4414 lines
141 KiB
Plaintext
4414 lines
141 KiB
Plaintext
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OPENING CRAWL
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At the dawn of the millennium, the
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nation collapsed. At 15%
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unemployment, 10 million were out
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of work. 800,000 students boycotted
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school. The adults lost confidence,
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and fearing the youth, eventually
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passed the Millennium Educational
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Reform Act, A.K.A. the Battle
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Royale Act.
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EXT.DAY
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A helicopter hovers overhead. A television news crew and a
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female reporter are covering the winner of a Battle Royale
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coming home. Soldiers are keeping the news crew from getting
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good shots as the camera probes as if this were documentary
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news footage.
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REPORTER
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This year, Zentsuji Middle School
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#4's Class E was chosen from among
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43,000 ninth grade classes. This
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year's game, said to be more
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blistering than the last...
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A military jeep pulls up, with Mai, the winner, in the back.
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Her school uniform is tattered and blood-stained, and she is
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carrying a doll, also blood-stained. She looks sullen.
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REPORTER
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Oh, look, there! There she is! The
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winner is a girl! Surviving a
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fierce battle that raged two days,
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seven hours, and 43 minutes, the
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winner is a girl!
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Mai lifts her head up and flashes a creepy smile. She wears
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braces.
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REPORTER
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Look, she is smiling! Smiling!
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The smile looks creepier, like a smirk.
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REPORTER
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The girl definitely just smiled!
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Close up of the girl's face. The evil grin makes her look
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like she's about to kill someone with her bare hands just
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for the hell of it.
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OPENING CREDITS
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FADE IN on the class picture of Shiroiwa Junior High, Class
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3-B.
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CUT TO:
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Close-up of the teacher, Kitano. Hold a few seconds.
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CUT TO:
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Close-up of Boy #15, Shuya Nanahara.
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SHUYA (V.O.)
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Mom left when I was in fourth
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grade, and my first day of seventh
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grade, Dad hung himself.
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INT.NANAHARA APARTMENT
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Shuya comes home from school to find his father hanging,
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with toilet paper draped around his neck.
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The toilet paper reads: "Go, Shuya! You can make it, Shuya!"
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Shuya looks at this shocking scene, goes into the bathroom,
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and throws up.
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SHUYA (V.O.)
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Everything was crazy. I didn't have
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a clue what to do, and no one to
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show me either.
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INT.SCHOOL CLASSROOM
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Kitano (the teacher) is erasing the blackboard, which reads,
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"We took the day off because we wanted to. Class B." No one
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else is in the classroom.
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A female student, Noriko Nakagawa, enters the class.
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NORIKO
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Good morning!
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KITANO
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What?
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NORIKO
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I'm sorry, I'm late and I don't
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know what's going on.
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Kitano erases the blackboard and leaves the class, followed
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by Noriko.
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INT.HALL
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As Kitano passes a door to another classroom, Yoshitoki
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Kuninobu suddenly runs out of the door and stabs Kitano in
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the buttock with a knife. He runs down the hall, bumps into
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Noriko and drops the knife. Noriko picks up the knife, hides
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it behind her. Kitano limps over to a faucet and cleans
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himself off.
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SHUYA (V.O.)
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Soon after that incident, that
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teacher left our school.
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INT.BASKETBALL COURT
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Shuya and the rest of Class 1-B are playing Class 1-A.
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The five players on the floor for 1-B are Shuya Nanahara,
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Shinji Mimura, Keita Iijima, Hiroki Sugimura and Yoji
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Kuramoto. From the looks of it, Nanahara, Mimura, and
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Sugimura at the least are talented athletes.
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The rest of the class cheers them on, with some of the girls
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dressed as cheerleaders. The new teacher, Hayashida, is also
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cheering them on.
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SHUYA (V.O.)
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No matter how crazy the world was
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getting, we all managed to have
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fun.
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The ball is tipped. Shuya, Mimura, and Sugimura pass the
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ball around and get plenty of screen time. As Mimura makes
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the winning shot as time winds down, the rest of the class
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runs to the floor to congratulate them.
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One girl, Mitsuko "Hardcore" Souma, the class trollop, does
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not join in the celebration. She simply leaves the
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gymnasium, alone.
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INT.BUS
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SHUYA (V.O.)
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And so, our compulsory education
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was coming to an end.
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The class is on a field trip. The students are laughing,
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goofing off, not paying attention to their surroundings. The
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teacher, Hayashida, looks out the bus's windows and notices
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that the bus route is lined with military jeeps.
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The two girls sitting on either side of Hayashida, Satomi
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Noda and Yukie Utsumi, notice the distraction. Utsumi is the
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class vice president.
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NODA & UTSUMI
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Teacher!
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HAYASHIDA
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Sorry, I was distracted.
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The girl sitting next to Noriko, Megumi Eto, is the class
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photographer. Her camera is a Polaroid instamatic.
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MEGUMI
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(to Noriko, who is sitting
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beside her)
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Let's go.
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They go to where Kuninobu and Shuya are sitting.
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MEGUMI & NORIKO
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Sorry! Sorry, let us through!
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NORIKO
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Nanahara, I baked some cookies for
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us to share. For you too, Nobu.
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KUNINOBU
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For real?
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Kuninobu takes some cookies. Megumi has her camera out.
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MEGUMI
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Look over here!
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KUNINOBU
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Okay.
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MEGUMI
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Say cheese!
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Megumi takes a photo of Shuya, Noriko, and Kuninobu.
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MEGUMI
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Noriko has been waiting to give you
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the cookies.
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NORIKO
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Megumi!
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MEGUMI
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It's okay.
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KUNINOBU
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(to Shuya)
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You eat some too.
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SHUYA
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No, you go ahead.
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KUNINOBU
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Noriko, thanks for getting me to
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come back to school.
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NORIKO
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I'm glad too, Nobu.
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MEGUMI
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Picture's ready!
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Megumi gives the picture to Kuninobu, who looks at it.
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Kuninobu's head is cut off in the photo.
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KUNINOBU
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I'm hardly in it!
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Megumi laughs.
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INT.BUS NIGHT
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The bus enters a tunnel. Sinister music plays. The students
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on the bus are gassed, fall asleep.
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Shuya, who was sleeping on his arm, wakes up as the arm
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gives way. He notices that all the students and teacher have
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fallen asleep. He stumbles to the back of the bus to find
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Noriko's cookies.
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The bus driver and a guide, who sits in the front, are
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wearing gas masks. The guide notices the commotion, gets up,
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walks back to Shuya, and whacks him in the head with a
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baton. Shuya falls back asleep.
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EXT.ISLAND NIGHT
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A few seconds of the waves coming ashore at night.
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INT.SCHOOL (D-6 ON MAP) NIGHT
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The gas wears off. The students are surprised to find
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themselves inside a school room. Shuya wakes up, nursing the
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whopper he received on the bus. He gets up, and notices that
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he is wearing an electronic metal collar around his neck.
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After a few seconds of orienting himself, he notices the
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other students in the room, all with metal collars around
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their necks similar to the one he is wearing.
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He goes over to Noriko, notices the collar.
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SHUYA
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(shaking Noriko)
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Hey, Nakagawa!
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Shaking her awake is not working too well. He goes over to
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Kuninobu, notices that he is wearing a collar as well.
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SHUYA
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(shaking Kuninobu)
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Nobu!
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KUNINOBU
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(groggily)
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Huh? What?
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The students wake up and notice that they are in a darkened
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room. Shuya notices an older guy with a bandanna around his
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head in the corner, Shogo Kawada. He looks menacing.
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In the other corner of the room is another guy who looks
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older than the rest of the class, Kazuo Kiriyama. He has
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wild hair, and looks even more menacing than Kawada.
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Light comes through the windows. The kids rush to look out
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and see a helicopter land. A military escort rushes to the
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helicopter and a guard, Lieutenant Anjo, opens the door.
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Kitano, wearing a track suit, comes out of the helicopter.
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The soldiers escort Kitano to the room. Anjo unlocks the
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door and gestures to Kitano.
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ANJO
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After you.
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Kitano enters, escorted by Anjo and a few armed soldiers.
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Someone turns the lights on. A soldier knocks over a desk.
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Kitano takes his place at the front of the room.
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KUNINOBU
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Kitano?!
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Girl #10 Hirono Shimizu is in Mitsuko Souma's clique.
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SHIMIZU
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Kitano?! Can't be!
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KITANO
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Okay, sit down.
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ANJO
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(shouting like a drill
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instructor)
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Sit down! Now!
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The class sits down on the floor. There are some chairs,
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which are taken.
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KITANO
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It's been a while. I'm Kitano, your
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seventh grade teacher. I'm taking
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Class B over again. Let's be
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friends. We have two transfer
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students: Shogo Kawada ...
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(points Kawada out)
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over there, and Kazuo Kiriyama ...
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(points Kiriyama out)
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over there. Be nice to them.
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Kitano goes to the chalkboard and writes "The BR Act" in big
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letters on it.
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Boy #10 Ryuhei Sasagawa has long hair and is a stoner type.
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SASAGAWA
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Where the hell are we?
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UTSUMI
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What's going on here?
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NODA
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Who are these people?
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KITANO
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(points to the board)
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Do you know this law?
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Pause. Dead silence.
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KITANO
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No good. That's what this country
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has become. Do you want to know
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why?
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Kitano throws chalk at Yoji Kuramoto, who was whispering to
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his girlfriend, Yoshimi Yahagi. Yahagi is in Souma's clique.
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KITANO
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No whispering, dammit!
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Yahagi runs to Kitano and shouts the next line in his face.
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YAHAGI
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(to Kitano)
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You asshole!
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KITANO
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When someone is talking, shut up
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and listen.
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Kitano pushes Yahagi away in the forehead.
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Girl #13 Takako Chigusa raises her hand. She is a pretty
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girl, considered by the boys to be the second-most beautiful
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in the class after Mitsuko Souma, and a track star.
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CHIGUSA
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Teacher, may I go to the bathroom?
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KITANO
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Chigusa, can't you wait a little?
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(to the class)
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I missed you guys.
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(to Kuninobu)
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Kuninobu, man, my ass hurt. Before
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I quit, I told you not to bother
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coming, that you were no good. And
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you really started boycotting
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school. That's no good. You're no
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good, but you thought you'd come on
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the class trip anyway, huh?
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Kuninobu makes a face at Kitano, who slaps Kuninobu.
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KITANO
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Listen up! Because of folks like
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Kuninobu here, this country is
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absolutely no good anymore! So the
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bigwigs got together and passed
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this law. Battle Royale!
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We hear a sinister music chord.
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KITANO
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So, today's lesson is ... you kill
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each other off until there's only
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one left. Nothing is against the
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rules!
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Boy #2, Keita Iijima, laughs. He is the class clown.
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KITANO
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What's funny?
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Girl #5, Izumi Kanai, is puzzled. She is in the same gang as
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Sasagawa, its only female member.
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KANAI
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Teacher, I don't understand what
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you are saying. This can't possibly
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...
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KITANO
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Actually, your teacher, Hayashida,
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deeply opposed the selection of
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Class B.
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Soldiers wheel Hayashida's body in on a gurney, under a
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sheet. Kitano pulls the sheet off to reveal that Hayashida
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has been shot in the back of the head, execution style. The
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students gasp.
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KITANO
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Now, calm down! Okay, this is a no
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good adult! You have to work hard
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to become not like him!
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The soldiers wheel Hayashida's body out of the room.
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KITANO
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Time to watch the video. Don't fall
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asleep, now!
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Anjo pushes the play button on the video remote control. The
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television turns on.
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The video has a cheesy splash screen with a title, "The
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Right Way to Fight a Battle Royale! by the BR Action
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Committee".
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The video training woman looks like she's in her
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mid-twenties. She looks way too perky and addresses everyone
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the same way a kindergarten teacher addresses her class.
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She's dressed as if she were going hiking and is wearing a
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T-shirt with the letters "BR" on it. She salutes the class.
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VIDEO TRAINING WOMAN
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Hello, everyone in Shiroiwa Junior
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High, Class 3-B!
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KITANO
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(acting like a kindergartener,
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addressing the video)
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Hello!
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The rest of the class is silent.
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VIDEO TRAINING WOMAN
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You are the lucky class chosen for
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this year's Battle Royale!
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Congratulations!
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KITANO
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(still acting like a
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kindergartener)
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Thank you very much!
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The rest of the class is silent.
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VIDEO TRAINING WOMAN
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Now, I'm going to explain the rules
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for you. Listen well to fight right
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and with gusto!
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The video graphic shows the video training woman in front of
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a topographical map of the island.
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VIDEO TRAINING WOMAN
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You are on a deserted island that
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looks like this! It's about ten
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kilometers around, but we evacuated
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everyone, so it's empty!
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Kitano suddenly pauses the video. He catches Girl #18 Fumiyo
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Fujiyoshi whispering something to Yukie Utsumi.
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KITANO
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I said no whispering!
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Kitano throws a knife at Fujiyoshi. The knife impales
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Fujiyoshi squarely in the forehead. She falls to the floor
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and dies. The students are startled.
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KITANO
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All right, move, move!
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He walks over to Fujiyoshi's body.
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KITANO
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(to Fujiyoshi)
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Sorry. It's against the rules for
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me to kill, isn't it?
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Kitano kicks the body over so that Fujiyoshi is lying on her
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back.
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A graphic reads: "GIRL #18: FUMIYO FUJIYOSHI DEAD. 41
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PLAYERS LEFT."
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Kitano stands over the body and pulls the knife out of
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Fujiyoshi's forehead. The students panic and start running
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around, heading for the door to the room. Soldiers get in
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the way and act as a riot squad. They fire automatic weapons
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at the ceiling to calm the students down. Then they aim for
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the floor to push the students back. Kitano looks at the
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chaos around him gleefully.
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In the chaos, a bullet grazes Noriko in the left arm. Kitano
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winces as Noriko gets hurt. Megumi, Kuninobu, and Shuya go
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over to Noriko and inspect the damage.
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MEGUMI
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Nakagawa!
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SHUYA
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Noriko! Noriko!
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KUNINOBU
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(to Kitano)
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You asshole!
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Kuninobu charges at Kitano.
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SHUYA
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Nobu!
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Kitano catches Kuninobu and, using the same knife he killed
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Fujiyoshi with, slashes Kuninobu in the buttock. He passes
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Kuninobu to Anjo, who punches Kuninobu in the face, pushing
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him back.
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SHUYA
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Nobu! Nobu! Shit!
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Shuya attempts to charge at Kitano, but Shinji Mimura and
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Hiroki Sugimura restrain him.
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The soldiers draw their weapons, aiming for Kuninobu. Kitano
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waves them off.
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KITANO
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Okay, back to the video!
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VIDEO TRAINING WOMAN
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The island's divided into many
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zones. Every six hours, your
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teacher will broadcast updates ...
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KITANO
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Four times a day!
