2077 lines
75 KiB
Plaintext
2077 lines
75 KiB
Plaintext
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THE SPELL OF THE YUKON AND OTHER VERSES
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by ROBERT W SERVICE
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Entered/proofed by Alan Light, alight@rock.concert.net
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7407-B Waxhaw Creek Road, Waxhaw, NC 28173
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Proofed by THE GAR, glwarner@samford.bitnet
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This text is in the PUBLIC DOMAIN.
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The Spell of the Yukon and Other Verses
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[This text was also published (in Britain) under the title,
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"Songs of a Sourdough".]
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by Robert W. Service
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[British-born Canadian Poet -- 1874-1958.]
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Publishers
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Barse & Co.
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New York, N. Y.
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Newark, N.J.
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Copyright, 1916 by Barse & Co.
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[expired in the U.S.A.]
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Printed in the United States of America
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[Note on text: Italics are marked by asterisks.
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Lines longer than 70 characters have been broken according to metre,
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and the continuation is indented 10 spaces.]
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To C. M
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The Land God Forgot
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*The lonely sunsets flare forlorn
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Down valleys dreadly desolate;
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The lordly mountains soar in scorn
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As still as death, as stern as fate.
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The lonely sunsets flame and die;
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The giant valleys gulp the night;
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The monster mountains scrape the sky,
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Where eager stars are diamond-bright.
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So gaunt against the gibbous moon,
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Piercing the silence velvet-piled,
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A lone wolf howls his ancient rune --
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The fell arch-spirit of the Wild.
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O outcast land! O leper land!
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Let the lone wolf-cry all express
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The hate insensate of thy hand,
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Thy heart's abysmal loneliness.*
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CONTENTS
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The Land God Forgot
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The lonely sunsets flare forlorn,
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The Spell of the Yukon
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I wanted the gold, and I sought it,
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The Heart of the Sourdough
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There where the mighty mountains bare their fangs unto the moon,
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The Three Voices
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The waves have a story to tell me,
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The Law of the Yukon
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This is the law of the Yukon, and ever she makes it plain,
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The Parson's Son
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This is the song of the parson's son, as he squats in his shack
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alone,
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The Call of the Wild
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Have you gazed on naked grandeur where there's nothing else to gaze
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on,
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The Lone Trail
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Ye who know the Lone Trail fain would follow it,
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The Pines
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We sleep in the sleep of ages, the bleak, barbarian pines,
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The Lure of Little Voices
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There's a cry from out the loneliness -- oh, listen, Honey, listen!
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The Song of the Wage-Slave
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When the long, long day is over, and the Big Boss gives me my pay,
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Grin
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If you're up against a bruiser and you're getting knocked about,
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The Shooting of Dan McGrew
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A bunch of the boys were whooping it up in the Malamute saloon,
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The Cremation of Sam McGee
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There are strange things done in the midnight sun,
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My Madonna
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I haled me a woman from the street,
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Unforgotten
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I know a garden where the lilies gleam,
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The Reckoning
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It's fine to have a blow-out in a fancy restaurant,
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Quatrains
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One said: Thy life is thine to make or mar,
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The Men That Don't Fit In
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There's a race of men that don't fit in,
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Music in the Bush
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O'er the dark pines she sees the silver moon,
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The Rhyme of the Remittance Man
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There's a four-pronged buck a-swinging in the shadow of my cabin,
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The Low-Down White
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This is the pay-day up at the mines, when the bearded brutes come
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down,
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The Little Old Log Cabin
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When a man gets on his uppers in a hard-pan sort of town,
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The Younger Son
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If you leave the gloom of London and you seek a glowing land,
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The March of the Dead
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The cruel war was over -- oh, the triumph was so sweet,
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"Fighting Mac"
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A pistol shot rings round and round the world,
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The Woman and the Angel
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An angel was tired of heaven, as he lounged in the golden street,
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The Rhyme of the Restless Ones
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We couldn't sit and study for the law,
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New Year's Eve
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It's cruel cold on the water-front, silent and dark and drear,
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Comfort
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Say! You've struck a heap of trouble,
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The Harpy
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There was a woman, and she was wise; woefully wise was she,
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Premonition
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'Twas a year ago, and the moon was bright,
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The Tramps
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Can you recall, dear comrade, when we tramped God's land together,
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L'Envoi
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You who have lived in the land,
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The Spell of the Yukon
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I wanted the gold, and I sought it,
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I scrabbled and mucked like a slave.
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Was it famine or scurvy -- I fought it;
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I hurled my youth into a grave.
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I wanted the gold, and I got it --
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Came out with a fortune last fall, --
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Yet somehow life's not what I thought it,
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And somehow the gold isn't all.
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No! There's the land. (Have you seen it?)
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It's the cussedest land that I know,
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From the big, dizzy mountains that screen it
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To the deep, deathlike valleys below.
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Some say God was tired when He made it;
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Some say it's a fine land to shun;
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Maybe; but there's some as would trade it
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For no land on earth -- and I'm one.
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You come to get rich (damned good reason);
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You feel like an exile at first;
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You hate it like hell for a season,
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And then you are worse than the worst.
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It grips you like some kinds of sinning;
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It twists you from foe to a friend;
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It seems it's been since the beginning;
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It seems it will be to the end.
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I've stood in some mighty-mouthed hollow
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That's plumb-full of hush to the brim;
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I've watched the big, husky sun wallow
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In crimson and gold, and grow dim,
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Till the moon set the pearly peaks gleaming,
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And the stars tumbled out, neck and crop;
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And I've thought that I surely was dreaming,
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With the peace o' the world piled on top.
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The summer -- no sweeter was ever;
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The sunshiny woods all athrill;
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The grayling aleap in the river,
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The bighorn asleep on the hill.
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The strong life that never knows harness;
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The wilds where the caribou call;
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The freshness, the freedom, the farness --
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O God! how I'm stuck on it all.
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The winter! the brightness that blinds you,
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The white land locked tight as a drum,
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The cold fear that follows and finds you,
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The silence that bludgeons you dumb.
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The snows that are older than history,
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The woods where the weird shadows slant;
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The stillness, the moonlight, the mystery,
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I've bade 'em good-by -- but I can't.
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There's a land where the mountains are nameless,
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And the rivers all run God knows where;
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There are lives that are erring and aimless,
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And deaths that just hang by a hair;
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There are hardships that nobody reckons;
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There are valleys unpeopled and still;
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There's a land -- oh, it beckons and beckons,
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And I want to go back -- and I will.
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They're making my money diminish;
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I'm sick of the taste of champagne.
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Thank God! when I'm skinned to a finish
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I'll pike to the Yukon again.
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I'll fight -- and you bet it's no sham-fight;
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It's hell! -- but I've been there before;
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And it's better than this by a damsite --
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So me for the Yukon once more.
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There's gold, and it's haunting and haunting;
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It's luring me on as of old;
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Yet it isn't the gold that I'm wanting
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So much as just finding the gold.
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It's the great, big, broad land 'way up yonder,
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It's the forests where silence has lease;
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It's the beauty that thrills me with wonder,
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It's the stillness that fills me with peace.
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The Heart of the Sourdough
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There where the mighty mountains bare their fangs unto the moon,
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There where the sullen sun-dogs glare in the snow-bright, bitter noon,
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And the glacier-glutted streams sweep down
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at the clarion call of June.
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There where the livid tundras keep
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their tryst with the tranquil snows;
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There where the silences are spawned, and the light of hell-fire flows
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Into the bowl of the midnight sky, violet, amber and rose.
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There where the rapids churn and roar,
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and the ice-floes bellowing run;
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Where the tortured, twisted rivers of blood rush to the setting sun --
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I've packed my kit and I'm going, boys, ere another day is done.
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* * * * *
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I knew it would call, or soon or late, as it calls the whirring wings;
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It's the olden lure, it's the golden lure,
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it's the lure of the timeless things,
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And to-night, oh, God of the trails untrod,
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how it whines in my heart-strings!
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I'm sick to death of your well-groomed gods,
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your make believe and your show;
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I long for a whiff of bacon and beans, a snug shakedown in the snow;
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A trail to break, and a life at stake, and another bout with the foe.
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With the raw-ribbed Wild that abhors all life,
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the Wild that would crush and rend,
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I have clinched and closed with the naked North,
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I have learned to defy and defend;
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Shoulder to shoulder we have fought it out --
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yet the Wild must win in the end.
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I have flouted the Wild. I have followed its lure,
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fearless, familiar, alone;
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By all that the battle means and makes I claim that land for mine own;
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Yet the Wild must win, and a day will come when I shall be overthrown.
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Then when as wolf-dogs fight we've fought, the lean wolf-land and I;
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Fought and bled till the snows are red under the reeling sky;
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Even as lean wolf-dog goes down will I go down and die.
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The Three Voices
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The waves have a story to tell me,
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As I lie on the lonely beach;
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Chanting aloft in the pine-tops,
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The wind has a lesson to teach;
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But the stars sing an anthem of glory
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I cannot put into speech.
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The waves tell of ocean spaces,
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Of hearts that are wild and brave,
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Of populous city places,
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Of desolate shores they lave,
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Of men who sally in quest of gold
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To sink in an ocean grave.
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The wind is a mighty roamer;
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He bids me keep me free,
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Clean from the taint of the gold-lust,
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Hardy and pure as he;
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Cling with my love to nature,
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As a child to the mother-knee.
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But the stars throng out in their glory,
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And they sing of the God in man;
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They sing of the Mighty Master,
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Of the loom his fingers span,
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Where a star or a soul is a part of the whole,
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And weft in the wondrous plan.
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Here by the camp-fire's flicker,
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Deep in my blanket curled,
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I long for the peace of the pine-gloom,
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When the scroll of the Lord is unfurled,
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And the wind and the wave are silent,
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And world is singing to world.
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The Law of the Yukon
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This is the law of the Yukon, and ever she makes it plain:
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"Send not your foolish and feeble;
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send me your strong and your sane --
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Strong for the red rage of battle; sane for I harry them sore;
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Send me men girt for the combat, men who are grit to the core;
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Swift as the panther in triumph, fierce as the bear in defeat,
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Sired of a bulldog parent, steeled in the furnace heat.
