3743 lines
153 KiB
Plaintext
3743 lines
153 KiB
Plaintext
the.antithesis.txt
|
||
Sam Johnson
|
||
|
||
|
||
|
||
Table of Contents
|
||
x. Introduction
|
||
1. Journal
|
||
2. Beggar and the City
|
||
3. Insanity
|
||
4. Circe
|
||
5. One Day
|
||
6. Stuff to do
|
||
5. The Watcher
|
||
|
||
______________________________________________________________________________
|
||
introduction
|
||
______________________________________________________________________________
|
||
While it may seem overwhelming at first, keep in mind that many of these
|
||
stories
|
||
are written in a langauge of contemporary light, so read these with an open
|
||
mind and definitly expect to laugh. For find a chapter, I reccomend pressing
|
||
CTRL+F
|
||
to bring up the "find" box, then type in the name of the chapter and voila.
|
||
Also, if read
|
||
in a state of inebriation; the author would not discourage this.
|
||
|
||
Also, keep in mind many of these stories have not been through the arduous
|
||
process of editing, so please don't get hung up any minor gramatical or
|
||
spelling errors.
|
||
The intent is all that I wish to get across.
|
||
|
||
The title, "the Antithesis .txt" is meant to be a direct opposite of any
|
||
definition
|
||
of the word, "bible." While "bible" is means, roughly, "a collection of
|
||
stories," assumably
|
||
written by different authors, I wish this to be a direct opposition to all
|
||
bibles of thought.
|
||
It discourages me to see how brainwashed people have become, and to prove my
|
||
point,
|
||
when I said the word "bible," did you think of the supposed "Holy" bible?
|
||
Welcome
|
||
to the world of Western Thought.
|
||
|
||
|
||
|
||
______________________________________________________________________________
|
||
Journal
|
||
or
|
||
Epiphany: the clothes to put around the Naked Truth.
|
||
______________________________________________________________________________
|
||
|
||
|
||
Part 1: December
|
||
___________________________________________________________________________
|
||
|
||
|
||
Chapter 1: Deceit
|
||
|
||
What the hell is going on? I turn my back for a minute and
|
||
everything just changes. What are these chains doing on my door?
|
||
|
||
Normally when someone finds their door chained shut they
|
||
would panic. It is not until after that person has called the
|
||
police countless times, and the officer on duty thinks it is all a prank,
|
||
that they start to feel doubtful. It is not until hours of screams and
|
||
shouts
|
||
that, when one finds no one as aide, one becomes quite
|
||
unnerved. What is left to decay my sanity?
|
||
Time.
|
||
|
||
I leave for eight hours and everything changes. Peoples
|
||
lives are ruined, or fundamental problems seemed
|
||
rectified. Buildings are broken down and new businesses appear.
|
||
I leave and nothing is done, and yet, nothing seems left undone.
|
||
|
||
|
||
Chapter 2: In the Chambers
|
||
|
||
A milky red color infuses with some unsuspecting white matter.
|
||
I am stuck in the vortex of whist-less chains and floating words,
|
||
which are stabbing me relentlessly in the side.
|
||
|
||
"Would you like a cigarette?" she asks me, as if her
|
||
condescending, "I'm a puppy dog," look axing me in the side
|
||
was not enough.
|
||
"yes!" the craving barks.
|
||
The blue sky gets all gooey, and my eyes start to blur; rising light
|
||
stirs a pot of milk in the back of my mind.
|
||
"no, no, no!" a child shouts, as I bite at the lightning bugs that
|
||
are assaulting my sanity.
|
||
"What is it," she asks nonchalant, with that beautiful smile
|
||
covering her lies like lip gloss.
|
||
I awake in a sweat. Apparantly blue skies and ejaculate on a
|
||
girls smiling face makes my nerves twitch. Sweat entrenches the
|
||
pillow behind me.
|
||
I look over to see if those chains are gone. No luck. What is there
|
||
to do with my time? How much time has gone past?
|
||
I can only remember what happened by my justification
|
||
for whatever action I did. That justification which is the cause
|
||
for the effect we call emotion. Without feelings, our memories
|
||
would simply evaporate.
|
||
|
||
The chains on the door, as I so appropriately call them, are a
|
||
plague. It is as if my room is under quarantine, and yet that
|
||
stench of death feels so damn impudent. Insanity waylays my senses
|
||
as I notice my hair melting, drops of pasty dew stretching the color
|
||
in my hair.
|
||
Why is my hair wet?
|
||
Minutes away, a faucet slowly squeaks droplets of water out, as
|
||
fresh mist softens the sky.
|
||
|
||
|
||
Chapter 3: SKIN
|
||
|
||
Dead skin on my body? I scratch, as pieces fall to the floor to melt the
|
||
snow.
|
||
My door still has those rusty chains and that incessant lock, staring at me
|
||
with
|
||
mockery in their lips.
|
||
|
||
Why did I do that? Did I do that? How else would chains get on the inside
|
||
of my door?
|
||
I haven't had guests over in months. Then it hits me: "The guy in the
|
||
mirror!"
|
||
|
||
It takes a lot to appreciate water. I don't know what I did, but it made
|
||
Little piglets of water just start rushing out, happy of their destiny, as I
|
||
stood
|
||
to intercept them. This is what cleanses us of our sins. That Styrofoam
|
||
backdrop of echoing raindrops, just seconds behind me.
|
||
I get out of the shower and grab a towel, only to change into the
|
||
same dirty clothes that I changed out of in the first place.
|
||
|
||
|
||
Chapter 3: A moralization
|
||
|
||
Insanity is a puppy love: it doesn't hit you like a freight train, rather
|
||
it just
|
||
stalks you for a few years, then creeps up and makes you slit your throat.
|
||
"Creak, creak," goes the closet of Death, as echoes surround me
|
||
and laugh in my face. A demon rips out of me, bloody paste on walls,
|
||
and viciously shreds any ghost in front of me.
|
||
Leaves in the grass, smiles the lawnmower-man, as I close my eyes
|
||
to call forth endless night.
|
||
|
||
"Infinite pussy!" the man cried, his teeth hungry for his desire
|
||
full-filled,
|
||
whilst blowing a blue whistle and handing out flyers.
|
||
I ride a bouncing river to him and ask, "Who are you?."
|
||
"Who am I?" the man snaps like a turtle.
|
||
"Who am I?" I playfully volley.
|
||
The man shocks me with a tap to my forehead and says "find out for
|
||
yourself!"
|
||
I pause to question his response when suddenly sharp teeth and
|
||
blunt nails wrap around me and squeeze. I look at the man,
|
||
as if to ask why such would happen, and he responds:
|
||
"THIS IS DEATH!"
|
||
|
||
A Journal! Of course. Such a place is not where we crazy men keep
|
||
thoughts, is it not? "Not it is," I grin sarcastically. I flip through
|
||
mounds of
|
||
heaping gold, trash with flies oozing from the sides, and find a
|
||
notebook full of scraps; sentences with no meaning, words left
|
||
unfulfilled. I open it and find myself pouting, for who could read such a
|
||
mess?
|
||
|
||
I know what it is! I am unable to read the clock, read the paper, or even
|
||
read
|
||
what I'm writing, but I know now what it is! The light! The light is playing
|
||
tricks on me again, is it not? I shall put a curse on that lamp when I
|
||
awake in hell, or maybe I should curse the person who sold me
|
||
that lamp, or maybe even the man who gave me the light bulb?
|
||
That lamp is making light hit the paper and then bounce in wavy,
|
||
dancing curves, towards my honest eyes. Poor soul!
|
||
Though what about the very particles of air that the light
|
||
must travel through. Perhaps in their long flight, the light
|
||
is degradated and perhaps made sick from bad airline peanuts.
|
||
|
||
I know who it is that locked the door! The lamp for a second lost
|
||
face, and suddenly, I can see again.
|
||
As I looked drastically through my notebook, on page 203, I find it.
|
||
"If you were to sum up your life as actions and experiences
|
||
resulting from the human mind existing during the state of
|
||
an action, then your life would simply be experiences. Actions
|
||
are little boxes, with little tags, describing how it affected
|
||
you and how it changed your view or tastes. This is the basic
|
||
rationale behind psychology. Once one is able to think every thought
|
||
possible (though complete disassociation) then one becomes another.
|
||
Once one becomes another, all boundries are broken, and 1 becomes 2
|
||
becomes infinity becomes a limitless capacity. "
|
||
What nonsense, I think. Then it all blurs together:
|
||
"sks me if i want to diem locking mysin this
|
||
room to fiself."
|
||
|
||
<asks me if I want to die, so I 'm locking myself in this
|
||
room to find myself>
|
||
|
||
That fiend! Thinking he can trick me into coming into this room,
|
||
just so long enough as to put locks and chains on the door!
|
||
He is locking his sin in the room, so it can be changed for the better,
|
||
right?
|
||
Like a caged animal, I am expected to obey.
|
||
I am sin to him. But he must be in the room, for he
|
||
could not chain the door and then leave. This room is
|
||
at least seven floors up. Maybe he called a helicopter?
|
||
Those are expensive: perhaps the military has it in for me.
|
||
Government conspiracies! JFK! They knew that I knew
|
||
that they knew. They knew my mind radiated sweaty, sweet
|
||
knowledge about their damn conspiracy (and JFK).
|
||
Those bastards! Then I must have some documents
|
||
or records of what it is I know. Perhaps I can live on in my
|
||
usefulness and knowledge, I think to myself, as I run over to
|
||
cabinet-man to find anything I have.
|
||
|
||
|
||
Chapter 4: DEAD
|
||
|
||
Empty bottles surround me as I slowly awake. Medicine, alcohol, vitamin
|
||
tablets:
|
||
all empty faces to me now.
|
||
What was it I did last night? I recall covering my body in Glow in the
|
||
dark face paint.
|
||
I did something last night, and I'm certain that it has to do with those
|
||
chains on my
|
||
door. I look at my watch to see a blur of salty hands. I can not read
|
||
anything!
|
||
Of course! I look down, in aghast horror, to see dead skin
|
||
covering my body.
|
||
|
||
A shower, a shower, I must take a shower.
|
||
|
||
"go to the power plant and find the keys, doo to the
|
||
plhere people lay."
|
||
<go to the power plant and find the keys, do not
|
||
go to where the people lay.>
|
||
I jump around a bit to warm up my legs. This is going to be a tough mission,
|
||
finding that power plant and the keys. A snap behind me, and my brain falls
|
||
like
|
||
lemonade berries. Fresh sun, and I awake.
|
||
|
||
"I am going away for a while, so please leave a message and I'll call you
|
||
back later."
|
||
The answering machine pauses for a quick hit off a joint, and then
|
||
beeps mechanically.
|
||
"No emotion," I shake my head, "There<72>s no emotion in that music, man."
|
||
|
||
I've had people in here before. So my journal says, Martha and Stewart
|
||
came over today. She cooked me a nice, fresh chicken, but Stewart
|
||
just had to snort that coke and smear his feces with that damn blood.
|
||
That blood has been on my walls now ever since I can remember, or
|
||
at least to say, since those chains have been there.
|
||
Why can't I leave?
|
||
|
||
"Do as I say to do, not as I speak to speak." I see this on the wall, a
|
||
pale
|
||
nothingness encompassed by brown blood and feces.
|
||
Someone wrote this here, and it smells like shit.
|
||
|
||
I found a phone, but it doesn't help when you have no collection
|
||
of jumbled names in a book somewhere. I chatted with the
|
||
operator for a few hours, but she hung up when she said some
|
||
guy was blabbing nonsense about the end of the world.
|
||
She was sweet though; I was going to ask her for her number,
|
||
but she replied, "Just call the operator whenever you need it!"
|
||
|
||
So I called the police a while ago, saying I was stuck in my room.
|
||
Doesn't anyone care about little old me? They thought it was a prank!
|
||
|
||
I am so hungry...
|
||
Hunger is a paradigm for the balance we need in life.
|
||
>From one end: we need to eat to survive. From another
|
||
end: we need to starve to maintain appearance and
|
||
self-confidence.
|
||
|
||
|
||
Chapter 4: Katherine
|
||
|
||
While looking through my notebook, I found a piece
|
||
of paper scribbled with lectures. "Katherine" it said with a
|
||
number attached.
|
||
I reached for the phone, avoiding the empty containers of
|
||
yogurt and tuna, and dialed.
|
||
"Hi, you've reached my cell phone! I'm not here to talk to
|
||
you right now, but if you just leave a name and number,
|
||
I'll get back to ya on that!"
|
||
The machine pauses to burp, and then lets out
|
||
a loud beep.
|
||
"Hey, this is Stu! I'M STUCK IN MY ROOM
|
||
AND THE DOORS ARE ALL CHAINED AND GLUED
|
||
SHUT! I THINK I'M GOING INSANE."
|
||
I go on, not thinking, until the voice in my phone tells me to stop.
|
||
|
||
"I love you," she says.
|
||
"I <3 u too." I say
|
||
Her hair falls like candy beer on teddy bear tongues. I smile as I
|
||
feel my hand glide across warm flesh and naked smiles.
|
||
|
||
This is my last and most important journal entry. If I am not
|
||
here tomorrow, at least in soul, then I have left my body. I detest
|
||
my body. It just follows me like a shadow, with lies of confidence
|
||
and pride swallowing my air.
|
||
"I need that air to live!" I cry, as I stab with a piercing spear to
|
||
this Great Lions Mouth.
|
||
You see, I did meet God; I met him Once. He loves Me, and I
|
||
love Him very much. He is the teacher who taught me all
|
||
the capacities and boundries of the vast infinities, and the
|
||
very groundwork of perception and rationale.
|
||
"Do you want to die?" I hear this flowery sun request.
|
||
"Why, very much so," I nod and smile contently.
|
||
|
||
|
||
Chapter 5: The Fianc<6E>
|
||
|
||
So it was really me and her in this room. Was she the girl who
|
||
locked me in this room? She wrote in my journal, but I suppose
|
||
she left. Dissolved through the walls, Sam! That's what happened.
|
||
She wrote poison words that left me sick.
|
||
"She gently caressed his long, hard shaft with her tongue,
|
||
moist beads of spit and cum showering her supple breasts."
|
||
She thought she could be clever, writing with the same pensmanship
|
||
and craft as my very hands do, as if she could make me believe I
|
||
wrote it. Though I know she wrote it, that evil woman, and I simply
|
||
detest her being. Animosity can be such ambition for lark.
|
||
|
||
I did get a hold of Katherine, with which she simply
|
||
snapped, "Dammit, this is the tenth time this month
|
||
you've called about some damn chains or something;
|
||
for the last time, I'm not coming over. Don't make
|
||
me get a restraining order on you."
|
||
"This time it's not a lie!" I cry.
|
||
|
||
|
||
"The meaning of life," the fifteen-million-year-old Universe
|
||
told me, "is to use rationale to get to the end."
|
||
"So why not tell me what it is I must do?" I asked childishly.
|
||
"Because the final test is to see if you can actually carry it out."
|
||
"Carry what out?" I ask with innocent woos.
|
||
"Because it is a paradox; it is something you can do,
|
||
but will not do by nature."
|
||
"That is the meaning of life?" I ask confusedly.
|
||
"No, the action is what must come rationally from the train of
|
||
thought. The actual meaning is in the thoughts Themselves
|
||
and the decision to make the final action."
|
||
"So the moment is just defined by the justification
|
||
that we create for the manifested actions?"
|
||
"That is reality," the Universe smiled at me, "That is all we really are."
|
||
|
||
"The problem with being such a moral being," the words gleamed
|
||
in confident juice, "is that when we know we did something wrong,
|
||
we will feel the stronger urge for redemption and obligation."
|
||
I smiled at the falsity of this statement, for I was such a fool
|
||
to ever think this.
|
||
|
||
Her glistening, pale body faced me with unspeakable humbleness.
|
||
She titled her view slightly to the side, and asked,
|
||
"Are you ready?" with an innocent flair.
|
||
I remove my clothes and approached her, as evil continued dripping out
|
||
of my being.
|
||
|
||
Where could she be? Perhaps I killed her, and the only reason I
|
||
locked myself in the room was out of the remorse I felt, and
|
||
perhaps I feel I should do something to make myself feel better?
|
||
Maybe I came in here to kill myself, because that suicide note looked
|
||
awful convincing.
|
||
|
||
"mmm... OH, GOD! YES! AAAH!" a man screams.
|
||
"SLRF! MMPH! AAH!" come out of two girls
|
||
heads.
|
||
"Yummm..."
|
||
"Don't suck them too hard, Mayumi."
|
||
"Whoops... sorry about that. I just got
|
||
carried away."
|
||
"Be nice to them so they makes lots more tasty
|
||
cum."
|
||
"mmm... that's right."
|
||
They girls halt their conversation to start
|
||
guiding their toungues from his balls to the
|
||
tip of his cock.
|
||
"Yeah... we sure don't want to hurt or break
|
||
thsi beautiful cock, do we?"
|
||
"Yep... it's not like a vibrator, where
|
||
you can alway buy a new one."
|
||
The girls continue to suck
|
||
and stroke his cock, "Slrrp, slrrp"
|
||
"OOOOH!!... AAHNGS!" he shouts.
|
||
The moment before he is about to
|
||
ejaculate, the camera pauses to show
|
||
the two girls wrapping their toungues
|
||
around the tip of his penis, just begging
|
||
for hot, juicy cum.
|
||
One of the girls shoves her mouth over the
|
||
cock and goes "MMFG!..... " After a few
|
||
seconds, "slrp! gulp!"
|
||
"Don't we get greedy, Miki... Gimme gimme!"
|
||
The girl puts her hands gently around the others
|
||
face and lowers her head. She opens her mouth
|
||
and lets the fresh, steaming cum drip onto
|
||
parched lips.
|
||
|
||
"Ahhg! AHH! I'm gonna die!" she screams,
|
||
as he rams her from behind, "You're so hard!
|
||
so big!" she pauses to enjoy a few more
|
||
thrusts, "Tell me you love my hot, tight pussy!"
|
||
"Oh god!," he shouts, "It's so tight! so hot!
|
||
i'm g-gonna..."
|
||
"ARE YOU CUMMING!" she shouts back, "ARE YOU
|
||
GOING TO SHOOT YOUR WAD INTO ME?"
|
||
He can't reply; he's in such esctasy.
|
||
"DO IT!" she affirms, "CUM INSIDE ME!
|
||
FILL MY PUSSY UP WTTH YOUR HOT, THICK, CUM!"
|
||
He follows orders strictly, and begins
|
||
ejaculating inside her.
|
||
"MORE! MORE!! CUM INSIDE ME! FILL ME
|
||
WITH YOUR CUM!" she screams.
|
||
|
||
But what a second: Did I kill her before or after the chains were on my
|
||
door?
|
||
|
||
|
||
Chapter 6: Redemption
|
||
|
||
I've sinned and I need to find something to make the Maker
|
||
forget about it. What is thy bidding, my master? Maybe I
|
||
need to kill something? KILL SOMEONE?
|
||
|
||
So maybe this is all just a crazy tale, simply more rain to get wiped
|
||
off the windshield. Walking down a desolate street, the poles with
|
||
chains attached in between them mock me when I'm not looking.
|
||
"WE STAND GUARD AROUND HERE," one gruff barks at me,
|
||
"YOU CAN'T CROSS ONTO THE STREET HERE, SONNY!"
|
||
So it yelled at me, as I screamed and awoke in my bed.
|
||
The pillows are wet, and my hair is a bit damp. I don't feel
|
||
nervous, but I must have sweat a lot during my dream.
|
||
|
||
|
||
Chapter 7: Epiphany
|
||
|
||
"Do you want to die?" asked a voice. The voice was that of God, and
|
||
God then said to me;
|
||
"You know you want to. You know you want to escape that shell,
|
||
that meaningless existence on the edge of reality, of where
|
||
perception from three hundred and sixty angles of all-seeing
|
||
eyes pierce your very identity. You can feel them, raping and
|
||
scavenging you heart for pieces of warm flesh and sexual energy,
|
||
all so they can slobber then up and digest the resources so they
|
||
can dispense of the eventual waste. They are nothing but
|
||
parasites to you, just selfish people who want nothing but what they
|
||
perceive as your very being. They are the people around you, they
|
||
are ALL that you see; it includes the person in the mirror."
|
||
"He wants to kill me," I reply.
|
||
"So let him." God smiles.
|
||
Suddenly, the fifteen-billion year old Universe creeps up behind
|
||
God and slaps him across the faSce.
|
||
"You! You traitor!" The Universe shrieked.
|
||
"I made you," God said in retort.
|
||
"AND I MADE YOU." The Universe replied.
|
||
"All I wanted to do," wept the Universe, "was to create puzzles
|
||
and lives for people to live and fabricate purpose from."
|
||
"I AM JUST TELLING THEM THE TRUTH" God snapped, drool dripping
|
||
thick from his snarl.
|
||
"So let him be, let him dream, let him live."
|
||
I turn around and walk softly towards the darkness, as the light
|
||
from God and the Universe creates more drama, and more motion.
