playing song, click the "Stop" button.
|
||
|
||
When you click on the "Options" button, a dialog box will appear with
|
||
all of the player options Sonobox allows you to modify.
|
||
|
||
Normally, Sonobox uses a default timing rate of 50Hz while it is
|
||
playing MODs. This is due to the fact that most MODs ever created were
|
||
written using trackers which ran at a 50Hz clock rate. However, some MODs
|
||
have been written to run at 60Hz. With older MODs, there was no easy way,
|
||
short of listening to the song, to tell which clock rate the song should be
|
||
played at. Sonobox allows you to select from a default playing speed of
|
||
50Hz, or an increased speed of 60Hz. You may toggle these settings by
|
||
clicking on the appropriate radio button, either "50Hz" or "60Hz".
|
||
|
||
Sonobox normally plays all songs in stereo. You may listen to
|
||
Sonobox's output in mono, if you wish. When the "Stereo" checkbox is
|
||
checked, output is in stereo, otherwise, it is mono.
|
||
|
||
You may select from one of four different volume settings while
|
||
listening to songs with Sonobox. The settings you may select from are
|
||
expressed in percentages of the maximum possible output Sonobox produces.
|
||
The available options are 25%, 50%, 75%, and 100%. Simply click the
|
||
appropriate radio button. The default is 100%.
|
||
|
||
One of Sonobox's most exciting features is its ability to continue to
|
||
play songs, even after you have closed the Sonobox window. This is known
|
||
as background playing. You may turn on background playing by clicking the
|
||
"Yes" radio button next to the "Background playing:" heading. Turn off
|
||
background playing by clicking the "No" radio button.
|
||
|
||
When background playing is on, Sonobox will shut off the player when
|
||
you quit the current application, rather than when you quit Sonobox.
|
||
|
||
I highly recommend that all Apple GS owners get this NDA, especially
|
||
if you enjoy the sound qualities available with the GS.
|
||
|
||
The following MODules are recommended by Tony Morales. I've
|
||
downloaded each of them and listened to them. I like what I hear, but then
|
||
I'm probably not the best judge of good music.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
DRAGONSFUNK.BXY File # 19506 140800 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This is an Amiga Music Module (MOD) file entitled Dragons Funk. It is
|
||
one of the favorite 12 recommended by Ian Schmidt. According to Tony
|
||
Morales, it has lots of good effects.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
UNDERSTANDG.BXY File #21860 37504 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
Tony Morales uploaded this file. It is a remix of "Understand This
|
||
Groove" by Sound Factory. According to Tony, "this is probably the first
|
||
Amiga MOD created on the IIgs. Very good samples. If you like house,
|
||
download this MOD. For its size, it can't be beat."
|
||
|
||
[*][*][*]
|
||
|
||
|
||
BEYONDMUSIC.BXY File #23587 351104 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
According to Tony Morales who uploaded this file, "This is a really
|
||
nice sounding MOD file, which you can play with Sonobox or any other MOD
|
||
player. Give it a listen. Very nice effects!"
|
||
|
||
[*][*][*]
|
||
|
||
|
||
ENJOYSILNCE.BXY File #20974 144000 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This MOD, titled "Enjoy the Silence," was uploaded by SNIPER who
|
||
described it this way: "This is the most real sounding MOD I have ever
|
||
heard! If you don't believe me, just listen to it. You'll be amazed!"
|
||
Tony Morales describes it as "a bit overly synthesized, but is still good."
|
||
|
||
[*][*][*]
|
||
|
||
|
||
PUMPTHEJAM.BXY File #17190 132992 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
According to P.BENSON1, who uploaded this MOD, "This song is the rap
|
||
song Pump Up The Jam, and even has spoken lyrics! Pretty neat."
|
||
|
||
Tony Morales describes this dance MOD as "not that great, but worth
|
||
listening to a few times."
|
||
|
||
[*][*][*]
|
||
|
||
|
||
TECHNOCON.BXY File #20504 252928 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
According to A.TAN who uploaded it, TechnoConcerto by SideWinder was
|
||
written for but never made it to the Euro song-writing competition. Tony
|
||
Morales says "Creative sequence, but some samples sound bad."
