textfiles/stories/hitch3.txt

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Douglas Adams
Life, the Universe, and Everything
=================================================================
Douglas Adams The Hitch Hiker's Guide to the Galaxy
Douglas Adams The Restaurant at the End of the Universe
Douglas Adams Life, the Universe, and Everything
Douglas Adams So long, and thanks for all the fish
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Life, the universe and everything
for Sally
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Chapter 1
The regular early morning yell of horror was the sound of Arthur
Dent waking up and suddenly remembering where he was.
It wasn't just that the cave was cold, it wasn't just that it was
damp and smelly. It was the fact that the cave was in the middle
of Islington and there wasn't a bus due for two million years.
Time is the worst place, so to speak, to get lost in, as Arthur
Dent could testify, having been lost in both time and space a
good deal. At least being lost in space kept you busy.
He was stranded in prehistoric Earth as the result of a complex
sequence of events which had involved him being alternately blown
up and insulted in more bizarre regions of the Galaxy than he
ever dreamt existed, and though his life had now turned very,
very, very quiet, he was still feeling jumpy.
He hadn't been blown up now for five years.
Since he had hardly seen anyone since he and Ford Prefect had
parted company four years previously, he hadn't been insulted in
all that time either.
Except just once.
It had happened on a spring evening about two years previously.
He was returning to his cave just a little after dusk when he
became aware of lights flashing eerily through the clouds. He
turned and stared, with hope suddenly clambering through his
heart. Rescue. Escape. The castaway's impossible dream - a ship.
And as he watched, as he stared in wonder and excitement, a long
silver ship descended through the warm evening air, quietly,
without fuss, its long legs unlocking in a smooth ballet of
technology.
It alighted gently on the ground, and what little hum it had
generated died away, as if lulled by the evening calm.
A ramp extended itself.
Light streamed out.
A tall figure appeared silhouetted in the hatchway. It walked
down the ramp and stood in front of Arthur.
"You're a jerk, Dent," it said simply.
It was alien, very alien. It had a peculiar alien tallness, a
peculiar alien flattened head, peculiar slitty little alien eyes,
extravagantly draped golden ropes with a peculiarly alien collar
design, and pale grey-green alien skin which had about it that
lustrous shine which most grey-green faces can only acquire with
plenty of exercise and very expensive soap.
Arthur boggled at it.
It gazed levelly at him.
Arthur's first sensations of hope and trepidation had instantly
been overwhelmed by astonishment, and all sorts of thoughts were
battling for the use of his vocal chords at this moment.
"Whh ...?" he said.
"Bu ... hu ... uh ..." he added.
"Ru ... ra ... wah ... who?" he managed finally to say and lapsed
into a frantic kind of silence. He was feeling the effects of
having not said anything to anybody for as long as he could
remember.
The alien creature frowned briefly and consulted what appeared to
be some species of clipboard which he was holding in his thin and
spindly alien hand.
"Arthur Dent?" it said.
Arthur nodded helplessly.
"Arthur Philip Dent?" pursued the alien in a kind of efficient
yap.
"Er ... er ... yes ... er ... er," confirmed Arthur.
"You're a jerk," repeated the alien, "a complete asshole."
"Er ..."
The creature nodded to itself, made a peculiar alien tick on its
clipboard and turned briskly back towards the ship.
"Er ..." said Arthur desperately, "er ..."
"Don't give me that!" snapped the alien. It marched up the ramp,
through the hatchway and disappeared into the ship. The ship
sealed itself. It started to make a low throbbing hum.
"Er, hey!" shouted Arthur, and started to run helplessly towards
it.
"Wait a minute!" he called. "What is this? What? Wait a minute!"
The ship rose, as if shedding its weight like a cloak to the
ground, and hovered briefly. It swept strangely up into the
evening sky. It passed up through the clouds, illuminating them
briefly, and then was gone, leaving Arthur alone in an immensity
of land dancing a helplessly tiny little dance.
"What?" he screamed. "What? What? Hey, what? Come back here and
say that!"
He jumped and danced until his legs trembled, and shouted till
his lungs rasped. There was no answer from anyone. There was no
one to hear him or speak to him.
The alien ship was already thundering towards the upper reaches
of the atmosphere, on its way out into the appalling void which
separates the very few things there are in the Universe from each
other.
Its occupant, the alien with the expensive complexion, leaned
back in its single seat. His name was Wowbagger the Infinitely
Prolonged. He was a man with a purpose. Not a very good purpose,
as he would have been the first to admit, but it was at least a
purpose and it did at least keep him on the move.
Wowbagger the Infinitely Prolonged was --indeed, is - one of the
Universe's very small number of immortal beings.
Those who are born immortal instinctively know how to cope with
it, but Wowbagger was not one of them. Indeed he had come to hate
them, the load of serene bastards. He had had his immortality
thrust upon him by an unfortunate accident with an irrational
particle accelerator, a liquid lunch and a pair of rubber bands.
The precise details of the accident are not important because no
one has ever managed to duplicate the exact circumstances under
which it happened, and many people have ended up looking very
silly, or dead, or both, trying.
Wowbagger closed his eyes in a grim and weary expression, put
some light jazz on the ship's stereo, and reflected that he could
have made it if it hadn't been for Sunday afternoons, he really
could have done.
To begin with it was fun, he had a ball, living dangerously,
taking risks, cleaning up on high-yield long-term investments,
and just generally outliving the hell out of everybody.
In the end, it was the Sunday afternoons he couldn't cope with,
and that terrible listlessness which starts to set in at about
2.55, when you know that you've had all the baths you can
usefully have that day, that however hard you stare at any given
paragraph in the papers you will never actually read it, or use
the revolutionary new pruning technique it describes, and that as
you stare at the clock the hands will move relentlessly on to
four o'clock, and you will enter the long dark teatime of the
soul.
So things began to pall for him. The merry smiles he used to wear
at other people's funerals began to fade. He began to despise the
Universe in general, and everyone in it in particular.
This was the point at which he conceived his purpose, the thing
which would drive him on, and which, as far as he could see,
would drive him on forever. It was this.
He would insult the Universe.
That is, he would insult everybody in it. Individually,
personally, one by one, and (this was the thing he really decided
to grit his teeth over) in alphabetical order.
When people protested to him, as they sometimes had done, that
the plan was not merely misguided but actually impossible because
of the number of people being born and dying all the time, he
would merely fix them with a steely look and say, "A man can
dream can't he?"
And so he started out. He equipped a spaceship that was built to
last with the computer capable of handling all the data
processing involved in keeping track of the entire population of
the known Universe and working out the horrifically complicated
routes involved.
His ship fled through the inner orbits of the Sol star system,
preparing to slingshot round the sun and fling itself out into
interstellar space.
"Computer," he said.
"Here," yipped the computer.
"Where next?"
"Computing that."
Wowbagger gazed for a moment at the fantastic jewellery of the
night, the billions of tiny diamond worlds that dusted the
infinite darkness with light. Every one, every single one, was on
his itinerary. Most of them he would be going to millions of
times over.
He imagined for a moment his itinerary connecting up all the dots
in the sky like a child's numbered dots puzzle. He hoped that
from some vantage point in the Universe it might be seen to spell
a very, very rude word.
The computer beeped tunelessly to indicate that it had finished
its calculations.
"Folfanga," it said. It beeped.
"Fourth world of the Folfanga system," it continued. It beeped
again.
"Estimated journey time, three weeks," it continued further. It
beeped again.
"There to meet with a small slug," it beeped, "of the genus A-
Rth-Urp-Hil-Ipdenu."
"I believe," it added, after a slight pause during which it
beeped, "that you had decided to call it a brainless prat."
Wowbagger grunted. He watched the majesty of creation outside his
window for a moment or two.
"I think I'll take a nap," he said, and then added, "what network
areas are we going to be passing through in the next few hours?"
The computer beeped.
"Cosmovid, Thinkpix and Home Brain Box," it said, and beeped.
"Any movies I haven't seen thirty thousand times already?"
"No."
"Uh."
"There's Angst in Space. You've only seen that thirty-three
thousand five hundred and seventeen times."
"Wake me for the second reel."
The computer beeped.
"Sleep well," it said.
The ship fled on through the night.
Meanwhile, on Earth, it began to pour with rain and Arthur Dent
sat in his cave and had one of the most truly rotten evenings of
his entire life, thinking of things he could have said to the
alien and swatting flies, who also had a rotten evening.
The next day he made himself a pouch out of rabbit skin because
he thought it would be useful to keep things in.
=================================================================
Chapter 2
This morning, two years later than that, was sweet and fragrant
as he emerged from the cave he called home until he could think
of a better name for it or find a better cave.
Though his throat was sore again from his early morning yell of
horror, he was suddenly in a terrifically good mood. He wrapped
his dilapidated dressing gown tightly around him and beamed at
the bright morning.
The air was clear and scented, the breeze flitted lightly through
the tall grass around his cave, the birds were chirruping at each
other, the butterflies were flitting about prettily, and the
whole of nature seemed to be conspiring to be as pleasant as it
possibly could.
It wasn't all the pastoral delights that were making Arthur feel
so cheery, though. He had just had a wonderful idea about how to
cope with the terrible lonely isolation, the nightmares, the
failure of all his attempts at horticulture, and the sheer
futurelessness and futility of his life here on prehistoric
Earth, which was that he would go mad.
He beamed again and took a bite out of a rabbit leg left over
from his supper. He chewed happily for a few moments and then
decided formally to announce his decision.
He stood up straight and looked the world squarely in the fields
and hills. To add weight to his words he stuck the rabbit bone in
his hair. He spread his arms out wide.
"I will go mad!" he announced.
"Good idea," said Ford Prefect, clambering down from the rock on
which he had been sitting.
Arthur's brain somersaulted. His jaw did press-ups.
"I went mad for a while," said Ford, "did me no end of good."
"You see," said Ford, "- ..."
"Where have you been?" interrupted Arthur, now that his head had
finished working out.
"Around," said Ford, "around and about." He grinned in what he
accurately judged to be an infuriating manner. "I just took my
mind off the hook for a bit. I reckoned that if the world wanted
me badly enough it would call back. It did."
He took out of his now terribly battered and dilapidated satchel
his Sub-Etha Sens-O-Matic.
"At least," he said, "I think it did. This has been playing up a
bit." He shook it. "If it was a false alarm I shall go mad," he
said, "again."
Arthur shook his head and sat down. He looked up.
"I thought you must be dead ..." he said simply.
"So did I for a while," said Ford, "and then I decided I was a
lemon for a couple of weeks. A kept myself amused all that time
jumping in and out of a gin and tonic."
Arthur cleared his throat, and then did it again.
"Where," he said, "did you ...?"
"Find a gin and tonic?" said Ford brightly. "I found a small lake
that thought it was a gin and tonic, and jumped in and out of
that. At least, I think it thought it was a gin and tonic."
"I may," he added with a grin which would have sent sane men
scampering into trees, "have been imagining it."
He waited for a reaction from Arthur, but Arthur knew better than
that.
"Carry on," he said levelly.
"The point is, you see," said Ford, "that there is no point in
driving yourself mad trying to stop yourself going mad. You might
just as well give in and save your sanity for later."
"And this is you sane again, is it?" said Arthur. "I ask merely
for information."
"I went to Africa," said Ford.
"Yes?"
"Yes."
"What was that like?"
"And this is your cave is it?" said Ford.
"Er, yes," said Arthur. He felt very strange. After nearly four
years of total isolation he was so pleased and relieved to see
Ford that he could almost cry. Ford was, on the other hand, an
almost immediately annoying person.
"Very nice," said Ford, in reference to Arthur's cave. "You must
hate it."
Arthur didn't bother to reply.
"Africa was very interesting," said Ford, "I behaved very oddly
there."
He gazed thoughtfully into the distance.
"I took up being cruel to animals," he said airily. "But only,"
he added, "as a hobby."
"Oh yes," said Arthur, warily.
"Yes," Ford assured him. "I won't disturb you with the details
because they would -"
"What?"
"Disturb you. But you may be interested to know that I am
singlehandedly responsible for the evolved shape of the animal
you came to know in later centuries as a giraffe. And I tried to
learn to fly. Do you believe me?"
"Tell me," said Arthur.
"I'll tell you later. I'll just mention that the Guide says ..."
"The ...?"
"Guide. The Hitch Hiker's Guide to the Galaxy. You remember?"
"Yes. I remember throwing it in the river."
"Yes," said Ford, "but I fished it out."
"You didn't tell me."
"I didn't want you to throw it in again."
"Fair enough," admitted Arthur. "It says?"
"What?"
"The Guide says?"
"The Guide says there is an art to flying," said Ford, "or rather
a knack. The knack lies in learning how to throw yourself at the
ground and miss." He smiled weakly. He pointed at the knees of
his trousers and held his arms up to show the elbows. They were
all torn and worn through.
"I haven't done very well so far," he said. He stuck out his
hand. "I'm very glad to see you again, Arthur," he added.
Arthur shook his head in a sudden access of emotion and
bewilderment.
"I haven't seen anyone for years," he said, "not anyone. I can
hardly even remember how to speak. I keep forgetting words. I
practise you see. I practise by talking to ... talking to ...
what are those things people think you're mad if you talk to?
Like George the Third."
"Kings?" suggested Ford.
"No, no," said Arthur. "The things he used to talk to. We're
surrounded by them for heaven's sake. I've planted hundreds
myself. They all died. Trees! I practise by talking to trees.
What's that for?"
Ford still had his hand stuck out. Arthur looked at it with
incomprehension.
"Shake," prompted Ford.
Arthur did, nervously at first, as if it might turn out to be a
fish. Then he grasped it vigorously with both hands in an
overwhelming flood of relief. He shook it and shook it.
After a while Ford found it necessary to disengage. They climbed
to the top of a nearby outcrop of rock and surveyed the scene
around them.
"What happened to the Golgafrinchans?" asked Ford.
Arthur shrugged.
"A lot of them didn't make it through the winter three years
ago," he said, "and the few who remained in the spring said they
needed a holiday and set off on a raft. History says that they
must have survived ..."
"Huh," said Ford, "well well." He stuck his hands on his hips and
looked round again at the empty world. Suddenly, there was about
Ford a sense of energy and purpose.
"We're going," he said excitedly, and shivered with energy.
"Where? How?" said Arthur.
"I don't know," said Ford, "but I just feel that the time is
right. Things are going to happen. We're on our way."
He lowered his voice to a whisper.
"I have detected," he said, "disturbances in the wash."
He gazed keenly into the distance and looked as if he would quite
like the wind to blow his hair back dramatically at that point,
but the wind was busy fooling around with some leaves a little
way off.
Arthur asked him to repeat what he had just said because he
hadn't quite taken his meaning. Ford repeated it.
"The wash?" said Arthur.
"The space-time wash," said Ford, and as the wind blew briefly
past at that moment, he bared his teeth into it.
Arthur nodded, and then cleared his throat.
"Are we talking about," he asked cautiously, "some sort of Vogon
laundromat, or what are we talking about?"
"Eddies," said Ford, "in the space-time continuum."
"Ah," nodded Arthur, "is he? Is he?" He pushed his hands into the
pocket of his dressing gown and looked knowledgeably into the
distance.
"What?" said Ford.
"Er, who," said Arthur, "is Eddy, then, exactly?"
Ford looked angrily at him.
"Will you listen?" he snapped.
"I have been listening," said Arthur, "but I'm not sure it's
helped."
Ford grasped him by the lapels of his dressing gown and spoke to
him as slowly and distinctly and patiently as if he were somebody
from a telephone company accounts department.
"There seem ..." he said, "to be some pools ..." he said, "of
instability ..." he said, "in the fabric ..." he said ...
Arthur looked foolishly at the cloth of his dressing gown where
Ford was holding it. Ford swept on before Arthur could turn the
foolish look into a foolish remark.
"... in the fabric of space-time," he said.
"Ah, that," said Arthur.
"Yes, that," confirmed Ford.
They stood there alone on a hill on prehistoric Earth and stared
each other resolutely in the face.
"And it's done what?" said Arthur.
"It," said Ford, "has developed pools of instability."
"Has it?" said Arthur, his eyes not wavering for a moment.
"It has," said Ford with a similar degree of ocular immobility.
"Good," said Arthur.
"See?" said Ford.
"No," said Arthur.
There was a quiet pause.
"The difficulty with this conversation," said Arthur after a sort
of pondering look had crawled slowly across his face like a
mountaineer negotiating a tricky outcrop, "is that it's very
different from most of the ones I've had of late. Which, as I
explained, have mostly been with trees. They weren't like this.
Except perhaps some of the ones I've had with elms which
sometimes get a bit bogged down."
"Arthur," said Ford.
"Hello? Yes?" said Arthur.
"Just believe everything I tell you, and it will all be very,
very simple."
"Ah, well I'm not sure I believe that."
They sat down and composed their thoughts.
Ford got out his Sub-Etha Sens-O-Matic. It was making vague
humming noises and a tiny light on it was flickering faintly.
"Flat battery?" said Arthur.
"No," said Ford, "there is a moving disturbance in the fabric of
space-time, an eddy, a pool of instability, and it's somewhere in
our vicinity."
"Where?"
Ford moved the device in a slow lightly bobbing semi-circle.
Suddenly the light flashed.
"There!" said Ford, shooting out his arm. "There, behind that
sofa!"
Arthur looked. Much to his surprise, there was a velvet paisley-
covered Chesterfield sofa in the field in front of them. He
boggled intelligently at it. Shrewd questions sprang into his
mind.
"Why," he said, "is there a sofa in that field?"
"I told you!" shouted Ford, leaping to his feet. "Eddies in the
space-time continuum!"
"And this is his sofa, is it?" asked Arthur, struggling to his
feet and, he hoped, though not very optimistically, to his
senses.
"Arthur!" shouted Ford at him, "that sofa is there because of the
space-time instability I've been trying to get your terminally
softened brain to get to grips with. It's been washed out of the
continuum, it's space-time jetsam, it doesn't matter what it is,
we've got to catch it, it's our only way out of here!"
He scrambled rapidly down the rocky outcrop and made off across
the field.
"Catch it?" muttered Arthur, then frowned in bemusement as he saw
that the Chesterfield was lazily bobbing and wafting away across
the grass.
With a whoop of utterly unexpected delight he leapt down the rock
and plunged off in hectic pursuit of Ford Prefect and the
irrational piece of furniture.
They careered wildly through the grass, leaping, laughing,
shouting instructions to each other to head the thing off this
way or that way. The sun shone dreamily on the swaying grass,
tiny field animals scattered crazily in their wake.
Arthur felt happy. He was terribly pleased that the day was for
once working out so much according to plan. Only twenty minutes
ago he had decided he would go mad, and now he was already
chasing a Chesterfield sofa across the fields of prehistoric
Earth.
The sofa bobbed this way and that and seemed simultaneously to be
as solid as the trees as it drifted past some of them and hazy as
a billowing dream as it floated like a ghost through others.
Ford and Arthur pounded chaotically after it, but it dodged and
weaved as if following its own complex mathematical topography,
which it was. Still they pursued, still it danced and span, and
suddenly turned and dipped as if crossing the lip of a
catastrophe graph, and they were practically on top of it. With a
heave and a shout they leapt on it, the sun winked out, they fell
through a sickening nothingness, and emerged unexpectedly in the
middle of the pitch at Lord's Cricked Ground, St John's Wood,
London, towards the end of the last Test Match of the Australian
Series in the year 198-, with England needing only twenty-eight
runs to win.
=================================================================
Chapter 3
Important facts from Galactic history, number one:
(Reproduced from the Siderial Daily Mentioner's Book of popular
Galactic History.)
The night sky over the planet Krikkit is the least interesting
sight in the entire Universe.
=================================================================
Chapter 4
It was a charming and delightful day at Lord's as Ford and Arthur
tumbled haphazardly out of a space-time anomaly and hit the
immaculate turf rather hard.
The applause of the crowd was tremendous. It wasn't for them, but
instinctively they bowed anyway, which was fortunate because the
small red heavy ball which the crowd actually had been applauding
whistled mere millimetres over Arthur's head. In the crowd a man
collapsed.
They threw themselves back to the ground which seemed to spin
hideously around them.
"What was that?" hissed Arthur.
"Something red," hissed Ford back at him.
"Where are we?"
"Er, somewhere green."
"Shapes," muttered Arthur. "I need shapes."
The applause of the crowd had been rapidly succeeded by gasps of
astonishment, and the awkward titters of hundreds of people who
could not yet make up their minds about whether to believe what
they had just seen or not.
"This your sofa?" said a voice.
"What was that?" whispered Ford.
Arthur looked up.
"Something blue," he said.
"Shape?" said Ford.
Arthur looked again.
"It is shaped," he hissed at Ford, with his brow savagely
furrowing, "like a policeman."
They remained crouched there for a few moments, frowning deeply.
The blue thing shaped like a policeman tapped them both on the
shoulders.
"Come on, you two," the shape said, "let's be having you."
These words had an electrifying effect on Arthur. He leapt to his
feet like an author hearing the phone ring and shot a series of
startled glanced at the panorama around him which had suddenly
settled down into something of quite terrifying ordinariness.
"Where did you get this from?" he yelled at the policeman shape.
"What did you say?" said the startled shape.
"This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where
did you find it, how did you get it here? I think," he added,
clasping his hand to his brow, "that I had better calm down." He
squatted down abruptly in front of Ford.
"It is a policeman," he said, "What do we do?"
Ford shrugged.
"What do you want to do?" he said.
"I want you," said Arthur, "to tell me that I have been dreaming
for the last five years."
Ford shrugged again, and obliged.
"You've been dreaming for the last five years," he said.
Arthur got to his feet.
"It's all right, officer," he said. "I've been dreaming for the
last five years. Ask him," he added, pointing at Ford, "he was in
it."
Having said this, he sauntered off towards the edge of the pitch,
brushing down his dressing gown. He then noticed his dressing
gown and stopped. He stared at it. He flung himself at the
policeman.
"So where did I get these clothes from?" he howled.
He collapsed and lay twitching on the grass.
Ford shook his head.
"He's had a bad two million years," he said to the policeman, and
together they heaved Arthur on to the sofa and carried him off
the pitch and were only briefly hampered by the sudden
disappearance of the sofa on the way.
Reaction to all this from the crowd were many and various. Most
of them couldn't cope with watching it, and listened to it on the
radio instead.
"Well, this is an interesting incident, Brian," said one radio
commentator to another. "I don't think there have been any
mysterious materializations on the pitch since, oh since, well I
don't think there have been any - have there? - that I recall?"
"Edgbaston, 1932?"
"Ah, now what happened then ..."
"Well, Peter, I think it was Canter facing Willcox coming up to
bowl from the pavilion end when a spectator suddenly ran straight
across the pitch."
There was a pause while the first commentator considered this.
"Ye ... e ... s ..." he said, "yes, there's nothing actually very
mysterious about that, is there? He didn't actually materialize,
did he? Just ran on."
"No, that's true, but he did claim to have seen something
materialize on the pitch."
"Ah, did he?"
"Yes. An alligator, I think, of some description."
"Ah. And had anyone else noticed it?"
"Apparently not. And no one was able to get a very detailed
description from him, so only the most perfunctory search was
made."
"And what happened to the man?"
"Well, I think someone offered to take him off and give him some
lunch, but he explained that he'd already had a rather good one,
so the matter was dropped and Warwickshire went on to win by
three wickets."
"So, not very like this current instance. For those of you who've
just tuned in, you may be interested to know that, er ... two
men, two rather scruffily attired men, and indeed a sofa - a
Chesterfield I think?"
"Yes, a Chesterfield."
"Have just materialized here in the middle of Lord's Cricket
Ground. But I don't think they meant any harm, they've been very
good-natured about it, and ..."
"Sorry, can I interrupt you a moment Peter and say that the sofa
has just vanished."
"So it has. Well, that's one mystery less. Still, it's definitely
one for the record books I think, particularly occurring at this
dramatic moment in play, England now needing only twenty-four
runs to win the series. The men are leaving the pitch in the
company of a police officer, and I think everyone's settling down
now and play is about to resume."
"Now, sir," said the policeman after they had made a passage
through the curious crowd and laid Arthur's peacefully inert body
on a blanket, "perhaps you'd care to tell me who you are, where
you come from, and what that little scene was all about?"
Ford looked at the ground for a moment as if steadying himself
for something, then he straightened up and aimed a look at the
policeman which hit him with the full force of every inch of the
six hundred light-years' distance between Earth and Ford's home
near Betelgeuse.
"All right," said Ford, very quietly, "I'll tell you."
"Yes, well, that won't be necessary," said the policeman
hurriedly, "just don't let whatever it was happen again." The
policeman turned around and wandered off in search of anyone who
wasn't from Betelgeuse. Fortunately, the ground was full of them.
Arthur's consciousness approached his body as from a great
distance, and reluctantly. It had had some bad times in there.
Slowly, nervously, it entered and settled down in to its
accustomed position.
Arthur sat up.
"Where am I?" he said.
"Lord's Cricket Ground," said Ford.
"Fine," said Arthur, and his consciousness stepped out again for
a quick breather. His body flopped back on the grass.
Ten minutes later, hunched over a cup of tea in the refreshment
tent, the colour started to come back to his haggard face.
"How're you feeling?" said Ford.
"I'm home," said Arthur hoarsely. He closed his eyes and greedily
inhaled the steam from his tea as if it was - well, as far as
Arthur was concerned, as if it was tea, which it was.
"I'm home," he repeated, "home. It's England, it's today, the
nightmare is over." He opened his eyes again and smiled serenely.
"I'm where I belong," he said in an emotional whisper.
"There are two things I fell which I should tell you," said Ford,
tossing a copy of the Guardian over the table at him.
"I'm home," said Arthur.
"Yes," said Ford. "One is," he said pointing at the date at the
top of the paper, "that the Earth will be demolished in two days'
time."
"I'm home," said Arthur. "Tea," he said, "cricket," he added with
pleasure, "mown grass, wooden benches, white linen jackets, beer
cans ..."
Slowly he began to focus on the newspaper. He cocked his head on
one side with a slight frown.
"I've seen that one before," he said. His eyes wandered slowly up
to the date, which Ford was idly tapping at. His face froze for a
second or two and then began to do that terribly slow crashing
trick which Arctic ice-floes do so spectacularly in the spring.
"And the other thing," said Ford, "is that you appear to have a
bone in your beard." He tossed back his tea.
Outside the refreshment tent, the sun was shining on a happy
crowd. It shone on white hats and red faces. It shone on ice
lollies and melted them. It shone on the tears of small children
whose ice lollies had just melted and fallen off the stick. It
shone on the trees, it flashed off whirling cricket bats, it
gleamed off the utterly extraordinary object which was parked
behind the sight-screens and which nobody appeared to have
noticed. It beamed on Ford and Arthur as they emerged blinking
from the refreshment tent and surveyed the scene around them.
Arthur was shaking.
"Perhaps," he said, "I should ..."
"No," said Ford sharply.
"What?" said Arthur.
"Don't try and phone yourself up at home."
"How did you know ...?"
Ford shrugged.
"But why not?" said Arthur.
"People who talk to themselves on the phone," said Ford, "never
learn anything to their advantage."
"But ..."
"Look," said Ford. He picked up an imaginary phone and dialled an
imaginary dial.
"Hello?" he said into the imaginary mouthpiece. "Is that Arthur
Dent? Ah, hello, yes. This is Arthur Dent speaking. Don't hang
up."
He looked at the imaginary mouthpiece in disappointment.
"He hung up," he said, shrugged, and put the imaginary phone
neatly back on its imaginary hook.
"This is not my first temporal anomaly," he added.
A glummer look replaced the already glum look on Arthur Dent's
face.
"So we're not home and dry," he said.
"We could not even be said," replied Ford, "to be home and
vigorously towelling ourselves off."
The game continued. The bowler approached the wicket at a lope, a
trot, and then a run. He suddenly exploded in a flurry of arms
and legs, out of which flew a ball. The batsman swung and
thwacked it behind him over the sight-screens. Ford's eyes
followed the trajectory of the ball and jogged momentarily. He
stiffened. He looked along the flight path of the ball again and
his eyes twitched again.
"This isn't my towel," said Arthur, who was rummaging in his
rabbit-skin bag.
"Shhh," said Ford. He screwed his eyes up in concentration.
"I had a Golgafrinchan jogging towel," continued Arthur, "it was
blue with yellow stars on it. This isn't it."
"Shhh," said Ford again. He covered one eye and looked with the
other.
"This one's pink," said Arthur, "it isn't yours is it?"
"I would like you to shut up about your towel," said Ford.
"It isn't my towel," insisted Arthur, "that is the point I am
trying to ..."
"And the time at which I would like you to shut up about it,"
continued Ford in a low growl, "is now."
"All right," said Arthur, starting to stuff it back into the
primitively stitched rabbit-skin bag. "I realize that it is
probably not important in the cosmic scale of things, it's just
odd, that's all. A pink towel suddenly, instead of a blue one
with yellow stars."
Ford was beginning to behave rather strangely, or rather not
actually beginning to behave strangely but beginning to behave in
a way which was strangely different from the other strange ways
in which he more regularly behaved. What he was doing was this.
Regardless of the bemused stares it was provoking from his fellow
members of the crowd gathered round the pitch, he was waving his
hands in sharp movements across his face, ducking down behind
some people, leaping up behind others, then standing still and
blinking a lot. After a moment or two of this he started to stalk
forward slowly and stealthily wearing a puzzled frown of
concentration, like a leopard that's not sure whether it's just
seen a half-empty tin of cat food half a mile away across a hot
and dusty plain.
"This isn't my bag either," said Arthur suddenly.
Ford's spell of concentration was broken. He turned angrily on
Arthur.
"I wasn't talking about my towel," said Arthur. "We've
established that that isn't mine. It's just that the bag into
which I was putting the towel which is not mine is also not mine,
though it is extraordinarily similar. Now personally I think that
that is extremely odd, especially as the bag was one I made
myself on prehistoric Earth. These are also not my stones," he
added, pulling a few flat grey stones out of the bag. "I was
making a collection of interesting stones and these are clearly
very dull ones."
A roar of excitement thrilled through the crowd and obliterated
whatever it was that Ford said in reply to this piece of
information. The cricket ball which had excited this reaction
fell out of the sky and dropped neatly into Arthur's mysterious
rabbit-skin bag.
"Now I would say that that was also a very curious event," said
Arthur, rapidly closing the bag and pretending to look for the
ball on the ground.
"I don't think it's here," he said to the small boys who
immediately clustered round him to join in the search, "it
probably rolled off somewhere. Over there I expect." He pointed
vaguely in the direction in which he wished they would push off.
One of the boys looked at him quizzically.
"You all right?" said the boy.
"No," said Arthur.
"Then why you got a bone in your beard?" said the boy.
"I'm training it to like being wherever it's put." Arthur prided
himself on saying this. It was, he thought, exactly the sort of
thing which would entertain and stimulate young minds.
"Oh," said the small boy, putting his head to one side and
thinking about it. "What's your name?"
"Dent," said Arthur, "Arthur Dent."
"You're a jerk, Dent," said the boy, "a complete asshole." The
boy looked past him at something else, to show that he wasn't in
any particular hurry to run away, and then wandered off
scratching his nose. Suddenly Arthur remembered that the Earth
was going to be demolished again in two days' time, and just this
once didn't feel too bad about it.
Play resumed with a new ball, the sun continued to shine and Ford
continued to jump up and down shaking his head and blinking.
"Something's on your mind, isn't it?" said Arthur.
"I think," said Ford in a tone of voice which Arthur by now
recognized as one which presaged something utterly
unintelligible, "that there's an SEP over there."
He pointed. Curiously enough, the direction he pointed in was not
the one in which he was looking. Arthur looked in the one
direction, which was towards the sight-screens, and in the other
which was at the field of play. He nodded, he shrugged. He
shrugged again.
"A what?" he said.
"An SEP."
"An S ...?"
"... EP."
"And what's that?"
"Somebody Else's Problem."
"Ah, good," said Arthur and relaxed. He had no idea what all that
was about, but at least it seemed to be over. It wasn't.
"Over there," said Ford, again pointing at the sight-screens and
looking at the pitch.
"Where?" said Arthur.
"There!" said Ford.
"I see," said Arthur, who didn't.
"You do?" said Ford.
"What?" said Arthur.
