863 lines
47 KiB
Plaintext
863 lines
47 KiB
Plaintext
|
|
RITUALS AND SPELL OBJECTIVES AND DESIGN IN EIGHT MAGICS ,by Pete Carroll
|
|
|
|
Our perceptual and conceptual apparatus creates a fourfold division
|
|
of matter into the space, time, mass, and energy tautology.
|
|
Similarly, our instinctual drives create an eightfold division of
|
|
magic. The eight forms of magic are conveniently denoted by colours
|
|
having emotional significance:
|
|
|
|
OCTARINE,
|
|
PURE MAGIC
|
|
RED, BLACK,
|
|
WAR MAGIC ÛÛÛ± DEATH MAGIC
|
|
ÛÛÛ±
|
|
ÛÛ± ÛÛÛ± ÛÛ±
|
|
ÛÛ± ÛÛÛÛÛÛÛ± ÛÛ±
|
|
ÛÛ± ÛÛÛÛÛÛÛÛÛÛÛÛÛ± ÛÛ±
|
|
ÛÛÛ C H A O S ÛÛÛ±
|
|
ÛÛÛÛÛÛÛ BOX ÛÛÛÛÛÛÛ±
|
|
ORANGE, ÜÜÜÜÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜÜÜÜÜÜÜ BLUE,
|
|
THINKING ßßßßßßßßÛÛÛÛÛ THE MAGICAL ÛÛÛÛÛßßßßßßßß WEALTH MAGIC
|
|
MAGIC ÛÛÛÛÛ MAILBOX ÛÛÛÛÛÛ±
|
|
ÛÛÛ04962577966ÛÛÛÛ±
|
|
ÛÛ± ÛÛÛÛÛÛÛÛÛÛÛÛÛ± ÛÛ±
|
|
ÛÛ± ÛÛÛÛÛÛÛ± ÛÛ±
|
|
ÛÛ± ÛÛÛ± ÛÛ±
|
|
ÛÛÛ±
|
|
PURPLE or ÛÛÛ± GREEN,
|
|
SILVER, LOVE MAGIC
|
|
SEX MAGIC YELLOW,
|
|
EGO MAGIC
|
|
|
|
The eight types of magic can be attributed to the seven classical
|
|
"planets", plus Uranus for Octarine. However in the cause of
|
|
expanding the parameters of what can be attempted with each of these
|
|
forms of magic, such an attribution will largely be avoided. The
|
|
eight forms of magic will each be considered in turn.
|
|
|
|
|
|
|
|
OCTARINE MAGIC
|
|
|
|
Following Pratchett's hypothesis, the eighth colour of the spectrum,
|
|
which is the magicians personal perception of the "colour of magic",
|
|
may be called octarine. For me, this is a particular shade of
|
|
electric pinkish-purple. My most signifikant optical visions have
|
|
all occured in this hue, and I visualise it to colour many of my
|
|
more important spells and sigils on the astral. Before I set sail in
|
|
a handmade open boat through the Arabian Sea I was tricked into
|
|
accepting a huge and priceless star ruby by a wizard in India. It
|
|
was of an exactly octarine hue. During the most violent typhoon I
|
|
have ever experienced I found myself shrieking my conjurations to
|
|
Thor and Poseidon whilst clinging to the bowsprit as mountainous
|
|
waves smashed into the boat and octarine lightning bolts crashed
|
|
into the sea all around. Looking back it seems miraculous that I
|
|
and my crew survived. I have kept the octarine stone, uncertain as
|
|
to whether it was passed to me as a curse, a joke, a blessing, or a
|
|
test, or all of these things.
|
|
|
|
Other magicians perceive octarine in different ways. My personal
|
|
perception of octarine is probably a consequence of sex (purple) and
|
|
anger (red) being my most effective forms of gnosis. Each should
|
|
seek out the colour of magic for himself.
|
|
|
|
The octarine power is our instinctual drive towards magic, which, if
|
|
allowed to flower, creates the magician self or personality in the
|
|
psyche, and in affinity with various magician god forms. The
|
|
"Magician Self" varies naturally between magicians, but has the
|
|
general characteristics of antinomianism and deviousness, with a
|
|
predilection for manipulation and the bizarre. The antinomianism of
|
|
the magician self arises partly from the general estrangement of our
|
|
culture from magic. The magicial self therefore tends to take an
|
|
interest in everything that does not exist, or should not exist,
|
|
acording to ordinary consensus reality. To the magician self,
|
|
"Nothing is Unnatural". A statement full of endless meanings. The
|
|
deviousness of the magician self is a natural extension of the
|
|
sleight of mind required to manipulate the unseen. The god forms of
|
|
the octarine power are those which correspond most closely with the
|
|
characteristics of the magician self, and are usually the magicians
|
|
most important modes of possession for purely magical inspiration.
|
|
Baphomet, Pan, Odin, Loki, Tiamat, Ptah, Eris, Hekate, Babalon,
|
|
Lilith and Ishtar are examples of god forms which can be used in
|
|
this way.
|
|
|
|
Alternatively the magician may wish to formulate a magician god form
|
|
on a purely idiosyncratic basis, in which case the symbolism of the
|
|
serpent and the planet Uranus often prove useful starting points.
|
|
|
|
The magician can invoke such god forms for the illumination of
|
|
various aspects of the magical self, and for various works of pure
|
|
rather than applied magic. The category of pure magic includes such
|
|
activities as the development of magical theories and philosophies,
|
|
and magical training programs, the devising of symbolic systems for
|
|
use in divinations, spells and incantations, and also the creation
|
|
of magical languages for similar purposes. It is worth noting here
|
|
that chaos-magical languages are usually now written in V-Prime
|
|
before transliteration into magical barbaric form. V-Prime or
|
|
Vernacular Prime is simply one's native tongue in which all use of
|
|
all tenses of the verb "to be" is omitted in accordance with quantum
|
|
metaphysics. All the nonsense of transcendentalism disappears quite
|
|
naturally once this tactic is adopted. There is no being, all is
|
|
doing.