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Send me the best of your breeding, lend me your chosen ones;
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Them will I take to my bosom, them will I call my sons;
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Them will I gild with my treasure, them will I glut with my meat;
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But the others -- the misfits, the failures --
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I trample under my feet.
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Dissolute, damned and despairful, crippled and palsied and slain,
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Ye would send me the spawn of your gutters --
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Go! take back your spawn again.
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"Wild and wide are my borders, stern as death is my sway;
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From my ruthless throne I have ruled alone
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for a million years and a day;
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Hugging my mighty treasure, waiting for man to come,
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Till he swept like a turbid torrent, and after him swept -- the scum.
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The pallid pimp of the dead-line, the enervate of the pen,
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One by one I weeded them out, for all that I sought was -- Men.
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One by one I dismayed them, frighting them sore with my glooms;
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One by one I betrayed them unto my manifold dooms.
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Drowned them like rats in my rivers,
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starved them like curs on my plains,
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Rotted the flesh that was left them,
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poisoned the blood in their veins;
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Burst with my winter upon them, searing forever their sight,
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Lashed them with fungus-white faces, whimpering wild in the night;
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Staggering blind through the storm-whirl,
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stumbling mad through the snow,
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Frozen stiff in the ice-pack, brittle and bent like a bow;
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Featureless, formless, forsaken, scented by wolves in their flight,
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Left for the wind to make music
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through ribs that are glittering white;
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Gnawing the black crust of failure, searching the pit of despair,
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Crooking the toe in the trigger, trying to patter a prayer;
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Going outside with an escort, raving with lips all afoam,
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Writing a cheque for a million, driveling feebly of home;
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Lost like a louse in the burning. . .or else in the tented town
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Seeking a drunkard's solace, sinking and sinking down;
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Steeped in the slime at the bottom, dead to a decent world,
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Lost 'mid the human flotsam, far on the frontier hurled;
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In the camp at the bend of the river, with its dozen saloons aglare,
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Its gambling dens ariot, its gramophones all ablare;
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Crimped with the crimes of a city, sin-ridden and bridled with lies,
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In the hush of my mountained vastness,
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in the flush of my midnight skies.
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Plague-spots, yet tools of my purpose,
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so natheless I suffer them thrive,
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Crushing my Weak in their clutches, that only my Strong may survive.
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"But the others, the men of my mettle,
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the men who would 'stablish my fame
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Unto its ultimate issue, winning me honor, not shame;
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Searching my uttermost valleys, fighting each step as they go,
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Shooting the wrath of my rapids, scaling my ramparts of snow;
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Ripping the guts of my mountains, looting the beds of my creeks,
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Them will I take to my bosom, and speak as a mother speaks.
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I am the land that listens, I am the land that broods;
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Steeped in eternal beauty, crystalline waters and woods.
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Long have I waited lonely, shunned as a thing accurst,
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Monstrous, moody, pathetic, the last of the lands and the first;
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Visioning camp-fires at twilight, sad with a longing forlorn,
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Feeling my womb o'er-pregnant with the seed of cities unborn.
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Wild and wide are my borders, stern as death is my sway,
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And I wait for the men who will win me --
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and I will not be won in a day;
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And I will not be won by weaklings, subtle, suave and mild,
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But by men with the hearts of vikings,
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and the simple faith of a child;
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Desperate, strong and resistless, unthrottled by fear or defeat,
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Them will I gild with my treasure, them will I glut with my meat.
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"Lofty I stand from each sister land, patient and wearily wise,
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With the weight of a world of sadness in my quiet, passionless eyes;
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Dreaming alone of a people, dreaming alone of a day,
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When men shall not rape my riches, and curse me and go away;
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Making a bawd of my bounty, fouling the hand that gave --
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Till I rise in my wrath and I sweep on their path
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and I stamp them into a grave.
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Dreaming of men who will bless me, of women esteeming me good,
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Of children born in my borders of radiant motherhood,
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Of cities leaping to stature, of fame like a flag unfurled,
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As I pour the tide of my riches in the eager lap of the world."
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This is the Law of the Yukon, that only the Strong shall thrive;
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That surely the Weak shall perish, and only the Fit survive.
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Dissolute, damned and despairful, crippled and palsied and slain,
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This is the Will of the Yukon, -- Lo, how she makes it plain!
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The Parson's Son
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*This is the song of the parson's son,
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as he squats in his shack alone,
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On the wild, weird nights, when the Northern Lights
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shoot up from the frozen zone,
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And it's sixty below, and couched in the snow
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the hungry huskies moan:*
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"I'm one of the Arctic brotherhood, I'm an old-time pioneer.
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I came with the first -- O God! how I've cursed
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this Yukon -- but still I'm here.
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I've sweated athirst in its summer heat,
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I've frozen and starved in its cold;
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I've followed my dreams by its thousand streams,
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I've toiled and moiled for its gold.
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"Look at my eyes -- been snow-blind twice;
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look where my foot's half gone;
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And that gruesome scar on my left cheek,
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where the frost-fiend bit to the bone.
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Each one a brand of this devil's land,
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where I've played and I've lost the game,
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A broken wreck with a craze for 'hooch', and never a cent to my name.
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"This mining is only a gamble; the worst is as good as the best;
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I was in with the bunch and I might have come out
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right on top with the rest;
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With Cormack, Ladue and MacDonald -- O God! but it's hell to think
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Of the thousands and thousands I've squandered
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on cards and women and drink.
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"In the early days we were just a few,
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and we hunted and fished around,
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Nor dreamt by our lonely camp-fires
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of the wealth that lay under the ground.
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We traded in skins and whiskey, and I've often slept under the shade
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Of that lone birch tree on Bonanza, where the first big find was made.
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"We were just like a great big family, and every man had his squaw,
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And we lived such a wild, free, fearless life
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beyond the pale of the law;
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Till sudden there came a whisper, and it maddened us every man,
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And I got in on Bonanza before the big rush began.
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"Oh, those Dawson days, and the sin and the blaze,
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and the town all open wide!
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(If God made me in His likeness, sure He let the devil inside).
|
|
But we were all mad, both the good and the bad,
|
|
and as for the women, well --
|
|
No spot on the map in so short a space has hustled more souls to hell.
|
|
|
|
"Money was just like dirt there, easy to get and to spend.
|
|
I was all caked in on a dance-hall jade, but she shook me in the end.
|
|
It put me queer, and for near a year I never drew sober breath,
|
|
Till I found myself in the bughouse ward
|
|
with a claim staked out on death.
|
|
|
|
"Twenty years in the Yukon, struggling along its creeks;
|
|
Roaming its giant valleys, scaling its god-like peaks;
|
|
Bathed in its fiery sunsets, fighting its fiendish cold --
|
|
Twenty years in the Yukon. . .twenty years -- and I'm old.
|
|
|
|
"Old and weak, but no matter, there's 'hooch' in the bottle still.
|
|
I'll hitch up the dogs to-morrow, and mush down the trail to Bill.
|
|
It's so long dark, and I'm lonesome -- I'll just lay down on the bed;
|
|
To-morrow I'll go. . .to-morrow. . .I guess I'll play on the red.
|
|
|
|
". . .Come, Kit, your pony is saddled.
|
|
I'm waiting, dear, in the court. . .
|
|
. . .Minnie, you devil, I'll kill you
|
|
if you skip with that flossy sport. . .
|
|
. . .How much does it go to the pan, Bill?. . .
|
|
play up, School, and play the game. . .
|
|
. . .Our Father, which art in heaven, hallowed be Thy name. . ."
|
|
|
|
*This was the song of the parson's son, as he lay in his bunk alone,
|
|
Ere the fire went out and the cold crept in,
|
|
and his blue lips ceased to moan,
|
|
And the hunger-maddened malamutes had torn him flesh from bone.*
|
|
|
|
|
|
|
|
|
|
The Call of the Wild
|
|
|
|
|
|
|
|
Have you gazed on naked grandeur
|
|
where there's nothing else to gaze on,
|
|
Set pieces and drop-curtain scenes galore,
|
|
Big mountains heaved to heaven, which the blinding sunsets blazon,
|
|
Black canyons where the rapids rip and roar?
|
|
Have you swept the visioned valley
|
|
with the green stream streaking through it,
|
|
Searched the Vastness for a something you have lost?
|
|
Have you strung your soul to silence?
|
|
Then for God's sake go and do it;
|
|
Hear the challenge, learn the lesson, pay the cost.
|
|
|
|
Have you wandered in the wilderness, the sagebrush desolation,
|
|
The bunch-grass levels where the cattle graze?
|
|
Have you whistled bits of rag-time at the end of all creation,
|
|
And learned to know the desert's little ways?
|
|
Have you camped upon the foothills,
|
|
have you galloped o'er the ranges,
|
|
Have you roamed the arid sun-lands through and through?
|
|
Have you chummed up with the mesa?
|
|
Do you know its moods and changes?
|
|
Then listen to the Wild -- it's calling you.
|
|
|
|
Have you known the Great White Silence,
|
|
not a snow-gemmed twig aquiver?
|
|
(Eternal truths that shame our soothing lies).
|
|
Have you broken trail on snowshoes? mushed your huskies up the river,
|
|
Dared the unknown, led the way, and clutched the prize?
|
|
Have you marked the map's void spaces, mingled with the mongrel races,
|
|
Felt the savage strength of brute in every thew?
|
|
And though grim as hell the worst is,
|
|
can you round it off with curses?
|
|
Then hearken to the Wild -- it's wanting you.
|
|
|
|
Have you suffered, starved and triumphed,
|
|
groveled down, yet grasped at glory,
|
|
Grown bigger in the bigness of the whole?
|
|
"Done things" just for the doing, letting babblers tell the story,
|
|
Seeing through the nice veneer the naked soul?
|
|
Have you seen God in His splendors,
|
|
heard the text that nature renders?
|
|
(You'll never hear it in the family pew).
|
|
The simple things, the true things, the silent men who do things --
|
|
Then listen to the Wild -- it's calling you.