|
||
|
||
This is archived from an HFS disk, so if you unpack it to a ProDOS
|
||
disk you will have to rename it. This can be done easily with GS ShrinkIt.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
INSPECT.MOD.BXY File #21569 31744 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
|
||
Ken Gagne uploaded this MOD which is a slightly modified version of
|
||
the theme song to the classic cartoon, INSPECTOR GADGET. Tony Morales says
|
||
it has a few effects, not much else. For what it's worth, I like it.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
LETSPARTY.BXY File #20917 65536 bytes Amiga Music Module File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
According to A.TAN, who uploaded it, "Let's Party! is a very well
|
||
done MOD tune. Easy to listen to." Tony likes it too.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
ESMEMOD.BXY File #23591 190976 bytes Amiga Music Module File
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
According to Tim Kellers, who uploaded it, "Blue-Esmeralda, scent of
|
||
Spanish Pleasure, is a MOD file that has been tested with SonoBox the
|
||
MODplayer NDA by Tony Morales. It sounds great on my internal speakered
|
||
GS. It is probably awesome in Stereo on a GS with a sound card installed."
|
||
|
||
[*][*][*]
|
||
|
||
|
||
Tony Morales also recommends the following MODs located in other
|
||
Roundtables:
|
||
|
||
RT # Name Size Comment
|
||
|
||
AMIGA 17268 MODHOUSEOUT.LZH 224000 "Eat Your House Out", very good
|
||
samples, nice arrangement.
|
||
|
||
AMIGA 21916 A-T-S-W.LHA 284672 "All That She Wants", timing's a
|
||
bit off, but still OK.
|
||
|
||
AMIGA 21873 12DAZE.LHA 292992 "Twelve Days of Christmas", very
|
||
good song.
|
||
|
||
MIDI 4436 ECHOING.LZH 30336 "Echoing", very European, nice.
|
||
|
||
ST 23995 DEADJIM.LZH 138112 "He's Dead Jim", set to the tune of
|
||
"You Can't Touch This". A definite
|
||
winner.
|
||
|
||
ST 29086 BEY2000.ZIP 80896 "Beyond 2000", very calm, decent.
|
||
|
||
MIDI 4744 DIEAGAIN.LZH 307328 "Die Again", evil sounding song,
|
||
lots of interesting samples.
|
||
|
||
AMIGA 22115 SPEEDRACER.LHA 367488 Very upbeat techno MOD.
|
||
|
||
MIDI 3677 ALFTHEME.LZH 55296 Nicely done, bad "laugh" sample
|
||
though.
|
||
|
||
MIDI 6568 HOUSE.LZH 86144 An OK house MOD.
|
||
|
||
ST 29398 AXELF.ZIP 76416 Pretty cool MOD.
|
||
|
||
ST 22795 BLUEMOND.LZH 35584
|
||
|
||
ST 20642 CHICAGO.LZH 71168
|
||
|
||
MIDI 3706 AMEGAS.LZH 46080
|
||
|
||
[NOTE: These files are packed with utilities not commonly found in
|
||
the Apple II world. Instead of using ShrinkIt to unpack .LHA and .ZIP
|
||
files, try Tony Marques's freeware program Angel, available in the A2
|
||
library: file #20501.--Ed.]
|
||
|
||
[*][*][*]
|
||
|
||
|
||
That's it for this month. I hope you have found something here to
|
||
whet your interest. Drop me a line and let me know what you think of this
|
||
column and offer any suggestions you might have about what should be in it.
|
||
|
||
Until next time, happy downloading!
|
||
|
||
-- Charlie Hartley
|
||
|
||
|
||
|
||
[EOA]
|
||
[SPC]//////////////////////////////
|
||
SPECIAL NEEDS /
|
||
/////////////////////////////////
|
||
Computers in Hospital
|
||
"""""""""""""""""""""
|
||
by Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
|
||
>>> APPLE II IN CHILDREN'S HOSPITALS <<<
|
||
""""""""""""""""""""""""""""""""""""""""
|
||
|
||
It makes a lot of sense to provide hospitalized kids with
|
||
microcomputers. Kids in hospital have loads of free time on their hands.
|
||
They desperately need activities to occupy their minds as the hours tick
|
||
by. What better way of engaging their minds than by giving them access to
|
||
educational and recreational software?
|
||
|
||
A few months ago, I sent out letters to about 70 children's hospitals
|
||
around the country to find out how they might be using computers for
|
||
educational and recreational purposes. Among the several replies that came
|
||
back, two hospitals described computer projects glistening with excitement.
|
||
The Children's Hospital of Oakland, California, has a lab of six computers
|
||
that get intensive use. And Boston Children's Hospital has set up a
|
||
highly unique computer project.
