213 lines
7.9 KiB
Plaintext
213 lines
7.9 KiB
Plaintext
|
|
All Characters copyright of TenThirteen Productions and Chris Carter. No
|
|
infringement intended on any part...I like being poor, really...
|
|
The character of Jackie St. George belongs to me though...
|
|
|
|
Before anybody asks... yes, no and maybe... and that's all I'm going to
|
|
say...
|
|
|
|
|
|
Double Trouble Part Deux
|
|
by Sheryl Martin
|
|
|
|
|
|
"The sins of the fathers are visited on their sons..."
|
|
|
|
"And daughters... that sucks..."
|
|
|
|
"You said it. When does Marty's plane get in?"
|
|
|
|
"About three hours from now... pass the bottle, Mulder..."
|
|
|
|
"Only if you pass the bowl of seeds, St. George... and keep your shells to
|
|
yourself..."
|
|
|
|
**********************
|
|
|
|
Dana Scully rubbed her eyes and looked at the clock. God, was that the real
|
|
time? Stupid paperwork... Swiftly gathering up her notes, she had her hand on
|
|
the doorknob of the office door when the phone rang. For a second she thought
|
|
about not answering it, then she gave in and picked it up.
|
|
|
|
"Sorry Ed... yes, I'll come get the two of them... Two bouncers? Already?
|
|
Thanks for not calling the police... yes, I'll come right over." Hanging up
|
|
the phone, Scully frowned. The two of them... This was going to be
|
|
interesting...
|
|
|
|
***********************
|
|
|
|
"I already had to disconnect the pinball machines because they were laughing
|
|
when he kept tilting them... and then the jukebox because at first they were
|
|
singing, then that stupid Sting song "Why Would I Cry for You" came on and
|
|
they almost shot the damn thing... and I keep having to hire new bouncers who
|
|
aren't going to be afraid of federal agents..." The bartender shook his head.
|
|
"I don't mind cutting you some slack, but after last time I kinda thought you
|
|
and her had learnt your lesson..."
|
|
|
|
Dana smiled. "I did... She just got Mulder this time..." She strode towards
|
|
the booth at the back of the bar; hearing the raised voices and laughter.
|
|
|
|
Fox Mulder and Jackie St. George looked up as she approached. Jackie tapped
|
|
her glass with a fingernail thoughtfully.
|
|
|
|
"G-woman... nah, doesn't really flow..."
|
|
|
|
She stared at them. Fox's hair was as rumpled as his dress shirt; his tie
|
|
loosely hanging around his neck. Beside him, Jackie propped her head up on
|
|
one hand, her old combat jacket hanging loosely over her shoulders. They were
|
|
both red-eyed and had been crying at some point, but now from the two empty
|
|
liquor bottles they were very, very drunk.
|
|
|
|
"Swear to God Dana, I didn't touch him." Jackie held up her hands. "He told
|
|
me he's saving himself for marriage..." Fox spat out a mouthful of Scotch at
|
|
this, soaking the front of his shirt. Jackie put her head down on the table,
|
|
pounding it as she roared. Shells scattered everywhere, rolling onto the
|
|
wooden floor at Dana's feet. She put a hand to her mouth, trying to hold back
|
|
a smile at Mulder's expense and failing miserably. Dana sighed as she watched
|
|
him try to dry off with a few paper napkins.
|
|
|
|
"Scully... what's up?" He tried to sound cheerful.
|
|
|
|
"You do remember that we have a meeting with Skinner at nine in the morning,
|
|
right?" The look on his face showed that he hadn't.
|
|
|
|
"You go to it..." He mumbled, dabbing at his shirt.
|
|
|
|
"No way, Mulder. Not on my own... Come on, I'll drive you home." She gently
|
|
took his sleeve. He pulled back angrily.
|
|
|
|
"I don't wanna go." Fox turned to Jackie. "You make her go 'way."
|
|
|
|
Now it was St. George's turn to spill the drink. "Me? Why me?"
|
|
|
|
"Because you're her friend." His words were slurred.
|
|
|
|
"She was your friend first..."
|
|
|
|
"But if she gets mad at me then I'll get upset." Fox spoke slowly, carefully
|
|
choosing every word. "And I don't wanna be upset any more... 'specially not
|
|
at her..."
|
|
His bleary eyes looked up at hers, sad and deep. She sighed. So much for
|
|
that.
|
|
|
|
"Excuse me..." Dana grabbed his soggy shirt front and pulled him up and out
|
|
of the booth, pushing him against the wall. She turned to Jackie. "Well?"
|
|
|
|
"Man, you're grumpy tonight, Dana..." She muttered as she slid free of the
|
|
table.
|
|
|
|
Mulder moved to slip back into the booth while they spoke, but before he knew
|
|
it he was pinned face first against the wood panel again. The tell-tale
|
|
snick-snack of handcuffs hit his thick mind as they settled on his wrists.
