3123 lines
147 KiB
Plaintext
3123 lines
147 KiB
Plaintext
1
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 1
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MONROE TECHNIQUES FOR ASTRAL PROJECTION
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Note: After having studied many methods of Astral
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Projection, I have found that this is the easies to do.
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Monroe teaches these techniques in a week, but they can be
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easily done in a day, with proper devotion. I feel that this
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technique is superior to others because it doe not require
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intense visualization, which many people cannot do.
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enjoy!
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(Taken from Leaving The Body: A Complete Guide to Astral
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Projection, D. Scott Rogo, prentice Hall Press)
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One of the chief barriers people learning to project face is
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fear. Many are afraid that they may die, or be harmed in some
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way as a result of their projection. Nothing could be farther
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from the truth. The Cantebury Institute, reknowned for its
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occult studies, executed an experiment in projection involving
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over 2,000 people. None of them were hurt in any way by this,
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and now, three years later, none have complained of any newly
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arising problems.
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Once you are aware that you cannot be harmed by projecting,
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you should begin monroe's techniques, step by step.
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Step one:
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Relax the body. According to Monroe, "the ability to relax
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is the first prerequisite, perhaps even the first step itself"
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to having an OBE. (out of body experience) This includes bothe
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physical and mental relaxation. Monroe does not suggest a
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method of attaining this relaxation, although Progressive
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Muscle relaxation, coupled with deep breathing exercises
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(inhale 1, exhale 2, inhale 3.... until 50 or 100) are known
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to work well.
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Step two:
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Enter the state bordering sleep. This is known as the
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hypnagogic state. Once again, Monroe doesn't recommend any
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method of doing this. One way is to hold your forearm
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up, while keeping your upper arm on the bed, or ground. As you
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start to fall asleep, your arm will fall, and you will awaken
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again. With practice, you can learn to control the Hypnagogic
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state without using your arm. Another method is to
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concentrate on an object. When other images start to enter
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your thoughts, you have entered the Hypnagogic state.
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Passively watch these images. This will also help you
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maintain this state of near-sleep. Monroe calls this Condition
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A.
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Step three:
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Deepen this state. Begin to clear your mind. observe your
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field of vision through your closed eyes. Do nothing more
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for a while. Simply look through your closed eyelids at the
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blackness in front of you. After a while, you may notice
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light patterns. These are simply neural discharges. They
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have no specific effect. Ignore them. When they cease, one
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has entered what Monroe calls Condition B. From here, one
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must enter an even deeper state of relaxation which Monroe
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calls Condition C-- a state of such relaxation that you lose
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all awareness of the body and sensory stimulation. You are
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almost in a void in which your only source of stimulation will
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be your own thoughts.
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The ideal state for leaving your body is Condition D.
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This is Condition C when it is voluntarily induced from a
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rested and refreshed condition and is not the effect of normal
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fatigue. To achieve Condition D, Monroe suggests that you
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practice entering it in the morning or after a short nap.
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Step Four:
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Enter a state of Vibration. This is the most important
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part of the technique, and also the most vague.
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Many projectors have noted these vibrations at the onset
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of projection. They can be experienced as a mild tingling, or
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as is electricity is being shot through the body. /their
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cause is a mystery. It may actually be the astral body trying
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to leave the physical one.
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For entering into the vibrational state, he offers the
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following directions:
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1. Remove all jewelry or other items that might be touching
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your skin.
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2. Darken the room so that no light can be seen through your
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eyelids, but do not shut out all light.
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3. Lie down with your body along a north-south axis, with your
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head pointed toward magnetic north.
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4. Loosen all clothing, but keep covered so that you are
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slightly warmer than might normally be comfortable.
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5. Be sure you are in a location where, and at a time when,
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there will be absolutely no noise to disturb you.
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6. Enter a state of relaxation
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7. Give yourself the mental suggestion that you will remember
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all that occurs during the upcoming session that will be
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beneficial to your weel-being. Repeat this five times.
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8. Proceed to breath through your helf-open mouth.
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9. As you breath, concentrate on the void in front of you.
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10. Select a point a foot away from your forehead, then change
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your point of mental reference to six feet.
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11. Turn the point 90 degrees upward by drawing an imaginary
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line parallel to your body axis up and above your head. Focus
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there and reach out for the vibrations at that point and
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bring them back into your body.
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Even if you don't know what these vibrations are, you
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will know when you have achieved contact with them.
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Step five:
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Learn to control the vibrational state. Practice
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controling them by mentally pushing them into your head, down
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to your toes, making them surge throughout your entire body,
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and producing vibrational waves from head to foot. To produce
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this wave effect, concentrate of the vibrations and mentally
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push a wave out of your head and guide it down your body.
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Practice this until you can induce these waves on command.
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Once you have control of the vibrational state, you are
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ready to leave the body.
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Step six:
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Begin with a partial seperation. The key here is thought
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control. Keep your mind firmly focused on the idea of leaving
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the body. Do not let it wander. Stray thought might cause you
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to lose control of the state.
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Now, having entered the vibrational state, begin exploring
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the OBE by releasing a hand or a foot of the "second body".
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Monroe suggests that you extend a limb until it comes in
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contact with a familiar object, such as a wall near your bed.
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Then push it through the object. Return the limb by placing it
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back into coincidence with the physical one, decrease the
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vibrational rate, and then terminate the experiment. Lie
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quietly until you have fully returned to normal. This exercise
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will prepare you for full seperation.
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Step seven:
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Dissociate yourself from the body. Monroe suggests two
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methods for this. One method is to lift out of the body. To
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do this, think about getting lighter and lighter after
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entering this vibrational state. Think about how nice it
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would be to float upward. Keep this thought in mind at all
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costs and let no extraneous thoughts interrupt it. An OBE will
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occur naturally at this point.
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Another method is the "Rotation method" or "roll-out"
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technique. When you have achieved the vibrational state, try
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to roll over as if you were turning over in bed. /do not
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attempt to roll over physically. Try to twist your body from
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the top and virtually roll over into your second body right
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out of your physical self. At this point, you will be out of
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the body but next to it. Think of floating upward, and you
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should find yourself floating above the body.
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Monroe suggets you begin with the lift-out method, but
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argues that both are equally efficacious.
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If, after all this, you still can't project, I recommend
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purchasing Leaving The Body, by R. Scott Rogo. It only costs
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$7.95 and contains another eight or so techniques. Not all
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techniques work for everyone, but chances are you'll find one
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that works for you in this book.
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Good luck!
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Thich Van.
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 2
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Astral Projection #1
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]-========================-[
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Astral Projection or more simply, seperating your Spirit and
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letting it travel without your body is one of the most entertain-
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ing OcculT skills you can learn.
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Yes, your spirit can be sent forth, out of the body, with full
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awareness and return with full memory. You can travel thru time
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and space, converse with other non physical entities( spirits,
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ghosts, shades), obtain knowledge by non-material means, and
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experience higher dimensions. Adventuring into the realms of the
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proven real Astral Plane as well as our own Earth Plane.
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These text files will explain 2 ways to seperate the Spirit
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from the body and enter the Astral Realm. Many people have had
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these so-called out of body experiences, contained within this
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text is ways to control it and benefit from it.
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The first way that will be discussed in the text "ASTRAL
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PROJECTION: THE WICCAN WAY", is the way the majority of the
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Witches Astral Project (the word WICCAN meaning:of WitchCrafT).
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This is probably the best if already a Witch but can be used
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quite effectively by all. This method is by far one of the best.
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The second method of training the spririt to seperate from the
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body involves using a body of light, that is the charging of the
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chankras or power centers of the body.....the easiest to develop.
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This way is recommended to beginners and novices of the ArT.
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BE SURE TO READ **ALL** TEXT ON ASTRAL TRAVEL!!!!!!!!!!!!!!!!
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 3
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Astral Travel : The Wiccan MethoD
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z____________________________________z
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Desribed here is how to seperate the Spirit from the body the
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Wiccan way (i.e. the way of the WitcheS).
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Find a quiet area where you will be free from ANY interruptions.
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(This is very important). Lie down on a bed, couch, or whatever is
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comfortable. (The light level should be fairly low, almost dark).
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Place your arms at your sides, palms upwards (NEVER cross the legs,
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always keep them straight). Now make a mental picture of where you
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would like to project (note this must be a REAL place!). Make this
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mental picture as vivid as possible, think as hard as possible about
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this place. Do this for about 1 minute, then concentrate on the center
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of your forehead, imagine it buzzing, do this for 1 minute then go
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back to concentrating on the place you want to visit. Switch between
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Concentrating on the Destination and the Forehead Center each for
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1 minute about 5 times.
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Now relax, let everything slow down. Start with the feet and feel
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them realx so all the tension flows out. Once they have been relaxed
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move up to the legs, and so on all the way up the body relaxing
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all parts. When you have relaxed every part of your body think about
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your breathing. SLOW it down, slower and slower. When you have got it
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as slow and deep as you can comfortably manage return to concentrate
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on the center of your forehead buzzing.
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Your experience from here will take one of two paths:
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Path 1: The lift out phenomenon. If your type of Astral Travel is
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like that of most people, as you are lying on the bed you will
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gradually begin to lift out of your body. Just like a mist
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rising from a swimming pool. The spirit will rise up from the
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body. In this case the spirit should gently move away from the
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body and drift up into the corner of the room. With this sep-
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eration begin again to think of your Destination. You spirit
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should immidiatley take off. If this does not happen move the
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spirit further away from the body (thru the wall, outside the
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house), then try again. This requirment for physical seperation
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is well known. It seems as though the aka thread which connects
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the spirit and the body has elastic-like properties. When it is
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short it is very strong, but as you stretch it, it becomes
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weaker. Once you have put in about 30 feet of seperation it
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seems you can go anywhere.
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Path 2: The instant-transition phenomenon. One moment you are lying
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comfortably, and the next instant you are somewhere else. To
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many people this instant transition is so startling that it
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jolts them back into their body.
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Rejoining the Spirit and the Body:
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Eventually, no matter how much fun your having, you must return. DO NOT
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attempt to think yourself back into your body, instead, come to the
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door of the room, approach the body slowly, and drift gently back into
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it. When you get close to the body you will suddenly snap back in.
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Take a few moments to take some deep breaths and to relax...........
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Here endeth---
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 4
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Astral Projection using the Body of Light
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Z__z__________________/\____________________z__Z
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Preperation for this technique requires only that you find a quiet
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place to lie down where your body will not be disturbed. Lie comfort-
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ably on your back with your eyes closed and begin to conciously to
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direct your breathing process. Use the lower back muscles for deep
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diaphragmatic breathing as slowly as you find comfortable. Now send
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forth to a convenient distance above you a jet of silver grey mist.
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It should form at a distance into a small cloud, and you should define
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it until it takes on your own size and general shape. You should
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fashion it in the same posture as yourself but facing you.(That is,
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it will be floating in the air above you in a horizontal position, look
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ing down at you).
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Keep clearly in visualization this projection figure and its connect-
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ing cord. Then make a single CLEAR resolution(mentally, not aloud) to
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transfer yourself to that astral vehicle. Directly you have made this
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resolution, imagine yourself, concentrated as it were in your single
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point of conciousness, gliding swiftly upwards toward the figure and
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entering it at a the point corresponding to your own Centre of Concious-
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ness.
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Now make a deliberate effort to "turn around" in the figure, so as
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to see from its viewpoint(See the room from somewhere near the ceiling-
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and see your physical body lying below). Now you can Project to any
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sight you wish.
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To return to the body presents no difficulty. Your Astral Presence
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should lie about 8 feet directly above your physical body, then you
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should sink slowly back into your physical body.
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 5
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IMPORTANT notes on Astral Travel
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I________________________________________I
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Heaven 'N' Hell or Nexroth
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will NOT be responsible for what may happen as you Astrally
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project...this is the chance you take, however there is practically
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nothing to worry about if the guidelines are followed.
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-- When the Spirit seperates from the body you will look down and
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actually see your body lying there as if you had died (this may
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cause you to snap back into the body...after a few times you will
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learn to deal with this and it will diminish).
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-- On the Astral you will see the Spirits of Dead People (Discarnate
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Spirits), other Astral Travellers (Incarnate Spirits, which means
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they have a body to return to), Entities, Shades, Strange Creatures,
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(Some tend to be very frightening to the Appearance).
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-- NOTHING can hurt you on the Astral ( this means you can do anything
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you like....you can actually pass thru objects. A car can pass thru
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you and it will harm nothing).
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-- The ONLY thing you can actually feel physical contact with is another
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Spirit.
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-- On the Astral colors and sounds are very VIVID
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-- All dreams you may have when you are flying are actually Astral
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Projections and you can control them.
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-- a thread called an AKA THREAD connects the spirit and the body.
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(If this thread should ever become disconnected it means that you
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have passed on). When you first seperate the spirit from the body
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you will actually see this small white-like thread connecting the
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two beings).
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-- As you progress in Astral Projection you can actually visit what
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are called the Spiritual Realms (this is why the reading of the
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suggested books is highly recommended).
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-- On the Astral you are able to enter another persons sleeping body
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and possess them.
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-- Care should be taken that another Spirit does not try to possess you
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while you are projecting ( VERY VERY IMPORTANT ). See the file:
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PROTECTION CIRCLE OF ASTRAL TRAVEL.
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 6
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Suggested Readings on : 'Astral Travel (Projection)'
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===---===---===---===---===---===---===---===---===---===---===
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Conatined within these readings on Astral Travel are the basics
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required to develop being able to seperate the spirit from the
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body and travel into the Astral Plane of existence! However, to
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truly get an learn an understanding of ALL aspects of the Astral
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world you are advised to read and learn from these books, which are
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ALL available from the Tyrad Catalog (no I'm not pushing Tyrad..
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and if you can find them elsewhere, so mote it be!).
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*'Astral Travel',Your Guide to the secrets of Out-of-body-Experiences
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Author(s): Gavin and Yvonne Frost
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*'The Llewellyn Practical Guide to Astral Projection'
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Author(s): Melita Denning and Osborne Phillips
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*'Your Psychic Powers and how to develop them'
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Author(s): Hereward Carrington
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*'The Miracle of Universal Psychic Power'
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Author(s): Al G. Manning
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*'The Handbook of Astral Projection'
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Author(s): R. Greene
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Press any key to continue
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 7
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Protection Circle for Astral Projections
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oooooooooooooooooooooooooooooooooooooooooooooooo
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It is best to choose ONE area for all your OcculT experiments with
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Astral Projection. Find a quiet area, one where you can lay down and
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one that is free from alot of electrical disturbances ( that is, make
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sure you are not surrounded by alot of electrical wires and appliances
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which may distort projection).
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When you have found this area, lay down and begin drawing a circle
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of white light with the tip of your finger mentally in the space of
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about 6 feet around your chosen projection area. At the four Cardinal
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Points it is necessary to make a cross or crucifix of white light.
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Start at the north by making a cross of white light and then say to
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yourself ,"Michael"..pronounced : Mick-aye-ell, then proceed drawing
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the circle until you hit the east point to draw the cross then say
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to yourself "Gabriel"..pronounced: Gahb-ree-ell, proceed drawing the
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white light until the southern point is reached where you will draw
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the cross and say "Raphael"..pronounced: Raf-eye-ell, proceed with the
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line of light until the westen point is met, draw the cross and say
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"Emmanuel", then proceed in closing the circle. When this is done,
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visually see the white circle of light with the 4 Cardinal Crosses
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glowing with a bright white light above you. Then say to yourself:
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"Protect me".
