234 lines
11 KiB
Plaintext
234 lines
11 KiB
Plaintext
David Fantasy #1
|
|
by Julianne Lee
|
|
Author does not have access to .creative
|
|
|
|
Something to while away the weeks until the new season...
|
|
|
|
Kira's hands shook as she buttoned the vest of her
|
|
camel-colored suit. Any minute now she would be meeting
|
|
him. Today was the day. Any minute. Her palms were slick.
|
|
A paper towel. She needed a paper towel to wipe her
|
|
hands. No sweat stains on the suit, please. There were no
|
|
paper towels; she had to settle for the upholstery on the
|
|
dinette in her motor home dressing room.
|
|
Why hadn't they let her read with him at the casting
|
|
call? Who the hell did he think he was, anyway?
|
|
He was in Vancouver, that's who he thought he was. In
|
|
Vancouver while she was auditioning in LA. She'd read
|
|
with Chris Carter. Carter had been in town, but that
|
|
Duchovny guy had been stuck in Vancouver. So she'd read
|
|
with Chris. Not David. A deep, shakey sigh escaped her.
|
|
Not David. She wondered if she could live through this.
|
|
Chris was a nice guy. Would David be so nice? Huh.
|
|
Anybody's guess, she figured.
|
|
A knock echoed in the trailer. "They're ready for you,
|
|
Miss Julian."
|
|
Oh, God. Here goes nothing.
|
|
Kira opened the trailer door and nearly toppled when
|
|
it opened too fast. One hand snatched at the door post and
|
|
one foot found the rickety aluminum ladder below. The heel
|
|
of her shoe stuck in the step and wouldn't come out. After
|
|
a minute or so of trying to wrench it loose, she gave up,
|
|
took her foot from the shoe and reached down for a good
|
|
yank.
|
|
Oh, God.
|
|
The shoe back on her foot, she hurried to the set. Her
|
|
lines tumbled in her brain: "Come on, Mulder, take a
|
|
reality break. Come on, Mulder, take a reality break. Come
|
|
on, Mulder, take a reality break." There was more, but
|
|
that one line kept repeating. "Come on, Mulder, take a
|
|
reality break."
|
|
Why had she ever read for this part? Why had she
|
|
begged her agent to put her up for this?
|
|
She answered her own question: Because I have the
|
|
great, screaming hornies for that Duchovny guy, that's
|
|
why!
|
|
She bemoaned her foolishness. It should have been let
|
|
alone. Why did she ever want to meet this guy? Cute guys
|
|
were a dime a dozen in LA; why did she have to come all
|
|
the way to Vancouver to meet this one?
|
|
The front hallway of the house which was today's
|
|
location was lined with heavy, black cables tied together
|
|
with duct tape. They snaked from the trailers outside to
|
|
the lights and other equipment inside and she picked her
|
|
way to the living room, her ankles threatening to break if
|
|
she tripped.
|
|
Crew stood around, waiting for the first team--herself
|
|
and David--to take their places. The camera, looking like
|
|
the creature from "Alien," all black and covered with
|
|
incomprehensible appendages, stood in the corner of the
|
|
living room, pointed at t-
|
|
|
|
$
|
|
-Yre she and David would
|
|
be doing their first scene together.
|
|
There was Chris, looking all blonde and fresh. His
|
|
jeans were new and his hair was tres Late Boomer. Same age
|
|
as she.
|
|
"Hi, Kira. How are you?"
|
|
"Fine." She shook his hand and hoped the sweat hadn't
|
|
returned.
|
|
Carter looked up, past her, and said, "David..."
|
|
Kira turned. It felt like slow motion, and when she
|
|
saw him the world seemed to freeze. David Duchovny. All 6
|
|
feet 1 of him, mild eyes and tentative smile. Too gorgeous
|
|
for words. "Hello."
|
|
Her heart was in her throat. She swallowed hard. Chris
|
|
was saying, "David, this is Kira Julian. Kira, David
|
|
Duchovny."
