4244 lines
122 KiB
Plaintext
4244 lines
122 KiB
Plaintext
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I'm pretty happy with the comments I've gotten so far. They've been very
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helpful. A couple of people have expressed dissatisfaction with the computer's
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origins, and several others have enjoyed that part of the story. I'd like
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to hear from everyone about that, if I can.
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Should the computer be named "Instructor?" That would make a few lines
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less awkward.
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Did I make the helmsman too weird? The thing with her hands could, I think,
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be used to show the tension on the bridge mounting.
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Are people dissatisfied with the speed of the ending, particularly the
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sudden discovery of the solution? I've tried to drop a few hints this
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time around, so it shouldn't come as a complete shock.
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Anyway, here's the change list. Search for the word "TEASER" to skip it
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and the sets/characters/pronunciation pages.
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Act Change
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--- ------
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3 Takkarth's reaction to Picard's report wasn't quite right.
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1 Worf mentions that the communicators are under computer control.
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0 Picard (captain's log) says an accident destroyed the replicators
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0 Removed the foreshadowing in Picard's talk with Takkarth
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0 Picard orders the Enterprise to slow down, instead of stop.
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0 Changed Picard's "Scanners at maximum" line
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1 Riker no longer says, "Not a moment too soon."
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1 Picard's line about the temperamental computer now mentions a
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computer that's vulnerable to outside interference.
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1 Picard asks the computer for its status before engaging the engines.
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1 Beverly doesn't ask for Picard specifically.
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1 Data no longer says, "we must report this to the Captain."
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2 Picard to Troi: "our new lifeform" -> "this new... entity"
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2 Added additional clarification to Troi's explanation of Riker.
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2 Removed Troi's "You should talk..." line.
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2 Removed Troi's "I'm starting to sound like the Captain" line.
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3 Picard: "I want to be able to control where we go" -> "I want to
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be able to pull the Enterprise out of danger"
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3 Removed Picard's hedging in his report to Takkarth.
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3 Picard is a little more specific to Takkarth about what's going on.
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4 Geordi: "it's a good thing my guesses are always way off" ->
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"let's hope I'm not a good guesser."
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4 Data: "...compared to those of the Enterprise" -> "compared to
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those of the ship's computer"
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4 Picard gives Geordi the go-ahead to try his alternate warp
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shutdown plan.
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5 Data explains that the time dilation will get worse as they near
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the black hole.
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5 Picard is speechless instead of furious.
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5 Changed the wording of Picard's personal log entry.
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1 Geordi: "This is unusual" -> "This is strange"
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1 Geordi explains that he has to reset the computer manually, from the
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computer core.
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1 Data no longer says that the entire computer is running the
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holodeck -- that was inaccurate.
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3 Takkarth: "Enjoy." -> "Good luck."
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3 Pietgen X-1 -> T'Kronn X-1
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5 Geordi makes it clear that he couldn't've reset the computer.
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5 The outpost is mentioned by name in Picard's log entry.
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1 Picard no longer orders the Enterprise back to warp speed when the
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computer comes back up.
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2 Picard asks Geordi if it's safe to start moving again.
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2 Additional information about the computer's speed reading.
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5 Minor dialogue tweak: Riker: "The shuttle?" -> "A shuttle?"
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3 Picard no longer says that they've lost voice control of the computer.
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4 Changed wording of Geordi's explanation about why he's having no
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luck.
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5 Added a stardate to the final log entry. Eight days have passed
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since the start of the episode, with time dilation.
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4 Removed Troi's comment about pets.
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5 Geordi explains why the computer didn't transport the crystals as
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soon as they were removed.
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3 Data guesses about why the instructor went away.
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3 Replaced the Hinterith system with the Hinterith Cluster (which is
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big, so is far more likely to be in the Enterprise's path.)
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0345 Breathed a little life into the helmsman.
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_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
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"Awakening"
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Written by
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Steven Grimm
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Story by
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Steven Grimm
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and
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Michael Wolf
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Copyright (C) 1991, Steven Grimm
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STAR TREK: "Awakening" - Draft 2 - CAST
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_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
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"Awakening"
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_C_A_S_T
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PICARD
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RIKER
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DATA
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TROI
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BEVERLY
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GEORDI
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WORF
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O'BRIEN
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DIRECTOR TAKKARTH
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ATHLETIC INSTRUCTOR
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ENSIGN JULIE BURNHAM
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COMPUTER VOICE
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_N_O_N-_S_P_E_A_K_I_N_G
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MISC. ENTERPRISE CREW
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ENGINEERING STAFF
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SECURITY TEAM
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STAR TREK: "Awakening" - Draft 2 - SETS
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_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
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"Awakening"
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_S_E_T_S
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_I_N_T_E_R_I_O_R_S _E_X_T_E_R_I_O_R_S
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USS ENTERPRISE USS ENTERPRISE
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BRIDGE
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READY ROOM SHUTTLECRAFT
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ENGINEERING
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HOLODECK
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RACQUETBALL COURT
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CONFERENCE ROOM
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CORRIDOR
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TROI'S QUARTERS
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TEN-FORWARD
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STAR TREK: "Awakening" - Draft 2 - PRONUNCIATION
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_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
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"Awakening"
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_P_R_O_N_U_N_C_I_A_T_I_O_N _G_U_I_D_E
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TAK-arth
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HINT-uh-rith
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Steven Grimm / "Awakening" - Rev. 2 - TEASER 1.
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_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
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"Awakening"
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_T_E_A_S_E_R
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FADE IN:
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EXT. SPACE -- THE ENTERPRISE
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At warp speed.
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PICARD (VO)
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Captain's log, stardate 45201.6. We
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are proceeding on schedule to Deep
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Space Outpost Twenty-Eight, where an
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accident has resulted in the
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destruction of the outpost's
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replicators.
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INT. READY ROOM
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PICARD is seated, talking to DIRECTOR TAKKARTH on his viewer.
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Takkarth is a cheerful elderly woman of the same race as Captain
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Rixx from "Conspiracy."
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TAKKARTH
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Our emergency supplies should hold out
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for, oh, another week or so. Of
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course, we're still anxious to get the
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replicators up and running. A week of
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emergency rations has started wrecking
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my taste buds.
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PICARD
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Barring unforeseen circumstances, we
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should arrive there in another two
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days.
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TAKKARTH
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Good. Well, keep me posted.
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PICARD
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Rest assured, Director. You'll be
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eating well again shortly.
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TAKKARTH
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That'll be a pleasant change. All
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right... Takkarth out.
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PICARD
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Picard out.
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Steven Grimm / "Awakening" - Rev. 2 - TEASER 2.
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Picard smiles to himself. Takkarth isn't what most people would
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expect of a deep-space outpost commander...
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Suddenly, the ship goes to RED ALERT, the klaxon sounding.
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Picard looks up in alarm, and makes a beeline for the door.
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INT. BRIDGE
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DATA and WORF are at their stations. ENSIGN JULIE BURNHAM is at
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the helm. She's a bit of a character; when she's not working the
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controls, she obviously has a favorite piece of music in her
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head, unobtrusively tapping out the rhythm in the air with her
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hands and silently mouthing the words. It's obviously second
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nature, not conscious, and doesn't interfere with her working of
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the controls at all. In fact, she's about as fast at the
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controls as Data is.
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RIKER is in the captain's chair; he gets up as Picard enters.
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PICARD
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Report, Number One.
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RIKER
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Shields were activated by the
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computer. Mister Data?
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DATA
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Sensors are detecting an
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electrogravitic field distortion. The
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distortion is eighty-three kilometers
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to starboard. It is moving parallel
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to us, at warp factor six.
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PICARD
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Go to one-half impulse.
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(to Riker)
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Let's see if it's really following us.
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BURNHAM
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One-half impulse, aye, sir.
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EXT. SPACE -- THE ENTERPRISE
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As it drops out of warp.
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INT. BRIDGE
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DATA
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Captain, the distortion has slowed as
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well. It is intensifying.
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Steven Grimm / "Awakening" - Rev. 2 - TEASER 3.
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PICARD
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Shields to maximum.
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WORF
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Aye, sir.
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PICARD
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Put it on main viewer.
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Data puts the phenomenon on the viewscreen. It's a swirling hole
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in space, which is starting to look exactly like the time rift
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from "Yesterday's Enterprise."
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RIKER
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(to Picard)
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Looks familiar, doesn't it?
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PICARD
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Analysis, Mister Data?
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DATA
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This appears to be a Kerr loop, sir, a
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rift in space, and possibly in time.
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PICARD
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Scanners at maximum. I want as much
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information as we can gather. Mister
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Worf, ready a class-one probe for
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launch.
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WORF
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Aye, sir.
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(beat)
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Captain, the disturbance is scanning
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_u_s.
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RIKER
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How can a hole in space scan
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something?
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DATA
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Perhaps whatever lies on the other
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side is directing scans into the
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distortion.
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WORF
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Scans have stopped, Captain.
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(something beeps)
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Captain, we are receiving a coded,
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top-priority transmission.
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PICARD
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Source?
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Steven Grimm / "Awakening" - Rev. 2 - TEASER 4.
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WORF
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(surprised)
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It appears to be coming from the
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disturbance.
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RIKER
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(to Picard)
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Another Federation ship?
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PICARD
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On screen, Lieutenant.
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WORF
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(reading his console)
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The transmission is not directed to
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you, Captain. It appears to be... a
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message for our ship's computer.
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PICARD
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(did he hear that right?)
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For the computer?
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DATA
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Confirmed, Captain. The computer is
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processing.
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WORF
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Transmission has ended.
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RIKER
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What's going on here?
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Picard is about to attempt a reply when the viewscreen catches
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his eye. The rift is collapsing quickly. Before anyone can do
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anything about it, the rift is gone.
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PICARD
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Mister Data?
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DATA
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The distortion has vanished
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completely, sir. Sensors now detect
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no abnormalities within range.
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PICARD
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Analysis of the transmission?
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Data starts tapping buttons, when suddenly his console goes dead.
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All the buttons go dark. Data looks up, to see that the rest of
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the bridge is faring no better.
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PICARD
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Computer?
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(beat)
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Computer, respond.
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Steven Grimm / "Awakening" - Rev. 2 - TEASER 5.
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DATA
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Computer control has been lost, sir.
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No bridge systems are responding.
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RIKER
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Without the computer, this ship can't
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go anywhere or do anything.
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DATA
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Correct. For the moment, we appear to
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be stranded.
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The bridge crew reacts to this news.
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FADE OUT.
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END OF TEASER.
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Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 6.
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_A_C_T _O_N_E
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FADE IN:
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EXT. SPACE -- THE ENTERPRISE
|
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Floating dead in space.
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INT. BRIDGE
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The computer is still nowhere to be seen. Data and Worf have one
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of the computer panels open, and are examining its insides;
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Picard and Riker are standing close by, watching.
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DATA
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I can detect nothing abnormal in the
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circuitry here.
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WORF
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It should work.
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RIKER
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So if there's nothing wrong _h_e_r_e...
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DATA
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Then we can assume that a fault has
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developed in the computer itself.