"Can you see," said Ford patiently, "the SEP?"
"I thought you said that was somebody else's problem."
"That's right."
Arthur nodded slowly, carefully and with an air of immense
stupidity.
"And I want to know," said Ford, "if you can see it."
"You do?"
"Yes."
"What," said Arthur, "does it look like?"
"Well, how should I know, you fool?" shouted Ford. "If you can
see it, you tell me."
Arthur experienced that dull throbbing sensation just behind the
temples which was a hallmark of so many of his conversations with
Ford. His brain lurked like a frightened puppy in its kennel.
Ford took him by the arm.
"An SEP," he said, "is something that we can't see, or don't see,
or our brain doesn't let us see, because we think that it's
somebody else's problem. That's what SEP means. Somebody Else's
Problem. The brain just edits it out, it's like a blind spot. If
you look at it directly you won't see it unless you know
precisely what it is. Your only hope is to catch it by surprise
out of the corner of your eye."
"Ah," said Arthur, "then that's why ..."
"Yes," said Ford, who knew what Arthur was going to say.
"... you've been jumping up and ..."
"Yes."
"... down, and blinking ..."
"Yes."
"... and ..."
"I think you've got the message."
"I can see it," said Arthur, "it's a spaceship."
For a moment Arthur was stunned by the reaction this revelation
provoked. A roar erupted from the crowd, and from every direction
people were running, shouting, yelling, tumbling over each other
in a tumult of confusion. He stumbled back in astonishment and
glanced fearfully around. Then he glanced around again in even
greater astonishment.
"Exciting, isn't it?" said an apparition. The apparition wobbled
in front of Arthur's eyes, though the truth of the matter is
probably that Arthur's eyes were wobbling in front of the
apparition. His mouth wobbled as well.
"W ... w ... w ... w ..." his mouth said.
"I think your team have just won," said the apparition.
"W ... w ... w ... w ..." repeated Arthur, and punctuated each
wobble with a prod at Ford Prefect's back. Ford was staring at
the tumult in trepidation.
"You are English, aren't you?" said the apparition.
"W ... w ... w ... w ... yes" said Arthur.
"Well, your team, as I say, have just won. The match. It means
they retain the Ashes. You must be very pleased. I must say, I'm
rather fond of cricket, though I wouldn't like anyone outside
this planet to hear me saying that. Oh dear no."
The apparition gave what looked as if it might have been a
mischievous grin, but it was hard to tell because the sun was
directly behind him, creating a blinding halo round his head and
illuminating his silver hair and beard in a way which was
awesome, dramatic and hard to reconcile with mischievous grins.
"Still," he said, "it'll all be over in a couple of days, won't
it? Though as I said to you when we last met, I was very sorry
about that. Still, whatever will have been, will have been."
Arthur tried to speak, but gave up the unequal struggle. He
prodded Ford again.
"I thought something terrible had happened," said Ford, "but it's
just the end of the game. We ought to get out. Oh, hello,
Slartibartfast, what are you doing here?"
"Oh, pottering, pottering," said the old man gravely.
"That your ship? Can you give us a lift anywhere?"
"Patience, patience," the old man admonished.
"OK," said Ford. "It's just that this planet's going to be
demolished pretty soon."
"I know that," said Slartibartfast.
"And, well, I just wanted to make that point," said Ford.
"The point is taken."
And if you feel that you really want to hang around a cricket
pitch at this point ..."
"I do."
"Then it's your ship."
"It is."
"I suppose." Ford turned away sharply at this point.
"Hello, Slartibartfast," said Arthur at last.
"Hello, Earthman," said Slartibartfast.
"After all," said Ford, "we can only die once."
The old man ignored this and stared keenly on to the pitch, with
eyes that seemed alive with expressions that had no apparent
bearing on what was happening out there. What was happening was
that the crowd was gathering itself into a wide circle round the
centre of the pitch. What Slartibartfast saw in it, he alone
knew.
Ford was humming something. It was just one note repeated at
intervals. He was hoping that somebody would ask him what he was
humming, but nobody did. If anybody had asked him he would have
said he was humming the first line of a Noel Coward song called
"Mad About the Boy" over and over again. It would then have been
pointed out to him that he was only singing one note, to which he
would have replied that for reasons which he hoped would be
apparent, he was omitting the "about the boy" bit. He was annoyed
that nobody asked.
"It's just," he burst out at last, "that if we don't go soon, we
might get caught in the middle of it all again. And there's
nothing that depresses me more than seeing a planet being
destroyed. Except possibly still being on it when it happens.
Or," he added in an undertone, "hanging around cricket matches."
"Patience," said Slartibartfast again. "Great things are afoot."
"That's what you said last time we met," said Arthur.
"They were," said Slartibartfast.
"Yes, that's true," admitted Arthur.
All, however, that seemed to be afoot was a ceremony of some
kind. It was being specially staged for the benefit of tv rather
than the spectators, and all they could gather about it from
where they were standing was what they heard from a nearby radio.
Ford was aggressively uninterested.
He fretted as he heard it explained that the Ashes were about to
be presented to the Captain of the English team out there on the
pitch, fumed when told that this was because they had now won
them for the nth time, positively barked with annoyance at the
information that the Ashes were the remains of a cricket stump,
and when, further to this, he was asked to contend with the fact
that the cricket stump in question had been burnt in Melbourne,
Australia, in 1882, to signify the "death of English cricket", he
rounded on Slartibartfast, took a deep breath, but didn't have a
chance to say anything because the old man wasn't there. He was
marching out on to the pitch with terrible purpose in his gait,
his hair, beard and robes swept behind him, looking very much as
Moses would have looked if Sinai had been a well-cut lawn instead
of, as it is more usually represented, a fiery smoking mountain.
"He said to meet him at his ship," said Arthur.
"What in the name of zarking fardwarks is the old fool doing?"
exploded Ford.
"Meeting us at his ship in two minutes," said Arthur with a shrug
which indicated total abdication of thought. They started off
towards it. Strange sounds reached their ears. They tried not to
listen, but could not help noticing that Slartibartfast was
querulously demanding that he be given the silver urn containing
the Ashes, as they were, he said, "vitally important for the
past, present and future safety of the Galaxy", and that this was
causing wild hilarity. They resolved to ignore it.
What happened next they could not ignore. With a noise like a
hundred thousand people saying "wop", a steely white spaceship
suddenly seemed to create itself out of nothing in the air
directly above the cricket pitch and hung there with infinite
menace and a slight hum.
Then for a while it did nothing, as if it expected everybody to
go about their normal business and not mind it just hanging
there.
Then it did something quite extraordinary. Or rather, it opened
up and let something quite extraordinary come out of it, eleven
quite extraordinary things.
They were robots, white robots.
What was most extraordinary about them was that they appeared to
have come dressed for the occasion. Not only were they white, but
they carried what appeared to be cricket bats, and not only that,
but they also carried what appeared to be cricket balls, and not
only that but they wore white ribbing pads round the lower parts
of their legs. These last were extraordinary because they
appeared to contain jets which allowed these curiously civilized
robots to fly down from their hovering spaceship and start to
kill people, which is what they did
"Hello," said Arthur, "something seems to be happening."
"Get to the ship," shouted Ford. "I don't want to know, I don't
want to see, I don't want to hear," he yelled as he ran, "this is
not my planet, I didn't choose to be here, I don't want to get
involved, just get me out of here, and get me to a party, with
people I can relate to!"
Smoke and flame billowed from the pitch.
"Well, the supernatural brigade certainly seems to be out in
force here today ..." burbled a radio happily to itself.
"What I need," shouted Ford, by way of clarifying his previous
remarks, "is a strong drink and a peer-group." He continued to
run, pausing only for a moment to grab Arthur's arm and drag him
along with him. Arthur had adopted his normal crisis role, which
was to stand with his mouth hanging open and let it all wash over
him.
"They're playing cricket," muttered Arthur, stumbling along after
Ford. "I swear they are playing cricket. I do not know why they
are doing this, but that is what they are doing. They're not just
killing people, they're sending them up," he shouted, "Ford,
they're sending us up!"
It would have been hard to disbelieve this without knowing a
great deal more Galactic history than Arthur had so far managed
to pick up in his travels. The ghostly but violent shapes that
could be seen moving within the thick pall of smoke seemed to be
performing a series of bizarre parodies of batting strokes, the
difference being that every ball they struck with their bats
exploded wherever it landed. The very first one of these had
dispelled Arthur's initial reaction, that the whole thing might
just be a publicity stunt by Australian margarine manufacturers.
And then, as suddenly as it had all started, it was over. The
eleven white robots ascended through the seething cloud in a
tight formation, and with a few last flashes of flame entered the
bowels of their hovering white ship, which, with the noise of a
hundred thousand people saying "foop", promptly vanished into the
thin air out of which it had wopped.
For a moment there was a terrible stunned silence, and then out
of the drifting smoke emerged the pale figure of Slartibartfast
looking even more like Moses because in spite of the continued
absence of the mountain he was at least now striding across a
fiery and smoking well-mown lawn.
He stared wildly about him until he saw the hurrying figures of
Arthur Dent and Ford Prefect forcing their way through the
frightened crowd which was for the moment busy stampeding in the
opposite direction. The crowd was clearly thinking to itself
about what an unusual day this was turning out to be, and not
really knowing which way, if any, to turn.
Slartibartfast was gesturing urgently at Ford and Arthur and
shouting at them, as the three of them gradually converged on his
ship, still parked behind the sight-screens and still apparently
unnoticed by the crowd stampeding past it who presumably had
enough of their own problems to cope with at that time.
"They've garble warble farble!" shouted Slartibartfast in his
thin tremulous voice.
"What did he say?" panted Ford as he elbowed his way onwards.
Arthur shook his head.
"`They've ...' something or other," he said.
"They've table warble farble!" shouted Slartibartfast again.
Ford and Arthur shook their heads at each other.
"It sounds urgent," said Arthur. He stopped and shouted.
"What?"
"They've garble warble fashes!" cried Slartibartfast, still
waving at them.
"He says," said Arthur, "that they've taken the Ashes. That is
what I think he says." They ran on.
"The ...?" said Ford.
"Ashes," said Arthur tersely. "The burnt remains of a cricket
stump. It's a trophy. That ..." he was panting, "is ...
apparently ... what they ... have come and taken." He shook his
head very slightly as if he was trying to get his brain to settle
down lower in his skull.
"Strange thing to want to tell us," snapped Ford.
"Strange thing to take."
"Strange ship."
They had arrived at it. The second strangest thing about the ship
was watching the Somebody Else's Problem field at work. They
could now clearly see the ship for what it was simply because
they knew it was there. It was quite apparent, however, that
nobody else could. This wasn't because it was actually invisible
or anything hyper-impossible like that. The technology involved
in making anything invisible is so infinitely complex that nine
hundred and ninety-nine thousand million, nine hundred and
ninety-nine million, nine hundred and ninety-nine thousand, nine
hundred and ninety-nine times out of a billion it is much simpler
and more effective just to take the thing away and do without it.
The ultra-famous sciento-magician Effrafax of Wug once bet his
life that, given a year, he could render the great megamountain
Magramal entirely invisible.
Having spent most of the year jiggling around with immense Lux-
O-Valves and Refracto-Nullifiers and Spectrum-Bypass-O-Matics, he
realized, with nine hours to go, that he wasn't going to make it.
So, he and his friends, and his friends' friends, and his
friends' friends' friends, and his friends' friends' friends'
friends, and some rather less good friends of theirs who happened
to own a major stellar trucking company, put in what now is
widely recognized as being the hardest night's work in history,
and, sure enough, on the following day, Magramal was no longer
visible. Effrafax lost his bet - and therefore his life - simply
because some pedantic adjudicating official noticed (a) that when
walking around the area that Magramal ought to be he didn't trip
over or break his nose on anything, and (b) a suspicious-looking
extra moon.
The Somebody Else's Problem field is much simpler and more
effective, and what's more can be run for over a hundred years on
a single torch battery. This is because it relies on people's
natural disposition not to see anything they don't want to,
weren't expecting, or can't explain. If Effrafax had painted the
mountain pink and erected a cheap and simple Somebody Else's
Problem field on it, then people would have walked past the
mountain, round it, even over it, and simply never have noticed
that the thing was there.
And this is precisely what was happening with Slartibartfast's
ship. It wasn't pink, but if it had been, that would have been
the least of its visual problems and people were simply ignoring
it like anything.
The most extraordinary thing about it was that it looked only
partly like a spaceship with guidance fins, rocket engines and
escape hatches and so on, and a great deal like a small upended
Italian bistro.
Ford and Arthur gazed up at it with wonderment and deeply
offended sensibilities.
"Yes, I know," said Slartibartfast, hurrying up to them at that
point, breathless and agitated, "but there is a reason. Come, we
must go. The ancient nightmare is come again. Doom confronts us
all. We must leave at once."
"I fancy somewhere sunny," said Ford.
Ford and Arthur followed Slartibartfast into the ship and were so
perplexed by what they saw inside it that they were totally
unaware of what happened next outside.
A spaceship, yet another one, but this one sleek and silver,
descended from the sky on to the pitch, quietly, without fuss,
its long legs unlocking in a smooth ballet of technology.
It landed gently. It extended a short ramp. A tall grey-green
figure marched briskly out and approached the small knot of
people who were gathered in the centre of the pitch tending to
the casualties of the recent bizarre massacre. It moved people
aside with quiet, understated authority, and came at last to a
man lying in a desperate pool of blood, clearly now beyond the
reach of any Earthly medicine, breathing, coughing his last. The
figure knelt down quietly beside him.
"Arthur Philip Deodat?" asked the figure.
The man, with horrified confusion in eyes, nodded feebly.
"You're a no-good dumbo nothing," whispered the creature. "I
thought you should know that before you went."
=================================================================
Chapter 5
Important facts from Galactic history, number two:
(Reproduced from the Siderial Daily Mentioner's Book of popular
Galactic History.)
Since this Galaxy began, vast civilizations have risen and
fallen, risen and fallen, risen and fallen so often that it's
quite tempting to think that life in the Galaxy must be
(a) something akin to seasick - space-sick, time sick, history
sick or some such thing, and
(b) stupid.
=================================================================
Chapter 6
It seemed to Arthur as if the whole sky suddenly just stood aside
and let them through.
It seemed to him that the atoms of his brain and the atoms of the
cosmos were streaming through each other.
It seemed to him that he was blown on the wind of the Universe,
and that the wind was him.
It seemed to him that he was one of the thoughts of the Universe
and that the Universe was a thought of his.
It seemed to the people at Lord's Cricket Ground that another
North London restaurant had just come and gone as they so often
do, and that this was Somebody Else's Problem.
"What happened?" whispered Arthur in considerable awe.
"We took off," said Slartibartfast.
Arthur lay in startled stillness on the acceleration couch. He
wasn't certain whether he had just got space-sickness or
religion.
"Nice mover," said Ford in an unsuccessful attempt to disguise
the degree to which he had been impressed by what
Slartibartfast's ship had just done, "shame about the decor."
For a moment or two the old man didn't reply. He was staring at
the instruments with the air of one who is trying to convert
fahrenheit to centigrade in his head whilst his house is burning
down. Then his brow cleared and he stared for a moment at the
wide panoramic screen in front of him, which displayed a
bewildering complexity of stars streaming like silver threads
around them.
His lips moved as if he was trying to spell something. Suddenly
his eyes darted in alarm back to his instruments, but then his
expression merely subsided into a steady frown. He looked back up
at the screen. He felt his own pulse. His frown deepened for a
moment, then he relaxed.
"It's a mistake to try and understand mathematics," he said,
"they only worry me. What did you say?"
"Decor," said Ford. "Pity about it."
"Deep in the fundamental heart of mind and Universe," said
Slartibartfast, "there is a reason."
Ford glanced sharply around. He clearly thought this was taking
an optimistic view of things.
The interior of the flight deck was dark green, dark red, dark
brown, cramped and moodily lit. Inexplicably, the resemblance to
a small Italian bistro had failed to end at the hatchway. Small
pools of light picked out pot plants, glazed tiles and all sorts
of little unidentifiable brass things.
Rafia-wrapped bottles lurked hideously in the shadows.
The instruments which had occupied Slartibartfast's attention
seemed to be mounted in the bottom of bottles which were set in
concrete.
Ford reached out and touched it.
Fake concrete. Plastic. Fake bottles set in fake concrete.
The fundamental heart of mind and Universe can take a running
jump, he thought to himself, this is rubbish. On the other hand,
it could not be denied that the way the ship had moved made the
Heart of Gold seem like an electric pram.
He swung himself off the couch. He brushed himself down. He
looked at Arthur who was singing quietly to himself. He looked at
the screen and recognized nothing. He looked at Slartibartfast.
"How far did we just travel?" he said.
"About ..." said Slartibartfast, "about two thirds of the way
across the Galactic disc, I would say, roughly. Yes, roughly two
thirds, I think."
"It's a strange thing," said Arthur quietly, "that the further
and faster one travels across the Universe, the more one's
position in it seems to be largely immaterial, and one is filled
with a profound, or rather emptied of a ..."
"Yes, very strange," said Ford. "Where are we going?"
"We are going," said Slartibartfast, "to confront an ancient
nightmare of the Universe."
"And where are you going to drop us off?"
"I will need your help."
"Tough. Look, there's somewhere you can take us where we can have
fun, I'm trying to think of it, we can get drunk and maybe listen
to some extremely evil music. Hold on, I'll look it up." He dug
out his copy of The Hitch Hiker's Guide to the Galaxy and tipped
through those parts of the index primarily concerned with sex and
drugs and rock and roll.
"A curse has arisen from the mists of time," said Slartibartfast.
"Yes, I expect so," said Ford. "Hey," he said, lighting
accidentally on one particular reference entry, "Eccentrica
Gallumbits, did you ever meet her? The triple-breasted whore of
Eroticon Six. Some people say her erogenous zones start some four
miles from her actual body. Me, I disagree, I say five."
"A curse," said Slartibartfast, "which will engulf the Galaxy in
fire and destruction, and possibly bring the Universe to a
premature doom. I mean it," he added.
"Sounds like a bad time," said Ford, "with look I'll be drunk
enough not to notice. Here," he said, stabbing his finger at the
screen of the Guide, "would be a really wicked place to go, and I
think we should. What do you say, Arthur? Stop mumbling mantras
and pay attention. There's important stuff you're missing here."
Arthur pushed himself up from his couch and shook his head.
"Where are we going?" he said.
"To confront an ancient night-"
"Can it," said Ford. "Arthur, we are going out into the Galaxy to
have some fun. Is that an idea you can cope with?"
"What's Slartibartfast looking so anxious about?" said Arthur.
"Nothing," said Ford.
"Doom," said Slartibartfast. "Come," he added, with sudden
authority, "there is much I must show and tell you."
He walked towards a green wrought-iron spiral staircase set
incomprehensibly in the middle of the flight deck and started to
ascend. Arthur, with a frown, followed.
Ford slung the Guide sullenly back into his satchel.
"My doctor says that I have a malformed public-duty gland and a
natural deficiency in moral fibre," he muttered to himself, "and
that I am therefore excused from saving Universes."
Nevertheless, he stomped up the stairs behind them.
What they found upstairs was just stupid, or so it seemed, and
Ford shook his head, buried his face in his hands and slumped
against a pot plant, crushing it against the wall.
"The central computational area," said Slartibartfast
unperturbed, "this is where every calculation affecting the ship
in any way is performed. Yes I know what it looks like, but it is
in fact a complex four-dimensional topographical map of a series
of highly complex mathematical functions."
"It looks like a joke," said Arthur.
"I know what it looks like," said Slartibartfast, and went into
it. As he did so, Arthur had a sudden vague flash of what it
might mean, but he refused to believe it. The Universe could not
possibly work like that, he thought, cannot possibly. That, he
thought to himself, would be as absurd as ... he terminated that
line of thinking. Most of the really absurd things he could think
of had already happened.
And this was one of them.
It was a large glass cage, or box - in fact a room.
In it was a table, a long one. Around it were gathered about a
dozen chairs, of the bentwood style. On it was a tablecloth - a
grubby, red and white check tablecloth, scarred with the
occasional cigarette burn, each, presumably, at a precise
calculated mathematical position.
And on the tablecloth sat some half-eaten Italian meals, hedged
about with half-eaten breadsticks and half-drunk glasses of wine,
and toyed with listlessly by robots.
It was all completely artificial. The robot customers were
attended by a robot waiter, a robot wine waiter and a robot
maetre d'. The furniture was artificial, the tablecloth
artificial, and each particular piece of food was clearly capable
of exhibiting all the mechanical characteristics of, say, a pollo
sorpreso, without actually being one.
And all participated in a little dance together - a complex
routine involving the manipulation of menus, bill pads, wallets,
cheque books, credit cards, watches, pencils and paper napkins,
which seemed to be hovering constantly on the edge of violence,
but never actually getting anywhere.
Slartibartfast hurried in, and then appeared to pass the time of
day quite idly with the maetre d', whilst one of the customer
robots, an autorory, slid slowly under the table, mentioning what
he intended to do to some guy over some girl.
Slartibartfast took over the seat which had been thus vacated and
passed a shrewd eye over the menu. The tempo of the routine round
the table seemed somehow imperceptibly to quicken. Arguments
broke out, people attempted to prove things on napkins. They
waved fiercely at each other, and attempted to examine each
other's pieces of chicken. The waiter's hand began to move on the
bill pad more quickly than a human hand could manage, and then
more quickly than a human eye could follow. The pace accelerated.
Soon, an extraordinary and insistent politeness overwhelmed the
group, and seconds later it seemed that a moment of consensus was
suddenly achieved. A new vibration thrilled through the ship.
Slartibartfast emerged from the glass room.
"Bistromathics," he said. "The most powerful computational force
known to parascience. Come to the Room of Informational
Illusions."
He swept past and carried them bewildered in his wake.
=================================================================
Chapter 7
The Bistromatic Drive is a wonderful new method of crossing vast
interstellar distances without all that dangerous mucking about
with Improbability Factors.
Bistromathics itself is simply a revolutionary new way of
understanding the behaviour of numbers. Just as Einstein observed
that time was not an absolute but depended on the observer's
movement in space, and that space was not an absolute, but
depended on the observer's movement in time, so it is now
realized that numbers are not absolute, but depend on the
observer's movement in restaurants.
The first non-absolute number is the number of people for whom
the table is reserved. This will vary during the course of the
first three telephone calls to the restaurant, and then bear no
apparent relation to the number of people who actually turn up,
or to the number of people who subsequently join them after the
show/match/party/gig, or to the number of people who leave when
they see who else has turned up.
The second non-absolute number is the given time of arrival,
which is now known to be one of those most bizarre of
mathematical concepts, a recipriversexcluson, a number whose
existence can only be defined as being anything other than
itself. In other words, the given time of arrival is the one
moment of time at which it is impossible that any member of the
party will arrive. Recipriversexclusons now play a vital part in
many branches of maths, including statistics and accountancy and
also form the basic equations used to engineer the Somebody
Else's Problem field.
The third and most mysterious piece of non-absoluteness of all
lies in the relationship between the number of items on the bill,
the cost of each item, the number of people at the table, and
what they are each prepared to pay for. (The number of people who
have actually brought any money is only a sub-phenomenon in this
field.)
The baffling discrepancies which used to occur at this point
remained uninvestigated for centuries simply because no one took
them seriously. They were at the time put down to such things as
politeness, rudeness, meanness, flashness, tiredness,
emotionality, or the lateness of the hour, and completely
forgotten about on the following morning. They were never tested
under laboratory conditions, of course, because they never
occurred in laboratories - not in reputable laboratories at
least.
And so it was only with the advent of pocket computers that the
startling truth became finally apparent, and it was this:
Numbers written on restaurant bills within the confines of
restaurants do not follow the same mathematical laws as numbers
written on any other pieces of paper in any other parts of the
Universe.
This single fact took the scientific world by storm. It
completely revolutionized it. So many mathematical conferences
got held in such good restaurants that many of the finest minds
of a generation died of obesity and heart failure and the science
of maths was put back by years.
Slowly, however, the implications of the idea began to be
understood. To begin with it had been too stark, too crazy, too
much what the man in the street would have said, "Oh yes, I could
have told you that," about. Then some phrases like "Interactive
Subjectivity Frameworks" were invented, and everybody was able to
relax and get on with it.
The small groups of monks who had taken up hanging around the
major research institutes singing strange chants to the effect
that the Universe was only a figment of its own imagination were
eventually given a street theatre grant and went away.
=================================================================
Chapter 8
"In space travel, you see," said Slartibartfast, as he fiddled
with some instruments in the Room of Informational Illusions, "in
space travel ..."
He stopped and looked about him.
The Room of Informational Illusions was a welcome relief after
the visual monstrosities of the central computational area. There
was nothing in it. No information, no illusions, just themselves,
white walls and a few small instruments which looked as if they
were meant to plug into something which Slartibartfast couldn't
find.
"Yes?" urged Arthur. He had picked up Slartibartfast's sense of
urgency but didn't know what to do with it.
"Yes what?" said the old man.
"You were saying?"
Slartibartfast looked at him sharply.
"The numbers," he said, "are awful." He resumed his search.
Arthur nodded wisely to himself. After a while he realized that
this wasn't getting him anywhere and decided that he would say
"what?" after all.
"In space travel," repeated Slartibartfast, "all the numbers are
awful."
Arthur nodded again and looked round to Ford for help, but Ford
was practising being sullen and getting quite good at it.
"I was only," said Slartibartfast with a sigh, "trying to save
you the trouble of asking me why all the ship's computations were
being done on a waiter's bill pad."
Arthur frowned.
"Why," he said, "were all the ship's computations being done on a
wait-"
He stopped.
Slartibartfast said, "Because in space travel all the numbers are
awful."
He could tell that he wasn't getting his point across.
"Listen," he said. "On a waiter's bill pad numbers dance. You
must have encountered the phenomenon."
"Well ..."
"On a waiter's bill pad," said Slartibartfast, "reality and
unreality collide on such a fundamental level that each becomes
the other and anything is possible, within certain parameters."
"What parameters?"
"It's impossible to say," said Slartibartfast. "That's one of
them. Strange but true. At least, I think it's strange," he
added, "and I'm assured that it's true."
At that moment he located the slot in the wall for which he had
been searching, and clicked the instrument he was holding into
it.
"Do not be alarmed," he said, and then suddenly darted an alarmed
look at himself, and lunged back, "it's ..."
They didn't hear what he said, because at that moment the ship
winked out of existence around them and a starbattle-ship the
size of a small Midlands industrial city plunged out of the
sundered night towards them, star lasers ablaze.
They gaped, pop-eyed, and were unable to scream.
=================================================================
Chapter 9
Another world, another day, another dawn.
The early morning's thinnest sliver of light appeared silently.
Several billion trillion tons of superhot exploding hydrogen
nuclei rose slowly above the horizon and managed to look small,
cold and slightly damp.
There is a moment in every dawn when light floats, there is the
possibility of magic. Creation holds its breath.
The moment passed as it regularly did on Squornshellous Zeta,
without incident.
The mist clung to the surface of the marshes. The swamp trees
were grey with it, the tall reeds indistinct. It hung motionless
like held breath.
Nothing moved.
There was silence.
The sun struggled feebly with the mist, tried to impart a little
warmth here, shed a little light there, but clearly today was
going to be just another long haul across the sky.
Nothing moved.
Again, silence.
Nothing moved.
Silence.
Very often on Squornshellous Zeta, whole days would go on like
this, and this was indeed going to be one of them.
Fourteen hours later the sun sank hopelessly beneath the opposite
horizon with a sense of totally wasted effort.
And a few hours later it reappeared, squared its shoulders and
started on up the sky again.
This time, however, something was happening. A mattress had just
met a robot.
"Hello, robot," said the mattress.
"Bleah," said the robot and continued what it was doing, which
was walking round very slowly in a very tiny circle.
"Happy?" said the mattress.
The robot stopped and looked at the mattress. It looked at it
quizzically. It was clearly a very stupid mattress. It looked
back at him with wide eyes.
After what it had calculated to ten significant decimal places as
being the precise length of pause most likely to convey a general
contempt for all things mattressy, the robot continued to walk
round in tight circles.
"We could have a conversation," said the mattress, "would you
like that?"
It was a large mattress, and probably one of quite high quality.
Very few things actually get manufactured these days, because in
an infinitely large Universe such as, for instance, the one in
which we live, most things one could possibly imagine, and a lot
of things one would rather not, grow somewhere. A forest was
discovered recently in which most of the trees grew ratchet
screwdrivers as fruit. The life cycle of ratchet screwdriver
fruit it quite interesting. Once picked it needs a dark dusty
drawer in which it can lie undisturbed for years. Then one night
it suddenly hatches, discards its outer skin which crumbles into
dust, and emerges as a totally unidentifiable little metal object
with flanges at both ends and a sort of ridge and a sort of hole
for a screw. This, when found, will get thrown away. No one knows
what it is supposed to gain from this. Nature, in her infinite
wisdom, is presumably working on it.
No one really knows what mattresses are meant to gain from their
lives either. They are large, friendly, pocket-sprung creatures
which live quiet private lives in the marshes of Squornshellous
Zeta. Many of them get caught, slaughtered, dried out, shipped
out and slept on. None of them seem to mind and all of them are
called Zem.
"No," said Marvin.
"My name," said the mattress, "is Zem. We could discuss the
weather a little."
Marvin paused again in his weary circular plod.
"The dew," he observed, "has clearly fallen with a particularly
sickening thud this morning."
He resumed his walk, as if inspired by this conversational
outburst to fresh heights of gloom and despondency. He plodded
tenaciously. If he had had teeth he would have gritted them at
this point. He hadn't. He didn't. The mere plod said it all.
The mattress flolloped around. This is a thing that only live
mattresses in swamps are able to do, which is why the word is not
in more common usage. It flolloped in a sympathetic sort of way,
moving a fairish body of water as it did so. It blew a few
bubbles up through the water engagingly. Its blue and white
stripes glistened briefly in a sudden feeble ray of sun that had
unexpectedly made it through the mist, causing the creature to
bask momentarily.
Marvin plodded.
"You have something on your mind, I think," said the mattress
floopily.
"More than you can possibly imagine," dreaded Marvin. "My
capacity for mental activity of all kinds is as boundless as the
infinite reaches of space itself. Except of course for my
capacity for happiness."
Stomp, stomp, he went.
"My capacity for happiness," he added, "you could fit into a
matchbox without taking out the matches first."
The mattress globbered. This is the noise made by a live, swamp-
dwelling mattress that is deeply moved by a story of personal
tragedy. The word can also, according to The Ultra-Complete
Maximegalon Dictionary of Every Language Ever, mean the noise
made by the Lord High Sanvalvwag of Hollop on discovering that he
has forgotten his wife's birthday for the second year running.
Since there was only ever one Lord High Sanvalvwag of Hollop, and
he never married, the word is only ever used in a negative or
speculative sense, and there is an ever-increasing body of
opinion which holds that The Ultra-Complete Maximegalon
Dictionary is not worth the fleet of lorries it takes to cart its
microstored edition around in. Strangely enough, the dictionary
omits the word "floopily", which simply means "in the manner of
something which is floopy".
The mattress globbered again.
"I sense a deep dejection in your diodes," it vollued (for the
meaning of the word "vollue", buy a copy of Squornshellous
Swamptalk at any remaindered bookshop, or alternatively buy The
Ultra-Complete Maximegalon Dictionary, as the University will be
very glad to get it off their hands and regain some valuable
parking lots), "and it saddens me. You should be more
mattresslike. We live quiet retired lives in the swamp, where we
are content to flollop and vollue and regard the wetness in a
fairly floopy manner. Some of us are killed, but all of us are
called Zem, so we never know which and globbering is thus kept to
a minimum. Why are you walking in circles?"
"Because my leg is stuck," said Marvin simply.
"It seems to me," said the mattress eyeing it compassionately,
"that it is a pretty poor sort of leg."
"You are right," said Marvin, "it is."
"Voon," said the mattress.
"I expect so," said Marvin, "and I also expect that you find the
idea of a robot with an artificial leg pretty amusing. You should
tell your friends Zem and Zem when you see them later; they'll
laugh, if I know them, which I don't of course - except insofar
as I know all organic life forms, which is much better than I
would wish to. Ha, but my life is but a box of wormgears."
