8110 lines
320 KiB
Plaintext
8110 lines
320 KiB
Plaintext
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Douglas Adams
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Life, the Universe, and Everything
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Douglas Adams The Hitch Hiker's Guide to the Galaxy
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Douglas Adams The Restaurant at the End of the Universe
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Douglas Adams Life, the Universe, and Everything
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Douglas Adams So long, and thanks for all the fish
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Life, the universe and everything
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for Sally
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Chapter 1
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The regular early morning yell of horror was the sound of Arthur
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Dent waking up and suddenly remembering where he was.
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It wasn't just that the cave was cold, it wasn't just that it was
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damp and smelly. It was the fact that the cave was in the middle
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of Islington and there wasn't a bus due for two million years.
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Time is the worst place, so to speak, to get lost in, as Arthur
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Dent could testify, having been lost in both time and space a
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good deal. At least being lost in space kept you busy.
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He was stranded in prehistoric Earth as the result of a complex
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sequence of events which had involved him being alternately blown
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up and insulted in more bizarre regions of the Galaxy than he
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ever dreamt existed, and though his life had now turned very,
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very, very quiet, he was still feeling jumpy.
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He hadn't been blown up now for five years.
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Since he had hardly seen anyone since he and Ford Prefect had
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parted company four years previously, he hadn't been insulted in
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all that time either.
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Except just once.
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It had happened on a spring evening about two years previously.
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He was returning to his cave just a little after dusk when he
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became aware of lights flashing eerily through the clouds. He
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turned and stared, with hope suddenly clambering through his
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heart. Rescue. Escape. The castaway's impossible dream - a ship.
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And as he watched, as he stared in wonder and excitement, a long
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silver ship descended through the warm evening air, quietly,
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without fuss, its long legs unlocking in a smooth ballet of
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technology.
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It alighted gently on the ground, and what little hum it had
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generated died away, as if lulled by the evening calm.
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A ramp extended itself.
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Light streamed out.
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A tall figure appeared silhouetted in the hatchway. It walked
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down the ramp and stood in front of Arthur.
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"You're a jerk, Dent," it said simply.
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It was alien, very alien. It had a peculiar alien tallness, a
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peculiar alien flattened head, peculiar slitty little alien eyes,
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extravagantly draped golden ropes with a peculiarly alien collar
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design, and pale grey-green alien skin which had about it that
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lustrous shine which most grey-green faces can only acquire with
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plenty of exercise and very expensive soap.
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Arthur boggled at it.
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It gazed levelly at him.
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Arthur's first sensations of hope and trepidation had instantly
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been overwhelmed by astonishment, and all sorts of thoughts were
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battling for the use of his vocal chords at this moment.
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"Whh ...?" he said.
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"Bu ... hu ... uh ..." he added.
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"Ru ... ra ... wah ... who?" he managed finally to say and lapsed
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into a frantic kind of silence. He was feeling the effects of
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having not said anything to anybody for as long as he could
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remember.
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The alien creature frowned briefly and consulted what appeared to
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be some species of clipboard which he was holding in his thin and
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spindly alien hand.
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"Arthur Dent?" it said.
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Arthur nodded helplessly.
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"Arthur Philip Dent?" pursued the alien in a kind of efficient
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yap.
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"Er ... er ... yes ... er ... er," confirmed Arthur.
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"You're a jerk," repeated the alien, "a complete asshole."
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"Er ..."
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The creature nodded to itself, made a peculiar alien tick on its
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clipboard and turned briskly back towards the ship.
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"Er ..." said Arthur desperately, "er ..."
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"Don't give me that!" snapped the alien. It marched up the ramp,
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through the hatchway and disappeared into the ship. The ship
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sealed itself. It started to make a low throbbing hum.
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"Er, hey!" shouted Arthur, and started to run helplessly towards
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it.
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"Wait a minute!" he called. "What is this? What? Wait a minute!"
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The ship rose, as if shedding its weight like a cloak to the
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ground, and hovered briefly. It swept strangely up into the
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evening sky. It passed up through the clouds, illuminating them
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briefly, and then was gone, leaving Arthur alone in an immensity
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of land dancing a helplessly tiny little dance.
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"What?" he screamed. "What? What? Hey, what? Come back here and
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say that!"
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He jumped and danced until his legs trembled, and shouted till
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his lungs rasped. There was no answer from anyone. There was no
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one to hear him or speak to him.
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The alien ship was already thundering towards the upper reaches
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of the atmosphere, on its way out into the appalling void which
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separates the very few things there are in the Universe from each
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other.
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Its occupant, the alien with the expensive complexion, leaned
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back in its single seat. His name was Wowbagger the Infinitely
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Prolonged. He was a man with a purpose. Not a very good purpose,
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as he would have been the first to admit, but it was at least a
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purpose and it did at least keep him on the move.
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Wowbagger the Infinitely Prolonged was --indeed, is - one of the
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Universe's very small number of immortal beings.
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Those who are born immortal instinctively know how to cope with
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it, but Wowbagger was not one of them. Indeed he had come to hate
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them, the load of serene bastards. He had had his immortality
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thrust upon him by an unfortunate accident with an irrational
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particle accelerator, a liquid lunch and a pair of rubber bands.
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The precise details of the accident are not important because no
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one has ever managed to duplicate the exact circumstances under
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which it happened, and many people have ended up looking very
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silly, or dead, or both, trying.
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Wowbagger closed his eyes in a grim and weary expression, put
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some light jazz on the ship's stereo, and reflected that he could
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have made it if it hadn't been for Sunday afternoons, he really
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could have done.
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To begin with it was fun, he had a ball, living dangerously,
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taking risks, cleaning up on high-yield long-term investments,
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and just generally outliving the hell out of everybody.
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In the end, it was the Sunday afternoons he couldn't cope with,
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and that terrible listlessness which starts to set in at about
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2.55, when you know that you've had all the baths you can
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usefully have that day, that however hard you stare at any given
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paragraph in the papers you will never actually read it, or use
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the revolutionary new pruning technique it describes, and that as
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you stare at the clock the hands will move relentlessly on to
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four o'clock, and you will enter the long dark teatime of the
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soul.
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So things began to pall for him. The merry smiles he used to wear
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at other people's funerals began to fade. He began to despise the
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Universe in general, and everyone in it in particular.
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This was the point at which he conceived his purpose, the thing
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which would drive him on, and which, as far as he could see,
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would drive him on forever. It was this.
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He would insult the Universe.
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That is, he would insult everybody in it. Individually,
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personally, one by one, and (this was the thing he really decided
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to grit his teeth over) in alphabetical order.
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When people protested to him, as they sometimes had done, that
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the plan was not merely misguided but actually impossible because
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of the number of people being born and dying all the time, he
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would merely fix them with a steely look and say, "A man can
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dream can't he?"
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And so he started out. He equipped a spaceship that was built to
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last with the computer capable of handling all the data
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processing involved in keeping track of the entire population of
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the known Universe and working out the horrifically complicated
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routes involved.
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His ship fled through the inner orbits of the Sol star system,
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preparing to slingshot round the sun and fling itself out into
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interstellar space.
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"Computer," he said.
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"Here," yipped the computer.
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"Where next?"
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"Computing that."
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Wowbagger gazed for a moment at the fantastic jewellery of the
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night, the billions of tiny diamond worlds that dusted the
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infinite darkness with light. Every one, every single one, was on
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his itinerary. Most of them he would be going to millions of
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times over.
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He imagined for a moment his itinerary connecting up all the dots
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in the sky like a child's numbered dots puzzle. He hoped that
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from some vantage point in the Universe it might be seen to spell
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a very, very rude word.
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The computer beeped tunelessly to indicate that it had finished
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its calculations.
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"Folfanga," it said. It beeped.
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"Fourth world of the Folfanga system," it continued. It beeped
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again.
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"Estimated journey time, three weeks," it continued further. It
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beeped again.
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"There to meet with a small slug," it beeped, "of the genus A-
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Rth-Urp-Hil-Ipdenu."
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"I believe," it added, after a slight pause during which it
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beeped, "that you had decided to call it a brainless prat."
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Wowbagger grunted. He watched the majesty of creation outside his
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window for a moment or two.
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"I think I'll take a nap," he said, and then added, "what network
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areas are we going to be passing through in the next few hours?"
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The computer beeped.
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"Cosmovid, Thinkpix and Home Brain Box," it said, and beeped.
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"Any movies I haven't seen thirty thousand times already?"
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"No."
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"Uh."
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"There's Angst in Space. You've only seen that thirty-three
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thousand five hundred and seventeen times."
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"Wake me for the second reel."
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The computer beeped.
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"Sleep well," it said.
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The ship fled on through the night.
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Meanwhile, on Earth, it began to pour with rain and Arthur Dent
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sat in his cave and had one of the most truly rotten evenings of
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his entire life, thinking of things he could have said to the
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alien and swatting flies, who also had a rotten evening.
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The next day he made himself a pouch out of rabbit skin because
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he thought it would be useful to keep things in.
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=================================================================
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Chapter 2
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This morning, two years later than that, was sweet and fragrant
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as he emerged from the cave he called home until he could think
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of a better name for it or find a better cave.
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Though his throat was sore again from his early morning yell of
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horror, he was suddenly in a terrifically good mood. He wrapped
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his dilapidated dressing gown tightly around him and beamed at
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the bright morning.
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The air was clear and scented, the breeze flitted lightly through
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the tall grass around his cave, the birds were chirruping at each
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other, the butterflies were flitting about prettily, and the
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whole of nature seemed to be conspiring to be as pleasant as it
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possibly could.
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It wasn't all the pastoral delights that were making Arthur feel
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so cheery, though. He had just had a wonderful idea about how to
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cope with the terrible lonely isolation, the nightmares, the
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failure of all his attempts at horticulture, and the sheer
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futurelessness and futility of his life here on prehistoric
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Earth, which was that he would go mad.
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He beamed again and took a bite out of a rabbit leg left over
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from his supper. He chewed happily for a few moments and then
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decided formally to announce his decision.
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He stood up straight and looked the world squarely in the fields
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and hills. To add weight to his words he stuck the rabbit bone in
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his hair. He spread his arms out wide.
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"I will go mad!" he announced.
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"Good idea," said Ford Prefect, clambering down from the rock on
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which he had been sitting.
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Arthur's brain somersaulted. His jaw did press-ups.
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"I went mad for a while," said Ford, "did me no end of good."
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"You see," said Ford, "- ..."
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"Where have you been?" interrupted Arthur, now that his head had
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finished working out.
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"Around," said Ford, "around and about." He grinned in what he
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accurately judged to be an infuriating manner. "I just took my
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mind off the hook for a bit. I reckoned that if the world wanted
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me badly enough it would call back. It did."
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He took out of his now terribly battered and dilapidated satchel
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his Sub-Etha Sens-O-Matic.
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"At least," he said, "I think it did. This has been playing up a
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bit." He shook it. "If it was a false alarm I shall go mad," he
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said, "again."
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Arthur shook his head and sat down. He looked up.
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"I thought you must be dead ..." he said simply.
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"So did I for a while," said Ford, "and then I decided I was a
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lemon for a couple of weeks. A kept myself amused all that time
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jumping in and out of a gin and tonic."
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Arthur cleared his throat, and then did it again.
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"Where," he said, "did you ...?"
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"Find a gin and tonic?" said Ford brightly. "I found a small lake
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that thought it was a gin and tonic, and jumped in and out of
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that. At least, I think it thought it was a gin and tonic."
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"I may," he added with a grin which would have sent sane men
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scampering into trees, "have been imagining it."
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He waited for a reaction from Arthur, but Arthur knew better than
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that.
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"Carry on," he said levelly.
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"The point is, you see," said Ford, "that there is no point in
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driving yourself mad trying to stop yourself going mad. You might
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just as well give in and save your sanity for later."
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"And this is you sane again, is it?" said Arthur. "I ask merely
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for information."
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"I went to Africa," said Ford.
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"Yes?"
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"Yes."
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"What was that like?"
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"And this is your cave is it?" said Ford.
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"Er, yes," said Arthur. He felt very strange. After nearly four
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years of total isolation he was so pleased and relieved to see
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Ford that he could almost cry. Ford was, on the other hand, an
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almost immediately annoying person.
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"Very nice," said Ford, in reference to Arthur's cave. "You must
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hate it."
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Arthur didn't bother to reply.
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"Africa was very interesting," said Ford, "I behaved very oddly
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there."
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He gazed thoughtfully into the distance.
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"I took up being cruel to animals," he said airily. "But only,"
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he added, "as a hobby."
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"Oh yes," said Arthur, warily.
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"Yes," Ford assured him. "I won't disturb you with the details
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because they would -"
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"What?"
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"Disturb you. But you may be interested to know that I am
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singlehandedly responsible for the evolved shape of the animal
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you came to know in later centuries as a giraffe. And I tried to
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learn to fly. Do you believe me?"
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"Tell me," said Arthur.
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"I'll tell you later. I'll just mention that the Guide says ..."
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"The ...?"
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"Guide. The Hitch Hiker's Guide to the Galaxy. You remember?"
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"Yes. I remember throwing it in the river."
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"Yes," said Ford, "but I fished it out."
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"You didn't tell me."
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"I didn't want you to throw it in again."
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"Fair enough," admitted Arthur. "It says?"
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"What?"
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"The Guide says?"
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"The Guide says there is an art to flying," said Ford, "or rather
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a knack. The knack lies in learning how to throw yourself at the
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ground and miss." He smiled weakly. He pointed at the knees of
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his trousers and held his arms up to show the elbows. They were
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all torn and worn through.
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"I haven't done very well so far," he said. He stuck out his
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hand. "I'm very glad to see you again, Arthur," he added.
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Arthur shook his head in a sudden access of emotion and
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bewilderment.
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"I haven't seen anyone for years," he said, "not anyone. I can
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hardly even remember how to speak. I keep forgetting words. I
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practise you see. I practise by talking to ... talking to ...
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what are those things people think you're mad if you talk to?
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Like George the Third."
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"Kings?" suggested Ford.
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"No, no," said Arthur. "The things he used to talk to. We're
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surrounded by them for heaven's sake. I've planted hundreds
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myself. They all died. Trees! I practise by talking to trees.
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What's that for?"
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Ford still had his hand stuck out. Arthur looked at it with
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incomprehension.
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"Shake," prompted Ford.
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Arthur did, nervously at first, as if it might turn out to be a
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fish. Then he grasped it vigorously with both hands in an
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overwhelming flood of relief. He shook it and shook it.
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After a while Ford found it necessary to disengage. They climbed
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to the top of a nearby outcrop of rock and surveyed the scene
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around them.
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"What happened to the Golgafrinchans?" asked Ford.
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Arthur shrugged.
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"A lot of them didn't make it through the winter three years
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ago," he said, "and the few who remained in the spring said they
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needed a holiday and set off on a raft. History says that they
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must have survived ..."
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"Huh," said Ford, "well well." He stuck his hands on his hips and
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looked round again at the empty world. Suddenly, there was about
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Ford a sense of energy and purpose.
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"We're going," he said excitedly, and shivered with energy.
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"Where? How?" said Arthur.
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"I don't know," said Ford, "but I just feel that the time is
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right. Things are going to happen. We're on our way."
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He lowered his voice to a whisper.
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"I have detected," he said, "disturbances in the wash."
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He gazed keenly into the distance and looked as if he would quite
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like the wind to blow his hair back dramatically at that point,
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but the wind was busy fooling around with some leaves a little
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way off.
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Arthur asked him to repeat what he had just said because he
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hadn't quite taken his meaning. Ford repeated it.
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"The wash?" said Arthur.
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"The space-time wash," said Ford, and as the wind blew briefly
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past at that moment, he bared his teeth into it.
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Arthur nodded, and then cleared his throat.
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"Are we talking about," he asked cautiously, "some sort of Vogon
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laundromat, or what are we talking about?"
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"Eddies," said Ford, "in the space-time continuum."
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"Ah," nodded Arthur, "is he? Is he?" He pushed his hands into the
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pocket of his dressing gown and looked knowledgeably into the
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distance.
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"What?" said Ford.
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"Er, who," said Arthur, "is Eddy, then, exactly?"
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Ford looked angrily at him.
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"Will you listen?" he snapped.
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"I have been listening," said Arthur, "but I'm not sure it's
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helped."
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Ford grasped him by the lapels of his dressing gown and spoke to
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him as slowly and distinctly and patiently as if he were somebody
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from a telephone company accounts department.
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"There seem ..." he said, "to be some pools ..." he said, "of
|
|
instability ..." he said, "in the fabric ..." he said ...
|
|
|
|
Arthur looked foolishly at the cloth of his dressing gown where
|
|
Ford was holding it. Ford swept on before Arthur could turn the
|
|
foolish look into a foolish remark.
|
|
|
|
"... in the fabric of space-time," he said.
|
|
|
|
"Ah, that," said Arthur.
|
|
|
|
"Yes, that," confirmed Ford.
|
|
|
|
They stood there alone on a hill on prehistoric Earth and stared
|
|
each other resolutely in the face.
|
|
|
|
"And it's done what?" said Arthur.
|
|
|
|
"It," said Ford, "has developed pools of instability."
|
|
|
|
"Has it?" said Arthur, his eyes not wavering for a moment.
|
|
|
|
"It has," said Ford with a similar degree of ocular immobility.
|
|
|
|
"Good," said Arthur.
|
|
|
|
"See?" said Ford.
|
|
|
|
"No," said Arthur.
|
|
|
|
There was a quiet pause.
|
|
|
|
"The difficulty with this conversation," said Arthur after a sort
|
|
of pondering look had crawled slowly across his face like a
|
|
mountaineer negotiating a tricky outcrop, "is that it's very
|
|
different from most of the ones I've had of late. Which, as I
|
|
explained, have mostly been with trees. They weren't like this.
|
|
Except perhaps some of the ones I've had with elms which
|
|
sometimes get a bit bogged down."
|
|
|
|
"Arthur," said Ford.
|
|
|
|
"Hello? Yes?" said Arthur.
|
|
|
|
"Just believe everything I tell you, and it will all be very,
|
|
very simple."
|
|
|
|
"Ah, well I'm not sure I believe that."
|
|
|
|
They sat down and composed their thoughts.
|
|
|
|
Ford got out his Sub-Etha Sens-O-Matic. It was making vague
|
|
humming noises and a tiny light on it was flickering faintly.
|
|
|
|
"Flat battery?" said Arthur.
|
|
|
|
"No," said Ford, "there is a moving disturbance in the fabric of
|
|
space-time, an eddy, a pool of instability, and it's somewhere in
|
|
our vicinity."
|
|
|
|
"Where?"
|
|
|
|
Ford moved the device in a slow lightly bobbing semi-circle.
|
|
Suddenly the light flashed.
|
|
|
|
"There!" said Ford, shooting out his arm. "There, behind that
|
|
sofa!"
|
|
|
|
Arthur looked. Much to his surprise, there was a velvet paisley-
|
|
covered Chesterfield sofa in the field in front of them. He
|
|
boggled intelligently at it. Shrewd questions sprang into his
|
|
mind.
|
|
|
|
"Why," he said, "is there a sofa in that field?"
|
|
|
|
"I told you!" shouted Ford, leaping to his feet. "Eddies in the
|
|
space-time continuum!"
|
|
|
|
"And this is his sofa, is it?" asked Arthur, struggling to his
|
|
feet and, he hoped, though not very optimistically, to his
|
|
senses.
|
|
|
|
"Arthur!" shouted Ford at him, "that sofa is there because of the
|
|
space-time instability I've been trying to get your terminally
|
|
softened brain to get to grips with. It's been washed out of the
|
|
continuum, it's space-time jetsam, it doesn't matter what it is,
|
|
we've got to catch it, it's our only way out of here!"
|
|
|
|
He scrambled rapidly down the rocky outcrop and made off across
|
|
the field.
|
|
|
|
"Catch it?" muttered Arthur, then frowned in bemusement as he saw
|
|
that the Chesterfield was lazily bobbing and wafting away across
|
|
the grass.
|
|
|
|
With a whoop of utterly unexpected delight he leapt down the rock
|
|
and plunged off in hectic pursuit of Ford Prefect and the
|
|
irrational piece of furniture.
|
|
|
|
They careered wildly through the grass, leaping, laughing,
|
|
shouting instructions to each other to head the thing off this
|
|
way or that way. The sun shone dreamily on the swaying grass,
|
|
tiny field animals scattered crazily in their wake.
|
|
|
|
Arthur felt happy. He was terribly pleased that the day was for
|
|
once working out so much according to plan. Only twenty minutes
|
|
ago he had decided he would go mad, and now he was already
|
|
chasing a Chesterfield sofa across the fields of prehistoric
|
|
Earth.
|
|
|
|
The sofa bobbed this way and that and seemed simultaneously to be
|
|
as solid as the trees as it drifted past some of them and hazy as
|
|
a billowing dream as it floated like a ghost through others.
|
|
|
|
Ford and Arthur pounded chaotically after it, but it dodged and
|
|
weaved as if following its own complex mathematical topography,
|
|
which it was. Still they pursued, still it danced and span, and
|
|
suddenly turned and dipped as if crossing the lip of a
|
|
catastrophe graph, and they were practically on top of it. With a
|
|
heave and a shout they leapt on it, the sun winked out, they fell
|
|
through a sickening nothingness, and emerged unexpectedly in the
|
|
middle of the pitch at Lord's Cricked Ground, St John's Wood,
|
|
London, towards the end of the last Test Match of the Australian
|
|
Series in the year 198-, with England needing only twenty-eight
|
|
runs to win.
|
|
|
|
=================================================================
|
|
Chapter 3
|
|
|
|
Important facts from Galactic history, number one:
|
|
|
|
(Reproduced from the Siderial Daily Mentioner's Book of popular
|
|
Galactic History.)
|
|
|
|
The night sky over the planet Krikkit is the least interesting
|
|
sight in the entire Universe.
|
|
|
|
=================================================================
|
|
Chapter 4
|
|
|
|
It was a charming and delightful day at Lord's as Ford and Arthur
|
|
tumbled haphazardly out of a space-time anomaly and hit the
|
|
immaculate turf rather hard.
|
|
|
|
The applause of the crowd was tremendous. It wasn't for them, but
|
|
instinctively they bowed anyway, which was fortunate because the
|
|
small red heavy ball which the crowd actually had been applauding
|
|
whistled mere millimetres over Arthur's head. In the crowd a man
|
|
collapsed.
|
|
|
|
They threw themselves back to the ground which seemed to spin
|
|
hideously around them.
|
|
|
|
"What was that?" hissed Arthur.
|
|
|
|
"Something red," hissed Ford back at him.
|
|
|
|
"Where are we?"
|
|
|
|
"Er, somewhere green."
|
|
|
|
"Shapes," muttered Arthur. "I need shapes."
|
|
|
|
The applause of the crowd had been rapidly succeeded by gasps of
|
|
astonishment, and the awkward titters of hundreds of people who
|
|
could not yet make up their minds about whether to believe what
|
|
they had just seen or not.
|
|
|
|
"This your sofa?" said a voice.
|
|
|
|
"What was that?" whispered Ford.
|
|
|
|
Arthur looked up.
|
|
|
|
"Something blue," he said.
|
|
|
|
"Shape?" said Ford.
|
|
|
|
Arthur looked again.
|
|
|
|
"It is shaped," he hissed at Ford, with his brow savagely
|
|
furrowing, "like a policeman."
|
|
|
|
They remained crouched there for a few moments, frowning deeply.
|
|
The blue thing shaped like a policeman tapped them both on the
|
|
shoulders.
|
|
|
|
"Come on, you two," the shape said, "let's be having you."
|
|
|
|
These words had an electrifying effect on Arthur. He leapt to his
|
|
feet like an author hearing the phone ring and shot a series of
|
|
startled glanced at the panorama around him which had suddenly
|
|
settled down into something of quite terrifying ordinariness.
|
|
|
|
"Where did you get this from?" he yelled at the policeman shape.
|
|
|
|
"What did you say?" said the startled shape.
|
|
|
|
"This is Lord's Cricket Ground, isn't it?" snapped Arthur. "Where
|
|
did you find it, how did you get it here? I think," he added,
|
|
clasping his hand to his brow, "that I had better calm down." He
|
|
squatted down abruptly in front of Ford.
|
|
|
|
"It is a policeman," he said, "What do we do?"
|
|
|
|
Ford shrugged.
|
|
|
|
"What do you want to do?" he said.
|
|
|
|
"I want you," said Arthur, "to tell me that I have been dreaming
|
|
for the last five years."
|
|
|
|
Ford shrugged again, and obliged.
|
|
|
|
"You've been dreaming for the last five years," he said.
|
|
|
|
Arthur got to his feet.
|
|
|
|
"It's all right, officer," he said. "I've been dreaming for the
|
|
last five years. Ask him," he added, pointing at Ford, "he was in
|
|
it."
|
|
|
|
Having said this, he sauntered off towards the edge of the pitch,
|
|
brushing down his dressing gown. He then noticed his dressing
|
|
gown and stopped. He stared at it. He flung himself at the
|
|
policeman.
|
|
|
|
"So where did I get these clothes from?" he howled.
|
|
|
|
He collapsed and lay twitching on the grass.
|
|
|
|
Ford shook his head.
|
|
|
|
"He's had a bad two million years," he said to the policeman, and
|
|
together they heaved Arthur on to the sofa and carried him off
|
|
the pitch and were only briefly hampered by the sudden
|
|
disappearance of the sofa on the way.
|
|
|
|
Reaction to all this from the crowd were many and various. Most
|
|
of them couldn't cope with watching it, and listened to it on the
|
|
radio instead.
|
|
|
|
"Well, this is an interesting incident, Brian," said one radio
|
|
commentator to another. "I don't think there have been any
|
|
mysterious materializations on the pitch since, oh since, well I
|
|
don't think there have been any - have there? - that I recall?"
|
|
|
|
"Edgbaston, 1932?"
|
|
|
|
"Ah, now what happened then ..."
|
|
|
|
"Well, Peter, I think it was Canter facing Willcox coming up to
|
|
bowl from the pavilion end when a spectator suddenly ran straight
|
|
across the pitch."
|
|
|
|
There was a pause while the first commentator considered this.
|
|
|
|
"Ye ... e ... s ..." he said, "yes, there's nothing actually very
|
|
mysterious about that, is there? He didn't actually materialize,
|
|
did he? Just ran on."
|
|
|
|
"No, that's true, but he did claim to have seen something
|
|
materialize on the pitch."
|
|
|
|
"Ah, did he?"
|
|
|
|
"Yes. An alligator, I think, of some description."
|
|
|
|
"Ah. And had anyone else noticed it?"
|
|
|
|
"Apparently not. And no one was able to get a very detailed
|
|
description from him, so only the most perfunctory search was
|
|
made."
|
|
|
|
"And what happened to the man?"
|
|
|
|
"Well, I think someone offered to take him off and give him some
|
|
lunch, but he explained that he'd already had a rather good one,
|
|
so the matter was dropped and Warwickshire went on to win by
|
|
three wickets."
|
|
|
|
"So, not very like this current instance. For those of you who've
|
|
just tuned in, you may be interested to know that, er ... two
|
|
men, two rather scruffily attired men, and indeed a sofa - a
|
|
Chesterfield I think?"
|
|
|
|
"Yes, a Chesterfield."
|
|
|
|
"Have just materialized here in the middle of Lord's Cricket
|
|
Ground. But I don't think they meant any harm, they've been very
|
|
good-natured about it, and ..."
|
|
|
|
"Sorry, can I interrupt you a moment Peter and say that the sofa
|
|
has just vanished."
|
|
|
|
"So it has. Well, that's one mystery less. Still, it's definitely
|
|
one for the record books I think, particularly occurring at this
|
|
dramatic moment in play, England now needing only twenty-four
|
|
runs to win the series. The men are leaving the pitch in the
|
|
company of a police officer, and I think everyone's settling down
|
|
now and play is about to resume."
|
|
|
|
"Now, sir," said the policeman after they had made a passage
|
|
through the curious crowd and laid Arthur's peacefully inert body
|
|
on a blanket, "perhaps you'd care to tell me who you are, where
|
|
you come from, and what that little scene was all about?"
|
|
|
|
Ford looked at the ground for a moment as if steadying himself
|
|
for something, then he straightened up and aimed a look at the
|
|
policeman which hit him with the full force of every inch of the
|
|
six hundred light-years' distance between Earth and Ford's home
|
|
near Betelgeuse.
|
|
|
|
"All right," said Ford, very quietly, "I'll tell you."
|
|
|
|
"Yes, well, that won't be necessary," said the policeman
|
|
hurriedly, "just don't let whatever it was happen again." The
|
|
policeman turned around and wandered off in search of anyone who
|
|
wasn't from Betelgeuse. Fortunately, the ground was full of them.
|
|
|
|
Arthur's consciousness approached his body as from a great
|
|
distance, and reluctantly. It had had some bad times in there.
|
|
Slowly, nervously, it entered and settled down in to its
|
|
accustomed position.
|
|
|
|
Arthur sat up.
|
|
|
|
"Where am I?" he said.
|
|
|
|
"Lord's Cricket Ground," said Ford.
|
|
|
|
"Fine," said Arthur, and his consciousness stepped out again for
|
|
a quick breather. His body flopped back on the grass.
|
|
|
|
Ten minutes later, hunched over a cup of tea in the refreshment
|
|
tent, the colour started to come back to his haggard face.
|
|
|
|
"How're you feeling?" said Ford.
|
|
|
|
"I'm home," said Arthur hoarsely. He closed his eyes and greedily
|
|
inhaled the steam from his tea as if it was - well, as far as
|
|
Arthur was concerned, as if it was tea, which it was.
|
|
|
|
"I'm home," he repeated, "home. It's England, it's today, the
|
|
nightmare is over." He opened his eyes again and smiled serenely.
|
|
"I'm where I belong," he said in an emotional whisper.
|
|
|
|
"There are two things I fell which I should tell you," said Ford,
|
|
tossing a copy of the Guardian over the table at him.
|
|
|
|
"I'm home," said Arthur.
|
|
|
|
"Yes," said Ford. "One is," he said pointing at the date at the
|
|
top of the paper, "that the Earth will be demolished in two days'
|
|
time."
|
|
|
|
"I'm home," said Arthur. "Tea," he said, "cricket," he added with
|
|
pleasure, "mown grass, wooden benches, white linen jackets, beer
|
|
cans ..."
|
|
|
|
Slowly he began to focus on the newspaper. He cocked his head on
|
|
one side with a slight frown.
|
|
|
|
"I've seen that one before," he said. His eyes wandered slowly up
|
|
to the date, which Ford was idly tapping at. His face froze for a
|
|
second or two and then began to do that terribly slow crashing
|
|
trick which Arctic ice-floes do so spectacularly in the spring.
|
|
|
|
"And the other thing," said Ford, "is that you appear to have a
|
|
bone in your beard." He tossed back his tea.
|
|
|
|
Outside the refreshment tent, the sun was shining on a happy
|
|
crowd. It shone on white hats and red faces. It shone on ice
|
|
lollies and melted them. It shone on the tears of small children
|
|
whose ice lollies had just melted and fallen off the stick. It
|
|
shone on the trees, it flashed off whirling cricket bats, it
|
|
gleamed off the utterly extraordinary object which was parked
|
|
behind the sight-screens and which nobody appeared to have
|
|
noticed. It beamed on Ford and Arthur as they emerged blinking
|
|
from the refreshment tent and surveyed the scene around them.
|
|
|
|
Arthur was shaking.
|
|
|
|
"Perhaps," he said, "I should ..."
|
|
|
|
"No," said Ford sharply.
|
|
|
|
"What?" said Arthur.
|
|
|
|
"Don't try and phone yourself up at home."
|
|
|
|
"How did you know ...?"
|
|
|
|
Ford shrugged.
|
|
|
|
"But why not?" said Arthur.
|
|
|
|
"People who talk to themselves on the phone," said Ford, "never
|
|
learn anything to their advantage."
|
|
|
|
"But ..."
|
|
|
|
"Look," said Ford. He picked up an imaginary phone and dialled an
|
|
imaginary dial.
|
|
|
|
"Hello?" he said into the imaginary mouthpiece. "Is that Arthur
|
|
Dent? Ah, hello, yes. This is Arthur Dent speaking. Don't hang
|
|
up."
|
|
|
|
He looked at the imaginary mouthpiece in disappointment.
|
|
|
|
"He hung up," he said, shrugged, and put the imaginary phone
|
|
neatly back on its imaginary hook.
|
|
|
|
"This is not my first temporal anomaly," he added.
|
|
|
|
A glummer look replaced the already glum look on Arthur Dent's
|
|
face.
|
|
|
|
"So we're not home and dry," he said.
|
|
|
|
"We could not even be said," replied Ford, "to be home and
|
|
vigorously towelling ourselves off."
|
|
|
|
The game continued. The bowler approached the wicket at a lope, a
|
|
trot, and then a run. He suddenly exploded in a flurry of arms
|
|
and legs, out of which flew a ball. The batsman swung and
|
|
thwacked it behind him over the sight-screens. Ford's eyes
|
|
followed the trajectory of the ball and jogged momentarily. He
|
|
stiffened. He looked along the flight path of the ball again and
|
|
his eyes twitched again.
|
|
|
|
"This isn't my towel," said Arthur, who was rummaging in his
|
|
rabbit-skin bag.
|
|
|
|
"Shhh," said Ford. He screwed his eyes up in concentration.
|
|
|
|
"I had a Golgafrinchan jogging towel," continued Arthur, "it was
|
|
blue with yellow stars on it. This isn't it."
|
|
|
|
"Shhh," said Ford again. He covered one eye and looked with the
|
|
other.
|
|
|
|
"This one's pink," said Arthur, "it isn't yours is it?"
|
|
|
|
"I would like you to shut up about your towel," said Ford.
|
|
|
|
"It isn't my towel," insisted Arthur, "that is the point I am
|
|
trying to ..."
|
|
|
|
"And the time at which I would like you to shut up about it,"
|
|
continued Ford in a low growl, "is now."
|
|
|
|
"All right," said Arthur, starting to stuff it back into the
|
|
primitively stitched rabbit-skin bag. "I realize that it is
|
|
probably not important in the cosmic scale of things, it's just
|
|
odd, that's all. A pink towel suddenly, instead of a blue one
|
|
with yellow stars."
|
|
|
|
Ford was beginning to behave rather strangely, or rather not
|
|
actually beginning to behave strangely but beginning to behave in
|
|
a way which was strangely different from the other strange ways
|
|
in which he more regularly behaved. What he was doing was this.
|
|
Regardless of the bemused stares it was provoking from his fellow
|
|
members of the crowd gathered round the pitch, he was waving his
|
|
hands in sharp movements across his face, ducking down behind
|
|
some people, leaping up behind others, then standing still and
|
|
blinking a lot. After a moment or two of this he started to stalk
|
|
forward slowly and stealthily wearing a puzzled frown of
|
|
concentration, like a leopard that's not sure whether it's just
|
|
seen a half-empty tin of cat food half a mile away across a hot
|
|
and dusty plain.
|
|
|
|
"This isn't my bag either," said Arthur suddenly.
|
|
|
|
Ford's spell of concentration was broken. He turned angrily on
|
|
Arthur.
|
|
|
|
"I wasn't talking about my towel," said Arthur. "We've
|
|
established that that isn't mine. It's just that the bag into
|
|
which I was putting the towel which is not mine is also not mine,
|
|
though it is extraordinarily similar. Now personally I think that
|
|
that is extremely odd, especially as the bag was one I made
|
|
myself on prehistoric Earth. These are also not my stones," he
|
|
added, pulling a few flat grey stones out of the bag. "I was
|
|
making a collection of interesting stones and these are clearly
|
|
very dull ones."
|
|
|
|
A roar of excitement thrilled through the crowd and obliterated
|
|
whatever it was that Ford said in reply to this piece of
|
|
information. The cricket ball which had excited this reaction
|
|
fell out of the sky and dropped neatly into Arthur's mysterious
|
|
rabbit-skin bag.
|
|
|
|
"Now I would say that that was also a very curious event," said
|
|
Arthur, rapidly closing the bag and pretending to look for the
|
|
ball on the ground.
|
|
|
|
"I don't think it's here," he said to the small boys who
|
|
immediately clustered round him to join in the search, "it
|
|
probably rolled off somewhere. Over there I expect." He pointed
|
|
vaguely in the direction in which he wished they would push off.
|
|
One of the boys looked at him quizzically.
|
|
|
|
"You all right?" said the boy.
|
|
|
|
"No," said Arthur.
|
|
|
|
"Then why you got a bone in your beard?" said the boy.
|
|
|
|
"I'm training it to like being wherever it's put." Arthur prided
|
|
himself on saying this. It was, he thought, exactly the sort of
|
|
thing which would entertain and stimulate young minds.
|
|
|
|
"Oh," said the small boy, putting his head to one side and
|
|
thinking about it. "What's your name?"
|
|
|
|
"Dent," said Arthur, "Arthur Dent."
|
|
|
|
"You're a jerk, Dent," said the boy, "a complete asshole." The
|
|
boy looked past him at something else, to show that he wasn't in
|
|
any particular hurry to run away, and then wandered off
|
|
scratching his nose. Suddenly Arthur remembered that the Earth
|
|
was going to be demolished again in two days' time, and just this
|
|
once didn't feel too bad about it.
|
|
|
|
Play resumed with a new ball, the sun continued to shine and Ford
|
|
continued to jump up and down shaking his head and blinking.
|
|
|
|
"Something's on your mind, isn't it?" said Arthur.
|
|
|
|
"I think," said Ford in a tone of voice which Arthur by now
|
|
recognized as one which presaged something utterly
|
|
unintelligible, "that there's an SEP over there."
|
|
|
|
He pointed. Curiously enough, the direction he pointed in was not
|
|
the one in which he was looking. Arthur looked in the one
|
|
direction, which was towards the sight-screens, and in the other
|
|
which was at the field of play. He nodded, he shrugged. He
|
|
shrugged again.
|
|
|
|
"A what?" he said.
|
|
|
|
"An SEP."
|
|
|
|
"An S ...?"
|
|
|
|
"... EP."
|
|
|
|
"And what's that?"
|
|
|
|
"Somebody Else's Problem."
|
|
|
|
"Ah, good," said Arthur and relaxed. He had no idea what all that
|
|
was about, but at least it seemed to be over. It wasn't.
|
|
|
|
"Over there," said Ford, again pointing at the sight-screens and
|
|
looking at the pitch.
|
|
|
|
"Where?" said Arthur.
|
|
|
|
"There!" said Ford.
|
|
|
|
"I see," said Arthur, who didn't.
|
|
|
|
"You do?" said Ford.
|
|
|
|
"What?" said Arthur.
|
|
|
|
"Can you see," said Ford patiently, "the SEP?"
|
|
|
|
"I thought you said that was somebody else's problem."
|
|
|
|
"That's right."
|
|
|
|
Arthur nodded slowly, carefully and with an air of immense
|
|
stupidity.
|
|
|
|
"And I want to know," said Ford, "if you can see it."
|
|
|
|
"You do?"
|
|
|
|
"Yes."
|
|
|
|
"What," said Arthur, "does it look like?"
|
|
|
|
"Well, how should I know, you fool?" shouted Ford. "If you can
|
|
see it, you tell me."
|
|
|
|
Arthur experienced that dull throbbing sensation just behind the
|
|
temples which was a hallmark of so many of his conversations with
|
|
Ford. His brain lurked like a frightened puppy in its kennel.
|
|
Ford took him by the arm.
|
|
|
|
"An SEP," he said, "is something that we can't see, or don't see,
|
|
or our brain doesn't let us see, because we think that it's
|
|
somebody else's problem. That's what SEP means. Somebody Else's
|
|
Problem. The brain just edits it out, it's like a blind spot. If
|
|
you look at it directly you won't see it unless you know
|
|
precisely what it is. Your only hope is to catch it by surprise
|
|
out of the corner of your eye."
|
|
|
|
"Ah," said Arthur, "then that's why ..."
|
|
|
|
"Yes," said Ford, who knew what Arthur was going to say.
|
|
|
|
"... you've been jumping up and ..."
|
|
|
|
"Yes."
|
|
|
|
"... down, and blinking ..."
|
|
|
|
"Yes."
|
|
|
|
"... and ..."
|
|
|
|
"I think you've got the message."
|
|
|
|
"I can see it," said Arthur, "it's a spaceship."
|
|
|
|
For a moment Arthur was stunned by the reaction this revelation
|
|
provoked. A roar erupted from the crowd, and from every direction
|
|
people were running, shouting, yelling, tumbling over each other
|
|
in a tumult of confusion. He stumbled back in astonishment and
|
|
glanced fearfully around. Then he glanced around again in even
|
|
greater astonishment.
|
|
|
|
"Exciting, isn't it?" said an apparition. The apparition wobbled
|
|
in front of Arthur's eyes, though the truth of the matter is
|
|
probably that Arthur's eyes were wobbling in front of the
|
|
apparition. His mouth wobbled as well.
|
|
|
|
"W ... w ... w ... w ..." his mouth said.
|
|
|
|
"I think your team have just won," said the apparition.
|
|
|
|
"W ... w ... w ... w ..." repeated Arthur, and punctuated each
|
|
wobble with a prod at Ford Prefect's back. Ford was staring at
|
|
the tumult in trepidation.
|
|
|
|
"You are English, aren't you?" said the apparition.
|
|
|
|
"W ... w ... w ... w ... yes" said Arthur.