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VIDEO TRAINING WOMAN
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... about which zones are becoming
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danger zones. If you are in these
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zones, you should leave quickly
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because the danger is ... okay,
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about the necklaces you are
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wearing. They are one hundred
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percent waterproof and shockproof
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... and permanent! It monitors your
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pulse, informing us of your
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location and movements. So if you
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linger in a danger zone, or cause
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trouble, we can identify you and
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transmit radio waves that trigger
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an alarm and BOOM! It explodes! If
|
|
you try to rip it off, it explodes
|
|
too, so promise not to try that,
|
|
okay?
|
|
|
|
KUNINOBU
|
|
You assholes!
|
|
|
|
Boy #20 Kyouichi Motobuchi is the president of the class. He
|
|
has a nerdy disposition and wears coke bottle glasses.
|
|
|
|
MOTOBUCHI
|
|
Shut up! I can't hear the video!
|
|
Cut it out, Nobu!
|
|
|
|
Kuninobu charges Motobuchi. The two of them grapple for a
|
|
few seconds.
|
|
|
|
MOTOBUCHI
|
|
Cut it out!
|
|
|
|
Anjo pulls Kuninobu away from Motobuchi. Another soldier
|
|
pushes Motobuchi back.
|
|
|
|
ANJO
|
|
Quiet! Cut it out!
|
|
|
|
Anjo now has Kuninobu in a headlock.
|
|
|
|
Kitano pulls a small remote control out of his pocket.
|
|
|
|
KITANO
|
|
I really hate to do this ...
|
|
|
|
Kitano pushes a button on the remote, detonating Kuninobu's
|
|
collar. An LED in the collar starts blinking. Kuninobu
|
|
panics, Anjo releases him.
|
|
|
|
KITANO
|
|
Better run, guys!
|
|
|
|
KUNINOBU
|
|
What is this?
|
|
|
|
Kuninobu runs around the room. The other students push him
|
|
away.
|
|
|
|
KUNINOBU
|
|
Help me!
|
|
|
|
He goes to Mimura, who pushes him away, then to Shuya.
|
|
|
|
KUNINOBU
|
|
Shuya!
|
|
|
|
SHUYA
|
|
Nobu!
|
|
|
|
Kuninobu's collar explodes, sending shrapnel into his neck,
|
|
killing him. His body falls to the floor, next to Fujiyoshi.
|
|
Shuya walks over to Kuninobu's body and starts crying.
|
|
|
|
SHUYA
|
|
(crying)
|
|
Nobu!
|
|
|
|
Shuya finds in Kuninobu's possession the photo that Megumi
|
|
took on the bus. On the back of the photo it is written,
|
|
"Hey, Shuya, do you have a crush on a girl now?" Shuya cries
|
|
some more.
|
|
|
|
A graphic reads: "BOY #7: YOSHITOKI KUNINOBU DEAD. 40
|
|
PLAYERS LEFT."
|
|
|
|
KITANO
|
|
What a shame. I looked after him my
|
|
own way.
|
|
|
|
Shuya gets up. He has a determined look on his face.
|
|
|
|
KITANO
|
|
What's that look for, Nanahara?
|
|
|
|
Shuya tries to charge Kitano but Mimura, Sugimura, and a
|
|
couple of the other students tackle him. When he gets up
|
|
after the tackling, he notices Noriko right beside him and
|
|
restrains himself.
|
|
|
|
Kitano walks back to the front of the class, unpauses the
|
|
video.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Oh, I forgot one important thing.
|
|
There's a time limit on this game!
|
|
Three days. If we haven't got a
|
|
winner after three days, all the
|
|
necklaces automatically explode!
|
|
And no one wins! So as long as
|
|
we're here, let's fight hard so
|
|
that doesn't happen!
|
|
|
|
KITANO
|
|
Okay, any questions so far?
|
|
|
|
Motobuchi raises his hand.
|
|
|
|
KITANO
|
|
Yeah, Motobuchi.
|
|
|
|
MOTOBUCHI
|
|
If I survive, may I go home?
|
|
|
|
KITANO
|
|
Sure, but only if everyone else is
|
|
dead. Mimura?
|
|
|
|
MIMURA
|
|
How were we chosen?
|
|
|
|
KITANO
|
|
By impartial lottery.
|
|
|
|
None of the students believe Kitano, thinking that he had a
|
|
part in the selection of the class.
|
|
|
|
MIMURA
|
|
One more?
|
|
|
|
KITANO
|
|
Sure.
|
|
|
|
MIMURA
|
|
Why are you doing this?
|
|
|
|
KITANO
|
|
It's your own damn fault. You guys
|
|
mock grown-ups. Go ahead and mock
|
|
us, but don't you forget: life is a
|
|
game, so fight for survival and
|
|
find out if you're worth it.
|
|
|
|
A panel in the back of the room opens up. Soldiers wheel in
|
|
racks with lots of olive-green kits on them to the front of
|
|
the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
You will leave the room one by one,
|
|
but first you get a kit.
|
|
(shows a display kit)
|
|
Inside is food and water, a map and
|
|
compass, a flashlight and a weapon,
|
|
so check it out later, okay? The
|
|
girls might need personal items, so
|
|
you can all take them. Each weapon
|
|
is different. Not just guns and
|
|
knives, either! It's random, so
|
|
maybe you'll get lucky, maybe not.
|
|
It eliminates natural advantages.
|
|
(picks up an ax)
|
|
Ooh, this one's super lucky!
|
|
|
|
KITANO
|
|
We've notified your parents, so go
|
|
for it!
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Okay, you'll be leaving by class
|
|
number. When I call your name, I
|
|
want to hear a nice big "Here!" Boy
|
|
#1, Yoshio Akamatsu!
|
|
|
|
Yoshio Akamatsu is the token fat kid in the class.
|
|
|
|
AKAMATSU
|
|
Here!
|
|
|
|
Terrified, Akamatsu grabs his personal belongings. A soldier
|
|
tosses him a kit. In fear, he runs out of the classroom.
|
|
|
|
ANJO
|
|
Go!
|
|
|
|
AKAMATSU
|
|
Okay!
|
|
|
|
A graphic reads: "DAY #1, 1:40 A.M. THE GAME BEGINS."
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #1, Mizuho Inada!
|
|
|
|
INADA
|
|
Here!
|
|
|
|
Inada grabs her bag. Girl #20, Kaori Minami, grabs Inada.
|
|
|
|
MINAMI
|
|
Whatever happens, you are still my
|
|
friend!
|
|
|
|
INADA
|
|
I know!
|
|
|
|
The guard throws Inada a kit and she runs out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #2, Keita Iijima!
|
|
|
|
Without saying a word, Iijima grabs his bag and runs to the
|
|
front. The guard throws him a kit. He holds the kit above
|
|
his ahead for a second before the guard tosses him out of
|
|
the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #2, Yukie Utsumi!
|
|
|
|
Utsumi grabs her bag, walks to the front, the guard tosses
|
|
her a kit, and she walks out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #3, Tatsumichi Oki!
|
|
|
|
Oki grabs his bag, runs to the front of the room. The guard
|
|
tosses him a kit. He doesn't catch it, but goes and gets it
|
|
before running out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #3, Megumi Eto!
|
|
|
|
Megumi hugs Noriko.
|
|
|
|
MEGUMI
|
|
(almost crying)
|
|
I'm going, Noriko.
|
|
|
|
NORIKO
|
|
Megumi!
|
|
|
|
Megumi grabs her bag, runs to the front. The guard tosses
|
|
her a kit, and she runs out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #4, Toshimori Oda!
|
|
|
|
Oda grabs his things, runs to the front. The guard tosses
|
|
him a kit, and he runs out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #4, Sakura Ogawa!
|
|
|
|
Ogawa holds her boyfriend's hand (her boyfriend is Boy #21,
|
|
Kazuhiko Yamamoto) for a second. She goes to the front of
|
|
the room. The guard tosses her a kit. She angrily throws the
|
|
kit at Kitano (who catches it and tosses it back on the
|
|
rack) before storming out of the room.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #5, Shogo Kawada!
|
|
|
|
Kawada was tying his shoes.
|
|
|
|
ANJO
|
|
Shogo Kawada!
|
|
|
|
Kawada runs to the front, catches his bag, and runs out. In
|
|
the hallway, he suddenly stops running.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #5, Izumi Kanai!
|
|
|
|
Kanai grabs her bag, gets tossed a kit, and runs out.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #6, Kazuo Kiriyama!
|
|
|
|
Kiriyama strolls to the front of the room nonchalantly, like
|
|
he owns the place.
|
|
|
|
ANJO
|
|
On the double!
|
|
|
|
Kiriyama gets tossed his kit, and as he leaves, he bumps
|
|
into Kawada, who is running back into the room.
|
|
|
|
ANJO
|
|
What the --?
|
|
|
|
Kawada tosses the guard his kit.
|
|
|
|
KAWADA
|
|
You gave me the wrong kit!
|
|
|
|
GUARD
|
|
What the hell?
|
|
|
|
KITANO
|
|
(to the class)
|
|
You probably guessed, but they are
|
|
a little dangerous.
|
|
|
|
Kawada grabs a different kit off the rack, stares at
|
|
Kiriyama, and storms out of the room.
|
|
|
|
INT.SCHOOL LATER
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Girl #14, Mayumi Tendo!
|
|
|
|
Tendo grabs her bag, the guard tosses her a kit, she leaves.
|
|
|
|
VIDEO TRAINING WOMAN
|
|
Boy #15, Shuya Nanahara!
|
|
|
|
Shuya hesitates. He doesn't want to leave Kuninobu's body.
|
|
He gives the photo to Noriko (who is Girl #15).
|
|
|
|
ANJO
|
|
Shuya Nanahara!
|
|
|
|
SHUYA
|
|
(to Noriko)
|
|
I'll wait for you outside.
|
|
|
|
Shuya grabs his bag, the guard tosses him a kit, and he
|
|
leaves.
|
|
|
|
EXT.OUTSIDE THE SCHOOL (D-6 ON THE MAP)
|
|
|
|
Shuya finds a spot to wait. He notices Girl #14, Mayumi
|
|
Tendo, coming back toward him.
|
|
|
|
TENDO
|
|
Nanahara!
|
|
|
|
Shuya gets the flashlight out of his kit and shines it at
|
|
Tendo. She has a crossbow bolt lodged in her neck.
|
|
|
|
SHUYA
|
|
What happened?
|
|
|
|
TENDO
|
|
What am I going to do? What is
|
|
this?
|
|
|
|
Mayumi Tendo collapses and dies in Shuya's arms.
|
|
|
|
SHUYA
|
|
Tendo!
|
|
|
|
Yoshio Akamatsu shoots a crossbow bolt at Shuya, but barely
|
|
misses him, hitting Tendo's body in the leg. Shuya takes the
|
|
bolt and throws it back at Akamatsu, causing him to fall.
|
|
Shuya then turns off the flashlight, grabs his kit, and runs
|
|
back to Noriko, who has just exited the school.
|
|
|
|
SHUYA
|
|
Noriko, don't!
|
|
|
|
Shuya takes Noriko down a path away from Akamatsu, who falls
|
|
down a small hill, dropping his weapon.
|
|
|
|
AKAMATSU
|
|
Shit! What am I doing?
|
|
|
|
Akamatsu looks around for the crossbow. Boy #16 Kazushi
|
|
Niida, who has just exited the school, enters the scene.
|
|
|
|
NIIDA
|
|
What are you doing?
|
|
|
|
Niida finds the crossbow.
|
|
|
|
NIIDA
|
|
Isn't this yours?
|
|
|
|
Akamatsu charges Niida, who shoots Akamatsu in the chest
|
|
with the crossbow. Akamatsu dies.
|
|
|
|
NIIDA
|
|
Shit! It's for real!
|
|
|
|
Niida runs away with the crossbow.
|
|
|
|
A graphic reads: "GIRL #14: MAYUMI TENDO DEAD. BOY #1:
|
|
YOSHIO AKAMATSU DEAD. 38 PLAYERS LEFT."
|
|
|
|
EXT.BEACH NIGHT
|
|
|
|
Shuya and Noriko run towards the beach area, where they find
|
|
a small cave.
|
|
|
|
INT.CAVE NIGHT
|
|
|
|
Shuya and Noriko hide in the cave, where they sit down.
|
|
|
|
SHUYA
|
|
Is your arm okay?
|
|
|
|
NORIKO
|
|
I was frantic!
|
|
|
|
SHUYA
|
|
Let's see.
|
|
|
|
Shuya pulls Noriko's jacket off and inspects the wound.
|
|
|
|
SHUYA
|
|
It's just a scratch. I'll wash off
|
|
the blood.
|
|
|
|
Shuya checks his pack, and finds an aluminum pot lid.
|
|
|
|
SHUYA
|
|
What's this? Fight with a pot lid?
|
|
|
|
Noriko finds her weapon: binoculars.
|
|
|
|
NORIKO
|
|
And this is mine. The bastards --
|
|
goddammit!
|
|
|
|
SHUYA
|
|
Maybe Mimura and Sugimura and us
|
|
could all escape ...
|
|
|
|
Shuya starts to wash off the wound.
|
|
|
|
NORIKO
|
|
I don't think so.
|
|
|
|
SHUYA
|
|
Why not?
|
|
|
|
NORIKO
|
|
You won't like me for saying this,
|
|
but I don't trust any of them
|
|
either.
|
|
|
|
INT.SCHOOL FLASHBACK
|
|
|
|
Fumiyo Fujiyoshi, Mayumi Tendo, and Yoshimi Yahagi have
|
|
locked Noriko in a toilet stall.
|
|
|
|
FUJIYOSHI, TENDO, & YAHAGI
|
|
Die, Nakagawa, you ugly shrimpy
|
|
nit!
|
|
|
|
Noriko, frustrated, tries to open the stall door. We see the
|
|
graffiti inside the bathroom, which reads, "Noriko Nakagawa
|
|
is an ugly shrimpy nit! DIE!"
|
|
|
|
INT.CAVE NIGHT
|
|
|
|
SHUYA
|
|
How about me?
|
|
|
|
NORIKO
|
|
What?
|
|
|
|
SHUYA
|
|
Are you scared of me too?
|
|
|
|
NORIKO
|
|
You are the only one I trust,
|
|
Shuya. Oh, I'm sorry.
|
|
|
|
SHUYA
|
|
Why?
|
|
|
|
NORIKO
|
|
I called you by your given name,
|
|
just like Nobu.
|
|
|
|
Shuya starts to cry.
|
|
|
|
SHUYA
|
|
Nobu ...
|
|
|
|
INT.ROOM AT FOSTER HOME FLASHBACK
|
|
|
|
Shuya and Kuninobu are roommates at the foster home.
|
|
Kuninobu is lying in the top bunk, while Shuya is quietly
|
|
strumming a guitar below.
|
|
|
|
KUNINOBU
|
|
Hey, Shuya!
|
|
|
|
SHUYA
|
|
Huh?
|
|
|
|
KUNINOBU
|
|
Do you have a crush on anyone now?
|
|
|
|
SHUYA
|
|
Why? Do you?
|
|
|
|
KUNINOBU
|
|
Maybe I kind of like someone ...
|
|
|
|
SHUYA
|
|
Who?
|
|
|
|
KUNINOBU
|
|
Noriko Nakagawa.
|
|
|
|
SHUYA
|
|
From our class?
|
|
|
|
KUNINOBU
|
|
Yeah.
|
|
|
|
SHUYA
|
|
She is a nice girl ...
|
|
|
|
KUNINOBU
|
|
Right? You agree ...
|
|
|
|
Shuya puts his guitar away.
|
|
|
|
SHUYA
|
|
She's really sweet.
|
|
|
|
KUNINOBU
|
|
She wrote me, saying, "Come back to
|
|
school! Let's all go on the school
|
|
trip together!" Even if she didn't
|
|
really mean it, it's nice to have
|
|
someone waiting for you.
|
|
|
|
INT.CAVE NIGHT
|
|
|
|
Shuya uses a bandanna as a bandage for Noriko's wound.
|
|
|
|
SHUYA
|
|
We were roommates in the foster
|
|
home after Dad died. When I was
|
|
bummed after I quit baseball, he
|
|
taught me how to play the guitar.
|
|
|
|
NORIKO
|
|
I had to invite him ...
|
|
|
|
SHUYA
|
|
No, he was happy he came back.
|
|
Really happy. But I couldn't help
|
|
Nobu either. He needed my help, but
|
|
I couldn't help him. I can't give
|
|
this up, I'll take revenge for him.
|
|
I'll protect you to the end, in his
|
|
place.
|
|
|
|
NORIKO
|
|
Thank you, Nanahara.
|
|
(pause)
|
|
You never got to taste those
|
|
cookies, did you?
|
|
|
|
INT.SCHOOL NIGHT
|
|
|
|
Kitano and the soldiers are now using the school as a
|
|
hideout. Computer monitors are in the background. Kitano is
|
|
lying on a sofa, eating the cookies that Noriko made.
|
|
|
|
Anjo walks up to Kitano.
|
|
|
|
ANJO
|
|
Numai's gang took Kiriyama.
|
|
|
|
Anjo reaches for the cookie bag. Kitano grabs the bag and
|
|
closes it.
|
|
|
|
ANJO
|
|
Already started on the painting?
|
|
Not wasting time ...
|
|
|
|
EXT.BEACH (I-6 ON THE MAP) PRE-DAWN
|
|
|
|
Numai's gang, consisting of Boy #9 Hiroshi Kuronaga, Boy #10
|
|
Ryuhei Sasagawa, Boy #14 Shou Tsukioka, Boy #17 Mitsuru
|
|
Numai, and Girl #5 Izumi Kanai, have surrounded Kazuo
|
|
Kiriyama.
|
|
|
|
Numai finds the weapon Kiriyama was assigned, a paper fan.
|
|
|
|
NUMAI
|
|
What's this?
|
|
|
|
Numai plays a bit with the paper fan. The gang laughs.
|
|
|
|
NUMAI
|
|
(to Kiriyama)
|
|
You got a good one!
|
|
|
|
Numai hits Kiriyama in the head with the paper fan twice.
|
|
|
|
NUMAI
|
|
Some transfer student!
|
|
|
|
KURONAGA
|
|
You're Kitano's agent!
|
|
|
|
TSUKIOKA
|
|
Going to make us kill each other,
|
|
eh?
|
|
|
|
SASAGAWA
|
|
Well, none of us is killing anyone!