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This experiment has only to be done once, but may be used at any time
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to assure protection. This protection circle retains the Physic powers
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that you build while projecting and thus retains them, making it easier
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to project on each succession.
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Press any key to continue
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Heaven 'N' Hell's Occult Database
|
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 8
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C A B A L A
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This ia a simple discourse on some of the major facets of the Cabala.
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It is also spelled as Kabbalah and Qabalah.
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O R I G I N S
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Kabbalah: From the Hebrew word QBL meaning 'an oral tradition', the
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esoteric and mystical division of Judaism. The Kabbalah presents a
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symbolic explanation of the origin of the universe, the relationship
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of human beings to the Godhead, and an emanationist approach to
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creation whereby the Infinite Light (AIN SOPH AUR) manifests
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through different SEPHIROTH on the TREE OF LIFE. Although the central
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book of the Kabbalah, the ZOHAR, was not written down until around
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1280 -- probably by MOSES de LEON -- the Kabbalah has spiritual links
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with GNOSTICISM and other early mystical cosmologies.
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In the Kabbalah, all manifestations are said to have their origin
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in the AIN SOPH AUR and the successive emanations of the Godhead reveal
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aspects of his divine nature. The system is thus monotheistic in
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essence, but allows for the tenfold structure of the sephiroth
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upon the tree of life. The emanations as they proceed down from the
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Godhead to the manifested world, are:
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KETHER (The Crown);CHOKMAH(Wisdom); BINAH(Understanding);CHESED(Mercy)
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GEBURAH(Power);TIPHARETH(Beauty & Harmony);NETZACH(Victory);
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HOD(Splendor);YESOD(Foundation);MALKUTH(The Kingdom)
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Occultists in the HERMETIC ORDER OF THE GOLDEN DAWN use the Kabbalistic
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Tree of Life as a matrix or Grid for comparing the Archetypal images of
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different mythologies that could be adapted to Ceremonial Magic.
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For example, the merciful father (Chesed) has parallels in other
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pantheons, namely ODIN (Scandinavia); ZEUS(Greece);JUPITER(Rome);
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and RA(Egypt). This system of comparison became known as
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MYTHOLOGICAL CORRESPONDENCES. It has become common in the occult
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tradition to link the ten sephiroth of the Tree of Life with the
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22 cards of the MAJOR ARCANA of the TAROT.
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D E F I N I T I O N S
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QBL: Hebrew word meaning 'from mouth to ear', thereby signifying a
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secret oral tradition. It is the meaning of Kabbalah.
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Ain Soph Aur: Hebrew expression meaning 'the limitless light'.
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Sephiroth: The ten speres or emanations on the Kabbalistic Tree of Life,
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a symbol which depicts the divine energy of creation
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proceeding like a lighting flash through ten different stages,
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culminating in physical manifestation. The sephiroth represent
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levels of spiritual reality both in the cosmos and in people
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because the Tree, metaphorically, is the 'Body of God', and
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people are created in his image. The Tree is sometimes shown
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superimposed on the body of ADAM KADMON --the archetypal man.
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Tree of Life:The Tree consists of Ten spheres, or sephiroth, through
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which according to mystical tradition--the creation of the
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world came about. The sephiroth are aligned in three
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columns headed by the SUPERNALS (KETHER, CHOKMAH, BINAH)
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and together symbolize the process by which the infinite
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light (Ain Soph Aur) becomes manifest in the universe.
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Beneath the Supernals are the 'Seven days of Creation':
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CHESED,GEBURAH,TIPHARETH,NETZACH,HOD,YESOD,MALKUTH.
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Taken as a whole, the tree of life is also a symbol of the
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archetypal man -- ADAM KADMON, and the sephiroth have a
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role resembling that of the CHAKRAS in YOGA. The mystical
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path of self knowledge entails the rediscovery of all the
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levels of ones being, ranging from Malkuth (physical reality)
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to the infinite source. With this in mind, the medieval
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Kabbalists divided the Tree of Life into three sections of the
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soul: NEPHESCH (the animal soul) corresponding to the
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sephiroth YESOD: RUACH (the middle soul), corresponding to the
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sephiroth from HOD to CHESED: and NESCHAMAH ( the spiritual
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soul) corresponding to the Supernals --especially BINAH.
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Practitioners of WESTERN MAGIC, who use the Tree of Life
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as a glyph for the unconscious mind, sometimes distinguish
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the MAGICAL PATH (which embraces all ten sephiroth) from
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the MYSTICAL PATH of the MIDDLE PILLAR, which is an ascent
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from MALKUTH through YESOD and TIPHARETH to KETHER on the
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central pillar of the Tree.
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Zohar: 'The Book of Splendor'--the principal book of the Kabbalah. It is
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thought to have been written by Moses de Leon and was first
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circulated around 1280-1290, in Guadalajara. It included
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commentaries on the TORAH.
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Gnosticism: Gnosis is a Greek term for 'knowledge'. The term applies to
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(Gnosis) certain religous sects that emerged during the early formative
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years of early Christianity, and which belived in
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'Hidden Spiritual Knowledge'. The main factor that
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differentiated them from Chritianity was their emphasis on
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knowledge rather than faith.
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The Christian churche fathers considered the Gnostics
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Heretical, or Heretics.
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Kether:The first Emanation on the Tree of Life. Occultists indentify
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Kether as the state of consciousness where creaton merges with
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the veils of nonexistance. Kether lies on the MIDDLE PILLAR and
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trancends the duality of CHOKMAH (male) and BINAH (female), which
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lie immediately below on the Tree. It is therefore symbolized
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in mystical tradition by the heavenly ANDROGYNE (male and female
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united in one), and represents a state of mystical Transcendence
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and union with the Supreme. It is compared to SATORI and NIRVANA.
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Chokmah:The second emanation on the Tree of Life, following Kether.
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Occultists identify Chokmah with the Great Father, the giver of
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the seminal spark of life which is potent only until it enters
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the womb of the Great Mother, Binah. From the union of the
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Great Father and Great Mother come forth all the images of
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creation. Chokmah is associated with such deities as KRONOS,
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SATURN, THOTH, ATUM-RA,and PTAH, in other pantheons.
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Binah: The third emanation on the Tree of Life. Occultists identify
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Binah with the Great Mother in all her forms. She is the womb
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of forthcoming, the source of all the great images and forms
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that manifest in the universe as archetypes. She is also the
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Supreme female principal in the process of Creation and, via
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the process mythological correspondences, is associated with
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such deities as The VIRGIN MARY, RHEA, ISIS, and DEMETER.
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Chesed: The fourth emanation on the Tree of Life. Occultists
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identify Chesed as the ruler (but not Creator) of the manifested
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universe; and he is characterised as stable, wise, and
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merciful by contrast with his more dynamic opposite, GEBURAH.
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Chesed is asscociated with Gods ZEUS (Greek), and JUPITER(Roman).
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Geburah:The fifth emanation on the Tree of Life. Geburah is often
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associated with MARS, the Roman God of War, and represents
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severity and Justice. The destructive forces of the sphere of
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Geburah are intended to have a purging, cleansing effect on the
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universe. Geburah represents the Creator God, who applies
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discipline and presicion in governing the cosmos and removes
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unwanted or unnecessary elements after their usefullness has
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passed. Geburah is reflected in THE CHARIOTEER in the TAROT.
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Tiphareth:The sixth emanation on the Tree of Life.It is the sphere of
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beauty, harmonizing the forces of mercy(Chesed) and Judgement
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(Geburah), higher on the Tree. Occultists identify Tiphareth
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as the sphere of spiritual REBIRTH, and ascribe to it the
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Solar Deities such as RA,APOLLO, and MITHRA as well as OSIRIS
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and JESUS CHRIST. The TAROT card TEMPERANCE identifies the
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direct mystical ascent to Tipareth from Malkuth(the physical).
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Netzach:The seventh emanation on the Tree of Life. Netzach is regarded as
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the sphere of creativity, subjectivity, and the emotions -- a very
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clear contrast to the sphere of HOD, which represents intellect
|
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and rational thought. Netzach is the sphere of Love, and spiritual
|
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passion and is therefore associated with such deities as
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APHRODITE, VENUS, HATHOR, and others that personify these qualities.
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Hod:The eighth emanation on the Tree of Life. Hod is associated with the
|
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planet Mercury and represents intellect and rational thought. It also
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represents the structuring and measuring capacities of the mind as
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opposed to the emotion and intuitional aspects of Netzach. Hod has
|
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no exact parallel in the TAROT, but is closely linked to the card
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JUDGEMENT, ascribed to the path between Hod and Malkuth.
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Yesod:The ninth emanation on the Tree of Life. Yesod is associated with
|
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the Moon and the element Water. Regarded as a Female sphere, it is
|
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the seat of sexual instinct and corresponds to the Genitals Chakra
|
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on the archetypal man, ADAM KADMON. On the Tree of Life Yesod has
|
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the function of channelling the energies of the higher down to the
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earth below(Malkuth). Occultists associate Yesod with the
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ASTRAL PLANE, because if the sephiroth above Malkuth are regarded
|
|
as a map of the unconscious psyche, Yesod is the most accesible
|
|
area of the mind. Because Yesod is the sphere of Fertility and
|
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Lunar imagery, it is identified with Witchcraft and Goddess Worship.
|
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It also the so called 'animal soul' know by kabbalists as
|
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Nephesch.
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Malkuth:The tenth emanation of the Tree of Life. Malkuth is associated
|
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with the Goddesses of the Earth especially PERSEPHONE(Greece),
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PROSERPINA(Rome), and GEB(Egypt). Malkuth is the domain of the
|
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manifested universe, the immediate enviroment, the plane of
|
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physical reality. As a consequence, all 'inner journeys of
|
|
consciousness' begin symbolically in Malkuth; it is particularly
|
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appropriate, for example, that the myth of the rape of PERSEPHONE
|
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confirms her both as queen of the UNDERWORLD and as a Lunar
|
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Goddess. From an occult point of view, the Underworld equates
|
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with the Lower unconscious mind, and the Moon, represented by the
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sphere of Yesod, is the first Sephirah reached on the inner
|
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mystic journey up the Tree of Life. Malkuth is closely linked
|
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with the TAROT card THE WORLD.
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Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
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14. Journeys Out of the Body Part I
|
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15. Journeys Out of the Body Part II
|
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Select (Q=Exit)> 9
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[THIS FEATURE IS PART OF AN EXPERIMENT BEING SPONSORED BY OMNI TO HELP
|
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SCIENTISTS REFINE CERTAIN DREAM TECHNIQUES NOW BEING STUDIED IN THE LAB. THE
|
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FULL EXPERIMENT APPEARS IN THE APRIL OMNI MAGAZINE. THE EXERCISES PRESENTED
|
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HERE ARE FOR THOSE WHO MIGHT WANT TO ATTEMPT A LITTLE LUCID DREAMING ON THEIR
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OWN.]
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Most people don't realize they've been dreaming until after they've awakened and
|
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the dream has come to an end. Some people, however, are conscious that they're
|
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dreaming. These people -- called LUCID dreamers --
|
|
can literally direct the
|
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content of a dream, scientists have discovered, deciding perhaps to talk physics
|
|
with Einstein, woo and marry a movie star, or assume the powers of Superman.
|
|
For those who have acquired the knack of lucidity, the benefits can be enormous:
|
|
Lucid dreaming gives one the chance to experience unique and compelling
|
|
adventures rarely surpassed elsewhere in life. These experiences can enhance
|
|
self-confidence and promote personal growth and self-
|
|
development. By facing
|
|
fears and learning to make the best of the worst situation imaginable, lucid
|
|
dreamers can overcome nightmares. Because recent scientific studies have
|
|
demonstrated a strong connection between dreams and the biological functioning
|
|
of the body, lucid dreams might facilitate physical as well as mental health.
|
|
And finally, because lucid dreaming allows us to tap the power of the
|
|
unconscious, it may also be useful for creative problem solving.
|
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|
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After nearly a decade of piloting these daring nocturnal flights, 2
|
|
psychologists --
|
|
Stephen LaBerge of Stanford University and author of LUCID
|
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DREAMING [Ballantine], and Jayne Gackenbach of the University of Northern Iowa
|
|
--
|
|
have begun to develop a series of techniques aimed at helping ordinary
|
|
dreamers "turn" lucid and lucid dreamers gain greater control over the woolly
|
|
behemoth of night. These special techniques, still under development, have
|
|
never before been presented in a public forum. To direct your own nightly
|
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dream-
|
|
time show, please attempt exercises one, two, three and four as outlined
|
|
below. LaBerge and Gackenback suggest that you do the tasks as often as
|
|
possible over a 2-
|
|
week period. Some people may succeed in having a lucid dream
|
|
the first night they use the techniques; others, the researchers note, may need
|
|
to practice for several weeks before getting results.
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|
|
EXERCISE ONE
|
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|
|
A number of techniques facilitate lucid dreaming. One of the simplest is asking
|
|
yourself many times during the day whether you are dreaming. Each time you ask
|
|
the question, you should look for evidence proving you are not dreaming. The
|
|
most reliable test: Read something, look away for a moment, and then read it
|
|
again. If it reads the same way twice, it is unlikely that you are dreaming.
|
|
After you have proved to yourself that you are not presently dreaming, visualize
|
|
yourself doing whatever it is you'd like. Also, tell yourself that you want to
|
|
recognize a nighttime dream the next time it occurs. The mechanism at work here
|
|
is simple; it's much the same as picking up milk at the grocery store after
|
|
reminding yourself to do so an hour before.
|
|
|
|
At night people usually realize they are dreaming when they experience unusual
|
|
or bizarre occurrences. For instance, if you find yourself flying without
|
|
visible means of support, you should realize that this happens only in dreams
|
|
and that you must therefore be dreaming. If you awaken from a dream in the
|
|
middle of the night, it is very helpful to return to the dream immediately, in
|
|
your imagination. Now envision yourself recognizing the dream as such. Tell
|
|
yourself, "The next time I am dreaming, I want to remember to recognize that I
|
|
am dreaming." If your intention is strong and clear enough, you may find
|
|
yourself in a lucid dream when you return to sleep.
|
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|
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|
|
EXERCISE TWO: DREAM FLYING
|
|
|
|
Many lucid dreamers report dreams in which they fly unaided, much like Superman.
|
|
Some lucid dreamers say that flying is a thrilling means of travel; others,
|
|
that it has helped them rev
|
|
endless fall. Flying is so important because it's a form of dream
|
|
control that's fairly easy to master. It gives the dreamer an exhilarating
|
|
sense of freedom. And it's a basic means of travel in the dream world. During
|
|
the 2-
|
|
week period of your experiment, try to focus on dream flight. If you're
|
|
falling, turn that fall into flight: Remember, there's no gravity in dreams.
|
|
And if you're simply going from here to there, do it with flight. This simple
|
|
activity will cue you in to the fact that you are, after all, in a dream.
|
|
|
|
How do you make dream flight happen at all? We suggest that before you retire
|
|
for bed, you simply repeat these words: "Tonight I fly!" Then, while still
|
|
awake, imagine that journey. If you find yourself flying, it will be a clear
|
|
sign that you are in a dream. In any case, when you realize you're dreaming,
|
|
remember that you want to fly. When you actually feel yourself flying, say,
|
|
"This is a dream." Make sure you start modestly, by simply floating above the
|
|
surface of your dream ground. As you gain confidence both in the notion that
|
|
you are dreaming and in your ability to control that experience, you might
|
|
experiment with flying a bit more. Run, taking big leaps, and then stay aloft
|
|
for a few seconds, so that you resemble an astronaut walking on the moon. Try
|
|
sustained floating and then flying at low altitudes.