|
||
|
||
What's Happening at the Children's Hospital of Oakland The computer lab
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""" at the Children's
|
||
Hospital of Oakland has two Apple IIc's, two Mac Classics, a 386
|
||
IBM-compatible, and a Socrates video game system. Children at the hospital
|
||
use these computers each and every day for instructional and recreational
|
||
purposes. Since the computers are part of the "school program" at the
|
||
hospital, educational software is emphasized more strongly than
|
||
recreational software.
|
||
|
||
As you might expect some of the most popular programs are The Print
|
||
Shop and The Children's Writing and Publishing Center. School program
|
||
coordinator Patricia (Patty) Coffin explains that getting kids involved
|
||
with creative expression helps them keep their minds focussed away from the
|
||
other routines of hospital life. Computers are also essential writing
|
||
tools for the many children who's arms are connected to intravenous (IV)
|
||
boards. These children are unable to hold a pen in their hand, but can
|
||
manage to peck out words on a keyboard.
|
||
|
||
Older children in the hospital are excited about writing for the
|
||
hospital's bi-monthly Teen Newsletter. They use AppleWorks and other word
|
||
processors to compose the text. Originally this newsletter was planned as
|
||
a quarterly publication. But the response to the first few issues was so
|
||
positive that the publishing schedule was accelerated to a bi-monthly.
|
||
|
||
An interesting facet of this hospital's computer use is that the
|
||
computers reside on carts and are frequently moved around to the children's
|
||
bedsides. The computers are even shared with children in the intensive
|
||
care unit. Children who are too sick to even speak often perk up when a
|
||
computer is wheeled to their beside, commented Patty Coffin.
|
||
|
||
"People consider the Apple IIc's real old, but they serve our
|
||
purposes real well," she went on to say. "They don't have a lot of fancy
|
||
features, but they run so many different types of educational programs. I
|
||
particularly like the volume control knob on the Apple IIc's, which allows
|
||
me to turn down the volume when the programs get too noisy. Have you ever
|
||
been in a small room with excited children and noisy computers each playing
|
||
a different tune?"
|
||
|
||
The most popular software programs used on the hospital's Apple II's
|
||
include Reader Rabbit, Writer Rabbit, Print Shop, Children's Writing and
|
||
Publishing Center, and the Carmen Sandiego series. The most popular
|
||
programs on the Mac's are Number Maze, Outnumbered, and Math Blaster. And
|
||
the favorites on the IBM compatible include Express Publisher, Mavis Beacon
|
||
Teaches Typing, and the Isaac Asimov science series.
|
||
|
||
Most of the computers used in the hospital have been donated or have
|
||
been acquired from the Apples for the Students shopping receipts project,
|
||
sponsored by Safeway. Next year Coffin plans to obtain a color Mac with
|
||
her shopping market receipts. She says she'd love to get a CD-ROM disc
|
||
drive sometime in the near future, too.
|
||
|
||
One other item high on Coffin's wish list is a phone line for
|
||
telecommunicating with the outside world. Many of the older children
|
||
visiting the hospital have asked if they could telecommunicate with their
|
||
peers back in school.
|
||
|
||
Apparently the primary financial hurdle to making this happen is not
|
||
the price of modems or communications software, but rather the price of
|
||
installing and maintaining an extra phone line. Coffin has been lobbying
|
||
for this phone line for quite a while, and is hoping that a combination of
|
||
individual and corporate benefactors can help make it happen.
|
||
|
||
Since the Children's Hospital of Oakland is located so near to Apple
|
||
Computer's corporate headquarters in Cupertino, California, I was naturally
|
||
curious to find out whether Apple Computer itself has lent any formal
|
||
support to this project. Coffin relates that Apple has indeed given
|
||
encouragement to the project, but has offered little in the way of hardware
|
||
or other contributions. "Apple Computer must get thousands of requests for
|
||
computer donations each year," Coffin declared, "so it's understandable
|
||
that they cannot support everyone's pet project. However, considering the
|
||
immense positive effect computers can bring to the children here in our
|
||
hospital, we just hope that in the future Apple might consider our requests
|
||
with that in mind."
|
||
|
||
What's Happening at Boston Children's Hospital: The "KidBits" Project
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
Every successful project starts out with a single individual deciding
|
||
to get involved and make a difference. Back in 1986, George Boggs, an
|
||
employee at GTE Laboratories, decided the time was ripe to help bring
|
||
computers to the children at Boston Children's Hospital. His action was
|
||
prompted by hearing the plight of a friend's child, who was spending
|
||
several weeks isolated in the hospital's bone-marrow transplant unit.