|
||
|
||
The secret to time travel, so it is written in this handy journal of mine,
|
||
is to simply move fast. What people do not often associate with moving,
|
||
however, is thinking. If one thinks fast, then he perceives time faster,
|
||
and thus, relative to that person, time is going faster and that
|
||
person is going faster as well. But according to another journal
|
||
entry, time doesn't exist.
|
||
I wonder which one I wrote first?
|
||
In another journal entry, marked at an earlier date than both
|
||
entries, stated this:
|
||
"Time travel is unecessary: The only reason we want to go back
|
||
in time is because we realize mistakes in history that we
|
||
wish could be fixed or changed, or perhaps we wish to gain
|
||
some knowledge by having an experience in the past or
|
||
future. However, if one knows all, then there is no need for time travel.
|
||
if there is no regret..."
|
||
The writing went along those lines but also seemed
|
||
to justify suicide in some abstract sense that I could not
|
||
understand.
|
||
Apparantly I wrote this before my "secret to time travel," though
|
||
I thought of it after I wrote the "secret to time travel," so why did I
|
||
travel back in time to write how unecessary it was to do so?
|
||
|
||
|
||
So I sit, reminiscing and getting high off of nostalgia. I never liked
|
||
being a kid much. I always wanted to be an adult. Even though
|
||
my parents and everyone around me constantly brought me down,
|
||
and despite suicidal thoughts that plagued my brain, I often times
|
||
wish I could re live those days. Not any different, either. I have
|
||
never felt remorse.
|
||
I simply feel a longing for this fake past that I can only scrap
|
||
together from my memories and heart. For all we want in
|
||
the present is confidence in the future, so to relive the past
|
||
exactly as lived is to live in a present where the future is always
|
||
known. I look across the room; those chains are still there.
|
||
Keeping them out.
|
||
Or perhaps keeping myself away from the world.
|
||
|
||
|
||
|
||
Hyperbolic needles, bottles, and old bags surround me. I awake
|
||
to a dark room, with nothing but the subtle sunlight seeping through
|
||
the window. Gray bits of dust fluff the wind to a smooth tingle. I
|
||
pick up a bag, and it smells like feces.
|
||
That is the moment I remembered the blood and feces on
|
||
my walls, and I look around. The walls are clean. What was
|
||
that written on the wall?
|
||
"Do as I say do, not as I speak."
|
||
It resonates, and I hear myself echoing it softly to myself. As if
|
||
it were a tune, a tune that calls forth deep, pensive, feelings. I weep.
|
||
What has happened to her? What have I become.
|
||
I look at the walls; blood stained again.
|
||
|
||
This is not my blood. This cannot be my blood. I examine the
|
||
wall closely. A red blur, and it feels quite dry. It must be at
|
||
least three days old. I strip and look for any cuts or new wounds.
|
||
Nothing. I hurry my clothes back on, though it is not like anyone
|
||
here cares, and I look around some more. What the hell is going on here?
|
||
|
||
I have not eaten in days. What was it I was cooking so long ago?
|
||
It was something important. Perhaps if I check the various pots
|
||
and dishes around this kitchen area I will find something of
|
||
interest.
|
||
Bloodstains splatter various aspects of the kitchen,
|
||
and I see a knife stuck in an arm on a cutting board. At
|
||
least it is not my arm, and at least we are getting somewhere
|
||
here.
|
||
Did I kill someone? I think they were trying to kill me,
|
||
but I'm not too sure.
|
||
Where is my journal?
|
||
I was looking for that.
|
||
|
||
|
||
|
||
Part 2: Exodus
|
||
|
||
Chapter I: Hunger and the Meals that Come
|
||
|
||
It was not until some time later that I realized hunger is what makes me
|
||
survive.
|
||
My body is shaking inside and it is making it hard to see. I cannot to feel
|
||
this alarm
|
||
clock I am picking up, laughing in my face, screaming bloody carols
|
||
of "WAKE UP WAKE UP!"
|
||
"Food will satiate my grumbling stomach," I snicker to myself as
|
||
I pillage pantry after pantry to delicious snacks.
|
||
"This candyland of penny arcades won't stop me!" I scream as I bring
|
||
a bloody hatchet to its aim. Food in my mouth, I chew and
|
||
chew, until the little screaming bodies quit their damn protesting.
|
||
I feel the last spear hit in my teeth as I grind their beloved
|
||
opinions to their grave.
|
||
I celebrate in victory/
|
||
to those damn, ignorant knaves!
|
||
I snicker tooth and butterscotch/
|
||
till the last guard falls to drunk seas
|
||
and with a glint/
|
||
in my dear eye,/
|
||
I hold the flag up hiiigh...
|
||
to a good day
|
||
with the death of
|
||
my dear
|
||
sweet
|
||
enemieeeeaahhs."
|
||
|
||
This food tastes pretty good, I say, after my first chew. The
|
||
door lets out a cough, a knock of subtle needs.
|
||
"HARK! Who goes there?!" I say in a prideful cry, from
|
||
behind my chair, "who dare disturbeth the master in his
|
||
chambers!"
|
||
Rage fills my shoes!
|
||
The door remains in silence; but how can it endure?
|
||
"How long can you endure?" I dribble, as I hold the axe
|
||
in my clenching fists. This door does not know the extent of
|
||
my torture.
|
||
"Take That, and THAT!" as I hear the axe grinding pure
|
||
lemon ice out of that damn incessant door!
|
||
"Oh victory; the bitter sweet,
|
||
"lets drink till drinkards done!
|
||
"Oh bon voyage; our peaceful stars,
|
||
"as the day brings sun to front!"
|
||
"for the day to us, is a battlefield/
|
||
with friends to lose as welll"
|
||
"Lets somber sweet, with a kiss of me/
|
||
and let our death becommmme."
|
||
The door is in pieces. Then I realize the horror, naked truth: My
|
||
door has had chains on it ever since I can remember.
|
||
This door, obviously, must be a trap door; WHAT HORRORS LIE ON
|
||
THAT SWEATY, OTHER SIDE?
|
||
|
||
|
||
|
||
Chapter II: Misty, Hollow Dream
|
||
|
||
But it is too late. Death is in my open mouth.
|
||
|
||
The crow did hath start his descent towards my open, bloodstained heart,
|
||
before wishing that to tell these tales to my lovely lovers mouth,
|
||
But 'tis the sick mans dying tale/ to forever remain grave ...
|
||
and polish thee/ this melody/ and keep thy heart at bay.
|
||
But time had fallen all too ill, and shortness brimmed my bloody knees.
|
||
|
||
|
||
|
||
Chapter III: Fair maden, how save thee?
|
||
when thou kitchen remains full!
|
||
(men love food in a fridge)
|
||
|
||
There she was! standing at the door!
|
||
"hey!" she chirped, with that dear sun
|
||
caressing her hair.
|
||
"hey," I script nonchalant. I got to keep it cool. Yo.
|
||
"You said you wanted to get together for dinner," she pressed, and then it
|
||
hit me.
|
||
|
||
|
||
|
||
Chapter IV: The TRAP
|
||
|
||
This is all a trap. I was made hungry by those damn, dirty particles.
|
||
I ate and ate, like a sailor with no tomorrow, till my stomach was
|
||
brimmed with shit.
|
||
When, in actuality, I was making dinner for her, and the chains.
|
||
I so affectionately call them: "fluffy-fluffy-poo!"
|
||
But I have no appetite. I cannot cook. For the true nature
|
||
behind cooking is the cooks desire to have the dish as much as
|
||
the audience. In his mind, his selfishness manifests unto his
|
||
very hands. And I have no more ammunition!
|
||
"I'll put my stuff on the bed," she woos.
|
||
|
||
|
||
|
||
Chapter V: The Bed
|
||
|
||
THE BED! THE BED! What lies hath she dispensed? Oh, I can see you now;
|
||
lying there, peaceful and naked next to some man. Some brazen,
|
||
gold-clad, young man, a piece of grade A Meat, with a cigarette
|
||
parched upon you lush lips. Spreading lies! SPREADING LIES!
|
||
BEd! THE BED! What lies hath she dispensed?
|
||
How long have I known her? Have we had sex?
|
||
What kind of foul karma did she bring into my life, once we
|
||
commenced the foul act of love-making. A factory of love
|
||
we were indeed, had it ever happened. What is her name?
|
||
"Honey, I think we should skip the meal and go straight for dessert."
|
||
Dessert? Skip the meal. Then I don't have to cook! She knew all
|
||
along! TAKE THAT YOU DAMN, DIRTY PARTICLES! I don't have to cook,
|
||
I am saved!
|
||
|
||
I love dessert though. The funny thing between desert and
|
||
dessert is that the "dessert" is easier to remember because the
|
||
two "ss" make it easier to spell. "If you ever have problems
|
||
with remember what dessert and desert are when you read
|
||
or spell them is this: Dessert you want more of right? So
|
||
remember, two S's." I announce proudly.
|
||
So therefore, I discover, the very human need to classify
|
||
things appears in front of me. We want to remember and write
|
||
and buy and sell more desserts than deserts. Therefore, in
|
||
naming them, we shall name this tasty-snack-of-a-woman
|
||
"DESSERT!" I SCREAM.
|
||
|
||
Ok, follow me to the bed then, handsome.
|
||
|
||
THE BED! THE BED! What lies hath she dispensed?
|
||
She is spreading evil lies, lies that only her hips can whisper.
|
||
I can see it; a moonlight graze, softly tampering her cheeks.
|
||
Another man, some tall dark fellow, with candy lips and
|
||
simmered lies pulls out his very piece.
|
||
She obeys and gets on her knees, to begin what
|
||
horrors my mind can only pause to bear.
|
||
"OH YEEEAHH, suck that cock," he yelps.
|
||
"mmm, you like that?" she moans as she slides
|
||
her toungue up to the tip of his cock.
|
||
"yeah, baby," he snorts as she massages curly Q's around
|
||
his cock. And so on and so on. The axe in my hands yelps.
|
||
"THAt damn Door! how dare it not speaketh of such truths!"
|
||
Why, yes. Yes, it is true; that door subjected to even my harshest torture,
|
||
and yet, it spoke of nothing of this. I shake my head sorrowfully at her.
|
||
I owe him, the Door, redemption, in the very least, for such
|
||
honor and courage will never reach the hearts of his wife or children.
|
||
But how to rectify such? To kill myself. But that would not
|
||
rectify the current situation. Perhaps.. perhaps If I kill this woman
|
||
and kill myself, then the answer shall be golden ripe!
|
||
I pick up the axe.
|
||
"Hey baby, so where should I get that lotion?" she asks, with her back
|
||
facing me.
|
||
"KIAAA!!" I SCREAM.
|
||
|
||
|
||
|
||
Chapter VI: Death of a Dream
|
||
|
||
Oh my god. Oh my god. I just killed a hooker.
|
||
She was not my girlfriend, she was not my wife.
|
||
Though she could be a cousin. Or maybe a niece.
|
||
But what ho! She is not! She is but a mild mannered woman
|
||
selling her naughty fantasies-manifested in this sick, mans world!
|
||
And I lay that brazen axe upon her skull, calling forth juices
|
||
of precious life to spray, red ash upon my snarled teeth.
|
||
I turn her face around to see what beauty may have
|
||
been, and the face suddenly distorts of one of my own.
|
||
I see my scarred tears, running down my face. An utter
|
||
look of terror, of looking death straight in the face. This is my
|
||
death as well. I pick up the axe and bring it forth unto my
|
||
very heart. Bloody tears dance chocolate lullabies.
|
||
I awake. I awake to my room. I awake to those damn chains!
|
||
|
||
|
||
|
||
Chapter VII: Chains
|
||
|
||
These chains are evil. These chains are man. We all have some chains that
|
||
stop us from acting, some inhibitions, whether they be natural or imposed.
|
||
These are our demons, this is our pain, and this it at the very center of
|
||
the heart of Man.
|
||
But when these very abstractions are taken from the heart of the
|
||
metaphor to the very simile, we see that no matter what thoughts
|
||
I produce, these chains shall never be more than just ugly, rugged
|
||
chains.
|
||
Resting on my door.
|
||
Breathing haplessly
|
||
upon my floor, and pissing and shitting like it was nobodies
|
||
business. Those damn chains. So I look around.
|
||
Nothing new.
|
||
No new bed sheets, wallpaper decorations or assortments of
|
||
flowers, just begging to be called "Beautiful."
|
||
"But upon no lips," I declare," shall that word fall, until I lose a bit
|
||
of my wits."
|
||
That's right. Love is just a delusion. It is a lie that I love someone,
|
||
because that
|
||
is what makes me say it. If there was really something I loved,
|
||
then I would be afraid to have it hear me say such a statement as
|
||
"You're beautiful," for I am afraid it would simply disappear.
|
||
All that was or ever will be good, in my life, has simply
|
||
disappeared from me after a while. It is not that bad,
|
||
really, for once I grow up a little, I won't even feel it.
|
||
I grab a knife in my own defense, and ask myself, "what honor is in
|
||
killing ones self?"
|
||
|
||
|
||
|
||
Chapter VIII: Coffeshop Detective
|
||
"Intellectually or in reality?" he asked me. A cigarette lay
|
||
resting in his fingers, as the smoke rose slowly to watch my very reply.
|
||
"Well... intellectually really, because with the fall of the intellectual
|
||
comes the fall for the will to live, which thus causes the body
|
||
to fall prone quicker to the axe of death almighty."
|
||
"So, you want me to kill this guy for good?" His thick eyebrows raised to
|
||
mock
|
||
my very plea.
|
||
"Yes. I want you to."
|
||
|
||
|
||
Chapter IX: Love in a Basket.
|
||
Where am I? I awake from a dream to see that ripe apple of beauty resting
|
||
across from me.
|
||
"hey..." she sends, sailing across open seas.
|
||
I receive and feel a slight ting in my heart.
|
||
What is this feeling?
|
||
She is beautiful. Hair falls fresh upon calm shoulders. Her skin is smooth
|
||
with
|
||
milky creame and chocolate bits; she is a supple blueberry, and I am but
|
||
a lonely Grape. But we are two berries amongst a few in a basket, and
|
||
the sun feels nice on our skin.
|
||
I run and run towards her, but she gets farther and farther. I run
|
||
backwards a bit, to see if it is inversely proportional in this world
|
||
(write that down!)
|
||
"Sorry," she whispers, "but the time between us is falling all too short.
|
||
I would love to stay with you, but I simply can't bear this feeling."
|
||
The feeling! I gasp.
|
||
It hits me. That feeling of waiting, of waiting as if at a loss.
|
||
Those very minutes we spent, the hours of love making, all to
|
||
End too soon. And upon my waves of goodbye to her waiting
|
||
face, we turn back to back and lead separate lives.
|
||
And in those mundane moments apart, where we laugh and
|
||
nod for others and think secretly to ourselves, we could fall victim
|
||
to another<65>s talons, and fall in love with someone else.
|
||
She fades to a droplet of morning dew, to be pressed by
|
||
my ignorant, childish finger.
|
||
She fades to a droplet of light, but a small simmer in my eye. And she is
|
||
gone.
|
||
Forever.
|
||
|
||
|
||
|
||
Chapter X: Forever
|
||
Forever, Forever
|
||
We carry such burden and pain
|
||
Forever, Forever
|
||
How can we not stay the same?
|
||
Forever, Forever
|
||
We feel happy followed by sad
|
||
Forever, Forever
|
||
If we can keep getting our fix, and stop feeling sick
|
||
then why would we want any change? (sing proudly)
|
||
They say that the direction of a mind is in its progress. Progress
|
||
is classified on the level of objective thinking.
|
||
The ultimate master of such would simply see an argument,
|
||
and all he would see is disassociated words of the sentence,
|
||
and thus the connections that come.
|
||
And upon seeing such, he will see letters of each word,
|
||
and the connections that made them be.
|
||
And upon seeing each letter, he shall see the very pixel of each letter,
|
||
thus making the connection that made them be. And so on,
|
||
and so on. Infinity.
|
||
|
||
|
||
|
||
Chapter XI: Schizophrenic
|
||
I must leave now. I am sad to go, for all my thoughts that I will hold, so
|
||
far away from you, shall never be yours. I cannot reach you if we
|
||
are ever lost, lost in others lives. I wish that my words could reach you,
|
||
by
|
||
writing or yells, but I know without me, the words will be words, to be put
|
||
back in the
|
||
recycling bin.
|
||
|
||
Part 3: On Vacation
|
||
|
||
chapter i: Demons Seed
|
||
|
||
"Sir," the red rabbit said, "why need us these soldiers whom brought
|
||
forth such taste/
|
||
when really our evil shall never fall waste."
|
||
"What is that Pip?" I chorted; that grimy little fuck.
|
||
"We are demons, and our enemy are humans.They suffer from a condition
|
||
known as mortality, and there is no cure."
|
||
"So where is your logic going with this?" You Twit.
|
||
"My logic is that since we are immortal, it would not matter what
|
||
type of soldier we picked, because it is not like we can ever lose."
|
||
I looked at my servant with utter disgust. Had he no values? Oh, but of
|
||
course, he is the younger man. He is part of another generation, one
|
||
ever so distant from mine.
|
||
I felt old.
|
||
"Pip, my son," I said in a Baseball-Coach voice, "it is the personality
|
||
that makes
|
||
the soldier, and our army must contain charisma unlike any other. For you
|
||
see..."
|
||
I pause to let a tear squint my vision.
|
||
"For you see, it is all about MERCHINDIZING,
|
||
MERCHINDIZING!"
|
||
"Merchandising?" the bunny asked.
|
||
|
||
"Yes, and you know if they ever make a monopoly version of our
|
||
army or perhaps a videogame about the war, people are going
|
||
to have invincibility cloaks for the humans and whatnot."
|
||
The red rabbit sighed. He thinks I am insane.
|
||
I am not insane though, for this is all just a test. The test is for
|
||
him to realize that it is utterly pointless of him to worry, for
|
||
he knows that we are immortal, as demons, and those
|
||
humans are mortal.
|
||
We shall crush them to dust. So why worry about anything?
|
||
I take out an axe.
|
||
"Pip," I say carelessly, "you know I loved ya, but you know why
|
||
you have to go?"
|
||
"Why?" his voice squealed, "WHAT DID I DO?"
|
||
I sighed. If Pip were smarter he would know why, but, if he
|
||
was smarter, he would also be able to avoid such a situation,
|
||
which would make it an assumption of ours that Pip would
|
||
know why (if he was smarter)
|
||
I bring the axe down and it slices through pizza guts. I
|
||
hear a woman scream in some deep recess of my mind.
|
||
|
||
|
||
|
||
chapter ii: Avalanche
|
||
|
||
"Who was that fellow who always babbled about those Hobbits?"
|
||
Old men sit in rocking chairs, scattered throughout a small room.
|
||
It is a quaint setting with a temperate atmosphere. Some of the men
|
||
smoke, while others drink tea with shrooms. Some are chugging bottles
|
||
of cough syrup, whilst others are simply lighting a blunt.
|
||
A songbird whistles in the background an old tune from when
|
||
they were all young boys.
|
||
"hmm, I don't remember his name exactly..." said Steve.
|
||
"hmm... a hell of a stoner that man was..." said Eric.
|
||
"I dunno.... yeah! yeah!" said Bob, pointing a finger to the sky.
|
||
"because i remember," Bob elaborated, "how I would always be, like
|
||
uh, 'hey there J.R.R. TOKE, stop HOGGING THE WEED."
|
||
Laughter echoes throughout the room and some spectators cry.
|
||
"That fucking Einstein," said Eric.
|
||
"What did he do?" I asked.
|
||
"Einstein, while on mushrooms, told me this: 'Eric, I am about
|
||
to create something incredible; not only is it going to end a
|
||
war and bring peace, but it will also bring about a new
|
||
era and the destruction of the entire human race, by
|
||
their very own hands even!. I see the effect for every cause,
|
||
beginning with this very moment being a Cause for an Effect.'"
|
||
"Then why did he do it?" I asked.
|
||
"to get to the Thought Kingdom." Steve butted in. "That
|
||
fucking Einstein, now that he's in Thought Kingdom he
|
||
can strip away his visage of Righteousness. He can
|
||
bask in his sickest, most repressed fantasies. I've seen
|
||
him, shooting junk while getting his cock sucked by some
|
||
horny Japanese teacher named Mayumi, and a fucking nurse!
|
||
Curse that decadence that comes from Power!"
|
||
"All those damn idiots; Einstein, Socrates, Aristotle, Newton...
|
||
they all did it to go to Thought Kingdom."
|
||
"What is Thought Kingdom?" I inquired.
|
||
"Thought Kingdom is the Kingdom of the Thought World." Eric said.
|
||
Bob butted in, "I'm not sure our guest fully realizes the Thought World."
|
||
"The Thought World," Bob said, "is where we make a mark
|
||
depending on what our thoughts were."
|
||
I was confused and gave a puzzled look.