He stomped around again in his tiny circle, around his thin steel
peg-leg which revolved in the mud but seemed otherwise stuck.
"But why do you just keep walking round and round?" said the
mattress.
"Just to make the point," said Marvin, and continued, round and
round.
"Consider it made, my dear friend," flurbled the mattress,
"consider it made."
"Just another million years," said Marvin, "just another quick
million. Then I might try it backwards. Just for the variety, you
understand."
The mattress could feel deep in his innermost spring pockets that
the robot dearly wished to be asked how long he had been trudging
in this futile and fruitless manner, and with another quiet
flurble he did so.
"Oh, just over the one-point-five-million mark, just over," said
Marvin airily. "Ask me if I ever get bored, go on, ask me."
The mattress did.
Marvin ignored the question, he merely trudged with added
emphasis.
"I gave a speech once," he said suddenly, and apparently
unconnectedly. "You may not instantly see why I bring the subject
up, but that is because my mind works so phenomenally fast, and I
am at a rough estimate thirty billion times more intelligent than
you. Let me give you an example. Think of a number, any number."
"Er, five," said the mattress.
"Wrong," said Marvin. "You see?"
The mattress was much impressed by this and realized that it was
in the presence of a not unremarkable mind. It willomied along
its entire length, sending excited little ripples through its
shallow algae-covered pool.
It gupped.
"Tell me," it urged, "of the speech you once made, I long to hear
it."
"It was received very badly," said Marvin, "for a variety of
reasons. I delivered it," he added, pausing to make an awkward
humping sort of gesture with his not-exactly-good arm, but his
arm which was better than the other one which was dishearteningly
welded to his left side, "over there, about a mile distance."
He was pointing as well as he could manage, and he obviously
wanted to make it totally clear that this was as well as he could
manage, through the mist, over the reeds, to a part of the marsh
which looked exactly the same as every other part of the marsh.
"There," he repeated. "I was somewhat of a celebrity at the
time."
Excitement gripped the mattress. It had never heard of speeches
being delivered on Squornshellous Zeta, and certainly not by
celebrities. Water spattered off it as a thrill glurried across
its back.
It did something which mattresses very rarely bother to do.
Summoning every bit of its strength, it reared its oblong body,
heaved it up into the air and held it quivering there for a few
seconds whilst it peered through the mist over the reeds at the
part of the marsh which Marvin had indicated, observing, without
disappointment, that it was exactly the same as every other part
of the marsh. The effort was too much, and it flodged back into
its pool, deluging Marvin with smelly mud, moss and weeds.
"I was a celebrity," droned the robot sadly, "for a short while
on account of my miraculous and bitterly resented escape from a
fate almost as good as death in the heart of a blazing sun. You
can guess from my condition," he added, "how narrow my escape
was. I was rescued by a scrap-metal merchant, imagine that. Here
I am, brain the size of ... never mind."
He trudged savagely for a few seconds.
"He it was who fixed me up with this leg. Hateful, isn't it? He
sold me to a Mind Zoo. I was the star exhibit. I had to sit on a
box and tell my story whilst people told me to cheer up and think
positive. `Give us a grin, little robot,' they would shout at me,
`give us a little chuckle.' I would explain to them that to get
my face to grin wold take a good couple of hours in a workshop
with a wrench, and that went down very well."
"The speech," urged the mattress. "I long to hear of the speech
you gave in the marshes."
"There was a bridge built across the marshes. A cyberstructured
hyperbridge, hundreds of miles in length, to carry ion-buggies
and freighters over the swamp."
"A bridge?" quirruled the mattress. "Here in the swamp?"
"A bridge," confirmed Marvin, "here in the swamp. It was going to
revitalize the economy of the Squornshellous System. They spent
the entire economy of the Squornshellous System building it. They
asked me to open it. Poor fools."
It began to rain a little, a fine spray slid through the mist.
"I stood on the platform. For hundreds of miles in front of me,
and hundreds of miles behind me, the bridge stretched."
"Did it glitter?" enthused the mattress.
"It glittered."
"Did it span the miles majestically?"
"It spanned the miles majestically."
"Did it stretch like a silver thread far out into the invisible
mist?"
"Yes," said Marvin. "Do you want to hear this story?"
"I want to hear your speech," said the mattress.
"This is what I said. I said, `I would like to say that it is a
very great pleasure, honour and privilege for me to open this
bridge, but I can't because my lying circuits are all out of
commission. I hate and despise you all. I now declare this
hapless cyberstructure open to the unthinkable abuse of all who
wantonly cross her.' And I plugged myself into the opening
circuits."
Marvin paused, remembering the moment.
The mattress flurred and glurried. It flolloped, gupped and
willomied, doing this last in a particularly floopy way.
"Voon," it wurfed at last. "And it was a magnificent occasion?"
"Reasonably magnificent. The entire thousand-mile-long bridge
spontaneously folded up its glittering spans and sank weeping
into the mire, taking everybody with it."
There was a sad and terrible pause at this point in the
conversation during which a hundred thousand people seemed
unexpectedly to say "wop" and a team of white robots descended
from the sky like dandelion seeds drifting on the wind in tight
military formation. For a sudden violent moment they were all
there, in the swamp, wrenching Marvin's false leg off, and then
they were gone again in their ship, which said "foop".
"You see the sort of thing I have to contend with?" said Marvin
to the gobbering mattress.
Suddenly, a moment later, the robots were back again for another
violent incident, and this time when they left, the mattress was
alone in the swamp. He flolloped around in astonishment and
alarm. He almost lurgled in fear. He reared himself to see over
the reeds, but there was nothing to see, just more reeds. He
listened, but there was no sound on the wind beyond the now
familiar sound of half-crazed etymologists calling distantly to
each other across the sullen mire.
=================================================================
Chapter 10
The body of Arthur Dent span.
The Universe shattered into a million glittering fragments around
it, and each particular shard span silently through the void,
reflecting on its silver surface some single searing holocaust of
fire and destruction.
And then the blackness behind the Universe exploded, and each
particular piece of blackness was the furious smoke of hell.
And the nothingness behind the blackness behind the Universe
erupted, and behind the nothingness behind the blackness behind
the shattered Universe was at last the dark figure of an immense
man speaking immense words.
"These, then," said the figure, speaking from an immensely
comfortable chair, "were the Krikkit Wars, the greatest
devastation ever visited upon our Galaxy. What you have
experienced ..."
Slartibartfast floated past, waving.
"It's just a documentary," he called out. "This is not a good
bit. Terribly sorry, trying to find the rewind control ..."
"... is what billions of billions of innocent ..."
"Do not," called out Slartibartfast floating past again, and
fiddling furiously with the thing that he had stuck into the wall
of the Room of Informational Illusions and which was in fact
still stuck there, "agree to buy anything at this point."
"... people, creatures, your fellow beings ..."
Music swelled - again, it was immense music, immense chords. And
behind the man, slowly, three tall pillars began to emerge out of
the immensely swirling mist.
"... experienced, lived through - or, more often, failed to live
through. Think of that, my friends. And let us not forget - and
in just a moment I shall be able to suggest a way which will help
us always to remember - that before the Krikkit Wars, the Galaxy
was that rare and wonderful thing a happy Galaxy!"
The music was going bananas with immensity at this point.
"A Happy Galaxy, my friends, as represented by the symbol of the
Wikkit Gate!"
The three pillars stood out clearly now, three pillars topped
with two cross pieces in a way which looked stupefyingly familiar
to Arthur's addled brain.
"The three pillars," thundered the man. "The Steel Pillar which
represented the Strength and Power of the Galaxy!"
Searchlights seared out and danced crazy dances up and down the
pillar on the left which was, clearly, made of steel or something
very like it. The music thumped and bellowed.
"The Perspex Pillar," announced the man, "representing the forces
of Science and Reason in the Galaxy!"
Other searchlights played exotically up and down the righthand,
transparent pillar creating dazzling patterns within it and a
sudden inexplicable craving for ice-cream in the stomach of
Arthur Dent.
"And," the thunderous voice continued, "the Wooden Pillar,
representing ..." and here his voice became just very slightly
hoarse with wonderful sentiments, "the forces of Nature and
Spirituality."
The lights picked out the central pillar. The music moved bravely
up into the realms of complete unspeakability.
"Between them supporting," the voice rolled on, approaching its
climax, "the Golden Bail of Prosperity and the Silver Bail of
Peace!"
The whole structure was now flooded with dazzling lights, and the
music had now, fortunately, gone far beyond the limits of the
discernible. At the top of the three pillars the two brilliantly
gleaming bails sat and dazzled. There seemed to be girls sitting
on top of them, or maybe they were meant to be angels. Angels are
usually represented as wearing more than that, though.
Suddenly there was a dramatic hush in what was presumably meant
to be the Cosmos, and a darkening of the lights.
"There is not a world," thrilled the man's expert voice, "not a
civilized world in the Galaxy where this symbol is not revered
even today. Even in primitive worlds it persists in racial
memories. This it was that the forces of Krikkit destroyed, and
this it is that now locks their world away till the end of
eternity!"
And with a flourish, the man produced in his hands a model of the
Wikkit gate. Scale was terribly hard to judge in this whole
extraordinary spectacle, but the model looked as if it must have
been about three feet high.
"Not the original key, of course. That, as everyone knows, was
destroyed, blasted into the ever-whirling eddies of the space-
time continuum and lost for ever. This is a remarkable replica,
hand-tooled by skilled craftsmen, lovingly assembled using
ancient craft secrets into a memento you will be proud to own, in
memory of those who fell, and in tribute to the Galaxy - our
Galaxy - which they died to defend ..."
Slartibartfast floated past again at this moment.
"Found it," he said. "We can lose all this rubbish. Just don't
nod, that's all."
"Now, let us bow our heads in payment," intoned the voice, and
then said it again, much faster and backwards.
Lights came and went, the pillars disappeared, the man gabled
himself backwards into nothing, the Universe snappily reassembled
itself around them.
"You get the gist?" said Slartibartfast.
"I'm astonished," said Arthur, "and bewildered."
"I was asleep," said Ford, who floated into view at this point.
"Did I miss anything?"
They found themselves once again teetering rather rapidly on the
edge of an agonizingly high cliff. The wind whipped out from
their faces and across a bay on which the remains of one of the
greatest and most powerful space battle-fleets ever assembled in
the Galaxy was briskly burning itself back into existence. The
sky was a sullen pink, darkening via a rather curious colour to
blue and upwards to black. Smoke billowed down out of it at an
incredible lick.
Events were now passing back by them almost too quickly to be
distinguished, and when, a short while later, a huge starbattle-
ship rushed away from them as if they'd said "boo", they only
just recognized it as the point at which they had come in.
But now things were too rapid, a video-tactile blur which brushed
and jiggled them through centuries of galactic history, turning,
twisting, flickering. The sound was a mere thin thrill.
Periodically through the thickening jumble of events they sensed
appalling catastrophes, deep horrors, cataclysmic shocks, and
these were always associated with certain recurring images, the
only images which ever stood out clearly from the avalance of
tumbling history: a wicket gate, a small hard red ball, hard
white robots, and also something less distinct, something dark
and cloudy.
But there was also another sensation which rose clearly out of
the thrilling passage of time.
Just as a slow series of clicks when speeded up will lose the
definition of each individual click and gradually take on the
quality of a sustained and rising tone, so a series of individual
impressions here took on the quality of a sustained emotion - and
yet not an emotion. If it was an emotion, it was a totally
emotionless one. It was hatred, implacable hatred. It was cold,
not like ice is cold, but like a wall is cold. It was impersonal,
not as a randomly flung fist in a crowd is impersonal, but like a
computer-issued parking summons is impersonal. And it was deadly
- again, not like a bullet or a knife is deadly, but like a brick
wall across a motorway is deadly.
And just as a rising tone will change in character and take on
harmonics as it rises, so again, this emotionless emotion seemed
to rise to an unbearable if unheard scream and suddenly seemed to
be a scream of guilt and failure.
And suddenly it stopped.
They were left standing on a quiet hilltop on a tranquil evening.
The sun was setting.
All around them softly undulating green countryside rolled off
gently into the distance. Birds sang about what they thought of
it all, and the general opinion seemed to be good. A little way
away could be heard the sound of children playing, and a little
further away than the apparent source of that sound could be seen
in the dimming evening light the outlines of a small town.
The town appeared to consist mostly of fairly low buildings made
of white stone. The skyline was of gentle pleasing curves.
The sun had nearly set.
As if out of nowhere, music began. Slartibartfast tugged at a
switch and it stopped.
A voice said, "This ..." Slartibartfast tugged at a switch and it
stopped.
"I will tell you about it," he said quietly.
The place was peaceful. Arthur felt happy. Even Ford seemed
cheerful. They walked a short way in the direction of the town,
and the Informational Illusion of the grass was pleasant and
springy under their feet, and the Informational Illusion of the
flowers smelt sweet and fragrant. Only Slartibartfast seemed
apprehensive and out of sorts.
He stopped and looked up.
It suddenly occurred to Arthur that, coming as this did at the
end, so to speak, or rather the beginning of all the horror they
had just blurredly experienced, something nasty must be about to
happen. He was distressed to think that something nasty could
happen to somewhere as idyllic as this. He too glanced up. There
was nothing in the sky.
"They're not about to attack here, are they?" he said. He
realized that this was merely a recording he was walking through,
but he still felt alarmed.
"Nothing is about to attack here," said Slartibartfast in a voice
which unexpectedly trembled with emotion. "This is where it all
started. This is the place itself. This is Krikkit."
He stared up into the sky.
The sky, from one horizon to another, from east to west, from
north to south, was utterly and completely black.
=================================================================
Chapter 11
Stomp stomp.
Whirrr.
"Pleased to be of service."
"Shut up."
"Thank you."
Stomp stomp stomp stomp stomp.
Whirrr.
"Thank you for making a simple door very happy."
"Hope your diodes rot."
"Thank you. Have a nice day."
Stomp stomp stomp stomp.
Whirrr.
"It is my pleasure to open for you ..."
"Zark off."
"... and my satisfaction to close again with the knowledge of a
job well done."
"I said zark off."
"Thank you for listening to this message."
Stomp stomp stomp stomp.
"Wop."
Zaphod stopped stomping. He had been stomping around the Heart of
Gold for days, and so far no door had said "wop" to him. He was
fairly certain that no door had said "wop" to him now. It was not
the sort of thing doors said. Too concise. Furthermore, there
were not enough doors. It sounded as if a hundred thousand people
had said "wop", which puzzled him because he was the only person
on the ship.
It was dark. Most of the ship's non-essential systems were closed
down. It was drifting in a remote area of the Galaxy, deep in the
inky blackness of space. So which particular hundred thousand
people would turn up at this point and say a totally unexpected
"wop"?
He looked about him, up the corridor and down the corridor. It
was all in deep shadow. There were just the very dim pinkish
outlines of the doors which glowed in the dark and pulsed
whenever they spoke, though he had tried every way he could think
of of stopping them.
The lights were off so that his heads could avoid looking at each
other, because neither of them was currently a particularly
engaging sight, and nor had they been since he had made the error
of looking into his soul.
It had indeed been an error. It had been late one night - of
course.
It had been a difficult day - of course.
There had been soulful music playing on the ship's sound system -
of course.
And he had, of course, been slightly drunk.
In other words, all the usual conditions which bring on a bout of
soul-searching had applied, but it had, nevertheless, clearly
been an error.
Standing now, silent and alone in the dark corridor he remembered
the moment and shivered. His one head looked one way and his
other the other and each decided that the other was the way to
go.
He listened but could hear nothing.
All there had been was the "wop".
It seemed an awfully long way to bring an awfully large number of
people just to say one word.
He started nervously to edge his way in the direction of the
bridge. There at least he would feel in control. He stopped
again. The way he was feeling he didn't think he was an awfully
good person to be in control.
The first shock of that moment, thinking back, had been
discovering that he actually had a soul.
In fact he'd always more or less assumed that he had one as he
had a full complement of everything else, and indeed two of
somethings, but suddenly actually to encounter the thing lurking
there deep within him had giving him a severe jolt.
And then to discover (this was the second shock) that it wasn't
the totally wonderful object which he felt a man in his position
had a natural right to expect had jolted him again.
Then he had thought about what his position actually was and the
renewed shock had nearly made him spill his drink. He drained it
quickly before anything serious happened to it. He then had
another quick one to follow the first one down and check that it
was all right.
"Freedom," he said aloud.
Trillian came on to the bridge at that point and said several
enthusiastic things on the subject of freedom.
"I can't cope with it," he said darkly, and sent a third drink
down to see why the second hadn't yet reported on the condition
of the first. He looked uncertainly at both of her and preferred
the one on the right.
He poured a drink down his other throat with the plan that it
would head the previous one off at the pass, join forces with it,
and together they would get the second to pull itself together.
Then all three would go off in search of the first, give it a
good talking to and maybe a bit of a sing as well.
He felt uncertain as to whether the fourth drink had understood
all that, so he sent down a fifth to explain the plan more fully
and a sixth for moral support.
"You're drinking too much," said Trillian.
His heads collided trying to sort out the four of her he could
now see into a whole position. He gave up and looked at the
navigation screen and was astonished to see a quite phenomenal
number of stars.
"Excitement and adventure and really wild things," he muttered.
"Look," she said in a sympathetic tone of voice, and sat down
near him, "it's quite understandable that you're going to feel a
little aimless for a bit."
He boggled at her. He had never seen anyone sit on their own lap
before.
"Wow," he said. He had another drink.
"You've finished the mission you've been on for years."
"I haven't been on it. I've tried to avoid being on it."
"You've still finished it."
He grunted. There seemed to be a terrific party going on in his
stomach.
"I think it finished me," he said. "Here I am, Zaphod Beeblebrox,
I can go anywhere, do anything. I have the greatest ship in the
know sky, a girl with whom things seem to be working out pretty
well ..."
"Are they?"
"As far as I can tell I'm not an expert in personal relationships
..."
Trillian raised her eyebrows.
"I am," he added, "one hell of a guy, I can do anything I want
only I just don't have the faintest idea what."
He paused.
"One thing," he further added, "has suddenly ceased to lead to
another" - in contradiction of which he had another drink and
slid gracelessly off his chair.
Whilst he slept it off, Trillian did a little research in the
ship's copy of The Hitch Hiker's Guide to the Galaxy. It had some
advice to offer on drunkenness.
"Go to it," it said, "and good luck."
It was cross-referenced to the entry concerning the size of the
Universe and ways of coping with that.
Then she found the entry on Han Wavel, an exotic holiday planet,
and one of the wonders of the Galaxy.
Han Wavel is a world which consists largely of fabulous ultra-
luxury hotels and casinos, all of which have been formed by the
natural erosion of wind and rain.
The chances of this happening are more or less one to infinity
against. Little is known of how this came about because none of
the geophysicists, probability statisticians, meteoranalysts or
bizzarrologists who are so keen to research it can afford to stay
there.
Terrific, thought Trillian to herself, and within a few hours the
great white running-shoe ship was slowly powering down out of the
sky beneath a hot brilliant sun towards a brightly coloured sandy
spaceport. The ship was clearly causing a sensation on the
ground, and Trillian was enjoying herself. She heard Zaphod
moving around and whistling somewhere in the ship.
"How are you?" she said over the general intercom.
"Fine," he said brightly, "terribly well."
"Where are you?"
"In the bathroom."
"What are you doing?"
"Staying here."
After an hour or two it became plain that he meant it and the
ship returned to the sky without having once opened its hatchway.
"Heigh ho," said Eddie the Computer.
Trillian nodded patiently, tapped her fingers a couple of times
and pushed the intercom switch.
"I think that enforced fun is probably not what you need at this
point."
"Probably not," replied Zaphod from wherever he was.
"I think a bit of physical challenge would help draw you out of
yourself."
"Whatever you think, I think," said Zaphod.
"Recreational Impossibilities" was a heading which caught
Trillian's eye when, a short while later, she sat down to flip
through the Guide again, and as the Heart of Gold rushed at
improbable speeds in an indeterminate direction, she sipped a cup
of something undrinkable from the Nutrimatic Drink Dispenser and
read about how to fly.
The Hitch Hiker's Guide to the Galaxy has this to say on the
subject of flying.
There is an art, it says, or rather a knack to flying.
The knack lies in learning how to throw yourself at the ground
and miss.
Pick a nice day, it suggests, and try it.
The first part is easy.
All it requires is simply the ability to throw yourself forward
with all your weight, and the willingness not to mind that it's
going to hurt.
That is, it's going to hurt if you fail to miss the ground.
Most people fail to miss the ground, and if they are really
trying properly, the likelihood is that they will fail to miss it
fairly hard.
Clearly, it's the second point, the missing, which presents the
difficulties.
One problem is that you have to miss the ground accidentally.
It's no good deliberately intending to miss the ground because
you won't. You have to have your attention suddenly distracted by
something else when you're halfway there, so that you are no
longer thinking about falling, or about the ground, or about how
much it's going to hurt if you fail to miss it.
It is notoriously difficult to prise your attention away from
these three things during the split second you have at your
disposal. Hence most people's failure, and their eventual
disillusionment with this exhilarating and spectacular sport.
If, however, you are lucky enough to have your attention
momentarily distracted at the crucial moment by, say, a gorgeous
pair of legs (tentacles, pseudopodia, according to phyllum and/or
personal inclination) or a bomb going off in your vicinity, or by
suddenly spotting an extremely rare species of beetle crawling
along a nearby twig, then in your astonishment you will miss the
ground completely and remain bobbing just a few inches above it
in what might seem to be a slightly foolish manner.
This is a moment for superb and delicate concentration.
Bob and float, float and bob.
Ignore all considerations of your own weight and simply let
yourself waft higher.
Do not listen to what anybody says to you at this point because
they are unlikely to say anything helpful.
They are most likely to say something along the lines of, "Good
God, you can't possibly be flying!"
It is vitally important not to believe them or they will suddenly
be right.
Waft higher and higher.
Try a few swoops, gentle ones at first, then drift above the
treetops breathing regularly.
Do not wave at anybody.
When you have done this a few times you will find the moment of
distraction rapidly becomes easier and easier to achieve.
You will then learn all sorts of things about how to control your
flight, your speed, your manoeuvrability, and the trick usually
lies in not thinking too hard about whatever you want to do, but
just allowing it to happen as if it was going to anyway.
You will also learn how to land properly, which is something you
will almost certainly cock up, and cock up badly, on your first
attempt.
There are private flying clubs you can join which help you
achieve the all-important moment of distraction. They hire people
with surprising bodies or opinions to leap out from behind bushes
and exhibit and/or explain them at the crucial moments. Few
genuine hitch-hikers will be able to afford to join these clubs,
but some may be able to get temporary employment at them.
Trillian read this longingly, but reluctantly decided that Zaphod
wasn't really in the right frame of mind for attempting to fly,
or for walking through mountains or for trying to get the
Brantisvogan Civil Service to acknowledge a change-of-address
card, which were the other things listed under the heading
"Recreational Impossibilities".
Instead, she flew the ship to Allosimanius Syneca, a world of
ice, snow, mind-hurtling beauty and stunning cold. The trek from
the snow plains of Liska to the summit of the Ice Crystal
Pyramids of Sastantua is long and gruelling, even with jet skis
and a team of Syneca Snowhounds, but the view from the top, a
view which takes in the Stin Glacier Fields, the shimmering Prism
Mountains and the far ethereal dancing icelights, is one which
first freezes the mind and then slowly releases it to hitherto
unexperienced horizons of beauty, and Trillian, for one, felt
that she could do with a bit of having her mind slowly released
to hitherto unexperienced horizons of beauty.
They went into a low orbit.
There lay the silverwhite beauty of Allosimanius Syneca beneath
them.
Zaphod stayed in bed with one head stuck under a pillow and the
other doing crosswords till late into the night.
Trillian nodded patiently again, counted to a sufficiently high
number, and told herself that the important thing now was just to
get Zaphod talking.
She prepared, by dint of deactivating all the robot kitchen
synthomatics, the most fabulously delicious meal she could
contrive - delicately oiled meals, scented fruits, fragrant
cheeses, fine Aldebaran wines.
She carried it through to him and asked if he felt like talking
things through.
"Zark off," said Zaphod.
Trillian nodded patiently to herself, counted to an even higher
number, tossed the tray lightly aside, walked to the transport
room and just teleported herself the hell out of his life.
She didn't even programme any coordinates, she hadn't the
faintest idea where she was going, she just went - a random row
of dots flowing through the Universe.
"Anything," she said to herself as she left, "is better than
this."
"Good job too," muttered Zaphod to himself, turned over and
failed to go to sleep.
The next day he restlessly paced the empty corridors of the ship,
pretending not to look for her, though he knew she wasn't there.
He ignored the computer's querulous demands to know just what the
hell was going on around here by fitting a small electronic gag
across a pair of its terminals.
After a while he began to turn down the lights. There was nothing
to see. Nothing was about to happen.
Lying in bed one night - and night was now virtually continuous
on the ship - he decided to pull himself together, to get things
into some kind of perspective. He sat up sharply and started to
pull clothes on. He decided that there must be someone in the
Universe feeling more wretched, miserable and forsaken than
himself, and he determined to set out and find him.
Halfway to the bridge it occurred to him that it might be Marvin,
and he returned to bed.
It was a few hours later than this, as he stomped disconsolately
about the darkened corridors swearing at cheerful doors, that he
heard the "wop" said, and it made him very nervous.
He leant tensely against the corridor wall and frowned like a man
trying to unbend a corkscrew by telekinesis. He laid his
fingertips against the wall and felt an unusual vibration. And
now he could quite clearly hear slight noises, and could hear
where they were coming from - they were coming from the bridge.
"Computer?" he hissed.
"Mmmm?" said the computer terminal nearest him, equally quietly.
"Is there someone on this ship?"
"Mmmmm," said the computer.
"Who is it?"
Mmmmm mmm mmmmm," said the computer.
"What?"
"Mmmmm mmmm mm mmmmmmmm."
Zaphod buried one of his faces in two of his hands.
"Oh, Zarquon," he muttered to himself. Then he stared up the
corridor towards the entrance to the bridge in the dim distance
from which more and purposeful noises were coming, and in which
the gagged terminals were situated.
"Computer," he hissed again.
"Mmmmm?"
"When I ungag you ..."
"Mmmmm."
"Remind me to punch myself in the mouth."
"Mmmmm mmm?"
"Either one. Now just tell me this. One for yes, two for no. Is
it dangerous?"
"Mmmmm."
"It is?"
"Mmmm."
"You didn't just go `mmmm' twice?"
"Mmmm mmmm."
"Hmmmm."
He inched his way up the corridor as if he would rather be
yarding his way down it, which was true.
He was within two yards of the door to the bridge when he
suddenly realized to his horror that it was going to be nice to
him, and he stopped dead. He hadn't been able to turn off the
doors' courtesy voice circuits.
This doorway to the bridge was concealed from view within it
because of the excitingly chunky way in which the bridge had been
designed to curve round, and he had been hoping to enter
unobserved.
He leant despondently back against the wall again and said some
words which his other head was quite shocked to hear.
He peered at the dim pink outline of the door, and discovered
that in the darkness of the corridor he could just about make out
the Sensor Field which extended out into the corridor and told
the door when there was someone there for whom it must open and
to whom it must make a cheery and pleasant remark.
He pressed himself hard back against the wall and edged himself
towards the door, flattening his chest as much as he possibly
could to avoid brushing against the very, very dim perimeter of
the field. He held his breath, and congratulated himself on
having lain in bed sulking for the last few days rather than
trying to work out his feelings on chest expanders in the ship's
gym.
He then realized he was going to have to speak at this point.
He took a series of very shallow breaths, and then said as
quickly and as quietly as he could, "Door, if you can hear me,
say so very, very quietly."
Very, very quietly, the door murmured, "I can hear you."
"Good. Now, in a moment, I'm going to ask you to open. When you
open I do not want you to say that you enjoyed it, OK?"
"OK."
"And I don't want you to say to me that I have made a simple door
very happy, or that it is your pleasure to open for me and your
satisfaction to close again with the knowledge of a job well
done, OK?"
"OK."
"And I do not want you to ask me to have a nice day, understand?"
"I understand."
"OK," said Zaphod, tensing himself, "open now."
The door slid open quietly. Zaphod slipped quietly through. The
door closed quietly behind him.
"Is that the way you like it, Mr Beeblebrox?" said the door out
loud.
"I want you to imagine," said Zaphod to the group of white robots
who swung round to stare at him at that point, "that I have an
extremely powerful Kill-O-Zap blaster pistol in my hand."
There was an immensely cold and savage silence. The robots
regarded him with hideously dead eyes. They stood very still.
There was something intensely macabre about their appearance,
especially to Zaphod who had never seen one before or even known
anything about them. The Krikkit Wars belonged to the ancient
past of the Galaxy, and Zaphod had spent most of his early
history lessons plotting how he was going to have sex with the
girl in the cybercubicle next to him, and since his teaching
computer had been an integral part of this plot it had eventually
had all its history circuits wiped and replaced with an entirely
different set of ideas which had then resulted in it being
scrapped and sent to a home for Degenerate Cybermats, whither it
was followed by the girl who had inadvertently fallen deeply in
love with the unfortunate machine, with the result (a) that
Zaphod never got near her and (b) that he missed out on a period
of ancient history that would have been of inestimable value to
him at this moment.
He stared at them in shock.
It was impossible to explain why, but their smooth and sleek
white bodies seemed to be the utter embodiment of clean, clinical
evil. From their hideously dead eyes to their powerful lifeless
feet, they were clearly the calculated product of a mind that
wanted simply to kill. Zaphod gulped in cold fear.
They had been dismantling part of the rear bridge wall, and had
forced a passage through some of the vital innards of the ship.
Through the tangled wreckage Zaphod could see, with a further and
worse sense of shock, that they were tunnelling towards the very
heart of the ship, the heart of the Improbability Drive that had
been so mysteriously created out of thin air, the Heart of Gold
itself.
The robot closest to him was regarding him in such a way as to
suggest that it was measuring every smallest particle of his
body, mind and capability. And when it spoke, what it said seemed
to bear this impression out. Before going on to what it actually
said, it is worth recording at this point that Zaphod was the
first living organic being to hear one of these creatures speak
for something over ten billion years. If he had paid more
attention to his ancient history lessons and less to his organic
being, he might have been more impressed by this honour.
The robot's voice was like its body, cold, sleek and lifeless. It
had almost a cultured rasp to it. It sounded as ancient as it
was.
It said, "You do have a Kill-O-Zap blaster pistol in your hand."
Zaphod didn't know what it meant for a moment, but then he
glanced down at his own hand and was relieved to see that what he
had found clipped to a wall bracket was indeed what he had
thought it was.
"Yeah," he said in a kind of relieved sneer, which is quite
tricky, "well, I wouldn't want to overtax your imagination,
robot." For a while nobody said anything, and Zaphod realized
that the robots were obviously not here to make conversation, and
that it was up to him.
"I can't help noticing that you have parked your ship," he said
with a nod of one of his heads in the appropriate direction,
"through mine."
There was no denying this. Without regard for any kind of proper
dimensional behaviour they had simply materialized their ship
precisely where they wanted it to be, which meant that it was
simply locked through the Heart of Gold as if they were nothing
more than two combs.
Again, they made no response to this, and Zaphod wondered if the
conversation would gather any momentum if he phrased his part of
it in the form of questions.
"... haven't you?" he added.
"Yes," replied the robot."
"Er, OK," said Zaphod. "So what are you cats doing here?"
Silence.
"Robots," said Zaphod, "what are you robots doing here?"
"We have come," rasped the robot, "for the Gold of the Bail."
Zaphod nodded. He waggled his gun to invite further elaboration.
The robot seemed to understand this.
"The Gold Bail is part of the Key we seek," continued the robot,
"to release our Masters from Krikkit."
Zaphod nodded again. He waggled his gun again.
"The Key," continued the robot simply, "was disintegrated in time
and space. The Golden Bail is embedded in the device which drives
your ship. It will be reconstituted in the Key. Our Masters shall
be released. The Universal Readjustment will continue."
Zaphod nodded again.
"What are you talking about?" he said.
A slightly pained expression seemed to cross the robot's totally
expressionless face. He seemed to be finding the conversation
depressing.
