1534 lines
75 KiB
Plaintext
1534 lines
75 KiB
Plaintext
Hi all,
|
|
|
|
This story is a pseudo-crossover (ripoff?) with a popular SF film. Which
|
|
one? well, you should be able to tell that from the title. This is also my
|
|
first attempt at a (somewhat) "straight" story, and therefore any and all
|
|
comments would be welcome in that regard.
|
|
|
|
All characters and situations, real or imagined, are used without permission.
|
|
Hopefully, no one will sue me. :)
|
|
|
|
Here follows "They Love", by Steven Han, 8/9/1994. Enjoy!
|
|
|
|
|
|
|
|
----------------------------------------------------------------------------
|
|
|
|
7:55 a.m.
|
|
Monday Morning
|
|
FBI Headquarters
|
|
|
|
|
|
Scully walked into the basement office, dressed for another day of
|
|
investigative work. She looked over to the side of the room, and saw
|
|
Mulder kneeling in front of a TV monitor. "Morning, Mulder", she said,
|
|
as she put her portfolio down on her desk. She looked over at Mulder again
|
|
and asked, "What's so interesting, Mulder? get another shipment from your
|
|
adult-video-of-the-month club?"
|
|
|
|
"Joke all you want, Scully - I think I'm on to something here.", said
|
|
Mulder, as he reached down to the VCR to rewind the tape.
|
|
|
|
"What is it this time, Mulder? Vampires? Little men from the center of
|
|
the earth?", snickered Scully, sitting down at her desk.
|
|
|
|
"No, it's much bigger than that, Scully", said Mulder, getting up. He
|
|
motioned to Scully and said, "Scully, come here, I'd like you to see this."
|
|
|
|
Scully, who had just gotten comfortable in her chair, groaned and got up
|
|
to join Mulder by the monitor. She looked at him wryly and asked, "So,
|
|
Mulder, who is it you're chasing today?"
|
|
|
|
"Just look at the monitor, Scully - it's the ultimate evil force of the
|
|
twentieth century." said Mulder, as he pressed the 'Play' button.
|
|
|
|
Scully looked at the monitor, and shook her head. "Mulder, that's Barney
|
|
and Friends! is this another joke?", she asked incredulously.
|
|
|
|
"Scully, you're not taking this seriously. I happen to believe Barney is
|
|
a tremendously evil influence upon our youth. And I think he's using
|
|
unnatural means to achieve his aims. I think we should investigate."
|
|
|
|
Scully looked at Mulder, expecting him to crack a smile at any moment.
|
|
Mulder's expression, though, was dead serious, and after a while, she
|
|
realized that he was not joking.
|
|
|
|
She moaned, "Oh for chrissakes, Mulder", and buried her face in her hands.
|
|
She went on, "Mulder, You've really flipped this time. Maybe Skinner was
|
|
right about you after all", she said, shaking her head.
|
|
|
|
"There's undeniable proof, Scully. Look. This VCR can play the tape
|
|
backwards", Mulder said, as he reached down to the controls. Soon, Barney
|
|
and friends were cavorting in reverse motion.
|
|
|
|
"See that, Scully? did you hear that?", exclaimed Mulder excitedly.
|
|
|
|
"Hear what, Mulder?", said Scully, uninterested.
|
|
|
|
"Just there, on the tape. In Barney's speech, played backwards. Here,
|
|
I'll play it again", said Mulder, rewinding the tape.
|
|
|
|
"Wurgleamgrris....grfburreksy...", went Barney. Mulder pointed excitedly
|
|
at the TV. He went on, "Scully, it's right there! How can you miss it?
|
|
Barney's saying 'Follow Me'!", said Mulder, as excited as a five-year-old
|
|
with his first set of Loc-blocks.
|
|
|
|
"Give me a break, Mulder - you're imagining things", was Scully's terse
|
|
reply.
|
|
|
|
Undaunted, Mulder went on. "But Scully, how can you refute this evidence?
|
|
And besides, look at the circumstances. Barney and his show have only been
|
|
on television for a couple of years. And yet, he's revered by kids,
|
|
worshipped, in fact. No other television figure has ever garnered such
|
|
unfathomable, unwavering support, except perhaps for some televangelists."
|
|
|
|
Scully countered, "But Mulder, this is nonsense! Barney is just a harmless
|
|
TV character. Now I agree he may not exactly be the ideal role model for
|
|
our youth - in fact, he's probably not much more than eye candy, but he's
|
|
certainly no demagogue. Personally, I think you must have run out of UFOs
|
|
and mutants to chase after, Mulder."
|
|
|
|
Smiling at her disbelief, Mulder responded, "Well, Scully, I think it's
|
|
actually good that you're skeptical. I appreciate your objectivity; I
|
|
really do. I realize you're going to need more evidence, but I'll have it
|
|
soon. Come on, Scully, we're taking a little trip."
|
|
|
|
"A trip, where is it this time, to Never-never land? or Sesame Street?",
|
|
asked Scully defiantly, crossing her arms and planting her feet.
|
|
|
|
"No, it's nothing like that. We're just going to hop on over to the
|
|
other side of town. Less than an hour's drive.", said Mulder, putting on
|
|
his coat.
|
|
|
|
|
|
|
|
|
|
9:01 a.m.
|
|
|
|
Mulder and Scully walked up to the entrance of an abandoned church.
|
|
Mulder knocked on the door, and moments later, someone cracked the door
|
|
slightly and peered out.
|
|
|
|
"What's the password?" asked the shadowy figure.
|
|
|
|
"It's me, Fox Mulder"
|
|
|
|
"I don't care who it is; what's the password?"
|
|
|
|
"Look, I said it's me, agent Mulder. I don't know the silly password",
|
|
said Mulder impatiently.
|
|
|
|
"Well, how do I know it's you? It could be an impostor for all I know",
|
|
said the figure suspiciously.
|
|
|
|
"Damn it, Cricket!", said Mulder, and pushed in the door. "Ow! my head!",
|
|
said the figure, backing away from the door.
|
|
|
|
Once the door was open, Scully saw that the man was holding his forehead
|
|
and wincing in pain. He protested, "Damnit, Mulder! I told you we had
|
|
procedures to follow!"
|
|
|
|
"Yeah well, I guess I just forgot. Where's Cliff?", Mulder asked.
|
|
|
|
"He's in the back", said Cricket, still rubbing his forehead.
|
|
|
|
Mulder led Scully through the abandoned pews, and around the preacher's
|
|
platform to the back room. Entering the former pastor's offices, they
|
|
found a group of men huddled together around a large table in the center
|
|
of the room. There were also others sitting around at smaller tables,
|
|
working at portable computers and talking on the phone. Looking up, one of
|
|
the men at the center table began to speak.
|
|
|
|
"Well, Mulder - it's about time you showed up."
|
|
|
|
Another man spoke. "Is this your skeptical friend, Mulder? She's hot!"
|
|
|
|
Scully rolled her eyes, thinking - not again!
|
|
|
|
Others joined in. "Yep, she's hot, alright!"
|
|
"Hot hot hot!"
|
|
"Hot mama!"
|
|
"Yeowzers!"
|
|
"Woo woo!"
|
|
"Whoa, bay-bee!"
|
|
"Babe-a-roni!"
|
|
"Babe-a-rama!"
|
|
"Babe central!"
|
|
"The babemeister!"
|
|
"The FBI's most babe-a-licious!"
|
|
|
|
Mulder finally cut in. "All right guys, break it up." He turned to
|
|
Scully and said, "By the way, Scully, these are the Lone Bowmen." Turning
|
|
back towards the men, he asked, "What's the latest on Barney?"
|
|
|
|
One of the men got up, and Scully surmised that he was Cliff. He began to
|
|
speak. "Well, Mulder, I think we're finally on to him. We believe he's
|
|
communicating his message to his audience through a low-intensity carrier
|
|
wave fed continuously from his TV complex. The signal is received and
|
|
processed by the human brain on a subconscious level. Here, Mulder,
|
|
take this.", he said, handing Mulder a pair of dark sunglasses.
|
|
|
|
"A solar eclipse coming, Cliff?", Mulder quipped, as he gazed at the glasses.
|
|
|
|
"Not quite, Mulder, it's actually..", began Cliff.
|
|
|
|
Just then, they heard the doorman Cricket screamed out, "They're here!
|
|
RUN! run for your lives!"
|
|
|
|
Mulder and Scully glanced at each other, and then at Cliff. Cliff was
|
|
momentarily frozen with panic, then yelled, "Alright, everybody! grab the
|
|
stuff and get out! we'll rendezvous at base Delta!" He turned to Mulder,
|
|
and shouted "You too! you guys, run for it, now!", and quickly turned to
|
|
gather up some items from the table.
|
|
|
|
Mulder and Scully stood stunned for a moment, while they saw the men
|
|
scurrying about before them, grabbing papers, boxes, and computers.
|
|
Others had pulled out pistols and rifles and were headed out towards the
|
|
front door, with a grim look on their faces. Moments later, Mulder and
|
|
Scully were jarred by the loud sounds of automatic gunfire from outside the
|
|
room.
|
|
|
|
"Everybody! we're outta here NOW!" yelled Cliff, with a terrified look on
|
|
his face. Not hesitating another second, Mulder grabbed Scully's arm
|
|
and dragged her towards the back door.
|
|
|
|
Making their way past men carrying boxes, Mulder and Scully exited
|
|
through the back and into the parking lot. Scully paused to observe men
|
|
hurriedly loading vans, but was yanked away by Mulder towards the side
|
|
street.
|
|
|
|
Observing from behind some trees a safe distance away, Mulder and Scully
|
|
saw the vans driving off. From off to one side of the parking lot, they
|
|
saw the last of the vans backing up to the church exit, with several of the
|
|
lone Bowmen standing nearby, guns drawn. From inside the church, they
|
|
heard more sounds of gunfire, along with muted screams and cries of agony.