|
|
|
|
The octarine power is invoked to inspire the magician self and to
|
|
expand the magicians primary arcana. The primary personal arcana
|
|
consists of the fundamental symbols with which he interprets and
|
|
interacts with reality (whatever that may assault perception as),
|
|
magically. These symbols may be theories or kabbalas, obsessions,
|
|
magical weapons, astral or physical, or indeed anything which
|
|
relates to the practice of magic generally, that is not dedicated
|
|
specifically to one of the other powers of applied magic, whose
|
|
symbols form the secondary personal arcana of magic.
|
|
|
|
From the vantage point of the octarine gnosis, the magician self
|
|
should be able to perceive the selves of the other seven powers, and
|
|
be able to see their interrelationship within his total organism.
|
|
Thus the octarine power brings some ability in psychiatry, which is
|
|
the adjustment of the relationship between the selves in an
|
|
organism. The basis difference between a magician and a civilian is
|
|
that the latter the octarine power is vestigial or undeveloped. The
|
|
normal resting or neutral mode a civilian corresponds to a mild
|
|
expression of the yellow power which he regards as his normal
|
|
personality or "ego". The magician self however, is fully aware that
|
|
this is but one of eight major tools that the organism possesses.
|
|
Thus, in a sense, the "normal personality" of the magician is a tool
|
|
of his magical self (and, importantly, vice versa). This realisation
|
|
gives him some advantage over ordinary people. However the
|
|
developing magical self will soon realize that it is not in itself
|
|
superior to the other selves that the organism consists of, for
|
|
there are many things they can do which it cannot.
|
|
|
|
The development of the octarine power through the philosophy and
|
|
practice of magic tends to provide the magician with a second major
|
|
centre amongst the selves to complement the ego of the yellow power.
|
|
The awakening of the octarine power is sometimes known as "being
|
|
bitten by the serpent". Those who have been, are usually as
|
|
instantly recognisable to each other as, for example, two lifeboat
|
|
survivors are.
|
|
|
|
Perhaps one of the greatest tricks of sleight of mind is to allow
|
|
the magician self and the ego to dance together within the psyche
|
|
without undue conflict. The magician who is unable to disguise
|
|
himself as an ordinary person, or who is unable to act independently
|
|
of his own ego, is no magician at all.
|
|
|
|
Nevertheless, the growth of the octarine, or eighth power of the
|
|
self, and the discovery of the type of magician one wants to be, and
|
|
the identification or synthesis of a god form to represent it, tend
|
|
to create something of a mutant being, who has advanced into a
|
|
paradigm that few others are aware of. It is not easy to turn back
|
|
once the jouney has begun, though quite a few have tried to abort
|
|
the voyage with various narcotics including mysticism. It is a
|
|
pilgrimage to an unknown destination, in which one awakes
|
|
successively from one nightmare into another. Some on them appear
|
|
vastly entertaining at the time. There are worlds within us, the
|
|
abysses are just the initiations in between them.
|
|
|
|
The evocation of an octarine servitor can create an invaluable tool
|
|
for those engaged in magical research. The main functions of such
|
|
entities are usually to assist in the discovery of useful
|
|
information and contacts. Negative results should not be ignored
|
|
here, the complete failure of a well prepared servitor to retrieve
|
|
information about the hypothetical cosmic "big bang", was a
|
|
contributory factor in the development of the Fiat Nox theory, for
|
|
example.
|
|
|
|
|
|
BLACK MAGIC
|
|
|
|
The Death programs built into our genetic and hence behavioral and
|
|
emotional structure are the price we pay for the capacity for sexual
|
|
reproduction which alone allows for evolutionary change. Only
|
|
organisms which reproduce asexually, to replicate endless identical
|
|
copies of their very simple forms, are immortal. Two conjunctions
|
|
with the black power are of particular interest to the magician: the
|
|
casting of destruction spells and the avoidance of premature death.
|
|
|
|
So called "Chod" rites are a ritual rehearsal of death in which the
|
|
Death-self is invoked to manifest its knowledge and wisdom.
|
|
Traditionally conceived of as a black robed skeletal figure armed
|
|
with a scythe, the Death-self is privy to the mysteries of ageing,
|
|
senescence, morbidity, necrosis, entropy and decay. It is often also
|
|
possessed of a rather wry and world weary sense of humour.
|
|
|
|
Surrounding himself with all the symbols and paraphernalia of death,
|
|
the magician invokes his Death-self in a Chod rite for one of the
|
|
two purposes. Firstly the experience of the Death-self and the black
|
|
gnosis brings the knowledge of what it feels like to begin dying and
|
|
thus prepares the magician to resist the manifestation of actual
|
|
premature death in himself and perhaps others by, as it were,
|
|
knowing the enemy. A demon is just a god acting out of turn. In the
|
|
course of various Chod rites the magician may well experiment in
|
|
shamanic style by invoking into himself the visualised entities and
|
|
symbols that he associates with various diseases, to practice
|
|
banishing them. Thus the Death-self has some uses in medical
|
|
diagnosis and divination.
|
|
|
|
Secondly, the death-self may be invoked as a vantage point from
|
|
which to cast destruction spells. In this case the invocation takes
|
|
the same general form but the conjuration is usually called an
|
|
Entropy Rite. One should always look for any possible alternative
|
|
to the exercise of destructive magic, for to be forced into the
|
|
position of having to use it is a position of weakness. In each case
|
|
the magician must plant in his subconscious a mechanism by which the
|
|
target could come to grief and then project it with the aid of a
|
|
sigil or perhaps an evoked servitor. Entropy magic works by sending
|
|
information to the target which encourages auto-destructive
|
|
behaviour.