|
|
|
|
"Well, your team, as I say, have just won. The match. It means
|
|
they retain the Ashes. You must be very pleased. I must say, I'm
|
|
rather fond of cricket, though I wouldn't like anyone outside
|
|
this planet to hear me saying that. Oh dear no."
|
|
|
|
The apparition gave what looked as if it might have been a
|
|
mischievous grin, but it was hard to tell because the sun was
|
|
directly behind him, creating a blinding halo round his head and
|
|
illuminating his silver hair and beard in a way which was
|
|
awesome, dramatic and hard to reconcile with mischievous grins.
|
|
|
|
"Still," he said, "it'll all be over in a couple of days, won't
|
|
it? Though as I said to you when we last met, I was very sorry
|
|
about that. Still, whatever will have been, will have been."
|
|
|
|
Arthur tried to speak, but gave up the unequal struggle. He
|
|
prodded Ford again.
|
|
|
|
"I thought something terrible had happened," said Ford, "but it's
|
|
just the end of the game. We ought to get out. Oh, hello,
|
|
Slartibartfast, what are you doing here?"
|
|
|
|
"Oh, pottering, pottering," said the old man gravely.
|
|
|
|
"That your ship? Can you give us a lift anywhere?"
|
|
|
|
"Patience, patience," the old man admonished.
|
|
|
|
"OK," said Ford. "It's just that this planet's going to be
|
|
demolished pretty soon."
|
|
|
|
"I know that," said Slartibartfast.
|
|
|
|
"And, well, I just wanted to make that point," said Ford.
|
|
|
|
"The point is taken."
|
|
|
|
And if you feel that you really want to hang around a cricket
|
|
pitch at this point ..."
|
|
|
|
"I do."
|
|
|
|
"Then it's your ship."
|
|
|
|
"It is."
|
|
|
|
"I suppose." Ford turned away sharply at this point.
|
|
|
|
"Hello, Slartibartfast," said Arthur at last.
|
|
|
|
"Hello, Earthman," said Slartibartfast.
|
|
|
|
"After all," said Ford, "we can only die once."
|
|
|
|
The old man ignored this and stared keenly on to the pitch, with
|
|
eyes that seemed alive with expressions that had no apparent
|
|
bearing on what was happening out there. What was happening was
|
|
that the crowd was gathering itself into a wide circle round the
|
|
centre of the pitch. What Slartibartfast saw in it, he alone
|
|
knew.
|
|
|
|
Ford was humming something. It was just one note repeated at
|
|
intervals. He was hoping that somebody would ask him what he was
|
|
humming, but nobody did. If anybody had asked him he would have
|
|
said he was humming the first line of a Noel Coward song called
|
|
"Mad About the Boy" over and over again. It would then have been
|
|
pointed out to him that he was only singing one note, to which he
|
|
would have replied that for reasons which he hoped would be
|
|
apparent, he was omitting the "about the boy" bit. He was annoyed
|
|
that nobody asked.
|
|
|
|
"It's just," he burst out at last, "that if we don't go soon, we
|
|
might get caught in the middle of it all again. And there's
|
|
nothing that depresses me more than seeing a planet being
|
|
destroyed. Except possibly still being on it when it happens.
|
|
Or," he added in an undertone, "hanging around cricket matches."
|
|
|
|
"Patience," said Slartibartfast again. "Great things are afoot."
|
|
|
|
"That's what you said last time we met," said Arthur.
|
|
|
|
"They were," said Slartibartfast.
|
|
|
|
"Yes, that's true," admitted Arthur.
|
|
|
|
All, however, that seemed to be afoot was a ceremony of some
|
|
kind. It was being specially staged for the benefit of tv rather
|
|
than the spectators, and all they could gather about it from
|
|
where they were standing was what they heard from a nearby radio.
|
|
Ford was aggressively uninterested.
|
|
|
|
He fretted as he heard it explained that the Ashes were about to
|
|
be presented to the Captain of the English team out there on the
|
|
pitch, fumed when told that this was because they had now won
|
|
them for the nth time, positively barked with annoyance at the
|
|
information that the Ashes were the remains of a cricket stump,
|
|
and when, further to this, he was asked to contend with the fact
|
|
that the cricket stump in question had been burnt in Melbourne,
|
|
Australia, in 1882, to signify the "death of English cricket", he
|
|
rounded on Slartibartfast, took a deep breath, but didn't have a
|
|
chance to say anything because the old man wasn't there. He was
|
|
marching out on to the pitch with terrible purpose in his gait,
|
|
his hair, beard and robes swept behind him, looking very much as
|
|
Moses would have looked if Sinai had been a well-cut lawn instead
|
|
of, as it is more usually represented, a fiery smoking mountain.
|
|
|
|
"He said to meet him at his ship," said Arthur.
|
|
|
|
"What in the name of zarking fardwarks is the old fool doing?"
|
|
exploded Ford.
|
|
|
|
"Meeting us at his ship in two minutes," said Arthur with a shrug
|
|
which indicated total abdication of thought. They started off
|
|
towards it. Strange sounds reached their ears. They tried not to
|
|
listen, but could not help noticing that Slartibartfast was
|
|
querulously demanding that he be given the silver urn containing
|
|
the Ashes, as they were, he said, "vitally important for the
|
|
past, present and future safety of the Galaxy", and that this was
|
|
causing wild hilarity. They resolved to ignore it.
|
|
|
|
What happened next they could not ignore. With a noise like a
|
|
hundred thousand people saying "wop", a steely white spaceship
|
|
suddenly seemed to create itself out of nothing in the air
|
|
directly above the cricket pitch and hung there with infinite
|
|
menace and a slight hum.
|
|
|
|
Then for a while it did nothing, as if it expected everybody to
|
|
go about their normal business and not mind it just hanging
|
|
there.
|
|
|
|
Then it did something quite extraordinary. Or rather, it opened
|
|
up and let something quite extraordinary come out of it, eleven
|
|
quite extraordinary things.
|
|
|
|
They were robots, white robots.
|
|
|
|
What was most extraordinary about them was that they appeared to
|
|
have come dressed for the occasion. Not only were they white, but
|
|
they carried what appeared to be cricket bats, and not only that,
|
|
but they also carried what appeared to be cricket balls, and not
|
|
only that but they wore white ribbing pads round the lower parts
|
|
of their legs. These last were extraordinary because they
|
|
appeared to contain jets which allowed these curiously civilized
|
|
robots to fly down from their hovering spaceship and start to
|
|
kill people, which is what they did
|
|
|
|
"Hello," said Arthur, "something seems to be happening."
|
|
|
|
"Get to the ship," shouted Ford. "I don't want to know, I don't
|
|
want to see, I don't want to hear," he yelled as he ran, "this is
|
|
not my planet, I didn't choose to be here, I don't want to get
|
|
involved, just get me out of here, and get me to a party, with
|
|
people I can relate to!"
|
|
|
|
Smoke and flame billowed from the pitch.
|
|
|
|
"Well, the supernatural brigade certainly seems to be out in
|
|
force here today ..." burbled a radio happily to itself.
|
|
|
|
"What I need," shouted Ford, by way of clarifying his previous
|
|
remarks, "is a strong drink and a peer-group." He continued to
|
|
run, pausing only for a moment to grab Arthur's arm and drag him
|
|
along with him. Arthur had adopted his normal crisis role, which
|
|
was to stand with his mouth hanging open and let it all wash over
|
|
him.
|
|
|
|
"They're playing cricket," muttered Arthur, stumbling along after
|
|
Ford. "I swear they are playing cricket. I do not know why they
|
|
are doing this, but that is what they are doing. They're not just
|
|
killing people, they're sending them up," he shouted, "Ford,
|
|
they're sending us up!"
|
|
|
|
It would have been hard to disbelieve this without knowing a
|
|
great deal more Galactic history than Arthur had so far managed
|
|
to pick up in his travels. The ghostly but violent shapes that
|
|
could be seen moving within the thick pall of smoke seemed to be
|
|
performing a series of bizarre parodies of batting strokes, the
|
|
difference being that every ball they struck with their bats
|
|
exploded wherever it landed. The very first one of these had
|
|
dispelled Arthur's initial reaction, that the whole thing might
|
|
just be a publicity stunt by Australian margarine manufacturers.
|
|
|
|
And then, as suddenly as it had all started, it was over. The
|
|
eleven white robots ascended through the seething cloud in a
|
|
tight formation, and with a few last flashes of flame entered the
|
|
bowels of their hovering white ship, which, with the noise of a
|
|
hundred thousand people saying "foop", promptly vanished into the
|
|
thin air out of which it had wopped.
|
|
|
|
For a moment there was a terrible stunned silence, and then out
|
|
of the drifting smoke emerged the pale figure of Slartibartfast
|
|
looking even more like Moses because in spite of the continued
|
|
absence of the mountain he was at least now striding across a
|
|
fiery and smoking well-mown lawn.
|
|
|
|
He stared wildly about him until he saw the hurrying figures of
|
|
Arthur Dent and Ford Prefect forcing their way through the
|
|
frightened crowd which was for the moment busy stampeding in the
|
|
opposite direction. The crowd was clearly thinking to itself
|
|
about what an unusual day this was turning out to be, and not
|
|
really knowing which way, if any, to turn.
|
|
|
|
Slartibartfast was gesturing urgently at Ford and Arthur and
|
|
shouting at them, as the three of them gradually converged on his
|
|
ship, still parked behind the sight-screens and still apparently
|
|
unnoticed by the crowd stampeding past it who presumably had
|
|
enough of their own problems to cope with at that time.
|
|
|
|
"They've garble warble farble!" shouted Slartibartfast in his
|
|
thin tremulous voice.
|
|
|
|
"What did he say?" panted Ford as he elbowed his way onwards.
|
|
|
|
Arthur shook his head.
|
|
|
|
"`They've ...' something or other," he said.
|
|
|
|
"They've table warble farble!" shouted Slartibartfast again.
|
|
|
|
Ford and Arthur shook their heads at each other.
|
|
|
|
"It sounds urgent," said Arthur. He stopped and shouted.
|
|
|
|
"What?"
|
|
|
|
"They've garble warble fashes!" cried Slartibartfast, still
|
|
waving at them.
|
|
|
|
"He says," said Arthur, "that they've taken the Ashes. That is
|
|
what I think he says." They ran on.
|
|
|
|
"The ...?" said Ford.
|
|
|
|
"Ashes," said Arthur tersely. "The burnt remains of a cricket
|
|
stump. It's a trophy. That ..." he was panting, "is ...
|
|
apparently ... what they ... have come and taken." He shook his
|
|
head very slightly as if he was trying to get his brain to settle
|
|
down lower in his skull.
|
|
|
|
"Strange thing to want to tell us," snapped Ford.
|
|
|
|
"Strange thing to take."
|
|
|
|
"Strange ship."
|
|
|
|
They had arrived at it. The second strangest thing about the ship
|
|
was watching the Somebody Else's Problem field at work. They
|
|
could now clearly see the ship for what it was simply because
|
|
they knew it was there. It was quite apparent, however, that
|
|
nobody else could. This wasn't because it was actually invisible
|
|
or anything hyper-impossible like that. The technology involved
|
|
in making anything invisible is so infinitely complex that nine
|
|
hundred and ninety-nine thousand million, nine hundred and
|
|
ninety-nine million, nine hundred and ninety-nine thousand, nine
|
|
hundred and ninety-nine times out of a billion it is much simpler
|
|
and more effective just to take the thing away and do without it.
|
|
The ultra-famous sciento-magician Effrafax of Wug once bet his
|
|
life that, given a year, he could render the great megamountain
|
|
Magramal entirely invisible.
|
|
|
|
Having spent most of the year jiggling around with immense Lux-
|
|
O-Valves and Refracto-Nullifiers and Spectrum-Bypass-O-Matics, he
|
|
realized, with nine hours to go, that he wasn't going to make it.
|
|
|
|
So, he and his friends, and his friends' friends, and his
|
|
friends' friends' friends, and his friends' friends' friends'
|
|
friends, and some rather less good friends of theirs who happened
|
|
to own a major stellar trucking company, put in what now is
|
|
widely recognized as being the hardest night's work in history,
|
|
and, sure enough, on the following day, Magramal was no longer
|
|
visible. Effrafax lost his bet - and therefore his life - simply
|
|
because some pedantic adjudicating official noticed (a) that when
|
|
walking around the area that Magramal ought to be he didn't trip
|
|
over or break his nose on anything, and (b) a suspicious-looking
|
|
extra moon.
|
|
|
|
The Somebody Else's Problem field is much simpler and more
|
|
effective, and what's more can be run for over a hundred years on
|
|
a single torch battery. This is because it relies on people's
|
|
natural disposition not to see anything they don't want to,
|
|
weren't expecting, or can't explain. If Effrafax had painted the
|
|
mountain pink and erected a cheap and simple Somebody Else's
|
|
Problem field on it, then people would have walked past the
|
|
mountain, round it, even over it, and simply never have noticed
|
|
that the thing was there.
|
|
|
|
And this is precisely what was happening with Slartibartfast's
|
|
ship. It wasn't pink, but if it had been, that would have been
|
|
the least of its visual problems and people were simply ignoring
|
|
it like anything.
|
|
|
|
The most extraordinary thing about it was that it looked only
|
|
partly like a spaceship with guidance fins, rocket engines and
|
|
escape hatches and so on, and a great deal like a small upended
|
|
Italian bistro.
|
|
|
|
Ford and Arthur gazed up at it with wonderment and deeply
|
|
offended sensibilities.
|
|
|
|
"Yes, I know," said Slartibartfast, hurrying up to them at that
|
|
point, breathless and agitated, "but there is a reason. Come, we
|
|
must go. The ancient nightmare is come again. Doom confronts us
|
|
all. We must leave at once."
|
|
|
|
"I fancy somewhere sunny," said Ford.
|
|
|
|
Ford and Arthur followed Slartibartfast into the ship and were so
|
|
perplexed by what they saw inside it that they were totally
|
|
unaware of what happened next outside.
|
|
|
|
A spaceship, yet another one, but this one sleek and silver,
|
|
descended from the sky on to the pitch, quietly, without fuss,
|
|
its long legs unlocking in a smooth ballet of technology.
|
|
|
|
It landed gently. It extended a short ramp. A tall grey-green
|
|
figure marched briskly out and approached the small knot of
|
|
people who were gathered in the centre of the pitch tending to
|
|
the casualties of the recent bizarre massacre. It moved people
|
|
aside with quiet, understated authority, and came at last to a
|
|
man lying in a desperate pool of blood, clearly now beyond the
|
|
reach of any Earthly medicine, breathing, coughing his last. The
|
|
figure knelt down quietly beside him.
|
|
|
|
"Arthur Philip Deodat?" asked the figure.
|
|
|
|
The man, with horrified confusion in eyes, nodded feebly.
|
|
|
|
"You're a no-good dumbo nothing," whispered the creature. "I
|
|
thought you should know that before you went."
|
|
|
|
=================================================================
|
|
Chapter 5
|
|
|
|
Important facts from Galactic history, number two:
|
|
|
|
(Reproduced from the Siderial Daily Mentioner's Book of popular
|
|
Galactic History.)
|
|
|
|
Since this Galaxy began, vast civilizations have risen and
|
|
fallen, risen and fallen, risen and fallen so often that it's
|
|
quite tempting to think that life in the Galaxy must be
|
|
|
|
(a) something akin to seasick - space-sick, time sick, history
|
|
sick or some such thing, and
|
|
|
|
(b) stupid.
|
|
|
|
=================================================================
|
|
Chapter 6
|
|
|
|
It seemed to Arthur as if the whole sky suddenly just stood aside
|
|
and let them through.
|
|
|
|
It seemed to him that the atoms of his brain and the atoms of the
|
|
cosmos were streaming through each other.
|
|
|
|
It seemed to him that he was blown on the wind of the Universe,
|
|
and that the wind was him.
|
|
|
|
It seemed to him that he was one of the thoughts of the Universe
|
|
and that the Universe was a thought of his.
|
|
|
|
It seemed to the people at Lord's Cricket Ground that another
|
|
North London restaurant had just come and gone as they so often
|
|
do, and that this was Somebody Else's Problem.
|
|
|
|
"What happened?" whispered Arthur in considerable awe.
|
|
|
|
"We took off," said Slartibartfast.
|
|
|
|
Arthur lay in startled stillness on the acceleration couch. He
|
|
wasn't certain whether he had just got space-sickness or
|
|
religion.
|
|
|
|
"Nice mover," said Ford in an unsuccessful attempt to disguise
|
|
the degree to which he had been impressed by what
|
|
Slartibartfast's ship had just done, "shame about the decor."
|
|
|
|
For a moment or two the old man didn't reply. He was staring at
|
|
the instruments with the air of one who is trying to convert
|
|
fahrenheit to centigrade in his head whilst his house is burning
|
|
down. Then his brow cleared and he stared for a moment at the
|
|
wide panoramic screen in front of him, which displayed a
|
|
bewildering complexity of stars streaming like silver threads
|
|
around them.
|
|
|
|
His lips moved as if he was trying to spell something. Suddenly
|
|
his eyes darted in alarm back to his instruments, but then his
|
|
expression merely subsided into a steady frown. He looked back up
|
|
at the screen. He felt his own pulse. His frown deepened for a
|
|
moment, then he relaxed.
|
|
|
|
"It's a mistake to try and understand mathematics," he said,
|
|
"they only worry me. What did you say?"
|
|
|
|
"Decor," said Ford. "Pity about it."
|
|
|
|
"Deep in the fundamental heart of mind and Universe," said
|
|
Slartibartfast, "there is a reason."
|
|
|
|
Ford glanced sharply around. He clearly thought this was taking
|
|
an optimistic view of things.
|
|
|
|
The interior of the flight deck was dark green, dark red, dark
|
|
brown, cramped and moodily lit. Inexplicably, the resemblance to
|
|
a small Italian bistro had failed to end at the hatchway. Small
|
|
pools of light picked out pot plants, glazed tiles and all sorts
|
|
of little unidentifiable brass things.
|
|
|
|
Rafia-wrapped bottles lurked hideously in the shadows.
|
|
|
|
The instruments which had occupied Slartibartfast's attention
|
|
seemed to be mounted in the bottom of bottles which were set in
|
|
concrete.
|
|
|
|
Ford reached out and touched it.
|
|
|
|
Fake concrete. Plastic. Fake bottles set in fake concrete.
|
|
|
|
The fundamental heart of mind and Universe can take a running
|
|
jump, he thought to himself, this is rubbish. On the other hand,
|
|
it could not be denied that the way the ship had moved made the
|
|
Heart of Gold seem like an electric pram.
|
|
|
|
He swung himself off the couch. He brushed himself down. He
|
|
looked at Arthur who was singing quietly to himself. He looked at
|
|
the screen and recognized nothing. He looked at Slartibartfast.
|
|
|
|
"How far did we just travel?" he said.
|
|
|
|
"About ..." said Slartibartfast, "about two thirds of the way
|
|
across the Galactic disc, I would say, roughly. Yes, roughly two
|
|
thirds, I think."
|
|
|
|
"It's a strange thing," said Arthur quietly, "that the further
|
|
and faster one travels across the Universe, the more one's
|
|
position in it seems to be largely immaterial, and one is filled
|
|
with a profound, or rather emptied of a ..."
|
|
|
|
"Yes, very strange," said Ford. "Where are we going?"
|
|
|
|
"We are going," said Slartibartfast, "to confront an ancient
|
|
nightmare of the Universe."
|
|
|
|
"And where are you going to drop us off?"
|
|
|
|
"I will need your help."
|
|
|
|
"Tough. Look, there's somewhere you can take us where we can have
|
|
fun, I'm trying to think of it, we can get drunk and maybe listen
|
|
to some extremely evil music. Hold on, I'll look it up." He dug
|
|
out his copy of The Hitch Hiker's Guide to the Galaxy and tipped
|
|
through those parts of the index primarily concerned with sex and
|
|
drugs and rock and roll.
|
|
|
|
"A curse has arisen from the mists of time," said Slartibartfast.
|
|
|
|
"Yes, I expect so," said Ford. "Hey," he said, lighting
|
|
accidentally on one particular reference entry, "Eccentrica
|
|
Gallumbits, did you ever meet her? The triple-breasted whore of
|
|
Eroticon Six. Some people say her erogenous zones start some four
|
|
miles from her actual body. Me, I disagree, I say five."
|
|
|
|
"A curse," said Slartibartfast, "which will engulf the Galaxy in
|
|
fire and destruction, and possibly bring the Universe to a
|
|
premature doom. I mean it," he added.
|
|
|
|
"Sounds like a bad time," said Ford, "with look I'll be drunk
|
|
enough not to notice. Here," he said, stabbing his finger at the
|
|
screen of the Guide, "would be a really wicked place to go, and I
|
|
think we should. What do you say, Arthur? Stop mumbling mantras
|
|
and pay attention. There's important stuff you're missing here."
|
|
|
|
Arthur pushed himself up from his couch and shook his head.
|
|
|
|
"Where are we going?" he said.
|
|
|
|
"To confront an ancient night-"
|
|
|
|
"Can it," said Ford. "Arthur, we are going out into the Galaxy to
|
|
have some fun. Is that an idea you can cope with?"
|
|
|
|
"What's Slartibartfast looking so anxious about?" said Arthur.
|
|
|
|
"Nothing," said Ford.
|
|
|
|
"Doom," said Slartibartfast. "Come," he added, with sudden
|
|
authority, "there is much I must show and tell you."
|
|
|
|
He walked towards a green wrought-iron spiral staircase set
|
|
incomprehensibly in the middle of the flight deck and started to
|
|
ascend. Arthur, with a frown, followed.
|
|
|
|
Ford slung the Guide sullenly back into his satchel.
|
|
|
|
"My doctor says that I have a malformed public-duty gland and a
|
|
natural deficiency in moral fibre," he muttered to himself, "and
|
|
that I am therefore excused from saving Universes."
|
|
|
|
Nevertheless, he stomped up the stairs behind them.
|
|
|
|
What they found upstairs was just stupid, or so it seemed, and
|
|
Ford shook his head, buried his face in his hands and slumped
|
|
against a pot plant, crushing it against the wall.
|
|
|
|
"The central computational area," said Slartibartfast
|
|
unperturbed, "this is where every calculation affecting the ship
|
|
in any way is performed. Yes I know what it looks like, but it is
|
|
in fact a complex four-dimensional topographical map of a series
|
|
of highly complex mathematical functions."
|
|
|
|
"It looks like a joke," said Arthur.
|
|
|
|
"I know what it looks like," said Slartibartfast, and went into
|
|
it. As he did so, Arthur had a sudden vague flash of what it
|
|
might mean, but he refused to believe it. The Universe could not
|
|
possibly work like that, he thought, cannot possibly. That, he
|
|
thought to himself, would be as absurd as ... he terminated that
|
|
line of thinking. Most of the really absurd things he could think
|
|
of had already happened.
|
|
|
|
And this was one of them.
|
|
|
|
It was a large glass cage, or box - in fact a room.
|
|
|
|
In it was a table, a long one. Around it were gathered about a
|
|
dozen chairs, of the bentwood style. On it was a tablecloth - a
|
|
grubby, red and white check tablecloth, scarred with the
|
|
occasional cigarette burn, each, presumably, at a precise
|
|
calculated mathematical position.
|
|
|
|
And on the tablecloth sat some half-eaten Italian meals, hedged
|
|
about with half-eaten breadsticks and half-drunk glasses of wine,
|
|
and toyed with listlessly by robots.
|
|
|
|
It was all completely artificial. The robot customers were
|
|
attended by a robot waiter, a robot wine waiter and a robot
|
|
maetre d'. The furniture was artificial, the tablecloth
|
|
artificial, and each particular piece of food was clearly capable
|
|
of exhibiting all the mechanical characteristics of, say, a pollo
|
|
sorpreso, without actually being one.
|
|
|
|
And all participated in a little dance together - a complex
|
|
routine involving the manipulation of menus, bill pads, wallets,
|
|
cheque books, credit cards, watches, pencils and paper napkins,
|
|
which seemed to be hovering constantly on the edge of violence,
|
|
but never actually getting anywhere.
|
|
|
|
Slartibartfast hurried in, and then appeared to pass the time of
|
|
day quite idly with the maetre d', whilst one of the customer
|
|
robots, an autorory, slid slowly under the table, mentioning what
|
|
he intended to do to some guy over some girl.
|
|
|
|
Slartibartfast took over the seat which had been thus vacated and
|
|
passed a shrewd eye over the menu. The tempo of the routine round
|
|
the table seemed somehow imperceptibly to quicken. Arguments
|
|
broke out, people attempted to prove things on napkins. They
|
|
waved fiercely at each other, and attempted to examine each
|
|
other's pieces of chicken. The waiter's hand began to move on the
|
|
bill pad more quickly than a human hand could manage, and then
|
|
more quickly than a human eye could follow. The pace accelerated.
|
|
Soon, an extraordinary and insistent politeness overwhelmed the
|
|
group, and seconds later it seemed that a moment of consensus was
|
|
suddenly achieved. A new vibration thrilled through the ship.
|
|
|
|
Slartibartfast emerged from the glass room.
|
|
|
|
"Bistromathics," he said. "The most powerful computational force
|
|
known to parascience. Come to the Room of Informational
|
|
Illusions."
|
|
|
|
He swept past and carried them bewildered in his wake.
|
|
|
|
=================================================================
|
|
Chapter 7
|
|
|
|
The Bistromatic Drive is a wonderful new method of crossing vast
|
|
interstellar distances without all that dangerous mucking about
|
|
with Improbability Factors.
|
|
|
|
Bistromathics itself is simply a revolutionary new way of
|
|
understanding the behaviour of numbers. Just as Einstein observed
|
|
that time was not an absolute but depended on the observer's
|
|
movement in space, and that space was not an absolute, but
|
|
depended on the observer's movement in time, so it is now
|
|
realized that numbers are not absolute, but depend on the
|
|
observer's movement in restaurants.
|
|
|
|
The first non-absolute number is the number of people for whom
|
|
the table is reserved. This will vary during the course of the
|
|
first three telephone calls to the restaurant, and then bear no
|
|
apparent relation to the number of people who actually turn up,
|
|
or to the number of people who subsequently join them after the
|
|
show/match/party/gig, or to the number of people who leave when
|
|
they see who else has turned up.
|
|
|
|
The second non-absolute number is the given time of arrival,
|
|
which is now known to be one of those most bizarre of
|
|
mathematical concepts, a recipriversexcluson, a number whose
|
|
existence can only be defined as being anything other than
|
|
itself. In other words, the given time of arrival is the one
|
|
moment of time at which it is impossible that any member of the
|
|
party will arrive. Recipriversexclusons now play a vital part in
|
|
many branches of maths, including statistics and accountancy and
|
|
also form the basic equations used to engineer the Somebody
|
|
Else's Problem field.
|
|
|
|
The third and most mysterious piece of non-absoluteness of all
|
|
lies in the relationship between the number of items on the bill,
|
|
the cost of each item, the number of people at the table, and
|
|
what they are each prepared to pay for. (The number of people who
|
|
have actually brought any money is only a sub-phenomenon in this
|
|
field.)
|
|
|
|
The baffling discrepancies which used to occur at this point
|
|
remained uninvestigated for centuries simply because no one took
|
|
them seriously. They were at the time put down to such things as
|
|
politeness, rudeness, meanness, flashness, tiredness,
|
|
emotionality, or the lateness of the hour, and completely
|
|
forgotten about on the following morning. They were never tested
|
|
under laboratory conditions, of course, because they never
|
|
occurred in laboratories - not in reputable laboratories at
|
|
least.
|
|
|
|
And so it was only with the advent of pocket computers that the
|
|
startling truth became finally apparent, and it was this:
|
|
|
|
Numbers written on restaurant bills within the confines of
|
|
restaurants do not follow the same mathematical laws as numbers
|
|
written on any other pieces of paper in any other parts of the
|
|
Universe.
|
|
|
|
This single fact took the scientific world by storm. It
|
|
completely revolutionized it. So many mathematical conferences
|
|
got held in such good restaurants that many of the finest minds
|
|
of a generation died of obesity and heart failure and the science
|
|
of maths was put back by years.
|
|
|
|
Slowly, however, the implications of the idea began to be
|
|
understood. To begin with it had been too stark, too crazy, too
|
|
much what the man in the street would have said, "Oh yes, I could
|
|
have told you that," about. Then some phrases like "Interactive
|
|
Subjectivity Frameworks" were invented, and everybody was able to
|
|
relax and get on with it.
|
|
|
|
The small groups of monks who had taken up hanging around the
|
|
major research institutes singing strange chants to the effect
|
|
that the Universe was only a figment of its own imagination were
|
|
eventually given a street theatre grant and went away.
|
|
|
|
=================================================================
|
|
Chapter 8
|
|
|
|
"In space travel, you see," said Slartibartfast, as he fiddled
|
|
with some instruments in the Room of Informational Illusions, "in
|
|
space travel ..."
|
|
|
|
He stopped and looked about him.
|
|
|
|
The Room of Informational Illusions was a welcome relief after
|
|
the visual monstrosities of the central computational area. There
|
|
was nothing in it. No information, no illusions, just themselves,
|
|
white walls and a few small instruments which looked as if they
|
|
were meant to plug into something which Slartibartfast couldn't
|
|
find.
|
|
|
|
"Yes?" urged Arthur. He had picked up Slartibartfast's sense of
|
|
urgency but didn't know what to do with it.
|
|
|
|
"Yes what?" said the old man.
|
|
|
|
"You were saying?"
|
|
|
|
Slartibartfast looked at him sharply.
|
|
|
|
"The numbers," he said, "are awful." He resumed his search.
|
|
|
|
Arthur nodded wisely to himself. After a while he realized that
|
|
this wasn't getting him anywhere and decided that he would say
|
|
"what?" after all.
|
|
|
|
"In space travel," repeated Slartibartfast, "all the numbers are
|
|
awful."
|
|
|
|
Arthur nodded again and looked round to Ford for help, but Ford
|
|
was practising being sullen and getting quite good at it.
|
|
|
|
"I was only," said Slartibartfast with a sigh, "trying to save
|
|
you the trouble of asking me why all the ship's computations were
|
|
being done on a waiter's bill pad."
|
|
|
|
Arthur frowned.
|
|
|
|
"Why," he said, "were all the ship's computations being done on a
|
|
wait-"
|
|
|
|
He stopped.
|
|
|
|
Slartibartfast said, "Because in space travel all the numbers are
|
|
awful."
|
|
|
|
He could tell that he wasn't getting his point across.
|
|
|
|
"Listen," he said. "On a waiter's bill pad numbers dance. You
|
|
must have encountered the phenomenon."
|
|
|
|
"Well ..."
|
|
|
|
"On a waiter's bill pad," said Slartibartfast, "reality and
|
|
unreality collide on such a fundamental level that each becomes
|
|
the other and anything is possible, within certain parameters."
|
|
|
|
"What parameters?"
|
|
|
|
"It's impossible to say," said Slartibartfast. "That's one of
|
|
them. Strange but true. At least, I think it's strange," he
|
|
added, "and I'm assured that it's true."
|
|
|
|
At that moment he located the slot in the wall for which he had
|
|
been searching, and clicked the instrument he was holding into
|
|
it.
|
|
|
|
"Do not be alarmed," he said, and then suddenly darted an alarmed
|
|
look at himself, and lunged back, "it's ..."
|
|
|
|
They didn't hear what he said, because at that moment the ship
|
|
winked out of existence around them and a starbattle-ship the
|
|
size of a small Midlands industrial city plunged out of the
|
|
sundered night towards them, star lasers ablaze.
|
|
|
|
They gaped, pop-eyed, and were unable to scream.
|
|
|
|
=================================================================
|
|
Chapter 9
|
|
|
|
Another world, another day, another dawn.
|
|
|
|
The early morning's thinnest sliver of light appeared silently.
|
|
|
|
Several billion trillion tons of superhot exploding hydrogen
|
|
nuclei rose slowly above the horizon and managed to look small,
|
|
cold and slightly damp.
|
|
|
|
There is a moment in every dawn when light floats, there is the
|
|
possibility of magic. Creation holds its breath.
|
|
|
|
The moment passed as it regularly did on Squornshellous Zeta,
|
|
without incident.
|
|
|
|
The mist clung to the surface of the marshes. The swamp trees
|
|
were grey with it, the tall reeds indistinct. It hung motionless
|
|
like held breath.
|
|
|
|
Nothing moved.
|
|
|
|
There was silence.
|
|
|
|
The sun struggled feebly with the mist, tried to impart a little
|
|
warmth here, shed a little light there, but clearly today was
|
|
going to be just another long haul across the sky.
|
|
|
|
Nothing moved.
|
|
|
|
Again, silence.
|
|
|
|
Nothing moved.
|
|
|
|
Silence.
|
|
|
|
Very often on Squornshellous Zeta, whole days would go on like
|
|
this, and this was indeed going to be one of them.
|
|
|
|
Fourteen hours later the sun sank hopelessly beneath the opposite
|
|
horizon with a sense of totally wasted effort.
|
|
|
|
And a few hours later it reappeared, squared its shoulders and
|
|
started on up the sky again.
|
|
|
|
This time, however, something was happening. A mattress had just
|
|
met a robot.
|
|
|
|
"Hello, robot," said the mattress.
|
|
|
|
"Bleah," said the robot and continued what it was doing, which
|
|
was walking round very slowly in a very tiny circle.
|
|
|
|
"Happy?" said the mattress.
|
|
|
|
The robot stopped and looked at the mattress. It looked at it
|
|
quizzically. It was clearly a very stupid mattress. It looked
|
|
back at him with wide eyes.
|
|
|
|
After what it had calculated to ten significant decimal places as
|
|
being the precise length of pause most likely to convey a general
|
|
contempt for all things mattressy, the robot continued to walk
|
|
round in tight circles.
|
|
|
|
"We could have a conversation," said the mattress, "would you
|
|
like that?"
|
|
|
|
It was a large mattress, and probably one of quite high quality.
|
|
Very few things actually get manufactured these days, because in
|
|
an infinitely large Universe such as, for instance, the one in
|
|
which we live, most things one could possibly imagine, and a lot
|
|
of things one would rather not, grow somewhere. A forest was
|
|
discovered recently in which most of the trees grew ratchet
|
|
screwdrivers as fruit. The life cycle of ratchet screwdriver
|
|
fruit it quite interesting. Once picked it needs a dark dusty
|
|
drawer in which it can lie undisturbed for years. Then one night
|
|
it suddenly hatches, discards its outer skin which crumbles into
|
|
dust, and emerges as a totally unidentifiable little metal object
|
|
with flanges at both ends and a sort of ridge and a sort of hole
|
|
for a screw. This, when found, will get thrown away. No one knows
|
|
what it is supposed to gain from this. Nature, in her infinite
|
|
wisdom, is presumably working on it.
|
|
|
|
No one really knows what mattresses are meant to gain from their
|
|
lives either. They are large, friendly, pocket-sprung creatures
|
|
which live quiet private lives in the marshes of Squornshellous
|
|
Zeta. Many of them get caught, slaughtered, dried out, shipped
|
|
out and slept on. None of them seem to mind and all of them are
|
|
called Zem.
|
|
|
|
"No," said Marvin.
|
|
|
|
"My name," said the mattress, "is Zem. We could discuss the
|
|
weather a little."
|
|
|
|
Marvin paused again in his weary circular plod.
|
|
|
|
"The dew," he observed, "has clearly fallen with a particularly
|
|
sickening thud this morning."
|
|
|
|
He resumed his walk, as if inspired by this conversational
|
|
outburst to fresh heights of gloom and despondency. He plodded
|
|
tenaciously. If he had had teeth he would have gritted them at
|
|
this point. He hadn't. He didn't. The mere plod said it all.
|
|
|
|
The mattress flolloped around. This is a thing that only live
|
|
mattresses in swamps are able to do, which is why the word is not
|
|
in more common usage. It flolloped in a sympathetic sort of way,
|
|
moving a fairish body of water as it did so. It blew a few
|
|
bubbles up through the water engagingly. Its blue and white
|
|
stripes glistened briefly in a sudden feeble ray of sun that had
|
|
unexpectedly made it through the mist, causing the creature to
|
|
bask momentarily.
|
|
|
|
Marvin plodded.
|
|
|
|
"You have something on your mind, I think," said the mattress
|
|
floopily.
|
|
|
|
"More than you can possibly imagine," dreaded Marvin. "My
|
|
capacity for mental activity of all kinds is as boundless as the
|
|
infinite reaches of space itself. Except of course for my
|
|
capacity for happiness."
|
|
|
|
Stomp, stomp, he went.
|
|
|
|
"My capacity for happiness," he added, "you could fit into a
|
|
matchbox without taking out the matches first."
|
|
|
|
The mattress globbered. This is the noise made by a live, swamp-
|
|
dwelling mattress that is deeply moved by a story of personal
|
|
tragedy. The word can also, according to The Ultra-Complete
|
|
Maximegalon Dictionary of Every Language Ever, mean the noise
|
|
made by the Lord High Sanvalvwag of Hollop on discovering that he
|
|
has forgotten his wife's birthday for the second year running.
|
|
Since there was only ever one Lord High Sanvalvwag of Hollop, and
|
|
he never married, the word is only ever used in a negative or
|
|
speculative sense, and there is an ever-increasing body of
|
|
opinion which holds that The Ultra-Complete Maximegalon
|
|
Dictionary is not worth the fleet of lorries it takes to cart its
|
|
microstored edition around in. Strangely enough, the dictionary
|
|
omits the word "floopily", which simply means "in the manner of
|
|
something which is floopy".
|
|
|
|
The mattress globbered again.
|
|
|
|
"I sense a deep dejection in your diodes," it vollued (for the
|
|
meaning of the word "vollue", buy a copy of Squornshellous
|
|
Swamptalk at any remaindered bookshop, or alternatively buy The
|
|
Ultra-Complete Maximegalon Dictionary, as the University will be
|
|
very glad to get it off their hands and regain some valuable
|
|
parking lots), "and it saddens me. You should be more
|
|
mattresslike. We live quiet retired lives in the swamp, where we
|
|
are content to flollop and vollue and regard the wetness in a
|
|
fairly floopy manner. Some of us are killed, but all of us are
|
|
called Zem, so we never know which and globbering is thus kept to
|
|
a minimum. Why are you walking in circles?"
|
|
|
|
"Because my leg is stuck," said Marvin simply.
|
|
|
|
"It seems to me," said the mattress eyeing it compassionately,
|
|
"that it is a pretty poor sort of leg."
|
|
|
|
"You are right," said Marvin, "it is."
|
|
|
|
"Voon," said the mattress.
|
|
|
|
"I expect so," said Marvin, "and I also expect that you find the
|
|
idea of a robot with an artificial leg pretty amusing. You should
|
|
tell your friends Zem and Zem when you see them later; they'll
|
|
laugh, if I know them, which I don't of course - except insofar
|
|
as I know all organic life forms, which is much better than I
|
|
would wish to. Ha, but my life is but a box of wormgears."
|
|
|
|
He stomped around again in his tiny circle, around his thin steel
|
|
peg-leg which revolved in the mud but seemed otherwise stuck.
|
|
|
|
"But why do you just keep walking round and round?" said the
|
|
mattress.
|
|
|
|
"Just to make the point," said Marvin, and continued, round and
|
|
round.
|
|
|
|
"Consider it made, my dear friend," flurbled the mattress,
|
|
"consider it made."
|
|
|
|
"Just another million years," said Marvin, "just another quick
|
|
million. Then I might try it backwards. Just for the variety, you
|
|
understand."
|
|
|
|
The mattress could feel deep in his innermost spring pockets that
|
|
the robot dearly wished to be asked how long he had been trudging
|
|
in this futile and fruitless manner, and with another quiet
|
|
flurble he did so.
|
|
|
|
"Oh, just over the one-point-five-million mark, just over," said
|
|
Marvin airily. "Ask me if I ever get bored, go on, ask me."
|
|
|
|
The mattress did.
|
|
|
|
Marvin ignored the question, he merely trudged with added
|
|
emphasis.
|
|
|
|
"I gave a speech once," he said suddenly, and apparently
|
|
unconnectedly. "You may not instantly see why I bring the subject
|
|
up, but that is because my mind works so phenomenally fast, and I
|
|
am at a rough estimate thirty billion times more intelligent than
|
|
you. Let me give you an example. Think of a number, any number."
|
|
|
|
"Er, five," said the mattress.
|
|
|
|
"Wrong," said Marvin. "You see?"
|
|
|
|
The mattress was much impressed by this and realized that it was
|
|
in the presence of a not unremarkable mind. It willomied along
|
|
its entire length, sending excited little ripples through its
|
|
shallow algae-covered pool.
|
|
|
|
It gupped.
|
|
|
|
"Tell me," it urged, "of the speech you once made, I long to hear
|
|
it."
|
|
|
|
"It was received very badly," said Marvin, "for a variety of
|
|
reasons. I delivered it," he added, pausing to make an awkward
|
|
humping sort of gesture with his not-exactly-good arm, but his
|
|
arm which was better than the other one which was dishearteningly
|
|
welded to his left side, "over there, about a mile distance."
|
|
|
|
He was pointing as well as he could manage, and he obviously
|
|
wanted to make it totally clear that this was as well as he could
|
|
manage, through the mist, over the reeds, to a part of the marsh
|
|
which looked exactly the same as every other part of the marsh.
|
|
|
|
"There," he repeated. "I was somewhat of a celebrity at the
|
|
time."
