242 lines
11 KiB
Plaintext
242 lines
11 KiB
Plaintext
*****************************
|
||
AN ALUMINUM CAN A DAY
|
||
by
|
||
Carl H. Mitchell
|
||
|
||
|
||
|
||
The twin towers of the old mansion glowered down at him as he fled through
|
||
the blackness. His churning steps were unsure, like a drunkard's. Forty yards
|
||
from the house Jack felt a sudden, numbing cold hit the back of his neck.
|
||
Dense clouds filtered the moonlight, shrouding all sense of direction. The
|
||
cold intensified. Jack quickened his lurching march.
|
||
|
||
Crashing free of the underbrush, he spied the Continental, its dead, useless
|
||
bulk astride the dirt road. Nora was still there, inside... =With the dome
|
||
lights on!=
|
||
|
||
He stumbled forward, his hand slashing at the door handle.
|
||
|
||
"Cut the lights!" he wheezed, the distant, hollow sound of his words almost
|
||
buried under the slamming crunch of the door.
|
||
|
||
Dumbfounded, Nora just stared at him. His head slumped back; his chest rose
|
||
and fell, then rose again, struggling to suck in air. He flailed out at the
|
||
knobs but caught the dangling ring to the ignition key instead. The chain and
|
||
gold disk with its embossed eagle snapped free and fell to the carpet.
|
||
|
||
"Christ, Nora! The lights. Cut 'em!"
|
||
|
||
Her hand shot to the dash, punching them into blackness. She felt his body
|
||
shake beside her. Her spine tightened. "Jack!"she wailed. "What is it?"
|
||
|
||
Her eyes, adjusting to the darkness, watched as his head wagged haltingly
|
||
from side to side. "Jack! Tell me. For God's sake! What happened in there?"
|
||
Her voice rose a half pitch with each word.
|
||
|
||
"Younger," Jack mumbled. "He kept getting younger." Panicky beads of sweat
|
||
glistened under a fading ray of moonlight as they rolled down from granite
|
||
forehead to jutting, clean-shaven chin. A trembling hand raked through black,
|
||
unruly hair. "Horrible!"
|
||
|
||
"What, Jack? Who?" She had never seen him in such a state.
|
||
|
||
"Him."
|
||
|
||
"Him?"
|
||
|
||
"In the house. The old man. He opened the door when I knocked, like he was
|
||
expecting me. He asked me in, and in five minutes, had my soul."
|
||
|
||
Nora shivered. It wasn't Jack's words that upset her -- certainly they were
|
||
just rhetoric; rather, it was the incredibly sad look on his face as his eyes
|
||
pierced hers that started the first tripping of alarms. Chills raced outward
|
||
from the sudden knot in her stomach.
|
||
|
||
"He looked a hundred and twenty at least," Jack continued, "all withered and
|
||
wrinkled. I said I was sorry to bother him at such an hour, but we had taken
|
||
the wrong road, lost our way, and ran out of gas.
|
||
|
||
"'We?' thld man asked." Nora winced under Jack's mimicking falsetto.
|
||
|
||
"'Yes,' I replied. 'My wife and I.'
|
||
|
||
"'Come in,' he said. 'I'll phone for help.'
|
||
|
||
"Leading the way, he asked me to please excuse the condition of the house and
|
||
then said something about getting us fixed up in no time. I suddenly felt
|
||
uneasy; his words came out measured as if sound, not meaning were important. I
|
||
couldn't tell you why, but I felt walls closing in on me. My vision seemed to
|
||
narrow to where I could see only his face; then, just his eyes. The back of my
|
||
neck prickled, and like a kid whistling in the dark I made some fool comment
|
||
about how I should have expected trouble: 'When one roams around the
|
||
countryside searching for a recycling depot, discovering that apparently your
|
||
automobile was also made from recycled aluminum shouldn't come as a total
|
||
surprise.'