|
|
|
|
Entropy magic differs from Combat magic of the Red Gnosis in several
|
|
important respects. Entropy magic is always performed with complete
|
|
stealth in the cold fury of the black saturine gnosis. The aim is a
|
|
cold blooded surgical strike of which the target is given no
|
|
warning. The magician is not interested in getting into a fight,
|
|
merely in a quick and efficient kill. The supreme advantage of such
|
|
attacks is that they are rarely perceived as such by the targets who
|
|
have nothing but themselves and blind chance to blame for the
|
|
disasters which even magnanimity in victory does little to assuage.
|
|
One disadvantage however, is that it is rather difficult to present
|
|
invoices to clients for effects that appear to be due entirely to
|
|
natural causes.
|
|
|
|
God forms of the black power are legion; if the simple form of a
|
|
cloaked skeleton with scythe does not adequately symbolise the
|
|
Death-self then such forms as Charon, Thanatos, Saturn, Chronos,
|
|
Hekate the Hag, Dark sister Atropos, Anubis, Yama and Kali may
|
|
serve.
|
|
|
|
Servitors of the black power are rarely established for long term
|
|
general use, partly because their use is likely to be infrequent and
|
|
partly because they can be danger to their owner, thus they tend to
|
|
be made and dispatched for specific single tasks.
|
|
|
|
|
|
BLUE MAGIC
|
|
|
|
Wealth is not to be measured in terms of assets, but rather in terms
|
|
of how much control over people and material, and thus ultimately
|
|
one's own experiences, one achieves by economic activities. Money is
|
|
an abstract concept used to quantify economic activity, thus wealth
|
|
is a measure of how well you control your experiences with money.
|
|
Assuming that varied, exciting, unusual and stimulating experiences
|
|
are preferable to dull ones, and that they tend to be expensive for
|
|
this reason, then the main problem for most people is to find a
|
|
highly efficient form of money input which has the above agreeable
|
|
qualities. The aim of wealth magic is to establish a large turnover
|
|
of money which allows agreeable experiences at both the input and
|
|
output stages. This demands what is called Money Consciousness.
|
|
|
|
Money has acquired all the characteristics of a "spiritual" being.
|
|
It is invisible and intangible, coinage, notes and electronic
|
|
numbers are not money. They are merely representations or talismans
|
|
of something which economists cannot coherently define. Yet although
|
|
it is itself intangible and invisible it can create powerful effects
|
|
on reality. Money has its own personality and idiosyncratic tastes,
|
|
it avoids those who blaspheme it, and flows towards those who treat
|
|
it in the way it likes. In a suitable environment it will even
|
|
reproduce itself. The nature of the money spirit is movement, money
|
|
likes to move. If it is hoarded and not used, it slowly dies. Money
|
|
thus prefers to manifest as turnover rather than as unexploited
|
|
assets. Monies surplus to immediate pleasure should be re-invested
|
|
as a further evocation, but the truly money conscious find that even
|
|
their pleasures make money for them. Money consciousness gets paid
|
|
to enjoy itself. Those in money consciousness are by nature
|
|
generous. Offer them an interesting investment and they will offer
|
|
you a fortune. Just don't ask for small cash handouts.
|
|
|
|
The attainment of money consciousness and the invokation of the
|
|
Wealth-self consists of the acquisition of a thorough knowledge of
|
|
the predilections of the spirit of money and a thorough exploration
|
|
of personal desires. When both of these have been understood, real
|
|
wealth manifests effortlessly.
|
|
|
|
Such invocations must be handled with care. The blue gnosis of
|
|
wealth and desire creates demons as easily as gods. Many
|
|
contemporary success and sales seminars concentrate on creating an
|
|
hysterical desire for money coupled with an equally hypertrophied
|
|
desire for the mere symbols of wealth rather than the experiences
|
|
the punters actually want. To work like a possessed maniac all day
|
|
for the questionable pleasure of drinking oneself into near oblivion
|
|
on vintage champagne every night, is to have missed the point
|
|
entirely and to have a entered a condition of anti-wealth.
|
|
|
|
However, the majority of those who are poor in relatively free
|
|
societies where others are rich, owe their poverty either to a lack
|
|
of understanding of how money behaves, or to negative feelings which
|
|
tend to repel it. Neither intelligence nor investment capital are
|
|
required in any great degree to become wealthy. The popularity of
|
|
tales about the misery and misfortunes of the rich is testimony to
|
|
the ridiculous myth prevalent amongst the poor, that the rich are
|
|
unhappy. Before beginning works of blue magic it is essential to
|
|
seriously examine all negative thoughts and feelings about money and
|
|
to exorcise them. Most of the poor people who win in lotteries, and
|
|
only the poor regularly enter them, manage to have nothing to show
|
|
for it a couple years later. It is as if some subconscious force
|
|
somehow got rid of something they felt they did not really deserve
|
|
or want. People tend to have the degree of wealth that they deeply
|
|
believe they should have. Blue magic is the modification of that
|
|
belief through ritual enactment of alternative beliefs.
|
|
|
|
Blue magic rituals may thus involve exorcisms of negative attitudes
|
|
to wealth, divinatory explorations of one's deepest desires, and
|
|
invocations of the Wealth-self and the spirit of money during which
|
|
the subconscious wealth level is adjusted by ritual expression of a
|
|
new value, and affirmations of new projects for the investment of
|
|
resources and efford are made. Hymns and incantations to money can
|
|
be delivered. Cheques for startling sums can be written to oneself
|
|
and desires can be proclaimed and visualised. Various traditional
|
|
god forms with a prosperity aspect can be used to express the
|
|
Wealth-self such as Jupiter, Zeus and the mythical Midas and
|
|
Croesus.
|
|
|
|
Simple money spells are rarely used in modern blue magic. The
|
|
tendency nowadays is to cast spells designed to enhance schemes
|
|
designed to make money. If one fails to provide a mechanism through
|
|
which money can manifest then either nothing will happen or the
|
|
spell will flesh by strange means, such as a legacy from the
|
|
untimely death of a much beloved relative for example. Serious blue
|
|
magic is never attempted by conventional forms of gambling.