|
|
St. George whooped as she leaned back on the table, a grin on her face.
|
|
|
|
"Gotcha Mulder... I know who's in control here... takes a strong woman to..."
|
|
Suddenly the world spun in front of her as Scully deftly twirled her around,
|
|
snapping another set of cuffs on her. Jackie found herself leaning against
|
|
the wall a few inches from Fox.
|
|
|
|
"Think we really pissed them off this time?" She smirked at him.
|
|
|
|
"I wanna see how we get out of here." He grinned. "Hey, Scully... those are
|
|
my cuffs..." His blurry vision focused in on the red-furred cuffs around St.
|
|
George's wrists. "No fair... those are mine... and they're in my desk..."
|
|
|
|
"Your set is on your wrists." Scully smiled sweetly. He gingerly pulled at
|
|
the cuffs, nodding as he slumped against the wall again. His nose hurt as he
|
|
flattened it, so he tried to stand up straight.
|
|
|
|
"Okay... so where'd the other set come from?" He murmured to the panel.
|
|
|
|
"They're mine." Marty appeared from the shadows, his arms crossed. He stared
|
|
at Jackie. "Hello..."
|
|
|
|
"Hi!" She turned around, cheerfully chirping as she tugged at her hands.
|
|
"When'd your flight get in?"
|
|
|
|
"Three hours ago. I've been waiting at your place... like we agreed..." His
|
|
expression made her wince.
|
|
|
|
"Oh." Jackie smiled weakly. "Would you believe I was abducted by aliens and
|
|
forced to drink here?"
|
|
|
|
"Nope."
|
|
|
|
"Ah... a special diplomatic assignment with Mulder?"
|
|
|
|
"Nope."
|
|
|
|
"Am I in big trouble here?"
|
|
|
|
"Depends..." He stepped closer to her. "Give me one good reason to let you go
|
|
and forgive you for this one."
|
|
|
|
St. George leaned forward, resting her head on his shoulder as she whispered
|
|
into his ear. Nantus drew back, shaking his head with a smile.
|
|
|
|
"You hang around with Mulder too much, Jackie..." He displayed the key,
|
|
swiftly unlocking the cuffs. "But I'm not complaining... this time..."
|
|
|
|
"Hey, whatta 'bout me?" Fox said plaintively. Dana looked at the couple, then
|
|
back at him.
|
|
|
|
"So make me an offer..."
|
|
|
|
"I'll clean up my desk?"
|
|
|
|
"No, no, no..." Jackie lurched over, slamming her hands on the wall, each
|
|
side of the agent's head. Putting her mouth to his ear, she spoke softly.
|
|
Marty and Dana watched, curious.
|
|
|
|
"No... yes... well, yes... no... no..." He stared at St. George. "I can't..."
|
|
He looked into Dana's eyes. "I can't..."
|
|
|
|
"I give up." Jackie turned away, nearly falling to the floor except for a
|
|
good catch by Marty. "You negotiate your own release this time... Waitta
|
|
minute..." She stared at Marty. "I'm being influenced by Mulder and YOU
|
|
bought those cuffs?"
|
|
|
|
"Ah... they were an engagement present." He smiled.
|
|
|
|
"From you, I expect..." She whirled to face Mulder again, tilting to one
|
|
side. He shook his head, trying to stay focused.
|
|
|
|
"It wasn't him." Nantus's voice whispered in her ear. Her gaze shifted to
|
|
Dana, smiling wickedly. Jackie's mouth fell open, speechless for once.
|
|
Rolling her eyes towards heaven, she wrapped her arms around Marty's waist,
|
|
slumping against him. He led her towards the door, stopping by Scully.
|
|
|
|
"Thanks Dana. Much better than having to fight them both."
|
|
|
|
"I know." She watched them leave, then turned her attention to the weaving
|
|
Mulder. "So..."
|
|
|
|
"Okay. Name your price." He grinned.
|
|
|
|
"You do the paperwork for the next week."
|
|
|
|
"That's not what I was expecting..."
|
|
|
|
"I know." She reached over and tugged at his tie; making him drunkenly
|
|
stumble forward a few steps. "I'm beginning to see the appeal of this..."
|
|
Another soft pull on the tie. "Come on, Mulder... time to take you home."
|
|
|
|
"Your place?" His eyes twinkled. "Oooohhh, Scully..."
|
|
|
|
"At this time of night, yes. We've got to be back at work in less than eight
|
|
hours."
|
|
|
|
"Gonna handcuff me to the bedpost?"
|
|
|
|
"To the tub in the bathroom. That way, you won't have far to crawl."
|
|
|
|
"You are one tough woman, Dana Scully."
|
|
|
|
"Yes, I am... and don't forget who's got the keys..."
|
|
|
|
**************************
|
|
"You've become a world-class hopeless romantic."
|
|
"Not hopeless... hopeful. A world-class hopeful romantic."
|
|
Joan Wilder -- Romancing The Stone
|
|
|
|
|