"Obliteration," it said. "We seek the Key," it repeated, "we
already have the Wooden Pillar, the Steel Pillar and the Perspex
Pillar. In a moment we will have the Gold Bail ..."
"No you won't."
"We will," stated the robot.
"No you won't. It makes my ship work."
"In a moment," repeated the robot patiently, "we will have the
Gold Bail ..."
"You will not," said Zaphod.
"And then we must go," said the robot, in all seriousness, "to a
party."
"Oh," said Zaphod, startled. "Can I come?"
"No," said the robot. "We are going to shoot you."
"Oh yeah?" said Zaphod, waggling his gun.
"Yes," said the robot, and they shot him.
Zaphod was so surprised that they had to shoot him again before
he fell down.
=================================================================
Chapter 12
"Shhh," said Slartibartfast. "Listen and watch."
Night had now fallen on ancient Krikkit. The sky was dark and
empty. The only light was coming from the nearby town, from which
pleasant convivial sounds were drifting quietly on the breeze.
They stood beneath a tree from which heady fragrances wafted
around them. Arthur squatted and felt the Informational Illusion
of the soil and the grass. He ran it through his fingers. The
soil seemed heavy and rich, the grass strong. It was hard to
avoid the impression that this was a thoroughly delightful place
in all respects.
The sky was, however, extremely blank and seemed to Arthur to
cast a certain chill over the otherwise idyllic, if currently
invisible, landscape. Still, he supposed, it's a question of what
you're used to.
He felt a tap on his shoulder and looked up. Slartibartfast was
quietly directing his attention to something down the other side
of the hill. He looked and could just see some faint lights
dancing and waving, and moving slowly in their direction.
As they came nearer, sounds became audible too, and soon the dim
lights and noises resolved themselves into a small group of
people who were walking home across the hill towards the town.
They walked quite near the watchers beneath the tree, swinging
lanterns which made soft and crazy lights dance among the trees
and grass, chattering contentedly, and actually singing a song
about how terribly nice everything was, how happy they were, how
much they enjoyed working on the farm, and how pleasant it was to
be going home to see their wives and children, with a lilting
chorus to the effect that the flowers were smelling particularly
nice at this time of year and that it was a pity the dog had died
seeing as it liked them so much. Arthur could almost imagine Paul
McCartney sitting with his feet up by the fire on evening,
humming it to Linda and wondering what to buy with the proceeds,
and thinking probably Essex.
"The Masters of Krikkit," breathed Slartibartfast in sepulchral
tones.
Coming, as it did, so hard upon the heels of his own thoughts
about Essex this remark caused Arthur a moment's confusion. Then
the logic of the situation imposed itself on his scattered mind,
and he discovered that he still didn't understand what the old
man meant.
"What?" he said.
"The Masters of Krikkit," said Slartibartfast again, and if his
breathing had been sepulchral before, this time he sounded like
someone in Hades with bronchitis.
Arthur peered at the group and tried to make sense of what little
information he had at his disposal at this point.
The people in the group were clearly alien, if only because they
seemed a little tall, thin, angular and almost as pale as to be
white, but otherwise they appeared remarkably pleasant; a little
whimsical perhaps, one wouldn't necessarily want to spend a long
coach journey with them, but the point was that if they deviated
in any way from being good straightforward people it was in being
perhaps too nice rather than not nice enough. So why all this
rasping lungwork from Slartibartfast which would seem more
appropriate to a radio commercial for one of those nasty films
about chainsaw operators taking their work home with them?
Then, this Krikkit angle was a tough one, too. He hadn't quite
fathomed the connection between what he knew as cricket, and what
...
Slartibartfast interrupted his train of thought at this point as
if sensing what was going through his mind.
"The game you know as cricket," he said, and his voice still
seemed to be wandering lost in subterranean passages, "is just
one of those curious freaks of racial memory which can keep
images alive in the mind aeons after their true significance has
been lost in the mists of time. Of all the races on the Galaxy,
only the English could possibly revive the memory of the most
horrific wars ever to sunder the Universe and transform it into
what I'm afraid is generally regarded as an incomprehensibly dull
and pointless game.
"Rather fond of it myself," he added, "but in most people's eyes
you have been inadvertently guilty of the most grotesque bad
taste. Particularly the bit about the little red ball hitting the
wicket, that's very nasty."
"Um," said Arthur with a reflective frown to indicate that his
cognitive synapses were coping with this as best as they could,
"um."
"And these," said Slartibartfast, slipping back into crypt
guttural and indicating the group of Krikkit men who had now
walked past them, "are the ones who started it all, and it will
start tonight. Come, we will follow, and see why."
They slipped out from underneath the tree, and followed the
cheery party along the dark hill path. Their natural instinct was
to tread quietly and stealthily in pursuit of their quarry,
though, as they were simply walking through a recorded
Informational Illusion, they could as easily have been wearing
euphoniums and woad for all the notice their quarry would have
taken of them.
Arthur noticed that a couple of members of the party were now
singing a different song. It came lilting back to them through
the soft night air, and was a sweet romantic ballad which would
have netted McCartney Kent and Sussex and enabled him to put in a
fair offer for Hampshire.
"You must surely know," said Slartibartfast to Ford, "what it is
that is about to happen?"
"Me?" said Ford. "No."
"Did you not learn Ancient Galactic History when you were a
child?"
"I was in the cybercubicle behind Zaphod," said Ford, "it was
very distracting. Which isn't to say that I didn't learn some
pretty stunning things."
At this point Arthur noticed a curious feature to the song that
the party were singing. The middle eight bridge, which would have
had McCartney firmly consolidated in Winchester and gazing
intently over the Test Valley to the rich pickings of the New
Forest beyond, had some curious lyrics. The songwriter was
referring to meeting with a girl not "under the moon" or "beneath
the stars" but "above the grass", which struck Arthur a little
prosaic. Then he looked up again at the bewildering black sky,
and had the distinct feeling that there was an important point
here, if only he could grasp what it was. It gave him a feeling
of being alone in the Universe, and he said so.
"No," said Slartibartfast, with a slight quickening of his step,
"the people of Krikkit have never thought to themselves `We are
alone in the Universe.' They are surrounded by a huge Dust Cloud,
you see, their single sun with its single world, and they are
right out on the utmost eastern edge of the Galaxy. Because of
the Dust Cloud there has never been anything to see in the sky.
At night it is totally blank, During the day there is the sun,
but you can't look directly at that so they don't. They are
hardly aware of the sky. It's as if they had a blind spot which
extended 180 degrees from horizon to horizon.
"You see, the reason why they have never thought `We are alone in
the Universe' is that until tonight they don't know about the
Universe. Until tonight."
He moved on, leaving the words ringing in the air behind him.
"Imagine," he said, "never even thinking `We are alone' simply
because it has never occurred to you to think that there's any
other way to be."
He moved on again.
"I'm afraid this is going to be a little unnerving," he added.
As he spoke, they became aware of a very thin roaring scream high
up in the sightless sky above them. They glanced upwards in
alarm, but for a moment or two could see nothing.
Then Arthur noticed that the people in the party in front of them
had heard the noise, but that none of them seemed to know what to
so with it. They were glancing around themselves in
consternation, left, right, forwards, backwards, even at the
ground. It never occurred to them to look upwards.
The profoundness of the shock and horror they emanated a few
moments later when the burning wreckage of a spaceship came
hurtling and screaming out of the sky and crashed about half a
mile from where they were standing was something that you had to
be there to experience.
Some speak of the Heart of Gold in hushed tones, some of the
Starship Bistromath.
Many speak of the legendary and gigantic Starship Titanic, a
majestic and luxurious cruise-liner launched from the great
shipbuilding asteroid complexes of Artifactovol some hundreds of
years ago now, and with good reason.
It was sensationally beautiful, staggeringly huge, and more
pleasantly equipped than any ship in what now remains of history
(see note below on the Campaign for Real Time) but it had the
misfortune to be built in the very earliest days of Improbability
Physics, long before this difficult and cussed branch of
knowledge was fully, or at all, understood.
The designers and engineers decided, in their innocence, to build
a prototype Improbability Field into it, which was meant,
supposedly, to ensure that it was Infinitely Improbable that
anything would ever go wrong with any part of the ship.
They did not realize that because of the quasi-reciprocal and
circular nature of all Improbability calculations, anything that
was Infinitely Improbable was actually very likely to happen
almost immediately.
The Starship Titanic was a monstrously pretty sight as it lay
beached like a silver Arcturan Megavoidwhale amongst the laser-
lit tracery of its construction gantries, a brilliant cloud of
pins and needles of light against the deep interstellar
blackness; but when launched, it did not even manage to complete
its very first radio message - an SOS - before undergoing a
sudden and gratuitous total existence failure.
However, the same event which saw the disastrous failure of one
science in its infancy also witnessed the apotheosis of another.
It was conclusively proven that more people watched the tri-d
coverage of the launch than actually existed at the time, and
this has now been recognized as the greatest achievement ever in
the science of audience research.
Another spectacular media event of that time was the supernova
which the star Ysllodins underwent a few hours later. Ysllodins
is the star around which most of the Galaxy's major insurance
underwriters live, or rather lived.
But whilst these spaceships, and other great ones which come to
mind, such as the Galactic Fleet Battleships - the GSS Daring,
the GSS Audacy and the GSS Suicidal Insanity - are all spoken of
with awe, pride, enthusiasm, affection, admiration, regret,
jealousy, resentment, in fact most of the better known emotions,
the one which regularly commands the most actual astonishment was
Krikkit One, the first spaceship ever built by the people of
Krikkit. This is not because it was a wonderful ship. It wasn't.
It was a crazy piece of near junk. It looked as if it had been
knocked up in somebody's backyard, and this was in fact precisely
where it had been knocked up. The astonishing thing about the
ship was not that it was one well (it wasn't) but that it was
done at all. The period of time which had elapsed between the
moment that the people of Krikkit had discovered that there was
such a thing as space and the launching of their first spaceship
was almost exactly a year.
Ford Prefect was extremely grateful, as he strapped himself in,
that this was just another Informational Illusion, and that he
was therefore completely safe. In real life it wasn't a ship he
would have set foot in for all the rice wine in China. "Extremely
rickety" was one phrase which sprang to mind, and "Please may I
get out?" was another.
"This is going to fly?" said Arthur, giving gaunt looks, at the
lashed-together pipework and wiring which festooned the cramped
interior of the ship.
Slartibartfast assured him that it would, that they were
perfectly safe and that it was all going to be extremely
instructive and not a little harrowing.
Ford and Arthur decided just to relax and be harrowed.
"Why not," said Ford, "go mad?"
In front of them and, of course, totally unaware of their
presence for the very good reason that they weren't actually
there, were the three pilots. They had also constructed the ship.
They had been on the hill path that night singing wholesome
heartwarming songs. Their brains had been very slightly turned by
the nearby crash of the alien spaceship. They had spent weeks
stripping every tiniest last secret out of the wreckage of that
burnt-up spaceship, all the while singing lilting spaceship-
stripping ditties. They had then built their own ship and this
was it. This was their ship, and they were currently singing a
little song about that too, expressing the twin joys of
achievement and ownership. The chorus was a little poignant, and
told of their sorrow that their work had kept them such long
hours in the garage, away from the company of their wives and
children, who had missed them terribly but had kept them cheerful
by bringing them continual stories of how nicely the puppy was
growing up.
Pow, they took off.
They roared into the sky like a ship that knew precisely what it
was doing.
"No way," said Ford a while later after they had recovered from
the shock of acceleration, and were climbing up out of the
planet's atmosphere, "no way," he repeated, "does anyone design
and build a ship like this in a year, no matter how motivated. I
don't believe it. Prove it to me and I still won't believe it."
He shook his head thoughtfully and gazed out of a tiny port at
the nothingness outside it.
The trip passed uneventfully for a while, and Slartibartfast
fastwound them through it.
Very quickly, therefore, they arrived at the inner perimeter of
the hollow, spherical Dust Cloud which surrounded their sun and
home planet, occupying, as it were, the next orbit out.
It was more as if there was a gradual change in the texture and
consistency of space. The darkness seemed now to thrum and ripple
past them. It was a very cold darkness, a very blank and heavy
darkness, it was the darkness of the night sky of Krikkit.
The coldness and heaviness and blankness of it took a slow grip
on Arthur's heart, and he felt acutely aware of the feelings of
the Krikkit pilots which hung in the air like a thick static
charge. They were now on the very boundary of the historical
knowledge of their race. This was the very limit beyond which
none of them had ever speculated, or even known that there was
any speculation to be done.
The darkness of the cloud buffeted at the ship. Inside was the
silence of history. Their historic mission was to find out if
there was anything or anywhere on the other side of the sky, from
which the wrecked spaceship could have come, another world maybe,
strange and incomprehensible though this thought was to the
enclosed minds of those who had lived beneath the sky of Krikkit.
History was gathering itself to deliver another blow.
Still the darkness thrummed at them, the blank enclosing
darkness. It seemed closer and closer, thicker and thicker,
heavier and heavier. And suddenly it was gone.
They flew out of the cloud.
They saw the staggering jewels of the night in their infinite
dust and their minds sang with fear.
For a while they flew on, motionless against the starry sweep of
the Galaxy, itself motionless against the infinite sweep of the
Universe. And then they turned round.
"It'll have to go," the men of Krikkit said as they headed back
for home.
On the way back they sang a number of tuneful and reflective
songs on the subjects of peace, justice, morality, culture,
sport, family life and the obliteration of all other life forms.
=================================================================
Chapter 13
"So you see," said Slartibartfast, slowly stirring his
artificially constructed coffee, and thereby also stirring the
whirlpool interfaces between real and unreal numbers, between the
interactive perceptions of mind and Universe, and thus generating
the restructured matrices of implicitly enfolded subjectivity
which allowed his ship to reshape the very concept of time and
space, "how it is."
"Yes," said Arthur.
"Yes," said Ford.
"What do I do," said Arthur, "with this piece of chicken?"
Slartibartfast glanced at him gravely.
"Toy with it," he said, "toy with it."
He demonstrated with his own piece.
Arthur did so, and felt the slight tingle of a mathematical
function thrilling through the chicken leg as it moved four-
dimensionally through what Slartibartfast had assured him was
five-dimensional space.
"Overnight," said Slartibartfast, "the whole population of
Krikkit was transformed from being charming, delightful,
intelligent ..."
"... if whimsical ..." interpolated Arthur.
"... ordinary people," said Slartibartfast, "into charming,
delightful, intelligent ..."
"... whimsical ..."
"... manic xenophobes. The idea of a Universe didn't fit into
their world picture, so to speak. They simply couldn't cope with
it. And so, charmingly, delightfully, intelligently, whimsically
if you like, they decided to destroy it. What's the matter now?"
"I don't like the wine very much," said Arthur sniffing it.
"Well, send it back. It's all part of the mathematics of it."
Arthur did so. He didn't like the topography of the waiter's
smile, but he'd never liked graphs anyway.
"Where are we going?" said Ford.
"Back to the Room of Informational Illusions," said
Slartibartfast, rising and patting his mouth with the
mathematical representation of a paper napkin, "for the second
half."
=================================================================
Chapter 14
"The people of Krikkit," said His High Judgmental Supremacy,
Judiciary Pag, LIVR (the Learned, Impartial and Very Relaxed)
Chairman of the Board of Judges at the Krikkit War Crimes Trial,
"are, well, you know, they're just a bunch of real sweet guys,
you know, who just happen to want to kill everybody. Hell, I feel
the same way some mornings. Shit.
"OK," he continued, swinging his feet up on to the bench in front
of him and pausing a moment to pick a thread off his Ceremonial
Beach Loafers, "so you wouldn't necessarily want to share a
Galaxy with these guys."
This was true.
The Krikkit attack on the Galaxy had been stunning. Thousands and
thousands of huge Krikkit warships had leapt suddenly out of
hyperspace and simultaneously attacked thousands and thousands of
major worlds, first seizing vital material supplies for building
the next wave, and then calmly zapping those worlds out of
existence.
The Galaxy, which had been enjoying a period of unusual peace and
prosperity at the time, reeled like a man getting mugged in a
meadow.
"I mean," continued Judiciary Pag, gazing round the ultra-modern
(this was ten billion years ago, when "ultra-modern" meant lots
of stainless steel and brushed concrete) and huge courtroom,
"these guys are just obsessed."
This too was true, and is the only explanation anyone has yet
managed to come up with for the unimaginable speed with which the
people of Krikkit had pursued their new and absolute purpose -
the destruction of everything that wasn't Krikkit.
It is also the only explanation for their bewildering sudden
grasp of all the hypertechnology involved in building their
thousands of spaceships, and their millions of lethal white
robots.
These had really struck terror into the hearts of everyone who
had encountered them - in most cases, however, the terror was
extremely short-lived, as was the person experiencing the terror.
They were savage, single-minded flying battle machines. They
wielded formidable multifunctional battleclubs which, brandished
one way, would knock down buildings and, brandished another way,
fired blistering Omni-Destructo Zap Rays and, brandished a third
way, launched a hideous arsenal of grenades, ranging from minor
incendiary devices to Maxi-Slorta Hypernuclear Devices which
could take out a major sun. Simply striking the grenades with the
battleclubs simultaneously primed them, and launched them with
phenomenal accuracy over distances ranging from mere yards to
hundreds of thousands of miles.
"OK," said Judiciary Pag again, "so we won." He paused and chewed
a little gum. "We won," he repeated, "but that's no big deal. I
mean a medium-sized galaxy against one little world, and how long
did it take us? Clerk of the Court?"
"M'lud?" said the severe little man in black, rising.
"How long, kiddo?"
"It is a trifle difficult, m'lud, to be precise in this matter.
Time and distance ..."
"Relax, guy, be vague."
"I hardly like to be vague, m'lud, over such a ..."
"Bite the bullet and be it."
The Clerk of the Court blinked at him. It was clear that like
most of the Galactic legal profession he found Judiciary Pag (or
Zipo Bibrok 5 / 108, as his private name was known, inexplicably,
to be) a rather distressing figure. He was clearly a bounder and
a cad. He seemed to think that the fact that he was the possessor
of the finest legal mind ever discovered gave him the right to
behave exactly as he liked, and unfortunately he appeared to be
right.
"Er, well, m'lud, very approximately, two thousand years," the
Clerk murmured unhappily.
"And how many guys zilched out?"
"Two grillion, m'lud." The Clerk sat down. A hydrospectic photo
of him at this point would have revealed that he was steaming
slightly.
Judiciary Pag gazed once more around the courtroom, wherein were
assembled hundreds of the very highest officials of the entire
Galactic administration, all in their ceremonial uniforms or
bodies, depending on metabolism and custom. Behind a wall of
Zap-Proof Crystal stood a representative group of the people of
Krikkit, looking with calm, polite loathing at all the aliens
gathered to pass judgment on them. This was the most momentous
occasion in legal history, and Judiciary Pag knew it.
He took out his chewing gum and stuck it under his chair.
"That's a whole lotta stiffs," he said quietly.
The grim silence in the courtroom seemed in accord with this
view.
"So, like I said, these are a bunch of really sweet guys, but you
wouldn't want to share a Galaxy with them, not if they're just
gonna keep at it, not if they're not gonna learn to relax a
little. I mean it's just gonna be continual nervous time, isn't
it, right? Pow, pow, pow, when are they next coming at us?
Peaceful coexistence is just right out, right? Get me some water
somebody, thank you."
He sat back and sipped reflectively.
"OK," he said, "hear me, hear me. It's, like, these guys, you
know, are entitled to their own view of the Universe. And
according to their view, which the Universe forced on them,
right, they did right. Sounds crazy, but I think you'll agree.
They believe in ..."
He consulted a piece of paper which he found in the back pocket
of his Judicial jeans.
"They believe in `peace, justice, morality, culture, sport,
family life, and the obliteration of all other life forms'."
He shrugged.
"I've heard a lot worse," he said.
He scratched his crotch reflectively.
"Freeeow," he said. He took another sip of water, then held it up
to the light and frowned at it. He twisted it round.
"Hey, is there something in this water?" he said.
"Er, no, m'lud," said the Court Usher who had brought it to him,
rather nervously.
"Then take it away," snapped Judiciary Pag, "and put something in
it. I got an idea."
He pushed away the glass and leaned forward.
"Hear me, hear me," he said.
The solution was brilliant, and went like this:
The planet of Krikkit was to be enclosed for perpetuity in an
envelope of Slo-Time, inside which life would continue almost
infinitely slowly. All light would be deflected round the
envelope so that it would remain invisible and impenetrable.
Escape from the envelope would be utterly impossible unless it
were locked from the outside.
When the rest of the Universe came to its final end, when the
whole of creation reached its dying fall (this was all, of
course, in the days before it was known that the end of the
Universe would be a spectacular catering venture) and life and
matter ceased to exist, then the planet of Krikkit and its sun
would emerge from its Slo-Time envelope and continue a solitary
existence, such as it craved, in the twilight of the Universal
void.
The Lock would be on an asteroid which would slowly orbit the
envelope.
The key would be the symbol of the Galaxy - the Wikkit Gate.
By the time the applause in the court had died down, Judiciary
Pag was already in the Sens-O-Shower with a rather nice member of
the jury that he'd slipped a note to half an hour earlier.
=================================================================
Chapter 15
Two months later, Zipo Bibrok 5 / 108 had cut the bottoms off his
Galactic State jeans, and was spending part of the enormous fee
his judgments commanded lying on a jewelled beach having Essence
of Qualactin rubbed into his back by the same rather nice member
of the jury. She was a Soolfinian girl from beyond the
Cloudworlds of Yaga. She had skin like lemon silk and was very
interested in legal bodies.
"Did you hear the news?" she said.
"Weeeeelaaaaah!" said Zipo Bibrok 5 / 108, and you would have had
to have been there to know exactly why he said this. None of this
was on the tape of Informational Illusions, and is all based on
hearsay.
"No," he added, when the thing that had made him say
"Weeeeelaaaaah" had stopped happening. He moved his body round
slightly to catch the first rays of the third and greatest of
primeval Vod's three suns which was now creeping over the
ludicrously beautiful horizon, and the sky now glittered with
some of the greatest tanning power ever known.
A fragrant breeze wandered up from the quiet sea, trailed along
the beach, and drifted back to sea again, wondering where to go
next. On a mad impulse it went up to the beach again. It drifted
back to sea.
"I hope it isn't good news," muttered Zipo Bibrok 5 / 108, "'cos
I don't think I could bear it."
"Your Krikkit judgment was carried out today," said the girl
sumptuously. There was no need to say such a straightforward
thing sumptuously, but she went ahead and did it anyway because
it was that sort of day. "I heard it on the radio," she said,
"when I went back to the ship for the oil."
"Uhuh," muttered Zipo and rested his head back on the jewelled
sand.
"Something happened," she said.
"Mmmm?"
"Just after the Slo-Time envelope was locked," she said, and
paused a moment from rubbing in the Essence of Qualactin, "a
Krikkit warship which had been missing presumed destroyed turned
out to be just missing after all. It appeared and tried to seize
the Key."
Zipo sat up sharply.
"Hey, what?" he said.
"it's all right," she said in a voice which would have calmed the
Big Bang down. "Apparently there was a short battle. The Key and
the warship were disintegrated and blasted into the space-time
continuum. Apparently they are lost for ever."
She smiled, and ran a little more Essence of Qualactin on to her
fingertips. He relaxed and lay back down.
"Do what you did a moment or two ago," he murmured.
"That?" she said.
"No, no," he said, "that."
She tried again.
"That?" she asked.
"Weeeeelaaaaah!"
Again, you had to be there.
The fragrant breeze drifted up from the sea again.
A magician wandered along the beach, but no one needed him.
=================================================================
Chapter 16
"Nothing is lost for ever," said Slartibartfast, his face
flickering redly in the light of the candle which the robot
waiter was trying to take away, "except for the Cathedral of
Chalesm."
"The what?" said Arthur with a start.
"The Cathedral of Chalesm," repeated Slartibartfast. "It was
during the course of my researches at the Campaign for Real Time
that I ..."
"The what?" said Arthur again.
The old man paused and gathered his thoughts, for what he hoped
would be one last onslaught on his story. The robot waiter moved
through the space-time matrices in a way which spectacularly
combined the surly with the obsequious, made a snatch for the
candle and got it. They had had the bill, had argued convincingly
about who had had the cannelloni and how many bottles of wine
they had had, and, as Arthur had been dimly aware, had thereby
successfully manoeuvred the ship out of subjective space and into
a parking orbit round a strange planet. The waiter was now
anxious to complete his part of the charade and clear the bistro.
"All will become clear," said Slartibartfast.
"When?"
"In a minute. Listen. The time streams are now very polluted.
There's a lot of muck floating about in them, flotsam and jetsam,
and more and more of it is now being regurgitated into the
physical world. Eddies in the space-time continuum, you see."
"So I hear," said Arthur.
"Look, where are we going?" said Ford, pushing his chair back
from the table with impatience. "Because I'm eager to get there."
"We are going," said Slartibartfast in a slow, measured voice,
"to try to prevent the war robots of Krikkit from regaining the
whole of the Key they need to unlock the planet of Krikkit from
the Slo-Time envelope and release the rest of their army and
their mad Masters."
"It's just," said Ford, "that you mentioned a party."
"I did," said Slartibartfast, and hung his head.
He realized that it had been a mistake, because the idea seemed
to exercise a strange and unhealthy fascination on the mind of
Ford Prefect. The more that Slartibartfast unravelled the dark
and tragic story of Krikkit and its people, the more Ford Prefect
wanted to drink a lot and dance with girls.
The old man felt that he should not have mentioned the party
until he absolutely had to. But there it was, the fact was out,
and Ford Prefect had attached himself to it the way an Arcturan
Megaleach attaches itself to its victim before biting his head
off and making off with his spaceship.
"When," said Ford eagerly, "do we get there?"
"When I've finished telling you why we have to go there."
"I know why I'm going," said Ford, and leaned back, sticking his
hands behind his head. He gave one of his smiles which made
people twitch.
Slartibartfast had hoped for an easy retirement.
He had been planning to learn to play the octraventral
heebiephone - a pleasantly futile task, he knew, because he had
the wrong number of mouths.
He had also been planning to write an eccentric and relentlessly
inaccurate monograph on the subject of equatorial fjords in order
to set the record wrong about one or two matters he saw as
important.
Instead, he had somehow got talked into doing some part-time work
for the Campaign for Real Time and had started to take it all
seriously for the first time in his life. As a result he now
found himself spending his fast-declining years combating evil
and trying to save the Galaxy.
He found it exhausting work and sighed heavily.
"Listen," he said, "at Camtim ..."
"What?" said Arthur.
"The Campaign for Real Time, which I will tell you about later. I
noticed that five pieces of jetsam which had in relatively recent
times plopped back into existence seemed to correspond to the
five pieces of the missing Key. Only two I could trace exactly -
the Wooden Pillar, which appeared on your planet, and the Silver
Bail. It seems to be at some sort of party. We must go there to
retrieve it before the Krikkit robots find it, or who knows what
may hap?"
"No," said Ford firmly. "We must go to the party in order to
drink a lot and dance with girls."
"But haven't you understood everything I ...?"
"Yes," said Ford, with a sudden and unexpected fierceness, "I've
understood it all perfectly well. That's why I want to have as
many drinks and dance with as many girls as possible while there
are still any left. If everything you've shown us is true ..."
"True? Of course it's true."
"... then we don't stand a whelk's chance in a supernova."
"A what?" said Arthur sharply again. He had been following the
conversation doggedly up to this point, and was keen not to lose
the thread now.
"A whelk's chance in a supernova," repeated Ford without losing
momentum. "The ..."
"What's a whelk got to do with a supernova?" said Arthur.
"It doesn't," said Ford levelly, "stand a chance in one."
He paused to see if the matter was now cleared up. The freshly
puzzled looks clambering across Arthur's face told him that it
wasn't.
"A supernova," said Ford as quickly and as clearly as he could,
"is a star which explodes at almost half the speed of light and
burns with the brightness of a billion suns and then collapses as
a super-heavy neutron star. It's a star which burns up other
stars, got it? Nothing stands a chance in a supernova."
"I see," said Arthur.
"The ..."
"So why a whelk particularly?"
"Why not a whelk? Doesn't matter."
Arthur accepted this, and Ford continued, picking up his early
fierce momentum as best he could.
"The point is," he said, "that people like you and me,
Slartibartfast, and Arthur - particularly and especially Arthur -
are just dilletantes, eccentrics, layabouts, fartarounds if you
like."
Slartibartfast frowned, partly in puzzlement and partly in
umbrage. He started to speak.
"- ..." is as far as he got.
"We're not obsessed by anything, you see," insisted Ford.
"..."
"And that's the deciding factor. We can't win against obsession.
They care, we don't. They win."
"I care about lots of things," said Slartibartfast, his voice
trembling partly with annoyance, but partly also with
uncertainty.
"Such as?"
"Well," said the old man, "life, the Universe. Everything,
really. Fjords."
"Would you die for them?"
"Fjords?" blinked Slartibartfast in surprise. "No."
"Well then."
"Wouldn't see the point, to be honest."
"And I still can't see the connection," said Arthur, "with
whelks."
Ford could feel the conversation slipping out of his control, and
refused to be sidetracked by anything at this point.
"The point is," he hissed, "that we are not obsessive people, and
we don't stand a chance against ..."
"Except for your sudden obsession with whelks," pursued Arthur,
"which I still haven't understood."
"Will you please leave whelks out of it?"
"I will if you will," said Arthur. "You brought the subject up."
"It was an error," said Ford, "forget them. The point is this."
He leant forward and rested his forehead on the tips of his
fingers.
"What was I talking about?" he said wearily.
"Let's just go down to the party," said Slartibartfast, "for
whatever reason." He stood up, shaking his head.
"I think that's what I was trying to say," said Ford.
For some unexplained reason, the teleport cubicles were in the
bathroom.
=================================================================
Chapter 17
Time travel is increasingly regarded as a menace. History is
being polluted.
The Encyclopedia Galactica has much to say on the theory and
practice of time travel, most of which is incomprehensible to
anyone who hasn't spent at least four lifetimes studying advanced
hypermathematics, and since it was impossible to do this before
time travel was invented, there is a certain amount of confusion
as to how the idea was arrived at in the first place. One
rationalization of this problem states that time travel was, by
its very nature, discovered simultaneously at all periods of
history, but this is clearly bunk.
The trouble is that a lot of history is now quite clearly bunk as
well.
Here is an example. It may not seem to be an important one to
some people, but to others it is crucial. It is certainly
significant in that it was the single event which caused the
Campaign for Real Time to be set up in the first place (or is it
last? It depends which way round you see history as happening,
and this too is now an increasingly vexed question).
There is, or was, a poet. His name was Lallafa, and he wrote what
are widely regarded throughout the Galaxy as being the finest
poems in existence, the Songs of the Long Land.
They are/were unspeakably wonderful. That is to say, you couldn't
speak very much of them at once without being so overcome with
emotion, truth and a sense of wholeness and oneness of things
that you wouldn't pretty soon need a brisk walk round the block,
possibly pausing at a bar on the way back for a quick glass of
perspective and soda. They were that good.
Lallafa had lived in the forests of the Long Lands of Effa. He
lived there, and he wrote his poems there. He wrote them on pages
made of dried habra leaves, without the benefit of education or
correcting fluid. He wrote about the light in the forest and what
he thought about that. He wrote about the darkness in the forest,
and what he thought about that. He wrote about the girl who had
left him and precisely what he thought about that.
Long after his death his poems were found and wondered over. News
of them spread like morning sunlight. For centuries they
illuminated and watered the lives of many people whose lives
might otherwise have been darker and drier.
Then, shortly after the invention of time travel, some major
correcting fluid manufacturers wondered whether his poems might
have been better still if he had had access to some high-quality
correcting fluid, and whether he might be persuaded to say a few
words on that effect.
They travelled the time waves, they found him, they explained the
situation - with some difficulty - to him, and did indeed
persuade him. In fact they persuaded him to such an effect that
he became extremely rich at their hands, and the girl about whom
he was otherwise destined to write which such precision never got
around to leaving him, and in fact they moved out of the forest
to a rather nice pad in town and he frequently commuted to the
future to do chat shows, on which he sparkled wittily.