|
||
|
||
Boggs, who has since moved on to work for another company, is a
|
||
specialist in "human factors" engineering. His special expertise is in
|
||
understanding how human beings can most efficiently and naturally interact
|
||
with computer technology. His professional training in this field helped
|
||
lend insight into the immense usefulness of microcomputers in a pediatric
|
||
hospital setting.
|
||
|
||
Using GTE's internal electronic mail network, Boggs was able to
|
||
solicit support for his ideas from 50 to 60 other GTE employees. The group
|
||
quickly formed a steering committee to approach the hospital with their
|
||
proposal.
|
||
|
||
The original idea was that GTE employees could donate their time and
|
||
expertise to help train both the hospital's "child life specialists" and
|
||
the children themselves. During the planning stages of the project
|
||
children in the hospital were consulted as to how they felt the project
|
||
should be run. Later on, Boggs recalled that moment: "It was very moving.
|
||
We sat there listening to these children, who were dealing with a fatal
|
||
illness, tell us how they wanted computers to help them with their future.
|
||
I was overwhelmed with their courage."
|
||
|
||
GTE Laboratories helped the hospital acquire some Apple IIe's and
|
||
some Mac SE's. The volunteer employees spent time during evenings and
|
||
weekends showing how the computers could be used. GTE Laboratories has
|
||
even allowed some of these employees to take off daytime hours to volunteer
|
||
at the hospital.
|
||
|
||
To help build enthusiasm for the project, several "computer fairs"
|
||
were organized. The fairs involved setting up a collection of computer
|
||
stations with different activities set up at each station. Children were
|
||
given "computer whiz certificates" for each station they visited. So
|
||
well-received were these computer fairs that the hospital has planned them
|
||
as a regularly quarterly event.
|
||
|
||
When word of the KidBits project got out, other people stepped
|
||
forward to offer support. The Boston Computer Society, the local user
|
||
group in the Boston metro area, generously donated copies of their entire
|
||
public domain and shareware collection. These software programs can be
|
||
copied and used on the current computers at the hospital, as well as on
|
||
future computers the hospital may acquire.
|
||
|
||
A year or two ago the GTE Laboratories employees finished work on a
|
||
network of Macintoshes in the bone-marrow transplant unit. Making use of
|
||
their technical expertise, the employees set up a PhoneNet network.
|
||
PhoneNet is a network which uses standard telephone wires to connect
|
||
computers. While considered "slow" for use in a business setting, PhoneNet
|
||
networks are often the network of choice in schools, libraries, and
|
||
non-profit organizations.
|
||
|
||
With their PhoneNet network in place, the children in the bone-marrow
|
||
unit can now send electronic mail back and forth between rooms. They're
|
||
also able to play interactive games especially designed for use on
|
||
networks.
|
||
|
||
One of the most active GTE volunteers in KidBits project, David Fay,
|
||
says that he'd really like to see a modem and phone line placed on the
|
||
networked computers. Connecting the kids to the outside world would
|
||
introduce yet another dimension to the KidBits project.
|
||
|
||
Since George Boggs's departure from GTE, David Fay has stepped in to
|
||
help preserve the momentum of the KidBits project. Myra Fox, the director
|
||
of Child Life Services at the hospital, says that Fay and the other GTE
|
||
volunteers have shown extraordinary commitment to the KidBits project.
|
||
"Working on their own time, they have poured their hearts and souls into
|
||
KidBits. They're a fabulous group of people."
|
||
|
||
Fox goes on to explain that the "gift of time" is one of the most
|
||
meaningful gifts the children (and adolescents) in the hospital receive.
|
||
"Knowing that the GTE employees will be visiting regularly to help with the
|
||
KidBits project can go far to buoy a patient's spirits."
|
||
|
||
Myra Fox sums it up all well when she said: "Computers [in
|
||
hospitals] can help encourage socialization, provide patient entertainment,
|
||
counteract isolation, promote choices, and offer academic education." All
|
||
that, and more.
|
||
|
||
-Phil Shapiro
|
||
|
||
[*][*][*]
|
||
|
||
|
||
The author takes a keen interest in projects that bring computer
|
||
technology to those who do not yet have access to it. He can be
|
||
reached at: (202) 686-5465 (home/office), or via electronic mail
|
||
on GEnie at: p.shapiro1; on America Online at: pshapiro
|
||
|
||
Contacts
|
||
''''''''
|
||
|
||
Patricia (Patty) Coffin, Coordinator
|
||
Hospital School Program
|
||
Children's Hospital of Oakland
|
||
747 52nd St.