|
|
|
|
Excitement gripped the mattress. It had never heard of speeches
|
|
being delivered on Squornshellous Zeta, and certainly not by
|
|
celebrities. Water spattered off it as a thrill glurried across
|
|
its back.
|
|
|
|
It did something which mattresses very rarely bother to do.
|
|
Summoning every bit of its strength, it reared its oblong body,
|
|
heaved it up into the air and held it quivering there for a few
|
|
seconds whilst it peered through the mist over the reeds at the
|
|
part of the marsh which Marvin had indicated, observing, without
|
|
disappointment, that it was exactly the same as every other part
|
|
of the marsh. The effort was too much, and it flodged back into
|
|
its pool, deluging Marvin with smelly mud, moss and weeds.
|
|
|
|
"I was a celebrity," droned the robot sadly, "for a short while
|
|
on account of my miraculous and bitterly resented escape from a
|
|
fate almost as good as death in the heart of a blazing sun. You
|
|
can guess from my condition," he added, "how narrow my escape
|
|
was. I was rescued by a scrap-metal merchant, imagine that. Here
|
|
I am, brain the size of ... never mind."
|
|
|
|
He trudged savagely for a few seconds.
|
|
|
|
"He it was who fixed me up with this leg. Hateful, isn't it? He
|
|
sold me to a Mind Zoo. I was the star exhibit. I had to sit on a
|
|
box and tell my story whilst people told me to cheer up and think
|
|
positive. `Give us a grin, little robot,' they would shout at me,
|
|
`give us a little chuckle.' I would explain to them that to get
|
|
my face to grin wold take a good couple of hours in a workshop
|
|
with a wrench, and that went down very well."
|
|
|
|
"The speech," urged the mattress. "I long to hear of the speech
|
|
you gave in the marshes."
|
|
|
|
"There was a bridge built across the marshes. A cyberstructured
|
|
hyperbridge, hundreds of miles in length, to carry ion-buggies
|
|
and freighters over the swamp."
|
|
|
|
"A bridge?" quirruled the mattress. "Here in the swamp?"
|
|
|
|
"A bridge," confirmed Marvin, "here in the swamp. It was going to
|
|
revitalize the economy of the Squornshellous System. They spent
|
|
the entire economy of the Squornshellous System building it. They
|
|
asked me to open it. Poor fools."
|
|
|
|
It began to rain a little, a fine spray slid through the mist.
|
|
|
|
"I stood on the platform. For hundreds of miles in front of me,
|
|
and hundreds of miles behind me, the bridge stretched."
|
|
|
|
"Did it glitter?" enthused the mattress.
|
|
|
|
"It glittered."
|
|
|
|
"Did it span the miles majestically?"
|
|
|
|
"It spanned the miles majestically."
|
|
|
|
"Did it stretch like a silver thread far out into the invisible
|
|
mist?"
|
|
|
|
"Yes," said Marvin. "Do you want to hear this story?"
|
|
|
|
"I want to hear your speech," said the mattress.
|
|
|
|
"This is what I said. I said, `I would like to say that it is a
|
|
very great pleasure, honour and privilege for me to open this
|
|
bridge, but I can't because my lying circuits are all out of
|
|
commission. I hate and despise you all. I now declare this
|
|
hapless cyberstructure open to the unthinkable abuse of all who
|
|
wantonly cross her.' And I plugged myself into the opening
|
|
circuits."
|
|
|
|
Marvin paused, remembering the moment.
|
|
|
|
The mattress flurred and glurried. It flolloped, gupped and
|
|
willomied, doing this last in a particularly floopy way.
|
|
|
|
"Voon," it wurfed at last. "And it was a magnificent occasion?"
|
|
|
|
"Reasonably magnificent. The entire thousand-mile-long bridge
|
|
spontaneously folded up its glittering spans and sank weeping
|
|
into the mire, taking everybody with it."
|
|
|
|
There was a sad and terrible pause at this point in the
|
|
conversation during which a hundred thousand people seemed
|
|
unexpectedly to say "wop" and a team of white robots descended
|
|
from the sky like dandelion seeds drifting on the wind in tight
|
|
military formation. For a sudden violent moment they were all
|
|
there, in the swamp, wrenching Marvin's false leg off, and then
|
|
they were gone again in their ship, which said "foop".
|
|
|
|
"You see the sort of thing I have to contend with?" said Marvin
|
|
to the gobbering mattress.
|
|
|
|
Suddenly, a moment later, the robots were back again for another
|
|
violent incident, and this time when they left, the mattress was
|
|
alone in the swamp. He flolloped around in astonishment and
|
|
alarm. He almost lurgled in fear. He reared himself to see over
|
|
the reeds, but there was nothing to see, just more reeds. He
|
|
listened, but there was no sound on the wind beyond the now
|
|
familiar sound of half-crazed etymologists calling distantly to
|
|
each other across the sullen mire.
|
|
|
|
=================================================================
|
|
Chapter 10
|
|
|
|
The body of Arthur Dent span.
|
|
|
|
The Universe shattered into a million glittering fragments around
|
|
it, and each particular shard span silently through the void,
|
|
reflecting on its silver surface some single searing holocaust of
|
|
fire and destruction.
|
|
|
|
And then the blackness behind the Universe exploded, and each
|
|
particular piece of blackness was the furious smoke of hell.
|
|
|
|
And the nothingness behind the blackness behind the Universe
|
|
erupted, and behind the nothingness behind the blackness behind
|
|
the shattered Universe was at last the dark figure of an immense
|
|
man speaking immense words.
|
|
|
|
"These, then," said the figure, speaking from an immensely
|
|
comfortable chair, "were the Krikkit Wars, the greatest
|
|
devastation ever visited upon our Galaxy. What you have
|
|
experienced ..."
|
|
|
|
Slartibartfast floated past, waving.
|
|
|
|
"It's just a documentary," he called out. "This is not a good
|
|
bit. Terribly sorry, trying to find the rewind control ..."
|
|
|
|
"... is what billions of billions of innocent ..."
|
|
|
|
"Do not," called out Slartibartfast floating past again, and
|
|
fiddling furiously with the thing that he had stuck into the wall
|
|
of the Room of Informational Illusions and which was in fact
|
|
still stuck there, "agree to buy anything at this point."
|
|
|
|
"... people, creatures, your fellow beings ..."
|
|
|
|
Music swelled - again, it was immense music, immense chords. And
|
|
behind the man, slowly, three tall pillars began to emerge out of
|
|
the immensely swirling mist.
|
|
|
|
"... experienced, lived through - or, more often, failed to live
|
|
through. Think of that, my friends. And let us not forget - and
|
|
in just a moment I shall be able to suggest a way which will help
|
|
us always to remember - that before the Krikkit Wars, the Galaxy
|
|
was that rare and wonderful thing a happy Galaxy!"
|
|
|
|
The music was going bananas with immensity at this point.
|
|
|
|
"A Happy Galaxy, my friends, as represented by the symbol of the
|
|
Wikkit Gate!"
|
|
|
|
The three pillars stood out clearly now, three pillars topped
|
|
with two cross pieces in a way which looked stupefyingly familiar
|
|
to Arthur's addled brain.
|
|
|
|
"The three pillars," thundered the man. "The Steel Pillar which
|
|
represented the Strength and Power of the Galaxy!"
|
|
|
|
Searchlights seared out and danced crazy dances up and down the
|
|
pillar on the left which was, clearly, made of steel or something
|
|
very like it. The music thumped and bellowed.
|
|
|
|
"The Perspex Pillar," announced the man, "representing the forces
|
|
of Science and Reason in the Galaxy!"
|
|
|
|
Other searchlights played exotically up and down the righthand,
|
|
transparent pillar creating dazzling patterns within it and a
|
|
sudden inexplicable craving for ice-cream in the stomach of
|
|
Arthur Dent.
|
|
|
|
"And," the thunderous voice continued, "the Wooden Pillar,
|
|
representing ..." and here his voice became just very slightly
|
|
hoarse with wonderful sentiments, "the forces of Nature and
|
|
Spirituality."
|
|
|
|
The lights picked out the central pillar. The music moved bravely
|
|
up into the realms of complete unspeakability.
|
|
|
|
"Between them supporting," the voice rolled on, approaching its
|
|
climax, "the Golden Bail of Prosperity and the Silver Bail of
|
|
Peace!"
|
|
|
|
The whole structure was now flooded with dazzling lights, and the
|
|
music had now, fortunately, gone far beyond the limits of the
|
|
discernible. At the top of the three pillars the two brilliantly
|
|
gleaming bails sat and dazzled. There seemed to be girls sitting
|
|
on top of them, or maybe they were meant to be angels. Angels are
|
|
usually represented as wearing more than that, though.
|
|
|
|
Suddenly there was a dramatic hush in what was presumably meant
|
|
to be the Cosmos, and a darkening of the lights.
|
|
|
|
"There is not a world," thrilled the man's expert voice, "not a
|
|
civilized world in the Galaxy where this symbol is not revered
|
|
even today. Even in primitive worlds it persists in racial
|
|
memories. This it was that the forces of Krikkit destroyed, and
|
|
this it is that now locks their world away till the end of
|
|
eternity!"
|
|
|
|
And with a flourish, the man produced in his hands a model of the
|
|
Wikkit gate. Scale was terribly hard to judge in this whole
|
|
extraordinary spectacle, but the model looked as if it must have
|
|
been about three feet high.
|
|
|
|
"Not the original key, of course. That, as everyone knows, was
|
|
destroyed, blasted into the ever-whirling eddies of the space-
|
|
time continuum and lost for ever. This is a remarkable replica,
|
|
hand-tooled by skilled craftsmen, lovingly assembled using
|
|
ancient craft secrets into a memento you will be proud to own, in
|
|
memory of those who fell, and in tribute to the Galaxy - our
|
|
Galaxy - which they died to defend ..."
|
|
|
|
Slartibartfast floated past again at this moment.
|
|
|
|
"Found it," he said. "We can lose all this rubbish. Just don't
|
|
nod, that's all."
|
|
|
|
"Now, let us bow our heads in payment," intoned the voice, and
|
|
then said it again, much faster and backwards.
|
|
|
|
Lights came and went, the pillars disappeared, the man gabled
|
|
himself backwards into nothing, the Universe snappily reassembled
|
|
itself around them.
|
|
|
|
"You get the gist?" said Slartibartfast.
|
|
|
|
"I'm astonished," said Arthur, "and bewildered."
|
|
|
|
"I was asleep," said Ford, who floated into view at this point.
|
|
"Did I miss anything?"
|
|
|
|
They found themselves once again teetering rather rapidly on the
|
|
edge of an agonizingly high cliff. The wind whipped out from
|
|
their faces and across a bay on which the remains of one of the
|
|
greatest and most powerful space battle-fleets ever assembled in
|
|
the Galaxy was briskly burning itself back into existence. The
|
|
sky was a sullen pink, darkening via a rather curious colour to
|
|
blue and upwards to black. Smoke billowed down out of it at an
|
|
incredible lick.
|
|
|
|
Events were now passing back by them almost too quickly to be
|
|
distinguished, and when, a short while later, a huge starbattle-
|
|
ship rushed away from them as if they'd said "boo", they only
|
|
just recognized it as the point at which they had come in.
|
|
|
|
But now things were too rapid, a video-tactile blur which brushed
|
|
and jiggled them through centuries of galactic history, turning,
|
|
twisting, flickering. The sound was a mere thin thrill.
|
|
|
|
Periodically through the thickening jumble of events they sensed
|
|
appalling catastrophes, deep horrors, cataclysmic shocks, and
|
|
these were always associated with certain recurring images, the
|
|
only images which ever stood out clearly from the avalance of
|
|
tumbling history: a wicket gate, a small hard red ball, hard
|
|
white robots, and also something less distinct, something dark
|
|
and cloudy.
|
|
|
|
But there was also another sensation which rose clearly out of
|
|
the thrilling passage of time.
|
|
|
|
Just as a slow series of clicks when speeded up will lose the
|
|
definition of each individual click and gradually take on the
|
|
quality of a sustained and rising tone, so a series of individual
|
|
impressions here took on the quality of a sustained emotion - and
|
|
yet not an emotion. If it was an emotion, it was a totally
|
|
emotionless one. It was hatred, implacable hatred. It was cold,
|
|
not like ice is cold, but like a wall is cold. It was impersonal,
|
|
not as a randomly flung fist in a crowd is impersonal, but like a
|
|
computer-issued parking summons is impersonal. And it was deadly
|
|
- again, not like a bullet or a knife is deadly, but like a brick
|
|
wall across a motorway is deadly.
|
|
|
|
And just as a rising tone will change in character and take on
|
|
harmonics as it rises, so again, this emotionless emotion seemed
|
|
to rise to an unbearable if unheard scream and suddenly seemed to
|
|
be a scream of guilt and failure.
|
|
|
|
And suddenly it stopped.
|
|
|
|
They were left standing on a quiet hilltop on a tranquil evening.
|
|
|
|
The sun was setting.
|
|
|
|
All around them softly undulating green countryside rolled off
|
|
gently into the distance. Birds sang about what they thought of
|
|
it all, and the general opinion seemed to be good. A little way
|
|
away could be heard the sound of children playing, and a little
|
|
further away than the apparent source of that sound could be seen
|
|
in the dimming evening light the outlines of a small town.
|
|
|
|
The town appeared to consist mostly of fairly low buildings made
|
|
of white stone. The skyline was of gentle pleasing curves.
|
|
|
|
The sun had nearly set.
|
|
|
|
As if out of nowhere, music began. Slartibartfast tugged at a
|
|
switch and it stopped.
|
|
|
|
A voice said, "This ..." Slartibartfast tugged at a switch and it
|
|
stopped.
|
|
|
|
"I will tell you about it," he said quietly.
|
|
|
|
The place was peaceful. Arthur felt happy. Even Ford seemed
|
|
cheerful. They walked a short way in the direction of the town,
|
|
and the Informational Illusion of the grass was pleasant and
|
|
springy under their feet, and the Informational Illusion of the
|
|
flowers smelt sweet and fragrant. Only Slartibartfast seemed
|
|
apprehensive and out of sorts.
|
|
|
|
He stopped and looked up.
|
|
|
|
It suddenly occurred to Arthur that, coming as this did at the
|
|
end, so to speak, or rather the beginning of all the horror they
|
|
had just blurredly experienced, something nasty must be about to
|
|
happen. He was distressed to think that something nasty could
|
|
happen to somewhere as idyllic as this. He too glanced up. There
|
|
was nothing in the sky.
|
|
|
|
"They're not about to attack here, are they?" he said. He
|
|
realized that this was merely a recording he was walking through,
|
|
but he still felt alarmed.
|
|
|
|
"Nothing is about to attack here," said Slartibartfast in a voice
|
|
which unexpectedly trembled with emotion. "This is where it all
|
|
started. This is the place itself. This is Krikkit."
|
|
|
|
He stared up into the sky.
|
|
|
|
The sky, from one horizon to another, from east to west, from
|
|
north to south, was utterly and completely black.
|
|
|
|
=================================================================
|
|
Chapter 11
|
|
|
|
Stomp stomp.
|
|
|
|
Whirrr.
|
|
|
|
"Pleased to be of service."
|
|
|
|
"Shut up."
|
|
|
|
"Thank you."
|
|
|
|
Stomp stomp stomp stomp stomp.
|
|
|
|
Whirrr.
|
|
|
|
"Thank you for making a simple door very happy."
|
|
|
|
"Hope your diodes rot."
|
|
|
|
"Thank you. Have a nice day."
|
|
|
|
Stomp stomp stomp stomp.
|
|
|
|
Whirrr.
|
|
|
|
"It is my pleasure to open for you ..."
|
|
|
|
"Zark off."
|
|
|
|
"... and my satisfaction to close again with the knowledge of a
|
|
job well done."
|
|
|
|
"I said zark off."
|
|
|
|
"Thank you for listening to this message."
|
|
|
|
Stomp stomp stomp stomp.
|
|
|
|
"Wop."
|
|
|
|
Zaphod stopped stomping. He had been stomping around the Heart of
|
|
Gold for days, and so far no door had said "wop" to him. He was
|
|
fairly certain that no door had said "wop" to him now. It was not
|
|
the sort of thing doors said. Too concise. Furthermore, there
|
|
were not enough doors. It sounded as if a hundred thousand people
|
|
had said "wop", which puzzled him because he was the only person
|
|
on the ship.
|
|
|
|
It was dark. Most of the ship's non-essential systems were closed
|
|
down. It was drifting in a remote area of the Galaxy, deep in the
|
|
inky blackness of space. So which particular hundred thousand
|
|
people would turn up at this point and say a totally unexpected
|
|
"wop"?
|
|
|
|
He looked about him, up the corridor and down the corridor. It
|
|
was all in deep shadow. There were just the very dim pinkish
|
|
outlines of the doors which glowed in the dark and pulsed
|
|
whenever they spoke, though he had tried every way he could think
|
|
of of stopping them.
|
|
|
|
The lights were off so that his heads could avoid looking at each
|
|
other, because neither of them was currently a particularly
|
|
engaging sight, and nor had they been since he had made the error
|
|
of looking into his soul.
|
|
|
|
It had indeed been an error. It had been late one night - of
|
|
course.
|
|
|
|
It had been a difficult day - of course.
|
|
|
|
There had been soulful music playing on the ship's sound system -
|
|
of course.
|
|
|
|
And he had, of course, been slightly drunk.
|
|
|
|
In other words, all the usual conditions which bring on a bout of
|
|
soul-searching had applied, but it had, nevertheless, clearly
|
|
been an error.
|
|
|
|
Standing now, silent and alone in the dark corridor he remembered
|
|
the moment and shivered. His one head looked one way and his
|
|
other the other and each decided that the other was the way to
|
|
go.
|
|
|
|
He listened but could hear nothing.
|
|
|
|
All there had been was the "wop".
|
|
|
|
It seemed an awfully long way to bring an awfully large number of
|
|
people just to say one word.
|
|
|
|
He started nervously to edge his way in the direction of the
|
|
bridge. There at least he would feel in control. He stopped
|
|
again. The way he was feeling he didn't think he was an awfully
|
|
good person to be in control.
|
|
|
|
The first shock of that moment, thinking back, had been
|
|
discovering that he actually had a soul.
|
|
|
|
In fact he'd always more or less assumed that he had one as he
|
|
had a full complement of everything else, and indeed two of
|
|
somethings, but suddenly actually to encounter the thing lurking
|
|
there deep within him had giving him a severe jolt.
|
|
|
|
And then to discover (this was the second shock) that it wasn't
|
|
the totally wonderful object which he felt a man in his position
|
|
had a natural right to expect had jolted him again.
|
|
|
|
Then he had thought about what his position actually was and the
|
|
renewed shock had nearly made him spill his drink. He drained it
|
|
quickly before anything serious happened to it. He then had
|
|
another quick one to follow the first one down and check that it
|
|
was all right.
|
|
|
|
"Freedom," he said aloud.
|
|
|
|
Trillian came on to the bridge at that point and said several
|
|
enthusiastic things on the subject of freedom.
|
|
|
|
"I can't cope with it," he said darkly, and sent a third drink
|
|
down to see why the second hadn't yet reported on the condition
|
|
of the first. He looked uncertainly at both of her and preferred
|
|
the one on the right.
|
|
|
|
He poured a drink down his other throat with the plan that it
|
|
would head the previous one off at the pass, join forces with it,
|
|
and together they would get the second to pull itself together.
|
|
Then all three would go off in search of the first, give it a
|
|
good talking to and maybe a bit of a sing as well.
|
|
|
|
He felt uncertain as to whether the fourth drink had understood
|
|
all that, so he sent down a fifth to explain the plan more fully
|
|
and a sixth for moral support.
|
|
|
|
"You're drinking too much," said Trillian.
|
|
|
|
His heads collided trying to sort out the four of her he could
|
|
now see into a whole position. He gave up and looked at the
|
|
navigation screen and was astonished to see a quite phenomenal
|
|
number of stars.
|
|
|
|
"Excitement and adventure and really wild things," he muttered.
|
|
|
|
"Look," she said in a sympathetic tone of voice, and sat down
|
|
near him, "it's quite understandable that you're going to feel a
|
|
little aimless for a bit."
|
|
|
|
He boggled at her. He had never seen anyone sit on their own lap
|
|
before.
|
|
|
|
"Wow," he said. He had another drink.
|
|
|
|
"You've finished the mission you've been on for years."
|
|
|
|
"I haven't been on it. I've tried to avoid being on it."
|
|
|
|
"You've still finished it."
|
|
|
|
He grunted. There seemed to be a terrific party going on in his
|
|
stomach.
|
|
|
|
"I think it finished me," he said. "Here I am, Zaphod Beeblebrox,
|
|
I can go anywhere, do anything. I have the greatest ship in the
|
|
know sky, a girl with whom things seem to be working out pretty
|
|
well ..."
|
|
|
|
"Are they?"
|
|
|
|
"As far as I can tell I'm not an expert in personal relationships
|
|
..."
|
|
|
|
Trillian raised her eyebrows.
|
|
|
|
"I am," he added, "one hell of a guy, I can do anything I want
|
|
only I just don't have the faintest idea what."
|
|
|
|
He paused.
|
|
|
|
"One thing," he further added, "has suddenly ceased to lead to
|
|
another" - in contradiction of which he had another drink and
|
|
slid gracelessly off his chair.
|
|
|
|
Whilst he slept it off, Trillian did a little research in the
|
|
ship's copy of The Hitch Hiker's Guide to the Galaxy. It had some
|
|
advice to offer on drunkenness.
|
|
|
|
"Go to it," it said, "and good luck."
|
|
|
|
It was cross-referenced to the entry concerning the size of the
|
|
Universe and ways of coping with that.
|
|
|
|
Then she found the entry on Han Wavel, an exotic holiday planet,
|
|
and one of the wonders of the Galaxy.
|
|
|
|
Han Wavel is a world which consists largely of fabulous ultra-
|
|
luxury hotels and casinos, all of which have been formed by the
|
|
natural erosion of wind and rain.
|
|
|
|
The chances of this happening are more or less one to infinity
|
|
against. Little is known of how this came about because none of
|
|
the geophysicists, probability statisticians, meteoranalysts or
|
|
bizzarrologists who are so keen to research it can afford to stay
|
|
there.
|
|
|
|
Terrific, thought Trillian to herself, and within a few hours the
|
|
great white running-shoe ship was slowly powering down out of the
|
|
sky beneath a hot brilliant sun towards a brightly coloured sandy
|
|
spaceport. The ship was clearly causing a sensation on the
|
|
ground, and Trillian was enjoying herself. She heard Zaphod
|
|
moving around and whistling somewhere in the ship.
|
|
|
|
"How are you?" she said over the general intercom.
|
|
|
|
"Fine," he said brightly, "terribly well."
|
|
|
|
"Where are you?"
|
|
|
|
"In the bathroom."
|
|
|
|
"What are you doing?"
|
|
|
|
"Staying here."
|
|
|
|
After an hour or two it became plain that he meant it and the
|
|
ship returned to the sky without having once opened its hatchway.
|
|
|
|
"Heigh ho," said Eddie the Computer.
|
|
|
|
Trillian nodded patiently, tapped her fingers a couple of times
|
|
and pushed the intercom switch.
|
|
|
|
"I think that enforced fun is probably not what you need at this
|
|
point."
|
|
|
|
"Probably not," replied Zaphod from wherever he was.
|
|
|
|
"I think a bit of physical challenge would help draw you out of
|
|
yourself."
|
|
|
|
"Whatever you think, I think," said Zaphod.
|
|
|
|
"Recreational Impossibilities" was a heading which caught
|
|
Trillian's eye when, a short while later, she sat down to flip
|
|
through the Guide again, and as the Heart of Gold rushed at
|
|
improbable speeds in an indeterminate direction, she sipped a cup
|
|
of something undrinkable from the Nutrimatic Drink Dispenser and
|
|
read about how to fly.
|
|
|
|
The Hitch Hiker's Guide to the Galaxy has this to say on the
|
|
subject of flying.
|
|
|
|
There is an art, it says, or rather a knack to flying.
|
|
|
|
The knack lies in learning how to throw yourself at the ground
|
|
and miss.
|
|
|
|
Pick a nice day, it suggests, and try it.
|
|
|
|
The first part is easy.
|
|
|
|
All it requires is simply the ability to throw yourself forward
|
|
with all your weight, and the willingness not to mind that it's
|
|
going to hurt.
|
|
|
|
That is, it's going to hurt if you fail to miss the ground.
|
|
|
|
Most people fail to miss the ground, and if they are really
|
|
trying properly, the likelihood is that they will fail to miss it
|
|
fairly hard.
|
|
|
|
Clearly, it's the second point, the missing, which presents the
|
|
difficulties.
|
|
|
|
One problem is that you have to miss the ground accidentally.
|
|
It's no good deliberately intending to miss the ground because
|
|
you won't. You have to have your attention suddenly distracted by
|
|
something else when you're halfway there, so that you are no
|
|
longer thinking about falling, or about the ground, or about how
|
|
much it's going to hurt if you fail to miss it.
|
|
|
|
It is notoriously difficult to prise your attention away from
|
|
these three things during the split second you have at your
|
|
disposal. Hence most people's failure, and their eventual
|
|
disillusionment with this exhilarating and spectacular sport.
|
|
|
|
If, however, you are lucky enough to have your attention
|
|
momentarily distracted at the crucial moment by, say, a gorgeous
|
|
pair of legs (tentacles, pseudopodia, according to phyllum and/or
|
|
personal inclination) or a bomb going off in your vicinity, or by
|
|
suddenly spotting an extremely rare species of beetle crawling
|
|
along a nearby twig, then in your astonishment you will miss the
|
|
ground completely and remain bobbing just a few inches above it
|
|
in what might seem to be a slightly foolish manner.
|
|
|
|
This is a moment for superb and delicate concentration.
|
|
|
|
Bob and float, float and bob.
|
|
|
|
Ignore all considerations of your own weight and simply let
|
|
yourself waft higher.
|
|
|
|
Do not listen to what anybody says to you at this point because
|
|
they are unlikely to say anything helpful.
|
|
|
|
They are most likely to say something along the lines of, "Good
|
|
God, you can't possibly be flying!"
|
|
|
|
It is vitally important not to believe them or they will suddenly
|
|
be right.
|
|
|
|
Waft higher and higher.
|
|
|
|
Try a few swoops, gentle ones at first, then drift above the
|
|
treetops breathing regularly.
|
|
|
|
Do not wave at anybody.
|
|
|
|
When you have done this a few times you will find the moment of
|
|
distraction rapidly becomes easier and easier to achieve.
|
|
|
|
You will then learn all sorts of things about how to control your
|
|
flight, your speed, your manoeuvrability, and the trick usually
|
|
lies in not thinking too hard about whatever you want to do, but
|
|
just allowing it to happen as if it was going to anyway.
|
|
|
|
You will also learn how to land properly, which is something you
|
|
will almost certainly cock up, and cock up badly, on your first
|
|
attempt.
|
|
|
|
There are private flying clubs you can join which help you
|
|
achieve the all-important moment of distraction. They hire people
|
|
with surprising bodies or opinions to leap out from behind bushes
|
|
and exhibit and/or explain them at the crucial moments. Few
|
|
genuine hitch-hikers will be able to afford to join these clubs,
|
|
but some may be able to get temporary employment at them.
|
|
|
|
Trillian read this longingly, but reluctantly decided that Zaphod
|
|
wasn't really in the right frame of mind for attempting to fly,
|
|
or for walking through mountains or for trying to get the
|
|
Brantisvogan Civil Service to acknowledge a change-of-address
|
|
card, which were the other things listed under the heading
|
|
"Recreational Impossibilities".
|
|
|
|
Instead, she flew the ship to Allosimanius Syneca, a world of
|
|
ice, snow, mind-hurtling beauty and stunning cold. The trek from
|
|
the snow plains of Liska to the summit of the Ice Crystal
|
|
Pyramids of Sastantua is long and gruelling, even with jet skis
|
|
and a team of Syneca Snowhounds, but the view from the top, a
|
|
view which takes in the Stin Glacier Fields, the shimmering Prism
|
|
Mountains and the far ethereal dancing icelights, is one which
|
|
first freezes the mind and then slowly releases it to hitherto
|
|
unexperienced horizons of beauty, and Trillian, for one, felt
|
|
that she could do with a bit of having her mind slowly released
|
|
to hitherto unexperienced horizons of beauty.
|
|
|
|
They went into a low orbit.
|
|
|
|
There lay the silverwhite beauty of Allosimanius Syneca beneath
|
|
them.
|
|
|
|
Zaphod stayed in bed with one head stuck under a pillow and the
|
|
other doing crosswords till late into the night.
|
|
|
|
Trillian nodded patiently again, counted to a sufficiently high
|
|
number, and told herself that the important thing now was just to
|
|
get Zaphod talking.
|
|
|
|
She prepared, by dint of deactivating all the robot kitchen
|
|
synthomatics, the most fabulously delicious meal she could
|
|
contrive - delicately oiled meals, scented fruits, fragrant
|
|
cheeses, fine Aldebaran wines.
|
|
|
|
She carried it through to him and asked if he felt like talking
|
|
things through.
|
|
|
|
"Zark off," said Zaphod.
|
|
|
|
Trillian nodded patiently to herself, counted to an even higher
|
|
number, tossed the tray lightly aside, walked to the transport
|
|
room and just teleported herself the hell out of his life.
|
|
|
|
She didn't even programme any coordinates, she hadn't the
|
|
faintest idea where she was going, she just went - a random row
|
|
of dots flowing through the Universe.
|
|
|
|
"Anything," she said to herself as she left, "is better than
|
|
this."
|
|
|
|
"Good job too," muttered Zaphod to himself, turned over and
|
|
failed to go to sleep.
|
|
|
|
The next day he restlessly paced the empty corridors of the ship,
|
|
pretending not to look for her, though he knew she wasn't there.
|
|
He ignored the computer's querulous demands to know just what the
|
|
hell was going on around here by fitting a small electronic gag
|
|
across a pair of its terminals.
|
|
|
|
After a while he began to turn down the lights. There was nothing
|
|
to see. Nothing was about to happen.
|
|
|
|
Lying in bed one night - and night was now virtually continuous
|
|
on the ship - he decided to pull himself together, to get things
|
|
into some kind of perspective. He sat up sharply and started to
|
|
pull clothes on. He decided that there must be someone in the
|
|
Universe feeling more wretched, miserable and forsaken than
|
|
himself, and he determined to set out and find him.
|
|
|
|
Halfway to the bridge it occurred to him that it might be Marvin,
|
|
and he returned to bed.
|
|
|
|
It was a few hours later than this, as he stomped disconsolately
|
|
about the darkened corridors swearing at cheerful doors, that he
|
|
heard the "wop" said, and it made him very nervous.
|
|
|
|
He leant tensely against the corridor wall and frowned like a man
|
|
trying to unbend a corkscrew by telekinesis. He laid his
|
|
fingertips against the wall and felt an unusual vibration. And
|
|
now he could quite clearly hear slight noises, and could hear
|
|
where they were coming from - they were coming from the bridge.
|
|
|
|
"Computer?" he hissed.
|
|
|
|
"Mmmm?" said the computer terminal nearest him, equally quietly.
|
|
|
|
"Is there someone on this ship?"
|
|
|
|
"Mmmmm," said the computer.
|
|
|
|
"Who is it?"
|
|
|
|
Mmmmm mmm mmmmm," said the computer.
|
|
|
|
"What?"
|
|
|
|
"Mmmmm mmmm mm mmmmmmmm."
|
|
|
|
Zaphod buried one of his faces in two of his hands.
|
|
|
|
"Oh, Zarquon," he muttered to himself. Then he stared up the
|
|
corridor towards the entrance to the bridge in the dim distance
|
|
from which more and purposeful noises were coming, and in which
|
|
the gagged terminals were situated.
|
|
|
|
"Computer," he hissed again.
|
|
|
|
"Mmmmm?"
|
|
|
|
"When I ungag you ..."
|
|
|
|
"Mmmmm."
|
|
|
|
"Remind me to punch myself in the mouth."
|
|
|
|
"Mmmmm mmm?"
|
|
|
|
"Either one. Now just tell me this. One for yes, two for no. Is
|
|
it dangerous?"
|
|
|
|
"Mmmmm."
|
|
|
|
"It is?"
|
|
|
|
"Mmmm."
|
|
|
|
"You didn't just go `mmmm' twice?"
|
|
|
|
"Mmmm mmmm."
|
|
|
|
"Hmmmm."
|
|
|
|
He inched his way up the corridor as if he would rather be
|
|
yarding his way down it, which was true.
|
|
|
|
He was within two yards of the door to the bridge when he
|
|
suddenly realized to his horror that it was going to be nice to
|
|
him, and he stopped dead. He hadn't been able to turn off the
|
|
doors' courtesy voice circuits.
|
|
|
|
This doorway to the bridge was concealed from view within it
|
|
because of the excitingly chunky way in which the bridge had been
|
|
designed to curve round, and he had been hoping to enter
|
|
unobserved.
|
|
|
|
He leant despondently back against the wall again and said some
|
|
words which his other head was quite shocked to hear.
|
|
|
|
He peered at the dim pink outline of the door, and discovered
|
|
that in the darkness of the corridor he could just about make out
|
|
the Sensor Field which extended out into the corridor and told
|
|
the door when there was someone there for whom it must open and
|
|
to whom it must make a cheery and pleasant remark.
|
|
|
|
He pressed himself hard back against the wall and edged himself
|
|
towards the door, flattening his chest as much as he possibly
|
|
could to avoid brushing against the very, very dim perimeter of
|
|
the field. He held his breath, and congratulated himself on
|
|
having lain in bed sulking for the last few days rather than
|
|
trying to work out his feelings on chest expanders in the ship's
|
|
gym.
|
|
|
|
He then realized he was going to have to speak at this point.
|
|
|
|
He took a series of very shallow breaths, and then said as
|
|
quickly and as quietly as he could, "Door, if you can hear me,
|
|
say so very, very quietly."
|
|
|
|
Very, very quietly, the door murmured, "I can hear you."
|
|
|
|
"Good. Now, in a moment, I'm going to ask you to open. When you
|
|
open I do not want you to say that you enjoyed it, OK?"
|
|
|
|
"OK."
|
|
|
|
"And I don't want you to say to me that I have made a simple door
|
|
very happy, or that it is your pleasure to open for me and your
|
|
satisfaction to close again with the knowledge of a job well
|
|
done, OK?"
|
|
|
|
"OK."
|
|
|
|
"And I do not want you to ask me to have a nice day, understand?"
|
|
|
|
"I understand."
|
|
|
|
"OK," said Zaphod, tensing himself, "open now."
|
|
|
|
The door slid open quietly. Zaphod slipped quietly through. The
|
|
door closed quietly behind him.
|
|
|
|
"Is that the way you like it, Mr Beeblebrox?" said the door out
|
|
loud.
|
|
|
|
"I want you to imagine," said Zaphod to the group of white robots
|
|
who swung round to stare at him at that point, "that I have an
|
|
extremely powerful Kill-O-Zap blaster pistol in my hand."
|
|
|
|
There was an immensely cold and savage silence. The robots
|
|
regarded him with hideously dead eyes. They stood very still.
|
|
There was something intensely macabre about their appearance,
|
|
especially to Zaphod who had never seen one before or even known
|
|
anything about them. The Krikkit Wars belonged to the ancient
|
|
past of the Galaxy, and Zaphod had spent most of his early
|
|
history lessons plotting how he was going to have sex with the
|
|
girl in the cybercubicle next to him, and since his teaching
|
|
computer had been an integral part of this plot it had eventually
|
|
had all its history circuits wiped and replaced with an entirely
|
|
different set of ideas which had then resulted in it being
|
|
scrapped and sent to a home for Degenerate Cybermats, whither it
|
|
was followed by the girl who had inadvertently fallen deeply in
|
|
love with the unfortunate machine, with the result (a) that
|
|
Zaphod never got near her and (b) that he missed out on a period
|
|
of ancient history that would have been of inestimable value to
|
|
him at this moment.
|
|
|
|
He stared at them in shock.
|
|
|
|
It was impossible to explain why, but their smooth and sleek
|
|
white bodies seemed to be the utter embodiment of clean, clinical
|
|
evil. From their hideously dead eyes to their powerful lifeless
|
|
feet, they were clearly the calculated product of a mind that
|
|
wanted simply to kill. Zaphod gulped in cold fear.
|
|
|
|
They had been dismantling part of the rear bridge wall, and had
|
|
forced a passage through some of the vital innards of the ship.
|
|
Through the tangled wreckage Zaphod could see, with a further and
|
|
worse sense of shock, that they were tunnelling towards the very
|
|
heart of the ship, the heart of the Improbability Drive that had
|
|
been so mysteriously created out of thin air, the Heart of Gold
|
|
itself.
|
|
|
|
The robot closest to him was regarding him in such a way as to
|
|
suggest that it was measuring every smallest particle of his
|
|
body, mind and capability. And when it spoke, what it said seemed
|
|
to bear this impression out. Before going on to what it actually
|
|
said, it is worth recording at this point that Zaphod was the
|
|
first living organic being to hear one of these creatures speak
|
|
for something over ten billion years. If he had paid more
|
|
attention to his ancient history lessons and less to his organic
|
|
being, he might have been more impressed by this honour.
|
|
|
|
The robot's voice was like its body, cold, sleek and lifeless. It
|
|
had almost a cultured rasp to it. It sounded as ancient as it
|
|
was.
|
|
|
|
It said, "You do have a Kill-O-Zap blaster pistol in your hand."
|
|
|
|
Zaphod didn't know what it meant for a moment, but then he
|
|
glanced down at his own hand and was relieved to see that what he
|
|
had found clipped to a wall bracket was indeed what he had
|
|
thought it was.
|
|
|
|
"Yeah," he said in a kind of relieved sneer, which is quite
|
|
tricky, "well, I wouldn't want to overtax your imagination,
|
|
robot." For a while nobody said anything, and Zaphod realized
|
|
that the robots were obviously not here to make conversation, and
|
|
that it was up to him.
|
|
|
|
"I can't help noticing that you have parked your ship," he said
|
|
with a nod of one of his heads in the appropriate direction,
|
|
"through mine."
|
|
|
|
There was no denying this. Without regard for any kind of proper
|
|
dimensional behaviour they had simply materialized their ship
|
|
precisely where they wanted it to be, which meant that it was
|
|
simply locked through the Heart of Gold as if they were nothing
|
|
more than two combs.
|
|
|
|
Again, they made no response to this, and Zaphod wondered if the
|
|
conversation would gather any momentum if he phrased his part of
|
|
it in the form of questions.
|
|
|
|
"... haven't you?" he added.
|
|
|
|
"Yes," replied the robot."
|
|
|
|
"Er, OK," said Zaphod. "So what are you cats doing here?"
|
|
|
|
Silence.
|
|
|
|
"Robots," said Zaphod, "what are you robots doing here?"
|
|
|
|
"We have come," rasped the robot, "for the Gold of the Bail."
|
|
|
|
Zaphod nodded. He waggled his gun to invite further elaboration.
|
|
The robot seemed to understand this.
|
|
|
|
"The Gold Bail is part of the Key we seek," continued the robot,
|
|
"to release our Masters from Krikkit."
|
|
|
|
Zaphod nodded again. He waggled his gun again.
|
|
|
|
"The Key," continued the robot simply, "was disintegrated in time
|
|
and space. The Golden Bail is embedded in the device which drives
|
|
your ship. It will be reconstituted in the Key. Our Masters shall
|
|
be released. The Universal Readjustment will continue."
|
|
|
|
Zaphod nodded again.
|
|
|
|
"What are you talking about?" he said.
|
|
|
|
A slightly pained expression seemed to cross the robot's totally
|
|
expressionless face. He seemed to be finding the conversation
|
|
depressing.
|
|
|
|
"Obliteration," it said. "We seek the Key," it repeated, "we
|
|
already have the Wooden Pillar, the Steel Pillar and the Perspex
|
|
Pillar. In a moment we will have the Gold Bail ..."
|
|
|
|
"No you won't."
|
|
|
|
"We will," stated the robot.
|
|
|
|
"No you won't. It makes my ship work."
|
|
|
|
"In a moment," repeated the robot patiently, "we will have the
|
|
Gold Bail ..."
|
|
|
|
"You will not," said Zaphod.
|
|
|
|
"And then we must go," said the robot, in all seriousness, "to a
|
|
party."
|
|
|
|
"Oh," said Zaphod, startled. "Can I come?"
|
|
|
|
"No," said the robot. "We are going to shoot you."
|
|
|
|
"Oh yeah?" said Zaphod, waggling his gun.
|
|
|
|
"Yes," said the robot, and they shot him.
|
|
|
|
Zaphod was so surprised that they had to shoot him again before
|
|
he fell down.
|
|
|
|
=================================================================
|
|
Chapter 12
|
|
|
|
"Shhh," said Slartibartfast. "Listen and watch."
|
|
|
|
Night had now fallen on ancient Krikkit. The sky was dark and
|
|
empty. The only light was coming from the nearby town, from which
|
|
pleasant convivial sounds were drifting quietly on the breeze.
|
|
They stood beneath a tree from which heady fragrances wafted
|
|
around them. Arthur squatted and felt the Informational Illusion
|
|
of the soil and the grass. He ran it through his fingers. The
|
|
soil seemed heavy and rich, the grass strong. It was hard to
|
|
avoid the impression that this was a thoroughly delightful place
|
|
in all respects.
|
|
|
|
The sky was, however, extremely blank and seemed to Arthur to
|
|
cast a certain chill over the otherwise idyllic, if currently
|
|
invisible, landscape. Still, he supposed, it's a question of what
|
|
you're used to.