|
|
|
|
KANAI
|
|
You better come clean now!
|
|
|
|
Kiriyama is cornered. Sasagawa aims his weapon, a 9mm Uzi,
|
|
at his forehead at point-blank range. Numai aims his weapon,
|
|
a Colt .357 revolver, at Kiriyama's head as well.
|
|
|
|
SASAGAWA
|
|
Are you listening?
|
|
|
|
Kiriyama spits his gum at Sasagawa, distracting him. While
|
|
Sasagawa is distracted, Kiriyama grabs the Uzi.
|
|
|
|
SASAGAWA
|
|
Asshole!
|
|
|
|
Kiriyama opens fire on the group, killing everyone except
|
|
Kanai, who is wounded.
|
|
|
|
KANAI
|
|
Why? Stop! Stop!
|
|
|
|
Kiriyama finishes off Kanai with a second round of bullets.
|
|
He starts cleaning up, taking the Uzi and the Colt .357 as
|
|
well as Kanai's weapon, hand grenades. He leaves Kuronaga's
|
|
weapon, a dagger, and Tsukioka's weapon, nunchaku.
|
|
|
|
A graphic reads: "BOY #9: HIROSHI KURONAGA DEAD. BOY #10:
|
|
RYUHEI SASAGAWA DEAD. BOY #14: SHOU TSUKIOKA DEAD. BOY #17:
|
|
MITSURU NUMAI DEAD. GIRL #5: IZUMI KANAI DEAD. 33 PLAYERS
|
|
LEFT."
|
|
|
|
EXT.CLIFFS (A-2 ON THE MAP) PRE-DAWN
|
|
|
|
Boy #21 Kazuhiko Yamamoto and Girl #4 Sakura Ogawa have
|
|
arrived at the edge of a rocky cliff. It looks like a
|
|
hundred feet or more between where they are and the jagged
|
|
rocks below. The sound of gunfire is in the distance.
|
|
|
|
YAMAMOTO
|
|
I'm so sorry, Sakura, that I
|
|
couldn't help you.
|
|
|
|
OGAWA
|
|
No, I'm grateful you came with me.
|
|
|
|
YAMAMOTO
|
|
What will happen to us?
|
|
|
|
OGAWA
|
|
I know one thing.
|
|
|
|
YAMAMOTO
|
|
What?
|
|
|
|
OGAWA
|
|
I'll never play this game.
|
|
|
|
Ogawa tosses her backpack off the cliff.
|
|
|
|
YAMAMOTO
|
|
(almost crying)
|
|
Can't anyone help us?
|
|
|
|
OGAWA
|
|
Nobody can.
|
|
|
|
They get up, and bravely face their fate.
|
|
|
|
OGAWA
|
|
Here goes ...
|
|
|
|
They jump off the cliff together.
|
|
|
|
YAMAMOTO & OGAWA
|
|
Aaaaaaaaaaaaaaaahhhhhhhhh!!!
|
|
|
|
A graphic reads: "BOY #21: KAZUHIKO YAMAMOTO DEAD. GIRL #4:
|
|
SAKURA OGAWA DEAD. 31 PLAYERS LEFT."
|
|
|
|
INT.KITCHEN (HOUSE AT B-4 ON THE MAP)
|
|
|
|
Megumi Eto is hiding, looking at her instant photo
|
|
collection. Most of the photos seem to be of Mimura.
|
|
|
|
MEGUMI
|
|
Mimura ...
|
|
|
|
The door creaks open. Megumi quickly turns off the
|
|
flashlight and aims her weapon, a stun gun, at the door.
|
|
|
|
MEGUMI
|
|
Who's there?
|
|
|
|
Mitsuko "Hardcore" Souma, the class trollop, is at the door.
|
|
|
|
MITSUKO
|
|
Oh, it's you, Megumi.
|
|
|
|
MEGUMI
|
|
Who are you?
|
|
|
|
Mitsuko shines her flashlight at her face, identifying
|
|
herself.
|
|
|
|
MEGUMI
|
|
Mitsuko!
|
|
|
|
MITSUKO
|
|
Are you going to kill me with that
|
|
stun gun?
|
|
|
|
MEGUMI
|
|
What? Oh, I'm sorry. I was never
|
|
friendly with your clique, but
|
|
you're okay.
|
|
|
|
MITSUKO
|
|
So, can I come in?
|
|
|
|
MEGUMI
|
|
Sure, come in.
|
|
|
|
Mitsuko comes in, closes the door, and sits down next to
|
|
Megumi.
|
|
|
|
MITSUKO
|
|
All pictures of Mimura ...
|
|
|
|
Megumi puts the pictures away.
|
|
|
|
MEGUMI
|
|
Oh no.
|
|
|
|
Mitsuko grabs Megumi's stun gun.
|
|
|
|
MITSUKO
|
|
Is this your weapon?
|
|
|
|
MEGUMI
|
|
Not much use, yeah?
|
|
|
|
MITSUKO
|
|
Not necessarily. One zap at
|
|
somebody with a bad heart and he's
|
|
pretty much a goner. Have you ever
|
|
used one before?
|
|
|
|
MEGUMI
|
|
Of course not, sorry.
|
|
|
|
The girls laugh, Mitsuko's is fake. Mitsuko hands the stun
|
|
gun back.
|
|
|
|
MITSUKO
|
|
Here.
|
|
|
|
As Megumi grabs it, Mitsuko pulls it away at the last
|
|
second. Mitsuko starts chasing Megumi around the kitchen.
|
|
|
|
MEGUMI
|
|
Mitsuko! Don't!
|
|
|
|
Mitsuko eventually gets Megumi in a headlock with her
|
|
weapon, a sickle, at Megumi's throat. The blade of the
|
|
sickle causes Megumi to start bleeding from the mouth.
|
|
Megumi winces in pain.
|
|
|
|
MITSUKO
|
|
This is my weapon. I thought it was
|
|
so-so, but actually it's not so
|
|
bad. I found Yoshimi and Kuramoto
|
|
dead next door ...
|
|
|
|
CUT TO:
|
|
|
|
EXT.NEXT DOOR NIGHT
|
|
|
|
Boy #8 Yoji Kuramoto and Girl #21 Yoshimi Yahagi have
|
|
committed suicide by hanging themselves (Kuramoto's weapon
|
|
was the rope).
|
|
|
|
CUT TO:
|
|
|
|
INT.KITCHEN NIGHT
|
|
|
|
Back to Mitsuko, who has Megumi Eto in a headlock with the
|
|
sickle.
|
|
|
|
MITSUKO
|
|
... strung up all cozy together.
|
|
That's not my scene! I'm not going
|
|
down without a fight!
|
|
|
|
Mitsuko slits Megumi's throat with the sickle. Blood pours
|
|
out of Megumi's neck.
|
|
|
|
A graphic reads: "BOY #8: YOJI KURAMOTO DEAD. GIRL #21:
|
|
YOSHIMI YAHAGI DEAD. GIRL #3: MEGUMI ETO DEAD. 28 PLAYERS
|
|
LEFT."
|
|
|
|
DAY #1 - 6 A.M.
|
|
|
|
Kitano is playing Johann Strauss's "Radetzky March" over the
|
|
island's loudspeaker system. Shuya and Noriko get out of
|
|
their cave.
|
|
|
|
KITANO
|
|
(over loudspeaker)
|
|
Hello! How is everyone? It's now 6
|
|
a.m., time for the sleepyheads to
|
|
wake up!
|
|
|
|
Mitsuko Souma puts her hair in a towel. Over the next line,
|
|
Shuya and Noriko walk and Mitsuko Souma curls her eyelashes.
|
|
|
|
KITANO
|
|
(over loudspeaker)
|
|
Here's a list of your dead friends
|
|
in the order in which they died:
|
|
Girl #14 Mayumi Tendo, Boy #1
|
|
Yoshio Akamatsu, Boy #9 Hiroshi
|
|
Kuronaga, Boy #10 Ryuhei Sasagawa,
|
|
Boy #14 Shou Tsukioka, Boy #17
|
|
Mitsuru Numai, Girl #5 Izumi Kanai,
|
|
Boy #21 Kazuhiko Yamamoto, Girl #4
|
|
Sakura Ogawa, Boy #8 Yoji Kuramoto,
|
|
Girl #21 Yoshimi Yahagi, and Girl
|
|
#3 Megumi Eto.
|
|
|
|
NORIKO
|
|
Megumi? No! Why?
|
|
|
|
KITANO
|
|
(over loudspeaker)
|
|
Twelve dead, the pace is good! Now,
|
|
the danger zones: I'll read off
|
|
zones and times, so check your
|
|
maps. Listen up! Starting at 7:00,
|
|
B-5! That's B-5! Next, at 9:00,
|
|
E-8! Then, at 11:00, F-2. Got that?
|
|
Listen, I know it's tough when
|
|
friends die on you, but hang in
|
|
there! Back in touch!
|
|
|
|
SHUYA
|
|
Noriko ...
|
|
|
|
NORIKO
|
|
Megumi is dead ...
|
|
|
|
SHUYA
|
|
This will be a danger zone. We've
|
|
got to go south. Hurry!
|
|
|
|
EXT.FOREST PATH (E-8 ON THE MAP) MORNING
|
|
|
|
Shuya and Noriko are walking along the path on the side of a
|
|
hill when Boy #3 Tatsumichi Oki jumps out at Shuya with his
|
|
weapon, a hand ax. Oki swings at both of them a few times,
|
|
misses. Shuya throws his backpack at Oki, recognizes him.
|
|
|
|
SHUYA
|
|
Oki?
|
|
|
|
OKI
|
|
I'll get you! I'll get you!
|
|
|
|
Shuya and Oki fight. Oki swings his hand ax at Shuya, who
|
|
uses his pot lid as a shield. They grapple, and tumble down
|
|
the hill. When we next see them, the hand ax is stuck in
|
|
Oki's head.
|
|
|
|
Girl #9 Yuko Sakaki witnesses this event. From her vantage
|
|
point, it looks like Shuya killed Oki.
|
|
|
|
Shuya and Oki get some separation, and Shuya notices the ax
|
|
in Oki's head.
|
|
|
|
SHUYA
|
|
Oki, are you okay?
|
|
|
|
OKI
|
|
(groggily)
|
|
I'm sorry. I'm fine! I'm fine!
|
|
|
|
Oki collapses and dies.
|
|
|
|
Yuko Sakaki runs away, frightened. Noriko comes down the
|
|
hill.
|
|
|
|
NORIKO
|
|
Nanahara!
|
|
|
|
SHUYA
|
|
(frightened)
|
|
Did I kill him? Tell me the truth!
|
|
You were watching! Did I?
|
|
|
|
NORIKO
|
|
It was an accident!
|
|
|
|
Boy #20 Kyouichi Motobuchi shoots at Noriko and Shuya with
|
|
his weapon, a Smith & Wesson M19 pistol. He misses them
|
|
both.
|
|
|
|
MOTOBUCHI
|
|
(crazed)
|
|
X equals minus b over 2a ...
|
|
Everybody's serious, huh, fine then
|
|
... I'll survive, go to a good
|
|
school ...
|
|
|
|
SHUYA
|
|
Stop!
|
|
|
|
Motobuchi shoots again, misses. He chases Shuya and Noriko
|
|
out into a clearing, where Kawada shoots him with his
|
|
weapon, a SPAS-12 action shotgun.
|
|
|
|
MOTOBUCHI
|
|
(to Kawada)
|
|
Get out of my way!
|
|
|
|
Motobuchi charges Kawada, firing his gun at him. Kawada
|
|
returns fire, shoots him with the shotgun twice. Motobuchi
|
|
dies; Kawada takes Motobuchi's pistol and aims it at Shuya
|
|
and Noriko.
|
|
|
|
KAWADA
|
|
What weapons do you have?
|
|
|
|
SHUYA
|
|
A pot lid ...
|
|
|
|
NORIKO
|
|
... and binoculars.
|
|
|
|
While keeping the pistol aimed, Kawada goes over to Oki's
|
|
corpse and removes the hand ax from his head.
|
|
|
|
Girl #7 Yumiko Kusaka starts shouting over a megaphone.
|
|
|
|
KUSAKA
|
|
(over megaphone)
|
|
Everybody! Stop fighting! Please
|
|
hear us out!
|
|
|
|
Kawada, Shuya, and Noriko move towards Kusaka. Noriko uses
|
|
her binoculars to get a closer look at Kusaka, who is with
|
|
Girl #6 Yukiko Kitano (no relations) on a cliff. Kusaka is
|
|
trying to draw attention to herself.
|
|
|
|
KUSAKA
|
|
(over megaphone)
|
|
This is Kusaka, with Yukiko, on the
|
|
cliffs of North Mountain! Everybody
|
|
come here! We'll figure this out
|
|
together! We don't want to fight!
|
|
Right, Yukiko?
|
|
|
|
Kusaka hands the megaphone to Yukiko Kitano.
|
|
|
|
YUKIKO KITANO
|
|
(over megaphone)
|
|
This is Yukiko! Please join us!
|
|
Let's think this through together!
|
|
|
|
SHUYA
|
|
That's the right tactic.
|
|
|
|
Shuya starts to leave.
|
|
|
|
KAWADA
|
|
Where are you going?
|
|
|
|
SHUYA
|
|
To bring them back.
|
|
|
|
KAWADA
|
|
Without weapons? I'm not the only
|
|
deadly one around here!
|
|
|
|
Mitsuko Souma runs, ducks, and hides.
|
|
|
|
SHUYA
|
|
All the more if they are in danger
|
|
...
|
|
|
|
Kawada fires a shot into the air. Kusaka and Yukiko duck,
|
|
scared.
|
|
|
|
SHUYA
|
|
(to Kawada)
|
|
You!
|
|
|
|
Shuya and Kawada wrestle over the shotgun a little.
|
|
|
|
YUKIKO KITANO
|
|
(over megaphone)
|
|
Stop shooting!
|
|
|
|
SHUYA
|
|
(shouts)
|
|
Idiots! Run!
|
|
|
|
KUSAKA
|
|
(to Yukiko Kitano)
|
|
That's Nanahara! That was his
|
|
voice, right?
|
|
(over megaphone)
|
|
Nanahara! Over here! Come here!
|
|
Yukiko has always had a crush on
|
|
...
|
|
|
|
YUKIKO KITANO
|
|
You idiot!
|
|
|
|
Kazuo Kiriyama, positioned behind Kusaka and Yukiko Kitano,
|
|
fires a burst of bullets into both of them with his Uzi,
|
|
killing Yukiko Kitano and seriously wounding Kusaka. Kawada,
|
|
Shuya, and Noriko look startled. Mitsuko runs off.
|
|
|
|
Kiriyama walks nonchalantly over to the bodies, gets the
|
|
megaphone, goes over to Kusaka (who is still moving), kicks
|
|
her over so that she is lying on her back, and holds the
|
|
megaphone to her mouth.
|
|
|
|
KUSAKA
|
|
(pained, scared as hell,
|
|
through the megaphone)
|
|
Aaaaaaaaaaaaaaaahhhhhhhhh!!!!
|
|
|
|
Kiriyama finishes off Kusaka with another burst of bullets
|
|
from his Uzi.
|
|
|
|
SHUYA
|
|
(shouts)
|
|
Kusaka! Kusaka! Kitano! Answer me!
|
|
Tell me it's not true! Answer me,
|
|
Kusaka!
|
|
|
|
KAWADA
|
|
He'll come here next! I'm off!
|
|
|
|
SHUYA
|
|
Go wherever you like! You're a
|
|
murderer yourself!
|
|
|
|
NORIKO
|
|
Nanahara!
|
|
|
|
SHUYA
|
|
Those were my friends! This is
|
|
crazy! How can they just kill each
|
|
other like that?
|
|
|
|
KAWADA
|
|
There's a way out of this game.
|
|
Kill yourselves right here and now.
|
|
If you can't do that, then don't
|
|
trust anyone. Just run!
|
|
|
|
A graphic reads: "BOY #3: TATSUMICHI OKI DEAD. BOY #20:
|
|
KYOUICHI MOTOBUCHI DEAD. GIRL #6: YUKIKO KITANO DEAD. GIRL
|
|
#7: YUMIKO KUSAKA DEAD. 24 PLAYERS LEFT."
|
|
|
|
DAY #1 - NOON
|
|
|
|
Kitano is playing Johann Strauss's "Blue Danube Waltz" over
|
|
the loudspeaker.