|
||
Oakland, CA 94609
|
||
(510) 428-3000, ext 5313 (afternoons)
|
||
|
||
Myra Fox, Director
|
||
Child Life Services
|
||
The Boston Children's Hospital
|
||
300 Longwood Ave.
|
||
Boston, MA 02115-9810
|
||
(617) 735-7752
|
||
|
||
David Fay
|
||
GTE Laboratories
|
||
46 Sylvan Rd.
|
||
Waltham, MA 02254
|
||
(617) 466-2675 (work)
|
||
Internet address: daf1@gte.com
|
||
|
||
[Note: The above people are happy to talk on the phone with anyone
|
||
wishing to donate computer hardware, software, or financial support to
|
||
these projects. All three of them have rather busy schedules and have
|
||
asked that people not call just to wish them well with their projects.
|
||
|
||
Also, it's always thoughtful to include a stamped, self-addressed
|
||
envelope if you send written correspondence. How can readers of this
|
||
article help support these projects? Blank floppy disks and printer
|
||
ribbons are always much appreciated. Both projects use ImageWriter
|
||
printers.]
|
||
|
||
|
||
|
||
[EOA]
|
||
[PNL]//////////////////////////////
|
||
PAUG NEWSLETTER /
|
||
/////////////////////////////////
|
||
December 1994 Report
|
||
""""""""""""""""""""
|
||
by GEna Saikin
|
||
[A2.GENA]
|
||
|
||
|
||
Introduction PAUG was created over a year ago to help cement the Apple II
|
||
'''''''''''' community, and to provide a place of haven for those who
|
||
can't find local support groups in their area.
|
||
|
||
What's New in A2? The Apple II is still going strong -- in schools and
|
||
''''''''''''''''' homes across the country. Though not too many new
|
||
commercial programs are being written, many, many shareware programs are
|
||
finding their way to the BBSes and libraries. A great program has just
|
||
been written by our very own Tony Morales. It's called SonoBox, and will
|
||
play MODs in the background of any GS/OS desktop application. It works
|
||
quite well, and so far, has very few conflicts with existing programs. One
|
||
of its positive attributes is the fact that it runs quite well under
|
||
Spectrum.
|
||
|
||
Paul Parkhurst (PMP) of ANSITerm fame is still working away at his
|
||
fax software, and we'll pass on more information as it's available.
|
||
|
||
AppleWorks 5.0 will be shipping very, very soon. It's a major
|
||
upgrade of the old "workhorse" AppleWorks, and information about it can be
|
||
found in the Apple II RoundTable library, file #23470.
|
||
|
||
The Main Event Imagine connecting to thousands of computers! Picture
|
||
'''''''''''''' traveling from New York to California, on to Australia,
|
||
making a stop in Germany and Austria en route...all from the comfort of
|
||
your home. It is indeed well-named when it is called the Super Information
|
||
Highway. True, there are some potholes in the system, and one can take
|
||
wrong turns. But, if you have time, a local connection, and the pioneer
|
||
spirit, you can explore to your hearts content!
|
||
|
||
This is the Internet...a conglomeration of millions of computers,
|
||
linked together by miles of phone wire and fibre optic technology. There
|
||
are thousands of bytes of information to be gleaned on the Internet.
|
||
Interested in Star Trek? Visit a plethora of newsgroups with that as the
|
||
subject. Want to see the latest pics from Jupiter? Take a journey to the
|
||
NASA computer system, burrowing through the internet's gopher system to get
|
||
there, or millions of other locations. Need to get facts on the latest in
|
||
medicine? There are dozens, if not hundreds of places to telnet or gopher
|
||
to where you will get everything from information about AIDS to the latest
|
||
research in cancer. Need a book? Well, you can gopher to the Library of
|
||
Congress, or hundreds of other library systems, including university
|
||
libraries and public libraries to find out just WHERE the book you want is!
|
||
There's even a bookstore online that you can order from -- armed with a
|
||
credit card and some patience...for there are thousands of books to search
|
||
through!
|
||
|
||
Files...let there be files! What you cannot find anymore in computer
|
||
stores for the Apple II systems can be found in abundance on the Internet
|
||
through FTP and/or .binaries sites that have thousands of Apple II
|
||
files...from programs to utilities, graphics to music.