|
|
"Julian, not Gillian? Pleased to meet you." He held
|
|
out his hand and she took it. Warm and dry, not like hers
|
|
which had to be cold and clammy. His smile widened some,
|
|
but then his attention turned to Carter, hands on hips,
|
|
his jacket gathered behind him. "Chris, we need to talk."
|
|
"After this setup. Shoot this one, then come to the
|
|
production trailer."
|
|
Carter walked away and Duchovny stared after, his lips
|
|
thin and his eyes narrowed. Kira knew that look. It was
|
|
Mulder's "dammit" face. Something was wrong.
|
|
Duchovny turned and went to his mark. Kira followed
|
|
and found hers, a T of masking tape stuck to the carpet.
|
|
She set her feet on either side of the T stem and looked
|
|
up at Duchovny. His eyes were squeezed shut. Then he shook
|
|
himself out all over and made a grimace to stretch out his
|
|
mouth muscles.
|
|
Kira followed suit, trying to loosen up a little. It
|
|
wasn't easy in these damned heels. She was four inches
|
|
taller than Gillian Anderson, who played Mulder's regular
|
|
partner, but they still made her wear four inch heels.
|
|
Huh. They should wheel her around on a dolly to keep her
|
|
from breaking her ankles.
|
|
The heels brought her to 5'10, within some range of
|
|
Duchovny's height. A pain in the neck, but it was either
|
|
this or stand on a box for the two-shots that included
|
|
just their faces.
|
|
"Ready for rehearsal!," the director said.
|
|
Duchovny glanced over at him, then looked at her. Kira
|
|
could see he wasn't seeing her any more, but Shelly
|
|
Mardarosian, Mulder's new partner.
|
|
"Action."
|
|
"Mardarosian, look at this."
|
|
"Come on, Mulder, take a..." As soon as the words left
|
|
her lips she wanted to cry. David looked at her like she
|
|
was the stupidest bimbo he'd ever seen. She moaned, "I'm
|
|
sorry."
|
|
Okay, she blew it on rehearsal. Now she could go the
|
|
rest of the day without blowing a huge number of takes.
|
|
They started over.
|
|
"Mardarosian, look at this."
|
|
"What?"
|
|
Somehow they made it through the scene, got it on
|
|
celluloid, and David disappeared like he'd been abducted
|
|
by aliens.
|
|
Kira picked her way through the cables in her heels
|
|
and made it back to her motor home. As she stepped into
|
|
the dressing room she heard a muffled shout from the
|
|
production trailer. Hard to hear, but it sounded like
|
|
Duchovny saying, "Bimbo!" The rest of it she couldn't hear
|
|
at all.
|
|
Her face flushed hot and she hurried to lock herself
|
|
into her dressing room.
|
|
On the dinette she sank into a pain-wracked huddle. He
|
|
hated her. She wished she could cry, but then she'd have
|
|
to get her makeup repaired. More humiliation. Instead she
|
|
swallowed the pain and opened her script to the scene
|
|
they'd just done. Her lines would be down cold for the
|
|
closeup angles, at least.
|
|
Later, David wouldn't look at her when he fed her his
|
|
lines during her closeup. His delivery was professional,
|
|
but he wouldn't look at her. It rattled her so much that
|
|
she had to repeat the same line six times. "Keep rolling,"
|
|
said the director in a tone dripping with disgust. By the
|
|
time the scene was finished she was sweating like a horse
|
|
and she knew David really did hate her.
|
|
It went like that all week. She hid in her dressing
|
|
room. Though she could hear David outside, playing
|
|
basketball with some of the crew, she never went out.
|
|
Lunch was always a hurried thing: get the food and get
|
|
back to the motor home and hope to God David wasn't
|
|
around.
|
|
Then she sat at the dinette, peeking out the window at
|
|
David's lithe, shirtless body jumping for the hoop as she
|
|
chewed her fried chicken or spaghetti more than necessary.
|
|
Sometimes she would forget to swallow for minutes at a
|
|
time as she watched the muscles ripple and the long arms
|
|
stretch to control and avoid. David was a wonder to
|
|
behold.