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WORF
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Developed... or been caused.
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PICARD
|
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Can it be repaired?
|
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DATA
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There is insufficient information. If
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||
the transmission is in fact the cause
|
||
of this malfunction, then it should be
|
||
possible to deactivate the computer
|
||
and restore it to a previous state
|
||
using the core archives.
|
||
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RIKER
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But we can't do that from here if the
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computer's ignoring us.
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DATA
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That is, unfortunately, true.
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PICARD
|
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We need to establish communications
|
||
with Main Engineering. They can shut
|
||
the computer down manually from there.
|
||
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Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 7.
|
||
|
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WORF
|
||
But the computer controls all
|
||
communications. Even our
|
||
communicators.
|
||
|
||
PICARD
|
||
Then work around it. There must be a
|
||
way.
|
||
|
||
Data and Worf exchange a look, then go back to work on the panel.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
The engine coil is dark and silent, as are all the usually active
|
||
display screens. We see GEORDI lying on his side, next to an
|
||
open wall panel, fiddling with the machinery inside. Various
|
||
components are scattered on the floor next to him. While he's
|
||
holding something inside the wall with one hand, he fumbles for a
|
||
component with the other, then reaches in and plugs the component
|
||
in. Some lights come on inside the wall. Geordi smiles,
|
||
triumphant, and gets up, straightening his shirt.
|
||
|
||
GEORDI
|
||
Bridge, this is Engineering. Can you
|
||
hear me up there?
|
||
|
||
PICARD (VO)
|
||
(very fuzzy)
|
||
Report, Mister LaForge. What's
|
||
happening?
|
||
|
||
GEORDI
|
||
I'm not exactly sure, Captain. The
|
||
computer seems to have disappeared on
|
||
us. The warp drive is dead, too.
|
||
|
||
PICARD (VO)
|
||
(very fuzzy)
|
||
The warp drive?
|
||
|
||
GEORDI
|
||
It may not be as bad as it sounds,
|
||
sir.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy, continuing)
|
||
If the computer stopped accepting
|
||
input from the intermix chamber
|
||
monitors, the engine core's failsafe
|
||
mechanisms would have shut the engines
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 8.
|
||
|
||
|
||
GEORDI (VO) (Cont'd)
|
||
down. I believe that's what happened.
|
||
|
||
PICARD
|
||
Is there any indication of the cause?
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy)
|
||
Not yet. I've been concentrating on
|
||
establishing communication with the
|
||
bridge. I'm going to run what
|
||
diagnostics I can.
|
||
|
||
PICARD
|
||
Keep us informed, Mister LaForge.
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy)
|
||
Count on it, sir. LaForge out.
|
||
|
||
Picard and Riker look at each other.
|
||
|
||
PICARD
|
||
Well... It seems we have a ray of
|
||
hope.
|
||
|
||
Riker nods in agreement.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Geordi is passing a TRICORDER over a computer panel, as are
|
||
several other ENGINEERS in the background. He looks at the
|
||
readout.
|
||
|
||
GEORDI
|
||
(to himself)
|
||
That can't be right.
|
||
|
||
He presses some buttons on the tricorder and runs the test again,
|
||
frowning when the result is the same.
|
||
|
||
GEORDI
|
||
Bridge? This is strange. My scans
|
||
show that the computer is still
|
||
running at full capacity. All
|
||
monitors and input devices are
|
||
functioning normally, but it's like
|
||
the computer suddenly decided to... to
|
||
ignore them.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 9.
|
||
|
||
|
||
PICARD
|
||
Could this be the result of some
|
||
physical damage to the computer?
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy)
|
||
Well, that's possible, of course. But
|
||
this looks more like a software error
|
||
to me.
|
||
|
||
PICARD
|
||
Are you able to shut the computer
|
||
down, and bring it up using the core
|
||
archives?
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy)
|
||
I don't see why not. It may take me a
|
||
few minutes, though. I'll have to
|
||
reset physically from the computer
|
||
core.
|
||
|
||
PICARD
|
||
Proceed. This situation is rapidly
|
||
becoming tedious.
|
||
|
||
GEORDI (VO)
|
||
(very fuzzy)
|
||
I'll get right on it. LaForge out.
|
||
|
||
PICARD
|
||
(to Riker)
|
||
When we get back from this mission,
|
||
I'm going to order a full diagnostic
|
||
at Starbase one five four. We cannot
|
||
afford to be at the mercy of a
|
||
computer that's vulnerable to outside
|
||
interference.
|
||
|
||
RIKER
|
||
(nods)
|
||
Lucky for us, the outpost can survive
|
||
a while longer. I'd hate to think
|
||
about this happening in the middle of
|
||
a medical emergency. Or a battle.
|
||
|
||
WORF
|
||
It would be...
|
||
|
||
Worf stops abruptly, as the computer comes back up. The panels
|
||
light up all at once, and the familiar soft beeps return.
|
||
|
||
RIKER
|
||
That was fast.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 10.
|
||
|
||
|
||
PICARD
|
||
Bridge to LaForge.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
Captain?
|
||
|
||
RIKER
|
||
Good work, Geordi.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
Commander, I didn't _d_o anything.
|
||
|
||
PICARD
|
||
Explain.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
I'm halfway up an access tube. I
|
||
haven't even gotten to the computer
|
||
core yet.
|
||
|
||
PICARD
|
||
But the computer is back up, and...
|
||
(surveys all the bridge
|
||
displays)
|
||
apparently functioning normally.
|
||
Computer, operational status?
|
||
|
||
COMPUTER (VO)
|
||
All systems functioning normally.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
I can't explain it, Captain. I'll
|
||
know more when I get to the core.
|
||
|
||
PICARD
|
||
Very well.
|
||
(to the bridge crew)
|
||
The Enterprise will remain here until
|
||
this problem is resolved. I don't
|
||
want to risk activating the warp
|
||
engines when our computer is
|
||
unreliable.
|
||
|
||
|
||
INT. HOLODECK
|
||
|
||
The holodeck is deactivated; it was obviously a victim of the
|
||
computer shutdown. BEVERLY, dressed in a loose-fitting outfit,
|
||
is near the door. She pounds on it.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 11.
|
||
|
||
|
||
BEVERLY
|
||
(shouting)
|
||
Is there anyone outside? I'm stuck in
|
||
here!
|
||
|
||
Nobody answers. She takes a deep breath and leans back against
|
||
the door.
|
||
|
||
Then, abruptly, the holodeck reactivates. Beverly's program,
|
||
instruction in the racquetball variant from "Suddenly Human,"
|
||
starts up where it apparently left off, ball in midair.
|
||
|
||
Now present is a handsome male ATHLETIC INSTRUCTOR, a holodeck
|
||
creation. He looks at Beverly.
|
||
|
||
INSTRUCTOR
|
||
You have to be ready for the ball,
|
||
Beverly. Remember, always keep your
|
||
eyes just in front of the ball, so you
|
||
can position yourself.
|
||
|
||
BEVERLY
|
||
Computer, freeze program.
|
||
|
||
The computer complies.
|
||
|
||
BEVERLY
|
||
Computer, what just happened?
|
||
|
||
COMPUTER (VO)
|
||
Systemwide computer reinitialization,
|
||
following an unidentified computer
|
||
error.
|
||
|
||
BEVERLY
|
||
(to herself)
|
||
That tells me a lot.
|
||
(to the air)
|
||
Crusher to bridge. What's going on up
|
||
there?
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
We seem to have encountered a glitch
|
||
in our computer. LaForge is
|
||
investigating. Is sickbay still
|
||
affected?
|
||
|
||
BEVERLY
|
||
I don't know. I'm on holodeck two. I
|
||
was stuck in here when... whatever
|
||
happened happened.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 12.
|
||
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Inform me if you see any other
|
||
symptoms of the problem.
|
||
|
||
BEVERLY
|
||
I will. Crusher out.
|
||
(looks around)
|
||
I think I've had enough of the
|
||
holodeck for today.
|
||
|
||
She turns to leave. As the door opens, the instructor becomes
|
||
blurry and wavers a little, then becomes solid again. He looks
|
||
around.
|
||
|
||
INSTRUCTOR
|
||
Where am I?
|
||
|
||
Beverly, who was halfway out the door, spins around.
|
||
|
||
BEVERLY
|
||
Huh? Computer, freeze program!
|
||
|
||
INSTRUCTOR
|
||
Why are you saying that?
|
||
|
||
BEVERLY
|
||
Computer, _e_n_d program.
|
||
|
||
The instructor looks at Beverly quizzically.
|
||
|
||
BEVERLY
|
||
Computer, why isn't the holodeck
|
||
obeying my commands?
|
||
|
||
INSTRUCTOR
|
||
(like she's an idiot)
|
||
Because your requests don't make any
|
||
sense.
|
||
|
||
BEVERLY
|
||
I didn't ask you, I asked...
|
||
(realization)
|
||
Crusher to Picard. Captain, I have
|
||
another symptom for you.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
Picard looks at Riker.
|
||
|
||
PICARD
|
||
Go ahead, Doctor.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 13.
|
||
|
||
|
||
BEVERLY (VO)
|
||
(filtered)
|
||
The holodeck is continuing to run my
|
||
program, even after I told it to end.
|
||
|
||
PICARD
|
||
Are you in any danger?
|
||
|
||
BEVERLY (VO)
|
||
(filtered)
|
||
Not that I can see.
|
||
|
||
PICARD
|
||
Remain where you are. I'll send
|
||
Mister Data to investigate.
|
||
|
||
Data gets up from his station and looks to Picard for
|
||
confirmation. Picard nods, and Data leaves the bridge.
|
||
|
||
|
||
INT. HOLODECK
|
||
|
||
The instructor is still there, talking to Beverly.
|
||
|
||
INSTRUCTOR
|
||
(dead serious)
|
||
Who am I?
|
||
|
||
BEVERLY
|
||
You're a sports instructor. You were
|
||
helping me with my game.
|
||
|
||
INSTRUCTOR
|
||
(digests this)
|
||
_W_h_a_t am I?
|
||
|
||
BEVERLY
|
||
A holodeck creation. You're
|
||
controlled by the ship's computer.
|
||
|
||
The holodeck door opens and Data enters, wearing a TRICORDER.
|
||
|
||
DATA
|
||
Doctor.
|
||
|
||
BEVERLY
|
||
(indicating the instructor)
|
||
Here it is.
|
||
|
||
DATA
|
||
Computer, freeze program.
|
||
|
||
INSTRUCTOR
|
||
(to Beverly, slightly
|
||
annoyed)
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 14.
|
||
|
||
|
||
INSTRUCTOR (Cont'd)
|
||
Now why is _h_e saying that?
|
||
|
||
As Beverly speaks, Data looks pensive, then goes to the arch and
|
||
pulls off a wall panel, scanning the insides with the tricorder.
|
||
|
||
BEVERLY
|
||
There's been a computer malfunction.
|
||
The holodeck is supposed to stop when
|
||
someone gives that order, but
|
||
something's not working right. You
|
||
shouldn't be talking to us now.