|
||
|
||
How does one go about linking to this Super Information Highway? The
|
||
three major online services -- Compuserve, Prodigy and Delphi already have
|
||
access to the internet for their subscribers, and GEnie is not far behind,
|
||
with planned full internet access by the end of 1994. There are also local
|
||
Internet Providers, one of the most major ones being NetCom. Some are free
|
||
to residents of the state they reside in; but most have a minimal service
|
||
charge to the user. Most run $17 to $25 per month, unlimited access -- a
|
||
real bargain considering how much information you can glean from this
|
||
humongous system -- who can buy a ticket to the nearest town, never mind
|
||
overseas for that amount? By downloading a file called PDAccesslist from
|
||
the Internet RoundTable here on GEnie, you can get a list of these internet
|
||
providers. There are also freenets around -- one of the more famous being
|
||
the Cleveland Freenet. However, most of the freenets allow limited access
|
||
to the internet, with many allowing only email access.
|
||
|
||
There are more features to the Internet, too innumerable to mention
|
||
here. However, one of the best roadmaps to use is the World Wide Web
|
||
(WWW), which can link you to a great percentage of the services on the
|
||
internet. It's a HyperText program -- this means that you'll see
|
||
highlighted phrases and words, and if you hit return when your cursor is on
|
||
one of these words or phrases, you'll be magically transported to the area
|
||
that the word or phrase denotes. The best way to learn the internet is
|
||
gather speed on the onramp, and plunge in! Nothing you can do will "break"
|
||
the net. You may get cornered, but you can always back out by pulling the
|
||
plug! Just like someone once told me about how to find yourself around in
|
||
a strange town -- if you've got a full tank of gas and time...you can do no
|
||
harm. Same with the Internet. Get ready, set and go!
|
||
|
||
What's New In A2? September and October saw the Apple II RoundTable
|
||
''''''''''''''''' gearing up for the influx of AOL Refugees, and we
|
||
weren't disappointed! Many Apple II users who were no longer able to
|
||
access AOL via their systems came over to GEnie, where they found a home
|
||
and a warm welcome.
|
||
|
||
You'll see some new RTC Hosts here. Paul Parkhurst (PMP) will be
|
||
hosting the 9 pm to 11 pm segment of the Friday Night RTC, and Dave "Binary
|
||
Bear" Ciotti, will return and host our Saturday night 11-1 segment.
|
||
|
||
The Library Stack
|
||
'''''''''''''''''
|
||
|
||
+23580 A2.DOM.1194.BXY A2 Disk of the Month, November 1994
|
||
+23579 TURBOREZ.TXT The latest news about TurboRez GS
|
||
23577 TFTD2.BXY Finder Extra - Thought for the Day v2.0
|
||
+23573 A2NDX9411TX.BXY November 1994 Category/Topic List (TXT)
|
||
+23572 A2NDX9411DB.BXY November 1994 Category/Topic List (ADB)
|
||
23562 FIXQUIT.BXY Move Finder's "Shut Down" menu item
|
||
23553 POWERGS.NO4.BXY PowerGS Diskazine Issue #4
|
||
+23550 NPS.THNKGV.BXY New Print Shop Thanksgiving graphics
|
||
23549 PSGS.THNKGV.BXY Thanksgiving Print Shop GS graphics
|
||
+23544 GLAMPA29411.BXY GEnieLamp A2, November 1994 (AppleWorks)
|
||
+23535 ALPHAFIND.BXY Letter Find puzzle game
|
||
23533 SONOBOX.BXY New Desk Accessory that plays MOD songs
|
||
+23522 NUM.FIND.BXY Number Find puzzle game
|
||
23521 HAUNT.HOUSE.BXY Halloween picture of a haunted house
|
||
|
||
+ = Works on 8-bit Apples
|
||
|
||
There are thousands of files available in our library! These are
|
||
just a few of the best files for the week! Check it out!
|
||
|
||
Our next meeting will be the second Sunday of December, due to the
|
||
Christmas holidays. It will feature some of our graphics and music gurus
|
||
here, to tell us all about our Christmas goodies of songs and pictures!
|
||
|
||
|
||
|
||
[EOA]
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ Oh, verily we stand here amongst the clouds to bid a /
|
||
/ fond farewell unto our beloved data as it passes from /
|
||
/ the plane of its disk into the great bit bucket in the /
|
||
/ sky; for unto deletion we inter those data, and unto the /
|
||
/ freed storage space may there arise again new data, to /
|
||
/ carry forth its purpose in the system. /
|
||
/////////////////////////////////////////// POWERPC.PRO ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LOG]//////////////////////////////
|
||
LOG OFF /
|
||
/////////////////////////////////
|
||
GEnieLamp Information
|
||
"""""""""""""""""""""
|
||
|
||
o COMMENTS: Contacting GEnieLamp
|
||
|
||
o GEnieLamp STAFF: Who Are We?