|
|
Conventional gambling is an expensive way of buying experiences
|
|
which have nothing to do with increasing one's wealth. Blue magic is
|
|
a matter of carefully calculated investment. Anyone but a fool
|
|
should be able to devise an investment that offers better odds than
|
|
conventional forms of gambling.
|
|
|
|
|
|
|
|
RED MAGIC
|
|
|
|
As soon as humanity developed the organisation and weapons
|
|
technology to defeat its main natural predators and competitors it
|
|
seems to have applied a fierce selection mechanism to itself in the
|
|
form of internecine warfare. Many of the qualities we regard as
|
|
marks of our evolutionary success, such as our opposable thumbs and
|
|
tool handling abilities, our capacity for communication by sound,
|
|
our upright posture, and our capacity to give and receive commands
|
|
and discipline, were almost certainly selected for during millennia
|
|
of organized armed conflict between human bands. Our morality
|
|
reflects our bloody history, for whilst it is taboo to attack
|
|
members of one's own tribe, it remains one's duty to attack
|
|
foreigners. The only debate is over who constitutes one's own tribe.
|
|
When enthusiasm for war is limited, we devise sports and games in
|
|
which to express our aggression. From the whole ethos and
|
|
terminology of sport it is plain that sport is just war with extra
|
|
rules.
|
|
|
|
However, it should not be supposed that war is completely without
|
|
rules. Wars are fought to improve one's bargaining position; in war
|
|
the enemy group is a resource that one wishes to gain some measure
|
|
of control over. Wars are fought to intimidate one's adversaries,
|
|
not to exterminate them. Genocide is not war.
|
|
|
|
The structure and conduct of war reflects the "fight or flight"
|
|
program built into our sympathetic nervous system. In battle, the
|
|
aim is to intimidate the enemy out of the fight mode and into flight
|
|
mode. Thus, assuming there is sufficient parity of force to make a
|
|
fight seem worthwhile to both parties, morale is the decisive factor
|
|
in conflict. Indeed, it is the decisive factor in virtually any
|
|
inter-human competitive, sporting or military encounter.
|
|
|
|
Red magic has two aspects, firstly the invocation of the vitality,
|
|
aggression, and morale to sustain oneself in any conflict from life
|
|
in general to outright war, and secondly the conduct of actual
|
|
combat magic. A variety of god forms exist in which the War-self can
|
|
be expressed, although hybrid or purely idiosyncratic forms work
|
|
just as well. Ares, Ishtar, Ogoun, Thor, Mars, Mithras and Horus in
|
|
particular are often used. Contemporary symbolism should not be
|
|
neglected. Firearms and explosives are as welcoming to the red
|
|
gnosis as swords and spears. Drums are virtually indispensable.
|
|
Sigils drawn in flammable liquids, or indeed whole flaming circles
|
|
in which to invoke should be considered.
|
|
|
|
Combat magic is usually practised openly with the adversary being
|
|
publicly threatened and cursed, or finding himself the recipient of
|
|
an unpleasant looking talisman, spell or rune. The aim is
|
|
intimidation and control of one's adversary who must therefore be
|
|
made as paranoid as possible and informed of the origin of the
|
|
attack. Otherwise combat magic takes the same general form as that
|
|
used in Entropy Rites, with sigils and servitors carrying
|
|
auto-destructive information to the target, although with sub-lethal
|
|
intent.
|
|
|
|
However, the real skill of red magic is to be able to present such
|
|
an overwhelming glamour of personal vitality, morale and potential
|
|
for aggression that the exercise of combat magic is never required.
|
|
|
|
|
|
YELLOW MAGIC
|
|
|
|
Most of the extant texts on what is traditionally called "solar
|
|
magic", contradict each other or suffer from internal confusion.
|
|
Astrological commentaries on the supposed powers of the sun are
|
|
amongst the most idiotic nonsense that discipline can produce. This
|
|
is because the yellow power has four distinct but related forms of
|
|
manifestation within the psyche. This fourfold division has led to
|
|
immense problems in psychology, where various schools of thought
|
|
have chosen to emphasise one in particular and to ignore those which
|
|
other schools have alighted upon.
|
|
|
|
The four aspects can be characterised as follows. Firstly the Ego,
|
|
or self image, which is simply the model the mind has of the general
|
|
personality, but excluding most of the extreme behaviour patterns
|
|
that the selves are capable of. Secondly Charisma, which is the
|
|
degree of self-confidence that a person projects to others. Thirdly,
|
|
something for which there is no single English term, but which can
|
|
be called Laughter-Creativity. Fourthly, the urge to Assertion and
|
|
Dominance. All these things are manifestations of the same yellow
|
|
power; although their relative emphasis varies greatly between
|
|
individuals.
|
|
|
|
Success in most human societies usually results from a skilful
|
|
expression of the yellow power. The strength of the yellow power in
|
|
an individual seems to bear a direct relationship to levels of the
|
|
sexual hormone testosterone in both sexes; although its expression
|
|
depends on personal psychology. There is a complex interplay
|
|
between testosterone levels, self image, creativity, social status
|
|
and sexual urges, even if they are unexpressed. In esoteric terms,
|
|
the moon is the secret power behind the sun, as most female
|
|
magicians realise instinctively, and most male magicians discover
|
|
sooner or later. The Ego gradually accretes through the accidents of
|
|
childhood and adolescence, and, in the absence of particularly
|
|
powerful experiences thereafter, remains fairly constant even if it
|
|
contains highly dysfunctional elements. Any type of invocation
|
|
should make some difference to the ego, but direct work with it can
|
|
achieve much more. Several tricks are involved here. The very
|
|
recognition of the ego implies that change is possible. Only those
|
|
who realize that they own a personality rather than consis of a
|
|
personality, can modify it. For most people a preparation of a
|
|
detailed inventory of their own personality is a very difficult and
|
|
unsettling activity. Yet once it is done it is usually quite easy to
|
|
decide what changes are desirable.
