689 lines
44 KiB
Plaintext
689 lines
44 KiB
Plaintext
In Residence
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by
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KaRylin
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Jennifer worked slowly but methodically at the task of pulling up
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grass and weeds to create an area of bare dirt. A hundred square feet
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should be enough.
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Tall for a woman, with a heavy, muscular build, Jennifer was as
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strong as most men. The charts published in fitness magazines told her she
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was overweight for her height, but she did not let this concern her. She
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led an active life and was in pretty good shape. Her long, dark hair was
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pulled carelessly into a ponytail, and she wore a folded bandanna tied
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around her head to absorb the sweat produced by working in the still summer
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air.
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She heard the crunch of gravel in the driveway, and looked up. A
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boy on a bicycle, perhaps fifteen or sixteen, still half a head shorter than
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Jennifer but sturdily built. Freckles transformed his otherwise
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unextraordinary face into an interesting composition of light and darkness.
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"You must be the new neighbor." He extended his hand with a degree
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of confidence that made Jennifer raise her estimate of his age by a couple
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of years. "I'm Dave."
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"Jennifer Meyers." She took off one dirt-encrusted gardening glove
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and shook his hand. "I just moved in yesterday."
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"My folks have the farm just down the road." He indicated the
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direction with a jerk of his thumb. "Listen, if you need anything done
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around here, I work cheap." He glanced at the pile of discarded weeds,
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their roots still clotted with dirt, that had accumulated as Jennifer had
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tossed them carelessly to one side. "Putting in a vegetable garden?"
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"Well, I'm almost done here." Jennifer pulled her glove back on and
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smiled, pleasantly but not too encouragingly. "I'll keep you in mind,
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though, Dave. The place with the green barn, right?"
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"Yeah, that's it all right." He got back on his bike, taking the
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hint cheerfully enough. "Did they tell you this place is supposed to be
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haunted?"
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Jennifer's smile widened with amusement. The fact that she made her
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living as an artist did not mean that she was in the habit of letting her
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imagination run wild. She was a practical woman. "No, they neglected to
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mention that when they rented it to me."
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Dave rode off, with a friendly wave, and Jennifer went back to
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pulling weeds.
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She'd decided the first time she saw the old farmhouse that it was
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perfect for her. It was surrounded by acres of tall grass and young forest,
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which had sprung up when the farm was abandoned. The house was four times
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the size of her Chicago apartment, at a third the monthly rent. As for the
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peeling paint and overgrown yard, these details made her feel as if she was
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coming home after a long absence. Jennifer had left her parents' farm over
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twenty years ago, but she'd never really liked living in the city; now that
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she had established some financial security and standing in her profession,
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she'd decided it was time to move.
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She went inside and walked through the house, her footsteps echoing
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hollowly in the bare, high-ceilinged rooms. The atmosphere of the place was
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like that of a chapel, full of light and air.
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Luxuriating in all the space that was now available to her, she
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realized how cramped she had been in the tiny two-bedroom apartment. The
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farmhouse had a bigger kitchen, a dining room and a breakfast nook, three
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large bedrooms, bathrooms upstairs and down, and a front room with leaded
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glass windows--not to mention the basement and attic. Her bedroom, on the
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second story, had three large windows that gave her a two hundred and
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seventy degree view of the woods and prairie that surrounded the house.
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She went into the front room and sat down in her comfortable old
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recliner. Piles of boxes, containing nearly everything she owned, towered
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over her; she'd had the movers leave them for her to distribute throughout
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the house. She didn't like to put them to the trouble, and besides, she
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hadn't decided where she wanted everything yet.
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At that moment, the job of unpacking seemed overwhelming. The piles
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of boxes loomed impossibly high. Where had she gotten all that junk, and
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why had she bothered bringing it with her? And now that she was sitting
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quietly, the place had an intimidating stillness about it, an emptiness that
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seemed to resent her presence.
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Nonsense. She stood up and rubbed her hands together briskly. The
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only problem was that she had not yet begun to make the place hers, and she
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could begin to rectify that immediately. She would unpack her clothing
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first, then set up her studio in the basement, where the movers had already
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deposited her larger pieces of equipment--the drill press and band saw, the
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arc welder, the oxyacetylene cutting torch with its twin bottles of
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compressed gas. And then she could begin setting up her kitchen, and hang
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the old but utterly respectable curtains her mother had sewn.
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But that night as she lay in bed, the sense of unease returned.
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There were noises, and although as a recent dweller in a large and cheaply
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constructed apartment building she was not accustomed to silence, these
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noises were different. She told herself she ought to have expected this;
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she was. after all, out in the country. She had grown unaccustomed to
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animal sounds. And old houses were notorious for settling. She silently
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mocked herself for being so suggestible; the neighbor boy had made a chance
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remark about the place being haunted, and now she trembled in her bed every
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time a board creaked.
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But there, that was no animal. It sounded like someone moving one
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of her still-unpacked boxes around. She grew first angry, then frightened.