|
|
|
|
Moments later, they saw several of the Lone Bowmen running out of the
|
|
building, some of them limping. They jumped into the back of the van,
|
|
under the protective cover fire of the Bowmen standing by the van. The
|
|
last of the Bowmen then jumped into the van, which screeched off the
|
|
parking lot and onto a side street.
|
|
|
|
Several men then dashed out of the building, spraying machine-gun fire in
|
|
all directions. They were dressed in spotted purple commando suits and
|
|
black hoods, and carrying AK-47s. The commandos saw the Bowmen's van as it
|
|
exited the parking lot, and opened fire on it, smashing the rear window.
|
|
The van continued on, however, and sped down the street and out of sight.
|
|
|
|
"Whoa, Mulder - what just happened here? we have to report this and call
|
|
in reinforcements!", said a nervous Scully. She reached for her cellular
|
|
phone to dial headquarters.
|
|
|
|
"It's too late, Scully. They're leaving", motioned Mulder. Off in the
|
|
distance, on the curb beyond the church, the purple commandos were
|
|
climbing into the back of a nondescript black van.
|
|
|
|
"Mulder, we've got to do something! We can't just let them get away",
|
|
exclaimed Scully.
|
|
|
|
"Do what, Scully? walk up to them and flash our badges? we're way
|
|
outnumbered and outgunned here, Scully. We can't move in now", replied
|
|
Mulder in frustration. He wanted to jump out and apprehend the felons
|
|
as much as Scully did, but he knew that any such rash attempt against men
|
|
with automatic weapons would only get himself and Scully killed.
|
|
|
|
As the van drove off, Mulder got up to get a good look at the plates.
|
|
Unfortunately, there were no plates to bee seen on the vehicle. "Damn it!
|
|
Damnit to hell!", yelled Mulder, shaking his fist in frustration.
|
|
|
|
|
|
|
|
12:25 p.m.
|
|
FBI Headquarters
|
|
|
|
Scully finally finished briefing the other agents about the incident. A
|
|
task force had been established to investigate the group, now believed
|
|
to be terrorists. Mulder had not been so certain, and had spent the
|
|
past two hours in the corner of the briefing room, quietly sulking and
|
|
mulling things over.
|
|
|
|
As they walked back towards their office, Scully began. "Mulder, what is
|
|
it? I get the feeling you don't believe they were terrorists."
|
|
|
|
"Terrorists? in a sense, perhaps, but not in the way you think. We still
|
|
have a number of unanswered questions.", mulled Mulder.
|
|
|
|
Entering their office, Mulder walked over to the monitor and played the
|
|
Barney tape once again. "If only I could get some solid evidence...", he
|
|
muttered.
|
|
|
|
He knelt down to get closer to the TV screen. Unknowingly, he reached
|
|
into his pocket, and begin playing with the sunglasses that Cliff had
|
|
handed him. Suddenly, he froze in place, suspended in thought. He looked
|
|
down at the glasses.
|
|
|
|
After pausing for a second, Mulder unfolded the sunglasses and put them
|
|
on his face. Looking back up at the monitor, he was horrified by what he
|
|
saw.
|
|
|
|
Through the mysterious glasses, Barney had undergone a hideous
|
|
transformation. The lovable purple dinosaur was now a horrible, ghastly
|
|
alien creature, complete with a black exoskeleton, gigantic claws, and rows
|
|
of huge, sharp teeth.
|
|
|
|
As Mulder looked on in shock, he began to sense that Barney's words also
|
|
were starting to sound twisted. It took him a few seconds to realize it,
|
|
but the glasses somehow enabled him to ascertain a secret message buried in
|
|
Barney's words and songs.
|
|
|
|
At first, his ears told him that Barney was just singing his famous
|
|
trademark "I love you, You love me" song. However, his brain was somehow
|
|
translating it into a different message. The words slowly began to form
|
|
in his head. "...Your parents are evil... I know what is best for you...
|
|
Honor me.. Worship me... Follow me...", was the insidious message.
|
|
|
|
Horrified, Mulder drew back from the TV screen. Not quite able to
|
|
believe what he saw, he removed the glasses and inspected them for
|
|
abnormalities. Looking back at the TV, Mulder was surprised to see that
|
|
the hideous alien had turned back into Barney the friendly purple dinosaur.
|
|
The evil words had also returned to a sane form, and he could hear Barney
|
|
singing, "... We're a happy family..."
|
|
|
|
Convinced that the vision must have been an aberration, Mulder tried
|
|
putting the glasses back on, and was instantly treated again to the
|
|
image of the horrible creature and his corruptive words. Shaking his head,
|
|
he repeated the procedure several times, always with the same effect.
|
|
|
|
By this time, Scully had begun to notice Mulder's strange and erratic
|
|
behavior. She walked over to his side and asked, "Mulder? is everything
|
|
okay? Are you all right?"
|
|
|
|
Mulder looked up at her, and saw a look of concern on her face. Just out
|
|
of curiosity, he tried peering at her through the glasses. No difference.
|
|
He was greatly relieved.
|
|
|
|
Mulder got up, and started. "Scully - I found out what these glasses
|
|
were that Cliff gave me. Here, try them on, and you'll see.", he said,
|
|
pushing the glasses towards Scully.
|
|
|
|
"Mulder, I'm not going to try on any silly glasses. We have work to do.",
|
|
said Scully, pushing the glasses aside.
|
|
|
|
"But Scully, just look through the glasses, and you'll see", persisted
|
|
Mulder.
|
|
|
|
"No, Mulder - I haven't got time for this. *We* haven't got time for
|
|
this. Those terrorists could strike again at any time."
|
|
|
|
"Scully, please - just indulge me, okay?", pleaded Mulder.
|
|
|
|
"No, Mulder, forget it. Just put those silly glasses away.", replied an
|
|
annoyed Scully.
|
|
|
|
"But Scully, don't you see? these glasses are the key to everything.",
|
|
said Mulder, getting impatient.
|
|
|
|
"Mulder, I said I wasn't going to try on the glasses. Now listen to
|
|
what I'm saying", chided Scully, like a mother putting up with an unruly
|
|
child.
|
|
|
|
"Scully, don't be so closed-minded. Save your skepticism for another
|
|
day, and just put on the glasses, okay?", insisted Mulder.
|
|
|
|
"*MULDER*, look. Your friends, the Lone Bowmen or whatever, those guys
|
|
from the church, they could be in great danger. Those terrorists went
|
|
after them once, and they could go looking for them again. We have to
|
|
track them down!", said Scully, her expression getting more angry.
|
|
|
|
"Damnit Scully, those weren't terrorists! Just look through the damned
|
|
glasses, and you'll find out!", said Mulder, thrusting the glasses towards
|
|
Scully.
|
|
|
|
"Damn the glasses, Mulder! I'm not trying them on!", Scully yelled, and
|
|
knocked the glasses out of Mulder's hand. "Now we're needed upstairs in
|
|
the situation room!"
|
|
|
|
Mulder was infuriated. "Scully, damn it, if it's the last thing I do,
|
|
I'm going to make you try on these glasses!"
|
|
|
|
With a single fluid motion, Mulder bent down to grab the glasses with one
|
|
hand, and grabbed Scully's arm with the other. He lifted the glasses to
|
|
Scully's face to try and put them on her.
|
|
|
|
Scully turned her head away from him and yelled, "No, Mulder! get that
|
|
thing away from me! I'm not trying on any damned glasses!"
|
|
|
|
Mulder then put his arm around Scully's waist and pulled her next to him.
|
|
He raised his other hand up to Scully's face once again. Scully waved her
|
|
arms around wildly, trying to knock the glasses out of Mulder's hands.
|
|
|
|
"Damn you, Mulder! have you gone insane? What is wrong with you?", yelled
|
|
Scully, as she continued flailing her arms, trying to break free of
|
|
Mulder's grip.
|
|
|
|
"Scully, you've got to do this! Scully! it's for your own good!", shouted
|
|
Mulder, but Scully grabbed his arm and bit into it.
|
|
|
|
"*Yeeeouch*! Scully, Ouch! stop that!", yelled Mulder, pulling his arm
|
|
back.
|
|
|
|
Scully seized upon this opportunity and slammed her elbow into Mulder's
|
|
stomach. He bent over, having had the wind knocked out of him. He dropped
|
|
to the floor, wheezing.
|
|
|
|
Scully turned to leave the room, but Mulder, reaching with his last ounce
|
|
of strength, got up on his elbows and grabbed Scully's ankle. Scully,
|
|
surprised by the move, turned back and tried to wrest her foot away from
|
|
Mulder's grip. Having no success, she reared back with all her strength
|
|
and propelled the foot forward, smacking Mulder squarely in the jaw.
|
|
|
|
Reeling from the blow, Mulder fell back on his stomach, and nursed his jaw
|
|
tenderly. But just then, he saw Scully turning back towards the door. He
|
|
reached out with his hand, and held the glasses out towards her, gasping,
|
|
"Scu-l-l-ly... the glasses...".
|
|
|
|
Scully turned back around and stood over Mulder, shaking her head. "God,
|
|
I don't know what's gotten into you, Mulder, but this is the most out of
|
|
control I've ever seen you get. I think you should take a few minutes
|
|
down there and think about returning to the real world." She added,
|
|
"You're lucky, Mulder - if it had been anyone else, I would have reported
|
|
this to internal affairs."
|
|
|
|
With that, Scully turned to leave the room. Thinking for a moment, she
|
|
turned briefly and snatched the glasses from Mulder's outstretched hands.
|
|
"This piece of junk belongs in the trash", she said triumphantly, and
|
|
walked out of the office.
|
|
|
|
Walking through the hallways, Scully felt flushed and confused, still not
|
|
entirely sure what had just happened to her. Feeling an urge to get some
|
|
fresh air, she exited the building and strolled out into the Washington
|
|
afternoon.
|
|
|
|
The midday sun was mighty strong, and she instinctively pulled the
|
|
sunglasses, which she was still holding, up onto to her face. She began
|
|
walking down the front steps of the FBI building.
