370 lines
14 KiB
Plaintext
370 lines
14 KiB
Plaintext
Lecture III: Pardes: From Sefiroth to
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Demonology
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Monday 22 April 1991
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We have already examined two paradigms for
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reading the story of the entry into Pardes.
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Tonight, I want to talk about two others:
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the Theosophical and Theurgical paradigms.
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The paradigms already covered in the first
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two lectures, different though they were,
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had a common feature: both deal with inner
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experience, whether intellectualistic or
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ecstatic. The drama takes place in
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consciousness. Even if ecstasy involves
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possession, it is still occurring in human
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consciousness.
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The Divine is not affected by the entrance
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of the philosopher or mystic into the
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Pardes. This activity only affects the
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human intellect or soul - not the Divine.
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The two other paradigms also have an
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assumption in common: that the entry into
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the Pardes has a deep effect on the non-
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human realms. In the Theosophical paradigm,
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the Divine is not a simple entity, but a
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system of divine powers. The entry into the
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Pardes influences the relationships between
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these divine powers. The other paradigm,
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the Theurgic, involves an influence on, or
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struggle with, the demonic realm. These two
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may seem quite different, but, according the
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Kabbalah, the demonic and the Divine share a
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common anthropomorphic structure. The
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Sefiroth are prototypes for the demonic as
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well as the Divine realms. Both paradigms,
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then, deal with attempts to affect the
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structure and relationship of external
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entities, either by inducing harmony in the
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Divine world or by combatting some aspect of
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the demonic world.
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In both cases, the Pardes again represents
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a danger zone: an aspect of these realms
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that is too strong for most mortals. And
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both approaches, in their reading of the
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Pardes story, take as the key figure that of
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Akher, or Elisha ben Abuya, the heretical
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figure, he who "peeked and cut the shoots."
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He is seen as one who was unable to
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understand appropriately either the
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sefirotic or Demonic realm.
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I would like to deal first with the
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demonic, so that we can finish with
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something more positive. The basic
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assumption of this type of Kabbalah became
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important around the end of the Thirteenth
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Century (it is not generally found earlier):
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that the knowledge of the structure of the
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demonic is the most profound form of
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Kabbalah, the most recondite. A commonly
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used name for members of this tradition can
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be translated, "The More Profound
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Kabbalists." Their texts run to long lists
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of evil angels, and detailed discussions of
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the relationships between the demonic and
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the Divine. The tradition also includes a
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strong reinterpretation of the Pardes story.
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In this tradition, it was held (e.g. by
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Moses de Leon) that it was a religious duty
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to know, and pursue knowledge of, the
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demonic world - but not to be immersed in
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it. Only when one has the ability to
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distinguish good and evil can one truly know
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the good, and truly worship God. But this
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must be done so that one is not attracted by
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or immersed in or inundated by the demonic
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realm.
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Thus, one also finds in these texts long
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lists of sinners, with Akher as the last
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major figure.
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These sinners were those who were attracted
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by the demonic realm, who were, in essence,
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sexually seduced by it. They were those who
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had become immersed in a certain commerce or
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intercourse with demonic sexual figures.
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Thus one finds Adam (seduced by Lilith), and
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Solomon, whose "thousand wives" were
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regarded as a multitude of demonic powers,
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and Balaam, said to have had intercourse
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with his ass. These figures were all
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seduced into sin. Sexual attraction, then,
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becomes an explanation of the power of the
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Pardes, which one must understand but not be
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immersed in.
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Why did this paradigm arise at the end of
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the Thirteenth Century? Most of the
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Kabbalists who used it lived in Castile,
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where there was a certain phenomenon of Jews
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having sexual relations with Christians, or,
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more often, with Muslims. There are
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discussions of this phenomenon in de Leon
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and others: the fascination with the Other
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is there portrayed as a demonic attraction.
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Now, there is a basic pattern well-known in
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the history of religions, often called
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"katabasis:" the descent into hell to
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perform some rite. Usually the katabasis is
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a salvific descent - an attempt to rescue
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some of the dwellers in hell (though
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generally not demons). But in Cabalistic
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tradition it often ends negatively: the
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person who makes the descent is unable to
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surface. Already in the Talmud Ben Abuya is
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described as being in some relationship with
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a prostitute. Kabbalists exploited this to
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portray him as indulging in sexual
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transgression.