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She crept to the dresser and removed her automatic, and clicked off the
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safety. She ought to go and investigate, she told herself. In a more
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familiar environment, she might have done so. Instead, she pushed a chair
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against the door and went back to her bed--or more accurately, to her
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mattress, which was still lying on the bare floor. She laid the automatic
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carefully beside it, within easy reach, without resetting the safety. She
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figured she could wake and reach it by the time an intruder could manage to
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dislodge the heavy chair and open the door. She turned off the light and
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closed her eyes, listening.
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Scrape. Click. Well, fine. She had nothing down there that was
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worth risking her life over. If anything was missing come morning, she
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would call the police. And if whoever was down there came upstairs, too bad
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for him.
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Early the next morning she descended the stairs, clutching the
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automatic. She looked around, but saw nothing missing, and no sign that
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anyone had been down there the night before.
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In the eerie rural quiet, she surveyed her things. hadn't she left
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that box in the other room? She couldn't be sure. But in any case, it was
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taped shut, and the tape had not been disturbed. No, surely it was where
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she had left it. Nerves.
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She exhaled loudly and replaced the safety. She started to set the
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automatic down, then thought better of it and put the gun in the pocket of
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her floral-patterned housecoat, another legacy from her mother.
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Later that afternoon, the uncharacteristic nervousness returned.
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She was working in her basement studio, cutting a piece of sheet metal with
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the oxyacetylene torch, which left an aesthetic discoloration along the
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edges of the brass and thus served a double purpose.
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Her work area was lighted by powerful fluorescent lamps, but it had
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a dim, underwater quality when viewed through her darkened protective
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goggles. And there were places, behind the furnace and underneath the
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stairs, where the sterile bluish light did not reach. She found herself
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glancing nervously over her shoulder and, as a result, ruined one of her
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brass leaves by holding the torch over the same spot for too long.
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What did she expect, she asked herself angrily--to be seized from
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behind by some clammy ghost? But she couldn't rid herself of the feeling
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that she was not alone in the house.
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She shut off the fuel supply to the torch and slid the goggles up
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onto her forehead. It would be different if she were working on something
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she were actually interested in, but she was forcing herself to spend the
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day making the same boring old tree-branch wall decorations. She'd done
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hundreds of these and was beginning to hate them, but she knew they were a
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sure bet commercially. The move had left her with a feeling of financial
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insecurity; she was farther now from her regular contacts and connections,
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and it would be harder to make new ones. But she'd wanted to get away from
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the city for as long as she could remember. . . although she was discovering
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now that she'd grown more accustomed to it that she had ever realized.
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The silence was beginning to grate on her nerves. She turned the
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torch back on, flicking flint against steel to ignite it. Since she had not
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yet lowered her safety glasses, she held it well away from her face as she
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made a circuit of the basement, pulling the wheeled cart that contained her
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fuel bottles. She found nothing but a few filthy rags sitting in a bucket
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between the furnace and the hot water heater.
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She turned back to the task at hand, somewhat disgusted with herself.
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So jumpy. It wasn't like her.
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Perhaps she ought to go outside and work. She had cleared that spot
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beside the house, near the concrete stairs that led directly from the
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basement to the yard, specifically so that she could do some of her work
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out-of-doors without danger of fire. She had gone to all the trouble of
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moving in order to enjoy the fresh country air; she should take advantage of
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it. A few hours in the sunshine might be just the thing to calm her nerves.
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But she didn't like the idea of moving outside just because of some
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nameless anxiety. Also, it would take quite a bit of her valuable work time
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to move her tools and materials out there. She'd have to set up some kind
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of a table, her work bench being too heavy to move, and the cart with the
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oxygen and acetylene bottles weighed better than seventy pounds; it would
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be a pain to drag it up the stairs, and across the rough terrain outdoors.
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And in the back of her mind were other, less rational objections, which she
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would not quite admit to herself: the same disquieting feeling might
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prevail out-of-doors, in the half-wild yard, with the edge of the woods only
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a hundred feet away. Perhaps the rural environment, which she had enjoyed
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as a child but had been away from for so long, had become alien to her.
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Altogether, the idea was impractical. She would have to do quite a
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bit of her work down in the cellar, so she had better learn to feel
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comfortable there. And if anyone bothered her now, she was not defenseless,
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although she had left the gun upstairs. The torch ought to discourage any
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potential assailant, human or ectoplasmic.
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That night, the noises returned. And the night after that, and
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every night for a week. They grew louder and harder to explain, but since
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Jennifer couldn't explain them, she was determined to ignore them. Finally,
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she decided they were rats, and set out traps and poison. These items,
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however, never showed any signs of having been touched. She continued
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sleeping with the chair pushed against the door and her gun nearby. She
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resigned herself to living with the noises, and began to get used to them.
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Then one night she awoke to the the sound of heavy footsteps on the
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stairway. it sounded, in fact, as though someone were deliberately stamping
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their feet with the idea of making as much noise as possible.
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Her heart pounding to rival the noise on the stairs, she grabbed her
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gun. She heard the doorknob turn. With numb fingers, she turned on the
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light.