|
|
|
|
They have cradled you in custom,
|
|
they have primed you with their preaching,
|
|
They have soaked you in convention through and through;
|
|
They have put you in a showcase; you're a credit to their teaching --
|
|
But can't you hear the Wild? -- it's calling you.
|
|
Let us probe the silent places, let us seek what luck betide us;
|
|
Let us journey to a lonely land I know.
|
|
There's a whisper on the night-wind,
|
|
there's a star agleam to guide us,
|
|
And the Wild is calling, calling. . .let us go.
|
|
|
|
|
|
|
|
|
|
The Lone Trail
|
|
|
|
|
|
|
|
*Ye who know the Lone Trail fain would follow it,
|
|
Though it lead to glory or the darkness of the pit.
|
|
Ye who take the Lone Trail, bid your love good-by;
|
|
The Lone Trail, the Lone Trail follow till you die.*
|
|
|
|
The trails of the world be countless, and most of the trails be tried;
|
|
You tread on the heels of the many,
|
|
till you come where the ways divide;
|
|
And one lies safe in the sunlight, and the other is dreary and wan,
|
|
Yet you look aslant at the Lone Trail,
|
|
and the Lone Trail lures you on.
|
|
And somehow you're sick of the highway,
|
|
with its noise and its easy needs,
|
|
And you seek the risk of the by-way, and you reck not where it leads.
|
|
And sometimes it leads to the desert,
|
|
and the tongue swells out of the mouth,
|
|
And you stagger blind to the mirage, to die in the mocking drouth.
|
|
And sometimes it leads to the mountain,
|
|
to the light of the lone camp-fire,
|
|
And you gnaw your belt in the anguish of hunger-goaded desire.
|
|
And sometimes it leads to the Southland,
|
|
to the swamp where the orchid glows,
|
|
And you rave to your grave with the fever,
|
|
and they rob the corpse for its clothes.
|
|
And sometimes it leads to the Northland,
|
|
and the scurvy softens your bones,
|
|
And your flesh dints in like putty,
|
|
and you spit out your teeth like stones.
|
|
And sometimes it leads to a coral reef in the wash of a weedy sea,
|
|
And you sit and stare at the empty glare
|
|
where the gulls wait greedily.
|
|
And sometimes it leads to an Arctic trail,
|
|
and the snows where your torn feet freeze,
|
|
And you whittle away the useless clay,
|
|
and crawl on your hands and knees.
|
|
Often it leads to the dead-pit; always it leads to pain;
|
|
By the bones of your brothers ye know it,
|
|
but oh, to follow you're fain.
|
|
By your bones they will follow behind you,
|
|
till the ways of the world are made plain.
|
|
|
|
*Bid good-by to sweetheart, bid good-by to friend;
|
|
The Lone Trail, the Lone Trail follow to the end.
|
|
Tarry not, and fear not, chosen of the true;
|
|
Lover of the Lone Trail, the Lone Trail waits for you.*
|
|
|
|
|
|
|
|
|
|
The Pines
|
|
|
|
|
|
|
|
We sleep in the sleep of ages, the bleak, barbarian pines;
|
|
The gray moss drapes us like sages, and closer we lock our lines,
|
|
And deeper we clutch through the gelid gloom
|
|
where never a sunbeam shines.
|
|
|
|
On the flanks of the storm-gored ridges
|
|
are our black battalions massed;
|
|
We surge in a host to the sullen coast,
|
|
and we sing in the ocean blast;
|
|
From empire of sea to empire of snow we grip our empire fast.
|
|
|
|
To the niggard lands were we driven,
|
|
'twixt desert and floes are we penned;
|
|
To us was the Northland given, ours to stronghold and defend;
|
|
Ours till the world be riven in the crash of the utter end;
|
|
|
|
Ours from the bleak beginning, through the aeons of death-like sleep;
|
|
Ours from the shock when the naked rock
|
|
was hurled from the hissing deep;
|
|
Ours through the twilight ages of weary glacier creep.
|
|
|
|
Wind of the East, Wind of the West, wandering to and fro,
|
|
Chant your songs in our topmost boughs, that the sons of men may know
|
|
The peerless pine was the first to come,
|
|
and the pine will be last to go!
|
|
|
|
We pillar the halls of perfumed gloom; we plume where the eagles soar;
|
|
The North-wind swoops from the brooding Pole,
|
|
and our ancients crash and roar;
|
|
But where one falls from the crumbling walls shoots up a hardy score.
|
|
|
|
We spring from the gloom of the canyon's womb;
|
|
in the valley's lap we lie;
|
|
From the white foam-fringe, where the breakers cringe
|
|
to the peaks that tusk the sky,
|
|
We climb, and we peer in the crag-locked mere
|
|
that gleams like a golden eye.
|
|
|
|
Gain to the verge of the hog-back ridge where the vision ranges free:
|
|
Pines and pines and the shadow of pines as far as the eye can see;
|
|
A steadfast legion of stalwart knights in dominant empery.
|
|
|
|
Sun, moon and stars give answer; shall we not staunchly stand,
|
|
Even as now, forever, wards of the wilder strand,
|
|
Sentinels of the stillness, lords of the last, lone land?
|
|
|
|
|
|
|
|
|
|
The Lure of Little Voices
|
|
|
|
|
|
|
|
There's a cry from out the loneliness -- oh, listen, Honey, listen!
|
|
Do you hear it, do you fear it, you're a-holding of me so?
|
|
You're a-sobbing in your sleep, dear,
|
|
and your lashes, how they glisten --
|
|
Do you hear the Little Voices all a-begging me to go?
|
|
|
|
All a-begging me to leave you.
|
|
Day and night they're pleading, praying,
|
|
On the North-wind, on the West-wind,
|
|
from the peak and from the plain;
|
|
Night and day they never leave me -- do you know what they are saying?
|
|
"He was ours before you got him, and we want him once again."
|
|
|
|
Yes, they're wanting me, they're haunting me, the awful lonely places;
|
|
They're whining and they're whimpering as if each had a soul;
|
|
They're calling from the wilderness, the vast and God-like spaces,
|
|
The stark and sullen solitudes that sentinel the Pole.
|
|
|
|
They miss my little camp-fires, ever brightly, bravely gleaming
|
|
In the womb of desolation, where was never man before;
|
|
As comradeless I sought them, lion-hearted, loving, dreaming,
|
|
And they hailed me as a comrade, and they loved me evermore.
|
|
|
|
And now they're all a-crying, and it's no use me denying;
|
|
The spell of them is on me and I'm helpless as a child;
|
|
My heart is aching, aching, but I hear them, sleeping, waking;
|
|
It's the Lure of Little Voices, it's the mandate of the Wild.
|
|
|
|
I'm afraid to tell you, Honey, I can take no bitter leaving;
|
|
But softly in the sleep-time from your love I'll steal away.
|
|
Oh, it's cruel, dearie, cruel, and it's God knows how I'm grieving;
|
|
But His loneliness is calling, and He knows I must obey.
|
|
|
|
|
|
|
|
|
|
The Song of the Wage-Slave
|
|
|
|
|
|
|
|
When the long, long day is over, and the Big Boss gives me my pay,
|
|
I hope that it won't be hell-fire, as some of the parsons say.
|
|
And I hope that it won't be heaven,
|
|
with some of the parsons I've met --
|
|
All I want is just quiet, just to rest and forget.
|
|
Look at my face, toil-furrowed; look at my calloused hands;
|
|
Master, I've done Thy bidding, wrought in Thy many lands --
|
|
Wrought for the little masters, big-bellied they be, and rich;
|
|
I've done their desire for a daily hire,
|
|
and I die like a dog in a ditch.
|
|
I have used the strength Thou hast given,
|
|
Thou knowest I did not shirk;
|
|
Threescore years of labor -- Thine be the long day's work.
|
|
And now, Big Master, I'm broken and bent and twisted and scarred,
|
|
But I've held my job, and Thou knowest,
|
|
and Thou will not judge me hard.
|
|
Thou knowest my sins are many, and often I've played the fool --
|
|
Whiskey and cards and women, they made me the devil's tool.
|
|
I was just like a child with money; I flung it away with a curse,
|
|
Feasting a fawning parasite, or glutting a harlot's purse;
|
|
Then back to the woods repentant, back to the mill or the mine,
|
|
I, the worker of workers, everything in my line.
|
|
Everything hard but headwork (I'd no more brains than a kid),
|
|
A brute with brute strength to labor, doing as I was bid;
|
|
Living in camps with men-folk, a lonely and loveless life;
|
|
Never knew kiss of sweetheart, never caress of wife.
|
|
A brute with brute strength to labor, and they were so far above --
|
|
Yet I'd gladly have gone to the gallows for one little look of Love.
|
|
I, with the strength to two men, savage and shy and wild --
|
|
Yet how I'd ha' treasured a woman,
|
|
and the sweet, warm kiss of a child!
|
|
Well, 'tis Thy world, and Thou knowest.
|
|
I blaspheme and my ways be rude;
|
|
But I've lived my life as I found it,
|
|
and I've done my best to be good;
|
|
I, the primitive toiler, half naked and grimed to the eyes,
|
|
Sweating it deep in their ditches, swining it stark in their styes;
|
|
Hurling down forests before me, spanning tumultuous streams;
|
|
Down in the ditch building o'er me palaces fairer than dreams;
|
|
Boring the rock to the ore-bed, driving the road through the fen,
|
|
Resolute, dumb, uncomplaining, a man in a world of men.
|
|
Master, I've filled my contract, wrought in Thy many lands;
|
|
Not by my sins wilt Thou judge me, but by the work of my hands.
|
|
Master, I've done Thy bidding, and the light is low in the west,
|
|
And the long, long shift is over. . .Master, I've earned it -- Rest.
|
|
|
|
|
|
|
|
|
|
Grin
|
|
|
|
|
|
|
|
If you're up against a bruiser and you're getting knocked about --
|
|
Grin.
|
|
If you're feeling pretty groggy, and you're licked beyond a doubt --
|
|
Grin.
|
|
Don't let him see you're funking, let him know with every clout,
|
|
Though your face is battered to a pulp, your blooming heart is stout;
|
|
Just stand upon your pins until the beggar knocks you out --
|
|
And grin.