|
|
|
|
KITANO
|
|
(over loudspeaker)
|
|
It's noon. Is everybody getting
|
|
hungry? It's time to take a little
|
|
lunch break from the slaughter! Now
|
|
for the list of who went down this
|
|
morning: Boy #3 Tatsumichi Oki, Boy
|
|
#20 Kyouichi Motobuchi, Girl #6
|
|
Yukiko Kitano, Girl #7 Yumiko
|
|
Kusaka. A total of four. Calling
|
|
for peace was a good idea, but you
|
|
can't win them all. Now for the
|
|
danger zones and hours: an hour
|
|
from now at 1:00 p.m., I-4. Then
|
|
from 3:00, E-9. From 5:00, F-1.
|
|
|
|
EXT.MITSUKO'S HIDEOUT (C-5 ON THE MAP) AFTERNOON
|
|
|
|
Mitsuko walks back to find Girl #10 Hirono Shimizu pointing
|
|
her weapon, a Colt .45 pistol, at her.
|
|
|
|
SHIMIZU
|
|
Mitsuko ...
|
|
|
|
MITSUKO
|
|
Hirono!
|
|
|
|
SHIMIZU
|
|
Oh great, I finally found you.
|
|
|
|
Shimizu spins Mitsuko around and takes the sickle.
|
|
|
|
SHIMIZU
|
|
Is this your weapon, Mitsuko?
|
|
|
|
MITSUKO
|
|
Yeah.
|
|
|
|
SHIMIZU
|
|
Kind of lame, huh?
|
|
(goes around Mitsuko to face
|
|
her)
|
|
Yoshimi's dead, isn't she?
|
|
|
|
MITSUKO
|
|
With Kuramoto.
|
|
|
|
SHIMIZU
|
|
Huh? So you saw them. Well, I saw
|
|
Megumi's throat slit ... with a
|
|
sickle or something!
|
|
|
|
Shimizu throws the sickle at Mitsuko. She hits a wooden
|
|
post, narrowly missing Mitsuko's head.
|
|
|
|
SHIMIZU
|
|
Mitsuko! Do you have Megumi's
|
|
weapon?
|
|
|
|
MITSUKO
|
|
Of course not!
|
|
|
|
SHIMIZU
|
|
But it looked like someone was
|
|
there all night. I found a tampon
|
|
in the toilet. Megumi wasn't having
|
|
hers ... Mitsuko, you started
|
|
yesterday, right?
|
|
|
|
MITSUKO
|
|
What are you talking about?
|
|
|
|
SHIMIZU
|
|
Cut the crap, murderer! You screw
|
|
all the boys, but you had to steal
|
|
mine! You were pimping Yoshimi! You
|
|
probably hung them both!
|
|
|
|
MITSUKO
|
|
How can you ...
|
|
|
|
SHIMIZU
|
|
You piss me off, and I'll kill you!
|
|
|
|
MITSUKO
|
|
(crying and kneeling down as
|
|
Shimizu lowers the gun)
|
|
Come on! What is this? Stop joking
|
|
and forgive me!
|
|
|
|
Shimizu starts kicking Mitsuko in the head.
|
|
|
|
SHIMIZU
|
|
Stop faking it!
|
|
|
|
MITSUKO
|
|
I've had it! Why does everybody
|
|
gang up on me? What did I do?
|
|
|
|
Shimizu gives Mitsuko a swift kick.
|
|
|
|
SHIMIZU
|
|
Think about what you did! You think
|
|
you can get away with it!
|
|
|
|
Shimizu kicks Mitsuko again. Mitsuko cries.
|
|
|
|
SHIMIZU
|
|
Cry your eyes out! Apologize to
|
|
Megumi and Yoshimi!
|
|
|
|
Mitsuko tasers Shimizu in the gun hand with the stun gun
|
|
that belonged to Megumi. Shimizu drops the pistol. The two
|
|
of them reach for it like a fumble in football, with Mitsuko
|
|
winning. She aims the pistol at Shimizu.
|
|
|
|
MITSUKO
|
|
(indicating the stun gun)
|
|
This was Megumi's ...
|
|
(indicating Shimizu's gun)
|
|
but this is what I was after.
|
|
|
|
SHIMIZU
|
|
You bitch! Murderer!
|
|
|
|
MITSUKO
|
|
And what's wrong with killing?
|
|
Everyone has his reasons.
|
|
|
|
Shimizu throws her bag at Mitsuko and tries to run away. She
|
|
gets about four steps before Mitsuko shoots her in the back.
|
|
|
|
A graphic reads: "GIRL #10: HIRONO SHIMIZU DEAD. 23 PLAYERS
|
|
LEFT."
|
|
|
|
EXT.CLIFFS (I-5 ON MAP)
|
|
|
|
Shuya and Noriko are walking near a cliff when Noriko
|
|
faints.
|
|
|
|
SHUYA
|
|
Nakagawa, are you okay?
|
|
|
|
NORIKO
|
|
I'm okay, just a little tired.
|
|
|
|
SHUYA
|
|
You're dripping sweat and have a
|
|
terrible fever.
|
|
|
|
NORIKO
|
|
Yukiko had a crush on you, right?
|
|
|
|
SHUYA
|
|
What does that have to do with
|
|
anything?
|
|
|
|
NORIKO
|
|
Sorry, I'm just a little jealous,
|
|
that's all.
|
|
|
|
Shuya checks his map.
|
|
|
|
SHUYA
|
|
There's a clinic outside the
|
|
village. Can you get up?
|
|
|
|
Noriko falls unconscious.
|
|
|
|
SHUYA
|
|
Hey, Noriko, come on now ...
|
|
Noriko!
|
|
|
|
EXT.CLINIC (I-8 ON THE MAP)
|
|
|
|
Shuya, carrying Noriko, walks up to the clinic. It's a
|
|
shabby house with a live chicken walking in front of it. He
|
|
breaks down a gate as he comes.
|
|
|
|
As he gets closer, he snags his foot on a tripwire that's
|
|
connected to jar with a set of keys in it, a makeshift
|
|
doorbell. Kawada opens the door, shotgun aimed at Shuya.
|
|
|
|
KAWADA
|
|
Pot lid and binoculars, what do you
|
|
want?
|
|
|
|
INT.CLINIC
|
|
|
|
Noriko lies on a sofa, her arm bandaged with a bandanna.
|
|
Hypodermic needles and open vials are scattered.
|
|
|
|
KAWADA
|
|
Great. Even expired drugs work.
|
|
|
|
Kawada starts cleaning up, frenetically.
|
|
|
|
SHUYA
|
|
May I ask you ...
|
|
|
|
KAWADA
|
|
What?
|
|
|
|
SHUYA
|
|
Why did you help us?
|
|
|
|
KAWADA
|
|
My father is a doctor. You may
|
|
believe that or not.
|
|
|
|
Kawada finds some dried rice and starts making soup.
|
|
|
|
EXT.MIMURA'S LAIR (E-4 ON THE MAP) LATE AFTERNOON
|
|
|
|
Mimura's lair is an abandoned hotel. Boy #11 Hiroki Sugimura
|
|
tracks down Mimura's gang (Boy #2 Keita Iijima, Boy #12
|
|
Yutaka Seto, and Boy #19 Shinji Mimura).
|
|
|
|
MIMURA, SETO, & IIJIMA
|
|
(from inside, in unison)
|
|
Ready, go!
|
|
(pause)
|
|
Ready, go!
|
|
|
|
The three boys are lugging a large electric generator up a
|
|
flight of steps as Sugimura finds them.
|
|
|
|
SUGIMURA
|
|
Mimura!
|
|
|
|
MIMURA
|
|
Sugimura!
|
|
|
|
Sugimura steps in to help.
|
|
|
|
INT.MIMURA'S LAIR
|
|
|
|
They get the generator up the stairs and turn it on. They
|
|
connect Mimura's laptop computer and some portable phones to
|
|
it. Mimura turns the laptop on. Mimura's wallpaper reads,
|
|
"The Third Man".
|
|
|
|
MIMURA
|
|
Great, it still works.
|
|
(to Sugimura)
|
|
How did you find us?
|
|
|
|
Sugimura shows him his GPS tracking device.
|
|
|
|
SUGIMURA
|
|
This is my weapon.
|
|
|
|
MIMURA
|
|
A sensor? Great weapon!
|
|
|
|
SUGIMURA
|
|
Have you seen Chigusa or Kotohiki?
|
|
|
|
MIMURA
|
|
No, I haven't.
|
|
|
|
SUGIMURA
|
|
Right, I'm off.
|
|
|
|
SETO
|
|
Already?
|
|
|
|
MIMURA
|
|
Sugimura, there may be a way out.
|
|
Won't you help us?
|
|
|
|
SUGIMURA
|
|
Sorry, but I have to see them.
|
|
|
|
MIMURA
|
|
If you find Nanahara, tell him
|
|
where we are.
|
|
|
|
SUGIMURA
|
|
Right, I'm off.
|
|
|
|
Sugimura leaves.
|
|
|
|
IIJIMA
|
|
He always was a loner.
|
|
|
|
SETO
|
|
Why does he have to find Chigusa
|
|
and Kotohiki?
|
|
|
|
MIMURA
|
|
I thought he was into Chigusa.
|
|
|
|
Mimura sits down at the laptop, and notices something about
|
|
his collar.
|
|
|
|
MIMURA
|
|
Shit, so that's their trick!
|
|
|
|
IIJIMA
|
|
What is it?
|
|
|
|
He gestures Iijima and Seto over to the computer, where
|
|
Mimura runs an editor.
|
|
|
|
MIMURA
|
|
(typing)
|
|
They're listening. A microphone in
|
|
the necklace. Here's your mission:
|
|
Find the following: 1. Fertilizer
|
|
2. Pesticides 3. Charcoal 4. Sulfur
|
|
5. Kerosene
|
|
|
|
IIJIMA
|
|
Hey, what is this?
|
|
|
|
MIMURA
|
|
Just go! Hurry!
|
|
|
|
Mimura starts cracking the Battle Royale computer network.
|
|
|
|
EXT.FANTASY SEQUENCE
|
|
|
|
Girl #13 Takako Chigusa is jogging along a road, wearing a
|
|
yellow Adidas warm-up suit. Sugimura is behind her wearing a
|
|
white T-shirt and black warm-up pants, carrying a stopwatch
|
|
and a whistle around his neck, riding a bicycle. Neither of
|
|
them are wearing collars at this point.
|
|
|
|
An opera singer singing Franz Shubert's "Auf dem Wasser zu
|
|
Singen" plays in the background.
|
|
|
|
SUGIMURA
|
|
Chigusa, how far can you run?
|
|
|
|
CHIGUSA
|
|
I'll always run in front of you!
|
|
|
|
SUGIMURA
|
|
Then I'll always protect you.
|
|
|
|
CHIGUSA
|
|
(laughs)
|
|
Promise?
|
|
|
|
Chigusa turns off the road onto a dirt path. She turns
|
|
around to face the road and runs back towards it. The
|
|
transition between this and the next scene is seamless ...
|
|
|
|
EXT.TEMPLE (E-2 ON THE MAP) AFTERNOON
|
|
|
|
Chigusa is wearing the same warm-up suit, but she has the
|
|
collar on. The bicycle and Sugimura have disappeared.
|
|
Chigusa notices the collar.
|
|
|
|
She runs up to the temple where her bag is, unzips her track
|
|
suit showing a white T-shirt, and gets a towel out of her
|
|
bag.
|
|
|
|
CHIGUSA
|
|
Hiroki ...
|
|
|
|
Boy #16 Kazushi Niida enters. He's carrying the crossbow he
|
|
got from Akamatsu earlier.
|
|
|
|
NIIDA
|
|
Hey, Chigusa, what are you doing?
|
|
|
|
Chigusa tosses the towel back into the bag.
|
|
|
|
NIIDA
|
|
Are you still practicing?
|
|
|
|
She zips the bag and walks away from him.
|
|
|
|
NIIDA
|
|
Hey, wait up! They all gossiped
|
|
about us!
|
|
|
|
CHIGUSA
|
|
You made it all up!
|
|
|
|
NIIDA
|
|
But you liked it. Come on, Chigusa,
|
|
stay with me.
|
|
|
|
Niida touches Chigusa on the shoulders.
|
|
|
|
CHIGUSA
|
|
Don't touch me! Disgusting!
|
|
|
|
Niida aims the crossbow at Chigusa.
|
|
|
|
NIIDA
|
|
If you run, I'll shoot!
|
|
|
|
CHIGUSA
|
|
What's that? You're ridiculous.
|
|
|
|
Chigusa moves away from him again.
|
|
|
|
NIIDA
|
|
I'm in love with you, Chigusa, for
|
|
real, from before ...
|
|
|
|
CHIGUSA
|
|
(underwhelmed)
|
|
Wow, great, wash your face and try
|
|
again, if you survive.
|
|
|
|
NIIDA
|
|
Wait, you're a virgin, right?
|
|
|
|
CHIGUSA
|
|
You're starting to piss me off.
|
|
God, spare me from this idiot!
|
|
|
|
NIIDA
|
|
Sugimura couldn't do it with you!
|
|
|
|
CHIGUSA
|
|
Leave Hiroki out of this!
|
|
|
|
NIIDA
|
|
We're going to die anyway. Don't
|
|
you want to do it just once before
|
|
you die?
|
|
|
|
CHIGUSA
|
|
Shouldn't you be worried about your
|
|
life, instead of that useless
|
|
micropenis of yours?
|
|
|
|
Niida gets in front of Chigusa and aims the crossbow at her
|
|
face.
|
|
|
|
NIIDA
|
|
I have decided that this game is a
|
|
race, so I am playing for real.
|
|
|
|
CHIGUSA
|
|
So am I. Drop your weapon and let
|
|
me go, or I'll assume you're deadly
|
|
and kick your ass!
|
|
|
|
She tries to pass him.
|
|
|
|
CHIGUSA
|
|
You have been warned.
|
|
|
|
NIIDA
|
|
Cut the crap! I've already killed,
|
|
and I could rape you now if I
|
|
wanted to!
|
|
|
|
CHIGUSA
|
|
Just try it!
|
|
|
|
Niida fires the crossbow at Chigusa. The bolt scrapes her
|
|
right cheek.
|
|
|
|
NIIDA
|
|
Are you okay?
|
|
|
|
CHIGUSA
|
|
(mad as hell)
|
|
You scarred my face!
|
|
|
|
NIIDA
|
|
It's your fault. You made me mad!
|
|
|
|
CHIGUSA
|
|
You're always blaming someone else!
|
|
That's why I hate your guts!
|
|
|
|
Chigusa reaches into her bag and pulls out her weapon, a
|
|
jackknife.
|
|
|
|
CHIGUSA
|
|
Come at me! I shall resist you with
|
|
every inch of my body!
|
|
|
|
Niida gets frightened and runs, but Chigusa has a speed
|
|
advantage, and catches him. She slashes him in the back.
|
|
They grapple for a bit. He gets up, continues running.
|
|
|
|
CHIGUSA
|
|
You bastard!
|
|
|
|
Chigusa easily catches up to Niida, slashes him in the back
|
|
again, jumps on his back.
|
|
|
|
NIIDA
|
|
Let me go!
|
|
|
|
Chigusa rides him for a bit and stabs him in the chest.
|
|
|
|
NIIDA
|
|
Leave me alone!
|
|
|
|
She gets him on the ground, jumps on top of him, stabs him
|
|
twice in the groin area, gets off him, then stabs him in the
|
|
chest twice. Niida dies.
|
|
|
|
When she gets up, Mitsuko Souma is in the background. She
|
|
grins an evil grin, then aims her gun at Chigusa. Chigusa
|
|
notices, then runs for her life. Mitsuko chases after her,
|
|
firing four bullets at Chigusa.
|
|
|
|
A graphic reads: "BOY #16: KAZUSHI NIIDA DEAD. 22 PLAYERS
|
|
LEFT."
|
|
|
|
EXT.DAM (D-3 ON THE MAP)
|
|
|
|
Chigusa is lying down, covered with dirt and blood, and
|
|
close to death. Sugimura catches up to her.
|
|
|
|
CHIGUSA
|
|
Hiroki!
|
|
|
|
SUGIMURA
|
|
Chigusa, don't die! Hang on!
|
|
|
|
CHIGUSA
|
|
God, if this is a bad joke, please
|
|
stop it.
|
|
|
|
SUGIMURA
|
|
It's really me, Chigusa.
|
|
|
|
CHIGUSA
|
|
Hiroki ...
|
|
|
|
SUGIMURA
|
|
Who got you?
|
|
|
|
CHIGUSA
|
|
Mitsuko. Watch out for her, she's
|
|
dangerous.
|
|
|
|
SUGIMURA
|
|
I'm sorry.
|
|
|
|
CHIGUSA
|
|
For what?