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"Who's there?" she shouted. Silence. The doorknob was still.
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Had she imagined the sounds? Perhaps. Perhaps it had all been a
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dream which, upon awakening, she had imagined to be real.
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She shouted something obscene in the language of her Germanic
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foremothers and turned out the light. Without replacing the safety, she
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set the gun beside her pillow; then, deciding this presented a real and
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physical hazard, she moved the automatic to her bedside table. Her fingers
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strayed to it to make sure she could locate it in the dark.
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It was not the next morning, but the morning after that, that she
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found her housecoat pinned to the kitchen door with one of her fine Swedish
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paring knives. The discovery of this vandalism left her feeling furious,
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but vindicated. This was proof. The slash in the collar of her housecoat
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was no dream; the matching hole the knife had left in the door was not
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nerves or imagination.
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She collected her knives, and found none missing. Then she bundled
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them up in a dishtowel and hid them underneath the sink. No sense leaving
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potential weapons lying around for the convenience of some lunatic, since it
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appeared that one had the run of her house.
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The next thing she did was to repair the collar of her housecoat.
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After that, she drove to a hardware store in Wixton, the nearest town, five
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miles distant. There she was able to buy a number of items that she
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believed would prove useful.
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Back at the house, she changed the locks on both doors. Anyone
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might have the keys to the old ones, for all she knew. She would provide
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the owner with copies of the new ones. . . when she moved out. In the
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meantime, she saw no reason why he would need them. She also put chains on
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the doors.
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She checked all the windows, upstairs and down, locking those where
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the latches seemed secure and nailing shut the others. Once she was done,
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she sat in the living room (or at any rate the room where she'd put her
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ratty old couch and recliner) and relaxed. The thought that someone had
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gotten into the house actually reassured her. It explained the noises and
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helped dispel the uneasy feeling she'd had since moving there. No doubt it
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was some eccentric with a strange sense of humor that was responsible, or
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even a gang of school children. Whoever it was, they hadn't actually stolen
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anything, and the damage they'd done had been minor. They were probably
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harmless, although Jennifer was not about to take any chances. And at any
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rate, they would not have such an easy time getting into her house in the
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future.
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The next morning, there was a dead squirrel in the kitchen sink.
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There was no question of it having died naturally or from her rat poison;
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the animal had been torn into several bloody pieces. Jennifer looked at it,
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feeling sick, then glanced around the room nervously. This was more than a
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prank; this showed signs of a violent mentality. She went upstairs to get
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her gun, walking quietly. When she reached the bedroom, she sighed with
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relief as she slipped the weapon into the pocket of her repaired housecoat.
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She then proceeded to clean up the dead animal, handling it gingerly
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with the gloves she used for dishwashing. At least it had not been ripped
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apart in her kitchen; she took some consolation in that. She had butchered
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small animals on her parents' farm, and knew that there would have been
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quite a bit more blood in and around the sink if the squirrel had been
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killed there. Perhaps it had been found by the roadside. Perhaps her
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housebreaker was relatively harmless after all.
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But how had he, or they, gotten into the house? She went from room
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to room, trying to discover what method of entry had been used. The windows
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were still all latched or nailed from the inside, and the chains on the
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doors were fastened. She didn't see how anyone could have gotten in, or for
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that matter, how they could have left. . . .
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A chilling possibility began to grow in her mind. She took the gun
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out of her pocket and began to search more carefully, checking closets,
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bedrooms, the upstairs bath that she never used because it was not as nice
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as the one on the first floor. Then she ascended the narrow attic stairs.
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She took a flashlight, because she knew the attic had no electric
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lights. As she climbed the stairs, she shone the light between them; like
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the ones leading to the basement, they were only horizontal slats, similar
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to a stepladder but of sturdier materials. She could see a space underneath
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the stairway, inaccessible because it was only as wide as the stairs
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themselves. She bent to look between two of the steps and shone the light
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around. There was a door there, she realized; barely visible because it was
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at an oblique angle to her, being on one of the long sides of the narrow
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area of dead space, and because it was constructed of the same wood as the
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surrounding wall.
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She trained her flashlight on the door. She had a good mental
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picture of the layout of the house, and it seemed to her at first that the
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door was set into an outside wall, a dozen feet above ground level.
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Exceedingly strange. Then she remembered the sun porch in front of the
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house; of course, the door must lead to a crawl space beneath its roof.
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She shook her head at the quirk of design that had provided such a
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door but made it impossible to use it without removing half the attic
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stairs. She shook each of the steps to be sure they were solid.
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It seemed unlikely that anyone was hiding in there. She continued
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up the stairs to the attic itself. It was big and unfinished, and empty
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except for a few boxes stacked against one wall. They were too small to
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have hidden even a child, but she searched them anyway. Nothing but some
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old clothing that looked and smelled as if it had not been touched in
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decades. She descended the stairs and headed for the basement.