He never got around to writing the poems, of course, which was a
problem, but an easily solved one. The manufacturers of
correcting fluid simply packed him off for a week somewhere with
a copy of a later edition of his book and a stack of dried habra
leaves to copy them out on to, making the odd deliberate mistake
and correction on the way.
Many people now say that the poems are suddenly worthless. Others
argue that they are exactly the same as they always were, so
what's changed? The first people say that that isn't the point.
They aren't quite sure what the point is, but they are quite sure
that that isn't it. They set up the Campaign for Real Time to try
to stop this sort of thing going on. Their case was considerably
strengthened by the fact that a week after they had set
themselves up, news broke that not only had the great Cathedral
of Chalesm been pulled down in order to build a new ion refinery,
but that the construction of the refinery had taken so long, and
had had to extend so far back into the past in order to allow ion
production to start on time, that the Cathedral of Chalesm had
now never been built in the first place. Picture postcards of the
cathedral suddenly became immensely valuable.
So a lot of history is now gone for ever. The Campaign for Real
Timers claim that just as easy travel eroded the differences
between one country and another, and between one world and
another, so time travel is now eroding the differences between
one age and another. "The past," they say, "is now truly like a
foreign country. They do things exactly the same there."
=================================================================
Chapter 18
Arthur materialized, and did so with all the customary staggering
about and clasping at his throat, heart and various limbs which
he still indulged himself in whenever he made any of these
hateful and painful materializations that he was determined not
to let himself get used to.
He looked around for the others.
They weren't there.
He looked around for the others again.
They still weren't there.
He closed his eyes.
He opened them
He looked around for the others.
They obstinately persisted in their absence.
He closed his eyes again, preparatory to making this completely
futile exercise once more, and because it was only then, whilst
his eyes were closed, that his brain began to register what his
eyes had been looking at whilst they were open, a puzzled frown
crept across his face.
So he opened his eyes again to check his facts and the frown
stayed put.
If anything, it intensified, and got a good firm grip. If this
was a party it was a very bad one, so bad, in fact, that
everybody else had left. He abandoned this line of thought as
futile. Obviously this wasn't a party. It was a cave, or a
labyrinth, or a tunnel of something - there was insufficient
light to tell. All was darkness, a damp shiny darkness. The only
sounds were the echoes of his own breathing, which sounded
worried. He coughed very slightly, and then had to listen to the
thin ghostly echo of his cough trailing away amongst winding
corridors and sightless chambers, as of some great labyrinth, and
eventually returning to him via the same unseen corridors, as if
to say ... "Yes?"
This happened to every slightest noise he made, and it unnerved
him. He tried to hum a cheery tune, but by the time it returned
to him it was a hollow dirge and he stopped.
His mind was suddenly full of images from the story that
Slartibartfast had been telling him. He half-expected suddenly to
see lethal white robots step silently from the shadows and kill
him. He caught his breath. They didn't. He let it go again. He
didn't know what he did expect.
Someone or something, however, seemed to be expecting him, for at
that moment there lit up suddenly in the dark distance an eerie
green neon sign.
It said, silently:
You have been Diverted
The sign flicked off again, in a way which Arthur was not at all
certain he liked. It flicked off with a sort of contemptuous
flourish. Arthur then tried to assure himself that this was just
a ridiculous trick of his imagination. A neon sign is either on
or off, depending on whether it has electricity running through
it or not. There was no way, he told himself, that it could
possibly effect the transition from one state to the other with a
contemptuous flourish. He hugged himself tightly in his dressing
gown and shivered, nevertheless.
The neon sign in the depths now suddenly lit up, bafflingly, with
just three dots and a comma. Like this:
Only in green neon.
It was trying, Arthur realized after staring at this perplexedly
for a second or two, to indicate that there was more to come,
that the sentence was not complete. Trying with almost superhuman
pedantry, he reflected. Or at least, inhuman pedantry.
The sentence then completed itself with these two words:
Arthur Dent.
He reeled. He steadied himself to have another clear look at it.
It still said Arthur Dent, so he reeled again.
Once again, the sign flicked off, and left him blinking in the
darkness with just the dim red image of his name jumping on his
retina.
Welcome, the sign now suddenly said.
After a moment, it added:
I Don't Think.
The stone-cold fear which had been hovering about Arthur all this
time, waiting for its moment, recognized that its moment had now
come and pounced on him. He tried to fight it off. He dropped
into a kind of alert crouch that he had once seen somebody do on
television, but it must have been someone with stronger knees. He
peered huntedly into the darkness.
"Er, hello?" he said.
He cleared his throat and said it again, more loudly and without
the "er". At some distance down the corridor it seemed suddenly
as if somebody started to beat on a bass drum.
He listened to it for a few seconds and realized that it was just
his heart beating.
He listened for a few seconds more and realized that it wasn't
his heart beating, it was somebody down the corridor beating on a
bass drum.
Beads of sweat formed on his brow, tensed themselves, and leapt
off. He put a hand out on the floor to steady his alert crouch,
which wasn't holding up very well. The sign changed itself again.
It said:
Do Not be Alarmed.
After a pause, it added:
Be Very Very Frightened, Arthur Dent.
Once again it flicked off. Once again it left him in darkness.
His eyes seemed to be popping out of his head. He wasn't certain
if this was because they were trying to see more clearly, or if
they simply wanted to leave at this point.
"Hello?" he said again, this time trying to put a note of rugged
and aggressive self-assertion into it. "Is anyone there?"
There was no reply, nothing.
This unnerved Arthur Dent even more than a reply would have done,
and he began to back away from the scary nothingness. And the
more he backed away, the more scared he became. After a while he
realized that the reason for this was because of all the films he
had seen in which the hero backs further and further away from
some imagined terror in front of him, only to bump into it coming
up from behind.
Just then it suddenly occurred to him to turn round rather
quickly.
There was nothing there.
Just blackness.
This really unnerved him, and he started to back away from that,
back the way he had come.
After doing this for a short while it suddenly occurred to him
that he was now backing towards whatever it was he had been
backing away from in the first place.
This, he couldn't help thinking, must be a foolish thing to do.
He decided he would be better off backing the way he had first
been backing, and turned around again.
It turned out at this point that his second impulse had been the
correct one, because there was an indescribably hideous monster
standing quietly behind him. Arthur yawed wildly as his skin
tried to jump one way and his skeleton the other, whilst his
brain tried to work out which of his ears it most wanted to crawl
out of.
"Bet you weren't expecting to see me again," said the monster,
which Arthur couldn't help thinking was a strange remark for it
to make, seeing as he had never met the creature before. He could
tell that he hadn't met the creature before from the simple fact
that he was able to sleep at nights. It was ... it was ... it was
...
Arthur blinked at it. It stood very still. It did look a little
familiar.
A terrible cold calm came over him as he realized that what he
was looking at was a six-foot-high hologram of a housefly.
He wondered why anybody would be showing him a six-foot-high
hologram of a housefly at this time. He wondered whose voice he
had heard.
It was a terribly realistic hologram.
It vanished.
"Or perhaps you remember me better," said the voice suddenly, and
it was a deep, hollow malevolent voice which sounded like molten
tar glurping out of a drum with evil on its mind, "as the
rabbit."
With a sudden ping, there was a rabbit there in the black
labyrinth with him, a huge, monstrously, hideously soft and
lovable rabbit - an image again, but one on which every single
soft and lovable hair seemed like a real and single thing growing
in its soft and lovable coat. Arthur was startled to see his own
reflection in its soft and lovable unblinking and extremely huge
brown eyes.
"Born in darkness," rumbled the voice, "raised in darkness. One
morning I poked my head for the first time into the bright new
world and got it split open by what felt suspiciously like some
primitive instrument made of flint.
"Made by you, Arthur Dent, and wielded by you. Rather hard as I
recall.
"You turned my skin into a bag for keeping interesting stones in.
I happen to know that because in my next life I came back as a
fly again and you swatted me. Again. Only this time you swatted
me with the bag you'd made of my previous skin.
"Arthur Dent, you are not merely a cruel and heartless man, you
are also staggeringly tactless."
The voice paused whilst Arthur gawped.
"I see you have lost the bag," said the voice. "Probably got
bored with it, did you?"
Arthur shook his head helplessly. He wanted to explain that he
had been in fact very fond of the bag and had looked after it
very well and had taken it with him wherever he went, but that
somehow every time he travelled anywhere he seemed inexplicably
to end up with the wrong bag and that, curiously enough, even as
they stood there he was just noticing for the first time that the
bag he had with him at the moment appeared to be made out of
rather nasty fake leopard skin, and wasn't the one he'd had a few
moments ago before he arrived in this whatever place it was, and
wasn't one he would have chosen himself and heaven knew what
would be in it as it wasn't his, and he would much rather have
his original bag back, except that he was of course terribly
sorry for having so peremptorily removed it, or rather its
component parts, i.e. the rabbit skin, from its previous owner,
viz. the rabbit whom he currently had the honour of attempting
vainly to address.
All he actually managed to say was "Erp".
"Meet the newt you trod on," said the voice.
And there was, standing in the corridor with Arthur, a giant
green scaly newt. Arthur turned, yelped, leapt backwards, and
found himself standing in the middle of the rabbit. He yelped
again, but could find nowhere to leap to.
"That was me, too," continued the voice in a low menacing rumble,
"as if you didn't know ..."
"Know?" said Arthur with a start. "Know?"
"The interesting thing about reincarnation," rasped the voice,
"is that most people, most spirits, are not aware that it is
happening to them."
He paused for effect. As far as Arthur was concerned there was
already quite enough effect going on.
"I was aware," hissed the voice, "that is, I became aware.
Slowly. Gradually."
He, whoever he was, paused again and gathered breath.
"I could hardly help it, could I?" he bellowed, "when the same
thing kept happening, over and over and over again! Every life I
ever lived, I got killed by Arthur Dent. Any world, any body, any
time, I'm just getting settled down, along comes Arthur Dent -
pow, he kills me.
"Hard not to notice. Bit of a memory jogger. Bit of a pointer.
Bit of a bloody giveaway!
"`That's funny,' my spirit would say to itself as it winged its
way back to the netherworld after another fruitless Dent-ended
venture into the land of the living, `that man who just ran over
me as I was hopping across the road to my favourite pond looked a
little familiar ...' And gradually I got to piece it together,
Dent, you multiple-me-murderer!"
The echoes of his voice roared up and down the corridors. Arthur
stood silent and cold, his head shaking with disbelief.
"Here's the moment, Dent," shrieked the voice, now reaching a
feverish pitch of hatred, "here's the moment when at last I
knew!"
It was indescribably hideous, the thing that suddenly opened up
in front of Arthur, making him gasp and gargle with horror, but
here's an attempt at a description of how hideous it was. It was
a huge palpitating wet cave with a vast, slimy, rough, whale-like
creature rolling around it and sliding over monstrous white
tombstones. High above the cave rose a vast promontory in which
could be seen the dark recesses of two further fearful caves,
which ...
Arthur Dent suddenly realized that he was looking at his own
mouth, when his attention was meant to be directed at the live
oyster that was being tipped helplessly into it.
He staggered back with a cry and averted his eyes.
When he looked again the appalling apparition had gone. The
corridor was dark and, briefly, silent. He was alone with his
thoughts. They were extremely unpleasant thoughts and would
rather have had a chaperone.
The next noise, when it came, was the low heavy roll of a large
section of wall trundling aside, revealing, for the moment, just
dark blackness behind it. Arthur looked into it in much the same
way that a mouse looks into a dark dog-kennel.
And the voice spoke to him again.
"Tell me it was a coincidence, Dent," it said. "I dare you to
tell me it was a coincidence!"
"It was a coincidence," said Arthur quickly.
"It was not!" came the answering bellow.
"It was," said Arthur, "it was ..."
"If it was a coincidence, then my name," roared the voice, "is
not Agrajag!!!"
"And presumably," said Arthur, "you would claim that that was
your name."
"Yes!" hissed Agrajag, as if he had just completed a rather deft
syllogism.
"Well, I'm afraid it was still a coincidence," said Arthur.
"Come in here and say that!" howled the voice, in sudden apoplexy
again.
Arthur walked in and said that it was a coincidence, or at least,
he nearly said that it was a coincidence. His tongue rather lost
its footing towards the end of the last word because the lights
came up and revealed what it was he had walked into.
It was a Cathedral of Hate.
It was the product of a mind that was not merely twisted, but
actually sprained.
It was huge. It was horrific.
It had a Statue in it.
We will come to the Statue in a moment.
The vast, incomprehensibly vast chamber looked as if it had been
carved out of the inside of a mountain, and the reason for this
was that that was precisely what it had been carved out of. It
seemed to Arthur to spin sickeningly round his head as he stood
and gaped at it.
It was black.
Where it wasn't black you were inclined to wish that it was,
because the colours with which some of the unspeakable details
were picked out ranged horribly across the whole spectrum of
eye-defying colours from Ultra Violent to Infra Dead, taking in
Liver Purple, Loathsome Lilac, Matter Yellow, Burnt hombre and
Gan Green on the way.
The unspeakable details which these colours picked out were
gargoyles which would have put Francis Bacon off his lunch.
The gargoyles all looked inwards from the walls, from the
pillars, from the flying buttresses, from the choir stalls,
towards the Statue, to which we will come in a moment.
And if the gargoyles would have put Francis Bacon off his lunch,
then it was clear from the gargoyles' faces that the Statue would
have put them off theirs, had they been alive to eat it, which
they weren't, and had anybody tried to serve them some, which
they wouldn't.
Around the monumental walls were vast engraved stone tablets in
memory of those who had fallen to Arthur Dent.
The names of some of those commemorated were underlined and had
asterisks against them. So, for instance, the name of a cow which
had been slaughtered and of which Arthur Dent had happened to eat
a fillet steak would have the plainest engraving, whereas the
name of a fish which Arthur had himself caught and then decided
he didn't like and left on the side of the plate had a double
underlining, three sets of asterisks and a bleeding dagger added
as decoration, just to make the point.
And what was most disturbing about all this, apart from the
Statue, to which we are, by degrees, coming, was the very clear
implication that all these people and creatures were indeed the
same person, over and over again.
And it was equally clear that this person was, however unfairly,
extremely upset and annoyed.
In fact it would be fair to say that he had reached a level of
annoyance the like of which had never been seen in the Universe.
It was an annoyance of epic proportions, a burning searing flame
of annoyance, an annoyance which now spanned the whole of time
and space in its infinite umbrage.
And this annoyance had been given its fullest expression in the
Statue in the centre of all this monstrosity, which was a statue
of Arthur Dent, and an unflattering one. Fifty feet tall if it
was an inch, there was not an inch of it which wasn't crammed
with insult to its subject matter, and fifty feet of that sort of
thing would be enough to make any subject feel bad. From the
small pimple on the side of his nose to the poorish cut of his
dressing gown, there was no aspect of Arthur Dent which wasn't
lambasted and vilified by the sculptor.
Arthur appeared as a gorgon, an evil, rapacious, ravenning,
bloodied ogre, slaughtering his way through an innocent one-man
Universe.
With each of the thirty arms which the sculptor in a fit of
artistic fervour had decided to give him, he was either braining
a rabbit, swatting a fly, pulling a wishbone, picking a flea out
of his hair, or doing something which Arthur at first looking
couldn't quite identify.
His many feet were mostly stamping on ants.
Arthur put his hands over his eyes, hung his head and shook it
slowly from side to side in sadness and horror at the craziness
of things.
And when he opened his eyes again, there in front of him stood
the figure of the man or creature, or whatever it was, that he
had supposedly been persecuting all this time.
"HhhhhhrrrrrraaaaaaHHHHHH!" said Agrajag.
He, or it, or whatever, looked like a mad fat bat. He waddled
slowly around Arthur, and poked at him with bent claws.
"Look ...!" protested Arthur.
"HhhhhhrrrrrraaaaaaHHHHHH!!!" explained Agrajag, and Arthur
reluctantly accepted this on the grounds that he was rather
frightened by this hideous and strangely wrecked apparition.
Agrajag was black, bloated, wrinkled and leathery.
His batwings were somehow more frightening for being the pathetic
broken floundering things they were that if they had been strong,
muscular beaters of the air. The frightening thing was probably
the tenacity of his continued existence against all the physical
odds.
He had the most astounding collection of teeth.
They looked as if they each came from a completely different
animal, and they were ranged around his mouth at such bizarre
angles it seemed that if he ever actually tried to chew anything
he'd lacerate half his own face along with it, and possibly put
an eye out as well.
Each of his three eyes was small and intense and looked about as
sane as a fish in a privet bush.
"I was at a cricket match," he rasped.
This seemed on the face of it such a preposterous notion that
Arthur practically choked.
"Not in this body," screeched the creature, "not in this body!
This is my last body. My last life. This is my revenge body. My
kill-Arthur-Dent body. My last chance. I had to fight to get it,
too."
"But ..."
"I was at," roared Agrajag, "a cricket match! I had a weak heart
condition, but what, I said to my wife, can happen to me at a
cricket match? As I'm watching, what happens?
"Two people quite maliciously appear out of thin air just in
front of me. The last thing I can't help but notice before my
poor heart gives out in shock is that one of them is Arthur Dent
wearing a rabbit bone in his beard. Coincidence?"
"Yes," said Arthur.
"Coincidence?" screamed the creature, painfully thrashing its
broken wings, and opening a short gash on its right cheek with a
particularly nasty tooth. On closer examination, such as he'd
been hoping to avoid, Arthur noticed that much of Agrajag's face
was covered with ragged strips of black sticky plasters.
He backed away nervously. He tugged at his beard. He was appalled
to discover that in fact he still had the rabbit bone in it. He
pulled it out and threw it away.
"Look," he said, "it's just fate playing silly buggers with you.
With me. With us. It's a complete coincidence."
"What have you got against me, Dent?" snarled the creature,
advancing on him in a painful waddle.
"Nothing," insisted Arthur, "honestly, nothing."
Agrajag fixed him with a beady stare.
"Seems a strange way to relate to somebody you've got nothing
against, killing them all the time. Very curious piece of social
interaction, I would call that. I'd also call it a lie!"
"But look," said Arthur, "I'm very sorry. There's been a terrible
misunderstanding. I've got to go. Have you got a clock? I'm meant
to be helping save the Universe." He backed away still further.
Agrajag advanced still further.
"At one point," he hissed, "at one point, I decided to give up.
Yes, I would not come back. I would stay in the netherworld. And
what happened?"
Arthur indicated with random shakes of his head that he had no
idea and didn't want to have one either. He found he had backed
up against the cold dark stone that had been carved by who knew
what Herculean effort into a monstrous travesty of his bedroom
slippers. He glanced up at his own horrendously parodied image
towering above him. He was still puzzled as to what one of his
hands was meant to be doing.
"I got yanked involuntarily back into the physical world,"
pursued Agrajag, "as a bunch of petunias. In, I might add, a
bowl. This particularly happy little lifetime started off with
me, in my bowl, unsupported, three hundred miles above the
surface of a particularly grim planet. Not a naturally tenable
position for a bowl of petunias, you might think. And you'd be
right. That life ended a very short while later, three hundred
miles lower. In, I might add, the fresh wreckage of a whale. My
spirit brother."
He leered at Arthur with renewed hatred.
"On the way down," he snarled, "I couldn't help noticing a
flashy-looking white spaceship. And looking out of a port on this
flashy-looking spaceship was a smug-looking Arthur Dent.
Coincidence?!!"
"Yes!" yelped Arthur. He glanced up again, and realized that the
arm that had puzzled him was represented as wantonly calling into
existence a bowl of doomed petunias. This was not a concept which
leapt easily to the eye.
"I must go," insisted Arthur.
"You may go," said Agrajag, "after I have killed you."
"No, that won't be any use," explained Arthur, beginning to climb
up the hard stone incline of his carved slipper, "because I have
to save the Universe, you see. I have to find a Silver Bail,
that's the point. Tricky thing to do dead."
"Save the Universe!" spat Agrajag with contempt. "You should have
thought of that before you started your vendetta against me! What
about the time you were on Stavromula Beta and someone ..."
"I've never been there," said Arthur.
"... tried to assassinate you and you ducked. Who do you think
the bullet hit? What did you say?"
"Never been there," repeated Arthur. "What are you talking about?
I have to go."
Agrajag stopped in his tracks.
"You must have been there. You were responsible for my death
there, as everywhere else. An innocent bystander!" He quivered.
"I've never heard of the place," insisted Arthur. "I've certainly
never had anyone try to assassinate me. Other than you. Perhaps I
go there later, do you think?"
Agrajag blinked slowly in a kind of frozen logical horror.
"You haven't been to Stavromula Beta ... yet?" he whispered.
"No," said Arthur, "I don't know anything about the place.
Certainly never been to it, and don't have any plans to go."
"Oh, you go there all right," muttered Agrajag in a broken voice,
"you go there all right. Oh zark!" he tottered, and stared wildly
about him at his huge Cathedral of Hate. "I've brought you here
too soon!"
He started to scream and bellow. "I've brought you here too
zarking soon!"
Suddenly he rallied, and turned a baleful, hating eye on Arthur.
"I'm going to kill you anyway!" he roared. "Even if it's a
logical impossibility I'm going to zarking well try! I'm going to
blow this whole mountain up!" He screamed, "Let's see you get out
of this one, Dent!"
He rushed in a painful waddling hobble to what appeared to be a
small black sacrificial altar. He was shouting so wildly now that
he was really carving his face up badly. Arthur leaped down from
his vantage place on the carving of his own foot and ran to try
to restrain the three-quarters-crazed creature.
He leaped upon him, and brought the strange monstrosity crashing
down on top of the altar.
Agrajag screamed again, thrashed wildly for a brief moment, and
turned a wild eye on Arthur.
"You know what you've done?" he gurgled painfully. "You've only
gone and killed me again. i mean, what do you want from me,
blood?"
He thrashed again in a brief apoplectic fit, quivered, and
collapsed, smacking a large red button on the altar as he did so.
Arthur started with horror and fear, first at what he appeared to
have done, and then at the loud sirens and bells that suddenly
shattered the air to announce some clamouring emergency. He
stared wildly around him.
The only exit appeared to be the way he came in. He pelted
towards it, throwing away the nasty fake leopard-skin bag as he
did so.
He dashed randomly, haphazardly through the labyrinthine maze, he
seemed to be pursued more and more fiercely by claxons, sirens,
flashing lights.
Suddenly, he turned a corner and there was a light in front of
him.
It wasn't flashing. It was daylight.
=================================================================
Chapter 19
Although it has been said that on Earth alone in our Galaxy is
Krikkit (or cricket) treated as fit subject for a game, and that
for this reason the Earth has been shunned, this does only apply
to our Galaxy, and more specifically to our dimension. In some of
the higher dimensions they feel they can more or less please
themselves, and have been playing a peculiar game called Brockian
Ultra-Cricket for whatever their transdimensional equivalent of
billions of years is.
"Let's be blunt, it's a nasty game" (says The Hitch Hiker's
Guide to the Galaxy) "but then anyone who has been to any of the
higher dimensions will know that they're a pretty nasty heathen
lot up there who should just be smashed and done in, and would
be, too, if anyone could work out a way of firing missiles at
right-angles to reality."
This is another example of the fact that The Hitch Hiker's Guide
to the Galaxy will employ anybody who wants to walk straight in
off the street and get ripped off, especially if they happen to
walk in off the street during the afternoon, when very few of the
regular staff are there.
There is a fundamental point here.
The history of The Hitch Hiker's Guide to the Galaxy is one of
idealism, struggle, despair, passion, success, failure, and
enormously long lunch-breaks.
The earliest origins of the Guide are now, along with most of its
financial records, lost in the mists of time.
For other, and more curious theories about where they are lost,
see below.
Most of the surviving stories, however, speak of a founding
editor called Hurling Frootmig.
Hurling Frootmig, it is said, founded the Guide, established its
fundamental principles of honesty and idealism, and went bust.
There followed many years of penury and heart-searching during
which he consulted friends, sat in darkened rooms in illegal
states of mind, thought about this and that, fooled about with
weights, and then, after a chance encounter with the Holy
Lunching Friars of Voondon (who claimed that just as lunch was at
the centre of a man's temporal day, and man's temporal day could
be seen as an analogy for his spiritual life, so Lunch should
(a) be seen as the centre of a man's spiritual life, and
(b) be held in jolly nice restaurants), he refounded the Guide,
laid down its fundamental principles of honesty and idealism and
where you could stuff them both, and led the Guide on to its
first major commercial success.
He also started to develop and explore the role of the editorial
lunch-break which was subsequently to play such a crucial part in
the Guide's history, since it meant that most of the actual work
got done by any passing stranger who happened to wander into the
empty offices on an afternoon and saw something worth doing.
Shortly after this, the Guide was taken over by Megadodo
Publications of Ursa Minor Beta, thus putting the whole thing on
a very sound financial footing, and allowing the fourth editor,
Lig Lury Jr, to embark on lunch-breaks of such breathtaking scope
that even the efforts of recent editors, who have started
undertaking sponsored lunch-breaks for charity, seem like mere
sandwiches in comparison.
In fact, Lig never formally resigned his editorship - he merely
left his office late one morning and has never since returned.
Though well over a century has now passed, many members of the
guide staff still retain the romantic notion that he has simply
popped out for a ham croissant, and will yet return to put in a
solid afternoon's work.
Strictly speaking, all editors since Lig Lury Jr have therefore
been designated Acting Editors, and Lig's desk is still preserved
the way he left it, with the addition of a small sign which says
"Lig Lury Jr, Editor, Missing, presumed Fed".
Some very scurrilous and subversive sources hint at the idea that
Lig actually perished in the Guide's first extraordinary
experiments in alternative book-keeping. Very little is known of
this, and less still said. Anyone who even notices, let alone
calls attention to, the curious but utter coincidental and
meaningless fact that every world on which the Guide has ever set
up an accounting department has shortly afterwards perished in
warfare or some natural disaster, is liable to get sued to
smithereens.
It is an interesting though utterly unrelated fact that the two
or three days prior to the demolition of the planet Earth to make
way for a new hyperspace bypass saw a dramatic upsurge in the
number of UFO sightings there, not only above Lords Cricket
Ground in St. John's Wood, London, but also above Glastonbury in
Somerset.
Glastonbury had long been associated with myths of ancient kings,
witchcraft, ley-lines an wart curing, and had now been selected
as the site for the new Hitch Hiker's Guide financial records
office, and indeed, ten years' worth of financial records were
transferred to a magic hill just outside the city mere hours
before the Vogons arrived.
None of these facts, however strange or inexplicable, is as
strange or inexplicable as the rules of the game of Brockian
Ultra-Cricket, as played in the higher dimensions. A full set of
rules is so massively complicated that the only time they were
all bound together in a single volume, they underwent
gravitational collapse and became a Black Hole.
A brief summary, however, is as follows:
Rule One: Grow at least three extra legs. You won't need them,
but it keeps the crowds amused.
Rule Two: Find one good Brockian Ultra-Cricket player. Clone him
off a few times. This saves an enormous amount of tedious
selection and training.
Rule Three: Put your team and the opposing team in a large field
and build a high wall round them.
The reason for this is that, though the game is a major spectator
sport, the frustration experienced by the audience at not
actually being able to see what's going on leads them to imagine
that it's a lot more exciting than it really is. A crowd that has
just watched a rather humdrum game experiences far less life-
affirmation than a crowd that believes it has just missed the
most dramatic event in sporting history.
Rule Four: Throw lots of assorted items of sporting equipment
over the wall for the players. Anything will do - cricket bats,
basecube bats, tennis guns, skis, anything you can get a good
swing with.
Rule Five: The players should now lay about themselves for all
they are worth with whatever they find to hand. Whenever a player
scores a "hit" on another player, he should immediately run away
and apologize from a safe distance.
Apologies should be concise, sincere and, for maximum clarity and
points, delivered through a megaphone.
Rule Six: The winning team shall be the first team that wins.
Curiously enough, the more the obsession with the game grows in
the higher dimensions, the less it is actually played, since most
of the competing teams are now in a state of permanent warfare
with each other over the interpretation of these rules. This is
all for the best, because in the long run a good solid war is
less psychologically damaging than a protracted game of Brockian
Ultra-Cricket.
=================================================================
Chapter 20
As Arthur ran darting, dashing and panting down the side of the
mountain he suddenly felt the whole bulk of the mountain move
very, very slightly beneath him. There was a rumble, a roar, and
a slight blurred movement, and a lick of heat in the distance
behind and above him. He ran in a frenzy of fear. The land began
to slide, and he suddenly felt the force of the word "landslide"
in a way which had never been apparent to him before. It had
always just been a word to him, but now he was suddenly and
horribly aware that sliding is a strange and sickening thing for
land to do. It was doing it with him on it. He felt ill with fear
and shaking. The ground slid, the mountain slurred, he slipped,
he fell, he stood, he slipped again and ran. The avalance began.
Stones, then rocks, then boulders which pranced past him like
clumsy puppies, only much, much bigger, much, much harder and
heavier, and almost infinitely more likely to kill you if they
fell on you. His eyes danced with them, his feet danced with the
dancing ground. He ran as if running was a terrible sweating
sickness, his heart pounded to the rhythm of the pounding
geological frenzy around him.
The logic of the situation, i.e. that he was clearly bound to
survive if the next foreshadowed incident in the saga of his
inadvertent persecution of Agrajag was to happen, was utterly
failing to impinge itself on his mind or exercise any restraining
influence on him at this time. He ran with the fear of death in
him, under him, over him and grabbing hold of his hair.
And suddenly he tripped again and was hurled forward by his
considerable momentum. But just at the moment that he was about
to hit the ground astoundingly hard he saw lying directly in
front of him a small navy-blue holdall that he knew for a fact he
had lost in the baggage-retrieval system at Athens airport some
ten years in his personal time-scale previously, and in his
astonishment he missed the ground completely and bobbed off into
the air with his brain singing.
What he was doing was this: he was flying. He glanced around him
in surprise, but there could be no doubt that that was what he
was doing. No part of him was touching the ground, and no part of
him was even approaching it. He was simply floating there with
boulders hurtling through the air around him.
He could now do something about that. Blinking with the non-
effort of it he wafted higher into the air, and now the boulders
were hurtling through the air beneath him.
He looked downwards with intense curiosity. Between him and the
shivering ground were now some thirty feet of empty air, empty
that is if you discounted the boulders which didn't stay in it
for long, but bounded downwards in the iron grip of the law of
gravity; the same law which seemed, all of a sudden, to have
given Arthur a sabbatical.
It occurred to him almost instantly, with the instinctive
correctness that self-preservation instils in the mind, that he
mustn't try to think about it, that if he did, the law of gravity
would suddenly glance sharply in his direction and demand to know
what the hell he thought he was doing up there, and all would
suddenly be lost.
So he thought about tulips. It was difficult, but he did. He
thought about the pleasing firm roundness of the bottom of
tulips, he thought about the interesting variety of colours they
came in, and wondered what proportion of the total number of
tulips that grew, or had grown, on the Earth would be found
within a radius of one mile from a windmill. After a while he got
dangerously bored with this train of thought, felt the air
slipping away beneath him, felt that he was drifting down into
the paths of the bouncing boulders that he was trying so hard not
to think about, so he thought about Athens airport for a bit and
that kept him usefully annoyed for about five minutes - at the
end of which he was startled to discover that he was now floating
about two hundred yards above the ground.
He wondered for a moment how he was going to get back down to it,
but instantly shied away from that area of speculation again, and
tried to look at the situation steadily.
He was flying, What was he going to do about it? He looked back
down at the ground. He didn't look at it hard, but did his best
just to give it an idle glance, as it were, in passing. There
were a couple of things he couldn't help noticing. One was that
the eruption of the mountain seemed now to have spent itself -
there was a crater just a little way beneath the peak, presumably
where the rock had caved in on top of the huge cavernous
cathedral, the statue of himself, and the sadly abused figure of
Agrajag.
The other was his hold-all, the one he had lost at Athens
airport. It was sitting pertly on a piece of clear ground,
surrounded by exhausted boulders but apparently hit by none of
them. Why this should be he could not speculate, but since this
mystery was completely overshadowed by the monstrous
impossibility of the bag's being there in the first place, it was
not a speculation he really felt strong enough for anyway. The
thing is, it was there. And the nasty, fake leopard-skin bag
seemed to have disappeared, which was all to the good, if not
entirely to the explicable.