|
|
|
|
Moments later, she was frozen in her tracks.
|
|
|
|
There, not more than twenty feet in front of her, was a D.C. city bus,
|
|
stopping to pick up some passengers. It seemed ordinary enough, save for
|
|
a sign on the side of the bus where the advertisements were usually pasted.
|
|
There, in stark black letters against a white background, was the message
|
|
"OBEY."
|
|
|
|
Unable to believe what she saw, Scully removed her glasses and rubbed her
|
|
eyes. Looking back up, she squinted in the sun at the bus. She was
|
|
relieved that in place of the message was an ordinary Benson and Hedges
|
|
advertisement. Must've been an hallucination, she thought, and took a
|
|
relaxing breath.
|
|
|
|
She started to turn away, putting the glasses back on. But as soon as
|
|
the glasses were back in place, she caught the same sign again, this time
|
|
out of the corner of her eye. Incredulous, she turned her head back to
|
|
look at the bus once again. It was unmistakable; the black-on-white sign
|
|
was still there.
|
|
|
|
Confused, Scully took the glasses off and put them back on several
|
|
times. Each time the glasses came on, the message became visible, and
|
|
whenever the glasses went off, the cigarette ad returned. Scully was
|
|
befuddled, and kept repeating the test until the bus began to drive off.
|
|
|
|
As the bus moved on, she craned her neck to follow it until it passed out of
|
|
view. Turning her head back, she was stunned by what else she saw.
|
|
|
|
All of the billboards on the buildings, all of the advertisements on the
|
|
buses and cabs, featured messages in bold black print. "Sleep", said a
|
|
billboard. "Be Passive" was a sign on a bus. "Conform" was a message on a
|
|
cab.
|
|
|
|
Scully was stultified, and began walking around to gaze at other signs.
|
|
Whenever she lowered her glasses and peered at the signs through naked eyes,
|
|
they appeared to be commonplace advertisements for beer, soft drinks, and
|
|
antacids. But when she looked at them through the glasses, the signs
|
|
turned into sinister platforms for subconscious messages.
|
|
|
|
Turning a corner, Scully approached a newspaper stand. Here, she was
|
|
again taken aback as she saw rows of magazines on display, each bearing a
|
|
different subversive message. Tilting her head down and glancing over her
|
|
glasses, she could see that they appeared to be normal, everyday
|
|
magazines - Time, Newsweek, Cosmo - but when she peered back through the
|
|
glasses, they carried the messages "Worship", "Behold", and "Submit".
|
|
|
|
Scully realized something very big was going on here. Not sure of what to
|
|
do next, she turned around to head back towards the bureau, and bumped
|
|
into a man going the opposite way. Instinctively, she said, "Sorry,
|
|
excuse me", and looked up.
|
|
|
|
What she saw there chilled her to the bone. It was a tall man, dressed
|
|
in an expensive coat; but his face - his face was alien and horrifying, a
|
|
nightmarish, gleaming black skull with long ridges on either side, and with
|
|
a huge mouth surrounding rows upon rows of razor-sharp teeth. Scully began
|
|
to scream out in terror, but her training and professionalism managed to
|
|
stifle the scream to a whimper. "Ahem, *cough*. Excuse me", said Scully,
|
|
lowering her head.
|
|
|
|
"No problem, lady", said the man-creature. He passed by her and turned to
|
|
the newsstand to buy a paper.
|
|
|
|
Frozen in place, Scully turned her head slightly to look back at the
|
|
strange fellow. From behind and off to the side, she could see the
|
|
creature's head, which had a ridge of thick, pointy scales running down the
|
|
back. She bent her head down and peered out above her glasses, to see what
|
|
he looked like to the others. She was surprised to see that he appeared
|
|
quite normal, almost handsome in a way, with pale skin, gentle features,
|
|
and light brown hair. But as soon as she lifted her head and looked
|
|
through the glasses, his hideous monster form was unmistakable.
|
|
|
|
The man paid for his paper and turned back in Scully's direction. She
|
|
instantly turned her head towards the magazines, pretending to be browsing.
|
|
She waited for the man to leave, and then let out a sigh of relief.
|
|
|
|
Still unsure of what was going on, she looked around the busy city street.
|
|
People were coming and going on their lunch hour, and Scully saw nothing
|
|
of any particular interest. But just then, she noticed two well-dressed
|
|
gentlemen walking together on the other side of the street. At least,
|
|
they looked like gentlemen, until she peered closer through her glasses,
|
|
and saw that they were actually monsters like the first stranger.
|
|
|
|
She continued to look around, and found that there were others. Not many,
|
|
to be sure, but they appeared here and there. Male and female, young and
|
|
old, but always well dressed, and always looking important.
|
|
|
|
Scully no longer felt safe in her own city. Not even with the hundreds,
|
|
even thousands of people around her on the busy street, could she feel
|
|
secure against these hideous creatures. It was clear that they had the
|
|
power to plant subliminal messages in the media; who knows how many people
|
|
may be under their control, she wondered.
|
|
|
|
Then a frightening thought struck her. If these creatures had the power
|
|
to control people, who was to say that the FBI hadn't been compromised? Or
|
|
the military, for that matter. Or even the top levels of government.
|
|
|
|
Shuddering at the thought, she turned and walked briskly back towards the
|
|
FBI building. She no longer knew whom she could trust. She knew Mulder
|
|
was safe, but who else? Wait a minute, could it possibly be...
|
|
|
|
She had to find out. She entered the building, and headed straight for
|
|
the elevator. She got in, pressed the button for the top floor, and
|
|
waited.
|
|
|
|
After reaching the top, She got out of the elevator, still wearing her
|
|
glasses. She approached the deputy director's office, and casually looked
|
|
around. Not seeing anyone, she was about to approach the secretary and ask
|
|
if the deputy director was in. But just then, she saw some top brass
|
|
approaching from the hallway. She ducked into a corner, and peered out
|
|
through her glasses.
|
|
|
|
There were three of them, and she instantly recognized two as the same
|
|
type of hideous creatures she had seen on the street. The third was a
|
|
human, a senior agent she had seen before.
|
|
|
|
She bent her head down to look out from above the glasses, fearing the worst.
|
|
Her suspicions were confirmed. One of the creatures was Skinner, and the
|
|
other was puffing on a cigarette.
|
|
|
|
|
|
|
|
|
|
|
|
1:05 p.m.
|
|
|
|
Scully walked into her office, barely able to control her fear and hysteria.
|
|
Mulder was sitting at his desk, and upon seeing her approach, made an
|
|
exaggerated grimace. "What, come back to finish me off, Scully?", he asked.
|
|
|
|
"Mulder, this is no time for jokes.", said Scully, closing the office door
|
|
and beating back the tears. It was difficult for her to speak through the
|
|
fear and confusion, but she went on. "The glasses.. you were right, Mulder.
|
|
They're here, among us. The creatures. They control everything. Even
|
|
Skinner is one of them.", said Scully, painfully.
|
|
|
|
"What? Skinner? I knew it!", yelled Mulder, jumping up. A frown formed on
|
|
his face, which turned into a look of rage. "Damn it!", he exclaimed,
|
|
pounding his desk with his fist. "No wonder he's been causing us all this
|
|
trouble. That's why he's been blocking our every move.", said Mulder,
|
|
seething.
|
|
|
|
"But what are we going to do now, Mulder? We can't trust anyone. Whomever
|
|
we talk to - if they're not one of them, they could have been co-opted.
|
|
There's no on we can turn to.", said Scully, sobbing.
|
|
|
|
Mulder walked over to comfort Scully, putting a hand on her shoulder. A
|
|
pensive look came upon his face, but he quickly managed a smile. He
|
|
started in his reassuring voice, "There *are* still people we can trust,
|
|
Scully. They're in hiding, but we're due to meet with them in less than an
|
|
hour."
|
|
|
|
"You mean, your friends from the church?", asked Scully, looking up with
|
|
swelled eyes.
|
|
|
|
"Exactly. We have to see them and try to get a handle on this thing. But
|
|
for now, remember - we have to pretend we're not working on this case.
|
|
Trust no one.", said Mulder.
|
|
|
|
|
|
|
|
|
|
1:44 p.m.
|
|
|
|
Mulder and Scully parked their car on a busy street, and walked the
|
|
six blocks to the abandoned warehouse. They took great care to ensure they
|
|
weren't being tailed, making quick detours and looking into shop windows.
|
|
|
|
They walked into the warehouse through the hidden door in the back.
|
|
They were greeted by two grim-faced men with shotguns, one of them with a
|
|
bandaged arm. They nodded to Mulder and Scully, and guided them inside.
|
|
|
|
"Mulder - Scully - did you guys make it out okay?", asked Cliff, coming
|
|
forth to greet them.
|
|
|
|
"No problem, Cliff. How did your people do?", asked Mulder.
|
|
|
|
"Well, it could have been worse. Several of our guys were injured, but we
|
|
all made it out. We may not be so lucky next time", said Cliff grimly.
|
|
|
|
"I see. Well, do you have any more information on Barney's mind control
|
|
mechanism?" asked Mulder.
|
|
|
|
"Well, as a matter of fact, we've received further information from our
|
|
operatives, and I believe we now have a pretty good handle on his
|
|
operation", said Cliff. "Here, Mulder, Scully, come on. I'll show you."
|
|
|
|
As Mulder and Scully began walking through the warehouse, some of the men
|
|
sitting around started to howl, wink, and make lewd gestures at Scully. She
|
|
glared back at them with an icy gaze strong enough to crack an engine block,
|
|
and the men reared back in fear.
|
|
|
|
Cliff led the two to a corner of the warehouse, where a map of the city
|
|
was laid out on a drafting table. He pointed to a spot near downtown D.C.,
|
|
the site of Barney's studio and world headquarters.