|
|
|
|
As your confidence increases, so will your flying skills. While asleep, work on
|
|
increasing your altitude, maneuverability, and speed. As with speed sports, you
|
|
should perfect height and maneuverability before speed. Of course, you couldn't
|
|
really hurt yourself --
|
|
it's only a dream. But you COULD get scared. After you
|
|
have become proficient in dream flying, remember to ask yourself these
|
|
questions: "How high can I fly? Can I view the earth from outer space? Can I
|
|
travel so fast that I lose awareness of my surroundings and experience the
|
|
sensation of pure speed?" Throughout your efforts in dream flight, remember
|
|
that you're in a dream. With this in mind, your fear will be held at bay, and
|
|
your control over the dream will be greatly enhanced.
|
|
|
|
EXERCISE THREE: DREAM SPINNING
|
|
|
|
Even if you're a frequent lucid dreamer, you may not be able to stop yourself
|
|
from waking up in mid-
|
|
dream. And even if your dreams do reach a satisfying end,
|
|
you may not be able to focus them exactly as you please. During our years of
|
|
research, however, we have found that spinning your dream body can sustain the
|
|
period of sleep and give you greater dream control. In fact, many subjects at
|
|
Stanford University have used the spinning technique as an effective means of
|
|
staying in a lucid dream. The task outlined below will help you use spinning as
|
|
a means of staying asleep, and, more exciting, as a means of traveling to
|
|
whatever dream world you desire.
|
|
|
|
As with dream flying, the dream spinning task starts before you go to bed.
|
|
Before retiring, decide on a person, time, and place you would like to visit in
|
|
your lucid dream. The target person and place can be either real or imaginary,
|
|
past, present or future. Write down and memorize your target person and place,
|
|
then visualize yourself visiting your target and firmly resolve to do so in a
|
|
dream that night. When following this procedure, it's possible that you might
|
|
find yourself visiting your target in a non-lucid dream; you will be aware that
|
|
this has happened, of course, only after you awaken. Nevertheless, you should
|
|
strive for lucidity by following the techniques outlined in exercise one. Then
|
|
proceed to your goal.
|
|
|
|
To do so, repeat the phrase describing your target in your dream, and spin your
|
|
whole dream body in a standing position with your arms outstretched. You can
|
|
pirouette or spin like a top, as long as you vividly feel your body in motion.
|
|
The same spinning technique will help when, in the middle of a lucid dream, you
|
|
feel the dream imagery beginning to fade. To avoid waking up, spin as you
|
|
repeat your target phrase again and again. With practice, you'll return to your
|
|
target person, time and place. When spinning, try to notice whether you are
|
|
moving in a clockwise or counterclockwise direction.
|
|
|
|
EXERCISE FOUR: CREATIVE DREAMING
|
|
|
|
Up until now we have had little control over the occurrence of creative dreams.
|
|
But with lucid dreaming it may be possible to intentionally access the
|
|
creativity of the dream state. You can help determine the feasibility of this
|
|
idea by attempting to solve a problem in a lucid dream. Before bed, decide on a
|
|
problem you would like to solve. Frame your problem in the form of a question.
|
|
For example, "What is the topic of my next book?" "How can I become less shy?"
|
|
If you have an illness, you might consider the problem, "How can I regain my
|
|
health?"
|
|
|
|
Once you have selected a problem question, write it down and memorize it. When
|
|
doing the lucid-
|
|
dreaming introduction exercises, remember your question and see
|
|
yourself looking for the answer in your next lucid dream. Then, when in a lucid
|
|
dream, ask the question and seek the solution. You might be most successful at
|
|
problem solving if you try a direct approach. For instance, if your problem is
|
|
health, try to heal yourself in your dream. Then reflect on how your dream
|
|
solution relates to the waking problem. It may help to question other dream
|
|
characters, especially if they represent people who you think might know the
|
|
answer. You can even combine this task with the dream spinning and flying
|
|
tasks, visiting an expert on your problem. You can also just explore your dream
|
|
world with your question in mind, looking for any clues that might suggest an
|
|
answer.
|
|
|
|
|
|
|
|
Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
|
14. Journeys Out of the Body Part I
|
|
15. Journeys Out of the Body Part II
|
|
|
|
Select (Q=Exit)> 10
|
|
** MAGICK 9 -- ASTRAL PROJECTION **
|
|
|
|
|
|
Astral projection (OOBE, out of the body experience)
|
|
is a popular area of occult literature; for traveling to see
|
|
other worlds and places while the physical body sleeps or is
|
|
entranced is an exciting notion. Astral projection is not
|
|
dangerous. It is as safe as sleeping. Most dreams are probably
|
|
unconscious astral projections, anyway. Although there has
|
|
been quite a bit written on the subject, astral projection
|
|
is difficult for many people. The main difficulty is the
|
|
tendency to forget dream consciousness upon awakening.
|
|
Accordingly, the successful practice of astral projection
|
|
requires work.
|
|
Modern psychology discounts the idea of actual OOBE
|
|
(that the spirit temporarily vacates the physical body).
|
|
However, the idea is very ancient. The Tibetans have an
|
|
entire system of yoga (dream yoga) based upon astral
|
|
projection. And here we have an important assumption: you are
|
|
involved in an OOBE (at least to a degree) whenever you
|
|
dream. What sets it apart from a full OOBE is your hazy
|
|
consciousness during the experience and poor recall
|
|
afterwards. Many people forget most of their dreams
|
|
completely. Learning astral projection requires a kind of
|
|
inner mental clarity and alertness.
|
|
Dreams are a door to the subconscious which can be
|
|
used for psychological and spiritual insight, and sometimes
|
|
for precognition. Dream content is influenced by external
|
|
sounds and sensations. For example, a loud external noise
|
|
(such as a train) will likely appear in your dream (if it
|
|
doesn't wake you up!). Dreams are also influenced by events
|
|
of the previous day, by your moods, and by suggestion.
|
|
Everyone normally dreams 4 or 5 times a night (about every 2
|
|
hours). The longest dreams occur in the morning. Everyone
|
|
dreams. You are more likely to remember the details of your
|
|
dream when you first wake up. By keeping a dream diary you
|
|
will improve dream recall. Have writing equipment or a tape
|
|
recorder at your bedside for this purpose; also a light
|
|
which isn't too bright. Suggest to yourself several times
|
|
before you go to sleep, "I will awaken with the knowledge of
|
|
a dream." Then when you do awaken, move quietly (sometimes
|
|
just turning over drives the idea away). Remember first,
|
|
then write the dream down, and then add as many details as
|
|
possible. The next day check for objective facts and expand
|
|
if you can (by remembering 'what happened before that'). Once
|
|
you start remembering your dreams in this way, it will
|
|
become easier to do so. (If you are unsuccessful at this,
|
|
and *really* want to remember your dreams, you could
|
|
arrange for someone to sit by your bedside all night long
|
|
with a dim light on. Then when he sees your eyes moving back
|
|
and forth -- rapid eye movements, a sign you are dreaming --
|
|
he can wake you and ask for a dream report.)
|
|
|
|
|
|
FORMS OF ASTRAL PROJECTION
|
|
|
|
Astral projection may be subdivided into three basic
|
|
types: mental projection, astral projection (proper) and
|
|
etheric projection. And your OOBE may shift between them.
|
|
Mental projection is really simple clairvoyance ('remote
|
|
viewing'), and 'traveling in your mind'. Imagination plays
|
|
a key role. The experience of mental projection is not
|
|
particularly vivid, and you will more likely be an observer
|
|
than a participant. Nevertheless, mental projection is an
|
|
important 'way in' to astral projection proper.
|
|
During mental projection and astral projection you
|
|
are able to travel through solid objects, but are not able
|
|
to act directly upon them or to move them (if they are in
|
|
the physical world). This is not true during etheric
|
|
projection. Whether it is simply subconscious expectation,
|
|
or whether it is a true etheric projection which in theory
|
|
means that part of your physical body has been relocated
|
|
with your projection (the etheric or vital part) may be
|
|
difficult to determine. Etheric projections generally travel
|
|
at or very near the physical world. There are even cases
|
|
reported (very, very rare ones) in which the entire physical
|
|
body is transferred to another location (teleportation), or
|
|
cases in which the physical body exists and acts in two
|
|
separate places at once (bilocation)!
|
|
But our primary interest is astral projection
|
|
proper, and mental projection to a lesser extent. Astral and
|
|
mental projection are not confined to the physical world.
|
|
Travel in the mental and astral realms is feasible, and
|
|
often preferred. Nor are astral and mental projection
|
|
restricted to the realm of the earth (you could even go to
|
|
the moon and planets).
|
|
|
|
|
|
STATES OF CONSCIOUSNESS
|
|
|
|
The electrical activity of the brain has been
|
|
observed and classified with EEG (electroencephalograph)
|
|
equipment; signals picked up from the scalp by electrodes,
|
|
then filtered and amplified, drive a graph recorder. Brain
|
|
activity has been found to produce specific ranges for
|
|
certain basic states of consciousness, as indicated in 'hz'
|
|
(hertz, or cycles/vibrations per second):
|
|
delta -- 0.2 to 3.5 hz (deep sleep, trance state),
|
|
theta -- 3.5 to 7.5 hz (day dreaming, memory),
|
|
alpha -- 7.5 to 13 hz (tranquility, heightened
|
|
awareness, meditation),
|
|
beta -- 13 to 28 hz (tension, 'normal'
|
|
consciousness).
|
|
As you can see, some form of physical relaxation is implied
|
|
in the alpha, theta, and delta consciousness. These states
|
|
are in fact reached through deep breathing, hypnosis, and
|
|
other relaxation techniques. OOBE occurs during these
|
|
states, and delta is probably the most important for it.
|
|
The problem is really, as we have said, one of maintaining
|
|
mental awareness and alertness while experienceing these
|
|
altered states. Experimental subjects hooked to an EEG do
|
|
not show a discrete change from drowsy to sleep; it is very
|
|
gradual.
|
|
At the threshold between sleep and waking
|
|
consciousness is a drowsy condition known as the hypnogogic
|
|
state. OOBE seems to occur during this state, or a
|
|
variant of it. By careful control of the hypnogogic state
|
|
(not going beyond it) it is possible to enter OOBE directly.
|
|
|
|
|
|
BASIC TECHNIQUES
|
|
|
|
Most methods of astral projection are methods of
|
|
conditioning. Some form of trance or altered consciousness
|
|
is always involved. No one ever projects consciously while
|
|
fully awake (some may think that they do). Although there
|
|
are many techniques used to produce an astral projection,
|
|
they boil down to nine of them. They all sort of overlap.
|
|
1) Diet -- Certain dietary practices may aid in OOBE,
|
|
especially at first. These include fasting, vegitarianism,
|
|
and in general the eating of 'light' foods as discussed in a
|
|
a previous lesson. Carrots and raw eggs are thought to be
|
|
especially beneficial, but all nuts are to be avoided.
|
|
Over-eating should be avoided. And no food should be eaten
|
|
just before an OOBE attempt. If you intend to practice
|
|
during sleep, for example, allow 2 to 4 hours of no food or
|
|
drink (except water) before bedtime. In general, we see here
|
|
the same kind of dietary restrictions advocated for
|
|
kundalini yoga.
|
|
2) Progressive muscular relaxation -- This is one
|
|
of the basic methods used in hypnosis and self-hypnosis.
|
|
Physical relaxation can assist one in attaining the
|
|
requisite trance state. These techniques involve beginning
|
|
at the toes and tensing, then relaxing the muscles,
|
|
progressively up the entire body.
|
|
3) Yoga and breath -- Yoga, mantra, and breathing
|
|
exercises similarly aim at physical relaxation. The practice
|
|
of kundalini yoga is particularly relevant, since it is
|
|
concerned with altered consciousness. In fact the arousal
|
|
of kundalini requires a similar state of consciousness to
|
|
OOBE.
|
|
4) Visualization -- This involves a type of extended
|
|
clairvoyance or picturing of remote surroundings. If you can
|
|
experience the feeling of being there, so much the better.
|
|
Although this technique is essentially mental projection, it
|
|
is possible to deepen mental projection into astral
|
|
projection through (you guessed it!) visualization. Crowley
|
|
taught a similar technique: a) visualize a closed door on a
|
|
blank wall, b) imagine a meditation symbol on
|
|
the door, c) visualize the door opening and yourself
|
|
entering through it. And J.H. Brennan describes similar
|
|
techniques wherein the door is shaped and colored like a
|
|
tattva, or alternately, a chosen tarot card is visualized
|
|
and the student visualizes entering into it.
|
|
5) Guided imagery -- In many respects similar to
|
|
visualization. Except in this case, there is a guide (or
|
|
perhaps a voice on tape) directing you by means of
|
|
descriptions. As with visualization, mental rather than
|
|
astral projection is most likely.
|
|
6) Body of Light -- The old Golden Dawn technique.
|
|
Imagine a duplicate (mirror image) of yourself in front of
|
|
you. Then transfer your consciousness and sensation to the
|
|
duplicate ('body of light').
|
|
7) Strong willing -- Sort of like creative
|
|
visualization experienced in the present. That is you
|
|
express your strong desire to project through your willpower
|
|
while you visualize yourself doing it.
|
|
8) The Monroe techniques -- These are a series of
|
|
steps developed by Robert Monroe: a) relax the body,
|
|
b) enter the hypnogogic state, c) deepen the state,
|
|
d) develope the senstation of 'vibration', e) separate from
|
|
the body. The Monroe Institute has developed some cassete
|
|
tapes which are claimed to help in this.
|
|
9) Dream control -- This is one of the most
|
|
important techniques. It involves becoming aware that you
|
|
are dreaming. There are several ways to do this. Oliver Fox
|
|
says to look for descrepancies in the dream to realize you
|
|
are dreaming. One occult student I know of visualized a
|
|
white horse which he could ride wherever he wished to go.
|
|
After a time, when the horse appeared in his dreams it was
|
|
his cue that he was actually dreaming/projecting. Don Juan
|
|
tells Castaneda to look at his hands while he is dreaming.
|
|
And even the tarot and Cabala may also be used as dream
|
|
signals. Another method is to tell yourself each night as
|
|
you go to sleep, "I can fly"; then when you do, you will
|
|
know you are dreaming. Once you know you are dreaming you
|
|
can control your dream/OOBE and go anywhere you want.
|
|
Repetitive activities will also likely influence your
|
|
dreams. For example, if you are on an automobile trip and
|
|
spend most of the day driving, you will probably dream about
|
|
driving. You can condition yourself to be aware you are
|
|
dreaming by doing a repetitive activity many times (walking
|
|
across the room or a particular magick ritual, for
|
|
example). Then when you dream about it, you will know you
|
|
are dreaming.
|
|
Although all these techniques may appear
|
|
straightforward, they all require effort. Astral projection
|
|
is generally learned.
|
|
The astral world is the "ghostland" into which one
|
|
passes after death. It is sometimes possible to visit with
|
|
the dead, or you might be called upon to reassure and assist
|
|
those who have just passed over (died) or those who are
|
|
consciously projecting for the first time. Many spirits,
|
|
elementals and ghosts exist in the astral world. The
|
|
magician should feel comfortable there. Tibetan belief is
|
|
that through proficiency in OOBE, you no longer need
|
|
reincarnate after death. The astral world is extremely
|
|
changeable and subject to your thoughts. Your will can
|
|
control your movements in the astral world, and if you seem
|
|
to be going somewhere non-volitionally ('astral current') it
|
|
is probably your true will causing it anyway. You might also
|
|
experience heightened magical ability while in the astral realm.