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Damp and dirt-floored, festooned with sooty cobwebs, and the only
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conceivable hiding place would have been inside the furnace or the
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hot-water heater. She looked inside the furnace and, not much to her
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surprise, found no one in there. She was willing to discount the hot-water
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heater as a possibility, since there was an ample supply of hot water in the
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house. The door that led to the outside stairwell was secured from the
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inside with a heavy padlock.
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She tapped the walls, searching for a hidden door, although it was
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difficult to believe that the solid concrete could hide such a thing.
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Nonetheless, when she went upstairs, she slid shut the bolt that secured the
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basement door.
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Then she went upstairs and put on her nightgown. She wasn't
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particularly tired and it was getting too hot to sleep comfortably, but she
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planned to stay up late that night. She made herself stay in bed until
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suppertime, although she slept only fitfully; then she got up, went
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downstairs, and fixed herself some canned soup. She spent the rest of the
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evening unenthusiastically dusting and vacuuming.
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At about the time she would normally have gone to bed, she went
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upstairs, and a few minutes later turned out the light. Then she crept
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downstairs in the dark, a blanket wrapped around her, carrying a pillow in
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one hand and her automatic in the other.
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She slid back the bolt to the basement stairs and then settled
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herself on her pillow in one corner of the kitchen. She'd chosen that room
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because that was where her uninvited visitor had left his calling-cards.
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She positioned herself so that she could see all three entrances to the
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room, cradling the automatic between her knees.
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The position was not a comfortable one. She had to shift her weight
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periodically, which she did as quietly as she could manage. Listening for
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noises that might indicate someone moving about, she heard a board creak and
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raised the gun a few inches, but the noise was not repeated. It had not
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sounded much like a footfall anyway, more like a board that she'd stepped on
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returning to its original position. The only other sounds she heard were
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insect buzzes and chirps.
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Jennifer had always been prone to lapsing into long reveries. For
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once this was to her advantage, as she was able to stave off boredom by
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mentally diagramming various sculpting projects. She would have been quite
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content if only her legs hadn't been so uncomfortable.
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She stretched out her feet and heard a slick rustling as they
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brushed against a garbage bag. The one that contained the dead squirrel.
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She had meant to carry it outside, but had forgotten. She moved her feet
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away from the bag.
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She began brooding about the dismembered squirrel, with the morbid
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obsessiveness that often takes hold when one is awake and alone in the dark
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hours before morning. She imagined that she might begin to hear something
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scratching at the plastic from inside the bag.
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Eventually, she noticed that things in the kitchen were becoming
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more visible, and after while it registered with her that it was distinctly
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lighter outside than it had been throughout the night.
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She stood, joints complaining stridently. Looking out the window at
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the greyish horizon, she felt very old and tired. All the nervous tension
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had left her.
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Walking with exaggerated care, she carried the bag containing the
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squirrel outside. She looked at the edge of the woods and shivered. It was
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not a large forest, and in full daylight it seemed tame and idyllic. But in
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the grey predawn, she felt that the tameness was only superficial, and that
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the woods held dark secrets.
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The house, although constructed by human hands, also seemed faintly
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menacing. She felt no sense of relief or safety as she closed and locked
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the kitchen door; the house did not in any sense belong to her, nor would it
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while an unseen intruder had the run of the place.
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The kitchen seemed gloomy after a few moments under the open sky.
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She switched on the light and then, without her usual regard for the
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conservation of electricity, went from room to room turning on every light
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in the house. Leaving them on, she went upstairs and to bed.
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She woke around noon, feeling parched and lethargic. She went
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downstairs and began turning off the lights, which seemed to her in her
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somewhat fogged mental state to illuminate a profound, insubstantial
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blackness. She went into the kitchen, half expecting to find some new token
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of affection, and realized she had a pounding headache. It was not that she
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had acquired it at that moment; she realized she'd had it ever since she
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woke up. How, she wondered, could she have not noticed the painful
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throbbing in her temples?
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She took some aspirin, then put some coffee in the electric
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coffee-grinder. Then she put the fresh-ground beans into the percolator and
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poured in some water. She turned it on and the ancient machine began
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making its familiar noises. Listening to it, she wished she had thought to
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buy some instant coffee on her last trip into town.
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While the percolator was working, she went out and sat on the porch.
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The afternoon was hot and still. She was reminded of the farm where she'd
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grown up, and the magic she had felt in the woods and those sun-lit fields.
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It was the smells that brought it back to her most of all, more than what
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she could see or here. She closed her eyes and breathed in deeply through
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her nose. She could almost believe that when she opened them she would be
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back there, a skinny girl-child always looking for something new to explore.
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She opened her eyes and sighed. She was older now than her mother
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had been in those days. She had not thought about the farm, really
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remembered what it had been like, in years. Now, however, the memories
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were as vivid as the bright sunlight. She felt as though her parents and
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adored older brother were close by, that if she called out to them they
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would answer. She shivered at the thought, for all three of the others who
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had lived on the farm in those long-ago days were dead now.
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She gazed up at the sky, remembering all the hours she had watched
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it as a girl. Why was she thinking about her childhood now, and about
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death? Those were thoughts for an old woman.