|
|
|
|
Changes to the Ego or self image or personality by magic are classed
|
|
as works of Illumination and are mainly accomplished by Retroactive
|
|
Enchantment and Invocation. Retroactive Enchantment in this case
|
|
consits of re-writing one's personal history. As our history largely
|
|
defines our future, we can change our future by redefining our past.
|
|
Everybody has some capacity to re-interpret things which were
|
|
considered to have gone wrong in the past in a more favourable
|
|
light, but most fail to pursue the process to the full. One cannot
|
|
eliminate disabling memories, but by an effort of visualisation and
|
|
imagination one can write in parallel enabling memories of what
|
|
might also have happened, to neutralise the originals. One can also,
|
|
where possible, modify any remaining physical evidence that favours
|
|
the disabling memory.
|
|
|
|
Invocations to modify the ego are ritual enchantments and
|
|
personifications of the new desired qualities. Attention should be
|
|
given to planned changes of dress, tone of speech, gesture,
|
|
mannerisms and body posture which will best suit the new ego. One
|
|
manoeuvre frequently used in yellow magic is to practice the
|
|
manifestation of an alternative personality with a specific mnemonic
|
|
trigger, such as the transference of a ring from one finger to
|
|
another.
|
|
|
|
Various god forms such as Ra, Helios, Mithras, Apollo and Baldur are
|
|
useful to structure fresh manifestations of the ego, and for
|
|
experiments with the other three qualities of the yellow power.
|
|
|
|
Charisma, the projection of an aura of self confidence, is based on
|
|
a simple trick. After a short while there is no difference at all
|
|
between the pretence and the actuality of self confidence. Anyone
|
|
wishing to remedy a lack of confidence and charisma, and uncertain
|
|
as to how to begin pretending to these qualities, may find that a
|
|
day or two spent pretending to absolute zero self confidence will
|
|
quickly reveal both the effectiveness of pretence and the specific
|
|
thoughts, words, gestures and postures required to project either
|
|
pretence.
|
|
|
|
Laughter and Creativity may not immediately seem to be related, but
|
|
humour depends on the sudden forging of a new connection between
|
|
disparate concepts, and we laugh at our own creativity in forging
|
|
the connection. Exactly the same form of elation arises from other
|
|
forms of creative activity, and if the insight comes suddenly,
|
|
laughter results. If you don't laugh when you see a seriously
|
|
brilliant piece of mathematics then you have not really understood
|
|
it. It also take a degree of positive self-esteem and confidence to
|
|
laugh at something creatively funny. Persons of low self-esteem tend
|
|
only to laugh at destructive humour and the misfortunes of others,
|
|
if they laugh at all.
|
|
|
|
Laughter is often an important factor in the invocations of the god
|
|
forms of the yellow power. Solemnity is not a prerequisite for
|
|
ritual. Laughter is also a useful tactic in drawing conscious
|
|
attention away from sigils or other magical conjurations once they
|
|
are finished with. The deliberate forcing of hysterical laughter may
|
|
seem an absurd way of ending an enchantment or an invocation, but it
|
|
has been found to be remarkably effective in practice. This is yet
|
|
another sleight of mind manoeuvre which prevents conscious
|
|
deliberation.
|
|
|
|
The "pecking order" within most groups of social animals is usually
|
|
immediately obvious to us, and the animals themselves. Yet within
|
|
our own society such dominance hierarchies are equally prevalent
|
|
within all social groups; although we go to quite extreme lengths to
|
|
disguise this to ourselves. The human situation is further
|
|
complicated by the tendency of individuals to belong to many groups
|
|
in which they may have different degrees of social status, and
|
|
status is often partly dependent on specialist abilities other than
|
|
displays of naked force.
|
|
|
|
However, assuming that a person can appear competent in the
|
|
specialist ability that a social group requires, that person's
|
|
position in the group depends almost entirely on the degree of
|
|
assertion and dominance that person exhibits. It is basically
|
|
exhibited through non-verbal behaviour which everybody understands
|
|
intuitively or subconsciously but which most people fail to
|
|
understand rationally. As a consequence they cannot manipulate it
|
|
deliberately. Typical dominance behaviours involve talking loudly
|
|
and slowly, using lots of eye contact, interrupting the speech of
|
|
others whilst resisting the interruption of others, maintaining an
|
|
upright posture of concealed threat, invading the personal space of
|
|
others whilst resisting intrusion into one's own, and placing
|
|
oneself strategically in any space at the focus of attention. In
|
|
cultures where touching is frequent, the dominant always initiate
|
|
it, or pointedly refuse it. Either way, they control it.
|
|
|
|
Submissive behaviour is of course the reverse of all the above, and
|
|
appears quite spontaneously in response to successful dominance from
|
|
others. There is a two way interaction between dominance behaviour
|
|
and hormone levels. If the levels change for medical reasons then
|
|
the behaviour tends to change, but more importantly, from a magical
|
|
point of view, a deliberate change of behaviour will modify hormone
|
|
levels. Fake it till you make it. There is nothing particularly
|
|
occult about the way some people are able to control others. We
|
|
simply fail to notice how it is done because nearly all the
|
|
behavioural signals involved are exchanged subconsciously. Dominance
|
|
signals do not tend to work if their recipients perceive them
|
|
consciously. Thus in most situations they must be delivered subtly
|
|
and with gradually increasing intensity. One of the few situations
|
|
where such signals are exchanged deliberately is in military
|
|
hierarchies, but this is only possible because of the immense
|
|
capacity for direct physical coercion that such systems exhibit.
|
|
Break the formal rules of non-verbal communication with an officer
|
|
and he will have a sergeant instil some submission by direct means.