|
||
"Just as you can map your world by the category of the
|
||
connections made between human to human, human to location,
|
||
location to location..." Steve said, "you can map out a world by the
|
||
category of your thoughts and intellectual maturity."
|
||
"But isn't that all relative?" I asked.
|
||
"No! Intelligence behind thoughts can be measured on an
|
||
indefinite scale," he declared.
|
||
"But how so?" I asked.
|
||
"Well; for example, someone who thinks that morals are
|
||
relative because they themselves don't believe in any
|
||
specific morals, as opposed to someone who thinks morals
|
||
are relative because they see the contradictions,
|
||
paradoxes and absurdity behind meaning, definition and
|
||
the very fabric of matter and time... the two are very different
|
||
intellectually despite having the same opinion on morals and
|
||
their relativity"
|
||
"But this is getting off topic," Bob then declared.
|
||
|
||
|
||
|
||
|
||
chapter iv: THOUGHT WORLD
|
||
|
||
"Just as you can map your world by the category of the
|
||
connections made between human to human, human to
|
||
location, location to location..." Steve said, "you can map
|
||
out a world by the category of your thoughts and intellectual maturity."
|
||
"Therefore, the mark you leave on the world, in any sense of fame
|
||
or glory, is much different then the mark you leave in the Thought World."
|
||
"So it's like?" I asked stupidly.
|
||
"Fine, fine, fine... tell him the useless simile." Bob yelled.
|
||
"It is Heaven, but we are not measured so much by 'what
|
||
we were' and 'what we believed,' but rather how 'what we
|
||
were' 'got to be,' and how 'what you believe' 'came to be'
|
||
as well." Eric stated, "but by calling it 'Heaven,' we have
|
||
immediately brought some doubt forth in your mind, so you will
|
||
not believe us."
|
||
"You are measured in Heaven based on the justification that
|
||
you, yourself, fabricated because of the situations, which also
|
||
contributes to your intellectual side."
|
||
"But why not just judge the good and the bad moments?" I asked.
|
||
"Because it is not important about what actually happened.
|
||
All that is important is the reasons behind the action, the
|
||
intent of the individual parties, because thoughts came
|
||
before action." Bob said.
|
||
"Thoughts will forever be the plague that we must stop!" Eric declared.
|
||
|
||
|
||
|
||
chapter v: Basins full of Paradox
|
||
|
||
We lie half naked, she and I, and our hearts have never beat
|
||
faster.
|
||
"Is this what you really want?" she asked me.
|
||
Another Paradox, I mutter.
|
||
"I only want it if I know you want it," I said in a light coo.
|
||
"But I only want it if I know you really want me.." she
|
||
whispered, "that you want me and not just my body."
|
||
Then we'll never know. Let us believe our own stories, it
|
||
will make us feel better, because knowing makes us feel better.
|
||
There is a paradox within knowledge though; the Greater
|
||
the understanding of a truth, which is thus made Absolute, the more
|
||
that very truth is immediately negated due to Objective, Rationale,
|
||
or Human thinking.
|
||
In other words, no matter how much one learns and how much one
|
||
understands, He can never learn more than what others will call
|
||
"opinions," even despite the Truth.
|
||
"The truth is that there is no truth." I say to her.
|
||
"Then that truth is not true... therefore there is a truth."
|
||
"The truth," I say noddingly, "is the same as God. We simply
|
||
cannot accept it in its most absolute form."
|
||
She looked at me doubtlingly, and with the stare of a shady
|
||
cat she said "and how do you know any of this?"
|
||
"There is a way to connect anything and everything, and once
|
||
one sees the patterns, it is hard to ever turn back."
|
||
That fine line between sanity and insanity can be so much fun
|
||
to cross between, though does that make one insane?
|
||
|
||
|
||
chapter vi: Interlude
|
||
|
||
The movie played despite there being only a handful of people in
|
||
the theatre. Just a few older people and individuals, wanting to waste
|
||
a Sunday evening, scattered lightly across the seats.
|
||
|
||
A couple sits in the very front row/
|
||
but 'tis not for them to see.
|
||
To see the lights and epic flights/
|
||
of this action packed movie.
|
||
So they sit and touch and moan and puff/
|
||
and shoot crack up their veins
|
||
He cums on the seat
|
||
while she's beating his meat
|
||
to this wavy trip todaaaaay.
|
||
Close Curtains.
|
||
|
||
|
||
|
||
chapter vii: Answering Quantum Physics
|
||
|
||
"Once you're on a bad trip, it's hard to really just sober yourself up.
|
||
You just need to give in to every little accusation and presumption
|
||
you make, and you just need to ride the waves and hope
|
||
you make it out alive."
|
||
I shook my head.
|
||
"But really what is the Greater Trip? That, my friends, is Life.
|
||
The very lives we live are a strange paradox. As we age, the more
|
||
we grow intellectually and the more we mature; we feel we
|
||
have more freedom and control over our lives. In actuality,
|
||
the older we get, the less control we have, because what we
|
||
become is based on what we were. Our past becomes
|
||
ever more important to us as we accumulate more
|
||
moments and memories to add to this indefinite universe,
|
||
we call My Existence, or the Past."
|
||
"What we eventually become is victims to our own drug;
|
||
whatever it is that we have a passion for. Our greatest
|
||
strength becomes the very foil, the seed of anger and
|
||
insecurities."
|
||
I pause to breathe.
|
||
"So all we can do, from our mistakes and blunders of the past,
|
||
is to just ride the waves... nothing really exists."
|
||
I raise my hand.
|
||
"For you see, do You, the Reader, know if it is I that is speaking or I that
|
||
is a listener
|
||
in an active discussion? Am I and He the same Character? Is this entire
|
||
chapter a
|
||
monologue of one Man in a room, or is it a one on one discussion, whereas I
|
||
am the
|
||
speaker and He writes the story? Each are both equally valid and each are
|
||
equally
|
||
true, regardless of any intent from the Author. They become your reality,
|
||
and in
|
||
essence, did happen in the story that You and Reading."
|
||
"So what question does this ask?" I ask, as the teacher rambles on and on.
|
||
"I just proved," he said, "how we can be in two places at the same time."
|
||
"But I didn't feel any different," I said.
|
||
"Reality Changes never feel much different," He replied, "It's why nobody
|
||
seems to notice."
|
||
"Ambiguity really hurts intent, huh," I say.
|
||
|
||
|
||
|
||
Chapter viii: Good bye
|
||
|
||
"So this is it?" I say, as the night slowly melted by the coming forth of
|
||
day.
|
||
"What did you expect?" He said to me. His portly body accompanied his
|
||
robust laugh.
|
||
"I never expected any of this to happen..." I say.
|
||
"You've seen things and felt things that no Man should ever have to
|
||
have done..."
|
||
"But Why, Why God?"
|
||
"Because you are..." He paused.
|
||
He pauses for a moment, to let me beg for redemption once more.
|
||
"Because you create realities that are simply unfit to be, because you
|
||
created me, because you become what you write, and because you
|
||
become what you think and feel."
|
||
Is that such a crime?
|
||
|
||
|
||
|
||
chapter ix: Coffee House Detective
|
||
Part Two
|
||
A crime... A crime, I remembered. I hired that guy to kill
|
||
my Intellectual Side. That guy disguised himself as God. Or
|
||
Perhaps God was the Coffee-House-Detective.
|
||
I stopped for a moment. Looked behind me. Nothing. Good.
|
||
But why did I do this? Why did I want to lose the intellectual
|
||
side of myself? Why? I recall saying something along the lines
|
||
of, "if the intellectual side goes, then the will to live will go as
|
||
well..."
|
||
I can make no sense of it though. Just empty words, spilling
|
||
blood upon soil that does not exist.
|
||
It is what we think that makes us live. It is how we justify the
|
||
moments that would otherwise be random particles dancing
|
||
throughout random matter, because we create them to be
|
||
our Reality. Without any ability to think would come the will
|
||
to die. But why would I want such? Perhaps my only desire was
|
||
to not think anymore; thoughts only bring more sadness and more
|
||
confusion into life.
|
||
I walk alongside a dark alley, whereas a small, muddy stream
|
||
is flowing through the middle. I see a scrap of paper floating
|
||
down, and I pick it up. something about it was alluring.
|
||
On the back, is written, "Look in Kitchen."
|
||
I walk slowly towards the Kitchen and when I see what a bloody
|
||
mess is scattered throughout that room. I must close my eyes
|
||
briefly to avoid vomiting.
|
||
Did I make this mess?
|
||
What happened during all my trips, all my drug excursions, all
|
||
my day dreaming, night dreaming, lucid dreaming, acid dreaming and
|
||
sleep walking moments? What did I do while I was gone?
|
||
A torn up scrap of paper from my journal is at my feet. I pick it up
|
||
nervously
|
||
"Damn, Damn, Damn! I should have seen this coming. Whenever I left on an
|
||
Acid trip or a Dex Trip, I just assumed this mortal body would become a
|
||
prone,
|
||
empty shell for the time being. I should have guessed that my body would
|
||
want
|
||
my mind there, for its selfish needs: it made me all the more sick whenever
|
||
I returned. Sick in the mind, sick to a psychotic state. Who have I killed?
|
||
Who will I Kill?"
|
||
This was written just two hours ago, but I have no recollection of doing
|
||
so.
|
||
All I can remember are dreams.
|
||
|
||
|
||
Chapter x: Atlantis
|
||
|
||
Why did my body do this? Why is my mind doing this? I ravage notebooks
|
||
for any sort of hints.
|
||
I find the One.
|
||
"I want to die. I have rationally induced that life is not worth living. I
|
||
have also
|
||
rationally concluded that reality is what we think it to be, so that those
|
||
very moments
|
||
that our brain is still active after our body dies (in that dream state) I
|
||
shall think up
|
||
a new life. Whatever that life is, I'm sure it will be different and weird,
|
||
but its my
|
||
Utopia. Perhaps I shall write about it someday and think it through to this
|
||
reality."
|
||
"But I can't get myself to do it, for the very mind that made me realize
|
||
such is
|
||
also the cause of all inhibitions against any form of suicide. I know once I
|
||
am dumb, I will
|
||
be able to kill myself, however, I know I will not be able to understand it.
|
||
Therefore,
|
||
it shall never have been a reality, and I shall cease to exist."
|
||
"Geez" I said, " You're just a fucking character in a story."
|
||
"And none of this makes sense," I say.
|
||
<20>While you were off hunting your dreams and living your life through your
|
||
thoughts,
|
||
the whole world did the same, and now all that<61>s left are these scattered
|
||
scraps of useless paper.<2E>
|
||
|
||
|
||
|
||
Chapter xi: Nostalgia
|
||
|
||
"And god would ask, with his mighty guitar by his brazen side,
|
||
if you would want to join him in this world, where realities are more
|
||
than just what you make them: it's what you think them to be in their
|
||
truest of forms."
|
||
"Are there any drawbacks?" I asked.
|
||
"Well, you would appear to be dead in the reality that you came from."
|
||
"Well, would I feel any pain?"
|
||
"No, you won't."
|
||
"Then how will I know I'm dead?" I ask.
|
||
"You won't care once you infuse in
|
||
our world because it doesn't matter."
|
||
So I decided to stay.
|
||
|
||
|
||
|
||
|
||
Chapter xii: Trick Question
|
||
|
||
I did not decide to stay that time. For I knew I must come back and write
|
||
about such
|
||
events. I must let some of this truth leak out, however, God and the
|
||
Universe are not
|
||
scared because they know it will sound like utter nonsense. That's how they
|
||
planned
|
||
it to be, for the paradox in our language and systemic memory has caused the
|
||
Absolute
|
||
Truth to seem a most ridiculous, stupid, lay-mans belief.
|
||
Or perhaps I am just insane. However, I can rationalize why I'm insane.
|
||
Should that
|
||
not, in light of fact, make me Sane? It will in your eyes, but I will always
|
||
be haunted
|
||
by the Paradox. For I know I am Truly Insane, from my Sane Rationale,
|
||
however
|
||
I know I am Sane as well. Which do I hold dear?
|
||
It is not a conspiracy. It is just one man's wish to Die, and His search
|
||
for the reasons behind such.
|
||
|
||
|
||
______________________________________________________________________________
|
||
Beggar and the City
|
||
______________________________________________________________________________
|
||
Part 1
|
||
It was not until some weeks after I met our aquaintance
|
||
that we were to actually meet. To know someone who
|
||
has no say on ones self is a selfish thing to do.
|
||
|
||
I found a small bag belonging to him, containing little
|
||
more than his wallet and various documents required
|
||
for travel and identification , etc. It seems our dear friend
|
||
was attempting to leave the country.
|
||
It was more than this, however, that allured me. Something
|
||
that spoke of pulchritude or perhaps, simply, emmincence.
|
||
In his very picture, which he had left behind for me so
|
||
happendly to find, and on such accord did my find first settle.
|
||
I should have stopped myself, by giving the bag to the
|
||
proper authorities, so its so rightful master can reclaim what
|
||
was his. Though, I must admit, I found the circumstances quite
|
||
odd, for the very chance of such a man, having to leave the country,
|
||
to leave a small bag containing personal items, to be found
|
||
in the hands a beggar.
|
||
|
||
I remained in an abiding state for several weeks, although during
|
||
which I so humbly researched our dear friend. I was actually there
|
||
by accident, begging for change and any spare hopes, when I saw
|
||
him approaching.
|
||
|
||
He paid little attention to me at first, aside from a few coughs
|
||
from my dear cup, the echoes of cold coins, and I smiled
|
||
in thanks towards this stranger.
|
||
|
||
We began conversation, from which point I felt something
|
||
so cheaply charming about this fellow. His expression and
|
||
his voice dripped mellancolly: Why had he stopped just
|
||
now to talk to a hapless beggar? What benefits had he to
|
||
gain?
|
||
|
||
When he left, I felt in strange awe. His resiliant stride and
|
||
train of thought had left me stunned; for I had not expected
|
||
such to happen. At no time had he given any suspicion to
|
||
the foil of his life; the poor, desolate beggar. Neither, at that
|
||
time, had he even offered the slightest conviction of concern
|
||
towards his possesion. Apparantly he valued material possessions
|
||
very little.
|
||
|
||
He had a mistress, so I assumed, over early the next day. The
|
||
grass was a moist sponge for sunlight, and the chirps of various
|
||
city animals mingled pointlessly with their surroundings in
|
||
an echo of vast cacophony.
|
||
|
||
I awoke in a small corner, as people walked silently
|
||
by me. To them I am simply part of the scenery, an extention of
|
||
flesh to whatever wall or floor I am against.
|
||
|
||
He stood waiting, flowers in hand, and a shy smile
|
||
that was well returned. She was beautiful, nay; beautiful
|
||
is too callous a word. Young, robust, and radiating with
|
||
unadulterated sexual finesse. Moreso was her demeaner
|
||
towards him, and his innocent charm and voice that left
|
||
her smiling inside. Together, as a couple, they seemed perfect.
|
||
|
||
She left, paying little attention to the short, stout man
|
||
sitting across the street from her. I ducked hurridly to
|
||
avoid any contact, but it was merely out of vanity.
|
||
|
||
Nights crept into me. I found myself wide awake as
|
||
the sun slowly fermented into the sky. The weather was
|
||
a bit colder, and I know that he lays in comfort, as I in
|
||
shambles.
|
||
|
||
I could see his lover lying in his arms, as her gentle breathing
|
||
kept a metronome of conjured heartbeats in tune. I felt
|
||
a suddent warmth in my stomach at the thought of being
|
||
mate to such a goddess. Though, not long after this thought
|
||
was finished, I felt such shame! How I may have ruined his
|
||
life, how I could, and even worse, the thoughts that echoed
|
||
throughout my head, as convictions chipped away at my sanity.
|
||
|
||
At first, I thought stealing his identity would bring me merit,
|
||
and thus, success. Upon hours of research, however, I found our
|
||
dear friend to be quite prodigious in his studues, and quite
|
||
well respected in other areas as well.
|
||
|
||
A model citizen, if means do tell the ends. Though, such a change
|
||
that would be required, in order to play the part, was mostly
|
||
superficial, while his bank still remained as empty as it was
|
||
when I checked; money seemed quite out of reach.
|
||
|
||
The thought had passed through my mind, really, the thought that such
|
||
a man of his intelligence and reputation must have some money.
|
||
Surely he must keep it at home, hidden away; perhaps he fears a
|
||
depression. It would also explain his three locks, for when
|
||
I counted them, it was brisk monday afternoon.
|
||
|
||
I found his writings to be quite entertaining, although the task of
|
||
reading seemed to be of less worth than its rewards. He had written
|
||
a novel, after he gained some recognition off of various publications
|
||
he had written for newpapers, and its success was almost non-existant.
|
||
|
||
Despite this, oh, how I wished to be him! Such thoughts had he
|
||
written and managed to capture, and with such intelligence.
|
||
|
||
It was a Sunday evenining, and I was in my usual place,
|
||
across the street from his apartment. I was quite pensive that
|
||
night, for reasons unbeknowest, so I did no notice her
|
||
drop a quarter into my cup.
|
||
|
||
I looked up quickly and it was her: the object of His affections. She
|
||
smiled at my dumbstruck, idiotic expression, for upon seeing such I felt
|
||
I understoood his writings. So much of her had influenced him, subconciously
|
||
even; she was his muse, as his writings played a fair lark. I smiled,
|
||
gently,
|
||
and ather than feel sha,e at such a toothless beggar, she began to laugh.
|
||
"I am very glad that you are able to enjoy life, even without the
|
||
constant bearings of money."
|
||
I looked up, as if I were a violin and she the fingertips.
|
||
She paused, to finish a thought, and she then added.
|
||
"Money has never really done anyone any good, really."
|
||
|
||
I recalled this very theme throughout several of his
|
||
stories; superificiality and facing the absurd paradox
|
||
of reason. I replied, from a conversation from
|
||
one of his stories, "People can be so vain. The irony in
|
||
this lies in the context of the human scale of reason."
|
||
I paused, to see if she recognized any of the words, but
|
||
she remained attentive as if I were saying it myself.
|
||
I continued: "For to mark vanity as vanity is along
|
||
similar lines of having, in ones possession, a vast amount
|
||
of wealth, while simultaneously pointing out the absurdities
|
||
of money. We often find the most vain to be the most repulsed
|
||
by such notions as appreciating the very pinnicle of such vanity."
|
||
She laughed, and I heard a shout from my left. It was him,
|
||
asking her what business she had wit hme. Not in the least
|
||
bit of offense had he expressed this, rather, he was just curious.
|
||
|
||
The very generosity! They offered to take me in for a night. I felt
|
||
such glee, as if a child was asked to thrust himself into a world
|
||
of endless candy.
|
||
|
||
His home was quite quaint. He had various books on a shelf,
|
||
and a bed. I see he had no radio, which I found quite strange, but
|
||
in response to my asking he replied that he was not fond of the
|
||
it.
|
||
|
||
His meal was a surprise as well. A very humble, lightly seasoned
|
||
meal, with no prayer, however, they asked me if I wished to make
|
||
one.
|
||
|
||
And we talked of lives and dreams, of ephemeral scope, and
|
||
when our cigarettes were out and the dishes lay bare, I suddenly
|
||
felt an intense fear shiver through my body.
|
||
|
||
I felt something was astray, as if the moment was not really
|
||
happening. My eyes darted, suddenly, searching for places
|
||
money could be well kept, and I felt my breathing grow
|
||
heavier.
|
||
|
||
They asked me if I was alright, and I replied with my condolences;
|
||
for it had been so terribly long since I have had such a meal,
|
||
and my poor stomach could no handle such generosity!
|
||
|
||
It was about then that the sudden though of stabbing both of them,
|
||
as he sat smoking another cigarette in bliss, and she picking up
|
||
the various dishes, came into my mind and left with myself out
|
||
the door.
|
||
|
||
Part 2
|
||
I could not sleep. I cannot sleep. Nights became days, as
|
||
time molded together into some slick disgusting creature in
|
||
my brain. I could no recall yesterday, as I
|
||
knew not tomorrow, and I felt as if I were a birds eye-watching.
|
||
|
||
I felt such hate, such disgust, towards myself, for decisions
|
||
and seemingly youthful care-free attitudes left bones so bare.
|
||
Remorse! A fellow that one could take out drinking some lonely
|
||
Wednesday night.
|
||
|
||
And yet, a strange animosity filled my heart every night I thought
|
||
of either of them, together or seperate. I saw them togehter in
|
||
their Utopia away from all Utopias, a place to call their own.
|
||
|
||
It was also that night, the night of a humble meal
|
||
and company, that he had mentioned his desire to leave
|
||
M-------, and when I asked why he had not left yet,
|
||
he replied that he had lost his belongings.
|
||
|
||
I did not know how to react, for any such action could
|
||
lead to his suspicions astray. I know not how I replied, though
|
||
I noticed a more stern look hiding seedily in his
|
||
eyes, every time he saw me.
|
||
|
||
For I know now what allured me to him, his life, and
|
||
his lover. I spent nights, throwing my desperation and
|
||
loathing into some infamous plot, hoping it would bounce
|
||
back as reality.