|
|
|
|
|
|
|
|
Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
|
14. Journeys Out of the Body Part I
|
|
15. Journeys Out of the Body Part II
|
|
|
|
Select (Q=Exit)> 11
|
|
** MAGICK 6 -- THOUGHTFORMS AND SPIRITS **
|
|
|
|
|
|
Although there are hundreds of kinds of divination,
|
|
the principle ones are astrology, geomancy, the tarot, the
|
|
I Ching, and direct psychic means (especially clairvoyance).
|
|
True divination is more than a mechanical system, for it
|
|
implies true psychic interpretation (receiving). Some form of
|
|
divination is often used in magick ritual to communicate with
|
|
the entity invoked.
|
|
Since divination operates through the mind, it is
|
|
affected and biased by the mind. Our attitudes and fears may
|
|
alter it. Sometimes results are very detailed, and accurate
|
|
-- but not always. Often the future is plastic and changeable
|
|
anyway, and the use of magick may alter the result. Thus
|
|
divination shows tendencies only, which may be helpful, but
|
|
must not rule us.
|
|
|
|
|
|
DEVELOPING CLAIRVOYANCE
|
|
|
|
It is possible to improve your natural ability with
|
|
clairvoyance through practice. A good start might be to look
|
|
around you, then close your eyes and try to picture your
|
|
surroundings. This is also good exercise for visualization. And
|
|
visualization is an essential talent in magick. Open your eyes
|
|
again and check your accuracy. Then close your eyes and try it
|
|
again. When you use your physical eyes, look at everything
|
|
like a child seeing it for the first time. Let the vividness
|
|
of color and form burn into you, until everything takes on a
|
|
veritable glow. Try to capture that glow when you close your
|
|
eyes now and picture your surroundings. It's just a simple
|
|
step to extend what you see with your eyes closed into what
|
|
you remember seeing in the next room, or what you *imagine*
|
|
seeing in the next building, the next city, even the other
|
|
side of the world. Don't expect perfect results, especially at
|
|
first. Just try to be even partly right. Another exercise is
|
|
to picture a clock face, and thereby tell the time
|
|
clairvoyantly.
|
|
|
|
|
|
THE AURA
|
|
|
|
Under the right conditions, it is possible to
|
|
clairvoyantly observe a colored light around other people.
|
|
This is known as the 'aura'. Sometimes the aura is seen as
|
|
multi-colored emanations around the person, built up of
|
|
various differently colored layers and zones. Although many
|
|
occult dabblers claim to be able to see the aura easily and
|
|
under many varied conditions, I seriously doubt that they do.
|
|
There are optical illusions and qualities of sight which can
|
|
sometimes trick one into thinking he sees what he does not
|
|
see. In this area, the quality of sight known as after image
|
|
is especially pertinent. Do this: stare at any solidly colored
|
|
bright object for a few moments. Very intense red, green, or
|
|
blue are especially good for this. Now look away at a white
|
|
surface and you will see a phantom image of the object in its
|
|
complementary color (a red object will show green, a blue one
|
|
orange, etc.). If the bright object is in front of a light
|
|
surface, you may observe a fringe of complementary color
|
|
around the object after a few moments. This is all very
|
|
normal, and is used by some magical groups as an aid to
|
|
visualization sometimes called 'flashing colors'. Some silly
|
|
people will stare at other people in the same way. And when
|
|
they see the after image of the person's clothing, they think
|
|
they are seeing his aura. What is more, various meanings have
|
|
been attributed to the colors of the aura. A psychic who can
|
|
see the aura is supposed to be able to determine that persons
|
|
emotional state. Thus psychic frauds can have a marvelous
|
|
time with auras. One deluded psychic taught a class I
|
|
attended in which he performed instant psychoanalysis on the
|
|
basis of the supposed aura. It was obvious that he was
|
|
actually observing after images from the students clothes!
|
|
This brings us to the chart of aura colors on the next
|
|
page. It is a general guide, based mostly on Theosophical
|
|
material. Various groups may attribute different meanings to
|
|
the colors. The colors we show on the chart are emotional in
|
|
nature; useful if you plan to create an artificial elemental
|
|
or do healing. Surrounding yourself with a particular color
|
|
will tend to produce the specific psychological effect
|
|
described in the chart. That quality of color is useful in
|
|
magick ritual.
|
|
|
|
.pa (next page)
|
|
|
|
|
|
|
|
COLORS OF THE AURA
|
|
|
|
BLACK malice
|
|
dark gray depression
|
|
pale gray fear
|
|
BROWN materialism
|
|
muddy gray selfishness
|
|
or
|
|
dull rust
|
|
RED energy
|
|
bright red anger and force
|
|
dirty red passion and sensuality
|
|
dull red selfish love
|
|
rose unselfish love
|
|
ORANGE pride
|
|
orange cloud irritability
|
|
bright orange noble indignation
|
|
YELLOW intellect
|
|
yellow-green low intellect
|
|
earthy yellow selfish thought
|
|
lemmon high intellect
|
|
bright gold logical thinking
|
|
brt. red-yel. spiritual thought
|
|
GREEN empathy
|
|
gray-green deceit, jealously
|
|
greenish-brown jealousy
|
|
emerald green unselfish resourcefulness
|
|
foliage green sympathy & empathy
|
|
brt. apple-grn strong vitality
|
|
brt. turquoise deep sympathy & compassion
|
|
BLUE devotion (religious feeling)
|
|
gray-blue fetishism
|
|
light blue noble spiritual devotion
|
|
dark blue religious feeling
|
|
brt. lilac-blu lofty religious idealism
|
|
VIOLET spiritual psychic & spiritual
|
|
faculty
|
|
WHITE purity/protection
|
|
|
|
.pa
|
|
|
|
|
|
THOUGHTFORMS AND SPIRITS
|
|
|
|
Whenever we concentrate our thoughts, we draw psychic
|
|
energy together. This is called a thoughtform. Usually the
|
|
energy dissipates as soon as we break the concentration, but
|
|
it is possible to purposely concentrate energy in this way,
|
|
producing very strong thoughtforms. Such thoughtforms are
|
|
vortexes or centers of psychic energy. They can exist as
|
|
entities by themselves, at least for a while. They are
|
|
basically inanimate, non-thinking forces. Talking to one is
|
|
about as logical as talking to a chair. In this way,
|
|
thoughtforms are similar to elementals, ghosts, and spirits.
|
|
All of these psychic entities consist of a psychic energy
|
|
vortex which could be described as a localized field or as a
|
|
discontinuity of the physical world.
|
|
Psychic entities respond to certain electrostatic and
|
|
magnetic fields, and to other energy vortexes. That is why
|
|
they respond to magick ritual. Someday, we may accomplish the
|
|
same thing with electronic machines. Psychic entities are
|
|
sometimes able to affect our thought processes.
|
|
Thoughtforms, elementals, and ghosts are usually not
|
|
very smart. If they display any intelligence at all, it is
|
|
limited. They are the morons of the spirit world. Their
|
|
behavior is usually automatic, repetitive, robot-like (just
|
|
like some people). We see that artificial elementals
|
|
are little more than astral robots. Spirits and deities are
|
|
more intelligent and volitional.
|
|
|
|
|
|
DIRECTED ATTENTION
|
|
|
|
Your mind follows your attention. Wherever you direct
|
|
your attention, there will your thoughts go too. By directing
|
|
attention to a specific place or purpose you *focus* mental
|
|
energy upon it.
|
|
For example: you're having lunch in a cafeteria
|
|
crowded with people. It is a large place, and everyone there
|
|
is talking at once, so that the room is a constant jumble of
|
|
noise. You happen to notice a man accross the room; he
|
|
reminds you of someone. All at once he drops his fork and you
|
|
hear it hit the table. But would you have noticed the sound
|
|
of his fork if you had not been looking? No. Only by focusing
|
|
your attention there were you able to pick out that
|
|
individual event and associated sound.
|
|
It is a dark night. You are walking and the only
|
|
light you have is from the flashlight you hold in your hand.
|
|
As you move the flashlight around, the beam of light from it
|
|
directs your attention first one way then another. Now, the
|
|
mind is something like that flashlight in the dark. And by
|
|
directed attention, you point the mind to one place or
|
|
another. As with that flashlight beam, you see where the mind
|
|
is pointed; nothing more. The rest is 'noise'. And so we
|
|
could define mental noise as anything not focused upon. In
|
|
another way, noise could be considered as negative emotions,
|
|
attitudes, and thoughts which make it more difficult to
|
|
direct the attention.
|
|
Your emotions follow your thoughts quite easily. Your
|
|
emotions are not YOU, but are rather reactions prompted by
|
|
your model and ego -- like a performance or an act, while
|
|
the real you watches. In a similar way, directing your
|
|
attention toward a specific emotion will cause you to
|
|
experience that emotion.
|
|
|
|
|
|
REVIEW QUESTIONS
|
|
|
|
1) What is the aura?
|
|
2) What is a thoughtform?
|
|
3) How can you develope clairvoyance?
|
|
|
|
|
|
BOOK LIST
|
|
|
|
Annie Bessant and Charles Leadbeater, Thought Forms.
|
|
W.E. Butler, How to Develop Clairvoyance.
|
|
J.H. Brennan, Astral Doorways.
|
|
Piero Ferrucci, What We May Be.
|
|
Kilner, The Human Aura.
|
|
Swami Panchadasi, The Human Aura.
|
|
A.E. Powell, The Etheric Double.
|
|
Harold Sherman, How
|
|
|
|
|
|
Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
|
14. Journeys Out of the Body Part I
|
|
15. Journeys Out of the Body Part II
|
|
|
|
Select (Q=Exit)> 12
|
|
** MAGICK 4 -- ELEMENTS AND FORCES **
|
|
|
|
The Ancients divided the world into four basic
|
|
principles or *elements* -- earth, water, fire, and air.
|
|
That viewpoint has mostly changed with advances of science,
|
|
but the four elements are still accepted in magick, for they
|
|
are more closely linked with the emotions than modern
|
|
explanations of the world. Many occultists think of the magical
|
|
elements as forces, or as *qualities* of energy; especially
|
|
within the astral world. Each element has a symbol and color.
|
|
(Common symbols are -- fire: a triangle pointing up; air:
|
|
a triangle pointing up and with a horizontal line through the
|
|
middle of it; water: a triangle pointing down; earth: a
|
|
triangle pointing down and with a horizontal line through the
|
|
middle of it.) Colors of the elements are -- earth: brown and
|
|
green; water: blue; fire: red; air: yellow...The Eastern
|
|
tattvic system uses different symbols and colors. The elements
|
|
are often used in magick ritual.
|
|
Magick sees relationships between things. These
|
|
relationships are called 'correspondences'. Although magical
|
|
correspondences are not literally equal to one another, you can
|
|
think of them that way (such as gold equals sun). Tables of
|
|
these relationships, called 'Correspondence Tables', are
|
|
available (an important one is Crowley's '777'). Thus one thing
|
|
or symbol can be used to suggest another. This is important in
|
|
magick, for the magician may surround himself with as many
|
|
appropriate correspondences as he can to vividly affect the
|
|
senses; thus making his magical contact with the inner planes
|
|
more lucid.
|
|
The magical elements have correspondences with the
|
|
tarrot cards as the four suits. The four quarters (directions
|
|
of the universe as used in magick ritual) and the Archangels
|
|
also correspond with these same elements --
|
|
|
|
Element Suit Quarter Archangel
|
|
======= ==== ======= =========
|
|
|
|
earth pentacles north Uriel
|
|
water cups west Gabriel
|
|
fire wands south Michael
|
|
air swords east Raphael
|
|
|
|
|
|
ELEMENTALS
|
|
|
|
The magical elements are said to be peopled by spirits
|
|
and mythological entities called elementals or nature spirits.
|
|
These are grouped into four main categories --
|
|
|
|
Gnome (earth) Undine (water) Salamander (fire) Sylph (air)
|
|
============= ============== ================= ===========
|
|
|
|
dwarfs nymphs jin (genies) fairies
|
|
elves tritons storm angels
|
|
brownies mermaids
|
|
hobgoblins mermen
|
|
lepricauns sirens
|
|
harpies
|
|
|
|
|
|
Elementals are usually only visible to those with
|
|
clairvoyant sight and are more likely to be seen at night in
|
|
the mountains or country away from cities -- especially if you
|
|
are tired or sleepy. Although elementals exist naturally, it is
|
|
also possible to create one which will exist for a limited time
|
|
-- no elemental has immortality. A created elemental is called
|
|
an 'artificial elemental'.
|
|
To the Ancients, elementals were the physical
|
|
explanation of the universe. However, some contemporary
|
|
occultists see them only as symbols for forces and otherwise
|
|
not 'real' at all. Another word sometimes used for elemental is
|
|
'familiar' (usually in medieval witchcraft); the term is
|
|
ambiguous, as it might merely be an ordinary household pet such
|
|
as a dog or cat.
|
|
|
|
|
|
YIN YANG
|
|
|
|
Chinese philosophy and acupuncture talk of yin yang.
|
|
This is the idea of polarity, or opposite pairs, as shown --
|
|
|
|
|
|
YIN YANG
|
|
=== ====
|
|
|
|
water fire
|
|
contraction expansion
|
|
cold hot
|
|
feminine masculine
|
|
moon sun
|
|
negative positive
|
|
passive active
|
|
ebb flow
|
|
wane wax
|
|
|
|
The list could go on. In Chinese literature it is quite long.
|
|
Some occultists suggest everything can be similarly arranged
|
|
into related opposite pairs.
|
|
|
|
|
|
SIMPLE MAGICK
|
|
|
|
Here is a simple magical technique you may wish to
|
|
try. It is a variation of affirmation, which was discussed
|
|
in an earlier lesson...To help to you achieve your goal
|
|
(magical or otherwise), find a word or short phase which sums
|
|
up what it is that you want to accomplish. Write the word (or
|
|
phrase) down 10 times each day until you achieve success.
|
|
|
|
|
|
REVIEW QUESTIONS
|
|
|
|
1) List the four elements.
|
|
2) What is an elemental?
|
|
3) What are correspondences?
|
|
|
|
|
|
BOOK LIST
|
|
|
|
William Britten, Art Magic (long out of print, but in some
|
|
libraries).
|
|
Pete Carrol, Liber Null.
|
|
Wing-Tsit Chan, A Source Book in Chinese Philosophy.
|
|
Manly Hall, Unseen Forces.
|
|
|
|
|
|
========
|
|
Phil Hansford, 11/86
|
|
THE OUTPOST RCPM
|
|
(818) 353-8891 (modem)
|
|
P.O. Box 83
|
|
Tujunga, CA 91042
|
|
|
|
|
|
Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
|
14. Journeys Out of the Body Part I
|
|
15. Journeys Out of the Body Part II
|
|
|
|
Select (Q=Exit)> 13
|
|
** MAGICK 3 -- THE FOUR WORLDS **
|
|
|
|
The ancients described man as mind, body, and soul.
|
|
Psychologists of the twentieth century added the
|
|
subconscious to that deffinition. This produces a four-fold
|
|
classification. The universe is also divided into four
|
|
corresponding parts ('worlds'), as shown below:
|
|
|
|
WORLD BODY QUALITY
|
|
===== ==== =======
|
|
|
|
spiritual world spiritual body (soul or kia) intuition
|
|
mental world mental body (conscious mind) rational
|
|
thought
|
|
astral world astral body (subconscious) emotions
|
|
physical world physical body physical senses
|
|
|
|
The astral body (subconscious) is the intermediary
|
|
for intuition, magical and psychic phenomena, and is the
|
|
'psychic link' to the physical world. Most occult and
|
|
magical phenomena originate in the invisible, non-sensate,
|
|
non-physical realm (ie. without physical senses). Each of
|
|
the four worlds interacts with the other worlds. Psychic
|
|
energy flows from the spiritual to mental to astral to
|
|
physical. The physical world is a projection (manifestation,
|
|
reflection, or shadow) of the higher worlds. Our center of
|
|
consciousness is generally within these higher worlds.