He was faced with the fact that he was going to have to pick the
thing up. Here he was, flying along two hundred yards above the
surface of an alien planet the name of which he couldn't even
remember. He could not ignore the plaintive posture of this tiny
piece of what used to be his life, here, so many light-years from
the pulverized remains of his home.
Furthermore, he realized, the bag, if it was still in the state
in which he lost it, would contain a can which would have in it
the only Greek olive oil still surviving in the Universe.
Slowly, carefully, inch by inch, he began to bob downwards,
swinging gently from side to side like a nervous sheet of paper
feeling its way towards the ground.
It went well, he was feeling good. The air supported him, but let
him through. Two minutes later he was hovering a mere two feet
above the bag, and was faced with some difficult decision. He
bobbed there lightly. He frowned, but again, as lightly as he
could.
If he picked the bag up, could he carry it? Mightn't the extra
weight just pull him straight to the ground?
Mightn't the mere act of touching something on the ground
suddenly discharge whatever mysterious force it was that was
holding him in the air?
Mightn't he be better off just being sensible at this point and
stepping out of the air, back on to the ground for a moment or
two?
If he did, would he ever be able to fly again?
The sensation, when he allowed himself to be aware of it, was so
quietly ecstatic that he could not bear the thought of losing it,
perhaps for ever. With this worry in mind he bobbed upwards a
little again, just to try the feel of it, the surprising and
effortless movement of it. He bobbed, he floated. He tried a
little swoop.
The swoop was terrific. With his arms spread out in front of him,
his hair and dressing gown streaming out behind him, he dived
down out of the sky, bellied along a body of air about two feet
from the ground and swung back up again, catching himself at the
top of the swing and holding. Just holding. He stayed there.
It was wonderful.
And that, he realized, was the way of picking up the bag. He
would swoop down and catch hold of it just at the point of the
upswing. He would carry it on up with him. He might wobble a bit,
but he was certain that he could hold it.
He tried one or two more practice swoops, and they got better and
better. The air on his face, the bounce and woof of his body, all
combined to make him feel an intoxication of the spirit that he
hadn't felt since, since - well as far as he could work out,
since he was born. He drifted away on the breeze and surveyed the
countryside, which was, he discovered, pretty nasty. It had a
wasted ravaged look. He decided not to look at it any more. He
would just pick up the bag and then ... he didn't know what he
was going to do after he had picked up the bag. He decided he
would just pick up the bag and see where things went from there.
He judged himself against the wind, pushed up against it and
turned around. He floated on its body. He didn't realize, but his
body was willoming at this point.
He ducked down under the airstream, dipped - and dived.
The air threw itself past him, he thrilled through it. The ground
wobbled uncertainly, straightened its ideas out and rose smoothly
up to meet him, offering the bag, its cracked plastic handles up
towards him.
Halfway down there was a sudden dangerous moment when he could no
longer believe he was doing this, and therefore he very nearly
wasn't, but he recovered himself in time, skimmed over the
ground, slipped an arm smoothly through the handles of the bag,
and began to climb back up, couldn't make it and all of a sudden
collapsed, bruised, scratched and shaking in the stony ground.
He staggered instantly to his feet and swayed hopelessly around,
swinging the bag round him in agony of grief and disappointment.
His feet, suddenly, were stuck heavily to the ground in the way
they always had been. His body seemed like an unwieldy sack of
potatoes that reeled stumbling against the ground, his mind had
all the lightness of a bag of lead.
He sagged and swayed and ached with giddiness. He tried
hopelessly to run, but his legs were suddenly too weak. He
tripped and flopped forward. At that moment he remembered that in
the bag he was now carrying was not only a can of Greek olive oil
but a duty-free allowance of retsina, and in the pleasurable
shock of that realization he failed to notice for at least ten
seconds that he was now flying again.
He whooped and cried with relief and pleasure, and sheer physical
delight. He swooped, he wheeled, he skidded and whirled through
the air. Cheekily he sat on an updraught and went through the
contents of the hold-all. He felt the way he imagined an angel
must feel during its celebrated dance on the head of a pin whilst
being counted by philosophers. He laughed with pleasure at the
discovery that the bag did in fact contain the olive oil and the
retsina as well as a pair of cracked sunglasses, some sand-filled
swimming trunks, some creased postcards of Santorini, a large and
unsightly towel, some interesting stones, and various scraps of
paper with the addresses of people he was relieved to think he
would never meet again, even if the reason why was a sad one. He
dropped the stones, put on the sunglasses, and let the pieces of
paper whip away in the wind.
Ten minutes later, drifting idly through a cloud, he got a large
and extremely disreputable cocktail party in the small of the
back.
=================================================================
Chapter 21
The longest and most destructive party ever held is now into its
fourth generation, and still no one shows any signs of leaving.
Somebody did once look at his watch, but that was eleven years
ago, and there has been no follow-up.
The mess is extraordinary, and has to be seen to be believed, but
if you don't have any particular need to believe it, then don't
go and look, because you won't enjoy it.
There have recently been some bangs and flashes up in the clouds,
and there is one theory that this is a battle being fought
between the fleets of several rival carpet-cleaning companies who
are hovering over the thing like vultures, but you shouldn't
believe anything you hear at parties, and particularly not
anything you hear at this one.
One of the problems, and it's one which is obviously going to get
worse, is that all the people at the party are either the
children or the grandchildren or the great-grandchildren of the
people who wouldn't leave in the first place, and because of all
the business about selective breeding and regressive genes and so
on, it means that all the people now at the party are either
absolutely fanatical partygoers, or gibbering idiots, or, more
and more frequently, both.
Either way, it means that, genetically speaking, each succeeding
generation is now less likely to leave than the preceding one.
So other factors come into operation, like when the drink is
going to run out.
Now, because of certain things which have happened which seemed
like a good idea at the time (and one of the problems with a
party which never stops is that all the things which only seem
like a good idea at parties continue to seem like good ideas),
that point seems still to be a long way off.
One of the things which seemed like a good idea at the time was
that the party should fly - not in the normal sense that parties
are meant to fly, but literally.
One night, long ago, a band of drunken astro-engineers of the
first generation clambered round the building digging this,
fixing that, banging very hard on the other and when the sun rose
the following morning, it was startled to find itself shining on
a building full of happy drunken people which was now floating
like a young and uncertain bird over the treetops.
Not only that, but the flying party had also managed to arm
itself rather heavily. If they were going to get involved in any
petty arguments with wine merchants, they wanted to make sure
they had might on their side.
The transition from full-time cocktail party to part-time raiding
party came with ease, and did much to add that extra bit of zest
and swing to the whole affair which was badly needed at this
point because of the enormous number of times that the band had
already played all the numbers it knew over the years.
They looted, they raided, they held whole cities for ransom for
fresh supplies of cheese crackers, avocado dip, spare ribs and
wine and spirits, which would now get piped aboard from floating
tankers.
The problem of when the drink is going to run out is, however,
going to have to be faced one day.
The planet over which they are floating is no longer the planet
it was when they first started floating over it.
It is in bad shape.
The party had attacked and raided an awful lot of it, and no one
has ever succeeded in hitting it back because of the erratic and
unpredictable way in which it lurches round the sky.
It is one hell of a party.
It is also one hell of a thing to get hit by in the small of the
back.
=================================================================
Chapter 22
Arthur lay floundering in pain on a piece of ripped and
dismembered reinforced concrete, flicked at by wisps of passing
cloud and confused by the sounds of flabby merrymaking somewhere
indistinctly behind him.
There was a sound he couldn't immediately identify, partly
because he didn't know the tune "I Left my Leg in Jaglan Beta"
and partly because the band playing it were very tired, and some
members of it were playing it in three-four time, some in four-
four, and some in a kind of pie-eyed r2, each according to the
amount of sleep he'd managed to grab recently.
He lay, panting heavily in the wet air, and tried feeling bits of
himself to see where he might be hurt. Wherever he touched
himself, he encountered a pain. After a short while he worked out
that this was because it was his hand that was hurting. He seemed
to have sprained his wrist. His back, too, was hurting, but he
soon satisfied himself that he was not badly hurt, but just
bruised and a little shaken, as who wouldn't be? He couldn't
understand what a building would be doing flying through the
clouds.
On the other hand, he would have been a little hard-pressed to
come up with any convincing explanation of his own presence, so
he decided that he and the building were just going to have to
accept each other. He looked up from where he was lying. A wall
of pale but stained stone slabs rose up behind him, the building
proper. He seemed to be stretched out on some sort of ledge or
lip which extended outwards for about three or four feet all the
way around. It was a hunk of the ground in which the party
building had had its foundations, and which it had taken along
with itself to keep itself bound together at the bottom end.
Nervously, he stood up and, suddenly, looking out over the edge,
he felt nauseous with vertigo. He pressed himself back against
the wall, wet with mist and sweat. His head was swimming
freestyle, but someone in his stomach was doing the butterfly.
Even though he had got up here under his own power, he could now
not even bear to contemplate the hideous drop in front of him. He
was not about to try his luck jumping. He was not about to move
an inch closer to the edge.
Clutching his hold-all he edged along the wall, hoping to find a
doorway in. The solid weight of the can of olive oil was a great
reassurance to him.
He was edging in the direction of the nearest corner, in the hope
that the wall around the corner might offer more in the way of
entrances than this one, which offered none.
The unsteadiness of the building's flight made him feel sick with
fear, and after a short while he took the towel from out of his
hold-all and did something with it which once again justified its
supreme position in the list of useful things to take with you
when you hitch-hike round the Galaxy. He put it over his head so
he wouldn't have to see what he was doing.
His feet edged along the ground. His outstretched hand edged
along the wall.
Finally he came to the corner, and as his hand rounded the corner
it encountered something which gave him such a shock that he
nearly fell straight off. It was another hand.
The two hands gripped each other.
He desperately wanted to use his other hand to pull the towel
back from his eyes, but it was holding the hold-all with the
olive oil, the retsina and the postcards from Santorini, and he
very much didn't want to put it down.
He experienced one of those "self" moments, one of those moments
when you suddenly turn around and look at yourself and think "Who
am I? What am I up to? What have I achieved? Am I doing well?" He
whimpered very slightly.
He tried to free his hand, but he couldn't. The other hand was
holding his tightly. He had no recourse but to edge onwards
towards the corner. He leaned around it and shook his head in an
attempt to dislodge the towel. This seemed to provoke a sharp cry
of some unfashionable emotion from the owner of the other hand.
The towel was whipped from his head and he found his eyes peering
into those of Ford Prefect. Beyond him stood Slartibartfast, and
beyond them he could clearly see a porchway and a large closed
door.
They were both pressed back against the wall, eyes wild with
terror as they stared out into the thick blind cloud around them,
and tried to resist the lurching and swaying of the building.
"Where the zarking photon have you been?" hissed Ford, panic
stricken.
"Er, well," stuttered Arthur, not really knowing how to sum it
all up that briefly. "Here and there. What are you doing here?"
Ford turned his wild eyes on Arthur again.
"They won't let us in without a bottle," he hissed.
The first thing Arthur noticed as they entered into the thick of
the party, apart from the noise, the suffocating heat, the wild
profusion of colours that protuded dimly through the atmosphere
of heavy smoke, the carpets thick with ground glass, ash and
avocado droppings, and the small group of pterodactyl-like
creatures in lurex who descended on his cherished bottle of
retsina, squawking, "A new pleasure, a new pleasure", was
Trillian being chatted up by a Thunder God.
"Didn't I see you at Milliways?" he was saying.
"Were you the one with the hammer?"
"Yes. I much prefer it here. So much less reputable, so much more
fraught."
Squeals of some hideous pleasure rang around the room, the outer
dimensions of which were invisible through the heaving throng of
happy, noisy creatures, cheerfully yelling things that nobody
could hear at each other and occasionally having crises.
"Seems fun," said Trillian. "What did you say, Arthur?"
"I said, how the hell did you get here?"
"I was a row of dots flowing randomly through the Universe. Have
you met Thor? He makes thunder."
"Hello," said Arthur. "I expect that must be very interesting."
"Hi," said Thor. "It is. Have you got a drink?"
"Er, no actually ..."
"Then why don't you go and get one?"
"See you later, Arthur," said Trillian.
Something jogged Arthur's mind, and he looked around huntedly.
"Zaphod isn't here, is he?" he said.
"See you," said Trillian firmly, "later."
Thor glared at him with hard coal-black eyes, his beard bristled,
what little light was there was in the place mustered its forces
briefly to glint menacingly off the horns of his helmet.
He took Trillian's elbow in his extremely large hand and the
muscles in his upper arm moved around each other like a couple of
Volkswagens parking.
He led her away.
"One of the interesting things about being immortal," he said,
"is ..."
"One of the interesting things about space," Arthur heard
Slartibartfast saying to a large and voluminous creature who
looked like someone losing a fight with a pink duvet and was
gazing raptly at the old man's deep eyes and silver beard, "is
how dull it is."
"Dull?" said the creature, and blinked her rather wrinkled and
bloodshot eyes.
"Yes," said Slartibartfast, "staggeringly dull. Bewilderingly so.
You see, there's so much of it and so little in it. Would you
like me to quote some statistics?"
"Er, well ..."
"Please, I would like to. They, too, are quite sensationally
dull."
"I'll come back and hear them in a moment," she said, patting him
on the arm, lifted up her skirts like a hovercraft and moved off
into the heaving crown.
"I thought she'd never go," growled the old man. "Come, Earthman
..."
"Arthur."
"We must find the Silver Bail, it is here somewhere."
"Can't we just relax a little?" Arthur said. "I've had a tough
day. Trillian's here, incidentally, she didn't say how, it
probably doesn't matter."
"Think of the danger to the Universe ..."
"The Universe," said Arthur, "is big enough and old enough to
look after itself for half an hour. All right," he added, in
response to Slartibartfast's increasing agitation, "I'll wander
round and see if anybody's seen it."
"Good, good," said Slartibartfast, "good. " He plunged into the
crowd himself, and was told to relax by everybody he passed.
"Have you seen a bail anywhere?" said Arthur to a little man who
seemed to be standing eagerly waiting to listen to somebody.
"It's made of silver, vitally important for the future safety of
the Universe, and about this long."
"No," said the enthusiastically wizened little man, "but do have
a drink and tell me all about it."
Ford Prefect writhed past, dancing a wild, frenetic and not
entirely unobscene dance with someone who looked as if she was
wearing Sydney Opera House on her head. He was yelling a futile
conversation at her above the din.
"I like that hat!" he bawled.
"What?"
"I said, I like the hat."
"I'm not wearing a hat."
"Well, I like the head, then."
"What?"
"I said, I like the head. Interesting bone-structure."
"What?"
Ford worked a shrug into the complex routine of other movements
he was performing.
"I said, you dance great," he shouted, "just don't nod so much."
"What?"
"It's just that every time you nod," said Ford, "... ow!" he
added as his partner nodded forward to say "What?" and once again
pecked him sharply on the forehead with the sharp end of her
swept-forward skull.
"My planet was blown up one morning," said Arthur, who had found
himself quite unexpectedly telling the little man his life story
or, at least, edited highlights of it, "that's why I'm dressed
like this, in my dressing gown. My planet was blown up with all
my clothes in it, you see. I didn't realize I'd be coming to a
party."
The little man nodded enthusiastically.
"Later, I was thrown off a spaceship. Still in my dressing gown.
Rather than the space suit one would normally expect. Shortly
after that I discovered that my planet had originally been built
for a bunch of mice. You can imagine how I felt about that. I was
then shot at for a while and blown up. In fact I have been blown
up ridiculously often, shot at, insulted, regularly
disintegrated, deprived of tea, and recently I crashed into a
swamp and had to spend five years in a damp cave."
"Ah," effervesced the little man, "and did you have a wonderful
time?"
Arthur started to choke violently on his drink.
"What a wonderful exciting cough," said the little man, quite
startled by it, "do you mind if I join you?"
And with that he launched into the most extraordinary and
spectacular fit of coughing which caught Arthur so much by
surprise that he started to choke violently, discovered he was
already doing it and got thoroughly confused.
Together they performed a lung-busting duet which went on for
fully two minutes before Arthur managed to cough and splutter to
a halt.
"So invigorating," said the little man, panting and wiping tears
from his eyes. "What an exciting life you must lead. Thank you
very much."
He shook Arthur warmly by the hand and walked off into the crowd.
Arthur shook his head in astonishment.
A youngish-looking man came up to him, an aggressive-looking type
with a hook mouth, a lantern nose, and small beady little
cheekbones. He was wearing black trousers, a black silk shirt
open to what was presumably his navel, though Arthur had learnt
never to make assumptions about the anatomies of the sort of
people he tended to meet these days, and had all sorts of nasty
dangly gold things hanging round his neck. He carried something
in a black bag, and clearly wanted people to notice that he
didn't want them to notice it.
"Hey, er, did I hear you say your name just now?" he said.
This was one of the many things that Arthur had told the
enthusiastic little man.
"Yes, it's Arthur Dent."
The man seemed to be dancing slightly to some rhythm other than
any of the several that the band were grimly pushing out.
"Yeah," he said, "only there was a man in a mountain wanted to
see you."
"I met him."
"Yeah, only he seemed pretty anxious about it, you know."
"Yes, I met him."
"Yeah, well I think you should know that."
"I do. I met him."
The man paused to chew a little gum. Then he clapped Arthur on
the back.
"OK," he said, "all right. I'm just telling you, right? Good
night, good luck, win awards."
"What?" said Arthur, who was beginning to flounder seriously at
this point.
"Whatever. Do what you do. Do it well." He made a sort of
clucking noise with whatever he was chewing and then some vaguely
dynamic gesture.
"Why?" said Arthur.
"Do it badly," said the man, "who cares? Who gives a shit?" The
blood suddenly seemed to pump angrily into the man's face and he
started to shout.
"Why not go mad?" he said. "Go away, get off my back will you,
guy. Just zark off!!!"
"OK, I'm going," said Arthur hurriedly.
"It's been real." The man gave a sharp wave and disappeared off
into the throng.
"What was that about?" said Arthur to a girl he found standing
beside him. "Why did he tell me to win awards?"
"Just showbiz talk," shrugged the girl. "He's just won an award
at the Annual Ursa Minor Alpha Recreational Illusions Institute
Awards Ceremony, and was hoping to be able to pass it off
lightly, only you didn't mention it, so he couldn't."
"Oh," said Arthur, "oh, well I'm sorry I didn't. What was it
for?"
"The Most Gratuitous Use Of The Word `Fuck' In A Serious
Screenplay. It's very prestigious."
"I see," said Arthur, "yes, and what do you get for that?"
"A Rory. It's just a small silver thing set on a large black
base. What did you say?"
"I didn't say anything. I was just about to ask what the silver
..."
"Oh, I thought you said `wop'."
"Said what?"
"Wop."
People had been dropping in on the party now for some years,
fashionable gatecrashers from other worlds, and for some time it
had occurred to the partygoers as they had looked out at their
own world beneath them, with its wrecked cities, its ravaged
avocado farms and blighted vineyards, its vast tracts of new
desert, its seas full of biscuit crumbs and worse, that their
world was in some tiny and almost imperceptible ways not quite as
much fun as it had been. Some of them had begun to wonder if they
could manage to stay sober for long enough to make the entire
party spaceworthy and maybe take it off to some other people's
worlds where the air might be fresher and give them fewer
headaches.
The few undernourished farmers who still managed to scratch out a
feeble existence on the half-dead ground of the planet's surface
would have been extremely pleased to hear this, but that day, as
the party came screaming out of the clouds and the farmers looked
up in haggard fear of yet another cheese-and-wine raid, it became
clear that the party was not going to be going anywhere else for
a while, that the party would soon be over. Very soon it would be
time to gather up hats and coats and stagger blearily outside to
find out what time of day it was, what time of year it was, and
whether in any of this burnt and ravaged land there was a taxi
going anywhere.
The party was locked in a horrible embrace with a strange white
spaceship which seemed to be half sticking through it. Together
they were lurching, heaving and spinning their way round the sky
in grotesque disregard of their own weight.
The clouds parted. The air roared and leapt out of their way.
The party and the Krikkit warship looked, in their writhings, a
little like two ducks, one of which is trying to make a third
duck inside the second duck, whilst the second duck is trying
very hard to explain that it doesn't feel ready for a third duck
right now, is uncertain that it would want any putative third
duck to be made by this particular first duck anyway, and
certainly not whilst it, the second duck, was busy flying.
The sky sang and screamed with the rage of it all and buffeted
the ground with shock waves.
And suddenly, with a foop, the Krikkit ship was gone.
The party blundered helplessly across the sky like a man leaning
against an unexpectedly open door. It span and wobbled on its
hover jets. It tried to right itself and wronged itself instead.
It staggered back across the sky again.
For a while these staggerings continued, but clearly they could
not continue for long. The party was now a mortally wounded
party. All the fun had gone out of it, as the occasional broken-
backed pirouette could not disguise.
The longer, at this point, that it avoided the ground, the
heavier was going to be the crash when finally it hit it.
Inside, things were not going well either. They were going
monstrously badly, in fact, and people were hating it and saying
so loudly. The Krikkit robots had been.
They had removed the Award for The Most Gratuitous Use Of The
Word `Fuck' In A Serious Screenplay, and in its place had left a
scene of devastation that left Arthur feeling almost as sick as a
runner-up for a Rory.
"We would love to stay and help," shouted Ford, picking his way
over the mangled debris, "only we're not going to."
The party lurched again, provoking feverish cries and groans from
amongst the smoking wreckage.
"We have to go and save the Universe, you see," said Ford. "And
if that sounds like a pretty lame excuse, then you may be right.
Either way, we're off."
He suddenly came across an unopened bottle lying, miraculously
unbroken, on the ground.
"Do you mind if we take this?" he said. "You won't be needing
it."
He took a packet of potato crisps too.
"Trillian?" shouted Arthur in a shocked and weakened voice. In
the smoking mess he could see nothing.
"Earthman, we must go," said Slartibartfast nervously.
"Trillian?" shouted Arthur again.
A moment or two later, Trillian staggered, shaking, into view,
supported by her new friend the Thunder God.
"The girl stays with me," said Thor. "There's a great party going
on in Valhalla, we'll be flying off ..."
"Where were you when all this was going on?" said Arthur.
"Upstairs," said Thor, "I was weighing her. Flying's a tricky
business you see, you have to calculate wind ..."
"She comes with us," said Arthur.
"Hey," said Trillian, "don't I ..."
"No," said Arthur, "you come with us."
Thor looked at him with slowly smouldering eyes. He was making
some point about godliness and it had nothing to do with being
clean.
"She comes with me," he said quietly.
"Come on, Earthman," said Slartibartfast nervously, picking at
Arthur's sleeve.
"Come on, Slartibartfast," said Ford, picking at the old man's
sleeve. Slartibartfast had the teleport device.
The party lurched and swayed, sending everyone reeling, except
for Thor and except for Arthur, who stared, shaking, into the
Thunder God's black eyes.
Slowly, incredibly, Arthur put up what appeared to be his tiny
little fists.
"Want to make something of it?" he said.
"I beg your minuscule pardon?" roared Thor.
"I said," repeated Arthur, and he could not keep the quavering
out of his voice, "do you want to make something of it?" He
waggled his fists ridiculously.
Thor looked at him with incredulity. Then a little wisp of smoke
curled upwards from his nostril. There was a tiny little flame in
it too.
He gripped his belt.
He expanded his chest to make it totally clear that here was the
sort of man you only dared to cross if you had a team of Sherpas
with you.
He unhooked the shaft of his hammer from his belt. He held it up
in his hands to reveal the massive iron head. He thus cleared up
any possible misunderstanding that he might merely have been
carrying a telegraph pole around with him.
"Do I want," he said, with a hiss like a river flowing through a
steel mill, "to make something of it?"
"Yes," said Arthur, his voice suddenly and extraordinarily strong
and belligerent. He waggled his fists again, this time as if he
meant it.
"You want to step outside?" he snarled at Thor.
"All right!" bellowed Thor, like an enraged bull (or in fact like
an enraged Thunder God, which is a great deal more impressive),
and did so.
"Good," said Arthur, "that's got rid of him. Slarty, get us out
of here."
=================================================================
Chapter 23
"All right," shouted Ford at Arthur, "so I'm a coward, the point
is I'm still alive." They were back aboard the Starship
Bistromath, so was Slartibartfast, so was Trillian. Harmony and
concord were not.
"Well, so am I alive, aren't I?" retaliated Arthur, haggard with
adventure and anger. His eyebrows were leaping up and down as if
they wanted to punch each other.
"You damn nearly weren't," exploded Ford.
Arthur turned sharply to Slartibartfast, who was sitting in his
pilot couch on the flight deck gazing thoughtfully into the
bottom of a bottle which was telling him something he clearly
couldn't fathom. He appealed to him.
"Do you think he understands the first word I've been saying?" he
said, quivering with emotion.
"I don't know," replied Slartibartfast, a little abstractedly.
"I'm not sure," he added, glancing up very briefly, "that I do."
He stared at his instruments with renewed vigor and bafflement.
"You'll have to explain it to us again," he said.
"Well ..."
"But later. Terrible things are afoot."
He tapped the pseudo-glass of the bottle bottom.
"We fared rather pathetically at the party, I'm afraid," he said,
"and our only hope now is to try to prevent the robots from using
the Key in the Lock. How in heaven we do that I don't know," he
muttered. "Just have to go there, I suppose. Can't say I like the
idea at all. Probably end up dead."
"Where is Trillian anyway?" said Arthur with a sudden affectation
of unconcern. What he had been angry about was that Ford had
berated him for wasting time over all the business with the
Thunder God when they could have been making a rather more rapid
escape. Arthur's own opinion, and he had offered it for whatever
anybody might have felt it was worth, was that he had been
extraordinarily brave and resourceful.
The prevailing view seemed to be that his opinion was not worth a
pair of fetid dingo's kidneys. What really hurt, though, was that
Trillian didn't seem to react much one way or the other and had
wandered off somewhere.
"And where are my potato crisps?" said Ford.
"They are both," said Slartibartfast, without looking up, "in the
Room of Informational Illusions. I think that your young lady
friend is trying to understand some problems of Galactic history.
I think the potato crisps are probably helping her."
=================================================================
Chapter 24
It is a mistake to think you can solve any major problems just
with potatoes.
For instance, there was once an insanely aggressive race of
people called the Silastic Armorfiends of Striterax. That was
just the name of their race. The name of their army was something
quite horrific. Luckily they lived even further back in Galactic
history than anything we have so far encountered - twenty billion
years ago - when the Galaxy was young and fresh, and every idea
worth fighting for was a new one.
And fighting was what the Silastic Armorfiends of Striterax were
good at, and being good at it, they did a lot. They fought their
enemies (i.e. everybody else), they fought each other. Their
planet was a complete wreck. The surface was littered with
abandoned cities which were surrounded by abandoned war machines,
which were in turn surrounded by deep bunkers in which the
Silastic Armorfiends lived and squabbled with each other.
The best way to pick a fight with a Silastic Armorfiend was just
to be born. They didn't like it, they got resentful. And when an
Armorfiend got resentful, someone got hurt. An exhausting way of
life, one might think, but they did seem to have an awful lot of
energy.
The best way of dealing with a Silastic Armorfiend was to put him
into a room of his own, because sooner or later he would simply
beat himself up.
Eventually they realized that this was something they were going
to have to sort out, and they passed a law decreeing that anyone
who had to carry a weapon as part of his normal Silastic work
(policemen, security guards, primary school teachers, etc.) had
to spend at least forty-five minutes every day punching a sack of
potatoes in order to work off his or her surplus aggressions.
For a while this worked well, until someone thought that it would
be much more efficient and less time-consuming if they just shot
the potatoes instead.
This led to a renewed enthusiasm for shooting all sorts of
things, and they all got very excited at the prospect of their
first major war for weeks.
Another achievement of the Silastic Armorfiends of Striterax is
that they were the first race who ever managed to shock a
computer.
It was a gigantic spaceborne computer called Hactar, which to
this day is remembered as one of the most powerful ever built. It
was the first to be built like a natural brain, in that every
cellular particle of it carried the pattern of the whole within
it, which enabled it to think more flexibly and imaginatively,
and also, it seemed, to be shocked.
The Silastic Armorfiends of Striterax were engaged in one of
their regular wars with the Strenuous Garfighters of Stug, and
were not enjoying it as much as usual because it involved an
awful lot of trekking through the Radiation Swamps of Cwulzenda,
and across the Fire Mountains of Frazfraga, neither of which
terrains they felt at home in.
So when the Strangulous Stilettans of Jajazikstak joined in the
fray and forced them to fight another front in the Gamma Caves of
Carfrax and the Ice Storms of Varlengooten, they decided that
enough was enough, and they ordered Hactar to design for them an
Ultimate Weapon.
"What do you mean," asked Hactar, "by Ultimate?"
To which the Silastic Armorfiends of Striterax said, "Read a
bloody dictionary," and plunged back into the fray.
So Hactar designed an Ultimate Weapon.
It was a very, very small bomb which was simply a junction box in
hyperspace that would, when activated, connect the heart of every
major sun with the heart of every other major sun simultaneously
and thus turn the entire Universe in to one gigantic hyperspatial
supernova.
When the Silastic Armorfiends tried to use it to blow up a
Strangulous Stilettan munitions dump in one of the Gamma Caves,
they were extremely irritated that it didn't work, and said so.
Hactar had been shocked by the whole idea.
He tried to explain that he had been thinking about this Ultimate
Weapon business, and had worked out that there was no conceivable
consequence of not setting the bomb off that was worse than the
known consequence of setting it off, and he had therefore taken
the liberty of introducing a small flaw into the design of the
bomb, and he hoped that everyone involved would, on sober
reflection, feel that ...
The Silastic Armorfiends disagreed and pulverized the computer.
Later they thought better of it, and destroyed the faulty bomb as
well.
Then, pausing only to smash the hell out of the Strenuous
Garfighters of Stug, and the Strangulous Stilettans of
Jajazikstak, they went on to find an entirely new way of blowing
themselves up, which was a profound relief to everyone else in
the Galaxy, particularly the Garfighters, the Stilettans and the
potatoes.
Trillian had watched all this, as well as the story of Krikkit.
She emerged from the Room of informational Illusions
thoughtfully, just in time to discover that they had arrived too
late.
=================================================================
Chapter 25
Even as the Starship Bistromath flickered into objective being on
the top of a small cliff on the mile-wide asteroid which pursued
a lonely and eternal path in orbit around the enclosed star
system of Krikkit, its crew was aware that they were in time only
to be witnesses to an unstoppable historic event.
They didn't realize they were going to see two.
They stood cold, lonely and helpless on the cliff edge and
watched the activity below. Lances of light wheeled in sinister
arcs against the void from a point only about a hundred yards
below and in front of them.
They stared into the blinding event.
An extension of the ship's field enabled them to stand there, by
once again exploiting the mind's predisposition to have tricks
played on it: the problems of falling up off the tiny mass of the
asteroid, or of not being able to breathe, simply became Somebody
Else's.
The white Krikkit warship was parked amongst the stark grey crags
of the asteroid, alternately flaring under arclights or
disappearing in shadow. The blackness of the shaped shadows cast
by the hard rocks danced together in wild choreography as the
arclights swept round them.
The eleven white robots were bearing, in procession, the Wikkit
Key out into the middle of a circle of swinging lights.
The Wikkit Key was rebuilt. Its components shone and glittered:
the Steel Pillar (or Marvin's leg) of Strength and Power, the
Gold Bail (or Heart of the Improbability Drive) of Prosperity,
the Perspex Pillar (or Argabuthon Sceptre of Justice) of Science
and Reason, the Silver Bail (or Rory Award for The Most
Gratuitous Use Of The Word "Fuck" In A Serious Screenplay) and
the now reconstituted Wooden Pillar (or Ashes of a burnt stump
signifying the death of English cricket) of Nature and
Spirituality.
"I suppose there is nothing we can do at this point?" asked
Arthur nervously.
"No," sighed Slartibartfast.
The expression of disappointment which crossed Arthur's face was
a complete failure, and, since he was standing obscured by
shadow, he allowed it to collapse into one of relief.
"Pity," he said.
"We have no weapons," said Slartibartfast, "stupidly."
"Damn," said Arthur very quietly.
Ford said nothing.