|
||
|
||
"It was a dumb comment. I didn't intend to say anything more, didn't want to
|
||
make a =complete= ass of myself, but then, in an instant of disbelief, I heard
|
||
myself rattling on about how I was the newly appointed Assistant Undersecretary
|
||
to the National Reclamation Commission, Recycling Division; and about how a
|
||
single entry on the Plant Location List caught my eye: the only depot with no
|
||
commodity details, no statements of tonnage capacity, not even a name, only a
|
||
general location thirty miles south of Washington; and -- his eyes soothed me,
|
||
seemed to encourage me to keep talking. I couldn't resist -- about the last
|
||
ten year's worth of trip logs I reviewed which led me to the discovery that
|
||
each and every Field Rep. who checked on the 'mystery' depot had resigned the
|
||
day after his return; and, finally, about how we were in the area and had
|
||
decided a quick check was warranted -- a quick check which turned into six lost
|
||
hours.
|
||
|
||
"Eventually, I just ran out of words. I couldn't understand why I had
|
||
babbled on so; I was just tired, I guess, and nervous.
|
||
|
||
"A strange look washed over the old man's face. The look was a mixture of
|
||
understanding and -- I misread it then -- of irony.
|
||
|
||
"He grabbed my arm, and his fingers as they circled my sleeve were like
|
||
pincers of dry ice, blistering cold right through to my skin. There was a
|
||
coldness in his eyes, too, and in the slow, deliberate way he nodded as if...
|
||
As if passing judgement on a bottle of hundred-year-old port. For an instant I
|
||
felt numb all over, all the heat in my body drawn to that one spot where he
|
||
held me. Before I could react and jerk my arm free -- before I was even sure
|
||
it wasn't just my mind playing tricks -- I was warm again. The old man's face
|
||
seemed to blur for a moment, then clear. I blinked, positive my mind =was=
|
||
playing some perverted game; a man in his eighties was releasing his grip and
|
||
waving me along.
|
||
|
||
"Trying not to shake like a damn fool, I followed him into the foyer. It was
|
||
the size of a ballroom. Immense mahogany doors lined the left wall. Between
|
||
each door was a piece of furniture, almost all covered with white sheets.
|
||
Toward the back of the room, a great stairway, like something from an old movie
|
||
set, spiraled up into blackness. Every inch of its carpeting was covered with
|
||
white paper.
|
||
|
||
"'Are you moving?' I asked... Yes, I remember asking that.
|
||
|
||
"'Soon,' the old man replied. 'Been ready for quite some time. But... Yes,
|
||
very soon. Moving on, you =could= say.' Then he stepped to the phone resting
|
||
on the only uncovered table, lifted the receiver, and turned to face me as he
|
||
gave the number.
|
||
|
||
"Oh God, Nora!"
|
||
|
||
"Jack! I'm here!" He seemed to be looking right through her. Nora studied
|
||
him, her dark brown eyes missing nothing. Jack's head and shoulders were
|
||
twitching in little shuddering spasms -- sometimes separately, sometimes
|
||
together. And... And didn't his hair seem lighter somehow in the dim light of
|
||
the obscured moon? Cold dread took hold of her.
|
||
|
||
"He kept speaking into the phone," Jack picked up as if forgetting he had
|
||
stopped, "and I kept staring at him as he talked. I remember thinking how he
|
||
didn't look so very old after all, maybe only sixty or so; the light in that
|
||
musty foyer really wasn't very bright. the air seemed to swirl -- light,
|
||
dark... light. Somewhere, I heard a clock tick and before it ticked again he
|
||
looked younger still. The years seemed to peel in layers from his face; his
|
||
stooped body began to uncurl. He stood erect. I couldn't move, not a muscle;
|
||
I just watched, fascinated. Then =she= came into the room."
|
||
|
||
Jack stopped. His breathing turned to slow sighs punctuated with short,
|
||
quick hackings.
|
||
|
||
"She?" Nora prompted. No answer. She grabbed his shoulders and shook. His
|
||
head just wobbled back and forth as if attached to some mindless mechanical
|
||
toy. "Jack!" she shouted, panic in her voice. "Please!"
|
||
|
||
He looked at her, his eyes blank, empty of emotion. she buried her head in
|
||
his chest.
|
||
|
||
"His wife, I guess," Jack's voice suddenly lurched on. "She was nothing but
|
||
a shriveled up little ball in a wheelchair. As I turned and stared, she
|
||
reached down with a ragged, spindly arm and flicked the chair forward into the
|
||
light. God, she was repulsive! A squat gray frog of a woman shrouded in
|
||
decayed linen, her big, bubbled eyes filmed with yellow mucus. Her voice
|
||
rasped and gurgled.