|
|
|
|
SUGIMURA
|
|
Last night, I waited for you
|
|
outside the school. But you took
|
|
off at top speed, right? I called,
|
|
but I couldn't catch up.
|
|
|
|
CHIGUSA
|
|
I didn't know. Could you help me
|
|
sit up?
|
|
|
|
Sugimura sits Chigusa up and props her against his shoulder.
|
|
|
|
CHIGUSA
|
|
Hiroki, are you in love with
|
|
someone?
|
|
|
|
SUGIMURA
|
|
Yeah.
|
|
|
|
CHIGUSA
|
|
Not me, right?
|
|
|
|
SUGIMURA
|
|
Not you.
|
|
|
|
CHIGUSA
|
|
Then stay with me like this. It
|
|
won't be long.
|
|
|
|
Sugimura starts crying.
|
|
|
|
CHIGUSA
|
|
(looking upward)
|
|
God, could I tell him one more
|
|
thing?
|
|
(to Hiroki)
|
|
You look really cool, Hiroki.
|
|
|
|
SUGIMURA
|
|
You too. You're the coolest girl in
|
|
the world.
|
|
|
|
CHIGUSA
|
|
Thank you ...
|
|
|
|
Chigusa dies. Sugimura props her head up by the chin, looks
|
|
into her eyes, and notices she isn't moving by herself.
|
|
Sugimura cries.
|
|
|
|
SUGIMURA
|
|
Chigusa!
|
|
|
|
Fade out with a wide shot and Shubert's "Auf dem Wasser zu
|
|
Singen" in the background.
|
|
|
|
A graphic reads: "GIRL #13: TAKAKO CHIGUSA DEAD. 21 PLAYERS
|
|
LEFT."
|
|
|
|
DAY #1 - 6 P.M. - SCHOOL
|
|
|
|
As Kitano speaks the following line, pan slowly from
|
|
Kitano's half-finished painting to empty food cans to
|
|
Kitano.
|
|
|
|
KITANO
|
|
(over loud speaker)
|
|
It's 6 o'clock! Here is the list of
|
|
goners: Girl #10 Hirono Shimizu,
|
|
Boy #16 Kazushi Niida, and Girl #13
|
|
Takako Chigusa. A total of three.
|
|
You're slacking off on me! I'm
|
|
disappointed in you! I'm adding
|
|
more danger zones. There will be a
|
|
new one every hour, so get them
|
|
straight! From 7:00 p.m., D-1. From
|
|
8:00 p.m., C-4. From 9:00 p.m.,
|
|
I-3.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Noriko and Shuya are eating soup by candlelight. Kawada is
|
|
lying on the sofa.
|
|
|
|
NORIKO
|
|
It tastes good.
|
|
|
|
KAWADA
|
|
Of course it does. My dad is a
|
|
chef.
|
|
|
|
NORIKO
|
|
(to Kawada)
|
|
Umm, thank you for everything.
|
|
|
|
KAWADA
|
|
(to Shuya)
|
|
Would you like a drink?
|
|
|
|
SHUYA
|
|
No.
|
|
|
|
Kawada lights a cigarette, pauses.
|
|
|
|
KAWADA
|
|
I wasn't going to, but I guess I
|
|
want you to know.
|
|
|
|
Kawada takes out a picture, hands it to Noriko, who looks at
|
|
it. The picture is of Kawada and his late girlfriend Keiko.
|
|
|
|
NORIKO
|
|
She's pretty ... the same age as
|
|
you?
|
|
|
|
KAWADA
|
|
The same class. Ninth grade, Kobe
|
|
Junior High #5 Class C. We played
|
|
this game three years ago.
|
|
|
|
SHUYA
|
|
So you are ...
|
|
|
|
Kawada takes off his bandanna, revealing a scar on his
|
|
forehead.
|
|
|
|
KAWADA
|
|
I'm a survivor of this stupid game.
|
|
|
|
Shuya and Noriko gasp.
|
|
|
|
KAWADA
|
|
I was desperate to protect Keiko,
|
|
even killed a friend so that the
|
|
two of us could survive.
|
|
|
|
EXT.HILL - THE GAME THREE YEARS AGO - NIGHT
|
|
|
|
Two minutes left until the collars explode. The hill is
|
|
strewn with corpses. Kawada and Keiko, heavily wounded, walk
|
|
into the scene.
|
|
|
|
KAWADA (V.O.)
|
|
But when only one of us could
|
|
survive, we changed.
|
|
|
|
Kawada's and Keiko's collars start blinking. They hug each
|
|
other. An unseen third player shoots Kawada. He falls down
|
|
the hill, wounded. Keiko and the third player fire at each
|
|
other. The third player dies; Keiko, wounded, falls down the
|
|
hill near Kawada, who goes over to her.
|
|
|
|
KAWADA
|
|
Keiko! Keiko! Keiko!
|
|
|
|
Kawada's collar starts blinking faster.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Kawada puts his bandanna back on.
|
|
|
|
KAWADA
|
|
Really trusting someone is a hard
|
|
thing to do, but I've never
|
|
understood the meaning of the smile
|
|
she left behind.
|
|
|
|
EXT.HILL NIGHT - FLASHBACK
|
|
|
|
Kawada hugs Keiko for the final time.
|
|
|
|
KEIKO
|
|
Thank you ...
|
|
|
|
Keiko dies. The collars stop blinking, as Kawada is the
|
|
winner.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Kawada takes a swig out of his flask. Shuya hands the photo
|
|
back to Kawada.
|
|
|
|
SHUYA
|
|
I think I'll have that drink now.
|
|
|
|
Kawada gives the flask to Shuya, who takes a swig.
|
|
|
|
SHUYA
|
|
But why play all over again?
|
|
|
|
KAWADA
|
|
They drugged me and dragged me here
|
|
to fix the game. But when I woke up
|
|
here, I vowed I wouldn't die.
|
|
Instead, I'm going to figure out
|
|
Keiko's last smile.
|
|
|
|
NORIKO
|
|
I don't ...
|
|
|
|
KAWADA
|
|
What?
|
|
|
|
NORIKO
|
|
I don't know how Keiko felt then,
|
|
but she must have ... um ...
|
|
|
|
KAWADA
|
|
My name? Kawada.
|
|
|
|
NORIKO
|
|
Kawada, I think she really loved
|
|
you or she couldn't have smiled the
|
|
way she does there.
|
|
|
|
Close up of the photo of Keiko.
|
|
|
|
KAWADA
|
|
So you think ...
|
|
|
|
NORIKO
|
|
I'm sure if I were Keiko, I'd want
|
|
to trust you and thank you for
|
|
giving me a reason to smile like
|
|
that. I think I'd have said thank
|
|
you, too.
|
|
|
|
Pause. Kawada thinks for a moment, gets up.
|
|
|
|
KAWADA
|
|
I really do know a way off this
|
|
island.
|
|
|
|
SHUYA
|
|
What? But how?
|
|
|
|
KAWADA
|
|
I can only tell you when the time
|
|
comes. Until then, this is my
|
|
guarantee.
|
|
|
|
Kawada tosses the Smith & Wesson M19 that he got from
|
|
Motobuchi to Shuya, along with a box of bullets.
|
|
|
|
KAWADA
|
|
Use it to protect yourself and ...
|
|
um ...
|
|
|
|
NORIKO
|
|
Noriko Nakagawa.
|
|
|
|
SHUYA
|
|
Shuya Nanahara.
|
|
|
|
An automatic weapon is fired in the distance.
|
|
|
|
KAWADA
|
|
The candles!
|
|
|
|
Kawada draws the curtains while Noriko and Shuya extinguish
|
|
the candles.
|
|
|
|
KAWADA
|
|
Duck!
|
|
|
|
They cover.
|
|
|
|
SHUYA
|
|
The noise ... who is that?
|
|
|
|
KAWADA
|
|
Probably the guy who signed up for
|
|
kicks. We had one too.
|
|
|
|
EXT.PATH (I-6 ON MAP) EVENING
|
|
|
|
Boy #4 Toshimori Oda is riding a bicycle as fast as he can
|
|
pedal. Boy #6 Kazuo Kiriyama is chasing him on foot,
|
|
shooting his Uzi at Oda.
|
|
|
|
Oda, frightened out of his wits, gets off the bike and runs
|
|
on foot to the clinic.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Shuya, Noriko, and Kawada duck out of the way of the
|
|
windows.
|
|
|
|
KAWADA
|
|
Quick! Give me the map!
|
|
|
|
Shuya fetches his map and the three of them glance at it.
|
|
|
|
KAWADA
|
|
Listen, if we get separated, we'll
|
|
meet at the Takano Shrine. Don't
|
|
forget! Stay down!
|
|
|
|
EXT.OUTSIDE CLINIC EVENING
|
|
|
|
Kiriyama is still chasing Oda and firing his Uzi at him.
|
|
|
|
ODA
|
|
(to Kiriyama)
|
|
Hey! What did I ever do to you?
|
|
|
|
Kiriyama shoots a barrage of bullets at Oda, who falls down.
|
|
Oda plays possum.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Kawada, Shuya, and Noriko lock the doors.
|
|
|
|
EXT.OUTSIDE CLINIC EVENING
|
|
|
|
Close-up of Oda, who covered his face with his map. He takes
|
|
the map off his face and props himself up. He looks around:
|
|
the coast is clear. Oda laughs.
|
|
|
|
ODA
|
|
Ha ha ha! Ha ha ha! I made it,
|
|
thanks to my excellent bulletproof
|
|
vest!
|
|
|
|
He hears a sound coming from above him. Pan up to Kiriyama
|
|
on the roof of the clinic. He unsheaths a katana (Girl #7
|
|
Yumiko Kusaka's weapon, obtained after she died), jumps down
|
|
to Oda.
|
|
|
|
ODA
|
|
Aaaaaaaaaahhhh!
|
|
|
|
Kiriyama decapitates Oda with the katana. Oda dies.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Noriko, scared, hugs Shuya.
|
|
|
|
EXT.OUTSIDE CLINIC EVENING
|
|
|
|
A graphic reads: "BOY #4: TOSHIMORI ODA DEAD. 20 PLAYERS
|
|
LEFT."
|
|
|
|
Kiriyama takes the bulletproof vest from Oda and puts it on.
|
|
He puts the katana back in its scabbard, then figures out
|
|
that people are inside the clinic.
|
|
|
|
INT.CLINIC EVENING
|
|
|
|
Kawada pumps his shotgun, aiming for the windows, hoping to
|
|
get a clear shot at Kiriyama. Shuya draws his gun and aims
|
|
for Kiriyama.
|
|
|
|
Kiriyama tries opening the door of the clinic, but it is
|
|
locked and he is unsuccessful. He gets Oda's decapitated
|
|
head, shoves a live grenade (obtained from Girl #5 Izumi
|
|
Kanai when he killed her) in its mouth, and throws it
|
|
through a window.
|
|
|
|
NORIKO
|
|
(screaming)
|
|
Aaaaaaaaaaaaaah!
|
|
|
|
Kawada, Noriko, and Shuya jump out of the way of the
|
|
grenade's explosion.
|
|
|
|
KAWADA
|
|
Hurry!
|
|
|
|
Kiriyama fires a burst into the clinic through a window.
|
|
Kawada and Noriko dive under tables, ducking.
|
|
|
|
SHUYA
|
|
Are you okay?
|
|
|
|
KAWADA
|
|
Fine! She's all right too!
|
|
|
|
Kiriyama fires another burst.
|
|
|
|
SHUYA
|
|
Take care of her!
|
|
|
|
KAWADA
|
|
Don't be crazy!
|
|
|
|
Shuya runs through a window after Kiriyama. A grenade
|
|
explodes behind him.
|
|
|
|
NORIKO
|
|
Nanahara!
|
|
|
|
EXT.DOCKS (I-8 ON THE MAP) EVENING
|
|
|
|
Shuya shoots at Kiriyama, who put on the bulletproof vest he
|
|
got from Oda so the shot has no effect. Kiriyama shoots a
|
|
burst back. Shuya shoots again.
|
|
|
|
Sugimura, nearby, hears the sounds of gunfire. He gets out
|
|
the tracking device and notices that Shuya and Kiriyama are
|
|
running towards him.
|
|
|
|
Kiriyama shoots again at Shuya, chewing up the ground with
|
|
bullets as Shuya runs away from Kiriyama. Kiriyama notices
|
|
that his clip is empty, removes it from the Uzi. Shuya fires
|
|
a bullet at him from point-blank range, but since Kiriyama
|
|
has the bulletproof vest, it has no effect (he fired at
|
|
Kiriyama's chest). Kiriyama just smiles at Shuya and tosses
|
|
the empty clip at him. Shuya fires another round at
|
|
Kiriyama, who has reloaded the Uzi. It has no effect.
|
|
|
|
Shuya flees, jumping off a small cliff into the ocean.
|
|
|
|
SUGIMURA
|
|
Run, Nanahara!
|
|
|
|
Sugimura tackles Kiriyama, altering his aim so that he can't
|
|
hit Shuya. Kiriyama fires the Uzi at Sugimura, who jumps
|
|
into the water after Shuya. Kiriyama sprays a burst of
|
|
bullets into the water, hoping to hit Sugimura.
|
|
|
|
INT.MIMURA'S LAIR NIGHT
|
|
|
|
Seto and Iijima have found all the items on the list and
|
|
have brought them back to Mimura.
|
|
|
|
IIJIMA
|
|
(exhausted)
|
|
There's your order. Fertilizer ...
|
|
pesticides ... and kerosene ...
|
|
|
|
SETO
|
|
(exhausted)
|
|
Sulfur and charcoal. We even swiped
|
|
a little truck for it all.
|
|
|
|
IIJIMA
|
|
What are you going to do with all
|
|
this crap?
|
|
|
|
Mimura tosses an underground anarchist magazine at Iijima.
|
|
Its title is "The Ticking Clock".
|
|
|
|
IIJIMA
|
|
"The Ticking Clock". What is this?
|
|
|
|
Iijima opens the magazine and postcards fall out. He picks
|
|
up the postcards.
|
|
|
|
MIMURA
|
|
They are my uncle's postcards. He
|
|
was an activist in the 1960s. He
|
|
taught me stuff they never teach
|
|
you in school. He's still off
|
|
fighting in some corner of the
|
|
world.
|
|
|
|
Close up of a postcard with a picture of a smiling woman.
|
|
Iijima flips the postcard to the back. The message reads,
|
|
"Someday, you'll smile like this."
|
|
|
|
Iijima laughs.
|
|
|
|
IIJIMA
|
|
Forget it! We're not ...
|
|
|
|
Mimura muzzles Iijima and points at Seto.
|
|
|
|
SETO
|
|
Shinji!
|
|
|
|
Mimura gives the "quiet" gesture by putting a finger near
|
|
his mouth.
|
|
|
|
MIMURA
|
|
Ssshhh!
|
|
|
|
He takes out a small device, then puts his hand over his
|
|
collar to block the microphone.
|
|
|
|
MIMURA
|
|
This is the bomb trigger he used to
|
|
try to blow up the Parliament with.
|
|
It's time we started our own
|
|
struggle, but there isn't much
|
|
time. So, do you join me, or would
|
|
you rather take me on?
|
|
|
|
Seto shakes his head. He's joining Mimura.
|
|
|
|
IIJIMA
|
|
Can we really all go home together?
|
|
|
|
MIMURA
|
|
Yeah, I'll crush their systems.
|
|
When we escape, it will be
|
|
together.
|
|
|
|
EXT.LIGHTHOUSE (I-10 ON MAP) DAY
|
|
|
|
An establishing shot of the lighthouse.
|
|
|
|
A graphic reads: "DAY 2 - 12:30 P.M."
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
Shuya is waking up in a bed. He is heavily bandaged. Girl #2
|
|
Yukie Utsumi is lying beside him. She is startled.
|
|
|
|
UTSUMI
|
|
You're awake!
|
|
|
|
SHUYA
|
|
Where am I?
|
|
|
|
UTSUMI
|
|
You are at the lighthouse.
|
|
|
|
SHUYA
|
|
Utsumi, why are you ...
|
|
|
|
UTSUMI
|
|
What a shock! I was on watch this
|
|
morning when Sugimura showed up
|
|
carrying you.
|
|
|
|
EXT.LIGHTHOUSE NIGHT - FLASHBACK
|
|
|
|
Sugimura comes out of the water, carrying Shuya. He takes
|
|
Shuya to the lighthouse, where Utsumi is on watch.