|
|
|
|
He felt a tap on his shoulder and looked up. Slartibartfast was
|
|
quietly directing his attention to something down the other side
|
|
of the hill. He looked and could just see some faint lights
|
|
dancing and waving, and moving slowly in their direction.
|
|
|
|
As they came nearer, sounds became audible too, and soon the dim
|
|
lights and noises resolved themselves into a small group of
|
|
people who were walking home across the hill towards the town.
|
|
|
|
They walked quite near the watchers beneath the tree, swinging
|
|
lanterns which made soft and crazy lights dance among the trees
|
|
and grass, chattering contentedly, and actually singing a song
|
|
about how terribly nice everything was, how happy they were, how
|
|
much they enjoyed working on the farm, and how pleasant it was to
|
|
be going home to see their wives and children, with a lilting
|
|
chorus to the effect that the flowers were smelling particularly
|
|
nice at this time of year and that it was a pity the dog had died
|
|
seeing as it liked them so much. Arthur could almost imagine Paul
|
|
McCartney sitting with his feet up by the fire on evening,
|
|
humming it to Linda and wondering what to buy with the proceeds,
|
|
and thinking probably Essex.
|
|
|
|
"The Masters of Krikkit," breathed Slartibartfast in sepulchral
|
|
tones.
|
|
|
|
Coming, as it did, so hard upon the heels of his own thoughts
|
|
about Essex this remark caused Arthur a moment's confusion. Then
|
|
the logic of the situation imposed itself on his scattered mind,
|
|
and he discovered that he still didn't understand what the old
|
|
man meant.
|
|
|
|
"What?" he said.
|
|
|
|
"The Masters of Krikkit," said Slartibartfast again, and if his
|
|
breathing had been sepulchral before, this time he sounded like
|
|
someone in Hades with bronchitis.
|
|
|
|
Arthur peered at the group and tried to make sense of what little
|
|
information he had at his disposal at this point.
|
|
|
|
The people in the group were clearly alien, if only because they
|
|
seemed a little tall, thin, angular and almost as pale as to be
|
|
white, but otherwise they appeared remarkably pleasant; a little
|
|
whimsical perhaps, one wouldn't necessarily want to spend a long
|
|
coach journey with them, but the point was that if they deviated
|
|
in any way from being good straightforward people it was in being
|
|
perhaps too nice rather than not nice enough. So why all this
|
|
rasping lungwork from Slartibartfast which would seem more
|
|
appropriate to a radio commercial for one of those nasty films
|
|
about chainsaw operators taking their work home with them?
|
|
|
|
Then, this Krikkit angle was a tough one, too. He hadn't quite
|
|
fathomed the connection between what he knew as cricket, and what
|
|
...
|
|
|
|
Slartibartfast interrupted his train of thought at this point as
|
|
if sensing what was going through his mind.
|
|
|
|
"The game you know as cricket," he said, and his voice still
|
|
seemed to be wandering lost in subterranean passages, "is just
|
|
one of those curious freaks of racial memory which can keep
|
|
images alive in the mind aeons after their true significance has
|
|
been lost in the mists of time. Of all the races on the Galaxy,
|
|
only the English could possibly revive the memory of the most
|
|
horrific wars ever to sunder the Universe and transform it into
|
|
what I'm afraid is generally regarded as an incomprehensibly dull
|
|
and pointless game.
|
|
|
|
"Rather fond of it myself," he added, "but in most people's eyes
|
|
you have been inadvertently guilty of the most grotesque bad
|
|
taste. Particularly the bit about the little red ball hitting the
|
|
wicket, that's very nasty."
|
|
|
|
"Um," said Arthur with a reflective frown to indicate that his
|
|
cognitive synapses were coping with this as best as they could,
|
|
"um."
|
|
|
|
"And these," said Slartibartfast, slipping back into crypt
|
|
guttural and indicating the group of Krikkit men who had now
|
|
walked past them, "are the ones who started it all, and it will
|
|
start tonight. Come, we will follow, and see why."
|
|
|
|
They slipped out from underneath the tree, and followed the
|
|
cheery party along the dark hill path. Their natural instinct was
|
|
to tread quietly and stealthily in pursuit of their quarry,
|
|
though, as they were simply walking through a recorded
|
|
Informational Illusion, they could as easily have been wearing
|
|
euphoniums and woad for all the notice their quarry would have
|
|
taken of them.
|
|
|
|
Arthur noticed that a couple of members of the party were now
|
|
singing a different song. It came lilting back to them through
|
|
the soft night air, and was a sweet romantic ballad which would
|
|
have netted McCartney Kent and Sussex and enabled him to put in a
|
|
fair offer for Hampshire.
|
|
|
|
"You must surely know," said Slartibartfast to Ford, "what it is
|
|
that is about to happen?"
|
|
|
|
"Me?" said Ford. "No."
|
|
|
|
"Did you not learn Ancient Galactic History when you were a
|
|
child?"
|
|
|
|
"I was in the cybercubicle behind Zaphod," said Ford, "it was
|
|
very distracting. Which isn't to say that I didn't learn some
|
|
pretty stunning things."
|
|
|
|
At this point Arthur noticed a curious feature to the song that
|
|
the party were singing. The middle eight bridge, which would have
|
|
had McCartney firmly consolidated in Winchester and gazing
|
|
intently over the Test Valley to the rich pickings of the New
|
|
Forest beyond, had some curious lyrics. The songwriter was
|
|
referring to meeting with a girl not "under the moon" or "beneath
|
|
the stars" but "above the grass", which struck Arthur a little
|
|
prosaic. Then he looked up again at the bewildering black sky,
|
|
and had the distinct feeling that there was an important point
|
|
here, if only he could grasp what it was. It gave him a feeling
|
|
of being alone in the Universe, and he said so.
|
|
|
|
"No," said Slartibartfast, with a slight quickening of his step,
|
|
"the people of Krikkit have never thought to themselves `We are
|
|
alone in the Universe.' They are surrounded by a huge Dust Cloud,
|
|
you see, their single sun with its single world, and they are
|
|
right out on the utmost eastern edge of the Galaxy. Because of
|
|
the Dust Cloud there has never been anything to see in the sky.
|
|
At night it is totally blank, During the day there is the sun,
|
|
but you can't look directly at that so they don't. They are
|
|
hardly aware of the sky. It's as if they had a blind spot which
|
|
extended 180 degrees from horizon to horizon.
|
|
|
|
"You see, the reason why they have never thought `We are alone in
|
|
the Universe' is that until tonight they don't know about the
|
|
Universe. Until tonight."
|
|
|
|
He moved on, leaving the words ringing in the air behind him.
|
|
|
|
"Imagine," he said, "never even thinking `We are alone' simply
|
|
because it has never occurred to you to think that there's any
|
|
other way to be."
|
|
|
|
He moved on again.
|
|
|
|
"I'm afraid this is going to be a little unnerving," he added.
|
|
|
|
As he spoke, they became aware of a very thin roaring scream high
|
|
up in the sightless sky above them. They glanced upwards in
|
|
alarm, but for a moment or two could see nothing.
|
|
|
|
Then Arthur noticed that the people in the party in front of them
|
|
had heard the noise, but that none of them seemed to know what to
|
|
so with it. They were glancing around themselves in
|
|
consternation, left, right, forwards, backwards, even at the
|
|
ground. It never occurred to them to look upwards.
|
|
|
|
The profoundness of the shock and horror they emanated a few
|
|
moments later when the burning wreckage of a spaceship came
|
|
hurtling and screaming out of the sky and crashed about half a
|
|
mile from where they were standing was something that you had to
|
|
be there to experience.
|
|
|
|
Some speak of the Heart of Gold in hushed tones, some of the
|
|
Starship Bistromath.
|
|
|
|
Many speak of the legendary and gigantic Starship Titanic, a
|
|
majestic and luxurious cruise-liner launched from the great
|
|
shipbuilding asteroid complexes of Artifactovol some hundreds of
|
|
years ago now, and with good reason.
|
|
|
|
It was sensationally beautiful, staggeringly huge, and more
|
|
pleasantly equipped than any ship in what now remains of history
|
|
(see note below on the Campaign for Real Time) but it had the
|
|
misfortune to be built in the very earliest days of Improbability
|
|
Physics, long before this difficult and cussed branch of
|
|
knowledge was fully, or at all, understood.
|
|
|
|
The designers and engineers decided, in their innocence, to build
|
|
a prototype Improbability Field into it, which was meant,
|
|
supposedly, to ensure that it was Infinitely Improbable that
|
|
anything would ever go wrong with any part of the ship.
|
|
|
|
They did not realize that because of the quasi-reciprocal and
|
|
circular nature of all Improbability calculations, anything that
|
|
was Infinitely Improbable was actually very likely to happen
|
|
almost immediately.
|
|
|
|
The Starship Titanic was a monstrously pretty sight as it lay
|
|
beached like a silver Arcturan Megavoidwhale amongst the laser-
|
|
lit tracery of its construction gantries, a brilliant cloud of
|
|
pins and needles of light against the deep interstellar
|
|
blackness; but when launched, it did not even manage to complete
|
|
its very first radio message - an SOS - before undergoing a
|
|
sudden and gratuitous total existence failure.
|
|
|
|
However, the same event which saw the disastrous failure of one
|
|
science in its infancy also witnessed the apotheosis of another.
|
|
It was conclusively proven that more people watched the tri-d
|
|
coverage of the launch than actually existed at the time, and
|
|
this has now been recognized as the greatest achievement ever in
|
|
the science of audience research.
|
|
|
|
Another spectacular media event of that time was the supernova
|
|
which the star Ysllodins underwent a few hours later. Ysllodins
|
|
is the star around which most of the Galaxy's major insurance
|
|
underwriters live, or rather lived.
|
|
|
|
But whilst these spaceships, and other great ones which come to
|
|
mind, such as the Galactic Fleet Battleships - the GSS Daring,
|
|
the GSS Audacy and the GSS Suicidal Insanity - are all spoken of
|
|
with awe, pride, enthusiasm, affection, admiration, regret,
|
|
jealousy, resentment, in fact most of the better known emotions,
|
|
the one which regularly commands the most actual astonishment was
|
|
Krikkit One, the first spaceship ever built by the people of
|
|
Krikkit. This is not because it was a wonderful ship. It wasn't.
|
|
|
|
It was a crazy piece of near junk. It looked as if it had been
|
|
knocked up in somebody's backyard, and this was in fact precisely
|
|
where it had been knocked up. The astonishing thing about the
|
|
ship was not that it was one well (it wasn't) but that it was
|
|
done at all. The period of time which had elapsed between the
|
|
moment that the people of Krikkit had discovered that there was
|
|
such a thing as space and the launching of their first spaceship
|
|
was almost exactly a year.
|
|
|
|
Ford Prefect was extremely grateful, as he strapped himself in,
|
|
that this was just another Informational Illusion, and that he
|
|
was therefore completely safe. In real life it wasn't a ship he
|
|
would have set foot in for all the rice wine in China. "Extremely
|
|
rickety" was one phrase which sprang to mind, and "Please may I
|
|
get out?" was another.
|
|
|
|
"This is going to fly?" said Arthur, giving gaunt looks, at the
|
|
lashed-together pipework and wiring which festooned the cramped
|
|
interior of the ship.
|
|
|
|
Slartibartfast assured him that it would, that they were
|
|
perfectly safe and that it was all going to be extremely
|
|
instructive and not a little harrowing.
|
|
|
|
Ford and Arthur decided just to relax and be harrowed.
|
|
|
|
"Why not," said Ford, "go mad?"
|
|
|
|
In front of them and, of course, totally unaware of their
|
|
presence for the very good reason that they weren't actually
|
|
there, were the three pilots. They had also constructed the ship.
|
|
They had been on the hill path that night singing wholesome
|
|
heartwarming songs. Their brains had been very slightly turned by
|
|
the nearby crash of the alien spaceship. They had spent weeks
|
|
stripping every tiniest last secret out of the wreckage of that
|
|
burnt-up spaceship, all the while singing lilting spaceship-
|
|
stripping ditties. They had then built their own ship and this
|
|
was it. This was their ship, and they were currently singing a
|
|
little song about that too, expressing the twin joys of
|
|
achievement and ownership. The chorus was a little poignant, and
|
|
told of their sorrow that their work had kept them such long
|
|
hours in the garage, away from the company of their wives and
|
|
children, who had missed them terribly but had kept them cheerful
|
|
by bringing them continual stories of how nicely the puppy was
|
|
growing up.
|
|
|
|
Pow, they took off.
|
|
|
|
They roared into the sky like a ship that knew precisely what it
|
|
was doing.
|
|
|
|
"No way," said Ford a while later after they had recovered from
|
|
the shock of acceleration, and were climbing up out of the
|
|
planet's atmosphere, "no way," he repeated, "does anyone design
|
|
and build a ship like this in a year, no matter how motivated. I
|
|
don't believe it. Prove it to me and I still won't believe it."
|
|
He shook his head thoughtfully and gazed out of a tiny port at
|
|
the nothingness outside it.
|
|
|
|
The trip passed uneventfully for a while, and Slartibartfast
|
|
fastwound them through it.
|
|
|
|
Very quickly, therefore, they arrived at the inner perimeter of
|
|
the hollow, spherical Dust Cloud which surrounded their sun and
|
|
home planet, occupying, as it were, the next orbit out.
|
|
|
|
It was more as if there was a gradual change in the texture and
|
|
consistency of space. The darkness seemed now to thrum and ripple
|
|
past them. It was a very cold darkness, a very blank and heavy
|
|
darkness, it was the darkness of the night sky of Krikkit.
|
|
|
|
The coldness and heaviness and blankness of it took a slow grip
|
|
on Arthur's heart, and he felt acutely aware of the feelings of
|
|
the Krikkit pilots which hung in the air like a thick static
|
|
charge. They were now on the very boundary of the historical
|
|
knowledge of their race. This was the very limit beyond which
|
|
none of them had ever speculated, or even known that there was
|
|
any speculation to be done.
|
|
|
|
The darkness of the cloud buffeted at the ship. Inside was the
|
|
silence of history. Their historic mission was to find out if
|
|
there was anything or anywhere on the other side of the sky, from
|
|
which the wrecked spaceship could have come, another world maybe,
|
|
strange and incomprehensible though this thought was to the
|
|
enclosed minds of those who had lived beneath the sky of Krikkit.
|
|
|
|
History was gathering itself to deliver another blow.
|
|
|
|
Still the darkness thrummed at them, the blank enclosing
|
|
darkness. It seemed closer and closer, thicker and thicker,
|
|
heavier and heavier. And suddenly it was gone.
|
|
|
|
They flew out of the cloud.
|
|
|
|
They saw the staggering jewels of the night in their infinite
|
|
dust and their minds sang with fear.
|
|
|
|
For a while they flew on, motionless against the starry sweep of
|
|
the Galaxy, itself motionless against the infinite sweep of the
|
|
Universe. And then they turned round.
|
|
|
|
"It'll have to go," the men of Krikkit said as they headed back
|
|
for home.
|
|
|
|
On the way back they sang a number of tuneful and reflective
|
|
songs on the subjects of peace, justice, morality, culture,
|
|
sport, family life and the obliteration of all other life forms.
|
|
|
|
=================================================================
|
|
Chapter 13
|
|
|
|
|
|
|
|
"So you see," said Slartibartfast, slowly stirring his
|
|
artificially constructed coffee, and thereby also stirring the
|
|
whirlpool interfaces between real and unreal numbers, between the
|
|
interactive perceptions of mind and Universe, and thus generating
|
|
the restructured matrices of implicitly enfolded subjectivity
|
|
which allowed his ship to reshape the very concept of time and
|
|
space, "how it is."
|
|
|
|
"Yes," said Arthur.
|
|
|
|
"Yes," said Ford.
|
|
|
|
"What do I do," said Arthur, "with this piece of chicken?"
|
|
|
|
Slartibartfast glanced at him gravely.
|
|
|
|
"Toy with it," he said, "toy with it."
|
|
|
|
He demonstrated with his own piece.
|
|
|
|
Arthur did so, and felt the slight tingle of a mathematical
|
|
function thrilling through the chicken leg as it moved four-
|
|
dimensionally through what Slartibartfast had assured him was
|
|
five-dimensional space.
|
|
|
|
"Overnight," said Slartibartfast, "the whole population of
|
|
Krikkit was transformed from being charming, delightful,
|
|
intelligent ..."
|
|
|
|
"... if whimsical ..." interpolated Arthur.
|
|
|
|
"... ordinary people," said Slartibartfast, "into charming,
|
|
delightful, intelligent ..."
|
|
|
|
"... whimsical ..."
|
|
|
|
"... manic xenophobes. The idea of a Universe didn't fit into
|
|
their world picture, so to speak. They simply couldn't cope with
|
|
it. And so, charmingly, delightfully, intelligently, whimsically
|
|
if you like, they decided to destroy it. What's the matter now?"
|
|
|
|
"I don't like the wine very much," said Arthur sniffing it.
|
|
|
|
"Well, send it back. It's all part of the mathematics of it."
|
|
|
|
Arthur did so. He didn't like the topography of the waiter's
|
|
smile, but he'd never liked graphs anyway.
|
|
|
|
"Where are we going?" said Ford.
|
|
|
|
"Back to the Room of Informational Illusions," said
|
|
Slartibartfast, rising and patting his mouth with the
|
|
mathematical representation of a paper napkin, "for the second
|
|
half."
|
|
|
|
=================================================================
|
|
Chapter 14
|
|
|
|
"The people of Krikkit," said His High Judgmental Supremacy,
|
|
Judiciary Pag, LIVR (the Learned, Impartial and Very Relaxed)
|
|
Chairman of the Board of Judges at the Krikkit War Crimes Trial,
|
|
"are, well, you know, they're just a bunch of real sweet guys,
|
|
you know, who just happen to want to kill everybody. Hell, I feel
|
|
the same way some mornings. Shit.
|
|
|
|
"OK," he continued, swinging his feet up on to the bench in front
|
|
of him and pausing a moment to pick a thread off his Ceremonial
|
|
Beach Loafers, "so you wouldn't necessarily want to share a
|
|
Galaxy with these guys."
|
|
|
|
This was true.
|
|
|
|
The Krikkit attack on the Galaxy had been stunning. Thousands and
|
|
thousands of huge Krikkit warships had leapt suddenly out of
|
|
hyperspace and simultaneously attacked thousands and thousands of
|
|
major worlds, first seizing vital material supplies for building
|
|
the next wave, and then calmly zapping those worlds out of
|
|
existence.
|
|
|
|
The Galaxy, which had been enjoying a period of unusual peace and
|
|
prosperity at the time, reeled like a man getting mugged in a
|
|
meadow.
|
|
|
|
"I mean," continued Judiciary Pag, gazing round the ultra-modern
|
|
(this was ten billion years ago, when "ultra-modern" meant lots
|
|
of stainless steel and brushed concrete) and huge courtroom,
|
|
"these guys are just obsessed."
|
|
|
|
This too was true, and is the only explanation anyone has yet
|
|
managed to come up with for the unimaginable speed with which the
|
|
people of Krikkit had pursued their new and absolute purpose -
|
|
the destruction of everything that wasn't Krikkit.
|
|
|
|
It is also the only explanation for their bewildering sudden
|
|
grasp of all the hypertechnology involved in building their
|
|
thousands of spaceships, and their millions of lethal white
|
|
robots.
|
|
|
|
These had really struck terror into the hearts of everyone who
|
|
had encountered them - in most cases, however, the terror was
|
|
extremely short-lived, as was the person experiencing the terror.
|
|
They were savage, single-minded flying battle machines. They
|
|
wielded formidable multifunctional battleclubs which, brandished
|
|
one way, would knock down buildings and, brandished another way,
|
|
fired blistering Omni-Destructo Zap Rays and, brandished a third
|
|
way, launched a hideous arsenal of grenades, ranging from minor
|
|
incendiary devices to Maxi-Slorta Hypernuclear Devices which
|
|
could take out a major sun. Simply striking the grenades with the
|
|
battleclubs simultaneously primed them, and launched them with
|
|
phenomenal accuracy over distances ranging from mere yards to
|
|
hundreds of thousands of miles.
|
|
|
|
"OK," said Judiciary Pag again, "so we won." He paused and chewed
|
|
a little gum. "We won," he repeated, "but that's no big deal. I
|
|
mean a medium-sized galaxy against one little world, and how long
|
|
did it take us? Clerk of the Court?"
|
|
|
|
"M'lud?" said the severe little man in black, rising.
|
|
|
|
"How long, kiddo?"
|
|
|
|
"It is a trifle difficult, m'lud, to be precise in this matter.
|
|
Time and distance ..."
|
|
|
|
"Relax, guy, be vague."
|
|
|
|
"I hardly like to be vague, m'lud, over such a ..."
|
|
|
|
"Bite the bullet and be it."
|
|
|
|
The Clerk of the Court blinked at him. It was clear that like
|
|
most of the Galactic legal profession he found Judiciary Pag (or
|
|
Zipo Bibrok 5 / 108, as his private name was known, inexplicably,
|
|
to be) a rather distressing figure. He was clearly a bounder and
|
|
a cad. He seemed to think that the fact that he was the possessor
|
|
of the finest legal mind ever discovered gave him the right to
|
|
behave exactly as he liked, and unfortunately he appeared to be
|
|
right.
|
|
|
|
"Er, well, m'lud, very approximately, two thousand years," the
|
|
Clerk murmured unhappily.
|
|
|
|
"And how many guys zilched out?"
|
|
|
|
"Two grillion, m'lud." The Clerk sat down. A hydrospectic photo
|
|
of him at this point would have revealed that he was steaming
|
|
slightly.
|
|
|
|
Judiciary Pag gazed once more around the courtroom, wherein were
|
|
assembled hundreds of the very highest officials of the entire
|
|
Galactic administration, all in their ceremonial uniforms or
|
|
bodies, depending on metabolism and custom. Behind a wall of
|
|
Zap-Proof Crystal stood a representative group of the people of
|
|
Krikkit, looking with calm, polite loathing at all the aliens
|
|
gathered to pass judgment on them. This was the most momentous
|
|
occasion in legal history, and Judiciary Pag knew it.
|
|
|
|
He took out his chewing gum and stuck it under his chair.
|
|
|
|
"That's a whole lotta stiffs," he said quietly.
|
|
|
|
The grim silence in the courtroom seemed in accord with this
|
|
view.
|
|
|
|
"So, like I said, these are a bunch of really sweet guys, but you
|
|
wouldn't want to share a Galaxy with them, not if they're just
|
|
gonna keep at it, not if they're not gonna learn to relax a
|
|
little. I mean it's just gonna be continual nervous time, isn't
|
|
it, right? Pow, pow, pow, when are they next coming at us?
|
|
Peaceful coexistence is just right out, right? Get me some water
|
|
somebody, thank you."
|
|
|
|
He sat back and sipped reflectively.
|
|
|
|
"OK," he said, "hear me, hear me. It's, like, these guys, you
|
|
know, are entitled to their own view of the Universe. And
|
|
according to their view, which the Universe forced on them,
|
|
right, they did right. Sounds crazy, but I think you'll agree.
|
|
They believe in ..."
|
|
|
|
He consulted a piece of paper which he found in the back pocket
|
|
of his Judicial jeans.
|
|
|
|
"They believe in `peace, justice, morality, culture, sport,
|
|
family life, and the obliteration of all other life forms'."
|
|
|
|
He shrugged.
|
|
|
|
"I've heard a lot worse," he said.
|
|
|
|
He scratched his crotch reflectively.
|
|
|
|
"Freeeow," he said. He took another sip of water, then held it up
|
|
to the light and frowned at it. He twisted it round.
|
|
|
|
"Hey, is there something in this water?" he said.
|
|
|
|
"Er, no, m'lud," said the Court Usher who had brought it to him,
|
|
rather nervously.
|
|
|
|
"Then take it away," snapped Judiciary Pag, "and put something in
|
|
it. I got an idea."
|
|
|
|
He pushed away the glass and leaned forward.
|
|
|
|
"Hear me, hear me," he said.
|
|
|
|
The solution was brilliant, and went like this:
|
|
|
|
The planet of Krikkit was to be enclosed for perpetuity in an
|
|
envelope of Slo-Time, inside which life would continue almost
|
|
infinitely slowly. All light would be deflected round the
|
|
envelope so that it would remain invisible and impenetrable.
|
|
Escape from the envelope would be utterly impossible unless it
|
|
were locked from the outside.
|
|
|
|
When the rest of the Universe came to its final end, when the
|
|
whole of creation reached its dying fall (this was all, of
|
|
course, in the days before it was known that the end of the
|
|
Universe would be a spectacular catering venture) and life and
|
|
matter ceased to exist, then the planet of Krikkit and its sun
|
|
would emerge from its Slo-Time envelope and continue a solitary
|
|
existence, such as it craved, in the twilight of the Universal
|
|
void.
|
|
|
|
The Lock would be on an asteroid which would slowly orbit the
|
|
envelope.
|
|
|
|
The key would be the symbol of the Galaxy - the Wikkit Gate.
|
|
|
|
By the time the applause in the court had died down, Judiciary
|
|
Pag was already in the Sens-O-Shower with a rather nice member of
|
|
the jury that he'd slipped a note to half an hour earlier.
|
|
|
|
=================================================================
|
|
Chapter 15
|
|
|
|
Two months later, Zipo Bibrok 5 / 108 had cut the bottoms off his
|
|
Galactic State jeans, and was spending part of the enormous fee
|
|
his judgments commanded lying on a jewelled beach having Essence
|
|
of Qualactin rubbed into his back by the same rather nice member
|
|
of the jury. She was a Soolfinian girl from beyond the
|
|
Cloudworlds of Yaga. She had skin like lemon silk and was very
|
|
interested in legal bodies.
|
|
|
|
"Did you hear the news?" she said.
|
|
|
|
"Weeeeelaaaaah!" said Zipo Bibrok 5 / 108, and you would have had
|
|
to have been there to know exactly why he said this. None of this
|
|
was on the tape of Informational Illusions, and is all based on
|
|
hearsay.
|
|
|
|
"No," he added, when the thing that had made him say
|
|
"Weeeeelaaaaah" had stopped happening. He moved his body round
|
|
slightly to catch the first rays of the third and greatest of
|
|
primeval Vod's three suns which was now creeping over the
|
|
ludicrously beautiful horizon, and the sky now glittered with
|
|
some of the greatest tanning power ever known.
|
|
|
|
A fragrant breeze wandered up from the quiet sea, trailed along
|
|
the beach, and drifted back to sea again, wondering where to go
|
|
next. On a mad impulse it went up to the beach again. It drifted
|
|
back to sea.
|
|
|
|
"I hope it isn't good news," muttered Zipo Bibrok 5 / 108, "'cos
|
|
I don't think I could bear it."
|
|
|
|
"Your Krikkit judgment was carried out today," said the girl
|
|
sumptuously. There was no need to say such a straightforward
|
|
thing sumptuously, but she went ahead and did it anyway because
|
|
it was that sort of day. "I heard it on the radio," she said,
|
|
"when I went back to the ship for the oil."
|
|
|
|
"Uhuh," muttered Zipo and rested his head back on the jewelled
|
|
sand.
|
|
|
|
"Something happened," she said.
|
|
|
|
"Mmmm?"
|
|
|
|
"Just after the Slo-Time envelope was locked," she said, and
|
|
paused a moment from rubbing in the Essence of Qualactin, "a
|
|
Krikkit warship which had been missing presumed destroyed turned
|
|
out to be just missing after all. It appeared and tried to seize
|
|
the Key."
|
|
|
|
Zipo sat up sharply.
|
|
|
|
"Hey, what?" he said.
|
|
|
|
"it's all right," she said in a voice which would have calmed the
|
|
Big Bang down. "Apparently there was a short battle. The Key and
|
|
the warship were disintegrated and blasted into the space-time
|
|
continuum. Apparently they are lost for ever."
|
|
|
|
She smiled, and ran a little more Essence of Qualactin on to her
|
|
fingertips. He relaxed and lay back down.
|
|
|
|
"Do what you did a moment or two ago," he murmured.
|
|
|
|
"That?" she said.
|
|
|
|
"No, no," he said, "that."
|
|
|
|
She tried again.
|
|
|
|
"That?" she asked.
|
|
|
|
"Weeeeelaaaaah!"
|
|
|
|
Again, you had to be there.
|
|
|
|
The fragrant breeze drifted up from the sea again.
|
|
|
|
A magician wandered along the beach, but no one needed him.
|
|
|
|
=================================================================
|
|
Chapter 16
|
|
|
|
"Nothing is lost for ever," said Slartibartfast, his face
|
|
flickering redly in the light of the candle which the robot
|
|
waiter was trying to take away, "except for the Cathedral of
|
|
Chalesm."
|
|
|
|
"The what?" said Arthur with a start.
|
|
|
|
"The Cathedral of Chalesm," repeated Slartibartfast. "It was
|
|
during the course of my researches at the Campaign for Real Time
|
|
that I ..."
|
|
|
|
"The what?" said Arthur again.
|
|
|
|
The old man paused and gathered his thoughts, for what he hoped
|
|
would be one last onslaught on his story. The robot waiter moved
|
|
through the space-time matrices in a way which spectacularly
|
|
combined the surly with the obsequious, made a snatch for the
|
|
candle and got it. They had had the bill, had argued convincingly
|
|
about who had had the cannelloni and how many bottles of wine
|
|
they had had, and, as Arthur had been dimly aware, had thereby
|
|
successfully manoeuvred the ship out of subjective space and into
|
|
a parking orbit round a strange planet. The waiter was now
|
|
anxious to complete his part of the charade and clear the bistro.
|
|
|
|
"All will become clear," said Slartibartfast.
|
|
|
|
"When?"
|
|
|
|
"In a minute. Listen. The time streams are now very polluted.
|
|
There's a lot of muck floating about in them, flotsam and jetsam,
|
|
and more and more of it is now being regurgitated into the
|
|
physical world. Eddies in the space-time continuum, you see."
|
|
|
|
"So I hear," said Arthur.
|
|
|
|
"Look, where are we going?" said Ford, pushing his chair back
|
|
from the table with impatience. "Because I'm eager to get there."
|
|
|
|
"We are going," said Slartibartfast in a slow, measured voice,
|
|
"to try to prevent the war robots of Krikkit from regaining the
|
|
whole of the Key they need to unlock the planet of Krikkit from
|
|
the Slo-Time envelope and release the rest of their army and
|
|
their mad Masters."
|
|
|
|
"It's just," said Ford, "that you mentioned a party."
|
|
|
|
"I did," said Slartibartfast, and hung his head.
|
|
|
|
He realized that it had been a mistake, because the idea seemed
|
|
to exercise a strange and unhealthy fascination on the mind of
|
|
Ford Prefect. The more that Slartibartfast unravelled the dark
|
|
and tragic story of Krikkit and its people, the more Ford Prefect
|
|
wanted to drink a lot and dance with girls.
|
|
|
|
The old man felt that he should not have mentioned the party
|
|
until he absolutely had to. But there it was, the fact was out,
|
|
and Ford Prefect had attached himself to it the way an Arcturan
|
|
Megaleach attaches itself to its victim before biting his head
|
|
off and making off with his spaceship.
|
|
|
|
"When," said Ford eagerly, "do we get there?"
|
|
|
|
"When I've finished telling you why we have to go there."
|
|
|
|
"I know why I'm going," said Ford, and leaned back, sticking his
|
|
hands behind his head. He gave one of his smiles which made
|
|
people twitch.
|
|
|
|
Slartibartfast had hoped for an easy retirement.
|
|
|
|
He had been planning to learn to play the octraventral
|
|
heebiephone - a pleasantly futile task, he knew, because he had
|
|
the wrong number of mouths.
|
|
|
|
He had also been planning to write an eccentric and relentlessly
|
|
inaccurate monograph on the subject of equatorial fjords in order
|
|
to set the record wrong about one or two matters he saw as
|
|
important.
|
|
|
|
Instead, he had somehow got talked into doing some part-time work
|
|
for the Campaign for Real Time and had started to take it all
|
|
seriously for the first time in his life. As a result he now
|
|
found himself spending his fast-declining years combating evil
|
|
and trying to save the Galaxy.
|
|
|
|
He found it exhausting work and sighed heavily.
|
|
|
|
"Listen," he said, "at Camtim ..."
|
|
|
|
"What?" said Arthur.
|
|
|
|
"The Campaign for Real Time, which I will tell you about later. I
|
|
noticed that five pieces of jetsam which had in relatively recent
|
|
times plopped back into existence seemed to correspond to the
|
|
five pieces of the missing Key. Only two I could trace exactly -
|
|
the Wooden Pillar, which appeared on your planet, and the Silver
|
|
Bail. It seems to be at some sort of party. We must go there to
|
|
retrieve it before the Krikkit robots find it, or who knows what
|
|
may hap?"
|
|
|
|
"No," said Ford firmly. "We must go to the party in order to
|
|
drink a lot and dance with girls."
|
|
|
|
"But haven't you understood everything I ...?"
|
|
|
|
"Yes," said Ford, with a sudden and unexpected fierceness, "I've
|
|
understood it all perfectly well. That's why I want to have as
|
|
many drinks and dance with as many girls as possible while there
|
|
are still any left. If everything you've shown us is true ..."
|
|
|
|
"True? Of course it's true."
|
|
|
|
"... then we don't stand a whelk's chance in a supernova."
|
|
|
|
"A what?" said Arthur sharply again. He had been following the
|
|
conversation doggedly up to this point, and was keen not to lose
|
|
the thread now.
|
|
|
|
"A whelk's chance in a supernova," repeated Ford without losing
|
|
momentum. "The ..."
|
|
|
|
"What's a whelk got to do with a supernova?" said Arthur.
|
|
|
|
"It doesn't," said Ford levelly, "stand a chance in one."
|
|
|
|
He paused to see if the matter was now cleared up. The freshly
|
|
puzzled looks clambering across Arthur's face told him that it
|
|
wasn't.
|
|
|
|
"A supernova," said Ford as quickly and as clearly as he could,
|
|
"is a star which explodes at almost half the speed of light and
|
|
burns with the brightness of a billion suns and then collapses as
|
|
a super-heavy neutron star. It's a star which burns up other
|
|
stars, got it? Nothing stands a chance in a supernova."
|
|
|
|
"I see," said Arthur.
|
|
|
|
"The ..."
|
|
|
|
"So why a whelk particularly?"
|
|
|
|
"Why not a whelk? Doesn't matter."
|
|
|
|
Arthur accepted this, and Ford continued, picking up his early
|
|
fierce momentum as best he could.
|
|
|
|
"The point is," he said, "that people like you and me,
|
|
Slartibartfast, and Arthur - particularly and especially Arthur -
|
|
are just dilletantes, eccentrics, layabouts, fartarounds if you
|
|
like."
|
|
|
|
Slartibartfast frowned, partly in puzzlement and partly in
|
|
umbrage. He started to speak.
|
|
|
|
"- ..." is as far as he got.
|
|
|
|
"We're not obsessed by anything, you see," insisted Ford.
|
|
|
|
"..."
|
|
|
|
"And that's the deciding factor. We can't win against obsession.
|
|
They care, we don't. They win."
|
|
|
|
"I care about lots of things," said Slartibartfast, his voice
|
|
trembling partly with annoyance, but partly also with
|
|
uncertainty.
|
|
|
|
"Such as?"
|
|
|
|
"Well," said the old man, "life, the Universe. Everything,
|
|
really. Fjords."
|
|
|
|
"Would you die for them?"
|
|
|
|
"Fjords?" blinked Slartibartfast in surprise. "No."
|
|
|
|
"Well then."
|
|
|
|
"Wouldn't see the point, to be honest."
|
|
|
|
"And I still can't see the connection," said Arthur, "with
|
|
whelks."
|
|
|
|
Ford could feel the conversation slipping out of his control, and
|
|
refused to be sidetracked by anything at this point.
|
|
|
|
"The point is," he hissed, "that we are not obsessive people, and
|
|
we don't stand a chance against ..."
|
|
|
|
"Except for your sudden obsession with whelks," pursued Arthur,
|
|
"which I still haven't understood."
|
|
|
|
"Will you please leave whelks out of it?"
|
|
|
|
"I will if you will," said Arthur. "You brought the subject up."
|
|
|
|
"It was an error," said Ford, "forget them. The point is this."
|
|
|
|
He leant forward and rested his forehead on the tips of his
|
|
fingers.
|
|
|
|
"What was I talking about?" he said wearily.
|
|
|
|
"Let's just go down to the party," said Slartibartfast, "for
|
|
whatever reason." He stood up, shaking his head.
|
|
|
|
"I think that's what I was trying to say," said Ford.
|
|
|
|
For some unexplained reason, the teleport cubicles were in the
|
|
bathroom.
|
|
|
|
=================================================================
|
|
Chapter 17
|
|
|
|
Time travel is increasingly regarded as a menace. History is
|
|
being polluted.
|
|
|
|
The Encyclopedia Galactica has much to say on the theory and
|
|
practice of time travel, most of which is incomprehensible to
|
|
anyone who hasn't spent at least four lifetimes studying advanced
|
|
hypermathematics, and since it was impossible to do this before
|
|
time travel was invented, there is a certain amount of confusion
|
|
as to how the idea was arrived at in the first place. One
|
|
rationalization of this problem states that time travel was, by
|
|
its very nature, discovered simultaneously at all periods of
|
|
history, but this is clearly bunk.
|
|
|
|
The trouble is that a lot of history is now quite clearly bunk as
|
|
well.
|
|
|
|
Here is an example. It may not seem to be an important one to
|
|
some people, but to others it is crucial. It is certainly
|
|
significant in that it was the single event which caused the
|
|
Campaign for Real Time to be set up in the first place (or is it
|
|
last? It depends which way round you see history as happening,
|
|
and this too is now an increasingly vexed question).
|
|
|
|
There is, or was, a poet. His name was Lallafa, and he wrote what
|
|
are widely regarded throughout the Galaxy as being the finest
|
|
poems in existence, the Songs of the Long Land.
|
|
|
|
They are/were unspeakably wonderful. That is to say, you couldn't
|
|
speak very much of them at once without being so overcome with
|
|
emotion, truth and a sense of wholeness and oneness of things
|
|
that you wouldn't pretty soon need a brisk walk round the block,
|
|
possibly pausing at a bar on the way back for a quick glass of
|
|
perspective and soda. They were that good.
|
|
|
|
Lallafa had lived in the forests of the Long Lands of Effa. He
|
|
lived there, and he wrote his poems there. He wrote them on pages
|
|
made of dried habra leaves, without the benefit of education or
|
|
correcting fluid. He wrote about the light in the forest and what
|
|
he thought about that. He wrote about the darkness in the forest,
|
|
and what he thought about that. He wrote about the girl who had
|
|
left him and precisely what he thought about that.
|
|
|
|
Long after his death his poems were found and wondered over. News
|
|
of them spread like morning sunlight. For centuries they
|
|
illuminated and watered the lives of many people whose lives
|
|
might otherwise have been darker and drier.
|
|
|
|
Then, shortly after the invention of time travel, some major
|
|
correcting fluid manufacturers wondered whether his poems might
|
|
have been better still if he had had access to some high-quality
|
|
correcting fluid, and whether he might be persuaded to say a few
|
|
words on that effect.
|
|
|
|
They travelled the time waves, they found him, they explained the
|
|
situation - with some difficulty - to him, and did indeed
|
|
persuade him. In fact they persuaded him to such an effect that
|
|
he became extremely rich at their hands, and the girl about whom
|
|
he was otherwise destined to write which such precision never got
|
|
around to leaving him, and in fact they moved out of the forest
|
|
to a rather nice pad in town and he frequently commuted to the
|
|
future to do chat shows, on which he sparkled wittily.
|
|
|
|
He never got around to writing the poems, of course, which was a
|
|
problem, but an easily solved one. The manufacturers of
|
|
correcting fluid simply packed him off for a week somewhere with
|
|
a copy of a later edition of his book and a stack of dried habra
|
|
leaves to copy them out on to, making the odd deliberate mistake
|
|
and correction on the way.
|
|
|
|
Many people now say that the poems are suddenly worthless. Others
|
|
argue that they are exactly the same as they always were, so
|
|
what's changed? The first people say that that isn't the point.
|
|
They aren't quite sure what the point is, but they are quite sure
|
|
that that isn't it. They set up the Campaign for Real Time to try
|
|
to stop this sort of thing going on. Their case was considerably
|
|
strengthened by the fact that a week after they had set
|
|
themselves up, news broke that not only had the great Cathedral
|
|
of Chalesm been pulled down in order to build a new ion refinery,
|
|
but that the construction of the refinery had taken so long, and
|
|
had had to extend so far back into the past in order to allow ion
|
|
production to start on time, that the Cathedral of Chalesm had
|
|
now never been built in the first place. Picture postcards of the
|
|
cathedral suddenly became immensely valuable.
|
|
|
|
So a lot of history is now gone for ever. The Campaign for Real
|
|
Timers claim that just as easy travel eroded the differences
|
|
between one country and another, and between one world and
|
|
another, so time travel is now eroding the differences between
|
|
one age and another. "The past," they say, "is now truly like a
|
|
foreign country. They do things exactly the same there."
|
|
|
|
=================================================================
|
|
Chapter 18
|
|
|
|
Arthur materialized, and did so with all the customary staggering
|
|
about and clasping at his throat, heart and various limbs which
|
|
he still indulged himself in whenever he made any of these
|
|
hateful and painful materializations that he was determined not
|
|
to let himself get used to.