|
|
This life's a bally battle, and the same advice holds true
|
|
Of grin.
|
|
If you're up against it badly, then it's only one on you,
|
|
So grin.
|
|
If the future's black as thunder, don't let people see you're blue;
|
|
Just cultivate a cast-iron smile of joy the whole day through;
|
|
If they call you "Little Sunshine",
|
|
wish that *they'd* no troubles, too --
|
|
You may -- grin.
|
|
Rise up in the morning with the will that, smooth or rough,
|
|
You'll grin.
|
|
Sink to sleep at midnight, and although you're feeling tough,
|
|
Yet grin.
|
|
There's nothing gained by whining, and you're not that kind of stuff;
|
|
You're a fighter from away back, and you *won't* take a rebuff;
|
|
Your trouble is that you don't know when you have had enough --
|
|
Don't give in.
|
|
If Fate should down you, just get up and take another cuff;
|
|
You may bank on it that there is no philosophy like bluff,
|
|
And grin.
|
|
|
|
|
|
|
|
|
|
The Shooting of Dan McGrew
|
|
|
|
|
|
|
|
A bunch of the boys were whooping it up in the Malamute saloon;
|
|
The kid that handles the music-box was hitting a jag-time tune;
|
|
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
|
|
And watching his luck was his light-o'-love,
|
|
the lady that's known as Lou.
|
|
|
|
When out of the night, which was fifty below,
|
|
and into the din and the glare,
|
|
There stumbled a miner fresh from the creeks,
|
|
dog-dirty, and loaded for bear.
|
|
He looked like a man with a foot in the grave
|
|
and scarcely the strength of a louse,
|
|
Yet he tilted a poke of dust on the bar,
|
|
and he called for drinks for the house.
|
|
There was none could place the stranger's face,
|
|
though we searched ourselves for a clue;
|
|
But we drank his health, and the last to drink
|
|
was Dangerous Dan McGrew.
|
|
|
|
There's men that somehow just grip your eyes,
|
|
and hold them hard like a spell;
|
|
And such was he, and he looked to me like a man who had lived in hell;
|
|
With a face most hair, and the dreary stare
|
|
of a dog whose day is done,
|
|
As he watered the green stuff in his glass,
|
|
and the drops fell one by one.
|
|
Then I got to figgering who he was, and wondering what he'd do,
|
|
And I turned my head -- and there watching him
|
|
was the lady that's known as Lou.
|
|
|
|
His eyes went rubbering round the room,
|
|
and he seemed in a kind of daze,
|
|
Till at last that old piano fell in the way of his wandering gaze.
|
|
The rag-time kid was having a drink;
|
|
there was no one else on the stool,
|
|
So the stranger stumbles across the room,
|
|
and flops down there like a fool.
|
|
In a buckskin shirt that was glazed with dirt
|
|
he sat, and I saw him sway;
|
|
Then he clutched the keys with his talon hands
|
|
-- my God! but that man could play.
|
|
|
|
Were you ever out in the Great Alone, when the moon was awful clear,
|
|
And the icy mountains hemmed you in
|
|
with a silence you most could *hear*;
|
|
With only the howl of a timber wolf, and you camped there in the cold,
|
|
A half-dead thing in a stark, dead world,
|
|
clean mad for the muck called gold;
|
|
While high overhead, green, yellow and red,
|
|
the North Lights swept in bars? --
|
|
Then you've a haunch what the music meant. . .
|
|
hunger and night and the stars.
|
|
|
|
And hunger not of the belly kind,
|
|
that's banished with bacon and beans,
|
|
But the gnawing hunger of lonely men for a home and all that it means;
|
|
For a fireside far from the cares that are,
|
|
four walls and a roof above;
|
|
But oh! so cramful of cosy joy, and crowned with a woman's love --
|
|
A woman dearer than all the world, and true as Heaven is true --
|
|
(God! how ghastly she looks through her rouge, --
|
|
the lady that's known as Lou).
|
|
|
|
Then on a sudden the music changed,
|
|
so soft that you scarce could hear;
|
|
But you felt that your life had been looted clean
|
|
of all that it once held dear;
|
|
That someone had stolen the woman you loved;
|
|
that her love was a devil's lie;
|
|
That your guts were gone, and the best for you
|
|
was to crawl away and die.
|
|
'Twas the crowning cry of a heart's despair,
|
|
and it thrilled you through and through --
|
|
"I guess I'll make it a spread misere", said Dangerous Dan McGrew.
|
|
|
|
The music almost died away. . .then it burst like a pent-up flood;
|
|
And it seemed to say, "Repay, repay",
|
|
and my eyes were blind with blood.
|
|
The thought came back of an ancient wrong,
|
|
and it stung like a frozen lash,
|
|
And the lust awoke to kill, to kill. . .
|
|
then the music stopped with a crash,
|
|
And the stranger turned, and his eyes they burned
|
|
in a most peculiar way;
|
|
In a buckskin shirt that was glazed with dirt
|
|
he sat, and I saw him sway;
|
|
Then his lips went in in a kind of grin,
|
|
and he spoke, and his voice was calm,
|
|
And "Boys," says he, "you don't know me, and none of you care a damn;
|
|
But I want to state, and my words are straight,
|
|
and I'll bet my poke they're true,
|
|
That one of you is a hound of hell. . .and that one is Dan McGrew."
|
|
|
|
Then I ducked my head, and the lights went out,
|
|
and two guns blazed in the dark,
|
|
And a woman screamed, and the lights went up,
|
|
and two men lay stiff and stark.
|
|
Pitched on his head, and pumped full of lead,
|
|
was Dangerous Dan McGrew,
|
|
While the man from the creeks lay clutched to the breast
|
|
of the lady that's known as Lou.
|
|
|
|
These are the simple facts of the case, and I guess I ought to know.
|
|
They say the stranger was crazed with "hooch",
|
|
and I'm not denying it's so.
|
|
I'm not so wise as the lawyer guys, but strictly between us two --
|
|
The woman that kissed him and -- pinched his poke --
|
|
was the lady that's known as Lou.
|
|
|
|
|
|
|
|
|
|
The Cremation of Sam Mcgee
|
|
|
|
|
|
|
|
*There are strange things done in the midnight sun
|
|
By the men who moil for gold;
|
|
The Arctic trails have their secret tales
|
|
That would make your blood run cold;
|
|
The Northern Lights have seen queer sights,
|
|
But the queerest they ever did see
|
|
Was that night on the marge of Lake Lebarge
|
|
I cremated Sam McGee.*
|
|
|
|
Now Sam McGee was from Tennessee, where the cotton blooms and blows.
|
|
Why he left his home in the South to roam
|
|
'round the Pole, God only knows.
|
|
He was always cold, but the land of gold
|
|
seemed to hold him like a spell;
|
|
Though he'd often say in his homely way
|
|
that he'd "sooner live in hell".
|
|
|
|
On a Christmas Day we were mushing our way over the Dawson trail.
|
|
Talk of your cold! through the parka's fold
|
|
it stabbed like a driven nail.
|
|
If our eyes we'd close, then the lashes froze
|
|
till sometimes we couldn't see;
|
|
It wasn't much fun, but the only one to whimper was Sam McGee.
|
|
|
|
And that very night, as we lay packed tight
|
|
in our robes beneath the snow,
|
|
And the dogs were fed, and the stars o'erhead
|
|
were dancing heel and toe,
|
|
He turned to me, and "Cap," says he, "I'll cash in this trip, I guess;
|
|
And if I do, I'm asking that you won't refuse my last request."
|
|
|
|
Well, he seemed so low that I couldn't say no;
|
|
then he says with a sort of moan:
|
|
"It's the cursed cold, and it's got right hold
|
|
till I'm chilled clean through to the bone.
|
|
Yet 'tain't being dead -- it's my awful dread
|
|
of the icy grave that pains;
|
|
So I want you to swear that, foul or fair,
|
|
you'll cremate my last remains."
|
|
|
|
A pal's last need is a thing to heed, so I swore I would not fail;
|
|
And we started on at the streak of dawn;
|
|
but God! he looked ghastly pale.
|
|
He crouched on the sleigh, and he raved all day
|
|
of his home in Tennessee;
|
|
And before nightfall a corpse was all that was left of Sam McGee.
|
|
|
|
There wasn't a breath in that land of death,
|
|
and I hurried, horror-driven,
|
|
With a corpse half hid that I couldn't get rid,
|
|
because of a promise given;
|
|
It was lashed to the sleigh, and it seemed to say:
|
|
"You may tax your brawn and brains,
|
|
But you promised true, and it's up to you
|
|
to cremate those last remains."
|
|
|
|
Now a promise made is a debt unpaid,
|
|
and the trail has its own stern code.
|
|
In the days to come, though my lips were dumb,
|
|
in my heart how I cursed that load.
|
|
In the long, long night, by the lone firelight,
|
|
while the huskies, round in a ring,
|
|
Howled out their woes to the homeless snows --
|
|
O God! how I loathed the thing.
|
|
|
|
And every day that quiet clay seemed to heavy and heavier grow;
|
|
And on I went, though the dogs were spent
|
|
and the grub was getting low;
|
|
The trail was bad, and I felt half mad,
|
|
but I swore I would not give in;
|
|
And I'd often sing to the hateful thing, and it hearkened with a grin.
|
|
|
|
Till I came to the marge of Lake Lebarge, and a derelict there lay;
|
|
It was jammed in the ice, but I saw in a trice
|
|
it was called the "Alice May".
|
|
And I looked at it, and I thought a bit,
|
|
and I looked at my frozen chum;
|
|
Then "Here", said I, with a sudden cry, "is my cre-ma-tor-eum."
|
|
|
|
Some planks I tore from the cabin floor, and I lit the boiler fire;
|
|
Some coal I found that was lying around, and I heaped the fuel higher;
|
|
The flames just soared, and the furnace roared --
|
|
such a blaze you seldom see;
|
|
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee.
|
|
|
|
Then I made a hike, for I didn't like to hear him sizzle so;
|
|
And the heavens scowled, and the huskies howled,
|
|
and the wind began to blow.