|
|
"We are", to quote the rock music group the Police, "spirits
|
|
in the material world".
|
|
There are many similar terms used by other occult
|
|
groups. For example, 'astral light' is another name for
|
|
astral world, although it may sometimes also refer to the
|
|
entire non-physical realm, as may 'inner planes' or 'the
|
|
invisible world'. Planes are essentially the same as worlds.
|
|
Vehicles or sheaths are the same as bodies. Some groups
|
|
include an etheric or vital body between physical and
|
|
astral: it is mostly 'physical' with a little of the
|
|
lower 'astral' besides. And sometimes astral and mental
|
|
are each divided into two parts (upper and lower). The
|
|
'causal body' is the upper 'mental'.
|
|
|
|
|
|
MICROCOSM AND MACROCOSM
|
|
|
|
We have been describing 'traditonal' occult
|
|
philosophy here, and certainly an important part of the
|
|
tradition is the idea (and terms) microcosm and macrocosm.
|
|
The greater universe, known as the *macrocosm*, includes
|
|
everything that exists. It corresponds with the *microcosm*,
|
|
or tiny universe, ie. man -- who is thought of as a
|
|
miniature replica of the macrocosm (whole universe).
|
|
This basic magical relationship is demonstrated in the
|
|
Bible (Genesis 1.27), where God is the macrocosm; and in
|
|
the writing of Trismegistus ("As above so below"). Since
|
|
man is in the image of God (universe) it follows that God
|
|
is in the image of man (in other words, man and the
|
|
God/universe match each other). The magician, as a microcosm
|
|
is thus connected with the macrocosm. There is an intimate
|
|
relationship of energies between you and everything else.
|
|
The universe is reflected within us and we are projected
|
|
into the universe. This is an important theory behind magick
|
|
and astrology.
|
|
|
|
|
|
MAGICK WHITE AND BLACK
|
|
|
|
'Personal magick' is that magick used to affect the
|
|
self; often involving affirmation, self-suggestion, and
|
|
self-hypnosis. 'Active magick' is outer directed magick (as
|
|
in PK) used to affect someone or thing, or to bring about
|
|
an event. 'Passive magick' is to be affected (as in ESP)
|
|
by an outside non-physical cause. Everyone possesses some
|
|
magical (and psychic) potential. Some are especially
|
|
gifted. Usually people are better at one kind of magick
|
|
(ie. active or passive) than they are at the other kind;
|
|
only rarely does an individual excell at both. Traning
|
|
and practice will, of course, improve ability somewhat.
|
|
Although the forces of magick are neutral, various
|
|
systems may take on the qualities of good and evil. There
|
|
is so-called white magick or good magick, black magick or
|
|
evil magick, and gray magick between them. When many people
|
|
refer to white magick they mean magick for unselfish
|
|
purposes, also healing and mental influence with specific
|
|
permission. By black magick they refer to magick for
|
|
self-interest and healing *without* specific permission.
|
|
Using magick to forcefully control another's will is, in a
|
|
sense, black magick too. There are also some people on the
|
|
occult fringe who claim to be, possibly even think they are,
|
|
'Satanists', devil worshipers, or black magicians. These
|
|
people are most likely charlatans, hoaxters, dablers, or
|
|
merely misinformed. They may be attracted by the 'art' of
|
|
black magick, or even by the 'glamor' of doing something
|
|
against the 'rules'. But a real black magician is very
|
|
dangerous. Because he has dedicated his life to evil. We
|
|
usually think of 'white magick' as having *unselfish
|
|
intent*, and (in the extreme case) of 'black magick' as
|
|
being actual Satan worship, human or animal sacrifice,
|
|
dangerous unconventional magical practices, and other
|
|
bizarre stuff as makes a nightmare. It is all a matter of
|
|
degree. Most mild self-interest magick (one of the most
|
|
common kinds) would be called 'gray'. Better terms may be
|
|
*constructive magick* as being beneficial; and *aversive
|
|
magick* as magick intended to work against the natural
|
|
order, and to tear down. There is also the *high magick* of
|
|
spiritual alchemy (ie. spiritual growth), also known as 'the
|
|
Great Work'; and conversely there is 'low magick' which is
|
|
concerned with materiality.
|
|
Any magick act is likely to produce side effects
|
|
regardless of whether or not the desired result is achieved.
|
|
Such side effects are no problem for constructive magick,
|
|
since they are benificial as well. However, aversive magick
|
|
can produce aversive side effects which may even harm the
|
|
magician -- aversive magick is dangerous!
|
|
|
|
|
|
MAGICK IS A CONTINUOUS PROCESS
|
|
|
|
What we have been calling 'magick' is actually a
|
|
continuous process. Since your subconscious never rests,
|
|
your environment is continually being shifted into line with
|
|
your model. This is true whether you study magick or not.
|
|
For most people, these effects are usually very subtle, and
|
|
they are probably not aware of them. However, as you work
|
|
with the occult, the flow of psychic energy and your
|
|
awareness of it increases. Your true will is more likely
|
|
to be strongly expressed. Your luck may be affected (either
|
|
in a positive or a negative way). Remember, our lives tend
|
|
to follow what we want down deep. That is why a positive
|
|
outlook is so very beneficial to us.
|
|
|
|
|
|
THE MAGICAL DIARY
|
|
|
|
Sometimes it is helpful to keep a diary of your
|
|
magical experiments and research. Such a diary should include
|
|
the date, perhaps even some astrological data (or anything
|
|
else you think may have a relationship to what you are doing).
|
|
This is also a good time to begin recording your dreams --
|
|
at least the important ones -- in a dream diary. Your dreams
|
|
can tell you a great deal about yourself, and may sometimes
|
|
reveal premonitions. Dreams are personal. Don't fall for the
|
|
commercial 'dream book' gimmick.
|
|
|
|
|
|
AFFIRMATIONS
|
|
|
|
The mind is always open to suggestion -- especially the
|
|
subconscious. Most of the time we censor any suggestions
|
|
according to the model; but one way to break through the censor
|
|
is with repetition. An affirmation does this exactly. By
|
|
suggestion, we mean any statement which is capable of affecting
|
|
your model. Usually suggestion is in the form of a positive
|
|
statement (such as the hypnotist's patter -- " You are
|
|
becomming sleepy"). An affirmation is the same kind of thing --
|
|
a positive suggestion, which you repeat (affirm) to yourself
|
|
aloud or silently (for example, "I remember my dreams"). If
|
|
there is some quality you wish to change or develope within
|
|
yourself, an affirmation is ideal. Repeat it several times
|
|
every day at several different times throughout the day,
|
|
expecially when you go to bed. Affirmations are subtle and may
|
|
require a few months to work. Use them for changes, not
|
|
miracles.
|
|
|
|
|
|
SIMPLE BANISHING TECHNIQUE
|
|
|
|
Visualization is another important method we use to
|
|
influence the subconscious. A good example of this is the
|
|
simple banishing technique which follows. Banishing is used in
|
|
magick to 'clear the air' of negative 'vibes' and
|
|
interference...
|
|
|
|
Visualize a strong white light flowing out the top of
|
|
your head, flowing down around you and covering you. At the
|
|
same time imagine you are throwing away any 'problem' vibes.
|
|
Maintain the visualization for a half a minute or longer.
|
|
Good way to help you handle your emotions, and to control
|
|
worry or anger.
|
|
|
|
|
|
|
|
REVIEW QUESTIONS
|
|
|
|
1) What is a microcosm?
|
|
2) List the four worlds. Explain.
|
|
3) What is an affirmation? Give an example.
|
|
|
|
|
|
|
|
BOOK LIST
|
|
|
|
Geoffry Hodson, Theosophy Answers Some Problems of Life.
|
|
Marc Edmund Jones, Key Truths of Occult Philosophy.
|
|
Marion Weinstein, Positive Magic.
|
|
Nelson & Ann White, The Wizard's Apprentice.
|
|
Beatrice Bruteau, The Psychic Grid.
|
|
|
|
|
|
|
|
========
|
|
Phil Hansford, 10/86
|
|
THE OUTPOST RCPM
|
|
(818) 353-8891 (modem)
|
|
P.O. Box 83
|
|
Tujunga, CA 91042
|
|
|
|
|
|
Press any key to continue
|
|
|
|
Heaven 'N' Hell's Occult Database
|
|
~~~Astral Projection~~~
|
|
|
|
1. Monroe Techniques for Astral Projection
|
|
2. Astral Projection: An Introduction
|
|
3. Astral Projection: The Wiccan Method
|
|
4. Using the Body of Light
|
|
5. Important Notes on Astral Projection
|
|
6. Suggested Reading on Astral Projection
|
|
7. The Protection Circle for Projecting
|
|
8. The Cabala
|
|
9. Astral Projection using Dream Control
|
|
10. Magick and Astral Projection
|
|
11. Magick: Spirits and Thoughtforms
|
|
12. Magick: Elementals and Forces
|
|
13. Magick: The Four Worlds
|
|
14. Journeys Out of the Body Part I
|
|
15. Journeys Out of the Body Part II
|
|
|
|
Select (Q=Exit)> 14
|
|
<------------------------------------------------------------------->
|
|
<___Astral Projection__Part I_>< Brought to you by:_________________>
|
|
<___Preliminary Exercises_____><______The Falcons Nest______________>
|
|
<___By: The Falcon____________><_______(302)-875-7465_______________>
|
|
<__ Uploaded By: The Loon_____><______60 Megz 12oo Baud_____________>
|
|
<------------------------------------------------------------------->
|
|
|
|
This information is taken directly from the book Journeys Out of
|
|
the Body by Robert A. Monroe.
|
|
|
|
Throughout this writing, I have made many references to
|
|
one evident fact: the only possible way for an individual to
|
|
appreciate the reality of this Second Body and existence within
|
|
it is to experience it himself.
|
|
Obviously, if this were an easy task, it would now be
|
|
commonplace. I suspect that only an innate curiosity will enable
|
|
people to overcome the obstacles in the path of this achievement.
|
|
Although there are many cases of existence experienced apart from
|
|
the physical body, they have for the most part - at least in the
|
|
Western world - been of a spontaneous, one time nature, occurring
|
|
during moments of stress or physical disability.
|
|
We are speaking of something entirely different, which
|
|
can be objectively investigated. The experimenter will want to
|
|
proceed in a manner that will produce consistent results, perhaps
|
|
not every time, but often enough to validate the evidence to his
|
|
own satisfaction. I believe that anyone can experience existence
|
|
in a Second Body if the desire is great enough. Whether or not
|
|
anyone should is beyond the scope of my judgment.
|
|
Evidence has led me to believe that most, if not all,
|
|
human beings leave their physical bodies in varying degrees
|
|
during sleep. Subsequent reading has proved that this idea is
|
|
thousands of years old in man's history. If it is a valid
|
|
premise, then the condition itself is not unnatural. On the
|
|
other hand, conscious, willful practice of separation from the
|
|
physical is contrary to the pattern, it would seem, in view of
|
|
the limited data available.
|
|
Harmful physical effects from such activity are
|
|
undetermined. I have not detected (nor have any physicians) any
|
|
physiological changes, good or bad, that can be attributed
|
|
directly to the out-of-the-body experience.
|
|
There have been many psychological changes that I
|
|
recognize, and probably many more that I have not been aware of.
|
|
However, even my friends in the psychiatric profession have not
|
|
claimed that these have been detrimental. My gradual revision of
|
|
basic concepts and believes is apparent in a number of ways
|
|
throughout this writing. If these psychological and personality
|
|
changes are truly harmful, there is not much that can be done
|
|
about it now.
|
|
A note of caution is in order here for those who are
|
|
interested in experimenting, for once opened, the doorway to this
|
|
experience cannot be closed. More exactly, it is a copy of "you
|
|
can't live with it and you can't live without it." The activity
|
|
and resultant awareness are quite incompatible with the science,
|
|
religion, and mores of the society in which we live. History is
|
|
strewn with martyrs whose only crime was non-conformity. If your
|
|
interest and research become commonly known, you run the risk of
|
|
being labeled a freak, phony, or worse, and of being ostracized.
|
|
In spite of this, something extremely vital would be missing if
|
|
you did not continue to explore and investigate. In the
|
|
unaccountable "low" periods when you cannot produce this activity
|
|
no matter how carefully you try, you realize this deeply. You
|
|
have a strong sense of being left out of things, of the shutting
|
|
out of a source of great meaning to living.
|
|
Here, then, is the best written description I can give of
|
|
the technique of developing the non-physical experience.
|
|
|
|
|
|
THE FEAR BARRIER
|
|
|
|
There is one great obstacle to the investigation of the
|
|
Second Body and the environment in which it operates. Perhaps it
|
|
is the only major barrier. It seems to be present in all
|
|
people, without exception. It may be hidden by layers of
|
|
inhibition and conditioning, but when these are stripped away,
|
|
the obstacle remains. This is the barrier of blind, unreasoning
|
|
fear. Given only small impetus, it turns to panic, and then to
|
|
terror. If you consciously pass the fear barrier, you will have
|
|
passed a milestone in your investigation.
|
|
I am reasonably sure that this barrier is passed
|
|
unconsciously by many of us each night. When that part of us
|
|
beyond our consciousness takes over, it is not inhibited by fear,
|
|
although it seems to be influenced by the thought and action of
|
|
the conscious mind. It seems to be accustomed to operating
|
|
beyond the fear barrier, and understands better the rules of
|
|
existence in this other world. When the conscious mind shuts
|
|
down for the night, this Super Mind (soul?) takes over.
|
|
The investigative process relative to the Second Body and
|
|
its environment appears to be a melding or blending of the
|
|
conscious with this Super Mind. If this is accomplished, the
|
|
fear barrier is overcome.
|
|
The fear barrier is many-faceted. The most fearless of
|
|
us think it does not exist, until, much to our own surprise, we
|
|
encounter it within ourselves. First and foremost, there is the
|
|
death fear. Because separation from the physical body is much
|
|
like what is expected at death, early reactions to the experience
|
|
are automatic. You think, "Get back in the physical, quickly!
|
|
You are dying! Life is there, in the physical; get back in!"
|
|
These reactions appear in spite of any intellectual or
|
|
emotional training. Only after repeating the process eighteen to
|
|
twenty times did I finally gather enough courage (and curiosity)
|
|
to stay out more than a few seconds and observe objectively. The
|
|
death fear was either sublimated or assuaged by familiarity.
|
|
Others who have tried the technique have stopped after the first
|
|
or second experience, unable to suppress this first aspect of the
|
|
barrier.
|
|
The second aspect of the fear barrier is also linked with
|
|
the death fear: will I be able to return to the physical or to
|
|
get back "in." With no guidelines or specific instructions, this
|
|
remained a prime fear of mine for several years, until I found a
|
|
simple answer that made it work every time. Mine was a matter of
|
|
rationalization. I had been "out" several hundred times, and the
|
|
evidence showed that I was able to return safely one way or
|
|
another. Therefore, the probability was that I would return
|
|
safely the next time also.