|
|
Eventually the formal rules become internalised and function
|
|
automatically, allowing enough obedience to permit mass
|
|
self-sacrifice and slaughter. The yellow power is the root of most
|
|
of the best and the worst of what we are capable.
|
|
|
|
|
|
GREEN MAGIC
|
|
|
|
There is inevitable a considerable overlap in what is written in
|
|
popular magic books on the subject of venusian (love) and lunar
|
|
(sex) magic. Consequently a planetary nomenclature has been largely
|
|
avoided in this text. Although love magic is frequently performed in
|
|
support of sexual objectives, this chapter will confine itself to
|
|
the arts of making other people friendly, loyal and affectionate
|
|
towards oneself.
|
|
|
|
Friends are probably anyone's greatest asset. My adress book is
|
|
easily my most valuable possession. As with erotic attraction, it is
|
|
first necessary to like oneself before others will. This ability can
|
|
be enhanced by appropriate invocations of the green power. Most
|
|
people find it easy to elicit friendliness from people that they
|
|
like themselves; but making persons who are not disposed to
|
|
friendship towards you, become friendly, and making persons who you
|
|
do not like at all friendly towards you, are valuable abilities. An
|
|
unreciprocated friendship is a disability only to the person
|
|
offering it.
|
|
|
|
Invocations to the green power should begin with self-love; an
|
|
attempt to see the wonderful side of every self one consists of, and
|
|
then proceed into a ritual affirmation of the beauty and loveability
|
|
of all things and all people. Suitable god forms for the Love-self
|
|
include Venus, Aphrodite and the mythical Narcissus, whose myth
|
|
merely reflects a certain male prejudice against this type of
|
|
invocation.
|
|
|
|
From within the green gnosis, spells to make people friendly may be
|
|
cast by simple enchantment or by the use of entities created for
|
|
this purpose. However it is in face to face meetings that the
|
|
empathic abilities stimulated by the invocation work most
|
|
effectively. Apart from the obvious manoeuvres of showing interest
|
|
in everything the target has to say and affirming and sympathising
|
|
with most of it, there is another critical factor called "behavioral
|
|
matching", which usually takes place subconsciously. Basically, in
|
|
the absence of overtly hostile postures on the part of the target,
|
|
one should attempt to match the non-verbal behaviour of the target
|
|
precisely. Sit or stand in the identical bodily posture, make the
|
|
same movements, use the same degree of eye contact, and talk for
|
|
similar intervals. As with dominance behaviour, such signals only
|
|
work if they are not consciously perceived by the recipient. Do not
|
|
move to match the target's moves and postures immediately. It is
|
|
also essential to try and match the verbal behaviour and to
|
|
communicate with the same level of intelligence, social status and
|
|
sense of humour as the target.
|
|
|
|
Before I made myself wealthy, I used to practice these abilities
|
|
when hitch-hiking. Soon, even people whom I found quite ghastly were
|
|
buying me lunch and transporting me far out of their way. Empathy
|
|
will get you anywhere.
|
|
|
|
|
|
ORANGE MAGIC
|
|
|
|
Charlatanry, trickery, living by one's wits and thinking fast on
|
|
one's feet are the essence of the orange power. These mercurial
|
|
abilities were traditionally associated with the god forms which
|
|
acted as patrons to doctors, magicians, gamblers and thieves.
|
|
However the profession of medicine has now partly dissociated itself
|
|
from charlatanry since doctors discovered that antibiotics and
|
|
hygienic surgery actually worked. Nevertheless about eighty percent
|
|
of medications are still basically placebos, and the profession
|
|
still retains the mercurial caduceus for its emblem. Similarly the
|
|
profession of magic has become less dependant on charlatanry with
|
|
the discovery of the quantum-probabilistic nature of enchantment and
|
|
divination and the virtual abandonment of classical alchemy and
|
|
astrology. Pure magic is now best described as an expression of the
|
|
octarine power, having an Uranian character. Yet charlatanry still
|
|
has its place in magic as in medicine. Let us not forget that all
|
|
"conjuring tricks" were once part of the shamanic warm up repertoire
|
|
in which something lost or destroyed is miraculously restored by the
|
|
magician to get the audience in the right mood before the serious
|
|
business of placebo healing began. In its classical form, the
|
|
magician puts a dead rabbit in a hat before pulling out a live one.
|
|
|
|
To the list of professions drawing heavily on the orange power one
|
|
must now add salesman, confidence trickster, stockbroker and indeed
|
|
any profession with an extreme heart attack rating. The motive power
|
|
of the orange gnosis is basically fear, a species of fear which does
|
|
not inhibit the user, but rather creates an extraordinary nervous
|
|
speed that produces quick moves and answers in tight corners.
|
|
|
|
The apotheosis of the Wit-self is the ability to enter that state of
|
|
mental overdrive in which the fast response is always forthcoming.
|
|
This ability is,, paradoxically enough, created by not thinking
|
|
about thinking, but rather allowing anxiety to partially paralyse
|
|
the inhibitory process themselves so that the subconscious can throw
|
|
out a quick witted response without conscious deliberation.
|
|
|
|
Invocations of the orange power are best delivered at frantic speed
|
|
and gnosis can be deepened by the performance of mentally demanding
|
|
tasks such as adding up large lists of numbers in one's head or
|
|
ripping open envelopes containing difficult questions and answering
|
|
them instantly; activities which should be persisted with until a
|
|
breakthrough to the experience of thinking without deliberation is
|
|
achieved. Varied god forms can be used to give form to the Wit-self.
|
|
Hermes, Loki, Coyote the Trickster and the Roman Mercurius are often
|
|
employed.