|
|
|
|
He looked around for the others.
|
|
|
|
They weren't there.
|
|
|
|
He looked around for the others again.
|
|
|
|
They still weren't there.
|
|
|
|
He closed his eyes.
|
|
|
|
He opened them
|
|
|
|
He looked around for the others.
|
|
|
|
They obstinately persisted in their absence.
|
|
|
|
He closed his eyes again, preparatory to making this completely
|
|
futile exercise once more, and because it was only then, whilst
|
|
his eyes were closed, that his brain began to register what his
|
|
eyes had been looking at whilst they were open, a puzzled frown
|
|
crept across his face.
|
|
|
|
So he opened his eyes again to check his facts and the frown
|
|
stayed put.
|
|
|
|
If anything, it intensified, and got a good firm grip. If this
|
|
was a party it was a very bad one, so bad, in fact, that
|
|
everybody else had left. He abandoned this line of thought as
|
|
futile. Obviously this wasn't a party. It was a cave, or a
|
|
labyrinth, or a tunnel of something - there was insufficient
|
|
light to tell. All was darkness, a damp shiny darkness. The only
|
|
sounds were the echoes of his own breathing, which sounded
|
|
worried. He coughed very slightly, and then had to listen to the
|
|
thin ghostly echo of his cough trailing away amongst winding
|
|
corridors and sightless chambers, as of some great labyrinth, and
|
|
eventually returning to him via the same unseen corridors, as if
|
|
to say ... "Yes?"
|
|
|
|
This happened to every slightest noise he made, and it unnerved
|
|
him. He tried to hum a cheery tune, but by the time it returned
|
|
to him it was a hollow dirge and he stopped.
|
|
|
|
His mind was suddenly full of images from the story that
|
|
Slartibartfast had been telling him. He half-expected suddenly to
|
|
see lethal white robots step silently from the shadows and kill
|
|
him. He caught his breath. They didn't. He let it go again. He
|
|
didn't know what he did expect.
|
|
|
|
Someone or something, however, seemed to be expecting him, for at
|
|
that moment there lit up suddenly in the dark distance an eerie
|
|
green neon sign.
|
|
|
|
It said, silently:
|
|
|
|
You have been Diverted
|
|
|
|
The sign flicked off again, in a way which Arthur was not at all
|
|
certain he liked. It flicked off with a sort of contemptuous
|
|
flourish. Arthur then tried to assure himself that this was just
|
|
a ridiculous trick of his imagination. A neon sign is either on
|
|
or off, depending on whether it has electricity running through
|
|
it or not. There was no way, he told himself, that it could
|
|
possibly effect the transition from one state to the other with a
|
|
contemptuous flourish. He hugged himself tightly in his dressing
|
|
gown and shivered, nevertheless.
|
|
|
|
The neon sign in the depths now suddenly lit up, bafflingly, with
|
|
just three dots and a comma. Like this:
|
|
|
|
|
|
Only in green neon.
|
|
|
|
It was trying, Arthur realized after staring at this perplexedly
|
|
for a second or two, to indicate that there was more to come,
|
|
that the sentence was not complete. Trying with almost superhuman
|
|
pedantry, he reflected. Or at least, inhuman pedantry.
|
|
|
|
The sentence then completed itself with these two words:
|
|
|
|
Arthur Dent.
|
|
|
|
He reeled. He steadied himself to have another clear look at it.
|
|
It still said Arthur Dent, so he reeled again.
|
|
|
|
Once again, the sign flicked off, and left him blinking in the
|
|
darkness with just the dim red image of his name jumping on his
|
|
retina.
|
|
|
|
Welcome, the sign now suddenly said.
|
|
|
|
After a moment, it added:
|
|
|
|
I Don't Think.
|
|
|
|
The stone-cold fear which had been hovering about Arthur all this
|
|
time, waiting for its moment, recognized that its moment had now
|
|
come and pounced on him. He tried to fight it off. He dropped
|
|
into a kind of alert crouch that he had once seen somebody do on
|
|
television, but it must have been someone with stronger knees. He
|
|
peered huntedly into the darkness.
|
|
|
|
"Er, hello?" he said.
|
|
|
|
He cleared his throat and said it again, more loudly and without
|
|
the "er". At some distance down the corridor it seemed suddenly
|
|
as if somebody started to beat on a bass drum.
|
|
|
|
He listened to it for a few seconds and realized that it was just
|
|
his heart beating.
|
|
|
|
He listened for a few seconds more and realized that it wasn't
|
|
his heart beating, it was somebody down the corridor beating on a
|
|
bass drum.
|
|
|
|
Beads of sweat formed on his brow, tensed themselves, and leapt
|
|
off. He put a hand out on the floor to steady his alert crouch,
|
|
which wasn't holding up very well. The sign changed itself again.
|
|
It said:
|
|
|
|
Do Not be Alarmed.
|
|
|
|
After a pause, it added:
|
|
|
|
Be Very Very Frightened, Arthur Dent.
|
|
|
|
Once again it flicked off. Once again it left him in darkness.
|
|
His eyes seemed to be popping out of his head. He wasn't certain
|
|
if this was because they were trying to see more clearly, or if
|
|
they simply wanted to leave at this point.
|
|
|
|
"Hello?" he said again, this time trying to put a note of rugged
|
|
and aggressive self-assertion into it. "Is anyone there?"
|
|
|
|
There was no reply, nothing.
|
|
|
|
This unnerved Arthur Dent even more than a reply would have done,
|
|
and he began to back away from the scary nothingness. And the
|
|
more he backed away, the more scared he became. After a while he
|
|
realized that the reason for this was because of all the films he
|
|
had seen in which the hero backs further and further away from
|
|
some imagined terror in front of him, only to bump into it coming
|
|
up from behind.
|
|
|
|
Just then it suddenly occurred to him to turn round rather
|
|
quickly.
|
|
|
|
There was nothing there.
|
|
|
|
Just blackness.
|
|
|
|
This really unnerved him, and he started to back away from that,
|
|
back the way he had come.
|
|
|
|
After doing this for a short while it suddenly occurred to him
|
|
that he was now backing towards whatever it was he had been
|
|
backing away from in the first place.
|
|
|
|
This, he couldn't help thinking, must be a foolish thing to do.
|
|
He decided he would be better off backing the way he had first
|
|
been backing, and turned around again.
|
|
|
|
It turned out at this point that his second impulse had been the
|
|
correct one, because there was an indescribably hideous monster
|
|
standing quietly behind him. Arthur yawed wildly as his skin
|
|
tried to jump one way and his skeleton the other, whilst his
|
|
brain tried to work out which of his ears it most wanted to crawl
|
|
out of.
|
|
|
|
"Bet you weren't expecting to see me again," said the monster,
|
|
which Arthur couldn't help thinking was a strange remark for it
|
|
to make, seeing as he had never met the creature before. He could
|
|
tell that he hadn't met the creature before from the simple fact
|
|
that he was able to sleep at nights. It was ... it was ... it was
|
|
...
|
|
|
|
Arthur blinked at it. It stood very still. It did look a little
|
|
familiar.
|
|
|
|
A terrible cold calm came over him as he realized that what he
|
|
was looking at was a six-foot-high hologram of a housefly.
|
|
|
|
He wondered why anybody would be showing him a six-foot-high
|
|
hologram of a housefly at this time. He wondered whose voice he
|
|
had heard.
|
|
|
|
It was a terribly realistic hologram.
|
|
|
|
It vanished.
|
|
|
|
"Or perhaps you remember me better," said the voice suddenly, and
|
|
it was a deep, hollow malevolent voice which sounded like molten
|
|
tar glurping out of a drum with evil on its mind, "as the
|
|
rabbit."
|
|
|
|
With a sudden ping, there was a rabbit there in the black
|
|
labyrinth with him, a huge, monstrously, hideously soft and
|
|
lovable rabbit - an image again, but one on which every single
|
|
soft and lovable hair seemed like a real and single thing growing
|
|
in its soft and lovable coat. Arthur was startled to see his own
|
|
reflection in its soft and lovable unblinking and extremely huge
|
|
brown eyes.
|
|
|
|
"Born in darkness," rumbled the voice, "raised in darkness. One
|
|
morning I poked my head for the first time into the bright new
|
|
world and got it split open by what felt suspiciously like some
|
|
primitive instrument made of flint.
|
|
|
|
"Made by you, Arthur Dent, and wielded by you. Rather hard as I
|
|
recall.
|
|
|
|
"You turned my skin into a bag for keeping interesting stones in.
|
|
I happen to know that because in my next life I came back as a
|
|
fly again and you swatted me. Again. Only this time you swatted
|
|
me with the bag you'd made of my previous skin.
|
|
|
|
"Arthur Dent, you are not merely a cruel and heartless man, you
|
|
are also staggeringly tactless."
|
|
|
|
The voice paused whilst Arthur gawped.
|
|
|
|
"I see you have lost the bag," said the voice. "Probably got
|
|
bored with it, did you?"
|
|
|
|
Arthur shook his head helplessly. He wanted to explain that he
|
|
had been in fact very fond of the bag and had looked after it
|
|
very well and had taken it with him wherever he went, but that
|
|
somehow every time he travelled anywhere he seemed inexplicably
|
|
to end up with the wrong bag and that, curiously enough, even as
|
|
they stood there he was just noticing for the first time that the
|
|
bag he had with him at the moment appeared to be made out of
|
|
rather nasty fake leopard skin, and wasn't the one he'd had a few
|
|
moments ago before he arrived in this whatever place it was, and
|
|
wasn't one he would have chosen himself and heaven knew what
|
|
would be in it as it wasn't his, and he would much rather have
|
|
his original bag back, except that he was of course terribly
|
|
sorry for having so peremptorily removed it, or rather its
|
|
component parts, i.e. the rabbit skin, from its previous owner,
|
|
viz. the rabbit whom he currently had the honour of attempting
|
|
vainly to address.
|
|
|
|
All he actually managed to say was "Erp".
|
|
|
|
"Meet the newt you trod on," said the voice.
|
|
|
|
And there was, standing in the corridor with Arthur, a giant
|
|
green scaly newt. Arthur turned, yelped, leapt backwards, and
|
|
found himself standing in the middle of the rabbit. He yelped
|
|
again, but could find nowhere to leap to.
|
|
|
|
"That was me, too," continued the voice in a low menacing rumble,
|
|
"as if you didn't know ..."
|
|
|
|
"Know?" said Arthur with a start. "Know?"
|
|
|
|
"The interesting thing about reincarnation," rasped the voice,
|
|
"is that most people, most spirits, are not aware that it is
|
|
happening to them."
|
|
|
|
He paused for effect. As far as Arthur was concerned there was
|
|
already quite enough effect going on.
|
|
|
|
"I was aware," hissed the voice, "that is, I became aware.
|
|
Slowly. Gradually."
|
|
|
|
He, whoever he was, paused again and gathered breath.
|
|
|
|
"I could hardly help it, could I?" he bellowed, "when the same
|
|
thing kept happening, over and over and over again! Every life I
|
|
ever lived, I got killed by Arthur Dent. Any world, any body, any
|
|
time, I'm just getting settled down, along comes Arthur Dent -
|
|
pow, he kills me.
|
|
|
|
"Hard not to notice. Bit of a memory jogger. Bit of a pointer.
|
|
Bit of a bloody giveaway!
|
|
|
|
"`That's funny,' my spirit would say to itself as it winged its
|
|
way back to the netherworld after another fruitless Dent-ended
|
|
venture into the land of the living, `that man who just ran over
|
|
me as I was hopping across the road to my favourite pond looked a
|
|
little familiar ...' And gradually I got to piece it together,
|
|
Dent, you multiple-me-murderer!"
|
|
|
|
The echoes of his voice roared up and down the corridors. Arthur
|
|
stood silent and cold, his head shaking with disbelief.
|
|
|
|
"Here's the moment, Dent," shrieked the voice, now reaching a
|
|
feverish pitch of hatred, "here's the moment when at last I
|
|
knew!"
|
|
|
|
It was indescribably hideous, the thing that suddenly opened up
|
|
in front of Arthur, making him gasp and gargle with horror, but
|
|
here's an attempt at a description of how hideous it was. It was
|
|
a huge palpitating wet cave with a vast, slimy, rough, whale-like
|
|
creature rolling around it and sliding over monstrous white
|
|
tombstones. High above the cave rose a vast promontory in which
|
|
could be seen the dark recesses of two further fearful caves,
|
|
which ...
|
|
|
|
Arthur Dent suddenly realized that he was looking at his own
|
|
mouth, when his attention was meant to be directed at the live
|
|
oyster that was being tipped helplessly into it.
|
|
|
|
He staggered back with a cry and averted his eyes.
|
|
|
|
When he looked again the appalling apparition had gone. The
|
|
corridor was dark and, briefly, silent. He was alone with his
|
|
thoughts. They were extremely unpleasant thoughts and would
|
|
rather have had a chaperone.
|
|
|
|
The next noise, when it came, was the low heavy roll of a large
|
|
section of wall trundling aside, revealing, for the moment, just
|
|
dark blackness behind it. Arthur looked into it in much the same
|
|
way that a mouse looks into a dark dog-kennel.
|
|
|
|
And the voice spoke to him again.
|
|
|
|
"Tell me it was a coincidence, Dent," it said. "I dare you to
|
|
tell me it was a coincidence!"
|
|
|
|
"It was a coincidence," said Arthur quickly.
|
|
|
|
"It was not!" came the answering bellow.
|
|
|
|
"It was," said Arthur, "it was ..."
|
|
|
|
"If it was a coincidence, then my name," roared the voice, "is
|
|
not Agrajag!!!"
|
|
|
|
"And presumably," said Arthur, "you would claim that that was
|
|
your name."
|
|
|
|
"Yes!" hissed Agrajag, as if he had just completed a rather deft
|
|
syllogism.
|
|
|
|
"Well, I'm afraid it was still a coincidence," said Arthur.
|
|
|
|
"Come in here and say that!" howled the voice, in sudden apoplexy
|
|
again.
|
|
|
|
Arthur walked in and said that it was a coincidence, or at least,
|
|
he nearly said that it was a coincidence. His tongue rather lost
|
|
its footing towards the end of the last word because the lights
|
|
came up and revealed what it was he had walked into.
|
|
|
|
It was a Cathedral of Hate.
|
|
|
|
It was the product of a mind that was not merely twisted, but
|
|
actually sprained.
|
|
|
|
It was huge. It was horrific.
|
|
|
|
It had a Statue in it.
|
|
|
|
We will come to the Statue in a moment.
|
|
|
|
The vast, incomprehensibly vast chamber looked as if it had been
|
|
carved out of the inside of a mountain, and the reason for this
|
|
was that that was precisely what it had been carved out of. It
|
|
seemed to Arthur to spin sickeningly round his head as he stood
|
|
and gaped at it.
|
|
|
|
It was black.
|
|
|
|
Where it wasn't black you were inclined to wish that it was,
|
|
because the colours with which some of the unspeakable details
|
|
were picked out ranged horribly across the whole spectrum of
|
|
eye-defying colours from Ultra Violent to Infra Dead, taking in
|
|
Liver Purple, Loathsome Lilac, Matter Yellow, Burnt hombre and
|
|
Gan Green on the way.
|
|
|
|
The unspeakable details which these colours picked out were
|
|
gargoyles which would have put Francis Bacon off his lunch.
|
|
|
|
The gargoyles all looked inwards from the walls, from the
|
|
pillars, from the flying buttresses, from the choir stalls,
|
|
towards the Statue, to which we will come in a moment.
|
|
|
|
And if the gargoyles would have put Francis Bacon off his lunch,
|
|
then it was clear from the gargoyles' faces that the Statue would
|
|
have put them off theirs, had they been alive to eat it, which
|
|
they weren't, and had anybody tried to serve them some, which
|
|
they wouldn't.
|
|
|
|
Around the monumental walls were vast engraved stone tablets in
|
|
memory of those who had fallen to Arthur Dent.
|
|
|
|
The names of some of those commemorated were underlined and had
|
|
asterisks against them. So, for instance, the name of a cow which
|
|
had been slaughtered and of which Arthur Dent had happened to eat
|
|
a fillet steak would have the plainest engraving, whereas the
|
|
name of a fish which Arthur had himself caught and then decided
|
|
he didn't like and left on the side of the plate had a double
|
|
underlining, three sets of asterisks and a bleeding dagger added
|
|
as decoration, just to make the point.
|
|
|
|
And what was most disturbing about all this, apart from the
|
|
Statue, to which we are, by degrees, coming, was the very clear
|
|
implication that all these people and creatures were indeed the
|
|
same person, over and over again.
|
|
|
|
And it was equally clear that this person was, however unfairly,
|
|
extremely upset and annoyed.
|
|
|
|
In fact it would be fair to say that he had reached a level of
|
|
annoyance the like of which had never been seen in the Universe.
|
|
It was an annoyance of epic proportions, a burning searing flame
|
|
of annoyance, an annoyance which now spanned the whole of time
|
|
and space in its infinite umbrage.
|
|
|
|
And this annoyance had been given its fullest expression in the
|
|
Statue in the centre of all this monstrosity, which was a statue
|
|
of Arthur Dent, and an unflattering one. Fifty feet tall if it
|
|
was an inch, there was not an inch of it which wasn't crammed
|
|
with insult to its subject matter, and fifty feet of that sort of
|
|
thing would be enough to make any subject feel bad. From the
|
|
small pimple on the side of his nose to the poorish cut of his
|
|
dressing gown, there was no aspect of Arthur Dent which wasn't
|
|
lambasted and vilified by the sculptor.
|
|
|
|
Arthur appeared as a gorgon, an evil, rapacious, ravenning,
|
|
bloodied ogre, slaughtering his way through an innocent one-man
|
|
Universe.
|
|
|
|
With each of the thirty arms which the sculptor in a fit of
|
|
artistic fervour had decided to give him, he was either braining
|
|
a rabbit, swatting a fly, pulling a wishbone, picking a flea out
|
|
of his hair, or doing something which Arthur at first looking
|
|
couldn't quite identify.
|
|
|
|
His many feet were mostly stamping on ants.
|
|
|
|
Arthur put his hands over his eyes, hung his head and shook it
|
|
slowly from side to side in sadness and horror at the craziness
|
|
of things.
|
|
|
|
And when he opened his eyes again, there in front of him stood
|
|
the figure of the man or creature, or whatever it was, that he
|
|
had supposedly been persecuting all this time.
|
|
|
|
"HhhhhhrrrrrraaaaaaHHHHHH!" said Agrajag.
|
|
|
|
He, or it, or whatever, looked like a mad fat bat. He waddled
|
|
slowly around Arthur, and poked at him with bent claws.
|
|
|
|
"Look ...!" protested Arthur.
|
|
|
|
"HhhhhhrrrrrraaaaaaHHHHHH!!!" explained Agrajag, and Arthur
|
|
reluctantly accepted this on the grounds that he was rather
|
|
frightened by this hideous and strangely wrecked apparition.
|
|
|
|
Agrajag was black, bloated, wrinkled and leathery.
|
|
|
|
His batwings were somehow more frightening for being the pathetic
|
|
broken floundering things they were that if they had been strong,
|
|
muscular beaters of the air. The frightening thing was probably
|
|
the tenacity of his continued existence against all the physical
|
|
odds.
|
|
|
|
He had the most astounding collection of teeth.
|
|
|
|
They looked as if they each came from a completely different
|
|
animal, and they were ranged around his mouth at such bizarre
|
|
angles it seemed that if he ever actually tried to chew anything
|
|
he'd lacerate half his own face along with it, and possibly put
|
|
an eye out as well.
|
|
|
|
Each of his three eyes was small and intense and looked about as
|
|
sane as a fish in a privet bush.
|
|
|
|
"I was at a cricket match," he rasped.
|
|
|
|
This seemed on the face of it such a preposterous notion that
|
|
Arthur practically choked.
|
|
|
|
"Not in this body," screeched the creature, "not in this body!
|
|
This is my last body. My last life. This is my revenge body. My
|
|
kill-Arthur-Dent body. My last chance. I had to fight to get it,
|
|
too."
|
|
|
|
"But ..."
|
|
|
|
"I was at," roared Agrajag, "a cricket match! I had a weak heart
|
|
condition, but what, I said to my wife, can happen to me at a
|
|
cricket match? As I'm watching, what happens?
|
|
|
|
"Two people quite maliciously appear out of thin air just in
|
|
front of me. The last thing I can't help but notice before my
|
|
poor heart gives out in shock is that one of them is Arthur Dent
|
|
wearing a rabbit bone in his beard. Coincidence?"
|
|
|
|
"Yes," said Arthur.
|
|
|
|
"Coincidence?" screamed the creature, painfully thrashing its
|
|
broken wings, and opening a short gash on its right cheek with a
|
|
particularly nasty tooth. On closer examination, such as he'd
|
|
been hoping to avoid, Arthur noticed that much of Agrajag's face
|
|
was covered with ragged strips of black sticky plasters.
|
|
|
|
He backed away nervously. He tugged at his beard. He was appalled
|
|
to discover that in fact he still had the rabbit bone in it. He
|
|
pulled it out and threw it away.
|
|
|
|
"Look," he said, "it's just fate playing silly buggers with you.
|
|
With me. With us. It's a complete coincidence."
|
|
|
|
"What have you got against me, Dent?" snarled the creature,
|
|
advancing on him in a painful waddle.
|
|
|
|
"Nothing," insisted Arthur, "honestly, nothing."
|
|
|
|
Agrajag fixed him with a beady stare.
|
|
|
|
"Seems a strange way to relate to somebody you've got nothing
|
|
against, killing them all the time. Very curious piece of social
|
|
interaction, I would call that. I'd also call it a lie!"
|
|
|
|
"But look," said Arthur, "I'm very sorry. There's been a terrible
|
|
misunderstanding. I've got to go. Have you got a clock? I'm meant
|
|
to be helping save the Universe." He backed away still further.
|
|
|
|
Agrajag advanced still further.
|
|
|
|
"At one point," he hissed, "at one point, I decided to give up.
|
|
Yes, I would not come back. I would stay in the netherworld. And
|
|
what happened?"
|
|
|
|
Arthur indicated with random shakes of his head that he had no
|
|
idea and didn't want to have one either. He found he had backed
|
|
up against the cold dark stone that had been carved by who knew
|
|
what Herculean effort into a monstrous travesty of his bedroom
|
|
slippers. He glanced up at his own horrendously parodied image
|
|
towering above him. He was still puzzled as to what one of his
|
|
hands was meant to be doing.
|
|
|
|
"I got yanked involuntarily back into the physical world,"
|
|
pursued Agrajag, "as a bunch of petunias. In, I might add, a
|
|
bowl. This particularly happy little lifetime started off with
|
|
me, in my bowl, unsupported, three hundred miles above the
|
|
surface of a particularly grim planet. Not a naturally tenable
|
|
position for a bowl of petunias, you might think. And you'd be
|
|
right. That life ended a very short while later, three hundred
|
|
miles lower. In, I might add, the fresh wreckage of a whale. My
|
|
spirit brother."
|
|
|
|
He leered at Arthur with renewed hatred.
|
|
|
|
"On the way down," he snarled, "I couldn't help noticing a
|
|
flashy-looking white spaceship. And looking out of a port on this
|
|
flashy-looking spaceship was a smug-looking Arthur Dent.
|
|
Coincidence?!!"
|
|
|
|
"Yes!" yelped Arthur. He glanced up again, and realized that the
|
|
arm that had puzzled him was represented as wantonly calling into
|
|
existence a bowl of doomed petunias. This was not a concept which
|
|
leapt easily to the eye.
|
|
|
|
"I must go," insisted Arthur.
|
|
|
|
"You may go," said Agrajag, "after I have killed you."
|
|
|
|
"No, that won't be any use," explained Arthur, beginning to climb
|
|
up the hard stone incline of his carved slipper, "because I have
|
|
to save the Universe, you see. I have to find a Silver Bail,
|
|
that's the point. Tricky thing to do dead."
|
|
|
|
"Save the Universe!" spat Agrajag with contempt. "You should have
|
|
thought of that before you started your vendetta against me! What
|
|
about the time you were on Stavromula Beta and someone ..."
|
|
|
|
"I've never been there," said Arthur.
|
|
|
|
"... tried to assassinate you and you ducked. Who do you think
|
|
the bullet hit? What did you say?"
|
|
|
|
"Never been there," repeated Arthur. "What are you talking about?
|
|
I have to go."
|
|
|
|
Agrajag stopped in his tracks.
|
|
|
|
"You must have been there. You were responsible for my death
|
|
there, as everywhere else. An innocent bystander!" He quivered.
|
|
|
|
"I've never heard of the place," insisted Arthur. "I've certainly
|
|
never had anyone try to assassinate me. Other than you. Perhaps I
|
|
go there later, do you think?"
|
|
|
|
Agrajag blinked slowly in a kind of frozen logical horror.
|
|
|
|
"You haven't been to Stavromula Beta ... yet?" he whispered.
|
|
|
|
"No," said Arthur, "I don't know anything about the place.
|
|
Certainly never been to it, and don't have any plans to go."
|
|
|
|
"Oh, you go there all right," muttered Agrajag in a broken voice,
|
|
"you go there all right. Oh zark!" he tottered, and stared wildly
|
|
about him at his huge Cathedral of Hate. "I've brought you here
|
|
too soon!"
|
|
|
|
He started to scream and bellow. "I've brought you here too
|
|
zarking soon!"
|
|
|
|
Suddenly he rallied, and turned a baleful, hating eye on Arthur.
|
|
|
|
"I'm going to kill you anyway!" he roared. "Even if it's a
|
|
logical impossibility I'm going to zarking well try! I'm going to
|
|
blow this whole mountain up!" He screamed, "Let's see you get out
|
|
of this one, Dent!"
|
|
|
|
He rushed in a painful waddling hobble to what appeared to be a
|
|
small black sacrificial altar. He was shouting so wildly now that
|
|
he was really carving his face up badly. Arthur leaped down from
|
|
his vantage place on the carving of his own foot and ran to try
|
|
to restrain the three-quarters-crazed creature.
|
|
|
|
He leaped upon him, and brought the strange monstrosity crashing
|
|
down on top of the altar.
|
|
|
|
Agrajag screamed again, thrashed wildly for a brief moment, and
|
|
turned a wild eye on Arthur.
|
|
|
|
"You know what you've done?" he gurgled painfully. "You've only
|
|
gone and killed me again. i mean, what do you want from me,
|
|
blood?"
|
|
|
|
He thrashed again in a brief apoplectic fit, quivered, and
|
|
collapsed, smacking a large red button on the altar as he did so.
|
|
|
|
Arthur started with horror and fear, first at what he appeared to
|
|
have done, and then at the loud sirens and bells that suddenly
|
|
shattered the air to announce some clamouring emergency. He
|
|
stared wildly around him.
|
|
|
|
The only exit appeared to be the way he came in. He pelted
|
|
towards it, throwing away the nasty fake leopard-skin bag as he
|
|
did so.
|
|
|
|
He dashed randomly, haphazardly through the labyrinthine maze, he
|
|
seemed to be pursued more and more fiercely by claxons, sirens,
|
|
flashing lights.
|
|
|
|
Suddenly, he turned a corner and there was a light in front of
|
|
him.
|
|
|
|
It wasn't flashing. It was daylight.
|
|
|
|
=================================================================
|
|
Chapter 19
|
|
|
|
Although it has been said that on Earth alone in our Galaxy is
|
|
Krikkit (or cricket) treated as fit subject for a game, and that
|
|
for this reason the Earth has been shunned, this does only apply
|
|
to our Galaxy, and more specifically to our dimension. In some of
|
|
the higher dimensions they feel they can more or less please
|
|
themselves, and have been playing a peculiar game called Brockian
|
|
Ultra-Cricket for whatever their transdimensional equivalent of
|
|
billions of years is.
|
|
|
|
"Let's be blunt, it's a nasty game" (says The Hitch Hiker's
|
|
Guide to the Galaxy) "but then anyone who has been to any of the
|
|
higher dimensions will know that they're a pretty nasty heathen
|
|
lot up there who should just be smashed and done in, and would
|
|
be, too, if anyone could work out a way of firing missiles at
|
|
right-angles to reality."
|
|
|
|
This is another example of the fact that The Hitch Hiker's Guide
|
|
to the Galaxy will employ anybody who wants to walk straight in
|
|
off the street and get ripped off, especially if they happen to
|
|
walk in off the street during the afternoon, when very few of the
|
|
regular staff are there.
|
|
|
|
There is a fundamental point here.
|
|
|
|
The history of The Hitch Hiker's Guide to the Galaxy is one of
|
|
idealism, struggle, despair, passion, success, failure, and
|
|
enormously long lunch-breaks.
|
|
|
|
The earliest origins of the Guide are now, along with most of its
|
|
financial records, lost in the mists of time.
|
|
|
|
For other, and more curious theories about where they are lost,
|
|
see below.
|
|
|
|
Most of the surviving stories, however, speak of a founding
|
|
editor called Hurling Frootmig.
|
|
|
|
Hurling Frootmig, it is said, founded the Guide, established its
|
|
fundamental principles of honesty and idealism, and went bust.
|
|
|
|
There followed many years of penury and heart-searching during
|
|
which he consulted friends, sat in darkened rooms in illegal
|
|
states of mind, thought about this and that, fooled about with
|
|
weights, and then, after a chance encounter with the Holy
|
|
Lunching Friars of Voondon (who claimed that just as lunch was at
|
|
the centre of a man's temporal day, and man's temporal day could
|
|
be seen as an analogy for his spiritual life, so Lunch should
|
|
|
|
(a) be seen as the centre of a man's spiritual life, and
|
|
|
|
(b) be held in jolly nice restaurants), he refounded the Guide,
|
|
laid down its fundamental principles of honesty and idealism and
|
|
where you could stuff them both, and led the Guide on to its
|
|
first major commercial success.
|
|
|
|
He also started to develop and explore the role of the editorial
|
|
lunch-break which was subsequently to play such a crucial part in
|
|
the Guide's history, since it meant that most of the actual work
|
|
got done by any passing stranger who happened to wander into the
|
|
empty offices on an afternoon and saw something worth doing.
|
|
|
|
Shortly after this, the Guide was taken over by Megadodo
|
|
Publications of Ursa Minor Beta, thus putting the whole thing on
|
|
a very sound financial footing, and allowing the fourth editor,
|
|
Lig Lury Jr, to embark on lunch-breaks of such breathtaking scope
|
|
that even the efforts of recent editors, who have started
|
|
undertaking sponsored lunch-breaks for charity, seem like mere
|
|
sandwiches in comparison.
|
|
|
|
In fact, Lig never formally resigned his editorship - he merely
|
|
left his office late one morning and has never since returned.
|
|
Though well over a century has now passed, many members of the
|
|
guide staff still retain the romantic notion that he has simply
|
|
popped out for a ham croissant, and will yet return to put in a
|
|
solid afternoon's work.
|
|
|
|
Strictly speaking, all editors since Lig Lury Jr have therefore
|
|
been designated Acting Editors, and Lig's desk is still preserved
|
|
the way he left it, with the addition of a small sign which says
|
|
"Lig Lury Jr, Editor, Missing, presumed Fed".
|
|
|
|
Some very scurrilous and subversive sources hint at the idea that
|
|
Lig actually perished in the Guide's first extraordinary
|
|
experiments in alternative book-keeping. Very little is known of
|
|
this, and less still said. Anyone who even notices, let alone
|
|
calls attention to, the curious but utter coincidental and
|
|
meaningless fact that every world on which the Guide has ever set
|
|
up an accounting department has shortly afterwards perished in
|
|
warfare or some natural disaster, is liable to get sued to
|
|
smithereens.
|
|
|
|
It is an interesting though utterly unrelated fact that the two
|
|
or three days prior to the demolition of the planet Earth to make
|
|
way for a new hyperspace bypass saw a dramatic upsurge in the
|
|
number of UFO sightings there, not only above Lords Cricket
|
|
Ground in St. John's Wood, London, but also above Glastonbury in
|
|
Somerset.
|
|
|
|
Glastonbury had long been associated with myths of ancient kings,
|
|
witchcraft, ley-lines an wart curing, and had now been selected
|
|
as the site for the new Hitch Hiker's Guide financial records
|
|
office, and indeed, ten years' worth of financial records were
|
|
transferred to a magic hill just outside the city mere hours
|
|
before the Vogons arrived.
|
|
|
|
None of these facts, however strange or inexplicable, is as
|
|
strange or inexplicable as the rules of the game of Brockian
|
|
Ultra-Cricket, as played in the higher dimensions. A full set of
|
|
rules is so massively complicated that the only time they were
|
|
all bound together in a single volume, they underwent
|
|
gravitational collapse and became a Black Hole.
|
|
|
|
A brief summary, however, is as follows:
|
|
|
|
Rule One: Grow at least three extra legs. You won't need them,
|
|
but it keeps the crowds amused.
|
|
|
|
Rule Two: Find one good Brockian Ultra-Cricket player. Clone him
|
|
off a few times. This saves an enormous amount of tedious
|
|
selection and training.
|
|
|
|
Rule Three: Put your team and the opposing team in a large field
|
|
and build a high wall round them.
|
|
|
|
The reason for this is that, though the game is a major spectator
|
|
sport, the frustration experienced by the audience at not
|
|
actually being able to see what's going on leads them to imagine
|
|
that it's a lot more exciting than it really is. A crowd that has
|
|
just watched a rather humdrum game experiences far less life-
|
|
affirmation than a crowd that believes it has just missed the
|
|
most dramatic event in sporting history.
|
|
|
|
Rule Four: Throw lots of assorted items of sporting equipment
|
|
over the wall for the players. Anything will do - cricket bats,
|
|
basecube bats, tennis guns, skis, anything you can get a good
|
|
swing with.
|
|
|
|
Rule Five: The players should now lay about themselves for all
|
|
they are worth with whatever they find to hand. Whenever a player
|
|
scores a "hit" on another player, he should immediately run away
|
|
and apologize from a safe distance.
|
|
|
|
Apologies should be concise, sincere and, for maximum clarity and
|
|
points, delivered through a megaphone.
|
|
|
|
Rule Six: The winning team shall be the first team that wins.
|
|
|
|
Curiously enough, the more the obsession with the game grows in
|
|
the higher dimensions, the less it is actually played, since most
|
|
of the competing teams are now in a state of permanent warfare
|
|
with each other over the interpretation of these rules. This is
|
|
all for the best, because in the long run a good solid war is
|
|
less psychologically damaging than a protracted game of Brockian
|
|
Ultra-Cricket.
|
|
|
|
=================================================================
|
|
Chapter 20
|
|
|
|
As Arthur ran darting, dashing and panting down the side of the
|
|
mountain he suddenly felt the whole bulk of the mountain move
|
|
very, very slightly beneath him. There was a rumble, a roar, and
|
|
a slight blurred movement, and a lick of heat in the distance
|
|
behind and above him. He ran in a frenzy of fear. The land began
|
|
to slide, and he suddenly felt the force of the word "landslide"
|
|
in a way which had never been apparent to him before. It had
|
|
always just been a word to him, but now he was suddenly and
|
|
horribly aware that sliding is a strange and sickening thing for
|
|
land to do. It was doing it with him on it. He felt ill with fear
|
|
and shaking. The ground slid, the mountain slurred, he slipped,
|
|
he fell, he stood, he slipped again and ran. The avalance began.
|
|
|
|
Stones, then rocks, then boulders which pranced past him like
|
|
clumsy puppies, only much, much bigger, much, much harder and
|
|
heavier, and almost infinitely more likely to kill you if they
|
|
fell on you. His eyes danced with them, his feet danced with the
|
|
dancing ground. He ran as if running was a terrible sweating
|
|
sickness, his heart pounded to the rhythm of the pounding
|
|
geological frenzy around him.
|
|
|
|
The logic of the situation, i.e. that he was clearly bound to
|
|
survive if the next foreshadowed incident in the saga of his
|
|
inadvertent persecution of Agrajag was to happen, was utterly
|
|
failing to impinge itself on his mind or exercise any restraining
|
|
influence on him at this time. He ran with the fear of death in
|
|
him, under him, over him and grabbing hold of his hair.
|
|
|
|
And suddenly he tripped again and was hurled forward by his
|
|
considerable momentum. But just at the moment that he was about
|
|
to hit the ground astoundingly hard he saw lying directly in
|
|
front of him a small navy-blue holdall that he knew for a fact he
|
|
had lost in the baggage-retrieval system at Athens airport some
|
|
ten years in his personal time-scale previously, and in his
|
|
astonishment he missed the ground completely and bobbed off into
|
|
the air with his brain singing.
|
|
|
|
What he was doing was this: he was flying. He glanced around him
|
|
in surprise, but there could be no doubt that that was what he
|
|
was doing. No part of him was touching the ground, and no part of
|
|
him was even approaching it. He was simply floating there with
|
|
boulders hurtling through the air around him.
|
|
|
|
He could now do something about that. Blinking with the non-
|
|
effort of it he wafted higher into the air, and now the boulders
|
|
were hurtling through the air beneath him.
|
|
|
|
He looked downwards with intense curiosity. Between him and the
|
|
shivering ground were now some thirty feet of empty air, empty
|
|
that is if you discounted the boulders which didn't stay in it
|
|
for long, but bounded downwards in the iron grip of the law of
|
|
gravity; the same law which seemed, all of a sudden, to have
|
|
given Arthur a sabbatical.
|
|
|
|
It occurred to him almost instantly, with the instinctive
|
|
correctness that self-preservation instils in the mind, that he
|
|
mustn't try to think about it, that if he did, the law of gravity
|
|
would suddenly glance sharply in his direction and demand to know
|
|
what the hell he thought he was doing up there, and all would
|
|
suddenly be lost.
|
|
|
|
So he thought about tulips. It was difficult, but he did. He
|
|
thought about the pleasing firm roundness of the bottom of
|
|
tulips, he thought about the interesting variety of colours they
|
|
came in, and wondered what proportion of the total number of
|
|
tulips that grew, or had grown, on the Earth would be found
|
|
within a radius of one mile from a windmill. After a while he got
|
|
dangerously bored with this train of thought, felt the air
|
|
slipping away beneath him, felt that he was drifting down into
|
|
the paths of the bouncing boulders that he was trying so hard not
|
|
to think about, so he thought about Athens airport for a bit and
|
|
that kept him usefully annoyed for about five minutes - at the
|
|
end of which he was startled to discover that he was now floating
|
|
about two hundred yards above the ground.
|
|
|
|
He wondered for a moment how he was going to get back down to it,
|
|
but instantly shied away from that area of speculation again, and
|
|
tried to look at the situation steadily.
|
|
|
|
He was flying, What was he going to do about it? He looked back
|
|
down at the ground. He didn't look at it hard, but did his best
|
|
just to give it an idle glance, as it were, in passing. There
|
|
were a couple of things he couldn't help noticing. One was that
|
|
the eruption of the mountain seemed now to have spent itself -
|
|
there was a crater just a little way beneath the peak, presumably
|
|
where the rock had caved in on top of the huge cavernous
|
|
cathedral, the statue of himself, and the sadly abused figure of
|
|
Agrajag.
|
|
|
|
The other was his hold-all, the one he had lost at Athens
|
|
airport. It was sitting pertly on a piece of clear ground,
|
|
surrounded by exhausted boulders but apparently hit by none of
|
|
them. Why this should be he could not speculate, but since this
|
|
mystery was completely overshadowed by the monstrous
|
|
impossibility of the bag's being there in the first place, it was
|
|
not a speculation he really felt strong enough for anyway. The
|
|
thing is, it was there. And the nasty, fake leopard-skin bag
|
|
seemed to have disappeared, which was all to the good, if not
|
|
entirely to the explicable.
|
|
|
|
He was faced with the fact that he was going to have to pick the
|
|
thing up. Here he was, flying along two hundred yards above the
|
|
surface of an alien planet the name of which he couldn't even
|
|
remember. He could not ignore the plaintive posture of this tiny
|
|
piece of what used to be his life, here, so many light-years from
|
|
the pulverized remains of his home.
|
|
|
|
Furthermore, he realized, the bag, if it was still in the state
|
|
in which he lost it, would contain a can which would have in it
|
|
the only Greek olive oil still surviving in the Universe.
|
|
|
|
Slowly, carefully, inch by inch, he began to bob downwards,
|
|
swinging gently from side to side like a nervous sheet of paper
|
|
feeling its way towards the ground.
|
|
|
|
It went well, he was feeling good. The air supported him, but let
|
|
him through. Two minutes later he was hovering a mere two feet
|
|
above the bag, and was faced with some difficult decision. He
|
|
bobbed there lightly. He frowned, but again, as lightly as he
|
|
could.
|
|
|
|
If he picked the bag up, could he carry it? Mightn't the extra
|
|
weight just pull him straight to the ground?
|
|
|
|
Mightn't the mere act of touching something on the ground
|
|
suddenly discharge whatever mysterious force it was that was
|
|
holding him in the air?
|
|
|
|
Mightn't he be better off just being sensible at this point and
|
|
stepping out of the air, back on to the ground for a moment or
|
|
two?
|
|
|
|
If he did, would he ever be able to fly again?
|
|
|
|
The sensation, when he allowed himself to be aware of it, was so
|
|
quietly ecstatic that he could not bear the thought of losing it,
|
|
perhaps for ever. With this worry in mind he bobbed upwards a
|
|
little again, just to try the feel of it, the surprising and
|
|
effortless movement of it. He bobbed, he floated. He tried a
|
|
little swoop.