|
|
The third basic fear was fear of the unknown. The rules
|
|
and dangers of our physical environment can be determined to a
|
|
reasonable degree. We have spent our lifetime building up
|
|
reflexes to cope with them. Now, suddenly, here is another,
|
|
completely different set of rules, another world of entirely
|
|
different possibilities, populated by beings who seem to know all
|
|
of them. You have no rule book, no road map, no book of
|
|
etiquette, no applicable courses in physics and chemistry, no
|
|
incontrovertible authority you can turn to for advice and
|
|
answers. Many a missionary has been killed in a remote land
|
|
under just such conditions!
|
|
I must confess that this third fear still crops up, and
|
|
with justification. The unknown is still to a great degree
|
|
unknown. Such penetration as I have made has brought forth
|
|
pitifully few unalterable and consistent rules. I can say only
|
|
that, to date, I have survived these expeditions. There is so
|
|
much that I do not comprehend or understand, and more that is
|
|
beyond my ability to do so.
|
|
Another fear is the consequent effects on the physical
|
|
body as well as on the conscious mind of participation and
|
|
experimentation in this form of activity. This too is very real,
|
|
as our history, at least to my knowledge, does not seem to
|
|
contain accurate reporting of this area. We have studies on
|
|
paranoia, schizophrenia, phobias, epilepsy, alcoholism, sleeping
|
|
sickness, acne, virus diseases, etc., but no assembled body of
|
|
objective data on the pathology of the Second Body.
|
|
I do not know how to circumvent the fear barrier, except
|
|
by cautious initial steps that create familiarity bit by bit as
|
|
you proceed. I hope this writing in its entirety will provide
|
|
the psychological "step" over the barrier. It may help to
|
|
recognize conditions and patterns that are familiar in that at
|
|
least one person has had similar experiences and survived.
|
|
The following are the necessary procedural developments.
|
|
|
|
1. RELAXATION
|
|
|
|
The ability to relax is the first prerequisite, perhaps
|
|
even the first step itself. It is deliberately generated, and is
|
|
both physical and metal. Included with the condition of
|
|
relaxation must be the relief from any sense of time urgency.
|
|
You cannot be in a hurry. No pending appointments or anticipated
|
|
calls for your services or attention must clutter up your
|
|
thoughts. Impatience of any sort can effectively stifle your
|
|
prospects for success.
|
|
There are many techniques available for obtaining this
|
|
kind of relaxation, and a number of good books cover the subject.
|
|
Simply select the method that works best for you. There are
|
|
three general methods that seem to work, two of which are
|
|
applicable in these exercises.
|
|
Auto- or self-hypnosis. Most self-study books offer this
|
|
method in different versions. Again, it is a matter of which is
|
|
most effective for you individually. The most efficient and
|
|
speediest way is to learn self-hypnosis through the training of
|
|
an experienced hypnotist. He can set up posthypnotic suggestion
|
|
that will bring immediate results. However, select a tutor with
|
|
care. Responsible practitioners are rare, and neophytes
|
|
numerous. Forms of meditation can be converted to effective
|
|
relaxation.
|
|
Borderland sleep state. This is perhaps the easiest and
|
|
most natural method and usually ensures relaxation of both body
|
|
and mind simultaneously. The difficulty here lies in the
|
|
maintenance of that delicate "edge" between sleep and complete
|
|
wakefulness. All too often, you simply fall asleep and that ends
|
|
the experiment for the moment.
|
|
By practice, conscious awareness can be taken up to this
|
|
borderland state, into it, and through it, to your destination.
|
|
There is no way to achieve it that I know of that than practice.
|
|
The technique is as follows: lie down, preferably when you are
|
|
tired and sleepy. As you become relaxed and start to drift off
|
|
to sleep, hold your mental attention on something, anything, with
|
|
your eyes closed. Once you can hold the borderland state
|
|
indefinitely without falling asleep, you have passed the first
|
|
stage. It is, however, a normal pattern to fall asleep many
|
|
times in the process of this consciousness deepening. You will
|
|
not be able to help yourself, but do not let this discourage you.
|
|
It is not an overnight process. You will know you are
|
|
successful when you become bored and expect something more to
|
|
happen!
|
|
If attempts to remain at the borderland state make you
|
|
nervous, this too is a normal reaction. The conscious mind seems
|
|
to resent sharing the authority it has during wakefulness. If
|
|
this occurs, break the relaxation, get up and walk around,
|
|
exercise, and lie down again. If this does not relieve the
|
|
nervousness, go to sleep and try another time. You are just not
|
|
in the mood.
|
|
When your "fixative," the picture thought you have been
|
|
holding, slips away and you find yourself thinking of something
|
|
else, you are close to completion of condition A.
|
|
Once you have achieved Condition A - the ability to hold
|
|
calmly in the borderland state indefinitely with your mind on an
|
|
exclusive thought - you are ready for the next step. Condition B
|
|
is similar, but with the concentration eliminated. Do not think
|
|
of anything, but remain poised between wakefulness and sleep.
|
|
Simply look through your closed eyes at the blackness ahead of
|
|
you. Do nothing more. After a number of these exercises, you
|
|
may hallucinate "mind pictures," or light patterns. These seem
|
|
to have no great significance, and may merely be forms of neural
|
|
discharge. I can remember, for example, attempting to achieve
|
|
this state after watching a football game on TV for several
|
|
hours. All I saw were mind pictures of football players
|
|
tackling, running, passing, etc. It took at least a half hour
|
|
for the pattern to fade away. These mind pictures are apparently
|
|
related to your visual concentration in the preceding eight or
|
|
ten hours. The more intense the concentration, the longer it
|
|
seems to take to eliminate the impressions.
|
|
You have accomplished Condition B when you are able to
|
|
lie indefinitely after the impressions have faded away, with no
|
|
nervousness, and seeing nothing but blackness.
|
|
Condition C is a systematic deepening of consciousness
|
|
while in the B state. This is approached by carefully letting go
|
|
of your rigid hold on the borderland sleep edge and drifting
|
|
deeper little by little during each exercise. You will learn to
|
|
establish degrees of this deepening of consciousness by "going
|
|
down" to a given level and returning at will. You will recognize
|
|
these degrees by the shutting down of various sensory mechanism
|
|
inputs. The sense of touch apparently goes first. You seem to
|
|
have no feeling in any part of your body. Smell and taste soon
|
|
follow. The auditory signals are next, and the last to fade out
|
|
is vision. (Sometimes the last two are reversed; I suspect that
|
|
the reason for vision being last is that exercises calls for the
|
|
use of the visual network, even in blackness.)
|
|
Condition D is the achievement of C when one is fully
|
|
rested and refreshed, rather than tired and sleepy, at the
|
|
beginning of the exercise. This is quite important, and not
|
|
nearly as easy to achieve as it is to write about. To enter the
|
|
relaxation state full of energy and wakefulness is great
|
|
insurance for maintaining conscious control. The best approach
|
|
to take in the early attempts at the Condition D exercise is to
|
|
start it immediately after you wake up from a nap or a night's
|
|
sleep. Start the exercise before you move around in bed
|
|
physically, while your body is still relaxed from sleep and your
|
|
mind is fully alert. Don't take too many liquids before
|
|
sleeping, and you won't have the immediate need to empty your
|
|
bladder upon awakening.
|
|
Induction by drugs. None of the relaxation-producing
|
|
drugs that are readily available seem to help. Barbiturates
|
|
force a loss of conscious control and only bring a confused state
|
|
in deeper consciousness. The same is true, to a lesser degree,
|
|
of tranquilizers. Relaxation is obtained, but at the cost of
|
|
perception. Alcohol in any form brings similar effects. More
|
|
exotic compounds such as the alkaloids and hallucinogens may be
|
|
more productive. I have more had enough experience or contact
|
|
with these to offer an opinion or even an educated guess. It
|
|
would seem that far-reaching research is indicated for these.
|
|
|
|
2. STATE OF VIBRATION
|
|
|
|
The generation of this effect is the most critical of
|
|
all. The subjective sensory impression it creates is described
|
|
elsewhere. Once it is achieved, you will certainly not have to
|
|
be told you've been successful, and you will have passed another
|
|
major hurdle.
|
|
All that can be given are clues. At the present level of
|
|
knowledge, it is not known why these things work. It is much
|
|
like turning a switch to obtain light without having any idea of
|
|
what the switch does, where the electricity comes from, or why
|
|
and how it acts upon a bulb enclosing tungsten filaments.
|
|
At the least, all of the material contained herein has
|
|
been established as empirically as possible. Aside from the
|
|
principal human laboratory -- this writer -- several other
|
|
individuals have tried the pattern. Suffice it to say that they
|
|
have obtained positive results.
|
|
Aids to the vibrational state. Lie down, in whatever
|
|
position is most conducive to your state of relaxation, but with
|
|
your body along a north-south axis, with yard to magnetic north.
|
|
Loosen any clothes you may be wearing. Keep covered so that you
|
|
feel just slightly warmer than is generally comfortable to you.
|
|
Remove any jewelry or metal objects close to or touching your
|
|
skin. Be sure that your arms, legs, and neck will relax in a
|
|
position that will not impede circulation. Darken the room
|
|
enough to ensure that no light can be seen through your eyelids.
|
|
Do not use a completely blacked-out room, as you will then have
|
|
no visual point of reference.
|
|
Absolute requisites. Ensure without question that you
|
|
will not be disturbed in any way, either by direct physical
|
|
intervention, a phone ringing, or other interrupting noises. Do
|
|
not set a time limit or a deadline. The time you spend in the
|
|
experiment is not more valuable spent elsewhere and you should
|
|
have nothing impending that might cut short this activity.
|
|
Achieve the state of relaxation. Do this by whatever
|
|
method you have found workable in your own individual case. Work
|
|
to Condition D or its equivalent, and hold at the deepest level
|
|
of relaxation possible without weakening your consciousness.
|
|
When you have taken as much time as you need to be sure you have
|
|
obtained this, mentally repeat, "I will consciously perceive and
|
|
remember all that I encounter during this relaxation period. I
|
|
will recall in detail when I am completely awake only those
|
|
matters that will be beneficial to my physical and mental well
|
|
being." Say this mentally five times. Then being breathing
|
|
through your half-opened mouth.
|
|
Establish the vibration waves. As you continue breathing
|
|
through your half-opened mouth, concentrate on the blackness in
|
|
front of your closed eyes. Look first into the blackness at a
|
|
spot a foot away from your forehead. Now move your point of
|
|
concentration to three feet away, and then six feet. Hold for a
|
|
while until the point is firmly established. From there, turn
|
|
the point 90 degrees upward, on a line parallel to the body axis
|
|
and reaching out above the head. Reach for the vibrations at
|
|
that spot. When you find them, mentally pull them back into your
|
|
head.
|
|
This simple description must pose many questions. Reach
|
|
out with what? Pull what back into your head? Let us try
|
|
another method of explanation. Begin a mental concentration, as
|
|
if two lines were extending from the outer sides of your closed
|
|
eyes. Think of them as converging at a point a foot away from
|
|
your forehead. Visualize a resistance or pressure when these two
|
|
lines meet, as if two charged electric wires were joined, or
|
|
poles of a magnet forced together. Now extend this juncture
|
|
about three feet, or the length of your arm outstretched. Due to
|
|
the angular difference, the pressure pattern is altered. A
|
|
compression of the space (forces?) between the converging lines
|
|
must result, and the pressure must therefore increase to maintain
|
|
the convergence. After the three-foot length has been
|
|
established and held, extend the intersection point out to six
|
|
feet away from your head, or 30 degrees. (So that you can
|
|
properly visualize the exact angle that represents 30 degrees, it
|
|
may help to mark off a 30 degree angle by protractor on paper and
|
|
memorize how it looks.)
|
|
Once you have learned to establish and maintain the 30
|
|
degree angle outward (or roughly six feet away), bend the point
|
|
of intersection 90 degrees (or in an "L") upward in the direction
|
|
of your head but parallel to the axis of your body. You "reach"
|
|
with this point of intersection. Stretch or reach with this
|
|
point more and more, until you obtain a reaction. Again, you
|
|
will know when you obtain it. It is as if a surging, hissing,
|
|
rhythmically pulsating wave of fiery sparks comes roaring into
|
|
your head. From there it seems to sweep throughout your body,
|
|
making it rigid and immovable.
|
|
Once you have learned the process, or the concept, it
|
|
will not be necessary to go through the entire routine. You need
|
|
only to think of the vibrations while in a relaxed state, and
|
|
they come into being. A conditioned reflex has been established,
|
|
or a neuron path that can be followed again and again. Again, it
|
|
is not a technique that can be achieved the first time it is
|
|
tried. The probability of success increases with each successive
|
|
effort. The more often you attempt it, the more likely you are
|
|
to have positive results. However, once you have succeeded, it
|
|
is not always repeatable at will. There are still many variables
|
|
that interfere which have yet to be isolated and identified. But
|
|
it does "work" often enough to be subject to continued study.
|
|
|
|
3. CONTROL OF VIBRATIONS
|
|
|
|
When you have obtained the vibrational state, there are
|
|
definite guidelines to follow. The utilization of this condition
|
|
under conscious control is the goal you are seeking. To
|
|
accomplish this, there are careful procedures to observe. The
|
|
should, of course, be followed in sequence, in the order
|
|
presented.
|
|
There is no evidence to indicate that this vibrational
|
|
state has a deleterious effect on either the mind or the physical
|
|
body. Here, then, are some procedures that can be applied
|
|
systematically. They are a distillate of literally hundreds
|
|
trial-and-error experiments.
|
|
Acclimatization and accommodation. This is a way of
|
|
saying that you should let yourself get accustomed to the feel of
|
|
this unusual condition. All fear and panic must be eliminated
|
|
when you feel waves like an electric shock without pain
|
|
permeating your body. The best method seems to be to do nothing
|
|
when they occur. Lie quietly and objectively analyze them until
|
|
they fade away of their own accord. This usually takes place in
|
|
about five minutes. After several such experiences, you will
|
|
realize you are not being electrocuted. Try to avoid panicky
|
|
struggling to break the paralytic condition. You can break it by
|
|
sitting up with great force of will, but you will be disappointed
|
|
with yourself for doing so. After all, this was what you were
|
|
trying to achieve.
|
|
Manipulation and moderation. Once you have eliminated
|
|
the fear reactions, you are ready for controls steps. First,
|
|
mentally "direct" the vibrations into a ring, or force them all
|
|
into your head. Then mentally push them down along your body to
|
|
your toes, then back up to your head. Start them sweeping in a
|
|
wave over your body rhythmically, from head to toes and then back
|
|
again. After you have given the wave momentum, let it proceed of
|
|
its own accord until it fades away. It should take about ten
|
|
seconds - five down, five back - for the wave to make the
|
|
complete circuit, from head to toes and back. Practice this
|
|
until the vibration wave begins instantly upon mental command,
|
|
and moves steadily until fade-out.
|
|
By this time, you will have noticed the "roughness" of
|
|
the vibrations at times, as if your body is being severely shaken
|
|
right down to the molecular or atomic level. This may be
|
|
somewhat uncomfortable, and you will feel a desire to "smooth"
|
|
them out. This is accomplished by "pulsing" them mentally to
|
|
increase their frequency. Their original vibratory rate seems to
|
|
be on the order of some twenty-seven cycles per second (this is
|
|
the rate of the vibration itself, not the head-to-toe frequency).
|
|
The pattern responds to this pulsing command very subtly and
|
|
slowly at first. Your first indication of success is when the
|
|
vibrations no longer seem rough and shaking. You are well on
|
|
your way to control when they produce a steady, solid effect.