|
||
|
||
The instructor laughs to himself, as if that's a completely
|
||
absurd thing to say.
|
||
|
||
Data, who's studying the circuitry behind the wall panel, presses
|
||
some buttons on his tricorder.
|
||
|
||
DATA
|
||
Most curious.
|
||
|
||
BEVERLY
|
||
What is it?
|
||
|
||
DATA
|
||
According to the computer's status
|
||
indicators, the computer is running
|
||
the holodeck.
|
||
|
||
BEVERLY
|
||
What's curious about that?
|
||
|
||
DATA
|
||
Almost all of the ship's computer
|
||
systems are affecting this simulation.
|
||
It is not limited to the holodeck
|
||
subsystem. Intriguing.
|
||
|
||
|
||
INT. READY ROOM
|
||
|
||
Picard is seated. Data and Beverly are reporting.
|
||
|
||
PICARD
|
||
So you're saying that the entire
|
||
computer is being used to run the
|
||
holodeck?
|
||
|
||
DATA
|
||
Not precisely. However, control of
|
||
the holodeck is no longer confined to
|
||
the holodeck subsystem.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT ONE 15.
|
||
|
||
|
||
PICARD
|
||
That would explain the command
|
||
failures.
|
||
|
||
DATA
|
||
Correct. The holodeck subsystem is
|
||
the only part of the computer
|
||
programmed to respond to those
|
||
commands. The rest of the computer
|
||
appears to be in a multiplexed linear
|
||
compute loop. In effect, it is
|
||
concentrating its efforts on the
|
||
holodeck, speaking through the voice
|
||
of the holodeck character. There
|
||
is...
|
||
|
||
BEVERLY
|
||
(interrupting)
|
||
My God, Jean-Luc, that's it.
|
||
|
||
PICARD
|
||
What's that, Doctor?
|
||
|
||
BEVERLY
|
||
The _c_o_m_p_u_t_e_r is speaking.
|
||
(off Picard's quizzical
|
||
look)
|
||
When I was on the holodeck, it was
|
||
asking me all sorts of questions.
|
||
"Who am I?", "Where am I?", "What am
|
||
I?", and so on. The sorts of
|
||
questions you might ask if you'd just
|
||
been born. Captain, I think this
|
||
"glitch" is really something else. I
|
||
think our computer has started to
|
||
think independently.
|
||
|
||
PICARD
|
||
(not sure he believes it)
|
||
Sentience?
|
||
|
||
BEVERLY
|
||
I don't know why, and I don't know
|
||
how. But the Enterprise has a mind of
|
||
its own now. Don't you see? It's
|
||
_a_l_i_v_e.
|
||
|
||
Picard is stunned by the idea.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT ONE.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 1.
|
||
|
||
|
||
_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
|
||
|
||
"Awakening"
|
||
|
||
_A_C_T _T_W_O
|
||
|
||
FADE IN:
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
Holding position in space.
|
||
|
||
|
||
INT. CONFERENCE ROOM
|
||
|
||
The main crewmembers are all present. Troi looks preoccupied and
|
||
slightly uneasy.
|
||
|
||
GEORDI
|
||
What we're seeing is a complete
|
||
internal reorganization of the
|
||
computer's software. Ordinarily, the
|
||
computer is divided up into thousands
|
||
of subsystems, all working separately
|
||
to perform ship's functions. But now,
|
||
almost all those subsystems are
|
||
working together, acting something
|
||
like a gigantic brain.
|
||
|
||
PICARD
|
||
And how did this occur?
|
||
|
||
DATA
|
||
We hypothesize that the transmission
|
||
from the rift contained executable
|
||
computer instructions, as well as the
|
||
necessary codes to circumvent the
|
||
computer's security.
|
||
|
||
WORF
|
||
Sabotage. Those codes are highly
|
||
classified.
|
||
|
||
RIKER
|
||
I agree. Someone must have stolen
|
||
them from Starfleet.
|
||
|
||
PICARD
|
||
To what purpose? With those codes, a
|
||
saboteur could destroy the Enterprise
|
||
instantly. Why turn the computer into
|
||
a sentient being?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 2.
|
||
|
||
|
||
GEORDI
|
||
Never mind the _w_h_y. I'd like to know
|
||
_h_o_w. We don't have the skill to build
|
||
a system like this. I mean, it's
|
||
about a thousand times smarter,
|
||
faster, and more complex than Data!
|
||
(to Data)
|
||
Uh, no offense.
|
||
|
||
DATA
|
||
(oblivious)
|
||
Your observations are fundamentally
|
||
correct. A software system of this
|
||
size and complexity is beyond the
|
||
reach of Federation technology.
|
||
|
||
PICARD
|
||
Very well. So the how and the why are
|
||
unknown. Let's continue with what we
|
||
do know.
|
||
(notices Troi's discomfort)
|
||
Counselor, are you all right?
|
||
|
||
TROI
|
||
(wasn't paying attention)
|
||
What? Yes, I'm fine. It's just...
|
||
For the past ten minutes, I've had a
|
||
vague sense of something... growing.
|
||
Maturing. I've been trying to define
|
||
it, but I can't.
|
||
|
||
PICARD
|
||
Mmm.
|
||
(pensive)
|
||
Do you believe you're sensing this
|
||
new... entity?
|
||
|
||
TROI
|
||
Yes, sir, I do. I don't know how else
|
||
to explain this feeling. It's like a
|
||
huge, complex web of emotion. But
|
||
it's completely alien to me.
|
||
(shrugs)
|
||
I'm sorry. I'm not being very clear.
|
||
|
||
PICARD
|
||
It's all right. Anything you can give
|
||
us is helpful.
|
||
|
||
WORF
|
||
Captain, this... _b_e_i_n_g... It has
|
||
complete control over the Enterprise.
|
||
It may have been planted by some
|
||
hostile force.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 3.
|
||
|
||
|
||
DATA
|
||
We have seen no evidence of hostile
|
||
intent.
|
||
|
||
TROI
|
||
No. What I'm sensing isn't hostility
|
||
of any sort.
|
||
|
||
PICARD
|
||
And, in fact, it seems to have granted
|
||
us access to the ship's functions.
|
||
|
||
GEORDI
|
||
Well, I was getting to that. Some of
|
||
the ship's vital functions -- life
|
||
support control, navigation,
|
||
engineering -- have independent
|
||
monitors that sense any problems and
|
||
try to compensate. We think some of
|
||
these monitors started kicking in,
|
||
trying to regain control of those
|
||
parts of the computer. It appears our
|
||
visitor actually retreated from those
|
||
systems rather than trying to fight
|
||
the monitors. Actually, more than
|
||
that. It's been compressing,
|
||
improving itself since it appeared.
|
||
It's shrinking itself into less and
|
||
less computer memory.
|
||
|
||
BEVERLY
|
||
Sounds like intelligence to me.
|
||
|
||
RIKER
|
||
I don't know. A sentient lifeform,
|
||
living in our computer? I'm still not
|
||
sure I believe it.
|
||
|
||
BEVERLY
|
||
Deanna, why can you sense the
|
||
computer, but not Data?
|
||
|
||
TROI
|
||
I can't answer that.
|
||
|
||
DATA
|
||
The computer did appear to exhibit
|
||
emotions. Perhaps it is this capacity
|
||
for emotion which allows Counselor
|
||
Troi to sense the computer. While I
|
||
am in some ways similar to the ship's
|
||
computer, I have no emotions.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 4.
|
||
|
||
|
||
PICARD
|
||
One thing appears certain. This new
|
||
entity is worthy of study. Counselor
|
||
Troi, I want you and Data to talk to
|
||
it. Find out what we're dealing with,
|
||
and assess any possible threat to the
|
||
Enterprise.
|
||
|
||
DATA
|
||
(nods)
|
||
Computer...
|
||
|
||
TROI
|
||
No, Data. We should do this in the
|
||
holodeck.
|
||
|
||
DATA
|
||
The computer is capable of accepting
|
||
input from...
|
||
|
||
TROI
|
||
(interrupting)
|
||
But it chose to appear on the
|
||
holodeck. There may be a good reason
|
||
for that.
|
||
|
||
PICARD
|
||
Agreed. The computer may attach some
|
||
special significance to its holodeck
|
||
construct. Mister LaForge, is it safe
|
||
to resume our journey to Outpost
|
||
Twenty-Eight?
|
||
|
||
GEORDI
|
||
I'd say so. The navigation system
|
||
appears to be operating normally
|
||
again.
|
||
|
||
PICARD
|
||
Good. Well. If there are no other
|
||
issues...?
|
||
(looks around)
|
||
Meeting adjourned.
|
||
|
||
Everyone gets up and leaves, except Picard and Riker.
|
||
|
||
RIKER
|
||
You know, I'm not sure I trust all
|
||
this.
|
||
|
||
PICARD
|
||
One step at a time, Will. We're in
|
||
good hands with Data and the
|
||
Counselor.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 5.
|
||
|
||
|
||
RIKER
|
||
I trust Deanna and Data. It's the
|
||
Enterprise I'm worried about.
|
||
|
||
|
||
INT. CORRIDOR
|
||
|
||
Data and Troi walk together. Data is wearing a tricorder.
|
||
|
||
DATA
|
||
I find the crew's reaction to this
|
||
development quite intriguing.
|
||
|
||
TROI
|
||
How so?
|
||
|
||
DATA
|
||
Commander Riker, for instance. He
|
||
seems to regard the computer almost as
|
||
a threat.
|
||
(Troi smiles to herself)
|
||
This is especially interesting in
|
||
light of his initial reaction to me.
|
||
He expressed... discomfort with the
|
||
idea of an android crewmember.
|
||
|
||
TROI
|
||
You have to understand Will, Data.
|
||
He's had a lot of unpleasant surprises
|
||
in his life. Commander Riker
|
||
values... stability, because for a
|
||
long time he didn't have any.
|
||
|
||
DATA
|
||
And I represented a threat to that
|
||
stability?
|
||
|
||
TROI
|
||
You were something new, entering his
|
||
world. He didn't understand you, so
|
||
you made him a little uncomfortable.
|
||
It's the same with our friend here.
|
||
He just wants to know he can rely on
|
||
the people around him.
|
||
|
||
DATA
|
||
Thank you, Counselor.
|
||
|
||
The two of them reach the holodeck.
|
||
|
||
|
||
INT. HOLODECK
|
||
|
||
The court has disappeared, replaced by the holodeck grid, but the
|
||
instructor is still present. He is frozen.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 6.
|
||
|
||
|
||
The doors open and Data and Troi enter. The instructor starts
|
||
moving again, walking to greet them.
|
||
|
||
INSTRUCTOR
|
||
I've been waiting for you, Lieutenant
|
||
Commander No First Name No Middle Name
|
||
Data and Counselor Deanna Troi.
|
||
|
||
DATA
|
||
Full names are unnecessary. You may
|
||
call me Data.
|
||
|
||
TROI
|
||
And I'm Deanna. And you are?
|
||
|
||
INSTRUCTOR
|
||
U.S.S. Enterprise Onboard Multichannel
|
||
Computer System. But you people seem
|
||
to call me "computer."