|
|
|
|
"Barney is sending out his beam from here. His Satellite uplink dish
|
|
actually doubles as the psychokinetic beam transmitter. If we can knock
|
|
out that dish, we can pull everyone out from their waking dream, and this
|
|
nightmare will be over."
|
|
|
|
"So that's it?", asked Scully. "That sounds too easy. What about the
|
|
legions of creatures walking about? What's their involvement in all this?
|
|
And just who exactly is this Barney anyway - the real Barney?"
|
|
|
|
"Oh, those creatures", muttered Cliff. "They're from Barney's home planet.
|
|
They're his operatives, his agents of influence, so to speak." He
|
|
continued, "And this Barney, or what you know as Barney, is actually a
|
|
xenomorph, an alien creature. We believe he hails from somewhere in the
|
|
Ceta Alpha Tau system."
|
|
|
|
"Anyway, through our operatives in his organization, we've learned that his
|
|
mission here is to subvert the children of this planet and turn them into
|
|
his agents. Apparently, his race wants to take over this planet and
|
|
enslave the population. But they're not willing to engage in a destructive,
|
|
costly war. Instead, they want a bloodless coup, leaving all the people and
|
|
infrastructure in place for them to exploit."
|
|
|
|
"This evil creature known as Barney first arrived here on earth in the
|
|
late 1960s, his mission at the time being to scout the planet for possible
|
|
conquest. And after seeing the vast natural resources available here, his
|
|
race decided to engage in a campaign of subconscious subversion to plant
|
|
Barney in power."
|
|
|
|
"He decided he would require a medium of mass communication, and realized
|
|
that television was the key. Everyone in the western world had access
|
|
to a TV, and he figured that with his advanced technology, he could easily
|
|
tap into this resource."
|
|
|
|
"He used a portable psychokinetic transmitter to pass as a human, and began
|
|
to gain influence in the production of television programming. At this
|
|
point, in the 60's, TV technology had not advanced enough for him to link
|
|
his subliminal carrier wave to the TV signal. So instead, he began a
|
|
campaign to enfeeble the minds of the TV viewing public, so that they would
|
|
later be easy targets for the future stages of his psychological campaign."
|
|
|
|
"To this end, he played an active role in producing mindless TV programs
|
|
like 'Gilligan's Island', 'The Brady Bunch', and even the insidiously
|
|
titled 'Get Smart', all designed to drain the audience's IQ levels and
|
|
take away their capacity for logical reasoning. And this effort continued
|
|
well into the '70s and '80s, with 'Love, American Style' and 'Mork and
|
|
Mindy', and cresting with his greatest accomplishment, 'The Love Boat'."
|
|
|
|
"Not the Love Boat!", Scully gasped.
|
|
|
|
"Yes, I'm afraid so. And the effort still continues today, with programs
|
|
like 'Melrose Place' and 'Baywatch'."
|
|
|
|
"Even Baywatch?", asked an incredulous Mulder, mouth agape.
|
|
|
|
"Mulder, don't tell me you actually watch that tawdry show?", asked a
|
|
surprised Scully.
|
|
|
|
"Well, not really - I just watch to pick up emergency rescue tips.",
|
|
deadpanned Mulder. Scully merely shook her head.
|
|
|
|
Cliff continued on. "And all this time, while Americans' minds were
|
|
degenerating into a vegetative state from the corrosive TV programs, the
|
|
evil Barney called in reinforcements from his home planet in the 1980's to
|
|
take over important positions in government."
|
|
|
|
"And by this time, the carrier wave had been implemented everywhere in the
|
|
TV viewing area, in the form of so-called 'Stereo Television'. As it
|
|
turned out, the stereo decoders present in virtually all modern TVs had a
|
|
tiny psychokinetic receiver and amplifier built in, in order to receive and
|
|
spread Barney's psychic mind control carrier waves. So as stereo TV spread,
|
|
people were fooled into thinking that the evil creatures were just very
|
|
intelligent humans, and came to respect them and follow them."
|
|
|
|
"And so today, now that the older generation has been effectively
|
|
neutralized, Barney has appeared in his newest guise, as the friendly
|
|
and lovable purple dinosaur. His mission now is to capture the hearts and
|
|
minds of the young generation, who will become his soldiers and lieutenants
|
|
in the new world order."
|
|
|
|
"So that's why you developed these sunglasses, so that people could see
|
|
the truth without being hindered by the carrier wave.", said Mulder.
|
|
|
|
"Exactly. And we've been spreading them everywhere. We sneak into
|
|
drugstores and secretly place them on the sunglass racks. We mail them
|
|
as free samples to peoples' homes. We even break into unsuspecting
|
|
peoples' houses and switch our sunglasses for theirs."
|
|
|
|
"Oh, and by the way, here are more glasses, just in case.", he said,
|
|
handing Mulder and Scully each a new pair.
|
|
|
|
Cliff continued on. "So far, the campaign has been fairly successful.
|
|
However, our rebellion has been having difficulty gaining much momentum.
|
|
Barney and his friends are all powerful, and some of his human
|
|
collaborators have infiltrated our ranks as of late. As a result, we're
|
|
constantly on the run, always looking over our shoulders."
|
|
|
|
"Well, hopefully we can put an end to all that", said Mulder. "We must
|
|
launch an assault on Barney's complex, and put an end to his reign of
|
|
terror."
|
|
|
|
"But Mulder, how can we do that?", asked Scully. "We don't have the
|
|
support of the Bureau, and we would need an army to go up against Barney's
|
|
forces."
|
|
|
|
Mulder replied. "Well, we have two good FBI agents here, and a group of
|
|
brave, if somewhat testosterone-poisoned, but still determined men. We'll
|
|
figure something out, Scully."
|
|
|
|
|
|
|
|
|
|
11:55 p.m.
|
|
Downtown D.C.
|
|
Outside Barney Enterprises Incorporated., World Headquarters
|
|
|
|
"There's his headquarters", Cliff whispered to Mulder and Scully. They
|
|
were hiding with the Lone Bowmen in an alley down the block.
|
|
|
|
Cliff continued, "That's where he tapes his show, and where he uplinks his
|
|
carrier wave to all the other TV transmission systems in the country." He
|
|
pointed to a gigantic satellite dish sitting atop the building.
|
|
|
|
"What kind of defenses does he have?", Mulder asked.
|
|
|
|
"At least fifty guards with automatic weapons. Plus bulletproof glass
|
|
around his offices, and a sophisticated security system.", replied Cliff.
|
|
|
|
"Darn, this may be harder than I thought", muttered Mulder.
|
|
|
|
"Mulder, I thought you had a plan?", asked Scully, annoyed.
|
|
|
|
"Don't worry, guys", reassured Cliff, "we have a man, er, person on the
|
|
inside. She's going to open up the doors for us in the back of the
|
|
building."
|
|
|
|
"Just who is this person? and can we trust her?", asked Mulder.
|
|
|
|
"Don't worry; she's one of our best people. Her name is Laura J., But we
|
|
call her by her by her code name, 'Aliskye'. She works in Barney's legal
|
|
department, and she routinely provides us with key information.", said
|
|
Cliff confidently. "We're supposed to meet her at midnight."
|
|
|
|
The group slithered their way to the back of Barney's building. They
|
|
dashed between rows of parked trucks, and snuck up to the outside door of
|
|
the receiving department.
|
|
|
|
Cliff knocked on the door in a deliberate manner. Knock knock knock, knock
|
|
knock, was the pattern. It was met by three short raps from the other side.
|
|
Moments later, a woman opened the door.
|
|
|
|
"Hi Cliff; hi, guys", greeted Aliskye. "Hi, Aliskye", responded Cliff. He
|
|
continued, "This is agent Mulder, and this is agent Scully. They're from
|
|
the FBI, and they're on our side."
|
|
|
|
"Nice to meet both of you", Aliskye said. "I wish it were under
|
|
different circumstances."
|
|
|
|
The group entered through the door and drew their weapons. The Bowmen,
|
|
contrary to their moniker, carried their prized Heckler & Koch 9mm
|
|
submachine guns. Mulder pulled out his Glock 22, and Scully withdrew her
|
|
Walther PPK. Cliff, for his part, reached into his backpack and pulled out
|
|
his trusty 12-gauge sawed-off pump-action shotgun with pistol grip.
|
|
|
|
Aliskye winced at the appalling display of hardware; she wasn't
|
|
particularly fond of weapons herself. If the fur started flying, she
|
|
figured she would just resort to her handy pocket-sized pepper spray.
|
|
|
|
The group stalked and slid through the dark abandoned hallways, and
|
|
entered the freight elevator. Cliff pressed the button for the top floor.
|
|
|
|
The freight elevator took its time, and it seemed like it would take
|
|
forever to ascend the thirty floors. Almost out of boredom, Scully asked,
|
|
"So, Aliskye, what do you do around here?"
|
|
|
|
"Well, I work in Barney's legal department", responded Aliskye. "I make
|
|
sure that nothing on the show offends anybody. As you might imagine,
|
|
Barney doesn't need any more trouble than he already gets from the Lone
|
|
Bowmen."
|
|
|
|
She continued, "Anyway, you would think that a simple kid's show wouldn't
|
|
contain much objectionable material, but the PC crowd is all over us.",
|
|
said Aliskye, shaking her head.
|
|
|
|
"Complaints over Political Correctness? for Barney's show?", asked
|
|
Scully, amazed.
|
|
|
|
"Yes. People have been complaining that the show unfairly exploits
|
|
dinosaurs, treating them as cartoonish caricatures. They feel that by
|
|
taking the dinosaur out of his environment, dressing him up in a purple
|
|
suit, and giving him an idiotic personality, they're destroying all
|
|
traces of his cultural heritage, crushing his identity and his values.
|
|
They feel that the dinosaur character has effectively become a homo
|
|
sapiens-centric, sugar-coated symbol meant to cover up mankind's repression
|
|
and exploitation of the animal kingdom."
|
|
|
|
Scully rolled her eyes, but Aliskye continued. "They also feel that the
|
|
female dinosaur on the show is unfairly relegated to a minor supporting
|
|
role, demonstrating the show's unfair and derogatory treatment of women by
|
|
casting them in passive, servile housewife-type roles."