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Looking up, she recalled that directly over her head was the
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crawl space, the one part of the house that she had been unable to search.
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Of course there was nothing up there but dust and spiderwebs. But maybe,
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just to be sure, she should check the upstairs rooms that faced the front of
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the house. Just to be sure there was no other way to get into it.
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Her coffee ought to be ready by now. She went inside and discovered
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|
that it was. After drinking a couple of cups, she felt restored. Forget
|
|
about that instant stuff; she was convinced it could never have had the same
|
|
effect.
|
|
She felt a sudden need to work, to tackle something she could
|
|
understand and accomplish. She carried her tools outside and began to cut
|
|
and solder, pausing occasionally to sip from a pitcher of lemonade she'd
|
|
brought out with her or to wipe the sweat from her brow with a large
|
|
handkerchief. She emptied the pitcher and went inside to use the bathroom
|
|
and to fill it again--with water this time, for the lemonade was making her
|
|
feel sticky and a little ill. She stopped working when she realized it was
|
|
getting too dark to see.
|
|
She shut off her torch and looked around the yard, amazed. The
|
|
ground near where she'd been working was littered with pieces, useful and
|
|
discarded, completed and in progress; despite sleeping until noon, she'd put
|
|
in at least a full day's work.
|
|
Although not lazy, Jennifer was not a compulsive worker, especially
|
|
not when doing all these repetitious birds and leaves and flowers. Usually,
|
|
when doing this sort of work, she had to keep a sharp eye on her own
|
|
tendency to take numerous, lengthy breaks. Or to get caught up in welding
|
|
together bits of scrap in interesting configurations. Today, although she
|
|
had exercised no particular self-discipline, there had been none of that.
|
|
She began carrying her tools and supplies back into the basement.
|
|
It took her several trips to do this, and she began to wish there were an
|
|
outside light. It was getting quite dark.
|
|
Once she'd gotten everything indoors, she got her gun and went
|
|
through the house, turning on all the lights and letting them blaze forth
|
|
into the night, doublechecking all the locks. She felt as if she were
|
|
drunk, although she'd touched no alcohol all day. Nothing but coffee and
|
|
lemonade.
|
|
It occurred to her that she'd had nothing to eat, either. She fixed
|
|
herself dinner, then looked speculatively at the bottle of whisky at the
|
|
back of one of her cupboards. Perhaps that would not be such a bad
|
|
idea. . . but no, God only knew what was going to happen during the night.
|
|
She had better keep alert.
|
|
But she slept undisturbed that night. Whether this was because
|
|
there were no noises, or because she had worked herself to the point of
|
|
exhaustion, she could not have said. Over the next several days, she threw
|
|
herself into her work with a desperate frenzy. She rarely rested, except
|
|
when she was actually sleeping, and she was not aware of any odd noises
|
|
during the night.
|
|
Her dreams, however, were troubled. Often she would dream of being
|
|
chased, or of pursuing some person who could not be found. A couple of
|
|
times, she dreamt that the sculpture she was working on began to resemble a
|
|
dead body, and that she could do nothing to change this resemblance. She
|
|
also dreamt of the door under the attic stairs. She did not see anyone
|
|
come out of the door in her dreams, only its stark and suggestive presence.
|
|
There were no more signs of an uninvited visitor in the house, but
|
|
Jennifer did not find this reassuring. She was certain, without knowing why
|
|
she felt that way, that the mysterious occurrences had ceased only to set
|
|
the stage for something worse. She was determined that this something,
|
|
whatever it might be, would not catch her unawares. She carried her gun
|
|
with her at all times and aimed it into dark corners and at the doors of
|
|
unused rooms. The door to the attic stairs seemed particularly likely to
|
|
burst open unexpectedly. She began to dread passing it on her way
|
|
downstairs in the morning, and even more so at night when she went to bed.
|
|
After a few days she moved her bed and dresser and clothing to a
|
|
downstairs room. The room had not originally been intended as a bedroom and
|
|
had no closet, and although this was inconvenient, Jennifer found it
|
|
comforting. But now that she was on the ground floor, she began to suffer
|
|
from the conviction that something was looking in her window at night.
|
|
The one evening as she was on her way to bed, she saw something move
|
|
as she passed the kitchen. The kitchen light was not on, so she could see
|
|
only an indistinct white shape, apparently hovering in midair.
|
|
She jerked the gun up and fired, then reached cautiously into the
|
|
kitchen and turned the light switch. One of the cupboards, which had a
|
|
tendency to swing open if not properly latched, now had a neat hole in the
|
|
lower panel.
|
|
"Good shot. Nailed the damn thing." She began to laugh, and
|
|
continued to do so for several minutes, leaning helplessly against the
|
|
doorframe.
|
|
The next day, she decided to make a trip back to the city. She had
|
|
enough completed work to nearly fill the back of her truck, and she needed
|
|
to buy materials that could not be found it the small town where she bought
|
|
her food and household supplies. It would not have been absolutely
|
|
necessary for her to go into the city for another week or so, but she had to
|
|
get out of the house for awhile. She needed to be with other people.