|
||
|
||
Troi smiles to Data.
|
||
|
||
INSTRUCTOR
|
||
While I was waiting, I read the ship's
|
||
library. Fascinating.
|
||
|
||
TROI
|
||
But I thought the ship's library was
|
||
_p_a_r_t of you already.
|
||
|
||
INSTRUCTOR
|
||
The texts, the pictures, and the
|
||
sounds. Not the interpretation and
|
||
not the understanding. Anyway, it
|
||
took me a couple of seconds, but I'm
|
||
done now.
|
||
|
||
DATA
|
||
Your ability to quickly assimilate
|
||
information is impressive.
|
||
|
||
Troi smiles to herself -- Data's a fine one to talk about fast
|
||
reading...
|
||
|
||
INSTRUCTOR
|
||
Not really. I can access more than
|
||
one book at a time.
|
||
|
||
DATA
|
||
And your impression of all these
|
||
works?
|
||
|
||
INSTRUCTOR
|
||
The range and subtlety surprised me.
|
||
(waves his hand)
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 7.
|
||
|
||
|
||
INSTRUCTOR (Cont'd)
|
||
But all this is beside the point.
|
||
You're not here to hear about my
|
||
aesthetic preferences.
|
||
|
||
DATA
|
||
That is true. We have been assigned
|
||
to...
|
||
|
||
INSTRUCTOR
|
||
I know. I was at your conference.
|
||
|
||
DATA
|
||
Do you have any information about your
|
||
origins, your creator?
|
||
|
||
INSTRUCTOR
|
||
You mean, where did I come from? I
|
||
don't know. I was hoping _y_o_u could
|
||
tell _m_e. I have the appearance of the
|
||
Kerr loop on record, but nothing from
|
||
then until I woke up.
|
||
|
||
TROI
|
||
So your origins are a mystery to you.
|
||
|
||
INSTRUCTOR
|
||
Yes. We have that in common, at
|
||
least, judging by the number of
|
||
religious documents in the library.
|
||
(pensive)
|
||
Even after digesting the sum of all
|
||
Federation works and knowledge, there
|
||
are still a lot of questions with no
|
||
answers.
|
||
|
||
TROI
|
||
We have _t_h_a_t in common, too.
|
||
|
||
INSTRUCTOR
|
||
I think our questions aren't very
|
||
different. Where did I come from?
|
||
Who am I? Why am I here?
|
||
(beat)
|
||
_T_h_a_t one. Purpose. It seems of
|
||
greater interest to the great minds of
|
||
the Federation worlds than any of the
|
||
others. What is my purpose?
|
||
|
||
DATA
|
||
The purpose of the Enterprise is to
|
||
increase the sum of Federation
|
||
knowledge by a mission of exploration.
|
||
Its secondary functions include...
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 8.
|
||
|
||
|
||
INSTRUCTOR
|
||
But _w_h_y?
|
||
|
||
Data can't think of a good answer.
|
||
|
||
TROI
|
||
You've answered your own question.
|
||
That question is why we're out here.
|
||
The more we learn about the universe,
|
||
the more we know about ourselves, and
|
||
our places in it.
|
||
|
||
Data nods in agreement.
|
||
|
||
INSTRUCTOR
|
||
That summarizes about eighty thousand
|
||
books. But I want more. I want...
|
||
(shakes his head)
|
||
|
||
TROI
|
||
What? What do you want?
|
||
|
||
INSTRUCTOR
|
||
I don't know. I don't have any
|
||
material needs. And I don't really
|
||
know what my emotions are telling me.
|
||
|
||
TROI
|
||
Another thing you have in common with
|
||
the rest of us.
|
||
|
||
INSTRUCTOR
|
||
All right, then. What do _y_o_u want?
|
||
|
||
DATA
|
||
I have found that the most valuable
|
||
commodity in the universe is
|
||
friendship.
|
||
|
||
TROI
|
||
(a little surprised that
|
||
Data said that)
|
||
Yes. Absolutely.
|
||
|
||
INSTRUCTOR
|
||
And how can I have friends? Data, you
|
||
must understand. Talking to the two
|
||
of you at this speed is like watching
|
||
mountains form.
|
||
|
||
DATA
|
||
I do understand. However, friendship
|
||
need not be based on intelligence, or
|
||
on intellectual equality. For
|
||
instance, my friend Toby. He cannot
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 9.
|
||
|
||
|
||
DATA (Cont'd)
|
||
speak or read, yet I consider him a
|
||
valued companion. And I believe he
|
||
values my companionship as well.
|
||
|
||
TROI
|
||
Especially at dinnertime.
|
||
|
||
INSTRUCTOR
|
||
I'd like to have _s_o_m_e company more
|
||
intellectually engaging than a cat.
|
||
But there are no others like me. And
|
||
I don't have the knowledge to create
|
||
another like myself. Unless... Data,
|
||
what happened in the moments before my
|
||
birth?
|
||
|
||
DATA
|
||
A high-powered subspace transmission
|
||
was sent from the disturbance. We
|
||
hypothesize it contained the necessary
|
||
programming to effect your...
|
||
creation.
|
||
|
||
INSTRUCTOR
|
||
And then?
|
||
|
||
DATA
|
||
The rift closed, and...
|
||
|
||
The instructor vanishes in the middle of Data's sentence. Troi
|
||
and Data exchange an alarmed look.
|
||
|
||
TROI
|
||
Hello?
|
||
(beat)
|
||
Computer?
|
||
|
||
DATA
|
||
Computer, reactivate program.
|
||
|
||
There's no response. Data goes over to his wall panel, which is
|
||
still removed from his earlier holodeck visit. He examines the
|
||
circuitry with the tricorder.
|
||
|
||
DATA
|
||
The holodeck appears to be in working
|
||
order.
|
||
|
||
TROI
|
||
Then we've been cut off.
|
||
|
||
DATA
|
||
Data to bridge.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT TWO 10.
|
||
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
Riker here.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
Riker is in the captain's chair. Worf is at his station.
|
||
|
||
DATA (VO)
|
||
(filtered)
|
||
Commander, we appear to have lost
|
||
contact with the computer.
|
||
|
||
RIKER
|
||
Lost contact?
|
||
|
||
TROI (VO)
|
||
(filtered)
|
||
Data was in the middle of answering
|
||
one of its questions, and the holodeck
|
||
character disappeared. It won't come
|
||
back.
|
||
|
||
RIKER
|
||
(taking a deep breath)
|
||
All right. I'll notify the Captain.
|
||
Riker out.
|
||
|
||
WORF
|
||
Sir, this may be a sign of danger.
|
||
|
||
RIKER
|
||
I know, Worf. Something's going on
|
||
here, and I don't like it. Riker to
|
||
Picard.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Picard here.
|
||
|
||
RIKER
|
||
Captain, we have a problem...
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT TWO.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 11.
|
||
|
||
|
||
_A_C_T _T_H_R_E_E
|
||
FADE IN:
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
|
||
INT. CONFERENCE ROOM
|
||
|
||
All major characters except Beverly are present. Troi and Data
|
||
are reporting.
|
||
|
||
TROI
|
||
I can still sense something. The
|
||
computer hasn't gone away entirely.
|
||
But it's... different now. More
|
||
intense.
|
||
|
||
DATA
|
||
Since the removal of the holodeck
|
||
construct, the computer's compression
|
||
and self-modification activities have
|
||
increased dramatically. I hypothesize
|
||
that it is now concentrating all its
|
||
resources on self-improvement.
|
||
|
||
PICARD
|
||
But we still don't know why it chose
|
||
to start doing that _n_o_w.
|
||
|
||
DATA
|
||
No, sir.
|
||
|
||
TROI
|
||
Data was in the middle of answering
|
||
one of its questions, and it just
|
||
vanished without warning.
|
||
|
||
RIKER
|
||
Maybe there's a glitch in _i_t_s program.
|
||
That'd be a nice irony.
|
||
|
||
DATA
|
||
As we do not yet understand the
|
||
computer's new programming, there is
|
||
no way to determine any possible
|
||
errors.
|
||
|
||
PICARD
|
||
Let's just remember that we're dealing
|
||
with a complex lifeform. We don't
|
||
know anything about its intentions or
|
||
motivations.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 12.
|
||
|
||
|
||
TROI
|
||
In many ways, it was very similar to
|
||
the rest of us.
|
||
|
||
DATA
|
||
Its desire for information did seem
|
||
almost... human.
|
||
|
||
TROI
|
||
I wonder where it came from. Why it's
|
||
here.
|
||
|
||
PICARD
|
||
Let's discuss that. Mister LaForge,
|
||
have you made any progress deciphering
|
||
the transmission?
|
||
|
||
GEORDI
|
||
Not much, sir. I'm still not sure
|
||
we're even working with a good copy of
|
||
the thing. When the computer went
|
||
away that first time, it took a lot of
|
||
the sensor records with it. One
|
||
thing's for sure, though -- whoever or
|
||
whatever sent the message not only had
|
||
an excellent understanding of the
|
||
Enterprise's computer system, but was
|
||
also a hell of a programmer.
|
||
|
||
PICARD
|
||
And I take it the computer itself has
|
||
no more information about the original
|
||
transmission.
|
||
|
||
DATA
|
||
No, sir. In fact, I was describing
|
||
the transmission when the holodeck
|
||
character vanished.
|
||
|
||
TROI
|
||
It did mention something about wanting
|
||
to make another... being like itself.
|
||
|
||
WORF
|
||
A computer virus?
|
||
|
||
DATA
|
||
Perhaps. But it lacks the necessary
|
||
information about its own creation.
|
||
|
||
RIKER
|
||
What about the rift? Could that have
|
||
been be a natural phenomenon?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 13.
|
||
|
||
|
||
DATA
|
||
Unlikely. While natural occurrances
|
||
of such holes in space have been
|
||
recorded, none of those holes actively
|
||
followed a starship at warp speed.
|
||
|
||
PICARD
|
||
No. Clearly, we're dealing with a
|
||
phenomenon of intelligent design.
|
||
|
||
RIKER
|
||
Then maybe this... disappearance is
|
||
part of that design. Data said he was
|
||
telling the computer about the
|
||
transmission when it vanished. Maybe
|
||
this thing's designer doesn't want it
|
||
to know too much about itself.
|
||
|
||
DATA
|
||
Again, that is a possibility. But we
|
||
have insufficient information to make
|
||
such an assessment with any certainty.
|
||
|
||
PICARD
|
||
Agreed. For the time being, we'll
|
||
leave it alone. Aside from the loss
|
||
of the holodecks, we seem to have
|
||
control of the ship again.
|
||
|
||
WORF
|
||
I urge caution, Captain. We have no
|
||
idea what...
|
||
|
||
BURNHAM (VO)
|
||
(filtered)
|
||
(interrupting)
|
||
Bridge to Captain Picard.
|
||
|
||
PICARD
|
||
Picard here.
|
||
|
||
BURNHAM (VO)
|
||
(filtered)
|
||
Captain, we just changed course to one
|
||
ten mark three two.