|
||
|
||
|
||
|
||
GEnieLamp Information GEnieLamp is published on the 1st of every month
|
||
""""""""""""""""""""" on GEnie page 515. You can also find GEnieLamp on
|
||
the main menus in the following computing RoundTables.
|
||
|
||
|
||
RoundTable Keyword GEnie Page RoundTable Keyword GEnie Page
|
||
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
DigiPub DIGIPUB 1395 Atari ST ST 475
|
||
Macintosh MAC 605 IBM PC IBMPC 615
|
||
Apple II A2 645 Apple II Dev. A2PRO 530
|
||
Macintosh Dev. MACPRO 480 Geoworks GEOWORKS 1050
|
||
BBS BBS 610 CE Software CESOFTWARE 1005
|
||
Mini/Mainframe MAINFRAME 1145 Programming PROGRAMMING 1445
|
||
Data Comm. DATACOMM 1450 Windows WINDOWS 1335
|
||
|
||
GEnieLamp is also distributed on CrossNet and many public and
|
||
commercial BBS systems worldwide.
|
||
|
||
o To reach GEnieLamp on Internet send mail to genielamp@genie.geis.com
|
||
|
||
o Current issues of all versions of GEnieLamp are File Requestable
|
||
(FREQable) via FidoNet (Zones 1 through 6) from 1:128/51 and via
|
||
OURNet (Zone 65) from 65:8130/3. SysOps should use the following
|
||
"magic names" to request the current issue of the indicated
|
||
GEnieLamp platform (FREQ FILES for names of back issues of GEnieLamp
|
||
IBM):
|
||
|
||
Platform Magic Name To Use
|
||
"""""""" """""""""""""""""
|
||
GEnieLamp IBM .................. GLIBM
|
||
GEnieLamp ST ................... GLST
|
||
GEnieLamp A2Pro ................ GLA2PRO
|
||
GEnieLamp Macintosh ............ GLMAC
|
||
GEnieLamp TX2 .................. GLTX2
|
||
GEnieLamp A2 ................... GLA2
|
||
GEnieLamp Windows .............. GLWIN
|
||
|
||
o Back issues of GEnieLamp are available in the DigiPub RoundTable
|
||
Library #2 on page 1395 (M1395;3).
|
||
|
||
o GEnieLamp pays for articles submitted and published with online GEnie
|
||
credit time. Upload submissions in ASCII format to library #42 in
|
||
the DigiPub RoundTable on page 1395 (M1395;3) or Email it to
|
||
GENIELAMP. On Internet send it to: genielamp@genie.geis.com
|
||
|
||
o We welcome and respond to all E-Mail. To leave comments, suggestions
|
||
or just to say hi, you can contact us in the DigiPub RoundTable
|
||
(M1395) or send GE Mail to John Peters at [GENIELAMP] on page 200.
|
||
|
||
o If you would like to meet the GEnieLamp staff "live" we meet every
|
||
Wednesday night in the Digi*Pub Real-Time Conference at 9:00 EDT
|
||
(M1395;2).
|
||
|
||
o The Digital Publishing RoundTable is for people who are interested in
|
||
pursuing publication of their work electronically on GEnie or via
|
||
disk-based media. For those looking for online publications, the
|
||
DigiPub Software Libraries offer online magazines, newsletters,
|
||
short-stories, poetry and other various text oriented articles for
|
||
downloading to your computer. Also available are writers' tools and
|
||
'Hyper-utilties' for text presentation on most computer systems. In
|
||
the DigiPub Bulletin Board you can converse with people in the
|
||
digital publishing industry, meet editors from some of the top
|
||
electronic publications and get hints and tips on how to go about
|
||
publishing your own digital book. The DigiPub RoundTable is the
|
||
official online service for the Digital Publishing Association. To
|
||
get there type DIGIPUB or M1395 at any GEnie prompt.