|
|
It was icy cold, but the hot sweat rolled
|
|
down my cheeks, and I don't know why;
|
|
And the greasy smoke in an inky cloak went streaking down the sky.
|
|
|
|
I do not know how long in the snow I wrestled with grisly fear;
|
|
But the stars came out and they danced about
|
|
ere again I ventured near;
|
|
I was sick with dread, but I bravely said:
|
|
"I'll just take a peep inside.
|
|
I guess he's cooked, and it's time I looked";. . .
|
|
then the door I opened wide.
|
|
|
|
And there sat Sam, looking cool and calm,
|
|
in the heart of the furnace roar;
|
|
And he wore a smile you could see a mile,
|
|
and he said: "Please close that door.
|
|
It's fine in here, but I greatly fear
|
|
you'll let in the cold and storm --
|
|
Since I left Plumtree, down in Tennessee,
|
|
it's the first time I've been warm."
|
|
|
|
|
|
*There are strange things done in the midnight sun
|
|
By the men who moil for gold;
|
|
The Arctic trails have their secret tales
|
|
That would make your blood run cold;
|
|
The Northern Lights have seen queer sights,
|
|
But the queerest they ever did see
|
|
Was that night on the marge of Lake Lebarge
|
|
I cremated Sam McGee.*
|
|
|
|
|
|
|
|
|
|
My Madonna
|
|
|
|
|
|
|
|
I haled me a woman from the street,
|
|
Shameless, but, oh, so fair!
|
|
I bade her sit in the model's seat
|
|
And I painted her sitting there.
|
|
|
|
I hid all trace of her heart unclean;
|
|
I painted a babe at her breast;
|
|
I painted her as she might have been
|
|
If the Worst had been the Best.
|
|
|
|
She laughed at my picture and went away.
|
|
Then came, with a knowing nod,
|
|
A connoisseur, and I heard him say;
|
|
"'Tis Mary, the Mother of God."
|
|
|
|
So I painted a halo round her hair,
|
|
And I sold her and took my fee,
|
|
And she hangs in the church of Saint Hillaire,
|
|
Where you and all may see.
|
|
|
|
|
|
|
|
|
|
Unforgotten
|
|
|
|
|
|
|
|
I know a garden where the lilies gleam,
|
|
And one who lingers in the sunshine there;
|
|
She is than white-stoled lily far more fair,
|
|
And oh, her eyes are heaven-lit with dream!
|
|
|
|
I know a garret, cold and dark and drear,
|
|
And one who toils and toils with tireless pen,
|
|
Until his brave, sad eyes grow weary -- then
|
|
He seeks the stars, pale, silent as a seer.
|
|
|
|
And ah, it's strange; for, desolate and dim,
|
|
Between these two there rolls an ocean wide;
|
|
Yet he is in the garden by her side
|
|
And she is in the garret there with him.
|
|
|
|
|
|
|
|
|
|
The Reckoning
|
|
|
|
|
|
|
|
It's fine to have a blow-out in a fancy restaurant,
|
|
With terrapin and canvas-back and all the wine you want;
|
|
To enjoy the flowers and music, watch the pretty women pass,
|
|
Smoke a choice cigar, and sip the wealthy water in your glass.
|
|
It's bully in a high-toned joint to eat and drink your fill,
|
|
But it's quite another matter when you
|
|
Pay the bill.
|
|
|
|
It's great to go out every night on fun or pleasure bent;
|
|
To wear your glad rags always and to never save a cent;
|
|
To drift along regardless, have a good time every trip;
|
|
To hit the high spots sometimes, and to let your chances slip;
|
|
To know you're acting foolish, yet to go on fooling still,
|
|
Till Nature calls a show-down, and you
|
|
Pay the bill.
|
|
|
|
Time has got a little bill -- get wise while yet you may,
|
|
For the debit side's increasing in a most alarming way;
|
|
The things you had no right to do, the things you should have done,
|
|
They're all put down; it's up to you to pay for every one.
|
|
So eat, drink and be merry, have a good time if you will,
|
|
But God help you when the time comes, and you
|
|
Foot the bill.
|
|
|
|
|
|
|
|
|
|
Quatrains
|
|
|
|
|
|
|
|
One said: Thy life is thine to make or mar,
|
|
To flicker feebly, or to soar, a star;
|
|
It lies with thee -- the choice is thine, is thine,
|
|
To hit the ties or drive thy auto-car.
|
|
|
|
I answered Her: The choice is mine -- ah, no!
|
|
We all were made or marred long, long ago.
|
|
The parts are written; hear the super wail:
|
|
"Who is stage-managing this cosmic show?"
|
|
|
|
Blind fools of fate and slaves of circumstance,
|
|
Life is a fiddler, and we all must dance.
|
|
From gloom where mocks that will-o'-wisp, Free-will
|
|
I heard a voice cry: "Say, give us a chance."
|
|
|
|
Chance! Oh, there is no chance! The scene is set,
|
|
Up with the curtain! Man, the marionette,
|
|
Resumes his part. The gods will work the wires.
|
|
They've got it all down fine, you bet, you bet!
|
|
|
|
It's all decreed -- the mighty earthquake crash,
|
|
The countless constellations' wheel and flash;
|
|
The rise and fall of empires, war's red tide;
|
|
The composition of your dinner hash.
|
|
|
|
There's no haphazard in this world of ours.
|
|
Cause and effect are grim, relentless powers.
|
|
They rule the world. (A king was shot last night;
|
|
Last night I held the joker and both bowers.)
|
|
|
|
From out the mesh of fate our heads we thrust.
|
|
We can't do what we would, but what we must.
|
|
Heredity has got us in a cinch --
|
|
(Consoling thought when you've been on a "bust".)
|
|
|
|
Hark to the song where spheral voices blend:
|
|
"There's no beginning, never will be end."
|
|
It makes us nutty; hang the astral chimes!
|
|
The tables spread; come, let us dine, my friend.
|
|
|
|
|
|
|
|
|
|
The Men That Don't Fit In
|
|
|
|
|
|
|
|
There's a race of men that don't fit in,
|
|
A race that can't stay still;
|
|
So they break the hearts of kith and kin,
|
|
And they roam the world at will.
|
|
They range the field and they rove the flood,
|
|
And they climb the mountain's crest;
|
|
Theirs is the curse of the gypsy blood,
|
|
And they don't know how to rest.
|
|
|
|
If they just went straight they might go far;
|
|
They are strong and brave and true;
|
|
But they're always tired of the things that are,
|
|
And they want the strange and new.
|
|
They say: "Could I find my proper groove,
|
|
What a deep mark I would make!"
|
|
So they chop and change, and each fresh move
|
|
Is only a fresh mistake.
|
|
|
|
And each forgets, as he strips and runs
|
|
With a brilliant, fitful pace,
|
|
It's the steady, quiet, plodding ones
|
|
Who win in the lifelong race.
|
|
And each forgets that his youth has fled,
|
|
Forgets that his prime is past,
|
|
Till he stands one day, with a hope that's dead,
|
|
In the glare of the truth at last.
|
|
|
|
He has failed, he has failed; he has missed his chance;
|
|
He has just done things by half.
|
|
Life's been a jolly good joke on him,
|
|
And now is the time to laugh.
|
|
Ha, ha! He is one of the Legion Lost;
|
|
He was never meant to win;
|
|
He's a rolling stone, and it's bred in the bone;
|
|
He's a man who won't fit in.
|
|
|
|
|
|
|
|
|
|
Music in the Bush
|
|
|
|
|
|
|
|
O'er the dark pines she sees the silver moon,
|
|
And in the west, all tremulous, a star;
|
|
And soothing sweet she hears the mellow tune
|
|
Of cow-bells jangled in the fields afar.
|
|
|
|
Quite listless, for her daily stent is done,
|
|
She stands, sad exile, at her rose-wreathed door,
|
|
And sends her love eternal with the sun
|
|
That goes to gild the land she'll see no more.
|
|
|
|
The grave, gaunt pines imprison her sad gaze,
|
|
All still the sky and darkling drearily;
|
|
She feels the chilly breath of dear, dead days
|
|
Come sifting through the alders eerily.
|
|
|
|
Oh, how the roses riot in their bloom!
|
|
The curtains stir as with an ancient pain;
|
|
Her old piano gleams from out the gloom
|
|
And waits and waits her tender touch in vain.
|
|
|
|
But now her hands like moonlight brush the keys
|
|
With velvet grace -- melodious delight;
|
|
And now a sad refrain from over seas
|
|
Goes sobbing on the bosom of the night;
|
|
|
|
And now she sings. (O! singer in the gloom,
|
|
Voicing a sorrow we can ne'er express,
|
|
Here in the Farness where we few have room
|
|
Unshamed to show our love and tenderness,
|
|
|
|
Our hearts will echo, till they beat no more,
|
|
That song of sadness and of motherland;
|
|
And, stretched in deathless love to England's shore,
|
|
Some day she'll hearken and she'll understand.)
|
|
|
|
A prima-donna in the shining past,
|
|
But now a mother growing old and gray,
|
|
She thinks of how she held a people fast
|
|
In thrall, and gleaned the triumphs of a day.
|
|
|
|
She sees a sea of faces like a dream;
|
|
She sees herself a queen of song once more;
|
|
She sees lips part in rapture, eyes agleam;
|
|
She sings as never once she sang before.
|
|
|
|
She sings a wild, sweet song that throbs with pain,
|
|
The added pain of life that transcends art --
|
|
A song of home, a deep, celestial strain,
|
|
The glorious swan-song of a dying heart.
|
|
|
|
A lame tramp comes along the railway track,
|
|
A grizzled dog whose day is nearly done;
|
|
He passes, pauses, then comes slowly back
|
|
And listens there -- an audience of one.
|
|
|
|
She sings -- her golden voice is passion-fraught,
|
|
As when she charmed a thousand eager ears;
|
|
He listens trembling, and she knows it not,
|
|
And down his hollow cheeks roll bitter tears.
|
|
|
|
She ceases and is still, as if to pray;
|
|
There is no sound, the stars are all alight --
|
|
Only a wretch who stumbles on his way,
|
|
Only a vagrant sobbing in the night.