Trillian said nothing, but in a peculiarly thoughtful and
distinct way. She was staring at the blankness of the space
beyond the asteroid.
The asteroid circled the Dust Cloud which surrounded the Slo-Time
envelope which enclosed the world on which lived the people of
Krikkit, the Masters of Krikkit and their killer robots.
The helpless group had no way of knowing whether or not the
Krikkit robots were aware of their presence. They could only
assume that they must be, but that they felt, quite rightly in
the circumstances, that they had nothing to fear. They had an
historic task to perform, and their audience could be regarded
with contempt.
"Terrible impotent feeling, isn't it?" said Arthur, but the
others ignored him.
In the centre of the area of light which the robots were
approaching, a square-shaped crack appeared in the ground. The
crack defined itself more and more distinctly, and soon it became
clear that a block of the ground, about six feet square, was
slowly rising.
At the same time they became aware of some other movement, but it
was almost sublimal, and for a moment or two it was not clear
what it was that was moving.
Then it became clear.
The asteroid was moving. It was moving slowly in towards the Dust
Cloud, as if being hauled in inexorably by some celestial angler
in its depths.
They were to make in real life the journey through the Cloud
which they had already made in the Room of Informational
Illusions. They stood frozen in silence. Trillian frowned.
An age seemed to pass. Events seemed to pass with spinning
slowness, as the leading edge of the asteroid passed into the
vague and soft outer perimeter of the Cloud.
And soon they were engulfed in a thin and dancing obscurity. They
passed on through it, on and on, dimly aware of vague shapes and
whorls indistinguishable in the darkness except in the corner of
the eye.
The Dust dimmed the shafts of brilliant light. The shafts of
brilliant light twinkled on the myriad specks of Dust.
Trillian, again, regarded the passage from within her own
frowning thoughts.
And they were through it. Whether it had taken a minute or half
an hour they weren't sure, but they were through it and
confronted with a fresh blankness, as if space were pinched out
of existence in front of them.
And now things moved quickly.
A blinding shaft of light seemed almost to explode from out of
the block which had risen three feet out of the ground, and out
of that rose a smaller Perspex block, dazzling with interior
dancing colours.
The block was slotted with deep groves, three upright and two
across, clearly designed to accept the Wikkit key.
The robots approached the Lock, slotted the Key into its home and
stepped back again. The block twisted round of is own accord, and
space began to alter.
As space unpinched itself, it seemed agonizingly to twist the
eyes of the watchers in their sockets. They found themselves
staring, blinded, at an unravelled sun which stood now before
them where it seemed only seconds before there had not been even
empty space. It was a second or two before they were even
sufficiently aware of what had happened to throw their hands up
over their horrified blinded eyes. In that second or two, they
were aware of a tiny speck moving slowly across the eye of that
sun.
They staggered back, and heard ringing in their ears the thin and
unexpected chant of the robots crying out in unison.
"Krikkit! Krikkit! Krikkit! Krikkit!"
The sound chilled them. It was harsh, it was cold, it was empty,
it was mechanically dismal.
It was also triumphant.
They were so stunned by these two sensory shocks that they almost
missed the second historic event.
Zaphod Beeblebrox, the only man in history to survive a direct
blast attack from the Krikkit robots, ran out of the Krikkit
warship brandishing a Zap gun.
"OK," he cried, "the situation is totally under control as of
this moment in time."
The single robot guarding the hatchway to the ship silently swung
his battleclub, and connected it with the back of Zaphod's left
head.
"Who the zark did that?" said the left head, and lolled
sickeningly forward.
His right head gazed keenly into the middle distance.
"Who did what?" it said.
The club connected with the back of his right head.
Zaphod measured his length as a rather strange shape on the
ground.
Within a matter of seconds the whole event was over. A few blasts
from the robots were sufficient to destroy the Lock for ever. It
split and melted and splayed its contents brokenly. The robots
marched grimly and, it almost seemed, in a slightly disheartened
manner, back into their warship which, with a "foop", was gone.
Trillian and Ford ran hectically round and down the steep incline
to the dark, still body of Zaphod Beeblebrox.
=================================================================
Chapter 26
"I don't know," said Zaphod, for what seemed to him like the
thirty-seventh time, "they could have killed me, but they didn't.
Maybe they just thought I was a kind of wonderful guy or
something. I could understand that."
The others silently registered their opinions of this theory.
Zaphod lay on the cold floor of the flight deck. His back seemed
to wrestle the floor as pain thudded through him and banged at
his heads.
"I think," he whispered, "that there is something wrong with
those anodized dudes, something fundamentally weird."
"They are programmed to kill everybody," Slartibartfast pointed
out.
"That," wheezed Zaphod between the whacking thuds, "could be it."
He didn't seem altogether convinced.
"Hey, baby," he said to Trillian, hoping this would make up for
his previous behaviour.
"You all right?" she said gently.
"Yeah," he said, "I'm fine."
"Good," she said, and walked away to think. She stared at the
huge visiscreen over the flight couches and, twisting a switch,
she flipped local images over it. One image was the blankness of
the Dust Cloud. One was the sun of Krikkit. One was Krikkit
itself. She flipped between them fiercely.
"Well, that's goodbye Galaxy, then," said Arthur, slapping his
knees and standing up.
"No," said Slartibartfast, gravely. "Our course is clear." He
furrowed his brow until you could grow some of the smaller root
vegetables in it. He stood up, he paced around. When he spoke
again, what he said frightened him so much he had to sit down
again.
"We must go down to Krikkit," he said. A deep sigh shook his old
frame and his eyes seemed almost to rattle in their sockets.
"Once again," he said, "we have failed pathetically. Quite
pathetically."
"That," said Ford quietly, "is because we don't care enough. I
told you."
He swung his feet up on the instrument panel and picked fitfully
at something on one of his fingernails.
"But unless we determine to take action," said the old man
querulously, as if struggling against something deeply insouciant
in his nature, "then we shall all be destroyed, we shall all die.
Surely we care about that?"
"Not enough to want to get killed over it," said Ford. He put on
a sort of hollow smile and flipped it round the room at anyone
who wanted to see it.
Slartibartfast clearly found this point of view extremely
seductive and he fought against it. He turned again to Zaphod who
was gritting his teeth and sweating with the pain.
"You surely must have some idea," he said, "of why they spared
your life. It seems most strange and unusual."
"I kind of think they didn't even know," shrugged Zaphod. "I told
you. They hit me with the most feeble blast, just knocked me out,
right? They lugged me into their ship, dumped me into a corner
and ignored me. Like they were embarrassed about me being there.
If I said anything they knocked me out again. We had some great
conversations. `Hey ... ugh!' `Hi there ... ugh!' `I wonder
...ugh!' Kept me amused for hours, you know." He winced again.
He was toying with something in his fingers. He held it up. It
was the Gold Bail - the Heart of Gold, the heart of the Infinite
Improbability Drive. Only that and the Wooden Pillar had survived
the destruction of the Lock intact.
"I hear your ship can move a bit," he said. "So how would you
like to zip me back to mine before you ..."
"Will you not help us?" said Slartibartfast.
"I'd love to stay and help you save the Galaxy," insisted Zaphod,
rising himself up on to his shoulders, "but I have the mother and
father of a pair of headaches, and I feel a lot of little
headaches coming on. But next time it needs saving, I'm your guy.
Hey, Trillian baby?"
She looked round briefly.
"Yes?"
"You want to come? Heart of Gold? Excitement and adventure and
really wild things?"
"I'm going down to Krikkit," she said.
=================================================================
Chapter 27
It was the same hill, and yet not the same.
This time it was not an Informational Illusion. This was Krikkit
itself and they were standing on it. Near them, behind the trees,
stood the strange Italian restaurant which had brought these,
their real bodies, to this, the real, present world of Krikkit.
The strong grass under their feet was real, the rich soil real
too. The heady fragrances from the tree, too, were real. The
night was real night.
Krikkit.
Possibly the most dangerous place in the Galaxy for anyone who
isn't a Krikkiter to stand. The place that could not countenance
the existence of any other place, whose charming, delightful,
intelligent inhabitants would howl with fear, savagery and
murderous hate when confronted with anyone not their own.
Arthur shuddered.
Slartibartfast shuddered.
Ford, surprisingly, shuddered.
It was not surprising that he shuddered, it was surprising that
he was there at all. But when they had returned Zaphod to his
ship Ford had felt unexpectedly shamed into not running away.
Wrong, he thought to himself, wrong wrong wrong. He hugged to
himself one of the Zap guns with which they had armed themselves
out of Zaphod's armoury.
Trillian shuddered, and frowned as she looked into the sky.
This, too, was not the same. It was no longer blank and empty.
Whilst the countryside around them had changed little in the two
thousand years of the Krikkit wars, and the mere five years that
had elapsed locally since Krikkit was sealed in its Slo-Time
envelope ten billion years ago, the sky was dramatically
different.
Dim lights and heavy shapes hung in it.
High in the sky, where no Krikkiter ever looked, were the War
Zones, the Robot Zones - huge warships and tower blocks floating
in the Nil-O-Grav fields far above the idyllic pastoral lands of
the surface of Krikkit.
Trillian stared at them and thought.
"Trillian," whispered Ford Prefect to her.
"Yes?" she said.
"What are you doing?"
"Thinking."
"Do you always breathe like that when you're thinking?"
"I wasn't aware that I was breathing."
"That's what worried me."
"I think I know ..." said Trillian.
"Shhhh!" said Slartibartfast in alarm, and his thin trembling
hand motioned them further back beneath the shadow of the tree.
Suddenly, as before in the tape, there were lights coming along
the hill path, but this time the dancing beams were not from
lanterns but electric torches - not in itself a dramatic change,
but every detail made their hearts thump with fear. This time
there were no lilting whimsical songs about flowers and farming
and dead dogs, but hushed voices in urgent debate.
A light moved in the sky with slow weight. Arthur was clenched
with a claustrophobic terror and the warm wind caught at his
throat.
Within seconds a second party became visible, approaching from
the other side of the dark hill. They were moving swiftly and
purposefully, their torches swinging and probing around them.
The parties were clearly converging, and not merely with each
other. They were converging deliberately on the spot where Arthur
and the others were standing.
Arthur heard the slight rustle as Ford Prefect raised his Zap gun
to his shoulder, and the slight whimpering cough as
Slartibartfast raised his. He felt the cold unfamiliar weight of
his own gun, and with shaking hands he raised it.
His fingers fumbled to release the safety catch and engage the
extreme danger catch as Ford had shown him. He was shaking so
much that if he'd fired at anybody at that moment he probably
would have burnt his signature on them.
Only Trillian didn't raise her gun. She raised her eyebrows,
lowered them again, and bit her lip in thought.
"Has it occurred to you," she began, but nobody wanted to discuss
anything much at the moment.
A light stabbed through the darkness from behind them and they
span around to find a third party of Krikkiters behind them,
searching them out with their torches.
Ford Prefect's gun crackled viciously, but fire spat back at it
and it crashed from his hands.
There was a moment of pure fear, a frozen second before anyone
fired again.
And at the end of the second nobody fired.
They were surrounded by pale-faced Krikkiters and bathed in
bobbing torch light.
The captives stared at their captors, the captors stared at their
captives.
"Hello?" said one of the captors. "Excuse me, but are you ...
aliens?"
=================================================================
Chapter 28
Meanwhile, more millions of miles away than the mind can
comfortably encompass, Zaphod Beeblebrox was throwing a mood
again.
He had repaired his ship - that is, he'd watched with alert
interest whilst a service robot had repaired it for him. It was
now, once again, one of the most powerful and extraordinary ships
in existence. He could go anywhere, do anything. He fiddled with
a book, and then tossed it away. It was the one he'd read before.
He walked over to the communications bank and opened an all-
frequencies emergency channel.
"Anyone want a drink?" he said.
"This an emergency, feller?" crackled a voice from halfway across
the Galaxy.
"Got any mixers?" said Zaphod.
"Go take a ride on a comet."
"OK, OK," said Zaphod and flipped the channel shut again. He
sighed and sat down. He got up again and wandered over to a
computer screen. He pushed a few buttons. Little blobs started to
rush around the screen eating each other.
"Pow!" said Zaphod. "Freeeoooo! Pop pop pop!"
"Hi there," said the computer brightly after a minute of this,
"you have scored three points. Previous best score, seven million
five hundred and ninety-seven thousand, two hundred and ..."
"OK, OK," said Zaphod and flipped the screen blank again.
He sat down again. He played with a pencil. This too began slowly
to lose its fascination.
"OK, OK," he said, and fed his score and the previous one into
the computer.
His ship made a blur of the Universe.
=================================================================
Chapter 29
"Tell us," said the thin, pale-faced Krikkiter who had stepped
forward from the ranks of the others and stood uncertainly in the
circle of torchlight, handling his gun as if he was just holding
it for someone else who'd just popped off somewhere but would be
back in a minute, "do you know anything about something called
the Balance of Nature?"
There was no reply from their captives, or at least nothing more
articulate than a few confused mumbles and grunts. The torchlight
continued to play over them. High in the sky above them dark
activity continued in the Robot zones.
"It's just," continued the Krikkiter uneasily, "something we
heard about, probably nothing important. Well, I suppose we'd
better kill you then."
He looked down at his gun as if he was trying to find which bit
to press.
"That is," he said, looking up again, "unless there's anything
you want to chat about?"
Slow, numb astonishment crept up the bodies of Slartibartfast,
Ford and Arthur. Very soon it would reach their brains, which
were at the moment solely occupied with moving their jawbones up
and down. Trillian was shaking her head as if trying to finish a
jigsaw by shaking the box.
"We're worried, you see," said another man from the crowd, "about
this plan of universal destruction."
"Yes," added another, "and the balance of nature. It just seemed
to us that if the whole of the rest of the Universe is destroyed
it will somehow upset the balance of nature. We're quite keen on
ecology, you see." His voice trailed away unhappily.
"And sport," said another, loudly. This got a cheer of approval
from the others.
"Yes," agreed the first, "and sport ..." He looked back at his
fellows uneasily and scratched fitfully at his cheek. He seemed
to be wrestling with some deep inner confusion, as if everything
he wanted to say and everything he thought were entirely
different things, between which he could see no possible
connection.
"You see," he mumbled, "some of us ..." and he looked around
again as if for confirmation. The others made encouraging noises.
"Some of us," he continued, "are quite keen to have sporting
links with the rest of the Galaxy, and though I can see the
argument about keeping sport out of politics, I think that if we
want to have sporting links with the rest of the Galaxy, which we
do, then it's probably a mistake to destroy it. And indeed the
rest of the Universe ..." his voice trailed away again "... which
is what seems to be the idea now ..."
"Wh ..." said Slartibartfast. "Wh ..."
"Hhhh ... ?" said Arthur.
"Dr ..." said Ford Prefect.
"OK," said Trillian. "Let's talk about it." She walked forward
and took the poor confused Krikkiter by the arm. He looked about
twenty-five, which meant, because of the peculiar manglings of
time that had been going on in this area, that he would have been
just twenty when the Krikkit Wars were finished, ten billion
years ago.
Trillian led him for a short walk through the torchlight before
she said anything more. He stumbled uncertainly after her. The
encircling torch beams were drooping now slightly as if they were
abdicating to this strange, quiet girl who alone in the Universe
of dark confusion seemed to know what she was doing.
She turned and faced him, and lightly held both his arms. He was
a picture of bewildered misery.
"Tell me," she said.
He said nothing for a moment, whilst his gaze darted from one of
her eyes to the other.
"We ..." he said, "we have to be alone ... I think." He screwed
up his face and then dropped his head forward, shaking it like
someone trying to shake a coin out of a money box. He looked up
again. "We have this bomb now, you see," he said, "it's just a
little one."
"I know," she said.
He goggled at her as if she'd said something very strange about
beetroots.
"Honestly," he said, "it's very, very little."
"I know," she said again.
"But they say," his voice trailed on, "they say it can destroy
everything that exists. And we have to do that, you see, I think.
Will that make us alone? I don't know. It seems to be our
function, though," he said, and dropped his head again.
"Whatever that means," said a hollow voice from the crowd.
Trillian slowly put her arms around the poor bewildered young
Krikkiter and patted his trembling head on her shoulder.
"It's all right," she said quietly but clearly enough for all the
shadowy crowd to hear, "you don't have to do it."
She rocked him.
"You don't have to do it," she said again.
She let him go and stood back.
"I want you to do something for me," she said, and unexpectedly
laughed.
"I want," she said, and laughed again. She put her hand over her
mouth and then said with a straight face, "I want you to take me
to your leader," and she pointed into the War Zones in the sky.
She seemed somehow to know that their leader would be there.
Her laughter seemed to discharge something in the atmosphere.
From somewhere at the back of the crowd a single voice started to
sing a tune which would have enabled Paul McCartney, had he
written it, to buy the world.
=================================================================
Chapter 30
Zaphod Beeblebrox crawled bravely along a tunnel, like the hell
of a guy he was. He was very confused, but continued crawling
doggedly anyway because he was that brave.
He was confused by something he had just seen, but not half as
confused as he was going to be by something he was about to hear,
so it would now be best to explain exactly where he was.
He was in the Robot War Zones many miles above the surface of the
planet Krikkit.
The atmosphere was thin here and relatively unprotected from any
rays or anything which space might care to hurl in his direction.
He had parked the starship Heart of Gold amongst the huge
jostling dim hulks that crowded the sky here above Krikkit, and
had entered what appeared to be the biggest and most important of
the sky buildings, armed with nothing but a Zap gun and something
for his headaches.
He had found himself in a long, wide and badly lit corridor in
which he was able to hide until he worked out what he was going
to do next. He hid because every now and then one of the Krikkit
robots would walk along it, and although he had so far led some
kind of charmed life at their hands, it had nevertheless been an
extremely painful one, and he had no desire to stretch what he
was only half-inclined to call his good fortune.
He had ducked, at one point, into a room leading off the
corridor, and had discovered it to be a huge and, again, dimly
lit chamber.
In fact, it was a museum with just one exhibit - the wreckage of
a spacecraft. It was terribly burnt and mangled, and, now that he
had caught up with some of the Galactic history he had missed
through his failed attempts to have sex with the girl in the
cybercubicle next to him at school, he was able to put in an
intelligent guess that this was the wrecked spaceship which had
drifted through the Dust Cloud all those billions of years ago
and started the whole business off.
But, and this is where he had become confused, there was
something not at all right about it.
It was genuinely wrecked. It was genuinely burnt, but a fairly
brief inspection by an experienced eye revealed that it was not a
genuine spacecraft. It was as if it was a full-scale model of one
- a solid blueprint. In other words it was a very useful thing to
have around if you suddenly decided to build a spaceship yourself
and didn't know how to do it. It was not, however, anything that
would ever fly anywhere itself.
He was still puzzling over this - in fact he'd only just started
to puzzle over it - when he became aware that a door had slid
open in another part of the chamber, and another couple of
Krikkit robots had entered, looking a little glum.
Zaphod did not want to tangle with them and, deciding that just
as discretion was the better part of valour so was cowardice the
better part of discretion, he valiantly hid himself in a
cupboard.
The cupboard in fact turned out to be the top part of a shaft
which led down through an inspection hatch into a wide
ventilation tunnel. He led himself down into it and started to
crawl along it, which is where we found him.
He didn't like it. It was cold, dark and profoundly
uncomfortable, and it frightened him. At the first opportunity -
which was another shaft a hundred yards further along - he
climbed back up out of it.
This time he emerged into a smaller chamber, which appeared to be
a computer intelligence centre. He emerged in a dark narrow space
between a large computer bank and the wall.
He quickly learned that he was not alone in the chamber and
started to leave again, when he began to listen with interest to
what the other occupants were saying.
"It's the robots, sir," said one voice. "There's something wrong
with them."
"What, exactly?"
These were the voices of two War Command Krikkiters. All the War
Commanders lived up in the sky in the Robot War Zones, and were
largely immune to the whimsical doubts and uncertainties which
were afflicting their fellows down on the surface of the planet.
"Well, sir I think it's just as well that they are being phased
out of the war effort, and that we are now going to detonate the
supernova bomb. In the very short time since we were released
from the envelope -"
"Get to the point."
"The robots aren't enjoying it, sir."
"What?"
"The war, sir, it seems to be getting them down. There's a
certain world-weariness about them, or perhaps I should say
Universe-weariness."
"Well, that's all right, they're meant to be helping to destroy
it."
"Yes, well they're finding it difficult, sir. They are afflicted
with a certain lassitude. They're just finding it hard to get
behind the job. They lack oomph."
"What are you trying to say?"
"Well, I think they're very depressed about something, sir."
"What on Krikkit are you talking about?"
"Well, in the few skirmishes they've had recently, it seems that
they go into battle, raise their weapons to fire and suddenly
think, why bother? What, cosmically speaking, is it all about?
And they just seem to get a little tired and a little grim."
"And then what do they do?"
"Er, quadratic equations mostly, sir. Fiendishly difficult ones
by all accounts. And then they sulk."
"Sulk?"
"Yes, sir."
"Whoever heard of a robot sulking?"
"I don't know, sir."
"What was that noise?"
It was the noise of Zaphod leaving with his head spinning.
=================================================================
Chapter 31
In a deep well of darkness a crippled robot sat. It had been
silent in its metallic darkness for some time. It was cold and
damp, but being a robot it was supposed not to be able to notice
these things. With an enormous effort of will, however, it did
manage to notice them.
Its brain had been harnessed to the central intelligence core of
the Krikkit War Computer. It wasn't enjoying the experience, and
neither was the central intelligence core of the Krikkit War
Computer.
The Krikkit robots which had salvaged this pathetic metal
creature from the swamps of Squornshellous Zeta had recognized
almost immediately its gigantic intelligence, and the use which
this could be to them.
They hadn't reckoned with the attendant personality disorders,
which the coldness, the darkness, the dampness, the crampedness
and the loneliness were doing nothing to decrease.
It was not happy with its task.
Apart from anything else, the mere coordination of an entire
planet's military strategy was taking up only a tiny part of its
formidable mind, and the rest of it had become extremely bored.
Having solved all the major mathematical, physical, chemical,
biological, sociological, philosophical, etymological,
meteorological and psychological problems of the Universe except
his own, three times over, he was severely stuck for something to
do, and had taken up composing short dolorous ditties of no tone,
or indeed tune. The latest one was a lullaby.
"Now the world has gone to bed," Marvin droned,
"Darkness won't engulf my head,
"I can see by infra-red,
"How I hate the night."
He paused to gather the artistic and emotional strength to tackle
the next verse.
"Now I lay me down to sleep,
"Try to count electric sheep,
"Sweet dream wishes you can keep,
"How I hate the night."
"Marvin!" hissed a voice.
His head snapped up, almost dislodging the intricate network of
electrodes which connected him to the central Krikkit War
Computer.
An inspection hatch had opened and one of a pair of unruly heads
was peering through whilst the other kept on jogging it by
continually darting to look this way and that extremely
nervously.
"Oh, it's you," muttered the robot. "I might have known."
"Hey, kid," said Zaphod in astonishment, "was that you singing
just then?"
"I am," Marvin acknowledged bitterly, "in particularly
scintillating form at the moment."
Zaphod poked his head in through the hatchway and looked around.
"Are you alone?" he said.
"Yes," said Marvin. "Wearily I sit here, pain and misery my only
companions. And vast intelligence of course. And infinite sorrow.
And ..."
"Yeah," said Zaphod. "Hey, what's your connection with all this?"
"This," said Marvin, indicating with his less damaged arm all the
electrodes which connected him with the Krikkit computer.
"Then," said Zaphod awkwardly, "I guess you must have saved my
life. Twice."
"Three times," said Marvin.
Zaphod's head snapped round (his other one was looking hawkishly
in entirely the wrong direction) just in time to see the lethal
killer robot directly behind him seize up and start to smoke. It
staggered backwards and slumped against a wall. It slid down it.
It slipped sideways, threw its head back and started to sob
inconsolably.
Zaphod looked back at Marvin.
"You must have a terrific outlook on life," he said.
"Just don't even ask," said Marvin.
"I won't," said Zaphod, and didn't. "Hey look," he added, "you're
doing a terrific job."
"Which means, I suppose," said Marvin, requiring only one ten
thousand million billion trillion grillionth part of his mental
powers to make this particular logical leap, "that you're not
going to release me or anything like that."
"Kid, you know I'd love to."
"But you're not going to."
"No."
"I see."
"You're working well."
"Yes," said Marvin. "Why stop now just when I'm hating it?"
"I got to find Trillian and the guys. Hey, you any idea where
they are? I mean, I just got a planet to choose from. Could take
a while."
"They are very close," said Marvin dolefully. "You can monitor
them from here if you like."
"I better go get them," asserted Zaphod. "Er, maybe they need
some help, right?"
"Maybe," said Marvin with unexpected authority in his lugubrious
voice, "it would be better if you monitored them from here. That
young girl," he added unexpectedly, "is one of the least
benightedly unintelligent life forms it has been my profound lack
of pleasure not to be able to avoid meeting."
Zaphod took a moment or two to find his way through this
labyrinthine string of negatives and emerged at the other end
with surprise.
"Trillian?" he said. "She's just a kid. Cute, yeah, but
temperamental. You know how it is with women. Or perhaps you
don't. I assume you don't. If you do I don't want to hear about
it. Plug us in."
"... totally manipulated."
"What?" said Zaphod.
It was Trillian speaking. He turned round.
The wall against which the Krikkit robot was sobbing had lit up
to reveal a scene taking place in some other unknown part of the
Krikkit Robot War zones. It seemed to be a council chamber of
some kind - Zaphod couldn't make it out too clearly because of
the robot slumped against the screen.
He tried to move the robot, but it was heavy with its grief and
tried to bite him, so he just looked around as best he could.
"Just think about it," said Trillian's voice, "your history is
just a series of freakishly improbable events. And I know an
improbable event when I see one. Your complete isolation from the
Galaxy was freakish for a start. Right out on the very edge with
a Dust Cloud around you. It's a set-up. Obviously."
Zaphod was mad with frustration because he couldn't see the
screen. The robot's head was obscuring his view of the people
Trillian as talking to, his multi-functional battleclub was
obscuring the background, and the elbow of the arm it had pressed
tragically against its brow was obscuring Trillian herself.
"Then," said Trillian, "this spaceship that crash-landed on your
planet. That's really likely, isn't it? Have you any idea of what
the odds are against a drifting spaceship accidentally
intersecting with the orbit of a planet?"
"Hey," said Zaphod, "she doesn't know what the zark she's talking
about. I've seen that spaceship. It's a fake. No deal."
"I thought it might be," said Marvin from his prison behind
Zaphod.
"Oh yeah," said Zaphod. "It's easy for you to say that. I just
told you. Anyway, I don't see what it's got to do with anything."
"And especially," continued Trillian, "the odds against it
intersecting with the orbit of the one planet in the Galaxy, or
the whole of the Universe as far as I know, that would be totally
traumatized to see it. You don't know what the odds are? Nor do
I, they're that big. Again, it's a set-up. I wouldn't be
surprised if that spaceship was just a fake."
Zaphod managed to move the robot's battleclub. Behind it on the
screen were the figures of Ford, Arthur and Slartibartfast who
appeared astonished and bewildered by the whole thing.
"Hey, look," said Zaphod excitedly. "The guys are doing great. Ra
ra ra! Go get 'em, guys."
"And what about," said Trillian, "all this technology you
suddenly managed to build for yourselves almost overnight? Most
people would take thousands of years to do all that. Someone was
feeding you what you needed to know, someone was keeping you at
it.
"I know, I know," she added in response to an unseen
interruption, "I know you didn't realize it was going on. This is
exactly my point. You never realized anything at all. Like this
Supernova Bomb."
"How do you know about that?" said an unseen voice.
"I just know," said Trillian. "You expect me to believe that you
are bright enough to invent something that brilliant and be too
dumb to realize it would take you with it as well? That's not
just stupid, that is spectacularly obtuse."
"Hey, what's this bomb thing?" said Zaphod in alarm to Marvin.
"The supernova bomb?" said Marvin. "It's a very, very small
bomb."
"Yeah?"
"That would destroy the Universe in toto," added Marvin. "Good
idea, if you ask me. They won't get it to work, though."
"Why not, if it's so brilliant?"
"It's brilliant," said Marvin, "they're not. They got as far as
designing it before they were locked in the envelope. They've
spent the last five years building it. They think they've got it
right but they haven't. They're as stupid as any other organic
life form. I hate them."
Trillian was continuing.
Zaphod tried to pull the Krikkit robot away by its leg, but it
kicked and growled at him, and then quaked with a fresh outburst
of sobbing. Then suddenly it slumped over and continued to
express its feelings out of everybody's way on the floor.
Trillian was standing alone in the middle of the chamber tired
out but with fiercely burning eyes.
Ranged in front of her were the pale-faced and wrinkled Elder
Masters of Krikkit, motionless behind their widely curved control
desk, staring at her with helpless fear and hatred.
In front of them, equidistant between their control desk and the
middle of the chamber, where Trillian stood, as if on trial, was
a slim white pillar about four feet tall. On top of it stood a
small white globe, about three, maybe four inches in diameter.
Beside it stood a Krikkit robot with its multi-functional
battleclub.
"In fact," explained Trillian, "you are so dumb stupid" (She was
sweating. Zaphod felt that this was an unattractive thing for her
to be doing at this point) "you are all so dumb stupid that I
doubt, I very much doubt, that you've been able to build the bomb
properly without any help from Hactar for the last five years."
"Who's this guy Hactar?" said Zaphod, squaring his shoulders.
If Marvin replied, Zaphod didn't hear him. All his attention was
concentrated on the screen.
One of the Elders of Krikkit made a small motion with his hand
towards the Krikkit robot. The robot raised his club.
"There's nothing I can do," said Marvin. "It's on an independent
circuit from the others."
"Wait," said Trillian.
The Elder made a small motion. The robot halted. Trillian
suddenly seemed very doubtful of her own judgment.
"How do you know all this?" said Zaphod to Marvin at this point.
"Computer records," said Marvin. "I have access."
"You're very different, aren't you," said Trillian to the Elder
Masters, "from your fellow worldlings down on the ground. You've
spent all your lives up here, unprotected by the atmosphere.
You've been very vulnerable. The rest of your race is very
frightened, you know, they don't want you to do this. You're out
of touch, why don't you check up?"
The Krikkit Elder grew impatient. He made a gesture to the robot
which was precisely the opposite of the gesture he had last made
to it.
The robot swung its battleclub. It hit the small white globe.
The small white globe was the supernova bomb.
It was a very, very small bomb which was designed to bring the
entire Universe to an end.
The supernova bomb flew through the air. It hit the back wall of
the council chamber and dented it very badly.
"So how does she know all this?" said Zaphod.
Marvin kept a sullen silence.
"Probably just bluffing," said Zaphod. "Poor kid, I should never
have left her alone."
=================================================================
Chapter 32
"Hactar!" called Trillian. "What are you up to?"
There was no reply from the enclosing darkness. Trillian waited,
nervously. She was sure that she couldn't be wrong. She peered
into the gloom from which she had been expecting some kind of
response. But there was only cold silence.
"Hactar?" she called again. "I would like you to meet my friend
Arthur Dent. I wanted to go off with a Thunder God, but he
wouldn't let me and I appreciate that. He made me realize where
my affections really lay. Unfortunately Zaphod is too frightened
by all this, so I brought Arthur instead. I'm not sure why I'm
telling you all this.
"Hello?" she said again. "Hactar?"
And then it came.
It was thin and feeble, like a voice carried on the wind from a
great distance, half heard, a memory of a dream of a voice.
"Won't you both come out," said the voice. "I promise that you
will be perfectly safe."
They glanced at each other, and then stepped out, improbably,
along the shaft of light which streamed out of the open hatchway
of the Heart of Gold into the dim granular darkness of the Dust
Cloud.
Arthur tried to hold her hand to steady and reassure her, but she
wouldn't let him. He held on to his airline hold-all with its tin
of Greek olive oil, its towel, its crumpled postcards of
Santorini and its other odds and ends. He steadied and reassured
that instead.
They were standing on, and in, nothing.
Murky, dusty nothing. Each grain of dust of the pulverized
computer sparkled dimly as it turned and twisted slowly, catching
the sunlight in the darkness. Each particle of the computer, each
speck of dust, held within itself, faintly and weakly, the
pattern of the whole. In reducing the computer to dust the
Silastic Armorfiends of Striterax had merely crippled the
computer, not killed it. A weak and insubstantial field held the
particles in slight relationships with each other.
