78 lines
4.8 KiB
Plaintext
78 lines
4.8 KiB
Plaintext
ÜÜÜÜÜÜÜÜÜÜÜÜÜ ÜÜÜ ÜÜÜÜ
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ÜÛÛÛÛÛÛÛÛßÛßßßßßÛÛÜ ÜÜßßßßÜÜÜÜ ÜÛÜ ÜÛÛÛÛÛÛÛÛÜÜÜÜÜÛßß ßÛÛ
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ßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜ ßÛÛ ÜÛÛÛÜÛÛÜÜÜ ßÛÛÛÛÜ ßÛÛÛÛÛÛÛÜÛÛÜÜÜÛÛÝ Ûß
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ßßßÛÛÛÛÛÛÛÛÛÛÜ ÞÝ ÛÛÛÛÛÛÛÛÛÛÛßßÛÜÞÛÛÛ ÛÛÛÛÛÜ ßßÛÛÛÞß
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Mo.iMP ÜÛÛÜ ßÛÛÛÛÛÛÛÝÛ ÞÛÛÛÛÛÛÛÛÛ ÞÛÛÛÛ ÞÛÛÛÛÛÝ ßÛß
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ÜÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛÛÝ ÛÛÛ ÛÛÛÛÛÛ
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ÜÛÛÛÛÛÛÛÝ ÞÛÛÛÛÛÛÛÛ ÞÛÛÛÛÛÛÛÛ ß ÞÛÛÛÛÛÛÜ ÜÛ
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ÜÛÛÛÛÛÛÛÝ ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÝ ÞÞÛÛÛÛÛÛÛÛÛß
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ÜÛßÛÛÛÛÛÛ ÜÜ ÛÛÛÛÛÛÛÛÝ ÛÛÞÛÛÛÛÛÝ ÞÛÛÛÛÛÛßß
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ÜÛßÛÛÛÛÛÛÜÛÛÛÛÜÞÛÛÛÛÛÛÛÛ ÞÛ ßÛÛÛÛÛ Ü ÛÝÛÛÛÛÛ Ü
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ÜÛ ÞÛÛÛÛÛÛÛÛÛÛß ÛÛÛÛÛÛÛÛÛ ßÛÜ ßÛÛÛÜÜ ÜÜÛÛÛß ÞÛ ÞÛÛÛÝ ÜÜÛÛ
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ÛÛ ÛÛÛÛÛÛÛÛß ÛÛÛÛÛÛÛÛÛÛÜ ßÛÜ ßßÛÛÛÛÛÛÛÛÛß ÜÜÜß ÛÛÛÛÜÜÜÜÜÜÜÛÛÛÛÛß
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ßÛÜ ÜÛÛÛß ßÛÛÛÛÛÛÛÛÛÛÜ ßßÜÜ ßßÜÛÛßß ßÛÛÜ ßßßÛßÛÛÛÛÛÛÛßß
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ßßßßß ßßÛÛß ßßßßß ßßßßßßßßßßßßß
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ARRoGANT CoURiERS WiTH ESSaYS
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Grade Level: Type of Work Subject/Topic is on:
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[ ]6-8 [ ]Class Notes [Essay on Fitzgerald's ]
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[ ]9-10 [ ]Cliff Notes [The Great Gatsby ]
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[x]11-12 [x]Essay/Report [ ]
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[ ]College [ ]Misc [ ]
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Dizzed: 10/94 # of Words:565 School: ? State: ?
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ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>Chop Here>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ>ÄÄÄÄÄÄÄÄÄ
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The Great Gatsby: A Full Spectrum of Character
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Throughout Fitzgerald's The Great Gatsby, there seems to be a broad
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spectrum of moral and social views demonstrated by various characters. At
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one end, is Tom, a man who attacks Gatsby's sense of propriety and
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legitimacy, while thinking nothing of running roughshod over the lives of
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those around him. A direct opposite of Tom's nature is Gatsby, who displays
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great generosity and caring, yet will stop at nothing to achieve his dream
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of running off with Daisy. Also, in the middle of this, are various
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characters who seem to sway back and forth in their stands as convenient.
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This range of personalities lends itself well to a uniquely subtle
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interplay between their characters
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At first glance, The Great Gatsby is merely a classic American tragedy,
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portraying the story of a man's obsession with a fantasy, and his resulting
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downfall. However, Fitzgerald seems to weave much more than that into the
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intricate web of emotional interactions he creates for the reader. One
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interesting element is the concepts of greatness each has. For Daisy, it
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lies in material wealth, and in the comfort and security associated with
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it. Daisy seems to be easily impressed by material success, as when she is
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touring Gatsby's mansion and seems deeply moved by his collection of fine,
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tailored shirts. It would seem that Tom's relative wealth, also, had at one
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time impressed her enough to win her in marriage. In contrast to that,
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Gatsby seems to not care a bit about money itself, but rather only about
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the possibility that it can win over Daisy. In fact, Gatsby's extreme
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generosity gives the reader the impression that Gatsby would otherwise have
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never even worked at attaining wealth had it not been for Daisy. For
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Gatsby, the only thing of real importance was his pursuit of Daisy. It
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would seem that these elements are combined, too in the character Myrtle.
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Myrtle is, as Daisy, impressed with Tom's wealth and appearance, but, like
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Jay Gatsby, is stuck in a fantastic, idealized perception of her object of
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affection. Even when abused and trampled over by Tom, Myrtle continues to
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adore him, just as Gatsby continues to dote upon Daisy after being
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obviously rejected by her. As far as ethical considerations, Gatsby tends
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to prove himself a sincere and caring person, while Daisy and Tom just
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destroy the lives of two people and then leave town to escape the
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consequences of their actions. Between the cold ruthlessness of Tom, and
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the tenderness of Gatsby, there are also characters who appear to fit
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somewhere in between on this scale. Jordan, while appearing to be a nice,
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respectable lady, is seen in several instances as an accused in cheating
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and is tends to bend the rules when it suits her, such as during a game, or
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during her relationship with Nick. Jordan seems to be a standard of
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semi-corruption, of naked self-interest, that the other characters on the
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extremes of the scale of moral and social considerations can be measured.
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Thus, The Great Gatsby presents an extremely interesting set of moral
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imagery.
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It can be said, then, that one of Fitzgerald's main talents, as shown in
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the novel, is in showing various levels of moral and emotional development
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in characters, and juxtaposing them. Perhaps it is this element that
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distinguishes The Great Gatsby from many other novels with similar
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elements.
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