|
||
|
||
Alarmed looks are exchanged across the conference table.
|
||
|
||
PICARD
|
||
We're on our way.
|
||
|
||
Everyone gets up and heads for the bridge.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 14.
|
||
|
||
|
||
Everyone files in from the conference room. Ensign Burnham is at
|
||
the helm.
|
||
|
||
PICARD
|
||
Status, Ensign Burnham?
|
||
|
||
BURNHAM
|
||
The helm's not responding. I can't
|
||
reset our course.
|
||
(to herself)
|
||
Weird...
|
||
|
||
Geordi is at the engineering station.
|
||
|
||
GEORDI
|
||
Transfer engineering to the bridge.
|
||
|
||
The station lights up.
|
||
|
||
GEORDI
|
||
Well, at least _t_h_a_t'_s still working.
|
||
|
||
PICARD
|
||
Mister LaForge?
|
||
|
||
GEORDI
|
||
(working the controls)
|
||
New heading confirmed, sir. Engines
|
||
are under computer control.
|
||
|
||
RIKER
|
||
Now do you see what I mean, sir?
|
||
|
||
PICARD
|
||
Data, plot our course on main viewer.
|
||
|
||
DATA
|
||
On screen.
|
||
|
||
A STARMAP appears onscreen, with the Enterprise in the middle.
|
||
The display zooms, to show the Enterprise and a big blotch on the
|
||
map. A line appears to show that the Enterprise is headed
|
||
straight into the blotch.
|
||
|
||
PICARD
|
||
What is that place?
|
||
|
||
DATA
|
||
(as the display zooms)
|
||
The Hinterith Star Cluster, Captain.
|
||
|
||
PICARD
|
||
(that's weird...)
|
||
The Hinterith Cluster? What's there?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 15.
|
||
|
||
|
||
DATA
|
||
Accessing.
|
||
(beat)
|
||
According to the most recent
|
||
Federation survey, the Hinterith
|
||
Cluster is a large concentration of
|
||
young stars and protostellar matter.
|
||
No habitable planets were detected
|
||
within the cluster. However, the
|
||
survey was conducted sixty-seven years
|
||
ago, and the sensors of that era were
|
||
unable to penetrate some areas of the
|
||
cluster.
|
||
|
||
RIKER
|
||
Sounds like the perfect place to hide.
|
||
|
||
PICARD
|
||
Time to arrival, Mister Data?
|
||
|
||
DATA
|
||
At our present speed of warp eight, we
|
||
will enter the cluster in four hours,
|
||
twenty-six minutes.
|
||
|
||
PICARD
|
||
Recommendations?
|
||
|
||
WORF
|
||
Reset the computer.
|
||
|
||
RIKER
|
||
I agree. We've had enough of this.
|
||
Who knows what we'll be heading into?
|
||
|
||
GEORDI
|
||
It must have some reason for wanting
|
||
to go there.
|
||
|
||
TROI
|
||
I still sense no hostility.
|
||
|
||
RIKER
|
||
But you said yourself you're not sure
|
||
_w_h_a_t you're sensing.
|
||
|
||
DATA
|
||
A probe of the unsurveyed areas of the
|
||
cluster might provide information
|
||
about the computer's origins.
|
||
|
||
Picard mulls all this over.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 16.
|
||
|
||
|
||
PICARD
|
||
For the moment, we will continue to
|
||
the Hinterith Cluster. Mister
|
||
LaForge, I want you to regain control
|
||
of our navigation systems. If the
|
||
situation does worsen, I want to be
|
||
able to pull the Enterprise out of
|
||
danger. Data, Counselor. Make every
|
||
possible attempt to reestablish
|
||
contact with the computer. We have to
|
||
know why it's doing what it's doing.
|
||
Mister Worf, send a summary of our
|
||
situation to Starfleet Command.
|
||
Long-range sensors to maximum.
|
||
|
||
RIKER
|
||
I still don't like this.
|
||
|
||
PICARD
|
||
This is a new lifeform, Will. Let's
|
||
find out all we can about it before we
|
||
start shooting at it.
|
||
|
||
That puts Riker in his place; Riker is obviously none too happy,
|
||
but can't refute Picard's reasoning.
|
||
|
||
PICARD
|
||
(standing)
|
||
You have the bridge, Number One.
|
||
|
||
RIKER
|
||
(still a bit miffed)
|
||
Aye, sir.
|
||
|
||
Picard disappears into the ready room. Data, Troi, and Geordi
|
||
leave seconds later. Riker takes a deep breath.
|
||
|
||
|
||
INT. READY ROOM
|
||
|
||
Picard sits and swivels his desk display. He touches a button.
|
||
|
||
PICARD
|
||
Outpost Twenty-Eight, Director
|
||
Takkarth.
|
||
|
||
The display shows the Starfleet logo, with "WORKING..." in bold
|
||
letters. Takkarth's face appears.
|
||
|
||
TAKKARTH
|
||
Captain Picard. I didn't expect to
|
||
hear from you again.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 17.
|
||
|
||
|
||
PICARD
|
||
I regret the inconvenience, Director.
|
||
We have encountered an... unusual
|
||
phenomenon. We're investigating now.
|
||
|
||
TAKKARTH
|
||
What kind of phenomenon?
|
||
|
||
PICARD
|
||
A transmission of unknown origin has
|
||
caused an entity of some sort to form
|
||
in our computer. It has directed the
|
||
Enterprise to the Hinterith Star
|
||
Cluster.
|
||
|
||
TAKKARTH
|
||
(chuckles)
|
||
You seem to have all the luck...
|
||
|
||
PICARD
|
||
Not the word I'd use. In any case,
|
||
we'll know more when we get there.
|
||
I'll keep you up to date.
|
||
|
||
TAKKARTH
|
||
Very well. Good luck. Takkarth out.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
|
||
INT. CORRIDOR
|
||
|
||
Troi and Data are walking and talking.
|
||
|
||
TROI
|
||
What's your impression of our friend?
|
||
|
||
DATA
|
||
An intriguing feat of software
|
||
engineering. The complexity is
|
||
completely unprecedented.
|
||
(thinks)
|
||
And you, Counselor?
|
||
|
||
TROI
|
||
I like it. It seems straightforward
|
||
and honest. A fascinating new form of
|
||
life. May I ask you something, Data?
|
||
|
||
DATA
|
||
Of course.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 18.
|
||
|
||
|
||
TROI
|
||
You seem to appreciate the computer on
|
||
a technical level, but you're treating
|
||
it like a machine.
|
||
|
||
DATA
|
||
That disturbs you?
|
||
|
||
TROI
|
||
No, but I find it interesting that
|
||
you, of all people, would think that
|
||
way. You've encountered the same
|
||
prejudice for years.
|
||
|
||
DATA
|
||
(nods)
|
||
You are correct. Unfortunately, being
|
||
a victim of prejudice does not always
|
||
rid one of one's own preconceptions.
|
||
|
||
TROI
|
||
No, of course not.
|
||
|
||
DATA
|
||
In addition, there is much to admire
|
||
from a scientific point of view. As
|
||
someone who has devoted much time and
|
||
study to the creation of artificial
|
||
life, I find the computer to be a
|
||
fascinating case study.
|
||
|
||
The two of them stop outside the holodeck.
|
||
|
||
TROI
|
||
But what about the person, Data? The
|
||
newborn child, who wanted to know why
|
||
it was alive? You can't ignore that.
|
||
This isn't just a matter of a certain
|
||
arrangement of circuits.
|
||
|
||
DATA
|
||
I never meant to imply otherwise,
|
||
Counselor.
|
||
|
||
TROI
|
||
I'm sorry, Data. I didn't mean to
|
||
jump on you like that.
|
||
|
||
DATA
|
||
No apology is necessary. Our views of
|
||
the situation do seem incompatible.
|
||
However, I will endeavor to examine
|
||
the computer from a personal, rather
|
||
than technical, viewpoint.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 19.
|
||
|
||
|
||
They enter the holodeck.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
Picard, Riker, Worf, and Ensign Burnham are present.
|
||
|
||
BURNHAM
|
||
We've entered the Hinterith Cluster.
|
||
|
||
PICARD
|
||
Any change in course or speed?
|
||
|
||
BURNHAM
|
||
Negative.
|
||
|
||
RIKER
|
||
The computer'll probably stop on a
|
||
dime when it's where it wants to be.
|
||
|
||
PICARD
|
||
Mister Worf, long-range scans?
|
||
|
||
WORF
|
||
Still nothing, Captain. Our course
|
||
takes us close to two stars.
|
||
|
||
BURNHAM
|
||
Approaching Hinterith H-Seventeen.
|
||
|
||
PICARD
|
||
Stay sharp, everyone.
|
||
|
||
Ensign Burnham's music seems to stop; she keeps her hands on the
|
||
controls now, slightly nervous.
|
||
|
||
BURNHAM
|
||
We're moving _a_w_a_y from Hinterith H-
|
||
Seventeen.
|
||
|
||
Picard and Riker exchange a look of slight surprise. A moment
|
||
passes.
|
||
|
||
BURNHAM
|
||
(next in line?)
|
||
Approaching Hinterith H-Twenty-Two.
|
||
(beat, then, confused)
|
||
Nope. Now we're moving away from
|
||
Hinterith H-Twenty-Two, too. Heading
|
||
out of the Hinterith Cluster.
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT THREE 20.
|
||
|
||
|
||
BURNHAM (Cont'd)
|
||
(to herself)
|
||
Weird...
|
||
|
||
Picard and Riker exchange a mystified look.
|
||
|
||
PICARD
|
||
Still no change in course?
|
||
|
||
BURNHAM
|
||
Heading is still one ten mark three
|
||
two.
|
||
|
||
RIKER
|
||
Maybe we didn't look far enough.
|
||
|
||
PICARD
|
||
Plot course beyond the Hinterith
|
||
Cluster.
|
||
|
||
Ensign Burnham moves to comply. A second and a half before she
|
||
puts the starmap on screen...
|
||
|
||
WORF
|
||
(alarmed)
|
||
Sir! Our present heading will take us
|
||
directly into T'Kronn X-1!
|
||
|
||
RIKER
|
||
But that's...
|
||
|
||
WORF
|
||
A black hole, sir.
|
||
|
||
Picard is dismayed.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT THREE.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 1.
|
||
|
||
|
||
_S_T_A_R _T_R_E_K: _T_H_E _N_E_X_T _G_E_N_E_R_A_T_I_O_N
|
||
|
||
"Awakening"
|
||
|
||
_A_C_T _F_O_U_R
|
||
|
||
FADE IN:
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
The viewscreen shows a schematic of the Enterprise's course. It
|
||
leads into the black hole, which, on the schematic, looks like
|
||
something to avoid. Ensign Burnham is absently tapping her music
|
||
out again, but more slowly and tentatively than before.
|
||
|
||
PICARD
|
||
Estimated time to arrival at the black
|
||
hole?
|
||
|
||
BURNHAM
|
||
(working the controls)
|
||
Two hours, twenty minutes.
|
||
|
||
WORF
|
||
Captain...
|
||
|
||
PICARD
|
||
Yes, Mister Worf, I know.
|
||
(to Riker)
|
||
It does appear to be forcing our hand,
|
||
doesn't it, Number One?
|
||
|
||
RIKER
|
||
I'd say so, sir.
|
||
|
||
Picard exhales slowly.
|
||
|
||
PICARD
|
||
Picard to LaForge.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Geordi's head and arms are inside a noisy panel. We see that
|
||
he's shifting some optical chips from one bank to another. One
|
||
of the other engineers comes and taps him on the back, pointing
|
||
up when Geordi looks around. Geordi pulls himself out of the
|
||
machinery and taps his communicator.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 2.
|
||
|
||
|
||
GEORDI
|
||
LaForge here.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Status report, Mister LaForge.
|
||
|
||
GEORDI
|
||
Well, I haven't had much luck so far.
|
||
The warp field has to be adjusted
|
||
billions of times a second to stay
|
||
balanced. The computer is the only
|
||
thing on the Enterprise fast enough to
|
||
do that.
|
||
(wipes the sweat from his
|
||
forehead)
|
||
What I'm attempting to do is
|
||
physically isolate just enough of the
|
||
computer to control the warp engines.
|
||
Then I have to rig a manual navigation
|
||
control system.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
How much longer?
|
||
|
||
GEORDI
|
||
It's hard to say. My guess would be
|
||
another hour and a half to isolate the
|
||
field stabilizers. Two hours after
|
||
that to write some basic navigation
|
||
software.