|
|
Eight working days. That's how long it was. The
|
|
weekend was unbearable. Kira sat in her hotel room and
|
|
watched TV for two days. Nobody called and she called
|
|
nobody.
|
|
Wednesday was the last day of shooting on that
|
|
episode, and there had been nary a word passed between
|
|
herself and David that hadn't been in the script. Kira was
|
|
going to go home to LA a failure. She'd alienated the most
|
|
attractive straight single man in the entire film
|
|
industry, and would probably come off on the show as a
|
|
bimbo to boot. She might as well crawl under a rock and
|
|
die.
|
|
And to make matters worse, she was to spend most of
|
|
this day covered in mud. Still with the heels. How very
|
|
attractive she would be. If only she could just go home
|
|
now and skip this humiliation.
|
|
As she and David stood together in spotless wool
|
|
suits, waiting for their cue to flee into a mud hole from
|
|
what would later be an optical effect, Kira glanced at
|
|
him.
|
|
He was staring at her, and looked away.
|
|
She looked away and could feel her face warm.
|
|
"Action!"
|
|
They ran. And fell into the mud according to the
|
|
script. It took maybe four seconds, then the director
|
|
yelled "Cut. Print. Thank you."
|
|
David struggled to his feet, a steady stream of foul
|
|
language burbling from his mouth. Kira agreed with all her
|
|
heart; it was, indeed, extremely cold mud. He helped her
|
|
to her feet, mud dripping from his hair and nose onto her.
|
|
"Waidaminit, my shoe is still in there."
|
|
He plunged a hand into the muck and yanked the mud-
|
|
filled shoe from the bottom. "Here." She took it and he
|
|
steadied her as they climbed out. His long fingers were
|
|
firm on her arm. Strong. Blankets awaited them, and Kira
|
|
huddled against a nearby generator for warmth.
|
|
David sidled up next to her. "Why don't you go back to
|
|
your dressing room?" The words were a shock after a week
|
|
and a half of silence.
|
|
"I'm too middle class to track mud into it."
|
|
"Ah." A slight smile and raised eyebrows told her he
|
|
appreciated the humor. "I knew there had to be a reason."
|
|
She looked up at him. "Why?"
|
|
His eyes narrowed and he stuck his jaw out. He was
|
|
about to say something, but though his mouth was open he
|
|
wasn't quite ready to say it. The eyes were hooded and he
|
|
almost looked tough. Only then did he say what was on his
|
|
mind. "You don't like me much, do you?"
|
|
Kira laughed. David looked away and chewed on the
|
|
corner of his mouth. In a rush, she said, "No, I do like
|
|
you. I think. I haven't been able to talk to you much."
|
|
"Ah." Again with the raised eyebrows. "Something kept
|
|
you in your dressing room all week. I thought you were
|
|
avoiding me."
|
|
Now she was turning red to her toes. "I was. I can't
|
|
believe how bad I've done on this gig. You were
|
|
complaining about me to Chris the first day."
|
|
David's eyes went blank for a second, then fired with
|
|
memory. "Oh. Oh, no, that wasn't you. There was some
|
|
dingbat girl following me around. Calls herself Spooky, I
|
|
think. Or Mooky...Puky, or something. Chris needed to get
|
|
someone to put more security on the set. Stop giving out
|
|
locations and stuff."
|
|
"Seriously? It wasn't me?"
|
|
"I never lie." A wide grin burst onto his face. "Just
|
|
the occasional campaign of misinformation. Now how about
|
|
letting me next to that generator? I'm freezing! Man,
|
|
you'd think they could afford a heater out here, huh?"
|
|
With a chuckle, she moved over to let him close. As he
|
|
stepped in, he opened his blanket to put it around her and
|
|
share the warmth. With a deep, silent sigh she opened her
|
|
blanket to put an arm around his waist. There they
|
|
shivered in the Vancouver air until the AD called them for
|
|
the next setup where they would have to stand hip-deep in
|
|
ice-cold mud together.
|
|
Kira was in heaven.
|
|
|