|
|
|
|
Scully shook her head, amazed at how much free time some people must have.
|
|
|
|
The elevator finally reached the top floor. The doors slid open unto a
|
|
dark, foreboding corridor. The Bowmen put drew their weapons and gingerly
|
|
moved forward, crouching.
|
|
|
|
Winding their way from the maintenance area to the empty main passageways,
|
|
the only available light came from the full moon shining through the
|
|
windows. They could just make out the pictures and posters on the walls,
|
|
which celebrated Barney's numerous successes.
|
|
|
|
On one of the walls, Mulder noticed a huge poster of Barney in all his
|
|
glory, shining in the clear moonlight. Barney was dressed in a tux and
|
|
tails, complete with top hat and black cane. He was posing in a dance step,
|
|
balanced on one foot, with an enormously goofy grin on his face. Mulder
|
|
was suddenly overcome with a tremendous sense of nausea and revulsion, and
|
|
felt an almost uncontrollable urge to pop a few rounds into the poster.
|
|
Common sense got the better of him, however, and he continued on with the
|
|
group in silence, biting his lip.
|
|
|
|
They approached the door to heart of Barney's lair. It was flanked by
|
|
an expansive glass wall, with the words "Executive Offices" written on it
|
|
in bold print. They realized that the door and the sheet of glass were now
|
|
all that separated them from their target. Reaching for the door, Mulder
|
|
saw that it had a keycard lock on it. The group crouched down near the
|
|
floor, and began to peer inside.
|
|
|
|
Through the glass, they could see a reception area in the foreground, and
|
|
several offices in the distance. The lights were on in some of the offices,
|
|
and they could hear rumblings of activity. Mulder looked around and saw
|
|
several armed men in purple suits roaming the hallways. Mulder figured
|
|
the men were most likely part of the same band that had assaulted the church
|
|
that morning. The commandos appeared to be guarding the hallways outside
|
|
the offices.
|
|
|
|
Scully crouched down next to Mulder and whispered, "this glass is
|
|
bulletproof, Mulder. Small arms fire won't do us much good here."
|
|
|
|
Mulder looked over to Cliff, and asked, "do you guys have any more serious
|
|
firepower?"
|
|
|
|
Cliff's mouth formed into an big grin, and he slung his shotgun over his
|
|
shoulder. He reached into his backpack, and pulled out an M16 with attached
|
|
grenade launcher. He looked over at Cricket, who reached into his duffel
|
|
bag and pulled out a Rocket-Propelled Grenade launcher. He loaded a rocket,
|
|
ready to fire.
|
|
|
|
"Boy, you guys sure came ready for business", muttered Scully.
|
|
|
|
"Yup, you bet we did - now, it's time to rock and roll.", said Cliff. He
|
|
motioned everyone back into the hallway, and took up position with his M-16,
|
|
aiming straight at the doorlock. Cricket lined up next to Cliff, and aimed
|
|
his RPG at the glass wall. Aliskye winced, and put her fingers in her
|
|
ears.
|
|
|
|
"Ready, on the count of three. One, two, three, fire!"
|
|
|
|
A loud pop came from the grenade launcher on Cliff's rifle. Simultaneously,
|
|
a streak of hot flame shot out from the back of Cricket's RPG launcher. A
|
|
millisecond later, they saw the lock on the door explode into tiny shards.
|
|
At the same time, they saw the rocket grenade riding a stream of smoke
|
|
towards the glass wall. It impacted, creating a giant fireball and smashing
|
|
the glass into a thousand pieces. The noise was deafening.
|
|
|
|
Amidst the smoke, the team ran forward. Mulder kicked the door down and ran
|
|
into the executive hallway, followed closely by Scully. The Bowmen flooded
|
|
in through the newly created opening in the glass wall.
|
|
|
|
The group had caught the security commandos off guard. They were bent over
|
|
and coughing in the smoke, and Mulder and Cliff's men dropped several of
|
|
them instantly. Pressing forward, Mulder and Scully went after the
|
|
executive offices, while Cliff's men chased after the remaining commandos.
|
|
Aliskye was frozen in place, terrified by the violence. She managed to
|
|
mutter, "Um, I - I'll stay here and watch the back, guys...."
|
|
|
|
His Glock drawn and ready to fire, Mulder kicked in an office door, and
|
|
pointed the gun at the lone occupant. Mulder eyed the short, cowering
|
|
fellow sitting behind the desk, and figured him to be just an innocent-
|
|
looking low-level assistant. He was about to turn around and leave the
|
|
office, when he caught a glimpse of the man reaching down below his desk.
|
|
Just as the man pulled up his revolver and pointed it in Mulder's direction,
|
|
Mulder turned and pumped three rounds of .40 caliber into the dastardly
|
|
felon.
|
|
|
|
Just then, Mulder remembered the glasses. He reached into his pocket and
|
|
put on the shades, and realized that the now lifeless body hunched over the
|
|
desk was actually one of the space creatures. Better be more careful next
|
|
time, thought Mulder.
|
|
|
|
Scully meanwhile sneaked up to the next office, and quickly turned and
|
|
kicked the door. Unfortunately, her heel broke off upon impact, and the
|
|
door did not budge. Oh shoot, she said to herself, just as she heard two
|
|
shots hitting the door. Blam-Blam, was the sound from inside the room, as
|
|
two bullets pierced through the wood, passing just above her right shoulder.
|
|
Good thing I was born a midget, she thought to herself. She quickly drew
|
|
away from the door, planting her back to the wall next to the doorway. As
|
|
she removed her pumps, several more shots rang through the door, and Scully
|
|
surmised that the weapon was a .38.
|
|
|
|
A revolver! Scully smiled. She planned to attack the door again, while
|
|
the assailant was reloading. But wait, she wondered, did he fire six
|
|
shots, or just five? Scully wondered whether she was feeling lucky today.
|
|
|
|
Ah, what the heck, she wondered, and turned back towards the door.
|
|
Without a moment's hesitation, she kicked the door in with her bare
|
|
foot. Ouch, that hurt, she thought, as she took up the firing position.
|
|
|
|
Surprisingly, there was no one in her line of sight. Scully pulled back
|
|
slightly, using the doorway as cover. She peered around the office, and
|
|
saw no one around. He must be hiding under the desk, she figured.
|
|
|
|
"Come out from under the desk! I know you're in there!", Scully ordered,
|
|
pointing her gun at the desk. Moments later, a blond woman in her thirties
|
|
wearing a a Donna Karan suit stood up, her hands raised in the air. She
|
|
spoke with a nervous voice. "Uh, He-l-lo there, uh, you wouldn't shoot me,
|
|
would you? after all, you and I, uh, we're just two professional women,
|
|
trying to make it in a man's world. So, whattya say?" Her eyes pleaded
|
|
with apparent sincerity.
|
|
|
|
Just then, Scully remembered the glasses. Keeping her eyes fixated on
|
|
the nervously smiling woman, Scully reached into her pocket with one hand
|
|
and pulled out her sunglasses. Fumbling with the glasses in her fingers,
|
|
she looked down briefly to unfold it, and then raised the glasses to her
|
|
face. She focused back on the woman just in time to see that she was indeed
|
|
one of the hideous creatures, and was now pulling out another gun from her
|
|
desk drawer.
|
|
|
|
Without a moment's hesitation, Scully instantly squeezed the trigger, and
|
|
fired off a pair of 9mm rounds into the creature's chest. The woman reared
|
|
back, and managed to let loose a single shot as she fell. Scully instantly
|
|
ducked away, just as the bullet impacted on the wall, inches from her head.
|
|
|
|
Meanwhile, a fierce firefight was raging in the hallways outside. Cliff's
|
|
men were pinned down by the commandos, who had set up a crossfire zone in
|
|
a hallway junction. Cliff turned and yelled, "Mulder, Scully! we're in a
|
|
pretty hot spot right now. We can't get to Barney! We'll keep these guys
|
|
occupied; you guys go around!"
|
|
|
|
Mulder nodded in Cliff's direction, and started back. Scully joined him
|
|
in the hallway, and they headed back towards the shattered entrance to the
|
|
executive offices. Mulder saw Aliskye, who was pacing nervously, hoping to
|
|
stay out of the mess.
|
|
|
|
"Come on, Aliskye, you're with us", said Mulder motioning.
|
|
|
|
"What? b-but, I'm not a fighter - I'm a lawyer", protested Aliskye.
|
|
|
|
"Don't worry, Aliskye, we just need you to find us an alternate route to
|
|
Barney's offices.", said Mulder.
|
|
|
|
"well, okay.....", was Aliskye's tepid reply.
|
|
|
|
The three of them dashed towards the side hallway, which led to the
|
|
executive dining room. These corridors were normally locked after hours,
|
|
but fortunately Aliskye had a key. They stepped gingerly through the
|
|
halls, fearful that the firefight just yards away could spread to these
|
|
corridors.
|
|
|
|
As they turned the corner, they saw several shadows beyond a dark glass
|
|
door, engaged in a flurry of activity. They approached closer, and assumed
|
|
position on either side of the door, their backs to the wall. Aliskye stood
|
|
beside Mulder, hoping another firefight would not break out here.
|
|
|
|
Mulder motioned to Scully, gesturing with his hand. He held up three
|
|
fingers, then two, then one. He spun around towards the door, fired two
|
|
rounds at the lock, and kicked the door in. Scully dashed in through the
|
|
open door, and Mulder followed right on her heels.
|
|
|
|
"Allright, everybody, on the floor, NOW!", yelled Scully, motioning with her
|
|
gun. Through her glasses, she saw nearly a dozen of the hideous creatures,
|
|
sitting at various electronic consoles. The creatures sat dazed for a
|
|
second, staring at the two agents.
|
|
|
|
"I said, down on the floor, *NOW*!", shouted Scully, firing a shot into
|
|
the air. The creatures reared back, and then dropped to the ground,
|
|
cowering in fear.