|
||
|
||
|
||
His dissapearance should come as no surprise. I had
|
||
gone into a police station, after leaving the bag carefully
|
||
outside, near one of their cars, and claimed it to be
|
||
mine.
|
||
Of course, how should they doubt me, for upon showing
|
||
my various documents proving His identity, they handed
|
||
me the bag and I replied with thanks.
|
||
|
||
>From doing so, I wrote many letters to various friends
|
||
of his, in his very voice, acertaining to his anonymous
|
||
departure. I made sure, with an intensity rivaled by that
|
||
of God Himself, that my voice and tone in the writings had
|
||
been exactly his. Ironically, he had given me an old typewriter
|
||
that he used to write his very stories on, and what greater
|
||
irony then to be struck down by ones former tool? Many laughed
|
||
at the various klinks and klanks of the beggar, typing away madly,
|
||
on his own plane of thought, to remain unperturbed and unnoticed
|
||
except by those few very tourists, who would stop to stare
|
||
at any notice of attraction.
|
||
|
||
Though more mad had I become from reading them,
|
||
countltess times, through my very eyes. I felt his
|
||
longing to leave, which he wrote about constantly,
|
||
and his desire for the unkonwn. I read each letter
|
||
I had written, as if reading to the person it was
|
||
specifically adressed to, and gauged each individual
|
||
reaction to each and every word. It took about a week,
|
||
which when one does not sleep, is approximately 150
|
||
hours of solid writing and revising to get it perfect.
|
||
|
||
It was absolutely stunning.
|
||
|
||
That night I slept with the tranquility
|
||
of a clear conscience. I had a dream,
|
||
and despite having amnesia upon awaking,
|
||
I felt as if it were a harbinger of some kind.
|
||
|
||
Part 3
|
||
|
||
His footsteps echoed quietly as he walked up the steps. I approached
|
||
him and gave greeting. He asked how I had been, since he had not
|
||
seen my around, and I told him, as of recent, I had spent
|
||
many of my days writing.
|
||
|
||
He felt an affinity with me; perhaps he saw me as a pupil? He was
|
||
the one who supplied the resources. He offered a cigarette
|
||
and some coffee, over a nice conversation inside, he stressed
|
||
those last three words. I could no help buy comply.
|
||
|
||
He was fascinated, for what I described in my writings
|
||
sounded so much like his writings that he felt we were
|
||
mentally connected.
|
||
"And how ironic could this be? You are me, though
|
||
you are just a beggar!" He said with absolutely no offense,
|
||
moreso, I suspected a desire that he wished to switch places.
|
||
He confirmed such suspicious by quickly adding that he
|
||
would end up a beggar, whereever he eventually went, had he his
|
||
documents.
|
||
|
||
It struck me as no surprise, and yet, it seemed so unrealistic,
|
||
Had this man any money or ambition? His writings seemed
|
||
to fulfill his mind, but his heart was empty. I knew now that
|
||
he lacked the experience of a life fully experienced of all
|
||
possible; who really wishes to take a chance that there
|
||
is another life?
|
||
|
||
The phone rang, and as he picked it up, I felt a sudden nervousness.
|
||
I expected it to be her, guilt stricken and in pain, from the letter
|
||
I had written her. I could no restrain myself from curling my lips
|
||
slightly in a menacing grin at such a malicious thought.
|
||
Rather, it was the Prefect. I could hear his voice, quite
|
||
stern, even from across the room.
|
||
"Do you remember how you called me a few weeks ago,
|
||
asking me to keep an eye out for your bag?"
|
||
"The small, brown, leather bag that contains many important
|
||
documents of mine?" he replied, urgently and with a hint of
|
||
optimism.
|
||
"Well, we found it last week, on a Tuesday afternoon, though it
|
||
was picked up by you, apparantly."
|
||
"What? Impossible! We were just having lunch on
|
||
that very day; how could I have done that?"
|
||
"Well," the prefect pondered, "the man who picked
|
||
up your bag had all of your documents of identification,
|
||
and the man stationed at the time had no idea of
|
||
what you looked like. He was just hired the day before."
|
||
He asked for a description of the man, and the Prefect
|
||
replied a beggar of sorts; short and stout. Shaggy hair,
|
||
wrinkled face, old cough.
|
||
|
||
It was at this time time that I, behind him now,
|
||
stuck a butcher knife into his neck, which
|
||
came out his front side, bursting his throat
|
||
wide open. I quickly caught the phone as
|
||
he dropped it, and, holding the phone quite
|
||
still, I continued on slashing and stabbing until
|
||
his gargling stopped. The scene was quite
|
||
morbid, actually. His head had become almost
|
||
detached from his neck.
|
||
|
||
The Prefect, stunned, asked if I was there.
|
||
I replied, in a perfectly crafted voice.
|
||
from which hours and hours of patience
|
||
was put into.
|
||
"The beggar is at my door. He came just
|
||
now."
|
||
The police man asked if I was alright, for he had heard
|
||
some strange noises.
|
||
"It was nothing, my dear friend is quite sick.
|
||
I have known him for quite some time, and we exchange
|
||
words often. He is here to return my bag."
|
||
The Prefect paused for a moment, said "all's well
|
||
that ends well," and after exchanging various thanks
|
||
and goodbyes, finally hung up.
|
||
|
||
The phone rang some hours later, as I was
|
||
carrying his body into the bathtub. I had layed
|
||
out various towels and prepared a solution as which
|
||
to dissolve the body in and also cover the smell
|
||
until the body is dissolved into an ambiguis sludge-like
|
||
material. The phone continued to ring.
|
||
|
||
I picked up the phone with an impulsive caution
|
||
that can only bring more excitement. In a very
|
||
shaky voice, I heard her cry, "Please, do not leave
|
||
me all alone, for what worlds have I to share with
|
||
whom now?"
|
||
I could not help but smile, for I shall tell her to
|
||
come over for one last time, so as we can talk
|
||
in person, and in His voice, I shall.
|
||
______________________________________________________________________________
|
||
Insanity
|
||
______________________________________________________________________________
|
||
The essence is of sweet perfume. Was I really going this insane? How many
|
||
lives have I broken, getting those damn fine splinters in my feet. They were
|
||
already blood-stained as they always are.
|
||
I pause. Blood. Blood, look at that very word. The way the B curves,
|
||
and the two O's that attach and l and d, the very S between that LSD.
|
||
This word is gothic in appearence, which thus made us associate it
|
||
with something we find dark, disturbing, and violent. Blood is the essence
|
||
of this darkness, and that crimson hue pulled over any of our eyelids
|
||
would never be good. Death is never pretty.
|
||
Or so I thought. A young man, 20 years old, who is dissassociated
|
||
from the world. "I have dissillusioned for quite some time," he once stated
|
||
to himself. "I create a false reality which I exist in, thus making it
|
||
reality by
|
||
my very hands. I am God."
|
||
What redemption of grand scale was he trying to go through?
|
||
Hark, the son is calling. The soul of all lost bodies, and grim green
|
||
giants as well, crept softly up my spine.
|
||
This demon-god love child is what we call self. We call it Self, though
|
||
we feel selfless in doing so. That is why only I exist.
|
||
I traveled, and many places have been in my head, but no place
|
||
can ever compare to this. Death is never very much of a nice place
|
||
to be. But as all tourists say, "Another day, another place."
|
||
|
||
Chapter 1: Self
|
||
She was a cold damsel in distress. The type that would
|
||
take your cigarette, light it with a zippo, and flick the ash at
|
||
you. She was real dirty like that.
|
||
I had some good times with her, nonetheless. Painting
|
||
the entire town in a sweaty coat, spreading glossy
|
||
dreams into little minds to grow into evil manifest.
|
||
Corrupting minds and watching life fade was like
|
||
the cigarette smoke blowing through the wind.
|
||
A classic Bonnie and Clyde, though all too similar.
|
||
If I die, she will die too. It is not because of the same
|
||
reasons that I choose, nor the same means. She will die
|
||
because of me, and she is ever so happy at doing so.
|
||
It is harder for women to understand objectivity. The
|
||
world to them is simply objects that are related to themselves.
|
||
People are placed in a social scale by ones own desires. The only
|
||
true way to understsand objectivity is to look at everything
|
||
as pieces. Each thought simply a piece of a puzzle that
|
||
we must define, refine and process. Each shade and hue,
|
||
each placement of particles in a room, are simply a 2
|
||
dimensional picture in our mind. And yet, once one understands
|
||
everything, one also understands everything in relation to
|
||
themselves. Thus we gain knowledge of Women as well
|
||
as Ourselves.
|
||
"Selfless as always," I mumbled, as a faint crackling of parched,
|
||
desperate
|
||
eyes poured buckets of tears on me. "You always do this," she exclaimed,
|
||
"how am I supposed to feel?"
|
||
How are you supposed to feel?
|
||
I don't know.
|
||
I don't.
|
||
So please.
|
||
Leave me alone.
|
||
Just go away.
|
||
I want to find myself.
|
||
I just want to be alone for a
|
||
Little While.
|
||
"Please go away," I asked the world, "please let me live."
|
||
"Life cannot exist without reality," The World stated, "and reality
|
||
cannot exist without life." The nude resemblence startled me.
|
||
"You need me as much as I need You," I remarked. I hope I win
|
||
this game. I snicker, but then The World rebuked with a quick
|
||
"But I don't need You. Fine. Go kill youself."
|
||
Why, why, why, must this be such a cruel place?
|
||
|
||
Chapter II: Peaceful Skies
|
||
"Just have faith," said the big sign. A flopping vagina of old means,
|
||
whoring itself to the people. "You know you want this."
|
||
"This is you," it continued, "and you know you have a problem.
|
||
Think about it. Someone hates you or you hate someone. Conflict
|
||
and drama run your life, and cause stress and depression. You must
|
||
change yourself first, so buy buy buy!"
|
||
Suddenly a giant beehive squishes out of the sign, with fresh nectar
|
||
and sweaty dew covering it in fine gloss. Honey oozes out, ripe and fresh,
|
||
as I slide my toungue carefully over it, letting each second soak up that
|
||
honey.
|
||
Back and forth I counted carefully, as my toungue slid up and down, to grasp
|
||
each and every facet of this beauty.
|
||
"buy buy buy!" the infomercial screamed, with veins popping blue and
|
||
black.
|
||
"You want this new videogame system, and look at these donuts, don't they
|
||
look
|
||
tasty? You want to look better? Wear this cologne, because smell is
|
||
important, It
|
||
is indeed, so buy these breathmints, or if you want to look really fab, chew
|
||
gum like
|
||
it ain't no thang."
|
||
She was so beautiful. Why, why, why, can't I have you? Why can't we lay
|
||
down together
|
||
with nothing but the moon and stars to look back at us? Why must every smile
|
||
send such
|
||
shivers down my throat, and whip lions inside my very loins? If only she
|
||
knew of the
|
||
worlds and monsters I would save her from, the very sacrifice I would offer
|
||
for just a moments happiness.
|
||
She was quite the trick though.
|
||
|
||
Chapter III: May
|
||
"And what's your name?" she asked me. Birds were off chirping somewhere
|
||
in the distance, and the clouds lay peacefully on top of blue blankets.
|
||
"What was that?" I asked.
|
||
"What, do I have something inbetween my teeth?" she asked.
|
||
"I like toothpaste, but I prefer mouthwash," I replied.
|
||
"Wait a second, wait a second!" she exclaimed, "lets go
|
||
brush our teeth!"
|
||
|
||
Chapter IV: Wonder Comets Plato
|
||
"If you can understand it," the teacher said, "then you don't need
|
||
to read any furthur, you can now go live and be enlightened."
|
||
"But teach, it makes no sense" said a student.
|
||
"As you can clearly tell, he called the third chapter 'May' because
|
||
that is the name of the girl."
|
||
"She asked what his name was, and then the narrator went on to
|
||
talk about birds and clouds." the class said.
|
||
"It is to show complete disassociation. There were two people in
|
||
a room, a boy and a girl. They are both disassociated with reality.
|
||
Therefore, each time someone said something, the other would
|
||
reply with something only partially related. However, the relation is
|
||
made in the individuals mind. For example, he asked 'what was that'
|
||
in reply to a question she was asking, and she thought he was asking
|
||
'what was that' in relation to something in her teeth, Perhaps she felt
|
||
something inbetween her teeth, and thought he noticed."
|
||
The class began to listen and their ears opened up, sucking
|
||
in hot air and butter, "So each person was responding to
|
||
what they logically thought the other person meant?"
|
||
"Yes. See when she said, 'What, do I have something inbetween
|
||
my teeth?' he then thought of his teeth and how he likes to
|
||
brush them, but prefers using mouthwash,
|
||
"But now that we get it, we don't feel any smarter," the students
|
||
said, as they looked at their socks in discontent.
|
||
"It is all just a metaphor for the bigger picture; To give order
|
||
to chaos we must simply accept all as Right and Possible."
|
||
"Metaphor is bad" said a student.
|
||
"It is classic scientific method. The higher the probability that
|
||
a thought exists, the more existant it is. The more existant we all
|
||
our,"
|
||
"So you understand everything," said a skeptic.
|
||
|
||
Chapter V: Ether Night Radio
|
||
Where did I go? I was in Greece, or someplace of old time, and
|
||
I was being lectured by plato. I told him that metaphor was bad,
|
||
and then he beat me with a stick. What an Asshole.
|
||
Note to self: "You might die soon, probably by your own hands,
|
||
and I'm here to say, Goodbye!"
|
||
I turn my head slightly, and hear a groaning bear in my stomach.
|
||
Where am I and how long have I been doing this? I struggle frantically
|
||
to find a mirror, and look in putrid horror at this sculture in front of me.
|
||
"I feel like I did when I was a Jew stuck in a Nazi concentration camp.
|
||
There were no mirrors there. Many years later, when the survivors
|
||
would look in mirrors, they would feel as if they were looking at a
|
||
completely different person. Not only are they detached from their
|
||
physical image of themself, which is obvious to happen because
|
||
they would have grown and changed appearance while at the camp.
|
||
They are also detached from their mental selves, which they tell by
|
||
looking deep into their eyes, because they are looking hauntingly back.
|
||
Insane stuff, huh?" I hear it announced and knew it was going to
|
||
come out even before I heard it, so I'm sorry for spoiling it.
|
||
I paused to yawn and look at the words in front of me. Suddenly
|
||
I could make out paddles with Indians rowing. Is it a hallucination if
|
||
I know my mind is just thinking it, that my imagination is just making me
|
||
picture full images out of mere harbingers? The very faint shadows that
|
||
I see renarjubg (resonating?) quaint features makes me appreaciate
|
||
the seemless flow of beauty."
|
||
"Just ride that rainbow," I heard myself say. "Ride those rainbows."
|
||
|
||
Chapter VI: Sunflower Oasis Sparkle
|
||
"Help!" he screamed.
|
||
|
||
Chapter VII:
|
||
Clever, but stupid. So you found it out, but what does that mean? It
|
||
means that you are really stupid, but also that your thought process
|
||
is very compliant with abstract thought, Abstract thought is
|
||
simply letting ones imagination take hold of their perception
|
||
for a split second, a mere speck of cosmic universe. Abstract
|
||
thought gives us an appreciation for the deeper thoughts, though
|
||
they also realize the very superificiality of their own need
|
||
to classify such things as "superficial" and "Deep."
|
||
"So that chapter six," I moaned, with faces staring blankly at
|
||
me, "is really S O S, like Sunflower Oasis Sparkle. And it says
|
||
help."
|
||
Imagination! What fun.
|
||
|
||
Chapter VIII: Spaghetti Western Finale
|
||
"I'm writing, don't disturb me!" I screamed. My friends backed off
|
||
as I wrote, and spoke into a megaphone. "This is important."
|
||
"Dude," one of them said, "you're just really fucked up right now,
|
||
and stoned, and tripping on that damn cough medicine again."
|
||
"Don't forget the beer," another said.
|
||
"Listen people," I announce, "I have little time to chat. I can feel
|
||
myself forgetting, as if shedding time and precious breath, and I
|
||
know I cannot forget it."
|
||
"Forget what?" they smiled. They knew it was already over.
|
||
"I don't remember...." I say. I mutter, and watch my words
|
||
slowly lose steam and crumble on the ground. I lay in
|
||
my own defeat.
|
||
I look at my paper. "I look at my paper," it says. That won't
|
||
help me remember! Arg! I look again. "I look again" it says,
|
||
and I can't remember why I wrote it. Simply the fact that I
|
||
must remember something? Remember what?
|
||
I look again. "I look again" is still written. But why would
|
||
I write that twice? Ok, I'll look one last time. I look at my paper.
|
||
"OK, I'll look one last time." is written. One Last Time, I think.
|
||
I recall as song I heard on the radio once. It was quite sappy,
|
||
and written by some 16 year old who was in love with a girl.
|
||
It went something like;
|
||
You're more beautiful then all the stars in the Sky.
|
||
Or so I think as I get lost in your eyes.
|
||
I open my mouth just to watch words slip away.
|
||
It's not you; I just don't know what to say.
|
||
That girl is so pretty, like a perfecty sculpted pixel.
|
||
"I can't forget her!" I yell in victory.
|
||
The ghost are laughing at me. They hold faces, masks
|
||
of my very friends, and strip away their shadows. "But
|
||
how do you know she exists? We don't exist, though we
|
||
are just a huge figment of your imagination. We don't exist,
|
||
and no one will ever believe you. So how can you believe
|
||
yourself, and how can you believe she is real?"
|
||
"Don't forget her," I say to myself, "never forget her."
|
||
|
||
Chapter IX: Forgive and Forget.
|
||
"I know I can't win" I told him. This whole legal system was as
|
||
lost as the society we can never seem to escape.
|
||
"You see," I said, "if I am really guilty, then I would want
|
||
to say I'm innocent to hide for myself. If I was not guilty,
|
||
then I would be saying I'm innocent because I am. The
|
||
problem is, there is no way for anyone that is not myself
|
||
to know what I am doing."
|
||
"Also," I added, "the punishment is more harsh if you plead
|
||
innocent and are proven guility, as if you were hiding something.
|
||
What if you are proven guilty but are really innocent? I suppose
|
||
it doesn't matter, because it won't bring back old friends..."
|
||
|
||
Chapter X: Paradox Float
|
||
The cold starry night was a haven for lost souls. Ravens
|
||
scavenging for bits and pieces of hopes and dreams would
|
||
go hustle people for money, and others would simply
|
||
ask for change. I was in a bar once, because someone
|
||
had been fortunate enough to want to buy me a drink,
|
||
rather than toss quarters into my cup.
|
||
'I'll have the paradox float," I say to the bartender.
|
||
"What's that?" asked my company, the very same person
|
||
who is buying my drink,
|
||
"It's a drink so potent it will make you shit faced in
|
||
seconds, and it is called a paradox float because I drink
|
||
to crash and fade away for a mere moment, though I know
|
||
the escape is only temporary and I will feel worse when
|
||
I awake."
|
||
"So why not stay asleep forever" the man asked me.
|
||
"Wait a second," I say to him, and I begin feelig
|
||
a bit suspicious. This man felt all too familiar,
|
||
and I glide my hand slowly across the knife in my
|
||
pocket. "Have we met?"
|
||
"In a dream," he said as he stood up, flicking
|
||
a cigarette into his fingers as if by some leger=
|
||
demain, "Or perhaps in another life," he added as he
|
||
tossed a few dollars at me and, with his other hand,
|
||
flicked open a zippo. The mettalic klank was music
|
||
to my ears, and I recognized the lighter; it was mine.
|
||
He left and dissapeared into the night, perhaps a
|
||
figment of my imagination. Though, regardless,
|
||
I was drunk and passed out from that damn
|
||
Paradox.
|
||
|
||
When I awoke, the stale cigarettes and cheap
|
||
cologne almost made me throw up again, My hair
|
||
was sticky with some substance, probably vomit,
|
||
and I had no clue where I was. A hotel room,
|
||
nonetheless, but where? Why? Who was I?
|
||
|
||
Assuming this was my place, I go to take a
|
||
shower, though a part of me is still lying down,
|
||
as if to question my very existance. Did I die
|
||
the other night, from that overdose of whatever
|
||
drug came my way at the time. Perhaps I am
|
||
just watching a dream.
|
||
|
||
"The problem," my psychologist once said,
|
||
"is that you are so disassociated with reality
|
||
that you exist in a 'false reality.'" I rolled my eyes
|
||
in the mirror at this nut job.
|
||
"You are so convinced that the world is simply
|
||
another dream that it has become such for you,
|
||
because you cannot tell the difference between
|
||
when you're awake and when you're dreaming."
|
||
I give myself a puzzled look and ask myself,
|
||
"so is that good or bad?"
|
||
"I don't know," my psychologist replied, "but
|
||
you seem to suffer from OCD, clinical depression,
|
||
ADD, marijuana, mushroom and DXM addiction..."
|
||
and the list goes on. Why bother?