|
|
|
|
|
|
|
|
|
|
The Rhyme of the Remittance Man
|
|
|
|
|
|
|
|
There's a four-pronged buck a-swinging in the shadow of my cabin,
|
|
And it roamed the velvet valley till to-day;
|
|
But I tracked it by the river, and I trailed it in the cover,
|
|
And I killed it on the mountain miles away.
|
|
Now I've had my lazy supper, and the level sun is gleaming
|
|
On the water where the silver salmon play;
|
|
And I light my little corn-cob, and I linger, softly dreaming,
|
|
In the twilight, of a land that's far away.
|
|
|
|
Far away, so faint and far, is flaming London, fevered Paris,
|
|
That I fancy I have gained another star;
|
|
Far away the din and hurry, far away the sin and worry,
|
|
Far away -- God knows they cannot be too far.
|
|
Gilded galley-slaves of Mammon --
|
|
how my purse-proud brothers taunt me!
|
|
I might have been as well-to-do as they
|
|
Had I clutched like them my chances,
|
|
learned their wisdom, crushed my fancies,
|
|
Starved my soul and gone to business every day.
|
|
|
|
Well, the cherry bends with blossom and the vivid grass is springing,
|
|
And the star-like lily nestles in the green;
|
|
And the frogs their joys are singing, and my heart in tune is ringing,
|
|
And it doesn't matter what I might have been.
|
|
While above the scented pine-gloom, piling heights of golden glory,
|
|
The sun-god paints his canvas in the west,
|
|
I can couch me deep in clover, I can listen to the story
|
|
Of the lazy, lapping water -- it is best.
|
|
|
|
While the trout leaps in the river,
|
|
and the blue grouse thrills the cover,
|
|
And the frozen snow betrays the panther's track,
|
|
And the robin greets the dayspring with the rapture of a lover,
|
|
I am happy, and I'll nevermore go back.
|
|
For I know I'd just be longing for the little old log cabin,
|
|
With the morning-glory clinging to the door,
|
|
Till I loathed the city places, cursed the care on all the faces,
|
|
Turned my back on lazar London evermore.
|
|
|
|
So send me far from Lombard Street, and write me down a failure;
|
|
Put a little in my purse and leave me free.
|
|
Say: "He turned from Fortune's offering to follow up a pale lure,
|
|
He is one of us no longer -- let him be."
|
|
I am one of you no longer; by the trails my feet have broken,
|
|
The dizzy peaks I've scaled, the camp-fire's glow;
|
|
By the lonely seas I've sailed in -- yea, the final word is spoken,
|
|
I am signed and sealed to nature. Be it so.
|
|
|
|
|
|
|
|
|
|
The Low-Down White
|
|
|
|
|
|
|
|
This is the pay-day up at the mines,
|
|
when the bearded brutes come down;
|
|
There's money to burn in the streets to-night,
|
|
so I've sent my klooch to town,
|
|
With a haggard face and a ribband of red
|
|
entwined in her hair of brown.
|
|
|
|
And I know at the dawn she'll come reeling home
|
|
with the bottles, one, two, three --
|
|
One for herself, to drown her shame, and two big bottles for me.
|
|
To make me forget the thing I am and the man I used to be.
|
|
|
|
To make me forget the brand of the dog,
|
|
as I crouch in this hideous place;
|
|
To make me forget once I kindled the light of love in a lady's face,
|
|
Where even the squalid Siwash now holds me a black disgrace.
|
|
|
|
Oh, I have guarded my secret well! And who would dream as I speak
|
|
In a tribal tongue like a rogue unhung,
|
|
'mid the ranch-house filth and reek,
|
|
I could roll to bed with a Latin phrase
|
|
and rise with a verse of Greek?
|
|
|
|
Yet I was a senior prizeman once, and the pride of a college eight;
|
|
Called to the bar -- my friends were true!
|
|
but they could not keep me straight;
|
|
Then came the divorce, and I went abroad
|
|
and "died" on the River Plate.
|
|
|
|
But I'm not dead yet; though with half a lung
|
|
there isn't time to spare,
|
|
And I hope that the year will see me out,
|
|
and, thank God, no one will care --
|
|
Save maybe the little slim Siwash girl
|
|
with the rose of shame in her hair.
|
|
|
|
She will come with the dawn, and the dawn is near;
|
|
I can see its evil glow,
|
|
Like a corpse-light seen through a frosty pane
|
|
in a night of want and woe;
|
|
And yonder she comes by the bleak bull-pines,
|
|
swift staggering through the snow.
|
|
|
|
|
|
|
|
|
|
The Little Old Log Cabin
|
|
|
|
|
|
|
|
When a man gits on his uppers in a hard-pan sort of town,
|
|
An' he ain't got nothin' comin' an' he can't afford ter eat,
|
|
An' he's in a fix for lodgin' an' he wanders up an' down,
|
|
An' you'd fancy he'd been boozin', he's so locoed 'bout the feet;
|
|
When he's feelin' sneakin' sorry an' his belt is hangin' slack,
|
|
An' his face is peaked an' gray-like
|
|
an' his heart gits down an' whines,
|
|
Then he's apt ter git a-thinkin' an' a-wishin' he was back
|
|
In the little ol' log cabin in the shadder of the pines.
|
|
|
|
When he's on the blazin' desert an' his canteen's sprung a leak,
|
|
An' he's all alone an' crazy an' he's crawlin' like a snail,
|
|
An' his tongue's so black an' swollen
|
|
that it hurts him fer to speak,
|
|
An' he gouges down fer water an' the raven's on his trail;
|
|
When he's done with care and cursin'
|
|
an' he feels more like to cry,
|
|
An' he sees ol' Death a-grinnin' an' he thinks upon his crimes,
|
|
Then he's like ter hev' a vision, as he settles down ter die,
|
|
Of the little ol' log cabin an' the roses an' the vines.
|
|
|
|
Oh, the little ol' log cabin, it's a solemn shinin' mark,
|
|
When a feller gits ter sinnin' an' a-goin' ter the wall,
|
|
An' folks don't understand him an' he's gropin' in the dark,
|
|
An' he's sick of bein' cursed at an' he's longin' fer his call!
|
|
When the sun of life's a-sinkin' you can see it 'way above,
|
|
On the hill from out the shadder in a glory 'gin the sky,
|
|
An' your mother's voice is callin',
|
|
an' her arms are stretched in love,
|
|
An' somehow you're glad you're goin', an' you ain't a-scared to die;
|
|
When you'll be like a kid again an' nestle to her breast,
|
|
An' never leave its shelter, an' forget, an' love, an' rest.
|
|
|
|
|
|
|
|
|
|
The Younger Son
|
|
|
|
|
|
|
|
If you leave the gloom of London and you seek a glowing land,
|
|
Where all except the flag is strange and new,
|
|
There's a bronzed and stalwart fellow who will grip you by the hand,
|
|
And greet you with a welcome warm and true;
|
|
For he's your younger brother, the one you sent away
|
|
Because there wasn't room for him at home;
|
|
And now he's quite contented, and he's glad he didn't stay,
|
|
And he's building Britain's greatness o'er the foam.
|
|
|
|
When the giant herd is moving at the rising of the sun,
|
|
And the prairie is lit with rose and gold,
|
|
And the camp is all abustle, and the busy day's begun,
|
|
He leaps into the saddle sure and bold.
|
|
Through the round of heat and hurry, through the racket and the rout,
|
|
He rattles at a pace that nothing mars;
|
|
And when the night-winds whisper and camp-fires flicker out,
|
|
He is sleeping like a child beneath the stars.
|
|
|
|
When the wattle-blooms are drooping in the sombre shed-oak glade,
|
|
And the breathless land is lying in a swoon,
|
|
He leaves his work a moment, leaning lightly on his spade,
|
|
And he hears the bell-bird chime the Austral noon.
|
|
The parrakeets are silent in the gum-tree by the creek;
|
|
The ferny grove is sunshine-steeped and still;
|
|
But the dew will gem the myrtle in the twilight ere he seek
|
|
His little lonely cabin on the hill.
|
|
|
|
Around the purple, vine-clad slope the argent river dreams;
|
|
The roses almost hide the house from view;
|
|
A snow-peak of the Winterberg in crimson splendor gleams;
|
|
The shadow deepens down on the karroo.
|
|
He seeks the lily-scented dusk beneath the orange tree;
|
|
His pipe in silence glows and fades and glows;
|
|
And then two little maids come out and climb upon his knee,
|
|
And one is like the lily, one the rose.
|
|
|
|
He sees his white sheep dapple o'er the green New Zealand plain,
|
|
And where Vancouver's shaggy ramparts frown,
|
|
When the sunlight threads the pine-gloom he is fighting might and main
|
|
To clinch the rivets of an Empire down.
|
|
You will find him toiling, toiling, in the south or in the west,
|
|
A child of nature, fearless, frank, and free;
|
|
And the warmest heart that beats for you is beating in his breast,
|
|
And he sends you loyal greeting o'er the sea.
|
|
|
|
You've a brother in the army, you've another in the Church;
|
|
One of you is a diplomatic swell;
|
|
You've had the pick of everything and left him in the lurch,
|
|
And yet I think he's doing very well.
|
|
I'm sure his life is happy, and he doesn't envy yours;
|
|
I know he loves the land his pluck has won;
|
|
And I fancy in the years unborn, while England's fame endures,
|
|
She will come to bless with pride -- The Younger Son.
|
|
|
|
|
|
|
|
|
|
The March of the Dead
|
|
|
|
|
|
|
|
The cruel war was over -- oh, the triumph was so sweet!
|
|
We watched the troops returning, through our tears;
|
|
There was triumph, triumph, triumph
|
|
down the scarlet glittering street,
|
|
And you scarce could hear the music for the cheers.
|
|
And you scarce could see the house-tops
|
|
for the flags that flew between;
|
|
The bells were pealing madly to the sky;
|
|
And everyone was shouting for the Soldiers of the Queen,
|
|
And the glory of an age was passing by.
|
|
|
|
And then there came a shadow, swift and sudden, dark and drear;
|
|
The bells were silent, not an echo stirred.