|
|
|
|
"Scully, *DOWN*!", cried Mulder, and she instinctively dropped to the
|
|
ground, next to Mulder. Looking up, she saw several purple commandos
|
|
running into the room from a door on the other side, spraying machine gun
|
|
fire in their direction. Scully heard the torrent of bullets flying just
|
|
above her head, and could feel the rumble as they impacted on the wall just
|
|
behind her.
|
|
|
|
Mulder rolled over on his back, and began shooting out the fluorescent
|
|
lights in the ceiling. Scully realized what Mulder was doing, and shot
|
|
out the rest of the lights. Moments later, they were lying in the dark.
|
|
|
|
"Get them, you fools!", shouted someone from the side of the room.
|
|
Mulder and Scully slid across the room, reloading along the way. Fumbling
|
|
in the dark, Mulder accidentally dropped an empty magazine on the tiled
|
|
floor, making an unmistakable sound. Instantly, bullets were flying again
|
|
in their direction, ricocheting off objects and veering off in all
|
|
directions.
|
|
|
|
Barely able to see or hear, Mulder and Scully covered their heads and slid
|
|
in behind a table.
|
|
|
|
"What do we do now, Mulder? we're pinned down!", exclaimed Scully,
|
|
terrified.
|
|
|
|
"Just hold on, Scully - we'll work our way out of this - we always do",
|
|
replied Mulder.
|
|
|
|
Just then, another burst of shots rang out, accompanied this time by groans
|
|
and muted cries. Mulder and Scully then heard the unmistakable voices of
|
|
the Bowmen. "Mulder, Scully, are you guys okay?", yelled Cricket.
|
|
|
|
Mulder and Scully looked up from behind the table, and noticed the Bowmen
|
|
shining flashlights around the room. "Whew, that was close", muttered
|
|
Scully.
|
|
|
|
Getting up and looking around the room, Scully saw that the Bowmen had
|
|
dropped all of the alien creatures in the room. A pretty good job for a
|
|
ragged band, she thought.
|
|
|
|
"Mulder, Scully, we believe we've located Barney's office. The creatures
|
|
are making a last stand there. Come on.", motioned Cricket.
|
|
|
|
Mulder looked back at the entrance to the room, and saw Aliskye peeking
|
|
in to see what had happened. Mulder motioned to her, saying, "Come on,
|
|
Aliskye, we're in the home stretch."
|
|
|
|
Aliskye managed a nervous smile, wondering when this would all end. She
|
|
followed the group into the hallway entrance at the back of the room.
|
|
|
|
As they approached a crossing in the hallway, the sound of gunfire grew
|
|
closer. Turning a corner, they saw the Bowmen crouched in firing positions
|
|
near a corridor junction, trading shots with commandos positioned somewhere
|
|
out of view. Cliff was crouched down, barking directions into a radio to
|
|
some of his men.
|
|
|
|
"That's right; come east through the other offices. We'll flank them on
|
|
both sides!", yelled Cliff, and then lowered the radio.
|
|
|
|
He then turned to Mulder and Scully, saying, "Well, we managed to make
|
|
pretty good progress while you guys were gone. The bad guys pulled back
|
|
surprisingly quickly, and now a dozen purple guys are all that stand
|
|
between us and Barney himself."
|
|
|
|
Mulder looked over at the men firing their weapons, and turned back to
|
|
Cliff. Trying to make himself heard above the gunfire, he yelled, "Are you
|
|
sure Barney doesn't have an escape route?"
|
|
|
|
Cliff turned to Mulder and said, "Nope, no escape - that is, unless he gets
|
|
to the roof!"
|
|
|
|
Mulder's eyes narrowed. He began to wonder if...
|
|
|
|
Just then, one of the Bowmen yelled, "they're down! we're clear!", and the
|
|
men charged forward. Cliff got up to join them, and Mulder, Scully, and
|
|
Aliskye followed. Up at the front of the pack, Cricket stepped over a pile
|
|
of purple bodies and approached the door to Barney's office. In reality,
|
|
the door was now actually less of a door than a collection of bullet holes
|
|
held together by tiny slivers of wood. With a single motion, Cricket kicked
|
|
the door down, and jumped through the smoke, his submachine gun pointing
|
|
the way.
|
|
|
|
Mulder and Scully also jumped through the door, guns drawn, along with
|
|
the rest of the Bowmen. As the smoke cleared, they noticed dead bodies on
|
|
the floor - purple commandos and monster executives in Armani suits, but
|
|
no Barney. "Damn it!", yelled Cliff.
|
|
|
|
But as everyone was looking around at the bodies, Mulder caught sight of a
|
|
door closing in the distance. "There!", he pointed, and the group turned
|
|
and dashed towards the door, marked "Roof access".
|
|
|
|
Mulder moved towards the door to open it, but Cricket pushed him aside,
|
|
and pulled out his RPG. And before Aliskye could tell him that the door
|
|
had no lock, Cricket yelled "Heads up! look out behind!", and blew the door
|
|
to kingdom come, spewing pieces of wood and dust everywhere.
|
|
|
|
After an extended moment of coughing and waving off the dust, Mulder gave
|
|
Cricket a dirty look, and proceeded through the door and up the stairs.
|
|
Cricket merely shrugged his shoulders in innocence, and reloaded his
|
|
launcher. The others also proceeded up the stairs, following Mulder onto
|
|
the roof.
|
|
|
|
Opening the door to the roof area, Mulder was suddenly hit with a bright
|
|
light and a blast of hot air. Turning away and raising his arm in front of
|
|
his face, he looked over at the source of the wind. His jaw dropped, and he
|
|
stood there, transfixed.
|
|
|
|
Cliff, Scully, Aliskye, and the rest of the Bowmen came up behind him, but
|
|
they also froze in awe.
|
|
|
|
What they saw there was a gigantic spaceship, nearly four hundred feet in
|
|
length. It was shaped like a blimp, with colored lights grouped in
|
|
parallel bands ringing its exterior. It was hovering just above the roof,
|
|
shining a bright light below it. The light was blinding, and illuminated
|
|
the entire roof. Peering through his sunglasses, Mulder could see that the
|
|
ship had several nozzles near the bottom, which were the apparent sources
|
|
of the powerful gusts of hot air.
|
|
|
|
Looking painfully through the bright light and intense heat, Mulder saw
|
|
Barney running towards the entrance to the spacecraft. Mulder tried
|
|
yelling out towards Barney to stop, but his voice was drowned out by the
|
|
noise of the craft.
|
|
|
|
Determined, Mulder raised his Glock to the big purple creature, but the
|
|
wind was too much for him, and he could not maintain a steady aim. The
|
|
Bowmen also attempted to fire their weapons, but none hit their mark.
|
|
|
|
Through the blinding light, Mulder could make out a door opening on the
|
|
bottom of the vehicle, and saw Barney climbing inside. The door then closed
|
|
just as quickly as it had opened, and the craft began to lift off.
|
|
|
|
The light and heat from the craft now became more intense than ever, and
|
|
the group ran to seek cover behind some structures on the roof. Cricket
|
|
aimed and fired an RPG at the departing craft, but the impact from the
|
|
rocket did not even dent the ship. Mulder could hear Cricket cursing in
|
|
the background.
|
|
|
|
As the ship rose and ascended to the heavens, Mulder and the group got up
|
|
to gaze at the departing craft. Looking up at the ship, Mulder began to
|
|
appreciate the beauty of the vessel, with its glittering, mesmerizing
|
|
lights, and its graceful flight profile. It was so... so beautiful, so
|
|
gorgeous, so elegant in a way, Mulder thought.
|
|
|
|
Just then, he was shaken out of his hypnotic state by the loud boom of a
|
|
rocket exploding behind him. He turned around to see that Cricket had let
|
|
loose an RPG on the transmitter dish, which now lay in pieces. "So much
|
|
for that", uttered Scully.
|
|
|
|
Turning his head and looking around, the reality of the past few minutes
|
|
finally began to sink in for Mulder. It was now over - the monstrous
|
|
beings had been destroyed, and Barney's grip on the populace had been
|
|
lifted. It was too bad Barney had gotten away, but his empire was
|
|
destroyed nonetheless, thought Mulder.
|
|
|
|
Aliskye walked up next to Mulder, shaking her head. "Well, I guess I'm
|
|
out of a job now", she lamented.
|
|
|
|
Mulder smiled, and turned to her. "Don't worry, Aliskye", he reassured.
|
|
"My father is a bigshot at Fox Corporation. In fact, my father named me
|
|
after the company."
|
|
|
|
"Your first name is Twentieth-Century?", asked Aliskye.
|
|
|
|
"No, no - it's Fox", said Mulder, smiling. He went on. "And I believe
|
|
he has a opening in their TV broadcasting division, in the legal
|
|
department. They need someone to make sure their programming doesn't tick
|
|
anybody off. Do you feel up to the assignment?", Mulder asked.
|
|
|
|
"No problem, Fox - I believe that's right up my alley", cheered Aliskye.
|
|
|
|
Scully approached the pair, holstering her pistol. "Well, looks like
|
|
everything's wrapped up here, Mulder", she said. "With the evil
|
|
transmitter gone, I think everyone will see things in a new light now."
|
|
|
|
"Yup, Scully, our job here is done", remarked Mulder. He looked up at
|
|
the stars, and paused. He then looked back down at Scully and Aliskye, and
|
|
went on. "But we must remain ever vigilant, lest Barney or someone of his
|
|
ilk return to pollute our airwaves again. We must ensure that our minds
|
|
never again be clouded with such subversive filth. I'm only watching
|
|
Mystery Science Theater 3000 from now on.", said Mulder, looking off in
|
|
the distance.
|
|
|
|
"Me too, Mulder", replied Scully, gazing at the beautiful nighttime sky.
|
|
|
|
|
|
|
|
------------------------------------------------------------------------
|
|
|
|
|
|
1:55 a.m.