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The others are portrayed as more
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successful. R. Aqiva entered, but did not
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get involved. A parallel was seen with
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Abraham, who descended into Egypt (often
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taken as a type of the demonic realm) and
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who was able to emerge in peace. Another
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similarity was found with Noah, who
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experienced the Flood but who came out in
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safety. This is, in other words, a
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typological approach. The Pardes story is
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used to summarize certain prototypical
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stories from Adam onward. That the
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interpretations are typological is obvious
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because of the range of figures adduced to
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make the point. One of the most exciting is
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the projection of the Pardes story onto the
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Biblical story of Samson. At the beginning,
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Samson is able into a relationship with
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Delilah, and ultimately he is able to
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destroy the realm of evil. Samson met
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Delilah in the equivalent of Pardes: in a
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vineyard. All of these are instances that
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indicate that medieval Jewish hermeneutics
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was in fact very typological - which quite
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contradicts the claims of certain modern
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scholars, who see the typological approach
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as typical of scholastic philosophy, and not
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at all Jewish.
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This approach remains, from the Thirteenth
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Century up through the Lurianic Kabbalah,
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where it reaches an apex.
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The other paradigm I wish to consider
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addresses itself to the Sephirotic realm.
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This paradigm was typical of those
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Kabbalists who assumed that the crucial
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issue was to induce or re-induce the harmony
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in the Divine spheres which had been
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disturbed by primordial human transgression.
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There were two metaphors for the Divine:
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that of the Tree, and (to simplify) the
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anthropomorphic one of the couple. In the
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latter, the first nine Sefiroth were taken
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as male, and the last as female. The basic
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sin of Akher was to break the connection
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between the first nine and the tenth (seen
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as the shoots, or as a female figure). The
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challenge created by this transgression is
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to see the Pardes as a Garden.
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In Paradise, the transgression was the
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separation of the fruit from the tree,
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projected on high. The transgression was
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not eating, but separating one aspect of the
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Divine from the rest. By separating the
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fruit from the Tree, Akher (or Adam)
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separated aspects of the Divine from each
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other, thus inducing a disturbance in the
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Divine realm often referred to as "the
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devastation of the plantations." Even more
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dangerously, by affecting the Divine world
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in this way you are prone to accept the
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assumption that there are two different
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powers, to believe no longer in a Unity on
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high, but a Duality. In the moment of
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separation, in other words, the possibility
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of a dualistic misunderstanding arises. The
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challenge, then, is to heal this rupture,
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which took place in the primordial era.
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The work of restoring the lost unity is
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open to Jews in general, but especially to
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the Kabbalists, by the use of Jewish ritual,
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which is seen as a Theurgical technique,
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i.e., one able to influence God (which is
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one way of understanding the word
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"theurgy"). According to the Theosophical-
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Theurgical Kabbalah, the major role of the
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Kabbalist is to restore the organic unity
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between the Divine powers.
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It is, in a sense, the transposition of
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the mystical project into another key, the
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attempt to repair the rupture in the Divine
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(rather than between the human and the
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Divine) induced by human transgression.
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R. Aqiva, then, was seen as one who was
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able to act ritualistically to restore the
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relationship between the two last Sefiroth
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[the ninth and the tenth]. This projected a
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certain type of sacramental value onto
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Jewish ritual which was absent in other
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forms of Kabbalah or in Maimonides. In
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other traditions, the individual was the
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center. But in these demonic or Sephirotic
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pursuits, the focus is on repairing the
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cosmos, on inducing a more harmonious state
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in general, in the nation, and in the
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cosmos.
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The last issue I wish to consider involves
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making a comparative observation about the
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distribution of the discussions of the
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Pardes story. It is found of course in
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ancient literature, but in the medieval
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period, surprisingly (and this surprised me
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when I first looked into this question),
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only the Sephardi were interested in it. It
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does not appear in medieval Ashkenazi texts.
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The Sephardic literature is less interested
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in the Talmud and the Hekhaloth, and more
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interested in the Pardes. It was in the
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Sephardi literature that the interpretations
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we have discussed were invented.
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Now, Sephardi culture was in much more open
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contact with alien cultures, and thus more
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endangered. Muslim (and even Christian
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philosophic/scholastic) culture were
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perceived as a danger, and openness to it
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was experienced as a danger - a dangerous
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ideal.