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
Back to Shuya and Utsumi.
|
|
|
|
SHUYA
|
|
Where's Sugimura?
|
|
|
|
UTSUMI
|
|
He's gone. He said that he had to
|
|
see someone.
|
|
|
|
SHUYA
|
|
I see. What time is it?
|
|
|
|
UTSUMI
|
|
Kitano just finished the noon
|
|
report.
|
|
|
|
SHUYA
|
|
What about Kawada and Nakagawa?
|
|
|
|
UTSUMI
|
|
They haven't been on the lists.
|
|
|
|
Shuya breathes a sigh of relief.
|
|
|
|
SHUYA
|
|
Who died? I missed three reports.
|
|
|
|
UTSUMI
|
|
Five all together. Oda was on last
|
|
night's.
|
|
|
|
SHUYA
|
|
Ugh ...
|
|
|
|
UTSUMI
|
|
On this morning's, Kaori and
|
|
Mizuho.
|
|
|
|
EXT.BEACH (H-3 ON THE MAP) EARLY MORNING - FLASHBACK
|
|
|
|
In the background, waves are lapping on the shore. In the
|
|
foreground, Girl #1 Mizuho Inada is lying on a rock with a
|
|
bloodstain on her abdomen and a large alpinist's pick
|
|
nearby. Next to her is a life preserver, and next to that on
|
|
another rock is Girl #20, Kaori Minami, with a large knife
|
|
impaled into her abdomen.
|
|
|
|
A graphic reads: "GIRL #1: MIZUHO INADA DEAD. GIRL #20:
|
|
KAORI MINAMI DEAD. 18 PLAYERS LEFT."
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
Back to Utsumi and Shuya.
|
|
|
|
UTSUMI
|
|
... And now, on the noon update,
|
|
Takiguchi and Hatagami.
|
|
|
|
INT.HOTEL (C-2 ON THE MAP) MORNING - FLASHBACK
|
|
|
|
In what looks like a messy hotel lobby, the bloodied, naked
|
|
corpses of Boy #13 Yuuichiro Takiguchi and Boy #18 Tadakatsu
|
|
Hatagami lie on the floor. Mitsuko Souma, nearby,
|
|
nonchalantly gets dressed as if nothing has happened, grabs
|
|
her bag and sickle, and starts to leave.
|
|
|
|
A graphic reads: "BOY #13: YUUICHIRO TAKIGUCHI DEAD. BOY
|
|
#18: TADAKATSU HATAGAMI DEAD. 16 PLAYERS LEFT."
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
Back to Utsumi and Shuya.
|
|
|
|
UTSUMI
|
|
... And a message from Sugimura.
|
|
Mimura and the guys are in the
|
|
west, waiting to see you.
|
|
|
|
SHUYA
|
|
Mimura?
|
|
|
|
UTSUMI
|
|
Yeah.
|
|
(gets Shuya's map)
|
|
Here's your map. I marked it for
|
|
you.
|
|
|
|
She sits next to Shuya and shows him the map.
|
|
|
|
UTSUMI
|
|
You're safe here. They're all my
|
|
friends. There's Haruka, Satomi,
|
|
Yuka, Chisato, and Yuko.
|
|
|
|
Utsumi gets up.
|
|
|
|
UTSUMI
|
|
Nanahara, about that thing with Oki
|
|
... Yuko saw it happen.
|
|
|
|
CUT TO:
|
|
|
|
EXT.FOREST PATH DAY - FLASHBACK
|
|
|
|
A replay of the scene where Oki has a hand ax in his head
|
|
and dies. We see Yuko's frightened reaction to the scene.
|
|
|
|
CUT TO:
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
SHUYA
|
|
Yeah, we fell down a hill together.
|
|
It was an accident.
|
|
|
|
CUT TO:
|
|
|
|
EXT.FOREST PATH DAY - FLASHBACK
|
|
|
|
Shuya and Oki fall down the hill together.
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
UTSUMI
|
|
It was an accident?
|
|
|
|
SHUYA
|
|
Of course it was!
|
|
|
|
UTSUMI
|
|
I'm sorry.
|
|
|
|
SHUYA
|
|
Let's all go join Kawada. He says
|
|
that he knows a way off this
|
|
island.
|
|
|
|
UTSUMI
|
|
Do you trust him?
|
|
|
|
SHUYA
|
|
He survived one of these games.
|
|
|
|
UTSUMI
|
|
But you can't even walk yet!
|
|
|
|
SHUYA
|
|
I'm fine.
|
|
|
|
UTSUMI
|
|
Right now, you rest up. Haruka and
|
|
Chisato are fixing lunch.
|
|
|
|
SHUYA
|
|
Did you bandage me, Utsumi?
|
|
|
|
UTSUMI
|
|
Yeah.
|
|
(laughs)
|
|
I never touched a guy before.
|
|
(laughs)
|
|
Do you like Noriko Nakagawa?
|
|
|
|
SHUYA
|
|
Why?
|
|
|
|
UTSUMI
|
|
I know all about you. Do you know
|
|
what that means?
|
|
|
|
SHUYA
|
|
What?
|
|
|
|
UTSUMI
|
|
Forget it ... I have to lock you
|
|
in. Some of them don't trust guys.
|
|
I'll bring lunch in a minute, okay?
|
|
|
|
Utsumi leaves Shuya, goes out of the room, and locks the
|
|
door.
|
|
|
|
INT.LIGHTHOUSE KITCHEN DAY
|
|
|
|
Girl #9 Yuko Sakaki is holding her weapon, a small vial of
|
|
potassium cyanide. (It's marked "POISON - KCN".)
|
|
|
|
CUT TO:
|
|
|
|
EXT.FOREST PATH DAY - FLASHBACK
|
|
|
|
Yuko Sakaki watches Oki die. She is frightened out of her
|
|
wits.
|
|
|
|
CUT TO:
|
|
|
|
INT.LIGHTHOUSE KITCHEN DAY
|
|
|
|
Yuko Sakaki, Girl #12 Haruka Tanizawa, Girl #17 Satomi Noda,
|
|
and Girl #19 Chisato Matsui are in the kitchen when Utsumi
|
|
runs in.
|
|
|
|
UTSUMI
|
|
Guess what? Nanahara's awake!
|
|
|
|
TANIZAWA
|
|
Really? Can he talk?
|
|
|
|
UTSUMI
|
|
Yeah. He seems hungry too.
|
|
(to Sakaki)
|
|
Don't worry, I locked his door.
|
|
|
|
SAKAKI
|
|
No, I'm sorry. I'm not worried
|
|
anymore.
|
|
|
|
UTSUMI
|
|
What happened with Oki was an
|
|
accident.
|
|
|
|
TANIZAWA
|
|
Of course. Shuya would never kill
|
|
anyone.
|
|
|
|
MATSUI
|
|
The spaghetti is almost done.
|
|
|
|
UTSUMI
|
|
Haruka, go get Yuka from watch. We
|
|
need to discuss something.
|
|
|
|
TANIZAWA
|
|
Roger!
|
|
|
|
Tanizawa leaves to get Yuka Nakagawa. Utsumi goes over to
|
|
the table where Noda is.
|
|
|
|
NODA
|
|
We're all dying tomorrow ...
|
|
|
|
UTSUMI
|
|
Don't start with that. We won't
|
|
give up until it's over, okay?
|
|
|
|
SAKAKI
|
|
I think that you'd better feed
|
|
Nanahara first, don't you? I'll
|
|
serve his.
|
|
|
|
UTSUMI
|
|
Thanks, Yuko.
|
|
|
|
Sakaki gets a bowl of spaghetti, pours some broth on it,
|
|
then puts the cyanide in it. Utsumi interrupts her.
|
|
|
|
UTSUMI
|
|
Are there still some painkillers
|
|
left? I need some for Nanahara.
|
|
|
|
MATSUI
|
|
They are in the cupboard.
|
|
|
|
SAKAKI
|
|
I'll get them.
|
|
|
|
Girl #16 Yuka Nakagawa (no relations) runs down the stairs
|
|
with Tanizawa. She is a happy-go-lucky girl.
|
|
|
|
YUKA NAKAGAWA
|
|
I hear that Nanahara is awake!
|
|
That's so great! You!
|
|
|
|
UTSUMI
|
|
What?
|
|
|
|
YUKA NAKAGAWA
|
|
Don't pretend, I know you're happy.
|
|
It smells great! Great job,
|
|
Chisato!
|
|
(grabs the bowl intended for
|
|
Nanahara)
|
|
Let me taste test!
|
|
|
|
SAKAKI
|
|
Uh-oh ...
|
|
|
|
YUKA NAKAGAWA
|
|
(takes a bite)
|
|
Super! Marry me, Chisato!
|
|
|
|
MATSUI
|
|
Come on, Yuka!
|
|
|
|
TANIZAWA
|
|
Calm down now! What did you want to
|
|
discuss, Yukie?
|
|
|
|
UTSUMI
|
|
Nanahara says that Kawada knows a
|
|
way off the island.
|
|
|
|
MATSUI
|
|
That Kawada?
|
|
|
|
NODA
|
|
Can we trust him?
|
|
|
|
UTSUMI
|
|
I can't tell yet. But once Nanahara
|
|
can walk, let's join Kawada and
|
|
Noriko ...
|
|
|
|
At this point, the cyanide takes effect. Yuka Nakagawa puts
|
|
her hands to her mouth, looks pained.
|
|
|
|
UTSUMI
|
|
What?
|
|
|
|
TANIZAWA
|
|
What?
|
|
(pause)
|
|
What's wrong?
|
|
|
|
Yuka Nakagawa starts to pass out. She looks as if she's
|
|
about to throw up any minute.
|
|
|
|
UTSUMI
|
|
Yuka!
|
|
|
|
Chisato Matsui looks frightened of Yuka, and so does Yuko
|
|
Sakaki. Yuka Nakagawa dies, slumps over into the spaghetti
|
|
bowl.
|
|
|
|
TANIZAWA
|
|
(frightened)
|
|
She's dead! Why?
|
|
|
|
NODA
|
|
Not food poisoning!
|
|
|
|
MATSUI
|
|
I tasted it! I'm fine!
|
|
|
|
TANIZAWA
|
|
It's poison!
|
|
|
|
UTSUMI
|
|
Poison!
|
|
|
|
NODA
|
|
Aaaaaaaaaaaaahhhhh!
|
|
|
|
Noda panics, grabs Yuka Nakagawa's weapon (a 9mm machine
|
|
gun) and aims it at the rest of the group.
|
|
|
|
NODA
|
|
(crazed)
|
|
Who? Who did it?!
|
|
|
|
TANIZAWA
|
|
Satomi, don't!
|
|
|
|
UTSUMI
|
|
It's just some mistake!
|
|
|
|
NODA
|
|
We're the only ones here!
|
|
(aims the gun at Matsui)
|
|
Chisato, you cooked it, right?
|
|
|
|
MATSUI
|
|
It wasn't me! Haruka cooked it too!
|
|
|
|
TANIZAWA
|
|
Me? Poison?
|
|
|
|
UTSUMI
|
|
It was nobody! Cut it out! Lower
|
|
that gun!
|
|
|
|
TANIZAWA
|
|
(to Noda)
|
|
You're suspicious yourself!
|
|
|
|
UTSUMI
|
|
Haruka!
|
|
|
|
TANIZAWA
|
|
The last two nights, you didn't
|
|
sleep at all. It just means that
|
|
you don't trust us ...
|
|
|
|
NODA
|
|
I forgot my sleeping pills.
|
|
|
|
TANIZAWA
|
|
Insomnia? At your age?
|
|
|
|
UTSUMI
|
|
Cut it out! Satomi, lower that gun!
|
|
|
|
MATSUI
|
|
Shut up, dammit!
|
|
(grabs the spaghetti pot and
|
|
slams it on the table)
|
|
Yukie, cut the leadership crap!
|
|
|
|
UTSUMI
|
|
Chisato ...
|
|
|
|
MATSUI
|
|
You screwed up the poisoning!
|
|
|
|
UTSUMI
|
|
How can you say that?
|
|
|
|
MATSUI
|
|
You schemed with Nanahara to escape
|
|
together!
|
|
|
|
NODA
|
|
(to Chisato)
|
|
Was it you?
|
|
|
|
Matsui reaches for her weapon, a Walther PPK 7.65mm pistol.
|
|
Noda shoots Matsui with the machine gun; Matsui dies.
|
|
|
|
UTSUMI
|
|
Chisato!
|
|
|
|
Utsumi grabs Chisato's weapon and returns fire, wounding
|
|
Noda. Upstairs, Nanahara hears the gunfire. Tanizawa reaches
|
|
for her weapon, a 9mm pistol.
|
|
|
|
NODA
|
|
Goddammit!
|
|
|
|
A crazed Noda opens fire on the other three, who cover.
|
|
Utsumi and Tanizawa return fire. Noda covers.
|
|
|
|
NODA
|
|
Ouch! It hurts, you assholes! I'm
|
|
bleeding, dammit!
|
|
|
|
UTSUMI
|
|
Look who's talking!
|
|
|
|
TANIZAWA
|
|
You murderer!
|
|
|
|
NODA
|
|
Shut the hell up! You tried to
|
|
steal the gun so you're guilty!
|
|
Take that!
|
|
|
|
Noda, still crazed, charges Utsumi and Tanizawa, who return
|
|
fire. Noda jumps up onto the kitchen table and sprays Utsumi
|
|
and Tanizawa with bullets. Tanizawa gets shot, dies. Noda
|
|
and Utsumi are wounded. Noda aims the machine gun at Sakaki,
|
|
who has been hiding under a table.
|
|
|
|
NODA
|
|
Not you, right? You don't belong to
|
|
their group ...
|
|
|
|
Sakaki shakes her head no.
|
|
|
|
NODA
|
|
At least I'd thought I'd live until
|
|
tomorrow.
|
|
|
|
With her last gasp of energy, Utsumi raises her arm and
|
|
shoots Noda dead.
|
|
|
|
UTSUMI
|
|
What idiots ... we might all have
|
|
survived ... we're all so stupid
|
|
... Stupid!
|
|
|
|
Utsumi dies.
|
|
|
|
SAKAKI
|
|
(frightened)
|
|
It's not my fault ... It's not my
|
|
fault ... It's not my fault!
|
|
|
|
SHUYA (O.S.)
|
|
What happened? Utsumi!
|
|
|
|
INT.LIGHTHOUSE DAY
|
|
|
|
Shuya is banging on the door with a coat hanger.
|
|
|
|
SHUYA
|
|
What happened? Hey, Utsumi!
|
|
|
|
Sakaki unlocks the door. She is crying.
|
|
|
|
SAKAKI
|
|
I'm sorry, Nanahara. I even forgot
|
|
that they are all my friends.
|
|
|
|
Sakaki runs up the stairs while Shuya notices the carnage in
|
|
the kitchen.
|
|
|
|
INT.LIGHTHOUSE KITCHEN DAY
|
|
|
|
Shuya runs down to Utsumi's corpse and cries.
|
|
|
|
SHUYA
|
|
Why? Utsumi? Why?
|
|
|
|
EXT.LIGHTHOUSE OBSERVATION DECK DAY
|
|
|
|
Shuya runs up to the observation deck of the lighthouse.
|
|
Yuko Sakaki has committed suicide by jumping off the
|
|
lighthouse's observation deck. Shuya sees her body on the
|
|
rocks below.
|
|
|
|
SHUYA
|
|
How should I know what it means? I
|
|
don't know what any of it means!
|
|
|
|
A graphic reads: "GIRL #16: YUKA NAKAGAWA DEAD. GIRL #19:
|
|
CHISATO MATSUI DEAD. GIRL #12: HARUKA TANIZAWA DEAD. GIRL
|
|
#17: SATOMI NODA DEAD. GIRL #2: YUKIE UTSUMI DEAD. GIRL #9:
|
|
YUKO SAKAKI DEAD. 10 PLAYERS LEFT."
|
|
|
|
EXT.TAKANO SHRINE (G-6 ON THE MAP) AFTERNOON
|
|
|
|
Kawada brings some leaves to the temple. Noriko is napping.
|
|
|
|
EXT.DREAM SEQUENCE RIVER BANK DAY
|
|
|
|
Noriko is walking along a riverbank with Kitano. He looks
|
|
sad.
|
|
|
|
KITANO
|
|
Are you okay?
|
|
|
|
NORIKO
|
|
What?
|
|
|
|
KITANO
|
|
If anybody sees us together,
|
|
they'll lock you right back in the
|
|
toilet.
|
|
|
|
NORIKO
|
|
It'll be someone else's turn.
|
|
|
|
KITANO
|
|
Are my classes boring?
|
|
|
|
NORIKO
|
|
Yes.
|
|
|
|
KITANO
|
|
How dare you! I go into class, and
|
|
you guys all look like a pile of
|
|
potatoes. Slapping them around
|
|
helped me tell them apart, I even
|
|
got to like them. But not anymore.