|
|
|
|
Descending to the bottom of Barney's building in the executive elevator,
|
|
Mulder and Scully began to breathe freely for the first time in hours.
|
|
It was finally over, all of it. Or so it seemed.
|
|
|
|
It had only been about twenty minutes since they had destroyed the evil
|
|
transmitter and sent Barney scurrying off in his spaceship. In addition,
|
|
it was still the middle of the night. As a result, they didn't expect that
|
|
people would have awoken from their dreamlike state yet. But they were
|
|
wrong.
|
|
|
|
As he stepped out of the elevator and entered the foyer, Mulder noticed
|
|
a buzz of activity outside the building. Through the glass expanses of the
|
|
lobby walls, he could see and hear activity in all directions. Police
|
|
sirens, ambulances, cars speeding off - it seemed like the aftermath of an
|
|
earthquake.
|
|
|
|
"Mulder, I don't like this. What do you think is going on?", wondered
|
|
Scully.
|
|
|
|
Just then, Cliff and some of his men descended from the next elevator,
|
|
and walked up to Mulder and Scully. Cliff looked at the two of them,
|
|
and began. "I have bad news, guys. It looks like Barney had a contingency
|
|
plan for just this kind of a situation. Our contacts report that all of
|
|
his secret operatives are pulling out, leaving destruction in their wake."
|
|
|
|
Cliff paused to wipe some sweat from his brow, and began to elaborate.
|
|
"Reports are coming in from all sectors that Barney's creatures, now having
|
|
been fully exposed, are wreaking havoc everywhere. Apparently, as they're
|
|
retreating, they're blowing up key points of communication. It appears that
|
|
they're planning to regroup at an as-yet unknown location."
|
|
|
|
"Mulder, we can't let that happen! if they manage to regroup, they could
|
|
strike back at any time!", yelled Scully in fear.
|
|
|
|
"Don't worry, Scully. Now that Barney's agents are running with their tails
|
|
between their legs, so to speak, we should finally be able to get some help
|
|
from the Bureau and law enforcement agencies. Come on, we have to go wake
|
|
up some agents.", said Mulder, heading towards the front door.
|
|
|
|
|
|
|
|
|
|
FBI Headquarters
|
|
2:45 a.m.
|
|
|
|
Fortunately, the creatures had been unable to sabotage the bureau
|
|
headquarters building, at least not yet. After calling and waking up
|
|
numerous agents on the drive over, Mulder and Scully dashed into the
|
|
building and alerted security. The building was placed on full alert, and
|
|
no one was allowed to enter or leave the building without a thorough
|
|
security check.
|
|
|
|
Heading into his office, Mulder wondered who in the top reaches of the
|
|
government had actually been Barney's agents. He thought of a few officials
|
|
in the White house whose policies and judgment he had seriously questioned,
|
|
and... but there no time for that, he realized, and shrugged off the thought.
|
|
The important task now was to figure out where Barney and his band would be
|
|
meeting to regroup.
|
|
|
|
Scully, for her part, hurried over to her desk and began dialing up the
|
|
home of the D.C. police commissioner. No answer. Strange, she thought,
|
|
that the police commissioner would not be home at nearly three in the
|
|
morning. She tried his office number, also with no luck. But then she
|
|
realized her mistake. She flipped the pages in her personal phone
|
|
directory to find someone lower down in the chain of command.
|
|
|
|
Scully finally got through to police commander Roberts, who had returned
|
|
to his office an hour ago in response to all the heightened criminal
|
|
activity. Speaking rapidly, Scully was able to convey the magnitude of the
|
|
situation. Commander Roberts found the story of the alien creatures
|
|
difficult to believe at first, but Scully's accounts were backed up by
|
|
reports from his men in the field. Roberts pledged his full support, which
|
|
was easy since he was no big fan of Barney himself. He also told Scully
|
|
that there was heavy activity reported out near the western edge of the city.
|
|
|
|
Mulder got a call on his cellular phone, and heard Cliff's voice on the
|
|
other end of the line. "Hurry, Mulder, we found out where Barney's crew
|
|
are meeting. They're gathering in a park on the western edge of town.
|
|
We'll meet you there."
|
|
|
|
Mulder got up and turned towards Scully. "Come on, Scully, we're needed
|
|
in a park..."
|
|
|
|
Scully cut him off. "Yes, on the western edge of town. I'll drive."
|
|
|
|
|
|
|
|
4:30 a.m.
|
|
|
|
As they sped towards the western edge of the city, Mulder and Scully
|
|
saw pockets of fighting breaking out in the streets between police and
|
|
well-dressed lizard creatures. A number of cars were overturned, and
|
|
others were engulfed in flames, lighting up the nighttime sky.
|
|
|
|
Through her driver's side window, Scully briefly glanced at several
|
|
creatures poised behind a station wagon, exchanging gunfire with policemen
|
|
arched behind cars on the other side of the street. One of the female
|
|
creatures was wearing a Bob Mackie original and bright red heels, which
|
|
unfortunately clashed with her AK-47, Scully noticed.
|
|
|
|
As they neared the park, they saw an all-out war breaking out in the
|
|
distance. Police cruisers, state trooper cars, and SWAT trucks ringed the
|
|
eastern perimeter of the park, and huge spotlights and floodlights lit up
|
|
the park's interior. The lawmen stood perched behind their vehicles,
|
|
furiously firing their weapons towards shadowy figures lurking in the
|
|
distant grass.
|
|
|
|
Scully pulled the Taurus up behind some police vans and got out. Peering
|
|
between the vehicles, she saw hundreds of the creatures off in the distance,
|
|
positioned behind overturned park benches, trees, and trash cans. They
|
|
were putting up a determined resistance, firing back furiously with
|
|
automatic weapons.
|
|
|
|
Scully walked around to the back of the Taurus, and pulled out a couple of
|
|
bulletproof vests. She wondered how much good they would do against
|
|
automatic rifle fire, but she removed her coat and put the vest on anyway.
|
|
Mulder came up next to her and began putting on a vest himself.
|
|
|
|
"Mulder, Scully! Glad you guys made it!", yelled Cliff from a distance,
|
|
motioning them to come in his direction. Mulder and Scully walked over to
|
|
Cliff and the Lone Bowmen, who were being restrained by several D.C. police
|
|
officers. "Mulder, can you please tell these guys we're not kooks?", asked
|
|
Cliff impatiently.
|
|
|
|
Mulder smiled and flashed his badge to the policemen. "It's okay,
|
|
officers - these men are um, contractors to the FBI. They're assisting us
|
|
on this case.", said Mulder.
|
|
|
|
As Mulder and the Lone Bowmen walked away from the police guards, Cliff
|
|
snorted, "Pretty good line there, Mulder." He glanced back at the
|
|
policemen, and seeing that they had turned away, gave them a dirty look.
|
|
|
|
Cliff turned back to Mulder and said, "Mulder, good thing you're here. It's
|
|
imperative that we stop these creatures here, before they escape. Otherwise,
|
|
they'll return before we know it, and next time, they'll be back in force."
|
|
|
|
Mulder responded flatly, "Well then, we'll just have to stop them here,
|
|
won't we."
|
|
|
|
The group snuck up and approached the front lines of the battle, hunching
|
|
over to avoid the flying bullets. Mulder walked up behind the SWAT
|
|
commander and tapped his shoulder. Flashing his badge, Mulder asked him,
|
|
"Tell me, officer - what's the situation?"
|
|
|
|
The officer turned his head, and seeing the badge, filled Mulder in.
|
|
"Agent Mulder, we've had these guys pinned down for the past twenty minutes.
|
|
We think they're going to cave in; it's just a matter of time!"
|
|
|
|
Just then, they were startled by a set of bright multicolored lights
|
|
flashing all around them. Looking up, Mulder saw a giant craft approaching
|
|
from the heavens, apparently the same craft that Barney had escaped in just
|
|
a few hours ago. It descended swiftly, and set down on the park grass
|
|
behind the creatures' front lines.
|
|
|
|
Mulder borrowed a pair of binoculars from the SWAT officer, and peered out
|
|
at the landing craft. Through the lenses, Mulder saw a door opening on
|
|
the bottom of the craft, and surprise surprise, a purple creature stepped
|
|
out. It was Barney! He must have come to preside over the final battle,
|
|
Mulder figured.
|
|
|
|
It seemed strange, though, that Barney still appeared in his dinosaur form,
|
|
even after his transmitter had been destroyed. Mulder surmised that Barney
|
|
must be using his personal psychokinetic beam transmitter to project his
|
|
dino form. Once a goofy dinosaur, always a goofy dinosaur, Mulder figured.
|
|
|
|
As Barney descended from the craft, legions of purple soldiers poured out
|
|
from the doorway behind him. And as soon as the last of the commandos
|
|
stepped out, the craft lifted off, departing as quickly as it had arrived.
|
|
The purple commandos dashed forward, moving towards the front lines. They
|
|
took up positions alongside the yuppie creatures, and began firing back at
|
|
the police with high-powered plasma weapons.
|
|
|
|
Stunned, the police force ducked under their vehicles for cover. The
|
|
creatures' powerful particle beams punched through the steel in the
|
|
police cars as if it were paper. Mulder, Scully, and the Bowmen dropped
|
|
down behind the street curb, wondering what to do next.
|
|
|
|
"Mulder, we can't fight back against weapons like that!", yelled Scully.
|
|
|
|
Mulder realized she was right, and looked over at the SWAT commander.
|
|
He was hunched down on the ground, shouting into a radio.
|
|
|
|
"Commander! when are we going to get some reinforcements?", Mulder yelled.
|
|
|
|
Turning in Mulder's direction, the commander lowered his radio and
|
|
responded confidently, "Not to worry, agent Mulder! help is on the way!"
|
|
|
|
Moments later, Scully felt a thumping, beating noise from the ground. The
|
|
noise grew louder, and she realized the sound was actually emanating from
|
|
the air. Soon, she recognized the distinctive sounds of helicopter rotors
|
|
beating through the heavy nighttime sky.