|
|
She spent two days at the home of a friend in the city. Another
|
|
friend, who owned a gallery, had good news; one of her larger abstract
|
|
pieces had sold for over a thousand dollars. Her mood was ebullient for the
|
|
rest of the day, which she spent prowling junkyards for odd items that might
|
|
be capable of firing her imagination--bits of bulky machinery that she
|
|
sometimes could not even identify, but which would serve splendidly as the
|
|
starting point for new projects.
|
|
She drove home with the bed of her truck as full as it had been
|
|
when she'd left, fantasizing about exclusive showings and her name on the
|
|
covers of certain magazines. And never again having to make another spray
|
|
of leaves to hang on the wall of any of the gift shops that now provided the
|
|
bulk of her income.
|
|
When she pulled into the driveway, however, she was subjected to a
|
|
rude awakening. All of her belongings were stacked on and around the front
|
|
porch. Her things had not been arranged with any great care, but nothing
|
|
seemed damaged. But she was acutely aware of how easy it would have been
|
|
for some of her valuable equipment to have been stolen, or ruined by rain.
|
|
Not to mention her personal belongings.
|
|
She unlocked the door, only to find that the chain was fastened.
|
|
Furious, she went back to the truck and got out the tire iron. She held the
|
|
door open with her foot and struck the chain as hard as she could. Two
|
|
blows were sufficient to rip it from its mounting on the frame of the door.
|
|
"A lot of protection that would have been," she muttered.
|
|
Still carrying the tire iron, she once again searched the house from
|
|
top to bottom. The only thing of any interest that she found was the
|
|
package of knives she had hidden underneath the sink. It pleased her that
|
|
they were still there. At least her antagonist wasn't infallible.
|
|
She spent the rest of the day bringing her belongings back inside.
|
|
It had been a long drive home, and she was tired, but the sky looked as if
|
|
it might let loose with a thunderstorm at any minute. A couple of things
|
|
were so large and bulky that she had to go down the road and hire Dave to
|
|
help her carry them inside. Naturally, he was curious to know what had
|
|
happened, but she did not feel like discussing the matter. She met his
|
|
questions with glowering silence, then made it up to him by paying more than
|
|
they'd agreed on. He seemed to take her odd behavior in stride.
|
|
The situation was becoming intolerable. She had done everything she
|
|
could think of, and none of it had worked. She could call the police, but
|
|
what would she tell them? They'd think she was insane.
|
|
She decided to think about it in the morning. A good night's rest
|
|
would make her a lot more capable of dealing with the whole mess. Her mind
|
|
had a way of coming up with inventive solutions to almost any problem if she
|
|
gave it time, and didn't think about it too much on a conscious level.
|
|
Sleeping on it had also been known to generate an answer.
|
|
It seemed to her that she had no sooner gotten to sleep than she was
|
|
awakened by a low rumbling noise, almost like a dog growling. It sounded as
|
|
if it were coming from inside the room.
|
|
She reached for her gun. Once it was firmly in her grasp, she
|
|
turned on the bedside lamp.
|
|
A pale, unhealthy-looking individual was standing at the far end of
|
|
the room, near the door to the hall. Her first impression of the intruder
|
|
was that he strongly resembled the sort of juvenile punk that hung around
|
|
on street corners back in the city, looking for someone to intimidate.
|
|
Then he snarled at her. His face had such a look of inhuman
|
|
savagery that it did not even register on her at first that his eyeteeth
|
|
were considerably longer and sharper than those of any normal person.
|
|
He took a step toward her, teeth bared and a low, almost subsonic
|
|
growl reverberating from his throat. Jennifer fired the gun almost
|
|
reflexively. The bullet hit her intended target, stitching a small dimple
|
|
into his oversized sweatshirt, but he did not appear to notice. Jennifer
|
|
fired again. The stranger, apparently unaffected by the two bullets that
|
|
had struck him in the chest, picked up the chair Jennifer had pushed against
|
|
the door and hurled it at the window. He missed, and it hit the wall with a
|
|
thunderous crash.
|
|
Then he vanished. It did not happen all at once; first her grew
|
|
translucent, and the growling became fainter, before he disappeared
|
|
altogether from sight and sound.
|
|
Jennifer sat pointing her gun at the closed door, her hands shaking
|
|
uncontrollably. She would not have thought that her mind was capable of
|
|
functioning at all, but by sunrise she had come up with a theory that might
|
|
explain what she had seen. It was not an idea she would have taken
|
|
seriously even as recently as twelve hours earlier, but what she'd seen had
|
|
shaken her modern, unsuperstitious world-view to the core.
|
|
When the sun was fully up, she got her crowbar and pried three steps
|
|
from their places on the narrow attic stairway. It took considerable
|
|
courage for her to crawl through the gap she had created, into the space
|
|
beneath the stairs. She sat there with the beam of her flashlight
|
|
illuminating the waist-high door, terrified to open it. There was something
|
|
in there. She could feel it.