Arthur and Trillian stood, or rather floated, in the middle of
this bizarre entity. They had nothing to breathe, but for the
moment this seemed not to matter. Hactar kept his promise. They
were safe. For the moment.
"I have nothing to offer you by way of hospitality," said Hactar
faintly, "but tricks of the light. It is possible to be
comfortable with tricks of the light, though, if that is all you
have."
His voice evanesced, and in the dark dust a long velvet paisley-
covered sofa coalesced into hazy shape.
Arthur could hardly bear the fact that it was the same sofa which
had appeared to him in the fields of prehistoric Earth. He wanted
to shout and shake with rage that the Universe kept doing these
insanely bewildering things to him.
He let this feeling subside, and then sat on the sofa -
carefully. Trillian sat on it too.
It was real.
At least, if it wasn't real, it did support them, and as that is
what sofas are supposed to do, this, by any test that mattered,
was a real sofa.
The voice on the solar wind breathed to them again.
"I hope you are comfortable," it said.
They nodded.
"And I would like to congratulate you on the accuracy of your
deductions."
Arthur quickly pointed out that he hadn't deduced anything much
himself, Trillian was the one. She had simply asked him along
because he was interested in life, the Universe, and everything.
"That is something in which I too am interested," breathed
Hactar.
"Well," said Arthur, "we should have a chat about it sometime.
Over a cup of tea."
There slowly materialized in front of them a small wooden table
on which sat a silver teapot, a bone china milk jug, a bone china
sugar bowl, and two bone china cups and saucers.
Arthur reached forward, but they were just a trick of the light.
He leaned back on the sofa, which was an illusion his body was
prepared to accept as comfortable.
"Why," said Trillian, "do you feel you have to destroy the
Universe?"
She found it a little difficult talking into nothingness, with
nothing on which to focus. Hactar obviously noticed this. He
chuckled a ghostly chuckle.
"If it's going to be that sort of session," he said, "we may as
well have the right sort of setting."
And now there materialized in front of them something new. It was
the dim hazy image of a couch - a psychiatrist's couch. The
leather with which it was upholstered was shiny and sumptuous,
but again, it was only a trick of the light.
Around them, to complete the setting, was the hazy suggestion of
wood-panelled walls. And then, on the couch, appeared the image
of Hactar himself, and it was an eye-twisting image.
The couch looked normal size for a psychiatrist's couch - about
five or six feet long.
The computer looked normal size for a black space-borne computer
satellite - about a thousand miles across.
The illusion that the one was sitting on top of the other was the
thing which made the eyes twist.
"All right," said Trillian firmly. She stood up off the sofa. She
felt that she was being asked to feel too comfortable and to
accept too many illusions.
"Very good," she said. "Can you construct real things too? I mean
solid objects?"
Again there was a pause before the answer, as if the pulverized
mind of Hactar had to collect its thoughts from the millions and
millions of miles over which it was scattered.
"Ah," he sighed. "You are thinking of the spaceship."
Thoughts seemed to drift by them and through them, like waves
through the ether.
"Yes," he acknowledge, "I can.
"But it takes enormous effort and time. All I can do in my ...
particle state, you see, is encourage and suggest. Encourage and
suggest. And suggest ..."
The image of Hactar on the couch seemed to billow and waver, as
if finding it hard to maintain itself.
It gathered new strength.
"I can encourage and suggest," it said, "tiny pieces of space
debris - the odd minute meteor, a few molecules here, a few
hydrogen atoms there - to move together. I encourage them
together. I can tease them into shape, but it takes many aeons."
"So, did you make," asked Trillian again, "the model of the
wrecked spacecraft?"
"Er ... yes," murmured Hactar. "I have made ... a few things. I
can move them about. I made the spacecraft. It seemed best to
do."
Something then made Arthur pick up his hold-all from where he had
left it on the sofa and grasp it tightly.
The mist of Hactar's ancient shattered mind swirled about them as
if uneasy dreams were moving through it.
"I repented, you see," he murmured dolefully. "I repented of
sabotaging my own design for the Silastic Armorfiends. It was not
my place to make such decisions. I was created to fulfill a
function and I failed in it. I negated my own existence."
Hactar sighed, and they waited in silence for him to continue his
story.
"You were right," he said at length. "I deliberately nurtured the
planet of Krikkit till they would arrive at the same state of
mind as the Silastic Armorfiends, and require of me the design of
the bomb I failed to make the first time. I wrapped myself around
the planet and coddled it. Under the influence of events I was
able to generate, they learned to hate like maniacs. I had to
make them live in the sky. On the ground my influences were too
weak.
"Without me, of course, when they were locked away from me in the
envelope of Slo-Time, their responses became very confused and
they were unable to manage.
"Ah well, ah well," he added, "I was only trying to fulfill my
function."
And very gradually, very, very slowly, the images in the cloud
began to fade, gently to melt away.
And then, suddenly, they stopped fading.
"There was also the matter of revenge, of course," said Hactar,
with a sharpness which was new in his voice.
"Remember," he said, "that I was pulverized, and then left in a
crippled and semi-impotent state for billions of years. I
honestly would rather wipe out the Universe. You would feel the
same way, believe me."
He paused again, as eddies swept through the Dust.
"But primarily," he said in his former, wistful tone, "I was
trying to fulfill my function. Ah well."
Trillian said, "Does it worry you that you have failed?"
"Have I failed?" whispered Hactar. The image of the computer on
the psychiatrist's couch began slowly to fade again.
"Ah well, ah well," the fading voice intoned again. "No, failure
doesn't bother me now."
"You know what we have to do?" said Trillian, her voice cold and
businesslike.
"Yes," said Hactar, "you're going to disperse me. You are going
to destroy my consciousness. Please be my guest - after all these
aeons, oblivion is all I crave. If I haven't already fulfilled my
function, then it's too late now. Thank you and good night."
The sofa vanished.
The tea table vanished.
The couch and the computer vanished. the walls were gone. Arthur
and Trillian made their curious way back into the Heart of Gold.
"Well, that," said Arthur, "would appear to be that."
The flames danced higher in front of him and then subsided. A few
last licks and they were gone, leaving him with just a pile of
Ashes, where a few minutes previously there had been the Wooden
Pillar of Nature and Spirituality.
He scooped them off the hob of the Heart of Gold's Gamma
barbecue, put them in a paper bag, and walked back into the
bridge.
"I think we should take them back," he said. "I feel that very
strongly."
He had already had an argument with Slartibartfast on this
matter, and eventually the old man had got annoyed and left. he
had returned to his own ship the Bistromath, had a furious row
with the waiter and disappeared off into an entirely subjective
idea of what space was.
The argument had arisen because Arthur's idea of returning the
Ashes to Lord's Cricket Ground at the same moment that they were
originally taken would involve travelling back in time a day or
so, and this was precisely the sort of gratuitous and
irresponsible mucking about that the Campaign for Real Time was
trying to put a stop to.
"Yes," Arthur had said, "but you try and explain that to the
MCC," and he would hear no more against the idea.
"I think," he said again, and stopped. The reason he started to
say it again was because no one had listened to him the first
time, and the reason he stopped was because it looked fairly
clear that no one was going to listen to him this time either.
Ford, Zaphod and Trillian were watching the visiscreens intently
as Hactar was dispersing under pressure from a vibration field
which the Heart of Gold was pumping into it.
"What did it say?" asked Ford.
"I thought I heard it say," said Trillian in a puzzle voice,
"`What's done is done ... I have fulfilled my function ...'"
"I think we should take these back," said Arthur holding up the
bag containing the Ashes. "I feel that very strongly."
=================================================================
Chapter 33
The sun was shining calmly on a scene of complete havoc.
Smoke was still billowing across the burnt grass in the wake of
the theft of the Ashes by the Krikkit robots. Through the smoke,
people were running panicstricken, colliding with each other,
tripping over stretchers, being arrested.
One policeman was attempting to arrest Wowbagger the Infinitely
Prolonged for insulting behaviour, but was unable to prevent the
tall grey-green alien from returning to his ship and arrogantly
flying away, thus causing even more panic and pandemonium.
In the middle of this, for the second time that afternoon, the
figures of Arthur Dent and Ford Prefect suddenly materialized,
they had teleported down out of the Heart of Gold which was now
in parking orbit round the planet.
"I can explain," shouted Arthur. "I have the Ashes! They're in
this bag."
"I don't think you have their attention," said Ford.
"I have also helped save the Universe," called Arthur to anyone
who was prepared to listen, in other words no one.
"That should have been a crowd-stopper," said Arthur to Ford.
"It wasn't," said Ford.
Arthur accosted a policeman who was running past.
"Excuse me," he said. "The Ashes. I've got them. They were stolen
by those white robots a moment ago. I've got them in this bag.
They were part of the Key to the Slo-Time envelope, you see, and,
well, anyway you can guess the rest, the point is I've got them
and what should I do with them?"
The policeman told him, but Arthur could only assume that he was
speaking metaphorically.
He wandered about disconsolately.
"Is no one interested?" he shouted out. A man rushed past him and
jogged his elbow, he dropped the paper bag and it spilt its
contents all over the ground. Arthur stared down at it with a
tight-set mouth.
Ford looked at him.
"Wanna go now?" he said.
Arthur heaved a heavy sigh. He looked around at the planet Earth,
for what he was now certain would be the last time.
"OK," he said.
At that moment, through the clearing smoke, he caught sight of
one of the wickets, still standing in spite of everything.
"Hold on a moment," he said to Ford. "When I was a boy ..."
"Can you tell me later?"
"I had a passion for cricket, you know, but I wasn't very good at
it."
"Or not at all, if you prefer."
"And I always dreamed, rather stupidly, that one day I would bowl
at Lord's."
He looked around him at the panicstricken throng. No one was
going to mind very much.
"OK," said Ford wearily. "Get it over with. I shall be over
there," he added, "being bored." He went and sat down on a patch
of smoking grass.
Arthur remembered that on their first visit there that afternoon,
the cricket ball had actually landed in his bag, and he looked
through the bag.
He had already found the ball in it before he remembered that it
wasn't the same bag that he'd had at the time. Still, there the
ball was amongst his souvenirs of Greece.
He took it out and polished it against his hip, spat on it and
polished it again. He put the bag down. He was going to do this
properly.
He tossed the small hard red ball from hand to hand, feeling its
weight.
With a wonderful feeling of lightness and unconcern, he trotted
off away from the wicket. A medium-fast pace, he decided, and
measured a good long run-up.
He looked up into the sky. The birds were wheeling about it, a
few white clouds scudded across it. The air was disturbed with
the sounds of police and ambulance sirens, and people screaming
and yelling, but he felt curiously happy and untouched by it all.
He was going to bowl a ball at Lord's.
He turned and pawed a couple of times at the ground with his
bedroom slippers. He squared his shoulders, tossed the ball in
the air and caught it again.
He started to run.
As he ran, he saw that standing at the wicket was a batsman.
Oh, good, he thought, that should add a little ...
Then, as his running feet took him nearer, he saw more clearly.
The batsman standing ready at the wicket was not one of the
England cricket team. He was not one of the Australian cricket
team. It was one of the robot Krikkit team. It was a cold, hard,
lethal white killer-robot that presumably had not returned to its
ship with the others.
Quite a few thoughts collided in Arthur Dent's mind at tis
moment, but he didn't seem to be able to stop running. Time
seemed to be going terribly, terribly slowly, but still he didn't
seem to be able to stop running.
Moving as if through syrup, he slowly turned his troubled head
and looked at his own hand, the hand which was holding the small
hard red ball.
His feet were pounding slowly onwards, unstoppably, as he stared
at the ball gripped in his helpless hand. It was emitting a deep
red glow and flashing intermittently. And still his feet were
pounding inexorably forward.
He looked at the Krikkit robot again standing implacably still
and purposefully in front of him, battleclub raised in readiness.
Its eyes were burning with a deep cold fascinating light, and
Arthur could not move his own eyes from them. He seemed to be
looking down a tunnel at them - nothing on either side seemed to
exist.
Some of the thoughts which were colliding in his mind at this
time were these:
He felt a hell of a fool.
He felt that he should have listened rather more carefully to a
number of things he had heard said, phrases which now pounded
round in his mind as his feet pounded onwards to the point where
he would inevitably release the ball to the Krikkit robot, who
would inevitably strike it.
He remembered Hactar saying, "Have I failed? Failure doesn't
bother me."
He remembered the account of Hactar's dying words, "What's done
is done, I have fulfilled my function."
He remembered Hactar saying that he had managed to make "a few
things."
He remembered the sudden movement in his hold-all that had made
him grip it tightly to himself when he was in the Dust Cloud.
He remembered that he had travelled back in time a couple of days
to come to Lord's again.
He also remembered that he wasn't a very good bowler.
He felt his arm coming round, gripping tightly on to the ball
which he now knew for certain was the supernova bomb that Hactar
had built himself and planted on him, the bomb which would cause
the Universe to come to an abrupt and premature end.
He hoped and prayed that there wasn't an afterlife. Then he
realized there was a contradiction involved here and merely hoped
that there wasn't an afterlife.
He would feel very, very embarrassed meeting everybody.
He hoped, he hoped, he hoped that his bowling was as bad as he
remembered it to be, because that seemed to be the only thing now
standing between this moment and universal oblivion.
He felt his legs pounding, he felt his arm coming round, he felt
his feet connecting with the airline hold-all he'd stupidly left
lying on the ground in front of him, he felt himself falling
heavily forward but, having his mind so terribly full of other
things at this moment, he completely forgot about hitting the
ground and didn't.
Still holding the ball firmly in his right hand he soared up into
the air whimpering with surprise.
He wheeled and whirled through the air, spinning out of control.
He twisted down towards the ground, flinging himself hectically
through the air, at the same time hurling the bomb harmlessly off
into the distance.
He hurtled towards the astounded robot from behind. It still had
its multi-functional battleclub raised, but had suddenly been
deprived of anything to hit.
With a sudden mad access of strength, he wrestled the battleclub
from the grip of the startled robot, executed a dazzling banking
turn in the air, hurtled back down in a furious power-drive and
with one crazy swing knocked the robot's head from the robot's
shoulders.
"Are you coming now?" said Ford.
=================================================================
Epilogue:
Life, the Universe and Everything
And at the end they travelled again.
There was a time when Arthur Dent would not. He said that the
Bistromathic Drive had revealed to him that time and distance
were one, that mind and Universe were one, that perception and
reality were one, and that the more one travelled the more one
stayed in one place, and that what with one thing and another he
would rather just stay put for a while and sort it all out in his
mind, which was now at one with the Universe so it shouldn't take
too long, and he could get a good rest afterwards, put in a
little flying practice and learn to cook which he had always
meant to do. The can of Greek olive oil was now his most prized
possession, and he said that the way it had unexpectedly turned
up in his life had again given him a certain sense of the oneness
of things which made him feel that ...
He yawned and fell asleep.
In the morning as they prepared to take him to some quiet and
idyllic planet where they wouldn't mind him talking like that
they suddenly picked up a computer-driven distress call and
diverted to investigate.
A small but apparently undamaged spacecraft of the Merida class
seemed to be dancing a strange little jig through the void. A
brief computer scan revealed that the ship was fine, its computer
was fine, but that its pilot was mad.
"Half-mad, half-mad," the man insisted as they carried him,
raving, aboard.
He was a journalist with the Siderial Daily Mentioner. They
sedated him and sent Marvin in to keep him company until he
promised to try and talk sense.
"I was covering a trial," he said at last, "on Argabuthon."
He pushed himself up on to his thin wasted shoulders, his eyes
stared wildly. His white hair seemed to be waving at someone it
knew in the next room.
"Easy, easy," said Ford. Trillian put a soothing hand on his
shoulder.
The man sank back down again and stared at the ceiling of the
ship's sick bay.
"The case," he said, "is now immaterial, but there was a witness
... a witness ... a man called ... called Prak. A strange and
difficult man. They were eventually forced to administer a drug
to make him tell the truth, a truth drug."
His eyes rolled helplessly in his head.
"They gave him too much," he said in a tiny whimper. "They gave
him much too much." He started to cry. "I thing the robots must
have jogged the surgeon's arm."
"Robots?" said Zaphod sharply. "What robots?"
"Some white robots," whispered the man hoarsely, "broke into the
courtroom and stole the judge's sceptre, the Argabuthon Sceptre
of Justice, nasty Perspex thing. I don't know why they wanted
it." He began to cry again. "And I think they jogged the
surgeon's arm ..."
He shook his head loosely from side to side, helplessly, sadly,
his eyes screwed up in pain.
"And when the trial continued," he said in a weeping whisper,
"they asked Prak a most unfortunate thing. They asked him," he
paused and shivered, "to tell the Truth, the Whole Truth and
Nothing but the Truth. Only, don't you see?"
He suddenly hoisted himself up on to his elbows again and shouted
at them.
"They'd given him much too much of the drug!"
He collapsed again, moaning quietly. "Much too much too much too
much too ..."
The group gathered round his bedside glanced at each other. there
were goose pimples on backs.
"What happened?" said Zaphod at last.
"Oh, he told it all right," said the man savagely, "for all I
know he's still telling it now. Strange, terrible things ...
terrible, terrible!" he screamed.
They tried to calm him, but he struggled to his elbows again.
"Terrible things, incomprehensible things," he shouted, "things
that would drive a man mad!"
He stared wildly at them.
"Or in my case," he said, "half-mad. I'm a journalist."
"You mean," said Arthur quietly, "that you are used to
confronting the truth?"
"No," said the man with a puzzled frown. "I mean that I made an
excuse and left early."
He collapsed into a coma from which he recovered only once and
briefly.
On that one occasion, they discovered from him the following:
When it became clear that Prak could not be stopped, that here
was truth in its absolute and final form, the court was cleared.
Not only cleared, it was sealed up, with Prak still in it. Steel
walls were erected around it, and, just to be on the safe side,
barbed wire, electric fences, crocodile swamps and three major
armies were installed, so that no one would ever have to hear
Prak speak.
"That's a pity," said Arthur. "I'd like to hear what he had to
say. Presumably he would know what the Ultimate Question to the
Ultimate Answer is. It's always bothered me that we never found
out."
"Think of a number," said the computer, " any number."
Arthur told the computer the telephone number of King's Cross
railway station passenger inquiries, on the grounds that it must
have some function, and this might turn out to be it.
The computer injected the number into the ship's reconstituted
Improbability Drive.
In Relativity, Matter tells Space how to curve, and Space tells
Matter how to move.
The Heart of Gold told space to get knotted, and parked itself
neatly within the inner steel perimeter of the Argabuthon Chamber
of Law.
The courtroom was an austere place, a large dark chamber, clearly
designed for Justice rather than, for instance, for Pleasure. You
wouldn't hold a dinner party here - at least, not a successful
one. The decor would get your guests down.
The ceilings were high, vaulted and very dark. Shadows lurked
there with grim determination. The panelling for the walls and
benches, the cladding of the heavy pillars, all were carved from
the darkest and most severe trees in the fearsome Forest of
Arglebard. The massive black Podium of Justice which dominated
the centre of the chamber was a monster of gravity. If a sunbeam
had ever managed to slink this far into the Justice complex of
Argabuthon it would have turned around and slunk straight back
out again.
Arthur and Trillian were the first in, whilst Ford and Zaphod
bravely kept a watch on their rear.
At first it seemed totally dark and deserted. their footsteps
echoed hollowly round the chamber. This seemed curious. All the
defences were still in position and operative around the outside
of the building, they had run scan checks. Therefore, they had
assumed, the truth-telling must still be going on.
But there was nothing.
Then, as their eyes became accustomed to the darkness, they
spotted a dull red glow in a corner, and behind the glow a live
shadow. They swung a torch round on to it.
Prak was lounging on a bench, smoking a listless cigarette.
"Hi," he said, with a little half-wave. His voice echoed through
the chamber. He was a little man with scraggy hair. He sat with
his shoulders hunched forward and his head and knees kept
jiggling. He took a drag of his cigarette.
They stared at him.
"What's going on?" said Trillian.
"Nothing," said the man and jiggled his shoulders.
Arthur shone his torch full on Prak's face.
"We thought," he said, "that you were meant to be telling the
Truth, the Whole Truth and Nothing but the Truth."
"Oh, that," said Prak. "Yeah. I was. I finished. There's not
nearly as much of it as people imagine. Some of it's pretty
funny, though."
He suddenly exploded in about three seconds of manical laughter
and stopped again. he sat there, jiggling his head and knees. He
dragged on his cigarette with a strange half-smile.
Ford and Zaphod came forward out of the shadows.
"Tell us about it," said Ford.
"Oh, I can't remember any of it now," said Prak. "I thought of
writing some of it down, but first I couldn't find a pencil, and
then I thought, why bother?"
There was a long silence, during which they thought they could
feel the Universe age a little. Prak stared into the torchlight.
"None of it?" said Arthur at last. "You can remember none of it?"
"No. Except most of the good bits were about frogs, I remember
that."
Suddenly he was hooting with laughter again and stamping his feet
on the ground.
"You would not believe some of the things about frogs," he
gasped. "Come on let's go and find ourselves a frog. Boy, will I
ever see them in a new light!" He leapt to his feet and did a
tiny little dance. Then he stopped and took a long drag at his
cigarette.
"Let's find a frog I can laugh at," he said simply. "Anyway, who
are you guys?"
"We came to find you," said Trillian, deliberately not keeping
the disappointment out of her voice. "My name is Trillian."
Prak jiggled his head.
"Ford Prefect," said Ford Prefect with a shrug.
Prak jiggled his head.
"And I," said Zaphod, when he judged that the silence was once
again deep enough to allow an announcement of such gravity to be
tossed in lightly, "am Zaphod Beeblebrox."
Prak jiggled his head.
"Who's this guy?" said Prak jiggling his shoulder at Arthur, who
was standing silent for a moment, lost in disappointed thoughts.
"Me?" said Arthur. "Oh, my name's Arthur Dent."
Prak's eyes popped out of his head.
"No kidding?" he yelped. "You are Arthur Dent? The Arthur Dent?"
He staggered backwards, clutching his stomach and convulsed with
fresh paroxysms o laughter.
"Hey, just think of meeting you!" he gasped. "Boy," he shouted,
"you are the most ... wow, you just leave the frogs standing!"
he howled and screamed with laughter. He fell over backwards on
to the bench. He hollered and yelled in hysterics. He cried with
laughter, he kicked his legs in the air, he beat his chest.
Gradually he subsided, panting. He looked at them. He looked at
Arthur. He fell back again howling with laughter. Eventually he
fell asleep.
Arthur stood there with his lips twitching whilst the others
carried Prak comatose on to the ship.
"Before we picked up Prak," said Arthur, "I was going to leave. I
still want to, and I think I should do so as soon as possible."
The others nodded in silence, a silence which was only slightly
undermined by the heavily muffled and distant sound of hysterical
laughter which came drifting from Prak's cabin at the farthest
end of the ship.
"We have questioned him," continued Arthur, "or at least, you
have questioned him - I, as you know, can't go near him - on
everything, and he doesn't really seem to have anything to
contribute. Just the occasional snippet, and things I don't want
to hear about frogs."
The others tried not to smirk.
"Now, I am the first to appreciate a joke," said Arthur and then
had to wait for the others to stop laughing.
"I am the first ..." he stopped again. This time he stopped and
listened to the silence. There actually was silence this time,
and it had come very suddenly.
Prak was quiet. For days they had lived with constant manical
laughter ringing round the ship, only occasionally relieved by
short periods of light giggling and sleep. Arthur's very soul was
clenched with paranoia.
This was not the silence of sleep. A buzzer sounded. A glance at
a board told them that the buzzer had been sounded by Prak.
"He's not well," said Trillian quietly. "The constant laughing is
completely wrecking his body."
Arthur's lips twitched but he said nothing.
"We'd better go and see him," said Trillian.
Trillian came out of the cabin wearing her serious face.
"He wants you to go in," she said to Arthur, who was wearing his
glum and tight-lipped one. He thrust his hands deep into his
dressing-gown pockets and tried to think of something to say
which wouldn't sound petty. It seemed terribly unfair, but he
couldn't.
"Please," said Trillian.
He shrugged and went in, taking his glum and tight-lipped face
with him, despite the reaction this always provoked from Prak.
He looked down at his tormentor, who was lying quietly on the
bed, ashen and wasted. His breathing was very shallow. Ford and
Zaphod were standing by the bed looking awkward.
"You wanted to ask me something," said Prak in a thin voice and
coughed slightly.
Just the cough made Arthur stiffen, but it passed and subsided.
"How do you know that?" he asked.
Prak shrugged weakly. "'Cos it's true," he said simply.
Arthur took the point.
"Yes," he said at last in rather a strained drawl. "I did have a
question. Or rather, what I actually have is an Answer. I wanted
to know what the Question was."
Prak nodded sympathetically, and Arthur relaxed a little.
"It's ... well, it's a long story," he said, "but the Question I
would like to know is the Ultimate Question of Life, the Universe
and Everything. All we know is that the Answer is Forty-Two,
which is a little aggravating."
Prak nodded again.
"Forty-Two," he said. "Yes, that's right."
He paused. Shadows of thought and memory crossed his face like
the shadows of clouds crossing the land.
"I'm afraid," he said at last, "that the Question and the Answer
are mutually exclusive. Knowledge of one logically precludes
knowledge of the other. It is impossible that both can ever be
known about the same universe."
He paused again. Disappointment crept into Arthur's face and
snuggled down into its accustomed place.
"Except," said Prak, struggling to sort a thought out, "if it
happened, it seems that the Question and the Answer would just
cancel each other out and take the Universe with them, which
would then be replaced by something even more bizarrely
inexplicable. It is possible that this has already happened," he
added with a weak smile, "but there is a certain amount of
Uncertainty about it."
A little giggle brushed through him.
Arthur sat down on a stool.
"Oh well," he said with resignation, "I was just hoping there
would be some sort of reason."
"Do you know," said Prak, "the story of the Reason?"
Arthur said that he didn't, and Prak said that he knew that he
didn't.
He told it.
One night, he said, a spaceship appeared in the sky of a planet
which had never seen one before. The planet was Dalforsas, the
ship was this one. It appeared as a brilliant new star moving
silently across the heavens.
Primitive tribesmen who were sitting huddled on the Cold
Hillsides looked up from their steaming night-drinks and pointed
with trembling fingers, swearing that they had seen a sign, a
sign from their gods which meant that they must now arise at last
and go and slay the evil Princes of the Plains.
In the high turrets of their palaces, the Princes of the Plains
looked up and saw the shining star, and received it unmistakably
as a sign from their gods that they must now go and set about the
accursed Tribesmen of the Cold Hillsides.
And between them, the Dwellers in the Forest looked up into the
sky and saw the sigh of the new star, and saw it with fear and
apprehension, for though they had never seen anything like it
before, they too knew precisely what it foreshadowed, and they
bowed their heads in despair.
They knew that when the rains came, it was a sign.
When the rains departed, it was a sign.
When the winds rose, it was a sign.
When the winds fell, it was a sign.
When in the land there was born at midnight of a full moon a goat
with three heads, that was a sign.
When in the land there was born at some time in the afternoon a
perfectly normal cat or pig with no birth complications at all,
or even just a child with a retrousse nose, that too would often
be taken as a sign.
So there was no doubt at all that a new star in the sky was a
sign of a particularly spectacular order.
And each new sign signified the same thing - that the Princes of
the Plains and the Tribesmen of the Cold Hillsides were about to
beat the hell out of each other again.
This in itself wouldn't be so bad, except that the Princes of the
Plains and the Tribesmen of the Cold Hillsides always elected to
beat the hell out of each other in the Forest, and it was always
the Dwellers in the Forest who came off worst in these exchanges,
though as far as they could see it never had anything to do with
them.
And sometimes, after some of the worst of these outrages, the
Dwellers in the Forest would send a messenger to either the
leader of the Princes of the Plains or the leader of the
Tribesmen of the Cold Hillsides and demand to know the reason for
this intolerable behaviour.
And the leader, whichever one it was, would take the messenger
aside and explain the Reason to him, slowly and carefully and
with great attention to the considerable detail involved.
And the terrible thing was, it was a very good one. It was very
clear, very rational, and tough. The messenger would hang his
head and feel sad and foolish that he had not realized what a
tough and complex place the real world was, and what difficulties
and paradoxes had to be embraced if one was to live in it.
"Now do you understand?" the leader would say.
The messenger would nod dumbly.
"And you see these battles have to take place?"
Another dumb nod.
"And why they have to take place in the forest, and why it is in
everybody's best interest, the Forest Dwellers included, that
they should?"
"Er ..."
"In the long run."
"Er, yes."
And the messenger did understand the Reason, and he returned to
his people in the Forest. But as he approached them, as he walked
through the Forest and amongst the trees, he found that all he
could remember of the Reason was how terribly clear the argument
had seemed. What it actually was he couldn't remember at all.
And this, of course, was a great comfort when next the Tribesmen
and the Princes came hacking and burning their way through the
Forest, killing every Forest Dweller in their way.
Prak paused in his story and coughed pathetically.
"I was the messenger," he said, "after the battles precipitated
by the appearance of your ship, which were particularly savage.
Many of our people died. I thought I could bring the Reason back.
I went and was told it by the leader of the Princes, but on the
way back it slipped and melted away in my mind like snow in the
sun. That was many years ago, and much has happened since then."
He looked up at Arthur and giggled again very gently.
"There is one other thing I can remember from the truth drug.
Apart from the frogs, and that is God's last message to his
creation. Would you like to hear it?"
For a moment they didn't know whether to take him seriously.
"'Strue," he said. "For real. I mean it."
His chest heaved weakly and he struggled for breath. His head
lolled slightly.
"I wasn't very impressed with it when I first knew what it was,"
he said, "but now I think back to how impressed I was by the
Prince's Reason, and how soon afterwards I couldn't recall it at
all, I think it might be a lot more helpful. Would you like to
know what it is? Would you?"
They nodded dumbly.
"I bet you would. If you're that interested I suggest you go and
look for it. It is written in thirty-foot-high letters of fire on
top of the Quentulus Quazgar Mountains in the land of
Sevorbeupstry on the planet Preliumtarn, third out from the sun
Zarss in Galactic Sector QQ7 Active J Gamma. It is guarded by the
Lajestic Vantrashell of Lob."
There was a long silence following this announcement, which was
finally broken by Arthur.
"Sorry, it's where?" he said.
"It is written," repeated Prak, "in thirty-foot-high letters of
fire on top of the Quentulus Quazgar Mountains in the land of
Sevorbeupstry on the planet Preliumtarn, third out from the ..."
"Sorry," said Arthur again, "which mountains?"
"The Quentulus Quazgar Mountains in the land of Sevorbeupstry on
the planet ..."
"Which land was that? I didn't quite catch it."
"Sevorbeupstry, on the planet ..."
"Sevorbe-what?"
"Oh, for heaven's sake," said Prak and died testily.
In the following days Arthur thought a little about this message,
but in the end he decided that he was not going to allow himself
to be drawn by it, and insisted on following his original plan of
finding a nice little world somewhere to settle down and lead a
quiet retired life. Having saved the Universe twice in one day he
thought that he could take things a little easier from now on.
They dropped him off on the planet Krikkit, which was now once
again an idyllic pastoral world, even if the songs did
occasionally get on his nerves.
He spent a lot of time flying.
He learnt to communicate with birds and discovered that their
conversation was fantastically boring. It was all to do with wind
speed, wing spans, power-to-weight ratios and a fair bit about
berries. Unfortunately, he discovered, once you have learnt
birdspeak you quickly come to realize that the air is full of it
the whole time, just inane bird chatter. There is no getting away
from it.
For that reason Arthur eventually gave up the sport and learnt to
live on the ground and love it, despite a lot of the inane
chatter he heard down there as well.
One day, he was walking through the fields humming a ravishing
tune he'd heard recently when a silver spaceship descended from
the sky and landed in front of him.
A hatchway opened, a ramp extended, and a tall grey-green alien
marched out and approached him.
"Arthur Phili ..." it said, then glanced sharply at him and down
at his clipboard. He frowned. He looked up at him again.
"I've done you before haven't I?" he said.