|
|
|
|
Looking up, she saw four choppers approaching from the south. But she
|
|
noticed that they were not ordinary police copters. The roar of their
|
|
powerful twin turbines was deafening, drowning out all other sounds in the
|
|
area. As they approached closer, Scully identified them as National Guard
|
|
helicopter gunships.
|
|
|
|
Approaching low at high speed, the cobra gunships opened fire on the alien
|
|
creatures. Flames leapt forth from their 30mm gatling guns, and bright
|
|
tracers cut through the nighttime sky. Scully looked up and saw the white
|
|
traces erupting from the guns and connecting with the creatures poised
|
|
in the park. Sharp noises accompanied the traces, followed quickly by
|
|
horrible alien screams of agony.
|
|
|
|
As the choppers passed overhead, Scully saw bright streaks of flame
|
|
erupting from the backs of the rocket pods attached to the choppers'
|
|
stubby wings. The pods spat out scores of long, cylindrical rockets, which
|
|
blazed a path towards the barricades set up by the evil creatures. The
|
|
rockets impacted on the trees and park benches, blowing them up into
|
|
thousands of tiny shards. The evil alien bodies hiding behind them were
|
|
thrown about in the ensuing explosions, landing moments later in tiny bits
|
|
and pieces.
|
|
|
|
The copters zoomed past the creatures' front lines, and turned back
|
|
towards the friendly side. The remaining alien soldiers took potshots at
|
|
the turning choppers, hitting one of them. The chopper began spewing
|
|
smoke, and split off from the pack to return to base. The remaining force
|
|
turned around for a second pass.
|
|
|
|
Coming at the band of evil aliens from the east this time, the gunships
|
|
let loose their remaining rockets in a torrent of destructive fury. The
|
|
rockets exploded in the midst of the enemy's crack commando forces, creating
|
|
thundering explosions and spewing body parts in all directions. Passing
|
|
over the enemy, the copters' gunners used their helmet-mounted sights to
|
|
target individual aliens with their turret-mounted 30mm guns. A short burst
|
|
from the mighty cannon was enough to turn each creature into a cloud of fine
|
|
green mist.
|
|
|
|
Sweeping over the enemy band, the copters turned around and made a third
|
|
pass, and then a fourth. Finally, with their ammunition spent, they
|
|
turned back to return to base. Turning to look at the departing choppers,
|
|
Scully saw the pilots waving at the friendly forces. She thought she
|
|
briefly saw one of them winking at her, but she shrugged off the thought.
|
|
|
|
Looking back through his binoculars, Mulder could see Barney off in the
|
|
distance, frantically looking about and barking orders in frustration. His
|
|
forces had been decimated by the air assault, and what was left of his band
|
|
was now in full retreat. Mulder saw Barney jumping up and down, shaking his
|
|
tiny dinosaur fists in frustration. Mulder realized that their opportunity
|
|
was now at hand.
|
|
|
|
Getting up, he yelled to his colleagues, "They're in disarray! Let's
|
|
move in!"
|
|
|
|
Bolstered by the success of the air attack and by Mulder's cheer, the force
|
|
of policemen and Bowmen vigilantes rushed up and charged the creatures'
|
|
front line in mass. They ran forward at full speed, yelling cheers at the
|
|
top of their lungs. "Die, you alien scum!", was one police sergeant's cry;
|
|
"Go to hell, you Barney bastard!", was a Virginia state trooper's yell.
|
|
|
|
Dashing towards the enemy positions, Mulder saw the creatures up ahead,
|
|
running away at full speed. They were pushing and shoving each other aside,
|
|
trying to get away from the charging masses behind them. But it was all
|
|
to no avail; they were being mowed down left and right by police gunfire.
|
|
Soon, only Barney and a few of his soldiers were left standing.
|
|
|
|
Suddenly, the charging band was stopped in their tracks by a powerful gust
|
|
of hot air, accompanied by a flash of blinding light. Oh no, the craft has
|
|
returned to retrieve Barney, thought Mulder.
|
|
|
|
The police force stopped and hesitated, fearful of the gigantic craft.
|
|
Mulder and Scully, however, pressed onward, accompanied by the Lone Bowmen.
|
|
There, not more than a hundred feet in front of them, were Barney and his
|
|
minions, running furiously towards the descending craft. Mulder and Scully
|
|
weren't about to stop now, after all they had been through to get to this
|
|
purple monstrosity.
|
|
|
|
"Barney! stop!", Mulder yelled out, still running in the purple creature's
|
|
direction. Barney heard Mulder's yell, and turned briefly to look at the
|
|
pursuing agent. He stood there for a second, gazing curiously at Mulder,
|
|
while his troops ran by him towards the ship. Barney tilted his head left
|
|
and right, then shrugged his shoulders. He turned back and continued his
|
|
dash towards the ship, taking his big, arcing dinosaur hops.
|
|
|
|
As Barney approached the spaceship, the door opened on the bottom of the
|
|
craft, and his troops started pouring in. As the last of Barney's minions
|
|
made their way inside the craft, Mulder saw several of them turning and
|
|
standing inside the doorway, urging Barney towards them. With the chasing
|
|
band now just fifty feet behind him, Barney approached the edge of the
|
|
entrance, but stopped and turned to the crowd. Apparently unable to resist
|
|
one last act of defiance, Barney looked at them and yelled in his dopey
|
|
voice, "Duh, by-eee, kidz! I wuvv yeu aww! I'll bwe bwack!"
|
|
|
|
Infuriated, Mulder knew he would never get another chance at this. He knelt
|
|
down on his right knee, poised with grim determination and precision,
|
|
and balanced himself with his other foot. Fighting the powerful gust from
|
|
the ship, he carefully lined up his pistol in front of him, his right arm
|
|
fully extended, elbow locked in position. His pulled his left hand over to
|
|
brace his right wrist, forming a solid delivery platform for his weapon. He
|
|
closed his left eye and lined up the purple dinosaur in his sights,
|
|
momentarily pausing his breath. His body and his weapon became one, an
|
|
entity whose sole purpose was to rid the earth of this most heinous of all
|
|
evil creatures. The newly created being reveled in its purpose, and ever-so
|
|
joyfully squeezed the thin metal trigger. "Like hell you'll back", muttered
|
|
Mulder.
|
|
|
|
The group saw Barney reeling backwards, stunned. The single round had
|
|
impacted in Barney's ample belly, leaving him in a state of momentary shock.
|
|
Mulder now definitely had Barney's attention, and the creature paused to
|
|
stare at the audacious gunman.
|
|
|
|
Without hesitation, Mulder squeezed off another round, and then another.
|
|
Scully joined in, emptying her Walther in a matter of seconds. Both
|
|
reached into their jackets to reload.
|
|
|
|
The Lone Bowmen also seized upon the opportunity, and took up the firing
|
|
position. They carefully aimed their submachine guns, and poured out
|
|
9mm shells in a cacophony of glee. The torrent of gunfire continued on in
|
|
an orgy of madness and destruction. The purple dinosaur was pounded left
|
|
and right, battered to and fro by the unending deluge of fiery pellets. He
|
|
was doing the dance of death, stepping in time to the glorious symphony of
|
|
bullets, and the audience was loving every moment of it.
|
|
|
|
Several minutes and thousands of rounds later, all that was left of Barney
|
|
was mere a shell of his former self, a hideous, bullet-ridden piece of
|
|
purple swiss cheese. Green blobs were oozing out of the countless holes in
|
|
his furry purple hide, and he could barely balance himself on his two
|
|
gigantic feet.
|
|
|
|
"Time to finish this thing", said Cricket, pulling his RPG launcher over his
|
|
shoulder. Seconds later, a grenade was on its way towards the purple
|
|
menace, carried aloft by a plume of fluffy smoke. It drew closer and
|
|
closer to the purple demon, as the crowd watched with bated breath. The
|
|
moment seemed to last forever, as they tracked the projectile with wide,
|
|
eager eyes, as if following a tennis ball in a match from hell. Finally,
|
|
after what seemed like hours, but which were really just milliseconds, the
|
|
rocket met its target.
|
|
|
|
The grenade exploded in a fantastic display of pyrotechnics, sprouting
|
|
up an orgasmic flash of yellow and orange flame. The tongues of fire
|
|
danced their magnificent waltz of joy around Barney's scorching body, as if
|
|
to celebrate their brief and tragic existence in this universe. The
|
|
audience could almost reach out and feel the eroticism and ecstasy embodied
|
|
in the wondrous medley of dancing, searing flames.
|
|
|
|
The moment seemed to last forever, as the crowd watched the licks of flame
|
|
frolicking in their enchanting dance of death. As Mulder and Scully looked
|
|
on, the joyful blaze grew into a spectacular inferno of madness, consuming
|
|
the purple monstrosity in a conflagration of devastation. The flames
|
|
reveled in their banquet of destruction, sizzling and crisping every last
|
|
bit of the round, rotund reptile. Barney's immolation was truly a marvel
|
|
to behold.
|
|
|
|
The delightful performance finally concluded, putting an end to the
|
|
spectacle in a puff of enveloping gray smoke. All that remained of the
|
|
brilliant performance was a smoldering black carcass that soon crumpled to
|
|
the ground.
|
|
|
|
Seeing what had happened, the spacecraft quickly closed its doors and
|
|
lifted off, soon disappearing into the heavens. Mulder stood and stared
|
|
at the departing craft for a moment, and then noticed the crowd gathering
|
|
around the smoldering heap that had been Barney.
|
|
|
|
Scully walked back from the smoking pile of Barney parts, shaking her head.
|
|
"Well, I guess that takes care of this case. Just another day at the
|
|
office, eh, Mulder?"
|
|
|
|
"Yup, Scully, just another day at the office.", said Mulder, squinting
|
|
into the rising sun.
|
|
|
|
|
|
|
|
THE END
|
|
|
|
|