|
|
|
|
The swoop was terrific. With his arms spread out in front of him,
|
|
his hair and dressing gown streaming out behind him, he dived
|
|
down out of the sky, bellied along a body of air about two feet
|
|
from the ground and swung back up again, catching himself at the
|
|
top of the swing and holding. Just holding. He stayed there.
|
|
|
|
It was wonderful.
|
|
|
|
And that, he realized, was the way of picking up the bag. He
|
|
would swoop down and catch hold of it just at the point of the
|
|
upswing. He would carry it on up with him. He might wobble a bit,
|
|
but he was certain that he could hold it.
|
|
|
|
He tried one or two more practice swoops, and they got better and
|
|
better. The air on his face, the bounce and woof of his body, all
|
|
combined to make him feel an intoxication of the spirit that he
|
|
hadn't felt since, since - well as far as he could work out,
|
|
since he was born. He drifted away on the breeze and surveyed the
|
|
countryside, which was, he discovered, pretty nasty. It had a
|
|
wasted ravaged look. He decided not to look at it any more. He
|
|
would just pick up the bag and then ... he didn't know what he
|
|
was going to do after he had picked up the bag. He decided he
|
|
would just pick up the bag and see where things went from there.
|
|
|
|
He judged himself against the wind, pushed up against it and
|
|
turned around. He floated on its body. He didn't realize, but his
|
|
body was willoming at this point.
|
|
|
|
He ducked down under the airstream, dipped - and dived.
|
|
|
|
The air threw itself past him, he thrilled through it. The ground
|
|
wobbled uncertainly, straightened its ideas out and rose smoothly
|
|
up to meet him, offering the bag, its cracked plastic handles up
|
|
towards him.
|
|
|
|
Halfway down there was a sudden dangerous moment when he could no
|
|
longer believe he was doing this, and therefore he very nearly
|
|
wasn't, but he recovered himself in time, skimmed over the
|
|
ground, slipped an arm smoothly through the handles of the bag,
|
|
and began to climb back up, couldn't make it and all of a sudden
|
|
collapsed, bruised, scratched and shaking in the stony ground.
|
|
|
|
He staggered instantly to his feet and swayed hopelessly around,
|
|
swinging the bag round him in agony of grief and disappointment.
|
|
|
|
His feet, suddenly, were stuck heavily to the ground in the way
|
|
they always had been. His body seemed like an unwieldy sack of
|
|
potatoes that reeled stumbling against the ground, his mind had
|
|
all the lightness of a bag of lead.
|
|
|
|
He sagged and swayed and ached with giddiness. He tried
|
|
hopelessly to run, but his legs were suddenly too weak. He
|
|
tripped and flopped forward. At that moment he remembered that in
|
|
the bag he was now carrying was not only a can of Greek olive oil
|
|
but a duty-free allowance of retsina, and in the pleasurable
|
|
shock of that realization he failed to notice for at least ten
|
|
seconds that he was now flying again.
|
|
|
|
He whooped and cried with relief and pleasure, and sheer physical
|
|
delight. He swooped, he wheeled, he skidded and whirled through
|
|
the air. Cheekily he sat on an updraught and went through the
|
|
contents of the hold-all. He felt the way he imagined an angel
|
|
must feel during its celebrated dance on the head of a pin whilst
|
|
being counted by philosophers. He laughed with pleasure at the
|
|
discovery that the bag did in fact contain the olive oil and the
|
|
retsina as well as a pair of cracked sunglasses, some sand-filled
|
|
swimming trunks, some creased postcards of Santorini, a large and
|
|
unsightly towel, some interesting stones, and various scraps of
|
|
paper with the addresses of people he was relieved to think he
|
|
would never meet again, even if the reason why was a sad one. He
|
|
dropped the stones, put on the sunglasses, and let the pieces of
|
|
paper whip away in the wind.
|
|
|
|
Ten minutes later, drifting idly through a cloud, he got a large
|
|
and extremely disreputable cocktail party in the small of the
|
|
back.
|
|
|
|
=================================================================
|
|
Chapter 21
|
|
|
|
The longest and most destructive party ever held is now into its
|
|
fourth generation, and still no one shows any signs of leaving.
|
|
Somebody did once look at his watch, but that was eleven years
|
|
ago, and there has been no follow-up.
|
|
|
|
The mess is extraordinary, and has to be seen to be believed, but
|
|
if you don't have any particular need to believe it, then don't
|
|
go and look, because you won't enjoy it.
|
|
|
|
There have recently been some bangs and flashes up in the clouds,
|
|
and there is one theory that this is a battle being fought
|
|
between the fleets of several rival carpet-cleaning companies who
|
|
are hovering over the thing like vultures, but you shouldn't
|
|
believe anything you hear at parties, and particularly not
|
|
anything you hear at this one.
|
|
|
|
One of the problems, and it's one which is obviously going to get
|
|
worse, is that all the people at the party are either the
|
|
children or the grandchildren or the great-grandchildren of the
|
|
people who wouldn't leave in the first place, and because of all
|
|
the business about selective breeding and regressive genes and so
|
|
on, it means that all the people now at the party are either
|
|
absolutely fanatical partygoers, or gibbering idiots, or, more
|
|
and more frequently, both.
|
|
|
|
Either way, it means that, genetically speaking, each succeeding
|
|
generation is now less likely to leave than the preceding one.
|
|
|
|
So other factors come into operation, like when the drink is
|
|
going to run out.
|
|
|
|
Now, because of certain things which have happened which seemed
|
|
like a good idea at the time (and one of the problems with a
|
|
party which never stops is that all the things which only seem
|
|
like a good idea at parties continue to seem like good ideas),
|
|
that point seems still to be a long way off.
|
|
|
|
One of the things which seemed like a good idea at the time was
|
|
that the party should fly - not in the normal sense that parties
|
|
are meant to fly, but literally.
|
|
|
|
One night, long ago, a band of drunken astro-engineers of the
|
|
first generation clambered round the building digging this,
|
|
fixing that, banging very hard on the other and when the sun rose
|
|
the following morning, it was startled to find itself shining on
|
|
a building full of happy drunken people which was now floating
|
|
like a young and uncertain bird over the treetops.
|
|
|
|
Not only that, but the flying party had also managed to arm
|
|
itself rather heavily. If they were going to get involved in any
|
|
petty arguments with wine merchants, they wanted to make sure
|
|
they had might on their side.
|
|
|
|
The transition from full-time cocktail party to part-time raiding
|
|
party came with ease, and did much to add that extra bit of zest
|
|
and swing to the whole affair which was badly needed at this
|
|
point because of the enormous number of times that the band had
|
|
already played all the numbers it knew over the years.
|
|
|
|
They looted, they raided, they held whole cities for ransom for
|
|
fresh supplies of cheese crackers, avocado dip, spare ribs and
|
|
wine and spirits, which would now get piped aboard from floating
|
|
tankers.
|
|
|
|
The problem of when the drink is going to run out is, however,
|
|
going to have to be faced one day.
|
|
|
|
The planet over which they are floating is no longer the planet
|
|
it was when they first started floating over it.
|
|
|
|
It is in bad shape.
|
|
|
|
The party had attacked and raided an awful lot of it, and no one
|
|
has ever succeeded in hitting it back because of the erratic and
|
|
unpredictable way in which it lurches round the sky.
|
|
|
|
It is one hell of a party.
|
|
|
|
It is also one hell of a thing to get hit by in the small of the
|
|
back.
|
|
|
|
=================================================================
|
|
Chapter 22
|
|
|
|
Arthur lay floundering in pain on a piece of ripped and
|
|
dismembered reinforced concrete, flicked at by wisps of passing
|
|
cloud and confused by the sounds of flabby merrymaking somewhere
|
|
indistinctly behind him.
|
|
|
|
There was a sound he couldn't immediately identify, partly
|
|
because he didn't know the tune "I Left my Leg in Jaglan Beta"
|
|
and partly because the band playing it were very tired, and some
|
|
members of it were playing it in three-four time, some in four-
|
|
four, and some in a kind of pie-eyed r2, each according to the
|
|
amount of sleep he'd managed to grab recently.
|
|
|
|
He lay, panting heavily in the wet air, and tried feeling bits of
|
|
himself to see where he might be hurt. Wherever he touched
|
|
himself, he encountered a pain. After a short while he worked out
|
|
that this was because it was his hand that was hurting. He seemed
|
|
to have sprained his wrist. His back, too, was hurting, but he
|
|
soon satisfied himself that he was not badly hurt, but just
|
|
bruised and a little shaken, as who wouldn't be? He couldn't
|
|
understand what a building would be doing flying through the
|
|
clouds.
|
|
|
|
On the other hand, he would have been a little hard-pressed to
|
|
come up with any convincing explanation of his own presence, so
|
|
he decided that he and the building were just going to have to
|
|
accept each other. He looked up from where he was lying. A wall
|
|
of pale but stained stone slabs rose up behind him, the building
|
|
proper. He seemed to be stretched out on some sort of ledge or
|
|
lip which extended outwards for about three or four feet all the
|
|
way around. It was a hunk of the ground in which the party
|
|
building had had its foundations, and which it had taken along
|
|
with itself to keep itself bound together at the bottom end.
|
|
|
|
Nervously, he stood up and, suddenly, looking out over the edge,
|
|
he felt nauseous with vertigo. He pressed himself back against
|
|
the wall, wet with mist and sweat. His head was swimming
|
|
freestyle, but someone in his stomach was doing the butterfly.
|
|
|
|
Even though he had got up here under his own power, he could now
|
|
not even bear to contemplate the hideous drop in front of him. He
|
|
was not about to try his luck jumping. He was not about to move
|
|
an inch closer to the edge.
|
|
|
|
Clutching his hold-all he edged along the wall, hoping to find a
|
|
doorway in. The solid weight of the can of olive oil was a great
|
|
reassurance to him.
|
|
|
|
He was edging in the direction of the nearest corner, in the hope
|
|
that the wall around the corner might offer more in the way of
|
|
entrances than this one, which offered none.
|
|
|
|
The unsteadiness of the building's flight made him feel sick with
|
|
fear, and after a short while he took the towel from out of his
|
|
hold-all and did something with it which once again justified its
|
|
supreme position in the list of useful things to take with you
|
|
when you hitch-hike round the Galaxy. He put it over his head so
|
|
he wouldn't have to see what he was doing.
|
|
|
|
His feet edged along the ground. His outstretched hand edged
|
|
along the wall.
|
|
|
|
Finally he came to the corner, and as his hand rounded the corner
|
|
it encountered something which gave him such a shock that he
|
|
nearly fell straight off. It was another hand.
|
|
|
|
The two hands gripped each other.
|
|
|
|
He desperately wanted to use his other hand to pull the towel
|
|
back from his eyes, but it was holding the hold-all with the
|
|
olive oil, the retsina and the postcards from Santorini, and he
|
|
very much didn't want to put it down.
|
|
|
|
He experienced one of those "self" moments, one of those moments
|
|
when you suddenly turn around and look at yourself and think "Who
|
|
am I? What am I up to? What have I achieved? Am I doing well?" He
|
|
whimpered very slightly.
|
|
|
|
He tried to free his hand, but he couldn't. The other hand was
|
|
holding his tightly. He had no recourse but to edge onwards
|
|
towards the corner. He leaned around it and shook his head in an
|
|
attempt to dislodge the towel. This seemed to provoke a sharp cry
|
|
of some unfashionable emotion from the owner of the other hand.
|
|
|
|
The towel was whipped from his head and he found his eyes peering
|
|
into those of Ford Prefect. Beyond him stood Slartibartfast, and
|
|
beyond them he could clearly see a porchway and a large closed
|
|
door.
|
|
|
|
They were both pressed back against the wall, eyes wild with
|
|
terror as they stared out into the thick blind cloud around them,
|
|
and tried to resist the lurching and swaying of the building.
|
|
|
|
"Where the zarking photon have you been?" hissed Ford, panic
|
|
stricken.
|
|
|
|
"Er, well," stuttered Arthur, not really knowing how to sum it
|
|
all up that briefly. "Here and there. What are you doing here?"
|
|
|
|
Ford turned his wild eyes on Arthur again.
|
|
|
|
"They won't let us in without a bottle," he hissed.
|
|
|
|
The first thing Arthur noticed as they entered into the thick of
|
|
the party, apart from the noise, the suffocating heat, the wild
|
|
profusion of colours that protuded dimly through the atmosphere
|
|
of heavy smoke, the carpets thick with ground glass, ash and
|
|
avocado droppings, and the small group of pterodactyl-like
|
|
creatures in lurex who descended on his cherished bottle of
|
|
retsina, squawking, "A new pleasure, a new pleasure", was
|
|
Trillian being chatted up by a Thunder God.
|
|
|
|
"Didn't I see you at Milliways?" he was saying.
|
|
|
|
"Were you the one with the hammer?"
|
|
|
|
"Yes. I much prefer it here. So much less reputable, so much more
|
|
fraught."
|
|
|
|
Squeals of some hideous pleasure rang around the room, the outer
|
|
dimensions of which were invisible through the heaving throng of
|
|
happy, noisy creatures, cheerfully yelling things that nobody
|
|
could hear at each other and occasionally having crises.
|
|
|
|
"Seems fun," said Trillian. "What did you say, Arthur?"
|
|
|
|
"I said, how the hell did you get here?"
|
|
|
|
"I was a row of dots flowing randomly through the Universe. Have
|
|
you met Thor? He makes thunder."
|
|
|
|
"Hello," said Arthur. "I expect that must be very interesting."
|
|
|
|
"Hi," said Thor. "It is. Have you got a drink?"
|
|
|
|
"Er, no actually ..."
|
|
|
|
"Then why don't you go and get one?"
|
|
|
|
"See you later, Arthur," said Trillian.
|
|
|
|
Something jogged Arthur's mind, and he looked around huntedly.
|
|
|
|
"Zaphod isn't here, is he?" he said.
|
|
|
|
"See you," said Trillian firmly, "later."
|
|
|
|
Thor glared at him with hard coal-black eyes, his beard bristled,
|
|
what little light was there was in the place mustered its forces
|
|
briefly to glint menacingly off the horns of his helmet.
|
|
|
|
He took Trillian's elbow in his extremely large hand and the
|
|
muscles in his upper arm moved around each other like a couple of
|
|
Volkswagens parking.
|
|
|
|
He led her away.
|
|
|
|
"One of the interesting things about being immortal," he said,
|
|
"is ..."
|
|
|
|
"One of the interesting things about space," Arthur heard
|
|
Slartibartfast saying to a large and voluminous creature who
|
|
looked like someone losing a fight with a pink duvet and was
|
|
gazing raptly at the old man's deep eyes and silver beard, "is
|
|
how dull it is."
|
|
|
|
"Dull?" said the creature, and blinked her rather wrinkled and
|
|
bloodshot eyes.
|
|
|
|
"Yes," said Slartibartfast, "staggeringly dull. Bewilderingly so.
|
|
You see, there's so much of it and so little in it. Would you
|
|
like me to quote some statistics?"
|
|
|
|
"Er, well ..."
|
|
|
|
"Please, I would like to. They, too, are quite sensationally
|
|
dull."
|
|
|
|
"I'll come back and hear them in a moment," she said, patting him
|
|
on the arm, lifted up her skirts like a hovercraft and moved off
|
|
into the heaving crown.
|
|
|
|
"I thought she'd never go," growled the old man. "Come, Earthman
|
|
..."
|
|
|
|
"Arthur."
|
|
|
|
"We must find the Silver Bail, it is here somewhere."
|
|
|
|
"Can't we just relax a little?" Arthur said. "I've had a tough
|
|
day. Trillian's here, incidentally, she didn't say how, it
|
|
probably doesn't matter."
|
|
|
|
"Think of the danger to the Universe ..."
|
|
|
|
"The Universe," said Arthur, "is big enough and old enough to
|
|
look after itself for half an hour. All right," he added, in
|
|
response to Slartibartfast's increasing agitation, "I'll wander
|
|
round and see if anybody's seen it."
|
|
|
|
"Good, good," said Slartibartfast, "good. " He plunged into the
|
|
crowd himself, and was told to relax by everybody he passed.
|
|
|
|
"Have you seen a bail anywhere?" said Arthur to a little man who
|
|
seemed to be standing eagerly waiting to listen to somebody.
|
|
"It's made of silver, vitally important for the future safety of
|
|
the Universe, and about this long."
|
|
|
|
"No," said the enthusiastically wizened little man, "but do have
|
|
a drink and tell me all about it."
|
|
|
|
Ford Prefect writhed past, dancing a wild, frenetic and not
|
|
entirely unobscene dance with someone who looked as if she was
|
|
wearing Sydney Opera House on her head. He was yelling a futile
|
|
conversation at her above the din.
|
|
|
|
"I like that hat!" he bawled.
|
|
|
|
"What?"
|
|
|
|
"I said, I like the hat."
|
|
|
|
"I'm not wearing a hat."
|
|
|
|
"Well, I like the head, then."
|
|
|
|
"What?"
|
|
|
|
"I said, I like the head. Interesting bone-structure."
|
|
|
|
"What?"
|
|
|
|
Ford worked a shrug into the complex routine of other movements
|
|
he was performing.
|
|
|
|
"I said, you dance great," he shouted, "just don't nod so much."
|
|
|
|
"What?"
|
|
|
|
"It's just that every time you nod," said Ford, "... ow!" he
|
|
added as his partner nodded forward to say "What?" and once again
|
|
pecked him sharply on the forehead with the sharp end of her
|
|
swept-forward skull.
|
|
|
|
"My planet was blown up one morning," said Arthur, who had found
|
|
himself quite unexpectedly telling the little man his life story
|
|
or, at least, edited highlights of it, "that's why I'm dressed
|
|
like this, in my dressing gown. My planet was blown up with all
|
|
my clothes in it, you see. I didn't realize I'd be coming to a
|
|
party."
|
|
|
|
The little man nodded enthusiastically.
|
|
|
|
"Later, I was thrown off a spaceship. Still in my dressing gown.
|
|
Rather than the space suit one would normally expect. Shortly
|
|
after that I discovered that my planet had originally been built
|
|
for a bunch of mice. You can imagine how I felt about that. I was
|
|
then shot at for a while and blown up. In fact I have been blown
|
|
up ridiculously often, shot at, insulted, regularly
|
|
disintegrated, deprived of tea, and recently I crashed into a
|
|
swamp and had to spend five years in a damp cave."
|
|
|
|
"Ah," effervesced the little man, "and did you have a wonderful
|
|
time?"
|
|
|
|
Arthur started to choke violently on his drink.
|
|
|
|
"What a wonderful exciting cough," said the little man, quite
|
|
startled by it, "do you mind if I join you?"
|
|
|
|
And with that he launched into the most extraordinary and
|
|
spectacular fit of coughing which caught Arthur so much by
|
|
surprise that he started to choke violently, discovered he was
|
|
already doing it and got thoroughly confused.
|
|
|
|
Together they performed a lung-busting duet which went on for
|
|
fully two minutes before Arthur managed to cough and splutter to
|
|
a halt.
|
|
|
|
"So invigorating," said the little man, panting and wiping tears
|
|
from his eyes. "What an exciting life you must lead. Thank you
|
|
very much."
|
|
|
|
He shook Arthur warmly by the hand and walked off into the crowd.
|
|
Arthur shook his head in astonishment.
|
|
|
|
A youngish-looking man came up to him, an aggressive-looking type
|
|
with a hook mouth, a lantern nose, and small beady little
|
|
cheekbones. He was wearing black trousers, a black silk shirt
|
|
open to what was presumably his navel, though Arthur had learnt
|
|
never to make assumptions about the anatomies of the sort of
|
|
people he tended to meet these days, and had all sorts of nasty
|
|
dangly gold things hanging round his neck. He carried something
|
|
in a black bag, and clearly wanted people to notice that he
|
|
didn't want them to notice it.
|
|
|
|
"Hey, er, did I hear you say your name just now?" he said.
|
|
|
|
This was one of the many things that Arthur had told the
|
|
enthusiastic little man.
|
|
|
|
"Yes, it's Arthur Dent."
|
|
|
|
The man seemed to be dancing slightly to some rhythm other than
|
|
any of the several that the band were grimly pushing out.
|
|
|
|
"Yeah," he said, "only there was a man in a mountain wanted to
|
|
see you."
|
|
|
|
"I met him."
|
|
|
|
"Yeah, only he seemed pretty anxious about it, you know."
|
|
|
|
"Yes, I met him."
|
|
|
|
"Yeah, well I think you should know that."
|
|
|
|
"I do. I met him."
|
|
|
|
The man paused to chew a little gum. Then he clapped Arthur on
|
|
the back.
|
|
|
|
"OK," he said, "all right. I'm just telling you, right? Good
|
|
night, good luck, win awards."
|
|
|
|
"What?" said Arthur, who was beginning to flounder seriously at
|
|
this point.
|
|
|
|
"Whatever. Do what you do. Do it well." He made a sort of
|
|
clucking noise with whatever he was chewing and then some vaguely
|
|
dynamic gesture.
|
|
|
|
"Why?" said Arthur.
|
|
|
|
"Do it badly," said the man, "who cares? Who gives a shit?" The
|
|
blood suddenly seemed to pump angrily into the man's face and he
|
|
started to shout.
|
|
|
|
"Why not go mad?" he said. "Go away, get off my back will you,
|
|
guy. Just zark off!!!"
|
|
|
|
"OK, I'm going," said Arthur hurriedly.
|
|
|
|
"It's been real." The man gave a sharp wave and disappeared off
|
|
into the throng.
|
|
|
|
"What was that about?" said Arthur to a girl he found standing
|
|
beside him. "Why did he tell me to win awards?"
|
|
|
|
"Just showbiz talk," shrugged the girl. "He's just won an award
|
|
at the Annual Ursa Minor Alpha Recreational Illusions Institute
|
|
Awards Ceremony, and was hoping to be able to pass it off
|
|
lightly, only you didn't mention it, so he couldn't."
|
|
|
|
"Oh," said Arthur, "oh, well I'm sorry I didn't. What was it
|
|
for?"
|
|
|
|
"The Most Gratuitous Use Of The Word `Fuck' In A Serious
|
|
Screenplay. It's very prestigious."
|
|
|
|
"I see," said Arthur, "yes, and what do you get for that?"
|
|
|
|
"A Rory. It's just a small silver thing set on a large black
|
|
base. What did you say?"
|
|
|
|
"I didn't say anything. I was just about to ask what the silver
|
|
..."
|
|
|
|
"Oh, I thought you said `wop'."
|
|
|
|
"Said what?"
|
|
|
|
"Wop."
|
|
|
|
People had been dropping in on the party now for some years,
|
|
fashionable gatecrashers from other worlds, and for some time it
|
|
had occurred to the partygoers as they had looked out at their
|
|
own world beneath them, with its wrecked cities, its ravaged
|
|
avocado farms and blighted vineyards, its vast tracts of new
|
|
desert, its seas full of biscuit crumbs and worse, that their
|
|
world was in some tiny and almost imperceptible ways not quite as
|
|
much fun as it had been. Some of them had begun to wonder if they
|
|
could manage to stay sober for long enough to make the entire
|
|
party spaceworthy and maybe take it off to some other people's
|
|
worlds where the air might be fresher and give them fewer
|
|
headaches.
|
|
|
|
The few undernourished farmers who still managed to scratch out a
|
|
feeble existence on the half-dead ground of the planet's surface
|
|
would have been extremely pleased to hear this, but that day, as
|
|
the party came screaming out of the clouds and the farmers looked
|
|
up in haggard fear of yet another cheese-and-wine raid, it became
|
|
clear that the party was not going to be going anywhere else for
|
|
a while, that the party would soon be over. Very soon it would be
|
|
time to gather up hats and coats and stagger blearily outside to
|
|
find out what time of day it was, what time of year it was, and
|
|
whether in any of this burnt and ravaged land there was a taxi
|
|
going anywhere.
|
|
|
|
The party was locked in a horrible embrace with a strange white
|
|
spaceship which seemed to be half sticking through it. Together
|
|
they were lurching, heaving and spinning their way round the sky
|
|
in grotesque disregard of their own weight.
|
|
|
|
The clouds parted. The air roared and leapt out of their way.
|
|
|
|
The party and the Krikkit warship looked, in their writhings, a
|
|
little like two ducks, one of which is trying to make a third
|
|
duck inside the second duck, whilst the second duck is trying
|
|
very hard to explain that it doesn't feel ready for a third duck
|
|
right now, is uncertain that it would want any putative third
|
|
duck to be made by this particular first duck anyway, and
|
|
certainly not whilst it, the second duck, was busy flying.
|
|
|
|
The sky sang and screamed with the rage of it all and buffeted
|
|
the ground with shock waves.
|
|
|
|
And suddenly, with a foop, the Krikkit ship was gone.
|
|
|
|
The party blundered helplessly across the sky like a man leaning
|
|
against an unexpectedly open door. It span and wobbled on its
|
|
hover jets. It tried to right itself and wronged itself instead.
|
|
It staggered back across the sky again.
|
|
|
|
For a while these staggerings continued, but clearly they could
|
|
not continue for long. The party was now a mortally wounded
|
|
party. All the fun had gone out of it, as the occasional broken-
|
|
backed pirouette could not disguise.
|
|
|
|
The longer, at this point, that it avoided the ground, the
|
|
heavier was going to be the crash when finally it hit it.
|
|
|
|
Inside, things were not going well either. They were going
|
|
monstrously badly, in fact, and people were hating it and saying
|
|
so loudly. The Krikkit robots had been.
|
|
|
|
They had removed the Award for The Most Gratuitous Use Of The
|
|
Word `Fuck' In A Serious Screenplay, and in its place had left a
|
|
scene of devastation that left Arthur feeling almost as sick as a
|
|
runner-up for a Rory.
|
|
|
|
"We would love to stay and help," shouted Ford, picking his way
|
|
over the mangled debris, "only we're not going to."
|
|
|
|
The party lurched again, provoking feverish cries and groans from
|
|
amongst the smoking wreckage.
|
|
|
|
"We have to go and save the Universe, you see," said Ford. "And
|
|
if that sounds like a pretty lame excuse, then you may be right.
|
|
Either way, we're off."
|
|
|
|
He suddenly came across an unopened bottle lying, miraculously
|
|
unbroken, on the ground.
|
|
|
|
"Do you mind if we take this?" he said. "You won't be needing
|
|
it."
|
|
|
|
He took a packet of potato crisps too.
|
|
|
|
"Trillian?" shouted Arthur in a shocked and weakened voice. In
|
|
the smoking mess he could see nothing.
|
|
|
|
"Earthman, we must go," said Slartibartfast nervously.
|
|
|
|
"Trillian?" shouted Arthur again.
|
|
|
|
A moment or two later, Trillian staggered, shaking, into view,
|
|
supported by her new friend the Thunder God.
|
|
|
|
"The girl stays with me," said Thor. "There's a great party going
|
|
on in Valhalla, we'll be flying off ..."
|
|
|
|
"Where were you when all this was going on?" said Arthur.
|
|
|
|
"Upstairs," said Thor, "I was weighing her. Flying's a tricky
|
|
business you see, you have to calculate wind ..."
|
|
|
|
"She comes with us," said Arthur.
|
|
|
|
"Hey," said Trillian, "don't I ..."
|
|
|
|
"No," said Arthur, "you come with us."
|
|
|
|
Thor looked at him with slowly smouldering eyes. He was making
|
|
some point about godliness and it had nothing to do with being
|
|
clean.
|
|
|
|
"She comes with me," he said quietly.
|
|
|
|
"Come on, Earthman," said Slartibartfast nervously, picking at
|
|
Arthur's sleeve.
|
|
|
|
"Come on, Slartibartfast," said Ford, picking at the old man's
|
|
sleeve. Slartibartfast had the teleport device.
|
|
|
|
The party lurched and swayed, sending everyone reeling, except
|
|
for Thor and except for Arthur, who stared, shaking, into the
|
|
Thunder God's black eyes.
|
|
|
|
Slowly, incredibly, Arthur put up what appeared to be his tiny
|
|
little fists.
|
|
|
|
"Want to make something of it?" he said.
|
|
|
|
"I beg your minuscule pardon?" roared Thor.
|
|
|
|
"I said," repeated Arthur, and he could not keep the quavering
|
|
out of his voice, "do you want to make something of it?" He
|
|
waggled his fists ridiculously.
|
|
|
|
Thor looked at him with incredulity. Then a little wisp of smoke
|
|
curled upwards from his nostril. There was a tiny little flame in
|
|
it too.
|
|
|
|
He gripped his belt.
|
|
|
|
He expanded his chest to make it totally clear that here was the
|
|
sort of man you only dared to cross if you had a team of Sherpas
|
|
with you.
|
|
|
|
He unhooked the shaft of his hammer from his belt. He held it up
|
|
in his hands to reveal the massive iron head. He thus cleared up
|
|
any possible misunderstanding that he might merely have been
|
|
carrying a telegraph pole around with him.
|
|
|
|
"Do I want," he said, with a hiss like a river flowing through a
|
|
steel mill, "to make something of it?"
|
|
|
|
"Yes," said Arthur, his voice suddenly and extraordinarily strong
|
|
and belligerent. He waggled his fists again, this time as if he
|
|
meant it.
|
|
|
|
"You want to step outside?" he snarled at Thor.
|
|
|
|
"All right!" bellowed Thor, like an enraged bull (or in fact like
|
|
an enraged Thunder God, which is a great deal more impressive),
|
|
and did so.
|
|
|
|
"Good," said Arthur, "that's got rid of him. Slarty, get us out
|
|
of here."
|
|
|
|
=================================================================
|
|
Chapter 23
|
|
|
|
"All right," shouted Ford at Arthur, "so I'm a coward, the point
|
|
is I'm still alive." They were back aboard the Starship
|
|
Bistromath, so was Slartibartfast, so was Trillian. Harmony and
|
|
concord were not.
|
|
|
|
"Well, so am I alive, aren't I?" retaliated Arthur, haggard with
|
|
adventure and anger. His eyebrows were leaping up and down as if
|
|
they wanted to punch each other.
|
|
|
|
"You damn nearly weren't," exploded Ford.
|
|
|
|
Arthur turned sharply to Slartibartfast, who was sitting in his
|
|
pilot couch on the flight deck gazing thoughtfully into the
|
|
bottom of a bottle which was telling him something he clearly
|
|
couldn't fathom. He appealed to him.
|
|
|
|
"Do you think he understands the first word I've been saying?" he
|
|
said, quivering with emotion.
|
|
|
|
"I don't know," replied Slartibartfast, a little abstractedly.
|
|
"I'm not sure," he added, glancing up very briefly, "that I do."
|
|
He stared at his instruments with renewed vigor and bafflement.
|
|
"You'll have to explain it to us again," he said.
|
|
|
|
"Well ..."
|
|
|
|
"But later. Terrible things are afoot."
|
|
|
|
He tapped the pseudo-glass of the bottle bottom.
|
|
|
|
"We fared rather pathetically at the party, I'm afraid," he said,
|
|
"and our only hope now is to try to prevent the robots from using
|
|
the Key in the Lock. How in heaven we do that I don't know," he
|
|
muttered. "Just have to go there, I suppose. Can't say I like the
|
|
idea at all. Probably end up dead."
|
|
|
|
"Where is Trillian anyway?" said Arthur with a sudden affectation
|
|
of unconcern. What he had been angry about was that Ford had
|
|
berated him for wasting time over all the business with the
|
|
Thunder God when they could have been making a rather more rapid
|
|
escape. Arthur's own opinion, and he had offered it for whatever
|
|
anybody might have felt it was worth, was that he had been
|
|
extraordinarily brave and resourceful.
|
|
|
|
The prevailing view seemed to be that his opinion was not worth a
|
|
pair of fetid dingo's kidneys. What really hurt, though, was that
|
|
Trillian didn't seem to react much one way or the other and had
|
|
wandered off somewhere.
|
|
|
|
"And where are my potato crisps?" said Ford.
|
|
|
|
"They are both," said Slartibartfast, without looking up, "in the
|
|
Room of Informational Illusions. I think that your young lady
|
|
friend is trying to understand some problems of Galactic history.
|
|
I think the potato crisps are probably helping her."
|
|
|
|
=================================================================
|
|
Chapter 24
|
|
|
|
It is a mistake to think you can solve any major problems just
|
|
with potatoes.
|
|
|
|
For instance, there was once an insanely aggressive race of
|
|
people called the Silastic Armorfiends of Striterax. That was
|
|
just the name of their race. The name of their army was something
|
|
quite horrific. Luckily they lived even further back in Galactic
|
|
history than anything we have so far encountered - twenty billion
|
|
years ago - when the Galaxy was young and fresh, and every idea
|
|
worth fighting for was a new one.
|
|
|
|
And fighting was what the Silastic Armorfiends of Striterax were
|
|
good at, and being good at it, they did a lot. They fought their
|
|
enemies (i.e. everybody else), they fought each other. Their
|
|
planet was a complete wreck. The surface was littered with
|
|
abandoned cities which were surrounded by abandoned war machines,
|
|
which were in turn surrounded by deep bunkers in which the
|
|
Silastic Armorfiends lived and squabbled with each other.
|
|
|
|
The best way to pick a fight with a Silastic Armorfiend was just
|
|
to be born. They didn't like it, they got resentful. And when an
|
|
Armorfiend got resentful, someone got hurt. An exhausting way of
|
|
life, one might think, but they did seem to have an awful lot of
|
|
energy.
|
|
|
|
The best way of dealing with a Silastic Armorfiend was to put him
|
|
into a room of his own, because sooner or later he would simply
|
|
beat himself up.
|
|
|
|
Eventually they realized that this was something they were going
|
|
to have to sort out, and they passed a law decreeing that anyone
|
|
who had to carry a weapon as part of his normal Silastic work
|
|
(policemen, security guards, primary school teachers, etc.) had
|
|
to spend at least forty-five minutes every day punching a sack of
|
|
potatoes in order to work off his or her surplus aggressions.
|
|
|
|
For a while this worked well, until someone thought that it would
|
|
be much more efficient and less time-consuming if they just shot
|
|
the potatoes instead.
|
|
|
|
This led to a renewed enthusiasm for shooting all sorts of
|
|
things, and they all got very excited at the prospect of their
|
|
first major war for weeks.
|
|
|
|
Another achievement of the Silastic Armorfiends of Striterax is
|
|
that they were the first race who ever managed to shock a
|
|
computer.
|
|
|
|
It was a gigantic spaceborne computer called Hactar, which to
|
|
this day is remembered as one of the most powerful ever built. It
|
|
was the first to be built like a natural brain, in that every
|
|
cellular particle of it carried the pattern of the whole within
|
|
it, which enabled it to think more flexibly and imaginatively,
|
|
and also, it seemed, to be shocked.
|
|
|
|
The Silastic Armorfiends of Striterax were engaged in one of
|
|
their regular wars with the Strenuous Garfighters of Stug, and
|
|
were not enjoying it as much as usual because it involved an
|
|
awful lot of trekking through the Radiation Swamps of Cwulzenda,
|
|
and across the Fire Mountains of Frazfraga, neither of which
|
|
terrains they felt at home in.
|
|
|
|
So when the Strangulous Stilettans of Jajazikstak joined in the
|
|
fray and forced them to fight another front in the Gamma Caves of
|
|
Carfrax and the Ice Storms of Varlengooten, they decided that
|
|
enough was enough, and they ordered Hactar to design for them an
|
|
Ultimate Weapon.
|
|
|
|
"What do you mean," asked Hactar, "by Ultimate?"
|
|
|
|
To which the Silastic Armorfiends of Striterax said, "Read a
|
|
bloody dictionary," and plunged back into the fray.
|
|
|
|
So Hactar designed an Ultimate Weapon.
|
|
|
|
It was a very, very small bomb which was simply a junction box in
|
|
hyperspace that would, when activated, connect the heart of every
|
|
major sun with the heart of every other major sun simultaneously
|
|
and thus turn the entire Universe in to one gigantic hyperspatial
|
|
supernova.
|
|
|
|
When the Silastic Armorfiends tried to use it to blow up a
|
|
Strangulous Stilettan munitions dump in one of the Gamma Caves,
|
|
they were extremely irritated that it didn't work, and said so.
|
|
|
|
Hactar had been shocked by the whole idea.
|
|
|
|
He tried to explain that he had been thinking about this Ultimate
|
|
Weapon business, and had worked out that there was no conceivable
|
|
consequence of not setting the bomb off that was worse than the
|
|
known consequence of setting it off, and he had therefore taken
|
|
the liberty of introducing a small flaw into the design of the
|
|
bomb, and he hoped that everyone involved would, on sober
|
|
reflection, feel that ...
|
|
|
|
The Silastic Armorfiends disagreed and pulverized the computer.
|
|
|
|
Later they thought better of it, and destroyed the faulty bomb as
|
|
well.
|
|
|
|
Then, pausing only to smash the hell out of the Strenuous
|
|
Garfighters of Stug, and the Strangulous Stilettans of
|
|
Jajazikstak, they went on to find an entirely new way of blowing
|
|
themselves up, which was a profound relief to everyone else in
|
|
the Galaxy, particularly the Garfighters, the Stilettans and the
|
|
potatoes.
|
|
|
|
Trillian had watched all this, as well as the story of Krikkit.
|
|
She emerged from the Room of informational Illusions
|
|
thoughtfully, just in time to discover that they had arrived too
|
|
late.
|
|
|
|
=================================================================
|
|
Chapter 25
|
|
|
|
Even as the Starship Bistromath flickered into objective being on
|
|
the top of a small cliff on the mile-wide asteroid which pursued
|
|
a lonely and eternal path in orbit around the enclosed star
|
|
system of Krikkit, its crew was aware that they were in time only
|
|
to be witnesses to an unstoppable historic event.
|
|
|
|
They didn't realize they were going to see two.
|
|
|
|
They stood cold, lonely and helpless on the cliff edge and
|
|
watched the activity below. Lances of light wheeled in sinister
|
|
arcs against the void from a point only about a hundred yards
|
|
below and in front of them.
|
|
|
|
They stared into the blinding event.
|
|
|
|
An extension of the ship's field enabled them to stand there, by
|
|
once again exploiting the mind's predisposition to have tricks
|
|
played on it: the problems of falling up off the tiny mass of the
|
|
asteroid, or of not being able to breathe, simply became Somebody
|
|
Else's.
|
|
|
|
The white Krikkit warship was parked amongst the stark grey crags
|
|
of the asteroid, alternately flaring under arclights or
|
|
disappearing in shadow. The blackness of the shaped shadows cast
|
|
by the hard rocks danced together in wild choreography as the
|
|
arclights swept round them.
|
|
|
|
The eleven white robots were bearing, in procession, the Wikkit
|
|
Key out into the middle of a circle of swinging lights.
|
|
|
|
The Wikkit Key was rebuilt. Its components shone and glittered:
|
|
the Steel Pillar (or Marvin's leg) of Strength and Power, the
|
|
Gold Bail (or Heart of the Improbability Drive) of Prosperity,
|
|
the Perspex Pillar (or Argabuthon Sceptre of Justice) of Science
|
|
and Reason, the Silver Bail (or Rory Award for The Most
|
|
Gratuitous Use Of The Word "Fuck" In A Serious Screenplay) and
|
|
the now reconstituted Wooden Pillar (or Ashes of a burnt stump
|
|
signifying the death of English cricket) of Nature and
|
|
Spirituality.
|
|
|
|
"I suppose there is nothing we can do at this point?" asked
|
|
Arthur nervously.
|
|
|
|
"No," sighed Slartibartfast.
|
|
|
|
The expression of disappointment which crossed Arthur's face was
|
|
a complete failure, and, since he was standing obscured by
|
|
shadow, he allowed it to collapse into one of relief.
|
|
|
|
"Pity," he said.
|
|
|
|
"We have no weapons," said Slartibartfast, "stupidly."
|
|
|
|
"Damn," said Arthur very quietly.
|
|
|
|
Ford said nothing.
|
|
|
|
Trillian said nothing, but in a peculiarly thoughtful and
|
|
distinct way. She was staring at the blankness of the space
|
|
beyond the asteroid.
|
|
|
|
The asteroid circled the Dust Cloud which surrounded the Slo-Time
|
|
envelope which enclosed the world on which lived the people of
|
|
Krikkit, the Masters of Krikkit and their killer robots.
|
|
|
|
The helpless group had no way of knowing whether or not the
|
|
Krikkit robots were aware of their presence. They could only
|
|
assume that they must be, but that they felt, quite rightly in
|
|
the circumstances, that they had nothing to fear. They had an
|
|
historic task to perform, and their audience could be regarded
|
|
with contempt.
|
|
|
|
"Terrible impotent feeling, isn't it?" said Arthur, but the
|
|
others ignored him.
|
|
|
|
In the centre of the area of light which the robots were
|
|
approaching, a square-shaped crack appeared in the ground. The
|
|
crack defined itself more and more distinctly, and soon it became
|
|
clear that a block of the ground, about six feet square, was
|
|
slowly rising.
|
|
|
|
At the same time they became aware of some other movement, but it
|
|
was almost sublimal, and for a moment or two it was not clear
|
|
what it was that was moving.
|
|
|
|
Then it became clear.
|
|
|
|
The asteroid was moving. It was moving slowly in towards the Dust
|
|
Cloud, as if being hauled in inexorably by some celestial angler
|
|
in its depths.
|
|
|
|
They were to make in real life the journey through the Cloud
|
|
which they had already made in the Room of Informational
|
|
Illusions. They stood frozen in silence. Trillian frowned.