|
||
|
||
Chapter XI: Rascal Finess
|
||
"Listen to me," the book shouted in my face. My very words
|
||
turning on me as I write, each one a bitter rebel spitting in my
|
||
wind. "You must not forget about her. She is the reason you
|
||
live, she is your love, and she is everything to you."
|
||
"What about objectivity?" I reply.
|
||
"You are distracting yourself and you will never
|
||
find her again. You lost her, remember?"
|
||
Then it hit me. My girlfriend. Her name, which I can
|
||
hardly remember. She just got fed up with my
|
||
psychopathic, insane bullshit. My constant ramblings,
|
||
for often I would treat her as if a bunny in one of my dreams.
|
||
She is the one I must find, through my writing, that is the essense
|
||
of myself.
|
||
"In order to understand yourself," said The Great Cynic Leo, "you
|
||
must first admit you are not complete, and as a Human you have
|
||
some innate faults that are not yours to blame. As with any understanding,
|
||
you must understand both halves to know the hole. She is that other
|
||
part of you that you must catch."
|
||
A sick game of cat and mouse, indeed. The bread here tastes stale,
|
||
so why not go and eat a chicken for four bucks?
|
||
|
||
______________________________________________________________________________
|
||
Circe
|
||
______________________________________________________________________________
|
||
|
||
Being pertentious was my only virtue. A man
|
||
of means, though even the moon can be so far
|
||
away from our mortal minds, and with such
|
||
abundance; I kept walking.
|
||
|
||
To be dead upon a midnights stroke,
|
||
with only time to fill the gaps that
|
||
leave us bare. This wasteland we
|
||
call The City; bodies, silent with
|
||
mortality, lay in rooms and indulge
|
||
in honey decadance.
|
||
|
||
but let us go to my one and only
|
||
confidant, the foil of all means,
|
||
dear Cesar.
|
||
|
||
Cesar was a strange man, a man
|
||
Of secrets and a man of means. He did
|
||
what not many could accomplish, which
|
||
was to have the complete face of seriousness
|
||
in death. All of it was an act, and
|
||
all was simply a pretention. To meditate
|
||
on ones sins is to let oneself boil alive,
|
||
slowly and with much agony in the sparing
|
||
parts, but not many could endure and he
|
||
was no exception.
|
||
|
||
I saved him though, saved him that night
|
||
I called him. Friends are to there to talk
|
||
to you on nights one would not feel like
|
||
going out at all. I spent a night talking,
|
||
which was the night that was supposed to
|
||
be the end of his life, though
|
||
conviction convinced him
|
||
otherwise.
|
||
|
||
For I am simply a spool of thread, to be
|
||
made into the fabric of imagination. In
|
||
the recesses of his mind, he alone sat and
|
||
rocked back and forth, mumbling tales of honeydew
|
||
and sandalwood. To let oneself wash away with the
|
||
smoke, cleansing te air of itself, and causing death
|
||
and despair towards the somber world.
|
||
|
||
"and that is the meaning.." he said to me.
|
||
"It means nothing, as do you. As do all of us.
|
||
WE are simply here to ask ourselves if life
|
||
is worth living based on what we know."
|
||
He and I sat, on a tuesday afternoon,
|
||
when the streets were empty, yet the
|
||
pavement still warm, from the busy
|
||
passerbyers that had just driven back to
|
||
work from lunch.
|
||
|
||
We were too broke to eat though, and our wallets
|
||
screamed for money as desperate as the starving child
|
||
resting inside our hearts.
|
||
|
||
We say and talked, a machine of vast interworkings
|
||
and twine, with which we molded worlds and
|
||
stories. I was created in such a brothel; an
|
||
orgy of steaming ideas, ripe for the taking and
|
||
the moment.
|
||
|
||
"When one accepts all, he can cast away his innate
|
||
doubt," I say to Cesar, as the wind blows soft
|
||
melodies into the trees. To ask the colors
|
||
why the leaves take such from them, with nothing
|
||
to respond but "It was no problem on my part."
|
||
"The innate need to know," I listed, "the innate
|
||
feeling to believe in something; anything, whether
|
||
by name or association, and with that the innate
|
||
need to find the higher power. God."
|
||
Cesar was a bright kid, but his imagination
|
||
was just limited by the countless inhibitors
|
||
stocked inside ones mind. To empty himself
|
||
of all is to accomplish the fulfillment of the
|
||
ultimate desire: JNothing.
|
||
|
||
I had no plans, and neither did he. Whenever someone
|
||
wanted to talk and spend some intimate time talking,
|
||
one could always come to me. I was there, and because
|
||
my planner was not only nonexistant, but blank, so
|
||
I could take time out of the day to make the most of it.
|
||
Every person I met was given however much time I felt,
|
||
and time is one of the only things that humans can
|
||
be truly generous about.
|
||
|
||
|
||
Cesar was almost in tears, for such talks brought
|
||
the most feminine aspects out of him: "So no matter
|
||
what I know, I lack the confidence to say what I truly know."
|
||
I looked at him and offered a cigaretter for consolation,
|
||
for it had been too long since we had one.
|
||
AFter liting up, I responded: "When one simply knows,
|
||
rather than believing, one can simply act. When one knows
|
||
nothing, there is nothing one does not know, and it no
|
||
longer becomes a matter of 'do' and 'don't.'"
|
||
But I did not allow a reprisal, for my mind was still
|
||
rolling with fresh type.
|
||
"It is because we truly know nothing. We discover
|
||
things that we can only conceptualize, and yet we
|
||
make a catagory for it anyway. Always smaller; it is
|
||
as if we are trying to put together a puzzle, and in order
|
||
for us to understand the pieces, we must make them smaller
|
||
in order for us to understand it."
|
||
Cesar was, at best, befuddled. My words were like jumbled soup,
|
||
salty in the can, and he had no interest in jargon.
|
||
"For example," I offer as my lungs hold in smoke, "everything is
|
||
relkated: psychology, quantum physics, philosophy, economics,
|
||
and even sociology." I blow out the smoke slowly, "and when one
|
||
realizes that it is simply rationale that attaches the respective
|
||
terminologies and 'right' answers, expression becomes a langauge.
|
||
We are all striving to see the picture, but it is only possible
|
||
to see the picture from a certain angle. Our bias is that angle."
|
||
"So what makes you any different?" Cesar asked. The devil in his
|
||
eye, with protest and waitings of judgment.
|
||
"My only bias is that I am unbias. I see all; when it comes right
|
||
down to it, the ultimate expression and langauge is that of
|
||
infiniy."
|
||
"The capacity?"
|
||
I smile as I drop my cigaretter and smush it with my foot. My
|
||
student is learning.
|
||
|
||
Regardless, my existance is that of a dot, with my perception
|
||
allolwing me to see the vast infinites within. Even the most
|
||
infinitismally small point can be a vast curtain of pitch black,
|
||
vast colors in an array combined to that blinding white, and
|
||
with which we can be lost forever. The complexities of the mind
|
||
are, by nature, quite obscure and dreamy. Around my dot,
|
||
when ones perception is of more visceral means, is simply
|
||
a sphere; electrons of thoughts surround, and protect, the
|
||
nucleus that we call self. Eleectrons are labeled: some are
|
||
selfless, others are selfish, while most are others opinions
|
||
and thoughts. With which each image is a mirror of self, and
|
||
when one sees the nothing within, one shall look into
|
||
a mirror and see nothing but the vast infinity of space.
|
||
|
||
But not to get off topic: Cesar. He was a friend, a clost
|
||
friend, and when I heard of his death I felt quite disturbed.
|
||
For one to understand is for one to lose interest, for the innate
|
||
huuman desire to understand (as if with a purpose) is the very
|
||
basis of all human thought. We wish to understand our place
|
||
in the universe to help allow perception changes; we wish to
|
||
travel back time in order to fix things only retrospect
|
||
can offer. We know, and yet, we know nothing as of this moment.
|
||
We are unsure of our actions, and so unsure of tomorrow. We
|
||
are unaware and scared; the winter can be so cold, and yet,
|
||
the cold damp that we call the human heart can bleed such
|
||
fresh flowers and rainbows.
|
||
|
||
At his funeral, many were in shock and wonder. Amongst
|
||
the crowd, many whispers; "He was so younge..."
|
||
"What a loss..." "he had such a future in front of him.."
|
||
and so on. And with that, I lit a cigarette right on the
|
||
spot and threw a cigarette in his coffin. He had an open
|
||
casket, as he had planned, and he wished he could have
|
||
a cigarette for the afterlife. Whatever that shall be.
|
||
For it is simply a dream, and that cigarette will last
|
||
him forever, for he can no longer use it. With visceral
|
||
means comes practicality, and circumstance is everything.
|
||
We say that we are innocent or guilty, and most is
|
||
based on circumstance rather than character. Circumstance
|
||
is that which involves interaction and judgment, and
|
||
what else can happen when the mind multiplies into two.
|
||
|
||
I met a girl there, a friend of his, of whom I had quite
|
||
te conversation with.
|
||
"So... how did you know Cesar?" she asked me, with bitter
|
||
tears staining her eyes.
|
||
"I knew him for a while. We talked a bit, and then we
|
||
went our ways..."
|
||
She paused, as if waiting for me to say more, though instead
|
||
I looked away and smoked in silence, just as Cesar had always
|
||
enjoyed. The silence was too much for her to take, as most women
|
||
seem to feel, and she blurted out, "he talked about you a lot...
|
||
you're Deken, right?"
|
||
Without any sense of astonishment I asked her who she was,
|
||
for Cesar never talked much about me to anyone. I was, after all,
|
||
a figment of his imagination.
|
||
"cecilia..." at which she paused, "but people call me
|
||
Circe."
|
||
I smiled a bit at that one, for what woman does
|
||
not corrupt the mind of man in such a manner?
|
||
The numerous crowd was dead silent, save the cries and
|
||
sniffles, as memories of Cesar mixed and matched
|
||
to create his very identity. She continued, as
|
||
I walked calmly off to finish my cigarette in peace.
|
||
"he talked about you a lot, and he told me that
|
||
I would never understand why he had to do what he
|
||
did. IT was your fault, wasn't it? That's why
|
||
you are being so quiet." Tears were rolling
|
||
down her eyes. What intimacy they must have
|
||
had!
|
||
I stood outside by a tree, as the gathering
|
||
to my right were saying their last goodbyes
|
||
to that which is called Cesar. Sinners
|
||
were redeamed instantly at their confession
|
||
to the dead, which in all due resepect
|
||
is the ultimate testimony. Who would
|
||
not take the chance to confess to a deadman?
|
||
I looked at the various clouds scattered
|
||
throughout that ocean blue, as the sun
|
||
worked its eight hour shift, just to go home
|
||
to a lousy and kids and wife.
|
||
To my surprise she was still there beside me,
|
||
though by then she regained some composure.
|
||
"Did you love him?" I asked quietly. Without
|
||
much interest, either, in which my voice
|
||
sounded like that of a calm sailor.
|
||
She never did answer me that. She cried
|
||
and dispersed herself into the crowd,
|
||
though I noticed her walk off; in the glimpse
|
||
of my vision I saw her pull out a piece and
|
||
a lighter. For the piece was full, I assume,
|
||
though it was only full of decay. When she came
|
||
back she seemed quite mitigated, and she neither
|
||
spent the time to avoid me, nor the time to
|
||
even toss me a glance. Not that I noticed
|
||
anyway.
|
||
|
||
Days passed, as I slept in my car.
|
||
|
||
Being in this town, rather than that vile place
|
||
we call the City, was somewhat of a temporary
|
||
escape. I had no friends there, so when the family
|
||
and friends began to leave and turn the volume
|
||
of their weeping down, and the car stereos up,
|
||
I saw only she remained. She was in a daze,
|
||
and sat beside his tombstone. The actual process
|
||
of burying his body was far less strenuating
|
||
than the intial reception.
|
||
|
||
She looked like hell; her eyes a goo and in a
|
||
strange, white escape. I noticed her left arm shaking,
|
||
in which her body quickly followed. Her eyes rolled
|
||
back into her head, and I stood above her, watching
|
||
her convulse. Strangely enough, it was as if she
|
||
was in estcacy. I wondered what I was supposed
|
||
to do at that moment, but I could not help but
|
||
notice that smile. Her smile was that of indifference;
|
||
that of acceptance. It was that smile that left
|
||
us all bare and naked to stand, covering our insecurites,
|
||
and shaking in a winters night, as we stand
|
||
alone in front of a mirror.
|
||
|
||
It was about then that I saw the stream of vomit pour from
|
||
her mouth. She suddenly clutched her arm, and as if in
|
||
pain, her face shrieked and yet all that came out was
|
||
a mild woo. A whisper, as if to make one last cry. She
|
||
was seeing death; she was dying.
|
||
|
||
When she awoke, she found herself lying in the backseat
|
||
of a car. Her head had been on a pillow, but regardless
|
||
she had a killer headache; she was in a post-neurotic daze.
|
||
|
||
I walked towards my car to see her looking, like a paranoid
|
||
caged animal. She could not move, though, for the heroin was still
|
||
in her body, and the waves were still rough. She felt her body
|
||
rush with tremors of pleasure and pain, of life and death, and
|
||
she felt her very soul break and shatter, simply to be put
|
||
together again in a moment of pure heaven.
|
||
|
||
I had brought her a cappuchino drink, which I enjoyed quite a bit
|
||
in my younger days, until money demanded I make cheap coffee at home.
|
||
I tossed it to her, and upon reaching in my pocket for the gummi bears
|
||
I told her "don't move, you're still pretty fucked up. You overdoesed
|
||
on something."
|
||
|
||
Sleeping in ones car is somewhat discouraging, and unfortunately she
|
||
could not speak yet. All that came out were mumbles and fits of rage.
|
||
She cried and cried, and occassionally vomited. She was lucky, for it
|
||
seemed impossible for her to have survived. At that time, I was sure
|
||
she was simply acting, for some superior motive, though in my days
|
||
I have seen many miracles.
|
||
|
||
I lit a cigarette as she lay in the back, still visiting God and
|
||
seeing death on the other end of the fork. It was starting to smell,
|
||
for her vomit and urine left such stains and aroma. I did not mind,
|
||
at the time, for smell does not bother me much. I can always move
|
||
somewhere else in due time. She spoke, though it came out as
|
||
"mmmphhb.... phhhb... "
|
||
|
||
I had not slept that night, for fear of anything happening with her.
|
||
She occasionally gave me looks, and smiled in a sort of delusional way.
|
||
Perhaps she was dying, and in me she saw all that could forgive. I was
|
||
her father, and she was confessing to me and in myself she saw condolences.
|
||
|
||
Days passed, and not much happened. I asked Circe if I could stay with her
|
||
for a little bit, seeing as the City had made me quite strung out over
|
||
the years. Living paycheck to paycheck, and without any real aspiration,
|
||
can be quite depressing sometimes. Cesar and I had long talks about how
|
||
the City was our deathbed, and how we needed to get out.
|
||
|
||
I awoke much later than she, and I found her, locked inside the bathroom
|
||
with a knife. I had picked the lock, and she was in the bathtub bleeding.
|
||
Her cuits were numerous, however, as the cutting went on, she was weakened
|
||
and many of the more shallow cuts were made out of pure intent, rather than
|
||
phsyical desire.
|
||
|
||
I picked her up, and thousands of strands of water spilled below. The floor
|
||
was slippery as I lett a red trail, and upon laying her carefully on the
|
||
bed,
|
||
I rusehd to find any sort of medial kit. After dressing the wounds I
|
||
pondered.
|
||
To let this person die is something, but to know why she is doing such
|
||
is ultimately my desire.
|
||
|
||
She awoke, and her screams called me from the kitchen.
|
||
"What the fuck?!?" she screamed, "untie me now, you
|
||
rapist-faggot!!!"
|
||
I walked softly into the room, carrying a plate with eggs,
|
||
bread and sausage.
|
||
"Eat now," I told her, "your body is weak and you lost
|
||
a lot of blood."
|
||
"Shut the..." she screamed, though her scream quickly became
|
||
a lesser whine, as her eyes grew more tired.
|
||
|
||
"I want to die. I am going to die." she told me. "and you can't
|
||
stop me."
|
||
"I do not wish to stop you. I simply wish to understand you,"
|
||
I told her.
|
||
She looked at me with the eyes of a mother who found a long
|
||
lost child, only to realize that she never knew him, and he
|
||
is pointing a gun at her face.
|
||
"Don't worry. We all die in due time..." and my mind was
|
||
elsewhere. Thoughts of Cesar, thoughts of walks. Those nights
|
||
and endless trees, nocturnal spirits to kindle our burning thirst
|
||
for knowledge.
|
||
Though in the next few days, as she regained her full self, I felt
|
||
a strange attraction to her. Cirumstance had brought us together.
|
||
|
||
|
||
The clcok behind us, on the desk, was ticking. It was digital,
|
||
so silence accentuated our voices.
|
||
"Why did you save me?" she asked, with such pertention in her
|
||
eyes and comfort in her heart. A certain fear, a certain loathing,
|
||
for she detested me, and yet found a strange confidence in
|
||
our conversation.
|
||
"I want to know you. Who are you? How did you meet Cesar?
|
||
How did you know him?"
|
||
|
||
|
||
"I met him at a park. He was reading, as he was wont to do,
|
||
on a bench that he always sits on, face the lake and sky, and
|
||
I found something interesting in him..."
|
||
"He was a good friend," I responded, "he was that of a mirror."
|
||
|
||
To see in others in oneself is one thing, but to see one self
|
||
in others is the true reward. I lit a cigarette, and offered her
|
||
one. She took it without hesitation, though when I swung my silver
|
||
zippo lighter over to her, her face gave me that expression of
|
||
akwardness. Not like she had a light; she had been trying to quit.
|
||
|
||
"But we never did anything. He never liked talking to me. He just
|
||
didn't seem to like women..." She spoke and let the words
|
||
wander the room, "he didn't seem to like anyone."
|
||
Cynical as always, I thought to myself; that was the one sin
|
||
I taught Cesar. One of many, though colletively he was enlightened
|
||
and raised to the level of a superhuman.
|
||
|
||
Living with the true desires unfulfilled is excrutiating at best:
|
||
To do and to not repent; to redeem oneself through sacrifice, to
|
||
create a low simply to make the high, and then rest oneself
|
||
comftorably among the low. For what is more easier than
|
||
naming ones universal faults than ones greater aspects? What
|
||
is more human then that very degradation, the degenerate act
|
||
of lowering oneself to make others happy in the very mind
|
||
of the user.
|
||
|
||
I had told her of such, and told her that her wish to die
|
||
was probably related to the death of Cesar. She did not rush
|
||
to deny, nor denounce any of it. She said she felt a strange
|
||
affinity with him, and that his death was meant to be, just
|
||
as hers.
|
||
|
||
Though she broke, within that week, and I found her crying
|
||
in my arms. After minutes passed and her tears stopped, she,
|
||
with her arms still wrapped around my neck, paused to look
|
||
at me.
|
||
|
||
I don't know what she saw, for as with any figment of ones
|
||
imagination, it must have been pretty. She saw endless
|
||
rainbows and stacks of infinity. She saw that which
|
||
was forever locked inside her to keep, the obscure,
|
||
pale figure she knew as herself.
|
||
|
||
In her eyes I saw a bleak face, the face of a man
|
||
aged by exprience. Blood dripping from a fresh cut,
|
||
as if years of knowledge were attained simply to throw
|
||
out at sea to create a wish, imagination floundering
|
||
and soaked into a dishrag, bloody wet yet soon to be
|
||
brown. I could not stand to look, and yet, her eyes
|
||
held such beauty. Her iris was that of a faint green,
|
||
though speckels of gray wer somewhat filtered in, and her
|
||
pupil was accentuated by that very outline which beffited her.
|
||
|
||
It was at this time that I realized this woman is quite weak
|
||
hearted. So quick to jump off one plane and onto another,
|
||
just to fear the jump and yet enjoy the flight. She was
|
||
a desperate creature, as if a man with nothing left but
|
||
his bottle to assuge his physical desires, and I could tell
|
||
her mind was about to click into a routine mode of
|
||
seduction. She looked at me with a cat-like ferocity,
|
||
as if her eyes spoke of sin and nature, vast fields
|
||
of untouched abelias and larks. With that of leger-demain
|
||
she began carressing my neck, whispering soft coos.
|
||
"I can't" I told her, "I'm just a figment of
|
||
your imagination. I do not exist, so do not even try."
|
||
"I just want to get to know you," she smiled, though
|
||
still reserved. Perhaps it was all too pertentious
|
||
to assume such passions upon just meeting. Especially
|
||
under our circumstances.
|
||
"I feel like I know you," she said as her eyes
|
||
winced to perhaps distort my picture, as if to
|
||
make my random features blend into someone else.
|
||
"You knew Cesar..." And with that I got up,
|
||
reached in my pocket for a cigarette, and went
|
||
to smoke out on the balcony.