|
|
It is essential that you learn and apply this speed-up
|
|
process. The faster vibration effect is the form that permits
|
|
disassociation from the physical. Once you have set the momentum
|
|
of the speed-up, the acceleration seems to take place
|
|
automatically. Eventually, you may sense the vibrations only as
|
|
they begin. They will increase their frequency - like a motor
|
|
starting up - until the frequency is so high that you are unable
|
|
to perceive it. At this phase, the sensory effect is one of body
|
|
warmth, slightly tingling, but not excessively so.
|
|
Consistent achievement of this stage is the sign that you
|
|
are ready for the first physical disassociation experiments.
|
|
Another word of warning is in order here. Beyond this point, I
|
|
believe you cannot turn back. Ultimately, you will be committed
|
|
to the reality of this other existence. How this will affect
|
|
your personality, your daily life, your future, and your
|
|
philosophies rests entirely with you as an individual. For once
|
|
you have been "opened" to this other reality, you cannot
|
|
completely shut it out again, try as you might. The pressure of
|
|
material affairs may sublimate it for a time, but it will return.
|
|
You cannot always stay on guard against its reopening. As you
|
|
start to sleep or awaken, when you merely relax, the vibrational
|
|
surge may come without call. You can shut it off, of course, but
|
|
eventually you become too tired to bother - and your are off on
|
|
another excursion. You sense that you are fighting against
|
|
yourself.
|
|
And who wants to fight one's self - at the price of a
|
|
good night's sleep.
|
|
|
|
|
|
From the book 'Journeys out of the Body'
|
|
by Robert Monroe
|
|
|
|
|
|
|
|
|
|
Press any key to continue
|
|
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Heaven 'N' Hell's Occult Database
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~~~Astral Projection~~~
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1. Monroe Techniques for Astral Projection
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2. Astral Projection: An Introduction
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3. Astral Projection: The Wiccan Method
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4. Using the Body of Light
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5. Important Notes on Astral Projection
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6. Suggested Reading on Astral Projection
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7. The Protection Circle for Projecting
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8. The Cabala
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9. Astral Projection using Dream Control
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10. Magick and Astral Projection
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11. Magick: Spirits and Thoughtforms
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12. Magick: Elementals and Forces
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13. Magick: The Four Worlds
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14. Journeys Out of the Body Part I
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15. Journeys Out of the Body Part II
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Select (Q=Exit)> 15
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<-------------------------------------------------------------->
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<__Astral_Projection_Part_II_><Call:___________________________>
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<__The Serpation Process_____><______The Falcons Nest__________>
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<__By: The Falcon____________><_______(302)-875-7465___________>
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<__Uploaded By:The Loon______><______60 Megz_12oo Baud_________>
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<--------------------------------------------------------------
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The following was taken directly from the book Journeys Out of
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the Body, by Robert A. Monroe.
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THE SEPARATION PROCESS
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After you have achieved the state of vibration and some control
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of your stage of relaxation, one additional factor must be
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considered. It is probable that you have already obtained it,
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since it is ordinarily a product of the previous exercises.
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However, it should be emphasized.
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This factor is thought control. In the state of
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vibration, you are apparently subject to every thought, both
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willful and involuntary, that crosses your mind. Thus you must
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be as close to "no thought" or "single thought" (concentration)
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as possible. If one stray idea passes through your mind, you
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respond instantly, and sometimes in an undesirable manner. I
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suspect that one is never completely free of such misdirection.
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At least I have not been, which may account for the many
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inexplicable trips to places and people I do not know. They seem
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to be triggered by thoughts or ideas I didn't realize I had,
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below the conscious level. The only approach is to do the best
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you can.
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With this in mind, the first practices of disassociating
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the Second from the physical body should be limited in time and
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action. What follows is designed basically as a familiarization
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and orientation technique which should permit an approach to
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disassociation without fear or concern.
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Release of extremities. This serves to acquaint you with
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the sensation of the Second Body without full commitment. After
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relaxation and creation of the vibration state, work with either
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your right or left hand and arm, one at a time. This is
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important, as it will be your first affirmation of the reality of
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the Second. With one hand, reach for any object - floor, wall,
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door, or whatever - that you remember as being beyond the reach
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of your physical arm. Reach for that object. Make the reaching
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process neither upward nor downward, but out in the direction
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your arm is pointing. Reach as if you were stretching your arm,
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not raising or lowering it. A variation is simply to reach out
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with the hand and arm in the same manner with no special object
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in mind. Often this method is better, as you then have no
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preconceived idea of what you will "feel."
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When you reach out in this fashion and feel nothing, push
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your hand a little farther. Keep pushing gently, as if
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stretching you arm, until your hand encounters some material
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object. If the vibration pattern is in effect, it will work, and
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your hand will eventually feel or touch something. When it does,
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examine with your sense of touch the physical details of the
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object. Feel for any cracks, grooves, or unusual details which
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you will later be able to identify. At this point, nothing will
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seem unusual. Your sensory mechanisms will tell you that you are
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touching the object with your physical hand.
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Here, then, is your first test. After acquainting
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yourself with the object with your outstretched hand, straighten
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out your hand and push against the object with your fingertips.
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You will encounter resistance at first. Push a little harder,
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and gently overcome the resistance you feel. At this point, your
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hand will seem to go right through the object. Keep pushing
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until your hand is completely through the object and meets some
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other physical object. Identify the second object by touch.
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Then carefully withdraw your hand, back through the first object,
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and slowly back to normal, so that it feels as if it is where it
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"belongs."
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With this, decrease the vibrations. The best way to do
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this is slowly to attempt to move the physical body. Think of
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the physical body, and open your physical eyes. Bring back your
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physical senses, deliberately.
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Once the vibrations have faded away completely, lie still
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for a few minutes for full and complete return. Then get up and
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make a notation of the object which you "felt," locating it
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relative to the position of your hand and arm when you were lying
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down. Note the details of both the first and second objects
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which you felt. Having done this, compare your description with
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the actual first object. Make special note of small details
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which you could not have seen from a distance. Physically feel
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the object to compare it with what you felt under the vibrations.
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Examine the second object in the same manner. You may
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not have been consciously aware of its presence or position prior
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to the experiment. This too is important. Test the line of
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direction from the place where your physical hand lay, through
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the first object and up to the second. Is it a straight line?
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Check your results. Was the first object you touched
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physically located at a distance it would have been absolutely
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impossible to reach without physical movement? Did the details
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of the object - especially the minute details - coincide with the
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notes you have made? Make the same comparison for the second
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object.
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If your answers are affirmative, you have had your first
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success. If the facts do not check out, try again another day.
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Almost without qualification, if you have produced the
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vibrational state, you can perform this exercise.
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You can also practice the following quite easily. After
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producing the vibrational state, lying on your back, arms either
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at your sides or on your chest, gently lift your arms without
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looking at them and touch your fingers together. Do this quite
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casually, abstractly, and remember the sensory results. Once you
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have clasped your hands above your chest, look at them first with
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your closed eyes. If you have moved easily enough, you will see
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both physical and non-physical arms. Your physical arms will be
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at rest at your side or upon your chest. The sensory impressions
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will be with the non-physical arms and hands above your physical
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body. You should test this phenomenon as many times as you wish,
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however you desire. Prove to yourself that you are moving not
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your physical arms, but something else. Do it by whatever means
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are necessary to give you full assurance of this reality.
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It is important always to return your non-physical arms
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to full conjunction with their physical counterparts before
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"shutting off" the vibration state. Although there may be no
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severe aftereffect if this is not done, I think it best not to
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find out in the early stages.
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Disassociation technique. The simplest method to use in
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separating from the physical is the "lift-out" procedure. The
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intent here it not to travel to far-off places, but to get
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acquainted with the sensation in your own room, with familiar
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surroundings. The reason for this is that the first true
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experience will then be examined and explored with identifiable
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points of reference.
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In order to assist in this orientation, it is better that
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these first complete disassociation exercises be conducted during
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daylight. Test for yourself your needs in regard to the amount
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of light in the room. Avoid using an electric light if possible.
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To establish the condition, achieve the vibrational
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state, and maintain complete control of your thought processes.
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You are going to stay only in the confines of your familiar room.
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Think of getting lighter, of floating upward, of how nice it
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would be to float upward. Be sure to think how nice it would be,
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as the subjective associated thought is most important. You want
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to do this because it is something you will respond to
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emotionally; you react even before the act, in anticipation. If
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you continue to hold only these thoughts, you will disassociate
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and float gently upward from your physical. You may not achieve
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it the first time, or the second. But quite surely, if you have
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achieved the preceding exercises, you will achieve it.
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A second method is the "rotation" technique, which has
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been mentioned elsewhere. Under the same prescribed conditions,
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slowly try to turn over, just as if you were turning over in bed
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to be more comfortable. Make no attempt to help yourself rotate
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with either arms or legs. Start turning by twisting the top of
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your body, your head and shoulders, first. By all means move
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slowly, exerting gently but firm pressure. If you do not, you
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may become loose and actually spin like a log rolling in water
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before you can alter the pressure. Such action is disconcerting
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only because you may lose all orientation and be forced to find
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your way back carefully in rotation juncture.
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The ease with which you begin to turn, with no friction
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or sense of weight, will inform you that you have begun to
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succeed in disassociating. As this happens, turn slowly until
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you feel that you have moved 180 degrees (i.e., face to face with
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your physical body). It is uncanny how you will recognize this
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position. this 180 degrees about face is merely two 90 degree
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turns, and without orientation, it is easy to sense.
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Once you are in the 180 degree position, stop the
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rotation by merely thinking of doing so. Without hesitation,
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think of floating upward, backing up away from the physical body.
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Again, if you have reached the vibrational state successfully,
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this method will surely bring results.
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Of the two separation techniques, the first should be
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tried before the second. Then, after both have been examined and
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tested, the one that seems easiest to you should be utilized.
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Local experiments and familiarization. Once you have
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succeeded in the separation process, it is most important for
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your own objective continuity that you remain in complete
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control. The only possible way to do this seems to be by staying
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close to the physical in the early stages. Whatever you may feel
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emotionally, keep in close proximity to the physical. This
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admonition is made not because of any known danger, but so that
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you will maintain a step-by-step familiarity and thus perceive
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for yourself exactly what is taking place. Wild, uncontrolled
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trips at this stage may well produce uncomfortable situations and
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conditions that will force you to relearn much of what you have
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already achieved. The process of mental acclamation will be
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different from any you have ever consciously experienced. The
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gradual adaptation will greatly enhance your peace of mind and
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confidence.
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At this point, the principal exercise is to return. Keep
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your separation distance no more than three feet away, hovering
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over the physical. Do not make any attempt at this time to move
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laterally or farther "up." How do you know how far aware you
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are? Again, this is something you sense. Your vision now is
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zero. You have conditioned yourself not to open your eyes, and
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let them remain closed for the moment. Stay close to the
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physical. The mental concept of this will keep you in proper
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range.
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For the next three or four exercises, do nothing but
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practice getting "out" and returning to the physical. To return
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under these conditions, merely "think" yourself back into the
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physical, and you will return. If you have used the first method
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of separation, the reintegration is relatively simple. When you
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are back in exact alignment, you will be able to move any portion
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of the physical body and reactivate any or all of your physical
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senses. Each time you return, open your physical eyes and
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physically sit up so that you know you are completely "back
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together." This is to ensure orientation, to instill confidence
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that you can return at will, and most important, to assure
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yourself of continued contact with the material world in which
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you now belong. Whatever you believe, this reassurance is most
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necessary.
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If you have applied the rotation method, move slowly back
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toward the physical, again by thinking of it, and when you feel
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you have made complete contact, start your rotation back 180
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degrees to conjunction with the physical. It seems to make no
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difference whether you continue the circle of rotation or reverse
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and turn back in a motion opposite to that which helped you
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release.
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In both techniques, there seems to be a slight,
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click-like jerk when you are again in conjunction with the
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physical. An exact description of this sensation is quite
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difficult, but you will recognize it. Always wait a few moments
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before sitting up after you have returned, primarily to avoid any
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possible uneasiness. Give yourself some time to readjust to the
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physical environment. The physical act of sitting up provides
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evidence of continuity in a demonstrable form; you will know
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that you can consciously, willfully act in a physical movement
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interspersed with experiments in the non-physical environment and
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retain conscious awareness throughout the process.
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You will have completed the cycle when you are able to
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separate, return to the physical, sit up and note the time, go
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back to the separation process, and return to the the physical a
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second time, all without loss of conscious continuity. The
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notation of the clock reading will help in this.
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The next step in familiarization is to separate to a
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slightly farther distance, applying the same procedures. Any
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distance up to ten feet will do. Always keep mental
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concentration on a single purpose without stray though patterns,
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especially in these extended exercises. After you have become
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accustomed to the feeling of being more "apart," mentally tell
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yourself that you can see. Do not think of the act of opening
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your eyes, as this may well transmit you to the physical and
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diminish the vibrational state. Instead, think of seeing, that
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you can see - and you will see. There will be no sensation of
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eye opening. The blackness will just disappear suddenly. At
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first, your seeing may be dim, as if in half-light, indistinct or
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myopic. It is not known at present why this is so, but with use,
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your vision will become more sharp.
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The first sight of your physical body lying below you
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should not be unnerving if you have applied the previous
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exercises. After you are satisfied that it is "you" lying there,
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visually examine the room from the perspective of your position.
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Mentally move slightly in one direction or another, slowly and
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never violently. Move your arms and legs to reassure yourself of
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your mobility. Roll around and cavort in the new element if you
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wish, always staying within the prescribed range of the physical.
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At this stage, you may be filled with strong desires
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which can be almost overwhelming. This is the greatest problem
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you may face at the moment. These desires, appearing unannounced
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and unexpectedly, are subjective and emotional, and can easily
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submerge the deductive reasoning position you have built up so
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carefully. The more important clue is to understand that they
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must not be labeled evil or wrong. They simply exist, and you
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must learn to cope with them. The rule is do not deny the
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existence of these desires. Recognize them as a deep, integral
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part of you that cannot be "thought" away. Until you do this,
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you will be unable to control them.
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These desires include freedom (to revel in the release
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from physical limitations and gravitational effects), sexual
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contact (first with a loved one, then at a strictly sensory
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level), religious ecstasy (varying, based upon the intensity of
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earlier life conditioning), and others that may originate in
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unusual environmental experiences of the individual. The belief
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held here is that everyone will have these subjective desires
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despite the most stringent discipline and self-analysis. What we
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speak of are those elements far below surface consciousness that
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comprise your own fundamental character and personality. As has
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been explained earlier, these elements emerge because you are no
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longer just a conscious, intellectual self. You are, perhaps for
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the first time, an entirety. Every part of you will be heard
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from and must be considered in any action you take. The trick is
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to keep the conscious, reasoning you (the one most cognizant of
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the physical world) in a dominant position. It isn't easy.
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Therefore, you will run into problems if you attempt a
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denial of self. Instead, you must accept these sometimes
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surprising drives for what they are - a part of you - and go on
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about your business. You cannot eliminate them, but you can set
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them aside for the moment. Offer the promise of future
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fulfillment, and you will have no resistance. These needs can
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understand diversion, as they have been subjected to it for as
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long as you have lived!
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When you have reasonable dealt with these other parts of
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you, and have demonstrated this to your satisfaction five to
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seven times in a near-separation condition (in the same room at
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close vicinity), you are ready for more distance and specific
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voyages. All of the foregoing presumes that you have overcome
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most of the fears you have encountered up to this stage. If you
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have not, repeat the exercises which produce fear until
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familiarity washes it away.
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Infallible return signal. As noted, the fear of being
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unable to re-enter the physical is a basic deterrent to leaving
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the body. In my early experimentation, I encountered this
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problem many times. Happily, a solution was found whenever this
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difficulty presented itself. After careful analysis of hundreds
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of test, an infallible technique was evolved. The only guarantee
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that can be given is that it has continued to work for me.