|
|
|
|
Orange magic is usually restricted to invocations designed to
|
|
enhance general quick wittedness in secular activities such as
|
|
gambling, crime and intellectual pursuits. Enchantments and
|
|
evocations performed subsequent to an invocation of the orange
|
|
gnosis rarely seem to give results as effective as the invocation
|
|
itself in my experience. Perhaps something should be said about
|
|
crime and gambling for the benefit of those hotheads who may
|
|
misunderstand what can be done with orange magic in support of such
|
|
activities. Theft is ludicrously easy performed methodically yet the
|
|
majority of thieves get caught after a while because they become
|
|
addicted to anxiety, which they experience as excitement and
|
|
start taking risks to increase it. The novice thief who, in state of
|
|
extreme anxiety, takes something in a situation of zero risk, does
|
|
not of course get caught and neither does the careful professional.
|
|
However there are few careful professionals because there are far
|
|
easier ways of making money in most societies for people with that
|
|
kind of ability. The great majority of thieves however always manage
|
|
to find some way of incriminating themselves because the anxiety of
|
|
the theft itself fades, only the anxiety of punishment remains.
|
|
Those quick witted and outwardly cool enough to thieve successfully
|
|
can easily make more from salesmanship.
|
|
|
|
There are three types of persistent gambler. The losers account for
|
|
two types. Firstly there are those addicted to their own arrogance,
|
|
who just have to prove that they can beat pure chance or the odds
|
|
set by the organisers. Secondly there are those addicted to the
|
|
anxiety of loosing. Even if they win, they invariably throw it away
|
|
again soon afterwards. Then there are the winners. These people are
|
|
not gambling at all, either because they are organising the odds and
|
|
stakes, or because they have inside information, or because they are
|
|
cheating. This is true orange magic. Poker is not a game of chance
|
|
if played skilfully, and skilful play includes not playing against
|
|
persons of equal or superior skill, or persons holding a Smith and
|
|
Weston to your Four Aces. Most conventional forms of gambling are
|
|
set up in such a way that the use of anything but the most extreme
|
|
forms of psychic power will make little difference. I would not
|
|
bother to bet on odds that I had reduced from an hundred to one to
|
|
merely sixty to one. However certain results obtained using double
|
|
blind prescience with horse racing show encouraging potential.
|
|
|
|
|
|
PURPLE MAGIC
|
|
|
|
A large proportion of all the cults throughout history have shared
|
|
one particular characteristic. They have been led by a charismatic
|
|
man able to persuade women to freely dispense sexual favours to ther
|
|
men. When one begins to look, this feature is startlingly common to
|
|
many ancient cults, monotheistic schismatic sects and modern
|
|
esoteric groups. Many, if not the majority of adepts past and
|
|
present were, or are, whoremasters. The mechanism is quite simple,
|
|
pay the woman in the coinage of spirituality to service the men who
|
|
repay you with adulation and accept your teachings as a side effect.
|
|
The adulation from the men then increases your charisma with the
|
|
women creating a positive feedback loop. It can be a nice little
|
|
earner until old age or a police raid catches up with the
|
|
enterprise. The other danger is of course that the women, and
|
|
eventually the men, may come to feel that constant changes of
|
|
partners work against their longer term interests of emotional
|
|
security and reproduction. The turnover in such cults can thus be
|
|
high, with young adults constantly replacing those approaching early
|
|
middle age.
|
|
|
|
Few religions or cults lack a sexual teaching, for any teaching
|
|
provides a powerful level of control. The vast majority of the more
|
|
durable and established religions trade on a suppression of so
|
|
called free love. This pays considerable dividends too. Women's
|
|
position becomes more secure, and men know who their children are.
|
|
Naturally adultery and prostitution flourish in such conditions
|
|
because some people always want a little more than lifelong monogamy
|
|
has to offer. So it's quite true that brothels are built with the
|
|
bricks of religion. Indirectly so with conventional religions,
|
|
directly so with many cults.
|
|
|
|
All this begs the question of why it is that people have such an
|
|
appetite for wanting to be told what to do with their sexuality. Why
|
|
do people have to seek esoteric and metaphysical justification for
|
|
what they want to do? Why is it so easy to make a living selling
|
|
water by the river?
|
|
|
|
The answer, it appears, is that human sexuality has some built in
|
|
dissatisfaction function of evolutionary origin. Our sexual
|
|
behaviour is partly controlled by genetics. Those genes most likely
|
|
to survive and prosper are those that in the female encourage the
|
|
permanent capture of the most powerful male available and occasional
|
|
liaisons (clandestine) with any more powerful male that may be
|
|
temporarily available. Whereas in the male, the genes most likely to
|
|
prosper are those encouraging the impregnation of as large a number
|
|
of females as he can support, plus perhaps a few on the sly that
|
|
other men are supporting. It is interesting to note that only in the
|
|
human female is oestrous concealed. In all other mammals the fertile
|
|
time is made abundantly obvious. This appears to have evolved to
|
|
allow, paradoxically both adultery and increased pair bonding
|
|
through sex at times when it is reproductively useless. The economic
|
|
basis of any particular society will usually supply some pressure in
|
|
favour of a particular type of sexuality and this pressure will be
|
|
codified as morality which will inevitably conflict with biological
|
|
pressures. Celibacy is unsatisfactory, Masturbation is
|
|
unsatisfactory, Monogamy is unsatisfactory, Adultery is
|
|
unsatisfactory, Polygamy and Polyandry is unsatisfactory and
|
|
presumably Homosexuality is unsatisfactory, if the renetic
|
|
merry-go-round of partner exchanges in that discipline is anything
|
|
to go by.
|
|
|
|
Nothing in the spectrum of possible sexualities provides a perfect
|
|
long term solution, but this is the price we pay for occupying the
|
|
pinnacle of mammalian evolution. So much of our art, culture,
|
|
politics and technology arises precisely out of our sexual
|
|
yearnings, fears, desires and dissatisfactions. A society sexually
|
|
at peace with itself would present a very dull spectacle indeed. It
|
|
is generally if not invariably tha case that personal creativity and
|
|
achievement are directly proportional to personal sexual turmoil.