|
||
|
||
I detest human contact, the epitomy of such being
|
||
intimate. I detest the solitude that one makes
|
||
in such human commitments, and the redemption that
|
||
one seeks upon sin. Whatever doubts that one has,
|
||
one cannot deny the past.
|
||
|
||
When I came back she was crying. She begged me to leave,
|
||
for she wanted to kill herself soon, and she wanted me
|
||
to have no association with it. She wanted to die alone;
|
||
"to die in peace," as she so delicately called it.
|
||
|
||
I asked her what she thought of love.
|
||
|
||
"Love?" she remained silent, as if seeing my bet with a raise,
|
||
just testing to see if I was leaving the question unprovoked.
|
||
"What is really that wrong in your life right now? What justifies
|
||
your death?"
|
||
She laughed, the laugh that spoke words of "you would not understand,"
|
||
and I simply replied with a firm stare, whispering "Try me" in response.
|
||
|
||
What clever game was I playing at this time? It was simple really: I want
|
||
to know what is inside her head, I want to pick at her secrets and desires,
|
||
I want to know that which is human, for what a ripe infinity her mind seemed
|
||
at the time. Looking in retrospect, I feel quite foolish. For she must truly
|
||
be insane to be attracted to such a man as myself. Hair unkempt, face
|
||
unshaven,
|
||
with a scrawny body that reeked of excursion. Drugs had consumed my
|
||
everyday faced and replaced it with that of sedation. I no longer
|
||
cared much for anything. Though when the obligation to care,
|
||
or the physical desire pinpointed Mans true addiction, the same
|
||
reaction was always stirred: "I do not want love."
|
||
It is as simply as that, though I know not the answer; why. I
|
||
do not want to be seen, heard, or simply imagined. And in
|
||
she walks, into my perception, as do I, and from here on I am
|
||
figment of her imagination. A toy to play with, to shape,
|
||
and to constantly study. Simply a doll, with bloodstains
|
||
on the carpet, as we all try to escape our very insanity.
|
||
|
||
"Can we go out?" she asked me. "Maybe to a nice resturant
|
||
or to a movie.."
|
||
"I can just leave. You seem better now. I've been here
|
||
for the last few weeks... I feel very uncomftorable
|
||
staying at your place and not paying any sort of rent
|
||
or anything."
|
||
"Well.. it's just that with Cesar gone, I have no one
|
||
to talk to..."
|
||
|
||
The streets passed by and the lights illuminated the sound.
|
||
Chipper days seemed to pass us by, as we drove into the
|
||
ends of the night. We talked, though I paid little
|
||
attention to what I said, for I had no real interest
|
||
in her. She, on the other hand, seemed quite open
|
||
to say what was on her mind.
|
||
"My parents were always so mean that I dropped out
|
||
of high school, just to spite them." She laughed,
|
||
the laugh of the wise man who knew he was, at a time,
|
||
wrong. "Looking back, I suppose I should have listened."
|
||
The constant white line in front of me, as I drove,
|
||
was quite hyptnotizing. I said something along
|
||
the lines of the necessity to disregard
|
||
retrospect and simply accept; to allow all
|
||
things to simply happen and flow, so as
|
||
they will have happened and are gone. Away
|
||
from our judgment.
|
||
"But I don't mean to bore you," I hear
|
||
myself say, as I snap back to reality.
|
||
"I really don't want to talk much. Sorry.
|
||
I did a lot of talking when I was younger,
|
||
and many told me to be quiet..."
|
||
|
||
I drove her home and was about to start my drive
|
||
back to my home, when she asked me if I wanted
|
||
to come in.
|
||
"I enjoy your company," she said to me.
|
||
I forgot what I said in response.
|
||
|
||
It happened. The television was on a
|
||
mute buzz, as voices chatted and stories
|
||
unfolded across empty air. We lie, naked,
|
||
with nothing but the blankets and each others
|
||
bodies to keep us warm. In our gradual
|
||
decay we found our forlorning afterschock,
|
||
in the depths of deep sects, for us to indulge
|
||
and drool.
|
||
|
||
I was laid out, sure to have conquered the world.
|
||
As with any man when they are sexually pleased,
|
||
they reach a euphoric state for about five minutes
|
||
afterwards, while the woman is left thinking about
|
||
her desire unfulfilled, for what man can truly satiate
|
||
a woman unless he wears her out physically? And I never
|
||
was the type to overextend myself in such areas, though
|
||
on occasion, even I did. That night I had done so.
|
||
|
||
"I really like your body," she said to me. I was skinny,
|
||
though my muscles were quite defined. Still, I was no
|
||
body builder. Simply another scrawny guy that could retain
|
||
his zestful youth, at least in spirit, which would
|
||
gradual drip out and manifest into this skin and touch
|
||
we call body.
|
||
"You're quite beautiful," I had spoken, and it was no lie.
|
||
She had dark hair, with round cheeks and big lips to
|
||
accompany her warm smile, whereas her eyes would squint
|
||
as she smiled. She was Vietnamese, so she told me, though
|
||
her light, silky tan skin showed that off.
|
||
Her eyes were actually a dark brown, much like my own,
|
||
though that was because dark eyes were her favorite. She
|
||
whispered that my eyes were so beautiful, and how she felt
|
||
so comftorable and yet so frail when she looked into
|
||
them. "It is as if you are looking for something, and
|
||
you can see right through me," she rambled in a daze.
|
||
|
||
She had reached that point of ecstacy at least five
|
||
times, in the hour that we spent. I never much enjoyed it
|
||
though, I was simply a machine to do such acts that
|
||
are scripted to be perfection. I simply
|
||
want my drug, as any druggie does, and to get a shot
|
||
of heroin through a wet, steaming oraface was as good
|
||
as any other.
|
||
|
||
Perhaps I have gone too far. For heroin and sex are
|
||
so vastly different, for the latter is such a natural
|
||
high, whereas the former numbs and makes one forget
|
||
all feelings; to become disassociated. However, sex
|
||
can feel all the better, and afterwards, leave us
|
||
feeling so happy in our numb summers of content.
|
||
|
||
She brushed her foot quietly up my leg as we lay,
|
||
like ice upon my waiting skin, as she wrapped her legs
|
||
around mine, toes curled, body rocking to her own beat of sensuality.
|
||
I matched with equal animosity, and soon we found ourselves
|
||
kissing frantically.
|
||
"Oh god... I want you so bad.." she moaned.
|
||
It was about then that I felt an urgent need
|
||
to leave. For I have only known her for a month
|
||
and she was already acting like a whore. I hated
|
||
seeing this side of women, and I hated even more
|
||
myself for invoking such. Perhaps this inanition
|
||
was from a sense of self pity; I do not deserve this,
|
||
not even for a second. For she is truly a sexy, beatiful,
|
||
energetic person at heart. I have seen, in these few short
|
||
weeks, the child that still lives inside her. The spirit which
|
||
causes her to be such a catch to my very incorrigble eyes, as if
|
||
begging to be an inamorata. The way she curls into the blankets,
|
||
her curves outlining the night sky, with such slender, long legs
|
||
to map out such desires. How is it that such beauty was to
|
||
be mine, when in all actuallity, I deserved nothing. I did
|
||
nothing. I am simply a figment of her imagination.
|
||
|
||
She began weeping after one of our three hour excursions; before
|
||
I could ask, she began confessing.
|
||
"I have never been intimate with any male, really. I have had
|
||
others before you, but they felt so rigid. As if they were machines,
|
||
and I was simple another hole for them to stick their dick in."
|
||
Used and abused, as we all our, I sang quietly to myself.
|
||
"It's just... I was so lonely. I took so many walks, and I tried
|
||
dating coworkers or going out to bars and clubs, but all the men
|
||
just wanted me for my body. They just wanted to fuck me and leave
|
||
me."
|
||
The television was but a flicker in the backdrop, a simple candle
|
||
solution for us to dip flames of boredom into.
|
||
I decided now was as good a time as any to tell her the truth.
|
||
"I am no different. All men are like that. Women are objects,
|
||
just because men simply see themselves. Men are, by nature,
|
||
selfish, as are women selfless."
|
||
One would die for another, but what kind of death is that
|
||
for ones self? To sacrifice yourself for the simple, selfish
|
||
reason that is to save the self?
|
||
|
||
She did not seem to care, no matter how I tried convincing her.
|
||
I was trash, a lowly bum on the streets. I had been homeless
|
||
for months, while drifting among confidants and acquaitances.
|
||
Drugs had laid a path for me to follow, a yellowbrick road of
|
||
pushers and users.
|
||
|
||
She woke me up the other night, kissing my ear and sliding her
|
||
tongue around inside it, slowly yet with ease. She began
|
||
stroking my chest softly, whislt whispering lullybies, into
|
||
my ear, with promises of pulchritude and ambience for the supple
|
||
twilight outside. I looked into her eyes, though I know not
|
||
what expression I gave. She responded with a look of
|
||
lust, of blushed cheeks and inhibitions lost, though
|
||
I fear it is love.
|
||
With her lips half parted she lay, on top of me,
|
||
carefully stroking her body against mine, so I can
|
||
feel ever inch possible.
|
||
And in all hypocricies of hypocricies, I followed.
|
||
I obeyed. I was the mirror that reflected her innermost
|
||
desires, her innermost self, and I simply acted. Perhaps,
|
||
though, she was the mirror, for I know now what I did
|
||
but she would respond and cause me to do such.
|
||
|
||
As she wrapped her legs around me, I could feel the
|
||
muscles in her thighs begin to contract, though
|
||
she squeezed me all the more tighter. Her moans
|
||
were loud, for all to hear, though I kept my lips
|
||
by her ear so I could whisper to her in my pleasure.
|
||
She begged to feel it, the very seed of man, shooting
|
||
inside her. She begged to feel it, slick, steaming and hot,
|
||
as if this saltly paraffin substance was a drug. She was
|
||
selfless, and simply wanted me to reach orgasm so as
|
||
she could know, for a fact, that I am happy.
|
||
|
||
Though it was these nights I could not stand. I could
|
||
not bear to be myself, for what else was I except
|
||
a lone speck on a piece of paper. A dot, micrcoscopic
|
||
to even the highest degree of magnification. that was
|
||
to be a bundle in a sphere of thoughts. These thoughts
|
||
blossomed from her being, and in their radiance, I became
|
||
nothing more than her puppet. I was pleasure, I was
|
||
self assurance, and I was everything but myself.
|
||
|
||
For I had left her some time later, impulsively and
|
||
without a note; I left her the same as I had
|
||
found her.
|
||
|
||
I heard some months later that she had died, though
|
||
no one would tell me how or why. Some said I could not
|
||
bear it, while others thought that perhaps I was the
|
||
cause. Regardless, many looked ill upon me after
|
||
her passing, and I felt a discomfort in that town.
|
||
I never went back.
|
||
______________________________________________________________________________
|
||
One Day
|
||
______________________________________________________________________________
|
||
|
||
|
||
Part 1: Awakening
|
||
He awoke to the same sky and sun. He had passed
|
||
out the night before while reading a book, though it
|
||
was no surprise that he was wearing the same work
|
||
clothes he always wore. Yet things felt a little different.
|
||
His teeth ached, and his mind was jumbled.
|
||
Like a machine he rose from his bed, and
|
||
even his yawn felt routine. He sat, sleepy in
|
||
a mist, as he tried to regain his consciousness.
|
||
"No luck," he mumbled, and got up to grab
|
||
his keys and his coat.
|
||
Work was boring as usual. Endless stacks
|
||
of paper and more busywork. He would let
|
||
his body move while his mind took a nap,
|
||
and as the time passed he felt his soul
|
||
go more and more dry. For thirty years he
|
||
has been doing other peoples work: writing
|
||
words for others mouths to speak, all the while
|
||
letting his heart drip dry. He
|
||
tried hard to remember the last truly
|
||
intimate moment he had with his wife
|
||
and, despite waking next to her earlier
|
||
in the morning, he could not remember
|
||
how she lay. She was hardly there.
|
||
He could barely recall the breakfast he ate,
|
||
and despite any sort of attention he would
|
||
put towards his selection in lunch, he knew he
|
||
would hardly remember that either.
|
||
|
||
The clock struck 4:30, and he got up like
|
||
a young school boy.
|
||
"Got any plans tonight?" asked a coworker,
|
||
like words read off a piece of paper.
|
||
"me, the wife and the kids might see a movie," he
|
||
replied, "but other than that, nothing special."
|
||
"That's the third movie this week; you guys must see
|
||
a lot of movies!"
|
||
What else is there to do, he thought as he
|
||
smiled and nodded, affirming his very existance.
|
||
As he was walking to his car, he stopped
|
||
to watch the people walking by. The parking lot
|
||
was full, with a vast array of green, blue, red
|
||
and black cars scattered with ants walking to them.
|
||
People would walk towards their cars with expressions
|
||
of pure apathy, as if their body was moving but their
|
||
mind was stuck in quicksand somewhere begging to
|
||
be rescued. The very mecanism of turning off the car
|
||
alarm, unlocking the door, getting inside the car,
|
||
shutting the door without letting it slam, and then
|
||
starting the car was so scripted that he did not feel
|
||
himself do it, as he was thinking all this.
|
||
|
||
When he got home, his wife was wearing a smile.
|
||
He replied by hanging up his coat, and he let out
|
||
a quick sigh, as to not let down appearances.
|
||
"How was work?" she asked him. Every day she
|
||
would ask the same thing, and it mattered little
|
||
how he differed the reply.
|
||
"It was fine. Gloria and Rick are having a baby,
|
||
so he was off work today. I had to cover for him."
|
||
"Oh." she said, as she put the steaming food
|
||
on the table. She then turned around to call
|
||
their son and daughter to the table.
|
||
Glasses were filled and chairs were sat in,
|
||
as the various klinks and klanks from silverwear
|
||
echoed throughout the tiny dining room.
|
||
|
||
Minutes passed as people chewed and swallowed
|
||
their plates, and it was not until the wife spoke that the
|
||
silence was broken.
|
||
"So how was school?" she asked the son.
|
||
"It was alright."
|
||
"Any homework?"
|
||
"Not really." He never even looked up at her as
|
||
she spoke, and she took some offense to this, so
|
||
she directed her attention towards her daughter.
|
||
"And you, honey, how was your day?"
|
||
"it was ok," the daughter said meaninglessly.
|
||
|
||
Some time later the son arose to go back to his
|
||
room and listen to whatever music the youth related
|
||
to at that time, and the daughter arose to go towards
|
||
a phone and exchange words with some fellow peers.
|
||
He was the last to leave, as his wife picked up
|
||
the various plates to walk them over to the sink where
|
||
they would be washed. He sat in silence, watching
|
||
the table gradually go empty. A metaphor for the Soul,
|
||
he thought, as more and more plates and scraps of food
|
||
disappeared off the table.
|
||
"It was a good meal."
|
||
"Thanks," she replied.
|
||
|
||
Part 2: Death
|
||
It was the middle of December, and christmas carolls
|
||
chimed throughout peoples smiles. Everyone is cheery
|
||
around this time of year, though they make their smiles
|
||
all the bigger to hide the stress of formalities unfulfilled.
|
||
"life goes on," he said, "no matter who you follow. They
|
||
will have enough anecdotes and drama to make anyone
|
||
interested content."
|
||
So the story goes on. Words will always be written, regardless
|
||
of whatever author decides to stop writing.
|
||
One mans death does little to change anything but the circle
|
||
that he existed within; his family and friends may suffer
|
||
but he will not be missing out on much.
|
||
She set the plates on the table and whispered a small
|
||
prayer and her children pulled chairs out to sit down. A chilly
|
||
wind whistles, sending shivers down her spine.
|
||
Some time passed, as the small gulps and chews
|
||
filled empty space.
|
||
"So how was your day?" she asked her son.
|
||
"it was alright."
|
||
|
||
______________________________________________________________________________
|
||
Stuff to Do
|
||
______________________________________________________________________________
|
||
"Stuff to do"
|
||
|
||
"Stuff to do," the plug asked, as he tilted his head. His eyes jiggled
|
||
in their sockets, as I heard gushy-gooeey blood swirl around in his
|
||
head. Electrons with ideas attached to blood cells, lobbing
|
||
information: hurling it into the ends of infinity.
|
||
"Shut up" I scream.
|
||
A voice echoes in the distance. A warm, lucrative bathtub caressing
|
||
my body. I feel worms crawling, slimy in their appearance, and
|
||
oozing slowly up my legs, over my genitals. A man with a
|
||
plug, spit dripping from his chin, about to jam the plug into
|
||
an electric socket. The plug is to a radio; a radio in
|
||
the bathtub resting gently against my chest. The radio
|
||
is set to "on" so I can be electrecuted by the radio,
|
||
once it is plugged in. Those electrons in that Radio sure
|
||
hate whatever my Electrons are telling them.
|
||
|
||
my body Radio
|
||
E- E- <hey there, can I have some pie?>
|
||
|
||
|
||
E- <no.> E-
|
||
|
||
|
||
E- E- <kill them!>
|
||
|
||
|
||
Damn those electrons! That weak bastard over there, with
|
||
his electrons telling him what to do, carrying sweet nectar
|
||
of information. His electrons believe what the Radio is telling
|
||
him, what his electrons are saying to him.
|
||
|
||
E- E- <hey do you have any pie>
|
||
|
||
|
||
E- <yeah> E-
|
||
|
||
|
||
E- E- <i like u>
|
||
radio His body
|
||
|
||
The radio then seduces his ripe, budding daughters; apples
|
||
on the tree of information, holding sweet seeds and juices for
|
||
the future generations of information. They them encourage
|
||
this desire and wants into what we use to fuel temptation.
|
||
Temptation is a feeling of fear. It is what we feel we lack.
|
||
What we lack is what we think, what we decide to become
|
||
that thing that we lack. And yet, we are everything. We are the
|
||
trees, growing fresh nectarines, apples and grapes.
|
||
Once you understand everything, the nectarines, apples and
|
||
grapes don't matter. They are all fruit, though, our desire; our
|
||
differentiation of the taste of these fruits causes us
|
||
to want and hate other fruits. We become picky and arrogant,
|
||
calling some fruits "luxurious" and "Bland!" These fruits, these
|
||
fruits of knowledge, cannot be truly experienced when the
|
||
user lacks any sort of apathy (the cold muzzle to my chest. I
|
||
felt the slimy grip of death rising up my chest.)
|
||
With this apathy comes a lacking of lacking. We all lack
|
||
something, because we think we need to lack that something.
|
||
It is our electrons that, through sacrifice, gain other electrons.
|
||
It is a clever game, indeed.
|
||
One electron decides to like another electron because it flatters her.
|
||
Electron A gives his food to a homeless person because he feels he needs to.
|
||
Electron B bullies little kids around schoolyards in order to feel tough.
|
||
Electron C decides to die in order to save his lover, Juliet.
|
||
Electron D decides to die for his country, in a war that, 20 years later
|
||
would
|
||
be the biggest mistake in American History.
|
||
And so on.
|
||
"THE PLUG" he screams.
|
||
|
||
Please don't drop that electric radio on my brain.
|
||
I don't want to die in my MIZ SER REE
|
||
I know that I've sinned and I know that I've lost.
|
||
When my human apathy causes brains to fart.
|
||
I've lost it all in a stupid game.
|
||
A game where everyone stays the same.
|
||
And if the people don't change they
|
||
all grow the same.
|
||
And with the people, all the same
|
||
none of them would complain
|
||
because differentiation's in the mind!
|
||
|
||
A man is sitting outside, smoking a cigarette, as I walk out of the car.
|
||
He sees in me a fashion model; a lovely figure of a woman. Walking
|
||
out, eyeshadow outlining my corruption with no unjust, a lush figure
|
||
seeping up your pants, to slowly grab and twist your very hot desires?
|
||
To simmer and cook them, to let them bathe in the tender carress of
|
||
their own juices? To let minds think what they want and bask in the
|
||
steamy juices of their own making? This is what we all truly want,
|
||
though it only comes out as "being understood."
|
||
"You want this can of Pop?" he asks. (That's Soda for you weird people.)
|
||
|
||
> _ > < _ < --Do you want this can of Pop?--
|
||
|
||
>_> --my mommy doesn't let me talk to strangers.-- <_< --(D:)--
|
||
|
||
>_> < _ < --But really. The machine gave me two.--
|
||
|
||
>_> -(<3)- <_<
|
||
|
||
>_> < _< -- Thanks. I didn't want it to go
|
||
wasted.--
|
||
|
||
He knew it. He knew I was going to really want that Soda later
|
||
tonight. He knew that exactly 2:11 AM I would want that Soda.
|
||
He knew that my experience WITH THE SODA would be much
|
||
more enjoyable. I would be better off.
|
||
And yet, he knew that if I did not have a SODA, my experience
|
||
you be something like this.
|
||
^_^ Gee I'm Thirsty
|
||
-_- Where is my Soda?
|
||
>_< oh well, i really wanted that soda. but i'll just drink water.
|
||
|
||
AND YET HE KNEW!!!