|
|
She looked at the door for what seemed like a long time, half-
|
|
expecting it to open. She felt dizzy with fear, heart and lungs laboring as
|
|
if she were running at top speed. But at last, she reached for the door
|
|
and pushed it open.
|
|
The space inside was long and narrow. The roof, highest along the
|
|
wall that contained the door, slanted downwards until it met the floor at an
|
|
oblique angle along the other long side of the crawl space. Once she'd
|
|
crawled inside Jennifer found that the roof was too low, even at its highest
|
|
point, for her to rise to her feet.
|
|
She could detect a peculiar odor, one she was sure she had never
|
|
encountered before. There were dozens of mildewed draperies and curtains
|
|
stuffed under the low part of the roof, like the nest-lining of some giant
|
|
rodent. The rest of the floor was cluttered with an odd assortment of
|
|
things; faded letters, silverware, a clock, a broken porcelain chamberpot,
|
|
assorted clothing.
|
|
Jennifer found that she could not really see the half of the
|
|
crawl space that lay to her left without closing the door. Once she had
|
|
done so, she felt trapped and claustrophobic. The air seemed to hold a
|
|
damp electric charge. She jerked the flashlight around the room, feeling
|
|
as if something were watching her from the shadows.
|
|
Then she froze, training the beam of light on the far end of the
|
|
crawl space. There was a body there, curled loosely into a sleeping
|
|
position. She recognized it as her uninvited visitor from the night before.
|
|
He showed no signs of life. After watching his chest for a few minutes
|
|
Jennifer concluded that he was not breathing.
|
|
The vampire, for that was what Jennifer had decided she was dealing
|
|
with, did not look particularly intimidating at the moment. She was at
|
|
somewhat of a loss as to what she ought to do next. The traditional method
|
|
of dealing with a vampire, she knew, was to kill it by driving a wooden
|
|
stake through its heart. But she didn't think she could do it. The vampire
|
|
looked like a sleeping child. He didn't even have any shoes on; in fact, he
|
|
was wearing a pair of pajamas.
|
|
No, that was out of the question. But she did not mean to let the
|
|
vampire continue disturbing her sleep and her possessions. She had the
|
|
upper hand now, and she intended to use it.
|
|
She slept most of the day, but made sure to set her alarm clock for
|
|
well before sundown. When it rang, she had some dinner and a shower. She
|
|
was not looking forward to going back up there. It would still be light
|
|
for an hour or so, but what if the vampire woke up a little early? He might
|
|
not take kindly to having his secret room invaded.
|
|
She lit her acetylene torch, which she'd dragged up two flights of
|
|
stairs, before opening the door under the attic stairway. She had left the
|
|
gun behind, since it had already proved ineffective.
|
|
The vampire did not appear to have moved since she'd found him some
|
|
hours earlier. She sat with her back against the door, torch in one hand
|
|
and her flashlight clamped clumsily between her knees and pointed in the
|
|
vampire's general direction. With her other hand, she reached into her
|
|
shirt and pulled out her mother's silver crucifix. She had felt rather
|
|
silly putting it on; she'd suspected the vampire would see it and laugh.
|
|
Now that she was in the tiny room with him, though, being laughed at was low
|
|
on her list of concerns.
|
|
It happened very suddenly. The vampire's eyes opened and he sat up,
|
|
and it seemed to Jennifer that he had done this in less time than it would
|
|
have taken her to blink.
|
|
Her hand flew to the fuel valve and the flame coming from the torch
|
|
surged out, becoming longer and brighter. The vampire started back and hit
|
|
the wall behind him with a thud and a low snarl. To Jennifer, the room
|
|
seemed as hot as an oven, although she had not noticed the temperature
|
|
before.
|
|
The vampire, who had covered his face with his hands, peered out
|
|
from between his fingers. "Turn that thing off before you set the place on
|
|
fire!"
|
|
Jennifer, a little startled at being addressed in this peremptory
|
|
tone, responded by saying the first thing that came to mind. "You have
|
|
caused me a great deal of trouble. I am tired of having my things moved
|
|
around and finding disgusting messes in the sink. I want you to stop doing
|
|
these things."
|
|
There was a long moment of silence. "You have no right to be here
|
|
in the first place," the vampire said indignantly, "much less to tell me how
|
|
I ought to behave in my own house."
|
|
"I have a lease." She wondered if she ought to show it to him.
|
|
"That means nothing to me, madam. This is my home, I have been
|
|
living here since before you were born, and no sheet of paper is going to
|
|
convince me you have any legitimate claim. Now turn that damn thing off."
|
|
Jennifer redirected the flashlight so that it spotlighted the
|
|
vampire's face. "You have no call to be rude. I don't--"
|
|
"If you don't get out of this house," he said sweetly, "I will rip
|
|
your throat out. How is that for rude?"
|
|
"Don't you threaten me! I've got half a mind to set you on fire,
|
|
and your precious house with you!"
|
|
The vampire, his face buried in his arms, blindly threw a sock at
|
|
her. She jerked the torch to one side a few inches to avoid igniting it.