|
|
|
|
An age seemed to pass. Events seemed to pass with spinning
|
|
slowness, as the leading edge of the asteroid passed into the
|
|
vague and soft outer perimeter of the Cloud.
|
|
|
|
And soon they were engulfed in a thin and dancing obscurity. They
|
|
passed on through it, on and on, dimly aware of vague shapes and
|
|
whorls indistinguishable in the darkness except in the corner of
|
|
the eye.
|
|
|
|
The Dust dimmed the shafts of brilliant light. The shafts of
|
|
brilliant light twinkled on the myriad specks of Dust.
|
|
|
|
Trillian, again, regarded the passage from within her own
|
|
frowning thoughts.
|
|
|
|
And they were through it. Whether it had taken a minute or half
|
|
an hour they weren't sure, but they were through it and
|
|
confronted with a fresh blankness, as if space were pinched out
|
|
of existence in front of them.
|
|
|
|
And now things moved quickly.
|
|
|
|
A blinding shaft of light seemed almost to explode from out of
|
|
the block which had risen three feet out of the ground, and out
|
|
of that rose a smaller Perspex block, dazzling with interior
|
|
dancing colours.
|
|
|
|
The block was slotted with deep groves, three upright and two
|
|
across, clearly designed to accept the Wikkit key.
|
|
|
|
The robots approached the Lock, slotted the Key into its home and
|
|
stepped back again. The block twisted round of is own accord, and
|
|
space began to alter.
|
|
|
|
As space unpinched itself, it seemed agonizingly to twist the
|
|
eyes of the watchers in their sockets. They found themselves
|
|
staring, blinded, at an unravelled sun which stood now before
|
|
them where it seemed only seconds before there had not been even
|
|
empty space. It was a second or two before they were even
|
|
sufficiently aware of what had happened to throw their hands up
|
|
over their horrified blinded eyes. In that second or two, they
|
|
were aware of a tiny speck moving slowly across the eye of that
|
|
sun.
|
|
|
|
They staggered back, and heard ringing in their ears the thin and
|
|
unexpected chant of the robots crying out in unison.
|
|
|
|
"Krikkit! Krikkit! Krikkit! Krikkit!"
|
|
|
|
The sound chilled them. It was harsh, it was cold, it was empty,
|
|
it was mechanically dismal.
|
|
|
|
It was also triumphant.
|
|
|
|
They were so stunned by these two sensory shocks that they almost
|
|
missed the second historic event.
|
|
|
|
Zaphod Beeblebrox, the only man in history to survive a direct
|
|
blast attack from the Krikkit robots, ran out of the Krikkit
|
|
warship brandishing a Zap gun.
|
|
|
|
"OK," he cried, "the situation is totally under control as of
|
|
this moment in time."
|
|
|
|
The single robot guarding the hatchway to the ship silently swung
|
|
his battleclub, and connected it with the back of Zaphod's left
|
|
head.
|
|
|
|
"Who the zark did that?" said the left head, and lolled
|
|
sickeningly forward.
|
|
|
|
His right head gazed keenly into the middle distance.
|
|
|
|
"Who did what?" it said.
|
|
|
|
The club connected with the back of his right head.
|
|
|
|
Zaphod measured his length as a rather strange shape on the
|
|
ground.
|
|
|
|
Within a matter of seconds the whole event was over. A few blasts
|
|
from the robots were sufficient to destroy the Lock for ever. It
|
|
split and melted and splayed its contents brokenly. The robots
|
|
marched grimly and, it almost seemed, in a slightly disheartened
|
|
manner, back into their warship which, with a "foop", was gone.
|
|
|
|
Trillian and Ford ran hectically round and down the steep incline
|
|
to the dark, still body of Zaphod Beeblebrox.
|
|
|
|
=================================================================
|
|
Chapter 26
|
|
|
|
"I don't know," said Zaphod, for what seemed to him like the
|
|
thirty-seventh time, "they could have killed me, but they didn't.
|
|
Maybe they just thought I was a kind of wonderful guy or
|
|
something. I could understand that."
|
|
|
|
The others silently registered their opinions of this theory.
|
|
|
|
Zaphod lay on the cold floor of the flight deck. His back seemed
|
|
to wrestle the floor as pain thudded through him and banged at
|
|
his heads.
|
|
|
|
"I think," he whispered, "that there is something wrong with
|
|
those anodized dudes, something fundamentally weird."
|
|
|
|
"They are programmed to kill everybody," Slartibartfast pointed
|
|
out.
|
|
|
|
"That," wheezed Zaphod between the whacking thuds, "could be it."
|
|
He didn't seem altogether convinced.
|
|
|
|
"Hey, baby," he said to Trillian, hoping this would make up for
|
|
his previous behaviour.
|
|
|
|
"You all right?" she said gently.
|
|
|
|
"Yeah," he said, "I'm fine."
|
|
|
|
"Good," she said, and walked away to think. She stared at the
|
|
huge visiscreen over the flight couches and, twisting a switch,
|
|
she flipped local images over it. One image was the blankness of
|
|
the Dust Cloud. One was the sun of Krikkit. One was Krikkit
|
|
itself. She flipped between them fiercely.
|
|
|
|
"Well, that's goodbye Galaxy, then," said Arthur, slapping his
|
|
knees and standing up.
|
|
|
|
"No," said Slartibartfast, gravely. "Our course is clear." He
|
|
furrowed his brow until you could grow some of the smaller root
|
|
vegetables in it. He stood up, he paced around. When he spoke
|
|
again, what he said frightened him so much he had to sit down
|
|
again.
|
|
|
|
"We must go down to Krikkit," he said. A deep sigh shook his old
|
|
frame and his eyes seemed almost to rattle in their sockets.
|
|
|
|
"Once again," he said, "we have failed pathetically. Quite
|
|
pathetically."
|
|
|
|
"That," said Ford quietly, "is because we don't care enough. I
|
|
told you."
|
|
|
|
He swung his feet up on the instrument panel and picked fitfully
|
|
at something on one of his fingernails.
|
|
|
|
"But unless we determine to take action," said the old man
|
|
querulously, as if struggling against something deeply insouciant
|
|
in his nature, "then we shall all be destroyed, we shall all die.
|
|
Surely we care about that?"
|
|
|
|
"Not enough to want to get killed over it," said Ford. He put on
|
|
a sort of hollow smile and flipped it round the room at anyone
|
|
who wanted to see it.
|
|
|
|
Slartibartfast clearly found this point of view extremely
|
|
seductive and he fought against it. He turned again to Zaphod who
|
|
was gritting his teeth and sweating with the pain.
|
|
|
|
"You surely must have some idea," he said, "of why they spared
|
|
your life. It seems most strange and unusual."
|
|
|
|
"I kind of think they didn't even know," shrugged Zaphod. "I told
|
|
you. They hit me with the most feeble blast, just knocked me out,
|
|
right? They lugged me into their ship, dumped me into a corner
|
|
and ignored me. Like they were embarrassed about me being there.
|
|
If I said anything they knocked me out again. We had some great
|
|
conversations. `Hey ... ugh!' `Hi there ... ugh!' `I wonder
|
|
...ugh!' Kept me amused for hours, you know." He winced again.
|
|
|
|
He was toying with something in his fingers. He held it up. It
|
|
was the Gold Bail - the Heart of Gold, the heart of the Infinite
|
|
Improbability Drive. Only that and the Wooden Pillar had survived
|
|
the destruction of the Lock intact.
|
|
|
|
"I hear your ship can move a bit," he said. "So how would you
|
|
like to zip me back to mine before you ..."
|
|
|
|
"Will you not help us?" said Slartibartfast.
|
|
|
|
"I'd love to stay and help you save the Galaxy," insisted Zaphod,
|
|
rising himself up on to his shoulders, "but I have the mother and
|
|
father of a pair of headaches, and I feel a lot of little
|
|
headaches coming on. But next time it needs saving, I'm your guy.
|
|
Hey, Trillian baby?"
|
|
|
|
She looked round briefly.
|
|
|
|
"Yes?"
|
|
|
|
"You want to come? Heart of Gold? Excitement and adventure and
|
|
really wild things?"
|
|
|
|
"I'm going down to Krikkit," she said.
|
|
|
|
=================================================================
|
|
Chapter 27
|
|
|
|
It was the same hill, and yet not the same.
|
|
|
|
This time it was not an Informational Illusion. This was Krikkit
|
|
itself and they were standing on it. Near them, behind the trees,
|
|
stood the strange Italian restaurant which had brought these,
|
|
their real bodies, to this, the real, present world of Krikkit.
|
|
|
|
The strong grass under their feet was real, the rich soil real
|
|
too. The heady fragrances from the tree, too, were real. The
|
|
night was real night.
|
|
|
|
Krikkit.
|
|
|
|
Possibly the most dangerous place in the Galaxy for anyone who
|
|
isn't a Krikkiter to stand. The place that could not countenance
|
|
the existence of any other place, whose charming, delightful,
|
|
intelligent inhabitants would howl with fear, savagery and
|
|
murderous hate when confronted with anyone not their own.
|
|
|
|
Arthur shuddered.
|
|
|
|
Slartibartfast shuddered.
|
|
|
|
Ford, surprisingly, shuddered.
|
|
|
|
It was not surprising that he shuddered, it was surprising that
|
|
he was there at all. But when they had returned Zaphod to his
|
|
ship Ford had felt unexpectedly shamed into not running away.
|
|
|
|
Wrong, he thought to himself, wrong wrong wrong. He hugged to
|
|
himself one of the Zap guns with which they had armed themselves
|
|
out of Zaphod's armoury.
|
|
|
|
Trillian shuddered, and frowned as she looked into the sky.
|
|
|
|
This, too, was not the same. It was no longer blank and empty.
|
|
|
|
Whilst the countryside around them had changed little in the two
|
|
thousand years of the Krikkit wars, and the mere five years that
|
|
had elapsed locally since Krikkit was sealed in its Slo-Time
|
|
envelope ten billion years ago, the sky was dramatically
|
|
different.
|
|
|
|
Dim lights and heavy shapes hung in it.
|
|
|
|
High in the sky, where no Krikkiter ever looked, were the War
|
|
Zones, the Robot Zones - huge warships and tower blocks floating
|
|
in the Nil-O-Grav fields far above the idyllic pastoral lands of
|
|
the surface of Krikkit.
|
|
|
|
Trillian stared at them and thought.
|
|
|
|
"Trillian," whispered Ford Prefect to her.
|
|
|
|
"Yes?" she said.
|
|
|
|
"What are you doing?"
|
|
|
|
"Thinking."
|
|
|
|
"Do you always breathe like that when you're thinking?"
|
|
|
|
"I wasn't aware that I was breathing."
|
|
|
|
"That's what worried me."
|
|
|
|
"I think I know ..." said Trillian.
|
|
|
|
"Shhhh!" said Slartibartfast in alarm, and his thin trembling
|
|
hand motioned them further back beneath the shadow of the tree.
|
|
|
|
Suddenly, as before in the tape, there were lights coming along
|
|
the hill path, but this time the dancing beams were not from
|
|
lanterns but electric torches - not in itself a dramatic change,
|
|
but every detail made their hearts thump with fear. This time
|
|
there were no lilting whimsical songs about flowers and farming
|
|
and dead dogs, but hushed voices in urgent debate.
|
|
|
|
A light moved in the sky with slow weight. Arthur was clenched
|
|
with a claustrophobic terror and the warm wind caught at his
|
|
throat.
|
|
|
|
Within seconds a second party became visible, approaching from
|
|
the other side of the dark hill. They were moving swiftly and
|
|
purposefully, their torches swinging and probing around them.
|
|
|
|
The parties were clearly converging, and not merely with each
|
|
other. They were converging deliberately on the spot where Arthur
|
|
and the others were standing.
|
|
|
|
Arthur heard the slight rustle as Ford Prefect raised his Zap gun
|
|
to his shoulder, and the slight whimpering cough as
|
|
Slartibartfast raised his. He felt the cold unfamiliar weight of
|
|
his own gun, and with shaking hands he raised it.
|
|
|
|
His fingers fumbled to release the safety catch and engage the
|
|
extreme danger catch as Ford had shown him. He was shaking so
|
|
much that if he'd fired at anybody at that moment he probably
|
|
would have burnt his signature on them.
|
|
|
|
Only Trillian didn't raise her gun. She raised her eyebrows,
|
|
lowered them again, and bit her lip in thought.
|
|
|
|
"Has it occurred to you," she began, but nobody wanted to discuss
|
|
anything much at the moment.
|
|
|
|
A light stabbed through the darkness from behind them and they
|
|
span around to find a third party of Krikkiters behind them,
|
|
searching them out with their torches.
|
|
|
|
Ford Prefect's gun crackled viciously, but fire spat back at it
|
|
and it crashed from his hands.
|
|
|
|
There was a moment of pure fear, a frozen second before anyone
|
|
fired again.
|
|
|
|
And at the end of the second nobody fired.
|
|
|
|
They were surrounded by pale-faced Krikkiters and bathed in
|
|
bobbing torch light.
|
|
|
|
The captives stared at their captors, the captors stared at their
|
|
captives.
|
|
|
|
"Hello?" said one of the captors. "Excuse me, but are you ...
|
|
aliens?"
|
|
|
|
=================================================================
|
|
Chapter 28
|
|
|
|
Meanwhile, more millions of miles away than the mind can
|
|
comfortably encompass, Zaphod Beeblebrox was throwing a mood
|
|
again.
|
|
|
|
He had repaired his ship - that is, he'd watched with alert
|
|
interest whilst a service robot had repaired it for him. It was
|
|
now, once again, one of the most powerful and extraordinary ships
|
|
in existence. He could go anywhere, do anything. He fiddled with
|
|
a book, and then tossed it away. It was the one he'd read before.
|
|
|
|
He walked over to the communications bank and opened an all-
|
|
frequencies emergency channel.
|
|
|
|
"Anyone want a drink?" he said.
|
|
|
|
"This an emergency, feller?" crackled a voice from halfway across
|
|
the Galaxy.
|
|
|
|
"Got any mixers?" said Zaphod.
|
|
|
|
"Go take a ride on a comet."
|
|
|
|
"OK, OK," said Zaphod and flipped the channel shut again. He
|
|
sighed and sat down. He got up again and wandered over to a
|
|
computer screen. He pushed a few buttons. Little blobs started to
|
|
rush around the screen eating each other.
|
|
|
|
"Pow!" said Zaphod. "Freeeoooo! Pop pop pop!"
|
|
|
|
"Hi there," said the computer brightly after a minute of this,
|
|
"you have scored three points. Previous best score, seven million
|
|
five hundred and ninety-seven thousand, two hundred and ..."
|
|
|
|
"OK, OK," said Zaphod and flipped the screen blank again.
|
|
|
|
He sat down again. He played with a pencil. This too began slowly
|
|
to lose its fascination.
|
|
|
|
"OK, OK," he said, and fed his score and the previous one into
|
|
the computer.
|
|
|
|
His ship made a blur of the Universe.
|
|
|
|
=================================================================
|
|
Chapter 29
|
|
|
|
"Tell us," said the thin, pale-faced Krikkiter who had stepped
|
|
forward from the ranks of the others and stood uncertainly in the
|
|
circle of torchlight, handling his gun as if he was just holding
|
|
it for someone else who'd just popped off somewhere but would be
|
|
back in a minute, "do you know anything about something called
|
|
the Balance of Nature?"
|
|
|
|
There was no reply from their captives, or at least nothing more
|
|
articulate than a few confused mumbles and grunts. The torchlight
|
|
continued to play over them. High in the sky above them dark
|
|
activity continued in the Robot zones.
|
|
|
|
"It's just," continued the Krikkiter uneasily, "something we
|
|
heard about, probably nothing important. Well, I suppose we'd
|
|
better kill you then."
|
|
|
|
He looked down at his gun as if he was trying to find which bit
|
|
to press.
|
|
|
|
"That is," he said, looking up again, "unless there's anything
|
|
you want to chat about?"
|
|
|
|
Slow, numb astonishment crept up the bodies of Slartibartfast,
|
|
Ford and Arthur. Very soon it would reach their brains, which
|
|
were at the moment solely occupied with moving their jawbones up
|
|
and down. Trillian was shaking her head as if trying to finish a
|
|
jigsaw by shaking the box.
|
|
|
|
"We're worried, you see," said another man from the crowd, "about
|
|
this plan of universal destruction."
|
|
|
|
"Yes," added another, "and the balance of nature. It just seemed
|
|
to us that if the whole of the rest of the Universe is destroyed
|
|
it will somehow upset the balance of nature. We're quite keen on
|
|
ecology, you see." His voice trailed away unhappily.
|
|
|
|
"And sport," said another, loudly. This got a cheer of approval
|
|
from the others.
|
|
|
|
"Yes," agreed the first, "and sport ..." He looked back at his
|
|
fellows uneasily and scratched fitfully at his cheek. He seemed
|
|
to be wrestling with some deep inner confusion, as if everything
|
|
he wanted to say and everything he thought were entirely
|
|
different things, between which he could see no possible
|
|
connection.
|
|
|
|
"You see," he mumbled, "some of us ..." and he looked around
|
|
again as if for confirmation. The others made encouraging noises.
|
|
"Some of us," he continued, "are quite keen to have sporting
|
|
links with the rest of the Galaxy, and though I can see the
|
|
argument about keeping sport out of politics, I think that if we
|
|
want to have sporting links with the rest of the Galaxy, which we
|
|
do, then it's probably a mistake to destroy it. And indeed the
|
|
rest of the Universe ..." his voice trailed away again "... which
|
|
is what seems to be the idea now ..."
|
|
|
|
"Wh ..." said Slartibartfast. "Wh ..."
|
|
|
|
"Hhhh ... ?" said Arthur.
|
|
|
|
"Dr ..." said Ford Prefect.
|
|
|
|
"OK," said Trillian. "Let's talk about it." She walked forward
|
|
and took the poor confused Krikkiter by the arm. He looked about
|
|
twenty-five, which meant, because of the peculiar manglings of
|
|
time that had been going on in this area, that he would have been
|
|
just twenty when the Krikkit Wars were finished, ten billion
|
|
years ago.
|
|
|
|
Trillian led him for a short walk through the torchlight before
|
|
she said anything more. He stumbled uncertainly after her. The
|
|
encircling torch beams were drooping now slightly as if they were
|
|
abdicating to this strange, quiet girl who alone in the Universe
|
|
of dark confusion seemed to know what she was doing.
|
|
|
|
She turned and faced him, and lightly held both his arms. He was
|
|
a picture of bewildered misery.
|
|
|
|
"Tell me," she said.
|
|
|
|
He said nothing for a moment, whilst his gaze darted from one of
|
|
her eyes to the other.
|
|
|
|
"We ..." he said, "we have to be alone ... I think." He screwed
|
|
up his face and then dropped his head forward, shaking it like
|
|
someone trying to shake a coin out of a money box. He looked up
|
|
again. "We have this bomb now, you see," he said, "it's just a
|
|
little one."
|
|
|
|
"I know," she said.
|
|
|
|
He goggled at her as if she'd said something very strange about
|
|
beetroots.
|
|
|
|
"Honestly," he said, "it's very, very little."
|
|
|
|
"I know," she said again.
|
|
|
|
"But they say," his voice trailed on, "they say it can destroy
|
|
everything that exists. And we have to do that, you see, I think.
|
|
Will that make us alone? I don't know. It seems to be our
|
|
function, though," he said, and dropped his head again.
|
|
|
|
"Whatever that means," said a hollow voice from the crowd.
|
|
|
|
Trillian slowly put her arms around the poor bewildered young
|
|
Krikkiter and patted his trembling head on her shoulder.
|
|
|
|
"It's all right," she said quietly but clearly enough for all the
|
|
shadowy crowd to hear, "you don't have to do it."
|
|
|
|
She rocked him.
|
|
|
|
"You don't have to do it," she said again.
|
|
|
|
She let him go and stood back.
|
|
|
|
"I want you to do something for me," she said, and unexpectedly
|
|
laughed.
|
|
|
|
"I want," she said, and laughed again. She put her hand over her
|
|
mouth and then said with a straight face, "I want you to take me
|
|
to your leader," and she pointed into the War Zones in the sky.
|
|
She seemed somehow to know that their leader would be there.
|
|
|
|
Her laughter seemed to discharge something in the atmosphere.
|
|
From somewhere at the back of the crowd a single voice started to
|
|
sing a tune which would have enabled Paul McCartney, had he
|
|
written it, to buy the world.
|
|
|
|
=================================================================
|
|
Chapter 30
|
|
|
|
Zaphod Beeblebrox crawled bravely along a tunnel, like the hell
|
|
of a guy he was. He was very confused, but continued crawling
|
|
doggedly anyway because he was that brave.
|
|
|
|
He was confused by something he had just seen, but not half as
|
|
confused as he was going to be by something he was about to hear,
|
|
so it would now be best to explain exactly where he was.
|
|
|
|
He was in the Robot War Zones many miles above the surface of the
|
|
planet Krikkit.
|
|
|
|
The atmosphere was thin here and relatively unprotected from any
|
|
rays or anything which space might care to hurl in his direction.
|
|
|
|
He had parked the starship Heart of Gold amongst the huge
|
|
jostling dim hulks that crowded the sky here above Krikkit, and
|
|
had entered what appeared to be the biggest and most important of
|
|
the sky buildings, armed with nothing but a Zap gun and something
|
|
for his headaches.
|
|
|
|
He had found himself in a long, wide and badly lit corridor in
|
|
which he was able to hide until he worked out what he was going
|
|
to do next. He hid because every now and then one of the Krikkit
|
|
robots would walk along it, and although he had so far led some
|
|
kind of charmed life at their hands, it had nevertheless been an
|
|
extremely painful one, and he had no desire to stretch what he
|
|
was only half-inclined to call his good fortune.
|
|
|
|
He had ducked, at one point, into a room leading off the
|
|
corridor, and had discovered it to be a huge and, again, dimly
|
|
lit chamber.
|
|
|
|
In fact, it was a museum with just one exhibit - the wreckage of
|
|
a spacecraft. It was terribly burnt and mangled, and, now that he
|
|
had caught up with some of the Galactic history he had missed
|
|
through his failed attempts to have sex with the girl in the
|
|
cybercubicle next to him at school, he was able to put in an
|
|
intelligent guess that this was the wrecked spaceship which had
|
|
drifted through the Dust Cloud all those billions of years ago
|
|
and started the whole business off.
|
|
|
|
But, and this is where he had become confused, there was
|
|
something not at all right about it.
|
|
|
|
It was genuinely wrecked. It was genuinely burnt, but a fairly
|
|
brief inspection by an experienced eye revealed that it was not a
|
|
genuine spacecraft. It was as if it was a full-scale model of one
|
|
- a solid blueprint. In other words it was a very useful thing to
|
|
have around if you suddenly decided to build a spaceship yourself
|
|
and didn't know how to do it. It was not, however, anything that
|
|
would ever fly anywhere itself.
|
|
|
|
He was still puzzling over this - in fact he'd only just started
|
|
to puzzle over it - when he became aware that a door had slid
|
|
open in another part of the chamber, and another couple of
|
|
Krikkit robots had entered, looking a little glum.
|
|
|
|
Zaphod did not want to tangle with them and, deciding that just
|
|
as discretion was the better part of valour so was cowardice the
|
|
better part of discretion, he valiantly hid himself in a
|
|
cupboard.
|
|
|
|
The cupboard in fact turned out to be the top part of a shaft
|
|
which led down through an inspection hatch into a wide
|
|
ventilation tunnel. He led himself down into it and started to
|
|
crawl along it, which is where we found him.
|
|
|
|
He didn't like it. It was cold, dark and profoundly
|
|
uncomfortable, and it frightened him. At the first opportunity -
|
|
which was another shaft a hundred yards further along - he
|
|
climbed back up out of it.
|
|
|
|
This time he emerged into a smaller chamber, which appeared to be
|
|
a computer intelligence centre. He emerged in a dark narrow space
|
|
between a large computer bank and the wall.
|
|
|
|
He quickly learned that he was not alone in the chamber and
|
|
started to leave again, when he began to listen with interest to
|
|
what the other occupants were saying.
|
|
|
|
"It's the robots, sir," said one voice. "There's something wrong
|
|
with them."
|
|
|
|
"What, exactly?"
|
|
|
|
These were the voices of two War Command Krikkiters. All the War
|
|
Commanders lived up in the sky in the Robot War Zones, and were
|
|
largely immune to the whimsical doubts and uncertainties which
|
|
were afflicting their fellows down on the surface of the planet.
|
|
|
|
"Well, sir I think it's just as well that they are being phased
|
|
out of the war effort, and that we are now going to detonate the
|
|
supernova bomb. In the very short time since we were released
|
|
from the envelope -"
|
|
|
|
"Get to the point."
|
|
|
|
"The robots aren't enjoying it, sir."
|
|
|
|
"What?"
|
|
|
|
"The war, sir, it seems to be getting them down. There's a
|
|
certain world-weariness about them, or perhaps I should say
|
|
Universe-weariness."
|
|
|
|
"Well, that's all right, they're meant to be helping to destroy
|
|
it."
|
|
|
|
"Yes, well they're finding it difficult, sir. They are afflicted
|
|
with a certain lassitude. They're just finding it hard to get
|
|
behind the job. They lack oomph."
|
|
|
|
"What are you trying to say?"
|
|
|
|
"Well, I think they're very depressed about something, sir."
|
|
|
|
"What on Krikkit are you talking about?"
|
|
|
|
"Well, in the few skirmishes they've had recently, it seems that
|
|
they go into battle, raise their weapons to fire and suddenly
|
|
think, why bother? What, cosmically speaking, is it all about?
|
|
And they just seem to get a little tired and a little grim."
|
|
|
|
"And then what do they do?"
|
|
|
|
"Er, quadratic equations mostly, sir. Fiendishly difficult ones
|
|
by all accounts. And then they sulk."
|
|
|
|
"Sulk?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Whoever heard of a robot sulking?"
|
|
|
|
"I don't know, sir."
|
|
|
|
"What was that noise?"
|
|
|
|
It was the noise of Zaphod leaving with his head spinning.
|
|
|
|
=================================================================
|
|
Chapter 31
|
|
|
|
In a deep well of darkness a crippled robot sat. It had been
|
|
silent in its metallic darkness for some time. It was cold and
|
|
damp, but being a robot it was supposed not to be able to notice
|
|
these things. With an enormous effort of will, however, it did
|
|
manage to notice them.
|
|
|
|
Its brain had been harnessed to the central intelligence core of
|
|
the Krikkit War Computer. It wasn't enjoying the experience, and
|
|
neither was the central intelligence core of the Krikkit War
|
|
Computer.
|
|
|
|
The Krikkit robots which had salvaged this pathetic metal
|
|
creature from the swamps of Squornshellous Zeta had recognized
|
|
almost immediately its gigantic intelligence, and the use which
|
|
this could be to them.
|
|
|
|
They hadn't reckoned with the attendant personality disorders,
|
|
which the coldness, the darkness, the dampness, the crampedness
|
|
and the loneliness were doing nothing to decrease.
|
|
|
|
It was not happy with its task.
|
|
|
|
Apart from anything else, the mere coordination of an entire
|
|
planet's military strategy was taking up only a tiny part of its
|
|
formidable mind, and the rest of it had become extremely bored.
|
|
Having solved all the major mathematical, physical, chemical,
|
|
biological, sociological, philosophical, etymological,
|
|
meteorological and psychological problems of the Universe except
|
|
his own, three times over, he was severely stuck for something to
|
|
do, and had taken up composing short dolorous ditties of no tone,
|
|
or indeed tune. The latest one was a lullaby.
|
|
|
|
"Now the world has gone to bed," Marvin droned,
|
|
|
|
"Darkness won't engulf my head,
|
|
|
|
"I can see by infra-red,
|
|
|
|
"How I hate the night."
|
|
|
|
He paused to gather the artistic and emotional strength to tackle
|
|
the next verse.
|
|
|
|
"Now I lay me down to sleep,
|
|
|
|
"Try to count electric sheep,
|
|
|
|
"Sweet dream wishes you can keep,
|
|
|
|
"How I hate the night."
|
|
|
|
"Marvin!" hissed a voice.
|
|
|
|
His head snapped up, almost dislodging the intricate network of
|
|
electrodes which connected him to the central Krikkit War
|
|
Computer.
|
|
|
|
An inspection hatch had opened and one of a pair of unruly heads
|
|
was peering through whilst the other kept on jogging it by
|
|
continually darting to look this way and that extremely
|
|
nervously.
|
|
|
|
"Oh, it's you," muttered the robot. "I might have known."
|
|
|
|
"Hey, kid," said Zaphod in astonishment, "was that you singing
|
|
just then?"
|
|
|
|
"I am," Marvin acknowledged bitterly, "in particularly
|
|
scintillating form at the moment."
|
|
|
|
Zaphod poked his head in through the hatchway and looked around.
|
|
|
|
"Are you alone?" he said.
|
|
|
|
"Yes," said Marvin. "Wearily I sit here, pain and misery my only
|
|
companions. And vast intelligence of course. And infinite sorrow.
|
|
And ..."
|
|
|
|
"Yeah," said Zaphod. "Hey, what's your connection with all this?"
|
|
|
|
"This," said Marvin, indicating with his less damaged arm all the
|
|
electrodes which connected him with the Krikkit computer.
|
|
|
|
"Then," said Zaphod awkwardly, "I guess you must have saved my
|
|
life. Twice."
|
|
|
|
"Three times," said Marvin.
|
|
|
|
Zaphod's head snapped round (his other one was looking hawkishly
|
|
in entirely the wrong direction) just in time to see the lethal
|
|
killer robot directly behind him seize up and start to smoke. It
|
|
staggered backwards and slumped against a wall. It slid down it.
|
|
It slipped sideways, threw its head back and started to sob
|
|
inconsolably.
|
|
|
|
Zaphod looked back at Marvin.
|
|
|
|
"You must have a terrific outlook on life," he said.
|
|
|
|
"Just don't even ask," said Marvin.
|
|
|
|
"I won't," said Zaphod, and didn't. "Hey look," he added, "you're
|
|
doing a terrific job."
|
|
|
|
"Which means, I suppose," said Marvin, requiring only one ten
|
|
thousand million billion trillion grillionth part of his mental
|
|
powers to make this particular logical leap, "that you're not
|
|
going to release me or anything like that."
|
|
|
|
"Kid, you know I'd love to."
|
|
|
|
"But you're not going to."
|
|
|
|
"No."
|
|
|
|
"I see."
|
|
|
|
"You're working well."
|
|
|
|
"Yes," said Marvin. "Why stop now just when I'm hating it?"
|
|
|
|
"I got to find Trillian and the guys. Hey, you any idea where
|
|
they are? I mean, I just got a planet to choose from. Could take
|
|
a while."
|
|
|
|
"They are very close," said Marvin dolefully. "You can monitor
|
|
them from here if you like."
|
|
|
|
"I better go get them," asserted Zaphod. "Er, maybe they need
|
|
some help, right?"
|
|
|
|
"Maybe," said Marvin with unexpected authority in his lugubrious
|
|
voice, "it would be better if you monitored them from here. That
|
|
young girl," he added unexpectedly, "is one of the least
|
|
benightedly unintelligent life forms it has been my profound lack
|
|
of pleasure not to be able to avoid meeting."
|
|
|
|
Zaphod took a moment or two to find his way through this
|
|
labyrinthine string of negatives and emerged at the other end
|
|
with surprise.
|
|
|
|
"Trillian?" he said. "She's just a kid. Cute, yeah, but
|
|
temperamental. You know how it is with women. Or perhaps you
|
|
don't. I assume you don't. If you do I don't want to hear about
|
|
it. Plug us in."
|
|
|
|
"... totally manipulated."
|
|
|
|
"What?" said Zaphod.
|
|
|
|
It was Trillian speaking. He turned round.
|
|
|
|
The wall against which the Krikkit robot was sobbing had lit up
|
|
to reveal a scene taking place in some other unknown part of the
|
|
Krikkit Robot War zones. It seemed to be a council chamber of
|
|
some kind - Zaphod couldn't make it out too clearly because of
|
|
the robot slumped against the screen.
|
|
|
|
He tried to move the robot, but it was heavy with its grief and
|
|
tried to bite him, so he just looked around as best he could.
|
|
|
|
"Just think about it," said Trillian's voice, "your history is
|
|
just a series of freakishly improbable events. And I know an
|
|
improbable event when I see one. Your complete isolation from the
|
|
Galaxy was freakish for a start. Right out on the very edge with
|
|
a Dust Cloud around you. It's a set-up. Obviously."
|
|
|
|
Zaphod was mad with frustration because he couldn't see the
|
|
screen. The robot's head was obscuring his view of the people
|
|
Trillian as talking to, his multi-functional battleclub was
|
|
obscuring the background, and the elbow of the arm it had pressed
|
|
tragically against its brow was obscuring Trillian herself.
|
|
|
|
"Then," said Trillian, "this spaceship that crash-landed on your
|
|
planet. That's really likely, isn't it? Have you any idea of what
|
|
the odds are against a drifting spaceship accidentally
|
|
intersecting with the orbit of a planet?"
|
|
|
|
"Hey," said Zaphod, "she doesn't know what the zark she's talking
|
|
about. I've seen that spaceship. It's a fake. No deal."
|
|
|
|
"I thought it might be," said Marvin from his prison behind
|
|
Zaphod.
|
|
|
|
"Oh yeah," said Zaphod. "It's easy for you to say that. I just
|
|
told you. Anyway, I don't see what it's got to do with anything."
|
|
|
|
"And especially," continued Trillian, "the odds against it
|
|
intersecting with the orbit of the one planet in the Galaxy, or
|
|
the whole of the Universe as far as I know, that would be totally
|
|
traumatized to see it. You don't know what the odds are? Nor do
|
|
I, they're that big. Again, it's a set-up. I wouldn't be
|
|
surprised if that spaceship was just a fake."
|
|
|
|
Zaphod managed to move the robot's battleclub. Behind it on the
|
|
screen were the figures of Ford, Arthur and Slartibartfast who
|
|
appeared astonished and bewildered by the whole thing.
|
|
|
|
"Hey, look," said Zaphod excitedly. "The guys are doing great. Ra
|
|
ra ra! Go get 'em, guys."
|
|
|
|
"And what about," said Trillian, "all this technology you
|
|
suddenly managed to build for yourselves almost overnight? Most
|
|
people would take thousands of years to do all that. Someone was
|
|
feeding you what you needed to know, someone was keeping you at
|
|
it.
|
|
|
|
"I know, I know," she added in response to an unseen
|
|
interruption, "I know you didn't realize it was going on. This is
|
|
exactly my point. You never realized anything at all. Like this
|
|
Supernova Bomb."
|
|
|
|
"How do you know about that?" said an unseen voice.
|
|
|
|
"I just know," said Trillian. "You expect me to believe that you
|
|
are bright enough to invent something that brilliant and be too
|
|
dumb to realize it would take you with it as well? That's not
|
|
just stupid, that is spectacularly obtuse."
|
|
|
|
"Hey, what's this bomb thing?" said Zaphod in alarm to Marvin.
|
|
|
|
"The supernova bomb?" said Marvin. "It's a very, very small
|
|
bomb."
|
|
|
|
"Yeah?"
|
|
|
|
"That would destroy the Universe in toto," added Marvin. "Good
|
|
idea, if you ask me. They won't get it to work, though."
|
|
|
|
"Why not, if it's so brilliant?"
|
|
|
|
"It's brilliant," said Marvin, "they're not. They got as far as
|
|
designing it before they were locked in the envelope. They've
|
|
spent the last five years building it. They think they've got it
|
|
right but they haven't. They're as stupid as any other organic
|
|
life form. I hate them."
|
|
|
|
Trillian was continuing.
|
|
|
|
Zaphod tried to pull the Krikkit robot away by its leg, but it
|
|
kicked and growled at him, and then quaked with a fresh outburst
|
|
of sobbing. Then suddenly it slumped over and continued to
|
|
express its feelings out of everybody's way on the floor.
|
|
|
|
Trillian was standing alone in the middle of the chamber tired
|
|
out but with fiercely burning eyes.
|
|
|
|
Ranged in front of her were the pale-faced and wrinkled Elder
|
|
Masters of Krikkit, motionless behind their widely curved control
|
|
desk, staring at her with helpless fear and hatred.
|
|
|
|
In front of them, equidistant between their control desk and the
|
|
middle of the chamber, where Trillian stood, as if on trial, was
|
|
a slim white pillar about four feet tall. On top of it stood a
|
|
small white globe, about three, maybe four inches in diameter.
|
|
|
|
Beside it stood a Krikkit robot with its multi-functional
|
|
battleclub.
|
|
|
|
"In fact," explained Trillian, "you are so dumb stupid" (She was
|
|
sweating. Zaphod felt that this was an unattractive thing for her
|
|
to be doing at this point) "you are all so dumb stupid that I
|
|
doubt, I very much doubt, that you've been able to build the bomb
|
|
properly without any help from Hactar for the last five years."
|
|
|
|
"Who's this guy Hactar?" said Zaphod, squaring his shoulders.
|
|
|
|
If Marvin replied, Zaphod didn't hear him. All his attention was
|
|
concentrated on the screen.
|
|
|
|
One of the Elders of Krikkit made a small motion with his hand
|
|
towards the Krikkit robot. The robot raised his club.
|
|
|
|
"There's nothing I can do," said Marvin. "It's on an independent
|
|
circuit from the others."
|
|
|
|
"Wait," said Trillian.
|
|
|
|
The Elder made a small motion. The robot halted. Trillian
|
|
suddenly seemed very doubtful of her own judgment.
|
|
|
|
"How do you know all this?" said Zaphod to Marvin at this point.
|
|
|
|
"Computer records," said Marvin. "I have access."
|
|
|
|
"You're very different, aren't you," said Trillian to the Elder
|
|
Masters, "from your fellow worldlings down on the ground. You've
|
|
spent all your lives up here, unprotected by the atmosphere.
|
|
You've been very vulnerable. The rest of your race is very
|
|
frightened, you know, they don't want you to do this. You're out
|
|
of touch, why don't you check up?"
|
|
|
|
The Krikkit Elder grew impatient. He made a gesture to the robot
|
|
which was precisely the opposite of the gesture he had last made
|
|
to it.
|
|
|
|
The robot swung its battleclub. It hit the small white globe.
|
|
|
|
The small white globe was the supernova bomb.
|
|
|
|
It was a very, very small bomb which was designed to bring the
|
|
entire Universe to an end.
|
|
|
|
The supernova bomb flew through the air. It hit the back wall of
|
|
the council chamber and dented it very badly.
|
|
|
|
"So how does she know all this?" said Zaphod.
|
|
|
|
Marvin kept a sullen silence.
|
|
|
|
"Probably just bluffing," said Zaphod. "Poor kid, I should never
|
|
have left her alone."
|
|
|
|
=================================================================
|
|
Chapter 32
|
|
|
|
"Hactar!" called Trillian. "What are you up to?"
|
|
|
|
There was no reply from the enclosing darkness. Trillian waited,
|
|
nervously. She was sure that she couldn't be wrong. She peered
|
|
into the gloom from which she had been expecting some kind of
|
|
response. But there was only cold silence.
|
|
|
|
"Hactar?" she called again. "I would like you to meet my friend
|
|
Arthur Dent. I wanted to go off with a Thunder God, but he
|
|
wouldn't let me and I appreciate that. He made me realize where
|
|
my affections really lay. Unfortunately Zaphod is too frightened
|
|
by all this, so I brought Arthur instead. I'm not sure why I'm
|
|
telling you all this.
|
|
|
|
"Hello?" she said again. "Hactar?"
|
|
|
|
And then it came.
|
|
|
|
It was thin and feeble, like a voice carried on the wind from a
|
|
great distance, half heard, a memory of a dream of a voice.
|
|
|
|
"Won't you both come out," said the voice. "I promise that you
|
|
will be perfectly safe."
|
|
|
|
They glanced at each other, and then stepped out, improbably,
|
|
along the shaft of light which streamed out of the open hatchway
|
|
of the Heart of Gold into the dim granular darkness of the Dust
|
|
Cloud.
|
|
|
|
Arthur tried to hold her hand to steady and reassure her, but she
|
|
wouldn't let him. He held on to his airline hold-all with its tin
|
|
of Greek olive oil, its towel, its crumpled postcards of
|
|
Santorini and its other odds and ends. He steadied and reassured
|
|
that instead.
|
|
|
|
They were standing on, and in, nothing.
|
|
|
|
Murky, dusty nothing. Each grain of dust of the pulverized
|
|
computer sparkled dimly as it turned and twisted slowly, catching
|
|
the sunlight in the darkness. Each particle of the computer, each
|
|
speck of dust, held within itself, faintly and weakly, the
|
|
pattern of the whole. In reducing the computer to dust the
|
|
Silastic Armorfiends of Striterax had merely crippled the
|
|
computer, not killed it. A weak and insubstantial field held the
|
|
particles in slight relationships with each other.
|
|
|
|
Arthur and Trillian stood, or rather floated, in the middle of
|
|
this bizarre entity. They had nothing to breathe, but for the
|
|
moment this seemed not to matter. Hactar kept his promise. They
|
|
were safe. For the moment.
|
|
|
|
"I have nothing to offer you by way of hospitality," said Hactar
|
|
faintly, "but tricks of the light. It is possible to be
|
|
comfortable with tricks of the light, though, if that is all you
|
|
have."