|
||
|
||
"'Hurry!" she said. 'We must leave.'
|
||
|
||
"'Patience,' I heard the man say. His voice seemed so far away.
|
||
|
||
"'No!' she insisted. 'The timetable has started. We're next; if we don't
|
||
hurry, we'll lose our place and be returned to the end.'
|
||
|
||
"He wagged his head at her. 'You worry for nothing,' he said. 'We will not
|
||
be returned.'
|
||
|
||
"She snorted and pumped herself closer, her yellow eyes blazing and twitching
|
||
at me. Her hands as they gripped the black rubber wheels... I --" a cold
|
||
shiver racked through Jack's whole body -- "I couldn't tell if there was any
|
||
=flesh= covering them. I turned back to the old man, but... But he wasn't old
|
||
any more. He was as young as I. It was like looking in a mirror; he was my
|
||
twin, feature for feature -- only not really like in a mirror, not backwards."
|
||
|
||
Nora felt the strange gurgles deep within Jack's chest.
|
||
|
||
He charged on, as if struggling to win a race. "He looked at me, smiling.
|
||
|
||
"'It's cold outside,' he said. 'Have Nora wait in here.'
|
||
|
||
"Then -- at that moment -- I knew. I hadn't told him your name. I swear!
|
||
His eyes bore down on me, hypnotic; I felt empty, unable to move. Then I saw
|
||
it! The phone cord, a foot long, was dangling free. =Unconnected!=
|
||
|
||
"'What do you want?' I screamed at him.
|
||
|
||
"'I think you know,' he said, still smiling. 'And we all want to thank you,
|
||
all of you. What you call recycling has always been a critical concept to us,
|
||
but always very haphazard, very discreet, and very time consuming. Finally,
|
||
when you discovered a =similar= need, and when you government boys got into the
|
||
act -- publicizing, encouraging -- we decided to set up shop. The timing was
|
||
perfect; business has never been better. We particularly liked your recurring
|
||
slogan: Don't Can the Majority -- Recycle! We took that phrase as a welcome
|
||
signal and official license to plan for expansion. Some of our new depots
|
||
should be ready soon. By the way, if you've never seen a =real= majority, you
|
||
should catch the line behind us.' The bastard paused on that, and then =winked=
|
||
at me. Continuing, he told me that, 'We even have a few of =our= majority,
|
||
your field men, running for public office -- to keep the ball rolling, so to
|
||
speak.' Finally, he hit me with the capper: 'Has anyone ever told you,' he
|
||
asked, 'that you're Presidential timber?' He finished with a chuckle and
|
||
another wink.
|
||
|
||
Jack hunched forward.
|
||
|
||
"For an instant I fought against his eyes, and for that one instant I was
|
||
free. I turned... Turned and ran."
|
||
|
||
Jack's last words came in gasps and croaks. Nora jerked upright.
|
||
|
||
Fighting to keep her breath even, Nora squinted at the still form beside her.
|
||
The clouds obscuring the moon were just now beginning to pass. As they moved,
|
||
her mind pounded repeatedly on one thought. "Deliver us, God! Deliver us from
|
||
this terrible place."
|
||
|
||
She saw her husband and screamed. He was a hundred years old! His hair was
|
||
snow-white; his face hung in loose vertical folds and his arms, once muscled
|
||
and firm, were bone thin. His breathing was shallow and faint. Very faint.
|
||
|
||
It stopped.
|
||
|
||
"My God."
|
||
|
||
A sound!
|
||
|
||
Nora wrenched sideways, riveting her eyes to the house. Her breath stuck hot
|
||
in her throat.
|
||
|
||
The huge doors were open again. Wide. Silhouetted in the bright yellow
|
||
light, a tall, familiar, athletic figure slowly descended the steps; then,
|
||
almost floating, moved toward the car.
|
||
|
||
The figure was pushing something.
|
||
|
||
The something had wheels.
|
||
|
||
|
||
THE END
|
||
|
||
|
||
|
||
COPYRIGHT (C) 1983 by CARL H. MITCHELL
|
||
ALL RIGHTS RESERVED
|
||
**************************************
|
||
|