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Ashkenazi society of the period was closed;
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there was not much scholarly interchange
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with other cultures. Ashkenazi culture was
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very confident, and it was not open
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precisely because it was confident that
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Jewish culture was the highest form of
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religion. Thus for it there was no
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dangerous ideal. The story of "Entering
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Pardes," then, did not meet any cultural
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need, because there was no sense of cultural
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danger. Even later, in the Sixteenth
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Century, when the Pardes story is discussed,
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the discussion is inspired by Sephardi
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literature, and this is true even up to the
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mid-Eighteenth Century. But by the
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Nineteenth Century, a deep change has
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occurred: all interest in the Pardes theme
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is found among the Ashkenazim. This, I
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think, is connected with the entry into
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interaction with general culture, with the
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Enlightenment. There came to be a need to
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explain the meaning of this interaction.
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Elisha ben Abuya, in fact, could be seen as
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one of the major protagonists in much modern
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Hebrew literature.
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It was, then, cultural exposure and
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openness which invoked, provoked, and evoked
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(all three!) the interest in the Pardes
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theme. The Pardes story explained the
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encounter between the Jewish and other
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mentalities. In fact, this may also be the
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explanation for the Talmudic treatment of
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Elisha Akher, especially if he is taken as a
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Gnostic, as modern scholars often do. Even
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the early forms of his story, then, would
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typify the encounter of Jews with a general
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culture - in this case, a Gnostic culture.
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Akher would be someone open to a non-Jewish
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type of culture - though in fact it is hard
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to be sure which of many it might have been.
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There area as many different scholarly
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Elishas as there were contemporary cultures.
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Akher typifies a situation in which there is
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a willingness to be open, but a danger of
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being unable to return to one's patrimony.
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There is a danger that one will be seduced
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by, and remain immersed in, philosophy,
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Gnosticism, Neoplatonism ... or whatnot.
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His plight is used to describe an
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existential situation in which Jews found
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themselves between Judaism and a general
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culture that fascinated and endangered them.
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Questions
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Q: Is there any connection between these
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interpretations and a current of
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opposition to Maimonides?
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A: Well, I don't believe in single
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explanations. All of these Cabalistic
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explanations became published or exposed
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after the period of Maimonides. Most
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Cabalists were probably acquainted with
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Maimonides. But this was probably not so
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much a matter of a silent polemic with
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Maimonides as a matter of a tension
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between a ritualistic and experiential
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approach and an intellectualistic one
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(often regarded as alien).
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Q: One interpretation of the Pardes theme
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is of an entry into the demonic sphere.
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How was this combat carried out?
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A: By the commandments - mitzvoth. The
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idea was to explore, and attempt to
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subdue, by performing the Commandments in
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a Cabalistic manner, thus extricating some
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part of the demonic world. In the
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Sephirotic realm, by means of the positive
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commandments, one worked to unify the
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Divine world; by observing the
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prohibitions, one could subdue (but not
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eradicate) the demonic world. The
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Kabbalists werequite uneasy with the idea
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of destroying an aspect of reality, even a
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demonic one. As a part of reality it was
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needed, and had to be not destroyed but
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managed or coped with.
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Q: How is the Pardes story understood and
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used by Kabbalists now?
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A: I don't know. I haven't yet discussed
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this with them. After I make up my mind
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on the basis of the texts, then I will go
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to them and see what they think.
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Q: What about Ben Zoma: how was he seen?
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A: As someone who had progressed to a
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certain level, but who was not able to
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enter metaphysics, so to speak. He forced
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himself into the Physics, but he became
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mentally disturbed. The ecstatic
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Kabbalists took him as one who had
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entered the strong experience and become
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crazy. Others assumed that he had been
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damaged by the demonic world. But he did
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not receive much treatment as an ideal
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type, unlike Akher or Ben Azai, or Elisha
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the prototype of imperfection. Ben Zoma
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was not a strong type, he was not so
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interesting, so he was not taken as a
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type. And I have not found him
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interesting enough to discuss much
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myself...
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Q: What if you are in a group having
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religious experiences, can you then go out
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into the world to change the world?
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A: Look: most Kabbalists functioned at a
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social level. Some were leaders, andwere
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very important members of their
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communities, so often they naturally were
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social figures. But even ecstatic
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Kabbalists who were sometimes very
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individualistic became messianic in their
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external activities. Most known
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Kabbalists contributed the perfection of
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the Divine, or of individual perfection,
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in service of messianic aims. The same by
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the way is often true of non-Jewish
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mysticism, which could also be a way to
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energize the personality to return to the
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group in an activist manner.
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