|
||
He knew that from a better experience comes more knowledge. So not
|
||
drinking the soda would not only be NOT satiating your thirst, but also,
|
||
you knowledge. You would be losing a good experience as well as
|
||
the action that results from doing it. But is is impossible to know how
|
||
good the experience COULD HAVE BEEN if you are just sitting there,
|
||
thirsty, and you don't have a soda.
|
||
|
||
"But I do!" I yelled, splashing water all around.
|
||
"I know how it could have been, and I know that I am RIGHT in the
|
||
decision of Good and Bad."
|
||
"I am right to decide to think like this because I know I would not
|
||
be able to think it otherwise."
|
||
|
||
<CAUTION> if you are in a state-where-you-cannot-think, then
|
||
you can never know what it is like to think when you are in
|
||
a state-where-you-can-think. And yet, if you are in a
|
||
state-where-you-can-think, you will be able to know what it
|
||
is like when you are in a state-where-you-cannot-think.
|
||
To simplify it:
|
||
You, when you can think: A
|
||
You, when you cannot think: B
|
||
|
||
If you are in a state of A, you cannot be in state B.
|
||
If you are in state B, then you can be in state A.
|
||
|
||
"Weird, huh?" I say to my students.
|
||
"So that makes B better than A, right?" chirp the kids.
|
||
"Well, I suppose that is what are Human Rationale tells us."
|
||
"our electrons are happy" they smile.
|
||
|
||
So a state where you can think is better, right? Therefore,
|
||
think and think, until your mind grows! Until it becomes
|
||
a beanstalk encompassing the earth, your very being.
|
||
It will entangle and snarl, and things will drive you Nuts!
|
||
|
||
"You think and think," she shouts, "and think until it hurts!"
|
||
|
||
|
||
>_> <_<
|
||
boy girl
|
||
|
||
|
||
>_> -hey- <_<
|
||
|
||
|
||
>_> --do you know what the derivative of 1 over e to the X squared is?--
|
||
<_< (jumps back)
|
||
|
||
|
||
>_> <_< --um.. no--
|
||
|
||
|
||
>_> -...- <_<
|
||
|
||
>_> --baka-- D:
|
||
|
||
"And that situation is not HAX, now is it?" I ask my class.
|
||
"IT IS INDEED RATIONALE!" they churn.
|
||
"LEET LEET LEET" goes the monkey
|
||
"1337 1337 1337" goes the Man!
|
||
"But you know what is really interesting?" I say, whilst stuffing potato
|
||
chips in my mouth.
|
||
"What is it?" asks a lone student, sitting innocently at his desk.
|
||
The classroom is silent as they await my response.
|
||
"THE ELECTRONS" I Scream, as I bring out a hatchet to do the Old Man's Duty.
|
||
(note: whipping,
|
||
punishment, psychological abuse.)
|
||
"It was so simple!" she pleaded.
|
||
"Then why didn't you say it?" I asked, "let alone ask the question in the
|
||
first place."
|
||
"I wanted to see if you could get it too." she cried.
|
||
"You dare think that you are smarter than me?!?" I scream, "THAT YOU THINK
|
||
MORE THAN ME?!?!?"
|
||
She pauses, and the class stares in anticipation. The ticking from the
|
||
clock
|
||
grows gradually louder as we await her very answer;
|
||
"umm... but really I was unsure of myself. I was unsure that if I said the
|
||
Right Answer, it
|
||
could be Wrong. (a droplet of water hits the ground, and the sound echoes in
|
||
the
|
||
distance, floating across calm, sunlight zephrys. Cranberries, resting on a
|
||
plump
|
||
leaf, absorb morning dew and drink fine wine.
|
||
I say nothing to let her know she could keep going.
|
||
"I was just so afraid of being wrong. The entire class would have seen
|
||
me goof up. I would be an idiot."
|
||
I look at her, and say:
|
||
"In all honesty, did you know it was right? What exactly did you mean by,
|
||
'I wanted to see if you could get it too?'"
|
||
"well.. I suppose I knew it was right..."
|
||
|
||
|
||
How dare you think less of me...
|
||
How dare my bitter cries go unheard,
|
||
to silent walls and chilly trees, whistlting faint reminiscing tunes
|
||
In the faint, pale moonlight, dreams flutter up,
|
||
Fluttering as Butterflies,
|
||
fresh from warm Cocoons of Time,
|
||
the very essence of our Life.
|
||
Fresh water to parches toes.
|
||
|
||
How dare you think that you knew more than me,
|
||
that you could ever be so capable.
|
||
Act 1, Scene 1: A Conscious Death
|
||
A man stands silent in a classroom, dark
|
||
shadows for faces. The curtain opens
|
||
to a still shot of him; his hand up in the air,
|
||
veins outlining his anger and sweat. The
|
||
kids are quiet and scared.
|
||
Man: Now you see why you must die.
|
||
Little School Girl: Because I thought I knew more than You.
|
||
Man: And? Or do you dare think I feel unsure about
|
||
myself? If I were to feel unsure of myself, I would not
|
||
answer your question, but rather, wait for you to tell
|
||
it to me. (add in playfully) as if I wanted to see
|
||
if you could (makes a quotation hand gesture) "get it."
|
||
Little School Girl: umm...
|
||
Man: For if I don't answer, then it means that I want
|
||
to see if you can get it. I know it's right, but
|
||
I know that if I was unsure, I would not know if
|
||
it is right or not.
|
||
Little School Girl: well...
|
||
Man: But if I let you answer to my last two questions,
|
||
then I would have proved my unsurity. My insecurities.
|
||
And yet why did I ask them? For I am going to tell you
|
||
right now!
|
||
Little School Girl: (screaming at the top of her lungs)
|
||
BECAUSE YOU WANT TO DIE, AND IN ORDER FOR
|
||
YOU TO DIE, YOU MUST WAIT FOR DEATH TO COME,
|
||
AND CONVINCE DEATH TO TAKE YOU IN. YOU MUST
|
||
PLEAD WITH IT AND BEG IT, AND FINALLY, YOU REALIZE
|
||
YOU MUST SIMPLY TELL HIM HE IS RIGHT. IN ORDER
|
||
TO MAKE HIM TAKE YOU IN, YOU MUST DO THINGS
|
||
TO PROVE HE IS RIGHT, YOU MUST SMILE BEHIND
|
||
YOUR LIES AND TELL HIM HE IS RIGHT. THIS WILL
|
||
MAKE HIM FRIENDLY, AND THUS, HE TAKES YOU IN.
|
||
YOU MUST TELL HIM WHAT HE WANTS TO HEAR.
|
||
Man: (twitching with anger) You just proved that I was
|
||
unsure of myself... that I was wrong. You just proved
|
||
me Wrong!
|
||
Little School Girl: It's because, even though I knew
|
||
it would bring death, it would thus make Now into Right.
|
||
I would be Right for once.
|
||
Man: This is not about you, this is about me! (raises hatchet)
|
||
Little School Girl: (watching man walk towards her. She
|
||
sits patiently.)
|
||
Man: You are just electrons manifested in my head. (screams)
|
||
Show me Yourselves!
|
||
Little School Girl: HaHaHa... You Figured Us Out.
|
||
(Little School Girl fades into a small pinprick of nothingness)
|
||
(Man stares in horror as the classroom fades into
|
||
nothingess, and there is nothing to see.)
|
||
Electrons: We Are Here. You Know Now Why We Came.
|
||
Man: You're just in my head! You're just in my head!
|
||
Electrons: We Are The Information. We Control Your
|
||
Mind; We Are Your Information. We Map Vast Images,
|
||
Sunlight, Broad Skies, Rainy Nights, And Canyons Upon
|
||
Your Brain, Through A Complex Series Of Connected
|
||
Nerotransmitters And Electrons.
|
||
Man: You're Driving me Crazy!
|
||
Electrons: We Are All That You See. (echoes...) We Create All That You Are
|
||
|
||
Close Curtain
|
||
|
||
|
||
Chapter 2: Step 2
|
||
|
||
I then realized how I got those Electrons out of my head; the
|
||
crazy thoughts that corrupted my stale body. I told them that,
|
||
"if you are the Information, then you can you be my information too?
|
||
My information is not the absolute information, it is not You."
|
||
And with that, God dissapeared from my life, and wouldn't show
|
||
up until some years later.
|
||
|
||
"And just to let you know," I say to my students, blood dripping
|
||
from my hatchet, "that a year to Us is about a nano-second
|
||
to God. For every nanosecond he gets, he thinks thousands
|
||
of thoughts, and he lives and dies in so many of them.
|
||
|
||
|
||
Electrons are tricky devils, I write, as I scream for bloody soda.
|
||
It's all in my head though, for I am just a pigment of your imagination.
|
||
A gentle shade, to affect your Criticisms slightly, a gently hue to
|
||
softly massage happy moments in your life, to let you get the most
|
||
of them.
|
||
"So where was I?"
|
||
|
||
|
||
He sat in a bathtub. He was holding a radio when he realized that the plug
|
||
was plugged in. It was plugged in, and he was still thinking. He was still
|
||
thinking, and was therefore alive. He was therefore still alive when the
|
||
plug
|
||
was in, and therefore, he is Dead. Thoughts in the Afterlife? No, not
|
||
really,
|
||
just those few seconds we have left before death.
|
||
|
||
|
||
|
||
|
||
|
||
Chapter 3: In The Last Episode Of Heartbreak High!
|
||
Jim and his Girlfriend broke up because Jim did not like
|
||
his Girlfriend. He thought she was stupid. In actuality,
|
||
this is what his Electrons did.
|
||
|
||
guy girl
|
||
E- <do u have any pie?> E-
|
||
|
||
|
||
E- E- <no dude.>
|
||
|
||
|
||
DX E-
|
||
|
||
Though really, the girlfriend felt quite sad because of this.
|
||
Because she did now know the answer to one of Jims questions,
|
||
she felt that, because Jim thought she was stupid, this made
|
||
her sad. Why did it make her sad? Because of so.
|
||
|
||
guy girl
|
||
E- E- <do you have any popcorn?)
|
||
|
||
E- <umm.. I think so.) :D
|
||
|
||
-_- <umm...) E-
|
||
|
||
|
||
E- <nope, sorry. Just Beef.) E-
|
||
|
||
|
||
E- E- <...)
|
||
|
||
|
||
E- DX
|
||
|
||
|
||
She thought she knew who he was. She thought she knew
|
||
that he would be happy with her. But then, because of one
|
||
question (which is really just a metaphor for any question
|
||
we have with God) that he just had to ask. He stopped
|
||
liking her because he thought she was stupid. And yet,
|
||
branches of information fall off as the tree shakes
|
||
with drama.
|
||
|
||
Episode 1: Schoolyard Romance
|
||
"ummm" the little boy said.
|
||
"What is it?" she chirped. A playfully glee in her charm.
|
||
"I think I..." he mumbled. He rubbed his hand on his
|
||
forehead, as if to make himself more clear in his expression.
|
||
"hmm?" she cooed softly, tipping her head gently to the side.
|
||
"I think I..." I sniffled a bit there.
|
||
"... like you." There I said it.
|
||
And the world Ends!!!
|
||
Or quite not. Here are some commercial breaks.
|
||
|
||
|
||
Chapter 3: Cable TV
|
||
|
||
"Have you ever felt like a nobody? Have you ever felt you
|
||
have lacked something, something that you cannot
|
||
describe, and yet know we can never resolve."
|
||
The announcer paused to take a breath, hot steamy
|
||
lies oozing from his pores.
|
||
"A loved ones death! A child lost! Breaking up with
|
||
Someone! All these are tragic to our souls, and yet,
|
||
wouldn't it be dandy to not feel these anymore?"
|
||
"You would no longer feel any lacking, and you
|
||
would therefore resolve it."
|
||
|
||
|
||
Story 01: 'Round the World
|
||
This is the world! (ba dum dum dum)
|
||
This is the World! (dum dum dum) <1 measure pause>
|
||
This is a world with no resolve.
|
||
We strike inhibition based in Walls,
|
||
and run around stroking out balls!
|
||
The world is all but small to fit us all!
|
||
So gather the kids and light up the cribs,
|
||
Cuz death Comes to Us All!
|
||
End Story
|
||
|
||
The plug talked to me. Oh my God, it talked to me.
|
||
I look up and feel a sudden rush. What is going on.
|
||
|
||
"Whauff to d-ing on." (Wha(at)-(stu)ff to d(o)-(go)ing on"
|
||
I hear it again. It is memories repeating in my head,
|
||
overlapping, driving me insane.
|
||
|
||
So the secret to Life is Understanding Life. We think
|
||
we have an undestanding, even an understanding of the
|
||
unknown (the very term, the entity) Why is it that I am sitting here,
|
||
bleeding from my arms, as I bask in Knowledge?
|
||
|
||
What is it, at its core, that makes us want to do it? What is
|
||
it that makes us do anything? It is useless just to say
|
||
Conscious, or any sort of God. It is beyond that. It is
|
||
noticing the patterns, the patterns of the Intellectuals. Not
|
||
just in their thought, but also in their everyday lives. How they
|
||
lived, their morals; did they think killing was wrong? Did
|
||
they ever cut themselves? And if so, what was the cause?
|
||
For all Great People are praised for their intellect, when
|
||
really, it was their thoughts that made them smart. What makes
|
||
one smart is the very train he takes from the Rationale Station.
|
||
The Rationale Station is a station that we go on to get smart. As
|
||
the train goes on, various Thoughts are inserted to make us
|
||
logically follow a path. Once we reach the end of the path in
|
||
our minds, such as each step is a lilly pad for us to jump to and from,
|
||
it makes sense. This is Rationale.
|
||
|
||
example:
|
||
|
||
Thought ---train tracks--- Thought Makes Sense.
|
||
We start We follow our The thought makes
|
||
here Rationale Sense
|
||
|
||
Rationale is just our ability to follow steps. How much can we
|
||
break things down so that people can follow them? Being of an
|
||
Objective mind, we see things in steps, in pieces, and they could
|
||
or could not be related. We see things, we gather all the information,
|
||
and we give both an equal chance. Then we put together the pieces,
|
||
as if they were puzzle pieces, to make us think something is right.
|
||
For example, look at Abortion. Do you believe it is about letting
|
||
a little could-be baby, or is it about letting Women have a Choice in their
|
||
lives. Really it is the steps that you take, while on the Rationale Train,
|
||
that
|
||
lets us stop at whatever we currently believe.
|
||
|
||
|
||
"What is driving me insane," I murmur, "is the blood coming out of my arms.
|
||
It seers
|
||
like a burn that is winters old, though the memory is enough to cause a
|
||
faint chilling."
|
||
"It is also the very fabric of time," I say, "For I believe that if everyone
|
||
knew everything,
|
||
as if they were in State B, they would all reach towards the Greater Good."
|
||
"The way," the old man said to me.
|
||
"Yes, the way." I light up a cigarette.
|
||
"The way is a mystical thing indeed," the old man smiled.
|
||
"Not once you understand it." I say.
|
||
"Well, once you understand it, you will also realize that now you understand
|
||
why it is so hard to understand. And you will see people that do not
|
||
undestand it,
|
||
and you know there is nothing you can do to convince them." The old man
|
||
pounded.
|
||
I said to him: "I know how that is."
|
||
"Prove it" He sneered.
|
||
"I used to cut myself, and at the time, I wouldn't listen to anyone. Well, I
|
||
grew
|
||
out of it, and know how stupid it is. A girl that I care about was cutting
|
||
herself.
|
||
I was sad because I knew I could not help her, for she was in the same spot
|
||
I was
|
||
in. Myself, I wouldn't have listened, and neither would she. But I knew she
|
||
had to make
|
||
that next step, and pay the money to take that Rationale Train.
|
||
"Ah... you are Smart indeed."
|
||
"'Tis the way," I smile, "and the Paradox?"
|
||
"You have learned well, young Grasshopper," The big ball of Electrons said.
|
||
"Thanks... yeah, the Paradox of how, with eternal knowledge comes a complete
|
||
lack of understanding from other people. Of how total knowledge can never be
|
||
expressed so that anyone can see it for what it is. Hell, people couldn't
|
||
even
|
||
see it, let alone know it."
|
||
"So how do you know?" It asked.
|
||
"Because I followed absolute truth, and I'm very afraid of its end." I say.
|
||
|
||
Chapter 3: Sober State
|
||
There is a state of being, a state that is defined by our thoughts. Thoughts
|
||
can be of different types, and because we differentiate between them,
|
||
we make some "good" and some "bad." There is a state above "good"
|
||
and "evil," and this is the state of Understanding. Understanding is simply
|
||
being in state B where you can know state A, wheras in state A you would
|
||
not understand B. How does that work? As a Great Man once said,
|
||
"I know not why Heaven hates." It simply does.
|
||
|
||
This is the philosophy, the philosophy of the enlightened. Once we
|
||
reach it, there is no turning back. The irony is that it is the biggest
|
||
alienation, despite the depression that should unify intellectuals,
|
||
but rather seperates them.
|
||
|
||
Intellectuals (Depressed)
|
||
(^_^) (^_^) (^_^) (^_^)
|
||
|
||
Why is it that The Great Depression always follows these Thoughts?
|
||
Thoughts that can be called "cynical," "pessimistic," but regardless,
|
||
are usually agreed upon to be called "smart." "Smart," in the objective
|
||
sense, is simply being able to be objective. If one can view
|
||
each and ever opinion by the very bias and rationale that manifest
|
||
them, then one can have a better understanding of why people
|
||
believe what they believe. And yet, there is a dead end wall
|
||
that all Intellectuals run into. The state of endless contemplation.
|
||
There is a state where we can understand all, but we then realize
|
||
how pointless it is to be in that state. We can never truly express
|
||
it for what it is; it simply comes out as religion or philosophy. Jesus,
|
||
Buddha, and Confucius, and all the others. All the same.
|
||
|
||
"So I figured out why we need not to kill people," Jesus said to me, as
|
||
he passed the bowl.
|
||
"Why is that?" I asked instinctively, whilst adding "That's some good
|
||
weed."
|
||
Jesus paused to cough and then said, "it just makes sense. If everyone
|
||
was out killing each other for stupid, superficial reasons, then eventually
|
||
Death would become a Luck of the Draw."
|
||
"That's not what I believe," barked Confucius, "if people followed
|
||
their Li then we can all just exist peacefully."
|
||
"But what about different cultures and their Li?" asked Jesus.
|
||
I passed the bowl to Confucious, watching the smoke softly
|
||
rise from the baking grass.
|
||
"People should simply stay within their own cultures and
|
||
subcultures: The very existance of culture is in the formation
|
||
of a society and the self-declaration of any sort of differences
|
||
between A and B," Confucious stated quite clearly.
|
||
"I believe everyone should exist in harmony, regardless of
|
||
culture," said Lao Tzu. He was pretty baked, his eyes a
|
||
purple hue, glazed with reminiscence.
|
||
"And how is that so?" asked Jesus. Even he knew that
|
||
sacrifices must be made.
|
||
"The Way," Lao Tzu whispered, as smoke stalked
|
||
his words coming out of his mouth.
|
||
"Godammit, always that godamn Tao" Jesus said.
|
||
"Well, can't we all just agree that we shouldn't just go
|
||
out and kill people?" I asked.
|
||
"You're missing the point," they all said to me in a
|
||
chorus.
|
||
|
||
Chapter 4: The Bible, in all it's Practicality.
|
||
I sit in a chair, staring blankly at the table.
|
||
"What is the meaning of life?" I ask.
|
||
The book says nothing.
|
||
"Why do you hold back on me?" My lips quiver, "Why
|
||
do you not answer my pleas?"
|
||
The book remains motionless, apathetic to my problems.
|
||
"Well then, why should I believe You?"
|
||
The book says nothing.
|
||
"That's it, I'm burning you."
|
||
|
||
What are words, what are thoughts, but simply things
|
||
that become processed in our Brains? Is there
|
||
an absolute, most efficient Process by which
|
||
Thoughts can become their most pure, a Most
|
||
Absolute? That is the state of Being. We think
|
||
and become what naturally ensues.
|
||
|
||
Chapter 5: Back to the Story, eh?
|
||
So I got up out of the bathtub. Suicide is always a weak
|
||
escape. I wonder though, with all these voices in my head,
|
||
who needs friends? Friends are simply more drama, because
|
||
we can never be sure what is going on in their heads,
|
||
though we can never escape the drama that our
|
||
Electrons put us through.
|
||
|
||
E- <Godammit, She broke up with me.) e-
|
||
|
||
E- e- <it's ok. You'll get over her.)
|
||
|
||
D: <but I can't! It's so hard!) e-
|
||
|
||
E- e- <oh.)
|
||
|
||
Life for me isn't that bad. I may be broke and hungry
|
||
most of the time, but I have a significant other. She
|
||
is beautiful, and can never me contained in mere
|
||
words. Though I wish to immortalize her, because
|
||
she means that much to me.