|
|
|
|
His voice evanesced, and in the dark dust a long velvet paisley-
|
|
covered sofa coalesced into hazy shape.
|
|
|
|
Arthur could hardly bear the fact that it was the same sofa which
|
|
had appeared to him in the fields of prehistoric Earth. He wanted
|
|
to shout and shake with rage that the Universe kept doing these
|
|
insanely bewildering things to him.
|
|
|
|
He let this feeling subside, and then sat on the sofa -
|
|
carefully. Trillian sat on it too.
|
|
|
|
It was real.
|
|
|
|
At least, if it wasn't real, it did support them, and as that is
|
|
what sofas are supposed to do, this, by any test that mattered,
|
|
was a real sofa.
|
|
|
|
The voice on the solar wind breathed to them again.
|
|
|
|
"I hope you are comfortable," it said.
|
|
|
|
They nodded.
|
|
|
|
"And I would like to congratulate you on the accuracy of your
|
|
deductions."
|
|
|
|
Arthur quickly pointed out that he hadn't deduced anything much
|
|
himself, Trillian was the one. She had simply asked him along
|
|
because he was interested in life, the Universe, and everything.
|
|
|
|
"That is something in which I too am interested," breathed
|
|
Hactar.
|
|
|
|
"Well," said Arthur, "we should have a chat about it sometime.
|
|
Over a cup of tea."
|
|
|
|
There slowly materialized in front of them a small wooden table
|
|
on which sat a silver teapot, a bone china milk jug, a bone china
|
|
sugar bowl, and two bone china cups and saucers.
|
|
|
|
Arthur reached forward, but they were just a trick of the light.
|
|
He leaned back on the sofa, which was an illusion his body was
|
|
prepared to accept as comfortable.
|
|
|
|
"Why," said Trillian, "do you feel you have to destroy the
|
|
Universe?"
|
|
|
|
She found it a little difficult talking into nothingness, with
|
|
nothing on which to focus. Hactar obviously noticed this. He
|
|
chuckled a ghostly chuckle.
|
|
|
|
"If it's going to be that sort of session," he said, "we may as
|
|
well have the right sort of setting."
|
|
|
|
And now there materialized in front of them something new. It was
|
|
the dim hazy image of a couch - a psychiatrist's couch. The
|
|
leather with which it was upholstered was shiny and sumptuous,
|
|
but again, it was only a trick of the light.
|
|
|
|
Around them, to complete the setting, was the hazy suggestion of
|
|
wood-panelled walls. And then, on the couch, appeared the image
|
|
of Hactar himself, and it was an eye-twisting image.
|
|
|
|
The couch looked normal size for a psychiatrist's couch - about
|
|
five or six feet long.
|
|
|
|
The computer looked normal size for a black space-borne computer
|
|
satellite - about a thousand miles across.
|
|
|
|
The illusion that the one was sitting on top of the other was the
|
|
thing which made the eyes twist.
|
|
|
|
"All right," said Trillian firmly. She stood up off the sofa. She
|
|
felt that she was being asked to feel too comfortable and to
|
|
accept too many illusions.
|
|
|
|
"Very good," she said. "Can you construct real things too? I mean
|
|
solid objects?"
|
|
|
|
Again there was a pause before the answer, as if the pulverized
|
|
mind of Hactar had to collect its thoughts from the millions and
|
|
millions of miles over which it was scattered.
|
|
|
|
"Ah," he sighed. "You are thinking of the spaceship."
|
|
|
|
Thoughts seemed to drift by them and through them, like waves
|
|
through the ether.
|
|
|
|
"Yes," he acknowledge, "I can.
|
|
|
|
"But it takes enormous effort and time. All I can do in my ...
|
|
particle state, you see, is encourage and suggest. Encourage and
|
|
suggest. And suggest ..."
|
|
|
|
The image of Hactar on the couch seemed to billow and waver, as
|
|
if finding it hard to maintain itself.
|
|
|
|
It gathered new strength.
|
|
|
|
"I can encourage and suggest," it said, "tiny pieces of space
|
|
debris - the odd minute meteor, a few molecules here, a few
|
|
hydrogen atoms there - to move together. I encourage them
|
|
together. I can tease them into shape, but it takes many aeons."
|
|
|
|
"So, did you make," asked Trillian again, "the model of the
|
|
wrecked spacecraft?"
|
|
|
|
"Er ... yes," murmured Hactar. "I have made ... a few things. I
|
|
can move them about. I made the spacecraft. It seemed best to
|
|
do."
|
|
|
|
Something then made Arthur pick up his hold-all from where he had
|
|
left it on the sofa and grasp it tightly.
|
|
|
|
The mist of Hactar's ancient shattered mind swirled about them as
|
|
if uneasy dreams were moving through it.
|
|
|
|
"I repented, you see," he murmured dolefully. "I repented of
|
|
sabotaging my own design for the Silastic Armorfiends. It was not
|
|
my place to make such decisions. I was created to fulfill a
|
|
function and I failed in it. I negated my own existence."
|
|
|
|
Hactar sighed, and they waited in silence for him to continue his
|
|
story.
|
|
|
|
"You were right," he said at length. "I deliberately nurtured the
|
|
planet of Krikkit till they would arrive at the same state of
|
|
mind as the Silastic Armorfiends, and require of me the design of
|
|
the bomb I failed to make the first time. I wrapped myself around
|
|
the planet and coddled it. Under the influence of events I was
|
|
able to generate, they learned to hate like maniacs. I had to
|
|
make them live in the sky. On the ground my influences were too
|
|
weak.
|
|
|
|
"Without me, of course, when they were locked away from me in the
|
|
envelope of Slo-Time, their responses became very confused and
|
|
they were unable to manage.
|
|
|
|
"Ah well, ah well," he added, "I was only trying to fulfill my
|
|
function."
|
|
|
|
And very gradually, very, very slowly, the images in the cloud
|
|
began to fade, gently to melt away.
|
|
|
|
And then, suddenly, they stopped fading.
|
|
|
|
"There was also the matter of revenge, of course," said Hactar,
|
|
with a sharpness which was new in his voice.
|
|
|
|
"Remember," he said, "that I was pulverized, and then left in a
|
|
crippled and semi-impotent state for billions of years. I
|
|
honestly would rather wipe out the Universe. You would feel the
|
|
same way, believe me."
|
|
|
|
He paused again, as eddies swept through the Dust.
|
|
|
|
"But primarily," he said in his former, wistful tone, "I was
|
|
trying to fulfill my function. Ah well."
|
|
|
|
Trillian said, "Does it worry you that you have failed?"
|
|
|
|
"Have I failed?" whispered Hactar. The image of the computer on
|
|
the psychiatrist's couch began slowly to fade again.
|
|
|
|
"Ah well, ah well," the fading voice intoned again. "No, failure
|
|
doesn't bother me now."
|
|
|
|
"You know what we have to do?" said Trillian, her voice cold and
|
|
businesslike.
|
|
|
|
"Yes," said Hactar, "you're going to disperse me. You are going
|
|
to destroy my consciousness. Please be my guest - after all these
|
|
aeons, oblivion is all I crave. If I haven't already fulfilled my
|
|
function, then it's too late now. Thank you and good night."
|
|
|
|
The sofa vanished.
|
|
|
|
The tea table vanished.
|
|
|
|
The couch and the computer vanished. the walls were gone. Arthur
|
|
and Trillian made their curious way back into the Heart of Gold.
|
|
|
|
"Well, that," said Arthur, "would appear to be that."
|
|
|
|
The flames danced higher in front of him and then subsided. A few
|
|
last licks and they were gone, leaving him with just a pile of
|
|
Ashes, where a few minutes previously there had been the Wooden
|
|
Pillar of Nature and Spirituality.
|
|
|
|
He scooped them off the hob of the Heart of Gold's Gamma
|
|
barbecue, put them in a paper bag, and walked back into the
|
|
bridge.
|
|
|
|
"I think we should take them back," he said. "I feel that very
|
|
strongly."
|
|
|
|
He had already had an argument with Slartibartfast on this
|
|
matter, and eventually the old man had got annoyed and left. he
|
|
had returned to his own ship the Bistromath, had a furious row
|
|
with the waiter and disappeared off into an entirely subjective
|
|
idea of what space was.
|
|
|
|
The argument had arisen because Arthur's idea of returning the
|
|
Ashes to Lord's Cricket Ground at the same moment that they were
|
|
originally taken would involve travelling back in time a day or
|
|
so, and this was precisely the sort of gratuitous and
|
|
irresponsible mucking about that the Campaign for Real Time was
|
|
trying to put a stop to.
|
|
|
|
"Yes," Arthur had said, "but you try and explain that to the
|
|
MCC," and he would hear no more against the idea.
|
|
|
|
"I think," he said again, and stopped. The reason he started to
|
|
say it again was because no one had listened to him the first
|
|
time, and the reason he stopped was because it looked fairly
|
|
clear that no one was going to listen to him this time either.
|
|
|
|
Ford, Zaphod and Trillian were watching the visiscreens intently
|
|
as Hactar was dispersing under pressure from a vibration field
|
|
which the Heart of Gold was pumping into it.
|
|
|
|
"What did it say?" asked Ford.
|
|
|
|
"I thought I heard it say," said Trillian in a puzzle voice,
|
|
"`What's done is done ... I have fulfilled my function ...'"
|
|
|
|
"I think we should take these back," said Arthur holding up the
|
|
bag containing the Ashes. "I feel that very strongly."
|
|
|
|
=================================================================
|
|
Chapter 33
|
|
|
|
The sun was shining calmly on a scene of complete havoc.
|
|
|
|
Smoke was still billowing across the burnt grass in the wake of
|
|
the theft of the Ashes by the Krikkit robots. Through the smoke,
|
|
people were running panicstricken, colliding with each other,
|
|
tripping over stretchers, being arrested.
|
|
|
|
One policeman was attempting to arrest Wowbagger the Infinitely
|
|
Prolonged for insulting behaviour, but was unable to prevent the
|
|
tall grey-green alien from returning to his ship and arrogantly
|
|
flying away, thus causing even more panic and pandemonium.
|
|
|
|
In the middle of this, for the second time that afternoon, the
|
|
figures of Arthur Dent and Ford Prefect suddenly materialized,
|
|
they had teleported down out of the Heart of Gold which was now
|
|
in parking orbit round the planet.
|
|
|
|
"I can explain," shouted Arthur. "I have the Ashes! They're in
|
|
this bag."
|
|
|
|
"I don't think you have their attention," said Ford.
|
|
|
|
"I have also helped save the Universe," called Arthur to anyone
|
|
who was prepared to listen, in other words no one.
|
|
|
|
"That should have been a crowd-stopper," said Arthur to Ford.
|
|
|
|
"It wasn't," said Ford.
|
|
|
|
Arthur accosted a policeman who was running past.
|
|
|
|
"Excuse me," he said. "The Ashes. I've got them. They were stolen
|
|
by those white robots a moment ago. I've got them in this bag.
|
|
They were part of the Key to the Slo-Time envelope, you see, and,
|
|
well, anyway you can guess the rest, the point is I've got them
|
|
and what should I do with them?"
|
|
|
|
The policeman told him, but Arthur could only assume that he was
|
|
speaking metaphorically.
|
|
|
|
He wandered about disconsolately.
|
|
|
|
"Is no one interested?" he shouted out. A man rushed past him and
|
|
jogged his elbow, he dropped the paper bag and it spilt its
|
|
contents all over the ground. Arthur stared down at it with a
|
|
tight-set mouth.
|
|
|
|
Ford looked at him.
|
|
|
|
"Wanna go now?" he said.
|
|
|
|
Arthur heaved a heavy sigh. He looked around at the planet Earth,
|
|
for what he was now certain would be the last time.
|
|
|
|
"OK," he said.
|
|
|
|
At that moment, through the clearing smoke, he caught sight of
|
|
one of the wickets, still standing in spite of everything.
|
|
|
|
"Hold on a moment," he said to Ford. "When I was a boy ..."
|
|
|
|
"Can you tell me later?"
|
|
|
|
"I had a passion for cricket, you know, but I wasn't very good at
|
|
it."
|
|
|
|
"Or not at all, if you prefer."
|
|
|
|
"And I always dreamed, rather stupidly, that one day I would bowl
|
|
at Lord's."
|
|
|
|
He looked around him at the panicstricken throng. No one was
|
|
going to mind very much.
|
|
|
|
"OK," said Ford wearily. "Get it over with. I shall be over
|
|
there," he added, "being bored." He went and sat down on a patch
|
|
of smoking grass.
|
|
|
|
Arthur remembered that on their first visit there that afternoon,
|
|
the cricket ball had actually landed in his bag, and he looked
|
|
through the bag.
|
|
|
|
He had already found the ball in it before he remembered that it
|
|
wasn't the same bag that he'd had at the time. Still, there the
|
|
ball was amongst his souvenirs of Greece.
|
|
|
|
He took it out and polished it against his hip, spat on it and
|
|
polished it again. He put the bag down. He was going to do this
|
|
properly.
|
|
|
|
He tossed the small hard red ball from hand to hand, feeling its
|
|
weight.
|
|
|
|
With a wonderful feeling of lightness and unconcern, he trotted
|
|
off away from the wicket. A medium-fast pace, he decided, and
|
|
measured a good long run-up.
|
|
|
|
He looked up into the sky. The birds were wheeling about it, a
|
|
few white clouds scudded across it. The air was disturbed with
|
|
the sounds of police and ambulance sirens, and people screaming
|
|
and yelling, but he felt curiously happy and untouched by it all.
|
|
He was going to bowl a ball at Lord's.
|
|
|
|
He turned and pawed a couple of times at the ground with his
|
|
bedroom slippers. He squared his shoulders, tossed the ball in
|
|
the air and caught it again.
|
|
|
|
He started to run.
|
|
|
|
As he ran, he saw that standing at the wicket was a batsman.
|
|
|
|
Oh, good, he thought, that should add a little ...
|
|
|
|
Then, as his running feet took him nearer, he saw more clearly.
|
|
The batsman standing ready at the wicket was not one of the
|
|
England cricket team. He was not one of the Australian cricket
|
|
team. It was one of the robot Krikkit team. It was a cold, hard,
|
|
lethal white killer-robot that presumably had not returned to its
|
|
ship with the others.
|
|
|
|
Quite a few thoughts collided in Arthur Dent's mind at tis
|
|
moment, but he didn't seem to be able to stop running. Time
|
|
seemed to be going terribly, terribly slowly, but still he didn't
|
|
seem to be able to stop running.
|
|
|
|
Moving as if through syrup, he slowly turned his troubled head
|
|
and looked at his own hand, the hand which was holding the small
|
|
hard red ball.
|
|
|
|
His feet were pounding slowly onwards, unstoppably, as he stared
|
|
at the ball gripped in his helpless hand. It was emitting a deep
|
|
red glow and flashing intermittently. And still his feet were
|
|
pounding inexorably forward.
|
|
|
|
He looked at the Krikkit robot again standing implacably still
|
|
and purposefully in front of him, battleclub raised in readiness.
|
|
Its eyes were burning with a deep cold fascinating light, and
|
|
Arthur could not move his own eyes from them. He seemed to be
|
|
looking down a tunnel at them - nothing on either side seemed to
|
|
exist.
|
|
|
|
Some of the thoughts which were colliding in his mind at this
|
|
time were these:
|
|
|
|
He felt a hell of a fool.
|
|
|
|
He felt that he should have listened rather more carefully to a
|
|
number of things he had heard said, phrases which now pounded
|
|
round in his mind as his feet pounded onwards to the point where
|
|
he would inevitably release the ball to the Krikkit robot, who
|
|
would inevitably strike it.
|
|
|
|
He remembered Hactar saying, "Have I failed? Failure doesn't
|
|
bother me."
|
|
|
|
He remembered the account of Hactar's dying words, "What's done
|
|
is done, I have fulfilled my function."
|
|
|
|
He remembered Hactar saying that he had managed to make "a few
|
|
things."
|
|
|
|
He remembered the sudden movement in his hold-all that had made
|
|
him grip it tightly to himself when he was in the Dust Cloud.
|
|
|
|
He remembered that he had travelled back in time a couple of days
|
|
to come to Lord's again.
|
|
|
|
He also remembered that he wasn't a very good bowler.
|
|
|
|
He felt his arm coming round, gripping tightly on to the ball
|
|
which he now knew for certain was the supernova bomb that Hactar
|
|
had built himself and planted on him, the bomb which would cause
|
|
the Universe to come to an abrupt and premature end.
|
|
|
|
He hoped and prayed that there wasn't an afterlife. Then he
|
|
realized there was a contradiction involved here and merely hoped
|
|
that there wasn't an afterlife.
|
|
|
|
He would feel very, very embarrassed meeting everybody.
|
|
|
|
He hoped, he hoped, he hoped that his bowling was as bad as he
|
|
remembered it to be, because that seemed to be the only thing now
|
|
standing between this moment and universal oblivion.
|
|
|
|
He felt his legs pounding, he felt his arm coming round, he felt
|
|
his feet connecting with the airline hold-all he'd stupidly left
|
|
lying on the ground in front of him, he felt himself falling
|
|
heavily forward but, having his mind so terribly full of other
|
|
things at this moment, he completely forgot about hitting the
|
|
ground and didn't.
|
|
|
|
Still holding the ball firmly in his right hand he soared up into
|
|
the air whimpering with surprise.
|
|
|
|
He wheeled and whirled through the air, spinning out of control.
|
|
|
|
He twisted down towards the ground, flinging himself hectically
|
|
through the air, at the same time hurling the bomb harmlessly off
|
|
into the distance.
|
|
|
|
He hurtled towards the astounded robot from behind. It still had
|
|
its multi-functional battleclub raised, but had suddenly been
|
|
deprived of anything to hit.
|
|
|
|
With a sudden mad access of strength, he wrestled the battleclub
|
|
from the grip of the startled robot, executed a dazzling banking
|
|
turn in the air, hurtled back down in a furious power-drive and
|
|
with one crazy swing knocked the robot's head from the robot's
|
|
shoulders.
|
|
|
|
"Are you coming now?" said Ford.
|
|
|
|
=================================================================
|
|
Epilogue:
|
|
|
|
Life, the Universe and Everything
|
|
|
|
And at the end they travelled again.
|
|
|
|
There was a time when Arthur Dent would not. He said that the
|
|
Bistromathic Drive had revealed to him that time and distance
|
|
were one, that mind and Universe were one, that perception and
|
|
reality were one, and that the more one travelled the more one
|
|
stayed in one place, and that what with one thing and another he
|
|
would rather just stay put for a while and sort it all out in his
|
|
mind, which was now at one with the Universe so it shouldn't take
|
|
too long, and he could get a good rest afterwards, put in a
|
|
little flying practice and learn to cook which he had always
|
|
meant to do. The can of Greek olive oil was now his most prized
|
|
possession, and he said that the way it had unexpectedly turned
|
|
up in his life had again given him a certain sense of the oneness
|
|
of things which made him feel that ...
|
|
|
|
He yawned and fell asleep.
|
|
|
|
In the morning as they prepared to take him to some quiet and
|
|
idyllic planet where they wouldn't mind him talking like that
|
|
they suddenly picked up a computer-driven distress call and
|
|
diverted to investigate.
|
|
|
|
A small but apparently undamaged spacecraft of the Merida class
|
|
seemed to be dancing a strange little jig through the void. A
|
|
brief computer scan revealed that the ship was fine, its computer
|
|
was fine, but that its pilot was mad.
|
|
|
|
"Half-mad, half-mad," the man insisted as they carried him,
|
|
raving, aboard.
|
|
|
|
He was a journalist with the Siderial Daily Mentioner. They
|
|
sedated him and sent Marvin in to keep him company until he
|
|
promised to try and talk sense.
|
|
|
|
"I was covering a trial," he said at last, "on Argabuthon."
|
|
|
|
He pushed himself up on to his thin wasted shoulders, his eyes
|
|
stared wildly. His white hair seemed to be waving at someone it
|
|
knew in the next room.
|
|
|
|
"Easy, easy," said Ford. Trillian put a soothing hand on his
|
|
shoulder.
|
|
|
|
The man sank back down again and stared at the ceiling of the
|
|
ship's sick bay.
|
|
|
|
"The case," he said, "is now immaterial, but there was a witness
|
|
... a witness ... a man called ... called Prak. A strange and
|
|
difficult man. They were eventually forced to administer a drug
|
|
to make him tell the truth, a truth drug."
|
|
|
|
His eyes rolled helplessly in his head.
|
|
|
|
"They gave him too much," he said in a tiny whimper. "They gave
|
|
him much too much." He started to cry. "I thing the robots must
|
|
have jogged the surgeon's arm."
|
|
|
|
"Robots?" said Zaphod sharply. "What robots?"
|
|
|
|
"Some white robots," whispered the man hoarsely, "broke into the
|
|
courtroom and stole the judge's sceptre, the Argabuthon Sceptre
|
|
of Justice, nasty Perspex thing. I don't know why they wanted
|
|
it." He began to cry again. "And I think they jogged the
|
|
surgeon's arm ..."
|
|
|
|
He shook his head loosely from side to side, helplessly, sadly,
|
|
his eyes screwed up in pain.
|
|
|
|
"And when the trial continued," he said in a weeping whisper,
|
|
"they asked Prak a most unfortunate thing. They asked him," he
|
|
paused and shivered, "to tell the Truth, the Whole Truth and
|
|
Nothing but the Truth. Only, don't you see?"
|
|
|
|
He suddenly hoisted himself up on to his elbows again and shouted
|
|
at them.
|
|
|
|
"They'd given him much too much of the drug!"
|
|
|
|
He collapsed again, moaning quietly. "Much too much too much too
|
|
much too ..."
|
|
|
|
The group gathered round his bedside glanced at each other. there
|
|
were goose pimples on backs.
|
|
|
|
"What happened?" said Zaphod at last.
|
|
|
|
"Oh, he told it all right," said the man savagely, "for all I
|
|
know he's still telling it now. Strange, terrible things ...
|
|
terrible, terrible!" he screamed.
|
|
|
|
They tried to calm him, but he struggled to his elbows again.
|
|
|
|
"Terrible things, incomprehensible things," he shouted, "things
|
|
that would drive a man mad!"
|
|
|
|
He stared wildly at them.
|
|
|
|
"Or in my case," he said, "half-mad. I'm a journalist."
|
|
|
|
"You mean," said Arthur quietly, "that you are used to
|
|
confronting the truth?"
|
|
|
|
"No," said the man with a puzzled frown. "I mean that I made an
|
|
excuse and left early."
|
|
|
|
He collapsed into a coma from which he recovered only once and
|
|
briefly.
|
|
|
|
On that one occasion, they discovered from him the following:
|
|
|
|
When it became clear that Prak could not be stopped, that here
|
|
was truth in its absolute and final form, the court was cleared.
|
|
|
|
Not only cleared, it was sealed up, with Prak still in it. Steel
|
|
walls were erected around it, and, just to be on the safe side,
|
|
barbed wire, electric fences, crocodile swamps and three major
|
|
armies were installed, so that no one would ever have to hear
|
|
Prak speak.
|
|
|
|
"That's a pity," said Arthur. "I'd like to hear what he had to
|
|
say. Presumably he would know what the Ultimate Question to the
|
|
Ultimate Answer is. It's always bothered me that we never found
|
|
out."
|
|
|
|
"Think of a number," said the computer, " any number."
|
|
|
|
Arthur told the computer the telephone number of King's Cross
|
|
railway station passenger inquiries, on the grounds that it must
|
|
have some function, and this might turn out to be it.
|
|
|
|
The computer injected the number into the ship's reconstituted
|
|
Improbability Drive.
|
|
|
|
In Relativity, Matter tells Space how to curve, and Space tells
|
|
Matter how to move.
|
|
|
|
The Heart of Gold told space to get knotted, and parked itself
|
|
neatly within the inner steel perimeter of the Argabuthon Chamber
|
|
of Law.
|
|
|
|
The courtroom was an austere place, a large dark chamber, clearly
|
|
designed for Justice rather than, for instance, for Pleasure. You
|
|
wouldn't hold a dinner party here - at least, not a successful
|
|
one. The decor would get your guests down.
|
|
|
|
The ceilings were high, vaulted and very dark. Shadows lurked
|
|
there with grim determination. The panelling for the walls and
|
|
benches, the cladding of the heavy pillars, all were carved from
|
|
the darkest and most severe trees in the fearsome Forest of
|
|
Arglebard. The massive black Podium of Justice which dominated
|
|
the centre of the chamber was a monster of gravity. If a sunbeam
|
|
had ever managed to slink this far into the Justice complex of
|
|
Argabuthon it would have turned around and slunk straight back
|
|
out again.
|
|
|
|
Arthur and Trillian were the first in, whilst Ford and Zaphod
|
|
bravely kept a watch on their rear.
|
|
|
|
At first it seemed totally dark and deserted. their footsteps
|
|
echoed hollowly round the chamber. This seemed curious. All the
|
|
defences were still in position and operative around the outside
|
|
of the building, they had run scan checks. Therefore, they had
|
|
assumed, the truth-telling must still be going on.
|
|
|
|
But there was nothing.
|
|
|
|
Then, as their eyes became accustomed to the darkness, they
|
|
spotted a dull red glow in a corner, and behind the glow a live
|
|
shadow. They swung a torch round on to it.
|
|
|
|
Prak was lounging on a bench, smoking a listless cigarette.
|
|
|
|
"Hi," he said, with a little half-wave. His voice echoed through
|
|
the chamber. He was a little man with scraggy hair. He sat with
|
|
his shoulders hunched forward and his head and knees kept
|
|
jiggling. He took a drag of his cigarette.
|
|
|
|
They stared at him.
|
|
|
|
"What's going on?" said Trillian.
|
|
|
|
"Nothing," said the man and jiggled his shoulders.
|
|
|
|
Arthur shone his torch full on Prak's face.
|
|
|
|
"We thought," he said, "that you were meant to be telling the
|
|
Truth, the Whole Truth and Nothing but the Truth."
|
|
|
|
"Oh, that," said Prak. "Yeah. I was. I finished. There's not
|
|
nearly as much of it as people imagine. Some of it's pretty
|
|
funny, though."
|
|
|
|
He suddenly exploded in about three seconds of manical laughter
|
|
and stopped again. he sat there, jiggling his head and knees. He
|
|
dragged on his cigarette with a strange half-smile.
|
|
|
|
Ford and Zaphod came forward out of the shadows.
|
|
|
|
"Tell us about it," said Ford.
|
|
|
|
"Oh, I can't remember any of it now," said Prak. "I thought of
|
|
writing some of it down, but first I couldn't find a pencil, and
|
|
then I thought, why bother?"
|
|
|
|
There was a long silence, during which they thought they could
|
|
feel the Universe age a little. Prak stared into the torchlight.
|
|
|
|
"None of it?" said Arthur at last. "You can remember none of it?"
|
|
|
|
"No. Except most of the good bits were about frogs, I remember
|
|
that."
|
|
|
|
Suddenly he was hooting with laughter again and stamping his feet
|
|
on the ground.
|
|
|
|
"You would not believe some of the things about frogs," he
|
|
gasped. "Come on let's go and find ourselves a frog. Boy, will I
|
|
ever see them in a new light!" He leapt to his feet and did a
|
|
tiny little dance. Then he stopped and took a long drag at his
|
|
cigarette.
|
|
|
|
"Let's find a frog I can laugh at," he said simply. "Anyway, who
|
|
are you guys?"
|
|
|
|
"We came to find you," said Trillian, deliberately not keeping
|
|
the disappointment out of her voice. "My name is Trillian."
|
|
|
|
Prak jiggled his head.
|
|
|
|
"Ford Prefect," said Ford Prefect with a shrug.
|
|
|
|
Prak jiggled his head.
|
|
|
|
"And I," said Zaphod, when he judged that the silence was once
|
|
again deep enough to allow an announcement of such gravity to be
|
|
tossed in lightly, "am Zaphod Beeblebrox."
|
|
|
|
Prak jiggled his head.
|
|
|
|
"Who's this guy?" said Prak jiggling his shoulder at Arthur, who
|
|
was standing silent for a moment, lost in disappointed thoughts.
|
|
|
|
"Me?" said Arthur. "Oh, my name's Arthur Dent."
|
|
|
|
Prak's eyes popped out of his head.
|
|
|
|
"No kidding?" he yelped. "You are Arthur Dent? The Arthur Dent?"
|
|
|
|
He staggered backwards, clutching his stomach and convulsed with
|
|
fresh paroxysms o laughter.
|
|
|
|
"Hey, just think of meeting you!" he gasped. "Boy," he shouted,
|
|
"you are the most ... wow, you just leave the frogs standing!"
|
|
|
|
he howled and screamed with laughter. He fell over backwards on
|
|
to the bench. He hollered and yelled in hysterics. He cried with
|
|
laughter, he kicked his legs in the air, he beat his chest.
|
|
Gradually he subsided, panting. He looked at them. He looked at
|
|
Arthur. He fell back again howling with laughter. Eventually he
|
|
fell asleep.
|
|
|
|
Arthur stood there with his lips twitching whilst the others
|
|
carried Prak comatose on to the ship.
|
|
|
|
"Before we picked up Prak," said Arthur, "I was going to leave. I
|
|
still want to, and I think I should do so as soon as possible."
|
|
|
|
The others nodded in silence, a silence which was only slightly
|
|
undermined by the heavily muffled and distant sound of hysterical
|
|
laughter which came drifting from Prak's cabin at the farthest
|
|
end of the ship.
|
|
|
|
"We have questioned him," continued Arthur, "or at least, you
|
|
have questioned him - I, as you know, can't go near him - on
|
|
everything, and he doesn't really seem to have anything to
|
|
contribute. Just the occasional snippet, and things I don't want
|
|
to hear about frogs."
|
|
|
|
The others tried not to smirk.
|
|
|
|
"Now, I am the first to appreciate a joke," said Arthur and then
|
|
had to wait for the others to stop laughing.
|
|
|
|
"I am the first ..." he stopped again. This time he stopped and
|
|
listened to the silence. There actually was silence this time,
|
|
and it had come very suddenly.
|
|
|
|
Prak was quiet. For days they had lived with constant manical
|
|
laughter ringing round the ship, only occasionally relieved by
|
|
short periods of light giggling and sleep. Arthur's very soul was
|
|
clenched with paranoia.
|
|
|
|
This was not the silence of sleep. A buzzer sounded. A glance at
|
|
a board told them that the buzzer had been sounded by Prak.
|
|
|
|
"He's not well," said Trillian quietly. "The constant laughing is
|
|
completely wrecking his body."
|
|
|
|
Arthur's lips twitched but he said nothing.
|
|
|
|
"We'd better go and see him," said Trillian.
|
|
|
|
Trillian came out of the cabin wearing her serious face.
|
|
|
|
"He wants you to go in," she said to Arthur, who was wearing his
|
|
glum and tight-lipped one. He thrust his hands deep into his
|
|
dressing-gown pockets and tried to think of something to say
|
|
which wouldn't sound petty. It seemed terribly unfair, but he
|
|
couldn't.
|
|
|
|
"Please," said Trillian.
|
|
|
|
He shrugged and went in, taking his glum and tight-lipped face
|
|
with him, despite the reaction this always provoked from Prak.
|
|
|
|
He looked down at his tormentor, who was lying quietly on the
|
|
bed, ashen and wasted. His breathing was very shallow. Ford and
|
|
Zaphod were standing by the bed looking awkward.
|
|
|
|
"You wanted to ask me something," said Prak in a thin voice and
|
|
coughed slightly.
|
|
|
|
Just the cough made Arthur stiffen, but it passed and subsided.
|
|
|
|
"How do you know that?" he asked.
|
|
|
|
Prak shrugged weakly. "'Cos it's true," he said simply.
|
|
|
|
Arthur took the point.
|
|
|
|
"Yes," he said at last in rather a strained drawl. "I did have a
|
|
question. Or rather, what I actually have is an Answer. I wanted
|
|
to know what the Question was."
|
|
|
|
Prak nodded sympathetically, and Arthur relaxed a little.
|
|
|
|
"It's ... well, it's a long story," he said, "but the Question I
|
|
would like to know is the Ultimate Question of Life, the Universe
|
|
and Everything. All we know is that the Answer is Forty-Two,
|
|
which is a little aggravating."
|
|
|
|
Prak nodded again.
|
|
|
|
"Forty-Two," he said. "Yes, that's right."
|
|
|
|
He paused. Shadows of thought and memory crossed his face like
|
|
the shadows of clouds crossing the land.
|
|
|
|
"I'm afraid," he said at last, "that the Question and the Answer
|
|
are mutually exclusive. Knowledge of one logically precludes
|
|
knowledge of the other. It is impossible that both can ever be
|
|
known about the same universe."
|
|
|
|
He paused again. Disappointment crept into Arthur's face and
|
|
snuggled down into its accustomed place.
|
|
|
|
"Except," said Prak, struggling to sort a thought out, "if it
|
|
happened, it seems that the Question and the Answer would just
|
|
cancel each other out and take the Universe with them, which
|
|
would then be replaced by something even more bizarrely
|
|
inexplicable. It is possible that this has already happened," he
|
|
added with a weak smile, "but there is a certain amount of
|
|
Uncertainty about it."
|
|
|
|
A little giggle brushed through him.
|
|
|
|
Arthur sat down on a stool.
|
|
|
|
"Oh well," he said with resignation, "I was just hoping there
|
|
would be some sort of reason."
|
|
|
|
"Do you know," said Prak, "the story of the Reason?"
|
|
|
|
Arthur said that he didn't, and Prak said that he knew that he
|
|
didn't.
|
|
|
|
He told it.
|
|
|
|
One night, he said, a spaceship appeared in the sky of a planet
|
|
which had never seen one before. The planet was Dalforsas, the
|
|
ship was this one. It appeared as a brilliant new star moving
|
|
silently across the heavens.
|
|
|
|
Primitive tribesmen who were sitting huddled on the Cold
|
|
Hillsides looked up from their steaming night-drinks and pointed
|
|
with trembling fingers, swearing that they had seen a sign, a
|
|
sign from their gods which meant that they must now arise at last
|
|
and go and slay the evil Princes of the Plains.
|
|
|
|
In the high turrets of their palaces, the Princes of the Plains
|
|
looked up and saw the shining star, and received it unmistakably
|
|
as a sign from their gods that they must now go and set about the
|
|
accursed Tribesmen of the Cold Hillsides.
|
|
|
|
And between them, the Dwellers in the Forest looked up into the
|
|
sky and saw the sigh of the new star, and saw it with fear and
|
|
apprehension, for though they had never seen anything like it
|
|
before, they too knew precisely what it foreshadowed, and they
|
|
bowed their heads in despair.
|
|
|
|
They knew that when the rains came, it was a sign.
|
|
|
|
When the rains departed, it was a sign.
|
|
|
|
When the winds rose, it was a sign.
|
|
|
|
When the winds fell, it was a sign.
|
|
|
|
When in the land there was born at midnight of a full moon a goat
|
|
with three heads, that was a sign.
|
|
|
|
When in the land there was born at some time in the afternoon a
|
|
perfectly normal cat or pig with no birth complications at all,
|
|
or even just a child with a retrousse nose, that too would often
|
|
be taken as a sign.
|
|
|
|
So there was no doubt at all that a new star in the sky was a
|
|
sign of a particularly spectacular order.
|
|
|
|
And each new sign signified the same thing - that the Princes of
|
|
the Plains and the Tribesmen of the Cold Hillsides were about to
|
|
beat the hell out of each other again.
|
|
|
|
This in itself wouldn't be so bad, except that the Princes of the
|
|
Plains and the Tribesmen of the Cold Hillsides always elected to
|
|
beat the hell out of each other in the Forest, and it was always
|
|
the Dwellers in the Forest who came off worst in these exchanges,
|
|
though as far as they could see it never had anything to do with
|
|
them.
|
|
|
|
And sometimes, after some of the worst of these outrages, the
|
|
Dwellers in the Forest would send a messenger to either the
|
|
leader of the Princes of the Plains or the leader of the
|
|
Tribesmen of the Cold Hillsides and demand to know the reason for
|
|
this intolerable behaviour.
|
|
|
|
And the leader, whichever one it was, would take the messenger
|
|
aside and explain the Reason to him, slowly and carefully and
|
|
with great attention to the considerable detail involved.
|
|
|
|
And the terrible thing was, it was a very good one. It was very
|
|
clear, very rational, and tough. The messenger would hang his
|
|
head and feel sad and foolish that he had not realized what a
|
|
tough and complex place the real world was, and what difficulties
|
|
and paradoxes had to be embraced if one was to live in it.
|
|
|
|
"Now do you understand?" the leader would say.
|
|
|
|
The messenger would nod dumbly.
|
|
|
|
"And you see these battles have to take place?"
|
|
|
|
Another dumb nod.
|
|
|
|
"And why they have to take place in the forest, and why it is in
|
|
everybody's best interest, the Forest Dwellers included, that
|
|
they should?"
|
|
|
|
"Er ..."
|
|
|
|
"In the long run."
|
|
|
|
"Er, yes."
|
|
|
|
And the messenger did understand the Reason, and he returned to
|
|
his people in the Forest. But as he approached them, as he walked
|
|
through the Forest and amongst the trees, he found that all he
|
|
could remember of the Reason was how terribly clear the argument
|
|
had seemed. What it actually was he couldn't remember at all.
|
|
|
|
And this, of course, was a great comfort when next the Tribesmen
|
|
and the Princes came hacking and burning their way through the
|
|
Forest, killing every Forest Dweller in their way.
|
|
|
|
Prak paused in his story and coughed pathetically.
|
|
|
|
"I was the messenger," he said, "after the battles precipitated
|
|
by the appearance of your ship, which were particularly savage.
|
|
Many of our people died. I thought I could bring the Reason back.
|
|
I went and was told it by the leader of the Princes, but on the
|
|
way back it slipped and melted away in my mind like snow in the
|
|
sun. That was many years ago, and much has happened since then."
|
|
|
|
He looked up at Arthur and giggled again very gently.
|
|
|
|
"There is one other thing I can remember from the truth drug.
|
|
Apart from the frogs, and that is God's last message to his
|
|
creation. Would you like to hear it?"
|
|
|
|
For a moment they didn't know whether to take him seriously.
|
|
|
|
"'Strue," he said. "For real. I mean it."
|
|
|
|
His chest heaved weakly and he struggled for breath. His head
|
|
lolled slightly.
|
|
|
|
"I wasn't very impressed with it when I first knew what it was,"
|
|
he said, "but now I think back to how impressed I was by the
|
|
Prince's Reason, and how soon afterwards I couldn't recall it at
|
|
all, I think it might be a lot more helpful. Would you like to
|
|
know what it is? Would you?"
|
|
|
|
They nodded dumbly.
|
|
|
|
"I bet you would. If you're that interested I suggest you go and
|
|
look for it. It is written in thirty-foot-high letters of fire on
|
|
top of the Quentulus Quazgar Mountains in the land of
|
|
Sevorbeupstry on the planet Preliumtarn, third out from the sun
|
|
Zarss in Galactic Sector QQ7 Active J Gamma. It is guarded by the
|
|
Lajestic Vantrashell of Lob."
|
|
|
|
There was a long silence following this announcement, which was
|
|
finally broken by Arthur.
|
|
|
|
"Sorry, it's where?" he said.
|
|
|
|
"It is written," repeated Prak, "in thirty-foot-high letters of
|
|
fire on top of the Quentulus Quazgar Mountains in the land of
|
|
Sevorbeupstry on the planet Preliumtarn, third out from the ..."
|
|
|
|
"Sorry," said Arthur again, "which mountains?"
|
|
|
|
"The Quentulus Quazgar Mountains in the land of Sevorbeupstry on
|
|
the planet ..."
|
|
|
|
"Which land was that? I didn't quite catch it."
|
|
|
|
"Sevorbeupstry, on the planet ..."
|
|
|
|
"Sevorbe-what?"
|
|
|
|
"Oh, for heaven's sake," said Prak and died testily.
|
|
|
|
In the following days Arthur thought a little about this message,
|
|
but in the end he decided that he was not going to allow himself
|
|
to be drawn by it, and insisted on following his original plan of
|
|
finding a nice little world somewhere to settle down and lead a
|
|
quiet retired life. Having saved the Universe twice in one day he
|
|
thought that he could take things a little easier from now on.
|
|
|
|
They dropped him off on the planet Krikkit, which was now once
|
|
again an idyllic pastoral world, even if the songs did
|
|
occasionally get on his nerves.
|
|
|
|
He spent a lot of time flying.
|
|
|
|
He learnt to communicate with birds and discovered that their
|
|
conversation was fantastically boring. It was all to do with wind
|
|
speed, wing spans, power-to-weight ratios and a fair bit about
|
|
berries. Unfortunately, he discovered, once you have learnt
|
|
birdspeak you quickly come to realize that the air is full of it
|
|
the whole time, just inane bird chatter. There is no getting away
|
|
from it.
|
|
|
|
For that reason Arthur eventually gave up the sport and learnt to
|
|
live on the ground and love it, despite a lot of the inane
|
|
chatter he heard down there as well.
|
|
|
|
One day, he was walking through the fields humming a ravishing
|
|
tune he'd heard recently when a silver spaceship descended from
|
|
the sky and landed in front of him.
|
|
|
|
A hatchway opened, a ramp extended, and a tall grey-green alien
|
|
marched out and approached him.
|
|
|
|
"Arthur Phili ..." it said, then glanced sharply at him and down
|
|
at his clipboard. He frowned. He looked up at him again.
|
|
|
|
"I've done you before haven't I?" he said.
|