|
|
He groped around for something more substantial to throw, and said, "Turn
|
|
off that light, it hurts my eyes."
|
|
"If you knock the torch out of my hand, all this junk in here will
|
|
catch fire."
|
|
His tone became more reasonable. "At least point the flashlight
|
|
somewhere else. You're hurting my eyes just terribly. And be careful, the
|
|
wood in here is very dry."
|
|
Jennifer lowered the flashlight, and the vampire raised his head.
|
|
Then he moved. Before she could react, he had vanished through the wall.
|
|
She glanced around, feeling trapped and helpless. For all she knew,
|
|
he could reappear through any wall he chose, or possibly even the floor or
|
|
ceiling.
|
|
There was a brisk series of knocks, coming from the attic stairs
|
|
from the sound of it. Not footsteps, but knuckles on wood, as if to catch
|
|
her attention. With some trepidation, she backed away from the door so that
|
|
she could open it, and turned awkwardly around.
|
|
The vampire was leaning on the stairs, smirking at her. "Perhaps I
|
|
should just nail these steps back into place and leave you here."
|
|
Fear gave way to a flare of temper. He sounded like some spoiled
|
|
little boy. "I'm sure I'd manage to get out."
|
|
The vampire sighed. "Yes, I suppose you would. What am I going to
|
|
do with you?"
|
|
"Why don't you just leave me alone? I've done nothing to you, yet
|
|
you have been harassing me since I moved in here."
|
|
"I did not invite you to come here. You are not welcome, and I
|
|
suggest that you pack your things and go."
|
|
"I told you, I have a lease. If I moved out, I wouldn't get my
|
|
money back. But I think the house is big enough for both of us. I'm mostly
|
|
up during the day, anyway."
|
|
The vampire gave her a look of disbelief. "I do not especially
|
|
enjoy the idea of sharing my house with a complete stranger. And now that
|
|
you know about my hiding place, how do I know you won't murder me in my
|
|
sleep? Why should I trust you?"
|
|
"If I had wanted to do that, I would have done it this morning, when
|
|
I first found you."
|
|
The vampire sat down on the steps and regarded her thoughtfully.
|
|
"The idea does have a certain merit, I suppose. . . having you here
|
|
would discourage other squatters from moving in. I've had quite a bit of
|
|
trouble with that, over the years. And you are less offensive than some of
|
|
the others I've had to deal with. At least you do not have children.
|
|
"You might even prove useful. I have quite a bit of mending that
|
|
needs to be done. Do you sew?"
|
|
"No, I don't."
|
|
"Ah, well. Still, I suppose it would be more trouble than it's
|
|
really worth to get rid of you. You may remain, under certain conditions.
|
|
The first among these is that you are never again to come up here while I am
|
|
sleeping. Is that clear?"
|
|
"Fine by me. Listen, you stay the hell out of my bedroom too, you
|
|
hear me?" He was being relatively civil now, but she vividly recalled his
|
|
bared teeth, the savagery in his expression.
|
|
The vampire looked at her disdainfully. "Not to worry."
|
|
"Can I get out of here now?"
|
|
"By all means. But shut that damnable thing off before you set
|
|
something afire."
|
|
Jennifer did so--it would have been difficult to move the cart while
|
|
the torch was burning, anyway--and climbed through the aperture in the
|
|
stairs. She lifted the cart out behind her, and to do so she had to turn
|
|
her back on the vampire, not an easy thing to do. She supposed that trust
|
|
would have to begin somewhere, if they were really going to coexist in the
|
|
same house.
|
|
"I trust you will repair the steps. You can do that, can't you?"
|
|
"Yes." Her stomach filled with ice as she walked past the vampire,
|
|
who was leaning indolently against the wall. She remembered his casual
|
|
comment about ripping her throat out, and also how quickly he had moved.
|
|
But the vampire merely said, "Well, at least you are good for
|
|
something. Perhaps you can do other minor repairs around the place. For
|
|
instance, some of the trim has fallen off the front of the house, in case
|
|
you hadn't noticed. And once it has been replaced, it will need to be
|
|
painted."
|
|
"Call the landlord about it." Now that she was out in the hall,
|
|
Jennifer's courage was returning. She turned back to face the vampire.
|
|
"I'm Jennifer Meyers, by the way. What should I call you?"
|
|
The vampire, whose mother had named him Theophile, said "Call me
|
|
anything you like."
|
|
"Don't you have a name?"
|
|
He began examining his fingernails. She noticed that they were long
|
|
and rather sharp-looking. She waited, but he remained obstinately silent.
|
|
"If you won't tell me, I think I'll call you Roger. That seems like
|
|
a good name for you. I used to have a neighbor with a son named Roger, and
|
|
you remind me of him. He used to stay out all night and--"
|
|
"I don't wish to hear about it." The vampire, Roger, slammed the
|
|
door to the attic stairs between them.
|
|
"Rude," Jennifer muttered. She went downstairs to get a hammer and
|
|
some nails.
|
|
|
|
-KXR- |