|
|
The flags were drooping sullenly, the men forgot to cheer;
|
|
We waited, and we never spoke a word.
|
|
The sky grew darker, darker, till from out the gloomy rack
|
|
There came a voice that checked the heart with dread:
|
|
"Tear down, tear down your bunting now, and hang up sable black;
|
|
They are coming -- it's the Army of the Dead."
|
|
|
|
They were coming, they were coming, gaunt and ghastly, sad and slow;
|
|
They were coming, all the crimson wrecks of pride;
|
|
With faces seared, and cheeks red smeared, and haunting eyes of woe,
|
|
And clotted holes the khaki couldn't hide.
|
|
Oh, the clammy brow of anguish! the livid, foam-flecked lips!
|
|
The reeling ranks of ruin swept along!
|
|
The limb that trailed, the hand that failed, the bloody finger tips!
|
|
And oh, the dreary rhythm of their song!
|
|
|
|
"They left us on the veldt-side, but we felt we couldn't stop
|
|
On this, our England's crowning festal day;
|
|
We're the men of Magersfontein, we're the men of Spion Kop,
|
|
Colenso -- we're the men who had to pay.
|
|
We're the men who paid the blood-price.
|
|
Shall the grave be all our gain?
|
|
You owe us. Long and heavy is the score.
|
|
Then cheer us for our glory now, and cheer us for our pain,
|
|
And cheer us as ye never cheered before."
|
|
|
|
The folks were white and stricken,
|
|
and each tongue seemed weighted with lead;
|
|
Each heart was clutched in hollow hand of ice;
|
|
And every eye was staring at the horror of the dead,
|
|
The pity of the men who paid the price.
|
|
They were come, were come to mock us, in the first flush of our peace;
|
|
Through writhing lips their teeth were all agleam;
|
|
They were coming in their thousands -- oh, would they never cease!
|
|
I closed my eyes, and then -- it was a dream.
|
|
|
|
There was triumph, triumph, triumph down the scarlet gleaming street;
|
|
The town was mad; a man was like a boy.
|
|
A thousand flags were flaming where the sky and city meet;
|
|
A thousand bells were thundering the joy.
|
|
There was music, mirth and sunshine; but some eyes shone with regret;
|
|
And while we stun with cheers our homing braves,
|
|
O God, in Thy great mercy, let us nevermore forget
|
|
The graves they left behind, the bitter graves.
|
|
|
|
|
|
|
|
|
|
"Fighting Mac"
|
|
|
|
A Life Tragedy
|
|
|
|
|
|
|
|
A pistol shot rings round and round the world;
|
|
In pitiful defeat a warrior lies.
|
|
A last defiance to dark Death is hurled,
|
|
A last wild challenge shocks the sunlit skies.
|
|
Alone he falls, with wide, wan, woeful eyes:
|
|
Eyes that could smile at death -- could not face shame.
|
|
|
|
Alone, alone he paced his narrow room,
|
|
In the bright sunshine of that Paris day;
|
|
Saw in his thought the awful hand of doom;
|
|
Saw in his dream his glory pass away;
|
|
Tried in his heart, his weary heart, to pray:
|
|
"O God! who made me, give me strength to face
|
|
The spectre of this bitter, black disgrace."
|
|
|
|
* * * * *
|
|
|
|
The burn brawls darkly down the shaggy glen;
|
|
The bee-kissed heather blooms around the door;
|
|
He sees himself a barefoot boy again,
|
|
Bending o'er page of legendary lore.
|
|
He hears the pibroch, grips the red claymore,
|
|
Runs with the Fiery Cross, a clansman true,
|
|
Sworn kinsman of Rob Roy and Roderick Dhu.
|
|
|
|
Eating his heart out with a wild desire,
|
|
One day, behind his counter trim and neat,
|
|
He hears a sound that sets his brain afire --
|
|
The Highlanders are marching down the street.
|
|
Oh, how the pipes shrill out, the mad drums beat!
|
|
"On to the gates of Hell, my Gordons gay!"
|
|
He flings his hated yardstick away.
|
|
|
|
He sees the sullen pass, high-crowned with snow,
|
|
Where Afghans cower with eyes of gleaming hate.
|
|
He hurls himself against the hidden foe.
|
|
They try to rally -- ah, too late, too late!
|
|
Again, defenseless, with fierce eyes that wait
|
|
For death, he stands, like baited bull at bay,
|
|
And flouts the Boers, that mad Majuba day.
|
|
|
|
He sees again the murderous Soudan,
|
|
Blood-slaked and rapine-swept. He seems to stand
|
|
Upon the gory plain of Omdurman.
|
|
Then Magersfontein, and supreme command
|
|
Over his Highlanders. To shake his hand
|
|
A King is proud, and princes call him friend.
|
|
And glory crowns his life -- and now the end,
|
|
|
|
The awful end. His eyes are dark with doom;
|
|
He hears the shrapnel shrieking overhead;
|
|
He sees the ravaged ranks, the flame-stabbed gloom.
|
|
Oh, to have fallen! -- the battle-field his bed,
|
|
With Wauchope and his glorious brother-dead.
|
|
Why was he saved for this, for this? And now
|
|
He raises the revolver to his brow.
|
|
|
|
* * * * *
|
|
|
|
In many a Highland home, framed with rude art,
|
|
You'll find his portrait, rough-hewn, stern and square;
|
|
It's graven in the Fuyam fellah's heart;
|
|
The Ghurka reads it at his evening prayer;
|
|
The raw lands know it, where the fierce suns glare;
|
|
The Dervish fears it. Honor to his name
|
|
Who holds aloft the shield of England's fame.
|
|
|
|
Mourn for our hero, men of Northern race!
|
|
We do not know his sin; we only know
|
|
His sword was keen. He laughed death in the face,
|
|
And struck, for Empire's sake, a giant blow.
|
|
His arm was strong. Ah! well they learnt, the foe
|
|
The echo of his deeds is ringing yet --
|
|
Will ring for aye. All else. . .let us forget.
|
|
|
|
|
|
|
|
|
|
The Woman and the Angel
|
|
|
|
|
|
|
|
An angel was tired of heaven, as he lounged in the golden street;
|
|
His halo was tilted sideways, and his harp lay mute at his feet;
|
|
So the Master stooped in His pity, and gave him a pass to go,
|
|
For the space of a moon, to the earth-world,
|
|
to mix with the men below.
|
|
|
|
He doffed his celestial garments, scarce waiting to lay them straight;
|
|
He bade good by to Peter, who stood by the golden gate;
|
|
The sexless singers of heaven chanted a fond farewell,
|
|
And the imps looked up as they pattered on the red-hot flags of hell.
|
|
|
|
Never was seen such an angel -- eyes of heavenly blue,
|
|
Features that shamed Apollo, hair of a golden hue;
|
|
The women simply adored him; his lips were like Cupid's bow;
|
|
But he never ventured to use them -- and so they voted him slow.
|
|
|
|
Till at last there came One Woman, a marvel of loveliness,
|
|
And she whispered to him: "Do you love me?"
|
|
And he answered that woman, "Yes."
|
|
And she said: "Put your arms around me,
|
|
and kiss me, and hold me -- so --"
|
|
But fiercely he drew back, saying: "This thing is wrong, and I know."
|
|
|
|
Then sweetly she mocked his scruples, and softly she him beguiled:
|
|
"You, who are verily man among men, speak with the tongue of a child.
|
|
We have outlived the old standards;
|
|
we have burst, like an over-tight thong,
|
|
The ancient, outworn, Puritanic traditions of Right and Wrong."
|
|
|
|
Then the Master feared for His angel,
|
|
and called him again to His side,
|
|
For oh, the woman was wondrous, and oh, the angel was tried!
|
|
And deep in his hell sang the Devil,
|
|
and this was the strain of his song:
|
|
"The ancient, outworn, Puritanic traditions of Right and Wrong."
|
|
|
|
|
|
|
|
|
|
The Rhyme of the Restless Ones
|
|
|
|
|
|
|
|
We couldn't sit and study for the law;
|
|
The stagnation of a bank we couldn't stand;
|
|
For our riot blood was surging, and we didn't need much urging
|
|
To excitements and excesses that are banned.
|
|
So we took to wine and drink and other things,
|
|
And the devil in us struggled to be free;
|
|
Till our friends rose up in wrath, and they pointed out the path,
|
|
And they paid our debts and packed us o'er the sea.
|
|
|
|
Oh, they shook us off and shipped us o'er the foam,
|
|
To the larger lands that lure a man to roam;
|
|
And we took the chance they gave
|
|
Of a far and foreign grave,
|
|
And we bade good-by for evermore to home.
|
|
|
|
And some of us are climbing on the peak,
|
|
And some of us are camping on the plain;
|
|
By pine and palm you'll find us, with never claim to bind us,
|
|
By track and trail you'll meet us once again.
|
|
|
|
We are the fated serfs to freedom -- sky and sea;
|
|
We have failed where slummy cities overflow;
|
|
But the stranger ways of earth know our pride and know our worth,
|
|
And we go into the dark as fighters go.
|
|
|
|
Yes, we go into the night as brave men go,
|
|
Though our faces they be often streaked with woe;
|
|
Yet we're hard as cats to kill,
|
|
And our hearts are reckless still,
|
|
And we've danced with death a dozen times or so.
|
|
|
|
And you'll find us in Alaska after gold,
|
|
And you'll find us herding cattle in the South.
|
|
We like strong drink and fun, and, when the race is run,
|
|
We often die with curses in our mouth.
|
|
We are wild as colts unbroke, but never mean.
|
|
Of our sins we've shoulders broad to bear the blame;
|
|
But we'll never stay in town and we'll never settle down,
|
|
And we'll never have an object or an aim.
|
|
|
|
No, there's that in us that time can never tame;
|
|
And life will always seem a careless game;
|
|
And they'd better far forget --
|
|
Those who say they love us yet --
|
|
Forget, blot out with bitterness our name.