|
|
This is actually one of the major but often unrecognised techniques
|
|
of sex magic. Inspire yourself with maximum sexual turmoil and
|
|
confusion if you really want to find out what you are capable of in
|
|
other fields. A tempestuous sex life is not a side effect of being a
|
|
great artist for example. Rather it is the art which is the side
|
|
effect of a tempestuous sex life. A fanatical religion does not
|
|
create the suppression of celibacy. It is the tensions of celibacy
|
|
which create a fanatical religion. Homosexuality is not a side
|
|
effect of barracks life amongst elite suicide shock troops.
|
|
Homosexuality creates elite suicide shock troops in the first place.
|
|
|
|
The Muse, the hypothetical source of inspiration, usually pictured
|
|
in sexual terms, is the Muse only when one's relationship to her is
|
|
unstable. Every possible moral pronouncement on sexual behaviour has
|
|
doubtless been given a million times before, and it would be
|
|
unseemly for a Chaoist to re-emphasise any of it. However, one thing
|
|
seems reasonably certain. Any form of sexuality eventually invokes
|
|
the whole gamut of ecstasy, self-disgust, fear, delight, boredom,
|
|
anger, love, jealousy, rafe, self-pity, elation and confusion.It is
|
|
these things which make us human and occasionally superhuman. To
|
|
attempt to transcend them is to make oneself less than human, not
|
|
more. Intensity of experience is the key to really being alive and
|
|
given the choice I'd rather do it through love than war any day.
|
|
|
|
A dull sex life creates a dull person. Few people manage to achieve
|
|
greatness in any field without propulsion that a turbulent
|
|
emotional-sexual life supplies. This is the major secret of sex
|
|
mgic, the two minor secrets involve the function of orgasm as gnosis
|
|
and the projection of sexual glamours.
|
|
|
|
Anything held in the conscious mind at orgasm tends to reach down
|
|
into the subconscious. Sexual abnormalities can readily be implanted
|
|
or removed by this method. At orgasm sigils for enchantment or
|
|
evocation can be empowered either by visualisation or by gazing at
|
|
the sigil taped to one's partner's forehead for example. However
|
|
this kind of work is often more conveniently performed
|
|
auto-erotically. Although the gnosis offered by orgasm can in theory
|
|
be used in support of any magical objective, it is generally unwise
|
|
to use it for entropy or combat magic. No spell is ever totally
|
|
insulted within the subconscious and any leakages which occur can
|
|
implant quite detrimental associations with the sexuality.
|
|
|
|
At orgasm an invocation can be triggered, this operation being
|
|
particularly effective if each partner assumes a god form. The
|
|
moments following orgasm are a useful time for divinatory vision
|
|
seeking. Prolonged sexual activity can also lead to stages of trance
|
|
useful in visual and oracular divination or oracular states of
|
|
possession in invocation.
|
|
|
|
The projection of Sexual Glamour for the purposes of attracting
|
|
others depends on far more than simple physical appearance. Some of
|
|
the most conventually pretty people lack it entirely, whilst some of
|
|
the plainest enjoy its benefits to the limit.
|
|
|
|
To be attractive to another person one must offer them something
|
|
which is a reflection of part of their self. If the offer becomes
|
|
reciprocal then it can lead to that sense of completion which is
|
|
most readily celebrated by physical intimacy. In most cultures it is
|
|
conventional for the male to display a tough public exterior and for
|
|
the female to display a softer persona, yet in a sexual encounter
|
|
each will seek to reveal their concealed factors. The male will seek
|
|
to show that he can be compassionate and valnerable as well as
|
|
powerful, whilst the female seeks to display inner strength behind
|
|
the outward signs and signals of passive receptivity. Incomplete
|
|
personalities such as those which are machismo to the core, or
|
|
consist of the polar opposite of this, are never sexually attractive
|
|
to anyone except in the most transient sense.
|
|
|
|
Thus the philosophers of love have come to identify a certain
|
|
androgyny in either sex as an important component of attraction.
|
|
Some have taken the poetic license to express the quaint ideal that
|
|
the male has a femal soul and the female a male one. This reflects
|
|
the truism that to be attractive to others you must first become
|
|
attracted to yourself. A few hours spent practising being attractive
|
|
in front of a mirror is a valuable exercise. If you cannot get
|
|
mildly excited about yourself, then don't expect anyone else to get
|
|
wildly excited.
|
|
|
|
The "moon glance" technique is often effective. Basically one
|
|
briefly closes the eyes and momentarily visualises a lunar crescent
|
|
in silver behind the eyes with the horns of the moon projecting out
|
|
of each side of the head behind the eyes. Then one glances into the
|
|
eyes of a potential lover whilst visualising a silver radiance
|
|
beaming from your eyes to theirs. This manoeuvre also has the effect
|
|
of dilating the pupils and usually causes an involuntary smile. Both
|
|
of these are universal sexual signals, the first of which acts
|
|
subconsciously.
|
|
|
|
It is generally unwise to cast spells for the attraction of specific
|
|
partners but better to conjure for suitable partners in general for
|
|
oneself or others. One's subconscious usually has a far more subtle
|
|
appreciation of who really is suitable.
|
|
|
|
Sexual magic is traditionally associated with the colours of purple
|
|
(for ppassion) and silver (for the moon). However, the effectiveness
|
|
of black clothing as either a sexual or an anti-sexual signal,
|
|
depending on the style and cut, shows that black is in a sense the
|
|
secret colour of sex, reflecting the biological and psychological
|
|
relationship between sex and death.
|
|
|
|
|
|
_________________________________
|
|
|
|
This text is out of Pete Carroll's forthcoming book
|
|
"Liber Kaos, The Psychonomicon" (Weiser)
|
|
|
|
---
|
|
* Origin: ChaosBox: Nothing is true -> all is permitted... (2:243/2)
|
|
|