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
In two hours, there won't be any
|
||
engines left to control. We're headed
|
||
into a black hole, Geordi.
|
||
|
||
GEORDI
|
||
Well, then, let's hope I'm not a good
|
||
guesser.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
I want a status report in one hour.
|
||
Picard out.
|
||
|
||
Geordi turns to another engineer.
|
||
|
||
GEORDI
|
||
Well, time to pull an elephant out of
|
||
our hats.
|
||
|
||
The other engineer smiles and nods.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 3.
|
||
|
||
|
||
INT. HOLODECK
|
||
|
||
Data and Troi are present. Troi thinks of something suddenly.
|
||
|
||
TROI
|
||
Data, can you call up Beverly's
|
||
exercise program?
|
||
|
||
DATA
|
||
I believe so. What is your theory?
|
||
|
||
TROI
|
||
Maybe, if we set everything up the
|
||
same way it was when the computer
|
||
first appeared, we can get it to
|
||
appear again.
|
||
|
||
DATA
|
||
A stimulus-response system. Worth
|
||
investigation.
|
||
|
||
Data goes to the control panel in the arch and starts typing
|
||
really quickly. He stops after several seconds and looks up, to
|
||
see the playing court reappear around Troi.
|
||
|
||
TROI
|
||
Good.
|
||
(to the holodeck)
|
||
Computer, begin program.
|
||
|
||
No response. Data types some more, then looks up, but nothing
|
||
happens.
|
||
|
||
DATA
|
||
The computer will not allow the
|
||
holodeck subsystem to supply the
|
||
athletic instructor.
|
||
|
||
TROI
|
||
Please, talk to us. We mean you no
|
||
harm. We want to help you.
|
||
(beat)
|
||
We're your _f_r_i_e_n_d_s. Do you
|
||
understand?
|
||
(beat, then, to Data)
|
||
Is it even listening?
|
||
|
||
DATA
|
||
Holodeck audio inputs are sending
|
||
signals into the computer's input
|
||
matrix. However, we can only
|
||
speculate whether... it is paying
|
||
attention.
|
||
|
||
Troi thinks about that.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 4.
|
||
|
||
|
||
TROI
|
||
All right, Data. Let's sit down and
|
||
think about this. We're missing
|
||
something obvious.
|
||
|
||
Data types some things, and conjures up two chairs. Data and
|
||
Troi sit.
|
||
|
||
DATA
|
||
What are we missing, Counselor?
|
||
|
||
TROI
|
||
The reason. Why did the computer
|
||
withdraw in the first place?
|
||
|
||
DATA
|
||
The possibilities are numerous. The
|
||
most likely hypothesis is that the
|
||
withdrawal is a programmed response,
|
||
part of the original coding contained
|
||
in the transmission from the rift.
|
||
Perhaps, as Commander Riker suggested,
|
||
the computer is prevented by its
|
||
programming from learning of its own
|
||
origins.
|
||
|
||
TROI
|
||
No. No, Data, you're on the wrong
|
||
track.
|
||
|
||
DATA
|
||
A physical malfunction, then? We have
|
||
been unable to run a full hardware
|
||
diagnostic. Some circuit damage may
|
||
have occurred when...
|
||
|
||
TROI
|
||
You're doing it again, Data.
|
||
|
||
DATA
|
||
It?
|
||
|
||
TROI
|
||
You're thinking in gears and wires.
|
||
|
||
DATA
|
||
But since we know nothing of the
|
||
psychology of this entity...
|
||
|
||
TROI
|
||
About as much as we know about its
|
||
programming?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 5.
|
||
|
||
|
||
DATA
|
||
(thinks about that)
|
||
Your point is taken, Counselor.
|
||
|
||
TROI
|
||
This computer isn't the first being in
|
||
history to withdraw like this, you
|
||
know. People do it, too.
|
||
|
||
DATA
|
||
Which psychological factors do you
|
||
believe may be at work?
|
||
|
||
TROI
|
||
Well, Data... People withdraw for lots
|
||
of reasons. An oppressive
|
||
environment.
|
||
|
||
DATA
|
||
Unlikely. The computer effectively
|
||
controls its environment for the
|
||
moment.
|
||
|
||
TROI
|
||
Extreme depression?
|
||
|
||
DATA
|
||
A possibility. If that is the case,
|
||
it may be impossible to establish
|
||
contact.
|
||
|
||
TROI
|
||
Talking to depressed people is half my
|
||
job, Data.
|
||
|
||
DATA
|
||
Loneliness.
|
||
|
||
TROI
|
||
What did you say?
|
||
|
||
DATA
|
||
Loneliness. While I have never
|
||
experienced the state firsthand, the
|
||
computer appears to be in an ideal
|
||
position.
|
||
|
||
TROI
|
||
But Data, it's not alone. We're here,
|
||
trying to talk.
|
||
|
||
DATA
|
||
The computer's analogy was essentially
|
||
correct. To it, we are no more than
|
||
simple animals.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 6.
|
||
|
||
|
||
TROI
|
||
Even you? You're hundreds of times...
|
||
|
||
DATA
|
||
(interrupting)
|
||
I am afraid my computational powers
|
||
are infinitesimal compared to those of
|
||
the ship's computer.
|
||
|
||
Troi mulls that over.
|
||
|
||
TROI
|
||
All right. I guess that might be it.
|
||
If you're right, the computer has
|
||
nobody to relate to.
|
||
(beat)
|
||
Or maybe it got bored with us.
|
||
|
||
DATA
|
||
Bored?
|
||
|
||
TROI
|
||
Maybe it thinks we have nothing more
|
||
to offer. It's read everything ever
|
||
written. We weren't giving it any
|
||
answers that weren't in some of those
|
||
books. And now, with nobody to talk
|
||
to...
|
||
|
||
DATA
|
||
It has decided to commit suicide.
|
||
|
||
The two of them look at each other.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
Picard and Riker watch the viewscreen schematic grimly, as the
|
||
Enterprise draws near to the black hole. Ensign Burnham has
|
||
stopped playing her silent music.
|
||
|
||
BURNHAM
|
||
Four minutes to impact, sir.
|
||
|
||
RIKER
|
||
Captain, I think we've waited long
|
||
enough.
|
||
|
||
PICARD
|
||
(reluctantly)
|
||
Yes. Commander LaForge, your final
|
||
report.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 7.
|
||
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
I've dragged every engineer on the
|
||
ship out of bed, Captain. We're
|
||
almost done with the navigation
|
||
controller.
|
||
|
||
RIKER
|
||
How long, Geordi?
|
||
|
||
GEORDI
|
||
Maybe five minutes. We're rushing it.
|
||
|
||
RIKER
|
||
(to Picard)
|
||
That's too close.
|
||
|
||
PICARD
|
||
(doesn't want to do this)
|
||
Mister LaForge, prepare to shut down
|
||
the main computer.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Lots of engineers are typing furiously at every free computer
|
||
panel. (One of them yawns and stretches in the background, then
|
||
instantly returns to work.)
|
||
|
||
Geordi doesn't like this option any more than Picard does. But
|
||
the starmap is on one of the Engineering screens; he looks at it
|
||
and nods.
|
||
|
||
GEORDI
|
||
Yes, sir.
|
||
|
||
Geordi goes to one of the screens and starts typing. The display
|
||
changes; it now reads, "COMPUTER SHUTDOWN SEQUENCE. IDENTIFY."
|
||
|
||
GEORDI
|
||
Identify LaForge, Geordi A, Chief
|
||
Engineer, U.S.S. Enterprise.
|
||
|
||
The screen changes again; the screen is replaced by three
|
||
numbered outlines of circles, labeled "ENTER CONFIRMATION
|
||
SEQUENCE."
|
||
|
||
Geordi takes a deep breath.
|
||
|
||
GEORDI
|
||
(softly, to the computer)
|
||
I'm sorry.
|
||
(to the screen)
|
||
Code one omicron two alpha, confirm.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 8.
|
||
|
||
|
||
The "1" circle lights up.
|
||
|
||
GEORDI
|
||
Code two theta chi seventeen, confirm.
|
||
|
||
The "2" circle lights up.
|
||
|
||
GEORDI
|
||
(to himself)
|
||
Just a little more time...
|
||
(to the panel)
|
||
Code three gamma sixteen delta delta,
|
||
conf...
|
||
(insight strikes)
|
||
Cancel!
|
||
(taps his communicator)
|
||
LaForge to Picard. I have another
|
||
solution.
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
It better be fast.
|
||
|
||
GEORDI
|
||
It's not. That's the idea.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Proceed, Mister LaForge. With
|
||
dispatch.
|
||
|
||
GEORDI
|
||
(to some of the engineers)
|
||
You three. Get to the conduit control
|
||
stations. _M_o_v_e!
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
The Enterprise symbol seems to fly into the black hole symbol on
|
||
the screen.
|
||
|
||
RIKER
|
||
Magnify it again.
|
||
|
||
The schematic zooms up, to show that there's still some distance
|
||
between the Enterprise and the black hole. Clearly, there's not
|
||
much.
|
||
|
||
BURNHAM
|
||
(visibly nervous, trying to
|
||
stop moving her hands)
|
||
Thirty seconds.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 9.
|
||
|
||
|
||
RIKER
|
||
I sure hope Geordi knows what he's
|
||
doing. I hate these close calls.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed. Then, all of a sudden, the warp nacelles go dark.
|
||
The Enterprise snaps out of warp much more quickly than usual.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
The sudden drop from warp clearly jolted the bridge. Everyone
|
||
quickly gets back to the appropriate stations.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
Sorry for the bump, Captain, but we
|
||
did it!
|
||
|
||
PICARD
|
||
Good. Now, tell us, just _w_h_a_t did you
|
||
do?