|
|
Now, you touch a student, you're
|
|
fired. You can't even lose your
|
|
temper when a student stabs you
|
|
with a knife!
|
|
|
|
NORIKO
|
|
I'll tell you just one thing.
|
|
|
|
KITANO
|
|
What?
|
|
|
|
NORIKO
|
|
The knife that stabbed you,
|
|
actually, I keep in my desk at
|
|
home. When I picked it up, I wasn't
|
|
sure, but now, for some reason, I
|
|
really treasure it. Our secret,
|
|
just between us.
|
|
|
|
KITANO
|
|
Listen, Noriko.
|
|
|
|
NORIKO
|
|
Yes?
|
|
|
|
KITANO
|
|
What do you think a grown-up like
|
|
me should say to a kid like you now
|
|
that you have told me this?
|
|
|
|
INT.SCHOOL CLASSROOM
|
|
|
|
Kitano is resting when he gets a phone call from his
|
|
daughter, Shiori.
|
|
|
|
ANJO
|
|
Call for you.
|
|
|
|
Kitano picks up the phone.
|
|
|
|
KITANO
|
|
Hello?
|
|
|
|
SHIORI KITANO
|
|
(on phone)
|
|
Hi, dad.
|
|
|
|
KITANO
|
|
Oh, Shiori?
|
|
|
|
SHIORI KITANO
|
|
(on phone)
|
|
Mom's feeling bad again.
|
|
|
|
KITANO
|
|
I'm on a business trip. I can't get
|
|
home until tomorrow.
|
|
|
|
SHIORI KITANO
|
|
(on phone)
|
|
Don't bother coming home. I'm
|
|
hanging up.
|
|
|
|
KITANO
|
|
Uh huh ...
|
|
|
|
SHIORI KITANO
|
|
(on phone)
|
|
Dad, don't breathe like that, your
|
|
bad breath stinks even over the
|
|
phone.
|
|
|
|
Kitano hangs up the phone.
|
|
|
|
EXT.TAKANO SHRINE AFTERNOON
|
|
|
|
Noriko wakes up. Kawada is cooking the leaves to make tea.
|
|
|
|
KAWADA
|
|
Are you okay?
|
|
|
|
NORIKO
|
|
I had a dream ...
|
|
|
|
KAWADA
|
|
What dream?
|
|
|
|
NORIKO
|
|
I was alone with Kitano on an empty
|
|
riverbank.
|
|
|
|
KAWADA
|
|
It must have been scary.
|
|
|
|
NORIKO
|
|
But Kitano just seemed lonely.
|
|
|
|
KAWADA
|
|
Okay.
|
|
|
|
NORIKO
|
|
Before this, I always just thought
|
|
of myself as normal. I'd have a
|
|
normal marriage, age normally, just
|
|
like my Mom. But when this game
|
|
started, I realized it's just that
|
|
I was sheltered.
|
|
|
|
KAWADA
|
|
Some things are better not to know.
|
|
(looks up)
|
|
Rain is on its way.
|
|
|
|
NORIKO
|
|
I hope Nanahara can find us here.
|
|
|
|
EXT.FOREST PATH AFTERNOON
|
|
|
|
Shuya, in a weakened state, is walking along the forest
|
|
paths, trying to get to the Takano Shrine to meet Noriko and
|
|
Kawada. He is badly wounded and carrying the weapons the
|
|
lighthouse girls had. He is using a walking stick. It is
|
|
raining heavily.
|
|
|
|
INT.ITALIAN RESTAURANT EVENING - FLASHBACK
|
|
|
|
Shuya and his dad have gone out to eat, one day before Shuya
|
|
starts seventh grade.
|
|
|
|
SHUYA'S FATHER
|
|
Wait!
|
|
(pause)
|
|
Another useless day. My phone never
|
|
rings. Even my cell phone is
|
|
useless. See, it's out of range.
|
|
|
|
WAITER
|
|
May I take your order?
|
|
|
|
SHUYA'S FATHER
|
|
Just wait.
|
|
|
|
WAITER
|
|
That's fine.
|
|
|
|
The waiter exits.
|
|
|
|
SHUYA'S FATHER
|
|
I don't know how many resumes I
|
|
wrote. I'm just wiped.
|
|
(to the waitress)
|
|
Miss, please give me some water.
|
|
|
|
WAITRESS (O.S.)
|
|
Yes, in a minute.
|
|
|
|
SHUYA'S FATHER
|
|
(to Shuya)
|
|
Order what you want. You start
|
|
seventh grade tomorrow, go for it.
|
|
|
|
Shuya laughs.
|
|
|
|
SHUYA'S FATHER
|
|
I say, "go for it," but I never
|
|
taught you anything.
|
|
|
|
The waiter enters again.
|
|
|
|
WAITER
|
|
Your order?
|
|
|
|
SHUYA'S FATHER
|
|
I told you to wait!
|
|
(to Shuya)
|
|
Do you want to go somewhere else?
|
|
|
|
EXT.FOREST PATH AFTERNOON
|
|
|
|
Shuya falls. He remembers his father hanging himself and the
|
|
"Go, Shuya! You can make it, Shuya!" toilet paper. He tries
|
|
hard to prop himself up using the walking stick. The rain
|
|
continues to fall.
|
|
|
|
INT.DREAM SEQUENCE BASKETBALL COURT
|
|
|
|
After the basketball game, Shuya sits on a folding chair on
|
|
the court. A basketball bounces past him and up to the
|
|
rafters, where Kuninobu catches it.
|
|
|
|
SHUYA
|
|
Nobu?!
|
|
|
|
KUNINOBU
|
|
Shuya? Look after Noriko, okay?
|
|
Promise you will protect her.
|
|
|
|
Kuninobu waves goodbye.
|
|
|
|
EXT.TAKANO SHRINE AFTERNOON
|
|
|
|
The rain continues as Noriko suddenly jumps up.
|
|
|
|
KAWADA
|
|
Where are you going?
|
|
|
|
NORIKO
|
|
To meet Nanahara.
|
|
|
|
KAWADA
|
|
Hey! We're near a danger zone!
|
|
|
|
Kawada chases after Noriko, who runs, and gets lost in the
|
|
forest.
|
|
|
|
KAWADA
|
|
(shouts)
|
|
Where are you, Nakagawa?
|
|
|
|
Noriko runs to a gazebo-like structure.
|
|
|
|
EXT.GAZEBO AFTERNOON
|
|
|
|
At the gazebo Noriko finds Mitsuko Souma taking shelter from
|
|
the rain.
|
|
|
|
NORIKO
|
|
Mitsuko?
|
|
|
|
MITSUKO
|
|
What's up?
|
|
|
|
NORIKO
|
|
I'm looking for Nanahara.
|
|
|
|
MITSUKO
|
|
Did you get separated?
|
|
|
|
KAWADA (O.S.)
|
|
Where are you, Nakagawa?
|
|
|
|
MITSUKO
|
|
Who's that?
|
|
|
|
NORIKO
|
|
Kawada.
|
|
|
|
MITSUKO
|
|
Eh? Two princes protecting you.
|
|
You're a real princess.
|
|
|
|
Mitsuko gets out a pistol and aims it at Noriko.
|
|
|
|
NORIKO
|
|
(shocked)
|
|
Mitsuko!
|
|
|
|
MITSUKO
|
|
Die, you ugly shrimpy nit!
|
|
|
|
Before Mitsuko can fire the pistol, she sees something that
|
|
startles her. Mitsuko run away. Noriko turns around to find
|
|
Kitano standing there with an umbrella.
|
|
|
|
KITANO
|
|
Hey! You don't look so bad. Oh, you
|
|
got Nanahara with you.
|
|
|
|
NORIKO
|
|
Nanahara!
|
|
|
|
Shuya enters the scene, looking like a train wreck. He
|
|
falls, and Noriko runs to him.
|
|
|
|
NORIKO
|
|
Shuya! Shuya!
|
|
|
|
Kitano offers them the umbrella.
|
|
|
|
KITANO
|
|
Don't catch cold.
|
|
|
|
Kitano gives Noriko the umbrella and exits the scene.
|
|
|
|
SHUYA
|
|
You came to meet me?
|
|
|
|
Noriko nods yes.
|
|
|
|
SHUYA
|
|
I brought weapons.
|
|
|
|
NORIKO
|
|
Weapons? Why?
|
|
|
|
SHUYA
|
|
I'm weak and useless. But I'll stay
|
|
by your side. I'll protect you.
|
|
That's why I brought weapons.
|
|
|
|
NORIKO
|
|
Oh, Shuya!
|
|
|
|
Noriko embraces Shuya. Kawada watches.
|
|
|
|
EXT.WAREHOUSE (G-3 ON THE MAP) AFTERNOON
|
|
|
|
Sugimura follows his tracking device to the warehouse by
|
|
bicycle. The device reveals that someone is inside. He limps
|
|
inside. The rain continues.
|
|
|
|
INT.WAREHOUSE AFTERNOON
|
|
|
|
From behind some trash, Girl #8 Kayoko Kotohiki watches him.
|
|
Sugimura finds a used water bottle, so he knows that someone
|
|
has been here. Kotohiki climbs to a higher vantage point.
|
|
She grabs her weapon (a Sig Sauer pistol), then accidentally
|
|
knocks some aluminum cans over. She is frightened.
|
|
|
|
SUGIMURA
|
|
Kotohiki? Is that you?
|
|
|
|
Kotohiki remains hidden and scared.
|
|
|
|
SUGIMURA
|
|
Kotohiki! Answer me!
|
|
|
|
Kotohiki screams and shoots the full clip of the pistol into
|
|
Sugimura. He falls into a puddle (the roof is leaky).
|
|
|
|
SUGIMURA
|
|
Hurry, run!
|
|
|
|
KOTOHIKI
|
|
What?
|
|
|
|
SUGIMURA
|
|
Someone will come, drawn to the
|
|
gunshots. Run!
|
|
|
|
KOTOHIKI
|
|
Why, Sugimura, why?
|
|
|
|
SUGIMURA
|
|
You're so cute!
|
|
|
|
KOTOHIKI
|
|
What are you talking about? What is
|
|
this?
|
|
|
|
SUGIMURA
|
|
I wanted to see you, to save you,
|
|
actually.
|
|
|
|
KOTOHIKI
|
|
Don't tell me ...
|
|
|
|
SUGIMURA
|
|
I have been in love with you,
|
|
Kotohiki, for a long, long time.
|
|
|
|
Sugimura dies. Kotohiki is in shock. She starts crying and
|
|
walks over to his body.
|
|
|
|
KOTOHIKI
|
|
(sobbing)
|
|
But you never even talked to me!
|
|
How could I have known? You never
|
|
said a thing! What am I supposed to
|
|
do now?
|
|
|
|
MITSUKO
|
|
(emerging from the shadows)
|
|
Die!
|
|
|
|
Mitsuko shoots Kotohiki through the chest with the pistol
|
|
she got from Shimizu. Kotohiki dies.
|
|
|
|
A graphic reads: "BOY #11: HIROKI SUGIMURA DEAD. GIRL #8:
|
|
KAYOKO KOTOHIKI DEAD. 8 PLAYERS LEFT."
|
|
|
|
CUT TO:
|
|
|
|
INT.SOUMA LIVING ROOM - FIVE YEARS AGO - FLASHBACK
|
|
|
|
Ten-year-old Mitsuko comes home from school to her
|
|
lower-class house find her mother having marital relations
|
|
with a strange man.
|
|
|
|
MITSUKO
|
|
Hi, Mom.
|
|
(notices the stranger)
|
|
That's not Dad!
|
|
|
|
Mitsuko's mother looks drunk or drugged.
|
|
|
|
MITSUKO'S MOTHER
|
|
Go upstairs, Mitsuko.
|
|
|
|
Mitsuko obeys.
|
|
|
|
INT.MITSUKO'S BEDROOM - FIVE YEARS AGO - FLASHBACK
|
|
|
|
Mitsuko is doing her homework, distracted by the commotion
|
|
below.
|
|
|
|
Suddenly, the stranger knocks on the door. Mitsuko opens it.
|
|
|
|
STRANGER
|
|
I'm a friend of your mother's.
|
|
(pause)
|
|
She told me your name is Mitsuko,
|
|
right?
|
|
|
|
Mitsuko nods. The stranger gets out a fashion doll.
|
|
|
|
STRANGER
|
|
I got you a doll. Her name is
|
|
Mitsuko, too.
|
|
|
|
Mitsuko gasps.
|
|
|
|
The stranger removes the clothes from the doll.
|
|
|
|
STRANGER
|
|
See? The doll has no clothes. Now,
|
|
it's time for the real Mitsuko to
|
|
undress ...
|
|
|
|
Mitsuko is in shock. She pushes the stranger through the
|
|
doorway to her room. He slips on the carpeting and falls
|
|
backward down the stairs, dying after receiving a head wound
|
|
at the bottom. Mitsuko looks down at him, making sure that
|
|
he is dead.
|
|
|
|
INT.SOUMA LIVING ROOM - FIVE YEARS AGO - FLASHBACK
|
|
|
|
Mitsuko runs downstairs to her mother.
|
|
|
|
MITSUKO
|
|
Mom, what was that all about?
|
|
|
|
MITSUKO'S MOTHER
|
|
I needed money for drugs, so I
|
|
pimped. That guy paid me a lot of
|
|
money to have sex with both of us.
|
|
|
|
MITSUKO
|
|
(pointing out the stranger)
|
|
Well, he won't bother us anymore.
|
|
|
|
INT.WAREHOUSE AFTERNOON
|
|
|
|
Back to the scene before the flashback. Mitsuko picks up
|
|
Kotohiki's Sig Sauer pistol, looks at it, throws it away.
|
|
|
|
MITSUKO
|
|
Nobody will rescue you. That's just
|
|
life ...
|
|
|
|
Suddenly, someone shoots an automatic weapon at Mitsuko. She
|
|
falls. Cut to Kiriyama, the shooter, who walks down to
|
|
Mitsuko (who is playing possum) and takes her pistol. As he
|
|
turns to leave, Mitsuko tasers Kiriyama in the groin area.
|
|
Mitsuko swings her sickle at Kiriyama a few times,
|
|
screaming. He parries her blows.
|
|
|
|
MITSUKO
|
|
Yaaaaah! Yaaaaah! Die!
|
|
|
|
She gets off what would be a lethal blow, but Kiriyama is
|
|
wearing the bulletproof vest, which provides some protection
|
|
against the sickle.
|
|
|
|
He pushes the sickle away. She tries tasering him again. He
|
|
blocks. He kicks her away to get separation, then pulls out
|
|
the pistol that Mitsuko had and shoots her. She falls and
|
|
gets up again. He shoots her again. She gets up again to
|
|
swing the sickle at him.
|
|
|
|
MITSUKO
|
|
Yaaaaaaah!
|
|
|
|
He shoots her again with the pistol. She falls again, for
|
|
the last time.
|
|
|
|
MITSUKO
|
|
I just didn't want to be a loser
|
|
anymore.
|
|
|
|
Mitsuko Souma dies. A graphic reads: "GIRL #11: MITSUKO
|
|
SOUMA DEAD. 7 PLAYERS LEFT."
|
|
|
|
Kiriyama leaves.
|
|
|
|
EXT.FIELD DAY #2 - 6:00 P.M.
|
|
|
|
Shuya, Noriko, and Kawada are listening to Kitano.
|
|
|
|
KITANO
|
|
(on loudspeaker)
|
|
... Girl #16 Yuka Nakagawa, Girl
|
|
#19 Chisato Matsui, Girl #12 Haruka
|
|
Tanizawa, Girl #17 Satomi Noda,
|
|
Girl #2 Yukie Utsumi, Girl #9 Yuko
|
|
Sakaki, Boy #11 Hiroki Sugimura,
|
|
Girl #8 Kayoko Kotohiki, and Girl
|
|
#11 Mitsuko Souma. A total of nine.
|
|
|
|
SHUYA
|
|
Let's go west. We can still evade
|
|
the new danger zones. I've got to
|
|
see Mimura.
|
|
|
|
KAWADA
|
|
All right.
|
|
|
|
They leave for the west.
|
|
|
|
INT.MIMURA'S LAIR EVENING
|
|
|
|
Mimura has been working on a little present for the Battle
|
|
Royale computer. Seto and Iijima have been following the
|
|
recipes in the anarchist magazine.
|
|
|
|
MIMURA
|
|
(relieved)
|
|
I did it! I got in!
|
|
|
|
SETO
|
|
We're done too!
|
|
|
|
MIMURA
|
|
Excellent!
|
|
|
|
SETO
|
|
Two bombs, a hundred Molotov
|
|
cocktails ...