|
||
|
||
|
||
|
||
>>> GEnieLamp STAFF <<<
|
||
"""""""""""""""""""""""
|
||
|
||
GEnieLamp o John Peters [GENIELAMP] Publisher/Editor
|
||
"""""""""
|
||
|
||
IBM o Bob Connors [DR.BOB] IBM EDITOR
|
||
""" o Nancy Thomas [N.NOWINSON] MultiMedia Editor/Writer
|
||
o Brad Biondo [B.BIONDO] IBM Staff Writer
|
||
o Tika Carr [T.CARR4] IBM Staff Writer
|
||
o Dave Nienow [D.NIENOW] IBM Staff Writer
|
||
o Don Lokke [D.LOKKE] Cartoonist
|
||
|
||
WINDOWS o Tippy Martinez [WIN.LAMP] WINDOWS EDITOR
|
||
""""""" o John Osarczuk [J.OSARCZUK] Asst Editor/Columnist
|
||
o Rick Ruhl [RICKER] Windows Sysop/Columnist
|
||
o Brad Biondo [B.BIONDO] Windows Staff Writer
|
||
o Rick Pitonyak [R.PITONYAK] Windows Staff Writer
|
||
o Ed Williams [E.WILLIAMS24] Windows Staff Writer
|
||
o Dave Nienow [D.NIENOW] Windows Staff Writer
|
||
|
||
MACINTOSH o Richard Vega [GELAMP.MAC] MACINTOSH EDITOR
|
||
""""""""" o Tom Trinko [T.TRINKO] Mac Staff Writer
|
||
o Bret Fledderjohn [FLEDDERJOHN] Mac Staff Writer
|
||
o Ricky J. Vega [GELAMP.MAC] Mac Staff Writer
|
||
|
||
ATARI ST o John Gniewkowski [GENIELAMP.ST] ATARI ST EDITOR
|
||
"""""""" o Mel Motogawa [M.MOTOGAWA] ST Staff Writer
|
||
o Sheldon Winick [S.WINICK] ST Staff Writer
|
||
o Terry Quinn [TQUINN] ST Staff Writer
|
||
o Richard Brown [R.BROWN30] ST Staff Writer
|
||
o Al Fasoldt [A.FASOLDT] ST Staff Writer
|
||
o Fred Koch [F.KOCH] ST Staff Writer
|
||
|
||
ATARI ST/TX2 o Cliff Allen [C.ALLEN17] EDITOR/TX2
|
||
""""""""""""
|
||
|
||
ATARI [PR] o Bruce Faulkner [R.FAULKNER4] EDITOR/GEnieLamp [PR]
|
||
""""""""""
|
||
APPLE II o Doug Cuff [EDITOR.A2] EDITOR
|
||
"""""""" o Darrel Raines [D.RAINES] A2 Staff Writer
|
||
o Gina E. Saikin [A2.GENA] A2 Staff Writer
|
||
o Charlie Hartley [C.HARTLEY3] A2 Staff Writer
|
||
|
||
A2Pro o Nate C. Trost [A2PRO.GELAMP] EDITOR
|
||
""""" o Tim Buchheim [T.BUCHHEIM] Co-Editor
|
||
|
||
ETC. o Jim Lubin [J.LUBIN] Add Aladdin Scripts
|
||
"""" o Scott Garrigus [S.GARRIGUS] Search-ME!
|
||
o Mike White [MWHITE] (oo) / DigiPub SysOp
|
||
o Susie Oviatt [SUSIE] ASCII Artist
|
||
o Al Fasoldt [A.FASOLDT] Contributing Columnist
|
||
o Phil Shapiro [P.SHAPIRO1] Contributing Columnist
|
||
o Sandy Wolf [S.WOLF4] Contributing Columnist
|
||
|
||
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
Bulletin board messages are reprinted verbatim, and are included in
|
||
this publication with permission from GEnie and the source RoundTable.
|
||
GEnie, GEnieLamp Online Magazines, and T/TalkNet Online Publishing do
|
||
not guarantee the accuracy or suitability of any information included
|
||
herein. Opinions expressed are those of the individual, and do not
|
||
represent opinions of GEnie, GEnielamp Online Magazines, or T/TalkNet
|
||
Online Publishing.
|
||
|
||
Material published in this edition may be reprinted under the follow-
|
||
ing terms only. Reprint permission granted, unless otherwise noted,
|
||
to registered computer user groups and not for profit publications.
|
||
All articles must remain unedited and include the issue number and
|
||
author at the top of each article reprinted. Opinions present herein
|
||
are those of the individual authors and do not necessarily reflect
|
||
those of the publisher or staff of GEnieLamp. We reserve the right to
|
||
edit all letters and copy. Please include the following at the end or
|
||
the beginning of all reprints:
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
(c) Copyright 1994 T/TalkNET Online Publishing and GEnie. To join
|
||
GEnie, set your modem to 2400 baud (or less) and half duplex (local
|
||
echo). Have the modem dial 1-800-638-8369. When you get a CONNECT
|
||
message, type HHH. At the U#= prompt, type: JOINGENIE and hit the
|
||
[return] key. When you get the prompt asking for the signup code, type
|
||
DSD524 and hit RETURN. The system will then prompt you for your
|
||
sign-up information. Call (voice) 1-800-638-9636 for more information.
|
||
////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
[EOF]
|
||
|
||
|