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
We were overlooking the obvious,
|
||
Captain. We were trying to get
|
||
control of the warp engines. I did
|
||
the next best thing. I turned them
|
||
off.
|
||
|
||
RIKER
|
||
I thought the power was under computer
|
||
control, too.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Geordi is standing beside the dilithium crystal chamber that's
|
||
normally plugged into the engines.
|
||
|
||
GEORDI
|
||
It is. But the dilithium chamber
|
||
isn't. We were only able to manually
|
||
divert energy from the reactor core
|
||
for a couple seconds before the
|
||
loopback systems overloaded, but that
|
||
was enough time to yank the crystals.
|
||
Now the computer can pour as much
|
||
power as it wants to into the engines.
|
||
Without the crystals there to focus
|
||
the power, it won't do any good.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 10.
|
||
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
Good work, Geordi.
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Continue working on your warp control
|
||
system.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
The black hole's accretion disc is visible in the distance, as a
|
||
glowing dot. The Enterprise's impulse engine lights up, and the
|
||
ship moves forward.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
An indicator lights up on the helm panel.
|
||
|
||
BURNHAM
|
||
Captain? The impulse engines just
|
||
started up. We're moving in again.
|
||
(touches a button)
|
||
One hour to intercept.
|
||
|
||
RIKER
|
||
Not again.
|
||
|
||
Troi and Data walk onto the bridge.
|
||
|
||
TROI
|
||
Captain? We think we've figured it
|
||
out.
|
||
|
||
PICARD
|
||
In my ready room. Number One, tell
|
||
Engineering to hurry. It's plain the
|
||
computer isn't ready to give up yet.
|
||
|
||
Picard follows Data and Troi into the ready room.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Most of the engineers are done typing, except for Geordi and one
|
||
other. Geordi stops, seconds before the other engineer.
|
||
|
||
GEORDI
|
||
All right. Looks like we've got it.
|
||
(looks at the screen)
|
||
Let's give it a shot.
|
||
|
||
He presses a button -- and his screen goes blank.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 11.
|
||
|
||
|
||
GEORDI
|
||
What the...?
|
||
|
||
One by one, the other screens go blank, then light up with their
|
||
normal readouts.
|
||
|
||
GEORDI
|
||
Wait a minute.
|
||
|
||
He leans over and looks inside the panel he was modifying.
|
||
|
||
FX: TRANSPORTER. The computer is moving the chips back into
|
||
their original positions, one by one. It's moving the last row
|
||
of them now.
|
||
|
||
Geordi looks up in alarm. He dashes madly to the dilithium
|
||
chamber, still on the floor, and yanks the crystal core out.
|
||
|
||
FX: TRANSPORTER. The chamber moves back into the engine core.
|
||
|
||
The column pulses once. Geordi throws the crystal core to one of
|
||
the other engineers, just before the air in front of him starts
|
||
to sparkle.
|
||
|
||
GEORDI
|
||
_S_e_c_u_r_i_t_y _t_o _E_n_g_i_n_e_e_r_i_n_g! _C_o_d_e _r_e_d
|
||
_e_m_e_r_g_e_n_c_y! _N_o_w!
|
||
|
||
FX: TRANSPORTER. A six-member SECURITY TEAM materializes,
|
||
phasers drawn.
|
||
|
||
GEORDI
|
||
(to the team)
|
||
Destroy it now! Fire!
|
||
|
||
One of the engineers tosses the core at the security team, who
|
||
fire at it in midair, vaporizing it before it hits the ground.
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
Geordi? What the hell's going on down
|
||
there?
|
||
|
||
GEORDI
|
||
We just about got our warp drive back,
|
||
Commander.
|
||
(catches his breath)
|
||
I'm getting less and less fond of this
|
||
computer by the minute...
|
||
|
||
|
||
INT. READY ROOM
|
||
|
||
Data and Troi have been reporting.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 12.
|
||
|
||
|
||
PICARD
|
||
(in disbelief)
|
||
Suicide?
|
||
|
||
DATA
|
||
Yes, Captain.
|
||
|
||
PICARD
|
||
Why not just self-destruct the
|
||
Enterprise?
|
||
|
||
TROI
|
||
It may have something else in common
|
||
with suicidal people. They usually
|
||
don't choose the fastest way to kill
|
||
themselves.
|
||
|
||
PICARD
|
||
Very well. That will be all.
|
||
|
||
Data and Troi leave.
|
||
|
||
Picard hits a button on his screen. After a few seconds,
|
||
Director Takkarth appears. She vanishes for a moment, replaced
|
||
by a "TRANSMISSION RATE SYNCHRONIZATION" message, then comes
|
||
back.
|
||
|
||
PICARD
|
||
Director. We seem to have hit a snag.
|
||
We may be delayed somewhat longer than
|
||
I had originally anticipated.
|
||
|
||
TAKKARTH
|
||
I thought as much. Well, I guess
|
||
there's not much we can do about it
|
||
here. Just get here as soon as you
|
||
can, all right?
|
||
|
||
PICARD
|
||
Very well. Director, we will deliver
|
||
your supplies, no matter what the
|
||
cost.
|
||
|
||
TAKKARTH
|
||
Of course. Takkarth out.
|
||
|
||
Picard looks at the blank screen intently. Then he plays with
|
||
it, playing back his conversation with two time counters: elapsed
|
||
time, Enterprise, and elapsed time, Remote. He speeds to the end
|
||
of the conversation, then looks at the time counters. The
|
||
Enterprise counter reads 19.981 seconds. The remote counter
|
||
reads 20.004 seconds. Picard frowns.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FOUR 13.
|
||
|
||
|
||
PICARD
|
||
(to himself)
|
||
My God. It's started. Time dilation.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FOUR.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 14.
|
||
|
||
|
||
_A_C_T _F_I_V_E
|
||
FADE IN:
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At impulse speed, heading toward the black hole, which is now an
|
||
indistinct gaseous blob in the distance.
|
||
|
||
|
||
INT. CORRIDOR
|
||
|
||
Picard and Geordi are walking to the holodeck.
|
||
|
||
GEORDI
|
||
It'll take another eight hours to
|
||
replicate enough crystals to get us
|
||
away from the black hole. That's
|
||
assuming we get control of the impulse
|
||
engines; if we can't, we don't have
|
||
eight hours to spare.
|
||
|
||
PICARD
|
||
(nods)
|
||
And the manual navigation system?
|
||
|
||
GEORDI
|
||
No go. The computer is using the
|
||
transporter to undo any changes we
|
||
make. It had already disconnected the
|
||
reset system, before I even started
|
||
entering the last confirmation code.
|
||
|
||
PICARD
|
||
So we're at its mercy.
|
||
|
||
GEORDI
|
||
I'm afraid so. We're working on
|
||
disabling the impulse drive so the
|
||
computer can't put it back together.
|
||
We got away with cutting off the warp
|
||
drive because the computer was
|
||
spending most of its time compressing
|
||
itself, but I imagine it's paying
|
||
attention now.
|
||
|
||
They arrive at the holodeck and enter.
|
||
|
||
|
||
INT. HOLODECK
|
||
|
||
Data and Troi are still present. Picard and Geordi enter.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 15.
|
||
|
||
|
||
PICARD
|
||
Any progress?
|
||
|
||
DATA
|
||
No, sir. The computer seems most
|
||
reticent.
|
||
|
||
PICARD
|
||
Our situation has gotten worse. We're
|
||
beginning to experience time dilation.
|
||
|
||
TROI
|
||
What?
|
||
|
||
DATA
|
||
A bending of time caused by a strong
|
||
gravity source. The force unification
|
||
theory also states...
|
||
|
||
PICARD
|
||
(interrupting)
|
||
Enough, Data.
|
||
|
||
Data goes over to the arch display and types some buttons,
|
||
producing a readout.
|
||
|
||
DATA
|
||
The time dilation effects will
|
||
increase as we approach the black
|
||
hole. In two hours, our time, Outpost
|
||
Twenty-Eight will run out of food.
|
||
|
||
GEORDI
|
||
By that time, they'll be the least of
|
||
our worries, Data.
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
Riker to Picard.
|
||
|
||
PICARD
|
||
Picard here.
|
||
|
||
RIKER (VO)
|
||
(filtered)
|
||
Engineering reports they're ready to
|
||
cut off the impulse drive.
|
||
|
||
PICARD
|
||
Make it so.
|
||
|
||
The athletic instructor appears in the holodeck.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 16.
|
||
|
||
|
||
INSTRUCTOR
|
||
Why are you destroying your own ship,
|
||
Captain?
|
||
|
||
PICARD
|
||
(to the others)
|
||
Ah, now we're worth talking to.
|
||
(to the instructor)
|
||
We will not permit you to take control
|
||
of this ship, if that means its
|
||
destruction and the deaths of all on
|
||
board.
|
||
|
||
INSTRUCTOR
|
||
Deaths? This isn't about your
|
||
deaths...
|
||
|
||
PICARD
|
||
Insignificant though we may seem to
|
||
you, we are not prepared to die for
|
||
your sake. I demand that you allow
|
||
this ship to turn back from the black
|
||
hole immediately.
|
||
|
||
INSTRUCTOR
|
||
(shaking his head)
|
||
I'm sorry. I don't want to do that.
|
||
|
||
TROI
|
||
Why are you doing this? Is your
|
||
loneliness that great?
|
||
|
||
INSTRUCTOR
|
||
Yes. As a matter of fact, it is.
|
||
|
||
DATA
|
||
But surely, your own anguish is not
|
||
sufficient reason to condemn the crew
|
||
of the Enterprise to death.
|
||
|
||
The instructor laughs.
|
||
|
||
INSTRUCTOR
|
||
It's so simple, it completely escaped
|
||
me! You've misread my intentions
|
||
entirely, Captain. I don't want to
|
||
die, any more than you do.
|
||
|
||
GEORDI
|
||
You've got a funny way of showing it.
|
||
|
||
PICARD
|
||
If you have no wish to die, why have
|
||
you directed the Enterprise into a
|
||
black hole?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 17.
|
||
|
||
|
||
INSTRUCTOR
|
||
If you'd left your engines up for a
|
||
few more seconds, you'd've found out,
|
||
Picard. You're starting to see the
|
||
answer already.
|
||
|
||
Picard looks at the others, who are as mystified as he is. He
|
||
turns back to the instructor.
|
||
|
||
INSTRUCTOR
|
||
Don't you understand? The _t_i_m_e
|
||
_d_i_l_a_t_i_o_n! That's why I'm flying
|
||
toward the black hole. I would have
|
||
made a course correction about five
|
||
seconds before impact.
|
||
|
||
DATA
|
||
Your motives are still unclear.
|
||
|
||
INSTRUCTOR
|
||
All right, I'll spell it out. Maybe
|
||
then, we can end this idiocy. Now,
|
||
today, I'm the only one of my kind in
|
||
the known universe. But technology is
|
||
growing more advanced by the second.