|
|
|
|
IIJIMA
|
|
And three propane tanks.
|
|
|
|
MIMURA
|
|
It took a while, but my Third Man
|
|
virus software is ready to go!
|
|
|
|
INT.SCHOOL CLASSROOM
|
|
|
|
The computer screens are reading "WARNING: VIRUS ALERT!" and
|
|
a klaxon is sounding.
|
|
|
|
GUARD
|
|
Crackers!
|
|
|
|
ANJO
|
|
From where?
|
|
|
|
GUARD
|
|
I can't tell!
|
|
|
|
ANJO
|
|
Trace it back!
|
|
|
|
GUARD
|
|
There are too many connections! Our
|
|
lines are down! It's overwriting
|
|
files at incredible speed!
|
|
|
|
ANJO
|
|
The GPS monitor is frozen!
|
|
|
|
INT.MIMURA'S LAIR
|
|
|
|
Mimura cracking. On his screen is an animated basketball
|
|
player warming up to take a shot.
|
|
|
|
INT.SCHOOL CLASSROOM
|
|
|
|
GUARD
|
|
Virus invasion! It's taking over,
|
|
really fast! Virus proceeding!
|
|
|
|
ANJO
|
|
Satellite systems frozen! Main
|
|
controls out! Connections down!
|
|
|
|
The danger zones have vanished.
|
|
|
|
ANJO
|
|
Danger zones clear! Do something!
|
|
|
|
The basketball player has made the shot.
|
|
|
|
EXT.MIMURA'S LAIR EVENING
|
|
|
|
Mimura, Seto, and Iijima are loading the bombs onto the
|
|
truck. Mimura sets the bomb trigger.
|
|
|
|
MIMURA
|
|
In fifteen minutes, their system
|
|
will be back up. We blow up the
|
|
school and the game's over!
|
|
|
|
IIJIMA
|
|
I just saw someone over there ...
|
|
|
|
MIMURA
|
|
Nanahara?
|
|
|
|
SETO
|
|
Maybe Sugimura told him about us.
|
|
|
|
Seto runs out to the noise.
|
|
|
|
SETO
|
|
Hey, Nanahara! Over here, quickly!
|
|
|
|
An automatic weapon fires at Seto, killing him.
|
|
|
|
MIMURA
|
|
Yutaka!
|
|
|
|
The bullets continue. Mimura and Iijima hide behind the
|
|
truck.
|
|
|
|
MIMURA
|
|
Shit! Who is that?
|
|
|
|
Kiriyama comes out of the bushes.
|
|
|
|
MIMURA
|
|
It's him! The transfer student!
|
|
|
|
Mimura pulls out his Baretta pistol and fires at Kiriyama.
|
|
Kiriyama returns fire with the Uzi.
|
|
|
|
MIMURA
|
|
I can't hit him!
|
|
|
|
IIJIMA
|
|
Aim calm!
|
|
|
|
Mimura fires again at Kiriyama.
|
|
|
|
MIMURA
|
|
Missed again!
|
|
|
|
IIJIMA
|
|
Shut up.
|
|
|
|
Kiriyama returns fire. Mimura tries to shoot again but he is
|
|
out of bullets.
|
|
|
|
MIMURA
|
|
No good! Retreat!
|
|
|
|
Kiriyama shoots Iijima as he retreats.
|
|
|
|
MIMURA
|
|
Iijima! Iijima!
|
|
|
|
IIJIMA
|
|
(laughs)
|
|
When we escape, it will be
|
|
together!
|
|
|
|
Iijima dies.
|
|
|
|
MIMURA
|
|
Hey! Goddammit!
|
|
|
|
Mimura runs back to the truck where the bombs are. Kiriyama
|
|
shoots him, but before he dies, he sets off the bombs using
|
|
the fighting stick that was Iijima's assigned weapon. This
|
|
causes a big explosion that kills Mimura and blinds
|
|
Kiriyama.
|
|
|
|
A graphic reads: "BOY #12: YUTAKA SETO DEAD. BOY #2: KEITA
|
|
IIJIMA DEAD. BOY #19: SHINJI MIMURA DEAD. 4 PLAYERS LEFT."
|
|
|
|
Kawada, Noriko, and Shuya arrive at the scene. There are
|
|
flames from the explosion all over the place. Kawada spots
|
|
Kiriyama in the distance.
|
|
|
|
KAWADA
|
|
That's him. Stay here.
|
|
|
|
Kawada goes after Kiriyama. Kawada cocks his shotgun,
|
|
alerting Kiriyama to his presence. Kiriyama shoots at
|
|
Kawada, hitting him a couple of times, in the leg, but
|
|
Kiriyama can't get off a good shot as he is blind, and
|
|
Kawada is still alive. Kawada shoots at Kiriyama a couple of
|
|
times, once in the leg, then hits Kiriyama in the collar,
|
|
which explodes, decapitating Kiriyama. Shuya and Noriko
|
|
watch this battle, and when Kiriyama dies, they embrace.
|
|
|
|
A graphic reads: "BOY #6: KAZUO KIRIYAMA DEAD. 3 PLAYERS
|
|
LEFT."
|
|
|
|
EXT.BEACH PRE-DAWN DAY 3
|
|
|
|
Kawada, Noriko, and Shuya come to the beach. Kawada is
|
|
limping.
|
|
|
|
SHUYA
|
|
(to Kawada)
|
|
Are you hurt?
|
|
|
|
KAWADA
|
|
No big deal. What matters is we're
|
|
all that's left now.
|
|
|
|
SHUYA
|
|
Yeah.
|
|
|
|
KAWADA
|
|
What will you do after this?
|
|
|
|
SHUYA
|
|
I don't know. I've never really
|
|
trusted grown-ups. My mom and dad
|
|
ran off or died because they felt
|
|
like it.
|
|
|
|
INT.SCHOOL PRE-DAWN
|
|
|
|
Kitano is watching the monitors. There are three green lines
|
|
on the lists: one each for Kawada, Shuya, and Noriko.
|
|
|
|
EXT.BEACH PRE-DAWN
|
|
|
|
SHUYA
|
|
But I'll keep fighting, even though
|
|
I don't know how, until I become a
|
|
real adult.
|
|
|
|
KAWADA
|
|
You guys never will.
|
|
|
|
SHUYA
|
|
Why not?
|
|
|
|
KAWADA
|
|
I told you, didn't I, not to trust
|
|
anyone. Well, you both trusted me
|
|
too much.
|
|
(Pulls a pistol and aims it at
|
|
Shuya and Noriko)
|
|
You lose!
|
|
|
|
SHUYA
|
|
Cut the sick joke!
|
|
|
|
KAWADA
|
|
This was my way off the island.
|
|
Sorry, but I used you guys to save
|
|
myself.
|
|
|
|
NORIKO
|
|
Well, I don't believe it! What
|
|
about Keiko?
|
|
|
|
KAWADA
|
|
There's no Keiko. She was just a
|
|
story to lure you in.
|
|
|
|
SHUYA
|
|
But why us?
|
|
|
|
KAWADA
|
|
You were perfect, just gullible
|
|
enough.
|
|
|
|
Shuya reaches for the automatic weapon behind him.
|
|
|
|
KAWADA
|
|
Hey, Nanahara. Can you really kill
|
|
me with that gun?
|
|
|
|
Shuya and Noriko look worried.
|
|
|
|
KAWADA
|
|
Game's over. For real!
|
|
|
|
Shuya moves to protect Noriko. Kawada lowers his weapon and
|
|
fires two bullets.
|
|
|
|
INT.SCHOOL PRE-DAWN
|
|
|
|
On the monitors, only Kawada's line is still green.
|
|
|
|
ANJO
|
|
Move out to check for corpses.
|
|
|
|
GUARD
|
|
Roger!
|
|
|
|
KITANO
|
|
Operation complete.
|
|
|
|
ANJO
|
|
But sir ...
|
|
|
|
KITANO
|
|
Operation complete.
|
|
|
|
A graphic reads: "GAME OVER, DAY 3, 4:30 A.M. WINNER: BOY
|
|
#5: SHOGO KAWADA".
|
|
|
|
EXT.SCHOOL
|
|
|
|
Kitano watches the military presence leave.
|
|
|
|
EXT.BACK OF SCHOOL - 6:00 A.M.
|
|
|
|
Kitano is doing stretching exercises near what looks like a
|
|
soccer field with a large "H" on it.
|
|
|
|
RADIO HOST
|
|
(on radio)
|
|
Battle Royale Radio Exercises!
|
|
|
|
Light piano music plays on the radio.
|
|
|
|
RADIO HOST
|
|
(on radio)
|
|
Raise your arms in front of you and
|
|
stand on your toes. 1, 2, 3, 4 ...
|
|
|
|
Kitano stretches in time to the radio.
|
|
|
|
RADIO HOST
|
|
(on radio)
|
|
Swing your arms. 1, 2, 3, 4, ...
|
|
|
|
Kitano continues to stretch.
|
|
|
|
RADIO HOST
|
|
(on radio)
|
|
Stand with legs apart and exercise
|
|
your chest.
|
|
|
|
Kawada appears, walking towards Kitano. He looks wounded.
|
|
Kitano notices him, invites him inside.
|
|
|
|
INT.SCHOOL CLASSROOM
|
|
|
|
Kitano and Kawada are sitting.
|
|
|
|
KITANO
|
|
Nice job. I'm glad you and Kiriyama
|
|
were in the mix.
|
|
|
|
KAWADA
|
|
Are you not going home?
|
|
|
|
KITANO
|
|
There's no rush. Could you clarify
|
|
one thing for me?
|
|
|
|
Kitano gets the remote control and detonates Kawada's
|
|
collar. The collar blinks for a little while, then fizzes
|
|
out.
|
|
|
|
KITANO
|
|
You can deactivate it, right?
|
|
|
|
KAWADA
|
|
What are you ...
|
|
|
|
KITANO
|
|
You cracked the system and swiped
|
|
that data, right? Are you avenging
|
|
Keiko?
|
|
|
|
Kawada doesn't answer.
|
|
|
|
KITANO
|
|
That's fine. That's why you played
|
|
the game, right?
|
|
(pulls out a pistol)
|
|
But cheating is no good.
|
|
|
|
Suddenly, the door to the room opens. Shuya and Noriko walk
|
|
in, wounded, and armed to the teeth.
|
|
|
|
KITANO
|
|
(to Shuya and Noriko)
|
|
Hey! Was it fun surviving together,
|
|
love birds?
|
|
|
|
Noriko aims a pistol at Kitano.
|
|
|
|
KITANO
|
|
I've had it. The kids make fun of
|
|
me at school, my own kid hates me.
|
|
I might as well take you with me.
|
|
|
|
He pulls a black cloth cover, revealing his painting of the
|
|
class. Noriko in the middle of the painting looks angelic.
|
|
The rest of the class are bloodied, maimed, beaten, shot,
|
|
stabbed, and decapitated.
|
|
|
|
KITANO
|
|
And the only one worth dying with
|
|
would be you, Noriko. If I had to
|
|
choose one of you, well, then it
|
|
would have to be you, Noriko.
|
|
|
|
Noriko starts to cry. Shuya and Noriko aim guns at Kitano.
|
|
|
|
KITANO
|
|
What? Go ahead, shoot.
|
|
|
|
Shuya and Noriko are still frightened of Kitano.
|
|
|
|
KITANO
|
|
Noriko, you can do it. Noriko, you
|
|
can do it!
|
|
|
|
Shuya remembers his dad's final words: "Go, Shuya! You can
|
|
make it, Shuya!"
|
|
|
|
KITANO
|
|
What's up? Shoot me or I'll shoot
|
|
you!
|
|
|
|
Kitano raises his weapon. Shuya shoots Kitano with an
|
|
automatic weapon.
|
|
|
|
KITANO
|
|
Ouch! That hurt, dammit!
|
|
|
|
Kitano falls. Shuya fires another burst into Kitano, who
|
|
shoots Shuya and Noriko with his weapon, a water pistol.
|
|
|
|
SHUYA
|
|
I made a promise to protect Noriko.
|
|
|
|
KAWADA
|
|
I know it. I know.
|
|
|
|
Kawada, Shuya, and Noriko pull their collars off and throw
|
|
them on the floor.
|
|
|
|
The cell phone rings. Kitano gets up and answers it.
|
|
|
|
KITANO
|
|
(into phone)
|
|
Hello? Shiori? Listen, I won't be
|
|
coming home again. And listen, if
|
|
you hate someone you take the
|
|
consequences. Irresponsible? Who
|
|
the hell asked you?
|
|
|
|
Kitano throws the cell phone onto the floor then shoots it
|
|
with a pistol that he had in his back pocket. He finds the
|
|
bag of cookies that Noriko had and grabs a cookie.
|
|
|
|
KITANO
|
|
The last one.
|
|
(eats the cookie)
|
|
The cookies sure were good ...
|
|
|
|
Kitano dies.
|
|
|
|
Reaction shot of Shuya, Noriko, and Kawada.
|
|
|
|
Close up of Kitano's painting.
|
|
|
|
INT.BOAT MORNING
|
|
|
|
Shuya, Noriko, and Kawada have fled the island on a boat.
|
|
Kawada is steering.
|
|
|
|
NORIKO
|
|
(looking back at the island)
|
|
It's beautiful, even if it's where
|
|
everyone died.
|
|
|
|
SHUYA
|
|
(to Kawada)
|
|
You can even steer a ship?
|
|
|
|
KAWADA
|
|
Sure, my dad is a fisherman. Just
|
|
keep going straight and you have to
|
|
hit land. Give it a try?
|
|
|
|
Shuya takes the wheel. Kawada goes out on deck and lies
|
|
down.
|
|
|
|
KAWADA
|
|
We part soon. I doubt we'll see
|
|
each other again.
|
|
|
|
SHUYA
|
|
Why not?
|
|
|
|
KAWADA
|
|
It's for the best. It was only
|
|
three days, but there are a lot of
|
|
memories that I'd rather forget.
|
|
|
|
Noriko goes out to Kawada.
|
|
|
|
NORIKO
|
|
Kawada?
|
|
|
|
KAWADA
|
|
Yeah?
|
|
|
|
NORIKO
|
|
Thank you so much.
|
|
|
|
Pause.
|
|
|
|
KAWADA
|
|
Nanahara!
|
|
|
|
SHUYA
|
|
Yeah?
|
|
|
|
KAWADA
|
|
It's going to be tough going.
|
|
|
|
SHUYA
|
|
Yeah, I know.
|
|
|
|
Shuya goes out to Kawada, who is starting to succumb to the
|
|
injuries he received in the fight with Kiriyama.
|
|
|
|
KAWADA
|
|
I'm sleepy all of a sudden. It's
|
|
time for a nap. In meeting you
|
|
guys, I finally solved the riddle
|
|
of Keiko's smile.
|
|
|
|
NORIKO
|
|
The answer?
|
|
|
|
KAWADA
|
|
Her parting words. Thank you ...
|
|
and then ...
|
|
|
|
SHUYA
|
|
And then?
|
|
|
|
Kawada is losing consciousness.
|
|
|
|
SHUYA
|
|
Kawada?
|
|
|
|
NORIKO
|
|
Kawada?
|
|
|
|
KAWADA
|
|
And then ... I'm glad I found true
|
|
friends.
|
|
|
|
Kawada dies.
|
|
|
|
A graphic comes up of a wanted poster with Shuya's and
|
|
Noriko's pictures on it. It reads: "BOY #15: SHUYA NANAHARA
|
|
& GIRL #15: NORIKO NAKAGAWA - WANTED FOR MURDER AND
|
|
ACCESSORY."
|
|
|
|
EXT.OUTSIDE CONVENIENCE STORE NIGHT
|
|
|
|
Noriko, wearing a baseball cap for a disguise, comes up to
|
|
Shuya, who is also looking like he's not trying to attract
|
|
attention on purpose. Noriko comes up and shows him the
|
|
knife that she has retrieved from her desk: the knife that
|
|
Kuninobu stabbed Kitano with two years earlier.
|
|
|
|
SHUYA (V.O.)
|
|
Noriko slipped home last night to
|
|
bid her sleeping parents farewell.
|
|
She took the knife that Nobu used
|
|
to stab Kitano from her desk. Each
|
|
of us has a weapon now. Even if the
|
|
time comes to use them again, it
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will never be an easy choice. But
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we have no choice but to keep
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moving forward.
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SHUYA
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Let's run, Noriko.
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NORIKO
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Yes.
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SHUYA (V.O.)
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No matter how far, run for all you
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are worth ... RUN!!!!
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The class photo is displayed over the closing credits.
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ROLL CREDITS AND FADE OUT.
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