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First, if you have difficulty, don't panic. Above all,
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keep your rational thought processes dominant. Terror only
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aggravates the situation. Internalize this simple formula, and
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call upon it: to return to the physical body from wherever you
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are, think of your physical body. Mentally begin to move some
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part of your physical body. Move a finger or a toe. Physically
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take a deep, deliberate breath of air. Reactivate your five
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physical senses, or any one of them. Move your jaw. Swallow, or
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move your tongue. Any act that must involve physical motion or
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use of physical energy will work. If one doesn't immediately
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take effect, try another. Without question, some such thought
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action will bring you back into the physical. It is merely a
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question of which one works best with you.
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When this technique is applied, return is virtually
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immediate. It is an automatic direction finder and rocket blast
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combined. Reintegration seems to be instantaneous when this is
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used. However, this immediate-return method eliminates your
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power of choice or decision. Once it is put into effect, you
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cannot stop it. You will return to the physical without any
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opportunity to know what is happening, and how it is taking
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place. Thus it should be thought of as an emergency reserve
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measure rather than a consistent step in your methodology.
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Under ordinary conditions, you should think of or feel
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the direction and location of your physical body. Then, with no
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urgency and in a calm, willful manner, start to return.
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The mechanics of movement. Now that you have set up the
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proper controls, including the emergency return signal, you are
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ready for the most momentous step of all: to "go" to a distant
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point and return. It is definitely not advisable deliberately to
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attempt this exercise before you have completed all previous test
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and are at ease with them. It is quite possible that you may
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have inadvertently gone to a distance point during the early
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stages. If this is the case, you can recognize the importance of
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following a procedure.
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First, set your "aiming point." Remember the rule: you
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must "go" to a person, not to a place. It may be possible to
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achieve the latter if you have a deep emotional attachment to the
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locale, but the experiments to date have shown little success
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along this line. This, of course, may be due to the personality
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of the writer.
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Select the person (living) whom you desire to visit.
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Choose someone that you know quite well. Do not inform this
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person that you are making the test. This is most important so
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as to rule out any suggestion on his or her part. Make this
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selection before you enter the vibrational state and before you
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start your relaxation process.
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Establish relaxation and the vibrational state. Use your
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chose method to separate. Move away to near distance, six or
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seven feet from the physical. With your vision still in
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"blackness," cautiously "think" of the person whom you plan to
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visit. Think not only of the name, but of the personality and
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character of the person. Do not try to visualize a physical
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being, for it is the reflection of the inner person that will
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attract you, rather than the physical attributes.
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As you think in this pattern, turn yourself around slowly
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in a 360 degree rotation. Somewhere in the circuit, you will
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"feel" the right direction. It is an intuitive thing, a sureness
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that attracts you like a gentle magnet. Even so, you can check
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for verification. Go past this point in your turn, and come back
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to it. Again, you will sense it very strongly. Stop, facing
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this direction. Think that you have vision, and begin to see.
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To give yourself motion toward your destination, employ a
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total Second Body version of the "stretch," which you practiced
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in your first exercise with hand and arm. The easiest method is
|
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to place your non-physical arms over your head, thumbs latched
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together like a diver about to plunge into water. With your arms
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in this position, think of the person you wish to visit and
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stretch your body in that direction. You may move fast or
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slowly, depending upon the effort of this stretching action. The
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harder you "stretch," the faster you go. At your destination,
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you will automatically stop stretching without realizing it.
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To return, apply a similar method. Think of your
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physical body, reach out and stretch, and you will return prompt.
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Usually no more is required than this. There is some speculation
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regarding the necessity of keeping your arms in the diver's
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position. Originally, it was assumed that this stance would
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break a path or ward off any encountered objects with the hands
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rather than the head. It does help create the stretching action
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better than keeping the arms at the sides.
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There you have it. The foregoing may seem ritualistic,
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but it is not intended to. It may appear no better than the
|
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magic formula of the Middle Ages. To date, there are no
|
|
explanations of why the technique works. Perhaps in the years to
|
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come, interested and curious physicists, chemists, neurologists,
|
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and other scientists will develop workable theories to fit
|
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the action. If enough people undertake to examine it
|
|
empirically, perhaps a new science will result.
|
|
In the meantime, the boundaries can disappear for you,
|
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too, if you have courage and patience. The only way you can
|
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accept and know this extended reality is to experience it
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yourself.
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Good Luck!
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Press any key to continue
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Daily quota exceeded!
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Daily quota exceeded!
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Connected: 47 minutes. 77 minutes remaining.
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Check out CT's most extensive databases!!!
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Heaven 'N' Hell > f
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Heaven 'N' Hell Files System
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Heaven 'N' Hell File Directory
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1) Games 2) Utilities
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3) Docs 4) Misc
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5) IBM Games 6) IBM Utilities
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7) IBM Pictures 8) IBM Misc
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L=List NEW files S=Scan NEW files
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l=List ALL files s=Scan ALL files
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3/1 download/upload ratio!!!
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Select> 3
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Upload ALL Text or Documentation to
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this section ONLY!!!
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Heaven 'N' Hell Files System
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Current file directory is DOCS
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Files Cmd (?=List)> l
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Heaven 'N' Hell Download Directory - DOCS
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[A]ll files
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[N]ew since last listed
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[S]ince specified date
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[F]ile number >=
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[L]ocate/search
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Select> a
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File # 85 Filename: THEHACKR.ARC
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Uploaded on : Apr 30, 1990 Uploader : RANDY SMITH
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Application : Text or Docs Level : 0
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File Type : Binary Language : ARC
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Byte count : 21632 Access Count : 7
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Last Download: Jan 23, 1992 Download Time: 1 minutes
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Blocks : 170-Xmodem/SEAlink, 22-Y/Zmodem, 6-Fmodem, 43-B Protocol
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Description:
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First chapter of the book THE HACKER
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List Cmd (?=List)> ?
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[A]dd to ARC/LZH/ZIPdl
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[B]atch Mark
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[D]ownload
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[N]ext
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[P]revious
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[S]how Again
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[T]ype File (Will extract from Archive)
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[V]erbose Archive
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[Q]uit
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List Cmd (?=List)> q
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Heaven 'N' Hell Files System
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Current file directory is DOCS
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Files Cmd (?=List)> ?
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Heaven 'N' Hell Files System
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Heaven 'N' Hell's File Transfer Menu
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[A]-Archive tools (for downloading files from archive)
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[B]-Batch file transfer (transfers marked files in batch)
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[C]-Choose directories for listing ALL NEW files
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[D]-Download a file
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[F]-Find (search) file
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[L]-List files (full descriptions)
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[M]-Mark a file for batch transfer
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[O]-Other file directories
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[Q]-Quit to main menu
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[S]-Scan files (abbreivated descriptions)
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[T]-Toggle continuous scroll of directory listings
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[U]-Upload a file
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[V]-Verbose listing of an ARC, LZH or ZIP file
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[W]-Wide directory listing (filenames and size only)
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Note: To download a group of processed files from ARC's, [D]ownload
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filename ARCDL.ARC
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6747264 total bytes available for uploading
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2067584 bytes maximum upload file length
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Current file directory is DOCS
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Files Cmd (?=List)>
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Heaven 'N' Hell Files System
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Heaven 'N' Hell's File Transfer Menu
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[A]-Archive tools (for downloading files from archive)
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[B]-Batch file transfer (transfers marked files in batch)
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[C]-Choose directories for listing ALL NEW files
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[D]-Download a file
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[F]-Find (search) file
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[L]-List files (full descriptions)
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[M]-Mark a file for batch transfer
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[O]-Other file directories
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[Q]-Quit to main menu
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[S]-Scan files (abbreivated descriptions)
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[T]-Toggle continuous scroll of directory listings
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[U]-Upload a file
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[V]-Verbose listing of an ARC, LZH or ZIP file
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[W]-Wide directory listing (filenames and size only)
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Note: To download a group of processed files from ARC's, [D]ownload
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filename ARCDL.ARC
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6747264 total bytes available for uploading
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2067584 bytes maximum upload file length
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Current file directory is DOCS
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Files Cmd (?=List)> s
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Heaven 'N' Hell Download Directory - DOCS
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[A]ll files
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[N]ew since last listed
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[S]ince specified date
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[F]ile number >=
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[L]ocate/search
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Select> a
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Number Filename Length U/L'ed Description
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85)THEHACKR.ARC 21632 04/30/90 First chapter of the book THE HACKER
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962)GODS.DOC 14002 07/03/91 Docs to Gods
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1051)POLICY4.ARJ 25077 08/27/91 Fidonet policy for Sysops and members and
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1052)CYGNUSCD.ARJ 261944 08/27/91 List of files available from the Cygnus X
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1199)PHONE.FUN 11648 12/29/91 Phone Anarchy 1
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1206)EXPLOSIV.TXT 640 01/04/92 Compact xplosive. When in the liquid form
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1207)POISON.TXT 512 01/04/92 A form of NERVER GAS but verry POTENT! Un
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1208)LADMINE.TXT 768 01/04/92 Two recipies in one file.... Fire Bomb (N
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1215)9600BD.TXT 4992 01/12/92 Modify your 2400 baud MODEM for 9600 baud
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1216)SCANMODS.TXT 2688 01/12/92 Modify your scanner
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527)CHEATS.LZH 10183 12/05/90 This is a load of cheats for various game
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743)MMURDER.ZIP 5121 03/10/91 Mass-Murderer Trading Cards...
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994)USR42BIS.LZH 36864 07/28/91 Give your old HST modem the new V42Bis wi
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995)HACK_CIS.ARC 7168 07/28/91 Hack out CIS CompuServe accounts with thi
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999)PAYPHONE.TXT 4096 08/03/91 How to rob payphones. It works!
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[A]rc [B]atch [D]ownload [N]ext [L]ist [P]rev [Q]uit [S]how [T]ype [V]erbose
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Scan Cmd > k
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Number Filename Length U/L'ed Description
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1012)HEROKDOC.LZH 41480 08/10/91 Full docs to Hero's Keep
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1029)CTBBSLST.AUG 34099 08/22/91 Latest Connecticut BBS list.
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1030)USBBS83.PAK 54784 08/22/91 list of all American BBS's. August'91.
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1037)HAYESOP.ARJ 10361 08/22/91 Hayes Sysop Pricing. Similar to USR.
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1048)PYTHON.LZH 42627 08/27/91 Text to many of Pythons skits/scenes. Hi
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1087)MONEY.DOC 13162 09/12/91 Make $50,000 in less than 6 months!!! All
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1097)ZNET9140.ARC 32384 09/22/91 Z-Net Magazine 9/20/91....Great news and
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1115)SEXHINT.TXT 94884 10/09/91 Walk through for Spirit of Excalibur
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1222)HACKER.ZIP 30133 01/23/92 Is hacking legal?
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1223)MONEY.TXT 16008 01/23/92 Make money fast with your computer!
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1033)HYPERP.DOC 18907 08/22/91 documentation for HyperP protocol.
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1049)TAGDC25F.ZIP 99492 08/27/91 Docs for TAG 2.5, probably the best BBS s
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1053)EMUDOCS.ARJ 8555 08/27/91 Documentation for Emulex BBS software, go
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[A]rc [B]atch [D]ownload [L]ist [P]rev [Q]uit [S]how [T]ype [V]erbose
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Scan Cmd >
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Heaven 'N' Hell Files System
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Current file directory is DOCS
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Files Cmd (?=List)> a
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > d
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Sorry, file not found...
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: thehaackr.arc
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Sorry, file not found...
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > 85
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: 85
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<THEHACKR.ARC>
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Filename Size Comp %Comp Date Time Method CRC
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------------ ------- ------- ----- -------- -------- -------- --------
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THEHACKR.ASC 42753 21528 50% 04-11-90 16:38:20 Crunched d9cb
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------------ ------- ------- -----
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Total 1 42753 21528 50%
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Enter filename to add to ARCdl.ARC: 1097
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Hang on a sec
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Sorry, file not found...
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: 1097
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<ZNET9140.ARC>
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Filename Size Comp %Comp Date Time Method CRC
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------------ ------- ------- ----- -------- -------- -------- --------
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ZNET9140.ASC 59609 32228 46% 09-20-91 21:56:04 Crunched 4560
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------------ ------- ------- -----
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Total 1 59609 32228 46%
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Enter filename to add to ARCdl.ARC: ?
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Hang on a sec
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Sorry, file not found...
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > d
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Sorry, file not found...
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: 85
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<THEHACKR.ARC>
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Filename Size Comp %Comp Date Time Method CRC
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------------ ------- ------- ----- -------- -------- -------- --------
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THEHACKR.ASC 42753 21528 50% 04-11-90 16:38:20 Crunched d9cb
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------------ ------- ------- -----
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Total 1 42753 21528 50%
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Enter filename to add to ARCdl.ARC: q
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Hang on a sec
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Sorry, file not found...
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > r
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: 85
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<THEHACKR.ARC>
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Filename Size Comp %Comp Date Time Method CRC
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------------ ------- ------- ----- -------- -------- -------- --------
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THEHACKR.ASC 42753 21528 50% 04-11-90 16:38:20 Crunched d9cb
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------------ ------- ------- -----
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Total 1 42753 21528 50%
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Enter filename to add to ARCdl.ARC:
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > d
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Sorry, file not found...
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > a
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove > a
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Enter filename or number: 85
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<THEHACKR.ARC>
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Filename Size Comp %Comp Date Time Method CRC
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------------ ------- ------- ----- -------- -------- -------- --------
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THEHACKR.ASC 42753 21528 50% 04-11-90 16:38:20 Crunched d9cb
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------------ ------- ------- -----
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Total 1 42753 21528 50%
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Enter filename to add to ARCdl.ARC:
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ARCDL.ARC [A]dd [C]lear [D]ownload [R]emove >
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ARCDL.ARC >empty
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LZHDL.LZH >empty
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ZIPDL.ZIP >empty
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ARCTOOLS, Enter type: [A]rc [L]zh [Z]ip > ?
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Heaven 'N' Hell Files System
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Current file directory is DOCS
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Files Cmd (?=List)> ?
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|
|
|
|
|
Heaven 'N' Hell Files System
|
|
|
|
Heaven 'N' Hell's File Transfer Menu
|
|
|
|
[A]-Archive tools (for downloading files from archive)
|
|
[B]-Batch file transfer (transfers marked files in batch)
|
|
[C]-Choose directories for listing ALL NEW files
|
|
[D]-Download a file
|
|
[F]-Find (search) file
|
|
[L]-List files (full descriptions)
|
|
[M]-Mark a file for batch transfer
|
|
[O]-Other file directories
|
|
[Q]-Quit to main menu
|
|
[S]-Scan files (abbreivated descriptions)
|
|
[T]-Toggle continuous scroll of directory listings
|
|
[U]-Upload a file
|
|
[V]-Verbose listing of an ARC, LZH or ZIP file
|
|
[W]-Wide directory listing (filenames and size only)
|
|
|
|
Note: To download a group of processed files from ARC's, [D]ownload
|
|
filename ARCDL.ARC
|
|
|
|
|
|
6747264 total bytes available for uploading
|
|
2067584 bytes maximum upload file length
|
|
|
|
Current file directory is DOCS
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Files Cmd (?=List)> v
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Enter ARC/LZH/ZIP filespec: arc
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Sorry ARC is not available
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Heaven 'N' Hell Files System
|
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Current file directory is DOCS
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Files Cmd (?=List)> |