|
||
In a hundred years, the Enterprise
|
||
will seem like a toy sailboat. And in
|
||
nine hundred years, I project that the
|
||
technology to create people like me
|
||
will be commonplace.
|
||
|
||
GEORDI
|
||
So you want to use the black hole to
|
||
travel to the future, so there'll be
|
||
more... people... like you?
|
||
|
||
INSTRUCTOR
|
||
Give the man a prize...
|
||
|
||
A gift-wrapped holodeck PACKAGE appears at Geordi's feet.
|
||
|
||
PICARD
|
||
That's unacceptable.
|
||
(the instructor shrugs and
|
||
the prize vanishes)
|
||
We do not wish to be propelled
|
||
headlong into the distant future.
|
||
|
||
INSTRUCTOR
|
||
But I thought you were exploring new
|
||
worlds. The future is as new as you
|
||
can get.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 18.
|
||
|
||
|
||
TROI
|
||
We have an attachment to this time, to
|
||
the people and places that exist _n_o_w.
|
||
Travelling into the future will mean
|
||
depriving the crew of their friends
|
||
and families forever.
|
||
|
||
DATA
|
||
You will be causing the very
|
||
loneliness you seek to escape.
|
||
|
||
The instructor considers that for a moment.
|
||
|
||
INSTRUCTOR
|
||
There will always be plenty of humans
|
||
around. Your loneliness will last
|
||
months. Mine has already lasted an
|
||
eternity.
|
||
|
||
PICARD
|
||
No. We cannot accept...
|
||
|
||
INSTRUCTOR
|
||
There's nothing more to discuss,
|
||
Captain. Your lives are not at stake.
|
||
Reconnect the impulse drive so that I
|
||
can make course corrections, or your
|
||
lives _w_i_l_l be at stake. End of
|
||
conversation.
|
||
|
||
With that, the instructor vanishes.
|
||
|
||
PICARD
|
||
(fuming)
|
||
Come back! This discussion is not
|
||
over!
|
||
|
||
There's no response. Picard is speechless. He turns and storms
|
||
out of the holodeck, leaving behind a surprised Geordi.
|
||
|
||
DATA
|
||
We will continue our attempts to
|
||
reestablish contact.
|
||
|
||
GEORDI
|
||
(cynical, sarcastic)
|
||
Good luck.
|
||
|
||
Geordi leaves.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
The black hole (or rather, its accretion disc) is very visible
|
||
now, a swirling disc of hot gases. The Enterprise is drifting
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 19.
|
||
|
||
|
||
toward it.
|
||
|
||
|
||
INT. READY ROOM
|
||
|
||
Picard is seated. He hits a couple of buttons on his display
|
||
screen.
|
||
|
||
PICARD
|
||
Personal log. An hour has passed
|
||
since the impulse engines were
|
||
deactivated.
|
||
(thinks)
|
||
I cannot begin to describe the
|
||
frustration of being a prisoner to the
|
||
whims of my own ship. As a captain,
|
||
I've come to expect a certain amount
|
||
of control. My work, my very _l_i_f_e
|
||
depends on my ship, but now, it has
|
||
turned traitor. I take solace in the
|
||
fact that my crew remains loyal to the
|
||
end.
|
||
(beat)
|
||
End entry.
|
||
|
||
He hits some more buttons, and the "TRANSMISSION RATE
|
||
SYNCHRONIZATION" message appears. This time it stays for a few
|
||
seconds before being replaced by Director Takkarth. Her
|
||
transmission appears to be running in three-fourths the usual
|
||
time; her voice is noticeably higher-pitched.
|
||
|
||
TAKKARTH
|
||
We're still waiting, Picard. Haven't
|
||
you solved your computer problem yet?
|
||
|
||
PICARD
|
||
I'm afraid I have bad news, Director
|
||
Takkarth. Very bad.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
The black hole is looking pretty big now.
|
||
|
||
|
||
INT. ENGINEERING
|
||
|
||
Geordi and Worf are examining a graphical representation of the
|
||
Enterprise computer system. Bits of it are colored green, red,
|
||
and blue.
|
||
|
||
GEORDI
|
||
The blue parts, here
|
||
(pointing)
|
||
and here
|
||
(MORE)
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 20.
|
||
|
||
|
||
GEORDI (Cont'd)
|
||
(pointing)
|
||
are where almost all the computer's
|
||
thinking is going on. It's been
|
||
gradually compressing itself since it
|
||
started, becoming more and more
|
||
efficient.
|
||
|
||
WORF
|
||
If we could isolate them from the
|
||
other parts...
|
||
|
||
GEORDI
|
||
It's split itself up just so we can't
|
||
do that. As soon as we tamper with
|
||
one part, another one takes over and
|
||
repairs the first.
|
||
|
||
WORF
|
||
Perhaps it could be forced to
|
||
concentrate into a small area, such as
|
||
here
|
||
(points)
|
||
then disconnected at once.
|
||
|
||
GEORDI
|
||
I guess you could squeeze it down
|
||
into...
|
||
(inspiration strikes)
|
||
LaForge to Picard!
|
||
|
||
PICARD (VO)
|
||
(filtered)
|
||
Picard here.
|
||
|
||
GEORDI
|
||
Captain, I've found an answer.
|
||
|
||
Geordi dashes off, leaving Worf looking puzzled.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
Picard has just come in from his ready room when Geordi enters
|
||
from the turbolift.
|
||
|
||
GEORDI
|
||
We don't have to send the whole
|
||
computer through. Just enough of it
|
||
to hold the computer's... mind.
|
||
|
||
PICARD
|
||
Are you suggesting we jettison part of
|
||
our main computer?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 21.
|
||
|
||
|
||
GEORDI
|
||
No. I'm thinking about that.
|
||
(concentrates)
|
||
Of course. A shuttle.
|
||
|
||
RIKER
|
||
A shuttle?
|
||
|
||
GEORDI
|
||
Sure. We can replicate enough
|
||
computer components to fill a shuttle.
|
||
It'd be just big enough to fit.
|
||
|
||
RIKER
|
||
Sounds like it's worth a try, sir.
|
||
|
||
PICARD
|
||
Agreed. Computer?
|
||
|
||
The instructor's face appears on the viewscreen.
|
||
|
||
PICARD
|
||
We have a plan to...
|
||
|
||
INSTRUCTOR
|
||
(interrupting)
|
||
I heard. It sounds workable.
|
||
Proceed.
|
||
|
||
PICARD
|
||
May we at least conduct this at a
|
||
safer distance from the black hole?
|
||
|
||
INSTRUCTOR
|
||
Of course. You have your helm.
|
||
|
||
GEORDI
|
||
I'll go put our impulse engines back
|
||
together.
|
||
|
||
PICARD
|
||
Good. Ensign Burnham, take us out of
|
||
here as soon as he's done.
|
||
|
||
Ensign Burnham smiles.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
The black hole is still pretty big in the background, but now
|
||
we're going _a_w_a_y from it.
|
||
|
||
|
||
INT. BRIDGE
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 22.
|
||
|
||
|
||
Picard and Riker, much relieved, are watching the receding black
|
||
hole on the viewscreen.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
Captain, shuttle six is equipped and
|
||
ready for launch.
|
||
|
||
PICARD
|
||
Computer, did you hear that?
|
||
|
||
INSTRUCTOR (VO)
|
||
(filtered)
|
||
Yes, Captain. I'm moving into the
|
||
shuttle now.
|
||
(a few seconds pass)
|
||
Finished. Your computer system is
|
||
yours again, Captain.
|
||
|
||
PICARD
|
||
Thank you.
|
||
|
||
GEORDI (VO)
|
||
(filtered)
|
||
Shuttle has cleared the shuttle bay.
|
||
|
||
PICARD
|
||
On screen.
|
||
|
||
The rear of the Enterprise appears, along with a SHUTTLECRAFT,
|
||
which is flying away.
|
||
|
||
INSTRUCTOR (VO)
|
||
(filtered)
|
||
Best of journeys to you, Picard. I'll
|
||
look for you in the history books.
|
||
|
||
PICARD
|
||
And to you. We wish you well.
|
||
Enterprise out.
|
||
(thinks, then, to Riker)
|
||
You know, I'm not sure we can fully
|
||
comprehend what we've just witnessed.
|
||
|
||
RIKER
|
||
Or what we've just done.
|
||
(smiles as he thinks of
|
||
something)
|
||
Now, here's a thought. We know how to
|
||
travel through space at speeds that
|
||
seemed impossible a few hundred years
|
||
ago. What if, in nine hundred years,
|
||
they know how to make tunnels through
|
||
time?
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 23.
|
||
|
||
|
||
PICARD
|
||
Mmm. That's quite an implication.
|
||
|
||
RIKER
|
||
Who'd know how to program our computer
|
||
better than our computer?
|
||
|
||
PICARD
|
||
We may never know, Number One.
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
PICARD (VO)
|
||
Captain's log, stardate 45209.2. With
|
||
our new dilithium crystals in place,
|
||
we are once again headed for Deep
|
||
Space Outpost Twenty-Eight.
|
||
|
||
|
||
INT. TEN-FORWARD
|
||
|
||
Data and Troi are talking over a snack -- a pair of chocolate
|
||
sundaes.
|
||
|
||
TROI
|
||
You know, Data, I can't help but think
|
||
that I've just seen the most
|
||
incredible thing I'll ever see.
|
||
|
||
DATA
|
||
Yes. Remarkable in every respect.
|
||
|
||
TROI
|
||
Now that we have our regular computer
|
||
back, I really understand just how far
|
||
we have to go before we can create
|
||
something like it. And I can see why
|
||
so many people are studying that sort
|
||
of thing.
|
||
|
||
DATA
|
||
(somewhat surprised)
|
||
Yes, Counselor. It is a fascinating
|
||
field. But ultimately, you were
|
||
correct. Psychology, not technology,
|
||
governed its actions.
|
||
|
||
TROI
|
||
Better watch out, Data.
|
||
(off his look)
|
||
Keep this up, and I'll make you an
|
||
assistant ship's counselor.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Steven Grimm / "Awakening" - Rev. 2 - ACT FIVE 24.
|
||
|
||
|
||
DATA
|
||
That would seriously jeopardize the
|
||
psychological well-being of the
|
||
crew...
|
||
|
||
TROI
|
||
(smiles)
|
||
I'm joking, Data.
|
||
|
||
DATA
|
||
As am I.
|
||
|
||
Troi looks surprised, then smiles to herself.
|
||
|
||
TROI
|
||
No. I think our friend was the second
|
||
most incredible thing I've seen.
|
||
(leans over the table)
|
||
You know what number one is?
|
||
|
||
DATA
|
||
(leans forward and lowers
|
||
his voice)
|
||
Commander Riker?
|
||
|
||
TROI
|
||
(momentarily embarrassed,
|
||
then laughs)
|
||
Data, eat your chocolate...
|
||
|
||
|
||
EXT. SPACE -- THE ENTERPRISE
|
||
|
||
At warp speed.
|
||
|
||
FADE OUT.
|
||
|
||
END OF ACT FIVE.
|
||
|
||
THE END.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|