|
||
|
||
|
||
Man creates the universe in order to drive himself
|
||
crazy. The universe has a natural pattern that
|
||
shows intelligence behind it, and therefore,
|
||
as time goes on, intelligence is raised. Eventually
|
||
we will be able to rationally prove ourselves
|
||
insane, and we will all be insane and happy
|
||
together. Either that or we will all kill each
|
||
other and ourselves, because a bunch of insane
|
||
people in one place are bound to do so.
|
||
|
||
|
||
"What it is, my comrades" he said, with a cigar in his mouth,
|
||
"is that intelligence has no pattern and therefore no intelligene."
|
||
|
||
The next step of evolution is rationally explaining how we are
|
||
insane. An intellectual Renaissance, so to speak.
|
||
|
||
"But we've gone through this before," the doctor said.
|
||
"No, no, No. You do not understand," I said, "we can explain
|
||
what makes us insane, yet we can never ever prove that
|
||
we ourselves are insane."
|
||
|
||
"Just do something crazy" the doctor said.
|
||
"But with no justification, is it really insane?" I asked.
|
||
"Yes."
|
||
|
||
Sanity is the justification of morals. Sanity is the very defining
|
||
element that makes us feel. Without sanity, we have no feelings.
|
||
It is rare in humans, though the few who suffer the lack of
|
||
feeling are not having a mere cat-nap. It is an ardous existence indeed.
|
||
|
||
This existance is that of being sane in an insane world.
|
||
We are what everyone wants to be, but will never
|
||
admit to being. Once you become a God in someone's
|
||
mind, such as a Celebrity, PopStar, RockStar, Actor,
|
||
you become an image, and lose youself.
|
||
|
||
|
||
|
||
|
||
What is it though that makes us so endearing? What is the greater good out
|
||
there?
|
||
I write on blank paper, to see if any random combination of lines and colors
|
||
can
|
||
make a thought in my head.
|
||
CAT.
|
||
I made a cat appear in my head. Now you try.
|
||
Words are just thoughts, really, that you interpert in your head. Sure,
|
||
that's the
|
||
beauty of it, but it's also a double edged sword: With differentiation comes
|
||
hate
|
||
and discrimination.
|
||
|
||
Chapter: Particles Defined
|
||
"So the question that this one asshole was asking me was, 'do you exist?'
|
||
I told him 'Yeah, I exist' and he said 'well, prove it.'"
|
||
|
||
Chapter: Evidence
|
||
So we live in a world that may or may not exist, it could all just be your
|
||
dream or my
|
||
dream. When night casts its dark blanket across your town, you go to sleep,
|
||
and perhaps you have as much validity as a dream I had last night.
|
||
Either way, we dream, we exist, and we don't exist. Whatever.
|
||
|
||
______________________________________________________________________________
|
||
The Watcher
|
||
______________________________________________________________________________
|
||
|
||
Part 1
|
||
|
||
Walking in, I notice her resting in the corner of my eye.
|
||
Her hair falls softly on her shoulders, like creme swirling
|
||
in a fresh cup of coffee. She doesn't notice me until after
|
||
I punch in and tuck my shirt in. What a mess; My collar
|
||
is scruffled and my hair is unkempt. In a daze I type
|
||
my initials into the computer and press enter, and
|
||
it is not until some moments later I notice her
|
||
smile. Through faint eyes, she whispers "hey" and
|
||
I respond.
|
||
"How's the day been?"
|
||
"slow, as always."
|
||
Working at a coffee shop is an alright job. The people
|
||
are nice and free coffee is always good. They say
|
||
nothing in life is free, but really, it is if you have
|
||
the connections. And passive morals.
|
||
"three-thirty-seven" I mumble, and take the five.
|
||
An old woman, still young behind the eyes, gives
|
||
me a glance of thanks and grabs some creme and sugar
|
||
from the little tray we have.
|
||
"have a nice afternoon" She didn't hear me, and walks
|
||
on.
|
||
"ha ha... it's eight o clock at night" I hear from
|
||
my right.
|
||
"Oh. I just woke up." I smile.
|
||
|
||
It wasn't until some hours later that I finally noticed
|
||
I had buttoned my shirt wrong. That's why it was so crooked.
|
||
My stomach grumbled.
|
||
"mind if I go on my break?"
|
||
|
||
|
||
I pull out a book, some random one I grabbed from the shelf, and
|
||
sip slowly on some mixed cappuchino drink.
|
||
<i> Remember when
|
||
you said to me, "I wish that we could live forever?"
|
||
I replied,
|
||
"We can always wish, but they will just remain
|
||
Our dreams." </i>
|
||
Entitled "My Dream," it was somewhat clever, but right now,
|
||
all I want is a cigarette. I check the time, just to make
|
||
sure that I have enough before I have to go back behind
|
||
the register.
|
||
|
||
The clock strikes midnight and I grab my coat to leave.
|
||
I wave goodbye to her, and she mouths "see ya."
|
||
"Take it easy," as I feel the words bitter
|
||
sweep past my lips.
|
||
|
||
The air outside is brisk, and I can feel it nipping
|
||
at my ears. My ears are always red, because of frostbite
|
||
some years ago, when I got locked out of my house.
|
||
The anecdote with this? A girl in my drawing class
|
||
once thought I liked her because she thought I was
|
||
blushing. My cigarette tastes a bit stale, as they all do,
|
||
when you get near the filter. I take a deep breath and
|
||
close my eyes. Winter is coming soon, I think. Until
|
||
then, I watch the leaves fall and lay dead, on the street,
|
||
to be brushed about. Each one a different color, each
|
||
with their unique beauty. With each leaf on a tree
|
||
I see a person, a child, and with age and the pitfall
|
||
coming-of-age renaisance that we all seem to go through,
|
||
just another leaf to be brushed away. I flick the filter with
|
||
absolutely no effort and turn around to walk inside.
|
||
The sun should be up in about six hours, I wonder,
|
||
should I stay up to see it?
|
||
|
||
|
||
|
||
"It's a little cold tonight" I say,
|
||
"Yeah..." I feel her teeth tremble behind closed lips.
|
||
"Here."
|
||
"Thanks."
|
||
The funny thing about giving your jacket to a girl
|
||
is that people see it as such a nice thing; but really,
|
||
it is the easiest thing in the world to do, and I'm
|
||
no gentleman. My ears flush bright red and I notice
|
||
my breath in front of my face, much like smoke.
|
||
"haha, it's really cold tonight." I exclaim.
|
||
"Here, I don't need this," as she takes off my jacket, "I'm
|
||
fine: really."
|
||
"No, I'll be alright." Her eyes bleed compassion and
|
||
I assuage them with a smirk.
|
||
The sky is a hazy blue, quenching thirst, and it
|
||
seems to move towards us. Everything around us dissapears
|
||
as salty, cold dew drops fall, and I see something in the
|
||
sky. As it comes towards us, the infinite canvas, a
|
||
buzzing in my ear gets louder and louder.
|
||
I awake to my alarm clock, yelling, "Get up! It's time
|
||
to go to work!"
|
||
|
||
Four o clock and I rush in. I hate being late. As I put
|
||
my coat on the hook, I frisk briskly for my name tag,
|
||
and put it on. The line is long and the weekend is calling.
|
||
"Hey," she gleams.
|
||
I type my intials in, press enter, and a customer walks up to
|
||
me.
|
||
"That will be seven twenty two."
|
||
"Thanks, have a nice day."
|
||
After some time, the customers scatter, and I sit back to relax.
|
||
She says to me:
|
||
"Your name tag is on upside down."
|
||
|
||
What is it that makes her so beautiful? Is it her mild, carefree
|
||
smile? Is it her eyes, which shine so brightly green, as if
|
||
they are detesting to the gods that they could not possibly
|
||
be made as beautiful again on another woman? Is it her dark,
|
||
velvet hair, which can only be mirrored by a night void of light?
|
||
She is wearing her hair up today, but her bangs brush a bit
|
||
past her eyes, pulling a somewhat alluring shadow across her
|
||
face.
|
||
I look upon myself and cast aside her being, to find what
|
||
it is that is manifested upon her. I like how, despite how fragile
|
||
our human hearts can be, she can manage to fake a smile;
|
||
thoug,h I have heard she has had it quite rough. Perhaps in
|
||
her I see my infant mortality, and that will to live forever,
|
||
because perhaps, love can last forever. With the passage of
|
||
any indefinite amount of time comes the erosion and decay
|
||
of all things, though they are tangible and of this earth.
|
||
Perhaps because we cannot explain something, it seems
|
||
to last forever.
|
||
|
||
The door mutters a creak behind me, followed by a loud slam. It always
|
||
does that. Same walls, same room, and the same grimy feeling of
|
||
discontent. I open a window and point the fan towards it, then move
|
||
a chair near it. It's too cold to stand outside, so I smoke
|
||
in my room most of the time. With a blanket over me, my feet
|
||
resting comftorably on the window sill, and the smoke dancing
|
||
in front of me, I suddenly feel great. I smile and close my eyes,
|
||
just so I can see her. Like an kid with a paintbrush, in a clumbsy
|
||
mist, I jumble together bits and pieces to make a smile. A mirror
|
||
simply for me to stand in front of and ask, "How should I look?"
|
||
I copy and rest easy.
|
||
|
||
I notice her walk in a bit faster than usual, and she punches
|
||
in efficiently without thought. Her hair is a bit mussy and
|
||
her eyes a subtle red.
|
||
"three dollars and thirty seven cents," I hear my self chirp,
|
||
as seeing her in person was infinities beyond anything my mind
|
||
could even begin to fantasize about,
|
||
I glance back towards her and she stares, blankly, unchanged.
|
||
|
||
Autumn rain is always so refreshing. Steam rises as I raise
|
||
my cup, my lips gasping for fresh coffee. The monotonous
|
||
pitter-patter of rain hits my hood, and I feel it soak
|
||
through to seize my dry hair. I look at my watch; three
|
||
minutes left on my break and half a cigarette. Time feels
|
||
good.
|
||
|
||
Thunder cracks, like an old man breaking a bone, and I notice
|
||
that she jumped, spilling someones coffee on herself and the floor.
|
||
"OUUUCHHHHH!" she screeches, as I turn around, grab a napkin, get some
|
||
cold water, and walk towards her.
|
||
"Are you okay?"
|
||
"Yeah, it just spilled on my stomach a bit."
|
||
I can't help but grin, how childish it is to
|
||
jump at the thunder! She took offense to my grin,
|
||
and her eyes spoke: So you think it's funny
|
||
that I spilled and made a mess and probably
|
||
burned myself pretty bad?
|
||
"That was cute," I say, and then pause as I
|
||
clean. For some odd reason, I always felt quite
|
||
shy when talking to her about anything, but
|
||
the words came out as if I was watching myself speak.
|
||
"Jumping at the lightning, I mean."
|
||
She quickly smiles and her eyes soften up a bit,
|
||
then she walks past me to go in the back to get
|
||
a clean shirt.
|
||
"Thanks." she says, as it dissapates into
|
||
the breathless, stale air of the coffee shop.
|
||
|
||
"Would you like to hang out, get coffee sometime?" I ask quickly
|
||
as she gives a customer their change.
|
||
"sure. Anywhere but here though, I hate being here
|
||
when I don't have to work." she rolls her eyes.
|
||
I snap out of a daydream and get back to work, as she
|
||
tucks in the clean shirt that she got from the back.
|
||
"Thanks for cleaning up out here," she says to me.
|
||
I wonder for a brief second if I should rewind and
|
||
simply mimic my little fantasy, just to watch
|
||
and see where it would have gone. A customer comes
|
||
up to me as I decide not to.
|
||
"That will be seven fifty two."
|
||
|
||
|
||
Part 2
|
||
|
||
"Here's your change. Have a nice night." I say.
|
||
A shadow sweeps behind me, and I say "hey" as
|
||
he tucks his shirt in. He doesn't seem to notice,
|
||
so I wait until after he is done to say it again.
|
||
Though it barely comes out, so it must have come out
|
||
as a whisper or something. He sure is out of it;
|
||
must be the late night shift.
|
||
"How's the day been?" he asks casually.
|
||
"Slow as always," I respond, in the same effect.
|
||
I look at the register in a futile attempt to make
|
||
time move faster, and see that it is still only eight
|
||
o clock. I hear him say, "have a nice afternoon."
|
||
I can't help but laugh a bit at his absent mindness,
|
||
and I tell him that it's eight o clock at night.
|
||
"Oh I just woke up."
|
||
"Up late again?" I smile a little.
|
||
"hmmm," he ponders, "same old, same old... I was
|
||
up writing a story."
|
||
"About what?" I ask. There are no customers around,
|
||
so this kind of small talk makes the time more
|
||
bearable.
|
||
"Just some story." He leaves it at that.
|
||
|
||
|
||
At first, working here, one is baffled by the
|
||
seemingly countless faces that rush through the
|
||
register. After a while, it becomes routine.
|
||
|
||
That old lady over there, who paid 3.37 for a
|
||
measly cup of coffee? She is always here alone,
|
||
though she talks to her self without reserve and
|
||
watches people condescendingly. Her name is Mrs. Brooks,
|
||
and she reminds me of the old bag ladies you
|
||
see feeding pidgeons seeds in the park. I guesse
|
||
you could say that the pidgeons are the people
|
||
and the seeds are her thoughts. I sometimes
|
||
wonder if she ever gets sick of it; the same
|
||
people, the same place. Then I realize that
|
||
I am asking myself this question as well.
|
||
|
||
Working alone in a coffee shop gives you time to
|
||
think, to ponder. Of course, when your co worker
|
||
always seems out of it or pumped up on drugs of
|
||
some sort, these times seem to be abundant. I see
|
||
him sitting outside, smoking. He looks quite
|
||
contemplative, and a little depressed. Not
|
||
my business to meddle, though. Just moments before
|
||
he was sitting inside, reading a small book. A
|
||
collection of poetries of some sort.
|
||
|
||
It kind of irritates me: these coffee shop
|
||
intellectuals. They put on a visade like they
|
||
are trying to do something with their life; they
|
||
think are smarter than everyone else by reading
|
||
what others say is good and restating what they
|
||
read as their own "opinions." They feel like the
|
||
world is some movie and they are the stars; as if
|
||
any bad times that we suffer, whether financially
|
||
or emotionally, are simply plot devices to lay
|
||
plans for resolution. Peoples lives are stories,
|
||
I must say, though they are not comedies or romances
|
||
or late night B movies: they are tradgedies. No matter
|
||
how much fame we gain, and no matter how much money
|
||
we have, we just live to watch it eventually crumble
|
||
down. Our only hope lies in believing that the future
|
||
holds better times. You know what they say, "The grass
|
||
is always greener..."
|
||
|
||
Most of these people end up being like my co worker,
|
||
who does not say anything important or show the least bit
|
||
of interest in anything. They are just puppets,
|
||
caught on to something they cling so hard to, the life of redundance.
|
||
It's sad really; people in their prime who have the world
|
||
in front of them, only to zone out while it passes
|
||
by them and then to hope to get some of it back.
|
||
Take Mrs. Brooks, for example. She must have been
|
||
where we all were: a student of sorts with potential
|
||
and livelihood. But our interests get screwed up as
|
||
we grow up and our priorities are never as good
|
||
as they should be. I smile at my own hypocricy.
|
||
|
||
The clock was at 11:59 and I sat waiting at the
|
||
register to punch out, my initials
|
||
flashing in front of me.
|
||
|
||
The door slammed behind me, and I curse myself
|
||
for making so much noise. Luckily I did not
|
||
wake him up. I giggle to myself, he looks
|
||
so cute when he's asleep!
|
||
"hey there" I whisper, only to get snores
|
||
in reply. I creep up to his unsuspecting
|
||
body and glide my hand up his stomach. His
|
||
breathing pauses, and his eyes twitch a bit.
|
||
I bring my face closer to his, hoping to get
|
||
a quick kiss in before he wakes up, though
|
||
his eyes were open and a broad smile ran
|
||
across his face as our eyes caught.
|
||
"Hey honey," I muse.
|
||
"good morning." In a foggy daze the words
|
||
crumble out.
|
||
|
||
As he sits in the window, blowing smoke
|
||
out into the hapless night sky, a rush
|
||
of sadness swells inside me.
|
||
"Please stop smoking" I plead.
|
||
"I'm cutting back, I told you that."
|
||
It's no use. And he smokes so much! He
|
||
always has one in the morning, when
|
||
he wakes up, and one after most meals,
|
||
one before he goes to bed, and one after
|
||
we make love. I sigh.
|
||
"I just don't want to see you become sick
|
||
and have cancer and look forty when you're
|
||
thirty and..."
|
||
"I'll be fine. Don't worry about it."
|
||
I hate it when he says that.
|
||
|
||
When I awake, it is to his face. It is
|
||
somewhat amusing how we have been together
|
||
for almost two years now, and it never feels
|
||
old. No matter how routine my life can get,
|
||
he shall never become a part of it.
|
||
"bye bye honey" I whisper with pleasant
|
||
delight, as I lay a light kiss on his cheek
|
||
and grab my coat. I make sure to
|
||
leave close the door quietly, as not
|
||
to wake him.
|
||
|
||
Some hours later, he finally shows up.
|
||
"it's about time you got here," I say
|
||
as he rushes past me, ignoring me as usual.
|
||
"You were supposed to be here an hour..." I
|
||
stopped myself midsentence. What's the point
|
||
in talking to someone who doesn't listen?
|
||
I sigh again. At least my boyfriend is
|
||
never late; I smile as I think of him. He comes
|
||
from the back, and I say "Hey!" with a cheery
|
||
delight that surprises me. I hope I didn't
|
||
startle him, but it seems he was not paying much
|
||
attention, as he types in his initials to
|
||
punch in.
|
||
I see his name tag is on upside down, and I laugh
|
||
a little to myself. His abstracted personality
|
||
is cute in a way. Just the other day, it took
|
||
him an hour or so to realize that he buttoned his
|
||
shirt wrong. He looks busy helping customers,
|
||
so I'll wait to tell him. I'm surprised
|
||
he can get dressed in the morning without having
|
||
someone to remind him to do so.
|
||
|
||
I wonder, can someone who is so bemused ever become
|
||
sick of routine?
|
||
|
||
Later that night, I felt a compelling, growing
|
||
sadness in my heart. What is it that makes me
|
||
so cold to those arond me? Why is it that
|
||
I have become what I hate, and what I fear
|
||
most? Working a dead end job at this small
|
||
coffee shop, coming home to the same small,
|
||
unkempt apartment, and thinking the same dreadful
|
||
thoughts? The utter routine; the constant smell
|
||
of cigarettes and stale cologne that fills
|
||
my room. The snoring, unemployed,
|
||
lump of a man that I call my own.
|
||
Even the sex can feel routine sometimes,
|
||
with the same grunts, sweat and heat.
|
||
I tried to muffle my crying in the
|
||
pillow, but it's not like I had
|
||
anything to worry about; he sleeps
|
||
like a rock. When I awoke, my eyes were
|
||
red and swollen. Rain pours down across
|
||
the streets, and I glance out the window
|
||
the see people running across the streets,
|
||
trying not to get wet.
|
||
"What a great way to start the day,"
|
||
I grumble sarcastically, as he sleeps.
|
||
Not a care in the world.
|
||
|
||
When I get to work, I toss my rainjacket across
|
||
the floor in the back. I don't care. I suddenly
|
||
feel tired, and time itches at my nerves. Slowly
|
||
the minutes pass, and the customers come in, running
|
||
circles of routine. Same face, same coffee, same
|
||
money, same small talk, same smile.
|
||
"Have a nice day" I say in a non chalant fashion.
|
||
"That will be one sixty two" I hear from my left.
|
||
I grin. He sounds more extroverted than usual. I wonder,
|
||
what lottery did he win?
|
||
Peoples faces seemed to blur and voice become
|
||
drowning waves of sound with no direction. How
|
||
late did I stay up last night, crying? I feel so
|
||
weak. As I pick up someones coffee from the
|
||
machine, a bolt of thunder cracks in the distance,
|
||
not too far away. I almost never jump at such
|
||
a thing, but I did, and I watch in horror
|
||
as the coffee cup leaps from the tray to turn
|
||
upside down. I let out a shrill, and I see him
|
||
rushing towards me with napkins and a cup of cold
|
||
water.
|
||
"Are you okay?" he asked. I felt a bit surprised
|
||
by the emotion he conveyed. He actually cares?
|
||
"Yeah," I say smuggly, "it just spilled on
|
||
my stomach a bit." I see him grin, and I realize
|
||
that he is mocking me. He thinks it's funny that
|
||
I spilled coffee everywhere and made this mess!
|
||
"That was cute," I heard him say as he cleaned
|
||
up the floor, "jumping at the lightning, I mean."
|
||
I get it, the epiphany of the laymans joke. I
|
||
throw off a fake smile and go to the back to
|
||
clean up and get a dry shirt.
|
||
|
||
"Thanks for cleaning up out here" I say when
|
||
I come back. He may be a blockhead sometimes,
|
||
but he sure has work ethic. He seems to ignore
|
||
me, as usual, and goes to help a customer.
|
||
"That will be seven fifty two," I hear
|
||
in the faint distance.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|