|
|
|
|
|
|
|
|
|
|
New Year's Eve
|
|
|
|
|
|
|
|
It's cruel cold on the water-front, silent and dark and drear;
|
|
Only the black tide weltering, only the hissing snow;
|
|
And I, alone, like a storm-tossed wreck,
|
|
on this night of the glad New Year,
|
|
Shuffling along in the icy wind, ghastly and gaunt and slow.
|
|
|
|
They're playing a tune in McGuffy's saloon,
|
|
and it's cheery and bright in there
|
|
(God! but I'm weak -- since the bitter dawn,
|
|
and never a bite of food);
|
|
I'll just go over and slip inside -- I mustn't give way to despair --
|
|
Perhaps I can bum a little booze if the boys are feeling good.
|
|
|
|
They'll jeer at me, and they'll sneer at me,
|
|
and they'll call me a whiskey soak;
|
|
("Have a drink? Well, thankee kindly, sir, I don't mind if I do.")
|
|
A drivelling, dirty, gin-joint fiend, the butt of the bar-room joke;
|
|
Sunk and sodden and hopeless -- "Another? Well, here's to you!"
|
|
|
|
McGuffy is showing a bunch of the boys how Bob Fitzsimmons hit;
|
|
The barman is talking of Tammany Hall,
|
|
and why the ward boss got fired.
|
|
I'll just sneak into a corner and they'll let me alone a bit;
|
|
The room is reeling round and round. . .
|
|
O God! but I'm tired, I'm tired. . . .
|
|
|
|
* * * * *
|
|
|
|
Roses she wore on her breast that night.
|
|
Oh, but their scent was sweet!
|
|
Alone we sat on the balcony, and the fan-palms arched above;
|
|
The witching strain of a waltz by Strauss
|
|
came up to our cool retreat,
|
|
And I prisoned her little hand in mine,
|
|
and I whispered my plea of love.
|
|
|
|
Then sudden the laughter died on her lips,
|
|
and lowly she bent her head;
|
|
And oh, there came in the deep, dark eyes
|
|
a look that was heaven to see;
|
|
And the moments went, and I waited there, and never a word was said,
|
|
And she plucked from her bosom a rose of red
|
|
and shyly gave it to me.
|
|
|
|
Then the music swelled to a crash of joy,
|
|
and the lights blazed up like day,
|
|
And I held her fast to my throbbing heart,
|
|
and I kissed her bonny brow.
|
|
"She is mine, she is mine for evermore!" the violins seemed to say,
|
|
And the bells were ringing the New Year in --
|
|
O God! I can hear them now.
|
|
|
|
Don't you remember that long, last waltz,
|
|
with its sobbing, sad refrain?
|
|
Don't you remember that last good-by,
|
|
and the dear eyes dim with tears?
|
|
Don't you remember that golden dream, with never a hint of pain,
|
|
Of lives that would blend like an angel-song
|
|
in the bliss of the coming years?
|
|
|
|
Oh, what have I lost! What have I lost! Ethel, forgive, forgive!
|
|
The red, red rose is faded now, and it's fifty years ago.
|
|
'Twere better to die a thousand deaths than live each day as I live!
|
|
I have sinned, I have sunk to the lowest depths --
|
|
but oh, I have suffered so!
|
|
|
|
Hark! Oh, hark! I can hear the bells!. . .Look! I can see her there,
|
|
Fair as a dream. . .but it fades. . .And now --
|
|
I can hear the dreadful hum
|
|
Of the crowded court. . .See! the Judge looks down. . .
|
|
NOT GUILTY, my Lord, I swear. . .
|
|
The bells -- I can hear the bells again!. . .
|
|
Ethel, I come, I come!. . .
|
|
|
|
* * * * *
|
|
|
|
"Rouse up, old man, it's twelve o'clock.
|
|
You can't sleep here, you know.
|
|
Say! ain't you got no sentiment? Lift up your muddled head;
|
|
Have a drink to the glad New Year, a drop before you go --
|
|
You darned old dirty hobo. . .My God! Here, boys! He's DEAD!"
|
|
|
|
|
|
|
|
|
|
Comfort
|
|
|
|
|
|
|
|
Say! You've struck a heap of trouble --
|
|
Bust in business, lost your wife;
|
|
No one cares a cent about you,
|
|
You don't care a cent for life;
|
|
Hard luck has of hope bereft you,
|
|
Health is failing, wish you'd die --
|
|
Why, you've still the sunshine left you
|
|
And the big, blue sky.
|
|
|
|
Sky so blue it makes you wonder
|
|
If it's heaven shining through;
|
|
Earth so smiling 'way out yonder,
|
|
Sun so bright it dazzles you;
|
|
Birds a-singing, flowers a-flinging
|
|
All their fragrance on the breeze;
|
|
Dancing shadows, green, still meadows --
|
|
Don't you mope, you've still got these.
|
|
|
|
These, and none can take them from you;
|
|
These, and none can weigh their worth.
|
|
What! you're tired and broke and beaten? --
|
|
Why, you're rich -- you've got the earth!
|
|
Yes, if you're a tramp in tatters,
|
|
While the blue sky bends above
|
|
You've got nearly all that matters --
|
|
You've got God, and God is love.
|
|
|
|
|
|
|
|
|
|
The Harpy
|
|
|
|
|
|
|
|
*There was a woman, and she was wise; woefully wise was she;
|
|
She was old, so old, yet her years all told
|
|
were but a score and three;
|
|
And she knew by heart, from finish to start, the Book of Iniquity.*
|
|
|
|
There is no hope for such as I on earth, nor yet in Heaven;
|
|
Unloved I live, unloved I die, unpitied, unforgiven;
|
|
A loathed jade, I ply my trade, unhallowed and unshriven.
|
|
|
|
I paint my cheeks, for they are white, and cheeks of chalk men hate;
|
|
Mine eyes with wine I make them shine, that man may seek and sate;
|
|
With overhead a lamp of red I sit me down and wait
|
|
|
|
Until they come, the nightly scum, with drunken eyes aflame;
|
|
Your sweethearts, sons, ye scornful ones --
|
|
'tis I who know their shame.
|
|
The gods, ye see, are brutes to me -- and so I play my game.
|
|
|
|
For life is not the thing we thought, and not the thing we plan;
|
|
And Woman in a bitter world must do the best she can --
|
|
Must yield the stroke, and bear the yoke, and serve the will of man;
|
|
|
|
Must serve his need and ever feed the flame of his desire,
|
|
Though be she loved for love alone, or be she loved for hire;
|
|
For every man since life began is tainted with the mire.
|
|
|
|
And though you know he love you so and set you on love's throne;
|
|
Yet let your eyes but mock his sighs, and let your heart be stone,
|
|
Lest you be left (as I was left) attainted and alone.
|
|
|
|
From love's close kiss to hell's abyss is one sheer flight, I trow,
|
|
And wedding ring and bridal bell are will-o'-wisps of woe,
|
|
And 'tis not wise to love too well, and this all women know.
|
|
|
|
Wherefore, the wolf-pack having gorged upon the lamb, their prey,
|
|
With siren smile and serpent guile I make the wolf-pack pay --
|
|
With velvet paws and flensing claws, a tigress roused to slay.
|
|
|
|
One who in youth sought truest truth and found a devil's lies;
|
|
A symbol of the sin of man, a human sacrifice.
|
|
Yet shall I blame on man the shame? Could it be otherwise?
|
|
|
|
Was I not born to walk in scorn where others walk in pride?
|
|
The Maker marred, and, evil-starred, I drift upon His tide;
|
|
And He alone shall judge His own, so I His judgment bide.
|
|
|
|
*Fate has written a tragedy; its name is "The Human Heart".
|
|
The Theatre is the House of Life, Woman the mummer's part;
|
|
The Devil enters the prompter's box and the play is ready to start.*
|
|
|
|
|
|
|
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Premonition
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'Twas a year ago and the moon was bright
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(Oh, I remember so well, so well);
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I walked with my love in a sea of light,
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And the voice of my sweet was a silver bell.
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And sudden the moon grew strangely dull,
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And sudden my love had taken wing;
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I looked on the face of a grinning skull,
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I strained to my heart a ghastly thing.
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'Twas but fantasy, for my love lay still
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In my arms, with her tender eyes aglow,
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And she wondered why my lips were chill,
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Why I was silent and kissed her so.
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A year has gone and the moon is bright,
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A gibbous moon, like a ghost of woe;
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I sit by a new-made grave to-night,
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And my heart is broken -- it's strange, you know.
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The Tramps
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Can you recall, dear comrade, when we tramped God's land together,
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And we sang the old, old Earth-song, for our youth was very sweet;
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When we drank and fought and lusted, as we mocked at tie and tether,
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Along the road to Anywhere, the wide world at our feet --
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Along the road to Anywhere, when each day had its story;
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When time was yet our vassal, and life's jest was still unstale;
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When peace unfathomed filled our hearts as, bathed in amber glory,
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Along the road to Anywhere we watched the sunsets pale?
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Alas! the road to Anywhere is pitfalled with disaster;
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There's hunger, want, and weariness, yet O we loved it so!
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As on we tramped exultantly, and no man was our master,
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And no man guessed what dreams were ours, as, swinging heel and toe,
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We tramped the road to Anywhere, the magic road to Anywhere,
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The tragic road to Anywhere, such dear, dim years ago.
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L'Envoi
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*You who have lived in the land,
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You who have trusted the trail,
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You who are strong to withstand,
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You who are swift to assail:
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Songs have I sung to beguile,
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Vintage of desperate years,
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Hard as a harlot's smile,
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Bitter as unshed tears.
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Little of joy or mirth,
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Little of ease I sing;
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Sagas of men of earth
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Humanly suffering,
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Such as you all have done;
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Savagely faring forth,
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Sons of the midnight sun,
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Argonauts of the North.
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Far in the land God forgot
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Glimmers the lure of your trail;
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Still in your lust are you taught
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Even to win is to fail.
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Still you must follow and fight
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Under the vampire wing;
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There in the long, long night
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Hoping and vanquishing.
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Husbandman of the Wild,
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Reaping a barren gain;
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Scourged by desire, reconciled
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Unto disaster and pain;
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These, my songs, are for you,
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You who are seared with the brand
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God knows I have tried to be true;
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Please God you will understand.*
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[End.]
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